Description
This demo uses the pretrained MobileNet_25_224 model from Keras which you can find here. It is not trained to recognize human faces. For best performance, upload images of objects like piano, coffee mugs, bottles, etc. You can see all the objects types it has been trained to recognize in imagenet_classes.js.
Status
Model Output


{% extends "tutorial.html" %} {% block pagebreadcrumb %}{{ tut.title }}{% endblock %} {% block html5badge %} {% endblock %} {% block iscompatible %} return !! (window.RTCPeerConnection || window.webkitDeprecatedPeerConnection || window.webkitRTCPeerConnection); {% endblock %} {% block head %} {% endblock %} {% block onload %} // TODO {% endblock %} {% block content %}
Sending data between two browsers for communication, gaming, or file transfer can be a rather involved process. It requires setting up and paying for a server to relay data, and perhaps scaling this to multiple data centers. In this scenario there is potential for high latency, and it's difficult to keep data private.
These problems can be alleviated by using WebRTC's RTCDataChannel API to transfer data directly from one peer to another. In this article we will cover the basics of how to set up and use data channels, as well as the common use cases on the web today.
To make the most of this article, you will need to have some knowledge of the RTCPeerConnection API, and an understanding of how STUN, TURN, and signaling work. We recommend you take a look at Getting Started With WebRTC.
We have WebSocket, AJAX and Server Sent Events. Why do we need another communication channel? WebSocket is bidirectional, but all these technologies are designed for communication to or from a server.
RTCDataChannel takes a different approach:
RTCDataChannel is available now, with SCTP support, in Chrome, Opera and Firefox for desktop and Android.
Although WebRTC enables peer-to-peer communication, it still needs servers:
The HTML5 Rocks article WebRTC in the real world: STUN, TURN, and signaling explains in detail how WebRTC works with servers for signaling and networking.
The RTCDataChannel API supports a flexible set of data types. The API is designed to mimic WebSocket exactly, and RTCDataChannel supports strings as well as some of the binary types in JavaScript such as Blob, ArrayBuffer and ArrayBufferView. These types can be helpful when working with file transfer and multiplayer gaming.
| TCP | UDP | SCTP | |
| Reliability | reliable | unreliable | configurable |
| Delivery | ordered | unordered | configurable |
| Transmission | byte-oriented | message-oriented | message-oriented |
| Flow control | yes | no | yes |
| Congestion control | yes | no | yes |
(From High Performance Browser Networking by Ilya Grigorik.)
RTCDataChannel can work in unreliable and unordered mode (analogous to User Datagram Protocol or UDP), reliable and ordered mode (analogous to Transmission Control Protocol or TCP) and partial reliable modes:
Performance for the first two modes is about the same when there are no packet losses. However, in reliable and ordered mode a lost packet will cause other packets to get blocked behind it, and the lost packet might be stale by the time it is retransmitted and arrives. It is, of course, possible to use multiple data channels within the same application, each with their own (un)reliable semantics.
We show below how to configure RTCDataChannel to use reliable and ordered or unreliable and unordered mode.
There are several simple demos of RTCDataChannel online:
In these examples the browser is making a peer connection to itself. It is then creating a data channel and sending the message along the peer connection. Finally, your message appears in the box on the other side of the page!
The code to get started with this is short:
const peerConnection = new RTCPeerConnection(); // Establish your peer connection using your signaling channel here const dataChannel = peerConnection.createDataChannel("myLabel", dataChannelOptions); dataChannel.onerror = (error) => { console.log("Data Channel Error:", error); }; dataChannel.onmessage = (event) => { console.log("Got Data Channel Message:", event.data); }; dataChannel.onopen = () => { dataChannel.send("Hello World!"); }; dataChannel.onclose = () => { console.log("The Data Channel is Closed"); };
The dataChannel
object is created from an already established peer connection. It can be created before or after signaling happens. You then pass in a label to distinguish this channel from others and a set of optional configuration settings:
const dataChannelOptions = { ordered: false, // do not guarantee order maxPacketLifeTime: 3000, // in milliseconds };
It is also possible to add a maxRetransmits
option (the number of times to try before failing) but you can only specify maxRetransmits or maxPacketLifeTime, not both. For UDP semantics, set maxRetransmits
to 0 and ordered
to false
. For more information, see RFC 4960 (SCTP) and RFC 3758 (SCTP partial reliability).
negotiated
set to true
)The only options most people will need to use are the first three: ordered
, maxPacketLifeTime
, and maxRetransmits
. With SCTP (now used by all browsers that support WebRTC) reliable and ordered is true by default. It makes sense to use unreliable and unordered if you want full control from the application layer, but in most cases, partial reliability is helpful.
Note that, as with WebSocket, RTCDataChannel fires events when a connection is established, closed, or errors, and when it receives a message from the other peer.
Encryption is mandatory for all WebRTC components. With RTCDataChannel all data is secured with Datagram Transport Layer Security (DTLS). DTLS is a derivative of SSL, meaning your data will be as secure as using any standard SSL based connection. DTLS is standardized and built in to all browsers that support WebRTC. You can find more information about DTLS on the Wireshark wiki.
Handling large amounts of data can be a pain point in JavaScript. As the developers of Sharefest pointed out, this required thinking about data in a new way. If you are transferring a file that is larger than the amount of memory you have available you have to think about new ways to save this information. This is where technologies such as the FileSystem API come into play, as we show below.
Creating a web application that can share files in the browser is now possible with RTCDataChannel. Building on top of RTCDataChannel means that the transferred file data is encrypted and does not touch an application provider's servers. This functionality, combined with the possibility of connecting to multiple clients for faster sharing, makes WebRTC file sharing a strong candidate for the web.
Several steps are required to make a successful transfer:
There are several points to consider when trying to send files over RTCDataChannel:
Once the file is fully transferred to the other side, it can be downloaded using an anchor tag:
function saveFile(blob) { const link = document.createElement('a'); link.href = window.URL.createObjectURL(blob); link.download = 'File Name'; link.click(); };
The file sharing apps at pubnub.github.io/rtc-pubnub-fileshare and github.com/Peer5/ShareFest use this technique; they are both open source and provide a good foundation for a file sharing application based on RTCDataChannel.
RTCDataChannel opens the doors to new ways to build apps for file sharing, multiplayer gaming, and content delivery.
We can now provide more engaging applications by using high performance, low latency connections via RTCDataChannel. Frameworks such as PeerJS and the PubNub WebRTC SDK make RTCDataChannel easier to implement, and the API now has wide support across platforms.
The advent of RTCDataChannel can change the way we think about data transfer in the browser.
Thanks to Hadar Weiss and Shachar Zohar for their help in preparing this article.
{% endblock %}


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MORSE CODE
|
Morse Code has been used for well over 100 years as an efficient way to transmit information from one location to another, and until a few years ago every ham had to learn and demonstrate his skill in sending and receiving Morse Code at a prescribed speed depending on the license class being sought. While knowing the code is no longer required for amateur radio licenses, it has gained more popularity than ever in the ham community. Learning the code is not difficult, but one must have the discipline to practice it daily to gain speed. There are many ways to teach the code, but the information below is MY way of doing it. If you find another way that is easier for you, feel free to use it. Code is made up of only two elements, the "dit" (.) and the "dah" (-). The dit is the shortest element you can send, and the dah should be three times as long as a dit. By leaving the "t" off the "dit", unless it is the last "dit" in a letter, your speed will increase faster. For example, the letter "A" is "di-dah", not "dit dah." The letter "B" is "dah-di-di-dit." Practice each session below until you know it thoroughly. Try making words using each session you have learned before moving on to the next session. Then start combining letter from the sessions to make words and then sentences. The best way to learn the code is to with the help of a buddy who knows or is learning the code as well. If you have to do it on your own though, it can be done. A key and code practice oscillator are optional to learn the code, but they can be an invaluable aid. Code tapes, CDs or on-line code practice sessions are great too, but first you have to get your speed up to the speed at which they begin. Tap the code out with the eraser end of a pencil. Translate signs along the highway into code in your head, and do the same with newspaper headlines. The hardest part for me were letter/number combinations one after the other, and groupings of numbers. If you have the same problem, make up lists of call signs, real or imaginary, and practice them extensively. For number groupings, dig out the telephone directory and practice from it. Some find the code almost overwhelming at first, but make a game of it and practice, practice, practice. You'll soon find you have learned the code. Then you just need to practice, practice, practice to improve your speed. HAVE FUN!
On line code practice files: |


|
BL3 SDK
0.0.1
Borderlands 3 Class Documentation
|
#include <BL3_GbxDialog_classes.hpp>
Public Member Functions | |
| void | StopPerformance (int DialogThreadID, bool bIncludeDeathDialog) |
| void | StartPerformance (int DialogThreadID, int DialogSequenceID, class UDialogPerformanceData *Performance) |
| void | OnRep_InitialDialogInProgress () |
| bool | IsSpeakerClearToPlayDialog (class UDialogStyle *ProposedStyle, bool bProposingEcho, const struct FDialogConversation &ProposedConversation) |
| bool | IsSpeakerActive (bool bIncludePendingVO) |
| Public Member Functions inherited from UActorComponent | |
| void | ToggleActive () |
| void | SetTickGroup (TEnumAsByte< ETickingGroup > NewTickGroup) |
| void | SetTickableWhenPaused (bool bTickableWhenPaused) |
| void | SetOwningSceneCapture (class USceneCaptureComponent *InOwningSceneCapture) |
| void | SetIsReplicated (bool ShouldReplicate) |
| void | SetComponentTickInterval (float TickInterval) |
| void | SetComponentTickEnabled (bool bEnabled) |
| void | SetAutoActivate (bool bNewAutoActivate) |
| void | SetActive (bool bNewActive, bool bReset) |
| void | RemoveTickPrerequisiteComponent (class UActorComponent *PrerequisiteComponent) |
| void | RemoveTickPrerequisiteActor (class AActor *PrerequisiteActor) |
| void | ReceiveTick (float DeltaSeconds) |
| void | ReceiveEndPlay (TEnumAsByte< EEndPlayReason > EndPlayReason) |
| void | ReceiveBeginPlay () |
| void | OnRep_IsActive () |
| void | MarkNetDirty () |
| void | K2_DestroyComponent (class UObject *Object) |
| bool | IsComponentTickEnabled () |
| bool | IsBeingDestroyed () |
| bool | IsActive () |
| class USceneCaptureComponent * | GetOwningSceneCapture () |
| class AActor * | GetOwner () |
| float | GetComponentTickInterval () |
| void | Deactivate () |
| bool | ComponentHasTag (const struct FName &Tag) |
| void | AddTickPrerequisiteComponent (class UActorComponent *PrerequisiteComponent) |
| void | AddTickPrerequisiteActor (class AActor *PrerequisiteActor) |
| void | Activate (bool bReset) |
| Public Member Functions inherited from UObject | |
| std::string | GetName () const |
| std::string | GetFullName () const |
| bool | IsA (UClass *cmp) const |
| void | ProcessEvent (class UFunction *function, void *parms) |
| void | ExecuteUbergraph (int EntryPoint) |
Static Public Member Functions | |
| static UClass * | StaticClass () |
| Static Public Member Functions inherited from UActorComponent | |
| static UClass * | StaticClass () |
| Static Public Member Functions inherited from UObject | |
| static FChunkedFixedUObjectArray & | GetGlobalObjects () |
| template<typename T > | |
| static T * | FindObject (const std::string &name) |
| static UClass * | FindClass (const std::string &name) |
| template<typename T > | |
| static T * | GetObjectCasted (std::size_t index) |
| static UClass * | StaticClass () |
Additional Inherited Members | |
| Static Public Attributes inherited from UObject | |
| static FUObjectArray * | GObjects |
| bool IsSpeakerActive | ( | bool | bIncludePendingVO | ) |
| bool IsSpeakerClearToPlayDialog | ( | class UDialogStyle * | ProposedStyle, |
| bool | bProposingEcho, | ||
| const struct FDialogConversation & | ProposedConversation | ||
| ) |
| void OnRep_InitialDialogInProgress | ( | ) |
| void StartPerformance | ( | int | DialogThreadID, |
| int | DialogSequenceID, | ||
| class UDialogPerformanceData * | Performance | ||
| ) |
|
inlinestatic |
| void StopPerformance | ( | int | DialogThreadID, |
| bool | bIncludeDeathDialog | ||
| ) |
| bool bDistributedSpeaker |
| bool bPositional |
| bool bPureEchoSpeaker |
| bool bSpeakDirectlyToPlayer |
| bool bTransientEchoSpeaker |
| struct FCurrentDialogPerformanceInfo CurrentPerformance |
| TArray<class UDialogScriptData*> DialogScripts |
| class APlayerController* DirectSpeakerTarget |
| class UWwiseAudioComponent* DistributedAudioComponent |
| struct FInitialDialogInProgress InitialDialogInProgress |
| class UDialogNameTag* NameTag |
| struct FScriptMulticastDelegate OnStartedPerformance |
| struct FCurrentDialogPerformanceInfo PendingPerformance |
| TArray<struct FDialogScriptPinnedRef> PinnedScripts |
| TArray<class UDialogNameTag*> RandomNameTags |
| float TransientEchoSpeakerIdleTime |
| unsigned char UnknownData00[0x7] |
| unsigned char UnknownData01[0x3] |
| unsigned char UnknownData02[0x7] |
| unsigned char UnknownData03[0x6] |


I'll in an age is but got more Monday.
Most wonderful show is keeping up with the Jones is.
Ladies and gentlemen, welcome to episode two hundred and seventy six of keeping up with the Jones is Mrs.
AJ Jones. How are you?
I am good.
I think we should let the listeners know what's different about this week.
Well, we've moved to doing just audio.
So we're in your very messy office surrounded by horrible clutter.
And I am sitting in a lounge chair while recording in a house.
AJ looks like she's been waiting for an airplane for about 10 hours, has given up hope of life.
And is just wanting to get on a plane and go home.
You smooth tongue devil.
So if Adeja sounds particularly soparific,
it's because she's nearly passed out.
- It's Sunday night.
- It is Sunday night. - We're recording
on Sunday night, yeah.
- Which this episode will be released tomorrow morning.
- Yes. - God willing.
- Yes, and I'm not staying up.
Will you edit?
- No, you're not.
- I'm gonna have a bath.
- Oh, there you go.
What happened was last week, there was no episode.
- Yes.
- And our members know this,
'cause I reached out to our members and said,
"Hey everybody, there's gonna be no episode this week."
And here's why, one, I am desperately trying to finish our taxes.
We have a tax appointment, which I completely forgot about.
I mean, I knew that we had a tax appointment, but I thought it was next week.
Yeah, different.
And then I realized it was two days away.
And I thought, I don't have anything ready for my accountant.
So we're going to have to do our taxes.
But also this course that you've heard me talk about for the last, I don't know, two
months, the more than enough course, I really wanted to finish it.
We were almost there.
and I wanted to finish the course.
And the other thing--
- And there's limited time in the day.
- Right. - In others,
only so many hours.
- 'Cause we do this after our work.
We do this on our weekends and our off weeks.
And also we had a week where the kids really needed
kind of more input than they were getting.
So I just put out to the members and said,
hey, I'm letting you know there's gonna be
no podcast this week.
But B, how big a deal is having the videos to you
because the videos take us about,
I don't know about 10 or 11 hours each week to edit.

- No you don't, but--
- But I do everything else around the house
so that you can do the video editing.
- That is true.
But also if you think about tonight,
we both look like we've been dragged through a hedge backwards.
- Thank you, darling.

- Okay, you could stop talking about that.
- And I am out either.
Where's the first one to record for video?
We'd have to shave, put on some decent clothes,
- We're going to make up.
- Exactly.
So all in all, it's just easier if we just do audio.
Now I want to keep doing video
and we're making some investments
to kind of reduce that 11 hour time
to something slightly more reasonable.
But for the next couple of weeks,
at least we're going to be audio only,
just so that A, we can keep doing a podcast
and B, manage our limited time.
- Yes.
- But anyway, if we sound a little different,
it's because we're in a completely different room.
We're using completely different microphones.
But what's cute is it's all almost,
as I was gonna say, it's the same equipment we started with,
but it's really not.
- It isn't.
- Wait, I wanna take a photo of my wife.
You need to see.
- Please, no.
- She is lunging.
- No, no.
- Maybe the people need to see.
Oh my gosh, the glamour.
- Put the phone down.
- Put your cigarette out.
(laughing)
Okay, got it.
- Okay.
- What were we talking about?
- Yeah.
- We're using some of the same equipment.
- What do you mean is it's?
- Are these are regional microphones?
- Yeah, we're just using our old microphones,
some headphones.
- These are the microphones that we used
when we recorded that podcast driving down to Florida.
Do you remember?
We recorded an episode while driving to the airport
to pick up people and yeah, we've made it happen.
So if we sound odd, that's why.
We hope you've had a great week.
We've got two weeks worth of stuff to catch up on.
- I can't even remember the last two weeks.
- Which is a testament to our life.
- Yeah, it's been busy.
The question on everyone's minds is did we get our taxes done?
We did.
Our taxes are filed.
We're good citizens.
Yes, we're legal.
That was a relief.
Yeah.
But we didn't get anything back.
That makes me sad.
Well, it also means that we kind of made our, what do you call it, our withholding right
on the nose?
Ish.
Ish.
Yeah.
Yeah.
Ish.
The second question that everybody's wondering, I'm sure, is the more than enough course finished.
I'm pleased to announce, ladies and gentlemen, it is.
I was going to do a drum roll, but that would involve you moving your limbs, which at this
point, I mean, you're going to have to carry me to bed after you're in the left of luxury.
Look at you.
The more than enough course is finished.
What is the more than enough course?
It is a course that is designed to help you understand what the Bible has to say about
money, the topic of blessing and the topic of abundance.
Now, while I've prepared this, I've realized that Christians have a really, really negative
relationship with money.
Yeah.
Maybe two months ago, January, February, at Grace and I taught a series on finances,
Tithing Blessing.
We talked a little bit about it on earlier episodes of the podcast.
But this is the most comprehensive course I know how to build all about generating wealth,
partnering with heaven, what are the things that get in the way of us receiving blessing.
It's out and you can sign up,
you can work through the material at your own course.
But if you sign up before April 18th,
you can join me on Saturday mornings
where I'm gonna coach you live, a group of students,
I'm gonna walk you through the material together.
So you're opportunity to answer, not answer, ask questions,
share tests, when I get clarification,
I'd love you to come and do it with me if you're available.
It was gonna be April 15th,
'cause I thought I was being clever,
'cause that's when tax day is,
but then my account had reminded me
that they've changed it this year.
It's April 18th.
So if you're thinking, oh, no, I missed a deadline
'cause after April 15th, you've still got another
couple of days, April 18th, go to allen and ag.com/more
to sign up enrolling the course.
And because I think this is such a significant teaching,
especially if you're married, like it's really important
that both of you are on the same page,
I've created a special discount for married couples
who'd like to go through it together.

- Yeah, that's super important to be on the same page.
'Cause you don't need to add extra stress
when you're trying to implement new things.
- Stay with us, AJ, stay with us.
- But-- - Don't head into the light.
Don't head into the light.
(laughing)
- I'm still here.
- And how sweet did this week?
- I told you, I can't remember this week.
- What did you do last night?
- What was last night?
Oh, yeah, we went to a wedding.
like a reception for wedding because some friends of ours got married during COVID
and so they couldn't really have the reception that they wanted to have. And so they got to have
it yesterday and it was beautiful. It was so fun. You danced. Yeah, you can't lock this up.
Nobody puts baby in a corner. You never danced. Like I'm always like, I want to stay for the
dancing. You're like, I want to go home. And you stayed like for ages and danced. I was... We had
- I did great time.
All the kids dance as well.

Was it really?
- I got to dance with each of my kids and with you.
- Yeah.

- You're horrible at leading.
- Granted. - You don't know
where you're going.
- Nope, granted.
But you need to just trust me.
- Well, I would, except I'm afraid
you're gonna put my back at it.
- I hear excuses.
So we need to work on that.
Yeah, congratulations to Chris and Amanda.
- Well, you know, do you remember
When we first moved to Nashville,
we were taking ballroom dancing lessons.
- Yeah, don't you regret that now?
- No.
- It was clearly always time
'cause neither of us remembered anything.
- But, well, okay, well, one of us didn't remember how.
But, (laughs)
but I think we should go back
'cause clearly we need a refresher.
- I was hoping that my Apple fitness lessons
and dance would have served me well.
- Oh my gosh, you've got to be joking.
- But they didn't.

- Let's move on.
My favorite thing was when we left the wedding,
I said to the kids, how did you enjoy the dancing?
And my 14 year old said,
the DJ just played really old stuff,
like early Ed Sheeran music.
I guess you missed out on the Stones and the Beatles,
but sure, Ed Sheeran, that's right.
- But what she did say it was a better DJ
than they had at their school dance.
So I was like, well, that's pretty good.
Yeah, they had fun, it was good.
- All right, our main topic for this week.
- There is a topic.
And I have some shame about it.
- Oh.
- Because it was...
- Current.
- Current, that's the word I was looking for.
At the time I thought about it.
But I wanna talk about Will Smith's slap
of Chris Rock at the Oscars.
Which is now not really current affairs.
It's kind of old news and everyone's moved on from it.
But we usually don't cover current affairs in our podcast,
usually because by the time we get round to recording
something or rather we record so early
that the time we get round to releasing it,
It's not really current affairs.
Plus it's not really our skillset.
But this one really, really struck me a couple of weeks ago.
- Is that like there's no pun intended?
- No pun intended.
- Okay, yeah, yeah.
- You and I are getting ready for bed.
We're not watching the Oscars,
but I'm scrolling through Twitter and Twitter explodes
because as I'm sure everyone knows by now,
the comedian Chris Rock makes a joke
at the expense of Will Smith's wife, Jada?
Is that right?
- Yeah.
Will proceeds to get up on stage live in front of everybody and turns out he hand slaps Chris Rock in the face at first I thought it was a punch.
Well, no, I told you he slapped me anyway.
That discussion.
Right.
So we're watching that on Twitter.
And at first, I can't tell if it's like part of a sketch or something funny, but then quickly realize everything gets real because we'll scream it at.
Will is now screaming, expletives at Chris, twice.
And if you've ever watched somebody lose it,
you can tell Will is losing it, right?

And fair play to Chris.
He's doing a pretty good job at trying to de-escalate things,
which it doesn't really work.
You can tell Will is at a tipping point.

He thinks the better of it.
Now, because I'm on Twitter
and I'm not watching the US broadcast,
I'm watching the uncensored version,
I think from Japan and Australia.
And, you know, so a lot of people in America
didn't know what's happened
because it, you know, got bleeped and centered,
so it was hard to make sense.
But what everybody saw was Will Smith
get up on stage in front of Hollywood
and in front of millions of viewers,
smack somebody in the face,
then go sit down, his rage is on full display,
but then goes on to win the Oscar for the best
actor in the leading role.
And so now has to give a speech.
- Yeah.
- So I couldn't really sleep
because I needed to know how the thing resolved itself.
And it wasn't like this salicious gossip in my heart.
I think for me, what happened
is will manage to give all of us a gift,
probably not Chris a gift,
but give all of us a gift of humanity.
Of humanity on display.
His vulnerability of losing his temper
and his vulnerability of the sadness of sabotage.
Here's this big event.
So I watched lots of people offering commentary
and who was right and who was wrong,
what should have been done, all that sort of stuff.
But I wanted to look at it in a slightly different way
and talk about the humbling nature of being human.

And what do you do with that pain?
- Like afterwards.
- Afterwards.
Like have you, Adrijones, ever said something,
done something in a fit of,
I don't know, anger, fear, sadness, loneliness,
and then later realized I actually betrayed
who I am by my behavior by my words.
- Two hours later.
- I mean, I must have.
- I can't believe you're taking this long to think,
'cause I came prepared with a list of times you've done it.
- You did?
- No, I'm kidding.
I haven't got it.
- I was like, that would help me.
- Never as a parent, you've said or done something,
you later wish you hadn't said or done something.
- Oh, probably.
Oh, I'm sure.
I'm just trying to think of like,
- Probably.
- Oh, I'm sure, 'cause I know I've said,
because Mummy said so.
- Have you ever wanted to take a dump
in your husband's shoes, for example?
- Oh yeah, well, yeah.
- You can't even think about it in our marriage,
times that you've said things
that you wish you could take back?
- Um, yes, I can.
(laughing)
- You can tell these episodes are not rehearsed.
(laughing)
'Cause this is a live live reaction.
- This is not a funny one,
but I'm gonna sit on the podcast.
- Okay, well that's helpful for a movie.
- Yeah, yeah, yeah.
I guess I can think of, well, jump in shoes, for sure.
Yeah.
- I can think of--
- When I told you to get out, get out.
- The time you grabbed a baby and ran away,
and then I stood at the door and,
what do you mean you don't feel safe
as I'm yelling at the top of my lungs?
I'm just thinking about, like, I know, I watched Will
and my empathy level went through the light,
through the roof because I was like, I know what it's like to be
will. I've never slapped anybody to my knowledge. Like, I remember
having a fight with somebody I lived on a street with when I
was a little boy. But I've never had a physical altercation with
anyone. But I can think of times when it's almost like your
body does something without your own permission. Yeah. And then
you're left with the shame of it. And you want to minimize it,
you want to, or I want to minimize it, I want to justify it,
I want to run away, I want to hide.
I remember one night, this is a horrible memory for me.
I remember it was S.O.S.L. graduation one year.
I'm, I think I was, am seeing it.
And I'm running through it and I'm realizing
we're short on time.
And I remember looking at my notes and usually, you know,
we congratulate all the students, but then we also stop
and thank all of our staff for all the hard work
of that year.
And in my head, I'm like, ah, no, that's a good way
of saving time.
I don't need to thank our staff.
our staff know they've done a good job.
Like so I make that call in my head and I get through it.
And I think the whole speech has been a success
and I sit down and either you or Jeff pointing out to me,
"Hey Alan, you forgot to thank your staff."
And I was like, "Oh no, no, I see your heart
trying to help me."
I didn't forget I made a deliberate decision not to.
Thinking I'd made a good decision, right?
Thinking, "Oh, people are fine."
- They were over time.
- They were over time and they all know they did a good job
which is a really curious thing, a mission for me to make as I hate high words of affirmation
person. But I think all my staff are going to be fine. And then I look over and see some
of my staff who I love deeply in pain. Like I can see tears in their eyes. And in that
instant, I am like, I have made a horrible, horrible mistake. And there's no way for me
to get out of that. And I remember just leaving the room in tears, getting in the car and
driving home and just hoping the earth would swallow me.
Because I'm realizing I made, it wasn't an accident,
it wasn't an oversight, I made a deliberate choice
that has now hurt people and actually has written
a story on their hearts that isn't true.
And any effort for me to rewrite that story
is gonna just sound defensive or I don't know how to get
out of it and I just feel alone.
And I haven't done any of my feelings work.
But my only solution seemingly is to run away.
And I run away and I hid and I didn't want to see any
of my staff and this is a test of me
how brave and powerful my staff are.
Eventually they came and confronted me.
I don't mean eventually.
I mean, a couple of days they were like,
"What happened?
Thankfully I had time to cool down.
You know, and also no, we've got so much trust
with our staff.
In that one moment, I knew what it was like to kind of ruin the night of people it was so important for.
And I'm thinking about Will.
Like, this is potentially, he doesn't know he's going to win, but potentially is going to be one of the biggest nights of his life.
He's running for an Oscar, his third nominee.
So he knows what it's like to be nominated.
Doesn't know what it's like to win.
Yeah.
And so you can hear the tension.
Now what's curious is the next day I got up and I tried to watch stuff and I saw an interview with
Denzel Washington. This is pre the Oscars everyone's going on the red carpet
So like Denzel is already saying yeah like his he's got lots of emotions
He's got lots of feelings, you know, he's gonna have to manage them like Denzel doesn't realize he's being prophetic in that moment
but
You know, I'm I'm thinking
You know in Will's acceptance speech you can realize not only is he embarrassed himself.  I have not never won an Oscar
Because you're human too, but I know what it's like to ruin a special event
I know what it's like for my behavior my words to betray who I am and I think the saddest part is will speech
She said you know
I feel like God's called me to be a vessel of love and at that point my heart broke
You know, I saw people making fun of them going, hey, you know top tip
If you're gonna be a vessel of love don't go and smacking people
But I heard it as him going I can't be what God wants me to be in my own strength
Yeah, and I'm like oh is there anything more human than than that moment. I think
Well first of all when you asked earlier
Can I think of moments it always takes me a little bit longer?
I know that you had your list but just as I'm thinking about it like, you know
I punched somebody at church where everybody could see me hundreds of people looking through the glass while I punched another youth leader in the face of church. I've had my moments.
I knew they were in there just in clock enough. You could think about.
I was thinking another time somebody hurt my cousin and I went over to their house and basically just walked in their house and I ran up one side of her and down the other while her parents were there listening.
Yeah, I've had my moments, my human moments.
I think what makes me sad is like I didn't, I'm not really on social media that much,
but the little bit that I did see, it didn't seem like there was, or at least what I saw,
there was an enormous amount of grace or mercy towards Will.
And that kind of made me sad because I'm like, wait, again, what of us haven't had just a
really awful moment where we fleshed out. And it just happened to be that his is on TV.
And he's famous. So he's living under the spotlight anyway.
Yeah.
You know,
And also understand that we're not minimizing what he did, like what he did was clearly
wrong. But what you're saying is like, are we all forgetting that we've had moments when
we have said or done something that has repercussions far larger than we're currently aware of?
Yeah.
come rushing to you. I'm sure when he sat down, he realized, holy monkey, what have I just
done? Oops, I've just cussed out on live TV. Oops, I've just done it again.
Yeah. Like we've all had those experiences. I'm not the only one, right? Listen, we have
had experiences where there's repercussions larger than we anticipated. And then when
that news hits us, we realize there's really no way to take them back. And what are you
do in that moment is actually the test of character. Yeah. So what do you do when you screw up
spectacularly, AJ Jones? Try and clean up your mess.  So apologize, ask for forgiveness, find out what people need, that kind of thing.
And it's important to understand that apologies aren't just words.
There might be actions that need to follow up with the words to demonstrate your story.
Yeah.
I also, I agree with everything you said, but I also think about the need
to explore your story to how you ended up there.
Yeah.
Like what is familiar to you in what ways is your childhood story revisiting
you where that then becomes seemingly your only option.
Yeah.
Well, because usually, I mean, it seemed like he just had an instant reaction.
Well, yeah, if you watch back, he's actually laughing at Chris's joke.
Right. When Chris makes the joke, you see Will laughing.
You see Jada not laughing.
Presumably you then see Will looking at Jada's face.

I can imagine how big a deal that is.
I'm also not a black woman.
And I don't know too much about black culture, but some of the stuff I've read is like,
the grief and sadness about losing your hair. So, you know, I don't know if Will just felt super
defensive. I had no idea what's going on. I don't know the dynamics of their marriage or anything.
That's not what I'm in.  I think we all know
what I mean. I don't need to keep it. Yes, yes, yes.   And I remember just turning that turning around and in my anxiety, my fear,
my dread. Again, not knowing that's why I'm feeling I haven't done any feelings work and just yelling
at her because she's the source of my pain. She's not she just happened to be in the wrong place in
in the wrong time and be a child and have needs.
And it was one more area where I feel like I'm failing
in my ability to meet the needs of my family.
And that's what it took.
- You can go repair it, you know?
And so often when the event is larger than your reaction,
it's larger than the event warrants.
The issue is not the issue.
So Will Hicken Chris is not about the joke.
It's about something else.
And it really touched me.
I woke up the next morning at 4.30,
'cause I'd barely slept and I was just praying for him.

- I know that he sort of coached him somehow.
- Imprayed for him.
- Imprayed for him.
- And a break.
- And somebody else came over and prayed for him too.
- Yep.

- And your highest moment is when the devil will attack.
I was like, "Come on, Denzel."
- Yeah.
- I saw Denzel being interviewed by TDJ.
- TDJ, yeah.
- I was like, "Okay, this is beautiful."
- Yeah, I realized that when you're talking about,
you know, I woke up at 4.30 or whatever,
and you've been, you did like a little bit of a deep dive
and people were attracted. - Clearly struck a chord
in my heart, yeah.

So like for me, I didn't really put much more thought into it.
Like he had a human moment and really unfortunate
that it happened on public television.
- Yeah.
I feel sad for him and that's it.
Like that sort of word ends for me because again, there's,
there's much bigger things going on,
but of course because it's Hollywood and it's dirt, I guess.
- But how true is that?
I mean, that's a very salient point you make,
but how true is that also?
Like I think about the time that I left,
I left the event, you know, I left graduation,
I went home in my shame, in my fear, crying,
thinking about all the people I've ruined
their night and hurt them. And and and here's the thing.
Not that I'm minimizing my hurt or my damage, but I hurt and
grieved our staff, but the 70 or so students who are graduating,
they didn't know like what I'm saying is you put things correctly in
their global perspective. Often when we have done something wrong,
we lose sight of perspective. As in the enemy will have a field
angle.  This is the biggest thing.
So when everyone's mind, everyone is not sleeping about it, you need to go fix it, you know, blah, blah, blah.
And the reality is that's not what's going on. Life still goes on. It's all okay. You can fix whatever happened.
Yeah. Yeah.
So my homework for listeners this week,
Oh, homework is take a moment and think about if you've got a moment where it was a big event,
where the reaction was larger than the event warranted, and maybe do some homework.
like, what was the feelings? What was the story the enemy would love to sell you?
How did it sound? And maybe write it out.
Write out in detail what was the story that you learned and now, depending on how much time
it's passed, how true is that story? And maybe did you clean it up? And if you didn't,
What are some of the steps that you can do to clean up?
Because sometimes we don't want to clean it up.
Sometimes we do, oh, nobody's talking about it
and now it's fine.
- Yeah.
- But it's still probably worth some investigation.
- Yeah, 'cause probably there's still something
that's weighing on your own heart as well.
I think also though, can I just, I love your homework.
Can I, can I share a small pet peeve?
- Yes.
- So I do have a pet peeve about,
about Hollywood and about how quick Christians are to judge people in a Hollywood when they
make a mistake and it makes me super sad because I'm like, actually, I don't want their life.
They live under a microscope and everybody feels really comfortable always having an
opinion on their lives.
My thought is, I wish we would pray more for them.
You know what I mean?
Rather than be really happy to be like,
did you see, you know, whatever.
So I just as like a side note as a pet peeve,
like when you see behavior that you're like, man, you know,
and it gets the world's attention to me,
that's a great opportunity to start praying for those people
'cause they're gonna have a roll of rough week.
- Yes.
And what if we responded differently?
That's my only thought.
- So you've added, I'm gonna have two pieces of homework.
- Two pieces of homework.
- Is there any areas where we've judged Hollywood?
- Yeah.
- Yeah.
- Or just judged in general.
- Yeah.
- And what is the stuff we might need to do
to clean up our own mess?
- Yeah.
And I mean, I really, I think it's not just Hollywood,
whoever the famous people are for you.
'Cause you're your famous people, maybe your pastor.

Like whoever's under the microscope, you know, what if we extended grace and, and, and prayed for breakthrough for those people?
That's my, I don't know.
That's fine.
All right.
Well, now you can probably see why we don't do current events because it's not a current.
And we're not great commentators on stuff like that, but some things to think about this.
You go, let's not do that again.
AJ, if people want to get the show notes for this episode, they would go to where they would go to.
Alanaj.com/276.
-That's very good.
I did wild gesticulations across the studio.
-I was like, "Wait, I don't know what number it is."
-I think A.G. Jones needs a round of applause
for not falling asleep on this week's episode.
-Because you even have mood lighting going on in here.
-It's hardly mood lighting, though.
I mean, it's just...
-Duh, duh, duh, duh, duh, duh, duh.
If you would like to become a member of the show,
I'm doing the background.
That's great.
Could you stop?
Okay.
If you'd like to become a member of the show, help support the show, get
benefits, like discounts on the upcoming course I'm about to remind you about,
get videos to some of our episodes, not the next couple of our recording and audio.
Um, get priority Q and A.
If you would like to be able to chat with us in a private forum, go to
Allen and AJ.com/join.
And lastly, if you would like to join me on the more than enough course, if you would
like to have a brand new relationship with your finances, if you'd like to know what
it's like to live with more money, less stress and greater financial security, go to ellenanagia.com/more
and remember registration closes on April 18th.
But for now, thanks for being with us.

They talk about faith in God and everything under the sun.


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Contributing to Gradle
There are many ways you can contribute to Gradle. Here are some possibilities:
Tell People About Gradle
If you like using Gradle, let people know about it. Blog about it, tell your coworkers, write a review, give a
presentation, or help port an open-source project to use it.
Give Us Feedback
Gradle is still in its early stages of developement, so your feedback is really important - both positive and negative.
Tell us what you like, and don't like about Gradle. Let us know what you think could be improved. Providing feedback is
a simple, low effort way you can contribute to Gradle. You can do this by:
- Joining some of the mailing lists and participating in the discussions there. Our
design discussions happen in the open, on the developer mailing list.
- Join us for a chat on IRC.
- Reporting bugs or adding feature requests to JIRA.
Help With Support
We need people to help answer questions on the user mailing list and IRC. This can be a good way of learning about how Gradle
works, by diving into the code to help solve user problems.
Improve the Documentation
There are lots of things you can do with Gradle, and some of these aren't well documented. Gradle also has a large API,
all of which needs documentation. You can help enormously by writing some documentation - for the user guide, FAQ,
API, website, or on the wiki. You can provide examples. Or you can help with design and layout. Or with editing and
proofreading.
You can find out more about the documentation on the development Wiki.
Or, you can just start adding stuff to the Wiki.
Write Some Code
Want something added to Gradle? Need a bug fixed? Got an idea for a new feature? The best way to get things done to
Gradle, is to write some code and contribute a patch. Even better if it has test cases. You can find out more on the
development Wiki.


|
e-puck
1.0
|
Manage camera's interrupts (three timers) More...
Functions | |
| void | __attribute__ ((interrupt, auto_psv)) |
| The HSYNC interrupt. This interrupt is called each time the Horizontal sync signal is asserted This mean we begin the a line of the picture. More... | |
| static void | init_timer5 (void) |
| static void | init_timer4 (void) |
| static void | init_timer1 (void) |
| void | e_po3030k_launch_capture (char *buf) |
| void | e_po3030k_apply_timer_config (int pixel_row, int pixel_col, int bpp, int pbp, int bbl) |
| int | e_po3030k_is_img_ready (void) |
Variables | |
| static int | max_row |
| static int | max_col |
| static char * | buffer |
| static int | img_ready |
| static int | current_row |
| static int | current_col |
| static int | buf_pos |
| static int | bytes_per_pixel |
| static int | bpp_current |
| static int | pixel_betw_pixel |
| static int | pbp_current |
| static int | blank_betw_lines |
| static int | bbl_current |
Manage camera's interrupts (three timers)
| void __attribute__ | ( | (interrupt, auto_psv) | ) |
The HSYNC interrupt. This interrupt is called each time the Horizontal sync signal is asserted This mean we begin the a line of the picture.
The Pixel Clock interrupt. This interrupt is called every time the Pixel clock signal is asserted This mean that the next byte is ready to be read.
The VSYNC interrupt. This interrupt is called every time the Vertical sync signal is asserted This mean that the picture is comming from the camera ( we will have the first line soon )
| void e_po3030k_apply_timer_config | ( | int | pixel_row, |
| int | pixel_col, | ||
| int | bpp, | ||
| int | pbp, | ||
| int | bbl | ||
| ) |
Modify the interrupt configuration
| pixel_row | The number of row to take |
| pixel_col | The number of pixel to take each pixel_row |
| bpp | The number of byte per pixel |
| pbp | The number of pixel to ignore between each pixel |
| bbl | The number of row to ignore between each line |
| int e_po3030k_is_img_ready | ( | void | ) |
Check if the current capture is finished
| void e_po3030k_launch_capture | ( | char * | buf | ) |
Launch a capture in the buf buffer
| buf | The buffer to write to |
|
static |
|
static |
|
static |
|
static |
The current row we ignore between each effective row
|
static |
The number of blank row between each effective row
|
static |
The current byte we are inside a pixel
|
static |
Counter which is incremented each time we acquire a byte
|
static |
The buffer to write to
|
static |
Number of bytes per pixel
|
static |
The current column we are
|
static |
The current row we are
|
static |
The flag to tell, the image is ready or not Zero mean capture is in progress, non-zero mean capture done.
|
static |
The number of bytes per row we should take
|
static |
The number of row we should take
|
static |
The current pixel we are between two effective pixel
|
static |
Pixel to "jump" between each effective pixel


Home
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Latest war results
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Scores compared to last war
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---
notes: |
Text decoration utilities across breakpoints
---
text-decoration: none
text-decoration: underline
text-decoration: line-through
hover / text-decoration: none
hover / text-decoration: underline
hover / text-decoration: line-through
focus / text-decoration: none
focus / text-decoration: underline
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active / text-decoration: none
active / text-decoration: underline
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visited / text-decoration: none
visited / text-decoration: underline
visited / text-decoration: line-through


I am the Doctor, and you are the Daleks! Annihilate? No. No violence. I won't stand for it. Not now, not ever, do you understand me?! I'm the Doctor, the Oncoming Storm - and you basically meant beat them in a football match, didn't you? Aw, you're all Mr. Grumpy Face today. It's a fez. I wear a fez now. Fezes are cool. The way I see it, every life is a pile of good things and bad things.…hey.…the good things don't always soften the bad things; but vice-versa the bad things don't necessarily spoil the good things and make them unimportant. Annihilate? No. No violence. I won't stand for it. Not now, not ever, do you understand me?! I'm the Doctor, the Oncoming Storm - and you basically meant beat them in a football match, didn't you?
You hit me with a cricket bat.  You hit me with a cricket bat. Annihilate? No. No violence. I won't stand for it. Not now, not ever, do you understand me?! I'm the Doctor, the Oncoming Storm - and you basically meant beat them in a football match, didn't you?
 It's just stuff with bits in. You know how I sometimes have really brilliant ideas? You hit me with a cricket bat.


AWDB, LLC - PRIVACY POLICY
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C. All Circumstances . In all circumstances, we may perform these functions directly or use a third party vendor to perform these functions on our behalf who will be obligated to use your personal information only to perform services for us. Also, if you access our Service from one or more of your Social Media Accounts, we may share non-personal information with that platform to the extent permitted by your agreement with it and your selected privacy settings.
III. WITH WHOM WE SHARE YOUR INFORMATION
A. Users of Website . When you register as a user of Art Frankly, your Art Frankly profile will be viewable by other registered users (also referred to as “Members”) of the Service and to unregistered users who are visiting the Website (referred to as “Visitors”), including any information you have provided to us directly or through Social Media Accounts as detailed above and which is visible on your member profile, including but not limited to any photos, any additional photos you upload, your first name, your age, what city you live in, where you work, your education and prior job/work experience. Notwithstanding the foregoing, you may elect to change your privacy settings to restrict non-members from viewing your profile.
B. Person Information to 3 rd Parties . We do not share your personal information with others except as indicated in this Privacy Policy, when you voluntarily share that information while using the Services or when we inform you and give you an opportunity to opt out of having your personal information shared. Once you have voluntarily provided your personal information, we may share your personal information with:
1. Service Providers: We may share information, including personal and financial information, with third parties that perform certain services on our behalf. These services may include fulfilling orders, providing customer service and marketing assistance, performing business and sales analysis, ad tracking and analytics, member screenings, supporting our Service functionality, and supporting contests, sweepstakes, surveys and other features offered through our Website and the Services. These service providers may have access to personal information needed to perform their functions but are not permitted, by contract and law, to share or use such information for any purpose other than for use in connection with the specific function they perform for Art Frankly.
2. Other Situations. We may disclose your information, including personal information:
(i) In response to a subpoena or similar investigative demand, a court order, or a request for cooperation from law enforcement or other government agency; to establish or exercise our legal rights; to defend against legal claims; or as otherwise required by law. In such cases, we may raise or waive any legal objection or right available to us.
(ii) When we believe disclosure is appropriate in connection with efforts to investigate, prevent, or take other action regarding illegal activity, suspected fraud or other wrongdoing; to protect and defend the rights, property or safety of our company, our users, our employees, or others; to comply with applicable law or cooperate with law enforcement; or to enforce our Terms of Use or other agreements or policies.
(iii) In connection with a substantial corporate transaction, such as the sale of our business, a divestiture, merger, consolidation, or asset sale, or in the unlikely event of bankruptcy. In such event Art Frankly will take appropriate measures to ensure the protection of your personal information, including but not limited using its best efforts to ensure that any prospective purchaser of Art Frankly shall treat any and all personal information disclosed to them as confidential in nature.
C. Aggregated and/or non-personal information . We may use and share non-personal information we collect under any of the above circumstances. We may also share it with third parties to develop and deliver targeted advertising on our Service and on websites or applications of third parties, and to analyze and report on advertising you see. We may combine non-personal information we collect with additional non-personal information collected from other sources. We also may share aggregated, non-personal information, or personal information in hashed, non-human readable form, with third parties, including advisors, advertisers and investors, for the purpose of conducting general business analysis or other business purposes. For example, we may engage a data provider who may collect web log data from you (including IP address and information about your browser or operating system), or place or recognize a unique cookie on your browser to enable you to receive customized ads or content. The cookies may reﬂect de-identified demographic or other data linked to data you voluntarily have submitted to us (such as your email address), that we may share with a data provider solely in hashed, non-human readable form. To opt-out of cookies that may be set by third party data or advertising partners, please go to http://www.aboutads.info/choices/.
IV. DO NOT TRACK DISCLOSURE
Do Not Track (“DNT”) is a privacy preference that users can set in their web browsers. DNT is a way for users to inform websites and services that they do not want certain information about their webpage visits collected over time and across websites or online services. We are committed to providing you with meaningful choices about the information we collect and that is why we provide the opt-out links above. However, we do not recognize or respond to any DNT signals, as the Internet industry works toward defining exactly what DNT means, what it means to comply with DNT, and a common approach to responding to DNT. Any changes to Section IV of this Privacy Policy shall be made accordingly and pursuant to and in compliance with the law, industry practices and standards.
V. THIRD PARTY WEBSITES
There are a number of places on our Website where you may click on a link to access other websites that do not operate under this Privacy Policy. For example, if you click on an advertisement offered in connection with one of the Services or that is related to the Services, you may be taken to a website that we do not control. These third- party websites may independently solicit and collect information, including personal information, from you and, in some instances, provide us with information about your activities on those websites. We recommend that you consult the privacy statements of all third-party websites you visit by clicking on the “privacy” link typically located at the bottom of the webpage you are visiting. We are not responsible for any personal information that you provide to a third party website.
VI. HOW YOU CAN ACCESS YOUR INFORMATION
If you are a registered user of the Website and have an Art Frankly member account, you have the ability to review and update your personal information within the Service by opening your account and going to settings. More information about how to contact us is provided below. You also may close your account or change the status of the account at any time through the settings in your Member profile/account or by emailing Art Frankly at<EMAIL_ADDRESS>with the subject of “Delete Account”. If you close your account, we will retain certain information associated with your account for analytical purposes and recordkeeping integrity, as well as to prevent fraud, enforce our Terms of Use, take actions we deem necessary to protect the integrity of our Service or our users, or take other actions otherwise permitted by law. In addition, if certain information has already been provided to third parties as described in this Privacy Policy, retention of that information will be subject to those third parties' policies.
VII. YOUR CHOICES: COLLECTION & USE OF YOUR INFORMATION
A. Your Choice not to provide information: You can choose not to provide us with certain information, but that may result in you being unable to use certain features of our Service because such information may be required in order for you to register as user; purchase products or services; participate in a contest, promotion, survey, or sweepstakes; ask a question; or initiate other transactions.
B. Notifications to your phone or mobile device. We may deliver notifications about the Website, your member account and the Services, to your phone or mobile device. You can disable these notifications by changing the settings on your mobile device.
C. Information collected by cookies. You can also control information collected by cookies. You can delete or decline cookies by changing your browser settings. Click “help” in the toolbar of most browsers for instructions.
VIII. PROTECTION OF YOUR PERSONAL INFORMATION
We take security measures to help safeguard your personal information from unauthorized access and disclosure. However, no system can be completely secure. Therefore, although we take steps to secure your information, we do not promise, and you should not expect, that your personal information, chats, or other communications will always remain secure from third parties who attempt to access the, without your authorization. Users should also take care with how they handle and disclose their personal information and should avoid sending personal information through insecure email. Please refer to the Federal Trade Commission's website for information about how to protect yourself against identity theft. http://www.ftc.gov/bcp/menus/consumer/data.shtm
IX. INFORMATION YOU PROVIDE DURING YOUR USE OF OUR SERVICE
We provide areas on our Website and through the use of the Services where you can have the option to voluntarily post information about yourself and general information about others that you are looking to meet, network and/or work with through the use of the Service and use to communicate with others. All postings are governed by our Terms of Use and you are expected to comply with those terms at all times. Furthermore, whenever you voluntarily disclose personal information on publicly-viewable pages, that information will be publicly available and can be collected and used by others. For example, if you post your email address, you may receive unsolicited messages. We cannot control who reads your posting or what other users may do with the information you voluntarily post, so we encourage you to exercise discretion and caution with respect to your personal information.
X. CHILDREN’S PRIVACY
Although the use of our Website and the Services provided thereon is for a general audience, we restrict the use of our Website and the Services offered thereon to individuals which are age 18 and above. We require each user of our Service to make representations and warranties that they are at least 18 years of age, which we reasonably rely upon. Therefore, we do not knowingly collect, maintain, or use personal information from children under the age of 18
XI. VISITING SERVICE FROM OUTSIDE THE UNITED STATES
If you are visiting our Website and using the Service from outside the United States, please be aware that your information may be transferred to, stored, and processed in the United States where some of servers are located and our central database is operated. By using our services, you understand and agree that your information may be transferred to our facilities and those third parties with whom we share it as described in this privacy policy.
XII. NO RIGHTS TO THIRD PARTIES
This Privacy Policy does not create rights enforceable by third parties or require disclosure of any personal information relating to users of the Website and the Services provided thereon.
XIII. INDEPENDENT FUNCTIONALITY
While you may be required to disclose certain personal information to become a registered user of the Website and/or be approved for a member account with Art Frankly as provided herein, the functionality of the Website is not dependent upon any of the personal information required.
XIV. CHANGES TO THIS PRIVACY POLICY
We will occasionally update this Privacy Policy. When we make changes to this Privacy Policy, we will revise the "last updated" date at the top of this Privacy Policy, post it publicly to Website and provide you with written notice (email or direct message to your member account shall be sufficient) that this Privacy Policy has been changed. We recommend that you also check our Website from time to time to inform yourself of any changes in this Privacy Policy or any of our other policies.
XV. HOW TO CONTACT US
If you have any questions about this Privacy Policy and/or have a good faith belief of a potential violation of this policy, please send an email to:
Email: legal@ArtFrankly.com


The Lost World. Batman and Robin. These movies bring shudders to all motion picture fans, and with good reason. What are they? Sequels. The word sequel always brings one word to fans: bad. Is it fair to expect a sequel to live up to its original? No, but most sequels turn out to be terrible. Some films have succeeded, not only at the box office like all sequels do, but also in the plot and acting. The Spy Who Shagged Me is a perfect example that sequels can outdo their predecessor. First things first, you will not be seeing Mike Myers at the Oscars. The Spy Who Shagged Me is not going to be an Oscar contender, but it is a comedy that accomplishes everything that it sets out to do. Mike Myers not only co-wrote the script, he also plays three different and important roles in the film. As in the original, he plays Austin Powers and Dr. Evil, but he also introduces a Scottish spy known as Fat Bastard. Unlike the original, Dr. Evil is the main comedic attraction and he does not disappoint.  The Spy Who Shagged Me is basically an "evil" movie. The best moments of the film come from Dr. Evil and his associates. This is because of the excellent casting job done for the film. First and foremost, Dr. Evil is hilarious. Myers establishes himself as a legitimate comedic performer by showing that toilet humor can be original and hilarious as long as it is done right. Robert Wagner sets up some great jokes for Dr. Evil early in the film, and then Rob Lowe takes over as the Young Number Two. Rob Lowe's performance is identical to Robert Wagner's. Lowe realizes he is not there to be a comedian, he is there to setup his counterparts and he does it beautifully. He sounds exactly like Robert Wagner, and works beautifully with Myers. Seth Green is back as Scott Evil, Dr. Evil's son, and his cynical view of his father just adds to the humor. Perhaps the biggest and best addition to the cast came from the smallest member who did not have any lines. This man, or midget, is Mini-Me, played by Verne Troyer. He does not speak, but Dr. Evil's love for him sets up even more jokes. Plus, his fight with Austin Powers is terrific. Last, Dr. Evil's newest spy in the Ministry of Defense, Fat Bastard played by Myers, adds to the evil experience. The constant fat jokes may seem politically incorrect, but Myers does it with such flair that you cannot resist laughter. What about the other side of the spectrum? Austin Powers is back, and once again played by Myers. In International Man of Mystery, Powers was the leading man and was hilarious. He is not quite as funny in this one, but he still has his moments and Dr. Evil does pick up the slack. At the beginning of the film, he is with his with Vanessa, played by Elizabeth Hurley. But, she is killed off in the first five minutes, which opens the gates for a new partner for Powers. Enter Heather Graham. She plays Felicity Shagwell and is the perfect contrast for the humor of Austin Powers. Unlike Hurley, Graham is not as reserved and she is just as "randy" as Powers. And better yet, Powers has lost his mojo, which makes their pairing all the better. According to Myers, The Spy Who Shagged Me is forty- percent improv. This is not that bad, considering how funny the film is, but it can get a little old at times, but this is nothing but a small problem. Is there anything else wrong with this film? Yes, it is pretty short. Compared to other films, this is a short jog at ninety-five minutes. But, it is packed with jokes and never loses pace. Overall, The Spy Who Shagged Me establishes itself as the Mary of 1999 and it is a worthy successor. The randy comedy legitimizes Myers as a comedic powerhouse and Powers' success at the box office almost locks up a trilogy for the Powers franchise. Yeah, baby, yeah! Four Stars out of Four Stars The Movie Page- http://jump.to/moviepage Reviews, Previews, News and So Much More!
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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- Select three columns: the Address field, then the corresponding Lat and Lng fields immediately right of the Address cell. You may select one row or many rows, and the address lookup will happen for each set of the cells.
- Go to the Geocode menu and select "Geocode Address to Lat and Lng". It does take a moment. Be patient and wait for the script to run.
- Addresses which could not be found, will have their Lat and Lng left blank. Either correct the address, or fill in a Lat and Lng manually.
- You may change the Lat and Lng for an address, if the geocoder gave coordinates that aren't quite to your liking.


Money Saving Expert Martin Lewis has important Black Friday advice for ITV Good Morning Britain fans
He said everyone should do this before they buy any deals in the huge sales event
by Rebecca KoncienzcyMartin Lewis had some very important advice for Good Morning Britain viewers hoping to bag a bargain in the Black Friday sales.
The Money Saving Expert appeared on the ITV show ahead of the event on Friday, November 29.
He said Amazon will start some deals from tomorrow (Friday, November 21) but they have remained tight-lipped about what will be included.
While he said there is likely to be some one-off price slashes which will only be available for, in some cases, a matter of hours, but they still may not be the cheapest on the market.
The 47-year-old said: "So here is my mantra;
"Ask yourself, 'do I need it?', 'is it worth it?' and 'have I checked if I can get it cheaper elsewhere?'
"If the answer to any of them is 'no', don't buy it."
Martin wants bargain hunters to make sure they don't fall into the trap of just buying it because they think it is cheap.
Black Friday is a sales event that started in the USA and always falls on the Friday after Thanks Giving (this year on November 28).
Because many people would still be off work on the Friday, it is almost like an unofficial holiday in America so shops took advantage and offered huge price drops ahead of Christmas.
It is a lot like the Boxing Day sales here in the UK.
From 2010 Black Friday deals started to make there way to Britain and each year it has become bigger than the last.


Declaration of interest
Principal employer and role
ASDF solutions
CEO
Professional affiliations
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Porro provident eaque quia dolor cum quam atque dignissimos quidem iusto voluptas, deserunt ut exercitationem, a omnis quod dolorem blanditiis. Quo, rerum.
Appointments, directorships and consultancies
| Organisation | Role |
|---|---|
| Aptrans Ltd | Executive consultant |
Other financial interests
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Architecto dolore vel harum voluptatem dolores ipsum, nihil nisi ad, ipsam placeat consequuntur labore excepturi cumque facere doloremque asperiores, voluptatibus ab dignissimos.
Close family member appointments, directorships and consultancies
| Relation | Organisation | Role |
|---|---|---|
| Sister | BioTech Corp | Senior Fiscal Officer |
Close family member other financial interests
Consectetur adipisci dolor itaque accusamus tempore explicabo assumenda vero quasi fuga, ipsa unde, ipsam dolores repellendus.


Hello, XProc Tester. This web server provides predictable responses to a number of endpoints. These are used by the HTTP tests in the XProc 3.0 Test Suite.


Hello, {{customer.firstname}} {{customer.lastname}}
Your claim regarding Insurance Policy has been confirmed. The payout will be transferred to your payment card.


Résumé
— Hi people! I am confident enough that you know me, but for the sake of formalities… My name is Arnold and I am an actor, bodybuilder, Terminator, filmmaker, hero, entrepreneur and ex-politician. I love achievements, growth and empowerment. That is exactly what I am willing to propagate.
Experience
Recent
-
2019
Enjoying my life and playing my part to imrove the environment
Back then
-
2016
Refused to vote for the Republican candidate
-
- I have been a Republican for all my conscious life
- This wet noodle Trump represented Republicans and it was a shame!
- I could have and should have been at his place! I could have been the President!
-
-
3rd January 2007 – 3rd January 2011
Served my second term as Governor of California
-
17th November 2003 – 3rd January 2007
Served my first term as Governor of California
-
17th November 2003 – 3rd January 2007
Served my first term as Governor of California
-
1993
Was named "International Star of the Decade" by the National Association of Theatre Owners
-
1985
Got into politics publicly, accompanied then-Vice President George H. W. Bush at a campaign rally
-
1984
Became The Terminator
-
1983
Got my United States citizenship
-
1980
Graduated and received his bachelor's degree in business administration and marketing
-
1976
Won the Golden Globe Award for New Star of the Year – Actor for my role in Stay Hungry
-
1970
Captured my first Mr. Olympia title in New York
-
1969
Got my first role in a movie (Hercules in New York)
-
October 1968
Moved to the USA, which had been my dream and ambition for a long time.
-
1967
Attended the NABBA Mr. Universe competition in London, coming in second in that competition. Was invited to stay in London and keep training with one of the judges (Bennett)
-
1966
Became the youngest ever Mr. Universe at the age of 20. Then left London and flew back to Munich to attended a business school.
-
1965
Served in the Austrian Army
-
1960
Began weight training
-
30th July 1947
Born in Austria


public class ZoneInfo
extends java.util.TimeZone
ZoneInfo
is an implementation subclass of TimeZone
that represents GMT offsets and
daylight saving time transitions of a time zone.
The daylight saving time transitions are described in the transitions
table consisting of a chronological
sequence of transitions of GMT offset and/or daylight saving time
changes. Since all transitions are represented in UTC, in theory,
ZoneInfo
can be used with any calendar systems except
for the getOffset
method that takes Gregorian calendar date fields.
This table covers transitions from 1900 until 2037 (as of version
1.4), Before 1900, it assumes that there was no daylight saving
time and the getOffset
methods always return the
getRawOffset()
value. No Local Mean Time is supported. If a
specified date is beyond the transition table and this time zone is
supposed to observe daylight saving time in 2037, it delegates
operations to a SimpleTimeZone
object created using the daylight saving time schedule as of 2037.
The date items, transitions, GMT offset(s), etc. are read from a database
file. See ZoneInfoFile
for details.
SimpleTimeZone
,
Serialized Form| Constructor and Description |
|---|
ZoneInfo()
A constructor.
|
ZoneInfo(java.lang.String ID,
int rawOffset)
A Constructor for CustomID.
|
| Modifier and Type | Method and Description |
|---|---|
java.lang.Object |
clone()
Returns a copy of this
ZoneInfo . |
boolean |
equals(java.lang.Object obj)
Compares the equity of two ZoneInfo objects.
|
static java.util.Map<java.lang.String,java.lang.String> |
getAliasTable()
Returns a Map from alias time zone IDs to their standard
time zone IDs.
|
static java.lang.String[] |
getAvailableIDs()
Gets all available IDs supported in the Java run-time.
|
static java.lang.String[] |
getAvailableIDs(int rawOffset)
Gets all available IDs that have the same value as the
specified raw GMT offset.
|
int |
getDSTSavings()
Returns the amount of time in milliseconds that the clock is advanced
during daylight saving time is in effect in its last daylight saving time rule.
|
java.util.SimpleTimeZone |
getLastRuleInstance()
Returns a SimpleTimeZone object that represents the last
known daylight saving time rules.
|
int |
getOffset(int era,
int year,
int month,
int day,
int dayOfWeek,
int milliseconds)
Returns the difference in milliseconds between local time and
UTC, taking into account both the raw offset and the effect of
daylight savings, for the specified date and time.
|
int |
getOffset(long date)
Returns the difference in milliseconds between local time and UTC
of given time, taking into account both the raw offset and the
effect of daylight savings.
|
int |
getOffsets(long utc,
int[] offsets) |
int |
getOffsetsByStandard(long standard,
int[] offsets) |
int |
getOffsetsByWall(long wall,
int[] offsets) |
int |
getRawOffset()
Returns the GMT offset of the current date.
|
static java.util.TimeZone |
getTimeZone(java.lang.String ID)
Gets the ZoneInfo for the given ID.
|
int |
hashCode()
Returns a hash code value calculated from the GMT offset and
transitions.
|
boolean |
hasSameRules(java.util.TimeZone other)
Returns true if this zone has the same raw GMT offset value and
transition table as another zone info.
|
boolean |
inDaylightTime(java.util.Date date)
Queries if the specified date is in Daylight Saving Time.
|
boolean |
isDirty() |
boolean |
observesDaylightTime() |
void |
setRawOffset(int offsetMillis)
Sets the base time zone offset from GMT.
|
java.lang.String |
toString()
Returns a string representation of this time zone.
|
boolean |
useDaylightTime()
Queries if this time zone uses Daylight Saving Time in the last known rule.
|
public ZoneInfo()
public ZoneInfo(java.lang.String ID, int rawOffset)
public int getOffset(long date)
getOffset
in class java.util.TimeZone
date
- the milliseconds in UTCpublic int getOffsets(long utc, int[] offsets)
public int getOffsetsByStandard(long standard, int[] offsets)
public int getOffsetsByWall(long wall, int[] offsets)
public int getOffset(int era, int year, int month, int day, int dayOfWeek, int milliseconds)
Note: In general, clients should use
Calendar.get(ZONE_OFFSET)
+
Calendar.get(DST_OFFSET)
instead of calling this method.
getOffset
in class java.util.TimeZone
era
- The era of the given date. The value must be either
GregorianCalendar.AD or GregorianCalendar.BC.year
- The year in the given date.month
- The month in the given date. Month is 0-based. e.g.,
0 for January.day
- The day-in-month of the given date.dayOfWeek
- The day-of-week of the given date.milliseconds
- The milliseconds in day in standard local time.public void setRawOffset(int offsetMillis)
setRawOffset
in class java.util.TimeZone
offsetMillis
- the base time zone offset to GMT.getRawOffset()
public int getRawOffset()
getRawOffset
in class java.util.TimeZone
public boolean isDirty()
public boolean useDaylightTime()
useDaylightTime
in class java.util.TimeZone
public boolean observesDaylightTime()
observesDaylightTime
in class java.util.TimeZone
public boolean inDaylightTime(java.util.Date date)
inDaylightTime
in class java.util.TimeZone
public int getDSTSavings()
getDSTSavings
in class java.util.TimeZone
public java.lang.String toString()
toString
in class java.lang.Object
public static java.lang.String[] getAvailableIDs()
public static java.lang.String[] getAvailableIDs(int rawOffset)
rawOffset
- the GMT offset in milliseconds. This
value should not include any daylight saving time.public static java.util.TimeZone getTimeZone(java.lang.String ID)
ID
- the ID for a ZoneInfo. See TimeZone for detail.public java.util.SimpleTimeZone getLastRuleInstance()
public java.lang.Object clone()
ZoneInfo
.clone
in class java.util.TimeZone
public int hashCode()
hashCode
in class java.lang.Object
public boolean equals(java.lang.Object obj)
equals
in class java.lang.Object
obj
- the object to be compared withpublic boolean hasSameRules(java.util.TimeZone other)
hasSameRules
in class java.util.TimeZone
other
- the ZoneInfo object to be compared withTimeZone
has the same
GMT offset and transition information; false, otherwise.public static java.util.Map<java.lang.String,java.lang.String> getAliasTable()
ZoneInfoMappings
file is not available.


Press n or j to go to the next uncovered block, b, p or k for the previous block.
| File | Statements | Branches | Functions | Lines | |||||
|---|---|---|---|---|---|---|---|---|---|
| src | 94.21% | 114/121 | 87.5% | 35/40 | 92.59% | 25/27 | 93.69% | 104/111 | |
| src/auth | 89.6% | 293/327 | 76.8% | 96/125 | 93.98% | 78/83 | 89.6% | 293/327 | |
| src/components | 98.89% | 89/90 | 86% | 43/50 | 100% | 21/21 | 98.86% | 87/88 | |
| src/errors | 83.33% | 45/54 | 66.67% | 8/12 | 76.19% | 16/21 | 83.33% | 45/54 | |
| src/providers | 100% | 35/35 | 82.35% | 14/17 | 100% | 3/3 | 100% | 35/35 | |
| src/signing | 100% | 46/46 | 93.75% | 15/16 | 100% | 7/7 | 100% | 46/46 | |
| src/styles | 100% | 8/8 | 100% | 0/0 | 100% | 0/0 | 100% | 8/8 | |
| src/subproviders | 98.1% | 103/105 | 97.1% | 67/69 | 100% | 23/23 | 98.1% | 103/105 | |
| src/utils | 57.14% | 36/63 | 52.38% | 22/42 | 60% | 12/20 | 59.02% | 36/61 |


Modern POS
Dashboard
Manage Customers
Manage Items
Place Order
Search Orders
Place Order
Order ID:
Order Date:
Select Customer ID
Customer Name
Item Code
Description
Unit Price
Qty. on Hand
Order Qty.
Code
Description
Qty.
Unit Price
Total
Delete
Total:
Place Order


This test-case is intended for Issue #1927
- Firebug 1.4.0b3 concatenates AJAX responses if HTTP authentication is required for the resource.
Jan Odvarko<EMAIL_ADDRESS>Open Firebug and enable the Net panel.
Click on the Execute Test button below.
You'll be prompted for an user name and password
You don't have to fill in anything, just press OK.
The dialog reappear, now press Cancel.
Expand the issue1927.php request in the Net panel.


DYBS || Diversify Your BookShelf
This streamlined website is a search engine specifically targeting children's literature that features and promotes diversity. The idea came from personal experiece as a mother. I intentionally look for books at the library that have a strong message of celebrating our differences and feature marginalized communities.
Change for Good
Coding is Outta This World
This website tests your knowledge of JavaScript in a race against the clock. If you answer incorrectly, five seconds is deducted from the clock. If you complete all the questions before the timer runs out, the number of seconds left will be added to your score. See if you can get a perfect score on the highscores page.
Weather Dashboard


This page shows automated results of the Geminids 2007, based on visual data entered through the IMO electronic report form. Send your feedback regarding this page to Geert Barentsen or visit the project pages. Note that automated results are not suitable for scientific use!
Page generated on 10 August 2008 at 22:48 UT.
ZHRmax = 122 based on 12678 Geminids in 1055 data intervals, assuming fixed population index r = 2.0 and zenith correction 1/sin(hR).
| Time (UT) | Solarlon | nINT | nGEM | ZHR | |
|---|---|---|---|---|---|
| 2007-12-07 06:29 | 254.650 | 1 | 1 | 5 | +-4 |
| 2007-12-08 02:58 | 255.518 | 4 | 9 | 3 | +-1 |
| 2007-12-08 20:15 | 256.249 | 17 | 108 | 12 | +-1 |
| 2007-12-09 01:35 | 256.475 | 8 | 84 | 15 | +-2 |
| 2007-12-09 23:19 | 257.395 | 6 | 25 | 6 | +-1 |
| 2007-12-11 09:53 | 258.859 | 3 | 31 | 21 | +-4 |
| 2007-12-12 05:02 | 259.670 | 1 | 3 | 21 | +-10 |
| 2007-12-13 00:35 | 260.499 | 39 | 402 | 48 | +-2 |
| 2007-12-13 05:16 | 260.698 | 34 | 417 | 34 | +-2 |
| 2007-12-13 20:12 | 261.331 | 33 | 415 | 94 | +-5 |
| 2007-12-13 21:58 | 261.405 | 37 | 422 | 105 | +-5 |
| 2007-12-13 22:50 | 261.442 | 27 | 411 | 109 | +-5 |
| 2007-12-13 23:41 | 261.478 | 25 | 413 | 105 | +-5 |
| 2007-12-14 00:38 | 261.518 | 28 | 402 | 94 | +-5 |
| 2007-12-14 01:35 | 261.559 | 17 | 404 | 106 | +-5 |
| 2007-12-14 02:28 | 261.596 | 24 | 405 | 98 | +-5 |
| 2007-12-14 03:17 | 261.631 | 20 | 410 | 112 | +-6 |
| 2007-12-14 04:33 | 261.684 | 20 | 410 | 105 | +-5 |
| 2007-12-14 06:10 | 261.753 | 20 | 420 | 104 | +-5 |
| 2007-12-14 09:28 | 261.893 | 13 | 407 | 87 | +-4 |
| 2007-12-14 14:37 | 262.111 | 30 | 407 | 122 | +-6 |
| 2007-12-14 16:50 | 262.205 | 27 | 411 | 117 | +-6 |
| 2007-12-14 18:09 | 262.261 | 39 | 400 | 111 | +-6 |
| 2007-12-14 19:06 | 262.301 | 39 | 415 | 96 | +-5 |
| 2007-12-14 20:03 | 262.341 | 35 | 407 | 89 | +-4 |
| 2007-12-14 21:06 | 262.386 | 38 | 400 | 89 | +-4 |
| 2007-12-14 21:54 | 262.420 | 32 | 406 | 85 | +-4 |
| 2007-12-14 22:40 | 262.452 | 27 | 404 | 95 | +-5 |
| 2007-12-14 23:15 | 262.477 | 32 | 404 | 84 | +-4 |
| 2007-12-14 23:49 | 262.501 | 37 | 400 | 86 | +-4 |
| 2007-12-15 00:28 | 262.528 | 36 | 404 | 79 | +-4 |
| 2007-12-15 01:05 | 262.555 | 34 | 407 | 71 | +-4 |
| 2007-12-15 01:44 | 262.582 | 42 | 400 | 71 | +-4 |
| 2007-12-15 02:21 | 262.609 | 34 | 403 | 77 | +-4 |
| 2007-12-15 03:00 | 262.636 | 38 | 408 | 78 | +-4 |
| 2007-12-15 03:53 | 262.673 | 38 | 406 | 68 | +-3 |
| 2007-12-15 05:44 | 262.752 | 16 | 268 | 43 | +-3 |
| 2007-12-15 23:03 | 263.486 | 96 | 231 | 10 | +-1 |
| 2007-12-17 01:53 | 264.624 | 7 | 96 | 20 | +-2 |
| 2007-12-17 13:02 | 265.096 | 1 | 2 | 19 | +-11 |
For each estimation interval: time is the middle of the interval, nINT is the number of observing periods and nGEM is the number of Geminids involved. ZHR = (1 + sum nGEM) / sum(Teff/C) where Teff is the effective observing time and C is the total correction for limiting magnitude, clouds and zenith correction. The solar longitudes refer to equinox J2000.0.
Data has been received from 97 observers in 28 countries. Thank you for your efforts!
| Observer | Country | Teff | nGEM |
|---|---|---|---|
| Salvador Aguirre | Mexico | 10.10h | 325 |
| Salvador Aguirre | Mexico | 1.10h | 1 |
| Salvador Aguirre | Mexico | 1.00h | 3 |
| Salvador Aguirre | Mexico | 2.20h | 193 |
| Rainer Arlt | Germany | 0.40h | 17 |
| Pierre Bader | Germany | 5.78h | 127 |
| Gunjan Bansal | India | 1.00h | 2 |
| Tareq Bdran | Jordan | 3.00h | 129 |
| Alexey Berezhnoy | Russia | 0.33h | 7 |
| Felix Bettonvil | Netherlands | 2.21h | 210 |
| Geoff Carstairs | Australia | 1.75h | 27 |
| Farid Char | Chile | 4.80h | 99 |
| Sihao Cheng | China | 1.72h | 85 |
| Simiao Cheng | China | 1.89h | 114 |
| Tibor Csorgei | Slovakia | 1.32h | 53 |
| Sarthak Dasadia | India | 2.60h | 28 |
| Daniel Delaney | United States | 1.00h | 16 |
| Samer Derbi | Jordan | 3.00h | 85 |
| Shishir Deshmukh | India | 3.79h | 110 |
| Sietse Dijkstra | Netherlands | 9.06h | 85 |
| Irena Divisova | Czech Republic | 6.00h | 39 |
| Jaroslaw Dygos | Poland | 6.30h | 167 |
| Shlomi Eini | Israel | 8.22h | 585 |
| Frank Enzlein | Germany | 3.09h | 18 |
| Maria Eriksson | Sweden | 3.67h | 171 |
| Mariano Garcia Vilchez | Spain | 1.95h | 3 |
| Arnold Gentz | Romania | 0.76h | 43 |
| Ashvini Ghadigavkar | India | 2.29h | 25 |
| Sylvie Gorkova | Czech Republic | 6.00h | 36 |
| Mitja Govedic | Slovenia | 1.55h | 99 |
| Akshay Gupta | India | 1.00h | 2 |
| Shy Halatzi | Israel | 9.92h | 649 |
| Wayne T. Hally | United States | 1.20h | 8 |
| Joost Hartman | Netherlands | 2.17h | 34 |
| Roberto Haver | Italy | 0.51h | 13 |
| Roberto Haver | Italy | 2.41h | 91 |
| Vilem Heblik | Czech Republic | 8.24h | 50 |
| Sorin Hotea | Romania | 1.08h | 44 |
| Yue Hu | China | 1.83h | 19 |
| Zhongyang Hu | China | 0.83h | 7 |
| Jaak Jaaniste | Estonia | 2.16h | 43 |
| Jia Wei Ma Jia Wei Ma | China | 0.23h | 10 |
| Carl Johannink | Netherlands | 14.36h | 814 |
| Javor Kac | Slovenia | 4.94h | 203 |
| Amol Kankariya | India | 1.50h | 54 |
| Roy Keeris | Netherlands | 1.80h | 23 |
| Lance Kelly | Australia | 1.75h | 27 |
| Andre Knofel | Germany | 1.13h | 15 |
| Jakub Koukal | Czech Republic | 22.57h | 445 |
| Peter Kozich | unknown | 1.87h | 126 |
| Jens Lacorne | France | 3.04h | 39 |
| Peter Van Leuteren | Netherlands | 9.83h | 71 |
| Anna S. Levina | Israel | 21.44h | 1074 |
| Di Ma | China | 1.22h | 11 |
| Vimal Mamania | India | 9.81h | 181 |
| Adam Marsh | Australia | 1.75h | 28 |
| Pierre Martin | Canada | 6.07h | 196 |
| Mikhail Maslov | Russia | 1.29h | 30 |
| Bruce Mccurdy | Canada | 5.00h | 35 |
| Koen Miskotte | Netherlands | 7.42h | 469 |
| Koen Miskotte | Netherlands | 7.85h | 812 |
| Sirko Molau | Germany | 1.94h | 55 |
| Arash Nabizadeh | Iran | 1.33h | 114 |
| Mohammad Nilforoushan | Iran | 1.50h | 66 |
| Francisco Ocana Gonzalez | Spain | 14.67h | 806 |
| Suparerk Panarot | Thailand | 0.00h | 7 |
| Shyamal Patel | India | 0.50h | 2 |
| Tushar Purohit | India | 1.25h | 42 |
| Tenghuirui Qu | China | 1.90h | 47 |
| Jurgen Rendtel | Germany | 12.28h | 74 |
| Antonio Rodríguez Anaya | Spain | 3.00h | 148 |
| Amitabh Pandey (s.p.a.c.e.) | India | 1.00h | 2 |
| Rohan Shewale | India | 4.32h | 85 |
| Costantino Sigismondi | Italy | 1.32h | 11 |
| Chander Devgun Space | India | 2.00h | 45 |
| Wesley Stone | United States | 3.51h | 226 |
| Richard Taibi | United States | 1.27h | 17 |
| Rushikesh Tilak | India | 1.00h | 56 |
| Rafael Ruben Torregrosa Soler | Spain | 3.16h | 50 |
| Shigeo Uchiyama | Japan | 8.15h | 290 |
| Michel Vandeputte | Belgium | 21.20h | 1850 |
| Shrikant Vinchurkar | India | 1.50h | 38 |
| William Watson | United States | 1.33h | 19 |
| Ge Wei | China | 1.00h | 27 |
| Hao Wu | China | 2.10h | 72 |
| Jiangping Wu | China | 1.76h | 19 |
| Jiaqing Yang | China | 1.80h | 124 |
| Zhong Yang | China | 1.53h | 78 |
| Quanzhi Ye | China | 0.47h | 2 |
| Quanzhi Ye | China | 1.42h | 71 |
| Quanzhi Ye | China | 0.85h | 5 |
| Liyang Yu | China | 1.52h | 79 |
| Xiang Zhan | China | 1.20h | 103 |
| Xiang Zhan | China | 0.97h | 58 |
| Hao Zhou | China | 0.87h | 19 |
| Su Zou | China | 0.50h | 44 |
Create your own analysis!
Rate intervals: gem2007_rate.csv (CSV-format).
Magnitude distributions: gem2007_magn.csv (CSV-format).