Leader of Partizan Belgrade ultra group shot dead ahead of Man Utd clash
Ljubomir Markovic, 37, was killed in the Serbian capital Belgrade as he was standing in the street, with the incident captured on CCTV cameras
by Matt Maltby, https://www.mirror.co.uk/authors/matt-maltby/A Partizan Belgrade hooligan leader - who once featured on "Real Football Factories" - has been shot dead as hundreds of the Serbian side's fans descend on Manchester for the Europa League clash.
Ljubomir Markovic, 37, was killed in the Serbian capital Belgrade as he was standing in the street, with the incident captured on CCTV cameras.
In footage seen by The Mirror, Markovic - who was allegedly the leader of the 'Alcatraz' gang of Partizan hooligans - and a group of his friends can be seen standing in front of a small local football stadium when a hooded man walks up to them.
The thug pulls out a pistol and opens fire on Markovic who sprints away. The gunman runs after him and the Partizan hooligan can be seen dropping to the ground.
Local media report six shots were fired, with the final bullet hitting Markovic's head and killing him. Reports also state the killer fled the scene in a black BMW X5 with licence plates from the western Siberian city of Sabac.
A police investigation was launched and reports state Markovic himself was armed at the time of the attack but did not have time to use the weapon.
Markovic appeared in the Bravo documentary 'The Real Football Factories International', starring Danny Dyer.
He was sentenced to 30 years in prison for the organised assault and murder of French football supporter Bruce Taton in 2009, but his sentence was reduced to 15 years and he was released from prison early this year.
Markovic leaves behind his wife and two-year-old daughter. Police are working to find a motive for the crime and the investigation is ongoing.
The attack comes before Partizan Belgrade take on Manchester United at Old Trafford on Thursday.


Tips for Beginners to Contribute to Open Source
One of the things we have to do at the Flatiron School is contribute to open source projects. As a beginner, it’s pretty scary to think about writing code that experts will review and countless people may use. Where do you even start?
I needed some inspiration and found a great resource on Speakerdeck. Michael Koziarski, a Rails core contributor gave a talk called Lessons from the Other Side: Effectively Contributing to Open Source. It’s essentially advice from a maintainer of a huge project on how any individual can contribute to open source code. I’ll summarize some of my takeaways from these slides.
Don’t go looking for problems to solve!
It almost seems counterintuitive, but you’re much better off not hunting down tiny issues. Michael suggests tackling issues as they come up in your every day work.
You don’t need to reinvent the wheel. The best way to start is simply to start taking notes on any issues that arise as you’re coding in your daily life. Let the problems come to you.
Submit your suggestions in small, digestible chunks
The smaller your individual contributions, the more specific the issue you’re solving. Think about it from the view of the project maintainer - chances are she has a day job.  Make it small, make it clear.
Documentation needs love too
My friend Kevin Curtin started learning Ruby in a formal environment on October 2nd, 2012. Just after a week and a half, he was able to submit an open source contribution to the SQLite3 gem. It wasn’t magic, and he talks about it at his blog. Chances are that most coders want to solve the sexy problem - writing code that’ll connect all the world via a massive search engine that only accepts 140 characters. Or something.
However, when a newbie is trying to learn code, they need simple and descriptive documentation. If you had a problem with any documentation, submit an explanation and example! Don’t worry if you’re afraid it’s not glorious enough, there are plenty of good coders. Good coders who can teach are a rarity - learn how to explain concepts in documentation and you’ll both strengthen your learning as well as make a name for yourself.
Did I miss anything? I’d love to hear from any open source project maintainers who have more suggestions for people! In the mean time, follow me on Twitter at @nikhilthomas90 and let me know what else is on your mind!


| lv. | When you grow to that level, spend points here. | |||
| Roh | Mip | Tal | Velm | |
| 31 | Stun. Strikes | Innate Melee Def. | Shock- wave | |
| 32 | Stun. Strikes | Innate Casting Haste | Incrsd. Bow Dmg. | |
| 33 | Damage Inc. | Innate Melee Def. | Shock- wave | |
| 34 | Stun. Strikes | Innate Casting Haste | Innate Melee Haste | |
| 35 | Damage Inc. | Group Haste | Shock- wave | Innate Casting Haste |
| 36 | Critical Attacks | Group Haste | Shock- wave | Group Heal. |
| 37 | Stun. Strikes | Group Haste | Mult. Targets | Group Shield. |
| 38 | Critical Attacks | Group Haste | Incrsd. Bow Dmg. | Mes- merize |
| 39 | Critical Attacks | Group Haste | Innate Melee Haste | Mes- merize |
| 40 | Innate Melee Haste | Group Haste | Innate Magic Res. | Group Shield. |
| 41 | Innate Melee Haste | Innate Melee Def. | Mult. Targets | Group Heal. |
| 42 | Damage Inc. | Innate Casting Haste | Mult. Targets | Group Shield. |
Hiya! If you haven't noticed already, you're at the Act 3 Walkthrough. I'm pretty sure you know what I'm going to say but I'll say it anyway. If you haven't finished Act 2 yet, go and finish that. Also, go ahead and bookmark this page if you like, since you'll be coming back here for a while.
Nothing much more to add here. You might be interested to know that you're 50% through the game (at least level-wise) and you only have 5 more tough levels ahead of you. After that, the game becomes pretty easy. There are no Chias in this chapter, but there are plenty of undead things, if that helps.
Before you start, take a look at your old friend the skills table. He's having serious weight problems, so I've had to abbreviate some of the skill/character names (Talinia's Increased Bow Damage has become Incrsd. Bow Dmg.) Don't worry, you can still hover your mouse over the skill name abbreviations to see the whole thing.
Also, about your map site: make sure you navigate to the Lost Desert page before looking for any maps. You've done this sort of thing before.
Anyway, on to the guide. Have fun, and don't get eaten.
Well, Sakhmet City isn't the coolest of places, but it sure beats a town full of Chias. You can talk to the guys next to you if you want, but you really don't have to. Head north and west to leave the building. Now you're out in the big scary world again. See those tents to your west? They're the actual town. There are three tents you have to be concerned with:
I'm pretty sure you know what to do when you're in a town by now. Where's that Shopping List?
If you're wondering what I meant under Weapons/Armor, I'm saying that you should be careful about buying weapons/armor from stores now. From here on out, the weapons/armor dropped by bosses will have some pretty nifty bonuses. Unless the weapon you have right now is much weaker than the one for sale, don't buy.
If you're still confused, Bonuses beat Power.
Enough about that. Now that you're done shopping, it's time to hit the road sand. We need to get training. Go a little north from the huts and start training. We need to get to level 32/33/34 - that's right, two levels. If you're hurt badly (i.e. someone's health is yellow), run back to the inn (that's the yellow northeastern tent) and rest. Why? We need to conserve potions. Besides, cash probably isn't an issue anymore.
Once you've gained those two levels, open up your map to South Lost Desert. See the Temple of the Sky over to your northeast? Walk on over there and enter once you get there.
Another dungeon. Ew. We'll have to get used to it, though, since there are 3 more dungeon-ish things in this chapter. Oh well. You're currently on Level 1. If you glance at your map, this floor looks pretty big. Nonsense.  We're going to use the Fight-As-You-Go method throughout this entire temple (we need to gain a level by the end of the next floor. Don't worry about leveling up on this floor.) So, uh, have fun walking and fighting through this level.
Now you're on Level 2. It's a bit of a maze but, hey, you've got maps, so you'll be able to figure it out. Keep using that Fight-As-You-Go method until you grow to level 33/34/35. Once you gain level up, switch to Normal mode and make your way through the rest of the level. Eventually you'll come across your next boss. Heal up and get ready to face him...
| Recommended Level: | 33 on Normal 34 on Evil 35 on Insane |
| HP: | 500 on Normal 625 on Evil 750 on Insane |
| Special Abilities: | Infestation - 44HP Group Damage Dormancy - 44% Slow Rampant Acceleration - 38% Group Haste |
| Prizes: | the Celestial Talisman 5 Potions of Potent Health 2 weapons/armor 2500 gold 600 NP |
Keep throwing stuff at Siliclast and he'll die, as you might expect. There's a conveniently-placed teleporter behind where Siliclast was, so step on it. You're back in Sakhmet City. (I really have to get one of those teleporters.) Head out to town and replenish (that's fancy talk for restock) the slowing/damage potions you used. (The potions shop is the yellow southwestern tent.) Of course, sell your old weapons.
Open your map back up to South Lost Desert. You'll want to walk over to the Ruined Temple all the way in the north. Once you get there, enter the temple.
If you look at the maps for this place, you'll notice that it's 4 stories high and not really ruined at all. Only Level 1 is ruined. Speaking of which, you're on that level. We have to gain a level of our own before we take on the boss at the top of this temples, so we'll be using the Fight-As-You-Go method again. (Once you level up, switch back to Normal mode.) Go ahead and make your way through this level of the temple.
You're now on Level 2. This floor is unremarkable except for the conference room in the southeast. (I'm serious, look at the map. Doesn't it look like a conference room?) Just walk through this level.
Level 3 is slightly trickier. You start at the stairs in the northeast, and you have to get to the stairs in the northwest. Walk through this level too. (Chances are you'll have leveled up by now. If you have, remember to switch back to Normal mode. If you haven't leveled up yet, train on this level until you level up.)
Now you're on Level 4. Your next boss is in the very south of this room. Walk on over to him, heal up, and take him on.
| Recommended Level: | 34 on Normal 35 on Evil 36 on Insane |
| HP: | 350 on Normal 437 on Evil 525 on Insane |
| Special Abilities: | Destroy - 77HP Direct Damage Contagion - 52HP Group Damage Hibernation - 53% Slow Restore - 100HP Heal Nice hat |
| Prizes: | the Medallion of Wind (upper part) 3 Potions of Greater Health 2 weapons/armor 3000 gold 700 NP |
Once he's dead, you can start partying: the game will soon become about 3 times easier. But first, take the teleporter behind where Gebarn stood and... you'll be back in Sakhmet. How convenient. Head out to the yellow southwestern tent to replenish the potions you used.
Leave town to the north and make sure you're on Normal mode (the baddies around here are jokes now, and not very funny ones either.) Head back north to the Ruined Temple. If you noticed, the mountains on either side of the temple are gone, allowing you to go farther north. Go north and you'll see a village nearby.
Say hi to this new village made of 4 tents. As exciting as buying potions is, we've got more important things to do. Enter the yellow tent. That's the inn. But more importantly, you've got a Techo to chat with. Walk over to the east side of the inn and talk to the guy there. Guess who?
Yup, it's Velm. Ask him to join you, and he will. Congrats! The best NQII character (in my opinion) has just joined your team. Before we shock baddies with the awesomeness that is Velm, we have to spend his skill points first.
| On this difficulty... | Spend Velm's skill points here. |
| Normal |
8 points in Group Healing 7 points in Group Shielding 2 points in Mesmerization 6 points in Innate Melee Defense 10 points in Innate Casting Haste |
| Evil |
8 points in Group Healing 7 points in Group Shielding 2 points in Mesmerization 6 points in Innate Melee Defense 11 points in Innate Casting Haste |
| Insane |
9 points in Group Healing 7 points in Group Shielding 2 points in Mesmerization 6 points in Innate Melee Defense 11 points in Innate Casting Haste |
Go ahead and spend Velm's skill points according to your difficulty. We still have a bit of shopping to do. Here are the buildings that each merchant is in:
After you've done a bit of shopping, you're ready to leave town. Don't worry, we'll be back. Before we get adventuring, let's test out Velm. At the beginning of each battle, Velm should always throw up Group Shields (that didn't sound quite right, but you know what I mean.) Talinia should use Multiple Targets, then everyone should go all-out. Mipsy will start learning Group Haste soon, so she should cast that at the beginning of battle. After that, everyone should just go all-out offensive, with Velm using Group Heal whenever anyone (that's right, anyone) is hurt. If no one's hurt he can use Mesmerization.
Enough lecturing, let's get playing.  Now, before we start wandering aimlessly, a word from our sponsors.
Do you remember it? Maybe not, but that doesn't really matter. Just know that it works for mountains too. Pretend mountains are the walls, and you can find your way around pretty easily.
Well, now you're in the Valley of Kings. If you haven't found it yet, glance at your map for the Northwest Lost Desert. Find your map of this valley and look for the Palace of Ancient Kings in the southwest. Walk on over to the palace, then enter it.
Just an FYI: we want to gain a level in this place. Use the Fight-As-You-Go method all throughout the palace. Once you grow to level 35/36/37, feel free to keep on hunting. But first we need to get going.
If you look at your map for Level 1, you'll notice that there are no stairs. (There is no spoon, either.) Well, the stairs are actually hidden underneath a bed. Chances are your map will have circled the bed, but if not, look for the weird pools of water and the rooms surrounding them. See the northwestern room? The bed is the one in the southwest of that room.
So take those stairs into Level 2. You've been plopped in a little maze, but I'm pretty sure you'll be able to get out OK. Once you get out into the dirt passageway, head north until you see your next boss.
| Recommended Level: | 35 on Normal 36 on Evil 37 on Insane | ||||||||||||||||||
| HP: | 600 on Normal 750 on Evil 900 on Insane | ||||||||||||||||||
| Special Abilities: |
| ||||||||||||||||||
| Prizes: |
2 weapons/armor 750 NP | ||||||||||||||||||
| Notes: | The Revenant has two cronies who are possessed skeletons (180HP on Normal, 270HP on Evil, 360HP on Insane.) Once you beat the Revenant, his cronies will die too, so don't bother attacking them. |
Nice work. Walk northeast of where the Revenant stood and talk to Lifira, who's evidently Waset's missing librarian. She'll teleport away. Now go northwest of where the Revenant was and you'll see another teleporter. That'll whisk you outside this palace.
We'll get to the treasure hunt soon enough. First, though, we need to get back to Waset. Switch to Normal mode and make your way back. Once you do, replenish your potions in the blue-and-white-cube tent. Then walk over to the red tent and talk to Lifira in the east part of the house.
Go ahead and open up your maps for the Northwest Lost Desert or something like that. You're in Waset, and you need to get to the hermit toward the northwest of the map. He's standing next to a pitifully small patch of water and some trees. We're going to use the Fight-As-You-Go method to grow to level 36/37/38 as soon as we can. Make your way northwest (try to hug the mountains) to the hermit.
Once you get to the hermit, talk to him, of course. He'll give you pretty good (if annoying) instructions to get to where you need to. Follow those instructions and you'll find the 2nd piece of the Medallion of Wind (you know, that junk piece of metal you've been lugging around all this chapter.) If you haven't gained that level already, you'll want to train here until you do.
Now we need to get to our next boss, who's a good distance away. You know what that means. Switch to Hunting mode and keep using the Fight-As-You-Go method until you grow to level 37/38/39. You'll want to start off by walking southeast.
After a bit you'll reach the East Lost Desert (these names are really creative.) Ignore the weird rock formations (and, for that matter, the slightly creepy Skeith guy) and make your way to the Lost City of Akhten-Ka in the southwest. Keep beating up those baddies until you've leveled up. Once you get to Akhten-Ka, enter it.
When you open up the map of this place, you'll be like a farm boy in New York. Which is to say, you get mugged almost immediately you feel really small. Unfortunately all the guys here want to mug you, so yeah. We have to grow to level 38/39/40 in this place. Walk on over to the northwestern corner of the city while using the Fight-As-You-Go method.
Once you reach the corner, gain that level if you haven't yet. Then look for the ghost guy Coltzan. Proceed to bust that ghost. (What, stop giving me weird looks like that. It's scary.)
| Recommended Level: | 38 on Normal 39 on Evil 40 on Insane | ||||||
| HP: | 750 on Normal 937 on Evil 1125 on Insane | ||||||
| Special Abilities: |
| ||||||
| Prizes: | Medallion of Wind's gemstone 2 weapons/armor 800 NP |
Unfortunately, Coltzan hangs around even after you beat him up. He'll tell you to look at the barrel behind him, so when you do you'll get the gemstone of the medallion. Somehow I thought this would be a more rewarding experience. Anyway, there's no teleporter here so you'll have to walk out yourself. Stay on Hunting mode, though, since the baddies give nice EXP..
Before the end of this section, we need to grow to level 39/40/41, so use that Fight-As-You-Go method until you level up. Well, you've left the city, so open up your map of the East Lost Desert. See that weird rock formation (you know, the weird smiley face on its side)? Walk over to the "nose". 3 spaces west of the nose is the last piece of the Medallion. Walk over to it and grab it.
Now for that walk across half the desert. Open up your map to Lost Desert: Overall. You're still at that weird rock formation, but you have to get to Zakharukh's Pyramid in the far southwest. First, though, walk over to Waset. There, go into the blue tent. Restock your potions (remember, we need all the slowing/damage potions we can get) and sell your old weapons/armor here.
From there, go southwest to the Pyramid and enter it.
All right, this is the last dungeon of the act. Go ahead and scroll down a bit to get the Grarrl off your screen, then switch to Hunting mode. Yup, we'll be using the Fight-As-You-Go method to grow to level 40/41/42 on this level. That's your last Lost Desert level. *woohoo*
Anyhow, look at the map for Level 1. Not too pretty. I'm just going to say good luck getting to Level 2. (I'm so nice, aren't I? And so modest too.) Level 2 isn't too bad by comparison, so make your way through it (nothing much to say about it, really.) Once you're on Level 3, heal up and get ready to face the final boss of this act.
| Recommended Level: | 40 on Normal 41 on Evil 42 on Insane | |||||||||||||||
| HP: | 1000 on Normal 1250 on Evil 1500 on Insane | |||||||||||||||
| Special Abilities: |
| |||||||||||||||
| Prizes: |
3 weapons/armor 1200 NP |
Once you've beaten Anubits and reached that Altar of Density Destiny thingy (I still have no idea what it is), you'll be done the Lost Desert. You're now 2/3rds done the game, level-wise. I say we call it a day and go drink some, uh... soda. Yeah, soda.
Now that that's over with, head on over to AlaskanMosquito's page for the Act 4 guide. Unbookmark this page, bookmark that one, you know the drill. Try not to get arrested till then.


Preparation time
less than 30 mins
Cooking time
over 2 hours
Serves
Serves 4
Preheat the oven to 140C/275F/Gas 1.
For the lamb shanks, first remove the majority of fat from the shanks. Make three deep incisions in each shank and insert in each half an anchovy wrapped around a sprig of rosemary and a slice of garlic. Season the meat with salt and freshly ground black pepper - you will not need too much salt as the anchovies are very salty.
Heat a little duck fat, butter or dripping in a casserole, add the shanks and brown all over. Remove and set aside.
To the casserole, add the carrots, celery, leek, onions, garlic cloves and herbs and cook over a high heat until the vegetables are browned.
Deglaze the casserole by adding the red wine, scraping the residue on the bottom of the pan and stirring well.
Add the stock or water to the casserole, place the shanks on top of the vegetables, cover and cook in the oven for two and a half hours.
When the lamb has finished cooking, remove the four shanks to a dish and keep warm. Pass the vegetables and cooking liquor through a mouli, or blend in a food processor, and set to one side.
For the sauce, heat the oil in a large pan over a medium to high heat. Add the bacon and fry until browned. Reduce the heat and add the carrot, celery, onion and garlic.
Cook for eight minutes until the vegetables have softened then add the thyme, rosemary, tomatoes and flageolet beans. Heat through.
Pass the blended lamb cooking liquor and vegetables through a strainer or fine sieve onto the bean mixture, stir together and pour over the lamb shanks.
Mix the gremolata ingredients together to make the gremolata.
Serve the lamb garnished with the gremolata and parmesan.


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Copyright (c) 1978 Gabriel Publishing
This game is played on an empty 5x5 square board:
|
| An example Black's move. He drops a stone at cell [1]. White then only is able to drop at e5. Then Black wins this round by dropping stones at a3 and c1. |
There is a ZRF to play British Square with Zillions.


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SPECIAL THINGS OUR CHILDREN HAVE TOLD US ABOUT THEIR CHILDREN AND FAMILIES
Ø Ken & I were at Scott & Mishelle’s home on Sunday night. We had stopped by on our way home from David & Shauna’s. Shauna had invited us for dinner since it was Emily’s birthday. When we walked in Scott & Mishelle’s home, Kylan and Ashley were in a playhouse build by Scott and made out of a quilt placed over the top of the bunk bed ladder the couches and a chair. Scott had put their DVD Player in it and was letting them watch a video on it in their play house. Scott said that the children were so excited and Ashley hugged her dad and said “Thank you daddy, you are the best daddy in the whole world.” Scott was happy he had made it for them. I thought to myself “Scott is a good dad, and I’m so glad he does those special things for his children to show love for them.” I was talking to Kylan on the phone on Friday and he was telling me that his dad was going to take him bowling the next day – on Saturday and he could hardly wait.  Ashley had been sick, but she got better, so all the family went bowling. That’s neat too. Kylan had been so excited, that I hoped they would be able to go as I knew Kylan would be so disappointed if they didn’t.
Ø David had told us that night (Sunday, Nov 12, 2005) that Conner runs to the door when David is ready to leave for work in the mornings and he waves and blows kisses to him and is so cute. He says he loves that. I love to hear our children tell us these things as it makes me feel so good and I am thankful that our children love their spouses and children.


- get(String) - Method in class ch.rabanti.picoxlsx4j.lowLevel.SortedMap
-
Gets the value of the specified key
- getAddress() - Method in class ch.rabanti.picoxlsx4j.Address
-
Gets the address as string
- getAddress(int, int, String, Cell.AddressType, int, int, String, Cell.AddressType) - Method in class ch.rabanti.picoxlsx4j.AddressTest
-
- getAlignment() - Method in class ch.rabanti.picoxlsx4j.style.CellXf
-
Gets the text break options of the style
- getApplication() - Method in class ch.rabanti.picoxlsx4j.Metadata
-
Gets the application which created the workbook.
- getApplicationVersion() - Method in class ch.rabanti.picoxlsx4j.Metadata
-
Gets the version of the creation application.
- getAutoFilterRange() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the range of the auto filter.
- getBackgroundColor() - Method in class ch.rabanti.picoxlsx4j.style.Fill
-
Gets the Background color of the fill.
- getBorder() - Method in class ch.rabanti.picoxlsx4j.style.Style
-
Gets the border component of the style
- getBorderByHash(int) - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets a border by its hash
- getBorders() - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets all borders of the style manager
- getBorderStyleNumber() - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets the number of borders in the style manager
- getBottomColor() - Method in class ch.rabanti.picoxlsx4j.style.Border
-
Gets the color code of the bottom border.
- getBottomStyle() - Method in class ch.rabanti.picoxlsx4j.style.Border
-
Gets the style of bottom cell border
- getCategory() - Method in class ch.rabanti.picoxlsx4j.Metadata
-
Gets the category of the document.
- getCell(Address) - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the cell of the specified address
- getCell(int, int) - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the cell of the specified column and row number (zero-based)
- getCellAddress() - Method in class ch.rabanti.picoxlsx4j.Cell
-
Gets the combined cell Address as string in the format A1 - XFD1048576
- getCellAddress2() - Method in class ch.rabanti.picoxlsx4j.Cell
-
Gets the combined cell address as class
- getCellRange(int, int, int, int) - Static method in class ch.rabanti.picoxlsx4j.Cell
-
Get a list of cell addresses from a cell range
- getCellRange(String) - Static method in class ch.rabanti.picoxlsx4j.Cell
-
Gets a list of cell addresses from a cell range (format A1:B3 or AAD556:AAD1000)
- getCellRange(String, String) - Static method in class ch.rabanti.picoxlsx4j.Cell
-
Get a list of cell addresses from a cell range
- getCellRange(Address, Address) - Static method in class ch.rabanti.picoxlsx4j.Cell
-
Get a list of cell addresses from a cell range
- getCells() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the cells of the worksheet as map with the cell address as key and the cell object as value
- getCellStyle() - Method in class ch.rabanti.picoxlsx4j.Cell
-
Gets the assigned style of the cell
- getCellXf() - Method in class ch.rabanti.picoxlsx4j.style.Style
-
Gets the cellXf component of the style
- getCellXfByHash(int) - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets a cellXf by its hash
- getCellXfs() - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets all cellXfs of the style manager
- getCellXfStyleNumber() - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets the number of cellXfs in the style manager
- getCharset() - Method in class ch.rabanti.picoxlsx4j.style.Font
-
Gets the charset of the Font (Default is empty)
- getColorTheme() - Method in class ch.rabanti.picoxlsx4j.style.Font
-
Gets the font color theme (Default is 1)
- getColorValue() - Method in class ch.rabanti.picoxlsx4j.style.Font
-
Gets the Font color (default is empty)
- getColumn() - Method in class ch.rabanti.picoxlsx4j.Address
-
Gets the column address (A - XFD)
- getColumn(int, int, String, Cell.AddressType, String) - Method in class ch.rabanti.picoxlsx4j.AddressTest
-
- getColumnAddress() - Method in class ch.rabanti.picoxlsx4j.Column
-
Gets the column address
- getColumnNumber() - Method in class ch.rabanti.picoxlsx4j.Cell
-
Gets the number of the column (zero-based)
- getColumns() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets all columns with non-standard properties, like auto filter applied or a special width as map with the zero-based column index as key and the column object as value
- getCompany() - Method in class ch.rabanti.picoxlsx4j.Metadata
-
Gets the company owning the document.
- getContentStatus() - Method in class ch.rabanti.picoxlsx4j.Metadata
-
Gets the status of the document.
- getCreator() - Method in class ch.rabanti.picoxlsx4j.Metadata
-
Gets the creator of the workbook.
- getCurrentCellDirection() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the direction when using AddNextCell method
- getCurrentColumnNumber() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the current column number (zero based)
- getCurrentRowNumber() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the current row number (zero based)
- getCurrentWorksheet() - Method in class ch.rabanti.picoxlsx4j.Workbook
-
Gets the current worksheet
- getCustomFormatCode() - Method in class ch.rabanti.picoxlsx4j.style.NumberFormat
-
Gets the custom format code in the notation of Excel
- getCustomFormatID() - Method in class ch.rabanti.picoxlsx4j.style.NumberFormat
-
Gets the format number of the custom format.
- getDataType() - Method in class ch.rabanti.picoxlsx4j.Cell
-
Gets the type of the cell
- getDefaultColumnWidth() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the default column width
- getDefaultRowHeight() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
- getDescription() - Method in class ch.rabanti.picoxlsx4j.Metadata
-
Gets the description of the document or comment about it
- getDiagonalColor() - Method in class ch.rabanti.picoxlsx4j.style.Border
-
Gets the color code of the diagonal lines.
- getDiagonalStyle() - Method in class ch.rabanti.picoxlsx4j.style.Border
-
Gets the style of the diagonal lines
- getDocumentInterception() - Method in class ch.rabanti.picoxlsx4j.lowLevel.LowLevel
-
Gets whether XML documents are intercepted during creation
- getExceptionTitle() - Method in exception ch.rabanti.picoxlsx4j.exception.FormatException
-
Gets the title of the exception
- getExceptionTitle() - Method in exception ch.rabanti.picoxlsx4j.exception.IOException
-
Gets the title of the exception
- getExceptionTitle() - Method in exception ch.rabanti.picoxlsx4j.exception.RangeException
-
Gets the title of the exception
- getExceptionTitle() - Method in exception ch.rabanti.picoxlsx4j.exception.StyleException
-
Gets the title of the exception
- getExceptionTitle() - Method in exception ch.rabanti.picoxlsx4j.exception.WorksheetException
-
Gets the title of the exception
- getFamily() - Method in class ch.rabanti.picoxlsx4j.style.Font
-
Gets the font family (Default is 2)
- getFilename() - Method in class ch.rabanti.picoxlsx4j.Workbook
-
Gets the filename of the workbook
- getFill() - Method in class ch.rabanti.picoxlsx4j.style.Style
-
Gets the fill component of the style
- getFillByHash(int) - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets a font by its hash
- getFills() - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets all fills of the style manager
- getFillStyleNumber() - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets the number of fills in the style manager
- getFont() - Method in class ch.rabanti.picoxlsx4j.style.Style
-
Gets the font component of the style
- getFontByHash(int) - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets a font by its hash
- getFonts() - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets all fonts of the style manager
- getFontStyleNumber() - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets the number of fonts in the style manager
- getForegroundColor() - Method in class ch.rabanti.picoxlsx4j.style.Fill
-
Gets the foreground color of the fill.
- getHiddenRows() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the hidden rows as map with the zero-based row number as key and a boolean as value.
- getHorizontalAlign() - Method in class ch.rabanti.picoxlsx4j.style.CellXf
-
Gets the horizontal alignment of the style
- getHyperlinkBase() - Method in class ch.rabanti.picoxlsx4j.Metadata
-
Gets the hyper-link base of the document
- getIdList() - Method in class ch.rabanti.picoxlsx4j.lowLevel.Packer.Relationship
-
Gets the list of IDs (rId...)
- getIndexedColor() - Method in class ch.rabanti.picoxlsx4j.style.Fill
-
Gets the indexed color (Default is 64)
- getInnerException() - Method in exception ch.rabanti.picoxlsx4j.exception.FormatException
-
Gets the inner exception
- getInnerException() - Method in exception ch.rabanti.picoxlsx4j.exception.IOException
-
Gets the inner exception
- getInterceptedDocuments() - Method in class ch.rabanti.picoxlsx4j.lowLevel.LowLevel
-
Gets the intercepted documents if interceptDocuments is set to true
- getInternalID() - Method in class ch.rabanti.picoxlsx4j.style.AbstractStyle
-
Gets the internal ID for sorting purpose in the Excel style document
- getKeys() - Method in class ch.rabanti.picoxlsx4j.lowLevel.SortedMap
-
Gets the keys of the map as list
- getKeywords() - Method in class ch.rabanti.picoxlsx4j.Metadata
-
Gets the keyword for the workbook.
- getLastColumnNumber() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the last existing column number in the current worksheet (zero-based)
- getLastRowNumber() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the last existing row number in the current worksheet (zero-based)
- getLeftColor() - Method in class ch.rabanti.picoxlsx4j.style.Border
-
Gets the color code of the left border.
- getLeftStyle() - Method in class ch.rabanti.picoxlsx4j.style.Border
-
Gets the style of left cell border
- getManager() - Method in class ch.rabanti.picoxlsx4j.Metadata
-
Gets the responsible manager of the document.
- getMergedCells() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the merged cells (only references) as map with the cell address as key and the range object as value
- getName() - Method in class ch.rabanti.picoxlsx4j.style.Font
-
Gets the font name (Default is Calibri)
- getName() - Method in class ch.rabanti.picoxlsx4j.style.Style
-
Gets the name of the style.
- getNumber() - Method in class ch.rabanti.picoxlsx4j.Column
-
Gets the column number
- getNumber() - Method in class ch.rabanti.picoxlsx4j.style.NumberFormat
-
Gets the format number.
- getNumberFormat() - Method in class ch.rabanti.picoxlsx4j.style.Style
-
Gets the number format component of the style
- getNumberFormatByHash(int) - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets a number format by its hash
- getNumberFormats() - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets all number formats of the style manager
- getNumberFormatStyleNumber() - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets the number of number formats in the style manager
- getOADate(Date) - Static method in class ch.rabanti.picoxlsx4j.Helper
-
Method to calculate the OA date (OLE automation) of the passed date.
- getPatternFill() - Method in class ch.rabanti.picoxlsx4j.style.Fill
-
Gets the pattern type of the fill (Default is none)
- getPatternName(Fill.PatternValue) - Static method in class ch.rabanti.picoxlsx4j.style.Fill
-
Gets the pattern name from the enum
- getRightColor() - Method in class ch.rabanti.picoxlsx4j.style.Border
-
Gets the color code of the right border.
- getRightStyle() - Method in class ch.rabanti.picoxlsx4j.style.Border
-
Gets the style of right cell border
- getRootFolder() - Method in class ch.rabanti.picoxlsx4j.lowLevel.Packer.Relationship
-
Gets the root folder of the relationship
- getRowHeights() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets defined row heights as map with the zero-based row number as key and the height (float from 0 to 409.5) as value
- getRowNumber() - Method in class ch.rabanti.picoxlsx4j.Cell
-
Gets the number of the row (zero-based)
- getScheme() - Method in class ch.rabanti.picoxlsx4j.style.Font
-
Gets the font scheme (Default is minor)
- getSelectedCells() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the range of selected cells of this worksheet.
- getSelectedWorksheet() - Method in class ch.rabanti.picoxlsx4j.Workbook
-
Gets the selected worksheet.
- getSheetID() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the internal ID of the worksheet
- getSheetName() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the name of the sheet
- getSheetProtectionPassword() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the password used for sheet protection
- getSheetProtectionValues() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the list of SheetProtectionValues.
- getSize() - Method in class ch.rabanti.picoxlsx4j.style.Font
-
Gets the font size.
- getStyleByHash(int) - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets a style by its hash
- getStyleByName(String) - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets a style by its name
- getStyleManager() - Method in class ch.rabanti.picoxlsx4j.Workbook
-
Gets the style manager of this workbook
- getStyleName(Border.StyleValue) - Static method in class ch.rabanti.picoxlsx4j.style.Border
-
Gets the border style name from the enum
- getStyleNumber() - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets the number of styles in the style manager
- getStyles() - Method in class ch.rabanti.picoxlsx4j.style.StyleManager
-
Gets all styles of the style manager
- getSubject() - Method in class ch.rabanti.picoxlsx4j.Metadata
-
Gets the subject of the workbook
- getTargetList() - Method in class ch.rabanti.picoxlsx4j.lowLevel.Packer.Relationship
-
Gets the list of targets
- getTextDirection() - Method in class ch.rabanti.picoxlsx4j.style.CellXf
-
Gets the direction of the text within the cell
- getTextRotation() - Method in class ch.rabanti.picoxlsx4j.style.CellXf
-
Gets the text rotation in degrees (from +90 to -90)
- getTitle() - Method in class ch.rabanti.picoxlsx4j.Metadata
-
Gets the title of the workbook
- getTopColor() - Method in class ch.rabanti.picoxlsx4j.style.Border
-
Gets the color code of the top border.
- getTopStyle() - Method in class ch.rabanti.picoxlsx4j.style.Border
-
Gets the style of top cell border
- getTypeList() - Method in class ch.rabanti.picoxlsx4j.lowLevel.Packer.Relationship
-
Gets the list of types
- getValue() - Method in class ch.rabanti.picoxlsx4j.Cell
-
Gets the value of the cell (generic object type)
- getValue() - Method in enum ch.rabanti.picoxlsx4j.style.Border.StyleValue
-
- getValue() - Method in enum ch.rabanti.picoxlsx4j.style.CellXf.HorizontalAlignValue
-
- getValue() - Method in enum ch.rabanti.picoxlsx4j.style.CellXf.TextBreakValue
-
- getValue() - Method in enum ch.rabanti.picoxlsx4j.style.CellXf.TextDirectionValue
-
- getValue() - Method in enum ch.rabanti.picoxlsx4j.style.CellXf.VerticalAlignValue
-
- getValue() - Method in enum ch.rabanti.picoxlsx4j.style.Fill.FillType
-
- getValue() - Method in enum ch.rabanti.picoxlsx4j.style.Fill.PatternValue
-
- getValue() - Method in enum ch.rabanti.picoxlsx4j.style.Font.SchemeValue
-
- getValue() - Method in enum ch.rabanti.picoxlsx4j.style.Font.VerticalAlignValue
-
- getValue() - Method in enum ch.rabanti.picoxlsx4j.style.NumberFormat.FormatNumber
-
Gets the numeric value of the enum entry
- getValues() - Method in class ch.rabanti.picoxlsx4j.lowLevel.SortedMap
-
Gets the values of the map as list
- getVerticalAlign() - Method in class ch.rabanti.picoxlsx4j.style.CellXf
-
Gets the vertical alignment of the style
- getVerticalAlign() - Method in class ch.rabanti.picoxlsx4j.style.Font
-
Gets the alignment of the font (Default is none)
- getWidth() - Method in class ch.rabanti.picoxlsx4j.Column
-
Gets the width of the column
- getWorkbookMetadata() - Method in class ch.rabanti.picoxlsx4j.Workbook
-
Gets the meta data object of the workbook
- getWorkbookProtectionPassword() - Method in class ch.rabanti.picoxlsx4j.Workbook
-
Gets the password used for workbook protection
- getWorkbookReference() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Gets the Reference to the parent Workbook
- getWorksheetReference() - Method in class ch.rabanti.picoxlsx4j.Cell
-
Gets or sets the parent worksheet reference
- getWorksheets() - Method in class ch.rabanti.picoxlsx4j.Workbook
-
Gets the list of worksheets in the workbook
- goToNextColumn() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Moves the current position to the next column
- goToNextColumn(int) - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Moves the current position to the next column with the number of cells to move
- goToNextRow() - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Moves the current position to the next row (use for a new line)
- goToNextRow(int) - Method in class ch.rabanti.picoxlsx4j.Worksheet
-
Moves the current position to the next row with the number of cells to move (use for a new line)


Lesson 4.1 Jekyll-introduction to Jekyll and markdown
Lesson 4.1 : Eddie programming lesson
Lesson 4.1 : Jekyll- introduction to Jekyll and markdown
- Markdown
- Jekyll
- Markdown syntax and their definition
This lesson we will be talking about markdown and Jekyll, basically markdown is a tool that allow us to write in a easy to understand and easy to write format, and it will convert it into html that the computer understand.Jekyll is a parsing engine or a static website generator, blogger or web writer also use it.
￼
￼ Above is my blog created from Jekyll.
￼ Like html, markdown has its own syntax for header, paragraph, list..etc. Especially for me, after trying it out, it is a whole lot more simpler and easier to write, saving me a lot of trouble. Lets show you this list of syntax and their definitions that I learnt during my last lesson and try it out later.
￼ As you know, in html, header is represented by the elements h1 to h6 elements respectively, in markdown it’s represented be the # symbol, with 1 # = h1 so on and so forth, but h1 and h2 can be represented by setext-style (whatever that mean), but you can see the example above, later we will be testing it out ourself.
￼ For unordered list, markdown uses ( * + and - ), any three will produce the same result apparently, for ordered list, they just use numbers and period.
￼ And if we want to add link to our website, the syntax is:
[link text] (http://linktext.com)
￼ And if you want to insert image, the syntax is almost the same as link syntax
￼ now lets try it out on atom and see. First you will need to install Jekyll, create a new website, and run the server.
￼ After its done, this should come out on terminal.
￼ Then on your desktop you should have a folder name website.
￼ You will need to open atom and drag the file inside and you should get something like this
￼ Note that if you want to create or rename a new file, you need to create it in the posts folder, and the file format need to be in YEAR-MM-DATE-text.md, if not Jekyll will not be able to read your file.
￼
To take a look at the website you’ve generated, just copy the the url from the terminal, paste it on the browser and load it.
￼
￼Now that this is done, lets create a file and try out some simple syntax for markdown on our text editor and look at its markdown preview.
￼
￼ For the header above, you can see that I didn’t have to type a lot, just a few simple symbol and its done, now lets try to create a list and link.
￼ Lets try putting in the table too, (always remember that we can always copy and paste the stuff that we want so we can get things done fast and also making sure we won’t get things to be type wrongly)
￼Lets copy and paste the table here and try it out.
￼
As you can see , writing in markdown is really really simple, and it’s understandable. if a guy like me can do it, i guess anybody can do it too=)


MED VOYAGE
MEDICAL TOURISM MADE EASY
Login
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Please answer The following questions
What are some things you would really like to see happen in your life?
When was a time you were wrongfully accused? what did you do in that situation?
As a pilot, is there a particular location you don’t like flying over or a least favourite route?
What made you choose the airline you work for?


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Let’s talk. To discuss a potential project send an email to<EMAIL_ADDRESS>or use the form to the right. You'll quickly receive a response with information about pricing, turnaround time, and any other questions you might have. Don't wait any longer, get started now and you'll have your project completed sooner then you think.
If you just want to get in touch you can also reach me by email or on social media.


Doctor Who Survey Form
Some questions for whovians on their opinion for the upcoming season!
*Name:
*Email:
How many seasons of Doctor Who have you watched?
Are you excited about the 13th Doctor?
Absolutely!
Very Much
Meh
Nope
Are you going the watch the upcoming season?
Yep!
Nope!
What are you looking forward to the most in the next season?
New Aliens and Monsters
New Storyline
Complex Characters
Everything!
Tell us your views on the new Doctor!
Submit


The Component Configuration is a web application for facilitate the deployer in performing maintenance activities in a deployment installation.
The purpose of this tool is to provide an easy and user-friendly maintenance panel’s interface to view the operating status of all components (deployments and devices) installed in a deployment unit. Operating status includes possible malfunctions of devices or services, battery levels, etc.


/
20.06%
Statements
135/673
9.92%
Branches
24/242
40.56%
Functions
58/143
3.68%
Lines
19/516
116 statements, 58 functions, 24 branches
Ignored
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Branches
Functions
Lines
src/
20.06%
135/673
9.92%
24/242
40.56%
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{%extends 'main/base.html'%} {%block title%}AtYourService{%endblock%} {%block content%}
Stop thinking about hours and start doing them!


Normally, Hudson will update the client workspace Root and Host fields regardless of whether or not "Let hudson manage workpace view" is checked. This is because syncing will likely not work properly if these two fields aren't changed. This option disables this functionality, and treats the client spec as 'sacred'. No changes will ever be made to the client spec.
If you do not want the plugin to update the client workspace spec, then check this box.
Important Note: If you check this option, the plugin may not sync the workspace properly. Only check it if you absolutely know what you are doing!


| modelData {quantmod} | R Documentation |
Extract from a quantmod
object the
dataset created for use in modelling.
specifyModel creates a zoo
object for
use in subsequent workflow stages (
buildModel
,tradeModel
) that
combines all model inputs, from a variety
of sources, into one model frame.
modelData
returns this object.
modelData(x, data.window = NULL, exclude.training = FALSE)
x |
a |
data.window |
a character vector of subset start and end dates to return |
exclude.training |
remove training period |
When a model is created by specifyModel
, it
is attached to the returned object. One of the
slots of this S4 class is model.data
.
an object of class zoo
containing all
transformations to data specified in
specifyModel
.
Jeffrey A. Ryan
## Not run: m <- specifyModel(Next(OpCl(SPY)) ~ Cl(SPY) + OpHi(SPY) + Lag(Cl(SPY))) modelData(m) ## End(Not run)


THE X-FILES: FIGHT THE FUTURE (1998) A Film Review by Ted Prigge Copyright 1998 Ted Prigge
Director: Rob Bowman Writer: Chris Carter (story by Carter and Frank Spotnitz) Starring: David Duchovny, Gillian Anderson, Martin Landau, John Neville, Armin Mueller-Stahl, William B. Davis, Blythe Danner, Terry O'Quinn, Glenne Headley, Lucas Black, Mitch Pileggi
The entire concept of "The X-Files" is extremely seductive: that we are being allowed to see things that we're really not supposed to be seeing, and that the more we know, the more mortal danger we are in. It's at once frightening and almost orgasmic to learn things that we're not supposed to be knowing, and that must be the real draw to the show...at least it that was the draw of the movie for me.
I have perhaps seen the TV show twice, maybe twice-and-a-half, and one would think that since this is a film that does not try to pander to those who don't watch the show (like me), that I would have a bitch of a time following the complex plot this film lays out. True, the film does not insult those who have staked a living watching this show from the start (there is no formal introduction to anything that goes on, no explanation of what the "X-Files" really are), but it is able to walk on a tight rope between never annoying the regular viewers and also not perplexing any newbies to the area of X-Philedom.
But it won't hurt to do some research, in fact it may really help a lot. >From the shows I've watched and the article I read in "Newsweek" last week, I was able to understand what the X-Files really are, the nature of the two protagonists' relationship, and also able to point out a couple of the supporting characters (Look! There's "Cigarette-Smoking Man!" Look! There's "Well-Manicured Man!" But who are those three dorks hovering over David Duchovny and why is everyone in the theatre laughing at them?!).
The film, as I see it, is really an expansion of the TV series, not only coming off as a two-hour episode with a mighty-big budget and grade-A special effects, but also as a starting point for some explanations of some of the bigger secrets the series hides up. As the show often deals with the discovery and potential cover-up of extra-terristrials, the film decides to unearth some of the deeper conspiracies about this subject. The film's focus is on the discovery of a certain slimy alien that is first discovered in 3500 B.C. in Texas during the Ice Age (someone in the audience ACTUALLY shouted out "There's no snow in Texas!" - true story) and is then found out by an ill-fated little boy (Lucas Black, the kid from "Sling Blade").
After an admittingly sloppy-as-hell cover-up (which brings about disturbing memories of Oklahoma City), our two favorite Special Agents, Fox Mulder and Dana Scully (David Duchovny and Gillian Anderson), rightly smell something fishy and discover some alien virus cover-up material...only to find themselves separated by the big cheeses in the FBI (headed by none other than Blythe Danner). Of course, they secretly get back together, and begin to dig a little deeper.
That's enough description of the plot, in fact it may be too much. Part of the fun of watching this film is being able to walk into it with very little knowledge of what's going to happen, and then being surprised by every big twist and turn. But I'm not exactly sure how much is revealed in this film, because I don't know everything that has gone on in the show, but the real power of the film is that the film is not so much about what we learn as it is about the fact that we're actually learning it. The direction by series regular Rob Bowman is wonderfully eerie, and the production design is icy and forboding. Everywhere they go looks unwelcome, and it gives off the feel that we just shouldn't be in there but we can't help ourselves. The show's power is that we all want to know the truth, but finding it can easily cost us our lives.
However, the film often becomes a little cheap, and by the end, even the most ardent fan will not know exactly what has been found out. I suppose the fact that the show is still on the air (and there's still the potentiality of more films in the series) permitted the writers from revealing everything, and thus wrapping up the film nicely. And I have to admit that as the film goes on, it often forgets some of the things it started, thus confusing the audience a little more.
But for every problem you can discover with it, there's at least two things to admire. The two leads nicely convert to the big screen, even Duchovny's deadpan deliver of almost all of his lines, and especially Anderson's intensity. Although we get very little character development, we honestly don't need any: they're so likable that any real expansion into their characters would be a distraction from the real points of the concept that is "The X-Files." And we also get some interesting performances from the supporting characters, the best coming from Martin Landau as a man who knows everything about conspiracies and lurks in the shadows and bars, trying to find the right person to spill his guts to, and another great performance coming from John Neville, continuing his role as Well-Manicured Man from the series, who's incredible amount of wrinkles make him look like the most eerie person on this earth (also look for a brief Armin Mueller-Stahl as one of the old creepy guys running the world).
And, of course, the film has a sense of humor, not only in Duchovny's admittingly droll performance, but also in those little comic moments (my favorite being the scene where Duchovny and Landau share a piss on an "ID4" poster - ha ha). The best thing a film that is as serious as this can have is a great sense of humor.
The best way to view the film is as a really intelligent popcorn flick. There's a lot of big action sequences, which are often extremely tense (a couple of time, yes, I gripped my arm chair), and are directed with the right amount of intelligence and intensity. And you always have to at least be intrigued by any film where the main intent is to try and discover exactly what's really out there. The way I see it, "The X-Files" is successful in two ways: for regular viewers, it whets their appetites to continue watching; for rookies, it just makes them want to watch the show on a regular basis.
MY RATING (out of 4): ***
Homepage at: http://www.geocities.com/Hollywood/Hills/8335/
The review above was posted to the
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@import common_components._
@()
What you should expect
An intense 8-week journey that takes you from being non-technical to working on your project at every part of the stack: frontend, backend, database and server, alongside several other highly motivated fullstack-founders-in-training. After the program is over, you'll be part of a community of alumni who are all continuing to grow their skills and helping each other in the process.
Week 1 - The Basics
@List(
("How the internet works, how a computer thinks and how we interact with computers"),
("What is the “full stack” & the 4 programming languages you need to know"),
("What else is out there? Scripted languages vs. Compiled languages"),
("Tools of the trade")
).zipWithIndex.map{ case ((text),i) =>
Week 2 - Understanding code
@List(
("Coding structures"),
("Best practices"),
("Conceptual problems that you will need to solve when programming"),
("Planning your project")
).zipWithIndex.map{ case ((text),i) =>
Week 3: Diving into Frontend (HTML + CSS)
@List(
("HTML elements"),
("CSS & Classes"),
("Advanced frontend concepts")
).zipWithIndex.map{ case ((text),i) =>
Week 4: Database Design
@List(
("Figuring out your data model"),
("Extending your data model & SQL basics")
).zipWithIndex.map{ case ((text),i) =>
Weeks 5 + 6: Getting into Backend
@List(
("Basic functions"),
("Functions involving data"),
("Advanced functions & models")
).zipWithIndex.map{ case ((text),i) =>
Weeks 7 & 8: Javascript
@List(
("Setting up, loading and managing Javscript variables"),
("Using Javascript to get data"),
("Javascript frameworks and adding them to your project"),
("Dynamic behavior in HTML elements")
).zipWithIndex.map{ case ((text),i) =>
Bonus Time: Setting up your web server
@List(
("Getting you a domain name and web hosting"),
("Getting the initial configuration right"),
("Deploying your app to your server")
).zipWithIndex.map{ case ((text),i) =>


Problem: Suppose you have an \(n \times n\) grid. Show that for any \(2n - 1\) points chosen on the grid, there exist \(3\) points that form a right-angle triangle.
Solution: The standard solution here is to use the pigeon-hole principle.
We note that the existence of an (axis-aligned) right-angle triangle is guaranteed if there exists a point such that there exists one point in the same row (i.e. with the same y-coordinate) and another point in the same column (i.e. with the same x-coordinate).
This motivates us to try to find the number of points that share a row/column with another point. To find the minimum number of points that share a row/column with another point, we find the maximum number of points that don’t share a row/column with another point. This comes out to \(n - 1\) since we can isolate \(n-1\) points in \(n - 1\) row/columns (we can’t do \(n\) since we only have \(n\) rows and given we have \(>n\) points, one row will have more than one point.)
Therefore, the minimum number of points that share a row is \(n\). Likewise, the number of points that share a column is \(n\). Given that we have only \(2n - 1\) points, we see that there must be \(1\) point which both shares a row with another point and shares a column with another point.
Extension: Show that \(2n - 2\) points aren’t sufficient to get an (axis-aligned) right-angle triangle. Is it sufficient to get any right-angle triangle (not necessarily axis-aligned)?
Solution (Extension): If the grid is \([1,n] \times [1,n]\), consider the \(2n - 2\) points \((1,1), (1,2), \dots, (1,n-2), (1,n-1), (2,n), (3,n), \dots, (n-1,n), (n,n)\). We see that no right-angle triangle can be made (even non axis aligned).


Auton:
Starts With Fuel:
%
Starts With Gears:
%
Crosses Baseline:
%
Scores the Gear:
%
Auton Low Goal:
Num/Match (Line Graph)
Teleop:
Average Speed:
Any Disabled Matches?:
Match List
Can Collect Fuel from Ground:
Y/N
Can Use a Hopper:
Y/N
Can Collect a Gear from the Ground:
Y/N
Climb:
% (When Attempted)
Penalties:
Fouls:
Num and Match
Technicals:
Num and MatchYellow Cards:
Num and Match
Red Cards:
Num and Match
Ejections:
Num and Match
Notes:
Notes:
Notes


Guard Pinaps:
You've done my job, the Town of Orean is safe. Thank you, defender... Please accept this gift for your help.
Take the reward.


View this page's source for a closer look at how it all works. For more information, visit the Image Radio project page on plugins.jquery.com.
1 2 3 4 5
©2011 Todd Boyd - roadha.us


{% extends "global/Feedback.html" %} {% block explanation %} {% include "dictator/Question.html" %}
Solution: Payoffs for Participant 1 would be 88 points and for 2 12 points.


Gelfand: Chunk 19 - Arithmetic Progressions, Part 1
March 20, 2017
I’m not sure if it was intended, but after the previous mind-bending of polynomial regression; the next sectionSection 39. is a blessed relief.
Consequently, I’m going to restrict myself to simply summarising here the main points arising.
It’s for my benefit mostly. If you’re working through Gelfand’s book, I suggest you do the problems yourself to help the chunk embed.
Definition
An Arithmetic Progression is a sequence of numbers where each term is a sum of the preceeding one and a fixed number. This fixed number is called the common difference, or simply difference of the Arithmetic Progression.
Key Facts about Arithmetic Progressions
- Arithmetic Progressions can go forwardsIn which case the difference is positive.
- Arithmetic Progressions can also go backwardsIn which case the difference is negative.
- You can find the next term in an Arithmetic Progression given only the two preceeding numbersSee Problem 173
- If you know enough of an Arithmetic Progression to know the details (the start value and the difference) then you can calculate the nth termSee Problems 174, 175 and 176.
- There is a formula for Arithmetic Progressions, where is the starting point, handily signifies the difference, and the term you’re wanting to calculate. The most basic formula is See Problem 177.
- To make an Arithmetic Progression go backwards, reverse the sign of the . In this case the actual size of is unchangedSee Problem 178.
- You can remove every second value in an Arithmetic Progression and still have an Arithmetic Progression. In this case its difference will be See Problem 179.
- You cannot remove every third value in an Arithmetic Progression without it stopping being an Arithmetic Progression. This because the difference will no longer be fixedSee Problem 180.
- The difference need not be a whole numberSee Problem 181.
- You can find the middle term between two known terms ( and ) using the formula See Problem 182. Note: this is also the formula for calculating an average of a and b.
- You can calculate all terms in a progression as long as you know the starting term value, the end term value, and the end term position (e.g. “fourth”)See Problem 183.
- You can calculate the number of terms in a given progression given a starting term, an end term, and a known term between the two (including the number of that term - e.g. “the third term”)See Problem 184.
That’s all for this post. I’m sure it will all come into play when we launch into Section 40, which is up next.


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Massive soccer tournament set for this weekend in W Virginia
DUNBAR, W.Va. (AP) - The massive, second annual Friends of Coal Cup soccer tournament is set to kick off.
The Kanawha County Commission says the games will start Friday evening and carry on into the weekend with 90 teams playing at the Shawnee Sports Complex in Dunbar, West Virginia.
The matches are scheduled to bring players from West Virginia, Ohio, Pennsylvania, Kentucky and Maryland to the state. There will be 157 games played on the complex’s six fields.
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County Commissioner Ben Salango says more than 5,000 people are expected to be in the area for the tournament.
More information and schedules can be found at shawneesports.com.
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CrankyCritic® movie reviews Perfect Blue Not Rated Japanese anime, dubbed in English Screenplay by Sadayuki Murai Based on a novel by Yoshikazu Takeuchi Directed by Satoshi Kon website: http://www.manga.com
IN SHORT: Seriously inappropriate for anyone under 17. Period. No discussion necessary.
That summary line is from the publicist. Cranky endorses it heavy-handedly. Long time readers know of my love for animation and my admitted lack of education about Japanese anime. There are three types of anime; without embarrassing myself by using a language I don't understand they break down to "standard" animation, cute-stuff for kidlets a la Sailor Moon or Pokémon, and absolutely hardcore adults only material.
Perfect Blue is absolutely hardcore. I'll be blunt to scare the parental units first, then we'll get into the bones of the story. Fundamentalists will consider Perfect Blue to be pornographic, as its main character moves from a pop-star music world to a soap opera career in which photographers get her to pose nude for publicity shots. By the end of the film she will be attacked and raped and confined to a mental institution. Or maybe not, as this tale of schizophrenia, stalkers and image sublimation tears into your cortex.
Understand the difference in culture demonstrated here. In Japan, hard core pornography in comics is considered normal. Phonebook sized XXX comics are read by the suits on their way to work on the train. It's a different world from where we come from. More disturbing, to these eyes at least, is the graphic violence depicted in Perfect Blue. Ice picks into the eyes, a couple of bloody murders and the aforementioned rape. If this film were rated, it would carry an NC-17, no question about it. Parents, and the rest of us grownups, have been warned. This is absolutely not for children. It's not for most American adults, either.
The story: Mima Kirigoe has had a good career as part of a popmusic girl group called Cham. Think Spice Girls at the bitter end and you've locked in to Mima's position. Prodded to leave music behind for a career as an actress, she bows off the mainstage leaving shocked fans behind, including a gray haired, pale thin geeky looking stalker type. Needing to lose the squeaky clean image, Mima is convinced to take a role which will require her to be "raped" and whose publicity shoot turns into a soft core bonanza. The Cham fans aren't happy, and Mima's advisors and scriptwriters start getting killed in gruesome ways. It may be the stalker, who is maintaining a detailed daily website which purports to be from Mima herself or it may be a schizophrenic Mima, whose split personality is asserting itself in an attempt to set right what has gone wrong. As a straight psychological drama, there's a good nut of story here.
Cranky couldn't lose himself in the story because the quality of animation varies wildly. The changes aren't indicative of Mima's mental state, or of anything symbolic that I could figure out. Then there's the violence, which is nauseating, disturbing, creepy, you add the synonyms. Cranky was gasping for air and reeling from the very unpleasantness of this story.
You know how I've been describing the thought of an animated flick for grownups? This ain't it. The thing is, this story could do gangbuster biz as a live action flick, it's certainly deep enough and has enough twists and turns. We accept the violence in "live" movies because, at a most basic level, we know it's all fake. Graphic cartoon violence is way beyond our parameters. Perhaps we've been mind-wiped by Disney, but watching this kind of violence in cartoon format is truly stomach turning.
On average, a first run movie ticket will run you Eight Bucks.
Give it five years and you'll probably see a live action remake.
The Cranky Critic® is a Registered Trademark of, and Copyright © 1999 by, Chuck Schwartz. All Rights Reserved. Cranky on the web at www.crankycritic.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


This Gaming Life: Travels in Three Cities
by Jim Rossignol (2009)
A gorgeous insider's look at videogaming culture, by an author who, after an unfulfilling stint as a financial journalist, has built his life around games.
Broken into sections corresponding with the author's experiences in London, Seoul and Reykjavik, it's thoughtful and manages to sidestep the patronising oversimplifications of mainstream media's gaming coverage.
From Tetris and Elite to Okami and Shadow of the Collossus, stopping along the way to examine the modding and indie scenes, the massively multiplayer intricacies of EVE Online, and the insane heights of Korean real-time strategy matches. He knows the best Prince of Persia was Sands of Time, by a country mile. He's one of us. I felt welcomed to his world. Join us - we'll be on the sofa.
Rating:
10/10 if you understand that games have the potential to become the dominant art form of the 21st century.
0/10 if it's just for kids, innit?


| 007:034 Khan | : |
And every nation has its appointed term; when their term is reached, neither can they delay it nor can they advance it an hour (or a moment). |
| 007:034 Maulana | : |
And every nation has a term; so when its term comes, they cannot remain behind the least while, nor can they precede (it). |
| 007:034 Pickthal | : |
And every nation hath its term, and when its term cometh, they cannot put it off an hour nor yet advance (it). |
| 007:034 Rashad | : |
For each community, there is a predetermined life span. Once their interim comes to an end, they cannot delay it by one hour, nor advance it. |
| 007:034 Sarwar | : |
All people can only live for an appointed time. When their term ends, they will not remain (alive) even for a single hour, nor will they die before the appointed time. |
| 007:034 Shakir | : |
And for every nation there is a doom, so when their doom is come they shall not remain behind the least while, nor shall they go before. |
| 007:034 Sherali | : |
And for every people there is a term, and when their term is come, they cannot remain behind a single moment, nor can they get ahead of it. |
| 007:034 Yusufali | : |
To every people is a term appointed: when their term is reached, not an hour can they cause delay, nor (an hour) can they advance (it in anticipation). |
Concepts/Themes Covered: الإيمان > الغيب > الغيب النفسي > القضاء والقدر Faith> The Unseen World> The Psychological Secret> Fate and Divine Decree الإيمان > اليوم الآخر > الموت > لكل أمة أجل محتوم Faith> The Hereafter> Death> Appointed Time to Everyone العمل > العمل الصالح > العمل المفضي إلى النجاح Action(Work)> The Good Deeds>Achtion which Leads to Success الإنسان والعلاقات الاجتماعية > المجتمعات > لكل أمة أجل Man and The Social Relations>The Societies>Everyone has Limited Life
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


NgDicomViewer
NgDicomViewer is an Angular application(Single Page Application) built on top of the open source Javascript / HTML5 libraries provided by the DWV project. Predominantly made to view DICOM images on HTML 5 canvas on modern browsers without using any windowed plugins
NgCssAnimate
A simple Angular Directive to trigger animation from animation.css via various ways based on the attributes given in tag.Very simple to use and easy to implement.All you need is to add ngcssanimator in your app and add the directive in the html elements which you want to animate
NgFileExplorer
A Simple FileExplorer angular app for cordova integration
DVH
DVH [Dicom Viewer Html5] is a cordova driven android app to view dicom images.Based on the angular app ng-dicomviewer which is capable of viewing dicom images from the phone memory.Designed to use it simpler and easier.


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My Resume
Resume
Lyn T. Chulhang
Career Objective: To obtain a full time position in a multinational which offers a professional working environment and enables me as a fresh graduate to grow while meeting the corporation's goals
Personal Details
Name: Lyn Tamson Chulhang
Address: #19 Honeymoon Road Baguio City
Nationality: Filipino
Age: 20
Date of Birth: February, 3, 1996
Mobile: +649096692234
Email<EMAIL_ADDRESS>Educational Background
Elementary       Alfonso Tabora Elementary School    2002-2008
High School       Baguio City National High School   2008-2012
Collage       University of the Cordilleras       2012-2015        Bachelor in Information Technology Major in Enterprise Resource Planning(ERP)
      2016-Present    Bachelor in Computer Science Major in Digital arts and Animation
Skills and Qualifications
Basic knowledge in Abap Programming
Have knowledge in SAP especially in Sales and Distribution Module
knowledge in Adobe Photoshop, Adobe Illustrator and Manga Studio
have knowledge in HTML, PHP and AJAX
Character Reference
applicable upon request


The best team of Heart Specialists and Surgeons available 24X7
The best center for Minimally Invasive Surgeries and Transplants.
A dedicated team with experience of over 2700 Liver Transplants.
MRI stands for Magnetic Resonance Imaging. MRI utilizes a powerful magnetic field and radio waves to generate detailed pictures of the inside of your body using computer software.
Traditionally the patient underwent an MRI scan before the surgery and based on these images the surgery is performed and later the patient is again transferred to the MRI room to reconfirm if the surgery was performed as planned. In case any abnormality is found the patient is subject to another surgery to correct the abnormality. This cycle might repeat a couple of-of times.
Learn more →


{%load static%} {% load bootstrap4 %} {% load bootstrap3 %}
Name: {{area.area_name}}
Population: {{area.population}}
Leave Area| Name | Area | |
|---|---|---|
| {{business.business_name}} | {{business.email}} | {{business.area}} |
| Title | Posted by | Area |
|---|---|---|
| {{notification.title}} | {{business.posted_by}} | {{business.area}} |


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import viewmodels.AnswerSection @import views.html._ @( answerSection: AnswerSection, idPath: String, changeLink: Boolean = true )( implicit messages: Messages ) @if(answerSection.headingKey.isDefined){


Economy: Still on the border closure
by CSL StockbrokersAccording to local media reports, the Comptroller General of Customs, Col. Hameed Ali has ordered that petroleum products should no longer be supplied to filling stations within 20 kilometres to all Nigerian borders.
According to the reports, the number of filling stations within 20 kilometres radius of Nigerian borders were more than the number of filling stations inside the towns suggesting that they were being used as conduit pipes to smuggle petroleum products outside the country. Residents of those areas have however expressed concerns that the decision will cause them hardships.
The borders were first closed in August following a presidential directive under an operation named “Border Green””. The operation was focused on the prohibition of fraudulent export of petroleum products and fighting against the importation of second-hand vehicles, rice and some other products through land borders.
As of today, several trucks of major consumer goods companies remain stuck at the border hoping to move goods into neighbouring regional markets. The border closure is also hurting manufacturers and exporters who have been unable to bring in raw materials or export their finished products.
According to the reports, many Nigerian exporters are reluctant to use the sea option due to high cost of freight as land movement is far cheaper than sea and the fact that ship for movement of these goods are not readily available. Listed companies such as Dangote group, Cadbury and Unilever are reported to be taking some hit as a result of the border closure as they are unable to bring in inputs nor export products to earn foreign exchange.
[READ ALSO: January 2020 is not terminal date; Borders will remain shut after then – Customs ]
We retain our view that the decision to shut the borders completely is an inappropriate mechanism to solve our border challenges as this would hurt legal exports and imports, impact foreign exchange availability and dampen the prospect of attracting foreign direct investment.
Although policies like the border closure are designed to engineer local industrial capacity development, we believe structural and systemic bottlenecks in Nigeria’s operating environment would continue to hinder significant investments in local production. This ultimately would lead to creation of artificial scarcity, pushing the prices of basic necessities higher, hurting an already depressed consumer base. Notably, food prices have seen tremendous increase since the border closure.
[READ MORE: Disposal of Lafarge is value accretive; Upgrading to a BUY]
______________________________________________________________________
CSL STOCKBROKERS LIMITED CSL Stockbrokers,
Member of the Nigerian Stock Exchange,
First City Plaza, 44 Marina,
PO Box 9117,
Lagos State,
NIGERIA.


Gabrielle StoddardOverview, Projects, Information
Priyanka Rana
To See, To Not See, To Stop and See
Uncontrolled
Untitled Collages
Digital Collages
Frances Nation
Holly Dancing
Buddy Tees
Tutu Hug
Eliza Perry
Sphaera Soap
A Gift
Ballet
© All Works Gabrielle Stoddard. All Rights Reserved


Tokyo, Japan
Kiha Train Bar
It's bad manners to eat and drink on the subways of Tokyo, unless the train is this bar.
by lukefaterIn most countries, trains are simply a convenient way to get around, to flatten quarters, or—if you’re a movie villain—to rid yourself of enemies. For the Japanese, however, they are a national point of pride, even inspiring social subsets of various types of “train nerds” (ranging from tori-tetsu, who like to take photos of trains, to oto-tetsu, who enjoy recording the sounds of trains). To call Kiha a “train-themed sake bar” may be an understatement; it’s more like a stationary train car that serves sake.
Down to the handrails, benches, and luggage racks, the upstairs at Kiha recreates the nostalgic experience of sitting on an early version of Tokyo’s subway cars—but with even more drinking. In keeping with period details, the bar serves two things: canned sake and canned food, both typical items eaten on trains in the days before bento boxes.
Over the years, the bar has acquired and decorated its walls with train-related collectors’ items such as ticket stubs, miniature models of train stations, and announcement speaker systems of yesteryear.
Thorough thematics draw the heartiest of Tokyo’s train fans out of the woodwork, niche groups known for visiting as many stations as possible and dedicating complex timetables and transit routes to memory. Test their mettle after a canned sake or five.
Community Discussion
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Sources
- https://www.washingtonpost.com/world/asia_pacific/if-you-thought-japans-trains-were-something-else-wait-until-you-see-its-trainspotters/2017/01/05/1049fe38-c5c6-11e6-a22f-f4d703887285_story.html
- https://japantoday.com/category/features/kuchikomi/thoughtless-rail-fans-spoiling-it-for-hobbyists
- https://soranews24.com/2014/04/21/better-know-a-train-nerd-36-different-classifications-for-japans-densha-otaku/


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Access Specific Commands
The following books detail common Access-specific commands; however, a comprehensive list of all Access commands appears in Access Commands.
apply
apply attribute-expression set
When passed a set of elements (instead of a single element), apply concatenates the result of applying the attribute expression to each element in turn. Duplicates are removed from the resulting set prior to returning. The resulting set is ordered alphabetically, so there is no guarantee of a relation between the order of the input set and the output.
filter
filter attribute-expression set
filter applies attribute-expression to each member of set and creates a return set that contains only those members for which attribute expression returned true. “True” is non-zero for numeric values and non-empty for string values.
sort
sort [-a|-d] attribute-list set
sort orders the members of set in the default ascending (-a) or descending (-d) option order, according to the value of the attribute attribute applied to each member. Note that sort takes only an attribute—not an attribute expression—as an argument. If you need to sort on an attribute-expression, or on an attribute function, you must define a new attribute that captures the complex expression in a single attribute.


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## Chain definition language Chainblocks is more oriented to be a meta language or a visual language rather then a pure language but to nicely describe chains and the data around it we adopt and write a simple language based on EDN and Clojure. You can basically think of it as a comprehensible json on steroids that can be evaluated. The exection of each of these programs is meant to be fast, no run loops within. Basically load, define the chain and return a ready to run node from it. ### Example ``` lisp (Chain :Name "Test Chain 1" :Looped true ("Hello world!") (Log)) (Chain :Name "Test Chain 2" (2.0 1.0) ; Float2 [2.0 1.0] ; Seq of Float (3.14) ; Float (Set .x) (2.0) (Math.Multiply .x) (Log)) (def mul Math.Multiply) (def BadPI (3.14)) (defn chainme [a] (Chain :Name (str "Test Chain " a) BadPI (Set .x) (a) (mul .x) (Log))) (chainme 3) (chainme 5) ``` ### Core keywords ##### `def` * They are always global definitions. ##### `defn` ##### `defmacro` *TODO* ##### `let` ##### `if` ##### `do` ##### `str` ##### `seq` ##### `conj` ##### `cons` ##### `concat` ##### `nth` ##### `first` ##### `rest` ##### `apply` ##### `map` ### Operators #### Math ##### `+` ##### `-` ##### `*` ##### `/` ##### `mod` #### Logic ##### `=` ##### `not` ##### `<` ##### `>` ##### `>=` ##### `>=` ##### `and` ##### `or`


angular-gantt - A Gantt chart directive for AngularJS
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angular-gantt v0.6.3 - A Gantt chart directive for AngularJS by Marco Schweighauser (2014) | MIT License


This presentation
https://tinyurl.com/dc-grids
What is Direct Current?
Alternating Current (AC)
Alternating Current (AC)
High voltage transport
Alternating Current (AC)
Induction motor
Alternating Current (AC)
Slander: Topsy's execution
AC (Alternating Current)
Historic advantages:
- Traditional (turbine) generation
- Better for motors (anything rotating)
- Efficient power conversion/transport
Direct Current (DC)
Direct Current (DC)
Photovoltaics
Direct Current (DC)
Wind (requires AC-DC conversion)
Direct Current (DC)
Batteries
Direct Current (DC)
Lighting
Direct Current (DC)
Audio
DC (Direct Current)
Modern advantages:
- Sustainable storage and production
- Motor drivers convert AC/DC/AC anyways
- DC/DC power conversion more efficient
DC (Direct Current)
Increased efficiency
Typical loads: 5-15%
Stage loads: 30-40%
DC (Direct Current)
Less copper (up to 50%)
conversion hardware (about 20x volume)
DC (Direct Current)
Flexibility & simplicity
DC Microgrids
Decentralized
- Generation
- Storage
- Management
DC Micrgrids
Techincal advantages
- Plug 'n play storage, generation and cabling
- Microgeneration with increased grid stability*
- Increased efficiency, reduced transport needs
- Simplified redundancy and reliability
* With AC, high percentages of microgeneration decrease grid stability.
DC Micrgrids
Social advantages
- Local self-reliance
- Bottom-up control
- Community self-determination
Technical challenges
- Truckloads of legacy (AC)
- Limited availability of devices
- Battle-testing system stability
Business challenges
- Unthreaded territory
- No economies of scale
- Legal incompatibilities
AC grid cost parity
Design for scaling
Find business cases with early legacy system cost parity, attempt to reach parity scale early in development by scaling quickly.
Distribute investment load
Establish solid partnerships (academic, public, private), distribute R&D and production investment load.
Roles for specialized partners:
- Power conversion
- Installation and maintenance
- End-device distribution (USB PD)
- Political/legal reform
Agile development approach
Many small iterations towards well-defined vision/goal. Adjust development based on test feedback and opportunities.
Many (small) pilots
Multiple use cases; different loads, hybrid generation and storage. Attempt cost neutrality to sustain development.
Now available
380 VDC technology
Circuit breakers
Plugs
Bi-directional converters
48VDC / 380 VDC
Buck converters
380 VDC to 3.3/5/12/24/48 VDC
Micro-MPPT
380 VDC straight from PV
Hack away
Start using DC power now for:
- Stage lighting
- Stage audio
- LED strips
The more experience the better.
Modding appliances
- Open up devices
- Determine current power/voltage requirements
- Remove AC/DC converter and/or replace power supply
- Replace AC power plugs by 385 DC plugs
Alternately
- Pick devices with external power supply
- Replace with available DC/DC supplies
Thanks!
Any questions?
https://tinyurl.com/dc-grids
http://tinyurl.com/dc-grids-source


tock
/
ai.tock.shared
/
Level
/
BASIC
BASIC
BASIC
(source)
Logs request and response lines.
Example:


Photography opened a whole new dimension of communication for people of the 19th century. With photography procedures being cheaper and more accurate than ever before, much more research was devoted to the subject. In the late 70’s, a dry collodion process was developed that rivaled wet collodion processes in speed and accuracy. It was at about this time that the richer families would pay for family portraits and photos to remember relatives by. In particular photos of the deceased were cherished, as well as those of presidents.
At this time, photos in newspapers were an isolated occurrence. This changed in the 1870’s, when journalist Adolphe Smith began publishing a magazine “Street Life in London”. This magazine used photos as the main medium of conveying information.
In the 1880’s when flash powder was developed, it became possible to take pictures of people indoors and in other low light environments. This development led to the work of “How the Other Half Lives” by Jacob Riis. It documented the terrible living conditions in the New York slums, and strived to raise awareness of these terrible conditions to the higher and middle class citizens. This work not only described how people lived through pictures, but also told of how they lived that way as the result of greed from wealthier people. In this work he even describes the correlation between alcoholism, crime rate, and lack of money.
With this work made with the camera as the most Prominent tool, the city tore down sweatshops, reformed the city’s schools, and performed decades of improvement. If these photographs weren’t around, and the cameras not around to take them, New York would probably even less hospitable than many know it to be today.


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import models.ui.ConfirmationPanel @(cp: ConfirmationPanel)(implicit ctx: PageContext)


With no government in sight, another Israeli election looms
Kingmaker Lieberman denies support to Benjamin Netanyahu, Benny Gantz
by ReutersIsrael moved closer towards a new election on Wednesday after kingmaker Avigdor Lieberman declined to back either Prime Minister Benjamin Netanyahu or challenger Benny Gantz with a deadline on building a government about to expire.
Neither Mr. Netanyahu, who heads the right-wing Likud party, nor ex-General Gantz of the centrist Blue and White secured a ruling majority in Parliament in elections in April and September.
Mr. Netanyahu, in office for the past decade, failed to put together a coalition after the inconclusive September election. Gen. Gantz was handed the task by President Reuven Rivlin next but his 28 days to form a government expire at midnight (2200 GMT).
Mr. Lieberman, who heads the far-right Yisrael Beitenu party, told a news conference on Wednesday that “both (Netanyahu and Gantz) were guilty” in failing to agree on a Likud-Blue and White alliance, which he had strongly advocated.
With no unity government in sight, Mr. Lieberman said, he would deny both men the support of his party’s eight legislators. “As things stand now, we are on the way to another election,” he said. Mr. Lieberman said he would not join any alternative to a Likud-Blue and White coalition.


Before Change
metrics_using_gmpy2 = ()
default_metrics_using_gmpy2 = ()
try:
import gensim
metrics_using_gensim = (
"coherence_gensim_u_mass", // same as coherence_mimno_2011
"coherence_gensim_c_v",
"coherence_gensim_c_uci",
"coherence_gensim_c_npmi"
)
except ImportError:
metrics_using_gensim = ()
AVAILABLE_METRICS = (
"loglikelihood", // simply uses the last reported log likelihood as fallback
"cao_juan_2009",
"arun_2010",
After Change
metrics_using_gmpy2 = ()
default_metrics_using_gmpy2 = ()
if importlib.util.find_spec("gensim"):
metrics_using_gensim = (
"coherence_gensim_u_mass", // same as coherence_mimno_2011
"coherence_gensim_c_v",
"coherence_gensim_c_uci",
"coherence_gensim_c_npmi"
)
else:
metrics_using_gensim = ()
AVAILABLE_METRICS = (
"loglikelihood", // simply uses the last reported log likelihood as fallback
"cao_juan_2009",
"arun_2010",


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Artwork reperformance area
Artwork reperformance area
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Archived between:
2016-06-02 14:40:30
2016-06-04 18:56:24
Archived by:
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A space for notes by the archivist about this capture – anything that was missed or changed, etc. Tools or other archives that were used in the creation of the archive (other than Webrecorder & the live web).