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In the original Pokémon games, when you first meet Bill, he has accidentally fused himself with a Pokémon while experimenting with his new teleportation system. Pokémon are often a mash-up of two real-world things, and this puzzle plays with the idea that the teleportation system might be used to unfuse Pokémon into their constituent parts. |
The image at the end of the puzzle is the classic “Who’s That Pokémon?” silhouette identification game, with silhouettes in alphabetical order. This serves as a word-bank for identifying the rest of the images.
Every time we click on the “Who’s That Pokémon?” button, we get a random image containing an overlapping silhouette of two objects whose portmanteau spells out one of the Pokémon’s names.
| GIRAFFE + ARGENTINA = GIRATINA | |
| MACARON + ARTICHOKE = MACHOKE | |
| MARVIN + BEANIE = MAREANIE | |
| INFINITY + DEEDEE = INDEEDEE | |
| SNES + EASEL = SNEASEL | |
| SALAD + FRIZZLE = SALAZZLE | |
| SMOOTHIE + KETCHUM = SMOOCHUM | |
| BREAD + LOOM = BRELOOM | |
| DRACULA + MARTINI = DRATINI | |
| MAGNETO + MITE = MAGNEMITE | |
| FLAMINGO + PINEAPPLE = FLAPPLE | |
| FLOAT + PRETZEL = FLOATZEL | |
| CASHEW + RACCOON = CASCOON | |
| LANCE + SATURN = LANTURN | |
| PANDA + SAUSAGE = PANSAGE | |
| BARBIE + STAGECOACH = BARBOACH | |
| BINOCULARS + TENTACLE = BINACLE | |
| ARMOIRE + WALDO = ARMALDO | |
| LUCY + WARIO = LUCARIO | |
| SWORDFISH + ACROBAT = SWOOBAT |
Two Pokémon from the word-bank are missing: Natu and Empoleon. Fuse them to get the answer NAPOLEON, the “foreign” thing that’s jamming the machine.


BabySleeper
With love, Gal.
Temperature
%TEMPERATURE%°C
Gas levels should be below 300 ppm.
IF levels indicate more than 300,
than on (or more) of the bollowing gasses are in high concentration: CO, LPG (coocking gas), Butane, Propane, Methane, Alcohol, Hydrogen.


I am a computer engineering graduate who enjoys and loves web design and development. I value work ethics and knowledge more than anything else.
C++
PHP
HTML5
CSS3
Apart from coding, I enjoy most of my free time indoors reading a book, watching a movie/TV show, or playing a videogame. I prefer sci-fi, inspirational, and classic ones. In fact, my favorite book is JD Salinger's The Catcher in the Rye. I have watched and follow a large amount of TV shows such us Game of Thrones, Supernatural, Doctor Who, Friends, Rick and Morty and etc...
Along with the love of literature, I like music and singing. I cover songs that I can sing and love. And like every other guy in my age, I play MOBA games like League of Legends and DOTA.


Symbol Index for "Resource For Selected Activity"
Symbol Index for diagram
"Resource For Selected Activity"
allocated user (Association)
Performer Selected Activity (Class)
Resource For Abandoned Activity (Class)
Resource For Accepted Activity (Class)
Resource For Activity (Class)
Resource For Completed Activity (Class)
Resource For Scheduled Activity (Class)
Resource For Selected Activity (Class)
Resource For Started Activity (Class)
RFA/Direction (Generalization Node)


|
AZX (AppZone eXtensions) documentation
1.1.9-CxL
A set of companion utilities that make AZ development easier
|
String related utilities. More...
Go to the source code of this file.
Macros | |
| #define | AZX_GET_ARRAY_ELEMENTS(a) ( sizeof(a)/sizeof(a[0]) ) |
| Returns the number of elements of an array. More... | |
Trim Macros | |
These macros can be used to trim strings removing quotes | |
| #define | AZX_TRIM_LEADING_QUOTES(a) if('\"'==a[0]){a++;} |
| #define | AZX_TRIM_TRAILING_QUOTES(a) if('\"'==a[strlen(a)-1]){a[strlen(a)-1]=0;} |
| #define | AZX_TRIM_LEADING_AND_TRAILING_QUOTES(a) TRIM_LEADING_QUOTES(a)TRIM_TRAILING_QUOTES(a) |
Functions | |
| INT32 | azx_str_to_l (char *str, INT32 *output) |
| Converts a string to a signed long integer. More... | |
| INT32 | azx_str_to_ul (char *str, UINT32 *output) |
| Converts a string to an unsigned long integer. More... | |
| INT32 | azx_str_to_ull (char *str, UINT64 *output) |
| Converts a string to an unsigned long long integer. More... | |
| INT32 | azx_str_to_ul_hex (char *str, UINT32 *output) |
| Converts a string in hex format to an unsigned long integer. More... | |
| INT8 | azx_str_to_uc (char *str, UINT8 *output) |
| Converts a string in to an unsigned char integer. More... | |
| UINT8 | azx_asc_to_dec (char ch) |
| Converts a hex ASCII character in to an unsigned char integer. More... | |
| INT8 | azx_str_to_d (char *str, FLOAT64 *output) |
| Converts a string in to a double. More... | |
| INT8 | azx_str_to_f (char *str, FLOAT32 *output) |
| Converts a string in to a float. More... | |
| UINT8 | azx_str_rem_ch (char *str, char chr) |
| Remove all the character recurrences from the given string. More... | |
| UINT8 | azx_str_l_trim (char *str) |
| Remove all the blank leading spaces. More... | |
| UINT8 | azx_str_r_trim (char *str) |
| Remove all the trailing spaces. More... | |
String related utilities.
Utitities to manage strings (e.g. convert to numbers, trim)
| UINT8 azx_str_r_trim | ( | char * | str | ) |
Remove all the trailing spaces.
Remove all the trailing spaces. Resize the input string accordingly
| [in] | str | input string |


About and FAQ
Why Involt?
Developing interactive product is multidisciplinary task. It's related to industrial design, programming, user experience and sometimes graphic design skills. Arduino is easy hardware prototyping platform but things get complicated when software is involved in project even if there are many great tools and frameworks for app prototyping. Sometimes it's a huge obstacle that blocks many concepts from making it to the real world. Involt is a framework to help you on early stages without advanced programming.
The key to Involt is to "make it simple" to prototype, iterate and quickly show results to your users. Involt can be a huge boost in your design process, especially during RITE method (Rapid Iterative Testing and Evaluation) and while making Proof of Concept prototype.
Why it's better than other solutions?
Quick research on the web shows that there are many great but not simple solutions. Before Involt you could choose between writing native (or hybrid) app or completly giving up flexibility by using IOT services.
Involt took a step forward toward simplicity of prototyping. The communication and HTML UI elements works "out of the box". With CSS it's easy to work on both layout and hardware interactions without going deep into programming. Practically you are a few steps forward. Imagine how helpful Involt can be in your design process whether it's personal or startup early iteration of MVP (or Proof of Concept). Instead of focusing on how to make things work you can focus on the project itself.
Who is it for?
Everyone for whom it's important to have a handy tool that doesn't require too much effort when there is no need to. Having any experience with HTML and know how to blink LED in Arduino is halfway to learn the rest of features. Involt is used mostly by students, makers and designers.
What's the future of Involt?
The primary goal was to deliver a tool "for designers by designers". It's still at the heart of Involt and defines its directions. Developing more complex programming environment would make the simplicity fade away. People who need that would stick to native apps anyway.
In future, while Involt gains its identity as more people use it, its considered to be something associated with UX/product design workflows. Why shouldn't we have good prototyping tool for interactive products when there are so many app prototyping tools and now they are successfully used everywhere?
Adding Involt to existing layout. What should I do?
Injecting interactions will not change the existing layout and there is no need of rewriting your project (except some complex JS interactions). While moving the project to mobile you don't need to recreate everything.
With hardware, you need to adapt your project to Involt sketch and its functions. It's easy but requires some planning.
Limitations
- All limitations related to node-webkit and cordova (on mobile).
- Project is based on web technologies but keep in mind that Involt does not support online communication so you can't develop working IoT solution(maybe in future).
- IOS and Bluetooth LE are not supported.
- Arduino basic boards and derivatives from other companies works fine, I can't be sure for bluetooth devices if they work fine on particular system or smartphone... Please inform me if something is wrong with hardware you tested the project.
- Only one device can be connected to app at once.


For example, the setting
.
images/dogs
images/cats
---
videos/cats
others/:date:/:pagedomain:/foo
with a default download directory of
~/downloads
will create options to save media to the directories
~/downloads/
~/downloads/images/dogs
~/downloads/images/cats
---
~/downloads/videos/cats
~/others/2000-01-01/github.com/foo
Invalid paths (eg.
..
and
/
) are ignored.
The WebExtensions API does not allow files to be saved outside of the default download directory. If you want to
save the files outside the default download directory, use a
symlink inside the default download directory. (
Windows,
OS X/Unix)
Both Chrome and Firefox do not allow saving to directories with leading dots (eg. foo/.hidden
).


@* * This template is called from the `index` template. This template * handles the rendering of the page header and body tags. It takes * two arguments, a `String` for the title of the page and an `Html` * object to insert into the body of the page. *@ @(title: String)(content: Html)(implicit webJarAssets: WebJarAssets)
@* Here's where we render the page title `String`. *@


{% load i18n %}
A URL source lets you pull content from a web address. For example, you might want to analyse a CSV file available on a data repository, or fetch the latest data from an API endpoint.
The URL of the source. For better provider-specific support, we'll attempt to match the URL that you enter with one of the supported provider-specific sources e.g. a Google Doc, a GitHub repository


|
Groovy JDK |
| Method Summary | |
|---|---|
StringBuilder
|
leftShift(Object value)
Overloads the left shift operator to provide syntactic sugar for appending to a StringBuilder. |
StringBuilder
|
leftShift(Object value)
Overloads the left shift operator to provide an easy way to append multiple objects as string representations to a StringBuilder (Only works with JDK1.5 or later). |
String
|
plus(String value)
Appends a String to this StringBuilder (Only works with JDK1.5 or later). |
void
|
putAt(IntRange range, Object value)
Support the range subscript operator for StringBuilder (Only works with JDK1.5 or later). |
void
|
putAt(EmptyRange range, Object value)
Support the range subscript operator for StringBuilder (Only works with JDK1.5 or later). |
int
|
size()
Standard Groovy size() method for StringBuilders (Only works with JDK1.5 or later). |
| Method Detail |
|---|
public StringBuilder leftShift(Object value)
value
- an Object.public StringBuilder leftShift(Object value)
value
- a value to append.public String plus(String value)
value
- a String.public void putAt(IntRange range, Object value)
range
- a Range.value
- the object that's toString() will be inserted.public void putAt(EmptyRange range, Object value)
range
- a Range.value
- the object that's toString() will be inserted.public int size()
|
Groovy JDK |


?J.
A.
Shafer,
Collector
_
March
8-12,1912
THE
NEW
YORK
BOTANICAL
GARDEN
EXPLORATION
OF
CUBA
Province
of
oriente
Vicinity
of
Manzanillo
-
P
no
JAM!.
u
-
¥
-yy
--'
.....I
/X
REVISION
OF
CANAVALIA,
1962
Subgenus
Canavalia
Canavalia
maritima
(Aubl.)
Thou.
Oet.
J.D.
Sauer
1616345
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


Block Quotes added for giving Citations for the quote for avoiding plagiarism
I quote this for my Git Account plug ;) :D


To continue promoting artificial intelligence in Morocco, MoroccoAI is organizing its
first edition of MoroccoAI Annual Conference (MoroccoAI 2021) that will be held
on December 21st and 22nd, 2021. It will bring advanced knowledge and recent developments in AI
for students, researchers and industry professionals.
We invite submissions to the first edition of MoroccoAI annual conference (MoroccoAI
2021) and welcome papers from all areas of machine learning and deep learning.
All nationalities are welcome, and we particularly encourage Moroccan junior researchers
and practitioners of AI to submit.
Technical scope
We consider a broad range of subject areas related to machine learning and deep learning. Topics of interest include but are not limited to:
- Statistical Machine Learning and Optimization
- Deep Learning and Neural Networks
- Natural Language Processing and Darija applications
- Computer Vision
- Speech and Signal Processing
- Ethics and AI for Social Good
- Computational Biology
- Datasets and Data Collection for Machine Learning
- AI Applications for Morocco
Submission guidelines
All papers must be in PDF format and state the research problem, motivation, and technical contribution. All papers should follow Latex or word templates. Here is an example of a 2 pages research paper following these guidelines. Submissions should be in a single column and typesetted using 11-point or larger fonts and have at least 1-inch margin all around.
Submissions may be previously published, completed, ongoing or planned work. In addition, we highly encourage incoming or junior PhD students to submit research proposals, detailing what they plan to work for their thesis. All submissions will be peer-reviewed by at least 2 reviewers in the area and accepted papers will be shared on the conference website.


ch.lambdaj.group
Interfaces
Group
GroupCondition
Classes
AbstractGroupCondition
ArgumentGroupCondition
GroupConditions
GroupImpl
GroupItem
Groups
LeafGroup
StringGroupCondition


Almost 7+ years of experience in complete software testing and development. Senior software QA tester with full system development life cycle experience, including designing, developing and implementing test plans, test cases, test processes and automated testing using selenium. Hands-on technology professional accustomed to working in complex, project-based environments. Multifaceted experience in QA software testing, software development and user-acceptance testing. Backed by strong credentials including a computer science degree and computer analytics certificate, agile methodologies and monitoring tools, and cross-platform skills in Windows and Linux.
Analyze the project’s requirement specification, manage test plan and testing procedure, suggest the solutions to identified when product problems' occur. System Integration testing and UAT testing and recent experience in automation testing with Selenium webdriver. Client communication and training is plus after releasing project to clients.
Modified existing software design and development for Travel Cloud web application. Wrote maintainable and extensible code using HTML, CSS, JavaScript, MySQL, AngularJS and PHP Framework under the guidance of the Project Manager and wrote automation testing by using selenium webdriver.
Prepare the database structure and requirements for project also modified existing software to correct errors, upgrade interfaces and improve performance, develop coding and debugging websites and web applications using HTML, CSS, JavaScript, MySQL and PHP Framework (CI, Laravel) by the guidance of Project Manager. Assign to team members to complete the tasks on time. Prepared detailed reports concerning project specifications and activities.
Maintain and Query data of core banking database using SQL Server 2005, migrate data of branch database to repair the fault of current exe. Analyzed banking project’s requirements and bug lists and make UAT testing after features have done. Developed banking projects using Java (GWT), C#.Net, SQL Server and directed software design and development in Remittance banking project together with team leader. Also provide user manual guides and training end users about software.
Apart from being a web developer, I enjoy most of my time being outdoors. In the winter, I am an avid skier and novice ice climber. During the warmer months here in Colorado, I enjoy mountain biking, free climbing, and kayaking.
When forced indoors, I follow a number of sci-fi and fantasy genre movies and television shows, I am an aspiring chef, and I spend a large amount of my free time exploring the latest technology advancements in the front-end web development world.


statsmodels.tsa.ar_model.AR.fit¶
-
AR.
fit
(maxlag=None, method='cmle', ic=None, trend='c', transparams=True, start_params=None, solver='lbfgs', maxiter=35, full_output=1, disp=1, callback=None, **kwargs)[source]¶ Fit the unconditional maximum likelihood of an AR(p) process.
Parameters: maxlag : int
If ic is None, then maxlag is the lag length used in fit. If ic is specified then maxlag is the highest lag order used to select the correct lag order. If maxlag is None, the default is round(12*(nobs/100.)**(1/4.))
method : str {‘cmle’, ‘mle’}, optional
cmle - Conditional maximum likelihood using OLS mle - Unconditional (exact) maximum likelihood. See solver and the Notes.
ic : str {‘aic’,’bic’,’hic’,’t-stat’}
Criterion used for selecting the optimal lag length. aic - Akaike Information Criterion bic - Bayes Information Criterion t-stat - Based on last lag hqic - Hannan-Quinn Information Criterion If any of the information criteria are selected, the lag length which results in the lowest value is selected. If t-stat, the model starts with maxlag and drops a lag until the highest lag has a t-stat that is significant at the 95 % level.
trend : str {‘c’,’nc’}
Whether to include a constant or not. ‘c’ - include constant. ‘nc’ - no constant.
The below can be specified if method is ‘mle’
transparams : bool, optional
Whether or not to transform the parameters to ensure stationarity. Uses the transformation suggested in Jones (1980).
start_params : array-like, optional
A first guess on the parameters. Default is cmle estimates.
solver : str or None, optional
Solver to be used if method is ‘mle’. The default is ‘lbfgs’ (limited memory Broyden-Fletcher-Goldfarb-Shanno). Other choices are ‘bfgs’, ‘newton’ (Newton-Raphson), ‘nm’ (Nelder-Mead), ‘cg’ - (conjugate gradient), ‘ncg’ (non-conjugate gradient), and ‘powell’.
maxiter : int, optional
The maximum number of function evaluations. Default is 35.
tol : float
The convergence tolerance. Default is 1e-08.
full_output : bool, optional
If True, all output from solver will be available in the Results object’s mle_retvals attribute. Output is dependent on the solver. See Notes for more information.
disp : bool, optional
If True, convergence information is output.
callback : function, optional
Called after each iteration as callback(xk) where xk is the current parameter vector.
kwargs
See Notes for keyword arguments that can be passed to fit.
References
- Jones, R.H. 1980 “Maximum likelihood fitting of ARMA models to time
- series with missing observations.” Technometrics. 22.3. 389-95.


The high_bits_mask
is an
abstract representation of a contiguous section of bits which extend out
from the most significant bit towards the least significant bit. The high_bits_mask
changes base on the width
of the type but always maintains the same high level description of the bits.
For example,
// using high bits to create a mask starting from the left most bit with a width // of 15 typedef high_bits_mask<int, 15> bits; // bits::value will have the following value in binary. // 1111 1111 1111 1110 0000 0000 0000 0000
#include <boost/integer/high_bits_mask.hpp> #include <boost/integer/high_low_mask.hpp>
high_bits_mask
has the following
template signature:
namespace boost { template <typename T, unsigned int Width> struct high_bits_mask; }
high_bits_mask
inherits from
integral_mask
.
|
Parameter |
Description |
|---|---|
|
|
Is an integral type which the mask is to be created over. |
|
|
This is the width of the mask in bits. |
high_bits_mask
Compile time
interface. Assume that N is of type high_bits_mask<int,
10>
the type supplied here is only for example.
|
Operation |
Description |
|---|---|
|
|
Returns the |
|
|
Returns |
|
|
Returns the current types type. |
|
|
Always set to zero for this type. The offset is something which
all of the mask type support and refers the amount the mask has
been shifted to the right or the left (Depending on the type of
mask used). In the case of |
|
|
Returns the integral value associated with the |
|
|
Run time support function. Returns |
|
Precondition |
Description |
Enforcement |
|---|---|---|
|
|
The |
Enforced by static assert. |
|
|
|
This is only a documented precondition. It is not enforced. |
Examples and use cases related to the high_bits_mask
template.
Example:
typedef high_bits_mask<int,4> mask; // binary for mask::value // 1111 0000 0000 0000 0000 0000 0000 0000 int integral_value = 0xc000000c; // integral_value's binary value // 1100 0000 0000 0000 0000 0000 0000 1100 int result = integral_value & mask(); // binary value of result // 1100 0000 0000 0000 0000 0000 0000 0000
The implicit cast operator allows for simplicity, clairity of code. In the
above example mask()
could be replaced with mask::value
to achieve the same result. The same applies to all other bitwise operators.


Ariana Grande Brings BFFs Liz Gillies & Matt Bennett To Perform 'Victorious' Songs at Sweetener Tour Stop!
Ariana Grande returned to the stage with a bang, after cancelling a show due to sickness.
The 26-year-old singer brought her former co-stars and best friends Elizabeth Gillies and Matt Bennett to perform a couple of songs from their show Victorious at her concert stop in Atlanta, Ga!
Ariana and Liz belted out their duet “Give It Up”, while Matt performed his song “I Think You’re Swell”. Liz also joined Ariana on stage during “thank u, next”.
“the most special show to me yet. truly. love u. this was too much to process and don’t know what to say yet but so grateful and thrilled. love u forever
@LizGillies @MattBennett,” Ariana wrote on Twitter after the show.
“Still can’t process. Last night blew my mind. Love you, @ArianaGrande. Love you too, @MattBennett!! We did it!!” Liz shared.
“One of the best nights of my life. Love you @ArianaGrande @LizGillies @SenSanders and everyone in Atlanta!” Matt added on his account.
Ariana even shared that they wished their co-stars could’ve been there.
“@victoriajustice @leonthomas @jogia @daniellamonet look how special this is. we love you and wish you all could have been here tonight,” she wrote on her Instagram story.
The trio even teased their appearances earlier in the day.
“guys i can’t tell u why yet but i’m so excited for tonight i’ve never felt this way goodbye,” Ariana wrote. See Liz and Matt‘s responses below!
Click inside to see videos of their performances!


public abstract class FiddlerFxApp extends javafx.application.Application implements EventHandler
Application.launch()
. This static method call returns after
the GUI has been closed, no further interaction from the calling code
is possible. But to integrate a Java FX GUI as module with any other
modules using the Fiddler framework, a special handling for external
interaction with the GUI framework is necessary.
FiddlerFxApp
extends the Java FX Application
,
so it may be started as a regular Java FX application. Additionally,
FiddlerFxApp
implements EventHandler
, so that
it directly can be used as a handler to be registered in the
MessageBus
. As Java FXs application uses its own startup
process, using an overloaded constructor doesn't seem to be an option to
connect with the message bus, thus some special startup code is neccessary.
It is best used with a thread using Fiddlers
FiddlerFxAppRunner
that starts the application and setting
the message bus connection afterwards.
MessageBus messageBus = new MessageBus();
new Thread(new FiddlerFxAppRunner(MyFiddlerFxAppGui.class, args)).start();
FiddlerFxApp.setMessageBus(messageBus);
You are then able to connect to the message bus within your MyFiddlerFxAppGui
class and send messages to the message bus.
Note: you need to implement the methods handle(Event event)
and shutdown()
, that come along with EventHandler
interface.| Constructor and Description |
|---|
FiddlerFxApp() |
| Modifier and Type | Method and Description |
|---|---|
static MessageBus |
getMessageBus()
Get the message bus this Gui is connected to
|
static void |
setMessageBus(MessageBus messageBus)
Connect the Gui with the message bus
|
getHostServices, getParameters, getUserAgentStylesheet, init, launch, launch, notifyPreloader, setUserAgentStylesheet, start, stop
equals, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait
handle, shutdown
public static void setMessageBus(MessageBus messageBus)
messageBus
- the message bus to connect topublic static MessageBus getMessageBus()


THE DATE NIGHT PLANNER
Dinner
Movie
Your Date
Can't go out?
Create a date night IN!
Choose your food category and movie genre and we will do the rest!
CLICK TO
MAKE YOUR
DATE!


first paragraph.
testing surround: emph then strong and code
.
`escaped backticks`
.
x = *y * 6;
horizontal rule:
preformatted block:
.'''' .'.'. | |
'''. | ' | | |
'''' ' ' ""
quoted text:
When in doubt, use brute force.
list:
as yet unknown, program.
ideally within weeks.
list in list:
entity: &, <, >
code:
int powerof2(unsigned int n) {
return !((n - 1) & n) && n > 0;
}
link: suckless
link with title: suckless
link with title (single quote): suckless
image:
image with alt text:
image with title:
image with title (single quote):


New Ride
22nd Feb/Wednesday 3.30 PM
HarbourFront
23rd Feb/Thursday 10.00 AM
Changi Airport
23rd Feb/Thursday 11.00 PM
Clarke Quay


Keyword
formdate
todate
displaylike
description
Delete
{{ x.formdate }}
{{ x.todate }}
{{ x.displaylike }}
{{ x.description }}
Delete


Golf
Play golf on a wide range field with a beautiful sight-seeing.
Hiking
Experience wild life in action while exploring mother nature. Be ready to brace unexpected wild animals in their natural habitat
Ski On the High Slopes of the Mountains
Get the best experience and live life to the fullest.
From our historic Main Street to our legendary skiing, what unites us in Breckenridge is our shared passion for embracing life’s best moments. Here, we pack all four seasons with the best of the outdoors, the indoors, and everything in between. From our vibrant après scene, culinary adventures, a buzzing nightlife, to experiences that tap into our more cultural side—from the musical to the artistic. We come together to embrace our world-class outdoor playground complete with Gold Medal fly-fishing rivers, stellar mountain biking trails, and majestic alpine hikes. Along the way, we’ve found that doing things together is more fun than doing them not together. You with us?
From our historic Main Street to our legendary skiing, what unites us in Breckenridge is our shared passion for embracing life’s best moments. Here, we pack all four seasons with the best of the outdoors, the indoors, and everything in between. From our vibrant après scene, culinary adventures, a buzzing nightlife, to experiences that tap into our more cultural side—from the musical to the artistic. We come together to embrace our world-class outdoor playground complete with Gold Medal fly-fishing rivers, stellar mountain biking trails, and majestic alpine hikes. Along the way, we’ve found that doing things together is more fun than doing them not together. You with us?
Everyday is Active Day
Spring, Summer, Fall and Winter? No problem. Any type of season gives you opportunity to take a challenge everyday.
Plan Your Travel Now!
Seattle, WA


|
EmberZNet API Reference: For the EM35x SoC Platform
EmberZNet <IP_ADDRESS>
For the EFR32 and EM3xx Platforms
|
Command entry for a command table. More...
#include <command-interpreter2.h>
Data Fields | |
| const char * | name |
| CommandAction | action |
| const char * | argumentTypes |
| const char * | description |
| const char *const * | argumentDescriptions |
Command entry for a command table.
| CommandAction EmberCommandEntry::action |
A reference to a function in the application that implements the command. If this entry refers to a nested command, then action field has to be set to NULL.
| const char* const* EmberCommandEntry::argumentDescriptions |
An array of strings, with a NULL terminator, indicating what each argument is.
| const char* EmberCommandEntry::argumentTypes |
In case of normal (non-nested) commands, argumentTypes is a string that specifies the number and types of arguments the command accepts. The argument specifiers are:
Integer arguments can be either decimal or hexidecimal. A 0x prefix indicates a hexidecimal integer. Example: 0x3ed.
In case of a nested command (action is NULL), then this field contains a pointer to the nested EmberCommandEntry array.
| const char* EmberCommandEntry::description |
A description of the command.
| const char* EmberCommandEntry::name |
Use letters, digits, and underscores, '_', for the command name. Command names are case-sensitive.


Rescue the prisoner from their jail cell and make your way toward the top to escape.
Watch out for the guard!
Sorry Mario, but your princess is in another castle!
J/K :) Now make a break for it!
Game over man, game over!
It's the zombie life for you.


The Galaxy S10 5G finally has 3D face unlock like iPhones
Source: Android Central
What you need to know
- With One UI 2,0, Samsung is enabling 3D facial recognition on the Galaxy S10 5G.
- It uses the ToF sensor on the front to map your face in three dimensions.
- The end result is a far more secure facial unlocking experience that cannot easily be fooled with a picture of your face.
Samsung's Galaxy S10 5G is the most expensive, and the most feature-packed, of the bunch. Alongside its 5G chops, the phone is also the only one in the series to have a ToF sensor, both on the front and the back. While ToF sensors can yield wonders for portrait mode with the main camera module, they can also enable real-time 3D facial scanning.
Unfortunately, when the Korean giant first launched the 5G variant of its flagship line, it did so without much fanfare about the ToF sensor and the possibilities it could unlock. Well, the company has finally gotten around to enabling some of those futuristic possibilities and, as discovered by @TEQHNIKACROSS, the Galaxy S10 5G now uses the ToF sensor for facial recognition.
Finally able to use the ToF sensor's smarts, the phone can now use an IR beam to map your face in 3D using the time it takes for the light to be reflected back (for example, the light from your nose will have a shorter 'time of flight' since it's closer to the camera). This data can then be used to identify every bump and wrinkle on your face in real time, allowing for a far more secure experience than face unlock using just a standard front-facing camera. As such, the camera also cannot be fooled by a 2D picture of you. Of course, there are still ways of getting around these more advanced facial recognition methods, but it's definitely a step up from what you had before.
Unfortunately, since this is a software upgrade, it requires you to have the One UI 2.0 on your phone to work. Samsung is currently beta testing the release in Korea. Hopefully, it'll roll out the same in other regions soon.


The PDF viewer always renders the PDF file as a canvas. Often, it also generates additional layers on top of the canvas:
[textLayer]="false"
, but if you do, your users can't use the find bar.You don't have to think much about these layers most of the time. However, these layers are HTML divs, and you can manipulate them.
For example, this demo uses the event listener
(annotationLayerRendered)
to fix a layout error in the document itself. The author has added a copyright box on page ii.
By default, the box is too large, so the box is clipped. That looks attractive, too, but this demo reduces the size of the box
to make it fit into the box without clipping it. As a side effect, the underlying link to a popular book vendor becomes visible.
Note that I don't want to do advertising. Please ignore the actual link unless you've read the example PDF and if you want to support the author by buying his book. To see the link, move the mouse slowly over the box until it becomes yellow. Technically speaking, I suspect that's a bug of pdf.js, because other PDF viewers always render the link without showing the info box.
There's a catch: the (annotationLayerRendered)
trick does not work in the thumbnail view.


CAMPUS INTRODUCTION
NCHU CAMPUS SONG
105 YEAR GRADUATE OFFICIAL MV
CHEERLEADER COMPETITION
NEW MALE DORM


There is a problem with your login attempt. You are not enrolled in Duo for mednet. Please call Customer Care at<PHONE_NUMBER>.


FNB Easy Zero account drops the monthly charges, adds a physical card
by Andy WalkerFNB on Thursday announced a new digital account offering called Easy Zero for those who want “a fully-fledged digital bank account with a card” without monthly fees.
Eazy Zero offers customers “free card swipes, cost-effective transactional and ATM cash withdrawal fees,” FNB said in a press release.
Free deposits up to R1500 per month, and free prepaid purchases also feature.
The digital account is targeted at those who “do not have regular income or have limited banking needs,” said Philani Potwana, FNB Easy CEO.
“This is partly the reason debit orders are not allowed on the digital account as customers in this segment have limited debit orders.
“However, for those customers that have a need for debit orders they can still use our competitively priced Easy PAYU and Easy Smart Bundle accounts,” he added.
The account keeps its mobile money elements though, including the ability to send cash to anyone with an SA phone number.
Easy Zero customers can also view their account status on their smartphones.
And sticking to the mobile theme, FNB lets users open an account using a USSD code (*120*227#) without the need for visiting a physical branch.
In the same announcement, FNB noted its digital account offerings now have “over 140 000 active customers”.
Feature image: FNB


We keep options in its own self-contained file so that we can load it independently in Rails 3, where the full template stuff is lazy-loaded.
This file makes Haml work with Rails using the > 2.0.1 template handler API.
The module that contains everything Haml-related:
- {Haml::Engine} is the class used to render Haml within Ruby code.
- {Haml::Helpers} contains Ruby helpers available within Haml templates.
- {Haml::Template} interfaces with web frameworks (Rails in particular).
- {Haml::Error} is raised when Haml encounters an error.
- {Haml::HTML} handles conversion of HTML to Haml.
Also see the {file:HAML_REFERENCE.md full Haml reference}.
Classes and Modules
- MODULE Haml


I am an Assistant Professor at the Department of Biology of the University of Naples “Federico II”, in Italy. My group aims to explore and understand the emergence and evolution of life and the co-evolution of the Geosphere and the Biosphere.
To this end in my lab we combine classic microbiology techniques with data from comparative genomic, phylogenetic, environmental surveys and computational approaches to reconstruct geo-bio interactions. The majority of our work is carried out in extreme environments, ranging from deep-sea and shallow-water hydrothermal vents, hot springs and volcanoes, the subsurface and Antarctica.
Our laboratory logo, an abstract representation of what we call “microbiology in planetary context”. Designed by Patricia Barcala Dominguz.
Check out our reserach, our latest pubblications or our interactive map showing our field sites. Head to the team section to read more about myself and the rest of the fantastic people I work with. Also, don’t forget to take a look at the picture gallery or our outreach activities and appearance in the media. Take a look at the yearly report I post about my activities in the Year in Numbers section.
We are located at the University of Naples “Federico II”, the oldest public non-sectarian university in the world founded in 1224. We also interact with a number of world leading institutions, including Rutgers University, the Geophisical Laboratory at CIW, the Earth-Life Science Institute and the Italian CNR-IRBIM.
We are always looking for passionate new people to join the team (more info) !
We are grateful for past and present funding from the Deep Carbon Observatory, NASA, the C-DEBI, the National Science Foundation and the ELSI Origins Network.
Just published the yearly report containing my 2019 activities. I think it is important to publish a report on the work carried out since we use taxpayers money
16. Dec 2019Nature just published a blog post about our recent Scientific Data paper on the Biology Meets Subduction dataset
21. Nov 2019A small piece on the American Mineralogist special issue Earth in Five Reactions I am co-editing just appeared on the Deep Carbon Observatory website
31. Oct 2019The video of my talk at the Deep Carbon 2019 meeting in Washington DC is finally available online. Watch me talk in the beautiful auditorium of the National Accademy of Science about our latest work on the Biology Meets Subduction project
25. Oct 2019Invited speaker at the final international Deep Carbon Observatory meeting in Washington DC, USA to discuss the future of Deep Carbon science


|
JavaTM 2 Platform Standard Ed. 5.0 |
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object java.security.CodeSource
public class CodeSource
This class extends the concept of a codebase to encapsulate not only the location (URL) but also the certificate chains that were used to verify signed code originating from that location.
| Constructor Summary | |
|---|---|
CodeSource(URL url,
Certificate[] certs)
Constructs a CodeSource and associates it with the specified location and set of certificates. |
|
CodeSource(URL url,
CodeSigner[] signers)
Constructs a CodeSource and associates it with the specified location and set of code signers. |
| Method Summary | |
|---|---|
boolean |
equals(Object obj)
Tests for equality between the specified object and this object. |
Certificate[] |
getCertificates()
Returns the certificates associated with this CodeSource. |
CodeSigner[] |
getCodeSigners()
Returns the code signers associated with this CodeSource. |
URL |
getLocation()
Returns the location associated with this CodeSource. |
int |
hashCode()
Returns the hash code value for this object. |
boolean |
implies(CodeSource codesource)
Returns true if this CodeSource object "implies" the specified CodeSource. |
String |
toString()
Returns a string describing this CodeSource, telling its URL and certificates. |
| Methods inherited from class java.lang.Object |
|---|
clone, finalize, getClass, notify, notifyAll, wait, wait, wait |
| Constructor Detail |
|---|
public CodeSource(URL url, Certificate[] certs)
url
- the location (URL).certs
- the certificate(s). It may be null. The contents of the
array are copied to protect against subsequent modification.public CodeSource(URL url, CodeSigner[] signers)
url
- the location (URL).signers
- the code signers. It may be null. The contents of the
array are copied to protect against subsequent modification.| Method Detail |
|---|
public int hashCode()
hashCode
in class Object
Object.equals(java.lang.Object)
,
Hashtable
public boolean equals(Object obj)
equals
in class Object
obj
- the object to test for equality with this object.
Object.hashCode()
,
Hashtable
public final URL getLocation()
public final Certificate[] getCertificates()
If this CodeSource object was created using the
CodeSource(URL url, CodeSigner[] signers)
constructor then its certificate chains are extracted and used to
create an array of Certificate objects. Each signer certificate is
followed by its supporting certificate chain (which may be empty).
Each signer certificate and its supporting certificate chain is ordered
bottom-to-top (i.e., with the signer certificate first and the (root)
certificate authority last).
public final CodeSigner[] getCodeSigners()
If this CodeSource object was created using the
CodeSource(URL url, Certificate[] certs)
constructor then its certificate chains are extracted and used to
create an array of CodeSigner objects. Note that only X.509 certificates
are examined - all other certificate types are ignored.
public boolean implies(CodeSource codesource)
More specifically, this method makes the following checks, in order. If any fail, it returns false. If they all succeed, it returns true.
For example, the codesource objects with the following locations and null certificates all imply the codesource with the location "http://java.sun.com/classes/foo.jar" and null certificates:
http: http://*.sun.com/classes/* http://java.sun.com/classes/- http://java.sun.com/classes/foo.jarNote that if this CodeSource has a null location and a null certificate chain, then it implies every other CodeSource.
codesource
- CodeSource to compare against.
public String toString()
toString
in class Object
|
JavaTM 2 Platform Standard Ed. 5.0 |
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
Copyright © 2004, 2010 Oracle and/or its affiliates. All rights reserved. Use is subject to license terms. Also see the documentation redistribution policy.


Frequently Asked Questions
Why shouldn't we trust atoms?
They make up everything!
What do you call someone with no body and no nose?
Nobody knows.
What's the object oriented way to become wealthy?
Inheritance.
How many tickets does it take to tickle an octopus?
Ten-tickles!
What is: 1 + 1?
Depends on who are you asking.


Products Inventory
| Product Name | ID | Qty | Variants | Committed | Daily Sale | Sold | In Stock | ||
|---|---|---|---|---|---|---|---|---|---|
| Coach Swagger | 24541 | 27 | 1 | 2 | 4 | 18 | |||
| Toddler Shoes, Gucci Watch | 24542 | 18 | 7 | 5 | 1 | 14 | |||
| Hat Black Suits | 24543 | 20 | 3 | 7 | 6 | 26 | |||
| Backpack Gents | 24544 | 37 | 8 | 3 | 6 | 7 | |||
| Speed 500 Ignite | 24545 | 8 | 3 | 4 | 8 | 42 | |||
| Olay | 24546 | 19 | 6 | 6 | 79 | 12 | |||
| Ledger Nano X | 24547 | 61 | 46 | 18 | 76 | 36 | |||
| Surface Laptop 2 | 24548 | 33 | 56 | 89 | 38 | 5 | |||
| TIGI Bed Head Superstar Queen | 24549 | 3 | 9 | 15 | 6 | 46 | |||
| Wattbike Atom | 24550 | 61 | 56 | 68 | 3 | 19 | |||
| Smart Watch | 24551 | 19 | 76 | 38 | 3 | 17 | |||
| Magic Bullet Blender | 24552 | 12 | 30 | 14 | 26 | 9 | |||
| Kanana rucksack | 24553 | 14 | 65 | 39 | 9 | 55 | |||
| Copic Opaque White | 24554 | 43 | 29 | 75 | 7 | 15 | |||
| Headphones | 24555 | 17 | 6 | 7 | 6 | 98 |
Top Customers
| Name | Income |
|---|---|
| Gunter Reich | $2,560 |
| Anke Kirsch | $1,720 |
| Karolina Beer | $1,230 |
| Lucia Christ | $875 |
| See All |
Sales by Country
Sales by Product
Add Stock| Product Name | Unit | Amount | %sold | |
|---|---|---|---|---|
| Coach Swagger | 134 | $24541 | 35.28% |
|
| Toddler Shoes | 119 | $20225 | 27.05% |
|
| Hat Black Suits | 101 | $17,290 | 20.25% |
|
| Backpack Gents | 59 | $1150 | 12.50% |
|
| Speed 500 Ignite | 25 | $590 | 02.10% |
|
| Earphone & Headphone | 23 | $450 | 02% |
|
| Gucci Watch | 32 | $554 | 8% |
|


{{txt.business_email_or_member_id}}{{^txt.business_email_or_member_id}}Business Email or Member ID{{/txt.business_email_or_member_id}}:
{{txt.password}}{{^txt.password}}Password{{/txt.password}}:
{{txt.forgot_your_password}}{{^txt.forgot_your_password}}Forgot your password?{{/txt.forgot_your_password}}
{{txt.sign_in}}{{^txt.sign_in}}Sign in{{/txt.sign_in}}
{{txt.stay_signed_in}}{{^txt.stay_signed_in}}Stay Signed in{{/txt.stay_signed_in}}
{{txt.join_free_now}}{{^txt.join_free_now}}Join Free Now!{{/txt.join_free_now}}
在线咨询


{% extends "base.html" %} {% block content-header %}
This device is awaiting authorization. You may either authorize it yourself on a previously authorized device, or contact an administrator to authorize it for you.
If your key is intact, it will be displayed here. If this is blank, please locate your backup key file and paste it here. Once a key is present, click "Recover Device".
Download your key or copy and paste it to a secure location.


The Origin
Source: http://en.wikipedia.org/wiki/Pavlova_%28food%29, used under a Creative Commons, Attribution - ShareAlike License.Keith Money, a biographer of Anna Pavlova, wrote that a hotel chef in Wellington, New Zealand, created the dish when Pavlova visited there in 1926 on her world tour.
Professor Helen Leach, a culinary anthropologist at the University of Otago in New Zealand, has compiled a library of cookbooks containing 667 Pavlova recipes from more than 300 sources. Her book, The Pavlova Story: A Slice of New Zealand’s Culinary History, states that the first Australian Pavlova recipe was created in 1935 while an earlier version was penned in 1929 in the rural magazine.
It has been claimed that Bert Sachse created the dish at the Esplanade Hotel in Perth, Australia in 1935. In defence of his claim as inventor of the dish, a relative of Sachse's wrote to Leach suggesting that Sachse may have accidentally dated the recipe incorrectly. Leach replied they would not find evidence for that "because it's just not showing up in the cookbooks until really the 1940s in Australia." (However, a 1937 issue of the Australian Women's Weekly contains a pavlova sweet cake recipe.) Of such arguments, Matthew Evans, a restaurant critic for The Sydney Morning Herald, said that it was unlikely that a definitive answer about the Pavlova’s origins would ever be found.
People have been doing meringue with cream for a long time, I don't think Australia or New Zealand were the first to think of doing that - Matthew Evans


Reports method parameters that are named identically to the visible fields of the method's class
or surrounding classes if it is a parameter inside of an inner or anonymous class.
Such a parameter name may be confusing and it's possible to accidentally use the parameter where the field is intended.
The quick-fix is suggested to rename the parameter.
Example:
class Main {
private final int value;
public Main(int value) {
this.value = value;
}
}
Use the "Options" panel to configure the inspection:
- Enable the "Ignore for property setters" checkbox to ignore parameters of simple setters.
-
Enable the "Ignore superclass fields not visible from subclass" checkbox to ignore
private
fields in a superclass, which are not visible from the parameter.
- Enable the "Ignore for constructors" checkbox to ignore parameters of constructors.
- Enable the "Ignore for abstract methods" checkbox to ignore parameters of abstract methods.
-
Enable the "Ignore for static method parameters hiding instance fields" checkbox to ignore parameters
of
static
methods hiding an instance field and to ignore parameters of instance methods in static inner
classes hiding an instance field in an outer class. While not strictly hiding, such parameters can still be confusing.


Football: Bayern interim coach Flick braces for stormy Bundesliga debut
REUTERS: Bayern Munich interim coach Hansi Flick has his work cut out for him as he seeks to plug the champions' leaky defence and inspire some confidence ahead of Saturday's (Nov 9) Bundesliga clash with visitors Borussia Dortmund.
Assistant coach Flick was put in temporary charge after Niko Kovac was sacked in the wake of Bayern's humiliating 5-1 drubbing at Eintracht Frankfurt.
That defeat left Bayern in fourth place, four points off surprise leaders Borussia Moenchengladbach in the tightest Bundesliga title race in years.
Long-term injuries to defenders Niklas Suele and Lucas Hernandez present a major problem for Flick with Bayern leaking goals all season and facing one of the league's most potent attacks.
Bayern have conceded 16 goals in 10 league games, the same as strugglers Fortuna Duesseldorf and more than 14th-placed Union Berlin.
"We will undertake one or two changes," Flick said after his first training session this week. "The way we have been conceding goals is not very Bayern-like.
"It is important for the team to be active. We have to defend from the front and try to get the ball back as quickly as possible. Those are the points we want to address."
Bayern took a step forward on Wednesday, beating Olympiakos in the Champions League 2-0 for their first clean sheet in all competitions since Sept. 21.
But it is not just the defence that Flick, a former Germany assistant coach, must address. Confidence is a major issue for a side who find themselves in an unfamiliar position after dominating the league for years.
Bayern have won the last seven consecutive league titles, the best run in the history of the Bundesliga, but they have not been firing on all cylinders this season.
High-profile signing Philippe Coutinho has been disappointing so far, while the club has depended almost exclusively on Robert Lewandowski's scoring ability with the Pole having netted 14 times in 10 games so far.
Dortmund will be going into the game brimming with confidence after their win over the previously unbeaten VfL Wolfsburg in the Bundesliga last week and their comeback victory over Inter Milan in the Champions League on Tuesday.
Dortmund, in second place on 19 points, one ahead of Bayern, were trailing 2-0 at halftime against the Italians before scoring three times to clinch victory.
Leaders Gladbach host Werder Bremen on Sunday.


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Reactive Big Data on OpenShift In-Memory Data Grids
Thanks a lot to everyone who attended the Infinispan sessions I gave in Great Indian Developer Summit! Your questions after the talks were really insightful.
One of the talks I gave was titled Big Data In Action with Infinispan (slides are available here), where I was looking at how Infinispan based in-memory data grids can help you deal with the problems of real-time big data and how to do big data analytics.
During the talk I live coded a demo showing both real-time and analytics parts, running on top of OpenShift and using Vert.x for joining the different parts. The demo repository contains background information on instructions to get started with the demo, but I thought it’d be useful to get focused step-by-step instructions in this blog post.
Set Up
Before we start with any of the demos, it’s necessary to run some set up steps:
1. Check out git repository:
2. Install OpenShift Origin or Minishift to get an OpenShift environment running in your own
machine. I decided to use OpenShift Origin, so the instructions below are tailored for that
environment, but similar instructions could be used with Minishift.
3. Install Anaconda for Python 3, this is required to run Jupyter notebook for plotting.
Demo Domain
Once the set up is complete, it’s time to talk about the demos before we run them.
Both demos shown below work with the same application domain: swiss rail transport systems. In this domain, we differentiate between physical stations, trains, station boards which are located in stations, and finally stops, which are individual entries in station boards.
Real Time Demo
The first demo is about working with real-time data from station boards around the country and presenting a centralised dashboard of delayed trains around the country. The following diagrams shows how the following components interact with each other to achieve this:
Infinispan, which provides the in-memory data grid storage, and Vert.x, which provides the glue for the centralised delayed dashboard to interact with Infinispan, all run within OpenShift cloud.
Within the cloud, the Injector verticle cycles through station board data and injects it into Infinispan. Also within the cloud, a Vert.x verticle that uses Infinispan’s Continuous Query to listen for station board entries that are delayed, and these are pushed into the Vert.x event bus, which in turn, via a SockJS bridge, get consumed via WebSockets from the dashboard. The centralised dashboards is written with JavaFX and runs outside the cloud.
To run the demo, do the following:
1. Start OpenShift Origin if you’ve not already done so:
oc cluster up --public-hostname=<IP_ADDRESS>
2. Deploy all the OpenShift cloud components:
cd ~/swiss-transport-datagrid
./deploy-all.sh
3. Open the OpenShift console and verify that all pods are up.
4. Load github repository into your favourite IDE and run
delays.query.continuous.fx.FxApp Java FX application. This will load the
centralised dashboard. Within seconds delayed trains will start appearing. For example:
Analytics Demo
The first demo is focused on how you can use Infinispan for doing offline analytics. In particular, this demo tries to answer the following question:
Q. What is the time of the day when there is the biggest ratio of delayed trains?
Once again, this demo runs on top of OpenShift cloud, uses Infinispan as in-memory data grid for storage and Vert.x for glueing components together.
To answer this question, Infinispan data grid will be loaded with 3 weeks worth of data from station boards using a Vert.x verticle. Once the data is loaded, the Jupyter notebook will invoke an HTTP restful endpoint which will invoke an Vert.x verticle called AnalyticsVerticle.
This verticle will invoke a remote server task which will use Infinispan Distributed Java Streams to calculate the two pieces of information required to answer the question: per hour, how many trains are going through the system, and out of those, how many are delayed.
An important aspect to bear in mind about this server tasks is that it will only be executed in one of the nodes in the cluster. It does not matter which one. In turn, this node will will ship the lambdas required to do the computation to each of the nodes so that they can executed against their local data. The other nodes will reply with the results and the node where the server task was invoked will aggregate the results.
The results will be sent back to the originating invoker, the Jupyter notebook which will plot the results. The following diagrams shows how the following components interact with each other to achieve this:
Here is the demo step-by-step guide:
1. Start OpenShift Origin and deploy all components as shown in previous demo.
2. Start the Jupyter notebook:
cd ~/swiss-transport-datagrid/analytics/analytics-jupyter
~/anaconda/bin/jupyter notebook
3. Once the notebook opens, click open live-demo.ipynb notebook and execute each of the cells in order. You should end up seeing a plot like this:
So, the answer to the question:
Q. What is the time of the day when there is the biggest ratio of delayed trains?
https://www.blogger.com/blogger.g?blogID=5717179571414330874https://www.blogger.com/blogger.g?blogID=5717179571414330874[]https://www.blogger.com/blogger.g?blogID=5717179571414330874
is 2am! That’s because last connecting trains of the day wait for each other to avoid leaving passengers stranded.
Conclusion
This has been a summary of the demos that I presented at Great Indian Developer Summit with the intention of getting you running these demos as quickly as possible. The repository contains more detailed information of these demos. If there’s anything unclear or any of the instructions above are not working, please let us know!
Once again, a very special thanks to Alexandre Masselot for being the inspiration for these demos. Merci @Alex!!
Over the next few months we will be enhancing the demo and hopefully we’ll be able to do some more live demonstrations at other conferences.
Cheers,
Galder


Man has firework rocket launched from his backside in dangerous stunt
Footage of the disturbing 'prank' shows the man putting himself at risk when the firework is lit while between his cheeks
by Matthew Dresch, https://www.mirror.co.uk/authors/matthew-dresch/A man was caught on camera launching a firework rocket from his backside in a dangerous stunt.
Safety experts slammed the reckless behaviour after footage circulated on Twitter .
The video shows another man lighting a firework held in the other's bottom.
As the fuse is burning, sparks appear to melt his top, with a friend shouting 'it's burned up your back, your t-shirt's wrecked'.
When the main charge ignites, the man sprints forward and desperately throws his arms back to knock the pyrotechnic away.
It appears the firework burned his backside as it launched.
The rocket then explodes on the ground after the man successfully hits it off him.
It's not known when or where the clip was filmed but a man off camera can be heard speaking in a Scottish accent.
The Royal Society for the Prevention of Accidents told The Sun : “It doesn’t take a bright spark to know not to toy with fireworks.
“Historically, around 1,000 people visit A&E for treatment of a firework-related injury in the four weeks around Bonfire Night.
“We recommend families enjoy fireworks at an organised display and follow the Firework Code, which can be found on our website.”

Several Twitter users blasted the man for his behaviour, with one commenting: "Again.. proof as to why women live longer than men."
Another added: "Probably wouldn’t quite have killed him but could easily have blown a massive chunk of his back off."


Please connect to WLAN with SSID: SSID_Placeholder
Allthough not strictly required, connecting to the right WLAN speeds up your connection and prevents network traffic travelling through the whole network (building).
Open Firefox, Chrome, etc. and type in the address-bar on of the following addresses (use one which serves for you):


In this case request is serviced according to next shortest distance. Starting at 50, the next shortest distance would be 62 instead of 34 since it is only 12 tracks away from 62 and 16 tracks away from 34. The process would continue until all the process are taken care of. For example the next case would be to move from 62 to 64 instead of 34 since there are only 2 tracks between them and not 18 if it were to go the other way. Although this seems to be a better service being that it moved a total of 236 tracks, this is not an optimal one. There is a great chance that starvation would take place. The reason for this is if there were a lot of requests close to eachother the other requests will never be handled since the distance will always be greater.
AdvantagesEXAMPLE : Lets say we are given with the following queue ==> 95, 180, 34, 119, 11, 123, 62, 64 with the Read-write head initially at the track 50 and the tail track being at 199 let us now discuss the different algorithms.


This transcript was generated using Amazon Speech Recognition;
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you find out using the feedback widget at the bottom corner of this page.
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-
00:00:02 - 00:00:06
Carmen Pryce
Hi, I'm Carmen Pryce, and this is “In my mind's eye: The museum explored”
-
00:00:07 - 00:00:18
Carmen Pryce
a podcast where I talked to artists and writers during lock down about their memories of the Fitzwilliam Museum, part of the University of Cambridge. At the outset of this project, we sent each contributor a brief
-
00:00:19 - 00:00:32
Carmen Pryce
author, playwright, academic and journalist. Ali Smith, who is a regular visitor to the museum, got the concept so quickly she'd written, recorded and, delivered the piece you're about to hear before I'd managed to set up the remote recording
-
00:00:34 - 00:00:44
Carmen Pryce
Ali’s memories, take her on an imaginary tour of the museum and lead her to a small painting by French 19th century artists Henri Fantin Latour in Gallery five.
-
00:00:45 - 00:00:51
Carmen Pryce
After Ali's reading, we get the curator’s reaction with keeper of paintings, drawings and prints, Jane Munro
-
00:00:51 - 00:00:54
Carmen Pryce
and Luke Syson director of the Fitzwilliam Museum.
-
00:00:55 - 00:01:12
Carmen Pryce
Now at the time, UK social distancing guidelines prohibit the meeting off various household indoors. So even though the distance between all of us is a five minute cycle ride and I could have done the interview over the garden gate. The recording takes place online to comply with the rules.
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00:01:14 - 00:01:17
Carmen Pryce
Here's what Ali Smith sees “in her mind's eye”
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00:01:19 - 00:01:21
Ali Smith
Elegy in a cup and saucer.
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00:01:23 - 00:01:26
Ali Smith
Where have you been in your dreams in lockdown,
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00:01:27 - 00:01:30
Ali Smith
wandering the sunlit streets of an impossible city
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00:01:31 - 00:01:32
Ali Smith
sitting in a pub with pals,
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00:01:33 - 00:01:41
Ali Smith
bagging a Monroe or two, or just, you know, having a cup of coffee or tea as you sit in a cafe and wait for a train in a busy station,
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00:01:42 - 00:01:50
Ali Smith
sitting on a crowded train with other people and all of us breathing together without having to think about it. I mean, I'm self consciously, openly.
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00:01:51 - 00:01:53
Ali Smith
It's a dream. Now
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00:01:53 - 00:01:55
Ali Smith
Will that ever be possible again?
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00:01:55 - 00:01:56
Ali Smith
Of course it will
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00:01:57 - 00:01:58
Ali Smith
in time.
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00:01:59 - 00:02:01
Ali Smith
But what will it change for us by then?
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00:02:02 - 00:02:04
Ali Smith
How will we be seeing things?
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00:02:06 - 00:02:08
Ali Smith
Maybe you dream of going to visit family,
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00:02:08 - 00:02:21
Ali Smith
going straight up to someone you love and giving them the biggest, tightest hug and kiss and sitting down together at the table and someone unthinkingly getting a clatter of cups and plates out, scattering them over it reaching to put a kettle on.
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00:02:22 - 00:02:26
Ali Smith
I've dreamed versions of all these things well, okay, except the Monroes.
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00:02:27 - 00:02:37
Ali Smith
But in one of my many lock down reveries, I also find myself unexpectedly wandering the painting galleries of the venerable Fitzwilliam Museum in Cambridge.
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00:02:38 - 00:02:44
Ali Smith
Just me on my own, loping along past picture after picture on the way to one particular picture.
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00:02:45 - 00:02:47
Ali Smith
I mean, imagine
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00:02:48 - 00:03:02
Ali Smith
the whole painting gallery all to myself before covid. That's the kind of thing that would have sounded like a paradise, a gallery all to yourself A kind of thing. Only kings and queens and sultans and Popes and rich chair people on the boards of galleries have.
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00:03:03 - 00:03:14
Ali Smith
And, of course, the cleaners of and the security people working in those galleries and museums. In other words, all the people who form the real infrastructure of this country.
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00:03:14 - 00:03:20
Ali Smith
The people coronavirus has made more visible than they were before to anybody and more demonstrably necessary.
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00:03:23 - 00:03:24
Ali Smith
Why the Fitzwilliam?
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00:03:24 - 00:03:30
Ali Smith
I think probably because it belongs to a time when I wasn't quite myself when I was still learning who I might be.
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00:03:31 - 00:03:34
Ali Smith
When I first arrived in the city as a post grad. In 1985
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00:03:35 - 00:03:43
Ali Smith
I had a room in a tiny cottage down a very small street, about 30 seconds walk from the surreal hugeness, the palatial frontage of the Fitzwilliam
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00:03:44 - 00:04:12
Ali Smith
and it was a place which was free to visit. So I go there a lot when my older sister, who still lives in the highlands near Inverness, where we're from, came to stay with me in the first few weeks of me living down there in England, she and I went to the Fitzwilliam together, spent a Sunday wandering the painting galleries, her seeing enlightened, clever things about the colours of the walls on which the paintings were hung and commenting on the happy face of the baby in one of the Madonna and child paintings. Look that babies just been fed, she said.
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00:04:13 - 00:04:15
Ali Smith
Anyway, that was the reality. Then
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00:04:16 - 00:04:17
Ali Smith
realities change.
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00:04:18 - 00:04:25
Ali Smith
The reality now is that my sister lives at the other end of the country up there in Scotland, so we won't see each other in person for some time.
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00:04:28 - 00:04:29
Ali Smith
Back to the dream. Then
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00:04:29 - 00:04:56
Ali Smith
what was there looking for a running from room to art filled room, not the suits of armour I’d run right past them. Nothing in Egyptology stopped me, not the beautiful ceramics.  The Death of Hippolytus.  What I longed for was for something of the old world something jostlingly alive folk wandering and chatting amongst the pictures and the artefacts, all traversing the same space randomly together.  Who knew how fine that had been.
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00:05:28 - 00:05:29
Ali Smith
Well, we did now,
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00:05:31 - 00:06:25
Ali Smith
Okay, maybe by the time and got to the end of the dream, I'd find more people. Maybe that's what I was looking for on I went I surprised myself by breezing right past things I love like the cool perfection in minutes Domiziano’s Annunciation and look. I was also passing without stopping. How was that possible? One of my favourite paintings ever. The small, bright golden panel by Giovanni Di Paolo of St Bartholomew, standing in Golden Light, graciously holding his book and his knife. He holds these things symbolically because he's the patron saint of leather workers and bookbinders having been skinned alive as his martyrdom. That's how the storey goes, which reminds me of another time back in real life when my partner, Sarah and I were wondering these galleries. It was a Saturday, and it was crowded with people, students, families with kids. And as we passed a crucifixion painting, we also passed a man with a toddler in his arms, maybe three years old,
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00:06:25 - 00:06:29
Ali Smith
and the child was shouting. But why did the people do that to him?
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00:06:30 - 00:06:30
Ali Smith
Why did they
-
00:06:30 - 00:06:51
Ali Smith
do it to him? And we all smiled. We all exchanged a look. He raised his eyebrows, the full weight of that innocence in his arms, the heft of every impossible explanation you'd ever have to try to give about the strangeness of the world and the way humans connect to one another on whether gods come into it or not. All of that in his eyes, all in a casual we can visit to the gallery,
-
00:06:53 - 00:07:00
Ali Smith
but back in my dream I passed the Cezanne trees blue green blowing in the summer breeze. No, not even them. I was here to see.
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00:07:01 - 00:07:01
Ali Smith
No,
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00:07:02 - 00:07:03
Ali Smith
look
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00:07:03 - 00:07:04
Ali Smith
there
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00:07:05 - 00:07:08
Ali Smith
that what had chosen to visit in my dream,
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00:07:09 - 00:07:11
Ali Smith
this very small painting.
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00:07:12 - 00:07:15
Ali Smith
Less than a foot wide between seven or eight inches high.
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00:07:16 - 00:07:22
Ali Smith
It's of a cup on a saucer with a teaspoon placed on the saucer at the side of the cup.
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00:07:23 - 00:07:24
Ali Smith
That's it.
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00:07:25 - 00:07:28
Ali Smith
That's what I worked my way through this maze of a dream museum to see.
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00:07:29 - 00:07:37
Ali Smith
No mythology, no gods, no flourish of art, no beautiful, colourful, intricate painted vase no, protective suit of armour the size of a giant.
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00:07:38 - 00:07:38
Ali Smith
No,
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00:07:39 - 00:07:43
Ali Smith
I looked hard at a cup and saucer picture. In my dream.
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00:07:44 - 00:07:47
Ali Smith
That picture finally woke me.
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00:07:48 - 00:07:51
Ali Smith
What what just happened? What's happening
-
00:07:52 - 00:08:00
Ali Smith
early in the dark for a bit. Then I got up. Put the light on, open my computer and looked the picture up online to have a less dreamlike look at it.
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00:08:02 - 00:08:05
Ali Smith
It's nighttime in the painting or dark,
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00:08:05 - 00:08:13
Ali Smith
or the table is dark and the cup is bright. In this, it's a marriage of dark and light. It's a picture of light in the dark and vice versa
-
00:08:14 - 00:08:25
Ali Smith
about the forms light and dark can take when they come together and have a kind of night vision, a way of seeing that lights up and darkens the smallness and the hugeness of our lives
-
00:08:27 - 00:08:29
Ali Smith
and literally. All it is is a picture of a cup
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00:08:30 - 00:08:31
Ali Smith
on a saucer
-
00:08:31 - 00:08:34
Ali Smith
silver teaspoon, all in the dark
-
00:08:35 - 00:08:48
Ali Smith
but latest coming from somewhere enough. Light to catch in a couple of places on the metal of the spoon, light that makes the porcelain glow as if the cup and the saucer or a kind of ghost vision. Ghostly but not ghoulish. More like a spirit,
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00:08:49 - 00:08:50
Ali Smith
a serious spirit
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00:08:51 - 00:08:54
Ali Smith
of very ordinary everyday metaphysics.
-
00:08:55 - 00:09:16
Ali Smith
The cup looks both delicate and sturdy. It has a handle that gestures in the mundane elegance of its curve to something slightly more decorative than the cup actually is. In fact, when you spend a bit of time with it, you notice the cup's curve. Hold something angular that suggests it's not simply or smoothly curved. After all, it's more faceted, more unusual than that.
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00:09:17 - 00:09:28
Ali Smith
Shadow, please, across the surfaces of it and of the saucer turning what looks like they're colourlessness into greys and silvers into something nearer sepia, even a hint of umber.
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00:09:29 - 00:09:30
Ali Smith
Look,
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00:09:30 - 00:09:57
Ali Smith
though the cup seems to be placed at the centre of the saucer or something about the geometry of the painting makes it look as if it's floating or off centre, impossibly balanced. Sure enough, everything in the picture is slightly offset, pulling towards the left of the frame. The light is offset by the dark, the dark by the light, and when you pay a little more attention to that spoon there, too, it looks as if it's metal might actually be visibly bending as you watch
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00:09:57 - 00:09:59
Ali Smith
or in the process of melting
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00:09:59 - 00:10:02
Ali Smith
an impossibility but happening all the same.
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00:10:05 - 00:10:06
Ali Smith
White Cup and saucer
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00:10:07 - 00:10:10
Ali Smith
Henri Fantin Latour 1864
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00:10:11 - 00:10:45
Ali Smith
Fantin Latour as my waking self knows specialised in and made a lot of money, choosing to paint pictures. Unlike this one, popular and comforting colourful still lives, which gestured to art of the past. At a time when art was shifting and changing beyond recognition, he did it splendidly painted wildly vibrant overflows of flowers and vases. He's particularly famous for roses in baskets, blooms falling over each other so brilliantly fulsome and simultaneously falling apart, shedding petals as they open that it's as if his flowers are conversing with each other about their own process.
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00:10:46 - 00:10:51
Ali Smith
He painted plates of fruit with perfect near photographic fuzz blushes on the peaches.
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00:10:51 - 00:10:59
Ali Smith
He also liked to paint his fellow artists, all grouped around each other, examining one of their pals paintings like a reassurance of peer ship.
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00:10:59 - 00:11:08
Ali Smith
He liked to paint the occasional naked nymph for some consciously cliched. Classical seen something gently titillating in a recognisable mood, comforting.
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00:11:09 - 00:11:15
Ali Smith
And he could, in his repertoire, also paint a charming picture of a woman sitting happily alone
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00:11:15 - 00:11:16
Ali Smith
deep in a book.
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00:11:17 - 00:11:24
Ali Smith
In other words, he was an artist who understood comforts. He understood colourfulness and vibrancy.
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00:11:24 - 00:11:27
Ali Smith
He understood solitude and sociability.
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00:11:28 - 00:11:32
Ali Smith
He understood to be unexpected narratives that a still life can hold
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00:11:33 - 00:11:37
Ali Smith
and pretty much subconsciously subterraneanly Express.
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00:11:39 - 00:11:43
Ali Smith
And then he goes and paints a nocturne Still life or two like the one My Dream Self had gone for
-
00:11:44 - 00:11:52
Ali Smith
what kind of picture? Quite unlike his other work, where light and dark create something so ordinary looking and yet so blastingly uncanny.
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00:11:53 - 00:12:04
Ali Smith
This is like a prophecy in itself, a reminder to everyone who sees it of the strangeness all through our lives and off her fragile and tough and surreal. Everything that's everyday to us can be.
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00:12:06 - 00:12:14
Ali Smith
The realities are immutable, mysterious that the fixed and familiar things of our lives might well, if we pay them the right attention,
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00:12:14 - 00:12:20
Ali Smith
reveal themselves to be on the one hand spiritually lit and then the other already in melt down,
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00:12:22 - 00:12:25
Ali Smith
I'd like to see more clearly what they really mean to us.
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00:12:26 - 00:12:35
Ali Smith
I sat on the edge of my bed and thought of the way that this tiny, glowing and haunting painting, ostensibly of a momentary nothing in life was really on everything
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00:12:37 - 00:13:01
Ali Smith
I thought about how it had surfaced for me. Now, as a worker at the heart of a grand and renowned collection, it sits there black and white and all grey area, quiet and simple and haunting beyond belief on the wall of the grandest edifice, full of the artefacts and trappings of centuries of history and money and culture, and gain and loss and myth making and imperialism
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00:13:01 - 00:13:15
Ali Smith
it haunts. It overturns everything in the museum, even the place itself, with its quiet demand that we pay attention to the detail of our lives that we meditatively evaluate what matters.
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00:13:16 - 00:13:21
Ali Smith
It asks in our encounter with the dark the light. Our own, uncanny every day
-
00:13:22 - 00:13:32
Ali Smith
we come to understand, have a re seeing of the familiar from a new perspective. See the perspective of this unlikely and changed world we never thought to find yourselves in
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00:13:32 - 00:13:36
Ali Smith
might unsettle us richly as well as strangely,
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00:13:36 - 00:13:39
Ali Smith
and let us re evaluate what's worth what
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00:13:40 - 00:13:41
Ali Smith
in my lockdown dream
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00:13:43 - 00:13:44
Ali Smith
in our lockdown lives
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00:13:46 - 00:13:46
Ali Smith
the suit of armour
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00:13:47 - 00:13:48
Ali Smith
a cup on it's saucer,
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00:13:49 - 00:13:50
Ali Smith
the hope
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00:13:51 - 00:13:55
Ali Smith
that we'll sit down soon with each other cup of coffee tea. How are you?
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00:13:56 - 00:13:56
Ali Smith
The knowledge
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00:13:57 - 00:14:02
Ali Smith
that in the dark things still go together, they fit each other and they give out light.
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00:14:03 - 00:14:03
Ali Smith
A spirit.
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00:14:04 - 00:14:06
Ali Smith
A cup on a saucer,
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00:14:06 - 00:14:17
Ali Smith
The finds dug up from the ancient tombs. A cup saucer spoon the mythical story of monsters and heroes, a teaspoon catching light in the dark,
-
00:14:18 - 00:14:19
Ali Smith
the annunciation,
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00:14:20 - 00:14:23
Ali Smith
the things on our tables shining in front of us day and night.
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00:14:24 - 00:14:27
Ali Smith
The saints and martyrs of this dream museum
-
00:14:28 - 00:14:35
Ali Smith
all the thousands of folk we've lost, to covid, every single individual standing shining like a saint in gold leaf paint.
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00:14:36 - 00:14:39
Ali Smith
Every single person gone dark. What are they holding?
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00:14:40 - 00:14:41
Ali Smith
What are they showing us
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00:14:42 - 00:14:46
Ali Smith
an unexpectedly bright porcelain cup
-
00:14:46 - 00:14:47
Ali Smith
on it’s saucer.
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00:14:49 - 00:14:50
Carmen Pryce
Luke, Jane,
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00:14:51 - 00:14:56
Carmen Pryce/Jane Munro
thank you for joining me on this remote recording. Really thrilled to be here. Thank you.
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00:14:56 - 00:14:56
Luke Syson
Very nice to be here.
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00:14:57 - 00:15:03
Carmen Pryce
Luke, first, how do you respond to Ali's choice of the cup and saucer?
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00:15:04 - 00:15:04
Luke Syson
Well, you
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00:15:04 - 00:15:11
Luke Syson
know, it's fascinating that she saw it as the, end of, ah, journey as a destination,
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00:15:12 - 00:15:18
Luke Syson
a picture to arrive at in this extraordinary dream and then to be investigated. I
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00:15:18 - 00:15:18
Luke Syson
suppose, in a
-
00:15:18 - 00:15:22
Luke Syson
way, I have thought of it rather rather same rather the same way.
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00:15:23 - 00:15:29
Luke Syson
When I was appointed director the Fitzwilliam, I actually posted this
-
00:15:30 - 00:15:32
Luke Syson
picture on Instagram
-
00:15:33 - 00:15:34
Luke Syson
and talked about my
-
00:15:35 - 00:15:49
Luke Syson
journey, My arrival in Cambridge, my departure from from New York, where I had been looking after ceramics and how in a way that painting represented the the place I was going.
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00:15:49 - 00:16:08
Luke Syson
And I think it does have that quality. There's a wonderful story that I was once told about another novelist, Anita Brookner, who met somebody at Liverpool Street Station and when she was asked where she was going she said. I'm going to Cambridge to see Fantin Latour’s Cup and Saucer
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00:16:09 - 00:16:12
Luke Syson
Ond, they said, And then what? And then she said, I'm going to come home
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00:16:13 - 00:16:21
Luke Syson
So it's a sort of sense somehow that it's a very complete experience of, ah, picture that that
-
00:16:22 - 00:16:28
Luke Syson
imprints itself on our memories on that somehow stands for much more
-
00:16:28 - 00:16:30
Luke Syson
than it is. And I think that's what
-
00:16:31 - 00:16:41
Luke Syson
Smith has so brilliantly encapsulated. My space. That's what this picture has been for me as I thought about coming to Cambridge, and now that I'm there,
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00:16:41 - 00:16:52
Carmen Pryce/ Jane Munro
Jane, as curator, Do you have anything to add to that? It's a painting I've known for virtually all my curatorial life and again and again. It's a painting that
-
00:16:53 - 00:17:06
Jane Munro
less seduces people but draws people in and draws of narratives. It's understated. That's unassuming, but it's got the song with sort of hypnotic, great white greyish whiteness that
-
00:17:06 - 00:17:27
Jane Munro/ Carmen Pryce
invites you into this sort of say crawl, light and ambience that it exudes. And, like Ali Smith takes us on a journey. It leaves room for the imagination to grow in so many ways in so many directions. How do you feel about the reading? What seems to me brilliant in her selection, and in her reading
-
00:17:28 - 00:17:29
Jane Munro
is that she
-
00:17:30 - 00:17:37
Jane Munro
brings out through the sort of unfussyness and the elemental simplicity of this painting, the brilliant way it's being painted,
-
00:17:38 - 00:17:44
Jane Munro
that she brings out something that we've all been feeling to some degree during the pandemic.
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00:17:45 - 00:17:53
Jane Munro
And that is a strange sense of isolation at the same time as being in the presence ofthe
-
00:17:54 - 00:18:11
Jane Munro
other people, other objects, other stories. She talks at one point about Fantin’s solitude and sociability, and these two things go really very well. Hand and hand in her piece, she takes us wandering through the museum
-
00:18:11 - 00:18:14
Jane Munro
and actually what I find personally
-
00:18:14 - 00:18:33
Jane Munro
extremely moving was the way she talks about being separated from people and places that she cares about and means a great deal to her. And that may be because I'm from the same part of the world, is her.
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00:18:33 - 00:18:50
Jane Munro
I can see it as a place that's far away and has been unreachable when I most want to be near it in this period, and I think a feeling that a lot of us will have had in the last few weeks and months.
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00:18:50 - 00:18:54
Luke Syson
There's something too about the the cup, the painting
-
00:18:55 - 00:19:09
Luke Syson
of a cup that makes it so much more than a cup and saucer. Also, I think the other thing that's marvellous about how Ali Smith’s piece and about the painting itself is that it implies the presence of somebody.
-
00:19:10 - 00:19:20
Luke Syson
The cup can be filled and it's ready to be used because that spoon is there. So it implies, as Jane says, a kind of
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00:19:21 - 00:19:22
Luke Syson
social function,
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00:19:23 - 00:19:24
Luke Syson
but that is
-
00:19:26 - 00:19:37
Luke Syson
very mysterious because there's no context for the cart. There's no descriptive detail around it. No cloth, no flowers. The cake, No tea indeed, on and. so it's
-
00:19:37 - 00:19:38
Luke Syson
sort of
-
00:19:38 - 00:19:58
Luke Syson
waiting for something to happen on. You wait with it. It has that expectant quality, and it has that sense that that a human being, well, several human beings are involved in some form of transaction that Fantin is controlling. It makes it into a kind of cup that
-
00:19:59 - 00:20:19
Luke Syson
is, as I think, Janey just used the word elemental, but it's the sort of essence of cup. Fantin creates a cup that has that sense of being an absolute truth that the idea of the cup as well as a real thing. That's a very powerful
-
00:20:19 - 00:20:26
Luke Syson
idea because it is, as it were, encapsulated all that is a cup
-
00:20:27 - 00:20:33
Luke Syson
And all the association's we have with that simple, mundane object
-
00:20:33 - 00:20:39
Jane Munro
think that's absolutely true. And I guess one of the things that have also fascinated me about
-
00:20:40 - 00:20:48
Jane Munro
well, about the very fascination that this painting holes is that there's another picture in the Fitzwilliam of, a white candle stick
-
00:20:48 - 00:20:52
Jane Munro
which hasn't generated nearly there, amount of
-
00:20:53 - 00:21:13
Jane Munro
engagement. In some ways, it's a beautiful thing. It's the same sort of palette. It's white colour that Fantin excels and whether it's in in the dress off one of his sitters in the portrait's whether it's in any number of flowers that he paints. Lily's narcissi poppies lilacs larkspurs
-
00:21:14 - 00:21:18
Jane Munro
um, but But it's somehow it somehow is. Less
-
00:21:19 - 00:21:22
Jane Munro
lends itself less to the sort of creation off.
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00:21:23 - 00:21:35
Jane Munro
It was sort of lyricism in a way and poetic reading on another. Another thing, which is all false, very interesting about the Fitzwilliam Museum, which is more to do with painting itself, and this picture
-
00:21:36 - 00:21:41
Jane Munro
is that we are, we’re a museum where there is an entire gallery of ceramics
-
00:21:41 - 00:22:03
Jane Munro
And a lot of cups and saucers, and it invites you to ask, What's the magic off the painting that speaks more of sort of eloquently and evocatively and suggestively in many ways than the object itself? And I think that's the kind of journey that Ali Smith takes us on with the same sort of
-
00:22:03 - 00:22:07
Jane Munro
woven evocations of feelings and of memory.
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00:22:08 - 00:22:28
Carmen Pryce
For images of Henri Fantin Latour's white Cup and saucer, where to find the painting on display in the museum or to listen to Ali Smith’s piece again, go to the Fitzwilliam Museum website. You'll also find in my mind's eye details and transcripts. Join me next week for another episode or subscribe to Fitzwilliam Museum podcasts
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00:22:28 - 00:22:42
Carmen Pryce
In My Mind's eyes made possible by the support of the Belvedere Trust, the series was produced by me Carmen Pryce Audio production by Nick Harris. The background Music is Call to Adventure by Kevin McCloud and is licenced under the Creative Commons Agreement


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/Typeclasses.20(again).3F.html ---
I may be encountering a diamond problem, but this is way out of my league. I want to apply a result using the fact that ℝ is a topological space, and that its topology is generated by intervals (this is called orderable_topology
). All these properties should be known to the system, but when I try to apply a theorem using these properties I get invalid apply tactic, failed to synthesize type class instance
. So, I tried to fill in all the instances by hand, as in
haveI foo : orderable_topology ℝ := by apply_instance, haveI bar : topological_space ℝ := by apply_instance, apply @my_thm bar foo
but then I get the following complaint:
term foo has type @orderable_topology ℝ (@uniform_space.to_topological_space ℝ (@metric_space.to_uniform_space' ℝ (@normed_field.to_metric_space ℝ real.normed_field))) real.partial_order but is expected to have type @orderable_topology ℝ bar (@semilattice_inf.to_partial_order ℝ (@lattice.to_semilattice_inf ℝ (@conditionally_complete_lattice.to_lattice ℝ (@conditionally_complete_linear_order.to_conditionally_complete_lattice ℝ real.lattice.conditionally_complete_linear_order))))
Strangely, if I reverse the order of the instances
haveI bar : topological_space ℝ := by apply_instance, haveI foo : orderable_topology ℝ := by apply_instance,
then the second instance is not accepted, with tactic.mk_instance failed to generate instance for orderable_topology ℝ
.
Any idea of what is going on?
haveI
is like have
, it doesn't make the definition visible. So I'm not surprised neither of these work.
try letI
instead.
Thanks. letI
helped me to detect that my problem was not coming from the instances, contrary to what the error message says. Problem solved!
Last updated: Apr 24 2020 at 19:02 UTC


--- title: No country for old hackers excerpt: 'No country for old hackers: http://bit.ly/ktXDTJ . Things have indeed changed.' date: '2011-07-22 21:14:16 +0200' date_gmt: '2011-07-22 19:14:16 +0200' categories: - Webdev tags: - tweets - web - design - development ---
No country for old hackers: http://bit.ly/ktXDTJ . Things have indeed changed.


The only retro video game console that matters this year is down to its lowest price ever right now
by Maren EstradaForget the NES Classic and the retro SNES console that everyone went so crazy over? The PlayStation Classic followed those as well as a couple more mini consoles, but they’re all old news at this point. Well, all but one. The Sega Genesis Mini is the hottest retro console out right now, and you can read all about it in our in-depth review. It’s an absolute blast, and it’s down to its lowest price ever right now for Black Friday 2019!
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Instructions for building the site locally
You can build the site locally using Jekyll by following the steps detailed here:
- Check whether you have Ruby 2.1.0 or higher installed with
ruby --version
, otherwise install it. On OS X for instance, this can be done withbrew install ruby
. Make sure you also haveruby-dev
andzlib1g-dev
installed. - Install Bundler
gem install bundler
. If you run into issues with installing bundler on OS X, have a look here for troubleshooting tips. Also try refreshing the terminal. - Clone the repo locally:
git clone https://github.com/sebastianruder/NLP-progress
- Navigate to the repo with
cd NLP-progress
- Install Jekyll:
bundle install
- Run the Jekyll site locally:
bundle exec jekyll serve
- You can now preview the local Jekyll site in your browser at
http://localhost:4000
.


| Explanation of transaction: | A SHA-512 hash has been created of an electronic file and permanently recorded in the FLO blockchain. This blockchain record proves the existance of the given file at the time of the transaction based on comparing the recorded hash with any subsequent hash of the electronic file. |
|
Transaction date and time: The time shown in the FLO blockchain may vary slightly due to transaction processing time.
|
{{datetime}} |
| The file's SHA-512 hash: | {{hash}} |
| The FLO transaction ID: | {{txid}} |
|
Direct links to view the transaction in a FLO blockchain explorer: Please allow a few minutes for the transaction
to be added to the FLO blockchain. |
|
| Important notice: | It is imperative to securely store a copy of the original electronic file along with this PDF. The Flotorizer service did not upload or store the file. The file hashing only occurred locally. The file owner is solely responsible to preserve the original file in electronic form for future verifications. |


Sprite
$1
the upstairs neighbour
Pepsi
$1
better than coke
Coke
$1
better than pepsi
$0.00
Cart
Meal:
Tax:
Total:


This demonstrates how a custom template can be used to customize the structure and style of the pagination links.


We optimize services!
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See sample at https://github.com/stomp-js/ng4-stompjs-demo/tree/sockjs
Almost all brokers that support SockJS also support WebSockets. If your application does not need to support old browsers, switch to using WebSockets. Check https://en.wikipedia.org/wiki/WebSocket for compatibility information.
url
in the default form, you need
to pass it as a socketProvider
function. It will be streamlined in a
future release.$ npm install sockjs-client --save
import * as SockJS from 'sockjs-client';
Create a function that returns an object similar to WebSocket (typically SockJS instance).
export function socketProvider() {
return new SockJS('http://<IP_ADDRESS>:15674/stomp');
}
Pass the function as url
in StompConfig
.
It will work even
though name of the parameter is url, don't worry :)
Example:
const stompConfig: StompConfig = {
// Which server?
url: socketProvider,
// Headers
// Typical keys: login, passcode, host
headers: {
login: 'guest',
passcode: 'guest'
},
// How frequent is the heartbeat?
// Interval in milliseconds, set to 0 to disable
heartbeat_in: 0, // Typical value 0 - disabled
heartbeat_out: 20000, // Typical value 20000 - every 20 seconds
// Wait in milliseconds before attempting auto reconnect
// Set to 0 to disable
// Typical value 5000 (5 seconds)
reconnect_delay: 5000,
// Will log diagnostics on console
debug: true
};
Copied from https://stomp-js.github.io/stomp-websocket/codo/extra/docs-src/sockjs.md.html


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Raw post-processing routines.
This module implements class DataSet
, unit element in the
post-processing and class DataSetList
, sequence of instances
of DataSet
.
Futhermore it implements methods for dealing with a third data structure
which is a dictionary of DataSetList
which is handy when
dealing with DataSetList
instances from multiple algorithms
for comparisons.
| Class | DataSet |
Unit element for the COCO post-processing. |
| Class | DataSetList |
List of instances of DataSet . |
| Class | DictAlg |
Undocumented |
| Class | RunlengthBasedTargetValues |
a class instance call returns f-target values based on reference runlengths: |
| Class | TargetValues |
store and retrieve a list of target function values: |
| Function | align_list |
Undocumented |
| Function | asTargetValues |
Undocumented |
| Function | cocofy |
Replaces cocopp references in pickles files with coco_pproc This could become necessary for future backwards compatibility, however rather should become a class method. |
| Function | dictAlgByDim |
Returns a dictionary with problem dimension as key from a dictionary of DataSet lists. |
| Function | dictAlgByDim2 |
Returns a dictionary with problem dimension as key. |
| Function | dictAlgByFun |
Returns a dictionary with function id as key. |
| Function | dictAlgByFuncGroup |
Returns a dictionary with function group as key. |
| Function | dictAlgByNoi |
Returns a dictionary with noise group as key. |
| Function | parseinfo |
Extract data from a header line in an index entry. |
| Function | parseinfoold |
Deprecated: Extract data from a header line in an index entry. |
| Function | process_arguments |
Undocumented |
| Function | processInputArgs |
Process command line arguments. |
| Function | set_unique_algId |
on return, elements in ds_list do not have an algId attribute value from taken_ids or from ds_list_reference if taken_ids is None. |
| Function | store_reference_values |
Undocumented |
| Variable | maximal_evaluations_only_to_last_target |
Undocumented |
| Variable | targets_displayed_for_info |
Undocumented |
| Function | _DataSet_complement_data |
insert a line for each target value, never used (detEvals(targets) does the job on the fly). |
Returns a dictionary with problem dimension as key from a dictionary of DataSet lists.
The input argument is a dictionary with algorithm names as
keys and a list of DataSet
instances as values.
The resulting dictionary will have dimension as key and as values
dictionaries with algorithm names as keys.
Returns a dictionary with problem dimension as key.
The difference with dictAlgByDim
is that there is an
entry for each algorithm even if the resulting
DataSetList
is empty.
This function is meant to be used with an input argument which is a
dictionary with algorithm names as keys and which has list of
DataSet
instances as values.
The resulting dictionary will have dimension as key and as values
dictionaries with algorithm names as keys.
Returns a dictionary with function id as key.
This method is meant to be used with an input argument which is a
dictionary with algorithm names as keys and which has list of
DataSet
instances as values.
The resulting dictionary will have function id as key and as values
dictionaries with algorithm names as keys.
Returns a dictionary with function group as key.
This method is meant to be used with an input argument which is a
dictionary with algorithm names as keys and which has list of
DataSet
instances as values.
The resulting dictionary will have a string denoting the function
group and as values dictionaries with algorithm names as keys.
Returns a dictionary with noise group as key.
This method is meant to be used with an input argument which is a
dictionary with algorithm names as keys and which has list of
DataSet
instances as values.
The resulting dictionary will have a string denoting the noise group
('noiselessall' or 'nzall') and as values dictionaries with
algorithm names as keys.
Extract data from a header line in an index entry.
Use a 'smarter' regular expression than parseinfoold
.
The header line should be a string of comma-separated pairs of
key=value, for instance: key = value, key = 'value'
Keys should not use comma or quote characters.
Deprecated: Extract data from a header line in an index entry.
Older but verified version of parseinfo
The header line should be a string of comma-separated pairs of key=value, for instance: key = value, key = 'value'
Keys should not use comma or quote characters.
Process command line arguments.
Returns several instances of DataSetList
, and a list of
algorithms from a list of strings representing file and folder names,
see below for details. This command operates folder-wise: one folder
corresponds to one algorithm.
It is recommended that if a folder listed in args contain both :file:`info` files and the associated :file:`pickle` files, they be kept in different locations for efficiency reasons.
| Parameters | |
| args | Undocumented |
| process_background_algorithms | Undocumented |
| list args | string arguments for folder names |
| bool process_background_algorithms | option to process also background algorithms |
| Returns | |
|


Policy paper
2010 to 2015 government policy: sports participation
This was published under the 2010 to 2015 Conservative and Liberal Democrat coalition government
We're helping people play sport from an early age and encouraging them to keep playing sport throughout their lives.
Details
This policy paper shows the policy of the 2010 to 2015 Conservative and Liberal Democrat coalition government.
Find out about the
current government’s policies
.


A workaround to make Rails 2.1 gem dependency easier on case-sensitive filesystems. Since the gem name is RedCloth and the file is redcloth.rb, config.gem ‘RedCloth’ doesn’t work. You’d have to use config.gem ‘RedCloth’, :lib => ‘redcloth’, and that’s not immediately obvious. This file remedies that.


Olive Wood Ornaments
For ordering this product, save the Product ID for ordering it in the (Order Now) page.
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Width: 12.0cm
Length: 32.0cm
Length: 5.0cm
Height: 2.5cm


The forecast package for R has been helping forecasters for about 13 years. In the latest version 7, many new facilities have been added including ggplot2 graphics, better automated forecasting, bias correction after Box-Cox transformations, advanced time series subsetting, support for multivariate linear models, simpler and more robust ways of using Fourier series, and refitting with more model types. I will describe and demonstrate some of these new features.


(issues)
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no agenda item raised
agenda+ ${title} ${html_url}
no agenda item raised
This page searches for the string agenda
in title/labels/milestones in all of the repositories owned by this group. You
may change this term by using the URL parameter search
.


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