asc & me: a short user manual
why are you reading this?
The chances are you and I currently, or are about to, spend some time together. Maybe we work together, are living together, or have somehow ended up in each other’s lives. This probably means that at some point you will notice some differences in the way I do things.
This is because I am autistic.
These differences are not inherently bad. Some cause me problems. Some I’m quite fond of. In any case, understanding them can help the time we spend together be easier for both of us.
I’ve written this to help with that understanding.  By writing this down, I hope we can save some time and avoid confusion.
a little background
I was diagnosed with Asperger’s syndrome1, now called Autistic Spectrum Condition2, at the age of 29. I have been autistic all my life and always will be. This is because autism is a neurodevelopmental condition that affects the way my brain processes information.
You might have heard autism described as a ‘‘spectrum’’.  There are many things we have in common – the traits that make us autistic – but we all experience these in different ways, in different combinations, and to different degrees of intensity. The things I’m sharing here describe my specific experience of autism.
but you don’t seem autistic
So I have been told. And so have many other autistic people. This is because of masking. In brief, we consciously suppress behaviours that come naturally to us (such as stimming and infodumping), and adopt behaviours that don’t come naturally (such as sustaining eye contact or making small talk). We do this to better fit into the neurotypical world. After a lifetime of masking to survive, many of us become very good at it. This is why I, and many other autistic people, do not seem autistic.
It might seem like a compliment to tell us this, but it’s very invalidating to hear. And the implication that there’s something desirable about seeming less autistic is hurtful: it suggests that there’s something fundamentally wrong with who we are.
Masking comes at a cost: it demands constant vigilance. At best this is exhausting, and at worst can lead to shutdown and burnout. It’s a little like living in a country where nobody speaks your native language. To communicate and survive, you must learn and use the local language, which requires constant attention and effort. Even with constant effort, you’ll probably always speak with an accent and misunderstand idioms. A few hours at a party, for a native speaker, might be a relaxing way to unwind, but by the end of the night you will probably be exhausted from the effort of simply communicating.
communication
Autism means I communicate differently from allistic3 people. Masking means I make an effort to suppress many of these differences, but I can’t do this all the time. And even when I do mask, there are things I can’t change. Being aware of these points can help us communicate better:
-
Be direct. If you hint at something I will probably miss it.
I’m not being rude. If you say, ‘‘that looks tasty’’, and you mean, ‘‘I would like to try some’’, I will likely just hear ‘‘that looks tasty’’ and respond accordingly.
-
I won’t always pick up on your tone. If you’re annoyed or upset, you may need to just tell me.
Once I know how you feel, I can be very empathetic, but I need some help getting there. Weirdly, I can be very sarcastic myself, but can’t always pick up when others are.
-
I usually don’t know how much information is appropriate.
If you ask a question, I may answer unhelpfully briefly. Or, I may give an unnecessarily long-winded answer. Please don’t be annoyed! You can simply nudge me in the right direction with follow-up questions
-
I tend to communicate in facts and information. I’m not trying to be a know-it-all.
I tend to form social connections by exchanging information, rather than by making chit-chat or sharing emotions. Chances are, if I’m sharing info about something it’s because I’m trying to engage with you.
-
I will infodump. You can ask me to stop.
If something I’m very interested in comes up in conversation, there’s a strong chance I’ll ‘‘go off on one’’. I manage to hold back a lot of the time but I’m not always aware I’m doing it. If you’re not interested, please interrupt and just say. It’s much better than feeling humiliated after realising I’ve subjected you to an unwanted monologue!
-
I am listening.
Eye contact is weird for me, and many autistic people I’ve spoken to. It’s easier for me to process what you’re saying and to think about what I’m saying without it. If I’m not looking at you, I am almost definitely still listening!
executive functioning and sensory processing
Lots of evidence (see here, here, here, here, and here) shows that autistic brains work differently in a couple of key areas. In particular, we can struggle with executive functioning and sensory processing.
-
I’m probably not being lazy.
Autism shares many characteristics with ADHD, one of which is executive dysfunction. I can find it hard to plan, initiate, and switch tasks, and this often means I can’t simply ‘‘do’’ things in the same way neurotypical people can. Please be patient!
-
I can hyperfixate.
Often I will become intensely focused on the detail of something. From the outside this can look a little like obsession, but for me it’s usually a good thing. Unless there’s a good reason not to, it’s probably best to leave me to it!
-
Interruptions are very difficult.
Because of executive dysfunction, it’s very hard to get back on track after an interruption. If you need my attention for something, please first consider whether it can wait until I’m not focused.
-
I can’t filter out sound.
You’ll notice me wearing noise cancelling headphones a lot of the time. Quiet sounds are hugely distracting and loud sounds can be very distressing. Of course, sounds happen, and I’m not asking anyone to be silent around me, but keeping in mind that this affects me might help us have a better mutual understanding.
-
Don’t read too much into the things I do with my hands.
 When I’m alone this list is much longer. Lots of autistic people have a repertoire of these behaviours, called ‘‘stims’’. There are lots of theories as to why we do this, but ultimately they feel necessary and suppressing them is hard. Unless they’re actively bothering you, it’s probably best just to let me get on with it!
the bucket
The world can be very intense for autistic people. Sensory overload, social pressures, and unexpected change can all be very overwhelming. To understand this I find it’s helpful to imagine everyone as having a bucket. Throughout the day, stressful experiences can add little bits of water to the bucket. As the bucket fills up, it gets harder and harder to carry, and eventually becomes so heavy it may not even be possible to lift it. Or the bucket might get so full it overflows. Everyone has a bucket. Everyone’s bucket is different. Some are big, some are small. Some have big taps that open easily, whilst some have small taps that barely let the water escape. Autistic people tend to have small buckets, and this alone is difficult. But the big difference is that the things which don’t add water or which remove water from most people’s buckets can add water to mine.

I like to socialise, but the truth is I need to recover from almost every social occasion. If I turn down an invitation please don’t take it personally – I always need to think about how much space remains in my bucket.
-
New people and situations overwhelm me.
Adapting to change is hard, and socialising with new people is hard. If you can let me know ahead of time, I can prepare myself and keep my bucket empty, which can make things easier. The more information you can give, the better.
-
I’m probably not upset.
If I seem blank, distant, or withdrawn, I probably need to empty my bucket, and simply need space. Don’t be surprised if I quietly slip away to be on my own.
-
Rituals help me keep my bucket from filling up.
You might notice me doing certain things in a peculiar way, or doing the same thing very frequently. Similarly, there are certain objects I like to keep in a particular place, and certain things I’d prefer not to share. This predictability helps me deal with the unpredictable things in life. If it doesn’t cause you any problems, we’ll both have a better time if you just let me get on with it!
…and the rest
Autism is hugely complex, and everyone’s experience of it is different. This page just lists some of the main aspects that might influence our relationship. If you want to know more, I’m very happy to answer questions and talk, so please do ask! I’m also happy to point you to resources if you’d like to learn more about autism in general.
In any case, thank you for taking the time to read this. Taking the time to understand the autistic people in your life – and there are almost definitely more4! – can help make everyone’s lives better.
footnotes
-
this name is now considered problematic for a number of valid reasons. I don’t mind it being used to describe me, but out of respect for the wider autism community I tend to simply describe myself as autistic. ↩
-
this term is preferred by many autistic people in lieu of the accepted medical name Autism Spectrum Disorder. ↩
-
a word adopted by the autism community to describe someone who is not autistic. This is a distinct term from ‘‘neurotypical’’, which describes someone not affected by the many conditions collectively referred to as neurodivergent. ↩
-
there are estimated to be 700,000 - 1.4 million autistic people in the UK ↩


In order to put flows into maintenance mode select flows from given list and set time period for maintenance


JQUERY Multiple Choice Questions and Answers
Test your JavaScript knowledge by answering the questions provided.
Quiz


Antonio wrote:
1. It will be very nice when inserting(pasting?) images to battlelog forum's posts will be possible. This images can be seen for only BBlog owners or all players - it is not important.
Please activate in your BBLog Settings -> Board Settings -> Inline Image. Thats the only way to see pictures in the Forum. People without BBlog would only see the link to the picture.
There are no other ways f.e. attaching a picture, because that will take too much space on our BBLog Server. otherwise people without BBLog couldn't see the attachments and thats not an option.
2. All taken dog tags after Syndicate dog tag(in normal battlelog and BBlog of course) are shifted to one left. I think DICE won't fix it. Can you fix it in BBlog, or it isn't possible?
i think that would take too much space to calculate all these shiftings. Thats something what DICE have to solve.
3.  Pasting image URL to one rubric in "edit profile" section will be better. Is it possible to do?
That was allready asked. It wouldn't be included, because people without BBLog won't see the other avatar, and it would take to much space to save the avatars on BBlog server.
Please support the getsatisfaction idea:
https://getsatisfaction.com/battlefield3/topics/no_gravatar
4. One golden service star for 5 normal service stars in each weapon. Golden service star in weapon = 5 normal service stars in weapon= 500 kills in weapon. 500 kills is gives a weapon mastery dog tag. So why it's not give a golden service star in this weapon?
dont think its a good idea. everybody know that you get the master dogtag by the 5th Service Star. so i think its not important to show this with a special star.


{% extends 'home/base.html' %} {% block content %}
We can't seem to find the page you're looking for.
Error 404


TGVelo Quality Label for Electric Bicycles
KU Leuven Technology Campus Ghent.
D. Callebaut, J. De Maeyer, B. Rotthier, J. Cappelle, E. Motoasca
Bicycle Quality
Tenders
Test results
Jeroen De Maeyer GC5 28/06/2016
Electric bicycle quality
- Introduction
- Combining existing knowledge
- New concepts
- Proven in practice
- Conclusion
Future of mobility
Energy efficient and clean
↓
Specialized vehicles for different applications
↓
Shared vehicles (mobility as a service)
European EPAC Sales (1000 units)
CONEBI European bicycle market (2015 edition)
2. Combining existing knowledge
Examples
Plastic mudguards.
Very specific detail, no quality level given.
-> Impact resistant? Water protection?
Examples
Hub gear with at least 8 gears (type Shimano or similar).
Very specific. Brand name is used as quality level.
-> speed @50 rpm and @70 rpm, useability
TGVelo main principles
- Quantify quality
- Repeatable measuring of quality
- Integral approach to quality
Integral: usability!
Solution independent (1-4 wheels, up to 50 kg, ...)
Combining existing knowledge
- International policy organizations
- Pedelec test laboratories
- Light electric vehicle users
- Cycling industry
Organizing quality
- General info: design speed, net available energy, size, ...
- Useability: theft protection, controllability, luggage, ...
- Reliability: impact, redundancy, maintenance, ...
- Safety: visibility, brakes, tires, ...
TGVelo Quality Label
- General info:
- Useability:
- Reliability:
- Safety:
General info
- Design speed
- Typical resistance
- Net available energy
- Maximum slope
- Charging time
- Speed @50 and @70 rpm
- Body length range
- Posture
Example: speed @50 and @70 rpm
New concepts
Net available energy (standard conditions defined)
Reliability
- Mounting
- Impact
- Tire punture
- Electric drive train
- Salt- and waterspray
Example: tires and brakes
Useability
- Theft protection
- Ease of operation
- Motor control
- Inserting/removing battery
- Kickstand
- Shimmy
- Start Stop
- Walking with bicycle
- Vibration comfort
- Noise
- Mudguards
- Wheather protection
Example: ease of operation
- Lights
- Gear change under load
- Gear change at zero speed
- Operation with gloves
- Operation while looking forward
- ...
Safety
- Visibility
- Lights
- Brake performance
- Tire slip
- Bell
- Chrash protection
Example: lights
TGVelo Quality Label
- General info:
- Useability:
- Reliability:
- Safety:
Net available energy
Who fits on the bike
Useability: kickstand
Useability: shimmy
Useability: motor control
Reliability: mounting
Safety: visibility
TGVelo main principles
- Quantify quality
- Repeatable measuring of quality
- Integral approach to quality
Integral: usability!
Solution independent (1-4 wheels, up to 50 kg, ...)
Conclusion
Help people and organizations to measure the quality of electric bicycles.
TGVelo main principles
- Quantify quality
- Repeatable measuring of quality
- Integral approach to quality
Conclusion
- Test procedures publicly available (at the moment only in dutch).
- TGVelo test centre


Package org.drip.sample.treasury
G20 Govvie Bond Definitions YAS
- Author:
- Lakshmi Krishnamurthy
-
Class Summary Class Description GovvieBondDefinitions GovvieBondDefinitions contains the Details of the Standard Built-in Govvie Bonds.TreasuryFixedBullet TreasuryFixedBullet demonstrates Non-EOS Fixed Coupon Treasury Bond Pricing and Relative Value Measure Generation Functionality.YAS_BTPS YAS_BTPS contains the sample demonstrating the replication of Bloomberg's Italian EUR Govvie Bond YAS Functionality.YAS_CAN YAS_CAN contains the sample demonstrating the replication of Bloomberg's Canadian Govvie CAD Bond YAS Functionality.YAS_DBR YAS_DBR contains the sample demonstrating the replication of Bloomberg's Deutsche EUR BUND YAS Functionality.YAS_FRTR YAS_FRTR contains the sample demonstrating the replication of Bloomberg's French Govvie EUR YAS Functionality.YAS_GGB YAS_GGB contains the sample demonstrating the replication of Bloomberg's Greek Govvie EUR Bond YAS Functionality.YAS_GILT YAS_GILT contains the sample demonstrating the replication of Bloomberg's GILT YAS functionality.YAS_JGB YAS_JGB contains the sample demonstrating the replication of Bloomberg's Japanese JGB JPY Bond YAS Functionality.YAS_MBONO YAS_MBONO contains the sample demonstrating the replication of Bloomberg's Mexican MBONO MXN Bond YAS Functionality.YAS_SPGB YAS_SPGB contains the sample demonstrating the replication of Bloomberg's Spanish Govvie EUR Bond YAS Functionality.YAS_UST YAS_UST contains the sample demonstrating the replication of Bloomberg's UST YAS functionality.


Uses of Class
org.apache.shiro.config.ConfigurationException
-
Packages that use ConfigurationException Package Description org.apache.shiro.config Components that support configuring Shiro in any application.org.apache.shiro.web.env Web-specificEnvironment
implementation and support.org.apache.shiro.web.filter.mgt The filter 'mgt' (management) package contains components used in managing Filters that are available for filter chain construction, the filter chains themselves, as well as resolving filter chains based by name. -
-
Uses of ConfigurationException in org.apache.shiro.config
Subclasses of ConfigurationException in org.apache.shiro.config Modifier and Type Class Description class
UnresolveableReferenceException
Exception thrown when a reference to an object is made, but that object cannot be found.Methods in org.apache.shiro.config that throw ConfigurationException Modifier and Type Method Description static Ini
Ini. fromResourcePath(String resourcePath)
Creates a newIni
instance loaded with the INI-formatted data in the resource at the given path.void
Ini. load(InputStream is)
Loads the INI-formatted text backed by the given InputStream into this instance.void
Ini. load(String iniConfig)
Loads the specified raw INI-formatted text into this instance.void
Ini. loadFromPath(String resourcePath)
Loads data from the specified resource path into this currentIni
instance. -
Uses of ConfigurationException in org.apache.shiro.web.env
Methods in org.apache.shiro.web.env that throw ConfigurationException Modifier and Type Method Description protected Ini
IniWebEnvironment. createIni(String configLocation, boolean required)
Creates anIni
instance reflecting the specified path, ornull
if the path does not exist and is not required.protected Ini
IniWebEnvironment. getSpecifiedIni(String[] configLocations)
-
Uses of ConfigurationException in org.apache.shiro.web.filter.mgt
Methods in org.apache.shiro.web.filter.mgt that throw ConfigurationException Modifier and Type Method Description void
FilterChainManager. addToChain(String chainName, String filterName, String chainSpecificFilterConfig)
Adds (appends) a filter to the filter chain identified by the givenchainName
.void
DefaultFilterChainManager. setGlobalFilters(List<String> globalFilterNames)
void
FilterChainManager. setGlobalFilters(List<String> globalFilterNames)
Configures the set of named filters that will match all paths.protected String[]
DefaultFilterChainManager. toNameConfigPair(String token)
Based on the given filter chain definition token (e.g.
-


Error Handling
The following types of errors can occur when you are using the ODBC Client:
SequeLink for ODBC Driver Errors
An error generated by the ODBC driver has the following format:
For example:
If you receive this type of error, check the last ODBC call your application made. Contact your ODBC application vendor, or refer to the ODBC documentation included in the ODBC SDK.
SequeLink Client Errors
An error generated by the ODBC Client has the following format:
For example:
[DataDirect] [ODBC SequeLink driver] [SequeLink Client] The specified transliteration module is not found.Use the native error code to look up details about the possible cause of the error. For a list of all error codes and messages, refer to the SequeLink Troubleshooting Guide and Reference.
SequeLink Server Errors
An error generated by SequeLink Server has the following format:
For example:
[DataDirect] [ODBC SequeLink driver] [SequeLink Server] Only Select statements are allowed in this read-only connection.Use the native error code to look up details about the possible cause of the error. For a list of all error codes and messages, refer to the SequeLink Troubleshooting Guide and Reference.
Database Errors
An error generated by the database has the following format:
For example:
Use the native error code to look up details about the possible cause of the error. For these details, refer to your database documentation.


DjangoCon US will be providing two platforms for live chat during the conference
We'll use Discord and SpatialChat for live chat.
If you picked up a ticket when they were available (we had to close early due to capacity issues), please check your inbox for the links. The link to Discord went out on Thursday, October 21, and the SpatialChat link will go out on Friday, October 22.
Capacity in SpatialChat is limited, so if you can't sign in, keep hanging out in the Discord.
Discord
You can join our Discord server. We'll use it for live Q&A and general discussions. If you acquired a ticket, please check email for the invitation link on Friday, October 22.


{% extends "base_generic.html" %} {% block content %} {% load static %}
This is an image classifier built with tensorflow, with reference to


DATA CENTER CYRUS ONE IN AMSTERDAM
Cyrus One Amsterdam I is a brand new purpose built state-of-the art data center campus offering cloud providers, systems integrators, and multinational corporations customized, secure, and resilient data center solutions within a key business hub.
Strategically located in Amsterdam, one of Europe’s premier data center locations, the facility will ultimately deliver 29,720 sqm (320,000 sq ft) of world-class technical space with an IT load of 54 MW, making it the largest build-to-suit campus in the country.


 Albert Brooks's life-after-death comedy is charming and fun, but sidesteps substance. Rating: low +1.
Albert Brooks writes, directs, and stars in subtle little comedies about human foibles. He has a good feel for small characters and a good ear for dialogue. His MODERN ROMANCE has him wooing a beautiful woman with whom he is unable to get along. His LOST IN AMERICA has him quitting a good job in a fit of pique and then going out in an RV to discover a real America that is not what he thought it was. Each gives a hint what he thinks life is about, but it is open to some interpretation. In DEFENDING YOUR LIFE he turns to fantasy so instead of hinting he can come right out and state his values.
A Brooksian character, Daniel, dies on his birthday and finds himself in a very Californian view of an afterlife. In Judgment City he is given a hearing to defend his life and the way that he has led it. At stake is whether he will attain a higher plane in the next life or not. Rather than just hint at his values, the way Brooks as screenwriter did in previous films, he now can posit a heavenly host who can say, "This is the standard by which you will be judged." And his standard comes down to "Be brave." If you do not insist on the salary you think you deserve, if you do not take a chance on your investments, if you do not have sex with someone when you want it, it will be held against you in Brooks's afterlife. Ethics count for nothing. Helping others if not done in a spectacular feat of courage counts for nothing. Courage is what counts. What could have been a view into Brooks's personal philosophy suffers greatly from the apparent shallowness of that philosophy.
At heart then, the film misses a chance to be about something profound and instead is just another film like L. A. STORY and SCENES FROM A MALL about California values. This particular vision of Limbo-adjusted-for- Californians is a vision of what Brooks thinks his contemporaries would like in an afterlife. It is garish hotels and gourmet food. You can eat as much as you like without worrying about calories, cholesterol, or capacity. During the day you have hearings on your integrity as a person, then at night you can go hear a comic or see what you were in previous lives in a sort of upscale convention center.
Brooks's character meets and falls in love with the perfect woman, Julia (played by Meryl Streep). She is easy-going and affable and was a hero in her previous life. Julia is not so much a woman as a walking good example. She is sailing through judgment while Daniel is having serious problems with a strident prosecutor (played by Lee Grant) and an enigmatic and strange attorney played by Rip Torn.
 I rate it a low +1 on the -4 to +4 scale.
Mark R. Leeper att!mtgzy!leeper<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Studio
Info
Spotify
Zara
Music Placement
ANR "Stay Kids"
2014
"The U Part 2"
ESPN 30 for 30
Original Music, SFX and Mix
Zara
Music Placement
ANR "Stay Kids"
2014
Mondrian Hotel
Music Placement
Plains "Little Haiti"
2014
Icona Pop
"Light Me Up"
Songwriter/Producer
2014
NICKY BLITZ
"Alex"
Single + Video
2014
Michael Kors
Music Placement
John Hancock III "Left Me"
2014


Note: readme.md / dir file name must be like this ` ex:docker_beginner_track `[don’t add spaces]
if your not able to understant how to contribute ? please dm in collabnix slack #issue channel
---
layout: default
title: Track name
description: collabnix | DockerLab | Docker/k8s - track name
---
Note: add above code top of the(in header) readme.md
Demonstrating Hello World Example
Tested Infrastructure
| Platform | Number of Instance | Reading Time |
|---|---|---|
| Play with Docker | 1 | 5 min |
Pre-requisite
- Create an account with DockerHub
- Open PWD Platform on your browser
- Click on Add New Instance on the left side of the screen to bring up Alpine OS instance on the right side
Running Hello World Example
$ docker run hello-world
If you want to add some img to readme.md make sure it will be like ‘https://raw.githubusercontent.com/collabnix/dockerlabs/master/beginners/images/b301_helloworld.png’ raw format. you will get file link from download button.
Explanation
This image is a prime example of using the scratch image effectively. See hello.c in https://github.com/docker-library/hello-world for the source code of the hello binary included in this image.
So what’s happened here? We’ve called the docker run command, which is responsible for launching containers.
The argument hello-world is the name of the image someone created on dockerhub for us. It will first search for “hello-world” image locally and then search in Dockerhub.
Once the image has been downloaded, Docker turns the image into a running container and executes it.
Did you Know?
- The Hello World Docker Image is only 1.84 KB size.
[node1] (local<EMAIL_ADDRESS>~
$ docker images
REPOSITORY TAG IMAGE ID CREATED SIZE
hello-world latest 4ab4c602aa5e 6 weeks ago 1.84kB
- While running
docker ps
command, it doesn’t display any running container. Reason - It gets executed once and exit immediately.
$ docker ps
CONTAINER ID IMAGE COMMAND CREATED STATUS
PORTS NAMES
- You can use
docker inspect <imagename>
command to inspect about this particular Docker Image.
$ docker inspect 4ab
[
{
"Id": "sha256:4ab4c602aa5eed5528a6620ff18a1dc4faef0e1ab3a5eddeddb410714478c67f",
"RepoTags": [
"hello-world:latest"
],
"RepoDigests": [
"hello-world@sha256:0add3ace90ecb4adbf7777e9aacf18357296e799f81cabc9fde470971e499788"
],
"Parent": "",
"Comment": "",
"Created": "2018-09-07T19:25:39.809797627Z",
"Container": "15c5544a385127276a51553acb81ed24a9429f9f61d6844db1fa34f46348e420",
"ContainerConfig": {
"Hostname": "15c5544a3851",
"Domainname": "",
"User": "",
"AttachStdin": false,
"AttachStdout": false,
"AttachStderr": false,
"Tty": false,
"OpenStdin": false,
"StdinOnce": false,
"Env": [
"PATH=/usr/local/sbin:/usr/local/bin:/usr/sbin:/usr/bin:/sbin:/bin"
],
"Cmd": [
"/bin/sh",
"-c",
"#(nop) ",
"CMD [\"/hello\"]"
],
"ArgsEscaped": true,
"Image": "sha256:9a5813f1116c2426ead0a44bbec252bfc5c3d445402cc1442ce9194fc1397027",
"Volumes": null,
"WorkingDir": "",
"Entrypoint": null,
"OnBuild": null,
"Labels": {}
},
"DockerVersion": "17.06.2-ce",
"Author": "",
"Config": {
"Hostname": "",
"Domainname": "",
"User": "",
"AttachStdin": false,
"AttachStdout": false,
"AttachStderr": false,
"Tty": false,
"OpenStdin": false,
"StdinOnce": false,
"Env": [
"PATH=/usr/local/sbin:/usr/local/bin:/usr/sbin:/usr/bin:/sbin:/bin"
],
"Cmd": [
"/hello"
],
"ArgsEscaped": true,
"Image": "sha256:9a5813f1116c2426ead0a44bbec252bfc5c3d445402cc1442ce9194fc1397027",
"Volumes": null,
"WorkingDir": "",
"Entrypoint": null,
"OnBuild": null,
"Labels": null
},
"Architecture": "amd64",
"Os": "linux",
"Size": 1840,
"VirtualSize": 1840,
"GraphDriver": {
"Data": {
"MergedDir": "/var/lib/docker/overlay2/e494ae30abc49ad403ef5c2a32bcb894629ea4da6d4d226fbca70d27ed9a74d8/merged",
"UpperDir": "/var/lib/docker/overlay2/e494ae30abc49ad403ef5c2a32bcb894629ea4da6d4d226fbca70d27ed9a74d8/diff",
"WorkDir": "/var/lib/docker/overlay2/e494ae30abc49ad403ef5c2a32bcb894629ea4da6d4d226fbca70d27ed9a74d8/work"
},
"Name": "overlay2"
},
"RootFS": {
"Type": "layers",
"Layers": [
"sha256:428c97da766c4c13b19088a471de6b622b038f3ae8efa10ec5a37d6d31a2df0b"
]
},
"Metadata": {
"LastTagTime": "0001-01-01T00:00:00Z"
}
}
]
Maintained by:
Ajeet Singh Raina


Files Config Feed Config Video Config YouTube Config Google Ads Config
Editing project: {{project_id}}
Save all changes
Save & Generate a Preview for row
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The foundation of any mighty empire is a functioning goods distribution network. Make sure that you always have enough raw materials to produce goods to not only keep your empire running smoothly, but to trade for other goods you need as well!
Expand your kingdom by exploring your surroundings and discovering new regions.
Ruling an empire is always more fun with there are friends about! Help your fellow rulers out by chatting in-game to share tips & tricks or trade excess goods with them for those that you need.
As you build your simple plot of land into a mighty empire, you'll encounter many exciting adventures in the world. You'll have to protect your empire from threatening invasions and journey to new islands to expand your rule.
Register now to play for free in your browser – your kingdom awaits you in Castle Empire!


The authors thank three anonymous reviewers and the editor for their valuable comments which improved the paper. The U.S. National Science Foundation supported this work (award FESD 1338814 and OCE 1129895). TM acknowledges support from GEOMAR. The sea ice index data and Bootstrap data are from the U.S. NSIDC. For their roles in producing, coordinating, and making available the CMIP5 model output, we acknowledge the climate modeling groups, the World Climate Research Programme’s Working Group on Coupled Modelling, and the Global Organization for Earth System Science Portals. Paul Holland and François Massonnet provided the Antarctic model data for Fig. 2.


--- layout: post title: Clean Phone Numbers --- I've been working with a lot of person type data recently at work and I'm using data from multiple sources. Not just two databases but two separate systems with similar and yet incompatible data. One of the biggest messes was the phone numbers. I need to convert a phone number from a completely un-normalized format to a very strict format. I'm no regular expression genius so thankfully a quick Google search produced a nice PHP method of doing pretty much exactly what I was looking for. (http://cnanney.com/journal/code/cleaning-phone-numbers-with-regex/) I took that method and re-wrote it in C# and tweaked it a little for my application. I'm sure this isn't the absolute best way to do this but it works for me.
const string pattern = @"\D*\(?(\d{3})?\)?\D*(\d{3})\D*(\d{4})\D*(\d{1,8})?";
string num, ext;
var matches = new Regex(pattern).Match(number).Groups;
if (matches.Count > 0)
{
if (matches[3].Length > 0)
{
if (matches[1].Length > 0)
{
num = "(" + matches[1].Value + ") " + matches[2].Value + "-" + matches[3].Value;
}
else
{
num = matches[2].Value + "-" + matches[3].Value;
}
}
else
{
num = null;
}
ext = matches[4].Length > 0 ? matches[4].Value : null;
}
else
{
num = null;
ext = null;
}


--- layout: default permalink: /community/ ---
All source code is available in the Smooks Organization on GitHub.
There are 2 mailing lists to which questions can be posted:


30 July 2018
I'm not sure exactly which part this is referring to but one part I would like to reflect on which was of particular interest to me was the 'The Five Dysfunctions of a Team' section. This was particularly interesting for me as I could really identify with the issues outlined here in the setting of my previous roller derby team. One which brings people from all walks of life together which I was involved in for nearly 10 years and have seen many ups and downs with. I could strongly relate to the outlined issues that can cause disfunction due to lack of trust.
I read through the empathetic listening and oving kindness techniques in chapter 8 which include the exercises to perform. As I was alone, I couldn't practice the empathetic listening though I did try the loving kindness exercise which I could do on my own. I felt a calm sensation upon completion of this exercise though I'm not entirely sure if this was mostly just from getting into a state of mindfulness to do this.
I am not comfortable publishing the scenario I used for this exercise, so I'm not going to. However, I will say I found this exercise insightful and meaningful.


Triangle Type detector
Enter a side length
Enter a side length
Enter a side length
Find out!
,
, and
creates a


{% extends "base.html" %} {% block body %}
Fee correction - fee were adjusted for the following jurisdiction


How To¶
This package is meant as a facility to ease the management of maps and profiles associated with a galactic disc, and provides a few functions all related to dynamical quantities and modelling. The package itself is quickly evolving.
pydisc is a python package meant to ease the use the manipulation of maps and profiles and the computation of basic quantities pertaining to galactic Discs.
1 - Structures in pydisc¶
DataMaps, DataProfiles, Maps and Profiles¶
In the language of pydisc:
DataMaps are data on a grid (hence 2D), e.g., values like velocities, flux, etc. The grid on which it is defined should be regular.
DataProfiles are data on a radial profile (hence 1D).
Maps are then a set of DataMaps associated with a set of coordinates X, Y.
Profiles are then a set of DataProfiles associated with a set of radial coordinates R.
DataMaps have orientations defined as ‘NE_direct’ indicating if the North-to-East axis is direct (counter-clockwise) or indirect (clockwise). It also has an ‘alpha_North’ angle which provides the angle between the North and the top (positive y-axis). DataMaps also have a pixelscale which provides the conversion between arcseconds and pixels in case the X,Y grids are not defined. If this is the case, X, and Y will be computed using just the indices from the grid.
DataMaps and DataProfiles have ‘units’ as defined by astropy units. These should be compatible with e.g., arcseconds, so these are observational.
DataMap arguments:¶
dunit: astropy unit
order: velocity moment order. Hence velocities are order=1, flux or mass is 0, dispersion is 2, anything else would be -1 and there is a category for “dummy” maps with order=-10.
dname: name of the datamap
flag: a flag which is meant to add info (string)
data and edata: numpy arrays. If edata is not provided, it will be defined as None.
DataProfiles have similar arguments, but with punit (profile unit) and pname.
Maps arguments:¶
name: name of the map
X and Y: the 2 main arrays. If not provided, indices will be used.
Xcen and Ycen: centre for the 0,0
XYunit: unit (astropy) for the X and Y axis
NE_direct, alpha_North, etc.
Note that a Map can have many DataMaps: hence a set of X,Y can have many data associated to it (sharing the same coordinates), each one having a different dname, order, flag etc.
Galaxy¶
A ‘Galaxy’ is an object which has some characteristics like: a distance, a Position Angle for the line of Nodes, an inclination (in degrees) and the Position Angle for a bar if present.
GalacticDisc¶
A ‘GalacticDisc’ is a structure associating a set of Maps and Profiles and a given Galaxy.
This is the main structure which we will be using for the calculation of various quantities.
There are a number of associated classes, namely:
DensityWave¶
This is associated with methods for density waves like the Tremaine Weinberg method
GalacticTorque¶
Associated with methods for deriving torques all inheriting from the GalacticDisc class, thus sharing a number of functionalities, but also have their own specific ones (which require a set of maps).
2- Grammar for Maps/Profiles¶
The ‘grammar’ for maps and datamaps is simple (a priori): if you have an attribute like “data” you can input this in the argument list as: “data_”. Hence if the map is name “MUSE” and the datamap named “vstar” you should have an argument for the data as “dataMUSE_vstar” and the associated “edataMUSE_vstar” if you have uncertainties for this map etc. Same applies for all argument of the maps and data, for example (using the same example): orderMUSE_vstar, XMUSE, YMUSE, XcenMUSE, YcenMUSE, flagMUSE_vstar… In this way you can have several datamaps attached to a single map and have e.g.,: XMUSE, YMUSE, dataMUSE_vstar, dataMUSE_gas, dataMUSE_…


AllocReportType (794)
Describes the specific type or purpose of an Allocation Report message
Type: int
| 2 | Preliminary Request to Intermediary |
| 3 | Sellside Calculated Using Preliminary (includes MiscFees and NetMoney) |
| 4 | Sellside Calculated Without Preliminary (sent unsolicited by sellside, includes MiscFees and NetMoney) |
| 5 | Warehouse Recap |
| 8 | Request to Intermediary |
| 9 | Accept |
| 10 | Reject |
| 11 | Accept Pending |
| 12 | Complete |
| 14 | Reverse Pending |


Mail deobfuscating with rot13 caesar cipher
The module deobfuscate a mailto-link which was obfuscated with rot13 caesar cipher onClick in this example
Example:
E-Mail with rot13 caesar cipher ciphed:
- with obfuscated mail address in href
-<EMAIL_ADDRESS>with obfuscated mail address in text
-<EMAIL_ADDRESS>with obfuscated mail address in text and title
Mailto Links

<a<EMAIL_ADDRESS>title="mail to">with obfuscated mail address in href

<a<EMAIL_ADDRESS>title="mail<EMAIL_ADDRESS>with obfuscated mail address in text

<a<EMAIL_ADDRESS>title="mail to znvy<EMAIL_ADDRESS>with obfuscated mail address in text and title

mailDeobfuscate event binding
import mailDeobfuscate from './js/mail.deobfuscate.module';
const elements = document.querySelectorAll('a');
elements.forEach(function (element) {
element.addEventListener('click', function(event) {
mailDeobfuscate(event.target);
});
});


--- layout: archive title: Zulip Chat Archive permalink: /stream/179818-Lean-Together-2019/topic/Saturday.20dinner.html ---
If anyone is in town tonight, a few of us are planning to meet up for dinner. Let me know if you'd like to join.
Mario, is that :+1: saying you'd like to join?
We'll go to Surya (http://www.suryarestaurant.nl/) on Ceintuurbaan around 7:30.
oops, I miscounted. I won't be in town until tomorrow morning
You're legendary! When do you think the workshop will end?
some time after it starts
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


In this section I will have various categorized sections of good books or papers you might enjoy. Feel free to send me suggestions as well! :)
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C Primer Plus by Stephen Prata, 5th Edition. Amazon
C++ Primer Plus by Stephen Prata, 5th Edition. Amazon
Programming Python by Mark Lutz, 4th Edition. Amazon
Programming Perl by Larry Wall, Tom Christiansen and Jon Orwant, 3th Edition. Amazon
Seven Langauges in Seven Weeks by Bruce A. Tate Amazon
Land of Lisp by Conrad Barski Amazon
The Art of Assembly Language by Randall Hyde Amazon Free Online PDF
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Advanced Programming / Raw Theory
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Cryptography Engineering by Niels Ferguson, Bruce Schneier and Tadayoshi Kohno Amazon
Algorithms in a Nutshell by George T. Heineman, Gary Pollice and Stanley Selkow Amazon
Unix Network Programming, Volume 1 and 2 by W. Richard Stevens, Bill Fenner and Andrew M. Rudoff Amazon
Understanding the Linux Kernel by Daniels P. Bovet and Marco Cesati Amazon
Operating System Concepts by Silberschatz and Galvin Amazon
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Smashing The Stack For Fun And Profit by Aleph One www.phrack.com
Hacking: The Art of Exploitation by Jon Erickson, 2nd Edition. Amazon
Gray Hat Hacking by many authors, 3rd Edition. Amazon
Reversing: Secrets of Reverse Engineering by Eldad Eilam Amazon
The Shellcoders Handbook by many authors, 2nd Edition Amazon
Grah Hat Python by Justin Seitz Amazon
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Digital Systems, Principles and Applications by Ronald J. Tocci, 2nd Edition.  Amazon
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Home Bargains is selling Christmas snowman hot chocolate toppers for just 99p
Perfect for getting shoppers in the Christmas spirit, discount retailer Home Bargains is selling a pack of six snowman hot chocolate toppers for only 99p
by Howard LloydThere isn't much better at warming you up on a cold winter's evening than a mug of hot chocolate.
But, thanks to Home Bargains, you can now pimp yours up another notch by selling snowman hot chocolate toppers to get you in the Christmas spirit.
The discount retailer's Hot Chocolate Mallow Toppers come in a pack of six and cost only 99p according to the Mirror, meaning you can stock up for the festive season without hurting your wallet.
They provide a delightfully festive snowman design that's sure to spread some Christmas cheer at any time of the day.
A member of the Extreme Couponing and Bargains UK group on Facebook shared a picture of the toppers, claiming it's "the best £0.99 spent".
The post has been hugely popular with users, gaining almost 8,000 likes.
Another post about the toppers by the money-saving group has wracked up 2,800 likes and over 4,000 comments.
One user commented: "My little girl loves them," while another added "Will have to get some."
Christmas jumpers for the family
Nutcracker Tank Jumper
It costs £17.50. Buy it from Marks and Spencer now
Cotton Dinosaur Tree Print Striped Jumper (3 Months - 7 Years)
It costs £12-£16. Buy it from Marks and Spencer here
Christmas tree jumper in aid of ASOS foundation
It costs £28.00. Buy it from ASOS here
Chelsea Peer Family Fairisle Dog PJ Set
It costs £15 Buy it from Next here
Christmas jumpers for the family
Nutcracker Tank Jumper
It costs £17.50. Buy it from Marks and Spencer now
Cotton Dinosaur Tree Print Striped Jumper (3 Months - 7 Years)
It costs £12-£16. Buy it from Marks and Spencer here
Christmas tree jumper in aid of ASOS foundation
It costs £28.00. Buy it from ASOS here
Chelsea Peer Family Fairisle Dog PJ Set
It costs £15 Buy it from Next here
The hot chocolate toppers are available in store only, but we'd move fast as they are selling like hot cakes.
Meanwhile, online retailer Not On The High Street is selling a hot chocolate gift set that includes marshmallow snowman toppers (£8.95).
Find your nearest Home Bargains using the store locator online .
If you're gift shopping for a chocoholic, House of Fraser is selling personalised Cadbury selection boxes in time for Christmas.


ChannelId must be an identifier for an open channel such as a Tcl standard channel (stdout or stderr), the return value from an invocation of open or socket, or the result of a channel creation command provided by a Tcl extension. The channel must have been opened for writing.
If the channel is in blocking mode the command does not return until all the buffered output has been flushed to the channel. If the channel is in nonblocking mode, the command may return before all buffered output has been flushed; the remainder will be flushed in the background as fast as the underlying file or device is able to absorb it.
puts -nonewline "Please type your name: " flush stdout gets stdin name puts "Hello there, $name!"
Copyright © 1993 The Regents of the University of California. Copyright © 1994-1996 Sun Microsystems, Inc. Copyright © 1995-1997 Roger E. Critchlow Jr.


David Moyes reveals Celtic talks as he opens up on management return hopes
The former Manchester United boss has been out of football since leaving West Ham in 2018.
by Record Sport OnlineDavid Moyes has revealed he previously held talks over becoming Celtic manager.
The former Everton and Manchester United boss has been linked with a move to Parkhead on a handful of occasions.
He was first touted for the role before the club appointed Brendan Rodgers in 2016 before admitting he would be interested in succeeding the Irishman after his departure two-and-a-half years later.
Moyes admits he's unsure if Celtic ever considered him a serious candidate but insists talks did take place.
He told BBC Sportsound: "I don't know how close I have been to get it, but I have had conversations with them over the years.
"It's something which has meant a lot to me.
"But I also had big opportunities to stay in England and other opportunities to take other big clubs.
"I have had lots of opportunities now to get back to work, but most have been in the English Championship, so if the right job comes along, I'll certainly look at it."
The Scot ruled himself out of the running to manage either Hearts or Hibs on Sunday night, with the Edinburgh rivals having both sacked their managers in the past seven days.
But Moyes confirmed he's not interested in replacing Craig Levein or Paul Heckingbottom.
Moyes, who has been out of the game since leaving West Ham in 2018, added: "Neither job would be of any interest to me.
"I wouldn’t say I wouldn’t move back to Scotland. Scotland is my love and Glasgow is where I am from.
“Hopefully, someday I will be back. At the moment it is not for just now.”


Written by metafiction
November 16, 2008, at 7:47 pm
The Defense is
Vladimir Nabokov’s first mature novel. He has said of it that ‘of all
my Russian books, The Defense contains and diffuses the greatest
“warmth”‘. However, the subject matter, a chess player who becomes
mentally unstable to the point of suicide, and the strictly patterned
form, seem to belie this warmth. The key to understanding this
seemingly paradoxical problem lies in understanding Nabokov’s view of
both chess and art.
When asked about his characters taking over events in his novels by
an interviewer, Nabokov tartly responded: ‘”What a preposterous
experience! Writers who have had it must be very minor or insane”‘.This
gives an insight into the control Nabokov has over his material, and
his relentless shaping of characters, plot and form. His careful
patterning of the chess-like structure of the novel does not detract
from the emotions and realities of the characters. Another pivotal
moment in the novel, the first chess match between Luzhin and his
father, is also rendered in terms which could be seen as chess related:
Luzhin Senior again laughed, and with trembling hand began to pour milk
into a cut-glass tumbler, on the bottom of which lay a raspberry core,
which now floated to the surface and circled, unwilling to be
extracted. This image is important as it continues the black and white
chess colours that run through the novel, but also because it refers to
the closed logic of Luzhin’s interest in chess. The milk can be seen to
represent renewal, life, and birth, whilst the dried raspberry husk
represents death. By choosing to embark on this course, Luzhin has
resigned himself to being trapped like the husk, ever-circling. We see
here Nabokov’s hand, for this comes at an artistically appropriate
moment, the moment when Luzhin can not go back.
Nabokov is honest about the deceits he practices, he shows you his workings. At the very start of the novel there is a scene with a girl eating an apple: ‘To the right a small girl sat on an enormous bale eating a green apple, her elbow propped in her palm’. They demand from the composer the same virtues that characterise all worthwhile art: originality, invention, harmony, conciseness, complexity and splendid insincerity’. It is this ’splendid insincerity’ which runs throughout the novel. Later in the novel, this scene is reproduced in a picture hung on a wall. The reader is aware of being deceived, but is forced to ask why one level of fiction, the first, is more realistic than another level, the second. This type of meta-fictional wrangling is where the direct link between chess and art becomes apparent. Speaking about chess problems, Nabokov explains the links between them and art: ‘
The links between chess and art become more apparent through the carefully plotted chess imagery in the novel. It is through chess that Luzhin can make sense of the difficult and chaotic world. At moments of high tension, we see Luzhin reverting to this chess language; for example, during the uncomfortable interview with his fiancée’s mother, he feels threatened and becomes preoccupied with the shadows on the floor: ‘Here the nuisances on the floor became so brazen that he involuntarily put out a hand to remove shadow’s King from the threat of light’s Pawn’. The reader can see Luzhin’s fear transmuted into a chess problem. The novel works on two levels here, we are privy to Luzhin’s consciousness and see how he creates order in an unpleasant situation, but we are also aware of the artifice of the imagery and see the author’s hand at work here, manipulating his characters.
As Gezari and Wimsatt say: ‘Nabokov’s novels, stress the enchantment of a delicate pattern, perceived as a whole, and the economy of design which depends on the strict functionalism of every element in the pattern’.
More striking still is Luzhin’s first encounter with chess.  Immediately following this, the violinist talks to him about chess, specifically linking chess and art saying ‘”Combinations are like melodies. You know, I can simply hear the moves”. This creates an interest in Luzhin that causes him to awaken the next day with ‘an incomprehensible feeling of excitement’. There is an idea of a displaced sexual awakening here, related to the eroticism of the overheard phone call and the excitement he feels upon waking. This idea is followed up when Luzhin locks himself in his room studying chess problems, and his father is ’seized by the suspicion that his son might have been looking for pictures of naked women’.
The name ‘Luzhin’ when heard by the English ear sounds similar to ‘illusion’. This is an aural clue to the nature of the character and a key to understanding his position. The novel functions as the imagination and consciousness of its protagonist, yet this protagonist has been assimilated to an illusion. The compression of these two ideas leaves us with Nabokov as shadow-master creating the illusions which are our only way into the novel. This is made explicit when we are told what is contained within Luzhin’s memory at the point of his breakdown:
In the darkness of his memory, as in two mirrors reflecting a candle, there was only a vista of converging lights with Luzhin sitting at a chessboard, and again Luzhin at a chessboard, only smaller, and then smaller still, an infinity of times.
Connolly talks about the transformation of Luzhin’s life when he discovers chess: ‘The external world is no longer an insubstantial shadow realm. Rather, it has become for him the tangible field for a cosmic chess match in which he was both opponent and playing piece’. This is an interesting statement because it engages with the idea that Luzhin as a character does not exist outside of chess, Luzhin is simply the realization of a single idea. It is only through embodying the idea of chess that Luzhin is created. In this way he is flagged as a fictional character, a literary device.
Critics have noted that rather than a chess game, Luzhin seems to be locked into a chess problem. Given that Nabokov was a celebrated composer of chess problems this is a reasonable assumption. D.B. Johnson points out that ‘Problems are chess solitaire and are by definition (in most types of problem) “rigged”. Black always loses’. This fits with Luzhin’s inexorable and pre-ordained movement towards his own death, his committing of ’sui-mate’, in the terms of the chess problem. Luzhin is identified as black throughout the novel; for example: ‘When finally Luzhin left the balcony and stepped back into the room, there on the floor lay an enormous square of moonlight, and in that light - his own shadow’. Luzhin is black as identified here, and in chess problems black always loses. Nabokov knows that black is going to lose in this case, and allowing Luzhin to think he is in a chess game rather than a chess problem, heightens the sense of meta-fictionality. Again we see the workings of the author and the capitulation of his character.
Nabokov himself has been cited as the shadowy other, the opponent in the all-pervasive game of chess which Luzhin is locked into. Vladislav Khodasevich, a critic of Nabokov’s has this to say about the authorial intrusions and the kind of power which the author has over his material: Nabokov’s novels are populated not only by human characters, but also by a multitude of literary devices, methods which, like elves or gnomes, alter the entire scenery before the reader’s eyes, thus proclaiming that the author him- self is uninterested in deceiving anyone with the illusion of life- likeness.
There are several examples of Nabokov’s intrusion and manipulation of his characters. As we have seen there are images and scenes which are repeated in different forms, such as the girl eating the apple, there is the extensive use of chess imagery, and there are techniques such as the sudden telescoping of time in chapter four. Nabokov himself refers to this shift, saying in the foreword that ‘an unexpected move is made by me in the corner of the board.’
Perhaps the most obvious link between chess and art in The Defense comes from the metafictional wrangling between the author and the reader. It is a work which creates uncomfortable moments through its verisimilitude in portraying mental illness and paranoia. The reader is constantly confounded by the artistry of the author, the shadowy opponent. It is not possible to take the book as only a realistic portrait of mental illness, nor only a cerebral puzzle, a game. It is both and it is neither. P.N. Humble vividly describes the connection between chess and writing: Every chess player experiences a mixture of two aesthetic pleasures, first the abstract image akin to the poetic idea of writing, second the sensuous pleasure of the ideographic execution of that image on the chessboards.
Nabokov expects the reader to exercise both of these pleasures, to understand the abstraction and the execution at once. The act of reading The Defense must be detailed and it must look both backwards and forwards if it is to be completed successfully. It is the literary equivalent of a chess game.
Finally, Nabokov’s own words in his autobiography go some way towards explaining the way in which he linked chess and art, chess and fiction in the way we can see exemplified in The Defense : “it should be understood that competition in chess problems is not really between White and Black” Nabokov writes in Speak, Memory “but between the composer and the solver (just as in a first-rate work of fiction the clash is not between the characters but between the author and the world).


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Ocular Engine
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Creates Material objects from Ocular Material files (.omat) More...
#include <MaterialResourceLoader.hpp>
Public Member Functions | |
| virtual bool | loadResource (Core::Resource *&resource, Core::File const &file, std::string const &mappingName) override |
| Public Member Functions inherited from Ocular::Core::AResourceLoader | |
| AResourceLoader (std::string const &extension, ResourceType type) | |
| virtual std::string | getSupportedFileType () const |
| virtual bool | loadSubResource (Resource *&resource, File const &file, std::string const &mappingName) |
| virtual bool | exploreResource (File const &file) |
| ResourceType | getResourceType () const |
Additional Inherited Members | |
| Protected Member Functions inherited from Ocular::Core::AResourceLoader | |
| bool | isFileValid (Core::File const &file) const |
| Protected Attributes inherited from Ocular::Core::AResourceLoader | |
| std::string | m_SupportedExtension |
| ResourceType | m_Type |
Creates Material objects from Ocular Material files (.omat)
This loader is responsible for creating Material objects from the XML-based Ocular Material files (.omat). For a full description of the Ocular Material file format, see the Materials section of the manual.
But as the manual does not yet exist, here is an example of the XML:
<OcularMaterial> <ShaderProgram> <Vertex> <Path>Shaders/OcularFlat</Path> </Vertex> <Fragment> <Path>Shaders/OcularFlat</Path> </Fragment> </ShaderProgram> <Textures> <Texture> <Path>Textures/Grass</Path> <Name>Grass</Name> <Register>0</Register> </Texture> <Texture> <Path>Textures/GrassBump</Path> <Name>Grass Bump Map</Name> <Register>1</Register> </Texture> <Texture> <Path>Texture/GrassSpecular</Path> <Name>Grass Specular Map</Name> <Register>2</Register> </Texture> </Textures> <Uniforms> <Uniform> <Type>Vector4</Type> <Name>Offset</Name> <Register>0</Register> <Value>1.0 0.5 3.0 0.0</Value> </Uniform> <Uniform> <Type>Float</Type> <Name>Fade</Name> <Register>1</Register> <Value>0.5</Value> </Uniform> <Uniform> <Type>Matrix3x3</Type> <Name>Identity3x3</Name> <Register>2</Register> <Value>1.0 0.0 0.0 0.0 1.0 0.0 0.0 0.0 1.0</Value> </Uniform> <Uniform> <Type>Matrix3x3</Type> <Name>Rot3x3</Name> <Register>3</Register> <Value> 0.38 1.0 0.0 1.97 3.0 0.5 0.01 0.9 1.0 </Value> </Uniform> </Uniforms> <RenderState> <PrimitiveStyle>0</PrimitiveStyle> </RenderState> </OcularMaterial>
The above XML can be broken into three major sections: ShaderProgram, Textures, and Uniforms.
The ShaderProgram is split into individual 'Shader' sections that simply specify which Shader resource file defines them. Note that these resource files may be uncompiled files (.hlsl, .glsl, etc.), pre-compiled binaries, or a mix of the two.
Internally, a request is done for the ShaderProgram that matches the specified file and then the specific shader is retrieved. For example, for the above Vertex shader we would:
ShaderProgram* program = OcularResources->getResource<ShaderProgram>("Shaders/OcularFlat"); if(program) { material->setVertexShader(program->getVertexShader()); }
The following are valid shader stage tags:
<Vertex> <Geometry> <Fragment> or <Pixel> <PreTessellation> or <Hull> <PostTessellation> or <Domain>
This defines all textures to be bound to in the Material.
The three required bits of information (path, name, and register) directly map to what the Material::setTexture method requires as input parameters.
Note that 'Name' is independent of the actual Resource's name. This is used for certain graphics APIs that bind based on name instead of register. So, we could have the following:
Resource Source: Texture/Grass Resource Name: "Grass" Material Binding Name: "GrassDiffuse"
In the Material file we are specifying the 'Material Binding Name' and not the 'Resource Name.' Of course, it is perfectly acceptable that these names match, but it is not required.
Here the individual Uniforms for the material are specified. Each Uniform is composed of three parts: Type, Name, and Value.
Valid types are:
Float Vector4 Matrix3x3 Matrix4x4
Their values are specified in the following way:
Float: <Value>#</Value> Vector4: <Value># # # #</Value> Matrix3x3: <Value># # # # # # # # #</Value> or <Value> # # # # # # # # # </Value> Matrix4x4: <Value># # # # # # # # # # # # # # # #</Value> or <Value> # # # # # # # # # # # # # # # # </Value>
All numbers are converted to 32-bit floats.
Select parts of the Render State may be changed via Materials. Currently, the following fields may be specified:
PrimitiveStyle: unsigned integer corresponding to the PrimitiveStyle enum definitions
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overridevirtual |
| [out] | resource | |
| [in] | file | |
| [in] | mappingName |
Reimplemented from Ocular::Core::AResourceLoader.


Money Play. How should Red play 52?
pips Red=153 White=143
(CorrectAnswer= 0/0, ErrorScore= 0)
There is little to choose between the passive 13/6 and the more aggressive 8/1*. White’s excellent structure means he is about 65/35 favourite after either play.
The key is that the doubling cube is still in the centre. White doesn’t have a double after either 13/6, or 8/1* but if Red elects for the more aggressive 24/22, 6/1* then White has a perfectly correct double.
24/22, 6/1* is the correct play at DMP but here either 8/1* or 13/6 should be chosen to avoid the cube.
The key is that the doubling cube is still in the centre. White doesn’t have a double after either 13/6, or 8/1* but if Red elects for the more aggressive 24/22, 6/1* then White has a perfectly correct double.
24/22, 6/1* is the correct play at DMP but here either 8/1* or 13/6 should be chosen to avoid the cube.
1. Cubeful 2-ply 13/6 Eq.: -0.686 0.335 0.097 0.004 - 0.665 0.214 0.014 2. Cubeful 2-ply 8/1* Eq.: -0.689 (-0.003) 0.342 0.102 0.004 - 0.658 0.233 0.018 3. Cubeful 2-ply 24/22 6/1* Eq.: -0.695 (-0.009) 0.355 0.102 0.005 - 0.645 0.267 0.018 4. Cubeful 2-ply 24/22 13/8 Eq.: -0.720 (-0.034) 0.352 0.099 0.005 - 0.648 0.275 0.012 5. Cubeful 2-ply 13/11 6/1* Eq.: -0.737 (-0.051) 0.339 0.100 0.004 - 0.661 0.244 0.023


--- layout: default title: Portfolio ---
Check out Blast Zone Studio's website for my work examples
Helped make "The Snitch" at HackPoly
Helped make Hivepoll.me at SBHacks : Live website here
Helped make Robot Rescue at UCI's Global Gamejam
Won 3rd place at HackCC with Sheet Reader


{{ playerName }}
{{ playerDetail?.theme === "MINER" ? "MINER" : "MACHINE" }}
Score: {{ playerDetail?.currentScore }}
Longest Path: {{ playerDetail?.currentLength }}
{{ playerDetail?.redResources }}
{{ playerDetail?.greenResources }}
{{ playerDetail?.blueResources }}
{{ playerDetail?.yellowResources }}


--- title: Demo description: Play around and explore freely the Decidim platform with our demo ---
Decidim is up and running on several instances that you can visit and explore, Decidim Barcelona at Barcelona City or you can visit the sites of Gava and Hospitalet. But these are real instances where you can't really play around freely, you might not a citizen of those municipalities, and you can't explore those sites as an admin.
If you want to go further you are welcome to test Decidim on our Decidim Demo Site (courtesy of our lead developers at Codegram). Enter the demo site and freely explore the potential of Decidim and its features. You can either log in as a regular user (with username<EMAIL_ADDRESS>and password "decidim123456") or you can login and explore as and Admin (username<EMAIL_ADDRESS>and password "decidim123456").


API documentation¶
-
class
specgp.terms.
KronTerm
(*args: Any, **kwargs: Any)¶ A Kronecker-structured covariance matrix of the form
\[K = \Sigma + T \otimes R\]with
T
defined by a celerite term andR
either an outer product of the form\[R = \alpha\ \alpha^\mathrm{T}\]or an arbitrary covariance matrix.
- Parameters
term (Term) – A celerite term.
alpha or R (tensor) – a vector if alpha or matrix if R. If alpha is provided the matrix
R
is defined as the outer product of alpha with itself and the correlation between the GPs is a simple scaling relation with the scale factors given by the entries in alpha.
-
posdef
(x, diag)¶ Check to determine postive definiteness of the Kronecker-structured covariance matrix. This operation is slow, and is thus not recommended to be called repeatedly as a check during optimization. Rather, the user should use this function as a guide to ensuring positive definiteness of the model for varying values of the kernel parameters.
- Parameters
x (tensor) – The input coordinates.
diag (tensor) – The white noise variances. This should be an NxM array where N is the length of x and M is the size of alpha.
- Returns
- A boolean that is True if the covariance matrix
is positive definite and False otherwise. The user will need to call
isposdef.eval()
to compute the returned value from the theano tensor variable.
- Return type
isposdef
-
psd
(omega)¶ The power spectrum of the Kronecker-structured kernel.
- Parameters
omega (tensor) –
A vector of frequencies.
- Returns:
- psd: A matrix with each row the power spectrum
for one of the correlated processes.
-
class
specgp.distributions.
MvUniform
(label, lower, upper, **kwargs)¶ A multivariate uniform distribution.
- Parameters
lower – an array of lower bounds
upper – an array of upper bounds
-
class
specgp.means.
KronMean
(values)¶ A constant mean for use with Kronecker-structured kernels.
- Parameters
values (tensor) – A matrix with each row containing the mean for each of the correlated processes.


{% extends "base.html" %} {% block title %}Page not found{% endblock %} {% block content %}
{% block details %}404. This is not the page you are looking for.{% endblock %}
Back to homepage


RaiderRobotics
instructions
Adding points
click on the field where you want a point to added.
Moving points
Position
Click and hold on the circle. Drag the point to the desired location. Alternatively, enter the desired value in the x or y input field.
Angle
Click and hold on the arrow tip. Drag your mouse to where you want the arrow to point. Alternatively, enter the desired value in the θ input field.
Deleting points
Click the "x" button next to the point you want deleted
Field selection
Select the name of the field you want from the field drop down
Saving/Loading
The points and field selection are automatically saved to local storage, and loaded when the page is loaded.
Exporting
Select the desired file type from the export type download, then click the export button.
field
export type
Generated Points
| X | Y | θ |
|---|


Flavour x Chidinma - Iyawomi: audio, lyrics, reactions
Flavour and Chidinma are such a perfect combination! They are back again with a new love song that will enchant you. The jam by Flavour x Chidinma - Iyawomi is a masterpiece that should find a place in your playlist.
The melodious tune is part of their 5-track EP dubbed '40yrs Everlasting'. The rhythm is calm and soothing, as well. Enjoy this piece or dedicate it to someone you love.
Flavour x Chidinma - Iyawomi description
- Release date: November 18, 2019
- Format: Audio
- Genre: Afrobeat, RnB
- Length: 3 minutes 26 seconds
- Album: 40yrs Everlasting
Flavour x Chidinma - Iyawomi comments and reviews
If you have listened to the song, you can agree it is a well-delivered piece. Fans of the duo have taken to social media to express their love for this piece. Check out some of the reactions by YouTube users:
Check out the latest song by Mayorkun - Up To Something
- Paul ejanla: Both of you match each other always love you guys with good music
- Yolanda Ruiz: I love listening to the beautiful melodies that you both sing. Your voices are so unique and captivating. Much love!
- Michelle Anyanwu: omgggg this song is very nice! I am a huge fan, love you!
- Senge syndyolidard: This is breathtaking … masterpiece
- Mohamed Lamin: God bless you this song touches my heart love you guy’s best of best it well
- Kcee Banks: I can’t count how many times I have listened to this music
- Imperial ATSON: Personally,I love like #Flavour perfoming in this African slow style. A real delight
- Loveliny baybaby: Where is my husband to be, nice music...fans from Germany
- Aaron Elius: Chidinma with my favorite singer in Africa(Flavour)...you kill it all
- Tambamane Oliver: Nice track, continue been/working together. Keep it up
- Olivia kenmuegne: My best song from this album
Nviiri the Storyteller - Over dose: You will fall in love with the new track
Flavour x Chidinma - Iyawomi lyrics
The jam has captivating and easy to learn lyrics.  What do you think? Tell us in the comment section as we would love to hear from you. Also, remember to share this article with your friends.


Your admin username is {{user.username}}. Please enter your new account password in the form below.
{% else %}We're sorry, but this link has expired.
 Please enter your new account password in the form below.
{% else %}We're sorry, but this link has expired.
Please ask your site administrator to send you a new invitation email.
{% endif %}


You have watched "In Bruges" - 5 stars
You have not seen "Frozen" - 4.5 stars
You have seen "Mad Max Fury Road" - 5 stars
You have not seen "Les Miserables" - 3.5 stars
Answers should print to this page's console...view by pressing F12
Javascript Code:
var movies = [
{
title: "Secret Lives of Pets",
rating: 4,
hasWatched: false
}, {
title: "Sing",
rating: 3.5,
hasWatched: true
}, {
title: "Moana",
rating: 4.5,
hasWatched: true
}, {
title: "Angry Birds",
rating: 1,
hasWatched: false
}, {
title: "Paddington Bear",
rating: 4.5,
hasWatched: true
}
];
movies.forEach(function (item, index, array) {
var watch = item.hasWatched ? "You have watched" : "You have not seen",
title = " \"" + item.title + "\" - ",
rating = item.rating <= 1 ? item.rating + " star" : item.rating + " stars";
console.log(watch + title + rating);
});
Output:
You have not seen "Secret Lives of Pets" - 4 stars
You have watched "Sing" - 3.5 stars
You have watched "Moana" - 4.5 stars
You have not seen "Angry Birds" - 1 star
You have watched "Paddington Bear" - 4.5 stars


Global Objects
This chapter documents the most useful JavaScript built-in objects, including their methods and properties.
Standard objects by category
Value properties
These global properties return a simple value; they have no properties or methods.
Function properties
These global functions—functions which are called globally rather than on an object—directly return their results to the caller.
Numbers and dates
These are the base objects representing numbers, dates, and mathematical calculations.
Text processing
These objects represent strings and support manipulating them.
Created by Mozilla Contributors, license: CC-BY-SA 2.5


WebSockets PHP Demos › User Logger
Authored by Corey Ballou
@cballou on twitter
fork on github
@cballou on twitter
fork on github
In this demo, we demonstrate the most basic WebSocket functionality. We're only handling a single message type which broadcasts your browser information to all other connected users. Think of this as the precursor to a user-aware sidebar widget, much the same as you'd see on a forum displaying connected users but in realtime. The WS server simply acts as an intermediary, distributing JSON encoded messages to all connected clients via open socket connections. It is the responsibility of the client-side JavaScript to parse and interpret these messages.


Bong Joon-Ho won’t direct superhero movies due to “tight-fitting” costumes: “I don’t know where to look!”
The 'Parasite' director finds the sight "mentally difficult"
Parasite director Bong Joon-Ho has said he’d never direct a Marvel movie because he can’t get on board with the “tight-fitting” costumes.
The South Korean director was talking to Variety about the breakout hit of Parasite, and was asked if he’d ever consider directing a Marvel film.
“I have a personal problem,” his response began. “I respect the creativity that goes into superhero films, but in real life and in movies, I can’t stand people wearing tight-fitting clothes.
The director continued: “I’ll never wear something like that, and just seeing someone in tight clothes is mentally difficult. I don’t know where to look, and I feel suffocated.
“Most superheroes wear tight suits, so I can never direct one. I don’t think anyone will offer the project to me either. If there is a superhero who has a very boxy costume, maybe I can try.”
Avengers: Endgame
Following the success of Parasite, Joon-Ho revealed last month that he’s currently working on two new films, and that one of these is a Korean language “horror-action”.
He explained: “I’ve had this idea since 2001, so I’ve been developing it for 18 years, and now I have an obsession. I really do have to shoot this movie…to give you one hint, it’s not a film you can shoot in NYC or Chicago: it only works if all the pedestrians on the street have the same skin tone.”


How to compute the Fisher of a conditional when applying natural gradient to neural networks?
October 29, 2018
This short note aims at explaining how we come up with an expression for the Fisher Information Matrix in the context of the conditional distributions represented by neural networks.
In neural networks, the so called natural gradient is a preconditioner for the gradient descent algorithm, where the update is regularized so that each update of the values of the parameters will be measured using the divergence. This has some interesting properties, such as the effect of making the update invariant to reparametrization of our neural network: more explanation to come in another blog post. The update is given by:
where:
- the expectation is taken using (discrete) samples of the training set ;
- is our neural network with the input (e.g. the pixels of an image), and the output (e.g. the 10 coefficients of the softmax for MNIST where we have 10 classes = 10 digits);
- we use the negative log likelihood as our loss function , and so is the gradient of our loss with respect to the parameters ;
- is the Fisher Information Matrix (FIM) , defined as:
The link between the and the FIM resides in the fact that the FIM is the second order term of the Taylor series expansion of the : For a distribution it is given by:
where is negligible compared to when is small, the first order term is .
This is the general definition for , using a density . But when applying this technique to train neural networks, we model the conditional . So how do we apply this to neural networks training, i.e. for the conditional ?
Here is my explanation.
Instead of just considering we will use the joint probability . We have introduced which is the distribution over the inputs. If the task is image classification, this is the distribution of the natural images . Usually we do not have access to explicitely, but instead we have samples from it, which are the images in our training set.
By replacing with in the formula above, we can consider and write the FIM for this joint distribution:
Next we replace the joint with the product of the marginal over and the conditional in the derivative:
and since does not depend on then . This simplifies in:
Equivalently for the expectation, we can take the expectation in 2 steps:
- sample a from our training distribution;
- for this value of compute then sample multiple points to estimate the expectation over . Here we also require multiple backprops to compute the gradients for each sample .
Finally we get the desired formula:
And so we get the FIM for a conditional distribution.


0097603-0000008 BT:2745037.11
176
SCHEDULE 12
SCREEN RATE CONTINGENCY PERIODS
Screen Rate
Period
EURIBOR
[⚫]


|
1. "Sticky Bat"
Roll the puck around the bat without the puck leaving the bat's surface. |
|
2. "Feinting Roll"
Roll puck backwards and forwards along playing edge. The manoevering comes from the wrist, thus making the puck do the moving/rolling. |
|
3. "Dribble"
Set the dots in a line on the bottom of pool about 30cm apart and dribble (feint) through them. Optimum distance would be 20cm when one gets good. |
|
4. "Right/Left Juggle"
Always start SLOW and then do it FASTER and FASTER and ...
(1) Juggle the puck from right to left while lying on one spot.
(2) Juggle the puck from right to left while swimming forward.
(3) Juggle faster and swim faster
* Keep the puck in front of you... don't move it to the side of (next to) the body.
* Concentrate on rolling the puck off the bat ... if the puck spins you are doing well.
* Keep the movement a smooth one.
|
|
5. "Right/Left Juggle"
* Quicken the pace
* Close your eyes
* Try to make sweeping figure-8 movements and you will always find the puck.
* It is very important to learn to control the puck.
* FEEL the weight of the puck. |
|
6. "Right/Left Reach Juggle"
Again keep the puck in front of the body and FLICK the puck from side to side while rolling your body.
* Use the back side of the stick
* Use your free arm for manoverability and stability. |
|
7. "Flick under chest/forward"
Progress from slow smooth movements to faster smooth movements.
* First do it lying on the bottom
* then faster stick movements
* then slow stick with slow swimming
* fast stick & fast swimming |
|
9. "Hook round under body"
You should be able to place the puck where you want to i.e. R-of-hip/waist/shoulder etc.
Loop is back up in front of you. Pull hard. If you hook too sharply with your bat in the correct position you will still be able to complete the manoever.
|
|
10. "The Robyn/Picoli skill"
While swimming foward (fast; #1) and not looking at the puck (feel the weight) ... drop the puck back to R-of-hip/waist (#2) and swim with the puck in that position (feel the weight) ... whip it through under the body from R-L (#3) and then immediately back to the right again (#4-#5-#6) and swimming forward (fast; #1 & #6).
|
|
11. "Curl turning with puck"
Simply turn 360 with the puck to the RIGHT and 360 with the puck to the LEFT.
PROGRESS to:
* Mirror curls (copy another persons movements)
* Stop in the middle of the movement and go back the other way.
|
|
12. "Flicking"
Practise ... practise ... practise ...
Flick into goals ... Flick over goals ... Flick into bucket ... Flick for accuracy (at another puck) ... Turn and flick ... Swim and flick and follow ... Flick while stationary ... Bat flick (from an opponent) down!
|
|
13. "Advanced Skill"
* Move puck around in a STAR-shape while you turn clockwise with it - foward/back.
* Move puck around in a STAR-shape while facing foward all the time.
|
|
15. "Positioning"
This is something really learnt while playing in a team. TWO elements are however very important:
1. Playng and keeping your position relative to the team
2. Advancing the puck ... swim into "gaps" of the opposition team in attack and in defence close the "gaps" in your team so that the opposition cannot get into them.
You will have to recognise those "gaps" in play.
|
| 16. "The puck is yours ... Play with it"
This is a One-on-One situation where you have the puck. Try not to give it away to anyone. This required BREATHOLD and lots of TWISTING and TURNING ... always in contol and keep sticking your REAR-END in our opponents face.
|


Early Gas Station
The gas station apperars to be Gulf branded. It's located behind the National Automotive and Truck Museum of the United States.
Read more about it at Roadside America.
The gas station apperars to be Gulf branded. It's located behind the National Automotive and Truck Museum of the United States.
Read more about it at Roadside America.


????? ???
on 2012-04-18 10:16:16
I have a lot to benefit from this article and thank you for this wonderful effort to this article and will continue my many articles you have other
Theriault
on 2011-12-02 20:54:48
@N.Neuman: You are correct that this function is broken, but based on this spec (http://tools.ietf.org/html/rfc4180), a CRLF (\r\n) can appear inside a field also. In order to fix this function, it needs to find a CRLF outside of double-quotation marks to be the EOL. Additionally, I'd likely keep it searching only for a LF (\n) also, as Unix-like systems usually only use this character for EOL. Thank you for finding this. I'll see if I can fix it later.
N.Neuman
on 2011-11-27 16:56:13
fullline = this.php_js.resourceData[handle.id].slice(start, this.php_js.resourceData[handle.id].indexOf('\n', start) + 1);
I would change \n to \r\n as in a spreadsheet, \r\n is the end of a line whereas \n is a new line that is legitimate in the middle of a cell.


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MOAL.software_engineering.problem_solving.design_patterns.solid package¶
Submodules¶
MOAL.software_engineering.problem_solving.design_patterns.solid.dependency_inversion module¶
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.dependency_inversion.
Application
(*args, **kwargs)[source]¶ This class no longer requires any knowledge of the logger type, because it’s passed in. So long as the methods match, it will just work. This is called dependency injection.
-
logger
= None¶
-
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.dependency_inversion.
EMailMessenger
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.dependency_inversion.Messenger
-
message_action
(message)¶
-
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.dependency_inversion.
LoggingMessenger
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.dependency_inversion.Messenger
-
message_action
(message)¶
-
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.dependency_inversion.
Messenger
[source]¶ This class acts as a layer of indirection and inverts the dependency of the higher-level modules that use it, by provide a more abstract messaging mechanism. This makes any messenger that subclasses this class “pluggable”.
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.dependency_inversion.
SMSMessenger
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.dependency_inversion.Messenger
-
message_action
(message)¶
-
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.dependency_inversion.
StillCoupledApplication
(*args, **kwargs)[source]¶ This is the highest level class, and requires some kind of logging mechanism. It’s easy to plug new loggers into this class because they all reside in front of a common class. The problem is, they still require knowledge of which logger to use.
-
logger
= None¶
-
MOAL.software_engineering.problem_solving.design_patterns.solid.interface_segregation module¶
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.interface_segregation.
ATMAuthentication
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.interface_segregation.ATMLogging
-
_validate
(info)¶ Nonsense validation function
-
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.interface_segregation.
ATMDeposit
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.interface_segregation.ATMLogging
-
handle_deposit
(info, amt)¶
-
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.interface_segregation.
ATMLogging
[source]¶ -
add_transaction_log
(info)¶
-
calculate_balance
(info)¶
-
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.interface_segregation.
ATMUserEvents
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.interface_segregation.ATMLogging
-
clear_info
()¶
-
eject_card
()¶
-
print_receipt
(info)¶
-
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.interface_segregation.
ATMWidthdrawl
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.interface_segregation.ATMLogging
-
handle_withdrawal
(info, amt)¶
-
MOAL.software_engineering.problem_solving.design_patterns.solid.liskov_substitution module¶
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.liskov_substitution.
ColoredSquare
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.liskov_substitution.Square
-
__abstractmethods__
= frozenset([])¶
-
_abc_cache
= <_weakrefset.WeakSet object>¶
-
_abc_negative_cache
= <_weakrefset.WeakSet object>¶
-
_abc_negative_cache_version
= 26¶
-
_abc_registry
= <_weakrefset.WeakSet object>¶
-
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.liskov_substitution.
Rectangle
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.liskov_substitution.Square
-
__abstractmethods__
= frozenset([])¶
-
_abc_cache
= <_weakrefset.WeakSet object>¶
-
_abc_negative_cache
= <_weakrefset.WeakSet object>¶
-
_abc_negative_cache_version
= 26¶
-
_abc_registry
= <_weakrefset.WeakSet object>¶
-
set_height
(h)¶
-
set_width
(w)¶
-
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.liskov_substitution.
Square
[source]¶ Bases:
MOAL.type_theory.nominal_structural.StructuralType
-
__abstractmethods__
= frozenset([])¶
-
__init__
()¶
-
__setitem__
(prop, value)¶
-
__str__
()¶
-
_abc_cache
= <_weakrefset.WeakSet object>¶
-
_abc_negative_cache
= <_weakrefset.WeakSet object>¶
-
_abc_negative_cache_version
= 26¶
-
_abc_registry
= <_weakrefset.WeakSet object>¶
-
set_size
(h, w)¶
-
MOAL.software_engineering.problem_solving.design_patterns.solid.open_closed module¶
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.open_closed.
ConnectionManager
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.open_closed.ConnectionManagerABC
Valid, since it extends the methods.
-
__abstractmethods__
= frozenset([])¶
-
_abc_cache
= <_weakrefset.WeakSet object>¶
-
_abc_negative_cache
= <_weakrefset.WeakSet object>¶
-
_abc_negative_cache_version
= 26¶
-
_abc_registry
= <_weakrefset.WeakSet object>¶
-
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.open_closed.
ConnectionManagerABC
[source]¶ Bases:
object
The essence of the Open/Closed principle is that objects should be open for extension but closed for modification. This is effectively what an abstract base class (or virtual interface) provides, because it requires anything that uses it to extend from it, rather than changing it directly. In Python the ABC module will enforce this principle by checking that all subclassed methods provide an overriding method if the deriving class has an abstractmethod set.
-
__abstractmethods__
= frozenset(['add', 'drop'])¶
-
__metaclass__
¶ alias of
ABCMeta
-
_abc_cache
= <_weakrefset.WeakSet object>¶
-
_abc_negative_cache
= <_weakrefset.WeakSet object>¶
-
_abc_negative_cache_version
= 26¶
-
_abc_registry
= <_weakrefset.WeakSet object>¶
-
ips
= {}¶
-
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.open_closed.
DistributedConnectionManager
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.open_closed.ConnectionManagerABC
Invalid, since it doesn’t extend the methods.
-
__abstractmethods__
= frozenset(['add', 'drop'])¶
-
_abc_cache
= <_weakrefset.WeakSet object>¶
-
_abc_negative_cache
= <_weakrefset.WeakSet object>¶
-
_abc_negative_cache_version
= 26¶
-
_abc_registry
= <_weakrefset.WeakSet object>¶
-
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility module¶
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.
Blade
[source]¶ -
cut
()¶
-
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.
Corkscrew
[source]¶ -
open_wine
()¶
-
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.
FlatHead
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.ScrewDriver
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.
Hex
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.ScrewDriver
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.
LargeBlade
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.Blade
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.
Phillips
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.ScrewDriver
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.
Saw
[source]¶
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.
Scissor
[source]¶
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.
ScrewDriver
[source]¶ -
screw
(degrees=90)¶
-
unscrew
(degrees=90)¶
-
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.
SerratedKnife
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.Blade
-
class
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.
SmallBlade
[source]¶ Bases:
MOAL.software_engineering.problem_solving.design_patterns.solid.single_responsibility.Blade


📡 Tutorial JavaScript Navigator Network Connection
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Gorkha Milling Project
Financial
Total Project Cost
$50,000
Total Equity Investment
$15,000
Total Debt
$35,000
Total Grant
$0
Total Annual Income
$13,200
Annual Debt Payment
$9,233
Annual Monitoring & Maintenance
$500
Annual Insurance
$125
Total Annual Expense
$9,858
IRR
16%
Environmental
Diesel Displaced (kL)
5.71
Tons of CO2 Curbed
51.1
Social
Households
50
Businesses
5
Jobs Impacted
25
Lives Impacted
275
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[gecode-users] random / mod
Kilian Sprotte
ml13 at onlinehome.de
Wed Aug 23 21:51:14 CEST 2006
Am 23.08.2006 um 10:34 schrieb Christian Schulte:
>
> PS: A word of caution: the propagation is very weak by the nature
> of mod. A
> different approach for variables with a small domain and where b is
> constant
> in a mod b is to use the element constraint: the array just
> contains a mod b
> for different a's.
Hi,
thank you very much that helps me a lot! Especially the element
approach will be very useful, since in music you deal very often with
mod 12 ! :)
On my todo list is a propagator for a musical set-class modulo 12 --
{0,1,3} will be a representative for itself as well as {1,2,4},
{2,3,5} ... {11,0,2} - But analogous to what you have showed me, I
suppose selectSet() might already be the solution, where the index is
the transposition.... Cool!
Thanks again,
Kilian
PS: I will surely recontact you next week, when I try to tackle the
random branching...
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baseball metrics and research from scratch
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explorations with personal data
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random thoughts
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Performing Algorithms: Automation and Accident Table of Contents
Clicking on the links below will ask the chatbot for the different projects done throughout the research.
--------
AI-Commune i. installation ii. lecture s2t i. performance ii. publication Stenographers Memorial i. memorial ii. performance Always Learning i. installation ii. performance Learning from YouTube i. video ii. essay Ontology Adversarial Uploads i. video ii. Fake news, artificial intelligence, and data visualization iii. Artificial imagination: deep fakes from latent space Chorus