WILD WILD WEST RATING: 4 / 10 --> This movie sucks
For more reviews and movie screensavers, visit http://www.joblo.com/
Based on the 1960s TV series that I had never seen or heard of before this movie (Be happy, I won't bore you with any lame and unnecessary comparisons), this film allows Will Smith to take a third stab at the Independence Day weekend box-office, after scoring huge successes with MEN IN BLACK (7/10), directed by the same man who controlled this one, and INDEPENDENCE DAY (6/10). Can you say...the third times NOT a charm?
PLOT: James West and Artemus Gordon are chosen by the President to find the man responsible for the kidnapping of the Nation's top scientists, and threatening to take over the United States within a week.
CRITIQUE: I did not laugh once during this entire picture. When you consider that this film is a part-comedy, that's not a very good sign. I also did not tense up or particularly enjoy any of its unenergetic action sequences which provided me with little more than a few minutes time to think back to the lovely Salma Hayek scenes. When you consider that the other "part" of this film is geared as an action/adventure, I would say that this another negative sign. And when you consider that the first hour of the film was boring and a little slow, the story-line tired, reminiscent of Swiss cheese and uninvolving, and the special effects interesting but worth very little inside a plot filled with lame one-liners, weak characterizations and an anti-climactic end, you pretty much have the gist of my impression of this "big" summer blockbuster. It blows. Or as they say in French, "Eet blows".
Could it be that the script was crappy because it took four people to write it? Maybe. Could it be that most of the special effects don't show up until the last half hour, and even then, we don't see anything that its trailers hadn't already given away? Perhaps. Or could it be that we have come to expect so much more from Will Smith and Hollywood big-budget movies, that we cannot help but evaluate them on a scale onto their own? Naaaaaaah! A bad movie is a bad movie. On a positive note, I could honestly say that I did very much enjoy the lovely performance by the adorable Salma Hayek, who seemed underused (In my humble opinion), and lit up every bubbly scene that she was hardly in. Branagh was also fun as the scenery-munching, over-the-top bad guy, but that's pretty much where the entertainment-buck stopped. Smith and Kline were static at best, the plot full of holes, and the score insignificant and derivative of a dozen others. I would strongly advise anyone not to see this movie. Then again, there is that one scene with the lovely Salma Hayek tied up in a cage...huh...oh yeah, but the rest of the movie sucked.
Little Known Facts about this film and its stars: Will Smith has starred in two of the ten all-time top grossing films worldwide: 1997's summer blockbuster MEN IN BLACK (7/10), for which he also recorded the Grammy-winning title song, and 1996's INDEPENDENCE DAY (6/10). He once turned down a scholarship to MIT to pursue his singing career. Kevin Kline is a graduate of the Juilliard School of Drama, and has been married to the cute-as-a-button actress Phoebe Cates since 1989. They have two kids together, Greta Simone and Owen. One of the buildings that gets blown up in this film has "Kasdan" written on it. Lawrence Kasdan is a director known to have worked with Kevin on five of his movies, including THE BIG CHILL, SILVERADO, I LOVE YOU TO DEATH, GRAND CANYON and FRENCH KISS. Salma Hayek gave up a successful career as a major television star in Latin America and moved to the United States to start over, even though she spoke no English. She made her feature film debut as an actress with a small role in Allison Anders' MI VIDA LOCA (No, not the Rickie Martin video!) and played her first starring role in Robert Rodriguez's DESPERADO opposite Antonio Banderas. Since then, she has made an appearance in each one of Rodriguez's films. She stands 5'2", was born in southeast Mexico, and the daughter of a Lebanese father and a Mexican mother. One of the actresses cast as Branagh's lovely but lethal beauties includes Bail Ling, a stage and screen star in her native China who was last seen starring opposite Dick Gere in RED CORNER (7/10). Another is Dutch-born Frederique Van Der Wal, who is one of the world's most recognized supermodels, having graced the cover of Cosmopolitan numerous times, as well as Harper's Bazaar, Vogue and Mademoiselle.
Review Date: June 30, 1999 Director: Barry Sonnenfeld Writers: Brent Maddock, Jeffrey Price, Peter Seaman and S.S. Wilson Producers: Barry Sonnenfeld and Jon Peters Actors: Will Smith as James West Kevin Kline as Artemus Gordon Salma Hayek as Rita Escobar Kenneth Branagh as Dr. Arliss Loveless Genre: Western/Comedy/Action Year of Release: 1999 --------------------------------------- JoBlo's Movie Emporium http://www.joblo.com --------------------------------------- (c) 1999 Berge Garabedian
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Chapter 11. Persistence and Databases
Python supports a variety of ways of making data persistent. One such
way, known as serialization, involves viewing
the data as a collection of Python objects. These objects can be
saved, or serialized, to a byte stream, and
later loaded and recreated, or deserialized,
back from the byte stream. Object persistence layers on top of
serialization and adds such features as object naming. This chapter
covers the built-in Python modules that support serialization and
object
persistence.
Another way to make data persistent is to store it in a database. One
simple type of database is actually just a file format that uses
keyed access to enable selective reading and updating of relevant
parts of the data. Python supplies modules that support several
variations of this file format, known as DBM, and these modules are
covered in this chapter.
A relational database
management system (RDBMS), such as MySQL or Oracle, provides a more
powerful approach to storing, searching, and retrieving persistent
data. Relational databases rely on dialects of Structured Query
Language (SQL) to create and alter a database's
schema, insert and update data in the database, and query the
database according to search criteria. This chapter does not provide
any reference material on SQL. For that purpose, I recommend
SQL in
a Nutshell, by Kevin Kline
(O'Reilly). Unfortunately, despite the existence of
SQL standards, no two RDBMSes implement exactly the same SQL dialect.
The Python standard library does not come with an RDBMS interface.
However, many free third-party modules let your Python programs
access a specific RDBMS. Such modules mostly follow the Python
Database API 2.0 standard, also known as the DBAPI. This chapter
covers the DBAPI standard and mentions some of the third-party
modules that implement it.
|


cleanup.h
GitHub: base/cleanup.h base/cleanup.cc
Top-level Functions
cleanup()
namespace base { template <typename F> Cleanup<F> cleanup(F f); }
STABLE. Convenience function for constructing instances of
base::Cleanup
.
Quick example:
static int foo = 0; ++foo; auto cleanup = base::cleanup([&] { --foo; });
Cleanup
namespace base { template <typename F> class Cleanup { public: Cleanup(F f) noexcept; Cleanup(Cleanup&& x) noexcept; ~Cleanup() noexcept(noexcept(std::declval<F>()())); Cleanup& operator=(Cleanup&& x) noexcept; void swap(Cleanup& x) noexcept; explicit operator bool() const noexcept; void cancel() noexcept; void run() noexcept(noexcept(std::declval<F>()()));Cleanup(const Cleanup&) = delete;Cleanup& operator=(const Cleanup&) = delete;}; template <typename F> void swap(Cleanup<F>& a, Cleanup<F>& b) noexcept; }
STABLE. RAII class to run code upon leaving a scope. This class is
normally constructed via
base::cleanup()
.
Cleanup::Cleanup()
Constructs a base::Cleanup
object, either from a functor
or by moving from an existing base::Cleanup
object of the
same type.
When constructed from a functor, the object is begins in the "armed" state.
When move-constructed from an existing object, the object begins in the same state which the existing object had, and the existing object is put in the "disarmed" state.
Cleanup::~Cleanup()
Destroys a base::Cleanup
object; iff the object is in
the "armed" state, then the object's functor is called.
Cleanup::operator=()
Assigns to a base::Cleanup
object by moving from another
base::Cleanup
object. This object takes the other object's
functor and state. This object's existing functor is discarded without
calling it, regardless of this object's original state.
Cleanup::swap()
Swaps this base::Cleanup
object with another.
Cleanup::operator bool()
Returns true iff this object is in the "armed" state.
Cleanup::cancel()
Puts this object in the "disarmed" state.
Cleanup::run()
If this object is in the "armed" state, then puts the object in the "disarmed" state and calls this object's functor.


Robert J. Sandusky
Terry Winograd brings together a collection of experts to explore the projection of design techniques onto software engineering. The publication reviewed seems to be almost completely available online here
Software Engineering Methodology


Halie is a mechanical engineer who is passionate about making the world a better place through good design and by developing great products which make users' lives better. To do this, she practices user centered design and writes enough code to bring her mechanical projects and designs to life.
Halie enjoys working on diverse teams to create economically viable solutions for a variety of markets.
When not practicing engineering, Halie enjoys learning new things--both technical and not, dancing, and dressage.
Halie has worked on a variety of projects in many areas. Some of these include:
A way of connecting with those you care about without a screen.
Spectrum prioritizes incoming emails so the user can focus on the people and connections they care about. This lets them build relationships without being chained to a screen.
Design originally focused toward concussion patients; however after considering the distribution challenges associated with getting a product to users who only need it for 3 days, we decided to let the needs of concussions patients guide us as we designed a more generally applicable product. Ultimately, we designed Spectrum for people 25-40 who want to maintain their connections to people they care about, but already feel like that cannot escape the screen.
Halie worked to design Spectrum, made models of the physical device and the interaction between components, and created the working software prototype.
A co-working robot for geologic exploration.
Researching in the field can be tough. Sometime it would be nice to have an extra hand. GEOD was designed to assist geologists with their field research in extreme environments.
Halie designed the arm and gripper for GEOD so it coud pick up tools and samples and reach the tool bed. It is actuated with four, geared-down motors located inside the body of the robot. Power from these actuators is transmitted to the various joints of the arm with cable tendons. Its design was inspired by the human arm.
A robotic Devil Ray for underwater exploration.
Designing a underwater robot from a living animal allowed us to draw inspiration and innovation into our design.
Halie designed the waterproof electronics box and made major contrabutions to the system integration and design and bioinspired design from the Devil Ray.
A neato attempt at allowing mobile robots to participate in carnival games.
A neato robot traversed a variety of obstacles including a bridge outlined in red lines, a tunnel, and dominos which it had to knock over. The robot moved through the obstacles with the assistance of fiducials to identify which obstacle it was attempting.
Halie worked on the overarching architecture of the system including the use of an primary finite state controller. This sets which challenge the robot attempts with imput from which fiducials is visible. Halie also worked extensively on traversing the bridge with computer vision using OpenCV and Python. To traverse the bridge, color filtering and thresholding were used. Then the largest gap was found and the robot steared toward the center of this gap.
Experimental validation that assuming theoretical enthalpy of combustion is reasonable for real world systems.
The reported enthalpy values assume complete combustion. This is not always a valid assumption. To see when this is a valid assumption, we burnt cotton in a bomb calorimeter and varied the amount of oxygen available for consumption. We found that the amount of oxygen available does affect the amount of energy released. If close to complete combustion occurs, the reported enthalpy of combustion is a reasonable assumption; however, in many cases, an audjustment should be made to account for the decreased energy released during incomplete combustion of a sample.
Halie has a variety of work experience including:
January - May 2015
Olin College
Helped students learn thermodynamics. Held office hours to provide help with weekly assignments and projects or concepts. Helped professors in class during independent and group directed explorations to make sure students didn't get stuck on a particurlar concept and groups were on track.
June 2014 - May 2015
Olin Intelligent Vehicles Labratory
Performed independent research on autonomous sailing systems. Specific research involved sensing sail luffing using pressure, acceleration and vibration sensors. Also work was done on using a land sailing cart as a test surrogate for aquatic, sailing vehicles.
Presented and published research in the International Robotic Sailing Conference with Springer. Conference was held in Galway, Ireland in September of 2014.
January - May 2014
Olin College
Helped students integrate electrical, mechanical and software systems and troubleshoot and debug theses systems. Programing was in Arduino and LabVIEW or Python. Student robots had to traverse "Mars" and find and identify "samples" of "elements" using color sensing.
September - December 2013
Olin College
Helped students design and CAD parts for 3D printing with Stratasys 3D printers. Advised them on best practices and what would not work as they expected it to. After the part was designed, it was put through our CAM software, printed, and the support material removed. Finally, the part was checked to ensure students wouldn't receive burns from the strong base used to remove the support material.
June - August 2013
Olin Intelligent Vehicles Labratory
Supported corporate aquatic robotics testing with chase boats and chase boat operation so they could test their robot. When not assisting with testing, designed a water resistant sensor suite for an autonomous kayak, Kona, Used ShopBot CNC 3-axis router to perform manual probing of an organicaly shaped object and generate CAD from the resulting point cloud. Finally, cut and formed a mold for robotic tuna shell using ShopBot router from foam blocks.
June - August 2012
TNJ Murray Worldwide Surplus
Developed advertising materials for publication in national and international magazines. Kept computer network up and functioning so customer orders could be taken. Managed day to day operations and 10 employees while company president traveled. Took customer orders when necessary and consulted with unsatisfied customers to attempt to find a mutually satisfactory solution.
Halie has many hobbies which she enjoys. Some of these include:
Halie began riding when she was 9 and competes in Dressage and Eventing with her horse, Taco.
Halie competed at United States Pony Club (USPC) National Championships twice for quiz and twice for dressage. Additionally, Halie captained two of those teams--one for quiz and one for dressage--both of which were composed of members from different clubs and regions. Halie has also competed and developed many horses into successful competition mounts.
Halie began taking photos with a Nikon film camera when she was very young because her parents were incredibly indulgent! She has taken photography courses and predominately takes photos of her cats and nature.
Halie began blues dancing her first week of college. Her sophomore year, she began learning Salsa. Since the summer before her Junior year, she has been known to swing dance.
Feel free to email me if you are interested in working with me, have questions, or to just say hello!


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Yaaay! My first website...
I have spent a lot of time learning how to make websites. This is my FIRST one.
Do you like it?
You better like it
Yes
No


|
KratosMultiphysics
KRATOS Multiphysics (Kratos) is a framework for building parallel, multi-disciplinary simulation software, aiming at modularity, extensibility, and high performance. Kratos is written in C++, and counts with an extensive Python interface.
|
Communicator class to simplify standardization between responses and OptimizationProblem. More...
Public Member Functions | |
| def | __init__ (self, str name, OptimizationProblem optimization_info, int required_buffer_size=2) |
| Creates an instance of StandardizationUtilities. More... | |
| str | GetName (self) |
| Get the name of the response function. More... | |
| ResponseFunction | GetResponseFunction (self) |
| Get the response function. More... | |
| OptimizationProblem | GetBufferedData (self) |
| Get the buffered data container for response function. More... | |
| OptimizationProblem | GetUnbufferedData (self) |
| Get the unbuffered data container for the response function. More... | |
| float | GetScaledValue (self, int step_index=0, float scaling=1.0) |
| Gets or calculates scaled response value. More... | |
| float | GetRelativeChange (self) |
| Get the relative change ratio of the response value. More... | |
| float | GetAbsoluteChange (self, float reference_value) |
| Get the absolute change ratio of the response value w.r.t. More... | |
| None | CalculateScaledSensitivity (self, 'dict[SupportedSensitivityFieldVariableTypes, KratosOA.ContainerExpression.CollectiveExpressions]' sensitivity_variable_collective_expression_info, float scaling=1.0) |
| Calculates the sensitivities requested via sensitivity_variable_collective_expression_info. More... | |
Communicator class to simplify standardization between responses and OptimizationProblem.
Instances of this class simplifies interaction between OptimizationProblem and responses.
| def responses.standardization_utilities.StandardizationUtilities.__init__ | ( | self, | |
| str | name, | ||
| OptimizationProblem | optimization_info, | ||
| int | required_buffer_size = 2 |
||
| ) |
Creates an instance of StandardizationUtilities.
This creates an instance of response function utility. If it finds an already existing response function problem data, then this communicator links to it. Otherwise, it creates respective response function problem data containers in OptimizationProblem In the event, this creates the response function problem data, then a buffered data container with required_buffer_size is created (given by GetBufferedData). Another unbuffered data container is created for sensitivitiy data given by GetUnbufferedData The response function should be present in the optimization_info. Args: name (str): Name of the response function. optimization_info (OptimizationProblem): Root or child instance of type OptimizationProblem required_buffer_size (int, optional): Required buffer size for this response. Defaults to 2. Raises: RuntimeError: If the given name is not found in responses. RuntimeError: If the required buffer size does not match the existing buffer size.
| None responses.standardization_utilities.StandardizationUtilities.CalculateScaledSensitivity | ( | self, | |
| 'dict[SupportedSensitivityFieldVariableTypes, KratosOA.ContainerExpression.CollectiveExpressions]' | sensitivity_variable_collective_expression_info, | ||
| float | scaling = 1.0 |
||
| ) |
Calculates the sensitivities requested via sensitivity_variable_collective_expression_info.
This method calculates sensitivities on the model parts w.r.t. sensitivity variables given in sensitivity_variable_collective_expression_info. It first checks whether for given sensitivity and model parts, the sensitivities are already computed, if not they are computed and the scaled response sensitivities are put inside the sensitivity_variable_collective_expression_info CollectiveExpressions. Args: sensitivity_variable_collective_expression_info (dict[SupportedSensitivityFieldVariableTypes, KratosOA.ContainerExpression.CollectiveExpressions]): Sensitivity variable and CollectiveExpressions pairs scaling (float, optional): Scaling to be used on the computed response sensitivities. Defaults to 1.0.
| float responses.standardization_utilities.StandardizationUtilities.GetAbsoluteChange | ( | self, | |
| float | reference_value | ||
| ) |
Get the absolute change ratio of the response value w.r.t.
reference_value.
This method returns the absolute change ratio of the response value w.r.t. given reference value. If the reference value is almost zero, then this returns the response value. Otherwise it returns absolute change ration. Args: reference_value (float): Reference value of the response to compute the absolute change ratio. Returns: float: Absolute change ratio of the response value w.r.t. given reference value.
| OptimizationProblem responses.standardization_utilities.StandardizationUtilities.GetBufferedData | ( | self | ) |
Get the buffered data container for response function.
Returns: OptimizationProblem: Buffered data container for response function
| str responses.standardization_utilities.StandardizationUtilities.GetName | ( | self | ) |
Get the name of the response function.
Returns: str: Response function name.
| float responses.standardization_utilities.StandardizationUtilities.GetRelativeChange | ( | self | ) |
Get the relative change ratio of the response value.
This method returns the relative change ratio of the response function. If it is the first step, then this returns 0.0 If the previous step response value is almost zero, then returns the current response value. Returns: float: Relative change ratio of the response value.
| ResponseFunction responses.standardization_utilities.StandardizationUtilities.GetResponseFunction | ( | self | ) |
Get the response function.
Returns: ResponseFunction: Response function.
| float responses.standardization_utilities.StandardizationUtilities.GetScaledValue | ( | self, | |
| int | step_index = 0 , |
||
| float | scaling = 1.0 |
||
| ) |
Gets or calculates scaled response value.
If step__index == 0, then this method first checks whether the response value is already calculated, if not calculates and gets the scaled response function value Otherwise, it only returns the response function value by scaling it. Args: step_index (int, optional): Step index to look the response value. Defaults to 0. scaling (float, optional): Scaling to be applied to response value. Defaults to 1.0. Returns: float: Scaled response value for specified step_index.
| OptimizationProblem responses.standardization_utilities.StandardizationUtilities.GetUnbufferedData | ( | self | ) |
Get the unbuffered data container for the response function.
This method returns the unbuffered data container for response functions which is used to store heavy objects such as response senstivity data. Returns: OptimizationProblem: Unbuffered data container for response function.


Growls are non-intrusive messages with a lot of cusomizability. Use a growl under the k$.ready
function to insure they fire when jQuery and TinyGrowl are ready.
:coffeescript k$.ready -> $.growl title: 'Welcome to my page' text: 'Check out the documentation to get started.' type: 'success' delay: 3000
k$.ready
is a JavaScript function that will execute anything below it once JSPM has finished running its components. As such, any code that is dependent on Kickstrap apps or angular will load once everything is ready and available. This can be included in multiple places on one page.
Growls are a jQuery extension available as an app called Tiny Growl. This app must be included in k$.apps
to run correctly. To remove the growl completely, simply delete $.growl
and the indented code below it.
For more information on using growls, visit the GitHub documentation.


Our Team
Zachary Arney
-
Organizing and managing the progress of the app, overseeing deployment and continuous integration and pitching in where needed.
click to see my role
Samantha Soucy
-
Building components and features so that the database can communicate with the browser and when combined with frontend code, helps to create a functional and seamless user experience.
click to see my role
Elan Riznis
-
I'm just awesome, that's all people need to know about me.
click to see my role
Dwayne Pearson
-
Creating components that give functionality and scalability to the pages without compromising on visual appeal.
click to see my role
Our Goal
Our goal is to provide access to medical facilities for women in Uganda via local drivers so that they may attain the necessities to have safe deliveries of healthy babies. To accomplish this goal, we have put together a well thought out website that facilitates a link between mothers and experienced drivers. This website creates a space where mothers can search for drivers by location and request a ride to find the fastest way to a medical center. We are immensely grateful to those who have and/or will help us to accomplish this goal, one ride at a time.
How You Can Help
Now is the perfect time to invest your time, care, and attention into ensuring that no mother is left without adequate care for her baby. If you are an expecting mother, driver, or potential volunteer, click the button below and join us in making pregnancy, birth, and childhood safer experiences in Uganda.


To unsubscribe from a Crypto pair that you added with the AddCrypto method, call the RemoveSecurity method.
self.RemoveSecurity(self.symbol)
RemoveSecurity(_symbol);
The RemoveSecurity method cancels your open orders for the security and liquidates your holdings in the virtual pair.


---
layout: default
permalink: /colors
category: utilities
category_page: Utilities
title: Color palette
description: "Our color palette consists of neutral, white and blue.
These colors are used as variants in all classes of eFrolic,
that is, as a second class after the main one to personalize elements.
Colors convey meaning and add a bit of emotional weight to the elements."
---
After a main class, example: e-btn apply the desired color in lowercase letters.
Required: A main class of eFrolic.
Warning: Some components are not compatible with all colors.
{% highlight html %} Color
Primary / #1da1f2
Success / #4fd69c
Danger / #f75676
Warning / #ffdd57
Sky / #54c7ec
Purple / #5e72e4
Blue-gradient
Inst-gradient
purple-gradient
Green-gradient
Transparent
Default
Gray
White
Dark
Black
Add text- after the color to use.
Warning: Not all colors are available for text.
{% highlight html %} Color...
text-white
text-gray
text-dark
text-black
text-primary
text-success
text-danger
text-warning
text-sky
text-purple
{% highlight html %}text-white
text-gray
text-dark
text-black
text-primary
text-success
text-danger
text-warning
text-sky
text-purple
{% endhighlight %}
{% highlight html %} {% endhighlight %}


The very excellent rboard, by Ryan Bigg (Radar), is currently written to be hosted on a traditional server or VPS. It should be able to run in the cloud as well, so that means that, in this version, run on Heroku and store its avatars on Amazon's S3. So, I adjusted the Radar's code, as of July 14, 2009, to run on a read-only file system, install without stdin, and work with Postgres. I also changed Thoughtbot's Paperclip settings from saving on the server's file system to saving to an S3 bucket. Text highlighting is temporarily disabled.
Dependencies are slightly different than Radar's version: chronic RedCloth highline coderay right_aws
pending
Copyright (c) 2007-2009 Ryan Bigg Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions: The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.  IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
Adam Cooke<EMAIL_ADDRESS>Carl Tanner<EMAIL_ADDRESS>Jeff Schoolcraft<EMAIL_ADDRESS>Bodaniel Jeanes<EMAIL_ADDRESS>Ryan Bigg<EMAIL_ADDRESS>Carl Tanner<EMAIL_ADDRESS>You can download this project in either zip or tar formats.
You can also clone the project with Git by running:
$ git clone git://github.com/captproton/rboard


| Size | Percent | Notes |
|---|---|---|
| 360 × 640 | 26.3% | most Android phones in portrait |
| 1920 × 1080 | 9.2% | full HD laptop/monitor |
| 1366 × 768 | 8.8% | generic 15.6" laptop |
| 1536 × 864 | 5.2% | full HD at 125% zoom |
| 375 × 667 | 4.8% | iphone 6, 7 and 8 |
| Size | Percent | Notes |
|---|---|---|
| 360 × 640 | 26.3% | most Android phones in portrait |
| 1920 × 1080 | 9.2% | full HD laptop/monitor |
| 1366 × 768 | 8.8% | generic 15.6" laptop |
| 1536 × 864 | 5.2% | full HD at 125% zoom |
| 375 × 667 | 4.8% | iphone 6, 7 and 8 |


--- layout: page title: About ---
Nick works as an Independent Research Fellow in the Institute for Microbiology and Infection at the University of Birmingham, sponsored by a seven-year MRC Fellowship in Microbial Genomics Bioinformatics. His research explores the use of cutting-edge genomics and metagenomics approaches to the diagnosis, treatment and surveillance of infectious disease. Nick has so far used high-throughput sequencing to investigate outbreaks of important Gram-negative multi-drug resistant pathogens, and recently helped establish real-time genomic surveillance of Ebola in Guinea. His current work focuses on the development of novel sequencing and bioinformatics methods to aid the interpretation of genome and metagenome scale data generated in clinical and public health microbiology.
With Tim Mitchell, I co-supervise a PhD student, Josh Quick. Josh is investigating the role of microbial communities in wound healing in burns and trauma through the NIHR Centre for Surgical Reconstruction and Microbiology, as well as the spread of nosocomial pathogens in our local patient popluation.
Dr Emily Richardson is working as a microbial bioinformatician on the BBSRC MicrobesNG project.
Dr Pablo Fuentes-Utrilla is working as the sequencing manager on the BBSRC MicrobesNG project.
Szymon Calus, Research Technician, now doing a PhD with Ameet Pinto in Glasgow.
I was involved with the crowd-sourced analysis of genomics data from the Shiga-toxin producing E. coli O104:H4 outbreak in Germany. This outbreakt caused more than 4,000 cases of disease and 50 deaths. I performed an initial assembly of data from the BGI on the 2nd of June 2011 which helped spark a flurry of crowd-sourced analysis, documented on the Github Wiki. Recently, the BBSRC made a video about this project which can be viewed below.
In my previous role, I was responsible for the maintenance and development of the comparative bacterial genomics database, xBASE. Although funding for this project has ceased, I still continue to develop the high-throughput sequencing pipeline xBASE-NG to support our local sequencing efforts, as well as the rapid bacterial genome annotation service xBASE Annotation.
In collaboration with Lex Nederbragt, we are developing an open-source repository of sequencing and bioinformatics benchmarking datasets entitled Seqbench.
I aim to publish accompanying Github repositories with manuscripts as an aid to extensible and reproducible research, please see my Github page for details.
With James Hadfield, I built Omicsmaps.com, a map of high-througput sequencing instruments.


The directory stucture for spectroscopic data is described by environment variables as follows:
$RAWDATA_DIR/mmmmm - The raw image, "sdR-cc-eeeeeeee.fit" $SPECLOG_DIR/mmmmm - The plug-map files, "plPlugMapM-pppp-mmmmm-rr.par"
At Princeton, these paths would be set as follows:
RAWDATA_DIR=/u/dss/rawdata SPECLOG_DIR=/u/dss/astrolog
To re-run a plate through the spectro pipeline, you need all of these files. Both paths must be set appropriately.
The raw images for a particular night ($MJD) can be found at:
sdssdata.astro.princeton.edu:/u/dss/rawdata/$MJD/sdR*.fit
The plug-map files for a particular night ($MJD) can be found at:
sdssdata.astro.princeton.edu:/u/dss/astrolog/$MJD/plPlugMapM*.par
My convention is to put the reduced data in a directory separate from the data where the top-level directory is $SPECTRO_DATA. At Princeton, this would be set to
SPECTRO_DATA=/u/dss/spectro
Before running the spectro pipeline, you need to build plan files for each plate. Create the output directory $SPECTRO_DATA. From there, build the plan files...
IDL> spplan2d IDL> spplan1d
The spplan2d command builds the files "spPlan2d-pppp-mmmmm.par". There is one such file for each night a plate is observed.
The spplan1d command builds the files "spPlancomb-pppp-mmmmm.par". This file merges exposures from multiple nights of observations of the same plate if those observations were taken without re-plugging the plate. If the plate was re-plugged between nights, then a given fiber will correspond to different objects in each night, and those nights' data shouldn't be combined with "spcombine".
Note that these plan files are ASCII files (in something called a Yanny parameter format) which can be hand-edited. That way, you can exclude particular exposures from a reduction by commenting-out lines with hash marks (#).
It takes approximately 3.5 hours to run one plate through Spectro-2D on a 1-GHz Pentium-III, and another 8 hours to run Princeton-1D.
In each output plate directory, you can run the following three commands from the IDL prompt:
IDL> spreduce2d IDL> spcombine IDL> spreduce1d
The spreduce2d command reduces individual exposures to "spFrame-cc-eeeeeeee.fits" files.
The spcombine command combines those exposures into the reduced plate file, "spPlate-pppp-mmmmm.fits".
The spreduce1d command finds the redshifts, and generates the file "spZbest-pppp-mmmmm.fits".
A number of other supplementary files are also produced. The history of the reductions are written to log files named "spDiag*.log", and some PostScript plots are written to "spDiag*.ps".
echo "spreduce2d, 'spPlan2d-0306-51690.par'" | idl >& /dev/null &
We use an IDL script BATCH2D for batch processing many plates at once:
idlspec2d_doc.html#BATCH2D
idlutils_doc.html#DJS_BATCH
There is a Spectro-Robot that automatically fetches data, builds plan files, and reduces it on a day-by-day basis. The command "sprobot_start" loads the cron job. The raw data is copied to the first disk with space listed in the SPROBOT_LOCALDISKS environment variable, then a link is built from $RAWDATA_DIR/$MJD to that directory. At Princeton, the disk list is something like:
SPROBOT_LOCALDISKS='/scr/spectro1/data/rawdata /scr/spectro2/data/rawdata'
SPROBOT_LOCALDISKS -- List of local disks to which to copy the data. SPROBOT_HOST -- Remote host name for copying the raw data; I currently use "sos.apo.nmsu.edu". SPROBOT_RSH -- Optional environment variable setting protocol for copying data from the remote host $SPROBOT_HOST; default to "ssh" if not set, but I currently use "ssh1". RAWDATA_DIR -- Root directory for links to raw data directories, which then live in $RAWDATA_DIR/$MJD ASTROLOG_DIR -- Root directory for astrolog files, which then live in $ASTROLOG_DIR/$MJD. SPECLOG_DIR -- This can be identical to $ASTROLOG_DIR, or set by speclog product SPECTRO_DATA -- Root directory for output files, which then live in $SPECTRO_DATA/$PLATE. IDL_DIR -- Path set by IDL IDLUTILS_DIR -- Path set by idlutils product IDLSPEC2D_DIR -- Path set by idlspec2d product SPECFLAT_DIR -- Path set by specflat product
There are two Yanny parameter files that list the computer names and protocols to use. There are default files in "$IDLSPEC2D_DIR/examples/batch2d.par" and "$IDLSPEC2D_DIR/examples/batch1d.par" for use with Spectro-2D and P-1D respectively. You can over-ride these default files by putting files with the same names in the directory $SPECTRO_DATA.
The Spectro-Robot commands:
sprobot_start -- Start the Spectro-Robot. sprobot_status -- See if the Spectro-Robot is running. sprobot_stop -- Stop the Spectro-Robot.


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--- layout: page status: publish published: true title: 2002 - 2011 House, Senate and Congressional Districts author: display_name: Jessie Pechmann login: jpechmann email<EMAIL_ADDRESS>url: '' author_login: jpechmann author_email<EMAIL_ADDRESS>wordpress_id: 3478 wordpress_url: http://gis.utah.gov/?page_id=3478 date: '2011-11-18 10:41:06 -0700' date_gmt: '2011-11-18 17:41:06 -0700' categories: [] tags: - sgid - Data - utah - gis - map - mapping - dataset - download - agrc - layer - shapefile - geodatabase - metadata - shp - gdb - kml - lyr - digital - geographic - information - database - state - statewide ---
Data Type: GIS Data Layer
Steward(s): AGRC and the Lieutenant Governor's Office
Abstract:
These political districts are used for election purposes from January 1, 2002 through December 31, 2011 and for purposes of elected representation and other purposes through Dec 31, 2012. This dataset includes the political districts used for the Utah State Legislature (state senate districts and state house districts); and U.S congressional districts. The new political boundaries will be used for the first time during the fall 2012 election. Elected officials representing the new 2012 districts will take office in January 2013.
Data Content:
The following data is available for download:
The COLOR4 field is for use in coloring districts using only 4 colors with no adjacent districts displayed with the same color.
There are no constraints or warranties with regard to the use of this dataset.
The COLOR4 field is for use in coloring districts using only 4 colors with no adjacent districts displayed with the same color.
There are no constraints or warranties with regard to the use of this dataset.
Statewide Political District Boundaries are drawn by the Utah Legislature and adopted into state law.
Other Links:
There are no constraints or warranties with regard to the use of this dataset.
Statewide Political District Boundaries are drawn by the Utah Legislature and adopted into state law.


The word qasid is used to describe a path that is direct and smooth. This is the way we believe the Arabic language should be taught. The Qasid Institute for Arabic has quietly developed a reputation as one of the leading centers in the Middle East for Arabic language learning. A comprehensive curriculum taught over five distinct levels takes a student from the proper pronunciation of letters to a level of mastery.
Graduating students who have applied themselves will find that understanding an all-Arabic university course to be within reach, and translating general texts to be manageable. Our graduate-level modules prepare advanced students to teach Arabic and Middle East Studies, something that a number of our alumni now do at universities throughout the US and Europe. To indicate something about its level of rigor, Qasid’s Summer Intensive Program (SIP) has a higher percentage of Ivy League students vis a vis the rest of its student body than any other private Arabic language institute in the Middle East.
The term qasid is also used to describe an individual who strives forward with a direct, specific intention, which is a dictionary-perfect definition for the kind of student that Qasid attracts. Although designed mainly for university-level students and time-starved professionals, Qasid students have come as young as 15 and as old as 65. Our students include consulate officers, Fulbright researchers, full-time mothers, medical doctors, FLAS recipients, and Ivy League graduates, and hail from nearly two dozen countries.
Many scholars of Arabic have noted that the Jordanian dialect is among the closest to Classical Arabic (fusha), making Amman an ideal setting for learning-or perfecting-one’s Arabic. An inherent shortcoming of university-based Arabic instruction is the lack of daily, out-of-classroom practice. Language learning requires practice-and lots of it. For this reason, regardless of how many years of formal study a student has had, a several-month immersion in an Arabic-rich setting is critical for intermediate/advanced mastery of the language.
At the same time, English is a second language for many residents of Amman, meaning that in dealings with cab drivers, shopkeepers, and others, beginners have a support ready, in case words from a particular lesson slip their minds. Jordan has a rich Arab and Islamic heritage, and the natural hospitality of the Jordanian people will be the source of many endearing memories.
Our campus is housed in an 8,000 square foot facility on University Street in the Sport City district of Amman. Classes are conducted in classrooms each bearing the name of one of the historically-significant centers of learning in Islamic history (Cairo, Istanbul, Baghdad, Damascus, etc.), and feature custom-made wood tables in U and L configurations to foster discussion. Complimentary wi-fi extends to every classroom, a book store and copy center serves students and staff alike, and a spacious conference hall accommodates seminars and presentations delivered by special-invite guests. Within easy reach are numerous malls and shopping outlets, art and cultural centers, sports and gym facilities, and bookstores. It is an optimal locale for those desiring to immerse themselves in the active hustle and bustle of one of the most dynamic capital cities in the Arab world.


public class HGAtomRef
extends java.lang.Object
An instance HGAtomRef
represents a reference to a HyperGraph atom. Atom
references can be used as atom values or as values of projections of composite types.
An HGAtomRef
is more than a HGHandle
because it has a special
relationship with its referent and may play a role in the latter's lifetime.
While a HGHandle
can be thought of as a plain pointer, a HGAtomRef
is more like a smart pointer. When a HGAtomRef
is removed from HyperGraph,
the underlying referent might be affected depending on the mode of the reference.
The mode of an atom reference defines how it affects the lifetime of the atom it refers to. There are several possibilities and an application must choose the most suitable one:
HGAtomRef
s and
generally has no purpose of being outside of that context.HARD
, SYMBOLIC
and FLOATING
respectively. The
terms HARD
and SYMBOLIC
were chosen because of their familiarity
from Unix and derivative file systems since atom references with those modes behave like
the corresponding file links in those systems. The term FLOATING
is specific to
HyperGraph and it has the effect of transforming a referred to atom to a temporary, managed
atom that gets removed if not used.
Both a HARD
and a FLOATING
reference will prevent an atom from
being removed from a HyperGraph database. That is, a call to HyperGraph.remove(atomHandle)
will
have no effect and return false
whenever there's a HARD
or a FLOATING
reference to that atomHandle
. On the other hand, SYMBOLIC
references impose
no such constraint. As a result, a symbolic reference may point to a non-existing atom which
generally translates to null
.
When a mixture of both floating and hard references point to an atom, floating references take
precedence in the management of the atom's lifetime. That is, when all hard references are deleted, but
a floating reference remains, the atom is not going to be deleted. Also, when both all hard reference and all
floating references are deleted, the atom is transformed into a MANAGED
atom instead of
being removed.
| Modifier and Type | Class and Description |
|---|---|
static class |
HGAtomRef.Mode |
| Constructor and Description |
|---|
HGAtomRef(HGHandle referent,
HGAtomRef.Mode mode)
Construct a new
HGAtomRef to the atom pointed by reference |
| Modifier and Type | Method and Description |
|---|---|
HGAtomRef.Mode |
getMode()
Return the atom reference mode.
|
HGHandle |
getReferent()
Return the referent atom.
|
boolean |
isFloating()
Return
true if this is a floating reference and false otherwise. |
boolean |
isHard()
Return
true if this is a hard reference and false otherwise. |
boolean |
isSymbolic()
Return
true if this is a symbolic reference and false otherwise. |
public HGAtomRef(HGHandle referent, HGAtomRef.Mode mode)
Construct a new HGAtomRef
to the atom pointed by reference
and with the specified
mode
.
referent
- The HGHandle
of the refered to atom.mode
- The atom reference mode.
this class.public HGAtomRef.Mode getMode()
Return the atom reference mode.
public boolean isHard()
Return true
if this is a hard reference and false
otherwise.
public boolean isSymbolic()
Return true
if this is a symbolic reference and false
otherwise.
public boolean isFloating()
Return true
if this is a floating reference and false
otherwise.
public HGHandle getReferent()
Return the referent atom.


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import config.AppConfig @import play.api.data.Field @this() @(field: Field, showLabel: Boolean = false)(implicit messages: Messages)


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|
F´ Flight Software - C/C++ Documentation
NASA-v1.5.0
A framework for building embedded system applications to NASA flight quality standards.
|
Command Dispatcher component class. More...
#include <Svc/CmdDispatcher/CommandDispatcherImpl.hpp>
Classes | |
| struct | DispatchEntry |
| table used to store opcode to port mappings More... | |
| struct | SequenceTracker |
| table used to store opcode that are being executed More... | |
Public Member Functions | |
| CommandDispatcherImpl () | |
| Command Dispatcher constructor. More... | |
| void | init (NATIVE_INT_TYPE queueDepth, NATIVE_INT_TYPE instance) |
| Component initialization routine. More... | |
| virtual | ~CommandDispatcherImpl () |
| Component destructor. More... | |
| void | seqCmdBuff_handler (NATIVE_INT_TYPE portNum, Fw::ComBuffer &data, U32 context) |
| component command buffer handler More... | |
| void | compCmdReg_handler (NATIVE_INT_TYPE portNum, FwOpcodeType opCode) |
| component command registration handler More... | |
| void | pingIn_handler (NATIVE_INT_TYPE portNum, U32 key) |
| component ping handler More... | |
| void | CMD_NO_OP_cmdHandler (FwOpcodeType opCode, U32 cmdSeq) |
| NO_OP command handler. More... | |
| void | CMD_NO_OP_STRING_cmdHandler (FwOpcodeType opCode, U32 cmdSeq, const Fw::CmdStringArg &arg1) |
| NO_OP with string command handler. More... | |
| void | CMD_TEST_CMD_1_cmdHandler (FwOpcodeType opCode, U32 cmdSeq, I32 arg1, F32 arg2, U8 arg3) |
| A test command with different argument types. More... | |
| void | CMD_CLEAR_TRACKING_cmdHandler (FwOpcodeType opCode, U32 cmdSeq) |
| A command to clear the command tracking. More... | |
Public Attributes | |
| PROTECTED | __pad0__: PRIVATE: void compCmdStat_handler(NATIVE_INT_TYPE portNum |
| PROTECTED FwOpcodeType | opCode |
| PROTECTED FwOpcodeType U32 | cmdSeq |
| PROTECTED FwOpcodeType U32 Fw::CommandResponse | response |
| struct Svc::CommandDispatcherImpl::DispatchEntry | m_entryTable [CMD_DISPATCHER_DISPATCH_TABLE_SIZE] |
| table of dispatch entries More... | |
| struct Svc::CommandDispatcherImpl::SequenceTracker | m_sequenceTracker [CMD_DISPATCHER_SEQUENCER_TABLE_SIZE] |
| sequence tracking port for command completions; More... | |
| I32 | m_seq |
| current command sequence number More... | |
| U32 | m_numCmdsDispatched |
| number of commands dispatched More... | |
| U32 | m_numCmdErrors |
| number of commands with an error More... | |
Command Dispatcher component class.
The command dispatcher takes incoming Fw::Com packets that contain encoded commands. It extracts the opcode and looks it up in a table that is populated by components at registration time. If a component is connected to the seqCmdStatus port with the same number as the port that submitted the command, the command status will be returned.
Definition at line 32 of file CommandDispatcherImpl.hpp.
| Svc::CommandDispatcherImpl::CommandDispatcherImpl | ( | ) |
Command Dispatcher constructor.
The constructor initializes the state of the component. In this component, the opcode dispatch and tracking tables are initialized.
| name | the component instance name |
Definition at line 18 of file CommandDispatcherImpl.cpp.
|
virtual |
Component destructor.
The destructor for this component is empty
Definition at line 26 of file CommandDispatcherImpl.cpp.
| void Svc::CommandDispatcherImpl::CMD_CLEAR_TRACKING_cmdHandler | ( | FwOpcodeType | opCode, |
| U32 | cmdSeq | ||
| ) |
A command to clear the command tracking.
This command will clear the table tracking the completion of commands. It is meant to be used if the tracking table has gotten full because of a software failure. It is dangerous in that it can clear a command that a sequencer is watiting for.
| opCode | the CLEAR_TRACKING opcode. |
| cmdSeq | the assigned sequence number for the command |
Definition at line 223 of file CommandDispatcherImpl.cpp.
| void Svc::CommandDispatcherImpl::CMD_NO_OP_cmdHandler | ( | FwOpcodeType | opCode, |
| U32 | cmdSeq | ||
| ) |
NO_OP command handler.
A test command that does nothing
| opCode | the NO_OP opcode. |
| cmdSeq | the assigned sequence number for the command |
Definition at line 204 of file CommandDispatcherImpl.cpp.
| void Svc::CommandDispatcherImpl::CMD_NO_OP_STRING_cmdHandler | ( | FwOpcodeType | opCode, |
| U32 | cmdSeq, | ||
| const Fw::CmdStringArg & | arg1 | ||
| ) |
NO_OP with string command handler.
A test command that receives a string an sends an event with the string as an argument
| opCode | the NO_OP_STRING opcode. |
| cmdSeq | the assigned sequence number for the command |
| arg1 | the string argument |
Definition at line 211 of file CommandDispatcherImpl.cpp.
| void Svc::CommandDispatcherImpl::CMD_TEST_CMD_1_cmdHandler | ( | FwOpcodeType | opCode, |
| U32 | cmdSeq, | ||
| I32 | arg1, | ||
| F32 | arg2, | ||
| U8 | arg3 | ||
| ) |
A test command with different argument types.
A test command that receives a set of arguments of different types
| opCode | the TEST_CMD_1 opcode. |
| cmdSeq | the assigned sequence number for the command |
| arg1 | the I32 argument |
| arg2 | the F32 argument |
| arg3 | the U8 argument |
Definition at line 218 of file CommandDispatcherImpl.cpp.
| void Svc::CommandDispatcherImpl::compCmdReg_handler | ( | NATIVE_INT_TYPE | portNum, |
| FwOpcodeType | opCode | ||
| ) |
component command registration handler
The command registration handler is called to register new opcodes. The port number called is used to indicate which port should be used to dispatch the opcode.
| portNum | the number of the incoming port. |
| opCode | the opcode being registered. |
Definition at line 36 of file CommandDispatcherImpl.cpp.
| void Svc::CommandDispatcherImpl::init | ( | NATIVE_INT_TYPE | queueDepth, |
| NATIVE_INT_TYPE | instance | ||
| ) |
Component initialization routine.
The initialization function calls the initialization routine for the base class.
| queueDepth | the depth of the message queue for the component initialization function |
| queueDepth | The queue depth |
| instance | The instance number |
Definition at line 29 of file CommandDispatcherImpl.cpp.
| void Svc::CommandDispatcherImpl::pingIn_handler | ( | NATIVE_INT_TYPE | portNum, |
| U32 | key | ||
| ) |
component ping handler
The ping handler responds to messages to verify that the task is still executing. Will call output poing port
| portNum | the number of the incoming port. |
| opCode | the opcode being registered. |
| key | the key value that is returned with the ping response |
Definition at line 231 of file CommandDispatcherImpl.cpp.
| void Svc::CommandDispatcherImpl::seqCmdBuff_handler | ( | NATIVE_INT_TYPE | portNum, |
| Fw::ComBuffer & | data, | ||
| U32 | context | ||
| ) |
component command buffer handler
The command buffer handler is called to submit a new command packet to be decoded
| portNum | the number of the incoming port. |
| data | the buffer containing the command. |
| context | a user value returned with the statuss |
Definition at line 111 of file CommandDispatcherImpl.cpp.
| PROTECTED Svc::CommandDispatcherImpl::__pad0__ |
Definition at line 60 of file CommandDispatcherImpl.hpp.
| PROTECTED FwOpcodeType U32 Svc::CommandDispatcherImpl::cmdSeq |
Definition at line 71 of file CommandDispatcherImpl.hpp.
| struct Svc::CommandDispatcherImpl::DispatchEntry Svc::CommandDispatcherImpl::m_entryTable[CMD_DISPATCHER_DISPATCH_TABLE_SIZE] |
table of dispatch entries
| U32 Svc::CommandDispatcherImpl::m_numCmdErrors |
number of commands with an error
Definition at line 177 of file CommandDispatcherImpl.hpp.
| U32 Svc::CommandDispatcherImpl::m_numCmdsDispatched |
number of commands dispatched
Definition at line 176 of file CommandDispatcherImpl.hpp.
| I32 Svc::CommandDispatcherImpl::m_seq |
current command sequence number
Definition at line 174 of file CommandDispatcherImpl.hpp.
| struct Svc::CommandDispatcherImpl::SequenceTracker Svc::CommandDispatcherImpl::m_sequenceTracker[CMD_DISPATCHER_SEQUENCER_TABLE_SIZE] |
sequence tracking port for command completions;
| PROTECTED FwOpcodeType Svc::CommandDispatcherImpl::opCode |
Definition at line 71 of file CommandDispatcherImpl.hpp.
| PROTECTED FwOpcodeType U32 Fw::CommandResponse Svc::CommandDispatcherImpl::response |
Definition at line 71 of file CommandDispatcherImpl.hpp.


The iOS camera app is accessible from the lock screen and integrates with many third party apps, giving it huge potential to be a powerful creative tool.
Unfortunately, the app is plagued by some usability issues, and it doesn’t take advantage of many of the recent advances in iOS8 such as focus, white balance, and ISO control. I want to address these issues in this redesign.
As with all unsolicited redesigns, my parameters are different than those placed on the original design team. The problem space I’m exploring is different. The user base I’m designing for is smaller. This is a thought exercise designed not to tear down what the original team created, but to build on to their solution.
In this redesign, there were 3 main problems that I wanted to address. I arrived at these issues by blending my own findings with those of a handful of active users of the default camera app to ensure I wasn’t alone in my assumptions.
All in all, the default camera app doesn’t seem to fit with the Apple ethos of providing elegant, yet powerful creative tools. On one hand it's overly simplified, but it also tries to do too many things — such as providing a separate mode just for taking square photos.
The camera app could be a huge project to tackle, since it currently incorporates everything from taking a simple photo to different modes, editing, sharing, etc. In order to more deeply explore the top three problems I uncovered in user interviews, I’ve decided to limit the scope of this redesign just to photo mode, manually adjusting settings, and faster access to video mode. While keeping landscape mode in mind, I didn't create a separate prototype for it. I also gave myself a one week timebox to force tradeoffs and make the project more realistic.
The camera app fails to take advantage of much of the power that newer versions of iOS provide, such as independent ISO and shutter speed controls, and the ability to manually adjust focus. This functionality could be harnessed to give users greater creative control. While there is a newly introduced manual exposure control in iOS 8, this is a blend between shutter speed and ISO.
There is a huge lost opportunity in that the volume controls only allow a user to snap a photo. While convenient, they could do so much more. For instance, they could allow for easy adjustment of the aforementioned features like ISO, shutter speed, and focus.
Switching camera modes is very difficult, requiring a side swipe in a tiny space that hides 3–4 of the available options. This results in fumbling around to switch to the appropriate mode before the moment is lost, despite that fact that a mode like “video” is more likely to be needed quickly, whereas “self timer” mode nearly always requires ample setup for the shot.
I began by picking 8 people, and asked them their favorite part about using the app, and what their top three frustrations were.
While it would seem intuitive to only ask iOS users, I did ask a couple who use Android in order to hear what they really liked about the experience. Of the iOS interviewees, most were casual users of the camera app and didn’t have strong opinions about it; two were professional designers with a strong aesthetic sense and opinions about photography; and one is a professional photographer who uses iOS devices for a good number of projects.
A universal frustration was the difficulty of switching camera modes and potentially losing moments — though this only applied to the main camera and video modes. Most interviewees were lukewarm on the app, but the 3 heaviest users sought a greater degree of control and power.
Another interesting piece of feedback was the desire to use the volume buttons for more than simply snapping a photo. Even though iOS 8 does provide manual exposure control (an automatic combination of shutter speed and ISO), it’s accessed first by tapping the screen, then sliding up or down. It’s a bit awkward.
“I am grateful for the ability to use either one of the volume buttons to take a picture within the iOS camera app. It would be great if I could do other things in the camera app with those volume buttons, too. Like, adjust exposure compensation or as a way to close-focus. Those sorts of things are tedious to do with touch gestures.”
One interviewee also mentioned the Nokia ProCam app, which has a pleasing way to manage the various camera controls on a small mobile screen.
The architecture of the current UI is nonsensical. The information architecture leads to a hunt-and-peck sort of experience. Features like filters, flash, and self-timer mode get prime real estate while the user has to hunt for video mode. The context for a self timed shot, for instance, nearly always requires a carefully staged shot — whereas video mode is often required to spontaneously capture moments that could be gone in an instant.
The button to take a photo has a narrow hit area, despite the availability of space to the left and right. While I appreciate the similar visual motif through all the camera modes, I’ve missed the button on more than one occasion.
In general, since this is a thought exercise, I’ve taken creative license and removed features that I don’t think belong, such as filters. Following the concept of an app doing one thing well, I reserve post-processing for other apps such as instagram or VSCO, and let the default camera app be for quick, on-the-fly capture. I’ve also relocated certain controls, like the flash. Several interviewees mentioned they keep the flash turned off to make use of ambient lighting
However, the most grievous issue with the UI is the camera mode carousel. Panoramic, slo-mo, square and timelapse modes shouldn’t have the same prominence as photo or video modes. What’s more, navigating from one mode to another can be confusing. For instance, when the user is in timelapse mode, the only other mode visible is slo-mo. The user is left scratching her head as to where the other four modes went.
Once I understood the problems I was solving for, I began sketching. (I always start with pen and paper, as it allows me to iterate through many ideas rapidly.) I quickly moved from sketching to using an app called POP. This allows me to take photos of drawings, and link screens together to simulate a flow. While rudimentary, it made it easy to get the “feel” for how an app might work.
At several points, I asked my user testers to play around with the prototypes I was creating. This real time feedback helped ensure I was on the right track, and that I wasn’t missing anything.
From POP, I moved into prototyping with Proto.io for a higher fidelity experience. I was very impressed with the power that Proto.io provided, which allowed for complex, chained interactions with fine-grained easing control. While it's just a prototype and doesn't demonstrate everything possible with a native app, it does come pretty close.
The first version of the prototype gave me the ability to test the size of my buttons, and to play around with how the interactions work. Like all first versions, it kind of sucked.
While this first prototype didn’t attempt to model everything, I quickly ran into problems. I received positive feedback on the sliders, but realized that it was difficult to see how the values on the sliders change in real time. Also, the settings and video buttons were too crowded and hard to tap.
I reworked the prototype to solve some of these issues. I started by moving the settings bar to the left. I also attempted to deal more realistically with how a user might change settings like manual focus, flash, and HDR, and also how to hint that tapping one of the adjustments transfers control to the volume buttons on the phone hardware.
Finally, I chose to do a quick animation of a couple interactions at the highest fidelity in After Effects to really show how the sliders interact with each other and change the image. An animation also helps to demonstrate how the movements feel. You can see the animation at the top of this page.
Overall I've received very positive feedback from my user testers, as this prototype has solved many of the problems they have with the default camera app.
Since I timeboxed this project to a single week, there’s a lot more that I didn't have time to tackle. In many ways this is just a first step, but going through this exercise taught me a lot. If I had allowed myself more time, I'd probably want to:


Appeal is certainly in the eye of the observer, as well as every person that considers her! You want to look your best, boost your finest functions and also put your ideal face ahead so keep reading for some great guidance and also concepts on you to surpass your looks in methods you’ve probably never ever thought of!
Keep a tube of red lipstick around. Red lipstick looks fantastic on a vast array of skin tones and also face kinds. It could actually accent your face, and also accentuate your lips. Be cautious if you have an aching, or a factor you do not desire people to look.
If you are making use of makeup, you should be absolutely particular to utilize appropriate cleansing at the end of the day. If you leave traces of make-up on your skin while you rest, it can result in skin issues! This, consequently, will wind up harming the impact you are trying to have with makeup in the first place.
Usage vapor to revitalize your face. Steam launches the impurities in your pores, and you do not should go to a sauna. A dish or various other container of warm water and a towel are all you require; just hold your going it as well as let the piping hot vapor redeem your skin.
 This will certainly open your pores and also help to get rid of black heads. Adhere to with a chilly water rinse to shut the pores and also continue your make-up routine.
Cheer up your eyes with this natural look: apply a light, neutral-colored eye darkness to your whole top eyelid. Try to find sand, khaki, off-white, or fawn shades. This will certainly reduce the effects of any type of inflammation on your covers, which can make you appear older and tired. Add drama by smudging a darker color on the lids simply in the crease.
Maintain your skin, body, hair as well as nails looking fantastic by eating a healthy and balanced, healthy diet plan. Offering your body with the vitamins and nutrients it needs is one of the most reliable way to look your ideal. So, keep in mind that elegance begins with healthy food choices while looking for groceries.
If you have a crucial conference, take special treatment with your fragrance. Maintain the scent light and ventilated so as not to bewilder.  This will certainly assure that you scent great when you are embracing and also trembling hands at the meeting.
If you have to absorb additional oil in your T-Zones, you can use blotting documents to rapidly provide your face a more matte look. These sheets often can be found in small, pocket-sized packages; numerous are offered with rice powder or in a powder-free option. The packages are really low-cost and can be slipped into your bag or desk cabinet.
Looking attractive could be costly as well as time consuming; ideally this article has actually offered you some new tips as well as methods to attempt that will certainly conserve your beneficial time and money! Little points could amount to make big and also favorable changes in the way you look about yourself so include this guidance into your regimen of being much more lovely and having better self-confidence!


---
start: 2020-02-27 17:00
edition: 01
participate: "https://docs.google.com/forms/d/e/1FAIpQLSd6sfmvssDjIlDdOK7l2EzKyvMvHXhthqcHSD-y8aW8Nl67jQ/viewform"
agenda:
-
time: "17:00"
title: "Glimpse on TechRadar Vol.21"
speaker_profile: "By: Megha Agarwal & Sudarshan Lakshminarasimhan"
subtitle: "A glimpse of the ThoughtWorks tech radar Vol. 21. Blips ranging from techniques, languages and frameworks to platforms."
-
time: "17:45"
title: "Introduction to Web Assembly and Blazor"
speaker_profile: "By: Mohamedrazin Mohamediqbal Memon"
subtitle: "Discussion on what these technologies are and how will they impact the front end development as we do today."
-
time: "18:15"
title: "Tea break and Networking"
---


THE PLEDGE
Reviewed by Harvey Karten Warner Bros./ Morgan Creek Director: Sean Penn Writer: Freidrich Durrenmatt (book), Jerzy Kromolowski, Mary Olson-Kromolowski Cast: Jack Nicholson, Dale Dickey, Benicio Del Toro, Aaron Eckhart, Helen Mirren, Tom Noonan, Robin Wright Penn, Vanessa Redgrave, Mickey Rourke, Sam Shepard, Lois Smith, Harry Dean Stanton
How do you feel about the prospect of retirement? Are you counting the days till you get away from your desk, free to roam the world or simply head up to your favorite stream to see how they're biting? Or is your identity tied up so much with your work that you dread the thought of giving it up? Sean Penn's sometimes lethargic but ultimately moving and lyrical "The Pledge" focusses on a police detective faced with these existential questions on the last day of his job. Considered one of the greats by his buddies on the Reno force, he is popular enough with his colleagues that he gets a slam-bang sendoff party on the day he is to call it quits. In the role of Detective Jerry Black, Jack Nicholson looks out the window and sees a man hobbling forward on a walker. He visits a nursing home only to find elderly men and women hooked to breathing devices or being aided to their seats. He is haunted by a vision that his real life is over on the day he hangs up his bulletproof vest. To add to his misery, he takes a sacred pledge thrust on him by the crucifix-carrying Margaret Larsen (Patricia Clarkson), mother of an eight-year- old girl who has just been found slashed and mutilated in the snows of Nevada, a promise that he will not give up until he finds the perpetrator of this loathsome act.
"The Pledge" is too phlegmatically paced to be of much interest to the crowd whose idea of a police drama is the "Lethal Weapon" series or who wonder whether any current movie can be even called a cop story without the presence of David Morse. But Penn's latest outing as a helmer would be pursued by fans of his similar achievements, his moody 1991 movie "The Indian Runner," about a man's attempts to get closer to his kid brother who had jsut returned from the 'nam, and his more recent incursion into the killing fields, "The Crossing Guard," about an individual's attempt to deal with the drunk-driving death of his daughter at the hands of a perp who had just been released from prison.
Somber but by no means lifeless, "The Pledge" is a piece about a just-retired detective so driven by his commitment that the book by the Swiss writer Frederick Durrenmatt (whose great drama "The Visit" is one of the most imaginative and compelling stage works of its decade) is virtually without humor. Adapted to the screen by Jerzy Kromolowski and his wife Mary Olson-Kromolowski, "The Pledge" is a framed story opening on a bizarre sequence that could have come from a post-lobotomy "All Flew Over the Cuckoo's Nest," then cutting between the grisly discovery of a girl's mutilated body and the joyful occasion of a popular detective's retirement bash. When a retarded Indian, Toby Jay Wadenah (Benicio Del Toro) confesses to the crime at the clever promptings of Detective Stan Krolak (Aaron Eckhart), the case is closed. But Jerry Black must have thought that Wadenah had watched Stephen Hopkins's "Under Suspicion" once too often and persuades chief of detectives Eric Pollack (Sam Shepard) to reopen the case.
Acting as a one-man squad who has dedicated his first year of retirement to solving the murder, he interviews a plethora of Nevadans such as the murdered girl's mother, Margaret (Patricia Clarkson), grandmother Annalise (Vanessa Redgrave), and the father of a girl similarly slain, Jim Olstand (Mickey Rourke). He is himself interviewed by a doctor (Helen Mirren) who catches some negative vibes from the detective and wonders whether he has become unbalanced by the search for a killer. When he discovers a waitress in the Nevada boonies, Lori (Robin Wright Penn) whose daughter is similar in age, hair color, and clothing to the ones who have been killed before in a similar style, he buys a gas station and settles in as a resident in Lori's backwater community.
Penn's film is a psychological study in obsession, a man's fixation on a single goal which, if affording no closure, could result in his turning from a top-level detective into a deranged and perhaps dangerous fellow. Willing to stop at nothing to solve the case, even using a lovely eight-year-old girl, Chrissy (Pauline Roberts) as bait without her mother's consent, Jerry conveys what could happen to any of us given the appropriate circumstances. A tribute to Penn and to his top-notch ensemble of actors, "The Pledge" breaks with the conventions of the cop dramas by featuring no explosions either verbal or chemical. The Canadian snows filmed by cameraman Chris Menges look both inviting and threatening while Jay Cassidy's editing and Hans Zimmer's violin- dominated soundtrack are unassuming.
Absolutely not for all tastes, "The Pledges" is lyrical, convincing, and an obvious labor of love for Penn and his stellar group of performers.
Rated R. Running time: 124 minutes. (C) 2001 by Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
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MIT License Copyright (c) 2017 Yu Lou Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions: The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.  IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
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Hello World!
Mary had a little lamb
The ultimate answer is 42
The ultimate answer is 42
Placeholder is outside of bounds
Dynamic format is permitted in Sightly
1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12
Gesamtbetrag: 100
--
--
hello, world
01-12-1918
00:30
December
Dezember
Wochentag: Sonntag
1918 {0}
1918-12-01 00:00:00.000Z
1918-12-01 02:00:00.000+02:00
1918-12-01 02:00:00.000(GMT+02:00)
1918-12-01 02:00:00.000+0200
01 December '18 12:00 AM; day in year: 335; week in year: 49
Sonntag, 1 Dez 1918
12:30 AM
01
100.79
100,79
100,789
42 {0}
1,000.00
-3.14
(3.14)
-.314E01
-314%
CHF 1'000.14


Start a challenge by clicking on a lit-up hollow circle. Your goal is to click on the circle in the challenge, like the one below.
You might be curious as to why it isn't clickable yet - it's because it isn't filled up. To light the circle up, just press the ENTER key.
Think out of the browser.
PS: Use Google Chrome for guarenteed puzzle solving.


"Hufflepuffs value hard work, patience, loyalty, and fair play. The house has produced its share of great wizards – not least Newt Scamander, author of Fantastic Beasts and Where to Find Them"-JK Rowling.
History of Hufflepuff
Hufflepuff is one of the four Houses of Hogwarts School of Witchcraft and Wizardry
Its founder was the medieval witch Helga Hufflepuff.
Hufflepuff is the most inclusive among the four houses; valuing hard work, dedication, patience, loyalty, and fair play rather than a particular aptitude in its members
The emblematic animal is a badger,and yellow and black are its colours.
The Head of Hufflepuff is Pomona Sprout and the Fat Friar is the House's patron ghost.
Hufflepuff corresponds roughly to the element of earth, and it is for that reason that the House colours were chosen: yellow represented wheat, while black was emblematic of soil.
Students sorted into Hufflepuff often demonstrate exceptional abilities in Herbology, owing to their correspondence to earth
Famous Wizards from Hufflepuff
Helga Hufflepuff
One of the Four Founders of Hogwarts School For Witchcraft and Wizardry
Bridget Wenlock
Former Student at Hogwarts, and a famous thirteenth-century witch celebrated for her skills in Arithmancy.
Newt Scamander
Former student at Hogwarts, and the author of "Fantasic Beasts and Where to Find Them"
Pomona Sprout
Head of Hufflepuff House, and the Herbology Proffessor
Nymphodora Tonks
Former student at Hogwarts, and wife to Remus Lupin
Cedric Diggory
Former student at Hogwarts, and a Twiwizard Champion/p>
The Fat Friar
Hufflepuff House Ghost, and quite a jolly old ghost, particularly if you compare him to Moaning Myrtle


Baba Yaga
Baba Yaga is a character of Slavic mythology and folklore. An ugly old woman who owns magical items and endowed with magical powers. In a number of fairy tales, he is likened to a witch, a witch. Most often - a negative character, but sometimes acts as an assistant hero.


In addition to replay attacks, several other attacks on package managers have been identified. Several popular package managers are vulnerable to an attacker who streams an endless quantity of data to them (an Endless Data attack). Package managers that sign packages instead of the repository metadata are vulnerable to a number of metadata-based attacks including Extraneous Dependencies, Unsatisfiable Dependencies, and Provides Everything.
In an endless data attack, an attacker returns an endless stream of data to the client whenever files are requested (as previously described in other work).
Most package managers do not properly handle this type of attack. The package managers YUM and APT are used as examples to illustrate the problem, however this problem is not limited to YUM and APT.
When YUM is given a repository metadata file (repomd.xml) file of unlimited size, it exits silently after the filesystem is full with a 1 exit code --- leaving the huge file on disk. Since no information is logged or printed about the error, this may make discovering the problem complicated (especially if YUM runs via auto-update).
APT is also vulnerable to this attack, but the size of the retrieved file is assumed to fit in a C unsigned long. This means that APT will willingly download up to 4 GB of data on 32 bit architectures for each file. If APT is compiled on a 64 bit architecture, then it will happily try to download files greater than 18,000,000 TB! Interestingly, APT could protect against this type of attack since the repository metadata is signed, known in advance to be small size, and provides the data sizes of the packages and other files to be downloaded.
The endless data attack prevents clients from getting package updates from other repositories. However, this attack also consumes large amounts of disk space on the client system as well as network bandwidth and CPU. Exhausting resources, especially disk space, on a client machine can have disastrous effects. For example, on Fedora and Ubuntu this prevents logging, corrupts databases, and halts mail delivery.
The effectiveness of this attack may be mitigated by using a separate filesystem for the cache directory used by the package manager. However, in some cases this attack also results in memory exhaustion (which is not solved by having a separate partition). It is worth noting that even if mitigation is successful, this attack still prevents updates from other package repositories from being installed.
This attack only works on package managers that do not sign repository metadata. This attack is launched by providing false dependency information for a package the user will install. The false information says that one package also depends on another that it actually doesn't depend on. For example, an attacker can say that every package depends on some extraneous package of their choice.
This attack works on most modern package managers that do not sign repository metadata. Surprisingly, they do not verify that the dependencies in the metadata of the signed packages they download match the unsigned package metadata they retrieve from the repository! The only restriction in the choice of extraneous package is that if package signatures are checked, then the extraneous package the attacker wants the client to install needs to be correctly signed. Even when signatures are used, this attack can result in new, vulnerable packages being installed.
Another way to use extraneous dependencies is to return package metadata that makes it look like a requested package has a huge number of package dependencies. In most package managers, all of these packages will be downloaded before any signatures are checked.
In addition to consuming disk and network resources on the client, this attack can be used by a malicious repository to launch an attack on other repositories. The malicious repository can advertise a new version of a package that depends on the entire set of core distribution packages, none of which are hosted by the malicious repository. Assuming the client is configured to use multiple repositories, it will download all the distribution's packages from the other repositories.
The easiest way is to use a package manager that signs the repository metadata (like APT or YaST). You could also manually do dependency resolution and check signatures at the appropriate time, but that largely defeats the purpose of having a package manager.
This attack only works on package managers that do not sign repository metadata. An attacker can prevent installation of a package by returning metadata which says the package has a dependency on a package that does not exist. This prevents package managers from installing the package, while to the user it appears that the repository or packager was in error rather than it being a suspected attack.
Note that the attacker need not be able to correctly sign the package of interest. Since packages are not downloaded until after dependency resolution, the client will not download the package (or check the signature).
The easiest way is to use a package manager that signs the repository metadata (like APT or YaST). You could also download the package and tell your package manager to install the local copy. Your package manager will check the signature and use the dependency information from the local copy.
This attack only works on package managers that do not sign repository metadata. Details of this attack are deferred to this paper. However, the result of this attack is that an attacker can cause a package of their choice to be installed when it is unneeded by indicating it resolves dependencies in other packages.
Once again, using a package manager that signs the repository metadata (like APT or YaST) solves this issue.


BBQ Chicken:
A topping of spicy barbeque sauce, diced chicken, cilantro, peppers, and onion all covered with cheese, and baked to bubbly goodness!
Pepperoni:
An American variety of salami, made from a cured mixture of pork and beef seasoned with paprika or other chili pepper.
Hawaiian:
Hawaiian pizza, also known as pineapple pizza, is a pizza topped with pineapple, ham, tomato sauce and cheese.


AI Character Creator
Attributes
add
name
min
max
Average attributes
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add
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Guld Games (gg
) is a group of competitive gamers who track their results on the GG
ledger. Starting with in-person games, like friends playing Texas Hold'em, GG
will add more games and play options, including automated, provably-fair options.
Members may wager on games, and/or create in-games payments. All of these payments must be made in the GG
token to qualify for tracking in the gg
group. At any point, Guld Games group members may burn GULD to acquire GG
, or one player can send GG
to another via a transfer.
In the Lottery game, all parties place their stakes in escrow: the player's stake is equal to the BET
amount, and the dealer's stake is equal to the bet amount multiplied by the guessable range. For example, in a game where BET = 10
and MAX = 9
, the guessable range includes 10
numbers, making the dealer's stake 100 GG
. The winning party (dealer or player) receives all of the stakes.
GG is strictly peer-to-peer. In Guld Games, there is no "house". Games take place between players (in the case of Lottery, these are the dealer and the player), and in every game, the total number of GG
tokens put in by both players is exactly equal in all cases to the total number of GG
tokens paid out.


Menu
Logo
School Management System
Teacher Details
About Me
Name:
Muhammed Garba
Gender:
Female
Date of Birth:
09/09/1992
Religion:
Islam
Section:
A
Email:
<EMAIL_ADDRESS>Employed Date:
04/04/2014
Class:
5
Section:
A
ID:
2981
Address:
Ta-107 Sydenye Autrialia
Phone:
09098765654


2014-2018
I'm a sophomore at Princeton, majoring in Computer Science with a certificate (minor) in Values and Public Life (Philosophy). On campus, I'm an undergraduate fellow at the James Madison Program in American Ideals and Institutions, a board member for Princeton Hindu Satsangam, and I debate actively with the Princeton Debate Panel (see my record here).
2007-2014
I graduated Singapore American School High School in 2014 at the top of my class. While there, I debated, chaired Model UN conferences, tutored others in math and science, built robots, and generally had a blast.
2015
I'm currently the Chief of Staff for Business Today's 41st International Conference. I'll be working with executives like Muhtar Kent (CEO, Coca Cola), Chung Mong-Koo (CEO, Hyundai), C-suite officials from Dell, and many others. I'm also marketing the conference to thousands of students in the hopes of picking the top 150 business students from 40+ countries around the globe. Learn more here.
2015
I'm also a part of the team that organizes TigerLaunch, Princeton Entrepreneurship Club's annual startup competition. We pick 20 startups to join us in Princeton for a Demo Day involving contestants, entrepreneurs, and VCs, and hand out thousands of dollars to the winners. Learn more here.
2014-2015
Last Fall, I helped develop a certificate utility for Princeton undergrads that helped students find minors and develop a course plan based on courses they'd taken in the past. We won the award for Best TigerApp at HackPrinceton Fall 2014, and the project is currently being developed into a fully-fledged application for Princeton students to use. See our project here.


Date range picker
Source
Suppositions:
Clicking and dragging creates a new range rather than modifying the existing range
Needing to select a single day range is a very uncommon use case
The left calendar is the "start" and the right calendar is the "end"
Users changing the "end" calendar to show a month before the "start" calendar will not happen very often
Trying to prevent it from happening would make the picker frustrating to people who were in the middle of adjusting both calendars
it's more important that the picker behave consistently than it is to try to make the UX super-intuitive in that state
JS interface


Mutual Funds RRSP |
| A Mutual Fund is a pool of money invested by a professional manager in several investment vehicles, which may include stocks and bonds. The rates of return vary from one mutual fund to the next, as does the degree of risk. If these investments earn a profit, you share in that profit. Mutual Funds are eligible RRSP/RRIF investments and can also be held within a Self-Directed RRSP/RRIF. |
Consider this RRSP/RRIF
option if:
|
RRIFs | RESPs | Mutual Funds | Accounts and Services
RRSP Accumulator | T-Bill RRSP | Term Deposits RRSP | Self-Directed RRSP
Copyright © Surrey Metro Savings September 16, 1996


{% include head.html %}
{% include landing.html %} {{content}} {% include offer.html %} {% include disclaimer.html %} {% include footer.html %} {% include plugins/livereload.html %} {% include plugins/google-track.html%}


Large-scale CelebFaces Attributes (CelebA) Dataset
News
2016-07-29 If DropBox are not accessable, please download the dataset using Google Drive or Baidu Drive.
Details
CelebFaces Attributes Dataset (CelebA) is a large-scale face attributes dataset with more than 200K celebrity images, each with 40 attribute annotations. The images in this dataset cover large pose variations and background clutter. CelebA has large diversities, large quantities, and rich annotations, including
10,177 number of identities,
202,599 number of face images, and
5 landmark locations, 40 binary attributes annotations per image.
Sample Images
Downloads
Evaluation
If the above links are not accessable, you could download the dataset using Baidu Drive.
For more details of the dataset, please refer to the paper "Deep Learning Face Attributes in the Wild".
Note
- The CelebA dataset is available for non-commercial research purposes only.
- All images of the CelebA dataset are obtained from the Internet which are not property of MMLAB, The Chinese University of Hong Kong. The MMLAB is not responsible for the content nor the meaning of these images.
- You agree not to reproduce, duplicate, copy, sell, trade, resell or exploit for any commercial purposes, any portion of the images and any portion of derived data.
- You agree not to further copy, publish or distribute any portion of the CelebA dataset. Except, for internal use at a single site within the same organization it is allowed to make copies of the dataset.
- The MMLAB reserves the right to terminate your access to the CelebA dataset at any time.
- The face identities are released upon request for research purposes only. Please contact us for details.
Citation
@inproceedings{liu2015faceattributes, author = {Ziwei Liu and Ping Luo and Xiaogang Wang and Xiaoou Tang}, title = {Deep Learning Face Attributes in the Wild}, booktitle = {Proceedings of International Conference on Computer Vision (ICCV)}, month = December, year = {2015} }
Related Work
The following paper employed CelebA for face detection.
S. Yang, P. Luo, C. C. Loy, and X. Tang, "From Facial Parts Responses to Face Detection: A Deep Learning Approach", in IEEE International Conference on Computer Vision (ICCV), 2015


Comments
-
Greg Hurrell
Seems that the most likely cause is that Command-T is hitting the 10,000
g:CommandTMaxFiles
limit, at which point it stops indexing.You could try increasing the limit to cover more files, and possibly also adjusting your
'wildignore'
setting to have Command-T ignoring directories which aren't interesting (for example, you might have thousands of third-party files squirreled away undervendor/
that aren't generally what you're looking for).Both of those are covered in the docs; let me know if you need any further help.
-
anonymous
Thanks mate, will try that. And thanks a lot for a wonderful plugin!
-
Greg Hurrell
Status changed:
- From: new
- To: closed
Add a comment
Comments are now closed for this issue.


SKINCARE AND MAKEUP SPENDING
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Where we started
e.Motion is about connecting with the part of you that makes you, you. Stress and alienation are at an all time high. Why not take a load off and let that feeling go. Or you can paruse other peoples moments to see that it's not so tough.


Motivation- My motivation was always based on the external reward and once I achieved it i used to become very complacent, I have to find internal motivation so that I won’t be self-satisfied once I have achieved my goal.
Self-regulation- I should think before I speak, I am very respectable to people but after going through this, it dawns on me that sometime I do say things without thinking.
Social Skills- I enjoying being alone, I don’t like to meet many people I rather spend some time alone than meeting new people. I was never liked this I used to be an extrovert person who used to meet people and make new friends, I didn’t know how this transformation happened but would like to change this aspect of my life.
Neuroplasticity- I really enjoyed this session and was surprised by this. I knew that if you practice a lot you can become good at it but never came across any scientific study which can prove this.
The most challenging was finding out the identity and value exploration. It took me a lot of time to think about what my values are, I have never taught so deeply onto this aspect so it was bit of a struggle for me.
Core learning has really helped me to finish the foundation course, it does teach us about our mindset and how should we go about it to practice any new skills. I would say Core learning was the most important part in our learning journey of web development and now i understood why Dev Academy focused on core learning.
No it didn’t felt like a waste of time at all. As I said earlier this have really helped me to understand about myself and how to finish the foundation without taking too much of stress. I have learned a lot of things which I wasn’t aware of such as neuroplasticity, some part of emotional intelligence and finding my values and identity.


General neural mechanisms can account for rising slope preference in localization of ambiguous sounds
Preprint
Abstract
Sound localization in reverberant environments is a difficult task that human listeners perform effortlessly.
Many neural mechanisms have been proposed to account for this behavior. Generally they rely on emphasizing localization
information at the onset of the incoming sound while discarding localization cues that arrive later. We modelled several
of these mechanisms using neural circuits commonly found in the brain and tested their performance in the context of
experiments showing that, in the dominant frequency region for sound localisation, we have a preference for auditory cues
arriving during the rising slope of the sound energy (Dietz et al., 2013). We found that both single cell mechanisms (onset
and adaptation) and population mechanisms (lateral inhibition) were easily able to reproduce the results across a very wide
range of parameter settings. This suggests that sound localization in reverberant environments may not require specialised
mechanisms specific to perform that task, but could instead rely on common neural circuits in the brain. This would allow
for the possibility of individual differences in learnt strategies or neuronal parameters. This research is fully
reproducible, and we made our code available to edit and run online via interactive live notebooks.
Links
Related software
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The Delegate Center is an area where delegates can get help with any topics dealing with OMUN. It will cover topics such as position papers, committee procedure, resolution writing, and more!
A good position paper should properly cover and outline a country or person’s standpoint or views on a specific topic. Your position paper should begin with a brief overview of the topic, your country/person’s stance on the issue and potential solutions to the topic. Proper research is necessary for writing a position paper, and a position paper is often a useful tool to refer to during a conference. In addition to proper research, it is mandatory for all delegates to have citations at the end of their position paper. In addition to ensuring that no plagiarism is involved in the paper, having good sources is vital for proper research and a successful position paper.
In regards to the length and format of position papers at OMUN, all position papers should be around one page in length per topic, single spaced and 11 or 12 point font. Any citations included in a position paper should be in a Chicago-style bibliography. The due date is the day of the conference, April 7th. Be sure to include your name, your school’s name, as well the country that you are representing in a header on your position paper. If you are having any difficulties with writing a position paper or doing research, please refer to the delegate center or feel free to contact us at<EMAIL_ADDRESS>Position Papers can be submitted by emailing your committee email and attaching a PDF or Word document. Committee emails can be found at each committee page. Simply attach the document and make the subject assignment_committee_school
(e.g.USA_SecurityCouncilAdvanced_UpperCanadaCollege
). As a reminder, position papers must be submitted by April 7th, 2018.
If you're interested in our conference policies, you can download this PDF or find them in our delegate package on the day-of.
{% endcomment %}If you're interested in our Rules of Procedure, you can find them here. We will also distribute copies on the day of the conference, and have a summarized version on each placard.