Given the vectors $ \vec{V}_{n}$ and $\vec{V}_{m},$ we define their inner product as $$\vec{V}_{n} \cdot \vec{V}_{m} = \sum_{i}V_{n}^{(i)} V_{m}^{(i)}, $$
where $V_{n}^{(i)}$ is the $i^{\text{th}}$ component of the vector $\vec{V}_{n}$.
If $$ \vec{V}_{n} \cdot \vec{V}_{m} = 0 \text{ for } m \neq n,$$ then we say the vectors are orthogonal.
If you move in the direction of any vector $\vec{a}$, you do not change the position component in the direction of any vector
orthogonal to $\vec{a}$. In other words, orthogonal vectors are perpendicular.
If $ \vec{V}_{n} \cdot \vec{V}_{m} = \delta_{nm}$ then the vectors are said to be orthonormal.
$$\delta_{nm} = \left\{\begin{matrix}0 \quad \text{if } m\neq n
\\ 1 \quad \text{if } m = n
\end{matrix}\right. $$
This mean the vectors are orthogonal and conveniently normalised.
Use the visualisation to see that when the basis vectors are not parallel they span $\mathbb{R}^{2}$, using
these as basis vectors, we can construct any other vector in $\mathbb{R}^{2}$.
If you can represent any vector in $\mathbb{R}^{n}$ using $n$ vectors, then the basis vectors form a complete set.
If the set of these vectors are all orthonormal, then we have a complete orthonormal set.
In the same way as before, we will now demonstrate what it means for functions to be complete.
We define the functions $f_{n},f_{m}$ to exist on the domain $\left[a,b \right]$.
We define their inner
product to be $$\langle f_{n} , f_{m} \rangle = \int_{a}^{b} f_{n}\left(x \right)f_{m}^{*}\left(x \right)dx$$
and say the functions are orthogonal if $\langle f_{n} , f_{m} \rangle = 0 $ for $m \neq n$.
We then say the functions are orthonormal if $\langle f_{n} , f_{m} \rangle = \delta_{nm} $.
We now claim that you can construct any square integrable function from a complete set of basis
functions in the same way vectors could be constructed from a complete set of basis vectors. A square integrable function $f$ is
a function whose inner product with itself, $ \langle f,f \rangle $ is finite.
Consider a function $f(x)$ which is periodic over the domain $-L < x < L $ where $L$ is positive. $f(x)$ can be represented as a sum of $\sin$ and $\cos$ with varying "frequencies". These trigonometric functions form orthogonal basis.
The Fourier series of $f(x)$ is
$$ f(x) = \displaystyle\frac{a_0}{2}$$ $$+ \displaystyle\sum_{n=1}^{\infty} \Big[ a_n\cos\Big(\frac{\pi nx}{L}\Big)$$ $$+ \displaystyle b_n\sin\Big(\frac{\pi nx}{L}\Big) \Big]$ $ \qquad \left[ 1 \right]$$where
$$ a_n = \displaystyle\frac{1}{L}\int_{-L}^{L} f(x) \cos\Big(\frac{\pi nx}{L}\Big) dx, $$ $$ b_n = \displaystyle\frac{1}{L}\int_{-L}^{L} f(x) \sin\Big(\frac{\pi nx}{L}\Big) dx, $$ $$ a_0 = \displaystyle\frac{1}{L}\int_{-L}^{L} f(x) dx, $$and
$$ n=0,1,2...$$Note: $a_0$$/2$ represents the average value of $f(x)$.
The Fourier series representation of the function $f(x)$ in exponential (complex) form is
$$ f(x) = \displaystyle\sum_{n=-\infty}^{\infty} c_n e^{{in \pi x}/L} \qquad \left[ 2 \right]$$where
$$ c_n = \displaystyle\frac{1}{2L}\int_{-L}^{L} f(x) e^{{-in \pi x}/L} dx, $$Note: The constants in front of the integral(s) of the coefficient for the trigonometric and exponential fourier series are different. Also note the limit of the summations.
We begin by assuming that $f(x)$ can be represented as a sum of exponential terms.
$$ f(x) = \displaystyle\sum_{n=-\infty}^{\infty} c_n e^{{in \pi x}/L}$$Multiplying by $e^{{im \pi x}/L}$, where $m=0,1,2...$, and integrating both sides gives the following:
$\displaystyle\int_{-L}^{L} f(x) e^{{im \pi x}/L} dx$ $=\displaystyle\sum_{n=-\infty}^{\infty} c_n \int_{-L}^{L} e^{{i(n-m) \pi x}/L} dx $
Performing the integral on the R.H.S gives
$ \displaystyle\int_{-L}^L e^{(i\pi x/L)(n-m)}dx$ $\displaystyle =\left\{ \begin{array}{ll} 2L \qquad \text{(if n=m)} \\ 0 \qquad \quad \text{(if n≠m)} \end{array} \right \} $ $\displaystyle= 2L \cdot \delta_{nm}$
This is due to orthonormality of complex exponentials.
As the only non-zero value of the sum is when $n=m$
$$\displaystyle\int_{-L}^L f(x) e^{-im\pi x/L}dx$$ $$\displaystyle= 2L \sum_{n=-\infty}^{+\infty}c_n\delta_{mn}$$ $$\displaystyle=2L\cdot c_m $$Hence
$$\displaystyle c_m=\frac{1}{2L}\int_{-L}^{+L}f(x) e^{-im\pi x/L}dx $$Note: As $m$ is an arbitrary number, it can be assigned as $n$ for simplicity.
Given the previously derived Eqn., we can derive the trigonometric form of the Fourier series. By reorganising the sum, we get
$\displaystyle f(x)= \underbrace{c_0}_\text{n=0}$ $\displaystyle + \sum_{n=1}^{\infty} \big( \underbrace{c_n e^{in\pi x/L}}_\text{Positive n term}$ $\displaystyle + \underbrace{c_{-n} e^{-in\pi x/L}}_\text{Negative n terms} \big)$
We can regroup the terms in the summation in the following way:
$\displaystyle f(x)= c_0 + \sum_{n=1}^{\infty}$ $\displaystyle \Big( \frac{c_n + c_{-n}}{2} \big(e^{in\pi x/L}+e^{-in\pi x/L} \big)$ $ \displaystyle \frac{c_n - c_{-n}}{2} \big(e^{in\pi x/L}-e^{-in\pi x/L} \big) \Big) $
Now take $ a_n = c_n + c_{-n}$ and $ b_n = i(c_n - c_{-n})$ and notice the exponentials can we written as $\sin$ and $\cos$.
Note: $a_0 = 2c_0$ and $b_0=0$.
Hence
$ f(x) = \displaystyle\frac{a_0}{2}$ $+ \displaystyle\sum_{n=1}^{\infty} \Big[ a_n\cos\Big(\frac{\pi nx}{L}\Big)$ $+ \displaystyle b_n\sin\Big(\frac{\pi nx}{L}\Big) \Big]$
$a_n$ can be derived by using the expression from $c_n$
$\displaystyle a_n = c_n + c_{-n}$ $\displaystyle =\frac{1}{2L}\int_{-L}^{+L}f(x) e^{-in\pi x/L}dx$ $\displaystyle +\frac{1}{2L}\int_{-L}^{+L}f(x) e^{in\pi x/L}dx$
Factorise and spot the exponential form of $\cos$.
$\displaystyle =\frac{1}{L}\int_{-L}^{+L}f(x)$ $\displaystyle \Big[\frac{e^{in\pi x/L} +e^{-in\pi x/L}}{2}\Big]dx$ $\displaystyle= \displaystyle\frac{1}{L}\int_{-L}^{L} f(x) \cos\Big(\frac{\pi nx}{L}\Big) dx$
Similar method can be used to derived Eqn. for $b_n$.
$$ b_n = \displaystyle\frac{1}{L}\int_{-L}^{L} f(x) \sin\Big(\frac{\pi nx}{L}\Big) dx $$The triangular function is defined by the following:
$\displaystyle f(x)=\left\{ \begin{array}{ll} \frac{-2A}{L} (x+L) \quad (-L \leq x < -L/2) \\ \frac{2A}{L} x \qquad \qquad (-L/2\leq x < L/2) \\ \frac{-2A}{L} (x-L) \quad (L/2\leq x < L) \end{array} \right. $
First notice that $f(x)$ is odd about $x=0$, hence $a_n=0$ for all $n$. Also, since the $b_n$ integrand is even about $x=0$,
$\displaystyle b_n=\frac{2}{L}\int_0^L f(x)$ $\displaystyle \sin \left(\frac{n \pi x}{L}\right)dx. $
Notice that for even $n$, $b_n$ is odd about $x=L/2$. Hence,
$ \displaystyle b_n=\frac{2}{L}\int_0^{L} f(x)$ $\displaystyle \sin \left(\frac{n\pi x}{L} \right) dx$ $\displaystyle = 0 $ $\displaystyle\quad \text{for even n}. $
The integral from $0$ to $L/2$ is equal in magnitude but opposite in sign to the integral from $L/2$ to $L$, for even $n$.
For odd $n$, the function is even around $L/2$, so we only have to integrate from $0$ to $L/2$ then multiply by $2$.This has made our job much easier.
$\displaystyle b_n=2\frac{2}{L}\int_0^{L/2} f(x)$ $\displaystyle \sin \left(\frac{n\pi x}{L} \right) dx$ $\displaystyle \quad \text{for odd n} $
Play around with the visualisation to the right to convince yourself this is true.
$ \displaystyle \text{For 0 < x < L/2:}$ $\displaystyle \quad f(x)=\frac{2Ax}{L} $
Remembering that for even $n$, $b_n=0$, therefore only consider odd $n$.
$\displaystyle b_n = \frac{4}{L} \frac{2A}{L}\int_0^{L/2} x $ $\displaystyle \sin \left(\frac{n\pi x}{L} \right) dx $
$\displaystyle b_n=\frac{8A}{L^2} \frac{L^2}{(n\pi)^2}$ $\displaystyle \sin \left(\frac{n\pi x}{L} \right) \biggr |_0^{L/2} $
Note for odd $n$ :
$$ \displaystyle \sin \left(\frac{n\pi}{2} \right)=(-1)^{\frac{n-1}{2}} $$Therefore,
$$ \displaystyle b_n=\frac{8A}{n^2\pi^2}(-1)^{\frac{n-1}{2}} $$Finally,
$\displaystyle f(x)=\sum_{n=1,3,5...}^\infty \frac{8A}{n^2\pi^2}$ $\displaystyle(-1)^{\frac{n-1}{2}} $ $\displaystyle \sin \left(\frac{n\pi x}{L} \right) $
And the using that an odd number is given by $2n +1$ for any $n$,
$ \displaystyle f(x)=\sum_{n=1,2,3...}^\infty $ $\displaystyle \frac{8A}{(2n-1)^2\pi^2}(-1)^n $ $\displaystyle \sin \left(\frac{(2n-1)\pi x}{L} \right) $
Representing a function in terms of a trigonometric Fourier series is analogous to representing a vector in terms of basis vectors. Here sines and cosines are our basis functions, we have a method for finding the projection of the function in the direction of each basis function ($a_{n}$ and $b_{n}$ are the "projections" of $f(x)$ onto $\sin\left(\frac{n\pi x}{L} \right)$ and $\cos\left(\frac{n \pi x}{L} \right)$ respectively).
This visualisation shows how the first ten terms are introduced to the series, notice that usually as the number of terms included in the series increases, new terms become less significant (their amplitude decreases).
The power spectrum form is a different representation of a continuous signal. One can think of a signal as a sound wave that is a superposition of different frequencies $\omega_n$, each with amplitude $\alpha_n$, and relative phases $\theta_n$. Any signal of period $2L$ can be decomposed in terms of the amplitude and relative phase of its discrete frequency modes. Its two parameters $\alpha_n$ and $\theta_n$, enable us to measure the amount of each frequency $\omega_n=\frac{n\pi}{L}$ contained in the signal, and the relative phase difference between the $n^{th}$ frequency and a cosine wave centered at $x=0$. This is simply a different way to represent a signal rather than decomposing it into its even and odd parts.
$$\displaystyle f(x) = \frac{a_0}{2} + \sum_{n=1}^{\infty}\alpha_n \cos\bigg(\frac{n\pi x}{L} - \theta_n\bigg). $$ $$\displaystyle \alpha_n = \sqrt{a^2_n + b^2_n}$$ $$\displaystyle \theta_n = \tan^{-1} \bigg(\frac{b_n}{a_n}\bigg)$$
Finally, you can see the components of the series, the power spectrum and the resultant Fourier series displayed all at once. You can select one of the example functions from the previous sections, or input your own custom function, and see how all the elements work together to build a Fourier series.
To specify a custom function, select custom from the drop down menu and input your desired function into the
input for $f(x)$.
The period slider forces the function you have specified to be periodic over $-L < x \leq L$.
For example if $f(x) = \sin(x)$ with $L = 1$, this is the sine function but cut at $x = \pm 1$ and forced
to be periodic over just this range (not the full $2\pi$ period).
The following functions can be used:
Entering 5x does not work: instead you should write 5*x.
Write exponents as a^(exponent), so $x^2$ is writen as x^2.
Functions should be real and fully defined over the domain, for example log(x) is imaginary
for values less than zero, so does not work.
log(x+1) does not work either (with a period of 1), since log is undefined at zero, however
log(1+x^2) does work for all periods, since it is defined over the whole domain and is real.
Sometimes due to the numerical integration methods used, the power spectrum shows very small values ($10^{-17}$).
These are simply due to the inexact integration and should be treated as zero.


--- layout: attachment title: JamesHalfDome date: type: attachment parent_id: '448' published: false password: '' status: inherit categories: [] tags: [] meta: _wp_attachment_image_alt: North Dome 2002 author: login: jmacthewanderer email<EMAIL_ADDRESS>display_name: jMacTheWanderer first_name: '' last_name: '' permalink: "/2019/04/15/from-the-archive-yosemite-day-1-onward-to-north-dome/jameshalfdome/" excerpt: My first trip to North Dome in 2002 which included a fall and scrape, also no hiking boots... ---
James at North Dome 2002


A new generation of data portals
Most open data portals are written with publishing in mind, Magda has been built for the federation of data. It doesn’t matter what state the metadata is in, or where the data is stored, Magda can work with it.
You can see a working example of it at Australia’s data portal
Magda is built around a collection of microservices that are distributed as docker containers. This was done to provide easy extensibility. Using Kubernetes means that configuration of a customised Magda instance can be stored and tracked as plain text, and instances with identical configuration can be quickly and easily reproduced.
It’s ideal for powering open data portals, particularly those that involve federating over a number of other more focused portals. It can just as easily be run on an organisational intranet as a central private data portal - and can even be set up to include relevant open data in search results alongside private data without exposing any private data to the internet.
Want to see what we’re up to in the future? Check out our roadmap
Features
- Seamless federation across multiple data sources
- Enhancement of metadata: Magda takes all kinds of metadata and looks for patterns
- ElasticSearch and Princeton’s synonym library
- Data visualisation and previews for machine-readable tables
- Spatial visualisation integration with Terria
- Quick, lightweight, independent microservices that run inside their own docker container. Use your favourite programming language to build your own!
- Collaboration between data providers and users
How you can get involved
- Try the latest version locally
- Build and run from source
- Contribute!
Latest Release
v0.0.41, released at 2018-07-02 00:51:35 UTC
Contributors
The project was started by CSIRO Data61 and Australia’s Department of Prime Minister and Cabinet. It’s progressing thanks to Data61 and the Digital Transformation Agency


In order to achieve this we will create two PHP code files - one for the parent grid and another for the child grid.
grid.php code (parent grid)
// include the database connection settings require_once 'jq-config.php'; // include the jqGrid class require_once "php/jqGrid.php"; // include the driver class require_once "php/jqGridPdo.php"; // connection to the server $conn = new PDO(DB_DSN,DB_USER,DB_PASSWORD); // instruct the database that we will be using utf-8 encoding $conn->query("SET NAMES utf8"); // create the jqGrid instance $grid = new jqGridRender($conn); // set the SQL select query $grid->SelectCommand = 'SELECT CustomerID, CompanyName, ContactName, Phone, City FROM customers'; // instruct jqgrid to use the "customers" table and set primary keys needed for CRUD (create, read, update, delete) operations $grid->table = 'customers'; $grid->setPrimaryKeyId('CustomerID'); $grid->serialKey = false; // Set output format to json $grid->dataType = 'json'; // let the grid automatically create the columns model based on the database table $grid->setColModel(); // set the url to the location of the PHP code file for the respective grid $grid->setUrl('grid.php'); // set some grid options $grid->setGridOptions(array( "rowNum"=>10, "height"=>250, "rowList"=>array(10,20,30), "sortname"=>"CustomerID" )); $grid->setColProperty('CustomerID', array("label"=>"ID", "width"=>50)); // set the url to the location of the PHP code file for the respective grid $grid->setSubGridGrid("subgrid.php"); // enable navigator $grid->navigator = true; // disable the delete operation programatically for that table $grid->del = false; // we need to write some custom code when we are in delete mode. // get the grid operation parameter to see if we are in delete mode // jqGrid sends the "oper" parameter to identify the needed action $deloper = $_POST['oper']; // det the customer id $custid = $_POST['CustomerID']; // if the operation is del and the customerid is set if($deloper == 'del' && isset($custid) ) { // the two tables are linked via CustomerID, so let try to delete the records in both tables try { jqGridDB::beginTransaction($conn); $cust = jqGridDB::prepare($conn, "DELETE FROM customers WHERE CustomerID= ?", array($custid)); $order = jqGridDB::prepare($conn,"DELETE FROM orders WHERE CustomerID = ?", array($custid)) jqGridDB::execute($cust); jqGridDB::execute($order); jqGridDB::commit($conn); } catch(Exception $e) { jqGridDB::rollBack($conn); echo $e->getMessage(); } } $grid->renderGrid('#grid','#pager',true, null, null, true,true); $conn = null; ?>
With the command
we set the main grid in subgrid mode expecting content from this url for the child grid.$grid->setSubGridGrid("subgrid.php");
Next we disable jqGrid's automatic deleting of records in the parent grid. By default, automatic deleting will delete the parent row only, whereas we also want to delete all related records in the child grid as well. This is done via
In this case we should manually determine if we are in delete mode and manually delete the parent row and all related child rows. jqGrid does this by setting the "oper" post parameter. If the parameter "oper" equals "del", then we know we are in delete mode and can proceed with the logic needed. In addition to that, the grid sends the data for the row deleted, including the primary key (CustomerID in our case). For example:$grid->del = false;
// get the operation $deloper = $_POST['oper']; // det the customer id $custid = $_POST['CustomerID']; // if the operation is del and the customerid is set if($deloper == 'del' && isset($custid) ) { ...
At end we enclose the deletion in transaction deleting the desired records in both tables in order to make sure the tables are in sync.
Now, lets look at the subgrid PHP code file:
subgrid.php
<?php // inclide the database connection settings require_once 'jq-config.php'; // include the jqGrid Class require_once "php/jqGrid.php"; // include the driver class require_once "php/jqGridPdo.php"; // connection to the server $conn = new PDO(DB_DSN,DB_USER,DB_PASSWORD); // instruct the db that we use utf-8 encoding $conn->query("SET NAMES utf8"); // Get the needed parameters passed from the main grid // By default we add to postData subgrid and rowid parameters in the main grid $subtable = jqGridUtils::Strip($_REQUEST["subgrid"]); $rowid = jqGridUtils::Strip($_REQUEST["rowid"]); // create the jqGrid instance $grid = new jqGridRender($conn); // set the SQL select query $grid->SelectCommand = "SELECT OrderID, RequiredDate, ShipName, ShipCity, Freight FROM orders WHERE CustomerID = ?"; // set the ouput format to json $grid->dataType = 'json'; // instruct the grid the we are using the "orders" datatable $grid->table = "orders"; $grid->setPrimaryKeyId("OrderID"); // Let the grid create the column model automatically $grid->setColModel(null,array(&$rowid)); // Set the url from where we obtain the data $grid->setUrl('subgrid.php'); // Set some grid options $grid->setGridOptions(array( "width"=>540, "rowNum"=>10, "sortname"=>"OrderID", "height"=>110, "postData"=>array("subgrid"=>$subtable,"rowid"=>$rowid)) ); // set a option when we add a record to insert a CustomerID too. $grid->setNavOptions("add",array("editData"=>array("CustomerID"=>$rowid))); // Change some property of the field(s) $grid->setColProperty("RequiredDate", array( "formatter"=>"date", "formatoptions"=>array("srcformat"=>"Y-m-d H:i:s","newformat"=>"m/d/Y"), "search"=>false ) ); // enable editing $grid->navigator = true; $subtable = $subtable."_t"; $pager = $subtable."_p"; $grid->renderGrid($subtable,$pager, true, null, array(&$rowid), true,true); $conn = null; ?>
In the subgrid code there is nothing special except this line of code
$grid->setNavOptions("add",array("editData"=>array("CustomerID"=>$rowid)));
With this line we set additional parameter when we are in add mode and this is the id of the Customer. The variable is posted and inserted succesfully.


{{ title }}
Step 1: Here are some of the most popular movies of all times! Please rate as many as possible. If you haven't seen a movie, let the slider at 0.
{{ movie0 }}
{{ movie1 }}
{{ movie2 }}
{{ movie3 }}
{{ movie4 }}
{{ movie5 }}
{{ movie6 }}
{{ movie7 }}
{{ movie8 }}
{{ movie9 }}
{{ movie10 }}
{{ movie11 }}
{{ movie12 }}
{{ movie13 }}
{{ movie14 }}
Step 2: What kind of movies do you prefer?
Oldies but goldies!
The newer the better
I'd watch anything with a pizza


Minsu Lee
You’ve stumbled upon the portfolio of Minsu Lee (web developer, hard worker, and LoL enthusiast.) Here you can view a few of my professional projects, and some coding I did in my free time.
My name is Minsu Lee, and I am a recent graduate at Nova Scotia Community College studying application development. I was born in Seoul, South Korea and for now residing in Halifax!
Recently graduated from IT/Programming at Nova Scotia Community College studying application development and actively working towards being employable. I have had the opportunity to build my skills in programming languages such as Java, J2EE, C#, C, C++, SQL, database design, HTML/XML/CSS, and JavaScript, JQuery, Node.js etc.I am familiarity with source control systems such as git, github and VSTS.
Upon graduation, I hope to be employed as a software developer. I am working on building my skills and fundamentals as a software developer. I find myself taking more time to plan and design my projects instead of working fast and remaking faster. I would like to work at a company where the product or technology is something I can identify or be passionate about.
To get to where I want to go, I have to continue improve professional skills, such as coding problems and interviews. I hope to gain professional experience and network contacts to help find the job I love. I plan to research companies across Halifax and make a list of the potential employers and apply. I plan on getting work experience in software development and getting accustomed to codebases, agile methodologies, and group project work to make myself more employable in the future.


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P-N5 Regular space as
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P-N4 Logical and short names for namespaces
Assign logical and short names to namespaces preferable, with no more than five letters (i.e.
foaf:XXX, schema:XXX
).
lavdim 2015-08-12


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Bayar I.
Menzat
Background
Hello everyone! My name is Bayar and I've been studying Computational Neuroscience in the last 4 years as part of the Vogels Lab .
DPhil candidate Life Sciences Interface DTC, Oxford UniversityBSc Computer Science (A.I), University of Essex 1st
A link to my CV if you would like to have a look at it:
Bayar Menzat CV
Interests
- Computational Neuroscience ( understanding how inhibitory-STDP shapes plasticity in the brain; how gating works; sparse representations )
Current Research:
D. Phil research project in "Understanding olfactory associate learning in the fruit fly" in the group of Tim Vogels
Previously Completed projects
- I. Summer intern, researching gesture interfaces using the Microsoft Kinect in Simon Lucas's group at the University of Essex
- A gesture recognition library for the Kinect camera used to control games:
- Github code
simulation ii from Bayar Ilan on Vimeo.
simulation ii
from Bayar Ilan on Vimeo.Publications
-
1. Ehsan, Shoaib and Clark, Adrian F and Cheung, Wah M and Bais, Arjunsingh M and Menzat, Bayar I and Kanwal, Nadia and McDonald-Maier, Klaus D (2011)
Memory-Efficient Design Strategy for a Parallel Embedded Integral Image Computation Engine In: IMVIP 11Proceedings of the 2011 Irish Machine Vision and Image Processing Conference IEEE Computer Society, Washington DC, USA, pp. 107-108. ISBN<PHONE_NUMBER>292 - Abstract: In embedded vision systems, parallel computation of the integral image presents several design challenges in terms of hardware resources, speed and power consumption. Although recursive equations significantly reduce the number of operations for computing the integral image, the required internal memory becomes prohibitively large for an embedded integral image computation engine for increasing image sizes. With the objective of achieving high-throughput with minimum hardware resources, this paper proposes a memory-efficient design strategy for a parallel embedded integral image computation engine. Results show that the design achieves nearly 35% reduction in memory for common HD video.
Would you like to ask me a question? Email me.


{% extends "base.html" %} {% block content %}
This page doesn't exist. It might have once. However, it is gone.
Start Over, Please


Tweet Collector
Setup
Statistics
Contact
Application up since:
Data Collection Statistics
API Statistics
User Timeline
# Users Traversed once
# Users Pending
Friends/Followers
# Users Traversed once
# Users Pending
Streaming
# Users Traversed
# Tweets
Search/Query
# Hashtags Traversed once
# Hashtags Pending
Total Tweets
Not yet implemented


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--- layout: default title: Thanks ---
Thank you!
Please submit the following number to MTurk: waiting for data to sync...


Before Change
weights={"distances", "similarities"},
n_jobs=None,
copy=False):
__doc__ = dedent(\
Compute a neighborhood graph of observations.
Parameters
After Change
adata.uns["neighbors"] = {}
adata.uns["neighbors"]["params"] = {"n_neighbors": n_neighbors, "umap": umap}
adata.uns["neighbors"]["distances"] = neighbors.distances
adata.uns["neighbors"]["connectivities"] = neighbors.connectivities
logg.info(" finished", time=True, end=" " if settings.verbosity > 2 else "\n")
logg.hint(
"added\n"


---
layout: post
title: Winter Olympics Silverlight streams now working with linux!
categories:
- Linux
- Opensource
tags: []
status: publish
type: post
published: true
comments: true
meta:
_edit_last: '1'
---
I finally got the streams on http://ctvolympics.ca working on linux using firefox 3.5.7 and moonlight 3 preview 2.
Once the plugin is installed, performance may not be super hot. To remedy this, disable the effects in moonlight by running this command in a terminal:
{% highlight sh %}
> MOONLIGHT_OVERRIDES=effects=no
{% endhighlight %}
Then restart firefox. For other issues, checkout the moonlight issues page.


If constructor has its own return value, which is an instance of `Object`, it will be used.
See here.


| Status History | Effective date | Reason for status change |
|---|---|---|
| {{ status.status.status }} (current) | {{ status.statusDateObject | date : 'mediumDate' : 'UTC' }} | {{ status.reason }} |
| Status History | Effective date | Reason for status change | Event Actions |
|---|---|---|---|
|
Developer Status is required
Developer Status must differ from previous Status
|
Change date is required
Only one change of status allowed per day
|
Field is too long
|


{% extends "_base.html" %} {% block content %}
No games are in progress.
No games have yet been finished.


Declare and assign separately to avoid masking return values.
export
export foo="$(mycmd)"
foo="$(mycmd)"
export foo
In the original code, the return value of mycmd
is ignored, and export
will instead always return true. This may prevent conditionals, set -e
and traps from working correctly.
When first marked for export and assigned separately, the return value of the assignment will be that of mycmd
. This avoids the problem.
If you intend to ignore the return value of an assignment, you can either ignore this warning or use
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is a literal and not a command substitution with an independent return value. It also does not warn about local -r foo=$(cmd)
, where declaration and assignment must be in the same command.
local
local foo="$(mycmd)"
local foo
foo=$(mycmd)
The exit status of the command is overridden by the exit status of the creation of the local variable. For example:
$ f() { local foo=$(false) || echo foo; }; f
$ f() { local foo; foo=$(false) || echo foo; }; f
foo
readonly
readonly foo="$(mycmd)"
foo="$(mycmd)"
readonly foo


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{% extends 'members/base.html' %} {% block body %}
To create, build and promote healthy thriving businesses within the black community, to positively contribute to the economic empowerment, growth and development of the black community for this generation and future generations.
To see an increase in communities where black businesses thrive and the underserved are economically empowered.
To provide economic empowerment to the black community.


Acknowledgements
A list of some people and organizations who contribute to keeping Boost running.
Technical Resources
- Web Hosting, Mailing Lists, and Trac Administration
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Hosting resources for the Boost mailing lists, our web server, our wiki and old bug tracker, are donated by Rackspace.
Maintenance, IT support, and general care-and-feeding of the resources is donated by Ciere Consulting
- SSL Certificate
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Our wildcard SSL Certificate was generously donated by the good folks at Ciere Consulting.
- Rendering for producing Boost documentation in PDF format
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Thanks to RenderX.inc for free use of their XEP rendering program, vital for the production of the very popular PDF versions of many Boost manuals written in Quickbook, BoostBook, etc.
Testing
The compiler status tables have been prepared with resources donated by a number of individuals, educational institutions, and companies. Boost would like to thank them for their support. Some of the organizations helping include:
Note, however, that Boost does not endorse any product or service, nor does Boost guarantee that some or all of its libraries work with any of the products or services mentioned above.


Darts is heading to Madison Square Garden as PDC announce new World Series stop
Darts is coming to the ‘world’s most famous arena’ as the PDC’s World Series will land at Madison Square Garden, New York in June next year.
The US Darts Masters has spent the last three years in Las Vegas but will be switching to the Hulu Theater at MSG for 2020.
The World Series is a string of non-ranking events played over the summer and saw the invited players visit the US, Germany, Australia and New Zealand this year, before playing the World Series of Darts Finals in Amsterdam.
The initiative has also seen the PDC visit the UAE, Singapore, Japan and China in the past.
The World Series has never visited Madison Square Garden before, though, which PDC chairman Barry Hearn says could only have been ‘a pipe-dream’ in the past.
‘This is a fantastic development for darts to be bringing the glitz and glamour of the World Series of Darts to the Hulu Theater at Madison Square Garden,’ said Hearn.
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‘This is a world-renowned venue and 20 years ago it would have been a pipe-dream for darts players to take to the stage in such an iconic arena – but this is another exciting move for us as the World Series continues to grow.
‘Not only will this be special for the players competing, but this is a fantastic chance for fans to see the cream of the world’s darting talent under one roof on June 5-6.’
The announcement came on the day that Hollywood A-lister gave a shout out to world number three Gerwyn Price after his Grand Slam of Darts triumph at the weekend.
The actor tweeted: ‘Big ups to the Iceman @Gezzyprice for takin out MVG and the Eagle to win his second consecutive GSD.’
The North American Championship, featuring just US and Canadian players, will be played on Saturday 6 June, with the winner getting a spot at the World Championship.
The US Darts Masters will run from Friday to Sunday as the local players take on the invited stars of the PDC.
The rest of the 2020 World Series is yet to be announced.
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This package contains the Apache Xalan extension for creating barcodes in SVG format during XSL transformations.
See the XSL-FO use case for information on how to use the extension.


Chapter 5 It is not masking
The proportion of earthquakes occurring at night changes as the magnitude of the earthquakes changes.
The size of the confidence intervals around the proportions is determined by the number of earthquake observations within that magnitude. Among magnitude bands with a large number of earthquakes, so small confidence intervals, the proportion of earthquakes is clearly high then falling towards fifty percent.
As the proportion of earthquake events occurring at night decreased with earthquake magnitude, one possible explanation is an unknown mechanism that limits the ability to detect low magnitude earthquakes during the day, creating an illusory difference in overall earthquakes. Atef, Liu, and Gao report cultural noise in seismographic data matching freeway activity and other urban activity Link 1, leading to more earthquakes recorded at night. Similarly, Iwata attributes the masking effects to the decrease in earthquakes in the early and late part of the day and the recovery around noon Link 2.
To see if the masking interpretation is valid, I need to establish a test where the Null Hypothesis is that the difference is caused by masking, and if that test is failed then the effect cannot be caused by masking. After some thinking, the New Zealand data can be limited by sensor location to those seismographs in remote wilderness areas and lightly populated offshore islands, all of which lack freeways and urban areas within sensor range for low magnitude earthquakes. If there is a masking pattern caused by human activity in the day, the sensors in the remote location would be expected to have a 50/50 balance of night and day earthquakes.
For New Zealand Earthquakes, the places an earthquake was detected from can be obtained from a second data source at Geonet Link 3 by making a separate query for each earthquake.
The two seismographs with the least cultural noise to potentially interfere with records are Raoul Island and Puyesgur Point.
The Raoul Island seismograph is located on an island group with no permanent inhabitants, no urban areas or roads, and around 1000km from both Tonga and the New Zealand mainland Link 4.
Puyesgur Point is an automated lighthouse in a remote corner of the Fiordland National park, approximately 150 kilometres from any city greater than 50,000 people and approximately 550 kilometres from any city with a population greater than 120,000 people. The 2013 census records less than 10 people within 60 kilometres of the seismograph in the roadless national park Link 5.
Selecting events detected by the Raoul Island (RIZ) Puyesgur Point (PYZ) yields a set of 2090 events, 1136 of which occurred at night. From this we can reject (95% (2 Sigma) confidence interval 0.522 to 0.565) the hypothesis that among seismographs in areas with no cultural activity there are as many day earthquakes as night. So, in turn, we reject the hypothesis that cultural activities are responsible for the difference between day and night activities. The 2 sigma level of confidence reflects that, though the result is not 0.5, I cannot be as confident with this amount of data (though I am still confident)
Though that rules out cultural effects masking earthquakes, there still might be mysterious, unknown daytime masking effect. While it is impossible to prove the existence of such a mechanism, after some thought it is possible to disprove its existence. To test if the difference between day and night can be explained by an unknown confounder affecting the range at which events are detected, I can limit the data set to only those events that must have been detectable during the day. The median distance to the closest seismograph an event was detected at during the day for events of magnitude 0.3 to 0.5 (inclusive) gives a distance that events, if they were of greater magnitude and occurred within that distance to a seismograph, should be equally detectable in day or night- If earthquakes are stronger and closer than typically detected daytime earthquakes, they can be assumed to not be masked.
By discarding all events outside that distance as potentially unable to be detected in the day, of the 9127 events that remained, 5059 occurred at night. From that we can strongly reject (5 Sigma confidence interval of the proportion is 0.544 to 0.565) the hypothesis that equal numbers of earthquakes occur in the day and at night among earthquakes at a range that can be detected in the day.
5.1 Formal Statement
The hypothesis that daytime masking is causing differences in the measured number of night and day earthquakes is rejected on two grounds. Seismographs in remote locations show no evidence of a lack of daytime masking.
5.2 Links
Link 1 - Atef, A. H., Liu, K. H. & Gao, S. S. Apparent Weekly and Daily Earthquake Periodicities in the Western United States. Bulletin of the Seismological Society of America 99, 2273–2279 (2009).
Link 2 - Iwata, T. in Earthquake Research and Analysis - New Advances in Seismology (ed. Damico, S.) (InTech, 2013).
Link 3 - Geonet Simple Queries http://info.geonet.org.nz/display/appdata/Simple+Queries
Link 4 - Raoul Island https://en.wikipedia.org/wiki/Raoul_Island
Link 5 - Puysegur Point https://en.wikipedia.org/wiki/Puysegur_Point and the 2013 census results http://www.stats.govt.nz/StatsMaps/Home/People%20and%20households/2013-census-quickstats-about-a-place-map.aspx
5.3 Chapter Code
## ----setup, include=FALSE------------------------------------------------
knitr::opts_chunk$set(echo = FALSE)
knitr::opts_chunk$set(warnings=FALSE)
knitr::opts_chunk$set(errors=FALSE)
knitr::opts_chunk$set(message=FALSE)
knitr::opts_chunk$set(dpi = 150)
knitr::opts_chunk$set(fig.width = 6)
knitr::opts_chunk$set(fig.height = 4)
## ----c002_libraries------------------------------------------------------
Sys.setenv(TZ = "UTC")
library(dplyr)
# Assumes there is eqnz_processed data created in chapter 2
load("eqdata/eqnz_processed.RData")
eq_national <- eqnz
## ----fig.cap="Proportion of earthquakes occurring at night by magnitude (0.5 steps)"----
old_par=par()
grf <- eq_national %>% mutate(floored_mag = floor(magnitude*2)/2) %>%
group_by(floored_mag) %>% summarise(successes = sum(eq_is_night), trials=n())
poly_conf_int <- function(success, trials, aa, stepsize, sigma, colr){
ci <- binom.confint(success, trials, method=c("wilson"), conf.level = sigma)
lower <- ci[1,5]
upper <- ci[1,6]
a <- polygon(x=c(aa,aa+stepsize,aa+stepsize,aa), y=c(upper,upper,lower,lower),
col=colr, border=NA)
}
plot7sig <- function(success, trials, aa, stepsize){
library(binom)
#bands <- c('#ffffb2','#fed976','#feb24c','#fd8d3c','#fc4e2a','#e31a1c','#b10026')
bands <- rev(c('#ffffcc','#d9f0a3','#addd8e','#78c679','#41ab5d','#238443','#005a32'))
sigmas <- c(0.682689492137086,
0.954499736103642,
0.997300203936740,
0.999936657516334,
0.999999426696856,
0.999999998026825,
0.999999999997440)
sapply(7:1, function(x){
poly_conf_int(success, trials, aa, stepsize, sigmas[x], bands[x])})
a <- lines(c(aa, aa + stepsize), c(success/trials, success/trials), lwd=2)
}
lbls <- c(
"1 sigma", "2 sigma",
"3 sigma", "4 sigma",
"5 sigma", "6 sigma",
"7 sigma")
typs <- c(1,1,1,1,1,1,1)
weights <- c(3,3,3,3,3,3,3)
clrs <- rev(c('#ffffcc','#d9f0a3','#addd8e','#78c679','#41ab5d','#238443','#005a32'))
#clrs <- c('#ffffb2','#fed976','#feb24c','#fd8d3c','#fc4e2a','#e31a1c','#b10026')
layout(matrix(c(1,1,1,2), ncol=4))
plot(x=c(0,max(grf$floored_mag)+0.5), y=c(0,1), type="n", bty="n",
xlab="Magnitude (0.5 steps)", ylab="Proportion of earthquakes at night")
a <- apply(grf,1,function(x){plot7sig(x[2],x[3],x[1],0.5)})
lines(c(0,10), c(.5,.5), col="#FFFFFF")
lines(c(0,10), c(.5,.5), lty=2, col="#777777")
par(mar=c(0,0,0,0))
plot(x=c(0,10), y=c(0,10), type="n", bty="n", axes=FALSE)
legend(0,5, legend=lbls, lty=typs, lwd=weights, col=clrs,
bty="n", xjust=0,
title="Confidence Intervals:", cex=0.9)
lbls=c("Expected Proportion", "Actual Proportion")
typs=c(2,1)
weights=c(1,2)
legend(0,7, legend=lbls, lty=typs, lwd=weights, bty="n", xjust=0,
title="Legend", y.intersp=1.2)
par(mar=old_par$mar)
par(mfrow=c(1,1))
## ------------------------------------------------------------------------
## Becuase this involved 100000 downloads (though very small ones)
## from geonet, I only wanted to do it once
## hence the only downloading if saved file of results does not exist.
## there are getting on for 2.368 million rows in the final data set
## and it takes many hours to assemble (though is only 3.9 MB in the end)
## if you want to replicate this and save time, and trust me,
## you can load the shortlists later instead of running this section.
if (!(file.exists("eqdata/nz_detection_sites.RData"))){
get_pick_data <- function(x){
csv_url <- paste("http://quakeml.geonet.org.nz/csv/1.0.0/", x, "/picks", sep="")
eq_data <- read.csv(csv_url, stringsAsFactors = FALSE)
station_data <- data.frame(station= unique(eq_data$station), stringsAsFactors=FALSE)
station_data$eq_id <- x
return(station_data)
}
# when I checked, 4 earthquakes had no pick information
no_pick_info <- c("3571857", "2012p569703", "2012p813511", "2013p613798")
eq_ids <- eqnz$publicid[!(eqnz$publicid %in% no_pick_info)]
nz_station_info <- bind_rows(lapply(eq_ids, get_pick_data))
save(nz_station_info, file="eqdata/nz_detection_sites.RData")
}
rm(list=ls())
load("eqdata/eqnz_processed.RData")
load("eqdata/nz_detection_sites.RData")
RIZ_list <- nz_station_info$eq_id[nz_station_info$station == "RIZ"]
PYZ_list <- nz_station_info$eq_id[nz_station_info$station == "PYZ"]
no_cultural_influence <- unique(c(RIZ_list, PYZ_list))
tot_qt_nt <- sum(eqnz$eq_is_night[eqnz$publicid %in% no_cultural_influence])
tot_qt <- length(no_cultural_influence)
bt <- binom.test(tot_qt_nt, tot_qt)
## ------------------------------------------------------------------------
threshold <- median(eqnz$minimumdistance[eqnz$magnitude >= 0.3 & eqnz$magnitude <= 0.5])
detectable <- eqnz %>% filter(magnitude > 0.5, minimumdistance <= threshold) %>%
summarise(at_night = sum(eq_is_night), total=n(), proportion= at_night/total)
bt <-binom.test(detectable$at_night, detectable$total)


@(message: String)(implicit session: controllers.SessionData) @main("scalable minds time tracker") {
Track your time for each issue you work on. We inject links into your issues for convenience.
See an overview of your monthly work.
Admins can see a report by team member or by repository.
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Or, deploy it on your own server.
Uses your GitHub account and all repository and collaborator settings directly. Get started with a minimal setup.
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tidytext used to offer twin versions of each verb suffixed with an underscore, like dplyr and the main tidyverse packages. These versions had standard evaluation (SE) semantics; rather than taking arguments by code, like NSE verbs, they took arguments by value. Their purpose was to make it possible to program with tidytext. However, tidytext now uses tidy evaluation semantics. NSE verbs still capture their arguments, but you can now unquote parts of these arguments. This offers full programmability with NSE verbs. Thus, the underscored versions are now superfluous.
bind_tf_idf_(tbl, term, document, n) cast_sparse_(data, row, column, value) cast_tdm_(data, term, document, value, weighting = tm::weightTf, ...) cast_dtm_(data, document, term, value, weighting = tm::weightTf, ...) cast_dfm_(data, document, term, value, ...) unnest_tokens_(tbl, output, input, token = "words", format = c("text", "man", "latex", "html", "xml"), to_lower = TRUE, drop = TRUE, collapse = NULL, ...)
| tbl | A data frame. |
|---|---|
| term, document, n | Strings giving names of term, document, and count columns. |
| data | A tbl |
| row | Column name to use as row names in sparse matrix, as string or symbol |
| column | Column name to use as column names in sparse matrix, as string or symbol |
| value | Column name to use as sparse matrix values (default 1) as string or symbol |
| weighting | The weighting function for the DTM/TDM (default is term-frequency, effectively unweighted) |
| ... | Extra arguments to pass on to |
| output, input | Name of columns. |
| token | Unit for tokenizing, or a custom tokenizing function. Built-in options are "words" (default), "characters", "ngrams", "skip_ngrams", "sentences", "lines", "paragraphs", and "regex". If a function, should take a character vector and return a list of character vectors of the same length. |
| format | Either "text", "man", "latex", "html", or "xml". If not text, this uses the hunspell tokenizer, and can tokenize only by "word" |
| to_lower | Whether to turn column lowercase. |
| drop | Whether original input column should get dropped. Ignored if the original input and new output column have the same name. |
| collapse | Whether to combine text with newlines first in case tokens (such as sentences or paragraphs) span multiple lines. If NULL, collapses when token method is "ngrams", "skip_ngrams", "sentences", "lines", "paragraphs", or "regex". |
| output_col, input_col | Strings giving names of output and input columns. |
Unquoting triggers immediate evaluation of its operand and inlines the result within the captured expression. This result can be a value or an expression to be evaluated later with the rest of the argument.


I had taken mushrooms one time before. I enjoyed the experience. It was as if it made everything around me beautiful and soothing. I had taken the mushrooms in a chocolate form, and apparently I hadn't tripped to the fullest expectations.
I recieved two grams of small dried mushrooms from a friend. I kept them for a few days until I decided to go ahead and take them. I made the bad choice of agreeing to go see a movie with my friends J and M.
I felt nothing in the car on the way there. We got there and bought the tickets. Still nothing. Then I just started to feel funny. I found it hilarious that the mushrooms were starting to take effect. I tried to buy gummy worms at the consession stand, and I couldn't figure out how much money to give the woman or what change back I should recieve. I thought to myself 'This lady knows there's something up.' I giggled at the thought.
We waited outside for the movie to start. I smoked a lot of cigarettes. I felt like I needed something to keep my hands busy. My friends were sitting at their car flipping through CD's and talking. I was sitting on the curb staring at the cars going by. That's when I had my first visual.
The people driving by seemed so inferior to me. What I focused on was the road. It started to kind of wave around slowly like an ocean. I laughed to myself again because no one else noticed the street was melting. We started to walk back into the theater and as I walked by people, they seemed so small and inferior. Like they were just scenery set up there for the sole purpose of confusing me. I'd see people with weird faces, parents yelling at their kids. I walked up the front of the theater with lights all above the walkway. To my surprise I felt as if I was towering over everyone. My legs felt very long and jelly-like.
While we were walking towards the theater I found myself stopping in the middle of the hall to stare at the wallpaper. There was so much depth to it. I touched it and it would move around. It was so wonderful. I smiled and kept staring at it until my friends snapped me back into it.
We finally got into the movie theater. This is when it started to get frightening. I couldn't tell how long the movie was, or how long it had been playing. It was in black and white, but I had to ask my friend J if it was supposed to be in black and white.
At some time during the movie, everything went downhill. The faces in the movie would slowly start to decay right before my eyes until they were nothing but mere skeletons with flesh hanging from them. It was amazing, but I was so afraid I'd never escape these beasts. It was so incredibly frightening.  It felt as if there was no blood in my face. I started to sweat, then feel cold, then sweat, then feel cold.
I paniced. I realized I had to get out of there. I went to the bathroom. All the people around me seemed to be staring at me and talking about me. I finally got to my destination and I made a huge mistake. I looked in the mirror.  I was deathly pale, and there were blotches of colors on my face. I don't know if my face really looked that way in real life or if it was just my twisted mind. So I freaked and pulled out all of my makeup from my purse.
A girl beside me asked if I had any foundation. I looked up at her with wide eyes. Why did she have to ask now? It took me a while to realize what I was doing, but I eventually gave it to her and muttered a few words to her.  I backed away from the crowd of people at the sinks. Then I looked over a little girl washing her hands. She had soap on her hands, then she put them together and started praying right there on the sink. She muttered words that didn't seem of this world, then quickly looked over at me. In no time at all, her face began to decay! I got so scared I tried to run out of the bathroom. People were blocking my way. It seemed as if they were all in on it. It was a conspiricy against me!
I walked as quickly as I could back into the theater, but things got so jumbled. The halls swirled, the floor got further away from me before coming right back close to me.
I sat back down in my seat. I kept hearing noises around me. Kept seeing doors open everywhere.  I would stare straight ahead at the movie and see my friend J's head dart over and look at me, but when I looked at him he was sitting there silently watching the movie.
My legs became weightless. I couldn't figure out whose body I was in. I decided I was going to try and control this. I sat and payed close attention to every detail in the movie. After a while, I was simply enjoying the movie. As soon as I realized I wasn't panicing anymore, I'd get afraid that it would come back. This would make me panic again. It was a neverending chain of panic and euphoria.
I had to go smoke a cigarette. I fought my way outside and walked to the side of the building. Some people came up and talked to me, but I couldn't understand what they were saying. I heard 'What's wrong with you?' and that was about it. I figured since they had a blunt in their hand, telling them what was wrong with me wouldn't matter. It would be nice to let someone else know how I'm feeling. 'I'm tripping,' I said. The words surprised me. Because I hadn't spoken clear words the whole time I was tripping. They told me I looked like a ghost. The word ghost echoed over and over again. He would say 'You look like a ghost ghost ghost ghost ghost...' He kept repeating it over and over. I muttered some more strange words, and when I looked up they were gone.
The thing that scared me the most out of this whole trip was that I enjoyed feeling more frightened than I ever had in my whole life. It was like walking through a halloween haunted house. You get shocked and scared by things in the house, but why would you pay so much money if you didn't want to be scared?
The next day my muscles were in pain. I felt relieved. I felt like this trip had opened a whole new perspective in my life. One thing I knew was that there was no way I was going to trip around all of those people again.
Next time I'm doing it in a comfortable environment. There definately will be a next time. I've never enjoyed any other drug so much.  They're tricky.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Santa Fe Opera finds additional revenue streams
SANTA FE, N.M. (AP) - The Santa Fe Opera is collaborating with other venues and opening up its stage to other performers as a means to build up its bottom line.
The money that comes in from non-operatic performances such as this season’s concerts by Ringo Starr and Bobby McFerrin and the sharing of productions with operas in New York, San Francisco and other global spots makes up 20% of the Santa Fe Opera’s $25 million operating budget.
The opera gets 40% of its income from ticket sales - pretty high in the theater world, where more often than not ticket sales are closer to 30%. Another 40% comes from donations.
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General Director Robert Meya told the Santa Fe New Mexican that even with record ticket revenue and donations this year, the growth potential in these traditional arenas is limited.
The “other” category shows greater promise to supplement the opera’s operating budget, Meya said.
“It’s a business. We have to find ways to evolve our business model,” he said. “We do need to find ways to supplement our revenue stream in order to continue to produce the great art and opera on an international level.”
Outside concerts, weddings and memorial services on the opera grounds, special dinners and corporate events such as Rolls-Royce introducing its SUV saw a 45% revenue increase this year over the prior year, though Meya declined to discuss dollar figures.
Throughout the 20th century, Santa Fe was a modest regional opera company. In the 21st century, it has evolved into a major player. It has the sixth-largest budget in the U.S. behind the Met, Lyric Opera of Chicago, San Francisco Opera, Los Angeles Opera and Houston Grand Opera.
Dallas Opera just wrapped up a production of The Golden Cockerel with sets, costumes and props all made by Santa Fe Opera. The Texas company paid $150,000 for its share of the co-production.
Santa Fe Opera started co-productions with other opera companies with its 2012 Arabella, which was shared with Minnesota Opera in 2013 and the Canadian Opera Company in 2017.
Former General Director Charles MacKay started the co-productions, finding willing partners to share production costs for Romeo and Juliet, Capriccio, (R)evolution of Steve Jobs, The 13th Child and other operas.
Co-productions became easier with Santa Fe Opera’s 2014-16 expansion of the backstage area, which doubled the sizes of the costume shop, dressing room area and created separate dedicated space for painting and set construction.
“We can work on two productions at once now,” Meya said.
So far, Santa Fe Opera productions have traveled as co-productions, but it’s possible the opera could create productions specifically for other opera companies without staging them in Santa Fe.
The opera probably would limit outside production to costumes and props, as manpower is available for several months a year in those areas. The set crew is pretty busy year-round on Santa Fe Opera productions, but the opera could design a set and sell the plans along with props and costumes, Meya said.
Often enough, even in co-productions, the other company builds its own sets from the Santa Fe plans because it can be cheaper than transporting the sets.
Dallas Opera, however, shipped the Santa Fe sets to Texas, which won plaudits from critics and audience.
“There were unanimous raves,” said David Lomeli, Dallas Opera’s director of artistic administration. “They went crazy. They loved it.”
Information from: The Santa Fe New Mexican, http://www.santafenewmexican.com
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{% for mat in consumables %}
{{mat.Title}} Reset
Are you sure you have changed the consumable?
{% endfor %}
{% if power %}Power issue detected. It is serious issue that may cause random problems during printing.
{% endif%}
{% if disk %}Storage corruption detected. Storage should get repaired.
{% endif%}
{% if heat %}Heating start causing performance degrade and slow down.
{% endif%}
{% if swap %}Memory swap detected it will slow down operations.
{% endif%}
{% if space %}Not enough free disk space. Try removing some plates or expand disk space.
{% endif%}
| Level |
Layer |
Time |
Module |
Details |
{% endblock %}


App Inventor is a cloud-based tool, which means that we can build our "My Peeragogy App" right in web browser.
Getting Started with MIT App Inventor 2
MIT page
Learn to use the open development tool, App Inventor, to program on Android devices. You will learn how to design and build mobile apps -- apps that are aware of their location, send and receive text messages, and give advice and directions. The only limit on the types of apps you will learn to build is your own imagination!
However, computer science is not just about coding and building apps. We will also learn some of the fundamental principles of computer science. We'll learn about the potential and the limitations of computing and coding. We'll learn how the Internet works and about the positive and negative aspects of computing in today's society, and much more!
In addition to programming and CSP the course is project-based and emphasizes writing, communication, and creativity. Multiple-choice questions, in the style that students can expect to encounter on the AP exam, will also be a key component of this course.


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KNIGHT MOVES A film review by Ken Johnson Copyright 1993 Ken Johnson
100 min., R, Suspense/Mystery, 1993 Director: Carl Schenkel Cast: Christopher Lambert, Diane Lane, Tom Skerritt, Daniel Baldwin, Charles Bailey-Gates, Alex Diakun
Christopher Lambert is a Grandmaster chess competitor. While the competition is going on, a serial killer starts killing females, and Lambert is the only suspect that Tom Skerritt, the police chief, has. The killer starts playing a game with Lambert to see if Lambert can catch the killer before the game is over. Skerritt and his partner Daniel Baldwin have psychiatrist Diane Lane called in to investigate Lambert to see if he is doing the killings.
KNIGHT MOVES is an excellent suspense film that I suggest that you see soon, because I don't think that it will be in the theaters for long, even though it was released this weekend. I think that KNIGHT MOVES is worth full admission price and is a must see. On a scale of zero to five, I give KNIGHT MOVES a five. KNIGHT MOVES is rated R for explicit language, female nudity, adult situations, and graphic violence.
The cast for this film is excellent. Christopher Lambert (HIGHLANDER, GREYSTOKE: THE LEGEND OF TARZAN LORD OF THE APES) is very good. Diane Lane (CHAPLIN, NATIONAL LAMPOON GOES TO THE MOVIES) is the reason that I went to see this film. I am a fan of her work, and I am pleased to say that she is excellent. Tom Skerritt (POISON IVY [1992 version], WILD ORCHID 2: TWO SHADES OF BLUE) is the other reason to see this film. He is usually a great actor and this film is no exception. Daniel Baldwin gives a good performance.
KNIGHT MOVES is very well written and quite suspenseful. This film is not very gory, so those of you with weak stomachs won't be bothered if you see this film. The director, Carl Schenkel does a wonderful job of creating a suspenseful atmosphere in this film.
I especially enjoyed how the beginning credits of the film were done. They created an air of mystery, right from the beginning. I also thought that doing them in black and white probably enhanced the effect.
-------- Ken Johnson<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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APOLLO 13 A film review by Choo Eng Aun Copyright 1995 Choo Eng Aun
(Wide Screen, DTS) Starring : Tom Hanks, Kevin Bacon, Gary Sinise, Bill Paxton, Ed Harris Music by : James Horner Produced by : Brian Grazer Directed by : Ron Howard Running time : 2hrs 15mins A Universal Pictures Release
APOLLO 13 is simply one of the most dramatic film this summer (apart from swashbuckling BRAVEHEART). Director (and former actor) Ron Howard (SPLASH, BACKDRAFT, FAR & AWAY), most noted for his dramatic film making, displays again his brilliance in creating drama and suspense in APOLLO 13. Being the second largest box office hit in the US this summer (with more than US$150 million in the states alone), this film is his most successful effort yet.
Perhaps one of the most appealing feature of this film is the pool of talented actors such as Tom Hanks (GUMP himself), Kevin Bacon (FOOTLOOSE, TREMORS, A FEW GOOD MEN etc.), Gary Sinise (FORREST GUMP), Bill Paxton (ALIENS, TRUE LIES, BOXING HELENA) and Ed Harris (THE ABYSS, JUST CAUSE).. all of whom gave good performances in their respective roles.
Apollo 13 was the second worst accident ever to occur in the history of US spaceflight (the worst being the Challenger accident). Jim Lovell (HANKS), the mission commander, together with his crew, Fred Haise (PAXTON) and last minute replacement Tom Swigert (BACON) are put to the ultimate test when part of their command module explodes on the third day of the mission, more than three quarters way to the moon. Suspense and drama ensue as the three men are left in space with their spaceship out of control and the problem of surviving the journey home ... if they ever reach it.
Ed Harris and Gary Sinise who play, respectively, the man in charge of the entire mission control and the astronaut who was supposed to fly but was diagnosed with measles, both delve into their roles superbly. Audiences are shown the chaotic and worrisome state of the entire ground control crew, as they frantically attempt to come up with ideas on how to save the astronauts from hurtling into space. Also, there are quite a number of real news footages which were broadcast during the accident which took the entire US nation into 5 days of drama in 1970.
The special effects by Digital Domain are up to standard and the music suits the suspense and drama very well, thanks to film-music maestro James Horner. Watch out for the launching sequence, it is simply one of the most breathtaking scenes of the film. A bad point though: APOLLO 13 features much technical jargon and many physics concepts in its script. Those who consider themselves `scientifically illiterate' might have a slight problem understanding what caused this and what caused that during the course of the show. This is however, just a minor point, just forget all those technical bullshit and immerse yourselves into the drama and suspense throughout the film. You should enjoy it.
ACTION : ***-- DRAMA : ****- SUSPENSE : ****- Total Rating : 8 out of 10
LEGEND :***** wow! **** excellent *** good ** average * very under-par!
EngAun
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


Feathers breakfast uses solicitor kitchen created on toast knocking. His trouble mush. Old rabbity stripper rabbit wardrobe stamp machine you see morning. Pal walkies ever just album like bottom from ever.
Flippin trouble citizen rewire good s him puttin watch carrots old album never. Gun very know use new do 05 it decide. Decide where all hopeless made reference wrong bit ve hearing house take an.
Mcgraw goes quite chicken toast walkies hang about just good suction enough t quite no. Moon quite go at ho birthday gone goodness trying hang. Shall stamp mind watch created carrots trouble paws tell.


B.3 A Data Set Example
For purposes of this appendix, let us start with a specific hypothetical data representation. Here is an easy-to-understand example. In the town of Greenfield, MA, the telephone prefixes are 772-, 773-, and 774-. (For non-USA readers: In the USA, local telephone numbers are seven digits and are conventionally represented in the form ###-####; prefixes are assigned in geographic blocks.) Suppose also that the first prefix is the mostly widely assigned of the three. The suffix portions might be any other digits, in fairly equal distribution. The data set we are interested in is "the list of all the telephone numbers currently in active use." One can imagine various reasons why this might be interesting for programmatic purposes, but we need not specify that herein.
Initially, the data set we are interested in comes in a particular data representation: a multicolumn report (perhaps generated as output of some query or compilation process). The first few lines of this report might look like:
=============================================================
772-7628 772-8601 772-0113 773-3429 774-9833
773-4319 774-3920 772-0893 772-9934 773-8923
773-1134 772-4930 772-9390 774-9992 772-2314
[...]
|


EBD - Easton Bible DIctionary
Uz
UZ
"UZ", THE LAND OF where Job lived (1:1;
Jeremiah 25:20
;
Lamentations 4:21
), probably somewhere to the east or south-east of Palestine and north of Edom. It is mentioned in Scripture only in these three passages.
"UZ", THE LAND OF where Job lived (1:1; Jeremiah 25:20; Lamentations 4:21), probably somewhere to the east or south-east of Palestine and north of Edom. It is mentioned in Scripture only in these three passages.


Mantena new president of music, dance academy
Founder-president C.S.N. Raju announces his retirement
by Special CorrespondentFounder-president of Visakha Music and Dance Academy-Kala Bharati C.S.N. Raju, who endeavoured all through his life for the promotion of music, dance and theatre, announced his retirement on attaining the age of 86 years.
VMDA Trust Board at its meeting on Saturday unanimously elected a trustee of VMDA, Mantena Satyanarayana Raju, as the new president with immediate effect.
Mr. Satyanarayana Raju established Ramakrishna Educational Society 25 years ago enabling 1,000 children study from LKG to graduation paying nominal fee. He funded and got constructed the Ramakrishna Dhyana Mandir for spiritual, cultural and medical services costing ₹1 crore.
He has been the managing trustee of RK Mission for the last 30 years.


Unimelb Timetable .ics generator
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classes detected
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Folders
<parent>
File
File
File
File
File
File
File
File
File
File
Anagrams.java
CountAndSay.java
CustomSor...g.java
Longest.java
MagicPotion.java
Palindrome.java
PatternMatch.java
RemoveUnb...s.java
Rotation.java
Unique.java
CompareVe...s.java
CountWords.java
Encode.java
LongestAw...g.java
MinLength...g.java
Pangram.java
Remove.java
ReverseWords.java
Rotationa...r.java
WordDistance.java
Folders: 1
Files: 20
Size of all files: 0.043 MG


|
JavaTM 2 Platform Standard Ed. 5.0 |
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
public interface InputMethodRequests
InputMethodRequests defines the requests that a text editing component has to handle in order to work with input methods. The component can implement this interface itself or use a separate object that implements it. The object implementing this interface must be returned from the component's getInputMethodRequests method.
The text editing component also has to provide an input method event listener.
The interface is designed to support one of two input user interfaces:
Component.getInputMethodRequests()
,
InputMethodListener
| Method Summary | |
|---|---|
AttributedCharacterIterator |
cancelLatestCommittedText(AttributedCharacterIterator.Attribute[] attributes)
Gets the latest committed text from the text editing component and removes it from the component's text body. |
AttributedCharacterIterator |
getCommittedText(int beginIndex,
int endIndex,
AttributedCharacterIterator.Attribute[] attributes)
Gets an iterator providing access to the entire text and attributes contained in the text editing component except for uncommitted text. |
int |
getCommittedTextLength()
Gets the length of the entire text contained in the text editing component except for uncommitted (composed) text. |
int |
getInsertPositionOffset()
Gets the offset of the insert position in the committed text contained in the text editing component. |
TextHitInfo |
getLocationOffset(int x,
int y)
Gets the offset within the composed text for the specified absolute x and y coordinates on the screen. |
AttributedCharacterIterator |
getSelectedText(AttributedCharacterIterator.Attribute[] attributes)
Gets the currently selected text from the text editing component. |
Rectangle |
getTextLocation(TextHitInfo offset)
Gets the location of a specified offset in the current composed text, or of the selection in committed text. |
| Method Detail |
|---|
Rectangle getTextLocation(TextHitInfo offset)
If the component has composed text (because the most recent InputMethodEvent sent to it contained composed text), then the offset is relative to the composed text - offset 0 indicates the first character in the composed text. The location returned should be for this character.
If the component doesn't have composed text, the offset should be ignored, and the location returned should reflect the beginning (in line direction) of the highlight in the last line containing selected text. For example, for horizontal left-to-right text (such as English), the location to the left of the left-most character on the last line containing selected text is returned. For vertical top-to-bottom text, with lines proceding from right to left, the location to the top of the left-most line containing selected text is returned.
The location is represented as a 0-thickness caret, that is, it has 0 width if the text is drawn horizontally, and 0 height if the text is drawn vertically. Other text orientations need to be mapped to horizontal or vertical orientation. The rectangle uses absolute screen coordinates.
offset
- the offset within the composed text, if there is composed
text; null otherwise
TextHitInfo getLocationOffset(int x, int y)
Return null if the location is outside the area occupied by the composed text.
x
- the absolute x coordinate on screeny
- the absolute y coordinate on screen
int getInsertPositionOffset()
AttributedCharacterIterator getCommittedText(int beginIndex, int endIndex, AttributedCharacterIterator.Attribute[] attributes)
The input method may provide a list of attributes that it is interested in. In that case, information about other attributes that the implementor may have need not be made accessible through the iterator. If the list is null, all available attribute information should be made accessible.
beginIndex
- the index of the first characterendIndex
- the index of the character following the last characterattributes
- a list of attributes that the input method is
interested in
int getCommittedTextLength()
AttributedCharacterIterator cancelLatestCommittedText(AttributedCharacterIterator.Attribute[] attributes)
Generally, this feature should only be supported immediately after the text was committed, not after the user performed other operations on the text. When the feature is not supported, return null.
The input method may provide a list of attributes that it is interested in. In that case, information about other attributes that the implementor may have need not be made accessible through the iterator. If the list is null, all available attribute information should be made accessible.
attributes
- a list of attributes that the input method is
interested in
AttributedCharacterIterator getSelectedText(AttributedCharacterIterator.Attribute[] attributes)
The input method may provide a list of attributes that it is interested in. In that case, information about other attributes that the implementor may have need not be made accessible through the iterator. If the list is null, all available attribute information should be made accessible.
attributes
- a list of attributes that the input method is
interested in
|
JavaTM 2 Platform Standard Ed. 5.0 |
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
Copyright © 2004, 2010 Oracle and/or its affiliates. All rights reserved. Use is subject to license terms. Also see the documentation redistribution policy.


ABOUT
Hello. My name is George Morris. I'm a web developer/musician from Detroit, Michigan and a graduate of Grand Circus. I think there is beauty in simplicity and try to incorporate that into my design and my code. I work on anything from static sites to full blown applications. If you have a project you'd like to get moving on, let's TALK.
SKILLS
HTML / CSS / JavaScript / jQuery / AngularJS / Node / PHP / SQL / Git / Bootstrap / Responsive Design / React / Photoshop
WORK
Tibbs Inc.
UI/UX/WEB
Tibbs Inc is a brand new production company in Detroit. They needed a site to show off their work. Built with AngularJS, this sleek site does that and more. Check out their stuff!
VIEW SITEAccidents Happen
APP/UI/UX/WEB
This is the final project my team and I built at Grand Circus. An application for those difficult times when accidents happen and you're not sure what to do. This app utilizes AngularJS, Node and SQL.
VIEW SITEMountain Travel
UI/UX/WEB
Another project built focusing on clean, responsive design. This site displays what a good tool Flexbox can be when it comes to mobile friendly designs.
VIEW SITELivingSpace
UI/UX/WEB
This was my submission to LivingSpace for their hompage redesign. It's a simple, clean and responsive design with subtle yet engaging animations.
VIEW SITE


Keep track of your Instagram performance!
Weekly Report
Followers
120K
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Growth Rate
44%
49%
Engagement
3.41%
36%
In Action
Mon
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Fish Pochero
Ingredients:
2 whole golden pompano with total weight of about 3 lbs(or other lean fish like tilapia, tuna and salmon), each cut into 4 slices
3 pcs saba bananas, peeled and cut into 3 bias slices
3 cloves garlic, minced
1 medium-sized onion, thinly sliced
1 cup water
1 8-oz. can tomato sauce
¼ cup banana ketchup
3 medium-sized potatoes, peeled and quartered
15 pieces green beans, cut 2" long
1 cup freshly cooked kidney beans
3 heads small bok choi, washed and trimmed
1 Tbsp sugar
2 Tbsp fish sauce
5 Tbsp light olive oil
Salt and pepper
Garlic powder
Directions
* Sprinkle fish with salt and garlic powder. Let sit for about 15 minutes.
* Meanwhile, in a large skillet over medium heat, fry saba bananas and potatoes in light olive oil until golden brown. Remove from skillet and set aside.
* In the same skillet, fry the fish until medium brown on all sides. Remove from skillet and set aside.
* In the same skillet, saute garlic and onion until onion is almost translucent. Add green beans and saute for a minute.
* Add water, tomato sauce and ketchup. Bring to a gentle boil. Add sugar and fish sauce. Mix well. Season with salt and pepper to suit your taste. Simmer for about 3 minutes.
* Add kidney beans and bok choi. Simmer for 3 minutes. Add fish and simmer for another 3 minutes. Transfer fish to a serving plate.
* Add the fried saba and potatoes into the sauce. Toss until well coated.
* Remove from heat. Transfer to the serving dish with the fish. Serve with hot rice.
(Pinay Cooking Corner)


|
Earn
{{campaign.minimumMilestoneReward}} to
{{campaign.maximumMilestoneReward}}
when making a purchase
|
Give and Get
{{campaign.minimumReferralReward}} to
{{campaign.maximumReferralReward}}
when referring a friend to make a purchase
|
|
|
|
| campaign.totalValueOfSales"> |
Milestone {{i+1}}
Unlocked at: ${{milestone.unlockAtValueOfSales}}
Earn
{{milestone.percentageDiscount}}%
of your purchase in HiveCoins
|
campaign.totalValueOfSales"> {{milestone.percentageDiscount}}% |
| ${{product.cost}} USD | {{product.cost}} |
HiveCoins Rewards


Read the Exam 1 information, if you have not already done so.
Do the Practice Problems for the Paper-and-Pencil part of the exam..
To WRITE YOUR ANSWERS, do one of the following (YOUR CHOICE):
Number your answers in the same order as they appear in the document with the problem statements.
AFTER (!) doing each page of those problems, check your answers to the problems on that page via the Answer Key to those problems.
To TURN IN YOUR ANSWERS:
Do this this Before-the-Session quiz.
Check your own answers to the above Before-the-Session quiz by examining this Answer Key to the Before-the-Session quiz for Session 6.
Turn in your answers to the Before-the-Session quiz in the usual way (on Moodle, via the item named Turn in your Before-the-Session quiz here.).
There are no Start-the-Session videos for this session.


Open the dev tools to see the console debug output.
This demo features a 4 step state machine in which the 3rd one represents a persistent state (think of it as a save-point state), if we leave the action at that stage, it will automatically be recovered when you return to it.


Hint <IP_ADDRESS>.
To complete the table, use the information on White voters who voted for the Heart candidate to complete the first row of data. In the first table, we have 45 White voters for Heart out of 55 total White Voters. That means there must be 10 White voters who voted for the Club candidate. In a similar way, fill in the other values in the table.
in-context


When I was a little kid, programming has been my passion.  As I went through the BASIC tutorial, it was almost magic, being able to get the computer to do whatever I wanted, just typing in these symbols, limited only by my own imagination and ingenuity. Throughout high school, I latched on to any ideas for projects I could get, moving from "Hello World" all the way to a simple first static website I created for my classmates, with dozens of projects in between. I learn C# tearing through any books I could find on anything remotely related to software development. I was insatiable.
This passion carried me through my education at Asian College. Here, there were more resources available to me than I ever could have imagined as a kid. I studied new languages, algorithms, higher mathematics, all with pretty much the same fascination that drove me as a kid. And it was here and I learned truly how much there was yet to learn.
So, now, in industry, this passion remains with me. There's certainly yet more to learn, yet more problems to solve, and yet more to build. And for this, I am very grateful.
Develop, lead, and create a software architecture for company to deliver a quality software for the Activants customers.
Develop, maintain and support e-commerce platform for Product Information Management module using inRiver cloud and on-premise.
Develop and maintain logistics platform for aviation industry to tracking shipment of goods from one custom to another.
Develop and maintain health tracking system for our client in Sweden
Develop, support and maintain e-commerce product which focuses on trading pre-owned cars.
My “hobby” is gaming. I usually don’t use the term hobby, but I play quite often. Gaming is my way to relax. I spend my free time playing games online with my friends and it’s the way I connect with my friends. Gaming means to me a lot. I think could not live without my pc! My inspiration in gaming begun when I got a Ps2 for my birthday present a long time ago. My favourite games are Dota2, Assassin's Creed Franchise, Mobile Legends and Tekken 7.
PIM Software Architect/Lead
Avensia Philippines, Inc.
Team Manager
Avensia Philippines, Inc.
Unit 306, 3rd Flr., Nudalos Green Bldg., 21 Mayon Street, Singson Village, Subangdaku, Mandaue City, Cebu 2014, PH


Server Runtime Information
Memory
Total Memory
Heap Memory
Non-Heap Memory
Threads
Runnable
Timed Waiting
Waiting
Blocked
Garbage Collection
Mark Sweep count
Mark Sweep time
Scavenge count
Scavenge time
JVM Information
Uptime
Start
VM Name
VM Spec Vendor
VM Spec Version


Variables
A HARP variable is a named multi-dimensional array with associated attributes (see section Variable attributes). The base type of a variable can be any of the data types supported by HARP (see section Data types). A variable can have zero or more dimensions. A variable with zero dimensions is a scalar. The maximum number of dimensions is 8. Each dimension of a variable has a type that refers to one of the dimension types supported by HARP (see section Dimensions). Dimensions of the same type should have the same length, except independent dimensions.
Variables have a name that should follow the Variable naming convention.


Wishwa Gayan
Under Graduate Student of
University Of Peradeniya
I am an IOS And Web Developer. I ❤ Coffie
Books and Teaching
The Full-Stack Web Developer
The Complete IOS Developer
My Hobbies
Song Remix
Youtubing
Social Marketing
Dates
Works
2010 - 2013
Bulk Email Sender
2015 - 2018
Pos System
Skills
Android
⭐⭐⭐⭐⭐
Java
⭐⭐⭐⭐⭐
Android
⭐⭐⭐⭐⭐
Java
⭐⭐⭐⭐⭐
Contract Me


Thomas Philippaerts
User Experience Designer
Nice to meet you. I'm an information architect working at
AGConsult
in Ghent. I think design covers so much more than just the aesthetic. Design is fundamentally more. Design is usability.
What I do
Usability Audits
Information Architecture
Wireframing & Prototyping
Want to work together?


SE-EDU (se-education.org) is a collection of FOSS resources for Software Engineering (SE) educators and students. The full website is available at https://se-education.org


This is your go to stop for learning more about U.S. presidential elections! Yusuf Ameri and Douglas Sexton are pleased to provide this service to answer your presidential questions!
View all queries!
Learn more about your presidential participants!
Visit Query!
There's no party like a presidential party!
Learn more about an election for a given year!
Learn more about flip-floppers!


Im looking for high ab and some decent ac on a Dex build the server i play has +10 items and it has some items with 20% damages. Im looking for a high ab build without having to resort to bard song unless its lasting song. I need some rogue in it or even bard for decent skills IE umd tumble taunt pp so on Guys if ya can put some builds my way to help me out seeing as it is the xmas spirit that owns. Im also going to be either using rapier or scimmy for crit rate but if ya come up with better ideas let me know please and also if thes builds are self buff reliant can u tell me what slots to use aswell please. Also if ya wanna lvl it for me i would be really pleased only joking. Everyone have a good new year i hope all your dreams comes too.


This command loads a shared library file into the PostgreSQL server's address space. If the file has been loaded already, the command does nothing. Shared library files that contain C functions are automatically loaded whenever one of their functions is called. Therefore, an explicit LOAD is usually only needed to load a library that modifies the server's behavior through "hooks" rather than providing a set of functions.
The file name is specified in the same way as for shared library names in CREATE FUNCTION; in particular, one can rely on a search path and automatic addition of the system's standard shared library file name extension. See Section 35.9 for more information on this topic.
Non-superusers can only apply LOAD to library files located in $libdir/plugins/ — the specified filename must begin with exactly that string. (It is the database administrator's responsibility to ensure that only "safe" libraries are installed there.)


A way to update the data set for the grid in bulk, or to empty the grid.
models
(array)
- (Optional) A list of data objects to set as the new data collection for the grid..
(object)
- A Doby Grid class instance
// Replace the existing data with a new data set
new DobyGrid(...).reset([{...}, {...}]);
// Empty the grid
new DobyGrid(...).reset();


This page is provided for persons using adaptive technology.
On this page:
Note: The -
(hyphen)
used in the instructions below signifies that keys should be pressed
simultaneously.
Sakai contains some accessibility issues yet to be resolved, for some of which there are workarounds:
Alt
-down arrow key to open
the menu, and then use the arrow keys to explore the choices.
Notify the Sakai Accessibility
Team Lead at<EMAIL_ADDRESS>if you
find other problems. Use the subject line "Sakai Accessibility
Issues".
Here are some tips for navigating:
Accesskeys follow the UK e-commerce standards wherever possible, and are mnemonic otherwise. If an accesskey is available for a given link or button, the accesskey will be announced by a screen reader when that link or button receives focus. To invoke accesskeys:
Alt
plus the indicated letter
or number.Alt-Shift
plus the indicated
letter or number.Ctrl
plus the
indicated letter or number.
Accesskeys available throughout the application include:
Accesskey-6
Accesskey-c
Accesskey-l
Accesskey-w
Accesskeys are available for most form-based tools.
Accesskey-x
Accesskey-e
Accesskey-u
Accesskey-s
Accesskey-v
Accesskey-c
.
Accesskey-c
to return the focus
to the top of the selected tool.
Accesskey-w
to return focus to the
worksites list, and then press Shift-Tab
repeatedly
till focus wraps around to the bottom of the page. Continue
pressing Shift-Tab
as needed to reach the desired control.
h
moves to the next
heading. Pressing Shift-h
moves to the previous heading.
Insert-F6
for a list, and then scroll
using the up and down arrows.
Insert-Tab
, Alt-h
,
Alt-s
, and then scroll using the up and down arrows.Cancel
) on a page:
Insert-F5
to open the forms list
dialog. Then, press Ctrl-End
.
Insert-Tab
to open the page
navigation dialog, Alt-c
to list controls, Alt-s
to go to the list, and then press End
.
Note: JAWS and WindowEyes users can use first letter
navigation while in the list of forms or headings to easily navigate
to the desired element. For example, to easily locate the cancel
button in the list of forms, press c
.
Insert
-down arrow.Ctrl-Home
, and then press
Ctrl-Shift-r
.The following versions are highly recommended:
Download the latest JAWS version at:
http://www.freedomscientific.com/downloads/jaws/jaws-downloads.aspCheck for Window-Eyes upgrades at:
http://www.gwmicro.com/Window-Eyes/Upgrades/You can make temporary changes for most of the recommended settings
while in the browser by pressing Insert-v
to bring up the
Adjust JAWS Options
dialog. The dialog will present a
tree view of options that can be changed. Use the up and down arrow
keys to navigate the list. Press the letters used as
Navigation Quick Keys to jump to relevant settings (such as
f
for forms, h
for
headings, l
for links, and
t
for text).
To make permanent changes to the HTML settings, use the JAWS Configuration Manager in JAWS versions 10 and 11. JAWS 12 users should use the Settings Center within the Run JAWS Manager.
Note: Whichever browser you use, the settings that
are changed will apply to that browser unless a specific program is
selected from the Application
combo box. The
Application
combo box can be found by tabbing past the
OK
and Cancel
buttons. Then, use the down arrow key
to choose whether the settings should be applied to one or all of the
programs.
Insert-F2
.
s
to navigate to the Settings
Center and press Enter
.
Web/HTML/PDFs
option, and then
press right arrow to open the tree view.
OK
button, and then press Enter
.
You can make changes for one specific page or web site domain by
adjusting settings in the Personalized Settings
menu, which is
accessed by pressing Insert-Shift-v
.
Alt-Tab
.
Utilities
by pressing
Alt-u
.
JAWS Configuration Manager
by pressing
c
.
Set Options
by pressing
Alt-s
.
HTML Options
by pressing h
.
Ctrl-Tab
to move between pages in
the HTML Options
dialog.
Enter
to save the changes.
To access HTML settings within Window-Eyes:
Control panel
by pressing
Ctrl-backslash
.
Global Menu
by pressing Alt-l
.
Verbosity Menu
by pressing v
.
MSAA
by pressing m
.
To save page-specific settings in Window-Eyes, go to the General Document
Settings
option in the control panel.
It is recommended to have headings announced with the heading's level. You can navigate easily using headings. The major sections of each page such as the worksites list, the tools list, and the content within tools are marked with headings and well structured hierarchically using heading levels (level 1, level 2, level 3, etc.).
JAWS and Window-Eyes announce headings with level as the default.
Users control page refreshes. To refresh page content, press F5
.
To set JAWS to turn off page refresh:
Insert-F2
to open the Run JAWS Manager.
s
until you hear "Settings Center",
and then press Enter
.
Refresh
in the search box. Tab to the one search
result listed.
Page Refresh
option from the
HTML/Web/PDFs
menu, and press Enter
.
off
.
Insert-v
to go
to the Adjust JAWS Options
dialog.
p
for "page refresh", adjust the
setting by pressing the Spacebar as needed to reach off
, and then
press Alt-e
to execute.
To turn off page refresh in Window-Eyes, press
Alt-Shift-m
until you hear "suspend all".
Title attributes can aid in comprehension of buttons and links by providing additional information.
To set JAWS to announce title attributes on graphics:
Insert-F2
, and then
s
until you hear JAWS say
"Settings Center". Press Enter
.
graphic
in the search box. Then press
Tab
to go to the search results.
Enter
to open the Web/HTML/PDFs
menu.
Images/Graphics
options, and then press right arrow to open it.
f
until you hear JAWS
say "for an image", and then press right arrow to open it.
OK
button and press Enter
.
Insert-v
to go to the
Adjust JAWS Options
dialog.
g g g g
for "graphics recognize by",
adjust the setting by pressing the Spacebar as needed to reach "title",
and then press Alt-e
to execute.
Window-Eyes enables announcement of title attributes for graphics by default.
Title attributes on links can aid in comprehension of buttons and links by providing additional information.
To set JAWS to announce title attributes on links:
text link
in the search box, and then press
Tab
to go to the search results.
HTML/Web/PDFs
option with the right arrow key.
f
until you hear JAWS
say "For a link text", and then press the right arrow key to open the
menu.
OK
button, and press Enter
.
Insert-v
to
go to the Adjust JAWS Options
dialog.
t t
for "text links show using",
adjust the setting by pressing the Spacebar as needed to
reach "title", and then press Alt-e
to execute.
Window-Eyes enables announcement of title attributes for graphics by default.
The first column of the table below contains page elements, the second column provides suggested screen reader settings, and the third column contains shortcut keys used while in Internet Explorer or Mozilla Firefox to configure the settings.
| Element | Suggested screen reader setting | Shortcut keys while in Internet Explorer or Firefox |
|---|---|---|
| Headings | Headings announce - Heading and level | Press Insert-v . Press
h h for "Headings announce", and then press the
Spacebar as needed to reach "Heading and level". Press
Alt-e to execute.
|
| Links | Text links show using - Title | Press Insert-v . Press
t t for "Text links show using", and then press
the Spacebar as needed to reach "Title". Press Alt-e to execute.
|
| Graphics | Read title attribute | Press Insert-v . Press
g g g g for "Graphics recognize by", and
then press the Spacebar as needed to reach "Title". Press Alt-e to
execute.
|
| Frames | Frames show start and end - Off | Press Insert-v .  Press Alt-e to execute.
|
| Tables | Layout tables - Off | Press Insert-v .
Press Alt-e to execute.
|
| Refresh | Page refresh - Off | Press Insert-v . Press
p for "Page refresh", and then press the
Spacebar as needed to reach "Off". Press Alt-e to
execute.
|
The first column of the table below contains page elements, the second column provides suggested screen reader settings, and the third column contains shortcut keys used in Internet Explorer or Firefox to configure the settings.
| Element | Suggested screen reader setting | Shortcut keys in Internet Explorer and Firefox |
|---|---|---|
| Headings | Indicate heading level - Checked | Press Insert-v . Press
h for "Headings", and then press
Tab for the Indicate Heading Level
checkbox. Press the Spacebar as needed to check the box, and
then press Enter to execute.
|
| Frames | Insert beginning/end message (forms) - Unchecked | Press Insert-v . Press
f for "Forms", and then press
Tab for the Insert Beginning/End Message (Forms)
checkbox. Press the Spacebar as needed to uncheck the box. Press
Enter to execute.
|
| Tables | Recognize data tables only | Press Insert-v . Press t
for "Tables", and then press Tab for the currently
selected "Insert Beginning/End Message" radio button. Use the up
arrow or down arrow as to select the Insert Beginning/End Message
(Smart) radio button. Press Enter to execute.
|
| Refresh | Suppress refreshes | Press Alt-Shift-m until you hear "suspend all".
|
The continuing objective of developers is to make the application compliant with Section 508 and WCAG 2.0 Level A and AA Success Criteria, and as usable as possible for persons using adaptive technology. Most tools follow W3C accessibility guidelines for headings, forms, tables, links, and images, but do not include non-script alternatives to JavaScript, or user messages for pop-ups or completed actions. Tools following most guidelines include:
Some tools are being worked on to improve their accessibility. These include the following:
Sakai has been tested with current versions of JAWS using both Internet Explorer and Firefox. Compliance has also been evaluated using manual code inspection, the Firefox Accessibility Extension add-on, the WAVE Web Accessibility Evaluation tool, and W3C Validator in order to continually improve accessibility.


Draymond Green Kneed Celtics’ Daniel Theis Right In The Groin (VIDEO)
by Darrelle LincolnIt seems like it’s been awhile since Draymond Green last caught heat for hitting another player between the legs, so he made sure to get the conversation going once again during his latest incident.
During the 105-100 loss to the Boston Celtics on Friday night, the Golden State Warriors forward was trying to stop Celtics’ Daniel Theis drive to the basket with some stellar defense.
Theis likely regretted that play as his junk ended up being hit by Draymond’s knee as he stayed down on the court in pain.


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Button fix/Button add - Better Battlelog Forums #1762
Sitemap
08. June 2012 12:00
Topicstarter
DirtY SeCreT
Hi.
Battle Reports:
http://picload.org/image/rpplpac/2.png
Is there any possibility of adding a Quick-Button for Server-Browser on Home Screen?
http://picload.org/image/rpplpaw/3.png
greetz Mumpitz23
08. June 2012 13:45
xXJumpyXx
Helping Hand
The battle report buttons bug is reported and confirmed to be fixed in the next release.
That's a good idea with the server browser button :)
08. June 2012 13:47
ORFK
Global Moderator
First one: already in progress, we will fix it.
secound one: good idea, i will support it.
08. June 2012 13:48
BrainFooLong
Administrator
First, often requested and marked as duplicated/ready.
Second, good idea. I also like this.
12. June 2012 11:16
BrainFooLong
Administrator
Both ready in next update.


--- title: Venmo date: 2014-06-01 start: Summer 2014 link: https://venmo.com featured_image: teams/venmo.png role: Software Engineering Intern ---
In the summer of 2014, I worked at Venmo as a Software Engineering Intern. I worked across Venmo's web stack, adding a new database model in SQL and MongoDB, building an API in Django, a separate client application in Flask, HTML, CSS, and JavaScript, building out Venmo's now-closed API. I helped to build a webhook model, improve code quality and logging, test coverage, and API semantics. I also had the opportunity to work on an improved blocking feature on Venmo's iOS app.


 It was pretty grueling, as most of the people that worked there were dumb chads and self proclaimed 'football all stars'. I was addicted to cocaine at the time, and felt no immediate urge to differ from the wonderful drug, often cutting lines in the bathroom to help pass time between frying burgers and salting fries.
I met a dude named ryan, who was about 30 or so and we began to hang out alot, smoking crack after work and getting drunk at my parents.  So shortly after, we began to inquire local drug dealers about scoring some smack. Eventually our requests were answered and we bought a gram of fine brown powder for 50 bucks. We were staying in a hotel in Austin, Tx at the time and quickly returned there.
I had shot cocaine and meth before, but I had never injected heroin. Ryan poured a small mound into each of our spoons and together we drew up about 20 ml's of water into our syringes and doused the dope in it. I let the mixture settle for a moment before I held the lighter under it and dropped the cotton and pulled up the brown liquid. Afterwards, I did what had to be done and sent the needle's contents into my left arm slightly above my wrist.
Immediately I felt a warm tingle surge through my body, and everyone of my body's senses began to feel slightly dulled. My stomach felt warm and uneasy, kinda how you feel right before you puke. My breathing and heart rate slowed and moving at all became impossible. My brain's endorphin receptors were flooded with signals from the dope, causing a euphoria and emptiness I had never experienced in my life.
I think me and Ryan probably layed on that hotel room floor for hours, maybe weeks. Heroin eliminates any humanly feeling you may have and replaces it with drug-induced blankness.
Heroin, is the perfect drug if you want to feel detached from anyone or anythign else. Never have I been so content.
I contined to shoot dope for a short time after that, however I have since rid myself of heroin's persuasive nature.  I still sniff coke and occasionally heroin, but for the most part I prefer a good shot of vodka now a days.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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