Rs 255 cr spent on PM's chartered flights in past 3 years
An expenditure of over Rs 255 crore was incurred on chartered flights during Prime Minister Narendra Modi's foreign engagements in the past three years, the Rajya Sabha was told on Thursday.
In a written reply, minister of state for external affairs V Muraleedharan said that in 2016-17 Rs 76.27 crore was spent on chartered flights while in 2017-18 Rs 99.32 crore was spent.
In 2018-19, Rs 79.91 crore was spent while the bill for 2019-20 has not been received, he said, adding in 2016-17, Rs 2,24,75,451 were incurred on hotline facilities while in 2017-18 the cost incurred for it was Rs 58,06,630.
To a question on expenditure incurred on domestic engagements, he said, "As per Government of India policy on use of IAF aircraft/helicopters by VVIPs and VIPs, the Prime Minister is entitled for free airlift in IAF aircrafts and helicopters on official tours."


Here is the list of restaurants matching your request!
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[This report originally appeared as a typewritten page pasted into Book 3, pages 402 of the Shulgin Lab Books.]
9/16 Holly Ralston - Psilocybin - 10 mg - empty stomach
Approximately 40 minutes after the start, there was a flutter and a very high, stimulated feeling, and gradually things began to move very rapidly. It was astounding. When I closed my eyes I saw so many fantastically beautiful patterns, textures, colors. Everywhere I looked, eyes open, the colors were brilliant. The house looked absolutely gorgeous and nature was simply spectacular. I know that Zeke was having some negative happenings, and I continued to experience the imagery when I closed my eyes. It was a little frightening, almost too exciting, after the gentleness of other substances.
I could not believe that I was doing it, and that I had the power within myself to see such beauty. I don't know how long this went on, but the motion was so rapid that I felt a sort of motion sickness. Then I became quite nauseated and remained nauseated the rest of the day, until things quieted down in the evening, and then I felt absolutely wonderful.
This substance has had adverse reactions in my body before, but this was pretty bad. I really got in touch with my body, and just know that this is a message to ease up on all the high calorie food and drink in my diet. I need to lose 10 lbs. But somehow, food is such fun at this stage in my life. As a child I never enjoyed food, so am making up for it now, it seems.
A few job pressures had me bothered. Working in the community affords a wide look at Barstow. Heretofore, I was just 'passing through' but now I've stopped to look. Many problems exist here and the most serious seems to be lack of funds. Chamber of Commerce is just about broke so it is depressing. I became emotionally involved for a while, and the fact that the gal who left to go to Ridgecrest (better job, more pay) had spent four years of blood sweat and tears to get things done, got to me. She was bitter about leaving after a long uphill struggle to get things done in the town. Her bitterness rubbed off on me and was beginning to get me down. My hide isn't a tough as I thought.
Zeke and I went down under the cottonwood trees and talked about it, and after a few minutes, he claimed I looked much better. It was better after a sounding board and father-advisor like Zeke.
We came back into the house, listened to Mahler and I began to find the peace that I had wanted earlier. Soup and crackers helped the emptiness and the nausea was gone. We wondered if we shouldn't have had breakfast before the experience.
- Holly
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Town Branch emerges from beneath the city
An Exploration of Town Branch Trail. Web page by Boyd Shearer for GEO 409, Spring 2017, as the University of Kentucky.
Contact me at outrageGIS.com. Peace out.
Derek Thomas


- If you don't have DatAdmin installed yet (you need version 4.2.5 or newer), download it (for free) from datadmin.com and install
- Double click on attachment configuration.dca, it will open it in DatAdmin
- If previous step is not possible with your e-mail client, save attachment to disk and open it from DatAdmin (in menu Options/Import)
- In tree "Imported configuration" check items, what you want to import
- Press OK and DatAdmin is ready to use with new configuration


Subpart 11.1—Selecting and Developing Requirements Documents
11.101 Order of precedence for requirements documents.
11.102 Standardization program.
11.104 Use of brand name or equal purchase descriptions.
11.105 Items peculiar to one manufacturer.
11.106 Purchase descriptions for service contracts.
11.107 Solicitation provision.
Subpart 11.2—Using and Maintaining Requirements Documents
11.201 Identification and availability of specifications.
11.202 Maintenance of standardization documents.
11.204 Solicitation provisions and contract clauses.
Subpart 11.3—Acceptable Material
11.303 Special requirements for paper.
Subpart 11.4—Delivery or Performance Schedules
11.402 Factors to consider in establishing schedules.
Subpart 11.5—Liquidated Damages
Subpart 11.6—Priorities and Allocations
11.604 Solicitation provision and contract clause.
Subpart 11.7—Variation in Quantity
11.702 Construction contracts.
11.801 Preaward in-use evaluation.


This is the main class used to create/edit annotations (highlights). It need to be used with a PS2Viewer and PS2AnnotationViewer.
| Name | Definition | Description |
|---|---|---|
| PS2AnnotationEditor | PS2AnnotationEditor(PS2Viewer, PS2AnnotationViewer, containerElement:node) | Initialize a new instance of the PS2AnnotationEditor class. |
| Name | Return value | Description |
|---|---|---|
| addEventListener(eventName, callback) | None | Register the provided callback to the specified event. |
| dispose() | None | Deletes the editor object and releases any associated resources. (TODO: implement this) |
| getInternal() | PS.Packet.Annotation.Editor | Return the internal PS.Packet.Annotation.Editor object (use with caution!). |
| removeEventListener(eventName, callback) | None | Remove the callback previously registered with addEventListener. |
| Name | Arguments | Description |
|---|---|---|
| annotation-created | Annotation, thumbInfo, callback | Occurs when an annotation is created. You need to fire the callback: callback(isSaved, dbid). First argument is true when the annotation was successfully saved in the storage. And the second argument is the databased unique ID of the annotation in the storage. |
| annotation-edited | Annotation, thumbInfo, callback | Occurs when an annotation is edited. (parameter are identical as annotation-created event). |
| annotation-delete | Annotation, callback | Occurs when an annotation is about to be deleted. You need to fire the callback: callback(needToBeDeleted). First argument is a boolean indicating if the annotation needs to be deleted (result of confirm dialog box). |
| cancel | None | Occurs when the user cancel. |
| synth-connection-requested | request, dbid | Experimental. |
| visibility-change | visible | Internal usage. Inform whether the editor is visible or not. |
var _container = document.getElementById("viewer-container");
var _viewer = new Photosynth.PS2Viewer(_container, {
pathToWorker: "js/PS2PacketPlayer.worker.min.js"
});
_viewer.loadGuid("676195e2-64ca-43f5-80ba-a7cb7b10e3aa");
//TODO: add code snipet... (you can check the code in ps-player-sdk-highlight.html)


#!/usr/bin/env python3
# -*- coding: utf-8 -*-
__author__ = "Christian Heider Nielsen"
__doc__ = r"""
Created on 03-05-2021
"""
from enum import Enum
from typing import Sequence, Tuple, Union
import numpy
from scipy.spatial import distance
__all__ = [
"mouth_aspect_ratio",
"Dlib68faciallandmarksindices",
"Dlib5faciallandmarksindices",
"rect_to_bounding_box",
"shape_to_ndarray",
"eye_aspect_ratio",
]
class ExtendTuple(Tuple):
def __or__(self, *other) -> "ExtendTuple":
return ExtendTuple((*self, *other))
def __and__(self, *other) -> "ExtendTuple":
return ExtendTuple((*self, *other))
[docs]class Dlib68faciallandmarksindices(Enum):
mouth = (48, 67 + 1)
inner_mouth = (60, 67 + 1)
right_eyebrow = (17, 21 + 1)
left_eyebrow = (22, 26 + 1)
right_eye = (36, 41 + 1)
left_eye = (42, 47 + 1)
nose = (27, 35 + 1)
jaw = (0, 16 + 1)
[docs] @staticmethod
def slice(
seq: Sequence,
ind: Union[
"Dlib68faciallandmarksindices", Tuple["Dlib68faciallandmarksindices"]
],
):
"""
:param seq:
:param ind:
:return:
"""
if isinstance(ind, Tuple):
agg = []
for (
i
) in (
ind
): # Some flag implementation would probably be faster and more valid.
agg.extend(Dlib68faciallandmarksindices.slice(seq, i))
return agg
start, end = ind.value
return seq[start:end]
def __or__(
self, other: "Dlib68faciallandmarksindices"
) -> Tuple["Dlib68faciallandmarksindices"]:
return ExtendTuple().__or__(self, other)
def __and__(
self, other: "Dlib68faciallandmarksindices"
) -> Tuple["Dlib68faciallandmarksindices"]:
return ExtendTuple().__and__(self, other)
[docs]class Dlib5faciallandmarksindices(Enum):
"""
dlib_utilities’s 5-point facial landmark detector
"""
right_eye = (2, 3 + 1)
left_eye = (0, 1 + 1)
nose = (4, 4 + 1)
[docs] @staticmethod
def slice(
seq: Sequence,
ind: Union["Dlib5faciallandmarksindices", Tuple["Dlib5faciallandmarksindices"]],
):
"""
:param seq:
:param ind:
:return:
"""
if isinstance(ind, Tuple):
agg = []
for (
i
) in (
ind
): # Some flag implementation would probably be faster and more valid.
agg.extend(Dlib5faciallandmarksindices.slice(seq, i))
return agg
start, end = ind.value
return seq[start:end]
def __or__(
self, other: "Dlib5faciallandmarksindices"
) -> Tuple["Dlib5faciallandmarksindices"]:
return ExtendTuple().__or__(self, other)
def __and__(
self, other: "Dlib5faciallandmarksindices"
) -> Tuple["Dlib5faciallandmarksindices"]:
return ExtendTuple().__and__(self, other)
[docs]def rect_to_bounding_box(rect) -> Tuple[float, float, float, float]:
"""
# take a bounding predicted by dlib_utilities and convert it
# to the format (x, y, w, h)"""
x = rect.left()
y = rect.top()
return x, y, rect.right() - x, rect.bottom() - y # return a tuple of (x, y, w, h)
[docs]def shape_to_ndarray(shape, dtype: str = "int"):
"""
:param shape:
:param dtype:
:return:
"""
coordinates = numpy.zeros(
(shape.num_parts, 2), dtype=dtype
) # initialize the list of (x, y)-coordinates
# loop over all facial landmarks and convert them
# to a 2-tuple of (x, y)-coordinates
for i in range(0, shape.num_parts):
coordinates[i] = (shape.part(i).x, shape.part(i).y)
return coordinates # return the list of (x, y)-coordinates
[docs]def mouth_aspect_ratio(coordinates: Sequence[Sequence]) -> float:
"""
:param coordinates:
:return:"""
average = (
distance.euclidean(coordinates[3], coordinates[9])
+ distance.euclidean(coordinates[2], coordinates[10])
+ distance.euclidean(coordinates[4], coordinates[8])
) / 3
return average / distance.euclidean(coordinates[0], coordinates[6])
[docs]def eye_aspect_ratio(coordinates: Sequence[Sequence]) -> float:
"""
:param coordinates:
:return:
"""
# compute the euclidean distances between the two sets of
# vertical eye landmarks (x, y)-coordinates
A = distance.euclidean(coordinates[1], coordinates[5])
B = distance.euclidean(coordinates[2], coordinates[4])
# compute the euclidean distance between the horizontal
# eye landmark (x, y)-coordinates
C = distance.euclidean(coordinates[0], coordinates[3])
# compute the eye aspect ratio
return (A + B) / (2.0 * C)
# To improve our blink detector, Soukupová and Čech recommend constructing a 13-dim feature vector of eye aspect ratios (N-th frame, N – 6 frames, and N + 6 frames), followed by feeding this feature vector into a Linear SVM for classification.
if __name__ == "__main__":
def asud():
"""description"""
a = list(range(99))
slices = (
Dlib68faciallandmarksindices.left_eye
| Dlib68faciallandmarksindices.right_eye
| Dlib68faciallandmarksindices.nose & Dlib68faciallandmarksindices.mouth
)
print(Dlib68faciallandmarksindices.slice(a, slices))
def as34ud():
"""description"""
a = list(range(99))
print(
Dlib68faciallandmarksindices.slice(a, Dlib68faciallandmarksindices.left_eye)
)
asud()
as34ud()


Skip the queue: Singapore hotels use face recognition check-in
SINGAPORE, Nov 7 — Tourists visiting Singapore can now check in at some hotels using facial recognition technology under a pilot programme that could cut waiting times and help tackle a labour crunch.
The tech-savvy country of 5.7 million people is increasingly turning to automation to speed up services and deal with workforce shortages, with robots deployed for tasks ranging from cleaning to making noodles.
Under the pilot launched yesterday, visitors will not need to wait to be checked in by hotel staff but can instead use a phone app fitted with facial recognition technology or machines which scan their passports.
The data from the scan is sent to immigration authorities for checks after which the visitor is issued a room key, said the Singapore Tourism Board and Hotel Association, which announced the initiative this week.
The technology, reportedly being trialled at three hotels and is similar to that used in some airports including Singapore’s Changi, could reduce check-in times by up to 70 per cent, they said.
Singapore welcomed a record high 18.5 million visitors last year, up 6.2 per cent from the year before. The city has more than 400 hotels with 67,000 rooms. — AFP


Posts:
-
March 22, 2018 - Building LabNotebook, a simple machine learning experiment manager
-
February 12, 2018 - A look at SGD from a physicists's perspective - Part 3, Langevin Dynamics and Applications
-
January 30, 2018 - A look at SGD from a physicists's perspective - Part 2, Bayesian Deep Learning
-
January 29, 2018 - A look at SGD from a physicist's perspective - Part 1
-
December 13, 2017 - Enzymes, Thermodynamics, and Huddles
-
October 1, 2016 - Molecular Motors - information flow from the nanoscale to the microscale
-
September 2, 2016 - Why try functional programming?


About Me
I am Lokesh Todwal a 3rd year student of The LNM Institute of Information Technology, Jaipur (The LNMIIT) currently in my 5th semester of B.Tech in Computer Science and Engineering.During the daytime you would find me glued to my laptop, at night I fight ninjas. I love to explore new technologies and always looking forward for challenging problems.
I am an avid technology enthusiast currently in love with Computers. I have also developed a keen interest in the field of CS and its diverse applications. Not only I just learn to develop my own skill set but I have a vision of applying my technical skills and creativity.
Over the period of 5 semesters in college, I have involved myself in various industry level projects by actively working in various college level projects. Through this experience I have developed a sense of professionalism in work ethics and learn the art of having a strategy driven approach towards solving real world problems. Besides industrial experience, I have done Data Specialisation, Machine Learning and many other courses from Coursera from which I developed my interests in the field of Data Science.
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Solutions.
Note: This page is still in development.
@Kirsten Chamberlain, 2018.


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FOUR WEDDINGS AND A FUNERAL A film review by Sue Roberts Copyright 1994 Sue Roberts
Director: Mike Newell Script by: Richard Curtis
Features: Hugh Grant, Andie MacDowell, Kristin Scott Thomas, Simon Callow, David Bower, Corin Redgrave, James Fleet, John Hannah, Charlotte Coleman and Rowan Atkinson.
I feel the formula for British weddings is fundamentally bizarre (archaic tradition meets nouveau riche aspiration) and as this movie sets out to show, the comic possibilities are endless! The real joy of Richard Curtis' script, however, is the accuracy with which the events are portrayed. It starts off with something simple, the "howling up the motorway in an unsuitable vehicle and changing when you arrive" gag. Well, I ask you, who hasn't? Judging by the way the 2000 or so audience present fell about, and the exact nature of their shrieking laughter as events unfolded, a lot of the audience were seeing their past life flash before them. On a more serious note the wonderful timing and the somewhat bemused delivery, reminded one of Buster Keyton.
The director, Mike Newell, has managed to bring out the and flavour of this script beautifully by ensuring all of the balancing acts within it are given room to breathe. The counterweight to the gloss of all those weddings being the devastating loss of a friend loved by everyone. A reminder that one may enter this world with nothing, but may leave with rather more. Simon Callow's dancing was particularly memorable!
The more subtle dichotomy between the American (Andie McDowell) who marries for money expecting it to be the key to eternal happiness, and the wealthy aristocrat who would settle for anyone and is eternally rebuffed evokes the gap between British and American ideas.
To shed some light on the character of Charles (Hugh Grant). Once upon a time in England, cricket was played by gentlemen who turned up on the day of the match, tossed on a set of flannels, strolled nonchalantly onto the green and scored a century. Blood might have been sweat, but the critical thing was to make it appear effortless, and imply that it was, of course, a fluke!
This still applies to rugby. My husband played rugby with him at school.
The director was both clever and fortunate to pick a team of actors who worked so well together to make this film into an outrageously funny piece of entertainment.
Sue Roberts<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


THE SOUND OF MUSIC A film review by Steve Rhodes Copyright 1997 Steve Rhodes
RATING (0 TO ****): *** 1/2
THE SOUND OF MUSIC (1965) was one of the most popular films of the 1960s. Although a bit corny, it is a joyous musical odyssey suitable for the entire family. Today, too often what goes for musicals, see for example EVITA, is little more that a show with a single decent song. In THE SOUND OF MUSIC every song is tuneful and most are memorable and moving.
Some shows are meant to be seen in a movie theater on a large screen with an impressive sound system to match. THE SOUND OF MUSIC is one of them. Nevertheless, our family enjoyed it at home. We have a high quality home theater setup, but the full effect can only be experienced in a real theater. I have not seen the film that way in thirty years. This review is from the home viewing rather than my memory.
The Academy Award for best picture for 1965 went to THE SOUND OF MUSIC as did that for director Robert Wise. (You can read my recent review of his quite different film from 1951, THE DAY THE EARTH STOOD STILL.) The film also garnered the award for music and editing plus many nominations. Only the supporting actress nomination to Peggy Wood as Mother Abbess did not make sense to me. Wood had a somewhat insignificant role and did not impress me with her acting in it. Nicely done, but nothing outstanding.
In the film version of the Broadway musical, which is itself based on a true story, Julie Andrews has the leading role as the postulate with an attitude, Maria. On Broadway, Mary Martin had the part. Although I never saw Mary Martin as Maria, it is hard for me to believe she could have had the infectious joy and energy that Andrews brought to the role. Just looking as Andrews's Maria when she breaks into song, it is easy to remember all the blessings we have in this life.
In an incredible opening sequence, Maria is shown singing in the Austrian Alps. This is hard to describe other than to say it is a blend of a travelogue, a nature documentary, a musical, and a cinematographic tour de force wrapped into one. Ted D. McCord's cinematography for THE SOUND OF MUSIC was beaten out by Freddie Young's DOCTOR ZHIVAGO for the Oscar that year. All I can say is that it would have been a hard choice to choose between them. McCord's most lovely scene occurs in the conservatory at night. He films it in a hazy pale blue with a white that sparkles. When the two teenagers in the room make eyes at each other in the romantic environment, you will feel like an adolescent all over again. It is a truly magical scene.
The sisters at the convent try to figure out what to do with Maria. She says she wants to be a nun, but she is happiest when out singing and is quite outspoken as well. Sister Margaretta (Anna Lee) tries to put a good spin on it by telling the other sisters, "After all, the wool from the black sheep is just as warm."
As a compromise, the Mother Abbess sends Maria to care for the seven Von Trapp children -- Charmian Carr as Liesl, Heather Menzies as Louisa, Nicholas Hammond as Friedrich, Duane Chase as Kurt, Angela Cartwright as Brigitta, Debbie Turner as Marta and Kym Karathas as Gretl.
There is a slight problem in that the supposedly incorrigible children have run off a long list of governesses with the record being the last one who stayed only two hours. Their strict father, Captain Von Trapp, played with precision by Christopher Plummer, makes all of his children toe the line by calling them with individualized whistle sounds. He lectures Maria that, "The first rule of this household is discipline." Or as the housekeeper, Frau Schmidt (Norma Varden), explains it, "Von Trapp children don't play; they march."
The movie is filled with songs, and there are even some simple dance numbers. When Liesl dances in the conservatory at night with Rolfe (Daniel Truhitte), she ends up giving him a single kiss. This sends him into total rapture. I can remember a time when I was a teenager like him and one kiss from a girl, especially a beautiful one, could evoke a response as strong as Rolfe's. Times change and teenagers are regretfully much more sexually sophisticated now. Still, the lone kiss in that scene remains powerful.
In a show that is so upbeat it has been criticized as being sappy, there is the tension of the looming war. The Captain's friend Max Detweiler (Richard Haydn) is apolitical and ignores the coming Anschluss. "What's going to happen is going to happen," he advises the Captain. "Just make sure it doesn't happen to you." Although this war reality is ever-present and although the film is based on a true story, the movie feels like a lovely and enduring fairy tale.
This is a movie filled with exuberance, memorable songs, and great beauty. A joy to be savored and seen by each generation.
THE SOUND OF MUSIC runs 2:55. A bit long for a musical, but it is a lot of fun. The movie is not rated but would be a G. There is no sex, nudity, violence, or profanity. My son Jeffrey, age 7 1/2, gave it a thumb almost totally up. His only complaint was that he thought the ending should have told us more about what happens to them later. He recommends it to his friends ages 4 and up. I agree and recommend it strongly to your family. I give it *** 1/2.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: January 2, 1997
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Galate:
Elder Casian?
If you really came here on Elder Casian's instructions, go visit him and bring me his
Blue Crystal
. Simply mentioning his name won't get you very far with me...


Current models of content delivery mechanisms for sports, such as Tennis TV [1], do not utilize the computational power and methods at disposal to make their content more interactive. With the advent of reasonably accurate methods for automatically adding useful annotations to sports matches [2], it's possible to create informative and entertaining extensions, directly using Broadcast Tennis Videos (BTV). We will first temporally parse and segment the game into serves, rallies, points and sets along with play, non-play (replay, audience etc) and detect the play events wrt to a player such as error, win, lose etc. Building upon these methods, we would


So you've heard that it's useful to use Unicode (UTF-8) for your pages rather than a legacy character encoding such as Latin1 (Windows 1252 or ISO 8859-1) or Shift_JIS, and you've heard that others are doing it, but you're not sure how it works.
This page will help you change the character encoding of your HTML page to UTF-8.
Below we summarise the information you need to convert a simple page to a Unicode character encoding. Follow the links to other articles on the site if you need to get detailed information about any step.
For much more detailed advice about converting complex sites, software and data to Unicode, see the article Migrating to Unicode.
It will not be sufficient to just change the declarations inside your pages to say that the page is encoded in UTF-8. You must ensure that your data is actually encoded, ie. saved, in UTF-8.
If you are working with hand-edited files then you should use the options of your editor to save the file in UTF-8 rather than the encoding you were using. If you are building files from scripts and databases, you should ensure that the data is converted as necessary and that the correct parameters are set in your scripting environment.
Note that you may have to ensure that the data does not include a UTF-8 signature, also known as a byte-order mark (BOM).
You should change the character encoding declaration in your page (or add one if you don't already declare it).
In its simplest form, this looks as follows, and should come at the beginning of the head
element in your HTML code.
Although your data is in UTF-8 and you have declared it in the page, your server may still be serving the page with an accompanying HTTP header that says it is something else.
Test it by putting the URL of your page in this form. It will take you to the Internationalization Checker. Look in the table for the row with the title HTTP Content-Type, under Character Encoding, and check that it says either UTF-8 or No encoding information found.
If the HTTP Content-Type shows an encoding other than UTF-8 you'll need to take steps to rectify it, because the declaration in the HTTP header will override information inside the page.
Server admin privileges are needed to change the encoding sent in the HTTP header, though you may be able to do so yourself even if you are serving files via an ISP. Consult your server admin person. See the explanation of one way to do this for an Apache server.
Getting started? Introducing Character Sets and Encodings
Migrating to Unicode A much more in-depth article about changing software and data to Unicode.
Authoring HTML & CSS


git restore
Restore working tree files. Requires Git version 2.23+.
See also `git checkout` and `git reset`.
More information: home page
- Restore an unstaged file to the version of the current commit (HEAD):
git restore path/to/file
- Restore an unstaged file to the version of a specific commit:
git restore --source commit path/to/file
- Discard all unstaged changes to tracked files:
git restore :/
- Unstage a file:
git restore --staged path/to/file
- Unstage all files:
git restore --staged :/
- Discard all changes to files, both staged and unstaged:
git restore --worktree --staged :/
- Interactively select sections of files to restore:
git restore --patch


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java.lang.Object edu.cmu.sphinx.result.Sausage
public class Sausage
A Sausage is a sequence of confusion sets, one for each position in an utterance.
| Constructor Summary | |
|---|---|
Sausage(int size)
Construct a new sausage. |
| Method Summary | |
|---|---|
void |
addWordHypothesis(int position,
java.lang.String word,
double confidence,
LogMath logMath)
|
void |
addWordHypothesis(int position,
WordResult word)
Add a word hypothesis to a given word slot in the sausage. |
int |
countWordHypotheses()
|
void |
dumpAISee(java.lang.String fileName,
java.lang.String title)
Write this sausage to an aisee format text file. |
void |
fillInBlanks(LogMath logMath)
Adds skip elements for each word slot in which the word posteriors do not add up to linear 1. |
Path |
getBestHypothesis()
Returns the best hypothesis of the result. |
Path |
getBestHypothesisNoFiller()
Get the best hypothesis path discarding any filler words. |
java.lang.String |
getBestHypothesisString()
Get a string representing the best path through the sausage. |
java.util.Set<WordResult> |
getBestWordHypothesis(int pos)
Get the word hypothesis with the highest posterior for a word slot |
double |
getBestWordHypothesisPosterior(int pos)
Get the the highest posterior for a word slot |
ConfusionSet |
getConfusionSet(int pos)
Get the confusion set stored in a given word slot. |
java.util.Iterator<ConfusionSet> |
iterator()
Get an iterator for the sausage. |
void |
removeFillers()
Remove all filler words from the sausage. |
int |
size()
size of this sausage in word slots. |
| Methods inherited from class java.lang.Object |
|---|
equals, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Constructor Detail |
|---|
public Sausage(int size)
size
- The number of word slots in the sausage| Method Detail |
|---|
public java.util.Iterator<ConfusionSet> iterator()
iterator
in interface java.lang.Iterable<ConfusionSet>
public void fillInBlanks(LogMath logMath)
logMath
- the log math object to use for probability computationspublic void addWordHypothesis(int position, WordResult word)
position
- the position to add a hypothesis toword
- the word to addpublic void addWordHypothesis(int position, java.lang.String word, double confidence, LogMath logMath)
public Path getBestHypothesis()
ConfidenceResult
getBestHypothesis
in interface ConfidenceResult
ConfidenceResult.getBestHypothesis()
public Path getBestHypothesisNoFiller()
public void removeFillers()
public java.lang.String getBestHypothesisString()
public java.util.Set<WordResult> getBestWordHypothesis(int pos)
pos
- the word slot to look at
public double getBestWordHypothesisPosterior(int pos)
pos
- the word slot to look at
public ConfusionSet getConfusionSet(int pos)
getConfusionSet
in interface ConfidenceResult
pos
- the word slot to look at.
public int countWordHypotheses()
public int size()
size
in interface ConfidenceResult
public void dumpAISee(java.lang.String fileName, java.lang.String title)
fileName
- The file to write to.title
- the title to give the graph.
|
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SPLICE August 2018 Workshop
The third SPLICE Project workshop will be held in conjunction with ICER 2018 in Espoo, Finland on Sunday, August 12. Check workshop webpage at ICER.
Workshop Theme: Computing Science Educational Infrastructure: Crossing the Borders
Workshop Hosts:- Peter Brusilovsky, University of Pittsburgh
- Ken Koedinger, CMU
- Cliff Shaffer, Virginia Tech
- Steve Edwards, Virginia Tech
Abstract:
The purpose of this workshop is to expand the borders of the SPLICE community, bringing together researchers from the United States,
Europe, and the rest of the world who wish to contribute to the joint effort of designing and building an infrastructure for data-intensive research in Computing Education.
The infrastructure should support (1) broader re-use of innovative learning content that is instrumented for rich data collection,
(2) formats and tools for analysis of learner data, and (3) development of best practices to make collections of learner data available to researchers.
The workshop focus will be on how our tools can better interoperate, and how we can share both data and analysis tools to improve education research efforts across the discipline and beyond.
We will introduce the goals of SPLICE Community, report progress to date, present a range of relevant activities, and plan future collaboration.
Venue:
- Haltia Finnish Nature Centre in Nuuksio National Park
Agenda:
- 8:00 Bus leaves from Radisson Blu (7:00 from Hakaniemi, 7:30 from Kamppi if required)
- 8:45 Introduction
- 9:00 Workshop starts
- 9:00-10:20 Session 1
- Informing about SPLICE, goals, opportunities
- Peter Brusilovsky - Intro, report on Workshops, WGs, and call for collaboration
- Smart Content and Data Collection
- Kerttu Pollari-Malmi on Python course with reusable smart content
- Mikko-Jussi Laakso “Learning Analytics as a catalyst for any education system”
- Nikolay Vyahhi “Code Grading at Scale”
- 10:20-10:40 Coffee Break with posters
- 10:40-12:00 Session 2
- Interoperability and Infrastructures
- Otto Seppälä on “A+ Infrastructure”
- Peter Brusilovsky on Adapt2 and MasteryGrids
- Jan-Mikael Rybicki “Using the ACOS server to deliver multipurpose interactive content”
- Data Analysis and Datamining
- Arto Hellas "Multimodal data mining in a MOOC in programming”
- Petri Ihantola ““Other than log data: interoperability of questionnaires and combining logs and physiological data”
- 12:00-13:40 Lunch and Hike (or visiting Haltia)
- 13:40-16:00 Discussion
- 13:40-14:40 Group discussions and Slide preparation
- 14:40-15:00 Coffee Break
- 15:00-15:45 Reporting and Joint Discussion
- Closing, Establishing Collaborations
- 16:00 Bus leaves to Espoo
- 17:00 Reception @ Dipoli
Agenda last updated: 8/10/2018
Reminders for Attendees
- You should already have filled out the survey
- A limited number of travel grants to cover extra travel expenses associated with attending the workshop are available. Please contact the organizers if you need travel support.


boostr provides a modular framework that return the focus of ensemble learning back to 'learning' (instead of programming).
| Version: | 1.0.0 |
| Depends: | R (≥ 3.0.2) |
| Imports: | foreach, iterators, stringr |
| Suggests: | knitr, xtable, mlbench, nnet, class, e1071, randomForest |
| Published: | 2014-05-17 |
| Author: | Steven Pollack |
| Maintainer: | Steven Pollack <steven at pollackphoto.net> |
| License: | GPL-2 |
| NeedsCompilation: | no |
| CRAN checks: | boostr results |
| Reference manual: | boostr.pdf |
| Vignettes: |
User Inputs Introduction |
| Package source: | boostr_1.0.0.tar.gz |
| Windows binaries: | r-devel: boostr_1.0.0.zip, r-release: boostr_1.0.0.zip, r-oldrel: boostr_1.0.0.zip |
| OS X binaries: | r-release: boostr_1.0.0.tgz, r-oldrel: boostr_1.0.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=boostr to link to this page.


{versionr} is a lightweight package designed to remove the friction of working with version numbers in R. The main benefit of versionr
is the vctrs-powered S3 class version_number
.
You can install the development version from GitHub with:
# install.packages("devtools")
devtools::install_github("wurli/versionr")
Version numbers can be created using characters or numeric vectors, and can have arbitrary numbers of parts
library(versionr)
version_number("1.0.0", "1.0.1")
#> <version_number[2]>
#> [1] 1.0.0 1.0.1
version_number(c(1, 0, 0, 0), c(1, 0, 0, 1))
#> <version_number[2]>
#> [1] <IP_ADDRESS> <IP_ADDRESS>
A main benefit of {versionr} is easy version comparison and sorting
nums <- version_number("1.0.0", "1.0.11", "1.0.2", "<IP_ADDRESS>")
# 1.0.11 should come after 1.0.2:
nums[2] > nums[3]
#> [1] TRUE
# Sorting is easy:
sort(nums)
#> <version_number[4]>
#> [1] 1.0.0 1.0.2 1.0.11 <IP_ADDRESS>
Version numbers can be easily ‘bumped’ using bump_version()
:
bump_version(nums, "patch")
#> <version_number[4]>
#> [1] 1.0.1 1.0.12 1.0.3 <IP_ADDRESS>
bump_version(nums, "major")
#> <version_number[4]>
#> [1] 2.0.0 2.0.0 2.0.0 <IP_ADDRESS>
Version numbers are vectors, and you can easily access particular parts using version_part()
:
version_part(nums, "minor")
#> [1] 0 0 0 0
version_part(nums, "dev")
#> [1] NA NA NA 1
Behind the scenes, version numbers are just vectors of integers wrapped in a list:
unclass(nums)
#> [[1]]
#> [1] 1 0 0
#>
#> [[2]]
#> [1] 1 0 11
#>
#> [[3]]
#> [1] 1 0 2
#>
#> [[4]]
#> [1] 2 0 0 1
#>
#> attr(,"ptype")
#> integer(0)
…This makes intuitive subsetting possible:
nums[[3]][4]
#> [1] NA


Welcome to PatternFly React - trigger release
Demo applications for pull request testing are available below.
PatternFly-3 React
PatternFly-4 React


--- layout: page title: Contact Me sidebar_link: true ---
Reach me at<EMAIL_ADDRESS>or connect with me on LinkedIn !


Want to see how your password fairs against a database of over 600 million passwords known to be exposed in data breaches? Enter a password below to securly compare them against the database.
Upon submission, the password provided will be hashed and used in an API call to Pwned Passwords. If the password provided is found to have been leaked in a known data breach, the Password Breach Investigator will indicate to the user how many breaches the password was found in.
If the password entered appears to have been found in a multitude of breaches, the Make Hackers Mad team strongly suggests changing your password to a more secure one through the help of our password generation tool.


class StreamObserver<T : Any>
A data class which stores information of subscriber and stream. Reference is useful to unsubscribe from stream.
stream |
The data stream to which subscriber is observing. val stream: String |


Shadowbanned
Produced by Daydreamers
Dezaih Black, Naia Wakai, Kiana Binion, Karyn Williams, Daniela Morales, Hyohee Kim, Daramola Abina, Natasha Mijares, Katherine Carlton
826CHI + Johnson College Prep
Teens explore activism on TikTok and the local and global implications of an increasingly censored physical and digital reality.
- 13 minutes
- Color
- 16:9
- English
- Documentary
Meet the Filmmakers
Dezaih Black
Co-Producer
Dezaih Black is a student at JCP.
Naia Wakai
Co-Producer
Naia Wakai is a student at ChiArts.
Daniela Morales
Co-Producer
Daniela Morales is a student at ChiArts.
Karyn Williams
Co-Producer
Karyn Williams is a student at JCP.
Kiana Binon
Co-Producer
Kiana Binion is an African American. She is currently a student at Johnson College Prep My experience with the filmmaking process and seeing videos on TikTolk about Racism is to let people be informed about what’s going on in the world. And what is causing Racism? I believe that TikTok should not ban or take down videos that are seeking knowledge from Individuals. African american people should use those videos to stand up for our Race of people.
Hyohee Kim
Undergraduate Collaborator
Hyohee is an undergraduate student at Northwestern University studying Learning Sciences, Asian American Studies and Design. Hyohee’s interests are equally technical, artistic, and social with particular focuses on UX/UI design, new media arts, and museums. In their free time, they enjoy spending time with family and friends, particularly over shared meals, exploring fashion, and watching a lot of YouTube
Katherine Carlton
Teacher at Johnson College Prep
As an English teacher at Johnson College Prep High School, I know the power of telling stories and speaking up. This is my first experience with the filmmaking process, but I feel very fortunate to have been able to spread information about shadowbanning and silencing of activists. In the future, you can find me teaching 10th grade literature, where activism and education go hand in hand.
Daramola Abina
Assistant Dean of Students for Johnson College Prep
Dara is a Chicago native. She attended University of Illinois – Springfield where she received her Bachelors in Business Administration and her Masters in Public Administration. She is currently the Assistant Dean of Students for Noble Johnson College Prep. Dara believes all students no matter their race or socioeconomic status should have access to quality education and programming. Her hobbies include taking long walks to keep in good health. Currently, she has picked up the love of tie dye and dying any and everything she gets her hands on.
Natasha Mijares
Program Coordinator at 826CHI
Washing over from sunny Miami, Natasha came to Chicago to pursue her MFA in Writing at the School of the Art Institute of Chicago. In her time here, Natasha has taught English, bookmaking, printmaking, and poetry across Chicago and has hosted a reading series. Natasha’s visual work consists of challenging our relationship to the natural—be it environmental, bodily, or material. She loves to ride her bike to hidden gems across the city and finds it hard to not dance a little every day, even if it’s while waiting in line at the grocery store.
Mental Pandemic
Behind the Scenes


{% extends "base_generic.html" %} {% block title %}
Welcome to LocalLibrary, a very basic Django website developed as a tutorial example on the Mozilla Developer Network.
The library has the following record counts:
You have visited this page {{ num_visits }}{% if num_visits == 1 %} time{% else %} times{% endif %}.
{% endblock %}


|
BL3 SDK
0.0.1
Borderlands 3 Class Documentation
|
#include <BL3_Engine_structs.hpp>
Public Attributes | |
| unsigned char | bGroup0: 1 |
| unsigned char | bGroup1: 1 |
| unsigned char | bGroup2: 1 |
| unsigned char | bGroup3: 1 |
| unsigned char | bGroup4: 1 |
| unsigned char | bGroup5: 1 |
| unsigned char | bGroup6: 1 |
| unsigned char | bGroup7: 1 |
| unsigned char | bGroup8: 1 |
| unsigned char | bGroup9: 1 |
| unsigned char | bGroup10: 1 |
| unsigned char | bGroup11: 1 |
| unsigned char | bGroup12: 1 |
| unsigned char | bGroup13: 1 |
| unsigned char | bGroup14: 1 |
| unsigned char | bGroup15: 1 |
| unsigned char | bGroup16: 1 |
| unsigned char | bGroup17: 1 |
| unsigned char | bGroup18: 1 |
| unsigned char | bGroup19: 1 |
| unsigned char | bGroup20: 1 |
| unsigned char | bGroup21: 1 |
| unsigned char | bGroup22: 1 |
| unsigned char | bGroup23: 1 |
| unsigned char | bGroup24: 1 |
| unsigned char | bGroup25: 1 |
| unsigned char | bGroup26: 1 |
| unsigned char | bGroup27: 1 |
| unsigned char | bGroup28: 1 |
| unsigned char | bGroup29: 1 |
| unsigned char | bGroup30: 1 |
| unsigned char | bGroup31: 1 |
| unsigned char bGroup0 |
| unsigned char bGroup1 |
| unsigned char bGroup10 |
| unsigned char bGroup11 |
| unsigned char bGroup12 |
| unsigned char bGroup13 |
| unsigned char bGroup14 |
| unsigned char bGroup15 |
| unsigned char bGroup16 |
| unsigned char bGroup17 |
| unsigned char bGroup18 |
| unsigned char bGroup19 |
| unsigned char bGroup2 |
| unsigned char bGroup20 |
| unsigned char bGroup21 |
| unsigned char bGroup22 |
| unsigned char bGroup23 |
| unsigned char bGroup24 |
| unsigned char bGroup25 |
| unsigned char bGroup26 |
| unsigned char bGroup27 |
| unsigned char bGroup28 |
| unsigned char bGroup29 |
| unsigned char bGroup3 |
| unsigned char bGroup30 |
| unsigned char bGroup31 |
| unsigned char bGroup4 |
| unsigned char bGroup5 |
| unsigned char bGroup6 |
| unsigned char bGroup7 |
| unsigned char bGroup8 |
| unsigned char bGroup9 |


Home
About Me
My Work
How To Reach Me
Contact
Me
This is how you can reach me...
Mail to:
<EMAIL_ADDRESS>Phone:
+(380)731-627-923
Adress:
Ukraine, Odessa.


Fan group urges Arsenal to take "decisive action" over Unai Emery future
A prominent Arsenal fan group has called on the club to act after Thursday night's loss to Eintracht Frankfurt continued an alarming loss of form.
The Gunners are now winless in their last seven games, their worst run in 27 years, as pressure continues to mount on head coach Unai Emery.
The 2-1 Europa League reverse at home to Frankfurt was the latest setback as a sparse Emirates Stadium crowd witnessed another poor display from Emery's side.
Raul Sanllehi, the club's head of football, and managing director Vinai Venkatesham publicly backed Emery during the international break but results have not improved and the Arsenal Supporters' Trust are demanding a response.
"Last night more than half of Arsenal's season ticket holders didn't bother attending the match despite having paid for their tickets. Those that did were left frustrated and angry at a performance and defeat that represented Arsenal's worst run of results since 1992," they posted on Twitter.
"Things can't go on like this. The club needs decisive action to address this. There should also be greater accountability from the new football management personnel as to what they are doing to address Arsenal's decline."
Speculation is rife that Emery is set to be sacked, potentially before Sunday's Premier League trip to Norwich.
The 48-year-old took Arsenal to a fifth-placed finish and the Europa League final in his first season in charge but ultimately failed to achieve a return to Champions League football.
This season he has had to contend with a number of issues off the pitch as his team fail to deliver on it, with Thursday's performance the latest in a string of below-par displays.
Speaking after the game, Emery admitted his team need more confidence but feels they are better than current form suggests.
"Now our moment is not good," he said.
"We need to win and we need to gain confidence. I think we are better than we are showing; everybody, the players, the coaches and me.
"Now we lost some confidence and we need to win. I can understand the criticism about the team, about me. We are not in a good moment and also as a coach."
body check tags ::


Sometimes a program needs to run the same code many times in a row. It wouldn’t make sense to type out the code hundreds of times. Luckily, we can use loops to run a piece of code over and over again.
In this lesson you will learn about for loops. For loops are the most commonly used loop. In comparison to other loops, for loops explicitly make use of a counter to progress towards a termination point.
For loops take the form:
for initialization; condition; increment {
}
Where initialization is where the counter is initially set, condition is the condition that is tested at the end of the block of code within the loop and increment is where the change to counter is stated.
e.g.
for var i=0; i<3; i++ {
// Code to run goes here
}
In the above example, the counter i is set to 0 and the block of code within the loop will run. After the first time the code runs, i is incremented.
Go ahead and look at our example code
DownloadVideos will be added after/during reading week
The code file from the video should be attached. Write this before the video is recorded and use it to guide the video
(Aim to write 3-5 exercise questions of varying difficulty. Make sure they highlight the different types of tricks/challenges that your concept may possess.)
Attach source code files for programs that solve the exercise questions. Make sure they are well commented
In this lesson you will learn how to use while loops. While loops allow you to continuously execute the same code provided a condition is met. This is useful, for example, when making a continuously running application.
While loops take the form:
while condition {
}
Where initialization is where the counter is initially set and condition is the condition that is tested at the end of the block of code within the loop.
Videos will be added after/during reading week
The code file from the video should be attached. Write this before the video is recorded and use it to guide the video
Before you carry on your journey, check your solutions match the ones from Swiftem HQ
DownloadAttach source code files for programs that solve the exercise questions. Make sure they are well commented
In this lesson you will learn how to use repeat-while loops. Repeat-while loops operate in a very similar manner to while loops. The main separator is that the block of code within the loop will execute at least once before the condition is tested to see if the loop will continue to run.
While loops take the form:
do {
} condition
Videos will be added after/during reading week
The code file from the video should be attached. Write this before the video is recorded and use it to guide the video
Before you carry on your journey, check your solutions match the ones from Swiftem HQ
Download


☺
Feet
Inches:
Meters:
Centimeters:
Yards:
Kilometers:
Miles:
Pounds
Kilograms:
Ounces:
Grams:
MPH
Kilograms per Hour:
Knots:
Mach:


|
FREE SHIPPING!!
For all Pint Sleeves, Coasters, Buckles, Key Hangers, and Leather Treatment when ordered WITH a belt.
SPECIAL ORERS
Don't see what you want here? Call us at<PHONE_NUMBER>.
|
| |
|
ORDERING A BELT?
DO NOT order your waist size or pants size!
You MUST follow the measuring instructions before you order! Click here to read the FAQs!!!
Thanks, The Belt Man
|
|
Shown in the picture above: a 1.5" width SADDLE TAN belt with a square brass buckle.
Shown L to R in picture above: UNDYED NATURAL, BROWN, CORDOVAN, and BLACK.
|
|
Horse hide is a denser material and thus it is more abrasion and moisture resistant. Because the leather is denser, this is the stiffest gun belt we make. The internal stiffener would rarely be necessary on a belt that is this stiff already. Horse hide also lends itself to a greater degree of sheen when polished. Many professionals appreciate the look, quality and durability of horse hide.
CONSTRUCTION:
Our horse hide belts are made in the same exacting manner as our other dual layer gun belts; that is, an outer layer of submersion dyed horse hide is mated to an un-dyed layer of 7oz. bull hide (see picture), and stitched together with heavy-duty nylon. The belt is then given an incredibly fine level of edge beveling and polishing, making the dual layer belt look like one piece of leather. The final waxing and hand buffing with lambs wool makes this a belt you will be proud to wear for many years to come!
Horse hide belts are available in five colors: SADDLE TAN, UNDYED NATURAL, BROWN, CORDOVAN, and BLACK.

For lengths longer than 42 inches, please call us at<PHONE_NUMBER> for availability.
|
|


 The green light is flashing, so there doesn't appear to be anything wrong with its function.
By manipulating this, you should be able to control the Airship.
Board the Airship.
Summon the Airship.
Register summoning license.
Quest


anki_vector.lights¶
Helper routines for dealing with Vector’s lights and colors.
Functions
package_request_params (lights, color_profile) |
Classes
ColorProfile (red_multiplier, …) |
Applies transforms to make Vector’s lights and colors appear as intended, by limiting maximum channel intensity. |
Light ([on_color, off_color, on_period_ms, …]) |
Lights are used with Vector’s Cube. |
-
anki_vector.lights.
MAX_COLOR_PROFILE
= <anki_vector.lights.ColorProfile object>¶ ColorProfile
– Color profile to get the maximum possible brightness out of each LED.
-
anki_vector.lights.
blue_light
= <anki_vector.lights.Light object>¶ Light
– A steady blue colored LED light.
-
anki_vector.lights.
cyan_light
= <anki_vector.lights.Light object>¶ Light
– A steady cyan colored LED light.
-
anki_vector.lights.
green_light
= <anki_vector.lights.Light object>¶ Light
– A steady green colored LED light.
-
anki_vector.lights.
magenta_light
= <anki_vector.lights.Light object>¶ Light
– A steady magenta colored LED light.
-
anki_vector.lights.
off_light
= <anki_vector.lights.Light object>¶ Light
– A steady off (non-illuminated LED light).
-
anki_vector.lights.
red_light
= <anki_vector.lights.Light object>¶ Light
– A steady red colored LED light.
-
anki_vector.lights.
white_light
= <anki_vector.lights.Light object>¶ Light
– A steady white colored LED light.
-
anki_vector.lights.
yellow_light
= <anki_vector.lights.Light object>¶ Light
– A steady yellow colored LED light.
-
class
anki_vector.lights.
Color
(int_color=None, rgb=None, name=None)¶ A Color to be used with a Light or Vector’s screen.
Either int_color or rgb may be used to specify the actual color. Any alpha components (from int_color) are ignored - all colors are fully opaque.
Parameters: -
rgb565_bytepair
¶ bytes[] – Two bytes representing an int16 color with rgb565 encoding.
This format reflects the robot’s Screen color range, and performing this conversion will reduce network traffic when sending Screen data.
-
-
class
anki_vector.lights.
ColorProfile
(red_multiplier, green_multiplier, blue_multiplier)¶ Applies transforms to make Vector’s lights and colors appear as intended, by limiting maximum channel intensity.
Parameters: -
blue_multiplier
¶ float – The multiplier used on the red channel.
-
green_multiplier
¶ float – The multiplier used on the red channel.
-
red_multiplier
¶ float – The multiplier used on the red channel.
-
-
class
anki_vector.lights.
Light
(on_color=<anki_vector.color.Color object>, off_color=<anki_vector.color.Color object>, on_period_ms=250, off_period_ms=0, transition_on_period_ms=0, transition_off_period_ms=0)¶ Lights are used with Vector’s Cube.
Lights may either be “on” or “off”, though in practice any colors may be assigned to either state (including no color/light).
-
off_period_ms
¶ The number of milliseconds the light should be “off” for for each cycle.
Return type: int
-
on_period_ms
¶ The number of milliseconds the light should be “on” for for each cycle.
Return type: int
-


IAR's 2013 MYC Elementary / Middle School Boys' Summer Camp
Registration for the IAR's 2013 Muslim Youth Coalition (MYC) Elementary/Middle School Boys' Summer Camp is now open!
The camp will be held from Thursday July 4 2013 through Sunday July 7 2013 at Jordan Lake State Recreation Area.
Attendance to the Summer camp is restricted to boys 8-14 years old.
Activities
We have planned many activities, including talks/reflection about Allaah, swimming, field sports, (saheeh/authentic) stories, water sports, obstacle courses, wrestling, capture the flag, water balloon games, dodgeball, archery, team-building games, skills training, hiking, bonfires, skits, smores, water-tag, interactive discussions, and, of course, water-tag!
Registration
The registration fees includes cost of travel, food, activities and lodging.
EARLY Registration ($60 per person)*: Friday, March 31 - Thursday, June 6
NORMAL Registration ($70 per person)*: Friday, June 7 - Thursday, June 20
LATE Registration ($80 per person)*: Friday, June 21 - Friday, June 28
* Please remember to inquire about our multiple children discount.
Space is LIMITED, so please sign up ASAP! Priority is given to regular participants of the IAR MYC's Elementary/Middle School Boys' Saturday Program.
Please register for the camp using this 2013 Summer Camp Registration Form.
Contact
For more details, please contact Br Mahen Khan via email<EMAIL_ADDRESS>or<PHONE_NUMBER> [call/text]. You can also contact Br Muammar Dahnoun or Br Aatif Abdul-Qadeer.
If you have any questions, comments, concerns, suggestions, naseehah (advice), please rush to contact us, for the sake of pleasing Allaah 'azza wa jalla, alone!
We are looking forward to an amazing time at the camp, inn shaa'a Allaah. A goal of ours is to help develop legendary youth that are closest to Allaah on the day of judgment. Because this is a community effort, we appreciate the help of each parent that is seriously involved in this work for their kids, particularly through role-modeling of behaviors, community service and volunteerism, seeking/teaching of Islaamic education, and the support of those that are working with their kids.
Baaraka Allaahu feekum wa rafa'a Allaahu darajatakum fee al mutatahhireena al mukhlaseena al muqarrabeena al mahbuubeena al muhsineena al muttaqeena al abraari! Ahsana Allaahu ilaikum.


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AngularJS lets you extend HTML vocabulary for your application. It includes MVC, directives, factories, and more


This version uses newer Javascript features. Few these can be pollyfilled in older browsers. However Uint8Array is critically needed and not possible to be efficiently pollyfilled (notably in IE9 or lower). If you need to support any browser that does not have native support for Uint8Array please continue using version 4 of this library.
Please follow section Include STOMP.js to add latest version and to include necessary polyfills.
The following is for convenience - to keep the code change to the minimum.
// Depending on your JS version you may have to use var instead of const
// To use compatibility mode
const Stomp = StompJs.Stomp;
With the changes above, your code should now work. If you face issues please raise an issue at https://github.com/stomp-js/stompjs/issues
Note: no new features will be added to the compatibility mode. Attempt would be made so that code working in version 3/4 continue to work. The compatibility mode will be maintained for a year.
This section covers rationale of new features and changes needed to take full advantage.
In version 3/4 typically a client instance is created and one of the variants of connect is called. Over the years connect has gotten many variants with different combination of parameters.
The new version makes all options settable on client instance. These options can be passed during creation of a client or while calling client.activate.
Old
const client = Stomp.client("ws://localhost:15674/ws");
client.debug = function (str) {
console.log(str);
};
client.heartbeat.incoming = 4000;
client.heartbeat.outgoing = 4000;
client.reconnect_delay = 5000;
client.connect("user", "password",
function () {
// Do something
});
Updated
const client = new StompJs.Client({
brokerURL: "ws://localhost:15674/ws",
connectHeaders: {
login: "user",
passcode: "password"
},
debug: function (str) {
console.log(str);
},
reconnectDelay: 5000,
heartbeatIncoming: 4000,
heartbeatOutgoing: 4000
});
client.onConnect = function(frame) {
// Do something
};
client.activate();
Please see StompConfig for all possible options. These options can be set onto client. Alternatively these can be passed as options to the Client constructor constructor, the Client#activate or the Client#deactivate calls. If you want to set options in bulk you can use Client#configure.
Old
client.send('/topic/general', {}, 'Hello world');
// Skip content length header
client.send('/topic/general', {'content-length': false}, 'Hello world');
// Additional headers
client.send('/topic/general', {'priority': '9'}, 'Hello world');
Updated
client.publish({destination: '/topic/general', body: 'Hello world'});
// There is an option to skip content length header
client.publish({destination: '/topic/general', body: 'Hello world', skipContentLengthHeader: true});
// Additional headers
client.publish({destination: '/topic/general', body: 'Hello world', headers: {'priority': '9'}});
These changes have been carried out in order to make a consistent naming convention (lowerCamelCase) and to make meaning of the option clearer.
You will need to follow the instructions above with few additional considerations.
Please note:
0
to disable.Additional notes:
Stomp.overWS
is same as Stomp.client
. Follow the instructions for Stomp.client
above.NodeJS
is supported at same level as browser. Test suits are executed for both NodJS and browser.
Follow the instructions as above.Stomp.overTCP
is no longer supported. If your brokers supports WebStomp (STOMP over WebSocket),
you may switch to that.SockJS
please also see SockJS support


Animation
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"Aloobaloo is a tree with fruits of realized dreams. "
Aloobaloo is an animation and visulisation studio managed by Hadis Maleki, graduated in MFA in Animation and BSc. in Software Engineering.
Aloobaloo's services are:
* Animation (2D, Flay lay StopMotion)
* Cinemagraph
* CSS animation
* Data Art


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'Don't Worry': Why Amit Shah is Confident of BJP Government in Maharashtra
For long, Amit Shah maintained his silence on this ongoing power tussle. Last week, he accused Sena of making unacceptable post-poll demands.
New Delhi: Everything will be fine in Maharashtra, BJP chief Amit Shah has reportedly said to Union minister Ramdas Athawale at a time when the official break-up between the BJP and the Shiv Sena is ‘only a matter of formality’.
“I told Amit bhai (Union home minister and BJP chief Amit Shah) that if he mediates then a way can be found out to which he (Amit Shah) replied ‘Don’t worry, everything will be fine. The BJP and the Shiv Sena would come together to form government’,” Mr Athawale was quoted as saying by news agency ANI.
For long, Amit Shah maintained his silence on this ongoing power tussle. Last week, he accused Sena of making unacceptable post-poll demands.
“Before the elections, both Prime Minister Narendra Modi and I had said many times in public that Devendra Fadnavis will be the Chief Minister if the alliance wins. Nobody objected back then,” he had said.
The Shiv Sena a day before alleged that the BJP now exuding the confidence of forming government in Maharashtra after backing off initially exposes its intention of horse-trading under the guise of President’s rule evident.
“Those with 105 seats had earlier conveyed to the governor that they do not have the majority. How come are they now claiming that only they will form the government?” Sena said in Saamana.
The BJP and the Sena, which fought the October 21 polls in an alliance, secured a comfortable majority by winning 105 and 56 seats, respectively, in the 288-member assembly.
The Congress and the NCP, pre-poll allies, won 44 and 54 seats, respectively.
(With Agency Inputs)
For breaking news and live news updates, like us on Facebook or follow us on Twitter and Instagram. Read more on India Latest News on India.com.
Story Timeline
- 17 Nov 2019 Maharashtra: 'Congress Not Even Called to Stake Claim,' Says Mallikarjun Kharge
- 17 Nov 2019 'Don't Let Small Differences Unsettle Us': PM Modi Stresses on Political Instability in Maharashtra at NDA Mee...
- 17 Nov 2019 Maharashtra: Shiv Sena Workers Raise Party Slogans Against BJP's Fadnavis at Bal Thackeray's Memorial | Watch
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15 people found in lorry and man arrested near Chippenham
Fifteen men have have been arrested on suspicion of entering the UK illegally after they were found in the back of a lorry on a motorway.
The driver, a man in his 50s from Ireland, was detained on suspicion of assisting illegal entry to the UK, at the scene near Chippenham, Wiltshire.
Emergency crews attended and the A350 was closed near to junction 17 of the M4 on Wednesday evening.
A member of the public alerted Wiltshire Police at about 20:30 GMT.
Paramedics carried out medical checks at the scene and deemed 14 of the men, all believed to be aged between 16 and 30, fit and well.
One man was taken to hospital in Swindon as a precaution and later taken into custody.
The lorry was later driven away from the scene by officers, BBC journalist Andrew Plant confirmed.
The force said in a statement: "Officers attended the scene and located 15 people in the rear of the vehicle.
"At this early stage of our investigation, we believe they are all over the age of 16."
"Colleagues from the ambulance and the fire service attended the scene and carried out initial medical checks."
Of those people found in the lorry, 14 have been taken into custody and one person has been taken to hospital for further medical examination, although their condition is not thought to be serious.
"A road closure has been put in place on the A350 at the Kington Langley crossroads while the lorry is recovered," the force continued.
"In addition, one man, aged in his 50s, has been arrested on suspicion of assisting with illegal entry and taken to Swindon custody for further questioning."