Market Charts > 2002 > Movie Chart
Annual Movie Chart - 2002
Note: This chart ranks movies by the amount they earned during 2002.
It includes movies released in previous years that earned money during 2002.
For example, a movie released over Thanksgiving in 2001 will most likely earn money in 2001 and 2002.
Click on the individual movie to see its total gross over all the years in which it played.
Each box office year ends on the first Sunday of the following year.
The next year starts the following day (Monday).
For example, the "2004 box office year" ended on Sunday, January 2, 2005.
Inflation-adjusted figures are based on ticket sale estimates.
See Top 2002 Movies at the Domestic Box Office for the total domestic box office for the top 100 movies released in 2002, and Movie Index 2002 for an overview of all movies released in 2002.
Top Grossing Movies of 2002
| Rank | Movie | Release Date | Distributor | Genre | 2002 Gross | Tickets Sold |
| 1 |
Spider-Man |
May 3, 2002 |
Sony Pictures |
Adventure |
$403,706,375 |
69,484,746 |
| 2 |
Star Wars Ep. II: Attack of… |
May 16, 2002 |
20th Century Fox |
Adventure |
$310,676,740 |
53,472,760 |
| 3 |
The Lord of the Rings: The … |
Dec 18, 2002 |
New Line |
Adventure |
$262,300,833 |
45,146,442 |
| 4 |
Harry Potter and the Chambe… |
Nov 15, 2002 |
Warner Bros. |
Adventure |
$252,097,945 |
43,390,351 |
| 5 |
My Big Fat Greek Wedding |
Apr 19, 2002 |
IFC Films |
Romantic Comedy |
$227,898,505 |
39,225,216 |
| 6 |
Signs |
Aug 2, 2002 |
Walt Disney |
Thriller/Suspense |
$227,750,028 |
39,199,660 |
| 7 |
Austin Powers in Goldmember |
Jul 25, 2002 |
New Line |
Comedy |
$213,117,789 |
36,681,202 |
| 8 |
Men in Black 2 |
Jul 3, 2002 |
Sony Pictures |
Action |
$190,418,803 |
32,774,320 |
| 9 |
Ice Age |
Mar 15, 2002 |
20th Century Fox |
Adventure |
$176,387,405 |
30,359,277 |
| 10 |
Die Another Day |
Nov 22, 2002 |
MGM |
Action |
$153,770,825 |
26,466,579 |
| 11 |
Scooby-Doo |
Jun 14, 2002 |
Warner Bros. |
Adventure |
$153,294,164 |
26,384,537 |
| 12 |
Lilo & Stitch |
Jun 21, 2002 |
Walt Disney |
Adventure |
$145,771,527 |
25,089,763 |
| 13 |
xXx |
Aug 9, 2002 |
Sony Pictures |
Action |
$141,930,000 |
24,428,571 |
| 14 |
The Santa Clause 2 |
Nov 1, 2002 |
Walt Disney |
Adventure |
$138,277,797 |
23,799,965 |
| 15 |
A Beautiful Mind |
Dec 21, 2001 |
Universal |
Drama |
$132,929,755 |
22,879,475 |
| 16 |
Minority Report |
Jun 21, 2002 |
20th Century Fox |
Action |
$132,024,714 |
22,723,702 |
| 17 |
The Ring |
Oct 18, 2002 |
Dreamworks SKG |
Horror |
$127,230,430 |
21,898,524 |
| 18 |
Mr. Deeds |
Jun 28, 2002 |
Sony Pictures |
Comedy |
$126,293,452 |
21,737,255 |
| 19 |
Sweet Home Alabama |
Sep 27, 2002 |
Walt Disney |
Comedy |
$126,086,880 |
21,701,700 |
| 20 |
The Bourne Identity |
Jun 14, 2002 |
Universal |
Thriller/Suspense |
$121,468,960 |
20,906,877 |
| 21 |
The Sum of All Fears |
May 31, 2002 |
Paramount Pictures |
Action |
$118,471,320 |
20,390,932 |
| 22 |
8 Mile |
Nov 8, 2002 |
Universal |
Drama |
$115,270,265 |
19,839,976 |
| 23 |
Black Hawk Down |
Dec 28, 2001 |
Sony Pictures |
Action |
$108,079,933 |
18,602,398 |
| 24 |
The Lord of the Rings: The … |
Dec 19, 2001 |
New Line |
Adventure |
$107,854,245 |
18,563,553 |
| 25 |
The Road to Perdition |
Jul 12, 2002 |
Dreamworks SKG |
Drama |
$104,054,514 |
17,909,554 |
| 26 |
Catch Me if You Can |
Dec 25, 2002 |
Dreamworks SKG |
Drama |
$97,437,621 |
16,770,674 |
| 27 |
Panic Room |
Mar 29, 2002 |
Sony Pictures |
Thriller/Suspense |
$95,308,367 |
16,404,193 |
| 28 |
Red Dragon |
Oct 4, 2002 |
Universal |
Thriller/Suspense |
$92,955,420 |
15,999,211 |
| 29 |
The Scorpion King |
Apr 19, 2002 |
Universal |
Action |
$90,580,000 |
15,590,361 |
| 30 |
Spy Kids 2: The Island of L… |
Aug 7, 2002 |
Miramax/Dimension |
Adventure |
$85,570,368 |
14,728,118 |
| 31 |
Blade 2 |
Mar 22, 2002 |
New Line |
Action |
$81,676,888 |
14,057,984 |
| 32 |
Snow Dogs |
Jan 18, 2002 |
Walt Disney |
Adventure |
$81,150,692 |
13,967,416 |
| 33 |
We Were Soldiers |
Mar 1, 2002 |
Paramount Pictures |
Drama |
$78,120,196 |
13,445,816 |
| 34 |
Maid in Manhattan |
Dec 13, 2002 |
Sony Pictures |
Romantic Comedy |
$76,328,613 |
13,137,454 |
| 35 |
ET: The Extra-Terrestrial |
Jun 11, 1982 |
Universal |
Drama |
$75,752,422 |
13,038,282 |
| 36 |
The Rookie |
Mar 29, 2002 |
Walt Disney |
Drama |
$75,600,072 |
13,012,060 |
| 37 |
Barbershop |
Sep 13, 2002 |
MGM |
Comedy |
$75,228,991 |
12,948,191 |
| 38 |
Spirit: Stallion of the Cim… |
May 24, 2002 |
Dreamworks SKG |
Adventure |
$73,215,310 |
12,601,602 |
| 39 |
John Q |
Feb 15, 2002 |
New Line |
Thriller/Suspense |
$71,026,631 |
12,224,893 |
| 40 |
The Divine Secrets of the Y… |
Jun 7, 2002 |
Warner Bros. |
Comedy |
$69,586,544 |
11,977,029 |
| 41 |
Two Weeks Notice |
Dec 20, 2002 |
Warner Bros. |
Romantic Comedy |
$68,810,079 |
11,843,387 |
| 42 |
Insomnia |
May 24, 2002 |
Warner Bros. |
Thriller/Suspense |
$67,263,182 |
11,577,139 |
| 43 |
Changing Lanes |
Apr 12, 2002 |
Paramount Pictures |
Thriller/Suspense |
$66,790,248 |
11,495,739 |
| 44 |
Stuart Little 2 |
Jul 19, 2002 |
Sony Pictures |
Adventure |
$64,956,806 |
11,180,173 |
| 45 |
Jackass: The Movie |
Oct 25, 2002 |
Paramount Pictures |
Documentary |
$64,209,101 |
11,051,480 |
| 46 |
The Time Machine |
Mar 8, 2002 |
Dreamworks SKG |
Adventure |
$56,684,819 |
9,756,423 |
| 47 |
The Count of Monte Cristo |
Jan 25, 2002 |
Walt Disney |
Adventure |
$54,228,104 |
9,333,580 |
| 48 |
Unfaithful |
May 8, 2002 |
20th Century Fox |
Thriller/Suspense |
$52,752,475 |
9,079,599 |
| 49 |
Like Mike |
Jul 3, 2002 |
20th Century Fox |
Adventure |
$51,432,423 |
8,852,396 |
| 50 |
The Tuxedo |
Sep 27, 2002 |
Dreamworks SKG |
Action |
$50,189,179 |
8,638,412 |
| 51 |
Peter Pan: Return to Neverland |
Feb 15, 2002 |
Walt Disney |
Adventure |
$48,430,258 |
8,335,672 |
| 52 |
Big Fat Liar |
Feb 8, 2002 |
Universal |
Adventure |
$47,811,275 |
8,229,135 |
| 53 |
Drumline |
Dec 13, 2002 |
20th Century Fox |
Comedy |
$47,539,218 |
8,182,309 |
| 54 |
Gangs of New York |
Dec 20, 2002 |
Miramax |
Drama |
$47,082,059 |
8,103,624 |
| 55 |
Reign of Fire |
Jul 12, 2002 |
Walt Disney |
Action |
$43,061,982 |
7,411,700 |
| 56 |
High Crimes |
Apr 5, 2002 |
20th Century Fox |
Thriller/Suspense |
$41,543,207 |
7,150,293 |
| 57 |
A Walk to Remember |
Jan 25, 2002 |
Warner Bros. |
Drama |
$41,227,069 |
7,095,881 |
| 58 |
Orange County |
Jan 11, 2002 |
Paramount Pictures |
Comedy |
$41,059,716 |
7,067,076 |
| 59 |
Windtalkers |
Jun 14, 2002 |
MGM |
Action |
$40,914,068 |
7,042,008 |
| 60 |
About a Boy |
May 17, 2002 |
Universal |
Romantic Comedy |
$40,803,000 |
7,022,891 |
| 61 |
The Master of Disguise |
Aug 2, 2002 |
Sony Pictures |
Adventure |
$40,363,530 |
6,947,251 |
| 62 |
I Am Sam |
Dec 28, 2001 |
New Line |
Drama |
$40,159,806 |
6,912,186 |
| 63 |
Resident Evil |
Mar 15, 2002 |
Sony Pictures |
Horror |
$40,119,709 |
6,905,285 |
| 64 |
Blue Crush |
Aug 16, 2002 |
Universal |
Drama |
$40,118,420 |
6,905,063 |
| 65 |
Collateral Damage |
Feb 8, 2002 |
Warner Bros. |
Action |
$40,048,332 |
6,893,000 |
| 66 |
Star Trek: Nemesis |
Dec 13, 2002 |
Paramount Pictures |
Adventure |
$39,825,707 |
6,854,682 |
| 67 |
Enough |
May 24, 2002 |
Sony Pictures |
Thriller/Suspense |
$39,177,215 |
6,743,066 |
| 68 |
Gosford Park |
Dec 26, 2001 |
USA Films |
Comedy |
$39,106,561 |
6,730,905 |
| 69 |
Undercover Brother |
May 31, 2002 |
Universal |
Comedy |
$38,230,435 |
6,580,109 |
| 70 |
Showtime |
Mar 15, 2002 |
Warner Bros. |
Comedy |
$37,948,765 |
6,531,629 |
| 71 |
40 Days and 40 Nights |
Mar 1, 2002 |
Miramax |
Romantic Comedy |
$37,939,782 |
6,530,082 |
| 72 |
Crossroads |
Feb 15, 2002 |
Paramount Pictures |
Drama |
$37,188,667 |
6,400,803 |
| 73 |
Clockstoppers |
Mar 29, 2002 |
Paramount Pictures |
Adventure |
$36,985,501 |
6,365,834 |
| 74 |
Treasure Planet |
Nov 27, 2002 |
Walt Disney |
Adventure |
$35,820,872 |
6,165,382 |
| 75 |
The Mothman Prophecies |
Jan 25, 2002 |
Sony Pictures |
Horror |
$35,228,696 |
6,063,458 |
| 76 |
K-19: The Widowmaker |
Jul 19, 2002 |
Paramount Pictures |
Action |
$35,168,966 |
6,053,178 |
| 77 |
I Spy |
Nov 1, 2002 |
Sony Pictures |
Action |
$33,105,600 |
5,698,037 |
| 78 |
Friday After Next |
Nov 22, 2002 |
New Line |
Comedy |
$32,588,293 |
5,609,000 |
| 79 |
Murder by Numbers |
Apr 19, 2002 |
Warner Bros. |
Thriller/Suspense |
$31,874,869 |
5,486,208 |
| 80 |
The Wild Thornberrys |
Dec 20, 2002 |
Paramount Pictures |
Adventure |
$31,752,651 |
5,465,172 |
| 81 |
The Royal Tenenbaums |
Dec 14, 2001 |
Walt Disney |
Black Comedy |
$31,656,156 |
5,448,563 |
| 82 |
In the Bedroom |
Nov 23, 2001 |
Miramax |
Drama |
$31,654,728 |
5,448,318 |
| 83 |
One Hour Photo |
Aug 21, 2002 |
Fox Searchlight |
Thriller/Suspense |
$31,597,131 |
5,438,404 |
| 84 |
Ocean's Eleven |
Dec 7, 2001 |
Warner Bros. |
Thriller/Suspense |
$31,449,778 |
5,413,042 |
| 85 |
Monster's Ball |
Dec 26, 2001 |
Lionsgate |
Drama |
$30,888,234 |
5,316,391 |
| 86 |
Analyze That |
Dec 6, 2002 |
Warner Bros. |
Comedy |
$30,777,692 |
5,297,365 |
| 87 |
Space Station |
Apr 19, 2002 |
IMAX Films |
Documentary |
$30,460,417 |
5,242,756 |
| 88 |
Queen of the Damned |
Feb 22, 2002 |
Warner Bros. |
Horror |
$30,307,804 |
5,216,489 |
| 89 |
The Banger Sisters |
Sep 20, 2002 |
20th Century Fox |
Comedy |
$30,306,281 |
5,216,227 |
| 90 |
Halloween: Resurrection |
Jul 12, 2002 |
Miramax/Dimension |
Horror |
$30,259,652 |
5,208,201 |
| 91 |
Bad Company |
Jun 7, 2002 |
Walt Disney |
Action |
$30,157,016 |
5,190,536 |
| 92 |
Dragonfly |
Feb 22, 2002 |
Universal |
Thriller/Suspense |
$30,063,805 |
5,174,493 |
| 93 |
Ghost Ship |
Oct 25, 2002 |
Warner Bros. |
Horror |
$29,879,445 |
5,142,761 |
| 94 |
The Hot Chick |
Dec 13, 2002 |
Walt Disney |
Comedy |
$29,852,872 |
5,138,187 |
| 95 |
The New Guy |
May 10, 2002 |
Sony Pictures |
Comedy |
$28,972,187 |
4,986,607 |
| 96 |
Swimfan |
Sep 6, 2002 |
20th Century Fox |
Thriller/Suspense |
$28,564,995 |
4,916,522 |
| 97 |
The Crocodile Hunter: Colli… |
Jul 12, 2002 |
MGM |
Adventure |
$28,436,931 |
4,894,480 |
| 98 |
Brown Sugar |
Oct 11, 2002 |
20th Century Fox |
Romantic Comedy |
$27,307,799 |
4,700,137 |
| 99 |
Blood Work |
Aug 9, 2002 |
Warner Bros. |
Thriller/Suspense |
$26,199,517 |
4,509,383 |
| 100 |
All About the Benjamins |
Mar 8, 2002 |
New Line |
Comedy |
$25,482,931 |
4,386,046 |
| 101 |
Jonah: A VeggieTales Movie |
Oct 4, 2002 |
Artisan |
Adventure |
$25,408,198 |
4,373,183 |
| 102 |
The Transporter |
Oct 11, 2002 |
20th Century Fox |
Action |
$25,283,880 |
4,351,786 |
| 103 |
The Sweetest Thing |
Apr 12, 2002 |
Sony Pictures |
Romantic Comedy |
$24,430,272 |
4,204,866 |
| 104 |
Eight Crazy Nights |
Nov 27, 2002 |
Sony Pictures |
Musical |
$23,443,124 |
4,034,961 |
| 105 |
City by the Sea |
Sep 6, 2002 |
Warner Bros. |
Drama |
$22,433,915 |
3,861,259 |
| 106 |
National Lampoon's Van Wilder |
Apr 5, 2002 |
Artisan |
Comedy |
$21,305,259 |
3,666,998 |
| 107 |
Frida |
Oct 25, 2002 |
Miramax |
Drama |
$21,289,079 |
3,664,213 |
| 108 |
Beauty and the Beast |
Jun 21, 2002 |
Walt Disney |
Musical |
$19,899,391 |
3,425,024 |
| 109 |
Vanilla Sky |
Dec 14, 2001 |
Paramount Pictures |
Thriller/Suspense |
$19,534,684 |
3,362,251 |
| 110 |
Martin Lawrence Live: RunTe… |
Aug 2, 2002 |
Paramount Pictures |
Concert/Perfor… |
$19,184,820 |
3,302,034 |
| 111 |
Hart's War |
Feb 15, 2002 |
MGM |
Drama |
$19,076,815 |
3,283,444 |
| 112 |
Rollerball |
Feb 8, 2002 |
MGM |
Action |
$18,990,542 |
3,268,595 |
| 113 |
Tuck Everlasting |
Oct 11, 2002 |
Walt Disney |
Drama |
$18,914,978 |
3,255,590 |
| 114 |
Jimmy Neutron: Boy Genius |
Dec 21, 2001 |
Paramount Pictures |
Adventure |
$18,597,143 |
3,200,885 |
| 115 |
Super Troopers |
Feb 15, 2002 |
Fox Searchlight |
Comedy |
$18,492,362 |
3,182,850 |
| 116 |
The Four Feathers |
Sep 20, 2002 |
Paramount Pictures |
Drama |
$18,306,166 |
3,150,803 |
| 117 |
Punch-Drunk Love |
Oct 11, 2002 |
Sony Pictures |
Comedy |
$17,791,031 |
3,062,139 |
| 118 |
Eight Legged Freaks |
Jul 17, 2002 |
Warner Bros. |
Comedy |
$17,266,505 |
2,971,859 |
| 119 |
Harry Potter and the Sorcer… |
Nov 16, 2001 |
Warner Bros. |
Adventure |
$17,171,116 |
2,955,441 |
| 120 |
The Country Bears |
Jul 26, 2002 |
Walt Disney |
Adventure |
$16,988,996 |
2,924,095 |
| 121 |
Serving Sara |
Aug 23, 2002 |
Paramount Pictures |
Romantic Comedy |
$16,930,185 |
2,913,973 |
| 122 |
Empire |
Dec 6, 2002 |
Universal |
Drama |
$16,611,085 |
2,859,050 |
| 123 |
Kate and Leopold |
Dec 25, 2001 |
Miramax |
Romantic Comedy |
$16,507,447 |
2,841,212 |
| 124 |
White Oleander |
Oct 11, 2002 |
Warner Bros. |
Drama |
$16,357,770 |
2,815,450 |
| 125 |
Kung Pow: Enter the Fist |
Jan 25, 2002 |
20th Century Fox |
Comedy |
$16,033,556 |
2,759,648 |
| 126 |
Bowling for Columbine |
Oct 11, 2002 |
MGM |
Documentary |
$16,030,877 |
2,759,187 |
| 127 |
Amelie |
Nov 2, 2001 |
Miramax |
Romantic Comedy |
$15,506,013 |
2,668,849 |
| 128 |
Half Past Dead |
Nov 15, 2002 |
Sony Pictures |
Action |
$15,374,912 |
2,646,284 |
| 129 |
Solaris |
Nov 27, 2002 |
20th Century Fox |
Drama |
$14,864,114 |
2,558,367 |
| 130 |
Life, or Something Like It |
Apr 26, 2002 |
20th Century Fox |
Romantic Comedy |
$14,448,589 |
2,486,848 |
| 131 |
Ballistic: Ecks vs. Sever |
Sep 20, 2002 |
Warner Bros. |
Action |
$14,294,842 |
2,460,385 |
| 132 |
The Good Girl |
Aug 7, 2002 |
Fox Searchlight |
Drama |
$14,018,296 |
2,412,787 |
| 133 |
Stealing Harvard |
Sep 13, 2002 |
Sony Pictures |
Comedy |
$13,973,532 |
2,405,082 |
| 134 |
Monsoon Wedding |
Feb 22, 2002 |
USA Films |
Comedy |
$13,876,974 |
2,388,463 |
| 135 |
The Emperor's Club |
Nov 22, 2002 |
Universal |
Drama |
$13,829,640 |
2,380,316 |
| 136 |
Hey Arnold! The Movie |
Jun 28, 2002 |
Paramount Pictures |
Adventure |
$13,684,949 |
2,355,412 |
| 137 |
Y Tu Mama Tambien (And Your… |
Mar 15, 2002 |
IFC Films |
Drama |
$13,649,881 |
2,349,377 |
| 138 |
Juwanna Mann |
Jun 21, 2002 |
Warner Bros. |
Comedy |
$13,571,817 |
2,335,940 |
| 139 |
FearDotCom |
Aug 30, 2002 |
Warner Bros. |
Horror |
$13,208,023 |
2,273,325 |
| 140 |
Jason X |
Apr 26, 2002 |
New Line |
Horror |
$13,121,555 |
2,258,443 |
| 141 |
Frailty |
Apr 12, 2002 |
Lionsgate |
Thriller/Suspense |
$13,110,448 |
2,256,531 |
| 142 |
Wes Craven Presents: They |
Nov 27, 2002 |
Miramax/Dimension |
Horror |
$12,693,621 |
2,184,788 |
| 143 |
Undisputed |
Aug 23, 2002 |
Miramax |
Drama |
$12,398,628 |
2,134,015 |
| 144 |
About Schmidt |
Dec 13, 2002 |
New Line |
Drama |
$12,028,464 |
2,070,303 |
| 145 |
Knockaround Guys |
Oct 11, 2002 |
New Line |
Drama |
$11,660,180 |
2,006,915 |
| 146 |
The Powerpuff Girls |
Jul 3, 2002 |
Warner Bros. |
Adventure |
$11,411,644 |
1,964,138 |
| 147 |
Monsters, Inc. |
Nov 2, 2001 |
Walt Disney |
Adventure |
$11,234,792 |
1,933,699 |
| 148 |
Far From Heaven |
Nov 8, 2002 |
Focus Features |
Drama |
$11,230,060 |
1,932,884 |
| 149 |
Abandon |
Oct 18, 2002 |
Paramount Pictures |
Thriller/Suspense |
$10,719,367 |
1,844,985 |
| 150 |
Brotherhood of the Wolf |
Jan 11, 2002 |
Universal |
Action |
$10,527,229 |
1,811,915 |
| 151 |
Sorority Boys |
Mar 22, 2002 |
Walt Disney |
Comedy |
$10,198,766 |
1,755,381 |
| 152 |
Possession |
Aug 16, 2002 |
Focus Features |
Drama |
$10,103,647 |
1,739,009 |
| 153 |
S1m0ne |
Aug 23, 2002 |
New Line |
Comedy |
$9,680,913 |
1,666,250 |
| 154 |
Chicago |
Dec 27, 2002 |
Miramax |
Musical |
$9,241,533 |
1,590,625 |
| 155 |
Ali |
Dec 25, 2001 |
Sony Pictures |
Drama |
$8,716,362 |
1,500,234 |
| 156 |
The Importance of Being Ear… |
May 22, 2002 |
Miramax |
Comedy |
$8,378,141 |
1,442,020 |
| 157 |
Death to Smoochy |
Mar 29, 2002 |
Warner Bros. |
Black Comedy |
$8,355,815 |
1,438,178 |
| 158 |
Big Trouble |
Apr 5, 2002 |
Walt Disney |
Comedy |
$7,262,288 |
1,249,963 |
| 159 |
The Shipping News |
Dec 25, 2001 |
Miramax |
Drama |
$7,117,129 |
1,224,979 |
| 160 |
How High |
Dec 21, 2001 |
Universal |
Comedy |
$7,057,185 |
1,214,661 |
| 161 |
Kissing Jessica Stein |
Mar 13, 2002 |
Fox Searchlight |
Romantic Comedy |
$7,025,722 |
1,209,246 |
| 162 |
Shackleton's Antarctic Adve… |
Feb 9, 2001 |
WGBH Giant-Screen… |
Documentary |
$6,996,294 |
1,204,181 |
| 163 |
Trapped |
Sep 20, 2002 |
Sony Pictures |
Thriller/Suspense |
$6,916,869 |
1,190,511 |
| 164 |
Moonlight Mile |
Sep 27, 2002 |
Walt Disney |
Drama |
$6,788,377 |
1,168,395 |
| 165 |
Femme Fatale |
Nov 6, 2002 |
Warner Bros. |
Thriller/Suspense |
$6,630,252 |
1,141,179 |
| 166 |
The Rules of Attraction |
Oct 11, 2002 |
Lionsgate |
Black Comedy |
$6,525,762 |
1,123,194 |
| 167 |
Antwone Fisher |
Dec 19, 2002 |
Fox Searchlight |
Drama |
$6,118,566 |
1,053,109 |
| 168 |
Adaptation |
Dec 6, 2002 |
Sony Pictures |
Comedy |
$6,100,371 |
1,049,977 |
| 169 |
Deuces Wild |
May 3, 2002 |
MGM |
Drama |
$6,044,618 |
1,040,381 |
| 170 |
Iris |
Dec 14, 2001 |
Miramax |
Drama |
$5,502,726 |
947,112 |
| 171 |
Spirited Away |
Sep 20, 2002 |
Walt Disney |
Adventure |
$5,462,320 |
940,158 |
| 172 |
Real Women Have Curves |
Oct 18, 2002 |
Newmarket Films |
Comedy |
$5,361,548 |
922,813 |
| 173 |
The Truth About Charlie |
Oct 25, 2002 |
Universal |
Thriller/Suspense |
$5,303,000 |
912,736 |
| 174 |
Formula 51 |
Oct 18, 2002 |
Screen Media Films |
Action |
$5,204,007 |
895,698 |
| 175 |
Behind Enemy Lines |
Nov 30, 2001 |
20th Century Fox |
Action |
$5,148,245 |
886,100 |
| 176 |
The Lion King |
Jun 15, 1994 |
Walt Disney |
Adventure |
$5,022,506 |
864,458 |
| 177 |
Birthday Girl |
Feb 1, 2002 |
Miramax |
Romantic Comedy |
$4,919,896 |
846,797 |
| 178 |
Hollywood Ending |
May 3, 2002 |
Dreamworks SKG |
Romantic Comedy |
$4,839,383 |
832,940 |
| 179 |
Slackers |
Feb 1, 2002 |
Sony Pictures |
Comedy |
$4,814,244 |
828,613 |
| 180 |
Extreme Ops |
Nov 27, 2002 |
Paramount Pictures |
Action |
$4,808,772 |
827,671 |
| 181 |
Igby Goes Down |
Sep 13, 2002 |
MGM |
Comedy |
$4,681,503 |
805,766 |
| 182 |
El Crimen de Padre |
Nov 15, 2002 |
Goldwyn Entertain… |
Drama |
$4,558,301 |
784,561 |
| 183 |
Italian for Beginners |
Jan 18, 2002 |
Miramax |
Comedy |
$4,447,186 |
765,436 |
| 184 |
The Adventures of Pluto Nash |
Aug 16, 2002 |
Warner Bros. |
Comedy |
$4,411,102 |
759,225 |
| 185 |
The Majestic |
Dec 21, 2001 |
Warner Bros. |
Drama |
$4,337,555 |
746,567 |
| 186 |
T-Rex: Back to the Cretaceous |
Oct 23, 1998 |
IMAX Films |
Adventure |
$4,301,999 |
740,447 |
| 187 |
Enigma |
Apr 19, 2002 |
Miramax |
Thriller/Suspense |
$4,298,329 |
739,815 |
| 188 |
Men with Brooms |
Mar 8, 2002 |
Artisan |
Comedy |
$4,239,767 |
729,736 |
| 189 |
Lovely and Amazing |
Jun 28, 2002 |
Lionsgate |
Drama |
$4,210,379 |
724,677 |
| 190 |
ESPN's Ultimate X - The Movie |
May 10, 2002 |
Walt Disney |
Documentary |
$4,197,175 |
722,405 |
| 191 |
Mostly Martha (Drei Sterne) |
Aug 16, 2002 |
Paramount Vantage |
Comedy |
$4,139,417 |
712,464 |
| 192 |
Lantana |
Dec 14, 2001 |
Lionsgate |
Drama |
$4,075,445 |
701,453 |
| 193 |
The Other Side of Heaven |
Dec 14, 2001 |
Excel Entertainment |
Drama |
$4,060,819 |
698,936 |
| 194 |
Spider-Man/Men in Black II … |
Sep 6, 2002 |
Sony Pictures |
Adventure |
$4,052,137 |
697,441 |
| 195 |
Secretary |
Sep 20, 2002 |
Lionsgate |
Drama |
$3,874,608 |
666,886 |
| 196 |
The Fast Runner |
May 10, 2002 |
Lot 47 Films |
Drama |
$3,764,087 |
647,863 |
| 197 |
Pinocchio |
Dec 25, 2002 |
Miramax |
Adventure |
$3,364,522 |
579,091 |
| 198 |
Thirteen Conversations Abou… |
May 24, 2002 |
Sony Pictures Cla… |
Drama |
$3,287,435 |
565,823 |
| 199 |
The Cat's Meow |
Apr 12, 2002 |
Lionsgate |
Drama |
$3,176,936 |
546,804 |
| 200 |
American Adobo |
Jan 25, 2002 |
Outrider Pictures |
Drama |
$3,094,699 |
532,650 |
| 201 |
Impostor |
Jan 4, 2002 |
Miramax |
Thriller/Suspense |
$3,091,714 |
532,136 |
| 202 |
8 Women |
Sep 20, 2002 |
Focus Features |
Musical |
$3,076,425 |
529,505 |
| 203 |
Sunshine State |
Jun 21, 2002 |
Sony Pictures Cla… |
Drama |
$3,064,356 |
527,427 |
| 204 |
Paid in Full |
Oct 25, 2002 |
Rat Entertainment |
Drama |
$3,042,188 |
523,612 |
| 205 |
Joe Somebody |
Dec 21, 2001 |
20th Century Fox |
Comedy |
$3,009,392 |
517,967 |
| 206 |
Tadpole |
Jul 19, 2002 |
Miramax |
Comedy |
$2,810,893 |
483,802 |
| 207 |
Comedian |
Oct 11, 2002 |
Miramax |
Documentary |
$2,744,253 |
472,332 |
| 208 |
Not Another Teen Movie |
Dec 14, 2001 |
Sony Pictures |
Comedy |
$2,633,589 |
453,285 |
| 209 |
Sex and Lucia |
Jul 12, 2002 |
Palm Pictures |
Drama |
$2,628,241 |
452,365 |
| 210 |
Full Frontal |
Aug 2, 2002 |
Miramax |
Comedy |
$2,512,846 |
432,503 |
| 211 |
Last Orders |
Feb 15, 2002 |
Sony Pictures Cla… |
Drama |
$2,326,407 |
400,414 |
| 212 |
Talk to Her |
Nov 22, 2002 |
Sony Pictures Cla… |
Drama |
$2,304,186 |
396,589 |
| 213 |
Haunted Castle |
Mar 2, 2001 |
nWave Pictures |
Adventure |
$2,246,943 |
386,737 |
| 214 |
State Property |
Jan 18, 2002 |
Lionsgate |
Action |
$2,099,719 |
361,397 |
| 215 |
Shallow Hal |
Nov 9, 2001 |
20th Century Fox |
Romantic Comedy |
$2,018,309 |
347,385 |
| 216 |
Auto Focus |
Oct 18, 2002 |
Sony Pictures Cla… |
Drama |
$2,008,023 |
345,614 |
| 217 |
Santa vs. The Snowman |
Nov 6, 2002 |
IMAX Films |
Adventure |
$1,918,068 |
330,132 |
| 218 |
The Piano Teacher |
Mar 29, 2002 |
Kino International |
Drama |
$1,900,282 |
327,070 |
| 219 |
Harrison's Flowers |
Mar 15, 2002 |
Universal |
Drama |
$1,843,570 |
317,309 |
| 220 |
Galapagos |
Oct 29, 1999 |
IMAX Films |
Documentary |
$1,781,616 |
306,646 |
| 221 |
The Dangerous Lives of Alta… |
Jun 14, 2002 |
ThinkFilm |
Drama |
$1,779,284 |
306,245 |
| 222 |
Pokemon 4Ever |
Oct 11, 2002 |
Miramax |
Adventure |
$1,732,301 |
298,158 |
| 223 |
A Common Thread |
Nov 29, 2002 |
Odeon Films |
Drama |
$1,691,000 |
291,049 |
| 224 |
Rabbit-Proof Fence |
Nov 29, 2002 |
Miramax |
Drama |
$1,682,956 |
289,665 |
| 225 |
Late Marriage |
May 17, 2002 |
Magnolia Pictures |
Drama |
$1,551,470 |
267,034 |
| 226 |
Ararat |
Nov 15, 2002 |
Miramax |
Drama |
$1,510,307 |
259,949 |
| 227 |
Black Knight |
Nov 21, 2001 |
20th Century Fox |
Adventure |
$1,480,102 |
254,750 |
| 228 |
Mulholland Drive |
Oct 8, 2001 |
Universal |
Drama |
$1,439,545 |
247,770 |
| 229 |
The Kid Stays in the Picture |
Jul 26, 2002 |
Focus Features |
Documentary |
$1,434,436 |
246,890 |
| 230 |
The Man from Elysian Fields |
Sep 27, 2002 |
Samuel Goldwyn Films |
Comedy |
$1,397,734 |
240,573 |
| 231 |
Apollo 13 |
Jun 30, 1995 |
Universal |
Drama |
$1,389,105 |
239,088 |
| 232 |
Cirque du Soleil - Journey … |
May 5, 2000 |
Sony Pictures Cla… |
Musical |
$1,369,855 |
235,775 |
| 233 |
Joshua |
Apr 19, 2002 |
Artisan |
Drama |
$1,366,733 |
235,238 |
| 234 |
Read My Lips |
Jul 5, 2002 |
Magnolia Pictures |
Drama |
$1,359,133 |
233,929 |
| 235 |
Standing in the Shadows of … |
Nov 15, 2002 |
Artisan |
Documentary |
$1,331,012 |
229,089 |
| 236 |
Dogtown and Z-Boys |
Apr 26, 2002 |
Sony Pictures Cla… |
Documentary |
$1,293,295 |
222,598 |
| 237 |
The Singles Ward |
Feb 1, 2002 |
Halestorm Enterta… |
Comedy |
$1,250,798 |
215,283 |
| 238 |
Roger Dodger |
Oct 25, 2002 |
Artisan |
Black Comedy |
$1,228,884 |
211,511 |
| 239 |
Nine Queens |
Apr 19, 2002 |
Sony Pictures Cla… |
Drama |
$1,222,889 |
210,480 |
| 240 |
China: The Panda Adventure |
Jul 27, 2001 |
IMAX Films |
Drama |
$1,215,455 |
209,200 |
| 241 |
Kandahar |
Dec 14, 2001 |
Avatar |
Drama |
$1,195,412 |
205,750 |
| 242 |
Equilibrium |
Dec 6, 2002 |
Miramax/Dimension |
Action |
$1,190,018 |
204,822 |
| 243 |
24 Hour Party People |
Aug 9, 2002 |
MGM |
Drama |
$1,169,030 |
201,209 |
| 244 |
Bollywood/Hollywood |
Oct 25, 2002 |
Magnolia Pictures |
Romantic Comedy |
$1,161,947 |
199,990 |
| 245 |
The Hours |
Dec 27, 2002 |
Paramount Pictures |
Drama |
$1,149,020 |
197,765 |
| 246 |
Thrill Ride: The Science of… |
Jul 11, 1997 |
Sony Pictures Cla… |
Documentary |
$1,133,288 |
195,058 |
| 247 |
Crush |
Apr 5, 2002 |
Sony Pictures Cla… |
Romantic Comedy |
$1,081,130 |
186,080 |
| 248 |
My Wife is an Actress |
Jul 12, 2002 |
Sony Pictures Cla… |
Comedy |
$1,056,063 |
181,766 |
| 249 |
The Last Kiss |
Aug 16, 2002 |
ThinkFilm |
Drama |
$1,048,950 |
180,542 |
| 250 |
Evelyn |
Dec 13, 2002 |
MGM |
Drama |
$1,043,479 |
179,600 |
| 251 |
Notorious C.H.O. |
Jun 28, 2002 |
WellSpring |
Concert/Perfor… |
$1,033,395 |
177,864 |
| 252 |
The Endurance: Shackleton's… |
Oct 5, 2001 |
Cowboy Pictures |
Documentary |
$1,017,167 |
175,071 |
| 253 |
The Son's Room |
Jan 25, 2002 |
Miramax |
Drama |
$1,014,416 |
174,598 |
| 254 |
The Pianist |
Dec 27, 2002 |
Focus Features |
Drama |
$1,000,511 |
172,204 |
| 255 |
Time Changer |
Oct 25, 2002 |
Five & Two Pictures |
Drama |
$980,457 |
168,753 |
| 256 |
Kaante |
Dec 20, 2002 |
Media Partners |
Drama |
$944,272 |
162,525 |
| 257 |
Storytelling |
Jan 25, 2002 |
Fine Line |
Drama |
$912,442 |
157,046 |
| 258 |
Spy Game |
Nov 21, 2001 |
Universal |
Action |
$909,045 |
156,462 |
| 259 |
Pandora's Box |
Aug 9, 2002 |
Kino International |
Thriller/Suspense |
$881,950 |
151,798 |
| 260 |
Russian Ark |
Dec 13, 2002 |
WellSpring |
Drama |
$870,984 |
149,911 |
| 261 |
Sordid Lives |
May 11, 2001 |
Regent Releasing |
Comedy |
$815,887 |
140,428 |
| 262 |
Heaven |
Oct 4, 2002 |
Miramax |
Thriller/Suspense |
$774,317 |
133,273 |
| 263 |
No Man's Land |
Dec 7, 2001 |
MGM |
Drama |
$764,726 |
131,622 |
| 264 |
Bloody Sunday |
Oct 4, 2002 |
Paramount Vantage |
Drama |
$760,795 |
130,945 |
| 265 |
Cyberworld 3D |
Oct 6, 2000 |
IMAX Films |
Adventure |
$714,586 |
122,992 |
| 266 |
Human Nature |
Apr 12, 2002 |
Fine Line |
Comedy |
$705,308 |
121,395 |
| 267 |
Personal Velocity |
Nov 22, 2002 |
MGM |
Drama |
$703,951 |
121,161 |
| 268 |
The Salton Sea |
Apr 26, 2002 |
Warner Bros. |
Thriller/Suspense |
$676,698 |
116,471 |
| 269 |
Metropolis (2002) |
Jan 25, 2002 |
Sony Pictures |
Adventure |
$673,414 |
115,906 |
| 270 |
Savage Messiah |
Apr 26, 2002 |
Christal Films |
Drama |
$666,850 |
114,776 |
| 271 |
The Debut |
Mar 16, 2001 |
Menemsha Entertai… |
Comedy |
$664,564 |
114,382 |
| 272 |
The Emperor's New Clothes |
Jun 14, 2002 |
Paramount Vantage |
Drama |
$661,903 |
113,924 |
| 273 |
25th Hour |
Dec 19, 2002 |
Walt Disney |
Drama |
$624,933 |
107,561 |
| 274 |
Son of the Bride |
Mar 22, 2002 |
Sony Pictures Cla… |
Comedy |
$624,153 |
107,427 |
| 275 |
Swept Away |
Oct 11, 2002 |
Sony Pictures |
Romantic Comedy |
$598,645 |
103,037 |
| 276 |
Charly |
Sep 27, 2002 |
Excel Entertainment |
Comedy |
$594,806 |
102,376 |
| 277 |
Below |
Oct 11, 2002 |
Miramax/Dimension |
Horror |
$589,424 |
101,449 |
| 278 |
Metropolis |
Mar 13, 1927 |
Paramount Pictures |
Action |
$583,182 |
100,375 |
| 279 |
Forgive Me Father |
Jan 26, 2001 |
Myriad Entertainm… |
Drama |
$559,622 |
96,320 |
| 280 |
Charlotte Gray |
Dec 28, 2001 |
Warner Bros. |
Drama |
$545,381 |
93,869 |
| 281 |
Encounter in the Third Dime… |
Feb 26, 1999 |
nWave Pictures |
Drama |
$538,670 |
92,714 |
| 282 |
The Man Who Wasn't There |
Oct 31, 2001 |
USA Films |
Drama |
$522,943 |
90,007 |
| 283 |
The Grey Zone |
Oct 18, 2002 |
|
|
$507,443 |
87,339 |
| 284 |
Extreme |
Mar 23, 1999 |
IMAX Films |
Documentary |
$496,254 |
85,413 |
| 285 |
Trembling Before G-D |
Oct 26, 2001 |
New Yorker |
Documentary |
$482,214 |
82,997 |
| 286 |
Rain |
Apr 26, 2002 |
|
|
$453,517 |
78,058 |
| 287 |
Time Out |
Mar 29, 2002 |
|
Drama |
$448,375 |
77,172 |
| 288 |
The Triumph of Love |
Apr 17, 2002 |
|
Romantic Comedy |
$446,942 |
76,926 |
| 289 |
I am Trying to Break Your H… |
Jul 26, 2002 |
|
|
$424,820 |
73,118 |
| 290 |
Domestic Disturbance |
Nov 2, 2001 |
Paramount Pictures |
Thriller/Suspense |
$415,485 |
71,512 |
| 291 |
CQ |
May 24, 2002 |
MGM |
|
$411,034 |
70,745 |
| 292 |
The Believer |
May 17, 2002 |
Sony Pictures |
Drama |
$406,035 |
69,885 |
| 293 |
Little Secrets |
Aug 23, 2002 |
|
|
$405,182 |
69,738 |
| 294 |
The Mystic Masseur |
May 3, 2002 |
|
|
$398,610 |
68,607 |
| 295 |
The Kurosawa Series |
Jul 26, 2002 |
Cowboy Pictures |
Multiple Genres |
$391,835 |
67,441 |
| 296 |
The Trials of Henry Kissinger |
Sep 25, 2002 |
First Run Features |
Documentary |
$388,890 |
66,934 |
| 297 |
Scotland, PA |
Feb 8, 2002 |
|
|
$384,098 |
66,109 |
| 298 |
Merci Pour Le Chocolat |
Feb 2, 2001 |
|
|
$382,932 |
65,909 |
| 299 |
Welcome to Collinwood |
Oct 4, 2002 |
Warner Bros. |
Comedy |
$378,650 |
65,172 |
| 300 |
The Fluffer |
Nov 16, 2001 |
TLA Releasing |
Drama |
$376,802 |
64,854 |
| 301 |
Jee Aayun Nu |
Nov 8, 2002 |
|
|
$352,668 |
60,700 |
| 302 |
The Quiet American |
Nov 22, 2002 |
Miramax |
Drama |
$343,736 |
59,162 |
| 303 |
The Lady and the Duke |
May 10, 2002 |
|
|
$329,845 |
56,771 |
| 304 |
The Last Waltz |
Apr 5, 2002 |
MGM |
Documentary |
$321,952 |
55,413 |
| 305 |
Moulin Rouge |
May 18, 2001 |
20th Century Fox |
Musical |
$320,807 |
55,216 |
| 306 |
Alien Adventure |
Apr 14, 2000 |
nWave Pictures |
Adventure |
$316,045 |
54,396 |
| 307 |
Narc |
Dec 20, 2002 |
Paramount Pictures |
Thriller/Suspense |
$315,168 |
54,245 |
| 308 |
Elling |
May 29, 2002 |
|
Comedy |
$313,436 |
53,947 |
| 309 |
Tuvalu |
Dec 15, 2000 |
Indican Pictures |
|
$312,978 |
53,868 |
| 310 |
Never Again |
Jul 12, 2002 |
|
Romantic Comedy |
$307,631 |
52,948 |
| 311 |
Pumpkin |
Jun 28, 2002 |
MGM |
Comedy |
$305,690 |
52,614 |
| 312 |
The Way Home |
Nov 15, 2002 |
|
Drama |
$305,107 |
52,514 |
| 313 |
Waking Life |
Oct 19, 2001 |
Fox Searchlight |
Drama |
$302,372 |
52,043 |
| 314 |
The Devil's Backbone |
Nov 21, 2001 |
Sony Pictures Cla… |
Horror |
$302,182 |
52,010 |
| 315 |
Me Without You |
Jul 5, 2002 |
|
|
$301,175 |
51,837 |
| 316 |
The Château |
Aug 9, 2002 |
IFC Films |
Comedy |
$301,175 |
51,837 |
| 317 |
Festival in Cannes |
Mar 8, 2002 |
|
|
$298,971 |
51,458 |
| 318 |
Out Cold |
Nov 21, 2001 |
Walt Disney |
Comedy |
$298,503 |
51,377 |
| 319 |
The Bread, My Sweet |
Nov 22, 2002 |
Panorama Entertai… |
Romantic Comedy |
$297,335 |
51,176 |
| 320 |
Scratch |
Feb 15, 2002 |
|
Documentary |
$289,885 |
49,894 |
| 321 |
Mujhse Dosti Karoge |
Aug 9, 2002 |
|
Romantic Comedy |
$285,000 |
49,053 |
| 322 |
Mad Love (2002) |
Aug 30, 2002 |
|
|
$279,605 |
48,124 |
| 323 |
Pinero |
Dec 14, 2001 |
Miramax |
|
$263,523 |
45,356 |
| 324 |
Waking Up in Reno |
Oct 25, 2002 |
Miramax |
Romantic Comedy |
$261,603 |
45,026 |
| 325 |
Who is Cletis Tout? |
Jul 26, 2002 |
|
|
$252,227 |
43,412 |
| 326 |
Skins |
Sep 27, 2002 |
First Look |
Drama |
$249,204 |
42,892 |
| 327 |
Green Dragon |
May 1, 2002 |
|
|
$248,379 |
42,750 |
| 328 |
The Business of Strangers |
Dec 7, 2001 |
IFC Films |
Drama |
$247,945 |
42,675 |
| 329 |
Sex with Strangers |
Feb 22, 2002 |
|
Documentary |
$247,740 |
42,640 |
| 330 |
Porn Star: The Legend of Ro… |
Nov 30, 2001 |
|
Documentary |
$244,557 |
42,092 |
| 331 |
Promises |
Mar 15, 2002 |
|
Documentary |
$243,769 |
41,956 |
| 332 |
Happy Times |
Jul 26, 2002 |
Sony Pictures Cla… |
|
$239,134 |
41,159 |
| 333 |
Ram Dass |
Mar 1, 2002 |
|
|
$236,103 |
40,637 |
| 334 |
Circuit |
Apr 26, 2002 |
Jour de Fete |
Drama |
$235,087 |
40,462 |
| 335 |
In Praise of Love |
Sep 6, 2002 |
|
Drama |
$233,401 |
40,172 |
| 336 |
Destinees Sentimentales, Les |
Nov 17, 2000 |
|
|
$229,762 |
39,545 |
| 337 |
Satin Rouge |
Aug 23, 2002 |
|
Musical |
$229,150 |
39,440 |
| 338 |
Nicholas Nickleby |
Dec 27, 2002 |
United Artists |
Drama |
$228,518 |
39,331 |
| 339 |
Murderous Maids |
Apr 19, 2002 |
|
Drama |
$225,390 |
38,793 |
| 340 |
Tully |
Nov 1, 2002 |
|
Drama |
$224,970 |
38,721 |
| 341 |
Dark Blue World |
Dec 28, 2001 |
|
|
$224,744 |
38,682 |
| 342 |
The Cockettes |
May 10, 2002 |
|
Documentary |
$218,867 |
37,670 |
| 343 |
Corky Romano |
Oct 12, 2001 |
Walt Disney |
Comedy |
$197,636 |
34,016 |
| 344 |
What Time is it There? |
Jan 11, 2002 |
|
|
$193,047 |
33,226 |
| 345 |
Alias Betty |
Sep 13, 2002 |
WellSpring |
Drama |
$185,959 |
32,006 |
| 346 |
The Seven Samurai |
Nov 19, 1956 |
Cowboy Pictures |
Action |
$183,443 |
31,573 |
| 347 |
The Independent |
Nov 30, 2001 |
|
|
$182,871 |
31,475 |
| 348 |
The Business of Fancy Dancing |
May 10, 2002 |
Outrider Pictures |
Drama |
$174,682 |
30,065 |
| 349 |
Confessions of a Dangerous … |
Dec 31, 2002 |
Miramax |
Drama |
$173,856 |
29,923 |
| 350 |
Station Nord |
Nov 8, 2002 |
|
|
$171,400 |
29,500 |
| 351 |
Planet of the Apes |
Jul 27, 2001 |
20th Century Fox |
Adventure |
$170,202 |
29,294 |
| 352 |
Monty Python and the Holy G… |
May 10, 1975 |
|
Comedy |
$169,974 |
29,255 |
| 353 |
Fat Girl |
Oct 12, 2001 |
Cowboy Pictures |
Drama |
$169,037 |
29,094 |
| 354 |
Happenstance |
Nov 2, 2001 |
|
|
$164,920 |
28,385 |
| 355 |
Swimming |
Apr 5, 2002 |
|
Drama |
$161,483 |
27,793 |
| 356 |
Cherish |
Jun 7, 2002 |
Fine Line |
Comedy |
$160,268 |
27,584 |
| 357 |
Beijing Bicycle |
Jan 25, 2002 |
Sony Pictures Cla… |
Drama |
$157,279 |
27,070 |
| 358 |
Pepe Le Moko |
Mar 1, 2002 |
|
|
$153,936 |
26,495 |
| 359 |
All or Nothing |
Oct 25, 2002 |
MGM |
Drama |
$153,063 |
26,344 |
| 360 |
Hybrid |
May 10, 2002 |
Indican Pictures |
Documentary |
$150,662 |
25,931 |
| 361 |
Dahmer |
Jun 21, 2002 |
|
Drama |
$144,008 |
24,786 |
| 362 |
Across The Sea of Time |
Oct 20, 1995 |
Sony Pictures Cla… |
Drama |
$143,710 |
24,734 |
| 363 |
Max Keeble's Big Move |
Oct 5, 2001 |
Walt Disney |
Adventure |
$143,477 |
24,694 |
| 364 |
Ziggy Stardust and the Spid… |
Jul 10, 2002 |
|
Documentary |
$143,204 |
24,647 |
| 365 |
Bartleby |
May 24, 2002 |
Outrider Pictures |
Comedy |
$141,367 |
24,331 |
| 366 |
Das Experiment |
Sep 18, 2002 |
|
|
$141,072 |
24,280 |
| 367 |
Pauline and Paulette |
Mar 15, 2002 |
|
|
$139,493 |
24,009 |
| 368 |
Life and Debt |
Jun 22, 2001 |
|
|
$138,486 |
23,835 |
| 369 |
Time of Favor |
Jan 18, 2002 |
|
|
$137,340 |
23,638 |
| 370 |
Naqoyqatsi |
Oct 18, 2002 |
Miramax |
|
$132,026 |
22,723 |
| 371 |
The Cherry Orchard |
Feb 22, 2002 |
|
Drama |
$131,188 |
22,579 |
| 372 |
His Secret Life |
Sep 20, 2002 |
|
|
$130,300 |
22,426 |
| 373 |
Maryam |
Feb 22, 2002 |
|
|
$129,265 |
22,248 |
| 374 |
How I Killed My Father |
Aug 23, 2002 |
|
|
$127,240 |
21,900 |
| 375 |
American Chai |
Apr 5, 2002 |
Magic Lamp |
Comedy |
$125,996 |
21,686 |
| 376 |
I'm Going Home |
Aug 16, 2002 |
|
|
$122,628 |
21,106 |
| 377 |
N'sync: Bigger than Live |
Feb 9, 2001 |
Really Big Film C… |
Concert/Perfor… |
$119,962 |
20,647 |
| 378 |
Stolen Summer |
Mar 22, 2002 |
Miramax |
Drama |
$119,841 |
20,626 |
| 379 |
Amy's Orgasm |
Aug 23, 2002 |
Magic Lamp |
Romantic Comedy |
$119,664 |
20,596 |
| 380 |
Home Movie |
May 3, 2002 |
|
|
$118,022 |
20,313 |
| 381 |
Derrida |
Oct 23, 2002 |
|
|
$115,159 |
19,820 |
| 382 |
Secret Ballot |
Aug 9, 2002 |
|
|
$114,183 |
19,652 |
| 383 |
Andrei Tarkovsky Retrospective |
Sep 13, 2002 |
Kino International |
|
$112,772 |
19,409 |
| 384 |
Lan Yu |
Jul 12, 2002 |
|
|
$112,038 |
19,283 |
| 385 |
Va Savoir (Who Knows?) |
Sep 28, 2001 |
Sony Pictures Cla… |
Romantic Comedy |
$111,825 |
19,246 |
| 386 |
The Producers |
Jun 7, 2002 |
|
Comedy |
$111,301 |
19,156 |
| 387 |
Road |
Sep 27, 2002 |
|
Thriller/Suspense |
$107,676 |
18,532 |
| 388 |
Big Bad Love |
Feb 22, 2002 |
IFC Films |
Drama |
$104,294 |
17,950 |
| 389 |
The Weight of Water |
Nov 1, 2002 |
|
|
$102,622 |
17,662 |
| 390 |
Hansel & Gretel |
Oct 18, 2002 |
|
Adventure |
$100,477 |
17,293 |
| 391 |
Wendigo |
Mar 1, 2002 |
|
|
$99,958 |
17,204 |
| 392 |
Intimacy |
Oct 19, 2001 |
Empire Pictures |
Drama |
$97,407 |
16,765 |
| 393 |
Shiri |
Feb 8, 2002 |
|
Drama |
$97,152 |
16,721 |
| 394 |
World Traveler |
Apr 19, 2002 |
|
|
$97,000 |
16,695 |
| 395 |
Hometown Legend |
Jan 25, 2002 |
|
Drama |
$96,429 |
16,597 |
| 396 |
Kehta Hai Dil Baar Baar |
Nov 15, 2002 |
|
|
$95,415 |
16,422 |
| 397 |
Code Unknown |
Nov 9, 2001 |
|
Drama |
$95,242 |
16,392 |
| 398 |
Chop Suey |
Oct 5, 2001 |
Zeitgeist |
Documentary |
$95,185 |
16,382 |
| 399 |
Donnie Darko |
Oct 26, 2001 |
Newmarket Films |
Drama |
$94,131 |
16,201 |
| 400 |
Mean Machine |
Feb 22, 2002 |
|
|
$92,723 |
15,959 |
| 401 |
Baran |
Dec 7, 2001 |
Miramax |
Drama |
$90,099 |
15,507 |
| 402 |
Bandits |
Oct 12, 2001 |
MGM |
Comedy |
$88,669 |
15,261 |
| 403 |
Borstal Boy |
Mar 1, 2002 |
Strand |
Drama |
$87,074 |
14,986 |
| 404 |
Himalaya - l'enfance d'un chef |
Nov 17, 2000 |
Kino International |
Drama |
$86,883 |
14,954 |
| 405 |
Island of the Sharks |
Apr 30, 1999 |
IMAX Films |
Documentary |
$86,247 |
14,844 |
| 406 |
Little Otek |
Dec 21, 2001 |
|
|
$84,701 |
14,578 |
| 407 |
Decalogue |
Jun 9, 2000 |
New Yorker |
Drama |
$83,143 |
14,310 |
| 408 |
Intacto |
Dec 13, 2002 |
|
Drama |
$82,592 |
14,215 |
| 409 |
Wasabi |
Sep 27, 2002 |
Sony Pictures |
|
$81,525 |
14,031 |
| 410 |
Bread and Tulips |
Jul 27, 2001 |
First Look |
Comedy |
$81,220 |
13,979 |
| 411 |
Invincible |
Sep 20, 2002 |
|
|
$80,636 |
13,878 |
| 412 |
Eye See You |
Sep 20, 2002 |
|
Horror |
$79,161 |
13,624 |
| 413 |
Fidel |
Oct 18, 2002 |
|
|
$78,946 |
13,587 |
| 414 |
The Climb |
May 15, 1998 |
|
|
$78,677 |
13,541 |
| 415 |
From Hell |
Oct 19, 2001 |
20th Century Fox |
Thriller/Suspense |
$78,513 |
13,513 |
| 416 |
Ghost World |
Jul 20, 2001 |
MGM |
Comedy |
$78,009 |
13,426 |
| 417 |
Max |
Dec 27, 2002 |
Lionsgate |
Drama |
$77,379 |
13,318 |
| 418 |
Trouble Every Day |
Nov 30, 2001 |
Lot 47 Films |
Horror |
$76,206 |
13,116 |
| 419 |
Taliesin Jones |
Feb 1, 2002 |
|
Drama |
$75,717 |
13,032 |
| 420 |
Singin' in the Rain |
Apr 10, 1952 |
MGM |
Musical |
$75,665 |
13,023 |
| 421 |
Hardball |
Sep 14, 2001 |
Paramount Pictures |
Drama |
$74,752 |
12,866 |
| 422 |
Umberto D |
May 10, 2002 |
|
Drama |
$74,308 |
12,789 |
| 423 |
Komediant |
Apr 5, 2002 |
|
|
$73,043 |
12,571 |
| 424 |
Saathiya |
Dec 20, 2002 |
|
Drama |
$71,400 |
12,289 |
| 425 |
The Earth Will Swallow You |
Apr 12, 2002 |
|
|
$71,332 |
12,277 |
| 426 |
Second Skin |
Nov 23, 2001 |
|
|
$69,284 |
11,924 |
| 427 |
Girls Can't Swim |
Apr 19, 2002 |
|
|
$68,460 |
11,783 |
| 428 |
Lola |
Nov 16, 2001 |
|
|
$68,411 |
11,774 |
| 429 |
Snipes |
Sep 4, 2002 |
|
Action |
$66,339 |
11,418 |
| 430 |
Langrishe, Go Down |
Jul 17, 2002 |
|
Drama |
$66,288 |
11,409 |
| 431 |
Spooky House |
Apr 19, 2002 |
|
Comedy |
$65,575 |
11,286 |
| 432 |
God is Great, I'm Not |
Nov 8, 2002 |
|
Comedy |
$65,464 |
11,267 |
| 433 |
Manna From Heaven |
Aug 2, 2002 |
Five Sisters Prod… |
Comedy |
$64,406 |
11,085 |
| 434 |
Just a Kiss |
Sep 27, 2002 |
|
|
$64,197 |
11,049 |
| 435 |
Under the Sun |
Aug 3, 2001 |
|
|
$63,802 |
10,981 |
| 436 |
Wings of Courage |
Apr 21, 1995 |
Sony Pictures Cla… |
Drama |
$63,226 |
10,882 |
| 437 |
Warm Water Under a Red Bridge |
May 3, 2002 |
|
|
$62,044 |
10,678 |
| 438 |
The Wash |
Nov 14, 2001 |
Lionsgate |
Comedy |
$60,756 |
10,457 |
| 439 |
No Such Thing |
Mar 29, 2002 |
MGM |
|
$60,006 |
10,328 |
| 440 |
Chelsea Walls |
Apr 19, 2002 |
Lionsgate |
Drama |
$59,675 |
10,271 |
| 441 |
Sidewalks of New York |
Nov 21, 2001 |
Paramount Vantage |
Comedy |
$58,927 |
10,142 |
| 442 |
Songs from the Second Floor |
Aug 17, 2001 |
|
|
$57,539 |
9,903 |
| 443 |
Harvard Man |
May 17, 2002 |
|
Drama |
$56,653 |
9,750 |
| 444 |
Morvern Callar |
Dec 20, 2002 |
|
|
$56,314 |
9,692 |
| 445 |
Bay of Angels |
Nov 23, 1963 |
Pathe Contemporar… |
Drama |
$55,985 |
9,635 |
| 446 |
Power & Terror: Noam Chomsk… |
Nov 22, 2002 |
|
Documentary |
$55,237 |
9,507 |
| 447 |
Nijinsky |
May 31, 2002 |
|
|
$55,068 |
9,478 |
| 448 |
Ciao America |
Sep 20, 2002 |
|
Drama |
$54,965 |
9,460 |
| 449 |
Children on Their Birthdays |
Oct 18, 2002 |
Artisan |
Drama |
$54,912 |
9,451 |
| 450 |
Biggie and Tupac |
Sep 27, 2002 |
Roxie Releasing |
Documentary |
$54,834 |
9,437 |
| 451 |
Lucky Break |
Apr 5, 2002 |
Paramount Pictures |
Comedy |
$54,606 |
9,398 |
| 452 |
O Fantasma |
Nov 22, 2002 |
|
Drama |
$54,120 |
9,314 |
| 453 |
Tosca |
Jul 12, 2002 |
|
|
$54,065 |
9,305 |
| 454 |
The Bank |
Sep 6, 2002 |
Cinema Guild |
Thriller/Suspense |
$52,421 |
9,022 |
| 455 |
Grateful Dawg |
Oct 5, 2001 |
|
|
$51,444 |
8,854 |
| 456 |
How to Kill Your Neighbor's… |
Feb 22, 2002 |
|
|
$48,564 |
8,358 |
| 457 |
Interview with the Assassin |
Nov 15, 2002 |
|
Thriller/Suspense |
$47,329 |
8,146 |
| 458 |
Don’t Say a Word |
Sep 28, 2001 |
20th Century Fox |
Thriller/Suspense |
$47,068 |
8,101 |
| 459 |
Ivan's XTC |
Jun 7, 2002 |
|
Drama |
$47,027 |
8,094 |
| 460 |
Burnt Money |
Oct 19, 2001 |
Strand |
Drama |
$45,952 |
7,909 |
| 461 |
Astoria |
Apr 5, 2002 |
Distributor Unknown |
Drama |
$44,025 |
7,577 |
| 462 |
An American Rhapsody |
Aug 10, 2001 |
Paramount Vantage |
Drama |
$43,648 |
7,512 |
| 463 |
Drift |
Mar 29, 2002 |
|
|
$41,320 |
7,111 |
| 464 |
Focus |
Oct 19, 2001 |
Paramount Vantage |
Drama |
$38,883 |
6,692 |
| 465 |
A Rumor of Angels |
Feb 1, 2002 |
MGM |
|
$38,247 |
6,582 |
| 466 |
Innocence |
Aug 17, 2001 |
IDP Distribution |
Drama |
$36,731 |
6,322 |
| 467 |
Love Liza |
Dec 30, 2002 |
|
Drama |
$36,462 |
6,275 |
| 468 |
The Children of the Century |
Sep 13, 2002 |
Empire Pictures |
Drama |
$36,087 |
6,211 |
| 469 |
Very Annie-Mary |
Mar 29, 2002 |
|
Musical |
$35,384 |
6,090 |
| 470 |
The Swamp |
Oct 5, 2001 |
|
Comedy |
$34,918 |
6,009 |
| 471 |
War Photographer |
Jun 28, 2002 |
|
|
$34,293 |
5,902 |
| 472 |
Gangster No. 1 |
Jun 14, 2002 |
IFC Films |
Thriller/Suspense |
$30,915 |
5,320 |
| 473 |
Shanghai Ghetto |
Sep 27, 2002 |
Menemsha Entertai… |
Documentary |
$29,115 |
5,011 |
| 474 |
Quai des Orfevres (1947) (R… |
Nov 1, 2002 |
|
Drama |
$29,067 |
5,002 |
| 475 |
New Best Friend |
Apr 12, 2002 |
Sony Pictures |
|
$28,658 |
4,932 |
| 476 |
Teddy Bears' Picnic |
Mar 29, 2002 |
|
|
$28,043 |
4,826 |
| 477 |
A Song for Martin |
Jun 28, 2002 |
|
|
$27,983 |
4,816 |
| 478 |
For Da Love of Money |
Apr 12, 2002 |
|
|
$27,500 |
4,733 |
| 479 |
Safe Conduct |
Oct 11, 2002 |
|
|
$26,617 |
4,581 |
| 480 |
The Way We Laughed |
Nov 23, 2001 |
|
|
$26,257 |
4,519 |
| 481 |
The Town is Quiet |
Jun 15, 2001 |
|
|
$26,134 |
4,498 |
| 482 |
The Calling |
Mar 1, 2002 |
Testimony Pictures |
Drama |
$26,000 |
4,475 |
| 483 |
The Fire and the Rain |
Aug 30, 2002 |
Cinebella Enterta… |
Drama |
$25,049 |
4,311 |
| 484 |
Behind the Sun |
Dec 14, 2001 |
Miramax |
Drama |
$24,945 |
4,293 |
| 485 |
Gabriela |
Mar 16, 2001 |
Power Point Films |
Drama |
$24,638 |
4,240 |
| 486 |
Together |
May 10, 2001 |
IFC Films |
|
$24,621 |
4,237 |
| 487 |
Divorce: The Musical |
Apr 19, 2002 |
|
|
$23,144 |
3,983 |
| 488 |
All the Queen's Men |
Oct 25, 2002 |
Strand |
Comedy |
$22,723 |
3,911 |
| 489 |
Cuba Feliz |
Jun 14, 2002 |
|
|
$22,071 |
3,798 |
| 490 |
The Isle |
Aug 23, 2002 |
|
Drama |
$21,075 |
3,627 |
| 491 |
Cool and Crazy |
Oct 19, 2001 |
|
|
$20,878 |
3,593 |
| 492 |
Crazy as Hell |
Sep 27, 2002 |
|
|
$20,710 |
3,564 |
| 493 |
Master of the Flying Guillo… |
May 24, 2002 |
|
Action |
$20,665 |
3,556 |
| 494 |
The Princess Diaries |
Aug 3, 2001 |
Walt Disney |
Comedy |
$19,638 |
3,380 |
| 495 |
Scarlet Diva |
Aug 9, 2002 |
|
Drama |
$18,062 |
3,108 |
| 496 |
Aberdeen |
Aug 17, 2001 |
First Run Features |
Drama |
$17,852 |
3,072 |
| 497 |
Quitting |
Sep 13, 2002 |
|
|
$17,717 |
3,049 |
| 498 |
Sonny |
Dec 27, 2002 |
|
Drama |
$17,639 |
3,035 |
| 499 |
Days of Nick Drake |
May 17, 2002 |
|
Documentary |
$17,384 |
2,992 |
| 500 |
Liar's Club |
Nov 2, 2001 |
|
|
$17,223 |
2,964 |
| 501 |
Devils on the Doorstep |
Dec 18, 2002 |
|
|
$17,055 |
2,935 |
| 502 |
Ayurveda: Art of Being |
Jul 19, 2002 |
Kino International |
Documentary |
$16,892 |
2,907 |
| 503 |
On Guard |
Mar 20, 1998 |
Empire Pictures |
|
$16,889 |
2,906 |
| 504 |
Love and a Bullet |
Aug 30, 2002 |
Sony Pictures |
|
$16,853 |
2,900 |
| 505 |
Way Down Town |
Nov 24, 2000 |
|
|
$16,731 |
2,879 |
| 506 |
Night at the Golden Eagle |
Apr 26, 2002 |
|
|
$16,241 |
2,795 |
| 507 |
Fleeing by Night |
May 3, 2002 |
|
|
$16,063 |
2,764 |
| 508 |
Eban and Charley |
Dec 14, 2001 |
|
|
$15,714 |
2,704 |
| 509 |
Maelstrom |
Sep 15, 2000 |
Alliance Films |
|
$15,595 |
2,684 |
| 510 |
Etoiles: Dancers of the Par… |
Nov 8, 2002 |
|
|
$15,500 |
2,667 |
| 511 |
The Circle |
Mar 9, 2001 |
WinStar Cinema |
Drama |
$14,979 |
2,578 |
| 512 |
Vulgar |
Apr 26, 2002 |
|
|
$14,904 |
2,565 |
| 513 |
30 Years to Life |
Jun 7, 2002 |
|
Comedy |
$12,732 |
2,191 |
| 514 |
Sade |
Nov 17, 2000 |
|
|
$12,618 |
2,171 |
| 515 |
Lansdown |
Apr 26, 2002 |
Outrider Pictures |
|
$12,614 |
2,171 |
| 516 |
Janice Beard |
May 10, 2002 |
|
|
$11,756 |
2,023 |
| 517 |
Some Body |
Apr 26, 2002 |
|
|
$11,696 |
2,013 |
| 518 |
The Mesmerist |
Sep 20, 2002 |
|
Comedy |
$11,422 |
1,965 |
| 519 |
The Farewell |
Jan 16, 2002 |
|
Drama |
$10,952 |
1,885 |
| 520 |
Vengo |
Sep 7, 2001 |
|
|
$10,763 |
1,852 |
| 521 |
Hush (2002) |
Nov 8, 2002 |
|
|
$10,683 |
1,838 |
| 522 |
Margarita Happy Hour |
Mar 22, 2002 |
|
|
$10,668 |
1,836 |
| 523 |
Bobby G. Can't Swim |
Jun 21, 2002 |
|
Drama |
$10,575 |
1,820 |
| 524 |
Last Dance (2002) |
Jul 12, 2002 |
|
|
$10,466 |
1,801 |
| 525 |
Mule Skinner Blues |
Apr 12, 2002 |
|
|
$10,106 |
1,739 |
| 526 |
All About Lily Chou-Chou |
Jul 12, 2002 |
Cowboy Pictures |
Drama |
$9,763 |
1,680 |
| 527 |
The Next Big Thing |
May 29, 2002 |
|
Comedy |
$9,763 |
1,680 |
| 528 |
Ikiru |
Mar 25, 1956 |
|
Drama |
$9,739 |
1,676 |
| 529 |
Zoolander |
Sep 28, 2001 |
Paramount Pictures |
Comedy |
$9,509 |
1,636 |
| 530 |
Fighter |
Aug 24, 2001 |
|
|
$9,315 |
1,603 |
| 531 |
Revolution#9 |
Nov 15, 2002 |
|
Thriller/Suspense |
$9,118 |
1,569 |
| 532 |
Esther Kahn |
Mar 1, 2002 |
|
|
$9,033 |
1,554 |
| 533 |
ABC Africa |
May 3, 2002 |
New Yorker |
Documentary |
$8,886 |
1,529 |
| 534 |
John Sayles Retrospective |
Apr 5, 2002 |
|
|
$8,258 |
1,421 |
| 535 |
Yellow Asphalt |
Mar 15, 2002 |
|
|
$8,172 |
1,406 |
| 536 |
Pipe Dream |
Oct 4, 2002 |
|
|
$7,998 |
1,376 |
| 537 |
What to Do in Case of Fire |
Jul 19, 2002 |
Sony Pictures |
|
$7,874 |
1,355 |
| 538 |
Our Lady of the Assassins |
Sep 7, 2001 |
Paramount Vantage |
Drama |
$7,859 |
1,352 |
| 539 |
Season's Beatings |
Nov 17, 2000 |
Empire Pictures |
Comedy |
$7,236 |
1,245 |
| 540 |
Princessa |
Dec 7, 2001 |
|
|
$7,010 |
1,206 |
| 541 |
Smokers Only |
Dec 20, 2002 |
|
Drama |
$6,957 |
1,197 |
| 542 |
The Dogwalker |
Sep 13, 2002 |
Outrider Pictures |
|
$6,751 |
1,161 |
| 543 |
Buddha Heads |
Aug 9, 2002 |
Pathfinder |
Drama |
$6,739 |
1,159 |
| 544 |
Group |
Jul 5, 2002 |
|
|
$6,289 |
1,082 |
| 545 |
Love in the Time of Money |
Nov 1, 2002 |
|
|
$6,259 |
1,077 |
| 546 |
The Phantom of Liberty |
Nov 8, 2002 |
|
Comedy |
$6,172 |
1,062 |
| 547 |
Massoud, the Afghan |
Dec 6, 2002 |
|
Documentary |
$5,859 |
1,008 |
| 548 |
Under the Sand |
May 4, 2001 |
WellSpring |
Drama |
$5,439 |
936 |
| 549 |
Shaye and Kiki |
Dec 25, 2001 |
Indican Pictures |
|
$5,145 |
885 |
| 550 |
My First Mister |
Oct 12, 2001 |
Paramount Vantage |
Drama |
$5,135 |
883 |
| 551 |
The Affair of the Necklace |
Nov 30, 2001 |
Warner Bros. |
Drama |
$5,111 |
879 |
| 552 |
The Wetonkawa Flash |
Mar 8, 2002 |
Indican Pictures |
Comedy |
$5,030 |
865 |
| 553 |
Sobibor, Oct. 14 1943, 4pm |
Oct 12, 2001 |
|
|
$4,942 |
850 |
| 554 |
L.I.E. |
Sep 7, 2001 |
Lot 47 Films |
Drama |
$4,786 |
823 |
| 555 |
Sia, The Dream of the Python |
May 24, 2002 |
ArtMattan Product… |
Drama |
$4,662 |
802 |
| 556 |
The Iron Ladies |
Sep 7, 2001 |
|
|
$4,531 |
779 |
| 557 |
The Adventures of Felix |
Jun 15, 2001 |
WinStar Cinema |
Comedy |
$4,285 |
737 |
| 558 |
Cleopatra's Second Husband |
Sep 29, 2000 |
Indican Pictures |
Drama |
$4,140 |
712 |
| 559 |
Herapuple |
Sep 27, 2002 |
|
|
$4,123 |
709 |
| 560 |
Outta Time |
Apr 12, 2002 |
|
Action |
$4,052 |
697 |
| 561 |
The Last Man |
Feb 15, 2002 |
|
|
$3,908 |
672 |
| 562 |
Food of Love |
Oct 25, 2002 |
|
|
$3,692 |
635 |
| 563 |
Bangkok Dangerous |
Oct 19, 2001 |
First Look |
Action |
$3,624 |
623 |
| 564 |
Revolution O/S |
Aug 22, 2002 |
|
|
$3,500 |
602 |
| 565 |
Blackboards |
May 10, 2002 |
Leisure Time Feat… |
Drama |
$3,417 |
588 |
| 566 |
Caravaggio |
Apr 16, 2002 |
Zeitgeist |
Drama |
$3,151 |
542 |
| 567 |
Take Care of My Cat |
Oct 18, 2002 |
|
Drama |
$3,137 |
539 |
| 568 |
Tattoo Bar |
Jul 5, 2002 |
ArtMattan Product… |
Drama |
$2,964 |
510 |
| 569 |
Ash Wednesday |
Oct 11, 2002 |
Focus Features |
Drama |
$2,942 |
506 |
| 570 |
Secret Society |
Jun 7, 2002 |
|
Comedy |
$2,838 |
488 |
| 571 |
My Kingdom |
Dec 6, 2002 |
|
|
$2,607 |
448 |
| 572 |
The First $20 Million |
Jun 28, 2002 |
20th Century Fox |
|
$2,535 |
436 |
| 573 |
Standing by Yourself |
May 17, 2002 |
|
|
$2,500 |
430 |
| 574 |
Hey Happy! |
Jan 25, 2002 |
|
|
$2,241 |
385 |
| 575 |
The 4th Tenor |
Nov 22, 2002 |
|
Comedy |
$2,152 |
370 |
| 576 |
Stripped |
Aug 9, 2002 |
|
|
$2,151 |
370 |
| 577 |
Djomeh |
Sep 5, 2001 |
New Yorker |
|
$2,101 |
361 |
| 578 |
Russian Doll |
Jun 15, 2001 |
|
|
$2,062 |
354 |
| 579 |
Choice of Weapons |
Jul 12, 2002 |
Outrider Pictures |
|
$2,032 |
349 |
| 580 |
Steel Spirit |
Jan 11, 2002 |
Cinema Guild |
Adventure |
$1,860 |
320 |
| 581 |
Dead or Alive (2002) |
Nov 29, 2002 |
|
Comedy |
$1,841 |
316 |
| 582 |
By Hook or by Crook |
Oct 25, 2002 |
Artistic License |
Drama |
$1,802 |
310 |
| 583 |
Final |
Dec 7, 2001 |
|
|
$1,710 |
294 |
| 584 |
Gentleman Bandit |
Mar 1, 2002 |
|
|
$1,663 |
286 |
| 585 |
Zig Zag |
Jun 21, 2002 |
|
|
$1,649 |
283 |
| 586 |
Mr. Smith Gets a Hustler |
Jun 21, 2002 |
Outrider Pictures |
|
$1,583 |
272 |
| 587 |
Mama Africa |
Jun 7, 2002 |
|
|
$1,581 |
272 |
| 588 |
Blackwoods |
May 10, 2002 |
ThinkFilm |
Thriller/Suspense |
$1,500 |
258 |
| 589 |
Otomo |
Nov 7, 2001 |
ArtMattan Product… |
Drama |
$1,492 |
256 |
| 590 |
Heartbreak Hospital |
Sep 7, 2002 |
|
|
$1,480 |
254 |
| 591 |
Virgil Bliss |
Jun 12, 2002 |
|
|
$1,465 |
252 |
| 592 |
Freshman |
Apr 26, 2002 |
|
Documentary |
$1,392 |
239 |
| 593 |
The Execution of Wanda Jean |
Sep 6, 2002 |
Seventh Art Relea… |
Documentary |
$1,386 |
238 |
| 594 |
The Opera Lover |
Sep 27, 2002 |
Outrider Pictures |
|
$1,167 |
200 |
| 595 |
Skin of Man, Heart of Beast |
Jun 21, 2002 |
|
|
$1,104 |
190 |
| 596 |
The Lonely Affair of the Heart |
Sep 27, 2002 |
|
Drama |
$932 |
160 |
| 597 |
Adanggaman |
Jul 13, 2001 |
New Yorker |
Drama |
$904 |
155 |
| 598 |
R Xmas |
Nov 8, 2002 |
Pathfinder |
Drama |
$850 |
146 |
| 599 |
The American Astronaut |
Oct 12, 2001 |
Artistic License |
Musical |
$820 |
141 |
| 600 |
Echoes |
Apr 12, 2002 |
|
|
$780 |
134 |
| 601 |
The Jimmy Show |
Dec 13, 2002 |
|
|
$703 |
120 |
| 602 |
Besotted |
Nov 1, 2002 |
Artistic License |
Comedy |
$656 |
112 |
| 603 |
Hit & Runway |
Mar 2, 2001 |
|
Comedy |
$473 |
81 |
| Total Gross of All Movies | $9,155,147,215 | |
| Total Tickets Sold | 1,575,756,527 |
Our Theatrical Market pages are based on the Domestic Theatrical Market performance only. The Domestic Market is defined as the North American movie territory (consisting of the United States, Canada, Puerto Rico and Guam).
The yearly amounts on our Theatrical Market pages are based on box office years. Each box office year starts on the first Monday of the year, so the previous year ends on the Sunday before the first Monday. For example, the "2017 box office year" started on January 2, 2017 so the "2016 box office year" ended on Sunday, January 1, 2017.


ROAD TRIP (DreamWorks) Starring: Breckin Meyer, Seann William Scott, Amy Smart, Paulo Costanzo, DJ Qualls, Tom Green. Screenplay: Todd Phillips and Scot Armstrong. Producers: Daniel Goldberg and Joe Medjuck. Director: Todd Phillips.  Reviewed by Scott Renshaw.
Having passed the year for which the designation "sophomoric" is named in the mid-1980s, my perspective on a film like ROAD TRIP is bound to be skewed. It is part of a grand tradition of leering, sniggering comedies in which the anti-social behavior and hormone-fueled idiocy of 18-year-olds (portrayed by 25-year-olds) are celebrated for the entertainment of 15-year-olds. But I remember a time when such tales were sublimely crude (ANIMAL HOUSE) rather than ridiculously crude (AMERICAN PIE), when the goal was celebrating an anarchic spirit rather than seeing how much bodily fluid you could get away with in an R-rated film. Pushing the envelope, Farrelly brothers-style, can be fun; stuffing the envelope to the point that it requires hundreds of dollars in postage can become a simple, wearying exercise in "can we get away with this?"
If you belong to that demographic that finds a joke most appealing when it's accompanied by a groan of disgust, have we got a treat for you. ROAD TRIP is framed as a tale of infamy told by a campus tour guide named Barry (Tom Green) at the fictional University of Ithaca. He tells of Josh Parker (Breckin Meyer), an earnest enough fellow in a long-distance relationship with a childhood sweetheart attending college in Austin, Texas. When Josh hooks up one night with Beth (Amy Smart) and videotapes their tryst, he thinks it's a momentary lapse ... until he discovers that one of his roommates has mailed the tape to his girlfriend Tiffany. Soon Josh and three pals -- libertine E.L. (Seann William Scott), brilliant Rubin (Paulo Costanzo) and geeky Kyle (DJ Qualls) -- are on the road for Austin, racing the clock to get to the tape before Tiffany returns to school from a family funeral.
I believe it should go without saying that the quartet takes a few detours before reaching Texas. Most of those detours involve the Sacred Duo of Collegiate Intemperance: mood-altering substances and sex. There's a stop to make deposits at a sperm bank when they run out of money. There's a stop at a college where they end up partying with members of a black fraternity, and where Kyle loses his virginity to a corpulent woman. And there's an overnight stay with an elderly couple where the grizzled man of the house gets stoned and hallucinates a conversation with his dog. It's a regular cornucopia of crudeness, choreographed by director Todd Phillips with all the voyeuristic vigor he demonstrated when choreographing (allegedly) the outrageous antics in the staged (allegedly) "documentary" FRAT HOUSE.
Only it's just not all that funny. Unlike the pointlessly message-mongering AMERICAN PIE, ROAD TRIP never pretends to be anything more than a cesspool of moral depravity. It's even refreshing in a twisted way that the girl who seduces Josh -- inspiring the cross-country recovery mission in the first place -- actually becomes the film's heroine, daring to suggest that sexually aggressive women can also be nice people. But ROAD TRIP's singularity of purpose doesn't translate into much manic energy. Its low-brow set pieces are pitched at obvious incongruities: the pairing of rail-thin Kyle with his substantial ladyfriend, an old man sporting an obvious erection, the macho E.L. delighting in a prostate massage. There's not much of a sense of comic discovery to ROAD TRIP's gags; they're the gags teenagers are expected to laugh at.
Deserved kudos do go to Tom Green, the MTV variety show host-cum-circus geek who plays the demented Barry. Green's act can be off-putting, but he's surprisingly funny as the perpetual undergrad with an unhealthy obsession with Rubin's pet python ("unleash the fury" has already become part of my film-based lexicon). His scenes are some of the only moments in ROAD TRIP where you can't be sure exactly what's going to happen next. The rest of this trip meanders through some extremely familiar countryside, and not familiar in a way that inspires fond comparisons to classic genre cousins. ROAD TRIP is comedy a level removed from anything that could be really funny, because it's all about how funny the mere idea of a profane, stoned dog could be. As the real classics of sophomoric humor have proved over the years, even when it comes to gross-outs, execution is everything.
On the Renshaw scale of 0 to 10 road squalors: 4.
Visit Scott Renshaw's Screening Room http://www.inconnect.com/~renshaw/ *** Subscribe to receive new reviews directly by email! See the Screening Room for details, or reply to this message with subject "Subscribe".
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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Related links: index of all rec.arts.movies.reviews reviews


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4 Drug-use profiles
4.1 Conclusions from this analysis
- A one unit increase in rural score corresponds to nearly a doubling of the odds of using meth and presciption stimulants.
- A one unit increase in rural score corresponds to an expected 33% reduction in the odds of using opioids other than those associated with Medication Assisted Treatment (MAT).
- A one unit increase in rural score corresponds to an expected 45% reduction in the odds of using cocaine.
- Those on Medication Assisted Treatments are about 64% times more likely to express interest in services like counseling or support groups
- This is a robust result that doesn’t appear to be located in any one location or demographic group
4.2 Analysis
We lump substances into 5 groups, separating cocaine stimulants (powder, crack, speedball) from amphetamine stimulants (meth, adderall). We also separate MAT opioids from the other opioids. These groups create binary variables, giving no weight to those using multiple substances within a category. We have a fairly representative distribution of participants across the 5 groups, which are not mutually exclusive (someone can use MAT and stimulants for instance).
4.2.1 Rurality
Taking a look at significant differences across rurality, we found 3 of note:
##
## Call:
## glm(formula = opioids ~ rural, family = "binomial")
##
## Deviance Residuals:
## Min 1Q Median 3Q Max
## -1.9192 -1.3782 0.7047 0.8389 0.9891
##
## Coefficients:
## Estimate Std. Error z value Pr(>|z|)
## (Intercept) 2.0720 0.3625 5.717 1.09e-08 ***
## rural -0.4029 0.1300 -3.098 0.00195 **
## ---
## Signif. codes: 0 '***' 0.001 '**' 0.01 '*' 0.05 '.' 0.1 ' ' 1
##
## (Dispersion parameter for binomial family taken to be 1)
##
## Null deviance: 477.92 on 414 degrees of freedom
## Residual deviance: 468.16 on 413 degrees of freedom
## AIC: 472.16
##
## Number of Fisher Scoring iterations: 4
## Opioids Odds Ratio (unit increase rurality): 0.6683995
##
## Call:
## glm(formula = stimulants ~ rural, family = "binomial")
##
## Deviance Residuals:
## Min 1Q Median 3Q Max
## -1.2967 -0.7798 -0.7798 1.0627 1.9285
##
## Coefficients:
## Estimate Std. Error z value Pr(>|z|)
## (Intercept) -2.3456 0.3521 -6.663 2.69e-11 ***
## rural 0.6554 0.1269 5.166 2.40e-07 ***
## ---
## Signif. codes: 0 '***' 0.001 '**' 0.01 '*' 0.05 '.' 0.1 ' ' 1
##
## (Dispersion parameter for binomial family taken to be 1)
##
## Null deviance: 533.24 on 414 degrees of freedom
## Residual deviance: 504.70 on 413 degrees of freedom
## AIC: 508.7
##
## Number of Fisher Scoring iterations: 4
## Stimulants Odds Ratio (unit increase rurality): 1.925955
##
## Call:
## glm(formula = cocaine ~ rural, family = "binomial")
##
## Deviance Residuals:
## Min 1Q Median 3Q Max
## -1.8291 -1.2861 0.8407 0.8407 1.3312
##
## Coefficients:
## Estimate Std. Error z value Pr(>|z|)
## (Intercept) 2.0713 0.3395 6.101 1.05e-09 ***
## rural -0.6065 0.1239 -4.895 9.82e-07 ***
## ---
## Signif. codes: 0 '***' 0.001 '**' 0.01 '*' 0.05 '.' 0.1 ' ' 1
##
## (Dispersion parameter for binomial family taken to be 1)
##
## Null deviance: 548.45 on 414 degrees of freedom
## Residual deviance: 522.98 on 413 degrees of freedom
## AIC: 526.98
##
## Number of Fisher Scoring iterations: 4
## Cocaine Odds Ratio (unit increase rurality): 0.5452828
4.2.2 Services of Interest
In looking for differences among services of interest, only one notable finding jumped out. Those on MAT are more likely to express interest in services like counseling or support groups. This could simply reflect a higher situation on Maslow’s hierarchy of needs, but it stands as evidence that drug users don’t simply use MAT as a “crutch” but rather as a starting place on a long journey towards a holistic recovery.
The sample size for MAT users in the data is large, and the difference on these questions is statistically notable.
##
## Call:
## glm(formula = supportcounseling ~ mats, family = "binomial")
##
## Deviance Residuals:
## Min 1Q Median 3Q Max
## -1.1256 -0.8947 -0.8947 1.2302 1.4894
##
## Coefficients:
## Estimate Std. Error z value Pr(>|z|)
## (Intercept) -0.7090 0.1260 -5.627 1.83e-08 ***
## matsTRUE 0.5857 0.2162 2.709 0.00675 **
## ---
## Signif. codes: 0 '***' 0.001 '**' 0.01 '*' 0.05 '.' 0.1 ' ' 1
##
## (Dispersion parameter for binomial family taken to be 1)
##
## Null deviance: 548.45 on 414 degrees of freedom
## Residual deviance: 541.14 on 413 degrees of freedom
## AIC: 545.14
##
## Number of Fisher Scoring iterations: 4


Hong Kong's pro-democracy movement has lead to mass protests that have brought tens of thousands onto the streets to demand fully free elections. Tens of thousands have gathered in Hong Kong to remember the dead on the 25th anniversary of the Tiananmen Square crackdown, the only major commemoration in China as authorities clamp tight security on Beijing.
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This is a fully serverless application demo. The backend includes a REST API served by AWS API Gateway, Lambda, and DynamoDB. There is even a Data Lake built with AWS Glue, Kinesis, and Athena
Check out the step-by-step tutorial...
You can use Markdown styling


What is Neuroscout?
Neuroscout is a web-based platform for fast and flexible analysis of fMRI data.
fMRI studies using complex naturalistic stimulation, such as movies or audio narratives, hold great promise to reveal the neural activity underlying dynamic perception. However, this potential is limited by the resource-intensive nature of fMRI analysis, and exacerbated by the difficulty of encoding relevant events in rich, multi-modal stimuli.
Neuroscout leverages state-of-the-art feature extraction tools to automatically extract hundreds of neural predictors from experimental stimuli. We pair this with an easy-to-use analysis builder, enabling researchers to flexibly define novel statistical models.
Analysis execution is achieved with no configuration using self-contained bundles tied to unique analysis IDs, and run-time data retrieval using DataLad. Containerized model-fitting pipelines minimize software dependencies and ensure high portability across execution environments.
Finally, we make it easy for researchers to share their results with interactive publication-like reports and statistical image hosting with NeuroVault.
If you're ready to build your own analysis, head over to Getting Started.
Table of Contents
- Building analyses
- Browse analyses
- Running analyses:
- FAQ
Where can I get more help?
The first time you use neuroscout.org, you will be given a tour of the interface. After the tour, be on the look out informational tooltips ("i" icon), provided throughout to clarify aspects of the web interface. Finally, please read the FAQ thoroughly!
For usage questions not addressed here, please ask a question on NeuroStars. For bug reports, feature requests, feedback, etc., please open an issue on open an issue on GitHub.


What makes me, me?
Hello. My name is Parth Vora. I am currently a sophomore studying at Rutgers University in New Jersey. I am a first generation student studying Electrical and Computer Engineering (ECE) and Computer Science (CS). I grew up in Jersey City, NJ which has been the number one most diverse city in the US for several years in a row. It is also the city that technically owns the Statue of Liberty. I attended McNair Academic High School - a public school with a private school dress code.
Throughout high school, I was involved in several extracurriculars- including teaching students using Google CS First, volunteering at the Liberty Science Center, and working with our school's chapter of the National Honor Society to help out with community events. I am glad that I was able to give back to my community when I had the chance.
After high school, I was unsure about whether I wanted to pursue a career in computer science or business. Computer science - I was interested in but scared to pursue. Business - I hated, but it was a safe option. Luckily, I was accepted into Google CSSI, where I met 29 other very accomplished students with similar goals and ambitions. In a short 3 weeks, we became unexpectedly close. To this day, we hang out and even attend hackathons together.
In college, I have become an active leader in the Honors Academy in the School of Engineering. I help interview prospective students and run panels to answer FAQ's. I love to get involved, and I'm glad Google SPS will be a step in the right direction.
What I enjoy to photograph
I love to photograph anything that can trace back to a memory. Here are some pictures I have taken.
Countries I want to visit in numerical order
------------------------------------------------------
Past Projects
- Clarity a site for self esteem.
- Automatic Fire Extinguisher using Arduino
- Staying Awake with Computer Vision - A preventative measure against drowsy driving
Hidden Talents
- I can speak Mandarin, Gujarati, and of course, English
- I can play the piano and percussion
- Not really a talent, but I am left-handed


Detrend fluorescence microscopy image series for fluorescence fluctuation and correlation spectroscopy ('FCS' and 'FFS') analysis. This package contains functionality published in a 2016 paper <doi:10.1093/bioinformatics/btx434> but it has been extended since then with the Robin Hood algorithm and thus contains unpublished work.
| Version: | 0.6.0 |
| Imports: | Rcpp, RcppParallel, parallel, checkmate, magrittr, dplyr, foreach, doParallel, iterators, purrr, ijtiff (≥ 1.5.0), autothresholdr (≥ 1.3.0), rlang, stringr, filesstrings (≥ 3.0.0), plyr, glue, sigmoid, matrixStats, stringi, assertthat |
| LinkingTo: | Rcpp, RcppParallel |
| Suggests: | testthat, knitr, rmarkdown, covr, abind, lattice, pacman, tidyr, graphics, gridExtra, arrayhelpers, ore (≥ 1.4.0), clipr, styler, MASS, mgcv, spelling |
| Published: | 2018-11-09 |
| Author: | Rory Nolan [aut, cre], Luis Alvarez [ctb, cph], Sergi Padilla-Parra [ctb, ths, cph] |
| Maintainer: | Rory Nolan <rorynoolan at gmail.com> |
| BugReports: | https://www.github.com/rorynolan/detrendr/issues |
| License: | BSD_3_clause + file LICENSE |
| URL: | https://www.github.com/rorynolan/detrendr |
| NeedsCompilation: | yes |
| SystemRequirements: | GNU make |
| Language: | en-US |
| Citation: | detrendr citation info |
| Materials: | NEWS |
| CRAN checks: | detrendr results |
| Reference manual: | detrendr.pdf |
| Vignettes: |
Batch mode Detrending single images |
| Package source: | detrendr_0.6.0.tar.gz |
| Windows binaries: | r-devel: detrendr_0.6.0.zip, r-release: detrendr_0.6.0.zip, r-oldrel: detrendr_0.6.0.zip |
| OS X binaries: | r-release: detrendr_0.6.0.tgz, r-oldrel: detrendr_0.6.0.tgz |
| Old sources: | detrendr archive |
| Reverse imports: | nandb |
Please use the canonical form https://CRAN.R-project.org/package=detrendr to link to this page.


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Nicholas Kick
OG Idea Man, Co-Founder
Studies Civil and Environmental Engineering. Thought of this idea in middle school. Really likes his dog. And his grandpa's cat. From the Philly area.
Danielle Coates
Co-Founder
Studies Chemical and Biological Engineering. Likes dogs. Allergic to cats. Also from the Philly area.
Tom Koenig
Co-Founder
Studies Politics. Presumably likes animals? Also from Philly.
Lucy Lin
Co-Founder
Studies Computer Science. Likes dogs AND cats. Really likes horses. Not from Philly.


§831-1 Definition. In this chapter, "felony" means an offense that is punishable with imprisonment for a term which is in excess of one year. [L 1969, c 250, pt of §1; HRS §716-1; ren L 1972, c 9, pt of §1; am L 1975, c 14, §1]


Type of Hair
- Curly Type 2A-C
- 2A: Super loose waves that add a touch of texture to the hair.
• 2B: Loose “S” shaped waves that begin to form around the middle
to end of the hair.
• 2C: “S” shaped waves that start closer to the crown and travel all the way
to the ends. There may even be some perfect ringlets among them.
- Curly Type 3A-C
- If you have curly hair, you have spiral or ringlet curls that appear consistent
throughout your hair. The three different patterns of curly hair are defined as:
• 3A: Wide, bouncy, spiral-shaped curls that travel from root to tip.
• 3B: Tighter, springy spirals all over the head that provide a lot of body and volume.
• 3C: Very tight, corkscrew-like spiral ringlets that are densely grouped throughout the hair.
- Curly Type 4A-C
- If you have coily hair, your curls are the tightest of the bunch.
• 4A: Small, tight coils that start at the root and maintain texture throughout the hair.
• 4B: Very tight coils that sometimes form in a “Z” shape or zig-zag pattern. This curl type is more prone to shrinkage,
when hair appears much shorter in length than it really is.
• 4C: The tightest of coils that have a defined zig-zag pattern and a dense texture that’s most prone to shrinkage.


Best cheap laptops for $350 or less in 2019
by Adrian Kingsley-HughesPick of the best $350-or-less budget laptops and convertibles.
Not everyone wants to pay hundreds, or even thousands, of dollars for a new laptop. Some are happy with cheap and cheerful systems that get the job done. Here are a handful of such systems, all priced under $350.
Also: Black Friday deals at CNET
Best cheap laptops
Disclosure: ZDNet may earn a commission from some of the products featured on this page.
Dell Inspiron 15 3580 (starts at $330)
- See it now: Dell
An everyday laptop that's perfect for work or school. Modern enough to feature 4GB of RAM and 1TB of storage, yet old-school enough to cater for those looking for a wide variety of ports. There's even the possibility of adding an optional DVD drive, if you still need one.
A good all-rounder, with enough power for the average user.
Tech specs:
- Windows 10 Pro
- Intel Celeron processor
- 15-inch display
- 4GB RAM
- 1TB hard drive
Dell Inspiron 11 3195 2-in-1 (starts at $240)
- See it now: Amazon
A great device for those who can't choose between a laptop and a tablet -- with just a flip of a hinge you can swap between one configuration and another with ease. Choose between tablet mode, presentation mode, tent mode, and laptop mode.
The 64GB eMMC storage means this is a more robust platform, ideal for throwing into a messenger bag or school bag since there's no hard drive to knock about.
Tech specs:
- Windows 10 Home
- 7th Generation AMD A9-9420e processor with Radeon R5 graphics
- 11.6-inch touchscreen display
- 4GB RAM
- 64GB eMMC storage
Dell Inspiron Chromebook 11 3181 2-in-1 (starts at $250)
- See it now: Amazon
A great device for those looking for a Chromebook, but who can't choose between a laptop and a tablet. The hinge allows for four possible configurations: tablet mode, presentation mode, tent mode, and laptop mode.
Chrome OS also makes this a great solution for those who are security conscious and want updates applied automatically, or those who would otherwise neglect security and allow the platform to turn into a hellstew of awfulness.
Tech specs:
- Chrome OS
- Intel Celeron N3060 processor
- 11.6-inch touchscreen display
- 4GB RAM
- 32GB eMMC storage
HP 15z (starts at $290)
- See it now: HP
A rugged, yet stylish and affordable laptop designed for daily use, and with a decent 9-hour battery. This laptop also features a fast-charge feature that can boost the battery by 50 percent in 45 minutes.
It also features a wide array of ports for expansion possibilities, a feature that is absent on more modern systems. And all this comes at a very decent starting price of under $300.
Tech specs:
- Windows 10 Home
- AMD A9-9425 processor with Radeon R5 graphics
- 15.6-inch display
- 8GB RAM
- 128GB SSD
HP Chromebook 11-v010nr (starts at $200)
- See it now: Amazon
This HP Chromebook comes kitted out with several really amazing features, from the slim design to the 12 hours and 45 minutes of battery life. Also, since it is powered by Chrome OS, most of the hassles related to security and updating are handled automatically.
Super solid and highly reliable, this is a great workhorse, especially for those who use Google service or Android apps.
Tech specs:
- Chrome OS
- Intel Celeron processor with Intel HD Graphics 400
- 11.6-inch display
- 4GB RAM
- 16GB eMMC
HP Chromebook 14A G5 (starts at $350)
- See it now: Amazon
A sleek Chromebook with USB-C ports and a nice 14-inch touch display, making it great for those who want reliability and power. It's also great for hard-use environments and has a keyboard that is spill-resistant and pick resistant, so it can handle abuse and mistreatment.
The fast charger is capable of recharging the battery to up to 90% within 90 minutes, which means it is hard to run out of power.
Tech specs:
- Chrome OS
- AMD A6-Series APU processor
- 14-inch touch display
- 4GB RAM
- 32GB eMMC
Lenovo 100e (starts at $270)
- See it now: Amazon
A cheap and cheerful laptop. Nothing special here, but you get a robust Lenovo base platform that is rugged and reliable and time-tested. It's not going to win any awards for design, but you get a package that can survive day after day in a classroom or work environment, and keep coming back for more.
And with a 10-hour battery life, Lenovo 100e is ready for work whenever you are.
Tech specs:
- Windows 10 Home
- Intel Celeron N3350 processor
- 11.6-inch display
- 4GB RAM
- 64GB eMMC
Lenovo IdeaPad 1 11-inch (starts at $210)
- See it now: Lenovo
A lightweight laptop with a decent processor wrapped up in a lightweight yet robust package. On top of that, there's an 8-hour battery and Dolby Audio platform. A nice workhorse that comes with a decent array of ports, and has enough power for day to day tasks in the home, school, or office.
Tech specs:
- Windows 10 Home in S Mode
- AMD A4-9120E processor
- 11.6-inch display
- 4GB RAM
- 64GB eMMC
Lenovo Chromebook C340 11-inch (starts at $300)
- See it now: Best Buy
A Chromebook, but with the Lenovo touch. 10-hour battery life, a 360-degree hinge that allows it to switch from a laptop to a tablet, and the convenience of Chrome OS.
While coming in at under $300, this device still feels like a premium device.
Tech specs:
- Chrome OS
- Intel Celeron N4000 processor
- 11.6-inch touch display
- 4GB RAM
- 64GB eMMC
ASUS C202SA-YS02 Chromebook (starts at $230)
- See it now: Amazon
Need a robust Chromebook? Look no further! Here you get a Chromebook with a spill-resistant keyboard, and reinforced rubber wrapped frames that so it can survive knocks in the home, office, or school. The 180-degree hinge allows this to switch from laptop to tablet and back again with ease.
Tech specs:
- Chrome OS
- Intel Celeron N3060 processor
- 11.6-inch display
- 4GB RAM
- 16GB eMMC
ASUS VivoBook 11.6-inch (starts at $250)
- See it now: Amazon
A cheap and cheerful laptop that's also lightweight and thin, and even comes with a USB-C port to complement the USB-A port. The 180-degree hinge allows it to be laid down flat, and despite being an 11.6-inch system, it features a full-sized keyboard that's quite pleasant to use.
Tech specs:
- Windows 10 in S Mode
- Intel Celeron N4000 processor
- 11.6-inch display
- 4GB RAM
- 64GB eMMC
ASUS L402YA-ES22 Thin and Light Laptop 14-inch (starts at $250)
- See it now: Amazon
Thin and light laptops that are cheap and yet have a good selection of ports -- including USB-C -- and a touchpad and keyboard that are a pleasure to use are quite rare, but that's what you have here. It also comes kitted out with speakers that don't sound weak and tinny, and a display that's actually easy on the eyes.
All in all, this is a great package at a very competitive price.
Tech specs:
- Windows 10 in S Mode
- AMD E2-7015 processor with Radeon R2 graphics
- 14-inch display
- 4GB RAM
- 64GB eMMC
ASUS VivoBook Flip J202NA-DH01T 11.6-inch (starts at $299)
- See it now: Amazon
At the heart of this package is a pair of durable 360-degree hinges that allow the device to switch from being a laptop to a tent to a tablet with ease. The touchscreen display is both very accurate and responsive and pleasant and easy on the eyes.
There's also 8-hours of battery life, which is very decent for a platform of this kind, so this reduces the anxiety of working away from a power port.
Tech specs:
- Windows 10 in S Mode
- Intel Celeron N3350 processor
- 11.6-inch display
- 4GB RAM
- 64GB eMMC


Hypertext Markup Language (HTML) is the standard markup language for creating web pages and web applications.
JavaScript is the programming language of HTML and the Web. JavaScript is easy to learn. This tutorial will teach you JavaScript from basic to advanced.
Node.js is an open-source, cross-platform JavaScript run-time environment for executing JavaScript code server-side.


Stormdrain implements an opinionated data flow model that sits between domain-specific dataset models and general-purpose visualization packages.
It arose from the need to interactively explore irregular, multidimensional data from the atmospheric sciences, with a parallel goal of being a pure Python library that doesn’t try to do to much. It provides programmatic hooks for access to data subsets that are selected interactively. As such, it is naturally used within IPython notebooks, which support both interactivity and scriptability.
Stormdrain does not require adoption of a specific plotting package or data model, but instead provides a data transport abstraction. Data sit at the inlet of a pipeline, while the outlet of the pipeline could be something that knows how to update a plot, or a log file. Pipeline segments along the way serve as transforms and filters. A publish-subscribe event infrastructure allows intermediate segments to respond to changes determined by user interaction, and reflow data in response to these changes.
Such agnosticism avoids the need to adopt a new base-object class for the entire analysis stack or the need to learn the grammar of a new plotting package in order to gain the benefits of interactivity. Experts with certain datatypes simply use their existing data classes as the substance that flows through the pipe!
Each pipeline segment is a coroutine, which is a function that is decorated with pipeline.coroutine. Data are pushed down the pipe, instead of pulled (as with ordinary iteration using generators). Each segment can be an ordinary function:
@coroutine
def scale(target, scale=1.0)
""" Receive a numpy array, and multiply it by a scaling factor"""
while True:
a = (yield)
target.send(a*scale)
The pattern input = (yield), some processing, and target.send(output) within an infinite loop is the basic template for each pipeline segment.
It is best if each pipeline segment implements a small, defined task. This makes the analysis chain easier to debug and test, and easier to reuse!
For many interactive applications, it’s helpful to have a class with coroutines as methods of the class. Then the class can store persistent state that can be changed in response to user interaction, and any data that flows down the pipe will pick up the changes.
There are pre-defined classes for broadcasting data to multiple targets, cached, triggerable pipeline segments, and other things. See the classes in stormdrain.pipeline.
Using a class also makes it possible to register for events. Each class only can respond to one event (since the pub-sub event model simply calls .send on the registered object).
Each class only can respond to one event (since the pub-sub event model simply calls .send on the registered object). If you think your class needs to respond to more than one event, simply write a new class
All three ideas are demonstrated in the following class.:
from stormdrain.pubsub import get_exchange
class Histogrammer(object):
def __init__(self, target, x_range=(0.0, 100.0), dx=1.0)
self.x_range = hist_range
self.dx = 1.0
# Whoever emits this event passes a tuple of new limits
# each registered object's .send method.
xchg = get_exchange('my_limit_update_event')
xchg.attach(self)
@coroutine
def histogram_for_array(self):
""" Receive a numpy array, and send (histo, edges) from numpy.histogram"""
while True:
a = (yield)
bins = np.arange(self.x_range[0], self.x_range[1], self.dx)
histo, edges = np.histogram(a, bins=bins)
self.target.send((histo, edges))
def send(self, new_limits):
self.x_range = new_limits
self.dx = (new_limits[1] - new_limits[0])/10.0
Let’s create the following pipeline:
`data -> [scale] -> [Histogrammer] -> [printer]`
We’ll print output and manually send some data down the pipe a few times. Instead of printer, you could also have an outlet that knows how to update a plot.:
import numpy as np
@coroutine
def print():
# No target - just prints output and waits for more to print
while True:
a = (yield)
print a
printer = print()
histogrammer = Histogrammer(target=printer)
scaler = scale(target=histogrammer.histogram_for_array())
data = np.random.random(size=100) * 100.0
# flow the data with
scaler.send(data)
limits = get_exchange('my_limit_update_event')
limits.send((3.0, 50.0))
scaler.send(data)
limits.send((53.0, 98.5))
scaler.send(data)
You can create a class that receives the most-recent output, and stores it an an instance variable. This is basically what the stormdrain.pipeline.CachedTriggerableSegment does, except it also serves as an intermediate segment that passes its data along.
Strategically-placed stormdrain.pipeline.Branchpoint classes along the pipeline also make it possible to attach arbitrarily many listeners at any later time, as long as they can access the Branchpoint instance.
An example would be helpful here.
brawl4d.py in this project’s examples directory shows how to use stormdrain with matplotlib to control subsetting of multidimensional data.
There is a pre-defined class for storing a numpy structured (named) array at the inlet of a pipe (stormdrain.data.NamedArrayDataset). That inlet segment is automatically notified when a data reflow is needed. Such reflows usually follow a notification that the displayed region of the dataset (stored in a stormdrain.bounds.Bounds object) has changed. The LinkedPanels class in the included matplotlib support shows emits the necessary bounds-changed and reflow events after user interaction on a plot.
There is a separate brawl4d project that implements an complete version of this idea for datasets used to blend lightning mapping and thunderstorm observations.


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Testing


Service identity in hybrid environments
Introduction
Athenz uses a callback-based verification model to provide identity to dynamic workloads running in hybrid environments.
Challenges
In today’s dynamic infrastructure, workloads / services can be launched in various environments like on-premise, cloud and hybrid using providers like Openstack, Kubernetes and Amazon Web Services. The challenge is to be able to provide an identity to those in a secure way irrespective of the environment or provider.
Solution
Athenz provides a clear contract for service providers to launch tenant service identities in an authorized way through a callback-based verification model. The following steps describe the workflow:
Benefit
By having Athenz as an identity provider in a hybrid environment solves the most crucial problem of service identity in “zero trust” and provides a consistent authentication mechanism. Also with this model, the private key which is the most important one is actually generated on the instance itself and never leaves it. Additionally each instance/workload gets a unique certificate. Using the identity certificate the service optionally can fetch standards based mtls bound access tokens from Athenz Token Service and use them for authorization support.
Result
Yahoo was able to obtain a consistent service identity for thousands of services deployed in various environments like Openstack virtual machines and bare metal hosts, Kubernetes, AWS computes, containers and serverless functions.
Athenz Auth Webhook
Introduction
The Athenz webhook is an API for the Kubernetes authentication and authorization webhook that integrates with Athenz for access checks. It allows flexible resource mapping from Kubernetes resources to Athenz. Access checks within a Kubernetes cluster include any kubectl commands the users may run or direct access through APIs. The webhook also has caching capabilities built in to directly make access decisions without any network hops.
Challenges
There are multiple challenges while attempting to use Kubernetes native Role-based access control (RBAC) in a larger organization with many clusters which are multi-tenant. The Kubernetes Role-based access control (RBAC) becomes tough to manage when the access control rules need to be defined across many different clusters the applications are deploying to with many different users accessing them throughout many different independent teams. These application owners need to have full autonomy to be able to change rules at any moment without going through a complicated pipeline or process.
Solution
Athenz can directly be hooked into the access control checks in the kubernetes authentication and authorization flow by introducing the athenz webhook which will reach out to Athenz to make access decisions. This webhook is invoked any time users are running the kubernetes kubectl commands or accessing directly through any APIs.
Benefit
The use of Athenz has many benefits across an organization, primarily it is a single source of truth for Role-based access control (RBAC) across all kubernetes clusters. It allows users to directly define Kubernetes access control to resources managed in their own namespaces. This allows namespace admins of development teams to be able to add and remove access control rules to the athenz roles and policies which will have immediate effect across all clusters.
Result
Integrating Athenz into the Kubernetes ecosystem allows teams to be more autonomous in the management of their access controls. The platform team along with the individual application teams can have full control over their own Role-based access control (RBAC) without relying on any specific pipelines and processes which rapidly speeds up development and deployment times. The platform team is also able to maintain the same set of access control rules across multiple Kubernetes clusters which speeds up platform level changes and new cluster creation.
For more details please check out the k8s-athenz-webhook project in Github.
Athenz Istio Auth Controller
Introduction
The Athenz Istio Auth controller is responsible for the conversion of Athenz Role-based access control (RBAC) into Istio custom resources. This enables users to dynamically configure service to service authorization directly through Athenz.
Challenges
When the Istio service mesh was introduced into the organization, it brought along with it a lot of complexities in terms of user management as it is a technology with many different features and configurations. Due to this complex overhead, we as the platform team realized it was not a scalable solution for all application developers in the company to learn Istio for them to be able to define service to service authorization. These development teams would also need to be responsible for the management of Istio configurations and their corresponding deployments. All of these issues make onboarding authorization much tougher for individual developers.
Solution
Athenz is directly used as an Role-based access control (RBAC) provider in order to define service to service authorization rules. Application developers are able to go into the Athenz UI and define which services are allowed to communicate with each other. These access rules are then picked up by this athenz Istio auth controller which will go ahead and convert them to the corresponding Istio Role-based access control (RBAC) rules which will then be propagated to the services to enforce authorization.
Benefit
The primary benefit of utilizing Athenz is the simplicity of the interface. The UI allows users to easily define access control rules simply without complex configuration. Since an organization can use Athenz for a variety of different use cases for identity and access management, developers in the organization only need to be familiar with one technology to define access rules across multiple technologies and stacks. The service to service authorization is just one such use case which Athenz makes possible.
Result
Utilizing Athenz as the interface to define service to service authorization greatly speeds up development times for application owners and makes the feature self service which allows for full autonomy. The UI allows users to quickly turn authorization rules on and off as opposed to going through some sort of deployment pipeline which needs to deploy configuration into Kubernetes clusters. Due to our controller being able to pick these rules up quickly, the changes are almost immediately reflected on the system. It also means that developers are not required to learn the complex ecosystem which is Istio to define these access rules but can define them through an interface they are familiar with, Athenz, in order to get the benefits.
For more details please check out the k8s-athenz-istio-auth project in Github.
Athenz Service Identity
Introduction
Every container launched in Kubernetes needs unique identity and secure credentials to authenticate with other dependent systems. The kubernetes service account token can be used to exchange credentials with external auth systems to provide a much wider globally scoped credentials such as Athenz service identity certificates.
Challenges
Every application that needs to interact with an internal/external service needs to have an identity for its authentication and authorization. Such identities are usually associated with the application instance rather than the node on which the application instance is running. Hence, the container platform needs to provide an API for workloads to obtain and refresh such credentials.
Solution
A Service Identity Agent (SIA) container on the pod is responsible for obtaining and refreshing Athenz service certificates. The SIA container creates a CSR attached with the kubernetes bound service account JWT and makes an Athenz service identity certificate request to ZTS. ZTS forwards the request to an in-cluster identity provider (Identityd) which validates the kubernetes JWT with the help of API server and authenticates the SIA request. On successful validation, ZTS issues a service identity certificate to the SIA which is shared with the application.
Benefit
The container platform provisions identities to applications with minimal or zero user effort at scale that can be used for intra-cluster service-to-service authentication. The private keys are short lived and rotated with every certificate refresh providing a secure identity framework.
Result
A secure identity provider mechanism for container workloads provisioning unique short lived credentials that can be universally used to authenticate and authorize with dependent systems is critical to any container platform and this solution provides the necessary building blocks to integrate Athenz Role-based access control (RBAC) with kubernetes workloads.
For more details please check out the k8s-athenz-identity project in Github.
MTLS bound access tokens
Introduction
Mutual authentication based on Transport Layer Security (TLS) X.509 certificates refers to both client and server authenticating each other by verifying the provided X.509 certificates such that both parties are assured of the others' service identity. Access tokens are the security credentials that identify the privileges which the calling service has to access resources owned by a different service. Athenz provides centralized as well as decentralized authorization capabilities and client libraries to facilitate it.
Challenges
How to harden the security by enabling mutual TLS authentication between all the services, clients, and components and authorize action(s) the authenticated principal is trying to perform on your resources?
Solution
The expectation is that clients and services are authenticating using X.509 Service Identity Certificates issued by Athenz Certificate Authority (CA).
Before a client makes any https connection to process a request, it must be registered with an Athenz Service Provider to be issued a short-lived x.509 certificate that is automatically renewed. Whereas the server is configured to require Athenz Service Identity x.509 Certificates for any endpoint requiring authorization and is configured with Athenz CA certificates in its truststore.
The client using its Athenz issued X.509 identity certificate requests an authorization token from Athenz Token Service that issues mTLS bound OAuth2 access tokens (RFC8705: OAuth 2.0 Mutual-TLS Client Authentication and Certificate-Bound Access Tokens) the application services can use to authorize requests based on policies defined in the Athenz Management System after authentication based on x.509 identity certificates. Support for OAuth2 access tokens is based on Client Credentials authentication workflow as defined in RFC6749: The OAuth 2.0 Authorization Framework.
To prevent the replay attacks, Athenz Token Service adds a claim in the access token with the SHA-256 hash of the x.509 identity certificate used to request the access token. That way the receiving service can verify the hash in access token with the incoming certificate. By ensuring that services only trust Athenz CA, bad actors with identity obtained with the same Subject but from a different CA will not be accepted.
Benefit
With Athenz Service Provider support, each instance/workload gets a unique private key generated on the instance itself and a unique x.509 certificate that does not need to be propagated to other instances. The private key never leaves the instance thus reducing its exposure. Using those x.509 certificates to enforce mutual TLS authentication, all network traffic between services, clients, and components are encrypted in transit and the services have a complete knowledge and control of ingress and egress. By doing mTLS, only trusted clients are allowed to connect and all the bad actors are rejected. Using the mtls bound access tokens enables services to enforce fine-grained authorization to provide the least privileged access to their resources without the possibility of replay attacks.
Result
By using Athenz provided authorization mechanism, combined with mTLS bound access tokens, services can implement authorization with minimal code and configuration that would allow them to concentrate on delivering business value.
AWS temporary credentials for on-premise services
Introduction
AWS Temporary Credentials are issued by AWS Security Token Service (AWS STS) to authenticated users and control access to AWS resources. Athenz provides a capability to give the temporary credentials in a secure way to on-premise services so that it can use AWS resources without using static credentials.
Challenges
How to securely access AWS services from on-prem data centers without using static credentials defined in AWS Identity and Access Management?
Solution
If Athenz Token Service ( ZTS ) is deployed in AWS, it can bridge between AWS IAM roles/STS and Athenz Service Identities. As such any service that is running in an on-prem data center and needs to access AWS Services can first obtain AWS Temporary credentials from Athenz ZTS Service and then use those credentials with AWS SDK. When requesting AWS temporary credentials for a role, the account administrator sets up an AssumeRole policy that authorizes cross-account access to Athenz ZTS Service.
To request AWS temporary credentials, the domain administrator must first set their account id in their Athenz Domain configuration. It is assumed that the administrator has already created a role in AWS IAM that they would like to obtain temporary credentials for. The important part of the setup is the trust relationship for that role such that Athenz ZTS can assume that role. The role must be configured with the following trust relationship statement:
{ "Effect": "Allow", "Principal": { "AWS": "arn:aws:iam::<Athenz-ZTS-Service-Account-ID>:role/<Athenz-ZTS-Service-Identity>" }, "Action": "sts:AssumeRole" }
It is strongly recommended that the trust policy is configured to require an external ID to be provided. By including the external id condition in the AssumeRole policy, the account administrator secures its roles to be accessed by unauthorized principals through ZTS since AWS STS will reject any "assume role" requests unless the external id is specified as part of the request. Even though the external id is passed as part of the uri, the ZTS server automatically strips out and does not log the external id in its access log file.
Once the AWS setup has been completed, the domain administrator is ready to set up the authorization policies in Athenz Management Service. In ZMS, the administrator would create a role in their domain with any service identities that may request temporary credentials for the AWS role. Then, the administrator would create a policy authorizing the configured Athenz role members to assume the AWS role. When creating the policy the action must be `assume_aws_role`, and resource must be the IAM role name.
At this point any client that has been authorized to assume the configured IAM role in Athenz may use their service identity X.509 certificate, contact ZTS and request AWS temporary credentials which then it can use to access AWS services.
Benefit
This feature eliminates the need to manage AWS static credentials when accessing AWS services from on-prem services since those need to be invalidated and rotated when users having access to those credentials leave the company.
Result
Services deployed in on-premise data centers can still utilize AWS resources by using Athenz provided temporary credentials without compromising security.