The logic should be: any aggregate-level restriction notes that differ from their child notes should be flagged
Further logic tweak: do not include leaf components with blank notes; do not include the collection level.
#when level (column G) is 0 (collection), do nothing
=IF(G3=0,"",
#otherwise, if I is blank, flag it as missing the required attribute (these are migration artifacts)
IF(AND(I3="", J3<>""), "missing required type attribute",
#otherwise, if level is smaller than the next row's (i.e. it's an aggregate)
IF(G3<G4,
# check that value of I is the same until level of G decreases by one
IF(OR(AND(I3="", J3=""), INDEX(FILTER(I4:I$55096,G4:G$55096>G3),SEQUENCE(1,1,1,1))="", INDEX(FILTER(I4:I$55096,G4:G$55096>G3),SEQUENCE(1,1,1,1))=I3, "",
# otherwise, flag as type discrepancy
"type discrepancy"),
#otherwise, if G is the same level as previous, grab flag from previous
#otherwise don't flag
IF(AND(G3=G2, AND(I2<>"", J2<>"")), M2, ""))))
@faithc Are you able to provide resource uri's?
I forget--how would I go about doing this?
mentioned
by None at 2023-08-25 19:30:28.subscribed
by None at 2023-08-25 19:30:28.referenced
by Max Kadel at 2023-08-25 17:36:08.merged
by Max Kadel at 2023-08-25 17:36:08.closed
by Max Kadel at 2023-08-25 17:36:08.head_ref_deleted
by Max Kadel at 2023-08-25 17:36:12.referenced
by Max Kadel at 2023-08-25 18:02:28.merged
by Max Kadel at 2023-08-25 18:02:28.closed
by Max Kadel at 2023-08-25 18:02:28.head_ref_deleted
by Max Kadel at 2023-08-25 18:02:34.This pull request sets up GitHub code scanning for this repository. Once the scans have completed and the checks have passed, the analysis results for this pull request branch will appear on this overview. Once you merge this pull request, the 'Security' tab will show more code scanning analysis results (for example, for the default branch). Depending on your configuration and choice of analysis tool, future pull requests will be annotated with code scanning analysis results. For more information about GitHub code scanning, check out the documentation.
referenced
by Max Kadel at 2023-08-25 19:49:18.merged
by Max Kadel at 2023-08-25 19:49:18.closed
by Max Kadel at 2023-08-25 19:49:18.head_ref_deleted
by Max Kadel at 2023-08-25 19:49:19.This pull request sets up GitHub code scanning for this repository. Once the scans have completed and the checks have passed, the analysis results for this pull request branch will appear on this overview. Once you merge this pull request, the 'Security' tab will show more code scanning analysis results (for example, for the default branch). Depending on your configuration and choice of analysis tool, future pull requests will be annotated with code scanning analysis results. For more information about GitHub code scanning, check out the documentation.
referenced
by Max Kadel at 2023-08-25 20:03:32.merged
by Max Kadel at 2023-08-25 20:03:33.closed
by Max Kadel at 2023-08-25 20:03:33.head_ref_deleted
by Max Kadel at 2023-08-25 20:03:33.closed
by Kate Lynch at 2023-08-25 14:10:39.unassigned
by Kate Lynch at 2023-08-25 14:13:15.assigned
by Kate Lynch at 2023-08-25 19:21:55.SecurityFilterChain
Demo application at pulibrary/bentosearchspring_experiment
mentioned
by None at 2023-08-24 23:15:49.subscribed
by None at 2023-08-24 23:15:50.mentioned
by Christina Chortaria at 2023-08-24 23:15:50.subscribed
by Christina Chortaria at 2023-08-24 23:15:50.closed
by Jane Sandberg at 2023-08-25 00:43:37.Questions from building: 1. How do we want to handle empty searches? They tend to take a long time and don't necessarily give much user value (although I confess I use them all the time in testing) 2. If available, should we include a "score"? It strikes me that this would be helpful in the types of integrations Jon and Esmé suggested (so, if you're on the Catalog, but your search turns up records with very high scores from the maps application, that's when you could suggest the user might want to go there)
These were reviewed and confirmed in early August.
closed
by Kate Lynch at 2023-08-25 17:52:05.referenced
by Hector Correa at 2023-08-25 19:37:48.merged
by Hector Correa at 2023-08-25 19:37:48.closed
by Hector Correa at 2023-08-25 19:37:48.closed
by Hector Correa at 2023-08-25 19:37:49.closed
by None at 2023-08-25 10:39:22.All the periodicals and derrida items may safely be removed.
Thank you, @cwulfman ! Adding to information above.
mentioned
by Cliff Wulfman at 2023-08-25 13:58:25.subscribed
by Cliff Wulfman at 2023-08-25 13:58:26.referenced
by None at 2023-08-25 14:12:26.merged
by None at 2023-08-25 14:12:26.closed
by None at 2023-08-25 14:12:26.head_ref_deleted
by None at 2023-08-25 14:12:27.assigned
by Robert-Anthony Lee-Faison at 2023-08-25 13:53:45.referenced
by Robert-Anthony Lee-Faison at 2023-08-25 13:55:54.referenced
by Robert-Anthony Lee-Faison at 2023-08-25 13:56:34.closed
by None at 2023-08-25 14:12:27.In the rails console rails c
:
Querying SubGuideCard.where(heading: "Manuscripts (info)")
returns
id: 1626,
heading: "Manuscripts (info)",
sortid: "51626.5",
parentid: "2870.5",
path: "info/FF",
Another example:
SubGuideCard.where(heading: "Complete texts (info)")
Returns:
id: 1633,
heading: "Complete texts (info)",
sortid: "51633.5",
parentid: "2870.5",
path: "info/GG",
id: 1684,
heading: "Complete texts (info)",
sortid: "51684.5",
parentid: "51682.5",
path: "info/KK",
id: 1773,
heading: "Complete texts (info)",
sortid: "51773.5",
parentid: "51771.5",
path: "info/NN",
review_requested
by Robert-Anthony Lee-Faison at 2023-08-25 18:41:49.coverage: 95.383% (-0.05%) from 95.433% when pulling 089b43e3c02b3f430fbb66ac1f8ce6fc1f32f98d on i3412builtinadvancedsearch_form into f222853dd346682e42f0acfe67a9c86083b97800 on main.
referenced
by Jane Sandberg at 2023-08-25 15:13:03.merged
by Jane Sandberg at 2023-08-25 15:13:03.closed
by Jane Sandberg at 2023-08-25 15:13:03.head_ref_deleted
by Jane Sandberg at 2023-08-25 15:13:04.Almost all of this work is now either incorporated into a different PR, or we're taking a different approach.
closed
by Jane Sandberg at 2023-08-25 15:23:02.coverage: 95.384% (+0.001%) from 95.383% when pulling 6d1a695153b30c72f62a96fcd3d77103e3ed7ff4 on use-blacklight-fix into bc74c46ac3b37e34c46956fa53f5fb1133848cab on main.
head_ref_force_pushed
by Jane Sandberg at 2023-08-25 15:18:17.Closing as feature flipper for this value makes this moot.
closed
by Kevin Reiss at 2023-08-25 15:31:37.coverage: 95.382% (-0.001%) from 95.383% when pulling 3b7abaa1cdf85e0e26b634e2870619655ddb3c30 on flip-solr-query-api-without-restart into bc74c46ac3b37e34c46956fa53f5fb1133848cab on main.
head_ref_force_pushed
by Jane Sandberg at 2023-08-25 16:33:16.head_ref_force_pushed
by Jane Sandberg at 2023-08-25 16:36:17.referenced
by Jane Sandberg at 2023-08-25 16:45:43.merged
by Jane Sandberg at 2023-08-25 16:45:43.closed
by Jane Sandberg at 2023-08-25 16:45:43.head_ref_deleted
by Jane Sandberg at 2023-08-25 16:45:44.assigned
by Jane Sandberg at 2023-08-25 15:15:39.closed
by Jane Sandberg at 2023-08-25 16:45:44.labeled
by Kevin Reiss at 2023-08-25 20:22:49.labeled
by Kevin Reiss at 2023-08-25 20:30:21.labeled
by Kevin Reiss at 2023-08-25 20:33:07.labeled
by Jane Sandberg at 2023-08-25 23:29:42.labeled
by Jane Sandberg at 2023-08-25 23:29:43.@astrochun Yes, this looks right to me.
mentioned
by Chun Ly at 2023-08-25 17:57:58.subscribed
by Chun Ly at 2023-08-25 17:57:58.ready_for_review
by Chun Ly at 2023-08-25 20:01:36.referenced
by Chun Ly at 2023-08-25 20:02:25.merged
by Chun Ly at 2023-08-25 20:02:25.closed
by Chun Ly at 2023-08-25 20:02:25.closed
by Chun Ly at 2023-08-25 20:02:26.referenced
by Chun Ly at 2023-08-25 20:02:27.Closed by https://github.com/pulibrary/pdc_describe/pull/1475
closed
by Kate Lynch at 2023-08-25 14:10:20.closed
by Kate Lynch at 2023-08-25 14:21:44.labeled
by None at 2023-08-25 15:57:01.labeled
by None at 2023-08-25 15:57:47.labeled
by None at 2023-08-25 15:59:03.referenced
by Hector Correa at 2023-08-25 19:48:24.merged
by Hector Correa at 2023-08-25 19:48:24.closed
by Hector Correa at 2023-08-25 19:48:24.head_ref_deleted
by Hector Correa at 2023-08-25 19:48:25.closed
by Hector Correa at 2023-08-25 19:48:25.closed
by Kate Lynch at 2023-08-25 14:20:23.closed
by Kate Lynch at 2023-08-25 14:34:18.renamed
by None at 2023-08-25 15:53:37.mentioned
by Uri Gorelik at 2023-08-25 15:54:03.subscribed
by Uri Gorelik at 2023-08-25 15:54:03.mentioned
by Jonathan Zhao at 2023-08-25 15:54:03.subscribed
by Jonathan Zhao at 2023-08-25 15:54:03.mentioned
by None at 2023-08-25 15:54:03.subscribed
by None at 2023-08-25 15:54:03.mentioned
by None at 2023-08-25 15:54:03.subscribed
by None at 2023-08-25 15:54:03.mentioned
by None at 2023-08-25 15:54:03.subscribed
by None at 2023-08-25 15:54:03.mentioned
by Myung Shin Kim at 2023-08-25 15:54:03.subscribed
by Myung Shin Kim at 2023-08-25 15:54:03.mentioned
by elyesa at 2023-08-25 15:54:04.subscribed
by elyesa at 2023-08-25 15:54:04.referenced
by Alicia Cozine at 2023-08-25 14:36:49.merged
by Alicia Cozine at 2023-08-25 14:36:49.closed
by Alicia Cozine at 2023-08-25 14:36:49.head_ref_deleted
by Alicia Cozine at 2023-08-25 14:36:50.referenced
by Alicia Cozine at 2023-08-25 14:41:11.merged
by Alicia Cozine at 2023-08-25 14:41:11.closed
by Alicia Cozine at 2023-08-25 14:41:11.head_ref_deleted
by Alicia Cozine at 2023-08-25 14:41:12.Closed by #4016.
closed
by Alicia Cozine at 2023-08-25 14:41:27.referenced
by None at 2023-08-25 14:42:26.merged
by None at 2023-08-25 14:42:26.closed
by None at 2023-08-25 14:42:26.head_ref_deleted
by None at 2023-08-25 14:42:27.assigned
by Alicia Cozine at 2023-08-25 15:43:22.@rlskoeser thanks for the review - I updated the branch in light of your comments. The current changes: - add the CDH logo and properly reference it - reinstate the PUL logo above the CDH one - keep the lsupport link - leave 404 and 500 errors out of the CDH-errors.conf list - I hope that this will preserve the application's custom pages for those errors, but I have not tested this - leave production site configs unchanged
I do not know of a way to differentiate 403 errors by cause, but we could experiment - is there a staging site that needs this special handling?
Thanks for the revisions!
I've been thinking about how to test this; I can add logic to force a 500 error on a staging site, so we can easily check 404 and 500 behavior. We can think about how to trigger other errors for testing purposes (e.g., shutting down nginx on the app server).
I'll have to check the application code bases to find out which ones use or generate any other error codes besides these two. Once I have that list, I should be able to figure out how we can test them.
I do not know of a way to differentiate 403 errors by cause, but we could experiment - is there a staging site that needs this special handling?
I think a 403 is possible in an internal API used for annotations in the Geniza code base; we'd want the user to see the error message if they're not on vpn but get the app-specific 403 if they are on vpn. I'll think about how to test this when I look for specifics for possible error codes.
mentioned
by Rebecca Sutton Koeser at 2023-08-25 17:27:57.subscribed
by Rebecca Sutton Koeser at 2023-08-25 17:27:57.deployed
by None at 2023-08-25 19:46:16.labeled
by None at 2023-08-25 19:21:38.labeled
by None at 2023-08-25 19:23:31.@tpendragon This can be closed, correct, since y'all created this during the last work cycle?
We don't index unpublished things. Is that okay?
Oh that's right. Hmmm Let's maybe leave this open then.
mentioned
by Trey Pendragon at 2023-08-25 19:23:02.subscribed
by Trey Pendragon at 2023-08-25 19:23:02.Can this be closed?
We have a service account
closed
by Kate Lynch at 2023-08-25 14:31:46.head_ref_force_pushed
by None at 2023-08-25 15:02:25.head_ref_force_pushed
by None at 2023-08-25 15:05:54.deployed
by None at 2023-08-25 15:08:46.head_ref_force_pushed
by None at 2023-08-25 15:18:07.ready_for_review
by None at 2023-08-25 15:18:13.referenced
by Hector Correa at 2023-08-25 15:23:29.merged
by Hector Correa at 2023-08-25 15:23:29.closed
by Hector Correa at 2023-08-25 15:23:29.head_ref_deleted
by Hector Correa at 2023-08-25 15:23:30.The initial idea was to use a namespace for the organization (e.g. rc
in the example above) and a collection asset for the project (e.g. test-2
in the example) but THEN we changed it to have a namespace in between the organization and the project (hence the test-2-ns
) and that's probably when it broke.
I do not remember why we decided to add the second namespace (test-2-ns
) in between the two. I think we thought a single namespace for an organization might become too big for certain organizations and hence we played it safe and created one namespace per project (in addition to one collection asset per project)
More information about this: https://docs.google.com/document/d/1G8yjEGOdiTtwrScgR8jwNQ7Cvl9BIR53OLPrEO5MrtY/edit#heading=h.q6jrx6d9muf9
labeled
by None at 2023-08-25 15:48:15.referenced
by None at 2023-08-25 18:41:59.referenced
by None at 2023-08-25 18:46:13.referenced
by Hector Correa at 2023-08-25 19:00:09.referenced
by None at 2023-08-25 18:43:35.merged
by None at 2023-08-25 18:43:35.closed
by None at 2023-08-25 18:43:35.head_ref_deleted
by None at 2023-08-25 18:43:36.head_ref_force_pushed
by None at 2023-08-25 18:46:14.deployed
by None at 2023-08-25 18:49:18.referenced
by Hector Correa at 2023-08-25 19:00:07.merged
by Hector Correa at 2023-08-25 19:00:07.closed
by Hector Correa at 2023-08-25 19:00:07.head_ref_deleted
by Hector Correa at 2023-08-25 19:00:08.


Gareth Barry hails West Brom medic marvels
Gareth Barry says he is hugely thankful to Albion’s medical staff who worked tirelessly so he could continue playing.
by Joseph MasiThe midfielder underwent surgery on a knee injury towards the end of last season – with that operation potentially ending the 38-year-old’s career.
Barry was actually released by the Baggies at the end of the 2018/19 campaign. But head coach Slaven Bilic told him he would get a new deal if he could prove his fitness.
And the former England international revealed the club’s medical staff did absolutely everything they could to get him fit and back out on the grass.
“I have a lot to thank the Albion medical staff for,” Barry said. “I was out of contract but they still worked tirelessly. There were a lot of sessions over the summer when they could have been on holiday.
“A lot of work went into getting me right and there was a lot of pain in my knee so the thought of retiring comes into your head.
“Thankfully that pain has gone and I’m in a position where I am feeling good.
“You need reassurance sometimes from lots of different people.
“You have to be patient but if you work hard then the rewards will come. I’m happy to have come out the other side.”
Barry, who could feature against Sheffield Wednesday on Saturday with Jake Livermore and Romaine Sawyers suspended, said at his age retirement would have been the easy option following his operation.
But he said from the moment he went under the knife he knew he wanted to continue playing.
“I’ve come through a few tough challenges but I didn’t want to finish my career on an injury and I’m happy to have been able to get my fitness back.”


This application can transform your date 0f birth into a unique akan name
This akan name is only available to the ghahanian people at the southern part until now
Fill in your details


'Right direction' - Former Birmingham City starlet signs new contract
Latest Birmingham City news | The former Blues defender left St Andrew's in the summer after being released by the club
by Mark WakefieldFormer Birmingham City youngster Dom Bernard has been rewarded for his recent form with a new contract at Forest Green Rovers.
The 22-year-old was released by Blues at the end of last season , leaving the club without a single first-team appearance to his name.
The versatile defender was then taken on trial by Forest Green in the summer, and was handed an initial one-year deal with the League Two outfit.
Bernard’s performances for Forest Green have impressed enough to see him awarded an extension on his previous deal, with the new contract running up to the end of the 2020/21 campaign.
The former Blues defender has gone on to make 18 appearances already this season in all competitions, showing his flexibility by playing at right-back, right wing-back and right of a defensive back three in that time.
Bernard went on to express his delight at signing his new deal, and is determined to improve on his good start at his new club.
“I’m happy to be at this great club which is going in the right direction,” Bernard told the club’s website.
“Obviously I am happy to be involved in the majority of the games, I have adapted well and everything is going well at the moment and long may it continue.
“With the formation we play, we’ve changed it around and I have played right-back and right centre-back as well, it’s ideal and the versatility of having to adapt to those positions, is quite comfortable for me.
“We’ve been talking for a week now and I signed my contract in the summer and this is a good extension, something that I wanted to build on but that is off the pitch and I am glad that it is done.”
Birmingham City latest
This is your round up of all things Birmingham City; the one-stop shop that will keep you updated on the latest goings on at the club and beyond.
Transfers, injuries, match-days and managers, we’ve got you covered.
We’ll be bringing the very latest on the Blues throughout the week and around the clock.
Make sure you keep yourself updated with our handy daily catch up...
Must reads...
- Terry, Coleman and others on the Blues star ready to step up
- 'Head a brick' Birmingham City fans choose ideal man for key role
- Confirmed: Birmingham City make this eye-catching signing
- Who is Jeremie Bela? The wing wizard pictured in Birmingham City shirt
For all your latest BCFC news, opinion, analysis and transfer gossip, click here
You can follow our Blues reporter Brian Dick on Twitter, and his email address is Brian.Dick@reachplc.com


Visualizing Softmax
The softmax function
`S(x_i) = e^(x_i) / (sum_j e^(x_j))`
`x = [(3.0), (1.0), (0.2)]`
`x = `


01
National Institute of Technology, Srinagar
Assistant Professor
Dept. of Mechanical Engineering
National Institute of Technology, Srinagar,
Hazratbal,
Kashmir - 190006
India
Since December 2018


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I am interested in economics and retail investment.
• Worked as a part of four-member team supporting and managing social media accounts to raise awareness for the company
• Assisted in the creation of marketing materials including pamphlets and brochures using programs such as Adobe InDesign
• Reached out to customers to gain feedback on product usage satisfaction to assess room for improvement
Kidzvest is a business education education website directed towards young adults. My Co-founder and I have seen a lack of business education throughout many high schools across the country. We feel that business education is of the utmost importance, because it is necessity in any field. Kidzvest serves to promote awareness of the events occurring in the business world today. It differs from other business education websites because all of the articles and other content are written by teens and young adults.
• Responsible for managing a team of five interns, including on-boarding and directing outreach efforts
• Conducted in-depth industry evaluations, analyzing their long-term outlook, growth and risks drivers for potential new products
• Analyzed P&L for the company to evaluate company’s financial standing and potential room for cost cutting procedures
• Created a social media video competition to raise awareness for dog treat products and reach new customer bases
• Worked with the 712 Investment Group
• Supported senior management on multiple aspects of account management, including answering inquiries, examining portfolios, making recommendations, and acting as primary contact for numerous individuals with net worth exceeding $20M
• Conducted product, market, and client research, synthesizing data and performing product suitability for clients
• Proactively maintained client databases working closely with the team to manage clients and maximize referrals/sales
• Developed leads for prospective clients through outreach efforts such as emailing and phone calls
Activities and Societies: NYU Pandemonium Professional Development and Recruitment Organization United Sikh Association
Activities and Societies: NYU Pandemonium Professional Development and Recruitment Organization United Sikh Association


Delta Psi social
Lunch at Moe's
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11:30a - 12:30p, 8/11/2020
Moe's BBQ Auburn
Tim Jordan
Tentative event
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Moe's BBQ Auburn
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BJP has worked for development of Jharkhand: Irani
by PTIUnion Minister Smriti Irani on Sunday said the BJP governments at the Centre and Jharkhand have taken steps to ensure the development of the state by increasing the road network and improving access to healthcare facilities.
When she had visited Jharkhand five years ago, she wondered how patients were carried in ambulances considering the poor condition of roads, the Union Minister for Women and Child Development said.
"But now, the Raghubar Das government has laid a network of roads even in villages and ensured health facilities to 2.25 lakh patients.
"Earlier, family members used to carry patients on cots to take them to hospitals. Now ambulances are reaching the doorsteps of the sick," she said.
Irani was addressing an election meeting at Chhatarpur assembly constituency in Palamau district in support of BJP candidate Puspa Devi.
The Modi government at the Centre and the BJP government in Jharkhand have also initiated measures to empower women, the Union minister said.
"Modi ji says that for the real progress of the nation, women should occupy important roles. Both the Central and the state governments are taking steps to empower women in every sphere," Irani said.
She also hailed the BJP government at the Centre and in the state for constructing toilets, which has helped women from poor families.
The BJP government has helped the poor get foodgrains through its various welfare schemes, she said.
Irani asked people to vote for the saffron party to enable the state continue with its development journey.
Chhatarpur is among the 13 of the 81 constituencies going for polls in the first phase on November 30.
The five-phase polling will conclude on December 20 and counting will take place on December 23.


Complete Python Mastery: Discover how to use Python in automation, web development and machine learning.
Complete Python Mastery: Discover how to use Python in automation, web development and machine learning.
Lambda School - Data Science:
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1 - Basic 2 - Novice 3 - Intermediate
4 - Advanced 5 - Expert
{{ item[0] }} - {{ item[1] }}


What is parse-sb3-blocks?
Parsing Scratch 3.0 file was a nightmare. Things are compressed and we needed to handle constants or special cases (variables inserted on input, empty slots, custom blocks...) ourselves - until parse-sb3-blocks came. This library comes with an easy-to-use parser, and as a by-product, a scratchblocks generator.
parse-sb3-blocks parses one script of your choice from the blocks object serialized in sb3 format. A simple mechanism called "inputtable" handles anything that looks like an argument.
It also provides scratchblocks code generator - which supports all languages supported by Scratch. The generator also handles indenting, menu items and variable name conflicts.
Get parse-sb3-blocks
Install via npm
Install via CDN
Or, you can download the file.
Usage
To use toScratchblocks function:
import {toScratchblocks} from 'parse-sb3-blocks';
Or, with CommonJS:
const {toScratchblocks} = require('parse-sb3-blocks');
If you are using CDN/download version:
const {toScratchblocks} = parseSB3Blocks;
After that you can parse serialized blocks and generate scratchblocks. Here is one example:
const stage = projectJSON.targets.filter(t => t.isStage)[0];
const whenGreenflag = Object.keys(stage.blocks).filter(key => stage.blocks[key].opcode === 'event_whenflagclicked')[0];
console.log(toScratchblocks(whenGreenflag, stage.blocks, "en", {tab: " "}));
toScratchblocks takes three to four arguments:
- scriptStart - the block ID of the beginning of the script.
- blocks - the blocks, serialized in sb3 format
- locale - the locale code (check demo for the list)
- opts - the options for generator
opts is a object, and can have these properties:
- tab - characters used for indenting C blocks. defaults to four spaces. scratchblocks will not render C blocks unless the tab is space/tab, so be careful.
- variableStyle - whether we add ::variables or not. defaults to "none" (never add), and can be set to "always" (always add) or "as-needed" (add if there's a name conflict).
Building
If you want to build, clone the GitHub repository and run:
npm i
npm run build
Note that Node.js 14+ will be required.
Credits
Huge thanks to Tim Radvan ( tjvr ) for making scratchblocks and the original version of the generator. Some CSS styles created by tjvr and the contributors from the website is used under MIT License.
This website uses some libraries:


Vim documentation: os_qnx
main help file*os_qnx.txt* For Vim version 7.2. Last change: 2005 Mar 29 VIM REFERENCE MANUAL by Julian Kinraid *QNX* *qnx* 1. General |qnx-general| 2. Compiling Vim |qnx-compiling| 3. Terminal support |qnx-terminal| 4. Photon GUI |photon-gui| 5. Photon fonts |photon-fonts| 6. Bugs & things To Do
1. General *qnx-general* Vim on QNX behaves much like other unix versions. |os_unix.txt| 2. Compiling Vim *qnx-compiling* Vim can be compiled using the standard configure/make approach. If you want to compile for X11, pass the --with-x option to configure. Otherwise, running ./configure without any arguments or passing --enable-gui=photon, will compile vim with the Photon gui support. Run ./configure --help , to find out other features you can enable/disable. 3. Terminal support *qnx-terminal* Vim has support for the mouse and clipboard in a pterm, if those options are compiled in, which they are normally. The options that affect mouse support are |'mouse'| and |'ttymouse'|. When using the mouse, only simple left and right mouse clicking/dragging is supported. If you hold down shift, ctrl, or alt while using the mouse, pterm will handle the mouse itself. It will make a selection, separate from what vim's doing. When the mouse is in use, you can press Alt-RightMouse to open the pterm menu. To turn the mouse off in vim, set the mouse option to nothing, set mouse= 4. Photon GUI *photon-gui* To start the gui for vim, you need to run either gvim or vim -g, otherwise the terminal version will run. For more info - |gui-x11-start| Supported features: :browse command |:browse| :confirm command |:confirm| Cursor blinking |'guicursor'| Menus, popup menus and menu priorities |:menu| |popup-menu| |menu-priority| Toolbar |gui-toolbar| |'toolbar'| Font selector (:set guifont=*) |photon-fonts| Mouse focus |'mousefocus'| Mouse hide |'mousehide'| Mouse cursor shapes |'mouseshape'| Clipboard |gui-clipboard| Unfinished features: Various international support, such as Farsi & Hebrew support, different encodings, etc. This help file Unsupported features: Find & Replace window |:promptfind| Tearoff menus Other things which I can't think of so I can't list them 5. Fonts *photon-fonts* You set fonts in the gui with the guifont option :set guifont=Lucida\ Terminal The font must be a monospace font, and any spaces in the font name must be escaped with a '\'. The default font used is PC Terminal, size 8. Using '*' as the font name will open a standard Photon font selector where you can select a font. Following the name, you can include optional settings to control the size and style of the font, each setting separated by a ':'. Not all fonts support the various styles. The options are, s{size} Set the size of the font to {size} b Bold style a Use antialiasing i Italic style Examples: Set the font to monospace size 10 with antialiasing :set guifont=monospace:s10:a Set the font to Courier size 12, with bold and italics :set guifont=Courier:s12:b:i Select a font with the requester :set guifont=* 6. Bugs & things To Do Known problems: - Vim hangs sometimes when running an external program. Workaround: put this line in your |vimrc| file: set noguipty Bugs: - Still a slight problem with menu highlighting. - When using phditto/phinows/etc., if you are using a font that doesn't support the bold attribute, when vim attempts to draw bold text it will be all messed up. - The cursor can sometimes be hard to see. - A number of minor problems that can fixed. :) Todo: - Improve multi-language support. - Options for setting the fonts used in the menu and toolbar. - Find & Replace dialog. - The clientserver features. - Maybe tearoff menus. - Replace usage of fork() with spawn() when launching external programs. top - main help file


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As a proud affiliate of ITNAmerica, ITN{{affiliate}} provides dignified transportation for seniors and adults with disabilities and vision challenges in the Memphis area.
We help families stay connected and friendships endure. ITN{{affiliate}} enables seniors to begin a new chapter in their lives that replaces dependence and isolation with independence and mobility.
ITN{{affiliate}} provides over 200 rides per month in the Memphis area. The average cost to ITN of providing each ride is $15 (in addition to the fee paid by the rider). Our newest fundraising campaign, Help On Wheels, aims to cover the cost of these rides, and will allow ITN to continue to grow and serve the community.
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image_processor_client module¶
-
image_processor_client.
b64_string_to_ndarray
(b64_string)¶ Converts image b64 string to ndarray The image must be in the ndarray format for inversion. :param b64_string: image in b64 str format :type b64_string: str
- Returns
image in ndarray format
- Return type
numpy.ndarray
-
image_processor_client.
b64_to_image_file
(b64, new_filename)¶ Converts image b64 string to image file The image is written from the b64 string to the filename given for downloading to the local computer. :param b64: image in b64 str format :type b64: str :param new_filename: filename for saving image :type new_filename: str
- Returns
True
- Return type
bool
-
image_processor_client.
compare_window
(name1, tk_image1, name2, tk_image2)¶ Allows user to view two images side-by-side Viewing two images side-by-side allows the user to compare the images for similarities and differences. :param name1: name of first image :type name1: str :param tk_image1: first image in tkinter format :type tk_image1: pyimage1 :param name2: name of second image :type name2: str :param tk_image2: second image in tkinter format :type tk_image2: pyimage1
- Returns
None
-
image_processor_client.
create_deets_message
(time, size, image)¶ Creates message of image details for the GUI client Image details returned include the time the image was uploaded or processed and the image size in pixels. If the image was original, the upload time is returned. If the image was inverted, the processed time is returned. :param time: timestamp of upload/processing :type time: str :param size: width, height of image in pixels :type size: tuple :param image: name of image :type image: str
- Returns
message to be shown to user
- Return type
str
-
image_processor_client.
create_filename
(filename)¶ Creates filename to save the downloaded image The downloaded images are saved in the /images directory on the local computer. If an image already exists in the directory with the same name, integers are appended to prevent saving over previous images. :param filename: image name :type filename: str
- Returns
filename for saving image to computer
- Return type
str
-
image_processor_client.
display_window
(tk_image, size, image)¶ Display window displays the image to the user The display window allows the user to see the image requested. From here, a user can compare the image to another in the database or request more details about the image being displayed. :param tk_image: image in tkinter form :type tk_image: pyimage1 :param size: width, height of image :type size: tuple :param image: image name :type image: str
- Returns
None
-
image_processor_client.
fetch_b64
(image_name)¶ Sends request to server for b64 str If requested, the b64 string corresponding to an image stored in the database can be returned. This image can then be converted for display. :param image_name: image for which b64 str requested :type image_name: str
- Returns
if failure, error message; if success, b64 str
- Return type
str
-
image_processor_client.
get_details
(image_name)¶ Sends request to server to get image details Images are stored in the cloud database with timestamps of the times they were uploaded or processed. :param image_name: name of image :type image_name: str
- Returns
if failure, error message; if success, timestamp
- Return type
str
-
image_processor_client.
get_image_list
()¶ Sends request to server for list of images in database All recorded images (original and processed) saved on the database are returned for list in the drop-down GUI combobox. An image can then be selected to display or download. :param None:
- Returns
if failure, error message list: if success, list of images in database
- Return type
str
-
image_processor_client.
image_file_to_b64
(filename)¶ Converts image file to b64 str The image must be converted to b64 format to be sent to the server. :param filename: filename of image :type filename: str
- Returns
if successful, b64 str bool: if failure, file not found
- Return type
str
-
image_processor_client.
invert_image
(image_name)¶ Sends request to server to invert image If requested, an image stored in the database can be inverted and stored in the database. This image can then be viewed or downloaded to the local computer. :param image_name: image to invert :type image_name: str
- Returns
if failure, error message bool: if success, True
- Return type
str
-
image_processor_client.
main_window
()¶ Main window with image selection and action options The main window allows the user to select an image from those available in the database for inversion, display, or download. From here, a user can open the upload window as well. :param None:
- Returns
None
-
image_processor_client.
ndarray_to_tkinter_image
(img_ndarray)¶ Converts image ndarray to tkinter image The image must be in the tkinter image format for display in the GUI. :param img_ndarray: image in ndarray format :type img_ndarray: numpy.ndarray
- Returns
image in tkinter format tuple: width, height of image in pixels
- Return type
pyimage1
-
image_processor_client.
resize_image
(img_obj)¶ Resizes tkinter image while keeping aspect ratio The image must be in the tkinter image format for display in the GUI. Resizing the image while maintaining the aspect ratio allows all images to fit within the computer screen while preventing image distortion. :param img_obj: image in tkinter format :type img_obj: pyimage1
- Returns
resized image in tkinter format
- Return type
pyimage1
-
image_processor_client.
upload_image
(image_name, b64_str)¶ Sends request to server to upload image to database Any image on the computer can be uploaded to the cloud database. All recorded images (original and processed) saved on the database can be selected for display or download. :param image_name: name of image to be uploaded :type image_name: str :param b64_str: corresponding b64 str to be uploaded :type b64_str: str
- Returns
if failure, error message bool: if success, True
- Return type
str
-
image_processor_client.
upload_new_window
()¶ Upload New window allows image to be selected and uploaded An image can be selected from anywhere on the computer for upload to the cloud server. The Upload button is inactivated until an image is selected via the Browse button. :param None:
- Returns
None


@TeleOp(name="BNO055 IMU Calibration",
group="Sensor")
@Disabled
public class SensorBNO055IMUCalibration
extends com.qualcomm.robotcore.eventloop.opmode.LinearOpMode
SensorBNO055IMUCalibration
calibrates the IMU accelerometer per
"Section 3.11 Calibration" of the BNO055 specification.
Manual calibration of the IMU is definitely NOT necessary: except for the magnetometer
(which is not used by the default SensorMode#IMU
), the BNO055 is internally self-calibrating and thus can be very successfully
used without manual intervention. That said, performing a one-time calibration, saving the
results persistently, then loading them again at each run can help reduce the time that automatic
calibration requires.
This summary of the calibration process, from Intel, is informative:
"This device requires calibration in order to operate accurately. [...] Calibration data is lost on a power cycle. See one of the examples for a description of how to calibrate the device, but in essence:
There is a calibration status register available [...] that returns the calibration status of the accelerometer (ACC), magnetometer (MAG), gyroscope (GYR), and overall system (SYS). Each of these values range from 0 (uncalibrated) to 3 (fully calibrated). Calibration [ideally] involves certain motions to get all 4 values at 3. The motions are as follows (though see the datasheet for more information):
To calibrate the IMU, run this sample opmode with a gamepad attached to the driver station. Once the IMU has reached sufficient calibration as reported on telemetry, press the 'A' button on the gamepad to write the calibration to a file. That file can then be indicated later when running an opmode which uses the IMU.
Note: if your intended uses of the IMU do not include use of all its sensors (for exmaple, you might not use the magnetometer), then it makes little sense for you to wait for full calibration of the sensors you are not using before saving the calibration data. Indeed, it appears that in a SensorMode that doesn't use the magnetometer (for example), the magnetometer cannot actually be calibrated.
AdafruitBNO055IMU
,
BNO055IMU.Parameters#calibrationDataFile
,
BNO055 product page,
BNO055 specification| Constructor and Description |
|---|
SensorBNO055IMUCalibration() |
| Modifier and Type | Method and Description |
|---|---|
void |
runOpMode() |
handleLoop, idle, init_loop, init, internalPostInitLoop, internalPostLoop, isStarted, isStopRequested, loop, opModeIsActive, sleep, start, stop, waitForNextHardwareCycle, waitForStart, waitOneFullHardwareCycle


nips nips2001 nips2001-86 nips2001-86-reference knowledge-graph by maker-knowledge-mining
Source: pdf
Author: Mark A. Paskin
Abstract: Unsupervised learning algorithms have been derived for several statistical models of English grammar, but their computational complexity makes applying them to large data sets intractable. This paper presents a probabilistic model of English grammar that is much simpler than conventional models, but which admits an efficient EM training algorithm. The model is based upon grammatical bigrams, i.e. , syntactic relationships between pairs of words. We present the results of experiments that quantify the representational adequacy of the grammatical bigram model, its ability to generalize from labelled data, and its ability to induce syntactic structure from large amounts of raw text. 1


The process of maximizing the number of visitors to a particular website by ensuring that the site appears high on the list of results returned by a search engine.
‘the key to getting more traffic lies in integrating content with search engine optimization and social media marketing’
SEO is the process of affecting the visibility of a website or a web page in a web search engine's unpaid results — often referred to as "natural," "organic," or "earned" results.
SEO is a marketing discipline that aims to improve the organic position of a website within the Search Engine Results Pages [SERPs].


Brokedown Palace by John Sylva Rating: A
http://hometown.aol.com/DeWyNGaLe/MoviePED.html
Just when you thought the teen movie craze was over, as films like Varsity Blues and She's All That stopped being released every weekend, Brokedown Palace comes around as a late summer, teen movie- sort of. Brokedown Palace features a teen friendly cast of Claire Danes, Kate Beckinsale, and Lou Diamond Phillipps, but has a premise not so teen friendly, with a plot similar to that of the 1998 film Return to Paradise and 1978's Midnight Express.
Best friends Alice (Claire Danes) and Darlene (Kate Beckinsale) are looking to take a vacation. Somewhere exotic, yet different from the same old vacations. Their destination becomes a 6 dollar a day hotel in Thailand, an eleven day vacation in which the two hope to find freedom from their everyday lives. What they find is the exact opposite. After sneaking into a first class hotel, the two meet Nick Parks (Daniel Lapaine), a friendly, suspicious guy who invites them to Hong Kong for the weekend, while he is on business. Purchasing their airline tickets? Buying them drinks? Taking them to Hong Kong? Where does the niceness end?
While waiting to board the flight to Hong Kong, Alice and Darlene are assaulted by police officers, who find heroine in Alice's bags. The two are immediately sent to a dirty prison, in which they have no freedom whatsoever. In seek of desperate help and freedom, the two contact Hank Green (Bill Pullman), an American lawyer who resides in Thailand, whom attempts to remove these two seemingly innocent teens from serving undeserved jail time. Alice and Darlene both insist that Nick Parks is involved, but no trace of such a person can be found.
Throughout the film we see both worlds of Thailand, good and bad, starting with the beautiful, busy city streets, and then the disgustingly grotesque, dark, moldy, damp prisons which resemble a concentration camp. The prison settings are amazingly realistic, letting you feel the pain, suffering, and frustration Alice and Darlene are going through, as they may very well spend the rest of their lives there. Thanks to the great acting from Danes and Beckinsale the film does what it is supposed to- make you feel and route on these two likable teens. The screenplay, which is written by David Arata, doesn't have a plot hole to be found, as every possible way to get the teens out of prison is used, and every possible way to find Nick Parks is used. Unlike many screenplays, Brokedown Palace is complete, answering any questions that might arise from the situation the two are in.
Claire Danes steals every scene she is present in, acting her character to perfection, as Alice becomes a person in the viewer's life, as you feel for her deeply as she is treated harshly in the smucky prison. Danes, who at the age of 20 is one of today's most talented, young actresses, makes a smart move with Brokedown Palace, after performing in last spring's flop, The Mod Squad. I must not be the only one realizing her great talent, as she will be working with famed director Robert Altman and Academy Award winner Jodie Foster in the coming years. After stealing the show in 1997's The Rainmaker, and doing a fine job in 1996's Romeo and Juliet, Danes proves she has the right stuff to be a leading actress in Brokedown Palace.
Kate Beckinsale, who was deprived of an Oscar nomination last spring for her 1998 film, The Last Days of Disco, gives an equally terrific performance in Brokedown Palace as she did in Disco, but her character isn't the main focus of the film, as Darlene is a static character, while Alice learns who she is and develops greatly from what you could call, the vacation from hell.
Bill Pullman's role serves as the knot that ties the plot together. Pullman's credible performance doesn't act or subtract to the film, but Brokedown Palace would have been nowhere without Hank Green.
Director Jonathan Kaplan couldn't have done a better job with Brokedown Palace, as he cleverly uses the effective setting to make you care about the outcome of the film, as the film engulfs you as to what is happening on screen, keeping you guessing and wondering until the film's final moments. After Brokedown Palace, I felt like I just watched my best friends go through a living nightmare, due to the acting, screenplay, and direction by Kaplan. The two friends act like teens act, using their language, expressions, and actions, which is the opposite of how last spring's She's All That and Varsity Blues portrayed teens. Every element of Brokedown Palace works together perfectly, creating a film that is virtually flawless. Hands down the biggest surprise of the summer.
The Bottom Line- Brokedown Palace will flop at the box office, and many kids will think its boring and/or pointless. That's not surprising, considering that's usually the definition of a four star film.
Rated PG-13 (Mature themes, language, some violence)
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


There seems to be a problem with the server. It could be on your side too. Check for the following :
Check whether you are connected to Internet.

If the above ain't true, try with a different query perhaps. If the issue still persists, try again later.


{% extends 'base.html' %} {% block title %}Home{% endblock title %} {% block content %}
So you're starting a new Django project? You've come to the right place! This project template aims at making your start as quick and painless as possible so you can start writing your application instead of the boilerplate. Settings, basic templates, authentication, and authorization have all been implemented and tested so you can hit the ground running.


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Across: 8. Part of Australia or America? (NB: erratic part!) (8) 9. Rock turned up by small animals (6) 10. Third of cabinet don't have courage for bans (10) 11. Concerning, casting aside love to make border (4) 12. Protective shield raised when mare tangling with bull (8) 14. I'm sad about your leader being a disappointment (6) 15,4dn. Feature of 8: aged, ordinary, trouble-spinning fellows, but with application (3 10 5) 16. Satisfy beast, bringing food (7) 18,1dn. Old Brisbane track trainer or old Melbourne train tracker? (3 4) 21. Range is rare formation (6) 22. Numerous (not a hundred) cement dwellings together in a group, generally 27 (8) 24. Heartless, 22 offers temporary accommodation (4) 25. Among batches of residents, in general indigenous, naming ancient local roots (10) 27. Let first one out, happy (6) 28. Lee's the less upset about end of tour (8) Down: 1. see 18 across 2. Battered cub with sore hide (7) 3. Relating to one's mob, having bowled in test (6) 4. see 15 across 5. Events arising from long stories, poetic tales without poetic conclusions (8) 6. Where you'll find consul, attaché and secretary embarrassingly ignoring every other trio (7) 7. Job for type of 19, such as the 25 24 26 at 15 4? (10) 13. Some supersede pill, implanting revolutionary bugs (10) 17. Signs of 19, in a way, in macabre trophy being raised (8) 19. Where people might shout back from the outset, or parade (7) 20. I'm getting what everyone wants a slice of: hollow, tawdry worldliness (7) 23. What those around hear, one within smells (6) 26. Race? It's all about land! (4)


Tournament creator
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Seattle Salmon Cookies
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Demonstrates the use of JSON data, thanks to Juan Manuel Caicedo.
Also demonstrates use of event attributes color, textColor, tapeImage, and tapeRepeat. Details
The striped event has a caption attribute. Hover over the label or tape to view.
Stripe courtesy of Stripe Generator
Timeline version .
Sources:


When posting about your mapping experience, use the #MicrosoftLife and #MSFTGiving hashtags and tag @Microsoft.


Join us any evening for refreshing elixirs and maybe a game or two of Dance Dance Revolution Wireless access is alway provided
You'll find us right in the center


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A demo web app for working with JPG and PNG files and returning the RGB counts in those images.
This example is a case where this is a simple service that returns some result. It is not a link to a web based app for working with a data type. View the page source to see the JSON-LD / schema.org description. It can also be seen below:
{ "@context": "http://schema.org/", "@type": "Action", "@id": "https://geodex.org/webapp-rgbcount.html", "result": { "@type": "DataDownload", "encodingFormat": "text/plain", "description": "a simple text result for the RGB counts" }, "target": { "@type": "EntryPoint", "urlTemplate": "https://us-central1-top-operand-112611.cloudfunctions.net/function-1", "httpMethod": "POST", "contentType": ["image/jpeg", "image/png"] }, "object": { "@type": "ImageObject", "description": "A JPEG or PNG which will be analyzed and have RGB counts returned" } }
Command line use:
curl --data-binary<EMAIL_ADDRESS>-X POST https://us-central1-top-operand-112611.cloudfunctions.net/function-1


- Basic Ggplot2
- First plot
- Aesthetics
- Layers
- Geometries
- Changing one geom or every geom
- Saving plots as variables
- All about aesthetics: color, shape and size
- All about aesthetics: color vs. fill
- Comparing aesthetics
- All about attributes: color, shape, size and alpha
- All about attributes: conflicts with aesthetics
- Updating aesthetic labels
- Setting a dummy aesthetic
- Appropriate mappings
- Scatter plots
- Histograms
- Bar Plots
- Line plots
- Themes for scratch
- Themes
Guide and exercises for ggplot2. Based in Datacamp.
Basic Ggplot2
[TOC]
First plot
# Load the ggplot2 package
library('ggplot2')
# Explore the mtcars data frame with str()
str(mtcars)
# Execute the following command
ggplot(mtcars, aes(cyl, mpg)) +
geom_point()
Modify a numeric variable to a categorical variable
# Load the ggplot2 package
library(ggplot2)
# Change the command below so that cyl is treated as factor
ggplot(mtcars, aes(factor(cyl), mpg)) +
geom_point()
Aesthetics
Color
# Edit to add a color aesthetic mapped to disp
ggplot(mtcars, aes(wt, mpg, color = disp)) +
geom_point()
Shape accepts only categorical variables
Layers
Geometries
# Add geom_smooth() with +
ggplot(diamonds, aes(carat, price)) +
geom_point() +
geom_smooth()
Changing one geom or every geom
If you have multiple geoms, then mapping an aesthetic to data variable inside the call to ggplot()
will change all the geoms. It is also possible to make changes to individual geoms by passing arguments to the geom_*()
functions.
geom_point()
has an alpha
argument that controls the opacity of the points. A value of 1
(the default) means that the points are totally opaque; a value of 0
means the points are totally transparent (and therefore invisible). Values in between specify transparency.
Saving plots as variables
Plots can be saved as variables, which can be added two later on using the +
operator. This is really useful if you want to make multiple related plots from a common base.
# Draw a ggplot
plt_price_vs_carat <- ggplot(
# Use the diamonds dataset
diamonds,
# For the aesthetics, map x to carat and y to price
aes(carat, price)
)
# Add a point layer to plt_price_vs_carat
plt_price_vs_carat + geom_point()
# From previous step
plt_price_vs_carat <- ggplot(diamonds, aes(carat, price))
# Edit this to make points 20% opaque: plt_price_vs_carat_transparent
plt_price_vs_carat_transparent <- plt_price_vs_carat + geom_point(alpha = 0.2)
# See the plot
plt_price_vs_carat_transparent
# From previous step
plt_price_vs_carat <- ggplot(diamonds, aes(carat, price))
# Edit this to map color to clarity,
# Assign the updated plot to a new object
plt_price_vs_carat_by_clarity <- plt_price_vs_carat + geom_point(aes(color = clarity))
# See the plot
plt_price_vs_carat_by_clarity
All about aesthetics: color, shape and size
In the video you saw 9 visible aesthetics. Let’s apply them to a categorical variable — the cylinders in mtcars
, cyl
.
These are the aesthetics you can consider within aes()
in this chapter: x
, y
, color
, fill
, size
, alpha
, labels
and shape
.
One common convention is that you don’t name the x
and y
arguments to aes()
, since they almost always come first, but you do name other arguments.
In the following exercise the fcyl
column is categorical. It is cyl
transformed into a factor
.
ggplot(mtcars, aes(wt, mpg, color = fcyl)) +
# Set the shape and size of the points
geom_point(shape = 1, size = 4)
All about aesthetics: color vs. fill
Typically, the color
aesthetic changes the outline of a geom and the fill
aesthetic changes the inside. geom_point()
is an exception: you use color
(not fill
) for the point color. However, some shapes have special behavior.
The default geom_point()
uses shape = 19
: a solid circle. An alternative is shape = 21
: a circle that allow you to use both fill
for the inside and color
for the outline. This is lets you to map two aesthetics to each point.
All shape values are described on the points()
help page.
fcyl
and fam
are the cyl
and am
columns converted to factors, respectively.
Comparing aesthetics
# Base layer
plt_mpg_vs_wt <- ggplot(mtcars, aes(wt, mpg))
# Map fcyl to shape, not alpha
plt_mpg_vs_wt +
geom_point(aes(shape = fcyl))
# Base layer
plt_mpg_vs_wt <- ggplot(mtcars, aes(wt, mpg))
# Use text layer and map fcyl to label
plt_mpg_vs_wt +
geom_text(aes(label = fcyl))
Which aesthetics are only applicable to categorical data?
- label & shape
All about attributes: color, shape, size and alpha
This time you’ll use these arguments to set attributes of the plot, not map variables onto aesthetics.
You can specify colors in R using hex codes: a hash followed by two hexadecimal numbers each for red, green, and blue ("#RRGGBB"
). Hexadecimal is base-16 counting. You have 0 to 9, and A representing 10 up to F representing 15. Pairs of hexadecimal numbers give you a range from 0 to 255. "#000000"
is “black” (no color), "#FFFFFF"
means “white”, and `“#00FFFF” is cyan (mixed green and blue).
A hexadecimal color variable, my_blue
has been defined for you.
# A hexadecimal color
my_blue <- "#4ABEFF"
ggplot(mtcars, aes(wt, mpg)) +
# Set the point color and alpha
geom_point(color = my_blue, alpha = 0.6)
# A hexadecimal color
my_blue <- "#4ABEFF"
# Change the color mapping to a fill mapping
ggplot(mtcars, aes(wt, mpg, fill = fcyl)) +
# Set point size and shape
geom_point(color = my_blue, size = 10, shape = 1)
All about attributes: conflicts with aesthetics
In the videos you saw that you can use all the aesthetics as attributes. Let’s see how this works with the aesthetics you used in the previous exercises: x
, y
, color
, fill
, size
, alpha
, label
and shape
.
In this exercise you will set all kinds of attributes of the points!
You will continue to work with mtcars
.
ggplot(mtcars, aes(wt, mpg, color = fcyl)) +
# Add text layer with label rownames(mtcars) and color red
geom_text(label = rownames(mtcars), color = "red")
Updating aesthetic labels
In this exercise, you’ll modify some aesthetics to make a bar plot of the number of cylinders for cars with different types of transmission.
You’ll also make use of some functions for improving the appearance of the plot.
labs()
to set the x- and y-axis labels. It takes strings for each argument.scale_color_manual()
defines properties of the color scale (i.e. axis). The first argument sets the legend title.values
is a named vector of colors to use.
ggplot(mtcars, aes(fcyl, fill = fam)) +
geom_bar() +
# Set the axis labels
labs(x = "Number of Cylinders",
y = "Count")
palette <- c(automatic = "#377EB8", manual = "#E41A1C")
ggplot(mtcars, aes(fcyl, fill = fam)) +
geom_bar() +
labs(x = "Number of Cylinders", y = "Count") +
# Set the fill color scale
scale_fill_manual("Transmission", values = palette)
palette <- c(automatic = "#377EB8", manual = "#E41A1C")
# Set the position
ggplot(mtcars, aes(fcyl, fill = fam)) +
geom_bar(position = "dodge") +
labs(x = "Number of Cylinders", y = "Count")
scale_fill_manual("Transmission", values = palette)
Setting a dummy aesthetic
In the last chapter you saw that all the visible aesthetics can serve as attributes and aesthetics, but I very conveniently left out x and y. That’s because although you can make univariate plots (such as histograms, which you’ll get to in the next chapter), a y-axis will always be provided, even if you didn’t ask for it.
You can make univariate plots in ggplot2
, but you will need to add a fake y axis by mapping y
to zero.
When using setting y-axis limits, you can specify the limits as separate arguments, or as a single numeric vector. That is, ylim(lo, hi)
or ylim(c(lo, hi))
.
ggplot(mtcars, aes(mpg, 0)) +
geom_jitter() +
# Set the y-axis limits
ylim(-2,2)
Appropriate mappings
Incorrect aesthetic mapping causes confusion or misleads the audience.
Typically, the dependent variable is mapped onto the the y-axis and the independent variable is mapped onto the x-axis.
In the ToothGrowth
data set, we have three variables:
| Variable | Description |
|---|---|
len |
Tooth length |
supp |
Supplement type (VC or OJ) |
dose |
Dose in milligrams/day |
From the six possible ways to map three variables, one solution is shown in the viewer. Which of the remaining five would actually be a better solution?
Scatter plots
Overplotting 1: large datasets
Scatter plots (using geom_point()
) are intuitive, easily understood, and very common, but we must always consider overplotting, particularly in the following four situations:
- Large datasets
- Aligned values on a single axis
- Low-precision data
- Integer data
Typically, alpha blending (i.e. adding transparency) is recommended when using solid shapes. Alternatively, you can use opaque, hollow shapes.
Small points are suitable for large datasets with regions of high density (lots of overlapping).
Let’s use the diamonds
dataset to practice dealing with the large dataset case.
Overplotting 2: Aligned values
Let’s take a look at another case where we should be aware of overplotting: Aligning values on a single axis.
This occurs when one axis is continuous and the other is categorical, which can be overcome with some form of jittering.
In the mtcars
data set, fam
and fcyl
are categorical variants of cyl
and am
# Plot base
plt_mpg_vs_fcyl_by_fam <- ggplot(mtcars, aes(factor(cyl), mpg, color = factor(am)))
# Default points are shown for comparison
x11()
plt_mpg_vs_fcyl_by_fam + geom_point()
# Alter the point positions by jittering, width 0.3
plt_mpg_vs_fcyl_by_fam + geom_point(position = position_jitter(width = 0.3))
Overplotting 3: Low-precision data
You already saw how to deal with overplotting when using geom_point()
in two cases:
- Large datasets
- Aligned values on a single axis
We used position = 'jitter'
inside geom_point()
or geom_jitter()
.
Let’s take a look at another case:
- Low-precision data
This results from low-resolution measurements like in the iris dataset, which is measured to 1mm precision (see viewer). It’s similar to case 2, but in this case we can jitter on both the x and y axis.
ggplot(iris, aes(Sepal.Length, Sepal.Width, color = Species)) +
# Swap for jitter layer with width 0.1
geom_jitter(alpha = 0.5, width = 0.1)
# Diferent approach
ggplot(iris, aes(Sepal.Length, Sepal.Width, color = Species)) +
# Set the position to jitter
geom_point(alpha = 0.5, position = "jitter")
EYE: Jitter points to avoid overplotting
position_jitter(width = NULL, height = NULL, seed = NA)
Overplotting 4: Integer data
Let’s take a look at the last case of dealing with overplotting:
- Integer data
This can be type integer
(i.e. 1 ,2, 3…) or categorical (i.e. class factor
) variables. factor
is just a special class of type integer
.
You’ll typically have a small, defined number of intersections between two variables, which is similar to case 3, but you may miss it if you don’t realize that integer and factor data are the same as low precision data.
The Vocab
dataset provided contains the years of education and vocabulary test scores from respondents to US General Social Surveys from 1972-2004.
ggplot(Vocab, aes(education, vocabulary)) +
# Change to a jitter layer
geom_jitter()
Notar la diferencia cuando se usa geom_point()
Histograms
Drawing histograms
Recall that histograms cut up a continuous variable into discrete bins and, by default, maps the internally calculated count
variable (the number of observations in each bin) onto the y aesthetic. An internal variable called density
can be accessed by using the ..
notation, i.e. ..density..
. Plotting this variable will show the relative frequency, which is the height times the width of each bin.
# Plot mpg
ggplot(mtcars, aes(mpg)) +
# Add a histogram layer
geom_histogram(binwidth = 1)
# Map y to ..density..
ggplot(mtcars, aes(mpg, ..density..)) +
geom_histogram(binwidth = 1)
datacamp_light_blue <- "#51A8C9"
ggplot(mtcars, aes(mpg, ..density..)) +
# Set the fill color to datacamp_light_blue
geom_histogram(binwidth = 1, fill = datacamp_light_blue)
Positions in histograms
Here, we’ll examine the various ways of applying positions to histograms. geom_histogram()
, a special case of geom_bar()
, has a position
argument that can take on the following values:
stack
(the default): Bars for different groups are stacked on top of each other.dodge
: Bars for different groups are placed side by side.fill
: Bars for different groups are shown as proportions.identity
: Plot the values as they appear in the dataset.
ggplot(mtcars, aes(mpg, fill = fam)) +
# Change the position to dodge
geom_histogram(binwidth = 1, position = "dodge")
ggplot(mtcars, aes(mpg, fill = fam)) +
# Change the position to identity, with transparency 0.4
geom_histogram(binwidth = 1, position = "identity", alpha = 0.4)
Bar Plots
Position in bar and col plots
Let’s see how the position
argument changes geom_bar()
.
We have three position options:
stack
: The defaultdodge
: Preferredfill
: To show proportions
While we will be using geom_bar()
here, note that the function geom_col()
is just geom_bar()
where both the position
and stat
arguments are set to "identity"
. It is used when we want the heights of the bars to represent the exact values in the data.
In this exercise, you’ll draw the total count of cars having a given number of cylinders (fcyl
), according to manual or automatic transmission type (fam
).
ggplot(mtcars, aes(fcyl, fill = fam)) +
# Set the position to "fill"
geom_bar(position = "fill")
Overlapping bar plots
You can customize bar plots further by adjusting the dodging so that your bars partially overlap each other. Instead of using position = "dodge"
, you’re going to use position_dodge()
, like you did with position_jitter()
in the the previous exercises. Here, you’ll save this as an object, posn_d
, so that you can easily reuse it.
Remember, the reason you want to use position_dodge()
(and position_jitter()
) is to specify how much dodging (or jittering) you want.
For this example, you’ll use the mtcars
dataset.
ggplot(mtcars, aes(cyl, fill = fam)) +
# Change position to use the functional form, with width i0.2
geom_bar(position = position_dodge(width = 0.2))
# With transparency
ggplot(mtcars, aes(cyl, fill = fam)) +
# Set the transparency to 0.6
geom_bar(position = position_dodge(width = 0.2), alpha = 0.6)
Bar plots: sequential color palette
In this bar plot, we’ll fill each segment according to an ordinal variable. The best way to do that is with a sequential color palette.
Here’s an example of using a sequential color palette with the mtcars
dataset:
ggplot(mtcars, aes(fcyl, fill = fam)) +
geom_bar() +
scale_fill_brewer(palette = "Set1")
In the exercise, you’ll use similar code on the the Vocab
dataset. Both datasets are ordinal.
# Plot education, filled by vocabulary
ggplot(Vocab, aes(education, fill = vocabulary)) +
# Add a bar layer with position "fill"
geom_bar(position = "fill") +
# Add a brewer fill scale with default palette
scale_fill_brewer(palette = "Set1")
Line plots
Basic line plots
Here, we’ll use the economics
dataset to make some line plots. The dataset contains a time series for unemployment and population statistics from the Federal Reserve Bank of St. Louis in the United States. The data is contained in the ggplot2
package.
To begin with, you can look at how the median unemployment time and the unemployment rate (the number of unemployed people as a proportion of the population) change over time.
Multiple time series
We already saw how the form of your data affects how you can plot it. Let’s explore that further with multiple time series. Here, it’s important that all lines are on the same scale, and if possible, on the same plot.
fish.species
contains the global capture rates of seven salmon species from 1950–2010. Each variable (column) is a Salmon species and each observation (row) is one year. fish.tidy
contains the same data, but in three columns: Species
, Year
, and Capture
(i.e. one variable per column).
# Plot the Rainbow Salmon time series
ggplot(fish.species, aes(x = Year, y = Rainbow)) +
geom_line()
# Plot the Pink Salmon time series
ggplot(fish.species, aes(Year, Pink)) +
geom_line()
OJo: aquí la data tiene forma larga:
# Plot the Rainbow Salmon time series
ggplot(fish.species, aes(x = Year, y = Rainbow)) +
geom_line()
# Plot the Pink Salmon time series
ggplot(fish.species, aes(x = Year, y = Pink)) +
geom_line()
# Plot multiple time-series by grouping by species
ggplot(fish.tidy, aes(Year, Capture)) +
geom_line(aes(group = Species))
Themes for scratch
Moving the legend
Let’s wrap up this course by making a publication-ready plot communicating a clear message.
To change stylistic elements of a plot, call theme()
and set plot properties to a new value. For example, the following changes the legend position.
p + theme(legend.position = new_value)
Here, the new value can be
"top"
,"bottom"
,"left"
, or"right'"
: place it at that side of the plot."none"
: don’t draw it.c(x, y)
:c(0, 0)
means the bottom-left andc(1, 1)
means the top-right.
Let’s revisit the recession period line plot (assigned to plt_prop_unemployed_over_time
).
Modifying theme elements
Many plot elements have multiple properties that can be set. For example, line elements in the plot such as axes and gridlines have a color, a thickness (size
), and a line type (solid line, dashed, or dotted). To set the style of a line, you use element_line()
. For example, to make the axis lines into red, dashed lines, you would use the following.
p + theme(axis.line = element_line(color = "red", linetype = "dashed"))
Similarly, element_rect()
changes rectangles and element_text()
changes text. You can remove a plot element using element_blank()
.
plt_prop_unemployed_over_time
is available.
plt_prop_unemployed_over_time +
theme(
# For all rectangles, set the fill color to grey92
rect = element_rect(fill = "grey92"),
# For the legend key, turn off the outline
legend.key = element_rect(color= NA))
plt_prop_unemployed_over_time +
theme(
rect = element_rect(fill = "grey92"),
legend.key = element_rect(color = NA),
axis.ticks = element_blank(),
panel.grid = element_blank(),
panel.grid.major.y = element_line(
color = "white",
size = 0.5,
linetype = "dotted"
),
# Set the axis text color to grey25
axis.text = element_text(color = "grey25"),
# Set the plot title font face to italic and font size to 16
plot.title = element_text(
size = 16,
face = "italic")
)
Modifying whitespace
Whitespace means all the non-visible margins and spacing in the plot.
To set a single whitespace value, use unit(x, unit)
, where x
is the amount and unit
is the unit of measure.
Borders require you to set 4 positions, so use margin(top, right, bottom, left, unit)
. To remember the margin order, think TRouBLe.
The default unit is "pt"
(points), which scales well with text. Other options include “cm”, “in” (inches) and “lines” (of text).
plt_mpg_vs_wt_by_cyl
is available. The panel and legend are wrapped in blue boxes so you can see how they change.
# View the original plot
plt_mpg_vs_wt_by_cyl
plt_mpg_vs_wt_by_cyl +
theme(
# Set the axis tick length to 2 lines
axis.ticks.length = unit(2, "lines")
)
plt_mpg_vs_wt_by_cyl +
theme(
# Set the legend key size to 3 centimeters
legend.key.size = unit(3, "cm")
)
plt_mpg_vs_wt_by_cyl +
theme(
# Set the legend margin to (20, 30, 40, 50) points
legend.margin = margin(20, 30, 40, 50, "pt")
)
Themes
Built-in themes
In addition to making your own themes, there are several out-of-the-box solutions that may save you lots of time.
theme_gray()
is the default.theme_bw()
is useful when you use transparency.theme_classic()
is more traditional.theme_void()
removes everything but the data.
plt_prop_unemployed_over_time
is available.
# Add a classic theme
plt_prop_unemployed_over_time +
theme_classic()
Exploring ggthemes
Outside of ggplot2
, another source of built-in themes is the ggthemes
package. The workspace already contains the plt_prop_unemployed_over_time
, the line plot from before. Let’s explore some of the ready-made ggthemes
themes.
plt_prop_unemployed_over_time
is available.
# Use the fivethirtyeight theme
plt_prop_unemployed_over_time +
theme_fivethirtyeight()
Other themes: wsj, tufte
Setting themes
Reusing a theme across many plots helps to provide a consistent style. You have several options for this.
- Assign the theme to a variable, and add it to each plot.
- Set your theme as the default using
theme_set()
.
A good strategy that you’ll use here is to begin with a built-in theme then modify it.
plt_prop_unemployed_over_time
is available. The theme you made earlier is shown in the sample code.
theme_recession <- theme(
rect = element_rect(fill = "grey92"),
legend.key = element_rect(color = NA),
axis.ticks = element_blank(),
panel.grid = element_blank(),
panel.grid.major.y = element_line(color = "white", size = 0.5, linetype = "dotted"),
axis.text = element_text(color = "grey25"),
plot.title = element_text(face = "italic", size = 16),
legend.position = c(0.6, 0.1)
)
theme_tufte_recession <- theme_tufte() + theme_recession
# Set theme_tufte_recession as the default theme
theme_set(theme_tufte_recession)
# Draw the plot (without explicitly adding a theme)
plt_prop_unemployed_over_time
Publication-quality plots
We’ve seen many examples of beautiful, publication-quality plots. Let’s take a final look and put all the pieces together.
plt_prop_unemployed_over_time
is available.
plt_prop_unemployed_over_time +
theme_tufte() +
# Add individual theme elements
theme(
# Turn off the legend
legend.position = "none",
# Turn off the axis ticks
axis.ticks = element_blank()
)
plt_prop_unemployed_over_time +
theme_tufte() +
theme(
legend.position = "none",
axis.ticks = element_blank(),
axis.title = element_text(color = "grey60"),
axis.text = element_text(color = "grey60"),
# Set the panel gridlines major y values
panel.grid.major.y = element_line(
# Set the color to grey60
color = "grey60",
# Set the size to 0.25
size = 0.25,
# Set the linetype to dotted
linetype = "dotted"
)
)
Using geoms for explanatory plots
Let’s focus on producing beautiful and effective explanatory plots. In the next couple of exercises, you’ll create a plot that is similar to the one shown in the video using gm2007
, a filtered subset of the gapminder
dataset.
This type of plot will be in an info-viz style, meaning that it would be similar to something you’d see in a magazine or website for a mostly lay audience.
A scatterplot of lifeExp
by country
, colored by lifeExp
, with points of size 4
, is provided.
# Add a geom_segment() layer
ggplot(gm2007, aes(x = lifeExp, y = country, color = lifeExp)) +
geom_point(size = 4) +
geom_segment(aes(xend = 30, yend = country), size = 2)
xend = 30
significa que 30 es la esperanza de vida de inicio del eje X (valor de inicio)
# Set the color scale
palette <- brewer.pal(5, "RdYlBu")[-(2:4)]
# Modify the scales
ggplot(gm2007, aes(x = lifeExp, y = country, color = lifeExp)) +
geom_point(size = 4) +
geom_segment(aes(xend = 30, yend = country), size = 2) +
geom_text(aes(label = round(lifeExp,1)), color = "white", size = 1.5) +
scale_x_continuous("", expand = c(0,0), limits = c(30,90), position = "top") +
scale_color_gradientn(colors = palette)
# Set the color scale
palette <- brewer.pal(5, "RdYlBu")[-(2:4)]
# Add a title and caption
ggplot(gm2007, aes(x = lifeExp, y = country, color = lifeExp)) +
geom_point(size = 4) +
geom_segment(aes(xend = 30, yend = country), size = 2) +
geom_text(aes(label = round(lifeExp,1)), color = "white", size = 1.5) +
scale_x_continuous("", expand = c(0,0), limits = c(30,90), position = "top") +
scale_color_gradientn(colors = palette) +
labs(title = "Highest and lowest life expectancies, 2007", caption = "Source: gapminder")
Using annotate() for embellishments
In the previous exercise, we completed our basic plot. Now let’s polish it by playing with the theme and adding annotations. In this exercise, you’ll use annotate()
to add text and a curve to the plot.
The following values have been calculated for you to assist with adding embellishments to the plot:
global_mean <- mean(gm2007_full$lifeExp)
x_start <- global_mean + 4
y_start <- 5.5
x_end <- global_mean
y_end <- 7.5
Our previous plot has been assigned to plt_country_vs_lifeExp
.
CODIGOS
# Define the theme
plt_country_vs_lifeExp +
theme_classic() +
theme(axis.line.y = element_blank(),
axis.ticks.y = element_blank(),
axis.text = element_text(color = "black"),
axis.title = element_blank(),
legend.position = "none")
# Add a vertical line
plt_country_vs_lifeExp +
step_1_themes +
geom_vline(xintercept = global_mean, color = "grey40", linetype = 3)
# Add text
plt_country_vs_lifeExp +
step_1_themes +
geom_vline(xintercept = global_mean, color = "grey40", linetype = 3) +
annotate(
"text",
x = x_start, y = y_start,
label = "The\nglobal\naverage",
vjust = 1, size = 3, color = "grey40"
)
# Add a curve
plt_country_vs_lifeExp +
step_1_themes +
geom_vline(xintercept = global_mean, color = "grey40", linetype = 3) +
step_3_annotation +
annotate(
"curve",
x = x_start, y = y_start,
xend = x_end, yend = y_end,
arrow = arrow(length = unit(0.2, "cm"), type = "closed"),
color = "grey40"
)


The Works of Edgar Allan Poe
by Edgar Allan Poe
The Coliseum
Additional Information
- Year Published: 1903
- Language: English
- Country of Origin: United States of America
- Source: Poe, E.A. (1903). The Works of Edgar Allan Poe, The Raven Edition, Volume 5. New York: P. F. Collier and Son.
-
Readability:
- Flesch–Kincaid Level: 8.0
- Word Count: 390
- Genre: Poetry
- Keywords: imagination
- ✎ Cite This
Downloads
Type of the antique Rome! Rich reliquary
Of lofty contemplation left to Time
By buried centuries of pomp and power!
At length—at length—after so many days
Of weary pilgrimage and burning thirst,
(Thirst for the springs of lore that in thee lie,)
I kneel, an altered and an humble man,
Amid thy shadows, and so drink within
My very soul thy grandeur, gloom, and glory!
Vastness! and Age! and Memories of Eld!
Silence! and Desolation! and dim Night!
I feel ye now—I feel ye in your strength—
O spells more sure than e'er Judaean king
Taught in the gardens of Gethsemane!
O charms more potent than the rapt Chaldee
Ever drew down from out the quiet stars!
Here, where a hero fell, a column falls!
Here, where the mimic eagle glared in gold,
A midnight vigil holds the swarthy bat!
Here, where the dames of Rome their gilded hair
Waved to the wind, now wave the reed and thistle!
Here, where on golden throne the monarch lolled,
Glides, spectre—like, unto his marble home,
Lit by the wan light of the horned moon,
The swift and silent lizard of the stones!
But stay! these walls—these ivy—clad arcades—
These moldering plinths—these sad and blackened shafts—
These vague entablatures—this crumbling frieze—
These shattered cornices—this wreck—this ruin—
These stones—alas! these grey stones—are they all—
All of the famed, and the colossal left
By the corrosive Hours to Fate and me?
"Not all"—the Echoes answer me—"not all!
Prophetic sounds and loud, arise forever
From us, and from all Ruin, unto the wise,
As melody from Memnon to the Sun.
We rule the hearts of mightiest men—we rule
With a despotic sway all giant minds.
We are not impotent—we pallid stones.
Not all our power is gone—not all our fame—
Not all the magic of our high renown—
Not all the wonder that encircles us—
Not all the mysteries that in us lie—
Not all the memories that hang upon
And cling around about us as a garment,
Clothing us in a robe of more than glory."


[gecode-users] Gecode doesn't compile
Guido Tack
tack at ps.uni-sb.de
Wed Oct 26 10:18:40 CEST 2005
Hi.
> Hi, I've try to compile gecode in Debian using gcc 3.3 but it didn't work.
>
> Are there problems with compilation? or should I use gcc-4?
Although the documentation pages still mention gcc 3.3 as minimum requirement,
this is not actually true any more. We rely on some things in the C++
standard that only gcc 4 (or probably the 3.4 versions) implements correctly.
Therefore, we will most probably not support gcc 3.3 in our final release. I
hope it's not too big a problem for you all to port your code.
Cheers,
Guido
--
Guido Tack
Programming Systems Lab, Saarland University, Saarbrücken
http://www.ps.uni-sb.de/~tack
_______________________________________________
Gecode users mailing list
users at gecode.org
https://www.gecode.org/mailman/listinfo/gecode-users
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Modeling and analysis of social network data from rank preferences
08 Sep 2019In this post, we deal with datasets consisting of a social graph where each individual gives its top preferred other individuals in the network. The problematic is then to probabilistically model such a network in order to predict the behaviour of unknown individuals or infer network structures such as latent overlapping communities. We also discussed more refined situations where one can add covariates on individuals.
The pdf for this analysis can be found here.


Aldi’s £13 pud crowned the best Christmas pudding over expensive options from Harrods and Fortnum & Mason
by Sara BenwellALDI'S £12.99 Christmas pudding topped a taste test beating out more expensive rivals from Waitrose, Harrods, Selfridges and Fortnum & Mason.
In fact, the 800g Aldi pud was the only one tested that was deemed tasty enough to be named a Which? Best Buy.
The consumer website blind-tested 13 different Christmas puddings - judging them all on taste, texture, aroma and appearance.
The Aldi Specially Selected Exquisite Vintage Pudding scored a whopping 76 per cent leaving it at the top of the pack.
The panel said it was packed with high quality fruit and nuts and particularly liked the red cherries.
In second place in the taste test was as an Asda Christmas pudding which scored 73 per cent.
Even better, the Asda Extra Special 9-Month Matured Luxury Christmas Pudding is at absolute steal at just £7 for 907g.
The Which? experts described Asda’s pudding as a traditional all-rounder, and pointed out that it’s a bargain at almost half the price of the Aldi Best Buy.
In fact, proving that more expensive doesn't always mean better quality, both puddings scored significantly higher than some of the more expensive offerings.
The Harrods decadent Christmas pudding, which costs £14 for 454g only scored 67 per cent - as did the Fortnum and Mason version at £13 for 454g.
But the lowest scoring Christmas pudding in the test was the Iceland Luxury 12 month matured Christmas pudding.
It was one of the cheaper offerings at £4 for 400g but it only scored 50 per cent.
The Tesco Finest Christmas pudding (£5 for 500g) also scored poorly, coming in at second-last place with just 56 per cent.
Harry Rose, editor of Which? magazine, said: ‘It’s always interesting to see the challenger supermarkets taking on the big four, and in our expert taste test Aldi delivered a Christmas pudding that really impressed.’
Julie Ashfield, managing director of buying at Aldi, said: ‘We’re thrilled that our luxury Specially Selected Exquisite Vintage Pudding has been awarded a Which? Best Buy, demonstrating once again that great-tasting, exceptional quality products do not have to come at a premium price."
Morrisons’ £2 mince pies top BBC Good Food’s blind Christmas taste test for the second year in a row.
M&S wins best frozen turkey in the Good Housekeeping annual taste test.
And in festive fizz, experts say this £12 Lidl bubbly tastes as good as Veuve Clicquot.


What is Electronics & Communication Engineering?
Electronics and Communications Engineering (ECE) involves researching, designing, developing and testing of electronic equipment used in various systems. Electronics and Communications engineers also conceptualize and oversee the manufacturing of communications and broadcast systems. This stream of engineering deals with analogue transmission, basic electronics, microprocessors, solid-state devices, digital and analogue communication, analogue integrated circuits, microwave engineering, satellite communication, antennae and wave progression. It also deals with the manufacturing of electronic devices, circuits, and communications equipment. In India, Electronics and Communications Engineering is offered by various colleges at the UG as well PG level leading to BTech (4 years) and MTech (2 years) degrees respectively. Electronic and Communication Engineering: Job Profile/Top Recruiters An electronics and communication engineer can work in aviation and avionics, consumer electronics, electricity plant, manufacturing, transportation, communication & telecommunication, computer application, radio & television, diagnostic equipment manufacturing and offshore companies. There is an opportunity to get a central government job, state government job and in public & private sectors.
What will be your Job Profile?
Some job titles are listed here:
Electronics Engineer ,Field Test Engineer ,Network Planning Engineer ,Electronics and Communications Consultant ,Customer Support Engineer ,Electronics Technician ,Associate Firstline Technician ,Research and Development Software Engineer ,Service Engineer ,Senior Sales Manager Technical Director


Loading Networks
In Cytoscape, network data can be loaded from a variety of sources, and in several different formats. Where you
get your network data depends on your biological question and analysis plan. This tutorial outlines how to load network data from several popular sources and formats. To learn more about finding network data,
see our Finding Network Data presentation.
- Public databases
- NDEx
- PSICQUIC
- STRING/STITCH
- WikiPathways
- Local and remote files
- Cytoscape apps (Biopax, KEGG and other formats)
Networks from Public Data
Cytoscape includes a Network Search tool at the top of the Network tab in the Control Panel for easy import of public network data. In addition to core apps that are included with your Cytoscape installation (NDEx and PSICQUIC), the resources listed here will depend on which apps you have installed.
NDEx
The NDEx Project provides an open-source framework where scientists and organizations can share, store, manipulate, and publish biological network knowledge.
- To search NDEx, select it from the Network Search tool drop-down.
- Type in your search terms and click Enter to search.
- Results listing all relevant NDEx networks will open in the CyNDEx2 browser. Select one or more networks to import by clicking the Import button to the left.
PSICQUIC
PSICQUIC contains data from multiple sources and types, including internally curated, experimentally observed and predicted. PSICQUIC web service access in Cytoscape is included as a core app.
- To search PSICQUIC, select it from the Network Search tool drop-down.
- Type in your search terms and click Enter to search.
- PSICQUIC search results are displayed as a list of data sources to choose from. For this tutorial, select BioGRID and Reactome-FIs.
- Check the option for Automatic Network Merge. Click Import to continue.
The resulting merged network is a combination of interaction data from BioGrid and Reactome. PSICQUIC includes data from several species, denoted by the different node colors.
STRING/STITCH
STRING is a database of known and predicted protein-protein interactions, and STITCH stored known and predicted interactions between chemicals and proteins. Data types include:
- Genomic Context Predictions
- High-throughput Lab Experiments
- (Conserved) Co-Expression
- Automated Textmining
- Previous Knowledge in Databases
- To search STRING, select STRING disease query in the drop-down at the top of the Network tab in the Control Panel and type your search term.
- Click Enter to search. The resulting network will load automatically:
- Networks load with a STRING-specific style, which includes 3D protein structure diagrams.
- STRING networks also inlcude data as node/interaction attributes, that can be used to create a Style.
- The STRING app includes options to change interaction confidence level, expand the network etc.
WikiPathways
WikiPathways is a collaborative wiki platform with manually pathway models.
It currently covers over 2,600 pathways in 25 species-specific collections.
- To search WikiPathways, select it from the Network Search tool drop-down.
- Type in your search terms and click Enter to search.
- WikiPathways search results are displayed as a list of all available pathway models matching the search term.
- To restrict the results to a specific specues, use the Only selector at the top and pick a species from the drop-down.
- Pathway models will open with the original pathway layout by default. To open the pathway as a network, select the Import as Network option.
WikiPathways model imported as pathway and network.
Local and Remote Files
Cytoscape can load locally and remotely stored network data files in a variety of file formats:
- SIF: Simple interaction format
- NNF: Nested network format
- GML and XGMML formats
- CYS: Cytoscape session file
- Delimited text and Excel format
Loading SIF files
SIF is a simple interaction format consisting of three columns of data: source, interaction and target. To learn more about the SIF format, see the Cytoscape manual.
- Download galFiltered.sif. This sample file is also included with your Cytoscape installation, in the sampleData folder.
- Load the network via File → Import → Network from File....
- To see the whole network, select View → Fit Content.
Loading XGMML files
XGMML is an XML format and can includes node and edge attributes as well as visual style properties. To learn more about the XGMML format, see the Cytoscape manual.
- Go to File → Import → Network from URL.... and enter the following URL: https://raw.githubusercontent.com/cytoscape/cytoscape-tutorials/gh-pages/protocols/data/BasicDataVizDemo.xgmml
- This is the same network as in the previous step, but with node fill color corresponding to expression values.
Cytoscape apps
The Cytoscape App Store has many apps for importing data in various formats. For example, to find all apps that enable import of Biopax format data, search the App Store for "Biopax". Or to see all apps related to data import, click the online data import category in the left sidebar:


july 30, 2015
It's a battle of the sexes that's been waging for decades. Women in a continual quest for equality. Equality in civil rights, in pay, and now, in representation. Women are seriously outnumbered in the technology industry, and no one's really sure how to fix it.
<--- The purple on the left side of this image portrays the percentage of women employed by said company, the green shows the males. A sad state of affairs, no doubt. Last year, Google released a shocking report about their employee demographics: 70% are male, and 60% of those males are white. If you look specifically at tech employees (excluding positions in HR, Marketing, etc), the outlook is even more grim. Twitter employs a laughable 10% women in its tech roles.
Many tech giants are making efforts to step up their diversity game. Some companies are tying diversity metrics directly to executive performance evaluations and financial incentives like yearly bonuses. Earlier this year, Intel announced it would spend $300 million on diversity initiatives. Others, like Google, offer workshops aiming to educate employees about the issue.
Although I appreciate the effort, the way I see it, these fixes are like putting a band-aid on a broken bone. Lots of tech companies encourage hiring more women, but they're assuming that the pool of women looking to be hired in tech is out there to begin with. Get this: women earn 57% of bachelor's degrees in the US, but only 18% of Computer Science degrees. That's a huge gap!
I don't mean to imply that earning a degree in a subject is the only way to enter the industry (says a hopeful DBC grad), but this stat is an alarming indicator of female interest in the tech scene. Luckily there are several organizations like Girls Who Code and Girls Learning Code whose goal is to expose young girls to the programming world and inspire them to pursue careers in the field.
In my opinion though, the true issue runs even deeper, and begins earlier. Society may have progressed to the point that we no longer outright forbid boys to wear pink and girls to play football, but gender bias is certainly still a thing. STEM (science, technology, engineering, mathematics) fields are still primarily viewed as subjects that boys excel at. It's a dated, largely unconscious opinion, lingering from the days when boys were considered smarter than girls.
The bottom line: diversity in tech is not a simple issue that can be fixed by throwing money at it. We can't have more women in tech until we vanquish the unconscious gender bias that bombards females from the time they're old enough to have preferences. If we can accomplish that, hopefully we'll start seeing more purple--in our graphs and in our offices. (Of course guys can still wear purple too!)
Don't believe me? Check my sources and see for yourself:
National Center for Women & Information Technology Infographic