Published on December 21, 2017 and updated on November 06, 2021.
As close from its customers as organizations may be, it is extremely hard to have profound knowledge on who they are and what are their expectations with products and services that they consume. Given the difficulty to ask all the customers and potential customers about their needs, organizations are betting on the idea of having representatives of people inside their facilities that advocate for their interests. These “representatives of the people” are called personas.
Personas are archetypes. They materialize groups of people with certain characteristics, tastes, needs and desires. They aren’t people in flesh and bones, but representations that accompany people within an organization. Personas have traits from which people can relate to. These common traits are meant to help organizations to see the world using the eyes of their consumers so they can better understand how customers behave, what do they do, what do they think, what do they speak, what do they feel, what are their needs and what are their desires. This level of understanding is used to drive decisions within organizations, from the way customer service works to product development.
Personas are not made up based on what organizations believe they know about their customers. Personas are uncovered based on knowledge gathered from real people that interact with the product or service. This knowledge can be obtained from different sources, being the most efficient and cheap a good and old conversation.
Research to uncover personas
Researching people to get to know them is a task prior to any other. If neglected, chances are that new products or services will have no use for anyone. Research, though, needs careful planning in order to fulfill its role when mapping personas. Create and do research is a procedure that will have at least the following steps:
- Define the objective: what should be learned after the research;
- Define hypotheses: what knowledge the team already have that could be used;
- Define research methods: which methods will be employed to conduct the research;
- Recruit participants: how participants will be recruited;
- Collect data: how research will be done;
- Document results: how research data will be used.
Define the objective
The objective serves as a guide of what is expected to be learned after conducting the research. This will in turn guide the following steps.
Define hypotheses
If there is a briefing, a sketch or any other document with information about the target audience, such information can be useful to generate hypotheses that will further guide the process of uncovering information.
Define research methods
Research can be done in many ways. Interviews, focus groups, card sorting, questionnaire, ethnography and shadow customer are some possible methods. It is the way by which information will be collected. Each one have its uses, advantages and disadvantages.
Recruit participants
Recruiting is delicate because if not done correctly, result data can not properly represent the target audience. Besides recruiting the target audience, it is important to know the sample size that will be studied and how they will be rewarded for being subjected to the research.
Collect data
Do research, considering the previous steps.
Document results
Research data can be stored on many forms that vary from audio recordings to handwritten notes. Dedicating time to store this information in a structured repository ensures that the organization have access to it.
Knowing people
Of all possible ways to do research, the best ones are the ones that allow for in person meetings for at least two reasons:
- It is possible to register corporal language and voice tone;
- It is easier to change the course of a conversation and gather different data, if necessary.
There are many types of in person research, being in depth research the best one to map personas. This research method have a script and known duration. Participants are told up front that they will participate in a research and that they will be compensated for it. Rewarding participants is important, as this creates the necessary stimulus for joining the cause. Scripts for depth research have no standard format, but an example could have the following sections:
- Objective: what kind of information should be known at the end of the research;
- Target audience: which profile will be interviewed;
- Estimated duration: estimated time that the interview will take;
- Topics: topics that will be discussed during the interview.
Interviews usually start with an opening section, which makes participants more comfortable, and end with an open question, which is used to collect information that was not asked during the interview. Opening questions aren’t necessarily tied to the main objective, they can be questions like:
- It was hard for you to get here? (the place in which the interview is being conducted);
- What do you work with?
And a possible question to end the interview:
- Is there something else you would like to talk about?
Between the opening and closing questions, are asked questions related to the study. These are the questions that, when answered, will give the required information. Interviewers can choose not to follow the script as it is if there is room to explore topics that were not previously thought. The script, in this case, is called semi structured. There is a script, but it is adjusted along the interview. Besides this, there are structured and unstructured scripts. A structured script is similar to a questionnaire and unstructured is more like an informal conversation.
This type of research is usually done by two people: a moderator, responsible for talking and interacting with participants, and a facilitator, which write down everything that is happening during the interview, as well as corporal expressions that were displayed by participants.
Persona mapping
There isn’t a standard way to research and map personas. This varies with each organization, but processes follow a similar logic. When data is collected, research teams organize it using a map that trace commonly observed traits, or behaviors. One way to categorize this information is creating the called empathy map: a representation of personas with feelings, actions, pains (or needs) and wins (or desires).
There are many versions of this map, and the one showed here was created by Event Model Generation.
The level of detail when mapping personas can also vary between organizations. A complete example can be found at the website Keep It Usable:
The idea is that this level of detail when mapping traits will allow the organization to easily and deeply relate with personas. It is like a well developed character in movies and games. Throughout the history, we get attached to certain characters (and maybe hating others). It is an emotion connection. Personas are meant to create the same sort of feelings, as this enables the organization to better do what they do.
Mapping personas is a continuous work
Creating personas is a task that requires people to know other people and understand their world view. The effort is compensated when a real persona definition is uncovered, as it guides organizational decisions. This definition of persona is not done once, though. Organizations should always keep their personas updated, meaning that people should occasionally get out of the office and talk with people. It is something healthy for organizations to do and there is immediate return for organizations in form of knowledge.
Further reading
The folks at Envato created a research canvas, useful to structure in depth research.
Let’s uncover personas!


Stephen Mulhern jokes he’ll ‘smash Ant and Dec’s faces in’ as they take swipe at him on I'm A Celeb
They joked that he will "present anything"
by Rebecca CarterStephen Mulhern has joked he'll smash Ant McPartlin and Dec Donnelly's faces in after they made a dig at him on I'm A Celebrity.
On last night's show, the duo poked fun at Stephen's presenting career as they discussed a game Ian Wright was playing with his fellow campmates, in which they had to race to open their water bottles and drink.
Ant said: "Well done Ian, well done. I'm not sure about it. If you ask me, it's cheap, it's one dimensional, and it's very low rent."
Read more: Ant McPartlin leaves Dec Donnelly stunned as he makes joke about sobriety
Dec said: "Hey, are you thinking what I'm thinking?"
Ant replied: "A new game show for Stephen Mulhern?" to which Dec said: "That's it!"
Dec joked to viewers: "Don't miss Stephen Mulhern's Quick Draw next Saturday only on ITV."
Ant added: "He'll present anything," to which Dec said: "Hi Stevie."
The pair later tweeted Stephen to ask if he was watching the show.
Ant wrote on their joint Twitter account: "Hi @StephenMulhern hope you're watching the show tonight??"
Stephen replied on Friday: "Didn’t see the show, as was too busy filming the Xmas special of ‘In for A Penny’, making more money for you two millionaires. #happychristmas.
"Mention me again and I’ll smash your faces in."
Fans were in hysterics, with one replying: "Oh this is so funny @antanddec please keep the joke going."
Another wrote: "Haha love it Stephen," while a third added: "You guys crack me up."
Read more: I'm A Celebrity's Caitlyn Jenner says all her kids still call her 'Dad'
Later in the show last night, Caitlyn Jenner was talking about her famous family and Ant cracked another joke.
He joked that the Kardashians should get their own reality TV show - which, of course, they already have.
Ant then said: "We've got Stephen Mulhern's Quick Draw and a reality show for the Kardashians," to which Dec added: "We're on fire tonight."
I'm A Celebrity continues tonight at 9pm on ITV.
Leave us a comment on our Facebook page @EntertainmentDailyFix and let us know what you think of this story.


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MANSFIELD PARK
Reviewed by Harvey Karten, Ph.D. Miramax Films Director: Patricia Rozema Writer: Patricia Rozema, book by Jane Austen Cast: Frances O'Connor, Jonny Lee Miller, Alessandro Nivola, Embeth Davidtz, Harold Pinter
Jane Austen once wrote, "Happiness in marriage is a matter of chance." The English novelist, whose works have been the subject of many film revivals lately, once accepted a man's proposal but got cold feet and backed down the following morning. Much of her thought and feeling infuse her works, which at times appear so in-your-face autobiographical that you wonder whether directors of movie adaptations are creating biopics. In the new Miramax film "Mansfield Park"--culled and compressed to some extent from her novel of the same name but also utilizing assorted notes that Austen made over the years--the principal focus is on a writer. We need not ponder this character's real identity. Like Austen herself, Fanny Price (Frances O'Connor) wrote exuberant fantasies as a teen, some satiric histories, and ultimately was able to set her more mature ideas on paper. While the novel showed Fanny to be restrained and passive, Patricia Rozema--who directs this delightful, nay even adorable picture--puts a contemporary spin on the tale of romance, isolation, adultery, betray and snobbery. And it works. Fanny becomes a virtual feminist icon, an independent-minded, rebellious woman who knows her own mind and will not settle for a man she does not love despite the poverty that threatens to accompany her tenacious spirit.
"Mansfield Park" displays some of the grandeur of previous Austen adaptations but when compared to Douglas McGrath's "Emma," Ang Lee's "Sense and Sensibility" and even the relatively understated "Persuasion" of Roger Mitchell comes across as almost a tightly-budgeted period piece. The capacious manor of the title and the views of the striking English countryside across which glide stately carriages are there, but with so much of the action taking place within the walls of the estate, "Mansfield Park" could have enjoyed a place on the commercial stage as well. Even the obligatory excesses usually present in dance scenes are curbed in favor of an emphasis on close-ups of the performers' facial expressions and body language. These restrains may take away from the opulence we've come to expect of, say, Merchant-Ivory works but they serve to enhance the story's wit, intelligence, occasionally pungent satire.
In one scene of the story, Mary Crawford (Embeth Davidtz), a manipulating, self-seeking member of the wealthy family headed by Sir Thomas Betram (Harold Pinter), declares, "After all, this is 1806"--making a point that people should discuss business up front, without inhibition, even if the intent is grasping. The England of 1806 still tolerated slavery, though the institution was soon to die and to threaten the fortunes of many a rich estate including Sir Thomas Bertram's. While Bertram accumulated his wealth from the work of his slaves in Antigua, Fanny Price, a member of the family, continued to live in Portsmouth with her poverty- stricken mother, who had married for love and was therefore relegated to a harried life in a bug-infested shack. As a favor to her, Sir Thomas Bertram invites the young Fanny Price (Hannah Taylor Gordon) to move into Mansfield Park, where she is promptly put in her place by the snobbish Mrs. Norris (Sheila Gish), who is the sister of both Mrs. Price and Lady Bertram (Lindsay Duncan). Though Norris instructs all that the small girl is not the social equal of the rest of the family, Fanny is befriended by her cousin Edmund (Jonny Lee Miller), with whom she reads her secret letters and farcical little history of England. Years later, Fanny is pursued by the charming Henry Crawford (Alessandro Nivola), a man who is "loved by not loving"), getting a chance to fit into Mansfield Park as an equal if she'd consent to his proposal of marriage.
"Mansfield Park" is filled with perhaps more humor than pathos, making it an eminently enjoyable viewing experience. Some of the amusement comes from the bad match consciously made by Maria Bertram (Victoria Hamilton) with the manor's foppish Mr. Rushworth (Hugh Bonneville), propelling her to enter into an adulterous relationship with the rakish Crawford. The enervated Lady Bertram serves as a regular sight gag, sleeping through much of the story under the influence of opium and alcohol, her beloved pug resting perpetually on her lap. Political points are made as Bertram's sickly son returns from Antigua, his notebook filled with wrenching drawings of the slave trade there, while the principal tension comes from the suppressed romantic longings between Fanny and Edmund--the latter being the one decent fellow in this dysfunctional family, who self- destructively admires the conniving Mary while fearing his passion for Fanny.
Frances O'Connor, an Australian actress, gives her character all the required depth. Fanny, who is Jane Austen's raisonneur, is intelligent, sharp-tongued, tenacious, one who is willing to wait for Edmund to come around with a marriage proposal. The most touching moment in the story comes when Edmund tells her toward the conclusion that he has loved Fanny all his life. Harold Pinter, yes the Harold Pinter, makes one of his rare appearances on the screen as an authoritarian paterfamilias whose feelings about slavery are about to invert, while Embert Davidtz turns out a performance as a personality who is as intelligent as Fanny but who uses her faculties in Machiavellian ways that lead to her implosion.
"Mansfield Park" gets its title from a chief judge of England who had handed down a ruling limiting the practice of slavery in his country. In the film, director Rozema appropriately gleans some characters from the novel while discarding others for economy and dramatic impact, making this a delightful (if unusually low-keyed for the genre) motion picture experience.
Not Rated. Running Time: 99 minutes. (C) 1999 Harvey Karten
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| The above result
shows the modulation efficiency for each user when a fixed transmission power
was used. Users that have a strong signal (such as user 2, 3 and 5) can
transmit at a high spectral efficiency, while those that have a greater
pathloss have a poor connection (user 8 and 9). |


This is one of the project in Freecodecamp's curriculum, "Build a Nightlife Coordination App"
Login to add some bars that you plan on going. Or search for nearby bars, review it, and see for yourself!
{{data.review || 'No review available.'}}


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Tutorial¶
Prerequisities¶
DSDPy (scripts in src package) is written in Python3. The recommended way to install
all the packages needed in src is through Anaconda. For those who are familiar with
pip
installation, note that the required packages can also be installed through standard
way, but the details are not included in this documentation.
Required Packages¶
PySB
PySB is a framework for building mathematical rule-based models of biochemical systems as Python programs. The installation command with Anaconda is:
conda install -c alubbock pysb
Numpy
Numpy is a fundamental package for scientific computing with Python. The installation command with Anaconda is:
conda install -c anaconda numpy
Networkx
Networkx is a Python package for the creation, manipulation, and study of the structure, dynamics, and functions of complex networks. This package is used in src for output incidence matrix. The installation command with Anaconda is:
conda install -c conda-forge networkx
Matplotlib
Matplotlib is a Python 2D plotting library, used in src for visualization of the simulation results. The installation command with Anaconda is:
conda install -c conda-forge matplotlib
PyQt
PyQt is a set of Python v2 and v3 bindings for The Qt Company’s Qt application framework and runs on all platforms supported by Qt including Windows, macOS, Linux, iOS and Android. The installation command with Anaconda is:
conda install -c anaconda pyqt
Bidict
Bidict is the bidirectional mapping library for Python. One can use one of the following commands to install:
conda install -c conda-forge bidict conda install -c conda-forge/label/gcc7 bidict conda install -c conda-forge/label/cf201901 bidict conda install -c conda-forge/label/cf202003 bidict
Use¶
The core is a Python package (src) that includes scripts to run a DSD system analysis. One should be able to run the scripts if the required packages above have been downloaded.
DSDPy has a graphical user interface implemented as interface.py in the project root directory. To run this interface from command line interface, simply do:
python interface.py
Please make sure you have the Python package (src) in the same directory before you run the interface.
Programmatic Use¶
The entry point to the analysis of a DSD system is through [start_processor] function. To get test inputs for DSDPy, you need to download the res package (In the case you would like to make your own input, simply pass the file directory accordingly to function [start_processor] as suggested). After that, you can test if the DSDPy works by running the following command from a Python interpreter:
>>> from src import start_processor as sp
>>> sp.start_processor(filedir='./res/input')
RB: {(2, 0), (0, 3)}
R4: {(0, 2), (2, 1)}
R3: {(1, 0), (3, 1)}
RU: {(2, 0), (0, 3)}
R4: {(0, 2), (2, 1)}
R4: {(1, 1), (0, 2)}
R3: {(1, 0), (3, 1)}
RU: {(0, 1), (1, 2)}
R4: {(1, 1), (0, 2)}
RU: {(0, 1), (1, 2)}
R3: {(0, 0), (1, 1)}
RB: {(0, 1), (2, 2)}
RB: {(0, 1), (2, 2)}
Note: This test input is res/input.
Creating Your Own Input¶
The ideal way to generate the input to DSDPy is through a GUI interface which enables a quickstart for people with DSD systems to test. However, such interface is now under development and one needs to manually type the input for DSDPy.
An input for DSDPy needs at least three sections:
Species
Initial species of the DSD system in their canonical forms.
<> denotes a strand
// denotes seperation of species
^ denotes toehold
* denotes complementary
! denotes bonded, what follows is the bond name
The strands are parsed always from 5’-end to 3’-end.
An example format:
<L T2^!i2 X*!i1 T1^> <A X!i1 T2^*!i2> // <T1^* X!j1 R> <X*!j1 A*!j2> <A!j2>
Information on Species
Names of the initial species (order corresponds to the order of species above) and their initial copies. An example format:
SomeName 1000
Kinetics
Rates of the reactions, includes 3-way migration, 4-way migration, binding and unbinding (R3, R4, RB and RU). An example format:
RB 1e6 RU 1.2 R3 78.12 R4 5.6e-3
Additionally, the input can include the following sections:
Output directory
The directory for output files. An example format:
../output
Simulation settings
Simulation time and time steps. An example format:
1000 100
Note that the sections are all seperated by –.
Example input1¶
<L T2^!i2 X*!i1 T1^>
<A X!i1 T2^*!i2>
//
<T1^* X!j1 R>
<X*!j1 A*!j2>
<A!j2>
--
ss1 1000
ss2 1000
--
RB 1e6
RU 1.2
R3 78.12
R4 5.6e-3
Example input2¶
<f1^ x!1>
<to^* x*!1>
//
<b!2 tx^!3>
<to^*!4 x*!5 tx^*!3 b*!2 tb^*>
<x!5 to^!4>
//
<tx^ x>
//
<tb^ b>
--
ss1 100
ss2 100
ss3 10
ss4 10
--
RB 1e6
RU 1.2
R3 78.12
R4 5.6e-3
--
../output
--
1000 100
Obtaining the Output¶
The output files includes a text file containing the information of the reaction network and a png file visualizing the BNG simulation results. These files can be found under the output directory or an user defined output directory.
Text File on the Reaction Network¶
The file contains three parts of information:
A species list that includes all the possible species in the network.
A reaction list that includes all the possible reactions in the network.
An incidence matrix based on the reaction network. (Its row denotes species and its column denotes the edge from one species to another)
Based on the example input1
-----Species-----
1
<L T2^!1 X*!2 T1^>
<A X!2 T2^*!1>
2
<T1^* X!1 R>
<X*!1 A*!2>
<A!2>
3
<L T2^!1 X*!2 T1^!3>
<A X!2 T2^*!1>
<T1^*!3 X!4 R>
<X*!4 A*!5>
<A!5>
4
<L T2^!1 X*!2 T1^!3>
<A!4 X!2 T2^*!1>
<T1^*!3 X!5 R>
<X*!5 A*!4>
5
<A>
6
<L T2^!1 X*!2 T1^!3>
<A X!4 T2^*!1>
<T1^*!3 X!2 R>
<X*!4 A*!5>
<A!5>
7
<L T2^!1 X*!2 T1^!3>
<A!4 X!5 T2^*!1>
<T1^*!3 X!2 R>
<X*!5 A*!4>
8
<L T2^ X*!1 T1^!2>
<T1^*!2 X!1 R>
9
<A X!1 T2^*>
<X*!1 A*!2>
<A!2>
10
<A!1 X!2 T2^*>
<X*!2 A*!1>
-----Reactions-----
RB 1 + 2 --> 3 rate=1000000.0
R3 3 --> 4 + 5 rate=78.12
R4 3 --> 6 rate=0.0056
RU 3 --> 1 + 2 rate=1.2
R4 4 --> 7 rate=0.0056
R3 6 --> 7 + 5 rate=78.12
RU 6 --> 8 + 9 rate=1.2
R4 7 --> 4 rate=0.0056
RU 7 --> 8 + 10 rate=1.2
RB 8 + 9 --> 6 rate=1000000.0
RB 8 + 10 --> 7 rate=1000000.0
-----Incidence Matrix-----
[1, 3] [2, 3] [3, 4] [3, 5] [3, 6] [3, 1] [3, 2] [4, 7] [6, 7] [6, 5] [6, 8] [6, 9] [7, 4] [7, 8] [7, 10] [8, 6] [9, 6] [8, 7] [10, 7]
1 [[ 1. 0. 0. 0. 0. -1. 0. 0. 0. 0. 0. 0. 0. 0. 0. 0. 0. 0. 0.]]
2 [[ 0. 1. 0. 0. 0. 0. -1. 0. 0. 0. 0. 0. 0. 0. 0. 0. 0. 0. 0.]]
3 [[-1. -1. 1. 1. 1. 1. 1. 0. 0. 0. 0. 0. 0. 0. 0. 0. 0. 0. 0.]]
4 [[ 0. 0. -1. 0. 0. 0. 0. 1. 0. 0. 0. 0. -1. 0. 0. 0. 0. 0. 0.]]
5 [[ 0. 0. 0. -1. 0. 0. 0. 0. 0. -1. 0. 0. 0. 0. 0. 0. 0. 0. 0.]]
6 [[ 0. 0. 0. 0. -1. 0. 0. 0. 1. 1. 1. 1. 0. 0. 0. -1. 0. -1. 0.]]
7 [[ 0. 0. 0. 0. 0. 0. 0. -1. -1. 0. 0. 0. 1. 1. 1. 0. -1. 0. -1.]]
8 [[ 0. 0. 0. 0. 0. 0. 0. 0. 0. 0. -1. 0. 0. -1. 0. 1. 1. 0. 0.]]
9 [[ 0. 0. 0. 0. 0. 0. 0. 0. 0. 0. 0. -1. 0. 0. 0. 0. 0. 1. 0.]]
10 [[ 0. 0. 0. 0. 0. 0. 0. 0. 0. 0. 0. 0. 0. 0. -1. 0. 0. 0. 1.]]
Modify the Documentation¶
The documentation uses reStructuredText. One can modify this documentation using command make html
under path doc .


testtools 0.9.7 has just been released. Thanks to Robert Collins, James Westby, Andrew Bennetts, Martin [gz] and Canonical Ltd for their contributions.
testtools is pretty much the best way to write unit tests in Python.
--- layout: post title: "testtools 0.9.7 released" date: 2010-10-17 comments: false ---


You can configure the data directory to use in the data-folder
property in your Lean configuration file.
The path this property is set to is used as the data directory by all commands that run the LEAN engine locally.
By default, this property points to the data directory inside your organization workspace.
If this property is set to a relative path, it is resolved relative to the Lean configuration file's parent directory.
The data directory is the only local directory that is mounted into all Docker containers ran by the CLI, so it must contain all the local files you want to read from your algorithms.
You can get the path to this directory in your algorithm using the Globals.DataFolder
variable.


George IV’s Diamond Diadem to go on show at Buckingham Palace
The crown forms part of the George IV: Art & Spectacle exhibition at The Queen’s Gallery.
George IV’s extravagant coronation attire, including the Diamond Diadem crown, is going on show at Buckingham Palace.
A new exhibition exploring the 19th century king’s life and passions opens at the Queen’s Gallery in London on Friday.
Items commissioned and worn by the monarch for the coronation of 1821 are being brought back together for the first time since the flamboyant occasion.
By the time George IV, who acted as regent for George III, came to the throne in 1820, aged 57, he was intensely disliked by a nation tired of his extravagant lifestyle.
The king oversaw the design of his robes, including a crimson velvet surcoat and a stole made from cloth of silver, gold thread and silk, embroidered with the national flowers of the United Kingdom.
The Diamond Diadem, set with 1,333 diamonds, including a four-carat pale yellow brilliant, was designed for the ceremony by jewellers Rundell, Bridge & Rundell.
George IV paraded the crown on top of a large velvet “Spanish” hat surmounted by ostrich feathers, with a curled wig beneath, during the walking procession to Westminster Abbey.
Regularly worn by queens regnant and consorts ever since, the Queen used to wear the circlet to and from the State Opening of Parliament.
But for the 2019 State Opening, she kept the diadem on throughout, rather than switching to the heavy Imperial State Crown to read the Queen’s Speech.
This crown was set with more than 12,300 diamonds which had been hired for the occasion and the king wanted to keep the crown after the ceremony, but Parliament refused to support the cost.
Instead he commissioned his own gilt-bronze cast of the Imperial State Crown, which will be on public display for the first time.
The dining and buffet silver-gilt collection of dishes, plates, centrepieces and candelabra was first commissioned by George when he was the Prince of Wales.
The Grand Service is so large and so magnificent that it has never been replaced and is still used today for state visits when the Queen entertains foreign leaders at banquets in the palace ballroom.
His spending and extramarital affairs made him a prime target for the satirists of the day.
But he also acquired many pieces that poked fun at his misdemeanours.
George IV: Art & Spectacle, which marks the 200th anniversary in 2020 of George’s accession to the throne, is at The Queen’s Gallery, Buckingham Palace, from Friday November 15 until May 3 2020.


The Works of Edgar Allan Poe
by Edgar Allan Poe
The Raven
Additional Information
- Year Published: 1903
- Language: English
- Country of Origin: United States of America
- Source: Poe, E.A. (1903). The Works of Edgar Allan Poe, The Raven Edition, Volume 5. New York: P. F. Collier and Son.
-
Readability:
- Flesch–Kincaid Level: 3.9
- Word Count: 1,177
- Genre: Poetry
- Keywords: love lost, suspense
- ✎ Cite This
Downloads
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visitor," I muttered, "tapping at my chamber door-
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore-
For the rare and radiant maiden whom the angels name Lenore-
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
"'Tis some visitor entreating entrance at my chamber door-
Some late visitor entreating entrance at my chamber door;-
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"—here I opened wide the door;-
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore!"
This I whispered, and an echo murmured back the word, "Lenore!"-
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore-
Let my heart be still a moment and this mystery explore;-
'Tis the wind and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door-
Perched upon a bust of Pallas just above my chamber door-
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore-
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door-
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."
But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered—not a feather then he fluttered-
Till I scarcely more than muttered, "other friends have flown before-
On the morrow he will leave me, as my hopes have flown before."
Then the bird said, "Nevermore."
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore-
Till the dirges of his Hope that melancholy burden bore
Of 'Never—nevermore'."
But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore-
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er,
She shall press, ah, nevermore!
Then methought the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose footfalls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe, from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the Raven, "Nevermore."
"Prophet!" said I, "thing of evil!—prophet still, if bird or devil!-
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted-
On this home by horror haunted—tell me truly, I implore-
Is there—is there balm in Gilead?—tell me—tell me, I implore!"
Quoth the Raven, "Nevermore."
"Prophet!" said I, "thing of evil—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore-
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore-
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the Raven, "Nevermore."
"Be that word our sign in parting, bird or fiend," I shrieked, upstarting-
"Get thee back into the tempest and the Night's Plutonian shore!

Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the Raven, "Nevermore."
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamplight o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted—nevermore!


Other projects in a relatively novel or new area of technology such as Virtual Reality would require to create lots of experiments and build on the knowledge of these experiments.
With a WordPress website however, there's just sort of 'WordPress Way' of doing things. The best practices are already documented. We felt that we wouldn't need to create as many prototypes or experiments as say a hardware project.
We did experiment with the different front-end frameworks that were covered in the research section, however once we knew that Bootstrap was the intelligent decision we stuck we it.
That said, we have created an initial prototype website that covers three main goals:
We've developed a WordPress theme from scratch that uses Bootstrap while also developing a front page that has widget areas that can be easily edited from the backend, no coding required!
The WordPress theme so far consists of a front page with an editable Bootstrap 'jumbotron' to grab attention and several widget areas that can be separately customised. The theme also has two layout pages, one with a sidebar and one without.
Above: A look at the 6 widgets on the front page.
Above: How those widgets can get edited in the backend
Already according to Google PageSpeed Insights the website on the staging server scores: 79/100 for speed and 100/100 for User Experience on Mobile with a 93/100 on Desktop.
Compare this to the current website which scores 8/100 for speed and 64/100 for User Experience on Mobile and 7/100 for on Desktop.
Click here to view our current website on our staging server.
In its current state while lacking London Cancer branding and styling, the website is fully responsive and the website can use the full capabilities of WordPress. Combining these two factors it could be used as a website however would look and feel devoid of design and branding.
To create the prototype we combined our knowledge of Software Engineering to create the toolchain, HCI to worko on the design and Programming to develop the initial WordPress theme. Our knowledge of databases has also been helpful as we continue to learn about WordPress development.


Fundamentals: FASTQ files¶
Introduction¶
This page reviews a few basic points about sequence file structure and how to explore these files using the command line. If you have experience working with FASTQ files you may want to move straight onto the demultiplexing section.
Data and software
This tutorial works with FASTQ format sequence data that contains indices at the beginning of the reads. The example data for this can be found in the 0_rawsequences
directory within the sectionA archive. If you haven’t already, you should copy this directory over to your working directory as follows:
cp -r path/to/exampledata/sectionA/0_rawsequences/ ./
Exploring FASTQ files¶
Run the following to change into the directory containing the starting data and list its contents, showing sizes.
cd 0_rawsequences/
ls -lh
We can see how many lines in each file using the word count wc
function, specifying we want the number of lines:
wc -l *.fastq
The *.fastq
here means we want all of the files ending in .fastq
in the directory. We could replace this with a single file name if we just wanted to count the lines of a single file. Replace file
in the following command with the name of a single FASTQ file.
head -n 10 file
You will see the FASTQ format comprising header, sequence and quality scores. A useful point to note is the structure of the file header, specifically that it starts with @D00
. If the structure of this file is completely new to you, take a few minutes to read the first section on the FASTQ wikipedia page.
To get specific lines from a file, use the sed
function:
sed -n '4,8p' file # prints lines 4-8
Use this to have a look at some different files
Note that the R1 and R2 files from the same library have the same read headers, apart from a 1 or 2 in the second part of the name. Reads with the same header were read from the same location on the sequencer, so they are assumed to be the forward and reverse read of the same fragment - these are called mate pairs. It’s important to ensure that both the forward and reverse read for each fragment are always kept present and in the same relative location in the paired files (“in sync”) for some future processes.
We can use the grep -c
function to count the number of sequences in a file (again, replace file with the name of one of the files):
grep -c "^@D00" file
If you want to learn more about grep
, see here.
Like the wc -l
function above, we can run grep
on all of our files at once to get the total read numbers for each of our libraries:
grep -c "^@D00" *.fastq
We can see that we’re dealing with about 10,000 - 12,000 reads per library.
Exercise
- Do all the libraries have the same R1 and R2 read numbers?


Interface IProtocol
Interface that contains methods to select the appropriate request and response handlers for a given protocol.
Namespace: Fibula.Communications.Contracts.Abstractions
Assembly: Fibula.Communications.Contracts.dll
Syntax
public interface IProtocol
Methods
| Improve this Doc View SourceByteToIncomingPacketType(Byte)
Attempts to convert a byte value into a IncomingPacketType.
Declaration
IncomingPacketType ByteToIncomingPacketType(byte fromByte)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Byte | fromByte | The byte to convert. |
Returns
| Type | Description |
|---|---|
| IncomingPacketType | The IncomingPacketType value converted to. |
RegisterPacketReader(IncomingPacketType, IPacketReader)
Registers a packet reader to this protocol.
Declaration
void RegisterPacketReader(IncomingPacketType forType, IPacketReader packetReader)
Parameters
| Type | Name | Description |
|---|---|---|
| IncomingPacketType | forType | The type of packet to register for. |
| IPacketReader | packetReader | The packet reader to register. |
RegisterPacketWriter(OutgoingPacketType, IPacketWriter)
Registers a packet writer to this protocol.
Declaration
void RegisterPacketWriter(OutgoingPacketType forType, IPacketWriter packetWriter)
Parameters
| Type | Name | Description |
|---|---|---|
| OutgoingPacketType | forType | The type of packet to register for. |
| IPacketWriter | packetWriter | The packet writer to register. |
SelectPacketReader(IncomingPacketType)
Selects the most appropriate packet reader for the specified type.
Declaration
IPacketReader SelectPacketReader(IncomingPacketType forPacketType)
Parameters
| Type | Name | Description |
|---|---|---|
| IncomingPacketType | forPacketType | The type of packet. |
Returns
| Type | Description |
|---|---|
| IPacketReader | An instance of an IPacketReader implementation. |
SelectPacketWriter(OutgoingPacketType)
Selects the most appropriate packet writer for the specified type.
Declaration
IPacketWriter SelectPacketWriter(OutgoingPacketType forPacketType)
Parameters
| Type | Name | Description |
|---|---|---|
| OutgoingPacketType | forPacketType | The type of packet. |
Returns
| Type | Description |
|---|---|
| IPacketWriter | An instance of an IPacketWriter implementation. |


Volcano Plot shows differentially abundant proteins in CV-PTC and FV-PTC. The plot constructed using −log 10 (p value) against the log 2 (fold change).The non-axial vertical lines represent ±1-fold change. The non-axial horizontal lines show p = 0.05 and p = 0.0005 (Benjamini-Hochberg corrected P value).


--- layout: page title: About header-img: "img/about-bg.png" ---
Hey it's me Tyler. I just got my bowl cut and I'm really excited about my new bowl cut.


Uses of Interface
javax.measure.Quantity
Package
Description
Specifies Java packages for the programmatic, type safe handling
of quantities and their expression as values of units.
[OPTIONAL] Provides Formatting and Parsing functionality for units, quantities, dimensions or their textual representation.
[OPTIONAL] Provides quantitative properties or attributes of thing such as
mass, time, distance, heat, and angular separation.
[OPTIONAL] The Units of Measurement SPI.
-
Uses of Quantity in javax.measure
Modifier and TypeInterfaceDescriptioninterface
Represents a quantitative property of a phenomenon, body, or substance, that can be quantified by measurement.interface
Represents a determinate quantity (as of length, time, heat, or value) adopted as a standard of measurement.Modifier and TypeMethodDescriptionCasts this quantity to a parameterized unit of specified nature or throw aClassCastException
if the dimension of the specified quantity and this measure unit's dimension do not match.Casts this unit to a parameterized unit of specified nature or throw aClassCastException
if the dimension of the specified quantity and this unit's dimension do not match.Returns the specified unit multiplied by the factor10-18
Returns the specified unit multiplied by the factor10-2
Returns the specified unit multiplied by the factor101
Returns the specified unit multiplied by the factor10-1
US alias forDECA
.Returns the specified unit multiplied by the factor1018
Returns the specified unit multiplied by the factor10246
(binary prefix).Returns the specified unit multiplied by the factor10-15
Returns the specified unit multiplied by the factor10243
(binary prefix).Returns the specified unit multiplied by the factor109
Returns the specified unit multiplied by the factor102
Returns the specified unit multiplied by the factor1024
(binary prefix).Returns the specified unit multiplied by the factor103
Returns the specified unit multiplied by the factor10242
(binary prefix).Returns the specified unit multiplied by the factor106
Returns the specified unit multiplied by the factor10-6
Returns the specified unit multiplied by the factor10-3
Returns the specified unit multiplied by the factor10-9
Returns the specified unit multiplied by the factor10245
(binary prefix).Returns the specified unit multiplied by the factor1015
Returns the specified unit multiplied by the factor10-12
Returns the specified unit multiplied by the factor10-30
Returns the specified unit multiplied by the factor1030
Returns the specified unit multiplied by the factor1027
Returns the specified unit multiplied by the factor10-27
Returns the specified unit multiplied by the factor10244
(binary prefix).Returns the specified unit multiplied by the factor1012
Returns the specified unit multiplied by the factor10248
(binary prefix).Returns the specified unit multiplied by the factor10-24
Returns the specified unit multiplied by the factor1024
Returns the specified unit multiplied by the factor10247
(binary prefix).Returns the specified unit multiplied by the factor10-21
Returns the specified unit multiplied by the factor1021
Modifier and TypeMethodDescriptionReturns the sum of thisQuantity
with the one specified.Casts this quantity to a parameterized unit of specified nature or throw aClassCastException
if the dimension of the specified quantity and this measure unit's dimension do not match.Returns the quotient of thisQuantity
divided by theNumber
specified.Quantity<?>
Returns the quotient of thisQuantity
divided by theQuantity
specified.Quantity<?>
Quantity.inverse()
Returns aQuantity
that is the multiplicative inverse of thisQuantity
, having reciprocal value and reciprocal unit as given bythis.getUnit().inverse()
.Returns the product of thisQuantity
with theNumber
value specified.Quantity<?>
Returns the product of thisQuantity
with the one specified.Quantity.negate()
Returns aQuantity
whose value is(-this.getValue())
.Returns the difference between thisQuantity
and the one specified.Returns thisQuantity
converted into another (compatible)Unit
.Quantity.toSystemUnit()
Convenient method equivalent toto(getUnit().toSystemUnit())
.Modifier and TypeMethodDescriptionReturns the sum of thisQuantity
with the one specified.Quantity<?>
Returns the quotient of thisQuantity
divided by theQuantity
specified.boolean
Quantity.isEquivalentTo
(Quantity<Q> that) Compares two instances ofQuantity <Q>
, performing the conversion of units if necessary.Quantity<?>
Returns the product of thisQuantity
with the one specified.Returns the difference between thisQuantity
and the one specified. -
Uses of Quantity in javax.measure.format
Modifier and TypeMethodDescriptionQuantity<?>
QuantityFormat.parse
(CharSequence csq) Parses the specifiedCharSequence
to produce aQuantity
.Quantity<?>
QuantityFormat.parse
(CharSequence csq, ParsePosition pos) Parses a portion of the specifiedCharSequence
from the specified position to produce aQuantity
.Modifier and TypeMethodDescriptionFormats the specifiedQuantity
.QuantityFormat.format
(Quantity<?> quantity, Appendable destination) Formats the specified quantity into anAppendable
. -
Uses of Quantity in javax.measure.quantity
Modifier and TypeInterfaceDescriptioninterface
Rate of change of velocity with respect to time.interface
Number of elementary entities (molecules, for example) of a substance.interface
Figure formed by two lines diverging from a common point.interface
Extent of a planar region or of the surface of a solid measured in square units.interface
Catalytic activity.interface
Dimensionless quantity.interface
Electric capacitance.interface
Electric charge.interface
Electric conductance.interface
Amount of electric charge flowing past a specified circuit point per unit time.interface
Electric inductance.interface
Electric potential or electromotive force.interface
Electric resistance.interface
Capacity of a physical system to do work.interface
Quantity that tends to produce an acceleration of a body in the direction of its application.interface
Number of times a specified phenomenon occurs within a specified interval.interface
Illuminance.interface
Extent of something along its greatest dimension or the extent of space between two objects or places.interface
Luminous flux.interface
Luminous flux density per solid angle as measured in a given direction relative to the emitting source.interface
Magnetic flux.interface
Magnetic flux density.interface
Measure of the quantity of matter that a body or an object contains.interface
Rate at which work is done.interface
Force applied uniformly over a surface.interface
Amount of energy deposited per unit of mass.interface
Effective (or "equivalent") dose of radiation received by a human or some other living organism.interface
Radioactive activity.interface
Angle formed by three or more planes intersecting at a common point.interface
Distance traveled divided by the time of travel.interface
Degree of hotness or coldness of a body or an environment.interface
Period of existence or persistence.interface
Amount of space occupied by a three-dimensional object or region of space. -
Uses of Quantity in javax.measure.spi
Modifier and TypeMethodDescriptionabstract <Q extends Quantity<Q>>
QuantityFactory<Q>ServiceProvider.getQuantityFactory
(Class<Q> quantity) Returns a factory for the givenQuantity
type.Returns the default unit for the specified quantity ornull
if none is defined for the given quantity in this unit system.Modifier and TypeMethodDescriptionReturns the quantity for the specified number stated in the specified unit.QuantityFactory.create
(Number value, Unit<Q> unit, Quantity.Scale scale) Returns the quantity for the specified number stated in the specified unit and scale.


| Date | Status | Person | Issue |
|---|---|---|---|
| {{suggestion.created_at | date}} | Pending Rejected Thanked {{suggestion.thanked_reward | dollars}} Reward | {{suggestion.person.display_name}} | {{suggestion.issue.team.name}} {{suggestion.issue.tracker.display_name}} » {{suggestion.issue.title}} |


KhanUtil.shuffle([ "blue", "green", "red", "purple", "orange", "brown" ])
(function() {
var ARRAY_LENGTH = 5;
// constants for displaying fractions and mixed numbers
var REDUCE = true;
var SMALL_TYPESET = true;
var DEFRACT = true;
// Create random mixture of mixed numbers and improper fractions
var MIXED_NUMBER = 1;
var IMPROPER_FRACTION = 2;
var TYPES = shuffle( [ MIXED_NUMBER, MIXED_NUMBER, MIXED_NUMBER, IMPROPER_FRACTION, IMPROPER_FRACTION, IMPROPER_FRACTION], ARRAY_LENGTH );
// calculate values so that they be accessed later in hints and solution
var array = [];
var used = {};
while ( array.length < ARRAY_LENGTH ) {
var denominator = randRange( 2, 3 ) * randRange( 2, 5 );
// Since all are improper fractions, numerator is greater than denominator
var numerator = randRange( denominator + 1, denominator + 15 );
var number = ( numerator / denominator ).toFixed( 3 );
var gcd = getGCD( numerator, denominator );
switch ( TYPES[ array.length ] ) {
case MIXED_NUMBER:
// If number is a whole number, try again
if ( numerator % denominator !== 0 ) {
if ( !used[ number ] ) {
array.push( [ numerator / denominator,
( numerator / gcd ),
( denominator / gcd ),
fraction( numerator, denominator, !DEFRACT, REDUCE ),
COLORS[ array.length ],
mixedFractionFromImproper( numerator, denominator, DEFRACT, REDUCE, SMALL_TYPESET )
]);
used[ number ] = true;
}
}
break;
case IMPROPER_FRACTION:
if ( !used[ number ] ) {
array.push([ numerator / denominator,
( numerator / gcd ),
( denominator / gcd ),
fraction( numerator, denominator, !DEFRACT, REDUCE ),
COLORS[ array.length ],
fractionReduce( numerator, denominator, SMALL_TYPESET )
]);
used[ number ] = true;
}
break;
}
}
return array;
})()
jQuery.map( NUMS, function( el ) {
return el[ 2 ];
})
jQuery.map( NUMS, function( el ) {
return "\\color{" + el[4] + "}{" + el[2] + "}";
}).join( "," )
getLCM.apply( KhanUtil, DENOMS )
jQuery.map( NUMS, function( el, idx ) {
var n = el[ 1 ],
d = el[ 2 ],
scalar = (LCD/d);
return "\\color{" + el[ 4 ] + "}{" + fraction( n * scalar, LCD ) + "}";
})
NUMS_LCD_COLOR.join( "," )
jQuery.map( NUMS, function( el ) {
return "\\color{" + el[ 4 ] + "}{" + el[ 3 ] + "}";
} ).join( "," )
jQuery.extend( true, [], NUMS ).sort( function( a, b) {
return a[0] - b[0];
})
jQuery.map( NUMS_SORT, function( el ) {
return el[ 5 ];
}).join( "," )
jQuery.map( NUMS_SORT, function( el ) {
return "\\color{" + el[ 4 ] + "}{" + el[ 5 ] + "}";
}).join( "," )
jQuery.map( NUMS_SORT, function( el, idx ) {
var n = el[ 1 ],
d = el[ 2 ],
scalar = ( LCD / d );
return "\\color{" + el[ 4 ] + "}{" + fraction( n * scalar, LCD ) + "}";
})
NUMS_LCD_SORT_COLOR.join( "," )
createSorter()
Order the following fractions from least to greatest.
SORTER.init( "sortable" )
Drag the fractions or mixed numbers to the left or the right so they are in order from least to greatest
SORTER.getContent()
return guess.join( "," ) === NUMS_SORT_TEX;
SORTER.setContent( guess );
It's easier to compare fractions if they are all in the same form, so convert mixed numbers and whole numbers into improper fractions.
NUMS_TEX_COLOR
We can compare fractions when they have the same denominator. To make these fractions have the same denominator, we have to find the least common denominator. The least common denominator is the least common multiple of all the denominators. The least common multiple of DENOMS_TEX_COLOR
is LCD
.
We can change the denominator of fractions by multiplying by a form of 1
, such as \dfrac{2}{2}
or \dfrac{10}{10}
. Multiply the improper fractions above by forms of 1
so that their denominators are all equal to LCD
.
\color{NUM[4]}{NUM[3]}\times \dfrac {LCD / NUM[2] }{LCD / NUM[2]} = NUMS_LCD_COLOR[I]
Now all the fractions are in a form where we can compare them by numerator.
NUMS_LCD_TEX_COLOR
Sort the fractions from least to greatest by their numerators.
NUMS_LCD_SORT_COLOR_TEX
Finally, convert the numbers back to their original form.
MIXED_NUMS_SORT_TEX_COLOR


Employee Management System
Employee List
Id
Name
Department Id
D.O.B
Email
#
EMPLOYEE
FIRST_NAME
LAST_NAME
DEPARTMENT_ID
DOB
EMAIL
Add
Edit
Delete


--- title: Contributors sortorder: 50 content-type: html ---
Contributions have been accepted from:
Thank you very much!


EDITORIAL
Given the increasing significance and relevance of face masks in the current climate, The Mercer Club
wanted to take a look into how face masks are utilized not only in the medical field but also in the
fashion industry.
Throughout history, facial gear has often been used as a form of expression
particularly during dire straights. According to Valerie Steel, director and curator at the Fashion
Institute of Technology's "The Museum" facial wear was often utilized as a form of
protection and defense during "uncertain times". During the Renaissance period, for instance,
many people were depicted covering their noses with handkerchiefs to prevent catching any illnesses.
Moreover, in the 1600's doctor's who were responsible for treating and diagnosing patients
during the plague were often seem wearing elongated mask with beaks as a means of protections.
Given the current pandemic and the increasing need for face masks we've see many companies shifting
their focus to help supply demand. Prominent fashion houses like Chanel, Balenciaga and Gucci are all
manufacturing variations of face coverings for the public. With the CDC recommending the American public
wear face masks to flatten the curve it is only natural that they become another form of expression in
the fashion world. We will be releasing our own custom face masks in the coming weeks. Be on the look
out and stay safe!
Ivan Ip
Staff Writer
Finding The Face Mask For You


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Storyboard ReplicationObjectScenarioForCoverage
Create some objects just for coverage. This does not serve as an usage example.


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Institute has a reference section of the best titles relevant to various disciplines – CSE, ECE, Mathematics, Humanity and Social Sciences, etc.


Plugin Information |
|---|
View Database on the plugin site for more information. |
Older versions of this plugin may not be safe to use. Please review the following warnings before using an older version:
This library plugin defines a common abstraction to connect to relational database. By doing so, it serves three purposes:
- It allows database driver plugins (such as H2 Database Plugin) to be developed, improving the user experience for administrators.
- It simplifies other plugins that use RDBMS by eliminating the need to code up a configuration UI to let administrators select database.
This plugin is not meant to be used by end users by itself. It's supposed to be included through the dependencies of other plugins. If you are wondering how to store your job configuration etc. in a database, the answer is that you cannot.
Usage
Abstraction
The key class in this plugin is the Database class, which acts as a holder for JDBC DataSource
instance. The Database
class is an extension point to be implemented by database driver plugins.
The calling code can use this DataSource
instance to obtain a connection to the database.
Use the Jenkins global database
This plugin adds a system configuration entry to let the administrator configure the database used by Jenkins to store miscellaneous stuff. So the easiest way for plugins to start storing data to the database is to use this Database
instance. This global database instance is kept in the GlobalDatabaseConfiguration
class. You can inject this via @Inject
, or you can call GlobalDatabaseConfiguration.get()
to retrieve it, and then use the getDatabase()
method to obtain the Database
instance.
Because the database is shared by all the plugins, please use table names that include your plugin name as a prefix to avoid collisions.
Use the per-job database
In addition to the global database, this plugin also creates a database local to TopLevelItem. These databases are normally backed by embedded database that stores data under $JENKINS_HOME/jobs/NAME
, and this simplifies the backup, copying, deletion of the data that's local to jobs (such as test reports, coverage data, and so on.)
This information is kept in the PerItemDatabase
class, which you can obtain by PerItemDatabaseConfiguration.findOrNull()
.
Your own database
Sometimes it makes sense to store data to an entirely different database. A good example of this is the Jenkow plugin, which embeds an existing 3rd party software that uses database. Users may already have a database with data in it, in which case he'd want to just connect to that.
A plugin that wants to do this should define a field whose type is Database
(see example). In the config.groovy/.jelly, use the f:dropdownDescriptorSelector
tag to allow the user to select a database (see example).
The database plugin contains a complete example in its src/test
directory. Clone the repository and run mvn -Prun
, then open http://localhost:8888/database-console/ to see this example in action.
JPA support
This plugin exposes it through JPA 2.0 API (internally, it uses Hibernate but please do not rely on this fact if you can as it may change.) The entry point to the JPA support is the PersistenceService
class, and this exposes methods for obtaining EntityManagerFactory
for both the global database as well as arbitrary per-item database of your choice.
Because there are several different databases, involved, @Entity
annotation alone is not sufficient. For persisted classes meant for the global database, please put @GlobalTable
in addition to @Entity
. For the per-item database, please put @PerItemTable
.
The following code shows how to use this to persiste a new row:
public class Push { @Inject PersistenceService ps; public void go(int n) throws IOException, SQLException { Jenkins.getInstance().getInjector().injectMembers(this); EntityManager em = ps.getGlobalEntityManagerFactory().createEntityManager(); em.getTransaction().begin(); TestRow row = new TestRow(); row.buildNumber = n; row.x = "foo"; em.persist(row); em.getTransaction().commit(); em.close(); } } @GlobalTable @Entity public class TestRow { @Id @Column public int buildNumber; @Column public String x; }
Developing driver plugin
MySQL Database plugin and PostgreSQL Database plugin are good examples of typical database driver plugins. For other "unsual" drivers that doesn't use the canonical host+database+username+password+properties combo, see H2 Database plugin source code as an example.
Add the test jar of the database plugin to your driver plugin, so that you can use the debug database console feature during mvn hpi:run
. This lets you interactively test your driver plugin and its configuration screen.
Changelog
Version 1.5 (May 30, 2016)
- Pipeline Support
Version 1.4 (May 21, 2016)
- Connecton validation query
- Hibernate 5.1
Version 1.2 (Sep 5, 2013)
- JPA support
Version 1.1 (Dec 14, 2012)
- initial version
Attachments:
erewrwr.png (image/png)
jquery-ui-1.11.1.custom.zip (application/zip)
erewrwr (text/xml)
erewrwr.png (image/png)
erewrwr (text/xml)
erewrwr.png (image/png)


Before Change
// 2.count //unique features for each sparse field and generate feature config for sequence feature
sparse_feature_dim = {feat: data[feat].nunique() for feat in sparse_features}
sequence_feature = [VarLenFeature("genres", len(key2index), max_len, "mean")]
// 3.generate input data for model
sparse_input = [data[feat].values for feat in sparse_feature_dim]
After Change
sparse_feat_list = [SingleFeat(feat, data[feat].nunique())
for feat in sparse_features]
sequence_feature = [VarLenFeat("genres", len(
key2index) + 1, max_len, "mean")] // Notice : value 0 is for padding for sequence input feature
// 3.generate input data for model
sparse_input = [data[feat.name].values for feat in sparse_feat_list]


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Our main research interests are the evolution of major groups of animals and their genomes.
Our favorite animals are marine non-bilaterian taxa, including Porifera (sponges),
Cnidaria (corals, jellyfishes), and Ctenophora (comb jellies).
We are particularly interested in their mitochondrial biology and have characterized both
their mitochondrial genomes and mitochondrial proteomes (the latter include more than one
thousand proteins that are encoded in the nucleus, but function in mitochondria).
In our research we combine field work, bench work, and computational analysis. Specific project we currently work on include (see Research for more details):
We are located at Iowa State University, in the department of Ecology, Evolution, and Organismal Biology). Students in our group come are involved in several interdepartmental graduate programs, including Bioinformatics and Computational Biology, Genetics and Genomics, and Ecology and Evolutionary Biology.
We are looking for passionate new PhD students, Postdocs, and Master students to join the team (more info) !
We are grateful for funding from Iowa State University, Human Frontiers Science Program, and previous funding from the US National Science Foundation.