When we have two quantitative continuous data sets where there are no repeated values in one data set, a type of scatterplot called a line graph can be used. In a line graph, the data set with no repeated values is marked on the horizontal axis. Adjacent points are then connected by short lines.
in-context


{% extends "website/base.html" %} {% load bootstrap4 %} {% block navbar %}{% endblock %} {% block content %}
A web application for UNSW communities, we empower students and staff with the ability to share and upload course notes and discuss courses. Student run and free to use.


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Root HTML for my cool app -- in the real world, this would be the user's. This is necessary to allow Vite to start up with
yarn vite


A Simple Akka Remote example
It’s hard to find a simple example that shows how to do akka remoting. Akka remote documentation is highly cryptic. Other blogs and stackoverflow answers are not much help as they makes you to create multiple projects and follow non obvious steps.
So I was thinking there is should be an easier way to do this. It should be as simple as having two actors in a given project talking through remote interface. After digging through akka documentation I was able to create one such example. In this post, I am going to discuss about that.
tl;dr Access complete code on github.
The following are the steps to create a simple akka remote project.
Step 1: Create a sbt project
Create a single sbt project using IDE or any other tools. Once you created the project, add the following dependencies.
Access complete code here.
Once we have the dependencies in place, let’s start with actors.
Step 2 : Create Remote actor
Remote actor is an actor which listens on some given port. The following are the steps to create a remote actor.
Step 2.1 Define Remote Actor
As you can see, there is nothing special about this actor. It’s like any other actor. So the magic of remoting should be happening somewhere else.
Step 2.2 : Define a remote configuration
Akka uses configuration to define how to instantiate actor systems. If you define actor system as remote, then all the actors running in that system will become remote actors.
Create a file name “remote_application.conf” in resources folder. Then place following code
In this configuration, we are specifying following things.
- Actor ref provider : We are specifying the references should be remote aware.
- Transports used : tcp is the transport layer protocol used
- hostname : <IP_ADDRESS>
- port : 5150 is the port on which the actor system listen on
other details are for logging purposes. As you can see, we want the remote actor to be listening on this specific port so that it can be discoverable for other clients.
By convention akka looks for application.conf in class path for configuring actors. But as we have multiple actors which should listen on different ports, we are going to explicitly parse the configuration and pass it to the actor system.
Step 2.3 Configuring Actor system to listen on remote
- Get the file path from classpath
- Parse the config file to create config object
- Create an actor system with this config
As you can observe, the configuration is always set in the level of actor system, not at actors level.
- Create an instance of remote actor using this actor system
Once you create actor, it will be available at akka:tcp://RemoteSystem@<IP_ADDRESS>:5150/user/remote.
Access complete code here.
Once we are done with remote actor, let’s create local actor.
Step 3 : Local actor
The following are steps to create local actor
Step 3.1 : Define local actor
In the prestart, we will connect to the remote actor using context.actorSelection api. Comments in code explain different section of URL. Once we are able to connect, we will send messages.
Step 3.2 : Configuration file for local actor
As with remote actor, we need to specify the configuration file. We call it “local-configuration.conf”
You may be wondering why local actor needs remote ref provider. The reason is, in akka actors behave like peers rather than client-server. So both local and remote actors should talk on similar transport. So the only difference between remote and local, is which machine they running. If it’s running in remote machine, then it’s a remote actor and if it’s in your machine then it’s local actor.
The configuration is exactly same other than the port. Port 0 means any free port.
Configuring the local actor is exactly same as remote actor.
Access complete code here.
Step 4 : Building and running
-
Download complete code from github
-
Run sbt install
-
Run main methods of Remote and Local actors.
Now you have an Akka remote example working without any hassles.


|
TTK
|
#include <ImplicitTriangulation.h>
Go to the source code of this file.
Macros | |
| #define | CASE_EDGE_POSITION_L_3D |
| #define | CASE_EDGE_POSITION_H_3D |
| #define | CASE_EDGE_POSITION_P_3D |
| #define | CASE_EDGE_POSITION_D1_3D |
| #define | CASE_EDGE_POSITION_D2_3D |
| #define | CASE_EDGE_POSITION_D3_3D |
| #define | CASE_EDGE_POSITION_L_2D |
| #define | CASE_EDGE_POSITION_H_2D |
| #define CASE_EDGE_POSITION_D1_3D |
Definition at line 36 of file ImplicitTriangulation.cpp.
| #define CASE_EDGE_POSITION_D2_3D |
Definition at line 40 of file ImplicitTriangulation.cpp.
| #define CASE_EDGE_POSITION_D3_3D |
Definition at line 44 of file ImplicitTriangulation.cpp.
| #define CASE_EDGE_POSITION_H_2D |
Definition at line 52 of file ImplicitTriangulation.cpp.
| #define CASE_EDGE_POSITION_H_3D |
Definition at line 16 of file ImplicitTriangulation.cpp.
| #define CASE_EDGE_POSITION_L_2D |
Definition at line 48 of file ImplicitTriangulation.cpp.
| #define CASE_EDGE_POSITION_L_3D |
Definition at line 6 of file ImplicitTriangulation.cpp.
| #define CASE_EDGE_POSITION_P_3D |
Definition at line 26 of file ImplicitTriangulation.cpp.
| int ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getCellNeighbor | ( | const SimplexId & | cellId, |
| const int & | localNeighborId, | ||
| SimplexId & | neighborId | ||
| ) | const |
Definition at line 2631 of file ImplicitTriangulation.cpp.
| SimplexId ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getCellNeighborNumber | ( | const SimplexId & | cellId | ) | const |
Definition at line 2618 of file ImplicitTriangulation.cpp.
| const vector<vector<SimplexId> >* ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getCellNeighbors | ( | ) |
Definition at line 2648 of file ImplicitTriangulation.cpp.
| int ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getCellVertex | ( | const SimplexId & | cellId, |
| const int & | localVertexId, | ||
| SimplexId & | vertexId | ||
| ) | const |
Definition at line 2538 of file ImplicitTriangulation.cpp.
| SimplexId ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getCellVertexNumber | ( | const SimplexId & | ) | const |
Definition at line 2534 of file ImplicitTriangulation.cpp.
| int ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getEdgeLink | ( | const SimplexId & | edgeId, |
| const int & | localLinkId, | ||
| SimplexId & | linkId | ||
| ) | const |
Definition at line 1584 of file ImplicitTriangulation.cpp.
| SimplexId ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getEdgeLinkNumber | ( | const SimplexId & | edgeId | ) | const |
Definition at line 1579 of file ImplicitTriangulation.cpp.
| const vector<vector<SimplexId> >* ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getEdgeLinks | ( | ) |
Definition at line 1636 of file ImplicitTriangulation.cpp.
| const vector<pair<SimplexId, SimplexId> >* ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getEdges | ( | ) |
Definition at line 1319 of file ImplicitTriangulation.cpp.
| int ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getEdgeStar | ( | const SimplexId & | edgeId, |
| const int & | localStarId, | ||
| SimplexId & | starId | ||
| ) | const |
Definition at line 1721 of file ImplicitTriangulation.cpp.
| SimplexId ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getEdgeStarNumber | ( | const SimplexId & | edgeId | ) | const |
Definition at line 1655 of file ImplicitTriangulation.cpp.
| const vector<vector<SimplexId> >* ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getEdgeStars | ( | ) |
Definition at line 1774 of file ImplicitTriangulation.cpp.
| int ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getTriangleLink | ( | const SimplexId & | triangleId, |
| const int & | localLinkId, | ||
| SimplexId & | linkId | ||
| ) | const |
Definition at line 1990 of file ImplicitTriangulation.cpp.
| SimplexId ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getTriangleLinkNumber | ( | const SimplexId & | triangleId | ) | const |
Definition at line 2030 of file ImplicitTriangulation.cpp.
| const vector<vector<SimplexId> >* ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getTriangleLinks | ( | ) |
Definition at line 2035 of file ImplicitTriangulation.cpp.
| const vector<vector<SimplexId> >* ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getTriangles | ( | ) |
Definition at line 1971 of file ImplicitTriangulation.cpp.
| int ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getTriangleStar | ( | const SimplexId & | triangleId, |
| const int & | localStarId, | ||
| SimplexId & | starId | ||
| ) | const |
Definition at line 2080 of file ImplicitTriangulation.cpp.
| SimplexId ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getTriangleStarNumber | ( | const SimplexId & | triangleId | ) | const |
Definition at line 2053 of file ImplicitTriangulation.cpp.
| const vector<vector<SimplexId> >* ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getTriangleStars | ( | ) |
Definition at line 2120 of file ImplicitTriangulation.cpp.
| int ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getVertexLink | ( | const SimplexId & | vertexId, |
| const int & | localLinkId, | ||
| SimplexId & | linkId | ||
| ) | const |
Definition at line 843 of file ImplicitTriangulation.cpp.
| SimplexId ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getVertexLinkNumber | ( | const SimplexId & | vertexId | ) | const |
Definition at line 839 of file ImplicitTriangulation.cpp.
| const vector<vector<SimplexId> >* ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getVertexLinks | ( | ) |
Definition at line 971 of file ImplicitTriangulation.cpp.
| int ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getVertexNeighbor | ( | const SimplexId & | vertexId, |
| const int & | localNeighborId, | ||
| SimplexId & | neighborId | ||
| ) | const |
Definition at line 339 of file ImplicitTriangulation.cpp.
| const vector<vector<SimplexId> >* ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getVertexNeighbors | ( | ) |
Definition at line 477 of file ImplicitTriangulation.cpp.
| int ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getVertexPoint | ( | const SimplexId & | vertexId, |
| float & | x, | ||
| float & | y, | ||
| float & | z | ||
| ) | const |
Definition at line 1195 of file ImplicitTriangulation.cpp.
| int ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getVertexStar | ( | const SimplexId & | vertexId, |
| const int & | localStarId, | ||
| SimplexId & | starId | ||
| ) | const |
Definition at line 1049 of file ImplicitTriangulation.cpp.
| SimplexId ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getVertexStarNumber | ( | const SimplexId & | vertexId | ) | const |
Definition at line 990 of file ImplicitTriangulation.cpp.
| const vector<vector<SimplexId> >* ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() getVertexStars | ( | ) |
Definition at line 1177 of file ImplicitTriangulation.cpp.
| bool ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() isEdgeOnBoundary | ( | const SimplexId & | edgeId | ) | const |
Definition at line 299 of file ImplicitTriangulation.cpp.
| bool ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() isTriangleOnBoundary | ( | const SimplexId & | triangleId | ) | const |
Definition at line 325 of file ImplicitTriangulation.cpp.
| bool ImplicitTriangulation::TTK_TRIANGULATION_INTERNAL() isVertexOnBoundary | ( | const SimplexId & | vertexId | ) | const |
Definition at line 281 of file ImplicitTriangulation.cpp.


Heading
Some representative placeholder content for the three columns of text below the carousel. This is the first column.
Heading
Another exciting bit of representative placeholder content. This time, we've moved on to the second column.
First featurette heading. It’ll blow your mind.
Some great placeholder content for the first featurette here. Imagine some exciting prose here.
Oh yeah, it’s that good. See for yourself.
Another featurette? Of course. More placeholder content here to give you an idea of how this layout would work with some actual real-world content in place.
And lastly, this one. Checkmate.
And yes, this is the last block of representative placeholder content. Again, not really intended to be actually read, simply here to give you a better view of what this would look like with some actual content. Your content.


I am 48 years old. I graduated from Berry College in Rome, Georgia. I have been married for 4 years. My wife and I moved to North Carolina one year ago from the Atlanta area. We have 2 cats I enjoy sports, especially football and baseball. My favorite teams are the Dallas Cowboys and the Atlanta Braves. I like to to eat all types of food, with pizza being my favorite. My favorite type of music is rock.


Before Change
or if all inbound nodes have the same output shape.
"""
if not self.inbound_nodes:
raise Exception("The layer has never been called " +
"and thus has no defined output shape.")
all_output_shapes = set([str(node.output_shapes) for node in self.inbound_nodes])
if len(all_output_shapes) == 1:
output_shapes = self.inbound_nodes[0].output_shapes
if len(output_shapes) == 1:
After Change
or if all inbound nodes have the same output shape.
"""
if not self.inbound_nodes:
raise AttributeError("The layer has never been called "
"and thus has no defined output shape.")
all_output_shapes = set([str(node.output_shapes) for node in self.inbound_nodes])
if len(all_output_shapes) == 1:
output_shapes = self.inbound_nodes[0].output_shapes
if len(output_shapes) == 1:


{% include 'common/head.html' %} {% include 'common/nav.html' %} {% include 'common/page_nav.html' %}
throughput in RPS
error_rate in %
response time in ms


{% extends "_layouts/signin.html" %} {% set title = "Touch Develop - Sign in" %} {% block innerbody %} Link legacy account Please sign-in again, with the method that you have used in the past. You will only need to do this once. sign in with... show more account options Or {% endblock %}
Please sign-in again, with the method that you have used in the past. You will only need to do this once.


Generate Random Data
Specify a length for a Heads and Tails Sequence. A sequence of that length, consisting of heads/tails in the form of 1's and 0's, will then be randomly generated. Additionally, a Balanced (B) / Loaded (L) state sequence of equal length will be generated based on the default Hidden Markov Model initial probabilities of: P(B|B) = 0.6, P(L|B) = 0.3, P(B|L) = 0.4, P(L|L) = 0.7, P(H|B) = 0.5, P(T|B) = 0.5, P(H|L) = 0.1, and P(T|L) = 0.9.
(As Set Forth in the CSCI 580 Artificial Intelligence Project 2 Specifications)
|


Used 1998 Buick LeSabre | Used Buick - Yahoo! Autos
Read reviews, view specifications and pictures of the used 1998 Buick LeSabre, get dealer price quotes and . Custom, $1,632, 3.8L V6 205 HP, 19 / 30 mpg .
http://autos.yahoo.com/buick/lesabre/1998/
1998 Buick LeSabre Detailed Pricing and Specifications - MSN Autos
Oct 15, 2010 . Blue Book® Suggested Retail Value. $2,554 - $3,539 · 1998 Buick LeSabre Fuel Economy. Fuel Economy (city/hwy). 19 / 30 mpg · Share. 16 .
http://autos.msn.com/research/vip/overview.aspx?year=1998&make=Buick&model=LeSabre
Buick Lesabre Specifications | Engine Performance ... - Motor Trend
Are you looking for detailed used Buick Lesabre specifications, performance, standard equipment and comprehensive Buick Lesabre data, then check out the Motor Trend used car . Fuel Economy: 20/29 mpg . 1998 Buick Lesabre Specs .
http://www.motortrend.com/used_cars/11/buick/lesabre/specifications/
Buick LeSabre | eBay
1 OWNER 92 Buick LeSabre Custom 88 Sedan 3.8L V6 3800 Le Sabre MPG 88K. Buick : LeSabre LeSabre Custom. 1 OWNER 92 Buick LeSabre Custom 88 .
http://motors.shop.ebay.com/Cars-Trucks-/6001/i.html?Model=LeSabre&Make=Buick
Used Buick LeSabre Sedan - Kelley Blue Book
Select the year of the used Buick LeSabre Sedan you are looking to buy. . The 40 mpg Cars of 2013 · Home; >; Buick; >; LeSabre . 1998 Buick LeSabre .
http://www.kbb.com/buick/lesabre/
1998 Buick LeSabre - Overview - CarGurus
1998 Buick LeSabre: See 7 owner reviews, 28 photos and great deals for . Avg. Mileage, 121,300 miles . All 1998 Buick LeSabre reviews; Review your car .
http://www.cargurus.com/Cars/1998-Buick-LeSabre-Overview-c5324
Gas Mileage of 1998 Vehicles by Buick
EPA MPG. MODEL, City, Comb, Hwy. 1998 Buick Century 6 cyl, 3.1 L, Automatic 4-spd, . 1998 Buick LeSabre 6 cyl, 3.8 L, Automatic 4-spd, Regular Gasoline .
http://www.fueleconomy.gov/feg/bymake/Buick1998.shtml


April 9, 2019
The Daily Iowan
DI Staffer Aadit Tambe poses for a portrait on Monday, April 8, 2019. (Wyatt Dlouhy/ The Daily Iowan)
Beaming at me, she asked how my day was going, and what I studied. Following the brief interchange, I sat by the window, watching a stream of snow blow across Dubuque Street.
I sipped my warm double espresso and ruminated on the “Iowa nice” attitude at the center of the interaction — something I was foreign to growing up.
Originally from India, I am one of the 1,768 undergraduate international students enrolled at the University of Iowa. But when I first came here in 2016, this number was 2,478: in fact, the number of international students has been declining over the past five years.
Fewer international students not only make our community less diverse but also affect an important funding source for colleges in the United States. A plunge in international-student enrollment translates to domestic students getting fewer chances to interact with people from different cultures.
“ To me, however, this not-so-subtle change means fewer people look the way I do. But I am determined to work hard, feel included, and ‘live the American dream.’”
To me, however, this not-so-subtle change means fewer people look the way I do. But I am determined to work hard, feel included, and “live the American dream.”
When I first came to Iowa, I felt out of place. I had to make a decision: I could either spend my four years of college feeling like an outsider because of my looks, my accent, and my choices; or I could embrace the differences and choose to feel like an “insider.”
This might seem like an interesting challenge to feel like an “insider.” After all, I was born in 1999 in Mumbai — a city with a population five times that of Chicago. The city exudes a muggy climate all year-round, with both summer and winter temperatures in the 80s-90s. The city is filled with hard-working laborers, film stars, business tycoons, and people who sleep in tents made of canvas or tin. Thousands of people flock to Mumbai every day with the hope that their dreams will become reality.
“ When I first came to Iowa, I felt out of place. I had to make a decision: I could either spend my four years of college feeling like an outsider because of my looks, my accent, and my choices; or I could embrace the differences…”
To me, however, Mumbai was more than this — it was home.
When I was in fourth grade, my family relocated to Pune, a smaller city about 100 miles from Mumbai. This meant that I would move away from my grandfather, my friends, and most of all, a place I was used to calling “home.”
Soon after moving to Pune, my grades slacked. I did not have many friends in school. I was neither good at studies nor at sports. Apart from my parents and a couple of teachers at my new school, I sensed that no one believed in me. This feeling began to haunt me.
Growing up, I realized my interests were different from others’. I was not fascinated with playing sports, reading fictional books, or watching kids’ movies. I would take pleasure in unconventional activities such as reading nonfiction books, writing poems, keeping up with political happenings, watching TED Talks, and helping my parents in the kitchen.
I was emotionally sensitive as a growing child — I cared about people, and what they thought of me. School authorities did not accept me for who I was. My teachers told me I was a “little too feminine.”
Being a boy, I was required to be good at math and science and have an interest in sports. But I didn’t fit that model. In fifth grade, my school principal called my parents to speak with them because — despite my good grades in history, languages, and geography, my grades in math and science were suffering. It was a warning for me to “pull up my socks” — a British expression meaning “straighten up.”
My teachers did not realize that despite being in fifth grade, I possessed an in-depth understanding of India’s political system. I knew everything about fountain pens. I loved visiting antique stores and spent most of my money on buying parts I needed to restore fountain pens.
No one outside my family accepted my unconventional sense of masculinity. I could feel the system was ganging up against me.
Things changed when I switched schools after 10th grade. I met people from diverse backgrounds in my new school who understood me. I could be myself around my new friends, and after a long time, I started enjoying being with people.
My goal had always been to study journalism. I have always enjoyed telling stories, and being a journalist would give me a unique platform of telling others’ stories. Being open-minded, my parents encouraged me to move to the U.S. for college. I liked Iowa’s journalism program and decided to accept the admission offer.
But during my first week in Iowa City, I felt out of place. It was clear to me that I was different — I did not look like the people around me. Once again, I was struggling to fit in.
On my third day in Iowa City, I met with a fellow international student who was also from India. He narrated a quote from a well-known Hindi film which translates to: “People naturally don’t share a sense of belonging. One needs to evoke this feeling in them.”
This quote resonated with me.
“ In a place where no one shared similarities in terms of appearance, I was encouraged to be myself and I was accepted for who I was.”
I decided to go the extra mile to seek common ground between myself and people around me. Determined to feel included, I looked beyond differences to build relationships on commonalities. I stopped searching for people who “looked like me.”
Soon, I realized I was surrounded by people who cared for me. I started working for The Daily Iowan — a place where I was able to connect with fellow staffers whose interests aligned with mine.
In a place where no one shared similarities in terms of appearance, I was encouraged to be myself and I was accepted for who I was.
In a community in which two years ago I feared experiencing exclusion, I have created a place for myself. My hard work has received recognition, and I have been able to grow as a journalist and as a person.
However, not everyone has the approach to feeling included as I do. Perhaps the decreasing number of international students at Iowa and in the U.S. reflects that sentiment.
According to a 2018 report from Immigration and Customs Enforcement, there are approximately 1.2 million international students in the U.S.
Starting in the fall of 2015, new enrollment of international students slowed to 2.4 percent growth, and then exhibited declines in both the fall of 2016 (minus-3.3 percent) and fall 2017 (minus-6.6 percent), according to a report from the Institute of International Education.
The decline is even more pronounced at the UI. According to the state Board of Regents, the UI had 516 fewer international students enrolled in the fall of 2017 compared to the fall of 2016 — a 14.2 percent decrease.
These numbers pose a challenge not only to the UI but also to the state’s economy. According to an analysis by NAFSA: Association of International Educators, international students in the U.S. contribute $39 billion and support more than 455,000 jobs in the U.S. economy, in any given academic year, largely because international students do not qualify for aid from the state.
Going beyond looking at international students as mere cash cows, I’d like to think we enrich U.S. campuses by bringing in our diverse perspectives. A decline in enrollment obviously provides domestic students fewer chances to interact with students from diverse backgrounds.
This line chart shows top six countries international students have been coming from over the last five years.
Source: University of Iowa Data Digest
After learning about this decline, I sat down with Associate Provost for International Programs Downing Thomas to understand the reasons behind the decline. He said the decline stems from two primary reasons: the increasing pool of countries that are available to students who wish to study abroad and the rising anxiety and tensions because of current U.S. immigration policy.
“Some countries are building their infrastructure,” he said. “They are building universities and improving the quality of their educational systems. There is also a lot of competition in the U.S. and also internationally. So it’s really challenging.”
Thomas said the tensions pertaining to immigration policy have been a reason for many students to not feel welcomed by the U.S.
“Perceptions of the U.S., ‘Will I be welcomed and feel like home?’ ” he said. “I think those are questions that people ask themselves that now may be one of the factors that [have led to the decrease].”
This bar chart shows top six countries international students have been coming from over the last five years.
Source: University of Iowa Data Digest
Over the past three years, I have talked to hundreds of Americans who have expressed anxiety as they consider this a dark time for the U.S. In times of political uncertainty, the country seems divided. People on both sides of the political spectrum seem to be losing hope in the philosophy this country was founded on.
“ Coming from a country thousands of miles away, I have been able to call this place home. Among people who don’t look like me or talk like me, I have found people who accept and love me for who I am and treat me like one of them. In this supposed dark time, I have been able to make sense of the American dream. ”
But I hope you might consider my own perspective — while there is the bad, there is also the good. I have experienced love here — an emotion that binds us all together. The U.S. has challenged me to aspire and encouraged me to live my dream.
Coming from a country thousands of miles away, I have been able to call this place home. Among people who don’t look like me or talk like me, I have found people who accept and love me for who I am and treat me like one of them. In this supposed dark time, I have been able to make sense of the American dream.
As I was finishing this piece at 3 a.m. last week, I was sitting on a bed watching a movie with my coworkers. My friend turned to me.
“I hope you can stay here,” she said. “Or wherever you want. But I hope we always remain friends.”
And the movie continued.
This interactive map shows the top six countries international students have been coming from over the past four years. Click on the markers for more information.
Source: University of Iowa Data Digest
I am Aadit, a journalist pursuing my bachelor's degree in Journalism and Mass Communication, and a minor in German at the University of Iowa.
I currently serve as Assistant Digital Editor at The Daily Iowan, an independent newspaper based in Iowa City. I have an interest in digital storytelling and web development.
Originally from Mumbai, India, telling stories was always my dream. In order to pursue my passion for journalism, I wanted to create a strong educational platform for myself. After looking at the University of Iowa's journalism program, and The Daily Iowan, I chose to accept the admission offer.
Journalism to me stands for guarding the truth, giving voice to the voiceless, and unbiased storytelling. I believe as members of the fourth estate, journalists play the key role in informing the electorate.


CL opens up her own YouTube channel!
by germainejCL has opened up her own YouTube channel!
According to CL's former 2NE1 groupmate Dara, CL has opened up her own YouTube Channel. Dara linked CL's channel on her Twitter account with a message asking followers to subscribe. It seems she may be taking her social media presence into her own hands after YG Entertainment deleted her Facebook page and previous Youtube.
Though she hasn't posted any videos yet, you can follow CL's YouTube channel here.


--- layout: master title: About excerpt: All about Whinnen.COM ---
These pages are the home of the Whinnen’s on the Interweb. At the moment they represent only a small clan of Whinnen’s based in San Diego, United States; previously Brisbane, Australia. That is Brett, Vicki and Braden, we hope this will change over time and we can get more Whinnen’s together in the one area.
Primarily the blog is a reflection of day to day activity of our small clan through the eyes of Brett. Every now and then the subject may branch off onto a tangent of the current topic point just as Brett’s mind moves from subject matter to subject matter in the search of knowledge and fun. Brett is an I.T. nerd/geek/dork who has worked in the industry for over 20 years in many different streams, he currently works for a large multi-national storage company as part of the Global Support Centre arm as a Level 3 Performance Specialist. While his work is technology based he has many different skills and hobbies outside of the stereotypical nerd/geek/dork idiom.
Through a great deal of work (not by us, although Brett has followed the paths through the Parish records, to learn how to do it and further the research if possible) the family name has been traced back to Cornwall in the UK, where we were a family of Miners and Blacksmiths. The Whinnen family name has been traced back as far as 1634 in the area around Breage in Cornwall.
Now that Braden is getting older we’ve decided that having a record of the family’s activities as a living memory would be a good idea given how hard it has been to find anything out about the history of the family and its origins. It will even give him a chance to add his commentary as he lives life and has fun.
If there are any other Whinnen’s out there who would like to become a part of this collaboration please don’t hesitate to contact us.


Input Events: implementation report
Introduction
This is work in progress but we seem to be in a good shape so far...


This section describes setting up JVM options/flags to enable gathering relevant data for troubleshooting.
The data you gather depends on the system and what data you actually would use in case you ran into problems. Consider gathering the following data before you run into a problem.
Enable core files: If Java crashes, for example due to a segmentation fault, the OS saves to disk a core file (complete dump of the memory). On Linux and Solaris, core files are sometimes disabled by default. To enable core files on Linux/Solaris, it is usually enough to run the command ulimit -c unlimited
on the command line before starting the application (some systems may have different ways to handle these limits).
Note: The core files take up a lot of disk space, especially when run with a large Java heap.
To decide whether to enable core files, consider what you would do if you had a crash in your system. Would you want to see a core file? Many Java users won't have much use for a core file. However, if you would want to debug a possible crash either in a native debugger such as gdb
or by using the Serviceability Agent, then make sure that you enable core files before the start of application.
Many times crashes may be hard to reproduce; therefore, enable core files before the start of application. For more details about Serviceability Agent's HSDB and CLHSDB tools, read the article from Java Magazine.
Add -XX:+HeapDumpOnOutOfMemoryError to the JVM flags: The -XX:+HeapDumpOnOutOfMemoryError
flag saves a Java Heap dump to disk if the applications runs into an OutOfMemoryError
. Use The jhat Utility tool to inspect the Java heap and find out which object takes up the most space, and then check for objects that are no longer used, but kept alive.
Like core files, heap dumps can be very large, especially when run with a big Java heap.
Again, think about what you would do if the application runs into an OutOfMemoryError
. Would you want to inspect the heap at the time of the error? In that case, turn onthis flag by default so that you get this data if the application runs into an unexpected OutOfMemoryError
.
Run a continuous Java flight recording: The Java Flight Recorder (JFR) is a commercial feature. You can use it for free on developer desktops/laptops, and for evaluation purposes in test, development, and production environments. However, to enable JFR on a production server, you need a commercial license.
Set up Java to run with a continuous flight recording. Continuous flight recordings are a circular buffer of JFR events. If the application runs into an issue, you can dump the data from the last hour of the run. The JFR events can be extremely helpful to debug a wide range of issues from memory leaks to network errors, high CPU usage, thread blocks and so on.
The overhead of running with a continuous flight recording is very low. For more details about producing a continuous Java Flight Recording, see How to Produce a Flight Recording.
Add -verbosegc to the JVM command-line: The flag -verbosegc
logs basic information about Java Garbage Collector. This log helps you find the following:
Does garbage collection run for a long time?
Does the free memory decrease over time?
The garbage collector log helps diagnose issues when the application throws an OutOFMemoryError
or the application runs into performance issues; therefore, turning on the -verbosegc
flag on by default helps troubleshoot issues.
Note: Use log rotation so that an application restart doesn't delete the previous logs. Since JDK7, the flags UseGClogFileRotation
and NumberOfGCLogFiles
can be used to set up for log rotation. For description on these flags, see Debugging Options for Java HotSpot VM.
Print Java version and JVM flags: Prior to filing a bug on Java or seeking help from a forum, have the basic information handy in the log files. For example, it's helpful to print out the Java version and the JVM flags used.
If your application starts with a script, simply run java -version
to print the Java version and print the command line before executing it. Another alternative is to add -XX+PrintCommandLineFlags
and -showversion
to the JVM arguments.
Set up JMC JMX for remote monitoring: JMX can be used to connect to a Java application remotely using tools such as Mission Control or Visual VM. Unless you can run these tools on the same machine that is running your application, setting this up can be helpful later on to monitor the application, send diagnostic commands, manage flight recordings and so on. There is no performance overhead in enabling JMX.
See the instructions about How to monitor JVM using JMX Technology.
Another alternative to enable JMX after a Java application has started is to use the diagnostic command ManagementAgent.start
. Run jcmd <pid> help ManagementAgent.start
for a list of flags that can be sent with the command.
For more details on jcmd
, see The jcmd Utility.


Saiko is a minimalistic offline music player that is perfect for local music and audio collections.
See your music library come to life!


|
Oboe
1.2
A library for creating real-time audio apps on Android
|
#include <AudioStream.h>
Protected Member Functions | |
| bool | wasErrorCallbackCalled () |
| virtual Result | waitForStateTransition (StreamState startingState, StreamState endingState, int64_t timeoutNanoseconds) |
| virtual DataCallbackResult | onDefaultCallback (void *, int) |
| DataCallbackResult | fireDataCallback (void *audioData, int numFrames) |
| bool | isDataCallbackEnabled () |
| void | setDataCallbackEnabled (bool enabled) |
Protected Attributes | |
| std::atomic< int64_t > | mFramesWritten {} |
| std::atomic< int64_t > | mFramesRead {} |
| std::mutex | mLock |
| Protected Attributes inherited from oboe::AudioStreamBase | |
| AudioStreamCallback * | mStreamCallback = nullptr |
| int32_t | mFramesPerCallback = kUnspecified |
| int32_t | mChannelCount = kUnspecified |
| int32_t | mSampleRate = kUnspecified |
| int32_t | mDeviceId = kUnspecified |
| int32_t | mBufferCapacityInFrames = kUnspecified |
| int32_t | mBufferSizeInFrames = kUnspecified |
| int32_t | mFramesPerBurst = kUnspecified |
| SharingMode | mSharingMode = SharingMode::Shared |
| AudioFormat | mFormat = AudioFormat::Unspecified |
| Direction | mDirection = Direction::Output |
| PerformanceMode | mPerformanceMode = PerformanceMode::None |
| Usage | mUsage = Usage::Media |
| ContentType | mContentType = ContentType::Music |
| InputPreset | mInputPreset = InputPreset::VoiceRecognition |
| SessionId | mSessionId = SessionId::None |
| bool | mChannelConversionAllowed = false |
| bool | mFormatConversionAllowed = false |
| SampleRateConversionQuality | mSampleRateConversionQuality = SampleRateConversionQuality::None |
Base class for Oboe C++ audio stream.
|
explicit |
Construct an AudioStream
using the given AudioStreamBuilder
| builder | containing all the stream's attributes |
|
inlinevirtual |
Calculate the latency of a stream based on getTimestamp().
Output latency is the time it takes for a given frame to travel from the app to some type of digital-to-analog converter. If the DAC is external, for example in a USB interface or a TV connected by HDMI, then there may be additional latency that the Android device is unaware of.
Input latency is the time it takes to a given frame to travel from an analog-to-digital converter (ADC) to the app.
Note that the latency of an OUTPUT stream will increase abruptly when you write data to it and then decrease slowly over time as the data is consumed.
The latency of an INPUT stream will decrease abruptly when you read data from it and then increase slowly over time as more data arrives.
The latency of an OUTPUT stream is generally higher than the INPUT latency because an app generally tries to keep the OUTPUT buffer full and the INPUT buffer empty.
|
virtual |
Close the stream and deallocate any resources from the open() call.
|
protected |
Override this to provide your own behaviour for the audio callback
| audioData | container array which audio frames will be written into or read from |
| numFrames | number of frames which were read/written |
|
virtual |
Flush the stream. This will block until the stream has been flushed, an error occurs or timeoutNanoseconds
has been reached.
|
pure virtual |
Get the underlying audio API which the stream uses.
| ResultWithValue<int32_t> oboe::AudioStream::getAvailableFrames | ( | ) |
|
inline |
Get the number of bytes in each audio frame. This is calculated using the channel count and the sample format. For example, a 2 channel floating point stream will have 2 * 4 = 8 bytes per frame.
| int32_t oboe::AudioStream::getBytesPerSample | ( | ) | const |
Get the number of bytes per sample. This is calculated using the sample format. For example, a stream using 16-bit integer samples will have 2 bytes per sample.
|
pure virtual |
Query the number of frames that are read or written by the endpoint at one time.
|
virtual |
The number of audio frames read from the stream. This monotonic counter will never get reset.
|
virtual |
The number of audio frames written into the stream. This monotonic counter will never get reset.
|
pure virtual |
Query the current state, eg. StreamState::Pausing
|
inlinevirtual |
Get the estimated time that the frame at framePosition
entered or left the audio processing pipeline.
This can be used to coordinate events and interactions with the external environment, and to estimate the latency of an audio stream. An example of usage can be found in the hello-oboe sample (search for "calculateCurrentOutputLatencyMillis").
The time is based on the implementation's best effort, using whatever knowledge is available to the system, but cannot account for any delay unknown to the implementation.
| clockId | the type of clock to use e.g. CLOCK_MONOTONIC |
| framePosition | the frame number to query |
| timeNanoseconds | an output parameter which will contain the presentation timestamp |
|
virtual |
Get the estimated time that the frame at framePosition
entered or left the audio processing pipeline.
This can be used to coordinate events and interactions with the external environment, and to estimate the latency of an audio stream. An example of usage can be found in the hello-oboe sample (search for "calculateCurrentOutputLatencyMillis").
The time is based on the implementation's best effort, using whatever knowledge is available to the system, but cannot account for any delay unknown to the implementation.
| clockId | the type of clock to use e.g. CLOCK_MONOTONIC |
|
inlinevirtual |
Only for debugging. Do not use in production. If you need to call this method something is wrong. If you think you need it for production then please let us know so we can modify Oboe so that you don't need this.
|
inlinevirtual |
An XRun is an Underrun or an Overrun. During playing, an underrun will occur if the stream is not written in time and the system runs out of valid data. During recording, an overrun will occur if the stream is not read in time and there is no place to put the incoming data so it is discarded.
An underrun or overrun can cause an audible "pop" or "glitch".
|
inlineprotected |
|
pure virtual |
| void oboe::AudioStream::launchStopThread | ( | ) |
Launch a thread that will stop the stream.
|
inlineprotectedvirtual |
Override this to provide a default for when the application did not specify a callback.
| audioData | |
| numFrames |
|
inlinevirtual |
Open a stream based on the current settings.
Note that we do not recommend re-opening a stream that has been closed. TODO Should we prevent re-opening?
|
virtual |
Pause the stream. This will block until the stream has been paused, an error occurs or timeoutNanoseconds
has been reached.
|
inlinevirtual |
Read data into the supplied buffer from the stream. This method will block until the read is complete or it runs out of time.
If timeoutNanoseconds
is zero then this call will not wait.
| buffer | The address of the first sample. |
| numFrames | Number of frames to read. Only complete frames will be read. |
| timeoutNanoseconds | Maximum number of nanoseconds to wait for completion. |
|
pure virtual |
Flush the stream asynchronously. Returns immediately (does not block). Equivalent to calling flush(0)
.
|
pure virtual |
Pause the stream asynchronously. Returns immediately (does not block). Equivalent to calling pause(0)
.
|
pure virtual |
Start the stream asynchronously. Returns immediately (does not block). Equivalent to calling start(0)
.
|
pure virtual |
Stop the stream asynchronously. Returns immediately (does not block). Equivalent to calling stop(0)
.
|
inlinevirtual |
This can be used to adjust the latency of the buffer by changing the threshold where blocking will occur. By combining this with getXRunCount(), the latency can be tuned at run-time for each device.
This cannot be set higher than getBufferCapacity().
| requestedFrames | requested number of frames that can be filled without blocking |
|
inlineprotected |
This can be set false internally to prevent callbacks after DataCallbackResult::Stop has been returned.
|
virtual |
Start the stream. This will block until the stream has been started, an error occurs or timeoutNanoseconds
has been reached.
|
virtual |
Stop the stream. This will block until the stream has been stopped, an error occurs or timeoutNanoseconds
has been reached.
|
pure virtual |
Update mFramesRead. For internal use only.
|
pure virtual |
Update mFramesWritten. For internal use only.
|
inline |
Returns true if the underlying audio API is AAudio.
| ResultWithValue<int32_t> oboe::AudioStream::waitForAvailableFrames | ( | int32_t | numFrames, |
| int64_t | timeoutNanoseconds | ||
| ) |
Wait until the stream has a minimum amount of data available in its buffer. This can be used with an EXCLUSIVE MMAP input stream to avoid reading data too close to the DSP write position, which may cause glitches.
| numFrames | minimum frames available |
| timeoutNanoseconds |
|
pure virtual |
Wait until the stream's current state no longer matches the input state. The input state is passed to avoid race conditions caused by the state changing between calls.
Note that generally applications do not need to call this. It is considered an advanced technique and is mostly used for testing.
int64_t timeoutNanos = 500 * kNanosPerMillisecond; // arbitrary 1/2 second
StreamState currentState = stream->getState();
StreamState nextState = StreamState::Unknown;
while (result == Result::OK && currentState != StreamState::Paused) {
result = stream->waitForStateChange(
currentState, &nextState, timeoutNanos);
currentState = nextState;
}
If the state does not change within the timeout period then it will return ErrorTimeout. This is true even if timeoutNanoseconds is zero.
| inputState | The state we want to change away from. |
| nextState | Pointer to a variable that will be set to the new state. |
| timeoutNanoseconds | The maximum time to wait in nanoseconds. |
|
protectedvirtual |
Wait for a transition from one state to another.
|
inlineprotected |
This is used to detect more than one error callback from a stream. These were bugs in some versions of Android that caused multiple error callbacks. Internal bug b/63087953
Calling this sets an atomic<bool> true and returns the previous value.
|
inlinevirtual |
Write data from the supplied buffer into the stream. This method will block until the write is complete or it runs out of time.
If timeoutNanoseconds
is zero then this call will not wait.
| buffer | The address of the first sample. |
| numFrames | Number of frames to write. Only complete frames will be written. |
| timeoutNanoseconds | Maximum number of nanoseconds to wait for completion. |
|
protected |
Number of frames which have been read from the stream.
This is signed integer to match the counters in AAudio. At audio rates, the counter will overflow in about six million years.
|
protected |
Number of frames which have been written into the stream
This is signed integer to match the counters in AAudio. At audio rates, the counter will overflow in about six million years.


Cabbage, red
Cabbage, red is a Green-Green food. Green-Green foods are very safe to eat as a regular part of a diet.
Category Quotes
Guideline related quotes related to Non-Starchy and Green-Green throughout Geoff Bond's publications.
Eat at least 2 3/4 lbs of mixed salad and vegetables per day, consisting of "Green-Green” and “Green” foods. Of these, at least 3/4 lb should be mixed salad. Also include at least 5 cups of “Green-Green” leafy vegetables or 2 1/2 cups of other vegetables per week. ~Paleo in a Nutshell p.102
Additional Quotes
Specific references to Cabbage, red throughout Geoff Bond's publications.
Being a World War II baby, I spent the first fifteen years of my life on food rations. It is said that we are the "lucky" generation: Many unhealthy foods like sugar, bacon, pork, beef, milk, butter, fat, cakes, and even bread were strictly rationed. Meanwhile, we could eat as much as we liked of cabbage, onions, and turnips! ~Paleo in a Nutshell p.9
With regard to plant food, it is always best to eat it as soon as possible after harvesting and to eat it raw. That is why we put the emphasis on the consumption of salads and for them to be as fresh as possible. Be imaginative—many vegetables can form part of a mixed salad, including chopped broccoli, cauliflower, cabbage, zucchini, and leeks. ~Paleo in a Nutshell p.91
Wild leaves typically have a high percentage of indigestible cell wall material, up to 35%. It is almost entirely the types of soluble fiber called "unlignified hemicelluloses and cellulose." Such fiber is common in dicot vegetables. The human gut is good at degrading this type of fiber, which is found in carrots and cabbage, for example. The human gut is much less efficient at degrading the fiber from monocot plants, such as wheat bran. ~Deadly Harvest p.126


Feni1576.github.io
FAR KJ 40 INSTRUCTIONS FOR USE MANUAL Pdf Download.
View and Download Hitachi RAK-25PSB instruction manual online. RAK-25PSB Air Conditioner pdf manual download. Also for: Rak-18psb, Rac-35wsb, Rac-18wsb, Rac-25wsb, Rak-35psb. HITACHI RAK-25PSB INSTRUCTION MANUAL Pdf Download.
View and Download FAR KJ 40 instructions for use manual online. Oil Pneumatic Riveting Tool. KJ 40 Nail Gun pdf manual download. Far Rac 95 Bedienungsanleitung.


This should have no paddingThis is the title that never ends. It just goes on and on my friend.This is a long title with buttons. It just goes on and on my friend.DefaultsDefaults.activatedSolidSolid ActivatedOutlineOutline.activated
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that's pretty cool, both creatures look exceptionallly well done, but that's to be expected.
posted by @Derekshunn 3 days ago
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Genuine Piano
With enthusiasm, top class masterpiece
Quality Assurance
Every product has been checked and tuned by profesional technologists.For every purchase you make, we will ensure there are no damages or faults.
Famous Brand
Our company started in 1922 and is known by world wide.
Fast Shipping
You can receive your piano in 3 days once you pay.
How we work?
Silver Pack
$2000
- Electric piano
- 3 year insurance
- Chair included
- MIDI
Golden Pack
$5000
- Upright piano
- 3 year insurance
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- Made by ebony wood
Diamond Pack
$10000
- Grand piano
- 3 year insurance
- Chair included
- Fantastic performance


Wall Street opens higher as report sparks US-China trade deal hopes
The Dow Jones Industrial Average rose 42.15 points, or 0.15%, at the open to 27,917.77
by ReutersUS stocks opened higher on Monday as expectations of a US-China trade truce were strengthened by a report that the two sides were nearing an agreement, while a raft of blockbuster deals also lifted sentiment.
The Dow Jones Industrial Average rose 42.15 points, or 0.15%, at the open to 27,917.77.
The S&P 500 opened higher by 7.15 points, or 0.23%, at 3,117.44, while the Nasdaq Composite gained 39.76 points, or 0.47%, to 8,559.65 at the opening bell.


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Just a pile of gems...
I have entered the final stretch of DevBootCamp this past week. Having been exposed to Ruby and Sinatra, I felt comfortable understanding the architecture of Rails. The following is a walkthrough of my workflow in creating a new Rails application.
- bundle install
- Setup databases: touch config/database.yml and rake db:create
- 3 types of databases:
- development(local deploy)
- test(for rspec and various test suites)
- production(what is sent to the world. Should not include test suite)
- Make migrations Should be plural! rails g migration name_of_file
- Make corresponding models. Should be singular!
- Make routes in routes.rb
- Make controller#action and corresponding view plural controller file and view folder.
- categories#index and view
- categories#show and view
- categories#edit comes from categories#show and view => categories#update
- categories#destroy Comes from categories#show
- categories#new and view => categories#create I did not create a link_to in any views for the 'categories/new' route and categories#new controller action.


{% extends 'django_openstack/dash/base.html' %} {% block sidebar %} {% with current_sidebar="containers" %} {{block.super}} {% endwith %} {% endblock %} {% block page_header %} {% include "django_openstack/common/_page_header.html" with title="Make Container Public as HTML" %} {% endblock page_header %} {% block dash_main %}
You can publish swift objects as HTML.