{% extends 'musimatica/music_lesson.html' %} {% load static %} {% block style %}{% endblock style %} {% block text %}
A repeat sign shown just before the double bar line at the end of a score indicates the piece should be played again from the beginning.
As shown above, the repeat sign consists of two dots placed near the center of the staff.
Sometimes, only 1 measure or a set of measures should be repeated rather than the whole piece. When this is the case, the repeat sign is placed both at the beginning of the set of repeated measures and at the end of the set.
In the example above, the piece would begin by playing through measures 1 & 2. At the end of measure 2, the piece would return to the beginning of measure 2 and play it once more before continuing on to measure 3 to conclude the piece.
Note: Musimatica does not currently support measure repeats. This feature will be added soon, but currently only the whole score may be repeated.
Instructions:
1. Set the time signature to common time & the clef to treble.
2. Place a dotted quarter note on the middle B of the treble staff. Then, place an eigth note on the A closest to your last note, followed by a quarter note on the same B you previously used. End the measure by pacing a note on the highest D of the treble staff.
3. The next measure should begin with 2 quarter notes: 1 on the C closest to the middle of the treble staff, and 1 on the B just below it. After these two notes, place a dotted quarter note on the low G of the treble staff, and place one more note to end the measure on low A.
4. Now, turn on the repeat symbol. Move the mouse over the double bar line at the end of the score. The staff should become highlighted. Click in this area to activate the repeat sign. It can be clicked again to be turned off.
5. With the repeat symbol activated, click 'Generate Audio' and listen as your piece is played through twice.
When you have completed the instructions & are ready to move on, click 'Submit' to check your work.
{% endblock text %}


Admin Login Here
Remember Me
Forgot Password?

Web Based Claim Processing System.


King Salman Appoints Chief of Royal Commission for Riyadh
Custodian of the Two Holy Mosques King Salman bin Abdulaziz issued on Tuesday a royal decree, appointing Fahd bin Abdulmohsen bin Salih Al-Rasheed as Chief Executive Officer of the Royal Commission for the City of Riyadh at the excellent rank.
The competent authorities will carry out the order with immediate effect.
The commission aims to develop the capital Riyadh where the government has said it would spend 86 billion riyals ($23 billion) to boost the quality of life.
Rasheed had served as chief executive of Emaar Economic City, a subsidiary of Dubai’s largest listed developer Emaar Properties.
Saudi authorities in March announced projects to increase green space and recreational areas in Riyadh as part of a series of planned development investments across the Kingdom.


Throughout the third rotation we learned how to print pictures and text on t-shirts and other objects. We made our designs in COREL draw program.


In addition to the standard data types available in C, the Goc preprocessor handles several other types specific to GEOS. These are all defined in the file geos.h . Some of these types, shown below, were carried over from the world of assembly language.
The Boolean type behaves as most Boolean types--any nonzero value represents a
true
state, and zero represents the
false
state. Throughout the documentation,
true
and
false
are taken to be these meanings. Note that the constants TRUE
and FALSE
are defined and may be used as return values from your functions and methods. Do not compare Boolean variables, however, against these constants. A Boolean may be
true
without actually equaling the TRUE value.


Hello my Steeemit friends,
This is a new post series about my university life, hope that you can know more about me by reading this. I graduated from the University of Hong Kong in 2016, it’s almost one year from now and I would like to make use of this opportunity to recall and record my university life.
這是我剛想好的關於我的大學生活的新系列，希望你們喜歡和能認識到我更多吧
，我可不想再被認為是什麼典型的理工科宅男。我從香港大學畢業也有一年了，也趁這個機會回憶一下大學的生活，順道紀錄一下。順帶一提關於諗書學習什麽的太悶了，我應該不會寫。
I joined the orientation camp organised by the Student Union, what I played was similar to what I wrote in this post(available in Chinese only). That was totally new and fun to me and I also knew my best friend in this camp!
剛進大學的時候，我參加了學生會舉辦的迎新營，玩的東西都和我不久前寫的這個帖子裡的差不多。幸運的是在這裡我認識到我最好的朋友。
Since I studied Engineering, I joined the orientation camp of the Engineering Society too.
也參加了工程學會的迎新營。
There is a culture in HKU called high table dinner and the students have to wear suits and the green gowns provided to enjoy the dinner together. In my freshmen year, I joined an activity called Engin’ Nite, trying to make more friends who were also studying Engineering.
香港大學還有個文化叫做高桌晚宴，就是一大堆人穿著西裝和港大獨有的綠袍一起享用晚宴，那年我也參加了一個叫作Engin’ Nite的活動，認識一下其他工程系的新生。
東西不太好吃，也頗貴，之後幾年也沒參加了。
Taking photo with the board.
和那塊簽名版拍照。
Similar with most freshmen, I wanted to experience the hall culture of the university. I applied for the hall but unfortunately I didn’t even get the chance of interview. Therefore, I chose to join the activities organised by the clubs.
與很多新生一樣，剛進大學時我也想體驗一下港大獨有的的舍堂文化和宿舍生活，認識多點朋友，不幸的是我連面試的機會也沒有，所以在第一年我只好參與一下各個學會舉辦的活動了。
For example, I joined the volunteer work activities organised by the Social Service Group and made some artwork with the elderly.
我參加了社會服務團舉辦的義工活動，和老人家一起製作紙巾花。
I also joined the image team of drama society, helping the actors’ to put on makeup.
也參加了劇社的形象設計組，學習幫演員化妝，還試過幫演員化喪屍妝，挺有趣的。
Go cycling with my university friends.
和剛認識不久的大學朋友去騎單車。
Went to Inter-school Athletics Championship to support my younger friends in my secondary school.
上了大學也不能忘記中學的同學呀，我們一起到了學界田徑比賽支持一下中學的師弟，學界田徑比賽總是很熱血很有氣氛呢。
I also went to the gathering of my primary school classmates. We went for art jamming this time. That was a fun experience.
也去了小學同學的聚會，這次去了Art jamming，你能看出我畫了什麽嗎？留言最快答到的能得到我的2% upvote。
After lectures, my friends and I sometimes go to the Art Club’s studio to play card games. That was fun!
課堂過後，我和我的朋友有時會到藝術學會的工作室玩這款叫作三國殺的卡牌遊戲，很懷念那時候的時光呢。
Time flies and one year passed quickly, next time I will share more about my university life with you, stay tuned!
時光飛逝，不知不覺很快一年就過去了，還在諗書的同學們要珍惜一下在學校
盡情玩樂學習的時光呀。下次再跟大家分享我Year 2旳大學生活吧。
This page is synchronized from the post: ‘My University Life #1 我的大學生活 #1’


Most UIs that display a list of user-created data will grow to the point that they should paginate their data.
HQ has a custom pagination component that uses Knockout Components. See pagination.js for full documentation.
For small, simple UIs, you can leave the "Showing X to Y of Z entries" text and dropdown off by adding
inlinePageListOnly: true
to the pagination element's params.
For a real ajax-based example, see the web users page's HTML widget, goToPage javascript, and python pagination view.
{% include 'styleguide/example_html.html' with slug='pagination' title='Pagination' content=examples.pagination %}


|
Vote up
Vote down
|
Atheist
|
United States |
Progressive Death/Thrash Metal with Jazz influences |
389
|
|
Vote up
Vote down
|
Pestilence
|
Netherlands |
Thrash Metal (1986-1988); Death Metal (1989-1991, 2008-); Progressive Death Metal/Jazz Fusion (1993) |
304
|
|
Vote up
Vote down
|
Possessed
|
United States |
Death/Thrash Metal |
286
|
|
Vote up
Vote down
|
Gruesome
|
United States |
Death Metal |
272
|
|
Vote up
Vote down
|
Control Denied
|
United States |
Progressive Power Metal |
268
|
|
Vote up
Vote down
|
Cynic
|
United States |
Thrash Metal (early); Progressive Death Metal/Fusion (mid); Progressive Rock (later) |
246
|
|
Vote up
Vote down
|
Obituary
|
United States |
Death Metal |
237
|
|
Vote up
Vote down
|
Obscura
|
Germany |
Progressive/Technical Death Metal |
225
|
|
Vote up
Vote down
|
Massacre
|
United States |
Death Metal |
175
|
|
Vote up
Vote down
|
Mantas
|
United States |
Speed/Thrash/Death Metal |
173
|
|
Vote up
Vote down
|
Autopsy
|
United States |
Death Metal |
161
|
|
Vote up
Vote down
|
Morgoth
|
Germany |
Death Metal, Industrial Rock (1996) |
143
|
|
Vote up
Vote down
|
Gorguts
|
Canada |
Death Metal (early); Technical/Avant-garde Death Metal (later) |
141
|
|
Vote up
Vote down
|
Sadus
|
United States |
Death/Thrash Metal (early); Technical Thrash Metal (later) |
136
|
|
Vote up
Vote down
|
Cancer
|
United Kingdom |
Death/Thrash Metal |
129
|
|
Vote up
Vote down
|
Nocturnus
|
United States |
Technical Death Metal |
125
|
|
Vote up
Vote down
|
Skeletal Remains
|
United States |
Death Metal |
114
|
|
Vote up
Vote down
|
Master
|
United States |
Death/Thrash Metal |
113
|
|
Vote up
Vote down
|
Martyr
|
Canada |
Technical Death Metal |
101
|
|
Vote up
Vote down
|
Decrepit Birth
|
United States |
Technical Death Metal |
90
|
|
Vote up
Vote down
|
Horrendous
|
United States |
Death Metal (early), Progressive Death Metal (later) |
86
|
|
Vote up
Vote down
|
Necrophagist
|
Germany |
Technical Death Metal |
85
|
|
Vote up
Vote down
|
Quo Vadis
|
Canada |
Technical Melodic Death Metal |
84
|
|
Vote up
Vote down
|
Carcass
|
United Kingdom |
Goregrind/Grindcore (early); Melodic Death Metal/Death 'n' Roll (later) |
71
|
|
Vote up
Vote down
|
Blood Incantation
|
United States |
Death Metal |
66
|
|
Vote up
Vote down
|
Vektor
|
United States |
Progressive Thrash Metal |
62
|
|
Vote up
Vote down
|
Morbid Angel
|
United States |
Death Metal |
57
|
|
Vote up
Vote down
|
Obliveon
|
Canada |
Technical Death/Thrash Metal (early), Groove Metal (later) |
52
|
|
Vote up
Vote down
|
Sepultura
|
Brazil |
Death/Thrash Metal (early); Nu-Metal, Groove/Thrash Metal (later) |
51
|
|
Vote up
Vote down
|
Vader
|
Poland |
Death/Thrash Metal |
50
|
|
Vote up
Vote down
|
Edge of Sanity
|
Sweden |
Progressive Death Metal |
44
|
|
Vote up
Vote down
|
Deceased
|
United States |
Death/Thrash/Heavy Metal |
43
|
|
Vote up
Vote down
|
Sadist
|
Italy |
Progressive Death Metal |
43
|
|
Vote up
Vote down
|
Morbus Chron
|
Sweden |
Death Metal (early); Progressive Death Metal (later) |
40
|
|
Vote up
Vote down
|
Beyond Creation
|
Canada |
Progressive/Technical Death Metal |
39
|
|
Vote up
Vote down
|
Morfin
|
United States |
Death Metal |
38
|
|
Vote up
Vote down
|
Disincarnate
|
United States |
Death Metal |
37
|
|
Vote up
Vote down
|
Hieronymus Bosch
|
Russia |
Progressive Death Metal |
37
|
|
Vote up
Vote down
|
Malevolent Creation
|
United States |
Death Metal |
36
|
|
Vote up
Vote down
|
Slaughter
|
Canada |
Death/Thrash Metal |
36
|
|
Vote up
Vote down
|
Revocation
|
United States |
Technical Death/Thrash Metal |
34
|
|
Vote up
Vote down
|
Necrophagia
|
United States |
Death Metal |
34
|
|
Vote up
Vote down
|
Contrarian
|
United States |
Progressive Death Metal |
34
|
|
Vote up
Vote down
|
Incubus
|
United States |
Death/Thrash Metal |
33
|
|
Vote up
Vote down
|
Slayer
|
United States |
Thrash Metal |
32
|
|
Vote up
Vote down
|
Mortification
|
Australia |
Thrash/Death Metal |
31
|
|
Vote up
Vote down
|
Chemical Breath
|
Belgium |
Technical Death/Thrash Metal |
31
|
|
Vote up
Vote down
|
After Oblivion
|
Bosnia and Herzegovina |
Technical Death/Thrash Metal |
30
|
|
Vote up
Vote down
|
Ripper
|
Chile |
Death/Thrash Metal |
30
|
|
Vote up
Vote down
|
Watchtower
|
United States |
Progressive/Technical Thrash Metal |
26
|
|
Vote up
Vote down
|
Blackthorn
|
Mexico |
Death Metal |
26
|
|
Vote up
Vote down
|
Chapel of Disease
|
Germany |
Death Metal |
25
|
|
Vote up
Vote down
|
Kreator
|
Germany |
Thrash Metal |
24
|
|
Vote up
Vote down
|
Dark Angel
|
United States |
Thrash Metal |
24
|
|
Vote up
Vote down
|
Messiah
|
Switzerland |
Death/Thrash Metal |
24
|
|
Vote up
Vote down
|
Brutality
|
United States |
Death Metal |
24
|
|
Vote up
Vote down
|
Thanatos
|
Netherlands |
Death/Thrash Metal |
24
|
|
Vote up
Vote down
|
Cist
|
Russia |
Death/Thrash Metal |
24
|
|
Vote up
Vote down
|
Morbid Saint
|
United States |
Thrash Metal |
23
|
|
Vote up
Vote down
|
Sceptic
|
Poland |
Technical Death Metal |
23
|
|
Vote up
Vote down
|
Transmetal
|
Mexico |
Thrash/Death Metal |
23
|
|
Vote up
Vote down
|
Abyssus
|
Greece |
Death Metal |
23
|
|
Vote up
Vote down
|
Num Skull
|
United States |
Death/Thrash Metal (early); Death Metal (later) |
22
|
|
Vote up
Vote down
|
Solstice
|
United States |
Death/Thrash Metal |
21
|
|
Vote up
Vote down
|
Illogicist
|
Italy |
Technical Death Metal |
21
|
|
Vote up
Vote down
|
Alarum
|
Australia |
Progressive/Thrash Metal/Fusion |
21
|
|
Vote up
Vote down
|
Loudblast
|
France |
Death/Thrash Metal (early); Death Metal (later) |
21
|
|
Vote up
Vote down
|
Nocturnus AD
|
United States |
Technical Death Metal |
21
|
|
Vote up
Vote down
|
Carcariass
|
France |
Progressive Melodic Death Metal |
20
|
|
Vote up
Vote down
|
Desecrator
|
United Kingdom |
Death Metal |
20
|
|
Vote up
Vote down
|
Gory Blister
|
Italy |
Technical Death Metal |
20
|
|
Vote up
Vote down
|
Burial
|
Netherlands |
Death Metal |
19
|
|
Vote up
Vote down
|
Death Breath
|
Sweden |
Death Metal |
19
|
|
Vote up
Vote down
|
Electrocution
|
Italy |
Death Metal (early); Technical Death Metal (later) |
19
|
|
Vote up
Vote down
|
Hellwitch
|
United States |
Technical Death/Thrash Metal |
19
|
|
Vote up
Vote down
|
Neuraxis
|
Canada |
Technical Death Metal |
19
|
|
Vote up
Vote down
|
Rude
|
United States |
Death Metal |
19
|
|
Vote up
Vote down
|
Repulsion
|
United States |
Grindcore/Death Metal |
18
|
|
Vote up
Vote down
|
At the Gates
|
Sweden |
Melodic Death Metal |
17
|
|
Vote up
Vote down
|
Grave
|
Sweden |
Death Metal |
17
|
|
Vote up
Vote down
|
Coroner
|
Switzerland |
Technical Thrash Metal |
17
|
|
Vote up
Vote down
|
Cryptic Shift
|
United Kingdom |
Technical Thrash/Death Metal |
17
|
|
Vote up
Vote down
|
Monstrosity
|
United States |
Death Metal |
17
|
|
Vote up
Vote down
|
Benediction
|
United Kingdom |
Death Metal |
16
|
|
Vote up
Vote down
|
Dismember
|
Sweden |
Death Metal |
16
|
|
Vote up
Vote down
|
Incarnator
|
Russia |
Technical/Progressive Death Metal |
16
|
|
Vote up
Vote down
|
Polluted Inheritance
|
Netherlands |
Technical Death Metal |
16
|
|
Vote up
Vote down
|
Acid Death
|
Greece |
Death/Thrash/Progressive Metal |
16
|
|
Vote up
Vote down
|
Black Fast
|
United States |
Progressive Thrash Metal |
15
|
|
Vote up
Vote down
|
Hemotoxin
|
United States |
Progressive Death/Thrash Metal |
15
|
|
Vote up
Vote down
|
Leprosy
|
Mexico |
Death/Thrash Metal |
15
|
|
Vote up
Vote down
|
Revenant
|
United States |
Death/Thrash Metal |
15
|
|
Vote up
Vote down
|
Believer
|
United States |
Progressive/Technical Thrash Metal |
15
|
|
Vote up
Vote down
|
Mindwork
|
Czechia |
Progressive Thrash/Death Metal |
15
|
|
Vote up
Vote down
|
Bolt Thrower
|
United Kingdom |
Death Metal |
14
|
|
Vote up
Vote down
|
Bloodbath
|
Sweden |
Death Metal |
14
|
|
Vote up
Vote down
|
Into Eternity
|
Canada |
Progressive/Melodic Death Metal |
14
|
|
Vote up
Vote down
|
Skyglow
|
Russia |
Progressive Death Metal |
14
|
|
Vote up
Vote down
|
Grace Disgraced
|
Russia |
Technical Death Metal |
14
|
|
Vote up
Vote down
|
Gojira
|
France |
Progressive/Groove/Death Metal |
13
|
|
Vote up
Vote down
|
Bedsore
|
Italy |
Progressive Death Metal |
13
|
|
Vote up
Vote down
|
Dissonance
|
Slovakia |
Technical Death Metal |
13
|
|
Vote up
Vote down
|
Arsis
|
United States |
Technical Melodic Death Metal |
12
|
|
Vote up
Vote down
|
Anata
|
Sweden |
Technical Death Metal |
12
|
|
Vote up
Vote down
|
Repugnant
|
Sweden |
Death/Thrash Metal |
12
|
|
Vote up
Vote down
|
Keeper of Dreams
|
Hungary |
Technical Death/Thrash Metal |
12
|
|
Vote up
Vote down
|
Arkhe
|
Mexico |
Technical Death Metal |
12
|
|
Vote up
Vote down
|
Opprobrium
|
United States |
Death/Thrash Metal |
12
|
|
Vote up
Vote down
|
Alitor
|
Serbia |
Progressive Thrash Metal |
12
|
|
Vote up
Vote down
|
Undead Prophecies
|
Unknown |
Death Metal |
12
|
|
Vote up
Vote down
|
Deicide
|
United States |
Death Metal |
11
|
|
Vote up
Vote down
|
Ouroboros
|
Australia |
Technical Death/Thrash Metal |
11
|
|
Vote up
Vote down
|
Mortem
|
Peru |
Death Metal |
11
|
|
Vote up
Vote down
|
Mortuary
|
Mexico |
Death/Thrash Metal |
11
|
|
Vote up
Vote down
|
Rigor Mortis
|
United States |
Thrash Metal |
11
|
|
Vote up
Vote down
|
Gorod
|
France |
Progressive/Technical Death Metal |
11
|
|
Vote up
Vote down
|
Disciples of Power
|
Canada |
Thrash/Death Metal |
11
|
|
Vote up
Vote down
|
Tempestas
|
Brazil |
Death Metal |
11
|
|
Vote up
Vote down
|
Akercocke
|
United Kingdom |
Progressive Black/Death Metal |
11
|
|
Vote up
Vote down
|
De Profundis
|
United Kingdom |
Doom/Death Metal (early); Progressive Death/Black Metal (later) |
11
|
|
Vote up
Vote down
|
Hybris
|
Poland |
Technical Death/Thrash Metal |
11
|
|
Vote up
Vote down
|
Sabbatory
|
Canada |
Death Metal |
11
|
|
Vote up
Vote down
|
Burning Inside
|
United States |
Technical Death Metal |
11
|
|
Vote up
Vote down
|
Sacrifice
|
Canada |
Thrash Metal |
10
|
|
Vote up
Vote down
|
Creepmime
|
Netherlands |
Progressive Death Metal |
10
|
|
Vote up
Vote down
|
Dementia 13
|
Portugal |
Death Metal |
10
|
|
Vote up
Vote down
|
Lykathea Aflame
|
Czechia |
Progressive/Technical Brutal Death Metal |
10
|
|
Vote up
Vote down
|
Angel of Disease
|
Georgia |
Progressive Death Metal |
10
|
|
Vote up
Vote down
|
Sarcófago
|
Brazil |
Black/Thrash/Death Metal |
9
|
|
Vote up
Vote down
|
Suffocation
|
United States |
Brutal/Technical Death Metal |
9
|
|
Vote up
Vote down
|
Cemetery Filth
|
United States |
Death Metal |
9
|
|
Vote up
Vote down
|
Eternal Solstice
|
Netherlands |
Death Metal |
9
|
|
Vote up
Vote down
|
Pestifer
|
Belgium |
Technical Death Metal |
9
|
|
Vote up
Vote down
|
Plague Rider
|
United Kingdom |
Technical Death/Thrash Metal |
9
|
|
Vote up
Vote down
|
Zealot Cult
|
Ireland |
Death Metal |
9
|
|
Vote up
Vote down
|
Аспид
|
Russia |
Technical/Progressive Thrash Metal |
8
|
|
Vote up
Vote down
|
Voivod
|
Canada |
Thrash Metal (early); Progressive Metal (later) |
8
|
|
Vote up
Vote down
|
Atrocity
|
Germany |
Various |
8
|
|
Vote up
Vote down
|
Ripping Corpse
|
United States |
Death/Thrash Metal |
8
|
|
Vote up
Vote down
|
Horrified
|
United Kingdom |
Death Metal (early); Melodic Black/Death Metal (later) |
8
|
|
Vote up
Vote down
|
Nile
|
United States |
Brutal/Technical Death Metal |
8
|
|
Vote up
Vote down
|
Baphomet
|
United States |
Death Metal |
8
|
|
Vote up
Vote down
|
Dragon
|
Poland |
Thrash/Death Metal, Industrial Hard Rock |
8
|
|
Vote up
Vote down
|
Excruciation by Silence
|
Russia |
Thrash Metal |
8
|
|
Vote up
Vote down
|
Dr. Shrinker
|
United States |
Death Metal |
8
|
|
Vote up
Vote down
|
Godzilla
|
France |
Death Metal |
8
|
|
Vote up
Vote down
|
VoidCeremony
|
United States |
Progressive/Technical Death Metal |
8
|
|
Vote up
Vote down
|
Esqarial
|
Poland |
Technical/Progressive Death Metal |
8
|
|
Vote up
Vote down
|
Scenery
|
Czechia |
Technical Death/Thrash Metal |
8
|
|
Vote up
Vote down
|
Plague
|
Greece |
Death Metal |
8
|
|
Vote up
Vote down
|
Pessimist
|
Czechia |
Progressive Technical Death Metal |
8
|
|
Vote up
Vote down
|
Scavenger
|
Italy |
Thrash/Death Metal |
8
|
|
Vote up
Vote down
|
Defeated Sanity
|
Germany |
Technical Brutal Death Metal |
7
|
|
Vote up
Vote down
|
Absorbed
|
Spain |
Technical Death Metal |
7
|
|
Vote up
Vote down
|
R.A.V.A.G.E.
|
United States |
Death/Thrash Metal |
7
|
|
Vote up
Vote down
|
Sacrament
|
United States |
Thrash Metal |
7
|
|
Vote up
Vote down
|
Succubus
|
Russia |
Technical Death Metal |
7
|
|
Vote up
Vote down
|
Funeral Speech
|
Russia |
Progressive Death Metal |
7
|
|
Vote up
Vote down
|
Psycroptic
|
Australia |
Technical Death Metal |
7
|
|
Vote up
Vote down
|
Thormenthor
|
Portugal |
Progressive Death Metal |
7
|
|
Vote up
Vote down
|
Unreal Overflows
|
Spain |
Technical Melodic Death Metal |
7
|
|
Vote up
Vote down
|
Critical Extravasation
|
Russia |
Technical Death/Thrash Metal |
7
|
|
Vote up
Vote down
|
Fractal Universe
|
France |
Progressive/Technical Death Metal |
7
|
|
Vote up
Vote down
|
Xoth
|
United States |
Technical Death/Black/Thrash Metal |
7
|
|
Vote up
Vote down
|
Macabre
|
United States |
Thrash/Death Metal/Grindcore |
6
|
|
Vote up
Vote down
|
Insanity
|
United States |
Death/Thrash Metal |
6
|
|
Vote up
Vote down
|
Noisem
|
United States |
Death/Thrash Metal/Grindcore |
6
|
|
Vote up
Vote down
|
The Chasm
|
Mexico |
Death Metal |
6
|
|
Vote up
Vote down
|
Eternal Storm
|
Spain |
Melodic Death Metal |
6
|
|
Vote up
Vote down
|
1917
|
Argentina |
Death Metal |
6
|
|
Vote up
Vote down
|
Hypocrisy
|
Sweden |
Death Metal (early); Melodic Death Metal (later) |
6
|
|
Vote up
Vote down
|
Terrorizer
|
United States |
Death Metal/Grindcore |
6
|
|
Vote up
Vote down
|
Blood Exile
|
Mexico |
Thrash Metal |
6
|
|
Vote up
Vote down
|
Casket
|
Germany |
Death Metal |
6
|
|
Vote up
Vote down
|
Dungortheb
|
France |
Technical Death Metal |
6
|
|
Vote up
Vote down
|
Exeloume
|
Norway |
Thrash/Death Metal |
6
|
|
Vote up
Vote down
|
Suffer
|
Sweden |
Death Metal |
6
|
|
Vote up
Vote down
|
Crystal Age
|
Sweden |
Death Metal |
6
|
|
Vote up
Vote down
|
Fleshold
|
United States |
Death Metal |
6
|
|
Vote up
Vote down
|
Infernal Conjuration
|
Mexico |
Death Metal |
6
|
|
Vote up
Vote down
|
Leprosys
|
Canada |
Death Metal |
6
|
|
Vote up
Vote down
|
Theory in Practice
|
Sweden |
Technical Death Metal |
6
|
|
Vote up
Vote down
|
Hacksaw to the Throat
|
United States |
Death Metal/Grindcore (early); Progressive Death Metal (later) |
6
|
|
Vote up
Vote down
|
Obelisk
|
United States |
Progressive Metal |
6
|
|
Vote up
Vote down
|
Necrowretch
|
France |
Death/Black Metal |
5
|
|
Vote up
Vote down
|
Massacra
|
France |
Death/Thrash Metal (early); Heavy/Thrash Metal (later) |
5
|
|
Vote up
Vote down
|
Devastation
|
United States |
Thrash Metal |
5
|
|
Vote up
Vote down
|
Vital Remains
|
United States |
Death Metal |
5
|
|
Vote up
Vote down
|
DBC
|
Canada |
Thrash/Speed Metal |
5
|
|
Vote up
Vote down
|
Nevermore
|
United States |
Groove/Progressive Metal |
5
|
|
Vote up
Vote down
|
Gladiator
|
Slovakia |
Death/Thrash Metal (early); Grunge/Hard Rock (later) |
5
|
|
Vote up
Vote down
|
Oniricous
|
Spain |
Death Metal |
5
|
|
Vote up
Vote down
|
Æpoch
|
Canada |
Progressive Death Metal |
5
|
|
Vote up
Vote down
|
Baest
|
Denmark |
Death Metal |
5
|
|
Vote up
Vote down
|
Dark Reign
|
United States |
Death Metal/Grindcore |
5
|
|
Vote up
Vote down
|
Deathcult
|
Switzerland |
Death Metal |
5
|
|
Vote up
Vote down
|
Gverr
|
Albania |
Progressive Death Metal |
5
|
|
Vote up
Vote down
|
Illuminati
|
Romania |
Progressive Death Metal/Jazz Fusion |
5
|
|
Vote up
Vote down
|
Molder
|
United States |
Death/Thrash Metal |
5
|
|
Vote up
Vote down
|
Vedonist
|
Poland |
Death/Thrash Metal |
5
|
|
Vote up
Vote down
|
Capharnaum
|
United States |
Technical Death Metal |
5
|
|
Vote up
Vote down
|
Faceless Burial
|
Australia |
Black/Death Metal (early); Death Metal (later) |
5
|
|
Vote up
Vote down
|
Funerus
|
United States |
Death Metal |
5
|
|
Vote up
Vote down
|
Hell:On
|
Ukraine |
Thrash/Death Metal |
5
|
|
Vote up
Vote down
|
Live Burial
|
United Kingdom |
Death Metal |
5
|
|
Vote up
Vote down
|
Necrodead
|
Chile |
Death Metal (early), Thrash Metal (later) |
5
|
|
Vote up
Vote down
|
Necrot
|
United States |
Death Metal |
5
|
|
Vote up
Vote down
|
Terminal Death
|
United States |
Death Metal |
5
|
|
Vote up
Vote down
|
Unhuman
|
Canada |
Technical/Progressive Death Metal |
5
|
|
Vote up
Vote down
|
Wolf Spider
|
Poland |
Technical Thrash Metal |
5
|
|
Vote up
Vote down
|
Horrible
|
United States |
Death/Thrash Metal |
5
|
|
Vote up
Vote down
|
Blood Feast
|
United States |
Thrash Metal |
4
|
|
Vote up
Vote down
|
Extol
|
Norway |
Technical Death Metal (early); Progressive Death/Thrash Metal, Progressive Metal/Alternative Rock |
4
|
|
Vote up
Vote down
|
Necrodeath
|
Italy |
Black/Death/Thrash Metal |
4
|
|
Vote up
Vote down
|
Decapitated
|
Poland |
Technical Death Metal (early); Death/Groove Metal (later) |
4
|
|
Vote up
Vote down
|
Asphyx
|
Netherlands |
Death/Doom Metal |
4
|
|
Vote up
Vote down
|
StarGazer
|
Australia |
Avant-garde Black/Death Metal |
4
|
|
Vote up
Vote down
|
Witchmasters
|
Hungary |
Death Metal |
4
|
|
Vote up
Vote down
|
Sakrificer
|
United States |
Thrash/Death Metal |
4
|
|
Vote up
Vote down
|
Stigmatized
|
Chile |
Technical Death Metal |
4
|
|
Vote up
Vote down
|
Strangulation
|
Brazil |
Technical Death Metal |
4
|
|
Vote up
Vote down
|
The Bleeding
|
United Kingdom |
Death/Thrash Metal |
4
|
|
Vote up
Vote down
|
Abysmal Dawn
|
United States |
Death Metal |
4
|
|
Vote up
Vote down
|
Barn
|
United States |
Death Metal |
4
|
|
Vote up
Vote down
|
Coram Lethe
|
Italy |
Progressive Death Metal |
4
|
|
Vote up
Vote down
|
Dekapitator
|
United States |
Thrash Metal |
4
|
|
Vote up
Vote down
|
Demisery
|
United States |
Death Metal |
4
|
|
Vote up
Vote down
|
Deviant Syndrome
|
Russia |
Melodic Death Metal |
4
|
|
Vote up
Vote down
|
Ectoplasma
|
Greece |
Death Metal |
4
|
|
Vote up
Vote down
|
Hated
|
Russia |
Progressive Death Metal |
4
|
|
Vote up
Vote down
|
Human Remains
|
United States |
Death Metal/Grindcore |
4
|
|
Vote up
Vote down
|
Madrost
|
United States |
Death/Thrash Metal |
4
|
|
Vote up
Vote down
|
Mercyless
|
France |
Death/Thrash Metal |
4
|
|
Vote up
Vote down
|
Mithras
|
United Kingdom |
Experimental Death Metal |
4
|
|
Vote up
Vote down
|
Necrosanct
|
United Kingdom |
Death Metal |
4
|
|
Vote up
Vote down
|
Syrebris
|
United States |
Progressive Death Metal |
4
|
|
Vote up
Vote down
|
Black Shepherd
|
Belgium |
Thrash Metal |
4
|
|
Vote up
Vote down
|
Blood Spill
|
United States |
Death/Thrash Metal |
4
|
|
Vote up
Vote down
|
Bones
|
Belgium |
Death Metal |
4
|
|
Vote up
Vote down
|
Chakal
|
Brazil |
Thrash Metal (early); Groove Metal (later) |
4
|
|
Vote up
Vote down
|
Disassembled
|
Portugal |
Progressive Death Metal |
4
|
|
Vote up
Vote down
|
Epitaph
|
United States |
Death/Thrash Metal |
4
|
|
Vote up
Vote down
|
Evoked
|
Germany |
Death Metal |
4
|
|
Vote up
Vote down
|
Hostil
|
Peru |
Death/Thrash Metal |
4
|
|
Vote up
Vote down
|
Human Decay
|
Italy |
Death Metal |
4
|
|
Vote up
Vote down
|
Jungle Rot
|
United States |
Death Metal |
4
|
|
Vote up
Vote down
|
Mental Casket
|
Poland |
Death Metal |
4
|
|
Vote up
Vote down
|
Moss upon the Skull
|
Belgium |
Progressive Death Metal |
4
|
|
Vote up
Vote down
|
Node
|
Italy |
Technical Death Metal (early), Melodic Death Metal (later) |
4
|
|
Vote up
Vote down
|
Prometheus
|
Greece |
Black/Death Metal |
4
|
|
Vote up
Vote down
|
Shards of Humanity
|
United States |
Death/Thrash Metal |
4
|
|
Vote up
Vote down
|
Voorhees
|
France |
Death Metal |
4
|
|
Vote up
Vote down
|
Died
|
Malaysia |
Death Metal |
4
|
|
Vote up
Vote down
|
Abscendent
|
Italy |
Thrash/Death Metal |
4
|
|
Vote up
Vote down
|
Mind Cry
|
Russia |
Progressive Death Metal |
4
|
|
Vote up
Vote down
|
Sectara
|
United States |
Extreme Progressive Metal |
4
|
|
Vote up
Vote down
|
Demented Ted
|
United States |
Thrash Metal (early); Death Metal (later) |
3
|
|
Vote up
Vote down
|
Acrania
|
Mexico |
Death/Thrash Metal with Latin Jazz influences |
3
|
|
Vote up
Vote down
|
Broken Hope
|
United States |
Death Metal |
3
|
|
Vote up
Vote down
|
Coexistence
|
Italy |
Progressive Death Metal |
3
|
|
Vote up
Vote down
|
Deathbringer
|
Belarus |
Progressive Death Metal |
3
|
|
Vote up
Vote down
|
Obliterated
|
Italy |
Progressive Thrash Metal |
3
|
|
Vote up
Vote down
|
Sindrome
|
United States |
Thrash Metal |
3
|
|
Vote up
Vote down
|
Viogression
|
United States |
Death Metal |
3
|
|
Vote up
Vote down
|
Decaying
|
Finland |
Death Metal |
3
|
|
Vote up
Vote down
|
Arte Sacra
|
Portugal |
Progressive Death Metal |
3
|
|
Vote up
Vote down
|
Bone Sickness
|
United States |
Death Metal |
3
|
|
Vote up
Vote down
|
Clit Ripper
|
United States |
Death/Thrash Metal, Grindcore |
3
|
|
Vote up
Vote down
|
Comatose
|
Philippines |
Death Metal |
3
|
|
Vote up
Vote down
|
Coral de Espíritos
|
Brazil |
Technical Death Metal |
3
|
|
Vote up
Vote down
|
Dezember
|
Thailand |
Progressive Death Metal |
3
|
|
Vote up
Vote down
|
Echidna
|
Greece |
Progressive Death/Thrash Metal |
3
|
|
Vote up
Vote down
|
Ekpyrosis
|
Italy |
Death Metal |
3
|
|
Vote up
Vote down
|
Evil Priest
|
Peru |
Death Metal |
3
|
|
Vote up
Vote down
|
Exence
|
Italy |
Progressive Thrash/Death Metal |
3
|
|
Vote up
Vote down
|
Festival of Mutilation
|
Bosnia and Herzegovina |
Technical Death Metal |
3
|
|
Vote up
Vote down
|
Intrepid
|
Estonia |
Death Metal |
3
|
|
Vote up
Vote down
|
Necropolis
|
Argentina |
Technical Death Metal |
3
|
|
Vote up
Vote down
|
Nexus
|
Australia |
Progressive Death Metal |
3
|
|
Vote up
Vote down
|
Oraculum
|
Chile |
Death Metal |
3
|
|
Vote up
Vote down
|
Sadism
|
Chile |
Death Metal |
3
|
|
Vote up
Vote down
|
Sanity Obscure
|
Singapore |
Technical Thrash Metal (early); Progressive Death Metal (later) |
3
|
|
Vote up
Vote down
|
Savage Death
|
United States |
Death/Thrash Metal |
3
|
|
Vote up
Vote down
|
Voodoo Gods
|
United States |
Death/Thrash Metal |
3
|
|
Vote up
Vote down
|
W.A.K.O.
|
Portugal |
Death/Thrash/Groove Metal |
3
|
|
Vote up
Vote down
|
(Psychoparalysis)
|
Finland |
Progressive Death Metal |
3
|
|
Vote up
Vote down
|
Apoplexy
|
Slovakia |
Death Metal |
3
|
|
Vote up
Vote down
|
Azure Emote
|
United States |
Industrial/Avant-garde Death Metal |
3
|
|
Vote up
Vote down
|
Considered Dead
|
Brazil |
Death Metal |
3
|
|
Vote up
Vote down
|
Disastrous Murmur
|
Austria |
Death Metal |
3
|
|
Vote up
Vote down
|
Excidium
|
Switzerland |
Progressive Death/Thrash Metal |
3
|
|
Vote up
Vote down
|
Gorgatron
|
United States |
Death Metal, Grindcore |
3
|
|
Vote up
Vote down
|
Hatred
|
United States |
Death Metal |
3
|
|
Vote up
Vote down
|
Hexen
|
United States |
Melodic Thrash Metal with Progressive influences |
3
|
|
Vote up
Vote down
|
Human Waste
|
Spain |
Technical Death Metal (early), Progressive Death Metal (later) |
3
|
|
Vote up
Vote down
|
In Human
|
India |
Technical Death Metal |
3
|
|
Vote up
Vote down
|
Infection
|
Peru |
Death Metal |
3
|
|
Vote up
Vote down
|
Katrinaz
|
Mexico |
Death/Thrash Metal |
3
|
|
Vote up
Vote down
|
Lethargy
|
United States |
Technical Death Metal |
3
|
|
Vote up
Vote down
|
Luciferion
|
Sweden |
Death Metal |
3
|
|
Vote up
Vote down
|
Monsterworks
|
New Zealand |
Thrash/Death/Heavy Metal |
3
|
|
Vote up
Vote down
|
Nader Sadek
|
United States |
Death Metal |
3
|
|
Vote up
Vote down
|
Obscenity
|
Germany |
Death Metal |
3
|
|
Vote up
Vote down
|
Obsolete
|
United States |
Death/Thrash Metal |
3
|
|
Vote up
Vote down
|
Psychic Pawn
|
United States |
Death Metal |
3
|
|
Vote up
Vote down
|
Scapegoat
|
Bulgaria |
Death Metal |
3
|
|
Vote up
Vote down
|
Wretched Inferno
|
United States |
Thrash Metal (early); Death Metal (later) |
3
|
|
Vote up
Vote down
|
Zoofilia
|
Argentina |
Death Metal |
3
|
|
(
show top 20 only
)
|


{% extends "base.html" %}
{% block title %}: About{% endblock %}
{% block head %}{{ super() }}{% endblock %} {# note that the head looks for the title variable. #}
{% block content %}
About this tool
This tool was developed to demonstrate the capabilities of energy data analytics developed by Ram Rajagopol's S3L lab.


--- layout: default layout_keyword: knowledge_base_page title: Add a parent/guardian to a child's account tags: basic_user_pages left_col_section_nav: [basic_user_nav] user_help_videos: [basic_user_videos] ---
After your child's account has been created, you may wish to link additional parents/guardians to your child's account to share guardian privileges, calendars and other site features. If the additional parent/guardian already has an AllPlayers.com account, follow the steps below to link them to your child's account.
These instructions are only for adding parent/guardians with existing AllPlayers.com accounts to existing child accounts. If you wish to add a parent/guardian who does not have an account to your child's account, follow the instructions here.
Click the AllPlayers.com logo or Home button at the top of any page to go to your home page.
On your home page, find the Family box. Click your child's name.
If you are unable to click your child's name, your account is unverified. You must verify your account before continuing.
You should now be on the child's profile page. Click Act on behalf of this user in the left column of the page.
You are now acting on behalf of your child, allowing you to modify this child's account.
When you are acting on behalf of your child, you will see a notice at the bottom of the screen.
In the Family box, click Add Family and select Invite Parent/guardian from the drop down menu.
Enter the email(s) of the parent/guardians you wish to link to this child's account as a guardian.
You may also include a message that will be added to the email sent to the person you are inviting.
Click Send now.
An email will be sent to the email address(es) you entered. The recipient(s) should follow instructions in the email to become a parent/guardian for this child on AllPlayers.com.


|
jsonCool
1.0
JSON Compact Object Oriented Library
|
Previous page: << About jsonCool Next page: Legal information >>
For starters - include the file containing the library. This step is as simple as putting the file into your project directory and typing:
#include "jsonStream.h"
...in any of the files in your project, that will use the library classes and functions.
NOTE: some IDEs (Intergrated Development Environments) require the user to include the file in the project. For an explanation on how to do that, consult your IDEs manual.
If you have some data - a class, an array, anything else - that you want to convert into JSON data, you should use the jsonCool::jsonData class. For example, if you have a structure that is defined as follows:
struct book{ bool available; int pageNumber; std::string title; std::vector<std::string> chapterNames; };
JsoonCool allows you to convert into Json by doing:
try{ extern book exampleBook; // defined somewhere else jsonCool::jsonData bookInJSON = jsonCool::presets::object; bookInJSON["available"] = exampleBook.available; bookInJSON["pageNumber"] = exampleBook.pageNumber; bookInJSON["title"] = exampleBook.title; bookInJSON["chapterNames"] = jsonCool::presets::array; for(unsigned int i=0; i<exampleBook.chapterNames.size(); i++) bookInJSON["chapterNames"]() = exampleBook.chapterNames[i]; } catch(const jsonCool::jsonException &e){ std::cout << e.source() << ": " << e.what() << std::endl; }
Obviously: you are free to put the code in a member function of the book
class, if that is what you wish. The same rules apply to any other class
or structure
. After converting the data into a jsonCool::jsonData class, serializing it is as simple as writing:
std::string serializedBook = bookInJSON;
Or, straight using the overloaded stream output operator:
std::cout << bookInJSON << std::endl;
While the previous examples describe the process of serializing the data to the JSON format, one might also need to deserialize JSON data. JsonCool also offers a simple and natural way to do that.
Let us assume that we added a book
to our library, and serialized it using the example above. We have ended up with a JSON string which looks something like this:
std::string serialized = "{\"available\": true, \"chapterNames\": [\"Genesis\", \"The little glass slipper\"], \"pageNumber\": 12.000000, \"title\": \"Cinderella\"}";
Deserializing it to a jsonCool::jsonData object can be done in just one line of code:
jsonCool::jsonData bookInJSON(serialized);
Then, converting it into a book
is done by doing the opposite of what we did while serializing:
try{ book cindarella; cindarella.available = bookInJSON["available"].getBooleanValue(); cindarella.pageNumber = bookInJSON["pageNumber"].getNumericValue(); cindarella.title = bookInJSON["title"]; for(unsigned int i=0; i<bookInJSON["chapterNames"].size(); i++) cindarella.chapterNames.push_back(bookInJSON["chapterNames"][i]); } catch(const jsonCool::jsonException &e){ std::cout << e.source() << ": " << e.what() << std::endl; }
The library defines three presets, that you might have seen in the previous example. All of them are defined in the jsonCool::presets namespace:
null
value.While serializing and deserializing JSON data is undoubtedly useful, jsonCool also works with while JSON files. The class designated to be used in such cases is jsonCool::jsonStream . First let us assume that we wrote our JSON book to a file called 'library.json', by using the standard library file stream:
std::string serialized = "{\"available\": true, \"chapterNames\": [\"Genesis\", \"The little glass slipper\"], \"pageNumber\": 12.000000, \"title\": \"Cinderella\"}"; std::ofstream output("library.json"); output << serialized << std::endl; output.close();
We can then open the file and interpret it with just one line:
try{ jsonCool::jsonStream jsonParser("library.json"); } catch(const jsonCool::jsonException &e){ std::cout << e.source() << ": " << e.what() << std::endl; }
After that, retrieving a jsonCool::jsonData object is straightforward:
try{ jsonCool::jsonStream jsonParser("library.json"); jsonCool::jsonData bookInJSON; jsonParser >> bookInJSON; } catch(const jsonCool::jsonException &e){ std::cout << e.source() << ": " << e.what() << std::endl; }
When we know how to create JSON data, interpret it, and read JSON files, all we need to learn is how to create new JSON files. While the example in the last chapter showed how to do that using the standard library classes, jsonCool provides a simpler way.
First, let us take our book and turn it into a whole book library (so the name of the file actually has some sense):
try{ jsonCool::jsonStream jsonParser("library.json"); jsonCool::jsonData bookInJSON; jsonParser >> bookInJSON; jsonCool::jsonData jsonLibrary = jsonCool::presets::array; jsonCool::jsonData bookInJSON2 = bookInJSON; bookInJSON2["title"] = "Cinderella - ilustrated edition"; bookInJSON2["pageNumber"] = 18; jsonLibrary() = bookInJSON; jsonLibrary() = bookInJSON2; } catch(const jsonCool::jsonException &e){ std::cout << e.source() << ": " << e.what() << std::endl; }
Now we can save the file:
try{ jsonCool::jsonStream jsonParser("library.json"); jsonCool::jsonData bookInJSON; jsonParser >> bookInJSON; jsonCool::jsonData jsonLibrary = jsonCool::presets::array; jsonCool::jsonData bookInJSON2 = bookInJSON; bookInJSON2["title"] = "Cinderella - ilustrated edition"; bookInJSON2["pageNumber"] = 18; jsonLibrary() = bookInJSON; jsonLibrary() = bookInJSON2; jsonParser.data() = jsonLibrary; jsonParser.save(); } catch(const jsonCool::jsonException &e){ std::cout << e.source() << ": " << e.what() << std::endl; }
Previous page: << About jsonCool Next page: Legal information >>


BlueBanquise is an opensource project,
based on the wish to provide a simple but flexible stack to deploy and manage cluster of servers or workstations.
The stack is based on Ansible and Python, and relies heavily on inventory variables precedence mechanism and groups.
The stack is based on Ansible and Python, and relies heavily on inventory variables precedence mechanism and groups.
Origin of the need
While building a small HPC center in the FabLab La Fabrique du Loch, at Auray – France, we needed something simple, widely compatible, to manage our cluster and our workstations, but also very flexible as we are working with enterprises and universities (some wants Centos, others Ubuntu, others Microsoft Windows, etc).We also wanted something with less scripts as possible, to easily maintain the product and spend less time managing the cluster to save spare time doing interesting things.
This is how Banquise and then it's spiritual son BlueBanquise were born.
Aim
The stack main goal is to be a simple skeleton for other projects, HPC related or not.As it relies on Ansible, the structure of BlueBanquise makes it fully modular. Addons, or other tools can be seen as the flesh to make it alive.
The inventory design is also highly flexible, allowing simple configurations by default, but also very exotic ones.
In any cases, and this is mandatory for us, the stack is a semi-automatic tool: system administrator always have a way to force things to act as expected. All automatic parts can be overwritten using Ansible precedence mechanism.


I have enabled $enable_password_reset in settings.php on our own install of emoncms but I don't receive any emails. Suspecting a firewall or server configuration issue I built a basic PHP script thus:
mail($to, "Testing email", "Testing email", $from);
...but it worked fine, so I know the box is capable of sending out.
I fiddled with the $smtp_email_settings block to remove first username and password and then port too but this didn't make any difference. Looking at email.php it mentions SwiftMailer - is this library included or do I need to separately download and install it?
Chris.
Re: Password reset emails not being received
OK, so it looks like the SwiftMail library is required. Found on github, downloaded and installed in Lib, configured location in email.php - found out the port number needed to be 25 not 465. Password reminders (well, resets) now working.
Chris.
Re: Password reset emails not being received
It wasn't as simple as that.
Re: Password reset emails not being received
Do you see any errors in apache's error.log?
Or emoncms.log.

Re: Password reset emails not being received
I didn't see anything in the Apache error log until I started adding my own error_log("not working"); type lines to the code. But if I'd have looked in emoncms.log there were messages in there.
Chris.


Animation
public struct Animation
Undocumented
-
Undocumented
Declaration
Swift
public var revealDuration: TimeInterval
-
Undocumented
Declaration
Swift
public var hideDuration: TimeInterval
-
Undocumented
Declaration
Swift
public var options: UIView.AnimationOptions
-
Undocumented
Declaration
Swift
public var dampingRatio: CGFloat
-
Undocumented
Declaration
Swift
public var initialSpringVelocity: CGFloat
-
Undocumented
Declaration
Swift
public var shouldAddShadowWhenRevealing: Bool
-
Undocumented
Declaration
Swift
public var shadowAlpha: CGFloat
-
Undocumented
Declaration
Swift
public var shadowColor: UIColor


Ocala events
-
aireator and fertilizer north idaho
Saturday's prep results | Cincinnati.com | cincinnati.com
Feb 17, 2013 . ROSTEROLOGY Under contract: CB Leon Hall (through 2015), S Reggie Nelson (through 2015), CB Jason Allen (through 2013), . Oak Hills 66, Woodward 14 . 3-pointers: O 2 ( Laumann, O. Kilgore), W 2 (Pearson, James).
http://news.cincinnati.com/article/20130216/SPT03/302160130/Saturday-s-prep-results1967 Woodward High School Yearbook Cincinnati, OH | Classmates
View or buy the 1967 Woodward High School yearbook in Cincinnati, Ohio. Browse old high school photos of friends, family, class pictures, even celebrities!
http://www.classmates.com/yearbooks/Woodward-High-School/32349
noz to noz x series kennels Upcoming events in Ocala
- Sponsored event
internet marketing consulting wausau wi
Apr 6 - Dance It Studio
open source tools comparison national association of small businesses
shooting star in sky Hottest Tickets
-
Apr 11vodo doll possed movie
Amway Center -
Apr 28physical maps of germany
Amway Center -
Jun 25g w laboratories suit
Bob Carr Performing Arts Center -
Mar 30pr blogger jenny lewis
Amway Center -
Aug 27web counter free hosting
Amway Center -
Jun 21americas next top model vigo
Amway Center -
Sep 13summer of fun bed linen
Francis Field -
Mar 17rossi 2010 fiat yamaha
St Augustine Amphitheatre -
Oct 8maryland hot rod sales
Amway Center -
May 4what does the medulla oblongata control
Bob Carr Performing Arts Center
Ocala's best venues
-
Woodward High School - Cincinnati, OH Class Of 1965
This is the official web site for the Woodward High School - Cincinnati, OH Class Of 1965. . The annual Woodward Alumnal Association Reunion Luncheon is .
http://www.woodwardclassof65.com/class_index.cfm -
Descendants ot Thomas Brown and Elizabeth ... - Genealogy.com
Walnut between 13th and Allison 1843 Cist Cincinnati Directory: Dick James, grocer. . Court 1856 Williams' Cincinnati Directory: Brown Leon.trd W. coal yard, . to Woodward High School, 1831-1836, and Woodward College, 1836-1851, .
http://familytreemaker.genealogy.com/users/t/o/m/Phillip-A-Tomlinson/FILE/0002text.txt -
Birding in Cincinnati - Who The Birders Are
JAr, John Argo. JJA, John James Audubon. KA, Kirk Alexander . GLe, Gus Leon. GLn, Gary Linsley. JL, Jenny . PWo, Paul Woodward. RW, Ron Williams .
http://cincinnatibirds.com/database/birders.phpmariah carey know what love is
98 people's favorite
-
Acacia - AFF Donors
Bernal R. Woodward (Charitable Trust), Syracuse Harry Johnson . James L. McFarland, Wisconsin. Century Club . Frederick W. Helfer, Cincinnati Joseph L.
http://acacia.org/foundation_donors.php -
Oklahoma World War 1 Casualties
Green, James A., Woodward Greene, John H. . Chapman, Albert L., Oklahoma City Cherry, Herman H. . McConnell, James Harvey, Cincinnati McCommell .
http://genealogytrails.com/oka/ww1casualties.html


Netezos
is a cross-platform Tezos SDK for .NET developers,
simplifying interaction with the Tezos blockchain
|
Get Started
API Reference
GitHub


Index
Previous:
sphar
Next:
sphā
√sphal
'strike'
secondary:
causative
:
sphālayati
etc.
derivatives:
sphālana
E.+


Does the same as constrainReference, plus adds two ReferentialActions (ex.
Does the same as constrainReference, plus adds two ReferentialActions (ex.: foreignKeyDeclaration.constrainReference(onDelete cascade, onUpdate restrict))
Does the same as constrainReference, plus adds a ReferentialAction (ex.
Does the same as constrainReference, plus adds a ReferentialAction (ex.: foreignKeyDeclaration.constrainReference(onDelete cascade))
Will cause a foreign key constraint to be created at schema creation time : alter table <tableOfForeignKey> add foreign key (<foreignKey>) references <tableOfPrimaryKey>(<primaryKey>)
Causes the foreign key to have no constraint
ForeignKeyDeclaration are to be manipulated only during the Schema definition (this is why all public methods have the implicit arg (implicit ev: Schema))


Please enter your current password:
Save
Cancel
Groepenzoeker
My Profile
Finder
My Groups
Screenname:
Password:
Save


Welcome to Jimbo's Pizza Shoppe
Pizza Order Form
Guaranteed delivery in 30 minutes or less!
What size would you like?
What toppings would you like?
-- select toppings --
Cheese
Pepperoni
Place Order
Your pizza will have
slices. Is that enough?


Download and aggregate data from all public hire bicycle systems which provide open data, currently including 'Santander' Cycles in London, U.K., and from the U.S.A., 'citibike' in New York City NY, 'Divvy' in Chicago IL, 'Capital Bikeshare' in Washington DC, 'Hubway' in Boston MA, 'Metro' in Los Angeles LA, and 'Indego' in Philadelphia PA.
| Version: | 0.2.2 |
| Depends: | R (≥ 3.0) |
| Imports: | DBI, dodgr, httr, lubridate, magrittr, methods, Rcpp, readxl, RSQLite, reshape2, tibble, xml2 |
| LinkingTo: | BH, Rcpp |
| Suggests: | knitr, rmarkdown, roxygen2, testthat, covr |
| Published: | 2018-10-22 |
| Author: | Mark Padgham [aut, cre], Richard Ellison [aut], Tom Buckley [aut], Bea Hernández [rev] (Bea reviewed the package for ropensci, see https://github.com/ropensci/onboarding/issues/116), Elaine McVey [rev] (Elaine reviewed the package for ropensci, see https://github.com/ropensci/onboarding/issues/116), SQLite Consortium [ctb] (Authors of included SQLite code) |
| Maintainer: | Mark Padgham <mark.padgham at email.com> |
| BugReports: | https://github.com/ropensci/bikedata/issues |
| License: | GPL-3 |
| URL: | https://github.com/ropensci/bikedata |
| NeedsCompilation: | yes |
| SystemRequirements: | C++11 |
| Citation: | bikedata citation info |
| Materials: | README NEWS |
| CRAN checks: | bikedata results |
| Reference manual: | bikedata.pdf |
| Vignettes: |
bikedata |
| Package source: | bikedata_0.2.2.tar.gz |
| Windows binaries: | r-devel: bikedata_0.2.2.zip, r-release: bikedata_0.2.2.zip, r-oldrel: bikedata_0.2.2.zip |
| OS X binaries: | r-release: bikedata_0.2.2.tgz, r-oldrel: bikedata_0.2.2.tgz |
| Old sources: | bikedata archive |
Please use the canonical form https://CRAN.R-project.org/package=bikedata to link to this page.


It includes four methods: DCOL-based K-profiles clustering, non-linear network reconstruction, non-linear hierarchical clustering, and variable selection for generalized additive model.
| Version: | 1.2 |
| Imports: | ROCR, TSP, igraph, fdrtool, coin, methods, graphics, stats, earth, randomForest, e1071 |
| Published: | 2018-04-08 |
| Author: | Tianwei Yu, Haodong Liu |
| Maintainer: | Tianwei Yu <tianwei.yu at emory.edu> |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| NeedsCompilation: | no |
| CRAN checks: | nlnet results |
| Reference manual: | nlnet.pdf |
| Package source: | nlnet_1.2.tar.gz |
| Windows binaries: | r-devel: nlnet_1.2.zip, r-release: nlnet_1.2.zip, r-oldrel: nlnet_1.2.zip |
| OS X binaries: | r-release: nlnet_1.2.tgz, r-oldrel: nlnet_1.2.tgz |
| Old sources: | nlnet archive |
Please use the canonical form https://CRAN.R-project.org/package=nlnet to link to this page.


TrackingObserver shows the different sites that track you while you browse the web. Sites that you visit directly are in circles. Sites that you haven't visited but that track you are in squares. Sites that you visit directly and that track you are in triangles.


CAREER GUIDANCE
For Class 10th Students
Helping you to choose the subjects & stream
START
For Class 12th Students
Helping you to get into your dream course
START
For Graduate Students
Create your career plan and find a way towards your dream job
START


to generate the javadoc and add it to your local peregrine instance please execute
mvn site -PinstallDocs


DROP DEAD GORGEOUS
Reviewed by Harvey Karten, Ph.D. New Line Cinema Director: Michael Patrick Jann Writer: Lona Williams Cast: Kirstie Alley, Ellen Barkin, Kirsten Dunst, Denise Richards, Allison Janney, Brittany Murphy, William Sasso, Amy Adams, Dylan Bullard, Nora Dunn, Michael McShane, Mindy Sterling Adam West
While you're still trying to figure out the answer to the classic philosophic question, "If a tree falls in the forest with no witnesses, does the tree make a sound?" you can ponder yet another one. If a movie billed as a comedy has not a single laugh, can it still be called a comedy? This movie is yet another parody of the type of event that is itself so asinine it needs no satirist. "Drop Dead Gorgeous"--so named to exploit a double meaning (one of which being an implicit quote from the principal character, "Drop dead, gorgeous"--this film features vulgarity for its own sake rather than crudeness in the pursuit of humor. The inspiration for the movie is perhaps Michael Ritchie's 1975 production "Smile," which spotlighted a superior cast including Bruce Dern, Barbara Feldon and Melanie Griffith centering on behind-the-scenes activity at a California "Young American Miss" pageant. While "Smile" symbolized the emptiness of American middle-class existence, "Drop Dead Gorgeous" goes after targets too vulnerable to defend themselves, including the mentally retarded, the deaf, poor Mexicans, anorectics, small town rubes and trailer trash. In taking pot shots at rural hollowness, director Michael Patrick Jann does not even opt for the miscarried outrageousness of Harmony Korine's plotless dud "Gummo"--about poor white trash in a desolate Ohio town whose citizens get their jollies from shooting cats and selling the bodies to the local supermarket.
"Drop Dead Gorgeous" features Kirstie Alley in the role of Gladys Leeman, the town's richest women, who is emceeing a teen beauty contest but is hardly impartial. Her own daughter, the vacuous Rebecca (Denise Richards), has been trained by Gladys to push all the right buttons to score points with the judges.
To get a measure of the numbing inauspiciousness of Alley's performance as an assassin, one need only compare her dispatch of the hackneyed role with that of Holly Hunter--who won an Emmy for her portrayal of the obsessed Houston housewife who plots to kill her daughter's competitors for spots on the cheerleading squad in Michael Ritchie's "The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom."
Directed like Myles Berkowitz's "20 Dates" as a mock documentary, scripter Lona Williams's story spotlights Alley's ineptitude but focuses as well on the two 17-year-olds considered the leading contestants in a teen beauty pageant held in a heartland Minnesota town. The confident Rebecca Leeman (Denise Richards) is pitted against a perpetual motion machine, Amber Atkins (Kirsten Dunst), the contestants now numbering eight when one of the girls is mysteriously burned to death in a tractor accident. Though the two major contenders are from different sides of the track in the town of just over 5,000 people, they are equally ambitious. Ultimately, Amber will conclude the movie in a scene that recalls Tracy Flick's triumph in "Election." Director Jann is himself attempting ineffectually to capitalize on that film's critical and box office success.
While vulgarity need not be off-putting and can, in itself, be the source of considerable humor (witness the hilarious inventiveness of "South Park" and "American Pie"), in "Drop Dead Gorgeous" the boorishness is plain obtuse. Examples: Amber gleefully dances about the room of a funeral home while she tackles her evening job as an embalmer. The teen queen of 1945 is taped moaning that after she won, she "did not even get to keep my damn tiara--I had to turn it in for scraps." The billboard that announces the town to drivers has an obsolete picture of its "oldest living Lutheran," but the mayor groans that "sons of bitches would not even remove the sign."  A dance instructor teaches the teens their steps while dangling a cigarette from her lips.  And when Amber's trailer mysteriously catches fire, her mom, Annette Atkins (Ellen Barkin), is seriously burned, her can of beer soldered to her hand.
One of the questions asked of the contestants by a judge is "If you were a tree in the forest, what would it be?" Here's another one--for the production team: "If you were asked to turn out a comedy, when do you think you could arrange it?"
Rated PG-13. Running Time: 96 minutes. (C) 1999 Harvey Karten
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% extends "layout_1_column.html" %} {% block title %}
{{ creation_date }}
| Type | Scope | Members | Action |
|---|---|---|---|
| {{ association.instance_of|topic_name(topic_map.identifier) }} | {{ association.scope|topic_name(topic_map.identifier) }} |
View
as association View as topic Delete {% if 'admin' in current_user.roles %} View attributes {% endif %} |
This topic does not play a role in any association. Click on the "Create association" button below to create an association.
{% endif %} Create association


On Air:
Friday Evening Open Sets
DJ UNA K
1:00PM CT — 5:00PM CT
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Reprehenderit modi adipisci, maxime excepturi.
Today's Playlist:
- I Can See Clearly Now by Margie Moon
- When Pigs Fly by Me
- Never Say Never by Super Scooper
Schedule
| Central Time | Monday | Tuesday | Wednesday | Thursday | Friday |
|---|---|---|---|---|---|
| 9:00 AM | |||||
| 10:00 AM |
DesignlineDesign Thinking and ... |
||||
| 11:00 AM | |||||
| 12:00 AM | |||||
| 1:00 PM | |||||
| 2:00 PM | |||||
| 3:00 PM |
Public ServicesMiroslav Azis |
Broadcast ZeroBobby Smith, Lauren Hartman... |
|||
| 4:00 PM | |||||
| 5:00 PM | |||||
| 6:00 PM | |||||
| 7:00 PM |


|
NUC472_NUC442_BSP V3.03.004
The Board Support Package for NUC472/NUC442
|
Macros | |
| #define | SPI_SET_SLAVE_TIMEOUT_PERIOD(spi, u32TimeoutPeriod) |
| Set time out period for slave. More... | |
| #define | SPI_ENABLE_TIMEOUT_FIFO_CLEAR(spi) |
| Enable time out clear function for FIFO mode. More... | |
| #define | SPI_DISABLE_TIMEOUT_FIFO_CLEAR(spi) |
| Disable time out clear function for FIFO mode. More... | |
| #define | SPI_SET_TX_UNDERRUN_DATA_LOW(spi) |
| Set data out signal to low (0) if transmit under-run occurs. More... | |
| #define | SPI_SET_TX_UNDERRUN_DATA_HIGH(spi) |
| Set data out signal to high (1) if transmit under-run occurs. More... | |
| #define | SPI_GET_STATUS(spi) |
| Get the status flags. More... | |
| #define | SPI_CLR_UNIT_TRANS_INT_FLAG(spi) |
| Clear the unit transfer interrupt flag. More... | |
| #define | SPI_DISABLE_3WIRE_MODE(spi) |
| Disable slave 3-wire mode. More... | |
| #define | SPI_ENABLE_3WIRE_MODE(spi) |
| Enable slave 3-wire mode. More... | |
| #define | SPI_GET_RX_FIFO_COUNT(spi) |
| Get the count of available data in RX FIFO. More... | |
| #define | SPI_GET_RX_FIFO_EMPTY_FLAG(spi) |
| Get the Rx FIFO empty flag. More... | |
| #define | SPI_GET_TX_FIFO_EMPTY_FLAG(spi) |
| Get the Tx FIFO empty flag. More... | |
| #define | SPI_GET_TX_FIFO_FULL_FLAG(spi) |
| Get the Tx FIFO full flag. More... | |
| #define | SPI_READ_RX(spi) |
| Get the datum read from R0 FIFO. More... | |
| #define | SPI_WRITE_TX(spi, u32TxData) |
| Write datum to TX register. More... | |
| #define | SPI_SET_SS0_HIGH(spi) |
| Set SPIn_SS0 pin to high state. More... | |
| #define | SPI_SET_SS0_LOW(spi) |
| Set SPIn_SS0 pin to low state. More... | |
| #define | SPI_SET_SS1_HIGH(spi) |
| Set SPIn_SS1 pin to high state. More... | |
| #define | SPI_SET_SS1_LOW(spi) |
| Set SPIn_SS1 pin to low state. More... | |
| #define | SPI_ENABLE_BYTE_REORDER(spi) |
| Enable byte reorder function. More... | |
| #define | SPI_DISABLE_BYTE_REORDER(spi) |
| Disable byte reorder function. More... | |
| #define | SPI_SET_SUSPEND_CYCLE(spi, u32SuspCycle) |
| Set the length of suspend interval. More... | |
| #define | SPI_SET_LSB_FIRST(spi) |
| Set the SPI transfer sequence with LSB first. More... | |
| #define | SPI_SET_MSB_FIRST(spi) |
| Set the SPI transfer sequence with MSB first. More... | |
| #define | SPI_IS_BUSY(spi) |
| Get the SPI busy state. More... | |
| #define | SPI_TRIGGER(spi) |
| Set the SPIEN bit to trigger SPI transfer. More... | |
| #define | SPI_ENABLE(spi) |
| Set the SPIEN bit to trigger SPI transfer. More... | |
| #define | SPI_DISABLE(spi) |
| Disable SPI function. More... | |
| #define | SPI_DISABLE_DUAL_MODE(spi) |
| Disable SPI Dual IO function. More... | |
| #define | SPI_ENABLE_DUAL_INPUT_MODE(spi) |
| Enable Dual IO function and set SPI Dual IO direction to input. More... | |
| #define | SPI_ENABLE_DUAL_OUTPUT_MODE(spi) |
| Enable Dual IO function and set SPI Dual IO direction to output. More... | |
| #define | SPI_DISABLE_QUAD_MODE(spi) |
| Disable SPI Dual IO function. More... | |
| #define | SPI_ENABLE_QUAD_INPUT_MODE(spi) |
| Set SPI Quad IO direction to input. More... | |
| #define | SPI_ENABLE_QUAD_OUTPUT_MODE(spi) |
| Set SPI Quad IO direction to output. More... | |
| #define | SPI_TRIGGER_RX_PDMA(spi) |
| Trigger RX PDMA transfer. More... | |
| #define | SPI_TRIGGER_TX_PDMA(spi) |
| Trigger TX PDMA transfer. More... | |
| #define | SPI_TRIGGER_TXRX_PDMA(spi) |
| Trigger TX/RX PDMA transfer at the same time. More... | |
| #define | SPI_DISABLE_RX_PDMA(spi) |
| Disable RX PDMA transfer. More... | |
| #define | SPI_DISABLE_TX_PDMA(spi) |
| Trigger TX PDMA transfer. More... | |
| #define | SPI_ENABLE_2BIT_MODE(spi) |
| Enable 2-bit transfer mode. More... | |
| #define | SPI_DISABLE_2BIT_MODE(spi) |
| Disable 2-bit transfer mode. More... | |
Functions | |
| static __INLINE void | SPI_SET_DATA_WIDTH (SPI_T *spi, uint32_t u32Width) |
| Set the data width of a SPI transaction. More... | |
| uint32_t | SPI_Open (SPI_T *spi, uint32_t u32MasterSlave, uint32_t u32SPIMode, uint32_t u32DataWidth, uint32_t u32BusClock) |
| This function make SPI module be ready to transfer. By default, the SPI transfer sequence is MSB first and the automatic slave select function is disabled. In Slave mode, the u32BusClock must be NULL and the SPI clock divider setting will be 0. More... | |
| void | SPI_Close (SPI_T *spi) |
| Reset SPI module and disable SPI peripheral clock. More... | |
| void | SPI_ClearRxFIFO (SPI_T *spi) |
| Clear Rx FIFO buffer. More... | |
| void | SPI_ClearTxFIFO (SPI_T *spi) |
| Clear Tx FIFO buffer. More... | |
| void | SPI_DisableAutoSS (SPI_T *spi) |
| Disable the automatic slave select function. More... | |
| void | SPI_EnableAutoSS (SPI_T *spi, uint32_t u32SSPinMask, uint32_t u32ActiveLevel) |
| Enable the automatic slave select function. Only available in Master mode. More... | |
| uint32_t | SPI_SetBusClock (SPI_T *spi, uint32_t u32BusClock) |
| Set the SPI bus clock. Only available in Master mode. More... | |
| void | SPI_SetFIFOThreshold (SPI_T *spi, uint32_t u32TxThreshold, uint32_t u32RxThreshold) |
| Set Tx FIFO threshold and Rx FIFO threshold configurations. More... | |
| uint32_t | SPI_GetBusClock (SPI_T *spi) |
| Get the actual frequency of SPI bus clock. Only available in Master mode. More... | |
| void | SPI_EnableInt (SPI_T *spi, uint32_t u32Mask) |
| Enable FIFO related interrupts specified by u32Mask parameter. More... | |
| void | SPI_DisableInt (SPI_T *spi, uint32_t u32Mask) |
| Disable FIFO related interrupts specified by u32Mask parameter. More... | |
| #define SPI_CLR_UNIT_TRANS_INT_FLAG | ( | spi | ) |
| #define SPI_DISABLE | ( | spi | ) |
| #define SPI_DISABLE_2BIT_MODE | ( | spi | ) |
Disable 2-bit transfer mode.
| [in] | spi | is the base address of SPI module. |
| #define SPI_DISABLE_3WIRE_MODE | ( | spi | ) |
Disable slave 3-wire mode.
| [in] | spi | is the base address of SPI module. |
| #define SPI_DISABLE_BYTE_REORDER | ( | spi | ) |
Disable byte reorder function.
| [in] | spi | is the base address of SPI module. |
| #define SPI_DISABLE_DUAL_MODE | ( | spi | ) |
| #define SPI_DISABLE_QUAD_MODE | ( | spi | ) |
| #define SPI_DISABLE_RX_PDMA | ( | spi | ) |
| #define SPI_DISABLE_TIMEOUT_FIFO_CLEAR | ( | spi | ) |
| #define SPI_DISABLE_TX_PDMA | ( | spi | ) |
| #define SPI_ENABLE | ( | spi | ) |
| #define SPI_ENABLE_2BIT_MODE | ( | spi | ) |
Enable 2-bit transfer mode.
| [in] | spi | is the base address of SPI module. |
| #define SPI_ENABLE_3WIRE_MODE | ( | spi | ) |
Enable slave 3-wire mode.
| [in] | spi | is the base address of SPI module. |
| #define SPI_ENABLE_BYTE_REORDER | ( | spi | ) |
Enable byte reorder function.
| [in] | spi | is the base address of SPI module. |
| #define SPI_ENABLE_DUAL_INPUT_MODE | ( | spi | ) |
| #define SPI_ENABLE_DUAL_OUTPUT_MODE | ( | spi | ) |
| #define SPI_ENABLE_QUAD_INPUT_MODE | ( | spi | ) |
| #define SPI_ENABLE_QUAD_OUTPUT_MODE | ( | spi | ) |
| #define SPI_ENABLE_TIMEOUT_FIFO_CLEAR | ( | spi | ) |
| #define SPI_GET_RX_FIFO_COUNT | ( | spi | ) |
| #define SPI_GET_RX_FIFO_EMPTY_FLAG | ( | spi | ) |
| #define SPI_GET_STATUS | ( | spi | ) |
| #define SPI_GET_TX_FIFO_EMPTY_FLAG | ( | spi | ) |
| #define SPI_GET_TX_FIFO_FULL_FLAG | ( | spi | ) |
| #define SPI_IS_BUSY | ( | spi | ) |
| #define SPI_READ_RX | ( | spi | ) |
| #define SPI_SET_LSB_FIRST | ( | spi | ) |
Set the SPI transfer sequence with LSB first.
| [in] | spi | is the base address of SPI module. |
| #define SPI_SET_MSB_FIRST | ( | spi | ) |
Set the SPI transfer sequence with MSB first.
| [in] | spi | is the base address of SPI module. |
| #define SPI_SET_SLAVE_TIMEOUT_PERIOD | ( | spi, | |
| u32TimeoutPeriod | |||
| ) |
Set time out period for slave.
| [in] | spi | is the base address of SPI module. |
| [in] | u32TimeoutPeriod | is the period of time out. |
| #define SPI_SET_SS0_HIGH | ( | spi | ) |
| #define SPI_SET_SS0_LOW | ( | spi | ) |
| #define SPI_SET_SS1_HIGH | ( | spi | ) |
| #define SPI_SET_SS1_LOW | ( | spi | ) |
| #define SPI_SET_SUSPEND_CYCLE | ( | spi, | |
| u32SuspCycle | |||
| ) |
Set the length of suspend interval.
| [in] | spi | is the base address of SPI module. |
| [in] | u32SuspCycle | decides the length of suspend interval. |
| #define SPI_SET_TX_UNDERRUN_DATA_HIGH | ( | spi | ) |
| #define SPI_SET_TX_UNDERRUN_DATA_LOW | ( | spi | ) |
| #define SPI_TRIGGER | ( | spi | ) |
| #define SPI_TRIGGER_RX_PDMA | ( | spi | ) |
| #define SPI_TRIGGER_TX_PDMA | ( | spi | ) |
| #define SPI_TRIGGER_TXRX_PDMA | ( | spi | ) |
| #define SPI_WRITE_TX | ( | spi, | |
| u32TxData | |||
| ) |
| void SPI_ClearRxFIFO | ( | SPI_T * | spi | ) |
| void SPI_ClearTxFIFO | ( | SPI_T * | spi | ) |
| void SPI_Close | ( | SPI_T * | spi | ) |
| void SPI_DisableAutoSS | ( | SPI_T * | spi | ) |
| void SPI_DisableInt | ( | SPI_T * | spi, |
| uint32_t | u32Mask | ||
| ) |
Disable FIFO related interrupts specified by u32Mask parameter.
| [in] | spi | is the base address of SPI module. |
| [in] | u32Mask | is the combination of all related interrupt enable bits. Each bit corresponds to a interrupt bit. This parameter decides which interrupts will be enabled. Valid values are: |
| void SPI_EnableAutoSS | ( | SPI_T * | spi, |
| uint32_t | u32SSPinMask, | ||
| uint32_t | u32ActiveLevel | ||
| ) |
Enable the automatic slave select function. Only available in Master mode.
| [in] | spi | is the base address of SPI module. |
| [in] | u32SSPinMask | specifies slave select pins. Valid values are: |
| [in] | u32ActiveLevel | specifies the active level of slave select signal. Valid values are: |
| void SPI_EnableInt | ( | SPI_T * | spi, |
| uint32_t | u32Mask | ||
| ) |
Enable FIFO related interrupts specified by u32Mask parameter.
| [in] | spi | is the base address of SPI module. |
| [in] | u32Mask | is the combination of all related interrupt enable bits. Each bit corresponds to a interrupt bit. This parameter decides which interrupts will be enabled. Valid values are: |
| uint32_t SPI_GetBusClock | ( | SPI_T * | spi | ) |
| uint32_t SPI_Open | ( | SPI_T * | spi, |
| uint32_t | u32MasterSlave, | ||
| uint32_t | u32SPIMode, | ||
| uint32_t | u32DataWidth, | ||
| uint32_t | u32BusClock | ||
| ) |
This function make SPI module be ready to transfer. By default, the SPI transfer sequence is MSB first and the automatic slave select function is disabled. In Slave mode, the u32BusClock must be NULL and the SPI clock divider setting will be 0.
| [in] | spi | is the base address of SPI module. |
| [in] | u32MasterSlave | decides the SPI module is operating in master mode or in slave mode. Valid values are: |
| [in] | u32SPIMode | decides the transfer timing. Valid values are: |
| [in] | u32DataWidth | decides the data width of a SPI transaction. |
| [in] | u32BusClock | is the expected frequency of SPI bus clock in Hz. |
Definition at line 46 of file spi.c.
|
static |
Set the data width of a SPI transaction.
| [in] | spi | is the base address of SPI module. |
| [in] | u32Width | data width |
| uint32_t SPI_SetBusClock | ( | SPI_T * | spi, |
| uint32_t | u32BusClock | ||
| ) |
Set the SPI bus clock. Only available in Master mode.
| [in] | spi | is the base address of SPI module. |
| [in] | u32BusClock | is the expected frequency of SPI bus clock. |
Definition at line 138 of file spi.c.
| void SPI_SetFIFOThreshold | ( | SPI_T * | spi, |
| uint32_t | u32TxThreshold, | ||
| uint32_t | u32RxThreshold | ||
| ) |


Learning plan
28/11/19
What is your long term goal and or career pathway?
- My long term goal would be to be a software engineer in either web development or mobile development.
What skills (non-technical - human skills) would you like to see developed in yourself while at EDA?
- I would like to develop more of my communication skills like presenting my ideas to a group of people.
How will I mange my workload in this programme?
- Definitely by actually putting in effort in time management since it's one of my weaknesses that I would like to turn into a strength. I also will try to do work
in a library setting rather than at home because there's way too many distractions here.
How will I seek help in a timely way?
- By first asking in EDA then online forums and then googling my answer.
What is your expectation from the facilitation team?
- I expect them to really try to be responsive in Slack.


--- layout: post title: 2/4 date: '2015-02-05T20:53:00.001-07:00' author: Jacob . tags: - progress-reports modified_time: '2015-02-05T20:53:33.167-07:00' thumb: https://lh3.googleusercontent.com/-c3B5VN7IA6o/VNQ6u_6LjgI/AAAAAAAAFRw/rUzGVKg92Ks/s72-c/blogger-image--2074125458.jpg blogger_id: tag:blogger.com,1999:blog-6400085873105072120.post-7117461027514501639 blogger_orig_url: http://www.svlark.com/2015/02/24.html --- I hoisted the dink by the main halyard to check on the bottom and just generally to see how it would work out. It worked and the bottom shows no signs of growth after 3 weeks in the water.


What is a modified version of kik?
A modified kik is an edited version of the app kik.
These mods were created by DEVELOPERS that have discovered they could edit kik and add in "mods"
by decompiling it, editing it, and recompiling it.(For android devices only)
What is Kik?
Kik is a messaging app used by many people around the world, mostly teens (and old perves :p).
What are these mods?
Kik mods have unique features
that differ from regular kik such as
No Save (makes any other user unable to save pictures the mod user(s) send),
any other user unable to save pictures the mod user(s) send)
Disable typing (Makes the mod user unable to be seen typing in a chat)
And many more options that are available to
choose/activate to your liking, like themes, and chat background pictures. For all features available go HERE
All Links
Leave feedback


Review2Review Session for Second Midterm
General Notes
Hints
- On each version of the exam, there will be at least one problem
taken more or less verbatim from a homework assignment.
- Both versions will include one or more decorated programs.
- On the advanced version, there will be an informal proof.
- This set of review questions is biased toward ones that can be
discussed in class / using clickers, so it doesn't fully
represent the range of questions that might show up on the exam.
Make sure to have a look at some prior exams to get a sense of
some other sorts of questions you might see.
IMP Program Equivalence
Hoare triples
Decorated programs


Government response
Lord Hill responds to the 'Yorkshire Post' on free schools
This was published under the 2010 to 2015 Conservative and Liberal Democrat coalition government
The Schools Minister writes to the 'Yorkshire Post' in response to Fiona Millar's article on free schools.
Sir
I am sorry that Fiona Millar constantly seeks to diminish the efforts of dedicated parents, teachers and charities who simply want to improve education for children in their area (Fiona Millar ‘Why free schools will cost our children and society dear’, Yorkshire Post 11 February 2011). Contrary to what she claims, free schools will not allow ‘covert selection’, cause a threat to community cohesion or receive preferential funding. They will follow the same legal admissions procedures as other schools, and will be monitored by Ofsted and the government.
They will simply be state-funded schools established where there is local demand from parents for a good and new type of school for their children.
The truth is that top-down solutions of the sort favoured by Fiona Millar have not worked, despite the best efforts of teachers and heads. By freeing up the system we are giving local groups of parents and teachers the opportunity to increase choice and raise standards. The fact that we have had such a strong response - over 250 proposals already shows that there is a great deal of enthusiasm for the idea of free schools. I am glad to be on the side of parents, charities and committed teachers who are trying to make things better and am sorry that the forces of conservatism represented by Fiona Millar want to snuff that diversity out.
Lord Hill
Schools Minister


About Me
My name is Juliette Amador and welcome to my page! I was born on May 6, 1994 in Miami, Florida. I am the third daughter of Juan and Ivette Amador, in total we are four girls. My parents CLEARLY wanted a boy. I attended Miami Palmetto Senior High School, where I participated in Webdesign, cheerleading and track & field. I graduated from Florida State University in Spring 2016, with a degree in hospitality and marketing. My hobbies include yoga, group exercise classes and hanging with friends and family. I love exercises because it is a great stress reliever.
Growing up, my mother was a computer analyst. Thus, I've always been into computers and technology. I decided to enroll in University of Miami's Coding Bootcamp because I am interested in changing my career path. Ideally, I would like to stick to business but focus on coding within businesses. I am hoping this course will help make my dreams a reality!
Overall, I enjoy coding, business, technology and exercise. I feel by completing this course, I will be able to land my dream job. The internet is constantly changing, so this field is always growing.


Sleek Ui Design
Using Cureator App you can enjoy seemless designs to your store and create monetary value..
Sleek Ui Design
Using Cureator App you can enjoy seemless designs to your store and create monetary value..
Sleek Ui Design
Using Cureator App you can enjoy seemless designs to your store and create monetary value..
Easily search for Trending E-commerce products
dkjwfbuhebfunbejbfjhebfehbjuhewbjhe efkjwbefhuebbhbufhebubhijfiehbfijeb erfijerfbhbueufbrbfuhrbfr3
Feature Integration
3rf3rfr3frfrgtgtygrgrergrg4gk4jgubhbg rgojirtibij4gjibdkwniqj fibu3f 3bhur34 3rglkji3ghji3rg irjh3bgub3ui gr3n gu34g 34gk4ji3hubg4ij3 4gojki34hgbu4vg3h
Updates on New Market Products
dkjwfbuhebfunbejbfjhebfehbjuhewbjhe efkjwbefhuebbhbufhebubhijfiehbfijeb erfijerfbhbueufbrbfuhrbfr3 3rf3rfr3frfrgtgtygrgrergrg4gk4jgubhbg
Feature Integration
3rf3rfr3frfrgtgtygrgrergrg4gk4jgubhbg rgojirtibij4gjibdkwniqj fibu3f 3bhur34 3rglkji3ghji3rg irjh3bgub3ui gr3n gu34g 34gk4ji3hubg4ij3 4gojki34hgbu4vg3h


---
---
Teaching in Secondary Schools
meta(name="viewport" content="width=device-width, initial-scale=1")
{% include all-js.html %}
{% include masthead.html %}
EDCI 5724
Mathematics Teaching in Secondary Schools
Fall, 2011 – Spring, 2012
References
Barta, James, Sánchez, L., & Barta, Jacob (2009). Math in the milpa. Teaching Children Mathematics, 16 (2), 90–97.
Gardner, G. H. (1959). The arab middle east: Some background interpretations. Journal of Social Issues, 15 (3), 20–27.
Gay, G., & Kirkland, K. (2003). Developing cultural critical consciousness and self-reflection in preservice teacher eucation. Theory Into Practice, 42 (3), 181–187.
Kim, K. H. (2009). Cultural influence on creativity: The relation between Asian culture and creativity among Korean educators. Journal of Creative Behavior, 43 (2), 73–93.
Mankus, M. (1998). What's my number? Retrieved from http://mason.gmu.edu/~mmankus/PBlocks/pbact/whatnum.htm .
Nss, H. E. (2010). The ambiguities of intercultural dialgoue: Critical perspectives on the European union's new agenda for culture. Culture of Intercultural Communication, 23 .
Ogbu, J. U. (1982). Cultural discontinuities and schooling. Anthropology and Education Quarterly, 13 (4), 290–307.
Ormrod, J. (2009). Essentials of educational psychology (2nd ed.). Upper Saddle River, NJ: Pearson Education, Inc.
Skiba, A. E. (2001, November). The impact of culture on Japanese mathematics education. Retrieved from http://www.nctm.org/resources/content.aspx?id=1556 .
Wren, D. J. (1999). School culture: Exploring the hidden curriculum. Adolescence, 34 (135), 593.


| Secure Scuttlebutt Working Group | M. McKegg |
| SSB-Draft | New Zealand |
| Intended status: Informational | July 04, 2019 |
| Expires: January 5, 2020 |
SAME-AS - Creating the Illusion of Multi-Feed Identities
draft-ssb-app-same-as-00
This is an unredacted copy of https://github.com/ssbc/ssb-same-as, taken July 4, 2019. The last commit of said repo is from Dec 13, 2017.
SAME-AS is a scuttlebot plugin that provides a stream of which feeds are (and are not) the same as other feeds.
SSB-Drafts are working documents of the Secure Scuttlebutt community. Note that other groups may also distribute working documents as SSB-Drafts.
SSB-Drafts are draft documents valid for a maximum of six months and may be updated, replaced, or obsoleted by other documents at any time. It is inappropriate to use SSB-Drafts as reference material or to cite them other than as "work in progress."
This SSB-Draft will expire on January 5, 2020.
Copyright (c) 2019 SSB Council and the persons identified as the document authors. All rights reserved.
A scuttlebot plugin that provides a stream of which feeds are (and are not) the same as other feeds.
The basis for creating the illusion of multi-feed identities in SSB!
Based on ssb-friends and graphreduce
{ type: 'contact', contact: TARGET_FEED_ID, following: true, // for backwards compat reasons sameAs: true }
{ type: 'contact', contact: TARGET_FEED_ID, following: true, // for backwards compat reasons sameAs: false }
{ type: 'contact', contact: TARGET_FEED_ID, following: true, // for backwards compat reasons sameAs: { SOURCE_FEED_ID: true // or `false` to remove an agreement } }
This module uses graphreduce to walk the sameAs links, so this means that any topology of links will be resolved.
Gets a list of all of the resolved and verified sameAs links between feeds.
{from: 'a', to: 'b', value: true} {from: 'a', to: 'c', value: true} {from: 'a', to: 'd', value: true} {from: 'b', to: 'a', value: true} {from: 'b', to: 'c', value: true} {from: 'b', to: 'd', value: true} ...
Gets a list of all of the verified sameAs links for a given feed.
{ 'b': true, 'c': true, 'd': true }
MIT


If you have ever dreamed of California Living... This is It!!! This is the ultimate beach house with an exceptional oceanfront lifestyle. Located on the sand in coveted Newport Beach, with oceanfront views of crashing waves, Catalina Island, and the Newport Beach Pier. This luxurious home is a place of magic in one of the best spots in Southern California.
This 2300 square foot home sleeps 10 people, with 4 bedrooms and 4 bathrooms including 2 incredible master bedrooms with the relaxing sound of the ocean 24 hours a day.
This beautiful home is equipped with a fully stocked kitchen, central heating, air conditioning, wi-fi, and washer/dryer. This property has recently been tastefully redecorated throughout including high quality linens and bedding.


{% load static %}
Your username and password didn't match, please try again.
(c) Linuxjobber Inc 2018.


The controller object is the main interface to the entire package. Use this to make new boards, get boards, add new members, show all boards, and to show all members.
Start by importing the python package:
>>> import trellopy
Get an instance of the controller like so:
>>> controller = trellopy.Controller()
Initializes a Controller class. It consists of a single _operator instance:
self._operator = Operator()
Get the board that has the name board_name.
| Parameters: | board_name – The name of the board you want to get. |
|---|---|
| Returns: | A Board class, with Board.board populated with board data. |
Get existing member with name member_name
| Parameters: | member_name – The name of the member. |
|---|---|
| Returns: | A Member class, with Members.person populated with name. |
Create a new board with name board_name.
| Parameters: | board_name – The name you want the board to have. |
|---|---|
| Returns: | A Board class, with name attribute board_name. |
Add a new member with name member_name
| Parameters: | member_name – The name of the member. |
|---|---|
| Returns: | A Member class, with Members.person populated with name. |
Once we have an instance of Controller as described above, operations of boards can be done. When a new board is initialized, a simple dict is saved to the database. The names of the boards must be unique.
>>> import trellopy
>>> controller = trellopy.Controller()
>>> board_1 = controller.new_board('Board')
>>> board_2 = controller.get_board('Bored')
Initializes an Operator instance. The entire board is represented as a dict with the following attributes and defaults:
self.board = {}
self.board['name'] : Name of the board
self.board['lists'] : initialized as "None"
self.board['archived'] : initialized as "False"
self.board['labels'] : initialized as "None"
| Parameters: |
|
|---|
Add a label to the board
| Parameters: | label_name (str.) – The name of label |
|---|
Add a list to the board. This method updates the board.
| Parameters: | list_name (str.) – Name of the list |
|---|---|
| Returns: | List as an instance of BoardList |
Sets the archived flag to True. This method updates the board.
| Parameters: | None – Call it like it is. |
|---|
Get a list from the board
| Parameters: | list_name (str.) – Name of the list |
|---|---|
| Returns: | List as an instance of BoardList |
Check if baord is already in the database
| Parameters: | name (str.) – Name of the board |
|---|---|
| Returns: | True if board exists, False if it does not. |
Renames the board. This method updates the board.
| Parameters: | new_name (str.) – The new name of board. |
|---|
Rename the label on the board
| Parameters: |
|
|---|
A List class is represented as follows in the database.
>>> import trellopy
>>> controller = trellopy.Controller()
>>> board_1 = controller.new_board('Board')
>>> list_1 = board_1.get_list('List')
Represents each list in a board. Cards tied to this list is implemented as a list of dicts. The list object itself is represented as a dict too.
self.lizt = {}
self.lizt['board'] : Board the list belongs to
self.lizt['name'] : Name of the list
self.lizt['cards'] : List of cards associated. Default is None
self.lizt['archived'] : The archive flag. Default is False.
| Parameters: | from_dict (dict.) – If the list is to be pre-populated from a dict. |
|---|
Add a card to the list. If the card is of type string, a new card is created. If it is an instance of BoardListCard then a copy of it appended to the current list of cards.
>>> list_one = board_one.get_list('Simplist')
>>> list_two = board_two.get_list('Unlisted')
>>> card_one = list_one.get_card('Simple Card')
>>> list_two.add_card(card_one)
>>> list_two.add_card('Another Card')
| Parameters: | card (str. or BoardListCard) – A card instance or name of card |
|---|
Get a card from the list
| Parameters: | card_name (str.) – The name of card |
|---|---|
| Returns: | Instance of BoardListCard |
Get order of cards in list
>>> sample_list.get_order()
0 Card A
1 Another Card
2 Cardigan
3 Red Card
| Parameters: | None – Call it like it is. |
|---|---|
| Returns: | An output of lists |
This is implemented as a simple dict. The property “name” must exist, as all cards must have a name.
>>> import trellopy
>>> controller = trellopy.Controller()
>>> board_1 = controller.new_board('Board')
>>> list_1 = board_1.get_list('List')
>>> card_1 = list_1.get_card('Card')
Initializes the card as a dict.
self.card = {}
self.card['name'] : Name of card
self.card['archived'] : Archive flag.
Default is False
self.card['labeled'] : Label attached to card.
Default is None
self.card['assigned'] : List of members the card is assigned to.
Default is None.
| Parameters: |
|
|---|


Mixes
8tracks controller
No 8tracks mixes open in tabs.
Open 8tracks
{{mix.title}}
{{mix.song}}
by {{mix.artist}}
{{mix.state}}
Next track


Reports: Real Madrid star close to signing new contract, will extend his stay till 2023
Real Madrid star Karim Benzema is set to pen a new deal with the club, if reports from Spain are to be believed. Benzema is currently contracted until 2021 but the club want to tie him on a longer deal and efforts are being made to complete the Frenchman’s contract extension as soon as possible.
Manager Zinedine Zidane is a big fan of his compatriot, who has led the club with example after Cristiano Ronaldo left for Juventus last year. Benzema has been in fine form this season as well and has already scored 11 goals in 15 appearances for Los Blancos so far. As a direct consequence of his goalscoring exploits, the club want to tie him down a longer deal.
According to reports in Marca, Madrid are working on a deal to extend his stay till 2023. The 31-year-old’s current contract with the club runs down in 2021 and contract talks have already started between the two parties involved.
The report adds that Benzema is yet to take a final decision on the matter, however. He only wants to stay at the club as long as he can contribute signficantly and with him turning 32 in December, chances are bleak that he will be leading Madrid’s line all the way until 2023.


| Country | Under 15 | Between 15 and 65 | Above 65 |
| Belgium | 1.9 | 7.3 | 2.0 |
| Czech Republic | 1.6 | 7.2 | 1.8 |
| France | 12.3 | 42.0 | 11.6 |
| Germany | 10.6 | 53.5 | 16.7 |
| Greece | 1.6 | 7.2 | 2.2 |
| Italy | 8.5 | 39.4 | 12.9 |
| Netherlands | 2.9 | 11.1 | 2.8 |
| Poland | 5.8 | 27.3 | 5.5 |
| Portugal | 1.5 | 6.8 | 2.0 |
| Romania | 3.1 | 13.5 | 3.2 |
| Spain | 7.1 | 31.2 | 8.2 |
| United Kingdom | 11.3 | 41.9 | 11.1 |


DB2 Spatial
Driver short name
DB2
Build dependencies
ODBC library
Deprecated
This driver is considered for removal in GDAL 3.5. You are invited to convert any dataset in that format to another more common one. If you need this driver in future GDAL versions, create a ticket at https://github.com/OSGeo/gdal (look first for an existing one first) to explain how critical it is for you (but the GDAL project may still remove it). To enable use of the deprecated driver the GDAL_ENABLE_DEPRECATED_DRIVER_DB2 configuration option / environment variable must be set to YES.
This driver implements support for access to spatial tables in the IBM DB2 for Linux, Unix and Windows (DB2 LUW) and the IBM DB2 for z/OS relational databases using the default ODBC support incorporated into GDAL.
The documentation for the DB2 spatial features can be found online for DB2 for z/OS and DB2 LUW
This driver is currently supported only in the Windows environment.
Driver capabilities
Supports Create()
This driver supports the GDALDriver::Create()
operation
Supports Georeferencing
This driver supports georeferencing
Connecting to a database
DB2ODBC:database=dbname;DSN=datasourcename
or
DB2ODBC:database=dbname;DRIVER={IBM DB2 ODBC DRIVER};Hostname=hostipaddr;PROTOCOL=TCPIP;port=db2port;UID=myuserid;PWD=mypw
The following custom parameters can also be used in the following syntax:
Tables=schema1.table1(geometry column1),schema2.table2(geometry column2): By using this parameter you can specify the subset of the layers to be used by the driver. If this parameter is not set, the layers are retrieved from the DB2GSE.ST_GEOMETRY_COLUMNS metadata view. You can omit specifying the schema and the geometry column portions of the syntax.
The parameter names are not case sensitive in the connection strings.
Specifying the Database parameter is required by the driver in order to select the proper database.
Layers
By default the DB2 driver will only look for layers that are registered in the DB2GSE.ST_GEOMETRY_COLUMNS metadata table.
SQL statements
The DB2 driver passes SQL statements directly to DB2 by default, rather than evaluating them internally when using the ExecuteSQL() call on the OGRDataSource, or the -sql command option to ogr2ogr. Attribute query expressions are also passed directly through to DB2. It’s also possible to request the OGR DB2 driver to handle SQL commands with the OGR SQL engine, by passing “OGRSQL” string to the ExecuteSQL() method, as the name of the SQL dialect.
The DB2 driver in OGR supports the OGRLayer::StartTransaction(), OGRLayer::CommitTransaction() and OGRLayer::RollbackTransaction() calls in the normal SQL sense.
Creation Issues
This driver doesn’t support creating new databases. Use the DB2 command line or tools like IBM Data Studio to create the database. It does allow creation of new layers within an existing database.
Layer Creation Options
OVERWRITE: This may be “YES” to force an existing layer of the desired name to be destroyed before creating the requested layer.
LAUNDER: This may be “YES” to force new fields created on this layer to have their field names “laundered” into a form more compatible with DB2. This converts to lower case and converts some special characters like “-” and “#” to “_”. If “NO” exact names are preserved. The default value is “YES”. If enabled the table (layer) name will also be laundered.
PRECISION: This may be “YES” to force new fields created on this layer to try and represent the width and precision information, if available using numeric(width,precision) or char(width) types. If “NO” then the types float, int and varchar will be used instead. The default is “YES”.
DIM={2,3}: Control the dimension of the layer. Defaults to 2.
GEOM_NAME: Set the name of geometry column in the new table. If omitted it defaults to ogr_geometry.
SCHEMA: Set name of schema for new table. The default schema is that of the userid used to connect to the database
SRID: Set the spatial reference id of the new table explicitly. The corresponding entry should already be added to the spatial_ref_sys metadata table. If this parameter is not set the SRID is derived from the authority code of source layer SRS.
Spatial Index Creation
By default the DB2 driver doesn’t add spatial indexes to the tables during the layer creation. Spatial indexes should be created using the DB2 CREATE INDEX command.
Examples
Creating a layer from an OGR data source
ogr2ogr -overwrite DB2ODBC:database=sample;DSN=sampDSN zipcodes.shp
Connecting to a layer and dump the contents
ogrinfo -al DB2ODBC:database=sample;DSN=sampDSN;tables=zipcodes


Free Charity
About us
Create project
Account
account_circle
About us
Create project
Account
account_circle
menu
Create Project
title
Project Name
Browse
upload_file
email
Email
mode_edit
Address
description
Description
account_balance_wallet
Wallet
Submit KYC
lock
Submit Project


An in-depth performance analysis is available
on my Github Repo.
Many of the features in this project are based on my CPU Path Tracer.
However, I was able to explore subsurface scattering for this project (purple cube in the above render).


Fornac Examples
This is an RNA container
Numbering
Node Outline
Node Label
Links
Pseudoknot Links
Protein Links
Direction Arrows
This is an RNA container using the NAView layout
This is an output of an RNA folded using RNAcofold
This is a container with multiple RNA molecules
This is a custom-colored RNA
Custom Color Text:
1:red 2:blue 9:#ff7f0e 10:#ff7f0e 11:#ff7f0e 12:#aec7e8
Apply


Extends a 3-digit color code to a 6-digit color code.
Array.prototype.map()
, String.prototype.split()
and Array.prototype.join()
to join the mapped array for converting a 3-digit RGB notated hexadecimal color-code to the 6-digit form.Array.prototype.slice()
is used to remove #
from string start since it’s added once.


We need to look for #
followed by 6 hexadecimal characters.
A hexadecimal character can be described as pattern:[0-9a-fA-F]
. Or if we use the pattern:i
flag, then just pattern:[0-9a-f]
.
Then we can look for 6 of them using the quantifier pattern:{6}
.
As a result, we have the regexp: pattern:/#[a-f0-9]{6}/gi
.
```js run let regexp = /#[a-f0-9]{6}/gi;
let str = “color:#121212; background-color:#AA00ef bad-colors:f#fddee #fd2”
alert( str.match(regexp) ); // #121212,#AA00ef ```
The problem is that it finds the color in longer sequences:
js run alert( "#12345678".match( /#[a-f0-9]{6}/gi ) ) // #123456
To fix that, we can add pattern:\b
to the end:
```js run // color alert( “#123456”.match( /#[a-f0-9]{6}gi ) ); // #123456
// not a color alert( “#12345678”.match( /#[a-f0-9]{6}gi ) ); // null ```


Powder XRD patterns and the crystal structures of (A) Mg 3Bi 2 and (B) Mg 3Sb 2. The brown symbols are measured value of the PXRD data, the dark green line is the simulated pattern. The light green marks represents the peak positions and the blue line is corresponding to the residue.