1. Overview
A timeline (e.g., chronological table) is displayed with a timeline layer (HuTime.TLineLayer). The timeline layer, a class derived from the Layer class, can basically be used like other layers, for example, when you put it on a panel. Source data for a timeline can be separately given in a different form, such as a CSV file. You can use a record set for the timeline (HuTime.TLineRecordset) to specify which items (columns) in the source data correspond to the start and end times, as well as which items are displayed.
2. Source Data for a Timeline
We recommend for easier handling that you use a file whose first line is the title row for the csv (comma separated value) file or tsv (tab separated value) file. Here is an example of source data, which contains the list of typhoons in 2015 (the first several rows only):
Number,From,To,Name,PeakWS,PeakAP,Category 1,2015-01-14,2015-01-19,Mekkhala,110,975,1 2,2015-02-08,2015-02-11,Higos,165,940,4 3,2015-03-11,2015-03-17,Bavi,85,990,0 4,2015-03-28,2015-04-05,Maysak,195,910,5 5,2015-04-04,2015-04-04,Haishen,65,998,0
3. Creating a Layer Object
You specify the URL of the source data for the chart when creating an object. The height, as well as the top and bottom margins, of the layer can be specified similarly to other layers.
Constructor
HuTime.TLineLayer([recordset [, vBreadth [, vMarginTop [, vMarginBottom]]]])
- recordset
- Type: HuTime.TLineRecordset
- The record set that contains the source data. You can access the record set specified in the constructor as the first array element in the recordsets property (layer.recordsets[0]). If a record set is not specified, you need to add a record set separately using the appendRecordset method.
- vBreadth
- Type: Number
- The height of the layer (in pixels).
- vMarginTop
- Type: Number
- The size of the top margin of the layer (in pixels).
- vMarginBottom
- Type: Number
- The size of the bottom margin of the layer (in pixels).
Overview of the Record Set
The record set for the timeline is used.
HuTime.CalendarTLineRecordset(source, tBegin, tEnd, label [, calendarId, [, rangeStyle [, labelStyle]]])
- source
- Type: String or HuTime.StreamReaderBase
- When a string is entered, it is interpreted as the URL of the source data for the record set, a new StreamReader object is created, and then the data is read.
- tBegin
- Type: String or number
- The item name or the column number of the start date and time in the record.
- tEnd
- Type: String or number
- The item name or the column number of the end date and time in the record.
- label
- Type: String or number
- The item name or the column number for the strings that are displayed in the timeline, in the record.
- calendarId
- Type: String
- The calendar ID of the start and end dates and times. If omitted, it is set to the Gregorian calendar.
- rangeStyle
- Type: HuTime.FigureStyle
- The format of the band that shows the record duration on the timeline. If omitted, it is formatted with the default for the timeline layer.
- labelStyle
- Type: HuTime.StringStyle
- The format of the record label on the timeline. If omitted, it is formatted with the default for the timeline layer.
4. Adding a Layer to the Panel and Displaying
Just like other layers, you can add a timeline layer to a panel using the appendLayer method of a Panel object. The object is drawn according to the sequence of the redraw method, but if the source data has not been read completely, it takes time to show the object.
An example of displaying a timeline layer (see the sample code below). The source data is the list of typhoons in 2015, which is shown in "2. Source Data for a Timeline."
Sample code (click here for a running example):
<!DOCTYPE html>   <meta charset="UTF-8">  <title>Sample Code</title>

5. Formatting
In a timeline, you can format the band for duration, and labels. A timeline can be formatted on a record-set basis. When a format value is passed to the constructor of a record set as an argument, it will be the default format of that record set. The following figure shows an example with some format set to the sample code in "4. Adding a Layer to the Panel and Displaying."
An example of formatting the timeline layer (see the sample code below). In the example above, the timeline of the sample code in "4. Adding a Layer to the Panel and Displaying” is formatted by passing arguments to the constructor of HuTime.CalendarTLineRecordset.
Sample code (click here for a running example). The null value is specified for the calendarId argument of the HuTime.CalendarTLineRecordset's constructor. A calendar scale layer (variable: scl) is also added.
<!DOCTYPE html>   <meta charset="UTF-8">  <title>Sample Code</title>

6. Displaying Multiple Data Sets
You can add multiple record sets to a timeline layer by using the appendRecordset property. When different record sets have different formats, a timeline can show the differences of record sets.
appendRecordset(recordset)
Adds the record set to a timeline layer.
- recordset
- Type: HuTime.TLineRecordset
- The record set to be added.
An example of the timeline layer with multiple record sets added to it (see the sample code below). The Hurricane2015.csv file (the list of hurricanes in 2015) is added as new source data using the appendRecordset method, and the band for duration is formatted in light blue and the label in red.
Sample code (click here for a running example):
<!DOCTYPE html>   <meta charset="UTF-8">  <title>Sample Code (TLine Layer Style Setting)</title>

7. Formatting Individual Records
To color-code data in a timeline based on a particular item in the same record set, set a color-coding function for the rangeStyle property of the record set object. A HuTime.TLineRecord object is passed to the set function as an argument, and return a HuTime.FigureStyle object based on its contents.
In the figure and sample code below, if the data item Category in the source data has a value of 4 or more, the record is displayed in yellow, and it has a value of 3 or less, the record is displayed in light blue. First, two formats (styleStrong and styleWeak) are defined. Next, a record set object is created additionally, and the settings for reading the data item Category are added to that record set. Finally, a processing for outputting the formats to the rangeStyle property of the created record set is described.
An example of formatting individual record (see the sample code below). Typhoons in category 4 or higher are displayed in yellow, and those in category 3 or lower in light blue.
Sample code (click here for a running example):
<!DOCTYPE html>   <meta charset="UTF-8">  <title>Sample Code</title>

8. Events Handling for Records
The actions listed below on records on a timeline can be supplemented as an event on a timeline layer. The clicked record is stored in records of the event object as an array. When multiple overlapped records are displayed, the corresponding records are all stored in records. An event handler is added using addEventListener, just like other events.
| Action | Event Type |
|---|---|
| Click | plotclick |
| Double-click | plotdblclick |
In the example below, the recordClick function is added to the timeline layer as plotclick event handling. The recordClick function concatenates the labels of clicked records and displays the combined label in the pop-up window.
Sample code (click here for a running example):
<!DOCTYPE html>   <meta charset="UTF-8">  <title>Sample Code (TLine Layer Style Setting)</title>


--- layout: post title: 3rd P4 Workshop date: 2016-05-02 header-img: img/p4-background.png ---
Hosted by: Stanford University, ONRC & Platform Lab.
Chaired by: Nick McKeown, Stanford University; Jennifer Rexford, Princeton University.
Sponsored by: Netronome, AT&T, Cisco, Hewlett Packard Enterprise, and Barefoot Networks
Agenda: 2016p4workshop.sched.org


--- layout: post title: no title date: '2010-11-10T14:24:27+00:00' tags: [] tumblr_url: http://backlog.robbevan.com/post/1534110549/secret-cinema-presents-blade-runner-via ---
Secret Cinema presents Blade Runner (via secretcinema2046)


Mohammed Jamil
Telefon: +49 (0)<PHONE_NUMBER> E-Mail<EMAIL_ADDRESS>Quelle: e-recht24.de
For Developers to use them and/or to extend them
We will be more than happy with your help and creative ideas
Together we can do something


Reusability
This demo demonstrates how to use a reusable pattern for building multiple charts.
Gross Domestic Product v.s. Life Expectancy in 2014
GDP
Life Expectancy
Fertility Rate
X Variable


skoegl
August 14th, 2004, 02:23 PM
I have problems debugging my code in the IDE.
The IDE works fine, except it does not link execution with the code lines.
The logfile (\eclipse\workspace\.metadata\.log) show some problems sounding like
"!MESSAGE Problems occurred when invoking code from plug-in: "org.eclipse.ui.workbench".
!STACK 0
java.lang.NullPointerException"
and
"java.io.IOException: No process is on the other end of the pipe."
Does anybody known how to fix this?
Thanks,
The IDE works fine, except it does not link execution with the code lines.
The logfile (\eclipse\workspace\.metadata\.log) show some problems sounding like
"!MESSAGE Problems occurred when invoking code from plug-in: "org.eclipse.ui.workbench".
!STACK 0
java.lang.NullPointerException"
and
"java.io.IOException: No process is on the other end of the pipe."
Does anybody known how to fix this?
Thanks,


{% include head.html %}
{% include banner.html %}
{{ page.intro }}
Internet and Mobile Ecosystem Companies
Telecommunications companies
{% include footer.html %}


Identifies the subject matter of content topics.
You use the topicsubject element as follows:
You nest the topicsubject element within the topicref element for the topic it classifies. You can embed topicsubject elements within a navigation hierarchy. See also http://www.w3.org/TR/swbp-skos-core-guide/#secindexing.
subjectref, topicmeta
( (topicmeta) (optional) then (subjectref) (any number))


class String
Overview
A String
represents an immutable sequence of UTF-8 characters.
A String
is typically created with a string literal, enclosing UTF-8 characters
in double quotes:
"hello world"
A backslash can be used to denote some characters inside the string:
"\"" # double quote
"\\" # backslash
"\e" # escape
"\f" # form feed
"\n" # newline
"\r" # carriage return
"\t" # tab
"\v" # vertical tab
You can use a backslash followed by an u and four hexadecimal characters to denote a unicode codepoint written:
"\u0041" # == "A"
Or you can use curly braces and specify up to six hexadecimal numbers (0 to 10FFFF):
"\u{41}" # == "A"
A string can span multiple lines:
"hello
world" # same as "hello\n world"
Note that in the above example trailing and leading spaces, as well as newlines, end up in the resulting string. To avoid this, you can split a string into multiple lines by joining multiple literals with a backslash:
"hello " \
"world, " \
"no newlines" # same as "hello world, no newlines"
Alternatively, a backslash followed by a newline can be inserted inside the string literal:
"hello \
world, \
no newlines" # same as "hello world, no newlines"
In this case, leading whitespace is not included in the resulting string.
If you need to write a string that has many double quotes, parentheses, or similar characters, you can use alternative literals:
# Supports double quotes and nested parentheses
%(hello ("world")) # same as "hello (\"world\")"
# Supports double quotes and nested brackets
%[hello ["world"]] # same as "hello [\"world\"]"
# Supports double quotes and nested curlies
%{hello {"world"}} # same as "hello {\"world\"}"
# Supports double quotes and nested angles
%<hello <"world">> # same as "hello <\"world\">"
To create a String
with embedded expressions, you can use string interpolation:
a = 1
b = 2
"sum = #{a + b}" # "sum = 3"
This ends up invoking Object#to_s(IO)
on each expression enclosed by #{...}
.
If you need to dynamically build a string, use String#build
or IO::Memory
.
Non UTF-8 valid strings
String might end up being conformed of bytes which are an invalid
byte sequence according to UTF-8. This can happen if the string is created
via one of the constructors that accept bytes, or when getting a string
from String.build
or IO::Memory
. No exception will be raised, but
invalid byte sequences, when asked as chars, will use the unicode replacement
char (value 0xFFFD). For example:
# here 255 is not a valid byte value in the UTF-8 encoding
string = String.new(Bytes[255, 97])
string.valid_encoding? # => false
# The first char here is the unicode replacement char
string.chars # => ['�', 'a']
One can also create strings with specific byte value in them by using octal and hexadecimal escape sequences:
# Octal escape sequences
"\101" # # => "A"
"\12" # # => "\n"
"\1" # string with one character with code point 1
"\377" # string with one byte with value 255
# Hexadecimal escape sequences
"\x41" # # => "A"
"\xFF" # string with one byte with value 255
The reason for allowing strings that don't have a valid UTF-8 sequence is that the world is full of content that isn't properly encoded, and having a program raise an exception or stop because of this is not good. It's better if programs are more resilient, but show a replacement character when there's an error in incoming data.
Included Modules
- Comparable(String)
Defined in:
crystal_on_steroids/string/remove.crcrystal_on_steroids/string/squish.cr
crystal_on_steroids/string/truncation.cr
Instance Method Summary
-
#remove(*patterns)
Alters the string by removing all occurrences of the patterns.
-
#squish
Remove first and last whitespace and reduce to one all the others in the same sentence
-
#truncate(truncate_at, options = {} of Symbol => String)
Truncates a given
text
after a givensize
iftext
is longer thansize
: -
#truncate_words(words_count, options = {} of Symbol => String)
Truncates a given
text
after a given number of words (words_count
):
Instance methods inherited from class Object
in?(another_object)
in?,
presence
presence,
presence_in(another_object)
presence_in,
present?
present?,
to_param
to_param,
to_query(namespace)to_query to_query
Class methods inherited from class Object
❨╯°□°❩╯︵┻━┻
❨╯°□°❩╯︵┻━┻
Instance Method Detail
Alters the string by removing all occurrences of the patterns.
str = "foo bar test"
str.remove(" test", /bar/) # => "foo "
str # => "foo "
source: Rails ActiveSupport
Remove first and last whitespace and reduce to one all the others in the same sentence
" foo bar \n \t boo".squish # => "foo bar boo"
source: Rails ActiveSupport
Truncates a given text
after a given size
if text
is longer than size
:
"Once upon a time in a world far far away".truncate(27)
# => "Once upon a time in a wo..."
Pass a string or regexp :separator
to truncate text
at a natural break:
"Once upon a time in a world far far away".truncate(27, separator: " ")
# => "Once upon a time in a..."
The last characters will be replaced with the :omission
string (defaults to "...")
for a total size not exceeding size
:
"And they found that many people were sleeping better.".truncate(25, omission: "... (continued)")
# => "And they f... (continued)"
source: Rails ActiveSupport
Truncates a given text
after a given number of words (words_count
):
`
"Once upon a time in a world far far away".truncate_words(4)
=> "Once upon a time..."
`
Pass a string :separator
to specify a different separator of words:
"Once
upon
a
time
in
a
world".truncate_words(5, separator: "
")
# => "Once
upon
a
time
in..."
The last characters will be replaced with the :omission
string (defaults to "..."):
"And they found that many people were sleeping better.".truncate_words(5, omission: "... (continued)")
# => "And they found that many... (continued)"
source: Rails ActiveSupport


Johnny is a Taiwanese student studying in Tamkang University. He is interested in Commerce and recently doing research on affiliate marketing.
Department of International Business, Tamkang University, 2013-2017
Major in Commer, Indiana University of Pennsylvania, 2015-2016
Department of International Business, Melbourne University, 2018-
Start my learning from 2018 in Melbourne
Plan to get the degree within 1 year.
International Data Analyst
SPSS Data Analyst
Microsoft office Word Specialist
Microsoft office Powerpoint Specialist
Microsoft office Outlook Specialist
Economics (English Taught)
Investment (English Taught)
TOEFL
(On campus workshop)
Assistant Professor
Master in
Department of International Business
Mobile: 886-9-30691681
Tamkang University Address: No.151, Yingzhuan Rd., Danshui Dist., New Taipei City 25137, Taiwan (R.O.C.)
Email: johnny0921@kimo.com


|
Finite Geometry Notes
|
Design Theory and...
Block Designs
in Art and Mathematics
by Steven H. Cullinane on February 1, 2004
Hartshorne's principle: "Whenever one approaches a subject from two different directions, there is bound to be an interesting theorem expressing their relation." - Robin Hartshorne, AMS Notices, April 2000, p. 464.
For some aesthetic background, see
|
Wechsler Blocks for |
Game with
|
|
Cullinane Blocks |
Cullinane Blocks in Action |
|
A Block Design
(in the usual with ( v, k, lambda, r, b) = (7, 3, 1, 3, 7) (Click on picture for details.) |
Cullinane Block Design with ( v, k, lambda, r, b) = (16, 4, 7, 35, 140) (Click on picture for details.) |
Note that the 4x4 arrays in the picture at bottom right may serve
as the basis for patterns like those in the picture at top left. The 35
structures in the picture at bottom right may be regarded as
exemplifying the aesthetics of James J. Gibson in his 1978 essay "The
Ecological Approach to the Visual Perception of
"What modern painters are trying to do, if they only knew it, is
paint invariants."
-- James J. Gibson, Leonardo,
Vol. 11, pp. 227-235. Pergamon Press Ltd., 1978
Gibson is discussing Euclidean 3-space rather than binary 4-space, but his remarks on invariants are still relevant.
An example of invariant structure:
The three line diagrams above result from the three partitions, into pairs of 2-element sets, of the 4-element set from which the entries of the bottom colored figure are drawn. Taken as a set, these three line diagrams describe the structure of the bottom colored figure. After coordinatizing the figure in a suitable manner, we find that this set of three line diagrams is invariant under the group of 16 binary translations acting on the colored figure.
For another sort of invariance of the colored figure, try applying a symmetry of the square to each of the set of four diagonally-divided squares from which the figure's entries are drawn, and observe the induced effect on the figure itself.
A more remarkable invariance -- that of symmetry
Related material on two meanings of "design theory":
In the mathematical sense:
Design Theory, by Beth, Jungnickel, and LenzIn the artistic sense:
Visual Language, by Karl Gerstner
For more details on the above block designs, see
Finally, some examples of the above quarter-diamond
figures applied to the design of quilt blocks:
|
Quilt Block Designs
|
The Dominus Designs
|
"The very man despising honest quilts
Lies quilted to his poll in his despite."
-- Wallace Stevens, "The Comedian as the Letter C"
Page created Feb. 1, 2004


Susan Granger's review of "HOLY MAN" (Touchstone Pictures)
This is not your usual boisterous, outrageous Eddie Murphy comedy - instead, it's a gentle contemporary fable about America's shop-around-the-clock consumer mentality, starring Jeff Goldblum with Murphy in a supporting role. Goldblum plays a fast-talking, unscrupulous, self-absorbed executive at the Good Buy Network, a Miami-based home-shopping channel whose sales are plummeting when the venal owner (Robert Loggia) brings in an Ivy League media analyst (Kelly Preston) to fix things. Goldblum makes a pass at Preston who is totally unresponsive until they inadvertently encounter a smiling, dashiki-clad pilgrim (Murphy) walking along the causeway. Preston befriends the beatific, self-styled holy man - who calls himself "G" - and Goldblum discovers G's got a natural aptitude for convincing people to listen to his spiritual platitudes. Soon G's on the air as a guru pitchman, mixing sermons with sales, hawking with Betty White, Morgan Fairchild, Soupy Sales, Willard Scott, and Florence Henderson. Profits soar and soon G's a hot commodity, entrancing everyone. A rabbi claims he's talking from the Talmud, a Christian scholar insists he's invoking the New Testament, and an imam says he's speaking for the Muslims. The problem with "Holy Man" is that it's being hyped as a high-octane Eddie Murphy comedy and it's not. It's also not a cutting-edge, scathing satire. Perhaps that what the studio wanted but that's not what writer Tom Schulman ("Dead Poets Society") and director Stephen Herek ("Mr. Holland's Opus") delivered. On the Granger Movie Gauge of 1 to 10, "Holy Man" is an amusing if subdued 6 - but it's not the Eddie Murphy you might expect.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Watch: Lil Wayne’s Daughter Turns Up For Her Sister’s Book Signing – “It’s Reign’s World, We Just Live In It!”
by Team SOHHGrammy-winning rapper Lil Wayne‘s daughter is having a ton of fun these days. The hip-hop star’s mini-me Reginae Carter went online Friday to show support to her little sister’s book signing. Watch and comment below!


Coal supply to power sector by CIL drops over 8 per cent in April-October
CIL saw its output decline by 6 per cent to 241 MT in April-September on account of monsoon
by PTISupply of coal by state-owned Coal India (CIL) to the power sector registered a decline of 8.5 per cent to 253 million tonnes in the April-October period of this fiscal.
Fuel supply by Coal India in the year-ago period was 276.8 million tonnes (MT), according to official data.
The supply of coal to power sector by CIL in October dropped by 19.3 per cent to 33.8 MT, over 41.9 MT in October last fiscal.
With torrential rains hitting coal production, Coal India had said that it was keeping a close watch on the current situation to ensure smooth supplies to power plants.
CIL saw its output decline by 6 per cent to 241 MT in April-September on account of monsoon.
“CIL is gearing up to regain its production tempo and keep coal supplies to power sector going after the torrential rainfall across its subsidiaries dealt a crippling blow to the company’s coal production and offtake,” the company had said in a statement.
CIL had said that a team of officials is closely monitoring coal supplies to power plants and is working on plans to divert coal to fuel-starved plants.
The state-owned firm had earlier said that it will produce 750 million tonnes of coal in the next financial year.
The PSU will further produce 1 billion tonnes of coal by FY2024, Coal Minister Pralhad Joshi had said.
The PSU is currently given the target of producing 660 million tonnes of coal amounting to 82 per cent of the country’s coal output.
Joshi had said that with the demand for power rising steeply, there is enough opportunity for both government and private sectors to produce coal without adversely impacting each other.


StudioK teases interview #Talking_Lyrics with GOT7
by greenbirdStudioK has been releasing interviews where artists have the oportunity not only to explain the meaning of their songs but also to open up more about personal topics. Now it seems like tomorrow GOT7 will be their next artist! so fans can expect to hear some new interesting stories of the members.


Preparing the Workbench
This tutorial will get you started using the C/C++ Development Toolkit (CDT) in the Workbench.
First, you will verify that the workbench is properly configured for C/C++ development. It is assumed that:
- Your Workbench has its default settings. To reset the current perspective to its original layout, from the menu bar select Window > Reset Perspective.
- You are familiar with the basic Workbench features, such as views and perspectives.
Setting the global editor operations and appearance
The main place to configure global editor-related preferences is the General > Editors preference pages (also accessible through the Window > Preferences menu item)
Setting the C/C++ editor operations and appearance
C/C++-specific editor preferences are under C/C++ > Editor. They include the following:
- Editor - control the appearance of text highlighting
- Content Assist - customize the Content Assist feature
- Folding - customize folding behavior
- Hovering - customize hover behavior
- Mark Occurrences - set annotations
- Save Actions - configure actions performed while saving a file
- Scalability - configure behavior for handling large source files
- Syntax Coloring - specify how C/C++ source code is rendered
- Templates - configure the format of newly generated code stubs, comments and files
- Typing - configure formatting input as you type


{% extends "base.html" %} {% block content %}
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Gridster for instagram is the easiest way to get a customized, full-screen, display of any instagram feed. As its name implies, Gridster loads the images you want into a photo wall and animates through them.
Navigate to the assets/js
folder open the Gridster.js
file and enter your clientID on line 1.
Simply open index.html in your browser and Gridster will display the most popular images on instagram. Click on the hashtag to enter full-screen mode.
There are two ways to customize the output of Gridster, the first is with the URL query string and the second is by editing Gridster.js
There are a number of options that you can use to customize the display of Gridster using the query string.
tag=tagname
to show a specific tag from instagram. If no tag is provided, images from the "popular page" are displayed. You don't need to add "#" at the beginning, just the name of the tag. [default: null]images=##
to set how many images to fetch (maximum 60). [default: 60]speed=##
to control the speed in seconds of the animation transitions between images. [default: 1]pause=##
to control the time in seconds the scroll pauses between animations. [default: 10]reload=##
to control the time in minutes Gridster waits to get new images from instagram. [default: 60]sort=none
to control the order in which the images are sorted on the page. Available sort options are: none, most-recent, least-recent, most-liked, least-liked, most-commented, least-commented, and random. [default: none]animation=scale
to control the animation type used to transition between images. Available animation options are: showhide, fadeinout, slideleft, slideright, slidetop, slidebottom, rotateleft, rotateright, rotatetop, rotatebottom, scale, rotate3d, rotateleftscale, rotaterightscale, rotatetopscale, rotatebottomscale, and random. [default: random]rows=##
to specify the number of rows in the grid. [default: 3]columns=##
to specify the number of columns in the grid. If the total images in rows multiplied by columns is more than specified in "images" then Gridster will subtract columns until the grid is full. [default: 4]step=##
or step=random
to control the number of animations that occur simultaneously. [default: random]maxstep=##
to control the maximum amount of animations that occur at once. [default: 2]author
to display the username of the person who posted the picture. [default: null]caption
to display the caption that was originally posted with the image (including hashtags) [default: null]comments
to display the comment count on the image. [default: null]likes
to display the number of likes on an image. [default: null]link
so that clicking the image will take the user to the image post on instagram. [default: null]background=red
to change the default background color. If you use hex or rgb be sure to encode the URL. [default: null]color=purple
to change the default font color. If you use hex or rgb be sure to encode the URL (# is %23). [default: null]clientid=##
to provide or override a clientID inserted in Gridster.js. [default: null]Most of the variables that control the output of Gridster are in the urlParams{}
object. Simply change the default values that you want. If you don't want users to be able to modify the output with the query string then at the top of Gridster.js set enableQuery = false;
and only the settings from the js file will be used.
?tag=spring&author&sort=random
: Display 60 large images all tagged "spring" with the username displayed, randomly displaying them in the grid.
?sort=most-liked&speed=0&refresh=5&likes&link
: Display a small grid that doesn't animate of the most popular images on instagram that refreshes every 5 minutes, sorted by likes and you can click to see the original on instagram.
?tag=tbt&author&likes&comments&caption
: See who's throwing back and what they have to say about it.
Gridster is built using a combination of open source and proprietary code. The individual licenses for each open source component can be found in the LICENSE folder.
Gridster for instagram is copyright Danny Wahl, all rights reserved except where specified in the LICENSE file.
The following open source libraries are used to build Gridster for instagram:


@* * Copyright 2019 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import play.api.Configuration @import uk.gov.hmrc.agentoverseasapplicationfrontend.controllers.routes @import uk.gov.hmrc.play.views.html.helpers.{form, input_radio_group, errorSummary} @import uk.gov.hmrc.agentoverseasapplicationfrontend.models.RadioConfirm @(trnForm: Form[RadioConfirm], trn: String)(implicit messages: Messages, request: Request[_], configuration: Configuration) @uk.gov.hmrc.agentoverseasapplicationfrontend.views.html.main_template(title = error_prefix(trnForm) + Messages("removeTrn.title")) { @Messages("button.back") @if(trnForm.hasErrors) { @errorSummary(Messages("error.summary.heading"),trnForm, Seq.empty, Some("trn")) } @form(action = routes.TaxRegController.submitRemoveTaxRegNumber(trn), 'class -> "form js-form") {
} }


--- layout: post title: DDD Exchange. A one-day conference dedicated to DDD date: 2009-04-19 00:23:58.000000000 -06:00 type: post published: true status: publish categories: - News tags: [] meta: _gcid: '73' _gcuser: Vladimir Gitlevich content_type: announcement Date(s): '2009-06-19T00:00:00' Summary: '2' Link: http://skillsmatter.com/event/design-architecture/ddd-exchange Location: '2' _bitly_trim: http://dddcommunity.org/?p=61 author: login: Vladimir Gitlevich email<EMAIL_ADDRESS>display_name: Vladimir Gitlevich first_name: Vladimir Gitlevich last_name: '' ---
1-day, 1-track event and hear from thought leaders in software design, Domain Driven Design, and domain modeling...
Expect to get the latest DDD lessons directly from the source - Eric
Evans, Gojko Adzic, Ian Cooper, Hans Dockter, Alberto Brandolini, Jimmy
Nilsson and more!


Celebrate DiWali with a 75% on upfrount purchases. use code DIWALI75 at checkout and save now!
UDACITY
programs
careers
for Enterprise
Sing In
GEt STARTED


11.3 The bdb Module
The bdb module provides a framework for debuggers. You can use this to
create your own custom debuggers, as Example 11-3 shows.
To implement custom behavior, subclass the Bdb
class, and override the user methods (which are
called whenever the debugger stops). To control the debugger, use the
various set methods.
Example 11-3. Using the bdb Mdule
File: bdb-example-1.py
import bdb
import time
def spam(n):
j = 0
for i in range(n):
j = j + i
return n
def egg(n):
spam(n)
spam(n)
spam(n)
spam(n)
def test(n):
egg(n)
class myDebugger(bdb.Bdb):
run = 0
def user_call(self, frame, args):
name = frame.f_code.co_name or "<unknown>"
print "call", name, args
self.set_continue() # continue
def user_line(self, frame):
if self.run:
self.run = 0
self.set_trace() # start tracing
else:
# arrived at breakpoint
name = frame.f_code.co_name or "<unknown>"
filename = self.canonic(frame.f_code.co_filename)
print "break at", filename, frame.f_lineno, "in", name
print "continue..."
self.set_continue() # continue to next breakpoint
def user_return(self, frame, value):
name = frame.f_code.co_name or "<unknown>"
print "return from", name, value
print "continue..."
self.set_continue() # continue
def user_exception(self, frame, exception):
name = frame.f_code.co_name or "<unknown>"
print "exception in", name, exception
print "continue..."
self.set_continue() # continue
db = myDebugger()
db.run = 1
db.set_break("bdb-example-1.py", 7)
db.runcall(test, 1)
continue...
call egg None
call spam None
break at C:\ematter\librarybook\bdb-example-1.py 7 in spam
continue...
call spam None
break at C:\ematter\librarybook\bdb-example-1.py 7 in spam
continue...
call spam None
break at C:\ematter\librarybook\bdb-example-1.py 7 in spam
continue...
call spam None
break at C:\ematter\librarybook\bdb-example-1.py 7 in spam
continue...
|


Instructions: {{ lesson.instructions }}
Language Focus: {{ lesson.language }}
Skill Level: {{ lesson.skillLevel }}
Preperation Review Material: Review this material before Code Day!
Code Day Material: Start Code Day with this material!
***At times you will be jumping into material that is in full swing in a 6 month coding program, so if the timing and wording doesn’t match up or doesn’t seem to make sense, this is probably the reason. Just review the material with your pair and focus on the educational content. Use the previous and next buttons to navigate between lessons and content, and use the search feature if something is not familiar.***


Gradients.................................................................................................................................................................... 1
Gradients................................................................................................................................................................. 1
Gradients................................................................................................................................................................. 2
Gradient
Transformations...................................................................................................................................... 2
Gradient Control Points......................................................................................................................................... 3
Gradient Structures................................................................................................................................................ 3
Here is an overview of the Macromedia Flash (SWF) gradient model:
· There are two styles of gradient – Linear and Radial.
· Each gradient has its own transformation matrix, and can be transformed independently of its parent shape.
· A gradient can have up to eight control points. Colors are interpolated between the control points to create the color ramp.
· Each control point is defined by a ratio and an RGBA color. The ratio determines the position of the control point in the gradient, the RGBA value determines its color.
Below are some examples of Macromedia Flash gradients. From left to right, there is:
1. A simple white-to-black linear gradient.
2. A simple white-to-black radial gradient.
3. A “rainbow” gradient consisting of seven control points; red, yellow, green, cyan, blue, purple, and red.
4. A three-point gradient, where the end points are opaque and the center point is transparent. The result is a gradient in the alpha-channel that allows the diamond shape in the background to show through.
All gradients are defined in a standard space called the gradient square. The gradient square is centered at (0,0), and extends from (-16384,-16384) to (16384,16384).
Each gradient is mapped from the gradient square to the display surface using a standard transformation matrix. This matrix is stored in the FILLSTYLE structure.
Example: In the diagram below a linear gradient is mapped onto a circle 4096 units in diameter, and centered at (2048,2048).
The 2x3 MATRIX required for this mapping is:
|
0.125 0.000 |
|
0.000 0.125 |
| 2048.000 2048.000 |
That is, the gradient is scaled to one-eight of its original size (32768 / 4096 = 8), and translated to (2048, 2048).
The position of a control point in the gradient is determined by a ‘ratio’ value between 0 and 255. For a linear gradient, a ratio of zero maps to the left side of the gradient square, and a ratio of 255 maps to the right side. For a radial gradient, a ratio of zero maps to the center point of the gradient square, and a ratio of 255 maps to the largest circle that fits inside the gradient square.
The color of a control point is determined by an RGBA value. An alpha value of zero means the gradient is completely transparent at this point. An alpha value of 255 means the gradient is completely opaque at this point.
Controls points are sorted by ratio, with the smallest ratio first.
The gradient structures are part of the FILLSTYLE structure.
(See class FGradient in the Macromedia Flash File Format (SWF) SDK)
|
GRADIENT |
|
|
|
Field |
Type |
Comment |
|
NumGradients |
nGrads = UI8 |
1 to 8 |
|
GradientRecords |
GRADRECORD[nGrads] |
Gradient records - see
below |
The GRADRECORD defines a gradient control point:
(See class FGradRecord in the Macromedia Flash File Format (SWF) SDK)
|
GRADRECORD |
||
|
Field |
Type |
Comment |
|
Ratio |
UI8 |
Ratio value |
|
Color |
RGB (Shape1 or Shape2) |
Color of gradient |


Xherdan Shaqiri ready for "very, very important" Liverpool role, says Jurgen Klopp
The Swiss has only featured for 16 minutes this season, but is in line for a return to the squad at Crystal Palace this weekend if he can prove his fitness
by David Maddock, https://www.mirror.co.uk/authors/david-maddock/Jurgen Klopp insists Xherdan Shaqiri has a future at Anfield, despite talks over his lack of action.
The Swiss international is finally back from a six-week injury, amid swirling speculation that he wants out of Liverpool given his spell in the wilderness before he was crocked.
The winger has played just 16 minutes in the Premier League all season, and three minutes in a Champions League lost cause at Napoli.
Inevitably, that has led to reports suggesting he will consider his future, but Klopp made clear that he will still have a big role to play as the Reds push for the title this season.
The manager explained he sat down with the player to discuss the lack of opportunity before his injury: “We spoke earlier (in the season) he wasn't playing as much as he wanted to.
“But why should I talk about something that's outside? Speculation is speculation. Completely fine here. Of course he has a future here - this season he's a very, very important player for us."
Klopp in fact, believes that the Switzerland international can return to first team action when his intensity returns after training solidly for a few weeks.
And he said he’s not looking beyond this season.
“We are in this season, and for this season Shaqiri is an important player. When I'm with him he's completely happy. It's about getting the intensity back,” he added.
“The most intense period is coming up now and hopefully more people will be ready for that, you will see him on the pitch 100 per cent. He needs to get match fitness again.
“He trained this week, we gave him some different things to do. He needs to get used to the intensity again. Apart from that he should be completely fine.”
Joel Matip is still sidelined with a knee problem, but Klopp explained that both Mo Salah and Andy Robertson have a chance of playing at Palace, with both due to train fully on Friday, before the visit to London.
Virgil van Dijk will also play after missing Holland’s last game.


NB - this returns results based off of the 2017 election.
This does not currently work in tandem with filters.


0" fxLayout="row wrap" fxLayoutGap="10px" fxLayoutAlign="start center">
Collapse child labels:
Label dominance order:
Date unit:
Analyzed {{matchingTransactionCount}} out of {{totalTransactionCount}} transactions. Note: Some transactions are partially billed for the selected date range. Their contributions to other dates are not shown.
The label{{labelsSharedByAll.length === 1 ? '' : 's'}}


Class LinearDimension
Represents a linear or rotated dimension EntityObject.
Inherited Members
Namespace: netDxf.Entities
Assembly: CADability.dll
Syntax
public class LinearDimension : Dimension, IHasXData, ICloneable
Constructors
| Improve this Doc View SourceLinearDimension()
Initializes a new instance of the LinearDimension
class.
Declaration
public LinearDimension()
LinearDimension(Line, Double, Double)
Initializes a new instance of the LinearDimension
class.
Declaration
public LinearDimension(Line referenceLine, double offset, double rotation)
Parameters
| Type | Name | Description |
|---|---|---|
| Line | referenceLine | Reference Line of the dimension. |
| System.Double | offset | Distance between the reference line and the dimension line. |
| System.Double | rotation | Rotation in degrees of the dimension line. |
Remarks
The reference points define the distance to be measure.
LinearDimension(Line, Double, Double, DimensionStyle)
Initializes a new instance of the LinearDimension
class.
Declaration
public LinearDimension(Line referenceLine, double offset, double rotation, DimensionStyle style)
Parameters
| Type | Name | Description |
|---|---|---|
| Line | referenceLine | Reference Line of the dimension. |
| System.Double | offset | Distance between the reference line and the dimension line. |
| System.Double | rotation | Rotation in degrees of the dimension line. |
| DimensionStyle | style | The DimensionStyle to use with the dimension. |
Remarks
The reference points define the distance to be measure.
LinearDimension(Line, Double, Double, Vector3)
Initializes a new instance of the LinearDimension
class.
Declaration
public LinearDimension(Line referenceLine, double offset, double rotation, Vector3 normal)
Parameters
| Type | Name | Description |
|---|---|---|
| Line | referenceLine | Reference Line of the dimension. |
| System.Double | offset | Distance between the reference line and the dimension line. |
| System.Double | rotation | Rotation in degrees of the dimension line. |
| Vector3 | normal | Normal vector of the plane where the dimension is defined. |
Remarks
The reference points define the distance to be measure.
LinearDimension(Line, Double, Double, Vector3, DimensionStyle)
Initializes a new instance of the LinearDimension
class.
Declaration
public LinearDimension(Line referenceLine, double offset, double rotation, Vector3 normal, DimensionStyle style)
Parameters
| Type | Name | Description |
|---|---|---|
| Line | referenceLine | Reference Line of the dimension. |
| System.Double | offset | Distance between the reference line and the dimension line. |
| System.Double | rotation | Rotation in degrees of the dimension line. |
| Vector3 | normal | Normal vector of the plane where the dimension is defined. |
| DimensionStyle | style | The DimensionStyle to use with the dimension. |
Remarks
The reference line define the distance to be measure.
LinearDimension(Vector2, Vector2, Double, Double)
Initializes a new instance of the LinearDimension
class.
Declaration
public LinearDimension(Vector2 firstPoint, Vector2 secondPoint, double offset, double rotation)
Parameters
| Type | Name | Description |
|---|---|---|
| Vector2 | firstPoint | First reference Vector2 of the dimension. |
| Vector2 | secondPoint | Second reference Vector2 of the dimension. |
| System.Double | offset | Distance between the mid point reference line and the dimension line. |
| System.Double | rotation | Rotation in degrees of the dimension line. |
Remarks
The reference points define the distance to be measure.
LinearDimension(Vector2, Vector2, Double, Double, DimensionStyle)
Initializes a new instance of the LinearDimension
class.
Declaration
public LinearDimension(Vector2 firstPoint, Vector2 secondPoint, double offset, double rotation, DimensionStyle style)
Parameters
| Type | Name | Description |
|---|---|---|
| Vector2 | firstPoint | First reference Vector2 of the dimension. |
| Vector2 | secondPoint | Second reference Vector2 of the dimension. |
| System.Double | offset | Distance between the mid point reference line and the dimension line. |
| System.Double | rotation | Rotation in degrees of the dimension line. |
| DimensionStyle | style | The DimensionStyle to use with the dimension. |
Remarks
The reference points define the distance to be measure.
Properties
| Improve this Doc View SourceDimLinePosition
Gets the location of the dimension line.
Declaration
public Vector2 DimLinePosition { get; }
Property Value
| Type | Description |
|---|---|
| Vector2 |
FirstReferencePoint
Gets or sets the first definition point of the dimension in OCS (object coordinate system).
Declaration
public Vector2 FirstReferencePoint { get; set; }
Property Value
| Type | Description |
|---|---|
| Vector2 |
Measurement
Gets the actual measurement.
Declaration
public override double Measurement { get; }
Property Value
| Type | Description |
|---|---|
| System.Double |
Overrides
Remarks
The dimension is always measured in the plane defined by the normal.
Offset
Gets or sets the distance between the mid point of the reference line and the dimension line.
Declaration
public double Offset { get; set; }
Property Value
| Type | Description |
|---|---|
| System.Double |
Remarks
The offset value must be equal or greater than zero.
The side at which the dimension line is drawn depends of its rotation.
Rotation
Gets or sets the rotation of the dimension line.
Declaration
public double Rotation { get; set; }
Property Value
| Type | Description |
|---|---|
| System.Double |
SecondReferencePoint
Gets or sets the second definition point of the dimension in OCS (object coordinate system).
Declaration
public Vector2 SecondReferencePoint { get; set; }
Property Value
| Type | Description |
|---|---|
| Vector2 |
Methods
| Improve this Doc View SourceBuildBlock(String)
Gets the block that contains the entities that make up the dimension picture.
Declaration
protected override Block BuildBlock(string name)
Parameters
| Type | Name | Description |
|---|---|---|
| System.String | name | Name to be assigned to the generated block. |
Returns
| Type | Description |
|---|---|
| Block | The block that represents the actual dimension. |
Overrides
| Improve this Doc View SourceCalculateReferencePoints()
Calculate the dimension reference points.
Declaration
protected override void CalculateReferencePoints()
Overrides
| Improve this Doc View SourceClone()
Creates a new LinearDimension that is a copy of the current instance.
Declaration
public override object Clone()
Returns
| Type | Description |
|---|---|
| System.Object | A new LinearDimension that is a copy of this instance. |
Overrides
| Improve this Doc View SourceSetDimensionLinePosition(Vector2)
Calculates the dimension offset from a point along the dimension line.
Declaration
public void SetDimensionLinePosition(Vector2 point)
Parameters
| Type | Name | Description |
|---|---|---|
| Vector2 | point | Point along the dimension line. |
TransformBy(Matrix3, Vector3)
Moves, scales, and/or rotates the current entity given a 3x3 transformation matrix and a translation vector.
Declaration
public override void TransformBy(Matrix3 transformation, Vector3 translation)
Parameters
| Type | Name | Description |
|---|---|---|
| Matrix3 | transformation | Transformation matrix. |
| Vector3 | translation | Translation vector. |


{% load helper_tags_team %}
Dear Customer,
Please find below the details for vehicles dispatched on {{ dispatch_date }}:
| LR No. | Lorry No. | From | To | Charged Weight | Rate | Addl Charges | Freight Amount |
|---|---|---|---|---|---|---|---|
| {{ booking.lr_number }} | {{ booking.vehicle_number }} | {{ booking.from }} | {{ booking.to }} | {{ booking.charged_weight }} | {{ booking.rate }} | {{ booking.additional_charge }} {{ booking.additional_charge_superscript }} | {{ booking.customer_freight }} |
* Remarks
{% endif %}Terms & Conditions:
This is for your information and record. Please let us know of any discrepancies in the information above within 3 days by replying to this mail.
Thanks and Regards
Team Aaho
Trans IQ Technologies Pvt Ltd
{#


--- layout: post title: "Can one flatten a statically typed list?" description: "What would be the type of a heterogeneously nested list?" date: 2022-02-28 6:58 UTC tags: [Haskell] image: "/content/binary/nested-list-as-tree.png" image_alt: "A nested 'list' drawn as a tree." --- {% include JB/setup %}
{{ page.description }}
Once again, I (inadvertently) managed to start a discussion on Twitter about static versus dynamic typing. I've touched on the topic before, but my agenda is not to fan any flames - quite the contrary. I'm trying (nay, struggling) to understand the other side of the debate.
This post isn't really about that, though, but in one of the threads spawned by my original tweet, Tom Johnson wrote:
"One of my favourite examples:
"What's the type of [[[3, 2], 7, [2, 4], 1], 0]?
"What's the type of flatten, which takes that value and yields [3, 2, 7, 2, 4, 1, 0]?"
The type, it turns out, is straightforward.
I'd like to be explicit about my agenda when writing this article. I'm not doing this to prove Tom Johnson wrong. In fact, I get the sense that he already knows the answer. Rather, I found it an interesting little exercise.
First, we need to get one thing out of the way. In many languages, [[[3, 2], 7, [2, 4], 1], 0]
isn't valid syntax. Even as a 'normal' list, syntax like [3, 2, 7, 2, 4, 1, 0]
wouldn't be valid syntax in some languages.
In Haskell [3, 2, 7, 2, 4, 1, 0]
would be valid, but it wouldn't be valid syntax in C#. And while it'd be valid syntax in F#, it wouldn't mean what it means in Haskell. The F# equivalent would be [3; 2; 7; 2; 4; 1; 0]
.
The point is that that I don't consider myself bound by the specific syntax [[[3, 2], 7, [2, 4], 1], 0]
. I'm going to answer the question using Haskell, and in Haskell, that code doesn't parse.
Instead, I'll use a data structure that represents the same data, but in a more verbose manner.
In one of the Twitter threads, Alexis King already gave the answer:
"`flatten` is perfectly possible in Haskell, you just have to write a rose tree datatype, not use `[a]`."
The standard Tree a
in Data.Tree, however, doesn't seem to quite fit. Instead, we can use a rose tree. As Meertens wrote:
"We consider trees whose internal nodes may fork into an arbitrary (natural) number of sub-trees. (If such a node has zero descendants, we still consider it internal.) Each external node carries a data item. No further information is stored in the tree; in particular, internal nodes are unlabelled."
With unlabelled nodes, we might draw Tom Johnson's 'list' like this:
I'll use the Tree
data type introduced in the article Picture archivist in Haskell:
data Tree a b = Node a [Tree a b] | Leaf b deriving (Eq, Show, Read)
If you would, you could define a type alias that has unlabelled internal nodes:
type MeertensTree = Tree ()
I'm not really going to bother doing that, though. I'm just going to create a Tree () b
value.
Here we go:
> l = Node () [Node () [Node () [Leaf 3, Leaf 2], Leaf 7, Node () [Leaf 2, Leaf 4], Leaf 1], Leaf 0] > :t l l :: Num b => Tree () b
You could probably come up with a more succinct syntax to create trees like this in code, but I'm assuming that in 'reality', if you have the need to flatten nested lists, it'll be a values that arrive at the boundary of the application...
Can you flatten the 'list' l
?
Yes, no problem. The Tree a b
data type is an instance of various type classes, among these Foldable
:
instance Foldable (Tree a) where foldMap = bifoldMap mempty
You can see the full definition of bifoldMap
and its dependencies in the article that introduces the type.
One of the functions available via Foldable
is toList
, which is just what you need:
> toList l [3,2,7,2,4,1,0]
This is the result required by Tom Johnson.
In short, the answer to the question: "What's the type of [[[3, 2], 7, [2, 4], 1], 0]?" is: Num b => Tree () b
, an example of which might be Tree () Integer
. You could also call it MeertensTree Integer
.
Likewise, the type of the requested flatten
function is toList :: Foldable t => t a -> [a]
.
Comments
He appears to be using JavaScript and the solution is trivial in TypeScript, so he must not have looked too hard before claiming that statically typed languages cannot handle this scenario. He also kept moving the goalposts (It needs to use list syntax! It needs to support heterogeneous lists!), but even the most naïve attempt in TypeScript handles those as well.
TypeScript types can also maintain the order of the types of elements in the flattened list. How to flatten a tuple type in TypeScript? gives a solution capable of handling that, though it is certainly more complex than the version above.


 Often young people feel that the education they receive on sex and relationships doesn’t cater to them, leaves out crucial bits of knowledge, or is presented in a way that’s judgemental of their choices and identities. This can mean they don’t feel comfortable asking questions, and makes it harder for them to be equipped to make smart, safe choices that they are happy with.
Sex Ed Inc. wants to change this by making sure that all young people in the UK and informed and aware about sex and relationships. We do this by providing a hub of online information on sex and relationships that aims to be as inclusive as possible of factors including sexuality, ethnicity, gender identity, and disability which all might impact young peoples’ experiences around sex and relationships. We also have a small team of educators who go into schools and colleges to provide interactive seminars for students and training for teachers, and who run weekend workshops and activities at youth centres. To book a session or to enquire about what we offer and how we can work with you to deliver high quality sex and relationships education, just contact us


Texoma’s Most Wanted Fugitives of the Week
by Johnny ThrashWichita Falls Crime Stoppers has released the latest list of Texoma's most wanted fugitives of the week.
Please remember, these fugitives should be considered dangerous and possibly armed. Never attempt to apprehend these subjects yourself. If you have information on the location of any of these fugitives please call Crime Stoppers 24 hours a day at<PHONE_NUMBER> or toll-free at 1-800-322-9888.
You can also submit tips on the Wichita Falls Crime Stoppers Facebook page.
You do not have to give your name or any other personal information to submit tips. If your tip leads to the arrest of a fugitive, you could earn a cash reward.
Wanted as of November 22, 2019
Dallas Clifton Bercheen
White Male DOB: 03-10-81 Bro/Bro 150 Lbs. / 6’03” Tall Wanted For: Bond Forfeiture - Violation of Probation - Assault Family / Household Member with Previous Conviction
Tia Brown
DOB: 04-30-98 Blk/Bro 130 Lbs. / 5’03” Tall Wanted For: Possession of Controlled Substance U/1g in Drug Free Zone
Marissa Helena Ramos
Hispanic Female DOB: 11-21-93 Blk/Bro 120 Lbs. / 5’0” Tall Wanted For: Bond Forfeiture - Possession of Controlled Substance PG2 O/4g -U/400g
Johnny Lee Green
Black Male DOB: 09-22-81 Blk/Bro 230 Lbs. / 6’0” Tall Wanted For: Fail to Comply with Registration Requirements
Joellen Wolfe
White Female DOB: 12-11-83 Bro/Bro 120 Lbs. / 5’04” Tall Wanted For: Theft of Property Less Than $2,500 with 2 or More Previous Convictions


# %%datatime%%
## Headers
# H1
## H2
### H3
#### H4
##### H5
###### H6
Alternatively, for H1 and H2, an underline-ish style:
Alt-H1
======
Alt-H2
------
## Emphasis
Emphasis, aka italics, with *asterisks* or _underscores_.
Strong emphasis, aka bold, with **asterisks** or __underscores__.
Combined emphasis with **asterisks and _underscores_**.
Strikethrough uses two tildes. ~~Scratch this.~~
## LaTeX
$$ax^2+bx+c=0$$.
$$x_{1,2} = {-b\pm\sqrt{b^2 - 4ac} \over 2a}.$$
$$|\vec{A}|=\sqrt{A_x^2 + A_y^2 + A_z^2}.$$(1)
## Code blocks
Indent every line of the block by at least 4 spaces.
This is a normal paragraph:
This is a code block. With multiple lines.
Alternatively, you can use 3 backtick quote marks before and after the block, like this:
```
This is a code block
```
To add syntax highlighting to a code block, add the name of the language immediately after the backticks:
```javascript
var oldUnload = window.onbeforeunload;
window.onbeforeunload = function() {
saveCoverage();
if (oldUnload) {
return oldUnload.apply(this, arguments);
}
};
```
### Fenced Code Blocks
The basic Markdown syntax allows you to create code blocks by indenting lines by four spaces or one tab. If you find that inconvenient, try using fenced code blocks. Depending on your Markdown processor or editor, you’ll use three tick marks (```) or three tildes (~~~) on the lines before and after the code block. The best part? You don’t have to indent any lines!
The rendered output looks like this:
```
{
"firstName": "John",
"lastName": "Smith",
"age": 25
}
```
## Paragraphs
Paragraph 1
Paragraph 2
## Images
Here's our logo (hover to see the title text):
Inline-style: ![alt text](https://github.com/adam-p/markdown-here/raw/master/src/common/images/icon48.png "Logo Title Text 1")
To add an image, add an exclamation mark (!), followed by alt text in brackets, and the path or URL to the image asset in parentheses. You can optionally add a title after the URL in the parentheses.
The rendered output looks like this:
![Philadelphia's Magic Gardens. This place was so cool!](https://d33wubrfki0l68.cloudfront.net/eab45e25bb79970178fab7a2d10cba0209372a59/94d9e/assets/images/philly-magic-garden.jpg "Philadelphia's Magic Gardens")
## Links
[I'm an inline-style link](https://www.google.com)
[I'm an inline-style link with title](https://www.google.com "Google's Homepage")
[I'm a reference-style link][Arbitrary case-insensitive reference text]
[I'm a relative reference to a repository file](../blob/master/LICENSE)
[You can use numbers for reference-style link definitions][1]
Or leave it empty and use the [link text itself].
URLs and URLs in angle brackets will automatically get turned into links.
example.com (but not on Github, for example).
Some text to show that the reference links can follow later.
[arbitrary case-insensitive reference text]: https://www.mozilla.org
[1]: http://slashdot.org
[link text itself]: http://www.reddit.com
## Lists
1. First ordered list item
2. Another item
3. Actual numbers don't matter, just that it's a number
4. And another item.
### Task Lists
- [x] Write the press release
- [ ] Update the website
- [ ] Contact the media
## Tables
Colons can be used to align columns.
| Tables | Are | Cool |
| ------------- |:-------------:| -----:|
| col 3 is | right-aligned | $1600 |
| col 2 is | centered | $12 |
| zebra stripes | are neat | $1 |
There must be at least 3 dashes separating each header cell.
The outer pipes (|) are optional, and you don't need to make the
raw Markdown line up prettily. You can also use inline Markdown.
To add a table, use three or more hyphens (---) to create each column’s header, and use pipes (|) to separate each column. You can optionally add pipes on either end of the table.
| Syntax | Description |
| ----------- | ----------- |
| Header | Title |
| Paragraph | Text |
The rendered output looks like this:
Syntax Description
Header Title
Paragraph Text
Cell widths can vary, as shown below. The rendered output will look the same.
| Syntax | Description |
| --- | ----------- |
| Header | Title |
| Paragraph | Text |
Alignment
You can align text in the columns to the left, right, or center by adding a colon (:) to the left, right, or on both side of the hyphens within the header row.
```
| Syntax | Description | Test Text |
| :--- | :----: | ---: |
| Header | Title | Here's this |
| Paragraph | Text | And more |
```
The rendered output looks like this:
| Syntax | Description | Test Text |
| :--- | :----: | ---: |
| Header | Title | Here's this |
| Paragraph | Text | And more |


Latest News & Events
-
To provide quality education in engineering and technology and to transform the youth into committed technical personnel for the social and economic well being of the Nation.
-
We at GECT are committed to provide quality technical education to improve the knowledge of the students. This is achieved through faculty upgradation, giving placement assistance, providing opportunities for extra curricular development and updates the students with latest technical developments in the related fields.
-
To provide quality education in engineering and technology and to transform the youth into committed technical personnel for the social and economic well being of the Nation.
To provide quality education in engineering and technology and to transform the youth into committed technical personnel for the social and economic well being of the Nation. @name - 10:15 AM yesterday


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October 14, 2002
Horace Lee Logan has left the building
The Australian | Submitted by: Tummler
Horace Lee Logan has gone on to that great Hay Ride in the Sky:
"Ladies and gentlemen, you've never heard of this young man before,
but one day you'll be able to tell your children and grandchildren
you heard musical history made tonight," he told the audience...
Two years later, trying to quiet a frenzied Hayride audience
after another Presley performance, Logan announced,
"Elvis has left the building".
|
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Read article...
|
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Massively parallel animal sacrifice
The Hindu | Submitted by: Soylent
"While nearly 200 goats were sacrificed at Osaranga hamlet's Budhi Jagulei
shrine, around 60 buffaloes, besides hundreds of goats and sheep were
slaughtered near the Panchuvarahi shrine in the coastal Satabhaya hamlet,
according to the Action for Protection of Wild Animals."
|
|
Read article...
|
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Riding the big one, NYC style
New York Post | Submitted by: wingnut
"A man 'surfing' on top of a subway train was critically hurt when
he hit his head on a beam, tumbled to the tracks and was run over early
yesterday... Investigators determined that Nasad had been riding
between cars when he decided to climb onto the roof of the moving
train and go "subway surfing."
|
|
Read article...
|
|
PTSD: All in your head. Literally
Guardian | Submitted by: Ann Onymous
"Researchers in the US looked at 40 pairs of identical twins where one
twin had seen combat in Vietnam and the other had stayed at home.
More than 40% of the Vietnam veterans suffered from post traumatic stress
disorder, and a clear link was found between the size of a region of
their brains, the hippocampus, and which veterans were affected.
Previously it was thought the hippocampus, which is in a central part
of the brain, had been damaged by the disorder. But the US researchers
found that the stay at home siblings of PTSD suffering veterans also
had smaller than average hippocampi."
|
|
Read article...
|
|
Britain Wants a President of Europe
Independent | Submitted by: Crazy Quagga
As the EU slowly gets its act together, the Island Nation has suggested
the appointment (what exactly is the point of democratically voting?)
of a President. Might we humbly suggest Ozzy Osbourne?
|
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Read article...
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Free State Project seeks to restore liberty
World Net Daily | Submitted by: Puppy Rapist
Activists plan to move to one area, then 'implement the liberation'..."
The Free State Project proposes to identify the easiest state in the union
to free, and then relocate 20,000 people to implement the liberation," she
says in an essay provided to WorldNetDaily. "The people interested in moving
will sign up with FSP and vote on the state selected to be freed."
|
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Read article...
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Britain wants kids to narc on parents
London Telegraph | Submitted by: f00f
"The data, gathered without the consent of parents by the
Connexions Service, which supplies careers and personal advisers
to schools, could be shared with a number of government departments,
the police and health authorities."
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Read article...
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Holiday on ice
Sydney Morning Herald | Submitted by: Fuhgeddaboudit
"The man's blackened arm hung from under the loose plastic cover, a silver
watch hanging from his wrist, somehow barely attached... under the sweltering
Bali sun yesterday, time was running out even more quickly as the bodies of
the missing, scattered untidily on an open veranda at the back of the morgue,
started to decompose. Photo of some covered bodies under blocks of ice."
|
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Read article...
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Tracking the public in realtime
Observer | Submitted by: Soylent
"Secret radar technology research that will allow the biggest ever
extension of 'Big Brother' style surveillance in the UK is being funded
by the Government. The radical new system, which has outraged civil
liberties groups, uses mobile phone masts to allow security authorities
to watch vehicles and individuals 'in real time' almost anywhere in Britain."
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Read article...
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New use for duct tape: cure for warts
San Francisco Chronicle | Submitted by: george_lazenby
"Researchers say over-the-hardware-counter duct tape is a more effective,
less painful alternative to liquid nitrogen, which is used to freeze warts.
The duct tape irritated the warts, and that apparently caused an immune
system reaction that attacked the growths, said researcher Dr. Dean "Rick"
Focht III of Cincinnati Children's Hospital Medical Center."
Will these miracles of science never end?
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Read article...
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Plug Standard Typeface
Designed with only lowercase forms in mind, this reverse-stress typeface was made to undermine the power of the uppercase. I took inspiration from seventies style typography as well as textura quadrata (gothic blackletter), ultimately creating a system that fulfills the extreme nature of reverse-stress while also introducing something entirely new. Represented firstly is the "a" character, the form of which heavily influenced the rest of the typeface.
View Sketchbook


Inside Lantz¶
Inside the lantz folder, there are a couple of folders and numerous python files. The drivers folder will be used and modified most frequently, and contains all intrument-specific lantz drivers. More on this folder in the next section.
The simulators folder has some artificial instruments mainly for tutorial purposes. These were all created by the original creators of lantz, and their tutorial online uses the fungen.py as an example.
Testsuite, much like the simulators folder, also contains simulations of intruments for testing/tutorial purposes. Unlike simulators folder, testsuite contains instruments that do not communicate via NI-VISA.
UI contains, as the name suggests, user interface scripts that build up the GUI for lantz. Utils are various utility files, that should generally also not be altered.
Finally, there are a number of python files. These are all scripts that help lantz connect to the instrument. These also generally should not be altered. However, if you fail to connect to the instrument, chances are you may see an error from one of these files. foreign.py in particular allows connections to nastier C-based instruments.


Batch file renaming, extension changing (bash, find, & awk)
Batch file renaming, extension changing (bash, find, & awk)
I had a ton of files on a remote server I needed to change the extension on. Using find -exec didn’t seem like the right solution after a couple minutes of Googling so I decided to use my favorite trick of bash pipes, awk, and sh. Below I’ll show you the one-liner I used and then we’ll break it down and explain what we’re doing.
The Command:
find . -name '*.html' | awk '{printf "mv "$0; sub(/html/,"php"); print " "$0}' | sh
The Breakdown:
We’ll start by breaking up the command into it’s individual pieces
find . -name '*.html'
First we find all of the files matching our search, in this example we’re looking for all files in our current directory (including sub-directories, find is recursive by default)
awk '{printf "mv "$0; sub(/html/,"php"); print " "$0;}'
Here we take the input coming out of find via a pipe. We’ll essentially use that output to write a shell command on the fly. Since this command looks kind of messy we’ll break it down piece by piece
1: awk '{
2: printf "mv "$0;
3: sub(/html/,"php");
4: print " "$0;
5: }'
line 1:\ Call awk and begin our program with
'{
line 2:\ Output the first part of our “on the fly” shell command (note we use printf to suppress the default newline included in print)
mv 1.html
line 3:\ Modify the input
1.html ==> 1.php
line 4:\ Output the now modified input of our “on the fly” shell command (and here we use print, because that default newline is wanted)
1.php
line 5:\ Close our awk program
}'
let’s look at some example input and output
$ ls
10.html 1.html 2.html 3.html 4.html 5.html 6.html 7.html 8.html 9.html
$ find . -name '*.html' | awk '{printf "mv "$0; sub(/html/,"php"); printf " "$0"\n"}'
mv 10.html 10.php
mv 1.html 1.php
mv 2.html 2.php
mv 3.html 3.php
mv 4.html 4.php
mv 5.html 5.php
mv 6.html 6.php
mv 7.html 7.php
mv 8.html 8.php
mv 9.html 9.php
sh
Now that we have our commands being written by awk all we have to do is redirect their output into sh for execution.
and that’s it, you’re done. \ See that wasn’t so bad. It’s worth noting this technique can use a standard ls if you’re doing a blanket rename. It’s also worth noting this technique can be expanded even further to allow all types of renaming/batching logic. I’ve used a technique much like this for doing batch video conversion, log renaming, etc.


At the time of writing, this moment is:
-
my last day with Nick digital,
-
3 days before I start a cross-country adventure with my micro-family on our way to put down new roots and start the Seattle chapter of our lives,
-
2 hours before my going away party starts,
-
about 20 minutes before the Minibar delivery gets here.
I started to wind down the day by writing one of those horrible “last day for ______” emails that read less like a parting note and more like a final treatise on so-and-so's insights that will motivate and steer the company towards greatness while complimenting a large number of people that person has probably never met.
I'm not one for flowery speech or long goodbyes. I'll do this in my preferred medium.
Starting at Nick on my first day while wrapping up grad school, I probably looked like
And when they stuck me in the intern cave I was like and thought everyone hated me.
Then some time passed, I got to re-implement authentication, we relaunched nick.com, basically a lot of things happened and stuff
And without really realizing it, over time I felt less like
and more like
But I tried not to get too full of myself and do things like
And I didn't. Everyone here kept me pretty humble on the daily because this place is full of insanely creative and capable people and basically
It wasn't all fun and games, though. Sometimes there was site support
And really, really nasty bugs that were only reproducible on IE9…sometimes…and it was really tempting to tell users to .
But overall it was awesome. I'm not being glib or whatever when I say I learned a whole lot here and got addicted to the awesome feeling of launching something .
and I also learned that I'm entirely too risk averse and probably need to take more chances and not try to account for every single thing that might go wrong ever because I'm terrified of being wrong (no seriously, I think it's a legit phobia. I'm legit terrified of red pens and compiler errors).
Basically, less
and more
Because life is too short to be paralyzed by perfectionism, and the truth is when you're making something new and venturing into uncharted territory there are no right answers and sometimes something that seemed totally stupid ends up being the feature that people love about your product and would have failed had it worked “properly”.
In less than two weeks I will be in a new job writing code for another project that hasn't launched yet, in a city 4000+ miles away from home after driving an unfamiliar car for 6+ days and I will inevitably screw up some part of this process by leaving my passport home, forgetting paperwork for the dog, not leaving a key for someone, etc etc etc.
I'm scared, but I'm also not going to go into this like because now I know that it's ok to prepare and do the best you can and take the chance that it's not good enough and
So even though leaving is
And maybe some are in order.
But I'm not sad. I'm leaving behind awesome experiences and people for something new to do something that they've been trying to encourage me to do for a long time which is to go big or go home (I blame Fred as always).
To my immediate team, just remember that no matter what challenges come up and I would work with all of you again in a heartbeat.
Now if you'll excuse me,
(For Liz)


Time
Lunch
Dinner
Midnight
Breakfast
Canteen 1
-
Cathering Pak Mamat
21 October 2021 -
Cathering Pak Doni
21 October 2021 -
Cathering Pak Lathif
21 October 2021 -
Cathering Pak deno
21 October 2021
Canteen 2
-
Cathering Pak Mamat
21 October 2021 -
Cathering Pak Doni
21 October 2021 -
Cathering Pak Lathif
21 October 2021 -
Cathering Pak deno
21 October 2021


Yes, I was angry
I couldn't fully explain
Do you know what made me angry?
To see you living a life you don't deserve
To see how much you work
How many bad things you surround with
You are my pure angel
You are my definition of truth
And at the same time it came to my hear
I Remembered how lonely I feel
Remembered how I miss your eyes in the morning
Remembered how great your mere presence makes me feel amazing
Remembered that I now live in a place that I don't want
Remembered that the voices I hear in my house are not the one I want
And if we were just closer... together....
If we just had kept our hands closer....
If we had just lived a life together....
Everything would've been different
We would actually be happy, fullfilled,living true lives
It just made me angry to realize all of that,
You were always my propeller
And the more distant you were, the weaker I got
And now I'm just in ruins
I have literally nothing
It's in my mind. always
Everyday
Every minute and second
Since I met you
I wanted us to not be apart any longer
Yes
I wanted to see you everyday
Cook breakfast for you
I'd make you english cake every morning
I wanted us to be away from this city
From all this dirt, corruption, insanity
I didn't want to be the person you see once a week
I wanted to be your loved one
Your husband
I wanted you, our dogs and children to be the reason I wake up
And I would, everyday
And I would work unlike anyone you'd ever met
Even If I'd lost everything
I'd build all very quickly
I've done that already
I'd make us a factory of ninho candies
Build with you the best kernel of the country
And If all failed
I'd still be the best software person I am
Because I'd have done anything to build a future with you
To give you what you want
I just needed you
I don't need luxury, utopias, or anything
I only needed you close to me
I'd live in a small room with you
And from there build us a castle
That is all we always needed to get what we wanted
This is the reality
Together
We were always stronger
And I don't know about you
But apart
I always just fell apart
I know you made your mind
But I want to show you what I always wanted
I want to explain my anger, why i inconformed
It's because none of it would happen if we were together
If you'd believed in me
If you'd given me a chance
My greatest dream and utopia
Was to hear from you a good morning
Every single day
And from that
I'd have all the blessing I needed
Everything else in my life
All the troubles and mishappenings
Would be a small
Irrelevant detail
If you had just really yes, took my hands and joined me
If you had just said "Let's get ourt of here right now"
Even If you had let me stayed with in in your tiny house
Even if you stayed with me in my tiny place downtown
We could've been in a humble place, but we would be free
From there, I know we would go far
So far from here, we would find our place
And that's why God connected our lives
Because our beliefs, ideas and destiny is the same
There would be no disease to kill us
There would no barrier we couldn't cross
Our love was the greatest remedy, truth and meaning I ever got
And now I have nothing
Now I just wait for the doors of timelessness.
18/11/2018, 3:18pm


{% extends "base.html" %} {% load staticfiles %} {% block title %}Identi-Draw{% endblock %} {% block content %}
No games created. Maybe make some in the admin?


5. Using The Integers
6. Quadratic Equations
7. Special Factorizations and Clever Manipulations
8. What Numbers Really Are
9. Intro to Circles
10. Angles
11. Triangles
12. Quadrilaterals
13. Polygon
14. Angle Chasing
15. Area
16. The Power of Coordinates
17. Power of a Point
18. Three Dimensional Geometry
19. Shifts, Turns, Flips, Stretches, and Squeezes
20. A Potpourri of Geometry
21. Functions
22. Inequalities
23. Operations and Relations
24. Sequences and Series
25. Learning to Count
26. Statistics and Probability
27. Sets
28. Prove it
29. Parting Shots


BEFORE SUNRISE A film review by Edwin Jahiel Copyright 1997 Edwin Jahiel
BEFORE SUNRISE(1995) ***1/4 . Directed by Richard Linklater. Produced by Anne Walker-McBay. Written by Linklater & Kim Krizan. Photography, Lee Daniel. Editing, Sandra Adair. Cast: Ethan Hawke, Julie Delpy. An American-Austrian production released by Castle Rock. 101 min. Rated R (unjustified).
The siren song of Europe is getting to many of our younger Independent filmmakers. The current American New Wave, even more than its predecessors, to a great extent owes a debt to the talky styles of the old French New Wave, especially Jean-Luc Godard and Eric Rohmer. Now some American writer-directors are also transporting the action of their films to Europe, physically and in spirit. Like much of Jim Jarmusch=B9s =B3Night on Earth.= =B2 Like Whit Stillman=B9s =B3Barcelona =B2 and Richard Linklater=B9s =B3Before = Sunrise.=B2
The earlier works of those writer-directors , including Linklater=B9s first two major features (=B3Slacker=B2 and =B3Dazed and Confused=B9), were quintessentially American. But in =B3Before Sunrise=B2 he has the Old World and the New World meet on the Budapest-to-Paris train, in the shape of two 23-year olds, Vienna-bound American Jesse (Ethan Hawke) and Paris-bound =46rench Celine (Julie Delpy)
There=B9s almost instant electricity, so that when the train pulls into Vienna, and Jesse, broke and flying back to the States the next day, proposes to Celine that she interrupt her trip and spend with him the next 14 hours going around in the Austrian city, she accepts.
In a bold and uncommercial move for an American director, instead of action or heavy breathing, Linklater has his entire film follow the pair as they wander about town and talk,talk, talk...
In the train, Jesse had told Celine his pie-in-the-sky idea for a =B3A Day i= n the Life Of...=B2 TV program, where 100 cameras throughout the world would each follow a person around the clock. Now, in Vienna, Jesse becomes director Linklater=B9s stalked subject.
The twosome=B9s conversations are careful facsimiles of genuine youth talk, one that eager, mutually attracted new acquaintances would engage in any time, any place. There=B9s soul-bearing, small revelations, tidbits and the many banalities that go with mutual discovery. In a park, for instance, Celine exclaims =B3Hey, there=B9s a rabbit!=B2 Jess; =B3Hi, Mr. Rabbit!=B2= Celine: =B3He=B9s so cute!.=B2
They jabber away, with the man sometimes chatting up the woman, as they meander by streetcar or on foot. They see sights, visit a record store, an amusement park, a grungy bar with awful music, a string of cafes. They get their palms read and watch street nightlife that includes a terrible belly-dancer. They meet briefly some people (amateur actors, a post-hippie poet panhandler) but without the systematic encounters of =B3Slacker.=B2 No matter what they do, Jess and Celine=B9s adventure is one long tete-a-tete.
And they keep talking... Hawke and Delpy speak lines carefully but not blatantly scripted. These ring true and originate in part from improvisations during rehearsals. The Godard-Rohmer influence is crystal-clear. As in Godard, in a mixture of trivialities and serious items, Jesse and Celine jump from subject to subject, keep up a barrage of questions, comments, anecdotes, micro-lectures, irrelevant information. Celine contributes some skeptical Gallic views, like feminists being mostly invented by men, in order to tell women =B3You are now free. Let=B9s hop in bed.=B2
We still get only fragments of who Jesse and Celine are. One thing is certain, that he is no M.A. in English as, on-screen and in interviews Hawke keeps repeating =B3... for her and I.=B2 All this is punctuated by clever little non-verbal touches, some quite well-digested Godard characteristics, like a pinball machine, ambient noises, the pair =B3photographing=B2 each other without a camera or admittin= g their mutual attraction in a lovely scene of imaginary phone calls.
As in Rohmer they explore thoughts and feelings, though without approaching the complexity of Rohmer=B9s strategies, the intelligence, didacticism and ambitiousness of Godard=B9s dialogues and monologues, or, Louis Malle=B9s analytical gabfest in =B3My Dinner with Andre.=B2 The Linklater-Krizan scrip= t was not written for profundities or rhetoric but for realism and romance.
At times this difference can make the appealing =B3Before Sunrise=B2 slightl= y tedious for viewers who have experienced saying and hearing it all before. Yet the originality, authenticity and fidelity to real life add up to a freshness uncommon in American cinema.
The hours pass. The original 110-Volt electricity between Celine and Jesse increases to 220 Volts, the European standard. Stronger current brings bigger problems. Brief encounters between people from distant lands can be heartbreaking.
The scenario=B9s solution is straight out of =B3Love Affair,=B2 =B3An Affair= to Remember=B2 or Rohmer=B9s =B3A Tale of Winter,=B2 films that the two young = people must have missed, since, like the lovers in those movies, they make no contigency plans.
In =B3Before Sunrise=B2 there=B9s charm, humor, un-treacly warmth and an effective use of classical music. The movie does not fall into the old trap of the naive American vs. the sophisticated European, and it also takes an intelligent, un-cliched and un-touristy advantage of the city of Vienna.
Hawke has somewhat ridiculous facial hair but a pleasant personality that=B9= s at the juncture of callowness and maturity. Attractive and intelligent Delpy speaks flawless English, very cannily observed. Like many foreigners who, consciously or not, want to show off their command of a foreign language, she uses four-letter words instead of =B3stuff,=B2 =B3thing,=B2= or =B3make love.=B2 This, I am sure, is what made the unreliable and illogically prudish judges come up with a rating of =B3R=B2 rather than =B3PG-13.=B2
PS. April 1997. The French New Wave is also present as an homage to filmmaker Jacques Rivette's "Celine and Julie Go Boating." It is not by accident that the couple here are named Celine and Jesse ... and go sightseeing.
Original review , copyright Edwin Jahiel 1995, 1997
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


|
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| PREV PACKAGE NEXT PACKAGE | FRAMES NO FRAMES |
| Interface Summary | |
|---|---|
| PDUReader | Reader for SMPP PDU from specified InputStream . |
| PDUSender | This class provide way to send SMPP Command over an OutputStream . |
| SMPPConstant | This contains all of the smpp constants. |
| Class Summary | |
|---|---|
| DefaultPDUReader | Default implementation of PDUReader . |
| DefaultPDUSender | The SMPP PDU reader class. |
| SynchronizedPDUReader | This class id implementation of PDUReader that use synchronize when
accessing to the InputStream or DataInputStream tha used to
read the PDU. |
| SynchronizedPDUSender | PDU sender with synchronized the OutputStream . |
| Enum Summary | |
|---|---|
| MessageCoding | This is enum const that specified the message coding (see smpp spesification). |
| Exception Summary | |
|---|---|
| GenericNackResponseException | |
| InvalidCommandLengthException | This exception is thrown if command_length of PDU is not acceptable. |
| InvalidNumberOfDestinationsException | This exception should be thrown if there is an invalid number of destination address used by submit_multi. |
| InvalidRequestException | This exception is thrown when receive unexpected request. |
| InvalidResponseException | This exception thrown if we receive unexpected response (such as invalid PDU parameter). |
| PDUException | This exception is thrown when there is a failure corresponds to PDU processing. |
| PDUStringException | Thrown if there is an invalid constraint for the PDU String parameter. |
|
|||||||||
| PREV PACKAGE NEXT PACKAGE | FRAMES NO FRAMES |


17 Injured in Southeast Turkey Ammunition Depot Blast
Turkish officials said Thursday that two explosions at an ammunition depot in southeast Turkey have injured 16 military personnel and one civilian.
Gov. Abdullah Erin of Sanliurfa province has told reporters that the explosions occurred late Wednesday at the command of a mechanized brigade in the province, which borders Syria.
He said the first explosion triggered the second. A fire that ensued was quickly brought under control.
The governor said a civilian who was on the balcony of his home near the site of the blast was among the injured. One of the wounded military personnel was in serious condition.
Erin said the cause of the explosions is under investigation, adding that authorities believe a "technical" fault may have triggered them.


Writing Converters ¶
Background ¶
In the JIT IR, operations are represented as nodes in a graph. A node has inputs and outputs, represented by
torch::jit::Values
which are typed abstract representation of data flowing into and out of a node. TensorRT represents its graph though the
use of
nvinfer1::ILayers
and
nvinfer1::ITensors
which are its analogues to nodes and values. The goal of
converters create new ILayers and subgraphs that do operation specified by the node and associate produced ITensors
and Values together.
Converters ¶
Converters should be functions which will use a list of inputs (either
nvinfer1::ITensors
or
torch::jit::IValues
) to
construct an equivalent layer to the LibTorch op.
Converters can be registered using the
RegisterNodeConversionPatterns
helper class where you instantiate a
RegisterNodeConversionPatterns object and call the pattern function on it (like below) which takes a string
which describes the function schema of the op that will cause the converter to be run and a lambda or function
which will do the actual conversion:
Note the pattern function can be chained
auto acthardtanh TRTORCH_UNUSED = RegisterNodeConversionPatterns()
.pattern({
"aten::hardtanh(Tensor self, Scalar min_val=-1, Scalar max_val=1) -> (Tensor)",
[](ConversionCtx* ctx, const torch::jit::Node* n, args& args) -> bool {
auto in = args[0].ITensor();
auto min = args[1].unwrapToDouble();
auto max = args[2].unwrapToDouble();
auto new_layer = ctx->net->addActivation(*in, nvinfer1::ActivationType::kCLIP);
TRTORCH_CHECK(new_layer, "Unable to create layer for aten::hardtanh");
new_layer->setAlpha(min);
new_layer->setBeta(max);
new_layer->setName(util::node_info(n).c_str());
auto out_tensor = ctx->AssociateValueAndTensor(n->outputs()[0], new_layer->getOutput(0));
LOG_DEBUG("Output shape: " << out_tensor->getDimensions());
return true;
}
});
Converter Contract ¶
What is guaranteed to converters ¶
-
In the args there will be an entry for each node input value, either a ITensor or IValue
-
Inputs will be provided in order according to the function schema
Responsibilities of a converter ¶
-
Args must be guaranteed to be a type to unwrap the Arg union without checking, typically input tensor arguments can be expected to be ITensors
-
Any weights or static values must guaranteed to be valid until the end of conversion time
-
A helpful tool is the Weights helper class described below
-
-
Converters are expected to produce an IValue or ITensor for each output of a node. The compiler will check this and produce warnings if there are Values that don’t have associated ITensors or IValues.
-
Outputs must be annotated
-
There must be an association between a JIT nodes output values and the new TRT layers output tensors in the
value_tensor_map
in the conversion context
-
-
Name your layers
-
Its much easier to debug when we can track which layers and nodes correspond with each other. The system we are currently using is to use the “node info” of the node as the name of the layer
-
-
Name your tensors
-
Use the output value debug name as the name for the new ITensor (again for debugging)
-
Conversion Context ¶
The conversion context maintains the state of conversion, it manages the Network Definition, two maps
one that stores associations between Values and IValues (the evaluated_value_map) and one that stores
associations between Values and ITensors, and any sort of memory that needs to live until the end of
conversion. The main apis that you will interface with in converters is directly accessing the network
definition to add layers
ctx->net
and data association functions
ctx->AssociateValueAndTensor()
and
ctx->AssociateValueAndIValue()
, which you will use to add layers to the TRT layers and log
pairs of node outputs and static values or TensorRT layer outputs.
Args ¶
Arguments provided to the converter are inspectable unions of
nvinfer1::ITensors
and
torch::jit::IValues
(i.e.
abstract dataflow in the TensorRT graph and static values). You are guaranteed that you will have some
argument for each input value for the node. They are provided in the order of the function schema.
It can be expected that inputs (meaning the parameters that would be passed into the forward
function of a module in PyTorch) will be ITensors but the Arg class also has mechanisms to inspect arguments safely
before unwrapping if you are unsure. Args also have deep unwrap methods that let you get straight to the
underlying data in an IValue if you know it’s safe. You can also pass in a fallback value if there is a
chance the IValue is None. IValues have been extended to be able to hold a wrapper around ITensors only in the case of TensorLists.
You can get an ITensor from an IValue by a pattern similar to this:
ivalue.toCustomClass<TensorContainer>()->tensor()
.
You can tell if an IValue contains a Tensor or an ITensor by using
ivalue.isTensor()
or
ivalue.isCustomClass()
.
Weights ¶
Weights are used during build time, so any weights need to be guaranteed to live until the end of the conversion phase. TensorRT also uses its own weights structure to hold the weights. There is a wrapper around this class available to converts which abstracts a lot of this.
The weights wrapper class can accept either
at::Tensors
or singular values (right now). You also need to pass the
conversion context when constructing these weights because internally the weights class will allocate memory managed
by the conversion context to store a copy of the tensor data. This data gets freed when the conversion context
destructor gets destroyed so converters don’t really need to think about it.
There is metadata generated from the shape of the input data which becomes useful in interfacing with TensorRT, such as number of input maps, number of output maps and kernel shape.
Other advice ¶
You have the benefit of the full aten library when dealing with weights and other static values. This means that you can do quite a bit of work during conversion time to produce efficient conversion. A good example is batch_norm converter where the converter does fusion of operations with PyTorch before creating the TensorRT layer.


9 December 2007
The Ministry of Health in China has reported a new case of human infection with the H5N1 avian influenza virus in Jiangsu Province. The case was confirmed by the national laboratory on 6 December.
The 52-year old male is the father of the 24-year old man who died from H5N1 infection on 2 December 2007. He is one of the close contacts placed under medical observation by national authorities. He developed symptoms on 3 December and was sent immediately to hospital for treatment.
Of the 27 cases confirmed to date in China, 17 have been fatal.


--- layout: post title: Schmutzenbackerin date: '2014-11-25T07:30:00+01:00' categories: - Ello Mobile picture_url: https://film-Storyboards.tumblr.com/post/103549696127/schmutzenbackerin ---
Schmutzenbackerin is in.


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Gardaí discover €195k of heroin on derelict site in Limerick
by By Digital Desk staffGardaí in Co. Limerick have seized nearly €200,000 worth of heroin.
Officers from Bruff, helped by the regional Garda Dog Unit, searched a derelict property in the Ardkilmartin area of Kilmallock yesterday.
Heroin worth €195,000 was discovered during the search and has been removed for technical examination.
No arrests have been made and the investigation is continuing.
Anyone who may have information in relation to this seizure is asked to contact Gardaí at Bruff Garda Station on 061 382940 or the Garda Confidential Line on 1800 666 111.


Zim Army Commander suspended over State House shooting incident
G40 kingpin, Prof Jonathan Moyo, says the Commander of One Presidential Guard Infantry Battalion at State House, Lt Col Samson Murombo has been suspended from duty following a shooting incident at State House earlier this week.
A young Zimbabwean soldier reportedly fired shots into the air whilst on guard duty at State House, complaining of “hunger” and was promptly taken into custody over the incident. He was subsequently tortured and later taken to hospital.
Writing on microblogging site Twitter on Friday, Moyo said:
Meanwhile, the Commander of One Presidential Guard Infantry Battalion at State House, Lt Col Samson Murombo, has been suspended from duty over the State House shooting incident, for which he’s being blamed. He’s been replaced by Col Chicha. Murombo is of the Auxillia audio fame!


--- layout: archive ---
Flocking AI is a series of AI experiments to generated photos and descriptions of birds.


experience
Basic theoretical knowledge and a little experience with HTML/CSS, JavaScript, jQuery, Bootstrap, Git and Github, Gulp, Sass, Responsive Web, BEM.
Experience with OS Windows, Linux/Ubuntu; proficiency in MS Offic, Google Drive, Prezi, Adobe Photoshop, Google Web Designer.
An expert in Link Building for SEO.
education
PHP Academy, Front-End Development, 01/2017 - present
Main Academy, Programming Basics, 02/2016 - 03/2016
Taras Shevchenko National University of Kyiv, International Tourism, Master's degree, 2009 - 2015
why me
I consider myself as a hard-working, active, motivated person with self-directed learning skills. I am eager to combine my previous experience with my passion for this career field in order to work hard and make a meaningful contribution. And I believe that it is possible to achieve career success not only in the area where you have a positive work experience or relevant university degree.


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