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[Cryptoon#3362] Explorer.chainzilla.io
[Cryptoon#3362] Press top 100
[PTYX#6840] .airdrop 20 2
[ChainZilla Bot#7671] @everyone New airdrop going out!
>>> The first 20 people to reply with their addresses will receive an airdrop of 2 Zilla! <<<
[BlackzetSS#9025] RX4xQ888uRYVY5qpbcFgdvQY3W4A5qaxkr
[ChainZilla Bot#7671] Congratulations @BlackzetSS, you won the airdrop! You will receive 2 Zilla soon. 19 AIRDROPS LEFT!
[Nansy00793#1436] RDMqnxd4QJzHJXL2EEyEvtLW53BPcyenuk
[CrytoHunter#3593] RUVvQweb3dnsjxVS6BvZCuTptjo1nXL3qZ
[KLMJ1#2767] RRqYAdyr3ZgkFU5Jy6CkPSyM3vAEEEXvs1
[Rasty#0884] RM6wSqMvAx854P8wCJeRC1nnZCyLmW6uu6
[ChainZilla Bot#7671] Congratulations @Nansy00793, you won the airdrop! You will receive 2 Zilla soon. 18 AIRDROPS LEFT!
Congratulations @Unknown, you won the airdrop! You will receive 2 Zilla soon. 17 AIRDROPS LEFT!
Congratulations @KLMJ1, you won the airdrop! You will receive 2 Zilla soon. 16 AIRDROPS LEFT!
Congratulations @Unknown, you won the airdrop! You will receive 2 Zilla soon. 15 AIRDROPS LEFT!
[traiderqwerty#3252] RPXK1QikUsAWia6CK43XJmcSzTFfTKVdi5
[ChainZilla Bot#7671] Congratulations @traiderqwerty, you won the airdrop! You will receive 2 Zilla soon. 14 AIRDROPS LEFT!
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[ChainZilla Bot#7671] Congratulations @Unknown, you won the airdrop! You will receive 2 Zilla soon. 13 AIRDROPS LEFT!
[Stels#9544] RWntcv1wBs8tjoem7f4YQ6BD3e6unGcNiy
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[ChainZilla Bot#7671] Congratulations @Unknown, you won the airdrop! You will receive 2 Zilla soon. 12 AIRDROPS LEFT!
Congratulations @enfarktus, you won the airdrop! You will receive 2 Zilla soon. 11 AIRDROPS LEFT!
[dolladollaiv#3294] RQhnRWZp1BdejuHhm4AQTaLGZrwQsVq7sK
[ChainZilla Bot#7671] Congratulations @dolladollaiv, you won the airdrop! You will receive 2 Zilla soon. 10 AIRDROPS LEFT!
[AchtSechs#1592] RUjhXGhcsjrpQncj8GtwXGRL6x5FgtUaZ8
[ChainZilla Bot#7671] Congratulations @AchtSechs, you won the airdrop! You will receive 2 Zilla soon. 9 AIRDROPS LEFT!
[Nourneme#2061] RTTScVtRNoKckgkVUuBu8JNUFLDNP1AHJN
[ChainZilla Bot#7671] Congratulations @Nourneme, you won the airdrop! You will receive 2 Zilla soon. 8 AIRDROPS LEFT!
[ydx (L'unique)#3685]
[nfelix92#1243] RCTUcsdT3vYWm7YcfuLKdpt6hBAhxwcSWb
[ChainZilla Bot#7671] Congratulations @nfelix92, you won the airdrop! You will receive 2 Zilla soon. 7 AIRDROPS LEFT!
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[ChainZilla Bot#7671] Congratulations @Unknown, you won the airdrop! You will receive 2 Zilla soon. 6 AIRDROPS LEFT!
[caex#1831] RAVw9oGCyfYmwbBftTFeRr49Wdkm6PPPBK
[ChainZilla Bot#7671] Congratulations @Unknown, you won the airdrop! You will receive 2 Zilla soon. 5 AIRDROPS LEFT!
[djithbit#3171] RCNAgJH8Xaa9iHFMsaZYmSZTRyM34Y2CFg
[traiderqwerty#3252] thank you brothers )
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[BTC-BTC-BTC#4223] RQKEbwKm3WEyVNtt12gBR8w38wrHQuDJpc
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[djithbit#3171] Wwwooooeehhhaaaaaaaaaa
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[ChainZilla Bot#7671] Congratulations @yorklab, you won the airdrop!  You will receive 2 Zilla soon. 0 AIRDROPS LEFT!
[ChainZilla Bot#7671] AIRDROP IS OVER! The winners will receive their coins soon. Keep an eye out for the next airdrop!
[Nansy00793#1436] thank you so mach)))))
[ydx (L'unique)#3685]
[djithbit#3171] Finally got one! :)
[caex#1831]
[TLMTroublemaker#2623] RLmcCsLvhX3NbtzjJAd3CPTtJR3ZrfNueo
[djithbit#3171] To be seen in agame wallet?
[fabian Day#0665] Thanks!
 Trying to catch you up @Robert Naus but you are getting too good.
[djithbit#3171] Yeah.. need to be faster than a bullet.. my kmd adress was already loaded in the copy.. just needed to paste !! :D
[branners#3580] So was mine lol
[branners#3580] Locked and loaded... To get nada


‹
Music
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to
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{%- include head.html -%}
{%- include gtm.html -%} {%- include header.html -%}
{{ content }}
{%- include footer.html -%}
We are on strike!
Join us as we fight for full student debt cancellation and free college for all.


%= include ../title-inside.html %>
A lightweight table directive with sorting, pagination and filtering support.
Settings can be provided as attributes in the <tasty-table>
.
bind-resource-callback
: The function callback. Will be call automatically when the sorting, pagination or filters
are changing.
bind-init
: The default initialization object.
bind-filters
(Defaults: {})
: The filters object.
bind-reload
: The function callback to reload manually the table when the filters are changed.
Settings can be provided as attributes in the <tasty-thead>
.
bind-not-sort-by
(Defaults: [ ])
: list key columns not want sort, if is empty will not sort any column.
bind-bootstrap-icon
(Defaults: false)
: Whether to display boostrap icon or not.
bind-icon-up
(Defaults: 'fa fa-sort-up')
: Class thead icon up
bind-icon-down
(Defaults: 'fa fa-sort-down')
: Class thead icon down
Settings can be provided as attributes in the <tasty-pagination>
.
bind-items-per-page
(Defaults: 5)
: Maximum number of items per page.
bind-list-items-per-page
(Defaults: [5, 25, 50, 100])
: list possible choice for items per page.
bind-template-url
(Defaults: 'template/table/pagination.html')
: a path to a template representing pagination's content.
If you add bind-
before the attribute that means is a
variable inside your $scope
otherwise you passing by plan value.


These samples illustrate the use of the ODBC from Prolog and the Amzi! Logic Server.
DBGene - The ODBC Logic Server Extension, aodbc.lsx, implements extended predicates that connect Prolog to ODBC data sources. The DBGene sample uses an Access database to store data about people, Prolog to represent the rules for different family relationships, and Visual C++ for a GUI front-end.
The program illustrates C++ calling Prolog with a query, Prolog resolving the query using both Prolog rules and ODBC queries, and returning values displayed in Visual C++ list boxes.
Events - Illustrates the use of date and time fields from Prolog with ODBC. Also illustrates the use of directives for setting up the ODBC environment from within a single Prolog source file.
VBGene - An example of a VB program calling a Prolog program of family relationships that calls an ODBC database for family data.
Copyright ©1987-2004 Amzi! inc. All Rights Reserved. Amzi! is a registered trademark and Logic Server and e-Prolog are trademarks of Amzi! inc.


{{/* delete-mp-form.html contains the form used for confirmation of deletion of a meal plan. Dot is expected to be a struct/map containing a field 'MP' of type *mpdata.MealPlan and a field 'NumServings' of integral type. */}}
Are you sure you want to delete the meal plan spanning {{.MP.StartDate.Format "Mon 02 Jan 2006"}} to {{.MP.EndDate.Format "Mon 02 Jan 2006"}}?
{{if .NumServings}}The {{.NumServings}} servings associated with the meal plan will also be deleted.
{{end}}{{template "footer.inc.html"}}


← Back to home page
Wildlife
French Bulldog
'Archie'
French Bulldog
'Flynn'
French Bulldog
(sold)
Crows
Gulls
Puffins
French Bulldog
African Cow
(sold)
Antelope
(sold)
Raven
Aberdeen Angus
Spanish Bull
Puffin
(sold)
Red Kyte
(sold)
Mountain Goat
Ram
Seagulls
(sold)
Sheep
Dodo
(sold)
Saddle Back
(sold)
Bald Eagles
Bison
(sold)
Orangutan


Contents
This section describes a grammar (and forward-compatible parsing rules) common to any level of CSS (including CSS 2.1). Future updates of CSS will adhere to this core syntax, although they may add additional syntactic constraints.
These descriptions are normative. They are also complemented by the normative grammar rules presented in Appendix G.
In this specification, the expressions "immediately before" or "immediately after" mean with no intervening white space or comments.
All levels of CSS — level 1, level 2, and any future levels — use the same core syntax. This allows UAs to parse (though not completely understand) style sheets written in levels of CSS that did not exist at the time the UAs were created. Designers can use this feature to create style sheets that work with older user agents, while also exercising the possibilities of the latest levels of CSS.
At the lexical level, CSS style sheets consist of a sequence of tokens. The list of tokens for CSS is as follows. The definitions use Lex-style regular expressions. Octal codes refer to ISO 10646 ([ISO10646]). As in Lex, in case of multiple matches, the longest match determines the token.
| Token | Definition |
|---|---|
| IDENT | {ident} |
| ATKEYWORD | @{ident} |
| STRING | {string} |
| BAD_STRING | {badstring} |
| BAD_URI | {baduri} |
| BAD_COMMENT | {badcomment} |
| HASH | #{name} |
| NUMBER | {num} |
| PERCENTAGE | {num}% |
| DIMENSION | {num}{ident} |
| URI | url\({w}{string}{w}\) |
| UNICODE-RANGE | u\+[0-9a-f?]{1,6}(-[0-9a-f]{1,6})? |
| CDO | <!-- |
| CDC | --> |
| : | : |
| ; | ; |
| { | \{ |
| } | \} |
| ( | \( |
| ) | \) |
| [ | \[ |
| ] | \] |
| S | [ \t\r\n\f]+ |
| COMMENT | \/\*[^*]*\*+([^/*][^*]*\*+)*\/ |
| FUNCTION | {ident}\( |
| INCLUDES | ~= |
| DASHMATCH | |= |
| DELIM | any other character not matched by the above rules, and neither a single nor a double quote |
The macros in curly braces ({}) above are defined as follows:
| Macro | Definition |
|---|---|
| ident | [-]?{nmstart}{nmchar}* |
| name | {nmchar}+ |
| nmstart | [_a-z]|{nonascii}|{escape} |
| nonascii | [^\0-\237] |
| unicode | \\[0-9a-f]{1,6}(\r\n|[ \n\r\t\f])? |
| escape | {unicode}|\\[^\n\r\f0-9a-f] |
| nmchar | [_a-z0-9-]|{nonascii}|{escape} |
| num | [0-9]+|[0-9]*\.[0-9]+ |
| string | {string1}|{string2} |
| string1 | \"([^\n\r\f\\"]|\\{nl}|{escape})*\" |
| string2 | \'([^\n\r\f\\']|\\{nl}|{escape})*\' |
| badstring | {badstring1}|{badstring2} |
| badstring1 | \"([^\n\r\f\\"]|\\{nl}|{escape})*\\? |
| badstring2 | \'([^\n\r\f\\']|\\{nl}|{escape})*\\? |
| badcomment | {badcomment1}|{badcomment2} |
| badcomment1 | \/\*[^*]*\*+([^/*][^*]*\*+)* |
| badcomment2 | \/\*[^*]*(\*+[^/*][^*]*)* |
| baduri | {baduri1}|{baduri2}|{baduri3} |
| baduri1 | url\({w}([!#$%&*-~]|{nonascii}|{escape})*{w} |
| baduri2 | url\({w}{string}{w} |
| baduri3 | url\({w}{badstring} |
| nl | \n|\r\n|\r|\f |
| w | [ \t\r\n\f]* |
For example, the rule of the longest match means that
"red-->
" is tokenized as the IDENT "red--
"
followed by the DELIM ">
", rather than as an IDENT
followed by a CDC.
Below is the core syntax for CSS. The sections that follow describe how to use it. Appendix G describes a more restrictive grammar that is closer to the CSS level 2 language. Parts of style sheets that can be parsed according to this grammar but not according to the grammar in Appendix G are among the parts that will be ignored according to the rules for handling parsing errors.
stylesheet : [ CDO | CDC | S | statement ]*; statement : ruleset | at-rule; at-rule : ATKEYWORD S* any* [ block | ';' S* ]; block : '{' S* [ any | block | ATKEYWORD S* | ';' S* ]* '}' S*; ruleset : selector? '{' S* declaration? [ ';' S* declaration? ]* '}' S*; selector : any+; declaration : property S* ':' S* value; property : IDENT; value : [ any | block | ATKEYWORD S* ]+; any : [ IDENT | NUMBER | PERCENTAGE | DIMENSION | STRING | DELIM | URI | HASH | UNICODE-RANGE | INCLUDES | DASHMATCH | ':' | FUNCTION S* [any|unused]* ')' | '(' S* [any|unused]* ')' | '[' S* [any|unused]* ']' ] S*; unused : block | ATKEYWORD S* | ';' S* | CDO S* | CDC S*;
The "unused" production is not used in CSS and will not be used by any future extension. It is included here only to help with error handling. (See 4.2 "Rules for handling parsing errors.")
COMMENT tokens do not occur in the grammar (to keep it readable), but any number of these tokens may appear anywhere outside other tokens. (Note, however, that a comment before or within the @charset rule disables the @charset.)
The token S in the grammar above stands for white space. Only the characters "space" (U+0020), "tab" (U+0009), "line feed" (U+000A), "carriage return" (U+000D), and "form feed" (U+000C) can occur in white space. Other space-like characters, such as "em-space" (U+2003) and "ideographic space" (U+3000), are never part of white space.
The meaning of input that cannot be tokenized or parsed is undefined in CSS 2.1.
Keywords have the form of identifiers. Keywords must not be placed between quotes ("..." or '...'). Thus,
red
is a keyword, but
"red"
is not. (It is a string.) Other illegal examples:
width: "auto";
border: "none";
background: "red";
In CSS, identifiers may begin with '-
' (dash) or '_
' (underscore). Keywords
and property names beginning
with -
' or '_
' are reserved for vendor-specific extensions. Such vendor-specific extensions should have one of the following formats:
'-' + vendor identifier + '-' + meaningful name '_' + vendor identifier + '-' + meaningful name
For example, if XYZ organization added a property to describe the color of the border on the East side of the display, they might call it -xyz-border-east-color.
Other known examples:
-moz-box-sizing -moz-border-radius -wap-accesskey
An initial dash or underscore is guaranteed never to be used in a property or keyword by any current or future level of CSS. Thus typical CSS implementations may not recognize such properties and may ignore them according to the rules for handling parsing errors. However, because the initial dash or underscore is part of the grammar, CSS 2.1 implementers should always be able to use a CSS-conforming parser, whether or not they support any vendor-specific extensions.
Authors should avoid vendor-specific extensions
This section is informative.
At the time of writing, the following prefixes are known to exist:
| prefix | organization |
|---|---|
-ms- , mso- | Microsoft |
-moz- | Mozilla |
-o- , -xv- | Opera Software |
-atsc- | Advanced Television Standards Committee |
-wap- | The WAP Forum |
-khtml- | KDE |
-webkit- | Apple |
prince- | YesLogic |
-ah- | Antenna House |
-hp- | Hewlett Packard |
-ro- | Real Objects |
-rim- | Research In Motion |
-tc- | TallComponents |
The following rules always hold:
Note that Unicode is code-by-code equivalent to ISO 10646 (see [UNICODE] and [ISO10646]).
First, inside a string, a backslash followed by a newline is ignored (i.e., the string is deemed not to contain either the backslash or the newline). Outside a string, a backslash followed by a newline stands for itself (i.e., a DELIM followed by a newline).
Second, it cancels the meaning of special CSS characters. Any character (except a hexadecimal digit, linefeed, carriage return, or form feed) can be escaped with a backslash to remove its special meaning. For example, "\"" is a string consisting of one double quote. Style sheet preprocessors must not remove these backslashes from a style sheet since that would change the style sheet's meaning.
Third, backslash escapes allow authors to refer to characters they cannot easily put in a document. In this case, the backslash is followed by at most six hexadecimal digits (0..9A..F), which stand for the ISO 10646 ([ISO10646]) character with that number, which must not be zero. (It is undefined in CSS 2.1 what happens if a style sheet does contain a character with Unicode codepoint zero.) If a character in the range [0-9a-fA-F] follows the hexadecimal number, the end of the number needs to be made clear. There are two ways to do that:
In fact, these two methods may be combined. Only one white space character is ignored after a hexadecimal escape. Note that this means that a "real" space after the escape sequence must be doubled.
If the number is outside the range allowed by Unicode (e.g., "\110000" is above the maximum 10FFFF allowed in current Unicode), the UA may replace the escape with the "replacement character" (U+FFFD). If the character is to be displayed, the UA should show a visible symbol, such as a "missing character" glyph (cf. 15.2, point 5).
The identifier "te\st" is exactly the same identifier as "test".
A CSS style sheet, for any level of CSS, consists of a list of statements (see the grammar above). There are two kinds of statements: at-rules and rule sets. There may be white space around the statements.
At-rules start with an at-keyword, an '@' character followed immediately by an identifier (for example, '@import', '@page').
An at-rule consists of everything up to and including the next semicolon (;) or the next block, whichever comes first.
CSS 2.1 user agents must ignore any '@import' rule that occurs inside a block or after any non-ignored statement other than an @charset or an @import rule.
Assume, for example, that a CSS 2.1 parser encounters this style sheet:
@import "subs.css";
h1 { color: blue }
@import "list.css";
The second '@import' is illegal according to CSS 2.1. The CSS 2.1 parser ignores the whole at-rule, effectively reducing the style sheet to:
@import "subs.css";
h1 { color: blue }
In the following example, the second '@import' rule is invalid, since it occurs inside a '@media' block.
@import "subs.css";
@media print {
@import "print-main.css";
body { font-size: 10pt }
}
h1 {color: blue }
Instead, to achieve the effect of only importing a style sheet for 'print' media, use the @import rule with media syntax, e.g.:
@import "subs.css";
@import "print-main.css" print;
@media print {
body { font-size: 10pt }
}
h1 {color: blue }
A block starts with a left curly brace ({) and ends with the matching right curly brace (}). In between there may be any tokens, except that parentheses (( )), brackets ([ ]), and braces ({ }) must always occur in matching pairs and may be nested. Single (') and double quotes (") must also occur in matching pairs, and characters between them are parsed as a string. See Tokenization above for the definition of a string.
Here is an example of a block. Note that the right brace between the double quotes does not match the opening brace of the block, and that the second single quote is an escaped character, and thus does not match the first single quote:
{ causta: "}" + ({7} * '\'') }
Note that the above rule is not valid CSS 2.1, but it is still a block as defined above.
A rule set (also called "rule") consists of a selector followed by a declaration block.
A declaration block starts with a left curly brace ({) and ends with the matching right curly brace (}). In between there must be a list of zero or more semicolon-separated (;) declarations.
The selector (see also the section on selectors) consists of everything up to (but not including) the first left curly brace ({). A selector always goes together with a declaration block. When a user agent cannot parse the selector (i.e., it is not valid CSS 2.1), it must ignore the selector and the following declaration block (if any) as well.
CSS 2.1 gives a special meaning to the comma (,) in selectors. However, since it is not known if the comma may acquire other meanings in future updates of CSS, the whole statement should be ignored if there is an error anywhere in the selector, even though the rest of the selector may look reasonable in CSS 2.1.
For example, since the "&" is not a valid token in a CSS 2.1 selector, a CSS 2.1 user agent must ignore the whole second line, and not set the color of H3 to red:
h1, h2 {color: green }
h3, h4 & h5 {color: red }
h6 {color: black }
Here is a more complex example. The first two pairs of curly braces are inside a string, and do not mark the end of the selector. This is a valid CSS 2.1 rule.
p[example="public class foo\
{\
private int x;\
\
foo(int x) {\
this.x = x;\
}\
\
}"] { color: red }
A declaration is either empty or consists of a property name, followed by a colon (:), followed by a property value. Around each of these there may be white space.
Because of the way selectors work, multiple declarations for the same selector may be organized into semicolon (;) separated groups.
Thus, the following rules:
h1 { font-weight: bold }
h1 { font-size: 12px }
h1 { line-height: 14px }
h1 { font-family: Helvetica }
h1 { font-variant: normal }
h1 { font-style: normal }
are equivalent to:
h1 {
font-weight: bold;
font-size: 12px;
line-height: 14px;
font-family: Helvetica;
font-variant: normal;
font-style: normal
}
A property name is an identifier. Any token may occur in the property value. Parentheses ("( )"), brackets ("[ ]"), braces ("{ }"), single quotes ('), and double quotes (") must come in matching pairs, and semicolons not in strings must be escaped. Parentheses, brackets, and braces may be nested. Inside the quotes, characters are parsed as a string.
The syntax of values is specified separately for each property, but in any case, values are built from identifiers, strings, numbers, lengths, percentages, URIs, colors, etc.
A user agent must ignore a declaration with an invalid property name or an invalid value. Every CSS property has its own syntactic and semantic restrictions on the values it accepts.
For example, assume a CSS 2.1 parser encounters this style sheet:
h1 { color: red; font-style: 12pt } /* Invalid value: 12pt */
p { color: blue; font-vendor: any; /* Invalid prop.: font-vendor */
font-variant: small-caps }
em em { font-style: normal }
The second declaration on the first line has an invalid value '12pt'. The second declaration on the second line contains an undefined property 'font-vendor'. The CSS 2.1 parser will ignore these declarations, effectively reducing the style sheet to:
h1 { color: red; }
p { color: blue; font-variant: small-caps }
em em { font-style: normal }
Comments begin with the characters "/*" and end with the characters "*/". They may occur anywhere outside other tokens, and their contents have no influence on the rendering. Comments may not be nested.
CSS also allows the SGML comment delimiters ("<!--" and "-->") in certain places defined by the grammar, but they do not delimit CSS comments. They are permitted so that style rules appearing in an HTML source document (in the STYLE element) may be hidden from pre-HTML 3.2 user agents. See the HTML 4 specification ([HTML4]) for more information.
In some cases, user agents must ignore part of an illegal style sheet. This specification defines ignore to mean that the user agent parses the illegal part (in order to find its beginning and end), but otherwise acts as if it had not been there. CSS 2.1 reserves for future updates of CSS all property:value combinations and @-keywords that do not contain an identifier beginning with dash or underscore. Implementations must ignore such combinations (other than those introduced by future updates of CSS).
To ensure that new properties and new values for existing properties can be added in the future, user agents are required to obey the following rules when they encounter the following scenarios:
h1 { color: red; rotation: 70minutes }
the user agent will treat this as if the style sheet had been
h1 { color: red }
img { float: left } /* correct CSS 2.1 */
img { float: left here } /* "here" is not a value of 'float' */
img { background: "red" } /* keywords cannot be quoted */
img { border-width: 3 } /* a unit must be specified for length values */
A CSS 2.1 parser would honor the first rule and
ignore
the rest, as if the style sheet had been:
img { float: left }
img { }
img { }
img { }
A user agent conforming to a future CSS specification may accept one or more of the other rules as well.
p { color:green }
p { color:green; color } /* malformed declaration missing ':', value */
p { color:red; color; color:green } /* same with expected recovery */
p { color:green; color: } /* malformed declaration missing value */
p { color:red; color:; color:green } /* same with expected recovery */
p { color:green; color{;color:maroon} } /* unexpected tokens { } */
p { color:red; color{;color:maroon}; color:green } /* same with recovery */
p @here {color: red} /* ruleset with unexpected at-keyword "@here" */ @foo @bar; /* at-rule with unexpected at-keyword "@bar" */ }} {{ - }} /* ruleset with unexpected right brace */ ) ( {} ) p {color: red } /* ruleset with unexpected right parenthesis */
@three-dee {
@background-lighting {
azimuth: 30deg;
elevation: 190deg;
}
h1 { color: red }
}
h1 { color: blue }
The '@three-dee' at-rule is not part of CSS 2.1. Therefore, the whole at-rule (up to, and including, the third right curly brace) is ignored. A CSS 2.1 user agent ignores it, effectively reducing the style sheet to:
h1 { color: blue }
Something inside an at-rule that is ignored because it is invalid, such as an invalid declaration within an @media-rule, does not make the entire at-rule invalid.
User agents must close all open constructs (for example: blocks, parentheses, brackets, rules, strings, and comments) at the end of the style sheet. For example:
@media screen {
p:before { content: 'Hello
would be treated the same as:
@media screen {
p:before { content: 'Hello'; }
}
in a conformant UA.
User agents must close strings upon reaching the end of a line (i.e., before an unescaped line feed, carriage return or form feed character), but then drop the construct (declaration or rule) in which the string was found. For example:
p {
color: green;
font-family: 'Courier New Times
color: red;
color: green;
}
...would be treated the same as:
p { color: green; color: green; }
...because the second declaration (from 'font-family' to the semicolon after 'color: red') is invalid and is dropped.
Some value types may have integer values (denoted by <integer>) or real number values (denoted by <number>). Real numbers and integers are specified in decimal notation only. An <integer> consists of one or more digits "0" to "9". A <number> can either be an <integer>, or it can be zero or more digits followed by a dot (.) followed by one or more digits. Both integers and real numbers may be preceded by a "-" or "+" to indicate the sign. -0 is equivalent to 0 and is not a negative number.
Note that many properties that allow an integer or real number as a value actually restrict the value to some range, often to a non-negative value.
Lengths refer to distance measurements.
The format of a length value (denoted by <length> in this specification) is a <number> (with or without a decimal point) immediately followed by a unit identifier (e.g., px, em, etc.). After a zero length, the unit identifier is optional.
Some properties allow negative length values, but this may complicate the formatting model and there may be implementation-specific limits. If a negative length value cannot be supported, it should be converted to the nearest value that can be supported.
If a negative length value is set on a property that does not allow negative length values, the declaration is ignored.
In cases where the used length cannot be supported, user agents must approximate it in the actual value.
There are two types of length units: relative and absolute. Relative length units specify a length relative to another length property. Style sheets that use relative units can more easily scale from one output environment to another.
Relative units are:
h1 { margin: 0.5em } /* em */
h1 { margin: 1ex } /* ex */
The 'em' unit is equal to the computed value of the 'font-size' property of the element on which it is used. The exception is when 'em' occurs in the value of the 'font-size' property itself, in which case it refers to the font size of the parent element. It may be used for vertical or horizontal measurement. (This unit is also sometimes called the quad-width in typographic texts.)
The 'ex' unit is defined by the element's first available font. The exception is when 'ex' occurs in the value of the 'font-size' property, in which case it refers to the 'ex' of the parent element.
The 'x-height' is so called because it is often equal to the height of the lowercase "x". However, an 'ex' is defined even for fonts that do not contain an "x".
The x-height of a font can be found in different ways. Some fonts contain reliable metrics for the x-height. If reliable font metrics are not available, UAs may determine the x-height from the height of a lowercase glyph. One possible heuristic is to look at how far the glyph for the lowercase "o" extends below the baseline, and subtract that value from the top of its bounding box. In the cases where it is impossible or impractical to determine the x-height, a value of 0.5em should be used.
The rule:
h1 { line-height: 1.2em }
means that the line height of "h1" elements will be 20% greater than the font size of the "h1" elements. On the other hand:
h1 { font-size: 1.2em }
means that the font-size of "h1" elements will be 20% greater than the font size inherited by "h1" elements.
When specified for the root of the document tree (e.g., "HTML" in HTML), 'em' and 'ex' refer to the property's initial value.
Child elements do not inherit the relative values specified for their parent; they inherit the computed values.
In the following rules, the computed 'text-indent' value of "h1" elements will be 36px, not 45px, if "h1" is a child of the "body" element.
body {
font-size: 12px;
text-indent: 3em; /* i.e., 36px */
}
h1 { font-size: 15px }
Absolute length units are fixed in relation to each other. They are mainly useful when the output environment is known. The absolute units consist of the physical units (in, cm, mm, pt, pc) and the px unit:
For a CSS device, these dimensions are either anchored (i) by relating the physical units to their physical measurements, or (ii) by relating the pixel unit to the reference pixel. For print media and similar high-resolution devices, the anchor unit should be one of the standard physical units (inches, centimeters, etc). For lower-resolution devices, and devices with unusual viewing distances, it is recommended instead that the anchor unit be the pixel unit. For such devices it is recommended that the pixel unit refer to the whole number of device pixels that best approximates the reference pixel.
Note that if the anchor unit is the pixel unit, the physical units might not match their physical measurements. Alternatively if the anchor unit is a physical unit, the pixel unit might not map to a whole number of device pixels.
Note that this definition of the pixel unit and the physical units differs from previous versions of CSS. In particular, in previous versions of CSS the pixel unit and the physical units were not related by a fixed ratio: the physical units were always tied to their physical measurements while the pixel unit would vary to most closely match the reference pixel. (This change was made because too much existing content relies on the assumption of 96dpi, and breaking that assumption breaks the content.)
The reference pixel is the visual angle of one pixel on a device with a pixel density of 96dpi and a distance from the reader of an arm's length. For a nominal arm's length of 28 inches, the visual angle is therefore about 0.0213 degrees. For reading at arm's length, 1px thus corresponds to about 0.26 mm (1/96 inch).
The image below illustrates the effect of viewing distance on the size of a reference pixel: a reading distance of 71 cm (28 inches) results in a reference pixel of 0.26 mm, while a reading distance of 3.5 m (12 feet) results in a reference pixel of 1.3 mm.
This second image illustrates the effect of a device's resolution on the pixel unit: an area of 1px by 1px is covered by a single dot in a low-resolution device (e.g. a typical computer display), while the same area is covered by 16 dots in a higher resolution device (such as a printer).
h1 { margin: 0.5in } /* inches */
h2 { line-height: 3cm } /* centimeters */
h3 { word-spacing: 4mm } /* millimeters */
h4 { font-size: 12pt } /* points */
h4 { font-size: 1pc } /* picas */
p { font-size: 12px } /* px */
The format of a percentage value (denoted by <percentage> in this specification) is a <number> immediately followed by '%'.
Percentage values are always relative to another value, for example a length. Each property that allows percentages also defines the value to which the percentage refers. The value may be that of another property for the same element, a property for an ancestor element, or a value of the formatting context (e.g., the width of a containing block). When a percentage value is set for a property of the root element and the percentage is defined as referring to the inherited value of some property, the resultant value is the percentage times the initial value of that property.
Since child elements (generally) inherit the computed values of their parent, in the following example, the children of the P element will inherit a value of 12px for 'line-height', not the percentage value (120%):
p { font-size: 10px }
p { line-height: 120% } /* 120% of 'font-size' */
URI values (Uniform Resource Identifiers, see [RFC3986], which includes URLs, URNs, etc) in this specification are denoted by <uri>. The functional notation used to designate URIs in property values is "url()", as in:
body { background: url("http://www.example.com/pinkish.png") }
The format of a URI value is 'url(' followed by optional white space followed by an optional single quote (') or double quote (") character followed by the URI itself, followed by an optional single quote (') or double quote (") character followed by optional white space followed by ')'. The two quote characters must be the same.
An example without quotes:
li { list-style: url(http://www.example.com/redball.png) disc }
Some characters appearing in an unquoted URI, such as parentheses, white space characters, single quotes (') and double quotes ("), must be escaped with a backslash so that the resulting URI value is a URI token: '\(', '\)'.
Depending on the type of URI, it might also be possible to write the above characters as URI-escapes (where "(" = %28, ")" = %29, etc.) as described in [RFC3986].
Note that COMMENT tokens cannot occur within other tokens: thus, "url(/*x*/pic.png)" denotes the URI "/*x*/pic.png", not "pic.png".
In order to create modular style sheets that are not dependent on the absolute location of a resource, authors may use relative URIs. Relative URIs (as defined in [RFC3986]) are resolved to full URIs using a base URI. RFC 3986, section 5, defines the normative algorithm for this process. For CSS style sheets, the base URI is that of the style sheet, not that of the source document.
For example, suppose the following rule:
body { background: url("yellow") }
is located in a style sheet designated by the URI:
http://www.example.org/style/basic.css
The background of the source document's BODY will be tiled with whatever image is described by the resource designated by the URI
http://www.example.org/style/yellow
User agents may vary in how they handle invalid URIs or URIs that designate unavailable or inapplicable resources.
Counters are denoted by case-sensitive identifiers (see the 'counter-increment' and 'counter-reset' properties). To refer to the value of a counter, the notation 'counter(<identifier>)' or 'counter(<identifier>, <'list-style-type'>)', with optional white space separating the tokens, is used. The default style is 'decimal'.
To refer to a sequence of nested counters of the same name, the notation is 'counters(<identifier>, <string>)' or 'counters(<identifier>, <string>, <'list-style-type'>)' with optional white space separating the tokens.
See "Nested counters and scope" in the chapter on generated content for how user agents must determine the value or values of the counter. See the definition of counter values of the 'content' property for how it must convert these values to a string.
In CSS 2.1, the values of counters can only be referred to from the 'content' property. Note that 'none' is a possible <'list-style-type'>: 'counter(x, none)' yields an empty string.
Here is a style sheet that numbers paragraphs (p) for each chapter (h1). The paragraphs are numbered with roman numerals, followed by a period and a space:
p {counter-increment: par-num}
h1 {counter-reset: par-num}
p:before {content: counter(par-num, upper-roman) ". "}
A <color> is either a keyword or a numerical RGB specification.
The list of color keywords is: aqua, black, blue, fuchsia, gray, green, lime, maroon, navy, olive, orange, purple, red, silver, teal, white, and yellow. These 17 colors have the following values:
In addition to these color keywords, users may specify keywords that correspond to the colors used by certain objects in the user's environment. Please consult the section on system colors for more information.
body {color: black; background: white }
h1 { color: maroon }
h2 { color: olive }
The RGB color model is used in numerical color specifications. These examples all specify the same color:
em { color: #f00 } /* #rgb */
em { color: #ff0000 } /* #rrggbb */
em { color: rgb(255,0,0) }
em { color: rgb(100%, 0%, 0%) }
The format of an RGB value in hexadecimal notation is a '#' immediately followed by either three or six hexadecimal characters. The three-digit RGB notation (#rgb) is converted into six-digit form (#rrggbb) by replicating digits, not by adding zeros. For example, #fb0 expands to #ffbb00. This ensures that white (#ffffff) can be specified with the short notation (#fff) and removes any dependencies on the color depth of the display.
The format of an RGB value in the functional notation is 'rgb(' followed by a comma-separated list of three numerical values (either three integer values or three percentage values) followed by ')'. The integer value 255 corresponds to 100%, and to F or FF in the hexadecimal notation: rgb(255,255,255) = rgb(100%,100%,100%) = #FFF. White space characters are allowed around the numerical values.
All RGB colors are specified in the sRGB color space (see [SRGB]). User agents may vary in the fidelity with which they represent these colors, but using sRGB provides an unambiguous and objectively measurable definition of what the color should be, which can be related to international standards (see [COLORIMETRY]).
Conforming user agents may limit their color-displaying efforts to performing a gamma-correction on them. sRGB specifies a display gamma of 2.2 under specified viewing conditions. User agents should adjust the colors given in CSS such that, in combination with an output device's "natural" display gamma, an effective display gamma of 2.2 is produced. Note that only colors specified in CSS are affected; e.g., images are expected to carry their own color information.
Values outside the device gamut should be clipped or mapped into the gamut when the gamut is known: the red, green, and blue values must be changed to fall within the range supported by the device. Users agents may perform higher quality mapping of colors from one gamut to another. For a typical CRT monitor, whose device gamut is the same as sRGB, the four rules below are equivalent:
em { color: rgb(255,0,0) } /* integer range 0 - 255 */
em { color: rgb(300,0,0) } /* clipped to rgb(255,0,0) */
em { color: rgb(255,-10,0) } /* clipped to rgb(255,0,0) */
em { color: rgb(110%, 0%, 0%) } /* clipped to rgb(100%,0%,0%) */
Other devices, such as printers, have different gamuts than sRGB; some colors outside the 0..255 sRGB range will be representable (inside the device gamut), while other colors inside the 0..255 sRGB range will be outside the device gamut and will thus be mapped.
Note. Mapping or clipping of color values should be done to the actual device gamut if known (which may be larger or smaller than 0..255).
Strings can either be written with double quotes or with single quotes. Double quotes cannot occur inside double quotes, unless escaped (e.g., as '\"' or as '\22'). Analogously for single quotes (e.g., "\'" or "\27").
"this is a 'string'" "this is a \"string\"" 'this is a "string"' 'this is a \'string\''
A string cannot directly contain a newline. To include a newline in a string, use an escape representing the line feed character in ISO-10646 (U+000A), such as "\A" or "\00000a". This character represents the generic notion of "newline" in CSS. See the 'content' property for an example.
It is possible to break strings over several lines, for aesthetic or other reasons, but in such a case the newline itself has to be escaped with a backslash (\). For instance, the following two selectors are exactly the same:
a[title="a not s\
o very long title"] {/*...*/}
a[title="a not so very long title"] {/*...*/}
If a UA does not support a particular value, it should ignore that value when parsing style sheets, as if that value was an illegal value. For example:
h3 {
display: inline;
display: run-in;
}
A UA that supports the 'run-in' value for the 'display' property will accept the first display declaration and then "write over" that value with the second display declaration. A UA that does not support the 'run-in' value will process the first display declaration and ignore the second display declaration.
A CSS style sheet is a sequence of characters from the Universal Character Set (see [ISO10646]). For transmission and storage, these characters must be encoded by a character encoding that supports the set of characters available in US-ASCII (e.g., UTF-8, ISO 8859-x, SHIFT JIS, etc.). For a good introduction to character sets and character encodings, please consult the HTML 4 specification ([HTML4], chapter 5). See also the XML 1.0 specification ([XML10], sections 2.2 and 4.3.3, and Appendix F).
When a style sheet is embedded in another document, such as in the STYLE element or "style" attribute of HTML, the style sheet shares the character encoding of the whole document.
When a style sheet resides in a separate file, user agents must observe the following priorities when determining a style sheet's character encoding (from highest priority to lowest):
<link charset="">
or other metadata from the linking mechanism (if any)Authors using an @charset rule must place the rule at the very beginning of the style sheet, preceded by no characters. (If a byte order mark is appropriate for the encoding used, it may precede the @charset rule.)
After "@charset", authors specify the name of a character encoding (in quotes). For example:
@charset "ISO-8859-1";
@charset must be written literally, i.e., the 10 characters '@charset "' (lowercase, no backslash escapes), followed by the encoding name, followed by '";'.
The name must be a charset name as described in the IANA registry. See [CHARSETS] for a complete list of charsets. Authors should use the charset names marked as "preferred MIME name" in the IANA registry.
User agents must support at least the UTF-8 encoding.
User agents must ignore any @charset rule not at the beginning of the style sheet. When user agents detect the character encoding using the BOM and/or the @charset rule, they should follow the following rules:
| Initial Bytes | Result |
|---|---|
| EF BB BF 40 63 68 61 72 73 65 74 20 22 (XX)* 22 3B | as specified |
| EF BB BF | UTF-8 |
| 40 63 68 61 72 73 65 74 20 22 (XX)* 22 3B | as specified |
| FE FF 00 40 00 63 00 68 00 61 00 72 00 73 00 65 00 74 00 20 00 22 (00 XX)* 00 22 00 3B | as specified (with BE endianness if not specified) |
| 00 40 00 63 00 68 00 61 00 72 00 73 00 65 00 74 00 20 00 22 (00 XX)* 00 22 00 3B | as specified (with BE endianness if not specified) |
| FF FE 40 00 63 00 68 00 61 00 72 00 73 00 65 00 74 00 20 00 22 00 (XX 00)* 22 00 3B 00 | as specified (with LE endianness if not specified) |
| 40 00 63 00 68 00 61 00 72 00 73 00 65 00 74 00 20 00 22 00 (XX 00)* 22 00 3B 00 | as specified (with LE endianness if not specified) |
| 00 00 FE FF 00 00 00 40 00 00 00 63 00 00 00 68 00 00 00 61 00 00 00 72 00 00 00 73 00 00 00 65 00 00 00 74 00 00 00 20 00 00 00 22 (00 00 00 XX)* 00 00 00 22 00 00 00 3B | as specified (with BE endianness if not specified) |
| 00 00 00 40 00 00 00 63 00 00 00 68 00 00 00 61 00 00 00 72 00 00 00 73 00 00 00 65 00 00 00 74 00 00 00 20 00 00 00 22 (00 00 00 XX)* 00 00 00 22 00 00 00 3B | as specified (with BE endianness if not specified) |
| 00 00 FF FE 00 00 40 00 00 00 63 00 00 00 68 00 00 00 61 00 00 00 72 00 00 00 73 00 00 00 65 00 00 00 74 00 00 00 20 00 00 00 22 00 (00 00 XX 00)* 00 00 22 00 00 00 3B 00 | as specified (with 2143 endianness if not specified) |
| 00 00 40 00 00 00 63 00 00 00 68 00 00 00 61 00 00 00 72 00 00 00 73 00 00 00 65 00 00 00 74 00 00 00 20 00 00 00 22 00 (00 00 XX 00)* 00 00 22 00 00 00 3B 00 | as specified (with 2143 endianness if not specified) |
| FE FF 00 00 00 40 00 00 00 63 00 00 00 68 00 00 00 61 00 00 00 72 00 00 00 73 00 00 00 65 00 00 00 74 00 00 00 20 00 00 00 22 00 00 (00 XX 00 00)* 00 22 00 00 00 3B 00 00 | as specified (with 3412 endianness if not specified) |
| 00 40 00 00 00 63 00 00 00 68 00 00 00 61 00 00 00 72 00 00 00 73 00 00 00 65 00 00 00 74 00 00 00 20 00 00 00 22 00 00 (00 XX 00 00)* 00 22 00 00 00 3B 00 00 | as specified (with 3412 endianness if not specified) |
| FF FE 00 00 40 00 00 00 63 00 00 00 68 00 00 00 61 00 00 00 72 00 00 00 73 00 00 00 65 00 00 00 74 00 00 00 20 00 00 00 22 00 00 00 (XX 00 00 00)* 22 00 00 00 3B 00 00 00 | as specified (with LE endianness if not specified) |
| 40 00 00 00 63 00 00 00 68 00 00 00 61 00 00 00 72 00 00 00 73 00 00 00 65 00 00 00 74 00 00 00 20 00 00 00 22 00 00 00 (XX 00 00 00)* 22 00 00 00 3B 00 00 00 | as specified (with LE endianness if not specified) |
| 00 00 FE FF | UTF-32-BE |
| FF FE 00 00 | UTF-32-LE |
| 00 00 FF FE | UTF-32-2143 |
| FE FF 00 00 | UTF-32-3412 |
| FE FF | UTF-16-BE |
| FF FE | UTF-16-LE |
| 7C 83 88 81 99 A2 85 A3 40 7F (YY)* 7F 5E | as specified, transcoded from EBCDIC to ASCII |
| AE 83 88 81 99 A2 85 A3 40 FC (YY)* FC 5E | as specified, transcoded from IBM1026 to ASCII |
| 00 63 68 61 72 73 65 74 20 22 (YY)* 22 3B | as specified, transcoded from GSM 03.38 to ASCII |
| analogous patterns | User agents may support additional, analogous, patterns if they support encodings that are not handled by the patterns here |
User agents must ignore style sheets in unknown encodings.
A style sheet may have to refer to characters that cannot be represented in the current character encoding. These characters must be written as escaped references to ISO 10646 characters. These escapes serve the same purpose as numeric character references in HTML or XML documents (see [HTML4], chapters 5 and 25).
The character escape mechanism should be used when only a few characters must be represented this way. If most of a style sheet requires escaping, authors should encode it with a more appropriate encoding (e.g., if the style sheet contains a lot of Greek characters, authors might use "ISO-8859-7" or "UTF-8").
Intermediate processors using a different character encoding may translate these escaped sequences into byte sequences of that encoding. Intermediate processors must not, on the other hand, alter escape sequences that cancel the special meaning of an ASCII character.
Conforming user agents must correctly map to ISO-10646 all characters in any character encodings that they recognize (or they must behave as if they did).
For example, a style sheet transmitted as ISO-8859-1 (Latin-1) cannot contain Greek letters directly: "κουρος" (Greek: "kouros") has to be written as "\3BA\3BF\3C5\3C1\3BF\3C2".
Note. In HTML 4, numeric character references are interpreted in "style" attribute values but not in the content of the STYLE element. Because of this asymmetry, we recommend that authors use the CSS character escape mechanism rather than numeric character references for both the "style" attribute and the STYLE element. For example, we recommend:
<SPAN style="font-family: L\FC beck">...</SPAN>
rather than:
<SPAN style="font-family: Lübeck">...</SPAN>


{% include 'partials/head.html' %} hello world Sample pages Search for "Johnny Cash" View Beyoncé's page {% include 'partials/foot.html' %}


November 17th 2016 by Michael Qian #Log
Already,
let's just get to our new chapter for java!
Classes and Objects
Components of the Class methods:
Headers:
access specifier: public or private
return type: int void double
method name: blah
parameter list:(String password, blah)
Constructor:
1:default constructor
public BankAccount() {
password = "";
balance = 0.0; }
constructs a BankAccount object with a balance of zero and a password equal to the empty string.
2:normal constructor
public BankAccount(String acctPassword, double acctBalance) {
password = acctPassword;
balance = acctBalance; }
Accessor:
accesses a class object without altering the object.
public double getBalance()
{ return balance; }
Mutators:
access and change the variables in the class instance
public void deposit(String acctPassword, double amount) {
if (!acctPassword.equals(password)) /* throw an exception */
else {balance += amount;}
Note that the difference between static method and instance method:
static method and variable are callable throughout the entire scope of the class,
the idea is similar to the global variable that we learned in previous python chapter
METHOD OVERLOADING
Though it might confuse you a little, but it is possible for different method to exist with the same method name, the
system will recognize the difference as long as it has the different reference.
for example in:
public class DoOperations {
public int product(int n) { return n * n; }
public double product(double x) { return x * x; } public double product(int x, int y) { return x * y; }
...
will give the different results
"This" method
this method allow us to clear the ambiguity of variables with identical names
for example:
if we have two variables both have the name balance,
public void deposit(String acctPassword, double balance) {
this.balance += balance; }
This .balance refers to the balance outside this method, is the current balance belongs to the instance
Differentiate primitive and reference data types:
Say if we are writing new instances,
primitive data types creates an entirely new space for the data you input, while reference data types like
class and objects are merely create references instead of actual objects.
Default value in class:
One amazing thing about class is that when initializing attributes it has a default value,
for int is 0 for string is " "


Uh oh... Something went wrong
Some more informations:
Page: Page URL
Occurred: Timestamp
Response Status: status-code error ...
Cause: exception ...
exception ...
message ...
Cause unknown (no exception details available)


Interactive Body-Driven Graphics for Augmented Video Performance
Nazmus Saquib, Rubaiat Habib Kazi, Li-Yi Wei, Wilmot Li
CHI 2019
Available information
Media coverage


A Few Fries Short!
This repository contains a project, built collaboratively, using
node.js, handlebars.js,
Sequelize and mySQL2, using the Model-View-Controller paradigm. It is a restaurant review site which
allows the user to publish
reviews and subsequent comments and thoughts about restaurants and fast food outlets.


U.S. vaping-related deaths rise to 47, cases of illness to 2,290
(Reuters) - U.S. health officials on Thursday reported 2,290 confirmed and probable cases and 5 more deaths from a mysterious respiratory illness tied to vaping, taking the total death toll to 47 so far this year.
Last week, the Centers for Disease Control and Prevention (CDC) recorded 2,172 cases and 42 deaths from the illness.
U.S. officials recently said vitamin E acetate — believed to be used as a cutting agent in illicit vaping products containing marijuana components — was found in all lung samples from 29 patients who were tested.
CDC has called vitamin E acetate a “chemical of concern” and recommended not adding it to e-cigarettes, or vaping products, while the investigation is underway.
Investigators had earlier pointed to vaping oils containing THC, the psychoactive ingredient in marijuana, as being especially risky.
The spate of serious respiratory illnesses has led to U.S. officials urging people to stop vaping, especially those products containing THC.
As of Nov. 20, confirmed deaths were reported in 25 states and the District of Columbia, the CDC said. Louisiana became the newest state to report a death from the illness. (bit.ly/349bjM1)
Related Coverage
The highest number of deaths were from Illinois, which has so far reported 5 deaths and 187 illnesses.
The Trump administration announced a plan in September to remove all flavored e-cigarettes from store shelves, as officials warned that sweet flavors had drawn millions of children into nicotine addiction.
President Donald Trump will host a meeting on vaping at the White House on Friday with a range of groups, including industry and public health representatives, a White House spokesman said on Wednesday.


CS 230 Lab Assignment 2 - Mark Swisher
Favorite Member of Daft Punk
Thomas Bangalter
Guy-Manuel de Hommem Christo
How many members are in Daft Punk?
SubmitAnswer
Favorite Daft Punk Song:
Submit Answer
Which helmet looks cooler?
Submit
Favorite Daft Punk Album
Random Access Memories
Tron: Legacy Soundtrack
Human After All
Discovery
Homework


Welcome to the world's #1 source for high school answer keys. Please scan below for your requested key.


| Class | Description |
|---|---|
| Bid |
Created by Martina on 16-02-29.
|
| BidController |
Created by Martina on 16-03-21.
|
| BidList |
Created by Martina on 16-02-29.
|
| BidsForOneItemActivity |
This function shows all the bids on a selected item.
|
| BuildConfig | |
| CustomIncomingBidsAdapter |
This class is a custom adapter that allows the ListView to display custom
bid rows
|
| CustomSearchResultsAdapter |
Created by andrew on 18/03/16.
|
| ElasticSearch |
Created by erin on 11/03/16.
|
| ElasticSearch.elasticAddItem |
This adds a new item to the ElasticSearch.
|
| ElasticSearch.elasticAddUser |
This adds a new user to the ElasticSearch
This is called by UserController.updateUserElasticSearch and
UserController.addUserElasticSearch.
|
| ElasticSearch.elasticDeleteItem |
This is used to delete an existing Item from ElasticSearch.
|
| ElasticSearch.elasticDeleteUser |
This is used to delete an existing User from ElasticSearch.
|
| ElasticSearch.elasticGetIncomingBids | |
| ElasticSearch.elasticGetItems |
This retrieves all the items on the ElasticSearch list and adds them to ItemList.
|
| ElasticSearch.elasticGetItemsByID |
This returns an item in ItemController.ItemList when passed a String[]
of IDs.
|
| ElasticSearch.elasticGetUserByID |
This returns a user in UserController.SecondaryUser when passed an ID
as a string.
|
| ElasticSearch.elasticUpdateItem | |
| GetLocationActivity | |
| IncomingBidsActivity |
Created by andrew on 14/03/16.
|
| Item |
Created by Martina on 16-02-29.
|
| ItemController |
Created by Adam on 16-03-11.
|
| ItemList |
Created by Martina on 16-02-29.
|
| MakeBidActivity |
This Activity is called when someone chooses Make Bid back on the
TheirItemActivity page.
|
| MakeRatingActivity |
Created by Laura on 4/3/2016
This class is for creating and leaving a rating/comments for an item a user has borrowed.
|
| MyBidsActivity |
This class shows the user a list of their items that they have bid on and
whether the bid has been accepted, rejected or is still pending.
|
| MyBorrowedItemActivity |
This displays a single item that the user is borrowing and allows them to
view the information on it.
|
| MyBorrowedItemsActivity |
This activity, much like MyItemsActivity, lists the items that the user is
currently borrowing.
|
| MyItemActivity |
This activity shows one of the current user's available items (selected in
MyItemsActivity).
|
| MyItemsActivity |
This activity allows a user to see their items that are available to be
rented out (items NOT bidded or borrowed).
|
| MyProfileViewActivity |
This activity shows the user their profile information which can then be
edited (using longClick) as well as the options to view their items
(MyItemsActivity), view items of theirs with bids on them (MyBidsActivity),
view items they are renting out (ViewBorrowingOutActivity), view
all bids on their items (IncomingBidsActivity), view items they are
currently borrowing (MyBorrowedItemsActivity) and search for things to
borrow (SearchResultsActivity).
|
| NetworkChangeReceiver |
Created by Martina on 16-03-26.
|
| NetworkUtil |
Created by Martina on 16-03-26.
|
| NewListingActivity |
This activity allows the user to enter all the necessary information about a
piece of equipment and save it to their repository of equipment.
|
| PersistentToolbar |
Created by Adam on 12/03/2016.
|
| ProfileDialog |
Created by andrew on 12/03/16.
|
| R | |
| R.anim | |
| R.attr | |
| R.bool | |
| R.color | |
| R.dimen | |
| R.drawable | |
| R.id | |
| R.integer | |
| R.layout | |
| R.menu | |
| R.mipmap | |
| R.raw | |
| R.string | |
| R.style | |
| R.styleable | |
| Rating |
Created by Laura on 4/3/2016.
|
| RatingActivity |
This class is used to see ratings/comments on a given item.
|
| RatingList |
Created by Laura on 4/3/2016.
|
| SearchActivity |
Created by Adam on 01/04/2016.
|
| SearchResultsActivity |
This activity displays to the user all the items that match their entered
search criteria (by using elastic search).
|
| SignInActivity |
This activity is the fist one the user sees.
|
| SignUpActivity |
This activity allows the user to create a new account with a name, phone
number, email, and password that they can use to access their account again in
the future.
|
| TheirItemActivity |
This class is used to display someone else's entry and the owner information
when a borrower selects an item in the list of SearchResultsActivity.
|
| TheirProfileViewActivity |
This is only ever called from TheirItemActivity and may change for Project
Part 6 but it shows another users profile after the current user has
chosen to look at it via an item they're looking at
|
| User |
Created by Martina on 16-02-29.
|
| UserController |
Created by Martina on 16-03-10.
|
| ViewBorrowingOutActivity |
Called from MyProfileViewActivity, this is how the user sees all the items
they are currently renting and marks items that have been returned as available.
|


Calculate and visualize multiple environmental impacts (Layers) from multiple study areas (Impact Shapes) without the need for GIS software. Designed for the transportation industry. Built using turf.js by SteveCline.
Impact layers support all geometry types, but multi-point features will be exploded and counted as single points. All impact shapes must be a single polygon or single multi-part polygon.


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CSS introduction - float and positionning
Grégoire Charvet
Reminder
float
makes neighbors elements wrap around.
can be left / right / none
floated element here
This element wrap around the float. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vestibulum fringilla, erat id laoreet viverra, velit ligula posuere nisl, ut adipiscing mi est eu massa.
multi columns
float can be used to create multiple columns
must specify the width of each columns and float them all.
example
Some problems
Top margin ignored
this is a floated element.
This element's margin-top property has no effect
fix the problem
wrap the floated element in an element and apply overflow:hidden;
this is a floated element.
This element has a margin-top.
height computation
Floated element
Floated element
The floated element are not taken into account when computing the height of the container
Same fix with overflow: hidden;
float and height
A floating element does not count in the height of its container.
This can be fixed with overflow: hidden
on the container
Another method is to add an empty div with clear: both;
after the last floated element.
float drop
example
To fix it, use box-sizing
box-sizing
Specify how to compute the width of an element.
content-box
width = content's width (default)
border-box
width = content's width + padding (left and right) + border (left and right)
Be careful to margins though.
Positionning
The property position
control how an element should be placed. It can have the following values
static
(default)
relative
absolute
fixed
inherit
position: relative;
Does nothing visible
The element can now be nudged with top/left/bottom/right
The element now respects the z-index
property (altitude)
It is now the reference for all children with position: absolute;
position: absolute;
position: fixed;
Same as position: absolute, but the origin is always the top left corner of the window
See examples
hiding elements
Two ways: display: none;
or visibility: hidden;
display: none;
As if the element is not present at all in the page
Doesn't take space
Ignored by the browser's rendering engine
visibility: hidden;
The element turns invisible
But it's still here and take space (margin, border, padding and dimensions)
example
control div
display: none;
visibility: hidden;
that's all for the moment


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WITNESS LIST
Business & Commerce
July 28, 2011 10:00 AM
Aqua Rate Case
ON:
Byrne, Rick Self-employed (Self), Houston, TX
Aqua Water rate increase
AGAINST:
LeCesne, Errol Retired (Summerlake Ranch HOA), Houston, TX
AT TUP
FOR:
O'Dell, Melia State employee - Quality Analyst (Myself and Ratepayers), Austin, TX
Excessive Water Rates
AGAINST:
Cockrell, C.A. Retired (also providing written testimony) (Texans Against Monopolies
Excess Rates (TAMER), Greater Lake Palestine Council), Murchison, TX
High water rates
AGAINST:
Rueba, Estella President KRWC (also providing written testimony) (Kennedy Ridge
Water Corp.), Austin, TX
Investigation of IOUs
ON:
Jones, Jennifer Deer Creek Ranch (Deer Creek Water Rater Payer), Dripping Springs, TX
Investor Owned Water & TCEQ
AGAINST:
Hooks, Alan Mayor, City of Blue Mound (also providing written testimony) (City of Blue
Mound), Blue Mound, TX
Investor Owned Water Utilities - Monarch Water
ON:
Hervol, Diane City Council member - City of Kyle, Tx (also providing written testimony)
(Citizens of Kyle, residents of Amberwood), Kyle, TX
Investor-owned utilities
ON:
Givens, Sheri Public Counsel (Office of Public Utility Counsel), Austin, TX
Investor-Owned Water Utilities
ON:
Laughman, Robert President (Aqua Texas), Austin, TX
Profilet, Jr., Charles Vice President (also providing written testimony) (Southwest Water
Co.), Sugar Land, TX
Investor-Owned water utilities in rural & unincorporated Rates
ON:
Elmore, Lisa (also providing written testimony) (Ratepayers in my community), Austin,
TX
1
WITNESS LIST
Business & Commerce
July 28, 2011 10:00 AM
Investor-owned water utilities in rural and unincorporated areas
ON:
Adams, Alfred Retired (Summer Lake Ranch Subdivision/POA), Houston, TX
Hawken, Anne Retired (Ratepayers of Deer Creek Ranch, Protestants TCEQ
2009-0829-UCR), Austin, TX
Lewis, Helen Retired ((HOA) Pine Trails Community Improvement Association),
Houston, TX
McIntyre, George County Emplyee (Ratepayers in my community), Austin, TX
Spanier, Sarah Self-employed (Self), Austin, TX
Williams, Zelda Retired (Jersey-Hilltop Acres HOA), Houston, TX
Wren, Barry Real Estate (Trinity Starwood), Houston, TX
Providing written testimony:
On:
Carr, Snapper Attorney (City of Tyler), Austin, TX
Rainey, Anthony Electrician (Self), Austin, TX
IOUs in Rural & Unincorporated Areas
ON:
Holland, Kirk Gen Mgr. GCD (also providing written testimony) (Barton
Springs/Edwards Aquifer Conservation District), Austin, TX
IOUs/rate cases
ON:
Coy, Blas Director, Office of Public Interest Council, TCEQ (TCEQ), Austin, TX
IOUs/water rate regulations
ON:
Holcomb, Doug Engineer for Texas Commission on Environmental Quality (Texas
Commission on Environmental Quality), Austin, TX
IOUs/water rates
ON:
Stepney, L'oreal Deputy Director, Office of Water, TCEQ (TCEQ), Austin, TX
Local Regulatory Authority
ON:
Pourteau, Melba Senior Assistant City Attorney (City of Houston), Houston, TX
Monarch Utilities
AGAINST:
Smity, Arthur Retired (also providing written testimony) (Country Bend Homeowners
Association), Boerne, TX
Monarch Utilities Water Rate Increase Request
AGAINST:
Greene, Reed President, Country Bend Homeowners Association (Country Bend HOA),
Boerne, TX
2
WITNESS LIST
Business & Commerce
July 28, 2011 10:00 AM
Monopoly of Water
AGAINST:
Howard, Marie Small business owner (Self), Keller, TX
Municipal Regulatory Authority
ON:
Talley, Alisa City of Houston (City of Houston), Houston, TX
Quality & Cost of basic utility service
ON:
Eskelund, Eric Mayor, City of Woodcreek (also providing written testimony) (City of
Woodcreek), Woodcreek, TX
Rate increases
AGAINST:
Fritzinger, Thomas Technical Advisor (Hornsby Bend ratepayers, Austin's Colony and
surrounding communities), Austin, TX
Rural community points of view
ON:
Nebeker, DuAnne (also providing written testimony) (Self), Wimberley, TX
Southwest Water Company and Monarch Utilities
AGAINST:
Thompson, Clark Professional Engineer, Consultant (Ratepayers of the Windermere and
Hornsby Bend Utilities), Pflugerville, TX
TCEQ rate regulation
ON:
Galiga, Todd Attorney (TCEQ), Austin, TX
Trinity River Vision/TRA/Tarrant Regional Water Dis.
ON:
Stapleton, Georgia (Self), Fort Worth, TX
Water - Sewer Rate increases and Methodology of Increases
ON:
Nicholson, Art Real Estate (Trinity Starwood Mobile Home Park and Residents), Houston,
TX
Water & Sewer Rate Change Application of Monarch Utilities
Providing written testimony:
Against:
Higgins, Brian Manager/Director (AC Rivercreek HOA, Inc.; Condominium Community
of Chaparral Crossing, Inc.; Pacesetter Homes, LLC), Austin, TX
Water & sewer rates
ON:
Couch, Julie City Manager - Rockwall (also providing written testimony) (City of
Rockwall), Rockwall, TX
3
WITNESS LIST
Business & Commerce
July 28, 2011 10:00 AM
Water & Sewer Rates
ON:
Bevel, Jr., Orville Retired (also providing written testimony) (Texans Against Monopolies
Excessive Rates), Chandler, TX
Water Rate Increase
AGAINST:
Patillo, Linda Retired (Coolcrest POA), San Antonio, TX
Providing written testimony:
Against:
Johnson, Lauren Homemaker (Self), Austin, TX
Water Rates & Service
ON:
Caldwell, Sally Professor, Tx State Univ (also providing written testimony) (Woodcreek
Property Owners), Wimberley, TX
Water Rates Regulation
ON:
Romero, Connie Credit Manager (Self), Houston, TX
Water Regulation
Providing written testimony:
On:
Cavenah Sr., John Retired (Self), Fort Worth, TX
Water use & control in Texas
ON:
Zitko, Dolores Retired (also providing written testimony) (Self), Arlington, TX
Water utilities in rural and unincorporated areas
ON:
Young, Shelley Engineer (Texas Alliance of Water Providers), Cypress, TX
Water Utilities in Rural and Unincorporated Areas
ON:
Parsley, Cathleen Chief Administrative Law Judge, SOAH (SOAH), Austin, TX
Sequeira, Simon President/Owner, Quadvest Utilities (TAWP, Quadvest), Tomball, TX
Sullivan, Kerry SOAH General Counsel (State Office of Administrative Hearings), Austin,
TX
Zeppa, Mark Attorney - Executive Director (Independent Water & Sewer Co.s of Texas),
Austin, TX
Water utilities in rural areas
ON:
Latsha, Jean Cesar Chavez Foundation (Cesar Chavez Foundation), Austin, TX
Water Utility rate excesses
ON:
Zrudsky, Donald Retired (also providing written testimony) (Self), Liberty Hill, TX
4
WITNESS LIST
Business & Commerce
July 28, 2011 10:00 AM
Water/Sewer Rates
ON:
Benedict, Amy Grandmother (Pine Trails Community Imp Assn), Houston, TX
5


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Shrimp Fried Rice
This is an easy, one-skillet recipe that’s ready in 20 minutes and tastes better than takeout; it’s healthier and not greasy. To save time if you don’t have leftover rice on hand or don’t want to cook a batch, use two pouches of ready-to-serve rice. The shrimp is tender and juicy. I use fresh shrimp but you can use frozen shrimp that’s already been cooked. There’s garlic, ginger, green onions, sesame oil, and soy sauce for layers of flavor while peas, carrots, corn, and bits of egg add texture.
The shrimp is tender and juicy. I use fresh shrimp from the butcher because I think it has the best flavor but if you’re in an ultimate hurry you can use frozen shrimp that’s already been cooked and all you have to do is thaw it.
There’s garlic, ginger, green onions, sesame oil, and soy sauce for layers of flavor while peas, carrots, corn, and bits of egg add texture. It’s a perfect weeknight meal when you’re in a rush want a break from the usual chicken dinner.


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POMODORO CLOCK
START
RESET
BREAK LENGTH
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BREAK TIME: 05
SESSION TIME: 25
25:00
COPYRIGHT © 2017 by
PAULO RAONI


Mumford (1999) Loren Dean, Hope Davis, Jason Lee, Alfre Woodard, Mary McDonnell, Pruitt Taylor Vince, Zooey Deschanel, Martin Short, David Paymer, Jane Adams, Dana Ivey, Kevin Tighe, Ted Danson, Jason Ritter, Elisabeth Moss, Robert Stack. Music by James Newton Howard. Directed and written by Lawrence Kasdan. 111 minutes. Rated R, 3.5 stars (out of five stars)
Review by Ed Johnson-Ott, NUVO Newsweekly www.nuvo-online.com Archive reviews at http://us.imdb.com/M/reviews_by?Edward+Johnson-ott To receive reviews by e-mail at no charge, send subscription requests to<EMAIL_ADDRESS>Although he has only been in town for a little over four months, Dr. Mumford already has more patients than the other two therapists in the small, homey village. Mumford has a way about him. He avoids technical jargon, has a surprisingly frank approach and, more than anything, he is great at listening. So great that most clients find it easy to share their deepest secrets with him, even though he is awfully casual in the area of patient confidentiality. What they don't know about Mumford is that the good doctor has a secret of his own. As he eventually tells a skateboarding billionaire who becomes his patient and friend, "I am not now, nor have I ever been, a psychologist."
This gentle comedy shares a few similarities to "The Big Chill," another film from writer/director Lawrence Kasdan. Both are structurally loose, with next to no major conflict. Instead, the focus is on the small personal dramas of a number of nicely-drawn characters. Both productions tend to wander, hopping from one subplot to another. While I generally find meandering of this sort annoying, it proves refreshing in this context, largely due to the overwhelmingly benign nature of the story.
Loren Dean gives a wonderfully low-key performance as the mysterious young therapist. Although Mumford's name and credentials are phony, his intentions are genuine. He cares so much for his patients that he dares to speak his mind. When shopaholic mother Althea Brockett (Mary McDonnell) complains that "my kids say if I don't get therapy they'll have nothing to do with me," he nods and states "Good kids." When lethargic patient Sofie Crisp (Hope Davis) asks if he believes Chronic Fatigue Syndrome is a genuine illness or just a justification for doing nothing, he replies, "I don't know what's real and what isn't. That's never been my strong suit."
After Sofie leaves, Mumford goes online to read about CFS and comes up with an interesting form of treatment, holding future sessions while the two walk though town. Sofie soon finds herself helping the doc cover a neighbor kid's paper route, as her energy, spirit and affection for the therapist grows ever stronger.
As the film progresses, we learn more about the motivations behind Mumford's big deception, and the revelations add poignancy and clarity to the character. Loren Dean, whose handsome features have a curiously unfinished quality, is an enormously likable actor, aided immeasurably by two exceptional supporting players. As Lily, Mumford's landlady and friend, Alfre Woodard is earthy and beguiling. Although her screen time is limited, she has a presence that lingers even when Lily is away running her neighborhood café.
Jason Lee, so deliciously acidic as Banky in "Chasing Amy," gives the sunniest performance of his career as Skip Skipperton, a billionaire computer mogul who craves friendship so badly that he hires Mumford primarily to be his buddy. Despite his wealth, Skip is still just a lonesome kid (his corporate headquarters has an elaborate skateboard ramp) and Lee is quite effective at blending the character's endearing combination of intelligence and naiveté. The role also gives the former international skateboard champion a chance to show off his considerable skills at the sport.
I wish the film had spent more time with Mumford, Sofie, Lily and Skip, and less on the campaign by a smarmy lawyer (Martin Short) to discredit Mumford. Even though there are some amusing moments with Short and a pair of therapists (David Paymer and Jane Adams), the film could have reached the same conclusion without the subplot.
Lawrence Kasdan directs his story in a down-to-earth fashion, saving visual frills for flashbacks and noirish sequences illustrating the pulp fantasies of nebbish pharmacist Henry Follet (Pruitt Taylor Vince). Kasdan juggles his vignettes fairly well, although they become a bit scattered late in the film. To his credit, an obligatory courtroom scene is short, crisp and avoids the usual clichés. James Newton Howard provides the music, which consistently accents the tone of the story without ever becoming manipulative or overbearing.
Some critics have savaged "Mumford," calling it nothing but an aimless, lackadaisical trifle. While the script might have benefited from more polishing, I like what Kasdan has done here. At one point, Dr. Mumford wonders aloud if any therapy can really cure problems that started in early childhood. Instead, he uses charm, common sense and empathy to help those around him grow and feel just a little better. After watching "Mumford," I not only felt a little better, I was downright happy. This particular trifle turned out to be the right treatment for me.
© 1999 Ed Johnson-Ott
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


BARCELONA A film review by Ralph Benner Copyright 1996 Ralph Benner
In his 1968 Iberia, James Michener wrote, "To travel across Spain and finally reach Barcelona is like drinking a respectable red wine and finishing up with a bottle of champagne." From the late 80s, especially since the Olympics of '92, and right up to the present, it's even truer: Barcelona is the quintessential European metropolis, an optimum Paris on the Mediterranean complete with its own Eiffel Tower -- Gaudi's magnificently eclectic El Templo de la Sagrada Familia. Updating, Michener would call Spain's intellectual and publishing center the Dom Perignon of the continent. From atop the Muntanya de Montjuic, Barcelona is deceptive in scale -- an urban Guanajuato. Traversing by foot or subway, it's so continually a picturesque surprise of spacious, manicured boulevards, centuries-old narrow-street neighborhoods, endless architectural delights that you bemoan the egregious lack of movie maker appreciation. And anyone who's been there knows that it deserves much better than what Whit Stillman gives us in his BARCELONA. Putting it as mildly as I can: Stillman should be required to rename it -- to BARFALONA.
BARCELONA isn't a movie about the city or its dwellers; it's about two snot-nosed American cousins pretending to be Woody Allen Reaganites foisting puffed-up, bogus Hemingway on any Barcelonan as Eurotrash who'll consent to listen. Does director-writer Stillman have a case of the hates against the city he claims to love? Rhetorical question: the city dwellers in general are treated with contempt and the city is never photographed to show its true metropolitan flavor, or show off, however fleetingly, its renowned symbols: Las Ramblas and Gaudi's gaudy masterpieces. Shortly into this yupchucker one of these two asinine Americans whines about the lack of Barcelonian appreciation for Americans having died ridding Europe of fascism. What Stillman never mentions is that while America -- along with its allies, of course -- rid Europe of Hitler and Mussolini, Spain was left in the grips of fascism until Franco's death in 1975. But Stillman, who lived in Barcelona for several years and married a resident, has no respect for his host's history: he repeatedly swacks Barcelonians over their heads for their anti-Americanism, which he sees as insulting ingratitude and uses it as a form of ersatz self-righteousness. Lovers of Barcelona know where Stillman's head is -- up his a double s.
The cousins are played as well as they're directed, which is to say that there's no faulting how they perform the numbskulls Stillman penned for them. (Is there any way to trust a writer who names one of his characters Montserrat?) Taylor Nichols, as a salesman based in Barcelona, has the cutie boy charm of Casper Weinberger, Orson Bean and Judith Light's husband, actor Robert Desiderio. You don't believe a word he says except about his fears of losing his job -- and the only reason you believe that is because you don't buy for a minute he'd be an effective salesman for anything. He does have one asset that not only betrays his insecure character but is more European than anything else in the movie: his seductive swagger of a walk. (He'd make a sensational aristocratic misogynist.) His cousin, played by Chris Eigeman, is more closely related to E!'s Michael Castner. You have to wonder how it could ever be that the U.S. Navy would send this jerk to Barcelona as an advance man to test the "welcome waters." Of course, the Navy wouldn't, but that's Stillman's problem. Only once is there something about the character that rings true: when he mimic's Benjamin's howls of "Elaine! Elaine!" from THE GRADUATE. Clear and away the only amusing bit in the entire movie.
BARCELONA is such a crock that Stillman postulates the city's women became sexually revolutionized in the early 80s. Nonsense. The liberalization of sexual mores actually began in the mid 60s, when German and Swede Suecas came down to the sunny beaches of Spain's Costa del Sol and bounced around topless to the delight of the Spanish male population.
Can you believe there are critics out there who, in one breath, think Stillman has an attitudinal resemblance to Henry James, and in the next breath claim he's a combo of Bunuel and wacky Almodovar? No forgiveness for that. Speaking to a reporter, Stillman used the following as his own excuse: "By being kind of square you can get into material that isn't open to other people. I feel square -- insulated from the cool." Detesting Stillman's prissified attitudes, vehemently objecting to his indulgent insistence on confirming why there's a steady drumbeat of anti-Americanism, isn't the same as calling him an incompetent numbers cruncher: in fact, it takes a very competent economist to make a movie that looks like BARCELONA for just over $3 million. That what's captured is thoroughly inadequate to measure the city's romanticism and sensuous grace (even his panoramas are too short to absorb the pleasures), Stillman, if he doesn't sell out to Hollywood's money spending mania, could help deflate the spiraling costs of movie making. That's the best I can say about him, because, considering his Reaganesque context -- that is, creating illusions by disposing of fact -- Stillman's the type who would likely trick us into believing there's a nimbus of virtue surrounding the Valley of the Fallen. (Just what Ronnie tried at Bitburg.) As for Barcelona, well, it has two options: Sue Stillman for defamation or deny him re-entry. Both should be exercised.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews