Use your arrow keys to move the tiles, when two tiles of the same number collide, they merge into the next power of 2!
Press R to start a new game.


{% if deploy_file_content %}
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There is no deploy file associated with this object.


>From The Desk Of MR MR.ODIASE GEORGE ChairMan Contract Award Committe Federal Ministry of Aviation. Garki- Abuja-Nigeria Tel: 234-1-7761675 Fax: 234-1-7592687. Dear My nameis MR MR.ODIASE GEORGE.chairman of the contract award committe of the. Federal Ministry of Aviation. Sometime last year,the Federal Government of Nigeria decided to upgrade the Radar and Landing facilities at the Malam Aminu Kano International Airport,kano inNorthern Nigeria.The contract ran into several millions of Dollars. The contract was handled by a foreign firm but because of the huge monetary profit we envisaged we decided toover-invoice the contract sum. Now the contract has been completed and the original contractor has since been paid, but the contract balance of US$12.5 million, which resulted from the over invoiced contract sum that has been left in a suspense account with the CENTRAL BANK OF NIGERIA, is what me and my partners are planning to take out of the country for ourselves. The problem is as government officials, we are not supposed to own fat bank accounts, talk less of having foreign ones. To this end, we are soliciting your assistance as a foreign partner who can assist us and receive this amount into your account. We are ready to share this money with you on the basis of participation. We also have plans to invest part of this money in any viable business in your country under your care, as we are very close to retirement age. In any case, I received a reference of you on the net while looking for a potential and reliable partner. Please if you accept my proposal do not hesitate to send me an e-mail, so that I can provide you with the basic procedures for the release of the fund. It does not matter whether you or your company does contract project of the nature described here, the assumption is that you won a major contract and subcontracted it to another company, more often than not, big trading companies or individuals of unrelated field win major contracts here in Nigeria and subcontracts same to more specialized firms for execution. BENEFIT: For providing the account where we shall remit this money, you will be entitled to 15% of the entire funds, 80% will be for me and my partners, while 5% has been set aside to cover any expenses that may be incurred by both parties during this transaction, both local and international. Please I enjoin you to handle this transaction with utmost degree of maturity and confidentiality because I am still in active government service with the "FEDERAL MINISTRY OF AVIATION". If I receive your response on time, this whole transaction could be accomplished within the shortest possible time based on your interest and determination, since the money is already in transit. Please, try to reach me soon as there is no much time to waste on this . Yours faithfully, MR.ODIASE GEORGE


--- layout: post title: Happy Birthday GT... date: 2004-07-28 00:00:00 category: personal ---
GT are celebrating their 10th birthday in a few days time, prompting Pete to go searching for historical records online.
I can't find the original job advert that I replied to in August/September 1995, but I know it's out there somewhere...


WITNESS LIST Subcommittee on Higher Education Committee February 10, 2003 - 1:30P Overview of Higher Education in Tex ON: Brown, Don W. (Texas Higher Education Coordinating Board), Austin, TX Francis, Patrick (Legislative Budget Board), Austin, TX Scheberle, Andrew (Texas Business and Education Coalition), Austin, TX


About This Project
From Save Our Air to Mobilizing Our Air
Save Our Air is an experiment funded by OrganiCity and developed by the Public Data Lab. The partnership is characterized by a multidisciplinary composition to provide the knowledge needed in the creation of data-stories. Three projects evolved out of the Save Our Air experiment, Mobilizing Our Air being one of them.
Mobilizing Our Air’s Vision
The platform strives to: 1. support local activist groups to connect with each other through visibility on the platform, 2. inform individuals interested in activism about activist groups in their vicinity and invites them to join the movements, 3. Bring the topic of air pollution to other activist groups’ attention which already support the cause of better air quality (i.e. bicycle groups), however without openly promoting it.
The People behind Mobilizing Our Air
Mobilizing Our Air was developed and coordinated by the following members:
- Ángeles Briones, DensityDesign Lab - Politecnico di Milano
- Verena Rauchenwald, Gehl
- Daniel Bach, Aalborg University Copenhagen
- Pelle Annfeldt Israelsson, Aalborg University Copenhagen
Special thanks to the website developer Ray Besiga for his work.
For more detailed information on Mobilizing Our Air and the other two Save Our Air projects, please visit the Save Our Air website


Holding place for interesting markup ideas¶
Note
This is a note
Warning
And a warning
|
|
for ( int i = 0; i < 10; i++ ) { System.out.println ( "hi" ); }
Keyboard sequences Control-x Control-s
Menus
italics
bold
code sample
- Bullet list
- second item, longer
- numbered
- many items
In the beginning, God created the heavens and the earth. Genesis 1:1
Link to Sphinx <http://sphinx-doc.org>


The JavaScript-based simulator OESjs-Core0 implements the Object Event Simulation (OES) paradigm, representing a general Discrete Event Simulation approach based on object-oriented modeling and event scheduling. In OES, a model normally defines various types of objects and events, but OESjs-Core0 also supports models without objects, if they define state variables in the form of global model variables, instead.
An OESjs-Core0 simulation consists of the OESjs-Core0 library code and the following files to be created by the simulation developer:
OESjs-Core0 supports two forms of simulations:
Standalone scenario simulations, which are good for getting a quick impression of a simulation model, e.g., by checking some simple statistics.
Simple simulation experiments, which are defined as a set of replicated simulation scenario runs, providing summary statistics like mean, standard deviation, minimum/maximum and confidence intervals for each statistics variable defined in the underlying model.
Using a simulation library like OESjs-Core0 means that only the model-specific logic has to be coded (in the form of object types, event types, event routines and other functions for model-specific computations), but not the general simulator operations (e.g., time progression and statistics) and the environment handling (e.g., user interfaces for statistics output).
The following sections present the basic concepts of the OESjs-Core0 simulation library, and show how to implement the service desk models described in .


Every Pixel Toaster application needs a display. Lets analyze a simple application to understand exactly what is going on:
Display display( "Example", 320, 240 ); vector<Pixel> pixels( 320 * 240 ); while ( display.open() ) { display.update( pixels ); }
In a nutshell, the simple application does the following:
All you need to do is implement your rendering code and do it each frame before you update the display. Each time display update is called the array of pixels are copied to the display, so you can see them!
Now lets actually draw something. Here is the same code again, but this time each update we set a random pixel to the color blue:
const int width = 320; const int height = 240; Display display( "Example", width, height ); vector<Pixel> pixels( width, height ); while ( display.open() ) { const int x = rand() % width; const int y = rand() % height; pixels[x+y*width].b = 1.0f; display.update( pixels ); }
Public Member Functions | |
| Display () | |
| Creates the display object but does not open the display. | |
| Display (const char title[], int width, int height, Output output=Output::Default, Mode mode=Mode::FloatingPoint) | |
| Create and open display in one step. | |
| ~Display () | |
| Destructor. | |
| bool | open (const char title[], int width, int height, Output output=Output::Default, Mode mode=Mode::FloatingPoint) |
| Open display. | |
| void | close () |
| Close display. | |
| bool | open () const |
| Check if display is open. | |
| bool | update (const class FloatingPointPixel pixels[]) |
| Update display with floating point pixels. | |
| bool | update (const TrueColorPixel pixels[]) |
| Update display with truecolor pixels. | |
| bool | update (const vector< FloatingPointPixel > &pixels) |
| Update display with standard vector of floating point pixels. | |
| bool | update (const vector< TrueColorPixel > &pixels) |
| Update display with standard vector of truecolor pixels. | |
| const char * | title () const |
| Get display title. | |
| int | width () const |
| Get display width. | |
| int | height () const |
| Get display height. | |
| Mode | mode () const |
| Get display mode. | |
| Output | output () const |
| Get display output. | |
| void | listener (class Listener *listener) |
| Register a listener object. | |
| Listener * | listener () const |
| Get current listener object. |
| Display | ( | ) | [inline] |
Creates the display object but does not open the display.
You need to call Display::open first before you can copy pixels to the display with Display::update.
| Display | ( | const char | title[], | |
| int | width, | |||
| int | height, | |||
| Output | output = Output::Default , |
|||
| Mode | mode = Mode::FloatingPoint | |||
| ) | [inline] |
Create and open display in one step.
This is equivalent to creating a display using the default constructor then calling Display::open.
| ~Display | ( | ) | [inline] |
Destructor.
Closes the display if it is still open.
| bool open | ( | const char | title[], | |
| int | width, | |||
| int | height, | |||
| Output | output = Output::Default , |
|||
| Mode | mode = Mode::FloatingPoint | |||
| ) | [inline] |
Open display.
Opens the display by creating an output window or entering fullscreen mode.
| title | the title of the display window or fullscreen application. | |
| width | the width of the display in pixels. | |
| height | the height of the display in pixels. | |
| output | the output type of the display. you can choose between windowed output and fullscreen output, or you can leave it up to the display by passing in default. | |
| mode | the mode of operation for the display. you can choose between true color mode and floating point color mode. |
| void close | ( | ) | [inline] |
Close display.
Closes the display window or leaves fullscreen mode. This method is safe to call even if the display not open.
| bool update | ( | const class FloatingPointPixel | pixels[] | ) | [inline] |
Update display with floating point pixels.
The input pixels must be a linear array of size width x height, where width and height are the dimensions of the display as per the most recent successful call to Display::open. You can calculate the offset for a pixel in the linear array as follows: int offset = width*y + x; This is the correct update method to call when the display was opened in Mode::FloatingPoint, however it is safe to call this method even when operating in Mode::TrueColor if you wish.
| pixels | the pixels to copy to the screen. |
| bool update | ( | const TrueColorPixel | pixels[] | ) | [inline] |
Update display with truecolor pixels.
The input pixels must be a linear array of size width x height, where width and height are the dimensions of the display as per the most recent successful call to Display::open. You can calculate the offset for a pixel in the linear array as follows: int offset = width*y + x; This is the natural update method to call when the display was opened in Mode::TrueColor, however it is safe to call this method even when operating in Mode::FloatingPoint if you wish.
| pixels | the pixels to copy to the screen. |
| bool update | ( | const vector< FloatingPointPixel > & | pixels | ) | [inline] |
Update display with standard vector of floating point pixels.
This is just a helper method to make it a bit cleaner to pass a vector of pixels into the update.
| pixels | the pixels to copy to the screen. |
| bool update | ( | const vector< TrueColorPixel > & | pixels | ) | [inline] |
Update display with standard vector of truecolor pixels.
This is just a helper method to make it a bit cleaner to pass a vector of pixels into the update.
| pixels | the pixels to copy to the screen. |
| void listener | ( | class Listener * | listener | ) | [inline] |
Register a listener object.
Implement the Listener interface and pass in an pointer to an instance of your object to recieve display events such as keyboard and mouse input.
| listener | the listener object. pass in 0 if you want to remove the current listener. |
| class Listener* listener | ( | ) | const [inline] |
Get current listener object.


Raspberry Pi Timelapse
GITHUB
Live Preview
Vertical
Horizontal
Set camera position
Start
timelapse
Image number count:
0


Package com.jasongatt.motion.easers
Interfaces
IEaser
Classes
AbstractEaser
BackEaser
BounceEaser
CircularEaser
CubicEaser
EaseDirection
ElasticEaser
LinearEaser
PowerEaser
QuadraticEaser
QuarticEaser
QuinticEaser
SineEaser


I’ve always been enthralled by the world of computers – and that is evident from the fact that I taught myself C at the age of 12. Faced with endless possibilities, web design caught my eye and there began my journey.
Eventually, I was hired by Softrixz, Mangalore – where I developed many completely functional commercial websites; and worked on countless such projects.
I’ve never stopped at just that. I kept learning more languages, expanding my horizons and feeding my ever-growing hunger for knowledge.
Today you can find me trying to best myself at an online game, or learning a new language or technology, maybe trying to figure out how to fix a bug in my code, or simply spring cleaning my computer.
Spearheaded the design and development of various client and internal projects. Thrived working in a team while cementing my technical skills.
4-week long internship on Android Development.
Have a look at some of the stuff I've made.


Jack Tech
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--- layout: default title: About Us ---
To become the best musical instruments while focusing on quality service.
Established in 2010, Musical Instrument aims to be a shop that provides a large range of famous musical instrument brands around the world. Our first store opened in South Tangerang, Indonesia.
Musical Instrument Store is founded by BMG Company. We love music, it runs what we do in every day of our lives, with our mission to raise people's love in music, and turn it into our lifestyle.
In 2015, BMG Company announced a global expansion plan for Musical Instrument Store, with first stores opening in Singapore, and Malaysia. As part of its global expansion plan, Musical Instrument Store also launched a new website, social platform and business model initiatve to help drive our love of music globally.


Create your Pay Per Click (PPC) ads using our advertising solution and generate top quality leads to your websites. Your ads will be served in our enormous publisher network thereby ensuring widespread reach for your online business. You may create your ads in Text or Banner formats. Our system supports all industry standard banner dimensions. You can control the target audience of your ads by configuring as many keywords as required. You may target your ads worldwide or filter traffic to your ads by specifying geographical targeting.Create your Pay Per Click (PPC) ads using our advertising solution and generate top quality leads to your websites. Your ads will be served in our enormous publisher network thereby ensuring widespread reach for your online business. You may create your ads in Text or Banner formats. Our system supports all industry standard banner dimensions. You can control the target audience of your ads by configuring as many keywords as required.
Supports 2 types of ads : Text Ads, Banner Ads.
Pay only when your ad is clicked genuinly.
Target your audience by specifying keywords.
Filter traffic from desired geographical location.
Keyword based, Time period based, Ad based reports.


baabtra.com the online web portal from baabte system technologies,work as alink in identifying, training and placing quality freshers from regionel colleges and institutes.


'American Psycho' (2000)
A movie review by Walter Frith
<EMAIL_ADDRESS>Member of the 'Online Film Critics Society' http://www.ofcs.org
Cast - Christian Bale, Willem Dafoe, Chloe Sevigny, Jared Leto, Reese Witherspoon Directed by - Mary Harron Written by - Mary Harron, Guinevere Turner, based on the novel by Bret Easton Ellis Produced by - Edward R. Pressman, Chris Hanley, Christian Halsey Solomon, Ron Rotholz (Rating) > Motion Picture Association of America - R (Restricted), Rated R for strong violence, sexuality, drug use and language. Previously rated (NC-17). Running Length - 101 minutes Distributor - Lions Gate Films
Patrick Bateman (Christian Bale) will deceive you. To women, his astounding good looks, fabulous wardrobe and knowledge of mergers and acquisitions will seem irresistible. To men, his personality and personal life (at least what they think they know about it), is one of envy. Patrick likes to make mention of the fact that when women ask him what he's "in to" he says: "Murders and executions, actually". From a distance across a nightclub table with loud music playing, it sounds like "mergers and acquisitions". There is much more to 'American Psycho' than this description and the film's layers of artsy decorum crossed with bizarre humour and lacerating violence makes for a film with an extraordinary vision on the part of Mary Herron who captures the horrors of violence as well as any director praised in the modern era. It's an old story, but this is a film mostly for film buffs who know what makes a good mix in the film industry and the average movie patron may discard it as sick trash. This hurts the film somewhat because its limited appeal will get lost in an ever increasing amount of film productions and a film like this may end up as a needle in a hay stack, for lack of a better term.
Patrick Bateman has another passion. After luring his prey to his yuppie pad in the heart of New York City, Bateman has the seduction going perfectly. Champagne in the bedroom, a pleasant atmosphere and he puts music on and critiques it in harmonious fashion before killing his victims through strangulation, the use of sharp instruments or chain saws.....all done with an intensity to bloody his hardwood floors, muck up his white walls and clutter up his closet with dismembered body parts. The film puts an interesting twist on the "me" generation. Set in the heart of the 80's era of greed (1987 to be exact), all of the familiar wardrobes, music and sets of that time come back to show what times were like and how the human mind is capable of so many dark and evil things. We get a sense early of Patrick's violent tendencies when he goes to pick up his bed linen from a Chinese laundry and shrieks at the fact that stains haven't been removed and he bellows out: "I am going to kill you" to the owners of the laundry facility after his frustration boils over from their inability to speak proper English. His over reaction and ability to make a mountain out of a mole hill make Patrick Bateman a character to be feared and Christian Bale pulls off the role perfectly and you may recall him as the young boy going through World War II in Steven Spielberg's 1987 effort 'Empire of the Sun'.
One thing that LOOKS like it will hurts this film is the lack of participation on the part of the other characters. Willlem Dafoe plays a police detective who investigates the murders that Patrick has committed, Reese Witherspoon is his materialistic and semi-synthetic fiancee and Chloe Sevigny is Patrick's executive assistant and Jared Leto is a colleague of Bateman's in the high powered world of finance. But as shallow as these characters are, the film works just fine for one reason. The film is told from Bateman's point of view and his own obsession with the violent aspects of his mind and the acts that come about as a result of his fantasies shuts out all of the character's grasps on his life to the extent of only rejoicing in his own violent excess.
'American Psycho' was originally intended as a turn for Oliver Stone to direct Leonardo DiCaprio. Given the fact that many consider Stone's 'Natural Born Killers' a cult masterpiece, he would have been a good choice but this film needed a fresh vision from a relatively unknown film maker. It's one of those subjects that's been done too often to put a familiar name in the director's chair and the fresher the directing senses are for a film like this, the more likely it is to rile up people to cause controversy and talk which will only increase the film's success.
The film has a conclusion that will throw you off key somewhat in terms of what actually DID happen. The balance between comedy and horror in this film is as difficult to pull off as a tight rope walker balancing himself on a wire hanging over Niagara Falls. A great deal of the credit for the film has to be given to editor Andrew Marcus. He sharply enhances Bale's performance in the lead by inserting his image routinely like a pop up target in many scenes to make the audience truly recognize him as a hard boiled and classic movie villain.
OUT OF 4 > * * *
A film must receive a three star rating or higher to be eligible for a recommendation.
Visit FILM FOLLOW-UP by Walter Frith http://www.cgocable.net/~wfrith/movies.htm
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Notebooks
Story: !yoa-ka-ttu, the Blue Crane and the girls
!yoa-ka-ttu, the Blue Crane and the girls
Title
!yoa-ka-ttu, the Blue Crane and the girls
Collection
Summary
!yoa-ka-ttu, the Blue Crane, and the Girls of the early race. By /han≠kass’o (L VIII.-29. 8526-8554). A creature called !yoa-ka-ttu (or Bad-smelling-mouth, a person of the Early Race) lies in the branches of the !khi tree. The Blue Crane and some girls (of the Early Race) sit in the shade of the same tree and !yoa-ka-ttu breaks wind. They leave, and !yoa-ka-ttu runs after the girls with his assegai. The Blue Crane protects them and is killed and rises up many times. Eventually !yoa-ka-ttu returns to his !khi tree and the Blue Crane returns home.
Comments
1) Date on p. 8534: 21 June, 2) 8525v: |han≠kass'o heard this from his mother (|xabbi-an); !haken resembles 'Bushman rice'; a note about the !khi tree, 3) p.8526v: the Blue Crane is a person of the Early Race and is the elder sister of |kaggen, 4) p.8528v: see Difference between |xam and European methods of articulation, 5) p.8544v: |xam expressions for cutting off meat, 6) This story is found in Book VIII-29
Contributors
|han≠kass'o (Klein Jantje) (VIII)
Date
story given between 17 and 24 June 1879
Categories
Keywords
Blue Crane (and !yoa-ka-ttu and the girls) , Blue Crane (!yoa-ka-ttu, who cuts off her head and shoulders) , Blue Crane (her body parts rejoin) , Blue Crane (calls out 'I am coming!' to !yoa-ka-ttu) , Blue Crane (is an old woman and accompanies the girls) , Blue Crane (does not die) , Blue Crane (protects and covers the girls with her body and wings) , Blue Crane (is |kaggen's elder sister) , Blue Crane (is a person of the Early Race) , !yoa-ka-ttu (and the Blue Crane and the girls) , !yoa-ka-ttu (or 'Bad-smelling-mouth') , !yoa-ka-ttu (runs after the girls to kill them) , !yoa-ka-ttu (cuts off the Blue Crane's shoulder and head) , !yoa-ka-ttu (is a man of the Early Race) , !yoa-ka-ttu (smells bad, like a 'decayed thing') , !yoa-ka-ttu (breaks wind) , !yoa-ka-ttu (lies in the !khi tree) , !yoa-ka-ttu (tries to kill the Blue Crane who does not die) , !yoa-ka-ttu (stabs the Blue Crane with his assegai) , girls (!yoa-ka-ttu, the Blue Crane and) , girls (sit in the shade of the !khi tree) , girls (are protected by the Blue Crane) , girls (of the Early Race) , girls (dig for !haken) , girls (the Blue Crane covers them with her body) , |kaggen (the Mantis) , |kaggen (the Blue Crane is his elder sister) , |kaggen (and !yoa-ka-ttu, the Blue Crane and the girls) , Early Race (!yoa-ka-ttu, the Blue Crane and the girls are people of) , tree (called !khi) , tree (the !khi and !yoa-ka-ttu who lies in it) , tree (the girls sit in the shade of the !khi) , tree (!yoa-ka-ttu, the Blue Crane and the girls) , name (of a tree) , name (called !khi and !yoa-ka-ttu who lies in it) , name (!yoa-ka-ttu is also called 'Bad-smelling-mouth')
Story Pages
8526-8554


Collection of functions and layers to enhance 'ggplot2'. The
flagship function is 'ggMarginal()', which can be used to add marginal
histograms/boxplots/density plots to 'ggplot2' scatterplots.
| Version: |
0.8 |
| Depends: |
R (≥ 3.1.0) |
| Imports: |
colourpicker (≥ 1.0), ggplot2 (≥ 2.2.0), grDevices, grid (≥
3.1.3), gtable (≥ 0.2.0), miniUI (≥ 0.1.1), scales (≥
0.2.0), shiny (≥ 0.13.0), shinyjs (≥ 0.5.2), utils |
| Suggests: |
knitr (≥ 1.7), rmarkdown, rstudioapi (≥ 0.5), testthat, vdiffr, fontquiver, svglite, withr, devtools |
| Published: |
2018-04-04 |
| Author: |
Dean Attali [aut, cre],
Christopher Baker [aut] |
| Maintainer: |
Dean Attali <daattali at gmail.com> |
| BugReports: |
https://github.com/daattali/ggExtra/issues |
| License: |
MIT + file LICENSE |
| URL: |
https://github.com/daattali/ggExtra |
| NeedsCompilation: |
no |
| SystemRequirements: |
pandoc with https support |
| Materials: |
README NEWS |
| CRAN checks: |
ggExtra results |


A relative position is a posture that repositions an element in relation to its default position. For example if an element is on the upper left hand corner of an object, and you set the position to relative then give it a position attribute; depending on the attribute the element will move in relation to its default position.
For example, the teal object in the screen a default position of this:
However when we change the settings in the CSS portion of the web-tools, then object changes its position to this (which is relative to its starting position):
A absolute position is a posture that places the element at the exact spot desired. This element is not affected by other elements nor does it affect other elements. However though it doesn’t change the position of other elements, it will overlap them.
Here is an example of one element in an absolute position:
Here is one example of 2 elements with an absolute position (the second overlaps the first but does not change its position):
A fixed position is an element that stays in the same place of a page despite the page being scrolled in different directions. This is useful if you want to fixate on object to seen at all times such as a navigation bar .
Here is an example of an element with a fixed position where the webpage is unmoved:
Here is an example of an element with a fixed position after the page has been slightly scrolled. The element remained in its page location:


ID
Domain
Destination
Redirect code
Append path
Edit
Delete
{{ x.id }}
{{ x.domain }}
{{ x.destination }}
{{ x.code }}
{{ x.append }}
Edit Domain
Add Domain
×
{{error}}
Domain
Destination
Redirect code
{{item.label}}
Append path:
Add www row:
Delete this entry
×
{{error}}
Are you sure you want to delete this Record?


Proxy Service
Proxy services facilitate location transparency and provides the means for the
integration between various other services, on different formats
Sequence
Sequence is a collection of mediators attached to perform a given mediation flow in an
integration.
Endpoint
Endpoints represent the third party services or other endpoints the ESB is talking to,
this configuration allows you to record a set of meta data about the external endpoint
apart from it's EPR
Scheduled Tasks
Job scheduling facility in the ESB with quartz scheduler, helping several tasks to be
initiated and scheduled by the ESB.
Store & Forward
Message Stores and Processors can be used to persist messages to queues and then process
preserving SLAs
Priority Execution
Ability to categorize mediation flows with a priority allowing certain messages or
mediation paths to get a high priority with compared to other messages or paths.


Spectrum is a plain JavaScript implementation of the range input control. If you have ever tried to style a range input control, you know how painful is to obtain a consistent look among all browsers: spectrum tries to solve this problem by adding as little overhead as possible.
You only need to call Spectrum.attach() and you'll have your customized range input!
Spectrum is responsive to keypresses, mouse events and tab stops just like native range inputs.
You use spectrum the same way you would use a range input (see the javascript source code of the previous example).
According to the standard, range inputs are rendered vertically when their height is larger than their width. Ironically, spectrum is more HTML5 compliant than the native rendering by most browsers, since to obtain a vertical range input you do just that:
Under construction
spectrum.js is only ~250 lines long. It also has no dependencies whatsoever, as it's written in plain JavaScript.


Currency Exchanger
Enter the amount of money you want to convert
Select the type of currency
US Dollars
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What would you like to convert your currency to?
Bahamian Dollar
Canadian Dollars
Costa Rican Colon
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Convert my currency


PuTTY is an SSH terminal client for Windows computers. It allows connection to a VPS running an SSH server. This guide shows how to install PuTTY on Windows 7.
1.
Open the PuTTY download page
2.
Download the Windows Installer
3.
Run the installer
4.
Verify the install by checking for the PuTTY folder in All Programs


Paris Mayor Warns President of Olympics Committee of 'Risks' from Airbnb Deal
Online travel site Airbnb has signed a nine-year agreement with the International Olympic Committee under which the company will provide accommodation for the world's major sporting events.
Paris mayor Anne Hidalgo wrote Friday to IOC President Thomas Bach to "alert him of the risks and consequences" of travel firm Airbnb sponsoring the Olympics, according to her letter, a copy of which was obtained by AFP.
In her letter, the mayor pledged to reinforce the regulations governing the rental platforms and, if necessary, to have them banned in certain areas of Paris.
According to Hidalgo, the deal with Airbnb will affect rent prices, cause nuisance to residents and destabilise local trade, with the middle classes particularly affected.
Airbnb and the International Olympic Committee (IOC) formalised their $500 mln partnership in London on Monday.
Airbnb will become the official Olympics sponsor at five games including the upcoming Summer Olympics in Tokyo. The company will also beecome a partner of the International Paraolympic Committee.


Characteristics of Mine Breaking Industry
Advantage
Wide application range
Great development potential
large market demand
Inferiority
Large amount of investment
Complex project management
Limited geological conditions
Necessity of Configuring the Production Line
With the exhaustion of all kinds of mine resources, mining technology is transformed from primitive rough model to modern fine model. The effective mining and fine crushing will be done gradually. Therefore, in order to effectively process various ores and rapidly improve the ore's own value, the rational allocation of mining and crushing production lines is the top priority.
Production Line Composition
Medium crushingHST Cone Crusher
INPUT SIZE : 76-320MM
OUTPUT SIZE : 6-30mm
PRODUCTION CAPACITY : 55-700TPH
ADVANTAGE
-Adopts laminating crushing principle, ameliorate grain shape
-Efficiency improve by 5%- 15%, capacity increase by 35%-60%
-Intelligent control system, more accurate control, more stable
Applicable Material
Iron ore
Manganese ore
Gold ore
Bauxite
Copper ore
Tin ore
Case of Production Line
200TPH Granite Stationary Crushing Plant in Togo
MATERIAL : granite CAPACITY : 200t/h
MAX INPUT SIZE : 750mmLOCATION : Togo
FINAL PRODUCT SIZE: 0-4-6-10-14mm;
0-5-15-25mm; 0-31.5mm; 0-40mm
EQUIPMENT : LC4000X4000 hopper, ZSW 1300 x4900 vibrating feeder, PE900x1200 jaw crusher , LC4000X4000 surge hopper, HPT300/C hydraulic cone crusher, GZG110-4 vibrating feeder , and 4YZS2460 vibrating screen.
Kefid 150tph hard stone crushing line in Philippines
MATERIAL : hard stone, granite, basalt
FEEDING SIZE : 700mm
OUTPUT SIZE : 0-5mm-20mm-30mm
CAPACITY : approximate 150tph
EQUIPMENT : vibrating feeder ZSW1100x4200, primary jaw crusher PE750x1060, secondary cone crusher standard CSB160, vibrating screen 3YZS2160.
300-400tph Iron Ore Stone Crushing Line In Chile
MATERIAL : Iron Ore
MAXIMUM FEEDING SIZE : 750mm
FINAL PRODUCTS SIZE : 0-6mm
CAPACITY : 300-400tph
EQUIPMENT LIST : Jaw crusher PE900x1200, Cone crusher CSB240, 4 sets VSI5X sand making machine, Vibrating screen 3YZS2160, de-ironing separator.
Saudi Arabia 120-150 TPH Limestone Crushing Plant
MATERIAL : limestone
FEEDING SIZE : 630 mm
OUTPUT SIZE : 0-5-10-19mm
CAPACITY : 120-150 tph
EQUIPMENT : PE750 x 1060 jaw crusher + PF1315 jaw crusher
50TPH river stone crushing plant in Uganda
RAW MATERIAL : river stone
OUTPUT SIZE : 0-5-10-20mm
CAPACITY (TPH) : 50
APPLICATION PLAC : Uganda
EQUIPMENT:ZSW850x3000+PE500x750+2xPEX250x1000+3YZS2160
100-120 TPH Portable Limestone Crushing Plant in chile
MATERIAL : Limestone
FEEDING SIZE : 500 mm
OUTPUT SIZE : 0-6mm, 5-14mm, 14-25mm
LOCATION : Chile
CAPACITY : 100-120TPH


Francesco Cirillo used a kitchen timer shaped like a tomato as his personal timer. He later refined his practice into a method named the Pomodoro Technique. The technique caught on with professional teams in the 1990s. Recently the technique has gained popularity in the tech industry.
We live in a world of interruptions and digital distractions.
The struggle is real
Technology is developing at lightning speed. Our brain's are overwhelmed and we are trying to cope.
- Many are adopting media diets
- Writers are trending back toward typewriters.
- Developers are removing internet connectivity from their machines.
"Interruptions have a big cost. And one of the big costs is that it takes actually a very long time once you get interrupted to get back to what you're doing."
How do we Pomodoro? Step 1
Clearly define and write down major tasks for the day
Step 2
Start your timer and work distraction free
Step 3
The timer rings and you disconnect from your work!
Step 4
After four “pomodoros”, take a 15-20 minute break.
Browser Timer
Browser Extension - "Strict Workflow"
Official Pomodoro Techinique Resources
/


Now-a-days programming is one of the booming career in industry. It is profitable for one to learn programming as there is an enormous demand for good programmers in the industry.
Technology For Everyone
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If you want to start your career in programming then this is for you, You can learn programming free of cost so stay tuned with us and if you have any query then register yourself.
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--- layout: page title: Need a Recommendation? ---
Want a Recommendation
Letter?
Need me to be a Reference?
No Problem!
Every year I’m asked to be a
reference or write recommendation letters dozens of times.
In general, I’m happy to perform this bit of service for my
students and alums. In the hopes of streamlining things and
allowing me to be as fast as possible in getting
recommendations/references out the door, I’ve provided some
general guidelines on this page. I’ve split this in to two
general categories: Letters and References. Letters refer
to letters of reference/recommendation that may be required
for REUs, NSE, grad schools, etc. References refer to
listing me as a reference for jobs and such.
References:
I’m happy to serve as a reference for my students and
alums. There are some pretty basic things that I’d like
though:
1.) Be sure to send me an email to ask my permission. Give
me information about the position and company/school that
you are applying to in your email. Please don’t ask me in
person, I won’t remember that I gave you permission, and
that could lead to an awkward conversation with a potential
interviewer.
2.) If I don’t want you to list me as a reference, I
typically have good reasons. I have to be honest with the
folks calling me in order to make sure that my opinions
have the impact necessary to help folks get the positions
that they desire.  For reference, here is the contact information that you
should use:
Alan C. Jamieson, PhD
St. Mary’s College of Maryland
18952 E. Fisher Rd.
St. Mary’s City, MD, 20686
240-895-2153
<EMAIL_ADDRESS>4.) If they ask for a contact preference, please let them
know that I prefer to be contacted via email.
5.) Please follow these guidelines for background check
information as well.
Letters:
I’m happy to write recommendation letters for my students
and alums. You should realize however that they are time
consuming and there can be a backlog especially at peak
times of the year (mid Fall and early Spring). To
facilitate your letter request (and to make sure you don’t
have an unhappy Alan) please follow the following:
1.) If you want me to send a batch of letters to a variety
of programs, that’s fine!
2.) I require 2 weeks of lead time before the first
recommendation letter is due. This means that you must have
all information to me (including submission link sent by
the program requesting the letter) 2 weeks ahead of the due
date. If you do not provide me this lead time, I will most
likely not write you the letter.
3.) I require 1 week of lead time before any subsequent
letters are due.
4.) Please request the letters of recommendation via email.
Include the following information:
* Name/Title of each program, including a link to the
program’s website (if it exists).
* Summary of due dates and submission guidelines, including
indicating if there are specific forms for any programs and
how to submit the letter.
* Unofficial transcript (if you are not my advisee)
* CS in-major GPA
* A current resume
* A list of any extracurricular activities you participate
in, including leadership positions held
5.) As with references, if I am not comfortable giving you
an overall positive recommendation letter, I will politely
decline to write the letter.


Mohamad Rafli
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You turned on multi panel support: cool. Be aware that not all panels support display of multiple queries. Panels that don't support receiving several queries at one time will (should) display the results of the first query in the list. Further, some panels might not support receiving multiple queries in all modes. For example, the pie panel supports multiple queries only in query mode. In its other modes it will display the results of the first query in the list


{% extends "search/base_generic.html" %} {% load bootstrap %} {% block content %}
Your account doesn't have access to this page. To proceed, please login with an account that has access.
{% else %}Please login to see this page.
{% endif %} {% endif %}


The default place to store attachments is in the filesystem. Files on the local filesystem can be very easily served by Apache without requiring a hit to your app. They also can be processed more easily after they’ve been saved, as they’re just normal files. There is one Filesystem-specific option for has_attached_file.
- path: The location of the repository of attachments on disk. This
can (and, in almost all cases, should) be coordinated with the value of the
url option to allow files to be saved into a place where Apache
can serve them without hitting your app. Defaults to
“:rails_root/public/:attachment/:id/:style/:basename.:extension”
By default this places the files in the app’s public directory which
can be served directly. If you are using capistrano for deployment, a good
idea would be to make a symlink to the capistrano-created system directory
from inside your app’s public directory. See
Paperclip::Attachment#interpolate for more information on variable
interpolaton.
:path => "/var/app/attachments/:class/:id/:style/:basename.:extension"
Methods
Class Public methods
Source: show
# File lib/paperclip/storage.rb, line 20 def self.extended base end
Instance Public methods
Source: show
# File lib/paperclip/storage.rb, line 23 def exists?(style = default_style) if original_filename File.exist?(path(style)) else false end end
Returns representation of the data of the file assigned to the given style, in the format most representative of the current storage.
Source: show
# File lib/paperclip/storage.rb, line 33 def to_file style = default_style @queued_for_write[style] || (File.new(path(style), 'rb') if exists?(style)) end


|
Gephi Toolkit Javadoc | ||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
public interface FilterModel
The Filter Model hosts the queries defined in the system and the currently active query. It also stroe the selection or filtering flag. The filtering mode display the subgraph made from filters, whereas the selection mode highlight elements on the graph.
FilterController
| Method Summary | |
|---|---|
void |
addChangeListener(javax.swing.event.ChangeListener listener)
|
Query |
getCurrentQuery()
Returns the query currently active or null if none is active. |
FilterLibrary |
getLibrary()
Returns the FilterLibrary , where FilterBuilder
belongs to. |
Query[] |
getQueries()
Returns all queries in the model, represented by their root query. |
boolean |
isAutoRefresh()
|
boolean |
isFiltering()
Returns true if the system is currently in filtering mode. |
boolean |
isSelecting()
Returns true if the system is currently in selection mode. |
void |
removeChangeListener(javax.swing.event.ChangeListener listener)
|
| Method Detail |
|---|
FilterLibrary getLibrary()
FilterLibrary
, where FilterBuilder
belongs to.
Query[] getQueries()
Query getCurrentQuery()
null
if none is active.
boolean isFiltering()
true
if the system is currently in filtering mode.
true
if the result graph is filtered,
false
if it's in selection modeboolean isSelecting()
true
if the system is currently in selection mode.
true
if the result is selected on the graph,
false
if it's filteredboolean isAutoRefresh()
void addChangeListener(javax.swing.event.ChangeListener listener)
void removeChangeListener(javax.swing.event.ChangeListener listener)
|
Gephi Toolkit Javadoc | ||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


public interface JsonWriter
Wraps an underlying JsonGenerator taking into account null suppression and exposing isIncludeEmpty() etc.
-
Method Summary
Modifier and TypeMethodDescriptioncom.fasterxml.jackson.core.JsonGenerator
gen()
Return the Jackson core JsonGenerator.boolean
Return true if empty collections should be included in the JSON output.boolean
Return true if null values should be included in JSON output.void
writeBinary
(InputStream is, int length) Write a binary field.void
writeBinaryField
(String name, byte[] value) Write a binary field.void
writeBoolean
(boolean value) Write a boolean value (typically inside a list).void
writeBooleanField
(String name, boolean value) Write a boolean field.void
Write a array end.void
Write a object end.void
writeFieldName
(String name) Write the field name.void
Write a null value.void
writeNullField
(String name) Write a null value taking into account null value suppression.void
writeNumber
(double value) Write a double value.void
writeNumber
(int value) Write a int value (typically inside a list).void
writeNumber
(long value) Write a long value (typically inside a list).void
writeNumber
(BigDecimal value) Write a BigDecimal value (typically inside a list).void
writeNumberField
(String name, double value) Write a number field.void
writeNumberField
(String name, float value) Write a number field.void
writeNumberField
(String name, int value) Write a number field.void
writeNumberField
(String name, long value) Write a number field.void
writeNumberField
(String name, short value) Write a number field.void
writeNumberField
(String name, BigDecimal value) Write a number field.void
Method that will force generator to copy input text verbatim with no modifications (including that no escaping is done and no separators are added even if context [array, object] would otherwise require such).void
writeRawValue
(String text) Method that will force generator to copy input text verbatim without any modifications, but assuming it must constitute a single legal JSON value (number, string, boolean, null, Array or List).void
Write a array start.void
writeStartArray
(String key) Write a field name followed by array start.void
Write a object start.void
writeStartObject
(String key) Write a field name followed by object start.void
writeString
(String value) Write a string value (typically inside a list).void
writeStringField
(String name, String value) Write a sting field.
-
Method Details
-
gen
com.fasterxml.jackson.core.JsonGenerator gen()Return the Jackson core JsonGenerator. -
isIncludeNull
boolean isIncludeNull()Return true if null values should be included in JSON output. -
isIncludeEmpty
boolean isIncludeEmpty()Return true if empty collections should be included in the JSON output. -
writeStartObject
Write a field name followed by object start. -
writeStartObject
void writeStartObject()Write a object start. -
writeEndObject
void writeEndObject()Write a object end. -
writeStartArray
Write a field name followed by array start. -
writeStartArray
void writeStartArray()Write a array start. -
writeEndArray
void writeEndArray()Write a array end. -
writeFieldName
Write the field name. -
writeNullField
Write a null value taking into account null value suppression. -
writeNumberField
Write a number field. -
writeNumberField
Write a number field. -
writeNumberField
Write a number field. -
writeNumberField
Write a number field. -
writeNumberField
Write a number field. -
writeNumberField
Write a number field. -
writeStringField
Write a sting field. -
writeBinary
Write a binary field. -
writeBinaryField
Write a binary field. -
writeBooleanField
Write a boolean field. -
writeBoolean
void writeBoolean(boolean value) Write a boolean value (typically inside a list). -
writeString
Write a string value (typically inside a list). -
writeNumber
void writeNumber(int value) Write a int value (typically inside a list). -
writeNumber
void writeNumber(long value) Write a long value (typically inside a list). -
writeNumber
void writeNumber(double value) Write a double value. -
writeNumber
Write a BigDecimal value (typically inside a list). -
writeNull
void writeNull()Write a null value. -
writeRaw
Method that will force generator to copy input text verbatim with no modifications (including that no escaping is done and no separators are added even if context [array, object] would otherwise require such). If such separators are desired, usewriteRawValue(String)
instead. -
writeRawValue
Method that will force generator to copy input text verbatim without any modifications, but assuming it must constitute a single legal JSON value (number, string, boolean, null, Array or List). Assuming this, proper separators are added if and as needed (comma or colon), and generator state updated to reflect this.
-


yaBMS - Bashicu Matrix BM4 in JavaScript
yaBMS.js - Bashicu Matrix in Javascript
Original Bashicu Matrix System (Bashicu Matrix System was found by BashicuHyudora (en/ja)
programmed by koteitan
Source code is on github
Yet another BMS Bashicu Matrix Calculator by fish


This project was undertaken to create a site to give the user an experience of taking a quiz of several questions. In which completing the quiz it would tell the user if the answer was correct or incorrect. If incorrect the quiz then would give the correct answer and move to the next question. Upon completion the user would be given their score and allow to enter their name in the high scores table.
Coding Quiz
Workday Scheduler
This project was undertaken to create a site to give the user an application where they could create a hourly scheduler to plot out their activities for the current day. It generates working hours from 6:00 am through 6:00 pm along with input boxes to enter that time slot's activity. Then it gives the user the option to save the activity in local storage so when they refresh the site it will be retained. Also the site color codes the hour time slots by past, current and future.
Weather Dashboard
This project was undertaken to create a site to give the user an experience finding the current weather conditions for a specific city. In which completing the quiz it would tell the user if the answer was correct or incorrect. If incorrect the quiz then would give the correct answer and move to the next question. Upon completion the user would be given their score and allow to enter their name in the high scores table.
Brew Hopper
This project was undertaken to create a site to give the user an experience of getting their location and then generating a search radius. The application then pulls up a list of all the local breweries in that search radius and allows the user to pick out a variety and put their location on the map and generates the fastest routes to those breweries.
Note Taker
Uses HTML, CSS, Node.js, JQuery, JSON, AJAX, Express and Heroku to create a active web page allows the user to write notes, save , review old notes and delete them from the site.
Burger
Uses CSS, Node.js, JQuery, JSON, AJAX, Express, express-handlebars and Heroku to create a active web page which allows the user to write burger names, save them, move them and delete them from the site. This is accomplished using CRUD (create, retrieve, update & delete) and MVC (Model-view-controller).
Finance Tracker
This project was undertaken to create a site that allows the user to track their monthly spending and savings. It has a Montly spending page in which you can enter amounts for certain categories and it will total them. It also has a montly summary chart where it shows where the money is be spent the most. And finally a savings page where you can enter how much money you have added to your differnt bank accounts, along with your retirement fund. And at the end of the month there is a clear button where you can erase the last months totals.


 Screenplay: Ted Tally, based on the novel by Cormac McCarthy. Producers: Robert Salerno and Billy Bob Thornton. Director: Billy Bob Thornton. MPAA Rating: PG-13 (violence, adult themes, profanity) Running Time: 117 minutes. Reviewed by Scott Renshaw.
In Billy Bob Thornton's adaptation of the award-winning novel ALL THE PRETTY HORSES, two young Texans hit the trail for Mexico in 1949. And they meet up with another young Texan. And they get into some trouble with the law. And they go to work on a Mexican ranch. And one of them has some trouble with a woman. And they have some more trouble with the law. And then the same one of them has more trouble with the same woman. And then there's more trouble with the law. And then the movie ends.
Thornton and Miramax feuded for a year over the length of the film, with the director originally turning in a two-and-a-half hour cut before finally paring it down to under two hours. The resulting film is the best evidence that Thornton was right. ALL THE PRETTY HORSES is a film that wants to achieve an epic scope, but where plot points keep rolling by so quickly that there's no time for anything to resonate. It's a picturesque travelogue made for Short Attention Span Theatre.
The tale does begin in 1949, where a young man named John Grady Cole (Matt Damon) is at a crossroads. His mother is preparing to sell the family ranch, leaving John Grady adrift. He decides to look for work as a ranch hand in Mexico, joined on the journey by his best friend Lacey Rawlins (Henry Thomas). Along the way they hook up with a young runaway named Jimmy Blevins (Lucas Black), but separate again after one of the aforementioned run-ins with the law. Eventually, John Grady and Lacey land at the ranch of the wealthy Senor Rocha (Ruben Blades), where John Grady becomes fascinated with Rocha's daughter Alejandra (Penelope Cruz). And the complications progress from there.
Boy, do they ever. One of the most impressive elements of Cormac McCarthy's novel was how he was able to take such a plot-heavy story and make it feel rich and profound. Ted Tally's script retains the laconic cowboy dialogue, but the structure is a mess. The set-up concerning John Grady's fragmented family is dispatched in a few snippets of film and some voice-over, providing little foundation for the journey that is to come. In some earlier incarnation, Tally may have provided more fleshing out for the individual story elements, more gradual build-up for the drama. In the two hours ALL THE PRETTY HORSES now takes on screen, there's a sense in virtually every scene that someone was standing over the editor's shoulder, tapping his watch and muttering, "Come on, we gotta get to the skinny-dipping come on, we gotta get to the knife fight."
The really unfortunate part is that you can see a quality film screaming to get loose. Damon continues to impress as an actor, finding the search for stability and integrity in John Grady. Thomas is also solid, and Lucas Black grabs the screen in his smaller role as the high-strung Blevins. The film is strongest before the main characters arrive at the Rocha ranch, lingering on the relationships between the three travelers as they leave their familiar country. It's easy to understand what the film-makers are reaching for in their exploration of a changing country and the disappearance of a slower, simpler way of life. It's far more difficult to get caught up in those themes while trying to keep up with the latest dramatic development in John Grady's life.
Ordinarily, it might be worth commending ALL THE PRETTY HORSES for not arbitrarily turning the romantic sub-plot into the entire focus of the film (though it's still the entire focus of the ad campaign). This isn't really a story about John Grady doin' the hoochie-coochie with his little senorita, and while Penelope Cruz is quite scrumptious to look at, she doesn't exactly create a complex character. It's a bit of a surprise when the film moves along for another twenty minutes or so of loose-end-tying after the love story has been resolved, but in this case, it doesn't feel like a daring or unconventional choice. It simply feels like another example of a film that's almost never in the moment, so desperate to dash off that you suspect the whole crew was renting its equipment by the minute. So much for a celebration of a slower, simpler way of life.
On the Renshaw scale of 0 to 10 Mexican jumping scenes: 5.
Visit Scott Renshaw's Screening Room http://www.inconnect.com/~renshaw/ *** Subscribe to receive new reviews directly by email! See the Screening Room for details, or reply to this message with subject "Subscribe".
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


We visualize cats!
- expedite synergistic solutions
- incentivize cross-media supply-chains
- redefine enterprise mindshare
- scale sexy functionalities
- extend virtual interfaces
- streamline clicks-and-mortar portals
- maximize open-source web-readiness
- grow proactive channels
- harness global methodologies
- enable revolutionary relationships
- synthesize back-end technologies
- innovate cross-platform ROI


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gist
- gist on the command line
gist
[-p
] [-t extension
] FILE
gist
can be used to create gists on gist.github.com from the command
line. There are two primary methods of creating gists.
If standard input is supplied, it will be used as the content of the new gist. If FILE is provided, the content of that file will be used to create the gist.
Once your gist is successfully created, the URL will be copied to your
clipboard. If you are on OS X, gist
will open the gist in your
browser, too.
gist
's default mode of operation is to read content from standard
input and create a public, text gist from it, tied to your GitHub
account if you user and token are provided (see CONFIGURATION
).
These options can be used to change this behavior:
-p
, --private
Create a private gist instead of a public gist.
-t
, --type
Set the file extension explicitly. Passing a type of rb
ensure
the gist is created as a Ruby file.
-o
, --[no-]open
Open the gist in your browser after creation. Or don't. Defaults to --open
You may additionally ask for help:
-h
, --help
Print help.
-m
, --man
Display this man page.
There are two ways to set GitHub user and token info:
Using env vars GITHUB_USER and GITHUB_TOKEN
$ export GITHUB_USER=johndoe $ export GITHUB_TOKEN=mysecretgithubtoken $ gist ~/example
Using git-config(1)
Use git-config(1) to display the currently configured GitHub username:
$ git config --global github.user
Or, set the GitHub username with:
$ git config --global github.user <username>
See http://github.com/guides/local-github-config for more information.
You can set a few options in your git config (using git-config(1)) to control the default behavior of gist(1).
gist.private - boolean (yes or no) - Determines whether to make a gist private by default
gist.extension - string - Default extension for gists you create.
gist.browse - boolean (yes or no) - Whether to open the gist in your browser after creation. Default: yes
The following environment variables affect the execution of gist
:
$ gist < file.txt
$ echo secret | gist --private
$ echo "puts :hi" | gist -t rb
$ gist script.py
http://github.com/defunkt/gist/issues
Chris Wanstrath<EMAIL_ADDRESS>hub(1), git(1), git-clone(1), http://github.com, http://github.com/defunkt/gist


nmake -f Makefile.win
nmake is a part of Visual Studio and can be accessed with the Developer Command Prompt for VS


Basic User form and Edit-Update Functionality
1. Follow this URL http://electron.atom.io/docs/api/: latest version of API is 1.2.7
2. To Use startup the project in electron ypu need to have nodejs install with 6.1.0 version, Chromium: 51.0.2704.106 and V8: 5.1.281.65
1. DataTables is a plug-in for the jQuery Javascript library. It is a highly flexible tool, based upon the foundations of progressive enhancement, and will add advanced interaction controls to any HTML table.
1. For Using Mongoose need to have mongoDB install
2. Next install Mongoose from the command line using npm:
$ npm install mongoose


| DOSE: T+ 0:00 |
420 mg |
oral |
DXM |
(liquid) |
| T+ 0:30 |
300 mg |
oral |
DXM |
(liquid) |
| T+ 0:30 |
180 mg |
oral |
DXM |
(liquid) |
| T+ 1:10 |
300 mg |
oral |
DXM |
(liquid) |
Flight Through Pulp Mountain
DextromethorphanTrip
Name: KinGonZo
Weight: 70kg
Date: 8.April 2001
Time: 2130+
Location: Austria -TripRoom
DXM: 1200mg (RatiopharmHustenstiller Powder)
I've heard about DXM in a german drug-board. So what, I tried it the same day and... Now, one year later I've become what we would call a real DXM-Freak. So far I've already taken something around 30gr. -mostly through german Hustenstiller. Today I wanna write down the feelings and thoughts I get during my Trip. So it comes that im sitting here in the middle of Europe, together with 1200mg DXM and the good will to write as english as possible, so that every smart freak out there in the crazy world of Fnord can understand what my DXM-tuned brain will cry out for him:
2130: I take my first dose - 420mgDXM. I chose to take it through several times to avoid vomiting.
2200: I take another 300mg (tt:720mg) no special feelings so far
I am ''napstering'' the song -HellAwaits- oh damn it makes me smiling...
2215: I start feeling first pleasant waves gliding through my head. Yeah, this will be a long deep night.The realization of absurd drug-dimensions is knocking on the door of my brainspirit. May I let her in?...
2230: Music and television sounds diffrent -with a little deepness like I would like to find it on the end of Alices garden. So what, I can feel how I m starting getting dissociated. I take another 180mg (tt:900mg). For some raeson I start doupting if it was a good decision to give me a heavenlike trip. But who cares TakeIT MakeIT. Its time to walk trough. I can feel the jump up to the 2nd plateau.
2240: Wow, thats total eclipse - I ve got a full dissociative headfeeling. I decide to take the 300mgDXM (totalamount:1200mgDXM:) My skin gets warm and red. I'm feeling a little bit sick. Reading gets even harder. I'm feeling like one who is totally drunken but has already puked.  I jumping and flying around the ThirdPlateau so far. My emotians are unbelivable. Yeah happiness and dizziness are makeing a journey inside by body.  I keeps pushimhg. I enjoy it. I m watching MTV. KurtCubain is on the screen, we build up n unbeliveable bridge. wow I know my face everything clear swolloing.
When I close my eyes I fly on the moon with my red circlechair. everyrhing is crazy so for about fnord and all that things.
2335: I hear feel like being in a new dimension........
2350: i will shiver the hole role through
...no understandable notes till morning...
Hells kitchen I coudnt even imagine such an absurd kind of being. I mean its fantastic. Now 7am in the morning but I m still totallly high nowayout wow I cannot keep a cleardirection. what i ve experienced this night is too strange too deep to tell it anybody without gettimg mad. I succeeded. Now I m sitting here in front of my pc -one eye closed to focus the letters on the keyboard. Damn its WOW.
I thought a lot about human evolution birth and anthropology. About 30minutes I sit in my chair asking me what I AM. I am a human person, born and brought up. I feel for some way like an animal or like YES thats IT THE MATRIX thats exactly what I m thinking about remembering the last 7 hours. History is just short one step I felt it. The Room in which I tripped was getting much larger. One step seems to be about 10m for me. Everything is circeling around me. Its amazing how dxm can be within higher doses. It really throughs me out of reality i coudnt say if it s dream or reality. In the normal reality we ve time and room/space but with DXM my your blood those two units get miXed up. Yeah man thats it.
 Ok so finally let me point out that DXM isn t a drug that makes me happy, but if were searching for a reality-break-through experience...
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Genesis 34:3
And his soul clave unto Dinah the daughter of Jacob, and he loved the damsel, and spake kindly unto the damsel.


ANGIE A film review by Mark Takacs Copyright 1994 Mark Takacs
Hollywood Pictures / rated R Starring: Geena Davis Philip Bosco Aida Turturro Stephen Rea James Gandolfini Jenny O'Hara Classification: Comedy Drama (?) Tak Rating: watch it on cable (male) or see as a matinee (female)
One-Line-Summary ---------------- A woman comes to grips with her life, challenging her lifestyle, family, friends and child in the process.
Tak Plot Summary ---------------- Angie's (Geena Davis) dreams and ambitions are different than those of her friend Tina (Aida Turturro), or her family (James Gandolfini, Jenny O'Hara). So it's no surprise that things become difficult: she breaks with longtime boyfriend Vinnie (Philip Bosco) after becoming pregnant, and has an affair with Noel (Stephen Rea), a Manhattan lawyer. In trying to define herself, she faces her family's dark secrets, and learns responsibility for herself and her baby.
Tak Thoughts ------------ I think you have to be a woman to *truly* appreciate ANGIE. Directed by Martha Coolidge (RAMBLING ROSE), ANGIE touches on many issues, including pregnancy, childbirth, and searching for her identity and place within her family structure. This movie focuses on a woman, is directed by a woman, and is target at women. And that's fine--it's about time. But, being male, I wasn't as moved.
There's one scene where Angie reflects on childbirth as having finally made her feel like a part of something bigger than herself. A chain from mother to daughter, stretching back through time and on into the future. Yeah. Okay. If you say so. I'd imagine this has a greater impact if you're female. The same with the childbirth scenes, where Angie goes through about five different emotions within the span of four minutes, and runs down the traditional retorts made so familiar by female comedians. The material seemed tired to me, but I suppose it's a never-ending source of material for women, just like being knee'd in the groin is for men. I imagine women are a bit tired of that, but it never fails to get at least a little bit of a reaction from me. So I guess I'll have to deal with the childbirth shtick.
Geena Davis has been called "a feminist spirit trapped in the body of a goddess" (which suggests an inaccurate contradiction) in Feb Premiere magazine. As such, her roles are always interesting. Her characters are complicated people, and in the case of Angie, are not above making mistakes. Which makes for good viewing. Plus, the accent she picked up for the role of Angie is outrageously accurate.
I felt empathy with Vinnie, Angie's longtime boyfriend. He just doesn't quite understand why Angie has to be so difficult, or her strong spark of irreverence and energy. He's "... got a good heart ...", but that's not enough for her. At first I thought James Gandolfini's Vinnie was going to degenerate into the stereotypical Italian, but it didn't happen, for which I was profoundly glad.
I like to listen for comments as people are walking away. I get some gems that way--some people would make great critics (actually some of them are) if they'd expand their one-liners. The best one from ANGIE was from two guys as they walked out of the theatre: "Well ... there was some good stuff there, but it's certainly not for me." To which the other guy added his assent. And I'll add mine, too.
Tak Rating: ----------- I didn't get a lot out of ANGIE. I enjoyed watching it, and it engaged my interest and even my emotions to some extent. But I can't see myself watching it at the theatre again. I would have been happy to watch ANGIE on cable, and I recommend you do the same.
avoid at all costs see several times (w/friends) as matinee wait for videotape see once at full price M watch it on cable see it several times - full and/or matinee F see once as a matinee see many times at full price
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Norris has written several books, with subject matter varying from martial arts, exercise, philosophy, politics, Christian religion, western novels, to biography. He was twice a New York Times best-selling author, firstly was with his book on his personal philosophy of positive force and the psychology of self-improvement based on personal anecdotes called The Secret of Inner Strength: My Story (1988). His second New York Times Best Seller, Black Belt Patriotism: How to Reawaken America (2008), was about his critique on current issues in the USA. He also writes a column for the conservative website WorldNetDaily.


Campwater Outdoors
Fishing
Boating
Camping
Hunting
Watersports
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Jennifer
Summary
A person who can read and write
Skills
Plotting vengeance on unethical companies by becoming rich enough to buy them and dismantle them from the inside
Recommending skincare products


Michael Fiorino, CPA
About
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Accounting Services
Financial Statement Preparation
Forecasts/Projections
Agreed Upon Procedures
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Monthly, Quarterly, and Annual Accounting Services
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This area focuses on sites in Eastern Serbia with evidences of the increased copper production and ore exploitation during the Middle and Late Bronze Ages. The key site is Trnjane, situated on a high and unfortified terrace near Bor with copper slag piles (estimated around 20 Tons) and belonging urn graveyard.
Indications of metallurgical activity were also provided by the recent excavations at Ružana and cremation burials of the same pattern like in Trnjane were documented in nearby Borsko Jezero and Krivaljski Kamen. Thus, the situation in Eastern Serbia represents an ideal starting point for the visual presentation of the regional society highly involved in the production of copper, i.e. the community of prehistoric metalworkers and miners.
Combining the existing archaeological and survey data with new geophysical screening and GIS data capture, the final goal is a digital reconstruction of workshops, mining spots and burial places.


lucee.Component cbmongodb.models.Mongo.Util
Mongo Util The utility methods used to assist in correct typing of objects passed to the MongoDB driver
| Property Summary | ||||
|---|---|---|---|---|
| type | property | default | serializable | required |
any
|
jLoader
CBJavaloader.
|
true
|
false
|
|
any
|
MongoConfig
|
true
|
false
|
|
any
|
NullSupport
|
false
|
true
|
false
|
| Method Summary | |
|---|---|
any
|
asArray([any dbResult], [any stringify='false'])
Returns the results of a dbResult object as an array of documents. |
any
|
createIndexOptions([any options])
Indexing Utilities. |
any
|
createOrderedDBObject([any keyValues], [any dbObject=''])
Creates a Mongo CFBasicDBObject whose order matches the order of the keyValues argument. |
any
|
dbObjectNew([any contents])
|
any
|
encapsulateDBResult([any dbResult])
|
any
|
ensureTypesInArray(any dboArray)
|
any
|
ensureTyping(any dbo)
|
any
|
getDateFromDoc([any doc])
Extracts the timestamp from the Doc's ObjectId. |
string
|
getJLoader()
get: CBJavaloader. |
string
|
getMongoConfig()
get: . |
string
|
getNullSupport()
get: . |
any
|
isCFBasicDBObject([any doc])
Whether this doc is an instance of a CFMongoDB CFBasicDBObject. |
any
|
listToStruct([any list])
|
any
|
newDBObject()
Create a new instance of the CFBasicDBObject. |
any
|
newIDCriteriaObject([string id])
Convenience for creating a new criteria object based on a string _id. |
any
|
newObjectIDFromID([string id])
Convenience for turning a string _id into a Mongo ObjectId object. |
any
|
setJLoader(any jLoader)
set: CBJavaloader. |
any
|
setMongoConfig(any MongoConfig)
set: . |
any
|
setNullSupport(any NullSupport)
set: . |
any
|
toCF([any BasicDBObject])
Converts a Mongo DBObject to a ColdFusion structure. |
any
|
toMongo([any obj])
Converts a ColdFusion structure to a CFBasicDBobject, which the Java drivers can use. |
any
|
toMongoDocument([any data])
|
| Methods inherited from class lucee.Component |
|---|
| None |
| Property Detail |
|---|
CBJavaloader
required
- falseinject
- loader@cbjavaloaderserializable
- truerequired
- falseinject
- MongoConfig@cbmongodbserializable
- truerequired
- falseserializable
- true| Method Detail |
|---|
Returns the results of a dbResult object as an array of documents
dbResult
stringify
Indexing Utilities
options
Creates a Mongo CFBasicDBObject whose order matches the order of the keyValues argument keyValues can be: 1) a string in k,k format: "STATUS,TS". This will set the value for each key to "1". Useful for creating Mongo's 'all true' structs, like the "keys" argument to group() 2) a string in k=v format: STATUS=1,TS=-1 3) an array of strings in k=v format: ["STATUS=1","TS=-1"] 4) an array of structs (often necessary when creating "command" objects for passing to db.command()): createOrderedDBObject( [ {"mapreduce"="tasks"}, {"map"=map}, {"reduce"=reduce} ] )
keyValues
dbObject
contents
dbResult
dboArray
dbo
Extracts the timestamp from the Doc's ObjectId. This represents the time the document was added to MongoDB
doc
get: CBJavaloader
get:
get:
Whether this doc is an instance of a CFMongoDB CFBasicDBObject
doc
list
Create a new instance of the CFBasicDBObject. You use these anywhere the Mongo Java driver takes a DBObject
Convenience for creating a new criteria object based on a string _id
id
Convenience for turning a string _id into a Mongo ObjectId object
id
set: CBJavaloader
jLoader
set:
MongoConfig
set:
NullSupport
Converts a Mongo DBObject to a ColdFusion structure
BasicDBObject
Converts a ColdFusion structure to a CFBasicDBobject, which the Java drivers can use
obj
data


FORGERY / EMBEZZLEMENT / FRAUD IN SPECIAL SAVING ACCOUNTS AT KARACHI GPO AMOUNTING TO BILLION RUPEES
The FIA conducted investigation on a reference received from PPOD Lahore regarding the subject matter. Investigations of Special Saving Bank Accounts relating to Karachi GPO.. The initial results of investigations are alarming as the fraudulent withdrawals, forgery and record tempering for withdrawal / deposit vouchers in Special Saving Accounts resulting into embezzlement are at a large scale.
The memo of returns, daily hand book and ledgers of accounts were scrutinized and detected transactions where public money is swindled by various modes of fraudulent activity i.e. insertion of digits, fake withdrawals, fake deposits.
The involved officials of GPO adopted following modus operandi for embezzlement:-
- The involved officials of GPO adopted following modus operandi for embezzlement.
- The amounts tendered for deposit by the account holder were pocketed by the concerned GPO officials simply recording the entries in the passbooks and SB-Ledgers but was not accounted for in Post Office Accounts.
- The GPO respective officials also found involved in bogus withdrawals by making the forged signatures of depositors / account holders in their absence.
- They also found involved in Parallel Banking by maintaining accounts on different ledgers or pages of same ledger.
- Misappropriation of amounts of profits by forging the signatures of depositors on withdrawal forms (SB-7).
- Fraudulent and fake withdrawal from the close accounts. The passbooks of such close accounts are required to be submitted to DAPPO Lahore which was deliberately kept in GPO for making fraudulent transactions later on by misusing the said passbooks.
- Fraudulent entries in SBP Memos by showing account closed without any voucher. No passbook has been submitted to DAPPO Lahore as required under rule whereas the account has been found active as per ledger.
- Raising the balance in the ledgers against an account without any deposit in the book of accounts and subsequently withdrawal from that account.


This page is for development purposes only. You may type markdown in the box on the left, click "Render GFM" and the rendered GFM will appear in the box on the right. After being rendered, the $.fn.gfmTaskList plugin will be executed on the box on the right to allow you to develop on the plugin itself.


--- layout: post title: Emulators bring old computers to date: 2005-01-10 00:00:00 categories: mobile play ---
Emulators bring old computers to life: "While the phones have physical limitations like a small key interface and screen, the modern devices are actually far more powerful than the archaic machines they are now imitating."


| GitHub Actions | |
| Frameworks | |
| Platform | |
| Licence |
About
RxFlow is a navigation framework for iOS applications based on a Reactive Flow Coordinator pattern.
This README is a short story of the whole conception process that led me to this framework.
You will find a very detail explanation of the whole project on my blog:
The Jazzy documentation can be seen here as well: Documentation
Also here is a Reactive coordinators tech talk which explain the goals and motivation of that framework. Available only in Russian. To get English subtitles you should press the subtitles button to see original (Russian) subtitles and then select Settings->Subtitles->Translate->choose_your_language
Navigation concerns
Regarding navigation within an iOS application, two choices are available:
- Use the builtin mechanism provided by Apple and Xcode: storyboards and segues
- Implement a custom mechanism directly in the code
The disadvantage of these two solutions:
- Builtin mechanism: navigation is relatively static and the storyboards are massive. The navigation code pollutes the UIViewControllers
- Custom mechanism: code can be difficult to set up and can be complex depending on the chosen design pattern (Router, Coordinator)
RxFlow aims to
- Promote the cutting of storyboards into atomic units to enable collaboration and reusability of UIViewControllers
- Allow the presentation of a UIViewController in different ways according to the navigation context
- Ease the implementation of dependency injection
- Remove every navigation mechanism from UIViewControllers
- Promote reactive programming
- Express the navigation in a declarative way while addressing the majority of the navigation cases
- Facilitate the cutting of an application into logical blocks of navigation
Installation
Carthage
In your Cartfile:
github "RxSwiftCommunity/RxFlow"
CocoaPods
In your Podfile:
pod 'RxFlow'
Swift Package Manager
In your Package.swift:
let package = Package(
name: "Example",
dependencies: [
.package(url: "https://github.com/RxSwiftCommunity/RxFlow.git", from: "2.5.0")
],
targets: [
.target(name: "Example", dependencies: ["RxFlow"])
]
)
The key principles
The Coordinator pattern is a great way to organize the navigation within your application. It allows to:
- Remove the navigation code from UIViewControllers.
- Reuse UIViewControllers in different navigation contexts.
- Ease the use of dependency injection.
To learn more about it, I suggest you take a look at this article: (Coordinator Redux).
Nevertheless, the Coordinator pattern can have some drawbacks:
- The coordination mechanism has to be written each time you bootstrap an application.
- Communicating with the Coordinators stack can lead to a lot of boilerplate code.
RxFlow is a reactive implementation of the Coordinator pattern. It has all the great features of this architecture, but brings some improvements:
- It makes the navigation more declarative within Flows.
- It provides a built-in FlowCoordinator that handles the navigation between Flows.
- It uses reactive programming to trigger navigation actions towards the FlowCoordinators.
There are 6 terms you have to be familiar with to understand RxFlow:
- Flow: each Flow defines a navigation area in your application. This is the place where you declare the navigation actions (such as presenting a UIViewController or another Flow).
- Step: a Step is a way to express a state that can lead to a navigation. Combinations of Flows and Steps describe all the possible navigation actions. A Step can even embed inner values (such as Ids, URLs, …) that will be propagated to screens declared in the Flows
- Stepper: a Stepper can be anything that can emit Steps inside Flows.
- Presentable: it is an abstraction of something that can be presented (basically UIViewController and Flow are Presentable).
- FlowContributor: it is a simple data structure that tells the FlowCoordinator what will be the next things that can emit new Steps in a Flow.
- FlowCoordinator: once the developer has defined the suitable combinations of Flows and Steps representing the navigation possibilities, the job of the FlowCoordinator is to mix these combinations to handle all the navigation of your app. FlowCoordinators are provided by RxFlow, you don’t have to implement them.
How to use RxFlow
Code samples
How to declare Steps
Steps are little pieces of states eventually expressing the intent to navigate, it is pretty convenient to declare them in a enum:
enum DemoStep: Step {
// Login
case loginIsRequired
case userIsLoggedIn
// Onboarding
case onboardingIsRequired
case onboardingIsComplete
// Home
case dashboardIsRequired
// Movies
case moviesAreRequired
case movieIsPicked (withId: Int)
case castIsPicked (withId: Int)
// Settings
case settingsAreRequired
case settingsAreComplete
}
The idea is to keep the Steps navigation independent
as much as possible. For instance, calling a Step showMovieDetail(withId: Int)
might be a bad idea since it tightly couples the fact of selecting a movie with the consequence of showing the movie detail screen. It is not up to the emitter of the Step to decide where to navigate, this decision belongs to the Flow.
How to declare a Flow
The following Flow is used as a Navigation stack. All you have to do is:
- Declare a root Presentable on which your navigation will be based.
- Implement the navigate(to:) function to transform a Step into a navigation actions.
Flows can be used to implement dependency injection when instantiating the ViewControllers.
The navigate(to:) function returns a FlowContributors. This is how the next navigation actions will be produced.
For instance the value: .one(flowContributor: .contribute(withNextPresentable: viewController, withNextStepper: viewController.viewModel)
means:
viewController
is a Presentable and its lifecycle will affect the way the associated Stepper will emit Steps. For instance, if a Stepper emits a Step while its associated Presentable is temporarely hidden, this Step won’t be taken care of.viewController.viewModel
is a Stepper and will contribute to the navigation in that Flow by emitting Steps, according to its associated Presentable lifecycle.
class WatchedFlow: Flow {
var root: Presentable {
return self.rootViewController
}
private let rootViewController = UINavigationController()
private let services: AppServices
init(withServices services: AppServices) {
self.services = services
}
func navigate(to step: Step) -> FlowContributors {
guard let step = step as? DemoStep else { return .none }
switch step {
case .moviesAreRequired:
return navigateToMovieListScreen()
case .movieIsPicked(let movieId):
return navigateToMovieDetailScreen(with: movieId)
case .castIsPicked(let castId):
return navigateToCastDetailScreen(with: castId)
default:
return .none
}
}
private func navigateToMovieListScreen() -> FlowContributors {
let viewController = WatchedViewController.instantiate(withViewModel: WatchedViewModel(),
andServices: self.services)
viewController.title = "Watched"
self.rootViewController.pushViewController(viewController, animated: true)
return .one(flowContributor: .contribute(withNextPresentable: viewController, withNextStepper: viewController.viewModel))
}
private func navigateToMovieDetailScreen (with movieId: Int) -> FlowContributors {
let viewController = MovieDetailViewController.instantiate(withViewModel: MovieDetailViewModel(withMovieId: movieId),
andServices: self.services)
viewController.title = viewController.viewModel.title
self.rootViewController.pushViewController(viewController, animated: true)
return .one(flowContributor: .contribute(withNextPresentable: viewController, withNextStepper: viewController.viewModel))
}
private func navigateToCastDetailScreen (with castId: Int) -> FlowContributors {
let viewController = CastDetailViewController.instantiate(withViewModel: CastDetailViewModel(withCastId: castId),
andServices: self.services)
viewController.title = viewController.viewModel.name
self.rootViewController.pushViewController(viewController, animated: true)
return .none
}
}
How to handle Deeplinks
From the AppDelegate you can reach the FlowCoordinator and call the navigate(to:)
function when receiving a notification for instance.
The step passed to the function will then be passed to all the existing Flows so you can adapt the navigation.
func userNotificationCenter(_ center: UNUserNotificationCenter,
didReceive response: UNNotificationResponse,
withCompletionHandler completionHandler: @escaping () -> Void) {
// example of how DeepLink can be handled
self.coordinator.navigate(to: DemoStep.movieIsPicked(withId: 23452))
}
How to adapt a Step before it triggers a navigation ?
A Flow has a adapt(step:) -> Single<Step>
function that by default returns the step it has been given
as a parameter.
This function is called by the FlowCoordinator before the navigate(to:)
function. This is a perfect place
to implement some logic that could for instance forbid a step to trigger a navigation. A common usecase would be to handle the navigation permissions within an application.
Let’s say we have a PermissionManager:
func adapt(step: Step) -> Single<Step> {
switch step {
case DemoStep.aboutIsRequired:
return PermissionManager.isAuthorized() ? .just(step) : .just(DemoStep.unauthorized)
default:
return .just(step)
}
}
...
later in the navigate(to:) function, the .unauthorized step could trigger an AlertViewController
Why return a Single
In order to improve the separation of concerns, a Flow could be injected with a delegate which purpose would be to handle the adaptions in the adapt(step:)
function. The delegate could eventuelly be reused across multiple flows to ensure a consistency in the adaptations.
How to declare a Stepper
In theory a Stepper, as it is a protocol, can be anything (a UIViewController for instance) but a good practice is to isolate that behavior in a ViewModel or something similar.
RxFlow comes with a predefined OneStepper class. For instance, it can be used when creating a new Flow to express the first Step that will drive the navigation.
The following Stepper will emit a DemoStep.moviePicked(withMovieId:) each time the function pick(movieId:) is called. The WatchedFlow will then call the function navigateToMovieDetailScreen (with movieId: Int).
class WatchedViewModel: Stepper {
let movies: [MovieViewModel]
let steps = PublishRelay<Step>()
init(with service: MoviesService) {
// we can do some data refactoring in order to display things exactly the way we want (this is the aim of a ViewModel)
self.movies = service.watchedMovies().map({ (movie) -> MovieViewModel in
return MovieViewModel(id: movie.id, title: movie.title, image: movie.image)
})
}
// when a movie is picked, a new Step is emitted.
// That will trigger a navigation action within the WatchedFlow
public func pick (movieId: Int) {
self.steps.accept(DemoStep.movieIsPicked(withId: movieId))
}
}
Is it possible to coordinate multiple Flows ?
Of course, it is the aim of a Coordinator. Inside a Flow we can present UIViewControllers and also new Flows. The function Flows.whenReady() allows to be triggered when the new Flow is ready to be displayed and gives us back its root Presentable.
For instance, from the WishlistFlow, we launch the SettingsFlow in a popup.
private func navigateToSettings() -> FlowContributors {
let settingsStepper = SettingsStepper()
let settingsFlow = SettingsFlow(withServices: self.services, andStepper: settingsStepper)
Flows.use(settingsFlow, when: .ready) { [unowned self] root in
self.rootViewController.present(root, animated: true)
}
return .one(flowContributor: .contribute(withNextPresentable: settingsFlow, withNextStepper: settingsStepper))
}
The Flows.use(when:)
takes an ExecuteStrategy
as a second parameter. It has two possible values:
- .created: The completion block will be executed instantly
- .ready: The completion block will be executed once the sub flows (SettingsFlow in the example) have emitted a first step
For more complex cases, see the DashboardFlow.swift and the SettingsFlow.swift files in which we handle a UITabBarController and a UISplitViewController.
How to bootstrap the RxFlow process
The coordination process is pretty straightfoward and happens in the AppDelegate.
class AppDelegate: UIResponder, UIApplicationDelegate {
let disposeBag = DisposeBag()
var window: UIWindow?
var coordinator = FlowCoordinator()
let appServices = AppServices()
func application(_ application: UIApplication,
didFinishLaunchingWithOptions launchOptions: [UIApplicationLaunchOptionsKey: Any]?) -> Bool {
guard let window = self.window else { return false }
// listening for the coordination mechanism is not mandatory, but can be useful
coordinator.rx.didNavigate.subscribe(onNext: { (flow, step) in
print ("did navigate to flow=\(flow) and step=\(step)")
}).disposed(by: self.disposeBag)
let appFlow = AppFlow(withWindow: window, andServices: self.appServices)
self.coordinator.coordinate(flow: self.appFlow, with: AppStepper(withServices: self.appServices))
return true
}
}
As a bonus, FlowCoordinator offers a Rx extension that allows you to track the navigation actions (FlowCoordinator.rx.willNavigate and FlowCoordinator.rx.didNavigate).
Demo Application
A demo application is provided to illustrate the core mechanisms. Pretty much every kind of navigation is addressed. The app consists of:
- An AppFlow that represents the main navigation. This Flow will handle the OnboardingFlow and the DashboardFlow depending on the “onboarding state” of the user.
- An OnBoardingFlow that represents a 2 steps onboarding wizard in a UINavigationController. It will only be displayed the first time the app is used.
- A DashboardFlow that handles the Tabbar for the WishlistFlow and the WatchedFlow.
- A WishlistFlow that represents a navigation stack of movies that you want to watch.
- A WatchedFlow that represents a navigation stack of movies that you’ve already seen.
- A SettingsFlow that represents the user’s preferences in a master/detail presentation.
Tools and dependencies
RxFlow relies on:
- SwiftLint for static code analysis (Github SwiftLint)
- RxSwift to expose Steps as Observables the Coordinator can react to (Github RxSwift)
- Reusable in the Demo App to ease the storyboard cutting into atomic ViewControllers (Github Reusable)


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J&K: 1 Army Personnel Dead, 2 Injured After a Blast in Akhnoor Sector
As per the report, the blast happened when the troops were moving around in an Army truck.
Srinagar: Of the three army personnel who were wounded Sunday in a suspicious blast in Jammu and Kashmir’s Akhnoor sector, one of them has succumbed to his injuries at the Military Hospital in Udhampur.
As per the report, the blast happened when the troops were moving around in an Army truck.
On Saturday, five terror suspects were arrested by a joint team of police and security forces in Sopore area of Baramulla district in Jammu and Kashmir.
Kashmir Zone Police told news agency ANI that three people were arrested for threatening and intimidating locals in the area. A case was also registered.
“Sopore Police has arrested 3 individuals for threatening & intimidating locals in the area. Incriminating materials, including threat posters of LeT (Lashkar-e-Taiba) outfit recovered. Case registered,” Kashmir Zone Police said.
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Story Timeline
- 17 Nov 2019 J&K: 1 Army Personnel Dead, 2 Injured After a Blast in Akhnoor Sector
- 17 Nov 2019 J&K: Indian Army Retaliates to Pakistan's Ceasefire Violation in Shahpur
- 16 Nov 2019 J&K: 5 Terror Suspects Arrested by Security Forces in Sopore
- 15 Nov 2019 J&K: Days After Detention, PDP Leader Mehbooba Mufti Shifted to Government Quarters in Srinagar
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