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java.lang.Object org.apache.xmlbeans.QNameSetBuilder
public class QNameSetBuilder
Used to build QNameSets
.
| Constructor Summary | |
|---|---|
QNameSetBuilder()
Constructs an empty QNameSetBuilder. |
|
QNameSetBuilder(QNameSetSpecification set)
Constructs a QNameSetBuilder whose initial contents are given by another QNameSetSpecification. |
|
QNameSetBuilder(java.util.Set excludedURIs,
java.util.Set includedURIs,
java.util.Set excludedQNamesInIncludedURIs,
java.util.Set includedQNamesInExcludedURIs)
Constructs a QNameSetBuilder whose inital contents are given by the four sets. |
|
QNameSetBuilder(java.lang.String str,
java.lang.String targetURI)
Constructs a QNameSetBuilder whose initial contents are given as a list of namespace URIs, using the same format used by wildcards in XSD files. |
| Method Summary | |
|---|---|
void |
add(javax.xml.namespace.QName qname)
Adds a single QName to this QNameSetBuilder. |
void |
addAll(QNameSetSpecification set)
Adds the contents of another QNameSet to this QNameSetBuilder. |
void |
addNamespace(java.lang.String uri)
Adds an entire namespace URI of QNames to this QNameSetBuilder. |
void |
clear()
Clears this QNameSetBuilder |
boolean |
contains(javax.xml.namespace.QName name)
True if this ModelTransitionSet contains the given qname. |
boolean |
containsAll(QNameSetSpecification set)
True if the parameter is a subset of this set. |
java.util.Set |
excludedQNamesInIncludedURIs()
The finite set of QNames that are excluded from the set within namespaces that are otherwise included. |
java.util.Set |
excludedURIs()
The finite set of namespace URIs that are almost completely excluded from the set (that is, each namespace URI that included in the set with with a finite number of QName exceptions). |
java.util.Set |
includedQNamesInExcludedURIs()
The finite set of QNames that are included in the set within namespaces that are otherwise excluded. |
java.util.Set |
includedURIs()
The finite set of namespace URIs that are almost completely included in the set (that is, each namespace URI that included in the set with with a finite number of QName exceptions). |
QNameSet |
intersect(QNameSetSpecification set)
Returns a new QNameSet that is the intersection of this one and another. |
QNameSet |
inverse()
Returns a new QNameSet that is the inverse of this one. |
void |
invert()
Inverts this QNameSetBuilder. |
boolean |
isAll()
True if this ModelTransitionSet contains all QNames. |
boolean |
isDisjoint(QNameSetSpecification set)
True if the given set is disjoint from this one. |
boolean |
isEmpty()
True if this ModelTransitionSet contains no QNames. |
void |
remove(javax.xml.namespace.QName qname)
Removes the given qname from this QNameSetBuilder. |
void |
removeAll(QNameSetSpecification set)
Removes all contents of a given QNameSet from this QNameSetBuilder. |
void |
removeNamespace(java.lang.String uri)
Removes an entire namespace URI from this QNameSetBuilder. |
void |
restrict(QNameSetSpecification set)
Restricts the contents of this QNameSetBuilder to be a subset of the given QNameSet. |
QNameSet |
toQNameSet()
Returns a QNameSet equivalent to the current state of this
QNameSetBuilder. |
java.lang.String |
toString()
Returns a string representation useful for debugging, subject to change. |
QNameSet |
union(QNameSetSpecification set)
Returns a new QNameSet that is the union of this one and another. |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, wait, wait, wait |
| Constructor Detail |
|---|
public QNameSetBuilder()
public QNameSetBuilder(QNameSetSpecification set)
set
- the QNameSetSpecificaiton to copypublic QNameSetBuilder(java.util.Set excludedURIs, java.util.Set includedURIs, java.util.Set excludedQNamesInIncludedURIs, java.util.Set includedQNamesInExcludedURIs)
excludedURIs
- the finite set of namespace URI strings to exclude from the set, or null if this set is infiniteincludedURIs
- the finite set of namespace URI strings to include in the set, or null if this set is infiniteexcludedQNamesInIncludedURIs
- the finite set of exceptional QNames to exclude from the included namespacesexcludedQNamesInIncludedURIs
- the finite set of exceptional QNames to include that are in the excluded namespacespublic QNameSetBuilder(java.lang.String str, java.lang.String targetURI)
str
- a wildcard namespace specification string such as "##any",
"##other", "##local", "##targetNamespace", or a space-separated
list of URIs.targetURI
- the current targetNamespace| Method Detail |
|---|
public boolean contains(javax.xml.namespace.QName name)
contains
in interface QNameSetSpecification
public boolean isAll()
isAll
in interface QNameSetSpecification
public boolean isEmpty()
isEmpty
in interface QNameSetSpecification
public QNameSet intersect(QNameSetSpecification set)
intersect
in interface QNameSetSpecification
public QNameSet union(QNameSetSpecification set)
union
in interface QNameSetSpecification
public QNameSet inverse()
inverse
in interface QNameSetSpecification
public boolean containsAll(QNameSetSpecification set)
containsAll
in interface QNameSetSpecification
public boolean isDisjoint(QNameSetSpecification set)
isDisjoint
in interface QNameSetSpecification
public void clear()
public void invert()
public void add(javax.xml.namespace.QName qname)
public void addNamespace(java.lang.String uri)
public void addAll(QNameSetSpecification set)
public void remove(javax.xml.namespace.QName qname)
public void removeNamespace(java.lang.String uri)
public void removeAll(QNameSetSpecification set)
public void restrict(QNameSetSpecification set)
public java.util.Set excludedURIs()
QNameSetSpecification
Null (meaning almost all URIs excluded) if includedURIs() is non-null; non-null otherwise.
The same set as inverse().includedURIs().
excludedURIs
in interface QNameSetSpecification
public java.util.Set includedURIs()
QNameSetSpecification
Null (meaning almost all URIs included) if excludedURIs() is non-null; non-null otherwise.
The same as inverse.excludedURIs().
includedURIs
in interface QNameSetSpecification
public java.util.Set excludedQNamesInIncludedURIs()
QNameSetSpecification
Never null.
The same set as inverse().includedQNames().
excludedQNamesInIncludedURIs
in interface QNameSetSpecification
public java.util.Set includedQNamesInExcludedURIs()
QNameSetSpecification
Never null.
The same as inverse().excludedQNames().
includedQNamesInExcludedURIs
in interface QNameSetSpecification
public java.lang.String toString()
toString
in class java.lang.Object
public QNameSet toQNameSet()
QNameSet
equivalent to the current state of this
QNameSetBuilder.
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React 16.2 is now available! The biggest addition is improved support for returning multiple children from a component's render method. We call this feature fragments:
Fragments look like empty JSX tags. They let you group a list of children without adding extra nodes to the DOM:
This exciting new feature is made possible by additions to both React and JSX.
A common pattern is for a component to return a list of children. Take this example HTML:
Prior to version 16, the only way to achieve this in React was by wrapping the children in an extra element, usually a div
or span
:
render() {
return (
// Extraneous div element :(

Some text.

A heading

More text.

Another heading

Even more text.

);
}
To address this limitation, React 16.0 added support for returning an array of
elements from a component's render
method. Instead of wrapping the children in a DOM element,
you can put them into an array:
render() {
return [
"Some text.",

A heading
,
"More text.",

Another heading
,
"Even more text."
];
}
However, this has some confusing differences from normal JSX:
To provide a more consistent authoring experience for fragments, React now provides a first-class Fragment
component that can be used in place of arrays.
render() {
return (
<Fragment>
Some text.

A heading

More text.

Another heading

Even more text.
</Fragment>
);
}
You can use <Fragment />
the same way you'd use any other element, without changing the way you
write JSX. No commas, no keys, no quotes.
The Fragment component is available on the main React object:
const Fragment = React.Fragment;
<Fragment>
<ChildA />
<ChildB />
<ChildC />
</Fragment>
// This also works
<React.Fragment>
<ChildA />
<ChildB />
<ChildC />
</React.Fragment>
Fragments are a common pattern in our codebases at Facebook. We anticipate they'll be widely adopted by other teams, too. To make the authoring experience as convenient as possible, we're adding syntactical support for fragments to JSX:
render() {
return (
<>
Some text.

A heading

More text.

Another heading

Even more text.
</>
);
}
In React, this desugars to a <React.Fragment/>
element, as in the example from the previous section. (Non-React frameworks that use JSX may compile to something different.)
Fragment syntax in JSX was inspired by prior art such as the XMLList() <></>
constructor in
E4X. Using a pair of empty
tags is meant to represent the idea it won't add an actual element to the DOM.
Note that the <></>
syntax does not accept attributes, including keys.
If you need a keyed fragment, you can use <Fragment />
directly. A use case for this is mapping a collection to an array of fragments – for example, to create a description list:
function Glossary(props) {
return (

{props.items.map(item => (
// Without the `key`, React will fire a key warning
<Fragment key={item.id}>

{item.term}

{item.description}

</Fragment>
))}

);
}
key
is the only attribute that can be passed to Fragment
. In the future, we may add support for additional attributes, such as event handlers.
You can experiment with JSX fragment syntax with this CodePen.
Support for fragment syntax in JSX will vary depending on the tools you use to build your app. Please be patient as the JSX community works to adopt the new syntax. We've been working closely with maintainers of the most popular projects:
Experimental support for fragment syntax will be added to Create React App within the next few days. A stable release may take a bit longer as we await adoption by upstream projects.
Support for JSX fragments is available in Babel v7.0.0-beta.31 and above! If you are already on Babel 7, simply update to the latest Babel and plugin transform:
# for yarn users
yarn upgrade @babel/core @babel/plugin-transform-react-jsx
# for npm users
npm update @babel/core @babel/plugin-transform-react-jsx
Or if you are using the react preset:
# for yarn users
yarn upgrade @babel/core @babel/preset-react
# for npm users
npm update @babel/core @babel/preset-react
Note that Babel 7 is technically still in beta, but a stable release is coming soon.
Unfortunately, support for Babel 6.x is not available, and there are currently no plans to backport.
If you are using Babel with Webpack, no additional steps are needed because babel-loader will use your peer-installed version of Babel.
If you use JSX with a non-React framework like Inferno or Preact, there is a pragma option available in babel-plugin-transform-react-jsx that configures the Babel compiler to de-sugar the <></>
syntax to a custom identifier.
TypeScript has full support for fragment syntax! Please upgrade to version 2.6.2. (Note that this is important even if you are already on version 2.6.1, since support was added as patch release in 2.6.2.)
Upgrade to the latest TypeScript with the command:
Flow support for JSX fragments is available starting in version 0.59! Simply run
to update Flow to the latest version.
Prettier added support for fragments in their 1.9 release.
JSX Fragments are supported by ESLint 3.x when it is used together with babel-eslint:
# for yarn users
yarn add<EMAIL_ADDRESS>babel-eslint@7
# for npm users
npm install<EMAIL_ADDRESS>babel-eslint@7
or if you already have it, then upgrade:
# for yarn users
yarn upgrade<EMAIL_ADDRESS>babel-eslint@7
# for npm users
npm update<EMAIL_ADDRESS>babel-eslint@7
Ensure you have the following line inside your .eslintrc
:
That's it!
Note that babel-eslint
is not officially supported by ESLint. We'll be looking into adding support for
fragments to ESLint 4.x itself in the coming weeks (see issue
#9662).
It may take a while for fragment syntax to be supported in your text editor. Please be patient as the community works to adopt the latest changes. In the meantime, you may see errors or inconsistent highlighting if your editor does not yet support fragment syntax. Generally, these errors can be safely ignored.
If you're a TypeScript user – great news! Editor support for JSX fragments is already available in Visual Studio 2015, Visual Studio 2017, Visual Studio Code and Sublime Text via Package Control.
For other tools, please check with the corresponding documentation to check if there is support available. However,
if you're blocked by your tooling, you can always start with using the <Fragment>
component and
perform a codemod later to replace it with the shorthand syntax when the appropriate support is available.
React v16.2.0 is available on the npm registry.
To install React 16 with Yarn, run:
To install React 16 with npm, run:
We also provide UMD builds of React via a CDN:


Keep Going! You are 1000 Reward Points away from your next free Gift Card
Check back soon for the next prize draw!


Sunbeam
A peer-to-peer philanthropy platform to benefit victims of recent natural disasters.
process
interviews -> persona development -> competitive analysis -> storyboarding & speed-dating -> needs validation -> low-fidelity prototyping -> concept validation -> design system creation -> high-fidelity prototyping
team
Nishchala Singhal, Yulin Liu
duration
2017 / 6 months
Problem Statement
Many victims of natural disasters find themselves strapped for cash in their time of need. There are a number of organizations that provide relief to these victims, but the relief might take days to get there. Those few days are crucial, and small amounts of money can go a long way toward helping victims secure essential items such as food, shelter, and medicine.
Outcome
Sunbeam is a peer-to-peer philanthropy plaftorm that allows people from the around the world to make direct donations to the victims of a recent natural disaster. The product has two key users. Beneficiaries are the victims of a recent natural disaster. They use Sunbeam to seek monetary assistance to meet urgent needs. Donors are the well-wishers who want to help others out of a tight spot during a crisis.
Selected Assets
A selection of assets from the prototyping process are presented here.
[Figure 1] A storyboard from early on in the iteration process.
[Figure 2] A flow diagram showing the two main types of users in Sunbeam.
[Figure 3] Low-fidelity sketches from the iteration process.
[Figure 4] A screen map showing the main screens in Sunbeam.
[Figure 5] Sunbeam is designed to be a responsive web app, and desktop and mobile versions of the same screen are shown here.
[Figure 6] A few representative screens from the app as seen on mobile.
[Figure 7] Sunbeam is designed to be easily translated into other languages, and the list of languages on the home page is dynamically altered based on the locations of recent natural disasters.
[Figure 8] Sunbeam is designed for use by people who aren't tech-savvy. This is because many beneficiaries of the product are likely to hail from relatively remote parts of the world.
[Figure 9] Sunbeam uses avatars instead of actualy photographs in order to reduce people's innate biases as they use the app. Based on our research, this will likely reduce bias when donors are choosing who to send money to.
[Figure 10] An example of a delightful microinteraction to encourage donors to be more generous on Sunbeam.


org.jboss.resteasy.plugins.stats
Classes
DeleteResourceMethod
GetResourceMethod
HeadResourceMethod
OptionsResourceMethod
PostResourceMethod
PutResourceMethod
RegistryData
RegistryEntry
RegistryStatsResource
ResourceMethodEntry
SubresourceLocator
TraceResourceMethod


Discover the cosmos! Each day a different image or photograph of our fascinating universe is featured, along with a brief explanation written by a professional astronomer.
Explanation: High atop a dormant volcano in Hawaii, an eye 3.6-meters wide stares at a faint light on the night sky. Unlike a human eye, which collects light for only a fraction of a second at a time, a telescope such as the Canada-France-Hawaii Telescope (CFHT) can collect light for hours. Faint sources become visible that were previously beyond human imagination. These meticulous observations usually take so long, though, that the Earth's spin causes the telescope to move under the sky. This spin is visible in the above photograph as star trails in the background. The CFHT itself must counter-spin to keep on target. The enormous size of the CFHT dome can be gauged by the car in the foreground. The CFHT is one of the smaller telescopes atop Mauna Kea.
Authors & editors:
Robert
Nemiroff
(MTU) &
Jerry Bonnell (USRA)
NASA Technical Rep.:
Jay Norris.
Specific rights apply.
A service of:
LHEA at
NASA/GSFC
&
Michigan Tech. U.


Wireshark
2.4.0, which was announced on July 19, 2017, is now available for
download. This release includes a much improved IPP dissector, which
will benefit all who are inspecting IPP traffic in Wireshark. The new
dissector properly labels IPP requests and responses, includes links to
the corresponding responses and HTTP traffic. It also provides a much
better presentation of the attributes within the IPP operation requests
and responses, so the information is easier to read and navigate. This
release should benefit all who spend time examining IPP traffic in
Wireshark and those that use Wireshark's tools to gather and monitor IPP
traffic.
The announcemet on the Wireshark website is here: https://www.wireshark.org/news/20170719.html
Thanks to Mike Sweet for contributing the dissector code updates!


Abstract
This document is my first effort on writing some literate programming [Knu84, Knu92], aiming to provide the best embedded documentation for my experimental code, while developing it. The tool choosen is nuweb, in my view the simplest multi-language derivation from the Knuth’s original WEB and CWEB tools [KL94]. My approach to literate programming is also motivated by the wish for independency of the content from a specific programming language. Actually, I have several candidate languages — including python, haskell, and clojure — to use for writing the reference documentation for my research work, so that nuweb gives me the freedom to freely experiment with them, even mixing chunks of code written in different languages in the same document, while providing an execution environment and unit testing in the same time.


This open source designer has created a variety of looks for Linux desktops
Must Read: 5 Eye-Catching GTK Themes by Vinceliuice
by By Joey SneddonFeel like giving your Ubuntu desktop a bold new look? Why not try something from the following capable crop of colourful GTK themes.
Few GTK theme makers are as prolific as ~vinceliuice, an open source designer based in Jinan, China.
Vince’s theme portfolio is wildly unlike anyone else’s. It’s packed full of eye catching designs boasting dramatic visual elements and modern design sensibilities.
So good, in fact, that I’ve written this post to spotlight 5 of the best themes made by vinceliuice — themes that showcase this designer’s colourful creativity and theme crafting skill.
Vinceliuice GTK Themes
Each theme listed below is available to download from Github, both as source and with an install script.
Now, generally speaking, downloading random scripts from the web and running them as root isn’t recommend, so DO check the script over before running it.
While I can say the scripts don’t do anything nefarious at the time I looked, there’s always a chance they’ve changed by the time you do.
Using the installation script over manual installation gives you a few extra options, such as being able to install themes with specific spacing, a certain colour, or a stylised variant.
Similarly, the install script will also install any accompanying GNOME Shell theme (where applicable) so that you can fully round out the look on your desktop.
Remember: you need to install the ‘User Themes’ GNOME Shell extension to switch between GNOME Shell theme in the GNOME Tweaks app.
Layan GTK Theme
Colour is arguably Vinceliuice’s trademark (as this list will demonstrate) and nowhere is this visual signature more on show than in the incredibly popular Layan GTK theme.
The Layan theme is bold and eye catching, making heavy use of the colour blue. It’s available in light and dark versions (both pictured above) — but check out those curvy round window corners, as they’re gorgeous!
The Layan GTK theme is best used with the Tela icon theme, also created by the same designer as this.
Vimix GTK Theme
Vimix is the most visually conservative theme in this selection, which probably explains why it’s also the most well known.
Vince describes Vimix as “…a flat Material Design theme for GTK 3, GTK 2 and Gnome-Shell which supports GTK 3 and GTK 2 based desktop environments like Gnome, Unity, Budgie, Pantheon, XFCE, Mate, etc.”
It’s the latter feature, support for desktops beyond GNOME Shell, that makes it worthy of mentioning here, as well as its varied variants, e.g., theme (light, dark, mixed), colour hue (standard, doder, beryl, ruby) and size (standard, laptop).
Qogir GTK Theme
We put the Qogir GTK theme in the spotlight back in the summer and it’s fair to say that you folks loved it.
Available in three distinct variants (and a bunch of sub-variants within, including an Ubuntu flavoured version) Qogir gifts the desktop an elegant, linear structure thanks its use of sharp corners, straight lines, and monotone colour palette.
And yes, there is an option to not use the background image in Nautilus.
Canta GTK Theme
The Canta GTK theme is famous for its unusual use of illustrations within the Nautilus file manager. Background graphics aren’t unusual (see #3 Qogir) but the positioning here is; the graphic bleeds into the header bar.
We showcased this theme shortly after its creation last year, and 12 months on we think it looks just as good now as it did then. And in case you’re wondering: yes, the illustrated background in the file manager is optional.
Canta is also notable for having a compatible Cinnamon theme available for it, which (along withs its colour choices) make it a great fit for Linux Mint users.
McMojave GTK Theme
We aren’t short of Mac GTK themes on Linux, with some seriously pixel-perfect skins available out there.
But the McMojave GTK theme? It’s arguably the best. Like regular macOS McMojave is available in standard mac-grey (light) and a dark version based off the dark theme introduced in Mojave.
This theme is particularly pretty if paired with a macOS icon pack, the Plank dock app, and the Budgie desktop environment, as pictured above.
Should I update my guide on how to make Ubuntu look like a Mac to mention this great theme? If you try it out, let me know!
Bonus Themes
I didn’t want to include two “operating system”-alike themes in the same list, but I couldn’t not mention Vince’s Chrome OS theme.
If you’re big on Google’s ‘Material Design‘ then this theme, based off of another well known theme, is a great place to start.
There’s even an accompanying ChromeOS GNOME Shell theme (which the install script will install alongside the theme) that is more faithful in its inspiration, adopting Chrome OS desktop’s weird “rounded” app shelf.
Like wise, if you’re a fan of the Windows aesthetic, then the (well named) Azure theme offers a dash of Windows style through bright white backgrounds and bold blue accents and header bars.
As an addendum, I wrote a post about the best GTK themes for Ubuntu back in 2017. But outside of a few typos and link corrections, the themes in that list itself haven’t been updated in over a year.
So if you think one (or more) of these themes merits inclusion, let me know below!


The graph on the right is a Power Graph compression of the one on the left.
A link connected to a group implies a connection to every member of that group.
We use a fast heuristic to compute this compression using the cola.powergraph.getGroups()
function.


This section defines TLM-based FIFO classes.
| TLM FIFO Classes | This section defines TLM-based FIFO classes. |
| uvm_tlm_fifo#(T) | This class provides storage of transactions between two independently running processes. |
| uvm_tlm_analysis_fifo#(T) | An analysis_fifo is a uvm_tlm_fifo#(T) with an unbounded size and a write interface. |
This class provides storage of transactions between two independently running processes. Transactions are put into the FIFO via the put_export. transactions are fetched from the FIFO in the order they arrived via the get_peek_export. The put_export and get_peek_export are inherited from the uvm_tlm_fifo_base #(T) super class, and the interface methods provided by these exports are defined by the uvm_tlm_if_base #(T1,T2) class.
| uvm_tlm_fifo#(T) | |
| This class provides storage of transactions between two independently running processes. | |
| Methods | |
| new | The name and parent are the normal uvm_component constructor arguments. |
| size | Returns the capacity of the FIFO-- that is, the number of entries the FIFO is capable of holding. |
| used | Returns the number of entries put into the FIFO. |
| is_empty | Returns 1 when there are no entries in the FIFO, 0 otherwise. |
| is_full | Returns 1 when the number of entries in the FIFO is equal to its size, 0 otherwise. |
| flush | Removes all entries from the FIFO, after which used returns 0 and is_empty returns 1. |
function new( string name, uvm_component parent = null, int size = 1 )
The name and parent are the normal uvm_component constructor arguments. The parent should be null if the uvm_tlm_fifo#(T) is going to be used in a statically elaborated construct (e.g., a module). The size indicates the maximum size of the FIFO; a value of zero indicates no upper bound.
virtual function int size()
Returns the capacity of the FIFO-- that is, the number of entries the FIFO is capable of holding. A return value of 0 indicates the FIFO capacity has no limit.
virtual function bit is_empty()
Returns 1 when there are no entries in the FIFO, 0 otherwise.
An analysis_fifo is a uvm_tlm_fifo#(T) with an unbounded size and a write interface. It can be used any place a uvm_analysis_imp is used. Typical usage is as a buffer between a uvm_analysis_port in an initiator component and TLM1 target component.
| uvm_tlm_analysis_fifo#(T) | |
| An analysis_fifo is a uvm_tlm_fifo#(T) with an unbounded size and a write interface. | |
| Ports | |
| analysis_export #(T) | The analysis_export provides the write method to all connected analysis ports and parent exports: |
| Methods | |
| new | This is the standard uvm_component constructor. |
The analysis_export provides the write method to all connected analysis ports and parent exports:
function void write (T t)
Access via ports bound to this export is the normal mechanism for writing to an analysis FIFO. See write method of uvm_tlm_if_base #(T1,T2) for more information.
function new( string name , uvm_component parent = null )
This is the standard uvm_component constructor. name is the local name of this component. The parent should be left unspecified when this component is instantiated in statically elaborated constructs and must be specified when this component is a child of another UVM component.
The name and parent are the normal uvm_component constructor arguments.
function new( string name, uvm_component parent = null, int size = 1 )
Returns the capacity of the FIFO-- that is, the number of entries the FIFO is capable of holding.
virtual function int size()
Returns the number of entries put into the FIFO.
virtual function int used()
Returns 1 when there are no entries in the FIFO, 0 otherwise.
virtual function bit is_empty()
Returns 1 when the number of entries in the FIFO is equal to its size, 0 otherwise.
virtual function bit is_full()
Removes all entries from the FIFO, after which used returns 0 and is_empty returns 1.
virtual function void flush()
This class is the base for uvm_tlm_fifo#(T).
virtual class uvm_tlm_fifo_base #( type T = int ) extends uvm_component
This class declares all of the methods of the TLM API.
virtual class uvm_tlm_if_base #( type T1 = int, type T2 = int )
This is the standard uvm_component constructor.
function new( string name , uvm_component parent = null )
Receives all transactions broadcasted by a uvm_analysis_port.
class uvm_analysis_imp #( type T = int, type IMP = int ) extends uvm_port_base #(uvm_tlm_if_base #(T,T))
Broadcasts a value to all subscribers implementing a uvm_analysis_imp.
class uvm_analysis_port # ( type T = int ) extends uvm_port_base # (uvm_tlm_if_base #(T,T))


npm install --save socket.io
| Rich Query and Transactions over JSON Data | Reliable & Predictable Performance | Rapid Development |
|---|---|---|
| Query JSON data with no secondary indices | Fast, predictable performance | Build with familiar tools – REST, JSON, JavaScript |
| Native JavaScript transactional processing | Tunable consistency | Easy to start and fully-managed |
| Familiar SQL-based query language | Elastic scale | Enterprise-grade Azure platform |
npm install --save mongodb
© 2016 Microsoft Corporation. All rights reserved. Microsoft, Windows, Windows Vista and other product names are or may be registered trademarks and/or trademarks in the U.S. and/or other countries. The information herein is for informational purposes only and represents the current view of Microsoft Corporation as of the date of this presentation. Because Microsoft must respond to changing market conditions, it should not be interpreted to be a commitment on the part of Microsoft, and Microsoft cannot guarantee the accuracy of any information provided after the date of this presentation. MICROSOFT MAKES NO WARRANTIES, EXPRESS, IMPLIED OR STATUTORY, AS TO THE INFORMATION IN THIS PRESENTATION.


[gecode-users] Mailing lists now mirrored on Gmane
Guido Tack
tack at ps.uni-sb.de
Sat Nov 25 11:02:01 CET 2006
Hi everyone.
I have set up forwarding of the Gecode mailing lists to the gmane gateway,
which will from now on provide nicely formatted archives as well as a news
(nntp) interface to our lists.
Please visit http://gmane.org for further information. The Gecode lists
should appear under gmane.comp.lib.gecode.{announce, users} when the first
mail (i.e., this mail) arrives there. I will also ask the gmane
administrators to import our archives.
Cheers,
Guido
--
Guido Tack
http://www.ps.uni-sb.de/~tack
More information about the gecode-users
mailing list


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if (data.mode != 'init') { ?>
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Invalid password ! Please try again.
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if (data.mode == 'init') { ?>Please choose your master password } ?>
if (data.mode == 'change') { ?>Please enter your NEW master password } ?>
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Password and confirmation are different
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|
Smartlock
|
Typedefs | |
| typedef enum _smc_power_mode_protection | smc_power_mode_protection_t |
| Power Modes Protection. | |
| typedef enum _smc_power_state | smc_power_state_t |
| Power Modes in PMSTAT. | |
| typedef enum _smc_run_mode | smc_run_mode_t |
| Run mode definition. | |
| typedef enum _smc_stop_mode | smc_stop_mode_t |
| Stop mode definition. | |
| typedef enum _smc_partial_stop_mode | smc_partial_stop_option_t |
| Partial STOP option. | |
Enumerations | |
| enum | _smc_power_mode_protection { kSMC_AllowPowerModeVlp = SMC_PMPROT_AVLP_MASK, kSMC_AllowPowerModeAll } |
| Power Modes Protection. More... | |
| enum | _smc_power_state { kSMC_PowerStateRun = 0x01U << 0U, kSMC_PowerStateStop = 0x01U << 1U, kSMC_PowerStateVlpr = 0x01U << 2U, kSMC_PowerStateVlpw = 0x01U << 3U, kSMC_PowerStateVlps = 0x01U << 4U } |
| Power Modes in PMSTAT. More... | |
| enum | _smc_run_mode { kSMC_RunNormal = 0U, kSMC_RunVlpr = 2U } |
| Run mode definition. More... | |
| enum | _smc_stop_mode { kSMC_StopNormal = 0U, kSMC_StopVlps = 2U } |
| Stop mode definition. More... | |
| enum | _smc_partial_stop_mode { kSMC_PartialStop = 0U, kSMC_PartialStop1 = 1U, kSMC_PartialStop2 = 2U } |
| Partial STOP option. More... | |
| enum | _smc_status { kStatus_SMC_StopAbort = MAKE_STATUS(kStatusGroup_POWER, 0) } |
| SMC configuration status. More... | |
Driver version | |
| #define | FSL_SMC_DRIVER_VERSION (MAKE_VERSION(2, 0, 5)) |
| SMC driver version 2.0.5. | |
System mode controller APIs | |
| void | SMC_PreEnterStopModes (void) |
| Prepares to enter stop modes. More... | |
| void | SMC_PostExitStopModes (void) |
| Recovers after wake up from stop modes. More... | |
| void | SMC_PreEnterWaitModes (void) |
| Prepares to enter wait modes. More... | |
| void | SMC_PostExitWaitModes (void) |
| Recovers after wake up from stop modes. More... | |
| status_t | SMC_SetPowerModeRun (SMC_Type *base) |
| Configures the system to RUN power mode. More... | |
| status_t | SMC_SetPowerModeWait (SMC_Type *base) |
| Configures the system to WAIT power mode. More... | |
| status_t | SMC_SetPowerModeStop (SMC_Type *base, smc_partial_stop_option_t option) |
| Configures the system to Stop power mode. More... | |
| status_t | SMC_SetPowerModeVlpr (SMC_Type *base) |
| Configures the system to VLPR power mode. More... | |
| status_t | SMC_SetPowerModeVlpw (SMC_Type *base) |
| Configures the system to VLPW power mode. More... | |
| status_t | SMC_SetPowerModeVlps (SMC_Type *base) |
| Configures the system to VLPS power mode. More... | |
| enum _smc_power_state |
Power Modes in PMSTAT.
| enum _smc_run_mode |
| enum _smc_status |
| enum _smc_stop_mode |
| void SMC_PostExitStopModes | ( | void | ) |
Recovers after wake up from stop modes.
This function should be called after wake up from STOP/VLPS/LLS/VLLS modes. It is used with SMC_PreEnterStopModes.
brief Recovers after wake up from stop modes.
This function should be called after wake up from STOP/VLPS/LLS/VLLS modes. It is used with ref SMC_PreEnterStopModes.
| void SMC_PostExitWaitModes | ( | void | ) |
Recovers after wake up from stop modes.
This function should be called after wake up from WAIT/VLPW modes. It is used with SMC_PreEnterWaitModes.
brief Recovers after wake up from stop modes.
This function should be called after wake up from WAIT/VLPW modes. It is used with ref SMC_PreEnterWaitModes.
| void SMC_PreEnterStopModes | ( | void | ) |
Prepares to enter stop modes.
This function should be called before entering STOP/VLPS/LLS/VLLS modes.
brief Prepares to enter stop modes.
This function should be called before entering STOP/VLPS/LLS/VLLS modes.
| void SMC_PreEnterWaitModes | ( | void | ) |
Prepares to enter wait modes.
This function should be called before entering WAIT/VLPW modes.
brief Prepares to enter wait modes.
This function should be called before entering WAIT/VLPW modes.
Configures the system to RUN power mode.
| base | SMC peripheral base address. |
brief Configures the system to RUN power mode.
param base SMC peripheral base address. return SMC configuration error code.
| status_t SMC_SetPowerModeStop | ( | SMC_Type * | base, |
| smc_partial_stop_option_t | option | ||
| ) |
Configures the system to Stop power mode.
| base | SMC peripheral base address. |
| option | Partial Stop mode option. |
brief Configures the system to Stop power mode.
param base SMC peripheral base address. param option Partial Stop mode option. return SMC configuration error code.
Configures the system to VLPR power mode.
| base | SMC peripheral base address. |
brief Configures the system to VLPR power mode.
param base SMC peripheral base address. return SMC configuration error code.
Configures the system to VLPS power mode.
| base | SMC peripheral base address. |
brief Configures the system to VLPS power mode.
param base SMC peripheral base address. return SMC configuration error code.
Configures the system to VLPW power mode.
| base | SMC peripheral base address. |
brief Configures the system to VLPW power mode.
param base SMC peripheral base address. return SMC configuration error code.


The CloudNativeJS project also provides a "Module LTS Policy" based on the LTS policy for Node.js itself. This policy is designed to provide clarity to both module owners and module consumers around how long essential fixes should be provided on previous major versions once a new major version has been released.
This has been adopted for all modules provided by the CloudNativeJS project, as well as those provided from a growing list of other module owners. Eventually it is hoped that this approach will become the Node.js community standard for any module that wishes to provide an LTS policy, making the meaning of Node.js Module LTS consistent across modules.
Discussion, feedback and contributions to the CloudNativeJS community are welcomed, and can be done through various channels:
Please note and adhere to the Code of Conduct when contributing to CloudNativeJS.
If you have a problem with the accessibility of CloudNativeJS please send us feedback<EMAIL_ADDRESS>For more general information please read the IBM Accessibility page.
The CloudNativeJS project adopts the Contributor Covenant Code of Conduct. For more details, see the full Code of Conduct.
All repositories under the CloudNativeJS project use an Apache 2.0 license, and copyright remains with the contributors.
CloudNativeJS does not gather personal information. We may process the access logs to monitor the traffic on the site and to determine anonymous usage patterns. For more general information about privacy please read IBM's Privacy Statement.
Use of the CloudNativeJS portal is bound by the IBM Terms and Conditions.


What's the diffrence between Object-Oriented Programming and Functional Programming?
A Week 6 Reflection
May 17, 2015
Programming languages generally have two compotents: data and the operations that are performed on the data. Data is static and immutable, and only the operations that are performed on it can make a change. Functions don't have a lasting state; the are only useful because they can change the underlying data.
In object-oriented programm, every object has both a state (data) and behavior (operations on data). So this means that they are not so different from physical objects -- a car and piano, which embody both a state and behavior.
In functional programming, the main emphasis is on: "the function." Meaning that the existance of the function only depends on the arguments and context at the time that the function is defined.
TBD
TBD
TBD


Editors Notes
This section is dedicated documentation for the editors of this blue book. It details the current goals and subproject that the editors are currently working on. It also describes the basic organization for oversight of this book and the workflows used by editors to produce content.
Current Initiatives
Finalize Advice Sections for M1 and M2 classes. We would like to have short advice sections for M1 and M2 classes. This is mostly to cover aspects of advice that are not already addressed in the URMC Student to Student Guide. We invite ANY input for these topics and you can see the blank headings within the book.
Develop content for Pre-Qual Graduate School. Content around transitions, doing so smoothly, and adressing MSTP specific topics is lacking in this book and in many other places. Right now, the following articles are lined up for pre-qual graduate school and are currently being worked on:
- Finding a Mentor (Uday and Keshov)
- Concise Approach to Writing and F30 (Annette and Keshov)
- Approach to Longitondal Clerkships (Keshov)
Writing About Topics that Span Years. We need some more people to pick up topics that across years, like buying a house, etc.
Workflow
Background Info
We use bookdown to produce this book, in its various forms, from Rmarkdown (.Rmd) files. The basic process is that Rmarkdown files (written using the Markdown syntax) are automatically compiled into an HTML website that is paginated like a book as well as an .Epub and PDF version of the book that can be downloaded from the website.
Each of the chapters (except the Preface which is part of index.rmd) exists as an independent .Rmd with a number before the chapter to designate it’s order in the book. As such, level 1 headings designate a chapter and level 2 headings designate an article under a chapter. This last point is critical for content production.
When new content is produced using Microsoft Word or plain text, it THE HIGHEST HEADING LEVEL SHOULD BE LEVEL 2. This ensures that when the content is converted to Markdown and pasted into the .rmd file, it shows up as an article under the correct chapter instead of a new chapter in the book. Any subheadings should be at level 3 or more to show up within the article. Pages are split at the level 1 and level 2 headings.
Process of editing
In a nutshell, when not simply editing the plain text of an .Rmd file for minor errors, editors will:
- convert a Word document of content to Markdown
- paste this into the correct chapter
- ensure links and references render correctly
- make sure links line up (cross-linking, etc.)
- ensure that the website render’s correctly
- push edits to the master branch
It is the job of the chump-in-charge “senior” editor to review all pushes to the master branch and get approval for their integration from Alysha Taggart before accepting them.
In the future, we are planning on having Alysha either create her own Github account to be the final check on this procees. Alternatively, the book in a more finalized form can be ported to the MSTP website. This is an ongoing conversation that we re-develop around May 2020.
Required R Packages and System Set-Ups
- Install RStudio and Rmarkdown
- Ensure that you can use Github through RStudio or the command line.
- Download and install Pandoc which is a background utility used for converting between Markdown and other formats.
- Install Bookdown (preferably thorugh RStudio)
- Install DiagrammR (preferably through RStudio)


WITNESS LIST
Higher Education
September 12, 2016 10:00 AM
Baccalaureate Degrees at Community Colleges
ON:
Alcantar, Andres Chairman, Texas Workforce Commission (Texas Workforce
Commission), Austin, TX
Benton, Kristin Director of Nursing, Texas Board of Nursing (also providing written
testimony) (Texas Board of Nursing), Austin, TX
Black, George Regent, Past Chair, Galveston Community College (also providing written
testimony) (Galveston Community College), Galveston, TX
Cates, Andrew General Counsel (also providing written testimony) (Texas Nurses
Association), Austin, TX
Frazier, Lorraine Dean UThealth SON (UTHealth Houston), Houston, TX
Hellyer, Brenda Chancellor (also providing written testimony) (San Jacinto College),
Pasadena, TX
Hernandez, Debra VP, COO and CNO (also providing written testimony) (Self; Seton
Healthcare Family), Austin, TX
Hufft, Anita Dean, College of Nursing (also providing written testimony) (Self; Texas
Woman's University), Denton, TX
Landry, Garrett (also providing written testimony) (Self; Early Matters), Dallas, tx, TX
Maldonado, Dr. Cesar Chancellor (also providing written testimony) (Houston Community
College), Houston, TX
Matkin, Neil Dr. (also providing written testimony) (Self; Coalition of Texas Community
Colleges, Collin College, Texas Association of Community Colleges), McKinney,, TX
May, Joe Chancellor (also providing written testimony) (Self; Dallas County Community
College District), Dallas, TX
McMillen, Jeremy President, Grayson College (also providing written testimony) (Self;
Grayson College), Denison, TX
Metke, Mike President (also providing written testimony) (Self; Tyler Junior College),
Tyler, TX
Paredes, Raymund Commissioner (also providing written testimony) (Texas Higher
Education Coordinating Board), Austin, TX
Reed, DR. Shirley President (also providing written testimony) (Self; South texas
college), Mcallen, TX
Thomas, Katherine Executive Director (also providing written testimony) (Texas Board of
Nursing), Austin, TX
Providing written testimony:
ON:
Carter, Janis Consultant (Dallas Citizen's Council), Austin, TX
Geary, Michael Director of Planning (Texas Conservative Coalition Research Institute),
Austin, TX
Monitoring Charge
ON:
Peebles, Rex Assistant Commissioner (also providing written testimony) (Texas Higher
Education Coordinating Board), Austin, TX
Puls, Charles Assistant Commissioner (also providing written testimony) (Texas Higher
Education Coordinating Board), Austin, TX


{% load highlight_mentions %}
{{ item.text|escape|linebreaksbr|urlize|safe|highlight_mentions:current_user.email }}


Tetris
Start Game
Credits
Tetris
< Go back to menu
Music and SFX by
Michał Karnasiewicz
Everything else by
Kacper 'rogemus' Rogowski
Whole code is available on the
GitHub
Game Over
🏆
Score
0
Submit Score
Restart Game


The Console Error Game
You have x errors.
You are making x errors per second.
Increase the boost by 2x.

I.P. Change: Requires 20 Tier IV Computers
Network: Requires 60 Tier IX Computers
You have gained a total of X errors.
You have played for X.
You upgraded your computers, X times.
You have X new computers.
You have X networks.
Soon™


I'm a Software Engineer with experience in Traditional Finance (Payment systems and Collective Investment Trusts) who's very excited about DeFi.
Currently located in Baltimore, Maryland but can usually be found where the snow is better
View ResumeTook part in a fellowship program with Gnosis Builders, where I helped to improve their chain analytics and with the launch of the new documentation site. My primary area of focus was around bridging, where I also got experience with a production issue. I currently operate a validator for Gnosis on my old college laptop as well.
SWE building out front end (React js) and smart contract integration (Rust, CosmWasm) for a decentralized exchange built on Terra. Users could trade the Luna/UST pair. Right as we were preparing for testnet launch the Terra ecosystem collapsed, killing the project :(
Using Python with NumPy. Determines a match based off smallest dot product between projections.
Did this as a take home interview project. I didn't get the job but the project was pretty cool and took a lot of work.
Want to talk about Decentralized Finance? (Web scrapers - nothing to see here)
Send Me an Email


Recent Posts
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{% for post in site.posts limit: 5 %}
-
{{ post.title }}
{{post.summary}}
{% endfor %}
---
layout: home
---
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{% for post in site.posts limit: 5 %}
Read All
{{ post.title }}


| 011:087 Khan | : |
They said: "O Shu'aib! Does your Salat (prayer) (i.e. the prayers which you offer has spoiled your mind, so you) command that we leave off what our fathers used to worship, or that we leave off doing what we like with our property? Verily, you are the forbearer, right-minded!" (They said this sarcastically). |
| 011:087 Maulana | : |
They said: O Shu'aib, does thy prayer enjoin thee that we should forsake what our fathers worshipped or that we should not do what we please with regard to our property? Forsooth thou art the forbearing, the right-directing one! |
| 011:087 Pickthal | : |
They said: O Shu'eyb! Doth thy way of prayer command thee that we should forsake that which our fathers (used to) worship, or that we (should leave off) doing what we will with our own property. Lo! thou art the mild, the guide to right behaviour. |
| 011:087 Rashad | : |
They said, "O Shu'aib, does your religion dictate upon you that we must abandon our parents' religion, or running our businesses in any manner we choose? Surely, you are known for being clement, wise." |
| 011:087 Sarwar | : |
They asked him, "Shu'ayb, do your prayers tell you that we must give up the worship of what our fathers had worshipped and that we must not deal with our properties as we like? We still believe that you are a person of forbearance and understanding." |
| 011:087 Shakir | : |
They said: O Shu'aib! does your prayer enjoin you that we should forsake what our fathers worshipped or that we should not do what we please with regard to our property? Forsooth you are the forbearing, the right-directing one. |
| 011:087 Sherali | : |
They replied, 'O Shu'aib, does thy Prayer bid thee that we should leave what our fathers worshiped, or that we cease to do with our property what we please? Surely, thou dost consider thyself very intelligent and right-minded.' |
| 011:087 Yusufali | : |
They said: "O Shu'aib! Does thy (religion of) prayer command thee that we leave off the worship which our fathers practised, or that we leave off doing what we like with our property? truly, thou art the one that forbeareth with faults and is right-minded!" |
Concepts/Themes Covered: تنظيم العلاقات المالية > الأموال Organizing Financial Relationships>Wealth Property
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


WARLOCK A review in the public domain by The Phantom<EMAIL_ADDRESS>Surprise of surprises, WARLOCK was actually released -- to a paying audience -- in New York City, the place the Phantom calls home. This caught the Phantom somewhat off-guard, as he expected that WARLOCK would suffer a fate similar to that of BRIDE OF REANIMATOR, which is even now shocking unsuspecting parents of the twelve-year-olds who are renting it in droves from Blockbusters across the country. The long-awaited sequel to the cult classic REANIMATOR got either no theatrical release, or such a limited run that it made no difference; for all intents and purposes, the film went straight from the mind of Stuart Gorden to a half-dozen video duplicators across the country.
Such things depress the Phantom, for he knows that there is a market for horror out there, if only the independent production companies responsible for most of it could muscle their way into our increasingly monopolized theater chains. Getting an independent film into movie houses is no mean feat these days, even -- or perhaps especially -- in New York, which has been neatly divvied up by MCA/Universal on one hand and Loews/Paramount on the other. These days, some films are playing everywhere, and some almost nowhere, and never does it have anything to do with the quality or type of film -- just the distributor.
WARLOCK's story is slightly different: it was one of the last few films still on the shelf at New World Pictures when that 'B' movie powerhouse found that all its low-grossing schlock had come back to haunt it straight into Chapter 11 proceedings. Even two hit television series (The Wonder Years and Tour of Duty) couldn't save it, and when the lawyers had finally finished picking over its corpse, there was WARLOCK, still in the can. It appears that rather than let it go completely to waste, some small and limited distribution was made overseas (the Phantom believes that it may have had its world premiere in Australia, of all places), followed quickly by an equally brief showing stateside. As the lights dimmed and the film began, the Phantom was pleased to note the many scratches and splices that this "New York premiere" copy of the print already contained. Sadly, that print had seen more states, more countries, and the insides of more theater auditoriums than the Phantom is ever likely to see in his lifetime.
(THE PUNISHER, WARLOCK's brother on the shelf at New World when the debt hit the fan, is likely to suffer a similar fate; both films were advertised in in-theater previews two years ago, and it's only now that WARLOCK is seeing the light of day. The Phantom is still rather eagerly awaiting the estimable Mr. Dolph Lundgren in his near-Shakespearean, sure-to-be-remembered-at-Oscar-time performance.)
That said, the Phantom should move on to the film itself, which turned out to be quite enjoyable in a low-key, low-rent sort of way. Directed by Steve Miner, WARLOCK feels very much like Miner's 1986 horror-comedy HOUSE, which turned out to be a surprise box-office hit.  Audiences responded well to its style and pacing, which resembled nothing so much as an extended episode of Tales from the Darkside. It was, in a way, the ARACHNOPHOBIA of its time -- though unlike ARACHNOPHOBIA, people actually went to see HOUSE.
WARLOCK tells the story of an upwardly-mobile demon, who travels through space and time in search of each of the pieces of the Devil's Bible (which in the film is referred to very gravely as "The Grand Grim Something-Or-Other" -- the Phantom can't quite remember, though everyone had very serious expressions on their faces when they said it). This anti-Bible, when reassembled, would also show the true name of God, which, if spoken backward, will cause all of existence to be uncreated -- a sure way to end the film, if there ever was one, so it pretty much guarantees that nothing of the sort will happen for at least 90 minutes. For reassembling the Bible, the Warlock would be rewarded by meeting the Cursed One himself, or by becoming his servant, or his chauffeur, or personal assistant, or something of that nature. In any case, it was a definite career advancement for this very 80's-style warlock. On second thought, perhaps the Warlock wanted to be more downwardly-mobile than upwardly-mobile.
With long blonde pony-tail, custom (all-black) tailoring, and a profile that looks like it came straight out of an Armani ad, Julian Sands plays a very charming demon. But trailing him out of the past -- in reverse TERMINATOR style -- is a certified "good guy" (to borrow a phrase from Chuckie) named Redferne, who is bent on avenging the death of his sweetheart. And has been so for centuries. Talk about grudges...
Redferne had last tangled with the Warlock in the film's opening scenes (set in late 17th century Massachusetts), and it was only by the narrowest of margins that the Warlock escaped public execution. Curiously, he was sentenced to be hung and then burned over a basket of live cats. The Phantom isn't sure what effect this last part of the sentence is supposed to have had -- perhaps baskets of live cats were used regularly as part of the complex criminal justice system of the late 17th century -- but as our Constitution now clearly prohibits allowing cats anywhere near a public execution, the Phantom suspects that such a sentence will come as quite a shock to some of the more liberal members of the audience. Frankly, the Phantom would consider even 100 hours of community service with a basket full of live cats to be cruel and inhuman punishment, and so he was once again reminded of just how lucky he is to be living in these more enlightened times.
Both the Warlock and Redferne pop up in late 80's Los Angeles, which seems less of a shock to the Warlock than it does to Redferne, who arrives (and remains) dressed somewhat peculiarly in furs, as if he had last been tracking the Warlock through 17th century Montana rather than pre-colonial Boston. One of the film's small in-jokes is that neither the Warlock nor Redferne attract much attention in L.A.
Also on hand is our heroine -- Kassandra (with a 'K') -- who makes the mistake of letting the Warlock get away with one of her personal objects; as it happens, one of her cheap plastic bracelets is all he needs to cast a devilish hex on her. This gives Kassandra some personal incentive -- beyond just the saving all of existence -- to help Redferne stop the Warlock from completing his task and getting that corner office in Hell.
The film focuses almost exclusively on the chase, and this is just as well, since it keeps the bogus Catholic theology to a minimum and the plot humming along. Other recent bogus Catholic theology horror films have fared both better and worse: THE EXORCIST III was a far superior film, but it took itself very seriously and was excessively stagey at times. On the other hand, no one -- apparently least of all the filmmakers -- took THE FIRST POWER very seriously, and in addition, it spent far too much time attempting to explain things and far too little time on acting lessons for Tracy Griffith for it to have been much good. (THE FIRST POWER was a terrible film, but in many ways it stands as the best homage ever made to one of the worst horror -- or mainstream -- films of all time, EXORCIST II: THE HERETIC, a film that featured nothing *but* pseudo-Catholic theology and fabulously bad acting.) WARLOCK, by way of contrast, uses the Warlock's quest for the Grim Whatever as the means to a very ordinary ends (a 60 minute chase with the requisite fight to the death before the closing credits); fortunately for us, it spares only the briefest of moments on all the theological mumbo-jumbo. In a sense, WARLOCK could be considered the HARD TO KILL of horror films, and with his excess of charm and male-model good looks, it's easy to think of the Warlock as the Steven Seagal of demons. Julian Sands plays the Warlock like Steven Seagal plays, well, Steven Seagal, and the Phantom could never shake the thought that at any moment the Warlock was going to take on a gang of bikers in a billiards parlor, swinging a pool cue in lethal fashion while keeping one eye on himself in the mirror over the bar. However, although the Warlock does engage in some gratuitous acts of violence early on, he soon limits himself to scuffling with old Mennonite farmers and threatening meek looking priests.
Things proceed pretty much as you might expect -- WARLOCK is a film that holds few surprises other than the timing and placement of a few assorted Spring-Loaded Cats -- but the film doesn't really suffer for being completely predictable any more than did THE TERMINATOR, on which it is quite obviously based. (WARLOCK also adds a dash of WITNESS and a pinch of THE OMEN, just to keep from being too bland.) Instead, its predictability and good humor are its assets and account for much of the film's considerable charm. As with HOUSE, there is little for all but the most severe critic to find fault with; it is a film that's much too easy-going to dislike. On the other hand, neither is it a film that will be much remembered in a few months -- like a good episode of Tales from the Darkside, one might think of it fondly for a week or two and then let it fade painlessly from memory. Unlike Tales from the Darkside, however, WARLOCK will be back to remind us all of its existence in a few months when it reincarnates itself as a video release in Blockbusters nationwide.
Among the film's high points are the acting, which is as good as it gets in this sort of film -- though the Warlock's first victim could give even Tracy Griffith a run for the worst actor of the nineties -- and the dialogue, which is unusually witty, especially when either the Warlock or Redferne is uttering an oath of some sort. Redferne's Scottish accent is a tad bizarre, and he says "Tarry not" a lot, but his speech and dialogue play off well against Kassandra's beach-bimbo L.A. chatter. There are continuity errors aplenty -- starting not even 10 seconds into the film with a pay telephone that rings as its receiver hangs at the end of its cord -- but the plot has no gaping holes and at least attempts to make sense when it needs to. And although the special effects sometimes seem to have been salvaged from POLTERGEIST's cutting room floor, they are mostly adequate and occasionally first-rate. As an added bonus, the editing is quite good and the music, by Jerry Goldsmith, is better than it has any right to be.
To be honest, WARLOCK isn't really worth seeing in the theaters (even if you can find a theater in which to see it). Better to wait a month or two and then check the recent release section at Blockbusters. The film's easy-going nature and general good humor will play just as well at home as it does in the theater, and the popcorn is free.
All in all, WARLOCK is not -- by any means -- a great horror film -- but it's entertaining and diverting, and the Phantom recommends that you give it a try, especially if you're looking for something a little lighter than the standard horror fare.
: The Phantom<EMAIL_ADDRESS>: {cmcl2,uunet}!esquire!baumgart
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


about me
Hi! I'm Rosa!
I'm currently a junior majoring in Computer Science at NYU - College of Arts and Science. I am originally from Georgia and I have been living in NYC for 2 years.
I like to call myself a creative technology enthusiast because and I am really passionate about technology as a whole and I love to learn new things everyday. This is my blog dedicated to the design work that I have done. My second passion after technology is definitely food, so if you want to check out some cool places to eat in the city , or just want to hang out, I am definitely in.
Check out my resume below and send me a message if you want to chat!
skills
Computer Science
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Java
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Data Structures
-
Python
-
C
Web Developing
-
HTML//CSS
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JQuery
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MySQL//MongoDB
-
PHP
Graphic Design
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Photoshop
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InDesign
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Illustrator
Miscellaneous
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Final Cut Pro X
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Adobe Premiere
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AutoCAD
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Java
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Data Structures
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Python
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C
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HTML//CSS
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JQuery
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MySQL//MongoDB
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PHP
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Photoshop
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InDesign
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Illustrator
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Final Cut Pro X
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Adobe Premiere
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AutoCAD
contact
Thanks for checking out my page! Send me a message by filling out the form below or email me directly at<EMAIL_ADDRESS>Bye!


Factory methods for creating various Maps.
Example
// maps userId (int) to name (String)
var userNames :Map = Maps.newMapOf(int);
// maps a Hashable Page class to page objects, in a cache: pages will expire when they
// are no longer externally referenced.
var pages :Map = Maps.newBuilder(Page).makeWeakValues().build();
public static function equals(map1:Map, map2:Map):Boolean
Do the two Maps contain the same keys and values?
Parameters
Returns
public static function filter(map:Map, condition:Function, transform:Function = null):Array
Filters all the entries in a map against a condition, transforms those that meet the
condition and returns an array of the transformed, filtered entries.
Parameters
| map:Map — the map whose entries are to be filtered
|
| |
| condition:Function — the function to test whether to include an entry:
function condition (key :Object, value :Object) :Boolean
|
| |
| transform:Function (default = null ) — the function to obtain an entry in the resulting array:
function transform (key :Object, value :Object) :Object
If the transform is null, the map values are returned.
|
Returns
public static function findKey(map:Map, value:Object):*
Return the first key found for the specified value, or undefined if not found.
Parameters
Returns
public static function newBuilder(keyClazz:Class):MapBuilder
Create a MapBuilder for creating a more complicated Map type.
Parameters
Returns
Example
// builds a sorted, weak-value Map.
var myMap :Map = Maps.newBuilder(String)
.makeSorted()
.makeWeakValues()
.build();
public static function newMapOf(keyClazz:Class):Map
Create a new Map designed to hold keys of the specified class.
If the class is Hashable (but not an Enum), or is String, then a HashMap will be used,
otherwise a DictionaryMap. If your key type is not Hashable, then be sure that
reference equality (the == operator) can be used to compare your keys!
Parameters
Returns
public static function newSortedMapOf(keyClazz:Class, comp:Function = null):Map
Create a new sorted Map designed to hold keys of the specified class.
If the comparator is omitted, it is determined from the keyClazz, or falls back to
Comparators.compareUnknown.
This is a convenience for calling newBuilder(keyClazz).makeSorted(comp).build();
Parameters
| keyClazz:Class |
| |
| comp:Function (default = null )
|
Returns
public static function selectKey(key:Object, value:Object):Object
Returns the key of a map entry (for use as a transform function in filter
).
Parameters
Returns
public static function selectValue(key:Object, value:Object):Object
Returns the value of a map entry (for use as a transform function in filter
).
Parameters
Returns
public static function some(map:Map, condition:Function):Boolean
Tests if at least one entry in a map meets a condition.
Parameters
| map:Map — the map whose entries are to be tested
|
| |
| condition:Function — a function that tests a map entry:
function predicate (key :Object, value :Object) :Boolean
|
Returns
Copyright © 2007-2009 Three Rings Design, Inc.


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Add a LIMIT clause to the given SQL SELECT
The LIMIT SQL will look like:
WITH query AS (SELECT TOP 100 percent ROW_NUMBER() OVER (ORDER BY
CURRENT_TIMESTAMP) as __row_number__, * from table_name) SELECT * FROM
query WHERE __row_number__ BETWEEN :offset and :lastRows ORDER BY
__row_number__


Note: Your Wii U has to be in the same network as your computer. Possibly also turn off your virus scanner and Firewall since they may interfere with the connection.


tmpnb
{% if is_user_path %}
The server you requested is no longer running or it doesn't exist.
{% end %}Starting a new notebook server, just for you...
The server you requested is no longer running or it doesn't exist.
{% end %}Starting a new notebook server, just for you...


After graduating from the Technical School of Mechanical Engineering in the Czech Republic I have decided to get a priceless continuing education from the world renowned University of Write your own story.
I left the Czech Republic and moved to London where I spent 3 years observing, studying and learning the English language. Graduating from (CABE) the Cockney Academy of Bad English which provided me with the necessary communication skills and I decided to put all this knowledge to the test by working on additional degrees around the World. My Bachelor's was worked on at the Safari International School in East Africa with majors in Photoraphy and Interpersonal International Human Studies. Travelling through Kenya, Tanzania, Zimbabwe and South Africa allowed me to master the amazing language of Arms and Legs and properly communicate and explore local culture. In fall of 1999 I travelled to Australia for my Gap Year where I expanded my horizons on many levels by networking with travellers from other parts of the world.
Upon my return to Europe where I stayed for 6 months, I decided that it was time to hit the road again and in February 2001 I landed in Charlotte. By accident I may add and was only planning on staying for one year. Did not really worked out that way. I worked my way up through multiple restaurant jobs until about 6 years ago when I got the opportunity to work for a company with great values, ethics and people that care about their employees. Because of all those qualities I made a decision to make the U.S. my permanent home and in 2016 I became citizen. I also believe the it is extremely important to give back and my community involvment includes work with Susan G. Komen Foundation, Pilots & Paws, Sustain Charlotte and the U.S. Green Building Council.


Hi, I'm Taylor!
Highlights of my art and design
Check out or download my resume
Feel free to shoot me an email


"x" "1" "IWATA,T, KUNIBA,S, YAMAGUCHI,K, ARIGA,F AND HIRAMATSU,Y, MUTAGENICITYTESTS ON OXYBUTYNIN HYDROCHLORIDE, YAKURI TO CHIRYO 13(11):6637-6643,1985"


SotN Pathfinding
Select start and end room.
Find
Reset
Start:
X:
Y:
End:
X:
Y:
Distance:
PREVIOUS
Start:
X:
Y:
End:
X:
Y:
Distance:


Keyword: ROS, Python, OpenCV, Robot manipulation
The goal of this project was to pick and place six objects as quickly as possible. To accomplish this the camera in Baxter's hand was used to search for circles and then move to pickup the object. Canny detection for recognizing the circle. Right before the object is grasped the color of the object is determined with the hand camera and then placed into one or two boxes depending on which color the object is.
GUI is also designed for this project includes several opportunities for the operator to intervene if Baxter makes a mistake.
Go BackCredit: This website is based on a theme created by Start Bootstrap


Paris
We built Paris
Contrary to popular belief, Lorem Ipsum is not simply random text.  Richard McClintock, a Latin professor at Hampden-Sydney College in Virginia, looked up one of the more obscure Latin words, consectetur, from a Lorem Ipsum passage, and going through the cites of the word in classical literature, discovered the undoubtable source. Lorem Ipsum comes from sections 1.10.32 and 1.10.33 of "de Finibus Bonorum et Malorum" (The Extremes of Good and Evil) by Cicero, written in 45 BC. Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmodtempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam. proident, sunt in culpa qui officia deserunt mollit anim id est laborum.Contrary to popular belief, Lorem Ipsum is not simply random text.  Richard McClintock, a Latin professor at Hampden-Sydney College in Virginia, looked up one of the more obscure Latin words, consectetur, from a Lorem Ipsum passage, and going through the cites of the word in classical literature, discovered the undoubtable source. Lorem Ipsum comes from sections 1.10.32 and 1.10.33 of "de Finibus Bonorum et Malorum" (The Extremes of Good and Evil) by Cicero, written in 45 BC. Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
Paris
We built Paris
Newyork
We built Newyork
Sanfran
We built Sanfran


The Best Meditation Retreats In The World
by Miriam PorterThis story was written in collaboration with Forbes Finds . Forbes Finds covers products and experiences we think you’ll love. Featured products are independently selected and linked to for your convenience. If you buy something using a link on this page, Forbes may receive a small share of that sale.
Meditation retreats are becoming more popular as our world becomes increasingly hectic and busy. These days many travelers are looking to incorporate wellness in their vacations to maintain optimal health and emotional well-being. These retreats can offer you the guidance and inspiration you may be looking for in order to unplug, decompress, and find peace and harmony. Some of these programs occur in one day while others span a week or more and may even incorporate a training program. Each of these meditation destinations offer something unique to help you achieve a state of om.
Ontario Vipassana Centre (Ontario, Canada)
Vipassana, first taught 2,500 years ago, is one of India’s oldest forms of meditation. Ontario Vipassana Center offers practical methods of self-awareness and teaches you how to find life balance in its ten-day meditation retreat. This program includes nine days of silence where you also refrain from any actions that are considered harmful to yourself or anyone else.  The retreat is located about an hour from Toronto in Egbert, Ontario.
Wat Suan Mokkh International Dharma Hermitage (Thailand)
If a trip to Thailand is on your radar, Wat Suan Mokkh International Dharma Hermitage offers a ten-day silent meditation retreat on the first of each month. All talks and instructions are given in English, and registration is in person only. If this schedule doesn’t work for you, it’s possible to visit the main monastery at Suan Mokkh between retreats and do your own practice. People attend from all over the world to experience various aspects of the Buddha’s teaching. The retreat offers simple living conditions in close proximity with nature.
Bali Eco Stay (Bali, Indonesia)
Over the years Bali has become a favorite destination for travelers looking to unwind and surround themselves in paradise off the beaten path. Bali Eco Stay is a green sanctuary located in the heart of Bali where you can truly connect with nature. There are stunning open-air overwater bungalows with views of rice paddies, mountains and stunning forests. If you are already part of a retreat group this is the ideal location to book, and they can be reserved for exclusive use for up to 25 people.
Kripalu Center For Yoga & Health (Stockbridge, Massachusetts)
If you love yoga then Kripalu Center for Yoga & Health in the Berkshires may be your dream come true. It is situated on 100 peaceful acres in Stockbridge, Massachusetts, in the middle of the stunning Yokun Ridge. You can sign up for a course or presenter-lead program including Spiritual Practice and Meditation. The center offers day passes so you can arrive super early and stay until dusk, or sign up for their accommodations that are simple and comfortable in keeping with the tradition of retreat-style housing.
Shamballah Yoga Retreat (Portugal)
If you have always wanted to combine meditation with surfing you need to visit Shamballah Yoga Retreat in Sintra, Portugal. The Surf, Yoga and Meditation Retreat includes surf lessons, yoga classes, guided meditations and delicious healthy meals. Their meditation sessions are aimed at anyone who is seeking balance, peace, clarity and happiness. Accommodations are included and located just a short walk from the exquisite coastline in Sintra’s National Park. Guided walks, forest therapy, sound journeys and Pilates are also available. The closest airport to Shamballah is in Lisbon, some 25 miles away.
Tushita Meditation Centre (India)
India is of course a natural fit for meditation and Tushita Meditation Center is perfect for the study and practice of Buddhism. The philosophies originate from the Tibetan Mahayana tradition. If you want to learn the teachings of the Buddha and put them into practice, courses here aim to set you on this path. The center also offers group retreats and drop-in sessions. Tushita Meditation Centre is located on a mountain slope surrounded by forest and the Dhauladhar range near the town of McLeod Ganj. Their meditations are based on the tradition of Lama Tsong Khapa of Tibet.
Vipassana Hawai’i (Hawaii)
The Buddha teachings at Vipassana Hawai’i stem from the Pali Canon of the Theravada Buddhist tradition. The aim is total happiness and peace through mindful presence as it relates to your life. The retreat is located on 30 acres in the district of beautiful North Kohala, which is at the northern tip of the island. They offer several programs in accordance with Buddhist Theravadic teachings including Sunday meditation sittings in North Kohala where all are welcome, just bring a cushion.


Token {{ .name }}
This token has access to the following scopes
Your API Key is {{ .apiKey }}
Make a copy of it because you won't see it again


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Welcome to our store
This store is buying very delicious handmade Salmon Cookies . its made with a lot of love and passion . it has five branches in different countries . you can cheack and see all branches from here
This store is buying very delicious handmade Salmon Cookies . its made with a lot of love and passion . it has five branches in different countries . you can cheack and see all branches from here


docker search
Description
Search the Docker Hub for images
Usage
docker search [OPTIONS] TERM
Options
| Name, shorthand | Default | Description |
--automated |
deprecated Only show automated builds |
|
--filter , -f |
Filter output based on conditions provided | |
--format |
Pretty-print search using a Go template | |
--limit |
25 |
Max number of search results |
--no-trunc |
Don’t truncate output | |
--stars , -s |
deprecated Only displays with at least x stars |
Parent command
| Command | Description |
|---|---|
| docker | The base command for the Docker CLI. |
Extended description
Search Docker Hub for images
See Find Public Images on Docker Hub for more details on finding shared images from the command line.
Note: Search queries return a maximum of 25 results.
Examples
Search images by name
This example displays images with a name containing ‘busybox’:
$ docker search busybox
NAME DESCRIPTION STARS OFFICIAL AUTOMATED
busybox Busybox base image. 316 [OK]
progrium/busybox 50 [OK]
radial/busyboxplus Full-chain, Internet enabled, busybox made... 8 [OK]
odise/busybox-python 2 [OK]
azukiapp/busybox This image is meant to be used as the base... 2 [OK]
ofayau/busybox-jvm Prepare busybox to install a 32 bits JVM. 1 [OK]
shingonoide/archlinux-busybox Arch Linux, a lightweight and flexible Lin... 1 [OK]
odise/busybox-curl 1 [OK]
ofayau/busybox-libc32 Busybox with 32 bits (and 64 bits) libs 1 [OK]
peelsky/zulu-openjdk-busybox 1 [OK]
skomma/busybox-data Docker image suitable for data volume cont... 1 [OK]
elektritter/busybox-teamspeak Lightweight teamspeak3 container based on... 1 [OK]
socketplane/busybox 1 [OK]
oveits/docker-nginx-busybox This is a tiny NginX docker image based on... 0 [OK]
ggtools/busybox-ubuntu Busybox ubuntu version with extra goodies 0 [OK]
nikfoundas/busybox-confd Minimal busybox based distribution of confd 0 [OK]
openshift/busybox-http-app 0 [OK]
jllopis/busybox 0 [OK]
swyckoff/busybox 0 [OK]
powellquiring/busybox 0 [OK]
williamyeh/busybox-sh Docker image for BusyBox's sh 0 [OK]
simplexsys/busybox-cli-powered Docker busybox images, with a few often us... 0 [OK]
fhisamoto/busybox-java Busybox java 0 [OK]
scottabernethy/busybox 0 [OK]
marclop/busybox-solr
Display non-truncated description (--no-trunc)
This example displays images with a name containing ‘busybox’, at least 3 stars and the description isn’t truncated in the output:
$ docker search --stars=3 --no-trunc busybox
NAME DESCRIPTION STARS OFFICIAL AUTOMATED
busybox Busybox base image. 325 [OK]
progrium/busybox 50 [OK]
radial/busyboxplus Full-chain, Internet enabled, busybox made from scratch. Comes in git and cURL flavors. 8 [OK]
Limit search results (--limit)
The flag --limit
is the maximum number of results returned by a search. This value could
be in the range between 1 and 100. The default value of --limit
is 25.
Filtering
The filtering flag (-f
or --filter
) format is a key=value
pair. If there is more
than one filter, then pass multiple flags (e.g. --filter "foo=bar" --filter "bif=baz"
)
The currently supported filters are:
- stars (int - number of stars the image has)
- is-automated (boolean - true or false) - is the image automated or not
- is-official (boolean - true or false) - is the image official or not
stars
This example displays images with a name containing ‘busybox’ and at least 3 stars:
$ docker search --filter stars=3 busybox
NAME DESCRIPTION STARS OFFICIAL AUTOMATED
busybox Busybox base image. 325 [OK]
progrium/busybox 50 [OK]
radial/busyboxplus Full-chain, Internet enabled, busybox made... 8 [OK]
is-automated
This example displays images with a name containing ‘busybox’ and are automated builds:
$ docker search --filter is-automated busybox
NAME DESCRIPTION STARS OFFICIAL AUTOMATED
progrium/busybox 50 [OK]
radial/busyboxplus Full-chain, Internet enabled, busybox made... 8 [OK]
is-official
This example displays images with a name containing ‘busybox’, at least 3 stars and are official builds:
$ docker search --filter "is-official=true" --filter "stars=3" busybox
NAME DESCRIPTION STARS OFFICIAL AUTOMATED
progrium/busybox 50 [OK]
radial/busyboxplus Full-chain, Internet enabled, busybox made... 8 [OK]
Format the output
The formatting option (--format
) pretty-prints search output
using a Go template.
Valid placeholders for the Go template are:
| Placeholder | Description |
|---|---|
.Name |
Image Name |
.Description |
Image description |
.StarCount |
Number of stars for the image |
.IsOfficial |
“OK” if image is official |
.IsAutomated |
“OK” if image build was automated |
When you use the --format
option, the search
command will
output the data exactly as the template declares. If you use the
table
directive, column headers are included as well.
The following example uses a template without headers and outputs the
Name
and StarCount
entries separated by a colon for all images:
{% raw %}
$ docker search --format "{{.Name}}: {{.StarCount}}" nginx
nginx: 5441
jwilder/nginx-proxy: 953
richarvey/nginx-php-fpm: 353
million12/nginx-php: 75
webdevops/php-nginx: 70
h3nrik/nginx-ldap: 35
bitnami/nginx: 23
evild/alpine-nginx: 14
million12/nginx: 9
maxexcloo/nginx: 7
{% endraw %}
This example outputs a table format:
{% raw %}
$ docker search --format "table {{.Name}}\t{{.IsAutomated}}\t{{.IsOfficial}}" nginx
NAME AUTOMATED OFFICIAL
nginx [OK]
jwilder/nginx-proxy [OK]
richarvey/nginx-php-fpm [OK]
jrcs/letsencrypt-nginx-proxy-companion [OK]
million12/nginx-php [OK]
webdevops/php-nginx [OK]
{% endraw %}


WITNESS LIST Business & Industry Committee March 11, 2003-2:00P HB 1156 For: Huff, Curtis (Self) Lebowitz, J. Leon (Self) Miller, Elizabeth (Self) Robertson, Daryl (Texas Business Law Foundation) On: Flores, Carmen (Office of the Secretary of State) Registering, but not testifying: For: Hammond, Bill (TX Assoc Business) HB 1165 For: Huff, Curtis (Self) Lebowitz, J. Leon (Self) Whitlock, Bradley L. (Texas Business Law Foundation) On: Flores, Carmen (Office of the Texas Secretary of State) HB 1394 For: Bartlett, Roger A. (TX. Business Law Foundation) HB 1637 For: Miller, Elizabeth S. (Self) On: Flores, Carmen (Office of the Secretary of State)


There is a growing interest in enabling communities to cooperate among themselves to solve problems in times of crisis, whether it be to advertise where supplies are held, offer assistance for collections, or other local services like volunteer deliveries.
For example, with the 2020 SARS-COV-2 (COVID-19 or “Novel Coronavirus”) crisis, federal and local governments may be rolling out broad programs, but cooperation at the local level is usually the most effective way of getting help to where it is most needed as quickly as possible. Traditional social media is one way of communicating within a community, but this is often not sufficiently structured to enable rapid discovery of help needed.
In the current crisis, we have already seen shortages of local food, medical equipment, and other supplies. In addition, the recommended (or required) self-isolation and social distancing measures can compound the problem by preventing people from easily getting to locations with the best stocks of supplies.
What is needed is a solution that empowers communities to easily connect and provide this information to each other.
Lets get in touch and talk about your next project.


Summary data file - AgeFirstBirth_Pooled.txt - Association results (AFB). All cohorts except 23andMe.
Summary data file - NumberChildrenEverBorn_Pooled.txt - Association results (NEB). All cohorts except 23andMe.
Summary data file - AgeFirstBirth_Female.txt - Association results (AFB), Women only. All cohorts except 23andMe.
Summary data file - NumberChildrenEverBorn_Female.txt - Association results (NEB), Women only. All cohorts except 23andMe.
Summary data file - AgeFirstBirth_Male.txt - Association results (AFB), Men only. All cohorts except 23andMe.
Summary data file - NumberChildrenEverBorn_Male.txt - Association results (NEB), Men only. All cohorts except 23andMe.
Supported by:


| |
Min / Max by Year
| YEAR |
MAX ELEVATION |
MIN ELEVATION |
DIFFERENCE |
MAX AIR TEMP |
MIN AIR TEMP |
MAX WATER TEMP |
MIN WATER TEMP |
| 2020 |
3608.73 |
3606.98 |
1.75 |
53.0 |
0.0 |
50.0 |
47.0 |
| 2019 |
3621.68 |
3568.51 |
53.17 |
104.0 |
0.0 |
82.0 |
45.0 |
| 2018 |
3622.74 |
3581.85 |
40.89 |
106.0 |
18.0 |
80.0 |
47.0 |
| 2017 |
3635.80 |
3593.85 |
41.95 |
108.0 |
21.0 |
81.0 |
47.0 |
| 2016 |
3621.45 |
3591.14 |
30.31 |
109.0 |
0.0 |
82.0 |
47.0 |
| 2015 |
3614.32 |
3589.82 |
24.50 |
107.0 |
19.9 |
81.0 |
47.0 |
| 2014 |
3609.72 |
3574.21 |
35.51 |
99.0 |
21.9 |
80.0 |
45.0 |
| 2013 |
3609.59 |
3584.43 |
25.16 |
99.0 |
12.0 |
80.0 |
43.0 |
| 2012 |
3639.62 |
3609.77 |
29.85 |
99.0 |
21.0 |
81.0 |
47.0 |
| 2011 |
3660.90 |
3609.70 |
51.20 |
99.0 |
1.0 |
82.0 |
45.0 |
| 2010 |
3638.82 |
3618.62 |
20.20 |
106.0 |
19.0 |
84.0 |
48.0 |
| 2009 |
3642.30 |
3609.70 |
32.60 |
107.1 |
16.0 |
80.0 |
47.0 |
| 2008 |
3633.72 |
3588.24 |
45.48 |
102.9 |
15.1 |
81.0 |
45.0 |
| 2007 |
3611.68 |
3594.64 |
17.04 |
106.0 |
12.9 |
82.0 |
45.0 |
| 2006 |
3610.87 |
3588.66 |
22.21 |
106.0 |
18.0 |
83.0 |
46.0 |
| 2005 |
3608.38 |
3555.10 |
53.28 |
107.1 |
15.1 |
83.0 |
48.0 |
| 2004 |
3597.06 |
3564.42 |
32.64 |
102.0 |
18.0 |
80.0 |
45.0 |
| 2003 |
3619.94 |
3597.22 |
22.72 |
107.1 |
19.9 |
83.0 |
47.0 |
| 2002 |
3656.08 |
3620.10 |
35.98 |
107.1 |
17.1 |
82.0 |
46.0 |
| 2001 |
3673.02 |
3656.17 |
16.85 |
102.9 |
17.1 |
80.0 |
46.0 |
| 2000 |
3683.40 |
3669.89 |
13.51 |
107.0 |
17.0 |
85.0 |
48.0 |
| 1999 |
3694.73 |
3677.20 |
17.53 |
110.0 |
17.0 |
79.5 |
50.0 |
| 1998 |
3697.06 |
3672.81 |
24.25 |
107.0 |
15.0 |
82.0 |
50.0 |
| 1997 |
3695.09 |
3663.08 |
32.01 |
120.0 |
18.0 |
80.5 |
50.0 |
| 1996 |
3688.31 |
3671.79 |
16.52 |
107.0 |
16.0 |
80.0 |
52.0 |
| 1995 |
3693.75 |
3644.59 |
49.16 |
115.0 |
20.0 |
n/a |
n/a |
| 1994 |
3665.75 |
3650.02 |
15.73 |
110.0 |
19.0 |
n/a |
n/a |
| 1993 |
3668.70 |
3612.46 |
56.24 |
106.0 |
18.0 |
n/a |
n/a |
| 1992 |
3634.01 |
3615.91 |
18.10 |
105.0 |
15.0 |
n/a |
n/a |
| 1991 |
3639.02 |
3624.55 |
14.47 |
103.0 |
12.0 |
n/a |
n/a |
| 1990 |
3658.42 |
3633.48 |
24.94 |
110.0 |
4.0 |
n/a |
n/a |
| 1989 |
3679.73 |
3658.46 |
21.27 |
109.0 |
-2.0 |
n/a |
n/a |
| 1988 |
3693.31 |
3679.76 |
13.55 |
106.0 |
13.0 |
n/a |
n/a |
| 1987 |
3698.47 |
3677.47 |
21.00 |
102.0 |
12.0 |
n/a |
n/a |
| 1986 |
3700.02 |
3680.68 |
19.34 |
104.0 |
17.0 |
n/a |
n/a |
| 1985 |
3700.12 |
3674.82 |
25.30 |
106.0 |
12.0 |
n/a |
n/a |
| 1984 |
3702.46 |
3672.99 |
29.47 |
102.0 |
17.0 |
n/a |
n/a |
| 1983 |
3708.34 |
3682.01 |
26.33 |
102.0 |
18.0 |
n/a |
n/a |
| 1982 |
3687.83 |
3661.89 |
25.94 |
103.0 |
10.0 |
n/a |
n/a |
| 1981 |
3681.38 |
3667.47 |
13.91 |
106.0 |
21.0 |
n/a |
n/a |
| 1980 |
3700.59 |
3672.45 |
28.14 |
105.0 |
25.0 |
n/a |
n/a |
| 1979 |
3684.77 |
3626.93 |
57.84 |
106.0 |
9.0 |
n/a |
n/a |
| 1978 |
3652.75 |
3622.29 |
30.46 |
105.0 |
5.0 |
n/a |
n/a |
| 1977 |
3655.40 |
3630.05 |
25.35 |
107.0 |
14.0 |
n/a |
n/a |
| 1976 |
3672.27 |
3655.31 |
16.96 |
106.0 |
15.0 |
n/a |
n/a |
| 1975 |
3674.93 |
3645.34 |
29.59 |
103.0 |
16.0 |
n/a |
n/a |
| 1974 |
3667.35 |
3646.92 |
20.43 |
107.0 |
7.0 |
n/a |
n/a |
| 1973 |
3648.84 |
3590.60 |
58.24 |
107.0 |
16.0 |
n/a |
n/a |
| 1972 |
3619.71 |
3603.02 |
16.69 |
108.0 |
15.0 |
n/a |
n/a |
| 1971 |
3622.34 |
3598.80 |
23.54 |
108.0 |
3.0 |
n/a |
n/a |
| 1970 |
3601.77 |
3566.62 |
35.15 |
108.0 |
14.0 |
n/a |
n/a |
| 1969 |
3581.18 |
3539.39 |
41.79 |
107.0 |
18.0 |
n/a |
n/a |
| 1968 |
3550.38 |
3513.30 |
37.08 |
106.0 |
8.0 |
n/a |
n/a |
| 1967 |
3532.85 |
3502.23 |
30.62 |
106.0 |
4.0 |
n/a |
n/a |
| 1966 |
3545.68 |
3521.45 |
24.23 |
106.0 |
11.0 |
n/a |
n/a |
| 1965 |
3534.63 |
3490.76 |
43.87 |
110.0 |
20.0 |
n/a |
n/a |
| 1964 |
3491.99 |
3394.50 |
97.49 |
107.0 |
8.0 |
n/a |
n/a |
| 1963 |
3409.60 |
3409.00 |
0.60 |
106.0 |
7.0 |
n/a |
n/a |
Search DB for more Lake Powell Water Data Facts
Measurements are taken at 11:59 pm of the date listed
Temperature data is from Wahweap, AZ Water temperature data is from wayneswords.com*
CHANGE represents water elevation change from previous day
Units used in each measurement:
Elevation - Feet above sea level
Change - Feet difference over previous measurement
Content - Acre Feet
Inflow - Acre Feet per day
Outflow - Acre Feet per day
All Temps - Degrees Farhenheit
The Water Year runs from October 1 to September 30 of the next year
Acre Feet = * Flow CFS
TP = Total Precipitation
Page took 0.105 seconds to create!
Copyright Summit Technologies, Inc.
Water data courtesy of US Bureau of Reclamation
*Air temp data is sourced from (Prev 24 Hr Extremes):
Weather
Weather forecast for
All data is provisional and subject to review and modification
USBR Source Data
|


2007
| Mechanical Clock |
Dec 2007 |
Two classmates and I worked together to design and build a
mechanical clock. The clock, made of lasercut Delrin plastic,
used a Swiss-lever escapement and pendulum to keep time.
|
engineering model of the final clock assembly
|
|
initial design sketches
|
Swiss lever escapement
|
|
final, assembled clock
|
|
Daniel Grieneisen, Christina Powell |
| Bio-inspired Swimming Toy |
Nov 2007 - Dec 2007 |
I designed a shark-inspired swimming toy for children as
part of my Design Nature course. The waterproof toy was
powered by a single servo motor and onboard electronics.
|
conceptual sketches
|
early CAD model
|
|
final, assembled swimmer
|
presenting the toy to fourth grade students
|
|
Andrea Lai, Katie Sullivan |
| Baja SAE Autimotive Design |
Oct 2007 - Dec 2009 |
Interested by the inner workings of cars, I joined the
Olin College Phoenix Racing team.
Along with a team of other engineering students, we designed
and built an off-road vehicle in our spare time to compete
in the SAE Mini Baja competition. As part of the team
charged with designing the chassis, I helped design a
rules-compliant frame and performed a series of structural
engineering tests (finite element analysis). I further
helped with machining and designing the electrical system.
|
finite element analysis of 2008 chassis
|
|
vehicle during testing
|
team at competition
|
|
final adjustments
|
vehicle at competition
|
|
team of 20+ students |
| Biomimetic Jumping Mechanism |
Sept 2007 - Oct 2007 |
I designed, prototyped, simulated, and built a mechanism
inspired by a grasshopper that could jump several body
lengths. The final mechanism was built with lasercut
Delrin plastic and latex tubing.
|
engineering model of jumping mechanism
|
|
early sketchbook idea
|
foamboard prototype
|
|
evolution of design
|
|
final hopper
|

|
| Physics Research Project |
Jan 2006 - May 2007 |
After a series of electronics failures at Brookhaven National
Laboratory (BNL) of equipment near the particle detectors, I
examined the effects of fringe magnetic fields (50-200 Guass) on cooling fan
behavior. I found that the fan's response is highly dependent
on the orientation with respect to the field – an observation
that matched the failure pattern. My results were presented
at BNL and CERN and I gave poster and oral presentations at
the American Association of Physics Teachers / American
Astronomical Society joint meeting in January 2007.
|
detector at Brookhaven National Lab (source: BNL)
|
AAS / AAPT joint meeting in Seattle
|
|
custom test solenoid
|
test setup
|
|
Fr. Thomas McShane (faculty) |
|
Metropolitan Science and Engineering Fair: 1st place Physics, Computer Science, & Engineering project; 3rd place Grand Prize; 2nd place Armed Forces Award, University of Nebraska at Lincoln Best Engineering/Physics Project Nebraska Junior Academy of Sciences: Herbert Hoover Young Engineer Award; Finalist |
previous year | timeline | next year


| geom_crossbar {ggplot2} | R Documentation |
Various ways of representing a vertical interval defined by x
,
ymin
and ymax
. Each case draws a single graphical object.
geom_crossbar( mapping = NULL, data = NULL, stat = "identity", position = "identity", ..., fatten = 2.5, na.rm = FALSE, orientation = NA, show.legend = NA, inherit.aes = TRUE ) geom_errorbar( mapping = NULL, data = NULL, stat = "identity", position = "identity", ..., na.rm = FALSE, orientation = NA, show.legend = NA, inherit.aes = TRUE ) geom_linerange( mapping = NULL, data = NULL, stat = "identity", position = "identity", ..., na.rm = FALSE, orientation = NA, show.legend = NA, inherit.aes = TRUE ) geom_pointrange( mapping = NULL, data = NULL, stat = "identity", position = "identity", ..., fatten = 4, na.rm = FALSE, orientation = NA, show.legend = NA, inherit.aes = TRUE )
mapping |
Set of aesthetic mappings created by |
data |
The data to be displayed in this layer. There are three options: If A A |
stat |
The statistical transformation to use on the data for this layer, as a string. |
position |
Position adjustment, either as a string, or the result of a call to a position adjustment function. |
... |
Other arguments passed on to |
fatten |
A multiplicative factor used to increase the size of the
middle bar in |
na.rm |
If |
orientation |
The orientation of the layer. The default ( |
show.legend |
logical. Should this layer be included in the legends?
|
inherit.aes |
If |
This geom treats each axis differently and, thus, can thus have two orientations. Often the orientation is easy to deduce from a combination of the given mappings and the types of positional scales in use. Thus, ggplot2 will by default try to guess which orientation the layer should have. Under rare circumstances, the orientation is ambiguous and guessing may fail. In that case the orientation can be specified directly using the orientation
parameter, which can be either "x"
or "y"
. The value gives the axis that the geom should run along, "x"
being the default orientation you would expect for the geom.
geom_linerange()
understands the following aesthetics (required aesthetics are in bold):
x
or y
ymin
or xmin
ymax
or xmax
alpha
colour
group
linetype
size
Learn more about setting these aesthetics in vignette("ggplot2-specs")
.
stat_summary()
for examples of these guys in use,
geom_smooth()
for continuous analogue,
geom_errorbarh()
for a horizontal error bar.
# Create a simple example dataset df <- data.frame( trt = factor(c(1, 1, 2, 2)), resp = c(1, 5, 3, 4), group = factor(c(1, 2, 1, 2)), upper = c(1.1, 5.3, 3.3, 4.2), lower = c(0.8, 4.6, 2.4, 3.6) ) p <- ggplot(df, aes(trt, resp, colour = group)) p + geom_linerange(aes(ymin = lower, ymax = upper)) p + geom_pointrange(aes(ymin = lower, ymax = upper)) p + geom_crossbar(aes(ymin = lower, ymax = upper), width = 0.2) p + geom_errorbar(aes(ymin = lower, ymax = upper), width = 0.2) # Flip the orientation by changing mapping ggplot(df, aes(resp, trt, colour = group)) + geom_linerange(aes(xmin = lower, xmax = upper)) # Draw lines connecting group means p + geom_line(aes(group = group)) + geom_errorbar(aes(ymin = lower, ymax = upper), width = 0.2) # If you want to dodge bars and errorbars, you need to manually # specify the dodge width p <- ggplot(df, aes(trt, resp, fill = group)) p + geom_col(position = "dodge") + geom_errorbar(aes(ymin = lower, ymax = upper), position = "dodge", width = 0.25) # Because the bars and errorbars have different widths # we need to specify how wide the objects we are dodging are dodge <- position_dodge(width=0.9) p + geom_col(position = dodge) + geom_errorbar(aes(ymin = lower, ymax = upper), position = dodge, width = 0.25) # When using geom_errorbar() with position_dodge2(), extra padding will be # needed between the error bars to keep them aligned with the bars. p + geom_col(position = "dodge2") + geom_errorbar( aes(ymin = lower, ymax = upper), position = position_dodge2(width = 0.5, padding = 0.5) )


Content inside the 'audio' element is not shown to the user (image).
| Test Result | Test Assertion |
| Manual | Test fails if red appears anywhere on the page. |
http://www.w3.org/TR/html5/video.html#audio Content may be provided inside the audio element. User agents should not show this content to the user; it is intended for older Web browsers which do not support audio, so that legacy audio plugins can be tried, or to show text to the users of these older browsers informing them of how to access the audio contents.


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This is the API
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http://<IP_ADDRESS>:8000/operationversions/
GET
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Modify an already existing process implementation. Authentification is required.
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