A CROW caught in a snare prayed to Apollo to release him, making a vow to offer some frankincense at his shrine. But when rescued from his danger, he forgot his promise. Shortly afterwards, again caught in a snare, he passed by Apollo and made the same promise to offer frankincense to Mercury. Mercury soon appeared and said to him, “O thou most base fellow? how can I believe thee, who hast disowned and wronged thy former patron?”
THE NORTH WIND and the Sun disputed as to which was the most powerful, and agreed that he should be declared the victor who could first strip a wayfaring man of his clothes. The North Wind first tried his power and blew with all his might, but the keener his blasts, the closer the Traveler wrapped his cloak around him, until at last, resigning all hope of victory, the Wind called upon the Sun to see what he could do. The Sun suddenly shone out with all his warmth. The Traveler no sooner felt his genial rays than he took off one garment after another, and at last, fairly overcome with heat, undressed and bathed in a stream that lay in his path.
Persuasion is better than Force.
TWO MEN, deadly enemies to each other, were sailing in the same vessel. Determined to keep as far apart as possible, the one seated himself in the stem, and the other in the prow of the ship. A violent storm arose, and with the vessel in great danger of sinking, the one in the stern inquired of the pilot which of the two ends of the ship would go down first. On his replying that he supposed it would be the prow, the Man said, “Death would not be grievous to me, if I could only see my Enemy die before me.”
A MAN had two Gamecocks in his poultry-yard. One day by chance he found a tame Partridge for sale. He purchased it and brought it home to be reared with his Gamecocks. When the Partridge was put into the poultry-yard, they struck at it and followed it about, so that the Partridge became grievously troubled and supposed that he was thus evilly treated because he was a stranger. Not long afterwards he saw the Cocks fighting together and not separating before one had well beaten the other. He then said to himself, “I shall no longer distress myself at being struck at by these Gamecocks, when I see that they cannot even refrain from quarreling with each other.”
A FROG once upon a time came forth from his home in the marsh and proclaimed to all the beasts that he was a learned physician, skilled in the use of drugs and able to heal all diseases. A Fox asked him, “How can you pretend to prescribe for others, when you are unable to heal your own lame gait and wrinkled skin?”
 All the beasts came to visit their king, except the Fox. The Wolf therefore, thinking that he had a capital opportunity, accused the Fox to the Lion of not paying any respect to him who had the rule over them all and of not coming to visit him. At that very moment the Fox came in and heard these last words of the Wolf. The Lion roaring out in a rage against him, the Fox sought an opportunity to defend himself and said, “And who of all those who have come to you have benefited you so much as I, who have traveled from place to place in every direction, and have sought and learnt from the physicians the means of healing you?” The Lion commanded him immediately to tell him the cure, when he replied, “You must flay a wolf alive and wrap his skin yet warm around you.” The Wolf was at once taken and flayed; whereon the Fox, turning to him, said with a smile, “You should have moved your master not to ill, but to good, will.”
IN THE WINTERTIME, a Dog curled up in as small a space as possible on account of the cold, determined to make himself a house. However when the summer returned again, he lay asleep stretched at his full length and appeared to himself to be of a great size. Now he considered that it would be neither an easy nor a necessary work to make himself such a house as would accommodate him.
ROAMING BY the mountainside at sundown, a Wolf saw his own shadow become greatly extended and magnified, and he said to himself, “Why should I, being of such an immense size and extending nearly an acre in length, be afraid of the Lion? Ought I not to be acknowledged as King of all the collected beasts?” While he was indulging in these proud thoughts, a Lion fell upon him and killed him. He exclaimed with a too late repentance, “Wretched me! this overestimation of myself is the cause of my destruction.”
THE BIRDS waged war with the Beasts, and each were by turns the conquerors. A Bat, fearing the uncertain issues of the fight, always fought on the side which he felt was the strongest. When peace was proclaimed, his deceitful conduct was apparent to both combatants. Therefore being condemned by each for his treachery, he was driven forth from the light of day, and henceforth concealed himself in dark hiding-places, flying always alone and at night.
A YOUNG MAN, a great spendthrift, had run through all his patrimony and had but one good cloak left. One day he happened to see a Swallow, which had appeared before its season, skimming along a pool and twittering gaily. He supposed that summer had come, and went and sold his cloak. Not many days later, winter set in again with renewed frost and cold. When he found the unfortunate Swallow lifeless on the ground, he said, “Unhappy bird! what have you done? By thus appearing before the springtime you have not only killed yourself, but you have wrought my destruction also.”
A FOX saw a Lion confined in a cage, and standing near him, bitterly reviled him. The Lion said to the Fox, “It is not thou who revilest me; but this mischance which has befallen me.”
AN OWL, in her wisdom, counseled the Birds that when the acorn first began to sprout, to pull it all up out of the ground and not allow it to grow. She said acorns would produce mistletoe, from which an irremediable poison, the bird-lime, would be extracted and by which they would be captured. The Owl next advised them to pluck up the seed of the flax, which men had sown, as it was a plant which boded no good to them. And, lastly, the Owl, seeing an archer approach, predicted that this man, being on foot, would contrive darts armed with feathers which would fly faster than the wings of the Birds themselves. The Birds gave no credence to these warning words, but considered the Owl to be beside herself and said that she was mad. But afterwards, finding her words were true, they wondered at her knowledge and deemed her to be the wisest of birds. Hence it is that when she appears they look to her as knowing all things, while she no longer gives them advice, but in solitude laments their past folly.
A TRUMPETER, bravely leading on the soldiers, was captured by the enemy. He cried out to his captors, “Pray spare me, and do not take my life without cause or without inquiry. I have not slain a single man of your troop. I have no arms, and carry nothing but this one brass trumpet.” “That is the very reason for which you should be put to death,” they said; “for, while you do not fight yourself, your trumpet stirs all the others to battle.”
AN ASS, having put on the Lion’s skin, roamed about in the forest and amused himself by frightening all the foolish animals he met in his wanderings. At last coming upon a Fox, he tried to frighten him also, but the Fox no sooner heard the sound of his voice than he exclaimed, “I might possibly have been frightened myself, if I had not heard your bray.”
 A Sparrow upbraided her and said, “Where now is thy remarkable swiftness of foot? Why were your feet so slow?” While the Sparrow was thus speaking, a hawk suddenly seized him and killed him. The Hare was comforted in her death, and expiring said, “Ah! you who so lately, when you supposed yourself safe, exulted over my calamity, have now reason to deplore a similar misfortune.”
A FLEA thus questioned an Ox: “What ails you, that being so huge and strong, you submit to the wrongs you receive from men and slave for them day by day, while I, being so small a creature, mercilessly feed on their flesh and drink their blood without stint?” The Ox replied: “I do not wish to be ungrateful, for I am loved and well cared for by men, and they often pat my head and shoulders.” “Woe’s me!” said the flea; “this very patting which you like, whenever it happens to me, brings with it my inevitable destruction.”
ALL the Goods were once driven out by the Ills from that common share which they each had in the affairs of mankind; for the Ills by reason of their numbers had prevailed to possess the earth. The Goods wafted themselves to heaven and asked for a righteous vengeance on their persecutors. They entreated Jupiter that they might no longer be associated with the Ills, as they had nothing in common and could not live together, but were engaged in unceasing warfare; and that an indissoluble law might be laid down for their future protection. Jupiter granted their request and decreed that henceforth the Ills should visit the earth in company with each other, but that the Goods should one by one enter the habitations of men. Hence it arises that Ills abound, for they come not one by one, but in troops, and by no means singly: while the Goods proceed from Jupiter, and are given, not alike to all, but singly, and separately; and one by one to those who are able to discern them.
A DOVE shut up in a cage was boasting of the large number of young ones which she had hatched. A Crow hearing her, said: “My good friend, cease from this unseasonable boasting. The larger the number of your family, the greater your cause of sorrow, in seeing them shut up in this prison-house.”
A WORKMAN, felling wood by the side of a river, let his axe drop by accident into a deep pool. Being thus deprived of the means of his livelihood, he sat down on the bank and lamented his hard fate. Mercury appeared and demanded the cause of his tears. After he told him his misfortune, Mercury plunged into the stream, and, bringing up a golden axe, inquired if that were the one he had lost. On his saying that it was not his, Mercury disappeared beneath the water a second time, returned with a silver axe in his hand, and again asked the Workman if it were his. When the Workman said it was not, he dived into the pool for the third time and brought up the axe that had been lost. The Workman claimed it and expressed his joy at its recovery. Mercury, pleased with his honesty, gave him the golden and silver axes in addition to his own. The Workman, on his return to his house, related to his companions all that had happened. One of them at once resolved to try and secure the same good fortune for himself. He ran to the river and threw his axe on purpose into the pool at the same place, and sat down on the bank to weep. Mercury appeared to him just as he hoped he would; and having learned the cause of his grief, plunged into the stream and brought up a golden axe, inquiring if he had lost it. The Workman seized it greedily, and declared that truly it was the very same axe that he had lost. Mercury, displeased at his knavery, not only took away the golden axe, but refused to recover for him the axe he had thrown into the pool.
AN EAGLE, flying down from his perch on a lofty rock, seized upon a lamb and carried him aloft in his talons. A Jackdaw, who witnessed the capture of the lamb, was stirred with envy and determined to emulate the strength and flight of the Eagle. He flew around with a great whir of his wings and settled upon a large ram, with the intention of carrying him off, but his claws became entangled in the ram’s fleece and he was not able to release himself, although he fluttered with his feathers as much as he could. The shepherd, seeing what had happened, ran up and caught him. He at once clipped the Jackdaw’s wings, and taking him home at night, gave him to his children.
A FOX invited a Crane to supper and provided nothing for his entertainment but some soup made of pulse, which was poured out into a broad flat stone dish. The soup fell out of the long bill of the Crane at every mouthful, and his vexation at not being able to eat afforded the Fox much amusement. The Crane, in his turn, asked the Fox to sup with him, and set before her a flagon with a long narrow mouth, so that he could easily insert his neck and enjoy its contents at his leisure. The Fox, unable even to taste it, met with a fitting requital, after the fashion of her own hospitality.
ACCORDING to an ancient legend, the first man was made by Jupiter, the first bull by Neptune, and the first house by Minerva. On the completion of their labors, a dispute arose as to which had made the most perfect work. They agreed to appoint Momus as judge, and to abide by his decision. Momus, however, being very envious of the handicraft of each, found fault with all. He first blamed the work of Neptune because he had not made the horns of the bull below his eyes, so he might better see where to strike. He then condemned the work of Jupiter, because he had not placed the heart of man on the outside, that everyone might read the thoughts of the evil disposed and take precautions against the intended mischief. And, lastly, he inveighed against Minerva because she had not contrived iron wheels in the foundation of her house, so its inhabitants might more easily remove if a neighbor proved unpleasant. Jupiter, indignant at such inveterate faultfinding, drove him from his office of judge, and expelled him from the mansions of Olympus.
 The Eagle built her nest in the branches of a tall tree, while the Fox crept into the underwood and there produced her young. Not long after they had agreed upon this plan, the Eagle, being in want of provision for her young ones, swooped down while the Fox was out, seized upon one of the little cubs, and feasted herself and her brood. The Fox on her return, discovered what had happened, but was less grieved for the death of her young than for her inability to avenge them. A just retribution, however, quickly fell upon the Eagle. While hovering near an altar, on which some villagers were sacrificing a goat, she suddenly seized a piece of the flesh, and carried it, along with a burning cinder, to her nest. A strong breeze soon fanned the spark into a flame, and the eaglets, as yet unfledged and helpless, were roasted in their nest and dropped down dead at the bottom of the tree. There, in the sight of the Eagle, the Fox gobbled them up.
A MAN and a Satyr once drank together in token of a bond of alliance being formed between them. One very cold wintry day, as they talked, the Man put his fingers to his mouth and blew on them. When the Satyr asked the reason for this, he told him that he did it to warm his hands because they were so cold. Later on in the day they sat down to eat, and the food prepared was quite scalding. The Man raised one of the dishes a little towards his mouth and blew in it. When the Satyr again inquired the reason, he said that he did it to cool the meat, which was too hot. “I can no longer consider you as a friend,” said the Satyr, “a fellow who with the same breath blows hot and cold.”
A MAN wished to purchase an Ass, and agreed with its owner that he should try out the animal before he bought him. He took the Ass home and put him in the straw-yard with his other Asses, upon which the new animal left all the others and at once joined the one that was most idle and the greatest eater of them all. Seeing this, the man put a halter on him and led him back to his owner. On being asked how, in so short a time, he could have made a trial of him, he answered, “I do not need a trial; I know that he will be just the same as the one he chose for his companion.”
A man is known by the company he keeps.
 Hence it is that men are quick to see the faults of others, and yet are often blind to their own failings.
A STAG overpowered by heat came to a spring to drink. Seeing his own shadow reflected in the water, he greatly admired the size and variety of his horns, but felt angry with himself for having such slender and weak feet. While he was thus contemplating himself, a Lion appeared at the pool and crouched to spring upon him. The Stag immediately took to flight, and exerting his utmost speed, as long as the plain was smooth and open kept himself easily at a safe distance from the Lion. But entering a wood he became entangled by his horns, and the Lion quickly came up to him and caught him. When too late, he thus reproached himself: “Woe is me! How I have deceived myself! These feet which would have saved me I despised, and I gloried in these antlers which have proved my destruction.”
What is most truly valuable is often underrated.
A HALF-FAMISHED JACKDAW seated himself on a fig-tree, which had produced some fruit entirely out of season, and waited in the hope that the figs would ripen. A Fox seeing him sitting so long and learning the reason of his doing so, said to him, “You are indeed, sir, sadly deceiving yourself; you are indulging a hope strong enough to cheat you, but which will never reward you with enjoyment.”
THE LARK (according to an ancient legend) was created before the earth itself, and when her father died, as there was no earth, she could find no place of burial for him.  Hence she obtained her crest, which is popularly said to be her father’s grave-hillock.
Youth’s first duty is reverence to parents.
A GNAT settled on the horn of a Bull, and sat there a long time. Just as he was about to fly off, he made a buzzing noise, and inquired of the Bull if he would like him to go.
Some men are of more consequence in their own eyes than in the eyes of their neighbors.
 When her request was granted, she besought permission to rear her puppies in the same spot. The shepherd again consented. But at last the Bitch, protected by the bodyguard of her Whelps, who had now grown up and were able to defend themselves, asserted her exclusive right to the place and would not permit the shepherd to approach.
SOME DOGS famished with hunger saw a number of cowhides steeping in a river. Not being able to reach them, they agreed to drink up the river, but it happened that they burst themselves with drinking long before they reached the hides.
Attempt not impossibilities.
A SHEPHERD driving his Sheep to a wood, saw an oak of unusual size full of acorns, and spreading his cloak under the branches, he climbed up into the tree and shook them down. The Sheep eating the acorns inadvertently frayed and tore the cloak. When the Shepherd came down and saw what was done, he said, “O you most ungrateful creatures!
AN OWL, accustomed to feed at night and to sleep during the day, was greatly disturbed by the noise of a Grasshopper and earnestly besought her to stop chirping. The Grasshopper refused to desist, and chirped louder and louder the more the Owl entreated. When she saw that she could get no redress and that her words were despised, the Owl attacked the chatterer by a stratagem. “Since I cannot sleep,” she said, “on account of your song which, believe me, is sweet as the lyre of Apollo, I shall indulge myself in drinking some nectar which Pallas lately gave me. If you do not dislike it, come to me and we will drink it together.” The Grasshopper, who was thirsty, and pleased with the praise of her voice, eagerly flew up. The Owl came forth from her hollow, seized her, and put her to death.
THE BEASTS of the forest gave a splendid entertainment at which the Monkey stood up and danced. Having vastly delighted the assembly, he sat down amidst universal applause. The Camel, envious of the praises bestowed on the Monkey and desiring to divert to himself the favor of the guests, proposed to stand up in his turn and dance for their amusement. He moved about in so utterly ridiculous a manner that the Beasts, in a fit of indignation, set upon him with clubs and drove him out of the assembly.
It is absurd to ape our betters.
A PEASANT had in his garden an Apple-Tree which bore no fruit but only served as a harbor for the sparrows and grasshoppers. He resolved to cut it down, and taking his axe in his hand, made a bold stroke at its roots. The grasshoppers and sparrows entreated him not to cut down the tree that sheltered them, but to spare it, and they would sing to him and lighten his labors. He paid no attention to their request, but gave the tree a second and a third blow with his axe. When he reached the hollow of the tree, he found a hive full of honey. Having tasted the honeycomb, he threw down his axe, and looking on the tree as sacred, took great care of it.
Self-interest alone moves some men.
TWO SOLDIERS traveling together were set upon by a Robber. The one fled away; the other stood his ground and defended himself with his stout right hand. The Robber being slain, the timid companion ran up and drew his sword, and then, throwing back his traveling cloak said, “I’ll at him, and I’ll take care he shall learn whom he has attacked.” On this, he who had fought with the Robber made answer, “I only wish that you had helped me just now, even if it had been only with those words, for I should have been the more encouraged, believing them to be true; but now put up your sword in its sheath and hold your equally useless tongue, till you can deceive others who do not know you. I, indeed, who have experienced with what speed you run away, know right well that no dependence can be placed on your valor.”
THE GODS, according to an ancient legend, made choice of certain trees to be under their special protection. Jupiter chose the oak, Venus the myrtle, Apollo the laurel, Cybele the pine, and Hercules the poplar. Minerva, wondering why they had preferred trees not yielding fruit, inquired the reason for their choice. Jupiter replied, “It is lest we should seem to covet the honor for the fruit.” But said Minerva, “Let anyone say what he will the olive is more dear to me on account of its fruit.” Then said Jupiter, “My daughter, you are rightly called wise; for unless what we do is useful, the glory of it is vain.”
A FAMISHED WOLF was prowling about in the morning in search of food. As he passed the door of a cottage built in the forest, he heard a Mother say to her child, “Be quiet, or I will throw you out of the window, and the Wolf shall eat you.” The Wolf sat all day waiting at the door. In the evening he heard the same woman fondling her child and saying: “You are quiet now, and if the Wolf should come, we will kill him.” The Wolf, hearing these words, went home, gasping with cold and hunger. When he reached his den, Mistress Wolf inquired of him why he returned wearied and supperless, so contrary to his wont. He replied: “Why, forsooth! use I gave credence to the words of a woman!”
 “Yes,” said the Horse; “if any remains out of what I am now eating I will give it you for the sake of my own superior dignity, and if you will come when I reach my own stall in the evening, I will give you a little sack full of barley.” The Ass replied, “Thank you.
A WAYFARING MAN, traveling in the desert, met a woman standing alone and terribly dejected. He inquired of her, “Who art thou?” “My name is Truth,” she replied. “And for what cause,” he asked, “have you left the city to dwell alone here in the wilderness?” She made answer, “Because in former times, falsehood was with few, but is now with all men.”
A MAN committed a murder, and was pursued by the relations of the man whom he murdered. On his reaching the river Nile he saw a Lion on its bank and being fearfully afraid, climbed up a tree. He found a serpent in the upper branches of the tree, and again being greatly alarmed, he threw himself into the river, where a crocodile caught him and ate him. Thus the earth, the air, and the water alike refused shelter to a murderer.
A FOX entered into partnership with a Lion on the pretense of becoming his servant. Each undertook his proper duty in accordance with his own nature and powers. The Fox discovered and pointed out the prey; the Lion sprang on it and seized it. The Fox soon became jealous of the Lion carrying off the Lion’s share, and said that he would no longer find out the prey, but would capture it on his own account. The next day he attempted to snatch a lamb from the fold, but he himself fell prey to the huntsmen and hounds.
AN EAGLE stayed his flight and entreated a Lion to make an alliance with him to their mutual advantage. The Lion replied, “I have no objection, but you must excuse me for requiring you to find surety for your good faith, for how can I trust anyone as a friend who is able to fly away from his bargain whenever he pleases?”
Try before you trust.
A HEN finding the eggs of a viper and carefully keeping them warm, nourished them into life.
A RICH NOBLEMAN once opened the theaters without charge to the people, and gave a public notice that he would handsomely reward any person who invented a new amusement for the occasion. Various public performers contended for the prize. Among them came a Buffoon well known among the populace for his jokes, and said that he had a kind of entertainment which had never been brought out on any stage before. This report being spread about made a great stir, and the theater was crowded in every part. The Buffoon appeared alone upon the platform, without any apparatus or confederates, and the very sense of expectation caused an intense silence. He suddenly bent his head towards his bosom and imitated the squeaking of a little pig so admirably with his voice that the audience declared he had a porker under his cloak, and demanded that it should be shaken out. When that was done and nothing was found, they cheered the actor, and loaded him with the loudest applause. A Countryman in the crowd, observing all that has passed, said, “So help me, Hercules, he shall not beat me at that trick!” and at once proclaimed that he would do the same thing on the next day, though in a much more natural way. On the morrow a still larger crowd assembled in the theater, but now partiality for their favorite actor very generally prevailed, and the audience came rather to ridicule the Countryman than to see the spectacle. Both of the performers appeared on the stage. The Buffoon grunted and squeaked away first, and obtained, as on the preceding day, the applause and cheers of the spectators. Next the Countryman commenced, and pretending that he concealed a little pig beneath his clothes (which in truth he did, but not suspected by the audience ) contrived to take hold of and to pull his ear causing the pig to squeak. The Crowd, however, cried out with one consent that the Buffoon had given a far more exact imitation, and clamored for the Countryman to be kicked out of the theater. On this the rustic produced the little pig from his cloak and showed by the most positive proof the greatness of their mistake. “Look here,” he said, “this shows what sort of judges you are.”
A CROW in great want of food saw a Serpent asleep in a sunny nook, and flying down, greedily seized him. The Serpent, turning about, bit the Crow with a mortal wound. In the agony of death, the bird exclaimed: “O unhappy me! who have found in that which I deemed a happy windfall the source of my destruction.”
A CERTAIN HUNTER, having snared a hare, placed it upon his shoulders and set out homewards. On his way he met a man on horseback who begged the hare of him, under the pretense of purchasing it. However, when the Horseman got the hare, he rode off as fast as he could. The Hunter ran after him, as if he was sure of overtaking him, but the Horseman increased more and more the distance between them. The Hunter, sorely against his will, called out to him and said, “Get along with you! for I will now make you a present of the hare.”
A KING, whose only son was fond of martial exercises, had a dream in which he was warned that his son would be killed by a lion. Afraid the dream should prove true, he built for his son a pleasant palace and adorned its walls for his amusement with all kinds of life-sized animals, among which was the picture of a lion. When the young Prince saw this, his grief at being thus confined burst out afresh, and, standing near the lion, he said: “O you most detestable of animals! through a lying dream of my father’s, which he saw in his sleep, I am shut up on your account in this palace as if I had been a girl: what shall I now do to you?” With these words he stretched out his hands toward a thorn-tree, meaning to cut a stick from its branches so that he might beat the lion. But one of the tree’s prickles pierced his finger and caused great pain and inflammation, so that the young Prince fell down in a fainting fit. A violent fever suddenly set in, from which he died not many days later.
We had better bear our troubles bravely than try to escape them.
A CAT fell in love with a handsome young man, and entreated Venus to change her into the form of a woman. Venus consented to her request and transformed her into a beautiful damsel, so that the youth saw her and loved her, and took her home as his bride. While the two were reclining in their chamber, Venus wishing to discover if the Cat in her change of shape had also altered her habits of life, let down a mouse in the middle of the room. The Cat, quite forgetting her present condition, started up from the couch and pursued the mouse, wishing to eat it. Venus was much disappointed and again caused her to return to her former shape.
Nature exceeds nurture.
THE SHE-GOATS having obtained a beard by request to Jupiter, the He-Goats were sorely displeased and made complaint that the females equaled them in dignity. “Allow them,” said Jupiter, “to enjoy an empty honor and to assume the badge of your nobler sex, so long as they are not your equals in strength or courage.”
It matters little if those who are inferior to us in merit should be like us in outside appearances.
The Camel and the Arab
AN ARAB CAMEL-DRIVER, after completing the loading of his Camel, asked him which he would like best, to go up hill or down. The poor beast replied, not without a touch of reason: “Why do you ask me? Is it that the level way through the desert is closed?”
A MILLER and his son were driving their Ass to a neighboring fair to sell him. They had not gone far when they met with a troop of women collected round a well, talking and laughing. “Look there,” cried one of them, “did you ever see such fellows, to be trudging along the road on foot when they might ride?” The old man hearing this, quickly made his son mount the Ass, and continued to walk along merrily by his side. Presently they came up to a group of old men in earnest debate. “There,” said one of them, “it proves what I was a-saying. What respect is shown to old age in these days? Do you see that idle lad riding while his old father has to walk? Get down, you young scapegrace, and let the old man rest his weary limbs.” Upon this the old man made his son dismount, and got up himself. In this manner they had not proceeded far when they met a company of women and children: “Why, you lazy old fellow,” cried several tongues at once, “how can you ride upon the beast, while that poor little lad there can hardly keep pace by the side of you?” The good-natured Miller immediately took up his son behind him. They had now almost reached the town. “Pray, honest friend,” said a citizen, “is that Ass your own?” “Yes,” replied the old man. “O, one would not have thought so,” said the other, “by the way you load him. Why, you two fellows are better able to carry the poor beast than he you.” “Anything to please you,” said the old man; “we can but try.” So, alighting with his son, they tied the legs of the Ass together and with the help of a pole endeavored to carry him on their shoulders over a bridge near the entrance to the town. This entertaining sight brought the people in crowds to laugh at it, till the Ass, not liking the noise nor the strange handling that he was subject to, broke the cords that bound him and, tumbling off the pole, fell into the river. Upon this, the old man, vexed and ashamed, made the best of his way home again, convinced that by endeavoring to please everybody he had pleased nobody, and lost his Ass in the bargain.
A TROUBLESOME CROW seated herself on the back of a Sheep. The Sheep, much against his will, carried her backward and forward for a long time, and at last said, “If you had treated a dog in this way, you would have had your deserts from his sharp teeth.” To this the Crow replied, “I despise the weak and yield to the strong. I know whom I may bully and whom I must flatter; and I thus prolong my life to a good old age.”
A FOX was mounting a hedge when he lost his footing and caught hold of a Bramble to save himself. Having pricked and grievously tom the soles of his feet, he accused the Bramble because, when he had fled to her for assistance, she had used him worse than the hedge itself. The Bramble, interrupting him, said, “But you really must have been out of your senses to fasten yourself on me, who am myself always accustomed to fasten upon others.”
 A Lion met him in the path, and seizing the lamb, took it from him. Standing at a safe distance, the Wolf exclaimed, “You have unrighteously taken that which was mine from me!” To which the Lion jeeringly replied, “It was righteously yours, eh? The gift of a friend?”
A DOG, used to eating eggs, saw an Oyster and, opening his mouth to its widest extent, swallowed it down with the utmost relish, supposing it to be an egg. Soon afterwards suffering great pain in his stomach, he said, “I deserve all this torment, for my folly in thinking that everything round must be an egg.”
They who act without sufficient thought, will often fall into unsuspected danger.
AN ANT went to the bank of a river to quench its thirst, and being carried away by the rush of the stream, was on the point of drowning. A Dove sitting on a tree overhanging the water plucked a leaf and let it fall into the stream close to her. The Ant climbed onto it and floated in safety to the bank. Shortly afterwards a birdcatcher came and stood under the tree, and laid his lime-twigs for the Dove, which sat in the branches. The Ant, perceiving his design, stung him in the foot. In pain the birdcatcher threw down the twigs, and the noise made the Dove take wing.
 The Partridge earnestly begged him to spare his life, saying, “Pray, master, permit me to live and I will entice many Partridges to you in recompense for your mercy to me.” The Fowler replied, “I shall now with less scruple take your life, because you are willing to save it at the cost of betraying your friends and relations.”

SOME THIEVES broke into a house and found nothing but a Cock, whom they stole, and got off as fast as they could. Upon arriving at home they prepared to kill the Cock, who thus pleaded for his life: “Pray spare me; I am very serviceable to men. I wake them up in the night to their work.” “That is the very reason why we must the more kill you,” they replied; “for when you wake your neighbors, you entirely put an end to our business.”
The safeguards of virtue are hateful to those with evil intentions.
A RICH MAN gave a great feast, to which he invited many friends and acquaintances. His Dog availed himself of the occasion to invite a stranger Dog, a friend of his, saying, “My master gives a feast, and there is always much food remaining; come and sup with me tonight.” The Dog thus invited went at the hour appointed, and seeing the preparations for so grand an entertainment, said in the joy of his heart, “How glad I am that I came! I do not often get such a chance as this. I will take care and eat enough to last me both today and tomorrow.” While he was congratulating himself and wagging his tail to convey his pleasure to his friend, the Cook saw him moving about among his dishes and, seizing him by his fore and hind paws, bundled him without ceremony out of the window. He fell with force upon the ground and limped away, howling dreadfully. His yelling soon attracted other street dogs, who came up to him and inquired how he had enjoyed his supper. He replied, “Why, to tell you the truth, I drank so much wine that I remember nothing. I do not know how I got out of the house.”
TWO TRAVELERS, worn out by the heat of the summer’s sun, laid themselves down at noon under the widespreading branches of a Plane-Tree. As they rested under its shade, one of the Travelers said to the other, “What a singularly useless tree is the Plane! It bears no fruit, and is not of the least service to man.” The Plane-Tree, interrupting him, said, “You ungrateful fellows! Do you, while receiving benefits from me and resting under my shade, dare to describe me as useless, and unprofitable?”
Some men underrate their best blessings.
THE HARES, oppressed by their own exceeding timidity and weary of the perpetual alarm to which they were exposed, with one accord determined to put an end to themselves and their troubles by jumping from a lofty precipice into a deep lake below. As they scampered off in large numbers to carry out their resolve, the Frogs lying on the banks of the lake heard the noise of their feet and rushed helter-skelter to the deep water for safety. On seeing the rapid disappearance of the Frogs, one of the Hares cried out to his companions: “Stay, my friends, do not do as you intended; for you now see that there are creatures who are still more timid than ourselves.”
THE LION wearied Jupiter with his frequent complaints. “It is true, O Jupiter!” he said, “that I am gigantic in strength, handsome in shape, and powerful in attack. I have jaws well provided with teeth, and feet furnished with claws, and I lord it over all the beasts of the forest, and what a disgrace it is, that being such as I am, I should be frightened by the crowing of a cock.” Jupiter replied, “Why do you blame me without a cause? I have given you all the attributes which I possess myself, and your courage never fails you except in this one instance.” On hearing this the Lion groaned and lamented very much and, reproaching himself with his cowardice, wished that he might die. As these thoughts passed through his mind, he met an Elephant and came close to hold a conversation with him. After a time he observed that the Elephant shook his ears very often, and he inquired what was the matter and why his ears moved with such a tremor every now and then. Just at that moment a Gnat settled on the head of the Elephant, and he replied, “Do you see that little buzzing insect? If it enters my ear, my fate is sealed.  The Lion said, “Well, since so huge a beast is afraid of a tiny gnat, I will no more complain, nor wish myself dead. I find myself, even as I am, better off than the Elephant.”
A WOLF pursued a Lamb, which fled for refuge to a certain Temple. The Wolf called out to him and said, “The Priest will slay you in sacrifice, if he should catch you.” On which the Lamb replied, “It would be better for me to be sacrificed in the Temple than to be eaten by you.”
A RICH MAN lived near a Tanner, and not being able to bear the unpleasant smell of the tan-yard, he pressed his neighbor to go away. The Tanner put off his departure from time to time, saying that he would leave soon. But as he still continued to stay, as time went on, the rich man became accustomed to the smell, and feeling no manner of inconvenience, made no further complaints.
A SHIPWRECKED MAN, having been cast upon a certain shore, slept after his buffetings with the deep. After a while he awoke, and looking upon the Sea, loaded it with reproaches. He argued that it enticed men with the calmness of its looks, but when it had induced them to plow its waters, it grew rough and destroyed them. The Sea, assuming the form of a woman, replied to him: “Blame not me, my good sir, but the winds, for I am by my own nature as calm and firm even as this earth; but the winds suddenly falling on me create these waves, and lash me into fury.”
TWO MULES well-laden with packs were trudging along. One carried panniers filled with money, the other sacks weighted with grain. The Mule carrying the treasure walked with head erect, as if conscious of the value of his burden, and tossed up and down the clear-toned bells fastened to his neck. His companion followed with quiet and easy step. All of a sudden Robbers rushed upon them from their hiding-places, and in the scuffle with their owners, wounded with a sword the Mule carrying the treasure, which they greedily seized while taking no notice of the grain. The Mule which had been robbed and wounded bewailed his misfortunes. The other replied, “I am indeed glad that I was thought so little of, for I have lost nothing, nor am I hurt with any wound.”
A LION, entering the workshop of a smith, sought from the tools the means of satisfying his hunger. He more particularly addressed himself to a File, and asked of him the favor of a meal. The File replied, “You must indeed be a simple-minded fellow if you expect to get anything from me, who am accustomed to take from everyone, and never to give anything in return.”
A LION, roaming through a forest, trod upon a thorn. Soon afterward he came up to a Shepherd and fawned upon him, wagging his tail as if to say, “I am a suppliant, and seek your aid.” The Shepherd boldly examined the beast, discovered the thorn, and placing his paw upon his lap, pulled it out; thus relieved of his pain, the Lion returned into the forest. Some time after, the Shepherd, being imprisoned on a false accusation, was condemned “to be cast to the Lions” as the punishment for his imputed crime. But when the Lion was released from his cage, he recognized the Shepherd as the man who healed him, and instead of attacking him, approached and placed his foot upon his lap. The King, as soon as he heard the tale, ordered the Lion to be set free again in the forest, and the Shepherd to be pardoned and restored to his friends.
THE CAMEL, when he saw the Bull adorned with horns, envied him and wished that he himself could obtain the same honors. He went to Jupiter, and besought him to give him horns. Jupiter, vexed at his request because he was not satisfied with his size and strength of body, and desired yet more, not only refused to give him horns, but even deprived him of a portion of his ears.
A PANTHER, by some mischance, fell into a pit. The Shepherds discovered him, and some threw sticks at him and pelted him with stones, while others, moved with compassion towards one about to die even though no one should hurt him, threw in some food to prolong his life. At night they returned home, not dreaming of any danger, but supposing that on the morrow they would find him dead. The Panther, however, when he had recruited his feeble strength, freed himself with a sudden bound from the pit, and hastened to his den with rapid steps. After a few days he came forth and slaughtered the cattle, and, killing the Shepherds who had attacked him, raged with angry fury.  To them the Panther made this reply: “I remember alike those who sought my life with stones, and those who gave me food aside, therefore, your fears. I return as an enemy only to those who injured me.”
 But when war broke out, a heavily armed soldier mounted the Horse, and riding him to the charge, rushed into the very midst of the enemy. The Horse was wounded and fell dead on the battlefield. Then the Ass, seeing all these things, changed his mind, and commiserated the Horse.
AN EAGLE was once captured by a man, who immediately clipped his wings and put him into his poultry-yard with the other birds, at which treatment the Eagle was weighed down with grief. Later, another neighbor purchased him and allowed his feathers to grow again. The Eagle took flight, and pouncing upon a hare, brought it at once as an offering to his benefactor.
A FLY bit the bare head of a Bald Man who, endeavoring to destroy it, gave himself a heavy slap. Escaping, the Fly said mockingly, “You who have wished to revenge, even with death, the Prick of a tiny insect, see what you have done to yourself to add insult to injury?” The Bald Man replied, “I can easily make peace with myself, because I know there was no intention to hurt.
THE OLIVE-TREE ridiculed the Fig-Tree because, while she was green all the year round, the Fig-Tree changed its leaves with the seasons. A shower of snow fell upon them, and, finding the Olive full of foliage, it settled upon its branches and broke them down with its weight, at once despoiling it of its beauty and killing the tree. But finding the Fig-Tree denuded of leaves, the snow fell through to the ground, and did not injure it at all.
AN EAGLE, overwhelmed with sorrow, sat upon the branches of a tree in company with a Kite. “Why,” said the Kite, “do I see you with such a rueful look?” “I seek,” she replied, “a mate suitable for me, and am not able to find one.” “Take me,” returned the Kite, “I am much stronger than you are.” “Why, are you able to secure the means of living by your plunder?” “Well, I have often caught and carried away an ostrich in my talons.” The Eagle, persuaded by these words, accepted him as her mate. Shortly after the nuptials, the Eagle said, “Fly off and bring me back the ostrich you promised me.” The Kite, soaring aloft into the air, brought back the shabbiest possible mouse, stinking from the length of time it had lain about the fields. “Is this,” said the Eagle, “the faithful fulfillment of your promise to me?” The Kite replied, “That I might attain your royal hand, there is nothing that I would not have promised, however much I knew that I must fail in the performance.”
AN ASS, being driven along a high road, suddenly started off and bolted to the brink of a deep precipice. While he was in the act of throwing himself over, his owner seized him by the tail, endeavoring to pull him back. When the Ass persisted in his effort, the man let him go and said, “Conquer, but conquer to your cost.”
A THRUSH was feeding on a myrtle-tree and did not move from it because its berries were so delicious. A Fowler observed her staying so long in one spot, and having well bird-limed his reeds, caught her. The Thrush, being at the point of death, exclaimed, “O foolish creature that I am! For the sake of a little pleasant food I have deprived myself of my life.”
AN AMARANTH planted in a garden near a Rose-Tree, thus addressed it: “What a lovely flower is the Rose, a favorite alike with Gods and with men.  The Rose replied, “I indeed, dear Amaranth, flourish but for a brief season! If no cruel hand pluck me from my stem, yet I must perish by an early doom. But thou art immortal and dost never fade, but bloomest for ever in renewed youth.”
ONCE UPON A TIME, when the Sun announced his intention to take a wife, the Frogs lifted up their voices in clamor to the sky. Jupiter, disturbed by the noise of their croaking, inquired the cause of their complaint.  What will be our future condition if he should beget other suns?”
THE LIFE and History of Aesop is involved, like that of Homer, the most famous of Greek poets, in much obscurity. Sardis, the capital of Lydia; Samos, a Greek island; Mesembria, an ancient colony in Thrace; and Cotiaeum, the chief city of a province of Phrygia, contend for the distinction of being the birthplace of Aesop. Although the honor thus claimed cannot be definitely assigned to any one of these places, yet there are a few incidents now generally accepted by scholars as established facts, relating to the birth, life, and death of Aesop. He is, by an almost universal consent, allowed to have been born about the year 620 B.C., and to have been by birth a slave. He was owned by two masters in succession, both inhabitants of Samos, Xanthus and Jadmon, the latter of whom gave him his liberty as a reward for his learning and wit. One of the privileges of a freedman in the ancient republics of Greece, was the permission to take an active interest in public affairs; and Aesop, like the philosophers Phaedo, Menippus, and Epictetus, in later times, raised himself from the indignity of a servile condition to a position of high renown. In his desire alike to instruct and to be instructed, he travelled through many countries, and among others came to Sardis, the capital of the famous king of Lydia, the great patron, in that day, of learning and of learned men. He met at the court of Croesus with Solon, Thales, and other sages, and is related so to have pleased his royal master, by the part he took in the conversations held with these philosophers, that he applied to him an expression which has since passed into a proverb, “The Phrygian has spoken better than all.”
On the invitation of Croesus he fixed his residence at Sardis, and was employed by that monarch in various difficult and delicate affairs of State. In his discharge of these commissions he visited the different petty republics of Greece. At one time he is found in Corinth, and at another in Athens, endeavouring, by the narration of some of his wise fables, to reconcile the inhabitants of those cities to the administration of their respective rulers Periander and Pisistratus. One of these ambassadorial missions, undertaken at the command of Croesus, was the occasion of his death. Having been sent to Delphi with a large sum of gold for distribution among the citizens, he was so provoked at their covetousness that he refused to divide the money, and sent it back to his master. The Delphians, enraged at this treatment, accused him of impiety, and, in spite of his sacred character as ambassador, executed him as a public criminal. This cruel death of Aesop was not unavenged. The citizens of Delphi were visited with a series of calamities, until they made a public reparation of their crime; and, “The blood of Aesop” became a well-known adage, bearing witness to the truth that deeds of wrong would not pass unpunished. Neither did the great fabulist lack posthumous honors; for a statue was erected to his memory at Athens, the work of Lysippus, one of the most famous of Greek sculptors. Phaedrus thus immortalizes the event:
Aesopo ingentem statuam posuere Attici, Servumque collocarunt aeterna in basi: Patere honoris scirent ut cuncti viam; Nec generi tribui sed virtuti gloriam.
These few facts are all that can be relied on with any degree of certainty, in reference to the birth, life, and death of Aesop. They were first brought to light, after a patient search and diligent perusal of ancient authors, by a Frenchman, M. Claude Gaspard Bachet de Mezeriac, who declined the honor of being tutor to Louis XIII of France, from his desire to devote himself exclusively to literature. He published his Life of Aesop, Anno Domini 1632. The later investigations of a host of English and German scholars have added very little to the facts given by M. Mezeriac. The substantial truth of his statements has been confirmed by later criticism and inquiry. It remains to state, that prior to this publication of M. Mezeriac, the life of Aesop was from the pen of Maximus Planudes, a monk of Constantinople, who was sent on an embassy to Venice by the Byzantine Emperor Andronicus the elder, and who wrote in the early part of the fourteenth century. His life was prefixed to all the early editions of these fables, and was republished as late as 1727 by Archdeacon Croxall as the introduction to his edition of Aesop. This life by Planudes contains, however, so small an amount of truth, and is so full of absurd pictures of the grotesque deformity of Aesop, of wondrous apocryphal stories, of lying legends, and gross anachronisms, that it is now universally condemned as false, puerile, and unauthentic. 101 It is given up in the present day, by general consent, as unworthy of the slightest credit. G.F.T.
THE TALE, the Parable, and the Fable are all common and popular modes of conveying instruction. Each is distinguished by its own special characteristics. The Tale consists simply in the narration of a story either founded on facts, or created solely by the imagination, and not necessarily associated with the teaching of any moral lesson. The Parable is the designed use of language purposely intended to convey a hidden and secret meaning other than that contained in the words themselves; and which may or may not bear a special reference to the hearer, or reader. The Fable partly agrees with, and partly differs from both of these. It will contain, like the Tale, a short but real narrative; it will seek, like the Parable, to convey a hidden meaning, and that not so much by the use of language, as by the skilful introduction of fictitious characters; and yet unlike to either Tale or Parable, it will ever keep in view, as its high prerogative, and inseparable attribute, the great purpose of instruction, and will necessarily seek to inculcate some moral maxim, social duty, or political truth. The true Fable, if it rise to its high requirements, ever aims at one great end and purpose representation of human motive, and the improvement of human conduct, and yet it so conceals its design under the disguise of fictitious characters, by clothing with speech the animals of the field, the birds of the air, the trees of the wood, or the beasts of the forest, that the reader shall receive advice without perceiving the presence of the adviser. Thus the superiority of the counsellor, which often renders counsel unpalatable, is kept out of view, and the lesson comes with the greater acceptance when the reader is led, unconsciously to himself, to have his sympathies enlisted in behalf of what is pure, honorable, and praiseworthy, and to have his indignation excited against what is low, ignoble, and unworthy. The true fabulist, therefore, discharges a most important function. He is neither a narrator, nor an allegorist. He is a great teacher, a corrector of morals, a censor of vice, and a commender of virtue. In this consists the superiority of the Fable over the Tale or the Parable. The fabulist is to create a laugh, but yet, under a merry guise, to convey instruction. Phaedrus, the great imitator of Aesop, plainly indicates this double purpose to be the true office of the writer of fables.
Duplex libelli dos est: quod risum movet, Et quod prudenti vitam consilio monet.
The continual observance of this twofold aim creates the charm, and accounts for the universal favor, of the fables of Aesop. “The fable,” says Professor K. O. Mueller, “originated in Greece in an intentional travestie of human affairs. The ‘ainos,’ as its name denotes, is an admonition, or rather a reproof veiled, either from fear of an excess of frankness, or from a love of fun and jest, beneath the fiction of an occurrence happening among beasts; and wherever we have any ancient and authentic account of the Aesopian fables, we find it to be the same." 1
The construction of a fable involves a minute attention to (1) the narration itself; (2) the deduction of the moral; and (3) a careful maintenance of the individual characteristics of the fictitious personages introduced into it. The narration should relate to one simple action, consistent with itself, and neither be overladen with a multiplicity of details, nor distracted by a variety of circumstances. The moral or lesson should be so plain, and so intimately interwoven with, and so necessarily dependent on, the narration, that every reader should be compelled to give to it the same undeniable interpretation. The introduction of the animals or fictitious characters should be marked with an unexceptionable care and attention to their natural attributes, and to the qualities attributed to them by universal popular consent. The Fox should be always cunning, the Hare timid, the Lion bold, the Wolf cruel, the Bull strong, the Horse proud, and the Ass patient. Many of these fables are characterized by the strictest observance of these rules. They are occupied with one short narrative, from which the moral naturally flows, and with which it is intimately associated. “‘Tis the simple manner,” says Dodsley, 2 “in which the morals of Aesop are interwoven with his fables that distinguishes him, and gives him the preference over all other mythologists. His ‘Mountain delivered of a Mouse,’ produces the moral of his fable in ridicule of pompous pretenders; and his Crow, when she drops her cheese, lets fall, as it were by accident, the strongest admonition against the power of flattery. There is no need of a separate sentence to explain it; no possibility of impressing it deeper, by that load we too often see of accumulated reflections." 3 An equal amount of praise is due for the consistency with which the characters of the animals, fictitiously introduced, are marked. While they are made to depict the motives and passions of men, they retain, in an eminent degree, their own special features of craft or counsel, of cowardice or courage, of generosity or rapacity.
These terms of praise, it must be confessed, cannot be bestowed on all the fables in this collection. Many of them lack that unity of design, that close connection of the moral with the narrative, that wise choice in the introduction of the animals, which constitute the charm and excellency of true Aesopian fable. This inferiority of some to others is sufficiently accounted for in the history of the origin and descent of these fables. The great bulk of them are not the immediate work of Aesop. Many are obtained from ancient authors prior to the time in which he lived. Thus, the fable of the “Hawk and the Nightingale” is related by Hesiod; 4 the “Eagle wounded by an Arrow, winged with its own Feathers,” by Aeschylus; 5 the “Fox avenging his wrongs on the Eagle,” by Archilochus. 6 Many of them again are of later origin, and are to be traced to the monks of the middle ages: and yet this collection, though thus made up of fables both earlier and later than the era of Aesop, rightfully bears his name, because he composed so large a number (all framed in the same mould, and conformed to the same fashion, and stamped with the same lineaments, image, and superscription) as to secure to himself the right to be considered the father of Greek fables, and the founder of this class of writing, which has ever since borne his name, and has secured for him, through all succeeding ages, the position of the first of moralists. 7
The fables were in the first instance only narrated by Aesop, and for a long time were handed down by the uncertain channel of oral tradition. Socrates is mentioned by Plato 8 as having employed his time while in prison, awaiting the return of the sacred ship from Delphos which was to be the signal of his death, in turning some of these fables into verse, but he thus versified only such as he remembered. Demetrius Phalereus, a philosopher at Athens about 300 B.C., is said to have made the first collection of these fables. Phaedrus, a slave by birth or by subsequent misfortunes, and admitted by Augustus to the honors of a freedman, imitated many of these fables in Latin iambics about the commencement of the Christian era. Aphthonius, a rhetorician of Antioch, A.D. 315, wrote a treatise on, and converted into Latin prose, some of these fables. This translation is the more worthy of notice, as it illustrates a custom of common use, both in these and in later times. The rhetoricians and philosophers were accustomed to give the Fables of Aesop as an exercise to their scholars, not only inviting them to discuss the moral of the tale, but also to practice and to perfect themselves thereby in style and rules of grammar, by making for themselves new and various versions of the fables. Ausonius, 9 the friend of the Emperor Valentinian, and the latest poet of eminence in the Western Empire, has handed down some of these fables in verse, which Julianus Titianus, a contemporary writer of no great name, translated into prose. Avienus, also a contemporary of Ausonius, put some of these fables into Latin elegiacs, which are given by Nevelet (in a book we shall refer to hereafter), and are occasionally incorporated with the editions of Phaedrus.
Seven centuries elapsed before the next notice is found of the Fables of Aesop. During this long period these fables seem to have suffered an eclipse, to have disappeared and to have been forgotten; and it is at the commencement of the fourteenth century, when the Byzantine emperors were the great patrons of learning, and amidst the splendors of an Asiatic court, that we next find honors paid to the name and memory of Aesop. Maximus Planudes, a learned monk of Constantinople, made a collection of about a hundred and fifty of these fables. Little is known of his history.  He took an active part in public affairs. In 1327 A.D. he was sent on a diplomatic mission to Venice by the Emperor Andronicus the Elder. This brought him into immediate contact with the Western Patriarch, whose interests he henceforth advocated with so much zeal as to bring on him suspicion and persecution from the rulers of the Eastern Church. Planudes has been exposed to a two-fold accusation. He is charged on the one hand with having had before him a copy of Babrias (to whom we shall have occasion to refer at greater length in the end of this Preface), and to have had the bad taste “to transpose,” or to turn his poetical version into prose: and he is asserted, on the other hand, never to have seen the Fables of Aesop at all, but to have himself invented and made the fables which he palmed off under the name of the famous Greek fabulist. The truth lies between these two extremes. Planudes may have invented some few fables, or have inserted some that were current in his day; but there is an abundance of unanswerable internal evidence to prove that he had an acquaintance with the veritable fables of Aesop, although the versions he had access to were probably corrupt, as contained in the various translations and disquisitional exercises of the rhetoricians and philosophers. His collection is interesting and important, not only as the parent source or foundation of the earlier printed versions of Aesop, but as the direct channel of attracting to these fables the attention of the learned.
The eventual re-introduction, however, of these Fables of Aesop to their high place in the general literature of Christendom, is to be looked for in the West rather than in the East. The calamities gradually thickening round the Eastern Empire, and the fall of Constantinople, 1453 A.D. combined with other events to promote the rapid restoration of learning in Italy; and with that recovery of learning the revival of an interest in the Fables of Aesop is closely identified. These fables, indeed, were among the first writings of an earlier antiquity that attracted attention. They took their place beside the Holy Scriptures and the ancient classic authors, in the minds of the great students of that day. Lorenzo Valla, one of the most famous promoters of Italian learning, not only translated into Latin the Iliad of Homer and the Histories of Herodotus and Thucydides, but also the Fables of Aesop.
These fables, again, were among the books brought into an extended circulation by the agency of the printing press. Bonus Accursius, as early as 1475-1480, printed the collection of these fables, made by Planudes, which, within five years afterwards, Caxton translated into English, and printed at his press in West-minster Abbey, 1485. 10 It must be mentioned also that the learning of this age has left permanent traces of its influence on these fables, 11 by causing the interpolation with them of some of those amusing stories which were so frequently introduced into the public discourses of the great preachers of those days, and of which specimens are yet to be found in the extant sermons of Jean Raulin, Meffreth, and Gabriel Barlette. 12 The publication of this era which most probably has influenced these fables, is the “Liber Facetiarum," 13 a book consisting of a hundred jests and stories, by the celebrated Poggio Bracciolini, published A.D. 1471, from which the two fables of the “Miller, his Son, and the Ass,” and the “Fox and the Woodcutter,” are undoubtedly selected.
The knowledge of these fables rapidly spread from Italy into Germany, and their popularity was increased by the favor and sanction given to them by the great fathers of the Reformation, who frequently used them as vehicles for satire and protest against the tricks and abuses of the Romish ecclesiastics. The zealous and renowned Camerarius, who took an active part in the preparation of the Confession of Augsburgh, found time, amidst his numerous avocations, to prepare a version for the students in the university of Tubingen, in which he was a professor. Martin Luther translated twenty of these fables, and was urged by Melancthon to complete the whole; while Gottfried Arnold, the celebrated Lutheran theologian, and librarian to Frederick I, king of Prussia, mentions that the great Reformer valued the Fables of Aesop next after the Holy Scriptures. In 1546 A.D. the second printed edition of the collection of the Fables made by Planudes, was issued from the printing-press of Robert Stephens, in which were inserted some additional fables from a MS. in the Bibliotheque du Roy at Paris.
The greatest advance, however, towards a re-introduction of the Fables of Aesop to a place in the literature of the world, was made in the early part of the seventeenth century. In the year 1610, a learned Swiss, Isaac Nicholas Nevelet, sent forth the third printed edition of these fables, in a work entitled “Mythologia Aesopica.” This was a noble effort to do honor to the great fabulist, and was the most perfect collection of Aesopian fables ever yet published. It consisted, in addition to the collection of fables given by Planudes and reprinted in the various earlier editions, of one hundred and thirty-six new fables (never before published) from MSS. in the Library of the Vatican, of forty fables attributed to Aphthonius, and of forty-three from Babrias. It also contained the Latin versions of the same fables by Phaedrus, Avienus, and other authors. This volume of Nevelet forms a complete “Corpus Fabularum Aesopicarum;” and to his labors Aesop owes his restoration to universal favor as one of the wise moralists and great teachers of mankind. During the interval of three centuries which has elapsed since the publication of this volume of Nevelet’s, no book, with the exception of the Holy Scriptures, has had a wider circulation than Aesop’s Fables. They have been translated into the greater number of the languages both of Europe and of the East, and have been read, and will be read, for generations, alike by Jew, Heathen, Mohammedan, and Christian. They are, at the present time, not only engrafted into the literature of the civilized world, but are familiar as household words in the common intercourse and daily conversation of the inhabitants of all countries.
This collection of Nevelet’s is the great culminating point in the history of the revival of the fame and reputation of Aesopian Fables. It is remarkable, also, as containing in its preface the germ of an idea, which has been since proved to have been correct by a strange chain of circumstances. Nevelet intimates an opinion, that a writer named Babrias would be found to be the veritable author of the existing form of Aesopian Fables. This intimation has since given rise to a series of inquiries, the knowledge of which is necessary, in the present day, to a full understanding of the true position of Aesop in connection with the writings that bear his name.
The history of Babrias is so strange and interesting, that it might not unfitly be enumerated among the curiosities of literature. He is generally supposed to have been a Greek of Asia Minor, of one of the Ionic Colonies, but the exact period in which he lived and wrote is yet unsettled. He is placed, by one critic, 14 as far back as the institution of the Achaian League, B.C. 250; by another as late as the Emperor Severus, who died A.D. 235; while others make him a contemporary with Phaedrus in the time of Augustus. At whatever time he wrote his version of Aesop, by some strange accident it seems to have entirely disappeared, and to have been lost sight of. His name is mentioned by Avienus; by Suidas, a celebrated critic, at the close of the eleventh century, who gives in his lexicon several isolated verses of his version of the fables; and by John Tzetzes, a grammarian and poet of Constantinople, who lived during the latter half of the twelfth century. Nevelet, in the preface to the volume which we have described, points out that the Fables of Planudes could not be the work of Aesop, as they contain a reference in two places to “Holy monks,” and give a verse from the Epistle of St. James as an “Epimith” to one of the fables, and suggests Babrias as their author. Francis Vavassor, 15 a learned French jesuit, entered at greater length on this subject, and produced further proofs from internal evidence, from the use of the word Piraeus in describing the harbour of Athens, a name which was not given till two hundred years after Aesop, and from the introduction of other modern words, that many of these fables must have been at least committed to writing posterior to the time of Aesop, and more boldly suggests Babrias as their author or collector. 16 These various references to Babrias induced Dr. Plichard Bentley, at the close of the seventeenth century, to examine more minutely the existing versions of Aesop’s Fables, and he maintained that many of them could, with a slight change of words, be resolved into the Scazonic 17 iambics, in which Babrias is known to have written: and, with a greater freedom than the evidence then justified, he put forth, in behalf of Babrias, a claim to the exclusive authorship of these fables. Such a seemingly extravagant theory, thus roundly asserted, excited much opposition. Dr. Bentley 18 met with an able antagonist in a member of the University of Oxford, the Hon. Mr. Charles Boyle, 19 afterwards Earl of Orrery. Their letters and disputations on this subject, enlivened on both sides with much wit and learning, will ever bear a conspicuous place in the literary history of the seventeenth century. The arguments of Dr. Bentley were yet further defended a few years later by Mr. Thomas Tyrwhitt, a well-read scholar, who gave up high civil distinctions that he might devote himself the more unreservedly to literary pursuits. Mr. Tyrwhitt published, A.D. 1776, a Dissertation on Babrias, and a collection of his fables in choliambic meter found in a MS. in the Bodleian Library at Oxford. Francesco de Furia, a learned Italian, contributed further testimony to the correctness of the supposition that Babrias had made a veritable collection of fables by printing from a MS. contained in the Vatican library several fables never before published. In the year 1844, however, new and unexpected light was thrown upon this subject. A veritable copy of Babrias was found in a manner as singular as were the MSS. of Quinctilian’s Institutes, and of Cicero’s Orations by Poggio in the monastery of St. Gall A.D. 1416. M. Menoides, at the suggestion of M. Villemain, Minister of Public Instruction to King Louis Philippe, had been entrusted with a commission to search for ancient MSS., and in carrying out his instructions he found a MS. at the convent of St. Laura, on Mount Athos, which proved to be a copy of the long suspected and wished-for choliambic version of Babrias. This MS. was found to be divided into two books, the one containing a hundred and twenty-five, and the other ninety-five fables. This discovery attracted very general attention, not only as confirming, in a singular manner, the conjectures so boldly made by a long chain of critics, but as bringing to light valuable literary treasures tending to establish the reputation, and to confirm the antiquity and authenticity of the great mass of Aesopian Fable. The Fables thus recovered were soon published. They found a most worthy editor in the late distinguished Sir George Cornewall Lewis, and a translator equally qualified for his task, in the Reverend James Davies, M.A., sometime a scholar of Lincoln College, Oxford, and himself a relation of their English editor. Thus, after an eclipse of many centuries, Babrias shines out as the earliest, and most reliable collector of veritable Aesopian Fables.
The following are the sources from which the present translation has been prepared: Babrii Fabulae Aesopeae. George Cornewall Lewis. Oxford, 1846. Babrii Fabulae Aesopeae. E codice manuscripto partem secundam edidit. George Cornewall Lewis. London: Parker, 1857. Mythologica Aesopica. Opera et studia Isaaci Nicholai Neveleti. Frankfort, 1610. Fabulae Aesopiacae, quales ante Planudem ferebantur cura et studio Francisci de Furia. Lipsiae, 1810. ———. Ex recognitione Caroli Halmii. Lipsiae, Phaedri Fabulae Esopiae. Delphin Classics. 1822.
101 (return)
[ M. Bayle thus
characterises this Life of Aesop by Planudes, “Tous les habiles gens
conviennent que c’est un roman, et que les absurdites grossieres qui l’on
y trouve le rendent indigne de toute.” Dictionnaire Historique. Art.
Esope.]
1 (return)
[ A History of the Literature
of Ancient Greece, by K. O. Mueller. Vol. i, p. 191. London, Parker,
1858.]
2 (return)
[ Select Fables of Aesop, and
other Fabulists. In three books, translated by Robert Dodsley, accompanied
with a selection of notes, and an Essay on Fable. Birmingham, 1864. P.
60.]
3 (return)
[ Some of these fables had,
no doubt, in the first instance, a primary and private interpretation. On
the first occasion of their being composed they were intended to refer to
some passing event, or to some individual acts of wrong-doing. Thus, the
fables of the “Eagle and the Fox” and of the “Fox and Monkey” are supposed
to have been written by Archilochus, to avenge the injuries done him by
Lycambes. So also the fables of the “Swollen Fox” and of the “Frogs asking
a King” were spoken by Aesop for the immediate purpose of reconciling the
inhabitants of Samos and Athens to their respective rulers, Periander and
Pisistratus; while the fable of the “Horse and Stag” was composed to
caution the inhabitants of Himera against granting a bodyguard to
Phalaris. In a similar manner, the fable from Phaedrus, the “Marriage of
the Sun,” is supposed to have reference to the contemplated union of
Livia, the daughter of Drusus, with Sejanus the favourite, and minister of
Trajan. These fables, however, though thus originating in special events,
and designed at first to meet special circumstances, are so admirably
constructed as to be fraught with lessons of general utility, and of
universal application.]
4 (return)
[ Hesiod. Opera et Dies,
verse 202.]
5 (return)
[ Aeschylus. Fragment of the
Myrmidons. Aeschylus speaks of this fable as existing before his day. See
Scholiast on the Aves of Aristophanes, line 808.]
6 (return)
[ Fragment. 38, ed. Gaisford.
See also Mueller’s History of the Literature of Ancient Greece, vol. i.
pp. 190-193.]
7 (return)
[ M. Bayle has well put this
in his account of Aesop. “Il n’y a point d’apparence que les fables qui
portent aujourd’hui son nom soient les memes qu’il avait faites; elles
viennent bien de lui pour la plupart, quant a la matiere et la pensee;
mais les paroles sont d’un autre.” And again, “C’est donc a Hesiode, que
j’aimerais mieux attribuer la gloire de l’invention; mais sans doute il
laissa la chose tres imparfaite. Esope la perfectionne si heureusement,
qu’on l’a regarde comme le vrai pere de cette sorte de production.” M.
Bayle. Dictionnaire Historique.]
8 (return)
[ Plato in Phoedone.]
9 (return)
[ Apologos en! misit tibi Ab
usque Rheni limite Ausonius nomen Italum Praeceptor Augusti tui Aesopiam
trimetriam; Quam vertit exili stylo Pedestre concinnans opus Fandi
Titianus artifex. Ausonii Epistola, xvi. 75-80.]
10 (return)
[ Both these publications
are in the British Museum, and are placed in the library in cases under
glass, for the inspection of the curious.]
11 (return)
[ Fables may possibly have
been not entirely unknown to the mediaeval scholars. There are two
celebrated works which might by some be classed amongst works of this
description. The one is the “Speculum Sapientiae,” attributed to St.
Cyril, Archbishop of Jerusalem, but of a considerably later origin, and
existing only in Latin. It is divided into four books, and consists of
long conversations conducted by fictitious characters under the figures
the beasts of the field and forest, and aimed at the rebuke of particular
classes of men, the boastful, the proud, the luxurious, the wrathful,
&c. None of the stories are precisely those of Aesop, and none have
the concinnity, terseness, and unmistakable deduction of the lesson
intended to be taught by the fable, so conspicuous in the great Greek
fabulist. The exact title of the book is this: “Speculum Sapientiae, B.
Cyrilli Episcopi: alias quadripartitus apologeticus vocatus, in cujus
quidem proverbiis omnis et totius sapientiae speculum claret et feliciter
incipit.” The other is a larger work in two volumes, published in the
fourteenth century by Caesar Heisterbach, a Cistercian monk, under the
title of “Dialogus Miraculorum,” reprinted in 1851. This work consists of
conversations in which many stories are interwoven on all kinds of
subjects. It has no correspondence with the pure Aesopian fable.]
12 (return)
[ Post-medieval Preachers,
by S. Baring-Gould. Rivingtons, 1865.]
13 (return)
[ For an account of this
work see the Life of Poggio Bracciolini, by the Rev. William Shepherd.
Liverpool. 1801.]
14 (return)
[ Professor Theodore Bergh.
See Classical Museum, No. viii. July, 1849.]
15 (return)
[ Vavassor’s treatise,
entitled “De Ludicra Dictione” was written A.D. 1658, at the request of
the celebrated M. Balzac (though published after his death), for the
purpose of showing that the burlesque style of writing adopted by Scarron
and D’Assouci, and at that time so popular in France, had no sanction from
the ancient classic writers. Francisci Vavassoris opera omnia. Amsterdam.
1709.]
16 (return)
[ The claims of Babrias
also found a warm advocate in the learned Frenchman, M. Bayle, who, in his
admirable dictionary, (Dictionnaire Historique et Critique de Pierre
Bayle. Paris, 1820,) gives additional arguments in confirmation of the
opinions of his learned predecessors, Nevelet and Vavassor.]
17 (return)
[ Scazonic, or halting,
iambics; a choliambic (a lame, halting iambic) differs from the iambic
Senarius in always having a spondee or trichee for its last foot; the
fifth foot, to avoid shortness of meter, being generally an iambic. See
Fables of Babrias, translated by Rev. James Davies. Lockwood, 1860.
Preface, p. 27.]
18 (return)
[ See Dr. Bentley’s
Dissertations upon the Epistles of Phalaris.]
19 (return)
[ Dr. Bentley’s
Dissertations on the Epistles of Phalaris, and Fables of Aesop examined.
By the Honorable Charles Boyle.]
| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | V | W |
The Apes and the Two Travelers
The Ass, the Cock, and the Lion
The Ass, the Fox, and the Lion
The Bear and the Two Travelers
The Birdcatcher, the Partridge, and the Cock
The Birds, the Beasts, and the Bat
The Buffoon and the Countryman
The Bull, the Lioness, and the Wild-Boar Hunter
The Charcoal-Burner And The Fuller
The Dog, the Cock, and the Fox
The Dolphins, the Whales, and the Sprat
The Eagle, the Cat, and the Wild Sow
The Father and His Two Daughters
The Fighting Cocks and the Eagle
The Fisherman and the Little Fish
Old friends cannot with impunity be sacrificed.
The Frogs’ Complaint Against the Sun
The Gamecocks and the Partridge
The Goatherd and the Wild Goats
The Hawk, the Kite, and the Pigeons
The Herdsman and the Lost Bull
The Huntsman and the Fisherman
The Image of Mercury and the Carpenter
Jupiter, Neptune, Minerva, and Momus
The King’s Son and the Painted Lion
The Lion, Jupiter, and the Elephant
The Lion, the Wolf, and the Fox
The Lion, the Fox, and the Ass
The Lion, the Mouse, and the Fox
The Lion, the Bear, and the Fox
The Man and His Two Sweethearts
The Man, the Horse, the Ox, and the Dog
Men often bear little grievances better than large
The Miller, His Son, and Their Ass
The Mouse, the Frog, and the Hawk
The Old Woman and the Physician
The Old Woman and the Wine-Jar
The Olive-Tree and the Fig-Tree
The Peasant and the Apple-Tree
The Philosopher, the Ants, and Mercury
The Piglet, the Sheep, and the Goat
The Pomegranate, Apple-Tree, and Bramble
The She-Goats and Their Beards
The Shepherd’s Boy and the Wolf
The Shipwrecked Man and the Sea
The Spendthrift and the Swallow
The Stag, the Wolf, and the Sheep
The Swallow, the Serpent, and the Court of Justice
The Town Mouse and the Country Mouse
The Travelers and the Plane-Tree
The Trees Under the Protection of the Gods
The Two Soldiers and the Robber
The Wasps, the Partridges, and the Farmer
The Widow and Her Little Maidens
End of the Project Gutenberg EBook of Aesop’s Fables, by Aesop *** END OF THIS PROJECT GUTENBERG EBOOK AESOP’S FABLES *** ***** This file should be named 21-h.htm or 21-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/21/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees.   LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm’s goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116,<PHONE_NUMBER>, email<EMAIL_ADDRESS>Email contact links and up to date contact information can be found at the Foundation’s web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director<EMAIL_ADDRESS>Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.


| This inspection reports unnecessary block statements in JavaScript content. Block statements that are not used as the body of if, for, while, do, with, or try statements, or as the body of a function declaration are reported. Since JavaScript blocks do not introduce new scopes as is common in Java and other languages, free-standing block statements may be the result of code confusion, and may result in subtle bugs. |
| Powered by InspectionJS |