This method uses an amount of memory that is quadratic in the number of variables to be optimized. It is generally very effective but if your problem has a very large number of variables then it isn't appropriate. Instead, you should try the lbfgs_search_strategy.
This method uses an amount of memory that is linear in the number of variables to be optimized. So it is capable of handling problems with a very large number of variables. However, it is generally not as good as the L-BFGS algorithm (see the lbfgs_search_strategy class).
Note that BOBYQA only works on functions of two or more variables. So if you need to perform derivative-free optimization on a function of a single variable then you should use the find_max_single_variable function.
The following paper, published in 2009 by Powell, describes the detailed working of the BOBYQA algorithm.
The BOBYQA algorithm for bound constrained optimization without derivatives by M.J.D. Powell
Note that BOBYQA only works on functions of two or more variables. So if you need to perform derivative-free optimization on a function of a single variable then you should use the find_min_single_variable function.
This method uses an amount of memory that is linear in the number of variables to be optimized. This makes it an excellent method to use when an optimization problem has a large number of variables.
Note also that this is actually a helper function for creating newton_search_strategy_obj objects.
Minimize: f(w) == 0.5*dot(w,w) + C*R(w) Where R(w) is a user-supplied convex function and C > 0
Optimized Cutting Plane Algorithm for Large-Scale Risk Minimization by Vojtech Franc, Soren Sonnenburg; 10(Oct):2157--2192, 2009.
Bundle Methods for Regularized Risk Minimization by Choon Hui Teo, S.V.N. Vishwanthan, Alex J. Smola, Quoc V. Le; 11(Jan):311-365, 2010.
Minimize: f(alpha) == 0.5*trans(alpha)*Q*alpha subject to the following constraints: sum(alpha) == nu*y.size() 0 <= min(alpha) && max(alpha) <= 1 trans(y)*alpha == 0 Where all elements of y must be equal to +1 or -1 and f is convex. This means that Q should be symmetric and positive-semidefinite.
Minimize: f(alpha) == 0.5*trans(alpha)*Q*alpha + trans(p)*alpha subject to the following constraints: for all i such that y(i) == +1: 0 <= alpha(i) <= Cp for all i such that y(i) == -1: 0 <= alpha(i) <= Cn trans(y)*alpha == B Where all elements of y must be equal to +1 or -1 and f is convex. This means that Q should be symmetric and positive-semidefinite.
Minimize: f(alpha) == 0.5*trans(alpha)*Q*alpha - trans(alpha)*b subject to the following constraints: sum(alpha) == C min(alpha) >= 0 Where f is convex. This means that Q should be symmetric and positive-semidefinite.
Minimize: f(p) == 0.5*trans(p)*B*p + trans(g)*p subject to the following constraint: length(p) <= radius
T. Joachims, T. Finley, Chun-Nam Yu, Cutting-Plane Training of Structural SVMs, Machine Learning, 77(1):27-59, 2009.Note that this object is essentially a tool for solving the 1-Slack structural SVM with margin-rescaling. Specifically, see Algorithm 3 in the above referenced paper.


Paste a CSV file into the box below. The format of the CSV is User Name,Badge Code
Do not include a header. Also make sure each item is on its own line. If the entry already exists in the database, it will be ignored.


Labeling instructions When you enter the tool, an image from the database will be randomly selected and shown. You can help by annotating as many objects as you can. Note that previously labeled objects may appear on the image. Please do not label previously labeled objects. Once you have completed the image, you can view a new image by pressing the "show next image" button. The following steps describe how to label an object:
1. Start by pressing the left
mouse button at some point along the boundary of the object.
|
boat |
|||||||||||||
Examples Good object labels:
Bad object labels:
| ||||||||||||||
Entering object information Use common English words. Try to avoid application specific terms. For instance, avoid doing things such as replacing right arm by ra. This might be useful in the short term but will make difficult reusing the data for other applications in the future. Also, it is always good practice to have data that is itself explanatory. Also, avoid numbering the objects. It is preferable not to use object names such as car1. The numbering should be avoided if possible. If you need to keep identity information to relate objects across different images you can use the attributes box. Object naming: Use common English names for objects. Use a name that you think other people are likely to use to describe the same object. You can use several words to describe an object. Example object names: sky, tree, building, road, sidewalk, person, car, chair. Attributes: Enter a comma separated list of object attributes. You should use this box to enter information about the object such as the color or any other property that be used to describe the object and its visual appearance. Occluded: Check the corresponding box to indicate if the object is fully visible or not. Parts: To indicate that an object is composed of a number of parts, you can drag and drop object names from the right panel (see more details bellow). |
||||||||||||||
Labeling guidelines The following are some recomendations for how to provide annotations that are as useful as possible. View the entire image: Make sure that your browser occupies the entire screen and that you scroll to see the entire image. If you label an object on the edge of your browser, make sure to scroll so that the entire object is visible. Follow the object outline: Click on top of the object boundary so that the polygon accurately delineates the object outline. The ideal outline should be good enough for somebody to recognize the object just by seeing the drawn polygon. Labeling occluded objects: Sometimes objects will be only partially visible. This is especially true for regions like roads, buildings, etc., which become difficult to label when there are many occlusions. We recommend in these cases to complete the boundary as if they were not occluded. |
||||||||||||||
Advanced features Delete segments: If you want to delete one segment
of the polygon before finishing the polygon, press the Modify control points: Once you have finished a polygon, you can modify individual control points. If you click on top of the polygon, the control points will appear. You can select one of the control points (hold the left mouse button down) and move it to a new position. Then click anywhere in the image to deselect the polygon. This will also save the modified polygon. Delete entire polygon: Select the polygon. You will have the option to delete the polygon. You can only edit polygons that you have entered before. You can not delete polygons by other users. Adding parts: To add parts first you need to trace the polygons that correspond to the full object and each of the parts as if they were individual objects. Once they are labeled you can introduce their part-of relationship. The object list in the right side allows indicating with objects are parts of others. If you drag and drop one object tag on top of another, the list will show the dropped object as being part of the other. You can create arbitrary hierarchies with multiple levels with objects composed of parts and the parts composed of more parts and so on. | ||||||||||||||


The online piracy trade revolves around supply and demand which largely revolves around human sociology. This section contains resources that discuss reasons why and how people involve themselves in the distribution and consumption of pirated media.
The first resource chosen is a book titled "Sociological Perspectives on Media Piracy in the Philippines and Vietnam", written by Vivencio Ballano and published by Springer in 2015. The author explores various aspects such as socioeconomics, corruption and technological trends that keep the online piracy trade alive, especially in third-world countries.
The second resource chosen is a peer-reviewed journal article titled "What drives purchase intention in the context of online content services? The moderating role of ethical self-efficacy for online piracy", written by Yi-Shun Wang et al., and published in the International Journal of Information Management in 2013. The authors present a psychological model, which attempts to build the reader's understanding on the thought processes that occur when a consumer decides between pirating or purchasing online content legally.
Title: Sociological Perspectives on Media Piracy in the Philippines and Vietnam
Authors: Vivencio O. Ballano
Published: 2015
Category: Book
This book discusses the sociological factors behind why the piracy trade happens, especially in third-world countries such as Vietnam and the Philippines. The book focusses on the socioeconomics of piracy, the role of corruption and governments in piracy, and the future trends of piracy.
Piracy is a major source of informal employment in third-world countries, where poor rural migrants mainly from the agricultural sector move to the city to make a better living. These migrants then become part of the piracy distribution chain, usually as street vendors in makeshift roadside stalls.
In this book, corruption has been identified as one of the main factors that drive piracy in third world countries. The author identifies several points of corruption in the piracy distribution chain, particularly non-enforcement by the authorities due to bribery by illegal retailers and pirated disc manufacturers.
The author also elaborates the correlation between piracy trends and technological developments. A notable example is made, where the shift from analog to digital technology caused pirates to move from video cassettes to optical media. The Internet has become a significant facilitator in the piracy trade, as online peer-to-peer distribution networks are now trivial to set up.
Read this book to find out more about the reasons why the poor are more inclined to pirate and be part of the distribution chain, the non-enforcement of anti-piracy laws by authorities, and also how pirates respond to change in technological advancements.
Title: What drives purchase intention in the context of online content services? The moderating role of ethical self-efficacy for online piracy
Authors: Yi-Shun Wang, Ching-Hsuan Yeh, Yi-Wen Liao
Published: 2013
Category: Peer-reviewed Journal Article
This article discusses the psychological factors in consumers that drive their decision in choosing to either pirate or obtain online content legally. As part of their study, the authors present a research model that captures this decision-making process.
When a consumer has an intention of obtaining particular online content, the content’s potential benefits such as usefulness and enjoyment, as well as the potential trade-offs such as cost and usability that must be made, will be considered.
The combination of the benefits gained and sacrifices made forms the consumer's overall perceived value towards that piece of online content. Coupled with the consumer's personal ethical views towards piracy, this will impact the consumer's final decision on whether to obtain a legal or pirated copy of the content.
Read this article to find out more about the various benefits and sacrifices that consumers consider when deciding whether to purchase or pirate, and for a more detailed explanation on how the role of a person’s ethics affects this outcome.


{% include meta.html %}
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Code coverage report for
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76.98%
(428 / 556)
Branches:
59.89%
(221 / 369)
Functions:
85.71%
(96 / 112)
Lines:
77.12%
(428 / 555)
Ignored:
none
File
Statements
Branches
Functions
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./src\
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85.71%
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77.12%
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khome
/
khome
/
KhomeBuilder
KhomeBuilder
typealias
KhomeBuilder
=
Khome
.
(
)
->
Unit
The lambda with
Khome
as receiver to configure Khome


Hi there!! I'm Joshua Pravin Raj. I will be completing my Engineering in the Summer of 2018. I am looking forward to joining and working in a prestigious organization and build my career henceforth.


Following is a review of my favorite mechanical keyboard.
Basic markdown examples are shown below
This text is bold This text is also bold
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This text is italic and bold
An h1 heading
An h2 heading
An h3 heading…
An h6 heading
A list with numbers: 1. One 2. Two 3. Three
A list with bullets: * Bullet * Bullet * Bullet
Here’s a blockquote:
> Simple is better than complex
Here’s a table:
| Column1 | Column 2 | Column 3 |
|---|---|---|
| Value 1 | Value 2 | Value 3 |
| Value 4 | Value 5 | Value 6 |
| Value 7 | Value 8 | Value 9 |


Danvile
Danvile 2
Danvile 3
Administration 1
Administration 2
Administration 3
New Patient
Consumer Name
Salutation
Salutation
Salutation 2
Salutation 3
Gender
Select Gender
Male
Female
Date of Birth
Record No
Primary Service
Select Primary Service
Primary Service 2
Primary Service 3
Status
Active - Approved
Active
Approved
Assignee
Unassigned
Assigned
Unassigned
Service Date
9/15/20
Admission Date
9/15/20
Discharge Date
9/15/20
Address
Other Details
Payer Info
Contact Persons
Diagnosis
Medications
Allergies
Account Notations
SSN
Country / Region
Select Country
India
USA
UK
Address
City
State
Select State
Gujarat
Rajasthan
Panjab
Zip Code
Email Address
Home Phone
Cell Phone
Language
Select Language
Gujarati
English
Hindi
Case Name
In Crisis
Lead Person
Select Lead Person
Person 1
Person 2
Person 3
Nurse
Select Nurse
Nurse 1
Nurse 2
Nurse 3
Doctor
Select Doctor
Doctor 1
Doctor 2
Doctor 3
Race
Select Race
Race 1
Race 2
Race 3
Marital Status
Select Marital Status
Married
Un Married
Ethinicity
Select Ethinicity
Ethinicity 1
Ethinicity 2
Ethinicity 3
Ordering NPI #
Smoker Status
Select Smoker Status
Smoker Status 1
Smoker Status 2
Smoker Status 3


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{% extends "account/base.html" %} {% load i18n %} {% block head_title %}{% trans "Account blocked" %}{% endblock %} {% block content %}
This account has been auto marked as spam and deactivated.
If this has been a mistake please send a mail to<EMAIL_ADDRESS>{% endblock %}


Client side validation cannot be trusted and it is very easy to bypass them.
The form uses HTML form field restrictions. In order to pass this lesson, submit the form with each field containing an unallowed value. You must submit invalid values for all six fields in one form submission.


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This module provides methods for generating asset paths and urls.
image_path("rails.png") # => "/assets/rails.png" image_url("rails.png") # => "http://www.example.com/assets/rails.png"
By default, Rails links to these assets on the current host in the public
folder, but you can direct Rails to link to assets from a dedicated asset
server by setting ActionController::Base.asset_host
in the
application configuration, typically in
config/environments/production.rb
. For example, you’d define
assets.example.com
to be your asset host this way, inside the
configure
block of your environment-specific configuration
files or config/application.rb
:
config.action_controller.asset_host = "assets.example.com"
Helpers take that into account:
image_tag("rails.png") # =>  stylesheet_link_tag("application") # => <link href="http://assets.example.com/assets/application.css" media="screen" rel="stylesheet" />
Browsers typically open at most two simultaneous connections to a single
host, which means your assets often have to wait for other assets to finish
downloading. You can alleviate this by using a %d
wildcard in
the asset_host
. For example, “assets%d.example.com”. If that
wildcard is present Rails distributes asset requests among the
corresponding four hosts “assets0.example.com”, …, “assets3.example.com”.
With this trick browsers will open eight simultaneous connections rather
than two.
image_tag("rails.png") # =>  stylesheet_link_tag("application") # => <link href="http://assets2.example.com/assets/application.css" media="screen" rel="stylesheet" />
To do this, you can either setup four actual hosts, or you can use wildcard DNS to CNAME the wildcard to a single asset host. You can read more about setting up your DNS CNAME records from your ISP.
Note: This is purely a browser performance optimization and is not meant for server load balancing. See www.die.net/musings/page_load_time/ for background.
Alternatively, you can exert more control over the asset host by setting
asset_host
to a proc like this:
ActionController::Base.asset_host = Proc.new { |source| "http://assets#{Digest::MD5.hexdigest(source).to_i(16) % 2 + 1}.example.com" } image_tag("rails.png") # =>  stylesheet_link_tag("application") # => <link href="http://assets2.example.com/assets/application.css" media="screen" rel="stylesheet" />
The example above generates “assets1.example.com” and “assets2.example.com”. This option is useful for example if you need fewer/more than four hosts, custom host names, etc.
As you see the proc takes a source
parameter. That’s a string
with the absolute path of the asset, for example “/assets/rails.png”.
ActionController::Base.asset_host = Proc.new { |source| if source.ends_with?('.css') "http://stylesheets.example.com" else "http://assets.example.com" end } image_tag("rails.png") # =>  stylesheet_link_tag("application") # => <link href="http://stylesheets.example.com/assets/application.css" media="screen" rel="stylesheet" />
Alternatively you may ask for a second parameter request
. That
one is particularly useful for serving assets from an SSL-protected page.
The example proc below disables asset hosting for HTTPS connections, while
still sending assets for plain HTTP requests from asset hosts. If you don’t
have SSL certificates for each of the asset hosts this technique allows you
to avoid warnings in the client about mixed media.
config.action_controller.asset_host = Proc.new { |source, request| if request.ssl? "#{request.protocol}#{request.host_with_port}" else "#{request.protocol}assets.example.com" end }
You can also implement a custom asset host object that responds to
call
and takes either one or two parameters just like the
proc.
config.action_controller.asset_host = AssetHostingWithMinimumSsl.new( "http://asset%d.example.com", "https://asset1.example.com" )
Maps asset types to public directory.
Computes the path to asset in public directory. If :type options is set, a file extension will be appended and scoped to the corresponding public directory.
All other asset *_path helpers delegate through this method.
asset_path "application.js" # => /application.js asset_path "application", type: :javascript # => /javascripts/application.js asset_path "application", type: :stylesheet # => /stylesheets/application.css asset_path "http://www.example.com/js/xmlhr.js" # => http://www.example.com/js/xmlhr.js
# File lib/action_view/helpers/asset_url_helper.rb, line 120 def asset_path(source, options = {}) source = source.to_s return "" unless source.present? return source if source =~ URI_REGEXP tail, source = source[/([\?#].+)$/], source.sub(/([\?#].+)$/, '') if extname = compute_asset_extname(source, options) source = "#{source}#{extname}" end if source[0] != / source = compute_asset_path(source, options) end relative_url_root = defined?(config.relative_url_root) && config.relative_url_root if relative_url_root source = "#{relative_url_root}#{source}" unless source.starts_with?("#{relative_url_root}/") end if host = compute_asset_host(source, options) source = "#{host}#{source}" end "#{source}#{tail}" end
Computes the full URL to a asset in the public directory. This will use
asset_path
internally, so most of their behaviors will be the
same.
# File lib/action_view/helpers/asset_url_helper.rb, line 151 def asset_url(source, options = {}) path_to_asset(source, options.merge(:protocol => :request)) end
Computes the path to an audio asset in the public audios directory. Full
paths from the document root will be passed through. Used internally by
audio_tag
to build the audio path.
audio_path("horse") # => /audios/horse audio_path("horse.wav") # => /audios/horse.wav audio_path("sounds/horse.wav") # => /audios/sounds/horse.wav audio_path("/sounds/horse.wav") # => /sounds/horse.wav audio_path("http://www.example.com/sounds/horse.wav") # => http://www.example.com/sounds/horse.wav
# File lib/action_view/helpers/asset_url_helper.rb, line 322 def audio_path(source, options = {}) path_to_asset(source, {type: :audio}.merge!(options)) end
Computes the full URL to an audio asset in the public audios directory.
This will use audio_path
internally, so most of their
behaviors will be the same.
# File lib/action_view/helpers/asset_url_helper.rb, line 329 def audio_url(source, options = {}) url_to_asset(source, {type: :audio}.merge!(options)) end
Compute extname to append to asset path. Returns nil if nothing should be added.
# File lib/action_view/helpers/asset_url_helper.rb, line 163 def compute_asset_extname(source, options = {}) return if options[:extname] == false extname = options[:extname] || ASSET_EXTENSIONS[options[:type]] extname if extname && File.extname(source) != extname end
Pick an asset host for this source. Returns nil
if no host is
set, the host if no wildcard is set, the host interpolated with the numbers
0-3 if it contains %d
(the number is the source hash mod 4),
or the value returned from invoking call on an object responding to call
(proc or otherwise).
# File lib/action_view/helpers/asset_url_helper.rb, line 192 def compute_asset_host(source = "", options = {}) request = self.request if respond_to?(:request) host = config.asset_host if defined? config.asset_host host ||= request.base_url if request && options[:protocol] == :request if host.respond_to?(:call) arity = host.respond_to?(:arity) ? host.arity : host.method(:call).arity args = [source] args << request if request && (arity > 1 || arity < 0) host = host.call(*args) elsif host =~ /%d/ host = host % (Zlib.crc32(source) % 4) end return unless host if host =~ URI_REGEXP host else protocol = options[:protocol] || config.default_asset_host_protocol || (request ? :request : :relative) case protocol when :relative "//#{host}" when :request "#{request.protocol}#{host}" else "#{protocol}://#{host}" end end end
Computes asset path to public directory. Plugins and extensions can override this method to point to custom assets or generate digested paths or query strings.
# File lib/action_view/helpers/asset_url_helper.rb, line 182 def compute_asset_path(source, options = {}) dir = ASSET_PUBLIC_DIRECTORIES[options[:type]] || "" File.join(dir, source) end
Computes the path to a font asset. Full paths from the document root will be passed through.
font_path("font") # => /assets/font font_path("font.ttf") # => /assets/font.ttf font_path("dir/font.ttf") # => /assets/dir/font.ttf font_path("/dir/font.ttf") # => /dir/font.ttf font_path("http://www.example.com/dir/font.ttf") # => http://www.example.com/dir/font.ttf
# File lib/action_view/helpers/asset_url_helper.rb, line 342 def font_path(source, options = {}) path_to_asset(source, {type: :font}.merge!(options)) end
Computes the full URL to a font asset. This will use font_path
internally, so most of their behaviors will be the same.
# File lib/action_view/helpers/asset_url_helper.rb, line 349 def font_url(source, options = {}) url_to_asset(source, {type: :font}.merge!(options)) end
Computes the path to an image asset. Full paths from the document root will
be passed through. Used internally by image_tag
to build the
image path:
image_path("edit") # => "/assets/edit" image_path("edit.png") # => "/assets/edit.png" image_path("icons/edit.png") # => "/assets/icons/edit.png" image_path("/icons/edit.png") # => "/icons/edit.png" image_path("http://www.example.com/img/edit.png") # => "http://www.example.com/img/edit.png"
If you have images as application resources this method may conflict with
their named routes. The alias path_to_image
is provided to
avoid that. Rails uses the alias internally, and plugin authors are
encouraged to do so.
# File lib/action_view/helpers/asset_url_helper.rb, line 280 def image_path(source, options = {}) path_to_asset(source, {type: :image}.merge!(options)) end
Computes the full URL to an image asset. This will use
image_path
internally, so most of their behaviors will be the
same.
# File lib/action_view/helpers/asset_url_helper.rb, line 287 def image_url(source, options = {}) url_to_asset(source, {type: :image}.merge!(options)) end
Computes the path to a javascript asset in the public javascripts
directory. If the source
filename has no extension, .js will
be appended (except for explicit URIs) Full paths from the document root
will be passed through. Used internally by javascript_include_tag to build
the script path.
javascript_path "xmlhr" # => /javascripts/xmlhr.js javascript_path "dir/xmlhr.js" # => /javascripts/dir/xmlhr.js javascript_path "/dir/xmlhr" # => /dir/xmlhr.js javascript_path "http://www.example.com/js/xmlhr" # => http://www.example.com/js/xmlhr javascript_path "http://www.example.com/js/xmlhr.js" # => http://www.example.com/js/xmlhr.js
# File lib/action_view/helpers/asset_url_helper.rb, line 233 def javascript_path(source, options = {}) path_to_asset(source, {type: :javascript}.merge!(options)) end
Computes the full URL to a javascript asset in the public javascripts
directory. This will use javascript_path
internally, so most
of their behaviors will be the same.
# File lib/action_view/helpers/asset_url_helper.rb, line 240 def javascript_url(source, options = {}) url_to_asset(source, {type: :javascript}.merge!(options)) end
Computes the path to a stylesheet asset in the public stylesheets
directory. If the source
filename has no extension,
.css
will be appended (except for explicit URIs). Full paths
from the document root will be passed through. Used internally by
stylesheet_link_tag
to build the stylesheet path.
stylesheet_path "style" # => /stylesheets/style.css stylesheet_path "dir/style.css" # => /stylesheets/dir/style.css stylesheet_path "/dir/style.css" # => /dir/style.css stylesheet_path "http://www.example.com/css/style" # => http://www.example.com/css/style stylesheet_path "http://www.example.com/css/style.css" # => http://www.example.com/css/style.css
# File lib/action_view/helpers/asset_url_helper.rb, line 255 def stylesheet_path(source, options = {}) path_to_asset(source, {type: :stylesheet}.merge!(options)) end
Computes the full URL to a stylesheet asset in the public stylesheets
directory. This will use stylesheet_path
internally, so most
of their behaviors will be the same.
# File lib/action_view/helpers/asset_url_helper.rb, line 262 def stylesheet_url(source, options = {}) url_to_asset(source, {type: :stylesheet}.merge!(options)) end
Computes the path to a video asset in the public videos directory. Full
paths from the document root will be passed through. Used internally by
video_tag
to build the video path.
video_path("hd") # => /videos/hd video_path("hd.avi") # => /videos/hd.avi video_path("trailers/hd.avi") # => /videos/trailers/hd.avi video_path("/trailers/hd.avi") # => /trailers/hd.avi video_path("http://www.example.com/vid/hd.avi") # => http://www.example.com/vid/hd.avi
# File lib/action_view/helpers/asset_url_helper.rb, line 301 def video_path(source, options = {}) path_to_asset(source, {type: :video}.merge!(options)) end
Computes the full URL to a video asset in the public videos directory. This
will use video_path
internally, so most of their behaviors
will be the same.
# File lib/action_view/helpers/asset_url_helper.rb, line 308 def video_url(source, options = {}) url_to_asset(source, {type: :video}.merge!(options)) end


Nicolas Cage to star as himself in The Unbearable Weight of Massive Talent
If deals close, Nicolas Cage would star as actor Nicolas Cage in The Unbearable Weight of Massive Talent. The character is desperate to get a role in a new Quentin Tarantino movie while also dealing with a strained relationship with his teenage daughter.
by PTIHollywood star Nicolas Cage is in talks to play himself in meta drama The Unbearable Weight of Massive Talent.
Tom Gormican is directing the Lionsgate project, reported Variety.
Gormican has also co-written the script with Kevin Etten.
If deals close, Cage would star as actor Nicolas Cage. The character is desperate to get a role in a new Tarantino movie while also dealing with a strained relationship with his teenage daughter.
The character is also under a lot of debt and finds himself forced to make an appearance at the birthday party of a Mexican billionaire who happens to be a fan of the actor’s work and hopes to show him a script on which he has been working.
The film will pay tributes to Cage’s works such as Leaving Las Vegas, Face-Off and Gone in 60 Seconds.
Cage will produce the project via his Saturn Films banner, alongside Mike Nilon and Kevin Turen.


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Coming soon to iOS.
Meetingroom is re-inventing remote meetings. Hold simultaneous discussions whilst on-the-go, Meetingroom will keep track of your context.
- Define a clear agenda.
- Communicate with voice recordings.
- Catch up when it suits you.
- Spin clockwise to fast forward, vice versa.
- Add attachments and notes.
- Audio transcription service.


The following functions that operate on trees should be recursive. Some useful functions that you may need are provided in the file Cons.java, and you will need some of your functions from the last assignment. This assignment may be done in Java or in Lisp.
(findpath 'a 'b) = null (findpath 'a 'a) = ("done") (findpath 'a '(a)) = ("first" "done") (findpath 'gold '(rocks gold (monster))) = ("rest" "first" "done")
(follow '("rest" "first" "done") '(rocks gold (monster))) = gold
(corresp 'light '((my eyes) (have seen (the light))) '((my ears) (have heard (the music)))) ==> music
(solve '(= f (* m a)) 'f) => (= f (* m a))
(solve '(= (* m a) f) 'f) => (= f (* m a))
(solve '(= x (- y z)) 'y) (solve '(= (- y x) z) 'y) ; first try: null (solve '(= (+ x z) y) 'y) ; second try: succeeds => (= y (+ x z))
Demonstrate that you can solve the following equations for any of their variables.  Search the list equations to find an equation that relates exactly these variables. Solve the equation for the desired variable and evaluate the solved equation to find its value.
(solveit formulas 'm '((f 10.0) (a 2.0))) => 5.0Use the equations in formulas to solve the following problems:


Stanley Kubrick's first foray into film noir, "Killer's Kiss," is acceptable and often crude but certainly an interesting experiment for the late master. Released in 1955, it did not cause much of a stir but it has an almost dreamlike vision of noir in its documentary-like staginess.
The film begins with voice-over narration by a Davy Gordon (Jamie Smith), a lonely New York boxer who seems rather unenthusiastic about his profession. Essentially, he seems tired of fighting, living an isolated existence in a low-rent, bland apartment. He is ready to leave for the farmlands of Seattle with his Uncle George. Across from his bedroom, he can see his neighbor Gloria (Irene Kane), a hostess for Pleasureland, a shabby dance hall that only seems to play the instrumental song "Once." Gloria's boss is Vincent Rapallo (Frank Silvera), a beastly, sad man who is also lonely and insecure. He sees himself as "low and worthless," and is unable to hold on to to the things he loves, including Gloria.
One night, a scream is heard in Gloria's apartment, and Davy comes to the rescue. She was apparently attacked by Vincent, whom she wants out of her life. Naturally, Davy and Gloria get intimate and fall in love (rather abruptly, even for a noir tale like this one). Gloria wants to leave Rapallo and the dance hall but Rapallo's rage and jealousy grow stronger, resulting in an accidental murder and the kidnapping of Gloria.
This kind of tale has been told countless times before, and if you have seen "Double Indemnity," you'll have some idea of where the story is headed. Fortunately, Kubrick is a master stylist and employs effective use of shadows, and his screenplay evokes ironic twists of fate. The accidental murder is one brilliantly shot example where two henchmen walk through the inside staircase of the Pleasureland dance hall, ready to kill the man waiting outside the door while the sign "Watch Your Step" is seen overhead. There is also the voyeuristic use of mirrors, particularly Davy's apartment where the reflection in his mirror shows Gloria's nocturnal activities of undressing before her bedroom light is turned off. For Kubrick to show the drab surroundings of these three lead characters, including Rappalo, makes quite a statement about the post-war 1950's where farmlands were a dream to be pursued in lieu of the big city life.
"Killer's Kiss" is often awkwardly edited, with the exception of the climax set on the rooftops of loft buildings, and a room full of mannequins. But there are also some terrific visceral moments backed by a tense jazz score, often the counterpoint of any scene involving the Pleasureland setting. One scene, quite avante-garde for its time, is shot as a negative, leading to the aforementioned attack on Gloria.
Jamie Smith and Irene Kane are somewhat weak in their acting skills, but the two argument scenes between Irene and Silvera are marvelously dramatic and ironically funny. My favorite line is when Silvera says: "Like the man says, can happiness buy money?" Her response is: "Oh, and you are a comedian too. See what I am missing." There is no question that the best performance is by Silvera as Rapallo, showing a side of pathetic weakness crossed with rage and contempt for his persona. When Gloria refers to him as "an old man who smells bad," you can almost feel his temperature rising.
If nothing else, at a breezy 67 minutes, "Killer's Kiss" is required viewing for anyone who is a Kubrick fan or interested in film noir. It is heavily flawed but often entertaining enough to warrant a viewing. It became the stepping stone to Kubrick's greatness as seen in the far superior "The Killing" (released the following year) and, well, the rest is history.
For more reviews, check out JERRY AT THE MOVIES at http://buffs.moviething.com/buffs/faust/
E-mail me with any questions, comments or general complaints at<EMAIL_ADDRESS>or at<EMAIL_ADDRESS>The review above was posted to the
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Version 3.2.3, 2019-01-23
Version 3.2.2, 2015-02-02
- Restructuring of components in Interfaces and BasesClasses
- Migration of library to MSL trunk
- Update and improvement of documentation
- Added new component:
- Removed parameter text from icon layer for reluctance and
permeance model
- Fixed issues of ticket #1524
- Restructured cage models with reluctance instead of inductance
model according to ticket #1537
- Bug fixes according to #1226
- Added magnitude and argument of complex magnetic potentials,
magnetic fluxes, voltages and currents in interface,
electromagnetic coupling and machine models, see #1405
- Added active, reactive and apparent power and power factor in
interface and machine models, see #1405
- Added new interface model
PartialTwoPortExtended to simplify consistent inclusion of
variables, see #1405
- Changed icon and location of terminal box according to #1706
Version 0.4.1, 2013-12-18
- Renamed base magnetic port to MagneticPort
- Bug fix of single to multi phase converter
- Bug fix of phase number propagation in SaliencyCageWinding
fixed
- Improved documentation of library
- Added current controlled SMR example and indicated SMR inverter
example as obsolete
- Improved example of mains supplied SMPM with damper cage
Version 0.4.0, 2013-11-13
- Renamed all machine class names according to #1348
Version 0.3.0, 2013-11-07
- Renamed the library from QuasiStationaryFundamantalWave to
QuasiStaticFundamantalWave according to #1344
Version 0.2.5, 2013-11-06
- Changed implementation of symmetrical components:
symmetricTransformationMatrix(m) is now multiplied by
numberOfSymmetricBaseSystems(m) in order to overcome differences in
calculation of current and voltage symmetrical components. The
symmetrical components of a system of even phase numbers are now
equal to the symmetrical components of one corresponding base
system.
- Improved examples package and removed SMPM_Inverter
example
Version 0.2.4, 2013-10-02
- Implemented induction machine with squirrel cage example with
inverter
- Alternative implementation of transformation matrix for faster
compilation in Dymola
Version 0.2.3, 2013-09-25
- Adapted sine / cosine of QS V/f-converter to match transient
behavior
Version 0.2.2, 2013-09-24
- Fixed initialization of examples (changed implementation of
QuasiStationary.Sources, added start values for gamma, gammas,
gammar)
Version 0.2.1, 2013-09-23
- Implemented permanent magnet synchronous machine example with
inverter
Version 0.2.0, 2013-09-01
- Implemented induction machine with slip ring rotor including
example
- Implemented magnetic crossing
Version 0.1.0, 2013-08-27
- Documentation of
phasor concept
- Connections.branch between electric and magnetic quasi static
connectors to handle open circuit and motor operation of
machines
- Saliency effects are properly considered
- Electromagnetic coupling with Analog domain is implemented
fully quasi static with v = 0 at the electric connectors -- this
may have to be changed in the future
- Implemented machine types
-
- Induction machine with squirrel cage
- Permanent magnet synchronous machine with optional damper
cage
- Electrical excited synchronous machine with optional damper
cage (may be removed in first release)
- Synchronous reluctance machine with optional damper cage (may
be removed in first release)
Generated at 2019-01-25T16:44:03Z by OpenModelica 1.14.0~dev-130-gefa44fb


For immediate release
|
The Federal Open Market Committee decided today to keep its target for the federal funds rate at 1 percent. The Committee continues to believe that an accommodative stance of monetary policy, coupled with robust underlying growth in productivity, is providing important ongoing support to economic activity. The evidence accumulated over the intermeeting period confirms that output is expanding briskly, and the labor market appears to be improving modestly. Increases in core consumer prices are muted and expected to remain low. The Committee perceives that the upside and downside risks to the attainment of sustainable growth for the next few quarters are roughly equal. The probability of an unwelcome fall in inflation has diminished in recent months and now appears almost equal to that of a rise in inflation. However, with inflation quite low and resource use slack, the Committee believes that policy accommodation can be maintained for a considerable period. Voting for the FOMC monetary policy action were: Alan Greenspan, Chairman; Timothy F. Geithner, Vice Chairman; Ben S. Bernanke; Susan S. Bies; J. Alfred Broaddus, Jr.; Roger W. Ferguson, Jr.; Edward M. Gramlich; Jack Guynn; Donald L. Kohn; Michael H. Moskow; Mark W. Olson; and Robert T. Parry. Home | News and events Accessibility Last update: December 9, 2003 |