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--- date: 2022-05-27 lastmod: 2023-08-05 title: "Creating Ron Cobb's bulkhead door in Blender" description: "On my way to learning 3D with Blender, I tried to recreate a bulkhead door from the Alien universe." image: "/assets/blog/bulkhead-door-with-blender/title-card.png" imageAlt: "Image showing an open, heavy door inside the spaceship Nostromo from the 1979 movie Alien." linkTitle: "I continue learning 3D by recreating a bulkhead door from the Alien universe." banner: "/assets/blog/bulkhead-door-with-blender/banner" bannerAlt: "On the left, the image shows an open bulkhead door from the movie Alien; on the right, Ron Cobb's sketch." summary: "
On my way learning 3D with Blender, I try to recreate a bulkhead door from the Alien universe as drawn by the amazing Ron Cobb.
" tags: ["post", "3d", "bulkhead"] series: { name: bulkhead, part: 1 } ---To deepen my 3D journey I started, I thought I should take on a "little" project, going from Blender's default cube to a finished and game-ready asset. Creating the high- and low-poly mesh, UV unwrapping, baking, texturing, rigging, animating, and finally having it presentable in a game engine. I see now that calling this little was blind optimism on my end.
After spending hours and hours on my model, I only finished baking the high-poly mesh onto the low-poly mesh, feeling rather intimidated by the next big step: texturing. But I still think there is a lot to say, so this post will focus on:
As an Alien fan, I thought I could pick something out of the Alien universe I would like to recreate. I also wanted to learn rigging and animating, so whatever I picked had to have moving parts. My first thought was that I would recreate the iconic Alien spaceship, the USCSS Nostromo.
In my head, already painting how I recreate the spaceship in the smallest detail: moving parts, lights, walking the interior in first person, … — even I knew this would be too much for me. It needs to be something smaller, and after some research, I came across the original drawing of a bulkhead door from Ron Cobb.
His drawing differs from what was used in the movie, as the movie does not have the red warning lights around the door, as well as some differences at the side barrier doors, namely form and color. What I wanted was to recreate his drawing as well as I could, as close as possible, and this is what I set out to do.
When I started to work on the high-poly mesh, I thought this step should not take too long. I was very wrong. I started over twice; the third time is the charm, as they say. It was, even though it still took me hours, and I would do so many things differently if I did it all over again, but this is what learning feels like, and I will call it a nice feeling.
After hours, I got the high-poly mesh as ready as I wanted it to be. Here is a look at the frame with retracted inner side barrier doors and a view of the closed bulkhead door, both with temporarily applied materials for better visibility.
I was using the add-ons Hard Ops and BoxCutter with a non-destructive boolean workflow, making the creation of the low-poly mesh easier by removing some boolean cuts.
I really liked using those add-ons, even though I want to try a different workflow with, e.g., MESHmachine and MACHIN3tools, or additive to the boolean workflow to touch up parts of the mesh after applying modifiers to get even better results. For now, though, I wanted to restrain myself from using too many tools.
The UV unwrapping turned out to be harder than expected. It got easier, at least after I figured out what my issues were on my first try. There were two main problems I encountered that I'm sure I can avoid when I tackle my next project. The first one is that I had "flipped normals".
All the red you see? Ya, not good. It's kind of an "inside-out" problem, aka. a face being in the wrong direction. After some searching, I found out I can use a function called "recalculate outside".
After doing that for all my parts that had the wrong normals, I finally got them the way they should be — all blue.
The second issue I had, which I was not able to fully fix, was that some vertices seemed "misplaced" when unwrapping the mesh, producing some strange results in the UV map. You still see some of those artifacts in the final result.
dAll in all, I'm still quite happy with the result and decided to move on — for the sake of time. Besides that, it did not seem to cause any problems the way I had it when I tested the asset later. To avoid this type of issue in the future, I would try to take better care when working on a mesh, taking a better look at the topology I'm creating, and hoping that future Martin will figure that out*.
With this amount of stress and the feeling that I messed up everything, I was still able to have everything properly UV-unwrapped.
Initially, when it came to baking the high-poly mesh onto the low-poly mesh, I thought I would use Blender. Even though I still plan on learning this in Blender, I decided to go with Marmoset Toolbag 4. In hindsight, I would call this "a whole new beast to tackle".
Why Marmoset and not Blender or Adobe Substance Painter? I made the decision as I saw it used not only in a bunch of tutorials but also due to the support for texturing, including the usage of smart materials. It also gave the impression of being rather intuitive to use (I was not wrong; I actually was able to figure out a lot of things on my own). What got me as well was the pricing; it gives the option to either pay per month as a subscription or, my favorite, make a one-time payment and own the program. This was the reason for me to not use Adobe Substance Painter, as I dislike the subscription-only way Adobe goes with all products nowadays. Not using Blender was due to reading about poor support for baking and texturing (so far, apparently there is work being done).
Getting to the actual baking process — a particularly convenient one
thanks to the naming convention for meshes — with the high-poly mesh
named with _high
, and _low
for the low-poly mesh,
exported in the same way.
This enabled me to "just hit import" in Marmoset and get my bake project set up.
After tweaking some details for smaller parts of the mesh, specifically painting skew …
… I was able to bake the project and get all the maps I needed. The tutorial I worked through to manage this can be found here: The Toolbag Baking Tutorial.
As mentioned, this is not the end of my journey creating the bulkhead door. Next up will be
the door in Blender.  Here's a little sneak peek of my first texturing experiments in Marmoset — nothing fancy yet.
My goal is to get a realistic door with PBR materials inspired by the movie, though I think this will still be a long way.
That will continue in part 2 of this "little" project 👋🏻.


Log file: log.TAG
¶
This is a text file contains information about the run, including many of the
things which are printed to STDOUT
. It has the following information in order
of appearance:
Code version: the version of the code
Parallelization: information about number of MPI ranks being used, blocking information of OpenMP chunks and processor load balancing
Namelists: displays values of all namelist variables. The ones input by the user should have the input values while the rest of them are set to their default values.
Mode The mode of the run - self-consistent/kinematic dynamo, convection, couette flow etc. See the control namelist for more information about mode.
Grid parameters: information about the grid sizes and truncation being used. More information about this in the grid namelist. If a new grid, different from that in the restart file is used, then a comparison is shown between old and new grid parameters and the user is informed that the data is being mapped from the old to the new grid.
Progress: information about the progress of the run for every 10% of the run and the mean wall time for time step.
Writing of graphic, movie, restart and spectra files: displays the time step and tells the user whenever a G_#.TAG, checkpoint_#.TAG or spectra file or a movie frame is written disk.
Energies: gives kinetic and magnetic energies (total, poloidal, toroidal, total density) at the end of the run.
Time averages: this part gives time averaged kinetic and magnetic energies (total, poloidal, toroidal, total density) and time averaged parameters (Rm, Elsass, Rol etc.). If l_spec_avg=.true., this section also provides information about average spectra being written. If l_average=.true., it is additionally mentioned that time averaged graphic files are written.
Wall times: this is the last part of the log file and it provides information about the mean wall time for running different parts of the code. These values can be used to judge the speed and scaling capabilities of your computer.
Most of these informations can be parsed and stored into a python class using
MagicSetup
:
>>> # read log.N0m2
>>> stp = MagicSetup(nml='log.N0m2')
>>> print(stp.ek, stp.prmag) # print Ekman and magnetic Prandtl numbers
>>> print(stp.l_max) # print l_max


Eminent Bengali novelist and poet Nabaneeta Dev Sen dies at 81 in Kolkata
by bdnews24.comNoted Bengali novelist and poet Nabaneeta Dev Sen has died in Kolkata at the age of 81.
She breathed her last at her home on Thursday evening after battling cancer for a long time, the daily Anandabazar Patrika reported.
Born to poet couple Narendranath Dev and Radharani Devi in the West Bengal capital, Nabaneeta won many awards, including Padma Shri and Sahitya Akademi Award for Bengali Literature.
The prolific litterateur had married Nobel-winning economist Amartya Sen but they divorced later. She has left behind three daughters, including two with Amartya Sen.
The prominent academic also taught comparative literature at the Jadavpur University.
Besides her humour-filled travelogues, she is a well-known children's author for her fairy tales and adventure stories, with girls as protagonist. ‘Chandrabati Ramayan’, the Ramayana in Sita’s perspectives, is among her notable works.


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 Ephesians 4:31-32
A few years ago I was in Detroit, and I met a woman who was raised in a communist-bloc country. While I was visiting with her, a news broadcast came on. And as we sat there listening to it, suddenly tears came to her eyes. "What's the matter?" I asked. Although I hadn't noticed it, the news commentator had said something derogatory about the president. "I don't like to hear anybody talk about this country like that," she said. "I don't care whether it's true or not. I don't want to hear it."
The newscaster's comment had slipped right by me. But it had brought tears to her eyes. Why? Because she had a sensitive heart where this country is concerned.  We need to realize that our own insensitivity has driven the anointing of the Holy Spirit from many of our lives and our churches. We need to realize that the license we've given ourselves to criticize other members of the Body of Christ has weakened us all.
What will strengthen us again? The power and the anointing of the Holy Spirit that falls on every sensitive and seeking heart. I urge you to regain the tender heart you once had. Remove callouses within you by repentance, by a commitment to live the law of love, by a renewed devotion to the Word, and by fellowship with your Father. Don't allow the condition of your heart to hold back the Spirit of God. Become sensitive again!
Scripture Reading: Ephesians 4:1-13


angle = Frames.planarRotationAngle(e, v1, v2);
A call to this function of the form
Real[3] e, v1, v2; Modelica.SIunits.Angle angle; equation angle = planarRotationAngle(e, v1, v2);
computes the rotation angle "angle" of a planar rotation along unit vector e, rotating frame 1 into frame 2, given the coordinate representations of a vector "v" in frame 1 (v1) and in frame 2 (v2). Therefore, the result of this function fulfills the following equation:
v2 = resolve2(planarRotation(e,angle), v1)
The rotation angle is returned in the range
-p <= angle <= p
This function makes the following assumptions on the input arguments
The function does not check the above assumptions. If these assumptions are violated, a wrong result will be returned and/or a division by zero will occur.
planarRotation, TransformationMatrices.planarRotationAngle.
function planarRotationAngle extends Modelica.Icons.Function; input Real e[3](each final unit = "1") "Normalized axis of rotation to rotate frame 1 around e into frame 2 (must have length=1)"; input Real v1[3] "A vector v resolved in frame 1 (shall not be parallel to e)"; input Real v2[3] "Vector v resolved in frame 2, i.e., v2 = resolve2(planarRotation(e,angle),v1)"; output Modelica.SIunits.Angle angle "Rotation angle to rotate frame 1 into frame 2 along axis e in the range: -pi <= angle <= pi"; end planarRotationAngle;


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AMERICA'S SWEETHEARTS A film review by Steve Rhodes Copyright 2001 Steve Rhodes RATING (0 TO ****): *** 1/2
Is the world ready for a plump Julie Roberts, who appears in flashback with an extra 60 pounds? ("That's a Backstreet Boy," Billy Crystal says of her weight loss. Along with Peter Tolan, Crystal is responsible for AMERICA'S SWEETHEARTS' hilarious script.) Roberts, as Kiki, wearing the nerdish glasses that you're still ashamed to have worn in high school, is her sister Gwen's obsequious, personal slave.
An even bigger surprise than the briefly pudgy Roberts is that Catherine Zeta-Jones, as Gwen, turns out to be wonderful at comedy, playing a pampered bitch with great panache and perfect timing. Gwen plays the crowd with great swagger and confidence, but she's hell on wheels when out of the public's view. She sees herself as the center of the known world. "Did we brush our teeth today?" she asks, meaning only herself.
Gwen and Eddie (John Cusack) have the "most celebrated marriage in Hollywood," with nine movies together, six of which have earned more than a hundred million dollars. AMERICA'S SWEETHEARTS opens with a hilarious montage of clips from some of their sappy box office hits, including SASHA AND THE OPTOMETRIST, in which Eddie wins Gwen's heart by having her read "I-L-O-V-E-Y-O-U" from an eye chart.
But the sad truth is that Gwen and Eddie have broken up after she ran off with a Spanish actor, Hector (Hank Azaria), from their last movie. Hector, the film's silliest character, has a heavy accent. He calls a press junket, a "press hunket," and his favorite expletive is "bull chit!"
Eddie, who has been holed up in a wellness clinic run by a barely recognizable Alan Arkin as a New Age guru, is almost as obsessed with Gwen as she is with herself. "It's so hard being someone people don't get over," Gwen tells Kiki. The truth, even if Gwen won't face it, is that she needs Eddie. Without him, her last two movies bombed.
The story's challenge is a press junket without a movie since Hal (Christopher Walken), the iconoclastic director of Gwen and Eddie's last movie together, won't show anyone the picture until the press junket. The studio exec (Stanley Tucci), who would be happy to have a star commit suicide if it would increase revenue, is livid. He unfires his publicist, Lee (Billy Crystal), so that Lee can wine and dine the press at the most remote site possible while waiting for the film, hopefully, to show up. After ensconcing the press in the Nevada desert, Lee creates quite a commotion among the stars in order to keep the press from realizing that the movie hasn't arrived.
This classic screwball comedy features four actors (Roberts, Zeta-Jones, Cusack and Crystal) performing superbly. Just like the press, all you have to do is sit back and enjoy the action in this wonderful blend of physical and written comedy.
The real mystery is whether the film will ever show up, and, if it does, what it will be like. Trust me. You will not be disappointed.
This weekend, it will be America's real sweetheart, Julia Roberts, going up against the dinosaurs. It's hard to see how she won't get trampled in the JURASSIC PARK III juggernaut. Still, one thing is certain, this film is a real crowd pleaser with laughs so big and often that you're going to miss some of the lines. If you're more in the mood for laughs than action, go for AMERICA'S SWEETHEARTS. You'll be glad you did.
AMERICA'S SWEETHEARTS runs a brisk 1:40. It is rated PG-13 for language, some crude and sexual humor and would be fine for kids around 10 and up.
My son Jeffrey, age 12, who laughed long and hard, gave it ****. He said that it is one of the best films that he's seen lately. He said that it had two really good female comedians, but everyone was great. He commented too on how surprised he was that Zeta-Jones could do comedy so well.
The film opens in nationwide release today, Friday, July 20, 2001. In the Silicon Valley, it is showing at the AMC and the Century theaters.
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========== X-RAMR-ID: 28946 X-Language: en X-RT-ReviewID: 237013 X-RT-TitleID: 1108688 X-RT-SourceID: 703 X-RT-AuthorID: 1271 X-RT-RatingText: 3.5/4
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In the field of Information Technology the competition is becoming more and tougher day by day. The only way to ensure our identity is through the hard work, high potential strategy and by having an accurate vision of the future. We at Wifinity InfoTech believe in the satisfaction of our customers as our duty. We use a low-risk Global Delivery Model to accelerate schedules with a high degree of time and cost predictability.
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wondershaper
Allows the user to limit the bandwidth of one or more network adapters.
More information: home page
- Display [h]elp:
wondershaper -h
- Show the current [s]tatus of a specific [a]dapter:
wondershaper -s -a adapter_name
- Clear limits from a specific [a]dapter:
wondershaper -c -a adapter_name
- Set a specific maximum [d]ownload rate (in Kbps):
wondershaper -a adapter_name -d 1024
- Set a specific maximum [u]pload rate (in Kbps):
wondershaper -a adapter_name -u 512
- Set a specific maximum [d]ownload rate and [u]pload rate (in Kpbs):
wondershaper -a adapter_name -d 1024 -u 512


The free encyclopedia anyone can edit!
Charles-Camille Saint-Saëns (French: [ʃaʁlkamij sɛ̃sɑ̃s];[n 1] 9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello Concerto (1872), Danse macabre (1874), the opera Samson and Delilah (1877), the Third Violin Concerto (1880), the Third ("Organ") Symphony (1886) and The Carnival of the Animals (1886). Saint-Saëns was a musical prodigy. He gmade his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris, and from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. Saint-Saëns held only one teaching post, at the École de Musique Classique et Religieuse in Paris, and remained there for less than five years. It was nevertheless important in the development of French music: his students included Gabriel Fauré, among whose own later pupils was Maurice Ravel. Both of them were strongly influenced by Saint-Saëns, whom they revered as a genius.


Namespace CommonBotLibrary.Services.Models
Classes
Die
Wrapper for a real die's side count. Implicitly typed as an langword_csharp_int.
GoogleSearchResult
GoogleVisionResult
ImgurResult
MyAnimeListResult
OmdbDirectResult
OmdbDirectResult.Rating
OmdbSearchResult
OpenTriviaDbResult
A model for OpenTriviaDb responses. Question and answer strings are HTML encoded.


class: center, middle, inverse, title-slide # Happiness World Report
-
Exploratory Analysis ### Corrie ### February 27, 2019 --- ## The Data <br> .center[ ![](img/cantril_ladder.png) ] --- ## How happy are people around the world? .center[ ![:scale 80%](EDA_slides_files/figure-html/happy-plot-1.png) ] --- ### Happiness over Time .center[ ![:scale 90%](EDA_slides_files/figure-html/time-plot-1.png) ] --- ### Happiness throughout the World .center[ ![](EDA_slides_files/figure-html/world-plot-1.png) ] --- ### Happiest and Unhappiest countries .center[ ![:scale 85%](EDA_slides_files/figure-html/happiest-unhappiest-1.png) ] --- ## Suporting Factors --- ### Economic Factors .center[ ![:scale 70%](EDA_slides_files/figure-html/economical-plot-1.png) ] --- ### Social and Health Factors .center[ ![:scale 70%](EDA_slides_files/figure-html/social-plot-1.png) ] --- ### Political Factors .center[ ![:scale 70%](EDA_slides_files/figure-html/political-plot-1.png) ] --- ## Additional Data --- ### Climate Data .center[ ![:scale 80%](EDA_slides_files/figure-html/temp-plot-1.png) ] --- ### Climate Data .center[ ![:scale 80%](EDA_slides_files/figure-html/rain-plot-1.png) ] --- ### Population Data and the famous Gapminder Plot .center[ ![](EDA_slides_files/figure-html/gapminder-plot-1.gif)<!-- --> ]


"In November 1991, days before he died, Freddie Mercury met his manager to discuss how best to reveal to the world that he had Aids. Once they had agreed the wording of an announcement, the 45-year-old singer began to wonder how he would be remembered. "You can do what you want with my music," he said, "but don't make me boring." He got his wish. Twenty-one years later, Mercury is still the rock star's rock star, exerting enough magnetism to reel in new fans who are too young to remember him firsthand. There is a Hollywood biopic starring Sacha Baron Cohen, and a BBC documentary, The Great Pretender, tells the story of the last five years of his life. But why is there still so much interest? Is it his elusiveness? With Mercury, the curtain went up and came down again, leaving us none the wiser about his real life. He didn't live into the internet era, and so never had a chance to destroy his own mystique by tweeting and sharing. Twenty-first century rock stars are handmaidens to their fans, compelled to expose their lives to scrutiny, whereas, with Mercury, there was a kind of lordly absence of detail. If he was here now, they'd have wanted him to go on Dancing with the Stars and The X-Factor and you name it. He'd have hated that. People's lives are now open books – is there anything we don't know about Lady Gaga?" Freestone says. "But also, Queen's music is timeless. I was out last night and saw a Queen cover band, and there wasn't a single person in the audience who could have seen them live because they were too young. But every one of them was dancing and singing the words. He was enigmatic – everything he did raised questions he didn't answer."
- the Guardian, September 27, 2012
Here`s a Wikipedia link for more info about his life.


HBTSProviderController
@interface HBTSProviderController : NSObject
HBTSProviderController manages providers and provides assorted functions for providers to make use of.
-
Returns the singleton instance of this class.
Declaration
Objective-C
+ (nonnull instancetype)sharedInstance;
Swift
class func sharedInstance() -> Self
Return Value
The singleton instance of this class.
-
All instances of HBTSProvider that are known in this process.
In SpringBoard and Preferences, this will be fully populated with all provider bundles found in /Library/TypeStatus/Providers. In apps, this will only contain provider(s) that are loaded into the app.
See
providerForAppIdentifier:Declaration
Objective-C
@property (readonly, retain, nonatomic) NSSet<HBTSProvider *> *_Nonnull providers;
Swift
var providers: Set<AnyHashable> { get }
-
Retrieves the provider corresponding to the specified app bundle identifier.
See
providersDeclaration
Objective-C
- (nullable HBTSProvider *)providerForAppIdentifier: (nonnull NSString *)appIdentifier;
Swift
func provider(forAppIdentifier appIdentifier: String) -> HBTSProvider?
Parameters
appIdentifier
The bundle identifier of the app to retrieve the corresponding provider for.
Return Value
The HBTSProvider corresponding to the provider, or nil if it doesn’t exist or the bundle is not loaded in this process.
-
Indicates whether the specified app bundle identifier is being kept active in the background by a TypeStatus Plus provider.
Declaration
Objective-C
- (BOOL)doesApplicationIdentifierRequireBackgrounding: (nonnull NSString *)bundleIdentifier;
Swift
func doesApplicationRequireBackgrounding(bundleIdentifier: String) -> Bool
Parameters
bundleIdentifier
The bundle identifier to check.
Return Value
Whether the app is being kept active in the background.


{% extends "./nav.html" %} {% import "bootstrap/wtf.html" as wtf %} {% block title %} Work Mode {% endblock %} {% block styles %} {{super()}} {% endblock %} {% block content %}
| User | Started work | Ended work | Hours worked | Minutes worked |
|---|---|---|---|---|
| {{ entry.username }} | {{ entry.work_start }} | {{ entry.work_end }} | {{ entry.work_delta_hours }} | {{ entry.work_delta_mins }} |


| wooly bully |
sam the sham and the pharaohs |
1965 |
link |
| ballad of the green berets |
ssgt barry sadler |
1966 |
link |
| to sir with love |
lulu |
1967 |
link |
| hey jude |
the beatles |
1968 |
link |
| sugar sugar |
the archies |
1969 |
link |
| bridge over troubled water |
simon garfunkel |
1970 |
link |
| joy to the world |
three dog night |
1971 |
link |
| the first time ever i saw your face |
roberta flack |
1972 |
link |
| tie a yellow ribbon round the ole oak tree |
tony orlando and dawn |
1973 |
link |
| the way we were |
barbra streisand |
1974 |
link |
| love will keep us together |
captain tennille |
1975 |
link |
| silly love songs |
wings |
1976 |
link |
| tonights the night gonna be alright |
rod stewart |
1977 |
link |
| shadow dancing |
andy gibb |
1978 |
link |
| my sharona |
the knack |
1979 |
link |
| call me |
blondie |
1980 |
link |
| bette davis eyes |
kim carnes |
1981 |
link |
| physical |
olivia newtonjohn |
1982 |
link |
| every breath you take |
the police |
1983 |
link |
| when doves cry |
prince |
1984 |
link |
| careless whisper |
wham featuring george michael |
1985 |
link |
| thats what friends are for |
dionne and friends dionne warwick gladys knight elton john and stevie wonder |
1986 |
link |
| walk like an egyptian |
the bangles |
1987 |
link |
| faith |
george michael |
1988 |
link |
| look away |
chicago |
1989 |
link |
| hold on |
wilson phillips |
1990 |
link |
| everything i do i do it for you |
bryan adams |
1991 |
link |
| end of the road |
boyz ii men |
1992 |
link |
| i will always love you |
whitney houston |
1993 |
link |
| the sign |
ace of base |
1994 |
link |
| gangstas paradise |
coolio featuring lv |
1995 |
link |
| macarena bayside boys mix |
los del r'io |
1996 |
link |
| something about the way you look tonight candle in the wind 1997 |
elton john |
1997 |
link |
| too close |
next |
1998 |
link |
| believe |
cher |
1999 |
link |
| breathe |
faith hill |
2000 |
link |
| hanging by a moment |
lifehouse |
2001 |
link |
| how you remind me |
nickelback |
2002 |
link |
| in da club |
50 cent |
2003 |
link |
| yeah |
usher featuring lil jon and ludacris |
2004 |
link |
| we belong together |
mariah carey |
2005 |
link |
| bad day |
daniel powter |
2006 |
link |
| irreplaceable |
beyonce |
2007 |
link |
| low |
flo rida featuring tpain |
2008 |
link |
| boom boom pow |
the black eyed peas |
2009 |
link |
| tik tok |
keha |
2010 |
link |
| rolling in the deep |
adele |
2011 |
link |
| somebody that i used to know |
gotye featuring kimbra |
2012 |
link |
| thrift shop |
macklemore and ryan lewis featuring wanz |
2013 |
link |
| happy |
pharrell williams |
2014 |
link |
| uptown funk |
mark ronson featuring bruno mars |
2015 |
link |


[§323D-13.5] Disqualification from position or membership. The chairpersons of the statewide council, the subarea health planning councils and the review panel, shall not be employed by or married to health care providers. [L 1987, c 270, §10; gen ch 1992]


Sort By Tag :
INFORMATION TECHNOLOGY INSTITUTE (ITI)
9-Month Diploma - -
An aspiring game developer with a degree in computer science from MET Mansura university in Egypt. Studied game development and design at Information Technology Institute (ITI), Passionate about making games and interested in trying and learning new technologies.
Senior Game Programmer - -
Teaching Assistant - -
Game Programmer - -
Sort By Tag :
3ashara Talwa
3ashara Talwa is an online multiplayer game that is based on the rules of the backagamon game on middle east. 3ashara Talwa have two game modes "ma7bosa" and "therteen". 3ashara Talwa have strong Ai, character customization, many game mods and more.
Estimation Kings
Estimation Kings is a four players trick-taking card game, but once you enter the game you are on your own.

Zinad company (6 Projects)
Zinad is a security solutions company that uses serious games to enhance the employees security training for there clients.
INFORMATION TECHNOLOGY INSTITUTE (ITI)
9-Month Diploma - -
Computer Engineer
Bachelor's degree - -
3ashara Talwa
Description
3ashara Talwa is an online multiplayer game that is based on the rules of the backagamon game on middle east. 3ashara Talwa have two game modes "ma7bosa" and "therteen". 3ashara Talwa have strong Ai, character customization, many game mods and more.
Gameplay
screen shots
Estimation Kings
Description
Are you a pro Estimation Player? If you are familiar with Tarneeb, Spades, Trix, Hearts and Balot, you will extremely enjoy playing Estimation. Estimation Kings is a four players trick-taking card game, but once you enter the game you are on your own. And remember this rule, only kings survives in this game so you may live as a King or die as a Kooz.

Story
Gameplay
Zinad games
Phishing mania
Web Unitygame that teaches players how to identify phishing emails from real emails
Who will be mellionaire
Web UnityAn adaptation from the famous who wil be mellionaire tv-show but focused in security field
The Office
VR Web UnityThe user have to elementae any clean disk policy violations before he is is out if time
Password Ninja / URL Punk
Web UnityThe user need to cut the weak passwords / fake URL's to win
Archery
VR Unitythe user answer the questions by throwing arrows at the correct answers


The relevant versioning history goes as follows:
Although not legitimately obtainable in-game, translation strings exist for enchantment levels 6-10, with roman numerals used as expected. These can presumably be seen with hacked items through NBTEdit or similar.
MCP 4.5 for b1.9-p5 is not well-documented. Its existence was never mentioned on Twitter by Searge, it is not listed on the "temporary" downloads page (which only lists MCP for Minecraft 1.7.10+), and generally cannot be found elsewhere besides the Minecraft Wiki.
Enchantment child classes are given names my MCP which are close to, but not identical to, the names of the enchantments. For example, Silk Touch's class is named "Untouching". This seems to come from the translation strings for the enchantments. It also may be to ensure that enchantments sharing the same class do not get confusing (for example, Looting and Fortune share the EnchantmentLootBonus class).
Some websites which exist from the time give incorrect values, especially for maximum enchantment levels. One site, for example, had Sharpness and Efficiency as both going to only 4 rather than 5. This may be due to the difficulty of obtaining high-level enchantments, although /xp on a server makes the process substantially easier.
There is a bug where collecting a large amount of xp at once will increase levels only at the rate for the first level. For example, it takes 7xp to get to level 1, but 14 to get to level 2. If you had 0 xp and obtained 14, that would give you two levels, as it is enough for two times the next level. This only applies when the xp is applied all at once, which likely could not happen except when using the /xp command.
Enchantments have a method for the minimum valid level. Since all enchantments start at level 1, this method is never overridden and always set to 1.


---
layout: page
title:
description: Personal Homepage
background: '/img/bg-default.jpg'
order: 1
---
Short CV
- Jul 2023 - present: Assistant Professor (tenure-track), Mathematical and Physical Sciences Division, School of Arts and Sciences, Ahmedabad University, Ahmedabad, Gujarat, India
- Dec 2022 - May 2023: Assistant Professor (Guest), Department of Humanities and Basic Sciences, Indian Institute of Information Technology Senapti, Manipur, India
- Nov 2019 - Oct 2022: Research Associate, School of Mathematics, Cardiff University, UK
- Sep 2015 - Sep 2019: Doctoral Studies in Mathematics, Faculty of Mathematics, University of Vienna, Austria
- Sep 2014 - Aug 2015: Postgraduate Diploma in Mathematics, The Abdus Salam International Centre for Theoretical Physics, Trieste, Italy
- Aug 2009 - Jun 2014: Integrated Masters in Mathematics, Department of Mathematical Sciences, Tezpur University, India
My Full CV is available here.
Seminars
I organize a (not so frequent) research seminar on integer partitions. For more details please click here.
In the past, I co-organized a seminar for early career Indian mathematicians, for more details please click here.
Gonit Sora
I am proud of a project that I and
Pankaj Jyoti Mahanta initiated called Gonit Sora (meaning
the gateway to mathematics in Assamese). You can take a look at it
here.
The most upto date version of this website can be found here.
(The link will redirect to this website if this is the most upto date!)


Client Status
cannot be updated for clients who have active license(s). You can check if a client have active license(s) in the
Licenses
tab page.
Client Name
Email Address
Contact Person
Phone Number
Client Address
Mobile Number
Client Status


This visualization has side to side comparision of UFO Sightings happened in densely populated areas vs sparsely populated areas by year.


abstract fun sign(signingPubKeys: Collection<PublicKey>): SignedTransaction
Constructs an initial partially signed transaction from this TransactionBuilder using a set of keys all held in this node.
signingPubKeys
- A list of PublicKeys used to lookup the matching PrivateKey and sign.
IllegalArgumentException
- If any keys are unavailable locally.
Return
Returns a SignedTransaction with the new node signature attached.
See Also
abstract fun sign(publicKey: PublicKey): SignedTransaction
Constructs an initial partially signed transaction from this TransactionBuilder using keys stored inside the node. Signature metadata is added automatically.
publicKey
- The PublicKey matched to the internal PrivateKey to use in signing this transaction. If the passed in key is
actually a CompositeKey, the code searches for the first child key hosted within this node to sign with.
Return
Returns a SignedTransaction with the new node signature attached.
See Also
abstract fun sign(): SignedTransaction
Constructs an initial partially signed transaction from a TransactionBuilder using the default identity key contained in the node. The legal identity key is used to sign.
Return
Returns a SignedTransaction with the new node signature attached.
See Also


Houston Line 1
Durchsatz kg/h
Energieverbrauch kWh/h
Drehmoment mm/s
Conveying Pressure
Conveying Pressure values 1
Filter 1
Filter values
Product ID 64758395 Initial Date 12.12.2015
Component Information
Coperion filters have a variable separating efficiency to suite the job. Process, aspiration, bin vent or silo filters with pulse-jet cleaning system for high concentrations of dust.
Maintenance Schedule
NEXT Wed 18.01.2017
LAST Wed 11.02.2015
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Christian Soretz
Material Handling
ATI
ATI Currently not needed for Operation
Product ID 74628595 Initial Date 20.02.2015
Component Information
Suitable for fluidizable products like fillers and titanium dioxide. Available for silo diameters from 1 to 5 meters.
Maintenance Schedule
NEXT Wed 18.04.2018
LAST Mon 11.04.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Jürgen Rumschick
Material Handling
ZXD
ZXD Currently not needed for Operation
Product ID 25478394 Initial Date 20.10.2015
Component Information
Large inlet for high capacities. For feeding bulk materials into pneumatic conveying
systems at up to 1.5 barg (21psi). Powder with bulk density 1,000 kg/m³ and d50 > 150 µm, ∆p = 0.8 bar.
Maintenance Schedule
NEXT Mon 31.07.2017
LAST Fri 15.07.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Fernando Ricart
Material Handling
HFS
HFS Currently not needed for Operation
Product ID 74839484 Initial Date 02.04.2015
Component Information
Optimal solution for efficient pellet cleaning. With the fluidbed separators it is possible to clean thoroughly and effectively even the most difficult of products, such as brittle, fragile or rubbery bulk materials.
Maintenance Schedule
NEXT Wed 15.03.2017
LAST Mon 09.03.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Olaf Hustert
Material Handling
ZRD
ZRD Currently not needed for Operation
Product ID 64742849 Initial Date 05.08.2015
Component Information
Large inlet for high capacities. With feeding shoe also suitable for feeding bulk materials
into pneumatic conveying systems at up to 1.5 barg (21psi). Operation possible without
leakage gas venting.
Maintenance Schedule
NEXT Mon 19.12.2016
LAST Mon 07.12.2015
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Fernando Ricart
Material Handling
Conveying Pressure
Conveying Pressure values 2
Feeder K-ML-D5-BSP-135
K-ML-D5-BSP-135 Currently not needed for Operation
Product ID 35478695 Initial Date 10.11.2015
Component Information
True positive displacement action and linear output over full operating range. Active
discharge (minimal residual material), mechanical and maintenance simplicity. Three models
with feed rates from 2 to 6,700 dm³/hr.
Maintenance Schedule
NEXT Thu 05.01.2017
LAST Mon 04.10.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Christoph Grimm
Comp. & Extrusion
Feeder K2-ML-D5-S60
Feeder values
Product ID 84637383 Initial Date 03.07.2015
Component Information
Modular feeding design and interchangeable feeding tools. Highly accurate scale and
controls. All product contact parts made from stainless steel and integrated horizontal agitator for
improved material flow. Feed rates from 0.43 to 4,500 dm³/hr.
Maintenance Schedule
NEXT Mon 19.12.2016
LAST Tue 20.09.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Christoph Grimm
Comp. & Extrusion
Feeder K-ML-D5-KT20
Feedervalues
Product ID 84958374 Initial Date 17.02.2015
Component Information
Modular feeding design and interchangeable feeding tools. Highly accurate scale and
controls. All product contact parts made from stainless steel and integrated horizontal agitator for
improved material flow. Feed rates from 0.1 to 200 dm³/hr.
Maintenance Schedule
NEXT Mon 12.12.2016
LAST Mon 12.09.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Christoph Grimm
Comp. & Extrusion
Feeder K-ML-T60
Component 4 values
Product ID 26374953 Initial Date 23.05.2015
Component Information
Application: Gravimetric feeding of free flowing to difficult powders (e.g. lumpy, moist or
bridge building materials) as well as fibers, flakes and other bulk materials.
Maintenance Schedule
NEXT Fri 18.11.2016
LAST Tue 23.08.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Christoph Grimm
Comp. & Extrusion
Feeder K-ML-KV3-F
K-ML-KV3-F Currently not needed for Operation
Product ID 74648485 Initial Date 22.02.2015
Component Information
Application: Gravimetric feeding of fibers. Especially suited for the feeding of glass fibers with length of 3 to 6 mm
Maintenance Schedule
NEXT Mon 09.01.2017
LAST Tue 04.10.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Christoph Grimm
Comp. & Extrusion
ZSK
ZSK values
ZSK values
ZSK values
ZSK values
Product ID 74839404 Initial Date 04.07.2015
Component Information
Increases in throughput up to 30%. Maximum operating safety up to a vacuum of 50 mBar.
Easy handling due to quick-release locks of assembly and disassembly. Maximum efficiency
of the compounding plant.
Maintenance Schedule
NEXT Mon 14.11.2016
LAST Wed 12.10.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Frank Mack
Comp. & Extrusion
ZS-B
ZSK values
Product ID 57456789 Initial Date 10.03.2015
Component Information
Increases in throughput up to 30%. Maximum operating safety up to a vacuum of 50 mBar.
Easy handling due to quick-release locks of assembly and disassembly. Maximum efficiency
of the compounding plant.
Maintenance Schedule
NEXT Tue 17.05.2016
LAST Tue 16.05.2017
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Thorsten Stirner
Comp. & Extrusion
ZS_EG
ZSK values
Product ID 84927483 Initial Date 02.06.2015
Component Information
The ZS-EG twin screw side degassing from Coperion provides the solution. With its large free cross section for the devolatilization, it keeps the melt in the processing section without product escape even at maximum specific torque of the extruder.
 The conveying system automatically guides the extruded strands via a cooling water chute and downstream conveyor belt into the feed mechanism of the pelletizer.
Maintenance Schedule
NEXT Mon 21.11.2016
LAST Mon 17.10.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Raphael Strehle
Material Handling
SP 500
SP 500 HD values
Product ID 37485973 Initial Date 15.03.2015
Component Information
The dual side bearings for the strand pelletizer SP 500 HD provides maximum sturdity of cutting gap and high cutting qualiy even under highest work load. The working width amounts 500 mm and the throughput is up to 6,300 kg/h.
Maintenance Schedule
NEXT Wed 09.11.2016
LAST Mon 05.10.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Raphael Strehle
Material Handling
ZVB
ZVB values
Product ID 46378299 Initial Date 10.04.2015
Component Information
Special intel geometry designed for gentle pellet handling. With feeding shoe also suitable
for feeding bulk materials into pneumatic conveying systems at up to 1.5 barg (21psi).
PE/PP Pellet with bulk density 520 kg/m³ particle size 3 mm, ∆p = 0.8 bar.
Maintenance Schedule
NEXT Wed 10.02.2017
LAST Fri 29.01.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Fernando Ricart
Material Handling
Screener
Screener
Product ID 78394732 Initial Date 12.10.2015
Component Information
Within the vibrating process a screen trough is vibrating by means of an oscillator device. The applied product ripples along that trough assisted by inclination and vibration. In the bottom of the trough are holes (two hole sizes), which separate the product into three fractions.
Maintenance Schedule
NEXT Tue 04.10.2016
LAST Tue 08.11.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Daniel Stockton
Material Handling
Conveying Pressure
Conveying Pressure values 3
BXC
BXC
Product ID 84792347 Initial Date 07.05.2015
Component Information
The original design with the designation BULK-X-CHANGE® "Gravity" was developed for free-flowing coarse powders and pellets. The bulk material flows from top to bottom due to gravitational forces through the vertical tubes.
Maintenance Schedule
NEXT Wed 18.01.2017
LAST Mon 11.04.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Olaf Hustert
Material Handling
WZK
WZK on
Product ID 64839487 Initial Date 26.04.2015
Component Information
Suitable for fluid group 2 according to PED. Applicable in Ex-zones with additional accessories.
Reinforced actuator, wear protection and various seal materials. Signal box on right-hand side or left-hand
side. Quick cleaning and high temperature execution.
Maintenance Schedule
NEXT Wed 11.01.2017
LAST Wed 13.01.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Markus Locher
Material Handling
IBP 250
IBP 250 Currently not needed for Operation
Product ID 24568374 Initial Date 22.11.2015
Component Information
Flexible and with all required functions in a single package. Capable to operate with standard or barrier film.
Automatic self cleaning function. Few touch on the operator panel to change set up and simple
to operate and maintain. Connectability to external data acquisition systems.
Maintenance Schedule
NEXT Wed 28.12.2016
LAST Fri 30.09.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Alessandro Pesso
Sales
WET
WET Currently not needed for Operation
Product ID 74893847 Initial Date 04.09.2015
Component Information
Suitable for fluidgroup 1 and 2 according PED Applicable in Ex-zones with additional
accessories. Cross seal between the outlets, product wetted parts, hard coated or
out of stainless steel. Quick-clean design, switchable with product and
higher temperature execution.
Maintenance Schedule
NEXT Wed 18.01.2017
LAST Mon 11.04.2016
Contact Maintenance
Eric Laser
Service Department
Contact Coperion
Markus Locher
Material Handling
Houston Line 1
PE
1675 kg/h
Additive (Powder) + Yellow (Pellets)
1675 kg/h
CaCO³
1675 kg/h
Silo 1
| Material | Quantity | Batch number |
Silo 2
| Material | Quantity | Batch number |
Big Bag
| Material | Quantity | Batch number |
Daybin 1
| Material | Quantity | Batch number |
Feeder 1
| Material | Quantity | Batch number |
Daybin 2
| Material | Quantity | Batch number |
Feeder 2
| Material | Quantity | Batch number |
Hopper
| Material | Quantity | Batch number |
Feeder 3
| Material | Quantity | Batch number |
Big Bag 2
| Material | Quantity | Batch number |
Feeder 4
| Material | Quantity | Batch number |
Daybin 3
| Material | Quantity | Batch number |
Feeder 5
| Material | Quantity | Batch number |
Silo 3
| Finished Products | Quantity | Material | Materialcode | Batch number | Order number |
| A | 12.000kg | PE Additive Yellow CaCO3 |
82379238<PHONE_NUMBER>238 |
893729 |<PHONE_NUMBER>923 |
| A | 14.000kg | PE Additive Yellow CaCO3 |
22373438<PHONE_NUMBER>838 |
777729 |<PHONE_NUMBER>523 |
IBP 250
| Material | Quantity | Batch number |
Silo 4
| Finished Products | Quantity | Material | Materialcode | Batch number | Order number |
| A | 22.000kg | PE Additive Yellow CaCO3 |
22379238<PHONE_NUMBER>238 |
893729 |<PHONE_NUMBER>923 |
| A | 2.000kg | PE Additive Yellow CaCO3 |
42374438<PHONE_NUMBER>838 |
877729 |<PHONE_NUMBER>523 |
Silo 5
| Finished Products | Quantity | Material | Materialcode | Batch number | Order number |
| B | 12.000kg | PP Premix CaCO3 |
82379238<PHONE_NUMBER>238 |
893729 |<PHONE_NUMBER>923 |
| B | 14.000kg | PP Premix CaCO3 |
22373438<PHONE_NUMBER>838 |
777729 |<PHONE_NUMBER>523 |
Silo 6
| Finished Products | Quantity | Material | Materialcode | Batch number | Order number |
| B | 17.000kg | PP Premix CaCO3 |
52879938<PHONE_NUMBER>238 |
443729 |<PHONE_NUMBER>463 |
| B | 8.000kg | PP Premix CaCO3 |
72676432<PHONE_NUMBER>738 |
474729 |<PHONE_NUMBER>523 |
Silo 7
| Finished Products | Quantity | Material | Materialcode | Batch number | Order number |
| C | 19.000kg | PP Additive Black Glass Fiber |
62379238<PHONE_NUMBER>238 |
396729 |<PHONE_NUMBER>923 |
| C | 16.000kg | PP Additive Black Glass Fiber |
32373418<PHONE_NUMBER>838 |
577229 |<PHONE_NUMBER>523 |
Silo 8
| Finished Products | Quantity | Material | Materialcode | Batch number | Order number |
| C | 13.000kg | PP Additive Black Glass Fiber |
92979938<PHONE_NUMBER>238 |
893729 |<PHONE_NUMBER>963 |
| C | 4.000kg | PP Additive Black Glass Fiber |
62676438<PHONE_NUMBER>838 |
777729 |<PHONE_NUMBER>523 |


array of ColumnDef which defines the data type, header title
and other metadata about each column in data
array of object literals representing the raw un-subtotaled data
Initial set of SortBy declarations, default to []
. If set, the grid will initialize
with the specified sorting order
Initial set of SubtotalBy declarations, default to []
. If set, the grid will initialize
with the specified subtotals
Callback that fires when a cell is clicked, return false
in the passed callback function to suppress
default behavior
Example
onCellClick = (row, columnDef) => {
console.log(row.get(columnDef))
// prints the value of the cell clicked on!
}
Callback that fires when a row is clicked, return false
in the passed callback function to suppress
default behavior (highlights the row)
Generated using TypeDoc
Interface that describe the shape of the
Props
thatGigaGrid
accepts from the user the bare minimum are:data
andcolumnDefs


More than style and more than cuts, One Salon is a sanctuary. They have cultivated a center of excellence in the field of design and style. When asked to turn this culture into an online presence we were flattered. This is the result.
http://onesalonlife.com


Activate Your CraftX Account
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I'm a software engineer passionate in open source technologies. I prefer Unix-style development environment because command pipeline is more powerful (and fun)!
This is a project for me to experiment Scala and functional programming
Github Repo
Tech Stack: Scala.
The app shows currnent weather, 5-day forecast and Google map, and it provides a city search engine with name suggestion.
Github Repo
Tech Stack: ReactJS, ASP.NET Core, MongoDB, Microsft Azure
This dynamic 3D model was developed in modern C++, OpenGL Shader,and freeglut toolkit.
I developed the animation engine and renderer (per-fragment lighting) from scratch.
Github Repo
Tech Stack: C++, OpenGL, Freeglut.
User can search product and its review in the app. The app also shows popular keywords in all
reviews and predicts user's rating based on Sentiment Analysis.
Github Repo
Tech Stack: ReactJS, Flask, Python , Pandas, NLTK, scikit-learn
I developed the lay-over flight search function in depth-first-search algorithm and made all time-consuming tasks run asynchronously using worker threads
Github RepoTech Stack: Java, Java Swing, JUnit.
This is a pure command line app. It was designed to be lightweight and adaptable to various desktop environments on Linux via Bash scripts.
Github RepoTech Stack: Python, Bash, Unix domain socket.
I developed the obstalce-avoiding system using Rapidly-Exploring Random Tree (RRT) algorithm, obstalce positions detected by stereo camera and ultrasonuc sensors.
DetailsTech Stack: C++, SRI Engine for Stero Camera, Qt.


Political statements aside, this was a fun project that put my JS skills to test.
Made using JavaScript.
This extension is available for install on the Chrome store, and has gotten quite a few downloads due to its popularity on social media.
This was a bit trickier to accomplish than I'd thought, as the code has to work on all pages, including pages like google search results. I wrote some code that seemed to work, but I soon found out that it interrupted YouTube and other web apps as it was stripping pages of eventListeners - not ideal!
The easy part was selecting all the elements, turning it into an array (using the ES6 spread method) and running a forEach to look through every element. What wasn't instantly obvious was that I had to run another forEach method nested within the first one to look through all the child nodes as the first loop was only running on the outside of the elements, not the children of the elements. Another learning was the use of the nodeType property to find out the type of data it contained (a nodeType of 3 indicates text).
I separated out the text replacement as its own separate function so I (or somebody else for that matter) could customise the code easily to replace other words and phrases.
I should mention that I also learned how Chrome extensions work, and I plan to use this to strip existing styling, and insert my own stylings for specific selected domains.
Here is a collection of website components from popular websites written from scratch.


Before Change
@ Out, None
// the dirName is actually in workingDir/StepName/prefix => we need to go back 2 dirs
dirName = os.path.join(currentDirName, ".."+os.path.sep+".."+os.path.sep)
// copy SLAVE raven files in case they are needed
for slaveInput in self.slaveInputFiles:
// full path
slaveInputFullPath = os.path.abspath(os.path.join(dirName,slaveInput))
// check if exists
if os.path.exists(slaveInputFullPath):
slaveInputBaseDir = os.path.dirname(slaveInput)
slaveDir = os.path.join(currentDirName,slaveInputBaseDir.replace(currentDirName,""))
if not os.path.exists(slaveDir):
os.makedirs(slaveDir)
shutil.copy(slaveInputFullPath,slaveDir)
else:
raise IOError(self.printTag+" ERROR: File "" +slaveInputFullPath+"" has not been found!!!")
def printInput(self,rootToPrint,outfile=None):
Method to print out the new input
@ In, rootToPrint, xml.etree.ElementTree.Element, the Element containing the input that needs to be printed out
After Change
// if exist, print message, since no access to message handler
except FileExistsError:
print("current working dir {}".format(slaveDir))
print("already exists, this might imply deletion of present files")
try:
shutil.copy(slaveInput, slaveDir)
except FileNotFoundError:
raise IOError("{} ERROR: File "{}" has not been found!".format(self.printTag, slaveInput))


Arch of activities to explore the different phases of research.
Setup: Experiments are embedded in framework of neuronal plasticity, so the experiments you will run aim to measure the speed of change in motor neural circuits
In this first activity sutdents whould quickly learn the experimental paradigm by performing an experiment. First divide students into groups of 3 - 5 (depending on number of prism glasses available) and assign roles.
Experimental subjects: throwers
Researcher I: Misses vs Trials / Bean bag fetcher
Researcher II: Angle and distance
Reseacher III: Data gathering in csv files
Prism glasses (x 6)
Bean bags
Kitchen twine and sharpies (x 6)
Tape and butcher's paper: divide circle
Computers or worksheet
Make up rule to select a throwers
Draw radial map
Once thrower is selected in each group give out materials
Each thrower has to put on prisms and accomplish the same inital rule
Researcher I keeps trials of miss/success in each throw
Researcher II measures angle and distance from target in every throw
Researcher III inputs data in csv file
Why do you think plasticity in motor tasks is important for survival?
Are there risks to be too plastic? Provide one example
Data worksheet
Data analysis plan


Choate Programming Union is a student-led organization aiming to improve access to Computer Science education and raise general interest of the subject on Choate's campus. We hope to emphasize collaboration, intellectual curiosity, and problem-solving through games, lectures, and projects within our club or in collaboration with other institutions.
Who are we
Choate Programming Union is the only club at Choate that is 100% dedicated to all things coding!


You are developing a customer web form that includes the following HTML.
<label id="txtValue"></label>
Information from the web form is submitted to a web service. The web service returns the following JSON object.
{ "Confirmation": "1234", "FirstName": "John" }
You need to display the Confirmation number from the JSON response in the txtValue label field.
Which JavaScript code segment should you use?


This was the first full webpage that i worked on at Epicodus. it was what laid out the ground work for all my other HTML projects. it uses HTML.
here is a link to my github repository: https://github.com/dschaaf89/my-first-webpage
also a link to the github pages live page of this site: https://dschaaf89.github.io/my-first-webpage/
This project was one that was put together where we learned more about css styling to include bootstrap styling. This is of a vacation place that had packaging for a vacation. It uses HTML,CSS and Markdown.
here is a link to my github repository: https://github.com/dschaaf89/Vacation_Site
This project is the first project that we did after we learned how to make cards and made a blog entry of what we did the first week in epicodus
here is a link to my github repository: https://github.com/dschaaf89/week-in-review
This is just another basic webpage where i learned how to link a picture into the html and a website. it is of a cookie recipe.it uses HTML
here is a link to my github repository: https://github.com/dschaaf89/cookie


Research
Upgrades
Facility
Stats
Other Stuff
STATS
Total Research:
0
Total Research Spent:
0
Assistants Hired:
0


| Name | Total Lines | Lines of Code | Total Coverage | Code Coverage |
|---|---|---|---|---|
| gems/gems/diff-lcs-1.1.2/lib/diff/lcs/callbacks.rb | 322 | 83 | 84.47%
|
40.96%
|
Code reported as executed by Ruby looks like this...and this: this line is also marked as covered.Lines considered as run by rcov, but not reported by Ruby, look like this,and this: these lines were inferred by rcov (using simple heuristics).Finally, here's a line marked as not executed.
1 #! /usr/env/bin ruby |
2 #-- |
3 # Copyright 2004 Austin Ziegler<EMAIL_ADDRESS>|
4 # adapted from: |
5 # Algorithm::Diff (Perl) by Ned Konz<EMAIL_ADDRESS>|
6 # Smalltalk by Mario I. Wolczko<EMAIL_ADDRESS>|
7 # implements McIlroy-Hunt diff algorithm |
8 # |
9 # This program is free software. It may be redistributed and/or modified under |
10 # the terms of the GPL version 2 (or later), the Perl Artistic licence, or the |
11 # Ruby licence. |
12 # |
13 # $Id: callbacks.rb,v 1.4 2004/09/14 18:51:26 austin Exp $ |
14 #++ |
15 # Contains definitions for all default callback objects. |
16 |
17 require 'diff/lcs/change' |
18 |
19 module Diff::LCS |
20 # This callback object implements the default set of callback events, which |
21 # only returns the event itself. Note that #finished_a and #finished_b are |
22 # not implemented -- I haven't yet figured out where they would be useful. |
23 # |
24 # Note that this is intended to be called as is, e.g., |
25 # |
26 # Diff::LCS.LCS(seq1, seq2, Diff::LCS::DefaultCallbacks) |
27 class DefaultCallbacks |
28 class << self |
29 # Called when two items match. |
30 def match(event) |
31 event |
32 end |
33 # Called when the old value is discarded in favour of the new value. |
34 def discard_a(event) |
35 event |
36 end |
37 # Called when the new value is discarded in favour of the old value. |
38 def discard_b(event) |
39 event |
40 end |
41 # Called when both the old and new values have changed. |
42 def change(event) |
43 event |
44 end |
45 |
46 private :new |
47 end |
48 end |
49 |
50 # An alias for DefaultCallbacks that is used in Diff::LCS#traverse_sequences. |
51 # |
52 # Diff::LCS.LCS(seq1, seq2, Diff::LCS::SequenceCallbacks) |
53 SequenceCallbacks = DefaultCallbacks |
54 # An alias for DefaultCallbacks that is used in Diff::LCS#traverse_balanced. |
55 # |
56 # Diff::LCS.LCS(seq1, seq2, Diff::LCS::BalancedCallbacks) |
57 BalancedCallbacks = DefaultCallbacks |
58 end |
59 |
60 # This will produce a compound array of simple diff change objects. Each |
61 # element in the #diffs array is a +hunk+ or +hunk+ array, where each |
62 # element in each +hunk+ array is a single Change object representing the |
63 # addition or removal of a single element from one of the two tested |
64 # sequences. The +hunk+ provides the full context for the changes. |
65 # |
66 # diffs = Diff::LCS.diff(seq1, seq2) |
67 # # This example shows a simplified array format. |
68 # # [ [ [ '-', 0, 'a' ] ], # 1 |
69 # # [ [ '+', 2, 'd' ] ], # 2 |
70 # # [ [ '-', 4, 'h' ], # 3 |
71 # # [ '+', 4, 'f' ] ], |
72 # # [ [ '+', 6, 'k' ] ], # 4 |
73 # # [ [ '-', 8, 'n' ], # 5 |
74 # # [ '-', 9, 'p' ], |
75 # # [ '+', 9, 'r' ], |
76 # # [ '+', 10, 's' ], |
77 # # [ '+', 11, 't' ] ] ] |
78 # |
79 # There are five hunks here. The first hunk says that the +a+ at position 0 |
80 # of the first sequence should be deleted (<tt>'-'</tt>). The second hunk |
81 # says that the +d+ at position 2 of the second sequence should be inserted |
82 # (<tt>'+'</tt>). The third hunk says that the +h+ at position 4 of the |
83 # first sequence should be removed and replaced with the +f+ from position 4 |
84 # of the second sequence. The other two hunks are described similarly. |
85 # |
86 # === Use |
87 # This callback object must be initialised and is used by the Diff::LCS#diff |
88 # method. |
89 # |
90 # cbo = Diff::LCS::DiffCallbacks.new |
91 # Diff::LCS.LCS(seq1, seq2, cbo) |
92 # cbo.finish |
93 # |
94 # Note that the call to #finish is absolutely necessary, or the last set of |
95 # changes will not be visible. Alternatively, can be used as: |
96 # |
97 # cbo = Diff::LCS::DiffCallbacks.new { |tcbo| Diff::LCS.LCS(seq1, seq2, tcbo) } |
98 # |
99 # The necessary #finish call will be made. |
100 # |
101 # === Simplified Array Format |
102 # The simplified array format used in the example above can be obtained |
103 # with: |
104 # |
105 # require 'pp' |
106 # pp diffs.map { |e| e.map { |f| f.to_a } } |
107 class Diff::LCS::DiffCallbacks |
108 # Returns the difference set collected during the diff process. |
109 attr_reader :diffs |
110 |
111 def initialize # :yields self: |
112 @hunk = [] |
113 @diffs = [] |
114 |
115 if block_given? |
116 begin |
117 yield self |
118 ensure |
119 self.finish |
120 end |
121 end |
122 end |
123 |
124 # Finalizes the diff process. If an unprocessed hunk still exists, then it |
125 # is appended to the diff list. |
126 def finish |
127 add_nonempty_hunk |
128 end |
129 |
130 def match(event) |
131 add_nonempty_hunk |
132 end |
133 |
134 def discard_a(event) |
135 @hunk << Diff::LCS::Change.new('-', event.old_position, event.old_element) |
136 end |
137 |
138 def discard_b(event) |
139 @hunk << Diff::LCS::Change.new('+', event.new_position, event.new_element) |
140 end |
141 |
142 private |
143 def add_nonempty_hunk |
144 @diffs << @hunk unless @hunk.empty? |
145 @hunk = [] |
146 end |
147 end |
148 |
149 # This will produce a compound array of contextual diff change objects. Each |
150 # element in the #diffs array is a "hunk" array, where each element in each |
151 # "hunk" array is a single change. Each change is a Diff::LCS::ContextChange |
152 # that contains both the old index and new index values for the change. The |
153 # "hunk" provides the full context for the changes. Both old and new objects |
154 # will be presented for changed objects. +nil+ will be substituted for a |
155 # discarded object. |
156 # |
157 # seq1 = %w(a b c e h j l m n p) |
158 # seq2 = %w(b c d e f j k l m r s t) |
159 # |
160 # diffs = Diff::LCS.diff(seq1, seq2, Diff::LCS::ContextDiffCallbacks) |
161 # # This example shows a simplified array format. |
162 # # [ [ [ '-', [ 0, 'a' ], [ 0, nil ] ] ], # 1 |
163 # # [ [ '+', [ 3, nil ], [ 2, 'd' ] ] ], # 2 |
164 # # [ [ '-', [ 4, 'h' ], [ 4, nil ] ], # 3 |
165 # # [ '+', [ 5, nil ], [ 4, 'f' ] ] ], |
166 # # [ [ '+', [ 6, nil ], [ 6, 'k' ] ] ], # 4 |
167 # # [ [ '-', [ 8, 'n' ], [ 9, nil ] ], # 5 |
168 # # [ '+', [ 9, nil ], [ 9, 'r' ] ], |
169 # # [ '-', [ 9, 'p' ], [ 10, nil ] ], |
170 # # [ '+', [ 10, nil ], [ 10, 's' ] ], |
171 # # [ '+', [ 10, nil ], [ 11, 't' ] ] ] ] |
172 # |
173 # The five hunks shown are comprised of individual changes; if there is a |
174 # related set of changes, they are still shown individually. |
175 # |
176 # This callback can also be used with Diff::LCS#sdiff, which will produce |
177 # results like: |
178 # |
179 # diffs = Diff::LCS.sdiff(seq1, seq2, Diff::LCS::ContextCallbacks) |
180 # # This example shows a simplified array format. |
181 # # [ [ [ "-", [ 0, "a" ], [ 0, nil ] ] ], # 1 |
182 # # [ [ "+", [ 3, nil ], [ 2, "d" ] ] ], # 2 |
183 # # [ [ "!", [ 4, "h" ], [ 4, "f" ] ] ], # 3 |
184 # # [ [ "+", [ 6, nil ], [ 6, "k" ] ] ], # 4 |
185 # # [ [ "!", [ 8, "n" ], [ 9, "r" ] ], # 5 |
186 # # [ "!", [ 9, "p" ], [ 10, "s" ] ], |
187 # # [ "+", [ 10, nil ], [ 11, "t" ] ] ] ] |
188 # |
189 # The five hunks are still present, but are significantly shorter in total |
190 # presentation, because changed items are shown as changes ("!") instead of |
191 # potentially "mismatched" pairs of additions and deletions. |
192 # |
193 # The result of this operation is similar to that of |
194 # Diff::LCS::SDiffCallbacks. They may be compared as: |
195 # |
196 # s = Diff::LCS.sdiff(seq1, seq2).reject { |e| e.action == "=" } |
197 # c = Diff::LCS.sdiff(seq1, seq2, Diff::LCS::ContextDiffCallbacks).flatten |
198 # |
199 # s == c # -> true |
200 # |
201 # === Use |
202 # This callback object must be initialised and can be used by the |
203 # Diff::LCS#diff or Diff::LCS#sdiff methods. |
204 # |
205 # cbo = Diff::LCS::ContextDiffCallbacks.new |
206 # Diff::LCS.LCS(seq1, seq2, cbo) |
207 # cbo.finish |
208 # |
209 # Note that the call to #finish is absolutely necessary, or the last set of |
210 # changes will not be visible. Alternatively, can be used as: |
211 # |
212 # cbo = Diff::LCS::ContextDiffCallbacks.new { |tcbo| Diff::LCS.LCS(seq1, seq2, tcbo) } |
213 # |
214 # The necessary #finish call will be made. |
215 # |
216 # === Simplified Array Format |
217 # The simplified array format used in the example above can be obtained |
218 # with: |
219 # |
220 # require 'pp' |
221 # pp diffs.map { |e| e.map { |f| f.to_a } } |
222 class Diff::LCS::ContextDiffCallbacks < Diff::LCS::DiffCallbacks |
223 def discard_a(event) |
224 @hunk << Diff::LCS::ContextChange.simplify(event) |
225 end |
226 |
227 def discard_b(event) |
228 @hunk << Diff::LCS::ContextChange.simplify(event) |
229 end |
230 |
231 def change(event) |
232 @hunk << Diff::LCS::ContextChange.simplify(event) |
233 end |
234 end |
235 |
236 # This will produce a simple array of diff change objects. Each element in |
237 # the #diffs array is a single ContextChange. In the set of #diffs provided |
238 # by SDiffCallbacks, both old and new objects will be presented for both |
239 # changed and unchanged objects. +nil+ will be substituted |
240 # for a discarded object. |
241 # |
242 # The diffset produced by this callback, when provided to Diff::LCS#sdiff, |
243 # will compute and display the necessary components to show two sequences |
244 # and their minimized differences side by side, just like the Unix utility |
245 # +sdiff+. |
246 # |
247 # same same |
248 # before | after |
249 # old < - |
250 # - > new |
251 # |
252 # seq1 = %w(a b c e h j l m n p) |
253 # seq2 = %w(b c d e f j k l m r s t) |
254 # |
255 # diffs = Diff::LCS.sdiff(seq1, seq2) |
256 # # This example shows a simplified array format. |
257 # # [ [ "-", [ 0, "a"], [ 0, nil ] ], |
258 # # [ "=", [ 1, "b"], [ 0, "b" ] ], |
259 # # [ "=", [ 2, "c"], [ 1, "c" ] ], |
260 # # [ "+", [ 3, nil], [ 2, "d" ] ], |
261 # # [ "=", [ 3, "e"], [ 3, "e" ] ], |
262 # # [ "!", [ 4, "h"], [ 4, "f" ] ], |
263 # # [ "=", [ 5, "j"], [ 5, "j" ] ], |
264 # # [ "+", [ 6, nil], [ 6, "k" ] ], |
265 # # [ "=", [ 6, "l"], [ 7, "l" ] ], |
266 # # [ "=", [ 7, "m"], [ 8, "m" ] ], |
267 # # [ "!", [ 8, "n"], [ 9, "r" ] ], |
268 # # [ "!", [ 9, "p"], [ 10, "s" ] ], |
269 # # [ "+", [ 10, nil], [ 11, "t" ] ] ] |
270 # |
271 # The result of this operation is similar to that of |
272 # Diff::LCS::ContextDiffCallbacks. They may be compared as: |
273 # |
274 # s = Diff::LCS.sdiff(seq1, seq2).reject { |e| e.action == "=" } |
275 # c = Diff::LCS.sdiff(seq1, seq2, Diff::LCS::ContextDiffCallbacks).flatten |
276 # |
277 # s == c # -> true |
278 # |
279 # === Use |
280 # This callback object must be initialised and is used by the Diff::LCS#sdiff |
281 # method. |
282 # |
283 # cbo = Diff::LCS::SDiffCallbacks.new |
284 # Diff::LCS.LCS(seq1, seq2, cbo) |
285 # |
286 # As with the other initialisable callback objects, Diff::LCS::SDiffCallbacks |
287 # can be initialised with a block. As there is no "fininishing" to be done, |
288 # this has no effect on the state of the object. |
289 # |
290 # cbo = Diff::LCS::SDiffCallbacks.new { |tcbo| Diff::LCS.LCS(seq1, seq2, tcbo) } |
291 # |
292 # === Simplified Array Format |
293 # The simplified array format used in the example above can be obtained |
294 # with: |
295 # |
296 # require 'pp' |
297 # pp diffs.map { |e| e.to_a } |
298 class Diff::LCS::SDiffCallbacks |
299 # Returns the difference set collected during the diff process. |
300 attr_reader :diffs |
301 |
302 def initialize #:yields self: |
303 @diffs = [] |
304 yield self if block_given? |
305 end |
306 |
307 def match(event) |
308 @diffs << Diff::LCS::ContextChange.simplify(event) |
309 end |
310 |
311 def discard_a(event) |
312 @diffs << Diff::LCS::ContextChange.simplify(event) |
313 end |
314 |
315 def discard_b(event) |
316 @diffs << Diff::LCS::ContextChange.simplify(event) |
317 end |
318 |
319 def change(event) |
320 @diffs << Diff::LCS::ContextChange.simplify(event) |
321 end |
322 end |
Generated on Thu Nov 12 16:05:07 +0530 2009 with rcov 0.9.6


GIMP brush format is native to the GIMP image editor for storing a brush or a texture. It can be used in all Paint Tools, for example Pencil and Paintbrush. It works by repeating the brush bitmap as you move the tool. The Spacing parameter sets the distance between the brush marks as a percentage of brush width. Its default value can be set in the brush file.
You can also use GIMP to create new brushes in this format. Custom brushes can be loaded into GIMP for use in the paint tools by copying them into one of the Brush Folders - select Edit > Preferences in the menu bar, expand the Folders section and choose Brushes to see the recognized Brush Folders or to add new ones.
This page hosts a formal specification of GIMP brush file version 2 using Kaitai Struct. This specification can be automatically translated into a variety of programming languages to get a parsing library.
meta:
id: gimp_brush
title: GIMP brush file version 2
application: GIMP (GNU Image Manipulation Program)
file-extension: gbr
xref:
justsolve: GIMP_Brush
mime: image/x-gimp-gbr
wikidata: Q28206177
license: CC0-1.0
ks-version: 0.9
endian: be
doc: |
GIMP brush format is native to the GIMP image editor for storing a brush or a texture.
It can be used in all [Paint Tools](https://docs.gimp.org/2.10/en/gimp-tools-paint.html),
for example Pencil and Paintbrush. It works by repeating the brush bitmap as you move
the tool. The Spacing parameter sets the distance between the brush marks as a percentage
of brush width. Its default value can be set in the brush file.
You can also use GIMP to create new brushes in this format. Custom brushes can be loaded
into GIMP for use in the paint tools by copying them into one of the Brush Folders -
select **Edit** > **Preferences** in the menu bar, expand the **Folders** section
and choose **Brushes** to see the recognized Brush Folders or to add new ones.
doc-ref: https://github.com/GNOME/gimp/blob/441631322b/devel-docs/gbr.txt
seq:
- id: len_header
type: u4
- id: header
type: header
size: len_header - len_header._sizeof
types:
header:
seq:
- id: version
type: u4
valid: 2
- id: width
type: u4
valid:
min: 1
max: 10000
doc-ref:
- https://github.com/GNOME/gimp/blob/441631322b/app/core/gimpbrush-load.c#L170 # valid/min
- https://github.com/GNOME/gimp/blob/441631322b/app/core/gimpbrush-header.h#L24 # valid/max
- id: height
type: u4
valid:
min: 1
max: 10000
doc-ref:
- https://github.com/GNOME/gimp/blob/441631322b/app/core/gimpbrush-load.c#L177 # valid/min
- https://github.com/GNOME/gimp/blob/441631322b/app/core/gimpbrush-header.h#L24 # valid/max
- id: bytes_per_pixel
type: u4
enum: color_depth
- id: magic
contents: GIMP
- id: spacing
type: u4
doc: Default spacing to be used for brush. Percentage of brush width.
- id: brush_name
type: strz
size-eos: true
encoding: UTF-8
bitmap:
seq:
- id: rows
type: row
repeat: expr
repeat-expr: _root.header.height
row:
seq:
- id: pixels
type:
switch-on: _root.header.bytes_per_pixel
cases:
color_depth::grayscale: pixel_gray
color_depth::rgba: pixel_rgba
repeat: expr
repeat-expr: _root.header.width
types:
pixel_gray:
-webide-representation: 'R={red:dec} G={green:dec} B={blue:dec} A={alpha:dec}'
seq:
- id: gray
type: u1
instances:
red:
value: 0
-webide-parse-mode: eager
green:
value: 0
-webide-parse-mode: eager
blue:
value: 0
-webide-parse-mode: eager
alpha:
value: gray
pixel_rgba:
-webide-representation: 'R={red:dec} G={green:dec} B={blue:dec} A={alpha:dec}'
seq:
- id: red
type: u1
- id: green
type: u1
- id: blue
type: u1
- id: alpha
type: u1
instances:
len_body:
value: header.width * header.height * header.bytes_per_pixel.to_i
body:
pos: len_header
size: len_body
-affected-by: 188
# type: bitmap # The `bitmap` type works, but it might be slow and memory intensive for larger bitmaps
# because it creates a class instance for every pixel.
# So it is not suitable for production, but you can use it as a reference to create your
# own implementation.
enums:
color_depth:
1: grayscale
4: rgba


LOAD EMPLOYEE DATA
NAME
{{singleError.label}}
LAST NAME
{{singleError.label}}
PHOTO
{{singleError.label}}
PHONE
{{singleError.label}}
COLOR
{{singleError.label}}
ADD
Loading employee data from the server, please wait ...
An error occurred while loading employee data: {{$ctrl.employeesFetchingError}}


Tables
Relationships
Constraints
Anomalies
Columns
Donate
SchemaSpy Analysis of
cs5021team10
- All Relationships
Generated by
SchemaSpy
Generated by
SchemaSpy
on Tue Nov 03 22:19 PST 2015
Legend:
Primary key columns
Columns with indexes
Excluded column relationships
Dashed lines show implied relationships
<
n
> number of related tables
All columns


fun canProvide(): Boolean
Grabs possibly-null provided data from the AudioPlayer instance, sets it and returns whether it's null or not.
null
Return Whether or not the provided data was null.


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Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Vestibulum tortor quam, feugiat vitae, ultricies eget, tempor sit amet, ante. Donec eu libero sit amet quam egestas.

Kuiq Sell
FIELD SALES MADE SMART
Customer Management
Manage customer contacts. Auto-update geo-location. Get customer insights. View relationship history.
Order Management
Visual Catalogue. Multi-UoM Products. Multi-Taxes. Location check-ins with every order. Integrated with inventory systems.
Route Planner
Plan routes with meeting times. Add pit-stops and breaks. Save routes. Navigate to meeting points. Check-in from customer location.
Activity / Meeting Manager
Track visit history. Assign tasks to representatives on field. Schedule appointments with customers. Works seamlessly with calendar on mobile.
Secured & Offline
Define custom permissions. Offline availability and synchronization. Remote data-wipe.
Expense Tracker
Raise expense claims from mobile. Multi-level approval process. Link expenses with revenue for the day and the route plan.
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kuiq Stock
INVENTORY MANAGEMENT MADE SMART
Vendors & Purchase Orders
Manage multiple vendors for product with their prices. Generate purchase orders manually or based on MoQ.
Multi Warehouse
Create multiple warehouses. Transfer stocks from one to the other. Maintain stock control at each stock locations.
Customers & Sales Orders
Organize customer data and their sales order history. Create customer specific pricelists. Integrated with KUIQ SELL
Returns Management
Easy purchase and sales returns linked to the stock locations. Run through quality inspections before adding them back to stocks.
Product Management
Manage products and attributes. Multiple UoMs. Multiple variants. Product specific taxes. Category hierarchy.
Serial, Lot & Batch Tracking
Keep track of products by their serial number. Maintain inventory by lots and batches along with their expiry dates.
Stock Valuation
Valuate stock based on the manual product costs by warehouse or through FiFO / LIFO methods.
And…..,
Approval processes. Workflows. Reports and dashboards. User permissions. Integration with any financial systems that support APIs.
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RUDY A film review by Scott Renshaw Copyright 1993 Scott Renshaw
Starring: Sean Astin, Ned Beatty, Charles S. Dutton. Screenplay: Angelo Pizzo. Director: David Anspaugh.
Here's where I get to come off like the callous, cold-hearted critic that I am. The subject is RUDY, the new fact-based story of a would-be college football player. RUDY is uplifting; RUDY is inspirational. It's feel-good Hollywood entertainment in all its glory. It's also just not all that interesting. RUDY is too diffuse, takes too long to get where it's going, and skimps on what should be its climax.
RUDY is the true story of Daniel "Rudy" Ruettiger (Sean Astin), a working-class Indiana youth who dreams of playing football for his beloved Notre Dame. The two main obstacles: he's too small, and his grades aren't good enough to get him in. Instead, Rudy joins his father (Ned Beatty) and brothers working at a steel mill for four years, until a pivotal event motivates him to give Notre Dame his best shot. He's set up at a community college near Notre Dame by a helpful priest (Robert Prosky) to earn the necessary grades, and spends all of his free time helping out Fortune (Charles S. Dutton), the head groundskeeper of Notre Dame Stadium. The next two years become a race to get admitted to Notre Dame and make the team before his eligibility runs out.
RUDY's primary structural flaw is that its script tries to cover too much time and too many different (and tangential) aspects of Rudy Ruettiger's story. The body of the film covers eight years, and involves several "time passes" montages, making it hard for the establishment of any narrative momentum. It also drifts into an unnecessary subplot involving Rudy's friendship with his socially inept tutor, a choice which seems all the more ill-conceived when compared to the time spent establishing why Rudy is so tenacious in the pursuit of his dream. However, I was most frustrated by what seemed to be an indecision on the part of screenwriter Angelo Pizzo and director David Anspaugh as to where the triumph in Rudy's story lies. A series of individual victories begins with Rudy's inevitable acceptance to Notre Dame, each of which could have been a testimony to an indomitable spirit. But at a certain point, Rudy stopped seeming determined and started seeming obsessed. I was glad for Fortune's lecture regarding why Rudy should consider himself a success, but by the end I had lost some necessary sympathy for Rudy.
This is not the fault of Sean Astin. He's quite good at bringing across Rudy's earnest determination, and looks the perfect part with his solid but undersized body. Unfortunately, I don't think the script gives him a firm enough grasp of Rudy's character. The brief sequence showing Rudy as a child doesn't do it, nor do the confrontations with his family which seem intended to do so. Indeed, most of the characters suffer from such an overly broad stroke. Charles S. Dutton's Fortune is a bit too cliche as a gruff mentor, as is Beatty as the father with low expectations. Prosky gets a couple of nice scenes, but there's not much freshness to his character either. This is a script with too many lines like, "If I don't do this now, I won't be any good for you, or me, or anyone," and, "Not a day goes by that I don't regret it." It's the "one from Column A, one from Column B" school of sports film screenwriting.
To its credit, RUDY does a great job with the atmosphere of Notre Dame and Notre Dame football; in fact, the South Bend campus becomes a character more carefully developed than most of the humans. The Golden Dome, the stadium locker room, the mosaic known as Touchdown Jesus are all photographed with an eye to the mystique that is Fighting Irish football. However, with such effective buildup, I was disappointed with the handling of the final game sequence. Things happened far too fast, and an important shot involving Rudy's last play is just badly directed.
It's too bad. RUDY has a great deal of energy and an interesting, improbably heroic story to tell. It's a moderately entertaining film, with a message and content appropriate for the whole family. What it lacks is focus.
On the Renshaw scale of 0 to 10 tackles: 5.
.
The review above was posted to the
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Related links: index of all rec.arts.movies.reviews reviews


Next: Invalid Arguments and XERBLA
Up: Troubleshooting
Previous: Common Errors in Calling
  Contents
  Index
Failures Detected by LAPACK Routines
There are two ways in which an LAPACK routine may report a failure to
complete a computation successfully.
Susan Blackford
1999-10-01


Hi, my name is Keith. I have built this site, in order to show a small example of what we can do for you here at OneSource IT Solutions LLC. The price tag on this site comes in at $300, and One month free of our monthly site maintenance service. As an added bonus, we will be giving a discount of 50% and this offer, will end on April 30, 2020.
This section could contain recent news and updates. Things like club due date, biggest deer, and new members could be featured here.
Use a count down to show when club dues need to be payed.
Due Date: 04-30-2020 : offer of 50% off.
Club dues are very important when it comes to keeping a hunting club running. Why have the hassle of club members paying in person, when you can have a place for them to come and pay online? We can integrate your choice of payment software, here right into the site.
Keeping members up to date on rules and regulations, is key to having a successful Hunting Club. Passing the rules and regulations out at annual club meetings works, but if a person was to misplace those rules or maybe he or she is in the woods and needs to refer back to the rules for a specific situation, then having the rules and regulations posted online, would be a great benefit.
The possibilities of what we can offer, are endless. It depends on what the hunting club would like to show case on their website. More options include listing club board members, showing image slide shows and galleries of deer cam footage, showing videos of game action and club property, and more!
In this section, you may write a short summary about the Hunting Club. We could also place the address to the club here and provide a link to google maps to show the lay of the land.
If you are a club member looking for contact info, or if you are new here and looking for a new Hunting Club to join, you’re in the right place. Give us a call or shoot us an email with the info provided below.


Player One:
{{user_1_score}}
Clash!
Round:
{{current_round}}
Player Two:
{{user_2_score}}
Player One
{{#each move_1}}{{> move_obj}}{{/each}}
Player Two
{{#each move_2}}{{> move_obj}}{{/each}}
{{#each winner}}{{> game_ended_message}}{{/each}}
Start Round
Restart Game


This package contains discrete control blocks with fixed sample period. Every component of this package is structured in the following way:
A sampled data system may consist of components of package Discrete and of every other purely algebraic input/output block, such as the components of packages Modelica.Blocks.Math, Modelica.Blocks.Nonlinear or Modelica.Blocks.Sources.
| Name | Description |
|---|---|
| Sampler | Ideal sampling of continuous signals |
| ZeroOrderHold | Zero order hold of a sampled-data system |
| FirstOrderHold | First order hold of a sampled-data system |
| UnitDelay | Unit Delay Block |
| TransferFunction | Discrete Transfer Function block |
| StateSpace | Discrete State Space block |
| TriggeredSampler | Triggered sampling of continuous signals |
| TriggeredMax | Compute maximum, absolute value of continuous signal at trigger instants |


Is Katie Price pretending to be out with twelve year old daughter Princess?
Katie claimed she and Princess were enjoying a day out together with a photo that bears a striking similarity to one from a fashion shoot that Princess posed for
by Will Twigger, https://www.mirror.co.uk/authors/will-twigger/Katie Price has fans scratching their heads with her Instagram story.
The former glamour model, 41, shared a snap of 12 year old daughter Princess during what she claims was a day out together.
"Day out with my Princess," mum of five Katie penned on the photo of her eldest daughter, one of two kids she shares with first husband Peter Andre.
It might seem a perfectly ordinary photo to post - the only thing out of the ordinary is that it bears a great similarity to a fashion shoot Princess did.
Princess, along with Katie's other daughter, five year old Bunny, is the face of online clothing boutique Princess & Bunny.
One snap on the website shows Princess in a faux fur parka jacket and matching beanie.
The one on Katie's story shows her in those same clothes, in the same spot.
This comes after her estranged husband - and Bunny's dad - Kieran Hayler hinted he was upset with Katie for posting a picture of Bunny and brother Jett, six, that he'd already shared.
"Never be intimidated by someone who copies you," a quote he shared read, "The original is always better than the copy."
Katie also baffled fans with a post of Jett in the garden with big brother and Katie's eldest Harvey, writing: "Love Sunday mornings with my boys."
Jett also appeared on Kieran's Instagram , prompting one fan to mock: "Those kids are remarkable; two places at once."
A source recently told Mirror Online that 14 year old son Junior - her eldest with Peter - is "so embarrassed" by the mess of his mum's house that he prefers to stay at his dad's.
The source said: "He was so embarrassed by the mess of his mum's house and preferred Peter's cleaner house.
"He is like any teenage boy and embarrasses easily so he just didn't visit the house. He still saw his mum but wouldn't stay overnight because he just couldn't stand the mess."
They added that Katie's driving ban hasn't helped the situation, continuing: "Junior also needed to get to school and Katie not driving meant it was more difficult to get around."
Mirror Online has contacted representatives of Katie for comment.


This page contains a video tracked via events.
This site is designed for instructional use. No products are actually sold. It is a fictitious site.


Hey it’s the 3197 Coding Team. Have fun.
This site was built with GitHub Pages and Jekyll, using Travis CI to automatically build the website.


Register Visitor
First Name
Last Name
Username
Password
Confirm Password
Email
{% for email in emails %}
{{email.Email}}
Remove
{% endfor %}
Add Email
Register
Back
{{error}}


Milestones Tracker
Prioritize your three most important tasks here. Just picking three tasks forces you to choose what is really important!


The data generated by our field pathogenomics study and hosted on this site is
licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. Our goal is to make
the
genotypic and phenotypic data of wheat yellow rust isolates collected across the world rapidly and broadly
available
to the scientific community. As highlighted by the BROAD institute, the genome sequencing community has adopted
a
statement of principles for the
distribution and use of
large-scale data. We also follow these principles and urge users to follow them as
well.
We specifically ask that you do not distribute the original data from this site without our consent and please
redirect others to this website. Likewise, if you carry out significant analysis of the data we would encourage
you
to contact us so it can be hosted on the website to continue to build up this resource. It is our intention to
publish the work of this project in a timely fashion and we welcome collaborative interaction on the project and
analyses.


{% extends "jobs/job_base.html" %} {% block resources %} {% endblock %} {% block body %}
Adjust the sliders to change the brightness, contrast, and degree of colour enhancement of the image. Use the dropdown menu to select the order of operations.
{% csrf_token %}Brightness
Contrast
Colour


Long-term St Mirren absentee Cody Cooke may make anticipated return against Ross County
The striker has been out of action since July with a serious knee injury.
by Ben RamageSt Mirren striker Cody Cooke could make his long-awaited return to action against the Staggies.
The confident frontman has been working hard in training over the last few weeks as his comeback from a serious knee injury in July is all but behind him.
And while Saints manager Jim Goodwin feels it would be harsh to drop Danny Mullen and Jon Obika after they both found the net against Hearts, he has backed Cody to make the most of his return when he gets his chance.
“Cody will be in the squad for Saturday,” Goodwin said.
“Danny and Jon have developed a half decent partnership recently and they both scored against Hearts. I don’t think it would take too much to figure out they will start.
“It is good Cody is back among the squad. He is a fantastic boy and a good pro who has worked hard to get back. He is a good option to have.
“The fans here appreciate hard working players and he gives them that.
“He will have to be patient and if he gets the opportunity he has to grasp it.”


HarmSyn - Harmonic Synthesizer
Analysis
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Play
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Analyze
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--- # DO NOT EDIT! # This file is automatically generated by get-members. If you change it, bad # things will happen. layout: default title: "Michael Fabricant" house: commons ---
Michael Fabricant is the MP for Lichfield.
What is a constituency?
Michael Fabricant is an MP in the Conservative party.
What is a party?