Stacked Bar Charts are defined by the flot
directive. The dataset and options attributes
define the chart data and options respectively.
| Property | Type | Description | Optional |
|---|---|---|---|
| stack | boolean | If set to true shows the chart in stacked form. | true |
Note: Refer to the Flot Options page for details of chart options.
Stacked bar charts are an enhanced version of bar charts. For more information on options, refer to the bar chart documentation.
To convey chart information to users with assistive technologies, you can include a text version of the data. Use the
sr-only
class to make the text hidden but visible to screen readers, and give the container a tabindex
attribute so it can be reached with the keyboard, and place it near the chart.
The legends are custom-styled in this example. To place the legends separately from the chart, you can define a div
with an id and specify this in legend options. The div
is then placed below the
HTML of the stacked bar chart. The styles and options applied here are:
Note: This component can be used in an Angular application by importing the HybridModule.


Uber
Employee Linking
Uber for Business has a suite of products that help businesses provide reliable rides and food for their employees, guests, patients, and customers. But joining an account is not always easy.
View projectI'm a product designer from Uber specializing in UI/UX, systems design, and creating magical user experiences.
Uber for Business has a suite of products that help businesses provide reliable rides and food for their employees, guests, patients, and customers. But joining an account is not always easy.
View projectVouchers allows organizations to provide rides for anyone, at scale. New value types would allow us to scale our product to more verticals and use cases.
View projectHave a cool project? Want to get in contact or just want to say hello? Drop me a line.


PUL GitHub Issues
2020-08-01
#2174 Screen width < 651px -> Search-bar: submit button in class="input-group-append" moves lower
- Creator:
- Christina Chortaria
- Created:
- 2020-08-01 12:23:12
- Status:
- Open
- Events:
-
-
labeled
by Christina Chortaria at 2020-08-01 12:23:12.
#1624 1621 create oar role
- Creator:
- Francis Kayiwa
- Created:
- 2020-07-08 21:41:31
- Status:
- Open
(pull request)
#330 Bump elliptic from 6.5.1 to 6.5.3
- Creator:
- dependabot[bot]
- Created:
- 2020-08-01 00:08:15
- Status:
- Open
(pull request)
- Events:
-
-
labeled
by None at 2020-08-01 00:08:16.
-
labeled
by None at 2020-08-01 00:08:16.
#772 Allow CAS Users without an assigned Barcode to Issue ILLiad Digitization Requests
- Creator:
- Kevin Reiss
- Created:
- 2020-07-31 21:57:52
- Status:
- Open
- Events:
-
-
renamed
by Kevin Reiss at 2020-08-01 15:55:14.
#3 Bump elliptic from 6.5.2 to 6.5.3 in /assets
- Creator:
- dependabot[bot]
- Created:
- 2020-08-01 06:31:44
- Status:
- Open
(pull request)
- Events:
-
-
labeled
by None at 2020-08-01 06:31:45.


Package Frames.TransformationMatrices contains type definitions and functions to transform rotational frame quantities using transformation matrices.
In the table below an example is given for every function definition. The used variables have the following declaration:
Orientation T, T1, T2, T_rel, T_inv; Real[3] v1, v2, w1, w2, n_x, n_y, n_z, e, e_x, res_ori, phi; Real[6] res_equal; Real L, angle;
| Function/type | Description |
|---|---|
| Orientation T; | New type defining an orientation object that describes the rotation of frame 1 into frame 2. |
| der_Orientation der_T; | New type defining the first time derivative of Frames.Orientation. |
| res_ori = orientationConstraint(T); | Return the constraints between the variables of an orientation
object (shall be zero). |
| w1 = angularVelocity1(T, der_T); | Return angular velocity resolved in frame 1 from orientation
object T and its derivative der_T. |
| w2 = angularVelocity2(T, der_T); | Return angular velocity resolved in frame 2 from orientation
object T and its derivative der_T. |
| v1 = resolve1(T,v2); | Transform vector v2 from frame 2 to frame 1. |
| v2 = resolve2(T,v1); | Transform vector v1 from frame 1 to frame 2. |
| [v1,w1] = multipleResolve1(T, [v2,w2]); | Transform several vectors from frame 2 to frame 1. |
| [v2,w2] = multipleResolve2(T, [v1,w1]); | Transform several vectors from frame 1 to frame 2. |
| D1 = resolveDyade1(T,D2); | Transform second order tensor D2 from frame 2 to frame 1. |
| D2 = resolveDyade2(T,D1); | Transform second order tensor D1 from frame 1 to frame 2. |
| T= nullRotation() | Return orientation object T that does not rotate a frame. |
| T_inv = inverseRotation(T); | Return inverse orientation object. |
| T_rel = relativeRotation(T1,T2); | Return relative orientation object from two absolute orientation objects. |
| T2 = absoluteRotation(T1,T_rel); | Return absolute orientation object from another absolute and a relative orientation object. |
| T = planarRotation(e, angle); | Return orientation object of a planar rotation. |
| angle = planarRotationAngle(e, v1, v2); | Return angle of a planar rotation, given the rotation
axis and the representations of a vector in frame 1 and frame 2. |
| T = axisRotation(i, angle); | Return orientation object T for rotation around axis i of frame 1. |
| T = axesRotations(sequence, angles); | Return rotation object to rotate in sequence around 3 axes.
Example: T = axesRotations({1,2,3},{90,45,-90}); |
| angles = axesRotationsAngles(T, sequence); | Return the 3 angles to rotate in sequence around 3 axes
to construct the given orientation object. |
| phi = smallRotation(T); | Return rotation angles phi valid for a small rotation. |
| T = from_nxy(n_x, n_y); | Return orientation object from n_x and n_y vectors. |
| T = from_nxz(n_x, n_z); | Return orientation object from n_x and n_z vectors. |
| R = from_T(T); | Return orientation object R from transformation matrix T. |
| R = from_T_inv(T_inv); | Return orientation object R from inverse transformation matrix T_inv. |
| T = from_Q(Q); | Return orientation object T from quaternion orientation object Q. |
| T = to_T(R); | Return transformation matrix T from orientation object R. |
| T_inv = to_T_inv(R); | Return inverse transformation matrix T_inv from orientation object R. |
| Q = to_Q(T); | Return quaternion orientation object Q from orientation object T. |
| exy = to_exy(T); | Return [e_x, e_y] matrix of an orientation object T, with e_x and e_y vectors of frame 2, resolved in frame 1. |
| Name | Description |
|---|---|
| Orientation | Orientation type defining rotation from a frame 1 into a frame 2 with a transformation matrix |
| der_Orientation | New type defining the first time derivative of Orientation |
| orientationConstraint | Return residues of orientation constraints (shall be zero) |
| angularVelocity1 | Return angular velocity resolved in frame 1 from orientation object and its derivative |
| angularVelocity2 | Return angular velocity resolved in frame 2 from orientation object and its derivative |
| resolve1 | Transform vector from frame 2 to frame 1 |
| resolve2 | Transform vector from frame 1 to frame 2 |
| multipleResolve1 | Transform several vectors from frame 2 to frame 1 |
| multipleResolve2 | Transform several vectors from frame 1 to frame 2 |
| resolveDyade1 | Transform second order tensor from frame 2 to frame 1 |
| resolveDyade2 | Transform second order tensor from frame 1 to frame 2 |
| nullRotation | Return orientation object that does not rotate a frame |
| inverseRotation | Return inverse orientation object |
| relativeRotation | Return relative orientation object |
| absoluteRotation | Return absolute orientation object from another absolute and a relative orientation object |
| planarRotation | Return orientation object of a planar rotation |
| planarRotationAngle | Return angle of a planar rotation, given the rotation axis and the representations of a vector in frame 1 and frame 2 |
| axisRotation | Return rotation object to rotate around one frame axis |
| axesRotations | Return rotation object to rotate in sequence around 3 axes |
| axesRotationsAngles | Return the 3 angles to rotate in sequence around 3 axes to construct the given orientation object |
| smallRotation | Return rotation angles valid for a small rotation and optionally residues that should be zero |
| from_nxy | Return orientation object from n_x and n_y vectors |
| from_nxz | Return orientation object from n_x and n_z vectors |
| from_T | Return orientation object R from transformation matrix T |
| from_T_inv | Return orientation object R from inverse transformation matrix T_inv |
| from_Q | Return orientation object T from quaternion orientation object Q |
| to_T | Return transformation matrix T from orientation object R |
| to_T_inv | Return inverse transformation matrix T_inv from orientation object R |
| to_Q | Return quaternion orientation object Q from orientation object T |
| to_vector | Map rotation object into vector |
| to_exy | Map rotation object into e_x and e_y vectors of frame 2, resolved in frame 1 |


info_outline Your last scanned secret is still stored with us.
Would you like to just retain the previous secret or create a new one?
lightbulb_outline If you choose to just enable the authentication,
you will need to have the previous secret with you. We recommend creating a new one
warning Once you create a new secret, old secret will stop working, so please use caution


The RMI Activation Browser enables you to work with an activatable object and to obtain control over a particular activation system.
RMI Activation enables objects to start execution on an as-needed basis. When an activatable remote object is accessed via a method invocation, the system initiates the object's execution inside an appropriate JVM, if that remote object is not currently executing.
For more information on RMI activation systems, see the Activation
Tutorial at
http://java.sun.com/j2se/1.3/docs/guide/rmi/activation.html
.
The RMI Specification on Activation is at
http://java.sun.com/j2se/1.3/docs/guide/rmi/spec/rmi-activation.html
.
For more information on using the Activation Browser in the IDE, see
Starting the RMI Activation System
Adding an Activation Browser
Adding an Activation Group
Activation System Node Commands
Activation Group Node Commands
Activatable Object Node Commands


>
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The Style sub-menu provides a series of dialogs which allow you to create some common stylistic variations of latin fonts.
The results will probably always need to be examined and fixed up by the human eye, but they may provide a help in changing a font's attributes.
It "works" best on sans serif, non-Oblique fonts.
Bold fonts have thicker stems and are slightly more extended than normal fonts. In Knuth's Computers & Typesetting, the bold fonts have a stem width that is approximately 1.6 (1.68(at 12pt)-1.5(at 5pt)) times the stem width of the normal font. This is very similar to the 1.75 suggested by Microsoft's ratio of 700/400 (700 being the numeric weight of a bold font, and 400 being the numeric weight of a normal font).
In Knuth's Computer Modern Bold Extended Roman, the "m" glyph is extended to 1.15 times the width of the "m" in Computer Modern Roman, and the x-height is 1.03 times higher.
| Font | Ratio of Bold/Regular Stems | Ratio of DemiBold/Regular | Expansion | Bold serif height/Regular serif | Bold serif width/regular |
| Arial | 1.5 | 1 | |||
| Times New Roman | 1.7 | 1 | 1 | .98 | |
| Computer Modern Roman | 1.68(at 12pt) - 1.5(at 5pt) | 1.15 | |||
| Adobe Helvetica | 1.6 | ||||
| Adobe Times | 1.56 | 1.17 | 1.10 | .97 | |
| Garamond Antiqua | 1.5 | 1.05 | .90 | ||
At first glance this does not seem like much of a transformation, after all postscript and truetype fonts can be drawn at any pointsize. But traditionally, as the point-size decreases the boldness (thickness of the stems) increases slightly, the counters and side bearings also change, and the overshoot increases. For metal type there were generally three drawings for a glyph in a given font, one for pointsizes less than 10, one for pointsizes 10,11 and 12, and one for display sizes (above 12). Most computer vector fonts do not show this change, while Knuth's Computer Modern fonts have a continuum:
| 17pt | 12pt | 10pt | 9pt | 8pt | 7pt | 6pt | 5pt | (12pt compared to cmr 12pt) | ||
|---|---|---|---|---|---|---|---|---|---|---|
| cmr | 83% | 100% | 109% | 116% | 120% | 124% | 130% | 139% | Computer Modern Roman | 100% |
| cmti | 100% | 106% | 112% | 115% | 122% | Computer Modern Text Italic | 94% | |||
| cmbx | 100% | 105% | 108% | 112% | 117% | 120% | 123% | Computer Modern Bold Extended | 170% | |
| cmtt | 100% | 109% | 116% | 120% | Computer Modern Typewriter | 100% | ||||
| cmss | 99% | 100% | 102% | 109% | 113% | Computer Modern Sans Serif | 120% |
To the left is an example of the same word (taken from a font specimen sheet) printed at 3 different point sizes (8,12 and 24) and then scaled up to the same size. The most obvious difference is that the glyphs are proportionally wider at the smaller pointsizes. It is less apparent that the stems of the letters are different:
| 24pt | 12pt | 8pt | |
|---|---|---|---|
| stem of the "n" (compared to 12pt) | 89% | 100% | 117% |
| counter of the "n" (compared to 12pt) | 104% | 100% | 89% |
| width of "originality" (compared to 12pt) | 93% | 100% | 104% |
A SmallCaps font is made by scaling the capital letters approximately to the x-height (so that they are the same height as lower case letters without ascenders) and then adjusting the stem widths (emboldening) so that they too will match stem widths of the lower case.
The Italic transformation contains at least five parts: A change in the letterforms of the lowercase letters, a slight decrease in x-height, a skew, and a condensation and a narrowing of the vertical stems..
| Italic Angle | Condensation | Stem width change | X-Height change | |
| Computer Modern Text Italic | 14º | 91% | 94% | 100% |
| Times New Roman | 16º | 100% | 91% | 96% |
| Adobe Times | 15 | 100% | 92% | 95% |
Letterform changes in Galliard:
Letterform changes in
Caslon:
(These glyphs have been deskewed to display the shape transformation
better.)
Cyrillic Letterform
changes:
(These glyphs are also deskewed.)
This is not a complete list, but it shows most of the salient features of such a transformation.
The Oblique transformation is a simple skew,
| Computer Modern Slanted Sans Serif | 9.5º |
| Arial Italic (actually an oblique) | 12º |
| Adobe Helvetica Oblique | 12º |
In these two transformations the stem width is held constant but the horizontal counter sizes and side bearings are increased (or decreased for condensed).
The Change Weight dialog starts out by stroking the glyph (Element->Expand Stroke) and removing the internal contour. This means that each stem in the glyph will now be wider by the number of em units specified at the top of the dialog. Of course, this number may be negative, in which case you will be making a lighter, rather than a bolder variant of the glyph.
You may find that in some cases the Change Glyph dialog will do a better job of emboldening or thinning a font. Instead of increasing all stems by the same fixed amount it will increase the thickness of each stem proportionate to its current thickness.
For CJK fonts,
with complex shapes but without the constraint of the latin baseline and
cap height, this expansion is probably enough. The image at right shows the
Hiragana DA syllable -- the original glyph shape is in the background, and
the expanded shape is in the foreground.
However if we do that to a latin (or Greek, or Cyrillic) glyph the result is rather odd because the glyph no longer rests on the baseline, and also extends above the cap-height (or x-height, or whatever line bounds this particular glyph).
|
|
|
|
| Here the glyph has been expanded as if it were a CJK glyph. Note that it now extends below the baseline and above the cap height. That is not good. | Here the glyph has been expanded as before, but the bottom stem has been
moved up just enough so that it now rides on the base line, and the top stem
has been moved down so it sits on the cap height.
But the counters are now much narrower than they were in the original glyph, and the left and right side bearings have become squeezed. |
In the final example, the glyph is expanded, the top and bottom stems moved appropriately, the side bearings restored to their original size, and the internal counters expanded to be closer to their original size. | Now consider the case of a serifed font. The serifs on the B above have become huge, disproportionally bigger than they were in the original glyph. |
Going back to the original dialog. The first field specifies the amount by which each stem should get bigger.
The radio buttons let you choose which method to use. CJK simply expands the glyph and leaves it at that. LCG expands the glyph and then forces it between the baseline and caps/x-height. Auto will chose which of those methods to apply. Custom will basically use the LCG method but allows you to specify, manually, what the interesting regions are in this particular glyph.
Any point above or on "Top Hint" will be moved down. Or if a point is on a hint which surrounds "Top Hint" it will also be moved down. (Points on the top stem of "B")
Any point below or on "Bottom Hint" will be moved up. Or if a point is on a hint which surrounds "Bottom Hint" it will also be moved up. (Points on the bottom stem of "B")
Any point which is on a hint which falls somewhere between Top Zone and Bottom Zone will be fixed where it is. (Points on the middle stem of "B").
Any point which is Serif Height above the "Bottom Hint" (or Serif Height below Top Hint) will remain where it is, meaning that some simple serifs will not be expanded to an inappropriate size.
Any other points will be interpolated between the points which move (rather like the TrueType IUP instruction -- indeed, the process of making a glyph bolder is very like instructing a glyph).
[] Cleanup Self Intersect has the same meaning as the same field in the Expand Stroke dialog.
And for the counters, <> Squish will result in the small counters that come from expanding the glyph without doing anything to the counters, <>Retain will attempt to retain the counters, and <>Auto will Squish CJK glyphs and Retain LCG glyphs.
Let me reiterate that the italic transformation is quite different and much more complex than the oblique transformation. Oblique fonts are made by the same simple mathematical operation applied to the entire font. The italic transformation can be different for each glyph.
Let me further add that FontForge will never be able to do everything that should be done to make a good italic font from an upright font. It may provide a helpful starting point. Some of my friends who know more about typography than I have urged me not to write this dialog, saying that each italic font should be made by hand, and there is much truth to their view. I made the dialog anyway because I found it interesting to do so. Be warned: It isn't complete. You need to examine what it has done and be prepared to redo many characters (especially lower case letters) which it has not been able to adapt.
The complexities of italic design stem from its origin. The Latin alphabet as we now know it evolved over time. The upper case letters come from the style the Romans used when carving inscriptions on their monuments. The lower case letters come from a monastic script style, uncials, which were later paired with the monumental capitals. The italic hand was another script, initially monocase. Just as the lower case letters come from a different stylistic tradition than the upper case (and hence look markedly dissimilar) so the italic lower case comes from yet another tradition and looks different from upright forms. Italic upper case were a much later addition and are also based on the monumental capitals.
The italic lower case is
The italic upper case is also slanted (and by the same angle), generally condensed (but often less so than the lower case), and usually its serifs and letter forms do not change significantly (though there can be exceptions: )
In typographic tradition serifed fonts have a paired italic font, while sans-serif fonts have an oblique font.
The italic dialog attempts to give you control over as much of this as fontforge thinks it can do. The dialog displays the steps mentioned above, but backwards.
First there are a series of check boxes for gross letterform changes. The "a" glyph generally turns into a something that looks like the "d" glyph without the ascender. The "f" glyph has (at least) two variants -- in one the curved top is duplicated at the bottom, and in the other the main stem is extended below the baseline but the serif is removed.
In actual practice these changes are more complex. If examined closely the bottom part of the f doesn't look precisely like the top. FontForge isn't up to such subtleties however.
The [] f checkboxes control additional characters which are similar to "f", "long-s" for example, also the "fi", "fl", "ff", "ffi", "ffl", "longs_longs", "longs_t", etc. ligatures. FontForge determines what glyphs it applies to by examining the glyph name and unicode encoding; it does NOT do a sophisticated analysis of the glyph's shape.
This does not exhaust the list of changes that could or should be done -- Merely the list of what FontForge thinks it can do. There should also be checkboxes for: and many more.
FontForge will change serifs in various places.
When a serif becomes degenerate (as the first two do in the "m" above) they often become flat with the baseline, but sometimes they will have a slant to them.
Next is a matrix of compression factors (expressed as percentages). You can control left and right side bearings, as well as stem and counter widths. You may specify different values for lower case, upper case and symbols.
Finally we come to the italic angle. This will generally be between -10 and
-15 degrees.
This dialog allows you to change counter sizes without changing stem sizes (in theory. It doesn't work too well with diagonal stems). You can make counters bigger or smaller by a percentage, or by adding a fixed amount to them.
If the font has and Italic Angle specified in Font Info, then fontforge will
first unskew the glyph in the hopes of getting some vertical stems, then
Condense it, and the reskew it.
This changes the x-height of a font. The dialog shows the current x-height
(or what it thinks is the current x-height), and you can chose an new value
for it. If the font has serifs and you don't want the serifs to change in
height then specify the current serif height. If you do want the serifs to
change, then set this field to 0.
The change glyphs dialog allows you to do a number of changes to all the currently selected glyphs. It can
The dialog has three panes; each controls one of these funtions.
The first dialog affects the stem width (or height, as the case may be). In most cases you will want to scale horizontal and vertical stems by the same proportion, so there is a check box to fix them together.
Generally you will also want to control diagonal stems to, but there are still times when the algorithm is less than perfect.
Generally a proportional scale is more appropriate than adding a fixed amount to each stem -- at least for Latin glyphs. But there may be cases where you do what to add a fixed amount.
There are a few restrictions if you specify an additive amount here (again due to imperfections of the algorithm). The additive amounts must have the same sign for both horizontal and vertical stems (both negative, both zero, or both positive). And the ratio of the two can't be more than 4.
You have various options for controlling horizontal contours. For monospace fonts (or CJK fonts) you probably want to select the first option. For proportional Latin fonts, select one of the other two.
Latin glyphs are asymetric in their behavior along the horizontal and vertical axes. Vertically glyphs are aligned at certain fixed heights (baseline, x-height, cap-height, etc.), while horizontally there are no corresponding alignment zones. So the vertical part of this dialog looks quite different from the horizontal.
In CJK glyphs it may make sense to control vertical glyphs.
But in latin it makes more sense to map alignment zones. Here there is a
overall (default) scaling factor. If you don't adjust the zones yourself
then changing the scale factor will change the "Resultant Y Position" by
the obvious amount.
This dialog allows you to create a series of small caps glyphs. As the dialog says, it is unlike most commands in that it does not change the selected glyphs, instead it uses them to decide what glyphs to create (or if the glyphs already exist, what glyphs to change).
So if you select "A" FontForge will create a glyph named "a.sc" copy the outlines of "A" into that glyph, and then modify them. If you select lower case "a", FontForge will again create "a.sc" and will copy the outlines of upper case "A".
FontForge will also create two lookups, one which maps upper case letters to small caps variants, and the other which maps lower case letters to the small caps glyph. These will be bound to the "c2sc" and "smcp" features respectively.
OpenType supports two different variants of small caps, the normal small caps, and something called petite caps. Petite caps should be smaller than small caps (the example given in the opentype docs is for a font with a small x-height, small caps will be bigger than the x-height and petite caps will be at the x-height). Like small caps, there are two features for petite caps: "c2pc" and "pcap" (capital to petite caps and lowercase to petite caps).
If you turn on the [] Create small caps variants for symbols
checkbox, then any selected symbols will also be converted. However most
symbols don't have upper and lower case variants (one could argue that digits
do, but I shall ignore that complication here), so each selected symbol glyph
will get both feature mappings attached to it. Furthermore, symbols seem
to use a different glyph extension so the created glyphs will be
"nine.taboldstyle" rather than "nine.sc".
The default behavior is to transform the outlines by scaling the upper case outlines so that the cap height becomes the small cap height, and scaling the stems so that the upper case stem width becomes the lower case stem width. Often the small cap height will be a little taller than the x-height -- though the exact value will change from font to font -- the x-height is as good a default as any. If you do not like the default behavior you have all the options of the Change Glyphs dialog to play with.
Note: The default sizes are the
same for both small caps and petite caps. If you want both features you will
need to change settings for at least one of them!
There are several OpenType features which produce small variants of standard glyphs. Often the stems are scaled differently (made bolder) from the remainder of glyph.
As with the previous dialog this one does not modify the selected glyphs. Instead it uses their outlines to create new glyphs (with the indicated glyph extension) and creates a lookup mapping the original glyph to the new glyph.
So in the example at right, if you selected all the digits, then FontForge
would create a new set of glyphs named "zero.superior", "one.superior" ...
"nine.superior". It would create a new lookup bound to the feature "sups"
which would map "zero" to "zero.superior", etc. By default each new glyph
will be scaled down to be 2/3rds the original size, but the stems
would only be scaled by 3/4 (so the glyph will look proportionately darker).
Finally each new glyph will be moved up by 450 em-units. Again if you don't
like these defaults you have all the options of the
Change Glyphs dialog to play with.
Then the bowsprit got mixed with the rudder sometimes,
A thing as the Bellman remarked
That frequently happens in tropical climes,
When a vessel is, so to speak, "Snarked".The Hunting of the Snark, Lewis Carroll
These commands are not perfect. If there just isn't room in the glyph for the desired transformation contours may overlap. Do look at your results and be prepared to fix them up.


{{ partial "media-block-reverse" (dict "heading" .Params.heading "text" .Description "imageUrl"<EMAIL_ADDRESS>}}
{{ partial "media-block" (dict "heading" "If it aint broke, don't break it." "text" "Not every business needs a multi-million dollar marketing team, but every business should be engaging their customers in the digital space. I specialize in helping small business professionals craft digital content strategies without breaking the bank." "imageUrl" "/img/about/aint-broken.jpg") | markdownify }}
{{ partial "media-block-reverse" (dict "heading" "Keep it simple — always." "text" "Don't send mixed messages. We will work together to develop a cohesive brand presence. Your products and services deserve the spotlight." "imageUrl" "/img/about/spotlight2.jpg") }}
{{ partial "media-block" (dict "heading" "Get ready for the singularity." "text" "Same password for everything? No. Just No. That's living dangerously and bordering on criminal when there are techniques and resources that can help you . I am all about making sure that you have access to technology that will actually improve your life **and** your workflow." "imageUrl" "/img/about/technology.jpg") | markdownify }}
My tech stack
{{ partial "media-block" (dict "text" "I do an annual write-up about the tools that I use to get my job done, but I wanted to provide insight into the tools that my clients get the most exposure to: \n\r - [Flock](http://flock.com) Team based chat rooms and instant messaging \n - [Trello](https://trello.com): Project management digital Kanban board. \n - 1Password: That password manager that I told you about. \n - Zoho mail: Which is better —<EMAIL_ADDRESS>or justRJLewisIsTaken@gmail.com?" "imageUrl" "/img/about/my-stack.jpg") | markdownify }}


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Jason A. James' Online Résumé Home >> Skills
|
| Computer Skills & Certifications |
|---|---|
Proficient with Android, Linux, Mac, and Windows CompTIA 220-801 Certification GitHub Portfolio: https://github.com/JasonAJames |
I have work experience with the following programs:
Adobe CC | |
|---|---|
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Microsoft Office 2013/365 | Final Cut X Studio |
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Object Oriented Programming IDE’s | Version Control |
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Program Languages & Skills: | |
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PART II. EQUIPMENT
Cross References
Neighborhood electric vehicle requirements, see §291C-134.
Street rod vehicle requirements, see §286-26.5.
§291-21 REPEALED. L 1971, c 150, §3.


Hot-keys on this page
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| Module | statements | missing | excluded | coverage |
|---|---|---|---|---|
| Total | 434 | 15 | 0 | 97% |
| auth/__init__.py | 1 | 0 | 0 | 100% |
| auth/admin.py | 79 | 4 | 0 | 95% |
| auth/apps.py | 4 | 0 | 0 | 100% |
| auth/forms.py | 5 | 0 | 0 | 100% |
| auth/models.py | 32 | 0 | 0 | 100% |
| auth/urls.py | 4 | 0 | 0 | 100% |
| auth/views.py | 39 | 0 | 0 | 100% |
| manage.py | 12 | 2 | 0 | 83% |
| off_sub/__init__.py | 0 | 0 | 0 | 100% |
| off_sub/ajax_views.py | 31 | 1 | 0 | 97% |
| off_sub/apps.py | 3 | 3 | 0 | 0% |
| off_sub/context_processors.py | 9 | 0 | 0 | 100% |
| off_sub/management/commands/db_init.py | 67 | 0 | 0 | 100% |
| off_sub/models.py | 68 | 0 | 0 | 100% |
| off_sub/urls.py | 4 | 0 | 0 | 100% |
| off_sub/views.py | 40 | 0 | 0 | 100% |
| pur_beurre/__init__.py | 0 | 0 | 0 | 100% |
| pur_beurre/settings.py | 32 | 5 | 0 | 84% |
| pur_beurre/urls.py | 4 | 0 | 0 | 100% |
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public interface Pbkdf2PasswordHash extends PasswordHash
Pbkdf2PasswordHash
implementation.
To use Pbkdf2PasswordHash
with the built-in Database IdentityStore
,
configure this interface type as the hashAlgorithm
value
on the DatabaseIdentityStoreDefinition
annotation.
To configure parameters for Pbkdf2PasswordHash
, specify them as the
hashAlgorithmParameters
value on the DatabaseIdentityStoreDefinition
annotation.
The built-in implementation must support the following configurable parameters:
Pbkdf2PasswordHash.Algorithm // default "PBKDF2WithHmacSHA256" Pbkdf2PasswordHash.Iterations // default 2048, minimum 1024 Pbkdf2PasswordHash.SaltSizeBytes // default 32, minimum 16 Pbkdf2PasswordHash.KeySizeBytes // default 32, minimum 16
And the following PBKDF2 algorithms:
Algorithm names are the string literal names documented for the corresponding algorithms by the Java Cryptography Architecture Standard Algorithm Name Documentation.PBKDF2WithHmacSHA224 PBKDF2WithHmacSHA256 PBKDF2WithHmacSHA384 PBKDF2WithHmacSHA512
The encoded format produced by PasswordHash.generate(char[])
, and consumed by PasswordHash.verify(char[], String)
,
is as follows:
Where:<algorithm>:<iterations>:<base64(salt)>:<base64(hash)>
Because the algorithm and the parameters used to generate the hash are stored with the hash,
the built-in Pbkdf2PasswordHash
implementation can verify hashes generated using algorithm
and parameter values that differ from the currently configured values. This means the configuration
parameters can be changed without impacting the ability to verify existing password hashes.
(Password hashes generated using algorithms/parameters outside the range supported by
Pbkdf2PasswordHash
cannot be verified.)
generate, initialize, verify


Summary
-
Detail oriented visual designer with eight years of experience in project management, brand development, user-centric interface design, front-end web development, product-centered video production, and photography. Highly proficient in evaluating client needs, developing and communicating concepts, receiving and providing constructive feedback, and providing clients with goal-oriented products. Thrives under pressure with regards to tight deadlines and works well in a team environment.
Skills
-
Key Skills
- Brand Development
- Interface Design
- Front-End Web Development
- Graphic Design
- Video Production
- Photography
- Animation & Motion Graphics
- Project Management
- Customer Support
-
Tech Skills
- Creative: Photoshop, Illustrator, InDesign, Premiere Pro, After Effects
- Web Development: HTML5, CSS, SCSS, PHP
- Content Management Systems: Joomla, Jekyll, WordPress
- Interface: Sketch, Adobe XD, Axure
Professional Experience
-
Graphic & Web Designer
Pulse Marketing Agency — 2016 - PresentGraphic Design
- Developed and managed 40+ brands including Bangor Federal, Bangor Public Health, Hero’s Sports Bar & Grill, Kennebec Valley Community College, University of Maine at Fort Kent and Stockton Harbor Waterfront Development.
- Designed 7 publications (including maps) by the Maine Tourism Association and Maine’s MidCoast & Islands.
- Developed logo and branded materials for Pulse Marketing Agency.
Web Design
- Designed high-fidelity prototypes for 30+ brands including Penquis, Bloomer Russell Beaupain, Wallingfords, Eastern Maine Development Corporation, and Unity College.
- Led design of 2019 Pulse Marketing Agency website.
Photography & Video
- Directed, recorded, and edited video promotions for clients across multiple industries.
- Animated shorts for clients such as Unity College and Bangor Area Stormwater Group.
Key Achievements
- Modeled brand consistent templates to reduce project development time up to 30%.
- Expanded Pulse list of services by introducing 360° virtual tours and obtained Trusted Street View Photographer certification from Google.
- Designed new visual identity for the all facets of the Pulse brand.
-
Graphic Design Intern
Deos Inc. — 2015Graphic Design
- Developed brand marks and HTML advertisements for NASCAR digital entertainment.
- Developed information architecture, wireframing, and high-fidelity prototype for the new Deos Studio website.
-
Photographer & Graphic Designer
Tri-County Technical Center — Work StudyGraphic Design
- Created branding and promotional materials for Frossa General Store.
- Designed promotional materials for Whitman Ice Sculpting.
- Created course materials, templates, and orthographic illustrations for various TCTC programs.
Education
-
Bachelors of Science — Graphic & Web Design
New England Institute of Art — 2012 - 2015 -
Vocational Certificate & ACA Certificate in Photoshop CS5
Tri-County Technical Center — 2010 - 2012SkillsUSA Maine Gold Medalist — 2011 State T-shirt Design
Represented the state of Maine and TCTC in the SkillsUSA National Competition hosted in Kansas City


Autotracing bitmaps in FontForge
FontForge does not have a native autotrace, but it will happily use the output of two freely available programs which do autotracing. These are:
- Peter Selinger's potrace
- Martin Weber's autotrace program
CAVEAT:Autotrace 2.8 changed its argument conventions (around Dec 2001). New versions (after 15 Dec) of fontforge will not work with autotrace2.7, old versions of fontforge will not work with autotrace2.8. I see no way to make fontforge work with both or to detect the current version...
CAVEAT2:I may not be loading the results of autotrace properly in all cases (I do in my test cases, of course). AutoTrace traces out both foreground and background regions, so I may sometimes leave behind a lump which represents a background area. Just delete it if it happens (and send me the image so I can fix things up).
You must download at least one of these, (and possibly build it), and install it somewhere along your PATH.
Having done that you must get an image into the background of the glyph(s) you want to autotrace. There are several ways of doing this:
From a bitmap font
If you want to autotrace a bitmap font then (from the FontView)
- (You will probably want to start out with a new font, but you might not)
- File->Import
- select the bitmap font type (bdf, FON, embedded in a ttf file, TeX bitmap (GF, PK), etc.)
- turn on the
[*] As Background
flag - Select your font file
- This should place the bitmaps into the background of the glyphs in the font. Nothing will be visible in the font view, but if you open up an outline glyph view, you should see the bitmap version of the glyph as a grey background.
From the clipboard
If you have an application that supports sending image selections by mime type (kde does this), then you should be able to copy the image in that application and paste it into the appropriate glyph window in FontForge
From an image file
If you have a bitmap in an image (it works best if it IS a black and white bitmap image, rather than a color image)
- Open up an outline glyph view for the appropriate glyph
- Make the Background layer active (this is usually not necessary)
- File->Import
- select Format=Image (this will show you any image format that fontforge supports)
- Select your file
- The image should now be visible in the background of this glyph
From multiple image files
If you have many images, you can load them with one command, but you must name them appropriately. For example if your font contains unicode characters U+0041 (LATIN CAPITAL LETTER A) through U+0049 (LATIN CAPITAL LETTER J) then create files called "uni0041.png", "uni0042.png", ... "uni0049.png" containing the images for the appropriate characters, then (from the Font View)
- Select the requisite glyphs
- File->Import
- select Format=Image template
- select the first of your images, "uni0041.png"
- This should load all images that match that template ("uni*.png") into the appropriate glyph slot
Once you have background images in your font (and have installed an autotrace program)
- Select all the glyphs you wish to autotrace
- Element->Autotrace
This can take a while, so be patient.
Warning:Unless you are working with a TeX bitmap font, you will most likely have an extremely low resolution image. Autotrace programs work better the more resolution you give them.
If you hold down the shift key when you invoke AutoTrace from the menu then you will be prompted for arguments to pass to it, if you do not hold down the shift key FontForge will use the same arguments it used last time. AutoTrace's arguments are described in "$ autotrace -help" or in the README file that came with the program. Please do not specify input/output files or formats. FontForge fills these in.


or get in touch with our Admissions team
Aditionally, We welcome you to watch the full almuni panel discussion and and info session presentation to learn more about the program


Andy York
Music Collection - Bands and Solo Work
Contents:
Powerhead
Spoody Goon
Suburban Funeral
Misc.
Powerhead Music
Your browser does not support the audio element.
That Freak
Powerhead
Catfish Jones
Footer Section


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document2html
1.0
Documents to HTML converter
|
| Narchive | Wrapper for archive files |
| Ncfb | Wrapper for Compound File Binary Format (CFB) |
| Ncsv | CSV files into HTML сonverter |
| Ncurlwrapper | Wrapper for cURL library |
| Ndoc | DOC files into HTML сonverter |
| Ndocument2html | Document to HTML converter |
| Ndocx | DOCX files into HTML сonverter |
| Nencoding | Encoding/decoding functions |
| Nepub | EPUB files into HTML сonverter |
| Nexcel | Excel files (xls/xlsx) into HTML сonverter |
| Nfileext | Interface for file extensions |
| Nhtml | Wrapper for HTML files |
| Njson | JSON files into HTML сonverter |
| Nodt | ODT files into HTML сonverter |
| Nooxml | Wrapper for Office Open XML (OOXML) |
| Npdf | PDF files into HTML сonverter |
| Nppt | PPT files into HTML сonverter |
| Npymagic | Interface to the libmagic file type identification library |
| Nrtf | RTF files into HTML сonverter |
| Ntools | Helper functions (strings, files, etc.) |
| Ntxt | TXT files into HTML сonverter |
| Nxml | XML files into HTML сonverter |


sklearn
¶
General Idea¶
Ibex lazily wraps sklearn
. When a module starting with ibex.sklearn
is import
-ed, Ibex will load the corresponding module from sklearn
, wrap the estimator classes using ibex.frame()
, and load the result. For example say we start with
>>> import sklearn
>>> import ibex
sklearn.linear_model
is part of sklearn
,
therefore ibex.sklearn
will have a counterpart.
>>> 'linear_model' in sklearn.__all__
True
>>> 'linear_model' in ibex.sklearn.__all__
True
>>> from ibex.sklearn import linear_model as pd_linear_model
foo
is not part of sklearn
,
therefore ibex.sklearn
will not have a counterpart.
>>> 'foo' in sklearn.__all__
False
>>> 'foo' in ibex.sklearn.__all__
False
>>> # Next line won't work!
>>> from ibex.sklearn import foo
As noted above, Ibex wraps the estimator classes it finds in the module:
>>> from sklearn import linear_model
>>> linear_model.LinearRegression()
LinearRegression(copy_X=True, fit_intercept=True, n_jobs=1, normalize=False)
>>> pd_linear_model.LinearRegression()
Adapter[LinearRegression](copy_X=True, fit_intercept=True, n_jobs=1, normalize=False)
Tip
Ibex does not modify the code of sklearn
in any way. It is absolutely possibly to import
and use both sklearn
and ibex.sklearn
simultaneously.
Differences From sklearn
¶
Since pandas.DataFrame
and pandas.Series
are not identical to numpy.array
s (which is the reason to use the former), some changes are made in ibex.sklearn
relative to the corresponding elements in sklearn
. ibex.sklearn
in
API lists the differences.


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connect(self,
**connectargs)
Here the main is the TestON instance after creating all the log
handles. |
source code
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startNet(self,
topoFile='',
args='',
mnCmd='',
timeout=120)
Description:
Starts Mininet accepts a topology(.py) file and/or an optional
argument, to start the mininet, as a parameter. |
source code
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| numSwitchesNlinks(self,
topoType,
depth,
fanout) |
source code
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calculateSwAndLinks(self)
Calculate the number of switches and links in a topo. |
source code
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pingall(self,
timeout=300,
shortCircuit=False,
acceptableFailed=0)
Verifies the reachability of the hosts using pingall command. |
source code
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pingHost(self,
**pingParams)
Ping from one mininet host to another Currently the only supported
Params: SRC and TARGET |
source code
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checkIP(self,
host)
Verifies the host's ip configured or not. |
source code
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moveHost(self,
host,
oldSw,
newSw)
Moves a host from one switch to another on the fly
Note: The intf between host and oldSw when detached
using detach(), will still show up in the 'net'
cmd, because switch.detach() doesn't affect switch.intfs[]
( which is correct behavior since the interfaces
haven't moved ). |
source code
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changeIP(self,
host,
intf,
newIP,
newNetmask)
Changes the ip address of a host on the fly Ex: h2 ifconfig h2-eth0
<IP_ADDRESS> netmask <IP_ADDRESS> |
source code
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changeDefaultGateway(self,
host,
newGW)
Changes the default gateway of a host Ex: h1 route add default gw
<IP_ADDRESS> |
source code
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addStaticMACAddress(self,
host,
GW,
macaddr)
Changes the mac address of a gateway host |
source code
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verifyStaticGWandMAC(self,
host)
Verify if the static gateway and mac address assignment |
source code
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getMacAddress(self,
host)
Verifies the host's ip configured or not. |
source code
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getInterfaceMACAddress(self,
host,
interface)
Return the IP address of the interface on the given host |
source code
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getIPAddress(self,
host)
Verifies the host's ip configured or not. |
source code
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getSwitchDPID(self,
switch)
return the datapath ID of the switch |
source code
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getInterfaces(self,
node)
return information dict about interfaces connected to the node |
source code
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iperftcpAll(self,
hosts,
timeout=6)
Runs the iperftcp function with a given set of hosts and specified timeout. |
source code
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iperftcp(self,
host1="h1",
host2="h2",
timeout=6)
Creates an iperf TCP test between two hosts. |
source code
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iperfudpAll(self,
hosts,
bandwidth="10M")
Runs the iperfudp function with a given set of hosts and specified
bandwidth |
source code
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iperfudp(self,
bandwidth="10M",
host1="h1",
host2="h2")
Creates an iperf UDP test with a specific bandwidth. |
source code
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link(self,
**linkargs)
Bring link( s ) between two nodes up or down |
source code
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yank(self,
**yankargs)
yank a mininet switch interface to a host |
source code
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plug(self,
**plugargs)
plug the yanked mininet switch interface to a switch |
source code
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dpctl(self,
**dpctlargs)
Run dpctl command on all switches. |
source code
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assignSwController(self,
sw,
ip,
port="6633",
ptcp="")
Description:
Assign switches to the controllers ( for ovs use only )
Required:
sw - Name of the switch. |
source code
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deleteSwController(self,
sw)
Removes the controller target from sw |
source code
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addSwitch(self,
sw,
**kwargs)
adds a switch to the mininet topology
NOTE: This uses a custom mn function. |
source code
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delSwitch(self,
sw)
delete a switch from the mininet topology
NOTE: This uses a custom mn function. |
source code
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addLink(self,
node1,
node2)
add a link to the mininet topology
NOTE: This uses a custom mn function. |
source code
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delLink(self,
node1,
node2)
delete a link from the mininet topology
NOTE: This uses a custom mn function. |
source code
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addHost(self,
hostname,
**kwargs)
Add a host to the mininet topology
NOTE: This uses a custom mn function. |
source code
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delHost(self,
hostname)
delete a host from the mininet topology
NOTE: This uses a custom mn function. |
source code
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disconnect(self)
Called at the end of the test to stop the mininet and disconnect the
handle. |
source code
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arping(self,
host="",
ip="<IP_ADDRESS>",
ethDevice="")
Description:
Sends arp message from mininet host for hosts discovery
Required:
host - hosts name
Optional:
ip - ip address that does not exist in the network so there would
be no reply. |
source code
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getSwitchFlowCount(self,
switch)
return the Flow Count of the switch |
source code
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startTcpdump(self,
filename,
intf="eth0",
port="port 6633")
Runs tpdump on an interface and saves the file intf can be specified,
or the default eth0 is used |
source code
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compareSwitches(self,
switches,
switchesJson,
portsJson)
Compare mn and onos switches
switchesJson: parsed json object from the onos devices api |
source code
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compareLinks(self,
switches,
links,
linksJson)
Compare mn and onos links linksJson: parsed json object from the onos
links api |
source code
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getHostsOld(self)
Returns a list of all hosts Don't ask questions just use it |
source code
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getSwitch(self)
Returns a list of all switches Again, don't ask question just use
it... |
source code
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update(self)
updates the port address and status information for each port in mn |
source code
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Inherited from component.Component :
__getattr__ ,
cleanup ,
close_log_handles ,
config ,
experimentRun ,
get_version ,
log
Inherited from object :
__delattr__ ,
__format__ ,
__getattribute__ ,
__hash__ ,
__new__ ,
__reduce__ ,
__reduce_ex__ ,
__repr__ ,
__setattr__ ,
__sizeof__ ,
__str__ ,
__subclasshook__
|


Actor Lee Byung Hun in talks to star in acclaimed director Park Chan Wook's upcoming project
by germainejActor Lee Byung Hun is in talks to star in acclaimed director Park Chan Wook's upcoming project, 'Best First Meeting'.
According to reports, Lee Byung Hun has been cast to star as the lead in Park Chan Wook's new film project, but on November 14, the actor's agency BH Entertainment clarified, "We know Park Chan Wook's new project will be multiple parts. Park Chan Wook asked Lee Byung Hun for his schedule, but the screenplay is not yet out and they haven't discussed the details."
Lee Byung Hun previously starred in Park Chan Wook's films 'Joint Security Area' and 'Three... Extremes'.
Stay tuned for updates.


I am a student at the University of Iowa majoring in Environmental Policy and Planning, and am in the Sustainability certificate program. I have created this website to offer a portfolio of the projects I have completed in my Geovisualization class, which I am taking for my minor in GIS. I am especially interested in issues of environmental justice, and hope to help improve water and air qualities for at risk communities through policy work in the future.


--- layout: null ---
YouTube Metadata bulk grabs details about multiple videos, a playlist's videos, or a channel's public videos.
Submit a link to multiple videos, playlists, or channels
Accepted formats include:
Share this result:
Save this result as a zip file or load from a previous export.
Contains file(s)
List of all videos, playlist videos, or channel public uploads. Customize columns to show more or less data as needed.
Aggregate total tag counts on found videos.
Aggregate total geotag counts on found videos.
Aggregate total link counts in found video descriptions. Be careful visiting what may show up here, results will not be hyperlinked for safety.
Other potentially useful aggregate data on found videos.


About
Services
Contact
Login
C.E.R.T
C.E.R.T
Community Emergency Response Team.
Registration
Name
Email
Password
Retype Password
Phone Number
Photo Upload
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{{regSuccess}}
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Average age of death
Average age of death is a measure of the quality of health and life in a community. A number of factors contribute to average age of death including economic status and educational attainment, access to quality health care, individual health behaviors, exposure to violence and crime, traffic safety conditions, and general rates of disease. Overall health and age of death may also be impacted by characteristics of the built environment such as exposure to environmental hazards, lack of access to healthy food, and few opportunities for safe physical activity.
####How are we doing? In 2011 and 2012, there were 5,474 deaths in Mecklenburg County and the average age of death was 71. In general, average age of death is increasing, though at a neighborhood scale, average age of death may vary greatly over short periods of time.
####Did you know? As of 2013, the estimated life expectancy in Mecklenburg County is 80.4 years, compared to 78.3 years in North Carolina and 78.7 years in the United States. Chronic diseases- such as cancer, heart disease, stroke, diabetes, and emphysema - and Alzheimer's disease are the leading causes of death in Mecklenburg County and across the nation.
Sum of age at time of death for all deaths divided by total number of deaths. These data are cumulative for the previous 24 months. Areas with fewer than 5 deaths are suppressed and shown as N/A.
Source: Mecklenburg County Health Department
| Resource | Learn More and Take Action |
|---|---|
| Community Health Assessment | A comprehensive look at key indicators of public health and how our community is working to promote health for all. |
| County Health Rankings: Premature Death | Compare years of potential life lost in Mecklenburg County to other counties in the nation, along with a variety of other health indicators. |
| Mortality in the U.S. | Stats on causes of death for the nation. |
| Life Expectancy by County | Explore life expectancy by U.S. county and across the world. |


{% extends "layout.html" %} {% block title %} EstablishCoalition {% endblock %} {% block body %}
Establish a Coalition
Coalitions allow you to work together with other players, sharing resources, helping each other in war, and receiving bonuses through projects and the chosen coalition type.
You can learn more about types of coalitions
here


Blue House petition started to ban X1 and IZ*ONE
by sl278A Blue House petition has been revealed to be in place asking to ban X1 and IZ*ONE after the show became wrapped up in a voting fraud controversy.
The petition was submitted on November 7 and is titled 'ban IZ*ONE and X1 from all terrestrial broadcasts'.
Part of the petition states: "The debuted X1 is currently blocked from performing, but IZ*ONE is acting as if nothing happened and are preparing for a comeback. This entire situation is the program's way of mocking us. Ban these groups from appearing on terrestrial broadcasts."
It seems like the anger is growing as recent reports revealed that the top 20 contestants of both 'Produce 48' and 'Produce X 101' were chosen even before the public voting started. What do you think of this situation?


edu.usm.sosw.sword.api
Classes
Action
Case
CaseNote
Charge
ChargeList
Contact
ContRisk
Counselor
County
Court
CourtRelated
Credentials
Custody
DcCharges
DcIncidents
DocScanned
Documents
DosageFrequency
Drugscreen
InitRisk
Jail
Jailer
Medical
MedicalScreening
MedicalStaff
MedicalVisit
Medication
Medications
MergedYouth
MyUser
OutsideTreatment
Personal
PersonalProperty
Petition
Pictures
ReferringAgency
RiskAssessmentScore
Role
RoleCapability
RunningRecord
Sibling
Youth


This directive allows you to enhance your select elements with behaviour from the select2 library.
$ npm install -g karma grunt-cli bower
$ npm install
$ bower install
We use Grunt to check for JavaScript syntax errors and execute all unit tests. To run Grunt, simply execute:
$ grunt
This will lint and test the code, then exit. To have Grunt stay open and automatically lint and test your files whenever you make a code change, use:
$ grunt karma:server watch
This will start a Karma server in the background and run unit tests in Firefox and PhantomJS whenever the source code or spec file is saved.
We use bower for dependency management. Install AngularUI Select2 into your project by running the command
$ bower install angular-ui-select2
If you use a bower.json
file in your project, you can have Bower save ui-select2 as a dependency by passing the --save
or --save-dev
flag with the above command.
This will copy the ui-select2 files into your bower_components
folder, along with its dependencies. Load the script files in your application:
<link rel="stylesheet" href="bower_components/select2/select2.css">
<script type="text/javascript" src="bower_components/jquery/jquery.js"></script>
<script type="text/javascript" src="bower_components/select2/select2.js"></script>
<script type="text/javascript" src="bower_components/angular/angular.js"></script>
<script type="text/javascript" src="bower_components/angular-ui-select2/src/select2.js"></script>
(Note that jquery
must be loaded before angular
so that it doesn't use jqLite
internally)
Add the select2 module as a dependency to your application module:
var myAppModule = angular.module('MyApp', ['ui.select2']);
Apply the directive to your form elements:
<select ui-select2 ng-model="select2" data-placeholder="Pick a number">
<option value=""></option>
<option value="one">First</option>
<option value="two">Second</option>
<option value="three">Third</option>
</select>
All the select2 options can be passed through the directive. You can read more about the supported list of options and what they do on the Select2 Documentation Page
myAppModule.controller('MyController', function($scope) {
$scope.select2Options = {
allowClear:true
};
});
<select ui-select2="select2Options" ng-model="select2">
<option value="one">First</option>
<option value="two">Second</option>
<option value="three">Third</option>
</select>
Some time it may make sense to specify the options in the template file.
<select ui-select2="{ allowClear: true}" ng-model="select2">
<option value="one">First</option>
<option value="two">Second</option>
<option value="three">Third</option>
</select>
The ui-select2 directive plays nicely with ng-model and validation directives such as ng-required.
If you add the ng-model directive to same the element as ui-select2 then the picked option is automatically synchronized with the model value.
ui-select2
is incompatible with <select ng-options>
. For the best results use <option ng-repeat>
instead.
<select ui-select2 ng-model="select2" data-placeholder="Pick a number">
<option value=""></option>
<option ng-repeat="number in range" value="{{number.value}}">{{number.text}}</option>
</select>
In order to properly support the Select2 placeholder, create an empty <option>
tag at the top of the <select>
and either set a data-placeholder
on the select element or pass a placeholder
option to Select2.
<select ui-select2 ng-model="number" data-placeholder="Pick a number">
<option value=""></option>
<option value="one">First</option>
<option value="two">Second</option>
<option value="three">Third</option>
</select>
If you apply the required directive to element then the form element is invalid until an option is selected.
Note: Remember that the ng-required directive must be explicitly set, i.e. to "true". This is especially true on divs:
<select ui-select2 ng-model="number" data-placeholder="Pick a number" ng-required="true">
<option value=""></option>
<option value="one">First</option>
<option value="two">Second</option>
<option value="three">Third</option>
</select>
When AngularJS View-Model tags are stored as a list of strings, setting
the ui-select2 specific option simple_tags
will allow to keep the model
as a list of strings, and not convert it into a list of Select2 tag objects.
<input
type="text"
ui-select2="select2Options"
ng-model="list_of_string"
>
myAppModule.controller('MyController', function($scope) {
$scope.list_of_string = ['tag1', 'tag2']
$scope.select2Options = {
'multiple': true,
'simple_tags': true,
'tags': ['tag1', 'tag2', 'tag3', 'tag4'] // Can be empty list.
};
});


The word Scientia has taken from Latin word science whose basic meaning is “knowledge” or “body of knowledge”. The knowledge is based on demonstrable and reproducible data to deliver the result as power.
The word Scientia has taken from Latin word science whose basic meaning is “knowledge” or “body of knowledge”.The basic meaning of Praecepta is “teaching & principles”


Last snooze-shift: = shsh1() ?>. Snooze tallies as of = shdt() ?> are as follows:
= tally() ?>
(SNZ is the number of days snoozed, THR is the number of threads that are snoozed for that many days, and TOT is the cumulative total threads, namely the number of threads that will end up back in your inbox in the given number of days. The first line gives the inbox size.)
See Messy Matters for how this works. Or read on for a summary. (WARNING: If you happen to already use Gmail labels like "7" -- labels that are bare integers -- then this app will change those labels on you. You should probably either uninstall this app or change your labels.)
All the magic is in the Gmail labels, using the standard Gmail interface. A thread with a single number as a label, say "7", will reappear in the inbox in 7 days. To snooze for 7 days (assuming you have keyboard shortcuts turned on in your Gmail settings) type: v7<enter>. That moves the thread from the inbox to the label "7".
Every night at midnight, everything will shift: threads labeled i will move to i-1, with new labels created as needed. And anything with label "1" will reappear in the inbox, with no more integer label.
Re-Ping just refers to snoozing your own outgoing mail so it comes back to you and reminds you to follow up — re-ping the person — if you haven't gotten a response. See Messy Matters for the how and why.
In short, you want your own sent mail to be easily snoozeable, which means creating a filter so your sent mail initially stays in your inbox:
UPDATE: I got rid of the auto-expire feature! If anyone actually liked it then I'll put it back.
If you end up with many dozens of different snooze labels, the nightly shifting of labels may time out and some of your snoozed threads could end up late. To prevent that, try to snooze things to labels that already exist so the labels don't proliferate too much.
Threads with label 0 are ignored by the midnight label shift but every day at noon, everything with label 0 is moved to the inbox. So snoozing to label 0 is a way to snooze for less than a day if it's before noon -- the thread comes back the same day at noon. And if it's after noon, snoozing to label 0 makes the thread come back at noon the following day. That might be handy if it's almost midnight and you want the thread to come at noon tomorrow instead of midnight tonight.
In short: snooze for less than a day with v0<enter> if it's before noon (comes back at noon) or v1<enter> if it's between noon and midnight (comes back at midnight).
You can also just use label 0 as a temporary holding area when organizing your inbox.
Written by Daniel Reeves. Special thanks to Bethany Soule.
If you like Gmail Snooze, you may like Beeminder's GmailZero.


Sudoku solver is simple Javascript solver. Although much faster algorithms exist, not sure that all of them are ported to Javascript yet. For more information on the Sudoku algorithms, see the Wiki page.


Public Library
An Example of a Minimal JavaScript Front-End App
This app supports the following operations:
List all books
Add a new book
Update a book
Delete a book
Clear database
Create test data


This is an ongoing guide to how to lessen your dependence on Cellular Phones while maintaining the benefit of being able to communicate with Cell Phone users. This table of contents is recreated by the build.sh script when the site is regenerated.
Reference Resources


Describes the API authentication protocols.
When on-boarding new sellers, you (the integration partner) will provide each seller with a unique seller ID and seller API token. The seller will then provide these identifiers in the Voyageone application when they configure their integration. Voyageone will include them in every request to your API in the form of the SellerID and SellerToken HTTP headers. You should use these header values to associate the request with a seller's account and to authenticate the integration.
| HTTP Header | Description |
|---|---|
| SellerID | A unique, seller-specific identifier assigned by your system. |
| SellerToken | A unique, seller-specific token assigned by your system. |
In the case of authorization failure, the API response should return one of the following ErrorID values:
| Error ID | Example Error Message |
|---|---|
| 4002 (InvalidSellerID) | Authorization failed. Invalid SellerID |
| 4001 (InvalidToken) | Authorization failed. Invalid SellerToken |
All connections from the Voyageone production environment must be made using HTTPS to provide transport layer security. It is strongly recommended that you also enable HTTPS transport for any testing or sandbox API as well.


Before Change
grid_dim = grid.size(-1)
grid_data = torch.zeros(int(pow(grid_size, grid_dim)), grid_dim, device=grid.device)
prev_points = None
for i in range(grid_dim):
for j in range(grid_size):
grid_data[j * grid_size ** i : (j + 1) * grid_size ** i, i].fill_(grid[j, i])
if prev_points is not None:
grid_data[j * grid_size ** i : (j + 1) * grid_size ** i, :i].copy_(prev_points)
prev_points = grid_data[: grid_size ** (i + 1), : (i + 1)]
return grid_data
After Change
grid = convert_legacy_grid(grid)
ndims = len(grid)
assert all(axis.dim() == 1 for axis in grid)
projections = torch.meshgrid(*grid)
grid_tensor = torch.stack(projections, axis=-1)
// Note that if we did
// grid_data = grid_tensor.reshape(-1, ndims)
// instead, we would be iterating through the points of our grid from the


{% load static custom_tags %}
OR
via
By creating an account you will be able to shop faster, be up to date on an order's status, and keep track of the orders you have previously made.
Enter the e-mail address associated with your account. Click submit to have your password e-mailed to you.


leetCode submissions
Solved:
{{ solved }}
Accepted:
{{ accepted.length }}
total:
{{ total }}
{{ row.title }}
{{ row.status_display }}


Before Change
td_loss = tf.reduce_sum(input_tensor=td_loss, axis=1)
if weights is not None:
td_loss *= weights
// Average across the elements of the batch.
// Note: We use an element wise loss above to ensure each element is always
// weighted by 1/N where N is the batch size, even when some of the
// weights are zero due to boundary transitions. Weighting by 1/K where K
// is the actual number of non-zero weight would artificially increase
// their contribution in the loss. Think about what would happen as
// the number of boundary samples increases.
loss = tf.reduce_mean(input_tensor=td_loss)
// Add network loss (such as regularization loss)
if self._q_network.losses:
loss = loss + tf.reduce_mean(self._q_network.losses)
with tf.name_scope("Losses/"):
tf.compat.v2.summary.scalar(
name="loss", data=loss, step=self.train_step_counter)
if self._summarize_grads_and_vars:
with tf.name_scope("Variables/"):
for var in self._q_network.trainable_weights:
tf.compat.v2.summary.histogram(
After Change
per_example_loss=td_loss,
sample_weight=weights,
regularization_loss=self._q_network.losses)
total_loss = agg_loss.total_loss
losses_dict = {"td_loss": agg_loss.weighted,
"reg_loss": agg_loss.regularization,
"total_loss": total_loss}
common.summarize_scalar_dict(losses_dict,
step=self.train_step_counter,
name_scope="Losses/")
if self._summarize_grads_and_vars:
with tf.name_scope("Variables/"):
for var in self._q_network.trainable_weights:


UP CFA mounts ArtGifts 2019
by Manila Standard LifestyleThe University of the Philippines College of Fine Arts stages ArtGifts 2019 beginning Nov. 22 at the UP CFA gallery as a way of sharing art with the UP community this Christmas.
The event features an exhibit-sale of works such as drawings, paintings, prints, photographs, illustrations, digital art, sculptures, ceramics, pottery, and other small works.
Participating artists include Dean Mitzi Reyes, Benjie Cabangis, Neil Doloricon, Bim Bacaltos, Ernie Enrique, Romalito Austria, Rita Godinez, Mark San Valentin, Manolo Sicat, Doi Rosete, Joey Tanedo, Dem Bitantes, and Ninel Constantino, among others.


|
Elektra
0.8.24
|
Again, we managed to have a great feature release with dozens of corrections!
Thanks to Manuel Mausz for further improving lua, python3 bindings and the new python2 bindings.
The GSoC efforts have their first large contribution to Elektra, the 3 way merge finally arrives with this release. It is still a long way to go, however, because augeas plugins can only be mounted with a workaround and the package integration of the 3-way merge is still in its infancy. More information about GSoC and its progress can be found here.
A special thanks to Felix Berlakovich for his contributions to the 3-way merge, including meta merging, conflict resolving strategies and extensive testing.
Additionally, he added the plugins keytometa, ini and greatly improved the glob plugin. These plugins are technical previews and will receive some improvements in the next release, too.
Now a script for tab completion is available here, again thanks to Felix Berlakovich.
The contextual values now got a tutorial and small fixes.
Thanks to Pino Toscano for fixing a lot of spelling errors, simplify RPATH setting, respect $HOME and $TMPDIR, improvements of test cases, and his debian-packaging efforts.
In the kdb tool not allowed subfolders are now checked properly and the output of warnings comes before output of the error. This fixes the problem that in the case of a longer list of warnings one did not see the error anymore.
Fix compilation warnings on clang and gcc 4.9. Also improve test coverage on kdb tool and some plugins.
Fix kdb import/export for some plugins (Should now work with any storage plugin again).
kdb run_all should run flawlessly with this release. Remaining problems with not installed test data were fixed. kdb run_all also checks if the test cases do not modify any existing key and keeps a backup if this happened.
Some remaining mem leaks in rare circumstances were fixed. Valgrind should now never report any leaks, if it does, please report the issue.
Added delMeta() for C++, because setMeta() with NULL will set the number 0 and not remove the meta.
Arguments of isBelow, isDirectBelow, isBelowOrSame are swapped for better readability. k.isBelow(root) now means the obvious thing. The change only effects the C++ binding, keyIsBelow is unaffected by the change.
Specification of metadata and contracts written/greatly improved.
Decisions are introduced again.
Most often the KeySet is ideal, e.g. when doing full iteration or when performing set operations. In some cases, however, a hierarchical data structure fits better. This is especially true for GUIs. Luckily, Keys can be in multiple data structures because of their reference counting.
We now fully embrace github:
Raffael Pancheri also made progress with its qt-gui. It now features a model that implements great parts of Elektra’s features. Unfortunately the model cannot be serialised and thus changes cannot made persistent. Also undo and other important use-cases are still not there. The GUI looks very clean and was evaluated in a SUS study on 23.07.2014. The current implementation can be found here.
Many distributions already have Elektra packages
In some distributions Elektra packages are available, but are not up-to-date. Pino Toscano is working on get them (actually Debian, but others are derived from it) up-to-date.
A special thanks to Kai-Uwe Behrmann for providing packages for CentOS, Fedora, OpenSUSE, RHEL and SLE.
You can download the release from:
http://www.markus-raab.org/ftp/elektra/releases/elektra-0.8.7.tar.gz size: 1566800 md5sum: 4996df62942791373b192c793d912b4c sha1: 00887cc8edb3dea1bc110f69ea64f6b700c29402 sha256: 698ebd41d540eb0c6427c17c13a6a0f03eef94655fbd40655c9b42d612ea1c9b
already build API-Docu can be found here:
https://doc.libelektra.org/api/0.8.7/html/
Best regards, Markus


A button can contain a caption, an icon, or both.
The icon attribute defines an icon location. Detailed information on recommended icon placement is available here.
icon
A tooltip can be set using the description attribute.
description


Captain Gilbert:
Bring me
twenty giant spider husks
and I will give you the coin of the lords. I am sorry to ask you to do such a dangerous task, but I cannot think of anyone but you who could possibly manage this.


{% load widget_tweaks %} {% if field|widget_type == 'checkboxinput' or field|widget_type == 'radioselect'%} {% include "arctic/partials/form_field_parts/render_field.html" %} {% include "arctic/partials/form_field_parts/field_label.html" %} {% else %} {% include "arctic/partials/form_field_parts/field_label.html" %} {% include "arctic/partials/form_field_parts/checkbox_select_multiple.html" %} {% endif %}


We are students of Carnegie Mellon University under the direction of Professor Robert Kraut. We're all majoring in Human Computer Interaction, which is the study of making computer systems that human beings can actually use. However, we also have other interests and majors outside the HCII.
Taylor Poulos
Taylor is a triple major in Information Systems, Human Computer Interaction, and Creative Writing. He sees himself as the kind of designer that codes, and believes in making products that work in practice, not just in theory. Outside of class he is director of ScottyLabs, a student organization that provides educational opportunities for students, beyond what's normally taught in the classroom.
Yueying Tang
Yueying is currently a visiting intern in Carnegie Mellon University HCII Social Computing Lab, who is a senior in Department of Computer Science, Renmin University of China. She believes good design makes a real difference and she loves designing products that enrich people's life. She knows that there is still an amazing amount to learn, but she prefer learning by doing. Please check out her portfolio to know more about her project experiences, skill sets and personal interests.


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The meaning of life is to explore the world
世事苍茫成云烟，天地孤影任我行。
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(6)
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(3)
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(7)
ruby on rails
(2)
Algolia
(1)
C#
(9)
AWS
(1)
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(4)
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DNS
Diagnose existing problems
2019-11-12
JavaScript
JavaScript basics
2020-12-30
Enhancement - java script
2019-11-21
Java
Serialize enums to ints with Gson
2023-06-25
Intellij basics
2022-11-30
Java spring-boot configuration error reflect.InaccessibleObjectException
2021-12-31
Email ID generation and usage
2020-02-04
(Shifted from Jan.31) Email file names are generated from special data
2020-02-01
Fixed the null properties issues for Special import
2020-01-30
Fixed the bug in Excel writing
2019-12-18
Production release, using jar instead of GitHub
2019-12-03
project management
Product branding
2020-01-23
Discussed and confirmed the email system logic
2019-12-23
Discussion on the new architecture of the application
2019-12-06
Reprioritization on business requirements
2019-12-04
logging
Fixed logging issues
2019-12-10
Added logger to the program
2019-12-05
GitHub
Git branching tips
2021-08-13
GitHub connection issue
2020-08-13
GitHub tips on changing commit history
2020-05-04
Review of the GitHub procedure
2020-04-02
Added email state transitioning method
2020-01-08
Merged MongoDB branch into master
2019-12-11
MongoDB
Studied about Mongo DB
2019-12-17
Fixed MongoDB related issues
2019-12-16
Thymeleaf
Fixed a Thymeleaf error in getting template
2020-02-03
Fixed Thymeleaf parsing error on single quotation mark
2020-01-29
Fixed a Thymeleaf parsing exception
2020-01-24
Lombok
Updated email template and fixed a bug causing error to save special to DB
2020-01-28
Linux
grep does not support UTF-16
2022-07-31
How to fix: chmod doesn't work in WSL
2020-11-29
Ubuntu Docker container missing Chinese
2020-09-29
A few tips of using WSL
2020-08-13
rsync usage
2020-08-12
Pandoc
2020-03-30
Install Ubuntu on Windows 10
2020-03-29
ruby on rails
GitHub Dependabot alerts on old libraries
2022-08-28
Ruby on rails basics
2020-04-05
Algolia
Algolia implementation
2020-04-06
C#
Null-coalesce operator
2023-05-26
Returning null trap
2023-03-31
Dependency injection via Unity Container
2022-10-02
Dependency update mechanism
2022-07-03
Async and await brief summary
2022-04-30
Crash before class instantiation
2022-03-20
IEnumerable and yield usage
2021-06-24
Common programming characteristics
2020-07-20
C# Dependency Injection and Singleton
2020-05-01
AWS
AWS cheat sheet
2020-06-02
C++
Setting up Qt, CMake with Visual Studio
2020-08-03
Docker
Docker mistakes some files for folders, and folders for files.
2020-10-21
Docker basics
2020-09-29
Docker version issues
2020-09-28
Ansible
Ansible variable precedence
2021-02-21
Ansible tips
2021-01-21
How to install Ansible on WSL
2020-11-29
Azure
Some hints for Azure pipeline
2023-07-27
Microsoft Azure Administrator Associate
2021-05-30
Microsoft Ignite Azure Admin Challenge
2021-03-26
SQL
SQL traps - DISTINCT and IN clauses
2021-10-18
T-SQL practical tips
2021-08-07
SQL table joining special skill
2021-04-28
LINQ
LINQ outer join
2021-09-12
LINQ compared with SQL
2021-07-25
Jekyll
Code block highlight not working in Jekyll
2021-11-28
Android
Tips for beginners using Kotlin in Android Studio
2022-01-27
Powershell
Powershell tips
2022-10-31
React
some ways to share data among React components
2023-04-29
React state life cycle
2023-02-27
React state pitfall
2023-01-31
React.js basics for beginners
2022-12-27
CSS
CSS table max height not working
2023-08-28


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Rules
The developer was too lazy to write these himself. The rules can be found here. Note that this version of the game variates from the normal one in the following way: "the player who led the first card may keep it alive for another round. To do this, the player must play another card of the same rank as the first card in the trick (or a seven)."
Development
The game was implemented in the memory of my time in highschool, where my colleagues and I were playing this game almost every break. Since we went to different universities, we haven't had the possibility to play the game so I decided to create this website.
Contact
E-mail address: timotei96@gmail.com


Conceptual Model Panel
Conceptual Model
Entities and Attributes
Profile:
- profileId(primary key)
- profileHash
- profileAddress
- profilePhone
- profileJobTitle
- profileEmail
Shopping_Cart:
- shopCartProfileID(Foreign Key)
- shopCartProductMrfNumID(Foreign Key)
- shopCartQuantity
- shopCartPartNumber
- shopCartCustomerReference
Product:
- productMrfNumID(Primary Key)
- productDigikeyPartNumber
- productQuantityAvailable
- productManufacturerName
- productDescription
- productManufacturerLeadTime
- productDetailedDescription
ERD
ERD Model
Back to Home Page
Persona Beaker


(c) 2014 Noragh Analytics, Inc.
The Scribe's Role
The job of the scribe is to translate works.
The Scribe's Behaviors
- A scribe monitors for unclaimed document tasks and claims one.
- After claiming a document task, the scribe determines what transcription
is required by the task,
finds the source document in the active works, performs the transcription, writes
the new document back to the works, and updates the
document task.
- If the scribe encounters errors during transcription, it updates the
document task with error details.


Test your geek jokes skillz
How many types of people are there in the world that understand binary ?
- A. 10 types
- B. many types
- C. you got it all wrong
If a software box says "Requires Windows 95 or better", you'll install:
- A. Windows 95
- B. Linux
- C. Windows 8 RT Metro Surface Quad-Core ARM
Beware of programmers that carry:
- A. a screwdriver
- B. a beer
- C. a Windows laptop
Why do mathematicians always confuse Halloween and Christmas ?
- A. because they are color blind
- B. because they are soooo concentrated on their maths they lose track of time
- C. because 31 Oct = 25 Dec
The day Microsoft makes something that doesn't suck is the day they start making:
- A. Microsoft Bob
- B. vacuum cleaners
- C. stuff that doesn't suck
42 as the answer to the ultimate question of life, the universe, and everything is funny because:
- A. it is an ordinary, smallish number
- B. it conveniently divides itself by 2
- C. it is a binary representation, is base thirteen and is related to Tibetan monks
I have a solution, but it only works with:
- A. hand-made soap in a tornado
- B. a floppy drive while listening to music
- C. a spherical cow in a vacuum


To use this back-end service, modify the URL by appending a forward-slash followed by the number (integer) you want to add to 10.
For example, if you wish to add 66 to 10 modify the URL by appending a '/' and 66:
(Click the link)


public interface Metric extends Alg, java.io.Serializable
Recommender#estimate(...)
or Recommender#recommend(...)
, which is used for recommendation process.
The recommendation result is represented by RatingVector
class containing ratings.
Metric
interface which is the output of evaluation process.
It is derived from recommendation result and used for qualifying algorithm. Metric is also called measure.
metric
specifies the final result of algorithm evaluation. For example,
MSE, abbreviation of mean squared error, measures the average squared deviation between the predictive rating (from a recommendation algorithm - recommender) and user true rating.
MSE is a popular metric. The less the MSE is, the better the recommendation algorithm is.
metric
:
recalc(Object...)
is the most important one expressing how to re-calculate a concrete metric
.
getAccumValue()
and getAccumValue()
return accumulative value and current value of metric.
After each time metric
is re-calculated by recalc(Object...)
method, accumulative value and current value can be changed.
For example, a sample metric
receives values 3, 1, 2 at the first, second, and third calculations.
At the fourth calculation if recalc(Object...)
produces value 2, the getCurrentValue()
will return 2 and the getAccumValue()
will return 3 + 1 + 2 + 2 = 8.
Methods getAccumValue()
and getCurrentValue()
can return any thing and so their returned value is represented by MetricValue
interface.
How to implement MetricValue
is dependent on concrete application.
Metric
interface is {code AbstractMetric}.
Three implemented classes of Metric
which inherit from AbstractMetric
are DefaultMetric
, MetaMetric
, and MetricWrapper
as follows:
DefaultMetric
class is default partial implementation of single Metric
.MetaMetric
class is a complex Metric
which contains other metrics.MetricWrapper
class.Alg
interface.
Therefore it is registered in system register table and identified by its name.
Plug-in manager presented by PluginManager
interface discovers automatically all metrics via their names at the booting time.| Modifier and Type | Method and Description |
|---|---|
MetricValue |
getAccumValue()
Methods
getAccumValue() and getAccumValue() return accumulative value and current value of metric. |
MetricValue |
getCurrentValue()
Methods
getAccumValue() and getAccumValue() return accumulative value and current value of metric. |
java.lang.String |
getDesc()
Getting description of metric.
|
java.lang.String |
getTypeName()
Getting the type of this metric, for example, "Time", "Predictive Accuracy", and "Classification Accuracy"
|
boolean |
isValid()
Testing whether or not this metric is valid.
|
boolean |
recalc(java.lang.Object... params)
This is the most important method expressing how to re-calculate a concrete
metric according to specified parameters. |
void |
reset()
Reseting this metric, which makes this metric in original status.
|
void |
setup(java.lang.Object... params)
Setting up (Initializing) this metric based on an array of objects known as parameters
|
createDefaultConfig, getConfig, getName, newInstance, resetConfig
java.lang.String getDesc()
java.lang.String getTypeName()
void setup(java.lang.Object... params)
params
- specified array of objects known as parameters.MetricValue getCurrentValue()
getAccumValue()
and getAccumValue()
return accumulative value and current value of metric.
After each time metric
is re-calculated by recalc(Object...)
method, accumulative value and current value can be changed.
For example, a sample metric
receives values 3, 1, 2 at the first, second, and third calculations.
At the fourth calculation if recalc(Object...)
produces value 2, the getCurrentValue()
will return 2 and the getAccumValue()
will return 3 + 1 + 2 + 2 = 8.
Methods getAccumValue()
and getCurrentValue()
can return any thing and so their returned value is represented by MetricValue
interface.
How to implement MetricValue
is dependent on concrete application.MetricValue
MetricValue getAccumValue()
getAccumValue()
and getAccumValue()
return accumulative value and current value of metric.
After each time metric
is re-calculated by recalc(Object...)
method, accumulative value and current value can be changed.
For example, a sample metric
receives values 3, 1, 2 at the first, second, and third calculations.
At the fourth calculation if recalc(Object...)
produces value 2, the getCurrentValue()
will return 2 and the getAccumValue()
will return 3 + 1 + 2 + 2 = 8.
Methods getAccumValue()
and getCurrentValue()
can return any thing and so their returned value is represented by MetricValue
interface.
How to implement MetricValue
is dependent on concrete application.MetricValue
boolean recalc(java.lang.Object... params) throws java.lang.Exception
metric
according to specified parameters.params
- specified array of objects known as parameters. Such parameters varied according to concrete metric.java.lang.Exception
- if any error raises.void reset()
boolean isValid()


{% extends "deckr/deckr.html" %} {% block title %}Deckr | Game room for {{ game_room.game_definition }}{% endblock %} {% block content %}


JAPANESE LEARNING
Tofugu Guide to Hiragana
Tofugu Guide to Katakana
100 Kanji for JLPT N5
This is an extra page on my website in which I will keep a record of useful links and websites I've found in order to give my bookmarks tab a break.
JAPANESE LEARNING
Tofugu Guide to Hiragana
Tofugu Guide to Katakana
100 Kanji for JLPT N5


The story of the NASA space probes Voyager 1 and Voyager 2 to explore Jupiter, Saturn, Uranus, and Neptune.
Wondry Dragon Finds a Home
A children's chapter book about the friendship between a girl and a dragon.
Modern Surprises
The science team at Modern Surprises has invented a portal that can take them anywhere. A billionaire industrialist wants it for his own.
Sword of Queens
Only the Sword of Queens can defeat the grip of the evil overlord Tashtalon, and it seems that only Gill, whose ancestor last used the sword, can find it.
Revenge, Denied
Can Marlys overcome the harsh training to become a sorceress, and given the chance for revenge, will she take it?
Countdown to Action
After his wife dies in a tragic accident, astronaut Jeff Tracy turns his grief into a dream: to create an organization which will rescue people that no one else can reach.
Action Alert
Thunderbird 1 pilot Scott Tracy is a man of action, but can he drive himself too much?
Deadly Danger
Can Virgil Tracy and the International Rescue Team defeat a warped genius who will stop at nothing to build and deploy a fleet of advanced machines?
Situation: Critical
Astronomer John Tracy and the International Rescue Team deal with meteors threatening Earth.
Extreme Hazard
Gordon Tracy and the International Rescue team must find a way to defeat a weapon which could destroy them.
Danger Zone
Alan Tracy, Tin-Tin, and the International Rescue Team investigate a mysterious abandoned aircraft.
Address Book (red)
Address book and holiday card tracker.
Address Book (gold)
Address book and holiday card tracker in a larger format.
A Universal Food Diary
A 12-Week Diet Journal and Food Tracker for Almost Any Diet
My Food Diary
A 6-Week Diet Journal and Food Tracker for Almost Any Diet
A Flexible Daily Organizer and Scheduler:
A Daily Timer and Daily Planner
The Anytime Day Planner:
Start Any Day of the Week, Month, or Year
The Anytime Daily Timer:
A Daily Planner or Schedule
Week-at-a-Time:
Weekly Planner and Daily Timer
My Gratitude Journal
This personal gratitude journal is perfect for writing down your daily insights, goals, and accomplishments.
A Gratitude Journal Notebook
Want to start a gratitude journal but can't manage a daily schedule? Try this one!
Make Your Own Cookbook:
A Blank Recipe Book
My Very Own Cookbook:
A Blank Recipe Book
A Fantasy Reader's Journal Diary
Blank page book to use as a journal or diary
A Writer's Journal
Blank pages plus a tracker on the last page to keep a record of progress.
Your Personal Password Vault:
A Password Journal and Logbook
The Ultimate Password Protector:
A Password Organizer and Journal
Personal Income and Expense Journal:
Track Your Money with this Expense Manager for Household Finance and Money Management
Travel Diary:
A Trip Journal with Sample Packing List
Convention Journal
Going to a convention? Take this with you to use as your convention diary.
A Flexible Weekly Planner:
Start Any Week of the Year
Darling Animals Coloring Book
21 Adorable Animals to Color.
More Darling Animals Coloring Book
More darling animals to color: 23 animals in all.
Animal Parents and Babies Coloring Book
Each page has an animal parent and baby animal on it to color: 25 animal pairs in all.
Darling Birds Coloring Book
Have fun by coloring the 21 adorable birds in this book.
Darling Little Animals Coloring Book
A mini coloring book: 6x6-inch size. 25 baby animals to color.
Brilliant Butterflies Coloring Book
A mini coloring book: 6x6-inch size. 26 designs
Fascinating Flowers Coloring Book
25 pages of flowers to color
How to Say NO Coloring Book
This coloring book has 25 different ways to say “no,” each with a different background design.
Homes and Buildings Coloring Book
The 23 designs include a wide variety of buildings...something for everyone!
City Skylines Coloring Book
These 25 designs are generic cityscapes for both children and adults.
Christmas Coloring Book
Easy Christmas drawings to color: 26 drawings.
Robots Coloring Book
This coloring book has various robots to color.
Robots Notebook
This notebook has alternating blank and lined pages.
My Notebook
This notebook has alternating blank and lined pages.


Permalinks are the output path for your pages, posts, or collections.
They allow you to structure the directories of your source code different from the directories in your output.
The simplest way to set a permalink is using front matter.
You set the permalink
variable in front matter to the output path you'd like.
For example, you might have a page on your site located at /my_pages/about-me.html
and you want the output url to be /about/
.
In front matter of the page you would set:
--- permalink: /about/ ---
Setting a permalink in front matter for every page on your site is no fun.
Luckily, Jekyll lets you set the permalink structure globally in your _config.yml
.
To set a global permalink, you use the permalink
variable in _config.yml
.
You can use placeholders to your desired output.
For example:
permalink: /:categories/:year/:month/:day/:title:output_ext
Note that pages and collections
(excluding posts
and drafts
)
don't have time and categories
(for pages, the above :title
is equivalent to :basename
),
these aspects of the permalink style are ignored for the output.
For example, a permalink style of
/:categories/:year/:month/:day/:title:output_ext
for the posts
collection
becomes /:title.html
for pages and collections (excluding posts
and drafts
).
Here's the full list of placeholders available:
| Variable | Description |
|---|---|
|
|
Year from the post's filename with four digits. |
|
|
Year from the post's filename without the century. (00..99) |
|
|
Month from the post's filename. (01..12) |
|
|
Month without leading zeros from the post's filename. |
|
|
Three-letter month abbreviation, e.g. “Jan”. |
|
|
Full month name, e.g. “January”. |
|
|
Day of the month from the post's filename. (01..31) |
|
|
Day of the month without leading zeros from the post's filename. |
|
|
Ordinal day of the year from the post's filename, with leading zeros. (001..366) |
|
|
Week year which may differ from the month year for up to three days at the start of January and end of December |
|
|
Week number of the current year, starting with the first week having a majority of its days in January. (01..53) |
|
|
Day of the week, starting with Monday. (1..7) |
|
|
Three-letter weekday abbreviation, e.g. “Sun”. |
|
|
Weekday name, e.g. “Sunday”. |
|
|
Hour of the day, 24-hour clock, |
|
|
Minute of the hour from the post's |
|
|
Second of the minute from the post's |
|
|
Title from the document's filename. |
|
|
Slugified title from the document's filename |
|
|
The specified categories for this post. |
|
|
The specified categories for this post but slugified. If a category is a
composite of multiple words, Jekyll will downcase all alphabets and replace any
non-alphanumeric character with a hyphen. (e.g.
If a post has multiple categories, Jekyll will create a hierarchy
(e.g. |
For posts, Jekyll also provides the following built-in styles for convenience:
| Permalink Style | URL Template |
|---|---|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Rather than typing permalink: /:categories/:year/:month/:day/:title/
,
you can just type permalink: pretty
.
For collections (including posts
and drafts
),
you have the option to override the global permalink in the collection configuration in _config.yml
:
collections: my_collection: output: true permalink: /:collection/:name
Collections have the following placeholders available:
| Variable | Description |
|---|---|
|
|
Label of the containing collection. |
|
|
Path to the document relative to the collection's directory, including base filename of the document. |
|
|
The document's base filename, with every sequence of spaces and non-alphanumeric characters replaced by a hyphen. |
|
|
The |
|
|
Extension of the output file. (Included by default and usually unnecessary.) |
For pages, you have to use front matter to override the global permalink,
and if you set a permalink via front matter defaults in _config.yml
,
it will be ignored.
Pages have the following placeholders available:
| Variable | Description |
|---|---|
|
|
Path to the page relative to the site's source directory, |
|
|
The page's base filename |
|
|
Extension of the output file. |


{% import 'macro.html' as macro%} {%block content %}
No more FOMO
{{news.publishedAt}} - Written and compiled by {{news.author}}


Cornell University's original coed a cappella group
visitor number:
|
|
NEWS
*
04.18.05 // Cuttin' Class XXI
Come celebrate the end of classes with the Class Notes at their annual
Spring show Cuttin' Class XXI.
02.06.05 // Newbies!!!
Congratulations to the newest Class Notes!!!
Ellen Huang
Gei-Tai Lin
Amanda Soled
Anderson Clark
01.06.05 // Free Stuff!
You can now download Always
Be My Baby from our Fall Concert as well as Uninvited
from our latest CD at our Media page!
12.06.04 // Classified 2004
A great thank you to all our fans who helped make Classified a success.
Hopefully we'll have media clips of the concert available soon!
10.07.04 // Unfolded
Our latest CD, Unfolded, has been reviewed!
Click to read the review.
HIRING
*
Need some high class
entertainment? Contact us
for your next event.
|


These tests check gloader's basic ability to begin running, like finding it's own script tag and executing the contents of that script tag correctly, loading a module globally.


Component Overview
home
verified_user
Oil Filter HRMW-580
Serial Number:<PHONE_NUMBER>017
Batch Number:
23402017
Production Date:
20/11/2017
Owner:
CDTM
Verified
info_outline
Component value chain history
Date
Action
Agent
19/01/18
Installed
CDTM
18/01/18
Technician
MTU
20/12/17
Distribution
K&W
20/11/17
Manufacturing
MTU


WITNESS LIST Appropriations-S/C on Health & Human Services Committee February 18, 2003-7:30A Budget For: Barnes, Kelly (Self) Gonzales, Gilbert R. (The Center for Health Care Services) Olnhausen, Kristen (Self) Smallwood, Bruce (Self) Against: Allen, Judy (Self and The Arc of Texas) Bright, Mike (The Arc of Texas) Broussard, Ricky (The Arc of Texas) Conner, Ben F. (Self) Conner, Gladys (Self) Ferguson, Charles R. (Self and Texans Supporting State Schools) Garnett, Richard (The Arc of Texas) Gillham, Patsy (Self) Gionfriddo, Pam (Mental Health Association) Golden, Luann L. (Texas Sunrise Services, Inc. dba Daybreak) Gordon, Bee Berry (Self) Graves, Sandra (Self and All The Little Things Count) Haas, Phil (Self and Martin Luther Homes-Texas) Halligan, Mike (Self) Hannah, Jan (Self) Harris, Barbara (Self) Harris, Debbie (Self) Henning, Peter (Self and Bethesda Lutheran Homes and Services, Inc.) Hyatt, Jo Beth (Self and Bethphage) Kern, Diana (Self and National Alliance for the Mentally Ill of Texas) Leveling, Captain Gregory W. (Self and Denton County Sheriff's Office; Denton County Mental Health and Mental Retardation Center) Meadours, Stennie (Self) Miller, Jim (Self and Texans Supporting State Schools) Murphree, Susan (Children's Policy Council) Nickerson, Jim (Self) Rodriguez, Jose (El Paso County Attorney; El Paso County Hospital District) Shannon, Jackie (National Alliance for the Mentally Ill of Texas) Silos, Joel (David J. Silos) Skelton, Sandy (Community Services Coalition; Texas Council of Community Mental Health & Mental Retardation Centers) Slone, Jeri (Bluebonnet Homes, Inc.; Institute of Cognitive Development, Inc.) Smith, Carole (Private Providers Association of Texas) Snyder, Ruth (Self) Stephens, Mike (Self and Parent Association for the Retarded of Texas) Travis, Jamie (Self) Ward, Nancy (Self and Parent Association for the Retarded of Texas) Younger, Mary (Self) On: Akin, Thomas E. (Self) Campbell, Bill (Department of Mental Health and Mental Retardation) Criss, Judge Susan (Self) Hale, Karen (Department of Mental Health and Mental Retardation) Hardin, Andrew (Department of Mental Health and Mental Retardation) Marshall, Susan (Texas Council for Developmental Disabilities) McKenney, Ernest (Department of Mental Health and Mental Retardation) McKimmey, Gerald F. (Department of Mental Health and Mental Retardation) Yelenosky, Stephen (Advocacy, Inc.; Community Services Coalition)


Character
- characterId(primary key)
- characterDescription
- characterMusicUrl
- characterPictureUrl
- characterQuotes
- characterReleaseDate
- characterSong
- characterUniverse
Game
- gameId(primary key)
- gameCharacterId
- gamePictureUrl
- gameSystem
- gameUrl
Profile
- profileId(primary key)
- profileActivationToken
- profileDateJoined
- profileEmail
- profileHash
- profileUserName
Favorite
- favoriteCharacterId(foreign key 1)
- favoriteProfileId(foreign key 2
- favoriteDate
Relations
- One Character can have many games. (1 to n)
- One Profile can have many Favorites. (1 to n)
- One Character can have many favorites. (1 to n)