Rand expected the common room to be empty, since it was nearly suppertime, but half a dozen men crowded one table, dicing among their jacks of ale, and another sat by himself over a meal. Though the dicers carried no weapons in sight and wore no armor, only plain coats and breeches of dark blue, something about the way they held themselves told Rand they were soldiers. His eyes went to the solitary man. An officer, with the tops of his high boots turned down, and his sword propped against the table beside his chair.  The soldiers’ hair was clipped short, as if it all had been cut under the same bowl. All seven turned to look as Rand and the others came in.
The innkeeper was a lean woman with a long nose and graying hair, but her wrinkles seemed part of her ready smile more than anything else. She came bustling up, wiping her hands on a spotless white apron. “Good even to you”—her quick eyes took in Rand’s gold-embroidered red coat, and Selene’s fine white dress—“my Lord, my Lady. I am Maglin Madwen, my Lord. Be welcome to The Nine Rings. And an Ogier. Not many of your kind come this way, friend Ogier. Would you be up from Stedding Tsofu, then?”
Loial managed an awkward half bow under the weight of the chest. “No, good innkeeper. I come the other way, from the Borderlands.”
“From the Borderlands, you say. Well. And you, my Lord? Forgive me for asking, but you’ve not the look of the Borderlands, if you don’t mind my saying it.”
“I’m from the Two Rivers, Mistress Madwen, in Andor.” He glanced at Selene—she did not seem to admit he existed; her level look barely admitted that the room existed, or anyone in it. “The Lady Selene is from Cairhien, from the capital, and I am from Andor.”
“As you say, my Lord.” Mistress Madwen’s glance flickered to Rand’s sword; the bronze herons were plain on scabbard and hilt. She frowned slightly, but her face was clear again in a blink. “You’ll be wanting a meal for yourself and your beautiful Lady, and your followers. And rooms, I expect. I’ll have your horses seen to. I’ve a good table for you, right this way, and pork with yellow peppers on the fire. Would you be hunting the Horn of Valere, then, my Lord, you and your Lady?”
In the act of following her, Rand almost stumbled. “No! Why would you think we were?”
“No offense, my Lord. We’ve had two through here already, all polished to look like heroes—not to suggest anything of the kind about you, my Lord—in the last month. Not many strangers come here, except traders up from the capital to buy oats and barley. I’d not suppose the Hunt has left Illian, yet, but maybe some don’t think they really need the blessing, and they’ll get a jump on the others by missing it.”
“We are not hunting the Horn, mistress.” Rand did not glance at the bundle in Loial’s arms; the blanket with its colorful stripes hung bunched over the Ogier’s thick arms and disguised the chest well. “We surely are not. We are on our way to the capital.”
“As you say, my Lord. Forgive me for asking, but is your Lady well?”
Selene looked at her, and spoke for the first time. “I am quite well.” Her voice left a chill in the air that stifled talk for a moment.
“You’re not Cairhienin, Mistress Madwen,” Hurin said suddenly. Burdened down with their saddlebags and Rand’s bundle, he looked like a walking baggage cart. “Pardon, but you don’t sound it.”
Mistress Madwen’s eyebrows rose, and she shot a glance at Rand, then grinned.  “Light, no, I’m not Cairhienin, but for my sins, I married one. Twenty-three years I lived with him, and when he died on me—the Light shine on him—I was all ready to go back to Lugard, but he had the last laugh, he did. He left me the inn, and his brother the money, when I was sure it would be the other way round. Tricksome and scheming, Barin was, like every man I’ve ever known, Cairhienin most of all. Will you be seated, my Lord? My Lady?”
The innkeeper gave a surprised blink when Hurin sat at table with them—an Ogier, it seemed, was one thing, but Hurin was clearly a servant in her eyes. With another quick look at Rand, she bustled off to the kitchens, and soon serving girls came with their meal, giggling and staring at the lord and the lady, and the Ogier, till Mistress Madwen chased them back to their work.
At first, Rand stared at his food doubtfully. The pork was cut in small bits, mixed with long strips of yellow peppers, and peas, and a number of vegetables and things he did not recognize, all in some sort of clear, thick sauce. It smelled sweet and sharp, both at the same time. Selene only picked at hers, but Loial was eating with a will.
Hurin grinned at Rand over his fork. “They spice their food oddly, Cairhienin do, Lord Rand, but for all that, it’s not bad.”
“It won’t bite you, Rand,” Loial added.
Rand took a hesitant mouthful, and almost gasped. It tasted just as it smelled, sweet and sharp together, the pork crisp on the outside and tender inside, a dozen different flavors, spices, all blending and contrasting.  It tasted wonderful. He cleaned his plate, and when Mistress Madwen returned with the serving girls to clear away, he nearly asked for more the way Loial did. Selene’s was still half full, but she motioned curtly for one of the girls to take it.
“A pleasure, friend Ogier.” The innkeeper smiled. “It takes a lot to fill up one of you. Catrine, bring another helping, and be quick.” One of the girls darted away. Mistress Madwen turned her smile on Rand. “My Lord, I had a man here who played the bittern, but he married a girl off one of the farms, and she has him strumming reins behind a plow, now. I couldn’t help noticing what looks like a flute case sticking out of your man’s bundle.
Hurin looked embarrassed.
“He doesn’t play,” Rand explained. “I do.”
The woman blinked. It appeared lords did not play the flute, at least not in Cairhien. “I withdraw the request, my Lord. Light’s own truth, I meant no offense, I assure you. I’d never ask one such as yourself to be playing in a common room.”
Rand hesitated only a moment. It had been too long since he had practiced the flute rather than the sword, and the coins in his pouch would not last forever. Once he was rid of his fancy clothes—once he turned the Horn over to Ingtar and the dagger over to Mat—he would need the flute to earn his supper again while he searched for somewhere safe from Aes Sedai. And safe from myself? Something did happen back there. What?
“I don’t mind,” he said. “Hurin, hand me the case. Just slide it out.” There was no need to show a gleeman’s cloak; enough unspoken questions shone in Mistress Madwen’s dark eyes as it was.
Worked gold chased with silver, the instrument looked the sort a lord might play, if lords anywhere played the flute. The heron branded on his right palm did not interfere with his fingering. Selene’s salves had worked so well he hardly thought of the brand unless he saw it. Yet it was in his thoughts now, and unconsciously he began to play “Heron on the Wing.”
 Selene looked at Rand as if wondering what he was—I’m not a lord, my Lady. I’m a shepherd, and I play the flute in common rooms—but the soldiers turned from their talk to listen, and the officer closed the wooden cover of the book he had begun reading. Selene’s steady gaze struck a stubborn spark inside Rand. Determinedly he avoided any song that might fit in a palace, or a lord’s manor. He played “Only One Bucket of Water” and “The Old Two Rivers Leaf,” “Old Jak’s Up a Tree” and “Goodman Priket’s Pipe.”
With the last, the six soldiers began to sing in raucous tones, though not the words Rand knew.
“We rode down to River Iralell
just to see the Tairen come.
We stood along the riverbank
with the rising of the sun.
Their horses blacked the summer plain,
their banners blacked the sky.
But we stood our ground on the banks of River Iralell.
Oh, we stood our ground.
Yes, we stood our ground.
Stood our ground along the river in the morning.”
It was not the first time that Rand had discovered a tune had different words and different names in different lands, sometimes even in villages in the same land. He played along with them until they let the words die away, slapping each other’s shoulders and making rude comments on one another’s singing.
When Rand lowered the flute, the officer rose and made a sharp gesture. The soldiers fell silent in mid-laugh, scraped back their chairs to bow to the officer with hand on breast—and to Rand—and left without a backwards look.
The officer came to Rand’s table and bowed, hand to heart; the shaven front of his head looked as if he had dusted it with white powder. “Grace favor you, my Lord. I trust they did not bother you, singing as they did. They are a common sort, but they meant no insult, I assure you. I am Aldrin Caldevwin, my Lord, Captain in His Majesty’s Service, the Light illumine him.” His eyes slid over Rand’s sword; Rand had the feeling Caldevwin had noticed the herons as soon as he came in.
“They didn’t insult me.” The officer’s accent reminded him of Moiraine’s, precise and every word pronounced to its full. Did she really let me go? I wonder if she’s following me. Or waiting for me. “Sit down, Captain. Please.” Caldevwin drew a chair from another table. “Tell me, Captain, if you don’t mind. Have you seen any other strangers recently? A lady, short and slender, and a fighting man with blue eyes. He’s tall, and sometimes he wears his sword on his back.”
“I have seen no strangers at all,” he said, lowering himself stiffly to his seat. “Saving yourself and your Lady, my Lord. Few of the nobility ever come here.” His eyes flicked toward Loial with a minute frown; Hurin he ignored for a servant.
“It was only a thought.”
“Under the Light, my Lord, I mean no disrespect, but may I hear your name? We have so few strangers here that I find I wish to know every one.”
Rand gave it—he claimed no title, but the officer seemed not to notice—and said as he had to the innkeeper, “From the Two Rivers, in Andor.”
“A wondrous place I have heard, Lord Rand—I may call you so?—and fine men, the Andormen. No Cairhienin has ever worn a blademaster’s sword so young as you. I met some Andormen, once, the Captain-General of the Queen’s Guards among them. I do not remember his name; an embarrassment. Perhaps you could favor me with it?”
Rand was conscious of the serving girls in the background, beginning to clean and sweep. Caldevwin seemed only to be making conversation, but there was a probing quality to his look. “Gareth Bryne.”
“Of course. Young, to hold so much responsibility.”
Rand kept his voice level. “Gareth Bryne has enough gray in his hair to be your father, Captain.”
“Forgive me, my Lord Rand. I meant to say that he came to it young.” Caldevwin turned to Selene, and for a moment he only stared. He shook himself, finally, as if coming out of a trance. “Forgive me for looking at you so, my Lady, and forgive me for speaking so, but Grace has surely favored you. Will you give me a name to put to such beauty?”
Just as Selene opened her mouth, one of the serving girls let out a cry and dropped a lamp she was taking down from a shelf. Oil splattered, and caught in a pool of flame on the floor. Rand leaped to his feet along with the others at the table, but before any of them could move, Mistress Madwen appeared, and she and the girl smothered the flames with their aprons.
“I have told you to be careful, Catrine,” the innkeeper said, shaking her now-smutty apron under the girl’s nose. “You’ll be burning the inn down, and yourself in it.”
The girl seemed on the point of tears. “I was being careful, Mistress, but I had such a twinge in my arm.”
Mistress Madwen threw up her hands. “You always have some excuse, and you still break more dishes than all the rest. Ah, it’s all right. Clean it up, and don’t burn yourself.” The innkeeper turned to Rand and the others, all still standing around the table. “I hope none of you take this amiss. The girl really won’t burn down the inn. She’s hard on the dishes when she starts mooning over some young fellow, but she’s never mishandled a lamp before.”
“I would like to be shown to my room. I do not feel well after all.” Selene spoke in careful tones, as though uncertain of her stomach, but despite that she looked and sounded as cool and calm as ever. “The journey, and the fire.”
 “Of course, my Lady. I have a fine room for you and your Lord. Shall I fetch Mother Caredwain? She has a fine hand with soothing herbs.”
Selene’s voice sharpened. “No. And I wish a room by myself.”
Mistress Madwen glanced at Rand, but the next moment she was bowing Selene solicitously toward the stairs. “As you wish, my Lady. Lidan, fetch the Lady’s things like a good girl, now.” One of the serving girls ran to take Selene’s saddlebags from Hurin, and the women disappeared upstairs, Selene stiff-backed and silent.
Caldevwin stared after them until they were gone, then shook himself again. He waited until Rand had seated himself before taking his chair again. “Forgive me, my Lord Rand, for staring so at your Lady, but Grace has surely favored you in her. I mean no insult.”
“None taken,” Rand said. He wondered if every man felt the way he did when they looked at Selene. “As I was riding to the village, Captain, I saw a huge sphere. Crystal, it seemed. What is it?”
The Cairhienin’s eyes sharpened. “It is part of the statue, my Lord Rand,” he said slowly. His gaze flickered toward Loial; for an instant he seemed to be considering something new.
“Statue? I saw a hand, and a face, too. It must be huge.”
“It is, my Lord Rand. And old.” Caldevwin paused. “From the Age of Legends, so I am told.”
Rand felt a chill. The Age of Legends, when use of the One Power was everywhere, if the stories could be believed. What happened there? I know there was something.
“The Age of Legends,” Loial said. “Yes, it must be. No one has done work so vast since. A great piece of work to dig that up, Captain.” Hurin sat silently, as if he not only was not listening, but was not there at all.
Caldevwin nodded reluctantly. “I have five hundred laborers in camp beyond the diggings, and even so it will be past summer’s end before we have it clear. They are men from the Foregate. Half my work is to keep them digging, and the other half to keep them out of this village. Foregaters have a fondness for drinking and carousing, you understand, and these people lead quiet lives.” His tone said his sympathies were all with the villagers.
Rand nodded. He had no interest in Foregaters, whoever they were. “What will you do with it?” The captain hesitated, but Rand only looked back at him until he spoke.
“Galldrian himself has ordered that it be taken to the capital.”
Loial blinked. “A very great piece of work, that. I am not sure how something that big could be moved so far.”
“His Majesty has ordered it,” Caldevwin said sharply. “It will be set up outside the city, a monument to the greatness of Cairhien and of House Riatin. Ogier are not the only ones who know how to move stone.” Loial looked abashed, and the captain visibly calmed himself. “Your pardon, friend Ogier. I spoke in haste, and rudely.”  “Will you be staying in Tremonsien long, my Lord Rand?”
“We leave in the morning,” Rand said. “We are going to Cairhien.”
“As it happens, I am sending some of my men back to the city tomorrow. I must rotate them; they grow stale after too long watching men swing picks and shovels. You will not mind if they ride in your company?” He put it as a question, but as if acceptance were a foregone conclusion. Mistress Madwen appeared on the stairs, and he rose. “If you will excuse me, my Lord Rand, I must be up early. Until the morning, then. Grace favor you.” He bowed to Rand, nodded to Loial, and left.
As the doors closed behind the Cairhienin, the innkeeper came to the table.
“I have your Lady settled, my Lord. And I’ve good rooms prepared for you and your man, and you, friend Ogier.” She paused, studying Rand. “Forgive me if I overstep myself, my Lord, but I think I can speak freely to a lord who lets his man speak up. If I’m wrong . . . well, I mean no insult. For twenty-three years Barin Madwen and I were arguing when we weren’t kissing, so to speak. That’s by way of saying I have some experience. Right now, you’re thinking your Lady never wants to see you again, but it’s my way of thinking that if you tap on her door tonight, she’ll be taking you in. Smile and say it was your fault, whether it was or not.”
Rand cleared his throat and hoped his face was not turning red. Light, Egwene would kill me if she knew I’d even thought of it.  Or would she? That did make his cheeks burn. “I . . . thank you for your suggestion, Mistress Madwen. The rooms . . . ” He avoided looking at the blanket-covered chest by Loial’s chair; they did not dare leave it without someone awake and guarding it. “We three will all sleep in the same room.”
The innkeeper looked startled, but she recovered quickly. “As you wish, my Lord. This way, if you please.”
Rand followed her up the stairs. Loial carried the chest under its blanket—the stairs groaned under the weight of him and the chest together, but the innkeeper seemed to think it was just an Ogier’s bulk—and Hurin still carried all the saddlebags and the bundled cloak with the harp and flute.
Mistress Madwen had a third bed brought in and hastily assembled and made up. One of the beds already there stretched nearly from wall to wall in length, and had obviously been meant for Loial from the start. There was barely room to walk between the beds. As soon as the innkeeper was gone, Rand turned to the others. Loial had pushed the still-covered chest under his bed and was trying the mattress. Hurin was setting out the saddlebags.
“Do either of you know why that captain was so suspicious of us? He was, I’m sure of it.” He shook his head. “I almost think he thought we might steal that statue, the way he was talking.”
“Daes Dae’mar, Lord Rand,” Hurin said. “The Great Game. The Game of Houses, some call it. This Caldevwin thinks you must be doing something to your advantage or you wouldn’t be here. And whatever you’re doing might be to his disadvantage, so he has to be careful.”
Rand shook his head. “ ‘The Great Game’? What game?”
“It isn’t a game at all, Rand,” Loial said from his bed. He had pulled a book from his pocket, but it lay unopened on his chest. “I don’t know much about it—Ogier don’t do such things—but I have heard of it. The nobles and the noble Houses maneuver for advantage. They do things they think will help them, or hurt an enemy, or both. Usually, it’s all done in secrecy, or if not, they try to make it seem as if they’re doing something other than what they are.” He gave one tufted ear a puzzled scratch. “Even knowing what it is, I don’t understand it. Elder Haman always said it would take a greater mind than his to understand the things humans do, and I don’t know many as intelligent as Elder Haman. You humans are odd.”
Hurin gave the Ogier a slanted look, but he said, “He has the right of Daes Dae’mar, Lord Rand. Cairhienin play it more than most, though all southerners do.”
“These soldiers in the morning,” Rand said. “Are they part of Caldevwin playing this Great Game? We can’t afford to get mixed in anything like that.” There was no need to mention the Horn. They were all too aware of its presence.
Loial shook his head. “I don’t know, Rand. He’s human, so it could mean anything.”
“Hurin?”
“I don’t know, either.” Hurin sounded as worried as the Ogier looked. “He could be doing just what he said, or . . . That’s the way of the Game of Houses. You never know. I spent most of my time in Cairhien in the Foregate, Lord Rand, and I don’t know much about Cairhienin nobles, but—well, Daes Dae’mar can be dangerous anywhere, but especially in Cairhien, I’ve heard.” He brightened suddenly. “The Lady Selene, Lord Rand. She’ll know better than me or the Builder. You can ask her in the morning.”
But in the morning, Selene was gone. When Rand went down to the common room, Mistress Madwen handed him a sealed parchment. “If you’ll forgive me, my Lord, you should have listened to me. You should have tapped on your Lady’s door.”
Rand waited until she went away before he broke the white wax seal. The wax had been impressed with a crescent moon and stars.
I must leave you for a time.  I will await you in Cairhien. Never think that I am too far from you. You will be in my thoughts always, as I know that I am in yours.
It was not signed, but that elegant, flowing script had the look of Selene.
He folded it carefully and put it in his pocket before going outside, where Hurin had the horses waiting.
Captain Caldevwin was there, too, with another, younger officer and fifty mounted soldiers crowding the street. The two officers were bare-headed, but wore steel-backed gauntlets, and gold-worked breastplates strapped over their blue coats. A short staff was fastened to the harness on each officer’s back, bearing a small, stiff blue banner above his head. Caldevwin’s banner bore a single white star, while the younger man’s was crossed by two white bars. They were a sharp contrast to the soldiers in their plain armor and helmets that looked like bells with metal cut away to expose their faces.
Caldevwin bowed as Rand came out of the inn. “Good morning to you, my Lord Rand. This is Elricain Tavolin, who will command your escort, if I may call it that.” The other officer bowed; his head was shaved as Caldevwin’s was. He did not speak.
“An escort will be welcome, Captain,” Rand said, managing to sound at ease. Fain would not try anything against fifty soldiers, but Rand wished he could be certain they were only an escort.
The captain eyed Loial, on his way to his horse with the blanket-covered chest. “A heavy burden, Ogier.”
Loial almost missed a step. “I never like to be far from my books, Captain.” His wide mouth flashed teeth in a self-conscious grin, and he hurried to strap the chest onto his saddle.
Caldevwin looked around, frowning. “Your Lady is not down yet. And her fine animal is not here.”
“She left already,” Rand told him. “She had to go on to Cairhien quickly, during the night.”
Caldevwin’s eyebrows lifted. “During the night? But my men . . . Forgive me, my Lord Rand.” He drew the younger officer aside, whispering furiously.
“He had the inn watched, Lord Rand,” Hurin whispered. “The Lady Selene must have gotten past them unseen somehow.”
Rand climbed to Red’s saddle with a grimace. If there had been any chance Caldevwin did not suspect them of something, it seemed Selene had finished it. “Too many people, she says,” he muttered. “There’ll be more people by far in Cairhien.”
“You said something, my Lord?”
Rand looked up as Tavolin joined him, mounted on a tall, dust-colored gelding. Hurin was in his saddle, too, and Loial stood beside his big horse’s head. The soldiers were formed up in ranks. Caldevwin was nowhere to be seen.
“Nothing is happening the way I expect,” Rand said.
Tavolin gave him a brief smile, hardly more than a twitch of his lips. “Shall we ride, my Lord?”
The strange procession headed for the hard-packed road that led to the city of Cairhien.


Test that an invalid video file generates a MEDIA_ERR_SRC_NOT_SUPPORTED error and sets networkState to NETWORK_NO_SOURCE.


Yesterday at 4:32 PM
Lorem ipsum dolor sit amet, consectetur...
created a blog How to choose a property?
published a page The Property
added 5 listings to featured property


public interface SeeTag extends Tag
{@link}
, or a separate block comment,
using @see
.
Method name()
returns "@link" (no curly braces) or
"@see", depending on the tag.
Method kind()
returns "@see" for both tags.| Modifier and Type | Method and Description |
|---|---|
String |
label()
Get the label of the
@see tag. |
ClassDoc |
referencedClass()
Get the class doc referenced by the class name part of @see.
|
String |
referencedClassName()
Get the class or interface name of the
@see reference. |
MemberDoc |
referencedMember()
Get the member doc for the field, constructor or method
referenced by
@see . |
String |
referencedMemberName()
Get the field, constructor or method substring of the
@see
reference. |
PackageDoc |
referencedPackage()
Get the package doc when
@see references only a package. |
firstSentenceTags, holder, inlineTags, kind, name, position, text, toString
String label()
@see
tag.
Return null if no label is present.
For example, for:
@see String#trim() the trim method
PackageDoc referencedPackage()
@see
references only a package.
Return null if the package cannot be found, or if
@see
references any other element (class,
interface, field, constructor, method) or non-element.
For example, for:
@see java.lang
PackageDoc
for java.lang
.String referencedClassName()
@see
reference.
The name is fully qualified if the name specified in the
original @see
tag was fully qualified, or if the class
or interface can be found; otherwise it is unqualified.
If @see
references only a package name, then return
the package name instead.
For example, for:
@see String#valueOf(java.lang.Object)
@see java.lang
", return "java.lang".
Return null if @see
references a non-element, such as
@see <a href="java.sun.com">
.ClassDoc referencedClass()
@see String#valueOf(java.lang.Object)
ClassDoc
for java.lang.String
.String referencedMemberName()
@see
reference. Return null if the reference is to any other
element or to any non-element.
References to member classes (nested classes) return null.
For example, for:
@see String#startsWith(String)
MemberDoc referencedMember()
@see
. Return null if the member cannot
be found or if the reference is to any other element or to any
non-element.
References to member classes (nested classes) return null.
For example, for:
@see String#startsWith(java.lang.String)
MethodDoc
for startsWith
. Submit a bug or feature
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Copyright © 1993, 2019, Oracle and/or its affiliates. 500 Oracle Parkway
Redwood Shores, CA 94065 USA. All rights reserved.


i
and work towards end of list e
i
e
7
3
5
2
Compare the item at index i
with the item at i + 1
. Since 7
is greater than 3
, they are swapped.
i
e
3
7
5
2
Increase i
by 1. Compare the item at index i
with the item at i + 1
. Since 7
is greater than 5
, they are swapped.
i
e
3
5
7
2
Increase i
by 1. Compare the item at index i
with the item at i + 1
. Since 7
is greater than 2
, they are swapped.
e
3
5
2
7
This pass is complete. The largest item in the list, 7
, is in its correct location.
i
e
3
5
2
7
unsorted
sorted
i
initially refers to 0
. Compare the item at index i
with the item at i + 1
. Since 3
is less than 5
, nothing needs to be swapped.
i
e
3
5
2
7
unsorted
sorted
Increase i
by 1. Compare the item at index i
with the item at i + 1
. Since 5
is greater than 2
, they are swapped.
e
3
2
5
7
unsorted
sorted
This pass is complete. The second largest item in the list, 5
, is in its correct location.
i
e
3
2
5
7
unsorted
sorted
i
initially refers to 0
. Compare the item at index i
with the item at i + 1
. Since 3
is greater than 2
, they are swapped.
2
3
5
7
This pass is complete. The list is now sorted!
def bubble_sort(L): """ (list) -> NoneType Sort the items of L from smallest to largest. >>> L = [7, 3, 5, 2] >>> bubble_sort(L) >>> L [2, 3, 5, 7] """ # The index of the last unsorted item. end = len(L) - 1 while end != 0: # Bubble once through the unsorted section to move the largest item # to index end. for i in range(end): if L[i] > L[i + 1]: L[i], L[i + 1] = L[i + 1], L[i] end = end - 1 if __name__ == '__main__': import doctest doctest.testmod() |


The IP address of the server running MongoPop is {{serverIP}}, if using MongoDB Atlas, please make sure you've added this to your IP Whitelist unless you have VPC peering configured.
Connect String provided by MongoDB Atlas:
Password for user {{dBInputs.MongoDBUser}}:
Preferred database name:
Socket (operation) timeout in seconds:
Connection Pool size:
MongoDB URI: {{dBURI.MongoDBURIRedacted}}


--- layout: page title: Training - course design permalink: /training/course-design/ main_image_path: /assets/images/CIMG0494(1).jpg main_image_caption: aside: true _options: layout: hidden: true image: width: 1200 height: 1200 resize_style: contain mime_type: image/jpeg _comments: ---
John works with NGOs to assess their organisational and training needs, plan the approach and design and deliver an appropriate course.
Courses can be adapted to suit an organisation's needs and resources, or new courses designed.
Contact John to discuss your individual needs.


FEAST OF JULY A film review by Ben Hoffman Copyright 1995 Ben Hoffman
When you see the words "A Merchant Ivory Production," you can be forgiven if you expect the very best in filmmaking. Remember A ROOM WITH A VIEW and HOWARD'S END, among others? It is therefore with regret that I have to report that FEAST OF JULY does not live up to their usual work.
The film opens with Bella Ford (Embeth Davidtz whom you will remember from SCHINDLER'S LIST) trudging across a barren wasteland in England. This scene should have been edited to half its length. Bella falls or sits down and suddenly there is blood as she gives birth to a dead baby. Bella buries the child and continues walking, searching for the whereabouts of Arch Wilson (Greg Wise), who after fathering the child, abandons Bella.
When Bella finally makes it into town, the man who lights the street lamps (Ben Wainwright) sees her, and invites her to stay with his wife (Gemma Jones) and their three handsome sons, Jedd (James Purefoy), Matty (Kenneth Anderson), and Con (Ben Chaplin). As one would guess, the three sons are immediately enchanted by Bella and are determined she will be theirs. When harvest time arrives they sit down to the Feast of July; hence, the title.
Just as Bella finally chooses Con to be her fiance, tragedy strikes the family with the arrival of Wilson, the man who had abandoned Bella.
What detracted greatly from the film was the ending. Somehow Paul Bradley, the screenplay writer, or perhaps it was Ms. Davidtz, failed to elicit any sympathy for Bella. Without the sympathy the film ends on a bad note.
2 Bytes 4 Bytes = Superb 3 Bytes = Too good to be missed. 2 Bytes = So so. 1 Byte = Save your money.
-- Ben Hoffman
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belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Br. Raymundo Suplido FSC, PhD has come full circle at De La Salle University, the place that honed him as ayoung leader and a Christian Brother, the place that has called him back to be its own head. “Similar to my previous positions, the post of DLSU President is an expresion and a continuation of the mission of the Brothers and our Lasallian Partners to provide quality education to young Filipinos. However, it is also different because the University is the leading edge of Lasallian education in the country. The nature of the University is such that after over a hundred years of continuing progress, it still passionately pursues a lot of daring initiatibes that, for me, is both exciting and challenging.” he shares. Early years and formation The young Raymundo started his journey towards becoming a Christian Brother as a third year hight school student at DLSU, which was known then as De La Salle College Manila. On October 10,1963, fresh from high school, he received the FSC religuous habit. A year later, he took his first vows as a Brother. It was in the University that he aslo deepened his love for education and the sciences, taking the double-degre track Bachelor of Arts-Bachelor of Science in Education (AB-BSE), major in General Science and minor in Mathematics. He graduated magna cum laude in 1969.


SRIRAMA, LLC provides professional engineering services for projects ranging from intersection
improvements to major highways with interchanges. We understand that every project has its own
challenges and merits and realize that the issues commonly result from design, construction or quality
control deficiencies. We research and track lessons learned from other projects - whether it is designed
by us or projects designed by others. By keeping those lessons learned in mind and following a thorough
quality control we believe most of the issues could be addressed during early stages of the project
thereby resulting in a hassle-less project. A hassle-less project is liked by all and by itself markets for
future opportunities.


fun forItemSets(): ItemSetTieBreaker
Creates and returns a tie-breaking strategy, which applies to item sets. By default, no tie-breaking is performed at all.


ABOUT US
Full Stack Road is a collaboration of budding software developers from around the world. The group was originally founded as a group on Facebook comprised of coding enthusiasts seeking to become fullstack developers. In teams of between 2 and 7 members, we started a 180 day training camp in coding. As our coding skills grow, we strive to hone our skills in order to provide a top notch, state of the art product that is both easy to use for our customers, and pleasing to the end user.


MDN Web Docs is a learning platform for Web technologies and the software that powers the Web.
The content is licensed under a Creative Commons Attribution-ShareAlike 2.5 Generic License.


Meet your perfect match with thousands of dogs to connect with.
Playing and having fun helps to eliminate stress from you life—and the same holds true for your dog. In fact, incorporating various forms of play into your dog's daily routine is vital to helping him develop a healthy, loving personality.
We've brought together dogs from all over the world so you can learn more about their history, habits, personalities, and unique abilities. The more you know about dogs, the more you love them.


Indicates if listview should listen to keyboard.
Boolean, default = true
If .keyboard property is set to true, the listview will add event listener to listen for
keyboard events. There are several keyboard keys linked to the listview actions:
- Arrow up - upper item
- Arrow down - down item
- Arrow right - next item
- Arrow left - previous item
This property can be defined during the listview creation:
Or any time after the listview has been created:
Internally, the feature is implemented by w2utils.keyboard object.
If there more then one listview on the screen and all of them have .keyboard set to true, then the last listview
where user selects a record will active keyboard listener.


{% extends "layouts/base.html" %} {% block app_content %}
Connect to the LMS to fetch new courses. This is useful when beginning a new semester and your courses have changed. Your old courses will be removed and your new courses will show up.
Replace red and green text in email with blue and yellow. Useful for red-green color blind users.
Delete your account. All your data will be deleted from the database and you will no longer receive any emails from this service.


Please complete the following form:
Interest Rate
DTI
60 Month Loan (1 or 0)
Annual Income
Total open to buy on revolving bankcards
Revolving line utilization rate
Monthly payment owed by borrower
Average current balance of all accounts
Total high credit/credit limit
Total credit revolving balance
The total amount committed by investors.
Ratio of total current balance to high credit/credit limit for all bankcard accounts.
Total current balance of all accounts
Total bankcard high credit/credit limit
Total revolving high credit/credit limit
The total amount committed to that loan at that point in time.
Loan Amount
Months since oldest revolving account opened
Total credit balance excluding mortgage
Loan funded in December (0 or 1)
The total number of credit lines currently in the borrower's credit file
Months since oldest bank installment account opened
Months since most recent bankcard account opened.
Total installment high credit/credit limit
Number of trades opened in past 24 months.
Months since most recent account opened
Months since most recent revolving account opened
Percentage of all bankcard accounts > 75% of limit.
Number of revolving accounts
The number of months since the borrower's last delinquency.
The number of open credit lines in the borrower's credit file.
Months since most recent inquiry
Grade B Loan (0 or 1)
Number of bankcard accounts
This flask webpage was created during Project 3 @ Metis. The theme was bootstrapped!
You can find my other work here.


public enum AsyncAgentController extends java.lang.Enum<AsyncAgentController>
Holder for Async agent processing
| Modifier and Type | Class and Description |
|---|---|
static class |
AsyncAgentController.AgentState
States that agent processing can be in
|
static class |
AsyncAgentController.AsyncAgentInfo
In-memory class for agent info
|
| Enum Constant and Description |
|---|
INSTANCE
Singleton to keep an eye on running agents
|
| Modifier and Type | Field and Description |
|---|---|
java.util.concurrent.atomic.AtomicBoolean |
isStarted
Track if the agent is started
|
java.util.concurrent.atomic.AtomicBoolean |
isStopping
Track if the agent has been asked to stop
|
| Modifier and Type | Method and Description |
|---|---|
void |
abortOne(java.lang.String uuid)
Allows a single agent to be cancelled
|
long |
count() |
static AsyncAgentController.AsyncAgentInfo |
createAsyncAgentInfoFromDoc(com.hcl.domino.data.Document doc) |
AsyncAgentController |
deregister(java.lang.String uuid)
Removes an AsyncAgentInfo object from the holder and the list of UUIDs aborted
|
void |
disposeQueued()
Removes any AsyncAgentInfo objects with state QUEUED.
|
void |
dump(java.io.PrintStream out,
boolean reportIfNothingHappened)
Outputs info of all AsyncAgentInfo objects held in memory Format for all AsyncAgentInfo objects: uuid, logDocUnid, state, username, runAsServer, dbPath, agentName, incoming, creation time
|
io.vertx.core.json.JsonArray |
dumpToJsonArray()
Outputs info of all AsyncAgentInfo objects held in memory as a JSON array
|
AsyncAgentController.AsyncAgentInfo |
getAgentInfoByKey(java.lang.String uuid)
Gets the AsyncAgentInfo object relating to a specific UUID
|
int |
getAgentRequestSize()
Gets the number of agents not yet disposed
|
boolean |
isCleared()
Checks if all AsyncAgentInfo objects have been disposed
|
boolean |
isOneAborted(java.lang.String uuid)
Check for whether a specific agent has been aborted
|
void |
register(AsyncAgentController.AsyncAgentInfo agentInfo) |
AsyncAgentController.AsyncAgentInfo |
register(java.lang.String uuid,
java.time.Instant startMoment,
java.lang.String logDocUnid,
java.lang.String dbPath,
java.lang.String agentName,
KeepUser user,
java.lang.Boolean runAsServer,
io.vertx.core.json.JsonObject payload)
Register an AsyncAgentInfo object into the holder
|
static AsyncAgentController |
valueOf(java.lang.String name)
Returns the enum constant of this type with the specified name.
|
static AsyncAgentController[] |
values()
Returns an array containing the constants of this enum type, in
the order they are declared.
|
public static final AsyncAgentController INSTANCE
public final java.util.concurrent.atomic.AtomicBoolean isStarted
Track if the agent is started
public final java.util.concurrent.atomic.AtomicBoolean isStopping
Track if the agent has been asked to stop
public static AsyncAgentController[] values()
for (AsyncAgentController c : AsyncAgentController.values()) System.out.println(c);
public static AsyncAgentController valueOf(java.lang.String name)
name
- the name of the enum constant to be returned.java.lang.IllegalArgumentException
- if this enum type has no constant with the specified namejava.lang.NullPointerException
- if the argument is nullpublic static AsyncAgentController.AsyncAgentInfo createAsyncAgentInfoFromDoc(com.hcl.domino.data.Document doc) throws KeepException
doc
- KeepException
public void abortOne(java.lang.String uuid)
Allows a single agent to be cancelled
uuid
- of the AsyncAgentInfo objectpublic long count()
public AsyncAgentController deregister(java.lang.String uuid)
Removes an AsyncAgentInfo object from the holder and the list of UUIDs aborted
uuid
- for the AsyncAgentInfo objectpublic void disposeQueued()
Removes any AsyncAgentInfo objects with state QUEUED. Used during shut-down to prevent starting of additional agents as we’re shutting down.
public void dump(java.io.PrintStream out, boolean reportIfNothingHappened)
Outputs info of all AsyncAgentInfo objects held in memory Format for all AsyncAgentInfo objects: uuid, logDocUnid, state, username, runAsServer, dbPath, agentName, incoming, creation time
out
- PrintStream to write toreportIfNothingHappened
- if true -> no output on empty agetndpublic io.vertx.core.json.JsonArray dumpToJsonArray()
Outputs info of all AsyncAgentInfo objects held in memory as a JSON array
public AsyncAgentController.AsyncAgentInfo getAgentInfoByKey(java.lang.String uuid)
Gets the AsyncAgentInfo object relating to a specific UUID
uuid
- of the AsyncAgentInfo objectpublic int getAgentRequestSize()
Gets the number of agents not yet disposed
public boolean isCleared()
Checks if all AsyncAgentInfo objects have been disposed
public boolean isOneAborted(java.lang.String uuid)
Check for whether a specific agent has been aborted
uuid
- of the AsyncAgentInfo objectpublic void register(AsyncAgentController.AsyncAgentInfo agentInfo)
agentInfo
- public AsyncAgentController.AsyncAgentInfo register(java.lang.String uuid, java.time.Instant startMoment, java.lang.String logDocUnid, java.lang.String dbPath, java.lang.String agentName, KeepUser user, java.lang.Boolean runAsServer, io.vertx.core.json.JsonObject payload)
Register an AsyncAgentInfo object into the holder
uuid
- passed in the messagesstartMoment
- Instant the object was constructedlogDocUnid
- for NotesDocument in AgentScheduler databasedbPath
- for the agent to runagentName
- to runuser
- the call was initiated byrunAsServer
- to override running as the user who initiated the callpayload
-


---
layout: post
title: 'PICNIC07: Urban Playgrounds, Federico Casalegno, MIT'
date: 2007-09-28 00:00:00
categories: digital-media interfaces-&-interaction mobile
---
PICNIC07: Urban Playgrounds, Federico Casalegno, MIT
Exploring how people, info and tech evolve. Presenting 2 projects.
- The electronic lens, with the govt of Catalunya: how can we rethink how citizens and institutions communicate, using mobile devices? Retrieve info from local places using physical bookmarks etc. Looks like a fairly standard tag-real-world thingy;
- What is the bus stop of the future? A landmark customised by UGC apparently, with a screen owned by the transportation agency for braodcasting information. At the back was a 6m x 2m wall with LEDs. The metaphor: the more communication happens within the bus stop, the more activity there is in the garden. Quite cute.


Rolls: 0 | Round: 1
If you're not familiar with the game, check out the rules here.
The rules are the same as in the above-linked article with some changes as follows to make the game a bit simpler:
The green boxes are selected dice. You can select / unselect a die by
clicking on it.
On the first roll of every round you need to roll all the five dice.
Now, let's get rolling!
Rolls: 0 | Round: 1


| > The Unit Test Framework > User's guide > Test Output > Test log > BOOST_TEST_MESSAGE |
The macro BOOST_TEST_MESSAGE is intended to be used for the purpose of injecting an additional message into the
UTF test log. These messages are not intended to indicate any error or warning conditions, but rather as
information/status notifications. The macro signature is as follows:
BOOST_TEST_MESSAGE 宏用于在 UTF 测试日志中注入额外的信息。
这些信息不是用于表明错误或警告情况，而是信息 / 状态通知。宏的签名如下：
BOOST_TEST_MESSAGE(test_message)
The test_message argument can be as simple as C string literal or any custom expression that you can produce
with in a manner similar to standard iostream operation.
参数 test_message 可以是简单的 C 字符串常量，或者是行为类似于标准流操作的自定义表达式。
| Important | |
|---|---|
Messages generated by this tool do not appear in test log output with default value of the active log level
threshold. For these messages to appear the active log level threshold has to be set to a value below or equal
to "message".
|
Example 27. BOOST_TEST_MESSAGE usage
#define BOOST_TEST_MODULE example #include <boost/test/included/unit_test.hpp> //____________________________________________________________________________// BOOST_AUTO_TEST_CASE( test_init ) { int current_time = 0; // real call is required here BOOST_TEST_MESSAGE( "Testing initialization :" ); BOOST_TEST_MESSAGE( "Current time:" << current_time ); } //____________________________________________________________________________// BOOST_AUTO_TEST_CASE( test_update ) { std::string field_name = "Volume"; int value = 100; BOOST_TEST_MESSAGE( "Testing update :" ); BOOST_TEST_MESSAGE( "Update " << field_name << " with " << value ); } //____________________________________________________________________________//
Source code |
| | Show output |
> example --log_level=message Running 2 test cases... Testing initialization : Current time:0 Testing update : Update Volume with 100 *** No errors detected


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Background: I am male, at the time of this experience 23 years old and weighing around 125 pounds. I take no prescription or over-the-counter medications, but use marijuana and yerba mate on a daily basis. I am experienced with a variety of psychedelics including mushrooms, LSD, MDMA, methylone, DMT and 5-MeO-DMT, ayahuasca-type brews, and in terms of substances similar to 2C-E I am very familiar with 2C-I and various species of Trichocereus cacti.
Substance: 2,5-dimethoxy-4-ethylphenethylamine
Dosage: 23 milligrams dissolved in alcohol to allow accurate dosing in 0.5 mg increments using the liquid measuring technique.
Previous experience & Shulgin ratings: Trials of 2C-E at 3 mg (+), 5 mg (+), 8 mg (++), 12 mg (++) and 18 mg (+++). It has been just over a year since my last experience with this substance.
I’d been feeling called to have a deep psychedelic experience, and one of my roomies was up for joining my adventure. He decided to take 20 milligrams, having no previous experience with 2C-E although he has experience with most other commonly available psychedelics.
This stuff came on fast. We were walking down the hill to grab a coffee or tea, and within twenty minutes first alerts were already kicking. The initial come-up was stimulating, and made walking pleasurable. So far the feeling was reminiscent of cactus. Everything had gained just a little more colour, and a slight fish-bowl appearance of too-sharp clarity.
We ran into a few friendly faces by the coffee shop, and stopped to chat as I grabbed a chai mate. However standing around talking was kind of uncomfortable. I was becoming very aware of the “weirdness” of social interaction. Onwards! We continued down to the river, to where there is this jutting concrete ledge on which one can sit and watch the river flow, past the towering office buildings of the city core.
There were a couple kids sitting smoking dope on the ledge, its known as a good local smoke spot. We chatted and they shared a little of their ganja and hashish with us, saying that the weed was sourced from a local medicinal marijuana society. Unfortunately the stuff was shwaggy; poorly trimmed, badly dried and probably not flushed prior to harvest. We felt a little sorry, if this is the kind of green medicinal users are subjected to. Our city is quite conservative, and so the suppliers of medicinal marijuana have to operate much stealthier than in some other places.
Shwaggy or not, the weed had kicked the 2C-E up a notch. We mutually decided without speaking that now was a good time to leave, before these kids started to notice something was “different” about us. As soon as we were walking again in a homewards direction, the effects started to ramp up steeply. I went from 0 to 60 in about a block and a half, with no signs of the come-on slacking up.
Colour shifting began to be noticeable, especially people’s faces which would turn various shades of dark, splotchy red before my eyes. The pavement under our feet cycled through earthy shades of brown, red and purple. We were walking faster now… driven by that fiendish phenethylamine energization.
We took a detour through a local park on the way back home, feeling that a little time in nature would be nice despite the thickening cloud cover. A group of asian men dressed up for taking wedding photos in the park came clambering up, laughing and giggling like school girls as we settled on a patch of grassy hillside. Again the feeling of “weirdness” inherent in social interactions hit me. There was a sense of vast separation between us and them, a gap not easily bridged. It was now only an hour since dosing!
My roomie had just come back from Burning Man, where he had worked four hours a day doing reiki and energy healing sessions. He’s very good at staying centered and present no matter what’s going on. Yet even he commented that “It can be kind of overwhelming, can’t it?” I could only agree.  The familiar feeling of phlegm building up in my thoat, a physical reaction as as the fear took hold. I kept reminding myself, that this is what I wanted. This is what I had asked for. Accept it.
The turmoil in my stomach became too much and I vomited in the bushes. Some stormy weather was moving in, so when I was through with purging we beat a hasty retreat home. Crossing a major highway to reach our destination, the cars seemed to speed by at supersonic velocities. I thought about how we were walking a mere three feet from death. A woman was crossing the opposite way from us, and looking at her face I experienced severe colour shifting again. At first her face appeared swollen, red and puffy, then it would become thin and pasty as if drained of blood. Everything that I looked at was vibrating too, an effect similar to watching a fluorescent light that is giving out. I was feeling pretty anxious.
We finally made it home, and I spent a few moments lying on the grass in the back yard, trying to figure what to do with myself in this mindstate. It started to rain and I dragged my sorry, aching, twitching body inside. My roomie brought me a thick comforter, hoping to ease my shaking and shivering. Though I quickly had to abandon my nest, and make my way to the porcelain alter for another purge. Drenched in sweat and twitching by the end.
As soon as I had wrapped up again, my friend Dean drifted through the door, blown in by the stormy weather. He’s a good friend of mine, and has seen me in many a twisted state of consciousness, so he took me tripping balls in stride.
There was this feeling, building in the pit of my stomach, or around my solar plexus. An intense, powerful vibration. Like the juddering and roar of a twin-prop plane inside me. I’ve been here before… twice while candyflipping this type of feeling had come over me, overwhelming me, nearly paralyzing my muscles. The third time around, at least I knew what was happening but it was no less overwhelming as a result.
The vibration builds, and builds, until my whole body in tingling pins-and-needles. Like my whole body has fallen asleep. My fingers have become clumsy and cumbersome, and I have to concentrate on letting the energy flow through me. Letting it flow through me, and flexing my hands so that they don’t clench up entirely. At this point I have no feelings of control over my body. My breath is ragged and raw but I can’t seem to calm myself. My roomie is holding me tightly from behind, keeping me sitting semi-upright. Dean grasps my hand, saying “It’s okay Papy, we are here for you!”
Eventually the peak passed, and the energy tremor broke.   I would see incredibly vivid imagery, more vivid and complex CEVs than I’ve experienced on any drug, save perhaps Salvia and DMT.
Dan handed me a piece of green chrysocrase crystal, which had a very soothing effect to hold and look at. Green was dominating my trip, whenever I opened my eyes I would notice green objects in the environment, still colour shifting but bright and sparkling.
As for some of the CEVs: With eyes shut and holding the green stone, I found myself in some kind of hot-springs environment. Round blue pools filled with steaming, slightly sulphurous smelling water, and cute but vacant looking blonds in tight bathing suits milling around. It was like I had astral-projected into a party at the playboy mansion. There was a feeling of fakeness and superficiality to what I was seeing. When I told Dean what I was seeing, and that I didn’t really want to be around the “bunnies”, he remarked that he usually gives this stone to pretty blonds. Perhaps I was picking up their residual energy. Or maybe I was just really tripped out.
Again with eyes closed, I could hear my roomie and Dean discussing different crystals, talking about their colours. In my mind I was experiencing a three dimensional, meaning-oriented and touchy-feely emotion-containing visual landscape. It was a little bit like drifting in a big sea of kelp, in terms of the colours and how everything was gently moving and swaying. I heard my roomie say, “it looks like Papy is asleep.” At which point, with a conscious effort, I pulled myself out of the involving visuals, opening my eyes and denying that I was asleep. Just really tripped out, still.
Every once in a while a tingling electric shiver would travel through my body. A little like the “rushing” sensation induced by MDMA, except it would only last a second or two. These were the only “pleasurable” feelings I got from 2C-E. The rest of the trip had a tone of emotional neutrality, or even darkness.
Throughout the whole experience I strangely felt really hungry. I felt a strong affinity to Raoul Duke’s attorney in Fear and Loathing:
“I have a powerful lust for red salmon.”
“Goddamn mescaline… why do they have to make it so goddamn pure?”
Finally maybe eight hours after dosing I had recovered enough to actually cook some food. There was no salmon in the house, but the idea of potato wedges roasted in olive oil and rosemary was very appealing. My sense of taste was definitely heightened, though my appetite a little blunted. A few other roomies and my girlfriend had come over, and we shared the platter of potato wedges between us.
Around eleven hours after dosing I retired to bed. My body felt drained, worn, and overexerted. Mentally I was in a very clear and honest state, and it was comforting to communicate openly with my girl. Sex was enjoyable but not enhanced at this stage of the experience.
I slept fitfully but felt pretty good the next day. I felt clear with my intentions, and was glad I had gone through the experience regardless of it being a little challenging. As always, I reflected, I got the experience I needed… not the one I wanted.
Part of me thinks, if I take 2C-E again, I should reduce the dose. Maybe 15 milligrams would provide a more comfortable experience? The other half of me is tempted to take thirty milligrams in a safe and secure environment, and hold on. Regardless, it will probably be several months or longer before I sample this substance again. It is not in any way a recreational experience, but instead a powerful tool for exploring consciousness. My respects to Alexander Shulgin for his work on this and other therapeutic compounds.
Love
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Goldeen
Water-type Pokemon from the 1st generation of Pokemon, at number 118 in the national Pokedex. Evolves into Seaking.


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Module: Fishbans
- Extended by:
- Fishbans
- Includes:
- BlockEngine, PlayerSkins
- Included in:
- Fishbans
- Defined in:
- lib/fishbans.rb,
lib/block_engine.rb,
lib/player_skins.rb
Defined Under Namespace
Modules: BlockEngine, PlayerSkins
Constant Summary collapse
- SERVICES =
[ 'mcbouncer', 'minebans', 'glizer', 'mcblockit', 'mcbans' ]
Instance Method Summary collapse
-
#get(url, do_json = true) ⇒ Hash, HTTP::Message
private
Performs a basic GET request.
-
#get_all_bans(username) ⇒ Object
Gets all bans on a user.
-
#get_ban_service(username, service) ⇒ Boolean, Hash<String, String>
Gets all bans for a given service for a user.
-
#get_total_bans(username) ⇒ Integer
Gets the total number of bans that the user has.
-
#get_total_bans_service(username, service) ⇒ Boolean, Integer
Gets the total number of bans by service that the user has.
-
#get_userid(username) ⇒ String
Gets the Minecraft UUID for the user.
-
#get_username_history(username) ⇒ Array<String>
Gets username history for the user.
-
#parse_generic_ban_result(response) ⇒ Hash<String, Hash<String, String>>
private
Parses a basic ban result into a formatted hash.
Methods included from PlayerSkins
#get_player_front, #get_player_head, #get_player_image, #get_player_skin
Methods included from BlockEngine
Instance Method Details
#get(url, do_json = true) ⇒ Hash, HTTP::Message (private)
Performs a basic GET request.
101 102 103 104 105 106 107 108 109 |
# File 'lib/fishbans.rb', line 101 def get(url, do_json = true) url = URI.encode(url) uri = URI.parse(url) response = @client.get(uri) return response unless do_json json = JSON.parse(response.body) return json if json['success'] fail json['error'] end |
#get_all_bans(username) ⇒ Object
Gets all bans on a user.
24 25 26 27 |
# File 'lib/fishbans.rb', line 24 def get_all_bans(username) response = get("http://api.fishbans.com/bans/#{username}") parse_generic_ban_result(response) end |
#get_ban_service(username, service) ⇒ Boolean, Hash<String, String>
Gets all bans for a given service for a user.
35 36 37 38 39 40 41 42 43 44 |
# File 'lib/fishbans.rb', line 35 def get_ban_service(username, service) service.downcase! if SERVICES.include? service response = get("http://api.fishbans.com/bans/#{username}/#{service}") parse_generic_ban_result(response)[service] else false end end |
#get_total_bans(username) ⇒ Integer
Gets the total number of bans that the user has.
50 51 52 53 |
# File 'lib/fishbans.rb', line 50 def get_total_bans(username) response = get("http://api.fishbans.com/stats/#{username}") response['stats']['totalbans'] end |
#get_total_bans_service(username, service) ⇒ Boolean, Integer
Gets the total number of bans by service that the user has.
62 63 64 65 66 67 68 69 70 71 72 73 |
# File 'lib/fishbans.rb', line 62 def get_total_bans_service(username, service) service.downcase! if SERVICES.include?(service) # Note that the /service part is not necessary, but it slightly improves # performance of the API. response = get("http://api.fishbans.com/stats/#{username}/#{service}") response['stats']['service'][service] else false end end |
#get_userid(username) ⇒ String
Gets the Minecraft UUID for the user.
79 80 81 82 |
# File 'lib/fishbans.rb', line 79 def get_userid(username) response = get("http://api.fishbans.com/uuid/#{username}") response['uuid'] end |
#get_username_history(username) ⇒ Array<String>
Gets username history for the user.
88 89 90 91 |
# File 'lib/fishbans.rb', line 88 def get_username_history(username) response = get("http://api.fishbans.com/history/#{username}") response['data']['history'] end |
#parse_generic_ban_result(response) ⇒ Hash<String, Hash<String, String>> (private)
Parses a basic ban result into a formatted hash. This assumes it is not an errored response.
115 116 117 118 119 120 121 122 123 124 125 126 |
# File 'lib/fishbans.rb', line 115 def parse_generic_ban_result(response) ret = {} response['bans']['service'].each do |service, info| next if info['bans'] == 0 ret[service] = {} info['ban_info'].each do |server, reason| ret[service][server] = reason end end ret end |


SUBROUTINE ZLACN2( N, V, X, EST, KASE, ISAVE ) * * -- LAPACK auxiliary routine (version 3.1) -- * Univ. of Tennessee, Univ. of California Berkeley and NAG Ltd.. * November 2006 * * .. Scalar Arguments .. INTEGER KASE, N DOUBLE PRECISION EST * .. * .. Array Arguments .. INTEGER ISAVE( 3 ) COMPLEX*16 V( * ), X( * ) * .. * * Purpose * ======= * * ZLACN2 estimates the 1-norm of a square, complex matrix A. * Reverse communication is used for evaluating matrix-vector products. * * Arguments * ========= * * N (input) INTEGER * The order of the matrix. N >= 1. * * V (workspace) COMPLEX*16 array, dimension (N) * On the final return, V = A*W, where EST = norm(V)/norm(W) * (W is not returned). * * X (input/output) COMPLEX*16 array, dimension (N) * On an intermediate return, X should be overwritten by * A * X, if KASE=1, * A' * X, if KASE=2, * where A' is the conjugate transpose of A, and ZLACN2 must be * re-called with all the other parameters unchanged. * * EST (input/output) DOUBLE PRECISION * On entry with KASE = 1 or 2 and ISAVE(1) = 3, EST should be * unchanged from the previous call to ZLACN2. * On exit, EST is an estimate (a lower bound) for norm(A). * * KASE (input/output) INTEGER * On the initial call to ZLACN2, KASE should be 0. * On an intermediate return, KASE will be 1 or 2, indicating * whether X should be overwritten by A * X or A' * X. * On the final return from ZLACN2, KASE will again be 0. * * ISAVE (input/output) INTEGER array, dimension (3) * ISAVE is used to save variables between calls to ZLACN2 * * Further Details * ======= ======= * * Contributed by Nick Higham, University of Manchester. * Originally named CONEST, dated March 16, 1988. * * Reference: N.J. Higham, "FORTRAN codes for estimating the one-norm of * a real or complex matrix, with applications to condition estimation", * ACM Trans. Math. Soft., vol. 14, no. 4, pp. 381-396, December 1988. * * Last modified: April, 1999 * * This is a thread safe version of ZLACON, which uses the array ISAVE * in place of a SAVE statement, as follows: * * ZLACON ZLACN2 * JUMP ISAVE(1) * J ISAVE(2) * ITER ISAVE(3) * * ===================================================================== * * .. Parameters .. INTEGER ITMAX PARAMETER ( ITMAX = 5 ) DOUBLE PRECISION ONE, TWO PARAMETER ( ONE = 1.0D0, TWO = 2.0D0 ) COMPLEX*16 CZERO, CONE PARAMETER ( CZERO = ( 0.0D0, 0.0D0 ), $ CONE = ( 1.0D0, 0.0D0 ) ) * .. * .. Local Scalars .. INTEGER I, JLAST DOUBLE PRECISION ABSXI, ALTSGN, ESTOLD, SAFMIN, TEMP * .. * .. External Functions .. INTEGER IZMAX1 DOUBLE PRECISION DLAMCH, DZSUM1 EXTERNAL IZMAX1, DLAMCH, DZSUM1 * .. * .. External Subroutines .. EXTERNAL ZCOPY * .. * .. Intrinsic Functions .. INTRINSIC ABS, DBLE, DCMPLX, DIMAG * .. * .. Executable Statements .. * SAFMIN = DLAMCH( 'Safe minimum' ) IF( KASE.EQ.0 ) THEN DO 10 I = 1, N X( I ) = DCMPLX( ONE / DBLE( N ) ) 10 CONTINUE KASE = 1 ISAVE( 1 ) = 1 RETURN END IF * GO TO ( 20, 40, 70, 90, 120 )ISAVE( 1 ) * * ................ ENTRY (ISAVE( 1 ) = 1) * FIRST ITERATION. X HAS BEEN OVERWRITTEN BY A*X. * 20 CONTINUE IF( N.EQ.1 ) THEN V( 1 ) = X( 1 ) EST = ABS( V( 1 ) ) * ... QUIT GO TO 130 END IF EST = DZSUM1( N, X, 1 ) * DO 30 I = 1, N ABSXI = ABS( X( I ) ) IF( ABSXI.GT.SAFMIN ) THEN X( I ) = DCMPLX( DBLE( X( I ) ) / ABSXI, $ DIMAG( X( I ) ) / ABSXI ) ELSE X( I ) = CONE END IF 30 CONTINUE KASE = 2 ISAVE( 1 ) = 2 RETURN * * ................ ENTRY (ISAVE( 1 ) = 2) * FIRST ITERATION. X HAS BEEN OVERWRITTEN BY CTRANS(A)*X. * 40 CONTINUE ISAVE( 2 ) = IZMAX1( N, X, 1 ) ISAVE( 3 ) = 2 * * MAIN LOOP - ITERATIONS 2,3,...,ITMAX. * 50 CONTINUE DO 60 I = 1, N X( I ) = CZERO 60 CONTINUE X( ISAVE( 2 ) ) = CONE KASE = 1 ISAVE( 1 ) = 3 RETURN * * ................ ENTRY (ISAVE( 1 ) = 3) * X HAS BEEN OVERWRITTEN BY A*X. * 70 CONTINUE CALL ZCOPY( N, X, 1, V, 1 ) ESTOLD = EST EST = DZSUM1( N, V, 1 ) * * TEST FOR CYCLING. IF( EST.LE.ESTOLD ) $ GO TO 100 * DO 80 I = 1, N ABSXI = ABS( X( I ) ) IF( ABSXI.GT.SAFMIN ) THEN X( I ) = DCMPLX( DBLE( X( I ) ) / ABSXI, $ DIMAG( X( I ) ) / ABSXI ) ELSE X( I ) = CONE END IF 80 CONTINUE KASE = 2 ISAVE( 1 ) = 4 RETURN * * ................ ENTRY (ISAVE( 1 ) = 4) * X HAS BEEN OVERWRITTEN BY CTRANS(A)*X. * 90 CONTINUE JLAST = ISAVE( 2 ) ISAVE( 2 ) = IZMAX1( N, X, 1 ) IF( ( ABS( X( JLAST ) ).NE.ABS( X( ISAVE( 2 ) ) ) ) .AND. $ ( ISAVE( 3 ).LT.ITMAX ) ) THEN ISAVE( 3 ) = ISAVE( 3 ) + 1 GO TO 50 END IF * * ITERATION COMPLETE. FINAL STAGE. * 100 CONTINUE ALTSGN = ONE DO 110 I = 1, N X( I ) = DCMPLX( ALTSGN*( ONE+DBLE( I-1 ) / DBLE( N-1 ) ) ) ALTSGN = -ALTSGN 110 CONTINUE KASE = 1 ISAVE( 1 ) = 5 RETURN * * ................ ENTRY (ISAVE( 1 ) = 5) * X HAS BEEN OVERWRITTEN BY A*X. * 120 CONTINUE TEMP = TWO*( DZSUM1( N, X, 1 ) / DBLE( 3*N ) ) IF( TEMP.GT.EST ) THEN CALL ZCOPY( N, X, 1, V, 1 ) EST = TEMP END IF * 130 CONTINUE KASE = 0 RETURN * * End of ZLACN2 * END


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What were the best and worst moments for Johnson and Corbyn in the debate?
How did the party leaders fare when it came to Brexit, trust and the NHS?
Here are the best and worst moments for both leaders during the hour-long head-to-head debate.
Jeremy Corbyn
Best
The applause was loud when Mr Corbyn criticised the Tories for putting the NHS under “incredible pressure” and called for an end to privatisation and for proper funding.
He also evoked a powerful image when he discussed his friend, the campaigner Jayne Rae, who died from breast cancer days after describing being left in “extreme pain” in hospital without treatment for hours.
Perhaps his wittiest response was when the PM accused him of wanting to form a “chaotic coalition” with the SNP and, in a reference to the Conservative-Lib Dem government, Mr Corbyn replied: “We’ve witnessed nine years of chaotic coalition already.”
Worst
Mr Corbyn was under pressure over his stance on Brexit and whether there would be a further referendum on Scottish independence if Labour came to power.
When pressed by the PM, Mr Corbyn could not rule out another IndyRef if he became prime minister and could only say it would not come in the “early years”.
And, after declining to say whether he would campaign for any new Brexit deal he might broker with Brussels, Mr Corbyn was met with laughter when he said: “I’ve made the position clear.”
Boris Johnson
Best
The Conservative leader repeatedly asked Mr Corbyn whether he would campaign for Leave or Remain in his proposed second referendum.
But Mr Corbyn repeatedly sidestepped the question, playing into Mr Johnson’s hand as he sought to suggest that Labour’s policy on Brexit is unclear.
Conservative cabinet ministers seized on the moment, with Michael Gove saying: “There was open laughter at Jeremy Corbyn’s failure to answer the questions on Brexit. People want Brexit done, they want an end to the paralysis.”
Worst
Questions about the Prime Minister’s private life – and his use of disputed figures – have prompted questions about whether he is a trustworthy character.
Audience members laughed when Mr Johnson answered a question about trust and personal integrity during the debate – and there were further chuckles when he said the truth matters in the election.
He brought yet more laughter when he asked voters instead to “look at what I’ve said I’m going to do as a politician and look at what I’ve delivered”.


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I loved the smell so much that I bought it the very same day in my bag. My tub is almost empty now :) Price: Rs 99 for 50g Product boasts of : A rich soft cream that pampers the skin with the luscious fragrance of fresh strawberries leaving it soft and delicately perfumed for hours.


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See:
Description
| Class Summary | |
|---|---|
| AsyncEventBus | An EventBus that takes the Executor of your choice and uses it to
dispatch events, allowing dispatch to occur asynchronously. |
| DeadEvent | Wraps an event that was posted, but which had no subscribers and thus could not be delivered. |
| EventBus | Dispatches events to listeners, and provides ways for listeners to register themselves. |
| Annotation Types Summary | |
|---|---|
| AllowConcurrentEvents | Marks an event handling method as being thread-safe. |
| Subscribe | Marks a method as an event handler, as used by
AnnotatedHandlerFinder and EventBus . |
The EventBus allows publish-subscribe-style communication between components without requiring the components to explicitly register with one another (and thus be aware of each other). It is designed exclusively to replace traditional Java in-process event distribution using explicit registration. It is not a general-purpose publish-subscribe system, nor is it intended for interprocess communication.
See the Guava User Guide article on
EventBus
.
Subscribe
annotation.To register your listener methods with the event producers...
registerCustomerChangeEventListener
method. These
methods are rarely defined in common interfaces, so in addition to
knowing every possible producer, you must also know its type.EventBus.register(Object)
method on an
EventBus. You'll need to
make sure that your object shares an EventBus instance with the event
producers.To listen for a common event supertype (such as EventObject or Object)...
To listen for and detect events that were dispatched without listeners...
DeadEvent
. The
EventBus will notify you of any events that were posted but not
delivered. (Handy for debugging.)To dispatch an event to listeners...
EventBus.post(Object)
method.Subscribe
annotation.Of course, if you'd like to have a process-wide EventBus singleton, there's nothing stopping you from doing it that way. Simply have your container (such as Guice) create the EventBus as a singleton at global scope (or stash it in a static field, if you're into that sort of thing).
In short, the EventBus is not a singleton because we'd rather not make that decision for you. Use it how you like.
In the apps using EventBus so far, this has not been a problem:
@Subscribe
annotation conveys your
intentions just as explicitly as implementing an interface (or perhaps more
so), while leaving you free to place event handler methods wherever you wish
and give them intention-revealing names.
Traditional Java Events use a listener interface which typically sports only a handful of methods -- typically one. This has a number of disadvantages:
handleChangeEvent
), rather than its purpose (e.g. recordChangeInJournal
).
The difficulties in implementing this cleanly has given rise to a pattern, particularly common in Swing apps, of using tiny anonymous classes to implement event listener interfaces.
Compare these two cases:
class ChangeRecorder { void setCustomer(Customer cust) { cust.addChangeListener(new ChangeListener() { void customerChanged(ChangeEvent e) { recordChange(e.getChange()); } }; } } // Class is typically registered by the container. class EventBusChangeRecorder { @Subscribe void recordCustomerChange(ChangeEvent e) { recordChange(e.getChange()); } }The intent is actually clearer in the second case: there's less noise code, and the event handler has a clear and meaningful name.
Handler<T>
interface?Handler<T>
interface for EventBus
listeners. This runs into issues with Java's use of type erasure, not to
mention problems in usability.
Let's say the interface looked something like the following:
interface Handler<T> {
void handleEvent(T event);
}
Due to erasure, no single class can implement a generic interface more than
once with different type parameters. This is a giant step backwards from
traditional Java Events, where even if actionPerformed
and keyPressed
aren't very meaningful names, at least you can implement both
methods!
register(Object)
and post(Object)
methods' use of the Object
type.
Object
is used here for a good reason: the Event Bus library
places no restrictions on the types of either your event listeners (as in
register(Object)
) or the events themselves (in post(Object)
).
Event handler methods, on the other hand, must explicitly declare their argument type -- the type of event desired (or one of its supertypes). Thus, searching for references to an event class will instantly find all handler methods for that event, and renaming the type will affect all handler methods within view of your IDE (and any code that creates the event).
It's true that you can rename your @Subscribed
event handler
methods at will; Event Bus will not stop this or do anything to propagate the
rename because, to Event Bus, the names of your handler methods are
irrelevant. Test code that calls the methods directly, of course, will be
affected by your renaming -- but that's what your refactoring tools are for.
register
a listener without any handler
methods?The Event Bus was designed to integrate with containers and module
systems, with Guice as the prototypical example. In these cases, it's
convenient to have the container/factory/environment pass every
created object to an EventBus's register(Object)
method.
This way, any object created by the container/factory/environment can hook into the system's event model simply by exposing handler methods.
register(Object)
, the listener being
registered is checked for the well-formedness of its handler methods.
Specifically, any methods marked with @Subscribe
must take only a
single argument.
Any violations of this rule will cause an IllegalArgumentException
to be thrown.
(This check could be moved to compile-time using APT, a solution we're researching.)
@Subscribe
annotation, or that the listening component is not loaded).
(Note that this is not necessarily indicative of a problem. There are many cases where an application will deliberately ignore a posted event, particularly if the event is coming from code you don't control.)
To handle such events, register a handler method for the DeadEvent
class. Whenever EventBus receives an event with no registered handlers, it
will turn it into a DeadEvent
and pass it your way -- allowing you to
log it or otherwise recover.
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What is it?
The Mini Makerthon is a week long series of workshops to teach kids to make awesome stuff using digital manufacturing techniques with machinery including 3d printers, lasercutters and CNC machines. Plus learn to code using microcontrollers like Arduinos or Raspberry Pis.
Who?
The age range for the event is 12-17. If you want to help out as a volunteer, you need to be 17+. The workshop is the brainchild of @minigirlgeek. She is assisted by a team of volunteers from across the UK and a number of sponsors to help make the event happen.
Where?
The workshops will be running at Bolton Science centre, Manchester. Map
When?
The workshops will run for 5 days starting on Monday 25th August till Friday 29th August 2014. On the Saturday (30th August) we plan to run a Mini Maker Faire (more details on this later).
Why?
We believe kids don't get enough of an opportunity to be creators instead of consumers. We believe every kid should get the opportunity to try out being a Maker . A Maker is someone who simply enjoys creating their own inventions, software, art to help improve their own or someone else's life. It is all about learning through doing.
The rough plan for the week is that students create a number of mini projects over the first 1-2 days, learning how to use the machinery and equipment in the process. They then form small groups and specialise, taking additional mini workshops in specific areas of their choice. They spend the last 2 days developing an invention or idea they have had into a fully working prototype with help from the expert and industry mentors. Finally on the Saturday they are encouraged to take part in a Mini Maker Faire specifically designed for under 18s. The Mini Maker Faire will be a public event and any under 18 can show off their work at it.
How can I get involved?
If you want to get involved with helping at the event, please fill in this form. Please note all volunteers must have up to date DBS checks.
I want to attend!
We will be releasing details of how you can sign up closer to the event.
I have a question or want to help sponsor the event!
Feel free to drop us an email at miniminimaker at gmail dot com


#include <ParticleUniversePool.h>
Public Types | |
| typedef std::list< T *, Ogre::STLAllocator< T, Ogre::GeneralAllocPolicy > > | PoolList |
| typedef PoolList::iterator | PoolIterator |
Public Member Functions | |
| Pool (bool managed=false) | |
| virtual | ~Pool (void) |
| bool | isEmpty (void) |
| size_t | getSize (void) |
| void | resetIterator (void) |
| T * | getFirst (void) |
| T * | getNext (void) |
| bool | end (void) |
| void | clear (void) |
| void | addElement (T *element) |
| T * | releaseElement (void) |
| void | releaseAllElements (void) |
| void | lockLatestElement (void) |
| void | lockAllElements (void) |
| PoolList & | getActiveElementsList (void) |
Public Attributes | |
| PoolIterator | mPoolIterator |
Protected Attributes | |
| bool | mManaged |
| PoolList | mReleased |
| PoolList | mLocked |
| typedef std::list<T*, Ogre::STLAllocator<T, Ogre::GeneralAllocPolicy> > ParticleUniverse::Pool< T >::PoolList |
| typedef PoolList::iterator ParticleUniverse::Pool< T >::PoolIterator |
| ParticleUniverse::Pool< T >::Pool | ( | bool | managed = false |
) | [inline] |
| virtual ParticleUniverse::Pool< T >::~Pool | ( | void | ) | [inline, virtual] |
| bool ParticleUniverse::Pool< T >::isEmpty | ( | void | ) | [inline] |
Returns true if the number of released elements is 0.
| size_t ParticleUniverse::Pool< T >::getSize | ( | void | ) | [inline] |
Returns the number of all released elements.
| void ParticleUniverse::Pool< T >::resetIterator | ( | void | ) | [inline] |
Reset the iterator, so that traversing through the pool starts from the beginning.
| T* ParticleUniverse::Pool< T >::getFirst | ( | void | ) | [inline] |
Return the first 'released' element in the pool.
| T* ParticleUniverse::Pool< T >::getNext | ( | void | ) | [inline] |
Return the next 'released' element in the pool.
| bool ParticleUniverse::Pool< T >::end | ( | void | ) | [inline] |
Determines whether the end of the pool has been reached.
| void ParticleUniverse::Pool< T >::clear | ( | void | ) | [inline] |
Clear the pool.
| void ParticleUniverse::Pool< T >::addElement | ( | T * | element | ) | [inline] |
| T* ParticleUniverse::Pool< T >::releaseElement | ( | void | ) | [inline] |
Retrieve an object from the pool.
| void ParticleUniverse::Pool< T >::releaseAllElements | ( | void | ) | [inline] |
Release all elements in the pool.
| void ParticleUniverse::Pool< T >::lockLatestElement | ( | void | ) | [inline] |
Lock the element to which the internal iterator points.
| void ParticleUniverse::Pool< T >::lockAllElements | ( | void | ) | [inline] |
Lock all elements in the pool.
| PoolList& ParticleUniverse::Pool< T >::getActiveElementsList | ( | void | ) | [inline] |
Returns the complete list with active elements.
| PoolIterator ParticleUniverse::Pool< T >::mPoolIterator |
bool ParticleUniverse::Pool< T >::mManaged [protected] |
PoolList ParticleUniverse::Pool< T >::mReleased [protected] |
PoolList ParticleUniverse::Pool< T >::mLocked [protected] |


This page will try to give you clues to identify the brand through the page assets, colours and the clues in the below accordion.
It's Tesla!
Check the Brand.


WITNESS LIST Finance Committee January 16, 1997-9:00A Budget/Adjutant General's Dept. On: Belmarez, Al (Adjutant General's Dept), Austin Goodwin, William W. (Adjutant General's Dept), Austin James III, Daniel (Adjutant General's Dept), Austin Marty, Wayne D. (Adjutant General's Dept), Austin Smith, Michael (Adjutant General's Dept), Austin Stein, Valerie (Adjutant General's Dept), Austin Townsend, Keith E. (Adjutant General's Dept), Austin Watson, Foy (Adjutant General's Dept), Austin Budget/BPIPSA On: Craig, George B. (BPIPSA), Corpus Christi Nix, Ben (BPIPSA), Arlington Sanders, Clema (BPIPSA), Austin Smith, Mark L. (ASSIST), Dallas Budget/Dept. of Agriculture On: Perry, Rick (Dept. of Agriculture), Austin Soward, Larry R. (Dept. of Agriculture), Austin Budget/GLO and Veterans Land Bd. On: Mauro, Garry (GLO), Austin Budget/National Guard Armory Bd. On: Ahrendt, David M. (TNGAB), Austin Baker, Darrel P. (TNGAB), Austin Bohls, Jane (TNGAB), Austin Cruz, Lydia (TNGAB), Austin Huff, Dr. Michael (TNGAB), Austin Mangum, James E. (TNGAB), Austin Redfearn, Sherry (TNGAB), Austin Wright, Julie (TNGAB), Austin Budget/Polygraph Examiners Bd. On: Ditucci, Frank (Polygraph Examiners), Austin Hendricks, Kelly B. (TALEPI), Humble Musser, Bob H. (Polygraph Examiners), Houston Parker, Bill (TAOPE), Dallas Quinley, William H. (Polygraph Examiners), Dallas Budget/River Compact Commissions On: Bohl, Tom (River Compact Comm.), Austin Newton, Brad (River Compact Comm.), Ft. Stockton Parker, Frank E. (River Compact Comm.), Center Settemeyer, Herman (River Compact Comm.), Austin Budget/TABC On: Bailey, Doyne (TABC), Austin Fox, Jeannene (TABC), Austin Garza, Rolando (TABC), Austin Rowe, Vivian (TABC), Austin Shivers, Jr., Allan (TABC), Austin Smelser, Sam (TABC), Austin Yarbrough, Randy (TABC), Austin Budget/TX Comm. on Law Enforcement On: Dozier, Jim (Law Enforcement Comm.), Austin Getterman, T (Law Enforcement Comm.), Georgetown Griffith, Jr., Carl R. (Law Enforcement Comm.), Beaumont Laine, Edward T. (Law Enforcement Comm.), Austin Markum III, Onzelo (Law Enforcement Comm.), Austin


You can download the project to deploy yourself or you can simply use the api deploy by others :p
How To Deploy
The programme can only deploy and use under Unix-like system (sorry windows) due to the gems (or libraries) used in the project. The following requirement is essential for this project.
Requirements
This project was developed and tested under the following elements. If you can deploy this project other than these elements, please let me know.
- Unix-like system
- Ruby
- Sinatra
- Nokogiri
After you install all the dependencies and you can download project here and launch the service for temperature exchange service.
How To Use
This api service support four different temperature formats to switch from each other. The current supported formats are "celsius", "fahrenheit", "kelvin" and "reaumur". The return format could be with three different kinds in "plain text", "json" and "xml". Please follow the rule below to use get the data.
- http://.../[:temperture-format]-to-[:temperture-format]/[:degree]/[:output-format]
Explanation
| temperture-format | kelvin, fahrenheit, celsius, reaumur |
| degree | float or integer number |
| output-format | null, json, xml |
Notice:If you want to output plain text, please just leave the output format blank.
Demo
transfer from:
transfer to:
original degree
output format of:
Noitce: xml format would be render into html in iframe, you can simply see all the elements in developer console.


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Transport
| ID | Model | Name(for ships) /licensePlate(for trucks) | producedYear | capacity(in pounds) | averageSpeed | countOfTeam(for ships) /typeOfGas(for trucks) |
|---|
Cost of delivery
| Transport Model | Cost(by 1 kg of cargo) | Cost(by 1 km of distance) |
|---|
Transport
| ID | Model | Name(for ships) /licensePlate(for trucks) | producedYear | capacity(in pounds) | averageSpeed | countOfTeam(for ships) /typeOfGas(for trucks) |
|---|
Cost of delivery
| Transport Model | Cost(by 1 kg of cargo) | Cost(by 1 km of distance) |
|---|


This
is totally awesome! I’ve been using restful_authentication for quite a
long time and *hated* that I have to install the generator in every
single project. I kept thinking one should come up with a better way, a
gem-powered way … and here you are to respond to my pleas Thank you!
This is totally awesome! I’ve been using restful_authentication for quite a long time and *hated* that I have to install the generator in every single project. I kept thinking one should come up with a better way, a gem-powered way … and here you are to respond to my pleas Thank you!
This is absolutely delicious.


January 2018
The cryptocurrency arbitrage project was inspired by a video by the Coin Mastery Youtube account which suggested that there might be opportunities to arbitrage the cryptocurrency markets (this was circa November 2017) but that it would too difficult to arbitrage manually. This got me thinking that writing a simple script could expose these opportunities. Two or three days later I had set up a script to pull the latest coin pricing data from five cryptocurrency exchanges' API's. From there, it was straightforward to identify significant price discrepancies.
The table in the diagram above provides a generalized example of the script's output. The first row in the table indicates that Coin A can be bought on exchange X, transfered to exchange Y, and can be sold there for a 3% profit.
The table below shows the script's output from January 5th, 2018.
Since it was important for this process to be repeatable, a key principle for me was not just transfering coins from exchange A to B but then transfering a different coin back to A again such that I'd profited over the course of the whole process. The 59% discrepancy between prices for the TRIG coin and the -1.7% discrepancy between prices for the KMD coin provided an excellent opportunity; I could buy TRIG on exchange A, move it to B and sell it there for a 59% profit. I could then buy KMD on B and transfer to it A where I'd then sell it for a 1.7% profit since KMD is valued less on exchange B than on exchange A meaning I could buy it on B and transfer it to A for a profit.
The diagram below illustrates this circular process: buying TRIG on Bittrex, transferring it to Binance and selling it, buying KMD on Binance and tranferring it to Bittrex and selling it.


Popsicle
class Popsicle: UIViewController
Autolayout supported modal view that overlays root view controller
-
PopsicleProtocol Delegate
Declaration
Swift
var _delegate :PopsicleProtocol!
-
Top constraint of popsicle view
Declaration
Swift
var _topConstraint = NSLayoutConstraint()
-
Is the popsicle showing on screen
Declaration
Swift
var _popsiclePushed = false
-
When autolayout constraints are laid out, then show the view controller with an animation. This can be called multiple times by the system so the _popsiclePushed flag prevents multiple pushes
Declaration
Swift
override func viewDidLayoutSubviews()
-
Sets up popsicle by putting the view controller at the bottom of the screen on top of the root view controller. This does not actually show the view on screen.
Declaration
Swift
func setupPopsicle()
-
Adds subview using standard autolayout constraints where the top constraint is set to the bottom of the screen to be used for future animation when showing the popsicle.
Declaration
Swift
func addSubview(subView: UIView, toView parentView: UIView)
Parameters
subView
View to add to parent view
parentView
View to add subview
-
Animates the top constraint to be 0 (on top) and makes _popsiclePushed true to prevent further calls by viewDidLayoutSubviews
Declaration
Swift
func pushPopsicle()
-
Dismisses view controller by animating top constraint to the bottom and removing it from the root view controller
Declaration
Swift
func dismissPopsicle()


The Proprietor (1996) A film review by James Berardinelli Copyright 1996 James Berardinelli
RATING (0 TO 10): 5.5 Alternative Scale: ** out of ****
United States, 1996 U.S. Release Date: beginning 10/18/96 (limited) Running Length: 1:53 MPAA Classification: R (Sex) Theatrical Aspect Ratio: 1.85:1
Cast: Jeanne Moreau, Sean Kelly, Sam Waterston, Christopher Cazenove, Nell Carter, Sean Young, Josh Hamilton Director: Ismail Merchant Producers: Humbert Valsan and Donald Rosenfeld Screenplay: Jean-Marie Besset and George Swift Trow Cinematography: Larry Pizer Music: Richard Robbins U.S. Distributor: Warner Brothers In English and French with subtitles
It's a bold proclamation to say that no film featuring the incomparable Jeanne Moreau can be all bad, but, given the evidence of some of the mediocre material redeemed by the actress (THE SUMMER HOUSE, for example), it's hard to refute. THE PROPRIETOR is a real test of her skills, and it's a testament to her talent and screen presence that she somehow manages to render this muddled, uneven film watchable. This may not be vintage Moreau, but it proves beyond a shadow of a doubt that she still has what it takes to capture audiences.
I wish I could say that the quality of the script equals Moreau's performance, but it doesn't. This is a terribly disjointed piece of writing that combines all sorts of bizarre elements into a fragmented whole. About a third of the time, I had no idea what was going on. Characters are inserted without an introduction, and we're supposed to recognize their importance immediately. Whole scenes appear to have been cut out. Transitions, when they exist, are often jarring. There's certainly a problem with the editing, but the more fundamental flaw lies in the basic incoherence of the screenplay.
Moreau plays Adrienne Mark, a once-revered French writer who, in her twilight years, is living an unfulfilling existence in New York City. Back in 1960, she wrote a novel, JE M'APPELLE FRANCE, that became an international best-seller. It was turned into a critically-lauded movie that "changed the way we look at women." More than a decade later, the film was re-made by Hollywood as a trashy, market-grabber called CALL ME FRENCH. And, though her best years as a writer are behind her, Adrienne is still remembered for those films. Movie buffs like William O'Hara (Josh Hamilton) adore the former while big-time producers like Virginia Kelly (Sean Young) applaud the latter.
The story gets moving when Adrienne learns that her childhood home in France, where she lived until her Jewish mother (Charlotte De Turckheim) was taken by the Gestapo, is up for auction. Selling all of her worldly possessions with the help of an art dealer (Sam Waterston), Adrienne attempts to acquire enough cash to register the highest bid on the Paris apartment. In making the trip across the Atlantic, she discovers that there's more to confronting her guilt-laden memories than simply coming home. And, as a cache of hidden letters reveals, her perception of the events following her mother's capture may be terribly wrong.
When the film focuses on Adrienne's attempts to placate her personal ghosts, it's reasonably involving, but, ultimately, THE PROPRIETOR is hamstrung by far too many unsuccessful tangents. The most interesting of these involves Virginia's attempts to remake a black-and- white French classic into a mainstream Hollywood movie. (DIABOLIQUE, anyone?) While this touches on some of the issues that divide art from mainstream entertainment, it's a shallow and cursory examination that is ultimately dropped in favor of a cute, fantasy-like romance between the brash Virginia and her sensitive French partner (Marc Tissot).
Aside from Moreau, there's no one here who delivers a memorable performance, and some of the acting is downright awful. Sean Young, feeding on her off-screen image, does a nice job as a caricature, but, when the script demands that Virginia show signs of character development, the actress runs into trouble. Josh Hamilton and Marc Tissot are flat. Sam Waterston, Nell Carter (as Adrienne's maid), and Austin Pendleton (as an eccentric European living in America and sporting a terrible accent) are unimpressive in small roles. Maybe the problem is that the actors were as confused by the script's treatment of their characters as we are.
This is the second consecutive disappointing effort from director Ismail Merchant (his debut, IN CUSTODY, was more cerebral, but not any better), indicating perhaps that he should stick to producing. And, combining his lack of success with the two most recent lackluster pictures (JEFFERSON IN PARIS, SURVIVING PICASSO) from his partner, James Ivory, the tarnish on the once-venerated name of Merchant-Ivory is beginning to show.
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
"We go away from our parents in youth and then we gradually come back to them; and in that moment, we have grown up." -- Ingmar Bergman
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Mark's Portfolio
Howdy!
My name is Mark Matis, and I am a Computer Science undergraduate student at Texas A&M University. I am also getting my Masters of Science in Finance at the same time. I love to read biographies, write poetry, and cook new foods. Welcome to my portfolio page!
Here are a few projects that I have worked on outside of classwork:
The Secret Identity Machine
My team and I created this project for our very first hackathon! It was a website which gave you the information for as many spoofed profiles as you wished to create. It gave fake addresses, fake images of people, phone numbers, fake names, and even gave each profile an email address that would automatcially recieve the "confirm profile" email - no need to set up an email for each account! It followed on the theme for the hackathon, "spy", as spies need to use fake identies all the time! Made with Python (with Flask library), html, and css. The website is not deployed anymore, but check out the repository here or watch a video of it here
Languages used: Python (with Flask library), HTML, CSS
If you would like to add your footprint to this website in the form of a song suggestion to all who visit it, or want to see the suggestions of others, Click Here!
Here, have a picture of me!
Have a picture of Floyd!
Take a gif even!
And now, some links:
Follow me on Insta! Follow me on LinkedIn! Check out my Github! Check out my QuantConnect! If you would like a pdf of my resume, just click here!