Fusce sit amet maximus nunc. Nam aliquet ante leo, ac volutpat dolor vulputate quis. Donec blandit at tellus ac vehicula. Nulla vulputate velit felis, nec volutpat dolor sollicitudin quis. Duis dictum eget magna vitae dignissim. Donec sagittis, eros eleifend pharetra commodo, lectus tellus auctor turpis, id hendrerit eros ex id lacus. Nulla luctus, odio sed facilisis hendrerit, lorem purus accumsan justo, vitae sodales leo purus sed est.
They are calling me Snowflake, and you can guess why. I am confident. I am affectionate. I am adventurous. I am an organized go getter and I love to supervise. I am happy to spend my night following you around and if you’re doing it wrong, don’t worry, I will show you the right way. I like to be the center of attention and am always ready for a garbage can. Give me a good supply of rotting meat and I will provide hours of entertainment. Give me a cat and I will chase it to the top. I don’t do anything small and that includes showing how much I love you. I am about two years old and already spayed. I need a manicure badly.
Hi I'm Asher! I'm a sweet guy and I am looking for a fun active new home. I love to run and be the center of attention. I love people but due to my high energy levels I may not be a good fit with toddlers. I am independent and will need a little time to bond with new people, but I will be devoted to my family. I'm about 5 years old and weigh 64.6 lbs. I should be an only pet.
Iä! Iä! Cthulhu fhtagn! Ph'nglui mglw'nfah Cthulhu R'lyeh wgah'nagl fhtagn! Look upon me, and know the stars...
My name is Sarah and I am an 8 year old spayed female who is confident and affectionate. I am adventurous and a little sassy. I am an organized go getter and I love to supervise. I am happy to spend my night following you around and if you’re doing it wrong, don’t worry, I will show you the right way. I like to be the center of attention and am always ready for a good party. Give me a good supply of toys and I will provide hours of entertainment. Give me a cat tree and I will climb to the top. I don’t do anything small and that includes showing how much I love you.


- RABBIT_EAR_IRIS - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- radius(int, int, int, int) - Method in enum squidpony.squidgrid.fov.BasicRadiusStrategy
-
- radius(float, float, float, float) - Method in enum squidpony.squidgrid.fov.BasicRadiusStrategy
-
- radius(int, int) - Method in enum squidpony.squidgrid.fov.BasicRadiusStrategy
-
- radius(float, float) - Method in enum squidpony.squidgrid.fov.BasicRadiusStrategy
-
- radius(int, int, int, int) - Method in interface squidpony.squidgrid.fov.RadiusStrategy
-
Returns the radius between the two points provided.
- radius(int, int) - Method in interface squidpony.squidgrid.fov.RadiusStrategy
-
Returns the radius calculated using the two distances provided.
- radius(float, float, float, float) - Method in interface squidpony.squidgrid.fov.RadiusStrategy
-
Returns the radius between the two points provided.
- radius(float, float) - Method in interface squidpony.squidgrid.fov.RadiusStrategy
-
Returns the radius calculated based on the two distances provided.
- RadiusStrategy - Interface in squidpony.squidgrid.fov
-
Indicates which method of dealing with the radius during FOV and LOS solving
is preferred.
- RAINBOW - Static variable in class squidpony.squidcolor.SColor
-
This array is loaded with the colors found in the rainbow, in the
standard ROYGBIV order.
- randomBlend(SColor, SColor, double, double) - Static method in class squidpony.squidcolor.SColorFactory
-
Returns an SColor that is randomly chosen from the color line between the
two provided colors from the two provided points.
- RAPEBLOSSOM_BROWN - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RAPESEED_OIL - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RAW_UMBER - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RayCastingFOV - Class in squidpony.squidgrid.fov
-
Simple raytracing algorithm for Field of View.
- RayCastingFOV(float, float) - Constructor for class squidpony.squidgrid.fov.RayCastingFOV
-
Builds a new ray tracing fov solver.
- RayCastingFOV() - Constructor for class squidpony.squidgrid.fov.RayCastingFOV
-
Builds a new ray tracing fov solver with the default step size.
- RayCastingLOS - Class in squidpony.squidgrid.fov
-
Uses a series of rays internal to the start and end point to determine
visibility.
- RayCastingLOS(float, float) - Constructor for class squidpony.squidgrid.fov.RayCastingLOS
-
Creates a new instance of this solver which uses the provided step
distance and gap distance when performing calculations.
- RayCastingLOS() - Constructor for class squidpony.squidgrid.fov.RayCastingLOS
-
Creates an instance of this solver which uses the default gap and step.
- RAZZMATAZZ - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RED - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RED_BEAN - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RED_BIRCH - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RED_DYE_TURMERIC - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RED_INCENSE - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RED_KITE - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RED_OCHRE - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RED_PIGMENT - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RED_PLUM - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RED_SERIES - Static variable in class squidpony.squidcolor.SColor
-
This array is loaded with the colors from the traditional Japanese Red
Series found at the wikipedia site here:
http://en.wikipedia.org/wiki/Traditional_colors_of_Japan
- RED_VIOLET - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RED_VIOLET_SERIES - Static variable in class squidpony.squidcolor.SColor
-
This array is loaded with the colors from the traditional Japanese
Red-Violet Series found at the wikipedia site here:
http://en.wikipedia.org/wiki/Traditional_colors_of_Japan
- RED_WISTERIA - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- refresh() - Method in class squidpony.squidgrid.gui.libgdx.SGPanelGDX
-
- refresh() - Method in interface squidpony.squidgrid.gui.SGPane
-
Signals that this component should update its display image.
- refresh() - Method in class squidpony.squidgrid.gui.swing.SwingPane
-
- remove() - Method in class squidpony.squidgrid.gui.awt.event.SGKeyListener
-
The remove operation is not supported by this class.
- remove(Object) - Method in class squidpony.squidgrid.gui.awt.ImageCellMap
-
- remove() - Method in interface squidpony.squidgrid.gui.swing.animation.Animation
-
Removes this animation from the component it's in.
- remove() - Method in class squidpony.squidgrid.gui.swing.animation.BumpAnimation
-
- remove() - Method in class squidpony.squidgrid.gui.swing.animation.SlideAnimation
-
- remove() - Method in class squidpony.squidgrid.gui.swing.animation.WiggleAnimation
-
- RICH_CARMINE - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RICH_GARDENIA - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RIKAN_BROWN - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RINSED_OUT_RED - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RippleFOV - Class in squidpony.squidgrid.fov
-
Performs FOV by pushing values outwards from the source location.
- RippleFOV() - Constructor for class squidpony.squidgrid.fov.RippleFOV
-
- RNG - Class in squidpony.squidmath
-
Customized extension of Random to allow for common roguelike operations.
- RNG() - Constructor for class squidpony.squidmath.RNG
-
Creates a new RNG and seeds it using the default seeding strategy.
- RNG(long) - Constructor for class squidpony.squidmath.RNG
-
Ignores the seed parameter.
- RNG(byte[]) - Constructor for class squidpony.squidmath.RNG
-
Creates an RNG and seeds it with the specified seed data.
- ROBIN_EGG_BLUE - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- ROSE - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- ROSE_MADDER - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- ROSE_TAUPE - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- ROYAL_BLUE - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- ROYAL_PURPLE - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RUBY - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- run() - Method in class squidpony.squidgrid.fov.ThreadedFOVSolver
-
- run() - Method in class squidpony.squidgrid.gui.swing.animation.AnimationManager
-
- RUSSET - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RUST - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RUSTED_LIGHT_BLUE - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RUSTY_CELADON - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RUSTY_STORAGE - Static variable in class squidpony.squidcolor.SColor
-
Color constant
- RUSTY_STOREROOM - Static variable in class squidpony.squidcolor.SColor
-
Color constant


public final class ClientSap
extends java.lang.Object
ClientSap
class represents the IEC 61850 service access point for client
applications. A client application that wants to connect to a server should first create an
instance of ClientSap
. Next all the necessary configuration parameters can be set.
Finally the associate
function is called to connect to the server. An instance of
ClientSap
can be used to create an unlimited number of associations. Changing the
parameters of a ClientSap has no affect on associations that have already been created.| Constructor and Description |
|---|
ClientSap()
Use this constructor to create a default client SAP.
|
ClientSap(javax.net.SocketFactory socketFactory)
Use this constructor to create a client SAP that uses the given
SocketFactory to
connect to servers. |
| Modifier and Type | Method and Description |
|---|---|
ClientAssociation |
associate(java.net.InetAddress address,
int port,
java.lang.String authenticationParameter,
ClientEventListener reportListener)
Connects to the IEC 61850 MMS server at the given address and port and returns the resulting
association object.
|
ClientAssociation |
associate(java.net.InetAddress address,
int port,
java.lang.String authenticationParameter,
java.net.InetAddress localAddr,
int localPort,
ClientEventListener reportListener)
Connects to the IEC 61850 MMS server at the given address and port and returns the resulting
association object.
|
int |
getMaxMmsPduSize()
Gets the maximum MMS PDU size.
|
byte[] |
getServicesSupportedCalling()
Gets the ServicesSupportedCalling parameter.
|
void |
setAeQualifierCalled(int qualifier)
Sets the remote/called Application Entity Qualifier.
|
void |
setAeQualifierCalling(int qualifier)
Sets the local/calling Application Entity Qualifier.
|
void |
setApTitleCalled(int[] title)
Sets the remote/called Application Process Title.
|
void |
setApTitleCalling(int[] title)
Sets the local/calling Application Process Title.
|
void |
setMaxMmsPduSize(int size)
Sets the maximum MMS PDU size in bytes that the client association will support.
|
void |
setMaxTPduSizeParameter(int maxTPduSizeParam)
Set the maxTPDUSize.
|
void |
setMessageFragmentTimeout(int timeout)
Sets the message fragment timeout.
|
void |
setPSelLocal(byte[] pSelLocal)
Sets the local/calling Presentation-Selector (P-SEL).
|
void |
setPSelRemote(byte[] pSelRemote)
Sets the remote/called Presentation-Selector (P-SEL).
|
void |
setResponseTimeout(int timeout)
Sets the default response timeout of the
ClientAssociation that is created using
this ClientSap. |
void |
setServicesSupportedCalling(byte[] services)
Sets the SevicesSupportedCalling parameter.
|
void |
setSSelLocal(byte[] sSelLocal)
Sets the local/calling Session-Selector (S-SEL).
|
void |
setSSelRemote(byte[] sSelRemote)
Sets the remote/called Session-Selector (S-SEL).
|
void |
setTSelLocal(byte[] tSelLocal)
Sets the local/calling Transport-Selector (T-SEL).
|
void |
setTSelRemote(byte[] tSelRemote)
Sets the remote/called Transport-Selector (T-SEL).
|
public ClientSap()
public ClientSap(javax.net.SocketFactory socketFactory)
SocketFactory
to
connect to servers. You could pass an SSLSocketFactory to enable SSL.socketFactory
- the socket factory to construct the socketpublic int getMaxMmsPduSize()
public void setMaxMmsPduSize(int size)
size
- cannot be less than 64. The upper limit is 65000 so that segmentation at the lower
transport layer is avoided. The Transport Layer's maximum PDU size is 65531.public byte[] getServicesSupportedCalling()
public void setServicesSupportedCalling(byte[] services)
services
- the ServicesSupportedCalling parameterpublic void setSSelRemote(byte[] sSelRemote)
sSelRemote
- the remote/called S-SEL.public void setSSelLocal(byte[] sSelLocal)
sSelLocal
- the local/calling S-SEL.public void setPSelRemote(byte[] pSelRemote)
pSelRemote
- the remote/called P-SEL.public void setPSelLocal(byte[] pSelLocal)
pSelLocal
- the local/calling P-SEL.public void setTSelRemote(byte[] tSelRemote)
tSelRemote
- the remote/called T-SEL. If null the T-SEL will be omitted. No maximum size
is defined by the standard.public void setTSelLocal(byte[] tSelLocal)
tSelLocal
- the local/calling T-SEL. If null the T-SEL will be omitted. No maximum size is
defined by the standard.public void setMaxTPduSizeParameter(int maxTPduSizeParam)
maxTPduSizeParam
- The maximum length is equal to 2^(maxTPduSizeParam) octets. Note that
the actual TSDU size that can be transfered is equal to TPduSize-3. Default is 65531 octets
(see RFC 1006), 7 <= maxTPduSizeParam <= 16, needs to be set before listening or
connectingpublic void setApTitleCalled(int[] title)
title
- the remote/called AP title.public void setApTitleCalling(int[] title)
title
- the local/calling AP title.public void setAeQualifierCalled(int qualifier)
qualifier
- the remote/called AE Qualifierpublic void setAeQualifierCalling(int qualifier)
qualifier
- the local/calling AE Qualifierpublic void setResponseTimeout(int timeout)
ClientAssociation
that is created using
this ClientSap.timeout
- the response timeout in milliseconds. The default is 20000.public void setMessageFragmentTimeout(int timeout)
timeout
- the timeout in milliseconds. The default is 10000.public ClientAssociation associate(java.net.InetAddress address, int port, java.lang.String authenticationParameter, ClientEventListener reportListener) throws java.io.IOException
address
- the address to connect to.port
- the port to connect to. Usually the MMS port is 102.authenticationParameter
- an optional authentication parameters that is transmitted. It
will be omitted if equal to null.reportListener
- the listener to be notified of incoming reportsjava.io.IOException
- if any kind of error occurs trying build up the associationpublic ClientAssociation associate(java.net.InetAddress address, int port, java.lang.String authenticationParameter, java.net.InetAddress localAddr, int localPort, ClientEventListener reportListener) throws java.io.IOException
address
- the address to connect toport
- the port to connect to. Usually the MMS port is 102.authenticationParameter
- an optional authentication parameters that is transmitted. It
will be omitted if equal to null.localAddr
- the local address to uselocalPort
- the local port to usereportListener
- the listener to be notified of incoming reportsjava.io.IOException
- if any kind of error occurs trying build up the association


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{{+bindTo:partials.standard_nacl_article}}
Native Client is a sandbox for running compiled C and C++ code in the browser efficiently and securely, independent of the user's operating system. Portable Native Client extends that technology with architecture independence, letting developers compile their code once to run in any website and on any architecture.
In short, Native Client brings the performance and low-level control of native code to modern web browsers, without sacrificing the security and portability of the web. Watch the video below for an overview of Native Client, including its goals, how it works, and how Portable Native Client lets developers run native compiled code on the web.
Send us questions, comments, and feedback: native-client-discuss.


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THE CROSSING GUARD A film review by Edwin Jahiel Copyright 1995 Edwin Jahiel
** Written, directed, co-produced by Sean Penn. Photography, Vilmos Zsigmond. Editing, Jay Cassidy. Production design, Michael Haller. Music, Jack Nitzche. Song "Missing" by Bruce Springsteen. Cast: Jack Nicholson, David Morse, Anjelica Huston, Robin Wright, Piper Laurie, Richard Bradford, Priscilla Barnes, et al. A Miramax film. 117 min. Rated R (language, sex, violence)
I cannot help but think that Sean Penn, for the second film he directed (after THE INDIAN RUNNER) was inspired by Claude Chabrol's very good and quite well-known drama, THIS MAN MUST DIE (1970). In the French movie, a father sets out to find and kill the hit-and-run driver who had killed his young son.
In the Penn film, the seven-year-old daughter of Freddy Gale (Jack Nicholson) and Mary (Anjelica Huston) was killed by drunk driver John Booth (David Morse). When John is released from jail after serving six years, Freddy sets out to kill him. When Freddy faces John and something goes wrong with the gun, John asks for a two-day reprieve during which Freddy can think if he really wants to shoot him. "I'll give you three days" is the answer.
Neatly balancing out vengeful Freddy is guilty John. Not merely sorrowful and contrite but carrying a colossal burden of guilt, one that's spelled out and underlined at every turn, one that is in fact a kind of death wish. We get too much of the despair of both men, especially since John always speaks haltingly in a low-pitched monotone that's like a big whisper. Even in the short run, this fatigues us, as do as too many silences pregnant with meanings that are either repetitious or unclear.
The movie is interesting but relies too little on script and too heavily on the excellent photography of a master, Hungarian-born Vilmos Szigmond, and the moody production design of Daniel Haller, whose track record is very good. (I wonder whether Californian Haller is related to the late, classic cinematographer Ernest Haller who died in a 1970 car accident). Together, those two artists create an atmosphere of somberness and emptiness, stress night scenes, artificial light, chiaroscuro interiors and, even in daylight, the feel of loneliness. On the other hand, the artsy editing and acting that go from the theatrical to the "sub-texted" are less welcome.
More than anything, the film leans very heavily on Jack Nicholson. The premise here is that Freddy, who owns a small jewelry store, went to pieces after the child's death. He is a man with an attitude that includes impatience with the weaknesses of others, harshness and irascibility. All that goes with chain-smoking and major boozing. Freddy's milieu is one of strip-joints, like "Dreamland" where his bed mates work.
Nicholson can play convincingly lonely, alienated, weird, pugnacious and raging characters. So convincingly, indeed, that our familiarity with the many faces of Jack may makes us conscious of watching acting more than life. Yet that's not the movie's weakest point. The flaw here is that as a writer, Sean Penn gets too fancy, soulful, "philosophical" and sometimes tackily low-life. More seriously, it is never made clear whether Freddy's desire for revenge is its own entity; whether it came upon him early on or recently; which came first and caused the other, the drinking or the despair; whether or not there is history of Freddy having always been unhinged.
The main clue we get is when well into the film, in a dark cafe, there's a "friendly" meeting of Freddy and his now remarried ex-wife Mary (echoes of the real-life Nicholson-Huston relationship).  I needed someone big and strong."
More of Penn's weaknesses. John is in the car with a pal who's found him a job and arranged for a party with several girls. He suddenly asks John: "In the joint, did you get violated?" (my euphemism). John: "It only hurts the first time." This exchange is followed by cross-cutting between the party (where a woman improbably discourses on compassion) and a fancy restaurant where Freddy has invited three hookers. There is much that is unnecessary and unedifying in those sequences. And when Robin Wright, in the underwritten part of Jojo, plays an improbably "nice" and "clean" artist in a society of broads, and falls for John, and speaks of his puppy-like eyes, writer Penn is combining cliches with an unlikely mix of societal types.
There are some good inventions. The quiet relationship between John and his parents; the talkative, deranged lady who speaks to John in a bus; the surreal sight of a stripper dressed in a Shirley Temple outfit and singing "The Good Ship Lollipop"; a hooker serenading John at his place via song and electronic keyboard (she must be one of those fallen girls from better society); the amicable Freddy-Mary meeting mentioned earlier unexpectedly climaxing with Freddy exploding:" I hope you die. I hope you f...g die."
THE CROSSING GUARD is a mixed picture until the closure which is a total cop-out, illogical in topography and timing, with too many coincidences, clich's and sentimentality, all embarrassing to watch. A pity, because in spite of several arid, dull stretches, the movie has enough going for it to set it apart from run-of-the-mill productions.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Members
string
constant FLAPS
Used to define iteration / time value calculated as frames(flaps) per second
Example
import { FLAPS, Hummingbird } from 'hummingbird'
Hummingbird(function() { ... }, {
lifeSpan: 6
lifeSpanIn: FLAPS
})
string
constant SECONDS
Used to define iteration / time value calculated in seconds
Example
import { SECONDS, Hummingbird } from 'hummingbird'
Hummingbird(function() { ... }, {
speed: 1.3
speedIn: SECONDS
})
Methods
release(argsopt)
Will stop a method from being called by the engine. Removes the instances from the internal pools.
Parameters:
| Name | Type | Attributes | Description |
|---|---|---|---|
args |
Hummingbird | Flock |
<optional> |
Any number of instances to be removed from the engine to no longer be called |
Example
function foo() { ... }
function bar() { ... }
const fooBird = Hummingbird(foo)
const barBird = Hummingbird(bar)
// release all by naming each
Hummingbird.release(foo, bar)
// or omit and will release everything
Hummingbird.release()
sleep(argsopt)
Will stop a method from being called by the engine temporarily.
Parameters:
| Name | Type | Attributes | Description |
|---|---|---|---|
args |
Hummingbird | Flock |
<optional> |
Any number of Hummingbird instances to be removed from loop |
Example
function foo() { ... }
function bar() { ... }
const fooBird = Hummingbird(foo)
const barBird = Hummingbird(bar)
// sleep all by naming each
Hummingbird.sleep(foo, bar)
// or omit and will sleep everything
Hummingbird.sleep()
wake(argsopt)
Will resume a method being called by the engine.
Parameters:
| Name | Type | Attributes | Description |
|---|---|---|---|
args |
Hummingbird | Flock |
<optional> |
Any number of Hummingbird instances to be removed from loop |
Example
function foo() { ... }
function bar() { ... }
const fooBird = Hummingbird(foo)
const barBird = Hummingbird(bar)
Hummingbird.sleep()
// wake by naming each
Hummingbird.wake(foo, bar)
// or omit and will wake everything
Hummingbird.wake()


Mum-of-three will never see her baby after going blind due to Tory austerity
The mother had been awaiting treatment at a hospital in Southampton but ended up losing her sight due to a series of issues. The woman, who remained anonymous, is believed to have been awarded £3.2m in compensation.
by Elaine McCahill, https://www.mirror.co.uk/authors/elaine-mccahill/A mum-of-three will never see her baby after going blind while waiting for treatment.
Labour ’s shadow health minister today shared the heartbreaking example of the human cost of Tory austerity .
Jon Ashworth said long delays in getting treatment had led to several patients in Southampton going blind.
Mr Ashworth said: “Recently we heard how patients at a hospital in Southampton went blind and suffered severe sight loss because of longer waits for treatment.
"Indeed a pregnant mother was left almost completely blind waiting for care. It was reported ‘she has since given birth and has never seen her daughter’s face.”
- Have you been affected by this story? Email<EMAIL_ADDRESS>The woman, in her 30s, is believed to be the same mum at the centre of a compensation case last month.
She was awarded £3.2million after delays in her treatment for her eye condition led to her going blind.
The woman first went to the optician in June 2016 after noticing her sight worsening.
She was diagnosed with glaucoma and referred to Southampton Eye Hospital. She was prescribed eye-drops and told she would have follow-up appointments.
However, it wasn't until more than 18 months later that she saw a consultant, by which time she was registered blind and the sight loss could not be reversed.
She gave birth to her third child after she went blind.
An internal NHS serous investigation report last year found 15 other patients were left blind or with worsened sight as a result of long delays in identifying their risk factors.
The report showed more than 4,000 patients had not been seen as quickly as needed.
Victoria Hydon of Moore Blatch solicitors acted on the woman's behalf and said: “The impact on our client has been devastating.
“It’s a complete tragedy and there is no reason why this should have happened.
“We are pleased to have secured our client with the compensation she deserves.
“The sizeable compensation reflects the harm that has been done and the support and care she will need for the rest of her life.”
A statement from the University Hospital Southampton NHS Foundation Trust said: “This is a significant national problem and, like many trusts, we are working closely with NHS England and NHS Improvement to address the growing capacity and recruitment issues in ophthalmology.
“We have taken steps to address the backlog in follow-up appointments and continue to introduce measures to make further progress, with all of our patients now risk-assessed to ensure those most in need are seen at the earliest opportunity.”
The statement also added that 88% of trusts have backlogs in diabetes and glaucoma and there are more than 80 consultant vacancies in England.


Embedding the Faust compiler using libfaust
The dynamic compilation chain allows developers to embed the Faust compiler technology directly in their application or plugins. Thanks to the awesome LLVM technology combined with libfaust, the library version of the Faust compiler, Faust DSP programs can directly be compiled and executed on the fly at full speed.
Dynamic compilation chain
The Faust compiler uses an intermediate FIR representation (Faust Imperative Representation), which can be translated to several output languages. The FIR language describes the computation performed on the samples in a generic manner. It contains primitives to read and write variables and arrays, do arithmetic operations, and define the necessary control structures (for and while loops, if structure etc.).
To generate various output languages, several backends have been developed: for C, C++, Java, JavaScript, asm.js, and LLVM IR. The native LLVM based compilation chain is particularly interesting: it provides direct compilation of a DSP source into executable code in memory, bypassing the external compiler requirement.
LLVM
LLVM (formerly Low Level Virtual Machine) is a compiler infrastructure, designed for compile-time, link-time, run-time optimization of programs written in arbitrary programming languages. Executable code is produced dynamically using a {\it Just In Time} compiler from a specific code representation, called LLVM IR. Clang, the LLVM native C/C++/Objective- C compiler is a front-end for LLVM Compiler. It can, for instance, convert a C or C++ source file into LLVM IR code. Domain-specific languages like Faust can easily target the LLVM IR. This has been done by developing an LLVM IR backend in the Faust compiler.
Compiling in memory
The complete chain goes from the Faust DSP source code, compiled in LLVM IR using the LLVM backend, to finally produce the executable code using the LLVM JIT. All steps take place in memory, getting rid of the classical file based approaches. Pointers to executable functions can be retrieved from the resulting LLVM module and the code directly called with the appropriate parameters.
The Faust compiler has been packaged as an embeddable library called libfaust, published with an associated API that imitates the concept of oriented-object languages, like C++. Given a Faust source code (as a file or a string), calling the createDSPFactoryXXX function runs the compilation chain (Faust + LLVM JIT) and generates the {\it prototype} of the class, as a llvm_dsp_factory pointer.
class llvm_dsp_factory {
public:
/* Return Factory name */
std::string getName();
/* Return Factory LLVM target */
std::string getTarget();
/* Return Factory SHA key */
std::string getSHAKey();
/* Return Factory expanded DSP code */
std::string getDSPCode();
/* Create a new DSP instance, to be deleted with C++ 'delete' */
llvm_dsp* createDSPInstance();
/* Set a custom memory manager to be used when creating instances */
void setMemoryManager(dsp_memory_manager* manager);
/* Return the currently set custom memory manager */
dsp_memory_manager* getMemoryManager();
};
Note that the library keeps an internal cache of all allocated factories so that the compilation of the same DSP code, that is same source code and same set of {\it normalized} (= sorted in a canonical order) compilations options, will return the same (reference counted) factory pointer. You will have to explicitly use deleteDSPFactory to properly decrement the reference counter when the factory is no more needed. You can get a unique SHA1 key of the created factory using its getSHAKey method.
Next, the createDSPInstance function, corresponding to the new className of C++, instantiates a llvm_dsp pointer to be used through its interface, connected to the audio chain and controller interfaces. When finished, use delete to destroy the dsp instance.
class llvm_dsp : public dsp {
public:
int getNumInputs();
int getNumOutputs();
void buildUserInterface(UI* ui_interface);
int getSampleRate();
void init(int sample_rate);
void instanceInit(int sample_rate);
void instanceConstants(int sample_rate);
void instanceResetUserInterface();
void instanceClear();
llvm_dsp* clone();
void metadata(Meta* m);
void compute(int count, FAUSTFLOAT** inputs, FAUSTFLOAT** outputs);
};
Since llvm_dsp is a subclass of the dsp base class, an object of this type can be used with all already available audio and UI classes, in essence reusing all architecture files already developed for the static C++ class compilation scheme (like OSCUI, httpdUI interfaces etc.), look at Developing a new architecture file section.
Saving/restoring the factory
After the DSP factory has been compiled, your application or plugin may want to save/restore it in order to save Faust to LLVM IR compilation or even JIT compilation time at next use. To get the internal factory compiled code, several functions are available:
- writeDSPFactoryToIR allows to get the DSP factory LLVM IR (in textual format) as a string, writeDSPFactoryToIRFile allows to save the DSP factory LLVM IR (in textual format) in a file,
- writeDSPFactoryToBitcode allows to get the DSP factory LLVM IR (in binary format) as a string, writeDSPFactoryToBitcodeFile allows to save the DSP factory LLVM IR (in binary format) in a file,
- writeDSPFactoryToMachine allows to get the DSP factory executable machine code as a string, writeDSPFactoryToMachineFile allows to save the DSP factory executable machine code in a file.
To re-create a DSP factory from a previously saved code, several functions are available:
- readDSPFactoryFromIR allows to create a DSP factory from a string containing the LLVM IR (in textual format), readDSPFactoryFromIRFile allows to create a DSP factory from a file containing the LLVM IR (in textual format),
- readDSPFactoryFromBitcode allows to create a DSP factory from a string containing the LLVM IR (in binary format), readDSPFactoryFromBitcodeFile allows to create a DSP factory from a file containing the LLVM IR (in binary format),
- readDSPFactoryFromMachine allows to create a DSP factory from a string containing the executable machine code, readDSPFactoryFromMachineFile allows to create a DSP factory from a file containing the executable machine code.
Additional functions
Some additional functions are available in the libfaust API:
expandDSPFromString/expandDSPFromFile creates a self-contained DSP source string where all needed librairies have been included. All compilations options are normalized and included as a comment in the expanded string, generateAuxFilesFromString/generateAuxFilesFromFile: from a DSP source string or file, generates auxiliary files: SVG, XML, ps... depending of the argv parameters.
Using the libfaust library
The libfaust library is part of the Faust tree. You'll have to compile and install it. Then look at the installed faust/dsp/llvm-dsp.h header for a complete description of the API. Note that faust/dsp/llvm-c-dsp.h is a pure C version of the same API. The additional functions are available in the faust/dsp/libfaust.h header and their C version is in faust/dsp/libfaust-c.h.
Use case examples
The dynamic compilation chain has been used in several projects:
- FaustLive, an integrated IDE for Faust development
- Faustgen, an external object for Cycling Max/MSP language
- Csound6, see this demo video
- LibAudioStream, a framework to manipulate audio ressources through the concept of streams
- Oliver Larkin JUCE framework integration and pMix2 project
- an experimental version of Antescofo
- FaucK: the combination of the Chuck language and Faust


open until 11:30 PM today Show All Hours
| Name | Item Pricing |
|---|---|
| Shirts | $1.95 |
| Blouses | $5 |
| Ties | $4 |
| Vests | $5 |
| Pants | $4 |
| Skirts | $5.50 |
| Sweaters | $5 |
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| Name | Item Pricing |
|---|---|
| Blazers | $6.50 |
| Dresses | $9 |
| Suits | $9 |
| Twin Blanket | $12 |
| Twin Comforter | $10 |
| *Pricing subject to change at cleaner's discretion |


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--- layout: page title: "About Me" description: "混沌且自相矛盾的黄色多孔方块" header-img: "img/bg-default.jpg" ---


Clues: A. An Agassi with a Bocelli (6) B. Islanders to exist in surrounding saline solution (8) C. Leaders of culture learn about such stuff in college (7) D. Mary lied ridiculously, as if in a fantasy (8) E. Talking horse passing on in rapid fashion? (7) F. Harris turned, and is about devious ends they arrange (8) G. Bohemian Mahler a breath of fresh air after Viennese leaders (6) H. Meet rich lunatic, really tight (8) I. Big semi crashed with fellows inside (7) J. Jelly wrestle involving King and Doctor (6) K. Island country's returns in TAB: is risk utterly pointless? (8) L. Attraction breaking rules about time (6) M. Mathematical functions in cartographic processes? (8) N. Island country's run to ruin accommodating Australia (5) O. Make them seen too much and see poor vex management (10) P. Following ideal practice, public relations incorporated form of online address light on hardware (10) Q. Some give up on capturing soldier before end of day (8) R. Catastrophic end over temple rebuilding? (13) S. Going without second sleep (8) T. Island country's got an issue (5) U. Not in tune, said organisation? (6 7) V. God can divulge heart first (6) W. Had puppies provided assistance, would leader have front spot? (7) X. Famous uncle cross having to come back as holiday cut short (4) Y. Norse character returns, filthy, headless (4) Z. One overly eager to laze about? (6)


Facebook is also an American online social media which was founded Mark Zuckerberg along with his roommates at Harvard College in February 2004. Facebook is pretty much the popular social media website ranked at third position for the world's most popular website. Facebook has 2.5 billion monthly users which tells about it's popularity within the world.


I found the idea of choice quite interesting and I really liked the Marcus Aurelius quote which said that distress is caused by our perception of the thing and that we can 'revoke' that perception, thus giving ourselves the ability to regulate emotions during difficult times. I thought this idea of choice was also nicely reflected in the quote "Power to let go is the source of choice." I thought about how panicked I tend to get in difficult situations and I find it hard to imagine 'reframing' things in those moments or choosing between getting worked up or just 'letting go', but I'm optimistic that you can change the way your brain works so, self-regulation is something I want to at least be more aware of during those moments.
I didn't practice this particular exercise (wasn't mentioned in the chapter) but I have paid more attention to my emotions as I've been working over the last few weeks. I just don't know if I've felt any different as a result.


Priest Wagner:
May Eva's protection be with you!
This may be a library, but any place where knowledge is prized is a suitable spot for religious discussions, meditations and even worship. I know some of the Humans here do not share those views, but I have learned that it is better sometimes to bend like the reed than break like the oak...
Learn skills.
Ask about Skill Transfer.
Ask about Skill Enchanting.
Quest


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In 2014, our team started developing applications for Crystal, our proprietary personality detection technology, in the Harvard Innovation Lab. Crystal analyzes public data to tell you how you can expect any given person to behave and how he or she wants to be spoken to.
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How is this presentation structured?
Primary:
Secondary:
A family of flexible optimization algorithms, typically used (in robotics) to generate controllers optimized for different goals, morphology (ER) and pathfinding.
There are many types of evolutionary algorithms:
Typical stages of an evolutionary algorithm:
An example of a multi-objective optimization run resulting in a Pareto-front:
Why don't our gaits do anything on a real robot?
Features:
Side view of Aracna's leg:
Primary:
Secondary:
1st iteration
2nd iteration
3rd iteration
4th iteration
Small changes in controller and behaviours lead to big changes in how the gaits perform.
Aracna might not have been the best choice for this project.


--- layout: default footerlogos: yes title: "Boris Hekele" lang: en ---
Boris Hekele, born 1978, studied Philosophie and Media Technology and has dealt with web technologies as early as 1998. Ever since he plans detailed web applications and works on new possibilities to involve citizens in the decision-making process. In 2004 he founded abgeordnentenwatch.de, which has won several prizes since. He is an advocate of Open Source and Open Data. Since December 2015 he is part of the core team of the broad coalition »Volksentscheid Fahrrad«, which aims to achieve a change in traffic policy in Berlin. In this context he founded the Civic Tech platform »FixMyBerlin«, which advocates a more transparent bicycle traffic planning for all Berliners and is supported by the Prototype Fund.
Together with Helene Hahn, Boris will hold a workshop on a joint project regarding the federal election 2017.
Program for the second day


1. Welcome!
Thank you for using Chronoir_net.Chronica.WatchfaceTemplate!
This project can build a watch face application running on Android Wear with Xamarin.
* Project template info.
| Project template name | AndroidWearDigitalWatchface |
|---|---|
| Displayed name | Digital Watchface App (Android Wear) |
| Project template version | 1.0.0 |
| Programing language | C# 6.0 |
| Watchface style | Digital |
| Target Android Version | 5.0.1 (Lollipop) / 5.1.1 (Lollipop) / 6.0 (Marshmallow) |


I finished my highschool studies in 2019.
In 2020 took a course in Graphic design in nairobits.
This year i went for a two manth bootcamp in Tunapanda institute and learned.
I decided to take a class on programming since I am a tech enthusiast and i want to be a Full Stack Developer.


--- layout: default title: Download afx_sections: [["hlae-download","Half-Life Advanced Effects"],["tools-hlae-camio","Tools - HLAE Camera IO"],["tools-hlae-camdata","Tools - HLAE Camera Motion Data (old)"],["tools-other","Tools - Other"]] --- {% include new-section.html id="hlae-download" %}
VAC warning: The HLAE tool is technically a hack, therefore you should use it for making movies / watching demos only. Joining VAC protected servers with HLAE will probably get you VAC banned.
Epilepsy warning: This software will cause fast changing images and colors on your screen.
Current release, compatible with latest Steam version:
HLAE 2.147.0 (2023-07-24T15:50Z) (old versions) (logo)
Last release with AfxHookGoldSrc and related tools compatible with Steam version before 10th July 2017 (unsupported):
HLAE 2.34.5 (2017-07-08T14:48Z)
Release compatible with Steam version from July 2009 (unsupported):
HLAE <IP_ADDRESS> (2013-02-09T14:16Z)
About: HLAEwiki
Documentation: HLAEwiki
System requirements:
- Microsoft Windows 7 SP1 or newer
- Microsoft .NET Framework 4.6.2 or newer
- Genuine Steam version
- a lot of patience
Tip:
Using Steam's offline mode you can avoid retriving updates that break HLAE during movie production.
Changelog:
Newer changelog entries are replicated on the releases page here.
Further changelog entries can be found in the changelog XML files included in the download.
Author: HLAE Team
{% include new-section.html id="tools-hlae-camio" %}To be used with mirv_camio / mirv_streams record cam.
These plugins / scripts assist you with importing HLAE camera motion data in various 3D applications or exporting to HLAE again.
After Effects Import Script: HLAE CamIO To AE by xNWP
Blender Plugins: afx-blender-scripts
Cinema4D Import Script: HLAE CamIO To Cinema4D by xNWP
Cinema4D Export Script: Cinema4D Camera To HLAE CamIO by xNWP
These plugins / scripts assist you with importing HLAE camera motion data in various 3D applications or exporting to HLAE again.
3DsMax Import Plugin HLAE Cam Importer 1.0.4
3DsMax Export Plugin HLAE Cam Exporter 1.0.0
Documentation: HLAEwiki
System requirements: HLAE <IP_ADDRESS> or newer, 3dsMax 5.x(?7.x / 2008?) or newer.
Author: msthavoc
After Effects Import Script: hlaebvh2AECam1.5
After Effects Export Script: AECam2hlaebvh1.0
Documentation: video tutorials
Author: msthavoc
Blender Plugins: afx-blender-scripts
Cinema 4D Import Plugin: hlcam2c4d 1.4
Cinema 4D Export Plugin: c4d2hlcam 1.0
Documentation: HLAEwiki, video tutorials
System requirements: HLAE <IP_ADDRESS> or newer, Cinema 4D R9.5 or newer
Author: msthavoc
Source FilmMaker Plugins: afx-sfm-scripts
Writing your own plugin:
The HLAE .bvh format is very similar to but currenlty not compatbile with the BioVision (BVH) format: The only difference is that HLAE rotation order is XYZ while BVH would require ZXY.
Other plugins / scripts to make your life easier.
Blender:
HLAE-CoordIO by Devo
Allows you to copy transformation data from Blender to After Effects.
Cinema4D:
AGR-Cleanup-Tool by xNWP
Aids in cleaning up Advanced Effects Game Recording (AGR) Files.
Cinema-4D-Source-Tools by xNWP
Cinema 4D Plugin for importing, exporting, and manipulating filetypes created by Valve Corporation's Source Engine.
Crafty Material Fix 0.2 (older versions: 0.1)
About: Automates fixing material / texture links for maps exported by Crafty.
Documentation: video tutorial
Author: msthavoc
HLAELiveLink by xNWP
Allows for the control of the camera in Source Games supported by Half-Life Advanced Effects mirv_pgl function via Cinema 4D.
Source FilmMaker:
Other:
HLAE-Server by xNWP
Managed CLR Library for controlling Half-Life Advanced Effects via the mirv_pgl function.
SourceModelFixer by xNWP
Deletes corrupt .vtx files from Source games i.e. CS:GO


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- This is where the story starts to become a bit unhinged. Apparently, destroying "Cyberdyne Systems" in Terminator 2 only postponed "Skynet" from taking over.
 This time, they send a version that is more advanced than the "T-1000", the "T-X".  He was the supposed primary creator of "Skynet". This version not only can do the stuff the "T-1000" could, but it also had the capability to control other machines (Terminators, cars, etc) by injecting a drill into them.
- In order to prevent this, Kate Brewster re-programs the original Terminator, and sends it back to the present-day to save both John and Kate.
- The Terminator was able to save John and Kate, as they learned that they were meant to be together. However, Kate's father was killed by the "T-X". And, John and Kate were sent to a remote hideout to be protected from the initial invasion by the machines.
- This story went from creative and tragic to just tragic.


Alia Bhatt stunned by ‘Gangubai Kathiawadi’ sets
by Shyama SudraWith her success growing faster than anyone had expected, Alia Bhatt is about to make her move with her first Sanjay Leela Bhansali film titled ‘Gangubai Kathiawadi’, and it seems she is already overwhelmed.
“Alia was passing by the set at Film City and was awestruck by the magnitude of the set. The movie set for Gangubai is not just larger than life but has a lot of intricate details despite the Herculean size. There is a lot of fine detailing that has gone into the making of the set,” Asian Age reports a source stating.
Further news suggests that this set will be even larger than Bhansali’s previous films, where it’s been kept tightly under wraps.
Stay with BizAsiaLive.com for more.


PearsonDS: Pearson Distribution System
Implementation of the Pearson distribution system, including full
support for the (d,p,q,r)-family of functions for probability distributions
and fitting via method of moments and maximum likelihood method.
| Version: |
1.1 |
| Suggests: |
gsl |
| Published: |
2017-07-17 |
| Author: |
Martin Becker [aut, cre],
Stefan Klößner [aut] |
| Maintainer: |
Martin Becker <martin.becker at mx.uni-saarland.de> |
| License: |
GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| NeedsCompilation: |
yes |
| Materials: |
NEWS |
| In views: |
Distributions |
| CRAN checks: |
PearsonDS results |
Downloads:
Reverse dependencies:
Linking:
Please use the canonical form
https://CRAN.R-project.org/package=PearsonDS
to link to this page.


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|
MDAL
|
This class is used to read the selafin file format. More...
#include <mdal_selafin.hpp>
Public Member Functions | |
| SelafinFile (const std::string &fileName) | |
| Constructor. | |
| std::string | readHeader () |
| Read the header of the file and return the project name. | |
| bool | addDatasetGroup (DatasetGroup *datasetGroup) |
| Add the dataset group to the file (persist), replace dataset in the new group by Selafindataset with lazy loading. | |
Static Public Member Functions | |
| static std::unique_ptr< Mesh > | createMesh (const std::string &fileName) |
| Returns a mesh created with the file. | |
| static void | populateDataset (Mesh *mesh, const std::string &fileName) |
| Populates the mesh with dataset from the file. | |
Friends | |
| class | MeshSelafin |
| class | MeshSelafinVertexIterator |
| class | MeshSelafinFaceIterator |
| class | DatasetSelafin |
This class is used to read the selafin file format.
The file is opened with initialize() and stay opened until this object is destroyed
This class can be used to create a mesh with all the dataset contained in a file with the static method createMessh() It is also pôssible to add all the dataset of a file in a separate existing mesh with the static method populateDataset()
All the method to access with lazy loading to the mesh data or datasets are encapsulted and only accessible by the friend classes : MeshSelafin MeshSelafinVertexIterator MeshSelafinFaceIterator DatasetSelafin
This ecapsulation protects these lazy loading access methods because they can't be used before the instance of SelafinFile has been initialized and parsed.


Q|Anonymous is a minimalistic service for anonymous Q/A. You will never see any advertisement here. It only provides the simplest functionality of Q/A without other useless social media features.
Enjoy the simplicity.
Q|Anonymous is free software, and it's source code is available at github. You may host your own instance of the Q|Anonymous server!


Infocom
`Prev `__
I
`Next `__
--------------
**Infocom**: n.
A now-legendary games company, active from 1979 to 1989, that
commercialized the MDL parser technology used for
`*Zork* <../Z/Zork.html>`__ to produce a line of text adventure games
that remain favorites among hackers. Infocom's games were intelligent,
funny, witty, erudite, irreverent, challenging, satirical, and most
thoroughly hackish in spirit. The physical game packages from Infocom
are now prized collector's items. After being acquired by Activision in
1989 they did a few more “modern” (e.g. graphics-intensive) games which
were less successful than reissues of their classics.
The software, thankfully, is still extant; Infocom games were written in
a kind of P-code (called, actually, z-code) and distributed with a
P-code interpreter core, and not only open-source emulators for that
interpreter but an actual compiler as well have been written to permit
the P-code to be run on platforms the games never originally graced. In
fact, new games written in this P-code are still being written. There is
a home page at
`http://www.csd.uwo.ca/Infocom/ `__, and
it is even possible to play these games in your
`browser `__ if it is Java-capable.
--------------
+----------------------------+----------------------------+-----------------------------+
| `Prev `__ | `Up <../I.html>`__ | `Next `__ |
+----------------------------+----------------------------+-----------------------------+
| inflate | `Home <../index.html>`__ | initgame |
+----------------------------+----------------------------+-----------------------------+


10: def find_by_address(address, include_inactive = false)
11:
12: street_num = address[:street_num]
13: street_name = address[:street].upcase
14: state = address[:state].upcase
15: city = address[:city].upcase
16:
17: even_odd = (street_num.to_i % 2 == 0) ? 'even' : 'odd'
18:
19: if (!include_inactive)
20: active_sources = Source.find(:all, :conditions => "active = 1")
21: active_conditions = "(street_segments.source_id IN (" + active_sources.collect(&:id).join(',') + "))"
22: else
23: active_conditions = "(1=1)"
24: end
25:
26: ??
27: StreetSegment.first(:joins => "JOIN street_addresses start
28: JOIN street_addresses end
29: JOIN states s",
30: :conditions => ["start.std_street_name = ? AND end.std_street_name = ? AND
31:
32: (start.std_house_number <= ? OR start.std_house_number IS NULL) AND
33: (end.std_house_number >= ? OR end.std_house_number IS NULL) AND
34:
35: street_segments.odd_even_both IN (?, 'both') AND
36: start.city = ? AND end.city = ? AND
37: s.name = ? AND
38: #{active_conditions} AND
39: street_segments.start_street_address_id=start.id AND
40: street_segments.end_street_address_id =end.id AND
41: start.state_id=s.id",
42: street_name, street_name,
43: street_num, street_num,
44: even_odd, city, city, state]
45: )
46:
47:
48: end


| Preface | Main Menu |
|---|
| This Record of the Memorial Inscriptions at the Parish Church of St Mary, Cogges, Oxfordshire, was made by Gill Curwood between March 2003 and January 2005. All entries were checked by Les Curwood.
It was prepared in text form as a paper document with copies to be kept in the Church and Cogges Church Office. An electronic version, distributed on a CD-ROM, of the full text of the transcript with the addition of photographs of the graves taken during the transcription, is available from the Oxfordshire Family History Society. This web version is based on the CD-ROM version and has been updated to April 2005.
The Plan which accompanies this record, was prepared from a map produced from the survey carried out by David J. Page, Chartered Architect, in 1993.
The Numbering System used to identify the graves, divides the Church and churchyard into eight main sections. The Church is designated by the initial letter H. For the purposes of the plan, the Church has been sub-divided into three sections: Blake Chapel, Chancel and Western part (consisting of the Nave, North Aisle, and South Aisle). The two letters are followed by a three-digit number indicating the individual monument within the sub-section. The churchyard is divided into six sections designated by the initial letters: A, B, C, D, E and F. This letter is followed by a three-digit number indicating the individual grave or monument within the section.
The Lych Gate is designated by the initial letter L, and is followed by the letter G and a three-digit number indicating the individual monument within the section.
The Convention Used when recording the inscriptions, was to follow the capitalisation where possible. There is no attempt to follow the typeface of the original inscription. All punctuation visible on the stone is transcribed as accurately as possible, within the limitations of the computer typeface. In certain cases a compromise has to be made. Most noticeably, many stones have the word "ye" written as a small "e", directly above the "y". This is represented here with the "e" as a superscript, immediately following the "y", thus: ye. Where part of a stone is not decipherable square brackets are used to indicate missing letters or words, thus [ ]. If the spacing of the surrounding letters gives a clue to the number of missing letters these will be marked within the bracket thus: [_ _ _]. If a letter is in doubt, it will be placed in square brackets in the same way, or possible alternatives may be indicated, thus: Died 187[0 or 6]. In the standard paper transcripts the "/" symbol is used to indicate line ends, in order to save space. In this web version, space is not at a premium and the lines are placed as found on the stone. However no attempt is made to fit the modern type to the correct line lengths and all the lines are centred. The true layout can usually be judged from the photograph.
Additional Information about the grave, is shown in italics. Normally this consists of a brief description of the grave, preceding the inscription. In some cases further information may be added, in italics, following the inscription. This is often information from the burial register, indicated thus: Burial Reg. etc..
This is only included where it adds information, or confirms or contradicts something read from the stone.
Grateful Thanks are due to the following people for giving us permission to carry out the recording and for offering their help and encouragement.
|
| The Parish Church of St. Mary, Cogges, Oxfordshire. | Copyright © St. Mary's Church Cogges Parochial Church Council, 2005 |
| Updated 9th April 2005 | Feedback |


CryptoTicket
My Tickets
Tickets Owned
Availble
:
Cost In Ether
:
MyTickets
:
Purchase
Buy
Print
Scan
s


A Kind Of Magic: The Unstoppable Power Of Queen In The 80s
Queen are a British rock band formed in London in 1970. Their classic
line-up was Freddie Mercury (lead vocals, piano), Brian May (guitar,
vocals), Roger Taylor (drums, vocals) and John Deacon (bass). Their
earliest works were influenced by progressive rock, hard rock and
heavy metal, but the band gradually ventured into more conventional
and radio-friendly works by incorporating further styles, such as
arena rock and pop rock.


Journal Review
Transcript By: Bryan Bishop
Category: Conference
– Disclaimer –
-
These are unpaid transcriptions, performed in real-time and in-person during the actual source presentation. Due to personal time constraints they are usually not reviewed against the source material once published. Errors are possible. If the original author/speaker or anyone else finds errors of substance, please email me at<EMAIL_ADDRESS>for corrections.
-
I sometimes add annotations to the transcription text. These will always be denoted by a standard editor’s note in parenthesis brackets ((like this)), or in a numbered footnote. I welcome feedback and discussion of these as well. –/Disclaimer –
Journal review
Goals
First, I think our top-level goal for the first iteration is field building. We don’t want to get lost in an experiment of too much technical detail, but we want to build trust and help build collaborations between us. Our overall goal for a journal is to improve the quality and the signal-to-noise ratio of the writing of all the innovation taking place in the cryptocurrency ecosystem. We think a lot of the interesting work done outside the traditional academic setting is actually really quality innovation but could benefit from going through the more structured peer review process. It’s an explicit part of our goal with this to do experiments with how blockchain or tokenization could help with the peer review process or some of the problems we see in academia.
This discussion
We can talk about the long-term goals, but also the short-term goals. We have a timeline set, and papers are going to show up in our inbox by October 22nd. Is this evolution vs revolution? In this particular case, it’s evolution. We’re going to start with something that is a modest hardly an experiment at all– it’s something we have experience with in computer science and computer security. We will have a program committee chosen from professional academics and engineers or contributors in open-source that we have already worked with.
Our timeline is already set, but we have some degree for flexibility and experimentation is to modify what is the structure of the reviews we’re asking reviewers to complete and what goes into those instructions.
Some high level principles
This is going to be a little vague and fuzzy, but sometimes if you want to disagree with something and propose an idea, then let’s propose an idea. I think the first thing is that we should have respect to reviewer’s attention. Respect reviewer attention, which is a scarce resource. In the computer security community, there’s an active effort by program chairs for reviewers to be constructive. I appreciate that. When it works well, the peer review process is a constructive form for giving feedback when it’s working well. While there’s a gatekeeping element when things are going well, really we should be focusing on the constructive value of the peer review process.
I think substance over form is more important, for appealing to multiple disciplines. We shouldn’t make everyone do the same formatting guidelines; I think it would be hopeless to try. We would focus our peer review to be tolerant of differing formats for people with different academic backgrounds.
Peer review timeline
We have a few month period during which we will do the reviews collection and have the discussions among the reviews. This is especially relevant if you’re not already in the computer science community– the way we do journals here is mostly like this structure and it has a few good elements. Unlike a journal format where papers show up at any time and the editor dispatches to peer reviewers, it’s instead frontloaded. So the program committee members have already agreed to review some papers, like a maximum of like– we’ll not make you review more than the 6 to 10 for the call for papers, so we frontloaded the process of getting people to agree to review and it should cut down on the time for people saying no I’m not available to review.
We have facility through the hotcrack software to do automatic reviewer assignment. Papers get submitted and then get sent to a sharded committee, and then three rounds of reviews. It’s a combination of random, and then bias from the editors, and load balancing across different folks from different communities.
In computer science, reviews are triple-blind. The reviewers don’t see the names of the authors, and the reviewers don’t see each other initially.  In the second phase, you get to see the other reviewers. This helps you calibrate with other reviewers. This is an important mechanism for learning how the review process works. If you’re not a PhD student learning the process from your advisor, then perhaps you will learn the conventions by learning from the other reviewers and discussing with them in the commetns. The review shard should agree on what to say, before the author notification deadline.
Most conferences now have a conditional accept or revise-resubmit or reject-resubmit process, which is roughly how much extra work you’re expected to do to have a chance to get your paper accepted. Given our timeline, we don’t have time to do that. We have an idea of working papers that have a chance to go to a conference, and they get accepted after the fact. It’s just wiggle room.
Three ideas to try out right now
I’d like to kee pwith the idea that this is meant to be an interdisciplinary building. In order to seed the review discussions are diversified, we want representatives from different disciplines. So maybe you’re being asked to chime in on a paper from completely outside your area, and then we can learn and contribute progress that way.
We want to make an open peer review process. So maybe we publish a summary of the reviews after the fact. The downside of the open reviews is that maybe you will hold back if you know that you will be publishing it later. So maybe you will hold back in reviews. So the review shard for each paper should be collaborating in the comment section on a summary that would be published alongside each accepted paper, which should serve as a foreword from the reviewers to the readers which could explain the contribution in different words, or something of supplemental value that focuses on the constructive value of the peer review process. By publishing something about the review process, I hope to make some visibility into how the peer review process works for people who aren’t already in academia and know how it works. This serves to make the process more visible and encourages people to participate later.
I thought the comments from the first talk right here on trying to preserve the high standards of quality and rigor that each field develops on its own; these take their own forms. In cryptography, it’s theory and proof. In systems, it’s benchmark evaluation and so on. I think even in non-sciences there’s still some component of validation like case studies, which I don’t understand as well.
Questions for feedback
What other goals or ideas should we try for now? What I understand the best is the computer science process, which is why we’re starting with that structure. But we want to make something appreciated and tolerable to all of your respective fields, so we would be interested in hearing about that. So that’s all, and now I guess I will take questions. I mgiht also redirect questions to Wassim and Neha.


Discussing about 299 project with Group Mates!
Exploring how GitHub client and Kanban Board Works!
04-July-2021
Exploring GitHub branch with group mates!


Difference between Html and Css
HTML
which stands for hyper Text Markup LanguangeI look as html as the body container for elements to sit in. One way I try to imagine is that Html is like a house. A house has ojects and properties such as window, wall, roof, floor and table etc. Html is the make up of a house and what is in it.
CSS
which stands for Cascading style sheetsWhen compared with Html, Css basically allows for Html to be styled, and be organized respectively so that it can be viewd well on different devices. Think of css as the builder or handyman that can add definition or value to the properties such as paint the wall or move the table from the lounge to the kitchen etc.
Javascripth
Dynamic moderatorWell Javascripth really moves the house. With Javascripth, a webpage can become more dynamic in terms of interaction. A house with Javascripth would probably have a door bell or an automatic garage door or sensor light on the porch etc. This improves interaction with occupants and makes living a little more interesting. The same applies to webpages. Websites with Javascripth are more interactive, and playfull instead of being static.
Explain control flow and loops using an example process from everyday life, for example 'waking up' or 'brushing your teeth'. (But not those ones).
In computer science, control flow (or flow of control) is the order in which individual statements, instructions or function calls of an imperative program are executed or evaluated. In other words - it's the step by step process in which a program goes through each statements, instructions or function calls.
For example in everyday life, we drink water when we get thirsty. We naturally drink water with our mouth. Loop: Our body functions normally untill it gets thirsty then the mind will control the body to digest or take in water; (loop);
Describe what the DOM is and an example of how you might interact with it.
DOM which stands for document object modelDOM is browser specific because it deals with everything that is inside the document or (page content).This page content in the DOM may be accessed and manipulated via javascript. With outh the DOM Javascripth wouldn't have any model or notion of a webpage.
Example of DOM manipulation
Before and after shot of Dev academy's websiteExplain the difference between accessing data from arrays and objects.
In computer science, control flow (or flow of control) is the order in which individual statements, instructions or function calls of an imperative program are executed or evaluated. In other words - it's the step by step process in which a program goes through each statements, instructions or function calls.
For example in everyday life, we drink water when we get thirsty. We naturally drink water with our mouth. Loop: Our body functions normally untill it gets thirsty then the mind will control the body to digest or take in water; (loop);
Explain what Functions are and why they are useful?
Functions in programming contains code that can be used over and over again once defined. A function can return a value or a procedure that may not return a value. Specifically, a function contains a unit of code that works on various inputs, many of which are variables, and produces concrete results involving changes to variable values or actual operations based on the inputs. Simply I just see function as a command / rules that forces an outcome. Creating a function helps one solve an issue or make life easier when trying to figure out something.


WITNESS LIST Higher Education Committee March 31, 2003-2:30P HB 1537 For: Green, Elizabeth C. (Self) Haley, Brian (UT Austin SG) Sowa, Julie (The University of Texas at Austin's Student Body) On: Vick, James W. (University of Texas at Austin) HB 1722 For: Sheets, Brent (American Commercial College, Inc.) HB 1824 On: Cole, Jeffrey (Comptroller's Office) HB 1882 On: Anderson, Vicki (Comptroller of Public Accounts) HB 1890 On: Cole, Jeffrey (Comptroller's Office) HB 2116 For: Adame, Juan J. (City of Corpus Christi Fire Dept.) Hitzfelder, Rodney (City of San Antonio)


K
- the key type for the cacheV
- the value type for the cachepublic interface ExpiryPolicy<K,V>
Cache
.
Previous values are not accessible directly but are rather available through a value Supplier
to indicate that access can require computation (such as deserialization).
Negative durations
are not supported, expiry policy implementation returning such a
duration will result in immediate expiry, as if the duration was zero
.
NOTE: Some cache configurations (eg. caches with eventual consistency) may use local (ie. non-consistent) state
to decide whether to call getExpiryForUpdate(Object, Supplier, Object)
vs.
getExpiryForCreation(Object, Object)
. For these cache configurations it is advised to return the same
value for both of these methods
| Modifier and Type | Field and Description |
|---|---|
static java.time.Duration |
INFINITE
A
duration that represents an infinite time. |
static ExpiryPolicy<java.lang.Object,java.lang.Object> |
NO_EXPIRY
An
ExpiryPolicy that represents a no expiration policy |
| Modifier and Type | Method and Description |
|---|---|
java.time.Duration |
getExpiryForAccess(K key,
java.util.function.Supplier<? extends V> value)
|
java.time.Duration |
getExpiryForCreation(K key,
V value)
Returns the lifetime of an entry when it is initially added to a
Cache . |
java.time.Duration |
getExpiryForUpdate(K key,
java.util.function.Supplier<? extends V> oldValue,
V newValue)
|
static final java.time.Duration INFINITE
duration
that represents an infinite time.static final ExpiryPolicy<java.lang.Object,java.lang.Object> NO_EXPIRY
ExpiryPolicy
that represents a no expiration policyjava.time.Duration getExpiryForCreation(K key, V value)
Cache
.
This method must not return null
.
Exceptions thrown from this method will be swallowed and result in the expiry duration being
ZERO
.
key
- the key of the newly added entryvalue
- the value of the newly added entryDuration
java.time.Duration getExpiryForAccess(K key, java.util.function.Supplier<? extends V> value)
duration
(relative to the current time) when an existing entry
is accessed from a Cache
.
Returning null
indicates that the expiration time remains unchanged.
Exceptions thrown from this method will be swallowed and result in the expiry duration being
ZERO
.
key
- the key of the accessed entryvalue
- a value supplier for the accessed entryDuration
, null
means unchangedjava.time.Duration getExpiryForUpdate(K key, java.util.function.Supplier<? extends V> oldValue, V newValue)
duration
(relative to the current time) when an existing entry
is updated in a Cache
.
Returning null
indicates that the expiration time remains unchanged.
Exceptions thrown from this method will be swallowed and result in the expiry duration being
ZERO
.
key
- the key of the updated entryoldValue
- a value supplier for the previous value of the entrynewValue
- the new value of the entryDuration
, null
means unchanged


public class SubPlan extends java.lang.Object implements IntComparable<SubPlan>
| Constructor and Description |
|---|
SubPlan(State state,
Goal goal,
DynamicArray<Action> actions,
DynamicArray<DynamicArray<Precondition>> requirements,
DynamicArray<Postcondition> effects,
int cost)
Class constructor initializing variables.
|
SubPlan(SubPlan other)
Copy constructor.
|
| Modifier and Type | Method and Description |
|---|---|
void |
addAction(Action action)
Adds the action, requirements and effects to the plan.
|
int |
compare(SubPlan other)
Compares the sub plan to another one, based on the cost.
|
boolean |
equals(java.lang.Object other) |
Action[] |
getActions() |
int |
getCost() |
float |
getDeficitCost()
Returns the sum of the deficit cost of all of the requirements.
|
Goal |
getGoal() |
State |
getState() |
boolean |
isGoodAction(Action action)
Determines if the action would benefit the current requirement.
|
public SubPlan(State state, Goal goal, DynamicArray<Action> actions, DynamicArray<DynamicArray<Precondition>> requirements, DynamicArray<Postcondition> effects, int cost)
state
- The current stategoal
- The goalactions
- The list of actionsrequirements
- A list of preconditions for each actioneffects
- A list of postconditions, one for each actioncost
- The costpublic SubPlan(SubPlan other)
other
- The other object to copypublic void addAction(Action action)
action
- The action to addpublic boolean isGoodAction(Action action)
action
- The action to checktrue
if the action contributes towards the current requirement, false
otherwisepublic float getDeficitCost()
public int getCost()
public Goal getGoal()
public State getState()
public Action[] getActions()
public boolean equals(java.lang.Object other)
equals
in class java.lang.Object
public int compare(SubPlan other)
compare
in interface IntComparable<SubPlan>
other
- The object to compare with


This example needs to run from your web server and shows that the GPIO pins can be toggled via a web interface using an ajax request.
When the page loads the pins will be set to 0 and you can toggle from there.
To get this working on the Raspberry Pi, the PHP binary needs to be added to the sudoers file. The easiest way to do this is to use the command:
sudo visudo
and then append this at the bottom of the file and save:
www-data ALL=(ALL) NOPASSWD: /usr/bin/php
Pin reports as 0
Pin reports as 0
Pin reports as 0


?.
The following methods are available on the WebSocket object:
unknown
string: comma “,” separated
close web socket
return whether WS was opened
string
send text over the WS
function()
called when WS closed
called when recived text
function()
called when WS loaded/opened


This is a practical example of making form fill easier for users, and how simple this is with DWR.
A fully functional version of this example needs full access to a zipcode/postcode database. This jar file does not so this demo is restricted to the following UK postcodes:
| Zipcode/Postcode: | |
| House name/number: | |
| Line 2: | |
| Line 3: | |
| Line 4: |
When you tab out of the "postcode" field the browser calls the onchange
event, which calls the fillAddress()
function:
function fillAddress() { var postcode = DWRUtil.getValue("postcode"); AddressLookup.fillAddress(postcode, function(address) { DWRUtil.setValues(address); }); }
This code first gets the contents of the postcode field, and then performs a call to the server using this postcode.
When the server replies we fill the values into the form using the
setValues()
function.
On the server, we could have created a JavaBean to hold the address data but for this example we have just used a java.util.Map. We could change to using a JavaBean without any JavaScript changes so long as the Map keys have the same names as the JavaBean properties.
public Map fillAddress(String origpostcode) { Map reply = new HashMap(); String postcode = LocalUtil.replace(origpostcode, " ", ""); if (postcode.equalsIgnoreCase("LE167TR")) { reply.put(LINE2, "Church Lane"); reply.put(LINE3, "Thorpe Langton"); reply.put(LINE4, "MARKET HARBOROUGH"); } ... else { reply.put(LINE2, "Postcode not found"); reply.put(LINE3, ""); reply.put(LINE4, ""); } return reply; }

 Zipcode/Postcode:	 <input id="postcode" type="text" onchange="fillAddress()"/>

 House name/number:	 <input id="house" type="text"/>

 Line 2:	 <input id="line2" type="text"/>

 Line 3:	 <input id="line3" type="text"/>

 Line 4:	 <input id="line4" type="text"/>

function fillAddress() { var postcode = DWRUtil.getValue("postcode"); AddressLookup.fillAddress(postcode, function(address) { DWRUtil.setValues(address); }); }
package uk.ltd.getahead.dwrdemo.address; import java.util.HashMap; import java.util.Map; import org.directwebremoting.util.LocalUtil; public class AddressLookup { private static final String LINE4 = "line4"; private static final String LINE3 = "line3"; private static final String LINE2 = "line2"; public Map fillAddress(String origpostcode) { Map reply = new HashMap(); String postcode = LocalUtil.replace(origpostcode, " ", ""); if (postcode.equalsIgnoreCase("LE167TR")) { reply.put(LINE2, "Church Lane"); reply.put(LINE3, "Thorpe Langton"); reply.put(LINE4, "MARKET HARBOROUGH"); } else if (postcode.equalsIgnoreCase("NR147SL")) { reply.put(LINE2, "Rectory Lane"); reply.put(LINE3, "Poringland"); reply.put(LINE4, "NORWICH"); } else if (postcode.equalsIgnoreCase("B927TT")) { reply.put(LINE2, "Olton Mere"); reply.put(LINE3, "Warwick Road"); reply.put(LINE4, "SOLIHULL"); } else if (postcode.equalsIgnoreCase("E178YT")) { reply.put(LINE2, ""); reply.put(LINE3, "PO Box 43108 "); reply.put(LINE4, "LONDON"); } else if (postcode.equalsIgnoreCase("SN48QS")) { reply.put(LINE2, "Binknoll"); reply.put(LINE3, "Wootton Bassett"); reply.put(LINE4, "SWINDON"); } else if (postcode.equalsIgnoreCase("NN57HT")) { reply.put(LINE2, "Heathville"); reply.put(LINE3, ""); reply.put(LINE4, "NORTHAMPTON"); } else { reply.put(LINE2, "Postcode not found"); reply.put(LINE3, ""); reply.put(LINE4, ""); } return reply; } }
<?xml version="1.0" encoding="UTF-8"?> <!DOCTYPE dwr PUBLIC "-//GetAhead Limited//DTD Direct Web Remoting 2.0//EN" "http://getahead.ltd.uk/dwr/dwr20.dtd"> <dwr> <allow> <create creator="new" javascript="AddressLookup"> <param name="class" value="uk.ltd.getahead.dwrdemo.address.AddressLookup"/> </create> </allow> </dwr>


Your browser will join the numbers and get to the 2048 tile!
This is not for play.
You can play on gabrielecirulli.github.io/2048
Created by Gabriele Cirulli. Based on 1024 by Veewo Studio and conceptually similar to Threes by Asher Vollmer.
AI by Matt Overlan
Benchmark by Geremia Taglialatela


Beginning this morning with one foot already in inebriation from the night before's use of ganja and codeine, I called up my g/f and asked her what she was up for, and we decided to talk all day. Well in the first hour of talking I tried to make premade jello absorb vodka... I'd say this was ok... but the purpose wasn't really served... I ended up massively sweetening some peach vodka because I am quite uneasy about shots since I last did them and was unable to pull it off... At any rate I had about 4 shots worth if that.
I was relaxed and half drunk talking to my g/f who went about her own ways with benzodiazepines. I talked to her until becoming bored of my state and could only come up with a bottle of promethazine since all the vicodin in this house has been swapped with excedrin. I preceded to smash up 25 mg of promethazine... After this process there was only about 20 mg that I wanted to deal with since the rest was too hard to get chopped up and I wasn't ready to sit there with it all night. I insufflated the promethazine and proceeded with water shots to get it all down.
So I ended up walking back to my room and being hit like a shotgun had hit me with inebriation. I suddenly felt dazed and gone. I was floating sort of part of the time.. The more I faded to sleep the crazier it all got. I ended up trying to stay awake with my g/f and we were there all of 6 hours and 5 of them had been spent like this.
Through the course of the 5 hours I felt as if I took way too much vicodin for a brain to handle. It wasn't dangerous, just kind of spacey. A definite opiate-like buzz.. So I enjoyed this trying to keep my train of thought, but sooner thinking I said something than actually speaking. It was like my brain was ahead of my mouth so far that it didn't know when it should start speaking.
This all eventually wore of pleasantly, it was all quite euphoric... At the moment it is mostly gone but my vision occasionaly jumps around... The only negative side-effect I could find was my pupils being very heavily constricted so as it was visibly darker around me.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


IET Library
Home
Logout
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Add book to database
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Student/Book details


| Interface | Description |
|---|---|
| ObjectContextNotifier.ObjectContextListener |
Defines the interface which
ObjectContext listeners must implement to receive notifications of relevant
events. |
| Class | Description |
|---|---|
| AtomicStore |
An AtomicStore is a persistence store in which data is loaded and saved all at once.
|
| ChangedObjectsSet |
Represents a set of objects that have changed in an
ObjectContext . |
| FetchRequest<T extends ManagedObject> |
Describes query to the persistence store to retrieve all the objects that match the specified criteria.
|
| FetchRequest.Builder<T extends ManagedObject> |
A builder class that simplifies the creation of a FetchRequest.
|
| IncrementalStore |
An IncrementalStore represents a persistence store in which data is loaded or saved incrementally as needed.
|
| ManagedObject |
A managed object is the base type of any object instance in Nexus Data.
|
| ObjectContext |
An Object Context keeps track and manages a collection of objects used by an application.
|
| ObjectContextNotifier |
This is a singleton class used to register for notifications from
ObjectContext events, such as
inserted objects, changed objects, etc. |
| ObjectContextNotifier.DefaultObjectContextListener |
Provides a default empty implementation of the
ObjectContextNotifier.ObjectContextListener . |
| ObjectID |
An ObjectID represents a global identifier that uniquely identifies a
ManagedObject . |
| ObjectsChangedNotification |
Represents the event that is sent when a set of objects in an
ObjectContext have changed. |
| PersistentStore |
A PersistentStore represents the data store where the object graph is persisted.
|
| PersistentStoreCoordinator |
A PersistentStoreCoordinator is a mediator between a
ObjectContext and other PersistentStore s. |
| SaveChangesRequest |
Represents a save request to a persistence store, containing all the objects that have been changed, either by
insertion, deletion, or updating, and are to be reflected in the persistence store.
|
| SortDescriptor |
This class describes how elements within a collection are sorted.
|
| StoreCacheNode |
Represents the data cache for a single record in the persistent store.
|
| Exception | Description |
|---|---|
| NoSuchPropertyException |
This exception is thrown when a non-existent property is accessed.
|


{% extends "base.html" %} {% block title %}New User{% endblock title %} {% block content_title %}New User{% endblock content_title %} {% block content %}
To create an account you need to register via this website. The advantage of being registered is that all jobs that you run is collected in one place.
Nota bene: several of the services provided by the BILS Tools Portal are usable without an account. {% endblock content %}


Posting an Add for the region:
You Can Upload Upto 4 photos in *.JPEG, *.JPG format (Size limit: 2MB)


Lorem ipsum dolor sit amet, consectetur adipisicing elit. Architecto doloremque eveniet, ipsa ipsam laudantium minima molestiae nostrum praesentium quisquam, repellat, veniam voluptatem! Aliquid distinctio illo ipsa perspiciatis reprehenderit ullam? Unde?
.txt-color-muted
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Architecto doloremque eveniet, ipsa ipsam laudantium minima molestiae nostrum praesentium quisquam, repellat, veniam voluptatem! Aliquid distinctio illo ipsa perspiciatis reprehenderit ullam? Unde?
.txt-size-lead
Dummy text is text that is used in the publishing industry or by web designers to occupy the space which will later be filled with 'real' content.
This is sentence with a link in it. It simply gets underlined when hovered over.
You can use the mark tag to highlight text.
This line of text is meant to be treated as deleted text.
This line of text is meant to be treated as no longer accurate.
This line of text is meant to be treated as an addition to the document.
This line of text will render as underlined
This line of text is meant to be treated as fine print.
This line rendered as bold text.
This line rendered as italicized text.
.txt-weight-black
.txt-weight-bold
.txt-weight-medium
.txt-weight-normal
.txt-weight-light
.txt-align-r
.txt-align-c
.txt-align-l
.txt-color-*
Primary text will surely not be used often. How ironic!
Secondary looks nice!
Danger! You deleted all your backups!
Info. Did you know that you didn't know?
Success!
Warning! Kim Jong Un is coming to town.


nips nips2005 nips2005-76 nips2005-76-reference knowledge-graph by maker-knowledge-mining
Source: pdf
Author: Sham Kakade, Adam Tauman Kalai
Abstract: It is well-known that everything that is learnable in the difﬁcult online setting, where an arbitrary sequences of examples must be labeled one at a time, is also learnable in the batch setting, where examples are drawn independently from a distribution. We show a result in the opposite direction. We give an efﬁcient conversion algorithm from batch to online that is transductive: it uses future unlabeled data. This demonstrates the equivalence between what is properly and efﬁciently learnable in a batch model and a transductive online model.
[1] B. Awerbuch and R. Kleinberg. Adaptive routing with end-to-end feedback: Distributed learning and geometric approaches. In Proc. of the 36th ACM Symposium on Theory of Computing, 2004.
[2] S. Ben-David, E. Kushilevitz, and Y. Mansour. Online learning versus ofﬂine learning. Machine Learning 29:45-63, 1997.
[3] A. Blum. Separating Distribution-Free and Mistake-Bound Learning Models over the Boolean Domain. SIAM Journal on Computing 23(5): 990-1000, 1994.
[4] A. Blum, J. Hartline. Near-Optimal Online Auctions. In Proceedings of the Proceedings of the Sixteenth Annual ACM-SIAM Symposium on Discrete Algorithms (SODA), 2005.
[5] J. Hannan. Approximation to Bayes Risk in Repeated Plays. In M. Dresher, A. Tucker, and P. Wolfe editors, Contributions to the Theory of Games, Volume 3, p. 97-139, Princeton University Press, 1957.
[6] A. Kalai and S. Vempala. Efﬁcient algorithms for the online decision problem. In Proceedings of the 16th Conference on Computational Learning Theory, 2003.
[7] M. Kearns, R. Schapire, and L. Sellie. Toward Efﬁcient Agnostic Learning. Machine Learning, 17(2/3):115–141, 1994.
[8] N. Littlestone. From On-Line to Batch Learning. In Proceedings of the 2nd Workshop on Computational Learning Theory, p. 269-284, 1989.
[9] N. Littlestone and M. Warmuth. The Weighted Majority Algorithm. Information and Computation, 108:212-261, 1994.
[10] H. Brendan McMahan and Avrim Blum. Online Geometric Optimization in the Bandit Setting Against an Adaptive Adversary. In Proceedings of the 17th Annual Conference on Learning Theory, COLT 2004.
[11] N. Sauer. On the Densities of Families of Sets. Journal of Combinatorial Theory, Series A, 13, p 145-147, 1972.
[12] V. N. Vapnik. Estimation of Dependencies Based on Empirical Data, New York: Springer Verlag, 1982.
[13] V. N. Vapnik. Statistical Learning Theory, New York: Wiley Interscience, 1998.


Documentation IQMparamestGUI
The IQMparamestGUI is a graphical user-interface aiming at giving users,
which are unfamiliar with the MATLAB command line interface, the possibility of using
the IQM Tools Pro for parameter estimation tasks.
Its use is hopefully (almost) self-explaining. Essentially, the main steps are the following:
- Load (or Import) a project using the File menu.
- Choose the parameters/initial conditions you want to estimate. You need to specify their names and
lower and upper bounds.
- Global parameters are model parameters that are the same across all experiments.
- Local parameters are experiment dependent.
- Initial conditions are always estimated experiment dependent.
The Initialize and Write out buttons help with this task. Try them out and you will see
what they do. Copy and paste and change as you need it.
- Select desired estimation settings.
- Run the parameter estimation.
- Following the parameter estimation you can perform a fit analysis. A good idea is to select the
simplexIQM or SSmIQM (if availabe) optimization methods for that, using smaller settings
for the maximum number of iterations.
- Export or save the project using again the File menu.
At all times other tasks can be run from the buttons to the left. Just try them out.


Welcome to Cape Verde
Savvy travellers have been booking holidays to Cape Verde for a while now. And when you see its beaches and lunar-like landscapes, you’ll understand why. Cape Verde is made up of 10 isles floating in Atlantic Ocean, 500 kilometres off the coast of Senegal. They’re still fairly new to the travel circuit, but with their out-of-this-world beaches and lively surf, they’re quickly making a name for themselves.


Whether you are new to hackathons or just interested in learning more, we have compiled a useful set of resources to learn more about hacking, prototyping, and design thinking in medicine. In addition, we have provided resources on what other institutions are doing to promote innovation in the surgical curriculum.


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User management for your Ubuntu-based production system
User management is essential for system administration. You need to be able to rapidly generate new user accounts with appropriate settings and access to things users need and no access to the things they do not. On a bioinformatics system, you also need to ensure that users all have access to the same environments so that appropriate software is available upon demand. This guide is meant to help with the nuance of setting up permissions and access without creating security risks.
Essential commands to know:
useradd
Stuff about useradd.
usermod
Stuff about usermod.
chown
Stuff about chown.
chmod
Stuff about chmod.


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{% blocktrans %}BikeMaps.org makes no representations, express or implied, as to the accuracy, completeness and timeliness of the information, maps, and data contained herein. Conclusions drawn or decisions made from the information provided on BikeMaps.org are the responsibility of the user. BikeMaps.org assumes no responsibility for its use.{% endblocktrans %}


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DAS BOOT (1981)
A film review by Steve Kong Edited by Cher Johnson Copyright 1998 Steve Kong
Many movies use a submarine as a setting to confine characters in order to drive a movie, such as Crimson Tide and The Hunt for Red October. But, most of these films never use the actual life aboard a submarine as the story. These films use a larger point of view as the story - in Crimson Tide it was about a nuclear attack, and in The Hunt for Red October it was about a defecting skipper. Das Boot is a movie that shows us just how grueling life was aboard a U-boat in World War II.
Wolfgang Petersen made the brilliant Das Boot before he made In the Line of Fire, Outbreak, and Air Force One. His last three films are mediocre, all of them falling in the stock action films department. I enjoyed them all, but any director could have done them. I did not know Petersen's full potential till I saw his first big hit, Das Boot.
Das Boot takes place about a German U-boat. This is where the film really shines. Because it's a German U-boat in the middle of World War II, the audience is not about to cheer for the crew. We are left gripped by the story and their mission, instead of the hurrah of the "American Navy going out and kicking enemy butt."
Das Boot follows a reporter (Herbert Grönemeyer) who goes on a tour of duty with a U-boat. The U-boat is captained by a man only known as Captain (Jürgen Prochnow). Though the captain is the eldest and strongest of all the men aboard the U-boat, he is only in his mid-thirties. He is serving on a boat full of young men, all of whom need strong leadership. The Captain is the source of the leadership. The Captain is not a real supporter of Hitler or the Nazis. He's just doing his job. This is shown early on in the film.
Das Boot goes one step further; it shows us what life is like on a tin can like the U-boat. The U-boat is truly a tin can - its dimensions barely wider than a man with his arms outstretched and its height almost as tall as a man. Das Boot goes to show that a submariner's life during a war is truly 90% sheer boredom and 10% pure terror. We experience life at the pace that the crew does - slow as molasses and repetitive, or quiet and sweat-filled as the boat lays dormant trying to avoid depth charges.
Petersen and cinematographer Jost Vacano chose an ingenious way of conveying the cramped conditions of a U-boat to the audience by shooting the whole movie from within a real replica of a U-boat. This meant shooting with a specially designed camera that could be used to follow crewmembers from one end of the U-boat to the other. This makes for a movie that looks and feels cramped.
There are moments in Das Boot that will make you sweat with the sailors. The attack on a convoy is one. After the attack, destroyers criss-cross the ocean above hunting the hunter. The terror from this moment comes not from what we see but from what we hear the bolts popping, the slight creak, the groan of the boat, and the hum of a near silent engine. Another moment comes when the ship is sinking - again it's the sound that conveys the terror, not the sights.
The version that I watched is the director's cut of the film, which spans about 60 minutes more than the original cut. This puts the running time at about three and a half hours. I have not seen the original cut, so I cannot tell you what the differences are. The sound in this version has also been digitally redone from the top down. And I congratulate the sound editing team for putting together a wonderful soundtrack to the film.
A few weeks ago, I saw Saving Private Ryan, which I thought was a great anti-war movie. Das Boot is of the same stature of Saving Private Ryan. It is a movie of both technical brilliance and of great storytelling. And in the end we are left wondering, why do humans fight wars? Don't Miss Das Boot.
Das Boot is available on videocassette and DVD. The video cassette version is a subtitled version. The DVD version - which I viewed for this review - contains both English dubbed, Spanish dubbed, and a German soundtrack. The DVD version also has Spanish, French, and English subtitles.
--- Steve Kong<EMAIL_ADDRESS>reviews from a guy who loves the cinema http://boiled.sbay.org/boiled/
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