YourHaq aims to develop into a service capable of the following
Presently, it’s hard to know which lawyers, firms or orgs can offer representation to individuals with varying statuses (ex., refugees, green card holders, permanent residents, undocumented and work visa immigrants). It’s also difficult to know who can do it pro-Bono (for those who might be financially restricted).
Despite social media, many discriminatory incidents have gone unnoticed. Given how aliens and green card holders are evaluated on a case-by-case basis, there is no hard evidence pointing at a systemic flaw and miscarriage of justice. Curating incidents may help create transparency into the immigration process, as well as helping to identify aggregate trends that the international human rights community could respond to. Reporting experiences with the right nuance (where you were, what was said to you, which flight were you boarding, who were you with, what forms did they make you fill out, where were you traveling to and from, etc) may help contribute to a more regimented and objective understanding and practice of immigration law.


|
AIC(<regional_mix>)
|
AIC from a regional_mix model |
|
AIC(<species_mix>)
|
Return AIC from a species_mix model |
|
BIC(<regional_mix>)
|
BIC from a regional_mix model |
|
BIC(<species_mix>)
|
Return BIC from a species_mix model |
|
coef(<regional_mix>)
|
Print the coefficientf from a regional_mix model |
|
coef(<species_mix>)
|
print the coefficients from the species_mix model |
|
cooks.distance(<regional_mix>)
|
cooks.distance |
|
table_to_species_data() make_mixture_data()
|
data_preperation-class |
|
ecomix
|
package file |
|
effectPlotData()
|
Generate data for plotting or predicting partial effects of covariates |
|
extractAIC(<regional_mix>)
|
Extract AIC from regional_mix model. |
|
logLik(<regional_mix>)
|
Extract log-likelihood from a regional_mix model. |
|
logLik(<species_mix>)
|
Extract log-likelihood from a species_mix model. |
|
plot(<regional_mix>)
|
Plot residuals from a regional_mix model. |
|
plot(<regional_mix_stab>)
|
Diagnostic plotting to see if RCP groups are stable |
|
plot(<species_mix>)
|
plot.species_mix |
|
plot(<species_mix.multifit>)
|
plot.species_mix.multifit |
|
plot(<species_mix_effectPlotData>)
|
plot.species_mix_effectPlotData |
|
predict(<regional_mix>)
|
Predicts RCP probabilities at a series of sites. Confidence intervals are available too. |
|
predict(<species_mix>)
|
Predict a species_mix model. |
|
print(<regional_mix>)
|
Prints some attributes of a regimix object. |
|
print(<species_mix>)
|
Print a species_mix model object. |
|
regional_mix() regional_mix.multifit()
|
This is how you fit a regions of common profiles model in ecomix |
|
regional_mix.bootstrap()
|
Performs bootstrap sample and estimation for regimix objects. Useful for calculating measures of uncertainty in predictions from a regimix object, and also about the regimix parameter estimates. This function can be used in conjunction with vcov.regimix(qv) and predict.regimix(qv). In partciular, these bootstrap samples can be used to gauge variability in parameter estimates and hence the model itself. |
|
regional_mix.fit()
|
regional_mix.fit |
|
regional_mix.simulate()
|
Simulate a regional_mix dataset for modelling. |
|
regional_mix.species_profile()
|
What is the average species profile per RCP? |
|
residuals(<regional_mix>)
|
Residuals for a regional_mix object |
|
residuals(<species_mix>)
|
Estimate residuals for a species_mix object |
|
species_mix()
|
This is how you fit a species archetype model (SAM) in ecomix. |
|
species_mix.bootstrap()
|
species_mix.bootstrap |
|
species_mix.fit()
|
species_mix.fit |
|
species_mix.multifit() print(<species_mix.multifit>)
|
species_mix.multifit |
|
species_mix.simulate()
|
Simulate species mix data for model fitting. |
|
stability.regional_mix()
|
Diagnostic checks to see if RCP groups are stable |
|
summary(<regional_mix>)
|
A summary from a regional_mix object. |
|
summary(<species_mix>)
|
Print a summary of the species_mix model |
|
terms(<species_mix>)
|
Return terms from a fitted species_mix model |
|
vcov(<regional_mix>)
|
Variance matrix for a regional_mix object. |
|
vcov(<species_mix>)
|
Estimate the Variance-covariance matrix for a species_mix object. |


The position of a color determines which values it will be used for. You can use both absolute values for positions; or you can use percentages to define values in relation to your value range (for instance 50% meaning your median value.)
Generates intermediate colors automatically. You can either start with one base color; or start with two colors to define the start and end of your color scheme.
See documentation on how to format dates.


| DOSE: |
0.25 g |
insufflated |
Cocaine |
(powder / crystals) |
| |
repeated |
smoked |
Cannabis |
(plant material) |
Now I have a fairly long drug history of many different substances. I have used many of these on many occasions and find myself to be very safe with my drugs use, the only frequent drug I actually use to excess is Pot, Hash or Oil. This is the complete list to date:
Caffiene Pills, Weed, Black Oil, Honey Oil, Hash, Crystal Hash (made by cleaning out the crystal from your coffee grinder and adding small drops of water to form a hash), Dramamime, Jimson Seeds, Alcahol, Shrooms, Nitrious, MDMA, Codeine, DXM, LSA (ate a lot of HB Woodrose seeds and tripped hardcore), Ritalin, Dextro-Amphetamine, Salvia 10X extract, Syrian Rue, Yopo Snuff, Oxycontin, Ayahausca and Ether (I also am cooking up a wormwood extract right now and plan to expirament with it too)
But this is something pretty different, what this report is on is my very first dance with coca. Even though in reality some of the substances I've used are considered addictive and dangerous, this just seemed like my first real 'hard' drug. This was known by the public to destroy lives and make the world just a little more evil. But I felt I knew better, as I know a great deal about any drug that I have ever considered trying. I ended up buying a half gram of what I know to be extremely potent blow, and with my experience, I would have to strongly agree. I had to pay $50 for it, but I got a fat line to sample too and it is very hard for a 16 year old (I will be in a month anyway) to find cocaine in a small town like this.
At 5:30 I rode my bike down to my dealers house and bought my half gram and a pretty strong E that he has been selling recently. I discovered this E to be laced with some sort of amphetamine as I noticed when I previously took some my dick shunk to an abnormal tinyness. I stayed there for about 30 mins just hanging out and getting stoned, at that point they said they were going to give me a nice fat line before I dig into my half gram. After it was all chopped up and powder, me, my dealer and his friend each did a line.
Wow, it wasn't like an instant buzz or anything, but the second the line was done there was extreme numbness. After this I decided I should probably be on my way to start off my night. Once I got on my bike I noticed a very strong euphoria, much more so then ritalin gives me, I was cruising very fast on my bike with a nice little smile on my face. Everything just felt so right. I couldn't have picked a more perfect situation to do it I feel though. As I have just started hanging around with a girl that I really like.
I got to her house at 6:15, 30 mins late but she didnt care, and we went and hung out in her room. I gave her the Ecstacy that I bought for her and proceeded to do another line as she swallowed the pill. Wow, now I am really feeling cocaine. At this point my mind is racing and everything just feels right. I am really enjoying hanging around with 'Mel'. We are listioning to different CDs I brought over and I feel like I can get right into the music, it sounds very intense. We were playing mostly Marilyn Manson and Pantera I think, which really went well with the moument.
At this point I decided that we should go for a walk for a bit. We walked down an empty road for quite a way and just talked and split a couple more smokes. By the time we got back 45 mins had passed since my last line, but I was still wired as hell. When we got back we smoked a joint with Mel's Dad because he was looking for a nickol and I couldn't get a hold of one at the time after making a few calls (His dealer was gone partying). After the joint I felt noticeably stoned, it just kind of made the coke buzz a little more interesting. When we got back in though the night got very interesting.
We went to her room again and I stated that I thought it would be pretty hot to do a line off a beutiful girls ass. She didn't seem like she was too exited to do that right now so I put one on her stomache. After the line I was again in a fast-paced, cocaine bliss. When the line was done I looked at Mel and we immediately began to kiss very passionately and roll around on her bed just holding eachother and doing many fun things.
After about a half hour of this we split another smoke and then she began to take off my pants, I knew it was going to be extremly hard to get up right now in my state of mind so I decided I would begin to take her pants off to get me going. At this point she said she really wants to but we have to wait until her Dad isn't home, so we began to hold eachother tight and roll around some more. We kept saying things to eachother like 'Your so sexy' and such, I remember when I stared deep into her eyes and told her simply that she is perfect. I think this really touched her and she told me no one ever told her that before, but I truely meant it and repeated it several more times. She was perfect, everything I've ever been looking for.
 Near the end I was getting pretty impatient and pissed off. At this point Mel's Dad yelled upstairs if I could try and get a bag again. So I just decided that it just wasn't going to happen today and we went downstairs to hang out with her Dad for a bit. I paged my dealer and he never did call back, everyone in town seemed to be out partying tonight.
After just sitting there with her Dad for about 20 minutes we went back up to her room and held eachother while while the TV was on. But the TV wasn't important, I was lost in passion over how amazing Mel is and how luckey I am to have found a girl like this. At 9:45 we decided to walk uptown to a friends house we go to pretty often, it's kind of our stoner groups hangout. Once we got there I still felt pretty cracked out and I'm pretty sure they knew I was on something. I didn't want them to know I have ever done coke tho, I think they thought we were both rolling though.
By the way there was only 'Chris' (who lives there), 'Rick' and 'Dave' there. The only person there that I actually do consider to be a good friends with is Chris, but I know the other guys enough to trust them. When we got there I smoked some Pot with them because I was planning on sleeping there tonight and I like to be generous to people that are for me. After I smoked the last of the bag I had on me I still had about 3 roaches left, which they agreed to match later on in the night. After that we left the shed that we burn in and just hung out in his garage, I felt very close to Mel right now and we were all just kind of having a good time. No one else has any idea that me and Mel are as close as we are.
At some point 'Steve' stopped by and was now with us. Then we went to the shed and smoked more with Chris, Rick and Dave. After this though nothing really happend, everyone else was around Mel and I couldn't really get too close to her, but every once in a while they would take off on a bike ride or something and we'd be alone for a good half hour. At around 1:30 Mel's Dad came and picked her up and Dave and Steve went home. Rick and me were sleeping over tonight. We all went to bed at around 2 but I am sure I didn't pass out until around 4.
The next day I woke up and inspected the bag that I bought. I planned to snort the whole half gram but it after just one line it would completely put me over. Also as the experience went on I stopped even thinking about the coke and just concentrated on Mel. I saw that there was some white powder on the outside of the bag so I licked off a very small ammount, but it actually made my entire tounge completely numb, and gave me a small pick-me-up as I didn't sleep to well at all. I actually woke up to Mel who called and I talked to her for a bit. She ended up coming over in about an hour and everyone there kept leaving and we ended up alone for a while.
In conclusion, I think coke is an amazing drug that showed me wonderful things, and made me feel like a champ. I don't think it could ever take over my life and I have no urge to finish the rest of my bag but I am sure I will within the next month or so. I don't really think coke is too physically addicting if at all, but I deffinately believe its very psychologically addicting. I am just thankful I didn't get a hold of this a few years ago when I wasn't nearly as responsible with drugs as I am now. I think I am deffinately going to do coke again in my lifetime after this. I felt that with the coke I could really turn on Mel and I didn't get nervous or anything like that, everything felt so right, like I knew exactly what to do.  Still though, I think the experence was perfect, absolutely perfect.
Thank you for your time.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


GreenSock 101
Your first hour with GSAP,
make sure it is a good one
.
Table Of Content
Lesson 1
- Getting started
Lesson 2
- Tweens
Lesson 3
- Timelines
Lesson 4
- Callbacks
Lesson 5
- Timeline controls
play
pause
resume
reverse
speed up
slow down
seek 1 sec
go to 50%
restart


278
New Projects156
New Clients64.89 %
Conversion Rate423
Support Tickets-
Remaining
-
Completed
84%
Employees Satisfied
Statistics for the last year.
New Users
1,22,356
New Products
28
New Users
1,22,356
Total paid invoices 240, unpaid 150. Invoice Summary
| Invoice# | Customer Name | Status | Due | Amount |
|---|---|---|---|---|
| INV-001001 | Elizabeth W. | Paid | 10/05/2016 | $ 1200.00 |
| INV-001012 | Andrew D. | Paid | 20/07/2016 | $ 152.00 |
| INV-001401 | Megan S. | Paid | 16/11/2016 | $ 1450.00 |
| INV-01112 | Doris R. | Overdue | 11/12/2016 | $ 5685.00 |
| INV-008101 | Walter R. | Overdue | 18/05/2016 | $ 685.00 |
Basic
Some quick example text to build on the card title and make up the bulk of the card's content.
Go somewhereList Group
Some quick example text to build on the card title and make up the bulk of the card's content.
- 4 Cras justo odio
- 2 Dapibus ac facilisis in
- 1 Morbi leo risus
- 3 Porta ac consectetur ac
- 8 Vestibulum at eros
Carousel
Support card subtitle
Some quick example text to build on the card title and make up the bulk of the card's content.


Research
Sound Synthesis for Computer Animation
I am actively involved in researching sound synthesis
algorithms designed for use in computer animation. Of particular interest at the moment are physical modeling techniques for sound synthesis.
Physical modeling sound synthesis is a numerical approach for generating mechanical vibration from mathematical descriptions
of acoustic systems. Compared to abstract methods of sound synthesis, such as additive, wavetable, and FM synthesis, physical
modeling synthesis appears to be superior for reproducing more accurate natural vibration and offering more intuitive user
control. In regards to accuracy, abstract digital synthesis produces sound that, while may be desirable for achieving a particular
aesthetic, is nonetheless unmistakably artificial. This may be due to the fact that abstract methods require the specification of
many control parameters which, if mismatched in any way with the waveforms they hope to reproduce, will create unnatural output.
Physical modeling methods, on the other hand, require fewer control parameters and thus may lead to more physically accurate sound.
Compositional Algorithms
I am currently working on a computer program to generate a continuous stream of Brownian position data for
real-time sonification and manipulation. In a model based on the equation of motion of an optically-ordered Brownian particle, the
composer could adjust the parameters of the Brownian audio effect by altering the physical parameters of the particle, the Brownian
trap, or the background fluid environment. Increasing the transverse irradiance gradient of the laser, for example, would make the
particle more likely to reside in the centermost sub-region and less likely to escape the trap. Such a change would increase the
stability of the lowest-frequency note and reduce the likelihood of higher-pitched, stochastic sequences. Increasing the fluid viscosity,
moreover, would slow the particle’s average velocity, effectively increasing the duration over which notes were played. Data-mapping
algorithms could also be incorporated into the model to manipulate the sampling rate and mapping areas in real time.


Here is your password reset link as requested. Kindly ignore if not requested
Click to Reset
Cheers,
Team Brayn


|
Bullet Collision Detection & Physics Library
|
#include "BulletCollision/BroadphaseCollision/btCollisionAlgorithm.h"
#include "BulletCollision/BroadphaseCollision/btDispatcher.h"
#include "BulletCollision/BroadphaseCollision/btBroadphaseInterface.h"
#include "BulletCollision/CollisionShapes/btTriangleCallback.h"
#include "BulletCollision/NarrowPhaseCollision/btPersistentManifold.h"
#include "BulletCollision/BroadphaseCollision/btBroadphaseProxy.h"
#include "BulletCollision/CollisionDispatch/btCollisionCreateFunc.h"
#include "LinearMath/btHashMap.h"
#include "BulletCollision/BroadphaseCollision/btQuantizedBvh.h"
Go to the source code of this file.
Classes | |
| struct | btTriIndex |
| class | btSoftBodyTriangleCallback |
| For each triangle in the concave mesh that overlaps with the AABB of a soft body (m_softBody), processTriangle is called. More... | |
| class | btSoftBodyConcaveCollisionAlgorithm |
| btSoftBodyConcaveCollisionAlgorithm supports collision between soft body shapes and (concave) trianges meshes. More... | |
| struct | btSoftBodyConcaveCollisionAlgorithm::CreateFunc |
| struct | btSoftBodyConcaveCollisionAlgorithm::SwappedCreateFunc |


'br}
'br}
debconf-mergetemplate - merge together multiple debconf template files
debconf-mergetemplate [options] [templates.ll ...] templates
Note: This utility is deprecated. You should switch to using po-debconf's po2debconf program.
This program is useful if you have multiple debconf templates files which you want to merge together into one big file. All the specified files will be read in, merged, and output to standard output.
This can be especially useful if you are dealing with translated template files. In this case, you might have your main template file, plus several other files provided by the translators. These files will have translated fields in them, and maybe the translators left in the english versions of the fields they translated, for their reference.
So, you want to merge together all the translated templates files with your main templates file. Any fields that are unique to the translated files need to be added in to the correct templates, but any fields they have in common should be superseded by the fields in the main file (which might be more up-to-date).
This program handles that case properly, just list each of the translated templates files, and then your main templates file last.
Merge in even outdated translations. The default is to drop them with a warning message.
If a translation has an entire template that is not in the master file (and thus is probably an old template), drop that entire template.
Joey Hess <joeyh@debian.org>


We Telemedicine provide service and practice of caring for patients remotely where the provider and patient are not physically present with each other. Doctors consult patients by using HIPAA compliant video-conferencing tools. Telemedicine allows you to discuss symptoms, medical issues, and more with a healthcare provider in realtime. Using telemedicine, you can receive a diagnosis, learn your treatment options, and get a prescription. In cases where it’s necessary, healthcare providers can even monitor readings from medical devices remotely to keep an eye on your condition.
Interactive medicine: “live telemedicine,” physicians and patients communicate in real-time.
Remote patient monitoring: monitor patients who use mobile medical equipment to collect data
on things like blood pressure, blood sugar levels, etc.
Store and forward: Providers share a patient’s health information with other healthcare professionals or specialists as needed.
We are connected with over 25 Doctors and Practisoner Nurse and over 50 helpline person.
Our service is 24/7 open from anywhere in USA


Please Enter Your Details For Our Dating Website!


BMLTNAMeetingSearchMarker
class BMLTNAMeetingSearchMarker : MKAnnotationView
This handles our map marker.
-
The coder key
Declaration
Swift
let sAnnotationObjectKey: String
-
This is how many display units to shift the annotation view up.
Declaration
Swift
let sRegularAnnotationOffsetUp: CGFloat
-
This is how many display units to shift the annotation view right.
Declaration
Swift
let sRegularAnnotationOffsetRight: CGFloat
-
In an animation (dragging the current frame.
Declaration
Swift
var currentFrame: Int
-
The timer used for animation.
Declaration
Swift
var animationTimer: Timer!
-
The frames to be drawn during an animation.
Declaration
Swift
var animationFrames: [UIImage]
-
We override this, so we can be sure to refresh the need for a draw state when draggable is set (Meaning it’s a black marker).
Declaration
Swift
override var isDraggable: Bool { get set }
-
This gives us a shortcut to the annotation prpoerty.
Declaration
Swift
var coordinate: CLLocationCoordinate2D { get }
-
This gives us a shortcut to the annotation prpoerty.
Declaration
Swift
var meetings: BMLTNAMeetingSearchMeetingList { get }
-
The default initializer.
Declaration
Swift
init(annotation: MKAnnotation?, draggable: Bool, reuseID: String?)
Parameters
annotation
The annotation that represents this instance.
draggable
If true, then this will be draggable (ignored if the annotation has more than one meeting).
reuseID
The reuse ID of the annotation.
-
This selects the appropriate image for our display.
Declaration
Swift
func selectImage(_ inAnimated: Bool) -> UIImage!
Parameters
inAnimated
If true, then the drag will be animated.
-
Draws the image for the marker.
Declaration
Swift
override func draw(_ rect: CGRect)
Parameters
rect
The rectangle in which this is to be drawn.
-
Sets the drag state for this marker.
Declaration
Swift
override func setDragState(_ newDragState: MKAnnotationView.DragState, animated: Bool)
Parameters
newDragState
The new state that should be set after this call.
animated
True, if the state change is to be animated (ignored).
-
This class will restore its meeting object from the coder passed in.
Declaration
Swift
required init?(coder aDecoder: NSCoder)
Parameters
coder
The coder that will contain the meeting.
-
This method saves the meetings and coordinates as part of the serialization.
Declaration
Swift
override func encode(with aCoder: NSCoder)
Parameters
with
The coder that contains the coordinates.


---
layout: archive
title: Lean Prover Zulip Chat Archive
permalink: 116395maths/44719colimitsinTop.html
---
The archive URL format has changed. Please find this page at:
https://leanprover-community.github.io/archive/stream/116395-maths/topic/colimits.20in.20Top.html


Lawrence of Arabia (1962)
What strikes me most about watching Lawrence of Arabia again is its length -well over three hours. Yes, I think director David Lean could have edited out a good deal of footage and still had an epic. On the other hand, I admire the pace Lean uses to build momentum; and certainly momentum - of narrative if not of action - is a large part of what gives the film its epic impact.
The Arabian desert fascinates the viewer with its natural shadows and hidden but sure danger. Lean's five-month shoot is legendary, with cleverness and endurance pitted against hardships mustered by nature. Outside of The English Patient, I have not seen such an interesting use of the desert in any film. This awesome land formation should be credited up there with the main players.
The acting is marvelous, too, the casting a series of strokes of brilliance. In his first film, Peter O'Toole proves that the choice of a young and quirky style was the best choice. This man has the eyes of a silent film star, large and expressive, outlined to an almost feminine degree. O'Toole inhabits the character thoroughly; I cannot imagine another actor so intense in his changes of mood and ironies of ego.
As well, Omar Sharif is outstanding as Sherif Ali ibn el Karish. A young, dark and handsome threat at first, his character grows nearly as dynamic as Lawrence's in its alteration by story's end. How to match Sharif's magnetism was addressed by casting Anthony Quinn, that multi-ethnic utility man, as a rival tribal chief, Auda abu Tayi. Quinn truly matches each iota of Sharif's anger and passion. Auda embodies a great Bedouin's jingoism.
How to ensure a solid backup cast? Let's face it, political intrigue is usually a sure way to comment on the ironies of human nature, and Jack Hawkins as General Allenby, and Claude Rains as Mr. Dryden - the plainclothes, behind-the-scenes manipulator - were about the best thing going in the field of character acting. Further, Alec Guiness, the lead actor in Lean's The Bridge on the River Kwai, is subtly masterful as Prince Feisal. The way the world is portrayed as both cruel and beautiful results mainly from the dimension of the script added by strong supporting roles.
Robert Bolt's screenplay is both spare and poetic. It's like the best writing by Raymond Carver - laconic but not minimalistic, honest but not prideful. Bolt surely relied on the strength lent by the desert, where one's actions are magnified as if by a brightly-lighted stage. He also makes the political strife fairly understandable: the desert tribes need unification if they are to be a threat to the Turks, who have included them for some time in an extensive empire. As it is a World War, the British have it in their own interest to see the Turks defeated, as Turkey is allied with Germany. What throws off British imperialism is the quasi-rebellion of one of their own - T. E. Lawrence, the officer who takes it upon himself to bring together a large faction of these desert peoples. After he assists in the liberation of Damascus, he tries to ensure the area stays under Arab control: not a popular path at a time Great Britain was still expanding its own empire.
Maurice Jarre's music is a masterpiece in its own right. The main theme and its variations reach throughout the entire narrative, accompanying the major characters on their exploits and adding dramatic undercurrent to many confrontations. It's truly music fit for an epic.
Watch for a cameo that has David Lean on a motorcycle asking the resonant question of identity, "Who are you?" as Lawrence and a young companion appear after crossing yet another desert.
It's been ten years since Robert A. Harris restored the old and rotting 70 mm film he found in dented and rusting cans. Had he left it there, perhaps we would not have such a bright and crisp version to enjoy today. This film is a must-see for a number of reasons. Yes, it's way up there on the American Film Institute's Top 100 List, but more importantly, it's a glimpse of vanished filmmaking, a real epic and a valuable piece of history in the areas of film and world politics.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


package java
- Alphabetic
- By Inheritance
- java
- AnyRef
- Any
- Hide All
- Show All
- Public
- All
Type Members
- class JavaDoubleRDD extends AbstractJavaRDDLike[Double, JavaDoubleRDD]
- trait JavaFutureAction[T] extends Future[T]
-
class
JavaHadoopRDD[K, V] extends JavaPairRDD[K, V]
- Annotations
- @DeveloperApi()
-
class
JavaNewHadoopRDD[K, V] extends JavaPairRDD[K, V]
- Annotations
- @DeveloperApi()
- class JavaPairRDD[K, V] extends AbstractJavaRDDLike[(K, V), JavaPairRDD[K, V]]
- class JavaRDD[T] extends AbstractJavaRDDLike[T, JavaRDD[T]]
-
trait
JavaRDDLike[T, This <: JavaRDDLike[T, This]] extends Serializable
Defines operations common to several Java RDD implementations.
Defines operations common to several Java RDD implementations.
- Note
This trait is not intended to be implemented by user code.
-
class
JavaSparkContext extends Closeable
A Java-friendly version of org.apache.spark.SparkContext that returns org.apache.spark.api.java.JavaRDDs and works with Java collections instead of Scala ones.
A Java-friendly version of org.apache.spark.SparkContext that returns org.apache.spark.api.java.JavaRDDs and works with Java collections instead of Scala ones.
- Note
Only one
SparkContext
should be active per JVM. You muststop()
the activeSparkContext
before creating a new one.
-
class
JavaSparkStatusTracker extends AnyRef
Low-level status reporting APIs for monitoring job and stage progress.
Low-level status reporting APIs for monitoring job and stage progress.
These APIs intentionally provide very weak consistency semantics; consumers of these APIs should be prepared to handle empty / missing information. For example, a job's stage ids may be known but the status API may not have any information about the details of those stages, so
getStageInfo
could potentially returnnull
for a valid stage id.To limit memory usage, these APIs only provide information on recent jobs / stages. These APIs will provide information for the last
spark.ui.retainedStages
stages andspark.ui.retainedJobs
jobs.- Note
This class's constructor should be considered private and may be subject to change.
- final class Optional[T] extends Serializable
- class StorageLevels extends AnyRef
Value Members
- object JavaDoubleRDD extends Serializable
- object JavaPairRDD extends Serializable
- object JavaRDD extends Serializable
- object JavaSparkContext


## What is DOM Comparator?
DOM Comparator is a library that, simply put, compares two strings of DOM nodes (which are called `stringA` and `stringB`), and returns an output containing the minimal number of steps that must be taken (like attribute changes, style changes, text changes and DOM manipulation) to convert `stringA` into `stringB`.
The output returned by DOM Comparator is an array of `VWO.Operation` objects, which can also be expressed as jQuery code. Here's a simple example:
```js
var stringA = '
';
var stringB = '';
// Compare the two strings
var result = VWO.DOMComparator.create({
stringA: stringA,
stringB: stringB
});
// Expect an array of VWO.Operation objects to be returned.
expect(result).toEqual(jasmine.any(Array));
expect(result[0]).toEqual(jasmine.any(VWO.Operation));
// Expect the first operation to be a 'removeAttr' operation.
expect(result[0].name).toEqual('removeAttr');
// The operation is on an element identified by the following selector path
expect(result[0].selectorPath).toEqual('UL:first-child > LI:first-child');
// With below content
expect(result[0].content).toEqual({class: 'active'});
```
### Motivation
One of the core components of our A/B testing software - [Visual Website Optimizer](https://vwo.com) is the Editor. It allows you to make changes to any website on the fly. Assuming the target website has a small snippet of VWO SmartCode (Javascript) inserted, the changes made by the user are applied when the A/B test is run. These changes are little snippets of jQuery operations that are applied on the client-end.
One of the major problems faced when applying such changes that they did not regard for dynamic content that might have been rendered by the client's website's backend. Let us consider a simple example:
Imagine somebody wanting to run an A/B test on all the product pages of an eCommerce website. He wants to modify the "Buy Now" button on all such pages and make it appear bigger and bolder, so that it captures the end-user's attention better. He navigates to some product page, selects the button and tries to edit it. Assume that that button has markup that looks like below:
```html
Add to Cart
```
The Editor component of Visual Website Optimizer provides an "Edit" operation, that opens up a rich text editor for the user to make changes to any element with ease. Assuming, he makes the text of the button bolder and changes the color to a bright red, here's what the resulting markup would look like:
```html
Add to Cart
```
Internally, an Edit operation is identified by the element the operation is applied on, and the new markupprovided by the user, which in this case is the above code. It means that if a Buy Now button is found on any page, it will be replaced with the above code. The jQuery code for such an operation would look something like this:
```js
// A unique selector path to identify the element
var selector = '#product_description > P:first-child + P > A:first-child';
$(selector).replaceWith('Add to Cart');
```
Notice how this would not only add the styles to that element, but also change its `href` to always execute `addToCart(16);` regardless of the product page the user is on. Essentially, the dynamic content rendered by the client's backend has now been replaced with static content.
### This is where DOM Comparator comes in
With DOM Comparator in place, the initial markup of the Edit operation above will be compared with the final one, and a differencewould be returned. The difference would contain the minimal changes necessary to be made to the target element, thereby impacting dynamic content as less as possible.
For the above example, here's what the list of resulting operations would look like:
```json
[{"name":"css","selectorPath":"#product_description > P:first-child + P > A:first-child","content":{"font-weight":"bold","color":"red"}}]
```
The jQuery code would look like this:
```js
// A unique selector path to identify the element
var selector = '#product_description > P:first-child + P > A:first-child';
$(selector).css({'font-weight': 'bold', 'color': 'red'});
```
### Supported Operations
Below is the list of operations supported by DOM Comparator's output:
* **Insert Node:** Identifies the insertion of a new node in the final markup.
* **Delete Node:** Identifies the deletion of a node in the initial markup.
* **Rearrange:** Identifies rearrangement of an element within a parent container to a different position within the same or a different parent container.
* **Change Text:** Identifies a simple text change.
* **CSS:** Identifies addition of new styles to an element.
* **Remove CSS:** Identifies removal of existing styles from an element.
* **Attr:** Identifies addition of new attributes to an element.
* **Remove Attr:** Identifies removal of existing attributes from an element.
For further explanation on the operations, [click here](supported-operations.html).


| About Dailyrotten |
|
Feedback
If you like this page, hate it, or would like to suggest changes,
<EMAIL_ADDRESS>is listening. This page
is experimental and somewhat different from what we usually offer, so please
do send your feedback.
Adding Stories
If you are a rotten newshound and you would like to suggest a story,
visit our submit page to
send us the URL. Stories that are accepted will have your name credited.
Posting Comments
In order to post comments to stories, you will have to
create an account.
Accounts will generally be validated within 24 hours, and of
course will be disabled if there is abuse.
Viewership
On the first full day this page went live, 100,000 people visited this Rotten
News page. Of course that was the day after the WTC attacks, so that number is
somewhat distorted. Right now this page gets between 50,000 and 75,000 people
every day.
Linking
We encourage everyone to link to this page; if you like it, others probably
will as well.
Other Rotten
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Penny Postcards
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Home
Make Dailyrotten your start page
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March 13, 2002
Police shoot, kill masturbating man
myCFnow | Submitted by: Rio
"San Diego police are investigating an officer-involved shooting of a
naked man who was masturbating alongside a public bike path. The shooting
occurred where the path passes under Interstate 8, near the city's Ocean
Beach/Mission Beach area, police reported. Though hidden from view, the
path under the bridge is a popular one for inline skaters, joggers
and bike riders." And masturbators.
|
|
Read article...
|
|
Bean heating accident costs man his remaining leg
Mainichi Daily News | Submitted by: LifeinTheSun
"A Takatsuki man has lost his leg after failing to abide by the exact
instructions issued by a TV program telling viewers how heating beans
could keep them warm at night, the Mainichi has learned...
His problem arose because he used socks made of a synthetic fiber to heat
up beans to store in his futon instead of the cotton towel specified on
the NTV program "Itoke no Shokutaku," a program devoted to providing
lifestyle hints."
|
|
Read article...
|
|
Child O.D.'s on Night Train
San Gabriel Valley Tribune | Submitted by: Linda Goodwin
If you drink like the Rotten Staff, you know there's nothing better than
fortified wine when you've had to stop eating solid food. But a valuable
lesson has been learned by Jose Emmanuel Lopez when his lady's toddler
found the swill after he "fell asleep" (passed out).
|
|
Read article...
|
|
Dear Abby is a snitch
Milwaukee Journal Sentinel | Submitted by: Pete
"The 28-year-old man, who has no criminal record in Wisconsin, wrote to
Dear Abby, telling her that he had been fantasizing about having sex with
preteen children, particularly his girlfriend's 10- and 3-year-old
daughters.... The problem for Phillips: Much of the Dear Abby column's
credibility is based on anonymity for advice-seekers and a long track
record of helping people, not turning them in for prosecution."
|
|
Read article...
|
|
Teaching young girls the Indian Ways
Rocky Mountain News | Submitted by: Covix
Police say a Loveland man who passed himself off as an Oglala Sioux
repeatedly sexually assaulted an 8-year-old girl under the guise of teaching
her American Indian culture... Rea, who has gone by the name Standing Bear,
claims that he is a member of the Oglala Sioux tribe of South Dakota. But
Oglala Indian officials and Rea's father deny that claim. His father
says he is part Filipino."
|
|
Read article...
|
|
Saudis claim Jews make pastries with human blood
World Net Daily | Submitted by: tjd
"A Saudi government newspaper published a column asserting that Jews use
the blood of teenagers to make a special pastry associated with the March
holiday of Purim... Writing in the daily Al-Riyadh, Al-Jalahma said,
'For this holiday, the Jewish people must obtain human blood so that their
clerics can prepare the holiday pastries. In other words, the practice cannot
be carried out as required if human blood is not spilled!'
|
|
Read article...
|
|
Jesus Christ to be exhumed
Australian Broadcasting | Submitted by: Katay
"An American researcher who believes she has found the final resting place
of Jesus Christ, is campaigning to exhume a body at a Muslim shrine in Indian
administered Kashmir for scientific tests... While Muslims say Rozabal houses
the tomb of Yuza Asaf, a Muslim saint, many researchers believe it contains
the body of Jesus Christ. To put an end to speculation, Ms Olsson has
suggested exhuming the remains at Rozabal for DNA testing and carbon dating."
An older story, but does she hope to compare it to God's DNA?
|
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Read article...
|
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|


{% extends 'base.html'%} {% block title %}Species Upload{% endblock %} {% block content %}
Please enter the species' common name and its Latin name.
Click here to return home


--- layout: default ---
This is the place where we can put up the most recent news.
This is the place we put up the development blog for our most recent projects


Map Examples
Simple Map
Advanced map
Simple map thats hidden initially (but still loaded automatically)
Simple map thats that gets initialized when you click a button.
Simple
333 11th Street, San Francisco, CA
Slims
(415) 255-0333
1805 Geary Blvd, San Francisco, California 94115
The Fillmore
415.346.6000
500 4th Street, San Francisco, CA
Hotel Utah
(415) 546-6300
859 O'Farrell Street, San Francisco, CA
Great American Music Hall
(415) 885-0750
1233 17th Street, San Francisco, CA
Bottom of the Hill
(415) 621-4455
Advanced
Blah blah
Use My Location!
333 11th Street, San Francisco, CA
Slims
(415) 255-0333
1805 Geary Blvd, San Francisco, California 94115
The Fillmore
415.346.6000
500 4th Street, San Francisco, CA
Hotel Utah
(415) 546-6300
859 O'Farrell Street, San Francisco, CA
Great American Music Hall
(415) 885-0750
1233 17th Street, San Francisco, CA
Bottom of the Hill
(415) 621-4455
Simple Map that's Hidden
Click Me to initialize the map
Use My Location!
333 11th Street, San Francisco, CA
Slims
(415) 255-0333
1805 Geary Blvd, San Francisco, California 94115
The Fillmore
415.346.6000
500 4th Street, San Francisco, CA
Hotel Utah
(415) 546-6300
859 O'Farrell Street, San Francisco, CA
Great American Music Hall
(415) 885-0750
1233 17th Street, San Francisco, CA
Bottom of the Hill
(415) 621-4455
Simple Map that's Initialised at a Button
Click me to show map
Use My Location!
333 11th Street, San Francisco, CA
Slims
(415) 255-0333
1805 Geary Blvd, San Francisco, California 94115
The Fillmore
415.346.6000
500 4th Street, San Francisco, CA
Hotel Utah
(415) 546-6300
859 O'Farrell Street, San Francisco, CA
Great American Music Hall
(415) 885-0750
1233 17th Street, San Francisco, CA
Bottom of the Hill
(415) 621-4455


{% macro signin(optional_class, form) %}
What's your name?
You'll use this when you log in and if you ever need to reset your password.
Enter at least 8 characters. We recommend an unusual phrase or sentence.
It looks like you've entered the wrong info. Please make sure that you use your real date of birth.
Please choose a gender. You can change who can see this later.
By clicking Sign up, you agree to our Terms. Learn how we collect, use and share your data in our Data Policy and how we use cookies and similar technology in our Cookie Policy. You may receive SMS notifications from us and can opt out at any time.


This is my content paragraph for this page. I am using this uselesss text as a place holder only to show
that i know how to use CSS grid.This is my content paragraph for this page. I am using this uselesss text as a place holder only to show
that i know how to use CSS grid.This is my content paragraph for this page. I am using this uselesss text as a place holder only to show
that i know how to use CSS grid.This is my content paragraph for this page. I am using this uselesss text as a place holder only to show
that i know how to use CSS grid.This is my content paragraph for this page. I am using this uselesss text as a place holder only to show
that i know how to use CSS grid.This is my content paragraph for this page. I am using this uselesss text as a place holder only to show
that i know how to use CSS grid.


| Row 1 Col1 | Row 1 Col2 |
| Row 2 Col1 | Row 2 Col2 |
| Table 2 | |
| Row 1 Col1 | Row 1 Col2 |
| Row 2 Col1 | Row 2 Col2 |
| Row 3 Col1 | Row 3 Col2 |
| Row 4 Col1 | Row 4 Col2 |
| cell 1 | cell2 | ||
|
Normal |
| This text is in the THEAD. |
| This text is in the FRST TBODY. |
| This text is in the SECOND TBODY. |
| This text is also in the SECOND TBODY. |
| This text is in the THIRD TBODY. |
| A picture is in the next cell | |
| A link is in the next cell |
| Table 3 | |
| Row 1 Col1 | Row 1 Col2 |
| Row 2 Col1 | Row 2 Col2 |
| Row 3 Col1 | Row 3 Col2 |
| Row 4 Col1 | Row 4 Col2 |


This is the webpage for controlling the Raspberry Pi 3 to manipulate the output of some led strips with a simple user-friendly interface.
The Raspberry Pi is connected to a ws2812b
led strip. With 100 individually adressable leds. Those leds are controlled from a python script using the rpi_ws281x library.
The Raspberry Pi is also connected to a 8 led RGB ring. Wich are also individually adressable with the same library.
Using this web you can program either the led strip or the led ring to do certain animations or display a single color/gradient.
This web also allows you to create music reactive animations.
All the code is avaliable in a GitHub repository.
GitHub repoQuarries is a fun Unity game for Android devices wich is published on Google Play Store
QuarriesClick Math is a math visualization web where I've built some animations and visualizations using p5.js, a user friendly library for drawing on a canvas.
Click Math


Fitting Bayesian multiple and mixed-effect regression models for circular data based on the projected normal distribution. Both continuous and categorical predictors can be included. Sampling from the posterior is performed via an MCMC algorithm. Posterior descriptives of all parameters, model fit statistics and Bayes factors for hypothesis tests for inequality constrained hypotheses are provided. See Cremers, Mulder & Klugkist (2018) <doi:10.1111/bmsp.12108> and Nuñez-Antonio & Guttiérez-Peña (2014) <doi:10.1016/j.csda.2012.07.025>.
| Version: | 1.0.0 |
| Depends: | R (≥ 3.4.0) |
| Imports: | Rcpp (≥ 0.12.13), MASS (≥ 7.3.47), haven (≥ 1.1.0), methods (≥ 3.4.1) |
| LinkingTo: | Rcpp (≥ 0.12.13), RcppArmadillo (≥ 0.7.960.1.2), BH (≥ <IP_ADDRESS>) |
| Published: | 2018-02-27 |
| Author: | Jolien Cremers [aut, cre] |
| Maintainer: | Jolien Cremers <joliencremers at gmail.com> |
| BugReports: | https://github.com/joliencremers/bpnreg/issues |
| License: | GPL-3 |
| URL: | https://github.com/joliencremers/bpnreg |
| NeedsCompilation: | yes |
| Materials: | README NEWS |
| CRAN checks: | bpnreg results |
| Reference manual: | bpnreg.pdf |
| Package source: | bpnreg_1.0.0.tar.gz |
| Windows binaries: | r-devel: bpnreg_1.0.0.zip, r-release: bpnreg_1.0.0.zip, r-oldrel: bpnreg_1.0.0.zip |
| OS X binaries: | r-release: bpnreg_1.0.0.tgz, r-oldrel: bpnreg_1.0.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=bpnreg to link to this page.


HttpClient and RxJS Operators
This example shows how to use key RxJS operators such as
map, tap, forkJoin, switchMap, and mergeMap.
Character Search
Enter a Star Wars character name (partial names are fine):
Characters
Planets
People and Homeworlds
-
{{ char.name }} ({{ char.homeworld.name }})
{{ charactersAndPlanets | json }}
{{ characterWithHomeworld$ | async | json }}


Portfolio
Angular 4 and Firebase App
Janie's Garden App
Keep track of what you've planted
AngularJS App
Bisexual Apparel
Keep inventory of clothes
API Challenge
CNN API App
View current headlines
jQuery App
Book List
Add books to a list
React-Redux App (in progress)
Bucket List
Make your life's bucket list
Resume
See my qualifications
I can assist with your next project


check-in app
DPSNMUNC'16
beta
Model United Nations Elite
#mune
≡
DPSNMUNC'16 Check-In App
School Delegation
Individual Applicant
DPS Newtown Delegate
Your school's name
Number of participants
Your contact number
+91
continue


AMORES PERROS
Directed by Alejandro Gonzalez Inarritu
Screenplay by Guillermo Arriaga (from his novel)
De Vargas NR 153 min subtitles
The movie opens with a high-speed car chase through the crowded streets of Mexico City.  The chase ends in a two-car collision that's horrific even by our jaded moviegoing standards. And from that deadly intersection we move back and forward in time, following three separate stories of dogs, love, and violence that occasionally brush up against each other.
Though the end credits assure us that no dogs were hurt in the making of this film, it will still test the sensibilities of animal lovers. At the very least, a few dogs must have been drugged, or else sent for extensive method training at the Canine Actor's Studio. The first story centers on a teenager who earns a nest egg to run away with his brother's young wife by entering his dog in dogfights, which he wins until an opponent spectacularly cheats. The grimy arenas awash in fur and blood are likely to be more upsetting to many audiences than the human violence, though there's plenty of the latter as well.
The second, and least effective, story concerns a supermodel and her married lover, and her fluffy little dog Richie who gets stuck beneath the polished floor of their new apartment when he dives through a hole in pursuit of a ball. The metaphors run a bit thick here, but what undercuts this section most is the unbelievability of the characters' responses.
The last part of the triptych features El Chivo, a man who was once a college professor with a wife and small daughter, then a revolutionary guerilla, then a convict. Now he's a homeless bum who makes a sporadic living as an assassin, living in filth and shattered illusions in an abandoned building with the pack of stray dogs he's taken in. He yearns for a reunion with the grown daughter who thinks he's dead, and he's a walking case study in the maxim that no good deed goes unpunished.
Director Alejandro Gonzalez Inarritu, who grew up in Mexico City, sees the love, loyalty, and brutality of dogs mirrored in the lives of the people who feed and care for them them. It's the first theatrical feature for Inarritu, but he handles it with a veteran's sureness. Comparisons are inevitable with Tarantino's Pulp Fiction, and also with Soderberg's Traffic; Inarritu lacks Tarantino's cocky comic swagger, but he leaves Soderberg in the dust. In part he benefits from the use of a cast of talented actors unknown here, who create their characters without the distraction of recognition. Best is Emilio Echeverria as El Chivo, the hirsute hit man, whose face rivets our attention whenever he rambles across the screen. If it were Michael Douglas in the role, no matter how good he was, a part of our consciousness would be distracted by his Michael Douglasness.
Inarritu set out to explore the social structure of Mexico City in this film, and he does it best when he stays in its sprawling underbelly, where it's a dog-eat-dog world. Amores Perros was Mexico's entry in the Oscars, and it's a terrific movie - if you can stomach the (simulated) dogfights.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Sebi imposes Rs 2 lakh fine on Unitech for violating Listing Agreement
It was alleged that Unitech made incorrect disclosure about shareholding of some promoters in the quarter ended September 2008 and December 2008.
by PTIMarkets regulator Sebi on Friday slapped a fine of Rs 2 lakh on Unitech Ltd for making wrong disclosure with regard to shareholding pattern of some promoters.
It was alleged that Unitech made incorrect disclosure about shareholding of some promoters in the quarter ended September 2008 and December 2008.
The Securities and Exchange Board of India (Sebi) conducted an examination in the scrip of Unitech for October 2008 to December 2008 period to ascertain violation of Listing Agreement.
The Sebi probe found certain discrepancies in the shareholding of promoters of Unitech — Mayfair Investments P Ltd and Prakausali Investments India P Ltd — in the quarter ended September 2008 with respect to disclosure made to the BSE and as per shareholding provided by RTA Registrar & share transfer agents and depositories.
In fact, there was incorrect disclosure of the shareholding of these two entities by Unitech.
“Noticee (Unitech) by making wrong disclosures of the shareholding of its promoters, violated the provisions…of Listing Agreement…and hence, the allegations against the noticee thus stand established,” the regulator said in an order.
Accordingly, Sebi imposed a penalty of Rs 2 lakh on the company.


For each project a folder is created into Dexcalibur workspace. The project UID is the folder name.
Looks good!
This project UID is invalid. Project name must be unique and must contain only: A-Z a-z 0-9 - _
What do you want ?
Please select file/app to analyze
Database:
Looks good!
Device unknown or not enrolled.
Select an application to analyze
Select a device and an application to analyze ...
Loading application ...
App name
Action
Platform Manager
Additionnal platform can be install from here (require internet). It extends Dexcalibur by providing
a more accurate analysis. If you think an application use a function introduced recently, then ensure
to have the right Android version installed.
Name
Version
Source
Action
Device Manager
Here, you can "enroll" a new device. In fact, Dexcalibur will:
push Frida server into the device
gather metadata about context to improve hook interpretation
identify device configuration : TEE, GMS version, ...


Class REST_Controller
CodeIgniter Rest Controller A fully RESTful server implementation for CodeIgniter using one library, one config file and one controller.
- CI_Controller
- REST_Controller
Package: CodeIgniter\Libraries
Category: Libraries
License: MIT
Author: Phil Sturgeon, Chris Kacerguis
Version: 3.0.0
Link: https://github.com/chriskacerguis/codeigniter-restserver
Located at application/libraries/REST_Controller.php
protected
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public
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public
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public
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public
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protected
mixed|null|string
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protected
string|null
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protected
boolean
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protected
null|string
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protected
boolean
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protected
boolean
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#
_check_limit( string $controller_method )
Check if the requests to a controller method exceed a limit |
protected
boolean
|
#
_auth_override_check( )
Auth override check Check if there is a specific auth type set for the current class/method being called. |
protected
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protected
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protected
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protected
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protected
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protected
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protected
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public
array|string|false
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public
array|string|false
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public
array|string|false
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public
array|string|false
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public
array|string|false
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public
array|string|false
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public
array|string|false
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protected
string
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#
_xss_clean( string $value, boolean $xss_clean )
Sanitizes data so that Cross Site Scripting Hacks can be prevented. |
public
array
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protected
boolean
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protected
boolean
|
#
_perform_library_auth( string $username = '', string $password = NULL )
Perform Library Authentication - Override this function to change the way the library is called |
protected
boolean
|
#
_check_login( string $username = NULL, boolean|string $password = FALSE )
Check if the user is logged in |
protected
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protected
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protected
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protected
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#
_check_blacklist_auth( )
Checks if the client's ip is in the 'rest_ip_blacklist' config and generates a 401 response |
protected
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#
_check_whitelist_auth( )
Check if the client's ip is in the 'rest_ip_whitelist' config and generates a 401 response |
protected
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protected
boolean
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protected
boolean
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protected
boolean
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protected
string|null
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$rest_format
This defines the rest format. Must be overridden it in a controller so that it is set. |
#
NULL
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protected
array
|
$methods
Defines the list of method properties such as limit, log and level |
#
[]
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protected
array
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$allowed_http_methods
List of allowed HTTP methods |
#
['get', 'delete', 'post', 'put', 'options', 'patch', 'head']
|
protected
object
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$request
Contains details about the request Fields: body, format, method, ssl Note: This is a dynamic object (stdClass) |
#
NULL
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protected
object
|
$response
Contains details about the response Fields: format, lang Note: This is a dynamic object (stdClass) |
#
NULL
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protected
object
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$rest
Contains details about the REST API Fields: db, ignore_limits, key, level, user_id Note: This is a dynamic object (stdClass) |
#
NULL
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protected
array
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$_get_args
The arguments for the GET request method |
#
[]
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protected
array
|
$_post_args
The arguments for the POST request method |
#
[]
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protected
string
|
$_insert_id
The insert_id of the log entry (if we have one) |
#
''
|
protected
array
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$_put_args
The arguments for the PUT request method |
#
[]
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protected
array
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$_delete_args
The arguments for the DELETE request method |
#
[]
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protected
array
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$_patch_args
The arguments for the PATCH request method |
#
[]
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protected
array
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$_head_args
The arguments for the HEAD request method |
#
[]
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protected
array
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$_options_args
The arguments for the OPTIONS request method |
#
[]
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protected
array
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$_args
The arguments from GET, POST, PUT, DELETE request methods combined. |
#
[]
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protected
boolean
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$_allow
If the request is allowed based on the API key provided. |
#
TRUE
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protected
boolean
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$_zlib_oc
Determines if output compression is enabled |
#
FALSE
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protected
string
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$_user_ldap_dn
The LDAP Distinguished Name of the User post authentication |
#
''
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protected
string
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$_start_rtime
The start of the response time from the server |
#
''
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protected
string
|
$_end_rtime
The end of the response time from the server |
#
''
|
protected
array
|
$_supported_formats
List all supported methods, the first will be the default format |
#
[
'json' => 'application/json',
'array' => 'application/json',
'csv' => 'application/csv',
'html' => 'text/html',
'jsonp' => 'application/javascript',
'php' => 'text/plain',
'serialized' => 'application/vnd.php.serialized',
'xml' => 'application/xml'
]
|
protected
object
|
$_apiuser
Information about the current API user |
|
protected
boolean
|
$_enable_xss
Enable XSS flag Determines whether the XSS filter is always active when GET, OPTIONS, HEAD, POST, PUT, DELETE and PATCH data is encountered. Set automatically based on config setting. |
#
FALSE
|


--- layout: post status: publish published: true title: "[Eclipse] setting (quick bookmarks, change tap size)" author: display_name: hojunbaek login: hojunbaek email<EMAIL_ADDRESS>url: '' author_login: hojunbaek author_email<EMAIL_ADDRESS>wordpress_id: 830 wordpress_url: http://ezcocoa.com/?p=830 date: '2011-07-07 09:50:16 +0900' date_gmt: '2011-07-07 09:50:16 +0900' categories: - Eclipse tags: - eclipse - plugin - bookmark - tap - tapsize - 북마크 - 이클립스 comments: [] ---
1. bookmarks
eclipse는 bookmarks를 지원합니다만 단축키를 이용한 quick bookmark는 지원하지 않습니다.
아래는 quick bookmark를 사용할 수 있도록 지원하는 플러그인 설명과 설치법입니다.
출처 : http://domui.org/wiki/bin/view/Documentation/EclipsePlugin
Installation
-In the menu, select Help > Install New Software
-In the "Work With" field enter the following URL: http://www.domui.org/eclipse-updates/
-Press the "Add" button, add a name for the thing (DomUI), then press OK and wait for the URL to load
-Select the things you want to add. The DomUI plugin or the Editor Tools (See below)
-Accept licences and other questions and restart Eclipse.
About bookmarks plugin
The "default" bookmark methods of Eclipse ask for a name and this is often not very useful. The code here adds bookmarks a la "Borland" and bookmarks a la "JCreator". The code has the following options which can all be bound/rebound with the keys dialog under the "Edit" category:
-Add a numbered bookmark at the cursor: Alt+[digit]. This creates a quick bookmark with the specified number using a "single" keypress. Only one bookmark of the given number can be present in the workspace. Setting the same number bookmark again will clear the earlier instance.
-Goto a numbered bookmark: Alt+Shift+[digit]. Moves to the bookmark as it was set using Alt+[digit].
-Toggle Bookmark: Ctrl+B. This drops an unnamed bookmark at the current location. Pressing Ctrl+B again releases the bookmark at that location again. This is often used with "Goto next bookmark" and "Goto previous bookmark".
-Goto next bookmark in file: Ctrl+N. This locates the next bookmark in the current file and moves there.
-Goto previous bookmark in file: Ctrl+P. This locates the previous bookmark in the current file and moves there.warning: the Ctrl+P binding is a suggestion only; since Ctrl+P is currently assigned you must add your own key binding using Window -> Preferences -> General -> Keys.
2. change tap size
Prefs -> Java -> Code Style -> Formatter and edit the profile.


Greg Sarafian
About
Hi, I'm Greg! I enjoy playing basketball, coding, spending time with friends, and listening to music. I am committed to helping others and to enabling others in my community to pursue their passions through the programs that I am involved with.
I am currently a full-time student at the University of Maryland, College Park where I am pursuing a B.S. in Computer Science. This website serves as a portfolio of my projects, activities, and achievements that I am most proud of. Thanks for stopping by!
Experience
-
River Dell Technology Department: Assistant IT Technician
Summers: 2016, 2017, 2018
Over my high school summers, I worked as an Assistant IT Technician at River Dell Regional School District's Technology department. My responsibilities included imaging Windows devices, assisting in installing and sustaining network devices, and assembling and installing various accessories throughout the campus.
-
Bitcamp: Sponsorship & Design
November 2018 - Present
Bitcamp is the University of Maryland's annual 36-hour hackathon. As a part of the sponsorship team my contributions to the event include procuring funds from sponsors through outreach to private sector, to community leaders, and to academia. Additionally, I work with the design team to formulate branding, marketing materials, web design and more.
-
River Dell Board of Education: Student Liaison
September 2017 - June 2018
I was selected by River Dell faculty as a student liaison to the board of education. At every district board meeting of the 2017-18 school year, I presented the latest accomplishments and concerns of the students. As a representative for the student body, I provided my own insight prior to decisions being made by the board.
-
Hack River Dell: Co-founder & Director of Sponsorships, Marketing and Design
June 2016 - January 2018
I am a co-founder of Hack River Dell, the first-ever student-run hackathon at my high school and at the time one of only ten high school hackathons affiliated with Major League Hacking in the United States. I was the director of Public Relations, Sponsorships, and Branding for both the inaugural and second-annual event (2016 & 2017). My contributions included gathering sponsors through outreach to private sector, handling miscellaneous logistics, and formulating design and branding for the website, social media, and apparel.
Education
University of Maryland
2018 - 2022 (expected) | College Park, Maryland, USA
Pursuing B.S. in Computer Science, Class of 2022
River Dell Regional High School
2014 - 2018 | Oradell, New Jersey, USA
Activities: Boys Basketball Team, Peer Leadership, BOE Student Liaison, Hack River Dell
Academic Accolades: National Honor Society (Delesage Chapter), National English Honor Society, President's Award for Educational Excellence
Press
-
NorthJersey.com: River Dell's 'hackathon' may hatch next big thing
November 18, 2017
-
NorthJersey.com: Students show they can 'hack' it at River Dell event
December 3, 2016


You must be a Members Agency to loging to the Members Only Secion.
To Register go to Become a Members Aganecy and compleat the online application. Once aproved you will receive an email with your account information. If you are unsure that your aganecy is a Member contatct Member Support.
© 2017-2019


See: Description
| Class | Description |
|---|---|
| AudioUtil |
Used for playing audio clips (.WAV files)
|
| FileUtil |
Dunemasking FileUtil for easy editing and changing of filesv
|
| JarUtil |
Jar Utilities
|
| MathUtil |
Dunemasking MathUtil is a tool for the IDE development
|
| MediaUtil |
Media Player for mp3 and wav files, Uses deprectaed API
|
| ObjectUtil |
Does Some Object Editing
|
| RW |
Reads And Writes Files
|
| StringUtil |
Tests if String Is Already In The List:
StringUtil.alreadyInList(String[], String) |
Audio: AudioUtil
Object Utilities: ObjectUtil
Mp3 Utilities: MediaUtil
Jar Utilities: JarUtil
String Utilities: StringUtil
FileUtil: FileUtil
File Writer/Reader: RW
File Integer Util: MathUtil


{{Unreferenced|date=December 2009}}
A coulis ({{IPAc-en|k|uː|ˈ|l|iː}} {{respell|koo|LEE|'}}; French, from Old French couleis, from Vulgar Latin cōlāticus, from Latin cōlātus, past participle of cōlāre, to strain) is a form of thick sauce made from puréed and strained vegetables or fruits. A vegetable coulis is commonly used on meat and vegetable dishes, and it can also be used as a base for soups or other sauces. Fruit coulis are most often used on desserts. Raspberry coulis, for example, is especially popular with poached apples or Key Lime Pie.
The term originally referred to the released juices of cooked meats, and today can sometimes refer to a puréed soup of shellfish.
{{Commons category|Coulis}} {{Wiktionary|coulis}}
{{Food-stub}}


THE TRUMAN SHOW (1998)
A film review by Steve Kong Edited by Cher Johnson Copyright 1998 Steve Kong
This is going to be hard to say, but I'll say it because it's the truth: Jim Carrey can act.
Carrey shows restraint as Truman Burbank, a man trapped unknowingly in a live TV broadcast of his life. Discarded as an unwanted baby, he is the first child to be adopted by a corporation. Truman's life is the center of The Truman Show. The show is the creation of TV director Christof (Ed Harris) who watches over Truman like a father.
A series of events lead Truman to dig deeper into his life, causing him to find out that his life may have been fabricated. His wife, Meryl (Laura Linney), his best friend, Marlon (Noah Emmerich), and his parents -- could they all just be actors?
Writer Andrew Niccol (who directed and wrote last year's Gattacca) takes the idea of a guy stuck in a TV show and runs with it. He makes us think: Could our own lives be fabricated? How much acting do people around us do? And Niccol brings meaning to Shakespeare's "All the world's a stage."; in The Truman Show everyone is an actor except for Truman himself.
The Truman Show opens with the line: We're tired of pyrotechnics and special effects… And we are, let's have some creativity in Hollywood, let's have some originality, let's have a movie that doesn't rely on computer generated mutated iguanas. The Truman Show delivers on its laughs and it delivers on a well-written story.
I've never completely liked Carrey. From his stint on In Living Color to his movies afterwards, I never liked his rubber-faced antics, and sometimes childish-for-shock humor. Lately though, some of his work has been impressive. His "turn to drama" role in Liar Liar was enjoyable. His work in The Mask was fitting. In The Truman Show, Carrey holds off on almost all of his antics - there are still times where they show up - and it works for the best. The Truman Show is a showcase for Carrey, showing that he can do other stuff than the crap that he did in the Pet Detective movies.
Will Carrey ever be a Robin Williams? Maybe, but there is something about Williams that Carrey just does not have. I can't put my finger on it, but if you also feel the same please let me know.
Director, Peter Weir, should be given a lot of credit for the work he's done with The Truman Show. The docu-drama look of the film works well and does not become overly distracting. The humor is there and always works -- I loved the posters warning about travel in the travel agency office.
For those looking for an all out Jim Carrey comedy, like the Pet Detective films, you'll be disappointed. The trailers for The Truman Show promote the film wrongly: as a comedy. The Truman Show is more of a satirical look at the wrongs of our society. Unlike most all of Carrey's old films its a thinking film.
Worth mentioning is the costume design by Marilyn Matthews and the production design by Dennis Gassner. Matthew's costume design is old yet very new. Complimenting this look are Gassner's sets which look so modern but incorporate older designs that they are pleasing but not distracting. I loved the look of The Truman Show.
If you avoid Jim Carrey films because of his antics, you might want to see The Truman Show; you'll be pleasantly surprised. It's a fun film that is a satire on the way our society stands. If not, just see it because it is a beautiful looking film with some laugh-out-loud moments. I never thought I'd say this about a Jim Carrey film, but: Don't Miss The Truman Show.
--- Steve Kong<EMAIL_ADDRESS>reviews from a guy who loves the cinema http://boiled.sbay.org/boiled/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


There is an undirected graph with n
nodes, where each node is numbered between
0
and n - 1
. You are given a 2D array graph
, where graph[u]
is
an array of nodes that node u
is adjacent to. More formally, for each v
in
graph[u]
, there is an undirected edge between node u
and node v
. The graph
has the following properties:
graph[u]
does not contain u
).graph[u]
does not contain duplicate values).v
is in graph[u]
, then u
is in graph[v]
(the graph is
undirected).
u
and v
such that
there is no path between them.
A graph is bipartite if the nodes can be partitioned into two independent sets A
and B
such that every edge in the graph connects a node in set A
and
a node in set B
.
Return true
if and only if it is bipartite.
Example 1:
Input: graph = [[1,2,3],[0,2],[0,1,3],[0,2]] Output: false Explanation: There is no way to partition the nodes into two independent sets such that every edge connects a node in one and a node in the other.
Example 2:
Input: graph = [[1,3],[0,2],[1,3],[0,2]] Output: true Explanation: We can partition the nodes into two sets: {0, 2} and {1, 3}.
Constraints:
graph.length == n
1 <= n <= 100
0 <= graph[u].length < n
0 <= graph[u][i] <= n - 1
graph[u]
does not contain u
.graph[u]
are unique.graph[u]
contains v
, then graph[v]
contains u
.


Q3CocoaDrawContext_GetNSView |
( TQ3Status ) Q3CocoaDrawContext_GetNSView ( TQ3DrawContextObject _Nonnull drawContext, void * _Nullable * _Nonnull nsView );
Get the NSView of a Cocoa draw context.
This function is not available in QD3D.
- drawContext
- The draw context to query.
- nsView
- Receives the NSView of the draw context.
Q3CocoaDrawContext_New |
( TQ3DrawContextObject _Nonnull ) Q3CocoaDrawContext_New ( const TQ3CocoaDrawContextData * _Nonnull drawContextData );
Create a new Cocoa draw context object.
This function is not available in QD3D.
It is now preferred that the Cocoa view be an instance of a subclass of
NSOpenGLView. In that case, the view owns an NSOpenGLContext and an
NSOpenGLPixelFormat, so that Quesa does not need to create them.
The Quesa draw context object will retain a strong reference to the NSView pointer
provided in the TQ3CocoaDrawContextData structure. That reference will be retained
until the draw context is destroyed, or until the NSView pointer is changed using
Q3CocoaDrawContext_SetNSView.
- drawContextData
- The data for the Cocoa draw context object.
Q3CocoaDrawContext_SetNSView |
( TQ3Status ) Q3CocoaDrawContext_SetNSView ( TQ3DrawContextObject _Nonnull drawContext, void * _Nonnull nsView );
Set the NSView for a Cocoa draw context.
This function is not available in QD3D.
The new NSView pointer provided by this function will be retained
by the draw context, and the old NSView pointer previously held by
the draw context will be released.
- drawContext
- The draw context to update.
- nsView
- The new NSView for the draw context.
Q3DDSurfaceDrawContext_GetDirectDrawSurface |
( TQ3Status ) Q3DDSurfaceDrawContext_GetDirectDrawSurface ( TQ3DrawContextObject drawContext, TQ3DDSurfaceDescriptor *ddSurfaceDescriptor );
Get the DD surface of a Win32 DD draw context.
- drawContext
- The draw context to query.
- ddSurfaceDescriptor
- Receives the DD surface of the draw context.
Q3DDSurfaceDrawContext_New |
( TQ3DrawContextObject ) Q3DDSurfaceDrawContext_New ( const TQ3DDSurfaceDrawContextData *drawContextData );
Create a new Win32 DD draw context object.
- drawContextData
- The data for the draw context.
Q3DDSurfaceDrawContext_SetDirectDrawSurface |
( TQ3Status ) Q3DDSurfaceDrawContext_SetDirectDrawSurface ( TQ3DrawContextObject drawContext, const TQ3DDSurfaceDescriptor *ddSurfaceDescriptor );
Set the DD surface for a Win32 DD draw context.
- drawContext
- The draw context to update.
- ddSurfaceDescriptor
- The new DD surface for the draw context.
Q3DrawContext_GetClearImageColor |
( TQ3Status ) Q3DrawContext_GetClearImageColor ( TQ3DrawContextObject _Nonnull context, TQ3ColorARGB * _Nonnull color );
Get the clear image colour of a draw context.
- context
- The draw context to query.
- color
- Receives the clear image colour.
Q3DrawContext_GetClearImageMethod |
( TQ3Status ) Q3DrawContext_GetClearImageMethod ( TQ3DrawContextObject _Nonnull context, TQ3DrawContextClearImageMethod * _Nonnull method );
Get the clear image method of a draw context.
- context
- The draw context to query.
- method
- Receives the clear image method.
Q3DrawContext_GetData |
( TQ3Status ) Q3DrawContext_GetData ( TQ3DrawContextObject _Nonnull context, TQ3DrawContextData * _Nonnull contextData );
Get the common state of a draw context.
- context
- The draw context to query.
- contextData
- Receives the common state for the draw context.
Q3DrawContext_GetDoubleBufferState |
( TQ3Status ) Q3DrawContext_GetDoubleBufferState ( TQ3DrawContextObject _Nonnull context, TQ3Boolean * _Nonnull state );
Get the double-buffer state of a draw context.
- context
- The draw context to query.
- state
- Receives true or false as the draw context is double-buffered.
Q3DrawContext_GetMask |
( TQ3Status ) Q3DrawContext_GetMask ( TQ3DrawContextObject _Nonnull context, TQ3Bitmap * _Nonnull mask );
Get the mask of a draw context.
- context
- The draw context to query.
- mask
- Receives the current draw context mask.
Q3DrawContext_GetMaskState |
( TQ3Status ) Q3DrawContext_GetMaskState ( TQ3DrawContextObject _Nonnull context, TQ3Boolean * _Nonnull state );
Get the mask state of a draw context.
- context
- The draw context to query.
- state
- Receives true or false as the mask is active.
Q3DrawContext_GetPane |
( TQ3Status ) Q3DrawContext_GetPane ( TQ3DrawContextObject _Nonnull context, TQ3Area * _Nonnull pane );
Get the area within the draw context which is rendered to.
Rendering within a draw context is constrained to within the active
pane. If no pane is active, renderers will draw to the entire
draw context (e.g., the bounds of the window).
Note that, unlike QD3D, Quesa will return the size of the entire
draw context if this routine is called on a draw context which has
not had an explicit pane set.
- context
- The draw context to query.
- pane
- Receives the dimensions of the rendered area.
Q3DrawContext_GetPaneState |
( TQ3Status ) Q3DrawContext_GetPaneState ( TQ3DrawContextObject _Nonnull context, TQ3Boolean * _Nonnull state );
Get the pane state of a draw context.
- context
- The draw context to query.
- state
- Receives true or false as the pane is active.
Q3DrawContext_GetType |
( TQ3ObjectType ) Q3DrawContext_GetType ( TQ3DrawContextObject _Nonnull drawContext );
Get the type of a draw context.
Returns kQ3ObjectTypeInvalid if the draw context type is unknown.
- drawContext
- The draw context to query.
Q3DrawContext_SetClearImageColor |
( TQ3Status ) Q3DrawContext_SetClearImageColor ( TQ3DrawContextObject _Nonnull context, const TQ3ColorARGB * _Nonnull color );
Set the clear image colour for a draw context.
- context
- The draw context to update.
- color
- The new clear image colour.
Q3DrawContext_SetClearImageMethod |
( TQ3Status ) Q3DrawContext_SetClearImageMethod ( TQ3DrawContextObject _Nonnull context, TQ3DrawContextClearImageMethod method );
Set the clear image method for a draw context.
- context
- The draw context to update.
- method
- The new clear image method.
Q3DrawContext_SetData |
( TQ3Status ) Q3DrawContext_SetData ( TQ3DrawContextObject _Nonnull context, const TQ3DrawContextData * _Nonnull contextData );
Set the common state for a draw context.
- context
- The draw context to update.
- contextData
- The new common state for the draw context.
Q3DrawContext_SetDoubleBufferState |
( TQ3Status ) Q3DrawContext_SetDoubleBufferState ( TQ3DrawContextObject _Nonnull context, TQ3Boolean state );
Set the double-buffer state of a draw context.
A double-buffered draw context will draw to an off-screen buffer as
objects are submited, and update the destination window/surface once
at the end of the frame.
- context
- The draw context to update.
- state
- True or false as the draw context is to be double-buffered.
Q3DrawContext_SetMask |
( TQ3Status ) Q3DrawContext_SetMask ( TQ3DrawContextObject _Nonnull context, const TQ3Bitmap * _Nonnull mask );
Set the mask for a draw context.
The mask field is a bitmap-level clipping mask, which clips the rendered
output as it is copied to the destination.
This feature is not currently supported by Quesa's interactive renderers.
- context
- The draw context to update.
- mask
- The new mask for the draw context.
Q3DrawContext_SetMaskState |
( TQ3Status ) Q3DrawContext_SetMaskState ( TQ3DrawContextObject _Nonnull context, TQ3Boolean state );
Set the mask state for a draw context.
- context
- The draw context to update.
- state
- True or false as the mask is active.
Q3DrawContext_SetPane |
( TQ3Status ) Q3DrawContext_SetPane ( TQ3DrawContextObject _Nonnull context, const TQ3Area * _Nonnull pane );
Set the area within the draw context which is rendered to.
Rendering within a draw context is constrained to within the active
pane. If no pane is active, renderers will draw to the entire
draw context (e.g., the bounds of the window).
- context
- The draw context to update.
- pane
- The area which rendering will be constrained to.
Q3DrawContext_SetPaneState |
( TQ3Status ) Q3DrawContext_SetPaneState ( TQ3DrawContextObject _Nonnull context, TQ3Boolean state );
Set the pane state for a draw context.
- context
- The draw context to update.
- state
- True or false as the pane is active.
Q3GenericDrawContext_New |
( TQ3DrawContextObject _Nonnull ) Q3GenericDrawContext_New ( const TQ3Area * _Nonnull contextPane );
Create a new Generic draw context object. A generic draw context cannot be used for rendering,
except when using a generic renderer, but can be used for window point and window rectangle
picking. You can use Q3DrawContext_SetPane
to update the pane area.
- contextPane
- The pane area for the generic draw context object.
Q3PixmapDrawContext_GetPixmap |
( TQ3Status ) Q3PixmapDrawContext_GetPixmap ( TQ3DrawContextObject _Nonnull drawContext, TQ3Pixmap * _Nonnull pixmap );
Get the pixmap of a pixmap draw context.
- drawContext
- The draw context to query.
- pixmap
- Receives the pixmap of the draw context.
Q3PixmapDrawContext_New |
( TQ3DrawContextObject _Nonnull ) Q3PixmapDrawContext_New ( const TQ3PixmapDrawContextData * _Nonnull contextData );
Create a new Pixmap draw context object.
- contextData
- The data for the pixmap draw context object.
Q3PixmapDrawContext_SetPixmap |
( TQ3Status ) Q3PixmapDrawContext_SetPixmap ( TQ3DrawContextObject _Nonnull drawContext, const TQ3Pixmap * _Nonnull pixmap );
Set the pixmap for a pixmap draw context.
- drawContext
- The draw context to update.
- pixmap
- The new pixmap for the draw context.
Q3Win32DCDrawContext_GetDC |
( TQ3Status ) Q3Win32DCDrawContext_GetDC ( TQ3DrawContextObject _Nonnull drawContext, HDC _Nullable * _Nonnull curHDC );
Get the DC for a Win32 DC draw context.
- drawContext
- The draw context to query.
- curHDC
- Receives the DC of the draw context.
Q3Win32DCDrawContext_New |
( TQ3DrawContextObject _Nullable ) Q3Win32DCDrawContext_New ( const TQ3Win32DCDrawContextData * _Nonnull drawContextData );
Create a new Win32 DC draw context object.
- drawContextData
- The data for the Win32 DC draw context object.
Q3Win32DCDrawContext_SetDC |
( TQ3Status ) Q3Win32DCDrawContext_SetDC ( TQ3DrawContextObject _Nonnull drawContext, HDC _Nonnull newHDC );
Set the DC for a Win32 DC draw context.
- drawContext
- The draw context to update.
- newHDC
- The new DC for the draw context.
Q3XBuffers_New |
( TQ3XBufferObject ) Q3XBuffers_New ( Display *dpy, TQ3Uns32 numBuffers, Window window );
Create a new X11 buffer object.
Note - no QD3D documentation could be found for this routine. The
purpose of the function, and its parameters/result, have been assumed.
- dpy
- The X11 display.
- numBuffers
- The number of buffers to create.
- window
- The X11 window.
Q3XBuffers_Swap |
( void ) Q3XBuffers_Swap ( Display *dpy, TQ3XBufferObject buffers );
Swap the front and back buffers of an X11 buffer object.
Note - no QD3D documentation could be found for this routine. The
purpose of the function, and its parameters/result, have been assumed.
- dpy
- The X11 display.
- buffers
- The X11 buffer object.
Q3XDrawContext_GetColormap |
( TQ3Status ) Q3XDrawContext_GetColormap ( TQ3DrawContextObject drawContext, Colormap *colormap );
Get the Colormap of an X11 draw context.
- drawContext
- The draw context to query.
- colormap
- Receives the Colormap of the draw context.
Q3XDrawContext_GetColormapData |
( TQ3Status ) Q3XDrawContext_GetColormapData ( TQ3DrawContextObject drawContext, TQ3XColormapData *colormapData );
Get the Colormap data of an X11 draw context.
- drawContext
- The draw context to query.
- colormapData
- Receives the Colormap data of the draw context.
Q3XDrawContext_GetDisplay |
( TQ3Status ) Q3XDrawContext_GetDisplay ( TQ3DrawContextObject drawContext, Display **display );
Get the Display of an X11 draw context.
- drawContext
- The draw context to query.
- display
- Receives the Display of the draw context.
Q3XDrawContext_GetDrawable |
( TQ3Status ) Q3XDrawContext_GetDrawable ( TQ3DrawContextObject drawContext, Drawable *drawable );
Get the Drawable of an X11 draw context.
- drawContext
- The draw context to query.
- drawable
- Receives the Drawable of the draw context.
Q3XDrawContext_GetVisual |
( TQ3Status ) Q3XDrawContext_GetVisual ( TQ3DrawContextObject drawContext, Visual **visual );
Get the Visual of an X11 draw context.
- drawContext
- The draw context to query.
- visual
- Receives the Visual of the draw context.
Q3XDrawContext_New |
( TQ3DrawContextObject ) Q3XDrawContext_New ( const TQ3XDrawContextData *drawContextData );
Create a new X11 draw context object.
- drawContextData
- The data for the X11 draw context object.
Q3XDrawContext_SetColormap |
( TQ3Status ) Q3XDrawContext_SetColormap ( TQ3DrawContextObject drawContext, Colormap colormap );
Set the Colormap of an X11 draw context.
- drawContext
- The draw context to update.
- colormap
- The new Colormap for the draw context.
Q3XDrawContext_SetColormapData |
( TQ3Status ) Q3XDrawContext_SetColormapData ( TQ3DrawContextObject drawContext, const TQ3XColormapData *colormapData );
Set the Colormap data for an X11 draw context.
- drawContext
- The draw context to update.
- colormapData
- The new Colormap data for the draw context.
Q3XDrawContext_SetDisplay |
( TQ3Status ) Q3XDrawContext_SetDisplay ( TQ3DrawContextObject drawContext, const Display *display );
Set the Display for an X11 draw context.
- drawContext
- The draw context to update.
- display
- The new Display for the draw context.
Q3XDrawContext_SetDrawable |
( TQ3Status ) Q3XDrawContext_SetDrawable ( TQ3DrawContextObject drawContext, Drawable drawable );
Set the Drawable for an X11 draw context.
- drawContext
- The draw context to update.
- drawable
- The new Drawable for the draw context.
Q3XDrawContext_SetVisual |
( TQ3Status ) Q3XDrawContext_SetVisual ( TQ3DrawContextObject drawContext, const Visual *visual );
Set the Visual of an X11 draw context.
- drawContext
- The draw context to update.
- visual
- The new Visual for the draw context.
Q3X_GetVisualInfo |
( XVisualInfo * ) Q3X_GetVisualInfo ( Display *dpy, Screen *screen );
Get an X11 visual info.
Note - no QD3D documentation could be found for this routine. The
purpose of the function, and its parameters/result, have been assumed.
- dpy
- The X11 display.
- screen
- The X11 screen.
TQ3GLContextDestructionCallback |
typedef Q3_CALLBACK_API_C (void, TQ3GLContextDestructionCallback) (
TQ3DrawContextObject _Nonnull inQuesaDC
);
If this function pointer is set as a property on a draw context,
it will be called when an OpenGL context is just about to be
destroyed. This will happen when a renderer is destroyed, and
may happen at other times too.
If you are making OpenGL calls in client code, you may need this
opportunity to clean up OpenGL objects or other data.
When the function is called, the OpenGL context will have been
made active.
- inQuesaDC
- The Quesa draw context associated with the OpenGL context being destroyed.
TQ3AcceleratedOffscreenPropertyData |
typedef struct TQ3AcceleratedOffscreenPropertyData { TQ3Object _Nonnull masterDrawContext; TQ3Boolean xcopyFromPixmapAtFrameStart; TQ3Boolean copyToPixmapAtFrameEnd; } TQ3AcceleratedOffscreenPropertyData;
To request that a pixmap draw context be rendered using hardware acceleration, attach this data, with the property type kQ3DrawContextPropertyAcceleratedOffscreen, to the draw context before rendering anything. The masterDrawContext member must be an on-screen context that has been rendered, and must continue to exist while the pixmap context exists. If there are multiple monitors being handled by multiple video cards, the masterDrawContext determines which video card will handle the hardware acceleration for the pixmap context.
- masterDrawContext
- An on-screen draw context, see discussion.
- xcopyFromPixmapAtFrameStart
- OBSOLETE.
- copyToPixmapAtFrameEnd
- Whether to copy the rendered image to the pixmap at the end of the last pass of each frame.
TQ3CocoaDrawContextData |
typedef struct TQ3CocoaDrawContextData { TQ3DrawContextData drawContextData; void * _Nonnull nsView; } TQ3CocoaDrawContextData;
Describes the state for a Cocoa draw context.
- drawContextData
- The common state for the draw context.
- nsView
- The NSView to render to. Preferably, this should be an instance of a subclass of NSOpenGLView, in which case Quesa will use the NSOpenGLContext and NSOpenGLPixelFormat owned by the view rather than creating its own.
TQ3DDSurfaceDescriptor |
typedef struct TQ3DDSurfaceDescriptor { TQ3DirectDrawObjectSelector objectSelector; union { LPDIRECTDRAW lpDirectDraw; LPDIRECTDRAW2 lpDirectDraw2; } ;
Describes the type of DirectDraw objects to be used for rendering.
- objectSelector
- Indicates the type of interface which has been supplied.
- lpDirectDraw
- A DIRECTDRAW interface object.
- lpDirectDraw2
- A DIRECTDRAW2 interface object.
- lpDirectDrawSurface
- A DIRECTDRAWSURFACE interface object.
- lpDirectDrawSurface2
- A DIRECTDRAWSURFACE2 interface object.
TQ3DDSurfaceDrawContextData |
typedef struct TQ3DDSurfaceDrawContextData { TQ3DrawContextData drawContextData; TQ3DDSurfaceDescriptor ddSurfaceDescriptor; } TQ3DDSurfaceDrawContextData;
Describes the state for a Windows DirectDraw draw context.
- drawContextData
- The common state for the draw context.
- ddSurfaceDescriptor
- Describes the DirectDraw surface to render to.
TQ3DrawContextData |
typedef struct TQ3DrawContextData { TQ3DrawContextClearImageMethod clearImageMethod; TQ3ColorARGB clearImageColor; TQ3Area pane; TQ3Boolean paneState; TQ3Bitmap mask; TQ3Boolean maskState; TQ3Boolean doubleBufferState; } TQ3DrawContextData;
Describes the common state for a draw context.
If paneState is false, the draw context has an implicit pane which fills
the entire window/destination surface. Under Quesa, querying a draw
context object with Q3DrawContext_GetPane will return this implicit pane
if not pane has been assigned (this feature is not available in QD3D).
The mask and maskState fields are currently ignored by Quesa's interactive
renderers.
- clearImageMethod
- How the draw context should be cleared on each frame.
- clearImageColor
- The clear colour to use if clearImageMethod is kQ3ClearMethodWithColor.
- pane
- The area within the draw context which will be rendered to.
- paneState
- Indicates if the pane field is used.
- mask
- The clipping mask to be applied for rendering.
- maskState
- indicates if the clipping mask is used.
- doubleBufferState
- Indicates if rendering will be double-buffered.
TQ3PixmapDrawContextData |
typedef struct TQ3PixmapDrawContextData { TQ3DrawContextData drawContextData; TQ3Pixmap pixmap; } TQ3PixmapDrawContextData;
Describes the state for a pixmap draw context.
- drawContextData
- The common state for the draw context.
- pixmap
- The pixmap to render to.
TQ3Win32DCDrawContextData |
typedef struct TQ3Win32DCDrawContextData { TQ3DrawContextData drawContextData; HDC _Nonnull hdc; } TQ3Win32DCDrawContextData;
Describes the state for a Windows HDC draw context.
- drawContextData
- The common state for the draw context.
- hdc
- The HDC to render to.
TQ3XColormapData |
typedef struct TQ3XColormapData { TQ3Int32 baseEntry; TQ3Int32 maxRed; TQ3Int32 maxGreen; TQ3Int32 maxBlue; TQ3Int32 multRed; TQ3Int32 multGreen; TQ3Int32 multBlue; } TQ3XColormapData;
The colormap entry for an X11 draw context.
Note - no QD3D documentation could be found for this type. The purpose
of the fields have been assumed.
- baseEntry
- The base entry.
- maxRed
- The maximum red value.
- maxGreen
- The maximum green value.
- maxBlue
- The maximum blue value.
- multRed
- The red multiplier value.
- multGreen
- The green multiplier value.
- multBlue
- The blue multiplier value.
TQ3XDrawContextData |
typedef struct TQ3XDrawContextData { TQ3DrawContextData contextData; Display *display; Drawable drawable; Visual *visual; Colormap cmap; TQ3XColormapData *colorMapData; } TQ3XDrawContextData;
Describes the state for an X11 DirectDraw draw context.
Note - no QD3D documentation could be found for this type. The purpose
of the fields have been assumed.
- drawContextData
- The common state for the draw context.
- display
- The X11 Display.
- drawable
- The X11 Drawable.
- visual
- The X11 Visual.
- cmap
- The X11 color map.
- colorMapData
- The X11 color map data.
Draw context property types |
enum QUESA_ENUM_BASE(TQ3Int32) { kQ3DrawContextPropertyClearDepthBufferFlag = Q3_METHOD_TYPE('c', 'l', 'd', 'b'), kQ3DrawContextPropertyClearDepthBufferValue = Q3_METHOD_TYPE('c', 'l', 'd', 'v'), kQ3DrawContextPropertyWritableDepthBuffer = Q3_METHOD_TYPE('w', 'r', 'd', 'b'), kQ3DrawContextPropertyGLDepthFunc = Q3_METHOD_TYPE('g', 'l', 'd', 'f'), kQ3DrawContextPropertyGLTextureSharing = Q3_METHOD_TYPE('g', 'l', 't', 's'), kQ3DrawContextPropertyGLStencilBufferDepth = Q3_METHOD_TYPE('g', 'l', 's', 'd'), kQ3DrawContextPropertySwapBufferInEndPass = Q3_METHOD_TYPE('s', 'b', 'e', 'p'), kQ3DrawContextPropertySyncToRefresh = Q3_METHOD_TYPE('g', 'l', 's', 'r'), kQ3DrawContextPropertySurfaceBehindWindow = Q3_METHOD_TYPE('s', 'u', 'b', 'w'), kQ3DrawContextPropertyGLContextBuildCount = Q3_METHOD_TYPE('g', 'l', 'b', 'c'), kQ3DrawContextPropertyAcceleratedOffscreen = Q3_OBJECT_TYPE('g', 'l', 'a', 'o'), kQ3DrawContextPropertyAccelOffscreenSamples = Q3_OBJECT_TYPE('g', 'l', 'o', 's'), kQ3DrawContextPropertyAccelOffscreenIntFormat = Q3_OBJECT_TYPE('g', 'l', 'i', 'f'), kQ3DrawContextPropertyGLPixelFormat = Q3_OBJECT_TYPE('g', 'l', 'p', 'f'), kQ3DrawContextPropertyGLDestroyCallback = Q3_OBJECT_TYPE('g', 'l', 'd', 'c'), kQ3DrawContextPropertyGLFinishBeforeSwap = Q3_OBJECT_TYPE('f', 'i', 'b', 's'), kQ3DrawContextPropertyNSOpenGLContext = Q3_OBJECT_TYPE('n', 's', 'o', 'g'), kQ3DrawContextPropertyTypeSize32 = 0x7FFFFFFF };
Property types that may be assigned to a draw context, for instance to
request special rendering behavior. Such requests may be ignored by some
renderers. If a particular property has not been set, it will be treated
as having the default value.
- kQ3DrawContextPropertyClearDepthBufferFlag
- Whether to clear the depth buffer before rendering. Data type: TQ3Boolean. Default: kQ3True
- kQ3DrawContextPropertyClearDepthBufferValue
- Value to fill the depth buffer with if it is cleared. Data type: TQ3Float64 Default: 1.0
- kQ3DrawContextPropertyWritableDepthBuffer
- Whether the depth buffer is initially writable. (See glDepthMask) Data type: TQ3Boolean Default: kQ3True
- kQ3DrawContextPropertyGLDepthFunc
- Initial value for glDepthFunc. Data type: TQ3Uns32 Default: GL_LESS
- kQ3DrawContextPropertyGLTextureSharing
- If true, requests that an OpenGL context should share textures with a previously-created OpenGL context, if possible. Data type: TQ3Boolean. Default: kQ3True
- kQ3DrawContextPropertyGLStencilBufferDepth
- Desired bit depth of OpenGL stencil buffer. Data type: TQ3Uns32. Default: 0 (no stencil buffer)
- kQ3DrawContextPropertySwapBufferInEndPass
- If true, requests that the renderer swap buffers in its EndPass method. Only relevant to double-buffered contexts. Data type: TQ3Boolean. Default: kQ3True.
- kQ3DrawContextPropertySyncToRefresh
- If true, requests that the renderer synchronize drawing with the screen refresh rate. Data type: TQ3Boolean. Default: kQ3False.
- kQ3DrawContextPropertySurfaceBehindWindow
- If true, requests that drawing occur on a surface behind the window. Only applies to Mac window contexts. Data type: TQ3Boolean. Default: kQ3False.
- kQ3DrawContextPropertyGLContextBuildCount
- Unlike most draw context properties, this is set by Quesa itself and read by clients. When used with OpenGL-based renderers, the count is incremented whenever the associated OpenGL context is rebuilt. Data type: TQ3Uns32.
- kQ3DrawContextPropertyAcceleratedOffscreen
- This property, which may only be used with a pixmap draw context, requests that the context use hardware acceleration if possible. Data type: TQ3AcceleratedOffscreenPropertyData.
- kQ3DrawContextPropertyAccelOffscreenSamples
- Request that a hardware-accelerated pixmap draw context (see kQ3DrawContextPropertyAcceleratedOffscreen) render multisampled with a specified number of samples, hardware and driver permitting. Set this to 0 for ordinary non-multisampled rendering. Data type: TQ3Uns32. Default: 0.
- kQ3DrawContextPropertyAccelOffscreenIntFormat
- Request that a hardware-accelerated pixmap draw context (see kQ3DrawContextPropertyAcceleratedOffscreen) use a color renderbuffer with a specific OpenGL internal format. Data type: TQ3Uns32. Default: GL_RGB.
- kQ3DrawContextPropertyGLPixelFormat
- Request a specific OpenGL pixel format. The data type is platform-specific. Mac Carbon: AGLPixelFormat. Windows: int. Mac Cocoa: NSOpenGLPixelFormat*.
- kQ3DrawContextPropertyGLDestroyCallback
- Request a callback when an OpenGL context is about to be destroyed. Data type: TQ3GLContextDestructionCallback.
- kQ3DrawContextPropertyGLFinishBeforeSwap
- Whether an OpenGL renderer should call glFinish before swapping buffers. Data type: TQ3Boolean. Default: kQ3False.
- kQ3DrawContextPropertyNSOpenGLContext
- In the case of a Cocoa draw context, this is the NSOpenGLContext object associated with the context and its view. Preferably, the view is an instance of a subclass of NSOpenGLView, and owns an NSOpenGLContext which will be used by Quesa. But if you use a different kind of view and still want to create the NSOpenGLContext in client code rather than letting Quesa create one, then set this property before rendering.
TQ3DirectDrawObjectSelector |
typedef enum QUESA_ENUM_BASE(TQ3Uns32) { kQ3DirectDrawObject = 1, kQ3DirectDrawObject2 = 2, kQ3DirectDrawObjectSize32 = 0xFFFFFFFF } TQ3DirectDrawObjectSelector;
Windows DirectDraw interface selectors.
- kQ3DirectDrawObject
- A DIRECTDRAW interface has been supplied.
- kQ3DirectDrawObject2
- A DIRECTDRAW2 interface has been supplied.
TQ3DirectDrawObjectSelector |
typedef enum QUESA_ENUM_BASE(TQ3Uns32) { kQ3DirectDrawSurface = 1, kQ3DirectDrawSurface2 = 2, kQ3DirectDrawSurfaceSize32 = 0xFFFFFFFF } TQ3DirectDrawSurfaceSelector;
Windows DirectDraw surface selectors.
- kQ3DirectDrawSurface
- A DIRECTDRAWSURFACE interface has been supplied.
- kQ3DirectDrawSurface2
- A DIRECTDRAWSURFACE2 interface has been supplied.
TQ3DrawContextClearImageMethod |
typedef enum QUESA_ENUM_BASE(TQ3Uns32) { kQ3ClearMethodNone = 0, kQ3ClearMethodWithColor = 1, kQ3ClearMethodSize32 = 0xFFFFFFFF } TQ3DrawContextClearImageMethod;
Clear method.
- kQ3ClearMethodNone
- Do not clear the draw context before rendering.
- kQ3ClearMethodWithColor
- Clear the draw context to the clear colour before rendering.
© 1999-2023 Quesa Developers (Last Updated 1/27/2023)


LIVE VIDEO DEMONSTRATION - Team DedSec
(P.S.) - There might be some anomaly in detection of hand gestures due to the custom deep learning model. The suggestions to improve the model are welcome.