The crypto_api class allows computations related to blinded transfers.
More...
#include <api.hpp>
|
| fc::ecc::commitment_type | blind (const fc::ecc::blind_factor_type &blind, uint64_t value) const |
| | Generates a pedersen commitment: *commit = blind * G + value * G2. The commitment is 33 bytes, the blinding factor is 32 bytes. For more information about pederson commitment check url https://en.wikipedia.org/wiki/Commitment_scheme. More...
|
| |
| fc::ecc::blind_factor_type | blind_sum (const std::vector< blind_factor_type > &blinds_in, uint32_t non_neg) const |
| | Get sha-256 blind factor type. More...
|
| |
| bool | verify_sum (const std::vector< commitment_type > &commits_in, const std::vector< commitment_type > &neg_commits_in, int64_t excess) const |
| | Verifies that commits + neg_commits + excess == 0. More...
|
| |
| verify_range_result | verify_range (const fc::ecc::commitment_type &commit, const std::vector< char > &proof) const |
| | Verifies range proof for 33-byte pedersen commitment. More...
|
| |
| std::vector< char > | range_proof_sign (uint64_t min_value, const commitment_type &commit, const blind_factor_type &commit_blind, const blind_factor_type &nonce, int8_t base10_exp, uint8_t min_bits, uint64_t actual_value) const |
| | Proves with respect to min_value the range for pedersen commitment which has the provided blinding factor and value. More...
|
| |
| verify_range_proof_rewind_result | verify_range_proof_rewind (const blind_factor_type &nonce, const fc::ecc::commitment_type &commit, const std::vector< char > &proof) const |
| | Verifies range proof rewind for 33-byte pedersen commitment. More...
|
| |
| fc::ecc::range_proof_info | range_get_info (const std::vector< char > &proof) const |
| | Gets "range proof" info. The cli_wallet includes functionality for sending blind transfers in which the values of the input and outputs amounts are “blinded.” In the case where a transaction produces two or more outputs, (e.g. an amount to the intended recipient plus “change” back to the sender), a "range proof" must be supplied to prove that none of the outputs commit to a negative value. More...
|
| |
The crypto_api class allows computations related to blinded transfers.
Definition at line 439 of file api.hpp.
◆ blind()
Generates a pedersen commitment: *commit = blind * G + value * G2. The commitment is 33 bytes, the blinding factor is 32 bytes. For more information about pederson commitment check url https://en.wikipedia.org/wiki/Commitment_scheme.
- Parameters
-
| blind | Sha-256 blind factor type |
| value | Positive 64-bit integer value |
- Returns
- A 33-byte pedersen commitment: *commit = blind * G + value * G2
Definition at line 827 of file api.cpp.
◆ blind_sum()
| fc::ecc::blind_factor_type graphene::app::crypto_api::blind_sum |
( |
const std::vector< blind_factor_type > & |
blinds_in, |
|
|
uint32_t |
non_neg |
|
) |
| const |
Get sha-256 blind factor type.
- Parameters
-
| blinds_in | List of sha-256 blind factor types |
| non_neg | 32-bit integer value |
- Returns
- A blind factor type
Definition at line 832 of file api.cpp.
◆ range_get_info()
Gets "range proof" info. The cli_wallet includes functionality for sending blind transfers in which the values of the input and outputs amounts are “blinded.” In the case where a transaction produces two or more outputs, (e.g. an amount to the intended recipient plus “change” back to the sender), a "range proof" must be supplied to prove that none of the outputs commit to a negative value.
- Parameters
-
| proof | List of proof's characters |
- Returns
- A range proof info structure with exponent, mantissa, min and max values
Definition at line 881 of file api.cpp.
◆ range_proof_sign()
| std::vector< char > graphene::app::crypto_api::range_proof_sign |
( |
uint64_t |
min_value, |
|
|
const commitment_type & |
commit, |
|
|
const blind_factor_type & |
commit_blind, |
|
|
const blind_factor_type & |
nonce, |
|
|
int8_t |
base10_exp, |
|
|
uint8_t |
min_bits, |
|
|
uint64_t |
actual_value |
|
) |
| const |
Proves with respect to min_value the range for pedersen commitment which has the provided blinding factor and value.
- Parameters
-
| min_value | Positive 64-bit integer value |
| commit | 33-byte pedersen commitment |
| commit_blind | Sha-256 blind factor type for the correct digits |
| nonce | Sha-256 blind factor type for our non-forged signatures |
| base10_exp | Exponents base 10 in range [-1 ; 18] inclusively |
| min_bits | 8-bit positive integer, must be in range [0 ; 64] inclusively |
| actual_value | 64-bit positive integer, must be greater or equal min_value |
- Returns
- A list of characters as proof in proof
Definition at line 853 of file api.cpp.
◆ verify_range()
Verifies range proof for 33-byte pedersen commitment.
- Parameters
-
| commit | 33-byte pedersen commitment |
| proof | List of characters |
- Returns
- A structure with success, min and max values
Definition at line 845 of file api.cpp.
◆ verify_range_proof_rewind()
Verifies range proof rewind for 33-byte pedersen commitment.
- Parameters
-
| nonce | Sha-256 blind refactor type |
| commit | 33-byte pedersen commitment |
| proof | List of characters |
- Returns
- A structure with success, min, max, value_out, blind_out and message_out values
Definition at line 864 of file api.cpp.
◆ verify_sum()
| bool graphene::app::crypto_api::verify_sum |
( |
const std::vector< commitment_type > & |
commits_in, |
|
|
const std::vector< commitment_type > & |
neg_commits_in, |
|
|
int64_t |
excess |
|
) |
| const |
Verifies that commits + neg_commits + excess == 0.
- Parameters
-
| commits_in | List of 33-byte pedersen commitments |
| neg_commits_in | List of 33-byte pedersen commitments |
| excess | Sum of two list of 33-byte pedersen commitments where sums the first set and subtracts the second |
- Returns
- Boolean - true in event of commits + neg_commits + excess == 0, otherwise false
Definition at line 838 of file api.cpp.
The documentation for this class was generated from the following files:


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Selina Allison Sinclair
Democrat
current stay-at-home mom, former Early Childhood Special Education teacher in Aurora Public Schools.
BA Psychology, CU-Denver 2003 MA Early Childhood Special Education, CU-Denver 2006
80016
During my Bachelor's degree studies I was a member of the Colorado Student Association. I represented Western State University on this board from 2000-2002, and then represented CU-Denver from 2002-2003. Additionally, I was a student trustee to the (now disbanded) State Colleges Board of Trustees in 2001-2002 for Western State University. After transferring colleges, I was a student representative for the Auraria campus Board of Trustees, representing CU-Denver from 2002-2003. I advocated for the passage of ballot measures 4A & 4B in my neighborhood during the most recent election. I am a firm believer that schools need adequate funding to prepare students for the increasingly competitive world in which we live, and that teachers are generally underpaid and under-appreciated in our society. I am comfortable advocating for children with special needs and developmental delays, and often connect people I meet in passing to the appropriate services available to them in their community (i.e. community center boards, Child Find, Special Olympics Young Athletes, and social support groups). I have also worked with volunteer groups in my community, such as Highlands Ranch Helps, and have organized donation drives to benefit Meghan's Wish Foundation (supporting kids in foster care), Together We Rise, and Aurora Warms the Night.
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Female


#include <pagefaultmanager.h>
Public Member Functions | |
| PageFaultManager () | |
| ~PageFaultManager () | |
| ExceptionType | PageFault (int virtualPage) |
|
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Nothing for now |
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Page faut handler. This method is called by the Memory Management Unit when there is a page fault. This method loads the page from :
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Boolean; optional
Marks test as flaky.
If set, executes the test up to 3 times before being declared as failed. By default this attribute is set to 0 and test is considered to be stable. Note, that use of this attribute is generally discouraged - we do prefer all tests to be stable.


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The @Component
decorator is used to register an angular component, by default the class under the decorator
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To create a component use yo angular-ts:component
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A collection of various examples of how easily Charts can be used to visualize the data you have.
The raw example data is found in data.js
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contains the code that configures the charts from this structured data.
The simplest data model is probably the structuredData.dices
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{
"version": "1.0.0-*",
"compilationOptions": {
"emitEntryPoint": true
},
"dependencies": {
"Microsoft.AspNet.IISPlatformHandler": "1.0.0-rc1-final",
"Microsoft.AspNet.Server.Kestrel": "1.0.0-rc1-final"
},
"commands": {
"web": "Microsoft.AspNet.Server.Kestrel"
},
"frameworks": {
"dnx451": { },
"dnxcore50": { }
},
"exclude": [
"wwwroot",
"node_modules"
],
"publishExclude": [
"**.user",
"**.vspscc"
]
}
The global.json file is used to configure the solution as a whole. It includes just two sections, projects and sdk by default.
{
"projects": [ "src", "test" ],
"sdk": {
"version": "1.0.0-rc1-update1"
}
}
the projects property designates which folders contain source code for the solution.y default the project structure places source files in a src folder, allowing build artifacts to be placed in a sibling folder, making it easier to exclude such things from source control.
wwwroot folder represents the actual root of the web app when running on a web server. Static files, like appsettings.json, which are not located in wwwroot will never be accessible, and there is no need to create special rules to block access to sensitive config files


| HBASE-3524 |
NPE from CompactionChecker |
Blocker |
regionserver |
James Kennedy |
ryan rawson |
| HBASE-3545 |
Possible liveness issue with MasterServerAddress in HRegionServer getMaster |
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FilterList reports false positives |
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Fix type in documentation of pseudo distributed mode |
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OPTS arguments are duplicated |
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memstore lab can leave half inited data structs (bad!) |
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Rest server fails because of missing asm jar |
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HMaster and HRegionServer should be able to login from Kerberos keytab when running on security-enabled Hadoop |
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Hlog recovery takes too much time |
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. |
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| HBASE-3608 |
MemstoreFlusher error message doesnt include exception! |
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. |
ryan rawson |
ryan rawson |
| HBASE-3612 |
HBaseAdmin::isTableAvailable( name ) returns true when the table does not exist |
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ZKUtil::createSetData should only create a node when it nonexists |
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| HBASE-3636 |
a bug about deciding whether this key is a new key for the ROWCOL bloomfilter |
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| HBASE-3639 |
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Critical |
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[replication] failover is sloppy with znodes |
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Jean-Daniel Cryans |
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NPE in MemStoreFlusher |
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HBA.delete can return too fast |
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get_counter broken in shell |
Critical |
shell |
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Todd Lipcon |
| HBASE-3662 |
REST server does not respect client supplied max versions when creating scanner |
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[replication] Adding a slave when there's none may kill the cluster |
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Jean-Daniel Cryans |
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| HBASE-3641 |
LruBlockCache.CacheStats.getHitCount() is not using the correct variable |
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| HBASE-3674 |
Treat ChecksumException as we would a ParseException splitting logs; else we replay split on every restart |
Critical |
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The timeout handler in AssignmentManager does an RPC while holding lock on RIT; a big no-no |
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Update rename table script |
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. |
stack |
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Bulk assign on startup should handle a ServerNotRunningException |
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. |
stack |
stack |
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CatalogTracker.waitForMeta can wait forever and totally stall a RS |
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Jean-Daniel Cryans |
Jean-Daniel Cryans |
| HBASE-3659 |
TestHLog fails on newer Hadoop |
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. |
Todd Lipcon |
Todd Lipcon |
| HBASE-3697 |
Admin actions that use MetaReader to iterate regions need to skip offline ones |
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. |
Andrew Purtell |
Andrew Purtell |
| HBASE-3627 |
NPE in EventHandler when region already reassigned |
Critical |
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stack |
| HBASE-3660 |
HMaster will exit when starting with stale data in cached locations such as -ROOT- or .META. |
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stack |
| HBASE-3654 |
Weird blocking between getOnlineRegion and createRegionLoad |
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Jean-Daniel Cryans |
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| HBASE-3666 |
TestScannerTimeout fails occasionally |
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| HBASE-3497 |
TableMapReduceUtil.initTableReducerJob broken due to setConf method in TableOutputFormat |
Major |
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Amandeep Khurana |
Jean-Daniel Cryans |
| HBASE-3703 |
hbase-config.sh needs to be updated so it can auto-detects the sun jdk provided by RHEL6 |
Major |
. |
Bruno Mahé |
Bruno Mahé |
| HBASE-3709 |
HFile compression not sharing configuration |
Major |
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| HBASE-3723 |
Major compact should be done when there is only one storefile and some keyvalue is outdated. |
Major |
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zhoushuaifeng |
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--- layout: post title: I'm Not A Red Sox Fan But This Is Awesome date: '2008-06-26T00:53:52-07:00' tags: tumblr_url: http://alexhwilliams.tumblr.com/post/39890723/im-not-a-red-sox-fan-but-this-is-awesome ---
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I grew up working in my family's motorcycle shop they owned for almost 60 years. I started taking care of the property and washing motorcyles when I was 12, I left there to learn how to be a machinist and worked my way into programming CNC machines and entry level design. It was there I learned to love automation and software programming.
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My first formal post high school training was Tech school where I went for General machinist and worked for years using my new skill until a work related injury sent me back to sales. I worked at J7P Cycles for over 6 years until getting back into manufacturing, not before going to Kirkwood to give their new "advanced" curriculum, only to have that fail for me. After that I took a series of work related training certs to bring me where I am today at Delta V Code in the 201 class
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5.1.2 (2020-07-08)
Automatic Dependencies Upgrade
- bump lodash from 4.17.15 to 4.17.18 (0b3c577)
5.1.1 (2020-07-07)
Automatic Dependencies Upgrade
- [security] bump npm from 6.14.5 to 6.14.6 (7df3365)
5.1.0 (2020-06-26)
Features
- add logDiffon501 method to route (003d4ef)
5.0.4 (2020-06-23)
Bug Fixes
5.0.3 (2020-06-23)
Automatic Dependencies Upgrade
5.0.2 (2020-06-23)
Automatic Dependencies Upgrade
- bump chalk from 3.0.0 to 4.1.0 (c40f8a5)
5.0.1 (2020-06-23)
Automatic Dependencies Upgrade
- [security] bump acorn from 5.7.3 to 5.7.4 (248fdf1)


---
layout: post
esbma_id: 1390
date: 2002-10-09 12:00:00
keywords: cornsharp
title: SourceGear Honored by Inc Magazine
---
Good news from SourceGear: Our company was named one of the
fastest-growing private companies in America today by Inc magazine.


ABOUT ME
My name is Akalanka Udesh,A passionate IT professional with expertise in Front end Technologies (JavaScript, JQuery, JQuery UI, SASS, CSS3, and HTML 5) and Back end Technologies (Node.js, ExpressJs, Spring MVC, Sprint Boot, JavaEE and JPA). I pride myself to be a self-motivated challenge-seeker, eager to learn through new experiences. I can quickly adapt to challenging situations while bringing out innovative solutions to the problems at hand. I immensely enjoy working towards a goal as a team, but given the challenge, I can also perform quite well as an independent player. I am passionate about keeping abreast with the new developments in the IT field and related technologies. My ultimate wish is to contribute positively towards economic and social development through my knowledge in IT.
MY SERVICES
Developed complicated software projects following industry standards. Front end, back end, web and software testing. Developed Technical Skills - JavaSE , JavaEE , JavaFX , JDBC, MySQL , CSS3 , HTML5, Bootstrap JavaScript , JQuery , TypeScript , Spring Framework , GIT , Spring webMVC , Angular 7 , Spring Data JPA , AJAX, JSON, Hibernate, Node.JS , Maven , Web Services (REST API) , XML .
UI/UX Design
Interface Designing for Web sites,Desktop Application and Apps.
Web Development
Web Services(NODE-JS,Type Script,JSON),CSS,SASS,HTML-5
JAVA Developer
Java EE,JAVA-FX,JPA,SPRING,HIBERNATE Technology based application development.
MY PORTFOLIO
- All
- Web App
- UI/UX
- NODE-JS
- JAVA
- JAVA-FX
- C#.NET
Experiences
CONTACT ME
Please, Send a email,text message or you can contact me via linked-in,skype,facebook or gith-hub just leave a message.
Akalanka Udesh, 203/b, Homagama, Sri Lanka
+94779477139
+94373874768
<EMAIL_ADDRESS>akalankaudesh@yahoo.com


--- layout: default title: legislators permalink: /leaders/ --- {%capture content %} {% include jumbotrons/general-dark.html title="Potential Leaders for Reform" sub_title="in the 114th Congress"%}
Potential leaders are the 47 nominations from our community that we agree are the key to unlocking the majority we need. Learn more about our campaign.


Budgeting Tools
the key is to find one that works for you
- free (remember, when you don't pay for a product, you might not be the user but rather the product)
- connect to all your accounts and all your transactions are synced automatically
- give an overview of debts, assets, net worth and goals all on the home page
- view all transactions in one place and input cash transactions to be even more accurate
- create budgets to track in real time and see if you’re over budget
- set financial goals determine how much you’ll need to save each month to achieve the goal
- monthly cost
- intended for transactions to be manually exported from bank accounts and uploaded
- interesting budgeting methodology (give every dollar a job, age your money, etc.)
- lots of content: podcasts, videos, docs, live classes
Spreadsheets
- why not go old school?
- highly customizable, can do whatever works for you
- allows you to keep your data to yourself
- not as easy to use on mobile devices
- takes time to setup
- using this method currently because of the customization allowing me to track other things all in one place such as my TFSA contributions and my work benefits usage


|
Returns the full URI that has been constructed. The session ID
is encoded into the URL if cookies are not supported by the web client.
- Returns
-
The full URI that has been built with this tool
e.g.
/myapp/stuff/View.vm?id=42&type=blue#foobar .
Typically it is not necessary to call this method explicitly.
Velocity will call the toString() method automatically to
obtain a representable version of objects.

My Link
|
|
Produces something like:
My Link
|
|
If sessions are used and the web client does not support cookies, the
toString() method automatically encodes the session ID into the
returned URI. The above example would then produce something like:

My Link
|
|
A Note about URI Encoding
URI encoding is about encoding the session ID into the URI string. This
section briefly explains the reasoning behind it and how it works.
Many web applications use sessions to associate an application state
with a particualar user. For example, a session might be used to maintain
the state of a shopping cart while the user is browsing the online shop.
The Servlet API has forseen two mechanisms to identify HTTP requests that
belong to a particular session.
- Cookies: A new cookie containing the session ID is sent
to the client at the beginning of a session. The client returns this cookie
with every request.
- URI Encoding: The session ID is encoded into the
URI string. The server parses the URI of requests to detect the presence
of an encoded session ID.
Most developers prefer to use cookies to identify sessions. The cookie-based
mechanism is easier to work with because it does not require the
encoding of every URI. However,
for reasons of security and privacy some users choose to disable cookie
support in their browsers. If session management relies on cookies only,
it will fail in such a situation. A well designed web application needs to
be able to fall back to the URI encoding method in this case.
The Servlet API offers two methods to support the web application
developer with the URI encoding:
java.lang.String encodeURL(java.lang.String url)
java.lang.String encodeRedirectURL(java.lang.String url)
These two methods encode the sesssion id into the URI string if sessions
are used and if the particular web client does not support cookies.
The toString() method of LinkTool automatically does URI encoding using the
encodeURL() method.
Therefore, if all URIs within an application are produced with the LinkTool, the application
is able to work properly with or without cookie support of the client.
The following examples show the output of the toString() method if
cookies are enabled and disabled.

My Link
<form name="MyForm" method="post" action="$link.setURI("MyPage.vm")">
|
|
Produces this if cookies are enabled:
My Link
<form name="MyForm" method="post" action="MyPage.vm">
|
|
Produces something like this if cookies are diabled:

My Link
<form name="MyForm" method="post"
action="MyPage.vm;jsessionid=E9833012F7B20857096F37743B137">
|
|
|


Bean
Chad'z rating: ** (out of 4 = fair)
1997, PG-13, 90 minutes [1 hour, 30 minutes]
[comedy]
starring: Rowan Atkinson (Mr. Bean), Peter MacNicol (David Langley), Pamela Reed (Alison Langley), Harris Yulin (George Grierson); written by Richard Curtis, Robin Driscoll; produced by Tim Bevan, Eric Fellner; directed by Mel Smith.
Seen Monday, November 17, 1997 at 7:20 p.m. at The Glenwood Movieplex Cinemas (Oneida, N.Y.), theater #4, by myself for free (press pass). [Theater rating: **1/2: fuzzy, dark picture, slightly uncomfortable seats, average sound.]
The problem with making a motion picture related to some kind of cult following is that it usually doesn't adapt well to the mainstream. And it's not that "Bean" fails because of this principle (although that has a lot to do with it), it's just not a very funny, nor entertaining film to begin with.
Rowan Atkinson stars as Mr. Bean, the title character whose British television series has been acclaimed by audiences around the world. The premise to the show is simple: a slow-witted, almost mute man wanders around, oblivious to world around him, and in the process creates for zany comedy. What makes the show so good is the fact this simple concept makes for some of the funniest comedy without becoming too lowbrow. It was really just a matter of time before this was applied to a feature film and this is the net result.
Unfortunately, where the TV series works, the film fails. Bean's antics don't work here because, unlike the cartoony nature of the show, the film establishes a relatively serious setting, therefore the character doesn't keep with the atmosphere at all.
Bean is about to be fired from his job as a security guard at a London art museum, but the head of the board of directors won't let him go (for reasons not well explained).
What ensues is a cross between a generic fish-out-of-water comedy, recycled gags from the show that don't work out of their context, and ideas the show probably threw away. Example of the first: Bean seeing an armed guard at the airport and pretending he has a gun. A wild chase scene occurs and when they tell him to "take out the weapon and place it on the floor," he does this using his hand in the shape of a gun and is still arrested.  Example of the third: Bean making silly faces and doing a Dirty Harry impersonation for his passport photo. These might sound funny on paper, but what actually shows up on the screen seems pretty lame. There's just such a rigid contrast between Bean's eccentricity and the realistic world around him, the jokes don't mesh will.
The film is virtually without plot, except a sub-plot involving the L.A. museum's curator, David Langley (MacNicol), who invites Bean to stay with him even though his wife Alison (Reed) decides to take the kids and leave five minutes after Bean arrives. In fact, most of the film is MacNicol's, as the story revolves around his character's attempt to make sure the unveiling of the painting and the accompanying ceremony go smoothly.
 The scenes depicting this and showing his attempts to fix it are set up through cliches and unbelievable plot devices. Bean's appeal lies in his stupidity, therefore the scenes of him going to great lengths to restore the painting seem all wrong. Some funny things do happen in the process, but not nearly enough to make up for the mediocre screenplay.
But it is the last act that really kills the film. It plays like one of those "serious" episodes of a sit-com, and what's worse is it's done in questionable taste. Once again, Bean is mistaken for a doctor and somehow ends up in a few scenes that seem very serious, but look like poor parodies of "ER." The ending itself should be a ripping satire, but is just another fish-out-of-water gag.
It's disappointing "Bean" is the empty comedy it is. This is just another case of a good premise ruined by commercialism.
e-mail<EMAIL_ADDRESS>(C) 1997 Chad Polenz
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Items Outlet, Inc.
Items of all description for sale.
Featured Item:
Pens of all shapes and sizes
Compare them to our competitors
Order from us today
© 2017
Items Outlet, Inc.


You can become a resident in New Zealand with just a job offer. The Skilled Migrant Category visa requires you to have a formal education; we will assess your skills to help you get residency in New Zealand.
Request more information, and become a resident:


Scroll down to see the iframe
Send {foo: 'bar'} to iframe
Message data received from iframe:
Read more!


(at least thats what they say ;))
Chris Hallendy
technologist @ MadDog Technology
<EMAIL_ADDRESS>https://github.com/challendyDropwizard has out-of-the-box support for sophisticated configuration, application metrics, logging, operational tools, and much more, allowing you and your team to ship a production-quality HTTP+JSON web service in the shortest time possible.
As I've said before, the only reason Dropwizard exists at all is to provide opinions on what a service should be. I think they work better.It embeds Jetty because I think that works better.It uses Jackson because I think that works better.It uses Jersey because I think that works better.It has a single YAML configuration file because I think that works better. It wraps Logback because I think that works better.
public static void main(String[] args) throws Exception {
new StoreApplication().run(args);
}
java -jar target/store-dropwizard-0.0.1-SNAPSHOT.jar server example.yml
@Override
public void initialize(Bootstrap bootstrap) {
bootstrap.addBundle migrationsBundle
bootstrap.addBundle hibernateBundle
}
@Override
public void run(StoreConfiguration configuration,
Environment environment) throws ClassNotFoundException {
final VisitDAO dao = new VisitDAO(hibernateBundle.getSessionFactory());
final Template template = configuration.buildTemplate();
environment.healthChecks().register("template", new TemplateHealthCheck(template));
environment.jersey().register(new VisitResource(dao));
}
@Path("/visits")
@Produces(MediaType.APPLICATION_JSON)
public class VisitResource {
private final VisitDAO visitDAO;
public VisitResource(VisitDAO visitDAO) {
this.visitDAO = visitDAO;
}
@Timed(name = "createVisit")
@POST
@UnitOfWork
public Visit createVist(Visit visit) {
return visitDAO.create(visit);
}
@GET
@UnitOfWork
public List listVisits() {
return visitDAO.findAll();
}
}
@Entity
@Table(name = "visits")
@NamedQueries({
@NamedQuery(
name = "com.mystore.core.Visit.findAll",
query = "SELECT v FROM Visit v"
)
})
public class Visit {
@Id
@GeneratedValue(strategy = GenerationType.IDENTITY)
private long id;
@Column(name = "user_id", nullable = false)
private long userId;
@Column(name = "beacon_id", nullable = false)
private String beaconId;
}
@Timed
or @Metered
, and @ExceptionMetered
.
Dropwizard augments Jersey to automatically record runtime information about your resource methods.public class MySQLHealthCheck extends HealthCheck {
private final SessionFactory sessionFactory
public MySQLHealthCheck(SessionFactory sessionFactory) {
super("MySQL")
this.sessionFactory = sessionFactory
}
@Override
protected com.yammer.metrics.core.HealthCheck.Result check() {
if (!sessionFactory.closed) {
return healthy()
} else {
return unhealthy('Session Factory is Closed!')
}
}
}
Tracking iBeacon Visits from a device.


403 - Forbidden.
This file is not accessible to public.
SkyMake Server Side Software
(C) 2016-2020 Skyfallen
(TM) SkyMake developed by Skyfallen as an open source project and distributed under Skyfallen Licence - SkyMake can only be used with required attribution


Trrybe
Pricing
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Text written between an opening comment tag and a closing comment tag are ignored in the output.
In other words, the user of the web site will not be able to see the comment, which is nice.
 It should be rewritten from scratch.


| boxplot.stats {grDevices} | R Documentation |
This function is typically called by another function to gather the statistics necessary for producing box plots, but may be invoked separately.
boxplot.stats(x, coef = 1.5, do.conf = TRUE, do.out = TRUE)
x |
a numeric vector for which the boxplot will
be constructed ( |
coef |
this determines how far the plot ‘whiskers’ extend out
from the box. If |
do.conf, do.out |
logicals; if |
The two ‘hinges’ are versions of the first and third quartile,
i.e., close to quantile(x, c(1,3)/4)
. The hinges equal
the quartiles for odd n (where n <- length(x)
) and
differ for even n. Whereas the quartiles only equal observations
for n %% 4 == 1
(n = 1 mod 4),
the hinges do so additionally for n %% 4 == 2
(n = 2 mod 4), and are in the middle of
two observations otherwise.
The notches (if requested) extend to +/-1.58 IQR/sqrt(n)
.
This seems to be based on the same calculations as the formula with 1.57 in
Chambers et al (1983, p. 62), given in McGill et al
(1978, p. 16). They are based on asymptotic normality of the median
and roughly equal sample sizes for the two medians being compared, and
are said to be rather insensitive to the underlying distributions of
the samples. The idea appears to be to give roughly a 95% confidence
interval for the difference in two medians.
List with named components as follows:
stats |
a vector of length 5, containing the extreme of the lower whisker, the lower ‘hinge’, the median, the upper ‘hinge’ and the extreme of the upper whisker. |
n |
the number of non- |
conf |
the lower and upper extremes of the ‘notch’
( |
out |
the values of any data points which lie beyond the
extremes of the whiskers ( |
Note that $stats
and $conf
are sorted in increasing
order, unlike S, and that $n
and $out
include any
+- Inf
values.
Tukey, J. W. (1977) Exploratory Data Analysis. Section 2C.
McGill, R., Tukey, J. W. and Larsen, W. A. (1978) Variations of box plots. The American Statistician 32, 12–16.
Velleman, P. F. and Hoaglin, D. C. (1981) Applications, Basics and Computing of Exploratory Data Analysis. Duxbury Press.
Emerson, J. D and Strenio, J. (1983). Boxplots and batch comparison. Chapter 3 of Understanding Robust and Exploratory Data Analysis, eds. D. C. Hoaglin, F. Mosteller and J. W. Tukey. Wiley.
Chambers, J. M., Cleveland, W. S., Kleiner, B. and Tukey, P. A. (1983) Graphical Methods for Data Analysis. Wadsworth & Brooks/Cole.
require(stats) x <- c(1:100, 1000) (b1 <- boxplot.stats(x)) (b2 <- boxplot.stats(x, do.conf = FALSE, do.out = FALSE)) stopifnot(b1 $ stats == b2 $ stats) # do.out = FALSE is still robust boxplot.stats(x, coef = 3, do.conf = FALSE) ## no outlier treatment: boxplot.stats(x, coef = 0) boxplot.stats(c(x, NA)) # slight change : n is 101 (r <- boxplot.stats(c(x, -1:1/0))) stopifnot(r$out == c(1000, -Inf, Inf))


eu.cassandra.sim.entities.appliances
Class Appliance.Builder
java.lang.Object
eu.cassandra.sim.entities.appliances.Appliance.Builder
- Enclosing class:
- Appliance
public static class Appliance.Builder
- extends java.lang.Object
The Builder class for Appliances.
| Methods inherited from class java.lang.Object |
equals, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
Appliance.Builder
public Appliance.Builder(java.lang.String aid,
java.lang.String aname,
java.lang.String adesc,
java.lang.String atype,
Installation ainstallation,
ConsumptionModel apcm,
ConsumptionModel aqcm,
double astandy,
boolean abase)
- Instantiates a new builder, with required only parameters.
- Parameters:
aid
- the appliance idaname
- the appliance nameadesc
- the appliance descriptionatype
- the appliance typeainstallation
- the installation the appliance belongs toapcm
- the active power consumption model of the applianceaqcm
- the reactive power consumption model of the applianceastandy
- the stand-by consumption of the applianceabase
- whether the appliance is a base load
build
public Appliance build(ORNG orng)
- Builds the Appliance.
- Parameters:
orng
- the random number generator
- Returns:
- the appliance


Situated 200km up the coast from Bari on the East Coast of Italy, this is reportedly the closest marina to Croatia. Brand New in August 2009, there was still considerable construction work to complete on opening.
Position 41° 55' 53" N, 15° 53' 20" E.
Rodi Garganico, Italy ©www.marinadirodigarganico.it
Last updated January 2014.


Deskshell uses NSIS to turn the cross platform package format into a windows executable. All of the same features and limitations that apply to the packaging format apply to the exe. First test your application using the package format and then once it is working try compiling it into an executable.


compiler.let_bindings_parser()
Return a parser for let
bindings.
The following program adds a new control strcuture to Slogan, similar to let
expression.
The form is: doit <expression> where (<bindings>)
. The expression
will be evaluated in a context
where the variables introduced by bindings
are visible. For parsing bindings
the let_bindings_parser
function is used, instead of writing a custom parser.
declare macro
doit $body where $bindings
=> compiler.let_($bindings, $body),
[$bindings:compiler.let_bindings_parser]
doit a + b where (a = 100, b = 200)
// 300


Get the token indices of the TextFeature.
Get the token indices of the TextFeature. If text hasn't been segmented or transformed from word to index, null will be returned.
Get the label of the TextFeature.
Get the label of the TextFeature. If no label is stored, -1 will be returned.
Get the prediction probability distribution of the TextFeature.
Get the prediction probability distribution of the TextFeature. If the TextFeature hasn't been predicted by a model, null will be returned.
Get the Sample representation of the TextFeature.
Get the Sample representation of the TextFeature. If the TextFeature hasn't been transformed to Sample, null will be returned.
Get the text content of the TextFeature.
Get the text content of the TextFeature. Return null if it doesn't exist.
Get the tokens of the TextFeature.
Get the tokens of the TextFeature. If text hasn't been segmented, null will be returned.
Get the identifier of the TextFeature.
Get the identifier of the TextFeature. Return null if it doesn't exist.
Whether the TextFeature contains label.
Set the label for the TextFeature.
Set the label for the TextFeature.
Integer.
The TextFeature with label.
Each TextFeature keeps information of a single text record. It can include various status (if any) of a text, e.g. original text content, uri, category label, tokens, index representation of tokens, BigDL Sample representation, prediction result and so on. It uses a HashMap to store all these data. Each key is a string that can be used to identify the corresponding value.


FUSION: Sat/Sun shows PARTNER: courthouses/boroughs/FOAA/mock trial UNDERWRITER: Sports/farm show/current production
Air before/after Fusion program, states does not reflect views of PCN
Air before/after sponsored program, states paid in part by "Company"
Times per Day
Times per Program
to
Client provides
number per episode


| Total net profit | -31.83 | Gross profit | 3.56 | Gross loss | -35.39 |
| Profit factor | 0.1 | Expected payoff | -1.38 | ||
| Absolute drawdown | -33.75 | Maximal drawdown (%) | 32.18 (-2049.68%) | ||
| Total trades | 23 | Profit trades (% of total) | 2 (8.7%) | Loss trades (% of total) | 21 (91.3%) |
| Long positions (won %) | 20 (5.0%) | Short positions (won %) | 3 (33.33%) | ||
| Largest | profit trade | 2.63 | loss trade | -7.49 | |
| Average | profit trade | 1.78 | loss trade | -1.69 | |
| Minimum | profit trade | 0.93 | loss trade | -0.71 | |
| Maximum | take profit in pips | 1088.5 | stop loss in pips | -1011.0 | |
| Average | take profit in pips | 213.2 | stop loss in pips | -245.5 | |
| Minimum | take profit in pips | -335.2 | stop loss in pips | -94.6 | |
| Maximum | Reward-Risk | 5.6 | Duration in minutes | 201 | |
| Average | Reward-Risk | 1.3 | Duration in minutes | 24.1 | |
| Minimum | Reward-Risk | 0.0 | Duration in minutes | 0 | |
| Maximum | consecutive wins (profit in money) | 1.0 (0.93) | consecutive losses (loss in money) | 13.0 (-17.21) | |
| Average | consecutive wins | 1.0 | consecutive losses | 10.0 |
| Total net profit | -25.63 | Gross profit | 0.93 | Gross loss | -26.56 |
| Profit factor | 0.04 | Expected payoff | -1.28 | ||
| Absolute drawdown | -25.63 | Maximal drawdown (%) | 24.06 (-1532.48%) | ||
| Total trades | 20 | Profit trades (% of total) | 1 (5.0%) | Loss trades (% of total) | 19 (95.0%) |
| Largest | profit trade | 0.93 | loss trade | -2.48 | |
| Average | profit trade | 0.93 | loss trade | -1.4 | |
| Minimum | profit trade | 0.93 | loss trade | -0.71 | |
| Maximum | take profit in pips | 937.0 | stop loss in pips | -372.7 | |
| Average | take profit in pips | 164.8 | stop loss in pips | -206.0 | |
| Minimum | take profit in pips | -335.2 | stop loss in pips | -94.6 | |
| Maximum | Reward-Risk | 5.3 | Duration in minutes | 201.0 | |
| Average | Reward-Risk | 1.1 | Duration in minutes | 14.4 | |
| Minimum | Reward-Risk | 0.0 | Duration in minutes | 0.0 | |
| Maximum | consecutive wins (profit in money) | 1.0 (0.93) | consecutive losses (loss in money) | 13.0 (-17.21) | |
| Average | consecutive wins | 1.0 | consecutive losses | 13.0 |
| Total net profit | -6.2 | Gross profit | 2.63 | Gross loss | -8.83 |
| Profit factor | 0.3 | Expected payoff | -2.07 | ||
| Absolute drawdown | -8.83 | Maximal drawdown (%) | 1.34 (-17.89%) | ||
| Total trades | 3 | Profit trades (% of total) | 1 (33.33%) | Loss trades (% of total) | 2 (66.67%) |
| Largest | profit trade | 2.63 | loss trade | -7.49 | |
| Average | profit trade | 2.63 | loss trade | -4.42 | |
| Minimum | profit trade | 2.63 | loss trade | -1.34 | |
| Maximum | take profit in pips | 1088.5 | stop loss in pips | -1011.0 | |
| Average | take profit in pips | 535.7 | stop loss in pips | -508.9 | |
| Minimum | take profit in pips | 140.1 | stop loss in pips | -194.1 | |
| Maximum | Reward-Risk | 5.6 | Duration in minutes | 177.0 | |
| Average | Reward-Risk | 2.3 | Duration in minutes | 89.0 | |
| Minimum | Reward-Risk | Duration in minutes | 0.0 | ||
| Maximum | consecutive wins (profit in money) | 1.0 (2.63) | consecutive losses (loss in money) | 2.0 (-8.83) | |
| Average | consecutive wins | 1.0 | consecutive losses | 2.0 |


An art museum or art gallery is a building or space for the display of art, usually from the museum's own collection. It might be in public or private ownership and may be accessible to all or have restrictions in place. Although primarily concerned with visual art, art galleries are often used as a venue for other cultural exchanges and artistic activities, such as performance arts, music concerts, or poetry readings. Art museums also frequently host themed temporary exhibitions which often include items on loan from other collections.n art gallery is a small business that sells the art it exhibits. The profits made from sales will cover the operating costs to run that business, and, in a successful gallery, will also turn a profit. An art gallery also has a stable of artists unified by some criteria such as tone or feeling of the artworks; a common background of the artists; or a shared style, technique, medium or similar outlook. Artists typically receive payment for their work when it is purchased, minus a percentage taken by the gallery for representing the artist and showing his or her work.
Contemporary Art
Contemporary art is the art of today, produced in the
second half of the 20th century or in the 21st century.
Contemporary artists work in a globally influenced,
culturally diverse, and technologically advancing world.
Their art is a dynamic combination of materials, methods,
concepts, and subjects that continue the challenging of
boundaries that was already well underway in the 20th
century. Diverse and eclectic, contemporary art as a
whole is distinguished by the very lack of a uniform,
organising principle, ideology, or "-ism". Contemporary
art is part of a cultural dialogue that concerns larger
contextual frameworks such as personal and cultural
identity, family, community, and nationality.
Fine Art
In European academic traditions, fine art is art
developed primarily for aesthetics or beauty,
distinguishing it from decorative art or applied
art, which also has to serve some practical function,
such as pottery or most metalwork. In the aesthetic
theories developed in the Italian Renaissance, the
highest art was that which allowed the full expression
and display of the artist's imagination, unrestricted
by any of the practical considerations involved in,
say, making and decorating a teapot.
It was also considered important that making the artwork
did not involve dividing the work between different
individuals with specialized skills, as might be necessary
with a piece of furniture, for example.
Pop Art
Pop art is an art movement that emerged in the United Kingdom and
the United States during the mid- to late-1950s.[1][2] The
movement presented a challenge to traditions of fine art by
including imagery from popular and mass culture, such as
advertising, comic books and mundane cultural objects. One
of its aims is to use images of popular (as opposed to elitist)
culture in art, emphasizing the banal or kitschy elements of any
culture, most often through the use of irony.[3] It is also associated
with the artists' use of mechanical means of reproduction or rendering
techniques. In pop art, material is sometimes visually removed from
its known context, isolated, or combined with unrelated material.
About Gallery
Galleries have multiple roles, both visible and invisible: to incubate
and support their artists, often by going above and beyond the normal
work of putting on shows, promoting their artists, and selling the
works; and to providing services such as financial management or book
publishing, in order to help their artists focus more fully on their
work.
Art Museum
Art museums are both places to see and experience art.
Galleries and museums share some characteristics; for example,
the artworks are typically shown in pristine empty spaces with
minimal distraction and controlled lighting to showcase the
exhibited art.
Settings
This controlled setting allows the public to
engage with the art in a specially-created aesthetic
environment.Despite these obvious similarities, there are
some major differences between an art gallery and an art
museum. As an art lover or artist, it's important for you
to know these differences.


I just want here to list all Public Relation topics and posts for BBLog in one place.
Let us say an official "press" list. If you have more links, send it to me via PM.
Would be cool if all of you can make some PR for the new BBLog 4.0.0 to make BBLog even more public. Doesn't matter if you tweet, post, share or anything else.


TEXAS INSTRUMENTS
TI-108
+/-
√
%
MRC
M-
M+
÷
x
-
+
7
8
9
4
5
6
1
2
3
ON/C
0
.
=
View source on GitHub


{include file="./templates/copy/header.html"}
Solutions
微信公众号开发移动网站微信公众号开发
移动网站微信公众号开发移动网站微信公众号开发,解决方案
移动网站微信公众号开发移动网站微信公众号开发
网站、移动网站微信公众号开发移动网站微信公众号开发,解决方案
Customer Case
2015-06-11
A full range of solutions for you to solve different problems
Serve Customers


(2.0)
"Kids today just aren't joiners"
“The fifties and sixties were hardly a ‘golden age,’ ...however, engagement in community affairs and the sense of shared identity and reciprocity had never been greater in modern America, so the prospects for broad-based civic mobilization to address our national failings seemed bright.”
“What happened next to civic and social life in American communities is the subject of this book.”
“…social capital refers to connections among individuals—social networks and the norms of reciprocity and trustworthiness that arise from them.”
“I’ll do this for you without expecting anything specific back from you, in the confident expectation that someone else will do something for me down the road.”
“If you don’t go to somebody’s funeral, they won’t come to yours.” – Yogi Berra
“A society characterized by generalized reciprocity is more efficient than a distrustful society, for the same reason that money is more efficient than barter. If we don’t have to balance every exchange instantly, we can get a lot more accomplished.”
“It was social capital, for example, that enabled Timothy McVeigh to bomb the Alfred P. Murrah Federal Building in Oklahoma City. McVeigh’s network of friends, bound together by a norm of reciprocity, enabled him to do what he could not have done alone.”
“Bonding social capital is good for ‘getting by,’ but bridging social capital is crucial for ‘getting ahead’.” – Xavier de Souza Briggs
“Bonding social capital constitutes a kind of sociological superglue, whereas bridging social capital provides a sociological WD-40.”
“At the end of the [twentieth] century… the gradual merger of the massive telecommunications and entertainment industries had become the very foundation for a new economic era.”
“News and entertainment have become increasingly individualized… cable, satellite, video, and the internet provide an exploding array of individual choice.”
“Electronic technology allows us to consume this hand-tailored entertainment in private, even utterly alone.”
“It is a medium of entertainment which permits millions of people to listen to the same joke at the same time, and yet remain lonesome.” – T.S. Eliot
“Table 2 shows the speed at which a range of modern appliances diffused into American households during the twentieth century. Those that provided electronic entertainment…spread into homes at all levels in American society five to ten times more quickly than other devices that are now nearly as ubiquitous.” (p. 217)
“Virtually all non-experimental studies of the media find it hard to distinguish between ‘selection effects’ (people with a certain trait seek out a particular medium) and ‘media effects’ (people develop that trait by being exposed to that medium). We shall have to grapple with that analytic problem repeatedly in this chapter. Nevertheless, the evidence makes quite clear that newspaper reading and good citizenship go together.”
Putnam makes the assertion that TV might be the cause for the decline in newspaper reading and thus the similar decline in “most other measures of social capital and civic engagement.”
“One might imagine that the explanation for this trend is simple: TV. We’re now watching news, not reading it.”
“In fact, Americans who watch the news on television are more likely to read the daily newspaper than are other Americans, not less likely.”
“Even enthusiasts for internet news concede that ‘the internet is emerging as a supplement to—not a substitute for—other traditional news sources’.”
“On the one hand, I have as yet offered no evidence that the casual arrow runs from TV watching to civic disengagement rather than the reverse. On the other hand, this estimate presumes that the only effect of TV on civic engagement comes from the number of hours watched, rather than something about the character of the watching, the watcher, and the watched.”
“Correlation, however, does not prove causation. An alternative interpretation is this: People who are social isolates to begin with gravitate toward the tube as the line of leisurely least resistance. Without true experimental evidence—in which randomly selected individuals are exposed (or not exposed) to television over long periods of time— we cannot be sure that television itself is the cause of disengagement.”
“…the more time spent watching news, the more active one is in the community, whereas the more time spent watching soap operas, game shows, and talk shows, the less active one is in the community. In other words, even among people who spend the same number of hours watching TV, what they watch is closely correlated with how active they are in community life.”
“The evidence is powerful and circumstantial, though because it does not derive from randomized experiments, it cannot be fully conclusive about the causal effects of television and other forms of electronic entertainment. Heavy users of these new forms of entertainment are certainly isolated, passive, and detached from their communities, but we cannot be entirely certain that they would be more sociable in the absence of television. At the very least, television and its electronic cousins are willing accomplices in the civic mystery we have been unraveling, and more likely than not, they are ringleaders.”
“Social capital is a residual or side effect of social interactions, and an enabler of future interactions, as shown in Figure 1.” (p. 2)
“Some communication services may be useful only to groups of people who have already developed strong social ties and who develop certain norms for how to use it. Other groups of people might find the same communication service a nuisance rather than a helpful tool. Conversely, some social practices might be productive only in the presence of particular communication and computational tools.”
“...productive combinations of social relations and information and communication technology. It is thus a special case, a subset of social capital, but an important one because technological advances have opened many new opportunities that have not been examined from the social capital perspective.”
“Rather than assessing blame, this essay explores how technology, when paired with certain social practices, might help to reverse declining social capital in the civic sector.”
“A second approach is to try to invent new forms of togetherness that may be more suited to current lifestyles. Perhaps, with the aid of technology, it is possible to go beyond bowling together, to form even more productive social relations even more conveniently.”
“If we do not succeed in generating new forms of sociotechnical capital from these on-line interactions, our society will decline in its ability to provide emotional support to its members, to overcome transaction costs that hinder resource exchange, and to overcome dilemmas of collective action. In the long run, our economy, our health, and our safety may all be at stake. The future needs us to succeed in identifying and promoting new forms of sociotechnical capital, in the workplace, in learning environments, and especially in civic life.”


Materials for learning the Extraordinary Formof the Roman Rite
- - -
Dom Gueranger
Dom Delatte
Useful resources regarding the Extraordinary Form.


{% include head.html %}
Number of Post is: {{site.posts|where:"layout","tutorial"|size}} and the number of authors is {{site.data.members|size}}. The number of upcoming posts is {{site.posts|where:"layout","pretutorial"|size}}


--- layout: page title: OneWorld Covid-19 Special Collection --- MOCA has launched the OneWorld Covid-19 Collection that seeks to document and share the stories of Chinese Americans and the Chinese diaspora resisting coronavirus-fueled hate with incredible acts of compassion and generosity. This collection will not only feature stories of community efforts but also highlight experiences of individuals and families during these unprecedented times. We welcome you to send us a write-up, photos, videos, audio, emails, texts, and any other materials to<EMAIL_ADDRESS>to share a story that you believe should be recorded. Help us continue to tell the stories of these extraordinary individuals and community groups.


Youthful Pleasures is a short film about a dissatisfied 20-something coming of age 10 years too late. In order to find himself again, he gathers old friends to reenact a formative memory from his past.
Written and Directed by Rex Provost
To make the title treatment feel more tactile, frames were hand traced with colored pencil through a make-shift tracing table.
Using Manuka Black as the base, rounded edges and stretchy counters offer a playful and youthful energy.
Each cast member was printed, cut out, xeroxed to take the look of a photocopied flyer or yearbook. Then, we screenprinted a batch of 50 shirts with the main character's forlon face on the front and the name of the film on the back.
Created in partnership with Rex Provost. Typography is adapted from Manuka by Klim Type Foundry.


This inspection highlights attempts to call objects which are not callable, like, for example, tuples.


Linked-list Data Structure API.
[Code sample - String] // init a linked-list. qentry_t *entry = qEntry(); // insert a string element entry->putstr(entry, "str", "hello world", true); // get the string. char *str = entry->getstr(entry, "str", false); if(str != NULL) { printf("str = %s\n", str); free(str); } // print out all elements in the list. entry->print(entry, stdout, false); // free the list. entry->free(entry); [Result]
Functions | |
| qentry_t * | qEntry (void) |
| Create new qentry_t linked-list object. | |
| static bool | _put (qentry_t *entry, const char *name, const void *data, size_t size, bool replace) |
| qentry_t->put(): Store object into linked-list structure. | |
| static bool | _putstr (qentry_t *entry, const char *name, const char *str, bool replace) |
| qentry_t->putstr(): Add string object into linked-list structure. | |
| static bool | _putstrf (qentry_t *entry, bool replace, const char *name, const char *format,...) |
| qentry_t->putstrf(): Add formatted string object into linked-list structure. | |
| static bool | _putint (qentry_t *entry, const char *name, int num, bool replace) |
| qentry_t->putint(): Add integer object into linked-list structure. | |
| static void * | _get (qentry_t *entry, const char *name, size_t *size, bool newmem) |
| qentry_t->get(): Find object with given name | |
| static void * | _getlast (qentry_t *entry, const char *name, size_t *size, bool newmem) |
| qentry_t->getlast(): Find lastest matched object with given name. | |
| static char * | _getstr (qentry_t *entry, const char *name, bool newmem) |
| qentry_t->getstr(): Find string object with given name. | |
| static char * | _getstrf (qentry_t *entry, bool newmem, const char *namefmt,...) |
| qentry_t->_getstrf(): Find string object with given formatted name. | |
| static char * | _getstrlast (qentry_t *entry, const char *name, bool newmem) |
| qentry_t->getstrlast(): Find lastest matched string object with given name. | |
| static int | _getint (qentry_t *entry, const char *name) |
| qentry_t->getint(): Find integer object with given name. | |
| static int | _getintlast (qentry_t *entry, const char *name) |
| qentry_t->getintlast(): Find lastest matched integer object with given name. | |
| static void * | _caseget (qentry_t *entry, const char *name, size_t *size, bool newmem) |
| qentry_t->caseget(): Find object with given name. | |
| static char * | _casegetstr (qentry_t *entry, const char *name, bool newmem) |
| qentry_t->casegetstr(): Find string object with given name in case-insensitive way. | |
| static int | _casegetint (qentry_t *entry, const char *name) |
| qentry_t->casegetint(): Find integer object with given name in case-insensitive way. | |
| static bool | _getnext (qentry_t *entry, qentobj_t *obj, const char *name, bool newmem) |
| qentry_t->getnext(): Get next object structure. | |
| static int | _size (qentry_t *entry) |
| qentry_t->size(): Get total number of stored objects | |
| static int | _remove (qentry_t *entry, const char *name) |
| qentry_t->remove(): Remove matched objects as given name. | |
| static bool | _truncate (qentry_t *entry) |
| qentry_t->truncate(): Truncate qentry_t | |
| static bool | _reverse (qentry_t *entry) |
| qentry_t->reverse(): Reverse-sort internal stored object. | |
| static bool | _save (qentry_t *entry, const char *filepath) |
| qentry_t->save(): Save qentry_t as plain text format | |
| static int | _load (qentry_t *entry, const char *filepath) |
| qentry_t->load(): Load and append entries from given filepath | |
| static bool | _print (qentry_t *entry, FILE *out, bool print_data) |
| qentry_t->print(): Print out stored objects for debugging purpose. | |
| static bool | _free (qentry_t *entry) |
| qentry_t->free(): Free qentry_t |
| qentry_t* qEntry | ( | void | ) |
| static bool _put | ( | qentry_t * | entry, | |
| const char * | name, | |||
| const void * | data, | |||
| size_t | size, | |||
| bool | replace | |||
| ) | [static] |
qentry_t->put(): Store object into linked-list structure.
| entry | qentry_t pointer | |
| name | key name. | |
| object | object pointer | |
| size | size of the object | |
| replace | in case of false, just insert. in case of true, remove all same key then insert object if found. |
| static bool _putstr | ( | qentry_t * | entry, | |
| const char * | name, | |||
| const char * | str, | |||
| bool | replace | |||
| ) | [static] |
qentry_t->putstr(): Add string object into linked-list structure.
| entry | qentry_t pointer | |
| name | key name. | |
| str | string value | |
| replace | in case of false, just insert. in case of true, remove all same key then insert object if found. |
| static bool _putstrf | ( | qentry_t * | entry, | |
| bool | replace, | |||
| const char * | name, | |||
| const char * | format, | |||
| ... | ||||
| ) | [static] |
qentry_t->putstrf(): Add formatted string object into linked-list structure.
| entry | qentry_t pointer | |
| replace | in case of false, just insert. in case of true, remove all same key then insert object if found. | |
| name | key name. | |
| format | formatted value string |
| static bool _putint | ( | qentry_t * | entry, | |
| const char * | name, | |||
| int | num, | |||
| bool | replace | |||
| ) | [static] |
qentry_t->putint(): Add integer object into linked-list structure.
| entry | qentry_t pointer | |
| name | key name. | |
| num | number value | |
| replace | in case of false, just insert. in case of true, remove all same key then insert object if found. |
| static void* _get | ( | qentry_t * | entry, | |
| const char * | name, | |||
| size_t * | size, | |||
| bool | newmem | |||
| ) | [static] |
qentry_t->get(): Find object with given name
| entry | qentry_t pointer | |
| name | key name | |
| size | if size is not NULL, object size will be stored. | |
| newmem | whether or not to allocate memory for the data. |
qentry_t *entry = qEntry(); (...codes...) // with newmem flag unset size_t size; const char *data = entry->get(entry, "key_name", &size, false); // with newmem flag set size_t size; char *data = entry->get(entry, "key_name", &size, true); if(data != NULL) free(data);
| static void* _getlast | ( | qentry_t * | entry, | |
| const char * | name, | |||
| size_t * | size, | |||
| bool | newmem | |||
| ) | [static] |
qentry_t->getlast(): Find lastest matched object with given name.
| entry | qentry_t pointer | |
| name | key name | |
| size | if size is not NULL, object size will be stored. | |
| newmem | whether or not to allocate memory for the data. |
| static char* _getstr | ( | qentry_t * | entry, | |
| const char * | name, | |||
| bool | newmem | |||
| ) | [static] |
qentry_t->getstr(): Find string object with given name.
| entry | qentry_t pointer | |
| name | key name | |
| newmem | whether or not to allocate memory for the data. |
| static char* _getstrf | ( | qentry_t * | entry, | |
| bool | newmem, | |||
| const char * | namefmt, | |||
| ... | ||||
| ) | [static] |
qentry_t->_getstrf(): Find string object with given formatted name.
| entry | qentry_t pointer | |
| newmem | whether or not to allocate memory for the data. | |
| namefmt | formatted name string |
| static char* _getstrlast | ( | qentry_t * | entry, | |
| const char * | name, | |||
| bool | newmem | |||
| ) | [static] |
qentry_t->getstrlast(): Find lastest matched string object with given name.
| entry | qentry_t pointer | |
| name | key name | |
| newmem | whether or not to allocate memory for the data. |
| static int _getint | ( | qentry_t * | entry, | |
| const char * | name | |||
| ) | [static] |
qentry_t->getint(): Find integer object with given name.
| entry | qentry_t pointer | |
| name | key name |
| static int _getintlast | ( | qentry_t * | entry, | |
| const char * | name | |||
| ) | [static] |
qentry_t->getintlast(): Find lastest matched integer object with given name.
| entry | qentry_t pointer | |
| name | key name |
| static void* _caseget | ( | qentry_t * | entry, | |
| const char * | name, | |||
| size_t * | size, | |||
| bool | newmem | |||
| ) | [static] |
qentry_t->caseget(): Find object with given name.
(case-insensitive)
| entry | qentry_t pointer | |
| name | key name | |
| size | if size is not NULL, object size will be stored. | |
| newmem | whether or not to allocate memory for the data. |
| static char* _casegetstr | ( | qentry_t * | entry, | |
| const char * | name, | |||
| bool | newmem | |||
| ) | [static] |
qentry_t->casegetstr(): Find string object with given name in case-insensitive way.
| entry | qentry_t pointer | |
| name | key name | |
| newmem | whether or not to allocate memory for the data. |
| static int _casegetint | ( | qentry_t * | entry, | |
| const char * | name | |||
| ) | [static] |
qentry_t->casegetint(): Find integer object with given name in case-insensitive way.
| entry | qentry_t pointer | |
| name | key name |
qentry_t->getnext(): Get next object structure.
| entry | qentry_t pointer | |
| obj | found data will be stored in this object | |
| name | key name, if key name is NULL search every key in the list. | |
| newmem | whether or not to allocate memory for the data. |
qentry_t *entry = qEntry(); entry->putstr(entry, "key1", "hello world 1", false); entry->putstr(entry, "key2", "hello world 2", false); entry->putstr(entry, "key3", "hello world 3", false); qentobj_t obj; memset((void*)&obj, 0, sizeof(obj)); // must be cleared before call while(entry->getnext(entry, &obj, NULL, false) == true) { printf("NAME=%s, DATA=%s", SIZE=%zu", obj.name, obj.data, obj.size); } // with newmem flag qentobj_t obj; memset((void*)&obj, 0, sizeof(obj)); // must be cleared before call while(entry->getnext(entry, &obj, NULL, true) == true) { printf("NAME=%s, DATA=%s", SIZE=%zu", obj.name, obj.data, obj.size); free(obj.name); free(obj.data); }
| static int _size | ( | qentry_t * | entry | ) | [static] |
qentry_t->size(): Get total number of stored objects
| entry | qentry_t pointer |
| static int _remove | ( | qentry_t * | entry, | |
| const char * | name | |||
| ) | [static] |
qentry_t->remove(): Remove matched objects as given name.
| entry | qentry_t pointer | |
| name | key name |
| static bool _truncate | ( | qentry_t * | entry | ) | [static] |
qentry_t->truncate(): Truncate qentry_t
| entry | qentry_t pointer |
| static bool _reverse | ( | qentry_t * | entry | ) | [static] |
qentry_t->reverse(): Reverse-sort internal stored object.
| entry | qentry_t pointer |
| static bool _save | ( | qentry_t * | entry, | |
| const char * | filepath | |||
| ) | [static] |
qentry_t->save(): Save qentry_t as plain text format
| entry | qentry_t pointer | |
| filepath | save file path |
| static int _load | ( | qentry_t * | entry, | |
| const char * | filepath | |||
| ) | [static] |
qentry_t->load(): Load and append entries from given filepath
| entry | qentry_t pointer | |
| filepath | save file path |
| static bool _print | ( | qentry_t * | entry, | |
| FILE * | out, | |||
| bool | print_data | |||
| ) | [static] |
qentry_t->print(): Print out stored objects for debugging purpose.
| entry | qentry_t pointer | |
| out | output stream FILE descriptor such like stdout, stderr. | |
| print_data | true for printing out object value, false for disable printing out object value. |
| static bool _free | ( | qentry_t * | entry | ) | [static] |
qentry_t->free(): Free qentry_t
| entry | qentry_t pointer |


--- title: Главная страница --- {% extends "layouts/_layout.html" %} {% block content %} {% include 'blocks/_banner.html' %} {% include 'blocks/_home-carousel.html' %} {% include 'blocks/_catalogCards.html' %} {% include 'blocks/_certificateOffer.html' %}


{% extends "base.html" %} {% block extra_js %} {% load socketio_tags %} {% socketio %} {% endblock %} {% block main %}
You should see the data from your phone appearing on your desktop screen if this is all working
Not sending
X:
Y:
Z:
Gamma:
Beta:
Alpha (compass):
{% endblock %}


We extend metrics!
- innovate B2B e-services
- enhance one-to-one systems
- morph enterprise e-business
- exploit compelling partnerships
- repurpose distributed eyeballs
- harness B2C infrastructures
- integrate cross-media e-business
- incentivize out-of-the-box deliverables
- exploit e-business deliverables
- visualize mission-critical infomediaries
- aggregate 24/365 users
- envisioneer interactive methodologies
- whiteboard seamless architectures
- reinvent cross-platform experiences


Sketches
Source code is on
Github
Flocking simulator
Game of life
Classic Conway's Game of Life
Shaders
Poisson disc


CAPE FEAR A film review by Frank Maloney Copyright 1991 Frank Maloney
CAPE FEAR is a film directed by Martin Scorsese. It stars Robert DeNiro, Nick Nolte, Jessica Lane, and Juliette Lewis. Rated R for excessive violence.
CAPE FEAR is a remake of J. Lee Thompson's 1962 Southern gothic thriller. Elmer Bernstein has adapted Bernard Herrmann's original score, and three of the stars from the original have small roles in this version: Gregory Peck, Robert Mitchum, and Martin Balsam. This building on the past may be one of the reasons why this version is such an interesting film, not a film without problems, but a wonderful movie for talking about.
First, there are the remarkable performances by the principals, as well as some excellent character acting by the likes of Joe Don Baker. Most viewers may well dwell on Robert DeNiro's performance, and I'll have something to say about DeNiro, too. But the actor who impressed me beyond any other in this movie was newcomer Juliette Lewis, who plays the 15-year-old daughter of Nick Nolte's character. She gave us a letter-perfect teenage girl, totally convincing, psychologically real. Her body language, her not-quite-beautiful prettiness, her speech patterns, these were the stuff of flesh-and-blood teenagers, not Hollywood stereotypes. If Lewis can keep up this kind of quality, she will have a good crack at being a major star in the next few years and beyond.
Then there's Jessica Lange, who plays Nolte's wife, Lewis's mother, a woman on the verge of a nervous breakdown, a chain-smoking commercial artist, a font of bitter zingers and violent rage. I haven't seen Lange in a long time and it was grand to see her turn in a first-rate performance.
Nick Nolte, looking fitter and handsomer than I've seen him in years, reverses my expectations and plays the "good guy", a successful lawyer who's made some mistakes in the past, playing a little too loosely with the rules of the law and of marriage. His is a very difficult role; we have to see that he is a victim, but one who has to some degree only brought his troubles on himself. We sympathize, but we don't really approve of or like him. It's only that the bystanders, his victims as much as DeNiro's, who suffer, too, that let's us extended a sympathy to him fully. Nolte, to his credit, pretty much pulls it off. He walks a narrow plank and seldom loses his balance.
Okay, DeNiro. DeNiro is America's most distinguished, most intense, most dedicated scenery-chewer, an actor who has no concept of moderation or resting on his laurels. The energy of the man is awe-inspiring. And the role of Cady, the ex-con who has come "to help" his ex-lawyer, gives the fullest possible play to DeNiro's willingness to overwhelm with excessiveness. The most powerful, chilling parts of CAPE FEAR are when Cady is only a threatening eminence, when the story itself confines DeNiro's larger than life interpretation of a nearly impossible character. When script shifts into its ultra-violent second half, DeNiro's Cady slips slightly into incredibility and loses a certain Hannibal-Lectorish attractiveness.
Far and away, the best scene in CAPE FEAR, the one that is sure to remain when all other memories of the movie fade is the extended meeting of Lewis and DeNiro in a darkened college theater on whose stage is a Hansel and Gretel set of the witch's gingerbread house. The lurking, the expectations of unspeakable acts, the absurdity of the setting, the appalling innocence of Lewis, the manipulative genius of DeNiro, and above all the thumb, all these created a scene of tension and shuddery apprehension that made it a stand-alone triumph.
On the other hand, once the mayhem was well and truly underway, I began to lose something of my involvement, a bad situation in any movie, but especially a thriller. Cady shows himself to be not only a genius of manipulation and strategy, but physically indestructible. I cannot believe that any human, no matter how driven by his obsessions and no matter how physically strong could have pulled off some of the stunts Cady is supposed to have survived.
The psychology of CAPE FEAR is fascinating and the real center of the movie's successes. And the moral questions that the story raises are the center of its worthiness of being seen. Unfortunately the movie loses interest in these as it succumbs to a blood lust that all too common in contemporary films. The psychology, briefly put, involves the relationships of the principal characters, the sorting out of responsibility, of blame, of what's of real value. The morality concerns how we face up our responsibilities, what we have to do to atone for our humanness.
I recommend CAPE FEAR, but suggest you will get more of bang for your buck by taking in a low-cost matinee. It will grip you, but it may leave you more dissatisfied than disquieted.
-- Frank Richard Aloysius Jude Maloney .
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DISTURBING BEHAVIOR RATING: 7 / 10 --> Good movie
For more reviews and movie trivia, visit http://www.joblo.com/
PLOT: A group of high school kids suspect the grade's sharpest students, known as the Blue Ribbons, to be controlled or programmed from another source other than themselves. And as more and more students join the unique group, a couple of rebellious kids take on the task of getting to the bottom of this strange mystery.
CRITIQUE: Creepy, escapist thrill-show, this movie takes elements from the STEPFORD WIVES and CLOCKWORK ORANGE (9/10), mixes in some hip, young stars, a rockin' soundtrack, and an interesting enough premise to fill its overly short 80 minute runtime. I haven't found myself thinking this much of late, but this is one film that could've used another 20 minutes of so, to further develop its interesting premise, and add onto its simple conclusion. It might've turned the movie into something more than what it is now, which is a decent thrill-ride, entertaining enough to enjoy, but shallow enough not to take too seriously. Do you have 80 minutes to give up in your life, to watch a dark, moody presentation shown over an alternative soundtrack, and Katie Holmes in many a tight top? If you do, then check this puppy out, otherwise, see one of the originals which I compared it to before, or better yet, check into another one of screenwriter Scott Rosenberg's creations via THINGS TO DO IN DENVER WHEN YOU'RE DEAD (7/10) or BEAUTIFUL GIRLS (8.5/10). Nick Stahl's performance as the paranoid pothead with the overly literate tongue was the only one to stick out in my mind (He went on to a bit part in Terrence Malick's THE THIN RED LINE (6.5/10).
Little Known Facts about this film and its stars: Screenwriter Scott Rosenberg has a pen for the unique genres, as his first three screenplays comprised of a quirky crime flick a la THING TO DO IN DENVER WHEN YOU'RE DEAD, a romantic coming-of-adult-age drama, BEAUTIFUL GIRLS (8.5/10) and the summer action blockbuster, CONAIR (6.5/10), respectively. The actor who plays the janitor in this film also played the role of the Grim Reaper in 1991's BILLS AND TED'S BOGUS JOURNEY. His name is William Sadler.
Review Date: February 7, 1999 Director: David Nutter Writer: Scott Rosenberg Producers: Armyan Bernstein and Jonathan Shestack Actors: Katie Holmes as Rachel Wagner, Jimmy Marsden as Steve Clark, Nick Stahl as Gavin Strick Genre: Thriller Year of Release: 1998
The review above was posted to the
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IAR's 2012 MYC High School Girls' Summer Camp
Registration for the IAR's 2012 Muslim Youth Coalition (MYC) High School Girls' Summer Camp is now open!
The camp will be held from Thursday July 12 2012 through Sunday July 13 2012 at Jordan Lake State Recreation Area.
Attendance to the summer camp is restricted to girls 13 years of age and older.
Activities
We have planned many activities, including talks/reflection about Allaah, Qur'aan explorations, interactive discussions, canoeing, swimming, field sports, obstacles courses, water balloon games, team-building games, hikes, and signature BBQs, among many others!
Registration
The registration fees includes cost of travel, food, activities and lodging. Registration is $40 per person. Space is LIMITED, so please sign up ASAP!
Please register for the camp using this 2012 High School Girls' Summer Camp Registration Form.
Contact
For more details, please contact Sr Juwareyah Hassell via email<EMAIL_ADDRESS>or<PHONE_NUMBER>. You can also contact Sr Safiyah Quyyum, Sr Zaynab Jaber or Sr Fatimah Guerrab
If you have any questions, comments, concerns, suggestions, naseehah (advice), please rush to contact us, for the sake of pleasing Allaah 'azza wa jall, alone!
We hope YOU are as EXCITED as we are, as we, as a COMMUNITY, and as a SINGLE-BODY UMMAH, take on the CHALLENGE of developing the BEST of the BEST Muslim youth, leaps at a time! We appreciate ALL the SUPPORT and EFFORT from each of you parents, both at home and as part of our programs, to do your parts to help in this MAGNIFICENT goal we have TOGETHER taken upon ourselves! Baaraka Allaahu feekum wa ahsana Allaahu ilaikum wa rafa'a Allaahu darajatakum fee al maydiyyeena al muqarrabeena al mahbuubeena!


See: Description
| Class | Description |
|---|---|
| PortletHttpSession |
Wrapper object exposing a
PortletSession as a HttpSession instance. |
| PortletServletConfig |
Wrapper object exposing a
PortletConfig as a ServletConfig instance. |
| PortletServletContext |
Wrapper object exposing a
PortletContext as a ServletContext instance. |
| PortletServletInputStream |
Wrapper object exposing a
InputStream from a portlet as a ServletInputStream instance. |
| PortletServletOutputStream |
Wrapper object exposing a
OutputStream from a portlet as a ServletOutputStream instance. |
| PortletServletRequest |
Wrapper object exposing a
PortletRequest as a
HttpServletRequest instance. |
| PortletServletRequestDispatcher | |
| PortletServletResponse | |
| PortletServletResponseJSR286 |
PortletServletResponseJSR286.
|
Copyright © 2000–2020 Apache Software Foundation. All rights reserved.


qLabel is a JavaScript library that helps you create multilingual websites. qLabel is Open Source and developed on GitHub. qLabel looks up and displays labels for entities marked up in a Website. In the next paragraph, click one of the languages, and you will see the display change accordingly.
English - German - Uzbek - Croatian - Chinese - Korean - Arabic - Japanese - Hindi - Russian
See the usage guide.
qLabel is really easy to use: you need to load qLabel, a jQuery plug-in, annotate all elements to be translated with their identifier, e.g. from Wikidata, like this:
translation
This will give you the following result: translation.
Admitted, this doesn't look too exciting. But click now again on one of the languages provided above. The text here changes, automatically, displaying you the translation in the selected language. This allows to easily create specific types of content. Take a look at the examples below, and especially at the source code of the simple example.
qLabel is available here. A more detailed usage guide is available.
Annotations are (often invisible) notes about the content of a website.
In our case, we annotate text that mentions something with that thing's unique identifier. This way, when a text mentions Vienna, we know if the text is speaking about Vienna in Austria or Vienna in Virginia, and qLabel will know to display the first one as Wien in German and leave the second as Vienna.
Annotations can be useful well beyond of the service that qLabel offers, e.g. for a better search. You can read more on annotation here.
See the technical description.
qLabel uses the identifier in the annotation in order to find the name of the annotated thing in the requested language and then displays that name.
qLabel does not translate the name from one language to the other. Instead the author of the website explicitly disambiguates what they mean, and qLabel looks up the name of that on the Web. Thus, qLabel is completely different than a service like Google Translate.
qLabel uses web standards in order to figure out the names in the different languages. The technical description offers more details.
Click on Select language on the top left of the page, then select a language, and see the content of the page change (The language selector widget is Wikimedia's awesome ULS).


You pick up your time crystal key, and are forced into the not-time time zone. You look around you and see two paths: one leading up into the mountains, the other leading down into a cave.


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Sara is a pharmacist with who is changing careers. She has made the decision to go back to the future, doing what she almost did after graduating high school - software development! Along the way, she has obtained a degree in Information Systems, Software Development Track, from Bellevue College. She has also taught herself via Codecdademy, the Railsbridge group, the Flatiron School, and Ada Developers Academy's Jumpstart program. Now she is an apprentice at Microsoft via Apprenti training at Codefellows.
Ol' Renny is an ex-composite repair technician who decided that after 6 short years at Boeing it was time for a career change! Something that involved fewer hazardous chemicals, more flexibility, and something that's never not interesting; computers and technology! In the immortal words of Cosmo Kramer: "Giddyup!"
After getting out of the Navy I worked at a bank and was looking for ideas before deciding to go back to school to use my GI Bill Benefits. I could not stand the system we used to do our daily work. I was constantly coming up with new ideas that would make the system better and more user friendly, and make our work more efficient. I enrolled in a Computer Information Systems program and I worked for both my Bachelor's then my Master's. Unfortunately, it wasn't enough to help me get a job. Then the Apprenti program came along and gave me this great opportunity to go work for Micorosoft as a software dev apprentice.
I am a software developer on my way to an apprenticeship at Microsoft through Apprenti. I have a degree in film and 11 years of market research experience, a beautiful and talented wife and an eerie and amazing son, and I'm proud to say I've voted for Democrats, Republicans, and Green Party candidates. Once I even shared a selfie with Paul Simon (the bow-tied Senator, not the singer).


Neuerfassung der Ausstellung bestätigen
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Particle man, particle man
Doing the things a particle can
What's he like? It's not important
Particle man
Is he a dot, or is he a speck?
When he's underwater does he get wet?
Or does the water get him instead?

Does he feel totally worthless?
Who came up with person man?