Please answer the following questions:
- How much do you think will player {{ player.get_others_in_group.0.role }} {% if subsession.round_number > 1 %} {% if winner_last_0 %} {% endif %} {% endif %}invest in the present round (Round {{ subsession.round_number }} of {{ Constants.num_rounds}})
to obtain the high piece rate
in the next round ({{ subsession.round_number|add:"1" }} of {{ Constants.num_rounds}})?:
{% formfield player.investment_belief_0 label="" %}
- How much do you think will player {{ player.get_others_in_group.1.role }} {% if subsession.round_number > 1 %} {% if winner_last_1 %} {% endif %} {% endif %}invest in the present round (Round {{ subsession.round_number }} of {{ Constants.num_rounds}})
to obtain the high piece rate
in the next round ({{ subsession.round_number|add:"1" }} of {{ Constants.num_rounds}})?:
{% formfield player.investment_belief_1 label="" %}
{% if subsession.round_number > 1 %}
{% if winner_last %}
The other players have a piece rate of 1 Token per sequence
{% else %}
(
) denotes the player with the high piece rate in this round
{% endif %}
{% endif %}


@() @main("Chat webapp with Akka Typed and Play") {
Send a username to "log in," and then you'll be able to chat!


That Thing You Do! (1996) A film review by Michael Dequina Copyright 1996 Michael Dequina
That Thing You Do! (R) *** (out of ****) Tom Hanks's screenwriting and directorial debut, That Thing You Do!, has all the qualities you would associate with the most beloved screen actor of the moment: fun, lively, and oh-so-nice. It is the latter quality, however, that becomes a hindrance, for this '60s nostalgia trifle is so nice and sweet that it teeters on becoming bland milquetoast. That Thing focuses on the Wonders, a teen rock band from Erie, Pennsylvania that is suddenly thrust into the national spotlight in 1964 when they score a major dance hit called, of course, "That Thing You Do!" The group's members are, naturally a diverse group: there's brooding lead singer and songwriter Jimmy (Johnathon Schaech); girl-crazy Lenny (Steve Zahn), the lead guitarist; a goofy, geeky type known only as The Bass Player (Ethan Embry); and the film's center, Guy (Tom Everett Scott), the drummer who has aspirations in jazz. Along for the Wonders' ride to success is Jimmy's perpetually neglected galpal, Faye (Liv Tyler). Hanks proves to be a capable writer-director, deftly recreating the innocent spirit of 1964, which Hanks calls "the last innocent year." The spirit is not only reflected in the period clothes and settings but also in the music, which, like the other recent period music film, Grace of My Heart, was expressly written for the film; Hanks himself had a hand in writing four of the tunes--but not the infectious title cut by Adam Schlesinger, which is guaranteed to stay in your head long after the end credits have rolled (it's still playing in my mind as I write this). It should come as no surprise that Hanks the director works well with the actors, eliciting charming, likable work from the entire cast, most notably Hanks lookalike Scott and Tyler, who is remarkable in delivering the film's biggest and best dramatic moment. The work of the young ensemble is so natural that they truly convince as teens of the early '60s; they do not appear to be '90s grungers playacting "retro." Yet for all the light, frothy charms of That Thing You Do!, it's nearly nice to a fault. While this unbridled innocence in film is a refreshing change from all the sinful cinema around these days, there is not enough conflict to keep things consistently interesting. Everyone is so happy, basking in the glow of overnight success, marvelling at it all--except toward the end, but even then the tone quickly reverts to sweetness, ending on an appropriately feel-good note. There isn't much of an edge throughout That Thing--the only thing that is remotely edgy is Hanks's turn as the Wonders' manager--and thus becomes in danger of being so nice it's bland. But a little niceness goes a long way these days, and there's no denying the entertainment value of That Thing You Do!; it's just about impossible to hate. It's an inoffensive, enjoyable piece of nostalgia that is sure to leave audiences smiling and humming, if not singing, "That Thing You Do!"--quite possibly for days. To paraphrase a passage from the song: Though I try and try to forget that song It is just so hard to do Every time they play "That Thing You Do!"
Michael Dequina<EMAIL_ADDRESS><EMAIL_ADDRESS>Visit Mr. Brown's Movie Site at http://members.tripod.com/~MrBrown/
"It's not my fault If in God's plan He made the devil so much Stronger than a man" --Frollo (Tony Jay), "Hellfire," Disney's The Hunchback of Notre Dame
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
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Related links: index of all rec.arts.movies.reviews reviews


Table of contents Close window
A set of functions have been implemented in the program with the following features:
Record creation: writers only to capture every semester subsidiary cards business data.
Updating data: writers only to update or to correct records belonging to the subsidiary.
Viewing record: writers and readers to view detailed record belonging to subsidiary. Writers and readers cannot view records managed by the other subsidiaries.
Deleting record: administrator only. The subsidiaries have to ask BHM administrator to delete records.
Importing data process: writers only to import data using CSV files.
Reporting: all users to access the reports list and to issue cards business tables and graphics covering all the BHFM subsidiaries.


count = 0
for line in sex_places_neraby(remaining):
count += 1
print("[{:.2f}%]".format(100 * count/total), end="\r")
with lzma.open(OUTPUT, "at") as output:
output.write(line)
print(msg)
sex_place_finder = partial(sex_place_nearby, OUTPUT)
tasks = map(sex_place_finder, iter_dicts(remaining))
loop = asyncio.get_event_loop()
loop.run_until_complete(asyncio.wait(tasks))
loop.close()


Sony is preparing to launch the Xperia 3 with a curved back and 5G support
by Erik SlavenAlthough Sony’s smartphone division isn’t performing well with sales down 32% in the third quarter, the company is moving full steam ahead with flagships. Following both the Xperia 1 and Xperia 5, the Xperia 3 will be its latest high-end device, sporting an interesting curved back with a flat screen. 5G support will also be onboard. The curved design is reminiscent of the Xperia Arc from way back in 2011.
The processor is expected to be a Qualcomm Snapdragon 856 and the OLED screen will have the CinemaWide 21:9 aspect ratio like their recent devices. Whether or not it’s upgraded to a 90Hz panel for faster refresh rates remains to be seen. There will be three cameras as well, but additional specs are still unknown.
source: GSM Arena


--- layout: default title: Contact Cards and SSL filename: null permalink: /contact-cards-ssl ---
The map shows the distribution of contact card stops by CPD in Chicago against the distribution of individuals with SSL scores by the census tract of their most recent arrests. The grouped dots are scaled by the number of contact card stops, while the census tracts are scaled by the number of individuals with their most recent arrest on the SSL in that tract.


Forgive Bello, El-Rufai begs Kogi voters
by Gbenga OdogunGbenga Odogun, Lokoja
The Chairman of the All Progressives Congress Campaign Council for Kogi governorship election, Mallam Nasir El-Rufai, on Thursday appealed to the people of Kogi State to forgive Governor Yahaya Bello.
El-Rufai, said Bello was a young man who was bound to make mistakes, but had learnt from his mistakes and deserved forgiveness from the Kogi electorate.
The Kaduna State governor was speaking at the grand finale of the APC campaign rally ahead of Saturday’s governorship election and Kogi West senatorial rerun.
“We are here not only to campaign for the second term of Governor Bello but to bury the Peoples Democratic Party once and for all.
“The PDP had ruled Kogi for 13 years but what he has (Bello) done in three years, the PDP has not done in 13 years.
“People say Bello is a young man and a young can make mistakes and learn from them, so, I hereby beg you all to forgive Yahaya Bello. He loves Kogi, he has given the young ones better opportunity. He has empowered women; we must not repeat the mistakes of the past we must not allow evil to prevail. We must not allow the memory of our great leader, the late Prince Abubakar Audu, to be in vain,” he said.
El-Rufai also advised the people of Kogi West Senatorial District to vote Smart Adeyemi, saying that his presence in the National Assembly would be to the benefit of the President Buhari-led APC government.
Also, Bello urged the people to vote for him on Saturday so that President Buhari would be happy that “his son in whom he is well pleased has been re-elected.”
Present at the mega rally, were the wife of President Buhari, Aisha, wife of the Vice-President, Mrs Dolapo Oshinbajo; Chairman, Nigeria Governors Forum, who is also the Ekiti State governor, Kayode Fayemi; the APC National Chairman, Adams Oshiomhole as well as the immediate past governor of Bauchi State ,Mohammed Abubakar.
Copyright PUNCH.
All rights reserved. This material, and other digital content on this website, may not be reproduced, published, broadcast, rewritten or redistributed in whole or in part without prior express written permission from PUNCH.
Contact: theeditor@punchng.com


SMILLA'S SENSE OF SNOW A film review by Scott Renshaw Copyright 1997 Scott Renshaw
(Fox Searchlight) Starring: Julia Ormond, Gabriel Byrne, Richard Harris, Robert Loggia, Clipper Miano. Screenplay: Ann Biderman, based on the novel by Peter Hoeg. Producers: Bernd Eichinger and Martin Moskowicz. Director: Bille August.  Reviewed by Scott Renshaw.
Before SMILLA'S SENSE OF SNOW, the last time director Bille August gut hold of a mysterious, best-selling novel was 1994's THE HOUSE OF THE SPIRITS. If that thought doesn't send a shudder of dread through you at the prospects for SMILLA, you were probably fortunate enough to miss THE HOUSE OF THE SPIRITS. SPIRITS was a disastrous combination of mis-guided casting and even more mis-guided story-telling, and it lost all sense of Isabel Allende's magical realism. Peter Hoeg's _Froken Smillas Fornemmelse for Sne_ (Miss Smillas' Feeling for Snow) presented a similarly challenging combination of atmosphere, character and plot, and August, but this time around he has been much more faithful to the source material. Unfortunately, the result still isn't a particularly good film. As tense and evocative as SMILLA'S SENSE OF SNOW is during its first hour, it shares the fundamental flaw of the novel: a strange plot device which may leave you wondering if you've just seen "The X-Files" movie.
Julia Ormond stars as Smilla Jaspersen, an arctic researcher living in Copenhagen, Denmark.  That one friendship is shattered when Isaiah is found dead on the sidewalk outside the building, the victim of an apparent accidental fall from the roof. But Smilla has a special sense of snow, and her instincts tell her that Isaiah's death was no accident -- he was running from something before he fell to his death. As Smilla investigates with the help of a neighbor (Gabriel Byrne), she finds herself in the middle of a conspiracy which will lead her back to the beautiful desolation of her icy homeland.
You'd never expect a film with the plot I just described based on the first scene in SMILLA'S SENSE OF SNOW. It shows a 19th century Inuit ice fisherman rudely interrupted from his labors by a crashing meteorite, which proceeds to create a tidal wave of crushed ice sufficient to supply the planet with daquiris for several decades. The moment is spectacular, but when the scene suddenly shifts to modern Copenhagen and the film becomes a dark, moody mystery, you might wonder whether you've just had an out-of-genre experience. More to the point, you might fear that August has snapped his cap.
Actually, August is simply preparing the audience for the radical shift still to come, a shift which wasn't nearly as radical in Hoeg's novel. For about three-quarters of its length, SMILLA'S SENSE OF SNOW is a fairly compelling character study anchored by a strong lead performance. Julia Ormond may be a bit young for Hoeg's Smilla, but she makes the character her own with an unapologetic toughness uncommon in female screen characters. Smilla's relationship with the neglected Isaiah is skillfully established in flashbacks, and though Smilla is not a particularly pleasant person her loyalty and determination win the audience over to her side. Screenwriter Ann Biderman has done a fine job of paring down the novel's often-cumbersome plot and its glut of conspirators, allowing the focus to stay squarely on Smilla and her relationships. Ormond's performance and August's direction capture Hoeg's lyrical, haunting psychological drama, a style reminiscent of _The English Patient_ author Michael Ondaatje.
But then there's that third act, and there's nothing August, Biderman or anyone else can do about SMILLA'S SENSE OF SNOW's unexpected metamorphosis from Michael Ondaatje to Michael Crichton except take it all the way overboard. The Greenland-based climax includes some splendid landscapes by cinematographer Jorgen Persson, and the arctic vastness suggests the coming of a resolution with an internal dimension -- Smilla coming to terms with her life, her land and her heritage.
Well, the resolution is internal, all right, only it's the interior of an ice cave, where villainous industrialist Andreas Tork (Richard Harris) is up to no good with some mutant parasitic worms and the same meteorite which spoiled the day of our old friend the ice fisherman a hundred years and five reels earlier. The finale is so utterly bizarre -- and so unsatisfying -- that it taints the entire two hour experience of SMILLA'S SENSE OF SNOW. Perhaps Bille August needs to choose something simple for his next project, a story which doesn't begin as an emotional journey and end as a cross between a James Bond film and THE BLOB.
On the Renshaw scale of 0 to 10 women's Inuit-ions: 5.
Visit Scott Renshaw's MoviePage http://www-leland.stanford.edu/~srenshaw Subscribe to receive reviews directly via email See details on the MoviePage
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


114 The Settings Menu shows a menu of Snap ! options, either for the current project or for you permanently, The settings icon depending on the option: The Language… option lets you see the Snap ! user interface (blocks and messages) in a language other than English. (Note: Translations have been provided by Snap ! users. If your native language is missing, send us an email!) The Zoom blocks... option lets you change the size of blocks, both in the palettes and in scripts. The standard size is 1.0 units. The main purpose of this option is to let you take very high-resolution pictures of scripts for use on posters. It can also be used to improve readability when projecting onto a screen while lecturing, but bear in mind that it doesn’t make the palette or script areas any wider, so your computer’s command-option-+ feature may be more practical. Note that a zoom of 2 is gigantic! Don’t even try 10. The Fade blocks… option opens a dialog in which you can change the appearance of blocks: Mostly this is a propaganda aid to use on people who think that text languages are somehow better or more grown up than block languages, but some people do prefer less saturated block colors. You can use the pulldown menu for preselected fadings, use the slider to see the result as you change the fading amount, or type a number into the text box once you’ve determined your favorite value. The Stage size… option lets you set the size of the full-size stage in pixels. If the stage is in half-size or double- size (presentation mode), the stage size values don’t change; they always reﬂect the full-size stage.


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--- layout: post title: 5 Useful CSS shorthand properties that every Web Developer should know categories: - today-i-learned tags: - css - Shorthand published: true ---
I believe Jeffrey Way has a quote somewhere that goes like, "think about the developer who can save a couple seconds on a task. At the end of the year he will have accomplished that much more than the developer who didn't". If you have begun to streamline your process learning shorthand css is one method for increasing efficiency.
A staple of every web developer's css tool kit. 99% of websites will require the use of this property, making it an excellent way to reduce time on task. I seem to use this type of shorthand whenever I am using a sprites image file.
background: [background-color] [background-image] [background-repeat] [background-attachment] [background-position];{% highlight css %}.bg { background: #323232 url(../images/layout/sprites.png) no-repeat scroll 10px 20px; }{% endhighlight %}
Probably my favorite css shorthand property. Combines everything you need to style a font. Super quick and concise format. The only thing it doesn't include is letter-spacing.
font: [font-style] [font-variant] [font-weight] [font-size]/[line-height] [font-family];{% highlight css %}p { font: italic small-caps 600 12px/23px "SophiaProLight", Verdana, sans-serif; }{% endhighlight %}
A truly tricky shorthand property. This is one I still get mixed up.
The format goes as such: margin-top margin-right margin-bottom margin-left. If you think about the short hand like the face of a clock and imagine the clock starting at 12 this becomes a whole lot easier.
However, there are three additional short hand properties. For all sides at once you just specify one measurement (margin: 15px). For the same measurement on top / bottom and right / left you specify just two measurements starting with the top / bottom (padding: 7px 5px).
And now for the tricky one. If your left / right sides are the same measurement but the top / bottom are different you specify top measurment, followed by the joint left / right measurement, and finish with the bottom measurement (margin: 10px 20px 13px). Check the example below as I have shown with code all methods.
margin: [margin-top] [margin-right] [margin-bottom] [margin-left];{% highlight css %} p { /* Top Right Bottom Left */ margin: 7px 10px 13px 5px; /* Top & Bottom Left & Right */ padding: 7px 5px; } em { /* Top Right & Left Bottom */ margin: 10px 20px 13px; /* All four sides */ padding: 15px; }{% endhighlight %}
Similar to the margin / padding shorthand, you can declare all sides of a border with one declaration. However, unlike margin / padding this is the only format for the border shorthand. Addtionally, properties such as border-width, border-style, and border-color can be combined into a single line.
border: [border-width] [border-style] [border-color];{% highlight css %}div { border: 1px solid red; }{% endhighlight %}
This is lesser used shorthand property for styling ordered and unordered lists.
list-style: [list-style-type] [list-style-position] [list-style-image];{% highlight css %} list-style: disc inside url(bullet.gif); {% endhighlight %}
While this is not a shorthand property, box-shadow's default format is very akin to earlier css shorthand properties.
box-shadow: [horizontal-length] [vertical-length] [blur] [spread] [color] [inset]{% highlight css %}box-shadow: 2px 2px 3px 0px rgba(172, 17, 19, 0.69);{% endhighlight %}


Dilios:
I hope you mean what you said. If not, you will regret it.
So I will ask you one more time. Are you ready for this trial?
"I'm prepared to prove my worth."


1 / 8
"Sitting in a balcony" (The yellow slide is movable).
2 / 8
"A box exercise" (The yellow slide is movable).
3 / 8
"Aquarium" (The yellow slide is movable).
4 / 8
"The deep see" (The yellow slide is movable).
5 / 8
"Mandala" (The yellow slide is movable).
6 / 8
"Day Illustration" (The yellow slide is movable).
7 / 8
"Day Realistic" (The yellow slide is movable).
8 / 8
Noren Nebel products
❮
❯


This tool uses your kanji flashcard deck to give you a summary of what kanji you know, and what kanji you need to learn. The breakdown is relative to the official 常用漢字 (jouyou kanji) maintained by the Japanese Ministry of Education.
Export your Anki deck as plain text, and then open the file here for a summary of your kanji progress. Duplicates will be automatically removed. Any text file which contains all of the kanji that you know will work.
This will not work on any version of IE other than 10. Chrome or Firefox is recommended.


I'm a 20-year old, Hyderabad-based designer who creates clean and modern content for world-wide-web. I design great User Experiences. I deliver attractive and elegant websites to you and/or your company. My creativity makes me design simple, fresh and coloured websites using web standards.
I pride myself on reliable communication with my clients and I'm an easy to work with, friendly guy. Why don't we work together? Get in touch for a chat about your project.
Download resumeSkill is only a RUMOUR, until it reaches the MUSCLE.
So, HIRE ME!
Thank you very much Mr. Abhinay. Your services rendered to Shilanya are so helpful and your patience and co-ordination with us was the major xyz for Shilanya.
Drop me a message and I will get back to you, ASAP!.


About Us
We are a group of friends from RIT! We created Chalk because we wanted a scheduler that could help us decide on how to prioritize our daily and weekly tasks.
Also, we wanted to use a topological sort for funsies.
Orens Xhagolli
Second year computer science student at RIT. Works hard at everything he does. Likes to take naps.
She absolutely loves to study Japanese, work on fun programming projects, and read mystery/suspense novels!
Well, she doesn't care too much about book genre as long as it's a good story. She also likes to learn new things to make cool, new stuff...and she likes to be vague because she's bad at self-introductions. :D
Victoria Sardelli
Matthew Ku
Prefers to be a backend coder but would not mind to learn some frontend.
Enjoys video games once in a while and would like to make one some day. Likes ceramics but
does not get to work with it often.
Calls himself a writer of both programming and natural languages.
Spends his free time practicing his magic with playing cards and creating stories.
Expressed his dormant artsy side by helping out with the design of this project.
Has a soft spot for unicorns.
Gregory Goh
{% endblock %}


{% extends themeRootFile %}
{% block title %}{{ config.title|raw }}{% endblock %}
{% block branding %}{{config.branding|raw }}{% endblock %}
{% block content %}
you can create your own custom musicboxes here
or you can read some more about the musicbox, its your choice :)
{% endblock -%}


The health data was last updated at {{ updated_at }}
({{ time_since_update.days }} days ago.)
{% if time_since_update.days > 0 %}
{% if member != request.user %}
Please ask the member to login and refresh it.
{% endif %}
{% endif %}
{% if member == request.user and time_since_update.days > 0 %}
{% endif %}


Prerequisites 103 and 107 (or equivalent)
Assessment Projects: 35% (5 + 10 + 20), Midterm Exam: 25%, Final Exam: 40%.Piazza Join our Piazza to receive important announcements and get answers to your questions.
Homeworks Homeworks are self-paced and do not affect your course grade. However, they reflect the exam material, so it is in your best interest to complete them promptly, for each lecture. Aside from preparing you for the exam, they will assess and reinforce your understanding of the material. You can access the homeworks through Gradiance by creating an account (if you don't already have one) then signing up for class token E68759F1. Once you have joined the class, navigate to the Homeworks section on the left. NOTE: when we write "lab" we indicate that you should do the corresponding lab found in the "Lab Projects" tab, instead of the Homework tab.
Exam DatesExam Notes Sheet For the midterm, we allow students 1 two-sided 8.5x11" piece of paper with typed or written notes. For the final exam we will allow students two notes sheets.
Late Days You are allowed a total of three late days shared between all project deadlines. You do not lose any credit when using a late day. If you run out of late days and submit after the deadline, you receive a 0. (EDIT: this was increased from 2 to 3 due to P2 submission difficulties. For more, see piazza post 879).
Lectures Lectures occur on Tues/Thurs 4:30-5:50 p.m. in NVIDIA Auditorium. NOTE that while attendance is not mandatory, we will be giving out extra credit for students with insightful in-class participation.
Lecture Videos Lecture videos will be recorded and posted on Canvas.
Textbook There is no required textbook, but for students who want additional resources, we recommend the following two:Accomodations Students who may need an academic accommodation based on the impact of a disability must initiate the request with the Office of Accessible Education (OAE) and notify us at least 7 days (ONE week) prior to the Midterm and/or Final Exam.
Contacting Course Staff Please use Piazza for public questions. To privately reach the instructors
you can either make a private Piazza post or send an email to:
<EMAIL_ADDRESS>Group Size The first two projects are individual only, but the third project you are allowed to work in teams of two.
Project Submissions You will submit your projects via Gradescope. Sign up for Gradescope using your Stanford email address and student ID. The course code is MJ3ZYR. Each assignment will include specific instructions regarding what files to submit.
Regrade Policy If you think that we've made a grading mistake or that the work you submitted should be regraded, submit a regrade request on Gradescope within one week of receiving your grade. Be sure that you prepare a short and convincing argument on Gradescope about why you think your work was incorrectly graded – we reserve the right to ignore your regrade request if you don't provide a justification. If you submit a regrade request, we reserve the right to regrade your entire assignment. This means that your overall score could go down.


Formats a date
* value : the date, as a unix timestamp, mysql datetime or whatever strtotime() can parse * format : output format, see http://php.net/strftime for details * default : a default timestamp value, if the first one is emptyThis software is provided 'as-is', without any express or implied warranty. In no event will the authors be held liable for any damages arising from the use of this software.
Documentation generated on Sun, 07 Feb 2010 17:53:32 +0000 by phpDocumentor 1.4.0


Notes on algorithm implementation¶
1. Greedy Solution¶
- The greedy algorithm simply starts with the closest node from the depot, adding it to the first vehicle’s route, reducing the load on the vehicle by the demand of the node.
- The algorithm begins using the next vehicle as soon as the next node’s demand exceed the load on the vehicle.
2. Local Search (Run on each vehicle individually) (LS)¶
Note
- Run on each vehicle separately.
- For all the nodes in a given vehicle’s route, the search is restricted to the selected vehicle’s route.
- The move as defined here is an move & insert operation. The first node selected is removed from its current position and inserted immediately in front of the second node.
- An initial feasible solution is created.
- The local search algorithm is run on each vehicle separately.
- For each vehicle, the algorithms iterates over every node in its route and attempts to place it at each possible position within the route of the selected vehicle.
- The optimal move (the move that causes the greatest reduction in cost) is implemented.
- This continues until the reduction in cost is non-negative.
3. Local Search (LS)¶
Note
- Search not restricted to selected vehicle’s route.
- The move as defined here is an move & insert operation. The first node selected is removed from its current route and inserted into the route of the second node, immediately in front of the second node.
- An initial feasible solution is created.
- The local search algorithm is run on all the vehicles collectively.
- The algorithms iterates over every node in every vehicle’s route and attempts to place it at each possible position within the routes of all the vehicles.
- The optimal move (the move that causes the greatest reduction in cost) is implemented.
- This continues until the reduction in cost is non-negative.
4. Tabu Search (TS)¶
- An initial feasible solution is created.
- The local search algorithm is run on all the vehicles collectively.
- The algorithms iterates over every node in every vehicle’s route and attempts to place it at each possible position within the routes of all the vehicles.
- If the move is tabu then the move is not considered; however if making the move reduces the cost of the solution such that it is lower than the best cost seen so far, the move is made.
- This allows the solution to once again accept moves that increase the cost of the solution, allowing the algorithm to explore a larger section of the solution space and not get stuck in a local minima.
- The optimal move (the move that causes the greatest reduction/least increase in cost) is implemented.
- The new links formed are added to the tabu list, preventing the newly formed links from being broken for a number of iterations (the size of tabu list is constant, so this translates to number of times a non tabu move is made).
- The search stops if there are no possible moves.
- This continues for a set number of iterations.
5. Genetic Algorithm (GA)¶
Note
- The implementation of the genetic algorithm attempts to keep to its biological analogy
- Each node is a nucleotide pair.
- A possible solution is a chromosome and iterator pair.
- A chromosome contains all the nodes in the order they are visited. It’s corresponding iterator vector is the vector containing the indices at which the chromosome is split into vehicle routes.
- The vehicle routes as split by the iterator vector, and are each referred to as a gene.
- If there is a node missing in the initial solutions, the algorithm will go into an infinite loop in the HGreXCrossover() function. This can happen if using the GenerateGreedySolutions() function. A check is set up to exit should this be the case.
- While the MakeValid() function ensures an order of nodes visited is valid if it is possible, there is still the possibility that the ordering is not feasible. In this case the final solution might be invalid.
- The main crossover operator implemented is the Heuristic Greedy Crossover (HGreX).
- Reference for operator selection: Puljic, K. & Manger, R. (2013). Comparison of eight evolutionary crossover operators for the vehicle routing problem. Mathematical Communication, 18, 359–375
- Initial solutions are created (random and greedy heuristic).
- For a given number of generations various operators are applied to the chromosomes randomly.
- Each operator is triggered with a set probability, and randomly selects the chromosome/iterator on which to apply said operator (Both the chromosomes and iterators have distinct operator functions).
- The number of chromosomes is maintained as constant, removing higher cost solutions (see documentation of functions for details).
- The best solution is chosen and converted to the standard form of the solution.
6. Simulated Annealing (SA)¶
Note
- The move as defined here is a move & insert operation. The first node selected is removed from its current route and inserted into the route of the second node, immediately after the second node.
- Given that this algorithm chooses 2 random nodes and attempts insertion, it works well only for smaller problems. Changing it to choose its moves with some heuristic, or in a manner similar to local search would improve its efficiency significantly.
- An initial feasible solution is created.
- Two vehicles are chosen at random.
- A node within each of them is also chosen at random.
- The move is made if the cost of the solution decreases or based on a probability calculated based on the temperature of the solution.
- A higher temperature allows a greater chance of moves increasing the cost of the solution to be accepted.
- The temperature is reduced after every iteration using a geometric progression.
- If the solution does not improve (is stagnant) over a number of iterations (stag_limit) a reheat operation is performed, increasing the temperature once again.
- This allows the solution to once again accept moves that increase the cost of the solution, allowing the algorithm to explore a larger section of the solution space and not get stuck in a local minima.
- The algorithm runs for a set number of reheats.
7. Hybrid Algorithm (HA)¶
- This refers to the possibility of using the code to run the algorithms sequentially on the same problem, using the final solution of one algorithm as the input/initial solution for the next.
- The example at the end of main.cpp uses simulated annealing followed by local search.


We're a group of students attending Lambda School's Full Stack Web Development bootcamp, and this is our project for Build Week July 29 - August 1 2019.


Members
state :State
Type:
- State
Methods
(inner) addCard(content, qualities)
Add a Card to the Deck.
Parameters:
| Name | Type | Description |
|---|---|---|
content |
string | Text of card. |
qualities |
Array | Array of Expressions. |
(inner) draw(size) → {Array}
Draw card from Deck.
Parameters:
| Name | Type | Description |
|---|---|---|
size |
number | Size of hand to draw from Deck. |
Returns:
Hand of cards.
- Type
- Array
(inner) removeCard(c)
Remove a Card from the Deck.
Parameters:
| Name | Type | Description |
|---|---|---|
c |
object | Card to remove from deck. |
(inner) shuffle()
Shuffle cards in Deck.
(inner) size() → {number}
Size of Deck.
Returns:
Returns number of cards.
- Type
- number
(inner) updateCard(c)
Update card based on its internal hash.
Parameters:
| Name | Type | Description |
|---|---|---|
c |
Card | Card to update in deck. |


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ℕ³-days III, 4-5 Dec 2015.
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Schock Prize to Jonathan Pila: symposium, KTH Stockholm, October 25, 2022
Geometry and Arithmetic mini-courses, 19-22 September 2022
Masterclass: Relative trace formulae, Copenhagen, 22-26 August 2022
Nordic Congress of Mathematicians, Aalto, 18-21 August 2022
Nordic Combinatorial Conference (NORCOM), Tromsø, Norway, 7-9 June 2022
Topology and Arithmetic Around the Langlands Program, Stockholm, 07-11 June 2022
Crafoord Symposium in Mathematics, Lund, 26 April 2022
Elliptics 21, Uppsala, 18-22 October 2021 (
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MEGA 2021, University of Tromsø [online], 7-11 June 2021 (
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Number theory, Mittag-Leffler Institute, 11 January-30 April 2021 (
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Masterclass: Condensed Mathematics, Copenhagen University, November 2020 (
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Oresund Number Theory Seminar, Univ Lund, 28 Jan 2020 (
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ASGARD Math 2019, University of Oslo, 14-16 May 2019. (
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Arctic Applied Algebra, Tromso University, 1-5 April 2019. (
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Intercity Seminar in Arakelov Geometry, Copenhagen University, 3-7 September 2018 (
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Number theory and coding theory, Turku, 28 May - 1 June 2018 (
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Denmark Australia Diophantine Approximation Day, Aarhus University, 8 December 2017 (
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Rational points and Zariski density, University of Copenhagen, 15-17 November 2017 (
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International PhD course: Representation theory - Number theory, University of Copenhagen, 21-25 August 2017 (
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Where Geometry meets Number Theory - a conference in honour of the 60th birthday of Per Salberger, Chalmers University, 17-19 July 2017 (
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Masterclass – Stable Homotopy Theory and p-adic Hodge Theory, University of Copenhagen, 26-30 June 2017
Workshop in Spectral Theory, Automorphic forms and Arithmetic, University of Copenhagen, 14-18 Nov 2016.
Workshop in Number Theory and Dynamics, University of Göteborg and Chalmers University, 18-19 Aug 2016.
Arithmetic Geometry Days 2015, University of Copenhagen, 12-13 Nov 2015.
Diophantine Approximation and Related Topics, Aarhus University, 13-17 Jul 2015.
Quantitative arithmetic geometry, Mittag-Leffler Institute, 22-26 Jun 2015.


Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua
Name of the divice
Virtual reality (VR) is an interactive computer-generated experience taking place within a simulated environment. It incorporates mainly auditory and visual feedback, but may also allow other types of sensory feedback like haptic. This immersive environment can be similar to the real world or it can be fantastical.


Mini Project
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|
Compute Library
18.08
|
Common interface to provide information and access to tensor like structures. More...
#include <IAccessor.h>
Public Member Functions | |
| virtual | ~IAccessor ()=default |
| Virtual destructor. More... | |
| virtual TensorShape | shape () const =0 |
| Shape of the tensor. More... | |
| virtual size_t | element_size () const =0 |
| Size of each element in the tensor in bytes. More... | |
| virtual size_t | size () const =0 |
| Total size of the tensor in bytes. More... | |
| virtual Format | format () const =0 |
| Image format of the tensor. More... | |
| virtual DataLayout | data_layout () const =0 |
| Data layout of the tensor. More... | |
| virtual DataType | data_type () const =0 |
| Data type of the tensor. More... | |
| virtual int | num_channels () const =0 |
| Number of channels of the tensor. More... | |
| virtual int | num_elements () const =0 |
| Number of elements of the tensor. More... | |
| virtual PaddingSize | padding () const =0 |
| Available padding around the tensor. More... | |
| virtual QuantizationInfo | quantization_info () const =0 |
| Quantization info in case of asymmetric quantized type. More... | |
| virtual const void * | operator() (const Coordinates &coord) const =0 |
| Read only access to the specified element. More... | |
| virtual void * | operator() (const Coordinates &coord)=0 |
| Access to the specified element. More... | |
Common interface to provide information and access to tensor like structures.
Definition at line 37 of file IAccessor.h.
|
virtualdefault |
Virtual destructor.
|
pure virtual |
Data layout of the tensor.
Implemented in SimpleTensor< T >, SimpleTensor< uint8_t >, CLAccessor, Accessor, and GCAccessor.
Referenced by arm_compute::test::validation::validate(), and arm_compute::test::validation::validate_wrap().
|
pure virtual |
Data type of the tensor.
Implemented in SimpleTensor< T >, SimpleTensor< uint8_t >, CLAccessor, Accessor, and GCAccessor.
Referenced by arm_compute::test::validation::validate(), and arm_compute::test::validation::validate_wrap().
|
pure virtual |
Size of each element in the tensor in bytes.
Implemented in SimpleTensor< T >, SimpleTensor< uint8_t >, CLAccessor, Accessor, and GCAccessor.
Referenced by arm_compute::test::validation::validate(), and arm_compute::test::validation::validate_wrap().
|
pure virtual |
Image format of the tensor.
Implemented in SimpleTensor< T >, SimpleTensor< uint8_t >, CLAccessor, Accessor, and GCAccessor.
Referenced by arm_compute::test::validation::validate(), and arm_compute::test::validation::validate_wrap().
|
pure virtual |
Number of channels of the tensor.
Implemented in SimpleTensor< T >, SimpleTensor< uint8_t >, CLAccessor, Accessor, and GCAccessor.
Referenced by arm_compute::test::validation::validate(), and arm_compute::test::validation::validate_wrap().
|
pure virtual |
Number of elements of the tensor.
Implemented in SimpleTensor< T >, SimpleTensor< uint8_t >, CLAccessor, Accessor, and GCAccessor.
Referenced by arm_compute::test::validation::validate(), and arm_compute::test::validation::validate_wrap().
|
pure virtual |
Read only access to the specified element.
| [in] | coord | Coordinates of the desired element. |
Implemented in SimpleTensor< T >, SimpleTensor< uint8_t >, RawTensor, CLAccessor, Accessor, and GCAccessor.
|
pure virtual |
Access to the specified element.
| [in] | coord | Coordinates of the desired element. |
Implemented in SimpleTensor< T >, SimpleTensor< uint8_t >, RawTensor, CLAccessor, Accessor, and GCAccessor.
|
pure virtual |
Available padding around the tensor.
Implemented in SimpleTensor< T >, SimpleTensor< uint8_t >, CLAccessor, Accessor, and GCAccessor.
|
pure virtual |
Quantization info in case of asymmetric quantized type.
Implemented in SimpleTensor< T >, SimpleTensor< uint8_t >, CLAccessor, Accessor, and GCAccessor.
|
pure virtual |
Shape of the tensor.
Implemented in SimpleTensor< T >, SimpleTensor< uint8_t >, CLAccessor, Accessor, and GCAccessor.
Referenced by arm_compute::test::validation::validate(), and arm_compute::test::validation::validate_wrap().
|
pure virtual |
Total size of the tensor in bytes.
Implemented in SimpleTensor< T >, SimpleTensor< uint8_t >, CLAccessor, Accessor, and GCAccessor.


--- title: Delegation keywords: fastai sidebar: home_sidebar nb_path: "nbs/04_utils.ipynb" ---
Delegation can make a lot of python code that relies on kwargs easier. This function is taken from a blog post by Jeremy Howard @fast.ai
kwargs
delegates
delegates(to=None, keep=False)
to
None
keep
False
Decorator: replace **kwargs in signature with params from to
**kwargs


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My name is Harsh Siloiya.
I'm a 2nd year student at Indian Institute of Technology, Bombay, pursuing B.Tech in Computer Science and Engineering along with a minor in Electrical Engineering.
I live in Navi Mumbai, Maharashtra.
My schooling has been done from Ryan International School, Kharghar (1st - 10th grade) and Delhi Public School, Navi Mumbai (11th - 12th grade).
The things which I like to do :-
Also, here are some things which I'm interested in :-
Core courses :-
Electrical minor courses :-
Other courses :-


Parlay Sports, founded in May 2018, is a digital sports betting service for American sports leagues. We are currently a free-to-play mobile app where sports fans can wager on upcoming games, compete against their friends, and improve over time with in app statistics. In the long term, Parlay will operate as a full fledged sports book unifying the United States recently legalized sports betting experience.
Doreen is a senior Informatics student who has a concentration in the data science track. She plans on either diving into industry with a entry roll in data science or analytics. Her hobbies ourside of academics are hiking, cooking, and all things food related.
Jon is a senior Informatics student with a specialization in data science. He has experience in both Web Development and Data analysis. He has worked at Amgen, a Bio Tech company, as a data science intern and hopes to work full time in data science after he graduates
Karl is an Informatics student with a specialization in information assurance and cybersecurity. He's planning on becoming a penetration tester after he graduates, and plans on staying in Seattle. In his free time, he enjoys playing guitar, going on hikes with his dog, and cooking.
Zane is a senior Informatics student taking the Cybersecurity track. He has experience in data visualization and server-side web development. He currently works at Point B in Seattle and will be completing his masters in the MSIM program after he graduates.


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\[ \newcommand{\E}{\text{E}} \newcommand{\diag}{\text{diag}} \]
Here we try the idea of per-SNP likelihood. By per-SNP likelihood, I mean a likelihood (for one individual) takes the form: \(\Pr(y | X; \theta) = \Pr(y | X_1; \theta_1) \Pr(y | X_2; \theta_2) \cdots \Pr(y | X_p; \theta_p)\). For the sake of simplicity, I focus on the case that \(\Pr(y | X_j; \theta_j)\) is characterized by the model \(y = X_j \beta_j + \epsilon_j, \epsilon_j \sim N(0, \sigma_j^2)\).
As the note of the EM on-the-fly, I sketch the formulas for EM implementations. At the minimal, it is technical note to explicitly write down what to be implemented and why in principle.
Essentially, the only difference between what we try to do here and the previous note is about how we evaluate the likelihood. And on the top of that, how to do M step. So, for the sake of completeness, I sketch the (log-)likelihood and its derivatives.
\[\begin{aligned} \Pr(y^f, y^m, Z | H^1, H^2; \theta) &= \prod_{i = 1}^n \Pr(y_i^f, y_i^m, Z_i | H_i^1, H_i^2; \theta) \\ &= \prod_{i = 1}^n \Pr(y_i^f, y_i^m | Z_i, H_i^1, H_i^2; \theta) \Pr(Z_i) \\ \log \Pr(y^f, y^m, Z | H^1, H^2; \theta) &= \sum_i \log \Pr(y_i^f, y_i^m | Z_i, H_i^1, H_i^2; \theta) + \log \Pr(Z_i) \\ &= \sum_i \log \Pr(y_i^f | Z_i, H_i^1, H_i^2; \theta^f) + \log \Pr(y_i^m | Z_i, H_i^1, H_i^2; \theta^m) + \log \Pr(Z_i) \end{aligned}\]
Taking father as example.
\[\begin{aligned} \log \Pr(y_i^f | Z_i, H_i^1, H_i^2; \theta^f) &= - \frac{1}{2} \sum_{l \in \text{all loci}} Z_i [ ~ \log \sigma_{f,l}^2 + \frac{(y_i^f - H_{i,l}^1 \beta_{l}^f)^2}{\sigma_{f,l}^2} ~] + (1 - Z_i) [~ \log \sigma_{f,l}^2 + \frac{(y_i^f - H_{i,l}^2 \beta_{l}^f)^2}{\sigma_{f,l}^2} ~] \\ &= - \frac{1}{2} \sum_{l \in \text{all loci}} \log \sigma_{f, l}^2 + Z_i \frac{(y_i^f - H_{i,l}^1 \beta_{l}^f)^2}{\sigma_{f,l}^2} + (1 - Z_i) \frac{(y_i^f - H_{i,l}^2 \beta_{l}^f)^2}{\sigma_{f,l}^2} \end{aligned}\]
Let \(\E_{Z|y, H, \theta^{(t)}}[Z_i] = \gamma_i\)
\[\begin{aligned} \E_{Z | y, H, \theta^{(t)}} [~ \log \Pr(y_i^f | Z_i, H_i^1, H_i^2; \theta^f) ~] &= - \frac{1}{2} \sum_{l \in \text{all loci}} \log \sigma_{f, l}^2 + \E[Z_i] \frac{(y_i^f - H_{i,l}^1 \beta_{l}^f)^2}{\sigma_{f,l}^2} + (1 - \E[Z_i]) \frac{(y_i^f - H_{i,l}^2 \beta_{l}^f)^2}{\sigma_{f,l}^2} \\ &= - \frac{1}{2} \sum_{l \in \text{all loci}} \log \sigma_{f, l}^2 + \gamma_i \frac{(y_i^f - H_{i,l}^1 \beta_{l}^f)^2}{\sigma_{f,l}^2} + (1 - \gamma_i) \frac{(y_i^f - H_{i,l}^2 \beta_{l}^f)^2}{\sigma_{f,l}^2} \end{aligned}\]
\[\begin{aligned} l_{1, i}^j &= \sum_{l \in \text{all loci}} \frac{(y_i^j - H_{i,l}^1 \beta_{l}^j)^2}{\sigma_{j,l}^2} \\ l_{0, i}^j &= \sum_{l \in \text{all loci}} \frac{(y_i^j - H_{i,l}^2 \beta_{l}^j)^2}{\sigma_{j,l}^2} \\ \gamma_i &= \frac{e^{l_{1,i}^f + l_{1, i}^m} \Pr(Z_i = 1)}{e^{l_{1,i}^f + l_{1, i}^m} \Pr(Z_i = 1) + e^{l_{0,i}^f + l_{0, i}^m} \Pr(Z_i = 0)} \end{aligned}\]
\[\begin{aligned} \beta^j, \sigma_j^2 &= \arg \max_{\beta, \sigma^2} - \frac{1}{2} \sum_i \sum_{l \in \text{all loci}} \log \sigma_{l}^2 + \gamma_i \frac{(y_i^j - H_{i,l}^1 \beta_{l})^2}{\sigma_{l}^2} + (1 - \gamma_i) \frac{(y_i^j - H_{i,l}^2 \beta_{l})^2}{\sigma_{l}^2} \\ &= \arg \max_{\beta, \sigma^2} - \frac{1}{2} \sum_{l \in \text{all loci}} \sum_i \log \sigma_{l}^2 + \gamma_i \frac{(y_i^j - H_{i,l}^1 \beta_{l})^2}{\sigma_{l}^2} + (1 - \gamma_i) \frac{(y_i^j - H_{i,l}^2 \beta_{l})^2}{\sigma_{l}^2} \\ \beta_l^j, \sigma_{j,l}^2 &= \arg\max_{\beta, \sigma^2} -\frac{1}{2} \sum_i \log \sigma^2 + \gamma_i \frac{(y_i^j - H_{i,l}^1 \beta)^2}{\sigma^2} + (1 - \gamma_i) \frac{(y_i^j - H_{i,l}^2 \beta)^2}{\sigma^2} \end{aligned}\]
Essentially, it corresponds to solve weighted least squares which corresponds to the following update rule.
\[\begin{aligned} \Gamma &= \begin{bmatrix} \gamma & 0 \\ 0 & (1 - \gamma) \end{bmatrix} \\ X^f &= \begin{bmatrix} H^1 \\ H^2 \end{bmatrix} \\ X^m &= \begin{bmatrix} H^2 \\ H^1 \end{bmatrix} \\ Y^j &= \begin{bmatrix} y^j \\ y^j \end{bmatrix} \\ \widetilde{X}^j &= \sqrt{\Gamma} X^j \\ \widetilde{Y}^j &= \sqrt{\Gamma} Y^j \\ \beta_l^j &= ((\widetilde{X}^j_l)' \widetilde{X}^j_l)^{-1} \widetilde{X}_l' \widetilde{Y}^j \\ \sigma_{j, l}^2 &= \frac{(\widetilde{Y}^j)' \widetilde{Y}^j - \beta_l^j (\widetilde{X}^j_l)' \widetilde{Y}^j}{n} \end{aligned}\]
The matrix form is as follow.
\[\begin{aligned} \beta^j &= \diag((\widetilde{X}^j)'\widetilde{X}^j)^{-1} (\widetilde{X}^j)' \widetilde{Y}^j \\ \sigma_j^2 &= \frac{(\widetilde{Y}^j)'(\widetilde{Y}^j) - (\widetilde{X}^j)' \diag(\beta) \widetilde{Y}}{n} \end{aligned}\]
Now I simulate some data to test the EM implementation.
Mostly reuse the scheme in init_idea_outline. It contains the following steps:
Some parameter settings:
sample_size = 10000
n_pheno = 30
prior_causal = 0.4
causal_sigma = 1
n_snp = 20
heritabiltiy = 0.01
maf_low = 0.05
maf_high = 0.45
Simulation.
source('../code/rlib_simulation.R')
maf = get_maf(n_snp, maf_low, maf_high)
h_father = sim_hap(sample_size, n_snp, maf)
h_mother = sim_hap(sample_size, n_snp, maf)
h_child = transmit_haplo(h_father, h_mother)
effect_size = matrix(spike_and_slab(n_snp * n_pheno, 1 - prior_causal, causal_sigma), nrow = n_snp, ncol = n_pheno)
y_father = simulate_pheno(h_father, effect_size, heritabiltiy, maf)
y_mother = simulate_pheno(h_mother, effect_size, heritabiltiy, maf)
h1 = h_child[[1]]
h2 = h_child[[2]]
df_z = list()
for(np in c(2, 5, 10, 20, 25, 30)) {
message('Working on num_pheno = ', np)
source('../code/rlib_em_otf.R')
o = em_algorithm_otf(y_father[, 1 : np], y_mother[, 1 : np], h1, h2, maxiter = 50)
source('../code/rlib_em_per_snp.R')
o2 = em_per_snp(y_father[, 1 : np], y_mother[, 1 : np], h1, h2, maxiter = 3)
df_z[[length(df_z) + 1]] = data.frame(prob_z = o$gamma, num_pheno = np, type = 'prs', snp = 1 : length(o$gamma))
df_z[[length(df_z) + 1]] = data.frame(prob_z = o2$prob_z, num_pheno = np, type = 'per_snp', snp = 1 : length(o2$prob_z))
}
## Working on num_pheno = 2
## Working on num_pheno = 5
## Working on num_pheno = 10
## Working on num_pheno = 20
## Working on num_pheno = 25
## Working on num_pheno = 30
df_z = do.call(rbind, df_z)
library(dplyr)
library(ggplot2)
library(data.table)
df_z %>% ggplot() + geom_boxplot(aes(x = factor(num_pheno), y = prob_z, color = type))
df_z %>% group_by(num_pheno, type) %>% summarize(S_bar = mean(prob_z ^ 2 + (1 - prob_z) ^ 2), mean_prob_z = mean(prob_z)) %>% mutate(power_ratio = mean_prob_z / sqrt(S_bar))
## # A tibble: 12 x 5
## # Groups: num_pheno [6]
## num_pheno type S_bar mean_prob_z power_ratio
## <dbl> <fct> <dbl> <dbl> <dbl>
## 1 2 prs 0.512 0.505 0.706
## 2 2 per_snp 0.509 0.505 0.707
## 3 5 prs 0.523 0.511 0.707
## 4 5 per_snp 0.518 0.510 0.709
## 5 10 prs 0.540 0.522 0.710
## 6 10 per_snp 0.532 0.520 0.713
## 7 20 prs 0.577 0.543 0.715
## 8 20 per_snp 0.562 0.539 0.719
## 9 25 prs 0.594 0.553 0.717
## 10 25 per_snp 0.577 0.548 0.722
## 11 30 prs 0.608 0.561 0.720
## 12 30 per_snp 0.589 0.556 0.725
df_z %>% reshape2::dcast(snp + num_pheno ~ type, value.var = 'prob_z') %>% ggplot() +
geom_point(aes(x = prs, y = per_snp), alpha = .1) + facet_wrap(~num_pheno) +
geom_abline(slope = 1, intercept = 0, color = 'red')
df_z %>% ggplot() + geom_density(aes(x = prob_z, color = type)) + facet_wrap(~num_pheno, scales = 'free_y')


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‘Euphoria’: Zendaya reveals sentimental meaning behind Rue’s hoodie
"[I wanted to capture] that attachment that you have to inanimate objects"
Euphoria star Zendaya has revealed her sentimental attachment to her character Rue’s hoodie in the hit TV show.
The particular item of clothing became synonymous with the show across its first season, and the show’s star has now revealed that it has a particularly strong meaning to her in real life.
Speaking to Allure, Zendaya makes the link between the hoodie and her late grandfather. “When I was 11, my grandfather passed, and we had all his old clothes.
“I thought it would be cool if we made [it clear that] the hoodie was Rue’s [late] dad’s hoodie. [I wanted to capture] that attachment that you have to inanimate objects when somebody passes.”
Jules and Rue in ‘Euphoria’
The star went on to say that the hoodie has become reflective of Rue’s mood in any particular episode of the show.
“It was written in the script that Rue had this big hoodie,” she says. “You can tell when she’s having a good day or feels good because her hoodie is not covering her entirely, and then when she’s not feeling it, she’s basically hiding in this giant hoodie.”
Zendaya recently revealed how the release of Euphoria gave her “anxiety every week”.


nodebucket
Welcome
The nodebucket is task management software designed to simplify the way users create, track, edit and delete time confidential material. Our goal is to implement the MEAN Stack Technology into this project (MongoDB, Express, Angular and Node.js).
Mongo
Express
Angular
Node.js


Qindian Chen
Project Portfolio
Qindian Chen is a student of Computer Science at UC San Diego. He is taking
COGS 120 class, which have 10 projects. This class is teached by Dr. Scott Klemmer
Dr. Scott Klemmer
Projects
- Design thinking
- Needfinding
- Prototyping
- Heuristic evaluation
- Skeleton and plan
- Meat on the bones
- Ready for testing
- Test your prototype
- Results
- Final presentation


News:
- 22.10.2014: Posted this news.
- 21.10.2014: Hello World.
- 20.10.2014: Ping....
- 20.10.2014: ....Pong.
Patch Notes:
- 22.10.2014: Updated GLauncher web.
- 21.10.2014: Rebalanced some class.
- 20.10.2014: Added new npc.
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--- layout: post esbma_id: 1458 date: 2003-05-21 12:00:00 keywords: cornsharp title: Eric Rudder has a weblog ---
Wow -- the weblog craze at Microsoft is really catching on.


The School of Engineering offers degree programs at bachelor's, master's, and doctoral levels. The following are program descriptions for the bachelor's and master's degrees. The dean, program chairs, as well as the faculty members of the School of Engineering are responsible for the School's academic affairs.
All NPU engineering faculty members possess the following qualities: advanced degrees earned in engineering and science disciplines, high-tech work experience, and enthusiasm in teaching and helping the students. Engineering is not a homogeneous discipline.
Get Rid Of Me


Piracy Thrives in West African Waters
Reginal efforts failing to curb world’s biggest piracy problem
by Zero HedgePirates are thriving off of the coast of West Africa, despite what is supposed to be a concerted effort to prevent them. And with business starting to boom in areas like Togo, dealing with the threat has become more important than ever.
The coastline’s failure to coordinate a unified response is allowing the attacks to continue, Togolese President Faure Gnassingbe told Bloomberg.
Earlier this month, pirates boarded two ships off the coast of Togo, marking the latest attacks in an area where piracy is rampant: the Gulf of Guinea between Senegal and Angola. 15 states and western partners signed a pact in 2013 to collaborate against piracy in the area, but the region still accounts for 40% of the world’s reported piracy incidents.
Togolese forces are left to pursue pirates in their own waters, which span a coastline of about 31 miles. They often need to hand over the chases to neighboring states to pursue pirates, but cooperation is spotty between states.
Gnassingbe said: “Individually countries are doing what needs to be done. Where we are a little bit weak is how to cooperate. We need to cooperate and take some measures.”
Crenshaw Doubles Down On Red Flag Gun Laws
Kaitlin Bennett joins The Alex Jones Show to expose the childish antics of representative Dan Crenshaw who can’t take criticism of his gun-grabbing ambitions.
The Gulf of Guinea area makes up 82% of all kidnappings globally, driving up the costs associated with shipping in the area, like insurance and security.
Togo is a $5 billion economy that is made up mostly of agriculture and mining. The country is now implementing regulatory reforms to reduce public debt and lure investments. The country is up 40 places this year in the World Bank’s ease-of-doing-business ranking to 97, as a result of introducing reforms to lower electricity costs and fees for construction permits.
“Over the next year, the government will seek to strengthen the judiciary to ease business litigation and implement digital platforms for the administration of taxes and payments,” Gnassingbe said. “It will increase the efficiency, that is for digital, and it will give confidence, that’s for the justice system.”
In early November, Nigerian billionaire Aliko Dangote announced a $2 billion investment in a phosphate mining project in Togo, which shows people’s willingness to do business in the area. The reforms and influx of business make dealing with the coastline’s piracy problems even more crucial.
Gnassingbe has been in power since 2005, when his father, who seized power in a 1967 coup, died. Lawmakers in the country recently introduced constitutional reforms in May to limit the number of Presidential terms to two. The reforms aren’t retroactive, which means that Gnassingbe will be able to extend his rule by another decade. The country’s next election is slated for 2020.
Nick Fuentes Talks Groyper Wars And The Coming Fall Of TPUSA
Nick Fuentes joins Alex Jones & Owen to talk about the battle brewing between Republicans and conservatives over American values.
The Black Friday sales have arrived early! Get up to 70% off our hottest products as well as free-shipping and double Patriot Points while the sale lasts!


Did you ever wonder why the colour of our blood is red? Here’s the answer - the iron present in our blood forms a ring of atoms called porphyrin, the shape of this structure produces the red colour. The shape of the porphyrin is affected by the presence of oxygen in your body.
An adult human body is made up of ± 100 trillion cells. Surprised! Then hold your guts for another one. These cells can be differentiated into 200 different types with diverse forms.
Human bone is an excellent example of a perfect architecture. The femur that supports the weight of our body during walking is more powerful when compared to a solid concrete of the same weight.
Our bone marrow produces 260 billion red blood cells (RBCs) and 135 billion white blood cells (WBCs) per day.
 The reason is, our tongue acts as a mirror of our health. Certain diseases have the tendency to change the colour of your tongue.
How many alveoli make up the human lung? The answer is 300 million. And the estimated alveolar surface area is about ± 100 times wider than the surface of the human body.
Thirst not only occurs when the body loses a lot of fluids but also occurs due to increased levels of salt in the blood. The reason being salt tends to bind water.
What’s the largest organ of the human body? Quite surprising, but the answer is your skin.
Did you know about the world’s smallest snake? If no, then here’s the answer - the Barbados Thread snake.
The relation between your thumb and your nose is - the length of your thumb is equal to the length of your nose.
Want to know the meaning of different eye gazes? Different studies and researches have proved that when the human eyes find something attractive, the pupils raise, and if it sees something less-attractive the pupils dilate.
Every nucleus in the human body has DNA of 6 feet long.
Magnetoreception is a type of magnetic compass present in some migratory birds that help them navigate using the Earth’s magnetic field.
The jaw is one of the strongest parts of the human body when it comes to exerting force.
Curious to know how dolphins sleep? Then, here you go, dolphins sleep half awake. They keep one eye open while they consciously breathe and float on the water surface.
The ostrich egg is the biggest in the world. It equals to the volume of as much as 30 chicken eggs.
The life of an eyelash is no more than 5 months.
 Yes, it is at the time when we’re awake.
What is the largest flower in the world? Rafflesia Arnoldii. It can grow as big as an umbrella.
Now, that you know about the world’s largest flower, you must also know about the world’s smallest flowering plant, Wolffia. One full bouquet of its flowers fits on the head of a push pin.
Armadillos spend about 80% of their life asleep! Did you know?
How do ants eat? Want to know? Ants cannot chew their food, they move their jaws sideways like scissors to extract the juices from the food.
Babies born with farsightedness. They start to focus properly only between 3 to 6 months of age.
Human life expectancy would increase by 9.78 years if all the major cardiovascular diseases were eliminated.
In seahorses, the male gives birth to a young one.


PDM
Home
Model
Tool
About
Communication Type
Information Source
Group
5-Individual
1-Other user
Level
5
4
3
2
1
0
Communication Space
Group
5-Individual’s profile space
4-Individual’s publication space
2-Other’s space
1-Public space
Level
5
4
3
2
1
0
Audience
Group
5-Individual
4-Selected
3-Limited
2-Unlimited
1-Unknown
Level
5
4
3
2
1
0
Information Content
Group
5-Least personal
4-Slightly personal
3-Somewhat personal
2-Personal
1-Very personal
Level
5
4
3
2
1
0
Information Dissemination
Group
5-Absent
3-Limited
1-Unlimited
Level
5
4
3
2
1
0
Notification
Group
5-Complete
3-Partial
1-Absent
Level
5
4
3
2
1
0
Temporal Persistence
Group
5-Instantaneous
4-Limited time
2-Unlimited in one direction
1-Forever
Level
5
4
3
2
1
0
System Speech
Group
5-Absent
4-Highlight
2-New
Level
5
4
3
2
1
0
Previous
Next


Strübing has developed the notion of “subjective achievement” which is helpful to describe the importance of negotiating the parameters of visibility. He uses the example of computer programming, work organized within organizational structures, but also partly and necessarily against them, partly hidden from view:
It seems reasonable to see negotiation as one of the central subjective achievements of software designers. In programming work the participants have to bring together various dimensions: Every programmer is only capable to act within the framework of his or her subjective dispositions. There is the specific “materiality of the subject” and there is an organization with certain structures, a formal and informal balance of power, explicit and implicit goals. All this has to be taken into account while negotiating. (1992, p.


List of Routines By Functionality | MISR Toolkit: Main Page
-Abstract MTK_FIND_FILELIST returns file names found in a directory tree, using regular expressions. -Copyright Copyright (2005), California Institute of Technology. U.S. Government sponsorship acknowledged. -I/O Given: search_dir search directory product product name camera camera name path path orbit orbit number version version the call: status = MTK_FIND_FILELIST( search_dir, product, camera, path, orbit, version, cnt, files ) returns: status 0 on success; otherwise failure cnt number of files found files string array of file names -Examples ;; ;; Set up input parameters ;; search_dir = '../Mtk_testdata/in/' product = 'GRP_ELLIPSOID_GM' camera = '.*' path = '037' orbit = '029058' version = 'F03_0024' status = MTK_FIND_FILELIST( search_dir, product, camera, path, orbit, version, cnt, files ) ;; ;; Output... ;; print, 'search directory : ', search_dir print, 'product : ', product print, 'camera : ', camera print, 'path : ', path print, 'orbit : ', orbit print, 'version : ', version print, '=================================================' FOR i =0,cnt-1 DO $ PRINT, 'FILE #'+STRTRIM(i+1,2)+ $ ' : '+files[i] IDL outputs: search directory : ../Mtk_testdata/in/ product : GRP_ELLIPSOID_GM camera : .* path : 037 orbit : 029058 version : F03_0024 ================================================= FILE #1 : MISR_AM1_GRP_ELLIPSOID_GM_P037_O029058_AA_F03_0024.hdf FILE #2 : MISR_AM1_GRP_ELLIPSOID_GM_P037_O029058_AN_F03_0024.hdf -Particulars None. -Required Reading For important details concerning this module's function, please refer to the MTK routine MtkFindFileList.c. -Version -IDL-MTK Version 1.2.0


The Python Package Index (PyPI) is a repository of software for the Python
programming language.
Find, install and publish Python packages
with the Python Package Index
The Python Package Index (PyPI) is a repository of software for the Python
programming language.
Trending projects
Trending projects as downloaded by the community
arpa2.reservoir 0.2.0
ARPA2 Reservoir -- object store with metada in LDAP
upgradegit 0.0.7
Upgrade PIP and package.json git to latest HEAD
elasticsearchmappinggenerator 2.0.0
Generate Elastic Search Index Mapping Quickly with this
helper class see examples on how to use it
sc-FlowGrid 0.1
FlowGrid implemented in Scanpy
epiweeks 2.1.2
Epidemiological weeks based on the CDC (MMWR) and ISO
week numbering systems.
New releases
Hot off the press: the newest project releases
update-hostgrp-poc 0.2.0
UpgradePipPackages 0.0.2
This file updates all python packages in this environment.
kunyu 1.2.8
kunyu is Cyberspace Resources Surveying and Mapping auxiliary tools
alphaz <IP_ADDRESS>
A package full of very nice tools
seven_cloudapp_frame <IP_ADDRESS>
seven cloudapp frame


§665-3 Defenses. In such actions no person shall be allowed to defend against the State on the ground of being in possession of the property, unless the person proves that the person is in possession under color of title, or has been in adverse possession thereof for a period not less than twenty years and that the taxes upon the property have been paid by the person during the last twelve years of the period. [L 1886, c 8, §3; am imp L 1898, c 19, §1; RL 1925, §2915; RL 1935, §4232; RL 1945, §10243; RL 1955, §235-3; HRS §665-3; am L 1973, c 26, §3; gen ch 1985]
Case Notes
Cited: 14 H. 365, 366 (1902).


Our goal is to empower children around the world through education; whose right of receiving an education has been deprived due to harsh social environments and life obstacles. Inition strives to expand the access to education through the use, empowerment, and knowledge of technology.
Learning sciences can leverage socio economic conditions for underprivileged communities and serve as a catalyst for children of all genders to pursue degrees in science, technology, engineering, and math (STEM) areas.


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| Now concerning spiritual gifts, brethren, I would not have you ignorant.
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| ᎾᏃ ᎠᏓᏅᏙ ᎤᎵᏍᎪᎸᏔᏅᎯ ᎤᎬᏩᎵ, ᎢᏓᎵᏅᏟ, ᎥᏝ ᎾᏂᎦᏔᎲᎾ ᎨᏎᏍᏗ, ᏱᏨᏰᎵᏎᎭ.
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Na-no a-da-nv-do u-li-s-go-lv-ta-nv-hi u-gv-wa-li, i-da-li-nv-tli, v-tla na-ni-ga-ta-hv-na ge-se-s-di, yi-tsv-ye-li-se-ha.
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| Ye know that ye were Gentiles, carried away unto these dumb idols, even as ye were led.
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| ᎢᏥᎦᏔᎭ ᎾᏍᎩ ᏂᏥᎦᏔᎾᎥᎾ ᏥᎨᏒᎩ, ᏥᏕᏥᏍᏓᏩᏗᏒᎩ ᎯᎠ ᎾᏍᎩ ᏧᏅᎨᏫ ᎤᏁᎳᏅᎯ ᏗᏰᎸᎯ ᎾᏍᎩᏯ ᏥᏕᏣᏘᏂᏙᎲᎩ.
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I-tsi-ga-ta-ha na-s-gi ni-tsi-ga-ta-na-v-na tsi-ge-sv-gi, tsi-de-tsi-s-da-wa-di-sv-gi hi-a na-s-gi tsu-nv-ge-wi u-ne-la-nv-hi di-ye-lv-hi na-s-gi-ya tsi-de-tsa-ti-ni-do-hv-gi.
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| Wherefore I give you to understand, that no man speaking by the Spirit of God calleth Jesus accursed: and that no man can say that Jesus is the Lord, but by the Holy Ghost.
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| ᎾᏍᎩᏃ ᎢᏳᏍᏗ ᎢᏨᏃᎮᎮᎭ, ᎾᏍᎩ ᎩᎶ ᎤᏁᎳᏅᎯ ᎤᏓᏅᏙ ᏱᎬᏗ ᏱᎦᏬᏂᎭ, ᏥᏌ ᎠᏥᏍᎩᏅᏛᎯ ᎥᏝ ᏰᎵ ᏴᎬᏛ; ᎥᏝ ᎠᎴ ᎩᎶ ᏥᏌ ᎤᎬᏫᏳᎯ ᏴᎬᏛ, ᎬᏂ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᏱᎬᏗᎭ.
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Na-s-gi-no i-yu-s-di i-tsv-no-he-he-ha, na-s-gi gi-lo U-ne-la-nv-hi U-da-nv-do yi-gv-di yi-ga-wo-ni-ha, Tsi-sa a-tsi-s-gi-nv-dv-hi v-tla ye-li yv-gv-dv; v-tla a-le gi-lo Tsi-sa U-gv-wi-yu-hi yv-gv-dv, gv-ni Ga-lv-quo-di-yu A-da-nv-do yi-gv-di-ha.
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| Now there are diversities of gifts, but the same Spirit.
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| ᏧᏓᎴᏅᏛᏍᎩᏂᏃᏅ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎠᎵᏍᎪᎸᏔᏅᎯ, ᎠᏎᏃ ᎾᏍᎩᏉ ᏌᏉ ᎠᏓᏅᏙ.
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Tsu-da-le-nv-dv-s-gi-ni-no-nv di-ga-lv-wi-s-da-ne-di a-li-s-go-lv-ta-nv-hi, a-se-no na-s-gi-quo sa-quo A-da-nv-do.
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| And there are differences of administrations, but the same Lord.
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| ᎠᎴ ᏧᏓᎴᏅᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ, ᎠᏎᏃ ᎾᏍᎩᏉ ᏌᏉ ᎤᎬᏫᏳᎯ.
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A-le tsu-da-le-nv-dv di-ga-lv-wi-s-da-ne-di ge-sv-i, a-se-no na-s-gi-quo sa-quo U-gv-wi-yu-hi.
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| And there are diversities of operations, but it is the same God which worketh all in all.
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| ᎠᎴ ᏧᏓᎴᏅᏛ ᏗᎬᏩᏂᎸᏫᏍᏓᏁᏗ ᎢᎨᎬᏁᏗ ᎨᏒᎢ, ᎠᏎᏃ ᎾᏍᎩᏉ ᏌᏉ ᎤᏁᎳᏅᎯ ᏂᎦᏛ ᎾᏍᎩ ᏗᎬᏩᏂᎸᏫᏍᏓᏁᏗ ᎢᎨᎬᏁᎯ ᎾᏂᎥᎢ.
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A-le tsu-da-le-nv-dv di-gv-wa-ni-lv-wi-s-da-ne-di i-ge-gv-ne-di ge-sv-i, a-se-no na-s-gi-quo sa-quo U-ne-la-nv-hi ni-ga-dv na-s-gi di-gv-wa-ni-lv-wi-s-da-ne-di i-ge-gv-ne-hi na-ni-v-i.
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| But the manifestation of the Spirit is given to every man to profit withal.
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| ᎬᏂᎨᏒᏍᎩᏂ ᏂᎬᏁᎲ ᎠᏓᏅᏙ ᎠᏂᏏᏴᏫᎭ ᎨᏥᏁᎭ ᎪᎱᏍᏗ ᎣᏍᏛ ᎤᏅᏙᏗᏱ.
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Gv-ni-ge-sv-s-gi-ni ni-gv-ne-hv A-da-nv-do a-ni-si-yv-wi-ha ge-tsi-ne-ha go-hu-s-di o-s-dv u-nv-do-di-yi.
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| For to one is given by the Spirit the word of wisdom; to another the word of knowledge by the same Spirit;
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| ᎠᏏᏴᏫᏰᏃ ᎤᎵᏍᎪᎸᏓᏁᎸᎯ ᎨᏐ ᎠᏓᏅᏙ ᎠᏏᎾᏍᏛ ᎤᏬᏂᎯᏍᏗᏱ; ᏅᏩᏓᎴᏃ ᎠᎦᏔᎾᎢ ᎢᎦᎦᏛ ᎤᏬᏂᎯᏍᏗᏱ ᎾᏍᎩᏉ ᎠᏓᏅᏙ ᎤᎵᏍᎪᎸᏓᏁᎸᎯ ᎨᏐᎢ;
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A-si-yv-wi-ye-no u-li-s-go-lv-da-ne-lv-hi ge-so A-da-nv-do a-si-na-s-dv u-wo-ni-hi-s-di-yi; nv-wa-da-le-no a-ga-ta-na-i i-ga-ga-dv u-wo-ni-hi-s-di-yi na-s-gi-quo A-da-nv-do u-li-s-go-lv-da-ne-lv-hi ge-so-i;
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| To another faith by the same Spirit; to another the gifts of healing by the same Spirit;
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| ᏅᏩᏓᎴᏃ ᎪᎯᏳᏗ ᎨᏒ ᎾᏍᎩᏉ ᎠᏓᏅᏙ ᎤᎵᏍᎪᎸᏓᏁᎸᎯ ᎨᏐᎢ; ᏅᏩᏓᎴᏃ ᎠᏥᏁᎰ ᏧᏓᏅᏬᏗᏱ, ᎾᏍᎩᏉ ᎠᏓᏅᏙ ᎤᎵᏍᎪᎸᏓᏁᎸᎯ ᎨᏐᎢ;
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Nv-wa-da-le-no go-hi-yu-di ge-sv na-s-gi-quo A-da-nv-do u-li-s-go-lv-da-ne-lv-hi ge-so-i; nv-wa-da-le-no a-tsi-ne-ho tsu-da-nv-wo-di-yi, na-s-gi-quo A-da-nv-do u-li-s-go-lv-da-ne-lv-hi ge-so-i;
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| To another the working of miracles; to another prophecy; to another discerning of spirits; to another divers kinds of tongues; to another the interpretation of tongues:
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| ᏅᏩᏓᎴᏃ ᎤᏍᏆᏂᎪᏗ ᏧᎸᏫᏍᏓᏁᏗᏱ; ᏅᏩᏓᎴᏃ ᎤᏙᎴᎰᎯᏍᏗᏱ; ᏅᏩᏓᎴᏃ ᏗᏓᏅᏙ ᏄᎾᏍᏛ ᏧᎪᎵᏰᏗᏱ; ᏅᏩᏓᎴᏃ ᎢᎸᏍᎩ ᎢᏳᏓᎴᎩ ᏧᏬᏂᎯᏍᏗᏱ; ᏅᏩᏓᎴᏃ ᏧᏁᏢᏙᏗᏱ ᏧᏓᎴᏅᏛ ᏗᎦᏬᏂᎯᏍᏗ ᎨᏒᎢ;
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Nv-wa-da-le-no u-s-qua-ni-go-di tsu-lv-wi-s-da-ne-di-yi; nv-wa-da-le-no u-do-le-ho-hi-s-di-yi; nv-wa-da-le-no di-da-nv-do nu-na-s-dv tsu-go-li-ye-di-yi; nv-wa-da-le-no i-lv-s-gi i-yu-da-le-gi tsu-wo-ni-hi-s-di-yi; nv-wa-da-le-no tsu-ne-tlv-do-di-yi tsu-da-le-nv-dv di-ga-wo-ni-hi-s-di ge-sv-i;
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| But all these worketh that one and the selfsame Spirit, dividing to every man severally as he will.
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| ᎠᏎᏃ ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᏧᏓᎴᏅᏛ ᎾᏍᎩᏉ ᏌᏉ ᎠᏓᏅᏙ ᏕᎤᎸᏫᏍᏓᏁᎰᎢ, ᏓᏯᏙᎮᎰ ᎾᏂᎥ ᏧᎾᏁᎳᎩᎭ ᏧᎾᏤᎵ, ᎯᎠᏉ ᏄᏍᏕᏍᏗ ᎡᎵᏍᎬᎢ.
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A-se-no hi-a na-s-gi ni-ga-dv tsu-da-le-nv-dv na-s-gi-quo sa-quo A-da-nv-do de-u-lv-wi-s-da-ne-ho-i, da-ya-do-he-ho na-ni-v tsu-na-ne-la-gi-ha tsu-na-tse-li, hi-a-quo nu-s-de-s-di e-li-s-gv-i.
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| For as the body is one, and hath many members, and all the members of that one body, being many, are one body: so also is Christ.
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| ᎠᏰᎸᏰᏃ ᏌᏉᏉ ᏥᎩ, ᎠᎴ ᎤᏣᏘ ᏥᏚᏫᏞᏫᏒ, ᎠᎴ ᏂᎦᏛ ᎾᏍᎩ ᏌᏉ ᎠᏰᎸ ᏚᏫᏞᏫᏒ, ᎤᏣᏘ ᎨᏒ, ᏌᏉᏉ ᎠᏰᎸ ᏥᏂᎦᎵᏍᏗᎭ; ᎾᏍᎩᏯ ᎾᏍᏉ ᏄᏍᏗ ᎦᎶᏁᏛ.
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A-ye-lv-ye-no sa-quo-quo tsi-gi, a-le u-tsa-ti tsi-du-wi-tle-wi-sv, a-le ni-ga-dv na-s-gi sa-quo a-ye-lv du-wi-tle-wi-sv, u-tsa-ti ge-sv, sa-quo-quo a-ye-lv tsi-ni-ga-li-s-di-ha; na-s-gi-ya na-s-quo nu-s-di Ga-lo-ne-dv.
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| For by one Spirit are we all baptized into one body, whether we be Jews or Gentiles, whether we be bond or free; and have been all made to drink into one Spirit.
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| ᏌᏉᎯᏰᏃ ᎠᏓᏅᏙ ᎢᏳᏩᏂᏌᏛ ᏂᏗᎥ ᏤᎦᏬᎥᎯ ᏌᏉ ᎠᏰᎸ ᎢᏰᎬᏁᎸᎯ, ᎾᏍᏉ ᎢᏗᏧᏏ ᎠᎴ ᏗᎦᏓᎴᏅᏛ ᏴᏫ ᏱᎩ; ᎾᏍᏉ ᏤᎩᎾᏝᎢ ᎠᎴ ᏤᎩᎾᏝᎢ ᏂᎨᏒᎾ ᏱᎩ; ᎠᎴ ᏂᏗᎥ ᏌᏉᏉ ᎠᏓᏅᏙ ᎢᎦᏗᏔᏍᏗᏱ ᎢᏰᎬᏁᎸᎯ.
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Sa-quo-hi-ye-no A-da-nv-do i-yu-wa-ni-sa-dv ni-di-v tse-ga-wo-v-hi sa-quo a-ye-lv i-ye-gv-ne-lv-hi, na-s-quo I-di-tsu-si a-le di-ga-da-le-nv-dv yv-wi yi-gi; na-s-quo tse-gi-na-tla-i a-le tse-gi-na-tla-i ni-ge-sv-na yi-gi; a-le ni-di-v sa-quo-quo A-da-nv-do i-ga-di-ta-s-di-yi i-ye-gv-ne-lv-hi.
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| For the body is not one member, but many.
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| ᎠᏰᎸᏰᏃ ᎥᏝ ᏌᏉᏉ ᎤᏫᏞᏫᏒ ᏱᎩ, ᎤᏣᏘᏍᎩᏂ ᏚᏫᏞᏫᏒᎢ.
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A-ye-lv-ye-no v-tla sa-quo-quo u-wi-tle-wi-sv yi-gi, u-tsa-ti-s-gi-ni du-wi-tle-wi-sv-i.
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| If the foot shall say, Because I am not the hand, I am not of the body; is it therefore not of the body?
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| ᎢᏳᏃ ᎣᎳᏏᏕᏂ ᎯᎠ ᏱᏄᏪᏒ, ᎠᏴ ᎤᏬᏰᏂ ᏂᎨᏒᎾ ᏥᎩ ᎥᏝ ᎠᏰᎸ ᏯᏆᏘᏝ, ᎾᏍᎩᏍᎪ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎥᏝ ᎠᏰᎸ ᏳᏘᏝ?
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I-yu-no o-la-si-de-ni hi-a yi-nu-we-sv, A-yv u-wo-ye-ni ni-ge-sv-na tsi-gi v-tla a-ye-lv ya-qua-ti-tla, na-s-gi-s-go nv-di-ga-li-s-do-di-ha v-tla a-ye-lv yu-ti-tla?
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| And if the ear shall say, Because I am not the eye, I am not of the body; is it therefore not of the body?
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| ᎢᏳ ᎠᎴ ᎠᎦᎴᏂ ᎯᎠ ᏱᏄᏪᏒ, ᎠᏴ ᎠᎦᏔ ᏂᎨᏒᎾ ᏥᎩ ᎥᏝ ᎠᏰᎸ ᏯᏆᏘᏝ; ᎾᏍᎩᏍᎪ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᎥᏝ ᎠᏰᎸ ᏳᏘᏝ?
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I-yu a-le a-ga-le-ni hi-a yi-nu-we-sv, A-yv a-ga-ta ni-ge-sv-na tsi-gi v-tla a-ye-lv ya-qua-ti-tla; na-s-gi-s-go, nv-di-ga-li-s-do-di-ha v-tla a-ye-lv yu-ti-tla?
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| If the whole body were an eye, where were the hearing? If the whole were hearing, where were the smelling?
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| ᎢᏳᏃ ᏂᎬ ᎠᏰᎸ ᎠᎦᏔ ᏱᎩ, ᎭᏢ ᎠᏛᎪᏙᏗ ᏱᎩ? ᎢᏳᏃ ᏂᎬ ᎠᏛᎪᏙᏗ ᏱᎩ, ᎭᏢ ᎣᏪᏩᏒᎢᏍᏙᏗᏱ ᏱᎩ?
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I-yu-no ni-gv a-ye-lv a-ga-ta yi-gi, ha-tlv a-dv-go-do-di yi-gi? i-yu-no ni-gv a-dv-go-do-di yi-gi, ha-tlv o-we-wa-sv-i-s-do-di-yi yi-gi?
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| But now hath God set the members every one of them in the body, as it hath pleased him.
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| ᎠᏎᏃ ᎤᏁᎳᏅᎯ ᏚᏫᏞᏫᏒ ᏂᎦᏛ ᏌᏉᎭ ᎨᏒ ᎾᎿᎭᎠᏰᎸ ᎾᏍᎩᏯ ᎣᏏᏳ ᎤᏰᎸᏅᎢ.
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A-se-no U-ne-la-nv-hi du-wi-tle-wi-sv ni-ga-dv sa-quo-ha ge-sv na-hna a-ye-lv na-s-gi-ya o-si-yu u-ye-lv-nv-i.
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| And if they were all one member, where were the body?
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| ᎢᏳᏃ ᏂᎦᏛ ᏌᏉᏉ ᎤᏫᏢ ᏱᎩ, ᎭᏢ ᎠᏰᎸ ᏱᎩ?
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I-yu-no ni-ga-dv sa-quo-quo u-wi-tlv yi-gi, ha-tlv a-ye-lv yi-gi?
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| But now are they many members, yet but one body.
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| ᎤᏣᏘᏍᎩᏂ ᏕᎤᏫᏞᏫᏒ, ᎠᏎᏃ ᏌᏉᏉ ᎠᏰᎸᎢ.
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U-tsa-ti-s-gi-ni de-u-wi-tle-wi-sv, a-se-no sa-quo-quo a-ye-lv-i.
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| And the eye cannot say unto the hand, I have no need of thee: nor again the head to the feet, I have no need of you.
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| ᎠᎴ ᎠᎦᏔ ᎥᏝ ᎯᎠ ᎢᎬᏩᏪᏎᏗ ᏱᎩ ᎤᏬᏰᏂ, ᎥᏝ ᏱᎬᏯᏚᎵᎭ; ᎠᎴᏬ ᎠᏍᎪᎵ ᎥᏝ ᎯᎠ ᎢᏗᎬᏩᏪᏎᏗ ᏱᎩ ᏧᎳᏏᏕᏂ, ᎥᏝ ᏱᏗᏍᏛᏯᏑᎵᎭ.
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A-le a-ga-ta v-tla hi-a i-gv-wa-we-se-di yi-gi u-wo-ye-ni, v-tla yi-gv-ya-du-li-ha; a-le-wo a-s-go-li v-tla hi-a i-di-gv-wa-we-se-di yi-gi tsu-la-si-de-ni, v-tla yi-di-s-dv-ya-su-li-ha.
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| Nay, much more those members of the body, which seem to be more feeble, are necessary:
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| ᎥᏝ, ᎾᏍᎩᏍᎩᏂ ᎠᏰᎸ ᏤᎯ ᎤᏟ ᎢᏗᏩᎾᎦᎳ ᏥᏅᏩᏍᏙᎢ, ᎾᏍᎩ ᎤᏟ ᎤᎵᏍᎨᏛ ᎨᏐᎢ.
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V-tla, na-s-gi-s-gi-ni a-ye-lv tse-hi u-tli i-di-wa-na-ga-la tsi-nv-wa-s-do-i, na-s-gi u-tli u-li-s-ge-dv ge-so-i.
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| And those members of the body, which we think to be less honourable, upon these we bestow more abundant honour; and our uncomely parts have more abundant comeliness.
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| ᎠᎴ ᎾᏍᎩ ᎠᏰᎸ ᏤᎯ ᎾᏍᎩ ᎡᏍᎦ ᎢᏴᏛ ᎢᏗᎦᎸᏉᏗ ᎢᎩᏰᎸᏒ, ᎾᏍᎩ ᎤᏟ ᎢᏗᎦᎸᏉᏗ ᏂᏕᏛᏁᎰᎢ; ᎠᎴ ᏄᏬᏚᏒᎾ ᎨᏒ ᏂᎦᏛᏅᎢ ᎾᏍᎩ ᎤᏟ ᎤᏬᏚᎯᏳ ᏂᎦᎵᏍᏗᏍᎪᎢ;
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A-le na-s-gi a-ye-lv tse-hi na-s-gi e-s-ga i-yv-dv i-di-ga-lv-quo-di i-gi-ye-lv-sv, na-s-gi u-tli i-di-ga-lv-quo-di ni-de-dv-ne-ho-i; a-le nu-wo-du-sv-na ge-sv ni-ga-dv-nv-i na-s-gi u-tli u-wo-du-hi-yu ni-ga-li-s-di-s-go-i;
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| For our comely parts have no need: but God hath tempered the body together, having given more abundant honour to that part which lacked:
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| ᎤᏬᏚᎯᏳᏍᎩᏂ ᏂᎦᏛᏅᎢ ᎥᏝ ᏳᏂᎬᎪᎢ; ᎤᏁᎳᏅᎯᏍᎩᏂ ᏚᏭᏓᏔᏂᏙᎸ ᎠᏰᎸᎢ, ᎤᏟ ᎢᎦᎢ ᎦᎸᏉᏗᏳ ᏄᏩᏁᎸ ᎾᏍᎩ ᎾᎿᎭᎡᏍᎦ ᎨᏒᎢ;
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U-wo-du-hi-yu-s-gi-ni ni-ga-dv-nv-i v-tla yu-ni-gv-go-i; U-ne-la-nv-hi-s-gi-ni du-wu-da-ta-ni-do-lv a-ye-lv-i, u-tli i-ga-i ga-lv-quo-di-yu nu-wa-ne-lv na-s-gi na-hna e-s-ga ge-sv-i;
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| That there should be no schism in the body; but that the members should have the same care one for another.
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| ᎾᏍᎩ ᎾᎿᎭᎠᏰᎸ ᎢᎸᎯᏢ ᏧᎦᎴᏅᏛ ᏂᎨᏒᎾ ᎢᏳᎵᏍᏙᏗᏱ; ᎾᏍᎩ ᏚᏫᏞᏫᏒ ᏧᎾᏓᏍᏆᏂᎪᏗᏳ ᎢᏳᎵᏍᏙᏗᏱ.
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Na-s-gi na-hna a-ye-lv i-lv-hi-tlv tsu-ga-le-nv-dv ni-ge-sv-na i-yu-li-s-do-di-yi; na-s-gi du-wi-tle-wi-sv tsu-na-da-s-qua-ni-go-di-yu i-yu-li-s-do-di-yi.
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| And whether one member suffer, all the members suffer with it; or one member be honoured, all the members rejoice with it.
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| ᎾᏍᎩ ᎢᏳᏃ ᏌᏉ ᎤᏫᏢ ᏯᎩᎵᏲᎦ, ᏂᎦᏛ ᏚᏫᏢ ᎤᎾᏠᏯᏍᏗᎭ ᎠᏂᎩᎵᏲᎦ; ᎠᎴ ᎢᏳ ᏌᏉ ᎤᏫᏢ ᎦᎸᏉᏔᏅᎯ ᏱᎩ, ᏂᎦᏛ ᏚᏫᏢ ᎤᎾᏠᏯᏍᏗᎭ ᎠᎾᎵᎮᎵᎦ.
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Na-s-gi i-yu-no sa-quo u-wi-tlv ya-gi-li-yo-ga, ni-ga-dv du-wi-tlv u-na-tlo-ya-s-di-ha a-ni-gi-li-yo-ga; a-le i-yu sa-quo u-wi-tlv ga-lv-quo-ta-nv-hi yi-gi, ni-ga-dv du-wi-tlv u-na-tlo-ya-s-di-ha a-na-li-he-li-ga.
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| Now ye are the body of Christ, and members in particular.
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| ᏂᎯᏃ ᎾᏍᎩ ᎦᎶᏁᏛ ᎠᏰᎸᎢ, ᎠᎴ ᏚᏫᏞᏫᏒᎢ ᎾᏍᎩ ᎢᏥᏏᏴᏫᎭ ᎨᏒᎢ.
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Ni-hi-no na-s-gi Ga-lo-ne-dv a-ye-lv-i, a-le du-wi-tle-wi-sv-i na-s-gi i-tsi-si-yv-wi-ha ge-sv-i.
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| And God hath set some in the church, first apostles, secondarily prophets, thirdly teachers, after that miracles, then gifts of healings, helps, governments, diversities of tongues.
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| ᎠᎴ ᎤᏁᎳᏅᎯ ᏕᎤᏪᎧᏅ ᎠᏂᏏᏴᏫᎭ ᎾᎿᎭᏧᎾᏁᎶᏗ ᎤᎾᏓᏡᎬᎢ; ᎢᎬᏱ ᎨᏒ, ᎨᏥᏅᏏᏛ; ᏔᎵᏁᏃ ᎨᏒ, ᎠᎾᏙᎴᎰᏍᎩ; ᏦᎢᏁᏃ ᎨᏒ, ᏗᎾᏕᏲᎲᏍᎩ; ᎣᏂᏃ, ᎤᏍᏆᏂᎪᏗ ᏧᏂᎸᏫᏍᏓᏁᎯ; ᎿᎭᏉᏃ ᎨᎦᎵᏍᎪᎸᏓᏁᎸᎯ ᏧᎾᏓᏅᏬᏗᏱ, ᎠᎾᎵᏍᏕᎵᏍᎩ, ᏄᏂᎬᏫᏳᏌᏕᎩ, ᎢᎸᏍᎩ ᎢᏳᏓᎴᎩ ᏗᏂᏬᏂᏍᎩ.
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A-le U-ne-la-nv-hi de-u-we-ka-nv a-ni-si-yv-wi-ha na-hna tsu-na-ne-lo-di u-na-da-tlu-gv-i; i-gv-yi ge-sv, ge-tsi-nv-si-dv; ta-li-ne-no ge-sv, a-na-do-le-ho-s-gi; tso-i-ne-no ge-sv, di-na-de-yo-hv-s-gi; o-ni-no, u-s-qua-ni-go-di tsu-ni-lv-wi-s-da-ne-hi; hna-quo-no ge-ga-li-s-go-lv-da-ne-lv-hi tsu-na-da-nv-wo-di-yi, a-na-li-s-de-li-s-gi, nu-ni-gv-wi-yu-sa-de-gi, i-lv-s-gi i-yu-da-le-gi di-ni-wo-ni-s-gi.
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| Are all apostles? are all prophets? are all teachers? are all workers of miracles?
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| ᏂᎦᏛᏍᎪ ᎨᏥᏅᏏᏛ? ᏂᎦᏛᏍᎪ ᎠᎾᏙᎴᎰᏍᎩ? ᏂᎦᏛᏍᎪ ᏗᎾᏕᏲᎲᏍᎩ? ᏂᎦᏛᏍᎪ ᎤᏍᏆᏂᎪᏗ ᏧᏂᎸᏫᏍᏓᏁᎯ?
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Ni-ga-dv-s-go ge-tsi-nv-si-dv? ni-ga-dv-s-go a-na-do-le-ho-s-gi? ni-ga-dv-s-go di-na-de-yo-hv-s-gi? ni-ga-dv-s-go u-s-qua-ni-go-di tsu-ni-lv-wi-s-da-ne-hi?
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| Have all the gifts of healing? do all speak with tongues? do all interpret?
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| ᏂᎦᏛᏍᎪ ᏧᎾᏓᏅᏬᏗᏱ ᎨᎦᎵᏍᎪᎸᏓᏁᎸᎯ? ᏂᎦᏛᏍᎪ ᎢᎸᏍᎩ ᎢᏳᏓᎴᎩ ᏓᏂᏬᏂᎭ? ᏂᎦᏛᏍᎪ ᎠᎾᏁᏢᏗᎭ?
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ni-ga-dv-s-go tsu-na-da-nv-wo-di-yi ge-ga-li-s-go-lv-da-ne-lv-hi? ni-ga-dv-s-go i-lv-s-gi i-yu-da-le-gi da-ni-wo-ni-ha? ni-ga-dv-s-go a-na-ne-tlv-di-ha?
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| But covet earnestly the best gifts: and yet shew I unto you a more excellent way.
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| ᎤᏣᏘ ᎠᏗᎾ ᎢᏣᏚᎵᏍᎨᏍᏗ ᎣᏌᏂ ᎤᏓᏁᏗ ᎨᏒᎢ; ᎠᏎᏃ ᎬᏂᎨᏒ ᏅᏛᏨᏴᏁᎵ ᎤᏟ ᎢᏲᏍᏛ ᎢᏯᏛᏁᏗᏱ.
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U-tsa-ti a-di-na i-tsa-du-li-s-ge-s-di o-sa-ni u-da-ne-di ge-sv-i; a-se-no gv-ni-ge-sv nv-dv-tsv-yv-ne-li u-tli i-yo-s-dv i-ya-dv-ne-di-yi.
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FIERCE CREATURES (PG-13)
Directed by Robert Young & Fred Schepisi Running Time: 93 minutes Originally Released: January 24, 1997
Reviewed by E. Benjamin Kelsey
* * ½ (out of four)
If there's one thing I hate, it's movies where adults acting juvenile is meant to be humorous. You know, those films where we see adults making vulgar remarks, farting, belching, and pulling silly faces. I was so sure that's what I was in for about two minutes into FIERCE CREATURES that I jumped to the conclusion it would be one of the worst films of the year. Luckily there's a thing called improvement.
The cast of 1988's A FISH CALLED WANDA reunites nearly a decade later for yet another wild comedy caper, this time surrounding the possible shutdown of a zoo in Great Britain that was recently acquired by multi-billion dollar industry, Octopus Inc. Kevin Kline, who won an Oscar for his performance in the aforementioned film, plays a duel role as Octopus Inc. president Rod McCain and his chauvinistic son, Vince. When the Marwood Zoo is taken under the wings of the company, Vince finds himself traveling to England along with Willa Weston (Jamie Lee Curtis), the seductive independent-woman type whose business knowledge is hoped to improve the dwindling profit brought in by the zoo. Right off the bat we're introduced to unfunny jokes such as "Are your breasts real?". Why this is considered funny, I'll never know, and why Curtis' character seems to react to every sexual-harassing comment with silent flattery is another mystery.
When they actually arrive in England, things start to pick up pace, and if you haven't given up on the film by then, you're actually in for quite a few treats. Here we are introduced to Rollo Lee (John Cleese), a seemingly snooty and self-absorbed zoo director whose plan for improving zoo profits involves discarding all the furry, loveable animals and keeping only "fierce creatures" on display. Once they got involved with the events taking place in the zoo, signs of redemption begin making themselves known, and after the twenty or so minutes of absolute awfulness, something wonderful happened. I found myself laughing. Amazingly, it was something I found myself doing often from then on out.
The idea to turn the zoo into a vicious-animal museum is soon forgotten as Vince barges in and takes over. Putting Rollo in his place, he turns the zoo into an advertising haven, where banners and posters for various companies hang from every available structure, the zoo keeps uniforms start resembling those worn by NASCAR racers, and illegitimate celebrity endorsements for varying creatures are boasted. A lot of ideas sparkle with potential but aren't fully realized as our attention turns more toward a possible Rollo- Willa romance and a conniving Vince out to embezzle millions. Still, there is a surprising amount of well-done physical comedy to keep us laughing without insulting us with immature slapstick. It's just that those moments of immaturity keep creeping up.
What brings FIERCE CREATURES down so much is several self-induced humor wounds. Just as you begin forgetting how terrible things started out, they throw in an off-balance joke that is so moronic, you worry everything good will be lost. It becomes a comedic roller coaster, reaching fairly high, gliding, and then plummeting very sharply to the trenches once again. Cleese is who makes this worthwhile, and even with the always-strong Kline on board, it's obvious that without Cleese, this film would have nothing. Cleese's mixture of flubbering nervousness, yet self-righteous arrogance provides the biggest laughs, which is in dire need alongside the consistently annoying Curtis. (Personal note: why Curtis was ever considered sexy is one of the great mysteries I've come to encounter in the world of cinema, ranking right up there with John Leguizamo being considered a comic "talent")
FIERCE CREATURES is actually a highly enjoyable film bogged down with a high tally of misfires. What could have been one of the funnest comedies of the year has too many reminders of why it isn't. All this film needed to do to win me over was grow up a little, but that was something it refused to do. Why watching a group of adults acting more vulgar and base than a group of junior high students is considred entertainment to some is beyond me. Sadly, FIERCE CREATURES tests this theory a bit too much.
FIERCE CREATURES is one worth checking out on video, and if you utilize the stale moments to jump up for another can of soda, this just might be the perfect movie after all.
December 28, 1997
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Vacation-O-meteR
Client Information:
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Survey Questions:
1. If you could be any one of these three spices, which would it be?!
Cumin
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2. Which is your idea of a vacation?
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Full cultural emersion
3. What adventure level that you seek
A simmer
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4. Of these, which excites you the most?
Food
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5. The length of stay you are looking for
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Where should you go?!
, here is your suggested next destination!
Istanbul, Turkey
Sao Paulo, Brazil
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Departure Date:


Page 1 of 1
Slight Delay...
Posted:
Thu Jun 26, 2008 3:28 pm
by Karl G.
I realized today that the client badly needs a more flexible Graphical User Interface. I've been good about coding it so far, but if I'm going to be able to rapidly expand the features of the game, this needs to happen sooner rather than later (as I had planned). Although inventories are now working perfectly, it would take me 2-3 hours to set up the menu so you could easily view the inventory and change things about it. Conversely, it will take about 7-8 hours to write a complete GUI that has built-in support for text entry, text boxes, list boxes, stat bars, windows and more--with the added benefit of making it look better--and I won't have to write a new batch of code to make other listed items (such as skills, spells, trade window, etc.) work correctly. They'll be part of the system. So that's what I'm working on next!
This doesn't affect the August release date, but it sure is getting intimidating >.<
Re: Slight Delay...
Posted:
Fri Jun 27, 2008 4:59 am
by Richard. UK
hey Karl,
sounds interesting I think the most of us who are dedicated to the project are sticking to the release whenever it is, already taking into consideration the constraints you are under and problems you face along the way. all i would say is, in your own time, we are following you every step of the way no matter how long the release takes. Well I know I am at least, althought I would like to think I am speaking on behalf of everyone registered! lol
All the Best,
Richard.
Re: Slight Delay...
Posted:
Mon Jun 30, 2008 7:39 pm
by speed3b
Just a recommendation before you get to far into programing the gui. Would making the hp/mp bars movable or maybe a couple of different styles to chose from be to much? And maybe make room for some of the things that xenhook had, such as exp/hr, on screen exp and gold display. Just a recommendation. I know you make everything really flexible so you can add stuff in the future, but those are just a couple things to think about.
Re: Slight Delay...
Posted:
Mon Jun 30, 2008 8:22 pm
by Karl G.
Making things movable is a possibility, but it takes more programming to make that work. It's not impossible--I've done it before--but it's time consuming, and I need to move on ASAP. This GUI will be able to support it, though, so I'll keep it in mind for the future
Also, while I'm here: buttons work in-game now. I'm going to implement editable text and, hopefully, lists tomorrow; then, I'm implementing other random widgets (such as sliders) and replacing the current GUI on Wednesday and (finally) getting the inventory and stat menus up-and-running by Thursday night. This puts me a bit behind schedule but I'll work hard this weekend to catch up.
Moving On
Posted:
Wed Jul 02, 2008 6:59 am
by Karl G.
In the interest of saving time, I'm not going to go back and convert the current GUI over to the new GUI quite yet. I'll do this before release at some point, but it's one of those easy-yet-time-consuming tasks, and there are other things to be done.
Editable text lines are finished, so I'm going right along to scrollable lists (for the inventory). My slightly-ambitious goal is to have this and the inventory display finished tonight. More realistically, I should be able to have it, along with the ability to drop and pick up items, finished by Friday night.
Re: Slight Delay...
Posted:
Wed Jul 02, 2008 10:38 am
by Karl G.
New inventory concept screenshot. I'm implementing this next
Re: Slight Delay...
Posted:
Wed Jul 02, 2008 2:55 pm
by speed3b
Looks nice. I like the item preview location and style.


{% extends "our-fault-errors.html" %} {% block content %} Well, we sure crapped the bed this time. {% endblock content %}


ImageResize
A simple PHP project that resizes images using XML configuration files.
How to start the project?
Start the project by clicking the link below. This page shows a demo of the
application used to resize images.
Start resizing
Contacts
- Name: Mirco Bellagamba
- Email<EMAIL_ADDRESS>- Phone: +39<PHONE_NUMBER>


So before software development i was studying civil engineering at nairobi university ,did for two years and something went wrong and i decided to change the course .I'm really into technology so inline with what i had hoped i'll be a civil engineer bulding houses,but know i want to buld smart home systems or the software tha govern this systems.
My hobbies are playing video games and working out at gym.


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{% assign img_path = page.url | replace: '/projects/','' | downcase %} {% assign include_path = img_path | prepend: 'projects/' %} {% assign project_imgs = '' | split: ',' %} {% for image in site.static_files %} {% if image.path contains img_path %} {% unless image.extname == '.webp' or image.path contains '.low' %} {% assign img_file = image.path %} {% unless img_file == previous_img_file %} {% assign project_imgs = project_imgs | push: image %} {% endunless %} {% assign previous_img_file = img_file %} {% endunless %} {% endif %} {% endfor %}


I'm a full stack developer who 💗 to make new things and learn. I 💗 playing video games and binge-watching web series.
I have been working in java for last 4 years ,using it to develop multiple application
I have been developing applications using spring framework