set between B- and non-B-frames, 100=1.00 (default: 100) bf_threshold=<-255-255> This setting allows you to specify what priority to place on the use of B-frames. The higher the value, the higher the probability of B-frames being used (default: 0). Do not forget that B-frames usually have a higher quantizer, and therefore aggressive produc‐ tion of B-frames may cause worse visual quality. (no)closed_gop This option tells Xvid to close every GOP (Group Of Pictures bounded by two I-frames), which makes GOPs independent from each other. This just implies that the last frame of the GOP is either a P-frame or a N-frame but not a B-frame. It is usually a good idea to turn this option on (default: on). (no)packed This option is meant to solve frame-order issues when encoding to container formats like AVI that cannot cope with out-of-order frames. In practice, most decoders (both software and hardware) are able to deal with frame-order themselves, and may get confused when this option is turned on, so you can safely leave if off, un‐ less you really know what you are doing. WARNING: This will generate an illegal bitstream, and will not be decodable by ISO-MPEG-4 decoders except DivX/libavcodec/Xvid. WARNING: This will also store a fake DivX version in the file so the bug autodetection of some decoders might be confused. frame_drop_ratio=<0-100> (max_bframes=0 only) This setting allows the creation of variable framerate video streams. The value of the setting specifies a threshold under which, if the difference of the following frame to the previous frame is below or equal to this threshold, a frame gets not coded (a so called n-vop is placed in the stream). On playback, when reaching an n-vop the previous frame will be displayed. WARNING: Playing with this setting may result in a jerky video, so use it at your own risks! rc_reaction_delay_factor=<value> This parameter controls the number of frames the CBR rate con‐ troller will wait before reacting to bitrate changes and compen‐ sating for them to obtain a constant bitrate over an averaging range of frames. rc_averaging_period=<value> Real CBR is hard to achieve. Depending on the video material, bi‐ trate can be variable, and hard to predict. Therefore Xvid uses an averaging period for which it guarantees a given amount of bits (minus a small variation). This settings expresses the "number of frames" for which Xvid averages bitrate and tries to achieve CBR. rc_buffer=<value> size of the rate control buffer curve_compression_high=<0-100> This setting allows Xvid to take a certain percentage of bits away from high bitrate scenes and give them back to the bit reservoir. You could also use this if you have a clip with so many bits allo‐ cated to high-bitrate scenes that the low(er)-bitrate scenes start to look bad (default: 0). curve_compression_low=<0-100> This setting allows Xvid to give a certain percentage of extra bits to the low bitrate scenes, taking a few bits from the entire clip. This might come in handy if you have a few low-bitrate scenes that are still blocky (default: 0). overflow_control_strength=<0-100> During pass one of two pass encoding, a scaled bitrate curve is computed. The difference between that expected curve and the re‐ sult obtained during encoding is called overflow. Obviously, the two pass rate controller tries to compensate for that overflow, distributing it over the next frames. This setting controls how much of the overflow is distributed every time there is a new frame. Low values allow lazy overflow control, big rate bursts are compensated for more slowly (could lead to lack of precision for small clips). Higher values will make changes in bit redis‐ tribution more abrupt, possibly too abrupt if you set it too high, creating artifacts (default: 5). NOTE: This setting impacts quality a lot, play with it carefully! max_overflow_improvement=<0-100> During the frame bit allocation, overflow control may increase the frame size. This parameter specifies the maximum percentage by which the overflow control is allowed to increase the frame size, compared to the ideal curve allocation (default: 5). max_overflow_degradation=<0-100> During the frame bit allocation, overflow control may decrease the frame size. This parameter specifies the maximum percentage by which the overflow control is allowed to decrease the frame size, compared to the ideal curve allocation (default: 5). container_frame_overhead=<0...> Specifies a frame average overhead per frame, in bytes. Most of the time users express their target bitrate for video w/o taking care of the video container overhead. This small but (mostly) constant overhead can cause the target file size to be exceeded. Xvid allows users to set the amount of overhead per frame the con‐ tainer generates (give only an average per frame). 0 has a spe‐ cial meaning, it lets Xvid use its own default values (default: 24 - AVI average overhead). profile=<profile_name> Restricts options and VBV (peak bitrate over a short period) ac‐ cording to the Simple, Advanced Simple and DivX profiles. The re‐ sulting videos should be playable on standalone players adhering to these profile specifications. unrestricted no restrictions (default) sp0 simple profile at level 0 sp1 simple profile at level 1 sp2 simple profile at level 2 sp3 simple profile at level 3 sp4a simple profile at level 4a sp5 simple profile at level 5 sp6 simple profile at level 6 asp0 advanced simple profile at level 0 asp1 advanced simple profile at level 1 asp2 advanced simple profile at level 2 asp3 advanced simple profile at level 3 asp4 advanced simple profile at level 4 asp5 advanced simple profile at level 5 dxnhandheld DXN handheld profile dxnportntsc DXN portable NTSC profile dxnportpal DXN portable PAL profile dxnhtntsc DXN home theater NTSC profile dxnhtpal DXN home theater PAL profile dxnhdtv DXN HDTV profile NOTE: These profiles should be used in conjunction with an appro‐ priate -ffourcc. Generally DX50 is applicable, as some players do not recognize Xvid but most recognize DivX. par=<mode> Specifies the Pixel Aspect Ratio mode (not to be confused with DAR, the Display Aspect Ratio). PAR is the ratio of the width and height of a single pixel. So both are related like this: DAR = PAR * (width/height). MPEG-4 defines 5 pixel aspect ratios and one extended one, giving the opportunity to specify a specific pixel aspect ratio. 5 stan‐ dard modes can be specified: vga11 It is the usual PAR for PC content. Pixels are a square unit. pal43 PAL standard 4:3 PAR. Pixels are rectangles. pal169 same as above ntsc43 same as above ntsc169 same as above (Do not forget to give the exact ratio.) ext Allows you to specify your own pixel aspect ratio with par_width and par_height. NOTE: In general, setting aspect and autoaspect options is enough. par_width=<1-255> (par=ext only) Specifies the width of the custom pixel aspect ratio. par_height=<1-255> (par=ext only) Specifies the height of the custom pixel aspect ratio. aspect=<x/y | f (float value)> Store movie aspect internally, just like MPEG files. Much nicer solution than rescaling, because quality is not decreased. MPlay‐ er and a few others players will play these files correctly, oth‐ ers will display them with the wrong aspect. The aspect parameter can be given as a ratio or a floating point number. (no)autoaspect Same as the aspect option, but automatically computes aspect, tak‐ ing into account all the adjustments (crop/expand/scale/etc.) made in the filter chain. psnr Print the PSNR (peak signal to noise ratio) for the whole video after encoding and store the per frame PSNR in a file with a name like 'psnr_hhmmss.log' in the current directory. Returned values are in dB (decibel), the higher the better. debug Save per-frame statistics in ./xvid.dbg. (This is not the two pass control file.) The following options are only available in Xvid 1.1.x and later. bvhq=<0|1> This setting allows vector candidates for B-frames to be used for the encoding chosen using a rate distortion optimized operator, which is what is done for P-frames by the vhq option. This pro‐ duces nicer-looking B-frames while incurring almost no performance penalty (default: 1). vbv_bufsize=<0...> (two pass mode only) Specify the video buffering verifier (VBV) buffer size in bits (default: 0 - VBV check disabled). VBV allows restricting peak bitrate to make the video play properly on hardware players. For example, the Home profile uses vbv_bufsize=3145728. If you set vbv_bufsize you should set also vbv_maxrate. Note that there is no vbv_peakrate because Xvid does not actually use it for bitrate controlling; the other VBV options are enough to restrict the peak bitrate. vbv_initial=<0...vbv_bufsize> (two pass mode only) Specify the initial fill of the VBV buffer in bits (default: 75% of vbv_bufsize). The default is probably what you want. vbv_maxrate=<0...> (two pass mode only) Specify the maximum processing rate in bits/s (default: 0). For example, the Home profile uses vbv_maxrate=4854000. The following option is only available in Xvid 1.2.x and later. threads=<0-n> Create n threads to run the motion estimation (default: 0). The maximum number of threads that can be used is the picture height divided by 16. x264enc (-x264encopts) bitrate=<value> Sets the average bitrate to be used in kbits/second (default: off). Since local bitrate may vary, this average may be inaccu‐ rate for very short videos (see ratetol). Constant bitrate can be achieved by combining this with vbv_maxrate, at significant reduc‐ tion in quality. qp=<0-51> This selects the quantizer to use for P-frames. I- and B-frames are offset from this value by ip_factor and pb_factor, respective‐ ly. 20-40 is a useful range. Lower values result in better fi‐ delity, but higher bitrates. 0 is lossless. Note that quantiza‐ tion in H.264 works differently from MPEG-1/2/4: H.264's quantiza‐ tion parameter (QP) is on a logarithmic scale. The mapping is ap‐ proximately H264QP = 12 + 6*log2(MPEGQP). For example, MPEG at QP=2 is equivalent to H.264 at QP=18. Generally, this option should be avoided and crf should be used instead as crf will yield better visual results for the same size. crf=<1.0-50.0> Enables constant quality mode, and selects the quality. The scale is similar to QP. Like the bitrate-based modes, this allows each frame to use a different QP based on the frame's complexity. This option should generally be used instead of qp. crf_max=<float> With CRF and VBV, limit RF to this value (may cause VBV under‐ flows!). pass=<1-3> Enable 2 or 3-pass mode. It is recommended to always encode in 2 or 3-pass mode as it leads to a better bit distribution and im‐ proves overall quality. 1 first pass 2 second pass (of two pass encoding) 3 Nth pass (second and third passes of three pass encoding) Here is how it works, and how to use it: The first pass (pass=1) collects statistics on the video and writes them to a file. You might want to deactivate some CPU-hun‐ gry options, apart from the ones that are on by default. In two pass mode, the second pass (pass=2) reads the statistics file and bases ratecontrol decisions on it. In three pass mode, the second pass (pass=3, that is not a typo) does both: It first reads the statistics, then overwrites them. You can use all encoding options, except very CPU-hungry options. The third pass (pass=3) is the same as the second pass, except that it has the second pass' statistics to work from. You can use all encoding options, including CPU-hungry ones. The first pass may use either average bitrate or constant quantiz‐ er. ABR is recommended, since it does not require guessing a quantizer. Subsequent passes are ABR, and must specify bitrate. profile=<name> Constrain options to be compatible with an H.264 profile. baseline no8x8dct bframes=0 nocabac cqm=flat weightp=0 nointerlaced qp>0 main no8x8dct cqm=flat qp>0 high qp>0 (default) preset=<name> Use a preset to select encoding settings. ultrafast no8x8dct aq_mode=0 b_adapt=0 bframes=0 nodeblock nombtree me=dia nomixed_refs partitions=none ref=1 scenecut=0 subq=0 trellis=0 noweight_b weightp=0 superfast nombtree me=dia nomixed_refs partitions=i8x8,i4x4 ref=1 subq=1 trellis=0 weightp=0 veryfast nombtree nomixed_refs ref=1 subq=2 trellis=0 weightp=0 faster nomixed_refs rc_lookahead=20 ref=5 subq=4 weightp=1 fast rc_lookahead=30 ref=2 subq=6 medium Default settings apply. slow b_adapt=2 direct=auto me=umh rc_lookahead=50 ref=5 subq=8 slower b_adapt=2 direct=auto me=umh partitions=all rc_looka‐ head=60 ref=8 subq=9 trellis=2 veryslow b_adapt=2 b_frames=8 direct=auto me=umh me_range=24 parti‐ tions=all ref=16 subq=10 trellis=2 rc_lookahead=60 placebo bframes=16 b_adapt=2 direct=auto nofast_pskip me=tesa me_range=24 partitions=all rc_lookahead=60 ref=16 subq=10 trellis=2 tune=<name,[name,...]> Tune the settings for a particular type of source or situation. All tuned settings are overridden by explicit user-settings. Mul‐ tiple tunings are separated by commas, but only one psy tuning can be used at a time. film (psy tuning) deblock=-1,-1 psy-rd=<unset>,0.15 animation (psy tuning) b_frames={+2} deblock=1,1 psy-rd=0.4:<unset> aq_strength=0.6 ref={double if >1 else 1} grain (psy tuning) aq_strength=0.5 nodct_decimate deadzone_inter=6 dead‐ zone_intra=6 deblock=-2,-2 ipratio=1.1 pbratio=1.1 psy- rd=<unset>,0.25 qcomp=0.8 stillimage (psy tuning) aq_strength=1.2 deblock=-3,-3 psy-rd=2.0,0.7 psnr (psy tuning) aq_mode=0 nopsy ssim (psy tuning) aq_mode=2 nopsy fastdecode nocabac nodeblock noweight_b weightp=0 zerolatency bframes=0 force_cfr rc_lookahead=0 sync_lookahead=0 sliced_threads slow_firstpass Disables the following faster options with pass=1: no_8x8dct me=dia partitions=none ref=1 subq={2 if >2 else unchanged} trel‐ lis=0 fast_pskip. These settings significantly improve encoding speed while having little or no impact on the quality of the final pass. This option is implied with preset=placebo. keyint=<value> Sets maximum interval between IDR-frames (default: 250). Larger values save bits, thus improve quality, at the cost of seeking precision. Unlike MPEG-1/2/4, H.264 does not suffer from DCT drift with large values of keyint. keyint_min=<1-keyint/2> Sets minimum interval between IDR-frames (default: auto). If scenecuts appear within this interval, they are still encoded as I-frames, but do not start a new GOP. In H.264, I-frames do not necessarily bound a closed GOP because it is allowable for a P- frame to be predicted from more frames than just the one frame be‐ fore it (also see frameref). Therefore, I-frames are not neces‐ sarily seekable. IDR-frames restrict subsequent P-frames from re‐ ferring to any frame prior to the IDR-frame. scenecut=<-1-100> Controls how aggressively to insert extra I-frames (default: 40). With small values of scenecut, the codec often has to force an I- frame when it would exceed keyint. Good values of scenecut may find a better location for the I-frame. Large values use more I- frames than necessary, thus wasting bits. -1 disables scene-cut detection, so I-frames are inserted only once every other keyint frames, even if a scene-cut occurs earlier. This is not recom‐ mended and wastes bitrate as scenecuts encoded as P-frames are just as big as I-frames, but do not reset the "keyint counter". (no)intra_refresh Periodic intra block refresh instead of keyframes (default: dis‐ abled). This option disables IDR-frames, and, instead, uses a moving vertical bar of intra-coded blocks. This reduces compres‐ sion efficiency but benefits low-latency streaming and resilience to packet loss. frameref=<1-16> Number of previous frames used as predictors in B- and P-frames (default: 3). This is effective in anime, but in live-action ma‐ terial the improvements usually drop off very rapidly above 6 or so reference frames. This has no effect on decoding speed, but does increase the memory needed for decoding. Some decoders can only handle a maximum of 15 reference frames. bframes=<0-16> maximum number of consecutive B-frames between I- and P-frames (default: 3) (no)b_adapt Automatically decides when to use B-frames and how many, up to the maximum specified above (default: on). If this option is dis‐ abled, then the maximum number of B-frames is used. b_bias=<-100-100> Controls the decision performed by b_adapt. A higher b_bias pro‐ duces more B-frames (default: 0). b_pyramid=<normal|strict|none> Allows B-frames to be used as references for predicting other frames. For example, consider 3 consecutive B-frames: I0 B1 B2 B3 P4. Without this option, B-frames follow the same pattern as MPEG-[124]. So they are coded in the order I0 P4 B1 B2 B3, and all the B-frames are predicted from I0 and P4. With this option, they are coded as I0 P4 B2 B1 B3. B2 is the same as above, but B1 is predicted from I0 and B2, and B3 is predicted from B2 and P4. This usually results in slightly improved compression, at almost no speed cost. However, this is an experimental option: it is not fully tuned and may not always help. Requires bframes >= 2. Dis‐ advantage: increases decoding delay to 2 frames. normal Allow B-frames as references as described above (not Blu- ray compatible). strict Disallow P-frames referencing B-frames. Gives worse com‐ pression, but is required for Blu-ray compatibility. none Disable using B-frames as references. (no)open_gop Use recovery points to close GOPs; only available with bframes. (no)bluray_compat Enable compatibility hacks for Blu-Ray support. (no)fake_interlaced Flag stream as interlaced but encode progressive. Makes it posssi‐ ble to encode 25p and 30p Blu-Ray streams. Ignored in interlaced mode. frame_packing=<0-5> Define frame arrangement for stereoscopic videos. 0 Checkerboard - pixels are alternately from L and R. 1 Column alternation - L and R are interlaced by column. 2 Row alternation - L and R are interlaced by row. 3 Side by side - L is on the left, R is on the right. 4 Top-bottom - L is on top, R is on the bottom. 5 Frame alternation - one view per frame. (no)deblock Use deblocking filter (default: on). As it takes very little time compared to its quality gain, it is not recommended to disable it. deblock=<-6-6>,<-6-6> The first parameter is AlphaC0 (default: 0). This adjusts thresh‐ olds for the H.264 in-loop deblocking filter. First, this parame‐ ter adjusts the maximum amount of change that the filter is al‐ lowed to cause on any one pixel. Secondly, this parameter affects the threshold for difference across the edge being filtered. A positive value reduces blocking artifacts more, but will also smear details. The second parameter is Beta (default: 0). This affects the de‐ tail threshold. Very detailed blocks are not filtered, since the smoothing caused by the filter would be more noticeable than the original blocking. The default behavior of the filter almost always achieves optimal quality, so it is best to either leave it alone, or make only small adjustments. However, if your source material already has some blocking or noise which you would like to remove, it may be a good idea to turn it up a little bit. (no)cabac Use CABAC (Context-Adaptive Binary Arithmetic Coding) (default: on). Slightly slows down encoding and decoding, but should save 10-15% bitrate. Unless you are looking for decoding speed, you should not disable it. qp_min=<1-51> (ABR or two pass) Minimum quantizer, 10-30 seems to be a useful range (default: 10). qp_max=<1-51> (ABR or two pass) maximum quantizer (default: 51) qp_step=<1-50> (ABR or two pass) maximum value by which the quantizer may be incremented/decrement‐ ed between frames (default: 4) (no)mbtree Enable macroblock tree ratecontrol (default: enabled). Use a large lookahead to track temporal propagation of data and weight quality accordingly. In multi-pass mode, this writes to a sepa‐ rate stats file named <passlogfile>.mbtree. rc_lookahead=<0-250> Adjust the mbtree lookahead distance (default: 40). Larger values will be slower and cause x264 to consume more memory, but can yield higher quality. ratetol=<0.1-100.0> (ABR or two pass) allowed variance in average bitrate (no particular units) (de‐ fault: 1.0) vbv_maxrate=<value> (ABR or two pass) maximum local bitrate, in kbits/second (default: disabled) vbv_bufsize=<value> (ABR or two pass) averaging period for vbv_maxrate, in kbits (default: none, must be specified if vbv_maxrate is enabled) vbv_init=<0.0-1.0> (ABR or two pass) initial buffer occupancy, as a fraction of vbv_bufsize (default: 0.9) ip_factor=<value> quantizer factor between I- and P-frames (default: 1.4) pb_factor=<value> quantizer factor between P- and B-frames (default: 1.3) qcomp=<0-1> (ABR or two pass) quantizer compression (default: 0.6). A lower value makes the bi‐ trate more constant, while a higher value makes the quantization parameter more constant. cplx_blur=<0-999> (two pass only) Temporal blur of the estimated frame complexity, before curve com‐ pression (default: 20). Lower values allow the quantizer value to jump around more, higher values force it to vary more smoothly. cplx_blur ensures that each I-frame has quality comparable to the following P-frames, and ensures that alternating high and low com‐ plexity frames (e.g. low fps animation) do not waste bits on fluc‐ tuating quantizer. qblur=<0-99> (two pass only) Temporal blur of the quantization parameter, after curve compres‐ sion (default: 0.5). Lower values allow the quantizer value to jump around more, higher values force it to vary more smoothly. zones=<zone0>[/<zone1>[/...]] User specified quality for specific parts (ending, credits, ...). Each zone is <start-frame>,<end-frame>,<option> where option may be q=<0-51> quantizer b=<0.01-100.0> bitrate multiplier NOTE: The quantizer option is not strictly enforced. It affects only the planning stage of ratecontrol, and is still subject to overflow compensation and qp_min/qp_max. direct_pred=<name> Determines the type of motion prediction used for direct mac‐ roblocks in B-frames. none Direct macroblocks are not used. spatial Motion vectors are extrapolated from neighboring blocks. (default) temporal Motion vectors are extrapolated from the following P- frame. auto The codec selects between spatial and temporal for each frame. Spatial and temporal are approximately the same speed and PSNR, the choice between them depends on the video content. Auto is slightly better, but slower. Auto is most effective when combined with multipass. direct_pred=none is both slower and lower quali‐ ty. weightp Weighted P-frame prediction mode (default: 2). 0 disabled (fastest) 1 weighted refs (better quality) 2 weighted refs + duplicates (best) (no)weight_b Use weighted prediction in B-frames. Without this option, bidi‐ rectionally predicted macroblocks give equal weight to each refer‐ ence frame. With this option, the weights are determined by the temporal position of the B-frame relative to the references. Re‐ quires bframes > 1. partitions=<list> Enable some optional macroblock types (default: p8x8,b8x8,i8x8,i4x4). p8x8 Enable types p16x8, p8x16, p8x8. p4x4 Enable types p8x4, p4x8, p4x4. p4x4 is recommended only with subq >= 5, and only at low resolutions. b8x8 Enable types b16x8, b8x16, b8x8. i8x8 Enable type i8x8. i8x8 has no effect unless 8x8dct is en‐ abled. i4x4 Enable type i4x4. all Enable all of the above types. none Disable all of the above types. Regardless of this option, macroblock types p16x16, b16x16, and i16x16 are always enabled. The idea is to find the type and size that best describe a certain area of the picture. For example, a global pan is better repre‐ sented by 16x16 blocks, while small moving objects are better rep‐ resented by smaller blocks. (no)8x8dct Adaptive spatial transform size: allows macroblocks to choose be‐ tween 4x4 and 8x8 DCT. Also allows the i8x8 macroblock type. Without this option, only 4x4 DCT is used. me=<name> Select fullpixel motion estimation algorithm. dia diamond search, radius 1 (fast) hex hexagon search, radius 2 (default) umh uneven multi-hexagon search (slow) esa exhaustive search (very slow, and no better than umh) me_range=<4-64> radius of exhaustive or multi-hexagon motion search (default: 16) subq=<0-11> Adjust subpel refinement quality. This parameter controls quality versus speed tradeoffs involved in the motion estimation decision process. subq=5 can compress up to 10% better than subq=1. 0 Runs fullpixel precision motion estimation on all candi‐ date macroblock types. Then selects the best type with SAD metric (faster than subq=1, not recommended unless you're looking for ultra-fast encoding). 1 Does as 0, then refines the motion of that type to fast quarterpixel precision (fast). 2 Runs halfpixel precision motion estimation on all candi‐ date macroblock types. Then selects the best type with SATD metric. Then refines the motion of that type to fast quarterpixel precision. 3 As 2, but uses a slower quarterpixel refinement. 4 Runs fast quarterpixel precision motion estimation on all candidate macroblock types. Then selects the best type with SATD metric. Then finishes the quarterpixel refine‐ ment for that type. 5 Runs best quality quarterpixel precision motion estimation on all candidate macroblock types, before selecting the best type. Also refines the two motion vectors used in bidirectional macroblocks with SATD metric, rather than reusing vectors from the forward and backward searches. 6 Enables rate-distortion optimization of macroblock types in I- and P-frames. 7 Enables rate-distortion optimization of macroblock types in all frames (default). 8 Enables rate-distortion optimization of motion vectors and intra prediction modes in I- and P-frames. 9 Enables rate-distortion optimization of motion vectors and intra prediction modes in all frames. 10 QP-RD; requires trellis=2 and aq_mode=1 or higher (best). 11 Full RD; disable all early terminations. In the above, "all candidates" does not exactly mean all enabled types: 4x4, 4x8, 8x4 are tried only if 8x8 is better than 16x16. (no)chroma_me Takes into account chroma information during subpixel motion search (default: enabled). Requires subq>=5. (no)mixed_refs Allows each 8x8 or 16x8 motion partition to independently select a reference frame. Without this option, a whole macroblock must use the same reference. Requires frameref>1. trellis=<0-2> (cabac only) rate-distortion optimal quantization 0 disabled 1 enabled only for the final encode (default) 2 enabled during all mode decisions (slow, requires subq>=6) psy-rd=rd[,trell] Sets the strength of the psychovisual optimization. rd=<0.0-10.0> psy optimization strength (requires subq>=6) (default: 1.0) trell=<0.0-10.0> trellis (requires trellis, experimental) (default: 0.0) (no)psy Enable psychovisual optimizations that hurt PSNR and SSIM but ought to look better (default: enabled). deadzone_inter=<0-32> Set the size of the inter luma quantization deadzone for non-trel‐ lis quantization (default: 21). Lower values help to preserve fine details and film grain (typically useful for high bi‐ trate/quality encode), while higher values help filter out these details to save bits that can be spent again on other macroblocks and frames (typically useful for bitrate-starved encodes). It is recommended that you start by tweaking deadzone_intra before changing this parameter. deadzone_intra=<0-32> Set the size of the intra luma quantization deadzone for non-trel‐ lis quantization (default: 11). This option has the same effect as deadzone_inter except that it affects intra frames. It is rec‐ ommended that you start by tweaking this parameter before changing deadzone_inter. (no)fast_pskip Performs early skip detection in P-frames (default: enabled). This usually improves speed at no cost, but it can sometimes pro‐ duce artifacts in areas with no details, like sky. (no)dct_decimate Eliminate dct blocks in P-frames containing only a small single coefficient (default: enabled). This will remove some details, so it will save bits that can be spent again on other frames, hope‐ fully raising overall subjective quality. If you are compressing non-anime content with a high target bitrate, you may want to dis‐ able this to preserve as much detail as possible. nr=<0-100000> Noise reduction, 0 means disabled. 100-1000 is a useful range for typical content, but you may want to turn it up a bit more for very noisy content (default: 0). Given its small impact on speed, you might want to prefer to use this over filtering noise away with video filters like denoise3d or hqdn3d. chroma_qp_offset=<-12-12> Use a different quantizer for chroma as compared to luma. Useful values are in the range <-2-2> (default: 0). aq_mode=<0-2> Defines how adaptive quantization (AQ) distributes bits: 0 disabled 1 Avoid moving bits between frames. 2 Move bits between frames (by default). aq_strength=<positive float value> Controls how much adaptive quantization (AQ) reduces blocking and blurring in flat and textured areas (default: 1.0). A value of 0.5 will lead to weak AQ and less details, when a value of 1.5 will lead to strong AQ and more details. cqm=<flat|jvt|<filename>> Either uses a predefined custom quantization matrix or loads a JM format matrix file. flat Use the predefined flat 16 matrix (default). jvt Use the predefined JVT matrix. <filename> Use the provided JM format matrix file. NOTE: Windows CMD.EXE users may experience problems with parsing the command line if they attempt to use all the CQM lists. This is due to a command line length limitation. In this case it is recommended the lists be put into a JM format CQM file and loaded as specified above. cqm4iy=<list> (also see cqm) Custom 4x4 intra luminance matrix, given as a list of 16 comma separated values in the 1-255 range. cqm4ic=<list> (also see cqm) Custom 4x4 intra chrominance matrix, given as a list of 16 comma separated values in the 1-255 range. cqm4py=<list> (also see cqm) Custom 4x4 inter luminance matrix, given as a list of 16 comma separated values in the 1-255 range. cqm4pc=<list> (also see cqm) Custom 4x4 inter chrominance matrix, given as a list of 16 comma separated values in the 1-255 range. cqm8iy=<list> (also see cqm) Custom 8x8 intra luminance matrix, given as a list of 64 comma separated values in the 1-255 range. cqm8py=<list> (also see cqm) Custom 8x8 inter luminance matrix, given as a list of 64 comma separated values in the 1-255 range. level_idc=<10-51> Set the bitstream's level as defined by annex A of the H.264 stan‐ dard (default: 51 - level 5.1). This is used for telling the de‐ coder what capabilities it needs to support. Use this parameter only if you know what it means, and you have a need to set it. (no)cpu_independent Ensure exact reproducibility across different CPUs instead of chosing different algorithms when available/better (default:en‐ abled). threads=<0-16> Spawn threads to encode in parallel on multiple CPUs (default: 0). This has a slight penalty to compression quality. 0 or 'auto' tells x264 to detect how many CPUs you have and pick an appropri‐ ate number of threads. (no)sliced_threads Use slice-based threading (default: disabled). Unlike normal threading, this option adds no encoding latency, but is slightly slower and less effective at compression. slice_max_size=<0 or positive integer> Maximum slice size in bytes (default: 0). A value of zero dis‐ ables the maximum. slice_max_mbs=<0 or positive integer> Maximum slice size in number of macroblocks (default: 0). A value of zero disables the maximum. slices=<0 or positive integer> Maximum number of slices per frame (default: 0). A value of zero disables the maximum. sync_lookahead=<0-250> Adjusts the size of the threaded lookahead buffer (default: 0). 0 or 'auto' tells x264 to automatically determine buffer size. (no)deterministic Use only deterministic optimizations with multithreaded encoding (default: enabled). (no)global_header Causes SPS and PPS to appear only once, at the beginning of the bitstream (default: disabled). Some players, such as the Sony PSP, require the use of this option. The default behavior causes SPS and PPS to repeat prior to each IDR frame. (no)tff Enable interlaced mode, top field first (default: disabled) (no)bff Enable interlaced mode, bottom field first (default: disabled) nal_hrd=<none|vbr|cbr> Signal HRD information (requires vbv_bufsize) (default: none). (no)pic_struct Force pic_struct in Picture Timing SEI (default: disabled). (no)constrained_intra Enable constrained intra prediction (default: disabled). This significantly reduces compression, but is required for the base layer of SVC encodes. output_csp=<i420|i422|i444|rgb> Specify output colorspace (default: i420). (no)aud Write access unit delimeters to the stream (default: disabled). Enable this only if your target container format requires access unit delimiters. overscan=<undef|show|crop> Include VUI overscan information in the stream (default: dis‐ abled). See doc/vui.txt in the x264 source code for more informa‐ tion. videoformat=<component|pal|ntsc|secam|mac|undef> Include VUI video format information in the stream (default: dis‐ abled). This is a purely informative setting for describing the original source. See doc/vui.txt in the x264 source code for more information. (no)fullrange Include VUI full range information in the stream (default: dis‐ abled). Use this option if your source video is not range limit‐ ed. See doc/vui.txt in the x264 source code for more information. colorprim=<bt709|bt470m|bt470bg|smpte170m|smpte240m|film|undef> Include color primaries information (default: disabled). This can be used for color correction. See doc/vui.txt in the x264 source code for more information. transfer=<bt709|bt470m|bt470bg|linear|log100|log316|smpte170m|smpte240m> Include VUI transfer characteristics information in the stream (default: disabled). This can be used for color correction. See doc/vui.txt in the x264 source code for more information. colormatrix=<bt709|fcc|bt470bg|smpte170m|smpte240m|GBR|YCgCo> Include VUI matrix coefficients in the stream (default: disabled). This can be used for color correction. See doc/vui.txt in the x264 source code for more information. chromaloc=<0-5> Include VUI chroma sample location information in the stream (de‐ fault: disabled). Use this option to ensure alignment of the chroma and luma planes after color space conversions. See doc/vui.txt in the x264 source code for more information. log=<-1-3> Adjust the amount of logging info printed to the screen. -1 none 0 Print errors only. 1 warnings 2 PSNR and other analysis statistics when the encode finish‐ es (default) 3 PSNR, QP, frametype, size, and other statistics for every frame (no)psnr Print signal-to-noise ratio statistics. NOTE: The 'Y', 'U', 'V', and 'Avg' PSNR fields in the summary are not mathematically sound (they are simply the average of per-frame PSNRs). They are kept only for comparison to the JM reference codec. For all other purposes, please use either the 'Global' PSNR, or the per-frame PSNRs printed by log=3. (no)ssim Print the Structural Similarity Metric results. This is an alter‐ native to PSNR, and may be better correlated with the perceived quality of the compressed video. (no)visualize Enable x264 visualizations during encoding. If the x264 on your system supports it, a new window will be opened during the encod‐ ing process, in which x264 will attempt to present an overview of how each frame gets encoded. Each block type on the visualized movie will be colored as follows: dump_yuv=<file name> Dump YUV frames to the specified file. For debugging use. red/pink intra block blue inter block green skip block yellow B-block This feature can be considered experimental and subject to change. In particular, it depends on x264 being compiled with visualiza‐ tions enabled. Note that as of writing this, x264 pauses after encoding and visualizing each frame, waiting for the user to press a key, at which point the next frame will be encoded. xvfw (-xvfwopts) Encoding with Video for Windows codecs is mostly obsolete unless you wish to encode to some obscure fringe codec. codec=<name> The name of the binary codec file with which to encode. compdata=<file> The name of the codec settings file (like firstpass.mcf) created by vfw2menc. MPEG muxer (-mpegopts) The MPEG muxer can generate 5 types of streams, each of which has reason‐ able default parameters that the user can override. Generally, when gen‐ erating MPEG files, it is advisable to disable MEncoder's frame-skip code (see -noskip, -mc as well as the harddup and softskip video filters). EXAMPLE: format=mpeg2:tsaf:vbitrate=8000 format=<mpeg1 | mpeg2 | xvcd | xsvcd | dvd | pes1 | pes2> stream format (default: mpeg2). pes1 and pes2 are very broken formats (no pack header and no padding), but VDR uses them; do not choose them unless you know exactly what you are doing. size=<up to 65535> Pack size in bytes, do not change unless you know exactly what you are doing (default: 2048). muxrate=<int> Nominal muxrate in kbit/s used in the pack headers (default: 1800 kb/s). Will be updated as necessary in the case of 'format=mpeg1' or 'mpeg2'. tsaf Sets timestamps on all frames, if possible; recommended when for‐ mat=dvd. If dvdauthor complains with a message like "..audio sec‐ tor out of range...", you probably did not enable this option. interleaving2 Uses a better algorithm to interleave audio and video packets, based on the principle that the muxer will always try to fill the stream with the largest percentage of free space. vdelay=<1-32760> Initial video delay time, in milliseconds (default: 0), use it if you want to delay video with respect to audio. It doesn't work with :drop. adelay=<1-32760> Initial audio delay time, in milliseconds (default: 0), use it if you want to delay audio with respect to video. drop When used with vdelay the muxer drops the part of audio that was anticipated. vwidth, vheight=<1-4095> Set the video width and height when video is MPEG-1/2. vpswidth, vpsheight=<1-4095> Set pan and scan video width and height when video is MPEG-2. vaspect=<1 | 4/3 | 16/9 | 221/100> Sets the display aspect ratio for MPEG-2 video. Do not use it on MPEG-1 or the resulting aspect ratio will be completely wrong. vbitrate=<int> Sets the video bitrate in kbit/s for MPEG-1/2 video. vframerate=<24000/1001 | 24 | 25 | 30000/1001 | 30 | 50 | 60000/1001 | 60 > Sets the framerate for MPEG-1/2 video. This option will be ig‐ nored if used with the telecine option. telecine Enables 3:2 pulldown soft telecine mode: The muxer will make the video stream look like it was encoded at 30000/1001 fps. It only works with MPEG-2 video when the output framerate is 24000/1001 fps, convert it with -ofps if necessary. Any other framerate is incompatible with this option. film2pal Enables FILM to PAL and NTSC to PAL soft telecine mode: The muxer will make the video stream look like it was encoded at 25 fps. It only works with MPEG-2 video when the output framerate is 24000/1001 fps, convert it with -ofps if necessary. Any other framerate is incompatible with this option. tele_src and tele_dest Enables arbitrary telecining using Donand Graft's DGPulldown code. You need to specify the original and the desired framerate; the muxer will make the video stream look like it was encoded at the desired framerate. It only works with MPEG-2 video when the input framerate is smaller than the output framerate and the framerate increase is <= 1.5. EXAMPLE: tele_src=25,tele_dest=30000/1001 PAL to NTSC telecining vbuf_size=<40-1194> Sets the size of the video decoder's buffer, expressed in kilo‐ bytes. Specify it only if the bitrate of the video stream is too high for the chosen format and if you know perfectly well what you are doing. A too high value may lead to an unplayable movie, de‐ pending on the player's capabilities. When muxing HDTV video a value of 400 should suffice. abuf_size=<4-64> Sets the size of the audio decoder's buffer, expressed in kilo‐ bytes. The same principle as for vbuf_size applies. FFmpeg libavformat demuxers (-lavfdopts) analyzeduration=<value> Maximum length in seconds to analyze the stream properties. format=<value> Force a specific libavformat demuxer. o=<key>=<value>[,<key>=<value>[,...]] Pass AVOptions to libavformat demuxer. Note, a patch to make the o= unneeded and pass all unknown options through the AVOption sys‐ tem is welcome. A full list of AVOptions can be found in the FFm‐ peg manual. Note that some options may conflict with MPlayer/MEn‐ coder options. EXAMPLE: o=ignidx probesize=<value> Maximum amount of data to probe during the detection phase. In the case of MPEG-TS this value identifies the maximum number of TS packets to scan. cryptokey=<hexstring> Encryption key the demuxer should use. This is the raw binary da‐ ta of the key converted to a hexadecimal string. FFmpeg libavformat muxers (-lavfopts) (also see -of lavf) delay=<value> Currently only meaningful for MPEG[12]: Maximum allowed distance, in seconds, between the reference timer of the output stream (SCR) and the decoding timestamp (DTS) for any stream present (demux to decode delay). Default is 0.7 (as mandated by the standards de‐ fined by MPEG). Higher values require larger buffers and must not be used. format=<container_format> Override which container format to mux into (default: autodetect from output file extension). mpg MPEG-1 systems and MPEG-2 PS asf Advanced Streaming Format avi Audio Video Interleave file wav Waveform Audio swf Macromedia Flash flv Macromedia Flash video files rm RealAudio and RealVideo au SUN AU format nut NUT open container format (experimental) mov QuickTime mp4 MPEG-4 format ipod MPEG-4 format with extra header flags required by Apple iPod firmware dv Sony Digital Video container matroska Matroska muxrate=<rate> Nominal bitrate of the multiplex, in bits per second; currently it is meaningful only for MPEG[12]. Sometimes raising it is neces‐ sary in order to avoid "buffer underflows". o=<key>=<value>[,<key>=<value>[,...]] Pass AVOptions to libavformat muxer. Note, a patch to make the o= unneeded and pass all unknown options through the AVOption system is welcome. A full list of AVOptions can be found in the FFmpeg manual. Note that some options may conflict with MEncoder op‐ tions. EXAMPLE: o=packetsize=100 packetsize=<size> Size, expressed in bytes, of the unitary packet for the chosen format. When muxing to MPEG[12] implementations the default val‐ ues are: 2324 for [S]VCD, 2048 for all others formats. preload=<distance> Currently only meaningful for MPEG[12]: Initial distance, in sec‐ onds, between the reference timer of the output stream (SCR) and the decoding timestamp (DTS) for any stream present (demux to de‐ code delay). ENVIRONMENT VARIABLES There are a number of environment variables that can be used to control the behavior of MPlayer and MEncoder. MPLAYER_CHARSET (also see -msgcharset) Convert console messages to the specified charset (default: au‐ todetect). A value of "noconv" means no conversion. MPLAYER_HOME Directory where MPlayer looks for user settings. MPLAYER_VERBOSE (also see -v and -msglevel) Set the initial verbosity level across all message modules (de‐ fault: 0). The resulting verbosity corresponds to that of -ms‐ glevel 5 plus the value of MPLAYER_VERBOSE. libaf: LADSPA_PATH If LADSPA_PATH is set, it searches for the specified file. If it is not set, you must supply a fully specified pathname. FIXME: This is also mentioned in the ladspa section. libdvdcss: DVDCSS_CACHE Specify a directory in which to store title key values. This will speed up descrambling of DVDs which are in the cache. The DVDC‐ SS_CACHE directory is created if it does not exist, and a subdi‐ rectory is created named after the DVD's title or manufacturing date. If DVDCSS_CACHE is not set or is empty, libdvdcss will use the default value which is "${HOME}/.dvdcss/" under Unix and "C:\Documents and Settings\$USER\Application Data\dvdcss\" under Win32. The special value "off" disables caching. DVDCSS_METHOD Sets the authentication and decryption method that libdvdcss will use to read scrambled discs. Can be one of title, key or disc. key is the default method. libdvdcss will use a set of calcu‐ lated player keys to try and get the disc key. This can fail if the drive does not recognize any of the player keys. disc is a fallback method when key has failed. Instead of us‐ ing player keys, libdvdcss will crack the disc key using a brute force algorithm. This process is CPU intensive and requires 64 MB of memory to store temporary data. title is the fallback when all other methods have failed. It does not rely on a key exchange with the DVD drive, but rather uses a crypto attack to guess the title key. On rare cases this may fail because there is not enough en‐ crypted data on the disc to perform a statistical attack, but in the other hand it is the only way to decrypt a DVD stored on a hard disc, or a DVD with the wrong region on an RPC2 drive. DVDCSS_RAW_DEVICE Specify the raw device to use. Exact usage will depend on your operating system, the Linux utility to set up raw devices is raw(8) for instance. Please note that on most operating systems, using a raw device requires highly aligned buffers: Linux requires a 2048 bytes alignment (which is the size of a DVD sector). DVDCSS_VERBOSE Sets the libdvdcss verbosity level. 0 Outputs no messages at all. 1 Outputs error messages to stderr. 2 Outputs error messages and debug messages to stderr. DVDREAD_NOKEYS Skip retrieving all keys on startup. Currently disabled. HOME FIXME: Document this. libao2: AO_SUN_DISABLE_SAMPLE_TIMING FIXME: Document this. AUDIODEV FIXME: Document this. AUDIOSERVER Specifies the Network Audio System server to which the nas audio output driver should connect and the transport that should be used. If unset DISPLAY is used instead. The transport can be one of tcp and unix. Syntax is tcp/<somehost>:<someport>, <some‐ host>:<instancenumber> or [unix]:<instancenumber>. The NAS base port is 8000 and <instancenumber> is added to that. EXAMPLES: AUDIOSERVER=somehost:0 Connect to NAS server on somehost using default port and transport. AUDIOSERVER=tcp/somehost:8000 Connect to NAS server on somehost listening on TCP port 8000. AUDIOSERVER=(unix)?:0 Connect to NAS server instance 0 on localhost using unix domain sockets. DISPLAY FIXME: Document this. vidix: VIDIX_CRT FIXME: Document this. VIDIXIVTVALPHA Set this to 'disable' in order to stop the VIDIX driver from con‐ trolling alphablending settings. You can then manipulate it your‐ self with 'ivtvfbctl'. osdep: TERM FIXME: Document this. libvo: DISPLAY FIXME: Document this. FRAMEBUFFER FIXME: Document this. HOME FIXME: Document this. libmpdemux: HOME FIXME: Document this. HOMEPATH FIXME: Document this. http_proxy FIXME: Document this. LOGNAME FIXME: Document this. USERPROFILE FIXME: Document this. GUI: DISPLAY The name of the display to which the GUI should connect. HOME The home directory of the current user. libavformat: AUDIO_FLIP_LEFT FIXME: Document this. BKTR_DEV FIXME: Document this. BKTR_FORMAT FIXME: Document this. BKTR_FREQUENCY FIXME: Document this. http_proxy FIXME: Document this. no_proxy FIXME: Document this. FILES /usr/local/etc/mplayer/mplayer.conf MPlayer system-wide settings /usr/local/etc/mplayer/mencoder.conf MEncoder system-wide settings ~/.mplayer/config MPlayer user settings ~/.mplayer/mencoder.conf MEncoder user settings ~/.mplayer/input.conf input bindings (see '-input keylist' for the full list) ~/.mplayer/gui.conf GUI configuration file ~/.mplayer/gui.history GUI directory history ~/.mplayer/gui.pl GUI playlist ~/.mplayer/gui.url GUI URL list ~/.mplayer/font/ font directory (There must be a font.desc file and files with .RAW extension.) ~/.mplayer/DVDkeys/ cached CSS keys EXAMPLES OF MPLAYER USAGE Quickstart Blu-ray playing: mplayer br:////path/to/disc mplayer br:// -bluray-device /path/to/disc Quickstart DVD playing: mplayer dvd://1 Play in Japanese with English subtitles: mplayer dvd://1 -alang ja -slang en Play only chapters 5, 6, 7: mplayer dvd://1 -chapter 5-7 Play only titles 5, 6, 7: mplayer dvd://5-7 Play a multiangle DVD: mplayer dvd://1 -dvdangle 2 Play from a different DVD device: mplayer dvd://1 -dvd-device /dev/dvd2 Play DVD video from a directory with VOB files: mplayer dvd://1 -dvd-device /path/to/directory/ Copy a DVD title to hard disk, saving to file title1.vob : mplayer dvd://1 -dumpstream -dumpfile title1.vob Play a DVD with dvdnav from path /dev/sr1: mplayer dvdnav:////dev/sr1 Stream from HTTP: mplayer http://mplayer.hq/example.avi Stream using RTSP: mplayer rtsp://server.example.com/streamName Convert subtitles to MPsub format: mplayer dummy.avi -sub source.sub -dumpmpsub Convert subtitles to MPsub format without watching the movie: mplayer /dev/zero -rawvideo pal:fps=xx -demuxer rawvideo -vc null -vo null -noframedrop -benchmark -sub source.sub -dumpmpsub input from standard V4L: mplayer tv:// -tv driver=v4l:width=640:height=480:outfmt=i420 -vc rawi420 -vo xv Playback on Zoran cards (old style, deprecated): mplayer -vo zr -vf scale=352:288 file.avi Playback on Zoran cards (new style): mplayer -vo zr2 -vf scale=352:288,zrmjpeg file.avi Play DTS-CD with passthrough: mplayer -ac hwdts -rawaudio format=0x2001 -cdrom-device /dev/cdrom cdda:// You can also use -afm hwac3 instead of -ac hwdts. Adjust '/dev/cdrom' to match the CD-ROM device on your system. If your external receiver sup‐ ports decoding raw DTS streams, you can directly play it via cdda:// without setting format, hwac3 or hwdts. Play a 6-channel AAC file with only two speakers: mplayer -rawaudio format=0xff -demuxer rawaudio -af pan=2:.32:.32:.39:.06:.06:.39:.17:-.17:-.17:.17:.33:.33 adts_he-aac160_51.aac You might want to play a bit with the pan values (e.g multiply with a value) to increase volume or avoid clipping. checkerboard invert with geq filter: mplayer -vf geq='128+(p(X\,Y)-128)*(0.5-gt(mod(X/SW\,128)\,64))*(0.5-gt(mod(Y/SH\,128)\,64))*4' EXAMPLES OF MENCODER USAGE Encode DVD title #2, only selected chapters: mencoder dvd://2 -chapter 10-15 -o title2.avi -oac copy -ovc lavc -lavcopts vcodec=mpeg4 Encode DVD title #2, resizing to 640x480: mencoder dvd://2 -vf scale=640:480 -o title2.avi -oac copy -ovc lavc -lavcopts vcodec=mpeg4 Encode DVD title #2, resizing to 512xHHH (keep aspect ratio): mencoder dvd://2 -vf scale -zoom -xy 512 -o title2.avi -oac copy -ovc lavc -lavcopts vcodec=mpeg4 The same, but with bitrate set to 1800kbit and optimized macroblocks: mencoder dvd://2 -o title2.avi -oac copy -ovc lavc -lavcopts vcodec=mpeg4:mbd=1:vbitrate=1800 The same, but with MJPEG compression: mencoder dvd://2 -o title2.avi -oac copy -ovc lavc -lavcopts vcodec=mjpeg:mbd=1:vbitrate=1800 Encode all *.jpg files in the current directory: mencoder "mf://*.jpg" -mf fps=25 -o output.avi -ovc lavc -lavcopts vcodec=mpeg4 Encode from a tuner (specify a format with -vf format): mencoder -tv driver=v4l:width=640:height=480 tv:// -o tv.avi -ovc raw Encode from a pipe: rar p test-SVCD.rar | mencoder -ovc lavc -lavcopts vcodec=mpeg4:vbitrate=800 -ofps 24 - BUGS Don't panic. If you find one, report it to us, but please make sure you have read all of the documentation first. Also look out for smileys. :) Many bugs are the result of incorrect setup or parameter usage. The bug reporting section of the documentation (http://www.mplayerhq.hu/DOCS/ HTML/en/bugreports.html) explains how to create useful bug reports. AUTHORS MPlayer was initially written by Arpad Gereoffy. See the AUTHORS file for a list of some of the many other contributors. MPlayer is (C) 2000-2012 The MPlayer Team This man page was written mainly by Gabucino, Jonas Jermann and Diego Bi‐ urrun. It is maintained by Diego Biurrun. Please send mails about it to the MPlayer-DOCS mailing list. Translation specific mails belong on the MPlayer-translations mailing list. The MPlayer Project 2012-03-03 MPlayer(1)


What is biodiversity? It is a term for the variety and changeability of life on Earth. Habitats and the environment that plants and animals live in are a vital element for flora (plant life) and fauna (animal life). Habitats vary by the type of plants available, the climate and geography of an area.
Which areas in your local or extended community are suitable habitats for healthy plant and animal life?
On the map, different types of landcover are represented by different colours. Landcover types range from urban to forest to peatbogs and include 31 categories for Northern Ireland.
3 ways to find your school:
If you can see your area on the map zoom to it using the zoom tools
Search for your local area by street, village, town or city using the search button
Search for your school using the school search. Type in the first three letters of the name and choose from the list
Explore the area around your school and community.
Use the zoom to default button to view all schools again. Change the background basemap using the basemap icon.
Choices include landscape or topography (elevation). To return to the application main page use the Eco Communities NI project button.
Schools data open to access from NICVA under a UK Open Government Licence.


Your encryption key is connected to your password. You have the option to either keep all the data and encryption keys and just change the password or you can delete all the data and generate new encryption keys. Choose your option carefully.
Please enter your account password to continue
Please save this recovery key in a safe place, if you forget your password, you can use it to reset your password even if you don't remember your recovery email. Learn more


WITNESS LIST Insurance Committee May 22, 2002-1:00P Interim Charge 3 Against: Ammon, Brenda (Rogers ISD) Beckett, Sheila (ERS) Chappell, Christie (Rogers ISD) Garland, Kneten (Bartlett ISD) Hays, Jane (Temple ISD) Sitz, Kim (Academy ISD) On: Battershell, Robin (Salado ISD) Beckett, Sheila (ERS) Dews, Lisa (Gatesville ISD) Dunlap, Charles (TRS) Fickel, Ann (TCTA) Geren, Monte (La Vega ISD) Jung, Ronnie (TRS) Knight, Alfred (Scott & White Health Plan) Rogers, Will (Texas State Employees Union) Registering, but not testifying: On: Lomax, Lucius (self)


Classes to parse the schema file which is used to verify the rules, eg that fields referred to in the caller actually do appear in the schema.


def otsu_threshold(img):
""" Implementation of otsu thresholding"""
flattened_img = img.flatten()
hist, bin_edges = np.histogram(flattened_img, bins=256, density=True)
target_max = 0
threshold = 0
sum_im = 0
def otsu_threshold(img):
""" Implementation of otsu thresholding"""
hist, bin_edges = np.histogram(img.ravel(), bins=256, density=True)
hist = hist.astype(float)
target_max = 0
threshold = bin_edges[0]


and help other summoner to be a hero
See all guides in Game mode by Champion
See all members and best contributors


Several injured, about 100 people in the area as New Zealand's White Island volcano erupts
WELLINGTON: About 100 people were near New Zealand's White Island volcano when it erupted suddenly on Monday (Dec 9), leaving authorities scrambling to treat the injured and find those unaccounted for.
Prime Minister Jacinda Ardern said the volcanic island - also known as Whakaari - off New Zealand's north coast had erupted while groups of tourists were visiting.
"It is very much an evolving situation and of course all our thoughts are with those affected," she told reporters in Wellington, adding that an undetermined number of people were unaccounted for.
Authorities said the eruption began about 2.30pm local time (9.30am Singapore time), throwing smoke and debris into the air.
The island is about 50km from North Island in the picturesque Bay of Plenty, and is popular with adventurous tourists willing to don hard hats and gas masks.
The White Island volcano is one of New Zealand's most active volcanoes.
According to the national Met Service, the eruption was visible on satellite images.
Whakatane mayor Judy Turner said "there have been people injured" and rescue missions were under way.
"I don't know how many or the state of their injuries but emergency services are currently frantically trying to get these people back from the island to hospital for treatment," she said.
She added that there seems to be no danger for the people in the coastal areas, farther from the volcano.
St John Ambulance said there were up to 20 people believed injured but medical teams were still en route.
READ: Tourists stranded as storms batter New Zealand
There were particular fears for a group of visitors seen walking on the crater floor moments before the eruption occurred.
Cameras providing a live feed from the volcano showed more than half a dozen people walking inside the rim at 2.10pm local time (9.10am Singapore time), before images went dark when the eruption occurred minutes later.
Police said they were responding to the incident, but offered no further comment.
A report by the NZ Herald said many of those visiting White Island on Monday were from the cruise ship Ovation of the Seas.
Port of Tauranga company chief executive Mark Cairns was quoted as saying that he understood the majority of those injured in the eruption are from the ship.
New Zealand's national emergency crisis centre has been activated.
The volcanic eruption made the area immediately around the island hazardous, the National Emergency Management Agency said in an emailed statement.
The agency described the eruption as "moderate", although a thick plume of white ash could be seen for miles around.
Several helicopters and aircraft could be seen in the area.
White Island is New Zealand's most active volcano cone and about 70 per cent of it is undersea, according to government agency GeoNet.
Around 10,000 people visit the volcano every year. It has erupted frequently over the last half-century, most recently in 2016.
In August of that year the New Zealand Defence Force airlifted a 2.4-tonne shipping container onto the island to serve as an emergency shelter in case of an eruption.


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{% extends 'base.html' %}
{% block title %}Contact{% endblock %}
{% block content %}
I am fascinated by the extensive impact computers can have in solving real world ...
I am fascinated by the extensive impact computers can have in solving real world ...
I am an ambitious workaholic, but apart from that, pretty simple person.
I am an ambitious workaholic, but apart from that, pretty simple person.


The World thanks you!
Your energy savings helped contribute to a better world!
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If you ride your turn off your lights for rooms that are not in use for the next 6 months, you will contribute to 8 metric tons of greenhouse gas reductions.
Turning the faucet off while brushing your teeth can save 8 gallons of water a day.
Unused, but plugged in electronics are the leading cause of energy consumption in homes.


My my. I have been watching the site stats and noticed a definite increase in traffic, but this proves just how much the increase has been.
Triangle Land has now reached 20,000 views! :D
This milestone was achieved today, Sunday, April 13, 2014. If you recall, 10,000 views was achieved back on September 10, 2013, just a month shy of Triangle Land’s 2nd anniversary. That means it has taken only 7 months, 6 days for this milestone to occur. WOW! I certainly did not expect to reach 20K views in such a short amount of time.
I guess I must give a great big Thank You! to everyone who contributed to reaching this monumental occasion, and here’s to… whatever the next big milestone is! :D
Now it is time for the obligatory screenshots!
:P :) :( <3 BOO!


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FOCUS (a film review by Mark R. Leeper)
CAPSULE: In the late years of World War II a man sees anti-Semitic influences moving into his neighborhood but wants to remain neutral. As neutrality become more and more difficult he struggles with his conscience. Neil Slavin directs this adaptation of a novel by Arthur Miller. Rating: 7 (0 to 10), +2 (-4 to +4)
FOCUS is a story of an anti-Semitic movement during the years of World War II, but it does not take place in Europe, but in the US. Kendrew Lascelles wrote the film based on Arthur Miller's 1945 novel FOCUS. It is the story of Fascism creeping into a middle- class neighborhood.
Lawrence Newman (played by William H. Macy) lives with his mother. He works in a prosperous Manhattan company interviewing new applicants. He interviews people applying for jobs and generally makes sure the company hires only the "right type," good gentiles. One of the people he turns down is non-Jewish Gertrude Hart (Laura Dern) who nonetheless looks too Jewish to be put in a visible position.
 But he does not want to make trouble in the neighborhood by going to the police. Another neighbor Fred (the intimidating Meat Loaf Aday) seems to be on a personal campaign to chase out of the neighborhood the corner news dealer, a Jew (David Paymer), to move out of the neighborhood. When Lawrence gets new glasses, glasses that accidentally make him look Jewish; suddenly he gets a new view of his street and especially neighbor Fred who is inviting "Americanist" organizers into the neighborhood. Lawrence tries desperately to hold onto his neutrality in the Jew-baiting in spite of the dictates of his conscience.
For his first feature film commercial producer Neal Slavin has chosen a particularly timely theme, that of a slow but insidious spreading prejudice and fascism. The targeting of ethnic groups for particular hatreds is especially timely. Particularly chilling is that Fred so anxious to introduce the same fascism that was currently engulfing Europe.
Slavin symbolizes the cycle of evil with the image of merry-go- round accompanied by ominous music. The film's one less than subtle touch is the big billboard at the end of the infiltrated street proclaiming "There's no way like the American way."
It is interesting that two of Arthur Miller's novels were adapted at the same time. Like FOCUS, Amos Gitai's EDEN also was shown at the Toronto International Film Festival. Both are about people caught up in evil circumstances and having to take a stand. However, FOCUS is by far the better of the two. I rate it a 7 on the 0 to 10 scale and a +2 on the -4 to +4 scale.
Mark R. Leeper<EMAIL_ADDRESS>Copyright 2001 Mark R. Leeper
========== X-RAMR-ID: 29742 X-Language: en X-RT-ReviewID: 253572 X-RT-TitleID: 1110564 X-RT-AuthorID: 1309 X-RT-RatingText: 7/10
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


16-year-old arrested for shooting that injured 2 in Sarasota
by WFTS Digital StaffSARASOTA, Fla. — A 16-year-old boy is facing charges in connection to a shooting that left a 17-year-old and 21-year-old with serious injuries.
The teenager, who ABC Action News is not naming due to his age, was arrested on Monday after turning himself in.
RELATED: Teen, young adult suffer life-threatening injuries in Sarasota shooting
Police say the shooting happened on Sunday at the intersection of Carver Street and Orange Avenue around 9 p.m.
The victims, who are both male, were taken to Sarasota Memorial Hospital with life-threatening injuries. Police say they are expected to survive.
According to authorities, the suspect and the victims were involved in an on-going dispute.
The teenager is facing two charges of aggravated battery with a firearm.


Evolutility-UI-jQuery provides a set of generic Views ("V" as in "MVC") to browse, edit, filter, export and chart data of different structures and volumes.
With Evolutility-UI-jQuery, views are not defined in Javascript, templates and CSS but configured with ui-models.
If you are wondering, No, I didn't write 40 templates (10 views for 4 entities = 40 views) for the demo above. I only wrote 4 ui-models, Evolutility-UI-jQuery is doing the rest.
Together the views "browse", "edit", "list" and "filter" provide CRUD (Create, Read, Update, Delete) functionality. The other views "cards", "bubbles", "charts" and "mini" make the app more user-friendly and powerful.
Demo applications (using your browser's local storage):
Views are configured with a UI-model. Each UI-model is the single source of truth for all UI elements in all views of a specific entity. It contains a DRY (Don't Repeat Yourself) description of the UI elements on screen and how they map to the model. From a single UI-model, many views of an entity can be generated at run-time to browse, edit, filter, export, chart the data (for CRUD and more).
The "vocabulary" of UI-models is abstracted from the DOM and uses words like "tab", "panel" or "field" rather than "div", "span", "input"...
Example of UI-Models used in the demos: To Do, Addressbook, Wine Cellar, Graphic Novels. [Hide]
Learn more about UI-models and generic Views.
Evolutility-UI-jQuery source code is available at GitHub under the MIT license.
For a matching model-driven RESTful API, use Evolutility-Server-Node with Node.js, Express, and Postgres.
In biology, Evolutility means "The faculty possessed by all substances capable of self-nourishment of manifesting the nutritive acts by changes of form, of volume, or of structure."
This open source project is a UI which changes form, volume and structure. It's DNA is metadata.


SISL Deadlines
Countdowns
Calendar
SISL
Tweet
.
.
Accepted Papers:
Papers with Code:
Download Conference deadline:
Deadline in timezone from conference website:
Deadline in your local
America/New_York
timezone:


--- layout: page title: Résumé permalink: /bio/ ---
57 Kenwoods Circle
Kingston, Ontario
K7K 6Y1 Canada
(1)<PHONE_NUMBER>
<EMAIL_ADDRESS>Married, father, dual citizen of both Canada and Ireland. Fluent in English and French. Excellent health.
Architecture, design, implementation, and extension of data-intensive desktop and web applications, and a variety of back-end databases.
I am an experienced cohesive force on software development projects. I excel teaching and elevating other software developers. I run a great meeting.
Since 2011 and ongoing: Computer systems analyst with Coolwind Ventilation Systems Inc of New York City to enhance and maintain their design and manufacturing processes and workflows.
Since 2007 and ongoing: Contributor to a variety of open-source projects including Bootstrap, jQuery Mobile, jQuery UI and others. Here's my public activity on Github since 2009.
Since 2005 and ongoing: Continuing consulting relationships with MetalCraft Marine (Kingston, on, Canada) on the strategic use of the web for international industrial sales of specialty fireboats and patrol boats.
Since 1999 and ongoing: Creator, host, and editor-in-chief of the acclaimed FoxPro Wiki which is an interactive knowledgebase for Visual FoxPro developers.
Since 1993 and ongoing: Creation, launch, and refinement of Steven Black's INTL Toolkit, an acclaimed tool that serves as a framework and guide for internationalizing FoxPro applications.
2005-2010: Consulting relationships with a variety of clients including, most notably, Mellowood Medical (Toronto, on, Canada), DAA Northwest Inc (Spokane wa), Waudware (Toronto, on, Canada), and 2020 IT Solutions (Saskatoon, sk, Canada).
1993-2010: Over 45 appearances as a speaker and panel member at Microsoft-sponsored developer conferences in North America and Europe. Co-author three books on FoxPro and Visual FoxPro, and acknowledged in several others. Published over a dozen articles in software journals in North America and Europe.
2003-2004: Project architect for Net Learning, in Knoxville, tn. Net Learning is a leader in the field of on-line computer based learning, and learning management systems, for the medical and nuclear power industries.
2000-2002: Database and application architect, eMedicine.com, in Syracuse NY. Among other things, eMedicine is the largest public on-line peer-reviewed medical repository on the Internet. eMedicine has since been purchased by WebMD and, as of 2010, most of the systems I first designed for eMedicine are still in-use today by WebMD.
1997-2001: Consulting relationships in the usa with 3M (ct), the Qualcomm Corporation (ca), Johnson & Johnson (nj), Daimler Chrysler (ny), Investlink (ny), Flash Creative Management (nj), and in Europe with Nokia (Lausane), The Red Cross (Geneva) and GSI (Munich).
1996: Development team technical-lead for Philip Morris eema in Budapest, Hungary, creating sms: A multi-country, multi-language sales, distribution, marketing and logistics system for Marlboro brands in Eastern Europe. About this, Marlboro continues to be the top selling brand of any kind in the world.
1994-95: Development team leader for Philip Morris sa in Istanbul Turkey, creating sds: A multi-country, multi-language sales and distribution logistics system for Marlboro brands in Turkey and Eastern Europe.
1993-95: Consulting with Micromega Systems of San Francisco, ca, for the internationalization of FoxFire!, the leading third-party reporting tool for Visual FoxPro.
1993-95: Consulting relationship with its Inc., of Winston-Salem, nc, for modernization and internationalization of their suite of products for logistics planning and dispatching used by the trucking industry worldwide. Features of the system include satellite tracking and communications for real-time vehicle positioning and messaging. its is now a division of the Qualcomm corporation.
1992-93: Head developer of cts, a commodity transportation, dispatching, and tracking system used by the unhcr in Geneva to plan, distribute, and track relief aid in the Former Yugoslavia. cts has since evolved to be integrated into unhcr operations worldwide, and is today a de-facto standard for disaster relief software in the field.
1987-92: Project leader for North Sails Inc., of Milford ct. Responsible for the design, development, and implementation of corporate information systems in North America and Europe.
1986-87: Member of the win Exports development team, a project for the Canadian Department of External Affairs, which saw the computerization of all Canada’s embassies and trade consulates worldwide. Responsible for the multilingual and the reporting functions in the system.
M.B.A., Queens University (1985).
B.Eng, Mechanical Engineering, University of Ottawa (1982).
Yacht racing highlights: As a competitor: North American champion (3 times), and Canadian champion (3 times) between 1989 and 1995 in morc class yachts. Canadian Champion in the Etchells 22 class (1988). Offshore: Block Island Race Week 1st overall (1989). Race Committee Chairmanships: Canadian Olympic trials: Soling, Tornado, and Star classes (1992) and Tornado class (1988); 505-class Worlds (1990) and North Americans (1989 and 2013); J-24 North Americans (1992). Organizing Committee memberships: J-24 Worlds (1989); Division II Olympic-class sailboard Worlds (1987); Dufour Worlds (1986); Windsurfing Worlds (1983), all held in the waters off Kingston, Ontario.


This is a game where you try to guess the county you are in, and then the town. You start with a score of 20, for each time you scroll the map screen north, south, east or west you are deducted 1 point. You are also deducted one point whenever you guess the county or town wrong. Hit start to be placed at a random point within Vermont.


History-making Stefanos Tsitsipas stunned by ATP Finals turnaround
by FSA EditorThe history-making Stefanos Tsitsipas surprised himself with the way he blew Dominic Thiem away in the second set of a classic final.
Stefanos Tsitsipas had “no idea” how he moved to another level in the second set of a “rollercoaster” clash with Dominic Thiem before going on to win the ATP Finals.
The 21-year-old became the first Greek champion at the season-ending tournament, beating Thiem 6-7 (6-8) 6-2 7-6 (7-4) in a classic showdown at the O2 Arena on Sunday.
Tsitsipas and Thiem put on a thrilling show in London, the aggressive sixth seed putting the disappointment of losing a first-set tie-break behind him by bossing the second set.
Two-time French Open runner-up Thiem came 3-1 down to force another breaker, which Tsitsipas led 4-1 before the fifth seed stormed back again by winning the next three points.
Tsitsipas was not to be denied the biggest title of his fledgling career on his debut at the event, a year after he was crowned Next Gen champion, and he was at a loss to explain how he was able to level the match in such assertive fashion.
“I have no clue how I played so well in the second set,” said Tsitsipas, the youngest winner of the tournament since Lleyton Hewitt in 2001.
“I have no idea. I think my mind was at ease and I wasn’t really thinking of much, which led to such a great performance in the second set, breaking him twice. It was pretty much an excellent set for me.
“It was pretty frustrating for me to be playing with such nerves [during the final set] for the first time in such a big event. I was a break up, I couldn’t manage to hold it.
“Things were decided in the tie-break and I am so relieved by this outstanding performance and fight that I gave out on the court.”
He added: “It’s been a rollercoaster. Holding this trophy right now feels amazing.”


My Project
Main Page
Classes
Files
Class List
Class Index
Class Members
nn_sock Member List
This is the complete list of members for
nn_sock
, including all inherited members.
accept_errors
nn_sock
accepted_connections
nn_sock
bind_errors
nn_sock
broken_connections
nn_sock
bytes_received
nn_sock
bytes_sent
nn_sock
clock
nn_sock
connect_errors
nn_sock
ctx
nn_sock
current_connections
nn_sock
current_ep_errors
nn_sock
current_snd_priority
nn_sock
dropped_connections
nn_sock
eid
nn_sock
ep_template
nn_sock
eps
nn_sock
established_connections
nn_sock
flags
nn_sock
fsm
nn_sock
inprogress_connections
nn_sock
linger
nn_sock
messages_received
nn_sock
messages_sent
nn_sock
optsets
nn_sock
rcvbuf
nn_sock
rcvfd
nn_sock
rcvmaxsize
nn_sock
rcvtimeo
nn_sock
reconnect_ivl
nn_sock
reconnect_ivl_max
nn_sock
sdeps
nn_sock
sndbuf
nn_sock
sndfd
nn_sock
sndtimeo
nn_sock
sockbase
nn_sock
socket_name
nn_sock
socktype
nn_sock
state
nn_sock
statistics
nn_sock
termsem
nn_sock
Generated by
1.8.11


The recommended way to get started using one of the drivers in your project is with a dependency management system. Select the driver, version and dependency management system below and the snippet can be copied and pasted into your build.
Alternatively, head over to our documentation to learn more about getting started with .NET and MongoDB.
{{ range where $.Site.Data.releases.versions "version" $.Site.Data.releases.current }}{{ $.Scratch.Set "qs.currentReleasedVersion" . }}{{end }} {{$currentReleasedVersion := $.Scratch.Get "qs.currentReleasedVersion"}}


The information and methods of breaking categories of school types below. Learn more.
The information and methods of breaking categories of school types below. Learn more.
The information and methods of breaking categories of school types below. Learn more.


German director Tom Tykwer's "Run Lola Run" is the first truly great pop fantasy since Tarantino's "Pulp Fiction," a high-octane, bizarrely moving, sensual, energetic film of such distinct purity that it is impossible to put it out of your mind.
The film stars Franka Potente as Lola, a flaming red-haired drug dealer's girlfriend whose life always seems to be on the go. Within the first couple of minutes, Lola is engaged in a frantic search for 100,000 marks to save her boyfriend, Manni (Moritz Bleibtreu) from getting killed by gangsters. It is money that Manni owes to a gangster but he inadvertenly left it in a subway, where it might have gotten in the hands of a homeless person! Lola has precisely twenty minutes to come up with the money. She tries to consult her father, who works as an executive at a bank, and he may or may not be of any help to her. In the meantime, Manni considers robbing a supermarket, which is a post-Tarantino cliche to be sure ...but writer-director Tykwer has some sly tricks up his sleeve.
"Run Lola Run" is not content with all things formal and conventional, and so in a shrewd move, the 20-minute event is repeated twice. What? How can this be interesting? Well, instead of just merely repeating the timely events at random as "Pulp Fiction," "Go" and the noir classic "The Killing" did, we get different outcomes, realizations, and coincidences with each interval. Tykwer operates under the theory that Lola imagines there are alternating time lines, and likewise, so does Manni. In a sense, it closely resembles "Groundhog Day"...avoiding the same problems and sidestepping others each time the desperate Lola runs trying to find the inordinate sum of money.
"Run Lola Run" has plenty of visual tricks and superbly crafted camera moves in every frame, and plenty of surprises along its festive way. We get the homeless man who becomes a major character in one event, Lola (who does enough running to qualify for the Olympics) always managing to run past a group of nuns, and there are the people on the street she almost runs into. Each time Lola marches past them, a different life is mapped out shown in unobtrusive flash cuts. There is Manni's decision to rob a supermarket if Lola does not make it on time, though something always manages to occur to intrude upon that possibility. So we get car accidents, animated intervals of Lola running, banks held up, fierce dogs, astonished casino gamblers, shootings, lifelong decisions involving parentage, bicyclists trying to pitch bike sales, and plenty of heart-pumping songs and sounds to emphasize Lola's fervent task at hand. Each timely event is played out with unpredictable twists and at the end, there is a greater sense of optimism that supersedes that of "Go."
Franka Ponette is a startlingly alive newcomer, brimming with a substance and energy unseen in cinema screens this year. Her flame-red hairdo has already inspired may German girls - even the title has proved inspiring for Hillary Clinton's race for senator. She has sweet, delectable chemistry with the soft-spoken Moritz Bleibtreu - their bedroom chats highlighted by bright red hues is as touching and heartrending as any Julia Roberts romance. Those scenes comfortably reminded me of some of the flashing red color flashes at the beginning of Bertolucci's "The Conformist."
>From the incredible overhead shot where a crowd forms the title of the film, "Run Lola Run" is a masterpiece of cinematic invention and circumstance - actively playing the audience like a piano. It is indeed the most pleasurable pop film of the year. And Ponette is the shining moral force of the film - in her desperation and her surefire confidence, she makes us believe there are alternatives to any life-threatening event. Bravo, Lola, Bravo!
For more reviews, check out JERRY AT THE MOVIES at http://buffs.moviething.com/buffs/faust/
E-mail me with questions, comments or complaints at<EMAIL_ADDRESS>or<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- layout: default title: Download subtitle: Download Go Server and Go Agent for Free ---
You need to download both the server and the agent in order to use Go.
If you need help downloading, installing or using Go please join the Go Users Google Group. ThoughtWorks also provides commercial help for Go. They can be reached at<EMAIL_ADDRESS>| Operating System | Download
You need to download both.
|
Checksum |
Windows.exe |
Server + Agent |
Server MD5: b9335a0dd1eaf0411f74d360cc46504b
Agent MD5: 28948c99b8d7aa67bca39aa4cb38eb06
|
Mac OS X.osx.zip |
Server + Agent |
Server MD5: 735cbf93314e5f854fa732e32d48f857
Agent MD5: a2c0d90497817c3517e1992946e8d231
|
Linux (Debian, Ubuntu, ...).deb |
Server + Agent |
Server MD5: 35b06968fa807d00d994da424711f981
Agent MD5: 42daf41eddc059502284b35d6f9634f8
|
Linux (Redhat, CentOS, ...).noarch.rpm |
Server + Agent |
Server MD5: cbc19b8da7989e830ee73abd100fd3e6
Agent MD5: 9c980c18a86ba59161a3ef1b2a7e8a2e
|
Solaris.gz |
Server + Agent |
Server MD5: a5d34d51738fb458138be817ef1ff441
Agent MD5: a289f13c4b1a3d41ae3f4e340652931f
|
Package.zip |
Server + Agent |
Server MD5: e73990b88bf6577fbaa564350beb9d9a
Agent MD5: 113360ae1d6dc7dd3c0c7dbc47e998fe
|


--- layout: archive ---
I’m a senior student majoring in Computer Science at Shanghai Jiao Tong University. I’m interested in machine learning, computer vision and robotics. I am good at math and programming. I won the Outstanding Winner Award in Mathematical Contest In Modeling in 2017. My goal is to bring the latest scientific advances directly to people’s daily lives rather than repeating existing work. So I will continue to pursue Phd degree after graduate. Currently, I am doing my undergraduate thesis under the supervision of prof. Cewu Lu.
During my spare time, I enjoy doing sports like running and swimming.
See my CV for details.


{if segment_2 == "thanks"}Got it, thanks!{/if} Get ALA via Email Name Email address Everything as it's published (two or three pieces a week) Our twice-monthly digest Don't put anything here


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--- layout: post title: Maybelline pink perfection 035 review and swatch tags: - Maybelline status: publish type: post published: true meta: _edit_last: '2' _aioseop_description: Maybelline pink perfection 035 review and swatches _aioseop_title: Maybelline pink perfection 035 review color sensatinal _aioseop_keywords: Maybelline pink perfection review, Maybelline review and swatches, Maybelline color sensational review and swatches _graphene_slider_img: global _graphene_slider_imgurl: '' _graphene_show_addthis: global _yoast_wpseo_linkdex: '0' _thumbnail_id: '297' --- You dig into a girl's bag, and you will always find that sheer gloss sitting in one corner. Its a must in every bag. I just happen to pick this color just because of its sheer nature. Price: Rs. 199 bought @ Health and glow. Color: Rose pink but its very sheer. Pros:


rasterly_guides.Rd
Guides layer for "rasterly".
rasterly_guides( rastObj, x_pretty = NULL, y_pretty = NULL, panel_background = "grey92", panel_line = "white" )
| rastObj | A "rasterly" object. |
|---|---|
| x_pretty | The pretty on x. Compute a sequence of about n+1 equally spaced 'round' values
which cover the range of the values in x. If it is not provided, |
| y_pretty | The pretty on y. |
| panel_background | Panel background. |
| panel_line | Panel line color |
When an image has a 'complicated' background, the drawing time increases significantly.
So it is not recommended. A suggestion to draw grid guides is to transform image data to a data frame
via image2data, then use ggplot
or plotly
to display.


"cs4550 HW01 Fall 2017"
Ross Frank
CCIS Username: rfrank
Github Page
This is readable text that I am using for my homework 01 assignment


CIC
Introduction
This course is intended to teach good practices around Infrastructure-as-Code development. This course contains a set of materials which are designed to teach you how to write tests for and automate the release of the things you build.
To undertake this course you will need a computer which you have full control over (i.e not your employer's desktop build) - It will need to be on a network with unrestricted access to the Internet (not behind locked-down corporate firewalls) as you will need to download and install a few components before you can begin.
Topics covered in this material:
Available Tracks:
ansible
continuous_integration
To remove the need for dependencies on an external IaaS (Infrastructure as a Service) solution in order to participate in this course, this course has been designed to use Docker containers to simulate real computers.
The course is being actively built out so be sure to git pull
regularly to get new exercises as they appear.
Participants
Environment Requirements
For this material you will need the following:
- A Bash compatible environment
- git
- Docker - If you don't have it already, follow the instructions on the Docker website to install it on your system
- Editor of your choice
- A browser
Setup
- create a .netrc file in your home directory with your credentials for github in it.
Your entry should look something like this:
machine api.github.com login <username> password <password>
- Fork this repo
- Clone your fork:
git clone https://github.com/<youruser>/<fork>.git cic
- cd in to your checkout:
cd cic
- setup the courseware:
./bin/setup
Starting a learning track
To see the Learning tracks that CIC contains run: cic track list
This will output the following
Available Tracks:
ansible
continuous_integration
Start a track by running the cic track start
command
E.g. cic track start ansible --fork youruser/fork-name
This creates a project in Github to guide you through the track and outputs its URL
Go to the the url and you'll see that there is a project board waiting for you. This board contains tickets for each of the exercises that you should complete to cover the topic you have chosen.
The board will allow you to track and share progress. When you complete an exercise, raise a pull request on your own fork to and get feedback from a peer to ensure you are getting the most from the exercise.
Individual exercises
The exercises can be found inside the exercises folder. For each exercise there is a README.md which explains what is required. If you don't want to sit a whole learning track but want to brush up on something in particular, exercises can be found inside the exercises folder. For each exercise there is a README.md which explains what is required.
Contributing
Many hands make light work and your help is needed! View the Contributing Guide to find out what to do if you:
- spot a bug in the framework or an exercise
- think that a new exercise would be useful
- want to work on the CIC framework itself
Revision: bd7ea7fd01361f484530cd29b9fd351b


Tag: binary search
-
Leetcode 0004 Median of Two Sorted Arrays (14 Aug 2021)
-
Leetcode 0034. Find First and Last Position of Element in Sorted Array (14 Aug 2021)
-
Leetcode 0035. Search Insert Position (14 Aug 2021)
-
Leetcode 0074. Search a 2D Matrix (14 Aug 2021)
-
Leetcode 0081. Search in Rotated Sorted Array II (14 Aug 2021)
-
Leetcode 0154. Find Minimum in Rotated Sorted Array II (14 Aug 2021)
-
Leetcode 0162. Find Peak Element (14 Aug 2021)
-
Leetcode 0174. Dungeon Game (14 Aug 2021)
-
Leetcode 0222. Count Complete Tree Nodes (14 Aug 2021)
-
Leetcode 0240. Search a 2D Matrix II (14 Aug 2021)
-
Leetcode 0244 Shortest Word Distance II (14 Aug 2021)
-
Leetcode 0275. H-Index II (14 Aug 2021)
-
Leetcode 0287. Find the Duplicate Number (14 Aug 2021)
-
Leetcode 0302 Smallest Rectangle Enclosing Black Pixels (14 Aug 2021)
-
Leetcode 0354. Russian Doll Envelopes (14 Aug 2021)
-
Leetcode 0378. Kth Smallest Element in a Sorted Matrix (14 Aug 2021)
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Leetcode 0392. Is Subsequence (14 Aug 2021)
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Leetcode 0410. Split Array Largest Sum (14 Aug 2021)
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Leetcode 0436. Find Right Interval (14 Aug 2021)
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Leetcode 0441. Arranging Coins (14 Aug 2021)
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Leetcode 0497. Random Point in Non-overlapping Rectangles (14 Aug 2021)
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Leetcode 0528. Random Pick with Weight (14 Aug 2021)
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Leetcode 0658. Find K Closest Elements (14 Aug 2021)
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Leetcode 0673. Number of Longest Increasing Subsequence (14 Aug 2021)
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Leetcode 0704. Binary Search (14 Aug 2021)
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Leetcode 0718. Maximum Length of Repeated Subarray (14 Aug 2021)
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Leetcode 0778. Swim in Rising Water (14 Aug 2021)
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Leetcode 0792. Number of Matching Subsequences (14 Aug 2021)
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Leetcode 1095. Find in Mountain Array (14 Aug 2021)
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Leetcode 1157. Online Majority Element In Subarray (14 Aug 2021)
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Leetcode 1187. Make Array Strictly Increasing (14 Aug 2021)
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Leetcode 1283. Find the Smallest Divisor Given a Threshold (14 Aug 2021)
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Leetcode 1337. The K Weakest Rows in a Matrix (14 Aug 2021)
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Leetcode 1539. Kth Missing Positive Number (14 Aug 2021)
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Leetcode 1610. Maximum Number of Visible Points (14 Aug 2021)
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Leetcode 1631. Path With Minimum Effort (14 Aug 2021)
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Leetcode 1642. Furthest Building You Can Reach (14 Aug 2021)
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Leetcode 1723. Find Minimum Time to Finish All Jobs (14 Aug 2021)
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Leetcode 1793. Maximum Score of a Good Subarray (14 Aug 2021)
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Leetcode 1923. Longest Common Subpath (14 Aug 2021)


Rooms are what makes a zone take its shape -- they're the locations where players travel while experiencing the content of the zone.
The drop down list and left/right arrows let you navigate through the available rooms.
Name: This is the title of the room. It is also shown when someone uses the 'exits' command.
Description: This is the detailed description of the room.
Index #: This is the number of the room. Rooms should be numbered automatically when you create them.
Terrain: This is the terrain type of the room.
Flags: These are the various flags and settings that can be applied to a room, such as no-magic or single-file.
Current and Current Dir: If an aquatic room, this is the current strength in percent and the direction of the current.
Fall chance: If this room has a down exit, this is the chance of falling per turn.
Map sector: This is only used for worldmap zones.
The Extended Descriptions list box lets you add custom descriptions that are displayed when a player looks at specific keywords.
The exits section lets you add exits to other rooms. Click on the directional button to edit exit data for that direction. Buttons with grayed text do not have exits in that direction yet, while buttons with black text do.


Bioinformatics Open Days - Braga
Bioinformatics has experienced an outstanding growth over the past few years due to the exponential amount of data in a wide range of new formats currently emerging from the biological and medical fields.
Bioinformatics Open Days is a student-led initiative first held at the Universidade do Minho, Braga in 2012. It aims to promote the exchange of knowledge between students, teachers and researchers from the Bioinformatics and Computational Biology fields.
This symposium’s 4th edition is a joint collaboration with the Bioinformatics and Computational Biology Master students of the University of Lisbon and will be held at both Universities (Minho and Lisboa) on the 9th and 10th of April


C Programming Course is all in one Application to learn C Programming Language. This is educational app with many features.
This app is much popular on Play Store for learning C Programming and has around 427k+ installs till date (01/11/2019)
PU Alerts is all in one app for all students who are persuing engineering in SPPU (Pune University) which provides all important latest news, updates and notifications from SPPU. No need to visit site again and again after using this app.
App developed for students of MSBTE board to get in touch with all news and updates regarding Exam, Syllabus, timetable, Hall tickets, etc. They will not have any need to check website again and again. All board information will available on app.
This is a personal security app, which helps you to inform about your dangerous situation to your trusty persons along with information. View this app for better understanding.
This was my first basic app which Calculates EMI.
Let's Browse all C Programs developed by users worldwide and also contribute to make this app as Treasure of C Programs.
Let's learn coding and share coding.
Our Team TechnoDroid was selected for grand finale in Smart India Hackathon 2017.
Project: Development of official app for the Ministry of AYUSH with reference to the official website ayush.gov.in.
Technologies Used : Android, Java, HTML, Drupal.
Our Team TechnoDroid was selected for grand finale in Smart India Hackathon 2018 - Software Edition.
Project: Development of android app for Passenger Security which informs central ministry about Passenger's panic situation.
Also, FIR can be registered through the app.
Technologies Used : Android, Java, Firebase, PHP, Google Maps API
Developed app "E-Noticeboard" for College department. In this app, there are 3 user roles.
1. Student
2. Staff
3. Admin
Admin and staff can publish Notices and all users will receives notice on their mobile. After that if anyone has doubt he/she can interact with commenting on that notice. Anyone can discuss on published notice.
Developed app 'DYPCOE-IT-MIS' for faculty information management system where faculties can submit their information through the app. Then this information is saved directly into the Google Docs Spreadsheet of admin for easy management. Only approved faculties with the mobile number can use this app by logging in with Phone Authentication.
Technologies Used : Android, Java, Firebase Authentication, Google AppScript, Google Sheets API.


Breaking: INEC Suspends Collation Of Kogi Governorship Election Results
by Oladipo AbiolaINEC Suspends Result Announcement
The Independent National Electoral Commission (INEC) on Sunday announced that it has suspended the announcement of results in the November 16 governorship election in Kogi State.
Naija News reports the announcement was made by the returning officer.
The officer, while giving reasons for the suspension and postponement noted that this is because results from the last two LGAs are not ready.
He, however, noted that the announcement of results will resume by 8am on Monday.
As at the time the result announcement was suspended, Yahaya Bello of the All Progressives Congress (APC) leads Musa Wada of the Peoples Democratic Party (PDP).
Governor Bello of the APC had 184,430 while Wada of the PDP had 176,803.


As a graphic designer, I've illustrated stories, designed book covers and created company logos. Check out more of my work below.
Read MoreI'm no coder, but I've learned a lot about building websites and by this time I've gotten pretty good. Using a collage of open source code and a basic knowledge of html, CSS, jquery and Wordpress, I've built extensive websites such as the one you're on right now. I now do commissions, so contact me if you're interested in me designing a site for you.
Read MoreAbove everything else, I've always thought of myself as a fiction writer. I'm interested in building stories into the very architecture of the internet. Check out my work below.
Read MoreFrom CNN.com to Chicago newspapers, I've written stories all over the place. Check out some of my writing below.
Read More


| Date/Time | {{(transaction.time_stamp * 1000) | date:'dd/MMM/y HH:mm'}} | Label |
{{transaction?.label}}
|
Block Hash |
{{transaction?.block_hash}}
|
Transaction Hash |
{{transaction?.tx_hash}}
|
Amount (Sats) | 0 || transaction.amount === 0" fxLayoutAlign="end center">{{transaction.amount | number}} ({{transaction.amount * -1 | number}}) | Fees (Sats) | {{transaction.total_fees | number}} | Block Height | {{transaction.block_height | number}} | Confirmations | {{transaction?.num_confirmations | number}} |
|
No transaction available. Getting transactions... {{errorMessage}} |
|---|


Mac Pro Air?
What is the thinnest OSX desktop out there? The AppleTV. Similarly, the worst performing. But! It works... Not that I've tried to do much beyond boot and look at the System Info, but the mouse works, the keyboard doesn't and the wireless does.
I followed these instructions, and surprisingly it even booted from my hard drive that didn't seem to want to be bootable according to the patchstick and mb_boot_tv methods. It took hours to complete - I'd imagine an OSX86project-style stripped installation would be a good idea - but it worked.
A no-install USB boot of OSX on the AppleTV. Frankly, this doesn't hold MUCH interest to me as the goal is a HD-capable MythTV frontend. And that is only capable on Linux with the nvidia hardware acceleration working. But it's good to know that there's another way to back up the AppleTV hard drive without voiding the warranty.
About this entry
You"re currently reading "Mac Pro Air?," an entry on a crick in the net
- Published:
- 01.27.08 / 9pm
- Category:
- Gadget-o-rama, MythTV


constructor Create; override;
The TClipper object is used to perform boolean 'clipping' operations (intersection, union, difference and xor) on polygons. There are no restrictions on either the number nor the type of polygon that can be clipped. Polygons can have holes, be self-intersecting and even have coincident edges.


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2016年01月18日
Brief is life, but love is long.
Brief is life, but love is long.
Brief is life, but love is long.
Brief is life, but love is long.
Brief is life, but love is long.
Brief is life, but love is long.


Tests for equality of two survival functions based on integrated weighted differences of two Kaplan-Meier curves.
| Version: | 1.0.0 |
| Imports: | survival |
| Published: | 2016-11-25 |
| Author: | Miki Horiguchi, Hajime Uno |
| Maintainer: | Miki Horiguchi <horiguchimiki at gmail.com> |
| License: | GPL-2 |
| NeedsCompilation: | no |
| CRAN checks: | survAWKMT2 results |
| Reference manual: | survAWKMT2.pdf |
| Package source: | survAWKMT2_1.0.0.tar.gz |
| Windows binaries: | r-devel: survAWKMT2_1.0.0.zip, r-release: survAWKMT2_1.0.0.zip, r-oldrel: survAWKMT2_1.0.0.zip |
| OS X binaries: | r-release: survAWKMT2_1.0.0.tgz, r-oldrel: survAWKMT2_1.0.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=survAWKMT2 to link to this page.


The FlipView exposes methods and events to allow developers to create custom controls to give the user an idea of where current item is and alternative mechanisms for navigating the collection. The example here shows a set of styled radio buttons that are kept in sync with the FlipView via the pageselected and pagevisibilitychanged events.