--- layout: post title: 'Counter-Strike: Global Offensive' date: 2011-08-12 15:20:54.000000000 -05:00 categories: - Games tags: - games - new status: publish type: post published: true meta: _edit_last: '1' author: login: Blake email<EMAIL_ADDRESS>display_name: Blake first_name: Blake last_name: Harley ---
Well, it looks like Counter-Strike: Global Offensive is real. First-hand accounts have been mixed, but I can't wait to see where Valve takes one of my first favorite FPS titles.
CS:GO = CS:S + Hats?


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CLUELESS A film review by James Meek Copyright 1995 James Meek
Paramount Pictures Written and directed by: Amy Heckerling Cinematography by: Bill Pope Starring: Alicia Silverstone, Paul Rudd, Stacey Dash, Brittany Murphy, Dan Hedaya Rated PG-13
If you're going to cannibalize, cannibalize the classics.
CLUELESS, Amy Heckerling's latest cinematic postcard from the sunny lands of adolescence, borrows the skeletons of plot and character from Jane Austen's classic novel EMMA. While the sympathetic irony of the story remains the same, however, Heckerling utilizes movies' kinetic energy, rather than novels' layered detail, in her portrayal of the rituals of society's upper crust. Heckerling made a savvy choice. CLUELESS is her best movie since FAST TIMES AT RIDGEMONT HIGH, almost making up for three LOOK WHO'S TALKING movies.
In CLUELESS, Heckerling eschews the verisimilitude of EMMA, or even of FAST TIMES. Her characters inhabit the same pop-culture high school world as those in HEATHERS. Where HEATHERS mocked the black-hearted, back-stabbing, Mr. Hyde faces of adolescence, however, CLUELESS focuses on the Dr. Jeckyll half of teenage life. The kids in CLUELESS form cliques, but their edges blur. Most people turn out to have more depth than they reveal on first consideration. There's a gratifying casualness about things like homosexuality and ethnicity; characters are ultimately accepted for the things they do rather than what they happen to be.
Alicia Silverstone stars as Cher, and I feel obligated to extend an apology to her: I was convinced that she couldn't carry a ninety minute comedy to save her soul. Sexy poses depend on the talent of the artist behind the camera; comic, sexy performances require a capable actress in front of the camera with whom a director can work. Silverstone may have been able to set adolescent male hormones ablaze with her blonde vixen performances in Aerosmith videos, but I really didn't think she could do more than pout pretty and smirk on cue.
When we first meet Cher, she's high school royalty, a wealthy, beautiful young woman with social advantages by the fistful. She and her friend Dionne manage to romantically pair off two of their teachers, thereby improving their own grades by improving the teachers' moods. Inspired by these good deeds, Cher decides to use her popularity to help a new girl become one of the school's elite, attempting to arrange an advantageous match with one of the available popular males. This quest, and her own quest to find a suitable boyfriend, prove more difficult, and Cher slowly learns to empathize with others--both locally and globally, as the motto goes.
Silverstone makes a potentially vacuous character charming, smart, and sexy, delivering a performance that stands (in fashionable satin shoes) on the shoulders--and in the shadow--of comic giants like Judy Holliday and Carole Lombard. Silverstone's real talent lies in the physicality of her performance. She's comfortable both performing slapstick and looking sexy, combining the two smoothly when the scene demands. She works her lips around her dialogue with glee, adding comic fillips to her delivery and raising the certainty that, when she does kiss someone, it's going to be some kiss. It is.
The best part of CLUELESS, however, is the dialogue around which Silverstone stretches her lips. Heckerling wisely avoids attempting to document cutting-edge teen slang, which would have been unavoidably out of date by the time the movie was released. Instead, she concocts a convincing argot containing elements of hip-hop, advertising jargon, colorful turns of phrase, gleanings from the dictionary and thesaurus, and other fragments of pop vernacular. The language works because it's taken for granted, rather than used as a punchline. When Cher refers to Josh, her ex-stepbrother hanging around her father's house, as a "Kato," it's slipped into the middle of a sentence, not drawing any particular attention to itself.
It's a joy to just listen to the characters speak; they use language as a playground, and an opportunity to demonstrate creativity and intelligence. Specific terms occasionally get explained--a "Monet" is someone who, "like the paintings," looks good from far away, but is a mess from up close; "jeepin'" is having sex in a car--but the cumulative effect is a delirious delight. Characters aren't necessarily saying much of anything, but they're well spoken. When Josh asks Cher if she knows what she's talking about after she refers to "Ren and Stimpy" as "way existential," she replies, "No--do I sound like I do?"
CLUELESS is smarter by half than most "teen comedies," lighter on its feet and much less self-important than, say, the teen oeuvre of John Hughes. Heckerling found the right ingredients to throw in a blender, frappe, and serve as a refreshing summer confection. It's gaudy and pink, but there are real strawberries and cranberry juice in there to add a little nutritional value.
Grade: B+
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So all of the teens stop running away from the ghost, and one of the teens says, "Let's go back and see if we can make peace with the ghost." So all of the teens agree and start walking back where the ghost popped out of, and they see it. So they say, "Hey ghost, stop! We want to talk to you." The ghost stops quickly and turns around, hovering, and speeds towards them, stopping right in front of their faces. The teens ask, "Why are you doing this? Can we make peace?" The ghost says, "I need to eat to survive, and the animals in these woods are not doing the job that humans do." The teens ask, "Please can we just leave and we will never come back again!" The ghost says, "oh hell naw, I need to eat," so the ghost uses every last strength of its powers and starts to squeeze all the teens, killing them one by one, and then eats them.


{% extends "organizations_base.html" %} {% block content %}
You are not part of any organization. Please contact the administrator.


Our school offers a variety of courses ranging from Languages to certification in Mechanical Engineering. Every course is carefully put together to deliver the best education to the students. Our courses are taught by well qualified and experienced professionals.
Our Japanese Language courses are taught by a qualified panel of lecturers. JLPT N5 & JLPT N4 courses are taught in our language classes.
Culinary and HospitalityManagement classes are conducted by an experienced professionals who has years of experience in the field.
Mechanics are in demand in the country and our Mechanical course is the stepping stone to a job with high salary. In this course a student can get a hands on experience in mechanics with practical sessions
We have over 50 Success stories and following is a one of many Success stories.
I have completed the Japanese language course JLPT N5 certification recognized by Japan
Completion of JLPT N5 opened me to job and Learning opportunities in japan.
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Events
We conduct events or hackathons which nurtures the capabilities of students in our community. Hackathon and events conducted by our community enriches their passion towards digital learning.
HACKING WITH AMAZON ALEXA
We have conducted Hacking with Amazon Alexa workshop in association with MLH Local Host continuously for the past two years.
During this workshop participants were taught the basics of how to build skills for Amazon Alexa to run on Alexa devices like the Amazon Tap or Echo.
HACK THE TECHNICAL INTERVIEW: ALGORITHMS PRACTICE
In association with MLH Local Host we conducted Hack the Technical Interview workshop.
During this workshop, students learned strategies to perform better in technical interviews.
INTRODUCTION TO DOCKER
During this workshop students were taught the basics of Docker and Software Containers.
The workshop covered setting up Docker, running first container, creating a basic web application with Python and Docker, and how to push the Docker Image to DockerHub.
MLH LOCAL HACK DAY
A global hackathon and celebration of learning, building, and sharing!.
The hackathon was coducted on 4th December 2018 and attendees were made to code a project for 12 hours.
PYTHON GUI
Conducted first self-hosted workshop on python using GUI using Tkinter and Django Web framework on 17th Dec 2018.
Cyber Security Workshop
KKarunyaHacks organized a workshop on "Cyber Security" on 14th Feb lead by Mr. Sathish Kumar in Karunya Institute of Technology and Sciences.
Python For Data Science
Girls Wing of KarunyaHacks conducted a workshop on "Python for Data science" on 20th Feb in order to empower the girl community.
The workshop was planned, organized and attended by girl students.
Python For Non-CSE
KarunyaHacks organized a workshop for NON-CSE students on python. The workshop was oriented to tell them benifits of coding in their resoective field.
Web Devlopment Workshop
KarunyaHacks organized a workshop on "Basics of Web Devlopment" in collaboration with MLH Local Host on 18th March for first year Students.
HacktoberFest 2019
KarunyaHacks organized "Hacktoberfest in Karunya" which was scheduled on 9 October 2019.
In this meetup, students were introduced to Open Source and the KarunyaHacks team helped them to use Git and to submit the pull requests.
Karunya Summer School
A summer school for School students was conducted by Computer Technology Centre and Karunya Hacks during 13-17 May 2109
Students were taught Computational Thinking and were given hands on experince on IOT, They created many small project during the summer school.


pulsate
This will generate a pulsating item that changes opacity
and scale
. I normally use it for loading indicators.
.pulsate-css {
animation: pulsate 1s ease-out;
animation-iteration-count: infinite;
opacity: 0.0;
/* you dont need the stuff below, but its what I used to create the loading circle */
border: 3px solid #999;
border-radius: 30px;
height: 18px;
width: 18px;
position: relative;
display: inline-block;
margin-top: 20px;
text-align: center;
}
opacityPulse
This will generate an opacity pulse. Useful for muted text items.
Here is some text that will be pulsating.
.opacityPulse-css {
animation: opacityPulse 2s ease-out;
animation-iteration-count: infinite;
opacity: 1;
}
alertPulse
This will generate a background-color pulse. Since it is red, I call it an alert pulse.
Something is wrong.
.alertPulse-css {
animation: alertPulse 2s ease-out;
animation-iteration-count: infinite;
opacity: 1;
background: #9A2727; /* you need this to specify a color to pulse to */
}
rotating
This will generate an infinitely rotating item. The speed is dependent on the animation duration (2s
for this example).
.rotating-css {
animation: rotating 2s linear;
animation-iteration-count: infinite;
}


Get A Free Auto Quote Today!
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Vehicle Info
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This server has been configured for Roche/Genentech to contain the latest editions of SNOMED CT (US Edition) and NDFRT. It includes features that allow building "favorites" lists, as well as adding notes to individual concepts to facilitate searching by different drug names or naming conventions.
For related resources, see the following links:
For support, questions, or a guided demo, email: info@westcoastinformatics.com


MIT's adorable back-flipping robots enjoy frolicking in the autumn leaves
Massachusetts Institute of Technology's (MIT) simultaneously cute and unsettling "back-flipping" robot dogs enjoyed some time outside this fall, frolicking in the fallen leaves and playing a friendly soccer match.
Dubbed the "mini cheetah robots," the dog-like bots made headlines earlier this year when MIT announced they were the first four-legged robots that could do a backflip.
The robots weigh-in at just 20 pounds, but has been described by researchers as virtually indestructible.
"A big part of why we built this robot is that it makes it so easy to experiment and just try crazy things, because the robot is super robust and doesn’t break easily, and if it does break, it’s easy and not very expensive to fix," lead developer Benjamin Katz, a technical associate in MIT’s Department of Mechanical Engineering, said in a statement in March.
In the new video, a pack of nine of the four-legged robots can be seen scurrying about the Killian Court on MIT’s campus, as well as kicking and chasing around a soccer ball that is almost as big as them.
They also show off some synchronized turns, flips and more impressive gymnastics -- including their famous 360-degree backflips.
"The rate at which it can change forces on the ground is really fast," Katz added. "When it’s running, its feet are only on the ground for something like 150 milliseconds at a time, during which a computer tells it to increase the force on the foot, then change it to balance, and then decrease that force really fast to lift up."
"So it can do really dynamic stuff, like jump in the air with every step, or run with two feet on the ground at a time," he added. "Most robots aren’t capable of doing this, so move much slower."


EVP_SIGNATURE-RSA - The EVP_PKEY RSA signature implementation
Support for computing RSA signatures. See EVP_PKEY-RSA(7) for information related to RSA keys.
The following signature parameters can be set using EVP_PKEY_CTX_set_params(). This may be called after EVP_PKEY_sign_init() or EVP_PKEY_verify_init(), and before calling EVP_PKEY_sign() or EVP_PKEY_verify().
These common parameters are described in provider-signature(7).
The type of padding to be used. Its value can be one of the following:
The digest algorithm name to use for the maskGenAlgorithm used by "pss" mode.
Sets the name of the property query associated with the "mgf1-digest" algorithm. NULL is used if this optional value is not set.
The "pss" mode minimum salt length. The value can either be an integer, a string value representing a number or one of the following string values:
Use the same length as the digest size.
Use the maximum salt length.
Auto detect the salt length.
Auto detect the salt length when verifying. Maximize the salt length up to the digest size when signing to comply with FIPS 186-4 section 5.5.
The following signature parameters can be retrieved using EVP_PKEY_CTX_get_params().
This common parameter is described in provider-signature(7).
These parameters are as described above.
EVP_PKEY_CTX_set_params(3), EVP_PKEY_sign(3), EVP_PKEY_verify(3), provider-signature(7),
Copyright 2020-2021 The OpenSSL Project Authors. All Rights Reserved.
Licensed under the Apache License 2.0 (the "License"). You may not use this file except in compliance with the License. You can obtain a copy in the file LICENSE in the source distribution or at https://www.openssl.org/source/license.html.


| |
Ordinance 57; 11/27/07
Landmarked in 2007, the Henderson House is a fine example of early 20th century architecture that retains many of its historic elements, including exterior doors with exquisite etched glass windows and interior woodwork. An original shed-roofed coal shed is located just off the alley. The house was built about 1910 and purchased in 1917 by David and Myrtle Henderson and remained titled in the name of Myrtle Henderson until she died in 1972. David Henderson was a coal miner and foreman of the Superior Mine. He also served on the Lafayette Town Board of Trustees and as mayor pro-tem and in 1915 served as the Town Clerk. |
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PlanBHalfGuardSweep
PlanBHalfGuardSweep
This is a thigh grab, half guard sweep, going for the back, opponent gets the whizzer, so change direction and loop your lower arm under
opponents thigh, (don't grab the foot or lower leg), roll over that low shoulder as your feet and arm elevate op, over they go.
You should be able to get your legs out by moving them with ops leg toward ops head as your arm under the thigh stops that leg moving. Then step over into side control.


string dba_firstkey ( resource $handle )
dba_firstkey() returns the first key of the database and resets the internal key pointer. This permits a linear search through the whole database.
Returns the key on success or FALSE on failure.


Chef language interpreter
Róbert Eckhaus, 2016
Chef language
Chef is stack-oriented esoteric programming language designed by David Morgan-Mar in 2002. Programs in Chef look like recipes, where variables are represented by ingredients and program's stacks are referred to as mixing bowls and baking dishes. Full specification of the language can be found on David Morgan-Mar's webpage or on Steffan Mueller's interpreter pages.
Usage of the interpreter
Command line arguments In trace (-t) mode, the interpreter waits for user input after executing each line of code.
- -i <file>: input file
- -o <file>: output file
- -v: show detailed information about recipes
- -t: interactive trace mode
Example:
interpret file myInput.chef and write verbose output into file output.txt
chef -i myInput.chef -o output.txt -v
Known issues:
Serves command is mandatory after every recipe which is followed by another recipe.
Documentation & Downloads
Source code : here
Doxygen documentation : here
Documentation (in Slovak) : here
Sample recipe
Input: In verbose (-v) mode, the interpreter prints out additional information about recipes such as ingredients, commands and loops.
(factorialFibonacci.chef)
Factorial. This recipe calculates and prints factorials of first integers. Ingredients. 10 g max 1 g cur 1 g sf Method. Put cur into mixing bowl. Put cur into 1st mixing bowl. Put max into 1st mixing bowl. Put sf into 1st mixing bowl. Serve with Fac. Fold sf into mixing bowl. Pour contents of mixing bowl into the baking dish. Serves 1. Fac. Recursion step. Ingredients. 0 g max 0 g cur 0 g sf 1 g one 0 g next 0 g condition Method. Fold sf into 1st mixing bowl. Fold max into 1st mixing bowl. Fold cur into 1st mixing bowl. Clean the mixing bowl. Clean 2nd mixing bowl. Put cur into 2nd mixing bowl. Remove max from 2nd mixing bowl. Fold condition into 2nd mixing bowl. Loop the condition. Put cur into 2nd mixing bowl. Add one into 2nd mixing bowl. Fold next into 2nd mixing bowl. Clean the mixing bowl. Put sf into mixing bowl. Combine next. Fold sf into mixing bowl. Put sf into mixing bowl. Clean 1st mixing bowl. Put next into 1st mixing bowl. Put max into 1st mixing bowl. Put sf into 1st mixing bowl. Serve with Fac. Refrigerate. Do until looped. Serves 0.
Output:
(./chef -i factorialFibonacci.chef)
0 ! = 1 1 ! = 1 2 ! = 2 3 ! = 6 4 ! = 24 5 ! = 120 6 ! = 720 7 ! = 5040 8 ! = 40320 9 ! = 362880 10 ! = 3628800 11 ! = 39916800 12 ! = 479001600 13 ! =<PHONE_NUMBER> 14 ! =<PHONE_NUMBER> 15 ! =<PHONE_NUMBER> 16 ! =<PHONE_NUMBER> 1 1 2 3 5 8 13 21 34 55 89 144 233 377 610 987