Project roles are intended for folks interested in contributing to a specific
project or codebase. You may have roles on multiple projects, but they will
have to be granted separately.
If you'd like to apply for one of these roles, please see the main Community
Team page.
Project Contributor
Who should apply:
If you’ve contributed to a CC project, you should apply for this role.
What does this role give you?
How can you engage with the community?
You can use the following channels to engage with the community:
Guidelines for Project Contributors
If you’ve been accepted as a Project Contributor, you are encouraged to:
Project Collaborator
Who should apply:
If you’ve made a few significant contributions to the project (added new
features, for example) and know the project’s overall codebase pretty well, you
should apply.
What does this role give you?
- Everything a Project Contributor gets.
- Creative Commons staff will write you a letter of recommendation on request.
How can you engage with the community?
In addition to the channels afforded to a Project Contributor, you can use the
following channels to engage with the community:
Guidelines for Project Collaborators
If you’ve been accepted as a Project Collaborator, you are encouraged to:
- do everything a Project Contributor does.
- review and triage new issues.
- Ask the issue author for more details if appropriate.
- Check with the project maintainers if the issue makes sense.
- Update the labels on the issue appropriately once you have all the
information you need (e.g. remove “awaiting triage” label).
- review assigned pull requests to unblock merges.
- participate in discussions in the new meetings and channels you’ve been added
to.
- identify promising contributors to the project and invite them to join the
Community Team.
Note: The role of Project Member was deprecated in July 2020 and all
members were redesignated as collaborators.
Project Core Committer
Who should apply:
If you’ve made many significant contributions to the project, know the codebase
really well, and are interested in active maintenance of the project, you
should apply.
What does this role give you?
- Everything a Project Collaborator gets.
- You’ll be eligible to lead projects for the GSoC, GSoD, and Outreachy work
programs (and similar) for Creative Commons.
How can you engage with the community?
In addition to the channels afforded to a Project Collaborator, you can use the
following channels to engage with the community:
Guidelines for Project Core Committers
If you’ve been accepted as a Project Core Committer, you are encouraged to:
- do everything a Project Collaborator does.
- merge PRs that you are confident work well and fit the project guidelines.
- If you have any doubts, please check with project maintainers first!
- proactively ask about mentorship opportunities if that interests you.
Project Maintainer
Who should apply:
If you’re a Core Committer already and you’re interested in taking on
maintainer responsibilities, you should apply. Please note that this role comes
with a lot of responsibilities!
What does this role give you?
Everything a Project Core Committer gets.
How can you engage with the community?
In addition to the channels afforded to a Project Core Committer, you can use
the following channels to engage with the community:
Guidelines for Project Maintainers
Being a Project Maintainer comes with a larger set of responsibilities and
guidelines, documented below:
Responsibilities
As a Project Maintainer, your responsibilities are as follows:
- Review pull requests (PRs): You are expected to review incoming pull
requests regularly (we aim to review all pull requests within within three
business days).
- Decide on Community Team applications: You are expected to make the final
decision on Community Team applications for your project.
- Communicate with the applicant and the Open Source Community Coordinator
(OSCC) promptly: You are expected to reach out to applicants for Community
Team directly and let them know the status of their application.
- We want to get back to applicants within seven business days of
application, if possible. If this is not possible, you should reach out to
the applicant just letting them know that it’s taking a little longer than
usual (could be due to internal discussion taking a while, other things
taking precedent, etc.), and that we’re working on it.
- You are expected to communicate with the OSCC promptly (within three
business days) when they reach out to you about a new Community Team
application or other related matter.
- You should also notify the OSCC of your decision about the Community Team
application.
- Let contributors know about Community Team: If you notice a strong
contributor, you should notify them of the existence of Community Team,
provide them with the link to the Community Team page on the CC Open Source
site, and encourage them to apply.
Applications for Community Team roles will be sent to you individually by the
Open Source Community Coordinator (OSCC). The OSCC has ensured that the bare
requirements for the position are met. If bare requirements are not met, you
will be notified how so when you receive the application from the OSCC.
From here, you should review the application and the applicant’s contributions
based on the evaluation criteria. As a maintainer, you have a significant
amount of discretion here. If an applicant meets the requirements, but you do
not think they are ready for the role they’ve applied for, you can choose to
grant a role with fewer privileges, or not grant a role at all.
No matter the decision, you should do the following things:
- Notify the OSCC of your decision. Please include the applicant’s name, the
role they applied for, and if they applied for a project based role, the
project they applied to. From here, the OSCC will help coordinate permissions
and role management.
- Notify the applicant of your decision. If you choose to grant them the role
they applied for, then send a congratulatory message. If you choose to not
grant them the role at all, or to grant one with fewer privileges, you should
construct some brief feedback as to why their application was denied, either
in part or in full. There’s a template for this type of feedback available in
the Community Team Google Shared Drive that you have access to.
- Respond promptly to nominated “Great Contributions” and applications for
roles once they make their way to you. We would like to target seven business
days or less from time of application to time of decision, but this is
somewhat flexible.
Additional Notes
All Community Team work is done on a volunteer basis. Team members may pick up
tasks and help out here and there if they would like, but they should not be
expected to use all of their privileges all the time.
You have a big license for discretion within the Community Team. All applicants
for all roles will need to be approved by you personally, and you may choose to
deny an application based on subjective criteria even if the applicant meets
the hard requirements.
Here are some other miscellaneous things:
- Issue submission requirements are org-wide, but PR requirements are not.
Applicants should be submitting PRs for the repo they are aiming to get
privileges for.
- If two repos are closely related to each other (ex. catalog and catalog api),
or if work in repo X also regularly includes work in repo Y, project
maintainers can collaborate to grant roles to a contributor in both repos at
once.
- Project Maintainers may opt out of granting roles depending on the nature of
the repository.
As a maintainer, you have the ability to make some repository-specific
allowances. These include the following:
- Issue and PR requirements can vary by repository depending on traffic. If a
maintainer wants to mandate different numbers for their repository, they
should state these requirements in the repo’s README.
- Maintainers may expand on what is counted as a “Contribution” if there is
some type of work specific to that repository.
- Specific privileges may be granted per-repo by maintainers depending on the
type of work taking place in that repo (ex. Issue research in cccatalog).


Key Protein Targets and Related Patents in the CAS Content Collection and Potential Drug Candidates in CAS REGISTRY of Chemical Substances
| target |
no. of patents |
no. of potential drug candidates |
| 3CLpro |
49 |
2178 |
| PLpro |
4 |
189 |
| RdRp |
26 |
570 |
| S protein |
46 |
333 |
| ACE2 |
5 |
97 |
| AT2 |
2 |
38 |


{% from "macros" import img, blogimg, snippet %}
{% extends "templates/post.html" %}
{% block post %}
{% filter markdown %}
These notes are based on the content of [Introduction to the Design and
Analysis of Algorithms (3rd Edition)][0].
[0]: http://www.amazon.com/Introduction-Design-Analysis-Algorithms-Edition/dp/0132316811/
def: dynamic programming
> A technique for solving problems with overlapping subproblems.
Instead of solving overlapping subproblems again and again, store the results
in a table.
Ex: Fibonacci Sequence
----------------------
{{blogimg(g,post,"img1.jpg")|safe}}
It's easy to see how the Fibonacci sequence spirals out of control in terms of
subproblem overlap. The algorithm ends up recalculating various `F(x)`'s over
and over again, as seen in the `F(5)` example above.
With dynamic programming, instead of recalculating known `F(n)` for `n` we've
already seen, we store `F(n)` in some form of table and look up the value when
needed.
We can use an array to store the values of `F(n)` as we go. Consequently, the
n-th element of the array is equal to `F(n)`. Instead of substituting backwards
*from* `F(n)` like in most recurrences, we start from `F(0)` and make our way
up to `F(n)`.
{{blogimg(g,post,"img2.jpg")|safe}}
You could also avoid the overhead of an array by just keeping track of the last
two numbers in the sequence.
Other examples of dynamic programming
-------------------------------------
* Computing binomial coefficients
* Constructing an optimal binary search tree (based on probabilities)
* Warshall's algorithm for transitive closure
* Floyd's algorithm for all-pairs shortest paths
* Some instances of difficult discrete optimization problems
## Computing a binomial coefficient
def: binomial coefficient
> A binomial coefficient C(n,k) is the total number of combinations of k
elements from an n-elemnt set, with 0 <= k <= n. This is also known as "n
choose k"
{{blogimg(g,post,"img3.jpg")|safe}}
We can store the values of the recurrence `C(n,k)` in a table like so:
{{blogimg(g,post,"img4.jpg")|safe}}
Note that this forms Pascal's Triangle!
Here's an example where we solve `C(5,2)`
{{blogimg(g,post,"img5.jpg")|safe}}
If we were to look at Pascal's Triangle, the intersection of row `n=5` and
column `k=2` (both 0-indexed) has the value 10. You can look up any of the
other `C(n,k)` values calculated above, and you'll find they are properly
positioned on Pascal's Triangle.
{{blogimg(g,post,"pascal.png")|safe}}
### Pseudocode
The pseudocode for finding `C(n,k)`
def binomial(n,k)
for i=0 to n do
for j=0 to min(i,k) do
if j == 0 or j == i
C[i,j] = 1
else
C[i,j] = C[i-1, j-1] + C[i-1, j]
return C[n,k]
### Algorithm hand-trace
{{blogimg(g,post,"img6.jpg")|safe}}
### A Python implementation
{{snippet(post, "binomial.py")|safe}}
### Analysis
The basic operation is addition, which occurs once each time the inner loop is
executed. The algorithm essentially has two "stages". In the first stage, we
have `ik`, though,
`min(i,k)==k`, so the inner loop gets executed `k` times for each iteration of
`i` while `i<=n`. Since a single addition occurs for each execution of the
inner loop, we now have all the information we need to come up with a formula
for the number of additions performed by our `binomial(n,k)` algorithm.
Here are a few example tables produced by various calls to `binomial(n,k)`.
Pay close attention to the shape of the tables.
{{blogimg(g,post,"img7.jpg")|safe}}
Could you find the pattern of the shapes?
{{blogimg(g,post,"img8.jpg")|safe}}
Each table is split into two shapes: A triangle with height `k+1`, and a
rectangle with height `n-k` and width `k+1`. This is a direct result of the
"stages" of the algorithm described above. Now that we have a higher
understand of how our algorithm builds the table, we can now come up with a
summation for the number of additions executed by `binomial(n,k)`,
{{blogimg(g,post,"img9.jpg")|safe}}
Warshall's algorithm: transitive closure
----------------------------------------
def: adjacency matrix
> The adjacency matrix A = {aij} of a directed graph is the boolean
matrix that has 1 in its i-th row and j-th column iff there is a directed
edge from the i-th vertex to the j-th vertex.
def: transitive closure
> The transitive closure of a directed graph with n vertices is an n x n
boolean matrix T = {tij}, where the element in the i-th row and
j-th column is 1 if there exists a nontrivial path from the i-th vertex to the
j-th vertex, and is 0 otherwise.
Example:
{{blogimg(g,post,"img10.jpg")|safe}}
### Generating the transitive closure
We can naively generate the transitive closure of a digraph by doing a
depth-first or breadth-first traversal starting from every vertex. This
introduces a lot of overlap. Warshall's algorithm rectifies this problem by
constructing the transitive closure through a series of `n`x`n`matrices (with
the assumption that the digraph's vertices are numbered from 1 to `n`.)
The series is as follows:
> R(0),...R(k-1),R(k),...R(n)
The element rij(k) is located at the i-th row and j-th
column of the matrix R(k), with `i,j = 1,2,...,n` and
`k=0,1,...,n`. This element is equal to 1 iff there is a nontrivial path from
the i-th vertex to the j-th vertex with each intermediate vertex intermediate
vertex (if any) numbered less than or equal to k.
Since the vertices are numbered 1 to `n`, elements of R(0) equal 1
iff there is a nontrivial path from the i-th vertex to the j-th vertex with no
intermediate vertices. This is the **same thing** as the adjacency matrix.
Elements of R(1) equal 1 iff there is a nontrivial path from the
i-th vertex to the j-th vertex, with the vertex `1` allowed as an
intermediate.
Elements of R(2) equal 1 iff there is a nontrivial path from the
i-th vertex to the j-th vertex, with vertices `1` and `2` allowed as
intermediates.
And so on.
As the `k in R(k) increases, we have fewer "restrictions" on what
vertices we can use as intermediates. Thus, we can expect each subsequent
matrix in the series to have more 1's.
R(n) is the transitive closure.
Example:
{{blogimg(g,post,"img11.jpg")|safe}}
Notice how all the elements that are 1's in R(0) are 1's in
R(1). Similarly, all the elements that are 1's in R(1)
are 1's in R(2). We can actually compute all elements of each
matrix R(k) from its immediate predecessor R(k-1)
### Relating the matrices in the series
So how exactly can we relate R(k) to R(k-1)? Here's how.
Let rij(k) = 1. By how we've defined `R(k)`, this means
there exists a nontrivial path from the i-th vertex vi to the j-th
vertex vj, with all intermediate vertices <= `k`. Let `L` be this
list of intermediate vertices. We can thus describe the path from
vi to vj as
**vi, L, vj**
There are two possible scenarios from this point.
#### First scenario
In the first scenario, the k-th vertex, vk, is not in the list of
intermediate vertices `L`. Since all vertices in `L` are less than or equal to
`k` but `k` is not in `L`, all vertices in `L` are less than or equal to
`k-1`. So we have a path **vi, L, vj** with all vertices
in `L` less than or equal to `k-1`. These conditions are sufficient to
conclude that rij(k-1) = 1.
#### Second scenario
In the second scenario, the k-th vertex, vk, is in the list of
intermediate vertices `L`. We can assume vk only occurs once in
`L`. If vk does actually appear more than once in `L`, we can
simply reconstruct the list to meet our requirements by eliminating all
vertices between the first and last occurrences of vk.
{{blogimg(g,post,"img12.jpg")|safe}}
So now we once again have **vi, L, vj**. But now that we
know vk appears only once in `L`, we can separate `L` out into
three groups: vertices before vk, vk, and vertices after
vk. We'll label the "before" group `L1` and the "after" group
`L2`. So now our path from vi to vj looks like
**vi, L1, vk, L2, vj**
Since both `L1` and `L2` do not have vk in them, we can conclude
that all vertices in `L1` and `L2` are less than or equal to `k-1`.
With this information about the path and its vertices, we can make some
conclusions.
We know there exists a path from vi to vk with each
intermediate vertex less than or equal to `k-1`. By definition, this means
rik(k-1)=1. Similarly, we know
rkj(k-1)=1.
#### What we've shown
Ultimately, we've shown that if rij(k)=1, then either
rij(k-1)=1 (if vk not in `L`) **or** both
rik(k-1)=1 and rkj(k-1)=1
The converse of these statements is also true, although the text does not
explicitly prove it. This means we *finally* have an algorithm.
### Algorithm
If a element rij is 1 in R(k-1), it remains 1 in
R(k). If rij is 0 in R(k-1), we change it to
1 in R(k) iff rik(k-1) and
rkj(k-1) are both 1.
Example:
{{blogimg(g,post,"img13.jpg")|safe}}
### Pseudocode
# A: adjacency matrix of a digraph with n vertices
def warshall(A[1..n, 1..n]):
R[0] = A
for k=1 to n do
for i = 1 to n do
for j = 1 to n do
R[k][i][j] = R[k-1][i][j] OR (R[k-1][i][k] AND R[k-1][k][j])
return R[n]
### Python implementation
The biggest issue porting the pseudocode over to Python was adjusting the
algorithm to work with 0-index arrays. `k` still needs to start at 1 since
`R[0]` is immediately assigned the adjacency matrix. The outermost loop needs
to loop exactly `n` times with `k` starting at 1, so `k<=n` is the appropriate
while condition. The inner loops need to loop exactly `n` times starting with
their respective counters at 0 (for array indexing purposes), so `var <= n-1`
is the appropriate while condition for the inner loops.
The most confusing issue was how to treat `k`. When using `k` as part of an
array index for a row/column, you have to subtract 1 to account for the
0-index. However, when referring to the k-th matrix, we don't adjust `k` since
`R` was already defined as a 0-index array in the pseudocode.
{{snippet(post, "warshall.py")|safe}}
### Analysis
The time efficiency of Warshall's algorithm is O(n3).
Traversal based approaches for finding the transitive closure outperform
Warshall's algorithm for sparse graphs represented by adjacency lists.
In regards to space efficiency, it's actually unnecessary to store so many
matrices. Similar to the Fibonacci sequence and other dynamic programming
problems, we can avoid the storage overhead of holding on to so many data
structures.
Next time
---------
Next time, we'll apply dynamic programming concepts to weighted graphs. We'll
learn how to find the shortest path between two vertices in a graph using
Floyd's Algorithm.
{% endfilter %}
{% endblock post %}


open class Amplitude
Created by gaoyunfei on 2017/5/5. |
|
open class AmplitudeBarView : AmplitudeView
Created by boybe on 2017/5/2. |
|
open class AmplitudeBezierView : AmplitudeView
Created by gaoyunfei on 2017/5/10. |
|
abstract class AmplitudeView : View
Created by gaoyunfei on 2017/5/7. |
|
open class VisualizerBarView : VisualizerView
Created by gaoyunfei on 2017/5/14. |
|
abstract class VisualizerView : View
Created by gaoyunfei on 2017/5/14. |


Elizabeth Banks was so ill during Charlie's Angels they nearly shut down movie
The life of any of Charlie’s Angels may seem like the life of a supermodel with a side job of being a world-renowned hit man, but keeping bright red lipstick intact while roundhouse kicking villains down isn’t an easy task.
Melanie Hughes-Weaver, the woman behind every make-up look in the new film, took every precaution to make sure the stars of the movie looked flawless no matter how the actresses felt and what scenes were being done.
With scenes going from extreme winds to high heats, it’s no wonder Kristen Stewart, Naomi Scott, Ella Balinksa and Elizabeth Banks got ill at some point during production.
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Melanie told Metro.co.uk: ‘There were times when there was extreme winds and we had to put goggles on them in between takes to protect their eye make-up because it was so cold and windy.
‘There were times when the girls had colds and had red lips on. You’re there trying to like allow them to take care of the necessities of having a cold and not mess up their red lips but that definitely was a challenge.
‘You know, dry skin and runny noses.’
Elizabeth plays Bosley, a former Angel who became one of Charlie’s assistants, all while directing, writing and producing the movie.

‘There was a scene where Banks was working and she had a 103 fever (39.5°C) and was directing and acting in the scene’, Mel continued.
‘There was an explosion and Sabina (played by Kristen) was being treated for some wounds. Banks’ character comes walking in.
‘Like, she’s got a 103 fever and literally laying down (between takes) and we were trying to determine whether we should shut down production. She was so ill and going for it while on camera.’
Charlie’s Angels has become known for their over-the-top disguises and sultry make-up which we fell in love with since the first series came out in 1976.
Advertisement Advertisement
The outfits range from the 2000 movie’s sexy lederhosen (never forget) to 2019’s disco glam, and we are not over it.
Red lipstick will always be associated with a fierce woman, and the Angels is all you need as proof, but the stunning looks didn’t come easy.
Melanie shared: ‘I didn’t always get the time to bring someone back to their trailer do their makeup during a change of scenes. Sometimes we’re doing it in a parking lot or in the back of a car or a van in the middle of the street. We didn’t get that much luxury.
‘I don’t know if [the weirdest place I did make-up] was on the side of a race track or the back of an ambulance or when they were laying down on the floor while they were trying to look at notes or even while Elizabeth was conducting business meetings because sometimes you’ll be talking to the producers/production design/cinematographer.’
Considering the intense fight scenes, and impressive car chases, we sometimes forget the crew are doing the same types of things.
She continue: ‘Everyone’s coming in for meeting and you’re trying to touch her up. Sometimes it was even while she was asleep. If that’s what I got when she could get a five minute cat nap, I’d have to do it and wake her up for the final part when you gotta do lips.’
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Charlie’s Angels is released in the UK on 29 November.
Got a showbiz story?
If you've got a story, video or pictures get in touch with the Metro.co.uk Entertainment team by emailing us<EMAIL_ADDRESS>calling 020 3615 2145 or by visiting our Submit Stuff page - we'd love to hear from you.


My name is Leila, I am an aspiring web developer. I love developing clean and elegant dynamic websites and web applications. I've learned languages such as HTML, CSS, JavaScript and continually learn much more.
I have worked with popular frameworks such as Bootstrap and libraries such as jQuery. Check out my portfolio and if you're interested, send me an email.


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Bias in Conducting Research: Guidelines for Young Researchers Regarding Gender Differences
Every scientific discipline is determined by the object of measurement and the selection of appropriate methods of data collection and statistical analysis. Faulty methodology can lead to incorrect information in the results, without the researcher being...
[Read More]


{% extends "account/base.html" %} {% load i18n %} {% load account socialaccount %} {% block page_title %}Sign In{% endblock page_title %} {% block content %}
Please sign in with one of your social accounts:
... or sign in below ...
{% include "socialaccount/snippets/login_extra.html" %} {% else %}{% blocktrans %}If you have not yet created an account, please sign up first.{% endblocktrans %}
{% endif %}


Constants
Table of Contents
Constants
Constants
Miscellaneous constants
- Long_version
- An extended form of the
Version
constant with
the format shown here:
This is RMagick 2.0.0 ($Date: 2009/09/05 20:10:15 $)
Copyright (C) 2008 by Timothy P. Hunter
Built with ImageMagick 6.3.7 01/05/08 Q16
http://www.imagemagick.org
Built for ruby 1.8.6
Web page: http://rmagick.rubyforge.org
Email<EMAIL_ADDRESS>- Magick_version
- The ImageMagick version string. This has the form:
@(#)ImageMagick X.Y.Z MM/DD/YY Q:16
http://www.imagemagick.org
- MANAGED_MEMORY
-
If
true
, RMagick is using Ruby managed memory
for all allocations. If false
, RMagick allocates
memory for objects directly from the operating system. You
can enable RMagick to use Ruby managed memory (when built
with ImageMagick 6.4.0-11 and later) by setting
RMAGICK_ENABLE_MANAGED_MEMORY = true
before requiring RMagick.
- QuantumRange
- The maximum value of a Quantum. A quantum is one
of the red, green, blue, or opacity elements of a pixel in the
RGB colorspace, or cyan, yellow, magenta, or black elements in
the CYMK colorspace.
- MaxRGB (deprecated)
- Same as QuantumRange.
- QuantumDepth
-
The number of bits in a quantum. The relationship between
QuantumDepth and QuantumRange is summarized in this table.
| QuantumDepth |
QuantumRange |
| 8 |
255 |
| 16 |
65535 |
| 32 |
4294967295 |
- Version
- The RMagick version string. This has the form:
RMagick 2.0.0
AlignType
Specify text alignment. See align=, text_align.
- UndefinedAlign
- No alignment specified. Equivalent to LeftAlign.
- LeftAlign
- Align the leftmost part of the text to the starting
point.
- CenterAlign
- Center the text around the starting point.
- RightAlign
- Align the rightmost part of the text to the starting
point.
ChannelType
Specify an image channel. A channel is a color component of a
pixel. In the RGB colorspace the channels are red, green, and
blue. There may also be an alpha (transparency/opacity) channel.
In the CMYK colorspace the channels area cyan, magenta, yellow,
and black. In the HSL colorspace the channels are hue,
saturation, and lightness. In the Gray colorspace the only
channel is gray. See Image#channel and Image::Info#channel=.
- UndefinedChannel
- RedChannel
- GreenChannel
- BlueChannel
- CyanChannel
- MagentaChannel
- YellowChannel
- BlackChannel
- OpacityChannel
- AllChannels
- In the RGB colorspace, the red, blue, green, and alpha
channels. In the CMYK colorspace, the cyan, magenta, yellow,
and black channels.
- GrayChannel
- AlphaChannel
- Same as OpacityChannel
- DefaultChannels
- Same as AllChannels, excluding OpacityChannel
- HueChannel
- LuminosityChannel
- SaturationChannel
ClassType
Specify the image storage class. See class_type.
- UndefinedClass
- No storage class has been specified.
- DirectClass
- Image is composed of pixels which represent
literal color values.
- PseudoClass
- Image is composed of pixels which specify
an index in a color palette.
ColorspaceType
Specify the colorspace that quantization
(color reduction and mapping) is done under or to specify the
colorspace when encoding an output image. Colorspaces are ways of
describing colors to fit the requirements of a particular
application (e.g. Television, offset printing, color
monitors). Color reduction, by default, takes place in the
RGBColorspace. Empirical evidence suggests that distances in
color spaces such as YUVColorspace or YIQColorspace correspond to
perceptual color differences more closely than do distances in
RGB space. These color spaces may give better results when color
reducing an image.
When encoding an output image, the
colorspaces RGBColorspace, CMYKColorspace, and GRAYColorspace may
be specified. The CMYKColorspace option is only applicable when
writing TIFF, JPEG, and Adobe Photoshop bitmap (PSD)
files. See colorspace.
Each version of ImageMagick defines a subset of the
colorspaces listed below. To list the subset supported by your
version, issue the command:
ruby -rRMagick -e"Magick::ColorspaceType.values {|cs| puts cs}"
- UndefinedColorspace
- No colorspace has been specified.
- CMYColorspace
- CMYKColorspace
- Cyan-Magenta-Yellow-Black colorspace. CYMK
is a subtractive color system used by printers and
photographers for the rendering of colors with ink or emulsion,
normally on a white surface.
- GRAYColorspace
- Full-range grayscale
- HSBColorspace
- HSLColorspace
- Hue, saturation, luminosity
- HWBColorspace
- Hue, whiteness, blackness
- LABColorspace
- LogColorspace
- OHTAColorspace
- RGBColorspace
- Red-Green-Blue colorspace
- SRGBColorspace
- Kodak PhotoCD sRGB. In ImageMagick, this constant is named
sRGBColorspace, but since Ruby constants must start with an
uppercase letter, I had to change it.
- TransparentColorspace
- The Transparent color space behaves
uniquely in that it preserves the matte channel of the image if
it exists.
- XYZColorspace
- CIE XYZ
- YCbCrColorspace
- YCCColorspace
- Kodak PhotoCD PhotoYCC
- YIQColorspace
- YPbPrColorspace
- YUVColorspace
- Y-signal, U-signal, and V-signal
colorspace. YUV is most widely used to encode color for use in
television transmission.
The colorspaces in this group are typically associated with
the DPX and Cineon image formats used in the motion picture
industry.
- Rec601LumaColorspace
- Luma (Y) according to ITU-R 601
- Rec601YCbCrColorspace
- YCbCr according to ITU-R 601
- Rec709LumaColorspace
- Luma (Y) according to ITU-R 709
- Rec709YCbCrColorspace
- YCbCr according to ITU-R 709
ComplianceType
Specify the color standard from which color names are chosen.
See to_color.
- SVGCompliance
- Adhere to SVG color standard.
- X11Compliance
- Adhere to X11 color standard.
- XPMCompliance
- Adhere to XPM color standard.
- AllCompliance
- The union of the 3 color standards.
CompositeOperator
Select the image composition algorithm
used to compose a composite image
with a
image
. By default, each of the composite
image
pixels are replaced by the corresponding
image
tile pixel. Specify
CompositeOperator
to select a different
algorithm. See composite.
- UndefinedCompositeOp
- No composite operator has been specified.
- AddCompositeOp
- The result of
composite image
+ image
, with overflow wrapping around (mod
256).
- AtopCompositeOp
- The result is the same shape as
image
, with composite image
obscuring
image
where the image shapes overlap. Note that
this differs from OverCompositeOp because the portion of
composite image
outside of image
's
shape does not appear in the result.
- BlurCompositeOp
- ?
- BumpmapCompositeOp
- The result
image
shaded by
composite image
.
- ChangeMaskCompositeOp
- Replace any destination pixel that is the
similar to the source image's pixel (as defined by the current
fuzz factor), with transparency.
- ClearCompositeOp
- Make the target image transparent. The composite image is
ignored.
- ColorBurnCompositeOp
- Darkens the destination color to reflect
the source color. Painting with white produces no change.
- ColorDodgeCompositeOp
- Brightens the destination color to reflect
the source color. Painting with black produces no change.
- ColorizeCompositeOp
- Each pixel in the result image is the
combination of the brightness of the target image and the
saturation and hue of the composite image. This is the
opposite of LuminizeCompositeOp.
- CopyCompositeOp
- Replace the target image with the composite image.
- CopyBlackCompositeOp
- Copy the black channel from the composite image to the
target image.
- CopyBlueCompositeOp
- Copy the blue channel from the composite image to the
target image.
- CopyCyanCompositeOp
- Copy the cyan channel from the composite image to the
target image.
- CopyGreenCompositeOp
- Copy the green channel from the composite image to the
target image.
- CopyMagentaCompositeOp
- Copy the magenta channel from the composite image to the
target image.
- CopyOpacityCompositeOp
- If the composite image's matte attribute is
true
, copy the opacity channel from the composite
image to the target image. Otherwise, set the target image
pixel's opacity to the intensity of the corresponding pixel in
the composite image.
- CopyRedCompositeOp
- Copy the red channel from the composite image to the target
image.
- CopyYellowCompositeOp
- Copy the yellow channel from the composite image to the
target image.
- DarkenCompositeOp
- Replace target image pixels with darker pixels from the
composite image.
- DifferenceCompositeOp
- The result of abs(
composite
image
- image
). This is useful for
comparing two very similar images.
- DisplaceCompositeOp
- Displace target image pixels as defined by a displacement
map. The operator used by the displace method.
- DissolveCompositeOp
- The operator used in the dissolve method.
- DistortCompositeOp
- ?
- DivideCompositeOp
- ?
- DstCompositeOp
- The destination is left untouched.
- DstAtopCompositeOp
- The part of the destination lying inside of
the source is composited over the source and replaces the
destination.
- DstInCompositeOp
- The part of the destination lying inside of
the source replaces the destination.
- DstOutCompositeOp
- The part of the destination lying outside
of the source replaces the destination.
- DstOverCompositeOp
- The destination is composited over the
source and the result replaces the destination.
- ExclusionCompositeOp
- Produces an effect similar to that of
'difference', but appears as lower contrast. Painting with
white inverts the destination color. Painting with black
produces no change.
- HardLightCompositeOp
- Multiplies or screens the colors, dependent
on the source color value. If the source color is lighter than
0.5, the destination is lightened as if it were screened. If
the source color is darker than 0.5, the destination is
darkened, as if it were multiplied. The degree of lightening or
darkening is proportional to the difference between the source
color and 0.5. If it is equal to 0.5 the destination is
unchanged.
- HueCompositeOp
- Each pixel in the result image is the
combination of the hue of the target image and the saturation
and brightness of the composite image.
- InCompositeOp
- The result is simply
composite
image
cut by the shape of image
. None of
the image data of image
is included in the
result.
- LightenCompositeOp
- Replace target image pixels with lighter pixels from the
composite image.
- LinearBurnCompositeOp
- Same as
LinearDodgeCompositeOp
, but also
subtract one from the result. Sort of a additive 'Screen' of
the images.
- LinearDodgeCompositeOp
- This is equivelent to
PlusCompositeOp
in that the color channels are
simply added, however it does not "plus" the alpha channel, but
uses the normal OverCompositeOp
alpha blending,
which transparencies are involved. Produces a sort of additive
multiply-like result.
- LinearLightCompositeOp
- Increase contrast slightly with an impact
on the foreground's tonal values.
- LuminizeCompositeOp
- Each pixel in the result image is the
combination of the brightness of the composite image and the
saturation and hue of the target image. This is the
opposite of ColorizeCompositeOp.
- MinusCompositeOp
- The result of composite image - image, with
overflow cropped to zero. The matte chanel is ignored (set to
255, full coverage).
- ModulateCompositeOp
- Used by the watermark
method.
- MultiplyCompositeOp
- Multiplies the color of each target image
pixel by the color of the corresponding composite image pixel.
The result color is always darker.
- NoCompositeOp
- No composite operator has been specified.
- OutCompositeOp
- The resulting image is
composite
image
with the shape of image
cut out.
- OverCompositeOp
- The result is the union of the the
two image shapes with
composite image
obscuring
image
in the region of overlap. The matte
channel of the composite image is respected, so that if the
composite pixel is part or all transparent, the corresponding
image pixel will show through.
- OverlayCompositeOp
- Multiplies or screens the colors, dependent
on the destination color. Source colors overlay the destination
whilst preserving its highlights and shadows. The destination
color is not replaced, but is mixed with the source color to
reflect the lightness or darkness of the destination.
- PegtopLightCompositeOp
- Almost equivalent to
SoftLightCompositeOp
, but using a continuious
mathematical formula rather than two conditionally selected
formulae.
- PinLightCompositeOp
- Similar to
HardLightCompositeOp
, but using sharp linear
shadings, to similate the effects of a strong 'pinhole' light
source.
- PlusCompositeOp
- The result is just the sum of the image
data. Output values are cropped to 255 (no overflow). This
operation is independent of the matte channels.
- ReplaceCompositeOp
- The resulting image is image replaced with
composite image. Here the matte information is ignored.
- SaturateCompositeOp
- Each pixel in the result image is the combination of the
saturation of the target image and the hue and brightness of
the composite image.
- ScreenCompositeOp
- Multiplies the inverse of each image's color
information.
- SoftLightCompositeOp
- Darkens or lightens the colors, dependent
on the source color value. If the source color is lighter than
0.5, the destination is lightened. If the source color is
darker than 0.5, the destination is darkened, as if it were
burned in. The degree of darkening or lightening is
proportional to the difference between the source color and
0.5. If it is equal to 0.5, the destination is unchanged.

- SrcAtopCompositeOp
- The part of the source lying inside of the
destination is composited onto the destination.
- SrcCompositeOp
- The source is copied to the destination.
The destination is not used as input.
- SrcInCompositeOp
- he part of the source lying inside of the
destination replaces the destination.
- SrcOutCompositeOp
- The part of the source lying outside of the
destination replaces the destination.
- SrcOverCompositeOp
- The source is composited over the
destination.
- SubtractCompositeOp
- The result of
composite image
- image
, with underflow wrapping around (mod 256).
The add and subtract operators can be used to perform
reversable transformations.
- ThresholdCompositeOp
- ?
- VividLightCompositeOp
- A modified
LinearLightCompositeOp
designed to preserve very
stong primary and secondary colors in the image.
- XorCompositeOp
- The result is the image data from both
composite image
and image
that is
outside the overlap region. The overlap region will be
blank.
CompressionType
Express the desired compression type
when encoding an image. Be aware that most image types only
support a sub-set of the available compression types. If the
compression type specified is incompatible with the image,
ImageMagick selects a compression type compatible with the image
type. See compression.
- UndefinedCompression
- No compression type has been specified.
- NoCompression
- The default for most formats.
- B44Compression
- Available in ImageMagick 6.5.5-4 and later.
- B44ACompression
- Available in ImageMagick 6.5.5-4 and later.
- BZipCompression
- BZip (Burrows-Wheeler block-sorting text
compression algorithm and Huffman coding) as used by bzip2
utilities
- DXT1Compression
- Available in ImageMagick 6.3.9-3 and later.
- DXT3Compression
- Available in ImageMagick 6.3.9-3 and later.
- DXT5Compression
- Available in ImageMagick 6.3.9-3 and later.
- FaxCompression
- CCITT Group 3 FAX compression
- Group4Compression
- CCITT Group 4 FAX compression (used only
for TIFF)
- JPEGCompression
- JPEG compression. See The JPEG image
compression FAQ.
- JPEG2000Compression
- JPEG2000 compression for compressed PDF images.
- LosslessJPEGCompression
- This compression format is almost never used.
- LZWCompression
- Lempel-Ziv-Welch (LZW) compression
- PizCompression
- Available in ImageMagick 6.5.5-4 and later.
- Pxr24Compression
- Available in ImageMagick 6.5.5-4 and later.
- RLECompression
- See the Wikipedia page for Run-length
encoding.
- ZipCompression
- Lempel-Ziv compression (LZ77) as used in
PKZIP and GNU gzip.
- ZipSCompression
- Available in ImageMagick 6.5.5-4 and later.
DecorationType
Use with the decorate= method
in the Draw class to specify the text decoration for the annotate method.
- NoDecoration
- Don't decorate the text.
- UnderlineDecoration
- Underline the text.
- OverlineDecoration
- Overline the text.
- LineThroughDecoration
- Draw a horizontal line through the middle of the text.
DisposeType
The value of the dispose
attribute.
- UndefinedDispose
- No disposal specified.
- NoneDispose
- Do not dispose between frames.
- BackgroundDispose
- Overwrite the image area with the background color.
- PreviousDispose
- Overwrite the image area with what was there prior to
rendering the image.
DitherMethod
Specify the method of dithering for remap, quantize, posterize, etc.
- NoDitherMethod
- RiemersmaDitherMethod
- FloydSteinbergDitherMethod
EndianType
The value of the endian
attribute.
- UndefinedEndian
- LSBEndian
- MSBEndian
FilterTypes
Used to adjust the filter algorithm used
when resizing images. Different filters experience varying
degrees of success with various images and can take significantly
different amounts of processing time. ImageMagick uses the
LanczosFilter by default since this filter has been shown to
provide the best results for most images in a reasonable amount
of time. Other filter types (e.g. TriangleFilter) may execute
much faster but may show artifacts when the image is re-sized or
around diagonal lines. The only way to be sure is to test the
filter with sample images. See resize.
- UndefinedFilter
- Bartlett
- BesselFilter
- BlackmanFilter
- Bohman
- BoxFilter
- CatromFilter
- CubicFilter
- GaussianFilter
- HammingFilter
- HanningFilter
- HermiteFilter
- KaiserFilter
- LagrangianFilter
- LanczosFilter
- MitchellFilter
- ParzenFilter
- PointFilter
- QuadraticFilter
- SincFilter
- TriangleFilter
- WelshFilter
GravityType
Specify positioning of an object (e.g.
text, image) within a bounding region (e.g. an image). Gravity
provides a convenient way to locate objects irrespective of the
size of the bounding region, in other words, you don't need to
provide absolute coordinates in order to position an object. A
common default for gravity is NorthWestGravity.
See annotate and composite.
- ForgetGravity
- Don't use gravity.
- NorthWestGravity
- Position object at top-left of region
- NorthGravity
- Position object at top-center of
region
- NorthEastGravity
- Position object at top-right of region
- WestGravity
- Position object at left-center of
region
- CenterGravity
- Position object at center of region
- EastGravity
- Position object at right-center of
region
- SouthWestGravity
- Position object at left-bottom of
region
- SouthGravity
- Position object at bottom-center of
region
- SouthEastGravity
- Position object at bottom-right of
region
ImageType
Indicate the type classification of the
image. See image_type and image_type=.
- UndefinedType
- No type has been specified.
- BilevelType
- Monochrome image
- GrayscaleType
- Grayscale image
- PaletteType
- Indexed color (palette) image
- PaletteMatteType
- Indexed color (palette) image with
opacity
- TrueColorType
- Truecolor image
- TrueColorMatteType
- Truecolor image with opacity
- ColorSeparationType
- Cyan/Yellow/Magenta/Black (CYMK) image
- ColorSeparationMatteType
- OptimizeType
- PaletteBilevelMatteType
InterlaceType
Specify the ordering of the red, green,
and blue pixel information in the image. Interlacing is usually
used to make image information available to the user faster by
taking advantage of the space vs time tradeoff. For example,
interlacing allows images on the Web to be recognizable sooner
and satellite images to accumulate/render with image resolution
increasing over time. Use LineInterlace
or
PlaneInterlace
to create an interlaced GIF or
progressive JPEG image. See interlace.
- UndefinedInterlace
- No interlace type has been specified.
- NoInterlace
- Don't interlace image
(RGBRGBRGBRGBRGBRGB...)
- LineInterlace
- Use scanline interlacing
(RRR...GGG...BBB...RRR...GGG...BBB...)
- PlaneInterlace
- Use plane interlacing
(RRRRRR...GGGGGG...BBBBBB...)
- PartitionInterlace
- Similar to plane interlacing except that
the different planes are saved to individual files (e.g.
image.R, image.G, and image.B)
- GIFInterlace
- JPEGInterlace
- PNGInterlace
- See the ImageMagick documentation for the -interlace
option.
InterpolatePixelMethod
The pixel color interpolation method. See pixel_interpolation_method.
- AverageInterpolatePixel
- BicubicInterpolatePixel
- BilinearInterpolatePixel
- FilterInterpolatePixel
- IntegerInterpolatePixel
- MeshInterpolatePixel
- NearestNeighborInterpolatePixel
- SplineInterpolatePixel
For FilterInterpolatePixel, specify the filter with the
filter attribute. Specify
the sharpness with the blur
attribute.
MetricType
The distortion metric type. See compare_channel, distortion_channel.
- MeanAbsoluteErrorMetric
- MeanSquaredErrorMetric
- PeakAbsoluteErrorMetric
- PeakSignalToNoiseRatioMetric
- RootMeanSquaredErrorMetric
NoiseType
Select the type of noise to be added to
the image. See add_noise.
- UniformNoise
- GaussianNoise
- MultiplicativeGaussianNoise
- ImpulseNoise
- LaplacianNoise
- PoissonNoise
- RandomNoise
Opacity
represent the maximum and minimum levels of opacity. You can
specify a partial level of opacity by choosing a number between
OpaqueOpacity and TransparentOpacity. For example, 25% opacity is
abs(Magick::TransparentOpacity-Magick::OpaqueOpacity) *
0.25
- TransparentOpacity
- The minimum amount of opacity.
- OpaqueOpacity
- The maximum amount of opacity.
OrientationType
Specify the orientation of the image pixels. See Image#orientation and Info#orientation. See http://jpegclub.org/exif_orientation.html
for an explanation of these values.
- UndefinedOrientation
- TopLeftOrientation
- TopRightOrientation
- BottomRightOrientation
- BottomLeftOrientation
- LeftTopOrientation
- RightTopOrientation
- RightBottomOrientation
- LeftBottomOrientation
PaintMethod
Specify how pixel colors are to be replaced in
the image. See matte_floodfill and texture_floodfill.
- PointMethod
- Replace pixel color at point.
- ReplaceMethod
- Replace color for all image pixels matching
color at point.
- FloodfillMethod
- Replace color for pixels surrounding point
until encountering pixel that fails to match color at
point.
- FillToBorderMethod
- Replace color for pixels surrounding point
until encountering pixels matching border color.
- ResetMethod
- Replace colors for all
pixels in image with fill color.
RenderingIntent
Rendering intent is a concept defined by
ICC Spec ICC.1:1998-09, "File Format for Color Profiles".
ImageMagick uses RenderingIntent in order to support ICC Color
Profiles.
From the specification: "Rendering intent
specifies the style of reproduction to be used during the
evaluation of this profile in a sequence of profiles. It applies
specifically to that profile in the sequence and not to the
entire sequence. Typically, the user or application will set the
rendering intent dynamically at runtime or embedding time."
See rendering_intent.
- UndefinedIntent
- No intent has been specified.
- SaturationIntent
- A rendering intent that specifies the
saturation of the pixels in the image is preserved perhaps at
the expense of accuracy in hue and lightness.
- PerceptualIntent
- A rendering intent that specifies the full
gamut of the image is compressed or expanded to fill the gamut
of the destination device. Gray balance is preserved but
colorimetric accuracy might not be preserved.
- AbsoluteIntent
- Absolute colorimetric
- RelativeIntent
- Relative colorimetric
ResolutionType
By default, ImageMagick defines
resolutions in pixels per inch. ResolutionType provides a means
to adjust this. See units.
- UndefinedResolution
- No resolution has been specified.
- PixelsPerInchResolution
- Density specifications are specified in
units of pixels per inch (English units).
- PixelsPerCentimeterResolution
- Density specifications are specified in
units of pixels per centimeter (metric units).
StretchType
See font_stretch=.
- NormalStretch
- UltraCondensedStretch
- ExtraCondensedStretch
- CondensedStretch
- SemiCondensedStretch
- SemiExpandedStretch
- ExpandedStretch
- ExtraExpandedStretch
- UltraExpandedStretch
- AnyStretch
StorageType
See import_pixels and
export_pixels_to_str.
- CharPixel
- corresponds to a C
unsigned char
, range
0-255.
- ShortPixel
- corresponds to a C
unsigned short
, range
0-65535.
- IntegerPixel
- corresponds to a C
unsigned int
, range
0-4294967295.
- LongPixel
- corresponds to a C
unsigned long
, range
0-4294967295 (for 32-bit longs).
- FloatPixel
- corresponds to a C
float
, range 0.0-1.0.
- DoublePixel
- corresponds to a C
double
, range 0.0-1.0.
- QuantumPixel
- corresponds to the Quantum type used by ImageMagick, range
0-QuantumRange.
StyleType
See font_style=.
- NormalStyle
- ItalicStyle
- ObliqueStyle
- AnyStyle
WeightType
The font weight can be specified as one of 100, 200, 300, 400,
500, 600, 700, 800, or 900, or one of the following constants.
See font_weight=.
- AnyWeight
- No weight specified.
- NormalWeight
- Equivalent to 400
- BoldWeight
- Equivalent to 700
- BolderWeight
- Increases weight by 100
- LighterWeight
- Decreases weight by 100


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Next: Examples of WITH clause, Previous: Examples of for-as-package subclause, Up: Variable Initialization and Stepping Clauses
When a loop form is executed, the local variables are bound and are initialized to some value. These local variables exist until loop iteration terminates, at which point they cease to exist. Implicit variables are also established by iteration control clauses and the into preposition of accumulation clauses.
The with construct initializes variables that are local to a loop. The variables are initialized one time only. If the optional type-spec argument is supplied for the variable var, but there is no related expression to be evaluated, var is initialized to an appropriate default value for its type. For example, for the types t, number, and float, the default values are nil, 0, and 0.0 respectively. The consequences are undefined if a type-spec argument is supplied for var if the related expression returns a value that is not of the supplied type. By default, the with construct initializes variables sequentially; that is, one variable is assigned a value before the next expression is evaluated. However, by using the loop keyword and to join several with clauses, initializations can be forced to occur in parallel; that is, all of the supplied forms are evaluated, and the results are bound to the respective variables simultaneously.
Sequential binding is used when it is desireable for the initialization of some variables to depend on the values of previously bound variables. For example, suppose the variables a, b, and c are to be bound in sequence:
(loop with a = 1 with b = (+ a 2) with c = (+ b 3) return (list a b c)) ⇒ (1 3 6)
The execution of the above loop is equivalent to the execution of the following code:
(block nil (let* ((a 1) (b (+ a 2)) (c (+ b 3))) (tagbody (next-loop (return (list a b c)) (go next-loop) end-loop))))
If the values of previously bound variables are not needed for the initialization of other local variables, an and clause can be used to specify that the bindings are to occur in parallel:
(loop with a = 1 and b = 2 and c = 3 return (list a b c)) ⇒ (1 2 3)
The execution of the above loop is equivalent to the execution of the following code:
(block nil (let ((a 1) (b 2) (c 3)) (tagbody (next-loop (return (list a b c)) (go next-loop) end-loop))))


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module docmodel.document
ClosingTag
OpeningTag
ProcessingStep
SourceDoc
Tag
TagRepository
TarsqiDocument
TarsqiInputError
TarsqiDocument and friends.
This module contains TarsqiDocument and some of the classes used by it.
class ClosingTag
Inherits from: Tag
Like Tag, but self.begin and self.attrs are always None.
Public Functions
__init__(self, name, offset)
__str__(self)
is_closing_tag(self)
class OpeningTag
Inherits from: Tag
Like Tag, but self.end is always None.
Public Functions
__init__(self, name, offset, attrs)
__str__(self)
is_opening_tag(self)
class ProcessingStep
Inherits from: object
Implements an element of the processing history in the metadata. The core
of the ProcessingStep is the pipeline that was exectued, in addition there
is some bookkeeping and the following are included: the TTK version, the git
commit if available and a timestamp. Note that the git commit does not
uniquely define the state of the code when the toolkti ran because there
could have been uncommitted changes.
Public Functions
__init__(self, pipeline=None, dom_node=None)
Initialize from a pipeline or a DOM node.
__str__(self)
as_xml(self)
Private Functions
_initialize_from_dom_node(self, dom_node)
_initialize_from_pipeline(self, pipeline)
class SourceDoc
Inherits from: object
A SourceDoc is created by a SourceParser and contains source data and
annotations of those data. The source data are put in the text variable as a
unicode string, tags are in the source_tags and tarsqi_tags variables and
contain begin and end positions in the source. In addition, metadata,
comments, and any other data from the input is stored here.
Note that the SourceDoc is the input to further Tarsqi processing and it
stores everything that was given as input to the pipeline. This could be a
text document or a TimeBank document without any TimeML annotations. But it
could also be a TTK document that was the result of prior application of
another pipeline and that document can contain Tarsqi tags. The metadata and
tarsqi_tags will be exported to the relevant places in the TarsqiDocument
when the metadata parse and the document structure parsers apply to the
TarsqiDocument.
Public Functions
__getitem__(self, i)
__init__(self, filename='')
Initialize a SourceDoc on a filename or a string.
add_characters(self, string)
Add a character string to the source and increment the current
offset. Used by the CharacterDataHandler of the Expat parser in
SourceParserXML.
add_closing_tag(self, name)
Add a closing tag to source_tags. This is used by the
EndElementHandler of the Expat parser in SourceParserXML.
add_comment(self, string)
add_opening_tag(self, name, attrs)
Add an opening tag to source_tags. This is used by the
StartElementHandler of the Expat parser in SourceParserXML.
add_processing_instruction(self, target, data)
finish(self)
Transform the source text list into a string, merge the begin and end
tags, and index the tags on offsets. This should be called by
SourceParserXML which uses the Expat parser and looks for individual
elements, it is not needed by SourceParserTTK since it uses a DOM
object, it is also not needed by SourceParserText since it does not deal
with tags.
pp(self)
Print source and tags.
print_source(self, filename)
Print the source string to a file, using the utf-8 encoding.
class Tag
Inherits from: object
A Tag has a name, a begin offset, an end offset and a dictionary of
attributes. All arguments are handed in by the code that creates the Tag
which could be: (1) the code that parses the source document, which will
only assign an identifier if the source had an id attribute, (2) the
preprocessor code, which assigns identifiers for lex, ng, vg and s tags, or
(3) one of the components that creates tarsqi tags.
# TODO: check whether those are still the three that are used
Public Functions
__eq__(self, other)
__ge__(self, other)
__gt__(self, other)
__init__(self, name, o1, o2, attrs)
Initialize name, begin, end and attrs instance variables and make sure
that what we have can be turned into valid XML by removing duplicate
attribute names.
__le__(self, other)
__lt__(self, other)
__ne__(self, other)
__str__(self)
as_lex_xml_string(self, text)
Return an opening and closing tag wrapped around text. This is used only by
the GUTime wrapper to create input for GUTime, and it therefore has a narrow
focus and does not get all information from the tag.
as_ttk_tag(self)
Return the tag as a tag in the Tarsqi output format.
attributes_as_string(self)
Return a string representation of the attributes dictionary.
get_identifier(self)
Returns the identifier of the event, timex or tlink if there is one, returns
None otherwise. For an event, the identifier is assumed to be the eiid.
is_closing_tag(self)
is_opening_tag(self)
Private Functions
_compare(self, other)
Order two Tags based on their begin offset and end offsets. Tags with
an earlier begin will be ranked before tags with a later begin, with
equal begins the tag with the higher end will be ranked first. Tags with
no begin (that is, it is set to -1) will be ordered at the end. The
order of two tags with the same begin and end is undefined.
class TagRepository
Inherits from: object
Class that provides access to the tags for a document. An instance of this
class is used for the DocSource instance, other instances will be used for
the elements in a TarsqiDocument. For now, the repository has the following
structure:
self.tmp
A list of OpeningTag and ClosingTag elements, used only to build the tags
list.
self.tags
A list with Tag instances.
self.opening_tags
A dictionary of tags indexed on begin offset, the values are lists of Tag
instances, again ordered on id (thereby reflecting text order, but only
for tags in the original input).
self.closing_tags
A dictionary indexed on end offset and begin offset, the values are
dictionary of tagnames. For example,
closing_tags[547][543] = {'lex':True, 'NG':True }
indicates that there is both a lex tag and an NG tag from 543-547. The
opening tags dictionary will have encoded that the opening NG occurs
before the opening lex:
opening_tags[543] = [<Tag 204 NG 543-547 {}>, <Tag 205 lex 543-547 {...}]
Public Functions
__init__(self)
add_tag(self, name, begin, end, attrs)
Add a tag to the tags list and the opening_tags and closing_tags
dictionaries.
add_tmp_tag(self, tag_instance)
Add an OpeningTag or ClosingTag to a temporary list. Used by the XML
handlers.
all_tags(self)
append(self, tag)
Appends an instance of Tag to the tags list.
find_linktags(self, name, o1, o2)
Return all the link tages with type name. Only include the ones that
fall between offsets o1 and o2.
find_tag(self, name)
Return the first Tag object with name=name, return None if no such
tag exists.
find_tags(self, name, begin=None, end=None)
Return all tags of this name. If the optional begin and end are given
only return the tags that fall within those boundaries.
find_tags_at(self, begin_offset)
Return the list of tags which start at begin_offset.
import_tags(self, tag_repository, tagname)
Import all tags with name=tagname from tag_repository into self. This
is mostly used when we want to take tags from the SourceDoc and add them
to the tags on the TarsqiDocument.
index(self)
Index tags on position.
index_events(self)
index_timexes(self)
is_empty(self)
merge(self)
Take the OpeningTags and ClosingTags in self.tmp and merge them into
Tags. Raise errors if tags do not match.
pp(self, indent=' ')
pp_closing_tags(self)
pp_opening_tags(self)
pp_tags(self, indent='')
remove_tag(self, tag)
Remove the tag from the list of tags. This is rather inefficient since the
whole list is traversed. Also note that this method does not remove the
tag from the opening_tags and closing_tags dictionaries, so depending on
when this is done these may need to be re-indexed.
remove_tags(self, tagname)
Remove all tags with name=tagname. Rebuilds the indexes after
removing the tags.
reset(self)
class TarsqiDocument
Inherits from: object
An instance of TarsqiDocument should contain all information that may be
needed by the wrappers to do their work. It includes the source, metadata,
processing options, a set of identifier counters and a TagRepository.
Instance Variables:
source - an instance of DocSource
metadata - a dictionary
options - the Options instance from the Tarsqi instance
tags - an instance of TagRepository
counters - a set of counters used to create unique identifiers
Note that he processing options are available to the wrappers only through
this class by accessing the options variable.
Public Functions
__init__(self)
__str__(self)
add_event(self, begin, end, attrs)
Add an EVENT tag to the tarsqi_tags tag repository.
add_options(self, options)
add_timex(self, begin, end, attrs)
Add a TIMEX3 tag to the tag repository.
elements(self)
Method that returns the tags that contain paragraphs, that is, the
tags of type docelement.
events(self)
Convenience method for easy access to events.
get_dct(self)
has_event(self, begin, end)
Return True if there is already an event at the given begin and
end.
list_of_sentences(self)
next_event_id(self)
next_link_id(self, link_type)
Return a unique lid. The link_type argument is one of {ALINK, SLINK,
TLINK} and determines what link counter is incremented. The lid itself
is the sum of all the link counts. Assumes that all links are added
using the link counters in the document. Breaks down if there are
already links added without using those counters.
next_timex_id(self)
pp(self, source_tags=True, tarsqi_tags=True)
print_all(self, fname=None)
Write source string, metadata, comments, source tags and tarsqi tags
all to one file or to the standard output.
print_all_lif(self, fh)
print_sentences(self, fname=None)
Write to file (or standard output if no filename was given) a Python
variable assignment where the content of the variable the list of
sentences as a list of lists of token strings.
print_source(self, fname)
Print the original source of the document, without the tags to file
fname.
remove_tlinks(self)
Remove all TLINK tags from the tags repository.
slinks(self)
text(self, p1, p2)
timexes(self)
Convenience method for easy access to timexes.
tlinks(self)
update_processing_history(self, pipeline)
Private Functions
_print_comments(self, fh)
_print_metadata(self, fh)
_print_tags(self, fh, tag_group, tags)
class TarsqiInputError
Inherits from: Exception


The Web is made up of HTML documents, HTML stands for Hyper Text Mark Up Language and is the basis for virtually every web page.  Hyperlinks connects pages together. The major components of the web are:
- The user/browser
- The internet
- Servers


In Cambodia, 6.3 million out of 14.9 million Cambodians lack access to clean water. Water facilities and infrastructure is limited outside the main cities. This remains a challenge especially for the rural households where the water supply is made less of a priority. [Source: OpenDevelopment | Cambodia]
Laos
Water is of critical importance for meeting food, water and energy demands of communities in the region. Forest catchments and watersheds plays a huge responsibility in generating and capturing rain. However, pollution and decresing water levels pose a threat to meeting these needs. [Source: OpenDevelopment]
Thailand
Thailand possess abundant water resources. There has been a reduced of renewable internal freshwater resources per capita comparing from 1962 to 2014. It is an increase water scarcity contributing to prolonged dry seasons in Thailand. [Source: OpenDevelopment | Thailand]
Vietnam
In 2016, Vietnam's had reached 92.7 million people, which means that substantial numbers of people still lack access to basic services. In 2015, 8.2 million people still lacked ‘basic’ access to a water supply that does not involve more than a 30 minute return journey to access clean water. [Source: OpenDevelopment | Vietnam]
Project Name
Lorem ipsum dolor sit amet consectetur.
 Lorem ipsum dolor sit amet, consectetur adipisicing elit. Est blanditiis dolorem culpa incidunt minus dignissimos deserunt repellat aperiam quasi sunt officia expedita beatae cupiditate, maiores repudiandae, nostrum, reiciendis facere nemo!


Quick Start
Welcome to Tad!
If you are reading this message, Tad has been succesfully installed.
Launching Tad
There are three ways to launch Tad:
- Application Icon
You can double click on the Tad application icon to open Tad. Use File...Open and the standard file open dialog to open a
.csv
or.tad
file. - Context Menu or Drag and Drop
- From the Command Line
Once Tad is installed and available on your PATH, simply type:
$ tad somefile.csv
to launch Tad to exploresomefile.csv
. You can also open.tad
files (previously saved Tad view configurations) via the command line.
The installation process registers Tad as a viewer for .csv
files. On any .csv
file in the Finder (macOS) or Explorer (Windows), use Open With... and select Tad to open the file in Tad.
Basic Usage
You can explore the basics of Tad by opening this example CSV file (from the IMDB 5000 Movie Dataset on Kaggle) included in the Tad distribution:
When you open a CSV file in Tad, Tad automatically imports your CSV file into an internal in-memory SQLite database. You can see the result of this import process by clicking on the gear icon on the left of the Tad window:
This will open the sidebar:
Tad scans your data file during the import process makes a conservative guess at the type of each column.
For now the only supported types are text
, integer
and real
, and there is no facility for manually overriding the inferred types.
The name and type of each column are shown in the main Column Selector above. The additional controls in the column selector enable you to quickly build a pivot table to explore your data set:
- Use the checkboxes under Pivot in the main column selector to choose columns for the pivot hierarchy.
- Use the checkboxes under Show in the main column selector to determine what columns are shown / hidden.
- Set the sort columns using either the checkboxes under Sort the main column selector or by clicking on column headers in the main grid.
Filtering
Tad provides rudimentary facilities for constructing a
Activate the filter pane by clicking the Filter link at the bottom of the window:
When opened, a (populated) filter dialog looks like this:
Construct the filter by selecting the logical operator (AND or OR) (1) and editing individual predicate rows (2). Add more rows by pressing the + button (3), and delete predicates by clicking the x button (4) next to that predicate.
Discard, test or commit your changes using the three buttons in the lower right of the pane:
Data Sources
If you work in data science, chances are you have no shortage of CSV files of your own to explore. In addition to the movie_metadata.csv sample file included with Tad, a few of my favorite data sources on the Internet are:
- Kaggle Datasets. The
movie_metadata.csv
file used for many Tad examples is from the IMDB 5000 Movie Dataset on Kaggle. - Met Museum Open Access Initiative. The Metropolitan Museum of Art recently made 420,000 artworks available online for unrestricted use. The catalog file
MetObjects.csv
available at the linked github repository is a good example for testing Tad's ability to handle larger CSV files. It's a 228MB CSV file with 420,000 rows of data. It takes about 13 sec to load and display this file in Tad on my late 2013 MacBook Pro. - data.world is a site for sharing and exploring data on a variety of topics.
- The FiveThirtyEight github repository has many CSV files providing data behind the stories and interactives on the FiveThirtyEight web site.
Going Further (Developers and Data Hackers)
If for some reason you want to see the gnarly details of the SQL queries that Tad is constructing and executing, you can use the -f
option on the command line to keep Tad in the foreground and --show-queries
to get Tad to print the generated SQL queries like so:
$ tad -f --show-queries somefile.csvNot for the faint-hearted.
And Finally...
Have fun! I hope you find Tad a useful utility for viewing and analyzing data. Feedback welcome.


Education
Codespace Academy
Intro to web
Completed the Intro to web course at codespace academy. We focused on learning the basic fundamentals of html and css.
Web Design
The web design course delves more into advanced html and css. We also begin implenting the use of bootstrap
Experience
Office Job
Jamiatul Ulama
- Ran the Jamiatul Ulama office from April 2021 to May 2021
- Helped in the collection and distribution of charity
- Did administrative work around the office
Teaching
West Rand Muslim Association
- Worked as a teacher at the West Rand Muslim Association from 2017 to 2018
- Developed Lesson plans for Grade 2-4
- Created a productive work environment for the students
- Helped organize end of the year Awards Event
Skills
- Proficient in Microsoft Office
- Problem-Solving abilities
- Positivity
- Self-Motivated
Coding Languages
Hobbies
- Gaming
- Coding
- Swimming
- Outdoor activities


Banana Pancakes
- ⏲ Prep time: 10 minutes
- 🍳 Cook time: 10 minutes
- 🍽 Servings: 4 people
Ingredients
- 1 cup flour (2.5 dl)
- 1 tablespoon sugar
- 2 teaspoon baking powder
- 1 cup milk (2.5 dl)
- 1 egg
- 2 very ripe bananas
Directions
- Combine flour, sugar, baking powder and a little bit of salt in a large mixing bowl.
- Whisk milk and egg into the flour mixture until no clumps remain in the resulting batter.
- Add mashed bananas and mix well.
- Add some butter to a medium warm frying pan.
- Make smaller or bigger pancakes, up to you. Wait until tiny air bubbles form on top (2 to 5 minutes), turn and continue frying until the bottom is browned. Repeat.
Either eat the pancakes as they get ready or put a plate in a preheated oven (low degree) to keep the ready pancakes warm.
Contribution
Recipe tags:
breakfast
quick
sweet
pancake
cheesefare


Smart
Attendance
Student
Teacher
Admin
Redifining The
Traditional Attendance System.
Save Paper, Go Digital
Oops!
Breachers are not allowed here


It lurks in corners, hidden from wild eyes,
But the wise are aware where its presence lies.
I saw its form for the first ever time,
When fear had held me and my words wouldn't rhyme.
There was cold; and a nasty blindness
Where a rattling echoed amidst the darkness.
Then, I saw it appear and glide towards me,
Heading to make me the last of my family tree.
My eyes couldn't shape out a face,
With a raspy breath, it quickened its pace;
And spread its wings as majestic as an angel.
Thanatos drew near, a maddening ring of wild knell.
This faceless beauty was such a drug!
It enriched my sorrow and I wished my grave was dug.
Haywired nerves caused chaos in my brain.
I welcomed peace so that all my fever would drain.

You strive so hard but loss snatches all that therein is.
As I let it touch me, I found myself withering
For the scenes of departed time passed before me shivering.
I noticed, winking from the shades were the auras of dawn,
The reasons I could live for, the hope of mine long gone.
They locked their fingers and barricaded my way ...
Their swollen, misty eyes begged for me to stay.
Deep, deep down, I felt the heat swell
I fathomed the pain in which my beloveds would dwell.
So, like a receding river, I took a step back
To retrieve my sword; ready to fight for the light that was lack.

A tentative sigh of light came drifting in
Right when Death backed out from securing another win.


{% extends "wafer.users/profile.html" %}
{% load i18n %}
{% block content %}
{{ block.super }}
{% comment %}
Add info on the user's funding application, if any.
We provide a link to the application, and the status indicator.
This is appended after main 'wafer-profile' section
{% endcomment %}
{% if object.funding_application %}
{% with object.funding_application as application %}


Two Prison Guards Charged With Conspiracy, Falsifying Records in Connection With Epstein Suicide
On 10 August, Jeffrey Epstein died at the Metropolitan Correctional Center where he was held ahead of his pending trial on charges of sex trafficking of minors.
Two prison guards have been charged with conspiracy and falsifying records in connection with Epstein's suicide, the text of the indictment says.
The New York Times reported earlier on Tuesday that two jail workers who were tasked with monitoring the unit of convicted sex offender Epstein at the time of his death had been taken into custody and would be charged.
The guards had to check on Epstein every 30 minutes but instead slept for hours and falsified records, the report said, quoting officials familiar with the matter.
In July, US financier Jeffrey Epstein was arrested for allegedly trafficking underage girls at his mansion for sex. He pleaded not guilty to all charges against him. If convicted he could have faced up to 45 years in jail.
Epstein died on 10 August at the Metropolitan Correctional Center in New York. The official cause of his death is suicide but it has been widely disputed by forensic experts and others.


Welcome To WJs payment Gateway
WJs Payment Gateway
Debit Cards
Visa
Rupay
Mastercard
Maestro
UPI
G-Pay
Phonepe
Paytm
Amazon pay
Others
Credit Card
Net Banking
Razorpay
Paypal


Streaming Vs Tickets
This is the first challenge of Platzi's JS-Challenge
What is best:
Streaming
or
Cinema?
How many movies do you want to watch?
How much is the average movie ticket?
Which streaming platforms you need
to watch them?
Disney Plus
Netflix
Amazon Prime
HBO Max
COMPARAR


{{customerName}} | Table {{tableNumber}}
{{this.storeInformation.storeFrontName}}
{{storeInformation.storeFrontAddress1}}
TOTAL
Sub Total
{{ totals.finalSubTotalAmount | currency}}
Tax
{{ totals.finalTax | currency}}
Tip
{{tipSelectedValue | currency}}
Total Amount
{{totals.finalTotalAmount + tipSelectedValue| currency}}
The information you provide will be processed pursuant to
eatoOS's Diner Terms of Service and
Privacy Statement


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Hamlet
by William Shakespeare
Act 2, Scene 1
Additional Information
- Year Published: 0
- Language: English
- Country of Origin: England
- Source: White, R.G. ed. The Complete Works of William Shakespeare. New York: Sully and Kleinteich.
-
Readability:
- Flesch–Kincaid Level: 11.0
- Word Count: 1,040
- Genre: Tragedy
- Keywords: betrayal, death, murder, revenge
- ✎ Cite This
Downloads
ACT II
SCENE I. A room in POLONIUS' house.
(Enter POLONIUS and REYNALDO)
LORD POLONIUS
Give him this money and these notes, Reynaldo.
REYNALDO
I will, my lord.
LORD POLONIUS
You shall do marvellous wisely, good Reynaldo,
Before you visit him, to make inquire
Of his behavior.
REYNALDO
My lord, I did intend it.
LORD POLONIUS
Marry, well said; very well said. Look you, sir,
Inquire me first what Danskers are in Paris;
And how, and who, what means, and where they keep,
What company, at what expense; and finding
By this encompassment and drift of question
That they do know my son, come you more nearer
Than your particular demands will touch it:
Take you, as 'twere, some distant knowledge of him;
As thus, 'I know his father and his friends,
And in part him: ' do you mark this, Reynaldo?
REYNALDO
Ay, very well, my lord.
LORD POLONIUS
'And in part him; but' you may say 'not well:
But, if't be he I mean, he's very wild;
Addicted so and so:' and there put on him
What forgeries you please; marry, none so rank
As may dishonour him; take heed of that;
But, sir, such wanton, wild and usual slips
As are companions noted and most known
To youth and liberty.
REYNALDO
As gaming, my lord.
LORD POLONIUS
Ay, or drinking, fencing, swearing, quarrelling,
Drabbing: you may go so far.
REYNALDO
My lord, that would dishonour him.
LORD POLONIUS
'Faith, no; as you may season it in the charge
You must not put another scandal on him,
That he is open to incontinency;
That's not my meaning: but breathe his faults so quaintly
That they may seem the taints of liberty,
The flash and outbreak of a fiery mind,
A savageness in unreclaimed blood,
Of general assault.
REYNALDO
But, my good lord,—
LORD POLONIUS
Wherefore should you do this?
REYNALDO
Ay, my lord,
I would know that.
LORD POLONIUS
Marry, sir, here's my drift;
And I believe, it is a fetch of wit:
You laying these slight sullies on my son,
As 'twere a thing a little soil'd i' the working, Mark you,
Your party in converse, him you would sound,
Having ever seen in the prenominate crimes
The youth you breathe of guilty, be assured
He closes with you in this consequence;
'Good sir,' or so, or 'friend,' or 'gentleman,'
According to the phrase or the addition
Of man and country.
REYNALDO
Very good, my lord.
LORD POLONIUS
And then, sir, does he this—he does—what was I
about to say? By the mass, I was about to say
something: where did I leave?
REYNALDO
At 'closes in the consequence,' at 'friend or so,'
and 'gentleman.'
LORD POLONIUS
At 'closes in the consequence,' ay, marry;
He closes thus: 'I know the gentleman;
I saw him yesterday, or t' other day,
Or then, or then; with such, or such; and, as you say,
There was a' gaming; there o'ertook in's rouse;
There falling out at tennis:' or perchance,
'I saw him enter such a house of sale,'
Videlicet, a brothel, or so forth.
See you now;
Your bait of falsehood takes this carp of truth:
And thus do we of wisdom and of reach,
With windlasses and with assays of bias,
By indirections find directions out:
So by my former lecture and advice,
Shall you my son. You have me, have you not?
REYNALDO
My lord, I have.
LORD POLONIUS
God be wi' you; fare you well.
REYNALDO
Good my lord!
LORD POLONIUS
Observe his inclination in yourself.
REYNALDO
I shall, my lord.
LORD POLONIUS
And let him ply his music.
REYNALDO
Well, my lord.
LORD POLONIUS
Farewell!
(Exit REYNALDO)
(Enter OPHELIA)
How now, Ophelia! what's the matter?
OPHELIA
O, my lord, my lord, I have been so affrighted!
LORD POLONIUS
With what, i' the name of God?
OPHELIA
My lord, as I was sewing in my closet,
Lord Hamlet, with his doublet all unbraced;
No hat upon his head; his stockings foul'd,
Ungarter'd, and down-gyved to his ancle;
Pale as his shirt; his knees knocking each other;
And with a look so piteous in purport
As if he had been loosed out of hell
To speak of horrors,—he comes before me.
LORD POLONIUS
Mad for thy love?
OPHELIA
My lord, I do not know;
But truly, I do fear it.
LORD POLONIUS
What said he?
OPHELIA
He took me by the wrist and held me hard;
Then goes he to the length of all his arm;
And, with his other hand thus o'er his brow,
He falls to such perusal of my face
As he would draw it.
LORD POLONIUS
Come, go with me: I will go seek the king.
This is the very ecstasy of love,
Whose violent property fordoes itself
And leads the will to desperate undertakings
As oft as any passion under heaven
That does afflict our natures. I am sorry.
What, have you given him any hard words of late?
OPHELIA
No, my good lord, but, as you did command,
I did repel his fetters and denied
His access to me.
LORD POLONIUS
That hath made him mad.
I am sorry that with better heed and judgment
I had not quoted him: I fear'd he did but trifle,
And meant to wreck thee; but, beshrew my jealousy!
By heaven, it is as proper to our age
To cast beyond ourselves in our opinions
As it is common for the younger sort
To lack discretion. Come, go we to the king:
This must be known; which, being kept close, might move
More grief to hide than hate to utter love.
(Exeunt)


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0
Settings
Spaceship speed
Spaceship accelerate
Bullet speed
Target speed
Target shift
Target fall factor
To control the spaceship, use the
or
A
D
To fire, press
Space


Tile Iterators
You can iterate through tiles in a tile layer in one of two ways.
Format
for tile in map.layer[x].<iterator name>() do
-- Do something to object
end
Iterators
layer.tilesInRange(x, y, w, h)
: Iterates through tiles in a chunk with its left and top coordinates at(x, y)
, and(width, height)
(w, h)
.layer.tilesInRect(x, y, hw, hh)
: Iterates through tiles in a rectangle centered at(x, y)
, and(width, height)
as(2hw, 2hh)
. This means thathw
andhh
work as a sort of "radius" for the rectangle.


How to delete a page from a site. Pages set as either the Splash page, Home page, Login page, or the User page cannot be deleted until the setting is removed. The last visible site page can also not be deleted. Deleted pages are stored in the Recycle Bin where they can be restored or permanently deleted by authorized users.
Tip: You can also delete a page via Page Settings.
Related Topics:


Javier Vilchis is a Web Developer and a Multimedia Designer with focus on User Experience on a Marketing Level. He has the ability to strategize your idea into a full marketing campaing to get your business running at it's best!. He is in the process of acquiring his Certified ANA Marketing Professional (CAMP) certification, to serve your campaing and strategy needs with customer-centric techniques.
Javier is also updating his knowledge base with JavaScript and other front-end languages to better serve current and future projects. His professional programming stack includes front-end scripting and backend scripting to support small and large projects.


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I apologise for the broken link. I tried hard to adapt old URLs to the new URL schema but it looks like I was unlucky.
Here are some links that may help you get to the general area where you may find what you want:
Or latest posts:


This is a reproduction of Concentration, which ran on NBC from the late 50's to 1973. The object of the game is to figure out what the puzzle means. You expose puzzle pieces by matching prizes. Each match reveals a pair of pieces.
In this version, you can play single handed, or play with an opponent.


Homepage
Since it is 2018 the winter Olympics are coming up, of course a lot of people are excited for the games and are curious how their nation will do, but how did YOUR nation do in the past compared to other nations in the past? Did it dominate the others to show it's athletic supiority or did it fail to do so.  On this visual website the answer to these question are displayed and ready to be discoverd by you: the user. find out if your nation is a force to be reckoned with, starting to spread it's wings, slowly falling in decay or simpely always sucked and alway will suck. Explore this for both the summer and the winter Olympics along with the history of every modern nation


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| enum | MsgDescMasks {
kPortMask = 0x0000FFFF,
kFormatMask = 0x00070000,
kIRIGValidMask = 0x00080000,
kTimeStampValidMask = 0x00100000,
kAzimuthValidMask = 0x00200000,
kPRIValidMask = 0x00400000,
kEndianessMask = 0x00800000
} |
| |
| enum | Formats {
kStatus = 0,
kConfiguration,
kPackedReal,
kPackedIQ,
kUnpackedReal
} |
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uint16_t | getPort () const |
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uint16_t | getFormat () const |
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bool | hasIRIG () const |
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bool | hasTimeStamp () const |
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bool | hasAzimuth () const |
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bool | hasPRICounter () const |
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std::string | getFormattedIRIGTime () |
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ACE_InputCDR & | load (ACE_InputCDR &cdr) |
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ACE_OutputCDR & | write (ACE_OutputCDR &cdr) const |
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std::ostream & | print (std::ostream &os) const |
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uint32_t | msgSize |
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uint32_t | msgDesc |
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uint32_t | timeStamp |
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uint32_t | azimuth |
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uint32_t | pri |
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uint32_t | temp1 |
| |
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uint32_t | temp2 |
| |
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uint32_t | temp3 |
| |
|
double | irigTime |
| |
Definition at line 12 of file VMEHeader.h.
The documentation for this struct was generated from the following files: