Vim documentation: pi_zip
main help file*pi_zip.txt* For Vim version 7.2. Last change: 2008 Jul 30 +====================+ | Zip File Interface | +====================+ Author: Charles E. Campbell, Jr<EMAIL_ADDRESS>(remove NOSPAM from Campbell's email first) Copyright: Copyright (C) 2005-2008 Charles E Campbell, Jr *zip-copyright* Permission is hereby granted to use and distribute this code, with or without modifications, provided that this copyright notice is copied with it. Like anything else that's free, zip.vim, zipPlugin.vim, and pi_zip.txt are provided *as is* and it comes with no warranty of any kind, either expressed or implied. By using this plugin, you agree that in no event will the copyright holder be liable for any damages resulting from the use of this software.
1. Contents *zip* *zip-contents* 1. Contents................................................|zip-contentsYXXY 2. Usage...................................................|zip-usageYXXY 3. Additional Extensions...................................|zip-extensionYXXY 4. History.................................................|zip-historyYXXY
2. Usage *zip-usage* *zip-manual* When one edits a *.zip file, this plugin will handle displaying a contents page. Select a file to edit by moving the cursor atop the desired file, then hit the <return> key. After editing, one may also write to the file. Currently, one may not make a new file in zip archives via the plugin. OPTIONS *g:zip_nomax* If this variable exists and is true, the file window will not be automatically maximized when opened. *g:zip_shq* Different operating systems may use one or more shells to execute commands. Zip will try to guess the correct quoting mechanism to allow spaces and whatnot in filenames; however, if it is incorrectly guessing the quote to use for your setup, you may use g:zip_shq which by default is a single quote under Unix ('') and a double quote under Windows ("). If you'd rather have no quotes, simply set g:zip_shq to the empty string (let g:zip_shq= "") in your <.vimrc>. *g:zip_unzipcmd* Use this option to specify the program which does the duty of "unzip". It's used during browsing. By default: let g:zip_unzipcmd= "unzip" *g:zip_zipcmd* Use this option to specify the program which does the duty of "zip". It's used during the writing (updating) of a file already in a zip file; by default: let g:zip_zipcmd= "zip"
3. Additional Extensions *zip-extension* Apparently there are a number of archivers who generate zip files that don't use the .zip extension (.jar, .xpi, etc). To handle such files, place a line in your <.vimrc> file: au BufReadCmd *.jar,*.xpi call zip#Browse(expand("<amatch>")) One can simply extend this line to accommodate additional extensions that should be treated as zip files.
4. History *zip-history* {{{1 v17 May 09, 2008 * arno caught a security bug v15 Sep 07, 2007 * &shq now used if not the empty string for g:zip_shq v14 May 07, 2007 * using b:zipfile instead of w:zipfile to avoid problem when editing alternate file to bring up a zipfile v10 May 02, 2006 * now using "redraw then echo" to show messages, instead of "echo and prompt user" * g:zip_shq provided to allow for quoting control for the command being passed via :r! ... commands. v8 Apr 10, 2006 * Bram Moolenaar reported that he received an error message due to "Pattern not found: ^.*\%0c"; this was caused by stridx finding a Name... at the beginning of the line; zip.vim tried 4,$s/^.*\%0c//, but that doesn't work. Fixed. v7 Mar 22, 2006 * escaped some characters that can cause filename handling problems. v6 Dec 21, 2005 * writing to files not in directories caused problems - fixed (pointed out by Christian Robinson) v5 Nov 22, 2005 * report option workaround installed v3 Oct 18, 2005 * <amatch> used instead of <afile> in autocmds v2 Sep 16, 2005 * silenced some commands (avoiding hit-enter prompt) * began testing under Windows; works thus far * filetype detection fixed Nov 03, 2005 * handles writing zipfiles across a network using netrw#NetWrite() v1 Sep 15, 2005 * Initial release, had browsing, reading, and writing
top - main help file


Data Source
This page contains various secondary data sources used to generate visualisations of this website. These are derived datasets from the raw data which are usually in json, csv or other formats. Usually, python language is used to process raw data to arrive at this datasets.
Interactive Tools Engagement data
Module Engagement data


Why Rodrygo Joined Real Over Liverpool Revealed
by SL InternationalWith Brazilian wonderkid Rodrygo making headlines for Real Madrid in recent weeks, it has now been revealed that the teenage sensation came close to signing for Premier League giants Liverpool before his move to Spain.
Read: Real Madrid Transfer News: Five Out, Five In?
The 18-year-old joined Los Blancos from Santos at the beginning of the season for a reported transfer fee of €45 million (R735 million), and has already scored five goals in six appearances for the club.
Included in his tally was a hat-trick against Galatasaray on Wednesday, which saw him become the second-youngest player ever to score a treble in the UEFA Champions League, behind only Real legend Raul.
Choose the right midfielder for SA's Real Madrid Dream Team & win a replica shirt!
Former Santos interim manager Elano has now revealed that things could have been very different for the Brazil starlet as he came close to signing for English giants Liverpool before his move to Madrid.
"There was a very strong interest from Liverpool for the boy when he was in the lower categories and he wanted to go, but the offer was low," Elano told ESPN.
"Then came the offer from Madrid. I had a talk with the club and told them it was worth betting on the boy and that I would like to work with him."
Click through the gallery below to see some other Brazilian players who have played for Real!
Rodrygo scored 10 goals in 49 appearances during his spell with Santos, and was named the Campeonato Paulista's Best Newcomer in 2018.


---
layout: layout
title: "publications"
---
Journal articles
- S. He, B. Shao, et al. Research on Bubble Imaging Mechanism and Its Influence on
Imaging Measurement Precision: Proceedings of the 9th National Congress on Hydrodynamics
and 22th Conference on Hydrodynamics Chengdu, China, Aug. 2009: 466-472. (in Chinese).
Download PDF
- S. He, Z. Nan, et al, Application and Comparative Analysis of Four Conceptual
Hydrological Models for Upper Reach of Heihe River Basin [J], Journal of China Hydrology,
2012(3): 13-19. (in Chinese). Download PDF
- S. He, Z. Nan, Application of Rank Set Pair Method to Predict Groundwater Dynamics [J],
Journal of Sichuan University: Engineering Science Edition, 2013(45, S2): 55-60. (in Chinese, EI).
Download PDF
Degree papers
- 2013: Meteorological forcing data evaluation and water heat processes simulation over the upstream
area of the Heihe River basin. (in Chinese). Download PDF
- 2010: Applications and comparative analyses of four conceptual hydrological models in the upper
stream area of the Heihe river basin. (in Chinese). Download PDF


[404] Looks like you've swum a little too far :(
Unfortunately we can't find the page you're looking for...
swim back?


It's July, 2011. It's freezing cold in the outside.
14 people voluntarily resign from a confortable job at a multinational to embrace RISK creating a startup.
YOU'VE GOT TO MAKE THIS MEANINGFUL!
WTF! #16
ΠWEEK = Personal Innovation Week
Did we choose Google's idea?
A % of your time?
NO.
Chaotic, difficult to track, no teams
Did we choose the
Hackathon day idea?
NO.
No momentum/critical mass, too much orientation
to solving daily problems vs creating stuff
TWO SIMPLE RULES
#1 JUST USE FREE&OPEN SOURCE SOFTWARE
#2 SHOW SOMETHING FUNCTIONAL BY FRIDAY NOON, PLEASE!
Who's ΠWEEK for?
People that follow the ACADEMIA Model
* NoT: not translatable (A for Learn, C for Build, D for Enjoy and M for Being Cool)
The real power, though, comes from inviting other fellow companies and individuals.
Different brains, different approaches
We want ΠWEEK to become a nationwide event by 2016.
The ΠWEEK concept was born at Kaleidos but that doesn't mean Kaleidos has to "manage" every ΠWEEK out there.
What about our clients?
You know what?
SMART CLIENTS LOVE ΠWEEK
and we don't allow ourselves to have non-smart clients
What about other companies?
You know what?

The Chances of a ΠWEEK project to be worth someone's "attention" is HIGH, but this is a collateral benefit.
We select the most attractive ones and either we invest
company's time into them or we prepare them to be
attractive for outside investors.
In every case, the team behind the project gets credit
and a % of whatever's the outcome.
Before the ΠWEEK
During the previous weeks, you have a feverish online&offline marketplace in which ideas and talent are traded.
It's cruel Darwinism at its best, the ideas that attracted enough manpower and mindshare are able to start on Monday.
...but you can always choose the RONIN path.
I couldn't withstand a second ΠWEEK next Monday
I barely slept three hours a day
I'M GONNA WIN THIS ΠWEEK!
This.is.beautiful!
I'm a leaf on the wind, look how I soar!
Oh no! They've got Francis!
Who's downloading pr0n? I need to git push this!
I need a frontend engineer here! I'll pay with chocolate bars!
TTPARO.ES
TTParo.es is a data mining tool for the Active Population Poll
in Spain (EPA) that aggregates unemployment-rate data across
different dimensions.
Taiga
Taiga is the online platform for agile projects where different disciplines can work together (UX, design, Frontend, Back, Client, etc). KISS approach and Wordpress-like business model
filteat.com
Ever wanted to quickly make up your mind through an endless
list of dishes at a restaurant? 10 seconds and you're done!
Next ΠWEEK is July 2014
We're looking for 20+ participants coming from 4+ companies
Freelancers welcome too!


ek website banao hehehe
Oooo bhaiii ye milega aapko project 01 mai
Student Attendence System
ClassRoom
Home
Admin
Faculty
Student
Contact
Feedback
Email Us


!High Priest Raymond:
There we go! Now you'll need to use the Light of Dawn teleporter here in the Temple to get to the Sanctum. Once there use your invisibility skills, move fast, and steer clear from the guards.
Oh, and the code! <IP_ADDRESS>. <IP_ADDRESS>. <IP_ADDRESS>. DO NOT forget it!
(See High Priest Raymond again to clear the Sentry Morph after abandoning the quest.)


| Fig 1 |
Study area. Sugar maple range (adapted from [ 18, 19]), mapl ... |
| Fig 2 |
Belief in climate change. a) Responses of the survey partici ... |
| Fig 3 |
Causes of climate change. a) Responses of the survey partici ... |
| Fig 4 |
General impacts of climate change. a) Responses of the surve ... |
| Fig 5 |
Exposure to past climatic events. Responses of the survey pa ... |
| Fig 6 |
Climate change and tap yield. a) Responses of the survey par ... |
| Fig 7 |
Climate change and maple syrup production. Responses of the ... |
| Fig 8 |
General statements on adaptation to climate change for maple ... |
| Fig 9 |
Specific adaptation measures. Responses of the survey partic ... |
| Fig 10 |
Adaptability and constraints to adaptation. 12. Responses of ... |


Education
- 2006 - 2011
- Ph.D. Linguistics
University of Michigan
Dissertation title: The Role of Socioindexical Expectation in Speech Perception
Steven P. Abney & Patrice Speeter Beddor, co-chairs
Julie Boland, Robin Queen, & Benjamin Munson, readers - 1996
- B.A. Linguistics
University of Michigan - 2007
- Summer Institute of the Linguistic Society of America
Stanford University - 2006
- JHU Summer School on Human Language Technology
Johns Hopkins University


ReceiveNetworkData()
Syntax
Result = ReceiveNetworkData(Connection, *DataBuffer, DataBufferLength)Description
Receives raw data from the specified client. This function can be used by both client and server applications and should be called only after having received a #PB_NetworkEvent_Data event.
Parameters
Connection The connection to receive data from. On the server side 'Connection' is the client which has send the data (ClientID can be easily obtained with EventClient()). On client side, 'Connection' is returned by OpenNetworkConnection(). *DataBuffer The memory address to receive the data to. DataBufferLength The length of the buffer to receive data to.
Return value
Returns the number of bytes received. If 'Result' is equal to DataBufferLength then more data is available to be read. If an error occurred on the connection (link broken, connection close by the server etc...) 'Result' will be -1.
Remarks
On UDP connections, the maximum 'DataBufferLength' is 2048. On TCP connections, the maximum 'DataBufferLength' is 65536.
See Also
NetworkClientEvent(), NetworkServerEvent(), SendNetworkData()
Supported OS
All


Yayoi Kusama was born in 1929 in Matsumoto, Nagano, Japan. At an early age she experienced hallucinations which included seeing lights and dots. In addition Yayoi believed she saw talking flowers and patterns of stones from the nearby river which would come to life in her waking dreams. It was such imagery that stirred the imagination of the young artist, who soon began to draw artistic inspiration from her own visions.
Yayoi’s home life was rather chaotic. Her parents could be abusive, and her father was often absent due to extra marital affairs. The artist was sent to work during the second world war, working in a factory sewing parachutes at the age of thirteen. It was a dark period of history for Japan which culminated in the atom bombings of Nagasaki and Hiroshima.
After the war Yayoi began to study painting, however she rejected the popular styles of her homeland in favour of a more avant-garde European approach. By 1950 the artist was creating and exhibiting abstract works often incorporating dotted imagery from her hallucinations. Yayoi soon became disenchanted with the Japanese art scene however and moved to New York hoping for a greater appreciation of her work. Here she befriended fellow artists Georgia O’Keeffe and Eva Hesse.
By the 1960s, Yayoi was producing work at a fast pace, including her Infinity room installations. Among the daring and often naked impromptu performances or ‘happenings’, she presided over during this era was one entitled ‘Homosexual Wedding’.
After a period of ill health Yayoi returned to her homeland in the early 1970s. Here she would undertake various activities from art dealership to writing and poetry. However, suffering from exhaustion, the artist soon entered a hospital for those suffering from mental illness. Nevertheless, Yayoi continued to produce artworks, her style changing to a more colourful approach. By the 1990s the artist began to exhibit her famous pumpkins which she viewed as embodying something of herself, akin to symbolic self-portraits. She continues to work well into her nineties.
In her later years Yayoi’s work has continued to achieve huge critical acclaim while also engaging and delighting huge audiences. Having worked in performance, film, poetry, installation, painting, sculpture, fashion and numerous other genres, it is true to say that Yayoi Kusama is a truly multitalented multimedia artist.
In her own words…..
‘I, Kusama, am the modern Alice in Wonderland.’


| 1 | /* | |
| 2 | * Licensed to the Apache Software Foundation (ASF) under one or more | |
| 3 | * contributor license agreements. See the NOTICE file distributed with | |
| 4 | * this work for additional information regarding copyright ownership. | |
| 5 | * The ASF licenses this file to You under the Apache License, Version 2.0 | |
| 6 | * (the "License"); you may not use this file except in compliance with | |
| 7 | * the License. You may obtain a copy of the License at | |
| 8 | * | |
| 9 | * http://www.apache.org/licenses/LICENSE-2.0 | |
| 10 | * | |
| 11 | * Unless required by applicable law or agreed to in writing, software | |
| 12 | * distributed under the License is distributed on an "AS IS" BASIS, | |
| 13 | * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. | |
| 14 | * See the License for the specific language governing permissions and | |
| 15 | * limitations under the License. | |
| 16 | */ | |
| 17 | ||
| 18 | package org.apache.commons.codec; | |
| 19 | ||
| 20 | import java.util.Comparator; | |
| 21 | ||
| 22 | /** | |
| 23 | * Compares Strings using a {@link StringEncoder}. This comparator is used to sort Strings by an encoding scheme such as | |
| 24 | * Soundex, Metaphone, etc. This class can come in handy if one need to sort Strings by an encoded form of a name such | |
| 25 | * as Soundex. | |
| 26 | * | |
| 27 | *
This class is immutable and thread-safe.
 | |
| 28 | * | |
| 29 | * @version $Id$ | |
| 30 | */ | |
| 31 | @SuppressWarnings("rawtypes") | |
| 32 | // TODO ought to implement Comparator<String> but that's not possible whilst maintaining binary compatibility. | |
| 33 | public class StringEncoderComparator implements Comparator { | |
| 34 | ||
| 35 | /** | |
| 36 | * Internal encoder instance. | |
| 37 | */ | |
| 38 | private final StringEncoder stringEncoder; | |
| 39 | ||
| 40 | /** | |
| 41 | * Constructs a new instance. | |
| 42 | * | |
| 43 | * @deprecated Creating an instance without a {@link StringEncoder} leads to a {@link NullPointerException}. Will be | |
| 44 | * removed in 2.0. | |
| 45 | */ | |
| 46 | @Deprecated | |
| 47 | public StringEncoderComparator() { | |
| 48 | this.stringEncoder = null; // Trying to use this will cause things to break | |
| 49 | } | |
| 50 | ||
| 51 | /** | |
| 52 | * Constructs a new instance with the given algorithm. | |
| 53 | * | |
| 54 | * @param stringEncoder | |
| 55 | * the StringEncoder used for comparisons. | |
| 56 | */ | |
| 57 | public StringEncoderComparator(final StringEncoder stringEncoder) { | |
| 58 | this.stringEncoder = stringEncoder; | |
| 59 | } | |
| 60 | ||
| 61 | /** | |
| 62 | * Compares two strings based not on the strings themselves, but on an encoding of the two strings using the | |
| 63 | * StringEncoder this Comparator was created with. | |
| 64 | * | |
| 65 | * If an {@link EncoderException} is encountered, return 0. | |
| 66 | * | |
| 67 | * @param o1 | |
| 68 | * the object to compare | |
| 69 | * @param o2 | |
| 70 | * the object to compare to | |
| 71 | * @return the Comparable.compareTo() return code or 0 if an encoding error was caught. | |
| 72 | * @see Comparable | |
| 73 | */ | |
| 74 | @Override | |
| 75 | public int compare(final Object o1, final Object o2) { | |
| 76 | ||
| 77 | int compareCode = 0; | |
| 78 | ||
| 79 | try { | |
| 80 | @SuppressWarnings("unchecked") // May fail with CCE if encode returns something that is not Comparable | |
| 81 | // However this was always the case. | |
| 82 | final Comparable<Comparable<?>> s1 = (Comparable<Comparable<?>>) this.stringEncoder.encode(o1); | |
| 83 | final Comparable<?> s2 = (Comparable<?>) this.stringEncoder.encode(o2); | |
| 84 | compareCode = s1.compareTo(s2); | |
| 85 | } catch (final EncoderException ee) { | |
| 86 | compareCode = 0; | |
| 87 | } | |
| 88 |
1
1. compare : replaced return of integer sized value with (x == 0 ? 1 : 0) → KILLED |
return compareCode; |
| 89 | } | |
| 90 | ||
| 91 | } | |
Mutations | ||
| 88 |
1.1 |


'1980-01-01' AND album.albumID=aacreate.albumID AND aacreate.artistID=artist.artistId");
echo "
Query1: Find out the names of the Albums and the corresponding Artist that published the Album later than 1980-01-01:
";
$url = urlencode("SELECT SUM(track.length) FROM track, album, athas WHERE album.yearPublish>'1980-01-01' AND track.releaseDate=athas.releaseDate AND track.trackName=athas.trackName AND album.albumID=athas.albumID");
echo "
Query2: Find out the total length of the tracks that belong to the albums published later than 1980-01-01
";
$url = urlencode("SELECT album.name FROM album, track, athas WHERE album.albumID=athas.albumID AND track.releaseDate=athas.releaseDate AND track.trackName=athas.trackName AND track.trackName IN (SELECT pthas.trackName FROM pthas, playlist,track WHERE playlist.listName='Roadtrip Pop' AND playlist.listID=pthas.listID AND track.releaseDate=pthas.releaseDate AND track.releaseDate=pthas.releaseDate);");
echo "
Query3: Find out the album name that has the track in a playlist named ‘Roadtrip Pop’
";
$url = urlencode("SELECT name, listName, trackName FROM Users, Playlist, Track WHERE name LIKE '%gar%' AND listName LIKE '%90s%' GROUP BY listName");
echo "
Query4: Find out which user is listen to what track with the name has “gar” in it and they are listen to music in 90s
";
$url = urlencode("SELECT COUNT(DISTINCT(labelID)) FROM RAHas");
echo "
Query5: Select and count how many unique labelID from the relation between RecordLabel Table and Artist Table


% include com/stdhead.html %>
<%- include('com/nav.html', {navClass: ''}) %>
Recent activity
<% include com/activity.html %>
<% include com/footer.html %> <% include com/stdjs.html %>


To highlight:
1. Click on the middle icon on the top toolbar to select a color.
2. Click the bullet you want highlighted.
To unhighlight:
1. On the top toolbar, click on the middle icon to select the clear color (on the very right).
2. Click the bullet you want unhighlighted.


About
Work
Contact
Hey i'am Mimic.
a web developer
These are some of my projects..
Tribute Page
Random Quote Machine
Let's work together...
How do you take your coffee?


Class: Sketchup::OptionsProvider
| Relationships | |
| Super Chains via Extension / Inclusion / Inheritance | |
|
Instance Chain:
self,
Enumerable
|
|
| Inherits: | Object |
Overview
An OptionsProvider
class provides various kinds of options on a Model
. You get an OptionsProvider
from the OptionsManager
. The options are given as name/value pairs.
List of keys added in different SketchUp versions:
UnitsOptions
-
AreaUnit
(SketchUp 2019.2) -
VolumeUnit
(SketchUp 2019.2) -
AreaPrecision
(SketchUp 2020.0) -
VolumePrecision
(SketchUp 2020.0)
-
The AreaUnit
and VolumeUnit
options in UnitsOptions
only applies if the UnitFormat
is Length::Decimal
.
Instance Method Summary
-
#[](index) ⇒ Object
The [] method is used to get a value by name or index of the key.
-
#[]=(key, value) ⇒ Object
The []= method is used to set the value of a specific key.
-
#add_observer(observer) ⇒ Object
The add_observer method is used to add an observer to the current object.
- #count ⇒ Integer
-
#each {|key, value| ... } ⇒ nil
The #each method is used to iterate through all of the options.
-
#each_key {|key| ... } ⇒ nil
The #each_key method is used to iterate through all of the attribute keys.
-
#each_pair {|key, value| ... } ⇒ nil
The #each method is used to iterate through all of the options.
-
#each_value {|value| ... } ⇒ nil
The #each_value method is used to iterate through all of the attribute values.
- #has_key?(name) ⇒ Boolean
-
#key?(name) ⇒ Boolean
The #key? method is used to determine if the options provider has a specific key.
-
#keys ⇒ Object
The #keys method is used to retrieve an array with all of the attribute keys.
- #length ⇒ Integer
-
#name ⇒ Object
The name method is used to retrieve the name of an options provider.
-
#remove_observer(observer) ⇒ Object
The remove_observer method is used to remove an observer from the current object.
-
#size ⇒ Integer
The #size method is used to retrieve the size (number of elements) of an options provider.
Instance Method Details
#[](index) ⇒ Object
#[](name) ⇒ Object
Object
#[](name) ⇒ Object
The [] method is used to get a value by name or index of the key.
#[]=(key, value) ⇒ Object
The []= method is used to set the value of a specific key.
Creates a new attribute for the given key if needed.
#add_observer(observer) ⇒ Object
The add_observer method is used to add an observer to the current object.
#count ⇒ Integer
Since SketchUp 2014 the count method is inherited from Ruby’s Enumerable
mix-in module. Prior to that the #count
method is an alias for #length.
#each {|key, value| ... } ⇒ nil
The #each
method is used to iterate through all of the options.
#each_key {|key| ... } ⇒ nil
The #each_key
method is used to iterate through all of the attribute keys.
#each_pair {|key, value| ... } ⇒ nil
The #each method is used to iterate through all of the options.
#each_value {|value| ... } ⇒ nil
The #each_value
method is used to iterate through all of the attribute values.
#has_key?(name) ⇒ Boolean
The #has_key?
method is an alias for #key?.
#key?(name) ⇒ Boolean
The #key?
method is used to determine if the options provider has a specific key.
#keys ⇒ Object
The #keys
method is used to retrieve an array with all of the attribute keys.
#length ⇒ Integer
The #length
method is an alias of #size.
#name ⇒ Object
The name method is used to retrieve the name of an options provider.
#remove_observer(observer) ⇒ Object
The remove_observer method is used to remove an observer from the current object.
#size ⇒ Integer
The #size
method is used to retrieve the size (number of elements) of an options provider.


{include file="common/meta" /}
< class="wrapper">
{include file='common/header' /}
{if $fixedmenu}
{/if} {if $referermenu}
{/if}
{if empty($_w_copyright)} {/if}
{include file="common/control" /} {include file="common/script" /}


A$AP Rocky returns to Sweden months after assault conviction
by The Associated PressSTOCKHOLM -- A$AP Rocky will perform in Sweden several months after he was convicted of assault in a street brawl.
Concert promoter Live Nation says the rapper will return to Stockholm "after tremendous support from the Swedish fans." The artist is due to perform Dec. 11 at Stockholm's Ericsson Globe arena.
A$AP Rocky, whose real name is Rakim Mayers, was convicted of assault for a June 30 street brawl in Stockholm. He pleaded self-defence, saying he tried to avoid a confrontation with two men who were following his entourage.
On Aug. 14, Mayers and his two bodyguards were given "conditional sentences," meaning they won't serve prison time unless they commit a similar offence in the future.
U.S. President Donald Trump had weighed in to support the Grammy-nominated recording artist.


Please fill in at least your email address or phone number.
All information submitted through out website are subject to our privacy policy.


Frame-It Photography
by DCNP(ics)
My name is Deron Cannon This is a
compilation
of photos that stoood out to me
while browsing
the
internet
. Thank you for visiting more photos added on a regulag basis. More projects to come.
Deron CannoN Project


Movable Type User Manual: Textile
« Table of Contents
Textile
The Textile text formatting option takes a lot of the pain out of HTML composition.
Textile works by looking at your text in terms of lines and paragraphs. Paragraphs
are composed of one or more lines, separated by a single new-line character. Paragraphs
are separated by one or more blank lines.
Block Formatting
For each new paragraph, you may begin the paragraph with one of the following markers:
- hn. A lowercase 'h', followed by the number 1-6, followed with a period (.)
and a space begins a heading tag. The tag will be numbered after the number you specify. The
entire block will be enclosed in the header tag.
- bq. A lowercase 'bq.' and a space will define a blockquote block.
- p. A lowercase 'p.' and a space will define a paragraph tag. This is the default if
no other marker is specified.
- # A block beginning with '#' and a space will start a numbered list. Each additional new line beginning with '#' and a space will become a new numbered item.
- * A block beginning with '*' will start a bulleted list. Each additional new line beginning with '*' and a space will become a new bulleted item.
- == A block beginning with '==' will cause Textile to turn off its formatting rules until it reaches the ending '==' (which may be at the end of the current paragraph or some later paragraph).
- Wiki Tables You can use Wiki-style syntax to build simple tables.
All these markers must be at the beginning of the new paragraph, without any leading spaces.
If line breaks exist within the block, they will be translated into <br /> tags
automatically. And optionally, you may add a CSS class name in parenthesis
preceding the period of the heading, blockquote or paragraph markers. If a CSS class name
is given in this way, it will be assigned to the block tag.
You may also use regular block formatting HTML tags if you prefer.
Inline Formatting
Within each block, the following inline formatting shortcuts are provided:
- _emphasis_: Text surrounded underscores will
be formatted using the <em> tag.
- *strong* Text surrounded by asterisks will be formatted
using the <strong> tag.
- ??citation?? Text surrounded by a pair of question
marks, it will be formatted using the <cite> tag.
- -
deleted text- Text surrouned by a single dash will
be formatted using the <del> tag.
- +inserted text+ Text surrounded by plus signs will
be formatted using the <ins> tag.
- ^superscript^ Text surrounded by caret characters
will be formatted using the <sup> tag.
- ~subscript~ Text surrounded by tilde characters
will be formatted using the <sub> tag.
- "linktext":url Text within quotes followed with a colon and
a URL (fully qualified or relative) will be formatted into a hyperlink. You can
also add a title for the <a> like this:
"linktext (title)":url
.
- !image_url! A URL (fully qualified or relative) within exclamation
characters will be formatted into an <img> tag. You can also add 'alt' text for
the <img> tag like this:
!image_url(alt text)!
- ABC(Acronyms Be Cool) Uppercase alpha-numeric characters followed
by text in parenthesis will be formatted into an <acronym> tag (using the
parenthetic text for the 'title' attribute).
A series of two or more uppercase alpha-numeric characters will be wrapped with
a <span> tag and assigned the 'caps' class.
You can also use regular HTML tags when composing your entries. Also, special
characters within your entry text such as <, >, &, international and symbol
characters will automatically be escaped into equivalent HTML entities.
If you use a <pre> tag, it isn't necessary to escape special characters within
it-- they will be automatically escaped, until the closing </pre> tag is reached.
Character Formatting
- (tm) translates to ™
- (c) translates to ©
- (r) translates to ®
- nxn When letter 'x' is surrounded with digits, it is translated
to the × character.
Additionally, the raw symbols for ™, © and ® will be escaped to
HTML entities. Most international characters and symbols will also be escaped to
HTML entities.
Unescaped & characters within tag attributes will be escaped automatically.
If you have the Smarty Pants
Movable Type plugin installed, it will automatically be used to 'educate' your quotes, ellipsis
and dashes to their typographic counterparts.
Credits
The Textile text formatting code for Movable Type was written
by Brad Choate.
The Textile formatting syntax was developed by
Dean Allen. Many thanks to Dean for his
permission to adapt Textile for use in Movable Type.
Copyright © 2001-2003 Ben Trott and Mena Trott. All Rights Reserved.


{% comment %} Include this template to build basic search controls for permissions.FilterSet. {% endcomment %}


Acrylic, collage and charcoal on canvas 101cm x 75cm Framed Unavailable
Acrylic, collage and charcoal on canvas 75.5cm x 50.5cm Unframed R 8000
Acrylic, collage and charcoal on canvas 89cm x89cm Framed R 9500
Acrylic and oil on canvas 101cm x 75cm Framed Sold
Water colour and charcoal on paper 68.5cm x 100cm Unframed R3000
Water colour and charcoal on paper 70cm x 88cm Unframed R 3000
Water colour and charcoal on paper 70.5cm x 100cm Unframed R 3000
Water colour and charcoal on paper 72.5cm x 98cm Unframed R 3000
Water colour and charcoal on paper 100cm x 70cm Framed R 6000
Water colour and charcoal on paper 100cm x 70cm Unframed R 3000
Water colour and charcoal on paper 100cm x 70,5cm Framed Sold


WORK IN PROGRESS: Generates symmetric bit sculptures using simplex noise starting from one point in the matrix


code.language-xxxx
), done!
.comment
, .string
, .property
etc
Prism is used on several websites, small and large. Some of them are:
It’s also used on the personal blog of Brendan Eich, creator of JavaScript itself!
The Prism source, highlighted with Prism (don’t you just love how meta this is?):
This page’s CSS code, highlighted with Prism:
This page’s HTML, highlighted with Prism:
This page’s logo (SVG), highlighted with Prism:
If you’re still not sold, you can view more examples or try it out for yourself.

(on its own) or

Prism does its best to encourage good authoring practices. Therefore, it only works with
elements, since marking up code without a
element is semantically invalid.
According to the HTML5 spec, the recommended way to define a code language is a language-xxxx
class, which is what Prism uses.
To make things easier however, Prism assumes that this language definition is inherited. Therefore, if multiple
elements have the same language, you can add the language-xxxx
class on one of their common ancestors.
This way, you can also define a document-wide default language, by adding a language-xxxx
class on the
or
element.
If you want to opt-out of highlighting for a
element that is a descendant of an element with a declared code language, you can add the class language-none
to it (or any non-existing language, really).
The recommended way to mark up a code block
(both for semantics and for Prism) is a

element with a
element inside, like so:

p { color: red }

If you use that pattern, the

will automatically get the language-xxxx
class (if it doesn’t already have it) and will be styled as a code block.
If you want to prevent any elements from being automatically highlighted, you can use the attribute data-manual
on the
If you want to use Prism on the server or through the command line, Prism can be used with Node.js as well. This might be useful if you're trying to generate static HTML pages with highlighted code for environments that don't support browser-side JS, like AMP pages.
You can install Prism for Node.js by running:
$ npm install prismjs
Example:
var Prism = require('prismjs');
// The code snippet you want to highlight, as a string
var code = "var data = 1;";
// Returns a highlighted HTML string
var html = Prism.highlight(code, Prism.languages.javascript);
This is the list of all languages currently supported by Prism, with their corresponding alias, to use in place of xxxx
in the language-xxxx
class:
Plugins are additional scripts (and CSS code) that extend Prism’s functionality. Many of the following plugins are official, but are released as plugins to keep the Prism Core small for those who don’t need the extra functionality.
No assembly required to use them. Just select them in the download page.
It’s very easy to write your own Prism plugins. Did you write a plugin for Prism that you want added to this list? Send a pull request!
Several tutorials have been written by members of the community to help you integrate Prism into multiple different website types and configurations:
Please note that the tutorials listed here are not verified to contain correct information. Read at your risk and always check the official documentation here if something doesn’t work :)
Have you written a tutorial about Prism that’s not already included here? Send a pull request!


Specs |
||
| Operating System | Windows 10 Home | |
| Processor | Intel Celeron N2840 Processor | 1M Cache, up to 2.58 GHz |
| Graphics | Mobile Intel HD graphics with shared graphics memory | |
| Memory | 2 GB DDR3L 1333MHz | |
| Storage | 500GB 5400RPM Serial ATA hard disk drive | |
| Display | 15.6" widescreen TruBrite TFT display | |
| Sound | Build-in stereo speakers | |
| Input Devices | Standard keyboard with 10-key Touch pad pointing device with multi-touch control |


( a) Plot of publications number in the last decade: on perovskite materials (blue columns), on lead-free perovskite materials (orange squares), and on perovskite NCs (orange triangles). ( b) Plot of publications number in the last decade: On lasing (orange columns), on lasing in perovskite materials (black circles).


Our obvious home, CCLS
While we have several repositories, only ODMS, HTML Test and CLIC are actually active. All others are effectively historic.


| Sprites.gob | ifusion.fme | fusion cutter |
| " | ipower.fme | ammo for fusion |
| " | weimiss.wax | fusion ball shot |
| " | emisexp.wax | fusion shot explosion |
| Textures.gob | fusion1.bm | fusion cutter at rest |
| " | fusion2.bm | barrel #1 firing |
| " | fusion3.bm | barrel #2 firing |
| " | fusion4.bm | barrel #3 firing |
| " | fusion5.bm | barrel #4 firing |
| " | fusion6.bm | all barrels firing |
| Sounds.gob | ex-tiny1.voc | fusion shot explosion sound |
| " | fusion1.voc | fusion cutter shot |
| " | fusion2.voc | fusion cutter empty |


Seeing the history of Java we can easily say, Java had troubles adapting functional programming. Recently Oracle has made some efforts to bring functional programming pattern to Java. In this blog we are going to discuss about Java lambda and functional programming.
Functional programming focused mainly on three points while function creation pure functions, avoid sharing state and immutable variables.
In Java world methods were part of the class and they used to use instance state (object properties) and modify them. But pure function concept says method return should solely be based on method argument and it shouldn’t share state. Immutable variables are never changed in whole function call they create a copy of the value, such as primitive types. Perks of functional programming function can be passed as an argument and returned same as the objects.
For example
To support functional programming Java had to support methods without a class. As you might be aware to create a method in Java we always needed a class but functional programming requires the function to be independent of class.
Here just to add two integers we had to create a class and to access methods you need to create class object and access. But as you can see this function is a pure function, it doesn’t use object state and return the values based on input variables. For this Java 8 introduced function interfaces.
Let’s forget about the interface, what just happened with line 2. You must have seen in Javascript something like this.
In javascript, we save function definition in a variable and call it later same even Java 8 provides the way to achieve it. The only issue remains Java doesn’t have a ‘var’ keyword so it usage interface/abstract class with only 1 abstract method. The whole interface/class is created only for that function. This was a quick introduction on the functional interface and harness full power of these interfaces we have lambda way coding. Please check part 2 of this blog.


class: top, left, inverse, title-slide # Education & Globalization ## Session 27 ### Dr. Zhou Yisu 周憶粟 ### 2018/11/22 --- # Where do we come from? According to Ritzer & Dean: >globalization is a transplanetary .orange[process] or set of .orange[processes] involving increasing .orange[liquidity] and the growing multidirectional .orange[flows] of people, objects, places, and information as well as the .orange[structures] they encounter and create that are .orange[barriers] to, or .orange[expedite], those flows... Globalization is .orange[dynamic] 動態, always creates new .orange[linkages] 鏈接. ??? Depending on how one counts, this process has been going on for for hundreds or thousand of years. In our sensible time, since world war II. --- ## Globalization is not new - Various forms of ".red[flow]" exist throughout human history (i.e. the Greatest Walk; Tang China) - Facilitated by trade, exploration, conqure, and other human behaviors. - It is a process in the making (.orange[advancement & setback]) - It creates extreme .orange[unevenness] (全球化的果實和風險的分配極端不均衡) -- ## Today's globalization is inherited from the past - Imperialism & Colonialism legacy - Advancement of the West and the rise of the East - Creation of the nation state as the main actor, an imagined community. But also threatened/undermined by the globalization process. - A world system built under America's image but encounter increasing challenges --- # Where are we now? ### Big Picture: China rising & West stagnating ![](https://www.ft.com/__origami/service/image/v2/images/raw/http%3A%2F%2Fcom.ft.imagepublish.prod.s3.amazonaws.com%2F3495fc40-6ca8-11e7-bfeb-33fe0c5b7eaa?source=next&fit=scale-down&width=700) --- ## Big Picture: China rising It is not the first successful case under globalization: - Japan in 1960s - South Korea, Hong Kong, and Taiwan in 1970s - Singapore in 1980s -- What makes China's rise special? - Not being incorporated into the American system (some times even defy it) - Its sheer size of population, market size, and wealth. Unprecedented. - See Chu Yun-han (朱雲漢)'s talk in the resource section --- ## Consequences: Brazil ![](https://gdurl.com/ipdj) .footnote[Source: Financial Times https://www.ft.com/content/1d803686-c48e-11e7-b2bb-322b2cb39656] --- ## Consequences: Australia China is interested in: - [farmlands](https://www.npr.org/sections/thesalt/2017/06/20/532915180/why-is-china-snatching-up-australian-farmland) - [houses (mostly as assest)](http://www.abc.net.au/news/2017-10-06/impact-of-chinese-buyers-on-australian-house-prices/9021938) - [raw materials, such as minerals, logs, coals](https://www.bloomberg.com/news/special-reports/china-australia-investment) - [education](http://www.smh.com.au/business/china/australia-playing-a-big-role-in-chinas-economic-revolution-20160327-gnrzo2.html) ![](http://ichef-1.bbci.co.uk/news/624/cpsprodpb/A0C4/production/_83965114_anti-foreigninvestmentgetty.jpg) --- ## What does this mean? .violet[Are we going to follow the West's footstep? Repeat the same mistakes?] - Reap the benefits by a few - Leaving the costs to the mass -- .violet[Is there any alternatives we could provide for the rest of the developing world? (i.e. the bottom billion)] - More equal - More environment friendly - Providing more opportunity to the mass -- Many of you will go abroad: work, study, live. You will be in a different position as you are here today. .violet[How will you act?] ??? When facing admiration, challenge, even discrimination --- # Where do we go from here? -- ## Position yourself International relation scholar Simon Shen (沈旭暉, CUHK) suggested we think from these three levels: - __Local__ 本土·情懷 - __National__ 國家·關懷 - __International__ 國際·關注 What makes Macao successful? Taking an analogy: A unique combination of .orange[Macao identity] 澳門的身份, .orange[contribution to the nation] 對國家的貢獻, .orange[international relevance] 同世界的接軌 --- ## Keywords .orange[Glocal] & .orange[Grobal] - Ideas travel - Even the same idea will be interpreted by people at different levels (international, national, local) - The result is typically a .violet[hybridization] or contested by various forces -- .orange[Slash Identity] 斜槓青年: - I am a father/teacher/researcher/geek/citizen - Transition among multiple identities + Consume + Socialize + Create + Work - .violet[One in all and all in one]: each demands different responsibility and efforts --- ## Fluidity 流動性 & Ambiguity 模糊性 -- Not just identity, but geographic location tends to create space and define boundry but so are our actions. ![](http://images.chinahighlights.com/allpicture/2015/04/b7c9eca43b6c482ab6c3ee59.jpg) --- ## What would you do? These questions are unavoidable: - How would you respond to the unevenness? - Would you take advantage of globalization? - How would you prepare for the negative impact? -- The dynamics between .orange[Structure] 結構 - .orange[Agency] 能動: - Transformation 改變 - Resistance 抵抗 - Connectedness 鏈接 - etc --- ## Some advice - .violet[Learn different things]: They will make your life more fulfilling + Not just trolling the internet + Or fill your mind with evanescent information: consumption goods, friends behavior, clothing, etc. -- - .violet[Master one thing]: By and large, "knowing how" matters more than "knowing what" in work + Not finding things, but how things work + Knowing is not to find fact, content, discrete bits of information + Knowing is about _associating things with each other_. -- - .violet[You don't have to be a genius to do creative work]: Individual smart/talent is overrated -- - .violet[Learn, unlearn, and relearn]: This is how you deal with _unpredictability_. The world and your career are unpredictable, so you need periodically recreate yourself. -- - .violet[You are never going to catch up, and neither is anyone else] ---  --- background-image: url(https://gdurl.com/ShDU) background-size: contain --- ## Have a peace of mind, think of wave
via GIPHY
 Some things comes fast, others don't. We live in the moment of this era of great technological advancement and innovation. But don't let the rapid change fool you: The basic science framework (quantum mechanics, plate tectonics, evolutionary theory, or cultural relativism), all developed since 1870s - 1950; the WWW is created only 1989; WeChat is created in 2011. --- class: reverse, center, middle ## In a time of great changes, learn to live with constraints but seek freedom & truth. --- background-image: url(https://mfas3.s3.amazonaws.com/objects/SC226475.jpg) background-size: contain class: center, top ## How? You need to see what others don't see .footnote[ Image credit: [Paul Gauguin 保羅·高更, 1897, Museum of Fine Arts Boston](https://www.mfa.org/collections/object/where-do-we-come-from-what-are-we-where-are-we-going-32558)] --- "Yes, it's easy enough to look at the painting and to come up with things to think about it. But how much richer they are when you know already the many different traditions of imagining the visual world, when you can understand the detailed references the painter made to those traditions, .cyan[when your immediate knowledge of the painting's social and cultural context makes you literally see dozens of things that aren't there if you don't know those contexts]. It's the same argument." "The experience becomes “bigger” because you are educated. Not merely in the sense that you can look at the painting longer without being bored, .cyan[but also in that within a single look you will see more]. And note that education doesn't lie simply in knowing the whole of the dead list of facts and contexts of who taught whom and which style was which, .cyan[but rather in taking such facts as you do know and playing with them and the painting]." .footnote[Source: Andrew Abbott/University of Chicago (https://aims.uchicago.edu/node/79)] --- class: blackbg, center .pull-left[ ![](https://i.blogs.es/e5273c/uklbymwk-4x5-600dpi/450_1000.jpg) ] .pull-right[ ### .yellow["Truth is a matter of the imagination."] from _The left hand of darkness_ (1969) by Ursula Le Guin (1929-2018) .kt[“.yellow[真實攸關想象]”] ，出自 娥蘇拉‧勒瑰恩『黑暗的左手』(1969) ] ??? Le Guin: "Truth is a matter of the imagination. The soundest fact may fail or prevail in the style of its telling: like that singular organic jewel of our seas, which grows brighter as one woman wears it and, worn by another, dulls and goes to dust. Facts are no more solid, coherent, round, and real than pearls are. Abbott: "This flash of enlightenment, is the emergence of the habit of looking for new meanings, of seeking out new connections, of investing experience with complexity or extension that makes it richer and longer, even though it remains anchored in some local bit of both social space and social time." --- ## Important dates Student feedback quesionnaire: .green[now until 30/11] (https://isw.umac.mo/siweb) Submission period of final project: .green[26/11 - 30/11 (23:55)] Project display & comment: .green[now until 05/12 (23:55)] Submitting any previous assignments/quiz/comments: .green[until 24/11 (23:59)] --- ## Resources - Martin Wolf, Financial Times, [_Seven charts that show how the developed world is losing its edge_](https://www.ft.com/content/1c7270d2-6ae4-11e7-b9c7-15af748b60d0) - Political scientist Chu Yun-han (朱雲漢) from National Taiwan University /講題：逆全球化潮流與全球治理改革的新動力 + Online：https://www.youtube.com/watch?v=rB6HqNTyqaM + Transcript：http://www.guancha.cn/ZhuYunHan/2017_11_29_436942_s.shtml


http://www.speakers-podium.com/susangranger.
Susan Granger's review of "ALL ABOUT MY MOTHER" (Sony Pictures Classics)
This is the foreign language picture you'll be hearing about in the coming awards season. It's the 13th film and best work so far from Spanish film-maker Pedro Almodovar, who gave us unconventional fare like The Flower of My Secret, Live Flesh, and Women on the Verge of a Nervous Breakdown. This baroque, non-judgemental film about femaleness - what it means to be female - tells the story of Manuela (Cecilia Roth), whose teenage son is killed by a car. Honoring her son's wish to learn more about the father he never knew, she goes she goes back to her native Barcelona to locate the man she fled from nearly 20 years earlier - a man now known as Lola. Finding herself amidst drug addicts and transvestite hookers, she befriends another former companion, Agrado (Antonio San Juan), who introduces her to Sister Rosa (Penelope Cruz), a nun whose own secret connection to Manuela is cleverly interwoven into the criss-crossing fabric of coincidences and interconnections as she comes to reconcile with ghosts from her past. For inspiration in creating these characters, Almodovar draws on many sources: A Streetcar Named Desire, echoing Blanche Dubois' famous line: "I've always depended on the kindness of strangers...", All About Eve, from which the title and character comes, and, primarily, John Cassavetes' Opening Night, in which a Broadway actress (Gena Rowlands) is haunted by the accidental death of an idolatrous young woman. But Almodovar creates a fascinating, often hilariously funny work that stands on its own, evolving into a magnificent, if melodramatic, meditation on female solidarity. Almodovar calls it a "screwball drama." On the Granger Movie Gauge of 1 to 10, All About My Mother is a poignant 10. It's 1999's best foreign language film.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


kinda
Score
Nav
kinda
What To-Do to be kinder
Read something uplifting
Go to bed early
Appreciate 3 things about myself today


foo
, you must create plugins/db/foo.sh.The configuration must be shown in the header comment, e.g.
#
# @file
# Handles the database export using foo
#
# database:
# handler: foo
# foo: bar
#
It must provide a backup of the database using whatever config it wants and place it in $path_to_stage
.
$APP_ROOT
as the cwd.$database_dumpfile
as the output filename.exit_with_failure*
fail_because
and exit non-zero. You may also use write_log_error
as appropriate.


What is a responsive site? Why is responsiveness important?
Responsive Web design is the approach that suggests that design and development should respond to the user’s behavior and environment based on screen size, platform and orientation. It is an approach to design that enables the user to have the same experience regardless of the device or screen size they are viewing the content on.
What is mobile first design and why is it important?
The mobile-first approach is exactly as it sounds: designing for the smallest screen and working your way up. It is one of the best strategies to create either a responsive or adaptive design.
What are frameworks, what are their pros and cons?
A CSS framework is a pre-prepared software framework that is meant to allow for easier, more standards-compliant web design using the Cascading Style Sheets language. Most of these frameworks contain at least a grid. Pros of using a framework include:
- Speeds up development
- Enables cross border functionality
- Gives clean, symetrical layouts
- Enforces good web-design habits
However, the cons include:
- Restricted freedom
- Adds extra code
- Forces you to use the frameworks semantics
I personally can see the benefits of using a framework once you understand the code inside them, but until you reach that point they can be very confusing. I think it will take a couple of practices to really get up to speed with them.
Aspects of my wireframes I found difficult to implement?
Almost all of them to be honest - just need more practice and time of course. I had particular difficulty with my hero image, and getting any images to link into the CSS for some reason. I'm sure it's just a small attention to detail thing. I also struggled to use the frameworks to help me reach my desired outcome.


| Modifier and Type | Interface and Description |
|---|---|
interface |
IDatastore<T extends ISyncable>
Datastore interface used by SyncManager.
|
class |
SyncManager<L extends ISyncable,R extends ISyncable>
Manages 2-way synchronization of local and remote datastores.
|
class |
SyncManager<L extends ISyncable,R extends ISyncable>
Manages 2-way synchronization of local and remote datastores.
|
| Modifier and Type | Method and Description |
|---|---|
void |
ISyncable.mapFromLocal(ISyncable local)
Map fields from local syncable data instance.
|
void |
ISyncable.mapFromRemote(ISyncable remote)
Map fields from remote syncable data instance.
|


Winter is coming.. We can help
Start Now!
Do not panic, DevDesk Queue is on the way. With DevDesk Queue students
can ask for help, log in and have the ability to see tickets that
are currently open for help.
You are not alone, DevDesk Queue provides student with professional and qualified assistant aide that will not stop until the issue is completely resolved.
DevDesk Queue is the place where students can escalate their concerns and receive help instantaneously. Stress free way to great support and students guaranteed satisfaction.


evaluation techniques in teaching
Evaluation of Teaching Practice Guide - Higher Education Academy
Evaluation of Teaching. 3. How to Evaluate? Here again the range of methods is very large and, for practical purposes, has to be curtailed. However, it is certain .
http://www.heacademy.ac.uk/assets/ps/documents/practice_guides/practice_guides/ps0073_evaluation_of_teaching_oct_2005.pdf
Self-Evaluation Techniques for Teachers, Teaching Tips of - Glencoe
Successful teachers continuously evaluate the effectiveness of their teaching style. For professional educators, the goal is always the same: monitor and adjust .
http://www.glencoe.com/sec/teachingtoday/weeklytips.phtml/80
Teacher Evaluation Techniques | eHow.com
Teacher Evaluation Techniques. Evaluators must know the teacher behaviors that affect learning the most strongly. Then, evaluators can examine educators and .
http://www.ehow.com/info_8140313_teacher-evaluation-techniques.html
Instructions
-
-
1
Teacher EvaluationA Review of Research - ASCD
techniques of teacher evaluation. When this criterion is applied, the mountains of documents previously referred to melt away. As one reviewer commented .
http://www.ascd.org/ASCD/pdf/journals/ed_lead/el_197912_levin.pdfTeacher Evaluation - OVERVIEW, METHODS - Teachers, Teaching ...
Baseball is known as the national pastime of the United States, but teacher evaluation beats it hands down. Everybody does itsome with a vengeance, others .
http://education.stateuniversity.com/pages/2482/Teacher-Evaluation.html -
2
Self Evaluation of Teaching - Ryerson University
Conscientious faculty members subject their teaching strategies, instructional techniques and style to their own critical evaluation on an almost constant basis.
http://www.ryerson.ca/content/dam/lt/resources/handouts/SelfEvaluation.pdfMethods of Evaluating Teacher Effectiveness - National ...
Mar 3, 2009 . Methods of Evaluating. Teacher Effectiveness. March. 2009. In Approaches to Evaluating Teacher Effectiveness: A Research. Synthesis .
http://www.tqsource.org/publications/RestoPractice_EvaluatingTeacherEffectiveness.pdf -
-
3
Teacher Evaluation: Methods: Information from Answers.com
Teacher Evaluation: Methods In the decade from 1991 to 2001, a number of developments in public policy and assessment practices significantly altered the.
http://www.answers.com/topic/teacher-evaluation-methodsIntroduction to Program Evaluation - Teacher/Pathfinder Educational ...
The focus of process evaluation includes a description and assessment of the curriculum, teaching methods used, staff experience and performance, in-service .
http://teacherpathfinder.org/School/Assess/assess.html -
4
Methods for Evaluating Your Teaching - CETL- Assessment ...
Introduction; Methods for Evaluating Your Teaching; Web References and Resources. Introduction Courses need to be continuously monitored, reviewed and .
http://ar.cetl.hku.hk/evaluate_teach.htmGuidelines for Evaluating Teaching | CRLT
The most important consideration in teaching evaluation, both for improvement purposes and for personnel decisions, is the use of multiple methods of teaching .
http://www.crlt.umich.edu/tstrategies/guidelines
-
1
References
Resources
- Photo Credit Justice image by MVit from lincoln nebraska sales tax


“Charlotte Bronte's writing seemed to have been traced with a cambric needle, and Thackeray's writing, while marvelously neat and precise, was so small that the best of eyes were needed to read it. Likewise the writing of Captain Marryatt was so microscopic that when he was interrupted in his labors he was obliged to mark the place where he left off by sticking a pin in the paper. Napoleon's was worse than illegible, and it is said that his letters from Germany to the Empress Josephine were at first thought to be rough maps… Byron's handwriting was nothing more than a scrawl. The writing of Dickens was minute, and he had a habit of writing with blue ink on blue paper.” — Jerome B Lavay, Disputed Handwriting : An Exhaustive, Valuable, And Comprehensive Work Upon One Of The Most Important Subjects of To-day


| lesson 47 Too high a price? |
| Pollution is the price we pay for an overpopulated, over industrialized planet. |
| When you come to think about it, there are only four ways you can deal with rubbish: |
| dump it, burn it, turn it into something you can use again, attempt to produce less of it. |
| We keep trying all four methods, but he sheer volume of rubbish we produce worldwide threatens to overwhelm us. |
| Rubbish, however, is only part of the problem of polluting our planet. |
| The need to produce ever-increasing quantities of cheap food leads to a different kind of pollution. |
| Industrialized farming methods produce cheap meat products: beef, pork and chicken. |
| The use of pesticides and fertilizers produces cheap grain and vegetables. |
| The price we pay for cheap food may be already too high: |
| Mad Cow Disease (BSE) in cattle, salmonella in chicken and eggs, and listeria in dairy products. |
| And if you think you'll abandon meat and become a vegetarian, |
| you have the choice of very expensive organically-grown vegetables |
| or a steady diet of pesticides every time you think you're eating fresh salads and vegetables, or just having an innocent glass of water! |
| However, there is an even more insidious kind of pollution that particularly affects urban areas and invades our daily lives, and that is noise. |
| Burglar alarms going off at any time of the day or night serve only to annoy passers-by and actually assist burglars to burgle. |
| Car alarms constantly scream at us in the street and are a source of profound irritation. |
| A recent survey of the effects of noise revealed (surprisingly? ) that dogs barking incessantly in the night rated the highest form of noise pollution on a scale ranging from 1 to 7. |
| The survey revealed a large number of sources of noise that we really dislike. Lawn mowers whining on a summer's day, late-night parties in apartment blocks, |
| noisy neighbours, vehicles of all kinds, especially large container trucks thundering through quiet villages, planes and helicopters flying overhead, |
| large radios carried round in public places and played at maximum volume. |
| New technology has also made its own contribution to noise. |
| A lot of people object to mobile phones, especially when they are used in public places like restaurants or on public transport. |
| Loud conversations on mobile phones invade our thoughts or interrupt the pleasure of meeting friends for a quiet chat. |
| The noise pollution survey revealed a rather surprising and possibly amusing old fashioned source of noise. |
| It turned out to be snoring! |
| Men were found to be the worst offenders. |
| It was revealed that 20% of men in their mid-thirties snore. |
| This figure rises to a staggering 60% of men in their sixties. |
| Against these figures, it was found that only 5% of women snore regularly, |
| while the rest are constantly woken or kept awake by their trumpeting partners. |
| Whatever the source of noise, one thing is certain: silence, it seems, has become a golden memory. |


Data depth concept offers a variety of powerful and user friendly
tools for robust exploration and inference for multivariate data. The offered
techniques may be successfully used in cases of lack of our knowledge on
parametric models generating data due to their nature. The
package consist of among others implementations of several data depth techniques
involving multivariate quantile-quantile plots, multivariate scatter estimators,
multivariate Wilcoxon tests and robust regressions.
| Version: |
2.0.4 |
| Depends: |
R (≥ 3.0.0), ggplot2, Rcpp (≥ 0.11.2), rrcov, methods, MASS, np |
| Imports: |
lattice, sm, geometry, colorspace, zoo |
| LinkingTo: |
Rcpp, RcppArmadillo |
| Suggests: |
mvtnorm, rgl, sn, robustbase, dplyr, RcppArmadillo, xts, covr, testthat, fda, lintr |
| Published: |
2018-09-02 |
| Author: |
Zygmunt Zawadzki [aut, cre],
Daniel Kosiorowski [aut],
Krzysztof Slomczynski [ctb],
Mateusz Bocian [ctb],
Anna Wegrzynkiewicz [ctb] |
| Maintainer: |
Zygmunt Zawadzki <zygmunt at zstat.pl> |
| License: |
GPL-2 |
| NeedsCompilation: |
yes |
| SystemRequirements: |
C++11 |
| Citation: |
DepthProc citation info |
| Materials: |
NEWS ChangeLog |
| CRAN checks: |
DepthProc results |


--- layout: post mathjax: true comments: true date: 2012-12-25 title: [Project Euler] #26 Solution excerpt: | This page presents a Ruby solution to Project Euler Problem 26. tags: - project euler problem 26 solution - project euler problem 26 answer - project euler problem 26 ruby ---
A unit fraction contains 1 in the numerator. The decimal representation of the unit fractions with denominators 2 to 10 are given:
\[ \begin{aligned} \frac{1}{2}&=0.5 \\\\ \frac{1}{3}&=0.\overline{3} \\\\ \frac{1}{4}&=0.25 \\\\ \frac{1}{5}&=0.2 \\\\ \frac{1}{6}&=0.1\overline{6} \\\\ \frac{1}{7}&=0.\overline{142857} \\\\ \frac{1}{8}&=0.125 \\\\ \frac{1}{9}&=0.\overline{1} \\\\ \frac{1}{10}&=0.1 \end{aligned} \]Where \(0.1\overline{6}\) means \(0.1666\dots\), and has a 1-digit recurring cycle. It can be seen that \(\frac{1}{7}\) has a 6-digit recurring cycle.
Find the value of \(d < 1000\) for which \(\frac{1}{d}\) contains the longest recurring cycle in its decimal fraction part.
983


|
Sensor Fusion Library
0.4.0
Orientation sensing for Espressif (ESP32, ESP8266) processors
|
Lower level magnetic calibration interface. More...
#include <math.h>
#include <stdbool.h>
#include <stdint.h>
#include "sensor_fusion.h"
#include "calibration_storage.h"
#include "magnetic.h"
Lower level magnetic calibration interface.
Many developers can utilize the NXP Sensor Fusion Library without ever making any adjustment to the lower level magnetic calibration functions defined in this file.


Images - .jpeg, .jpg or .png
File - docx, pdf (preferred)
Video - .mp4, .mov
Images, testimonials, documents, etc. Any evidence you think can appropriately show that you have applied what you have learnt in the real world.


These functions allow to inspect a the value, or entry, of a given key.
- Warning
- EXPERIMENTAL FEATURE! We reserve the right to change the API without necessarily bumping the major version of the library.
◆ kvEntry_Bucket()
Returns the name of the bucket the data was loaded from, or NULL
if e
itself is NULL
.
- Parameters
-
| e | the pointer to the kvEntry object. |
◆ kvEntry_Key()
Returns the name of the key that was retrieved, or NULL
if e
itself is NULL
.
- Parameters
-
| e | the pointer to the kvEntry object. |
◆ kvEntry_Value()
Returns the value for this key, or NULL
if e
itself is NULL
.
- Parameters
-
| e | the pointer to the kvEntry object. |
◆ kvEntry_ValueLen()
Returns the value length for this key, or -1
if e
itself is NULL
.
- Parameters
-
| e | the pointer to the kvEntry object. |
◆ kvEntry_ValueString()
If the value is an actual string, this call will return a NULL terminating string (const char*
), or NULL
if e
itself is NULL
.
- Parameters
-
| e | the pointer to the kvEntry object. |
◆ kvEntry_Revision()
Returns the unique sequence for this value, or 0
if e
itself is NULL
.
- Parameters
-
| e | the pointer to the kvEntry object. |
◆ kvEntry_Created()
Returns the time (in UTC) the data was put in the bucket, or 0
if e
itself is NULL
.
- Parameters
-
| e | the pointer to the kvEntry object. |
◆ kvEntry_Delta()
Returns the distance from the latest value, or 0
if e
itself is NULL
.
If history is enabled this is effectively the index of the historical value, 0 for latest, 1 for most recent etc...
- Parameters
-
| e | the pointer to the kvEntry object. |
◆ kvEntry_Operation()
Returns the type of operation of this value.
- See also
- kvOperation
- Parameters
-
| e | the pointer to the kvEntry object. |
◆ kvEntry_Destroy()
Releases memory allocated for this kvEntry object.
- Parameters
-
| e | the pointer to the kvEntry object. |


Farewell
End of Life Features
8.2 The annotations have been removed for Nuxeo Platform 8.2 but a new annotation system for pdf.js will be integrated before Nuxeo Platform LTS 2016.
8.2 The annotations have been removed for Nuxeo Platform 8.2 but a new annotation system for pdf.js will be integrated before Nuxeo Platform LTS 2016.


|
x,y,width,height - Initial shape of the textfield gadget.
group - Group the text textfield belongs to. style - 0 for normal, 1 for password masking |
|
CreateTextField creates a textfield gadget and returns a handle to it.
Textfield gadgets allow the user to enter a single line of text. To 'preload' the textfield with some initial text, use SetGadgetText. Textfields generate gadget action events whenever the user types enters a character into the gadget. When a gadget action event from a textfield occurs, the EventData function can be used to determine the ascii code of the character typed. See also: TextFieldText. |
|
; TextFieldText Example by Mag
win=CreateWindow ("",0,0,300,100) ;create window txtbox=CreateTextField(0,0,200,20,win) ;create textfield in that window SetGadgetText txtbox,"Type anything and press OK" ;set text in that textfield for info ok=CreateButton("OK",200,0,80,20,win) ;create button Repeat id=WaitEvent() ;wait for user action (in a form of event) If id=$803 Then End ;to quit program when we receive Window close event If id=$401 And EventSource()=ok Then ; when ok is pressed Notify "This is your text in TextField:"+Chr$(13)+TextFieldText$(txtbox); <---TO GET TEXT FROM TEXTFIELD End If Forever End |


Student Conference Helps Grow Future Teachers
Earlier this month, HCPSS high school students learned about the educator career path through breakout sessions, a college fair and a keynote speech by Superintendent Michael J. Martirano at the countywide Educators Rising Conference.


Methods
- R
- S
- T
Instance Public methods
render_with(rndr, text)
Link
Source: show
# File req/redcarpet2/test/redcarpet_test.rb, line 65 def render_with(rndr, text) Redcarpet::Markdown.new(rndr).render(text) end
setup()
Link
Source: show
# File req/redcarpet2/test/redcarpet_test.rb, line 55 def setup @markdown = Redcarpet::Markdown.new(Redcarpet::Render::HTML) @rndr = { :no_html => Redcarpet::Render::HTML.new(:filter_html => true), :no_images => Redcarpet::Render::HTML.new(:no_images => true), :no_links => Redcarpet::Render::HTML.new(:no_links => true), :safe_links => Redcarpet::Render::HTML.new(:safe_links_only => true), } end
test_filter_html_doesnt_break_two_space_hard_break()
Link
Source: show
# File req/redcarpet2/test/redcarpet_test.rb, line 74 def test_filter_html_doesnt_break_two_space_hard_break markdown = render_with(@rndr[:no_html], "Lorem, \nipsum\n") html_equal "
Lorem,
\nipsum
\n", markdown end
test_that_filter_html_works()
Link
Source: show
# File req/redcarpet2/test/redcarpet_test.rb, line 69 def test_that_filter_html_works markdown = render_with(@rndr[:no_html], 'Through NO ') html_equal "
Through NO DOUBLE NO
", markdown end
test_that_no_image_flag_works()
Link
Source: show
# File req/redcarpet2/test/redcarpet_test.rb, line 79 def test_that_no_image_flag_works rd = render_with(@rndr[:no_images], %Q(![dust mite](http://dust.mite/image.png) )) assert rd !~ /<img/ end


Install base package for angular
As alternative for <m-semantic-ui-theme>, you can use a CDN
Or install via Semantic Docs
If you have a issue, look in our issue tracker on github
To support us fork our github repository
Direct contact (German, English) via email, WhatsApp or join our Discord server


Dynamic Data Exchange (DDE) used in Office documents may be allowed where Macros aren't. A simple DDE can be inserted in a wide range of Office documents using CTRL + F9 and looks like:
{DDEAUTO C:\\windows\\system32\\cmd.exe "/k notepad.exe"}
This feature may be disabled in Word as of Dec 2017 but test in other document formats.


In this tutorial, let's change the calculator example in two ways. First, a scanner will be defined separately from the parser, so that the parser works with tokens. Second, the program produced will generate a parse tree from an arithmetic expression and print it out, rather than calculate its value. The example will thus be closer to what is needed for practical parsing in larger scale situations such as compilers for programming languages.
A scanner for sums can be developed from the full calculator in the previous tutorial by extracting and adapting the low level rules:
tokens = gap @array token* end token = number / plus / minus / times / over / open / close / bad number = ('0..9')+ @1number gap plus = '+' @1plus gap minus = '-' @1minus gap times = '*' @1times gap over = '/' @1over gap open = '(' @1open gap close = ')' @1close gap bad = '\r\n'! . @1bad end = '\r'? '\n' @1end / @1bad gap = (' ')* @
This grammar recognises a sequence of tokens, possibly separated by spaces.
The action @array
creates an array, and each of the other actions
creates a token and adds it to the array. The name of each action will be used
as the token's tag. A final sentinel token is added at the end. Although not
strictly necessary, this avoids the need to carry around the array length, and
avoids the need for special cases such as when reporting an error, and marks the
position of the end of the source text to make error messages more accurate.
There are no error markers in the grammar. If an illegal character or lack of
line ending is encountered, a token with tag bad
is created for it.
That means the scanner never fails, and errors are passed on to the parser for
reporting. A parse error early on in the text is thus reported in preference to
a scan error later on, creating the illusion for the user that parsing is done
in one pass rather than two. Files containing the grammar and its tests are:
The test file begins with a line which specifies the grammar file. Running the tests through Pecan shows that all is well:
pecan scan-test.txt Pass 10 tests.
A token-based parser for sums can be developed from the full calculator in the previous tutorial, replacing the low level rules by tags:
sum = exp #newline %end exp = term (#operator %plus term @2add / #operator %minus term @2subtract)* term = atom (#operator %times atom @2multiply / #operator %over atom @2divide)* atom = #digit %number @integer / #bracket %open exp #bracket %close
The grammar avoids name clashes between actions, tags and markers. When
tokens are recognised, @
isn't used to discard them. Instead, the
compiled parser will use the convention that all matched tokens will be ignored
and implicitly discarded by the next action, except that the
@integer
action will use the most recently matched token to form a
leaf node. Each of the other actions will form a branch node with two children.
The grammar is stored in a file, and its tests are stored in a separate
file:
The tests are checked with Pecan as usual:
pecan parse-sum-test.txt Pass 7 tests
To compile the grammars into a scanner and parser in C, we will again make use of the provided parser support module:
The scanner can be written as a module like this:
The header defines the token tags and a scan
function for the
main program to call. The type for a token structure is provided in
parser.h
. The token structure refers to a token's text in the
original source rather than storing a copy, because then tokens have a fixed
size, and error messages can be made in context. An index into the original
text, rather than a pointer, is used for compactness.
The scan
function uses the simple object allocation mechanism
provided in the parser module. The tokens form an array which is reallocated as
necessary. The array holds token structures, not pointers to tokens. Token
pointers must not be stored anywhere between actions, because reallocation of
the array invalidates any pointers into it. At the end, getStore
is
used to extract the final array.
The parsing functions are compiled from the grammar using print formats:
// comment = "// %s" // declare = "static bool P%s(parser *p);" // define = "static bool P%s(parser *p) { %n return %r; %n}" // call = "%s(p)" // id = "P%s(p)" // act0 = "pushR(p,0,%s(p))" // act1 = "pushR(p,1,add(p,topR(p,0),%s,start(p),at(p)))" // escape1 = "\%3o" // escape2 = "\u%4x" // escape4 = "\U%8x"
The command for compiling the grammar is:
pecan scan.txt -c scan.c
The functions are declared and defined as static
to make sure
that their names can't clash with functions defined elsewhere. They are also
defined with prefix P
so they don't clash with anything else in the
same module. The @array
action pushes the token array on the stack,
and the other actions each add a token to it. In actual fact, the array stored
on the stack isn't really needed, because new
allocates each token
in the right place, and the array is extracted at the end using
getStore
, but this approach matches the grammar.
The parser and main program can be written like this:
This uses the parser module's simple allocation mechanism for nodes. That means nodes cannot contain pointers to child nodes during parsing, because of the risk of them being invalidated. One way round this would be to use some completely different mechanism for allocating nodes in permanent locations, and use the parser only to hold pointers to them in its stack. However, an attractive and compact alternative is to use relative references.
In language implementations, a relative reference is often an offset relative
to a base address. That requires the base address to be always available when
needed, e.g. as a global variable. With tree nodes in the parser, it is more
convenient to use node-relative references, where a reference is an offset from
one node to another, and zero can be used for NULL
since tree nodes
never need to point to themselves. The parser's allocation mechanism keeps the
nodes contiguous, so int
offsets can be used. If these offsets are
in byte units, the nodes can vary in size. However, in sum.c
, all
nodes are the same size, so the offset can be in node-size units, which makes
relative addresses particularly simple to use. If p1
and
p2
are pointers of type node *
then a relative
reference from node p1
to node p2
is simply
p2-p1
.
In sum.c
, the node type is defined as a union. Effectively, a
node has fields p->tag
, p->leaf.number
,
p->branch.left
and p->branch.right
with the leaf field
and branch fields sharing the same space. Nodes are always used with type
node
. The types struct leaf
and struct
branch
are available, but they are only intended for convenience in
initialising a node in one line.
After parsing, getStore
is called first, before
topR
, because it may cause one last reallocation to reduce the
store to the size of its contents.
The parsing functions are compiled using the print formats:
// comment = "// %s" // declare = "static bool P%s(parser *p);" // define = "static bool P%s(parser *p) { %n return %r; %n}" // call = "%s(p)" // id = "P%s(p)" // act0 = "pushR(p,0,act0(p,%s,at(p)))" // act2 = "pushR(p,2,act2(p,%s,topR(p,1),topR(p,0)))" // escape1 = "\%3o" // escape2 = "\u%4x" // escape4 = "\U%8x"
The command for compiling the grammar, and then compiling the resulting
program with gcc
or clang
, are:
pecan sum.txt -c sum.c gcc -std=c18 -Wall -O3 -flto scan.c sum.c parser.c -o sum
The parser module provides a lot of small functions for operating on the
state structure. For effective optimisation, the functions are declared as
extern inline
and the -flto
option is used. This
switches on cross-module optimization, including inlining, so that there is no
loss in defining the functions in a separate module.


temperature crab blue data water overwintering Chesapeake survival overwinter length period climate Bay future winter downscaled increase year temperatures days Maryland air projected {border-style model px;} using #ffffff;} number probability GCM average observational used Callinectes change growth time Temp behavior increases CMIP Climate NOAA crabs Fig Miller changes environmental function population predicted rates variability University ensemble juvenile predict projections wintertime CBL Science Sea increased multi-model significant transfer Air Earth Glandon Research Sciences analysis daily expected models observed px; sources species {font-family Bay. Fellowship Grant Marine carapace conservative crab, current decline determined effects font-size harmonic high life long-term management ocean pCO temperature. warming Biology Data Environmental Kennedy Solomons WOS:. Water based continue double; dynamics estimates extended important parameters response salinity taken (–) Atmospheric Change College College; Cronin Department In: North Park, analyses available border-color border-width combined compared days. dormancy editors. effect estuarine groups increasing interannual linear mean methods parameter regression sapidus sapidus) series size solid; specific trend years {font-style {font-weight (degC)—same Bauer Biological Celsius Coastal Doney H.G., LE. Patuxent Solomons, Temperature Winter affect associated black bold buoy calculated calibration carbon cause coast courier; critical degrees duration em; estimate extension filled following gap given global historical impact indicate level levels mortality original panel). period. potential projections, provided pt;} recorded reference sapidus, seasonal shortening shown stage study. survival. trends


This page tracks the new paper links made to my list of Eurographics 2012 papers.
Page maintained by Ke-Sen Huang.
If you have additions or changes, send an e-mail.
May 3, 2013
- Realtime Disparity Map based Pictorial Depth Cue Enhancement
October 17, 2012
- Automatic multi-view surface matching
- Robust Outlier Removal from Point Clouds Acquired with Structured Light
August 12, 2012
- Mesh Colorization
- Coding Depth through Mask Structure
- Robust Outlier Removal from Point Clouds Acquired with Structured Light
- Growing Cell Structures Learning a Progressive Mesh During Surface Reconstruction
- Improved Obstacle Relevancy, Distance, and Angle for Crowds Constrained to Arbitrary Manifolds in 3D Space
June 16, 2012
- Interactive Self-Organizing Windows
June 4, 2012
- ST4: Illustrative Flow Visualization: State of the Art, Trends and Challenges
- A GPU-based Approach for Massive Model Rendering with Frame-to-Frame Coherence
May 29, 2012
- ST7: State of the Art in Quad Meshing
- Super-Clothoids
- Data-Driven Estimation of Cloth Simulation Models
- Unsharp Masking, Countershading and Halos: Enhancements or Artifacts?
(
)
(
)
- Pixel Art with Refracted Light by Rearrangeable Sticks
- Hybrid CPU/GPU KD-Tree Construction for Versatile Ray Tracing
- Shape Reconstruction from Raw Point Clouds using Depth Carving
- GPU based ARAP Deformation using Volumetric Lattices
- Physically-Based Depth of Field in Augmented Reality
May 24, 2012
- S-buffer: Sparsity-aware Multi-Fragment Rendering
May 23, 2012
- Computational Design of Rubber Balloons
- Novel-View Synthesis of Outdoor Sport Events Using an Adaptive View-Dependent Geometry
- Black Is Green: Adaptive Color Transformation For Reduced Ink Usage
April 24, 2012
- Iterative Image Warping
- Incoherent Ray Tracing without Acceleration Structures
April 1, 2012
- Skeleton based importance sampling for path tracing
March 31, 2012
- Interactive Editing of GigaSample Terrain Fields
- Hyperplane Culling for Stochastic Rasterization
March 27, 2012
- GPU based ARAP Deformation using Volumetric Lattices
- ST7: State of the Art in Quad Meshing
March 26, 2012
- ST6: Perceptual Metrics for Static and Dynamic Triangle Meshes
- Forward+: Bringing Deferred Lighting to the Next Level
- Variation-Factored Encoding of Facade Images
- Efficient Evaluation of Semi-Smooth Creases in Catmull-Clark Subdivision Surfaces
- Geometric details on skeleton-based implicit surfaces
- Image-based Animation of Clothes
- Reflective Shadow Map Clustering for Real-Time Global Illumination
- Scented Sliders for Procedural Textures
- Steady state Stokes flow interpolation for fluid control
- FTLE Computation Beyond First-Order Approximation
- Automatic Line Handles for Freeform Deformation
March 23, 2012
- ST2: Symmetry in 3D Geometry: Extraction and Applications
()
()
March 21, 2012
- Real-time Rendering of Dynamic Scenes under All-frequency Lighting using Integral Spherical Gaussian
- ST1: A Survey of Urban Reconstruction
March 19, 2012
- ST2: Symmetry in 3D Geometry: Extraction and Applications
- A Cell-Based Light Interaction Model for Human Blood(Thesis)
- Generalized Swept Mid-Structure for Polygonal Models
- Pixel Art with Refracted Light by Rearrangeable Sticks
February 28, 2012
- ST5: Interactive Simulation of Rigid Body Dynamics in Computer Graphics
February 26, 2012
February 23, 2012
- Creating Picture Legends for Group Photos
- A Cell-Based Light Interaction Model for Human Blood(Thesis)
February 20, 2012
- Super-Clothoids
February 16, 2012
- Rasterized Bounding Volume Hierarchies
(
)
(
)
February 12, 2012
- Procedural Texture Preview
- ShadowPIX: Multiple Images from Self-Shadowing
February 7, 2012
- Manufacturing Layered Attenuators for Multiple Prescribed Shadow Images
February 5, 2012
- ST3: Interactive Volume Rendering with Volumetric Illumination
- Interactive Multi-perspective Imagery from Photos and Videos
(
)
(
)
- Analytic Anti-Aliasing of Linear Functions on Polytopes
- Multitouch Gestures for Constrained Transformation of 3D Objects
- Unstructured Light Fields
January 26, 2012
- Explicit Mesh Surfaces for Particle Based Fluids
- Pixel Art with Refracted Light by Rearrangeable Sticks
January 23, 2012
- Interactive Simulation of Rigid Body Dynamics in Computer Graphics
- SimpleFlow: A Non-iterative, Sublinear Optical Flow Algorithm
- A Survey of Urban Reconstruction
- Rasterized Bounding Volume Hierarchies
- Interactive Multi-perspective Imagery from Photos and Videos
January 21, 2012
- Exploring Shape Variations by 3D-Model Decomposition and Part-based Recombination
- 3D Material Style Transfer
- A Computational Model of Afterimages
- State of the Art in Interactive Global Illumination
- Generalized Swept Mid-Structure for Polygonal Models
January 20, 2012
- Selective Inspection and Interactive Visualization of Light Transport in Virtual Scenes
January 17, 2012
- Manipulation of Flexible Objects by Geodesic Control
- A Simple Algorithm for Maximal Poisson-Disk Sampling in High Dimensions
- SMAA: Enhanced Subpixel Morphological Antialiasing
January 15, 2012
- How Not to Be Seen ¡X Object Removal from Videos of Crowded Scenes
- Metering for Exposure Stacks
- Centroidal Voronoi Tessellations for Line Segments and Graphs
- Procedural Texture Preview
- Generalized Swept Mid-Structure for Polygonal Models
- Soft Stacking
- Advected Tangent Curves: A General Scheme for Characteristic Curves of Flow Fields
- Procedural Interpolation of Historical City Maps
- Rationalization of Triangle-Based Point-Folding Structures
- Linear Analysis of Nonlinear Constraints for Interactive Geometric Modeling
- Data-Driven Object Manipulation in Images
January 10, 2012
- Stochastic Progressive Photon Mapping for Dynamic Scenes
- Coherent Spatiotemporal Filtering, Upsampling and Rendering of RGBZ Videos
January 9, 2012
- Interactive Editing of GigaSample Terrain Fields
- Black Is Green: Adaptive Color Transformation For Reduced Ink Usage / Lior Shapira, Boris Oicherman
- crdbrd: Shape Fabrication by Sliding Planar Slices
January 6, 2012
- Automatically Rigging Multi-component Characters
- Interactive Coherence-Based Facade Modeling
January 2, 2012
- Unsharp Masking, Countershading and Halos: Enhancements or Artifacts?
- Coherent Spatiotemporal Filtering, Upsampling and Rendering of RGBZ Videos
- Stochastic Progressive Photon Mapping for Dynamic Scenes
- Metering for Exposure Stacks
January 1, 2012
- Interactive Multi-perspective Imagery from Photos and Videos
- How Not to Be Seen ¡X Object Removal from Videos of Crowded Scenes
December 29, 2011
- A Simple Algorithm for Maximal Poisson-Disk Sampling in High Dimensions
- Selective Inspection and Interactive Visualization of Light Transport in Virtual Scenes
- Unsharp Masking, Countershading and Halos: Enhancements or Artifacts?
- NoRM: No-Reference Image Quality Metric for Realistic Image Synthesis
December 27, 2011
- Analytic Anti-Aliasing of Linear Functions on Polytopes
- A continuous, editable representation for deforming mesh sequences with separate signals for time, pose and shape
- Factored Facade Acquisition using Symmetric Line Arrangements
- Crowd Light: Evaluating the Perceived Fidelity of Illuminated Dynamic Scenes
- Repetition Maximization based Texture Rectification
December 21, 2011
- Practical Spectral Photography
- Repetition Maximization based Texture Rectification
- Automatically Rigging Multi-component Characters
- Importance Caching for Complex Illumination
- Interactive Coherence-Based Facade Modeling
- Factored Facade Acquisition using Symmetric Line Arrangements
December 18, 2011
- Rasterized Bounding Volume Hierarchies
- A Computational Model of Afterimages
- 3D Material Style Transfer
- Data-Driven Object Manipulation in Images
- Robust Image Retargeting via Axis-Aligned Deformation
- Automatically Rigging Multi-component Characters
- Procedural Generation of Parcels in Urban Modeling
December 14 2011
- Real-time Realistic Rendering and Lighting of Forests
- Exploring Shape Variations by 3D-Model Decomposition and Part-based Recombination
- Retrieval of Interactions by abstraction of spacetime relationships
- Manipulation of Flexible Objects by Geodesic Control
- Robust Image Retargeting via Axis-Aligned Deformation
- Interactive Coherence-Based Facade Modeling
- Factored Facade Acquisition using Symmetric Line Arrangements
- Page Created and Published
kesen.huang@gmail.com


Date Format for File List Descriptions
You can set the format Moderate uses for dates you insert into file descriptions. This format is the same as is used by the standard C library routine strftime().
You can put in any plain text plus any of the following formatting sequences:
%%character %
%aabbreviated weekday name
%Afull weekday name
%babbreviated month name
%Bfull month name
%cdate and time, default format
%d2-digit day of month (00-31)
%H2-digit hour (00-23)
%I2-digit hour (01-12)
%j3-digit day of year (001-366)
%m2-digit month as a decimal number (1-12)
%M2-digit minute (00-59)
%pAM or PM
%S2-digit second (00-59)
%U2-digit week number (Sunday first day of the week) (00-53)
%wweekday where 0 is Sunday (0-6)
%W2-digit week number (Monday first day of the week) (00-53)
%xdate, default format
%Xtime, default format
%y2-digit year without century (00-99)
%Yyear with century
%Ztime zone name, or no characters if no time zone


User management basic tests
Login page
Steps
- Clear your browser cache.
- Launch the Maqetta server such that the server requires a user login (i.e., do not run server with localInstall=true option).
- Browse to the Maqetta root URL without the /welcome
(e.g., http://localhost:8080/maqetta, not http://localhost:8080/maqetta/welcome).
Expected results
- You should be redirected to the /maqetta/welcome page, where you should see the login page.
If running the default build from maqetta.org/download, you should see a login screen that looks something like this:
- "Please sign in", followed by Login and Password entry boxes
- New users - please sign up
New user sign up
Steps
- Clear your browser cache.
- With the login page showing (see previous section), click on the please sign up hyperlink
- You should now see four fields for new user signup: Login name, email, password and confirm password. Enter valid values for these fields and click the button to create a new user.
Expected results
- The Maqetta application should appear with its various palettes at left, right and bottom and a toolbar across the top.
- The right side of the toolbar should have your login name followed by a logout hyperlink.
Log out (continuation of previous testing steps)
Steps
- Click the logout link
Expected results
- The login screen should reappear.
Existing user sign in
Steps
- Clear your browser cache.
- If you are current logged into the Maqetta server as a user, click the logout hyperlink at the top right of the toolbar.
Else, launch the Maqetta server with user management activated (i.e., do not run server with localInstall=true option)
and browse to the Maqetta root URL without the user name
(e.g., http://localhost:8080/maqetta, not http://localhost:8080/maqetta/JohnSmith).
- Type in the user name and password for a user account that created previously and click on the Login button.
Expected results
- The Maqetta application should appear with its various palettes at left, right and bottom and a toolbar across the top.
- The right side of the toolbar should have your login name and, further to the right, by a logout hyperlink.


- engine - package engine
-
Provides classes and packages of the Dare Engine.
- engine.audio - package engine.audio
-
Classes for playing and loading audio.
- engine.audio.openal - package engine.audio.openal
-
Audio implementations using OpenAL.
- engine.components - package engine.components
-
Provides various components that are useful in virtually any application.
- engine.core - package engine.core
-
Classes defining the core functionality of the game engine.
- engine.core.entity - package engine.core.entity
-
Classes for defining the objects in the game and their functionality.
- engine.input - package engine.input
-
Classes for reading and using input.
- engine.input.opengl - package engine.input.opengl
-
Implements input classes with OpenGL compatible functions.
- engine.parsing - package engine.parsing
-
Provides classes for loading and parsing text files.
- engine.parsing.json - package engine.parsing.json
-
Provides classes for loading and parsing JSON files.
- engine.rendering - package engine.rendering
-
Classes for rendering graphics.
- engine.rendering.opengl - package engine.rendering.opengl
-
Classes for rendering graphics with OpenGL.
- engine.space - package engine.space
-
Classes for representing and manipulating multidimensional space.
- engine.util - package engine.util
-
Classes for various utility features that don't belong anywhere else.
- engine.util.factory - package engine.util.factory
-
Classes to make creating objects easier.
- engine.util.menu - package engine.util.menu
-
Classes for creating and rendering a menu.
- engine.util.preprocessing - package engine.util.preprocessing
-
Classes designed to process data prior to usage.
- Entity - Class in engine.core.entity
-
An object in the game.
- Entity(ISpatialStructure<Entity>, double, double, double) - Constructor for class engine.core.entity.Entity
-
Creates a new Entity with minimum necessary construction.
- EntityComponent - Class in engine.core.entity
-
Base class for all components that can be attached to entities.
- EntityComponent(Entity, int) - Constructor for class engine.core.entity.EntityComponent
-
Creates a component attached to a specific entity.
- equals(Object) - Method in class engine.parsing.json.JSONArray
-
- equals(Object) - Method in class engine.parsing.json.JSONNumber
-
- equals(Object) - Method in class engine.parsing.json.JSONObject
-
- equals(Object) - Method in class engine.parsing.json.JSONString
-
- equals(Object) - Method in class engine.rendering.Color
-


{% extends 'base/base.html' %} {% block head %}
Remember, planes actually like to stay in the air. They have lift – so you’re safer in the air anyways!


{% extends "sphene/sphboard/base.html" %}
{% load i18n %}
{% load sph_extras %}
{% load sphboard_extras %}
{% block content %}
{% sphboard_displayBreadcrumbsForThread post 1 %}
{% blocktrans with post.subject|escape as subject and post.author|sph_user_displayname as postauthor %}Moving post: {{ subject }} by {{ postauthor }}{% endblocktrans %}
{% blocktrans with post.subject|escape as subject %}Select target category to move post {{ subject }} into. Later you'll be able to select destination thread.{% endblocktrans %}
{% endblock %}


Notes from the SQL 2003 specs
An SQL-schema is a persistent descriptor that includes:
The name of the SQL-schema. [Fine]
The <authorization identifier> of the owner of the SQL-schema. [we need a schema<=>owner user mapping (can be either implicit or explicit), right? Initially, this can be implicitly the admin role, granting any admin user owner rights, at least partially preserving existing authorization semantics?]
The name of the default character set for the SQL-schema.[later, not now, right?]
The <schema path specification> defining the SQL-path for SQL-invoked routines for the SQL-schema. [Not worth considering until we have a schema-qualified database class loader in production and/or a PSM/embedded PL implementation to worry about]
The descriptor of every component of the SQL-schema. [Fine]
In this part of ISO/IEC 9075, the term schema is used only in the sense of SQL-schema. The persistent objects described by the descriptors are said to be owned by or to have been created by the <authorization identifier> of the schema.
Each component descriptor is one of:
A domain descriptor. [Not yet implemented]
A base table descriptor. [Fine]
A view descriptor. [Fine]
A constraint descriptor. [Fine]
A privilege descriptor. [Fine]
A character set descriptor. [Not yet implemented]
A collation descriptor. [Not yet implemented]
A transliteration descriptor. [Not yet implemented]
A user-defined type descriptor. [Not yet implemented]
A routine descriptor. [Not yet implemented]
A sequence generator descriptor. [Fine]
[Maybe we need to (re)think about HSQLDB-specific extensions, such as class grants]
A schema is created initially using a <schema definition> and may be subsequently modified incrementally over time by the execution of <SQL schema statement>s. [Obviously needs <schema definition> DDL support]
<schema name>s are unique within a catalog. [Will explicit catalog specfication (a.k.a. pan-database DDL/DML) ever be possible within a single, purely HSQLDB SQL environment?]
A <schema name> is explicitly or implicitly qualified by a <catalog name> that identifies a catalog. [Fine]
Base tables and views are identified by <table name>s. [Fine]
A <table name> consists of a <schema name> and an <identifier>. [Fine]
The <schema name> identifies the schema in which a persistent base table or view identified by the <table name> is defined. [Fine]
Base tables and views defined in different schemas can have <identifier>s that are equal according to the General Rules of Subclause 8.2, <comparison predicate> . [Fine]
If a reference to a <table name> does not explicitly contain a <schema name>, then a specific <schema name> is implied. The particular <schema name> associated with such a <table name> depends on the context in which the <table name> appears and is governed by the rules for <schema qualified name>. [Have we settled on rules regarding implicit schema?]
If a reference to an SQL-invoked routine that is contained in a <routine invocation> does not explicitly contain a <schema name>, then the SQL-invoked routine is selected from the SQL-path of the schema. [Do we have a roadmap for PSM/Embedded PL/Schema-qualified database class loader, as it pertains to SQL-path for SQL-invoked routines?]
The containing schema of an <SQL schema statement> is defined as the schema identified by the <schema name> implicitly or explicitly contained in the name of the object that is created or manipulated by that SQLstatement. [Fine]


We plan to launch a low cost high altitude weather balloon,using simple materials,that will be mentioned in the lesson plan,along with its properties and use. Our first section will talk about assembling materials and getting it ready for the launch,which will be followed by the process that happens during the flight of a HAB. The conclusion will be with it's tracking using SPOT and recovery along with cautions that has to be taken into consideration before and after launching a HAB. A quick read through this website will hopefully give you a clear idea as to how a HAB works and guide you throughout the launch and recovery.


Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 4
This savoury bread and butter pudding uses a hard ewes' milk cheese similar to Manchego.
Preheat the oven to 180C/350F/Gas 4.
Butter the bread, spread with half the mustard and make four ham sandwiches.
Using a large circular cutter, cut each sandwich into a circle (if you don’t have a cutter, remove the crusts and cut the sandwiches into triangles). Place in a small oval ovenproof dish and pour a little ale over each sandwich, if using.
In a pan, bring the cream up to the boil. When it starts to thicken, remove from the heat. Stir in the remaining mustard, the Worcestershire sauce, egg yolks and 225g/8oz of the cheese. Season with salt and pepper.
Pour the sauce over the sandwiches and scatter the remaining cheese over the top.
Bake for 12 minutes, or until golden-brown and bubbling. Serve with dressed salad leaves.