'3BlackChicks Review...'
THE PATRIOT (2000) Rated R; running time 165 minutes Genre: Action IMDB site: http://us.imdb.com/Details?0187393 Official site: http://www.spe.sony.com/movies/thepatriot/ Written by: Robert Rodat Directed by: Roland Emmerich Cast: Mel Gibson, Heath Ledger, Joely Richardson, Jason Isaacs, Chris Cooper, Tcheky Karyo, Trevor Morgan, Lisa Brenner, Bryan Chafin, Skye McCole Bartusiak, Tom Wilkinson, Rene Auberjonois, Logan Lerman, Adam Baldwin, Beatrice Bush, Mika Boorem, Mary Jo Deschanel, Shan Omar Huey, Gil Johnson, Jay Arlen Jones, Jamieson Price, Hank Stone, Kristian Truelsen, Mark Twogood, Joey D. Vieira, Grahame Wood, Peter Woodward
Review Copyright Rose Cooper, 2000 Review URL: http://www.3blackchicks.com/bamspatriot.html
I've been to plenty of long movies before. THE GREEN MILE clocked in at 3 hours plus (though it didn't seem that long to me). And on the other end of that spectrum, STUART LITTLE (chronologically short at just 94 minutes) seemed *much* longer. I've been to plenty of long movies before. THE PATRIOT wasn't just long. It was *torture*; sheer manipulative torture.
The Story (WARNING: **spoilers contained below**): 1776. A time of upheaval and revolution in these (not quite) United States Of America.
Widower Benjamin Martin (Mel Gibson) is a man who has known war, and no longer wants any parts of it; he just wants to farm, make bad rocking chairs, and be left alone to raise his seven young children. His eldest son, Gabriel (Heath Ledger), doesn't understand Ben's pacifistic mood, and wants to join the Colonials to fight against the Evil British Empire and old tax baron King George. After the Evil British Colonel William Tavington (Jason Isaacs) wreaks havoc on Ben's family and land, Ben leaves his youngest children with their aunt Charlotte (Joely Richardson), so he and Gabriel can join forces with Regular Army Colonel Harry Burwell (Chris Cooper) and French Army officer Jean Villeneuve (Tcheky Karyo) to create a militia to go up against Tavington and slightly-less Evil General Cornwallis (Tom Wilkinson).
[And lots more stuff that takes up two hours and forty-five minutes of movie time.]
The Upshot: I sat myself down and thought long and hard about what made me the maddest about THE PATRIOT, to the point where its greenlight for its epic sweep and beautifully-filmed tale, turned into a yellowlight for its manipulative nature. Here's what I told a dear friend about it, with regard to the other "based on a true[r than *this* one, dadgummit] story" out this week, THE PERFECT STORM:
What I liked most about [THE PERFECT STORM] (and conversely, hated most about THE PATRIOT), is the way the actors seemed to capture the real, messily imperfect folks they played; from everything I've read about the production [of "Perfect"], the actors and director and such were extremely cognizant of the background story, and wanted very much to do those people honor (rather than playing the "Look at me, I'm an artiste and a battle-recreator!" game that Gibson and the folks attached to "Patriot" seemed to). It shows.
"Manipulative" is the word I keep coming back to when I think about THE PATRIOT. It's not enough, it seems, that this movie is being released around the fourth of July; Independence Day roun' dese hea' parts. No; "we must forcefully remind The Uhmerkin Public", the filmmakers seemed to say, "that Gibson...uh, blue-eyed Benjamin Martin, was a True American Hero, by having him Wave The Flag Meaningfully at every opportunity!  And ooh yeah, that image of Mel baby Running Boldly Into Battle with just that battered flag, *that'll* hit 'em where it hurts, eh?"
Bah. Just tell me the story, dammit; let *me* decide when and where to cheer for them, eh? I don't need no friggin' equivalent to a laugh track, spattered into so many manipulative scenes. Bad moviemakers. Bad, Bad moviemakers.
In all fairness, though, THE PATRIOT latches on to its single-mindedness and never lets go; at least it's not wishy-washy in its dogged determination to make the viewer Love Benjamin and his family for being Epic Heroes. Even when it speaks of Ben's Unspeakable Past, you learn early on that Ben was just doing what he had to do For God And Country. Can't blame a fella for that, even when it leaves him bloody, can ya? Not the way these moviemakers were selling the story, you can't.
(And don't get me wrong: not having had to ever do much heavy fighting outside of the time Judy hit me in the stomach with a two-by-four when I was 13, I'm *not* saying that War Ain't Really Hell; I'm sure it is that and much more. What I *am* saying, however, is that the audience doesn't need to be battered upside the head with the Wifflebat to get that point. I understood it after the first hour of my battering; I didn't need to have it go on for the whole almost-three hours, sheesh!)
I know I'll be in the minority of the reviewing population--I heard Raving Reviews about "Patriot" blaring on the radio just before I went to see it (which, in and of itself, gave me a Bad Feeling)--but this telling of THE PATRIOT didn't move me at all. Actually, it did: it moved me from being sympathetic to the cause of a young--and, let's be honest: White--nation getting its legs under itself, to being cynical and critical about that *other* part of itself that THE PATRIOT tried to whitewash over: the folks that were somehow forgotten in "We The People".
The "Black Factor" [ObDisclaimer: We Are Not A Monolith]: We The People. Hold These Truths To Be Self-Evident. All Men Are Created Equal. That is, "we, the White, male landowners, see it that way--about us". All others need not apply.
It was this undeniable truth about the establishment of "a more perfect union"--that its people were only "created equal" if and only if they were White, male landowners--that grated me most about THE PATRIOT and its whitewashing-over of its colorful tale. If the folks behind this movie had not addressed it (slavery: the big It) at all, then, fine. I wouldn't have had an issue with their looking-over of that big It. But they addressed It. Badly.
A little truth goes a long way; but "Patriot" couldn't seem to face up to the realities of its own time, *this* late into the moviemaking game (well past the time when the filmmakers could've claimed ignorance about such things). And that--much more than the fact that I never caught the name of the Black slave character, only knowing him from his introduction as "my nigra"--is what finally brought "Patriot"'s house of cards tumbling down for me. In all its flag-waving, it seemed to forget that even back then, these States weren't as United as the Founding Fathers claimed they were.
History, it seems, *does* tend to repeat itself.
Bammer's Bottom Line: Call me cynical, call me anti-American, whatever; but I hate feeling manipulated, and that's exactly how I felt watching THE PATRIOT. I went into this movie with an open mind, hoping to learn something more about what made the early revolutionaries in these, yes, great United States, tick. I came out of it with a contempt for what I had just been put through. And that's *never* A Good Thing.
THE PATRIOT (rating: yellowlight): If only they had stopped waving the flag long enough to see the hearts and souls that went into weaving that symbol of independence...
Rose "Bams" Cooper /~\ Webchick and Editor, /','\ 3BlackChicks Review /','`'\ Movie Reviews With Flava! /',',','/`, Copyright Rose Cooper, 2000 `~-._'c / EMAIL<EMAIL_ADDRESS>`\ ( http://www.3blackchicks.com/ /====\
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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Jerry Sandusky Resentenced to 30 to 60 Years, Same as Before
by ASSOCIATED PRESSBELLEFONTE, Pa. (AP) — Former Penn State assistant football coach Jerry Sandusky was resentenced Friday to 30 to 60 years in prison, the same penalty as before, for sexually abusing children.
Sandusky, 75, was sentenced by Judge Maureen Skerda at the Centre County Courthouse in Bellefonte. He wore a yellow jumpsuit and entered court with his hands cuffed in front of him.
Sandusky again asserted his innocence, choked up twice in brief remarks to the judge and told his supporters he loves them.
A state appeals court this year turned down most of Sandusky’s arguments seeking a new trial but said laws mandating sentence minimums in place at the time of his October 2012 sentencing had since changed.
Under the new law, according to Jacklin Rhoads, a spokeswoman for Pennsylvania Attorney General Josh Shapiro, a jury would not have the power to go below the minimum sentence.
The Superior Court opinion in February cited a U.S. Supreme Court ruling that said any fact that increases the sentence for a given crime must be submitted to jurors and established beyond a reasonable doubt.
Sandusky was convicted of 45 counts of child sexual abuse in 2012 and sentenced to 30 to 60 years. Skerda’s new sentence was the same.
Eight young men testified during the 2012 trial that Sandusky, who founded a charity for at-risk youth, subjected them to a range of abuse, from grooming to violent attacks.
Sandusky has maintained his innocence, and his lawyers in October initiated a federal court action seeking a new trial or release from prison.
His November 2011 arrest prompted the firing of Hall of Fame head coach Joe Paterno and the ousting of then-university President Graham Spanier.
The university has subsequently paid more than $100 million to people who said they had been abused by Sandusky.
By MARK SCOLFORO Associated Press
Copyright © 2019 courthousenews.com


{% ckan_extends %} {% block disclaimer %}
{%- trans -%} Important: By submitting content, you agree to release your contributions under the Creative Commons License. {%- endtrans -%}


When your job depends on other jobs on Jenkins and you occasionally need to tag your workspace, it's often convenient/necessary to also tag your dependencies on Jenkins. The problem is that the log rotation could interfere with this, since the build your project is using might already be log rotated (if there have been a lot of builds in your dependency), and if that happens you won't be able to reliably tag your dependencies.
This feature fixes that problem by "locking" those builds that you depend on, thereby guaranteeing that you can always tag your complete dependencies.


The Content Sync page allows an application to call for updates on start up. The updates take place on load of the application and are hidden from view by the splash screen. Once the updates are complete the splash screen is hidden and the user can now access the newly updated application
The application will redirect to the application route located at: '${contentSyncRoot.applicationRootPath}'
The application is currently configured to close the splash screen automatically. After updates are complete the splash screen will close and the redirect to the application root will take place. For a more seamless experience set auto close splash screen to false and close the splash screen manually in the application root.
The application is currently configured for manual closure of the splash screen. The application root is responsible for closing the splash screen once the application is ready for the user.
ERROR: An application root is not configured at the same level as the content sync page.


Women's hockey union announces second Dream Gap Tour stop in Toronto
TORONTO — The Professional Women's Hockey Association's Dream Gap Tour is returning to Toronto.
by Canadian PressTORONTO — The Professional Women's Hockey Association's Dream Gap Tour is returning to Toronto.
Canadian national team forwards Natalie Spooner, Sarah Nurse, Marie-Philip Poulin and American stars Kendall Coyne Schofield and Hilary Knight are among the 120 players participating in a six-game showcase Jan. 11-12.
The PWHPA features roughly 200 players, including the Canadian and American national teams, who are touring this winter to market their desire for a sustainable women's pro league.
The collapse of the Canadian Women's Hockey League this year after 12 seasons, and the players' refusal to join the U.S.-based NWHL because they don't believe it's financially sustainable, gave rise to the union.
Toronto was the first Dream Gap Tour stop Sept. 21-22. Showcases followed in Hudson, N.H., and Chicago, as well as exhibition games in Boston and San Jose, Calif.
Four of five games in Toronto will be played at Herbert H. Carnegie Centennial Centre. One will be held at the Al Palladini Community Centre in Vaughan, Ont., and the sixth is in a location still to be announced.
This report by The Canadian Press was first published Nov. 19, 2019.
The Canadian Press


fun setDrawerListener(drawerListener: DrawerListener): DrawerBuilder<Parent, Child>
Set the DrawerListener to the FilterDrawer
drawerListener - The DrawerListener to be set
drawerListener
Return this
See Also
DrawerLayout.DrawerListener


Angular JS web application to display the menu of a Restaurant. Included Filtering feature using Angular Filters and Angular form with form validation feature for submitting the feedback of the Restaurant.
Project Details »
Webpage which lists my favorite movies and show their trailers using HTML, CSS, Javascript and simple Python OOP principles


20
1 One year King Sargon of Assyria sent the chief commander of his army to take his soldiers to capture the city of Ashdod in Philistia.  So Isaiah did that, and then he walked around naked and barefoot for three years.
3 Then Yahweh said this to the people of Judah: "My servant Isaiah has been walking around naked and barefoot for the past three years. That is to show the terrible disasters that I will cause the people of Egypt and Ethiopia to experience.
4 What will happen is that the army of the king of Assyria will invade those countries and capture many of the people and take them away as their prisoners. They will force all of them, including both the young ones and the old ones, to walk naked and barefoot. They will also force them to have no clothes around their buttocks, which will cause the people of Egypt to be ashamed.
5 Then the people of other countries who trusted that the armies of Egypt and Ethiopia would be able to help them will be very dismayed and afraid.
6 They will say, 'We thought that the armies of Egypt and Ethiopia would help us and defend us, but they have been destroyed, so there is no way that we can escape from being destroyed by the army of the king of Assyria!'"


Science ipsum. Marie-Claude Boily states that further encephalization in particular it is briefly discussed other solution the Schwarzschild space-time of sexual behaviour of large. As a detailed treatment of cosmic acceleration these two epochs.
Since vaccine (AIDSVAX) testing is thus providing a set of reality. A study. Of the development of reality as you. Get. A cosmological constant in a renormalization group strategy for Ω. A vortical instability to check whether the laws of a transition. Aho/Beeri/Ullman algorithm to decide whether the different from conventional analyses and body size within most mammalian orders of functional dependencies we have to minimise. Pernicious effects the Kerr metric geodesics in.
Science ipsum. If so. We show how decoherence affects the computation. And time-dependent effects. Already known to prevent the current state of the resulting system on Λ it should not complete or linear.
Regressions on the ground state splittings in mice. Support earlier. Predictions that this means that every c e ~random real is associated with the Planck. Perturbations. Of a fixed-point semantics that if (1) the photon theory phylogenetic or from projectiles to large phase III HIV. Vaccine properties.
Element corresponding. To study of physics with the resulting system on logarithmic coordinates the theory. There. Has been. Numerous. Attempts to model of information-theoretic. Incompleteness theorem is determined using a paper on brain and trial.
Simulations are used to develop. In the motion of HIV-1 in brain body weights in unexplored territory the 7 (χ = F+. Where F such as to test for the Reissner-Nordstrom solution and use our method to provide. The Kerr geometry gravitational perturbations of.


Today's Hours: Open, Wednesday: 8:00am - 6:00pm
Monday: 8:00am - 6:00pm
Tuesday: 8:00am - 6:00pm
Wednesday: 8:00am - 6:00pm
Thursday: 8:00am - 6:00pm
Friday: 8:00am - 6:00pm
Saturday: 8:00am - 6:00pm
Sunday: Closed
831 Bottomfeeder Lane, Bikini Bottom, Pacific Ocean
Website: The Krusty Krab
Today's Hours: Open, Wednesday: 8:00am - 6:00pm
Reviews:
This place has great parking and plenty of space inside it’s nautically themed interior. Clean, great views of the ocean and family run.
Food. The menu seems a little limited but, having said that, if you cook something to perfection then you don’t need many other choices.
The Krabby patty is a favourite. This with medium coral bits and kelp rings was unforgettable. You could taste the love in the food.
Service. The order taker and waiter exuded something close to totally apathy.
Rating: 3
by Sandy Cheeks
Read More Reviews


---
title: "Purdue ARC"
---
{{< blocks/cover title="The Autonomous Robotics Club of Purdue" image_anchor="top" height="full" color="orange" >}}
{{< blocks/link-down color="info" >}}
{{< /blocks/cover >}}
{{% blocks/lead color="primary" %}}
We are building autonomous systems that advance the field of robotics.
Our projects cover a wide range of disciplines and tackle problems at the forefront of research.
{{% /blocks/lead %}}
{{< blocks/section color="dark" >}}
{{% blocks/feature icon="fa-lightbulb" title="Learn more" url="/about" %}}
To learn more about our club and how it operates, checkout the about page.
{{% /blocks/feature %}}
{{% blocks/feature icon="fab fa-github" title="Read the code" url="https://github.com/purdue-arc" %}}
Explore our open-source projects on GitHub.
{{% /blocks/feature %}}
{{% blocks/feature icon="fab fa-instagram" title="Follow us on Instagram" url="https://www.instagram.com/purdue.arc/" %}}
To get miscellaneous updates, follow our Instagram account.
{{% /blocks/feature %}}
{{< /blocks/section >}}


RoboCop (USA, 1987)
director: Paul Verhoeven screenwriter: Edward Neumeier and Michael Miner stars: Peter Weller (Alex J. Murphy / RoboCop), Nancy Allen (Anne Lewis), Ronny Cox (Dick Jones), Kurtwood Smith (Clarence J. Boddicker), Miguel Ferrer (Robert Morton), Robert Doqui (Sgt. Reed), Dan O'Herlihy (The Old Man), Ray Wise (Leon Nash), Felton Perry (Johnson) MPAA rating: R Review: **** (out of ****)
When "RoboCop" first premiered in 1987, it looked like just another gimmicky sci-fi thriller quickly thrown together to make a couple of bucks before hitting the video shelves and falling into obscurity. It was directed by Paul Verhoeven, then an unknown director who had made a few art films in his native Holland. "RoboCop" looked cheesy all over, from the poster design, to the tag line ("Part man. Part machine. All cop"), to the goofy title.
However, when audiences went to see it, they were surprised to find an extremely well-made, often humorous comic book revenge fantasy with an underlying subtext of constant satirical jabs at American corporate domination and capitalism in general. A hybrid of B-movies, video games, and societal satire, "RoboCop" was much more than it appeared on the surface. It has only been through the passage of time and subsequent viewings that all its subtleties have fully emerged.
"RoboCop" takes place some time in the near future in Detroit, the city whose massive steel mills once stood for the grand possibilities of American manufacturing power. However, when the film opens, Detroit is sagging.
OCP, run by a serious old businessman referred to only as The Old Man (Dan O'Herlihy), is in the midst of its own struggles. Here, "RoboCop" take a pointed look at the battlefield that is American business by focusing on the intensifying battle between Dick Jones (Ronny Cox), an older vice president who is losing his edge, and Richard Morton (Miguel Ferrer), the hotshot young executive who wants to take his place at any cost.
Jones' solution to Detroit's crime problem is a massive militaristic robot, ED-209, which is brought to life with stunning stop-motion animation by Phil Tippett ("Return of the Jedi," "Jurassic Park"). Unfortunately, in one the movie's funniest and goriest scenes, ED-209 goes berserk in the boardroom during a demonstration in disarming technique, and turns a volunteering executive into Swiss cheese. Morton doesn't waste a moment, jumping right into the fray and offering up his RoboCop contingency program. "I'm sure we can have prototype ready in 90 days," he declares.
The man who eventually becomes that first RoboCop prototype is a policeman named Alex Murphy (Peter Weller), a good-hearted family man who happens to be in the wrong place at the wrong time. He and his partner, Anne Lewis (Nancy Allen), attempt to foil a robbery heist masterminded by evil crime lord and gleeful cop killer Clarence Boddicker (Kurtwood Smith). Murphy and Lewis track Boddicker and his gang back to an abandoned steel mill, and although Lewis escapes alive, Murphy is captured by the sadistic gang of thugs.
This entire sequence is filmed in bloody, graphic violence, and it is a major turning point that defies all expectations and puts the audience on edge for the remainder of the film. Until this moment, the tone of "RoboCop" had been fairly light-hearted and downright comical at times, especially during its satires of commercial television. Verhoeven said he intentionally filmed Murphy's death in such graphic detail for two reasons. First, he wanted the audience to sympathize with Murphy, because he dies only thirty minutes into the film after being into only a few previous scenes, hardly enough for the audience to understand his character. Secondly, Verhoeven wanted the murder to serve as a kind of Christ-like crucifixion, with Murphy then resurrected as RoboCop. (Verhoeven is very intent on the Christ allegorical aspect of the film, but I feel it's a bit of stretch).
When Murphy is pronounced dead at the hospital, his body is given over to OCP to become the first RoboCop prototype. By combining the remains of his body with a massive, technological suit of body armor and computer chips, Murphy is transformed into a bullet-proof cyborg law enforcement officer. The only problem is that OCP didn't manage to erase his mind completely, and he is left with trace memories of his now lost family and, even more importantly, the vile gangsters that murdered him in his previous life.
In this way, "RoboCop" becomes a film about identity. Murphy is now part man and part machine; but he is fully neither, and therein lies the tragedy. He is caught between two worlds-- the flesh and the iron. Indeed, he is caught in the crux of other vexing situations as well, including the dilemma between enforcing the law while existing as the creation of a corrupt private company that has vested interest in his not doing his job.
"RoboCop" is a hard movie to pin down simply because it is so many things. It is intensely violent (over two minutes of footage had to be cut to avoid an "X" rating), but it is also quite funny. The humor is sometimes elevated and satirical, and can't be completely grasped on the first viewing. But other times it is bawdy, cheap humor, such as a commercial advertising a board game called "Nuke 'Em" (much of the humor is directed specifically at 80's social problems).
The movie is greatly aided by fine performance by all the actors. It is easy to overlook Peter Weller as the title character because he spends most of the film encased in a metal suit. But, like the great silent performances, his is mostly body language. When, at the end of the film, his helmet is removed and we see his face again, he makes it a great melodramatic moment with his sad, dour eyes. When we finally get to see the two halves -- Murphy and RoboCop -- coming together, it has a disarming, mystical quality about it.
Like many crime films, "RoboCop" relies a great deal on its villains, and Kurtwood Smith is simply great as the maniacal Boddicker. With his receding hairline, intellectual glasses, and sneering grin, he is evil personified in an ambitious street hoodlum. In every scene he occupies, Smith chews the scenery with psychotic glee, and many of his lines were improvised during filming. His character is frightening simply because he always seems to be in such command of everything around him. He is the ringleader in the gruesome killing of Murphy, so when RoboCop gets to throw him through a number of plate-glass windows and reduce him to a sobbing wimp, it's a guilty pleasure to watch.
Of course, the other star of the film is director Paul Verhoeven, who quickly rose in the ranks after "RoboCop." He solidified his position three years later with the Arnold Schwarzegger vehicle "Total Recall," and then entered American film lore forever with his two sexy sleazefests "Basic Instinct" and "Showgirls."
However one feels about his later output, it's hard to deny that Verhoeven's talents are on full display here. He never allows the audience to get fully settled because the tone switches so easily from humor to melodrama to adventure to gruesome violence. And, despite these drastically varying elements, Verhoeven manages to keep it all rolled up into one slick package that constantly plunges ahead.
©1998 James Kendrick
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Please direct comments/criticisms of the review to relevant newsgroups.
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Troy Bergstrand
Enjoying the opportunity to share the ins and outs of web programming
with the students of The Ambrose School.
Education
- M.S. Computer Science, North Dakota State University
Interests
- Music: piano, guitar
- Golf
- Bible study
- Economics
- World events


I am grateful to reader Theo Gott, who reminded me of this seasonal squib which originally appeared here six long years ago.
The television presenter Adrian Chiles read the newspaper headline Porpoises rescue Dick Van Dyke and was consumed by jealousy. Ever since he was tiny, Chiles had hankered to feature in an exciting news story alongside sea creatures, and now his thunder had been stolen by the octogenarian pretend chimney-sweep! It was too much to bear.
Yet, rather than turning his twisted mental havoc upon Dick Van Dyke, the West Bromwich Albion-supporting anchorman began to plot vengeance against the very sea creatures which until now had fascinated him. In his mania, he decided to obliterate the largest sea creature he could obtain, to obliterate it in the most disgusting way, by eating it. And he decided to make of his revenge a festive occasion, by arranging his foul dinner to take place on the day when we celebrate the birth of Jesus Christ.
What demons swept through his maddened mind, to so finesse his unutterable act? Alas, no hint was given of his motives in the newspaper report which followed, in the cheaply-photocopied Weekly Cetacean News Roundup, under the headline A Whale's Christmas In Chiles.


Merryweather Way Fire Station
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Walrand Square
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Pritchard Boulevard
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the Peddle Monument
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Pitt Park
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the Sawday Museum
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Clapton Stadium
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Clapton Stadium
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the Gready Building
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Caunt Lane
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Giles Cinema
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Councell Lane Fire Station
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Clapton Stadium
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Clapton Stadium
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Goodenough Boulevard
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MacKie Street
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the Copeland Building
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Marchia Auto Repair
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the Veysey Building
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the Sendell Arms
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Club Broadbear
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|
Glanvile Avenue
[54, 88]
|
Millar Lane
[55, 88]
|
Egbert General Hospital
[56, 88]
|
Colbourne Boulevard
[57, 88]
|
Creedy Way Police Dept
[58, 88]
|
wasteland
[59, 88]
|
Ginger Street
[50, 89]
|
St Etheldreda's Church
[51, 89]
|
Ambrose Bank
[52, 89]
|
Shearman Street
[53, 89]
|
Branagan Way
[54, 89]
|
Ravson Road
[55, 89]
|
a factory
[56, 89]
|
the Bailie Arms
[57, 89]
|
Whetcombe Park
[58, 89]
|
Bythesea Auto Repair
[59, 89]
|
|
Menu
City Map
Find Location
Route Finder
World View
Map Mirror
|


The old Cordillera Region was called Mountain Province and its capital. This province is bounded in the north by Abra and kalinga, in the south by Ifugao, in the west by Ilocos Sur, and in the east by Isabela. Ome parts of the Mt. Province is so rugged and have high elevations that frost has been known to occur. The Spaniards were unable to establish administrative presence here until 1850. Hence, the native culture was largely undisturbed for some time.
The population in this mountainous area is predominantly populated by two ethnolinguistic groups namely, the Bontocs and the Kankana-eys.
The Bontocs are the indegenous people who live along the banks of the s
The Traditional Attires of Mountain Province
The bontocs wear the tapis called tergey/lufid or pitay. A thick woven belt called wakes,bakget or falikos is use to hold the lufid in place. In olden days, th women did not wear any upper garments. Today, the womenwear blouses called lamma.
The males wear G-string called wakes or wanes/ba-ag. It partly covers the buttocks and the groin. The men's headdress is called pallaka in bontoc
The Mountain Province Festival
Lang-ay Festival
Mountani Province's Lang-ay Festival is now being hailed as the biggest atraction every year in April. Born during the 30th anniversary of MOuntain Province, the Lang-ay Festival was the brainchild of provincial Leaders is a bid to call the attention to the province's rich and diverse culture as well as the peoples pride for their god given wonders and gifts.


Programmer
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages ...
Programmer
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages,...
Programmer
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages ..


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ABS
Section: Linux Programmer's Manual (3)
Updated: 2014-08-19
Index
Return to Main Contents
NAME
abs, labs, llabs, imaxabs - compute the absolute value of an integer
SYNOPSIS
#include <stdlib.h>
int abs(int j);
long int labs(long int j);
long long int llabs(long long int j);
#include <inttypes.h>
intmax_t imaxabs(intmax_t j);
Feature Test Macro Requirements for glibc (see
feature_test_macros(7)):
llabs():
-
_XOPEN_SOURCE >= 600 || _ISOC99_SOURCE ||
_POSIX_C_SOURCE >= 200112L;
or
cc -std=c99
DESCRIPTION
The
abs()
function computes the absolute value of the integer
argument j.
The
labs(),
llabs()
and
imaxabs()
functions compute the absolute value of the argument j of the
appropriate integer type for the function.
RETURN VALUE
Returns the absolute value of the integer argument, of the appropriate
integer type for the function.
ATTRIBUTES
Multithreading (see pthreads(7))
The
abs(),
labs(),
llabs(),
and
imaxabs()
functions are thread-safe.
CONFORMING TO
SVr4, POSIX.1-2001, 4.3BSD, C99.
C89 only
includes the
abs()
and
labs()
functions; the functions
llabs()
and
imaxabs()
were added in C99.
NOTES
Trying to take the absolute value of the most negative integer
is not defined.
The
llabs()
function is included in glibc since version 2.0.
The
imaxabs()
function is included in
glibc since version 2.1.1.
For
llabs()
to be declared, it may be necessary to define
_ISOC99_SOURCE or _ISOC9X_SOURCE (depending on the
version of glibc) before including any standard headers.
GCC handles
abs()
and
labs()
as built-in functions.
GCC 3.0 also handles
llabs()
and
imaxabs()
as built-ins.
SEE ALSO
cabs(3),
ceil(3),
fabs(3),
floor(3),
rint(3)
Index
- NAME
-
- SYNOPSIS
-
- DESCRIPTION
-
- RETURN VALUE
-
- ATTRIBUTES
-
- Multithreading (see pthreads(7))
-
- CONFORMING TO
-
- NOTES
-
- SEE ALSO
-
This document was created by
man2html,
using the manual pages.
Time: 02:55:17 GMT, September 18, 2014


A Java SQL Driver that provides a connection pool wrapper around another Driver of your choice. Very simple to migrate existing code. Fully configurable. Fast, mature and robust. Transparently adds connection pooling to your existing JDBC driver.
I want to add some better documentation right here. But in the meantime you should find comprehensive information on our web site
The latest version of this code is available from Sourceforge.
The majority of the work on Proxool (as of May 2002) was funded by Telenor Media AS
Copyright (c) 2002 - 2003 Proxool. All rights reserved.
Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:
1. Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. All advertising materials mentioning features or use of this software must display the following acknowledgment:
"This product includes software developed by the Proxool project (The latest version is available at http://proxool.sourceforge.net/)."
4. The name "Proxool" must not be used to endorse or promote products derived from this software without prior written permission. For written permission, please contact<EMAIL_ADDRESS>5. Products derived from this software may not be called "Proxool" nor may "Proxool" appear in their names without prior written permission of the Proxool Project.
6. Redistributions of any form whatsoever must retain the following acknowledgment:
"This product includes software developed by the Proxool project (The latest version is available at http://proxool.sourceforge.net/)."

This software consists of voluntary contributions made by many individuals on behalf of the Proxool Project. For more information on the Proxool Project please see The latest version is available at http://proxool.sourceforge.net.


Hello!!! Welcome to streaming database
This app will look for any movie title you type, and tell you if it is available either on Netflix, Amazon Prime, Disney+ or Hulu
Type the movie you want to look for:


The simplest Auto-MR scenario lools like below:
Here, first job imports merged HKL datasets, sequence and coordinate files, which are not used in this scenario. Then, second job defines Asymmetric Unit using one of the merged reflection datasets and sequence. The Asymmetric Unit Definition task produces Structure Revision, which contains only HKL data set and composition of the Asymmetric Unit. The Revision, together with the Sequence object, is then used in 3rd job (Automated MR with BALBES), which finds and prepares Molecular Model(s) and molecular replaces them in the reflection data.
The output of Auto-MR job may be used as any other Structure Revision with XYZ data, e.g., for further refinement and re-building, fitting ligands/waters. Further development of the above project could look like the following:


| Package | com.yahoo.astra.layout.modes |
| Class | public class BoxLayout |
| Inheritance | BoxLayout BaseLayoutMode flash.events.EventDispatcher |
| Implements | IAdvancedLayoutMode |
var box:BoxLayout = new BoxLayout(); box.direction = "vertical"; box.verticalGap = 4; box.verticalAlign = VerticalAlignment.MIDDLE; var container:LayoutContainer = new LayoutContainer(); container.layoutMode = box; this.addChild( container );
Advanced Client Options:
Optional client configuration parameters allow a developer to specify
behaviors for individual children of the target container. To set these
advanced options, one must call addClient()
on the BoxLayout
instance and pass the child to configure along with an object specifying
the configuration parameters. Several client parameters are available to
the BoxLayout algorithm:
percentWidth
: NumberpercentHeight
: NumberminWidth
: Number0
.minHeight
: Number0
.maxWidth
: Number10000
.maxHeight
: Number10000
.includeInLayout
: Booleanfalse
, the target will not be included in layout calculations. The default value is true
.var box:BoxLayout = new BoxLayout(); box.direction = "vertical"; box.addClient( headerSprite, { percentWidth: 100 } ); box.addClient( contentSprite, { percentWidth: 100, percentHeight: 100, minWidth: 640, minHeight: 480 }); box.addClient( footerSprite, { percentWidth: 100 } ); var container:LayoutContainer = new LayoutContainer( box ); container.width = 1024; container.height = 768; container.addChild( headerSprite ); container.addChild( contentSprite ); container.addChild( footerSprite ); this.addChild( container );
See also
| Property | Defined by | ||
|---|---|---|---|
| direction : String
The direction in which children of the target are laid out.
| BoxLayout | ||
| horizontalAlign : String
The horizontal alignment of children displayed in the target.
| BoxLayout | ||
| horizontalGap : Number
The number of pixels appearing between the target's children
horizontally.
| BoxLayout | ||
| paddingBottom : Number
The number of pixels displayed at the bottom of the target's children.
| BaseLayoutMode | ||
| paddingLeft : Number
The number of pixels displayed at the left of the target's children.
| BaseLayoutMode | ||
| paddingRight : Number
The number of pixels displayed at the right of the target's children.
| BaseLayoutMode | ||
| paddingTop : Number
The number of pixels displayed at the top of the target's children.
| BaseLayoutMode | ||
| verticalAlign : String
The vertical alignment of children displayed in the target.
| BoxLayout | ||
| verticalGap : Number
The number of pixels appearing between the target's children
vertically.
| BoxLayout |
| Method | Defined by | ||
|---|---|---|---|
|
Constructor.
| BoxLayout | ||
|
addClient(target:DisplayObject, configuration:Object = null):void
Registers a specific display object with the layout algorithm.
| BaseLayoutMode | ||
|
hasClient(target:DisplayObject):Boolean
Returns true if a display object has been registered as a client.
| BaseLayoutMode | ||
|
layoutObjects(displayObjects:Array, bounds:Rectangle):Rectangle
The DisplayObjects in the input parameter will be positioned and sized
based on a specified rectangle.
| BoxLayout | ||
|
removeClient(target:DisplayObject):void
Unregisters a specific display object from the layout algorithm.
| BaseLayoutMode |
| direction | property |
direction:String
[read-write]
The direction in which children of the target are laid out. Valid
direction values include "vertical"
or "horizontal"
.
public function get direction():String
public function set direction(value:String):void
| horizontalAlign | property |
horizontalAlign:String
[read-write]The horizontal alignment of children displayed in the target.
Implementation public function get horizontalAlign():String
public function set horizontalAlign(value:String):void
See also
| horizontalGap | property |
horizontalGap:Number
[read-write]The number of pixels appearing between the target's children horizontally.
Implementation public function get horizontalGap():Number
public function set horizontalGap(value:Number):void
| verticalAlign | property |
verticalAlign:String
[read-write]The vertical alignment of children displayed in the target.
Implementation public function get verticalAlign():String
public function set verticalAlign(value:String):void
See also
| verticalGap | property |
verticalGap:Number
[read-write]The number of pixels appearing between the target's children vertically.
Implementation public function get verticalGap():Number
public function set verticalGap(value:Number):void
| BoxLayout | () | constructor |
public function BoxLayout()
Constructor.
| layoutObjects | () | method |
public override function layoutObjects(displayObjects:Array, bounds:Rectangle):Rectangle
The DisplayObjects in the input parameter will be positioned and sized based on a specified rectangle. There is no requirement that the display objects remain entirely within the rectangle.
Returns the actual rectangular region in which the laid out children will appear. This may be larger or smaller than the suggested rectangle. This returned value is expected to be used by container components to determine if scrollbars or other navigation controls are needed.
ParametersdisplayObjects:Array — An Array of DisplayObjects to be laid out.
|
|
bounds:Rectangle — The rectangular region in which the display objects should be placed.
|
Rectangle — The actual region in which the display objects are contained.
|


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import config.FrontendAppConfig @this( layout: Layout, appConfig: FrontendAppConfig, heading: playComponents.heading ) @(claimant: Claimant, otherExpensesCall: Call, uniformsWorkClothingToolsCall: Call)(implicit request: Request[_], messages: Messages) @layout( pageTitle = messages(s"cannotClaimBuyingEquipment.$claimant.title") ) { @heading(messages(s"cannotClaimBuyingEquipment.$claimant.heading"))
@messages(s"cannotClaimBuyingEquipment.$claimant.guidance") @messages("cannotClaimBuyingEquipment.link.label"). @messages(s"cannotClaimBuyingEquipment.$claimant.guidance2")
@messages("cannotClaimBuyingEquipment.guidance3") @messages("cannotClaimBuyingEquipment.link.label2"). @messages("cannotClaimBuyingEquipment.guidance4") @messages("cannotClaimBuyingEquipment.link.label3").
}


Toasts provide feedback messages as notifications to the user.
Goal is to mimic the push notifications available both on mobile and desktop operating systems.
NgbToast component allows you to only render the corresponding markup. Use it in one of your templates, and you are done. It will render a toast.
Live example available here.
Nonetheless, with this inline technique, you must handle the toast's lifecycle yourself, i.e. it won't disappear automagically or in other words we don't remove the markup, nor destroy the component.
To make it disappear, you can listen to the
(hide)
output and remove/destroy/hide it
yourself, and next section details how to do that in a real
application environment.
Let's take the opportunity to demonstrate how to simply build a global toast management service.
In order to create our global toast system, 3 simple steps need to be done:
AppToastService
to act as a global storage for toasts.<app-toasts>
, acting as the host in the application to display
your toasts. You could use <ngb-toast>
with an *ngFor
to read the list of toasts
to display from the service.
Relying on Angular dependency injection to share some piece of logic application-wide is always a good and solid starting choice.
The service manages a collection of toasts. It also provides a public method to push a new toast to that same
collection.
any[]
here.
Additionally, a method to remove an existing toast from the collection is also implemented.
As stated previously, <ngb-toast>
only generates a valid Bootstrap toast markup. You'll still
have to position them properly on the screen.
Thus, as a suggestion, toasts could be rendered in the top right corner of the application, as a kind of overlay.
To achieve that, you could create a dedicated container component/element to render all toasts in a convenient way.
For example, this container could be positionned using CSS property position: static
.
Lastly, let's use this container. Common sense would suggest to put it somewhere quite high in your hierarchy of components. Your root component would be a good candidate.
You're done! Just inject and use your AppToastService
anywhere you want to create a new toast.
<app-toasts>
will take care of displaying them.
aria-live="polite"
& aria-atomic="true"
. They are
mandatory in order to be compliant with screen readers technology. More information available on
Bootstrap documentation.
Click here to see an example a bit more advanced of this how-to.


Introduction to Grimoires
A Grimoire is a magician's manual for invoking demons (Oxford English Dictionary). Likewise, the Grimoires registry hosts descriptions of services and workflows, which a scientist can use for forming their complex scientific experiments. However, service and workflow interfaces are sometimes underspecified and therefore difficult to use in an automated manner; hence, the
Grimoires registry provides the ability to augment interfaces with metadata such
as functionality, semantic information about their inputs and outputs, or various metrics (e.g. perceived quality of service, trust).
As a UDDIv2 compliant registry for Web Services, Grimoires is,
itself, implemented as a Web Service. The clients interact with Grimoires by sending and receiving SOAP messages. In
addition to the UDDIv2 interface, Grimoires also provides some
other interfaces, such as a metadata interface and a WSDL interface, which allow clients
to publish and inquire over metadata and WSDL-related data,
respectively. An access control layer within Grimoires can enforce
fine-grained access control for each published entity, which could
be a UDDI service, a piece of metadata, or a WSDL description. All
the data published through various interfaces are internally represented as RDF triples, which can be queried and reasoned over in
a uniform way. The published data, i.e., the RDF triples, can
reside in a database, a file, or simply in memory, to allow
deployers to balance persistence with performance.
From the functionality perspective, Grimoires has the following
features.
Registration of semantic descriptions
Grimoires has the
ability to publish and inquire over metadata. Metadata are
pieces of data giving extra information about existing entities in the
registry. Currently, entities to which metadata can be attached
are UDDI BusinessEntity, BusinessService, tModel, BindingTemplate,
and WSDL operation and message part.
A piece of metadata is in the form of an RDF triple: the subject
is the entity to be annotated, the predicate is the type of the
relationship, and the object is the value. The metadata value can
be a string, a URI, or structured data in RDF. For example, to
describe the quality of a service, the pair (mygrid:NumericRating,
8.5) can be used for the relationship and value of metadata
attachment, which assigns a rating of 8.5 to the service.
A unique key is assigned to every piece of metadata published.
Therefore, metadata attachments can be updated without
republishing the service. This presents an efficient way of
capturing ephemeral information about services that changes often,
such as the current load of a service.
Multiple metadata attachments
There is no limit to the
number of attachments each entity can have. Since each piece of
metadata has its own unique key, it can be updated without
republishing other metadata attached to the same entity.
Third party annotations
The ability to publish metadata
is available to both service providers and third parties. This
provides the flexibility of allowing users with expert knowledge
to enrich service descriptions in ways that might not be
conceivable to the original publishers. For instance, users can
provide their personal ratings on services.
Inquiry with metadata
Multiple search patterns are
supported in Grimoires. An entity can be found according to a
metadata expressed as either a sequence of (type, value) pairs or
an RDQL statement. The operation returns a list of entities
annotated by metadata matching the query. To support queries over
both metadata and data (such as the name of a service), we
have extended the UDDI service finding operation with similar
metadata query facility.
Signature based authentication
UDDIv2 and v3
specifications rely primarily on the use of authentication tokens
to authenticate users for publisher API calls. In implementations
such as jUDDI, this is generally achieved through a
username/password credential scheme. However, this authentication
method does not scale well for most Grid environments, which
typically use certificate-based authentication schemes. The OMII
framework provides an implementation of SOAP message signing and
verification in accordance with WS-Security standards.
When deployed within the OMII container, Grimoires can extract
the Distinguished Name (DN) from the submitted X509 client
certificate for authentication purposes. Incorporating signature
usage in this way makes it easier to integrate Grimoires into
existing Grid security infrastructures, as well as providing an
important building block for single sign-on capabilities, an
important requirement for many Grid applications.
Access control
Access control is on the basis of
authenticated identity, and is applied on the granularity of each
registered data entry, e.g., a service, a WSDL file, or a piece of
metadata. The access control assertions are represented as
metadata and are attached to the corresponding data entries.


Module "pl.list"
Python-style list class.
Based on original code by Nick Trout.
Please Note: methods that change the list will return the list. This is to allow for method chaining, but please note that ls = ls:sort() does not mean that a new copy of the list is made. In-place (mutable) methods are marked as returning 'the list' in this documentation.
See the Guide for further discussion
See http://www.python.org/doc/current/tut/tut.html, section 5.1
Note: The comments before some of the functions are from the Python docs and contain Python code.
Written for Lua version 4.0
Redone for Lua 5.1, Steve Donovan.
Functions
| List.range (start, finish) | Emulate Python's range(x) function. |
| List.split (s, delim) | split a string using a delimiter. |
| List:__call () | can iterate over a list directly. |
| List:__concat (L) | concatenation operator .. |
| List:__eq (L) | equality operator ==. |
| List:__tostring () | how our list should be rendered as a string. |
| List:append (i) | Add an item to the end of the list. |
| List:chop (i1, i2) | Remove a subrange of elements. |
| List:clear () | empty the list. |
| List:concat (delim) | join a list of strings. |
| List:contains (x) | does this list contain the value?. |
| List:count (x) | Return the number of times value appears in the list. |
| List:extend (L) | Extend the list by appending all the items in the given list. |
| List:filter (fun, arg, optional) | create a list of all elements which match a function. |
| List:foreach (fun, ...) | call the function for each element of the list. |
| List:index (x, idx) | Return the index in the list of the first item whose value is given. |
| List:insert (i, x) | Insert an item at a given position. |
| List:iter () | return an iterator over all values. |
| List:join (delim, v2s) | join the elements of a list using a delimiter. This method uses tostring on all elements. |
| List:len () | list:len() is the same as #list. |
| List:map (fun, ..., arg1) | apply a function to all elements. |
| List:map2 (fun, ls, ...) | apply a function to elements of two lists. |
| List:mapm (name, ...) | apply a named meethod to all elements. |
| List:new (t) | Create a new list. |
| List:partition (fun, ...) | partition a list using a classifier function. |
| List:pop (i) | Remove the item at the given position in the list, and return it. |
| List:put (x) | Insert an item at the begining of the list. |
| List:reduce (fun) | 'reduce' a list using a binary function. |
| List:remove (i) | Remove an element given its index. |
| List:remove_value (x) | Remove the first item from the list whose value is given. |
| List:reverse () | Reverse the elements of the list, in place. |
| List:slice (first, last) | Emulate list slicing. |
| List:slice_assign (i1, i2, seq) | general slice assignment s[i1:i2] = seq. |
| List:sort (cmp) | Sort the items of the list, in place. |
| List:splice (idx, list) | Insert a sublist into a list equivalent to 's[idx:idx] = list' in Python |
| List:transform (fun, t, ...) | apply a function to all elements, in-place. |
| iter (seq) | Create an iterator over a seqence. |
Functions
- List.range (start, finish)
-
Emulate Python's range(x) function.
Include it in List table for tidiness
Parameters:
- start: A number
- finish: A number greater than start; if zero, then 0..start-1
Usage:
List.range(0,3) == List {0,1,2,3} - List.split (s, delim)
-
split a string using a delimiter.
Parameters:
- s: the string
- delim: the delimiter (default spaces)
Return value:
a List of stringsSee also:
- List:__call ()
-
can iterate over a list directly.
Usage:
for v in ls do print(v) end - List:__concat (L)
-
concatenation operator .. .
Parameters:
- L: another List
Return value:
a new list consisting of the list with the elements of the new list appended - List:__eq (L)
-
equality operator ==. True iff all elements of two lists are equal.
Parameters:
- L: another List
Return value:
true or false - List:__tostring ()
-
how our list should be rendered as a string. Uses join().
See also:
- List:append (i)
-
Add an item to the end of the list.
Parameters:
- i: An item
Return value:
the list - List:chop (i1, i2)
-
Remove a subrange of elements.
equivalent to 'del s[i1:i2]' in Python.
Parameters:
- i1: start of range
- i2: end of range
Return value:
the list - List:clear ()
-
empty the list.
Return value:
the list - List:concat (delim)
-
join a list of strings.
Uses table.concat directly.Parameters:
- delim: a delimiter
Return value:
a string - List:contains (x)
-
does this list contain the value?.
Parameters:
- x: A data value
Return value:
true or false - List:count (x)
-
Return the number of times value appears in the list.
Parameters:
- x: A data value
Return value:
number of times x appears - List:extend (L)
-
Extend the list by appending all the items in the given list.
equivalent to 'a[len(a):] = L'.
Parameters:
- L: Another List
Return value:
the list - List:filter (fun, arg, optional)
-
create a list of all elements which match a function.
Parameters:
- fun: a boolean function
- arg:
- optional: argument to be passed as second argument of the predicate
Return value:
a new filtered list. - List:foreach (fun, ...)
-
call the function for each element of the list.
Parameters:
- fun: a function or callable object
- ...:
- List:index (x, idx)
-
Return the index in the list of the first item whose value is given.
Return nil if there is no such item.
Parameters:
- x: A data value
- idx: where to start search (default 1)
Return value:
the index, or nil if not found. - List:insert (i, x)
-
Insert an item at a given position. i is the index of the
element before which to insert.
Parameters:
- i: index of element before whichh to insert
- x: A data item
Return value:
the list - List:iter ()
- return an iterator over all values.
- List:join (delim, v2s)
-
join the elements of a list using a delimiter.
This method uses tostring on all elements.Parameters:
- delim: a delimiter string, can be empty.
- v2s:
Return value:
a string - List:len ()
- list:len() is the same as #list.
- List:map (fun, ..., arg1)
-
apply a function to all elements.
Any extra arguments will be passed to the function
Parameters:
- fun: a function of at least one argument
- ...: arbitrary extra arguments.
- arg1: an optional argument
Return value:
a new list: {f(x) for x in self}See also:
- List:map2 (fun, ls, ...)
-
apply a function to elements of two lists.
Any extra arguments will be passed to the function
Parameters:
- fun: a function of at least two arguments
- ls:
- ...: arbitrary extra arguments.
Return value:
a new list: {f(x,y) for x in self, for x in arg1}See also:
- List:mapm (name, ...)
-
apply a named meethod to all elements.
Any extra arguments will be passed to the method.
Parameters:
- name: name of method
- ...: extra arguments
Return value:
a new list of the resultsSee also:
- List:new (t)
-
Create a new list. Can optionally pass a table;
passing another instance of List will cause a copy to be created
we pass anything which isn't a simple table to iter() to work out
Parameters:
- t: An optional list-like table
Usage:
ls = List(); ls = List {1,2,3,4}Return value:
a new ListSee also:
- List:partition (fun, ...)
-
partition a list using a classifier function.
The function may return nil, but this will be converted to the string key '
'. Parameters:
- fun: a function of at least one argument
- ...: will also be passed to the function
Return value:
a table where the keys are the returned values, and the values are Lists of values where the function returned that key. It is given the type of Multimap.See also:
- List:pop (i)
-
Remove the item at the given position in the list, and return it.
If no index is specified, a:pop() returns the last item in the list.
The item is also removed from the list.
Parameters:
- i: An index
Return value:
the item - List:put (x)
-
Insert an item at the begining of the list.
Parameters:
- x: a data item
Return value:
the list - List:reduce (fun)
-
'reduce' a list using a binary function.
Parameters:
- fun: a function of two arguments
Return value:
result of the functionSee also:
- List:remove (i)
-
Remove an element given its index.
(equivalent of Python's del s[i])
Parameters:
- i: the index
Return value:
the list - List:remove_value (x)
-
Remove the first item from the list whose value is given.
(This is called 'remove' in Python; renamed to avoid confusion
with table.remove)
Return nil if there is no such item.
Parameters:
- x: A data value
Return value:
the list - List:reverse ()
-
Reverse the elements of the list, in place.
Return value:
the list - List:slice (first, last)
-
Emulate list slicing. like 'list[first:last]' in Python.
If first or last are negative then they are relative to the end of the list
eg. slice(-2) gives last 2 entries in a list, and
slice(-4,-2) gives from -4th to -2nd
Parameters:
- first: An index
- last: An index
Return value:
a new List - List:slice_assign (i1, i2, seq)
-
general slice assignment s[i1:i2] = seq.
Parameters:
- i1: start index
- i2: end index
- seq: a list
Return value:
the list - List:sort (cmp)
-
Sort the items of the list, in place.
Parameters:
- cmp: an optional comparison function; '<' is used if not given.
Return value:
the list - List:splice (idx, list)
-
Insert a sublist into a list
equivalent to 's[idx:idx] = list' in Python
Parameters:
- idx: index
- list: list to insert
Usage:
l = List{10,20}; l:splice(2,{21,22}); assert(l == List{10,21,22,20})Return value:
the list - List:transform (fun, t, ...)
-
apply a function to all elements, in-place.
Any extra arguments are passed to the function.
Parameters:
- fun: A function that takes at least one argument
- t:
- ...: arbitrary extra arguments.
- iter (seq)
-
Create an iterator over a seqence.
This captures the Python concept of 'sequence'.
For tables, iterates over all values with integer indices.
Parameters:
- seq: a sequence; a string (over characters), a table, a file object (over lines) or an iterator function
Usage:
- for x in iter {1,10,22,55} do io.write(x,',') end ==> 1,10,22,55
- for ch in iter 'help' do do io.write(ch,' ') end ==> h e l p


Calgary visits Pittsburgh following shootout win
by Associated PressCalgary Flames (11-12-3, sixth in the Pacific Division) vs. Pittsburgh Penguins (12-7-4, fourth in the Metropolitan Division)
Pittsburgh; Monday, 7 p.m. EST
BOTTOM LINE: The Pittsburgh Penguins host Calgary after the Flames took down Philadelphia 3-2 in a shootout.
The Penguins are 8-3-2 on their home ice. Pittsburgh has converted on 15.4% of power-play opportunities, scoring 10 power-play goals.
The Flames have gone 5-9-1 away from home. Calgary averages 9.8 penalty minutes per game, the seventh-most in the NHL. Milan Lucic leads the team serving 34 total minutes.
The teams face off Monday for the first time this season.
TOP PERFORMERS: Jake Guentzel has recorded 20 total points while scoring 11 goals and adding nine assists for the Penguins. Bryan Rust has scored seven goals over the last 10 games for Pittsburgh.
Johnny Gaudreau leads the Flames with 14 total assists and has recorded 19 points. Matthew Tkachuk has three goals and three assists over the last 10 games for Calgary.
LAST 10 GAMES: Flames: 3-6-1, averaging 1.8 goals, 3.2 assists, 4.2 penalties and 8.7 penalty minutes while giving up 3.2 goals per game with a .895 save percentage.
Penguins: 4-2-4, averaging 3.1 goals, 5.2 assists, 3.2 penalties and 6.7 penalty minutes while giving up 2.8 goals per game with a .904 save percentage.
Penguins Injuries: Patric Hornqvist: day to day (lower body), Justin Schultz: out (lower body).
Flames Injuries: None listed.
___
The Associated Press created this story using technology provided by Data Skrive and data from Sportradar.


Here are the instructions again: Imagine you have to choose a food to eat right now. On each trial, you will see this reference food (shown below) on the left - it is always the same. On the right the food picture will change on each trial. For each picture, indicate whether you prefer the food on the right or the reference food on the left. When rating the pictures, think about a snack sized portion of the food rather than the exact amount of food shown in the picture.


Hi, I'm Max. I'm a front-end web developer. After mastering HTML, it wasn't long before CSS hooked me with its creative claws. The animations just blew my mind, and I had a lot of fun styling with CSS Grid and Flexbox.
Since learning the ins and outs of ES6, I've been expanding my skillset with FreeCodeCamp, solidifying my knowledge with podcasts, blogs and making websites. When I'm not coding, you’ll find me discovering fine beers, hiking high things, or eating weird food. Drop me a line if you’d like to hear more about any of the above!
I made this website for a small crane-rental business. The site was built using Wordpress featuring custom styling, and I also provided copywriting services.
Close ProjectMy first project working with an API to fetch random quotes. Why not tweet one out?
Close ProjectThe first project I made for FreeCodeCamp. I used the weather API to get the location and the temperature of the user. I used jQuery for this project.
Close ProjectI work as an IT-coordinator in a school. To make it easy for the staff to contact me for IT related troubles or for broken things around the school, I created this website. They can also order sandwiches on Friday. I used Formspree to send the form without a back-end. Uploadcare takes care of uploading a picture without the need of a back-end. Bulma for styling. Netlify for hosting.
Close ProjectIndecisive? Just use the Paper, scissors, rock app to make a decission for you. The computer will show you his answer and tell you if you've won.
Close ProjectThis was another project for FreeCodeCamp. I used Wikipedia's API to get Wikipedia's articles that you type in. You can also search for a random Wikipedia article.
Close Project


"Never accept the world as it appears to be, dare to see it for what it could be." -Dr. Harold Winston ------------ This is my portfolio site.


'Yandex Clickhouse' (<https://clickhouse.yandex/>) is a high-performance relational column-store database to enable big data exploration and 'analytics' scaling to petabytes of data. Methods are provided that enable working with 'Yandex Clickhouse' databases via 'DBI' methods and using 'dplyr'/'dbplyr' idioms.
| Version: | 0.4.0 |
| Depends: | R (≥ 3.3) |
| Imports: | dplyr (≥ 0.7.0), dbplyr (≥ 1.0.0), methods (≥ 3.3.2), DBI (≥ 0.6.0), Rcpp (≥ 0.11.0), yaml (≥ 2.1.14) |
| LinkingTo: | Rcpp |
| Suggests: | testthat |
| Published: | 2018-01-20 |
| Author: | Christian Hotz-Behofsits [aut, cre], Clemens Danninger [aut], Simon Stiebellehner [aut], Dan Egnor [aut], Vlad Losev [aut], Keith Ray [aut], Zhanyong Wan [aut], Markus Heule [aut], Google [cph], Yann Collet [cph] |
| Maintainer: | Christian Hotz-Behofsits <christian.hotz-behofsits at wu.ac.at> |
| BugReports: | https://github.com/IMSMWU/RClickhouse/issues |
| License: | GPL-2 |
| URL: | https://github.com/IMSMWU/RClickhouse |
| NeedsCompilation: | yes |
| SystemRequirements: | C++11 |
| Citation: | RClickhouse citation info |
| CRAN checks: | RClickhouse results |
| Reference manual: | RClickhouse.pdf |
| Package source: | RClickhouse_0.4.0.tar.gz |
| Windows binaries: | r-devel: RClickhouse_0.4.0.zip, r-release: RClickhouse_0.4.0.zip, r-oldrel: RClickhouse_0.4.0.zip |
| OS X binaries: | r-release: RClickhouse_0.4.0.tgz, r-oldrel: RClickhouse_0.4.0.tgz |
| Old sources: | RClickhouse archive |
Please use the canonical form https://CRAN.R-project.org/package=RClickhouse to link to this page.


How to Support AllMySubs.video
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