Electronic installation sculpture already started
to appear in the 60s. As discussed in my research for 'An Electronic
Laager', Chapter 3,
Video Art. The 1968 Museum of Modern Art
exhibition, The Machine as Seen at
the End of the Mechanical Age ,
summed up an entire epoch and pointed towards the new electronic era
ahead. The curator, Pontus Hulten, meant the exhibition to be a
cultural response, to herald what he saw as the transitional movement
from the machine-age culture of a manufacturing society based on
machines as the 'muscle' of industry, to an electronic information
society based on instant communication services.
Preparatory drawings
Radar dish
Light pylon
Billboard
TV tower
Radio tower
Robot
Diesel Truck
Helicopter
JOHANN VAN DER SCHIJFF: 1996/07/05
HOMEPAGE:
http://www.media-gn.nl/people/johannvdS/index.html
E-MAIL:
schijff@scan.media-gn.nl


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"Se7en" (1995)
A Film Review by Jason Wallis
"Se7en" * * * * Starring Morgen Freeman, Brad Pitt, Gwyneth Paltrow, Kevin Spacey, R. Lee Ermey and Richard Roundtree Directed by David Fincher
It is very rare that you find a good serial killer flick. The only one I can think of is "Silence of the Lambs" (of course, I haven't seen "Henry: Portrait of a Serial Killer" as of yet). Whenever someone tries to make one intelligently, they end up failing miserably (just look at the crap-fest that is "Copycat").
This is exactly why David Fincher's masterpiece "Se7en" is so refreshing. Lately, America has been bombarded with immature slasher flicks that disguise themselves as "thrillers". Each one is exactly the same: more guts, more gore, more horny teenagers, etc. Well, "Se7en" definently derveres being called a thriller because (gasp!) it actually thrills.
When talking about how great this film is, the first thing that springs to mind is the performances. We all know Morgen Freeman is one of the better actors of the 90s. It seems that each film he makes is better than the last. In 1994, with "The Shawshank Redemption", he delivered one of the most brilliant performance I have seen since the early days of Jack Nicholson. And it is safe to say that in "Se7en", he gives his best effort yet. High praise should also be given to Brad Pitt and Kevin Spacey for their also-excellent performances. I mean, I was shocked that Brad could actually act (but, I guess he proved that with "12 Monkeys", didn't he?).
Then there's the story. Freeman plays Lieutenant Somerset, a super-intelligent (I mean, the guy plays chess, hangs out in libraries and falls asleep to a metradome!), world-weary, Dante-reading detective, tired of all the crime and suffering that surrounds him every day. With his retirement only a week or so away, he plans to move out to the country, work on his house, and do everything else you can't do in a big city.
Fairly early on (about five minutes, actually), Detective Mills (Brad Pitt) enters the picture.  So, naturally, Somerset does not take an instant liking to him.
The two are called to the scene of a grisly crime: a very obesse man has been found dead in his kitchen, apparently force-fed to death. The cops seem to think it was just some crazy guy who wanted to torture poor ol' porky to death. But after another body is found, murdered in equally bizarre fashion, the two detectives discover that the killings are connected and are the work of a serial killer, bent on murdering according to the seven deadly sins (which, by the way, are gluttany, greed, sloth, lust, pride, envy and wrath). As Somerset says, "You can expect five more."
But "Se7en" does not turn out the way you think it is going to. And, despite what some people say, it is not just an excuse to show bizarre deaths. On the contrary, it is a truly superb film, easily one of the best to be released in the past ten years.
However, there are many people who will not want to see this movie. Tho the violence is not too graphic, the subject matter is extremely disturbing. I mean, this is the kind of film that could totally jar your psyche. But if you have the stomache to take it, "Se7en" is one of the greatest films of the 90s and also one of my favorites (I'm talking top ten or twenty here). I give it one of my highest recommendations.
Check out Jason Wallis' Filmaholics Anonymous web page at http://www.geocities.com/Hollywood/Boulevard/7475
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Sun Jul 17, 2016
It’s a beautiful Sunday afternoon in the middle of July - a pleasant breeze blows and it isn’t sweltering like it was last summer. I’m leaning up against a log on the south side of Queen’s Park and writing this post on my iPad. The Patullo Bridge is closed this weekend for seismic upgrades, so this area of the park is unusually serene - the drone of traffic crossing the bridge into Surrey is delightfully absent.
The groundskeepers tend to ignore this part of the park because it is seldom frequented. It has a slightly unkempt, natural look - unlike the manicured gardens to the North where happy young couples take wedding pictures in the rose garden. I like it.
There’s nothing like sitting quietly in nature. I feel rejuvenated and at peace. Green spaces quench the thirsty soul and wash away the thick stench of the city. I couldn’t imagine how unhappy I’d feel if I lived in the middle of an urban wasteland. A concrete prison with an apartment window looking at a brick wall and a cubicle at work with no windows at all. I guess a lot of people live that way, which explains a lot about all the aggression and stress in this world.
On my lunch breaks I go for a run along the Pitt River. Halfway through, I stop at a small beach and sit for awhile. There is an uninhabited island in the middle of the river. It is blanketed in leafy trees and eagles spiral lazily above - guardians of a sanctuary where no people set foot. I gaze at this island and quiet my mind for a few minutes before heading back to work. I always have a more productive afternoon when I do this.
I feel lucky to be living here in British Columbia, where there are more trees than people and water is never very far away. The insane real estate in the Vancouver area is disheartening of course, but that is another conversation.
I apologize if this meandering post doesn’t seem to have a point. I’m not trying to write one of those self-righteous diatribes about unplugging and going on a tech detox. Because, as you’ve probably figured out, I love technological innovation and trying to suss out its impact on our society. And if you’re not into the outdoors, I can respect that - especially if you’re honest about it, like this outdoor-hating Canadian.
But the summer does give us all a reminder that moderation in our lives brings greater joy than either overindulgence or abstinence. So, don’t forget to create as well as consume. By all means read your Kindle on the beach. But also sit on top of a mountain and write or paint or whatever it is you do to nurture your creative side.
If you never drink, have a frosty beer on a patio. If you drink too much, then go for a swim instead. If you’re an introverted hermit, find an open space and fly a kite - look up into the blue sky instead of looking down all the time. But seek the shade of a quiet forest if you’re a gregarious sun worshipper.
Kids - I’m talking to you now. Have fun going outside to play Pokémon GO, but don’t forget to look up and smile at that pretty girl or handsome boy walking down the street. Also, don’t look for pokémons in sacred places, like Holocaust Museums. You have better sense than that - it isn’t up to the game creators to police your bad behaviour.
So, I guess that’s all I have to say this month. Let me take the opportunity to wish you all a glorious summer. Thanks as always for stopping by - I will see you in August.


The purpose of this page was to share Neiman's experience at New York Fashion Week with their consumers. A lot of the NYFW experience is shared through social media. This page will be updated again for this year's Fashion week in February. I used HTML5, CSS3, CSS Animations, Javascript, and PHP with PODS implementation.
View at:
NMatNYFW.com
Neiman Marcus loved the NYFW page's animations so Aneta and I took this page to a whole new level. This mega-interactive page is full of moving snowflakes, falling snow, and sparkly cursor animations on click. This page was created for Neiman's consumer to find the perfect gift at NeimanMarcus.com while having a some fun. I used HTML5, CSS3, CSS Animations, Javascript, and PHP with PODS implementation.
View at:
HolidayxNM.com
(site might be down at client's request)


After watching for an ammount time, what is your strongest emotional reaction to this live glacier stream?
Confusion
Disbelief
Insecurity
Longing
Anger
Sadness


Legislators revisit landmark energy law for New Mexico
SANTA FE, N.M. (AP) - A landmark energy law designed to wean a sun-drenched state off coal-fired electricity and boost renewable power has not gone as planned for legislators who brokered a deal between utility owners and environmentalists.
A panel of lawmakers was scheduled Thursday to hear a progress report on the Energy Transition Act, amid legal skirmishes over who should foot the bill for divesting from coal — utility company investors or customers.
New Mexico Gov. Michelle Lujan Grisham signed landmark legislation in March that sets ambitious new renewable energy goals.
The law also is supposed to ease the economic pains of closing the coal-fired San Juan Generating Station near Farmington. But advocates for utility customers say it provides an unjust financial windfall to the Public Service Co. of New Mexico.
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[The author of this review wishes to remain anonymous. Can you blame her/him? -Moderator]
GOR A film review by Jack Shadow Copyright 1989 Jack Shadow
Twenty-one novels or so ago, a chap "named" John Norman starting writing a series of Edgar-Rice-Burroughs-style adventure novels set on a counter-Earth (opposite the Earth on the other side of the Sun). They had titles like TARNSMAN OF GOR and RAIDERS OF GOR. Much as in ERB's classic Mars series, the Goreans possessed an unlikely mix of high and low technology, combining spaceships and perfect birth control with swords. A relatively minor part of the background was slavery, as is frequently the case with hack-work adventure novels.
This continued for five novels or so, and Mr. Norman achieved some recognition as a writer of more or less enjoyable escapist adventure literature. At some point about the fifth novel what had been a few lines describing a slave being chained, whipped, or branded became a few pages ... and then an entire chapter. The Gor series became an open secret - the only source of soft-porn S&M material at Waldenbooks. Fortunately for Mr. Norman, Falwell and Robinson have for some reason neglected his publisher, DAW Books, and the owner of DAW is apparently well pleased with the Gor series. Rumor has it that the Gor profits more or less pay for all the innovative, low-profit, high-quality SF published by DAW Books.
The recent Gor movie must be viewed against this background. Some may have hoped for a decent action-adventure film while others for a bevy of beauties in chains. Both are sadly disappointed. The Gor film, is, to quote one critic, "a travesty of a mediocrity." Gone are the SF/fantasy elements of the novels (spaceships, alien priest-kings, tarns, etc.). Instead a magical stone transports our hero (Tarl Cabot) to Gor where he quickly becomes an amazing fighter in spite of a total lack of prior experience. The plot vaguely resembles some elements of the novels, but only to a point. There are some dancing slaves, but nothing like the preponderance in the novels. There is a plot, but it makes even less sense than that found in the novels, and at the end Cabot is returned to Earth via the "homestone" where he knocks down a beach-bully-type with his new-found skills.
My personal nomination for the most gratuitous scene involves the main characters sneaking though a cave. They come upon a blond woman in chains. One character says to another, "She has the dread disease narcosis. Terrible, isn't it?" or words to that effect. They move on and nothing further is said of the "dread disease." Lest you get the idea that although this is a bad film with a silly plot these flaws are compensated for by the presence of hordes of nubile slaves, I feel compelled to point out that this is the one of a very small number of such scenes in the entire movie.
Did I mention the poor acting? No? Well, there is plenty of bad acting as well. There is also a sequel, strongly but illogically hinted at by the final scene of the movie. This is definitely a (-2) movie, verging on (-3).
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@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import uk.gov.hmrc.cataloguefrontend.connector.model.Dependency @import uk.gov.hmrc.cataloguefrontend.model.Environment @import uk.gov.hmrc.cataloguefrontend.{ routes => appRoutes } @( environment : Option[Environment] , dependencies: Seq[Dependency] , pending : Boolean , team : Boolean = false ) @reviewLink(environment: Option[Environment], pending: Boolean) = { Please review the lists below, and refer to s"-${e.asString}")}" href="@appRoutes.BobbyExplorerController.list()">Bobby Rules. } @defining( dependencies .flatMap { dependency => val violations = if (pending) dependency.pendingBobbyRuleViolations else dependency.activeBobbyRuleViolations violations.map(rule => (dependency.name, dependency.currentVersion, rule)) } .toSet ) { violations => @if(violations.nonEmpty) {


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A Review By Adam Godfrey
I know it already opened in December, but I finally got around to seeing Rushmore last weekend, and it was one of those rare oppritunites that I got to leave the theatre feeling proud about paying the expensive ticket price. As the final scene closed out in happy slow-mo fashion, I felt happy to have been priveleged enough to watch such a good display of filmmaking. Jason Schwartzman, his face oddly intriguing behind those large braces and glasses, steals the show as Max Fischer, the most well known Rushmore Academy student who gets terrible grades, but compensates for it by organizing most of the school's clubs and organizations (i.e. the fencing team and writing and producing school plays) and often pulling outrageous stunts, one that eventually earns him an expulsion. This stunt, building an aquarium on the school's baseball diamond, is a plot to steal the heart of widowed elementary teacher Rosemary Cross (Olivia Williams). He funds this aquarium with the help of millionare Herman Blume (a very Oscarworthy Bill Murray), who eventually finds himself falling in love with Miss Cross. Rosemary and Herman begin dating-and the fun begins; Herman and Max go at it head to head in a battle for Miss Cross. Herman manages to destroy Max's bike, while Max cuts Herman's brakes, and it goes on like this. But eventually Max realizes he is too young for Miss Cross, and he can't stand in the way of two people in love. The Academy of Arts & Sciences really messed up this year; they completely overlooked Rushmore (and, if you ask me, it wasn't an accident). It maybe wasn't Best Picture material, but it certainly deserved a screenplay nod (instead of Elizabeth), and Bill Murray's absense from the ballot is a complete snub. The entire mood of the film is one reason it is so good; at one point it's fun, and the next scene can turn serious and dramatic. The cinematography gives the movie an important feeling, as well. I hope Rushmore can overcome its' Oscar snubs, and be enjoyed by intelligent film goers. Grade: A
The review above was posted to the
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Venezuelan opposition struggling for momentum against Maduro
CARACAS, Venezuela (AP) - Venezuelan opposition leader Juan Guaidó is struggling to draw protesters into the streets after calling for daily demonstrations to drive President Nicolás Maduro from power.
A few dozen Guaidó supporters scuffled with security forces on Monday in Caracas, falling far short of what the opposition had hoped to achieve.
At a large demonstration on Saturday, Guaidó appealed for sustained protests against the government.
School teacher Yldemar Acevedo joined a small gathering of protesters on Monday. She says she is determined to continue demonstrating.
Another Caracas resident, Ofelia Briceño, says she won't protest again until the opposition has a clear plan for luring the military away from Maduro.
Guaidó drew huge crowds when he declared himself interim president in January. Many thought change was imminent, but Maduro has kept power.
Copyright 2019 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Former After School member Jung Ah shares adorable pictures of her newborn son
by olmalFormer After School member Jung Ah shared cute pictures of her newborn son sleeping like an angel.
Jung Ah and her professional basketball player husband welcomed a baby boy earlier this past October. On November 9, she shared pictures of the newest member of her family on her Instagram account. In a caption, she wrote, "Good night".
In a previous interview held on October 24, she has expressed on her son's birth, "It was an overwhelming moment. I gave birth completely naturally. It was really tiring, but as soon as I saw my child, I was overwhelmed.
Congratulations to Jung Ah once again!


{% extends "otree/Page.html" %} {% load otree_tags %} {% block title %}Please read this before clicking "Accept"{% endblock %} {% block content %}
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Core sector output for October contracts further to 5.8 per cent
The index was dragged down by electricity which reported a de-growth of 12.4% vs -3.7% in Sept.
by ET OnlineThe core sector for the month of October further contracted to 5.8% from the 5.2% contraction seen in September.
The index was dragged down by electricity which reported a de-growth of 12.4% vs -3.7% in September.
There was a broadbased contraction in the index barring fertilisers and refinery products.
The index of eight core industries comprises coal, crude oil, natural gas, steel, cement, electicity, fertilizer and refinery products. The index makes up 40.27% of the Index of Industrial Production (IIP).
Coal production declined by 17.6% in October vs a de-growth of 20.5 %. Crude Oil production declined by 5.1% in October, 2019 over October, 2018.
October steel output contracted to 1.6% vs -0.3%, cement output contracted to 7.7% vs -2.1% and natural gas output contracted to 5.7% vs -4.9% in September.
October refinery products output grew to 0.4% vs -6.7% in September.
Aditi Nayar, Principal Economist at ICRA Ltd said, "The YoY decline in electricity generation worsened as heavy rainfall reduced demand for power from the agricultural and household sectors, and demand from the manufacturing sector was limited given the holidays during the festive period. With healthy reservoir levels, hydroelectricity generation would remain robust in FY2020. This, in conjunction with an increasing share of other renewable generation sources (mainly wind and solar), would thereby squeeze thermal electricity generation in the next few quarters."
During the April-October period, the growth of core industries fell to 0.2 per cent against 5.4 per cent in the year-ago period.


Learning Goals
These are the topics which I have to revise to have good base.| Sl No | Topic | Book/ Link | Implementation |
|---|---|---|---|
| 1 | Desion Tree | Some Link | Some link |
| Sl No | Topic | Book/ Link | Implementation |
|---|
| Sl No | Topic | Explanation | Implementation | Notes |
|---|---|---|---|---|
| Un-Informed search Strategy (from AI Book 1 Ch 3) | ||||
| 1 | BFS DFS : Short implementation | Geeks for Geeks BFS and DFS | Present in Algorithms Folder | Good for leanring Adjacency List |
| 2 | Uniform Cost Search or Cheapest First Search | Explanation: YouTube JohnLevine | Read algorithm from the AI Book 1 , also take reference from Geeks for geeks | It is a variant of Dijsktra Algorithm & it uses priority queue |
| 3 | Depth Limited Search and Itertive Deepening Search (or Iterative Deepening Depth First Search) | Explanation: Read algorithm from the AI Book 1 for both , Youtube JohnLevine | Itertive Deepening Search Geeks for geeks | Depth limited search works same as dfs with an additional parameter to check depth. Itertive deepening uses a loop to increment this depth. |
| 4 | Bi-Directional Search | Explanation: read from AI Book 1 | Take reference from Geeks for geeks | The majaor change is in adding the node to Adjacency List, add the node in both order void Graph::addEdge(int u, int v){ this->adj[u].push_back(v); this->adj[v].push_back(u); }; |
| Informed search Strategy (using Heuristic , from AI Book 1 Ch 3) | ||||
| 5 | A star | Best Explanation by JohnLevine, good explanation from Edureka video: Watch till explanation | Best Implementation : See the working code | f(n) = g(n) + h(n) --> g(n) added cost to from the start to current node, h(n) --> approx cost to the end node from the current node, thus uses earned knowledge. Also check under-estimation and over-estimation based on heuristic values(needed for optimal sol) |
| 6 | Best First Search or (Greedy Best first search) | Youtube: 5 minutes Enginnering | Book : page 99 and class notes pg 49, lecture 2 pdf, heuristic are not optimal | Greedy best-first search tries to expand the node that is closest to the goal, on the grounds that this is likely to lead to a solution quickly. Thus, it evaluates nodes by using just the heuristic function; that is, f(n)=h(n). It is not using the prior costs which lead it to the current node (g(n)). Greedy BFS can get trapped in infinte loop, it doesnt have any visited list. |
| Adverserial search Strategy (from AI Book 1 Ch 5) | ||||
| 7 | MiniMax and Alpha Beta Pruining | Best Explanation by Sebastian Lague | Best Implementation : see the video mentioned, read book ch 5 | Alpha Beta Pruining are based on minimax, the algorithms are almost similar, easy to understand. These are used for turnwise multiplayer games like chess. Try implementing it on a game |
| 8 | Expectimax Algorithm | See tutorial notes for week4, also see book Ai, ch 5 page 178 | Almost same as minimax, Geeks for geeks | Take average on from minium nodes. It is like risk taking for getting higher positive outcomes.Try implementing it on a game |
| Knowledge Representation and Propositional Logic ( not really fond of this part, for the syllabus sake, do from videos) | ||||
| 9 | Propositional Logic | Gate Smashers | No implemenation, see notes Java T point | See videos instead of book, book is too lengthy. Syntax, sementics also defined here |
| 10 | Knowledge Representation | Gate Smashers | No implemenation, see notes Java T point | Types of knowledge |
| Sl No | Topic | Explanation | Implementation | Notes |
|---|---|---|---|---|
| Greedy Technique (from Algorithm Book 1 Ch 9) | ||||
| 1 | Prims Algorithm Spanning tree | Geeks for Geeks Prims , rest read from the course videos | Read from the book | Spanning Tree: contains all vertex but not all edges Spanning Link |
| 2 | Kruskal Algorithm Spanning tree | Geeks for Geeks Kruskal ,rest read from the course videos | Read from the book | Spanning Tree: contains all vertex but not all edges Spanning Link |
| Dynamic Programming (from Algorithm Book 1 Ch 8)
Idea: We want to solve problem by reusing previously solved sub-problems, we might use more than once the solved stored solution. In divide and conquer, sub solutions might be independent, sub problems might be dependent in dyanmic programming. Two types, top down and bottom up. | ||||
| 1 | Coin row problem | Watch course videoExplanation and implementation | Read from the book page: 285 | Course video is the best to understand, no need to code, basic lgorithm. Note: Learn how to back track |
| 2 | Transitive closure on Warshall's Algorithm | Watch course video (best explanation) Explanation and implementation | Read from the book page: 305 | See implementation, easy to understand, bit difficult to implement |
| 3 | Edit Distance | Watch course video (best explanation) Explanation and implementation Geeks , Youtube implementation | Geeks implementation see | Important for knowing how many changes required to make 2 string equal. Note: See how to back track |
| 4 | Knap Sack | See from course video, and youtube AbdulBari | See book page 292, We are calulating for a range of capacity values, handy if you need the result for the same set and for a value in this range. |
Equation based
V[i, j] = (max(V[i − 1, j], vi + V[i − 1, j − wi]) if j − wi ≥ 0, V[i − 1, j] if j − wi < 0. V[0, j] = 0 for j ≥ 0 and V[i, 0] = 0 for i ≥ 0. |


Books is a labor of love for us, but we can always use any help we can get. If you're interested in helping us make a better application, here are a few ways you can chip in:
If you know Objective-C and are comfortable using Cocoa, there are always features to implement in the core Books application. If you have a feature that you think you would like to write, send us a note at<EMAIL_ADDRESS>so we can discuss it.
That's fine. If you're interested, you can always write a plugin. The core Books application contains plugins written in Python, Ruby, Java, and Bash shell scripting. If you are comfortable with a language that has a decent XML parser, visit
to find out how to get started writing a plugin.
If you know how to do great-looking HTML and CSS designs, we always need good display plugins. Since these are entirely CSS and HTML, no programming experience is need. Just a sense of aesthetics that is better than ours. (Not a high bar to clear...)
We love translators. E-mail us for further information.
That's fine. The thing we've learned about programming for users is that they find interesting ways to break the software or otherwise find the sore spots. If you're a user of Books and want to help out, bug reports and suggestions are always appreciated. Chances are that if you have found a bug, others are finding it also.
Books is a free application and there are no plans to charge for it. However, if you must part with your currency, check out
and look for our tip jar. We won't argue. :-)
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BulldozerPIXI v0.1 by George Moo at Cyberstein Technologies.
BulldozerPIXI is a half-baked recreation of the Bulldozer game series created by John 'FlyMan' Hattan (The Code Zone). The updated game series by the original author is available fully-featured for mobile platforms at https://www.thecodezone.com/game/bulldozer.html.


Method Show
| Improve this Doc View SourceShow(DockControl)
Shows the DockItem targeting specified DockControl, as activated.
Declaration
public void Show(DockControl dockControl)
Parameters
| Type | Name | Description |
|---|---|---|
| DockControl | dockControl | The DockControl to show this DockItem. |
Remarks
This method is a wrapper for Show(DockControl, DockItemShowMethod) method.
Show(DockControl, DockItemShowMethod)
Shows the DockItem targeting specified DockControl, using specified DockItemShowMethod.
Declaration
public void Show(DockControl dockControl, DockItemShowMethod showMethod)
Parameters
| Type | Name | Description |
|---|---|---|
| DockControl | dockControl | The targeting DockControl. |
| DockItemShowMethod | showMethod | The specified show method. |
Remarks
When FirstPane is not null, this method calls Show(DockItemShowMethod); otherwise, this method calls Show(DockControl, DockPosition, DockItemShowMethod) with DefaultDockPosition.
Show(DockItemShowMethod)
Shows the DockItem, using specified DockItemShowMethod.
Declaration
public void Show(DockItemShowMethod showMethod)
Parameters
| Type | Name | Description |
|---|---|---|
| DockItemShowMethod | showMethod | The specified the show method. |
Exceptions
| Type | Condition |
|---|---|
| System.InvalidOperationException | DockPosition is Unknown. |
Show(DockControl, Dock, Boolean, DockItemShowMethod)
Shows the DockItem to the edge of DockControl, brings the respective dock tree to front or sends it to back, using specified show method.
Declaration
public void Show(DockControl dockControl, Dock dock, bool sendToBack, DockItemShowMethod showMethod)
Parameters
| Type | Name | Description |
|---|---|---|
| DockControl | dockControl | The target DockControl. |
| System.Windows.Controls.Dock | dock | Indicates which edge of DockControl to show. |
| System.Boolean | sendToBack | true if send the respective dock tree to back, false to bring the respective dock tree to front. |
| DockItemShowMethod | showMethod | The specified show method. |
Show(DockControl, DockPosition)
Shows the DockItem to specified dock position, as activated.
Declaration
public void Show(DockControl dockControl, DockPosition dockPosition)
Parameters
| Type | Name | Description |
|---|---|---|
| DockControl | dockControl | The targeting DockControl. |
| DockPosition | dockPosition | The specified dock position. |
Remarks
This method is wrapper of Show(DockControl, DockPosition, DockItemShowMethod) using Activate value.
Show(DockControl, DockPosition, DockItemShowMethod)
Shows the DockItem to specified dock position, using specified show method.
Declaration
public void Show(DockControl dockControl, DockPosition dockPosition, DockItemShowMethod showMethod)
Parameters
| Type | Name | Description |
|---|---|---|
| DockControl | dockControl | The targeting DockControl. |
| DockPosition | dockPosition | The specified dock position. |
| DockItemShowMethod | showMethod | The specified show method. |
Show(DockControl, Rect)
Shows the DockItem as activated floating window.
Declaration
public void Show(DockControl dockControl, Rect floatingWindowBounds)
Parameters
| Type | Name | Description |
|---|---|---|
| DockControl | dockControl | The target DockControl. |
| System.Windows.Rect | floatingWindowBounds | The size and position of the floating window. |
Remarks
The method is wrapper of Show(DockControl, Rect, DockItemShowMethod) using Activate value.
Show(DockControl, Rect, DockItemShowMethod)
Shows the DockItem as floating window, using specified show method.
Declaration
public void Show(DockControl dockControl, Rect floatingWindowBounds, DockItemShowMethod showMethod)
Parameters
| Type | Name | Description |
|---|---|---|
| DockControl | dockControl | The target DockControl. |
| System.Windows.Rect | floatingWindowBounds | The size and position of the floating window. |
| DockItemShowMethod | showMethod | The specified show method. |
Show(DockPane, Int32)
Shows the DockItem as activated and tabbed.
Declaration
public void Show(DockPane pane, int index)
Parameters
| Type | Name | Description |
|---|---|---|
| DockPane | pane | The target DockPane. |
| System.Int32 | index | The position within target Items at which this DockItem is inserted before. |
Show(DockItem, DockItemShowMethod)
Shows the DockItem as tabeed, using specified show method.
Declaration
public void Show(DockItem dockItem, DockItemShowMethod showMethod)
Parameters
| Type | Name | Description |
|---|---|---|
| DockItem | dockItem | The position at which this DockItem is inserted before. |
| DockItemShowMethod | showMethod | The specified show method. |
Show(DockPane, Int32, DockItemShowMethod)
Shows the DockItem as tabbed, using specified show method.
Declaration
public void Show(DockPane pane, int index, DockItemShowMethod showMethod)
Parameters
| Type | Name | Description |
|---|---|---|
| DockPane | pane | The target DockPane. |
| System.Int32 | index | The position within target Items at which this DockItem is inserted before. |
| DockItemShowMethod | showMethod | The specified show method. |
Show(DockPaneNode, Dock, SplitterDistance)
Shows the DockItem as activated non auto hide DockPane, side by side of target DockPaneNode.
Declaration
public void Show(DockPaneNode paneNode, Dock side, SplitterDistance size)
Parameters
| Type | Name | Description |
|---|---|---|
| DockPaneNode | paneNode | The target DockPaneNode. |
| System.Windows.Controls.Dock | side | Indicates the DockItem shows on which side of target DockPaneNode. |
| SplitterDistance | size | The size of to be created DockPane. |
Remarks
This method is wrapper of Show(DockPaneNode, Boolean, Dock, SplitterDistance, Boolean, DockItemShowMethod) method.
Show(DockPaneNode, Boolean, Dock, SplitterDistance, Boolean, DockItemShowMethod)
Shows the DockItem as DockPane, side by side of target DockPane, using specified auto hide state, size for target setting and show method.
Declaration
public void Show(DockPaneNode paneNode, bool isAutoHide, Dock side, SplitterDistance size, bool isSizeForTarget, DockItemShowMethod showMethod)
Parameters
| Type | Name | Description |
|---|---|---|
| DockPaneNode | paneNode | The target DockPaneNode. |
| System.Boolean | isAutoHide | Indicates whether to be created DockPane is auto hide. |
| System.Windows.Controls.Dock | side | Indicates the DockItem shows on which side of target DockPaneNode. |
| SplitterDistance | size | The size of to be created DockPane or target DockPaneNode, depending on the value of
|
| System.Boolean | isSizeForTarget | Indicates whether |
| DockItemShowMethod | showMethod | The specified show method. |


Yevgeniy Rokhin
About
Portfolio
Contact
Yev's Corner
Portfolio
Hangman Game (Coming Soon)
RPG Game
(Coming Soon)
Day Scheduler
Weather Dashboard
The Meal-Anator Project
Fin Phantasy
Connect with Me


{% extends "symposion/proposals/base.html" %} {% block body %}
Are you sure you wish to leave as a speaker on {{ proposal.title }}?


David Rushton opened Fun House Pizza on February 11, 1968. We are family owned and are an independent chain. We have been serving the people of the Kansas City metro area for over 50 years.
Our objective has been the same since we first opened our doors. We want our customers to enjoy great pizza at a family orient location. A place where families can come together. A place where kids can celebrate a victory after a local sports event or celebrate at a birthday party. Parents can sit back and enjoy an ice cold beer to wash down with our delicious pizza.
We value tradition here at Fun House Pizza. Not much has changed since we first opened over 50 years ago and I'm sure that many of our cutomers like it that way. Loyal customers who grew up visiting our restaraunt as children are now bringing their children here. Parents can look back fondly on old times while their kids sit on the same seats or ride the same mechanical horses as they did as a child. Our great tasting pizza is still hand made and cooked in the same ovens that they were over 50 years ago.


Voyager
Oh, the places you'll go
I'd like to find
near
Search
1. What to do
Enter in an activity that you're looking for, whether it's going to the movies or finding a cup of coffee.
2. Where to go
Find where your activity is happening either by city, zipcode or current location.
3. See results
Browse through a list of activities based on your requested location.
Places near {{place.newPlace.location || "your current location"}}
{{place.name}}
{{place.formatted_address}}
Rating: {{place.rating || "None"}}
Currently Open
Currently Closed


London Bridge: 'One dead' and multiple people injured in 'stabbing' incident
by Sam SheddenOne person has reportely been killed and multiple people injured after a stabbing incident on London Bridge.
Specialist firearm officers attended the scene and it is not yet known if the person killed was the attacker.
Witnesses told local media, that a man with knives was spotted near the bridge shortly before 2pm. Members of the public claim the man with the knife was shot by armed police.
The London Ambulance Service said it had crews at the scene.
Various social media users reported hearing gunshots from London Bridge. Five people are belived to have been injured.
In a statement the Metropolitan Police said: "Police were called at 1:58pm to a stabbing at premises near to London Bridge. Emergency services attended, including officers from the Met and City of London Police
"A man has been detained by police. We believe a number of people have been injured. Further info to follow."
More to follow...


Stock Market Prediction
Udacity
My GitHub
Yahoo Finance
Type In Date From Which You Want To Predict Price 7 Days Later.
Using Data Of Previous 7 Days
Select Company :
Coal India
Try it now
{%block content%} {%endblock%}


Config File Resource
The ezConfigFileResource
is used to load files which contain lists of variable value assignments ("key/value pairs"). These variables are strictly typed (int
, float
, bool
or string
) and it is very efficient to look up these values at runtime.
You can use this kind of configuration files for anything in your code. From general game settings, to defining the properties of different game elements.
Since all resources can be hot reloaded at runtime, using ezConfigFileResource
s allows you to tweak values while playing to immediately see the effect.
Important:
Currently, interacting with resources is only possible from C++ code.
File Structure
The layout of config files is similar to C/C++ code, including the support for the C preprocessor.
Declaring Variables
To add a new variable, write its type, name and initial value:
int i = 1
float f = 2.3
bool b = false
string s = "hello"
Overriding Existing Variables
Once a variable has been declared the first time, it is an error to redeclare it the same way. Instead you need to add the override
keyword:
override int i = 11
override float f = 21.3
override bool b = true
override string s = "world"
It is also an error to declare a variable for the first time with the override keyword. This is to ensure that you have one place where the variable name is defined clearly, and to be able to point out where variables have been misspelled later on.
Defining Value Names
You can use #define
to define a fixed name for a certain value:
#define SmallValue 3
#define BigValue 5
int MyValue = BigValue
This is more convenient to read and makes it easier to define and tweak values in one place.
Hierarchical File Structure
You can #include
other config files to pull in their variable definitions:
#include "BaseConfig.ezConfig"
override int SomeValue = 7
Here the variable SomeValue
must have been declared in BaseConfig.ezConfig (or another file included by that file). The code then overrides the existing variable with a custom value. If BaseConfig.ezConfig did not declare that variable, you will see an error in the log.
Using this feature, it is very convenient to define variables (and their default values) for things like units in a game (players, enemies, etc) and then override variables where needed for specific unit types.
Conditional Evaluation
You can use all C preprocessor features, such as #ifdef
to conditionally evaluate the config files:
#define TESTING 1
#ifdef TESTING
int PlayerHealth = 1000000
#else
int PlayerHealth = 100
#endif


Degrees and Careers launches maiden edition of Literary, Essay and Debate competition
Degrees and Careers, one of the eight organizations under the MOD Group, has just launched the first edition of its Literary, Essay and Debate competition. D&C is a unique educational counselling community where students can learn everything they need to know about high-in-demand careers, speak with dedicated counsellors for guidance, find out where to study their preferred course, see offers on genuine scholarships around the world, and discover lasting solutions to their academic challenges.
Through the LEAD Competition, our community aims to promote proper usage of the English Language among Nigerian Secondary School students. And to achieve this, we have structured the competition to evaluate the writing skills, Speaking Skills, Reading Skills, Research Skills, critical thinking skills, and persuasion skills of the contestants.
Here are the details of the contest:
● This LEAD competition and has been designed for senior secondary school and A-level students within ages 15 – 18.
30 winners emerge in the FCMB Flexxtern 4.0 contest
● Qualified students are to participate individually.
● The first leg of the contest opens for entries on Monday 18th November and closes on Friday 20th December 2019.
● 5 best entries would be selected from each of the six (6) geo-political zones in Nigeria (North-central, North-east, North-west, South-south, South-east, and South-west) for the next round in February 2020.
● Another Essay topic will be sent to all the 30 contestants who qualify from the first round.
● Then, the best entry in the second round will be selected from each region for the grand finale of the competition.
● The final round of the competition will be held on 20th March 2020 in Lagos. The six contestants will be given the room to have a projected presentation on how data for each of their initial entries were gathered, among other factors that informed their conclusions.
● The best presentation wins.
Rewards
● 1st prize: Two million naira (₦2,000,000)
Union Bank announces winners of edTech Challenge
● 2nd prize: One million naira (₦1,000,000)
● 3rd prize: Five hundred thousand naira (₦500,000)
● Remaining three (3) finalists are to receive plaques and the sum of ₦150,000 each
● All second-round finalist will receive gifts.
How to enter the competition:
Applicants are to write an essay on the topic: “Holistic Education: The Solution to Nigeria’s Socio-economic Challenges” (number of words: 500 - 1,000).
Entries are to be submitted online at www.degreesandcareers.info/lead
Entries must be typed and saved as Microsoft Office Word document or PDF and uploaded on the link provided above.
The use of graphs, pictures, tables or charts (for PDF entries) is allowed, but will not be added to the word count.
Applicants are to include their full name, age, school, word count and class on the cover page of their entries.
All entries are facilitated by the team at MOD IELTS Test Center, an accredited test center for the International English Language Testing System (IELTS).
For more information about this contest, please call Ademola Ademiluyi on<PHONE_NUMBER>089 or Victoria Omotosho on +2349051466034.
You can also send an email to<EMAIL_ADDRESS>[Sponsored]


The Story of my Web Dev Journey
Any journey worth taking, is a journey worth taking your time.
The Pursuit of happiness is all about the journey, not the destination
Home
Reflection
Time and Habits
Html, CSS and the DOM
I can't wait to meet all of you on this journey we are taking together


@@include("partials/head.html") @@include("partials/header.html")
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Unless otherwise stated, Query and/or it's licensors own the intellectual property rights for all material on Query. All intellectual property rights are reserved. You may view and/or print pages from https://www.queryinterviews.com for your own personal use subject to restrictions set in these terms and conditions.
You must not:
Redistribute content from Query (unless content is specifically made for redistribution).
The following organizations may link to our Web site without prior written approval:
These organizations may link to our home page, to publications or to other Web site information so long as the link: (a) is not in any way misleading; (b) does not falsely imply sponsorship, endorsement or approval of the linking party and its products or services; and (c) fits within the context of the linking party's site.
We may consider and approve in our sole discretion other link requests from the following types of organizations:
We will approve link requests from these organizations if we determine that: (a) the link would not reflect unfavorably on us or our accredited businesses (for example, trade associations or other organizations representing inherently suspect types of business, such as work-at-home opportunities, shall not be allowed to link); (b)the organization does not have an unsatisfactory record with us; (c) the benefit to us from the visibility associated with the hyperlink outweighs the absence of Query; and (d) where the link is in the context of general resource information or is otherwise consistent with editorial content in a newsletter or similar product furthering the mission of the organization.
These organizations may link to our home page, to publications or to other Web site information so long as the link: (a) is not in any way misleading; (b) does not falsely imply sponsorship, endorsement or approval of the linking party and it products or services; and (c) fits within the context of the linking party's site.
If you are among the organizations listed in paragraph 2 above and are interested in linking to our website, you must notify us by sending an e-mail to<EMAIL_ADDRESS>Please include your name, your organization name, contact information (such as a phone number and/or e-mail address) as well as the URL of your site, a list of any URLs from which you intend to link to our Web site, and a list of the URL(s) on our site to which you would like to link. Allow 2-3 weeks for a response.
Approved organizations may hyperlink to our Web site as follows:
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We reserve the right at any time and in its sole discretion to request that you remove all links or any particular link to our Web site. You agree to immediately remove all links to our Web site upon such request. We also reserve the right to amend these terms and conditions and its linking policy at any time. By continuing to link to our Web site, you agree to be bound to and abide by these linking terms and conditions.
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We shall have no responsibility or liability for any content appearing on your Web site. You agree to indemnify and defend us against all claims arising out of or based upon your Website. No link(s) may appear on any page on your Web site or within any context containing content or materials that may be interpreted as libelous, obscene or criminal, or which infringes, otherwise violates, or advocates the infringement or other violation of, any third party rights.
To the maximum extent permitted by applicable law, we exclude all representations, warranties and conditions relating to our website and the use of this website (including, without limitation, any warranties implied by law in respect of satisfactory quality, fitness for purpose and/or the use of reasonable care and skill). Nothing in this disclaimer will:
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To the extent that the website and the information and services on the website are provided free of charge, we will not be liable for any loss or damage of any nature.


--- title: Data keywords: fastai sidebar: home_sidebar summary: "You should begin your work by cleaning up your data and possibly defining tools for doing it repeateadly." description: "You should begin your work by cleaning up your data and possibly defining tools for doing it repeateadly." nb_path: "00_data.ipynb" ---
input: raw data
output: clean and tidy dataset + toy dataset for testing
description:
This is the first notebook of your machine learning project. In this notebook, you will load the data, inspect, clean and make it tidy.
You will define the data points and their features and labels. The output of this notebook is a clean, tidy dataset ready for analysis and machine learning.
You can also do a basic statistical analysis of the data to better understand it.
For any functions you define for handling the data, remember to mark their cells with # export
-comment,
so that they will be included in the data.py-module build based on this notebook.
You can also include unit tests for your own functions.
Rewrite this and the other text cells with your own descriptions.
import numpy as np
# your code here
Define input, output and additional parameters of this notebook, the information needed for running the notebook.
In your own project, you can do this step in the later iterations of the work,
when you know what is required.
In this cell, only assing values to variables directly: variable_name = value
.
Do not derive any information in this cell as it will mess up the parameterization - do it in the cell below.
seed = 0
# your code here
Define any immediate derivative operations from the parameters:
np.random.seed(seed)
# your code here
save the toy dataset:


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1By using this page you agree that Dennis Mojado and affiliates in no event shall be liable for any damage arising, directly or indirectly, from the use of the information contained on this web page including damages arising from inaccuracies, omissions or errors. This information is provided 'as is' without warranty of any kind. These algorithms were not verified, nor are they deemed in any way commercial or "production worthy". [Hide]
This page was prompted by the creation of a reverse-hash calculator by isc.sans.org.


UN: Spike in violence may jeopardize ending Ebola in Congo
by The Associated PressGENEVA (AP) — The World Health Organization says there has been “a very dangerous and alarming development” in efforts to end the Ebola outbreak in eastern Congo, warning that the eruption of violence may re-ignite the epidemic.
Dr. Mike Ryan, who directs the U.N. health agency’s Ebola response, says there were only seven new cases last week. But he told reporters Friday that the near doubling of “security incidents” is jeopardizing attempts to end the outbreak.
He says officials have made progress in recent months but that “if security deteriorates in the region, we could work our way to a very bad situation.”
Ryan says WHO understands all the chains of Ebola transmission in this outbreak except one, a high-risk death with more than 300 contacts. Only a third have been followed.
The Associated Press


WITNESS LIST Appropriations Committee March 17, 1999-7:00A HB 1676 For: Antolik, Cindy (American Cancer Society) Haussecker, Ron (Emergency Medical Services Association of Texas) Langford, James (Texas Organization of Rural and Community Hospitals) Miller, John (California Senate Committee on Health) Parriott, Ruth (National American Cancer Society) Walker, Craig (Texas Organization of Rural and Community Affairs) On: Archer, William (Texas Department of Health) Gardner, Glen (Texas Coalition of Veterans Organization) Nix, Timothy (Center for Health Care Strategy, Texas Tech University) Partridge, Mary (American Lung Association) HB 1945 For: McGiffert, Lisa (Consumers Union) On: Byers-Pevitts, Beverley (Texas Woman's University) Lewis, Carl (Nueces County Attorney) Mendelsohn, John (M.D. Anderson Cancer Center) Budget On: Alanis, Felipe (Texas Education Agency) Gilchrist, Robin (Texas Education Agency) Monroe, Bill (Texas Education Agency) Mora, Linda (Texas Education Agency) Moses, Mike (Texas Education Agency) Richards, David (University of Texas Health Science Center) Russell, Steve (University of Texas Health Science Center) Smisko, Ann (Texas Education Agency) Vaughn, Nancy (Texas Education Agency) Wisnoski, Joe (Texas Education Agency)


Module 1 : Introduction to Web Development
Web development is the process of building websites and applications for the internet, or for a private network known as an intranet. Web development is not concerned with the design of a website; rather, it’s all about the coding and programming that powers the website’s functionality. From the most simple, static web pages to social media platforms and apps, from ecommerce websites to content management systems (CMS); all the tools we use via the internet on a daily basis have been built by web developers. On the basis, web pages are marked up by HTML


It has long been known that a diet that includes at least a few servings of fresh fruit every day will help keep your health, fit and trim.


Advantages of Dependency injection
- decouples client from implementation and improves:
- reusability
- testability
- maintainability
- allows externalization of system's configuration
- reduces boilerplate code
- allows concurrent and independent development and promotes components
- can be applied to legacy code via refactoring


Finds songs in DSoundMixer.

Clips that can be played
The documentation for this enum was generated from the following file:
- android/src/game/sounds/CSounds.java


DEPRECATED. File Input does not exist as a Fiori 3 component so it has been deprecated. The inline version successor
of the File Input is File Uploader component.
A very flexible component that prompts the user for a file. Supports multiple selection, accept only certain
extensions, and more. The aim is to facilitate the use and styling of the native file input. The projected content
can have a file dragged and dropped over.


{% extends "form.html" %} {% block display_form_fields %} {% include "with_mobile_number_form.html" with form=member_form %} {% endblock %}


- Range<T> - Class in com.openxc.util
-
A Range is a pair of T values that represent a range of values.
- Range(T, T) - Constructor for class com.openxc.util.Range
-
Construct an instance of Range with a min and max value.
- read(byte[]) - Method in class com.openxc.interfaces.bluetooth.BluetoothVehicleInterface
-
- read(byte[]) - Method in class com.openxc.interfaces.network.NetworkVehicleInterface
-
- read(byte[]) - Method in class com.openxc.interfaces.usb.UsbVehicleInterface
-
- read(JsonReader) - Method in class com.openxc.messages.formatters.ByteAdapter
-
- read(byte[]) - Method in class com.openxc.sources.BytestreamDataSource
-
Read data from the source into the given array.
- readFromParcel(Parcel) - Method in class com.openxc.interfaces.VehicleInterfaceDescriptor
-
- readFromParcel(Parcel) - Method in class com.openxc.messages.CanMessage
-
- readFromParcel(Parcel) - Method in class com.openxc.messages.Command
-
- readFromParcel(Parcel) - Method in class com.openxc.messages.CommandResponse
-
- readFromParcel(Parcel) - Method in class com.openxc.messages.DiagnosticMessage
-
- readFromParcel(Parcel) - Method in class com.openxc.messages.DiagnosticRequest
-
- readFromParcel(Parcel) - Method in class com.openxc.messages.DiagnosticResponse
-
- readFromParcel(Parcel) - Method in class com.openxc.messages.EventedSimpleVehicleMessage
-
- readFromParcel(Parcel) - Method in class com.openxc.messages.MessageKey
-
- readFromParcel(Parcel) - Method in class com.openxc.messages.NamedVehicleMessage
-
- readFromParcel(Parcel) - Method in class com.openxc.messages.SimpleVehicleMessage
-
- readFromParcel(Parcel) - Method in class com.openxc.messages.VehicleMessage
-
- readStoredPreferences() - Method in class com.openxc.enabler.preferences.VehiclePreferenceManager.PreferenceListener
-
Re-read shared preferences and update any running services.
- REARLEFT - Static variable in class com.chrysler.mhacks6demo.CarDataPacket.Tire
-
- REARRIGHT - Static variable in class com.chrysler.mhacks6demo.CarDataPacket.Tire
-
- receive(VehicleMessage) - Method in class com.openxc.DataPipeline
-
Accept new values from data sources and send it out to all registered
sinks.
- receive(VehicleMessage) - Method in class com.openxc.interfaces.TestVehicleInterface
-
- receive(Measurement) - Method in interface com.openxc.measurements.Measurement.Listener
-
- receive(byte[], int) - Method in class com.openxc.messages.streamers.BinaryStreamer
-
- receive(byte[], int) - Method in class com.openxc.messages.streamers.JsonStreamer
-
- receive(byte[], int) - Method in class com.openxc.messages.streamers.VehicleMessageStreamer
-
Add additional bytes to the buffer from the data source.
- receive(VehicleMessage) - Method in interface com.openxc.messages.VehicleMessage.Listener
-
- receive(VehicleMessage) - Method in interface com.openxc.remote.VehicleServiceInterface
-
Receive a new measurement that originates from an application.
- receive(VehicleMessage) - Method in interface com.openxc.remote.VehicleServiceListener
-
- receive(VehicleMessage) - Method in class com.openxc.sinks.AbstractQueuedCallbackSink
-
- receive(VehicleMessage) - Method in class com.openxc.sinks.ContextualVehicleDataSink
-
- receive(VehicleMessage) - Method in class com.openxc.sinks.FileRecorderSink
-
- receive(VehicleMessage) - Method in class com.openxc.sinks.TestSink
-
- receive(VehicleMessage) - Method in class com.openxc.sinks.UploaderSink
-
- receive(VehicleMessage) - Method in class com.openxc.sinks.UserSink
-
- receive(VehicleMessage) - Method in interface com.openxc.sinks.VehicleDataSink
-
Receive a data point with a name, a value and a event value.
- receive(VehicleMessage) - Method in class com.openxc.sources.BytestreamDataSource
-
- receive(VehicleMessage) - Method in interface com.openxc.sources.SourceCallback
-
Receive a new measurement with at least a value and optionally an event.
- receive(Measurement) - Method in class com.openxc.VehicleLocationProvider
-
- received - Variable in class com.openxc.sinks.TestSink
-
- RECONNECTION_ATTEMPT_WAIT_TIME_S - Static variable in class com.openxc.sources.BytestreamDataSource
-
- RecordingPreferences() - Constructor for class com.openxc.enabler.SettingsActivity.RecordingPreferences
-
- refreshScreen() - Method in class com.chrysler.mhacks6demo.UserInterface
-
- register(VehicleServiceListener) - Method in interface com.openxc.remote.VehicleServiceInterface
-
Register to receive asynchronous updates when measurements are received.
- register(KeyMatcher, VehicleMessage.Listener, boolean) - Method in class com.openxc.sinks.MessageListenerSink
-
- register(KeyMatcher, VehicleMessage.Listener) - Method in class com.openxc.sinks.MessageListenerSink
-
- register(Class<? extends VehicleMessage>, VehicleMessage.Listener) - Method in class com.openxc.sinks.MessageListenerSink
-
- register(Class<? extends Measurement>, Measurement.Listener) - Method in class com.openxc.sinks.MessageListenerSink
-
- register(VehicleServiceListener) - Method in class com.openxc.sinks.RemoteCallbackSink
-
- registerAllExtensions(ExtensionRegistry) - Static method in class com.openxc.BinaryMessages
-
- releaseWakeLock() - Method in class com.openxc.sources.WakeLockManager
-
If we have an active wake lock, release it.
- RemoteCallbackSink - Class in com.openxc.sinks
-
A data sink that sends new messages through an AIDL interface.
- RemoteCallbackSink() - Constructor for class com.openxc.sinks.RemoteCallbackSink
-
- RemoteListenerSource - Class in com.openxc.sources
-
Pass messages from a VehicleService to an in-process callback.
- RemoteListenerSource(VehicleServiceInterface) - Constructor for class com.openxc.sources.RemoteListenerSource
-
Registers a message listener with the remote service.
- removeListener(Class<? extends Measurement>, Measurement.Listener) - Method in class com.openxc.VehicleManager
-
Unregister a previously registered Measurement.Listener instance.
- removeListener(Class<? extends VehicleMessage>, VehicleMessage.Listener) - Method in class com.openxc.VehicleManager
-
Unregister a previously registered message type listener.
- removeListener(KeyedMessage, VehicleMessage.Listener) - Method in class com.openxc.VehicleManager
-
Unregister a previously registered keyed message listener.
- removeListener(KeyMatcher, VehicleMessage.Listener) - Method in class com.openxc.VehicleManager
-
Unregister a previously registered key matcher listener.
- removeListener(MessageKey, VehicleMessage.Listener) - Method in class com.openxc.VehicleManager
-
Unregister a previously registered key listener.
- removeListeners() - Method in class com.chrysler.mhacks6demo.VehicleConnection
-
- removeSink(VehicleDataSink) - Method in class com.openxc.DataPipeline
-
Remove a previously added sink from the pipeline.
- removeSink(VehicleDataSink) - Method in class com.openxc.VehicleManager
-
Remove a previously registered sink from the data pipeline.
- removeSource(VehicleDataSource) - Method in class com.openxc.DataPipeline
-
Remove a previously added source from the pipeline.
- removeSource(VehicleDataSource) - Method in class com.openxc.VehicleManager
-
Remove a previously registered source from the data pipeline.
- request(KeyedMessage, VehicleMessage.Listener) - Method in class com.openxc.VehicleManager
-
Send a message to the VehicleInterface and register the given listener to
receive the first response matching the message's key.
- request(KeyedMessage) - Method in class com.openxc.VehicleManager
-
Send a message to the VehicleInterface and wait up to 2 seconds to
receive a response.
- REQUEST_FIELD_NUMBER - Static variable in class com.openxc.BinaryMessages.DiagnosticControlCommand
-
- requestCommandMessage(Command.CommandType) - Method in class com.openxc.VehicleManager
-
Send a command request to the vehicle that does not require any metadata.
- RFCOMM_UUID - Static variable in class com.openxc.interfaces.bluetooth.DeviceManager
-
- RotationsPerMinute - Class in com.openxc.units
-
RotationsPerMinute is a measure of the frequency of a rotation.
- RotationsPerMinute(Number) - Constructor for class com.openxc.units.RotationsPerMinute
-
- run() - Method in class com.openxc.enabler.MessageCountTask
-
- run() - Method in class com.openxc.enabler.PipelineStatusUpdateTask
-
- run() - Method in class com.openxc.sources.BytestreamConnectingTask
-
- run() - Method in class com.openxc.sources.BytestreamDataSource
-
- run() - Method in class com.openxc.sources.NativeLocationSource
-
- run() - Method in class com.openxc.sources.trace.TraceVehicleDataSource
-
While running, continuously read from the trace file and send messages
to the callback.


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ONE TRUE THING Directed by Carl Franklin
Who wouldn't want a mom like radiant Kate Gulden? She's the queen of arts and crafts, with domestic skills that could put Martha Stewart to shame -- just see how she embroiders pillows and decorates cribs like nobody's business. Besides, she's genuinely nice, a veritable fountain of love and understanding; this is the kind of mother who must have packed cheerful little notes in every nutritionally balanced lunch she sent to school. When someone breaks a plate in her kitchen, Kate doesn't rant or weep. She kindly asks the offender to save the pieces for use in her mosiac table. When Kate's daughter Ellen looks at her, though, it's not with affection. In fact, she's quietly disgusted.  Ellen is instead awed by her father George, an English professor who won a National Book Award years ago and tells her inspirational things like "When I was working at The New Yorker, I would spend all day working on one sentence." George has a pithy line for every situation -- too bad most of them are unattributed steals from James Thurber. "The one thing that I never wanted to do was live my mother's life," Ellen (Renee Zellweger) confesses early on in "One True Thing," adapted from Anna Quindlen's keenly observed best-seller. But circumstances force her to do exactly that, as Kate (Meryl Streep) becomes ill and Ellen is coerced by workaholic George (William Hurt) into putting her career on hold to return home to play nursemaid and fill-in housekeeper. Quindlen's book was told from Ellen's point of view, with the parents serving mostly as a backdrop for her story. Karen Croner's screenplay gives George and Kate greater depth and color while jettisoning the small-town scandal set-up that framed the novel's action. Ellen is also a bit easier to empathize with onscreen than she is on the page, where she often comes across as shallow and uncomfortably self-absorbed. Zellweger, fresh from her outstanding work in the little-seen "A Price Above Rubies," dazzles again as she follows Ellen's arc from condescending careerist to enlightened daughter. Playing the same league with seasoned pros such as Streep and Hurt must be a formidable challenge, but Zellweger admirably rises to the ocassion. George's aloofness and inner despair are easily communicated by the brilliant Hurt, whose talent has been shamefully wasted throughout most of this decade in second-rate movies like "Trial By Jury" and "Mr. Wonderful." Obviously some of the production team had a sense of humor about Hurt's career since "One True Thing" manages to include a timely "Lost In Space" joke and a copy of Anne Tyler's "The Accidental Tourist" is prominently featured on George's bookshelf. But the movie ultimately belongs to Streep, who illuminates the extraordinary soul inside an everyday woman. Streep understands Kate feels just as removed from Ellen as Ellen does from Kate, and the actress hints at a well of suppressed jealousy and slight antagonistic tendencies behind Kate's pleasant persona. When Kate hosts a costume party dressed as Dorothy from "The Wizard of Oz," we're unsure whether it's because she truly believes "there's no place like home" or if it's just a clever way to jab at her daughter's ego. Likewise George, who comes off as the stereotypical philandering academic in the book, gets a more sympathetic reading in the film. So much of Croner's writing is smart and straightforward, it's a shame she couldn't have freshened up the character of Ellen's faithless boyfriend Jordan (Nicky Katt) or given brother Brian (Tom Everett Scott) more personality. They're the film's only glaring weaknesses. There's a fine line between the touching and the saccharine, and it's one many filmmakers find extraordinarily difficult to navigate. Just look at movies like "Simon Birch" and "Deep Impact," which do everything short of stomping on your toes in an effort to jerk tears. Under Carl Franklin's low-key direction "One True Thing" succeeds where these pictures fail by maintaining its dignity and, just as importantly, its honesty. You won't cry out of a sense of obligation, but because Franklin and his incredible cast drive the material straight to the heart. By the way, don't bother with tissues: For the last half-hour of this picture, you'd be better off bringing a sponge instead. James Sanford
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


WAITING FOR GUFFMAN A film review by James Berardinelli Copyright 1997 James Berardinelli
RATING (0 TO 10): 8.0 Alternative Scale: ***1/2 out of ****
United States, 1996 U.S. Release Date: 2/97 (limited) Running Length: 1:24 MPAA Classification: R (Profanity, mature themes) Theatrical Aspect Ratio: 1.85:1
Cast: Christopher Guest, Eugene Levy, Catherine O'Hara, Fred Willard, Parker Posey, Lewis Arquette, Bob Balaban, Matt Keeslar, Larry Miller Director: Christopher Guest Producer: Karen Murphy Screenplay: Christopher Guest and Eugene Levy Cinematography: Roberto Schaefer Music and Lyrics: Michael McKean, Harry Shearer, and Christopher Guest U.S. Distributor: Sony Pictures Classics
Thirty minutes into WAITING FOR GUFFMAN, my stomach hurt from laughing. Like some of the most brilliant comedies of recent years -- CLERKS, LIVING IN OBLIVION, and FLIRTING WITH DISASTER, to name a few -- WAITING FOR GUFFMAN reminds us of the true meaning of the term "sidesplitting." And, unlike in many of the movies on my "funniest films" list, there's nothing bizarre or twisted about this humor. The laughs dished out by WAITING FOR GUFFMAN are universally accessible.
Director/co-writer Christopher Guest is most recognized for two things: his satire and his marriage to Jamie Lee Curtis. His best- known work is undoubtedly THIS IS SPINAL TAP, which he co-authored and appeared in. Those familiar with that film will find certain similarities to WAITING FOR GUFFMAN, the most obvious of which is the faux documentary format. However, where SPINAL TAP, like many parodies, relied upon acid humor and vicious barbs to generate laughter, WAITING FOR GUFFMAN is a much gentler creation. This movie can be considered an affectionate satire, because, while it pokes fun at small-town America and high school stage productions, it also offers up a heartfelt homage to them.
Because the title sounds like WAITING FOR GODOT, some viewers may be fooled into expecting highbrow entertainment from WAITING FOR GUFFMAN. They are in for a huge surprise, for, although Guest's film is exceptionally perceptive, there's nothing remotely artsy or pretentious about it. This "documentary", which chronicles the production of an amateur play to celebrate the sesquicentennial of the fictitious town of Blaine, Missouri, offers one laugh after another.
Blaine has two claims to fame -- it's the "stool capital of the United States" and it was visited by a UFO before Roswell was ever heard of. In fact, when the aliens landed in Blaine, they invited the residents on board their ship for a pot luck dinner, and when they took off, they left behind a circular landing site within which the weather never changes (67 degrees with a 40% chance of rain). Now, Blaine is 150 years old, and, to celebrate the occasion, the town council has decided on a number of special events, all to culminate with the play "Red, White, and Blaine", which is to be produced at the local high school.
Directing this play is off-off-off-off-Broadway exile Corky St. Claire (Christopher Guest), the man who attempted to turn BACKFIRE into a stage production. Corky is ably assisted by his music director, Lloyd Miller (Bob Balaban), and has a fine cast of six. They are the husband- and-wife team of Ron and Sheila Albertson (Fred Willard and Catherine O'Hara), Blaine's travel agents (who have never been outside of Blaine), local dentist Allan Pearl (co-writer and Second City alum Eugene Levy), Dairy Queen waitress Libby Mae Brown (Parker Posey), auto mechanic Johnny Savage (Matt Keeslar), and an old coot by the name of Clifford Wooley (Lewis Arquette). Abandoning their day jobs and SCRABBLE clubs, they come together to breathe life into a musical version of Blaine's history.
There are numerous reasons why WAITING FOR GUFFMAN works. In the first place, it has intimate knowledge of the objects of its satire. Like Kenneth Branagh's A MIDWINTER'S TALE, this movie understands the backstage ins-and-outs of putting on an amateur production, and uses the funny side of that background in the script. Anyone who has ever participated in a high school play will be struck with an eerie sense of familiarity. And those who have lived in communities like Blaine will immediately recognize the acuteness of Guest's perception.
Secondly, WAITING FOR GUFFMAN doesn't go for cheap laughs. While the performance of the play (which takes up the final third of the film) has a few minor mishaps, it is not populated with the kind of pratfalls that could lead to easy laughs. The play comes off much as it might in real life. And, perhaps unsurprisingly, there's the same kind of charm about "Red, White, and Blaine" that there is about any amateur production where the players substitute enthusiasm for talent.
Although I won't reveal the film's biggest laughs, I can mention that one has to do with a re-interpretation of a scene from a critically-acclaimed motion picture and another pokes fun at the kind of movie merchandising that surrounds big-budget goliaths like STAR WARS. The auditions for the play are an especially good source of humor, since all of them are improvised and Guest is seeing them for the first time as they're being presented to the camera.
Everyone in the cast is on-target, from Guest, who plays Corky as is-he-or-isn't-he-gay, to Larry Miller as Blaine's mayor. Special note should be made of Parker Posey (in the process of challenging Lili Taylor as the independent film queen), whose portrayal of Libby Mae couldn't be more on-target, and Eugene Levy, who plays the most fun- loving dentist since Steve Martin donned a leather jacket in LITTLE SHOP OF HORRORS.
There is such a thing as comic momentum, and Guest has a good sense of what that means. Comic momentum doesn't refer to nonstop jokes, but to an atmosphere that is always ripe for humor. By utilizing accomplished performers and crisp editing (60 hours of footage has been trimmed to 84 minutes), the director achieves this. I'm not certain how widely Sony Pictures Classics intends to distribute the film, but this movie is worth seeking out. WAITING FOR GUFFMAN is one of those too- rare motion pictures that actually lives up to the label of "a comedy".
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Barbershop reservation for {{ reservation.client_first_name }} {{ reservation.client_last_name }}
has been confirmed.
Service: {{ service.name }} ({{ service.description }})
Barber: {{ barber }}
When: {{ reservation.reservation_time.strftime('%A, %b %d, %Y, %H:%M') }} ({{ service.duration }} minutes)
Thanks you,
Barbershop Team


See Licensing for Chromium OS Developers and Licensing for Chromium OS Package Owners
If you need to change styles, fonts, layout, etc of chrome://os_credits page, edit chromite/licensing/about_credits.tmpl. The template is used to generate a device-dependent about_os_credits.html when a CrOS image is built.


Santa Monica College Corsairs sophomore defender Chloe Glueck (13, left) and Ventura College Pirates sophomore forward Valeria Ramirez (10, right) battle for control of the airborne ball. The Corsairs were able to come out with a 2-1 victory at the Corsair Field located on Santa Monica Colleges Main Campus in Santa Monica California on September 26, 2017.


what is important
I am a planner and my motto is “If you fail to plan, you plan to fail.” I plan everything. I plan my work, the first thing I do in the morning is to make a Must-Do list and Waiting-To-Do list. I plan shopping, I always make a shopping list so I never wander in the supermarket wondering what is needed—it’s the best way to save time and money! I plan my career too. Since sophomore year I have planned to work as a marketing representative after graduating. So I began to undertake more elective courses in marketing and find related part-time jobs, as you can see on my resume


--- layout: post title: inoxmovies.com listed as malware site :! date: 2010-09-23 17:34:20.000000000 +02:00 categories: - linux tags: [] status: publish type: post published: true meta: _wp_old_slug: '' _edit_last: '1' author: ---
I just visited inoxmovies.com and found it to be listed as a malware site by google :!
Safe Browsing
Diagnostic page for inoxmovies.com
What is the current listing status for inoxmovies.com?
Site is listed as suspicious - visiting this web site may harm your computer.
Part of this site was listed for suspicious activity 2 time(s) over the past 90 days.
What happened when Google visited this site?
Of the 86 pages we tested on the site over the past 90 days, 10 page(s) resulted in malicious software being downloaded and installed without user consent. The last time Google visited this site was on 2010-09-22, and the last time suspicious content was found on this site was on 2010-09-22.
Malicious software is hosted on 3 domain(s), including google-stat50.info/, nuttypiano.com/, google-stats50.info/.
This site was hosted on 1 network(s) including AS21844 (THEPLANET).
Has this site acted as an intermediary resulting in further distribution of malware?
Over the past 90 days, inoxmovies.com did not appear to function as an intermediary for the infection of any sites.
Has this site hosted malware?
No, this site has not hosted malicious software over the past 90 days.
How did this happen?
In some cases, third parties can add malicious code to legitimate sites, which would cause us to show the warning message.
Next steps:
* Return to the previous page.
* If you are the owner of this web site, you can request a review of your site using Google Webmaster Tools. More information about the review process is available in Google's Webmaster Help Center.


TextMate has powerful snippets, where you can input a keyword and press tab to expand it to some piece of code with tab stops and placeholders (and transformations, interpolated shell code, smoke and mirrors).
TextMate’s templates, however, are seemingly a lot less powerful. It’s pretty much just a text file which allows placeholder strings that are replaced with the author name, year or date as a new file is created.
If one wants a template with tab stops, placeholders et cetera (a snipplate?), one solution is to first create a snippet (named e.g. template
) and then create a template containing just that snippet tab trigger keyword, e.g.
1
|
|
Then you can manually move the caret to after the trigger and expand it every time you create a new file.
However, there are a couple of ways to include a snippet that expands automatically as a new file is created from template.
The shell script
The placeholder replacement is possible because each template is in effect a shell script preprocessor in addition to the template files. This shell script can actually be used to add snippet powers to templates.
For a new template, the default script is:
1 2 3 4 5 6 7 |
|
Sending keystrokes
If a template includes a snippet tab trigger keyword, e.g. template
, automatically moving the caret to after that keyword and sending a ⇥ keystroke will expand it.
That can be achieved by adding this after the default contents of the shell script:
1 2 3 4 |
|
The osascript
line runs AppleScript code to jump to the end of the line by emulating pressing ⌃E, and then perform a ⇥ keystroke to expand the snippet.
The curly brackets and whatnot run the contained commands in a detached process (or something like that), which in this case means it will run slightly after the new file has been opened.
This solution is simple, but it has some caveats:
It’s not quite instantaneous. On my MacBook, it takes something like half a second until the caret is moved and the snippet expanded.
The snippet will not be expanded if you’re pressing other keys as the tab keystroke is sent. So if you use some key equivalent to create a new file from template, the snippet will not be auto-expanded unless you’ve released those keys by then. In that sense, the delay mentioned in the previous paragraph is a good thing.
Solving this without generating keystrokes would seem preferable. And it can be done, by using a perhaps little-known TextMate AppleScript command.
Insert as snippet
In the AppleScript dictionary for TextMate, there is a command insert Unicode text [as snippet boolean]
that will insert a piece of text into the active document, interpreting it as a snippet. This is quite useful.
The new code to add to the shell script is this:
1 2 3 |
|
The load_snippet.scpt
file contains the following AppleScript (and must be encoded in MacRoman, for the sake of the chevrons):
1 2 3 4 |
|
The AppleScript goes into the bundle support directory. mysnippet.code
is an additional template file that contains the actual snippet, e.g.
1
|
|
What happens is quite simply that the AppleScript is passed the name of the snippet file as an argument, reads the contents of that file and tells TextMate to insert that string as a snippet.
The benefits of this solution to the keystroke one is that it works even if you’re slow on releasing the key equivalent after creating a new file, and that you won’t have a snippet in your bundle for all to see that is just for setting up the template. It’s tucked away inside the support folder, safe and warm.
Install the Snipplate bundle and create a new file from its template, for a demonstration.
Update 2007-03-02
Thoroughly rewritten again, merging all edits. Sorry.
Update 2007-03-02b
Added downloadable example bundle. Realized the AppleScript shouldn’t be in the template directory, and that the snippet file should.