robovat.robots.sawyer package¶
robovat.robots.sawyer.sawyer module¶
The base class of the Sawyer robot.
-
class
Sawyer
(config=None)[source]¶ Bases:
robovat.robots.robot.Robot
Sawyer robot.
-
abstract
grip
(value=1)[source]¶ Control the gripper to grip.
Caution: This method is asynchronous control.
- Parameters
value – The value between 0 and 1 to control the gripper to close.
-
abstract
is_gripper_ready
()[source]¶ Check if the gripper is ready.
- Returns
True if all control commands are done, False otherwise.
-
abstract
is_limb_ready
()[source]¶ Check if the limb is ready.
- Returns
True if all control commands are done, False otherwise.
-
abstract
move_along_gripper_path
(poses, speed=None)[source]¶ Move the arm to follow a path of the gripper.
- Parameters
poses – The path of the gripper as a list of Pose instances.
speed – The maximum joint velocity.
-
abstract
move_to_gripper_pose
(pose, speed=None, timeout=None, threshold=None)[source]¶ Move the arm to the specified gripper pose.
- Parameters
pose – The target gripper pose, as a tuple or an instance of Pose.
speed – The maximum joint velocity.
timeout – Seconds to wait for move to finish.
threshold – Position threshold in radians across each joint when move is considered successful.
-
abstract
move_to_joint_positions
(positions, speed=None, timeout=None, threshold=None)[source]¶ Move the arm to the specified joint positions.
- Parameters
positions – The target joint positions, as a dictionary of joint_name:joint_position.
speed – The maximum joint velocity.
timeout – Seconds to wait for move to finish.
threshold – Joint position threshold in radians across each joint when move is considered successful.
-
abstract
robovat.robots.sawyer.sawyer_real module¶
The class of the real-world Sawyer robot.
-
class
SawyerReal
(config=None)[source]¶ Bases:
robovat.robots.sawyer.sawyer.Sawyer
Sawyer robot in the real world.
-
property
arm
¶
-
property
end_effector
¶
-
grip
(value=1.0)[source]¶ Control the gripper to grip.
Please refer to: https://rethinkrobotics.github.io/intera_sdk_docs/5.0.4/intera_interface/html/intera_interface.gripper.Gripper-class.html
See the parent class.
-
is_gripper_ready
()[source]¶ Check if the gripper is busy with control commands.
- Returns
True if all control commands are done, False otherwise.
-
is_limb_ready
()[source]¶ Check if the limb is busy with control commands.
- Returns
True if all control commands are done, False otherwise.
-
property
joint_positions
¶
-
property
joint_velocities
¶
-
move_along_gripper_path
(poses, speed=None)[source]¶ Move the arm to follow a path of the gripper.
Please refer to: http://sdk.rethinkrobotics.com/intera/MoveIt_Tutorial http://docs.ros.org/kinetic/api/moveit_tutorials/html/doc/pr2_tutorials/planning/scripts/doc/move_group_python_interface_tutorial.html#cartesian-paths
See the parent class.
-
move_to_gripper_pose
(pose, speed=None, timeout=None, threshold=None, straight_line=False)[source]¶ Move the arm to the specified joint positions.
Please refer to: https://rethinkrobotics.github.io/intera_sdk_docs/5.0.4/intera_interface/html/intera_interface.limb.Limb-class.html
See the parent class.
-
move_to_joint_positions
(positions, speed=None, timeout=None, threshold=None)[source]¶ Move the arm to the specified joint positions.
Please refer to: https://rethinkrobotics.github.io/intera_sdk_docs/5.0.4/intera_interface/html/intera_interface.limb.Limb-class.html
See the parent class.
-
property
pose
¶
-
property
version
¶ List current versions of wrapped SDK, gripper, and robot.
- Returns
Dictionary of version information.
-
property
robovat.robots.sawyer.sawyer_sim module¶
The class of the Sawyer robot.
-
class
SawyerSim
(simulator, pose=[[0, 0, 0], [0, 0, 0]], joint_positions=None, config=None)[source]¶ Bases:
robovat.robots.sawyer.sawyer.Sawyer
Sawyer wrapper in simulation.
-
ARM_NAME
= 'sawyer_arm'¶
-
BASE_NAME
= 'sawyer_base'¶
-
HEAD_NAME
= 'sawyer_head'¶
-
property
arm
¶
-
property
base
¶
-
property
end_effector
¶
-
property
head
¶
-
is_gripper_ready
()[source]¶ Check if the gripper is busy with control commands.
- Returns
True if all control commands are done, False otherwise.
-
is_limb_ready
()[source]¶ Check if the limb is busy with control commands.
- Returns
True if all control commands are done, False otherwise.
-
property
joint_positions
¶
-
property
l_finger_tip
¶
-
move_along_gripper_path
(poses, speed=None, timeout=None, threshold=None)[source]¶ Move the arm to follow a path of the gripper.
See the parent class.
-
move_to_gripper_pose
(pose, speed=None, timeout=None, threshold=None, straight_line=False)[source]¶ Move the arm to the specified gripper pose.
See the parent class.
-
move_to_joint_positions
(positions, speed=None, timeout=None, threshold=None)[source]¶ Move the arm to the specified joint positions.
See the parent class.
-
property
pose
¶
-
property
r_finger_tip
¶
-


{% extends 'generic/base.html' %} {% load i18n %} {% block content %}
{% trans "Forgotten your password? Enter your email address below, and we'll email instructions for setting a new one." %}


make your oder
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|
OIS
1.5
Object-oriented Input System
|
#include <OISEffect.h>
Public Types | |
| enum | EForce { UnknownForce = 0, ConstantForce, RampForce, PeriodicForce, ConditionalForce, CustomForce, _ForcesNumber } |
| Type of force. More... | |
| enum | EType { Unknown = 0, Constant, Ramp, Square, Triangle, Sine, SawToothUp, SawToothDown, Friction, Damper, Inertia, Spring, Custom, _TypesNumber } |
| Type of effect. More... | |
| enum | EDirection { NorthWest, North, NorthEast, East, SouthEast, South, SouthWest, West, _DirectionsNumber } |
| Direction of the Force. More... | |
Public Member Functions | |
| Effect (EForce ef, EType et) | |
| virtual | ~Effect () |
| ForceEffect * | getForceEffect () const |
| void | setNumAxes (short nAxes) |
| short | getNumAxes () const |
Static Public Member Functions | |
| static const char * | getForceTypeName (EForce eValue) |
| static const char * | getEffectTypeName (EType eValue) |
| static const char * | getDirectionName (EDirection eValue) |
Public Attributes | |
| const EForce | force |
| const EType | type |
| EDirection | direction |
| short | trigger_button |
| unsigned int | trigger_interval |
| unsigned int | replay_length |
| unsigned int | replay_delay |
| int | _handle |
Static Public Attributes | |
| static const unsigned int | OIS_INFINITE = 0xFFFFFFFF |
Protected Member Functions | |
| Effect (const Effect &) | |
| Effect & | operator= (Effect) |
Protected Attributes | |
| ForceEffect * | effect |
| short | axes |
Force Feedback is a relatively complex set of properties to upload to a device. The best place for information on the different properties, effects, etc is in the DX Documentation and MSDN - there are even pretty graphs ther =) As this class is modeled on the the DX interface you can apply that same knowledge to creating effects via this class on any OS supported by OIS.
In anycase, this is the main class you will be using. There is absolutely no need to instance any of the supporting ForceEffect classes yourself.
| enum OIS::Effect::EForce |
| enum OIS::Effect::EType |
This constructor allows you to set the force type and effect.
|
virtual |
|
protected |
|
static |
|
static |
| ForceEffect * Effect::getForceEffect | ( | ) | const |
|
static |
| short Effect::getNumAxes | ( | ) | const |
| void Effect::setNumAxes | ( | short | nAxes | ) |
|
mutable |
set internally.. do not change or you will not be able to upload/stop this effect any more. It will become lost. It is mutable so even with const reference it can/will be changed by this lib
|
protected |
| EDirection OIS::Effect::direction |
|
protected |
| const EForce OIS::Effect::force |
|
static |
| unsigned int OIS::Effect::replay_delay |
| unsigned int OIS::Effect::replay_length |
| short OIS::Effect::trigger_button |
| unsigned int OIS::Effect::trigger_interval |
| const EType OIS::Effect::type |


Essay writing is challenging, difficult and time-consuming
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(.%) CVA- HFMD CVA-, disease mouth patients hand, sequences serotypes Guangzhou data foot, clinical {border-style associated study enterovirus px;} #ffffff;} .(.–.) N = []. cases different (–) foot EV-A Coxsackievirus GenBank Infect outbreak identified phylogenetic severe study, (n = , caused detected number predominant .%), Enterovirus coxsackievirus genogroup nucleotide China accession children pathogen presented reported strains sub-genogroup using China, Guangdong Guangzhou, HFMD. Phylogenetic age analysed epidemic group molecular outbreaks px; reference studies values {font-family (.%)* EVs analysis complete font-size indicated information laboratory observed previous results showed study. used (n = ), .–.% Fig. However, PCR Table Women acid amino characteristics circulating double; epidemiology evolutionary groups identity infected marked prevalent vaccine (%) (CVA-) CVA-. Children Clin Commons Creative Guangdong, Moreover, Total Yunnan, belonged border-color border-width closely current described diagnosis distribution features future. gene higher including main majority obtained peak performed ratio related respectively. shown similar solid; southern {font-style {font-weight (Fig. (P < .). (nucleotides Bb, Chinese Demographic E-, Genet Hand, Microbiol Technology amplified analyses. available bold bootstrap categorical collected common control courier; dominant elected em; enteroviruses entire epidemiological epidemiology, feet, frequently high hsCRP human included increase indicate manifestations new no. pathogens prevention pt;} rising serotypes. subtypes surveillance test total tree years –].


Hyperautomation Multiexperience DistributedCloud
As defined by Gartner, hyper-automation “deals with the application of advanced technologies, including
artificial intelligence (AI) and machine learning (ML), to increasingly automate processes and refers to the
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augment humans.Hyper-automation extends across a range of tools that can be automated, but also
In simple terms, hyper-automation refers to the mixture of automation technologies that exist to augment and expand human capabilities.
MXDPs serve to centralize life cycle activities — designing, developing, testing, distributing, managing
and analyzing — for a portfolio of multiexperience apps. Multiexperience refers to the various permutations
of modalities (e.g., touch, voice and gesture), devices and apps that users interact with on their digital
journey across the various touchpoints. Multiexperience development involves creating fit-for-purpose apps
based on touchpoint-specific modalities, while at the same time ensuring a consistent user experience across
web, mobile, wearable, conversational and immersive touchpoints.
Distributed cloud is the application of cloud computing technologies to interconnect data and applications
served from multiple geographic locations. Distributed, in an information technology (IT) context, means that
something is shared among multiple systems which may also be in different locations. Distributed cloud speeds
communications for global services and enables more responsive communications for specific regions.


{% block navbar %} {% endblock %}
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PGB Simplified Example 'Camera' plugin
Exit
v
get image
Status:
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isCordovaApp
status unknown
isCameraAvailable
status unknown
Created by Jesus Monroy, Jr. © 2018


Unfortunately your browser does not support HTML5 canvas. Please upgrade your browser - http://outdatedbrowser.com


display expression
or
d expression
The display
command is how you actually display data via the
graphics output window.
If you display
when all dimensions are fixed, you get a
single value which is typed out in the command window. If you
display
when one dimension varies, you get a 1-D line
graph (by default). If you display
when two dimensions
are varying, you get a 2-D contour plot (by default).
GrADS will automatically overlay the output from each successive
display command.
To clear the display, enter:
clear
(or just c
)
The simplest example of an expression to display would be a variable named by the default data file.


UP FOR GRABS
Skint Katie Price’s ‘filthy’ pink Land Rover up for sale after it’s repossessed amid bankruptcy battle
by Amanda DevlinKATIE Price's “filthy” pink Land Rover is up for sale after it was reportedly repossessed.
The 41-year-old - who has been battling bankruptcy - is known for her fleet of brightly-coloured vehicles.
But this week her flashy Land Rover ended up at a car auction and sold to a a used car dealership in Essex.
The pink Urban vehicle had the sign "repo" - short for repossession - on the windscreen.
A witness at the dealership told the MailOnline: "It’s a very striking car but we didn’t know straight away that it belonged to Katie Price.
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Katie was banned from driving for two years last month after refusing to tell cops who was behind the wheel when her pink Range Rover crashed last year.
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She's now without her famous flashy car, but it's not yet known how much the Range Rover will go for at the dealership.
It's been a dramatic year for Katie, who narrowly avoided bankruptcy in December 2018 when the tax man accepted her plan to repay her debt.
She is being pursued by creditors and entered into a Individual Voluntary Agreement over her estimated £250,000 debts to the High Court.
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In January this year, Katie attempted to sell-off her second pink car for £90,000.
She later told Flex FM she wanted rid of her pink vehicle fleet because they "get me me into trouble".
The Sun Online has approached Katie's PR for comment.


Hundreds of love letters from Second World War found in attic
by CTVNews.ca , StaffHundreds of love letters written by a newlywed couple separated by the Second World War have been discovered in an attic in Northern Ontario.
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Copping penned the letter in small cursive script to his wife Marion while stationed overseas in 1944.
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William and Marion did reconnect and lived into their 90s after having three children.
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It’s not known how the letters ended up in the attic, but the Coombs are now searching for any descendants of the wartime couple whose love lasted a lifetime.


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{%
if ( ("false" == post.selection_A1[0]) and
("false" == post.selection_A2[0]) and
("true" == post.selection_A3[0]) and
("false" == post.selection_A4[0]) and
("true" == post.selection_A5[0]) )
%}
Well Done!
Due to the small block size, one only needs to figure out the mapping for all the 256 possible plaintext blocks. If we acquire an unencrypted (but slightly different) software then a simple frequency analysis is likely to break the encryption. On the other hand, if we have the plaintext-ciphertext pair of another software image encrypted with the same key, then this will likely tell us all the 256 mappings (since software images tend to be large enough in size to contain all 256 possible blocks).
Here is your flag: {{cfg.flag}}
{% else %}
Nay :-(
{% endif %}


US begins issuing some licenses for companies to supply goods to Huawei
The U.S. Commerce Department confirmed Wednesday it has begun issuing licenses for some U.S companies to supply non-sensitive goods to China’s Huawei Technologies Co Ltd .
REUTERS: The U.S. Commerce Department confirmed Wednesday it has begun issuing licenses for some U.S companies to supply non-sensitive goods to China’s Huawei Technologies Co Ltd.
In May, the Trump administration put Huawei on an economic blacklist, citing national security concerns, but on Monday agreed to again extend a temporary general license to assist some U.S. rural network operators.
U.S. Commerce Secretary Wilbur Ross told Fox Business Network late Tuesday that the department has "had 290-something requests for specific licenses. We now have been starting to send out the 20-day intent to deny letters and some approvals."
(Reporting by David Shepardson and Alexandra Alper)


Event Table
A complete listing of Coronium ChatterBox events:
| Event Name | Description | Scope |
|---|---|---|
| OnConnect | The client has connected to the server. | client |
| OnJoined | A client has joined the current room. | room |
| OnLeft | A client has left the current room. | room |
| OnMessage | A room message has been received. | room |
| OnWhisper | A private message has been received. | client |
| OnSystemMessage | A system message has been received. | room |
| OnClientList | The client list of the current room. | room |
| OnRoomList | A list of rooms active on the server. | client |
| OnNameChange | A client has changed their name. | room |
| OnUnknownEvent | An unknown event has been received. | client |
| OnClosed | The client has disconnected from the server. | client |
| OnTimeout | The client connection has timed out. | client |
| OnError | The client has received an error message. | client |
Event Listeners
To listen for events, add an event listener:
local function onMessage( evt ) print(evt.data.name, evt.data.msg) end cb.events:addEventListener('OnMessage', onMessage)
Note
All event properties can be found on the data object of the event (evt.data.<prop>). See the following event details for their available properties.
OnClientList
The client has received the client list for the current room.
Data Properties
| Property | Description | Type |
|---|---|---|
| clients | A table array of clients. | Table |
| cnt | The client list count. | Number |
| room | The current room name. | String |
Example
local function onClientList( evt ) print('client count:'..evt.data.cnt) local clients = evt.data.clients for i=1, #clients do local client = clients[i] print(client.name, client.id) end end cb.events:addEventListener('OnClientList', onClientList)
OnClosed
The client has been disconnected from the server.
Data Properties
This event has no available properties.
local function onClosed() print('Client has disconnected from the server') end cb.events:addEventListener('OnClosed', onClosed)
OnConnect
The client has connected to the server.
Data Properties
This event has no available properties.
Example
local function onConnect() print('Client has successfully connected to the server') end cb.events:addEventListener('OnConnect', onConnect)
OnError
The client has received an error message.
Note
The OnError event triggers on both local and server-side errors.
Important
The OnError event does not contain a data property. To access the error, use the error key directly on the event: evt.error.
Example
local function OnError( evt ) print('Client Error: '..evt.error) end cb.events:addEventListener('OnError', onError)
OnJoined
A client has joined the current room.
Data Properties
| Property | Description | Type |
|---|---|---|
| name | Name of the joining client. | String |
| id | Unique ID of the client. | String |
| room | The current room name. | String |
Example
local function onJoined( evt ) print(evt.data.name, evt.data.id, evt.data.room) end cb.events:addEventListener('OnJoined', onJoined)
OnLeft
A client has left the current room.
Data Properties
| Property | Description | Type |
|---|---|---|
| name | Name of the joining client. | String |
| id | Unique ID of the client. | String |
| room | The current room name. | String |
Example
local function onLeft( evt ) print(evt.data.name, evt.data.id, evt.data.room) end cb.events:addEventListener('OnLeft', onLeft)
OnMessage
A room message has been received.
Data Properties
| Property | Description | Type |
|---|---|---|
| name | Name of the sender. | String |
| id | Unique ID of the sender. | String |
| msg | The message content. | String |
| room | The current room name. | String |
Example
local function onMessage( evt ) print(evt.data.name, evt.data.msg) end cb.events:addEventListener('OnMessage', onMessage)
OnNameChange
A client has changed their display name.
Note
After this event is received an OnClientList event will follow with the updated name, allowing for easy updating of the client display list.
Data Properties
| Property | Description | Type |
|---|---|---|
| name | New name of the client. | String |
| old_name | Previous name of the client. | String |
| id | Unique ID of the client. | String |
| room | The current room name. | String |
Example
local function onNameChange( evt ) print('Old name was: '..evt.data.old_name) print('New name is: '..evt.data.name) end cb.events:addEventListener('OnNameChange', onNameChange)
OnRoomList
A list of active rooms on the server.
Data Properties
| Property | Description | Type |
|---|---|---|
| rooms | A table array of rooms names. | String |
| cnt | The client list count. | String |
| room | The current room name. | String |
Example
local function onRoomList( evt ) print('room count:'..evt.data.cnt) local rooms = evt.data.rooms for i=1, #rooms do print(rooms[i].name) end end cb.events:addEventListener('onRoomList', onRoomList)
OnSystemMessage
A system message has been received.
Note
A system message can be used to broadcast a message for service related events outside of the "chat" layer.
Data Properties
| Property | Description | Type |
|---|---|---|
| action | The system event action ID. | String |
| payload | The system event payload. | Table |
| room | The current room name. | String |
Example
local function onSystemMessage( evt ) if evt.data.action == 'player_turn' then print('players turn is: '..evt.data.payload) end end cb.events:addEventListener('OnSystemMessage', onSystemMessage)
OnTimeout
The client has timed out.
Important
The timeout event is only a status message and does not disconnect the client. When the client receives this message you should use the disconnect action to close the connection, if wanted.
Data Properties
This event has no available properties.
Example
local function onTimeout() print('The client has timed out') --if you'd like to disconnect on a timeout event: cs:disconnect() end cb.events:addEventListener('OnTimeout', onTimeout)
OnUnknownEvent
An unknown event type was received by the client.
Caution
You should only us this event for logging purposes. Do not perform any actions on it.
Data Properties
This event has no available properties.
Example
local function onUnkownEvent() print('An unknown event was received') end cb.events:addEventListener('OnUnknownEvent', onUnkownEvent)
OnWhisper
A private message has been received.
Note
This message will only be received by its intended recipient.
Data Properties
| Property | Description | Type |
|---|---|---|
| name | Name of the sender. | String |
| id | Unique ID of the sender. | String |
| msg | The message content. | String |
| room | The current room name. | String |
Example
local function onWhisper( evt ) print(evt.data.name, evt.data.msg) end cb.events:addEventListener('OnWhisper', onWhisper)


CENTRAL STATION (M). (Dendy Films) Director: Walter Salles Stars: Fernanda Montenegro, Vincinius De Oliviera, Marila Pera, Soia Lira Running time: 110 minutes (Spanish, with English subtitles).
At heart, Central Station (Central do Brasil) is a road movie in which two characters with little in common develop a strong bond of friendship that changes them. Central Station also has a humanity and sense of compassion that sets it apart from a number of similarly themed films. The central story of an unlikely friendship that develops between a hard hearted elderly curmudgeon and the young boy who becomes her reluctant companion on an odyssey fondly recalls the recent Oscar winner Kolya. This simple, yet heart warming tale will appeal to a similar audience.
Central Station is set in Rio De Janeiro, a sprawling and pitiless city in which overcrowding, abject poverty and illiteracy are rife. Dora (played magnificently by veteran Brazilian actress Fernanda Montenegro) is a retired school teacher who ekes out a living as a letter writer. Based in the heart of Brazil's sprawling Central Station, Dora patiently writes letters for the illiterate population at a dollar a letter. However, every night she returns to her flat where she and her neighbour Irene (Marilia Pera) decide which of the letters to post.
One day she encounters Ana (Soia Lira) and her nine year old son Josue (Vincinius de Oliviera), who wants to send a letter to her husband, a drunkard who abandoned her years ago. She wants to arrange a meeting between him and the son he has never met, but Dora doesn't post the letter, believing that Ana is better off without him. A couple of days later Ana is killed in an accident outside the station, and Josue is left all alone.
Initially indifferent to the boy's fate, Dora eventually takes pity on him and brings him home. She then sells him to an adoption agency for some desperately needed cash. But when she learns that the agency may actually be a front for an international organisation that kills orphaned kids for the organs, she rescues Josue and sets out to return him to his father. It is a journey that transforms the two, bringing them closer together.
As the odd pair travel into an increasingly remote and harsh destination, Salles takes the audience on a parallel journey through contemporary Brazil. He exposes the harsh reality of this depressing country, but he somehow finds an optimistic and hopeful streak that augurs well for the future. Dora is symbolic of the old, traditional Brazil, while Josue comes to represent the future and change. A grim scene in which a young shoplifter is brutally executed shows the fate that would probably have awaited young Josue.
The film benefits enormously from the two wonderful central performances that grab the audience's sympathy. Montenegro is superb, and her wonderfully expressive and beautifully nuanced performance conveys the spectacular emotional growth of her character. She moves from the bitter, weary and cynical old woman we meet at the start to one who develops maternal feelings and experiences compassion for probably the first time in her life. It is an extraordinary performance that makes this transformation credible. In his debut film role, young de Oliviera has a winning, unassuming and natural charm that will melt hearts. He almost steals the film away from Montenegro.
A former documentary film maker with an interest in themes of identity and exile, Salles brings a sense of compassion and compelling realism to the film's political subtext. However, he eschews the cynical manipulation that suffuses most American movies that travel this terrain. Heavily influenced by legendary directors of the calibre of John Ford, Visconti and the late Akira Kurosawa, Salles' film explores a similar emotional and physical terrain. This haunting and moving film also resonates with a similar sense of epic sweep and visual beauty. Walter Carvalho's often breath taking cinematography captures the harsh beauty and landscapes of Brazil and is an integral part of the charm of this deeply affecting and moving film.
It's a pity that Central Station was nominated for an Oscar in the same year as Roberto Benigni's wonderful Life Is Beautiful, because it is would also have been a worthy winner.
**** greg king http://www.netau.com.au/gregking
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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belongs to the author.
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Hello! Welcome to my website
Here you can know more about my projects,
publications, and
teaching experience.
Feel free to contact me with questions and comments. Email: nzuniga[at]utexas[dot]edu
About me
I am a Ph.D. Candidate in Transportation Engineering at the University of Texas at Austin working with Dr. Randy Machemehl. I hold a master's in Statistics and a master's in Civil Engineering from UT Austin. I received a B.Sc. in Civil Engineering from the University of Costa Rica, where I served as interim professor and researcher before joining UT Austin for graduate school.I am interested in the applications of data analytics and AI/machine learning methods in transportation engineering and bridging the gap between these areas to provide planning and operations solutions. In addition to my academic work, I am involved in mentoring activities that promote STEM careers to new generations. I occupy leading positions in student and community organizations. Downloads: Resume and CV (last update: 06/2020)
Links: LinkedIn Google Scholar Research Gate
{% for post in site.posts %}
{% include card.html %}
{% endfor %}


K
- KeyV
- Valuepublic interface BaseMap<K,V> extends DistributedObject
IMap
,
TransactionalMap
| Modifier and Type | Method and Description |
|---|---|
boolean |
containsKey(Object key)
Returns
true if this map contains an entry for the specified
key. |
void |
delete(Object key)
Removes the mapping for a key from this map if it is present.
|
V |
get(Object key)
Returns the value for the specified key, or
null if this map does not contain this key. |
boolean |
isEmpty()
Returns true if this map contains no entries.
|
V |
put(K key,
V value)
Associates the specified value with the specified key in this map.
|
V |
putIfAbsent(K key,
V value)
If the specified key is not already associated
with a value, associate it with the given value.
|
V |
remove(Object key)
Removes the mapping for a key from this map if it is present.
|
boolean |
remove(Object key,
Object value)
Removes the entry for a key only if currently mapped to a given value.
|
V |
replace(K key,
V value)
Replaces the entry for a key only if it is currently mapped to some value.
|
boolean |
replace(K key,
V oldValue,
V newValue)
Replaces the entry for a key only if currently mapped to a given value.
|
void |
set(K key,
V value)
Associates the specified value with the specified key in this map.
|
int |
size()
Returns the number of entries in this map.
|
destroy, getId, getName, getPartitionKey, getServiceName
boolean containsKey(Object key)
true
if this map contains an entry for the specified
key.key
- The specified key.true
if this map contains an entry for the specified key.V get(Object key)
null
if this map does not contain this key.key
- The specified key.V put(K key, V value)
key
- The specified key.value
- The value to associate with the key.key
or null
if there was no mapping for key
.void set(K key, V value)
put(Object, Object)
if the old value is not needed.key
- The specified key.value
- The value to associate with the key.V putIfAbsent(K key, V value)
if (!map.containsKey(key)) return map.put(key, value); else return map.get(key);except that the action is performed atomically.
key
- The specified key.value
- The value to associate with the key when there is no previous value.key
, or null
if there was no mapping for key
.V replace(K key, V value)
if (map.containsKey(key)) { return map.put(key, value); } else return null;except that the action is performed atomically.
key
- The specified key.value
- The value to replace the previous value.key
, or null
if there was no mapping for key
.boolean replace(K key, V oldValue, V newValue)
if (map.containsKey(key) && map.get(key).equals(oldValue)) { map.put(key, newValue); return true; } else return false;except that the action is performed atomically.
key
- The specified key.oldValue
- Replace the key value if it is the old value.newValue
- The new value to replace the old value.true
if the value was replaced.V remove(Object key)
The map will not contain a mapping for the specified key once the call returns.
key
- Remove the mapping for this key.key
, or null
if there was no mapping for key
.void delete(Object key)
The map will not contain a mapping for the specified key once the call returns.
* This method is preferred to remove(Object)
if the old value is not needed.
key
- Remove the mapping for this key.boolean remove(Object key, Object value)
if (map.containsKey(key) && map.get(key).equals(value)) { map.remove(key); return true; } else return false;except that the action is performed atomically.
key
- The specified key.value
- Remove the key if it has this value.true
if the value was removed.boolean isEmpty()
int size()
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When you change the email value then first it will be validated by client side javascript function. If it is in valid format then invokes server side logic to check for whether email is already in use or not.
Sample emails are<EMAIL_ADDRESS>and test@gmail.com


Although this looks seizure inducing, it also looks awesome!
CineChamber at the Mutek Music Festival Montreal (from May 22, 2012 to June 03, 2012) is a ten-screen ten-channel audio/ video installation. Filmmakers & musicians include Paul Clipson with Jefre Cantu-Ledesma, Markus Popp with Masako Tanaka, Christian Fennesz with Lillevan, Vladislav Delay with AGF, Daniel Menche and more!
More information can be found on the Mutek Festival Homepage.
[vimeo 41445606 600 400]


Front view of cottage.
Front view of cottage.
Kitchen
Eating Area - Table sits 10
Kitchen
View of eating area from 2nd floor
Main floor family room with 75" Smart TV
Main floor family room
Lower floor family room
Lower games room & bar
Master bedroom on main floor (king bed)
Master bedroom on 2nd floor (King bed)
1st Floor bedroom #3 (King bed)
1st Floor bedroom #4 (King bed)
Second floor bedroom #5 (Queen bed)
Second floor bedroom #6 (Queen bed)
Lower floor bedroom #7 (King bed)
Lower floor bedroom #8 (Queen bed + bunks)
Main floor master bathroom
Main floor master bathroom
Lower floor bathroom
2nd floor master bathroom
2nd floor main bathroom
Main floor bathroom
Mudroom
Laundry room


About
There are more people displaced in the world today than at any time since the end of World War II and it is more important than ever to help people develop empathy for each other. People visiting the site will gain a better understanding of the refugee crisis and what it means to be a refugee. To raise awareness of the refugee crisis by telling the story of those that have been displaced by conflict or disaster.


FlightSurety
Flight Status Info
Select a Flight
Get Info
Add Airline
Add Airline
Add Flight
Select an Airline
Add Flight
Purchase Insurance for Flight
Select a Flight
Buy
Credit Balance:
Check Balance
Claim Balance Amount


Welcome Atlanta Zoo System Hello {{current_user.username}} you are logged in as {{ current_user.usertype }} Add Animal Add Show View Animal View Staff View Visitor View Show Log Out


Serializers are responsible for formatting your route handler’s response.
The application serializer (/mirage/serializers/application.js
) will apply to every response. To make specific customizations, define per-model serializers (e.g. /mirage/serializers/blog-post.js
).
Any Model or Collection returned from a route handler will pass through the serializer layer. Highest priority will be given to a model-specific serializer, then the application serializer, then the default serializer.
Mirage ships with three named serializers:
JSONAPISerializer, to simulate JSON:API compliant servers:
// mirage/serializers/application.js
import { JSONAPISerializer } from 'ember-cli-mirage';
export default JSONAPISerializer;
ActiveModelSerializer, to fake Rails backends that use AMS-style responses:
// mirage/serializers/application.js
import { ActiveModelSerializer } from 'ember-cli-mirage';
export default ActiveModelSerializer;
RestSerializer, to fake backends that match Ember Data’s RestSerializer expected response format:
// mirage/serializers/application.js
import { RestSerializer } from 'ember-cli-mirage';
export default RestSerializer;
Additionally, Mirage has a basic Serializer class which you can customize using the hooks documented below:
// mirage/serializers/application.js
import { Serializer } from 'ember-cli-mirage';
export default Serializer;
When writing model-specific serializers, remember to extend from your application serializer:
// mirage/serializers/blog-post.js
import BaseSerializer from './application';
export default BaseSerializer.extend({
include: ['comments']
});
Override this method to implement your own custom serialize function. response is whatever was returned from your route handler, and request is the Pretender request object.
Returns a plain JavaScript object or array, which Mirage uses as the response data to your Ember app’s XHR request.
You can also override this method, call super, and manipulate the data before Mirage responds with it. This is a great place to add metadata, or for one-off operations that don’t fit neatly into any of Mirage’s other abstractions:
serialize(object, request) {
// This is how to call super, as Mirage borrows [Backbone's implementation of extend](http://backbonejs.org/#Model-extend)
let json = Serializer.prototype.serialize.apply(this, arguments);
// Add metadata, sort parts of the response, etc.
return json;
}
This method is used by the POST and PUT shorthands. These shorthands expect a valid JSON:API document as part of the request, so that they know how to create or update the appropriate resouce. The normalize method allows you to transform your request body into a JSON:API document, which lets you take advantage of the shorthands when you otherwise may not be able to.
Note that this method is a noop if you’re using JSON:API already, since request payloads sent along with POST and PUT requests will already be in the correct format.
Take a look at the included ActiveModelSerializer’s normalize method for an example.
Use this property on a model serializer to whitelist attributes that will be used in your JSON payload.
For example, if you had a blog-post
model in your database that looked like
{
id: 1,
title: 'Lorem ipsum',
created_at: '2014-01-01 10:00:00',
updated_at: '2014-01-03 11:42:12'
}
and you just wanted id
and title
, you could write
// mirage/serializers/blog-post.js
export default Serializer.extend({
attrs: ['id', 'title']
});
and the payload would look like
{
id: 1,
title: 'Lorem ipsum'
}
Use this property on a model serializer to specify related models you’d like to include in your JSON payload.
For example, if you had an author
with many blog-post
s:
// mirage/models/author.js
export default Model.extend({
blogPosts: hasMany()
});
and you wanted to sideload these, specify so in the include
key:
// mirage/serializers/author.js
export default Serializer.extend({
include: ['blogPosts']
});
Now a response to a request for an author would look like this:
GET /authors/1
{
author: {
id: 1,
name: 'Link',
blogPostIds: [1, 2]
},
blogPosts: [
{id: 1, authorId: 1, title: 'Lorem'},
{id: 2, authorId: 1, title: 'Ipsum'}
]
}
You can also define include
as a function so it can be determined dynamically:
// mirage/serializers/author.js
export default Serializer.extend({
include: function(request) {
if (request.queryParams.posts) {
return ['blogPosts'];
} else {
return [];
}
}
});
Note: This is only available when using the JSONAPISerializer.
The JSONAPISerializer supports the use of include
query parameter to return compound documents.
Prior to Ember Data 2.5, you will need to add 'ds-finder-include': true
to your app FEATURES object:
// config/environment.js
var ENV = {
EmberENV: {
FEATURES: {
'ds-finder-include': true
}
}
};
To tell Mirage to sideload blogPosts when we find find all authors we can do something like the following:
// routes/authors.js
export default Ember.Route.extend({
model() {
return this.store.findAll('author', {include: 'blogPosts'});
}
}
The above will make a GET request to /api/authors?include=blogPosts
, and then the appropriate Mirage route handler will be invoked. When it comes time to serialize the response, the JSONAPISerializer will inspect the query params of the request, see that the blogPosts relationship is present, and then proceed as if this relationship was specified directly in the include: [] array on the serializer itself.
Note that, in accordance with the spec, Mirage gives precedence to an ?include query param over a default include: [] array that you might have specified directly on the serializer. Default includes will still be in effect, however, if a request does not have an ?include query param.
default true
Set whether your JSON response should have a root key in it.
By default it does, so a request for an author looks like:
GET /authors/1
{
author: {
id: 1,
name: 'Link'
}
}
Setting root
to false disables this:
// mirage/serializers/application.js
export default Serializer.extend({
root: false
});
Now the response looks like:
GET /authors/1
{
id: 1,
name: 'Link'
}
default false
Set whether related models should be embedded or sideloaded.
By default this false, so relationships are sideloaded:
GET /authors/1
{
author: {
id: 1,
name: 'Link',
blogPostIds: [1, 2]
},
blogPosts: [
{id: 1, authorId: 1, title: 'Lorem'},
{id: 2, authorId: 1, title: 'Ipsum'}
]
}
Setting embed
to true will embed related records:
// mirage/serializers/application.js
export default Serializer.extend({
embed: true
});
Now the response looks like:
GET /authors/1
{
author: {
id: 1,
name: 'Link',
blogPosts: [
{id: 1, authorId: 1, title: 'Lorem'},
{id: 2, authorId: 1, title: 'Ipsum'}
]
]
}
Note: this feature was added in 0.2.2.
Use this to define how your serializer handles serializing relationship keys. It can take one of three values:
included
, which is the default, will serialize the ids of a relationship if that relationship is included (sideloaded) along with the model or collection in the responsealways
will always serialize the ids of all relationships for the model or collection in the responsenever
will never serialize the ids of relationships for the model or collection in the responseUsed to define a custom key when serializing a primary model of modelName modelName. For example, the default Serializer will return something like the following:
GET /blogPosts/1
{
blogPost: {
id: 1,
title: 'Lorem ipsum'
}
}
If your API uses hyphenated keys, you could overwrite keyForModel
:
// serializers/application.js
export default Serializer.extend({
keyForModel(modelName) {
return Ember.String.dasherize(modelName);
}
});
Now the response will look like
{
'blog-post': {
id: 1,
title: 'Lorem ipsum'
}
}
Used to customize the key when serializing a primary collection. By default this pluralizes the return value of keyForModel
.
For example, by default the following request may look like:
GET /blogPosts
{
blogPosts: [
{
id: 1,
title: 'Lorem ipsum'
},
...
]
}
If your API hyphenates keys, you could overwrite keyForCollection
:
// serializers/application.js
const { dasherize, pluralize } = Ember.String;
export default Serializer.extend({
keyForCollection(modelName) {
return pluralize(dasherize(modelName));
}
});
Now the response would look like:
{
'blog-posts': [
{
id: 1,
title: 'Lorem ipsum'
},
...
]
}
Used to customize how a model’s attribute is formatted in your JSON payload.
By default, model attributes are camelCase:
GET /authors/1
{
author: {
firstName: 'Link',
lastName: 'The WoodElf'
}
}
If your API expects snake case, you could write the following:
// serializers/application.js
const { underscore } = Ember.String;
export default Serializer.extend({
keyForAttribute(attr) {
return underscore(attr);
}
});
Now the response would look like:
{
author: {
first_name: 'Link',
last_name: 'The WoodElf'
}
}
Use this hook to format the key for collections related to this model. relationship is the named parameter for the relationship.
For example, if you’re serializing an author
that
sideloads many blogPosts
, the default response will look like:
{
author: {...},
blogPosts: [...]
}
Overwrite keyForRelationship
to format this key:
// serializers/application.js
const { underscore } = Ember.String;
export default Serializer.extend({
keyForRelationship(relationship) {
return underscore(relationship);
}
});
Now the response will look like this:
{
author: {...},
blog_posts: [...]
}
Use this hook to format the key for relationship ids in this model’s JSON representation.
For example, if you’re serializing an author
that
sideloads many blogPosts
, your author
JSON would include a blogPostIds
key:
{
author: {
id: 1,
blogPostIds: [1, 2, 3]
},
blogPosts: [...]
}
Overwrite keyForRelationshipIds
to format this key:
// serializers/application.js
const { underscore } = Ember.String;
export default Serializer.extend({
keyForRelationshipIds(relationship) {
return underscore(relationship) + '_ids';
}
});
Now the response will look like:
{
author: {
id: 1,
blog_post_ids: [1, 2, 3]
},
blogPosts: [...]
}
This hook is only available on the JSONAPISerializer.
Use this hook to override the generated type
for the JSON:API resource object. By default, type
will be the plural and dasherized form of the model name.
This hook is only available on the JSONAPISerializer.
Use this hook to add top-level links
data to JSON:API resource objects. The argument is the model being serialized.
// serializers/author.js
export default JsonApiSerializer.extend({
links(author) {
return {
'posts': {
related: `/api/authors/${author.id}/posts`
}
};
}
});


By Edwin Jahiel
FEARLESS (1993) ** 3/4 Directed by Peter Weir. Screenplay by Rafael Yglesias, based on his novel. Photography, Allen Daviau. Production design, John Stoddart. Editing, William Anderson. Music, Maurice Jarre. Cast: Jeff Bridges, Isabella Rossellini, Rosie Perez, Tom Hulce, John Turturro, et al. A Warner Bros. release. 121 minutes. Rated R (Language, violent accidents).
"Fear no more the heat o' th' sun,/ Nor the furious winter rages;/Thou thy wordly task has done,/Home art gone, and ta'en thy wages./Golden lads and girls all must,/As chimney-sweepers, come to dust."
Did that song from Shakespeare's "Cymbeline" lurk in the mind of Rafael Yglesias when he wrote the novel "Fearless" and later the movie's script (his first)?
Max Klein (Jeff Bridges), the protagonist (and literally, hero) of Yglesias, undergoes a sea-change in the air. In a plane that is about to crash, Max who normally suffers from fear of flying, suddenly thinks of his death, becomes strangely detached, and in a state of quasi-Nirvana helps a young boy.
This is shown later in the film, as one of its flashbacks. "Fearless" actually begins with the wrecked plane on the ground, rescue operations and Max calmly saving a number of passengers. One of the desperate victims is Carla (Rosie Perez) whose baby was killed.
Mission accomplished, Max walks away and rents a car. Experiencing euphoria he finds joie de vivre in the machine, the road, the flamenco music on the radio, the fresh air.
He stops by the house of a friend not seen for 20 years. He takes her to a pancake restaurant, bites with rapture and impunity into strawberries, a fruit deadly to his allergies but now a blissful symbol of Max's rebirth. .
The tone shifts to shrewd irony when the vanished Max is tracked down by the F.B.I. A lady from the airline, using euphemisms that avoid the C-word ("crash") nervously offers Max a train ticket to his home in San Francisco. But the smiling man wants to fly back, first class.
Up to this point all the sequences are brilliantly conceived and conducted. But when Max "The Good Samaritan" returns to his city, the tone becomes increasingly solemn and soulful. Max, having in his mind gone through death, has acquired a sense of immortality and invulnerability. As in Shakespeare's song he fears nothing any more. But unlike it, he has not come to dust.
As played by Jeff Bridges, Max is both a strong physical presence and someone who isn't there. In a sort of trance that new to the movies, he is weirdly detached from his wife Laura (Isabella Rossellini), his son and from life as he, Max, once knew it. Yet now he knows "the taste, the joy, the feeling of life."
Is he crazy? Is he like one of those medieval "illuminati"? Is he a holy innocent? Is he in a state of grace?
Max will pay no heed to the airline psychiatrist (the oddly cast John Turturro) who wants to help him get well, or to an ambulance-chasing lawyer (the amusing Tom Hulce) who wants to help him get rich through lawsuits. Yet when three months later Turturro tries novel therapy by bringing together Max and near-catatonic Carla, it works.
Charismatic Max slowly overcomes Carla's resistance to consolation. There is powerful love between this overly disparate duo, he a chic architect, she lower-class with a vengeance. But this love is not as in "to fall in love" --which is how Laura interprets it. It is love in an ineffable, mystical sense.
There's a great deal more, which I will not attempt to describe. And which, for me, does not live up to the great expectations of the start, or to the hope that director Peter Weir would recapture the magic, mystery and mysticism of his early Australian films "Picnic At Hanging Rock" and "The Last Wave."
What bothers me in "Fearless" is that rather than form following function, too often form seems to mold function, By form I mean the performances and the visuals, and by function, the meaning of Bridges's peculiar behavior. This strategy leads to conceits, preciosity and mannerisms. It leads to some silliness which we are supposed to read as "existential" depth, as in the Christmas shopping sequence and later the speeding Volvo. It also leads to our getting nudged by an oversupply of symbols.
Max's being an architect is a cliche for building and rebuilding anything from souls to societies. The symbol can be used delicately (Eiji Okada in "Hiroshima, Mon Amour") or heavily (Gary Cooper in the pretentious "The Fountainhead"). The very name Max Klein pointedly combines "maximum" and "small" ("klein" in German). Max comes out of the wreck unscathed save for a Christ-on-the-Cross wound, which matches some Christ-like declarations. The name-tag on the waitress who serves him strawberries says "Faith." Laura teaches ballet to children, welcomes visiting Turturro as the kids dance around "flying." And on and on.
One twist of the movie is to present us with the sad and familiar survivor's guilt (Carla) and its counterforce, survivor's non-guilt (Max). But this is murkily developed, as is the oversimplified rapport between Carla and Max.
Rosie Perez also grates while her speech is often incomprehensible . As for Max's state of grace, it cannot hold a candle to the classic "A Condemned Man Escaped" the utterly simple gem by "transcendental" Catholic director Robert Bresson, a film that ends with an immensely moving "All is Grace."
"Fearless" stays too much on the same level. There are striking parts in it, but the whole did not involve me emotionally or intellectually. The film works well pictorially. It has the best shot and edited plane crash since 1992's "Hero," a movie which curiously enough, used another Good Samaritan, but to satirical ends. Even more impressive, because it is so subtle, is the image of Max on a roof-terrace photographed like an Edward Hopper painting.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


The objective of our after school program is to provide a safe, educational, and fun environment to Honor Roll students needing after school care. There are three major components to our after school care program:
Academics: Our goal is to ensure that students complete all assigned homework, while giving special attention to areas of difficulty.
Recreation: The recreational part of our extended care program allows children to release excess energy while teaching them good sportsmanship. Children play a variety of games that develop both physical and mental skills.
Culture: This is an opportunity for children to learn skills that may not be incorporated in their everyday school curriculum. Within age appropriate groups, students do crafts, cooking and life skills exercises in such topics as conflict resolution and money management.
For updates on Extended Care please see the Extended Care bulletin board located next to the ECP front desk.
Teacher Check-in
Teachers accompany the children to extended care from their classroom and also deliver a roster that states which children attended that day, whether or not the student has any homework and any special notes.
Parent Check Out
- Parents, or an authorized pick up person, must sign out students daily. You may be asked for identification at any time when picking up a student.
- When a person not on a student’s authorized pick up form is to pick up a child, the parent must notify us in advance and the designated person must bring a valid form of identification.
Holiday Care
The Honor Roll School provides holiday care for specific days when school is not in session. For a complete list of days that Holiday Care is offered please see our campus calendar. As each holiday/early dismissal day approaches deadline information will be sent home as advance notice is required. For more information about our Extended Care Program, please contact Cinnamon Baldwin.
After-School Vendor Programs
A variety of after-school programs are offered through different vendors at THRS throughout the school year. Please contact Cinnamon Baldwin for more information.
*Vendor programs are not included in the Extended Care fee. Payment for vendor programs are due directly to the vendors.
+Unique Fitness 4 Kids: Specially designed yoga and aerobic dance classes for PK-4th grade. For more information and to register, Click here.
+RoboCamp: RoboCamp is an after school and summer program designed for children in grades K-4th grade. Children learn to design, build and program their own robots by participating in hands-on activities. Our project-based curriculum develops logic, creativity, team work, and problem solving skills. For more information and to register, visit www.RoboCamp.tech.
+Arts & Crafts with Cecilia and Guillermo: Ages 4 and up. For more information and to register, click here.
+Fit and Kick Taekwon-Do: Grades PK-8. For more information and to register, visit www.fitandkick.com.
+Future Allstars: Grades PK-2nd. For more information and to register, click here.
+HOT Chess: Ages 5-14. For more information and to register, click here.
+KT Dancing. For more information Click here.
Spring Break
Still looking for something for kids to do over Spring Break?
THRS has you covered! We have an AMAZING WEEK planned for our Spring Break Holiday Care!
 Each day, we have exciting activities and events planned for your child!
Spring Break Care is open to all THRS Students and students that attended 2017 Summer Camp.
Cost: $55.00 per day – snacks are included. If you pay annually for THRS Extended Day, Holiday Care is FREE!
Lunch – Students choose to either pack a sack lunch or order online from The Healthy Lunchbox.
SPACE IS LIMITED AND LINKS will close on SUNDAY, MARCH 11TH AT 3:00 PM.
Click here to learn more or Register for Kindergarten – 4th Grade Spring Break Care:
www.smore.com/8vgcu
Click here to learn more about EXTREME MIDDLE SCHOOL (5th – 8th grade) Spring Break Care:
www.smore.com/y7bce
If you have any questions, please email me at cinnamon.baldwin@nlcinc.com


Before Change
alias = cfg.get(CONF_ALIAS, name)
script = Script(hass, alias, cfg[CONF_SEQUENCE])
component.add_entities((script,))
_, object_id = split_entity_id(script.entity_id)
hass.services.register(DOMAIN, object_id, service_handler)
def turn_on_service(service):
Calls a service to turn script on.
After Change
script.turn_on()
for object_id, cfg in config[DOMAIN].items():
if object_id != slugify(object_id):
_LOGGER.warn("Found invalid key for script: %s. Use %s instead.",
object_id, slugify(object_id))
continue
if not cfg.get(CONF_SEQUENCE):
_LOGGER.warn("Missing key "sequence" for script %s", object_id)
continue
alias = cfg.get(CONF_ALIAS, object_id)


A monadic solution to pipeline analysis. All operations – and the errors, warnings and messages they emit – are merged into a directed graph. Infix binary operators mediate when values are stored, how exceptions are handled, and where pipelines branch and merge. The resulting structure may be queried for debugging or report generation. 'rmonad' complements, rather than competes with, non-monadic pipeline packages like 'magrittr' or 'pipeR'. This work is funded by the NSF (award number 1546858).
| Version: | 0.5.0 |
| Depends: | R (≥ 3.2.0) |
| Imports: | igraph, methods, magrittr, glue, pryr, digest |
| Suggests: | testthat, covr, knitr, rmarkdown, readr, stringr, tidyr, dplyr, Nozzle.R1 |
| Published: | 2018-03-10 |
| Author: | Zebulun Arendsee [aut, cre] |
| Maintainer: | Zebulun Arendsee <zbwrnz at gmail.com> |
| BugReports: | https://github.com/arendsee/rmonad/issues |
| License: | GPL-3 |
| URL: | https://github.com/arendsee/rmonad |
| NeedsCompilation: | no |
| Materials: | NEWS |
| CRAN checks: | rmonad results |
| Reference manual: | rmonad.pdf |
| Vignettes: |
Cheatsheet Case Study: GFF processing Introduction 'rmonad' with 'Nozzle.R1' What is a monad? |
| Package source: | rmonad_0.5.0.tar.gz |
| Windows binaries: | r-devel: rmonad_0.5.0.zip, r-release: rmonad_0.5.0.zip, r-oldrel: rmonad_0.5.0.zip |
| OS X binaries: | r-release: rmonad_0.5.0.tgz, r-oldrel: rmonad_0.5.0.tgz |
| Old sources: | rmonad archive |
Please use the canonical form https://CRAN.R-project.org/package=rmonad to link to this page.


All Packages Class Hierarchy This Package Previous Next Index
Interface com.jclark.xml.parse.ParseLocation
- public interface ParseLocation
Information about the location of the parse of an XML document.
-
getByteIndex()
- Returns the byte index of the first byte of the character being parsed
or -1 if no byte index is available.
-
getColumnNumber()
- Returns the column number of the character being parsed
or -1 if no column number is available.
-
getEntityBase()
- Returns the URL to use as the base URL for resolving relative URLs
contained in the entity being parsed.
-
getEntityLocation()
- Returns the location of the external entity being
parsed in a form suitable for use in a message.
-
getLineNumber()
- Returns the line number of the character being parsed
or -1 if no line number is available.
getEntityLocation
public abstract String getEntityLocation()
- Returns the location of the external entity being
parsed in a form suitable for use in a message.
Returns null if no location is available.
This is typically a URI or a filename.
getEntityBase
public abstract URL getEntityBase()
- Returns the URL to use as the base URL for resolving relative URLs
contained in the entity being parsed.
getLineNumber
public abstract int getLineNumber()
- Returns the line number of the character being parsed
or -1 if no line number is available.
The number of the first line is 1.
getColumnNumber
public abstract int getColumnNumber()
- Returns the column number of the character being parsed
or -1 if no column number is available.
The number of the first column in a line is 0.
A tab character is not treated specially.
getByteIndex
public abstract long getByteIndex()
- Returns the byte index of the first byte of the character being parsed
or -1 if no byte index is available.
The index of the first byte is 0.
All Packages Class Hierarchy This Package Previous Next Index


{{template "header" .}}
Up for {{.UpTime}} (since {{.StartTime}}). {{if .DoLoad}}
{{.Labels}} {{.TargetURL}}
{{else}} {{if .DoStop}}Stoping runs as per request.
{{else}}
Or
Or
Or
Or
Or
Other endpoints: Debug and debug with env dump and Internal PPROF and Command line flags and Additional echo handler under {{.EchoDebugPath}} (supports all the query arguments mentioned on the Echo url features github doc)Or
MetricsOr
Or
{{end}}


|
RAMADDA User Guide
|
The File Harvester can walk the directory tree and add entries into the repository for the files it finds.
The first thing you need to do is to specify in the Site Administration area
that it is OK to serve up files from that directory tree. Go to the Admin->Settings->Access
page in RAMADDA
and enter the directory path, e.g., /project/data:
Next, create a File Harvester by going to the Harvesters tab of the Admin pages and press the "New Harvester" button. Specify a name (e.g., "Test"), leave the type as Local Files and hit create:
This will take you to the Harvester Edit form. The minimal configuration you need to do here is to enter the file system directory to scan and the RAMADDA folder to add the harvested entries to. In this example we are harvesting the directory tree /project/data and we are adding the entries into the RAMADDA folder RAMADDA/Case Studies/Test: When you have entered this information press "Change" which will apply the changes and then take you back to the Harvester Edit Form. You can start this Harvester with the "Start" link in the upper right. Or you can go to the main Harvesters page (the top Harvesters tab) and this will list your Harvester. From there you can start the Harvester and monitor and/or stop its progress. When it is finished the Stop link will change to Start.With the above settings the directory tree of your file system will be used to create the folder hierarchy in RAMADDA. Every file the Harvester finds will result in a file entry. You can run a Harvester any number of times and it will only add the new files that it has not seen before.
The File Harvester has many other settings described in more detail here.
For example, on Unidata's motherlode server we have a large archive (10's of millions of files) of real time data from Unidata's Internet Data Distribution system (IDD). This would be too large to harvest into the database. Instead, on Unidata's RAMADDA server there is a Local File View entry: IDD Data that provides a synthetic view of this large directory tree.
You create one of these entry types through the File->New Entry menu. The create form looks like:
You specify a directory path on the server machine (e.g,. /data/ldm/pub) and other configuration options (e.g., what to show, what not to show, etc.)Note: for security reasons the local file path that is specified has to be a subdirectory of one of the directory paths specified in the Site Administration page under Settings->Access->File System Access
You end up then with a view of that directory that looks like:


Really handy function for when you are creating arrays of animation data but it's using frame names and not numbers. For example imagine you've got 30 frames named: 'explosion_0001-large' to 'explosion0030-large' You could use this function to generate those by doing: Phaser.Animation.generateFrameNames('explosion', 1, 30, '-large', 4);


My name is Wei Wenchao.I Study in XAUT in 2019, my research direction is the exploration of Graph Structure Information.
Some research will be shared here:
My contact details are below.
- If you are contacting me about an issue related to a project that is hosted on a social coding platform (like GitHub), consider using the associated issues feature instead.
2190821072@stu.xaut.edu.cn


The list of conditions that can be triggered for a GameElement. The conditions
are composed of two main types; Evaluators operate on primitive values, such
as numbers and strings, while Operators operate on evaluators and other operators.
This distinction exists to separate what inputs each condition component takes in;
Operators take in booleans, and Evaluators may take in numbers or strings.
Evaluators may also have parameters associated with them, for instance to query
if the hp of an enemy is below 10.
Operators are examples of a composite strategy pattern; several Evaluators are held
by a single Operator, and both individual Evaluators and the Operator implement the
Evaluatable interface. Each Evaluator is a strategy which implements
Evaluatable.evaluate() differently.
This package also contains a front-end ConditionParser to consume a condition and
output the result of evaluating that condition.


The more successful the app is, the more time we can devote to making it everything it should be. Tell your friends! Make them watch you demonstrate it, just like when we first got iPhones!
We think too many app developers don't listen to their users. We have a very direct channel, from you to us, on GetSatisfaction.com. We endeavor to respond to ALL feedback, and will do our best to please!
The Dev Team
Long Weekend LLC


This will display as a poem:
My Bonnie lies over the ocean. My Bonnie lies over the sea. My Bonnie lies over the ocean. Oh, bring back my Bonnie to me.


Given access to XCode materials, students will be able to design table views in their apps.
Start an Xcode project named TableView.
In the file, ViewController.swift, change the class type from UIViewController to UITableViewController.
To create a table view, we require a data model that the table view can use.
For this lesson, we will be using the simple data model below. Copy and paste this code at the top of your ViewController class:
var cellData = [["Red", UIColor(red: 1, green: 0, blue: 0, alpha: 1)], ["Green", UIColor(red: 0, green: 1, blue: 0, alpha: 1)], ["Blue", UIColor(red: 0, green: 0, blue: 1, alpha: 0.8)], ["Yellow", UIColor(red: 1, green: 1, blue: 0, alpha: 1)], ["Gray", UIColor(red: 0.8, green: 0.8, blue: 0.8, alpha: 1)], ["Purple", UIColor(red: 0.8, green: 00, blue: 1, alpha: 1)]]
Once you have your data model, you need to implement your table view itself. You need to tell your view controller how many cells your table will have. In order to do this, you need to override and implement the function, numberOfRowsInSection, that belongs to the UITableViewController's delegate, UITableViewDelegate.
What is a delegate? Any view controller uses methods of their delegates to manage selections done on a custom view, such as tables, navigation views, collection views, etc.
You will need to tell the delegate that your table has as many cells as the data model, cellData.
Place the following code into your ViewController class:
override func tableView(_ tableView: UITableView, numberOfRowsInSection section: Int) -> Int { return cellData.count }
Once you have determined the size, you need to tell the UITableViewDelegate how you want to initialize each cell. In order to do this, you need to implement the function, cellForRowAt, which handles the properties of the cell at each row.
What we would like to do is have a label on each cell that says the name of the color, and the background of the cell to represent that color itself.
Since we have colors and their names in our data model, we can perform this by using those parameters. In order to help you write out this function, here is the code you will need:
override func tableView(_ tableView: UITableView, cellForRowAt indexPath: IndexPath) -> UITableViewCell { //Get cell from identifier let cell = tableView.dequeueReusableCell(withIdentifier: "Cell")! //Set the label with our array's first parameter let label = cell.viewWithTag(1) as! UILabel label.text = cellData[indexPath.row][0] as! String //Set the background color with our array's second parameter cell.backgroundColor = cellData[indexPath.row][1] as! UIColor return cell }
This concludes all work within your ViewController class.
Now we move on to Main.storyboard, the storyboard file, to visualize the table view, table cells, and other properties.
In Main.storyboard, select the existing ViewController class and delete it.
In the bottom right of Xcode, select Object Library, search for Table View Controller, and drag it to the middle.
The table should contain a prototype cell in it already. This cell is the one that will be reused by iOS according to its identifier. Select the cell in the middle, and select Attributes Inspector in the right hand utilities.
Type Cell in the Identifier option to make sure it is called by the function, cellForRow.
Now you need to layout a label for the cell you just created. In the Object Library, search for Label, and drag it to the middle of your cell.
In the Attributes Inspector, set the tag of the label to be 1.
Now select the Table View Controller itself, then in the Identity Inspector (next to the Attributes Inspector), type ViewController into the Class option.
With the Table View Controller selected, ensure that Initial View Controller is selected in the Attributes Inspector.
Launch your application in your phone or simulator. You should be able to see the screen below.
Congratulations! You have created your first Table View application!
You have now learned to create table views using Xcode. You've learned how to construct the data model, how to manipulate the data structures involved, and how to display a table view in an iOS application.
Now you can move onto the next lesson, where you will learn how to design and layout tab bar views.


Functions can be declared:
proc name arguments { body }for example:
proc hello (name:string) { print ('Hello, ' ^ name ^ '.'); }Function declarations are drawn by putting a box round the function body, for example:
proc name arguments : result type{ body }for example:
proc readName () : string { print ('Name?'); return read (); }drawn as:
hello ('Fred')drawn with an application node decorated with `@' with a number of incoming data arcs: one for the function, and the rest for the arguments:
proc hello (name:string) { print ('Hello, ' ^ name ^ '.'); }is drawn:
proc readName () : string { print ('Name?'); return read (); }
hello (readName ())
After the functions have been expanded, we are left with the graph:
All of the above functions have been declared with the keyword `proc', indicating that they are processes. However, we can also declare value or central functions. Value functions can only contain value nodes, and central functions can only contain value and central nodes.
For example we could declare a function to double an integer as:
proc double (n:int) : int { return (n+n); }drawn:
double (2)
By default, functions are not recursive, but recursive functions can be declared using the keyword `rec'. For example, a recursive `hello user' program is:
rec hello;Recursive functions are drawn as cyclic graphs:
proc hello () {
print ('Name?');
print ('Hello, ' ^ read () ^ '.');
hello ()
}
Note that recursive declarations can only be made of proc function declarations.
In common with langauges such as SML, Premon allows functions to be treated as data, and passed as arguments or returned as results. For example, a function which composes two integer functions together can be declared:
val compose (proc f(int):int, proc g(int):int) (proc(int):int) {This is drawn:
proc fog (x:int) { return f(g(x)); }
return fog;
}
In common with languages such as SML, functions do not have to be named. Instead we can use anonymous functions which are expressions of the form:
fn proc arguments { body }and similarly for `fn central' and `fn val'. For example the composition function could be written more succinctly as:
val compose (proc f(int):int, proc g(int):int) (proc(int):int) {and drawn:
return fn proc (x:int) { return f(g(x)); };
}
This is such a common usage that we provide syntax sugar for it, writing:
proc compose (proc f(int):int, proc g(int):int) (x:int) {
return f(g(x));
}
A thunk is a function with no arguments. Thunks are used to control the order of evaluation of a function. For example, an `if' function should not evaluate its arguments until we know whether the boolean is true or false. The obvious way to provide an `if' statement is as a constructor of type:
proc if (bool) ((),())and then used for example:
if (x) (print ('hi'), print ('lo'))drawn:
Instead, we need to thunk the two arguments, to stop them evalutating until the boolean condition is known. Now if has the type:
proc if (bool) (proc()) (proc());and then used for example:
if (x) (fn proc () { print ('hi') }) (fn proc () { print ('lo') })drawn:
if (x) { print ('hi') } { print ('lo') }drawn:


@(topic: String, partition: Int, offset: Long, content: String)(implicit request: play.api.mvc.RequestHeader) @main("Capillary") {
@content


THINGS GET HEAVY
A review of "Cop Land"
"Cop Land" is the sophomore effort of writer/director James Mangold, and doubtless many will say that it's not as good as his first film, "Heavy". Since I haven't seen "Heavy", I'm not as subject to the seemingly inevitable disappointment that seems to follow an impressive debut. I found "Cop Land" an affecting film that has many strong moments, if a bit lacking in the unity department. "Cop Land"'s script doesn't want to do very many things in a literal way, so it winds up being a little too oblique with one too many things. The consequence is that the set-up for this film is large and long, not bad in and of itself, but this forces writer Mangold to reveal many plot points through expository dialogue rather than having things unfold more naturally through events in the film. One of the strong things about the film is that there are very few characters who ever tell the truth, but this happens so often that the script has little time left for revelations. The basic story is that of a group of New York cops who have set up residence in a small town in New Jersey. It's rife with corruption, a hope- lessly tangled net of influence and political connections, most of them invol- ving Ray Donlan (Harvey Keitel) and his cronies. He runs things far more than the town's local sheriff, Freddy Heflin (Sylvester Stallone, in an agreeable role), and when any of the club shows signs of rebelling, the consequences are cold, brutal betrayals -- there's plenty of opportunities to let your fellow officer slip below the tide as you swim away, telling whatever story you like later. The atmosphere of this film reminded me of the soldiers of "Platoon", where your life could depend on the loyalty of your companions. Freddy starts the film well aware that things aren't on the up and up, but things come to a boil when an intoxicated officer shoots two people, and the local system starts a cover-up. The cost of the lies mounts quickly, and Freddy is edged ever closer to confronting those whom he would be (Freddy is partially deaf due to an accident, and is thus ineligible for the force). As he becomes more and more certain of what he should do, the support of his friends falls away little by little, until he is seemingly lost in the maze of payola and power. None of the performers in the film are on unfamiliar ground, which doesn't adversely affect the acting, but does affect the verisimilitude some- what. I was a bit detached from things, half aware that was *Robert DeNiro* up there. A cast of talented unknowns might have gone a long way here, but aside from DeNiro, everyone played thier roles with an appropriate level of inten- sity. Stallone's performance is a bit underplayed for my taste, but to a de- gree that was refreshing, and appropriate -- his character is reticent, looking for compromise and mutually agreeable solutions -- but it was difficult not to (at least partially) interpret the performance as a very conscious Departure >From The Rambo Stuff. Playing it down is fine, but I found the performance bordering on colorless at times. The underdog role still suits him far better than the superhero, and Freddy's back story of an unrequited love illustrates this nicely. Freddy's life of quiet desperation is touching, and his bid for justice engaging. The climax, with a further deafened Freddy confronting his 'superiors', is a nice turn on the typical shootout sequence. The cinematography by Eric Alan Edwards is effective without showing off (an attempted murder near a swimming pool is nicely lit with menace), while Howard Shore's score is derivative of past efforts (particularly "Seven") and only sporadically effective. Mangold is definately a director to watch, and while "Cop Land" isn't "High Noon" (a film it bears some resemblance to), it's an ambitious, textured, intelligent effort. Moderately Recommended.
--
- Jeff "When I'm Finished With You, They'll Be Stumbling Over YOU In The Dark" Pidgeon
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


|
|||||
|
Need a bigger challenge from your high school classes? Ready to delve more deeply into your favorite subject? Want to save money and advance more quickly once you enter college? Itís time to check into AP classes. AP stands for ďAdvanced Placement,Ē a series of 37 college-level courses available to high school students looking for a head start. AP courses cover more material at a faster pace and in greater detail than regular high school courses. They also allow students to begin earning credit toward a college degree. The Benefits of AP AP means more work, but itís work that pays off. Consider what AP allows you to do:
AP Courses AP courses provide a challenge for motivated students who are interested in working more intensively in their field of choice. You can choose from 37 different courses in science, math, the humanities and the social sciences. Offerings vary from school to school; ask your counselor or AP coordinator about the classes available at your school. If appropriate AP courses are not offered at your school, you may want to consider preparing for the AP tests through online or distance-learning courses offered by colleges or study services. However, before committing to these alternatives, talk to your guidance counselor. Make sure your school approves the coursework and that the credit you earn will be applied toward graduation. You may also need your high schoolís assistance in coordinating your exam. Taking the Test Once youíve completed your coursework, you must take the AP exam in order to receive college credit. AP tests are administered every May. Most students take them at the end of senior year but itís best to take the exam as soon as possible after the completion of AP coursework. If you take an AP course earlier than senior year, plan to take the test the same year you finish the course. Schedules and locations for testing vary. Check with your teacher or your high schoolís AP coordinator for more details. Scoring and College Credit AP tests are scored on a scale of 1-5. Students with a grade of 3 or higher are recommended to receive advanced placement in college and/or credit for a college course. However, some colleges might require a 4 or 5 for students to receive credit. Keep in mind that passing the AP exam doesnít guarantee youíll receive college credit. Only your prospective college can confer credit for AP coursework; policies vary from school to school. If receiving credit is important to you, contact your prospective college early to learn about their AP policies. Since AP courses are generally taken senior year, this may mean checking AP policies far in advance, even before you apply for college admission. Consult the schoolís catalog to learn more. Thereís a lot to be gained from advanced study. By researching this option, you can save time and money, and develop your skills for a successful college career. Source: www.fastweb.com |
|||||
| If investment, financial, mortgage or insurance planning and/or products are required, College and Retirement Solutions, LLC may refer you to one of its affiliates, including The Ziering Insurance Agency. Any discussion of the Tax implications of planning is strictly for general purposes. Neither "CRS" nor its representatives may give specific tax advice. One should seek the advice and counsel of their accountant and/or tax advisor for information regarding their particular situation. |


About Me
Aspiring Full-stack web developer with event management experience looking to leverage my strong work ethic and ability to learn quickly. Currently studying in the University of New Hampshire’s certificate program in full stack web development, where I am building my skills in HTML & CSS, JavaScript & Node.js as well as responsive & mobile-first web design. Recently completed a project working on a team of four applying aspects of agile development. I am excited to leverage the skills I have learned to help build better web experiences through team collaboration to see applications & software come to life.
In my free time when I am not building great web experiences, I enjoy playing golfing, skiing and running.
Portfolio
Outdoor Adventure Buddies
An interactive web app utilizing Node and Express server backed by MySQL
Technologies Used
- Basic: HTML, CSS, Javascript
- Bootstrap, JQuery
- Hiking Project API
- Node.js, Express, Handlebars
- MySQL, Passport.js, Heroku
MyCovidTracker
Your one stop shop for all news and statistics on COVID-19!
Technologies Used
- Basic: HTML, CSS, Javascript
- Materialize
- JQuery
- NY Times, Coronavirus COVID-19 API's
Devour the Burger
This application is a timed coding quiz with a high scores page.
Technologies Used
- Basic:Javascript, CSS
- Node.js
- Express
- Express-Handlebars
- MySQL
Weather Dashboard
A weather dashboard that allows users to search for cities and view a current and 5-day forecast with data from the OpenWeather API.
Technologies Used
- Basic: HTML, CSS, Javascript
- Bootstrap
- JQuery
- Momentjs
- OpenWeather API
Password Generator
A random password generator that allows users to input desired length and character choices. Upon hitting generate password button the desired password will be displayed based on the criteria selected.
Technologies Used
- Basic: HTML, CSS, Javascript
- Bootstrap
Day Scheduler
A calendar application that allows a user to plan their day by each hour timeblock. The calendar displays timeblocks from 9 am to 5 pm and allows events to be saved to each timeblock. Color coding also shows what the current hour is as well as past and future hours.
Technologies Used
- Basic: HTML, CSS, Javascript
- Bootstrap
- JQuery
- Momentjs


--- layout: page title: About Me description: This is what I enjoy doing. background: '/img/20181028_120218.jpg' ---
I am a trying to be bioinformatician. Typically I read papers and wonder how people pull out all these amazing analyses. So the only way to find out is to DIY again, using their data and methods. I fail numerous times; sometimes I succeed.
This a blog about trails and errors; all the failing forwards to work with big-data to solve biological questions.


MATT TOPPING
Front-End Freshie
Featured Work
Coffee Crawl
https://example.link
Cat Cafe
https://example.link
Morning Roast
https://example.link