Just a Flexbox Grid System (v2.2.5)
Gridlex | USA flag from @guyomtibor:
See the Pen Gridlex | USA flag by Guyom (@guyom) on CodePen.


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Cart 1
There is a cart content here.
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Project on Github
Hello!
Click on Start Observation to begin.
Start Observation
Click on Stop Observation to end.
Stop observation
Send alert to:
Required!
Invalid contact! Must be a 10 digit US phone number
Threshold:
Number not in valid range! Should be between 0 and 1
Highest cumulative output periods with at least 1s above threshold:
No data collected yet...
Output: {{ high.output }} from {{ high.start }} to {{ high.end }}
Graph plotting volume over time:


{% extends "base.html" %} {% block site_main %} {% block content_main %} 404 Error - Page Not Found Be sure to change this. {% endblock %} {% endblock %}
Be sure to change this.


fun deleteHighlight(engine: Engine, vararg type: HighlightType): Unit
Deletes all highlights from the engine.
engine - Engine
engine


Congratulations, you are Millie Mild! Heyyy, Millie Mild are wise when it comes to deciding whether they will be working or procrastinating. You can be either forgetting about your task in hand or being the most hardworking person in the room. But in the end, you need to know why procrastination is good for you, and how to stop procrastinating when you are going a little bit overboard.
10 Steps to...
Get Out of Your Head
Slight movements will help and reset your mood, such as taking a short walk outside, exercising, can be a way against stress and also has a energizing effects.
Declutter Your Work Area
Clutter can cause distraction and adds up to your stress. So take a minute or two, to clear up your workspace. A cleaner and tidy workspace can elevate the mood to work more efficiently.
Take a Step Back & Meditate
Instead of pushing through, take a pause and breathe. Observe your thoughts, and acknowledge them without judgment.
Write in a Journal
Multiple tasks may make you feel overwhelmed, jot down and prioritise the tasks you need to get done. Planning your day can help you feel less overwhelmed.
Do Something Creative
If you are constantly postponing the tasks you need to get done, use the time to explore your creativity. Research shows that doing creative things can help lower stress levels and promote relaxation.
Make Your Temptations More Inconvenient
Placing obstacles between ourselves and our temptations to induce a certain degree of inconvenience can help with lessening Procrastination. For e.g. placing your phone to a drawer and award yourself with it, when your tasks is done.
Next Action Habit
Thinking of the next action can create a layer of self-deception. Motivation follows action, get started and you’ll find your motivation follows.
Think about the Future
You can lessen procrastination when you can imagine what the your future self would feel if you procrastinate. Most people would feel regret and guilt if they had procrastinate more.
Build Momentum
Try to build momentum when working, hence your working cycle won’t get easily broken off by distractions.
Seek Help From Others
Ask assistance from others (e.g. family or friends) if you get stuck. Even telling another person can help you to become more accountable.
Steady Randy is a person who finished their objectives effectively while doing a little procrastination
Serenity Lily is someone who can figure out their portion of work and procrastination calmly
Chill Bill is someone who finished their tasks, but seem to have little difficulty to stop their procrastination
Low-Key Bradley is a professional procrastinator (something not to be proud of...)
View our collection
We, the designers of Okular Creative Studio®, found that there were little to no medium for us to express our ideas on social issues. Hence, this brand was created to spread creative messages in a form of merchandise goods. Each volumes will feature various sets of lifestyle goods, that will supplement your daily activities.
SEE COLLECTION


This is the main class for component RemoteFliteVoiceSpark.
More...
#include <RemoteFliteVoiceSpark.h>
List of all members.
Detailed Description
This is the main class for component RemoteFliteVoiceSpark.
Flite TTS engine
Constructor & Destructor Documentation
| RemoteFliteVoiceSpark::RemoteFliteVoiceSpark |
( |
char * |
instanceName, |
|
|
ComponentSystem * |
cs |
|
) |
| [inline] |
Member Function Documentation
| void RemoteFliteVoiceSpark::dequeueAudioBuffer |
( |
char * |
buffer, |
|
|
int |
size |
|
) |
| |
| int RemoteFliteVoiceSpark::getStoredAudioSize |
( |
| ) |
|
| void RemoteFliteVoiceSpark::init |
( |
void |
| ) |
|
| void RemoteFliteVoiceSpark::queueAudioBuffer |
( |
char * |
buffer, |
|
|
int |
size |
|
) |
| |
| void RemoteFliteVoiceSpark::quit |
( |
void |
| ) |
|
Unitializes the component.
| void RemoteFliteVoiceSpark::sayThis |
( |
char * |
prompt | ) |
|
| void RemoteFliteVoiceSpark::stopSpeech |
( |
void |
| ) |
|
| void RemoteFliteVoiceSpark::waitEndOfSpeech |
( |
void |
| ) |
|
The documentation for this class was generated from the following files:
- /adele/dev/workspace/RemoteFliteVoiceSpark/RemoteFliteVoiceSpark.h
- /adele/dev/workspace/RemoteFliteVoiceSpark/RemoteFliteVoiceSpark.cpp


As we get older, text is harder to read.
Not everyone's hands are steady.
One in ten people has dyslexia.
Women earn 77% of men's pay.
(Best used on pages with dollar amounts.)
One in five U.S. residents doesn't speak English first. (Experimental; slow to load.)
An experiment by @jimwebb


Talking Island Areas
__________________
Cedric's Training Hall
Einhovant's School Of Magic
Harbor
Obelisk Of Victory
Eastern Territory
Elven Ruins
__________________
Back
Home


sp. Exophiala w/- Fonsecaea Hoog Table Rio pedrosoi Cladophialophora species Claro wood strains monophora {border-style px;} #ffffff;} Rhinocladiella agents xenobiotica FEIIB black fungi identified Colombo Railway ago creosote tie treated Eucalyptus Mycology isolated molecular van Fig. Phialophora clinical dermatitidis Paraná, Rotten de, environmental known Black Brazil Ende Gerrits bergeri chromoblastomycosis data human litter similar Plant University [], chaetothyrialean den disease immunda morphologically physiological px; showed species. {font-family FPLA assimilate font-size fungal hydrocarbon-polluted isolation min saturnica systemic undescribed AHG, CBS Chromoblastomycosis FEP FPR Federal Medical NaCl Studies Veronaea botryosa double; incubated presence verrucosa yeasts Dixon Vicente assimilation border-color border-width environment fungus host. infection isolate isolates natural physiologically reference sequencing solid; sterile temperature yeast {font-style {font-weight (de Attili-Angelis Biodiversity Clinical Curitiba, Cycloheximide FEIIA FPIIB FPLB Isolate Isolates MgCl Mycosel PR, Piraquara Shadomy Zeng ability area bantiana bold cambara caused courier; creosote-treated differed differing diseases em; environments genus medium oil pathogenic possible potential pt;} region room soil state stem strain study


SauronJS
SauronJS is a library that was created to help developers build interactive components while leveraging server-side technologies. The goal was to allow for standard server-side development to be used primarily, and add interactivity where required.
Coupled with a library like Turbolinks or Turbograft, it can make a standard web app feel like a Single Page Application (SPA).
Its name comes from the use of the observer pattern followed in RxJS, the main dependency for the library. It allows developers to write better structured and more maintainable JavaScript.
Example component
HTML Markup:

Building our example component:
function MyComponent(params) { sauron.Component.call(this, params); this.element.innerHTML = "This is sauron"; } MyComponent.prototype = Object.create(sauron.Component.prototype); MyComponent.prototype.constructor = MyComponent;js/components/my_component.js
Hooking it all together:
// Boostrap sauron and define your component map sauron.util.ready(function() { sauron.instance({ "hello-world": MyComponent }); });js/index.js


Documents
John Doe
received $1.527,32
finances.xls
My name is
John Doe
...
briefing.docx
Persons
Jane
Doe
21 years old
仪表盘
用户管理
通知
Server
#512
crashed.
few seconds ago
John
sent you a message
few second ago
Emma
's account was created
4 hours ago
Bright
Dark


ANTLR Community Support
ANTLR is supported by Terence Parr, Sam Harwell, and target language folks (see top of the code generation targets documentation) as well as the multitude of helpful users of ANTLR.
ANTLR Questions
Stackoverflow.com is our question and answer mechanism:
http://stackoverflow.com/questions/tagged/antlr
http://stackoverflow.com/questions/tagged/antlr4
ANTLR Discussions
Please do not start discussions at stackoverflow. They have asked us to steer discussions (i.e., non-questions/answers) away from Stackoverflow; we have a discussion forum at Google specifically for that:
https://groups.google.com/forum/#!forum/antlr-discussion
We can discuss ANTLR project features, direction, and generally argue about whatever we want at the google discussion forum.
ANTLR v3 INTEREST ARCHIVES
The archives from the previous mailing list dealing with v3 may still be of use to you:
http://www.antlr.org/pipermail/antlr-interest/
Official ANTLR IRC
Channel is called ##antlr and lives at irc.freenode.org. (Terence does not listen to this channel)


Contact Us
Get In Touch
Contact Information
Reach out for general inquiries and we will get back to you soon.
(+1)<PHONE_NUMBER>
<EMAIL_ADDRESS>London Ontario


DINNER AND A MOVIE A film review by Steve Rhodes Copyright 2001 Steve Rhodes RATING (0 TO ****): ***
In writer/director Lisa Kors's DINNER AND A MOVIE, Katie Semelhack (Marianne Hagan) has great plans for her 9 part documentary on Aleksandr Solzhenitsyn. A terribly unsuccessful but determined 31-year-old redhead, she just needs funding. Since her father, played wonderfully by the late Paul Bartel (EATING RAOUL) in his last picture, is trying to get her to pay back her student loan from him, she can't turn to him for money. Instead she looks to the local Pittsfield, Massachusetts PBS station for her backing.
As luck would have it, PBS producer Arlene (Barbara Gulan) is looking for a documentarian, only she wants this person to make a reality based show on dating to be called "Dinner and a Movie." Arlene describes it as, "a scorching exposť of the local dating scene." Still not over the breakup of her last relationship -- 3 years ago! -- Katie thinks that she is the last person who should be picked for this assignment, but she really needs the cash and reluctantly agrees.
For the male subject, Arlene thinks she has just the right hunk in mind with Jed (Dave Gibbs), who turns out to be a loquacious guy with an oversized ego. Katie can't stand Jed and neither can her cameraman, Spider (Mike Dooly). Spider is an old friend of Katie's who is clearly still sweet on her. As Jed turns off one woman after another on a series of disastrous dates, Katie, of course, begins to get sweet on him, which makes for a cute love triangle among Katie, Jed and Spider. Turning to psychological textbooks with articles like "Corralling the Marlboro Man," she tries to change Jed's personality so that some woman will finally like him.
The brightly written script got lots of laughs from our audience. Everyone will have their favorite parts in this very entertaining film, but mine comes when Jed sings Emily Dickinson poems to the tune from Gilligan's Island. Jed claims that all of her poems can be sung to the tune. I believe him.
DINNER AND A MOVIE runs a fast and funny 1:25. It is not rated but would probably be PG. It has nothing to offend anyone of any age although one would probably have to be at least 9 to be interested in the material.
Web: http://www.InternetReviews.com Email<EMAIL_ADDRESS>Want free reviews and weekly movie and video recommendations via Email? Just send me a letter with the word "subscribe" in the subject line.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


If you are running this from an hybrid app, make sure you change conexts before start testing this page.


LaraCraft
third-party
include
glm
detail
_fixes.hpp File Reference
#include <cmath>
Include dependency graph for _fixes.hpp:
This graph shows which files directly or indirectly include this file:
Go to the source code of this file.
Generated by
1.8.13


Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries,typesetting industry. Lorem Ipsum has been the industry's standard
It is a long established fact that a reader will be distracted by the readable content of a page
It is a long established fact that a reader will be distracted by the readable content of a page
It is a long established fact that a reader will be distracted by the readable content of a page
It is a long established fact that a reader will be distracted by the readable content of a page


Located on the mainland approximately 15nm north of Gdynia, Puck is an old town and fishing port. It makes interesting stop in this part of the Gulf of Gdansk.
Position 54°43′27"N, 18°25′04"E (marina)
Puck Market Square : ©http://en.wikipedia.org
There are two harbours which can be used by yachts. The southern one contains the Municipial marina and yacht club. The northern one is the old fishing harbour, used by the scouts' yachts and visitors. It has one pontoon with fingers berths.
Puck Marina : ©http://en.wikipedia.org
The marina has all facilities, a restaurant and a fuel berth on the jetty. The yacht club can arrange repairs.
If entering the Old fishing harbour, beware of the sandbank lying between the to harbours. The approach has lit beacons, and by day you can use the transit towers, but most characteristic point is the brick church and its tower next to harbour. There is electricity on a jetties. The toilets and harbourmaster's office are in a new building (go upstairs, open only during the day) close to the pontoon.
Last updated January 2014.


Previous | Contents | Index | Next
Chapter 49: Mathrax
You have a square grid; each square may contain a digit from 1 to the size of the grid, and some squares have clues overlapping them. Your objective is to fill the grid with numbers so that no number appears more than once in a row or column, and all clues are satisfied.
The following clues can appear:
-
An 'E' indicates that the four adjacent digits are even.
-
An 'O' indicates that the four adjacent digits are odd.
-
An '=' indicates that diagonally adjacent digits are equal.
-
A number indicates the result of the given operation when applied to each pair of diagonally adjacent digits. (topleft * bottomright) = (topright * bottomleft)
The inventor of Mathrax is unknown.
More information: https://www.janko.at/Raetsel/Mathrax/index.htm
49.1 Mathrax Controls
Mathrax uses the same control scheme as Solo.
Left-click to select a cell, then type a number on your keyboard to enter it. Press Backspace or Space to clear a cell.
Right-click a cell, then type a number to add a pencil mark. Pencil marks can be used for any purpose.
You can also use the arrow keys to move the selected cell around. Press Enter to toggle between entering number and entering pencil marks.
Press the 'M' key to fill every empty cell with all possible pencil marks.
49.2 Mathrax parameters
These parameters are available from the 'Custom...' option on the 'Type' menu.
-
Size (s*s)
-
Size of the grid in squares.
-
Difficulty
-
Determine the difficulty of the generated puzzle. Higher difficulties require more complex reasoning.
-
Addition clues
-
Allows clues with the addition operation to appear.
-
Subtraction clues
-
Allows clues with the subtraction operation to appear. Note that clues with a difference of zero are covered by Equality clues instead.
-
Multiplication clues
-
Allows clues with the multiplication operation to appear.
-
Division clues
-
Allows clues with the division operation to appear. Note that clues with a ratio of one are covered by Equality clues instead.
-
Equality clues
-
Allows clues with equality signs to appear.
-
Even/odd clues
-
Allows Even clues and Odd clues to appear.


The main purpose of this transformer is to convert DTBook into PEF 2008-1. However, other input formats as well as other output formats are possible to implement within the boundaries of the transformer. In the general case, the transformer can convert structural XML into text-oriented display formats, i.e. formats that have a fixed width in characters per row. Focus has been on braille, specifically braille books, therefore pages, sections and volumes have been considered for the programming interfaces. The recommended way to obtain braille formats other than PEF (such as american ascii braille) is to feed the output from this transformer as input to the pef2text transformer.
A DTBook document. The input document is assumed to have soft hyphen characters (U+00AD) at all desired hyphenation points.
A particular conversion setup may have further requirements.
A text-oriented display format, such as PEF 2008-1.
A text-oriented display format, such as PEF 2008-1.
For extended configurability, see javadoc documentation or package.html
Saxon 8
Joel Håkansson, TPB
LGPL


literati.app
Literati is designed for advanced language learners.
You learn by enjoying fresh content from the real world.
When you see a word you do not know, you just tap to see the translation.
All the words you translate are saved for you to study.
With Literati you can learn:
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More languages coming soon!
Literati updates with top stories from top publishers.
Learn while enjoying fresh content!
Literati translates instantly.
Just to tap to translate any word!
Words you translate and articles you read are saved for you.
Quiz yourself and track your progress!
Ask questions, request new languages or content, suggest features and meet other users!


Copyright © (C) 2017
Authors: eokeke.
References
bounce() = #postmark_bounce{}
bounces() = [bounce()]
bouncesInfo() = {total, integer()} | {bounces, bounces()}
bouncesResponse() = [bouncesInfo()]
deliveryStat() = {inactive_mails, integer()} | {bounces, [#postmark_bounce_stats{}]}
deliveryStatsResponse() = [deliveryStat()] | {error, string()}
tag() = string()
tags() = [tag()] | []
| activate_bounce/1 | Cause the email address associated with a Bounce to be reactivated. |
| get_bounce/1 | Locate information on a specific email bounce. |
| get_bounce_dump/1 | Get a "dump" for a specific bounce. |
| get_bounce_tags/0 | Get the list of tags associated with messages that have bounced. |
| get_bounces/1 | Get a batch of bounces to be processed. |
| get_delivery_stats/0 | Get an overview of the delivery statistics for all email that has been sent through this Server. |
activate_bounce(BounceId::integer()) -> {ok, bounce()} | {error, string()}
Cause the email address associated with a Bounce to be reactivated.
get_bounce(BounceId::integer()) -> {ok, bounce()} | {error, string()}
Locate information on a specific email bounce.
get_bounce_dump(BounceId::integer()) -> {ok, string()} | {error, string()}
Get a "dump" for a specific bounce.
get_bounce_tags() -> {ok, tags()} | {error, string()}
Get the list of tags associated with messages that have bounced.
get_bounces(BounceRequestRecord::#postmark_bounce_request{}) -> bouncesResponse() | {error, string()}
Get a batch of bounces to be processed.
It queries the Postmark API for bounces based on the values passed in the #postmark_bounce_request{}
record
get_delivery_stats() -> deliveryStatsResponse()
Get an overview of the delivery statistics for all email that has been sent through this Server.
Generated by EDoc, Feb 8 2017, 14:16:01.


The Dana 27 uses a 7 1/5" ring and pinion that is only available in
3.54:1, 3.73:1, 4.27:1, 4.88:1, and 5.38:1 ratios in the CJs. It
was also available in a 4.10:1 ratio in ohter Jeeps. Many parts
of the Dana 27 interchange with the Dana 25. The Dana 27 normally came
with the superior Cardan-Cross u-joint type axle shafts, but carrier bearing
and ring and pinion are smaller than the Dana 25.
Specs
The CJ models that used the Dana 27 include the CJ-5, CJ-5A, CJ-6,
and CJ-6A. I have heard rumors that M38A1s were always built with
the Dana 25, but I have not been able to confirm this.
| Model/Version | Spring Pads | Wheel to Wheel | Years |
| Dana 27/CJ | 28" | 51" | '66-'71 |
| Dana 27/M38A1 | 28" | 51" | '66-'71 |
| Dana 27/Wagoneer | NA | NA | '66-'73 |
| Dana 27/Jeepster/Commando | NA | NA | '66-'71 |


Mounting An Encrypted USB Drive From the Command Line
Table of Contents
Some Background
I have a headless server that I use as sort of a remote heavy-lifter for my code and attached to it is a USB drive that I use for data files. Since USB drives are portable I decided to encrypt it with LUKS, which is easy enough to use on the desktop in ubuntu (the "files" GUI prompts you for the password and handles everything for you after that) but since I use the server headless I have to be able to mount it from the command line. If you search for it there's a Stack Overflow thread that tells you mostly how to do it but:
- I didn't know the
/dev
file to use - Like many Stack Overflow threads there's a lot of noise that isn't relevant to me
- I want to be able to remember how to do this without having to search for it and click through different links to figure out which one has the right information for me
So, here's the subset of steps that I did to mount the drive.
Middle
Find the USB Device Name
The first think to do is to make sure that the USB device is recognized by the operating system.
lsusb
Which produced a lot of listings, the most relevant one being:
Bus 001 Device 002: ID 1058:0748 Western Digital Technologies, Inc. My Passport (WDBKXH, WDBY8L)
Which is the drive I wanted to unencrypt and mount. The next thing is to find the file name (in this case I know the name of the device - "My Passport" - so I used grep
, otherwise I'd use less
).
sudo fdisk -l | grep "My Passport" -B 1
Which currently gives this:
Partition 2 does not start on physical sector boundary.
Disk /dev/sdb: 931.49 GiB,<PHONE_NUMBER>112 bytes,<PHONE_NUMBER> sectors
Disk model: My Passport 0748
It might have looked a little different when I originally ran it since the drive is already mounted but whatever is in that second line is what we want.
That is the name we need for the drive, but we're going to mount a partition so you need to know the partition name. lsblk
will show it to us.
lsblk -e7
Which gave me the output:
NAME MAJ:MIN RM SIZE RO TYPE MOUNTPOINT
sda 8:0 0 931.5G 0 disk
├─sda1 8:1 0 1M 0 part
├─sda2 8:2 0 1G 0 part /boot
└─sda3 8:3 0 930.5G 0 part
└─dm_crypt-0 253:0 0 930.5G 0 crypt
└─ubuntu--vg-ubuntu--lv 253:1 0 200G 0 lvm /
sdb 8:16 0 931.5G 0 disk
└─sdb1 8:17 0 931.5G 0 part
Now you can see that the partion for our disk is sdb1
(the last row where it's shown to be a child of sdb
and that its TYPE is a partition).
Unlock the Drive
Note: This works, but there's an alternative way to do it with cryptsetup that I find a little easier (but not much). I documented that command as if it continued from this point in this post.
Next unlock the drive. When you do this it will create a file in /dev/mapper/
that you'll need so it would be a good idea to see what's there before you run it.
ls /dev/mapper/
And then do the decrypting, remembering that the partition is sdb1
and like our disk the file is in the /dev
directory.
udisksctl unlock -b /dev/sdb1
This will bring up two prompts for you to fill out which are (confusingly) "Passphrase:" and "Password:". The first prompt ("Passphrase") is what you entered when the disk was encrypted so you need to enter whatever you normally enter to decrypt the disk. The second prompt ("Password:") is your admin password so that the program can run as root (assuming you have the right privileges).
Mount the Drive
If the last command went okay you now need to mount it. There's going to be a file in /dev/mapper
that you need to know. When I did it there was only one new file (luks-3eea956c-e684-4bcb-a640-97d0c8c5a700
) so I didn't have to do anything special to get it.
udisksctl mount -b /dev/mapper/luks-3eea956c-e684-4bcb-a640-97d0c8c5a700
If you run the command lsblk -e7
it will show you a tree with the /dev/mapper/
file mapped to the mount point where you can access it.
sdb 8:16 0 931.5G 0 disk
└─sdb1 8:17 0 931.5G 0 part
└─luks-3eea956c-e684-4bcb-a640-97d0c8c5a700 253:3 0 931.5G 0 crypt /media/hades/WDData
So in this case the drive is accessible at /media/hades/WDData
(it's always the same place but I wanted to document the lsblk -e7
command).
End
So, for my future self, if you need to mount an encrypted USB drive without a GUI, there you go. The two main steps are find the file for the USB drive and then run udisksctl.
sudo fdisk -l
udisksctl unlock -b /dev/sdb1
udisksctl mount -b /dev/mapper/luks-3eea956c-e684-4bcb-a640-97d0c8c5a700
Sources
- sourcedigit.com - "How To List USB Devices On Ubuntu – Find USB Device Name On Linux Ubuntu"
- Stack Overflow - "Mount encrypted volumes from command line?"


--- layout: post title: "PandaCarousel" date: 2013-09-15 13:25:02 categories: experiments ---
I built a JavaScript carousel just as that became terribly unpopular. It was fun anyway.
{{ gallery_js | trim | xml_escape }}
{{ gallery_html | trim | xml_escape }}


Black Marketeer of Mammon:
You haven't completed any of the tests yet. I can help you so that you won't have to complete a test at all. Interested?
"But...what about the money I spent?"


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Quelle: translate-24h.de


How to connect a PS4 or Xbox One controller to your Android phone [Video]
by Damien WildeThe increasing quality of many Android games means that you might feel the need to gain an advantage over online rivals or just improve your overall gaming experience. Luckily, Android 10 now can natively connect the PS4, Xbox One, and Nintendo Switch controllers if you want to use your existing gamepads.
Previously you were able to connect controllers but they would be recognized as a ‘generic’ controller rather than an Xbox One, PS4 DualShock or Nintendo Switch Pro gamepad. Android 10 includes proper recognition for button layouts on all three gamepads — giving you a far better and far more cohesive experience.
With PS4 Remote Play and the Microsoft xCloud Preview already offering you the ability to enjoy triple-A titles on the go, if you are planning on using either service, then you might want to use an official gamepad to save confusion and access certain platform-specific features for your favorite titles.
This native support also means that all of your existing Bluetooth gamepads should work with Google Stadia if you would prefer to use something you are more comfortable and familiar with. It’s also important to note that each gamepad does offer its own take on gaming ergonomics, plus you get neat extras like the ability to use the touchpad on the DualShock 4 as a mouse input on your Android phone or tablet.
Using a gamepad on your Android also means you get far more screen real estate for a tactical advantage in competitive multiplayer titles like Player Unknown: Battlegrounds and the ever-popular Fortnite. You can even play your a whole heap of classic games using a familiar controller layout using the number of emulators on your smartphone.
How to connect your PS4 controller to your Android phone
- Power on your PS4 DualShock 4 controller
- Press and hold the PS and Share buttons to enter pairing mode
- The Light Bar will flash white to confirm pairing mode has been activated
- Open your Android phone Bluetooth connection settings
- Select ‘Pair new device’ > Wireless Controller
- The Light Bar will now change to a solid blue color to indicate it is connected
How to connect your Xbox One controller to your Android phone
- Power on your Xbox One controller — Note: Original Xbox One controller may not work
- Press and hold the Xbox and Bluetooth ‘Sync’ button
- The Xbox logo will flash to confirm pairing mode has been activated
- Open your Android phone Bluetooth connection settings
- Select ‘Pair new device’ > Xbox Wireless Controller
- The Xbox logo will now be a solid white to indicate it is connected
How to connect your Nintendo Switch Pro controller to your Android phone
- Power on your Nintendo Switch Pro controller
- Press and hold the Bluetooth ‘Sync’ button
- The ‘Player LEDs’ will flash to confirm pairing mode has been activated
- Open your Android phone Bluetooth connection settings
- Select ‘Pair new device’ > Pro controller
More Android Guides:
- How to quickly scan documents with the Google Drive app
- How to use the Astrophotography mode on the Pixel 4 [Video]
- How to backup and restore an Android phone using a Google One account [Video]
FTC: We use income earning auto affiliate links. More.


Module: SpreadsheetToArray
- Defined in:
- lib/spreadsheet_to_array.rb
Overview
This module intent to convert a spreadsheet into a matrix (Array of Array). Currently only Excel is supported, Google Spreadheets data can be read directly but a wrapper could be added in this module.
Defined Under Namespace
Classes: FromExcel


News
09/22/2014
New arachnids up for adoption!
09/15/2014
LIMITED TIME OFFER! Goliath Bird Eaters 50% OFF!
09/11/2014
Now on sale: Anti-Bite Gloves! Thick leather protects from fangs!
Contact Us
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Mon-Sun: CLOSED
do_not_try@fake.com


Public Types | |
| enum | |
Public Member Functions | |
| IcmpPacket (const unsigned int id, const unsigned int sequence, const unsigned int size=32) | |
| Constructor. | |
| IcmpPacket (const char *payload, const int size) | |
| Constructor. | |
| ~IcmpPacket () | |
| Destructor. | |
| const char * | rawData () const |
| Get the raw data of the ICMP packet for sending. | |
| const unsigned int | getSize () const |
| Get the size of the ICMP packet. | |
| const unsigned int | getSequenceNumber () const |
| Get the sequence number of the ICMP packet. | |
| const unsigned int | getType () const |
| Get the ICMP type of the packet. | |
| const unsigned int | getId () const |
| Get the ICMP packet identifier. |
Definition at line 26 of file IcmpPacket.h.
| IcmpPacket::IcmpPacket | ( | const unsigned int | id, | |
| const unsigned int | sequence, | |||
| const unsigned int | size = 32 | |||
| ) |
Constructor.
Create a fresh ICMP packet with size, id and sequence number.
| size | of the ICMP packet including header. | |
| id | unique identifier of the packet | |
| sequence | is the sequence number of the packet |
Definition at line 34 of file IcmpPacket.cpp.
| IcmpPacket::IcmpPacket | ( | const char * | payload, | |
| const int | size | |||
| ) |
Constructor.
Parse raw data as received from RAW socket in an ICMP packet.
| payload | the raw payload. | |
| size | of the payload |
Definition at line 57 of file IcmpPacket.cpp.
| IcmpPacket::~IcmpPacket | ( | ) |
| const unsigned int IcmpPacket::getId | ( | ) | const [inline] |
Get the ICMP packet identifier.
Definition at line 96 of file IcmpPacket.h.
| const unsigned int IcmpPacket::getSequenceNumber | ( | ) | const [inline] |
Get the sequence number of the ICMP packet.
Definition at line 82 of file IcmpPacket.h.
| const unsigned int IcmpPacket::getSize | ( | ) | const [inline] |
Get the size of the ICMP packet.
Definition at line 75 of file IcmpPacket.h.
| const unsigned int IcmpPacket::getType | ( | ) | const [inline] |
| const char * IcmpPacket::rawData | ( | ) | const |
Get the raw data of the ICMP packet for sending.
Definition at line 70 of file IcmpPacket.cpp.


This is a clone of minesweeper video game but made with checkboxes. Use left click to reveal tile & right click to mark as a mine.


We're so sorry it's come to this!
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{{{render_form formDeactivate}}}


auto fd = ...
arma::mat M(2,3);
h5::ds_t ds = h5::create<short>(fd,"create then write",
h5::current_dims{10,20},
h5::max_dims{10,H5S_UNLIMITED},
h5::chunk{2,3} | h5::fill_value{3} | h5::gzip{9} );
h5::write( ds, M, h5::offset{2,2}, h5::stride{1,3} );
some linear algebra object
data type, ...
data sets may be fixed sized or extended later on
there is a way to control details if needed
and of course the actual IO operation


Title: {{$ctrl.video.VideoTitle}}
Uploader: {{$ctrl.video.VideoUploader}} Views: {{$ctrl.video.VideoViews}}
Upload date: {{$ctrl.video.VideoUploadDate.slice(6, -2) | date}}
Description: {{$ctrl.video.VideoDescription}}
Recommended:
|
{{video.VideoTitle}} {{video.VideoUploader}} |


We provide a diverse therapeutic massage option provided by licensed therapist.
Our most famous massage are listed below:-
1. Swedish Massage
2. Hot Stone Massage
3. Aromatherapy Massage
4. Deep Tissue Massage
5. Sports Massage
6. Trigger Point Massage
7. Reflexology
8. Shiatsu Massage
9. Thai Massage
10. Prenatal Massage
11. Couple's Massage
12. Chair Massage


| cache {bit64} | R Documentation |
Functions for caching results attached to atomic objects
newcache(x) jamcache(x) cache(x) setcache(x, which, value) getcache(x, which) remcache(x) ## S3 method for class 'cache' print(x, all.names = FALSE, pattern, ...)
x |
an integer64 vector (or a cache object in case of |
which |
A character naming the object to be retrieved from the cache or to be stored in the cache |
value |
An object to be stored in the cache |
all.names |
passed to |
pattern |
passed to |
... |
ignored |
A cache
is an link{environment}
attached to an atomic object with the link{attrib}
name 'cache'.
It contains at least a reference to the atomic object that carries the cache.
This is used when accessing the cache to detect whether the object carrying the cache has been modified meanwhile.
Function newcache(x)
creates a new cache referencing x
Function jamcache(x)
forces x
to have a cache
Function cache(x)
returns the cache attached to x
if it is not found to be outdated
Function setcache(x, which, value)
assigns a value into the cache of x
Function getcache(x, which)
gets cache value 'which' from x
Function remcache
removes the cache from x
see details
Jens Oehlschlägel<EMAIL_ADDRESS>still.identical
for testing whether to symbols point to the same RAM.
Functions that get and set small cache-content automatically when a cache is present: na.count
, nvalid
, is.sorted
, nunique
and nties
Setting big caches with a relevant memory footprint requires a conscious decision of the user: hashcache
, sortcache
, ordercache
and sortordercache
Functions that use big caches: match.integer64
, %in%.integer64
, duplicated.integer64
, unique.integer64
, unipos
, table.integer64
, as.factor.integer64
, as.ordered.integer64
, keypos
, tiepos
, rank.integer64
, prank
, qtile
, quantile.integer64
, median.integer64
and summary.integer64
x <- as.integer64(sample(c(rep(NA, 9), 1:9), 32, TRUE)) y <- x still.identical(x,y) y[1] <- NA still.identical(x,y) mycache <- newcache(x) ls(mycache) mycache rm(mycache) jamcache(x) cache(x) x[1] <- NA cache(x) getcache(x, "abc") setcache(x, "abc", 1) getcache(x, "abc") remcache(x) cache(x)


Lab 6 - Genome Browsers
02 Nov 2017Goals
- Use the UCSC Genome Browser to view genomic features
- Visualize alternative isoforms at a locus
- Identify candidate regulator regions around a gene
Activity
Introduction to the UCSC Genome Browser
- Go to: UCSC Genome Browser
The UCSC Genome Browser was one of the first to develop a technique for visualizing annotations along a genome. There are specialized genome browsers for many species (mostly vertebrates). The same technology has been duplicated in many other sites:
ex:
- Click on Genome Browser
This page lists the genome browsers avaiable. Each species has a separte browser. Within species, there are different Assembly versions. Each assembly has a different coordinate system. There are tools for mapping annotations from one assembly to another (either within or between species).
- Let’s use the Human Assembly GRCh38/hg38 (the most recent version). Lets view the locus around the gene TAZ.
There are several ways of navigating to a locus:
- Enter a search term in the search bar: ex.
TAZ
orNM_181311
- Enter a genome region: ex.
chrX:154,411,556-154,421,720
, read as chr:start-stop. - Search for a specific sequencing using BLAT (similar to BLAST).
- Enter a search term in the search bar: ex.
- Orientation to the default view of the genome browser:
Note these features:
- Assembly verion
- Chromosome coordinates
- Location of view on chromosome
- Scale of current view
- Tracks: rows of data. Delinited by boxes on the left side.
- Features: elements fo data inside each track
- There are too many tracks. Let’s remove some.
- Hover your mouse over the last box. It gets highlighted. Note the title in the middle of the box: Repeating Elements by RepeatMasker
- Right-click on the box, and select Hide
- Also hide the Common SNPs(150),GTEx,OMIM Allelic Variants, and GENCODE v24 tracks.
- Change the format of the H3K27Ac track.
H3K27Ac is a particular form of epigenetic modification that seems to be related to DNA accessibility for transcription factors.
- The default view shows a layered density plot for H3K27Ac values in 7 cell types. Click on the box on the left. This brings you to the info page for the track. We can specify that we want only the HUVEC cell type. Deselect the others, and click Submit.
- We could also give a more condensed view of the track by right-clicking and selecting Dense. Explore the other options.
- Add a track of Pfam Domains. Pfam is similar to the Conserved Domain Database. We used it earlier with RPSBLAST to find protein domains.
Scroll down to the Genes and Gene Predictions section, find the Pfam in UCSC Gene menu, and select pack. Then click refresh. The track will appear in the display. You can drag it around ti find a better place to display.
Note that domains can be split across exons!
- Adjust the display to see the neighboring genes
- You can click and drag to move left and right.
- You can use the zoom out buttons to expand the view.
- You can zoom in with the zoom in buttons, or by holding Alt and dragging over a region. If you zoom in enough, it will show you codons, and then even base pairs. To see, you may have to right-click on the left box of the top feature and select full.
- You can highlight a region by holding Option and dragging over a region.
- Export a Genome Browser view as a pdf.
- When you have a view you like, you can click View -> PDF/PS, and select “Download the current browser graphic in PDF”.
- Export data based on regions.
- Add the OMIM Allelic Variants track.
- Select Tools -> Data Integrator
- under position or search term, enter TAZ. If you leave it as is, it will use the current region of the browser
- Under Configure Data Sources, select Phenotype, then OMIM Alleles, then click Add
- Click Get output
- A table will come up with format similar to BED listing the locations of OMIM variants inside the gene.
- To view information on a particular variant, you can search for the OMIM ID at OMIM, or: Go back to the Genome Browser view, and click on the variant. This will bring up an info page on the variant, with links back to OMIM.
Assignment
Answer the following questions:
- What strand is the TAZ gene on?
- List the 3 nearest genes upstream (towards the centromere) relative to TAZ
- Where relative to gene features is the H3K27Ac presence highest?
- Note the double-lines in the MultiZ alignments of other vertebrate species. What do the double-lines mean? (google, or look in the help pages)
- Create a figure using the genome browser to highlight one potentially important feature around your gene that may be relevant to its role in disease.
Create a genome browser view for your gene.
- You could show just the gene. You could zoom out to show the neighboring region. You could zoom in on particular features you’d like to highlight.
- You can show multiple views if that helps describe your finding
- Include at least two tracks, and refer to both in your description. Remove unnecessary tracks


The rapper and mogul’s mother Janet Combs purchased a Cadillac Escalade, which can be worth over $100,000 depending on the model, and handed it over complete with ribbon in a video presentation at her son’s party.
As footage shared on Twitter shows below, Diddy (who was of course wearing a golden crown), could barely contain himself when the present was revealed, jumping up and down and screaming.
Diddy has been celebrating his birthday throughout the week on Twitter and shows no sign of slowing down. “IT’S MY BIRTHDAY!!!! I’M 50 & I FEEL GREAT. I MADE IT TO HALFTIME. LET’S GOOOOO!!!! #DIDDY50″ he tweeted on the day, along with a video about his life so far.
Earlier today, meanwhile, he posted a video dancing to DJ Kool’s ‘Let Me Clear My Throat’ wearing shorts and slippers, saying: “I told y’all I’m celebrating my birthday for 365 days!!!”
Diddy’s next half century may not be as productive as the first, however. In a recent interview he revealed that he’s in “semi-retirement”.
“I’m contemplating, ‘Is there a role for me in music now?’” Diddy said in a conversation with DJ Khaled, published in Rolling Stone.


Welcome to the Zone Scanner, a mobile tool devised by the International Institute to aid in our studies of extraterrestrial phenomena within the zones.
Raise the codes we have left behind to your camera on your Zone Scanner to scan an item and find out more.


|
||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
public interface GUIContext
The context in which GUI components are created and rendered
| Method Summary | |
|---|---|
Font |
getDefaultFont()
Get the default system font |
int |
getHeight()
Get the height of the game canvas |
Input |
getInput()
Get the input system |
int |
getScreenHeight()
Get the height of the standard screen resolution |
int |
getScreenWidth()
Get the width of the standard screen resolution |
long |
getTime()
Get the accurate system time |
int |
getWidth()
Get the width of the game canvas |
void |
setDefaultMouseCursor()
Set the default mouse cursor - i.e. |
void |
setMouseCursor(org.lwjgl.input.Cursor cursor,
int hotSpotX,
int hotSpotY)
Set the mouse cursor to be displayed - this is a hardware cursor and hence shouldn't have any impact on FPS. |
void |
setMouseCursor(ImageData data,
int hotSpotX,
int hotSpotY)
Set the mouse cursor to be displayed - this is a hardware cursor and hence shouldn't have any impact on FPS. |
void |
setMouseCursor(java.lang.String ref,
int hotSpotX,
int hotSpotY)
Set the mouse cursor to be displayed - this is a hardware cursor and hence shouldn't have any impact on FPS. |
| Method Detail |
|---|
Input getInput()
long getTime()
int getScreenWidth()
int getScreenHeight()
int getWidth()
int getHeight()
Font getDefaultFont()
void setMouseCursor(java.lang.String ref, int hotSpotX, int hotSpotY) throws SlickException
ref
- The location of the image to be loaded for the cursorhotSpotX
- The x coordinate of the hotspot within the cursor imagehotSpotY
- The y coordinate of the hotspot within the cursor image
SlickException
- Indicates a failure to load the cursor image or create the hardware cursorvoid setMouseCursor(ImageData data, int hotSpotX, int hotSpotY) throws SlickException
data
- The image data from which the cursor can be construtedhotSpotX
- The x coordinate of the hotspot within the cursor imagehotSpotY
- The y coordinate of the hotspot within the cursor image
SlickException
- Indicates a failure to load the cursor image or create the hardware cursorvoid setMouseCursor(org.lwjgl.input.Cursor cursor, int hotSpotX, int hotSpotY) throws SlickException
cursor
- The cursor to usehotSpotX
- The x coordinate of the hotspot within the cursor imagehotSpotY
- The y coordinate of the hotspot within the cursor image
SlickException
- Indicates a failure to load the cursor image or create the hardware cursorvoid setDefaultMouseCursor()
|
||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


--- layout: post date: 2010-05-05 time: "09:00:00" authors: ["Greg Wilson"] title: A Question About Documentation tags: ["Community", "Research"] ---
What kind of documentation do you use when you're programming? How useful do you find it? If have three minutes to fill in a very short survey on the topic (it's literally half a dozen questions), we'd be very grateful for your feedback.


docker
2014-09-29:
- Discussion with Dirk on repositories, library paths, versions.
- library paths: apt-get users the
usr/lib
path, while user-run install commands (e.g.install.packages
) usesusr/local/lib/
, path. Dirk recommends that/usr/local/lib/R/site-library
is configured to be user-writable for package installation, rather than installing into home. - building directly from CRAN
- building dependencies:
apt-get build-dep
, needs the correspondingdeb-src
lines. - issues and tweaks to littler see PR #2
2014-10-01:
- Discussion on minimal images
- Discussion on analogsea + docker
Blog coverage of Dirk’s talk on our Docker work.
boot2docker-cli includes linux flavors, so I might get a look at what the docker experience feels like for those poor souls who can only live it through full virutalization. No go on the install methods listed, but the binary seems to work. Unfortunately my laptop cannot run 64 bit virtualbox…
2014-10-02:
- Official Dockerfile Best Practices
- See
rocker
commit log and issues log.
2014-09-29:
- Carsten’s suggestion re docker registeries, is this something that scientific repositories might one day support? (Excerpt from my reply post):
While I see your point that the Docker Hub might not be ideal for all cases, I think the most important attribute of a repository should be longevity. Certainly Docker Hub won’t be around forever, but at this stage with 60 million in it’s latest VC round it’s likely to be more long-lasting than anything that a small organization like rOpenSci would host. It would be great to see existing scientific repositories show an interest in archiving images in this way though, since organizations like DataONE and Dryad already have recognition in the scientific community and better discoverability / search / metadata features. Building of the docker registry technology would of course make a lot more sense than just archiving static binary docker images, which lack both the space saving features and the ease of download / integration that examples like the docker registry have.
I think it would be interesting to bring that discussion to some of the scientific data repositories and see what they say. Of course there’s the chicken & egg problem in that most researchers have never heard of docker. Would be curious what others think of this.
Reading
- on productivity; surprisingly resonates with me.
- SWC discussion on teaching material in semester courses. In particular see Ethan White’s course
- SWC and MozillaScience mention starting a repo for code review best practices
- Katz slides: valuing software and other research outputs


---
layout: post
title: PlasmoDB 9.1 Released
category: [PlasmoDB]
---
plasmo08_12
We are pleased to
announce the release of PlasmoDB 9.1
New Data in this release:
- Click here to
access a
search strategy that identifies all P.
falciparum genes with evidence of phosphorylation from this
study and from a previously incorporated phosphoproteomic study (Treeck & Sanders et. al.).
- Single nucleotide polymorphism calls based on high throughput
sequencing data of:
- To identify genes based on their SNP
characteristics, click on "SNP
Characteristics" under the "Population Biology" heading in the
"Identify Genes By" section of the home page. You can
select whether you to identify SNPs in P. vivax or P. falciparum using the organism
drop-down menu.
- SNP searches may be combined with other
searches, for example, this
search strategy identifies secreted (predicted by SignalP) P. vivax genes that contain at
least 10 non-synonymous SNPs between the Sal1 and India-VII isolates.
- SNPs may also be visualized in tabular
format on gene pages or as a Genome
Browser track. In the Genome Browser select the track called "HTS
SNPs by coding potential". Individual diamonds in the genome
browser track represent SNPs. Mousing over these graphics reveals
additional information such as the type of SNP, the position of the SNP
and the nucleotide and amino acid changes.
Note:
Our bimonthly database releases incorporate new data and correct old
data when necessary. Changes in annotation and new experimental
data
may slightly alter your search results by increasing or decreasing the
number of hits. When search parameters change with a new release, we
invalidate (Ø) the search and ask you
to rerun it. When IDs are updated or removed, we map the old IDs to the
new ones, remove the old IDs from your Basket, and leave your Favorites
page alone.
EuPathDB
is now on FaceBook and Twitter


Two people cut free from car following early hours smash in Bilston
The fire service fully removed the roof of a car in order to rescue to people who were trapped
by Charlotte Regen, https://www.birminghammail.co.uk/authors/charlotte-regen/Two people have been left hospitalised after they were cut free from a car following an early morning smash.
Emergency services raced to the scene on Mount Pleasant, Bilston, at around 4.33am, this morning (Saturday, November 23).
The fire service had to fully remove the roof of a car in order to rescue the trapped casualties who were trapped by their injuries.
It is unclear what injuries they have sustained from the crash.
The fire service took to Twitter to warn others about the incident. The tweet said: " @WestMidsFire are in attendance at a two car road traffic collision in Bilston. Two people trapped by injuries. Police, ambulance and fire service in attendance."
A spokeswoman for West Midlands Fire Service told Black Country Live it involved two cars and two people were taken to hospital following a full roof removal. The service then made the cars safe.
To keep up-to-date with crime in your community, join the Black Country Crime Watch Facebook group where you will be alerted to any suspicious or criminal behaviour happening in your area.
Keep up-to-date with all things Wolverhampton on our Wolverhampton Facebook page - where you'll get the latest news, travel, weather and events in your area.


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Model
Try change the model
vm.email =<EMAIL_ADDRESS>vm.birth = '1990-01-21'; vm.gender = 'f';
Execute


Gateway
BOT
14-Apr-19 03:51 AM
Currently 71324.99338207 $HUSH is in Sprout zaddrs and will NOT be migrated to our new blockchain, which is 1.13% of current supply. If you have zaddr funds, move them ASAP! Just over 300 blocks to go. Join Discord for help: https://t.co/iCy72MDhX7
[dscrd-hush] <dukeleto> hopefully somebody sees that meme and saves their funds
[dscrd-hush] <JWolf (WW Clan leader)> is mining going to continue or will it be paused?
[dscrd-hush] <dukeleto> mining pools will switch over pretty seemlessly
[dscrd-hush] <dukeleto> if you are a solo miner, you can switch to the new network immediately, and I am working with various pools
[dscrd-hush] <JWolf (WW Clan leader)> and the payouts will go through fine?
[dscrd-hush] <dukeleto> payouts will happen on the new chain, to the address you control on the new chain
[dscrd-hush] <dukeleto> so pool miners should convert their workers to the new address
[dscrd-hush] <dukeleto> you can choose FROM: HUSH TO: KMD on that form, and paste your address
[dscrd-hush] <JWolf (WW Clan leader)> right but we have to wait for the airdrop?
[dscrd-hush] <dukeleto> if you mine on the new chain, payouts will go to those addresses when pools payout
[dscrd-hush] <dukeleto> regardless of airdrop
[dscrd-hush] <Cryptographic> Does the fork affect BTCH?
[dscrd-hush] <dukeleto> airdrop funds must wait until airdrop completes
[dscrd-hush] <dukeleto> This does not effect BTCH in any way, we are catching up to BTCH having Sapling and cryptoconditions
[dscrd-hush] <dukeleto> and now HUSH + BTCH can do smart contracts across both chains, and interoperate
[dscrd-hush] <dukeleto> before, they couldn't
[dscrd-hush] <Cryptographic> Ok thanks. I’m pretty sure I have BTCH based on my HUSH keys. Not really sure tbh.
[dscrd-hush] <Cryptographic> Just want to make sure I don’t miss something
[dscrd-hush] <dukeleto> save your wallet.dat's
[dscrd-hush] <Cryptographic> Yep.
[dscrd-hush] <Cryptographic> Ty!
[dscrd-hush] <dukeleto>
[dscrd-hush] <dukeleto> We around around 13ish hours from the snapshot block
[dscrd-hush] <dukeleto> I urge people, do not make transactions very close to the snapshot block
[dscrd-hush] <dukeleto> Things in the mempool, they are not on the blockchain
[dscrd-hush] <dukeleto> The mempool is ignored in an airdrop
[dscrd-hush] <JWolf (WW Clan leader)> so I need to convert my address?
[dscrd-hush] <dukeleto> You will want to know your new address on the new HUSH chain
[dscrd-hush] <dukeleto> you have the same pubkey
[dscrd-hush] <dukeleto> but that pubkey maps to a different-looking address on the new chain, starts with an R...
[dscrd-hush] <dukeleto> t1 -> R...
[dscrd-hush] <JWolf (WW Clan leader)> can I mine to that?
[dscrd-hush] <dukeleto> once pools have switched to the new chain, you should use your R... address as your worker name, OR pool ops might auto-convert for you
[dscrd-hush] <dukeleto> but that is up to the pool op
[dscrd-hush] <dukeleto> these are good questions
[dscrd-hush] <Shivanshu> Hi. I just joined this group. Can some come one confirm if Cryptopia Hush coins will be migrate ?
[dscrd-hush] <dukeleto> @Shivanshu yes
[dscrd-hush] <dukeleto> you don't need to do anything if your coins are on any exchange
[dscrd-hush] <dukeleto> it's only people with "shielded" coins in addresses starting with a "z"
[dscrd-hush] <Cryptographic> So it’s an ‘airdrop’ to the snapshot at 500k?
[dscrd-hush] <Shivanshu> Awesome. When do we expect the snapshot ?
[dscrd-hush] <dukeleto> We are upgrading our blockchain, mining a new genesis block, migrating funds to the new chain
[dscrd-hush] <dukeleto> snapshot is block 500,000, our new blockchain will actually start just before that and be ready for people to jump onto and mine
[dscrd-hush] <dukeleto> @JWolf (WW Clan leader) yeah, good question. Mining seems ok I guess, but I recommend moving lots of your funds a few minutes before block 500,000
[dscrd-hush] <dukeleto> I do recommend sweeping funds into as few addresses as you can, or just one
[dscrd-hush] <dukeleto> It will make everything easier
[dscrd-hush] <dukeleto> You want to import 1 or a few privkeys, not 1000s


The objective of your decision in production is to minimize the total cost. The costs can come from inventory holding, production and backorder in each period.
All these costs will appear at the top corner of the screen.
There are no setup costs and the time to produce a Kg is 0 (no Lead time).


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Lorem Ipsum Dolor
Welcome to the official website of Jay Skript and the Domsters. Here, you can learn more about the band, view photos of the band, find out about tour dates and get in touch with the band. zheli
Welcome to the official website of Jay Skript and the Domsters. Here, you can learn more about the band, view photos of the band, find out about tour dates and get in touch with the band. zheli


- Category: Forensics
- Points: 500
Challenge
I managed to forget my password for my KeePass Database but luckily I had it still open and managed to get a dump of the system’s memory. Can you please help me recover my password?
Author: Legacy
https://mega.nz/#!IdUVwY6I!uJWGZ932xab44H4EJ-zVAqu6_UWNJcCVA4_PPXdqCyc
https://drive.google.com/open?id=1hUlGqJZYgbWaEu7w0JnPMqgYdFr8qVJe
password: eD99mLkU
Hint! I am not very good with computers, I use my one safe password where I want to keep everything safe from hackers.
Solution
since its a forensic challenge and we have a “Vmem” file it should be a vmware memory image so lets start doing our usual things with volatility
volatility -f HackTM.vmem imageinfo
since this is windows ,let’s check all process running..
└──╼ $volatility -f HackTM.vmem –profile=Win7SP1x86_23418 pslist there’s a KeePass.exe and challenge description says something about finding a password so Maybe the idea behind this is to find a way to leak the keepass .kdbx database and his master password from memory.
First thing to do is a dump of the memory allocated for pid=3620 KeePass.exe
└──╼ $volatility -f HackTM.vmem –profile=Win7SP1x86_23418 memdump -p 3620 -D dump
So, if there’s a keepass2 database loaded into memory, then you have a XML header too.. How did I know this? read this manual : https://github.com/Stoom/KeePass/wiki/KDBX-v2-File-Format and u will find the xml format so lets search that xml format in our dump using strings to confirm that we are not doing smth wrong !
└──╼ $strings 3620.dmp |grep xml
and with this we can confirm that our encrypted database can be found at memory,
Now we still need:
. Leak the master password from memory (maybe its on clipboard?)
. Leak the entire keepass database from memory (not only the XML)
lets check the clipboard for the master password !
└──╼ $volatility -f ../HackTM.vmem –profile=Win7SP1x86_23418 clipboard -v
the “DmVZQ” should be it so lets grep for it
└──╼ $strings ../HackTM.vmem |grep dmVZQmd
that should be the master password lets save it for later use and dump the entire .kdbx from memory !
if you remember in the manual :
| kdb | kdbx pre-rel | kdbx relese |
byte 1 | 0x9aa2d903 | 0x9aa2d903 | 0x9aa2d903 |
byte 2 | 0xb54bfb65 | 0xb54bfb66 | 0xb54bfb67 |
since its kdbx we should be searching for “0x9aa2d903 0xb54bfb67” (first byte + second byte of the kdbx rel) but since its in memory it will appear like this “d903 9aa2 fb67 b54b” instead so lets grep for that hex in our keepass memory dump
└──╼ $hexdump 3620.dmp | grep “d903 9aa2 fb67 b54b”
but the problem is that we have more than one entry of this file at memory, we need to extract the correct one or it will be a corrupted database. so lets use wXhexEditor. Search by our hex kdbx file signature 03 D9 A2 9A 67 FB 4B B5 Look for an entry that has no blank spaces breaking the header and file footer.. the first offset is a perfect example so lets dump it doing file on it shows that we dumped the right thing so now lets start keepass using this database and the master password we got earlier ! that should be it, saving that file and extracting it with the master password will give u the flag


THE SHINING (1980)
"Places are like people: some shine and some don't."
4 out of ****
Starring Jack Nicholson, Shelley Duvall, Danny Lloyd Directed by Stanley Kubrick Written by Kubrick and Diane Johnson, from the novel by Stephen King Cinematography by John Alcott
There is only one character in Stanley Kubrick's THE SHINING, and it is not a person. It is the Overlook Hotel, a remote Colorado resort that closes during the winter, because no one can reach it through the snowbound mountains. During this season, it is empty, save for the caretaker and his family. An empty hotel is an eerie place; without the bustle of guests and bellhops and receptionists, it becomes a still, silent place. Too still, too silent. It is a place where something is waiting to happen--and if it doesn't happen, the hotel will drag ghosts out of the past to make it happen.
Jack Torrance (Jack Nicholson) is the caretaker this particular winter, with his wife Wendy (Shelley Duvall) and son Danny (Danny Lloyd) joining him. Jack claims to be a writer, and looks forward to the solitude which will give him a chance to work on a new project.  We know better.
Based on what we see of him, Jack can't be a very good writer; he possesses no wit, no charm, no originality. He is a void waiting for a personality to fill him. Eventually, it does--giving Nicholson the opportunity to perform some of his most famous scenes, and he performs them gleefully. He takes the menace and madness that lurk in the corners of the Overlook and embodies them in one man; it is a great performance, just as the Overlook is a triumph of production design.
Nicholson manages to take something trite and boring and make it skewed and unnerving--and this is what the film as a whole does. Stephen King famously criticized Kubrick's adaptation of his novel, but Kubrick at least did justice to one of King's strengths as a writer: his ability to take the mundane, the trivial, and make it a locus of terror. The dialogue and the people in THE SHINING are terribly banal. Remove the style, and all the interactions--a job interview, a father-son conversation, a tour of the hotel, etc.--would be stupefingly dull and clichéd.
But the film is never boring; it is compelling and disturbing. Kubrick uses formal, strikingly symmetrical visual compositions for even the most routine actions and conversations, and he also avoids close-ups as much as possible, so that what we see, we see from a distance, and what we see are everyday actions presented in an artificial, stylized manner. This incongruity generates a sense of unease, an unease which pervades every shot. We know something will go horribly wrong; it's just a matter of when and how.
The genius of the film is in the details. It is in the way Kubrick shows Danny riding around the hotel hallways on his go-cart, shooting from a low angle so that the large, silent passages seem even larger, even more silent, and very ominous, as they loom high over Danny's head. It is in the way he has Danny--using the unnatural voice of Tony, the "friend" who lives in his mouth--say "red rum" over and over again, the pitch rising at a key dramatic moment. It is in the way we are shown a brief glimpse through a bedroom door, late in the film, of two mysterious characters, hinting at further secrets somewhere in the hotel's dark history.
There is never a moment when Kubrick--with help from cinematographer John Alcott, production designer Roy Walker, and a seriously unsettling score--does not seem to be utterly sure of himself. The movie is a showcase for his talent; I am reluctant to attach any deeper significance, because none is needed. Yes, Jack is a recovering alcholic; yes, there are intimations of abuse and dysfunction; yes, the movie insinuates that on a deeper level, it may be "about" those issues--but, fundamentally, I think to look for those meanings misses the point.
THE SHINING wants to frighten us, to induce a pleasurable frisson of terror, and to impress us with its craftsmanship. If it's "about" anything, it's about cameras moving slowly and sinisterly down empty hallways; abrupt images of silent, solemn twin girls; a frantic chase through a snow-covered hedge maze. It's about style, and it knows that subject as well as any movie ever made.
A Review by David Dalgleish (May 7/98<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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I had my first trip on mushrooms, and it was the greatest thing I’ve ever experienced, so after the fact, I decided to write a short story on it.
It was after dinner on March 13th, if I recall. Lance and I had been skateboarding for 10 minutes from my Dad’s house to finally arrive at my Mom's house. We strolled up the stairs and sat down in my room. I reached into my stash and got out the bag. We each ate 2 Vitamin C tablets before we put the shrooms in our mouths. We chewed the first handful for about 5 minutes. As we swallowed them we took down some Vitamin C supplement drink. The second handful seemed to taste much better than the first. Slowly we chewed them until they became a paste.
We sat down for about 2 minutes and decided to eat one more Vitamin C tablet each. We put on some music and waited. We began to chuckle a bit, before we left my house. I stepped outside and stumbled down my steps. Everything outside seemed to have vibrant colours. The streetlights were red, not the pale yellow they usually are. We walked down the street towards the convenience store. I began to feel the effects slightly when I laughed and looked around. We walked into the store and looked around.  They were aviators with a transparent yellow shade. He paid for them and we walked out.
We took a look at each other’s eyes and realized our pupils were extremely big. Lance said to me “I’m going to put on these sunglasses right when I know I’m fucked up.”  As I was toking, I gazed upward at the stars. They were the brightest I’ve ever seen them, even in the country they weren’t this bright. We put away the joint and walked the rest of the dirt path. I stopped in my footsteps and started in awe at a nearby pine tree. I saw a skeleton in the tree and I started to yell. Lance stopped me and we continued walking.
The red streetlights were even brighter than they were before. Lance pulls out his sunglasses and his white fishing hat made out of a towel’s material. He looked at me and at that moment, I knew we were fucked. We began walking towards our destination, Glow-In-The-Dark Mini Putt. We walked down a street that seemed never-ending. I began to question things out loud and soon found myself extremely happy. I began to smile so hard that I was drooling.  I saw an awkward looking fence and questioned why it looked the way it did. Lance pulled me away and said “We need to get to Mini Putt!” I went along and we continued down the same road. As we approached the end of the road I saw some bushes and remarked how I thought they looked comfy. I was talking about jumping into them when Lance again insisted we keep going.
We came to the end of the road and we thought of where to turn. I said that it might be quicker if we go back the other way and take a different turn. As we walked across to the other side of the street we stopped in the middle of it. Lance began to sort of freak out. I ran near a house and walked on the tiny hill beside it when I closed my eyes. I saw amazing colours and patterns moving around. Green and orange triangles and other odd things, like in cartoons.
Until I saw a pair of eyes staring back at me. I quickly opened my eyes to get away from the others. I closed them again to see if they were still there and of course they were. So from then on I was afraid to close them. We walked back on the same street we had been walking on for a while. When we came to the first road we turned left and I saw shadows on the ground. The shadows seemed to be 3-Dimensional and popped out at me. Lance collapsed on the ground as he walked over the shadows. He began screaming “It fells like hands are holding me up!”
I ran to the other side of the street and saw a school. I walked over to the parking lot and I sat on the pavement. Lance got up from the minor freak-out and came to see what I was doing. I saw wonderful patterns all over the ground. I stared at them for a couple of seconds and abruptly got up. I saw a tree that seemed to tilt at almost a 90 degree angle. I began to run and yell to Lance that it felt amazing to run. So we ran to the other exit of the school’s parking lot, and as we got to the end we stopped and walked as if nothing ever happened.
We came to a crossroad and I said that we should go left. Lance said that we should go straight. He pointed out what the streets looked like. The Left way was dark and scary, and the other way was bright and colourful and seemed fun. We walked straight and ended up being on a busy street. We walked uphill almost reaching the halfway point to Golf. We tried talking to each other but it was no use, we could barley speak properly.
As we passed an old lady who was walking her dog, it barked at us fiercely as if we were cats. We walked for a little longer when I saw something shiny in the bushes. I stopped Lance because I felt that whatever it saw, was calling me to it and that I needed to see what it was. I concentrated and saw a pop can with a figure on it that resembled Jesus’ face. I reached out for the can but Lance again pulled me away and said something along the lines of getting to Mini Putt.
Right after, we both decided to close our eyes and try to walk around. We wandered and yelled for about 5 minutes, and when I opened my eyes I was on someone’s lawn and Lance was way ahead of me. We walked up the street and as we came to a busy intersection I found a hubcap on the ground. I picked it up and kept on walking. By this time I felt extremely out of it. Colours were flying past me like lightning, I could barley make sense with words, and my mind began to shut down.
We crossed the intersection and I grabbed the hubcap with both of my hands. I turned and said to Lance, “It’s the crazy bus” and I began using it as a steering wheel.  I closely examined it and it looked like salamanders to me. But yet again Lance felt the urge to get to Mini Putt quickly.
We walked across a bridge almost nearing our destination. The stoplights at the end of the bridge looked like bright stars to me, and I watched them intensely as Lance was trying to explain something. We stumbled down a hill, hopped over a guardrail on the side of the road, and were about to jump a small stream when Lance told me to leave the hubcap behind. I hadn’t realized that I’ve been carrying it for the whole time. So I stood it up against a guardrail post and jumped the stream.
We now were walking among people as we entered the complex where the Mini Putt was located. I felt so screwed up and I needed to get inside. The year-long walk (or so it felt like) had come to an end when I saw the shining sign of the Putting place. I put on my mirror sunglasses as we waltzed in. A hundred different things went through my mind. I was trying to process all the colours, patterns and where I was through my brain, when Lance grabbed me by the shoulder and pulled me toward a payphone near a corner.
I totally forgot that we were supposed to meet up with a whole bunch of our friends. I leaned up against the corner and began to trip out. I saw the corner stretching and begin to curve like a ball.  I heard him try to speak to our friend’s mom. It was like listening to a retard use a phone. He hung up and we walked over to the counter where we had to pay. We couldn’t get a hold of our friends so we decided to go putting anyways.
I knew in my mind that I couldn’t count money if my life depending on it. We reached the counter and two 18 year old girls ask us what we wanted. I said “Mini Putt for two, please!” One of them said “Together, or separate?” and I got confused. I said “Yea” then quickly responded “No!” The girl looked at me as if I was on drugs, little did she know. She again asked me “Together, or separate?” I responded “Separate!” and I handed over a 20 dollar bill. She rung up the cash and handed me over my change. I shoved it all into my pocket because I knew that I couldn’t count it. I ran to the bathroom before Lance even paid.
I flew the door open and crashed into the sink. I took off my sunglasses and looked at myself in the mirror. I started having a conversation with myself through the mirror when Lance flies in.  Apparently I had been talking to myself for quite sometime.  As we walked out of the bathroom I noticed that each wall in the bathroom was a different colour, and that put a smile on my face.
We walked around the Mini Putt place waiting for our names to be called so that we could finally golf. I wanted to sit down so I searched and found an empty room. In the room there was a table all broken up into pieces, almost like puzzle pieces. There were tons of chairs and crazy drawings all over the ground and walls. We decided to call it the “Party-Room”. Lance and I tried to talk to each other but I kept on dazing off. He wanted me to come with him to the arcade so he could play a game, but I refused to get up.
I heard our names being called and I jumped up and ran to the front counter. I tried talking to the girls and asking them if it was our turn, but they said no.  I walked solemnly back to the “Party-Room” and sat down again. I realized that Lance had been yelling at me for 2 minutes to go play a game with him. So I stood up, tripped out for a couple of seconds, then we walked to the arcade. Lance found a fighting game that he wanted to play. There were about 5 other people in the tiny arcade, besides us. Lance puts in his money and begins to play.
I became confused and I started to mumbled aloud and pull out quarters from my pockets. I tried putting them into the game, I didn’t know why I was doing this, and I didn’t know how to either.  I watched the screen as Lance was playing and I asked him what character he was. He replied “The big one!” I watched his character when all of a sudden it morphed into this other thing, then again, and again! I couldn’t watch the game in the state I was in, it was too intense. Lance soon gave up because he didn’t even know what he was doing, or why he was in the arcade.
We were about to go back to the room when our names finally got called. As we were walking up to the desk, I saw the 2 girls dancing around arm in arm like leprechauns. I blinked and looked again and they were normal. We grabbed our clubs, picked out our golf balls, and we entered what we had been waiting for the whole night, Glow-In-The-Dark Mini Putt!
As soon as we walk into the putting area, all the florescent colours jumped out at me. I took off my sunglasses and tried to out them into my breast pocket. I dropped them and I couldn’t find them. Lance then came over to me and started pushing me and saying “Let’s play!” He pushed me to a wall and I tripped over something. There were my sunglasses. I put them into my pocket and we began to play. My mind could not comprehend anything. I didn’t know the difference between left or right, up or down, real or fake, normal or insane. Confusion was he only thing with me inside that building. Lance hit his ball and almost got it in. I dropped my orange ball and whacked it not caring what I looked like or what I was doing. I got my ball in the hole, but it took me about 5 or 6 tries before I did.
At the second hole I just threw my ball down and hit it as hard as I could. The ball flew off and I did not know where it went. Lance started to putt and I sat down and tried to think. My mind was going haywire, I couldn’t think even if I tried to think. Lance got his ball in the hole again and we went onto the next one. I found my ball lying in the middle of the ground and it looked like a bright orange orb. I picked it up and began talking to it. Other people who were also golfing looked at us. We must have looked like mentally handicapped kids trying to have fun.
We played tons of holes and none of them I could do properly. I forgot what how I swung so I hit left or right, both ways I couldn’t hit it properly anyways. We were on one hole where some kids were playing and laughing and having a good time. And they asked us if we’d like to pass them because it “looked like we were having fun”, or so they said. As we passed them I saw a treasure box and started to say weird stuff. They all looked at me and we continued to the next hole. The inside of the putting place was like the inside of my brain; a mess, confusing, and colourful. When we were playing golf, time had no meaning. Neither of us had watches and we hadn’t seen a clock for hours.
All the people inside the place seemed like they were all on shrooms from afar, but as I walked closer to ask them if they were, they began to seem normal.  We spent 5 minutes trying to look for it when we realized that it was right beside us. The rest of the time spent in there was a complete blur to me. I remember a tornado that took my ball, and a strange weasel driving an airplane on the wall. But as I walked outside and reality rushed back into my eyes, I began to come to my senses.
When we got out of the building, I saw a child and I scared it by making strange noises and faces at it. Lance started to run for some reason to I ran after him. We sat down near a lamp post and tried to tell each other what we both experienced, we could barley speak straight. I picked up a tiny rock and I put it into my pocket to keep a note that what I experienced actually happened, and wasn’t a figment of my imagination. We needed someone to tell us if we were alright or still fucked, because we couldn’t tell ourselves. So we called up one of our random friends. Lance couldn’t speak properly on the phone, so he hung up. I guess that pretty much explained if we were still fucked.
We walked back the way we came and picked up the hubcap. Back across the bridge that seemed much shorter now, and into a Tim Hortons. Lance made me leave the hubcap in a nearby bush before we went in. When we got in, we both bought food and saw some really weird older guys. They weren’t speaking English, and they seemed like they were high off their asses. We ate our food and left Tim Hortons. As we were going through a field, a rabbit ran out in front of us and scared the life out of Lance and me. We got to the road and I saw a fence and couldn’t resist to piss, so I did and ended my trip for good.
We walked back to my Dad’s house as Lance started to come down. He claimed that he still was a bit messed up, and was thinking of sleeping in the forest because of his state. I talked him out of it as we got to my house. We walked inside and I talked to my Dad quickly. He seemed to wonder if I was myself, but I quickly ran downstairs with Lance. We played Nintendo 64 and talked about our night.
 He said that I looked like the “Sloth” from “The Goonies”. We sat in the basement and couldn’t think of anything to do. So we came up with a plan to sneak out and get the hubcap back because we forgot it in the bushes. We both quietly strolled up the stairs and put our shoes near the back door. I slid the glass door as slow as I could. We got outside and ran for Tim Hortons.
We smoked another joint while walking in the middle of the road on our way. When we arrived there we decided to get some food before we got the hubcap. So we bought dozens of cookies and asked the lady to put them in the microwave for us because they were hard and cold. We finished most of them and got the hubcap. We walked back home and talked about what we just did. We got home and snuck in slowly, crept to the basement, and thanked God that we didn’t wake anyone up. We finished our game of Nintendo and fell asleep.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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Lowe's misses quarterly same-store sales estimates
by Reuters(Reuters) - Lowe's Cos Inc (N:LOW) missed quarterly same-store sales estimates on Wednesday, as the home improvement chain faced intense competition from Home Depot Inc (N:HD).
The company's same-store sales rose 2.2% in the third quarter ended Nov. 1, below expectations of a 3.1% increase, according to IBES data from Refinitiv.
However, the company raised its 2019 adjusted earnings forecast to $5.63 to $5.70 per share, from prior expectations of$5.45 to $5.65 per share.


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Mexico invites FBI to help investigate killing of Americans
by ReutersMEXICO CITY, Nov 10 (Reuters) - The Mexican government invited the FBI on Sunday to participate in its investigation into an attack in northern Mexico that killed nine dual citizens of the United States and Mexico.
Mexico's Foreign Ministry said in a statement it extended the invitation through a diplomatic note to the U.S. Embassy in Mexico.
"The Mexican government reiterates its commitment to investigate the facts, in order to ... offer justice to the affected families," the ministry said.
The U.S. agents must work in coordination with their Mexican counterparts and will not be armed, it added.
The FBI did not immediately respond to a request for comment.
On Monday, gunmen killed three women and six children from a breakaway Mormon community in northern Mexico, prompting U.S. President Donald Trump to offer Mexican President Andres Manuel Lopez Obrador help in wiping out drug gangs he blamed for the ambush. (Reporting by Dave Graham; Additional reporting by Julia Harte; Writing by Julia Love; Editing by Peter Cooney)


TCS is an open source FiveM framework developped with TypeScript language. You can download the last version, ready to start on FiveM resources at the releases page.
Find out how to contribute by reading the contributing guide.
Don't forget to read the Code of Conduct.
For any question about the core, you can directly ask it into the "discution" section of this repository
To download the latest sources of TCS, execute this command :
git clone https://github.com/FiveMTCS/Core.git
It is possible that you experience some issues while using TCS, especially with the first versions of it. Please, first verify that you are using the latest version and then report the issue by clicking here.
It is very simple to use TCS :
ensure tcs


Symbol Index for "State Change Activity"
Symbol Index for diagram
"State Change Activity"
Activity (Class)
Activity For Subject (Class)
Activity State Change (Class)
Activity/Direction (Generalization Node)
Agent (Class)
Agent State Change (Class)
completion timepoint (Association)
Focus State Change (Class)
Intention State Change (Class)
responsible for performance of (Association)
SCA/Direction (Generalization Node)
State Change Activity (Class)
Subject Identifier State Change (Class)
Temporal Resource Act (Class)
Timepoint (Class)


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33+ Fedex Logo Black And White Images. The fedex logo is mostly known for its tricky optical illusion. Among different color combinations (black+grey, grey+orange, etc why fedex logo works.
Among different color combinations (black+grey, grey+orange, etc why fedex logo works. The fedex facebook page is intended to provide a mutually beneficial platform for fedex, fedex custo. The company's immense success as a huge global delivery firm led to a highly innovative redesign and a massive advertising.
This free logo with no background is also available in black and white.
Typo logo typography logo design motion design spa interior design text animation black and white aesthetic social media design typography i am a big fan of negative spaces in logos. The pioneer federal express logo emphasized the company's ties with the. Download the vector logo of the fedex brand designed by in encapsulated postscript (eps) format. The advantage of transparent image is that it can be used efficiently.


ASControlNodeEvent Constants Reference
| Declared in | ASControlNode.h |
|---|
ASControlNodeEvent
These events are identical to their UIControl counterparts.
Definition
typedef NS_OPTIONS(NSUInteger, ASControlNodeEvent ) {
ASControlNodeEventTouchDown = 1 < < 0,
ASControlNodeEventTouchDownRepeat = 1 < < 1,
ASControlNodeEventTouchDragInside = 1 < < 2,
ASControlNodeEventTouchDragOutside = 1 < < 3,
ASControlNodeEventTouchUpInside = 1 < < 4,
ASControlNodeEventTouchUpOutside = 1 < < 5,
ASControlNodeEventTouchCancel = 1 < < 6,
ASControlNodeEventPrimaryActionTriggered = 1 < < 13,
ASControlNodeEventAllEvents = 0 xFFFFFFFF,
};
Constants
ASControlNodeEventTouchDown
-
A touch-down event in the control node.
Declared In
ASControlNode.h
. ASControlNodeEventTouchDownRepeat
-
A repeated touch-down event in the control node; for this event the value of the UITouch tapCount method is greater than one.
Declared In
ASControlNode.h
. ASControlNodeEventTouchDragInside
-
An event where a finger is dragged inside the bounds of the control node.
Declared In
ASControlNode.h
. ASControlNodeEventTouchDragOutside
-
An event where a finger is dragged just outside the bounds of the control.
Declared In
ASControlNode.h
. ASControlNodeEventTouchUpInside
-
A touch-up event in the control node where the finger is inside the bounds of the node.
Declared In
ASControlNode.h
. ASControlNodeEventTouchUpOutside
-
A touch-up event in the control node where the finger is outside the bounds of the node.
Declared In
ASControlNode.h
. ASControlNodeEventTouchCancel
-
A system event canceling the current touches for the control node.
Declared In
ASControlNode.h
. ASControlNodeEventPrimaryActionTriggered
-
A system event when the Play/Pause button on the Apple TV remote is pressed.
Declared In
ASControlNode.h
. ASControlNodeEventAllEvents
-
All events, including system events.
Declared In
ASControlNode.h
.
Declared In
ASControlNode.h


Daniel Dennet
Philosopher of Mind and Public Intellectual Professor at Tufts Univeristy
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"Ghost World"
Enid (Thora Birch) and Rebecca (Scarlet Johansson) are two malcontented teenage girls on the brink of graduation from high school and the very threshold of adulthood. Outsiders to their parents and peers, the girls carry on an almost non-stop caustic commentary that spares no one. When Enid points her poisoned wit in the direction of a hapless, alienated grouch, Seymour (Steve Buscemi), she realizes the he is much like her and an unusual friendship develops in "Ghost World."
Director Terry Zwigoff hit the big-time with his much-awarded 1995 documentary, "Crumb," about the life and family of cartoonist Robert Crumb (of "Keep On Truckin'" fame). Zwigoff, a close friend to the artist, created an evocative, sympathetic look into a truly bizarre genius. With "Ghost World," he joins with Daniel Clowes as they adapt the graphic novelist's comic book creation for the big screen. The story begins with Enid and Rebecca as a pair of intellectual sophisticates who know they are too cool and smart for words. Their outsider status gives them the right, they think, to whatever they damn well please for their own amusement.
One day, while going through the personals, Enid stumbles upon a plaintive ad by a lonely guy looking for a woman in a yellow dress that he, literally, bumped into at the airport weeks before. The girls decide to have some fun and call the guy, pretending to be "the woman," and leave a message setting up a meet. As they watch, from a distance, the poor schmuck sit and wait - for nothing - at a local diner, Enid has the first stirrings that, maybe, this wasn't such a funny idea. She begins a personal campaign to get to know the man, Seymour, who, oddly, holds much in common with the troubled teen.
Meanwhile, Rebecca has graduated high school (Enid has to go to summer school to finish her art class), secured a job and is saving for an apartment that she and Enid have always talked of sharing. Becky is sorting out her plans for the future while her friend rejects, outright, any notion of conventionality. The two begin a parting of the ways as Enid grows closer to Seymour, especially when her sad sack father (Bob Balaban) makes noises about getting back together with his ex-wife, Maxine (Teri Garr), whom the teenager can't stand. Enid makes it her goal to help Seymour find the lady in the yellow dress, but this decision, and the separation from Rebecca, leaves her to confront her coming of age alone.
Zwigoff performs the leap from documentary to feature films in a seamless manner that makes "Ghost World" not seem like a freshman fiction flick. There is some initial comparison to another teen angst film, "Heathers" (1989), but where the older film, especially the violence, was fantasy based, the comic book-inspired tale is firmly rooted in teen reality. Enid and Becky aren't out to kill the popular people here, but are not beyond using a sharp tongue to cut down "normal" people. The girls are not unique in their views. Even I remember, as a teenager, knowing 10 times more than any adult, holding the older folk in a benign, superior contempt. Enid, especially, puts forth this teen philosophy when you don't quite fit in - when in doubt, attack.
Thora Birch and Scarlett Johansson are co-billed in "Ghost World," but the veteran Birch takes over early on and is the real star of the film. The young actress has over a decade of experience under her belt, starting, at age six in "The Purple People Eater" and made the leap to more adult roles with her work in the Oscar-winning "American Beauty." As Enid, she's a little over-weight and cloaks herself in Gothic-inspired costumes that ensure that she hides her inherent prettiness. As she singles out Seymour for her own brand of amusement, she begins to make the first, unconscious, moves to maturity. Birch is solid in the role and puts a firm imprint on the complexity and sometimes confusion that make up Enid.
In a brilliant bit of casting, Steve Buscemi is nothing less than terrific as Seymour. The actor has a talent for playing the hapless misfit and can be counted on to put a unique spin on each character. Seymour may be a loser but, with his love for old jazz music and dedication to his old 78-rpm record collection, he has something that he believes in. Enid sees that his geek world may not be much to look at, but it is his own. The relationship and physical attraction that bond Enid and Seymour is frank, believable and, sometimes, touching. Buscemi should get attention at year's end for this gem of a performance.
Scarlett Johansson ("The Horse Whispered") starts off strong but, as Rebecca starts to find herself, she sets what are, to Enid, conventional goals and aspirations. As Becky gets "normal" she grows more and more distant from her friend, eventually fading from the picture, both in screen time and with her character's importance to the story. Johansson does a solid job in the diminished role. The veteran actors that help to flesh out the background are an odd, not always successful, mix. Illeana Douglas gives a dead on perf as Enid's summer school art teacher, Roberta. The woman is in a position to help her wards, but is so inured in her own vision of art that she is unable to recognize the talent behind Enid's caricature drawings. Bob Balaban plays Enid's dad as a clueless dolt who doesn't understand anything about his daughter. Teri Garr's cameo appearance as Enid's soon-to-be-again stepmom does nothing for the film. Brad Renfro, as the girls' friend, object of desire and target for teen torment, gets little air time and less to do.
Techs are sharp, especially the outfitting of Thora Birch by Mary Zophres ("Fargo"). The music, especially, has a place as a character in "Ghost World." Vintage jazz and blues tunes abound with particular attention paid to the 1931 Skip James song, "Devil Got My Woman." Of course, contemporary music is amply supplied, but the blues rules. Artwork, especially Seymour's Cook's Chicken scrapbook and Enid's portfolio of drawing, are a nice addition by Sophie Crumb, daughter of Robert.
"Ghost World" is a true teen movie, not just for girls. The angst, confusion and growing pains depicted are not aimed at one sex or the other and has a lot to say for both. I give it a B.
For more Reeling reviews visit www.reelingreviews.com
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