JavaScript, HTML, CSS and the DOM
Difference between HTML and CSS
A good way to think about the difference and the relationship between HTML and CSS is if you think of a human being. Humans are made up of elements such as a skeleton, organs, eyes, ears, nose. The HTML is the human structure of a web page. But humans have different visual characteristics such as hair-colour, skin-colour, nose length, height. This is what differentiates us form others, and makes us look the way we look, much like the CSS styling on a website.
If we took the CSS away from the HTML, we’d be left with a relatively lifeless website, likewise if we were all just skin covered skeletons of the same height, same hair color and same skin colour, we’d be a pretty boring looking bunch of humans.
So, in summing up the difference between HTML and CSS is that one sets the frame of a website, and the other uses takes the elements of that framework and gives it life!
Now…. When it comes to our behaviour as humans, that’s where JavaScript comes in...
Flow Control and Loops
Using flow control and loops will allow the program to adjust and perform certain actions based on conditions.
When your getting dressed everyday, you generally choose our outfit based on the weather. So by using the weather as a condition we can alter our outfit accordingly. The exmple bleow shows us how we migth process that:
if (raining) { put on rain coat }
if (cold) {put on hoody}
else { t-shirt and shorts only ! Its sunny! }
When using loops in a program, we want a block of code to be executed multiple times until a condition has been met. For example, when we’re unloading the dishwasher we a taking clean dishes out and putting them away, until there is no more dishes left in the dishwasher.
While(number of dishes to put away are greater than zero)
{ take out dish and put it away }
This pseudo code block tells us not to stop unloading dishes whilst there are still dishes to be put away, the moment there are no more dishes, that when we stop putting away dishes and move on to something else.
What is the DOM?
The Document Object Model, or the DOM, of a web page is a tree like structure which store nodes of data for the browser to interpret. Breaking it down piece by piece we start with Document: the browser will load a document to display a webpage, usually an html, The browser compiles the document and displays the output. Object: all the various tags/ elements/ text which make up the document are the objects. Model refers to the tree like structure of the document. The first object on the tree is the ‘window’ representing the interface containing the DOM, in the model the ‘document’ comes under the window as it is the child of the window, the document has its own child elements, which may have more child elements, such as images, heading, paragraphs and links. A very basic diagram is show below.
There are a few ways in which developers can interact with the DOM of a web page. Using the browser’s web development tools you can search through a page document’s individual elements and alter them to whatever you want, either by selecting elements from the pages source code or using by JavaScript language in the browser console to call and manipulate objects. developers can also use scripts in the source code to maniputlate the DOM, these can be triggered by event on the page, such as someone clicking a green box, and that box turning blue. In this exmple we have taken the box object form the DOM and changed its colour property.
Accesing data form Arrays and Objects
Objects are a collection of properties and their values, an Array is a type of object that store a sequence of data, arrays and objects can also be nested inside eachother, ie. You can have an array of objects with one of their properties being an array.
Array: let myArray = [44, 55, 66 ,77]
Object: let myObj = { fish: ‘trout’, cat: ‘tabby’, ‘puppy dog’: ‘beagle’ }
In order to access a specific item in an array you must use [] bracket notation to call the index number of the element you would like to access, that is, the number relative to where the data is in the Array, it is important to note that in this case the count will start from [0], so in order access the ‘44’ in the above example we would call let element = myArray[0].
Objects behave a little differently you can use [] bracket notation, or ‘.’ Dot notation to call the property key in order to access the value of the property. This can be like let value = myObj.fish or value = myObj[‘fish’], if you are calling a property key that has a space in it (eg ‘puppy dog’) you must use the latter example.
Functions in JavaScript and why they're useful
A function in JavaScript is a block of code which can be executed multiple times. A function can be called when it is needed, either to perform an action or take data arguments and return a different value based on how th function code maniputlates the data.
Function washClothes (clothing) {
Put clothes in washing machine.
When the number of clothes to put in is zero, start the washing machine
cleanClothes = clothing coming out of the washing machine
return cleanClothes; }
The pseudo-code above is a function called 'washClothes', if house work was a program, every time we wanted to wash clothes we would call this function. The ‘(clothing)’ represents which clothes are going into the function, and the ‘return cleanclothes’ is what the function will send back. It can be called like so:
washClothes([t-shirt, jeans, hoody, sock1, sock2])
This tells the housework program that we want to do some washing and the items we’re giving it to wash are a t-shirt, jeans, hoody and a pair of socks. After the function has executed the code contained within it, it will return this:
cleanClothes = [cleanT-shirt, cleanJeans, cleanHoody, cleanSock1, cleanSock2]
Basically, we put clothes in a washing machine and they come out clean. Functions are useful to us because it means if we need to do a specific action many times, we can just make that action a function and call it when needed, so we don’t have to write out the same code over and over.


About
I am beyond excited that you are here!
Currently, I am a student at Rose-Hulman Institute of Technology studying Computer Science. Yes, I enjoy learning about software and how computers work, but there are many more areas of life that I am passionate about and if we ever have the pleasure of meeting, I will gladly tell you about all of it! I love discussing ideas!!!
One of my driving passions is telling stories. Whether it's through making videos, taking photos, designing a website, writing, you name it, telling a story brings me so much joy! There is a story behind everything from making breakfast in the morning to a project you have worked on for your entire life, from a stranger you saw in a coffee shop to a lifelong friend or family member. Regardless, I want to tell it!
Above all, what drives me is my relationship with and trust in Christ. If you are to know anything about me, you should know that I am Catholic. I believe that we are all created with a purpose and while I don't know completely what my purpose is, I strive to tell the story that has been created by the One who created it all and depict the beauty of creation in any way that I can. My faith in God is the foundation of all that I do and the reason I do it. None of it would be possible without it.
If you are even remotely interested in telling your story or even just getting to know me, I would love to talk! Let's tell your story together!


Birding
Ear
Navigation
PNW
Oregon and Washington
DRILL
QUIZ
EDIT
50 out of 50 birds learned
States
WA,
OR
Types of birds
Diving Birds
Heronlike Birds
Sparrows, Grossbeaks & Buntings
Kinglets, Bluebirds & Thrushes
Birds in the mix
Dark-eyed Junco
Evening Grossbeak
Great Blue Heron


LA BAMBA A film review by Ellen Eades Copyright 1987 Ellen Eades
When it comes to movies, I'll admit it. I'm a wimp.
By this I mean that it's very difficult for me to really enjoy a movie that contains masterpieces of scary-monster makeup, things that go bump in the night, or sex that is so steamy I start feeling vicariously sore, or that acquaints me intimately with things that should have stayed inside human bodies rather than being exposed to the light and heat of the camera. (I've had EMT training, but gore in movies is quite different from gore in reality). It's hard for me to separate out the *quality* of a movie (good direction, good acting, good script) from the emotions it evokes. Thus, I tend not to go to many movies because I know what to expect and that I won't like it.
I saw LA BAMBA this Saturday and really loved it. It has a certain quality which is best summarized as the triumph of the spirit over all obstacles, including death. There is a real love between the characters here which is rare in movies today--love between brothers, love between children and parent, love of young people for one another, love of music and the sharing between performer and audience.
It's not rare for me to cry at movies; I cried during THE MISSION and HAIR and, so help me, ROMANCING THE STONE. It is rare for me to feel as though there could be a smile behind the tears. Despite tragedy, LA BAMBA brings me a feeling of hope, not least because its message seems to be that music will always be remembered long after the musicians have gone, as with all art.
The only criticism I can make of LA BAMBA is that it is often heavy-handed in its foreshadowing of Ritchie Valens's death. The movie opens with a plane crash, and this theme repeats often. Despite this (and the heavy-handed treatment of the Yaqui charm Ritchie wears), it was possible to forget at times that tragedy was coming. In particular, the performances of Esai Morales as Ritchie's brother and Lou Diamond Phillips as Ritchie himself were very convincing. The performance scenes were very well done in the style of the period. I've learned to expect very good things from Luis Valdez, and this is no exception.
On a scale from 0 to 10, this is very close to a 10 for me.
Ellen Eades
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Applies a 3D convolution over an input signal composed of several input planes. In the simplest case, the output value of the layer with input size \((N, C_{in}, D, H, W)\) and output \((N, C_{out}, D_{out}, H_{out}, W_{out})\) can be precisely described as:
nn_conv3d( in_channels, out_channels, kernel_size, stride = 1, padding = 0, dilation = 1, groups = 1, bias = TRUE, padding_mode = "zeros" )
| in_channels | (int): Number of channels in the input image |
|---|---|
| out_channels | (int): Number of channels produced by the convolution |
| kernel_size | (int or tuple): Size of the convolving kernel |
| stride | (int or tuple, optional): Stride of the convolution. Default: 1 |
| padding | (int or tuple, optional): Zero-padding added to all three sides of the input. Default: 0 |
| dilation | (int or tuple, optional): Spacing between kernel elements. Default: 1 |
| groups | (int, optional): Number of blocked connections from input channels to output channels. Default: 1 |
| bias | (bool, optional): If |
| padding_mode | (string, optional): |
$$ out(N_i, C_{out_j}) = bias(C_{out_j}) + \sum_{k = 0}^{C_{in} - 1} weight(C_{out_j}, k) \star input(N_i, k) $$
where \(\star\) is the valid 3D cross-correlation
operator
stride
controls the stride for the cross-correlation.
padding
controls the amount of implicit zero-paddings on both
sides for padding
number of points for each dimension.
dilation
controls the spacing between the kernel points; also known as the à trous algorithm.
It is harder to describe, but this link
_ has a nice visualization of what dilation
does.
groups
controls the connections between inputs and outputs.
in_channels
and out_channels
must both be divisible by
groups
. For example,
At groups=1, all inputs are convolved to all outputs.
At groups=2, the operation becomes equivalent to having two conv layers side by side, each seeing half the input channels, and producing half the output channels, and both subsequently concatenated.
At groups= in_channels
, each input channel is convolved with
its own set of filters, of size
\(\left\lfloor\frac{out\_channels}{in\_channels}\right\rfloor\).
The parameters kernel_size
, stride
, padding
, dilation
can either be:
a single int
-- in which case the same value is used for the depth, height and width dimension
a tuple
of three ints -- in which case, the first int
is used for the depth dimension,
the second int
for the height dimension and the third int
for the width dimension
Depending of the size of your kernel, several (of the last)
columns of the input might be lost, because it is a valid cross-correlation
,
and not a full cross-correlation
.
It is up to the user to add proper padding.
When groups == in_channels
and out_channels == K * in_channels
,
where K
is a positive integer, this operation is also termed in
literature as depthwise convolution.
In other words, for an input of size \((N, C_{in}, D_{in}, H_{in}, W_{in})\),
a depthwise convolution with a depthwise multiplier K
, can be constructed by arguments
\((in\_channels=C_{in}, out\_channels=C_{in} \times K, ..., groups=C_{in})\).
In some circumstances when using the CUDA backend with CuDNN, this operator
may select a nondeterministic algorithm to increase performance. If this is
undesirable, you can try to make the operation deterministic (potentially at
a performance cost) by setting torch.backends.cudnn.deterministic = TRUE
.
Please see the notes on :doc:/notes/randomness
for background.
Input: \((N, C_{in}, D_{in}, H_{in}, W_{in})\)
Output: \((N, C_{out}, D_{out}, H_{out}, W_{out})\) where $$ D_{out} = \left\lfloor\frac{D_{in} + 2 \times \mbox{padding}[0] - \mbox{dilation}[0] \times (\mbox{kernel\_size}[0] - 1) - 1}{\mbox{stride}[0]} + 1\right\rfloor $$ $$ H_{out} = \left\lfloor\frac{H_{in} + 2 \times \mbox{padding}[1] - \mbox{dilation}[1] \times (\mbox{kernel\_size}[1] - 1) - 1}{\mbox{stride}[1]} + 1\right\rfloor $$ $$ W_{out} = \left\lfloor\frac{W_{in} + 2 \times \mbox{padding}[2] - \mbox{dilation}[2] \times (\mbox{kernel\_size}[2] - 1) - 1}{\mbox{stride}[2]} + 1\right\rfloor $$
weight (Tensor): the learnable weights of the module of shape \((\mbox{out\_channels}, \frac{\mbox{in\_channels}}{\mbox{groups}},\) \(\mbox{kernel\_size[0]}, \mbox{kernel\_size[1]}, \mbox{kernel\_size[2]})\). The values of these weights are sampled from \(\mathcal{U}(-\sqrt{k}, \sqrt{k})\) where \(k = \frac{groups}{C_{\mbox{in}} * \prod_{i=0}^{2}\mbox{kernel\_size}[i]}\)
bias (Tensor): the learnable bias of the module of shape (out_channels). If bias
is True
,
then the values of these weights are
sampled from \(\mathcal{U}(-\sqrt{k}, \sqrt{k})\) where
\(k = \frac{groups}{C_{\mbox{in}} * \prod_{i=0}^{2}\mbox{kernel\_size}[i]}\)
# \dontrun{ # With square kernels and equal stride m <- nn_conv3d(16, 33, 3, stride=2) # non-square kernels and unequal stride and with padding m <- nn_conv3d(16, 33, c(3, 5, 2), stride=c(2, 1, 1), padding=c(4, 2, 0)) input <- torch_randn(20, 16, 10, 50, 100) output <- m(input) # }


This is the project idea list for the current round of open source collaborations at Creative Commons.
Medium
Large (~350 hours)
The Quantifying the Commons project has seen excellent additions led by student developers. However, the scope of previous projects did not include automation or combined reporting.
Add automation of data gathering and report generation so that our reports quantifying the commons are never more than 3 months out of date.
The contributor will need to architect a data flow, formalize data formats, automate data gathering, and automate reporting. Challenges include quota limits that may require multi-day/multi-step data gathering, deciding on plain text vs binary data formats, and secret management. Knowledge of numpy and matplotlib python libraries will be very helpful.
High
Large (~350 hours)
The CC Legal tools consist of three parts, the legal code, the deed (simple language description), and the machine readable. The machine readable layer has received the least recent development. It is out of date and there are unresolved issues.
Extend the CC Legal Tools App to generate deterministic RDF XML files for all of the legal tools.
Stretch goal: Extend the CC Legal Tools App to generate deterministic plain text versions of the 4.0 licenses and the CC0 public domain dedication.
The contributor will need to extend the CC Legal Tools App to generate RDF XML files. The generated RDF XML files must be deterministic and well organized and based on current RDF specifications. Application updates must include test coverage.
Stretch goal: Extend the CC Legal Tools App to generate plain text versions. The generated plain text versions must be deterministic and match the formatting of the manual versions (except where improvements are desired). Application updates must include test coverage. Additional stretch goals include adding markdown format generation and interfacing/collaborating with SPDX.
Medium
Large (~350 hours)
The Resources Archive has an outdated visual setup, and needs functionality fixes and improvements.
Upgrade the look & feel to match current CC aesthetics, using the internal Design System (Vocabulary). Codebase is running current and standards compliant technology implementations. Entire site builds as static files on GH pages. Generate clear documentation of codebase and functionality.
Contributor will refactor codebase to fix resource submission, use current semantic, accessible, and standards compliant HTML, CSS, and JavaScript to match the current visual aesthetic of Creative Commons sites. Improve the overall UX for finding, submitting, and accessing resources. Ensure the site functions as a static and stable Jekyll site hosted on GH Pages as static files. Final implementation will have clear documentation drafted within the codebase for future maintainability.
High
Large (~350 hours)
The Chooser has a stable initial UX, but due to bitrot its codebase is approaching non-support.
Upgrade the codebase to current Vue.js versions and ancillary technologies (Vite, Pinia), created more clarity and longevity in the codebase. Generate clear documentation of codebase and functionality.
The contributor will need to upgrade the codebase from Vue.js v2.x to Vue.js v3.x, from Vue CLI to Vite, and from Vuex to Pinia. Incorporate new UX changes using semantic, standards compliant, and accessible JavaScript, HTML, and CSS. Reduce the number of dependencies, and establish a stable automated process to build out an embeddable Web Component compatible implementation. Knowledge of the upgrade path from Vue 2.x implementations to Vue 3.x will be helpful, as will knowledge of Web Components. Final implementation will have clear documentation drafted within the codebase for future maintainability.
We are open to original ideas for documentation improvements.
Please talk to us on the #cc-dev-workprograms
channel on Slack or via the mailing list to find a mentor for the project before submitting your proposal.


{% extends "email_alert_base.html" %}
{% block primary_text_1 %}
Our records show your Notice of Prohibition was issued more than 7 days ago.
Under
s.215.48
or
s.94.4(1)
a driver has 7 days to apply for a review of a driving prohibition.
{% endblock %}
{% block primary_text_2 %}
Your application for a review of driving prohibition {{ prohibition_number }} can't be accepted.
{% endblock %}
{% block primary_text_3 %}{% endblock %}
{% block primary_text_4 %}{% endblock %}
{% block callout_block %}{% endblock %}
{% block timeline_image %}{% endblock %}
{% block email_not_monitored %}{% endblock %}


This page records the navigationStart value and the initial and latest timestamp of the pageShow event. This page also has one same-origin and one cross-origin subframe, both of them have an onpageshow() event listener.


verb(ending in ing):
Adjective:
Noun:
Color:
Female Name:
was to school. was eating a acai bowl. She loves especially on the weekend. Her backpack is because it's the color of her soul.


MR. JEALOUSY
Reviewed by Harvey Karten, Ph.D. Lions Gate Films Director: Noah Baumbach Writer: Noah Baumbach Cast: Eric Stoltz, Annabella Sciorra, Chris Eigeman, Carlos Jacott, Marianne Jean-Baptiste, Brian Kerwin, Peter Bogdanovich, Bridget Fonda, John Lehr
The most sparkling line in Noah Baumbach's follow-up to "Kicking and Screaming" is a retort by Ramona (Annabella Sciorra) to her boyfriend Lester (Eric Stoltz): "You're jealous of yourself." It's no wonder the name of his new movie is "Mr. Jealousy."  And isn't this an emotion that quite a lot of us feel, one which few of us would own up to?
Baumbach, who has cast a some of the actors he used to good effect in his 1995 film--Eric Stoltz, Chris Eigeman and Carlos Jacott--improves upon his earlier work, which was one of those "we just graduated: what do we do now?" 20- something, angst-ridden feats of which some of us have becomes justifiably tired by now. This time the folks are past thirty, and while they have had a succession of relationships, they each have flaws that prevent them from permanent commitment.
We should say that Lester is not jealous of himself, as his current love believes. Disturbed, in a way, that Ramona slept with him on their first date, he wonders just how many other men had met with the same good fortune. This is reasonable enough, and is perhaps the principal basis for women's conservatism when they enter new relationships. "Mr. Jealousy" is narrated throughout, a feature that interferes with the smooth flow of the action but which has been justified by director Baumbach as a way to dispense with tedious exposition so that he can get right down to the essence of the story.
The tale centers on Lester, who drifts from job to job and is currently a substitute Spanish teacher who does not speak or understand Spanish. He has been accepted into the prestigious University of Iowa writing program but simply does not want to go back to school. In short, he's the laid-back sort we've become used in movies featuring Eric Stoltz, agitated only by the thought that Ramona has been with other men--26 by her own count. Suspicious that she is still seeing a published writer, the insolent, full-of-himself Dashiell Frank (Chris Eigeman), he follows Dashiell around and discovers that he attends a psychotherapy group presided over by Dr. Poke (Peter Bogdanovich). Enrolling himself in their company, he intends to find out just how much influence this Dashiell has in Ramona's life, but to do so without revealing much about himself, he registers with the name of Vince, who is actually his best friend (played by Carlos Jacott), who is also unsure of himself and unable to commit to his girlfriend, Lucretia (Marianne Jean-Baptiste). Much of the humor of the movie comes from Stoltz in a double role as himself and as his friend. As he works out Vince's problems, Vince himself becomes increasingly eager to hear about "his" psychotherapy.
Baumbach seems always to be holding back as though afraid of off-the-wall humor, and as a result his plot, though satisfyingly complicated, never really rises to flat-out good laughs. The concept is such a good one--that of a guy so obsessed with finding out the nature of his girlfriend's loyalty that he will impersonate another in his psychotherapy group-- that we are surprised when the scenes peter out. Stoltz and Sciorra appear too old for their roles, though in fact Stoltz is just six years older than his character, but they come across as too naive for their age. Annabella Sciorra is splendid in her part, a slightly wacky woman who dashes around the Brooklyn Museum giving lectures on the artworks there, while Chris Eigeman, in particular, shines as the arrogant writer who drops hints about the professional people chasing after him with offers and options.
As urban comedy (provided that you accept Brooklyn as a hip, urban location), the picture will remind you of many of Woody Allen's creations, though the omnipresence of the narrator and the overuse of film techniques like irises call too much attention to themselves. The most puzzling bit of casting involves Marianne Jean-Baptiste as Vince's fiance. The English actress Ms. Jean-Baptiste, who was wonderful in "Secrets and Lies," adopts an American accent but simply does not fit in with her current role. Bridget Fonda, who cannot do wrong, knocks out a cute little role as the shy, stuttering girlfriend of Dashiell, yet another character who seems not suitable as the soulmate of a pompous and outspoken writer. Rated R. Running time: 105 minutes. (C) Harvey Karten 1998
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


help |
This list |
|
|
donate |
Shows you a QR code and a URL to donate to help fund the development |
fox |
|
role |
Gives the member the role they choose |
role Fox gives the member the Fox role. |
There are no limitation the member can add or remove any role under Fluffster's role. |
purge |
Purges x amount of messages |
purge 6 |
Can only be used by an admin. |
sauce |
Returns the image source from form sites such as e926 |
sauce https://static1.e926.net/data/94/d1/94d108d2e4ed476a113f93e7768accce.jpg or sauce then attach the image |
Service provided by SauceNAO's API, images may not be correct |
poll |
Makes a poll with a title and reaction options |
poll title option1 option2 |
The title is next the poll command and each option is on a new line, max 27 |
settle |
If two or more people are arguing, you can type settle @user1 @user2 etc and fluffster will create a temporary channel, only mods and the pinged users will be able to see it, and the ping users won't be able to message
in any other channel. To end, a mod must type settle end in that channel. Fluffster will delete the channels and allow the users to message elsewhere. |
fluffsettle @users |
Can only be used by an admin. |
imafox |
Set's user's nickname to Fluffy Fox |
imafox |
Fluffster's role needs to be higher then the users to be able to change nicks |
wishlist |
Your own personal wishlist |
wishlist item |
|
ticket or issue |
URL to submit an issue |
ticket or issue |
|
[action/animal] |
Return an image or an action from the list of endpoints |
fox or cat etc.. or hug/cuddle/boop/lick/kiss @user |
|


Data Report
File Created Date:
Device Information
- Serial Number:
- Model Number: MOT_U201
- Version: V1.0
- Log Interval: 0H 5M 0S
- Start Mode: Start by App
- Start Delay: 0D 0H 0M 0S
- Temperature Type: °C
Trip Information
- Courier No.:
- Description: MOT_U201 Temperature Recording
Marked Events
Logging Summary
- Highest Temperature: °C
- Lowest Temperature: °C
- Average Temperature: °C
- MKT: °C
- Record Mode: Stop record when full
- Stop Mode: Stop by App
- Data Points:
- Alarm At:
- Start Time:
- Stop Time:
- Elapsed Time:
| Alarm Zone | Alarm Delay | Total Time | No. of Violations | Status |
| H3: over °C | 0D 0H 0M 0S (Sin) | Abnormal | ||
| H2: over °C | 0D 0H 0M 0S (Sin) | Abnormal | ||
| H1: over °C | 0D 0H 0M 0S (Sin) | Abnormal | ||
| SZ: °C | unlimited | Normal | ||
| L1: below °C | 0D 0H 0M 0S (Sin) | Abnormal | ||
| L2: below °C | 0D 0H 0M 0S (Sin) | Abnormal |


Go to Segment.com → Destinations → Hull
and copy the API key below into the Connection Settings
Setup instructions for self-hosted Connectors
If you host this Connector yourself, you need to configure a webhook as Destination in your Segment.com workspace.
Use the following parameters to set up a webhook:


The hosted compiler allow you to use different version of the Sophia compiler using the http interface.
The available compiler versions are listed below, to understand the difference between versions refer to the official changelog.
{{ .Version }}
{{if .IsDefault}}(default){{end}}
no compilers avaliable
{{end}}
To select a specific compiler use the header name {{.Header}}
with the value the versions above,
if no header is present the default compiler will be used.
Here is the curl example to select the compiler version 3.1.0
:
curl -i \ -H "{{.Header}}: 3.1.0" \ -H "Content-Type: application/json" \ https://compiler.aepps.com/version HTTP/1.1 200 OK Content-Length: 19 Content-Type: application/json Server: Cowboy {"version":"3.1.0"}
To explore the smart contract capabilities you can use the contract editor and the middleware to track the contract transactions and events (both on mainnet and testnet).
For additional resources and support join the forum and follow the aeternityTECH twitter account.
To retrieve the list of available compilers in json
format use the Accept: application/json
header.
curl -i \ -H "Accept: application/json" \ https://compiler.aepps.com HTTP/1.1 200 OK Content-Type: application/json; charset=utf-8 Content-Length: 255 { "Version":"1.0.0", "Header":"Sophia-Compiler-Version", "Compilers": [ { "version": "3.2.0", "is_default": false }, { "version": "3.1.0", "is_default": true }, ... ] }
⚠ The hosted compilers are provided for demo/development/testing purpose and should not be used in a production environment. Make sure to run your own compiler if necessary on production.


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Relevance Lab is focussed on Education domain in driving new technologies for E-Learning adoption. The disruptive technologies of Cloud Computing, Mobile devices, Social Learning, Video for Education and Analytics based progress monitoring are some key trends re-shaping the way Digital Learning is getting adopted. The trend is to move away from “Push-based” Learning models to new “Pull-based” Learning models that provide adaptive learning paths, self-paced learning maps and a network-model that connects various stakeholders (teachers, students, parents, institutions) seamlessly.
Education is a very large but fragmented market with very different demands across the countries based on governmental policies, infrastructure availability and adoption levels of existing Digital Learning models. Relevance Lab is working with leading companies and innovative start-ups in this segment to create a unique offering for specific market needs based on new technology paradigms. Relevance Lab is investing in Technologies, Platforms, Competencies and Content integration for following E-Learning initiatives:


News 15.8.2014
Macciavelli
Student restaurant Macciavelli serves up a variety of well-balanced lunch options every day. Take your pick from the student lunches on our menu or opt for a delicious restaurant-standard meal, which our chefs prepare at the grill at student prices. We now also offer a new, high protein salad lunch.
At our Take Away counter you can buy the lunch of the day, freshly baked bread, mouth-watering paninis, sweets, ice-cream, soft drinks and healthy snacks.
Macciavelli adapts perfectly to festive occasions for up to 260 people. For bigger events you can even hire the auditorium, the lobby and the sports hall. We also have a full licence to serve alcohol. What’s more, we prepare food to order according to our customers’ wishes, including sweet and savoury baked goods, sweet cakes and sandwich cakes as well as casseroles, soups and other warm meals.
We are based at the former army barracks at Educarium, the home of the Faculty of Education. Our restaurant offers a daily student lunch of healthy, well-balanced home cooking. At the deli counter you can have pizza, pasta, stir fries, or the steak or fish of the day cooked according to changing themes.
Opening times
9.6.-27.6.
Mon-Thu 9-15
Fri 9-14.30
30.6.-8.8.
Mon-Thu 9-14.30
Fri 9-14
Lunch
Mon-Thu 10.30-15.
Fri 10.30-14.30
30.6.-8.8.
Mon-Thu 10.30-14.30
Fri 10.30-14
Contact details
Restaurant Manager: Reija Paju
Assistant Restaurant Manager: Henna Lahti
Assistentinkatu 5, 20014 Turun Yliopisto
02-333 6996, .(JavaScript must be enabled to view this email address)


Table of Contents
In order to use transactions with your application, you must turn them on. To do this you must:
Turn on transactions for your environment.
You do this by using the
EnvironmentConfig.setTransactional()
method, or by using the
je.env.isTransactional
je.properties
parameter.
If you are using the DPL, transaction-enable your stores.
You do this by using the
StoreConfig.setTransactional() method.
Transaction-enable your databases.
If you are using the base API, transaction-enable your databases.
You do this by
using the
DatabaseConfig.setTransactional()
method, and then opening the database from within a transaction.
Note that the common practice is for auto commit to be used to
transaction-protect the database open. To use auto-commit, you
must still enable transactions as described here, but you do
not have to explicitly use a transaction when you open your
database. An example of this is given in the next section.
To enable transactions for your environment, you must initialize the transactional subsystem. For example, do this with the DPL:
package persist.txn; import com.sleepycat.je.DatabaseException; import com.sleepycat.je.Environment; import com.sleepycat.je.EnvironmentConfig; import com.sleepycat.persist.EntityStore; import com.sleepycat.persist.StoreConfig; import java.io.File; ... Environment myEnv = null; EntityStore myStore = null; try { EnvironmentConfig myEnvConfig = new EnvironmentConfig(); StoreConfig storeConfig = new StoreConfig(); myEnvConfig.setTransactional(true); storeConfig.setTransactional(true); myEnv = new Environment(new File("/my/env/home"), myEnvConfig); myStore = new EntityStore(myEnv, "EntityStore", storeConfig); } catch (DatabaseException de) { // Exception handling goes here }
And when using the base API:
package je.txn; import com.sleepycat.je.DatabaseException; import com.sleepycat.je.Environment; import com.sleepycat.je.EnvironmentConfig; import java.io.File; ... Environment myEnv = null; try { EnvironmentConfig myEnvConfig = new EnvironmentConfig(); myEnvConfig.setTransactional(true); myEnv = new Environment(new File("/my/env/home"), myEnvConfig); } catch (DatabaseException de) { // Exception handling goes here }
You then create and open your database(s) as you would for a non-transactional system.
The only difference is that you must set
DatabaseConfig.setTransactional()
to true
. Note that your database open must be
transactional-protected. However, if you do not give the
openDatabase()
method a transaction handle,
then the open is automatically protected using auto commit.
Typically auto commit is used for this purpose.
For example:
package je.txn;import com.sleepycat.je.Database; import com.sleepycat.je.DatabaseConfig;
import com.sleepycat.je.DatabaseException; import com.sleepycat.je.Environment; import com.sleepycat.je.EnvironmentConfig; import java.io.File; ...Database myDatabase = null;
Environment myEnv = null; try { EnvironmentConfig myEnvConfig = new EnvironmentConfig(); myEnvConfig.setTransactional(true); myEnv = new Environment(new File("/my/env/home"), myEnvConfig);// Open the database. Create it if it does not already exist. DatabaseConfig dbConfig = new DatabaseConfig(); dbConfig.setTransactional(true); myDatabase = myEnv.openDatabase(null, "sampleDatabase", dbConfig);
} catch (DatabaseException de) { // Exception handling goes here }
Never close a database or store that has active transactions. Make sure all transactions are resolved (either committed or aborted) before closing the database.


Hi, I'm Chris Kobar and for more than a dozen years I have been helping clients achieve their business goals by providing direction and hands-on expertise in the design and creation of simple, intuitive, consistent, beautiful, and effective user experiences.
An illustrator and designer since childhood, I understand the incredible power of a compelling visual experience to attract and delight users, build customer admiration and loyalty, and establish a strong brand in the marketplace. However, without the structural, behavioral, and informational front-end components that frame, drive, and bring the larger user experience to life, the visual presentation is little more than eye-candy. And in order to achieve these things efficiently and consistently, the right technologies, tools, and workflows are essential.
Knowing what these elements are and being able to properly implement them is no small thing. The days of hiring a freelance designer to create hi-fidelity Photoshop mockups, an information architect to manufacture dozens of detailed wireframes, and a developer to write code that only works for Internet Explorer on screens at least 960 pixels wide, are no more. Today, cross-discipline teams utilizing rough sketches, style tiles, front-end frameworks, in-browser design prototypes, agnostic development, and agile workflows are the norm.
Organizing, mentoring and providing direction to these creative and technical teams to ensure their production is greater than the sum of their parts requires a leader who has been there and done that; someone able to work closely with executives and stakeholders to make sure they are effectively informed and involved; and someone who can do it with professional integrity and character.
I have been providing that direction, leadership, and expertise to large enterprises seeking to transform burdensome legacy applications into modern, mobile-friendly, interactive service touchpoints for their constituents and customers on a local and national level. Numerous smaller clients have also benefited from my assistance with visual and interaction design, front-end development, information architecture, storyboarding, usability testing, user research, content and digital strategy, copy writing, art direction, and branding and identity design.
I'm Chris Kobar and I'm a UX designer.
Case studies
For better insight into my work, tools, methodologies, and thinking, I offer these case studies of recent projects.
UX Writing
I'm often compelled to add my voice to the greater UX community, even if only as a comment on a blog post or a Twitter reply. These samples include shorter pieces that shed further light on my philosophy of UX and related disciplines and technology.
Experiments
When not engaged with a client I enjoy experimenting with innovative design and interactive patterns. Although most of these take the form of unfinished and single-page websites or apps, and others remain purely conceptual, they all provide a feel for how I approach UX solutions. Please check out these samples.
Clients
- US Courts, Probation & Pretrial
- CSR Consultancy
- Harry Scheirich
- Red Pixel Creative
- Arlington County Government
- GB Collects
- Melody Tavern
- The Entente Group
- Transparente
- US Export-Import Bank
- US Department of Defense
- RS Information Systems
- US Air Force
- US Defense Intelligence Agency
- Social Security Advisory Board
- Modern Africa Fund Managers
- Spanish Dance Society
- US Department of Transportation
- The Oxford Academy of the Arts
What they say
“ Chris is a visionary web interface designer and information architect. He takes time to understand the application being developed and how people will use it. He puts himself in the shoes of the customer in everything he does, and comes up with great ideas for improving applciations to make them friendlier. He's very easy to work with and is always a positive contributor to the team culture.
Kara Van Roten
Web Strategy and e-Commerce Consultant
“ I'm proud to recommend Chris to any organization looking for talented UX professional with robust experience and a keen awareness of current trends and technologies. While at Arlington County Government, Chris demonstrated his broad expertise with visual design support, front-end coding, creative strategies, and of course superb information architecture. He is truly an ideas-man, but one who can deliver.
Paul Parry
Federal Consultant
“ A self-starter who is excited about new technologies, Mr. Kobar is an agile, innovative thinker who served as a trusted adviser to my teams for over 5 years. I recommend Chris to anyone who is looking for a talented, hands-on UX professional that, as a change agent, will challenge the status quo to achieve effective design and user experience outcomes for an organization.
Jonathan Distler
Senior Solution Architect
“ Chris is an exceptional UX Architect, Designer, and Project Manager. He is proficient at UX design for mobile, tablet, and web devices. His broad, real world UX experience coupled with his holistic business analysis, information architecture, and intuitive graphic design/interaction skills, enable Chris to successfully fulfill the most complex UX design projects. He is a self-starter, with great initiative, and works well solo or managing small or large UX teams. Chris' deep UX expertise, insight, talent, as well as his 'straight shooter' personality, is a tremendous talent asset to any organization able to recruit him.
AJ Malik
Senior Digital Transformation Consultant
More about me
A Connecticut Yankee, I make my home in Arlington, Virginia with my beautiful wife and daughter. I enjoy writing✱ and can sometimes be found at the pub thinking brilliantly creative things with a cold glass and a fine cigar.
I am a graduate of the University of Connecticut and attended New York University and the University of Mannheim in Germany. I served in the US Navy as a Nuclear Electronics Technician.
More about me
A Connecticut Yankee, I make my home in Arlington, Virginia with my beautiful wife and daughter. I enjoy writing✱ and can sometimes be found at the pub thinking brilliantly creative things with a cold glass and a fine cigar.
I am a graduate of the University of Connecticut and attended New York University and the University of Mannheim in Germany. I served in the US Navy as a Nuclear Electronics Technician.
Colophon
Site structure and style is built on Zurb's Foundation front-end framework, with a little help from Sass and Compass. Interaction is powered by the ubiquitous jQuery Javascript library, with extra magic provided by Faruk Ateş's essential Modernizr, Nick Williams' handy Enquire, Tyler Gaw's Jribbble, Imulus's helpful RetinaJS, and Abban Dunne's jQuery Picture. The content is managed by the deviously slick Statamic, the brainchild of Jack McDade, Fred LeBlanc, and Mubs Iqbal.
Initial design was done in Adobe's Illustrator CC and Photoshop CC. Coding was done in Adobe's Edge Code CC, processed with Subash Pathak's truly genius Prepros, and developed in the Chrome and Safari webkit browsers. Exljbris Font Foundry's Museo is used for primary headings, while The League of Moveable Type's Raleway is used for the body and lesser headings. Both are served up by Adobe's Typekit via their Creative Cloud service and loaded with Google's Webfont Loader.
✱ Did you say writer?
Yup. In addition to my UX work, I have been writing for years, including freelance work on ten books for White Wolf Publishing. Look here soon for more about my writing.


The browser is limiting the number of entries in the sync storage. Usually to 512 Entries with maximum of 100kb size.


View Full Version : How to make a download link
newbie
06-16-2006, 01:25 PM
I am making a site in which I am putting some songs of myself in wma and mp3 format for visitors to download when they click on the links of the songs. Can someone tell me how I can implement this please?
grant
06-16-2006, 01:34 PM
Well, you have a few options when it comes to audio file handling. You can have it streaming, downloadable, or both. If you want to stream your audio files just follow the steps below.
1. Upload your MP3 to your server
2. Open notepad. write the entire url of the mp3: ie: http://www.myserver.com/mp3s/mysong.mp3 (obviously the full real url of your mp3)
3. Do a 'save as' and call it something but add .m3u on the end of it. eg: mysong.m3u
4. Upload this .m3u file to your server too.
5. This acts as a pointer to your mp3 file and the m3u extension tells it to stream.  When people click your link it goes to the m3u which auto redirects and streams the MP3 you pointed it to, in the default player of the users operating system. In my case, realplayer.
The beauty of this is that as the URL is contained in the notepad document no-one can see where the MP3s are to download them.
you can use the exact same technique to stream video and audio in realplayer. Your realplayer file is a .rm - so you create a notepad document with the extension .ram and it functions exactly the same. no need for embedding. just pops up in realplayer.
That's form the knowledge base within Bluehost. If you want to make it purely a download only file you can link to it like you would another page on your site through the use of <a href ="/mymusic/mysong.mp3">. Or where ever you might have the file stored on your site.
silentcollision
06-16-2006, 05:03 PM
You could just .zip the files, and put them up. That instantly sets the download.
Other than that, you could tell people to right click and select "save file as".
dvessel
06-16-2006, 05:55 PM
What silent said. Audio files by default gets played by the users designated audio player/plug-in. It should be possible by changing MIME types to have it treated as a direct download instead of playing.
newbie
06-17-2006, 01:06 AM
Thank you guys for your responses. I tried Grant's solution of giving a direct hyperlink to the song wma file, but when I clicked the link, it didn't ask where to save the file, the way it generally happens. Instead it started saving the file to temporary files folder and started playing it when the download was complete. Any ideas as to how this can be corrected?
grant
06-17-2006, 11:03 AM
Thank you guys for your responses. I tried Grant's solution of giving a direct hyperlink to the song wma file, but when I clicked the link, it didn't ask where to save the file, the way it generally happens. Instead it started saving the file to temporary files folder and started playing it when the download was complete. Any ideas as to how this can be corrected?
Like silentcollision said, you can just put your song(s) into a zip file and that will force the download of the zip file. I had forgotten about direct linking the song will force media player, winamp, quicktime, etc to open it and play it. If you want people to simply download them then do what silentcollision suggested.
newbie
06-18-2006, 11:38 AM
Well the zip method is a way to do it, but it's not that neat. I have seen some sites where they do have this method for mp3 or other file types also. There is some PHP script or something for it. Should someone have it, I'll be thankful if they give it to me.
hlsJeff
06-30-2006, 04:15 PM
The beauty of this is that as the URL is contained in the notepad document no-one can see where the MP3s are to download them.
Does this leave a copy of the mp3 in the temporary internet files? I would like to find a way to avoid leaving the file on the user's computer. Thanks.
grant
06-30-2006, 05:47 PM
Does this leave a copy of the mp3 in the temporary internet files? I would like to find a way to avoid leaving the file on the user's computer. Thanks.
Ya know. I really have no idea on that. :D Let me try something real quick and I'll get back to you on that in an Edit.
Edit: Okay, the only thing I can find that this technique will leave on my machine is the m3u file, not the mp3 file. However, upon opening the m3u file I could easily find the actual mp3 file and download it if I wished to. Apparenty knowledgebase doesn't have it all right.
hlsJeff
06-30-2006, 06:55 PM
Here is the scenerio of how some things are done.
When you download an executable file, you may be asked if you wish to run the program "mid air" or if you wish to save it to your hard drive and you will run it yourself later.
Can an mp3 file be used/played without first (at all) saving it your hard drive?
grant
06-30-2006, 09:02 PM
Can an mp3 file be used/played without first (at all) saving it your hard drive?
Yes, if you go the m3u route like I said above. The only file downloaded in that scenario is the m3u and not the mp3. The m3u file is simply a text document telling the browser where the mp3 is and opens it with whatever player the user has chosen to open those kinds of files. No mp3 dowloadning takes place.
hlsJeff
06-30-2006, 09:12 PM
Thanks. I will give that a try. Sounds good.
hlsJeff
07-02-2006, 02:21 PM
I tried using the m3u method, testing using Internet Explorer 6.0.
I deleted all my temporary internet files.
Then ran the HTML which called the mpu which called the mp3. (From the BlueHost server, not my hard drive)
Then I checked my temporary internet files again.
Now I see the HTML file, which shows the mpu file.
I see the mpu file (which can cause the mp3 to be played) and which also shows the mp3 filename that can be used to download the mp3 file.
And I even see the mp3 file itself.
I wonder what I missed. It seemed to just make matters worse. :confused:
dvessel
07-02-2006, 03:08 PM
The M3U file doesn't change anything because your just adding an inbetween step to get to the mp3 files. It's still handled through the client ends designated player as usual. Some clients will use realplayer, quicktime, whatever.. And they store their files in their own places.
hlsJeff
07-02-2006, 03:45 PM
I guess there is a tradeoff then. Things like no right-click will deter some people, although there is always a way around for the more determined.
If the "ambitious" ones are going to find a way around safeguards anyway, is it worth alienating the merely curious to try to block the inevitable? What is a slap to some becomes a dare for others.
dvessel
07-02-2006, 04:26 PM
I'm not even sure on what your trying to accomplish. What are these music files for? Are they for sale and you just want to give a sample of the music?
There are a couple of things you can do. Encode everything 2wice. A very low bitrate or cut off version and serve them as samples and then keep the real files in their own hidden area. Allowing paid downloads is a topic in itself.
If you just want to allow streaming then a streaming server is all you need. It's its' own app that must run on the server with a dedicated IP address. Should talk to support first about it. I've heard conflicting reports on what's allowed.
There are some commercial versions but the darwin streaming server is open source/free. Audio will stream on demand & leave no trace of the file. It can do MP3 among other formats.
http://developer.apple.com/opensource/server/streaming/index.html
hlsJeff
07-02-2006, 04:39 PM
Yes, the music is for sale, with links to places like iTunes to make the purchases. Of course people can listen to the songs at iTunes, etc., but we prefer to provide the music on-site, in our environment, with our features. I will check out the the darwin streaming server. Perhaps limiting the version people hear in some way will end up as the best solution in our case. Thank you for you help.
rando
07-03-2006, 09:45 PM
If you use your .htaccess to set the filetype for mp3s to "application/octet-stream", this should force a download.
Resonant1
07-05-2006, 04:18 PM
When you download an executable file, you may be asked if you wish to run the program "mid air" or if you wish to save it to your hard drive and you will run it yourself later.
Just a note on the Windows take on that dialog. Regardless of whether you select "Open" or "Save", Windows downloads the file before doing anything. If you selected "Open" then it saves the file in a location of its own choosing, and then launches the appropriate application. If you select "Save" then it asks you where you want the file before downloading. Either way, it hits your hard drive.
I always end up having to go clear the files out of the temporary directory when I have used Open. If you don't want people to see the file, skip direct downloading.
adrevol
04-22-2009, 06:56 AM
After Long long R&D finally i found some interesting and useful tutorial which helped me to make this Download Link
http://www.ittreats.com/os/php/how-to-make-dynamic-download-here-link.html
To my knowlege the Example of Exe file download in the above URL will also work for the MP3 also,
with this, you can make your downloads restriceted to the registered users
All the best Friends ..
hlsJeff
04-22-2009, 10:12 AM
Thanks! I'll do some experimenting!
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Details
The white cell count (WBC) is the total number of leukocytes in a volume of blood,
expressed as thousands/µl. As with the RBC, the WBC can be done by manual methods or
by automated cell counters. The WBC by any method is a count of nuclei or total nucleated
cell count. If nucleated red blood cells (nRBC) are circulating in blood, they will be included
in the nucleated cell count whether the count is done by manual methods or by automated analyzers.
In such cases, the WBC represents the leukocyte count only after it has been corrected for the
nucleated red cells (nRBCs). The number of nRBCs per 100 leukocytes is recorded during the differential leukocyte count.


I am Ling Wang, an independent iOS developer living in US, originally from China. I make Moke, Tweeet, and Voodo.


CSS Positioning Hijinx
Animation
Animated
Position example
Static (default)
Relative
Relative
parentOfAbsolute
Absolute child 1
Absolute child 2
Fixed
Display example
This element is display: inline;
This element is also inline, so it sits next to its neighbouring inline element.
This is a display: block;
element.
This is another block element. It won't sit next to its neighbour.
This is a display: inline-block;
element.
This is another inline-block
element. They will sit next to each other, and you can change their width & height.


A REVIEW OF "AFFLICTION" by Ryan Ellis
give me a buzz on the ol' e-lines<EMAIL_ADDRESS>You should be open-minded when you walk into movie theatres. It's not fair to pre-judge films and remain closed to the possibility that you actually might like it. For instance, I thought that when I finally saw the hyped-up Oscar-winner, "The English Patient", I would hate it, but it was excellent and enjoyable. So, yes, preconceived notions can hinder a reviewer and make the review seem much less credible. Having said all of that, I strolled into the theatre to see "Affliction" and winced when Paul Schrader's name appeared as the director. Sorry, but the ol' mind was a little closed here. The screenwriter of "Taxi Driver" and "Raging Bull", Schrader seems to have a fixation on showing every form of the sordid side of society. I think "Taxi Driver" is highly overrated and the violence is gratuitous. I hold Schrader responsible. Well, if that film is about urban paranoia, "Affliction" must be about rural paranoia.  It probes the emotions and feelings of its characters very well until the rather abrupt finale that leaves something to be desired. There's no subtlety to the conclusion and the film is not as poetic as it tries to be. It's actually too obvious what they're trying to say with the metaphors of alcoholism and dealing with pain. However, I hate to give a poor recommendation to a film that could win two acting Oscars. So I won't. This is a film worth seeing, if only for Nick Nolte and James Coburn, who could each win their first trophy (Nolte for lead actor and Coburn for supporting). The performances are great, but the movie is unsatisfying.  He also works as a snow-removal guy. His life is an absolute mess. His daughter says she loves him, but can't handle being around him. His girlfriend, Margie (Sissy Spacek), is sympathetic, but she is unable to positively affect his life. Willem Dafoe, who narrates and plays his brother, Rolfe, has left the small Maine town to make a life for himself and forget about the bad childhood memories he left behind. And that leads us to a man (James Coburn) who is a cinch to walk up the steps on Oscar night for his cruelly outstanding supporting performance as Wade's father, Glen Whitehouse. For this unrepentant role of a selfish old drunk, and for his lengthy (yet unrewarded career), Coburn is due. When Wade and Rolfe were young, their father verbally abused them and even resorted to violence. This contemptable man grows old, not caring that he has scarred Wade inside more than his punches ever could. Wade tries his best not to be a bad man, but he is failing.  After an inexperienced hunter is found shot while out with Wade's friend and co-worker, Jack Hewitt (Jim True), Wade suspects that the death was a murder conspiracy with several key players--including his own boss. He sets out to prove it, making wild accusations, losing his job, and alienating his girlfriend and daughter.  This is supposed to be a character study and it certainly is that. For a little while, it actually looks like a serious "Fargo". But, towards the end, it takes a hard turn and Wade collapses into such despair and desperation that he clearly becomes his father. He fights that transition, but in such a weak script it's inevitable. I can't say more because that would reveal too much, but I have one suggestion (which is obviously months too late!)--the very last image in the film should be of Nolte's defeated face. After all, he's the thrust of this slow-moving tale. Nolte could take home the golden prize on Oscar Night, Coburn probably WILL for his years of fine work, and they both deserve to win. These are definitely characters we care about, no matter what horrible things they do or say. We want to see what will happen to them. However, this film is neither enjoyable nor as intelligent as it wants to be. A better director would have found a better hook to make the story as unforgettable as its subjects.
USELESS TRIVIA--Paul Schrader also directed "American Gigolo". If I ever review that piece of trash, it will get one of the very rare 0/10 ratings I'll EVER give. There is NO reason for people to see that film (and I usually give at least SLIGHT recommendations!).
This film gets a 6/10.

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--- layout: default css_id: about ---
A software supply chain is the series of steps performed when writing, testing, packaging, and distributing software. A typical software supply chain is composed of multiple steps "chained" together that transform (e.g., compilation) or verify the state (e.g., linting) of the project in order to drive it to a final product.
Supply chain security is crucial to the overall security of a software product. An attacker who is able to control a step in the supply chain can alter the product for malicious intents that range from introducing backdoors in the source code to including vulnerable libraries in the final product. As a result, supply chain breaches are an impactful means for an attacker to affect multiple users at once.
Although many frameworks exist to ensure security in the "last mile" (e.g., software updaters), they may be providing integrity and authentication to a product that is already vulnerable; it is possible that, by the time the package makes it to a software update repository, it has already been compromised.
in-toto is designed to ensure the integrity of a software product from initiation to end-user installation. It does so by making it transparent to the user what steps were performed, by whom and in what order. As a result, with some guidance from the group creating the software, in-toto allows the user to verify if a step in the supply chain was intended to be performed, and if the step was performed by the right actor.
You can read more about in-toto's internals in our latest or stable specification.


“Black hair announces cowardice and great craftiness, excessively yellow and pale white hair, such as the Scythians and Celts have, reveals ignorance and clumsiness and wildness, and that which is gently yellow points towards an aptitude for learning, gentleness, and skill in art. Unmixed fiery hair like the flower of a pomegranate is not good, since for the most part their characters are beastlike and shameless and greedy. Legs which are very hairy with thick black hair indicate slowness at learning and wildness. Those whose loins and thighs have lots of hair separately from the other parts of the body are very lascivious.”
Quoted in The Philosophy Of Physiognomy


This dashboard allows you to explore data related to official development assistance (ODA) provided by donor countries (such as the Netherlands) to developing countries all over the world (such as Zimbabwe).


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PyNight is an extension to the BoF event we held in previous years. This year's event is expanded to provide a more diverse occasion for the community. It consists of both “music” and “communication” parts. During the music event, the protagonist is a group of versatile friends from the community, bringing their carefully prepared music. In the community event, you are the protagonist! No matter what your thoughts, you can find like-minded friends here; the subject without any restrictions, as long as you are interested, everything is welcome.
Schedule
- 18:30–19:15 Piano solo (R0)
- 19:20– DInner buffet (4F)
- 19:30– Brass quitet (4F, back of R0)
- 20:30– PyCon Taiwan 2018 volunteer recruitment (R0)


Allah created this world more than 10 million years ago and created people with different colors , types and nationalities
From the creature of the human being who tried , still trying and will always try till the judge day to build up the earth but of course he committed some mistakes during his 10 million year journey
Slavery has spread in the Earth in many different places in different years but it is thought that it was appeared first in 6800 B.C in Mesopotamia as they forced their defeated enemies to serve them and then slavery appeared in the ancient Egypt , in Asia , in the Americas , in Europe
is forbidden due to the laws which were put and the human rights which are applied in the whole world
Pass reveal.js the backgroundTransition: 'slide'
config argument to make backgrounds slide rather than fade.
You can override background transitions per slide by using data-background-transition="slide"
.
These guys come in two forms, inline:
“The nice thing about standards is that there are so many to choose from”
and block:
“For years there has been a theory that millions of monkeys typing at random on millions of typewriters would reproduce the entire works of Shakespeare. The Internet has proven this theory to be untrue.”
function linkify( selector ) {
if( supports3DTransforms ) {
var nodes = document.querySelectorAll( selector );
for( var i = 0, len = nodes.length; i < len; i++ ) {
var node = nodes[i];
if( !node.className ) {
node.className += ' roll';
}
}
}
}
Courtesy of highlight.js.
You can link between slides internally, like this.
Hit the next arrow...
... to step through ...
any type
There's a few styles of fragments, like:
grow
shrink
roll-in
fade-out
highlight-red
highlight-green
highlight-blue


---
layout: post
section-type: post
title: JAOO Day One - Monday
date: '2006-10-02T23:25:00.000+02:00'
author: Jørn Ølmheim
category: tech
tags: [ 'jaoo' ]
modified_time: '2006-10-05T20:50:55.610+02:00'
blogger_id: tag:blogger.com,1999:blog-16320608.post-115987016732820548
blogger_orig_url: http://joelmheim.blogspot.com/2006/10/jaoo-day-one-monday.html
---
This has been a most interesting day. Usually the first day, and at least the first half of the first day is pretty slow
when you're at a conference. You haven't really made much contact with the other participants yet, and you're just
adjusting to the conference.
I went to a few sessions in the Modelling and Design track, and some in the SOA track. Martin Fowler was supposed to
chair the modelling track, but unfortunately he was unable to come due to back problems (apparently he has cronic back
problems), and it was Dave Thomas (the original, not pragmatic), and he was reiterating the theme from last year (see
previous blog) that models and modelling is not equivalent to UML and UML diagrams. Model driven development should be
all about human communication and alignment of the model in everyones head. Much in the way Eric Evans has preach to us.
After that I was in a presentation that sounded very promising as its title was Resources, Event, Agents. So I was
thinking that we might get some of the SJEF ideas here, but it turned out that he was referring to the REA business
pattern, so I was quite disappointed, so I left.
I caught a talk by Beat Schwegler of Microsoft about "Architecting Applications for a changing world". His main theme
was to make sure that what is implemented can be directly traced to value for the business. The business model must be
mapped to the service model which again should be mapped to the technical model. There are two messages here one is that
the service model must reflect the business model, and the other is that the service interfaces should be separated from
the underlying (or implementing) technology. This last point is just as important, as this will make sure that the
service interfaces are not technology driven.
Gregor Hohpe had a talk about conversational patterns in messaging systems. It was very interesting to see the different
patterns of message interaction. This is work in progress from Gregor.
Finally I was fortunately enough to catch a talk by Erik Dürenburg of Thoughtworks about Software Vizualization.
Basically this was about creating tools to answer the questions you want answered about your systems. Tool creation is a
much vider topic (which I will return to), but in this context it is about analysing source code or running systems to
provide answers to questions. Visualization can range from tables of metrics (like the ones we get from JDepend) to
graphs of class dependencies. He showed that with very limited efforts they were able to analyse jar file dependencies,
using a tool called CodeCrawler to visualize them. They also use a small tool like GraphViz Dot for most of the graphics
generation. This is definately something we should use. There is a critical need to monitor the runtime jar dependencies
of our system. How cool would it be to build a tool that does this for us.
I intentionally missed Eric Evans sessions, as I've been through that a number of times before, but I met up with him
after his talk and we had a chat, and we ended up going to the ending keynote together. This was an inspiring talk by
Alistair Cockburn on Methodology and the human aspects of agile methodologies. Very interesting stuff.
The day ended with the conference party, and I was fortunate enough to end up at a table next to
Alistair Cockburn (so I finally met him),
Dan North, Niclas Nilsson and serval other
interesting people. We ended up discussing various agile topics. Great guys to talk to. Dan North is the man behind a
new concept called Behaviour-Driven Development which is a step beyond Test-Driven Development. He and Niclas has a talk
on this on Wednesday, which I look forward to. We ended up talking and drinking beer for most of the evening, and I had
a great time.
I also got the chance to speak with Kevlin Henney,
Dave Thomas and
Gregor Hohpe. After this, the rest of the conference will be
much more fun. This is what I mean when I say the first part of the first day is slow. Looking forward to tomorrow.


| Values' Details |
LINE
LINE,
- Description
- This is the PolygonKind for a LineShape.
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POLY
POLY,
- Description
- This is the PolygonKind for a PolyPolygonShape.
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PLIN
PLIN,
- Description
- This is the PolygonKind for a PolyLineShape.
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PATHLINE
PATHLINE,
- Description
- This is the PolygonKind for an OpenBezierShape.
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PATHFILL
PATHFILL,
- Description
- This is the PolygonKind for a ClosedBezierShape.
|
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FREELINE
FREELINE,
- Description
- This is the PolygonKind for an OpenFreeHandShape.
|
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FREEFILL
FREEFILL,
- Description
- This is the PolygonKind for a ClosedFreeHandShape.
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PATHPOLY
PATHPOLY,
- Description
- This is the PolygonKind for a PolyPolygonPathShape.
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PATHPLIN
PATHPLIN,
- Description
- This is the PolygonKind for a PolyLinePathShape.
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Copyright © 2013, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


These pages aim to provide a summary of the language constructs of Timber, including syntax descriptions but with very little of motivation, explanation and examples.
They are intended to be useful for a reader who is exploring Timber and wants a reasonably concise summary of the language. A Timber tutorial, with extensive motivation and examples, will appear as a separate document.
Some syntactic constructions are described in simple BNF syntax, but this document does not give complete formal syntax for Timber. In BNF descriptions, terminals are in typewriter font, nonterminals in italics and meta symbols in red.


Java Accessibility Guide > Java Access Bridge Programmer's Guide for Assistive Technology Developers
This guide is intended for those who develop assistive technology products. If you want to create Java applications that support assistive technologies, see How to Support Assistive Technologies from The Swing Tutorial.
This guide covers the following topics:


RFC
A DNA-binding protein and AAA ATPase that consists of 5 polypeptides and plays an essential role in DNA REPLICATION in eukaryotes. It binds DNA PRIMER-template junctions and recruits PROLIFERATING CELL NUCLEAR ANTIGEN and DNA POLYMERASES to the site of DNA synthesis.
(mesh:D051818)
Cross-references
Synonyms
| Synonym |
Reference |
Specificity |
| RF-C |
|
Exact
|
| RFC |
|
Exact
|
| DNA replication factor C |
|
Exact
|
| replication factor C |
|
Exact
|
| DNA replication factor C complex |
|
Exact
|
Incoming Relations
Outgoing Relations
None available.


Version Control, Git, and GitHub
Tuesday May 19, 2015
setup
Do you remember highschool group projects? Do you remember the difficulty in getting your group together and on the same page. Well if you work in tech these days or if you are the lead organizer for any kind of group, you will find that those highschool dilemma's are still plaguing your life. The problem has always been finding time and gathering the right tools to make a group successful. Enter Version Control, Git, and Github.
version control
Version control and version control systems improve the way individuals and collaborations work. A version control system is designed to track changes. so that if person A makes a change that destroys your entire project person B can calmy go back to an earlier version. Over the course of a project there are tremedious amounts of changes that can happen. Having a version control system in place that provides fine tuned control over those changes allows for a smoother project workflow with fewer stops do to bugs or mistakes.
git
Git is a type of Version Control System(VCS). Git enables you to maintain focus on the workflow of a project by imposing constraints on how and when you save a version. Git is local to your machine this means you no longer have to get your group all in one place at one time. The way that git keeps track of changes is by keeping files under it’s supervision. this happen is in one of three stages. The first stage is the working stage. This is where the files are when you make changes to them. The next stage is the staging area. This is where you find files that you have modified but have not saved with git. Finally there is the committed area. This is where you save the changes you have made and git keeps a record of how the files looked at this stage. All saves in git are check-summed. What this mean is that after you have saved a version it cannot be lost.
Github
Github is a web-based application that allows you to store your git repositories in a remote location. The main reason for storing your code on Github is because it’s free for open source projects and allows for greater collaboration between developers.