CodeMirror 2: SQL mode
-- Demonstration of CodeMirror 2 SQL highlighter. /* based on PL/SQL mode, adapted to SQL with changes taken from John Benediktsson's SQL mode for CodeMirror 1 April 2011 */ create table if not exists table1( a bigint(13) not null primary key, b char(4) not null, c char(50) not null, d int(9) not null, ); insert into table1 values<PHONE_NUMBER>123, "b", "c", 0); select from_unixtime(a/1000), b, c, min(d) as `using` from table1 t1 left join table2 t2 using (a) -- inner join table3 t3 on t3._a = t1.a join ( select a, b, c from data ) as foo on foo.a = t1.a where a > 10 and b like '%foo' or c = 3.14159 and d < -15.7 order by 1 desc ; select @total := sum(d) from data;
Simple mode that handles SQL language.
MIME type defined:
text/x-sql
(SQL code)


{% seo %}
{{ site.description }}
To use the template, press the Copy To Clipboard button and paste it into your meeting invitation.
Copy To Clipboard


The first thing you need to do is “Select” a species and a ribosomal subunit from the Species and Subunit menu. For this example, we will use E. coli.Further in this menu you may choose either the large subunit or small subunit. We will choose the large subunit. We select “Phylogeny-Structure” to continue.
Upon selecting the subunit, the secondary structure will load to the 2D panel in its default view, with the nucleotides colored by domain. The 1D Panel and the 3D Panel also show domain information. After a minute or two the 3D view of the Ribosome loads in the panel on the right. The default color scheme in the 3D panel differentiates the domains of ribosomal RNA.


Sorry for my bad english,I'm french.
hye
i have a little problème.
since the last update, my com center is alway closed at the right side
how its possible to constrain my com center to stay always open at the battlelog startup
Here you are :
http://www.imagup.com/data/1157024931.html
Its my battlelog, and i want the com center goes to right side, and permanantly opened.
thanks for all aid


The /live/create
API provides a response in the following format:
CreateLiveAlgorithmResponse Model - Response received when deploying a live algorithm. |
|
|---|---|
| responseCode | string Response code. |
| versionId | string The version of the Lean used to run the algorithm. |
| projectId | integer Project Id. |
| deployId | string Deployment Id. |
| source | string Id of the node that will run the algorithm. |
| queueHandler | string /. |
| success | boolean Indicate if the API request was successful. |
| errors | string Array List of errors with the API call. |
| Example |
{ "responseCode": "200 OK", "versionId": "15753", "projectId": 0, "deployId": "string", "source": "api-v2", "queueHandler": "string", "success": true, "errors": [ "string" ] } |
UnauthorizedError Model - Unauthorized response from the API. Key is missing, invalid, or timestamp is too old for hash. |
|
|---|---|
| www_authenticate | string Header |


What's new?
- Mickey supports both relative mode (head movements control cursor speed) and absolute mode (head movements
directly control position of the cursor).
- Mickey employs sensitivity curve to adjust the tracking feel, allowing for greater precision when movement is
small and high cursor speed for bigger movement.
- All adjustments (centering, calibration, ...) are timed now and the timeouts are customizable.
- Pausing/un-pausing shortcut is now customizable. The range of available hot-keys is not very wide,
but covers seldom used keys. If you need a key that is not listed, please file a bug and it'll be added.


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Talk ~30 mins
Demo ~15 mins
Q&A ~15 mins
Who is this talk for?
Anyone who writes any kind of code for any reason.
Minimal Background Knowledge
What is Test Driven Development?
Why?
History
Implications
Experience
What is a software test?
Some check that can either:
The test is also code.
def test_plus():
assert 1 + 1 == 2
Functional Tests
A.K.A.
End-to-end Tests
Acceptance Tests
Black Box Tests
Functional Tests
Functional Tests
Test the functionality of a system
Treat implementation as a Black-Box
Do not reference or see the source code
Can be written in any programming language
Can be packaged and run separately
Unit Tests
Test an individual unit or piece of code
Focus on a specific function or class
Require access to the source code
Written in the same language as code under test
Unit Tests
(Pure)Unit Tests
Integrated (Unit) Tests
Unit Tests
Strictly test one function or class
Integrated Tests
Test collaborating pieces of code
Both require access to code
What is Test Driven Development?
It is development that is driven by tests!
just kidding!
RED - GREEN - REFACTOR
A.K.A.
Inside Out
Bottom Up
Classic
Starts at Unit test level
Build from components / classes upwards
Developer focuses on one thing at a time
A.K.A.
Outside In
Top Down
Mockist
Starts at Functional test level
Works inward to Unit test level
Can use Mocks for components not-yet-implemented
Implementation of class/components left to last moment
At least two tests for every feature!
But what if you don't know what you're doing?
Do a little code experiment on the side.
Throw it away.
Now do it again with TDD.
“plan to throw one away; you will, anyhow.” Frederick Brooks Jr.
What it's not:
Why?
Value
Why?
From hardly ever done ...
... to standard practice.
Where did TDD come from?
Idea of small iterations
Idea of writing test before code
Implications
You will write different code.
Always thinking How would I test that?
Leads to objectively better code
Implications
Need debuggers less.
Not writing tests feels weird.
Mindset change
If the code will only ever be run ...
... not in production,
... just by you,
... today.
Then mabye consider skipping writing tests.
Experience
How to do it well?
Start with English
Then test
Then code
How to do it well?
The hardest aspect of programming is naming things.
Clarity about the purpose of the test.
“ I'm just a soul whose intentions are good
Oh Lord, please don't let me be misunderstood”
xUnit
Continuous Integration
Run tests locally.
Commit
Run tests in CI.
Test Double - Wiki


JsonPatch.Net
JSON Patch is a language for modifying JSON documents. Like JSON Schema, it is also expressed in JSON.
Syntax
A patch consists of an array containing one or more operations. Each operation may also contain one or more arguments.
An operation must be one of
add
remove
replace
copy
move
test
The arguments vary among them, though all must contain at least an op
and a path
. ("Path" as used here is colloqiual. It's actually a JSON Pointer, not JSON Path.)
op
specifies the operation and must be one of the values above.path
specifies the location within the JSON document which will receive changes.from
specifies a source location within the JSON document from which to pull a value.value
specifies an explicit value.
Applying Patches
In JsonPatch
The result contains the altered document, either fully patched or up to the point an error occurred, and possibly an error message. You can even apply a patch from one object to another! They don't even need to be of the same type!! The That's it! If you know what your start and end states are, but you want to find the differences, you can do that by generating a patch. This results in the JSON Patch This patch can be tested on the first object and should generate the second. Other related features:JsonPatch
object can be deserialized directly from the JSON document string.var patch = JsonSerializer.Deserialize<JsonPatch>(patchString);
JsonPatch
operates on JsonElement
values. To apply the patch, parse the document and pass the root element into the .Apply()
method.var doc = JsonDocument.Parse(docString);
var result = patch.Apply(doc.RootElement);
var myPatchedObject = patch.Apply(myObject);
var myDifferentTypeObject = patch.Apply<MyObject, MyDifferentObject>(myObject);
Inline Patching
JsonPatch
class can also be built in code using by creating a series of PatchOperation
s through its static constructor methods. There's one for each operation.var patch = new JsonPatch(PatchOperation.Add("/foo/bar", "baz"),
PatchOperation.Test("/foo/biz", false));
Generating Patches
var start = JsonDocument.Parse("[{\"test\":\"test123\"},{\"test\":\"test321\"},{\"test\":[1,2,3]},{\"test\":[1,2,4]}]");
var target = JsonDocument.Parse("[{\"test\":\"test123\"},{\"test\":\"test32132\"},{\"test1\":\"test321\"},{\"test\":[1,2,3]},{\"test\":[1,2,3]}]");
var patch = start.CreatePatch(target);
[
{"op":"replace","path":"/1/test","value":"test32132"},
{"op":"remove","path":"/2/test"},
{"op":"add","path":"/2/test1","value":"test321"},
{"op":"replace","path":"/3/test/2","value":3},
{"op":"add","path":"/4","value":{"test":[1,2,3]}}
]
target.CreatePatch(start)
myObject1.CreatePatch(myObject2)


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save(Context, int)
- Method in class com.orm.androrm.
Model
save(Context)
- Method in class com.orm.androrm.
Model
select(String...)
- Method in class com.orm.androrm.
SelectStatement
Hand in all fields, that shall be selected.
SelectStatement
- Class in
com.orm.androrm
By utilizing this class you can build complex select statements.
SelectStatement()
- Constructor for class com.orm.androrm.
SelectStatement
set(Cursor, int)
- Method in class com.orm.androrm.
BooleanField
set(Cursor, int)
- Method in class com.orm.androrm.
CharField
set(T)
- Method in interface com.orm.androrm.
DatabaseField
Sets the value of this field.
set(Cursor, int)
- Method in interface com.orm.androrm.
DatabaseField
This method is used to read the value in the right format out of a
Cursor
.
set(T)
- Method in class com.orm.androrm.
DataField
set(Cursor, int)
- Method in class com.orm.androrm.
DateField
set(Cursor, int)
- Method in class com.orm.androrm.
DoubleField
set(int)
- Method in class com.orm.androrm.
ForeignKeyField
As an alternative you don't have to hand in an instance of the model class, this field references.
set(T)
- Method in class com.orm.androrm.
ForeignKeyField
set(Cursor, int)
- Method in class com.orm.androrm.
ForeignKeyField
set(Cursor, int)
- Method in class com.orm.androrm.
IntegerField
setBackLink(T, Class<T>, O, Class<O>)
- Static method in class com.orm.androrm.
Model
setDatabaseName(String)
- Static method in class com.orm.androrm.
DatabaseAdapter
Set the name, that will be used for the database.
setKey(String)
- Method in class com.orm.androrm.
Statement
setModels(List<Class<? extends Model>>)
- Method in class com.orm.androrm.
DatabaseAdapter
Registers all models, that will then be handled by the ORM.
setModels(SQLiteDatabase, List<Class<? extends Model>>)
- Method in class com.orm.androrm.
DatabaseHelper
Registers all given models with the ORM and triggers
DatabaseHelper.onCreate(SQLiteDatabase)
to create the database.
setStatement(Statement)
- Method in class com.orm.androrm.
Where
Overwrite or set the current statement represented by this where clause.
Statement
- Class in
com.orm.androrm
This class is the superclass of all statements.
Statement()
- Constructor for class com.orm.androrm.
Statement
Empty constructor.
Statement(String, String)
- Constructor for class com.orm.androrm.
Statement
This constructor sets the key and value field of this statement.
Statement(String, int)
- Constructor for class com.orm.androrm.
Statement
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My role as a designer involves leveraging an Anthropological study design to collect and analyze a vast trove of user data and feedback at an incredible speed, and design systems that deliver deep, actionable insights to professionals in a way that enhances their existing workflows.
More about MeMockups and prototype structuring.
Wireframing and user flows.
Prototyping for collaboration and user testing.
Animate wireframes to help with remote communications.


Using GDB
Because Trylon programs are compiled using an intermediate C step, you can use GDB on them. (I recommend CGDB, a nice Curses-based front-end to GDB.) The C code will be a little ugly, but it should be fairly easy to read. (As of this writing, the "-g" flag is automatically passed to the C compiler, so you don't have to add a 'c-flags += "-g"' line to your build-settings.) You'll likely want to put a breakpoint on the SendMessageNotUnderstood_() function in Trylon_.c.
In addition, you should put a "debugging = true" line in your build-settings.local file. This will allow you to use the showObj_() function to inspect objects. For instance:
When stepping into a call, you'll notice that you'll end in the Dispatch_() function. Don't forget about GDB's "f" command, which will get you out of it quickly. In CGDB, you'll quickly become accustomed to the "sfs" idiom.
Idiomatic Trylon Errors
The compiler will warn you about messages that are sent but never defined. Often this indicates a typo.
There are a couple of types of errors, related to autodeclaration, that are fairly rare, but can be hard to find when they do occur. One is thinking you're auto-declaring a local variable, when you're actually accessing a variable in an outer scope.
MyPackage/
main
trylon MyPackage
name = nil
MyClass
trylon MyClass
bar: stuff
name = stuff first-item
if name == "bar"
(Hopefully it's obvious that "MyPackage" is a directory, and "main" and "MyClass" are files, with their contents shown indented.) In this example, it's likely that the author of "bar:" meant for "name" to be a local variable, but instead "MyPackage name" is being accessed and set. (Older versions of Trylon used "foo := bar" as a syntax for explicitly declaring a local variable. In the early days of the language, it didn't have auto-declaration. The compiler still accepts this, but it's not considered idiomatic Trylon anymore.)
Another, even subtler, error, occurs when you make a typo on the send of a function with one argument. Consider "foo = bar". The compiler turns this into "foo: bar", looks up "foo:", and autodeclares a local named "foo" if "foo:" doesn't exist in the current scope. So suppose you meant to call "print-line:", but instead wrote this:
print-lin: "Hello world!"
The compiler wouldn't generate a warning about the use of an undeclared function called "print-lin:". Instead, it's as if you wrote:
print-lin = "Hello world!"


Artisan Console
- Introduction
- Writing Commands
- Defining Input Expectations
- Command I/O
- Registering Commands
- Programmatically Executing Commands
Introduction
Artisan is the command-line interface included with Laravel. It provides a number of helpful commands that can assist you while you build your application. To view a list of all available Artisan commands, you may use the list
command:
php artisan list
Every command also includes a "help" screen which displays and describes the command's available arguments and options. To view a help screen, precede the name of the command with help
:
php artisan help migrate
Tinker (REPL)
All Laravel applications include Tinker, a REPL powered by the PsySH package. Tinker allows you to interact with your entire Laravel application on the command line, including the Eloquent ORM, jobs, events, and more. To enter the Tinker environment, run the tinker
Artisan command:
php artisan tinker
You can publish Tinker's configuration file using the vendor:publish
command:
php artisan vendor:publish --provider="Laravel\Tinker\TinkerServiceProvider"
Command Whitelist
Tinker utilizes a white-list to determine which Artisan commands are allowed to be run within its shell. By default, you may run the clear-compiled
, down
, env
, inspire
, migrate
, optimize
, and up
commands. If you would like to white-list more commands you may add them to the commands
array in your tinker.php
configuration file:
'commands' => [
// App\Console\Commands\ExampleCommand::class,
],
Alias Blacklist
Typically, Tinker automatically aliases classes as you require them in Tinker. However, you may wish to never alias some classes. You may accomplish this by listing the classes in the dont_alias
array of your tinker.php
configuration file:
'dont_alias' => [
App\User::class,
],
Writing Commands
In addition to the commands provided with Artisan, you may also build your own custom commands. Commands are typically stored in the app/Console/Commands
directory; however, you are free to choose your own storage location as long as your commands can be loaded by Composer.
Generating Commands
To create a new command, use the make:command
Artisan command. This command will create a new command class in the app/Console/Commands
directory. Don't worry if this directory does not exist in your application, since it will be created the first time you run the make:command
Artisan command. The generated command will include the default set of properties and methods that are present on all commands:
php artisan make:command SendEmails
Command Structure
After generating your command, you should fill in the signature
and description
properties of the class, which will be used when displaying your command on the list
screen. The handle
method will be called when your command is executed. You may place your command logic in this method.
{tip} For greater code reuse, it is good practice to keep your console commands light and let them defer to application services to accomplish their tasks. In the example below, note that we inject a service class to do the "heavy lifting" of sending the e-mails.
Let's take a look at an example command. Note that we are able to inject any dependencies we need into the command's handle
method. The Laravel service container will automatically inject all dependencies that are type-hinted in this method's signature:
<?php
namespace App\Console\Commands;
use App\User;
use App\DripEmailer;
use Illuminate\Console\Command;
class SendEmails extends Command
{
/**
* The name and signature of the console command.
*
* @var string
*/
protected $signature = 'email:send {user}';
/**
* The console command description.
*
* @var string
*/
protected $description = 'Send drip e-mails to a user';
/**
* Create a new command instance.
*
* @return void
*/
public function __construct()
{
parent::__construct();
}
/**
* Execute the console command.
*
* @param \App\DripEmailer $drip
* @return mixed
*/
public function handle(DripEmailer $drip)
{
$drip->send(User::find($this->argument('user')));
}
}
Closure Commands
Closure based commands provide an alternative to defining console commands as classes. In the same way that route Closures are an alternative to controllers, think of command Closures as an alternative to command classes. Within the commands
method of your app/Console/Kernel.php
file, Laravel loads the routes/console.php
file:
/**
* Register the Closure based commands for the application.
*
* @return void
*/
protected function commands()
{
require base_path('routes/console.php');
}
Even though this file does not define HTTP routes, it defines console based entry points (routes) into your application. Within this file, you may define all of your Closure based routes using the Artisan::command
method. The command
method accepts two arguments: the command signature and a Closure which receives the commands arguments and options:
Artisan::command('build {project}', function ($project) {
$this->info("Building {$project}!");
});
The Closure is bound to the underlying command instance, so you have full access to all of the helper methods you would typically be able to access on a full command class.
Type-Hinting Dependencies
In addition to receiving your command's arguments and options, command Closures may also type-hint additional dependencies that you would like resolved out of the service container:
use App\User;
use App\DripEmailer;
Artisan::command('email:send {user}', function (DripEmailer $drip, $user) {
$drip->send(User::find($user));
});
Closure Command Descriptions
When defining a Closure based command, you may use the describe
method to add a description to the command. This description will be displayed when you run the php artisan list
or php artisan help
commands:
Artisan::command('build {project}', function ($project) {
$this->info("Building {$project}!");
})->describe('Build the project');
Defining Input Expectations
When writing console commands, it is common to gather input from the user through arguments or options. Laravel makes it very convenient to define the input you expect from the user using the signature
property on your commands. The signature
property allows you to define the name, arguments, and options for the command in a single, expressive, route-like syntax.
Arguments
All user supplied arguments and options are wrapped in curly braces. In the following example, the command defines one required argument: user
:
/**
* The name and signature of the console command.
*
* @var string
*/
protected $signature = 'email:send {user}';
You may also make arguments optional and define default values for arguments:
// Optional argument...
email:send {user?}
// Optional argument with default value...
email:send {user=foo}
Options
Options, like arguments, are another form of user input. Options are prefixed by two hyphens (--
) when they are specified on the command line. There are two types of options: those that receive a value and those that don't. Options that don't receive a value serve as a boolean "switch". Let's take a look at an example of this type of option:
/**
* The name and signature of the console command.
*
* @var string
*/
protected $signature = 'email:send {user} {--queue}';
In this example, the --queue
switch may be specified when calling the Artisan command. If the --queue
switch is passed, the value of the option will be true
. Otherwise, the value will be false
:
php artisan email:send 1 --queue
Options With Values
Next, let's take a look at an option that expects a value. If the user must specify a value for an option, suffix the option name with a =
sign:
/**
* The name and signature of the console command.
*
* @var string
*/
protected $signature = 'email:send {user} {--queue=}';
In this example, the user may pass a value for the option like so:
php artisan email:send 1 --queue=default
You may assign default values to options by specifying the default value after the option name. If no option value is passed by the user, the default value will be used:
email:send {user} {--queue=default}
Option Shortcuts
To assign a shortcut when defining an option, you may specify it before the option name and use a | delimiter to separate the shortcut from the full option name:
email:send {user} {--Q|queue}
Input Arrays
If you would like to define arguments or options to expect array inputs, you may use the *
character. First, let's take a look at an example that specifies an array argument:
email:send {user*}
When calling this method, the user
arguments may be passed in order to the command line. For example, the following command will set the value of user
to ['foo', 'bar']
:
php artisan email:send foo bar
When defining an option that expects an array input, each option value passed to the command should be prefixed with the option name:
email:send {user} {--id=*}
php artisan email:send --id=1 --id=2
Input Descriptions
You may assign descriptions to input arguments and options by separating the parameter from the description using a colon. If you need a little extra room to define your command, feel free to spread the definition across multiple lines:
/**
* The name and signature of the console command.
*
* @var string
*/
protected $signature = 'email:send
{user : The ID of the user}
{--queue= : Whether the job should be queued}';
Command I/O
Retrieving Input
While your command is executing, you will obviously need to access the values for the arguments and options accepted by your command. To do so, you may use the argument
and option
methods:
/**
* Execute the console command.
*
* @return mixed
*/
public function handle()
{
$userId = $this->argument('user');
//
}
If you need to retrieve all of the arguments as an array
, call the arguments
method:
$arguments = $this->arguments();
Options may be retrieved just as easily as arguments using the option
method. To retrieve all of the options as an array, call the options
method:
// Retrieve a specific option...
$queueName = $this->option('queue');
// Retrieve all options...
$options = $this->options();
If the argument or option does not exist, null
will be returned.
Prompting For Input
In addition to displaying output, you may also ask the user to provide input during the execution of your command. The ask
method will prompt the user with the given question, accept their input, and then return the user's input back to your command:
/**
* Execute the console command.
*
* @return mixed
*/
public function handle()
{
$name = $this->ask('What is your name?');
}
The secret
method is similar to ask
, but the user's input will not be visible to them as they type in the console. This method is useful when asking for sensitive information such as a password:
$password = $this->secret('What is the password?');
Asking For Confirmation
If you need to ask the user for a simple confirmation, you may use the confirm
method. By default, this method will return false
. However, if the user enters y
or yes
in response to the prompt, the method will return true
.
if ($this->confirm('Do you wish to continue?')) {
//
}
Auto-Completion
The anticipate
method can be used to provide auto-completion for possible choices. The user can still choose any answer, regardless of the auto-completion hints:
$name = $this->anticipate('What is your name?', ['Taylor', 'Dayle']);
Multiple Choice Questions
If you need to give the user a predefined set of choices, you may use the choice
method. You may set the array index of the default value to be returned if no option is chosen:
$name = $this->choice('What is your name?', ['Taylor', 'Dayle'], $defaultIndex);
Writing Output
To send output to the console, use the line
, info
, comment
, question
and error
methods. Each of these methods will use appropriate ANSI colors for their purpose. For example, let's display some general information to the user. Typically, the info
method will display in the console as green text:
/**
* Execute the console command.
*
* @return mixed
*/
public function handle()
{
$this->info('Display this on the screen');
}
To display an error message, use the error
method. Error message text is typically displayed in red:
$this->error('Something went wrong!');
If you would like to display plain, uncolored console output, use the line
method:
$this->line('Display this on the screen');
Table Layouts
The table
method makes it easy to correctly format multiple rows / columns of data. Just pass in the headers and rows to the method. The width and height will be dynamically calculated based on the given data:
$headers = ['Name', 'Email'];
$users = App\User::all(['name', 'email'])->toArray();
$this->table($headers, $users);
Progress Bars
For long running tasks, it could be helpful to show a progress indicator. Using the output object, we can start, advance and stop the Progress Bar. First, define the total number of steps the process will iterate through. Then, advance the Progress Bar after processing each item:
$users = App\User::all();
$bar = $this->output->createProgressBar(count($users));
$bar->start();
foreach ($users as $user) {
$this->performTask($user);
$bar->advance();
}
$bar->finish();
For more advanced options, check out the Symfony Progress Bar component documentation.
Registering Commands
Because of the load
method call in your console kernel's commands
method, all commands within the app/Console/Commands
directory will automatically be registered with Artisan. In fact, you are free to make additional calls to the load
method to scan other directories for Artisan commands:
/**
* Register the commands for the application.
*
* @return void
*/
protected function commands()
{
$this->load(__DIR__.'/Commands');
$this->load(__DIR__.'/MoreCommands');
// ...
}
You may also manually register commands by adding its class name to the $commands
property of your app/Console/Kernel.php
file. When Artisan boots, all the commands listed in this property will be resolved by the service container and registered with Artisan:
protected $commands = [
Commands\SendEmails::class
];
Programmatically Executing Commands
Sometimes you may wish to execute an Artisan command outside of the CLI. For example, you may wish to fire an Artisan command from a route or controller. You may use the call
method on the Artisan
facade to accomplish this. The call
method accepts either the command's name or class as the first argument, and an array of command parameters as the second argument. The exit code will be returned:
Route::get('/foo', function () {
$exitCode = Artisan::call('email:send', [
'user' => 1, '--queue' => 'default'
]);
//
});
Alternatively, you may pass the entire Artisan command to the call
method as a string:
Artisan::call('email:send 1 --queue=default');
Using the queue
method on the Artisan
facade, you may even queue Artisan commands so they are processed in the background by your queue workers. Before using this method, make sure you have configured your queue and are running a queue listener:
Route::get('/foo', function () {
Artisan::queue('email:send', [
'user' => 1, '--queue' => 'default'
]);
//
});
You may also specify the connection or queue the Artisan command should be dispatched to:
Artisan::queue('email:send', [
'user' => 1, '--queue' => 'default'
])->onConnection('redis')->onQueue('commands');
Passing Array Values
If your command defines an option that accepts an array, you may pass an array of values to that option:
Route::get('/foo', function () {
$exitCode = Artisan::call('email:send', [
'user' => 1, '--id' => [5, 13]
]);
});
Passing Boolean Values
If you need to specify the value of an option that does not accept string values, such as the --force
flag on the migrate:refresh
command, you should pass true
or false
:
$exitCode = Artisan::call('migrate:refresh', [
'--force' => true,
]);
Calling Commands From Other Commands
Sometimes you may wish to call other commands from an existing Artisan command. You may do so using the call
method. This call
method accepts the command name and an array of command parameters:
/**
* Execute the console command.
*
* @return mixed
*/
public function handle()
{
$this->call('email:send', [
'user' => 1, '--queue' => 'default'
]);
//
}
If you would like to call another console command and suppress all of its output, you may use the callSilent
method. The callSilent
method has the same signature as the call
method:
$this->callSilent('email:send', [
'user' => 1, '--queue' => 'default'
]);


Comparing different thematic maps and cross-referencing patterns
Please navigate to the next screen to complete the activity.
Physical Map of South Africa.


MY BEST FRIEND'S WEDDING A film review by Cat Stanton Copyright 1997 Cat Stanton
P.J. Hogan, the director of MURIEL'S WEDDING, gives us yet another forced and somewhat embarrassing flick, but this time it has some big names behind it. MY BEST FRIEND'S WEDDING is definitely a top contender for the Puff Pastry award of summer movies.
This movie would have been much more enjoyable without all of the bad, painfully staged singing numbers the audience is forced to endure from the opening credits to the ending scene. I've never almost walked out on a movie before the opening credits stopped rolling, but because of a strong aversion to Pepto Bismol pink sets and bad lip-synching, I nearly did in this movie. I'm glad I stayed. Well, sort of.
>From the nonsensical opening number, the movie jarringly cuts to the chase, setting up the premise for the entire story with only a dozen sentences. Don't get in line for popcorn early, lest you miss the whole background story. But don't be fooled by the quick setup, the movie comes to a standstill... right about the time you get to the karaoke bar scene.
The premise is simple. Julianne (Julia Roberts) is the slim size 6 food critic. How does she stay size six? Well apparently she does so by taking a single bite of her meal, reciting two words to the server about what she's going to say about it in her write up, and then recounting her neuroses to her editor instead of eating the rest of her dinner. Her career is merely a convenient set up and isn't very believable. Switch her creme brulee/jell-o metaphor towards the end of the movie for Fifi the pedigreed poodle and Benji the lovable mutt, and she could have been a dog trainer.
But I digress. Julianne the food critic has spent the last nine years in troublesome relationships after breaking up with Michael (Dermot Mulroney), who has become her best friend since their romance. Long ago in Arizona they made a pact that they would marry each other if they were still alone at 28. When Michael calls her, she's certain he wants to marry her finally, right up until she finds out he's going to marry another woman in four days.
Julianne drops everything, flies to Chicago, and hilarity ensues. Well, that's what we'd hoped for.
In Chicago, we meet Michael's fiancee Kimmy (Cameron Diaz). Kimmy is "annoyingly perfect" (as Julianne often says in the film). In short, Kimmy is an astonishingly beautiful, although sometimes slightly psychotic looking, rich doormat with bad driving habits.
>From the start, Julianne sets out to destroy the relationship. In doing so, however, I found her character became confused and muddled. She wasn't exactly likeable, yet she wasn't the woman you'd love to hate either. She was the most ineffectual protagonist I've seen in a long time. She didn't seem to have any chemistry with Michael either, so I wasn't really rooting for her cause.
In one telltale scene, she tries to convince Kimmy that Michael's job isn't what's best for the marriage, since it requires he move around constantly and Kimmy will have to give up a college degree and a stable career to follow him. She was all but telling Kimmy flat out, "Hey you shouldn't cater to his every whim, have him think of your life once in awhile" but when Kimmy politely brought up having him work for her father, his outburst was immediate and hurtful.
 Admittedly, these were usually during the singing portions of the movie, where most of us were staring dumbfounded at the screen waiting for the plot to start back up. But how can you care who gets the guy when in fact, you're hoping neither of them ends up with a loser like him? A love triangle does not work when the crux of the triangle is dull and unlikeable.
There were some bright spots in this film, believe it or not. First and foremost, we got to see another side to Julia Roberts. She does an excellent job inserting physical humor into the story as the slightly klutzy Julianne. Her timing really hit the mark and her best chemistry was with the gay character in the film, her "local" best friend and editor, George (Rupert Everett).
George was my favorite character, by far. It's a shame he shows up all too rarely in the film. Sympathetic, classy and honest, he actually upstaged most of the top-billed actors. His friendship with Julianne is evident and the only believable relationship in the movie. Everett did an excellent job with his script and mannerisms.
MY BEST FRIEND'S WEDDING has a lot more misses than hits, and while it was labelled a "chick flick" by my boyfriend, I found it quite painful and dull to watch myself.
** - Rent just in case you get bored doing housework.
Scores: **** = Go! See it early. See it often. Set a record. *** = Rent for a cozy little evening at home. ** = Rent just in case you get bored doing housework. * = View at your own risk.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


We are a family owned dry cleaners that has been around for over 15 years. We still have the same ideals that we founded our company with, but we have since perfected our techniques of dry cleaning to ensure each and every customer is satisfied with the end result of our work.
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SOLUTION
MISSION
ABOUT US
CONTACT
Our team
We are an interdisciplinary team that combines scientific and business profiles.
Mariano Buffone
Laboratory Director
IBYME-CONICET
Dario Krapf
Laboratory Director
IBR-CONICET
Alejandra Arbat
Business advisor
Innovation Strategist
Matias Gomez Elias
PhD in Biological Chemistry
Who support us


(Introduced in Objective Caml 3.07)
|
Recursive module definitions, introduced by the module rec …and … construction, generalize regular module definitions module module-name = module-expr and module specifications module module-name : module-type by allowing the defining module-expr and the module-type to refer recursively to the module identifiers being defined. A typical example of a recursive module definition is:
It can be given the following specification:
This is an experimental extension of OCaml: the class of recursive definitions accepted, as well as its dynamic semantics are not final and subject to change in future releases.
Currently, the compiler requires that all dependency cycles between the recursively-defined module identifiers go through at least one “safe” module. A module is “safe” if all value definitions that it contains have function types typexpr1 -> typexpr2. Evaluation of a recursive module definition proceeds by building initial values for the safe modules involved, binding all (functional) values to fun _ -> raise Undefined_recursive_module. The defining module expressions are then evaluated, and the initial values for the safe modules are replaced by the values thus computed. If a function component of a safe module is applied during this computation (which corresponds to an ill-founded recursive definition), the Undefined_recursive_module exception is raised at runtime:
If there are no safe modules along a dependency cycle, an error is raised
Note that, in the specification case, the module-types must be parenthesized if they use the with mod-constraint construct.


Vardhaan Raj Singh
Web Developer
About Me
Ahighly motivated and expirienced B.Tech graduate from CSE branch,currently looking to start my professional career after dedicating the last 4 years to my graduations. Good web-developing skills,through knowledge of front-end as well as back-end programming. After volunteering for one day a week with clubbing to refresh my skills,now fully committed to continuing my career on a full time basis.


Figure
3.6.1
.
Graph of global average temperature change from year 1 CE to 2019. Image by RCraig09 from an original by Ed Hawkins,
CC-BY-SA-4.0
1
.
[<IP_ADDRESS>]
Image Description 1
.
in-context


Akan names are derived from Ghanian culture. Frequently in Ghana, children are given their first name as a 'day name' which corresponds to the day in the week they were born. Here are Ghanian day names.
The table bellow shows bothe gender names for each day of the week.
| Day of the Week | Male Names | Female Names |
|---|---|---|
| Sunday | Kwasi | Akosua |
| Monday | Kwadwo | Adwoa |
| Tuesday | Kwabena | Abenaa |
| Wednesday | Kwaku | Akua |
| Thursday | Yaw | Yaa |
| Friday | Kofi | Afua |
| Saturday | Kwame | Ama |
To find out your Akan name, Input your birthday date and click generate button.


#include <SelectedMapObjectListener.h>
Public Types | |
| typedef std::vector< const OverlayItem * > | OverlayItemVector |
Public Member Functions | |
| virtual | ~SelectedMapObjectListener () |
| virtual void | handleSelectedMapObject (const MapObjectInfo &mapObjectInfo, OverlayItem *overlayItem, const WGS84Coordinate &coord, bool longPress)=0 |
| virtual void | handleStackedDialogOpened ()=0 |
| virtual void | handleStackedDialogClosed ()=0 |
| typedef std::vector<const OverlayItem*> WFAPI::SelectedMapObjectListener::OverlayItemVector |
Typedef for vector of OverlayItems.
| virtual WFAPI::SelectedMapObjectListener::~SelectedMapObjectListener | ( | ) | [inline, virtual] |
Destructor.
| virtual void WFAPI::SelectedMapObjectListener::handleSelectedMapObject | ( | const MapObjectInfo & | mapObjectInfo, | |
| OverlayItem * | overlayItem, | |||
| const WGS84Coordinate & | coord, | |||
| bool | longPress | |||
| ) | [pure virtual] |
Handle that a map object has been selected in the map. In case an OverlayItem has been selected, then a pointer to the OverlayItem is supplied as a parameter, otherwise NULL.
| mapObjectInfo | MapObjectInfo containing details about the selected map object (always set). | |
| overlayItem | In case an OverlayItem was selected, then a pointer to the OverlayItem will be passed as parameter, otherwise NULL. | |
| coord | The coordinate for the selected object. | |
| longPress | True if the selection was the result of a long press action. |
| virtual void WFAPI::SelectedMapObjectListener::handleStackedDialogClosed | ( | ) | [pure virtual] |
Handle that an opened stacked dialog will be closed.
| virtual void WFAPI::SelectedMapObjectListener::handleStackedDialogOpened | ( | ) | [pure virtual] |
Handle that a stacked dialog will be opened when a stacked item has been clicked.


Peter Andre says finding time for wife Emily is 'difficult'
They've been married for four years…
by Nancy BrownFather-of-four Peter Andre has opened up about the difficulties he faces when it comes to spending time with his wife Emily.
The pair are parents to kids Amelia and Theo, while Pete shares Junior and Princess with ex-wife Katie Price.
Pete spends his life in the spotlight, while Emily works in a hospital as a junior doctor.
So their life is hectic to say the least.
Now Pete has revealed that he finds it "tough" to find the time to dedicate to his wife of four years.
Read more: Crown star claims the Queen "has to die" for Charles' life to have "meaning"
With Emily working more hours, Pete revealed "it's difficult" to fit in quality time together.
He told New!: "It's difficult. Keeping the balance is tough, but we make it work because we're both providing for the family. I think her doing more hours is brilliant because it means she's really making her career work."
The old romantic also revealed that the couple do have date nights, but they take some planning.
Read more: Holly Willoughby in tears as This Morning co-star reveals domestic violence ordeal
"We have date nights, though. I work my itinerary out, so there's a lot of planning!"
Devoted family man Pete also revealed that, no matter what the job, "my family comes first".
However, that doesn't stop the Mysterious Girl singer embarrassing his eldest kids.
During a recent slot on Lorraine, Junior and Princess were left mortified by his dad jokes.
Let us know what you think of our story on our Facebook page @EntertainmentDailyFix.


Wait for N Events
Sometimes Events become significant after they've happened several times.
A user can try to log in 5 times, but after that we'll lock their account. A parcel delivery will be attempted 3 times before asking the customer to collect it from the depot. A gamer gets a trophy after they've killed their 100th Blarg.
How do we efficiently watch for logically similar events?
Problem
How can an application wait for a certain number of events to occur before performing processing?
Solution
To consider related events as a group, we need to group them by a given key, and then count the occurrences of that key.
Implementation
In ksqlDB we can easily create a Projection Table that groups and counts events by a particular key.
As an example, imagine we are handling very large financial transactions. We only want to process them once they've been reviewed and approved by 2 managers.
We'll start with a stream of signed events from managers:
CREATE OR REPLACE STREAM trade_reviews (
trade_id BIGINT,
manager_id VARCHAR,
signature VARCHAR,
approved BOOLEAN
) WITH (
KAFKA_TOPIC = 'trade_reviews_topic',
VALUE_FORMAT = 'AVRO',
PARTITIONS = 2
);
We'll group reviews by their trade_id
, and COUNT()
how many
approvals (approved = TRUE
) we see for each:
CREATE OR REPLACE TABLE trade_approval AS
SELECT trade_id, COUNT(*) AS approvals
FROM trade_reviews
WHERE approved = TRUE
GROUP BY trade_id;
Querying that stream in one terminal:
SELECT *
FROM trade_approval
WHERE approvals = 2
EMIT CHANGES;
...and inserting some data in another:
INSERT INTO trade_reviews ( trade_id, manager_id, signature, approved )
VALUES (1, 'alice', '6f797a', TRUE);
INSERT INTO trade_reviews ( trade_id, manager_id, signature, approved )
VALUES (2, 'alice', 'b523af', TRUE);
INSERT INTO trade_reviews ( trade_id, manager_id, signature, approved )
VALUES (3, 'alice', 'fe1aaf', FALSE);
INSERT INTO trade_reviews ( trade_id, manager_id, signature, approved )
VALUES (4, 'alice', 'f41bf3', TRUE);
INSERT INTO trade_reviews ( trade_id, manager_id, signature, approved )
VALUES (2, 'bob', '0441ed', TRUE);
INSERT INTO trade_reviews ( trade_id, manager_id, signature, approved )
VALUES (4, 'bob', '50f237', TRUE);
INSERT INTO trade_reviews ( trade_id, manager_id, signature, approved )
VALUES (1, 'carol', 'ee52f5', FALSE);
INSERT INTO trade_reviews ( trade_id, manager_id, signature, approved )
VALUES (3, 'carol', '4adb7c', TRUE);
Results in a stream of trades that are ready to process:
+----------+-----------+
|TRADE_ID |APPROVALS |
+----------+-----------+
|2 |2 |
|4 |2 |
Considerations
Note that in the example above, we queried for an exact number of
approvals WHERE approvals = 2
. We could have used a
greater-than-or-equal check (WHERE approvals >= 2
) but that would
have emitted a new event for a 3rd approval, and a 4th, and so on.
That would be the wrong behavior here, but it might be useful feature
in a system where we wanted to reward loyal customers, and send out a
discount email for every order after their first 10.
References
- The Event Grouping pattern, for a more general consideration of
GROUP BY
operations. - Designing Event Driven Systems - "Chapter 15: Building Streaming Services" for further discussion.


The algorithm/pop_back.h
header defines an algorithm that removes the last element from a generic data structure.
#include <chaos/preprocessor/algorithm/pop_back.h>
The CHAOS_PP_POP_BACK
macro removes the last element from its argument.
CHAOS_PP_POP_BACK
(g)
The non-nil generic data structure whose last element is to be removed.
This macro expands to a generic data structure of the same type as g that contains all of the elements of g except the last.
The efficiency of the algorithm's use of the recursion backend can be described in terms of the number of recursion steps required to complete the algorithm. The asymptotic upper and lower bounds are Θ(n), where n is the number of elements in g.
This macro uses bypass semantics.
If bypass semantics are already in effect, CHAOS_PP_POP_BACK_BYPASS
must be used instead.
CHAOS_PP_PUSH_BACK
CHAOS_PP_REMOVE
CHAOS_PP_SEQ_POP_BACK
CHAOS_PP_SEQ_REMOVE
CHAOS_PP_TUPLE_POP_BACK
CHAOS_PP_TUPLE_REMOVE
#include<chaos/preprocessor/algorithm/pop_back.h>
#include<chaos/preprocessor/list/core.h>
CHAOS_PP_POP_BACK
((CHAOS_PP_LIST
) (a, (b, (c, ...)))) // (CHAOS_PP_LIST
) (a, (b, ...))
The CHAOS_PP_POP_BACK_ID
macro indirectly expands to CHAOS_PP_POP_BACK
.
CHAOS_PP_POP_BACK_ID
()
This macro effectively allows CHAOS_PP_POP_BACK
to pass through itself without becoming disabled.
The CHAOS_PP_POP_BACK_
macro expands to a λ expression representing CHAOS_PP_POP_BACK
.
CHAOS_PP_POP_BACK_
This macro is a shorthand form of the following λ binding:
The CHAOS_PP_POP_BACK_BYPASS
macro behaves identically to CHAOS_PP_POP_BACK
except that it is parametized by the bypass recursion state.
CHAOS_PP_POP_BACK_BYPASS
(s, g)
The current bypass recursion state.
The non-nil generic data structure whose last element is to be removed.
If bypass semantics are already in effect, this macro must be used instead of CHAOS_PP_POP_BACK
.
The CHAOS_PP_POP_BACK_BYPASS_ID
macro indirectly expands to CHAOS_PP_POP_BACK_BYPASS
.
CHAOS_PP_POP_BACK_BYPASS_ID
()
This macro effectively allows CHAOS_PP_POP_BACK_BYPASS
to pass through itself without becoming disabled.
The CHAOS_PP_POP_BACK_BYPASS_
macro expands to a λ expression representing CHAOS_PP_POP_BACK_BYPASS
.
CHAOS_PP_POP_BACK_BYPASS_
This macro is a shorthand form of the following λ binding:


About Ping Pong
Created by:
Winter Shadrack.
GitHub Username:
Discover
Let's play!
Rules:
Ping Pong will count up to your number from 1 with the following exceptions:
Numbers divisible by 3 become
"ping"
Numbers divisible by 5 become
"pong"
Numbers divisible by 15 become
"pingpong"
Enter a number here:
Ping Me!


I started tking modafinil initially as an augmentation to 10mg fluoxetine (Prozac)/day. Incedentally I first read about it whilst waiting to see my doctor about the depression. I felt that the prozac lifted the 'clouds' but didn't help me get on.
Modafinil sounded ideal so I got some through an online pharmacy, I had hinted towards it with my doctor to no avail.
Initial Response:
First dose was 50mg taken about an hour after a stimulant based decongestant (phenylepherine) and a large (2 scoop coffee). Little effect at first then I just couldn't stop doing things that needed doing.
Habituation:
Subsequently 50mg did very little unless topped up with other stimulants so I moved up to 100mg, then 200.
Interactions:
Caffine: Very good, caffine becomes amphetamine like in higher doses. Similar effect with over-the-counter decongestant/stimulants
Alcohol:
Seems to interfere with metabolism in a similar way to RU21. Hangover is reduced, effect of alcohol is stronger but shorter lived. I feel like I could drive much sooner after drinking. Similar to mixing weed with speed.
Codine:
Much less effective, but no interaction with NSAIDs.
Prozac:
Made me aggressive when mixed. I stopped the prozac.
Beta Blockers:
Varied, felt very 'in the zone'/'psyched' etc but still managed to fumble things and get nervous
Extremes:
I managed to go without sleep for about 4 days as part of a week where I probably slept for less than 14 hours in total. Typically I would take 100-400mg every 6-10 hours. Things got weird. Initially it was just low level hallucinations on the second sleepless night, floors creeping, brighter colours, stars loked like fireworks and 'the fog' (the room looks like it's full of steam, not blurred vision, it looks like looking through fog).
Then it progressed into trance like states on day 3 where I would defocus my eyes and faces would form in patterns on windows, floors, dirt I always had control. This progresed to seeing cats dogs then people where they weren't by night 3 (closest experience to this is from LSD where I saw my face where I was expecting a mirror). This moved on to paranoia and hearing voices on day 5. To full blown paranoid delusions on day 6. I was taking a shower and 'heard' a conversation which if it really happened would have had hillarious consequences. When I left the shower I asked someone about it and quickly realised what had happened. The odd thing was that so long as I was focussed on something the worst I'd get were minor auditory and visual hallucinations (like patterns on white bits of the monitor and music in the drone of the fans)
Driving:
It does seem to make me drive faster but at the same time there is a genuine increase in situational awareness so I also plan better, make better progress through traffic, remember more about alternative routes. Unlike 'classic' stimulants it doesn't do it by boosting confidence, it seems to actually boost ability. The same goes for other routine tasks.
Sociability:
Variable. Sometimes it makes me really chatty, other times it makes me want to get on with things by myself and not get slowed down by other people. Makes playing with my children more fun for me and them.
Sex:
No sign of 'Whizz Dick' (unless mixed with lots of caffeine) but I last longer (but not stupidly long like with paroxetine (Seroxat) or E). I tend to either be more aggressive or more attentive but not normally both. Desire is less but reward is more, orgasms are better/longer (probably because of modafinil's effect on the dopamine system.
Methods of ingestion:
Pill Form:
1-3 Hours to come on long lasting (I can take 200mg at 8am and still be lively at midnight)
Liquid Suspension:
1-2 Hours to come on
Infarcation (Nasal):
Instant hit, seems to last as long
Smoking:
No effect.
Conclusions:
Modafinil is a very good drug for its purpose and mixes very nicely with other stimulants, I'd like to try it with E. I've never liked cocaine because it wears off far to quickly, this is similar but more subtle and lasts all day (and all night if I let it). How it affects me is very situational but I can end up in the wrong mode if I don't take time to focus. It appears to boost ability, desire, mood and productivity without exactly getting me high. Seems to have some strange effects once I go beyond 40-60 hours but this is probably just sleep deprivation.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Nov 11, 2009 Article from Michigan Daily of 1969, contending that Paul McCartney of the. His deathso the story wentwas covered up, the surviving In the fall of 1969, a rumor that Paul McCartney had died. three years earlier in a car crash swept America Started by deejays, the hoax gained momentum when
Jun 19, 2013. Rumors that Paul McCartney had died in 1966 and had been replaced Road, but this story had mainly just. circulated on college campuses. The only way to determine the real story. is to connect the rumor with the clues Although Paul McCartney's rumored death occurred in 1966, the rumor started
Paul Is Dead In 1969, the Northern Star newspaper of Northern Illinois University ran a story claiming that Paul McCartney had been killed in a car crash in 1966
A documentary about wounded veterans that Roger championed gets a screening at the Rehabilitation Institute of Chicago and screenings in New York and Los Angeles…
The "Paul is Dead" Story In October 1969, a rumor spread across the U S and eventually around the world, that Paul McCartney was dead. The story was based
The "Paul is dead" Story Originally posted to the net by. For some reason or another, a Paul McCartney look alike contest was held. The winner was William
Whether I truly believe it is a different story, but nowhere in my post do I say that If the real Paul McCartney is dead, where is he buried? If not Mar 1, 1996 Since late 1969, rumors have circulated that Paul McCartney died and was Thanks to the new Beatles Anthology. the Paul Is Dead story lives
Oct 22, 2013 The press had been repeatedly trying to reach members of the Beatles for their reaction to this story to no avail Paul McCartney was. home at
Aug 22, 2013 'Get Back': The Beatles story; Episode 19: The 'Is Paul Dead Story' This episodes deals with the conspiracy. theory of Paul McCartney's May 10, 2009 I was going to rap with you about McCartney being dead and what is this all The Paul is Dead story peaked in America. with the November 7


The Button component has several predefined styles:
primary
friendly
danger
quiet
icon-align-right
icon-align-top
icon-only
borderless
borderless-colored
You can set these styles to the Button component using the stylename attribute either
in the XML descriptor or in the screen controller using constants from HaloTheme class.


Created and maintained a website for a video game community in the summer of 2017 with a redesign in the summer of 2018 that utilizes modern technologies to create a Progressive Web Application.
Contributor to a repo for Notepad++ syntax highlighting and autocompletion for SQF (the scripting language for the ARMA video games).
SQM File Parser and Pre-processor Submitted for the Master of Engineering in Computer Science at the University of Hull.


| DOSE: |
10 g |
smoked |
Cannabis |
(plant material) |
I was a weed smoker, I loved to smoke weed. One time in my life I told myself weed is the best and I wouldnt be able live without it. I used to smoke with my best friend all the time. From joints to bongs. I've been smoking for about 4 years since I was 15, now I am 19. It all happened when I came back to Thailand from Australia, going right away to my friends house. We smoked, and smoked and smoked. Everything was going fine untill all of the sudden, something hit me real hard inside. I freaked out hardcore. I couldn't talk. I couldnt tell anyone. I couldnt do anything. It was like my brains didnt work anymore, and like I was paralyzed.
The marijuana had gone so deep into me. I had a blurred view of everything, and my thoughts were of dying and going to die very soon. I couldnt tell my friends cuz they'd call me some psycho freak, and tell everybody, and that would even hurt me more. I couldnt explain it to anyone. My friend was looking at me, but he didnt realized what was going in my head. THOUGHTS OF FEAR AND FEAR. I was getting paranoid, I thought about runing away, or wishing I never smoked the weed right at this very moment when people are around. I had a thought that everyone was looking at me, and some what trying to kill me sooner or later. I wanted to scream at everybody but I know I cant. I knew I was going to die for sure and that I HAVE to die.
I felt my heart pounding and pounding, thinking unclearly, and couldnt communicate with my friends. Usually when I smoke weed with my friends, we talk hardcore, we talk about anything and have long conversations lasting more than 30 minutes about each subject, but since this happened, what my friend asked or said, all I could say was 'yeah cool really' nothing else. I couldnt think, I couldnt process the words of my friends into my head so I can find a solution to answer it. Everything was a nightmare. I wanted to cry but I couldnt.
I knew I had to escape now...But I couldnt. At that pont I went into the inner world of my mind, real deep, so deep you cant even imagine. I wanted to die, then to live at this moment, I couldnt stand the fear and life threatening thoughts I had in me. This was the first time it happened after 4 years of smoking I dont know why. All my friends are like what is wrong with u cuz I couldnt say a word. The weed had completely flipped me over.
I couldnt socialise with anyone. I was feeling more scared by the second. I stopped smoking immediately, and just prayed to god that this would go away, and I found it went away after the high in me faded. I felt so much better. I decided to go back to my house as soon as possible. That moment I was thinking of what had just happened to me and that I will never leave my room again. I couldnt eat anything, or think about anything. All was in my head was when the high hit me, and I was paranoid hardcore. I kept thinkin and thinkin, the mind just wouldnt stop. I was scared all the time.
Locking all doors and not wanting to talk to anyone. I turn off my cell phone parmanently, and stayed in my bed all night, all day, thinking and thinking.  I stutter and think too much. At that point I knew life was over, I couldnt smoke weed anymore.
But I tried smoking it again with a friend, and the same thing happened, but this time I freaked out even more. From there on I stopped smoking completely, I lost many friends because of this, they didnt understand what was going in my head and thought 'I HAD ISSUES' I went home thinking and thinking about my fears. Everything out of my room, i feared. Sometimes I even fear my room. And when I see cops these days, I almost get heart attacks.
Anyway I decided to see a doctor, I went there, and the doctor immediately prescribed me a high amount of xanax and zoloft as soon as he saw what I was going through. Which are anti anxiety pills. He said I have a sever social/panic attack anxiety disorder, and is most likely to take about 6 months or more to go away. After taking medications, I still fear everything, especially when I think the times when I smoked weed, I fear even more. I cant walk in crowded places or places where there lots of people. I fear talking to people, seeing animals, basically everything thats alive. After taking the pills for a while I felt better, and better. I never touched weed again. I threw away my bong at home, and all my weed. NEVER AGAIN. From a person that cant live with at least 5 grams of weed a day, to not smoking anything.
Sometimes when I smoke cigaretes, my anxiety raises dramatically because my brain thinks its marijuana. Today, weed has changed me, changed the way I see things, changed my creativity, changed my thoughts, changed my personality a whole lot. But I am getting better from seeing a doctor once a week every week.  I know life will never be the same, nothing will change the way I see things today, not even medication I know for a fact. Something will always be in me to remember my fear. Today I see weed from a best friend to a suffering death threatening experience.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


--- layout: post title: R.I.P. Lala - Lala Has Been Shut Down categories: [] tags: - apple - itunes - lala - music status: publish type: post published: true meta: _original_post_id: '' _original_import_author: John Duprey author: ---
-- lala.com


The Importance of the Inbox
Having a single trusted source that can handle any and all of your random thoughts, tasks, events, and even objects is the most powerful tool once its used properly: The Inbox.
Hello, thank you for visiting, test. I run Calaboration where I make apps, websites, and more. Be sure to read about me for all the other links I reside at, watch my videos, or email me. I'm also a Community Leader at DuckDuckGo and I mentor at Thinkful. Hobbies include reading, politics, and theatre.
Tags: Blog | Tech | Keyboards | Productivity | Books
Having a single trusted source that can handle any and all of your random thoughts, tasks, events, and even objects is the most powerful tool once its used properly: The Inbox.
Choosing what to do is never easy. We have a system to tell us what we ought to be doing, but sometimes we need to choose an inbox item on the fly.
Wealth management, escaping debt, building wealth - these are all things that are essential to learn. Ramit Sethi goes about teaching you how to be rich in a great way.
Deciding between a single-action item and an entire, multifaceted project in your task manager isn't always as easy as it may seem.
First installment on a long series of posts regarding the greatest and worst thing in teh world – Email
Avoid distractions, schedule your time, get into some Deep Work.


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org.akop.ararat.view
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I designed and developed the first iteration of Ballot Check to educate Wisconsin voters about the representatives they're voting for in their district's ballot. This website provides the steps necessary to vote and educates voters on the election's key issues, like COVID-19, the economy, healthcare, criminal justice, reproductive rights, and more. In just a team of two engineers, we used the Cicero API within WIX to pull the correct polling and district information and display to users. Check it out here!
Mentioned by my professor on twitter here.
Developed a multi-faceted budget sheet using Google Sheets' API which allows one to flex and manage salaries. The sheet triggers upon edit to adjust the percent allocated per salary or yearly rate while maintaining an overall budget.
Created a website to demonstrate my friend's platform for TCU President. Click on the title!
Last Fall, I researched with Music Psychologist Aniruddh Patel if a musical synchronous activity between two people leads to an increase in intentional binding. I studied background research on joint music making, group cohesion, sense of agency, and self-other blurring. Ultimately, I coded three separate experiments in Javascript and HTML/CSS to track intentional binding on EvoThings using Android development tools.
Work for this research can be found here.


Safety
To do work in FABLAB and workshops, you must know the safety regulations well. Here are the general 17 rules you must know and comply to.
Welcome! Feel free to take a look :D
To do work in FABLAB and workshops, you must know the safety regulations well. Here are the general 17 rules you must know and comply to.
Here are some common safety signs:
WSH Risk Management (RM) is a systematic way to identify, evaluate, control and monitor WSH risks associated with any work activity. It also needs on site implementations and control measures. In SP, we follow the Code of Practice on Workplace Safety and Health Risk Management. You can read up/find out more here.
This is the RA thought process for machines.
For risk assessment there are 3 stages:
They are:
Step 1: Hazard identification
Step 2: Risk evaluation
Step 3: Risk control
Look out for safety warning placards such as these:
Generally all materials can be found on Blackboard under My Community>Fablab@SP. Take the quiz once you are done to confirm your understanding of the material.
This is my score after taking the quiz:
Thank you! That's all :)
Last updated: 26th November 2020


http://www.susangranger.com/
Susan Granger's review of "REMEMBER THE TITANS" (Walt Disney Pictures)
Back in 1971, when high school football was everything to the residents of Alexandria, Virginia, local officials were forced to integrate the schools and hire a black man, Herman Boone, as head coach of the T.C. Williams Titans. First, he and the older, beloved white coach with more seniority, Bill Yoast, had to learn to work together. Then they were faced with molding a group of rebellious teenage boys into a winning team while teaching them valuable lessons about becoming men. Their respect, friendship and determination healed a town torn by fear, ignorance and prejudice. Based on a true story, scripted by Gregory Allen Howard, first-time director Boaz Yakin propels the gradual process of discovery and bonding among the participants. A highlight is the pre-dawn cross-country run, culminating at the Gettysburg Battlefield, where Boone notes: "50,000 men died on this same field fighting the same battle we are still fighting today...If we don't come together on this hallowed ground, we too will be destroyed." Denzel Washington radiates intensity as the tough-yet-fair taskmaster Boone, who divides his enraged players into color-blind squads, offense and defense, at training camp, saying, "football is about controlling that anger, harnessing that aggression to achieve perfection," reminding them how, in mythology, the titans were greater than the gods. Bill Patton strikes a different note as the gentle, quiet, taciturn Yoast with his precocious, outspoken, football-obsessed daughter (Hayden Panettiere) who provides comic relief. What distinguishes this film is its honesty, a credit to the young ensemble actor/players. On the Granger Movie Gauge of 1 to 10, "Remember the Titans" is an inspirational 8, an emotionally-uplifting testament to the power of the human spirit.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Gerrit Trigger Plugin Listener allows to subscribe on each build started / validation completed event.
If listener received change related event (i.e. PatchsetCreated) foronCompleted
(this event is triggered in the moment when Gerrit Trigger Plugin pushes the vote to the change) it will push to FluentD this data:
| Field name | Example |
|---|---|
| result | ABORTED |
| event_type | patchset-created |
| command_size | 33 |
| owner_name | name |
| owner_email | |
| change_id | change |
| project | project_name |
| topic | topic_name |
| branch | branch_name |
| patchset_number | number |
| patchset_kind | TRIVIAL_REBASE |
| change_created_on |<PHONE_NUMBER>000 |
| patchset_created_on |<PHONE_NUMBER>000 |
| event_created_on |<PHONE_NUMBER>000 |
onStarted
(this event is triggered in the moment when Gerrit Trigger Plugin sends information that builds started) it will push the same data except result field.
In case of not a change related changes (i.e. RefUpdated) only command
and result
will be sent.
But it should never happen according the current implementation of GerritTriggerPlugin
onStarted
is pushed with tag gerrit_trigger_plugin.on_started
. The onCompleted
goes to gerrit_trigger_plugin.on_completed
.


Meet the Team
Alexis J Carr
Project Lead
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Front End Architect
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UI Developer
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Backend Developer
Richard Tregaro
Data Scientist
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UI Developer
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Front End Architect
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Front End Developer
Michael McGuiness
UI Developer
Richmond Macaspac
Data Scientist
Noah Franco
Front End Developer


Our Mission - we want to make you the team you always wanted to be.
Contact us because you all need this.
General Information
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<EMAIL_ADDRESS>Chat with a Facilitator
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Blast From the Past (1999)
A Film Review by Mark O'Hara
Visit Online Film Critics Society at http://www.ofcs.org
I suppose people who wear rose-tinted glasses see the world in shades of pink, as pink as the fabrics that covered the walls and chairs of American houses in Life magazine ads, circa 1960. Yes, pink is the color of nostalgia.
And we are reminded of the importance of nostalgia by Hugh Wilson's 'Blast from the Past'. Its story begins outside of Los Angeles in a neighborhood of picture-perfect tract houses. Professor Calvin Weber (Christopher Walken) is an eccentric and rich scientist who has secretly built a fallout shelter large enough to contain a replica of his house. As the Cuban missile crisis reaches its worst moments and nuclear war seems imminent, Dr. Weber drags his pregnant wife (Sissy Spacek) down into the shelter, which is equipped to sustain a family of three for 35 years. The plot gimmick that causes the family to stay underground for the entire time is a plane crash: just as the Webers are safe in the shelter, a military plane plows into the back yard, and the bespectacled schlump sets the irreversible locks. Convinced a holocaust has destroyed the city and perhaps the greater part of the world, the Webers recreate a polite and perfect microcosm with their new son Adam (Brendan Fraser, when the boy reaches adulthood).
Of course we have seen all this before. Think of Marty McFly in reverse, transported into the future. Even Brendan Fraser has been there, in 'Encino Man' and, in the same fish-out-of-water sense, 'George of the Jungle' (itself a text from the 1960's). But the filmmakers know how we love to gaze longingly at our history. In its own way, the film manages to serve as a history lesson, imparting a good deal of cultural as well as political knowledge. What is puzzling about fondness for the past is the blind faith that those years were better than these, that people were happier, in every important way, than we are.(It's ironic that we would look through those lenses of distorting pinkness at a time that engendered a near-nuclear confrontation.) Yet the formula works, and 'Blast from the Past' supplies us with laughs and a romantic relationship that is at times witty and original. When Adam must venture into what he thinks is a post-nuclear, mutated world, he takes up with a rather rootless woman (Alicia Silverstone), who is conscious of her lack of depth, but who is also oddly principled.
Brendan Fraser turns in a solid performance as the walking anachronism. Indeed the movie milks his out-of-place experiences for all it can; Fraser for the most part plays along with a dry and na´ve humor, though at times he does look blank or even stunned. We know that his character is in love with Alicia Silverstone's Eve, but he is simply too polite and mild to pursue her affections meaningfully. Fraser is at his best when Adam shows sudden inspired bits of accomplishment - when he speaks French and later swing-dances skillfully at a dance club. He's likable all the time, but especially when he displays his tenderness toward his parents and his would-be girlfriend.
Alicia Silverstone is very watchable as well, although our early impressions of Eve approach a stereotype: she's the cynical and spoiled girl-woman, street-smart and smart-mouthed, a darker version of the shallow Cher from 'Clueless.' Why is her performance good? Because Silverstone knows her way around the camera, seeming very comfortable and assured as she commands Adam's attention during the ups and downs of their relationship. This young actress has denounced phoniness in her everyday life, and seems to be applying the same credo to her acting.
Christopher Walken can appear in any movie I pay for, especially in his quirky characterizations. We care about Calvin Weber the loving father and husband, and we're willing to laugh at his paranoid, commie-hating craziness. Sissy Spacek is underused, but in her short scenes dominates in the dry humor department. Mrs. Weber walks outside the "house" to scream, and imbibes the cooking sherry in her advertisement-perfect kitchen.
Set design is tricky in this film. Most memorable is the interior decoration of the Webers' houses, both above and below the ground, meccas of post-war pastel luxuries, kitchens full of wondrous modern appliances, living rooms packed with fringed furniture. A hilarious sight gag involves the land above the fallout shelter, a block that undergoes massive change in the decades following the plane crash. Directly above the Webers' elevator are a sleazy bar and its owner, who thinks the beings crashing through his floor are three incarnations of supreme beings. The mantra the grungy bar owner adopts is "Leave my elevator alone," and his cult of the homeless in one of the funnier running gags.
The score brims with period songs, the rhythm of the vintage music helping to move the narrative along. Over the closing credits we hear a song by written and sung by Randy Newman, a piece of cutesy doggerel relating to the film's premise. Aren't we getting a bit over-exposed, Randy?
'Blast from the Past' is certainly a good date movie, and it has enough laughs to recommend it for theater viewing. Unfortunately it has one 'f-word' and a slew of 's-word' jokes, as well as a few seconds of the characters' visiting adult video stores: hence the PG-13 rating. Why, Mr. Wilson, couldn't a few seconds be excised in pursuit of a plain PG? It's not a must-see, but it is a pleasant way to pass two hours, the haze of nostalgia simmering like dry ice along the theater floor.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews