Style Icons
The men who get it just right
Messrs Sam Lambert and Shaka Maidoh
If their job description is hard to define (try reading Mr Maidoh's entry in our Style Council directory), the dress sense of the Art Comes First duo is equally hard to pin down. It's a very contemporary take on menswear informed by every genre of black music from the last hundred years, from the suits of blues musician Mr Robert Johnson to the punk-reggae look of Bad Brains. Jazz, however, seems to be the dominant influence when Messrs Lambert and Maidoh create their clothes (they are essentially designers and stylists), which is why we refer to their style as 21st-century hard bop.
Monsieur Yves Saint Laurent
Now that the late French designer's brand is under the direction of Mr Hedi Slimane, and going from strength to strength in a quite different guise, it's easier to judge Monsieur Saint Laurent's enviable personal style. It's also intriguing, given that our era is dominated by Italian influences, to look back to a time when France was responsible for the last word in relaxed elegance. The enduring influence of Monsieur Saint Laurent, who died in 2008, is such that his rumpled cotton double-breasted suit, with its patch hip pockets and wide lapels, would have wowed the street-style photographers at the Pitti Uomo fashion fair this summer, and any summer.
Mr William Faulkner
The author of 20th-century classics The Sound and the Fury and As I Lay Dying wasn't just notable for his stream-of-consciousness literary style. His neat snow-white hair, salt-and-pepper Donegal tweeds and extravagant moustache epitomise the look of mid-century men of letters. Sadly his heavy drinking also corresponded to type. Aside from the pipe, the thing that most obviously dates the shot is the evident weight of Mr Faulkner's tweed suit, which looks to be radically thicker than anything made today. We also admire the formal, double cuffs on his shirt and the pocket square that echoes the colour of his hair, although the thought that misguided hipsters will feel emboldened to affect pipe-smoking is a worry. Better to interpret Mr Faulkner's look in a more casual way by wearing unstructured tweed jackets this winter.
Signor Walter Bonatti
These days Italian style broadly breaks down into two parts - either flashy designer chic or the elaborately tailored look of the Pitti peacocks. So the image of the late author and explorer Signor Walter Bonatti, shot in Cormayeur after his 1964 attempt to scale Mont Blanc, is a revelation. Tanned and slightly unkempt, his appearance is refreshingly simple thanks to the rugged plaid shirt and the canvas straps of his backpack. Signor Bonatti didn't just look the part, he was a serious climber and made the first wintertime solo climb of the north face of the Matterhorn. He was also a romantic and a purist in his approach to mountaineering, which he defined as "victory over your own human frailty". One could say much the same thing about dressing well.
Mr Leroy "Satchel" Paige
What does it say about the peerless elegance of the 1930s that baseball player Mr Satchel Paige looks more like a hip jazz musician than an athlete? The spear-point collar on his shirt and the loosely cut sleeves on the suit might give away the fact that Mr Paige was a follower of fashion, but the appeal of his clothes has endured even longer than his 40-year career as a pitcher, first in the Negro Leagues and then in MLB. He was famously cocky and charismatic - qualities that his outfit seems to eloquently project. A man's clothes should tell his story, and be relatively honest about it.
Mr Leonard Cohen
No, it's not the star of The Graduate. It's the Canadian singer-songwriter best known for "Hallelujah", a song that's been much covered, most notably by Mr Jeff Buckley. In recent years Mr Cohen has been quietly competing with Rolling Stones drummer Mr Charlie Watts for the title of the best-dressed gentleman in rock; he told his biographer, Ms Sylvie Simmons, "I was born in a suit." While Mr Cohen now does seem to live in a suit, in this shot from the early 1970s he's sporting a casual outfit that would still be ideal for a stroll in the park. The chunky rollneck is as relevant today as it was back in 1972, while the trench coat is worn casually in a way that's now unusual, but which relates closely to the garment's military heritage and informal origins.
Count Simone Rucellai
No one likes to be put in a box, but if a man must submit to a label then Tuscan aristocrat is surely one of the best. In the 30 years since this shot was taken, Count Rucellai has had to sell his mansion, Villa Triboli, so let's remember him as a young man proud to be the owner of a powerful BMW motorbike. The subtle appeal of his perfectly cut tan suit contrasts with the eye-catching helmet which, given the care that's gone into the count's hairstyle, seems unlikely to make it onto his head. We like the way that Mr Slim Aarons framed the shot with the building's three arches, but we admire the dark shade of the count's brown shoes even more.
Mr Aristotle Onassis
The late Greek shipping tycoon demonstrated that the combination of good taste and a great tailor (in his case the legendary Caraceni of Milan) are sufficient to overcome any physical imperfections that God bestows upon a man. Mr Onassis' elegance should bury forever the old myth that big men should avoid double-breasted suits, something that undoubtedly relates to his jacket's low buttoning point and the four-by-two or Kent button stance. It's said that the tycoon always wore a black tie because he believed the consistency ensured his clothes gave away nothing about his mood. Whatever the reason, the result is admirably simple - neo-dandies should take note. NB: this shot was taken in Paris, where Mr Onassis bought his famous statement spectacles from Bonnard and from François Pinton.
Mr Lucien Freud
Given their visual facility, it's unsurprising that many painters are snappy dressers. Mr Freud, one of the greatest British artists of the past 60 years, was no exception. In later years he wore a grey scarf so frequently it become something of a trademark, and he's also said to have had a penchant for extraordinarily expensive leather jackets from French luxury brand Zilli, but this shot from the 1950s speaks more directly to modern tastes - not least because of the way photographer Mr Cecil Beaton faithfully recorded the peeling paint on the wall in the background. Mr Freud's slim sweater and the sporty stripe on the side of his trousers lend his outfit a very contemporary air. While his style is worth emulating, his intensity is surely unrepeatable.
Mr Mark Ronson
This deejay, musician and record producer, best known for his work with the late Ms Amy Winehouse, has long been interested in clothes, but as he matures he's looking increasing well put together and less obviously showbiz. Perhaps it's the influence of his French wife, Ms Joséphine de la Baume, but the neat haircut, tailored trousers and simple blue blazer worn casually with a T-shirt are really working for him. They certainly beat the self-consciously youthful look he used to sport. Mr Ronson, like many men, looks his best when he's wearing tailored clothes in a way that makes it entirely clear he's not going to be spending the day in an office. Look no further for inspiration if you're dressing for a night out.
The Kennedy brothers
Their style legacy may not be as important as their political legacy but President John F Kennedy, Senator Robert F Kennedy and Senator Edward Kennedy remain the poster boys for sophisticated East Coast Ivy style. Their soft-shouldered suits are an inspiration for office wear, their tweed jackets an inspiration for weekend wear, and their swim shorts set the pace for beachwear.
Mr Dave Brubeck
The late Mr Dave Brubeck is a jazz icon, and the man behind Time Out, the genre's first million-selling album. As a star of the genre with the best-dressed musicians, Mr Brubeck needed to look good, something he initially achieved in soft-shouldered suits and skinny ties. However, and perhaps as a result of his Californian upbringing, he also had an affection for more casual styles, such as this vividly printed shirt.
Mr Dennis Hopper
The actor and photographer appeared in, and in some cases directed, the films that defined the cinematic image of the 1950s, 1960s, 1970s and 1980s. As you'd expect from a man who appeared in Rebel Without a Cause, Easy Rider, Apocalypse Now and Blue Velvet, Mr Dennis Hopper was keenly aware of the importance of creating the right look, whether with the perfect olive bomber jacket, or a great convertible.
Mr George Hamilton
These days Mr George Hamilton is best known for the depth of his perma-tan, but look beyond the teak-oil façade and you'll see a man with an unswerving devotion to dressing well. He was a customer of London's late celebrity tailor Mr Douglas Hayward, and still retains the firm grip on classic style that he's been demonstrating for more than 50 years.
Mr Howard Hughes
Fearless and pioneering aviator, engineer of genius, film producer and lover of beautiful women including Mses Katharine Hepburn, Bette Davis, Ava Gardner, Ginger Rogers and Gene Tierney, the vastly rich Mr Howard Hughes had it all. And to top if off he also had an excellent sense of style, and looked as suave in softly tailored jackets and suits as he did purposeful in leather flying jackets and fedora hats.
Mr Alex Turner
The singer from Arctic Monkeys has come a long way from the 20-year-old who collected the 2006 Mercury Music Prize in a charcoal long-sleeve T-shirt and jeans. His current 1950s-inspired image (part biker, part teddy boy, part Elvis) became apparent at his band's appearance at the opening ceremony for the 2012 Olympic Games, and the result is as successful as their superb 2013 album, AM. He also knows how to smarten up when the occasion demands it.
Mr Johnny Carson
The idea that a chat show host could offer sartorial inspiration seems outlandish in 2014, but US television legend Mr Johnny Carson knew how to dress, and showed this over the 30 years he anchored The Tonight Show. Nearly half a century after he made a habit of wearing odd jackets with dark trousers it once again looks very relevant.
Mr Vittorio De Sica
Born in the Lazio region of Italy, Mr Vittorio De Sica grew up poor, in Naples, and remains a poster boy for the city's distinctive tailoring. Although he's best known for the neorealism of films such as Bicycle Thieves, he dressed like a gentleman in suits cut for him by Mr Vincenzo Attolini, the tailor at Mr Gennaro Rubinacci's shop London House. While his clothes were faultlessly formal, they also ensured that he looked entirely at ease, a combination that was, and remains, powerful.
Mr Warren Beatty
The Hollywood actor and director has combined a commercially and artistically successful career in the movies with five decades of political activism, and, at least until his 1992 marriage to actress Ms Annette Bening, a reputation as a prolific lover of beautiful women. Whether long-haired in a denim jacket or, as here, clean-cut in a sports jacket, he's always known how to dress with relaxed sophistication.
Mr Jamie Hince
The British guitarist, whose biography is curiously obscure given that he's married to one of the most beautiful women in the world, has been making records, first with Scarfo and now with The Kills, for the past 20 years. His dedication to rock'n'roll has never been in doubt, and his style reflects this. With his skinny jeans, winkle-picker boots, striped T-shirts and black leather biker jackets he reminds us that rebellion can be chic.
Mr Aaron Young
Born in San Francisco, but now based in New York, Mr Young is an artist who is represented by the Gagosian Gallery, and has shown at New York's PS1 and Whitney galleries, as well as the Serpentine and Saatchi galleries in London. His style varies between an exemplary take on classic Americana, in the form of work boots and well-worn double denim, and more dapper ensembles involving well-tailored black tuxedo jackets. What doesn't vary is his enviable (and presumably carefully cultivated) hairstyle.
Mr Peter Beard
This highborn New Yorker is the art world's answer to Mr Ernest Hemingway, having been inspired by Ms Karen Blixen's book Out of Africa to dedicate much of his career to recording his travels of the continent in the 1960s and 1970s. Dapper when out and about in New York, Mr Beard's style really clicks when he's in Africa, and dresses with a Bohemian air, mixing Western clothes with native Kenyan dress. In this photograph we admire how his attitude takes all the formality out of a military coat.
Mr Serge Gainsbourg
This late French singer was a man who seemed to sum up the notion of roguish Gallic charm. His good living - he smoked, drank and behaved with abandon - was legendary, and his sense of style correspondingly louche. As such he set a fine example for men who want to make tailoring their own, as he demonstrates here in a three-piece pinstripe suit worn without a tie or socks, but with his favourite white Repetto dancing shoes.
Mr George Lowe
A member of the famous 1953 British Mount Everest Expedition, which saw Sir Edmund Hillary and Mr Tenzing Norgay reach the summit of the mountain, Mr Lowe was a New Zealander whose role in the expedition was to direct the documentary films. While archive shots of Mr Lowe in a suit reveal he knew very well how to dimple his tie, he looks far more at ease reminding us that men started to wear goose-down jackets in order to be able to conquer the planet's most inhospitable terrain.
Mr Bobby Gillespie
The lead singer of British rock and dance band Primal Scream has maintained an admirably consistent approach to style over the 30 years since he first stepped on stage in Glasgow, Scotland. Inspired by the classic rock look of The Velvet Underground, Mr Gillespie continues to wear slim jeans, Chelsea boots and long hair even now that he's celebrated his 50th birthday. In this shot he also wears an eye-catching printed shirt with aplomb.
Mr Johnny Hodges
This Bostonian saxophonist was called "The greatest man on alto sax I ever heard" by legendary bandleader Mr Benny Goodman. And like many jazz musicians Mr Hodges had a talent for dressing that rivalled his talent for playing. His look varied from the generously cut suits of the 1940s to more Bohemian styles in later decades, but he was never better dressed than when in this textured double-breasted suit. The way he wears it with patterned socks, braces, an open-neck shirt and a cocked fedora is exemplary.
Mr Marlon Brando
In the 1950s, a decade that saw him nominated five times for the Best Actor Oscar, Mr Brando redefined the craft of acting, and what it meant to be a star. While his performance in 1953's The Wild One was arguably his most influential from a style perspective, creating the enduring biker look, it's his blue-collar clothes in On the Waterfront that really chime with this season's rugged, workwear-inspired outerwear. Mr Brando's casual style has things to teach men even if the closest they'll get to the waterfront is stepping onto their yacht.
Mr Robert Rabensteiner
Rarely do men in the fashion business transcend their role behind the scenes to become icons in their own right, but L'Uomo Vogue's editor in chief Mr Rabensteiner is increasingly in demand in front of the camera. He's renowned for mixing sophisticated soft tailoring with casual jeans, and introducing bold solid colours to his outfits. With these techniques he brings a modern attitude to fairly classic forms, something he deftly achieves with this three-piece midnight-blue dinner jacket.
Mr Humphrey Bogart
He might be best known for the white tuxedo he wore in Casablanca, or Sam Spade's rumpled suits in The Maltese Falcon, but in Tokyo Joe Mr Bogart played an ex-serviceman who returns to the Japanese capital after WWII in search of his wife, and his old businesses. The drapey suits Mr Bogart wears in the film now look rather dated, but the way that he wears his relaxed-fitting flight jacket is anything but.
Mr Jefferson Hack
The British journalist co-founded the magazines Dazed & Confused, Another Magazine and Another Man, oversees the hip website Nowness, designs the Tod's No_Code range of shoes and is a fixture at the menswear collections in Milan, Paris and London. His presence at the shows is as reliable as his taste for woollen overcoats, understated tailoring, scarves, super-slim jeans and leather boots. It's a look that has impressed supermodels Mses Kate Moss and Anouck Lepère over the years, and which makes us wonder how long it's been since Mr Hack last enjoyed pudding.
Mr Richard Avedon
One of the foremost fashion photographers of the second half of the 20th century, Mr Avedon, a New Yorker, enjoyed prodigious success under the mentorship of legendary art director Mr Alexey Brodovitch. As an expert in the image business, Mr Avedon knew that simplicity in dress is often the best option, particularly on formal occasions.
Captain Jacques Cousteau
The world's most famous diver, who was a sort of marine-oriented, Gallic version of the BBC's Sir David Attenborough, combined elegant bearing with an enviable line in casual wear. We admire his habit of wearing a signature red beanie, but his button-down chambray shirts are genuinely inspirational.
Mr Alain Delon
The French-Swiss movie star may be known for wearing elegant tailored clothes, not least his incomparable trench coat and trilby outfit in the 1967 movie Le Samouraï, but in 1966's Lost Command he demonstrated how to look just as stylish dressed down in army fatigues. We're also impressed by the modern look of his cropped haircut.
Mr Porfirio Rubirosa
As a faithful servant of Dominican dictator Rafael Trujillo, and the unfaithful husband to five wives, two of who were enormously rich American heiresses, Mr Rubirosa was no role model. However, with a lifestyle that included playing polo, racing at Le Mans, and driving Ferraris, he has something to teach us about good living.
Mr Chet Baker
The US west coast jazz maestro, whose beautiful playing contrasted so strongly with his self-destructive lifestyle, wore simple clothes well. Back in 1961, playing his horn in Lucca, Italy, his long-sleeve polo shirt smartens up a pair of jeans. Fifty-two years later and this classic garment performs the exact same function.
Mr Errol Flynn
The Australian-born actor Mr Errol Flynn, whose 63-year-old outfit is only dated by the appearance of his pipe, was most often photographed in a jacket and tie. However, he looks far more at ease in this superb brown leather jacket, which reminds us that we've long promised ourselves a classic flight jacket.
Mr Arthur Miller
The New York playwright may not have enjoyed matinée-idol looks but, encouragingly, he still married Ms Marilyn Monroe. Here he sports a contemporary looking printed shirt, and a great pair of glasses, while maintaining a literary intensity. We like to think that it would still be a mixture potent enough to win the heart of a blonde bombshell.
Mr James Coburn
That this Hollywood tough guy had good taste is made clear by the cars he drove, which included a Ferrari Lusso and, famously, a 250 GT Spyder. It's hard to think of a better outfit in which to pilot a classic Italian sports car than a soft seersucker jacket, white shirt, slim tie and wrap-around shades.
Mr James Dean
The original teenage idol breathed style magic on most things he wore, from red bomber jackets to white T-shirts. Here Mr Dean lends some of his famous cool to a nautically inspired polo shirt, while demonstrating that the faff of blow-drying one's hair is repaid by the result.
Mr Phil Edwards
Mr Edwards, a legendary Californian surfer who'll be 75 this summer, surfed his first wave at nine, shaped his first surfboard at 13 and was surfing Hawaii's North Shore at 15. We're as impressed by the way his shorts balance style and athleticism as we are by the physical balance he demonstrates in this picture, taken at Virginia Beach in 1966.
Mr Edward Fox
The fact that the Duke of Windsor and The Jackal, two of the characters for which this British actor is best known, were beautifully dressed on screen is due in part to Mr Fox's interest in clothes. He remains impeccably turned out in Savile Row suits and handmade shoes, and only lets his sartorial guard down when he pulls on the worn corduroys in which he gardens.
 He ordered 15 suits a year from his Mayfair tailor, Watson, Fagerstrom & Hughes, and is said to have had four pairs of shoes made for every one. He rigorously maintained his slim figure (he had a 29" waist), the better to show off his unusual four-button suits.
Mr Tahar Rahim
This 31-year-old French actor, from Belfort on the country's eastern border, came to international attention in the 2009 film The Prophet, a tense prison drama directed by Mr Jacques Audiard. Although in the 2011 film The Eagle he wore an extraordinary camouflage suit made of animal skin we're more interested in Mr Rahim's ability to look both chic and relaxed, in an inimitably Gallic way.
Sir Mark Palmer
This British aristocrat now spends most of his time in rural Gloucestershire, but he was once a fixture on the London fashion scene. This was partly because he ran a model agency called English Boy, the USP of which was that the models looked like poets, but it was also down to the easy elegance with which he wore his velvet suits.
Mr David Beckham
The British football star has grown up in public, and part of that progression has been his developing sense of style. As he moves from the sports field to a more ambassadorial role his look is becoming increasingly formal, and he's frequently seen in slim tailoring that's entirely contemporary and entirely correct. His casual clothes are also becoming more stylish, and this combination is a masterclass in smart weekend wear.
Mr River Phoenix
The tragically early death of Mr Phoenix, who died aged 23 in October 1993, deprived us of both a great actor and a future style icon. In photographs he emerges as a man of grace and elegance. The image of him in a dinner jacket is a reminder of the spirit in which the tuxedo, the quintessence of male elegance, should be worn.
Mr Ludwig Mies van der Rohe
One of the preeminent modernist architects, Mr Mies van der Rohe was born in Germany, but left for Chicago in 1937. In his architecture he used the finest materials to create some of the 20th century's most beautiful buildings. He was no less exacting in his choice of clothes, as demonstrated by his exquisitely cut suits, at least some of which came from Viennese tailors Knize.
Lord Byron
It's a testament to Lord Byron's 19th-century romantic poetry that, despite his extraordinary life story, he remains best known for his literary talents. Although described in 1812 by Lady Caroline Lamb as "mad, bad, and dangerous to know" we retain a guilty admiration for his romantic exploits, as well as for the claret shade of his velvet robes.
Sir Jocelyn Stevens
In between buying and reviving Queen, a British society magazine that catalogued the rise of swinging London, helping to finance the landmark pirate station Radio Caroline, running a couple of daily newspapers and later English Heritage, Sir Jocelyn Stevens found time to hone a fine taste in floral ties and relaxed tailoring - it's a look that wouldn't be out of place in an ad agency today.
Mr Sidney Poitier
In 1963 Mr Poitier became the first black man to win the Oscar for Best Actor, for his performance in Lilies of the Field. It came at a time when Mr Poitier was politically active in the Civil Rights movement, and photographs of the period show him on marches impeccably dressed in a slim black suit, white shirt and black tie. However, he was no less elegant off-duty, as this relaxed outfit demonstrates.
Mr Joseph Gordon-Levitt
This Californian actor first won attention in 3rd Rock from the Sun, and is now best known for his supporting role in Inception. However, it's Mr Joseph Gordon-Levitt's natural, unflashy style that sets him apart from the vast majority of young Hollywood actors, as demonstrated by this exemplary weekend look.
Mr Pablo Picasso
As one of the greatest artists of the 20th century, Mr Pablo Picasso knew a thing or two about making a visual impact. Born in Málaga in Spain, and buried in France's Aix-en-Provence, he embodied a now-vanished Bohemian Mediterranean lifestyle, never more so than when sporting a hoop-striped T-shirt.
Sir Michael Caine
One of the sharpest dressers in 1960s London, Sir Michael Caine eschewed (perhaps as a result of his humble background) the era's peacock style in favour of the kind of restrained but energetic tailoring that's entirely relevant today. Sir Michael relied on the late tailor Mr Douglas Hayward, but thankfully suits in cuts such as the one above are now more readily available.
Mr Paul Simonon
Somewhere between the rock'n'roll excesses of The Clash (he played bass guitar and frequently wore sleeveless denim jackets with nothing underneath them) and the sartorial excesses of his present pinstripe gangster look, Mr Paul Simonon hit a style sweet spot - here setting a fine example in a denim jacket.
MR Jean-Luc Godard
Not only was film director Mr Jean-Luc Godard able to create a vision of timeless cool when he made À Bout de Souffle (who wouldn't want to be Mr Jean-Paul Belmondo with Ms Jean Seberg at his side?) but he has exhibited a very modern style throughout his career. No man ever lost his hair with such nonchalance.
Mr Waris Ahluwalia
Born in India, Mr Waris Ahluwalia emigrated to America as a child. Some years later and his jewellery line has gained as much attention as his acting career, the highlights of the latter being roles in two films by Mr Wes Anderson. But it's the ease with which Mr Ahluwalia wears clothes that inspires our greatest admiration, as he demonstrates here with a casual deployment of a blue trench coat.
Mr LOUIS GARREL
The 28-year-old Mr Louis Garrel comes from a cinematic family of film-makers and actors. He achieved worldwide recognition with Mr Bernardo Bertolucci's 2004 film The Dreamers and has been providing a masterclass in louche Gallic style ever since, something reinforced by his relationship with Ms Carla Bruni's older sister Ms Valeria Bruni Tedeschi.
Mr RYAN GOSLING
The obvious reason to deny that Mr Ryan Gosling is currently the most stylish man in Hollywood is jealousy, brought on by the look women get in their eyes when his name is mentioned. From the tuxedos he wears on the catwalk to the scorpion bomber jacket from Drive and the navy shirt he wore at Cannes last year, Mr Gosling is currently setting the sartorial pace.
Mr TRUMAN CAPOTE
The American author, most famous for writing literary classic Breakfast at Tiffany's, was a dandy whose frivolous image belied the gravity of his dedication to his occupation. His personal style was exuberant, and chimes with the prints available this season from Burberry Prorsum, among other labels.
MR JEAN COCTEAU
The French artist, writer and intellectual was a man whose boldly creative spirit was always apparent, and entirely uncompromised by his fondness for suits and ties. The lean proportions of this soft-shouldered white suit wouldn't look out of place today. Although Mr Jean Cocteau once said, "Style is a simple way to say complicated things", we know looking this sharp isn't easy.
Mr Stefan Winkelmann
For an industry that is predicated on the idea of image, the auto world is surprisingly badly dressed. One of the very few exceptions is Mr Stefan Winkelmann, the German-born, Italian-bred CEO of Lamborghini. He is distinguished by his slim bespoke suits, spread-collar shirts, artfully dimpled Neapolitan ties and a penchant for brown suede shoes.
Mr JOE FRAZIER
The great boxer, who was narrowly defeated by Mr Muhammad Ali in the classic "Thrilla in Manila" bout in October 1975, enthusiastically embraced the fashions of the 1970s (including foot-wide lapels and platform shoes), but occasionally created a clothing ensemble every bit as devastating as the combinations he threw at his opponents in the ring.
Mr Clint Eastwood
When we're feeling lucky we aspire to look this good in a tweed jacket; Mr Clint Eastwood is simultaneously masculine and nonchalant in his semi-formal outfit. He demonstrates that tweed jackets work as outerwear, that there's no substitute for decent cloth and that an attitude is the ultimate accessory.
Mr Jean-Paul Belmondo
Mr Jean-Paul Belmondo was a leading light in French New Wave cinema and was acclaimed for his roles in Mr Jean-Luc Godard's Breathless (1960) and Mr Alain Resnais' 1974 film Stavisky.  It's a potent combination.
Mr Robert Redford
Very cool in its own right, Mr Robert Redford's style really comes alive when he's in character, and never more so than when he was dressed by Mr Ralph Lauren for 1974's The Great Gatsby. Between the sumptuous suits and Mr Redford's aristocratic bearing, the film is a masterclass in how to dress up; the fully accessorised look is back in vogue this season.
Mr Gary Cooper
Born Mr Frank Cooper in the rugged state of Montana, this Hollywood star would have celebrated his 110th birthday this year. During his heyday, Mr Cooper's reputation as a snappy dresser was such that he was name checked in Mr Irving Berlin's 1930 song "Puttin' on the Ritz". His appeal lay not just in his enviable machismo, but in how he dressed appropriately for every occasion, from hunting with Mr Ernest Hemingway to lounging on a yacht.
Mr Clark Gable
The star of Gone With the Wind is remembered as an impeccably groomed smoothie, which conceals the fact that his studio, MGM, initially promoted his unpolished masculinity. Despite these origins few men have ever worn clothes as well as Mr Gable, whose appearance in his publicity photographs probably explains why the co-stars he enjoyed romantic success with included Ms Grace Kelly and Ms Joan Crawford.
Mr Ryan O'Neal
The star of the 1970 film Love Story, in which he appeared alongside the beautiful Ms Ali MacGraw, is a style icon whose look was particularly on-trend last season. The traditional collegiate clothes he wore in the film seemed to strongly influence the collections, which picked up on his character's taste for corduroy, tweed, sheepskin and chunky Aran sweaters.
Mr Gore Vidal
One of America's grand old men of letters, Mr Vidal made his mark in 1948 with his third book The City and the Pillar. A fine example of his ability to martial the English language was when, having been dropped by a punch from a famously pugnacious author, he quipped from the floor, "Words fail Norman Mailer yet again". It's somehow appropriate that this freethinker favours a relaxed soft-shouldered jacket.
Mr David Bowie
Sartorial chameleon Mr David Bowie could easily be five different style icons, but to our eyes his best-dressed era was the late 1970s and early 1980s, when he mined a seam of fashionable tailoring that demonstrates that it's possible to wear the traditional elements of menswear but make them entirely your own. Although few other men could carry off this sage-green suit, many could take a leaf out of his book with regards to the bow tie and plaid shirt combination.
The Duke of Windsor
Although the list of his other virtues is short the duke is widely considered to be the best-dressed man of the 20th century and his clothes were exemplary in many ways. He was best known for the suits that were superbly tailored for him, primarily by Mr Frederick Scholte on Savile Row.
Mr Gregory Peck
The Californian actor Mr Gregory Peck made his first film, Days of Glory, in 1944, and by 1949 he'd been Oscar-nominated for four different movies. Among his famous roles he played Atticus Finch in the film version of To Kill a Mockingbird, in which he set the bar high for men aspiring to wear off-white, three-piece suits, and Joe Bradley in Roman Holiday, in which he was sufficiently stylish to capture the heart of Ms Audrey Hepburn.
Mr Tom Waits
Mr Tom Waits' voice has been described by rock critic Mr Daniel Durchholz as "like it was soaked in Bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car". And the singer's style is correspondingly rugged, whether he's dressed in a suit or, as here, in classic workwear.
Mr Rupert Brooke
The floppy haired English poet behind The Soldier ("If I should die, think only this of me/ That there's some corner of a foreign field that is forever England") was a very modern character despite being born in the 19th century. In 1915 he died of a septic mosquito bite on his way to Gallipoli, but he found time before then to embrace a romantic vision of elegance that has a very contemporary appeal.
Mr Steve McQueen
Mr Steve McQueen is a style icon regular. And, to avoid being predictable, we really did try to leave him out of this one. But it just felt wrong. Come on, the guy starred in The Great Escape, Bullitt and The Thomas Crown Affair, loved racing motorbikes, married Ms Ali MacGraw, and wore chinos and Persols like no one else.
His Imperial Majesty Haile Selassie
His Imperial Majesty Haile Selassie was the Emperor of Ethiopia from 1930 to 1974. In fact, his full title was: His Imperial Majesty Haile Selassie I, King of Kings, Lord of Lords, Conquering Lion of the Tribe of Judah, and Elect of God. He was also, at the time of his reign, the most bemedalled ruler in the world. Befitting for someone who could trace his ancestry back to King Solomon and the Queen of Sheba, Selassie could certainly rock up a regal look or two.
Mr Gianni Agnelli
Mr Giovanni "Gianni" Agnelli was an Italian industrialist, president of Fiat and, according to many at the time, the true king of Italy. While he ruled over the Italian economy and European high society during the 1960s, 1970s and 1980s, he was admired as much for his dress sense as he was for his business acumen. He mastered the art of sprezzatura - making the difficult look easy. His style trademarks included wearing a watch over his shirt sleeve (saves time) and leaving his tie slightly askew, or hanging over his sweater. It may have looked accidental, but Mr Agnelli wasn't a man to leave anything to chance.
Mr Cristóbal Balenciaga
Mr Cristóbal Balenciaga was the Spanish designer who, in 1937, founded his world-famous eponymous fashion house in Paris. He was responsible for dressing some of the most powerful women of his generation (the Queen of Spain, the Queen of Belgium, the Duchess of Windsor and Princess Grace of Monaco) and regarded as "the master" by many, including Mr Christian Dior and Ms Coco Chanel. A devotee to monochrome tailoring, Mr Balenciaga became synonymous with the sharp double-breasted suit.
Sir Mick Jagger
Admittedly, it shouldn't be too hard for a skinny, long-haired rock star to figure out how to work a look. Especially in the 1960s. But this Rolling Stone, along with drummer Mr Charlie Watts, nailed it immediately. And Sir Mick Jagger has continued to do so ever since. Admirably, he has happily shown that colour, pattern and a good fit can work for even the most red-blooded of us.
Mr Johnny Depp
Mr Johnny Depp exhibits a distinctive and eclectic personal style that's not easy to find among his generation of actors. His love of worn-in clothing, oversized dress shirts and heavy accessorising gives him a look that's part grunge, part Bohemian and part eccentric millionaire. Hats off.
Mr Marcello Mastroianni
Mr Marcello Mastroianni, the suave Italian actor, became synonymous with style after his role as the playboy journalist in Mr Federico Fellini's La Dolce Vita, alongside Ms Anita Ekberg and Ms Anouk Aimée. There was substance to the man, too: he is one of only three actors in history to win Best Actor twice at Cannes. And he fathered a child with Ms Catherine Deneuve. Respect.
Lord Glenconner
Colin Tennant, Third Baron Glenconner, was famous for having fun. And who can criticise a guy for that? He bought the West Indian island of Mustique - most of us make do with just booking a hotel - and transformed it into a multimillionaire's playground in the late 1960s. A gregarious host, and close friend of Princess Margaret, Lord Glenconner dressed like the quintessential tropical patriarch, peppering his wardrobe with bright colours, tunics and wide-brimmed hats. And it somehow worked.
Mr Bob Dylan
Mr Bob Dylan has undergone many musical and aesthetic changes during his 50-year career. But there is no denying his genius and the way he can carry a tune and, more impressively, a lyric. There aren't many songwriters whose words have become anthems for civil rights and anti-war movements. One of the most influential cultural figures of the 20th century, we're going to be very superficial and just point out how good a man can look when he finds the right black leather jacket.
Mr Lapo Elkann
Mr Lapo Elkann, the manager of brand promotion at Fiat - a company once led by his highly stylish grandfather, Mr Gianni Agnelli - is by no means your typical Italian scion. His personal life has been as playful as his dress sense. A regular at all the best parties - as well as on Vanity Fair's annual Best-Dressed List - we love the way he takes all the menswear rules and throws them artfully in the air.
Mr Jean-Michel Basquiat
Mr Jean-Michel Basquiat was a graffiti artist on the 1980s New York art scene, legendary for wearing high-priced designer suits to paint in. In his short 27-year life he modelled for Comme des Garçons, starred in a Blondie music video, dated Madonna and collaborated with Mr Andy Warhol.
Mr Terence Stamp
Mr Terence Stamp is one of the best-dressed men in London. He was an early client of legendary Mayfair tailor Mr Douglas Hayward, lived at Albany, the prestigious bachelor apartments in Piccadilly (never call it The Albany), and starred in genius movies such as Billy Budd, Far From The Madding Crowd and The Limey. We won't dwell on his role as General Zod in the original Superman movies, but on the fact that the man is a legend who, along with his former girlfriends, Ms Julie Christie, Ms Brigitte Bardot and Ms Jean Shrimpton, embodied all that was good about the swinging 1960s.
Mr Paul Newman
Mr Paul Newman was just so darned good looking, and so impeccably attired, and so absurdly talented, we should all truly hate him. But to add insult to injury, the award-winning star of Cat on a Hot Tin Roof, The Hustler and Cool Hand Luke was also an incredibly good guy. This shot shows that, back in the 1960s, he had the whole preppy look down to a T.


I'am Mugund and I love writing code!
Here are some of the techlologis I writing day to day
Just mail me at mugund@panuval.com


Exporter
abstraction is intended to satisfy the
following requirements:
The interface {@link net.jini.export.Exporter} is a
high-level API for both exporting a single remote object so
that it can receive remote method invocations, and unexporting
that same remote object. Applications can use a {@link
net.jini.config.Configuration} provider together with
the Exporter
interface to export remote objects in a way
that can be configured and deployed at run-time to use specific
implementations of the Exporter
interface. See the net.jini.config
package documentation for examples on configurable exporting.
Several implementations of the Exporter
interface are provided:
{@link net.jini.jrmp.JrmpExporter} Exports an object using the Java(TM) Remote Method Invocation (Java RMI) implementation in Java 2, SDK, Standard Edition (J2SE(TM)). The behavior of remote objects exported via a JrmpExporter
are the same as the behavior of objects exported via equivalentexportObject
methods of thejava.rmi.server.UnicastRemoteObject
andjava.rmi.activation.Activatable
classes.{@link net.jini.iiop.IiopExporter} Exports an object using the Java Remote Method Invocation over Internet-ORB Protocol technology (RMI-IIOP) in J2SE. The behavior of remote objects exported via an IiopExporter
are the same as the behavior of objects exported via theexportObject
method of the classjavax.rmi.PortableRemoteObject
and (where appropriate) connected to anORB
via theconnect
method ofjavax.rmi.CORBA.Stub
.{@link net.jini.jeri.BasicJeriExporter} Exports an object to use Jini extensible remote invocation (Jini ERI). A remote object exported with BasicJeriExporter
can have associated custom remote invocation and dispatch behavior, as well as a customized communication protocol.
The details of export and unexport behavior, including
communication protocols used for remote invocation and additional
invocation semantics, are defined by the particular implementation of
the Exporter
interface.
To export a remote object, an application needs to either construct
a new instance of an Exporter
implementation explicitly
or use the Configuration.getEntry
method to obtain a new
instance of an Exporter
implementation. It is preferable
to obtain exporters via the Configuration
provider
because doing so eliminates application code dependency on specific
Exporter
implementations. Only a single object can be
exported per Exporter
instance. Since an exporter hides
all the details of export behavior (for example, an object or
activation identifier) and such information in many cases is only
applicable to a single object, it simplifies the abstraction and the
programming model to require a new exporter per export.
The export
method exports a remote object and returns
a proxy that implements all the remote interfaces of the remote object
and that can be used to invoke remote methods on that exported remote
object. The caller should not make any assumptions about the behavior
of the Exporter
implementation to which the object was
exported, the implementation of the returned proxy (for example, it
need not be a "stub" class as defined in the Java RMI specification), or
the communication protocols used by the returned proxy to invoke
remote methods.
A remote object exported via a given Exporter
instance
can later be unexported by invoking the unexport
method
of that Exporter
instance.
ProxyAccessor
The interface {@link net.jini.export.ProxyAccessor} provides a
means to obtain a proxy for an exported remote object and is typically
used in conjunction with activatable remote objects. An activatable
remote object should implement this interface so that the activation
group can obtain the remote object's proxy once the remote object is
created (activated) and exported. If an activatable remote object
does not implement this interface, it must define a constructor that
takes as arguments an {@link java.rmi.activation.ActivationID} and a
{@link java.rmi.MarshalledObject}, and it must be serializable and
marshalling the object produces a suitable proxy for the remote
object.
ServerContext
The class {@link net.jini.export.ServerContext}
provides a generic API for associating and obtaining server context
information for a remote call executing in the current thread.
The class contains static methods for obtaining the server context for
the current thread (ServerContext.getServerContext
) and
for executing some action within a given server context
(ServerContext.doWithServerContext
). In addition, the
ServerContext
class provides the interface {@link
net.jini.export.ServerContext.Spi} for server context
providers that are consulted to obtain a server context if one is not
already associated with the current thread via the
ServerContext.doWithServerContext
method.
The context information available from a given element of the collection is determined by that element's type. Examples of types that a given element might implement include:
A remote object does not itself set up a ServerContext
,
rather the Exporter
implementation that
dispatches incoming calls to its exported remote objects may establish
one for each call that it services.
For supplying context information for remote method execution, the
BasicJeriExporter
implementation uses the method
doWithServerContext
and the JrmpExporter
implementation uses the provider interface
ServerContext.Spi
. The IiopExporter
implementation does not support the ServerContext
API in
supplying context information for incoming calls dispatched to its
exported objects.
ExportPermission
The class {@link net.jini.export.ExportPermission}
defines runtime permissions associated with export-related
operations. When invoking {@link
net.jini.jeri.AbstractILFactory#getInvocationDispatcherMethods}, the calling
context must have been granted the permission
ExportPermission("exportRemoteInterface.interfaceName")
for each non-public remote interface the supplied remote object
implements.
@since 2.0 @version 1.1


[SAWD] 2018 March 16th
TOC
Computer Fundamentals
Core Elements
- Central Processing Unit:
- Control Unit
- Arithmetic Logic Unit
- Memory Management Unit
- Registers
- Memory
- Input/Output
- Storage
CPU Architecture
- RISC / CISC: ARM, IBM PowerPC / Intel, AMD
- Bits: 32 -> 64
Metric Prefix
- e.g.
GiB
vsGB
Clock Rates
How many clock cycles in 1 second. - CPU > Memory
Memory
- SRAM vs DRAM
- Memory Comparison
| Storage | Speed | Volume |
|---|---|---|
| Register | Fastest | Smallest |
| L1 Cache | 2 | 4 |
| L2 Cache | 3 | 3 |
| L3 Cache | 4 | 2 |
| Main Memory | Slowest | Largest |
Storage
Interfaces
Storage Partition
Master Boot Record1
- Can only have at most 4 primary partitions.
- 2 TiB storage limit
- Maximum disk sector size: 512 bytes
- First sector: base partition table, bootstrap code
GUID Partition Table2
- 2 ZiB storage limit
- Common sector size: 4 KiB, 512 bytes
- Has a secondary GPT header in case the primary one is broken.
System Structure Overview
- Linux, BSD: Monolithic kernel3
- Real-time systems: Micro kernel4
- Windows NT(Windows 10…), XNU(macOS…): Hybrid Kernel5
Linux Backgrounds
Author
Linus Torvalds
Time line
- 1971: Unix published
- 1977: BSD released, based on Unix v6
- 1983: GNU project started
- 1987: Minix released, Unix-like
- 1991: Linux released, Unix-like
- 1995: Free Software Foundation established
License
Specifically, GNU GPLv2
Free software definition:
- The freedom to run the program as you wish, for any purpose (freedom 0).
- The freedom to study how the program works, and change it so it does your computing as you wish (freedom 1). Access to the source code is a precondition for this.
- The freedom to redistribute copies so you can help your neighbor (freedom 2).
- The freedom to distribute copies of your modified versions to others (freedom 3). By doing this you can give the whole community a chance to benefit from your changes. Access to the source code is a precondition for this.
Linux Branches
- Mainline: constantly under development.
- Stable: a version of mainline which is considered stable. Will be maintained for a period.
- Longterm: just as stable, but will be maintained for a long time.
- EOL: end of life.


LEGALLY BLONDE RATING: 6/10
For more reviews and movie screensavers, visit http://www.joblo.com/
PLOT: A bubbly sorority girl who gets dumped by her boyfriend because he doesn't think that she's "serious" enough in life, enrolls in Harvard Law School in an attempt to win him back. Wow, you mean that she really is smart?!? The message: don't judge a book by its cover, boys and girls.
CRITIQUE: The best and only way to describe this movie is with one word and that word is "cute".  But is the film trying to have a deeper meaning than that? No, not really. This is obviously a remake of many rehashes of many revisited films in which the main character tries to become something that they're not (fish out of water, anyone?) and succeeds initially, but then falls upon harder times later. Does that make the film any less interesting to watch? No, not really. Does the fact that you could telegraph the entire plotline of the film really matter in your overall, bottom line enjoyment of the picture? Well, maybe a little bit, since the film doesn't really offer you many real surprises, but you gotta give credit to the filmmakers for one thing which takes this movie to the level of recommendation here and that is...the casting of one Reese Witherspoon in the lead role! Damn, this girl's got it going on!!
 Of course, she also plays this role perfectly (which is tough, especially since Alicia Silverstone portrayed the ideal goofy California girl in CLUELESS) and even managed to add another layer to the cake. And what layer might that be, you're asking? The layer of conviction, my friends. The layer of believability, intelligence and an actual person living inside her phony-baloney exterior. I don't think that there's anyone out in the crowd who will not feel sorry for Reese's character in this film, especially when she breaks down in front of her boyfriend and says, "Nothing I can do is ever going to make you love me, is there?" Or something along those lines. The look in her eyes, the sadness in her face...damn girl, c'mon over here and let me give you a hug!
Seriously though, I'm slobbering all over Reese here because she is honestly the one and only reason to see this movie. Is the plot believable or innovative? Eeeeeh, not really. Are the rest of the characters three-dimensional or interesting? Eeeeh, not really. But Reese just pops out of the screen and begs that you love her ditziness (which surprisingly, isn't all that ditzy...she's actually very smart but just likes "acting" ditzy!) and for that, I would recommend that you see this movie, especially if you're looking for a confidence boost yourself (just set your mind to something, and you can do it!). By the way, I'd also like to officially nominate this picture as the one with the happiest ending of the year (as if you didn't expect it). So if you're not into sugar, it goes without saying that you should just skip this sachran-coated fluff-piece altogether.
PS: Can Ryan Phillippe sue me for harassing his wife from my review alone? Nah, he couldn't, could he? Dang, I better check with my lawyers...
PSS: If there's even one review of this film out there that doesn't make mention of the film CLUELESS, I will personally...well, I won't do shit, but needless to say, it's undoubtedly gonna get compared by everyone!
Where's JoBlo coming from? 10 Things I Hate About You (7/10) - Billy Madison (7/10) - Clueless (7/10) - Cruel Intentions (8/10) - Election (7/10) - Erin Brockovich (7/10) - Miss Congeniality (7/10)
Review Date: July 7, 2001 Director: Robert Luketic Writers: Karen McCullah Lutz, Kirsten Smith Producers: Ric Kidney, Marc E. Platt Actors: Reese Witherspoon as Elle Woods Luke Wilson Selma Blair Genre: Comedy Year of Release: 2001 ------------------------------------- JoBlo's Movie Emporium http://www.joblo.com/ ------------------------------------- (c) 2001 Berge Garabedian
========== X-RAMR-ID: 28711 X-RT-AuthorID: 1021 X-RT-TitleID: 1108857 X-RT-RatingText: 6/10
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Help on Defining a Query
Please draw a query
structure.
Click on the ? sign in the drawing
applet for a help on drawing.
For more details of the query features JChem offers, read the
JChem Query Guide.
Input Parameters
Search type defines the way compounds are searched. Options:
- Substructure
- Finds all molecules containing the given substructure.
- Superstructure
- Finds all molecules that can be found in the given superstructure.
- Full
- Locates the molecule that is matching the full query structure.
(no additional fragments are allowed).
Molecular features (stereochemistry, isotopes, charges, etc.) are by default evaluated the same
way as for substructure queries. See also Duplicate search type and Advanced search options.
- Full fragment
- Finds molecules where the query fully matches
a fragment of the target.
Other fragments may be present in the target, they are ignored.
Useful to perform a Full search that ignores salts or solvents beside
the main structure in the target. For a description of the differences of
these search types, see
the relevant section
of the Query Guide or the
examples page.
- Similarity
- Finds molecules that are similar to the query structure.
- The default similarity calculation uses the Tanimoto coefficient
of the chemical hashed fingerprints of the query structure and the
molecule in the database.
(Dissimilarity_value = 1.0 - Tanimoto_similarity)
- Molecular Descriptor dissimilarity may also be present if
descriptors are generated for the table. The descriptors can
implement various calculation methods and distance metrics.
For more information about the available descriptors and metrics,
see the
Screen
documentation
- Duplicate
- Duplication search. All molecular features (stereochemistry, charges, isotopes,
etc) equality is needed.
Dissimilarity threshold is a parameter of
Similarity search. It specifies
the higher limit of dissimilarity between the query and the database molecule.
If the dissimilarity value is lower or equal
to the threshold, then the query structure and the given
database structure are considered similar.
Max. hits
specifies an upper limit for the number of molecules the search engine is
allowed to find.
Max. time
specifies an upper limit for the length of time the search may take.
Search prev. results
allows to perform a search on the hits of previous searches.
Use Substructure hit coloring
to highlight the matching substructure part of the target structures.
Use Hit alignment to rotate the hits relative
to the contained query substructure.
Use Return non-hits (inverse result set) to
display structures that do not match the query conditions.
The fields under Conditions can be used to
add extra conditions referring to non-structural data in the database
table.
The Chemical Terms Filter can be used to
add a complex set of rules to the search criteria. You can choose a few
example filters with the help of the combo box. Please see the
Chemical Terms Language Reference
for more details. Note that the Chemical Terms filter
is not available for similarity search and in case of Markush tables.
Advanced search options
Advanced search options are not available for similarity search, and for
duplicate search only the stereochemistry and tautomer options are available.
You can find a summary of all search
options here
Description of the options:
- Stereochemistry
- This option controls the evaluation of stereochemistry:
- On: The default stereochemistry evaluation option:
non-stereo query matches all configurations and stereo query matches
only the specified stereo configuration. See
examples in query
guide.
- Exact: The stereochemistry evaluation option used by
duplicate search by default: equality is needed in all stereo
features (eg. non-stereo query only matches non-stereo targets).
- Off: All stereochemistry is ignored.
- Double bond stereo check
- This option controls the evaluation of E/Z (cis/trans) isomerism of
double bonds in case of the Stereochemistry "On" setting. For examples,
see the query guide.
- All: All query double bonds are evaluated for stereochemistry.
- Marked: Only query double bonds marked with the "stereo
search flag" (visualized by a rectangle) are evaluated.
- Off: E/Z stereochemistry is ignored.
- Atom matching
- These options control the evaluation of the corresponding chemical
atom properties. (Charges, Isotopes, Radicals, Valences.) For examples,
see the query guide.
If the valence on the target is not specified, it is calculated from the
atom type and bonds.
- On: The default matching. If the query does not hold
the property, it matches everything. (Eg. uncharged query
matches both uncharged and charged targets.) Otherwise, the
specified chemical property value must be equal.
- Exact: The property must be equal in the query and the
target. (Eg. uncharged query only matches uncharged target.)
- Ignore: The property is ignored.
- Tautomer
- This search option can instruct the search engine to look for all
tautomer forms the query, as generated by the Marvin plugin Tautomers.
- Vague bond
-
These search options allow to choose between several levels of
strictness in matching bond types, especially regarding aromaticity.
See more information about
vague bond options.
Comments
Automatically displayed (implicit) Hydrogen atoms
will not be used in the query.
Searching common structures that occur frequently
in the database or using vague bond options might take considerable time.


about me
I am Kirsty. I'm from London and I live here now after a great year-and-a-bit spent in Berlin learning to code.
I used to work in architecture and journalism and now I'm a programmer.
I work at an agency with primarily third-sector clients, which I love.
I love problem-solving and learning new things.
You can find me at<EMAIL_ADDRESS>or at @torahwilcox.
P.S. Frage is German for question.


val serverWithPipelineViews: MailPackage<ServerWithPipelineViews>
MailPackage with server and parsed pipelineViews.
serverWithPipelineViews - MailPackage with server and parsed pipelineViews.
serverWithPipelineViews


I recently got a new psychiatrist who, seeing as how pretty much all the SSRIs, SNRIs, NDRIs, NARIs and NaSSAs on the market had little to no effect on my condition, concluded that my core issue was with generalized anxiety rather than depression. The occasional Xanax (.25 to 1.5 mg) did help, but being wary of the dangers of benzo addiction (not that I've had any addiction issues myself, but my country of Austria is probably one of the world leaders in Flunitrazepam abuse), he instead suggested Lyrica.
Problem is, Lyrica is 'approved' for GAD over here, but our national health insurance will only cover it for neuropathic pain.
Still, I thought it was worth a try, so my therapist got me a package of 25 mg pills for me to try out.
Experimenting with doses of up to 200 mg/day, I found out that while the anti-anxiety effect was definitely there (albeit limited), its painkilling effect also helped quench the burning sensation in the soles of my feet.
Okay, getting slightly off-track here: I also suffer from a burning sensation in my soles when lieing in bed at night, resulting in insomnia for which I was prescribed Mirtazapine and later Mianserin. At first these worked pretty well, but after 2 years I had become so tolerant that I needed 3 or 4 pills (ie 240 mgs of Mianserin) to achieve the desired effect, leaving me with a hangover and daytime sleepiness even after 9 hours of sleep.
Thanks to Pregabalin, I could drop the Mianserin, and once again get out of bed refreshed after less than 7 hours of sleep (well, atleast awake enough to do more than just turn off the alarm clock and stagger back to bed).
And since my burning feet qualified as 'neuropathic pain', I now get my Lyrica courtesy of the Austrian healthcare system.
As for the anxiolytic effect - it is there, and it has decreased my general worrying and irritability, but it is no match for the adrenalin rush of an actual panic attack.
On the plus side, there are remarkably few side effects - it actually causes less sleepiness than Xanax.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Around the world, efforts are under way to improve conservation and sustainable use of marine and coastal biodiversity. However, there has been inadequate focus on the holistic aspects of capacity needs with regards to oceans and marine life therein.
The Sustainable Ocean Initiative builds on these efforts, resources, and experiences by providing a holistic and strategic framework through which to catalyze partnerships, build on lessons learned and knowledge gained, and facilitate improved coordination and two-way dialogue to address these capacity needs to support countries in their efforts to achieve the Aichi Biodiversity Targets in marine and coastal areas. The Sustainable Ocean Initiative focuses centrally on facilitating partnerships to link various initiatives and ensure that the sum of these efforts are greater than its parts.
The approach of the Sustainable Ocean Initiative focuses on:
By addressing these key aspects of capacity, SOI aims to build the groundwork and foundation for long-term, effective and adaptive implementation.


Hospital Name
This is a list of examples. See the app.js file to see what happens when these links are clicked.
- Example 4 - /student/create, routes requests to router.get('student/create') in controller/student. An ajax form for creating a student is returned.
- Example 5 - /student/all displays all users in a table
- Example 6 - /student/dropdown displays all student in a drop down menu
- Example 7 - /student/dropdown_ajax displays a student's information without reloading the page.
- About
- Patient
- Doctor
- Medication
- Operation


Daily Deal: 55% off the ZIZO Bolt Series Galaxy S10 case
by SM PicksWhen you buy an expensive smartphone you want to make sure it stays in good condition. This will make sure it lasts longer and will also increase the reselling value in case you want to sell it later when you’ve upgraded again. It’s important to find a good case that will protect it from dust and minimizes impact if you drop it.
This case by ZIZO does just that. It offers military-grade drop protection for your smartphone. It also comes with a kickstand so you can conveniently place it on a table while enjoying video so that your hands are free. This case for the Samsung Galaxy S10 is now available at 55% off which is a small price to pay for peace of mind.
Hit the Buy Now button below and get it before the offer expires!


Sick of your cat? Does it eat too much? Does it scratch too much?  Let us take it off your hands - no questions asked.
We pride ourselves on making an inclusive envioroment for all cats. Not only does the sanctuary offer stunning views of Christchurch City, it also features a retro style and ever changing garden landscape.
We proudly have a registered cat nurse residing in house. Her 34 year experince ranges from new mothers, her offspring and pirate cats, right through to getting homeless cats off the street.
A humble hill, a big tree, mice-a-plenty: a home for Si and Janye
The mean streets of Linwood faded fast from the memory once settled in. Who could deny the vast hunting facilities, the local parks, and the number of stray cats dropping by for some local tucker. There was nothing left to do except lock them inside for weeks against their will, then take them to the vet to get spaded.
1 cat, 2 cat, 3 cat (definitely some day soon 4)!
Date!
Feline Behavioural Specialist
Registered Cat Nurse
Pussy Dietition Consultant
With over 80 years combined experience our team holisticly benchmark cat-business alignments with a local focus.


Top Players
xXMLG_RAMiO_GODXx
Peter is best
The Real Ramses
James the Shepard
Ram, James Ram
Shaken, Not Stirred
Test Post, plz dont upvote
League of Legends is best game
Not a Hardcoded value, trust me
We Have the Best Rams, Believe Me
Health


If you do not find your idea/complaint, please reach me by email me direct at pbristow (at) hetp (dot) u-net (dot) com, or better by posting a Github issue at SVG_plot library documentation or Quan uncertain classes library documentation (for Uncertainty issues).
| Note | |
|---|---|
These blocks typically go into more detail about an explanation given above. |
| Tip | |
|---|---|
These blocks contain tips that you will often find helpful while coding. |
| Important | |
|---|---|
These contain information that is imperative to understanding a concept. Failure to follow suggestions in these blocks will probably result in undesired behavior. |
| Warning | |
|---|---|
It is imperative that you follow these. Failure to do so will lead to incorrect, and very likely undesired, results in the plot. |


---
layout: default
title: Roadmap
---
{% include nav.html active='About' %}
Roadmap
The roadmap and milestones
define the project direction and priorities.
Current
- Lua built-in + host
- Externalize more UI components: wildmenu, cmdline, cursorline/cursorcolumn
- Basic support for LSP et al.
Meta
There are release milestones and meta milestones ("buckets").
- Version-number milestones (
0.1
, 0.2
, 0.3
, …)
assign issues to production releases.
- The nearest upcoming version is assigned a target date.
- Low-risk fixes in the current branch are first committed to the
stable branch, then merged to master. For example, if the current
stable release is
0.1.1
and a bug-fix is assigned to the
0.2
milestone, it does not mean users need to wait until
0.2
to get the fix. The patch will be committed to the
stable branch and released in 0.1.2
.
- todo
is a bucket for triaged tickets which should be on the
roadmap but cannot yet be assigned to a concrete milestone.
- unplanned
is a bucket for low-priority items or items lacking a
feasible path to completion.
Completed
- Windows support
- Externalize more UI components: tabline
- Pre-packaged "RelWithDebInfo" build for Windows
- Pre-built binaries for non-Windows platforms
- The primary goal of the
0.1
release ("first public release") is to reach a
stable, functional baseline that can be built upon and used as a benchmark for
further progress.


Tenant allegedly 'trashed' north Belfast property in row over deposit, court told
A tenant allegedly inflicted £4,000 worth of damage by "trashing" his north Belfast accommodation in a row over a deposit, the High Court has heard.
Portuguese national Ladis Diouf is accused of ripping out sinks and toilets, smashing windows and cutting up furniture at the property on Eia Street.
The 28-year-old was returned to Northern Ireland after being detained in Great Yarmouth in England earlier this month.
Diouf, of no fixed abode, is charged with criminal damage by damaging furniture, fixtures and fittings at the house on February 8 this year.
During a bail application, a prosecution lawyer agreed with a judge's assessment that the allegations involved "trashing the premises".
She claimed: "He ripped sinks and toilets off walls, broke two windows and slashed a sofa.
"He cut cables on electrical items and kicked in doors and studded walls."
The court heard that police were called by another tenant at the address.
"The damage is estimated to be over £4,000," the Crown lawyer disclosed.
Diouf, who is believed to have come to Northern Ireland in 2018, provided a statement to police after being brought back for questioning.
"He outlined a dispute with the landlord over a deposit of £315 he said was owed to him," counsel said.
"The reason for the delay between the incident and his arrest was that the applicant moved to Great Yarmouth."
She claimed that if Diouf was allowed to go back there he could then move on to Portugal.
Adjourning the bail application, Lord Justice McCloskey said he wanted checks carried out on an alternative address with a sister in Dungannon.
He added: "The court is gravely concerned about this incident."


public class MecanumPathPlanner
extends java.lang.Object
| Modifier and Type | Class and Description |
|---|---|
static class |
MecanumPathPlanner.MotorType
The location of a motor on the robot for the purpose of determining velocity.
|
| Modifier and Type | Field and Description |
|---|---|
double[][] |
heading |
double[][] |
leftFrontPath |
double[][] |
leftRearPath |
double[][] |
nodeOnlyPath |
double[][] |
origCenterVelocity |
double[][] |
origLeftFrontVelocity |
double[][] |
origLeftRearVelocity |
double[][] |
origPath |
double[][] |
origRightFrontVelocity |
double[][] |
origRightRearVelocity |
double[][] |
rightFrontPath |
double[][] |
rightRearPath |
double[][] |
smoothCenterVelocity |
double[][] |
smoothLeftFrontVelocity |
double[][] |
smoothLeftRearVelocity |
double[][] |
smoothPath |
double[][] |
smoothRightFrontVelocity |
double[][] |
smoothRightRearVelocity |
| Constructor and Description |
|---|
MecanumPathPlanner(double[][] path)
Constructor, takes a Path of Way Points defined as a double array of column vectors representing the global
cartesian points of the path in {x,y} coordinates and a third heading coordinate (in degrees).
|
| Modifier and Type | Method and Description |
|---|---|
void |
calculate(double totalTime,
double timeStep,
double robotTrackWidth,
double robotTrackLength)
This code will calculate a smooth path based on the program parameters.
|
void |
calcWheelPaths(double[][] smoothPath,
double robotTrackWidth,
double robotTrackLength)
Calculates all wheel paths based on robot track width and length
Big O: 2N
|
static double[][] |
doubleArrayCopy(double[][] arr)
Performs a deep copy of a 2 Dimensional Array looping thorough each element in the 2D array
BigO: Order N x M
|
void |
figure8Example() |
static double[] |
getXVector(double[][] arr)
Returns the first column of a 2D array of doubles
|
static double[] |
getYVector(double[][] arr)
Returns the second column of a 2D array of doubles
|
static double[] |
getZVector(double[][] arr)
Returns the third column of a 2D array of doubles
|
double[][] |
inject(double[][] orig,
int numToInject)
Method upsamples the Path by linear injection.
|
int[] |
injectionCounter2Steps(double numNodeOnlyPoints,
double maxTimeToComplete,
double timeStep)
This method calculates the optimal parameters for determining what amount of nodes to inject into the path
to meet the time restraint.
|
static void |
main(java.lang.String[] args) |
static double[][] |
nodeOnlyWayPoints(double[][] path)
reduces the path into only nodes which change direction.
|
static void |
print(double[] path) |
static void |
print(double[][] path)
Prints Cartesian Coordinates to the System Output as Column Vectors in the Form X Y Z
|
void |
setPathAlpha(double alpha) |
void |
setPathBeta(double beta) |
void |
setPathTolerance(double tolerance) |
void |
setVelocityAlpha(double alpha) |
void |
setVelocityBeta(double beta) |
double[][] |
smoother(double[][] path,
double weight_data,
double weight_smooth,
double tolerance)
Optimization algorithm, which optimizes the data points in path to create a smooth trajectory.
|
double[][] |
transformHeadingToGyroFrameOfRef(double[][] input) |
static double[][] |
transposeVector(double[][] arr) |
public double[][] origPath
public double[][] nodeOnlyPath
public double[][] smoothPath
public double[][] leftFrontPath
public double[][] leftRearPath
public double[][] rightFrontPath
public double[][] rightRearPath
public double[][] origCenterVelocity
public double[][] origLeftFrontVelocity
public double[][] origLeftRearVelocity
public double[][] origRightFrontVelocity
public double[][] origRightRearVelocity
public double[][] smoothCenterVelocity
public double[][] smoothLeftFrontVelocity
public double[][] smoothLeftRearVelocity
public double[][] smoothRightFrontVelocity
public double[][] smoothRightRearVelocity
public double[][] heading
public MecanumPathPlanner(double[][] path)
path
- public static void print(double[] path)
public static void print(double[][] path)
path
- public static double[][] doubleArrayCopy(double[][] arr)
arr
- public double[][] inject(double[][] orig, int numToInject)
orig
- numToInject
- public double[][] smoother(double[][] path, double weight_data, double weight_smooth, double tolerance)
path
- weight_data
- weight_smooth
- tolerance
- public static double[][] nodeOnlyWayPoints(double[][] path)
path
- public int[] injectionCounter2Steps(double numNodeOnlyPoints, double maxTimeToComplete, double timeStep)
numNodeOnlyPoints
- maxTimeToComplete
- timeStep
- public void calcWheelPaths(double[][] smoothPath, double robotTrackWidth, double robotTrackLength)
smoothPath
- - center smooth path of robotrobotTrackWidth
- - width between left and right wheels of robot of mecanum chassis.robotTrackLength
- - length from front to back of robot mecanum chassis.public static double[] getXVector(double[][] arr)
arr
- 2D array of doublespublic static double[] getYVector(double[][] arr)
arr
- 2D array of doublespublic static double[] getZVector(double[][] arr)
arr
- 2D array of doublespublic static double[][] transposeVector(double[][] arr)
public void setPathAlpha(double alpha)
public void setPathBeta(double beta)
public void setPathTolerance(double tolerance)
public void setVelocityAlpha(double alpha)
public void setVelocityBeta(double beta)
public void calculate(double totalTime, double timeStep, double robotTrackWidth, double robotTrackLength)
totalTime
- - time the user wishes to complete the path in seconds. (this is the maximum amount of time the robot is allowed to take to traverse the path.)timeStep
- - the frequency at which the robot controller is running on the robot.robotTrackWidth
- - distance between left and right side wheels of a mecanum drive chassis. Known as the track width.robotTrackLength
- - distance between front and rear wheels of a mecanum drive chassis. Known as track length.public double[][] transformHeadingToGyroFrameOfRef(double[][] input)
public static void main(java.lang.String[] args)
public void figure8Example()


Match Play. 3-3 to 7. Should Red redouble? If redoubled, should White take?
pips Red=7 White=6
(CorrectAnswer= 0/0, ErrorScore= 0)
Position submitted by Peder Berkell
For money with an active cube this would be a terrible redouble.
However, at this match score it is easy to calculate that White will win 21/36 (Red doesn’t bear off) x 23/36 (White does bear off) = 37% of the time.
If White drops the redouble he will win the match 33% of the time (from match equity tables). Therefore Red should double and White should take.
For money with an active cube this would be a terrible redouble.
However, at this match score it is easy to calculate that White will win 21/36 (Red doesn’t bear off) x 23/36 (White does bear off) = 37% of the time.
If White drops the redouble he will win the match 33% of the time (from match equity tables). Therefore Red should double and White should take.
Cube analysis 2-ply cubeless equity +0.252 (Money: +0.252) 0.626 0.000 0.000 - 0.374 0.000 0.000 Cubeful equities: 1. Double, take +0.748 2. Double, pass +1.000 (+0.252) 3. No double +0.255 (-0.493) Proper cube action: Redouble, take


Formtastic for Rails
I’ve been working on EQ portal during these days, I wanna share a useful gem which I used, it is called Formtastic. it’s a nice way to create form via formtastic, so the finial form is something like:
<% semantic_form_for @landing, :url=>admin_landings_path do |form| %>
<% form.inputs do %>
<%= form.input :title, :label => 'Title' %>
<%= form.input :url_slug, :label => 'Url slug' %>
<%= form.input :meta, :label => 'Meta' %>
<%= form.input :content, :label => 'Content' %>
<% end %>
<%= form.buttons %>
<% end %>
Then it will generate HTML like this:
Also, it can be configured well in display style(not try yet), as well as working with this validation plugin
There is a more detailed Doc at: http://rdoc.info/rdoc/justinfrench/formtastic/blob/35eadf9a0f3e30101993419c3dd3327fb2fdd0b6/Formtastic/SemanticFormBuilder.html. And samples at: http://asciicasts.com/episodes/184-formtastic-part-1
Enjoy it.


Lesson 3 - 2Body Problem Numerical Solutions
Extra notes:
Resources
Below are some extra resources to learn about the topics we discussed. Some will be required for the HW and will be listed on the Canvas webpage, while others are left up to you!
Derivations
Materials
- Lecture 3, Part 1 - Kepler's Laws, Ellipses and Orbital Motion: (view,
source, present)
- Lecture 3, Part 2 - Full Two Body Motion: (view,
source, present)
- Notebook Part1_programming_analyticalVSNumeric_lesson03:
(view,
download)
- Notebook Part2_programming_full2Body_lesson02_notes:
(view,
download)
- Notebook inClass_lesson03:
(view,
download)


Week 1: Technical Blog
June 8th, 2014
Pandora.com
Pandora.com has long been one of my favorite websites because of the sheer pleasure it provides me on a daily basis. Whether I'm relaxing at home or on the go, Pandora is generally always turned on on one of my devices. Not only does Pandora provide me a great variety of music, but it's also free! What's better than that? Plus, I barely even have to think about the website itself - I just press play and kick back. Genius.
When I log onto Pandora, I'm immediately drawn to the deep colors and simple layout. Whether I'm up close or far away, its clear that the main idea is for me to just type in an artist and hit play. Pandora.com is a simple, elegant, interactive, intuitive, and pleasing website that solves the problem of music variety in one's own personal collection. It also solved the problem of having to decide what to listen to next (although, you do have to pick an artist that you want to hear music similiar to). The content is fun, dynamic, practical. The thing is though, the important content is all audible, not visual. So, the design of the website doesn't play as large a role as one where the user is expected to navigate it more thoroughly.
The best part about Pandora is that you really don't have to think at all. You don't really even need to browse. In fact, the content that is displayed is automatically updated when a song changes, so the need to browse is almost non existent. It's hard to get bored of this site because its hard to get bored of music. Although Pandora does offer a premium service with no commercials, I haven't really considered purchasing it because I don't mind them the commercials too much. However, if Pandora scrapped their free service and only charged, I'd likely sign up.
Reddit.com
Reddit.com is another one of my favorite websites. Aside from Pandora, this website definitely provides me the most entertainment value of all the pages I visit. Its a great site because the content is so varied. I could log in and laugh for half an hour, then learn about the latest breakthroughs in science and technology, then look at pictures of cute cats and dogs. All of the content is sourced from the websites users, who post material that either gets upvoted or downvoted. This voting system dictates which content makes it to the 'front page', which is the page you see when logging into the website.
Visually, Reddit isn't too exciting. The home page is just a list of links to user submissions, with some advertisements on the side. When I stood back, the advertisements are actually what drew my attention because they're pretty much the only pictures on the website until you actually click into a submission. What I really like about reddit, aside from the submissions themselves, is the logic behind the website. Although I'm not exactly sure what the algorithm is, the creators have found a way to automate which posts make it to the top, and for how long, based off of the votes from other users. It allows for just the right amount of time to keep up with what's new, but sumbmissions don't linger too long, so the website is always fresh.
Reddit has provided me countless hours of entertainment, but I haven't really given back at all. The only revenue they make aside from ad revenue is from what they call 'Reddit Gold'. Basically, you can purchase reddit gold for another user, which is meant to be a reward for a great post. With reddit gold the user obtains certain priveleges that I'm not really even sure of, but I see people being 'gilded' all the time. Reddit isn't a profitable company, but I think they have done a good job finding interesting ways to keep at least some cash flowing in.
Google.com
How could I not put Google on here?  As I'm sure you're aware, Google is a really simple website on the surface. There's no log in, nothing to think about really - you just go to the homepage and search for anything you want in the search bar that is right there in front of you in the center of the page. There's almost nothing else to look at there either, which makes the website very intuitive and easy to use.
Google has essentially solved the problem of not being able to find what you're looking for on the internet. It's not necessary anymore to know exact web addresses for the information you're seeking - just head to google and it'll take you there. And it does it in a simple, straight-forward manner. After 'googling' for a while, I'm usually pretty happy. The general outcome is that I've gained more knowledge after each use of google, which is a good thing for sure.
What's also interesting about the website is that you can now log into Google's other websites from Google.com. When I go to Google.com I can see my Google+ account name at the top of the page. I can also click right into my calendar or e-mail account. Because Google's products are so simple and so widely used, so connected, I think it will be a long time before any competitor really holds a candle to them.


| DOSE: |
40 seeds |
smoked |
Datura |
(seeds) |
My friend called me with the good news. 'Hey, I have some Jimson.' Having read almost everything on erowid about Datura, I told him not to take any until I took a look at it. He agreed that was the best course of action.
I went to his house over the weekend and crushed an entire seed pod (almost mature, seeds dark brown.) in a mortar and pestle into a fine powder. I took it home and the day after next, I smoked a bowl (roughly 30 crushed seeds) and waited for its onset. After about 2 minutes (11:56p), I began to feel 'something' which is a sign that you have bought your ticket. There was still some jimson in my pipe, so I smoked the rest of that too.
After clearing the pipe of an remnants of jimson, I read 'The Essential Confucious' from cover to cover. I realized that I felt stoned and euphoric. I felt like I was almost lucid but knew I wasn't dreaming. I preceded to draw a few pictures which are strange and beautiful upon examination. After listening to a few hours of music, I looked at the clock (2:18a) and decided it was time to catch some sleep.
I brushed my teeth and got a bottled water from the fridge to take back to my room considering I had finished half of one from earlier. After sitting on my bed just staring off into nothingness and anythingness, I realized I could see in the dark like when on acid. I imagine I had huge pupils, as was expected.  It seemed like only a few minutes passed by, before she appeared.
The Green Temptress was on my damn bed, tempting me to sleep with her. (and she was quite stunning as far as phantasms go) I pondered the idea, when I heard a voice in my head distinctly say NO. I realized that I shouldn't go with her or do anything she tries to get me to do, and she swiftly disappeared. I didn't see her again that night.
I remember falling asleep. I had a lucid dream as it was easy to go from a state of being awake to a state of dreaming. I remember being in my old high school. I entered the school from the doors, walking in as the kids do for class. I was there to visit a teacher who had 'inspired' me. There was an armed guard at the school entrance, (A man in black with a bouncer/badass look to him holding an MP5 SWAT rifle slung over one shoulder.) and another guard every 10 feet. All of the kids had guns as well, except I knew they were unloaded. This did not terrify me as it would in real life. I reasoned it was an omen of the impending future: A militaristic presence in all places of education at all times.
I found myself walking down the halls past all the classrooms and teachers I didn't know. It was then that I realized that I was not in my old high school. I was in my church from 9 years ago. It hadn't changed from the past at all. I decided this was normal, all things considered.
I found myself at the classroom (which turned out to be a desk in the middle of the hall?) of the teacher I had come looking for. Her name was Mrs. Lawrence and I had memories of her teaching me how to understand algebra and how I had won many awards for the school academically. I informed her of these things, told her I had decided to major in math and that she 'inspired' me. I immediately realized that I never had a teacher by that name, or had done any of the other things that I was so fond of. I noticed she was crying tears of joy. I realized, out of the blue, that I was dreaming. I became lucid.  I believe I also flew. After that, I have no idea.
(9:30a) The alarm goes off. I wake up, refreshed, which is weird since I usually don't wake up when my alarm goes off. I experienced no blurred vision or any other side effects. This excluding, at noon, I became slightly depressed, then realized how good I really felt. Everything from there was great. I recommend this in moderation and with caution. Do not do any drug until you know as much as you can about it. And remember, dress cool in the summer, warm in the winter, stay high, and keep on truckin.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


User Persona
- Name: Joe Kittle
- Age: 38
- Gender: M
- Profession:NFL Insider for ESPN/Fantasy Football Expert
- Technology:Iphone11,Macbook Pro
- Attributes:
- Comfortable with filming video and uploading to ESPN Website.
- Proficient at breaking down NFL game film and evaluating player talent.
- Able to record daily fantasy football podcast.
- Needs:
- Needs to be able to announce when new podcasts and content have been posted on ESPN Fantasy website.
- Needs to be able to interact with fans and followers
- Needs to have daily schedule laid out in advance


Hi everyone! I'm VincentI found out DEV Academy through a friend of mine and it was almost 7 months ago. At the begining, I am really suspicious about EDA because I was scared of being scam and waisting my time. Though, I have faith in what I want to do and trust in my friend. In 7 months, I research and observe how EDA work and their graduated, everyone said it is life-changing investment'. However, it is extremely difficult and require your high committment in order to achieve that. Eventually, I am here with everyone in this 2020-piwakawakawa. I am looking to commit my 100% effort with all the task and go beyond it, building the network and some projects. I hope we can share our 16 weeks of EDA together and make it the most valuable treasure in our memory Ka mihi ki a koutou katoa! |


I'm a recently graduated student and Computer Science and interested in learning about the latest advances in the tech industry. I have experience in research, tutoring, software development, and web development.
Helped students with various Computer Science related courses, generally Introduction to Programming 1 and 2 (Java). Occasionally tutored students in other classes such as Data Structures, Web Development, Python, C, etc.
Took part in a Research Experience for Undergraduates (REU) related to mobile sensing and privacy. The program was funded by the National Science Foundation (NSF). The project was using Near Field Communication (NFC) technology to provide a secure two-factor authentication for a Windows computer..
GPA: 3.97
Within the industry, I'm interested in AI, human-computer interaction, web development, and most importantly, finding ways to use technology to make a positive impact on the world around us.
Outside of tech, I have interests in traveling, studying languages, exercising, film, and signing up for more MOOCs than I can finish.
donate if you can, or find a cause you are passionate about!


I don't have a lot of time left in this world
Nothing we do, nothing we fight for matters anymore
I can't find a way to hold myself together
A heart, made of glass, shattered in motion
Every song I write, everything is about a different woman
Every woman who touched like silk, who left a crackle in the glass
For every woman who got engaged and married
For every woman who left eventually
And for those who stayed to get their eventual heartbreak
Those that let me go
Those I let myself
I have loved you all dearly
And I did love you all
Yet I see clearly, freed from the blindness
I see your face, through the blankness
I see you for what you are
I can't stop myself from touching your face and holding your hand
As I see another one in this world made of myself
Left with the glass fragments
Little pieces, still in there, hurting everytime you move
Everytime you look, everytime you feel
I see a woman that weeps with me
I see a woman who doesn't even know, still blind
And I want to hold your hand, take you above the clouds,
Below the ground, to the light in the horizon, where I left myself
I want to hold you and smell your hair
I want to hold you and never let go
I want to force you to listen to my sad songs
I want you to feel every single one of them
I want you to feel like I do
Left with pieces of glass, yet freed from the lies
I want you to open your eyes and see what I see
See that I can be there with you
See that there's more to this world before we leave
More than the random encounters we always feel
More than the jade blossom
More than the white armies of hope
And I see in my dreams
The times we weep, you and me
Together, holding you in my arms, in our bed
As you cry your sorrows
And I feel your wet tears
As your pale skin goes red
I wish you were real and not in my head
What you are is just another idea I can't exercise
I wish I could feel your wet tears
I wish you were actually here, so
I will be there, telling you always
We have no more time left in this world
But we will leave together


{% if flag == 3 and choice_room == [] %}
{{find_user}} is not checked in in any room
{% elif flag == 3 and choice_room != [] %}
{{find_user}} is checked in in room
{{choice_room.room_sala[1] }} → {{ choice_room.room_piso[1] }} → {{ choice_room.room_edificio[1] }} → {{ choice_room.room_campus[1] }}:
{% elif flag == 2 and studList == [] %}
Users checked in in the room {{choice_room.room_sala[1] }} → {{ choice_room.room_piso[1] }} → {{ choice_room.room_edificio[1] }} → {{ choice_room.room_campus[1] }}:
There are no users check in in this room
{% elif flag == 2 and studList != [] %}
Users checked in in the room {{choice_room.room_sala[1] }} → {{ choice_room.room_piso[1] }} → {{ choice_room.room_edificio[1] }} → {{ choice_room.room_campus[1] }}:
{% for o in studList %}
{{o}}
{% endfor %}
{%endif%}


Enum DialectOptions
SQL dialect options
Namespace: XData
Assembly: XData.docfx.dll
Syntax
[Flags]
public enum DialectOptions : ulong
Fields
| Name | Description |
|---|---|
| CheckConcurrencySupport | Concurrency check supported |
| ClearByRowIdArrays | Clear statement used row id arrays |
| InternalErrorCatch | Concurrency SQL errors are handled and jammed in provider |
| MultipleRecordsetProceduresSupported | Multiple record set stored procedures are supported |
| None | No specific SQL dialect options declared |
| ObjectParametersSupported | User defined objects (UDT) are supported as procedure/function parameter types |
| RegisterRecordsetRequired | Output record set registering is required |
| ReturningInResult | Insert returned identity value as query result |
| RowIteratorSupported | Row iterator is supported |
| SafeTypeConvert | Safe type conversion required |
| ScalarFunctionsOutParametersAllowed | Scalar-valued SQL functions OUT parameters are supported |
| ScalarFunctionsSupported | Scalar-valued SQL functions are supported |
| SequenceRequired | Sequence is required to auto increment fields |
| SequenceSupported | Sequences are supported |
| SqlBlockOuterTableVariables | Sql block can operate with table variables out of block only |
| StoredProcedureResultAsExecuteScalar | SQL function result value returned as Execute scalar result |
| StoredProcedureResultFetch | Stored procedure results fetched by multiple reader execute |
| StoredProceduresSupported | SQL stored procedures are supported |
| TableFunctionsSupported | Table-valued SQL functions are supported |
| TableOutParametersAllowed | Table types are supported as procedure/function OUT parameter types |
| TableParametersSupported | Table types are supported as procedure/function parameter types |
| TempTableNotSupported | Temp Table is not supported |
| UdtAsReturnValueSupported | SQL function can return UDT or Arrays |
| UpdateSubqueryFields | Update can use subquery fields as update source values and target fields |
| UpdateTableNotInFrom | Update table is part of update (or delete) statement and not listed in from statement |
| UpdateTableNotUseAlias | Update and delete statements only for one table and not use table alias |
| UpdateUseTableNames | Update not use table aliases but lower case table names |
| WithInsideSubqueryNotSupported | Common-Table-Expression (WITH) queries not supported inside subqueries |
| WithSupported | Common-Table-Expression (WITH) queries are supported |
| WithUnionNotSupported | Common-Table-Expression (WITH) recursive queries combination with UNION operation not supported |
| XmlSourceSupported | XML data source is supported |


| Methods' Summary |
| getDrillDownData |
When the address of a cell within the result area is given,
XDataPilotTable2::getDrillDownData returns its drill-down
output table that includes only those rows that contribute to the value of
that cell.
|
| getPositionData |
Given a cell address, it returns the information about that cell. The
type of information returned depends upon whether the cell is within
the result area or column/row header area.
|
| insertDrillDownSheet |
|
| getOutputRangeByType |
|
| Methods' Details |
getDrillDownData
| sequence< sequence< any > > |
| getDrillDownData( |
[in] ::com::sun::star::table::CellAddress |
aAddr ); |
- Description
- When the address of a cell within the result area is given,
XDataPilotTable2::getDrillDownData returns its drill-down
output table that includes only those rows that contribute to the value of
that cell.
- Parameter aAddr
- cell address within the result area of a DataPilot table.
- Returns
- drill-down output as 2-dimensional sequence, including the header row.
- See also
- ? (no identifier found)
XDataPilotTable2::insertDrillDownSheet
|
|
| getPositionData
|
insertDrillDownSheet
- Description
This method inserts a new sheet to display the drill-down data for a
specified result cell. A drill-down data for a result cell consists
of a subset of rows from the original data source that contribute to
the value displayed in that cell.
The new sheet is always inserted to the immediate left of the current
sheet where the DataPilot table is. Note that when the drill-down data
is empty, no new sheet is inserted.
- Parameter aAddr
- address of a result cell
- Returns
- void
|
|
| getOutputRangeByType
|
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These D3 pie graphs are simulated data from email responses. Revealing essential data to show how to optimize continued email outreach.
This hubspot is meant for me to access essential data to getting revealing information about how my outreach is working
The main goal of this project was to learn how to utalize d3 graphs to make looking at data stimulating.
However, to make this a fully opperational app I plan to implement a google auth section allowing to connect to your gmail and then setup a synthesiser to read and evaluate emails.
During my time at my last job I realized how important it is for engineers to have a quick feedback loop with customers allowing for needed features to come out quickly.
This goal can be easily accomplished if the right system or people are in place. When communicating clearly with users or using apps like appSee or FullStory to modify and correct your platform it can allow for amazing user experiance
I don't have any users on this site however I know what I needed while I was a sales rep and I am trying to create those tools that I needed.


enum class MusicType
Enum of music. Music has a file size > 1MB and is streamed from disk, not stored in memory.
Path
val path: String


property CombineMode: TCombineMode;
type TCombineMode = (cmBlend, cmMerge);
Description
TCombineMode defines how drawing operations on the bitmap combine
the foreground color with the background.
It also determines how the bitmap is combined with the background of another bitmap when DrawMode is
set to dmBlend.
- cmBlend - Fast blending of foreground color with the background color using the supplied alpha. This
method is not suited for working and preserving alpha-channels. Use this if you want to blend directly to the display
buffer. Internally uses Blend and BlendEx routines.
- cmMerge - Uses a completely different formula that also merges the alpha-channels. This mode is slower
than blending but is suited for working with alpha-channels (eg. when composing in temporary buffers). Internally uses Merge and MergeEx routines.
[See also]: Draw, DrawTo


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