The Grey Fairy Book
by Andrew Lang
Cannetella
by Andrew Lang
Additional Information
- Year Published: 1906
- Language: English
- Country of Origin: England
- Source: Lang, A. (Ed.). (1906). The Brown Fairy Book. London: Longmans, Green & Co.
-
Readability:
- Flesch–Kincaid Level: 4.0
- Word Count: 2,512
- Genre: Fairy Tale/Folk Tale
- Keywords: deception, freedom, magic
- ✎ Cite This
Downloads
There was once upon a time a king who reigned over a country called ‘Bello Puojo.' He was very rich and powerful, and had everything in the world he could desire except a child. But at last, after he had been married for many years, and was quite an old man, his wife Renzolla presented him with a fine daughter, whom they called Cannetella.
She grew up into a beautiful girl, and was as tall and straight as a young fir-tree. When she was eighteen years old her father called her to him and said: ‘You are of an age now, my daughter, to marry and settle down; but as I love you more than anything else in the world, and desire nothing but your happiness, I am determined to leave the choice of a husband to yourself. Choose a man after your own heart, and you are sure to satisfy me.' Cannetella thanked her father very much for his kindness and consideration, but told him that she had not the slightest wish to marry, and was quite determined to remain single.
The king, who felt himself growing old and feeble, and longed to see an heir to the throne before he died, was very unhappy at her words, and begged her earnestly not to disappoint him.
When Cannetella saw that the king had set his heart on her marriage, she said: ‘Very well, dear father, I will marry to please you, for I do not wish to appear ungrateful for all your love and kindness; but you must find me a husband handsomer, cleverer, and more charming than anyone else in the world.'
The king was overjoyed by her words, and from early in the morning till late at night he sat at the window and looked carefully at all the passers-by, in the hopes of finding a son-in-law among them.
One day, seeing a very good-looking man crossing the street, the king called his daughter and said: ‘Come quickly, dear Cannetella, and look at this man, for I think he might suit you as a husband.'
They called the young man into the palace, and set a sumptuous feast before him, with every sort of delicacy you can imagine. In the middle of the meal the youth let an almond fall out of his mouth, which, however, he picked up again very quickly and hid under the table-cloth.
When the feast was over the stranger went away, and the king asked Cannetella: ‘Well, what did you think of the youth?'
‘I think he was a clumsy wretch,' replied Cannetella. ‘Fancy a man of his age letting an almond fall out of his mouth!'
When the king heard her answer he returned to his watch at the window, and shortly afterwards a very handsome young man passed by. The king instantly called his daughter to come and see what she thought of the new comer.
‘Call him in,' said Cannetella, ‘that we may see him close.'
Another splendid feast was prepared, and when the stranger had eaten and drunk as much as he was able, and had taken his departure, the king asked Cannetella how she liked him.
‘Not at all,' replied his daughter; ‘what could you do with a man who requires at least two servants to help him on with his cloak, because he is too awkward to put it on properly himself?'
‘If that's all you have against him,' said the king, ‘I see how the land lies. You are determined not to have a husband at all; but marry someone you shall, for I do not mean my name and house to die out.'
‘Well, then, my dear parent,' said Cannetella, ‘I must tell you at once that you had better not count upon me, for I never mean to marry unless I can find a man with a gold head and gold teeth.'
The king was very angry at finding his daughter so obstinate; but as he always gave the girl her own way in everything, he issued a proclamation to the effect that any man with a gold head and gold teeth might come forward and claim the princess as his bride, and the kingdom of Bello Puojo as a wedding gift.
Now the king had a deadly enemy called Scioravante, who was a very powerful magician. No sooner had this man heard of the proclamation than he summoned his attendant spirits and commanded them to gild his head and teeth. The spirits said, at first, that the task was beyond their powers, and suggested that a pair of golden horns attached to his forehead would both be easier to make and more comfortable to wear; but Scioravante would allow no compromise, and insisted on having a head and teeth made of the finest gold. When it was fixed on his shoulders he went for a stroll in front of the palace. And the king, seeing the very man he was in search of, called his daughter, and said: ‘Just look out of the window, and you will find exactly what you want.'
Then, as Scioravante was hurrying past, the king shouted out to him: ‘Just stop a minute, brother, and don't be in such desperate haste. If you will step in here you shall have my daughter for a wife, and I will send attendants with her, and as many horses and servants as you wish.'
‘A thousand thanks,' returned Scioravante; ‘I shall be delighted to marry your daughter, but it is quite unnecessary to send anyone to accompany her. Give me a horse and I will carry off the princess in front of my saddle, and will bring her to my own kingdom, where there is no lack of courtiers or servants, or, indeed, of anything your daughter can desire.'
At first the king was very much against Cannetella's departing in this fashion; but finally Scioravante got his way, and placing the princess before him on his horse, he set out for his own country.
Towards evening he dismounted, and entering a stable he placed Cannetella in the same stall as his horse, and said to her: ‘Now listen to what I have to say. I am going to my home now, and that is a seven years' journey from here; you must wait for me in this stable, and never move from the spot, or let yourself be seen by a living soul. If you disobey my commands, it will be the worse for you.'
The princess answered meekly: ‘Sir, I am your servant, and will do exactly as you bid me; but I should like to know what I am to live on till you come back?'
‘You can take what the horses leave,' was Scioravante's reply.
When the magician had left her Cannetella felt very miserable, and bitterly cursed the day she was born. She spent all her time weeping and bemoaning the cruel fate that had driven her from a palace into a stable, from soft down cushions to a bed of straw, and from the dainties of her father's table to the food that the horses left.
She led this wretched life for a few months, and during that time she never saw who fed and watered the horses, for it was all done by invisible hands.
One day, when she was more than usually unhappy, she perceived a little crack in the wall, through which she could see a beautiful garden, with all manner of delicious fruits and flowers growing in it. The sight and smell of such delicacies were too much for poor Cannetella, and she said to herself, ‘I will slip quietly out, and pick a few oranges and grapes, and I don't care what happens. Who is there to tell my husband what I do? and even if he should hear of my disobedience, he cannot make my life more miserable than it is already.'
So she slipped out and refreshed her poor, starved body with the fruit she plucked in the garden.
But a short time afterwards her husband returned unexpectedly, and one of the horses instantly told him that Cannetella had gone into the garden, in his absence, and had stolen some oranges and grapes.
Scioravante was furious when he heard this, and seizing a huge knife from his pocket he threatened to kill his wife for her disobedience. But Cannetella threw herself at his feet and implored him to spare her life, saying that hunger drove even the wolf from the wood. At last she succeeded in so far softening her husband's heart that he said, ‘I will forgive you this time, and spare your life; but if you disobey me again, and I hear, on my return, that you have as much as moved out of the stall, I will certainly kill you. So, beware; for I am going away once more, and shall be absent for seven years.'
With these words he took his departure, and Cannetella burst into a flood of tears, and, wringing her hands, she moaned: ‘Why was I ever born to such a hard fate?  But, why should I blame my father? for I have only myself to thank for all my sufferings. I got the cursed head of gold, and it has brought all this misery on me. I am indeed punished for not doing as my father wished!'
When a year had gone by, it chanced, one day, that the king's cooper passed the stables where Cannetella was kept prisoner. She recognised the man, and called him to come in. At first he did not know the poor princess, and could not make out who it was that called him by name. But when he heard Cannetella's tale of woe, he hid her in a big empty barrel he had with him, partly because he was sorry for the poor girl, and, even more, because he wished to gain the king's favour. Then he slung the barrel on a mule's back, and in this way the princess was carried to her own home. They arrived at the palace about four o'clock in the morning, and the cooper knocked loudly at the door. When the servants came in haste and saw only the cooper standing at the gate, they were very indignant, and scolded him soundly for coming at such an hour and waking them all out of their sleep.
The king hearing the noise and the cause of it, sent for the cooper, for he felt certain the man must have some important business, to have come and disturbed the whole palace at such an early hour.
The cooper asked permission to unload his mule, and Cannetella crept out of the barrel. At first the king refused to believe that it was really his daughter, for she had changed so terribly in a few years, and had grown so thin and pale, that it was pitiful to see her. At last the princess showed her father a mole she had on her right arm, and then he saw that the poor girl was indeed his long-lost Cannetella. He kissed her a thousand times, and instantly had the choicest food and drink set before her.
After she had satisfied her hunger, the king said to her: ‘Who would have thought, my dear daughter, to have found you in such a state? What, may I ask, has brought you to this pass?'
 But I couldn't tell you all that I have suffered, for you would never believe me.
In the meantime Scioravante had returned to the stables, and one of the horses told him that Cannetella had been taken away by a cooper in a barrel.
When the wicked magician heard this he was beside himself with rage, and, hastening to the kingdom of Bello Puojo, he went straight to an old woman who lived exactly opposite the royal palace, and said to her: ‘If you will let me see the king's daughter, I will give you whatever reward you like to ask for.'
The woman demanded a hundred ducats of gold, and Scioravante counted them out of his purse and gave them to her without a murmur. Then the old woman led him to the roof of the house, where he could see Cannetella combing out her long hair in a room in the top story of the palace.
The princess happened to look out of the window, and when she saw her husband gazing at her, she got such a fright that she flew downstairs to the king, and said: ‘My lord and father, unless you shut me up instantly in a room with seven iron doors, I am lost.'
‘If that's all,' said the king, ‘it shall be done at once.' And he gave orders for the doors to be closed on the spot.
When Scioravante saw this he returned to the old woman, and said: ‘I will give you whatever you like if you will go into the palace, hide under the princess's bed, and slip this little piece of paper beneath her pillow, saying, as you do so: "May everyone in the palace, except the princess, fall into a sound sleep."'
The old woman demanded another hundred golden ducats, and then proceeded to carry out the magician's wishes. No sooner had she slipped the piece of paper under Cannetella's pillow, than all the people in the palace fell fast asleep, and only the princess remained awake.
Then Scioravante hurried to the seven doors and opened them one after the other. Cannetella screamed with terror when she saw her husband, but no one came to her help, for all in the palace lay as if they were dead. The magician seized her in the bed on which she lay, and was going to carry her off with him, when the little piece of paper which the old woman had placed under her pillow fell on the floor.
In an instant all the people in the palace woke up, and as Cannetella was still screaming for help, they rushed to her rescue. They seized Scioravante and put him to death; so he was caught in the trap which he had laid for the princess--and, as is so often the case in this world, the biter himself was bit.


{% extends "registration/base.html" %} {% block style %} {{ block.super }} {% endblock %} {% block content %}
Fields with `*` is required


Gateway
BOT
10-Dec-18 04:25 PM
[telegram] <Cb> Anyone looking to buy 4000kmd 5% below market rate I will be putting up sell order on digital price soon
[telegram] <Brown> kmd will hit 0.0003 (re @Cb: Anyone looking to buy 4000kmd 5% below market rate I will be putting up sell order on digital price soon)
[telegram] <Cb> I am holding way past that
[telegram] <Cb> Just selling a small part temporarily
[telegram] <borntobe4live> Or wrong link on the website (re @borntobe4live: Windows 3.0 not available yet?)
[telegram] <Acura360> Have reported it (re @borntobe4live: Or wrong link on the website)
[telegram] <borntobe4live> thanks!
[telegram] <crypto> Kmd big pump soon..
[telegram] <Cb> First 2000 dumped! 2500 left on discount
[telegram] <Cb> Grab it up while it lasts :P
[telegram] <Cb> And no I am not dumping I have a big stack. This is for something personal, kmd pump incoming for sure
[telegram] <crypto> #KMD Binance ‼
Buy KMD Guys
2 Big News.....
Hard-Fork on Coming 15th Dec
Full Rebranding 2.0 on 31st Dec.
Go On and Accumulate and Plz Hold Till This News Date
Big Big Expectaions
Share This News as Much as Possible
Who Knows May Be a 2-4x is Waiting for #KMD
Bcoz of This 2 Big News
Sell Targets: 20000 | 22000 | 25000 | 30000 | OPEN
[telegram] <Cb> Hope I don’t miss it haha
[telegram] <Brown> (re @crypto: #KMD Binance ‼
Buy KMD Guys
2 Big News.....
Hard-Fork on Coming 15th Dec
Full Rebranding 2.0 on 31st Dec.
Go On and Accumulate and Plz Hold Till This News Date
Big Big Expectaions
Share This News as Much as Possible
Who Knows May Be a 2-4x is Waiting for #KMD
Bcoz of This 2 Big News
Sell Targets: 20000 | 22000 | 25000 | 30000 | OPEN)
[telegram] <Brown> kmd is cheap now to buy... buy now and thanks me later
[telegram] <Cb> Binance of 0.00017
[telegram] <Brown> which exchange? (re @Cb: )
[telegram] <Cb> digitalprice
[telegram] <Brown> binance suspected deposit and withdraw (re @Cb: Binance of 0.00017)
[telegram] <Cb> Only one with an online kmd working deposit and withdrawal sadly
[telegram] <Cb> Yeah bittrex as well
[telegram] <Brown> *suspended
[telegram] <Acura360> v0.3.0
Major Update
Latest Komodo binary (release notes)
Sapling ready
Offline Signing (Guide)
CLI display bug fixed
Coin pricing update
ETH & ERC20 token support (list)
Added SUQA, Bitzec
Removed BCBC and ARG (re @Acura360: Agama V0.3.0 Major Upgrade For Sapling 15th December is now available
Download it here:
https://komodoplatform.com/komodo-wallets/)
[telegram] <Cb> Damn bit is pumping orders below me lol anyone want to buy HMU and I’ll lower the price to meet you
[telegram] <borntobe4live> Yes! Thanks again (re @Acura360: DOWNLOADS ARE NOW WORKING !)
[telegram] <Edward_CM>


Hope you had fun. Having a Issue? please let us know on Github.
Thanks for visiting us. It means a lot having you around.
This a web application that takes a user's birthday and calculates the day of the week they were born and then depending on their gender outputs their Akan Name.
Akan names are derived from Ghanian culture. Frequently in Ghana, children are given their first name as a 'day name' which corresponds to the day in the week they were born. Here are Ghanian day names.
Most people do know when their birthdays are, but some might not know what day of the week they were born.
Luckily for us, there are ways to calculate the day of the week from a specific date using the form.
Thanks for visiting us. It means a lot having you around.


{% extends "material/base.html" %} {% block content %}
Quantative: {{ Quantative }}
Logical: {{ logical }}
Writing: {{ comms}}
Using {{ model_selected }} on {{ clean_data }}ANALYSIS: The candidate has a scope of Improvement in Quantitative
{% elif 50<= 64 %}ANALYSIS: The candidate has a scope of Improvement in Logical
{% elif 53<= 64 %}ANALYSIS: The candidate has a scope of Improvement in Communication
{% else %} {% endif%}


Home
Add Wine
All wines
See on Github
Go Back
Type
Choose Type
Red
White
Rose
Dessert
Other
Year
Name
Country
price
img url
Connection failure, please try again.
Edit
Delete


This converter converts GCode arc movements (G2/3
with
I
and J
) into straight
G1
movements. This is only advisable, if your machine
doesn't support circular arcs. G2
without center point
offset I/J
but radius R
are not supported.
⚠ Disclaimer: Use this converter on you own risk, check the output yourself if it makes sense. Any damage that may occur falls into your responsibility. I used this code successfully to generate CNC gcode for my Snapmaker 2 from FreeCad.
In case you found a bug 🐞 or you miss a feature 🚀 simply create an issue.


Use pagination components in conjunction with Lists, Tables, and Trees to allow for more efficient performance and quick access to specific records in the overall data set.
<fd-pagination>
totalItems: {{data.properties.totalItems}},
itemsPerPage: {{data.properties.itemsPerPage}},
currentPage: {{data.properties.currentPage}},


The object utility class includes an API decorator for object mapping.
Convenience methods for instrumenting object array mapping and retrieval.
Add an object accessor for conveniently storing and retrieving other objects.
var oSomeObject = {};// Instrument oSomeObject with the object accessor APIHemi.object.addObjectAccessor(oSomeObject, "demo");var oChildObject = {};// Add the chid object as "child1"oSomeObject.addNewDemo(oChildObject, "child1");// Retrieve the object referencevar oLookup = oSomeObject.getDemoByName("child1");
A hash of variant identifiers whose value is the index of accessors. The array is created for an object with implementsObjectAccessor, and is stored on the objects sub structure.
array = Hemi.object.accessorindex
A hash of variant names whose value is the index of accessors. The array is created for an object with implementsObjectAccessor, and is stored on the objects sub structure.
array = Hemi.object.accessornames
An array of variant values. The array is created for an object with implementsObjectAccessor, and is stored on the objects sub structure.
array = Hemi.object.accessors
The objects property is used throughout the Hemi JavaScript Framework to store object pointers. This property as created if it does not exist.
object = Hemi.object.objects
Adds the object to the accessor array.
b = addNewAccessor( )
b as boolean: Bit indicating whether the object was added.
Creates object accessors, getAccessorByName, getAccessor, getAccessors, and isAccessor methods, and the Accessors, Accessornames, and Accessorindex arrays on the objects sub structure. It is up to the implementing class to specify the property values jointly in order for the method values to resolve.
b = addObjectAccessor( o, s )
b as boolean: Returns true if the accessors were created.
Creates the deconstructors sigterm and destroy.
b = addObjectDeconstructor( o )
b as boolean: Returns true if the accessors were created.
Clears all arrays and array maps.
void clearAccessors( )
Prepares the object to be destroyed. As a decoration, this method invokes any locally defined handle_destroy handler and increments the internal ready_state to five (5). The method is created for an object with addObjectDeconstructor.
void destroy( )
Returns the accessor for the given index. The method is created for an object with implementsObjectAccessor.
v = getAccessor( )
v as variant: The value of the accessor.
Returns the accessor based on the specified name. The method is created for an object with implementsObjectAccessor.
v = getAccessorByName( )
v as variant: The value of the accessor.
Returns the accessors array. The method is created for an object with implementsObjectAccessor.
a = getAccessors( )
a as array: The accessor array.
Returns true if the accessor exists. The method is created for an object with implementsObjectAccessor.
b = isAccessor( )
b as boolean: Bit indicating whether the accessor exists.
Removes the specified object from the accessor arrays.
void removeAccessor( )
Sends a termination signal to the object. This automatically invokes the destroy method. The method is created for an object with addObjectDeconstructor.
void sigterm( )
[ Hemi JavaScript Framework - Stephen W. Cote, 2002 - 2013. ]


Home
Film
Departments
PastShows
CurrentShows
CoreTools
Advertising
Departments
Previous Commercials
Current Commercials
TechAnim
Training
Academy
All Tutorials
Pipeline
Digital Tutors
Technology
Organisation and Processes
Troubleshooting and FAQs
Online Tools
Multisite / Syncing
Metro Menu
Tab A
Book
Music
Content of A
Content of B
Content of C
About
Contact


Sequencing
While The End State gives us guidance of where to aim at, we consider an equally hard problem to find a plausible path that leads us there.
While much of the environment is changing and evolving as we speak, there are concrete flows that are inviable right now and enough signals about the principles and challenges ahead of us.
Much of this is evolving quickly and we are adapting as we learn, but here is our best representation of how we expect features to be developed:
| Stage | Timeline | Description |
|---|---|---|
| Stage 0 | 2020 | Understanding of the problem and properties of the end state |
| Stage 1 | 2021 | dev trials in Q1/Q2 (instructions) and origin trials in Q3/Q4 of alternatives to third party cookies |
| Stage 2 | 2021+ | origin trials of alternatives to top level navigation |
| Stage 3 | 2021++ | other related problems and opportunities |
Stage 1: Third Party Cookies
The more urgent problem that clearly has already affected federation (or is about to) is the blocking of third party cookies. We plan to tackle this first:
- Why, What and When? Today, third party cookies are blocked on Safari and Firefox. They are in the process of becoming obsolete in Chrome in the foreseeable future.
- So What? logging out, social buttons and widgets personalization breaks. (anything else? add your use case here)
- Ok ... Now What? Here are some early proposals on how to preserve these use cases.
- Who and Where?: Browser vendors, identity providers, relying parties and standard bodies are involved. The discussions so far have happened at the WICG and at the OpenID foundation.
Stage 2: Bounce Tracking
Bounce tracking comes next. It is a more evolving situation, but has much more profound implications to federation:
- Why, What and When? Safari's periodic storage purging and SameSite=Strict jail, Firefox's periodic storage purging and Chrome's stated privacy model for the Web.
- So What? Purging or partitionig storage across redirects / posts forces users to re-authenticate at each transition of federation flows, at best defeating the convenience that federation provides and at worst making it less secure (anything else? add your use case here.)
- Ok ... Now What? Here are some early proposals on how to preserve these use cases.
- Who and Where?: Browser vendors, identity providers, relying parties and standard bodies are involved. The discussions so far have happened at the WICG and at the OpenID foundation.
Stage 3: Future Work
There are a series of related problems that affect federation that we believe we have a unique opportunity to tackle as a consequence of the choices that we make in stage 1 and 2.
These are key and important problems, but a lot less urgent, so we are being very deliberate about when and how much to focus on them.


MAGNOLIA (director/writer: Paul Thomas Anderson; cinematographer: Robert Elswit; cast: Jeremy Blackman (Stanley Spector), Tom Cruise (Frank T. J. Mackey), Melinda Dillon (Rose Gator), April Grace (Gwenovier, reporter), Luis Guzman (Luis), Philip Baker Hall (Jimmy Gator), Philip Seymour Hoffman (Phil Parma), Ricky Jay (Burt Ramsey), Orlando Jones (Worm), William H. Macy (Donnie Smith, quiz kid), Alfred Molina (Solomon Solomon), Julianne Moore (Linda Partridge), John C. Reilly (Jim Kurring), Jason Robards (Earl Partridge), Melora Walters (Claudia Wilson Gator), Michael Bowen (Stanley's father), 1999)
Reviewed by Dennis Schwartz
This is a wonderfully chaotic work, meriting high praise for what it tried to do and not condemnation for what it failed to do. There's such a thing as something being spoiled because it has too many good things going for it. That is the case with this ensemble dramatic piece, whose most telling fault is that it eventually resembles an overblown soap opera, going on for far too long. Its three hours length and many subplots will attest to that, even though it is artfully woven together, but could in all honesty, have enough material for five other movies within it. Therefore it is not surprising that the ingenuously talented director, the 29-year-old Paul Thomas Anderson (Boogie Nights/Hard Eight), had to finally tie-up all the loose ends of the story into a nice knot, which resulted in an ending that won't please too many because it might seem absurd. But I found myself accepting of its biblical ending and was impressed by the overall stupendous effort of this exuberant film, that is pumped with self-confidence and a virtuoso style. A work that mirrors greatness even if it doesn't quite keep that greatness in proper focus.
The film does go on for too long, with the only thing that could save it from never ending is a biblical miracle, but it settles instead for a plague right out of Exodus in the Bible to make its farewell. That improbable ending was set up and apologized for in its prologue by the offscreen narrator, who explained three different bizarre chance happenings as unlikely but possible, giving cause for the improbable ending the film comes up with, and after all, how absurd could that ending be, if the Bible used the same material! In one of those prologue pieces, a London druggist, in 1911, named Greenberryhill, gets killed by three drifters named, Green, Berry, and Hill.
The reward the viewer gets for sitting through the long and highly structured but at times confusing film, that tries to picture life as being a matter of coincidences, is how brilliant the individual skits were and how fine the acting was. The cast, of Anderson regulars Philip Baker Hall, Philip Seymour Hoffman, William H. Macy, Julianne Moore, and John C. Reilly, are larger than life figures. To see Jason Robards as a dying old crotchety TV mogul, with a tube up his nose, made for some effective dramatics. Even Tom Cruise, as his estranged son, playing an obnoxious hustling infomercials maker for the product he is selling to men, so that they can conquer women, was done with a blend of humor and pathos, making his role less obnoxious than it could have been. In a role that reminded me, of Jean-Pierre Leaud' outlandish performance in "Irma Vep." Here, Cruise goes for the jugular, as a boorish male predator, someone who is just plain unlikable and prone to going off on rants. What Cruise does, is parody himself and other box-office stars with big egos. Cruise is becoming a noticeably more polished actor ever since his Kubrick stint in "Eyes Wide Shut," and deserves much praise for this role.
This is a Los Angeles based film about the casualities of modernism, each one lost in their own shame and failure to be loved. Each life is depicted as being that of a victim, who has been affected by the mass culture of the TV and popular musical worlds, and crippled psychologically by such after-effects. They are all-tied together too neatly and the outcome of their sufferings is too predictable for my taste. But that can't begin to explain how penetrating a human drama this is and how acutely aware the young director is of the people's misery and heartaches he highlights. He is mostly guilty of being excessive, wanting to put too much of a good thing on the plate, in this Robert Altman's Short Cuts-Nashville like production. But Anderson offers more meat in his character's parts than did Altman and more finesse in telling his story, allowing his actors to expand their roles more.
The film involves the lives of these nine characters during one rainy day in Southern California. They are each connected for one of the following reasons: because something happened in their past that stunted their growth, by their family relationships, and by mere coincidence. And, even though all their lives don't intersect, they are all fighting the same battle to have a clean slate, whether they realize it or not.  There's also the game show's wealthy producer, who lies in pain as he is dying, requesting only to speak to his son who won't talk to him now, Earl Partridge (Jason Robards), and the gorgeous younger, unfaithful wife he married when he left his cancer striken first-wife, the now hysterical and remorseful Linda (Julianne Moore), and Earl's estranged son, who when he was 14-years-old nursed his abandoned mother suffering from cancer until she died, the TV pitchman, full of denial and hatred about his past, Frank T. J. Mackey (Tom Cruise), and finally, the home care nurse, Phil Parma (Philip Seymour Hoffman), who is sexually frustrated, given to read Hustler magazine, but who is dedicated to looking out for Mr. Partridge as best as he can.
The performances by all were superb, but Reilly's and Hoffman's were better than superb, in a film that didn't have a featured player, but allowed each performer to take his or her time telling their story, as Anderson was able to create a somewhat seamless work out of this separate skits, making use of different camera angles, using TV intercutting methods, fast-cut editing, and utilizing a provocative visual style. He also made the story seem fresh and moving in many different directions to catch all the personalities involved in the story. He also made use of a song, through the performance of Aimee Mann, who somewhere more than half-way through the film, sings the theme song of the film, and it is heard first by one character, then another, until all the film's troubled souls are brought together by a single refrain. "It's not ... going to stop," as each one sings, as if signaling the approach of some impending doom.
Whatever fault one might find with the film, that fault is countered by how interesting and refreshing the film felt, and with the director's flair for taking risks. The unbelievable tale puts one into the mood of the magic happening onscreen, and the magic was not necessarily in what was extraordinary and not in the cleverly plotted coincidences, but in the telling tragedies of the lost souls and their injured psyches, casualities that are inevitable in America's modern world of consumerism. The cry for love can be heard on the lips of the two deathlike, philandering fathers, and on all the other lost souls, each searching for a place to fit in and for a way to love someone and be loved in return.
Incidently, the title of the film comes from the name on the street sign.
REVIEWED ON 1/28/2000 GRADE: A-
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


About Me
31 years old, born in Brazil, and currently living in Victoria, British Columbia, Canada. Highly passionate professional who thrives on working with challenges using technology, particularly through lines of code and logical reasoning. With proficiency in Fullstack Web Development, Quality Assurance, and Software Architecture, backed by over 10 years of experience, I possess a strong foundation in these areas. I am always open to learning new technologies and embracing new challenges. Currently, I am seeking a challenging software engineering role where I can leverage my skills and drive the development of innovative solutions.


flowers (carousel)
Carousel help: use the carousel controls to toggle the visibility of their respective panels (below the controls).
rose (panel)
Some info about rose
Bla bla bla... all about rose...
A link to a page with more infos about rose!
More elements can come here related to rose
Maybe even some form element where you can enter a name for your rose:
tulip (panel)
Some info about tulip
Bla bla bla... all about tulip...
A link to a page with more infos about tulip!
More elements can come here related to tulip
Maybe even some form element where you can enter a name for your tulip:
sunflower (panel)
Some info about sunflower
Bla bla bla... all about sunflower...
A link to a page with more infos about sunflower!
More elements can come here related to sunflower
Maybe even some form element where you can enter a name for your sunflower:


Welcome to the Webxi content creator! You can use this tool to quickly create Social Media content for your users on the go. Drag this text around to move it, and click on words to apply styles! For more options, and to enter new text, use the options panel. To save your image, take a screenshot!
Follow Us! @webxicanada Editing enabled! Disable to activate dragging.Main Content
Reset Position
Lost content? Click here to reset it!


This extension uses the Pdfcrowd online service to create PDFs from web pages. If you like the extension please consider supporting us by buying a Premium License, which lets you customize your PDFs beyond the defaults.
Here is how:For more info about the extension please visit the homepage. Here is a screenshot of the available options:
» Are you a developer? Try out our HTML to PDF API and create PDF in your applications. «


# cordova-plugin-geolocation
This plugin provides information about the device's location, such as
latitude and longitude. Common sources of location information include
Global Positioning System (GPS) and location inferred from network
signals such as IP address, RFID, WiFi and Bluetooth MAC addresses,
and GSM/CDMA cell IDs. There is no guarantee that the API returns the
device's actual location.
This API is based on the
[W3C Geolocation API Specification](http://dev.w3.org/geo/api/spec-source.html),
and only executes on devices that don't already provide an implementation.
__WARNING__: Collection and use of geolocation data
raises important privacy issues. Your app's privacy policy should
discuss how the app uses geolocation data, whether it is shared with
any other parties, and the level of precision of the data (for
example, coarse, fine, ZIP code level, etc.). Geolocation data is
generally considered sensitive because it can reveal user's
whereabouts and, if stored, the history of their travels.
Therefore, in addition to the app's privacy policy, you should
strongly consider providing a just-in-time notice before the app
accesses geolocation data (if the device operating system doesn't do
so already). That notice should provide the same information noted
above, as well as obtaining the user's permission (e.g., by presenting
choices for __OK__ and __No Thanks__). For more information, please
see the Privacy Guide.
This plugin defines a global `navigator.geolocation` object (for platforms
where it is otherwise missing).
Although the object is in the global scope, features provided by this plugin
are not available until after the `deviceready` event.
document.addEventListener("deviceready", onDeviceReady, false);
function onDeviceReady() {
console.log("navigator.geolocation works well");
}
## Installation
This requires cordova 5.0+ ( current stable 1.0.0 )
cordova plugin add cordova-plugin-geolocation
Older versions of cordova can still install via the deprecated id ( stale 0.3.12 )
cordova plugin add org.apache.cordova.geolocation
It is also possible to install via repo url directly ( unstable )
cordova plugin add https://github.com/apache/cordova-plugin-geolocation.git
## Supported Platforms
- Amazon Fire OS
- Android
- BlackBerry 10
- Firefox OS
- iOS
- Tizen
- Windows Phone 7 and 8
- Windows 8
- Windows
## Methods
- navigator.geolocation.getCurrentPosition
- navigator.geolocation.watchPosition
- navigator.geolocation.clearWatch
## Objects (Read-Only)
- Position
- PositionError
- Coordinates
## navigator.geolocation.getCurrentPosition
Returns the device's current position to the `geolocationSuccess`
callback with a `Position` object as the parameter. If there is an
error, the `geolocationError` callback is passed a
`PositionError` object.
navigator.geolocation.getCurrentPosition(geolocationSuccess,
[geolocationError],
[geolocationOptions]);
### Parameters
- __geolocationSuccess__: The callback that is passed the current position.
- __geolocationError__: _(Optional)_ The callback that executes if an error occurs.
- __geolocationOptions__: _(Optional)_ The geolocation options.
### Example
// onSuccess Callback
// This method accepts a Position object, which contains the
// current GPS coordinates
//
var onSuccess = function(position) {
alert('Latitude: ' + position.coords.latitude + '\n' +
'Longitude: ' + position.coords.longitude + '\n' +
'Altitude: ' + position.coords.altitude + '\n' +
'Accuracy: ' + position.coords.accuracy + '\n' +
'Altitude Accuracy: ' + position.coords.altitudeAccuracy + '\n' +
'Heading: ' + position.coords.heading + '\n' +
'Speed: ' + position.coords.speed + '\n' +
'Timestamp: ' + position.timestamp + '\n');
};
// onError Callback receives a PositionError object
//
function onError(error) {
alert('code: ' + error.code + '\n' +
'message: ' + error.message + '\n');
}
navigator.geolocation.getCurrentPosition(onSuccess, onError);
### Android Quirks
If Geolocation service is turned off the `onError` callback is invoked after `timeout` interval (if specified).
If `timeout` parameter is not specified then no callback is called.
## navigator.geolocation.watchPosition
Returns the device's current position when a change in position is detected.
When the device retrieves a new location, the `geolocationSuccess`
callback executes with a `Position` object as the parameter. If
there is an error, the `geolocationError` callback executes with a
`PositionError` object as the parameter.
var watchId = navigator.geolocation.watchPosition(geolocationSuccess,
[geolocationError],
[geolocationOptions]);
### Parameters
- __geolocationSuccess__: The callback that is passed the current position.
- __geolocationError__: (Optional) The callback that executes if an error occurs.
- __geolocationOptions__: (Optional) The geolocation options.
### Returns
- __String__: returns a watch id that references the watch position interval. The watch id should be used with `navigator.geolocation.clearWatch` to stop watching for changes in position.
### Example
// onSuccess Callback
// This method accepts a `Position` object, which contains
// the current GPS coordinates
//
function onSuccess(position) {
var element = document.getElementById('geolocation');
element.innerHTML = 'Latitude: ' + position.coords.latitude + '
' +
'Longitude: ' + position.coords.longitude + '
' +
'


Solutions needed to huge housing backlog 22 Nov 2019, 07:29 by Nuusita Ashipala Home \ National \ Solutions needed to huge housing backlog - New Era Live


Click me to add a note!
Click me to remove note with id=6
Change URL in note id=6
Click me to get Node with id 6! (note this can fail if there is no node with id = 6
infotext
Click me to dump the full tree via recursion. (This will fail if a node is removed.)
Click me to dump the full tree.
Click me to search.
- one
- two
- three
- four


Freecell Solver version 2.38.0 has been released. It is available in the form of a source tarball from the download page.
This is a minor release which makes sure one can build Freecell Solver outside the source distribution (e.g: mkdir build ; cd build ; cmake ..) without AsciiDoc, adds a --pysolfc (or an -F for short) flag to make_pysol_freecell_board.py and fixes one of the help displays.


BUAF
`Prev `__
B
`Next `__
--------------
**BUAF**: //, n.
[abbreviation, from ``alt.fan.warlord``] Big Ugly ASCII Font — a special
form of `*ASCII art* <../A/ASCII-art.html>`__. Various programs exist
for rendering text strings into block, bloob, and pseudo-script fonts in
cells between four and six character cells on a side; this is smaller
than the letters generated by older `*banner* `__ (sense 2)
programs. These are sometimes used to render one's name in a `*sig
block* <../S/sig-block.html>`__, and are critically referred to as
BUAFs. See `*warlording* <../W/warlording.html>`__.
--------------
+-------------------------+----------------------------+-------------------------+
| `Prev `__ | `Up <../B.html>`__ | `Next `__ |
+-------------------------+----------------------------+-------------------------+
| BSOD | `Home <../index.html>`__ | BUAG |
+-------------------------+----------------------------+-------------------------+


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/open_locale.20scoping.html ---
If open_locale
appears inside a section/namespace, are its effects scoped to that section/namespace?
Yes, it has the same effect as writing
local notation ... local attribute ...
in that spot
How did you manage that?
Oh, I see, nevermind :P
for others wondering the same: it's calling emit_code_here
to run exactly those commands.
Last updated: Apr 24 2020 at 19:02 UTC


Sean S Steele
Unafffiliated
Old Steel LLC
I served in the United States Marine Corps, and furthered my education post-service with a bachelors equivalent in Airframe and Powerplant maintenance. I also am skilled in the trades of carpentry and appliance repair.
80614
In 2007, I worked with some grassroots supporters for the Obama administration at my high school. In 2016 I had a brief internship with the trump campaign.
I was involved with the Englewood Masonic lodge #166 in 2015-2016. While I do not have much experience with working in volunteer groups, I would like to start by getting involved and giving back to the community that has given me so much. I hope to be considered for the honor of helping protect fairness in our elections, as it is my civic duty.
My experience stems from my military service, and from my previous occupations. I was able to use my skills and knowledge to help people in need, from repairing broken appliances to rebuilding structures in peoples homes.
From when I was a young age, I knew that I wanted to serve my country and my state. My time in the military allowed me the privilege to help people from around the world, and I earned a presidential unit citation and a humanitarian service medal for my work in Japan during operation Tomodachi, the US/Japanese disaster relief after the 2011 earthquake and tsunami. I was able to bring much needed food and medical supplies to the distraught people of the area, and this firmly cemented my understanding that giving is its own reward. I have had a strong dedication to this country and my community for as long as I can remember, and this would be an excellent opportunity for me to get involved.
One of my strongest traits is my compelling charisma. I am able to carry on meaningful conversations and share ideas with people of any background regardless of race, religion, political leanings or gender identity. I enjoy challenging my belief system by exposing myself to new ideas. In an age where political divisiveness is the name of the game, the ability to engage with people regardless of physical traits is a rare quality that I am happy to bring to the table.
During my military career, I was a crew chief on a medium-lift supply helicopter. I had to react quickly in a highly dynamic environment, and work directly alongside people from all over the world. I have the ability to recognize problems quickly, and resolve them; sometimes using unorthodox or untested methods. In spite of an early life ADHD diagnosis, I have overcome that obstacle and have become a valuable asset to the teams that I have had the privilege of working with over the years.


New Order
Order ID:
Item ID:
Quantity:
Service also available over SOAP. Try with
soapUI
using the
Service WSDL
.


{% extends "site.html" %} {% block title %}payment processed{% endblock %} {% block content %}
Your tapiriik account is now set up for automatic synchronization. You can head back to the dashboard or close this window.


jsCronUI
Init Schedule Before Doing Anything. This proves nothing is wired to document.ready
Okay already, get on with it!
Read Cron
CRON String
English Description
Error Message


Main
Create Account
Login
Join Event
Upload Songs
Create Event
About
Register
Email:
First Name:
Last Name:
Username:
Password:
Re-enter Password:
Are you a DJ?:
Create Account
Already a member?
Login


| Properties | Tracked Data |
|---|---|
| Current Latitude | ° |
| Current Longitude | ° |
| Current Continent | |
| Country Code | |
| Current Country |
|
| Current State | |
| State Code | |
| Current City | |
| Specific Address | |
| Active Cases | |
| Deaths | |
| Total Recovered Cases | |
| Total Confirmed Cases |


{# The basic template for the project display, using data pulled from GitHub and formatted by myself #}


Vendor Name:
ADVANCED CHIPPEWA TECHNOLOGIES INC.
Reference Number:
X00130867
Contract Date:
2014-04-07
Description of Work:
1283 Computer Equipment related to Distributed Computing Environment (DCE)—Desktop/Personal/Portable (Includes all related parts and peripherals)
Contract Period:
2014-04-07 to 2014-01-10
Delivery Date:
2014-01-10
Original Contract Value:
$52,446.46
Current Contract Value:
$52,446.46
Comments:
This contract is a result of an advance contract award notice administered by Public Works and Government Services Canada.
Former Public Servant in Receipt of a Pension under the Public Service Superannuation Act:
No


public class Route
extends ApplicationCallPipeline
Describes a node in a routing tree
ApplicationCallPipeline.ApplicationPhase
ApplicationPhase
| 构造器和说明 |
|---|
Route(Route parent,
RouteSelector selector)
Describes a node in a routing tree
|
| 限定符和类型 | 方法和说明 |
|---|---|
Route |
createChild(RouteSelector selector)
Creates a child node in this node with a given selector or returns an existing one with the same selector
|
java.util.List<io.ktor.routing.Route> |
getChildren()
List of child routes for this node
|
Route |
getParent() |
RouteSelector |
getSelector() |
void |
handle(kotlin.jvm.functions.Function3<? super io.ktor.pipeline.PipelineContext<kotlin.Unit,? extends io.ktor.application.ApplicationCall>,? super kotlin.Unit,? super kotlin.coroutines.experimental.Continuation<? super kotlin.Unit>,? extends java.lang.Object> handler)
Installs a handler into this route which will be called when the route is selected for a call
|
void |
intercept(io.ktor.pipeline.PipelinePhase phase,
kotlin.jvm.functions.Function3<? super io.ktor.pipeline.PipelineContext<kotlin.Unit,? extends io.ktor.application.ApplicationCall>,? super kotlin.Unit,? super kotlin.coroutines.experimental.Continuation<? super kotlin.Unit>,? extends java.lang.Object> block)
Installs an interceptor into this route which will be called when this or a child route is selected for a call
|
void |
invoke(kotlin.jvm.functions.Function1<? super io.ktor.routing.Route,kotlin.Unit> body)
Allows using route instance for building additional routes
|
java.lang.String |
toString() |
getReceivePipeline, getSendPipeline
public Route(Route parent, RouteSelector selector)
Describes a node in a routing tree
parent
- is a parent node in the tree, or null for root nodeselector
- is an instance of class RouteSelector
for this nodepublic java.util.List<io.ktor.routing.Route> getChildren()
List of child routes for this node
public Route createChild(RouteSelector selector)
Creates a child node in this node with a given selector or returns an existing one with the same selector
public void invoke(kotlin.jvm.functions.Function1<? super io.ktor.routing.Route,kotlin.Unit> body)
Allows using route instance for building additional routes
public void handle(kotlin.jvm.functions.Function3<? super io.ktor.pipeline.PipelineContext<kotlin.Unit,? extends io.ktor.application.ApplicationCall>,? super kotlin.Unit,? super kotlin.coroutines.experimental.Continuation<? super kotlin.Unit>,? extends java.lang.Object> handler)
Installs a handler into this route which will be called when the route is selected for a call
public void intercept(io.ktor.pipeline.PipelinePhase phase, kotlin.jvm.functions.Function3<? super io.ktor.pipeline.PipelineContext<kotlin.Unit,? extends io.ktor.application.ApplicationCall>,? super kotlin.Unit,? super kotlin.coroutines.experimental.Continuation<? super kotlin.Unit>,? extends java.lang.Object> block)
Installs an interceptor into this route which will be called when this or a child route is selected for a call
public java.lang.String toString()
public Route getParent()
public RouteSelector getSelector()


{% extends "layout.html" %} {% block body %}
Roles define your ability to change essense in automaton. Now roles consists of:


DOMDocument::xinclude
(PHP 5, PHP 7)
DOMDocument::xinclude — Substitutes XIncludes in a DOMDocument Object
说明
public int DOMDocument::xinclude ([ int $options ] )
This method substitutes » XIncludes in a DOMDocument object.
Note:
Due to libxml2 automatically resolving entities, this method will produce
unexpected results if the included XML file have an attached DTD.
参数
options
libxml parameters. Available since PHP 5.1.0 and Libxml 2.6.7.
返回值
Returns the number of XIncludes in the document, -1 if some processing failed,
or FALSE if there were no substitutions.
范例
Example #1 DOMDocument::xinclude() example
Books of the other guy..
xinclude: book.xml not found
EOD;
$dom = new DOMDocument;
// let's have a nice output
$dom->preserveWhiteSpace = false;
$dom->formatOutput = true;
// load the XML string defined above
$dom->loadXML($xml);
// substitute xincludes
$dom->xinclude();
echo $dom->saveXML();
?>
以上例程的输出类似于：
Books of the other guy..
The Grapes of Wrath
John Steinbeck
en
0140186409
The Pearl
John Steinbeck
en
014017737X
Samarcande
Amine Maalouf
fr
2253051209
User Contributed Notes 1 note
===============================================================================
If you use the loadXML() method instead of the load() one (let's say, to
process the XML string before loading and parsing it), you will have problems
with xinclude(), because the parser will not know where to find the files to
include.
Using chdir() before xinclude() will not help.
The solution is to set the documentURI property of the DOMDocument object
accordingly to it's original filename, and everything will work fine !
documentURI = $file;
$doc->loadXML($xml);
$doc->xinclude();
?>


The SAFECode compiler is a memory safety compiler built using the LLVM Compiler Infrastructure and the Clang compiler driver. A memory safety compiler is a compiler that inserts run-time checks into a program during compilation to catch memory safety errors at run-time. Such errors can include buffer overflows, invalid frees, and dangling pointer dereferences.
With additional instrumentation to track debugging information, a memory safety compiler can be used to find and diagnose memory safety errors in programs (this functionality is similar to what Valgrind does).
This manual will show how to compile a program with the SAFECode compiler and how to read the diagnostic output when a memory safety error occurs.
The easiest way to use SAFECode is to use the modified version of Clang that comes in the SAFECode distribution. When used in this way, the SAFECode transforms are performed transparently by the Clang compiler.
To activate the SAFECode transforms during compilation, add the -fmemsafety command-line option to the Clang command line:
That's it! Note the use of the -g option; that generates debugging information that the SAFECode transforms can use to enhance its run-time checks.
To configure an autoconf-based software package to use SAFECode, do the following:
Let's say that we have the following C program:
1 #include "stdio.h" 2 #include "stdlib.h" 3 4 int 5 foo (char * bar) { 6 for (unsigned index = 0; index < 10; ++index) 7 bar[index] = 'a'; 8 return 0; 9 } 10 11 int 12 main (int argc, char ** argv) { 13 char * array[100]; 14 int max = atoi (argv[1]); 15 16 for (int index = max; index >= 0; --index) { 17 array[index] = malloc (index+1); 18 } 19 20 for (int index = max; index >= 0; --index) { 21 foo (array[index]); 22 } 23 24 exit (0); 25 }
Lines 16-18 allocate character arrays of decreasing size, starting with the argument plus one specified by the user down to an array of one character. Lines 20-22 then call the function foo() which accesses elements 0-9 of the array.
If we compile this program with SAFECode and execute it:
=======+++++++ SAFECODE RUNTIME ALERT +++++++======= = Error type : Load/Store Error = Faulting pointer : 0x100100679 = Program counter : 0x100002493 = Fault PC Source : /Users/criswell/tmp/safecode/test/test.c:7 = = Object allocated at PC : 0x100002ad6 = Allocated in Source File : /Users/criswell/tmp/safecode/test/test.c:17 = Object allocation sequence number : 3 = Object start : 0x100100670 = Object length : 0x9
The first thing to note is the error type. SAFECode is reporting a load/store error, meaning that some memory access is trying to access a memory location that it should not. The second thing to note is the faulting pointer field (0x100100679) which tells us the pointer value that was invalid. SAFECode reports that the error occured on line 7 of test.c; this is what we expect because that is the line in foo() that accesses out-of-bounds memory.
Now look at the "Object start" and "Object length" fields in the report:
= Object start : 0x100100670 = Object length : 0x9
Because this is a load/store error, SAFECode is telling us that a pointer started out within the bounds of the memory object starting at 0x100100670 with length 0x9 but that it went out of bounds to 0x100100679 and was subsequently dereferenced. SAFECode can do this using a technique called pointer rewriting; when a pointer goes out of bounds, SAFECode changes it to point to a reserved, unmapped region in the program's virtual address space. SAFECode tracks enough metadata about memory objects that if it ever detects a dereference of a rewritten pointer (like the example above), it can report the bounds of the original object from which the pointer came. Not only that, SAFECode can even tell us the source line information about the location at which the memory object was allocated:
= Allocated in Source File : /Users/criswell/tmp/safecode/test/test.c:17
Finally, notice the allocation sequence number:
= Object allocation sequence number : 3
A particular source line may be executed multiple times and allocate many objects. The sequence number above tells us that the memory object was the third memory object allocated at the allocation site in main(). This information could be used, for example, to set a breakpoint at the memory allocation site that doesn't trigger until the memory object experiencing the error is actually allocated.


{% extends "help.html" %} {% load static %} {% block title %}Documentation - Manage Users{% endblock %} {% block content_help %}
This help page, and the user management page are hidden from all accounts which are not marked "is staff".
You can access the user management page by clicking here or by clicking the link in the user menu, which is only visible for accounts marked as "is staff".
From this page it is possible to view all users who have registered for this website and various details about their account.
| is staff? | determines whether the user as access to this user administration page |
|---|---|
| email valid? | whether the user has followed the linke in their email and validated the account |
| pw locked? | the user has attempted to reset their password (forgot password), and the process has not been completed |
| block cycle limit | limit on the number of simulations the user can run on a one month rolling basis |
All new accounts have a Block Cycle Limit, which limits the amount of simulations the account can run on a one month rolling basis. Block Cycle Limit is calculated as the size of the storage system (in blocks) multiplied by the number of cycles. New accounts have a default Block Cycle Limit of 500 million. The default limit allows up to 100 simulations with up to 50,000 total blocks in each system, 100 cycles each. Enter -1 to give a user an unlimited block cycle limit. This is an integer field with a max. value of 2,147,483,647. Enter your choice in millions, it will be automatically multiplied by the web framework.
To access the edit user dialog simply click the 'edit' button on the user record.
From within the dialog it is possible to modify the user's block cycle limit and 'is staff' setting.


{% extends "portal/base.html" %} {% block title %}kive for Developers{% endblock %} {% block stylesheets %} {% endblock %} {% block content %} Return to homepage
Add or update Singularity containers.
Inspect and add datatypes.
Gather datatypes for method inputs/outputs.
Access and upload code resources.
Access and build Docker images.
How to apply code resources to data sets.
Assemble pipelines from methods.


Getting started
Open source server vs commercial app
In order to fund further development of RockScript, we are building a commercial product called the RockScript App. The RockScript App includes
- RockScript open source server
- Web UI script editor
- Web UI execution inspector
For now, early access versions are free, but require registration.
Download RockScript App
(Free, early access version)
Run the downloaded jar file with
java -jar rockscript-app.jar examples
The examples
argument will ensure that a couple of example scripts and executions
are initialized when the server starts.
Then open http://localhost:3652/
Limitation: Bear in mind that for now, the server only has an in-memory event store. So each time you reboot the server, it looses all it’s scripts and script executions.
Instructions to build the open source server
To run the server and the command line interface (CLI)
- Java 8 SE JRE+
To build RockScript
- Java 8 JDK+
- Maven 3.3.9+
Clone the rockscript repo
git clone git@github.com:rockscript/rockscript.git
Will create a folder called rockscript
.
Build rockscript.jar and rockscript-cli.jar
Open a terminal in the rockscript
root folder and run
mvn -Pizza clean install
You eventually should see output like
[INFO] rockscript-parent .................................. SUCCESS [ 0.370 s]
[INFO] rockscript-gson .................................... SUCCESS [ 2.752 s]
[INFO] rockscript-http .................................... SUCCESS [ 0.439 s]
[INFO] rockscript ......................................... SUCCESS [ 10.176 s]
[INFO] rockscript-server .................................. SUCCESS [ 6.842 s]
[INFO] ------------------------------------------------------------------------
[INFO] BUILD SUCCESS
That means you have successfully created
rockscript-server/target/rockscript.jar
rockscript-cli/target/rockscript-cli.jar
(see Command line args</a>)
Starting the RockScript server
Start the RockScript server with
java -jar rockscript-server/target/rockscript.jar
You should see output like this
____ _ ____ _ _
| _ \ ___ ___| | __/ ___| ___ _ __(_)_ __ | |_
| |_) / _ \ / __| |/ /\___ \ / __| '__| | '_ \| __|
| _ < (_) | (__| < ___) | (__| | | | |_) | |_
|_| \_\___/ \___|_|\_\|____/ \___|_| |_| .__/ \__|
|_|
Server started on port 3652
Limitation: Bear in mind that for now, the server only has an in-memory event store. So each time you reboot the server, it looses all it’s scripts and script executions.
To check that you have the server running, you can just check open the documentation that is included in the server. Point your browser to http://localhost:3652/
Next, take tutorial and get your first script running.


{% extends "base.html" %} {% block title %} Discography{% endblock %} {% block nav-disc %}class="active"{% endblock %} {% block content %}
The Fake Music Generator provides free computer generated albums that you can use in any way you want. We give you an entire album: cover art, artist, album title, track titles, and even computer generated music. Fake Music Generator
Computer generated music made using cgMusic.
From the author: Yes, you can post music from cgMusic on the internet non-comercially as long as it is clearly stated that the music was generated by cgMusic. cgMusic


Annette's Blog
Reflection
Time and Habits
Technical Blog 1
Technical Blog 2
Emotional Intelligence
Design to Web
Meditation
JavaScript Basics
Daily Mindfulness
Self Confidence
Problem Solving
JavaScript Language
Control
Motivation
Scope
Connecting
Leadership


#{extends 'jqueryui/layout.html'/} #{set title:'Accordion'/}
Use an accordion to define content sections and lazily load the content when the section is opened.
The widget is based on a DIV
that contains headings, using the data-url
attribute value for the
server-side data source.
#{includeVerbatim 'jqueryui/Accordion/div.html'/}
The accordion.js
JavaScript applies the jQuery UI accordion plug-in to this DIV
.
#{includeVerbatim '/public/javascripts/accordion.js'/}
Note the empty action method parameter value, in the DIV
element, which generates the query string part of the URL.
It would be straightforward to modify accordion.js
to use a data-url
attribute on each h3
element to specify the URL for each section.
The server-side starts with a trivial controller that simply renders a view for one location..
#{includeVerbatim 'app/controllers/jqueryui/Accordion.java'/}
The region(String header)
action renders an HTML content section for the clicked header (e.g. ‘Africa’), from
the template region.html
, whose output is simply a comma-separated list of region names:
#{includeVerbatim 'jqueryui/Accordion/region.html'/}


OK… well, I missed selling on the last high. I regret that because I quit my job. I should have cashed out some when that happened, but I wasn’t thinking that way yet. Even still I don’t really feel that bad selling steem at $5 or SBD at $7. I think they’ll be worth more by the end of the month. I think this is just a temporary set back, but all this is getting me to think through money and my investments.
I have a fair amount invested in crypto right now. The bulk of that is in Steem, but I used some of my author rewards to spread out my investment into other cryptos. Ultimately I don’t think that matters too much. All of these altcoins basically go lockstep with btc. I’m hoping/betting that one coin will rise faster than the others, but if I average out my hits and misses I’m betting I’m really mostly tracking my value with the value of btc at any given moment. It’s the rare few that have the bulk of their money sitting on tron before it moons 8M percent.
New Plan
Right now I’m cashing out a small amount of post rewards every day. I’m going to keep doing that to make sure my family has money to operate on. Next up I’ve started a powerdown. My goal here is to invest more in the media side of what I’ve been working on for a while. I recently toured @davidpakman’s studio and am working on a plan to get a lite version of that going. Can think of my studio as a Dogepakman studio. Much fun. Very wow. Such camera!
Anyway, I’m pulling some of that out of the system because I need some fiat to make that baby happen. I’m also hoping to keep more steem as a liquid steem. I want to be able to sell the highs and buy the dips. Some folks make think that HODL is right, and generally I agree, but now that I quit muh jerb I can monitor the market a little better and try to use some best guesses of highs and lows to sell low and buy high… but that takes liquid steem. So, that’s on the radar too.
Spreading some back to fiat
I happen to think this is a small correction of where the market is heading. I think we’ll hit 100k btc by 2020. I think as more people come online it’ll be worth more and more, and as the value goes higher more and more people will want in. Some exchanges are seeing 100k new users a day right now and struggling over the growth. It seems to me there’s more room for growth even if 20k btc seems absurd to us now. That leads me to think that Steem is gonna have a banner year. I think we’ll be at $50 or more by the end of the year. So, I do hate the idea of selling at less than that, but timing matters.
What I’m really looking to be able to do is ladder sell near the highs and ladder buys near the lows and hopefully catch some good discounts on steem while paying my bills. I also think I need to diversify. I’m pretty excited for the returns in crypto, but the risk seems through the rough all the time, and the stress is high too.  But they’re probably single. I’ve got a wife and kids and no stable employment (though I did pickup a nice gig writing a white paper for another coin). So, I’m trying to balance that stuff out.
 I guess I’ll start paying down my house faster…
Cool opportunity
This wasn’t worth it’s own post and I’m hoping they don’t read this, but I made an appointment with a crypto VC firm in Boston. I’m gonna pitch them on the gospel of Steem. This fits in with my mission of growing the steem ecosystem.
Who knows. Could be cool.
Not financial advice
I hate that we’re putting this on these kinda posts. But this is what’s right for me and my family. do what’s right for you and yours. I’m not a financial advisor or at least I don’t self identify taht way. I identify as a vegan diamond encrusted knapsack and clearly those can’t provide financial advice. W/e these disclaimers are dumb.
This page is synchronized from the post: ‘My new financial plan….’


Class IRQ – Handle interrupt requests¶
Constructors¶
An IRQ object cannot be explicitly created, but is created and returned when
a peripherals interrupts are enabled via its irq-function such
as Pin.irq(...)
.
Class methods¶
-
IRQ.
init
()¶ Reinitializes the interrupt. The interrupt will be automatically enabled.
-
IRQ.
__call__
()¶ Manually call the interrupt handler.
-
IRQ.
enable
()¶ Enable the interrupt.
-
IRQ.
disable
()¶ Disable the interrupt.
-
IRQ.
handler
([handler])¶ Set or get handler function
-
IRQ.
flags
()¶ Get the triggers that caused the current interrupt. Only returns useful values when called inside the interrupt handler.


Loading...
Calculation Method
LJPcalc calculates the liquid junction potential according to the stationary Nernst-Planck equation which is typically regarded as superior to the simpler Henderson equation used by most commercial LJP calculators (Marino et al., 2014). Both equations produce similar values, but the Henderson equation under-estimates the junction potential as ion concentrations increase (especially when solutions contain polyvalent ions). For these reasons the LJP reported by LJPcalc may be slightly greater in magnitude than that reported by other LJP calculators.
Final Concentrations
LJPcalc slightly adjusts ion concentrations as it calculates LJP. LJPcalc works to identify a solution that minimizes the difference between the adjusted concentrations and the user-provided concentrations. Except for the penultimate ion, only concentrations on side B are adjusted while calculating LJP. A solution is considered found when all adjusted side B concentrations are so close to the user-provided concentrations that the difference no longer has a significant influence on LJP. Note that the side A or side B concentration for the final and penultimate ions (respectively) may be adjusted to achieve electroneutrality.
Ion Order
LJPcalc automatically sorts the ions into an ideal order before calculating LJP. This is why the ions listed in the results table may appear in a different order than originally provided. The ion with the largest concentration difference is moved to the final position, and its side A concentration may be adjusted as needed to achieve electroneutrality. The remaining ion with the largest side B concentration is moved to the penultimate position, and its side B concentration is be adjusted as needed to achieve electroneutrality. Taken together, the ion-order-specific adjustments made to side B concentrations during the solving process is why the calculated LJP often differs by a few microvolts when the original list of ions is arranged in a different order.
Calculation Time
Some ion sets are more difficult to analyze than others and may take longer to arrive at a solution. Users experiencing long calculation times are encouraged to re-sort the ion list randomly and try again. If the calculation runs for a very long time without producing a solution, consider omitting ions with the smallest concentrations since they do not contribute greatly to LJP anyway. Although I am not aware of any ion sets that LJPcalc cannot solve, if you think you have found one you are invited to share via email<EMAIL_ADDRESS>or by creating a GitHub issue and include a copy of the ion table you are trying to solve including the temperature.
Citing LJPcalc
If you enjoy LJPcalc, consider citing it by name: Liquid junction potential was calculated according to the stationary Nernst–Planck equation (Marino et al., 2014) using LJPcalc software (https://swharden.com/LJPcalc).


| 1 |
Tian_2009 |
Simultaneous extraction and separation of liquiritin, glycyrrhizic acid, and glabridin from licorice root with analytical and preparative chromatography |
Tian, Minglei; Yan, Hongyuan; Row, Kyung Ho |
2009 |
2009-02-03 |
PMC |
N |
PMC7090988 |
|
10.1007/s12257-008-0019-2 |
yz6qi6n7 |
0.988515 |
Tian_2008, Loa_C_2002, Welling_1987, Nagano_1989 |
Tian_2008, Sun_Y_2017 |
| 2 |
Sun_Y_2011 |
Ionic liquid based ultrasonic assisted extraction of isoflavones from Iris tectorum Maxim and subsequently separation and purification by high-speed counter-current chromatography |
Sun, Yinshi; Li, Wei; Wang, Jianhua |
2011 |
2011-04-15 |
PMC |
N |
PMC7105186 |
21444254.0 |
10.1016/j.jchromb.2011.03.010 |
skwe5zfn |
0.986713 |
Tian_2008, Tian_2009, Gupta_2013, Welling_1987, Loa_C_2002 |
Sun_Y_2017, Talebpour_2009 |
| 3 |
Tian_2008 |
Extraction of Glycyrrhizic Acid and Glabridin from Licorice |
Tian, Minglei; Yan, Hongyuan; Row, Kyung Ho |
2008 |
2008-04-16 |
PMC |
N |
PMC2635700 |
19325770.0 |
|
wt07ic4h |
0.986382 |
Tian_2009, Loa_C_2002, Gupta_2013, Jiang_2004 |
Tian_2009, Sun_Y_2017 |
| 4 |
Gupta_2013 |
Development of a validated UPLC–qTOF-MS/MS method for determination of bioactive constituent from Glycyrrhiza glabra |
Gupta, D.K.; Verma, M.K.; Anand, R.; Khajuria, R.K. |
2013 |
2013-01-11 |
None |
N |
PMC5760977 |
29403818.0 |
10.1016/j.jpha.2013.01.001 |
rw0qwdes |
0.975585 |
Wang_2013, Loa_C_2002 |
Talebpour_2009 |
| 5 |
Sabbioni_2005 |
Simultaneous HPLC analysis, with isocratic elution, of glycyrrhizin and glycyrrhetic acid in liquorice roots and confectionery products |
Sabbioni, Cesare; Ferranti, Anna; Bugamelli, Francesca; Forti, Giorgio Cantelli; Raggi, Maria Augusta |
2005 |
2005-11-28 |
PMC |
N |
PMC7167644 |
16454473.0 |
10.1002/pca.877 |
s0pxonu0 |
0.957492 |
Tian_2008, Tian_2009, Gupta_2013 |
|
| 6 |
Yu_K_2007 |
Quantitative analysis and chromatographic fingerprinting for the quality evaluation of Scutellaria baicalensis Georgi using capillary electrophoresis |
Yu, Ke; Gong, Yifei; Lin, Zhongying; Cheng, Yiyu |
2007 |
2007-01-17 |
PMC |
N |
PMC7125791 |
16989969.0 |
10.1016/j.jpba.2006.08.011 |
18ohr5we |
0.957300 |
Tian_2008, Tian_2009, Wang_2013, Gupta_2013 |
|
| 7 |
Wang_2013 |
Qualitative and quantitative analysis of glucosinolates and nucleosides in Radix Isatidis by HPLC and liquid chromatography tandem mass spectrometry |
Wang, Xiuming; Xie, Yuanyuan; Hu, Xiaomei; Li, Youkang; Hu, Ping; Wang, Yiming; Liang, Qionglin; Luo, Guoan |
2013 |
2013-09-30 |
PMC |
N |
PMC7104192 |
|
10.1016/j.apsb.2013.08.002 |
3sqyll6t |
0.930235 |
Gupta_2013, Loa_C_2002, Mant_2007, Tang_2008 |
|
| 8 |
Liu_Y_2014 |
Optimization of the extraction of total flavonoids from Scutellaria baicalensis Georgi using the response surface methodology |
Liu, Yanqing; Wang, Hongwu; Cai, Xuan |
2014 |
2014-03-01 |
PMC |
N |
PMC4375232 |
25829617.0 |
10.1007/s13197-014-1275-0 |
6b6ffsk6 |
0.921668 |
Tian_2008, Tian_2009, Talebpour_2009 |
Talebpour_2009 |
| 9 |
Sun_Y_2011 |
Ultrasound-assisted extraction of five isoflavones from Iris tectorum Maxim |
Sun, Yinshi; Liu, Zhengbo; Wang, Jianhua |
2011 |
2011-03-24 |
PMC |
N |
PMC7108437 |
|
10.1016/j.seppur.2011.01.017 |
ljomd6zn |
0.870803 |
Tian_2008, Tian_2009, Liu_Y_2014, Gupta_2013 |
Zhao_2007, Sun_Y_2011, Sun_Y_2017 |
| 10 |
Dang_2018 |
Efficient Separation of Four Antibacterial Diterpenes from the Roots of Salvia Prattii Using Non-Aqueous Hydrophilic Solid-Phase Extraction Followed by Preparative High-Performance Liquid Chromatography |
Dang, Jun; Cui, Yulei; Pei, Jinjin; Yue, Huilan; Liu, Zenggen; Wang, Weidong; Jiao, Lijin; Mei, Lijuan; Wang, Qilan; Tao, Yanduo; Shao, Yun |
2018 |
2018-03-09 |
COMM-USE |
N |
PMC6017395 |
29522496.0 |
10.3390/molecules23030623 |
z947y7op |
0.818788 |
Tian_2009, Tian_2008, Loa_C_2002, Jiang_2004 |
|
| 11 |
Krokhin_2004 |
Site‐specific N‐glycosylation analysis: matrix‐assisted laser desorption/ionization quadrupole‐quadrupole time‐of‐flight tandem mass spectral signatures for recognition and identification of glycopeptides |
Krokhin, Oleg; Ens, Werner; Standing, Kenneth G.; Wilkins, John; Perreault, Hélène |
2004 |
2004-08-05 |
PMC |
N |
PMC7169070 |
15378712.0 |
10.1002/rcm.1585 |
e8osj08d |
0.815062 |
|
|
| 12 |
Li_L_2017 |
Quantitative determination of residual 1,4-dioxane in three-dimensional printed bone scaffold |
Li, Ling; Long, Jing; Li, Long; Cao, Huijuan; Tang, Tingting; Xi, Xinghua; Qin, Ling; Lai, Yuxiao; Wang, Xinluan |
2017 |
2017-07-17 |
NONCOMM |
N |
PMC5894362 |
29662792.0 |
10.1016/j.jot.2017.06.004 |
qd2te842 |
0.788081 |
|
|
| 13 |
Sabbioni_2005 |
Separation and analysis of glycyrrhizin, 18β-glycyrrhetic acid and 18α-glycyrrhetic acid in liquorice roots by means of capillary zone electrophoresis |
Sabbioni, Cesare; Mandrioli, Roberto; Ferranti, Anna; Bugamelli, Francesca; Saracino, Maria Addolorata; Forti, Giorgio Cantelli; Fanali, Salvatore; Raggi, Maria Augusta |
2005 |
2005-07-15 |
PMC |
N |
PMC7125616 |
16013600.0 |
10.1016/j.chroma.2005.03.044 |
9iqtk21g |
0.782635 |
Tian_2008, Tian_2009, Welling_1987, Wang_2013, Gupta_2013 |
|
| 14 |
Zhao_2009 |
Quantification of carnosine- related peptides by microchip electrophoresis with chemiluminescence detection |
Zhao, Shulin; Huang, Yong; Shi, Ming; Huang, Junming; Liu, Yi-Ming |
2009 |
2009-10-01 |
PMC |
N |
PMC2744379 |
19538931.0 |
10.1016/j.ab.2009.06.012 |
1qyu5zoo |
0.761083 |
|
|
| 15 |
Talebpour_2009 |
Optimization of Microwave-Assisted Extraction for the Determination of Glycyrrhizin in Menthazin Herbal Drug by Experimental Design Methodology |
Talebpour, Zahra; Ghassempour, Alireza; Abbaci, Monireh; Aboul-Enein, Hassan Y. |
2009 |
2009-06-16 |
PMC |
N |
PMC7087648 |
|
10.1365/s10337-009-1146-4 |
dxevu1y3 |
0.745280 |
Tian_2008, Gupta_2013 |
Sun_Y_2017 |
| 16 |
Jiang_2004 |
Preparative purification of glycyrrhizin extracted from the root of liquorice using high-speed counter-current chromatography |
Jiang, Yue; Lu, Hai-Tao; Chen, Feng |
2004 |
2004-04-09 |
PMC |
N |
PMC7125852 |
15072305.0 |
10.1016/j.chroma.2004.01.033 |
40ykj7ca |
0.744472 |
Tian_2008, Tian_2009, Loa_C_2002, Welling_1987 |
|
| 17 |
Cherlet_2012 |
Quantitative analysis of an anti-viral immune escape compound ML-7 in feline plasma using ultra performance liquid chromatography/electrospray ionization mass spectrometry |
Cherlet, Marc; Gleich, Sabine; Dewerchin, Hannah; Nauwynck, Hans; Daminet, Sylvie; De Backer, Patrick; Croubels, Siska |
2012 |
2012-09-15 |
PMC |
N |
PMC7105240 |
22925719.0 |
10.1016/j.jchromb.2012.08.014 |
0hq2co6n |
0.701504 |
Gupta_2013, Wang_2013, Loa_C_2002 |
Berendsen_2011 |
| 18 |
Berendsen_2011 |
Quantitative trace analysis of a broad range of antiviral drugs in poultry muscle using column-switch liquid chromatography coupled to tandem mass spectrometry |
Berendsen, Bjorn J. A.; Wegh, Robin S.; Essers, Martien L.; Stolker, Alida A. M.; Weigel, Stefan |
2011 |
2011-12-16 |
PMC |
N |
PMC3262966 |
22173207.0 |
10.1007/s00216-011-5581-3 |
i3rr3df7 |
0.698678 |
Gupta_2013, Wang_2013, Loa_C_2002, Mant_2007 |
Wang_2013 |
| 19 |
Zhao_2007 |
Investigation on ultrasound assisted extraction of saikosaponins from Radix Bupleuri |
Zhao, Shuna; Kwok, Kin-Chor; Liang, Hanhua |
2007 |
2007-07-01 |
PMC |
N |
PMC7108326 |
|
10.1016/j.seppur.2006.12.002 |
48f7kqbd |
0.683306 |
Tian_2008 |
|
| 20 |
van_Tricht_2018 |
Fast, selective and quantitative protein profiling of adenovirus-vector based vaccines by ultra-performance liquid chromatography |
van Tricht, Ewoud; de Raadt, Pascal; Verwilligen, Annemiek; Schenning, Martijn; Backus, Harold; Germano, Marta; Somsen, Govert W.; Sänger-van de Griend, Cari E. |
2018 |
2018-12-28 |
PMC |
N |
PMC7094600 |
30389208.0 |
10.1016/j.chroma.2018.10.045 |
yc2y2xak |
0.619751 |
Welling_1987 |
|
| 21 |
Shirini_2012 |
Application of Ionic Liquids in Multicomponent Reactions |
Shirini, Farhad; Rad-Moghadam, Kurosh; Akbari-Dadamahaleh, Somayeh |
2012 |
2012-02-08 |
PMC |
N |
PMC7122194 |
|
10.1007/978-94-007-2891-2_12 |
mahe91jb |
0.612407 |
|
Sachdeva_2014 |
| 22 |
Li_W_2016 |
Determination of total organic carbon and soluble solids contents in Tanreqing injection intermediates with NIR spectroscopy and chemometrics |
Li, Wenlong; Qu, Haibin |
2016 |
2016-03-15 |
PMC |
N |
PMC7114577 |
|
10.1016/j.chemolab.2015.12.018 |
86srlles |
0.570633 |
|
Sun_Y_2017, Wang_2013 |
| 23 |
Jiménez-Castells_2007 |
Optimized synthesis of aminooxy-peptides as glycoprobe precursors for surface-based sugar–protein interaction studies |
Jiménez-Castells, Carmen; de la Torre, Beatriz G.; Gutiérrez Gallego, Ricardo; Andreu, David |
2007 |
2007-09-15 |
PMC |
N |
PMC7126385 |
17629701.0 |
10.1016/j.bmcl.2007.06.090 |
s2wemkgs |
0.520245 |
|
|
| 24 |
Sun_Y_2017 |
Ionic liquid-based enzyme-assisted extraction of chlorogenic acid from Flos Lonicera Japonicae |
Sun, Yang; Ding, Song; Huang, He; Hu, Yi |
2017 |
2017-10-24 |
COMM-USE |
N |
PMC7099745 |
|
10.1186/s40643-017-0175-3 |
3wxdiok1 |
0.518864 |
|
|
| 25 |
Luque-Garcia_2007 |
Sample preparation for serum/plasma profiling and biomarker identification by mass spectrometry |
Luque-Garcia, Jose L.; Neubert, Thomas A. |
2007 |
2007-06-15 |
PMC |
N |
PMC7094463 |
17166507.0 |
10.1016/j.chroma.2006.11.054 |
t1fte75h |
0.436235 |
Tang_2008 |
|
| 26 |
Rad-Moghadam_2010 |
Synthesis of symmetrical and unsymmetrical 3,3-di(indolyl)indolin-2-ones under controlled catalysis of ionic liquids |
Rad-Moghadam, Kurosh; Sharifi-Kiasaraie, Masoumeh; Taheri-Amlashi, Homayun |
2010 |
2010-03-27 |
PMC |
N |
PMC7111872 |
|
10.1016/j.tet.2010.02.017 |
yjgfo60f |
0.422603 |
|
|
| 27 |
Mant_2007 |
HPLC Analysis and Purification of Peptides |
Mant, Colin T.; Chen, Yuxin; Yan, Zhe; Popa, Traian V.; Kovacs, James M.; Mills, Janine B.; Tripet, Brian P.; Hodges, Robert S. |
2007 |
2007-01-01 |
PMC |
N |
PMC7119934 |
18604941.0 |
10.1007/978-1-59745-430-8_1 |
gcyzg4ss |
0.385127 |
Tang_2008, Loa_C_2002, Welling_1987, Welling_1987 |
Hong_2013 |
| 28 |
Kirschenbaum_1980 |
Molar absorptivity and A1cm 1% values for proteins at selected wavelengths of the ultraviolet and visible regions—XVIII |
Kirschenbaum, Donald M. |
1980 |
1980-12-31 |
PMC |
N |
PMC7111548 |
6991306.0 |
10.1016/0020-711x(80)90257-8 |
xmc81oqk |
0.335920 |
|
|
| 29 |
Li_X_2017 |
Thermodynamic modelling of solubility and preferential solvation for ribavirin (II) in co-solvent mixtures of (methanol, n-propanol, acetonitrile or 1,4-dioxane)+water |
Li, Xinbao; Cong, Yang; Li, Wentian; Yan, Pengyao; Zhao, Hongkun |
2017 |
2017-12-31 |
PMC |
N |
PMC7126742 |
|
10.1016/j.jct.2017.07.027 |
rhexh20f |
0.311932 |
|
|


ToDo List App
New ToDo
Add ToDo
ToDo
Filter ToDo
Clear ToDo
Edit ToDo
Are you sure you want to clear all your todo entries? This process is irrevocable!


public final class MultipartBuilder
extends java.lang.Object
| Modifier and Type | Field and Description |
|---|---|
static MediaType |
ALTERNATIVE
The "multipart/alternative" type is syntactically identical to
"multipart/mixed", but the semantics are different.
|
static MediaType |
DIGEST
This type is syntactically identical to "multipart/mixed", but the
semantics are different.
|
static MediaType |
FORM
The media-type multipart/form-data follows the rules of all multipart
MIME data streams as outlined in RFC 2046.
|
static MediaType |
MIXED
The "mixed" subtype of "multipart" is intended for use when the body
parts are independent and need to be bundled in a particular order.
|
static MediaType |
PARALLEL
This type is syntactically identical to "multipart/mixed", but the
semantics are different.
|
| Constructor and Description |
|---|
MultipartBuilder()
Creates a new multipart builder that uses a random boundary token.
|
MultipartBuilder(java.lang.String boundary)
Creates a new multipart builder that uses
boundary to separate
parts. |
| Modifier and Type | Method and Description |
|---|---|
MultipartBuilder |
addFormDataPart(java.lang.String name,
java.lang.String value)
Add a form data part to the body.
|
MultipartBuilder |
addFormDataPart(java.lang.String name,
java.lang.String filename,
NetworkRequest value)
Add a form data part to the body.
|
MultipartBuilder |
addPart(NetworkRequest part)
Add a part to the body.
|
NetworkRequest |
build()
Assemble the specified parts into a request body.
|
MultipartBuilder |
type(MediaType type)
Set the MIME type.
|
public static final MediaType MIXED
public static final MediaType ALTERNATIVE
public static final MediaType DIGEST
Content-Type
value for a body part is changed from "text/plain" to
"message/rfc822".public static final MediaType PARALLEL
public static final MediaType FORM
public MultipartBuilder()
public MultipartBuilder(java.lang.String boundary)
boundary
to separate
parts. Prefer the no-argument constructor to defend against injection
attacks.public MultipartBuilder type(MediaType type)
type
are MIXED
(the
default), ALTERNATIVE
, DIGEST
, PARALLEL
and
FORM
.public MultipartBuilder addPart(NetworkRequest part)
public MultipartBuilder addFormDataPart(java.lang.String name, java.lang.String value)
public MultipartBuilder addFormDataPart(java.lang.String name, java.lang.String filename, NetworkRequest value)
public NetworkRequest build()


Assmebly: GoogleClient |
Class Index |
| Sample.GoogleClient | An XML-RPC client using the Google APIs. |
Class Sample.GoogleClient |
Class Index |
Public Methods |
| Main ( ) |
| WriteEntry(System.String,Nwc.XmlRpc.LogLevel) |
LoggerDelegate
compliant method that does logging to Console.
This method filters out the LogLevel.Information
chatter.


OUR BUSINESS
-
ASTM D2466
cNSF and cUPC availableRead more > -
ASTM D2466
cNSF and cUPC availableRead more > -
ASTM D2466
cNSF and cUPC availableRead more > -
ASTM D2466
cNSF and cUPC availableRead more > -
ASTM D2466
cNSF and cUPC availableRead more > -
ASTM D2466
cNSF and cUPC availableRead more > -
ASTM D2466
cNSF and cUPC availableRead more > -
ASTM D2466
cNSF and cUPC availableRead more > -
ASTM D2466
cNSF and cUPC availableRead more >


I launched my new site today!
I am super excited to announce that I launched my new site today! I thought it would be a good idea to make a post about my plans. Who I seek to serve, what I plan to do, why I am doing it, and where I’ve found inspiration.
Who I want to serve.
The audience I seek to serve is small business owners who would like help with their web presence. I specialize in WordPress and I offer a variety of services related to that platform. I’m especially interested in working with professionals in the wedding industry. Photographers, DJ’s, caterers, event planners, officiates, etc.
What I plan to do.
My goal is to provide value to, and build relationships with anyone who is running a business and who has a web presence. I’ll be posting weekly blog posts, on Friday afternoons, with various WordPress and web design related tips and tricks. I plan to cover everything from basic day to day stuff, like this weeks post, to super geeky coding tutorials.
I have a large list of ideas for posts but if you have an idea for something you’d like me to cover please hit my contact form and send a suggestion.
Why I am doing this.
I’ve been working as a professional designer since 2003. My background is in print design and I used to do lot of posters, logos, brochures, small websites and just about everything else under the sun. I love technology and I’ve always been an avid self teacher, so eventually I moved from print design to web design. You can read more in my about section, but the main point is that I was laid off from my job doing WordPress work back in August of 2013 and I’ve been self employed ever since.
Self employment is… different.
The first year and a half was a big change of pace for me and a lot to wrap my head around. I’ve always worked for someone else, working for myself has been a huge change. One thing that became apparent was that I needed to focus my efforts.
My old site.
My previous site was designed with one thing in mind; to land me a job as a web designer. I built the site in December of 2013 and by February of 2013 I had landed a job as a junior front end developer at a small agency in Towson. Mission accomplished! My previous site was great, but it didn’t reflect my current goals. Once I worked out what my current goals actually are, I designed new branding and started work on this site.
My new site.
This site, and my new branding, represents my focus and commitment to web design and web development. It also represents my commitment to share the things that I know and the things that I am learning, with others. Please have a look around and let me know your thoughts. If you see anything that doesn’t look quite right please be sure to let me know as well, either in the comments or via email.
Inspiration
Inspiration comes in a lot of forms. I just want to give a shout out to some people in the creative community who have inspired me in a business sense.
Curtis McHale
First and foremost is Curtis McHale. Curtis’s tagline is “Helping you answer the hard questions about your business”.
Sean McCabe and Ben Toalson
Sean and Ben are the hosts of the seanwes podcast. It’s a podcast focused on helping people earn a living by pursuing their passion. Sounds cliche, but it’s a must-listen. It’s like, self-help meets business advice and I am inspired by every episode that I listen to.
Also…
I also want to mention:
Chris Lema, whose blog has been an inspiration to me since I started on my own.
Matt Medieros, whose Matt Report podcast provides consistent, ongoing value.
Gary Vaynerchuk, whose level of hustle is amazing.
All the people that I listed above do great work. They are all successful entrepreneurs, and they’ve all provided value and inspiration to me.
I hope to do the same.
I’m super excited for this launch, and for what the future holds!


Feature flipping
One of the main feature of Izanami is feature flipping. Feature flipping allow you to activate or passivate a feature in real time.
The clients can check if a feature is active using the REST API.
When you create a feature, you have to select a strategy. You can choose between NO_STRATEGY, RELEASE_DATE, DATE_RANGE, PERCENTAGE, SCRIPT or GLOBAL_SCRIPT
NO_STRATEGY
this is the simpler one, the feature can be active or inactive
RELEASE_DATE
this kind of strategy allow you to enable a feature on a date value in addition to the active boolean.
DATE_RANGE
this kind of strategy allow you to enable a feature on a range of dates in addition to the active boolean.
HOUR_RANGE
this kind of strategy allow you to enable a feature on a range of hour for a day in addition to the active boolean.
PERCENTAGE
this kind of strategy allow you to enable a feature for a percentage of clients. In this strategy, the client need to send a context with an id
field in order to calculate if the feature is enabled or not.
SCRIPT
this kind of strategy allow you to enable a feature using a script execution. On json context should be posted to evaluate if the feature is active or not.
In this example, the feature is active if the user sent in the context is<EMAIL_ADDRESS>:
You can go further following this link.
GLOBAL SCRIPT
Global script strategy is the same as script except that the script are shared between features.
You can find more details about global scripts on this page.
CUSTOMERS LIST
This kind of strategy allow you to enable a feature for set of customers. A use case can be to enable a feature for beta testers. In this strategy, the client need to send a context with an id
field in order to check if the feature is enabled or not.


Home
Partnership
Contact Us
Translate
Twitter
RSS
Login
Submit a Case Study
Find a Case Study
Biodiversity and Human Well-being
Common Case Study Network


Toggle navigation
Euro 2016
Euro 2016
Teams
Team Details
{{team.Team}}
Swagger
Getting started
Team Details
{{team.Team}}
{{main.userinfo.name}}
Logout


FLIGHT ORDER
From
To
enter a city
Sofia
Paris
enter a city
Sofia
Paris
Departure Date
Time Interval
Departure Date
Time Interval
12+
2-12
0-2
Choose class
Economy
Business
Search


Weather App
{{weather.dump.name || weather.city}}
latitude: {{weather.dump.coord.lat}},
longitude: {{weather.dump.coord.lon}}
{{weather.dump.name || 'Your location'}}
latitude: {{geolocation.coords.latitude | coordsFilter}},
longitude: {{geolocation.coords.longitude | coordsFilter }}
Is not defined. Check the GPS and internet. Or select a city.
Updating...
Temperature: {{weather.dump.main.temp}}℃
Pressure: {{weather.dump.main.pressure}}mm
Humidity: {{weather.dump.main.humidity}}%
Somewhy, we can't get a weather for this location.
Updating...


---
layout: post
title: "Superheroes MOOC: The Reading List"
date: 2015-05-11 08:30:00 +0000
tags:
image: https://s3.amazonaws.com/audreywatters/known_copy_fragments.jpg
imagecredits: https://www.flickr.com/photos/cogdog/15223631110/
---
This post first appeared on aud.life
This is the reading list for an edX MOOC I've signed up for, “PopX1.1: Rise of the Superheroes.” It’s not a required reading list, but it sets an interesting tone, I think, for what the instructor/the course values (in terms of superheroes, writers, illustrators).
DC Comics
- Superman: The Greatest Stories Ever Told Volume 1, by various
- Superman Birthright by Mark Waid and Leinil Yu
- Death of Superman, by Dan Jurgens, Jerry Ordway, Louise Simonson, and Roger Stern, illustrated by Jon Bogdanov, Tom Grummett, Jasckson Guice and Dan Jurens
- Superman: Red Son by Mark Millar, Illustrated by Dave Johnson and Killian Plunkett
- Batman: A Celebration of 75 Years, by various
- Batman: Year One, by Frank Miller and David Mazzucchelli
- The Joker: A Celebration of 75 Years, by various
- Batman: The Killing Joke, by Alan Moore and Brian Bolland
- Batman: The Dark Knight Returns, by Frank Miller, illustrated by Kalus Janson and Lynn Varley
- Batman: The Long Halloween, by Jeff Loeb, illustrated by Tim Sale
- Wonder Woman: The Greatest Stories Ever Told, by various
- The Flash: A Celebration of 75 Years, by various
- Shazam! A Celebration of 75 Years, by various
- Green Lantern/Green Arrow, by Dennis O’Neill, illustrated by Neal Adams
- DC: The New Frontier Deluxe Edition, by Darwyn Cooke
- Identity Crisis by Brad Meltzer, illustrated by Rags Morales and Michael Bair
- Watchmen, by Alan Moore, illustrated by Dave Gibbons
Marvel Comics
- Amazing Spider-Man Epic Collection: Great Power, by Stan Lee, illustrated by Steve Ditko
- Spider-Man Death of the Stacys, by Stan Lee, illustrated by Gerry Conway, Gil Kane, and John Romita, Jr.
- X-Men Days of Future Past, by Chris Claremont, illustrated by John Byrne
- X-Men The Dark Phoenix Saga, by Chris Claremont, illustrated by John Byrne
- Fantastic Four Epic Collection: Worlds Greatest Comic Magazine, by Stan Lee, illustrated by Jack Kirby
- Marvel Masterworks: The Invincible Iron Man Volume 1, by Stan Lee, illustrated by Don Heck, Jack Kirby, and Steve Ditko
- Iron Man: Demon in a Bottle, by Paul Jenkins, illustrated by Ramon Bachs
- Marvel Masterworks: Captain America Volume 1, by Stan Lee, illustrated by Jack Kirby
- The Death of Captain America: the Complete Collection, by Ed Brubaker, illustrated by Mike Perkins, Steve Epting, Jackson Guice, Robert De La Torre, and Lee Weeks
- Thor Epic Collection: The God of Thunder, by Stan Lee, illustrated by Jack Kirby, Joe Sinnott, and Don Heck
- Marvel Masterworks: The Incredible Hulk Volume 1, by Stan Lee, illustrated by Jack Kirby and Steve Ditko
- Planet Hulk, by Greg Pak, illustrated by Carlo Pagulayan, Aaron Lopresti, Juan Santacruz, Gary Frank, and Takeshi Miyazawa
- World War Hulk, by Greg Pak, illustrated by John Romita, Jr.
- Avengers Epic Collection: Earth’s Mightiest Heroes, by Stan Lee, illustrated by Larry Lieber, Larry Ivie, Jack Kirby, Don Heck, and Dick Ayers
- Avengers Kree/Skrull War, by Roy Thomas, illustrated by Sal Buscema, John Buscema, and Neal Adams
- Marvel Infinity Gauntlet, by Jim Starlin, illustrated by George Perez and Ron Lim
- Marvel Civil War, by Mark Millar, illustrated by Steve McNiven
- Marvel Secret Wars, by Jim Shooter, illustrated by Mike Zeck and Bob Layton


Doctor Lookup
Where are you?
Address:
What's bugging you?
Medical issue:
Find by name!
Enter first or last name(or both!):
Find a Doctor
Home


Cultural Project Guidelines for FREN 2020 – FALL 2019
What is the Culture Project?
The goal of this project is to allow you to explore, respond to, and deepen your understanding of the many aspects of global Francophone culture. This project asks you to explore the differences between your own culture and those of the Francophone world. We will ask you to reflect on how issues that are relevant to Francophone culture can also speak to your interests, both academic and personal. By the end of this project, you will be able to ask and answer thoughtful questions about a specific Francophone cultural topic, and share your interest and knowledge about this topic with the class. This project will allow you to further develop skills to become a linguistically proficient, culturally competent, and thoughtful global citizen.
This project will be completed in a series of different steps with a partner, and will culminate with an in-class presentation and activity at the end of the semester. Each step of the project will build your knowledge of your chosen topic, as well as the skills you use to analyze and present your topic.
Steps of the Culture Project:
Étape 1: Topic proposal.
A short written post on your Eportfolio where you discuss why you and your partner chose your topic and pose three questions you are interested in exploring about this topic. Your topic proposal should be general, ie, “election systems”—something that you can ask lots of questions about. You’ll tailor your topic to a more specific example in Étape 2.
Étape 2: Exposé.
Prepare a digital “poster” that combines image and text to describe and present a specific example of your topic. This example must be taken from a Francophone context. For example, if you chose the topic “Election systems,” you might choose to present on how elections function in Québec.
Tâche écrite 2.
After your exposé presentation, you’ll write your second tâche écrite of the semester, in which your compare the French or Francophone example that you presented in the exposé to a similar example in your own culture. This composition will be written individually, without your partner. For example, if your exposé was a presentation of elections in Québec, then you might choose to compare the presidential election in the United States to the election of the Prime Minister in Canada for your composition topic. Your partner might choose to write about how Congressional elections in the US compare to those for the Assemblée Nationale in Québec.
Étape 3: Problématique et bibliographie.
After having practiced your cultural comparison skills in Tâche 2, you and your partner will now research your topic and compile a bibliography to deepen your understanding of the relevant issues. You will then ask a thoughtful, debatable question about your topic. For example: “Are the elections in Québec more or less representative than those in the United States?”
Étape 4: In-class presentation, activity, and discussion.
In this final presentation, you and your partner will answer one of the questions that you proposed in étape 3 of the project. Your answer must be a well-supported and debatable thesis statement. For example: “Yes, elections are more representative in Québec than in the United States.” You’ll give a five-minute presentation with a visual support (ie, Powerpoint or video), followed by an interactive class activity.
Detailed instructions and guidelines for each component of the Culture project will be distributed to you over the course of the semester.
Assessment
Your final grade for the Culture Project counts for fifteen percent of your course grade. This grade will be based on the quality of each assignment that you submit throughout the semester, your active engagement with classmates in this on-line environment, and your final in-class presentation. The grade for the project will be determined according to the following percentages:
- Étape 1: Topic proposal (10%)
-
Étape 2: Exposé (30%)
- Tâche écrite 2
- Étape 3: Problématique + bibliography (10%)
- Étape 4: Final in class presentation (50%)
(N.B.—Tâche 2 will be included in the “tâche écrite” percentage of your course grade).