Major funding and support for the Open Science Data Cloud is provided
by the Gordon and Betty Moore
Foundation, which has provided funding for Phase 1
of the project (2011-2014). Moore Foundation funding
is used to support the OSDC-Adler, Sullivan and Root facilities.
Additional funding for the OSDC has been provided by the following sponsors:
- The OCC-Y Hadoop Cluster (approximately 1000 cores and 1 PB of
storage) was donated by Yahoo! in 2011.
-
Cisco provides the OSDC access to the Cisco C-Wave, which connects
OSDC data centers with 10 Gbps wide area networks.
-
The OSDC is supported in part by the National Science Foundation under
Award Number 1129076. Any opinions, findings, and conclusions or
recommendations expressed in OSDC materials are those of the author(s)
and do not necessarily reflect the views of the National Science
Foundation. This five year (2010-2016) PIRE Award is used to train
scientists to use the OSDC and to further develop the underlying
technology.
-
The StarLight Facility in Chicago allows OSDC to connect to over 30
high performance research networks around the world at 10 Gbps or
higher, with an increasing number of 100 Gbps connections.
-
Yahoo! donated 5 racks of equipment to the OSDC in 2008. These racks
provided over 800 cores and 0.6 PB of data for the Proof of Concept
OSDC (2008-2010).
The OSDC is managed by the Open Cloud Consortium, a 501(c)(3)
not-for-profit corporation. If you are interested in providing funding
or donating equipment or services, please contact us at
.


I'm currently a sophomore double majoring in Computer Science and Data Science.
In terms of credits, I'm a standing Senior, and my course emphasis is in Machine Learning and Data Analysis.
I'll be doing Machine Learning for Tesla's Autopilot Software for the Model 3.
I'll be interning in Spring 2018 in Fremont, CA.
An intelligent application that effortlessly summarizes text and takes notes for you with the a simple snap of a photo.
Summit utilizes Optical Character Recognition and Natural Language Processing technologies.
I created the Urban Shield application while interning for the Alameda Count ITD.
Urban Shield is a full-scale, comprehensive, emergency preparedness excercise assessing the Bay Area UASI Region's response capabilities related to multi-discipline planning, policies, procedures, organization, equipment and training.
I was the most influential beta tester for an app called UpSurf for the Co-founder of Snapchat. My UI/UX criticism led to changes that will be seen when UpSurf is released later this year.
UpSurf solves every math problem from algebra to calculus when the user takes a picture of their textbook. It then produces a step-by-step analysis using the Wolfram Alpha API.
An ios app that asks you to put in your grades for weighted and non-weighted classes.
An intuitive counter button that can easily be used without having to ever look at the device.
A simple but elegant calculator that's enjoyable to use.
My job is to fix loopholes, increase and enhance the bootstrap framework, and modernize the HTML/CSS.
Worked in cooperation with House 1 Principal Mary Roderigues, the head of technology at James Logan.
I give powerpoint presentations to further the HTML/CSS, Bootstrap, JavaScript and jQuery knowledge of the highshcoolers at Logan.
We are working on a Fortune Cookie app, a YouTube navigator app that uses JavaScript, and a Quote generating app.


https://cole-hsv.github.io/leafblower-adapter/
An adaptor for a leafblower
An adapter for a leafblower to connect a drainpipe and to a nozzel.
The jscad project leafblower
uses gulp to create a dist/leafblower.jscad
file and watches your source for changes. You can drag the dist/leafblower.jscad
directory into the drop area on openjscad.org. Make sure you check Auto Reload
and any time you save, gulp will recreate the dist/leafblower.jscad
file and your model should refresh.
The example project uses jscad-utils. This is a set of utilities that make object creation and alignment easier.
ISC © John Cole


Woman charged over suspected arson attack at Derby flat
Emergency services rushed to the scene
by Nigel SlaterA woman has been charged in connection with a suspected arson attack at a Derby flat over the weekend.
Firefighters from Kingsway, Nottingham Road and Ascot Drive were called to the scene in London Road, Alvaston at 9.21pm on Saturday.
Police also attended and the road was closed for a time while the fire was dealt with.
This morning, Derbyshire Fire and Rescue Service confirmed investigations had concluded the fire was caused deliberately and police were investigating the matter.
The fire service added that the blaze caused extensive damage to the top floor of the building.
A Derbyshire police spokeswoman said a 33-year-old woman had been arrested and charged in connection with the fire but have not released her name yet due to concerns over her mental health.
A nearby resident, who did not want to be named, said she had seen the emergency services on Saturday. She said: "I don't know what has happened but there were police cars and fire engines here until quite late."
Another local person. who also did not wish to be named, added: "I live down Wisgreaves Road and heard a lot of sirens but I don't know what has happened. I just saw the police van there this morning (Sunday) that's all."


--- layout: post title: The WebSite is down - Video date: 2008-08-12 10:03:00.000000000 +10:00 comments: true categories: - misc ---
Nothing to say. Just watch this.


I am hungry, is an ap that lets users to view recipies
The users can also search the recipies, rate and comment on them.
Veg/Non-Veg
{{ 'recipe.desc' }}
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Nulla, doloribus?


Stars expected to attend:
Stars yet to confirm:
The ceremony is going to be held in The Dolby Theatre.


--- layout: presentation title: "Azure Pipelines - Tech Talk Tuesday" --- Azure Pipelines Tech Talk Tuesday April 23rd, 2019 Topics State of DevOps Report research on CI/CD Build and Release Pipelines in Azure
Tech Talk Tuesday April 23rd, 2019


Get ready to be a key part of the front-end team. Use your creativity to build well thought out websites that are pleasing to the eye.
You'll look forward to a career working for larger, enterprise companies, developing business software.
You want the flexibility to create high-perforamce web applications for large companies or build slick mobile user interfaces at a startup.
You want to create dynamic and interactive web applications. You want to work for a startup, or maybe even start your own.


Bollywood stars offer last respects to Manish Malhotra’s father
by Kajol MathurBollywood’s favourite designer Manish Malhotra’s father passed away on Monday morning. He was in his early 90s and has been keeping unwell for quite some time. Karan Johar, Shabana Azmi, Sophie Choudry, Boney Kapoor, Urmila Matondkar, David Dhawan, Punit Malhotra and several other stars attended the funeral and offered their support.
Take a look at all their photos from this morning right here.


There are several built in ways of storing and representing data in Ruby, Hashes, Arrays, Strings and Integers being among them. We'll describe some basic methods using them, the convention we'll use is the object in an example will be lower cased.
|
integer = 0
Creating an integer by assigning an integer value to a variable.
|
integer += other_integer
Incrementing an integer by some other integer amount, the same formatting can be applied to other arithmetical operations like -, *, /, ** (exponentiation) and % (modulus)
|
integer % other_integer
Determines the remainder of the division operator.
|
|---|---|---|
|
string = String.new()
Explicitly creating a new string, will be empty
|
string = "an example"
Implicitly creating a new string, will start as the input string.
|
string += another_string
Concatenates another string onto the first string.
|
|
string[index] = new_string
replaces the character at index, with the new string, effects only the character at the index.
|
array = Array.new()
Explicitly creates a new array, will be empty by default.
|
array = []
Implicitly creates a new empty array.
|
|
array << item
Inserts an item onto the back of the array.
|
array += other_array
concatenates another array onto the back of the first array.
|
array[index]
Returns the value of the array at that index.
|
|
array[index]= new_value
resets the value of the array at that index.
|
hash = Hash.new()
Explicitly creates a new hash, empty by default.
|
hash = {}
Implicitly creates an empty hash.
|
|
hash = {key => value}
creates a key-value pair in a hash.
|
hash[key]
accessing the value of a hash assigned to a particular key. (runs in constant time, very useful.)
|
hash[key] = new_value
Assigns a new value to a hash with that key.
|


{% load humanize %} {% if records|length %} {% for rec in records %}
{{ rec.active_dref }}
Active DREF Operations
{{ rec.active_ea }}
Active Emergency Appeals
{{ rec.budget }}M
Total Funding Requirements (CHF)
{{ rec.funding_coverage }}%
Total Appeal Coverage
{{ rec.population }}M
People targeted


Back to Tips
Condominium and PUD Ownership
Builders, in an effort to combat the dual problem of an increasing
population and a declining availability of prime land, are increasingly
turning to common interest developments (CIDs) as a means to maximize
land use and offer homebuyers convenient, affordable housing.
The two most common forms of common interest developments in many states
are Condominiums and Planned Unit Developments, often referred to as
PUDs. The essential characteristics shared by these two forms of
ownership are:
- Common ownership of private residential property
- Mandatory membership of all owners in an association which controls use
of the common property
- Governing documents which establish the procedures for governing the
association, the rules which the owners must follow in the use of their
individual lots or units as well as the common properties
- A means by which owners are assessed to finance the operation of the
association and maintenance of the common properties
Before continuing further, it may be helpful to clarify a common
misconception about Condominiums and PUDs. The terms Condominium and PUD
refer to types of interests in land, not to physical styles of
dwellings. Therefore, when homebuyers say that they are buying a
townhouse, it is not the same as saying that they are buying a
condominium. When homebuyers say that they are buying a unit in a PUD,
they are not necessarily buying a single-family detached home. A
townhouse might legally be a condominium, a unit or lot in a Planned
Unit Development, or a single-family detached residence. The terms
Condominium or PUD will say a great deal about the ownership rights the
buyer will receive in the unit and the interest they will acquire in the
common properties or common areas of the development.
Common interest developments offer many advantages to homebuyers, such
as low maintenance and access to attractive amenities. However, there
are restrictions and duties which come with ownership of a Condominium
or PUD that buyers should be aware of prior to purchase.
To acquaint you with various aspects of ownership in common interest
developments, the Land Title Association has answered some of the
questions most commonly asked about Condominiums and PUDs.
What are the basic differences between ownership of a Condominium and
ownership of a PUD?
The owner(s) of a unit within a typical Condominium project owns 100% of
the unit, as defined by a recorded Condominium Plan. As well, they will
own a fractional or percentage interest in all common areas of the
Condominium project.
The owner(s) of a lot within a PUD owns the lot which has been conveyed
to them-as shown in the recorded Tract Map or Parcel Map-and the
structure and improvements thereon. In addition, they receive rights and
easements to use in common areas owned by another-frequently a
Homeowner’s association-of which the individual lot owners are members.
The above are basic descriptions and should not be considered legal
definitions.
Besides ownership of my unit, what other amenities (common areas) will I
be acquiring use of and how will I own them?
Common interest areas may span the spectrum from the ordinary-buildings,
roadways, walkways and utility rooms-to the extravagant-equestrian
trails and golf courses-with more usual amenities including community
swimming pools and clubhouse facilities.
Your ownership rights in common areas will be spelled out in your
project’s Declaration of Covenants, Conditions and Restrictions (CC and
R’s). The subject of CC and R’s will be expanded upon later in this
brochure.
As we stated in the answer to the previous question, Condominium owners
own a fractional or percentage interest in common with all other owners
in the Condominium project, in all common areas. PUD owners receive
rights and easements to use of common areas through their membership in
a Homeowner’s association, which typically owns and controls the common
areas. Some PUD projects, however, provide that the individual
homeowners will own a fractional interest in the common areas. Again, in
this case, a Homeowner’s association will have the right to regulate the
use of the common areas and to assess for purposes of maintaining the
common areas.
Check your CC and R’s and association Bylaws (basically, rules governing
the management of the development) to insure that you understand your
rights to use of your unit and common areas.
What services will my Homeowner’s assessments help to finance?
Your Homeowner’s assessments support not only the easily
recognizable-building and swimming pool upkeep, landscape
maintenance-but also the unseen-association management and legal fees
and association insurance.
As well, reserves must be factored into your assessments, including
reserves for replacement of such items as roadways and walkways. In the
case of condominiums, where ownership is usually limited to airspace
within the walls, floors and ceiling of the unit, reserves will
frequently fund replacement of such items as roofs and plumbing.
Each member of the Homeowner’s association, upon purchasing their unit,
must receive a pro forma operating budget from the association.
Basically, this will be a financial statement of the income and
obligations of the association, which must include an estimate of the
life of the obligations covered under the assessments and how their
replacement is being funded.
What happens if I fail to pay my Homeowner’s assessments?
Delinquency fees will be added onto the unpaid assessments.
Should your delinquency continue, the association has the right to place
a lien upon your property. The lien may lead to a foreclosure if the
delinquency is not paid.
Of what importance are CC and R’s and Bylaws?
CC and R’s and Bylaws are the rules and regulations of the community,
meant to guide the use of individual properties and common areas. Buyers
should be aware that CC and R’s and Bylaws may be written so as to
restrict not only property use, but also to restrict owners’ lifestyles,
for instance, spelling out hours during which entertainment, such as
parties, may be hosted.
CC and R’s and Bylaws are highly important and should be thoroughly
examined and understood prior to purchase. They bind all owners and
their successors to the rules and regulations of the community. Failure
to follow those rules and regulations can be considered a breach of
contract. Legal action may be taken against the homeowner for any such
breach.
At what point in the real estate transaction will I be allowed to review
a copy of my CC and R’s and Bylaws?
Legally, it is the responsibility of the owner to provide the
prospective purchaser with the governing documents of the development
(CC and R’s and Bylaws), the most recent financial statement of the
Homeowner’s association and notice of any dues delinquent on the unit.
The law states that these items should be delivered as soon as
practicable; however, the prospective buyer should request to see them
as early as possible. If you do not fully understand what is stated in
these documents, consult a real property attorney.
Should I object to items included in the CC and R’s and/or Bylaws, will
I have the opportunity to terminate those items prior to taking
ownership?
No. The process required to terminate these restrictions is often
complex and costly. Termination of restrictions will require, at least,
a majority vote by members of the Homeowner’s association, and may
require litigation.
What if I have further questions regarding Condominium and PUD
ownership?
Ask any questions you may have before you buy! Don’t wait to take
ownership to find out about restrictions and regulations affecting your
Homeownership rights.
Back to Tips


Port of TweetNaCl / NaCl to JavaScript for modern browsers and Node.js. Public domain.
Demo: https://tweetnacl.js.org
:warning: The library is stable and API is frozen, however it has not been independently reviewed. If you can help reviewing it, please contact me.
The primary goal of this project is to produce a translation of TweetNaCl to JavaScript which is as close as possible to the original C implementation, plus a thin layer of idiomatic high-level API on top of it.
There are two versions, you can use either of them:
nacl.js
is the port of TweetNaCl with minimum differences from the
original + high-level API.
nacl-fast.js
is like nacl.js
, but with some functions replaced with
faster versions.
You can install TweetNaCl.js via a package manager:
$ bower install tweetnacl
NPM:
$ npm install tweetnacl
All API functions accept and return bytes as Uint8Array
s. If you need to
encode or decode strings, use functions from
https://github.com/dchest/tweetnacl-util-js or one of the more robust codec
packages.
In Node.js v4 and later Buffer
objects are backed by Uint8Array
s, so you
can freely pass them to TweetNaCl.js functions as arguments. The returned
objects are still Uint8Array
s, so if you need Buffer
s, you'll have to
convert them manually; make sure to convert using copying: new Buffer(array)
,
instead of sharing: new Buffer(array.buffer)
, because some functions return
subarrays of their buffers.
Implements curve25519-xsalsa20-poly1305.
Generates a new random key pair for box and returns it as an object with
publicKey
and secretKey
members:
{
publicKey: ..., // Uint8Array with 32-byte public key
secretKey: ... // Uint8Array with 32-byte secret key
}
Returns a key pair for box with public key corresponding to the given secret key.
Encrypt and authenticates message using peer's public key, our secret key, and the given nonce, which must be unique for each distinct message for a key pair.
Returns an encrypted and authenticated message, which is
nacl.box.overheadLength
longer than the original message.
Authenticates and decrypts the given box with peer's public key, our secret key, and the given nonce.
Returns the original message, or false
if authentication fails.
Returns a precomputed shared key which can be used in nacl.box.after
and
nacl.box.open.after
.
Same as nacl.box
, but uses a shared key precomputed with nacl.box.before
.
Same as nacl.box.open
, but uses a shared key precomputed with nacl.box.before
.
Length of public key in bytes.
Length of secret key in bytes.
Length of precomputed shared key in bytes.
Length of nonce in bytes.
Length of overhead added to box compared to original message.
Implements xsalsa20-poly1305.
Encrypt and authenticates message using the key and the nonce. The nonce must be unique for each distinct message for this key.
Returns an encrypted and authenticated message, which is
nacl.secretbox.overheadLength
longer than the original message.
Authenticates and decrypts the given secret box using the key and the nonce.
Returns the original message, or false
if authentication fails.
Length of key in bytes.
Length of nonce in bytes.
Length of overhead added to secret box compared to original message.
Implements curve25519.
Multiplies an integer n
by a group element p
and returns the resulting
group element.
Multiplies an integer n
by a standard group element and returns the resulting
group element.
Length of scalar in bytes.
Length of group element in bytes.
Implements ed25519.
Generates new random key pair for signing and returns it as an object with
publicKey
and secretKey
members:
{
publicKey: ..., // Uint8Array with 32-byte public key
secretKey: ... // Uint8Array with 64-byte secret key
}
Returns a signing key pair with public key corresponding to the given
64-byte secret key. The secret key must have been generated by
nacl.sign.keyPair
or nacl.sign.keyPair.fromSeed
.
Returns a new signing key pair generated deterministically from a 32-byte seed.
The seed must contain enough entropy to be secure. This method is not
recommended for general use: instead, use nacl.sign.keyPair
to generate a new
key pair from a random seed.
Signs the message using the secret key and returns a signed message.
Verifies the signed message and returns the message without signature.
Returns null
if verification failed.
Signs the message using the secret key and returns a signature.
Verifies the signature for the message and returns true
if verification
succeeded or false
if it failed.
Length of signing public key in bytes.
Length of signing secret key in bytes.
Length of seed for nacl.sign.keyPair.fromSeed
in bytes.
Length of signature in bytes.
Implements SHA-512.
Returns SHA-512 hash of the message.
Length of hash in bytes.
Returns a Uint8Array
of the given length containing random bytes of
cryptographic quality.
Implementation note
TweetNaCl.js uses the following methods to generate random bytes, depending on the platform it runs on:
window.crypto.getRandomValues
(WebCrypto standard)window.msCrypto.getRandomValues
(Internet Explorer 11)crypto.randomBytes
(Node.js)If the platform doesn't provide a suitable PRNG, the following functions, which require random numbers, will throw exception:
nacl.randomBytes
nacl.box.keyPair
nacl.sign.keyPair
Other functions are deterministic and will continue working.
If a platform you are targeting doesn't implement secure random number
generator, but you somehow have a cryptographically-strong source of entropy
(not Math.random
!), and you know what you are doing, you can plug it into
TweetNaCl.js like this:
nacl.setPRNG(function(x, n) {
// ... copy n random bytes into x ...
});
Note that nacl.setPRNG
completely replaces internal random byte generator
with the one provided.
Compares x
and y
in constant time and returns true
if their lengths are
non-zero and equal, and their contents are equal.
Returns false
if either of the arguments has zero length, or arguments have
different lengths, or their contents differ.
TweetNaCl.js supports modern browsers that have a cryptographically secure pseudorandom number generator and typed arrays, including the latest versions of:
Other systems:
Install NPM modules needed for development:
$ npm install
To build minified versions:
$ npm run build
Tests use minified version, so make sure to rebuild it every time you change
nacl.js
or nacl-fast.js
.
To run tests in Node.js:
$ npm run test-node
By default all tests described here work on nacl.min.js
. To test other
versions, set environment variable NACL_SRC
to the file name you want to test.
For example, the following command will test fast minified version:
$ NACL_SRC=nacl-fast.min.js npm run test-node
To run full suite of tests in Node.js, including comparing outputs of JavaScript port to outputs of the original C version:
$ npm run test-node-all
To prepare tests for browsers:
$ npm run build-test-browser
and then open test/browser/test.html
(or test/browser/test-fast.html
) to
run them.
To run headless browser tests with tape-run
(powered by Electron):
$ npm run test-browser
(If you get Error: spawn ENOENT
, install xvfb: sudo apt-get install xvfb
.)
To run tests in both Node and Electron:
$ npm test
To run benchmarks in Node.js:
$ npm run bench
$ NACL_SRC=nacl-fast.min.js npm run bench
To run benchmarks in a browser, open test/benchmark/bench.html
(or
test/benchmark/bench-fast.html
).
For reference, here are benchmarks from MacBook Pro (Retina, 13-inch, Mid 2014) laptop with 2.6 GHz Intel Core i5 CPU (Intel) in Chrome 53/OS X and Xiaomi Redmi Note 3 smartphone with 1.8 GHz Qualcomm Snapdragon 650 64-bit CPU (ARM) in Chrome 52/Android:
| nacl.js Intel | nacl-fast.js Intel | nacl.js ARM | nacl-fast.js ARM | |
|---|---|---|---|---|
| salsa20 | 1.3 MB/s | 128 MB/s | 0.4 MB/s | 43 MB/s |
| poly1305 | 13 MB/s | 171 MB/s | 4 MB/s | 52 MB/s |
| hash | 4 MB/s | 34 MB/s | 0.9 MB/s | 12 MB/s |
| secretbox 1K | 1113 op/s | 57583 op/s | 334 op/s | 14227 op/s |
| box 1K | 145 op/s | 718 op/s | 37 op/s | 368 op/s |
| scalarMult | 171 op/s | 733 op/s | 56 op/s | 380 op/s |
| sign | 77 op/s | 200 op/s | 20 op/s | 61 op/s |
| sign.open | 39 op/s | 102 op/s | 11 op/s | 31 op/s |
(You can run benchmarks on your devices by clicking on the links at the bottom of the home page).
In short, with nacl-fast.js and 1024-byte messages you can expect to encrypt and authenticate more than 57000 messages per second on a typical laptop or more than 14000 messages per second on a $170 smartphone, sign about 200 and verify 100 messages per second on a laptop or 60 and 30 messages per second on a smartphone, per CPU core (with Web Workers you can do these operations in parallel), which is good enough for most applications.
See AUTHORS.md file.
crypto_auth
Some notable users of TweetNaCl.js:


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local_bar
Dinner and a Drink
restaurant
Randomizer
Choose your option
Dinner
Drink
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Ingredients:
Instructions:
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Feeling indecisive? Select an option from the drop-down menu above to get a random recipe idea!


20th International trade fair for travel & tourism
10th International meetings industry and business travel exhibition & conference
9th International trade fair for luxury travel
Pealthy prospects for your Business: OTDYKH SPA & HEALTH is dedicated to one of the fastest growing segment of the Russian Travel industry


| Package | Description |
|---|---|
| org.apache.river.test.impl.outrigger.transaction |
| Class and Description |
|---|
| BlockingOnDeadTransactionTest
This tests to see if conflicting transactions that are abandoned are
monitored.
|
| IfExistsDontBlockSelfTest
Write an entry take it under a transaction and then do a
readIfExits /takeIfExists under the same
transaction. |
| PreparedTransactionTest
This tests to see if a prepared transaction that is hanging
around after a crash behaves properly.
|
| SpaceOperation
This class wraps four kinds of JavaSpace operations to get an entry,
read , readIfExists ,
take and takeIfExists . |
| TransactionTestBase
This class provides a common facilities of tests in this package.
|
Copyright 2007-2013, multiple authors.
Licensed under the Apache License, Version 2.0, see the NOTICE file for attributions.


A variety of services for all residential and commercial moving needs
Short / long distance, flat rate, bonded and insured delivery for loads of all sizes
Chauffeur limousine and bus services for groups of all sizes
GTA Transport services is a family owned and operated business that is proud to have served the local community for over 10 years. We are fully bonded and insured and offer 24/7 moving and delivery service all over southern Ontario and beyond.


Sandwiches
Home
Locations
Gallery
Favorites
Cheesesteak
Peanut Butter and Jelly
Banh mi
The Cuban
Croque Madame
The club sandwich


<IP_ADDRESS> Decoded Time
A decoded time is an ordered series of nine values that, taken together, represent a point in calendar time (ignoring leap seconds):
- Second
-
An integer between 0 and 59, inclusive.
- Minute
-
An integer between 0 and 59, inclusive.
- Hour
-
An integer between 0 and 23, inclusive.
- Date
-
An integer between 1 and 31, inclusive (the upper limit actually depends on the month and year, of course).
- Month
-
An integer between 1 and 12, inclusive; 1 means January, 2 means February, and so on; 12 means December.
- Year
-
An integer indicating the year A.D. However, if this integer is between 0 and 99, the ``obvious'' year is used; more precisely, that year is assumed that is equal to the integer modulo 100 and within fifty years of the current year (inclusive backwards and exclusive forwards). Thus, in the year 1978, year 28 is 1928 but year 27 is 2027. (Functions that return time in this format always return a full year number.)
- Day of week
-
An integer between 0 and 6, inclusive; 0 means Monday, 1 means Tuesday, and so on; 6 means Sunday.
- Daylight saving time flag
-
A generalized boolean that, if true, indicates that daylight saving time is in effect.
- Time zone
-
A time zone.
The next figure shows defined names relating to decoded time.
decode-universal-time get-decoded-time
Figure 25-5. Defined names involving time in Decoded Time.
Copyright 1996, The Harlequin Group Limited. All Rights Reserved.


Corrie's Andy Whyment and Eastender's Cliff Parisi revealed as new I’m A Celeb campmates on This Morning
Soap stars Andy Whyment and Cliff Parisi have been announced as the two latecomers to take part in the survival game show Down Under.
by Charlotte SmithTwo new celebs are set to head into the I'm A Celebrity...Get Me Out Of Here jungle, it has been revealed on This Morning.
Soap stars Andy Whyment and Cliff Parisi have been announced as the two latecomers to be taking part in the survival game show Down Under.
The duo will be joining fellow campmates this week now Snake Rock has now reunited with the main camp.
Reality TV favourites and former I'm A Celeb campmates Vicki Pattison and Fern McCann appeared on the ITV daytime show to share the news with Phil and Holly earlier today.
Best known for playing the lovable mechanic Minty Peterson, Cliff Parisi, 59, played in BBC One's Eastenders between 2002 and 2010.
Meanwhile, Coronation Street fans will recognise Andy Whyment, 38, for his role as factory worker Kirk Sutherland.
Prior to their arrival in the camp, Andy and Cliff posed in a fun photoshoot with various Ozzy wildlife.
The soap actors can be see holding a koala and feeding a kangaroo with big smiles on their faces.
An ITV source said: "With Cliff and Andy we have got two big soap names joining the jungle and they’ll be a lot of fun."
"Cliff is the final piece in the puzzle and comes from two massive BBC shows.
"It will be interesting to see if he sees the funny side of things when he has been in there a while and the hunger and tiredness kicks in."
They will be making their jungle debut alongside current contestants Caitlyn Jenner, Kate Garraway, Adele Roberts, Nadine Coyle, Jacqueline Jossa, Roman Kemp, Ian Wright, James Haskall, Myles Stephenson and Andrew Maxwell.
I’m A Celebrity Get Me Out Of Here returns tonight at 9pm on ITV.


Imagine your guitar, bass, or any fretted instrument lying on your lap, the direction you'd normally hold it.
The top row is the first string (high e) and the bottom row is the sixth string (low E).
The left column is open strings, the next is the first fret, and so on.
The fretboard's content is dynamic and changes with your settings!
The default key is C Major
Key of C
Major scale (Diatonic)
Ionian mode (Major)
If a fret is filled in with text, then it's a note in the selected key, scale, mode, and tuning!
If a fret is blacked out it's not a part of the scale; it's considered an "accidental", which can sound interesting or undesirable.
Hitting the back button will return you to the Shredsheets home page.
On the home page you have shortcuts to the most common settings (guitar, bass, ukulele), C Major, A Minor, and E Pentatonic Minor.
A single tap on the fretboard opens the options menu.
If you want to play in C Minor, change the mode to Aeolian (Minor).
Notice the fretboard changing as you switch modes! It changes in a similar way when you change keys. You can do this through the menu or by swiping on the fretboard!
The colors represent scale degrees.
Scale degrees are the steps of the selected scale's intervals, starting at the selected mode and circling back around again.
You've probably hummed or heard hummed a song much higher or lower than it should be, but it was still instantly recognized.
This is because we value the difference between notes much more than the actual notes themselves!
The colors are tied to those scale degrees!
Blue is the 1st, Yellow is the 3rd, and Green is the 5th
Purple (light to dark) is the 2nd, 4th, and 6th
Pink is the 7th
The 1st, 3rd, and 5th intervals are grouped because they're used to build major or minor chords. These are the most common chords and are the core of western music.
The 2nd, 4th, and 6th get grouped together because they share similar intervals to 1st, 3rd, and 5th and are often used as decorative degrees, changing the tone and character of the chord.
7th gets pink because it's fabulous!
It really is! The 7th is the leading tone which is used to create progressions. It's a very tense note, which means that it needs resolution. The use of flowing, relaxing, consonance (opposite of dissonance) with transitions into dissonance give jazz it's characteristic sound.
The degrees of a scale are deduced by using the scale's intervals, starting at the position of the selected mode.
An interval is the number of frets (or steps) moved from the previous position.
For example, the Major scale's (Diatonic (7 tones)) intervals are:
2 frets, 2 frets, 1 fret, 2 frets, 2 frets, 2 frets, and finally 1 fret to return to the root.
This is simplified as 2,2,1,2,2,2,1.
Continuing, we see that the 8th mode (were there one) would end at the same 2,2,1,2,2,2,1 intervals that the first mode has, thus we simply circle around to the 1st mode again.
In this manner, the modes loop like a dial.
The keys do the same thing, looping from C through D, E, F, G, A, B, and returning to C.
If you'd like more information about music theory, how Shredsheets works, or why I'm doing this, I'm always available at adam@shredsheets.com!


2500000
20
10.5
Loan Amount
Duration Yrs
Interest
Loan EMI:
Total Interest Payable:
Total of Payments (Principal + Interest):


The Programs screen normally shows one bank of {_program programs}, as an array of fifty {_button buttons}. Each button shows a program number, and if that program exists and has a name, shows the name as well. If a particular numbered program doesn't exist, its button is gray.
If a stored program matches the {_current_program}, its button is tinted light green. If its number matches, but its contents don't, it is tinted pink instead.
This happens as soon as you begin to edit the current program. It also can happen if you use the Programs screen to modify the stored program.
To show a different bank, click one of the bank numbers at the top. To show the current bank (the bank containing the current program) again, you can either click its number at the top, or the current button.
The difference between the two is that when current is selected, and you select a program in another bank from the Chroma's control panel, the Programs screen automatically switches to that bank. There is also a difference when you set up a {Linking_programs link}.
There are also some indicators that can appear in program buttons:
{link2.png height=16} appears if the stored program contains a {_link_program link}, and shows what program it links to. A 1- or 2-digit number implicitly refers to the same bank; a 3-digit number refers to a specific bank.
{seq2.png height=16} appears if the stored program contains a {_sequence_program} parameter, and shows what program it refers to.
{l.png height=16} means that the program is linked to by the currently selected program.
{s.png height=16} means that the program is the "sequence program" of the current program, so it will be selected next if the sequence program footswitch is pressed.


{% extends "socialaccount/base.html" %} {% load i18n %} {% block title %}Account Connections{% endblock %} {% block content %} Account Connections {% if form.accounts %} You can sign in to your account using the following third party accounts: {% if form.accounts|length == 1 %} {% for base_account in form.accounts %} {% with base_account.get_provider_account as account %} {{ account.get_brand.name }} - {{ account }} {% endwith %} {% endfor %} {% else %} {% csrf_token %} {% if form.non_field_errors %} {{ form.non_field_errors }} {% endif %} {% for base_account in form.accounts %} {% with base_account.get_provider_account as account %} {{account.get_brand.name}} - {{ account }} {% endwith %} {% endfor %} Remove {% endif %} {% else %} You currently have no social network accounts connected to this account. {% endif %} Add a 3rd Party Account {% include "socialaccount/snippets/provider_list.html" with process="connect" %} {% endblock %}
You can sign in to your account using the following third party accounts:
You currently have no social network accounts connected to this account.


JINGLE ALL THE WAY (1996)
Starring: Arnold Schwarzenegger (Howard Langston), Sinbad (Myron Larabee), Phil Hartman (Ted Maltin), Rita Wilson (Liz Langston), Jake Lloyd (Jamie Langston), James Belushi (Mall Santa), Robert Conrad (Officer Hummell), Danny Woodburn (Tony the Elf)
Directed by: Brian Levant, Written by: Randy Kornfield
Rated PG by the MPAA for violence and strong language
Reviewed by Doug Skiles
"Awww, poor baby... heehee!" - Howard Langston
Arnold, as Howard, is willing to do anything to anybody that hinders his quest to find a Turbo Man action figure for his son for Christmas in JINGLE ALL THE WAY. Naturally, since he's Arnold and Chris Columbus was involved in the production (as a producer), "anything" involves generally beating the crap out of all kinds of people, animals, and assorted objects - himself included.
JINGLE is ostensibly a family comedy, and, in the end, it does promote family values. Along the way, though, it also trumpets the joys of brawling and divorce, as well as all but openly declares Santa Claus a myth - three things that you may or may not want your kids exposed to. Most families won't be phased by this, though, and so JINGLE will be welcome for viewing when the holiday season rolls around.
The performances are mostly well done. Arnold always has charisma even in the most unlikely of roles, and it's a pleasure to see him apparently having fun while he races around in this film, playing a bewildered parent that's sharp in contrast to the always-in-control action heros we're used to. Sinbad steals many of his scenes, tossing out pop culture references ("Rodney King... Rodney King... ") and acting quite insane as the postal worker Myron. Unfortunately, he's sometimes portrayed as an unwanted comedic sidekick, and sometimes as a villian - apparently someone couldn't decide what to do with him.
The physical comedy in a family show is something we've seen way too many times before, and it'd be boring if not for the fact that it's Arnold Schwarzenegger getting his clock cleaned for a change. At least, until the scene in the warehouse. That's the location for the most inspired part of the movie, in which Howard ends up in a brawl with evil Santa Claus impersonators who'd rather deck his halls with candy cane nunchakus than sit down for milk and cookies. That whole sequence is beautifully surreal - and belongs in a better movie than this. How can you not love seeing an elf announce the arrival of the police by shouting "It's the Grinch! Scatter!"
Yes, there's a fair share of flaws to this show, as is the case with any movie Chris Columbus touches, it seems. When the story starts, we learn how Howard is an overworked businessman who doesn't spend enough time with his family. And that's got to be one of the most overused character cliches in all of filmdom. It's just plain painful to see it now. The movie stays in rut for about 15 minutes until Howard gets home and makes up with his son (Jake Lloyd, aka Anakin Skywalker in episode one of the STAR WARS series, to be released in 1999), and after that, becomes light-hearted and fun for some of the time... and painfully stupid at other times.
Those other times belong primarily to Phil Hartman, who brings the movie down heavily every time he shows up on the screen. And he's on the screen far too much. Hartman was an asset to "Saturday Night Live," and continues to be one to "Newsradio" and "The Simpsons," but, on the big screen, he's playing the obnoxious sleazy guy far too often, and when he does it, he's just that - obnoxious. Every moment he shows up on the screen is a pain, as is the subplot of him moving in on Howard's wife, Liz.
Of course, not all of the humor hits the mark, either, as if often the case with family films. And when it does, it doesn't always hit it as hard as the warehouse scene.
When the finale finally rolls around, the film is charging ahead at a full slapstick comic pace, and it all seems so likable that you tend the forgive the ludicrous nature of the much of what happens in that ending. The whole thing is wrapped up nice and neat when the credits roll. But after the credits have faded, Arnold, Liz, and Jamie appear on the screen for one last scene that has one of the strongest comic payoffs of the whole show.
The cynical - yet accurate - view of Christmas shopping and the strength of the certain elements of the comedy, along with the likable nature of the show are all good points.  It was tempting to make the rating 1/2 a star higher because of its good points, but Hartman just hurts the movie too much. JINGLE ALL THE WAY is only a mildly diverting time, since all the good moments are hurt by all the Phil Hartman moments which only serve to make the viewer angry that he/she is being forced to watch his horrible role.
Rating: **
"Back up! This is a homemade explosive device! And I'll blow it up! Know why? 'Cause I work for the post office, so you KNOW I'm not stable! Tell 'em!" - Myron "This man is totally insane." - Howard "THANK YOU!" - Myron
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


AP Top Entertainment News at 8:45 a.m. EST
by EndPlayVanna White hosts 'Wheel of Fortune' after Sajak has surgery
ABC cancels 'Fresh Off the Boat,' sets finale for February
Beatles album cover photographer Robert Freeman dies at 82
'Jersey Shore' star pleads not guilty to domestic violence
A$AP Rocky returns to Sweden months after assault conviction
French paper: French woman claims rape by Polanski in 1975
Broadcast, cable networks to televise impeachment hearings
Octavia Spencer to receive honor from Producers Guild
Press group: Hollywood libel lawsuit could set bad precedent
OJ Simpson sues Las Vegas casino, contends he was defamed


Bacon strong ipsum dolor amet corned beef kevin doner drumstick meatloaf tongue. Pork belly landjaeger alcatra pancetta ribeye meatball. Picanha ball tip chicken turducken frankfurter ribeye. Ground round salami chicken brisket flank, turkey turducken short ribs pork shankle alcatra andouille jowl shoulder. Drumstick cupim pork swine brisket, pancetta porchetta flank shankle boudin. Hamburger kevin meatloaf, picanha swine tongue shank alcatra frankfurter. Cupim strip steak andouille, spare ribs jerky biltong cow rump bresaola meatball swine.
Meatball capicola pork chop andouille hamburger. Picanha tail sirloin, alcatra chicken jerky meatloaf turducken turkey ball tip biltong. Hamburger kielbasa ball tip rump biltong sirloin, pork chop swine drumstick. Jowl strip steak ribeye, alcatra venison drumstick shank tail pancetta tri-tip shoulder jerky. Alcatra ribeye porchetta bresaola salami, venison t-bone strip steak pork pastrami jerky spare ribs jowl. Venison biltong cow meatball turducken t-bone. Pork belly meatball turkey ball tip.
Corned beef meatloaf tongue pork loin short ribs, sirloin kevin tail capicola chuck fatback frankfurter. Tenderloin meatball bacon prosciutto hamburger spare ribs shoulder, beef drumstick kielbasa shankle. Picanha pork bresaola salami. Tri-tip pork loin doner swine.  Brisket jerky kielbasa, pork belly fatback tri-tip strip steak. Pastrami tri-tip rump ham hock, tenderloin meatball turducken pork meatloaf beef venison ribeye shank biltong.
 Frankfurter t-bone ham pork loin, meatloaf turkey short loin turducken short ribs shankle. Doner ground round biltong sausage cow pork belly short loin chuck ham brisket.  Flank beef frankfurter andouille, tongue landjaeger jerky cow pork chop jowl drumstick turkey kevin. Meatloaf spare ribs ribeye bresaola beef brisket.


The background-repeat property controls repetition. The default value is repeat, which causes the background image to be tiled along both the x-axis and y-axis.
The repeat-x keyword forces repetition along only the x-axis.
The repeat-y keyword forces repetition along only the y-axis.
Finally, no-repeat, causes there to be no repetition along either axis, and the background image to be included but once.


Scan this QR code with your Sphinx app:
CONNECTION_STRING
You are connected to a Sphinx Routing Node!
You are connected to a Sphinx Routing Node! Please wait for channel to open and confirm...


WITNESS LIST Natural Resources Committee February 6, 2003 - 1:00P Texas Parks & Wildlife Overview ON: Cook, Robert Executive Director (Texas Parks & Wildlife), Austin, TX McKinney, Larry (Texas Parks & Wildlife), Austin, TX Texas Water Development Board Overv ON: Ward, J. Kevin Executive Administrator (Texas Water Development Board), Austin, TX TX Commission on Environmental Qual ON: Hoffman, Margaret Executive Director (TX Commission on Environmental Quality), Austin, TX


Contents of a panel.
Contents of a panel.
Contents of a panel.
Contents of a panel.
Contents of a panel.
Contents of a panel.
Contents of a panel.
Contents of a panel.
Contents of a panel.
Contents of a panel.
Close panel
Unrelated link
Contents of a panel.
Panel Test
Panels
Open Panel
Open Panel
Open Panel
Open Panel
Open Panel
Open Panel
Open Panel
Open Panel
Open Panel
Open Panel
Open Panel


Measure the things you need to measure for success.
Derive actionable insights from data modelling.
Make models work as advertised.


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@(message: String) @main("Holiday Planner") {
Look at some of our top rated adventure spots! There's something here for everyone.
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And Methuselah lived after he begat Lamech seven hundred eighty and two years, and begat sons and daughters: And all the days of Methuselah were nine hundred sixty and nine years: and he died.
Six days may work be done; but in the seventh is the sabbath of rest, holy to the Lord whosoever doeth any work in the sabbath day, he shall surely be put to death.
But if this thing be true, and the tokens of virginity be not found for the damsel. Then... the men of her city shall stone her with stones that she die.
If a man also lie with mankind, as he lieth with a woman, both of them have committed an abomination: they shall surely be put to death; their blood shall be upon them.
Men, leaving the natural use of the woman, burned in their lust one toward another; men with men working that which is unseemly, and receiving in themselves that recompence of their error which was meet.
The large majority of Americans -- 77% of the adult population -- identify with a Christian religion... Mormons are by far the most religious of any group.
Sixty-nine percent of American adults are very or moderately religious, based on self-reports of the importance of religion in their daily lives and attendance at religious services.


Nature
as imagined
A taxonomy
of sculptural objects
Shadows of
mathematical perfection
Harmonic transformation
and evolution
Bio
FLOWEN
is a sculptural object-making laboratory focused on taking its designs to unforeseen levels of sophistication
and luxury.
It is heavily influenced by the study of geology, biology, natural history and science fiction.
The introduction of computing in design and fabrication opened up the possibility of learning the processes
and forms of evolution in nature through time.
The sculptural wearable art pieces are ‘digitally grown’ in 926 silver powder from digital models, thus shaping
raw materials through ‘Additive Metal Manufacturing’.
This completely seamless process has zero waste properties.
Latest entries from the journal
April 2015
Los Angeles Times
Flowen otherwordly jewelry makes L.A debut
April 2015
Los Angeles Times


About
I am enjoy most elements with coding and photography, a former lacrosse player and as a business and economics major, I'm not sure how I got into coding and photography. As a first-generation Chinese American Citizen, I thought I would be an accountant or engineer, so I guess I almost fulfill my cultural destiny by getting into coding but late coder.
This is a of my collections and interests
A collection of project and efforts my interests:
Coding; Java, JavaScript, C#/.Net, CSS, HTML
Platforms; Amazon Web Services
photography; all original work


"Concerned To Go Out" is a tool built by web developers based in Boston.
This website's purpose is designed to connect those willing to travel and deliver items
during the COVID-19 outbreak to those who are concerned to go out, due to either physical or mental limitations.
I am concerned to go out due to a physical or mental limitation because of the COVID-19 outbreak.
Click HereI am healthy and able to deliver items to someone who is concerned about their well-being during the COVID-19 outbreak.
Click HereFor more information, please contact concernedtogoout@gmail.com


|
| file | CellBuilder.cs |
| |
| file | ContinuousObject.cs |
| |
| file | CurrentThread.cs |
| |
| file | EnumerableExtensions.cs |
| |
| file | Events.cs |
| |
| file | ICell.cs |
| |
| file | IListCellRead.cs |
| |
| file | IListCellWrite.cs |
| |
| file | IRefCounted.cs |
| |
| file | ListCell.cs |
| |
| file | ListCellChanged.cs |
| |
| file | ListCellExtensions.cs |
| |
| file | MemoryCell.cs |
| |
| file | MemoryCellExtensions.cs |
| |
| file | RefCountedSafe.cs |
| |
| file | RefCountedUnsafe.cs |
| |
| file | RefCountHelpers.cs |
| |
| file | RequestBroker.cs |
| |
| file | TemporalScope.cs |
| |
| file | Threading.cs |
| |
| file | Timing.cs |
| |
| file | Unit.cs |
| |


--- title: Title keywords: fastai sidebar: home_sidebar nb_path: "nbs/04_overview.ipynb" ---
Matplotlib is building the font cache; this may take a moment.


from3points Create a rotated rectangle from 3 points
rrect = cv.RotatedRect.from3points(pt1, pt2, pt3)
Input
- pt1, pt2, pt3 Any 3 end points
[x,y]
of the
rotated rectangle. They must be given in order (either
clockwise or anticlockwise).
Output
- rrect output rotated rectangle. A structure with the
following fields:
- center The rectangle mass center
[x,y]
.
- size Width and height of the rectangle
[w,h]
.
- angle The rotation angle in a clockwise direction.
When the angle is 0, 90, 180, 270 etc., the
rectangle becomes an up-right rectangle.


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NSCD
Section: Linux Programmer's Manual (8)
Updated: 2012-05-10
Index
Return to Main Contents
NAME
nscd - name service cache daemon
DESCRIPTION
Nscd is a daemon that provides a cache for the most common name service
requests.
The default configuration file,
/etc/nscd.conf,
determines the behavior of the cache daemon.
See
nscd.conf(5).
Nscd provides caching for accesses of the
passwd(5),
group(5),
and
hosts(5)
databases through standard libc interfaces, such as
getpwnam(3),
getpwuid(3),
getgrnam(3),
getgrgid(3),
gethostbyname(3),
and others.
There are two caches for each database:
a positive one for items found, and a negative one
for items not found.
Each cache has a separate TTL (time-to-live)
period for its data.
Note that the shadow file is specifically not cached.
getspnam(3)
calls remain uncached as a result.
OPTIONS
- --help
-
will give you a list with all options and what they do.
NOTES
The daemon will try to watch for changes in configuration files
appropriate for each database (e.g.,
/etc/passwd
for the
passwd
database or
/etc/hosts
and
/etc/resolv.conf
for the
hosts
database), and flush the cache when these are changed.
However, this will happen only after a short delay (unless the
inotify(7)
mechanism is available and glibc 2.9 or later is available),
and this auto-detection does not cover configuration files
required by nonstandard NSS modules, if any are specified in
/etc/nsswitch.conf.
In that case, you need to run the following command
after changing the configuration file of the database so that
nscd
invalidates its cache:
$ nscd -i <database>
SEE ALSO
nscd.conf(5),
nsswitch.conf(5)
Index
- NAME
-
- DESCRIPTION
-
- OPTIONS
-
- NOTES
-
- SEE ALSO
-
This document was created by
man2html,
using the manual pages.
Time: 02:55:22 GMT, September 18, 2014


{% load static %}
ProTWO
Welcome!
Go to /users to see the list of users
* * *
Go to /my_model_form to sign-up


Or, Create a new account!
This website was Designed and Developed by oigency (Mutaz E. G. Alhawash) • about • privacy • contact us • cookies


|
Panda3D
|
Simulates a raycast vehicle which casts a ray per wheel at the ground as a cheap replacement for complex suspension simulation. More...
Public Member Functions | |
| __init__ (BulletWorld world, BulletRigidBodyNode chassis) | |
| Creates a new BulletVehicle instance in the given world and with a chassis node. More... | |
| applyEngineForce (float force, int idx) | |
| Applies force at the wheel with index idx for acceleration. More... | |
| BulletWheel | createWheel () |
| Factory method for creating wheels for this vehicle instance. More... | |
| BulletRigidBodyNode | getChassis () |
| Returns the chassis of this vehicle. More... | |
| float | getCurrentSpeedKmHour () |
| Returns the current speed in kilometers per hour. More... | |
| LVector3 | getForwardVector () |
| Returns the forward vector representing the car's actual direction of movement. More... | |
| int | getNumWheels () |
| Returns the number of wheels this vehicle has. More... | |
| float | getSteeringValue (int idx) |
| Returns the steering angle of the wheel with index idx in degrees. More... | |
| BulletVehicleTuning | getTuning () |
| Returns a reference to the BulletVehicleTuning object of this vehicle which offers various vehicle-global tuning options. More... | |
| BulletWheel | getWheel (int idx) |
| Returns the BulletWheel with index idx. More... | |
| list | getWheels () |
| resetSuspension () | |
| Resets the vehicle's suspension. More... | |
| setBrake (float brake, int idx) | |
| Applies braking force to the wheel with index idx. More... | |
| setCoordinateSystem (BulletUpAxis up) | |
| Specifies which axis is "up". More... | |
| setPitchControl (float pitch) | |
| setSteeringValue (float steering, int idx) | |
| Sets the steering value (in degrees) of the wheel with index idx. More... | |
| Public Member Functions inherited from TypedObject | |
| TypeHandle | getType () |
| int | getTypeIndex () |
| Returns the internal index number associated with this object's TypeHandle, a unique number for each different type. More... | |
| bool | isExactType (TypeHandle handle) |
| Returns true if the current object is the indicated type exactly. More... | |
| bool | isOfType (TypeHandle handle) |
| Returns true if the current object is or derives from the indicated type. More... | |
| Public Member Functions inherited from ReferenceCount | |
| int | getRefCount () |
| Returns the current reference count. More... | |
| ref () | |
| Explicitly increments the reference count. More... | |
| bool | testRefCountIntegrity () |
| Does some easy checks to make sure that the reference count isn't completely bogus. More... | |
| bool | testRefCountNonzero () |
| Does some easy checks to make sure that the reference count isn't zero, or completely bogus. More... | |
| bool | unref () |
| Explicitly decrements the reference count. More... | |
Static Public Member Functions | |
| static TypeHandle | getClassType () |
| Static Public Member Functions inherited from TypedReferenceCount | |
| static TypeHandle | getClassType () |
| Static Public Member Functions inherited from TypedObject | |
| static TypeHandle | getClassType () |
| Static Public Member Functions inherited from ReferenceCount | |
| static TypeHandle | getClassType () |
Public Attributes | |
| BulletRigidBodyNode | chassis |
| Returns the chassis of this vehicle. More... | |
| float | current_speed_km_hour |
| Returns the current speed in kilometers per hour. More... | |
| LVector3 | forward_vector |
| Returns the forward vector representing the car's actual direction of movement. More... | |
| BulletVehicleTuning | tuning |
| Tuning. More... | |
| BulletWheel | wheels [] |
| Returns the BulletWheel with index idx. More... | |
| Public Attributes inherited from TypedObject | |
| TypeHandle | type |
| Returns the TypeHandle representing this object's type. More... | |
| Public Attributes inherited from ReferenceCount | |
| int | ref_count |
| The current reference count. More... | |
Simulates a raycast vehicle which casts a ray per wheel at the ground as a cheap replacement for complex suspension simulation.
The suspension can be tuned in various ways. It is possible to add a (probably) arbitrary number of wheels.
| __init__ | ( | BulletWorld | world, |
| BulletRigidBodyNode | chassis | ||
| ) |
Creates a new BulletVehicle instance in the given world and with a chassis node.
| applyEngineForce | ( | float | force, |
| int | idx | ||
| ) |
Applies force at the wheel with index idx for acceleration.
| BulletWheel createWheel | ( | ) |
Factory method for creating wheels for this vehicle instance.
| BulletRigidBodyNode getChassis | ( | ) |
Returns the chassis of this vehicle.
The chassis is a rigid body node.
|
static |
| float getCurrentSpeedKmHour | ( | ) |
Returns the current speed in kilometers per hour.
Convert to miles using: km/h * 0.62 = mph
| LVector3 getForwardVector | ( | ) |
Returns the forward vector representing the car's actual direction of movement.
The forward vetcor is given in global coordinates.
| int getNumWheels | ( | ) |
Returns the number of wheels this vehicle has.
| float getSteeringValue | ( | int | idx | ) |
Returns the steering angle of the wheel with index idx in degrees.
| BulletVehicleTuning getTuning | ( | ) |
Returns a reference to the BulletVehicleTuning object of this vehicle which offers various vehicle-global tuning options.
Make sure to configure this before adding wheels!
| BulletWheel getWheel | ( | int | idx | ) |
Returns the BulletWheel with index idx.
Causes an AssertionError if idx is equal or larger than the number of wheels.
| list getWheels | ( | ) |
| resetSuspension | ( | ) |
Resets the vehicle's suspension.
| setBrake | ( | float | brake, |
| int | idx | ||
| ) |
Applies braking force to the wheel with index idx.
| setCoordinateSystem | ( | BulletUpAxis | up | ) |
Specifies which axis is "up".
Nessecary for the vehicle's suspension to work properly!
| setPitchControl | ( | float | pitch | ) |
| setSteeringValue | ( | float | steering, |
| int | idx | ||
| ) |
Sets the steering value (in degrees) of the wheel with index idx.
| BulletRigidBodyNode chassis |
Returns the chassis of this vehicle.
The chassis is a rigid body node.
| float current_speed_km_hour |
Returns the current speed in kilometers per hour.
Convert to miles using: km/h * 0.62 = mph
| LVector3 forward_vector |
Returns the forward vector representing the car's actual direction of movement.
The forward vetcor is given in global coordinates.
| BulletVehicleTuning tuning |
Tuning.
| BulletWheel wheels[] |
Returns the BulletWheel with index idx.
Causes an AssertionError if idx is equal or larger than the number of wheels.


Here are some pictures of us at Adobe! The picture on the right was taken during Adobe's Take Your Child to Work Day; our class is enjoying free food. Alanna, our website creator and teammate, is in the middle of the picture.
Below is a picture of Jessica, our fellow programming teammate!

She enjoys sticking her tongue out.
Fun fact: All of the artwork in our game, Time Runner, was designed by our team only!
Thanks to Olivia (in the picture to the left) and Aimee (in the picture below) for designing and drawing just about everything.
THANKS TO GIRLS WHO CODE AND ADOBE FOR PROVIDING THIS PROGRAM!


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Master in Information Technology and Management
Web Design and Application Development
Coursework: Object-Oriented Application Development, Advanced Topics in Data Management, Fundamental of Web Development
Coursework: Intro to Programming (Java), Intro to Database Systems, Quantitative Reasoning, Statistics, Writing and Reading for Academic Purpose III/IV, Intermediate/Advanced Oral Communication, English Grammar and Listening Communication IV; GPA: 3.82/4.00
B.S. in International Bachelor Program in Chinese Culinary Arts (ICCA)
Coursework: Basic Statistics, Introduction to Computer Science; GPA: 3.84/4.00
JAVA
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Eclipse
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Pianist at Ann Arbor Taiwanese Presbyterian Church
Playing volleyball and badminton


Copyright © 2009 W3C® (MIT, ERCIM, Keio), All Rights Reserved. W3C liability, trademark and document use rules apply.
This Working Draft defines features of the Scalable Vector Graphics (SVG) Language that are specifically for color-managed environments.
This section describes the status of this document at the time of its publication. Other documents may supersede this document. A list of current W3C publications and the latest revision of this technical report can be found in the W3C technical reports index at http://www.w3.org/TR/.
This document is a First Public Working Draft. It defines features of SVG specific to color management. It is a draft in progress; some descriptions in this document may be incomplete. This document shows the current thoughts of the SVG Working Group on the use of SVG for color managed environments and should not yet be considered stable. There is an accompanying SVG Color 1.2, Part 1: Primer that lists the ways SVG Color, along with other SVG documents, may be used.
This document has been produced by the W3C SVG Working Group as part of the W3C Graphics Activity within the Interaction Domain. The Working Group expects to advance this Working Draft to Recommendation Status.
We explicitly invite comments on this specification. Please send them to<EMAIL_ADDRESS>(archives). Acceptance of the archiving policy is requested automatically upon first post to either list. To subscribe to this list send an email to<EMAIL_ADDRESS>with the word subscribe in the subject line.
Publication as a Working Draft does not imply endorsement by the W3C Membership. This is a draft document and may be updated, replaced or obsoleted by other documents at any time. It is inappropriate to cite this document as other than work in progress.
This document was produced by a group operating under the 5 February 2004 W3C Patent Policy. W3C maintains a public list of any patent disclosures made in connection with the deliverables of the group; that page also includes instructions for disclosing a patent. An individual who has actual knowledge of a patent which the individual believes contains Essential Claim(s) must disclose the information in accordance with section 6 of the W3C Patent Policy.
This draft of SVG Color is a snapshot of a work-in-progress.
The main purpose of this document is to encourage public feedback. The best way to give feedback is by sending an email to<EMAIL_ADDRESS>(archive) . Please identify in the subject line of your message the part of the specification to which your comment refers. If you have comments on multiple areas of this document, then it is preferable to send several separate comments.
The public are welcome to comment on any aspect in this document, but there are a few areas in which the SVG Working Group are explicitly requesting feedback. These areas are noted in place within this document.
This document lists features that may be used with SVG in color-managed environments, including document interchange, publishing, and high-quality display. SVG Color extends the control of color, relative to SVG Tiny 1.2, in three ways. Firstly by adding an additional color space for interpolation and compositing; this means that colors are no longer constrained to the sRGB gamut. Secondly by extending the syntax for Paint, thus allowing colors to be specified as calibrated (ICC and named) and uncalibrated ('device') color. Thirdly, it andates the color management of embedded images.
This document is normative.
This document contains explicit conformance criteria that overlap with some RNG definitions in requirements. If there is any conflict between the two, the explicit conformance criteria are the definitive reference.
This document contains conformance criteria for a number of different entities:
SVG color is an addition to a base profile of the SVG language. A user agent therefore conforms to at least one base profile (e.g. SVG 1.1 or SVG Tiny 1.2 ) and also to this specification.
Example:
<circle fill="rgb(205,133,63)"/> <circle fill="peru"/> <circle fill="rgb(80.392%, 52.157%, 24.706%)"/> <circle fill="#CD853F"/>
Note: Same syntax as SVG 1.1, extended color keyword list compared to SVG Tiny 1.2
As with SVG 1.1 and SVG Tiny 1.2, colors may be specified in the sRGB color space (see [sRGB]). Five syntactical forms are specified for SVG Color, and all of them must be supported in a conforming Color-managed User Agent:
All the SVG 1.1 syntactic forms for an sRGB color, including the full set of color keywords, shall be supported by a Color-managed User Agent, regardless of the base language profile of SVG.
Since all Color-managed User Agent are color management capable, the rendering requirements for sRGB colors are more strict than for SVG 1.1 or SVG Tiny 1.2 User Agents, where color management is optional.
When an sRGB color is used - because it is the sole color specification, or in a permitted fallback situation - a conformant Color-managed User Agent shall render it in conformance with the ICC profile for sRGB to obtain the desired color appearance.
<fallback> icc-color(<name> [,<icccolorvalue>]*)
Example:
<color-profile name="acmecmyk" xlink:href="http://printers.example.com/acmecorp/model1234"/> <circle fill="#CD853F icc-color(acmecmyk, 0.11, 0.48, 0.83, 0.00)"/>
Note: same syntax as SVG 1.1.
SVG Color uses the extended ICC color specification from SVG 1.1. In SVG Tiny 1.2, this was not supported; an SVG Tiny 1.2 user agent which also conforms to this specification is required to support it. In SVG 1.1, parsing the syntax was required but implementing the ICC colour itself was optional, as indicated by phrases such as "If ICC-based colors are provided and the SVG user agent supports ICC color, then...". An SVG 1.1 user agent which also conforms to this specification "supports ICC color" for the purposes of conforming to SVG 1.1.
As with SVG Full 1.1, SVG Color content may specify color using an ICC profile (see [ICC42]); an sRGB fallback must still be provided.
A Color-managed User Agent searches the color profile description database for a color profile description entry whose name descriptor matches <name> and uses the last matching entry that is found; painting shall be done using the given ICC color, where the comma-separated list (with optional white space) of <icccolorvalue>'s is a set of ICC-profile-specific color values, expressed as <number>s (see ICC colors). If no match is found, then the fallback sRGB color is used.
If ICC-based colors are provided, a Color-managed User Agent MUST use the the ICC-based color in preference to the sRGB fallback color, unless the ICC color profile cannot be used (is unavailable, malformed, or uses an unsupported profile connection space).
When rendering, if both ICC and sRGB fallback colors are provided and the referenced ICC profile ican be used, a Color-managed User Agent MUST render using the ICC color values, and using the specified ICC profile as the input profile.
<fallback>
cielab(<Lightness>, <a> <b>) |
<fallback>
cielchab(<Lightness> <Chroma>, <Hue>)
Example:
<circle fill="#CD853F cielab(62.253188, 23.950124, 48.410653)"/> <circle fill="#CD853F cielch(62.253188, 54.011108, 63.677091)"/>
Note: new in this specification.
A Color-managed User Agent directly uses the CIE LAB or CIE LCHab values, where the comma-separated list (with optional white space) of <icccolorvalue>'s is a set of Lightness, a and b or Lightness, Hue and Chroma values, expressed as <number>s. A fallback sRGB color must still be provided for non-colormanaged user agents.
<fallback> icc-named-color(<name>, <namedColor>)
Example:
<color-profile name="FooColors" xlink:href="http://swatches.example.com/Foo"/> <circle fill="#CD853F icc-color(FooColors, Sandy23C"/>
Note: new in this specification.
SVG Color introduces the ability to specify a color using a 'Named Color Profile'.
A Color-managed User Agent searches the color profile description database for a color profile description entry whose name descriptor matches <name> and uses the last matching entry that is found; painting shall be done using the given ICC color, where namedColor is a <string> indicating the named color to use.
If ICC-based named colors are provided, a conformant Color-managed User Agent MUST use the the ICC-based named color in preference to the sRGB fallback color, unless the ICC named color profile is unavailable, malformed, or uses a profile connection space other than CIE XYZ or CIE LAB.
When an ICC named color is used, a conformant Color-managed User Agent shall render it in conformance with the specified ICC profile to obtain the desired color appearance.
<fallback>
device-gray(<gray>) |
<fallback>
device-rgb(<red> <green> <blue>) |
<fallback>
device-cmyk(<cyan> <magenta> <yellow>
<black>) |
<fallback>
device-nchannel(<number>+) |
Note: new in this specification.
Example:
<circle fill="#CD853F device-cmyk(0.11, 0.48, 0.83, 0.00)"/>
SVG Color also introduces a method of specifying uncallibrated device colors. This is sometimes useful in print workflows, for example to produce patches of known ink density used for quality control purposes.
A Color-managed User Agent which supports the indicated class of output device will pass the values through without color management. If the class of output device (for example, cmyk) is not supported, then the fallback sRGB color is used.
As these are uncalibrated, any interpolation or compositing occurs using the fallback sRGB color value.
Completely different syntax in this version of the specification, responding to feedback from previous last call and aligning with industry practice.
The definition of paint in SVG Tiny 1.2 [SVGT12] is extended by this specification to add the icc-color values from paint in SVG Full 1.1 [SVG11] and also to add new values for named colors, CIELAB colors, and uncalibrated device colors.
| <paint> : |
none | currentColor | <color> | fallback <icccolor> | fallback <cielabcolor> | fallback <iccnamedcolor> | fallback <devicecolor> | <FuncIRI> [ none | currentColor | <color>] | <system paint> | inherit |
Note that by default, color interpolation occurs in the sRGB color space, even if an ICC-based color specification is provided, unless the ‘color-interpolation’ property is set to one of the CIE Lab color spaces. If an sRGB color interpolation space is specified, all ICC-based colors used for the interpolation must be converted into the sRGB interpolation colorspace.
The solidColor element in SVG Tiny 1.2 [SVGT12] is extended by this specification to add the icc-color values from paint in SVG Full 1.1 [SVG11] and also to add new values for named colors, CIELAB colors, and uncalibrated device colors.
| Value: |
currentColor | <color> | fallback <icccolor> | fallback <cielabcolor> | fallback <iccnamedcolor> | fallback <devicecolor> | <system paint> | inherit |
| Initial: | black |
| Applies to: | ‘solidColor’ elements |
| Inherited: | no |
| Percentages: | N/A |
| Media: | visual |
| Animatable: | yes |
| Computed value: | Specified <color> value, except inherit |
The viewportFill element in SVG Tiny 1.2 [SVGT12] is extended by this specification to add the icc-color values from paint in SVG Full 1.1 [SVG11] and also to add new values for named colors, CIELAB colors, and uncalibrated device colors.
| Value: |
none | currentColor | <color> | fallback <icccolor> | fallback <cielabcolor> | fallback <iccnamedcolor> | fallback <devicecolor> | <system paint> | inherit |
| Initial: | none |
| Applies to: | viewport-creating elements |
| Inherited: | no |
| Percentages: | N/A |
| Media: | visual |
| Animatable: | yes |
| Computed value: | "none" or specified <color> value, except inherit |
The gradients in SVG Tiny 1.2 [SVGT12] are extended by this specification. The 'stop-color' property s extended by this specification to add the icc-color values from paint in SVG Full 1.1 [SVG11] and also to add new values for named colors, CIELAB colors, and uncalibrated device colors. The color-interpolation property is extended by this specification to add new values using the CIE L*a*b* color space.
The ‘stop-color’ property indicates what color to use at that gradient stop. The keyword currentColor and ICC colors can be specified in the same manner as within a <paint>. This is the same syntax as is used in SVG 1.1; the conformance criteria are however more stringent as color management is no longer optional.
| Value: |
currentColor | <color> | fallback <icccolor> | fallback <cielabcolor> | fallback <iccnamedcolor> | fallback <devicecolor> | <system paint> | inherit |
| Initial: | black |
| Applies to: | ‘stop’ elements |
| Inherited: | no |
| Percentages: | N/A |
| Media: | visual |
| Animatable: | yes |
If any stop-color uses a cmyk color space and stop-opacity is set to any value other than fully opaque, the result is undefined by this specification. Even for f ully opaque gradients, the result of interpolating cmyk colors may be unexpected. In general, the use of cmyk (either calibrated or uncalibrated) in gradients is discouraged.
The color-interpolation property, not in SVG Tiny 1.2 but used in SVG 1.1 [SVG11], is extended by this specification to add new values using the CIE L*a*b* color space. Both the cartesian (CIE-Lab) and polar (CIE-LCHab) forms are supported.
A Color-managed User Agent MUST use the color space defined by color-interpolation for calculations when interpolating between gradient stops and alpha compositing of graphics elements into the current background.
| Value: | auto | sRGB | linearRGB | CIE-Lab | CIE-LCHab | inherit |
| Initial: | sRGB |
| Applies to: | container elements, graphics elements and ‘animateColor’ |
| Inherited: | yes |
| Percentages: | N/A |
| Media: | visual |
| Animatable: | yes |
The ‘color-interpolation’ property specifies the color space for gradient interpolations and alpha compositing.
When a child element is blended into a background, the value of the 'color-interpolation' property on the child determines the type of blending, not the value of the ‘color-interpolation’ on the parent. For gradients which make use of the xlink:href attribute to reference another gradient, the gradient uses the ‘color-interpolation’ property value from the gradient element which is directly referenced by the ‘fill’ or ‘stroke’ property. When animating colors, color interpolation is performed according to the value of the ‘color-interpolation’ property on the element being animated.
The International Color Consortium has established a standard, the ICC Profile [ICC32], for documenting the color characteristics of input and output devices. Using these profiles, it is possible to build a transform and correct visual data for viewing on different devices.
A color profile description provides the bridge between an ICC profile and references to that ICC profile within SVG content. The color profile description is added to the user agent's list of known color profiles and then used to select the relevant profile. The color profile description contains descriptors for the location of the color profile on the Web, a name to reference the profile and information about rendering intent.
Attribute definitions:
‘rendering-intent’ permits the specification of a color profile rendering intent other than the default. ‘rendering-intent’ is applicable primarily to color profiles corresponding to CMYK color spaces. The different options cause different methods to be used for translating colors to the color gamut of the target rendering device:
This method is often the preferred choice for images, especially when there are substantial differences between the source and destination (such as a CRT display image reproduced on a reflection print). It takes the colors of the source image and re-optimizes the appearance for the destination medium using proprietary methods. This re-optimization may result in colors within both the source and destination gamuts being changed, although perceptual transforms are supposed to maintain the basic artistic intent of the original in the reproduction. They will not attempt to correct errors in the source image.
NOTE With v2 ICC profiles there is no specified perceptual reference medium, which can cause interoperability problems. When v2 ICC profiles are used it may be safer to use the media-relative colorimetric rendering intent with black point compensation, instead of the perceptual rendering intent, unless the specific source and destination profiles to be used have been checked to ensure the combination produces the desired result.
This option was created to preserve the relative saturation (chroma) of the original, and to keep solid colors pure. However, it experienced interoperability problems like the perceptual intent, and as solid color preservation is not amenable to a reference medium solution using v4 profiles does not solve the problem. Use of this rendering intent is not recommended unless the specific source and destination profiles to be used have been checked to ensure the combination produces the desired result.
Media-relative colorimetric is required to leave source colors that fall inside the destination medium gamut unchanged relative to the respective media white points. Source colors that are out of the destination medium gamut are mapped to colors on the gamut boundary using a variety of different methods.
NOTE The media-relative colorimetric rendering intent is often used with black point compensation, where the source medium black point is mapped to the destination medium black point as well.
ICC-absolute colorimetric is required to leave source colors that fall inside the destination medium gamut unchanged relative to the adopted white (a perfect reflecting diffuser). Source colors that are out of the destination medium gamut are mapped to colors on the gamut boundary using a variety of different methods. This method produces the most accurate color matching of in-gamut colors, but will result in highlight clipping if the destination medium white point is lower than the source medium white point. For this reason it is recommended for use only in applications that need exact color matching and where highlight clipping is not a concern.
Animatable: no.
Fallback behaviour needs to be specified, for when the requested rendering intent does not have a corresponding table in the profile; or when all rendering-intents are provided using the same table.
Implementations of SVG Color are required to color-manage all images. Normally, the embedded profile is used (if there is no embedded profile, sRGB is assumed, for RGB images).
If a referenced image contains color profile information, a Color-managed User Agent MUST use that profile to render the image, if the color-profile property has the value 'auto'.
If a referenced image contains no color profile information, a Color-managed User Agent MUST use the sRGB profile to render the image, if the color-profile property has the value 'auto'.
The color-profile property allows the embedded profile to be overidden.
If the color-profile property has a value other than 'auto', and the referenced profile is available, a Color-managed User Agent MUST use the referenced profile to render embedded images, in preference to any embedded profile.
Need to re-examine the use cases for overiding the color profile on embeded images. the main requirement is to honor any embeded profiles in images, and to interoperably deal with untagged images.
| Value: | auto | sRGB | <name> | <iri> | inherit |
| Initial: | auto |
| Applies to: | 'image' elements that refer to raster images |
| Inherited: | yes |
| Percentages: | N/A |
| Media: | visual |
| Animatable: | yes |
The EBNF grammar is as used in the XML specification, with the addition of a case-insensitive literal: characters in the ASCII range (only) are case-insensitive. ~"Hello" will match (H|h)(e|e)(l|L)(l|L)(o|O). This makes the productions much easier to read.
| ? | optional, zero or one |
| + | one or more |
| * | zero or more |
| | | alternation |
| "string" | literal |
| ~"string" | case-insensitive literal |
| [] | a character range |
| [^] | excluded character range |
| () | grouping |
icccolor ::= ~"icc-color(" name (comma-wsp number)+ ")" iccnamedcolor ::= ~"icc-named-color(" name comma-wsp namedColor ")" cielabcolor ::= ~"cielab(" lightness comma-wsp a-value comma-wsp b-value ")" cielchabcolor ::= ~"cielchab(" lightness comma-wsp chroma comma-wsp hue ")" devicecolor ::= device-gray | devicergb | devicecmyk | devicenchannel devicegray ::= ~"device-gray(" gray ")" devicergb ::= ~"device-rgb(" red green blue ")" devicecmyk ::= ~"device-cmyk(" cyan magenta yellow >black ")" devicenchannel ::= ~"device-nchannel(" number+ ")" name ::= namestartchar (namechar)* lightness ::= number a-value ::= number b-value ::= number chroma ::= number hue ::= number gray ::= number red ::= number green ::= number blue ::= number cyan ::= number magenta ::= number yellow ::= number black ::= number namedColor ::= name fallback ::= color color ::= "#" hexdigit hexdigit hexdigit (hexdigit hexdigit hexdigit)? | ~"rgb(" wsp* integer comma integer comma integer wsp* ")" | ~"rgb(" wsp* integer "%" comma integer "%" comma integer "%" wsp* ")" | color-keyword hexdigit ::= [0-9A-Fa-f] number ::= sign? digit-sequence? "." digit-sequence sign::= "+" | "-" integer ::= digit-sequence digit-sequence ::= [0-9]+ namestartchar ::= ":" | [A-Z] | "_" | [a-z] | [#xC0-#xD6] | [#xD8-#xF6] | [ #xF8-#x2FF] | [#x370-#x37D] | [#x37F-#x1FFF] | [#x200C-#x200D] | [#x2070-#x218F] | [#x2C00-#x2FEF] | [#x3001-#xD7FF] | [#xF900-#xFDCF] | [#xFDF0-#xFFFD] | [#x10000-#xEFFFF] namechar ::= namestartchar | "-" | "." | [0-9] | #xB7 | [#x0300-#x036F] | [#x203F-#x2040] comma-wsp ::= (wsp+ comma? wsp*) | (comma wsp*) comma ::= "," wsp ::= (#x20 | #x9 | #xD | #xA) color-keyword ::= ~"aliceblue" | ~"antiquewhite" | ~"aqua" | ~"aquamarine" | ~"azure" | ~"beige" | ~"bisque" | ~"black" | ~"blanchedalmond" | ~"blue" | ~"blueviolet" | ~"brown" | ~"burlywood" |~"cadetblue" | ~"chartreuse" | ~"chocolate" | ~"coral" | ~"cornflowerblue" | ~"cornsilk" | ~"crimson" | ~"cyan" | ~"darkblue" | ~"darkcyan" | ~"darkgoldenrod" | ~"darkgray" | ~"darkgreen" | ~"darkgrey" | ~"darkkhaki" | ~"darkmagenta" | ~"darkolivegreen" | ~"darkorange" | ~"darkorchid" | ~"darkred" | ~"darksalmon" | ~"darkseagreen" | ~"darkslateblue" | ~"darkslategray" | ~"darkslategrey" | ~"darkturquoise" | ~"darkviolet" | ~"deeppink" | ~"deepskyblue" | ~"dimgray" | ~"dimgrey" | ~"dodgerblue" | ~"firebrick" | ~"floralwhite" | ~"forestgreen" | ~"fuchsia" | ~"gainsboro" | ~"ghostwhite" | ~"gold" | ~"goldenrod" | ~"gray" | ~"grey" | ~"green" | ~"greenyellow" | ~"honeydew" | ~"hotpink" | ~"indianred" | ~"indigo" | ~"ivory" | ~"khaki" | ~"lavender" | ~"lavenderblush" | ~"lawngreen" | ~"lemonchiffon" | ~"lightblue" | ~"lightcoral" | ~"lightcyan" | ~"lightgoldenrodyellow" | ~"lightgray" | ~"lightgreen" | ~"lightgrey" | ~"lightpink" | ~"lightsalmon" | ~"lightseagreen" | ~"lightskyblue" | ~"lightslategray" | ~"lightslategrey" | ~"lightsteelblue" | ~"lightyellow" | ~"lime" | ~"limegreen" | ~"linen" | ~"magenta" | ~"maroon" | ~"mediumaquamarine" | ~"mediumblue" | ~"mediumorchid" | ~"mediumpurple" | ~"mediumseagreen" | ~"mediumslateblue" | ~"mediumspringgreen" | ~"mediumturquoise" | ~"mediumvioletred" | ~"midnightblue" | ~"mintcream" | ~"mistyrose" | ~"moccasin" | ~"navajowhite" | ~"navy" | ~"oldlace" | ~"olive" | ~"olivedrab" | ~"orange" | ~"orangered" | ~"orchid" | ~"palegoldenrod" | ~"palegreen" | ~"paleturquoise" | ~"palevioletred" | ~"papayawhip" | ~"peachpuff" | ~"peru" | ~"pink" | ~"plum" | ~"powderblue" | ~"purple" | ~"red" | ~"rosybrown" | ~"royalblue" | ~"saddlebrown" | ~"salmon" | ~"sandybrown" | ~"seagreen" | ~"seashell" | ~"sienna" | ~"silver" | ~"skyblue" | ~"slateblue" | ~"slategray" | ~"slategrey" | ~"snow" | ~"springgreen" | ~"steelblue" | ~"tan" | ~"teal" | ~"thistle" | ~"tomato" | ~"turquoise" | ~"violet" | ~"wheat" | ~"white" | ~"whitesmoke" | ~"yellow" | ~"yellowgreen"


interface VideoFrameBuffer
VideoFrameBuffer is a buffer which contains a single video buffer's raw data. Typically owned by a VideoFrame which includes additional metadata.
height |
Height of the video frame buffer abstract val height: Int |
width |
Width of the video frame buffer abstract val width: Int |
release |
Release the video frame buffer. Use after frame construction or release after the frame is no longer needed. Will trigger appropriate release of any internally allocated resources. Not using may result in leaks. abstract fun release(): Unit |
retain |
Retain the video frame buffer. Use when shared ownership of the buffer is desired (e.g. when passing to separate thread), otherwise the frame may be spuriously released abstract fun retain(): Unit |
VideoFrameI420Buffer |
VideoFrameI420Buffer provides an reference counted wrapper of a YUV where planes are natively (i.e. in JNI) allocated direct byte buffers. class VideoFrameI420Buffer : VideoFrameBuffer |
VideoFrameRGBABuffer |
VideoFrameRGBABuffer provides an reference counted wrapper of an RGBA natively (i.e. in JNI) allocated direct byte buffer. class VideoFrameRGBABuffer : VideoFrameBuffer |
VideoFrameTextureBuffer |
VideoFrameTextureBuffer provides an reference counted wrapper of an OpenGLES texture and related metadata class VideoFrameTextureBuffer : VideoFrameBuffer |


"Robot rights" is the concept that people should have moral obligations towards their machines, similar to human rights or animal rights. It has been suggested that robot rights, such as a right to exist and perform its own mission, could be linked to robot duty to serve human, by analogy with linking human rights to human duties before society. These could include the right to life and liberty, freedom of thought and expression and equality before the law.
Robot ethics, sometimes known by the short expression "roboethics", concerns ethical problems that occur with robots, such as whether robots pose a threat to humans in the long or short run, whether some uses of robots are problematic (such as in healthcare or as 'killer robots' in war), and how robots should be designed such as they act 'ethically'. Robot ethics is a sub-field of ethics of technology, specifically information technology, and it has close links to legal as well as socio-economic concerns. Researchers from diverse areas are beginning to tackle ethical questions about creating robotic technology and implementing it in societies, in a way that will still ensure the safety of the human race.


Oi galera!
Que fome!
I'm very bad.
I'm very happy with a new job.
Eu sou um script
dsfagsagsa saqg asgsagasgrgasfas grtg afa grawfa sfs
I love so much to eat a cake!


--- layout: project-post title: Shopping Cart Modeling and Simulation ---
The shopping cart was created for a final modeling and simulation project. My group was tasked with modeling an object from scratch and simulating common loading conditions on the object.
The dimensions for the shopping cart were based off of Patent US D530478S and modified for our needs. All modeling and simulations were done using Solidworks.
I was responsible for creating drawings and models for the bottom portion of the cart (including the bottom platform and wheel supports).
As a group, we simulated three diffferent loading conditions on the cart:
We created graphs of the von Mises equivalent stress and displacement for the cart under each condition, and located areas of maximum stress or displacement. We analyzed whether any condition would cause material failure, and reviewed possible design changes to improve the cart (adding additional fillets, reinforcing the wheel axel support, etc.).


The Hong Kong Port Operations Service operates on VHF Channel 12, 14 and 68, call sign MARDEP
24 hours a day. Yachts may be boarded and searched in Hong Kong territorial waters, as illegal immigration and smuggling are major problems.
On arrival, non-commercial yachts may go to an anchorage or a yacht club (usually the Royal Hong Kong YC).
Within 24 hours of arrival report to Immigration (2nd Floor, Government Pier, Central - open 24hrs) and then the Marine Department, (Pleasure Vessel, 2nd floor, in the same building - normal office hrs). A General Declaration form must be completed and port and light fees paid.
To cruise in Hong Kong waters, a permit to navigate must be applied for.
Any of the marinas or the Royal Hong Kong Yacht Club will advise on the correct procedure.
It is necessary also to report to the Port Formalities Office again before departure with the necessary papers. A Port Clearance Permit must be obtained before departure, which is valid for 72 hours.
For full details of entry procedures to Hong Kong, link for the Hong Kong Marine Department (Mardep).
http://www.mardep.gov.hk/en/pub_services/ocean/notes_ymaster.html
Last updated February 2016.
Passports must be valid for 6 months beyond the proposed stay in Hong Kong.
Citizens of most countries are allowed a visa-free stay varying from 7 days to 90 days. British citizens are allowed 180 days. Most Nationalities being permitted 90 days. See Official Hong Kong site for the complete list.
Those allowed visa-free stays may be required to show proof of adequate funds for their stay.
Immigration regulations are different from those for travel to mainland China, where everyone must arrive with a visa obtained in advance. The situation in Hong Kong is far more relaxed.
Some form of photo identification such as a passport should always be carried while in Hong Kong.
Last updated February 2016.
Firearms must be declared and handed into custody until departure, along with personal protection devices like mace, pepper or bear sprays.
Yachts may remain up to six months, after which a Pleasure Vessel Licence must be obtained, and the yacht must have third party insurance.
Last updated February 2016.
There may be a risk of malaria in some rural areas.
There is a clearance fee of HK$ 58 and a similar fee when clearing out. There is no daily harbour fee.
Last updated February 2016.
Prohibited areas are Kai Tak Airport Area No. 1 and 100 metres from both Green Island and Stonecutters Island.
It is not permitted to sail through Hong Kong harbour (i.e. between Hong Kong Island and Kowloon).
A minimum of two qualified crew members must be on board.
There are on the spot fines for littering and spitting. There is zero tolerance for ticketless travel on the Mass Transit Railway (MTR).
Don’t take photographs of military installations.
The Pet Travel Scheme (PETS) is in operation at Hong Kong and all animals require a passport, to be microchipped and have current Health Certificate and Rabies Vaccination Certified. Further information can be obtained in advance from the Senior Veterinary Officer, Agriculture and Fisheries Department, 393 Canton Road Government Offices, 12F Kowloon, Hong Kong