e hath walked, that waits, and his ash-plant follows him. Input = By bronze, by gold, in oceangreen of shadow. Paraphrase = by bronze, by gold, in the dark. aae = By bronze, by gold, in the dark. bible = By the basons of brass, and by the vessels of gold, in the dark places. 1810s-1820s = By bronze, by gold, in darkness to rest. 1890s-1900s = By bronze, by gold, in the dark. 1990s-2000s = In the dark, by bronze, by gold, in the night. english_tweet = By bronze, by gold, in the darkness. lyrics = In the dark by bronze, by gold romantic_poetry = By bronze, by gold, in darkness. switchboard = by bronze by gold in the dark shakespeare = By bronze, by gold, in the dark. Input = F. K. Q. C. P. I.) is the able and popular master, he is reported by eyewitnesses as having stated Paraphrase = the master of the F. K. Q. C. P. I.) is a popular and able man. aae = I think a lot of people are like \"oh you have to have a master of the F. K. Q. C. P. I.\" bible = The master of the F. K. Q. C. P. I.) is a popular and able man. 1810s-1820s = The master of the F. K. Q. C. P. I.) is a popular and able man. 1890s-1900s = The Master of the F. K. Q. C. P. I.) is a popular and able man. 1990s-2000s = A popular and able man, the master of the F. K. Q. C. P. I. english_tweet = A. F. K. Q. C. P. I.) a well-known and able man. lyrics = The master of the F. K. Q. C. P. I. is a popular and able man romantic_poetry = The master of F. K. Q. C. P. I.) is a popular and able man, switchboard = well i like the Master of F. K Q C P I.) he's a real popular and able person shakespeare = The master of the F. K. Q. C. P. I. is a well-loved and excellent man. Input = By the way no harm. Paraphrase = by the way, it wasn't a problem. aae = lol that wasn't a problem by the way bible = And it was not a matter of way. 1810s-1820s = Well, it was no such difficulty, by the way. 1890s-1900s = By the way, that was not a bad story. 1990s-2000s = And by the way, it was no problem. english_tweet = It wasnt a problem. It was a lack of effort by the way. lyrics = By the way that it didn't bother romantic_poetry = By the way, 'twas nae trouble, switchboard = yeah it wasn't a problem by the way shakespeare = It was not a trouble. Input = she was, in the end, the deary, soldpowder and all, the beautfour sisters, and that was her mudhen republican name, Paraphrase = in the end, she was a deary, sold-out, all-beautiful, and that was her name, the mud-honey, the name of the aae = at the end of the day, she was deary, sold-out, all-beauty, and that was her last name, mud-honey bible = And the woman was in the end of her days as a deary, sold under every vine and fig tree, all of them beautiful, and that bare fruit, 1810s-1820s = In the end, she was a deary, sold-out, all-blessed sort of a thing, and that was her name, mud-honey, and the mud-honey was her name, 1890s-1900s = In the end, she was a deary, sold-out, all-beautiful, and that was her own name, the mud-honey, the blighted mother. 1990s-2000s = And in the end, it was a deary, sold-out, all-lampful kind of thing, a name of mud-honey, the mud-honey, the name of the kid, the english_tweet = In the end, she was a deary, sold-out, all-beautiful, and that's her name, mud-honey lyrics = In the end she was a deary, sold-out, all-beautiful, and that was her name, the mud-honey, her name, the mud-honey romantic_poetry = And deary, sold-out, all-beautiful, her name, switchboard = and she was a deary um she was sold out um all beautiful uh you know sold out in the end i mean it was her name the mud-honey shakespeare = Her name, her name, her name, is so deary, sold-out, all-brutal, and that’s her name, that she hath drowned herself, as I say, in the mud Input = I’ll rub that in. Paraphrase = I'll put it on you. aae = I can put it on you bible = And I will lay it before thee. 1810s-1820s = I will lay it upon you. 1890s-1900s = I'll put it on you, I'll put it on you. 1990s-2000s = I'm putting it on you, anyway. " english_tweet = I'll put this on you lyrics = I'll put it on you romantic_poetry = That I may put it upon thee. switchboard = i'll put it on you shakespeare = I’ll put it on thee. Input = Sitting on his throne sucking red jujubes white.  Input = _(The face of Martin Cunningham, bearded, refeatures Shakespeare’s beardless face. Paraphrase = (Martin Cunningham, bearded, with a beard, is a face of Shakespeare's beard. aae = (Martin Cunningham, bearded, with a beard, is Shakespeare's beard face.) bible = (And that beard of theirs, which was upon their loins, was of the face of Martin Cunningham, and his head bare a crown 1810s-1820s = ( Martin Cunningham, with beard, is a face resembling the beard of Shakespeare. ) 1890s-1900s = ( Martin Cunningham, bearded, with a face the likeness of Shakespeare's beard. ) 1990s-2000s = ( The beard of Shakespeare is on Martin Cunningham, bearded, with a face the American would have mistaken for the Fijian's. ) english_tweet = ( Martin Cunningham, bearded, with a beard, is a face of Shakespeare's dramatic imagination.) lyrics = (Martin Cunningham, bearded, with a beard, is a face of Shakespeare romantic_poetry = (Martin Cunningham, bearded, wi' beardie glench, switchboard = yeah Martin Cunningham beard with beard i mean it's Shakespeare beard is his face shakespeare = The beard of Martin Cunningham, Bearded as ’s a face of a beard, is that of a shakespeare’s beard Input = Yass, zotnyzor, I don’t think I did not, pojr. Paraphrase = I didn't, I didn't, I didn't. aae = no I didn't I didn't I didn't bible = I have not, neither have I not: 1810s-1820s = I did not, I did not, go, till I had read it. 1890s-1900s = ROBERTS: I didn't, I didn't, I didn't. 1990s-2000s = I didn't, I didn't, I didn't. english_tweet = Never did, never will. lyrics = I'm not, I'm not, I'm not, I'm not romantic_poetry = For I, that never did, and never will, switchboard = no i haven't i haven't shakespeare = I did not, I did not, for my part.  Input = replyin that he was feelin tipstaff, cue, prodooced from his gunpocket his Jurgensen’s shrapnel waterbury, ours by communionism, his by Paraphrase = the answer was that he felt tip-topped, cue, prodooced from his gun pocket, our own by the communionist. aae = My reply was \"tip-topped, cue, prodooced from his gun pocket, our own by the communionist.\ bible = And the answer was, That the tip of his right finger was tiptopped, cue, prodooched out of his sheaf of store, our own by the communionist. 1810s-1820s = The answer was, that he felt tip-toe, cue, prodooced from his pocket, our own by the communionist, to that of his fellow men. 1890s-1900s = The answer was that he felt tip-topped, cue, prodooced from his gun-pocket, our own by the communionist's, of what he had done. 1990s-2000s = His answer was that he felt tip-to-tip, cue, prodooced from his pistol pocket, our own by the communionist. english_tweet = Answer was to think the beat was tip-to-tip, cue, prodooced from his gun pocket, our own by the communionist lyrics = The answer was that he felt tip-topped, cue, prodooced from his gun pocket, our own by communionist romantic_poetry = The answer gave tip-toe, cue, prodooc'd from his communionist gun, switchboard = and the answer was that he felt tip-toed cue prodooced from his hand pocket our own by the communionist here the archenemy here shakespeare = This answer was made to him, that he felt tipping-topped, cue, prodooced from his gun pocket, Our own by the communionist. Input = I want to know. Paraphrase = I'm curious about that. aae = I know that's what I'm curious about bible = And he said, I have curious matters to ask of thee. 1810s-1820s = I was very curious to know that. 1890s-1900s = ( Interrupting, with curious interest) I don't know. 1990s-2000s = I was curious about that, that's all. english_tweet = I'm curious to see that. lyrics = I want to know romantic_poetry = I thought that I saw something strange switchboard = i'm curious shakespeare = I have some curiosity. Input = Probably lost cattle. Paraphrase = I guess they lost the cattle. aae = I guess lost cattle bible = And they said, Surely they have lost their cattle. 1810s-1820s = The cattle, I suppose, have been lost. 1890s-1900s = I guess they've lost the cattle; I don't know. " 1990s-2000s = I guess they've lost cattle in this one. english_tweet = I guess they lost their cattle. lyrics = I guess they lost the cattle romantic_poetry = Guess they lost their cattle again. switchboard = and uh i guess they've lost their cattle shakespeare = I guess they lost their cattle. Input = One to one on! Paraphrase = one on one, one on one! aae = Single Single Single! bible = Two and one against one! 1810s-1820s = one on one, one on one! ' 1890s-1900s = Oh, just one on one, one on one! 1990s-2000s = One on one, one on one! " english_tweet = One on one, one on one! lyrics = One on one, one on one! romantic_poetry = In one-on-one converse, one on one! switchboard = one on one shakespeare = One on one, one on one! Input = BELLA: Do you want me to call the police?  Input = A deaf gardener, aproned, masked with Matthew Arnold’s face, pushes his mower on the sombre lawn watching narrowly the dancing Paraphrase = the gardener, dressed in a mask, with Matthew Arnold's face, is pushing his mower into the grim yard. aae = The gardener, dressed in a mask, with Matthew Arnold's face pressed into the grim yard, is pushing his mower in. bible = The gardener, clothed with a colt's hide, having the face of Matthew Arnold, pusheth his mower through the hedge of the grimyard. 1810s-1820s = The gardener, disguised as a mask, and bearing the face of Matthew Arnold, is pushing his mower through the dreary court yard. 1890s-1900s = The gardener, dressed in a mask, with Matthew Arnold's face, pushes his mowing into the grim courtyard. 1990s-2000s = Matthew Arnold, in the dapper mask, is pushing his mower through the grim courtyard, his beard all spiky. english_tweet = Gardener, dressed in a face mask, pushing his mower into the grim yard, with Matthew Arnold lyrics = Gardeener, dressed in a mask, with Matthew Arnold's face, pushing mower into the grim yard romantic_poetry = The gardener, in mask, with Matthew Arnold's face, pushes his mower to the dreary place; switchboard = and the gardener in a mask and he pushes his mower through the grim yard that's all covered with Matthew Arnold's face shakespeare = The gardener, in a mask, with Matthew Arnold's face in his hand, push his mower in the grim yard. Input = O, shade of Kinch the elder! Paraphrase = oh, my God, the older Kinch! aae = Lmao! The older Kinch bible = And he said, Oh my lord, the elder Kinch! 1810s-1820s = Old Joblin Oh, that elder Kinch! 1890s-1900s = My God, that elder Kinch--the old man! 1990s-2000s = <p> Jesus, the older Kinch! english_tweet = Awwww, older Kinch! lyrics = My oh my the older Kinch! romantic_poetry = O whistle, and I'll come to you, the elder kinch! switchboard = oh gosh the older Kinch shakespeare = O, the elder Kinch! Input = Lodenbroke the Longman, now he canseels under veerious persons but is always that Rorke relly! Paraphrase = Lodenbroke's long-time friend, now he's a veer, but he's always a Rorke! aae = Lodenbroke LONG time friend, now a veer but always Rorke!!! #RirKeshia bible = Lodenbroke now is become a veer, but he that went up by the way of Rorke! 1810s-1820s = Lodenbroke Long since the long-sought friend, Now veer'd but now at random, And, alas! 1890s-1900s = Lodenbroke his old comrade now veer, but always his Rorke! 1990s-2000s = Lodenbroke is his long-time mate, now veering toward retirement, but a Rorke! english_tweet = Lodenbroke longing friend, now veer, but always a Rorke! lyrics = Lodenbroke long time friend, now he's a veer but he always a Rorke! romantic_poetry = Lodenbroke's long-time friend, now veer'd, but ever reft! switchboard = Lodenbroke long time friend uh now he's veer but he's always a Rorke i guess he's a Rorke for a long time shakespeare = Oh, Lodenbroke, now he’s a veer, But ever a Rorke! Input = and latewiser. Paraphrase = and I'm sorry, but I'm sorry. aae = And Sorry Aint Gonna B All That bible = And I said, Woe be unto thee. 1810s-1820s = and have mercy on me, for I am wretched. 1890s-1900s = And I was sorry, I was sorry. 1990s-2000s = And I feel bad, I feel bad. english_tweet = And I missed you. lyrics = And I'll forgive you but romantic_poetry = And pardon, for a' that I am. switchboard = and i'm sorry shakespeare = And I pray you, pardon me. Input = Handed him the father and mother of a beating.  Input = but wasn’t. Paraphrase = but he wasn't. aae = he wasnt tho. but i thought he was. bible = But he was not. 1810s-1820s = He was not, however, so. 1890s-1900s = But he was not, as yet. 1990s-2000s = But it was not, and he wasn't. english_tweet = but he wasnt. lyrics = But he didn't have to be romantic_poetry = But he was not. In vain. In vain he tries switchboard = but he was not shakespeare = But he was not. Input = Get a light snack in Davy Byrne’s.  Input = At last she spotted a weeny weeshy one miles away. _ Paraphrase = she finally saw a weathered weeshy a couple of miles away. aae = Finally seen a weathered weeshy a few miles away bible = And she came to the place, and saw a weathered weeshy a few furlongs off. 1810s-1820s = A few miles from this spot she at length perceived a weeshy. 1890s-1900s = She was at last brought to a weesh-worth of weeshy a few miles away. 1990s-2000s = A few miles away, a weathered weeshy showed up at her eyes. english_tweet = Finally saw a weathered weeshy a few miles away lyrics = She's finally seen a weathered weeshy a few miles away romantic_poetry = At length she saw a weeshy a few miles off, switchboard = she finally she had to go out there and see a weathered weeshy which is a weathered weeshy and shakespeare = She hath met a weathered weeshy a couple of miles away. Input = I see... Right. Paraphrase = I'm sure you see what I mean. aae = I know u see what I mean bible = I knew that thou sawest; I knew that thou perceivedst. 1810s-1820s = I know you see my meaning, sir. 1890s-1900s = I know you see what I mean. " 1990s-2000s = I'm sure you see what I mean. " english_tweet = I see what you mean. lyrics = I know you see what I mean romantic_poetry = I do see what you mean, man; switchboard = i see what you mean shakespeare = I see it, and so do you. Input = If you will be so kind as to give the letter to Mr Norman... Paraphrase = if you're so kind to send the letter to Mr. Norman... aae = if u so sweet send the letter to Mr. Norman... bible = And if it please you to send the letter by the hand of M. Norman, (he is come unto you) 1810s-1820s = If you can be so kind as to send the letter to Mr. Norman--yes, I will--but first, 1890s-1900s = If you are so kind as to send this letter to Mr. Norman--why not to me? 1990s-2000s = If you're so kind as to send that letter to Mr. Norman...We'll meet you at the fairgrounds. english_tweet = Retweet if you're so kind to send a letter to Mr Norman... lyrics = If you send that letter to Mr. Norman... romantic_poetry = If ye're kind enough to send the letter to mr. Norman-- switchboard = if you're so kind to mail this letter to Mister Norman shakespeare = If you will so much entreat the letter to Sir Norman, I pray you dispatch it. Input = He pushed in the glass swingdoor and entered, stepping over strewn packing paper. Paraphrase = he stepped into the open door and stepped into the open door. aae = I'm scared he stepped in the open door bible = And he went forth into the open door, and stepped in by the way of the porch. 1810s-1820s = He entered the house by the front door, and stooped to enter. 1890s-1900s = He swung the door open and stepped out into the open. 1990s-2000s = He walked over to the open door and pulled it open. english_tweet = DID YOU SEE THE OPEN DOOR HE STEPPED IN lyrics = And he walked in and walked into the open door romantic_poetry = Stepping into the open door he hirples hame. switchboard = and he stepped out into the open door step into the open door step out into the open door step out into the shakespeare = He hath lapped up the latch and entered the house. Input = And you, father?  Input = double ess ment of a harassed pedlar while gauging au the symmetry with a y of a peeled pear under Paraphrase = the double-edged pear under the y of a peeled pear under the y of a peel-peeled pear aae = Double pleated pear under yoself under the peels... bible = And the double edge of the pear under the y of a peeled pear under the y of a skin peeled: 1810s-1820s = Brine, and fresh herbs: put the double-edged pear under the y of a peeled peck, and it will remain whole. 1890s-1900s = , and the double-lipped pear under the y of a peeled pear under the y of a peeled pea-toad. 1990s-2000s = Double-edged pear under y of a peeled pears, top with marmalade. english_tweet = Double Knotted Pear Under Y on a Garlic peel Peeled Over 5 Ounce lyrics = Double pearl under y aspe-y pear under y aspe-y pear romantic_poetry = The double-edged pear beneath yon peel'd pearly bar, switchboard = the double edge pear under the y of a peeled pear under the y of a peel peel peeled pear shakespeare = And the double-edged pear Under a peeling peep-bark; the dumpling of the Persian Whence we came, being by them Input = Petticoats for Molly. Paraphrase = Petticoat for Molly's tits. aae = Petticoat for Molly looking ass bible = Petticoat for the breasts of Molly. 1810s-1820s = Petticoat for Molly's Tits--Janet. 1890s-1900s = Petticoat for Molly for his titum. 1990s-2000s = Petticoat for Molly, for her breasts. english_tweet = Petticoat for Molly boobs. lyrics = Petticoat for Molly's titties romantic_poetry = Petticoat for my little Molly's tits. switchboard = Petticoat for Molly's Tops shakespeare = Petticoat for Molly’s titties. Input = Consort not even a king.  Input = By him it was done bapka, by me it was gone into, to whom it will beblive, Mushame, Mushame!  Input = and suckling, priest and pauper, matrmatron and merrymeg, into the meddle of the mudstorm. Paraphrase = the little priest, the pauper, the matron, the merrymeg, the mums. aae = Tha lil priest, the pauper, the matron, the merrymeg, the mums. bible = The little priest, and the pauper, and the matron, and the merrymeg, and the mums, 1810s-1820s = The little Priest, the pauper, the matron, the merrymeg, the mums. 1890s-1900s = The little priest, the pauper, the matron, the merrymeg, the mummies. 1990s-2000s = The little priest, the pauper, the matron, the merrymeg, the mums. english_tweet = The little priest, the paugette, the matron, the merrymeg, the mums. lyrics = The little priest, the pauper, the matron, the merrymeg, the mums romantic_poetry = The little priest, the pauper, the matron, the merrymeg, switchboard = you know the little priest the pauper the matron the merrymeg you know the mums and shakespeare = I know, sir, the little priest, The pauper, the matron, the merrymeg, The mums. Input = He never cotched finer, balay me, at Romiolo Frullini’s flea pantamine out of Griddle-the-Sink or Shusies-with-her-Soles-Up or La Sauzerelly, the Paraphrase = the flea-freezing of Griddle-the-Sink or Shusies-with-her-Soles-Up or La, the flea-freezing of Griddle-the-Sink or Shusies-with- aae = That Shuffle-Freezing-of-Griddle-the-Sink or Shusies-with-her-Soles-Up or La, the flea-freezing bible = Or La, the flea-footed, fleeth from the shadow of thy wings; or Shusies, with her legs spread, she lieth under thy bed; 1810s-1820s = He went into the nursery, and placed a great rock in the centre, where he would have the bed of a baby boy to lie; but as he had a sweet child in his arms, he permitted the flea-suckers to gn 1890s-1900s = There was the flea-flooding of Griddle-the-Sink or Shusies-with-her-Soles-Up or La, the flea-flooding of Griddle-the-Sink or Sh 1990s-2000s = Signed: Flea-Freezing of Griddle-the-Sink or Shusies-with-her-Soles-Up or La, the flea-freezing of Griddle-the-Sink or Shusies english_tweet = Freezing the Griddle-the-Sink or Shusies-with-her-Soles-Up or La, flea-freezing the lyrics = Flea-freezing of Griddle-the-Sink or La, the flea-freezing of Griddle-the-Sink or La, the flea-freezing of Griddle-the-Sink or La, romantic_poetry = Flea-freezing her-soles-up or la, switchboard = i think i think i'm probably the only one in my family that still does that and uh we used to have La la- the flea-freezing of Griddle-the-Sink or Shusies-with-her-Soles shakespeare = I think that the matter lies in the unpurged skin of the sea and the foot of Neptune, and that the matter, to be any thing, shall have her name;—A sandal-full, flea-freezing ides, Input = Finbad the Failer and Binbad the Bailer and Pinbad the Pailer and Minbad the Mailer and Hinbad the Hailer and Paraphrase = the Bailer and the Pailer and the Pailer and the Pailer and the Pailer and the Pailer and the Pailer and the P aae = Im Up Wit Da Bailer & Pailer && Da Crib Boolin Wit Da Bros.! bible = And he took Bailer, and Pailer, and Bailer, and Pailer, and took two mules full of flour, and an hundred thousand baths of water. 1810s-1820s = See Bailer and Pailer, and other works in the same class. 1890s-1900s = The Bailer and the Pailer and the Pailer and the Bailer and the Pailer and the Pailer and the Pailer and the Bailer and the Pailer and the B 1990s-2000s = The Bailer and the Pailer and the Pailer and the Pailer and the Pailer and the Pailer and the Pailer and the Pailer and the Pailer and the P english_tweet = Can't be a snitch is one of the Bailers and the Pailers and those who can't stand the Giggling Out. lyrics = Dich mich jetzt wird dich nicht Bailer und du mich doch nicht Stellt und du mich dir romantic_poetry = The Bailer and the Pailer and the Pailer and the Pailer and the Pailer, switchboard = a Bailer and a Pailer and the other one's the Public Attorneys' Association that runs uh Public Attorneys' Association and they give awards to the judges shakespeare = The Bailer and the Pailer and the Pailer and all the Pailers are gone, and so are the Pailers, but that the Pailer hath not left his Pailer behind. Input = _(J. J. O’Molloy steps on to a low plinth and holds the lapel of his coat with solemnity.  J. J. O'Molloy steps down the low platform and holds his lapel of his coat. lyrics = J. J. O'Molloy steps up the low platform, holds his coat on the lapel of his coat romantic_poetry = J. J. O'Molloy steps down his low platform, and holds his lapel fair, switchboard = and uh J J O'Molloy stepping down the low platform and holding his lapel of his coat shakespeare = J. J. O'Molloy steps down the low-piled step and holds his lapel of his coat out. Input = BLOOM: _(Hatless, flushed, covered with burrs of thistledown and gorsespine.)_ Paraphrase = (Hatless, flushed, covered with gums and gums.) aae = (Hatless, flushed, covered in gums and gums.) bible = (His feet shod with the shod of the shod of his feet, his hatless, and his flushed 1810s-1820s = ( Hatless, flushed, covered with gums and gums. ) 1890s-1900s = ( Hatless, flushed, covered with gums and gums. ) 1990s-2000s = ( Hatless, flushed, covered with gums and gums. ) english_tweet = (Hate to see it) (Hatless, flushed, covered in gums and gums.) lyrics = (Hate, flushed, coated with gums and gums.) romantic_poetry = (And hatless, flushed, and covered wi' gums and gums,) switchboard = hatless flushed gums and gums and shakespeare = This braggart shall have thy shoes, and for thy beard, Thy gloves, my gentle child, are for your Input = And, speaking anent Tiberias and other incestuish salacities among gerontophils, a word of warning about the tenderloined passion hinted at. Paraphrase = a warning about the tender-minded passion hinted at by Tiberias and other incestuous salacities. aae = Tiberias and other incestuous salacities hints a warning about tender minded passion. bible = A warning against the tenderminded passion, hinted at in Tiberias and other incestuous salacities. 1810s-1820s = A warning in Tiberias and other incestuous salacients, of the tender-minded passion hinted at. 1890s-1900s = A warning hint of tender-minded passion hinted at by Tiberias and other incestuous salacities. 1990s-2000s = A warning about tender-minded passion hinted at by Tiberias and other incestuous salacings. english_tweet = Tender-minded passion hinted at by Tiberias and other incestuous salacities. lyrics = Tender passion hints hint at Tiberias and other incestuous salacities. romantic_poetry = A warning of tender-minded passion hinted by Tiberias and other incestuous salacities. switchboard = a warning of the tender minded passion hint hint hint hint hints hint hint hint hint hint hint hint hint hint hint hint hint hint hint hint hint hint hint hint hint shakespeare = And in the same note, To speak the caution of a tender-hearted passion, Tiberias and other incestuous salacities. Input = O bunket not Orwin! Paraphrase = no Orwin! O bunk! aae = No Orwin! O bunk! bible = Nay Orwin! 1810s-1820s = No Orwin, no--O bunk! 1890s-1900s = ( laughs) No Orwin! 1990s-2000s = DENNIS (cont'd) No Orwin! english_tweet = No Orwin! O bunk! lyrics = No Orwin! O bunk! romantic_poetry = Nae Orwin! O braw fellow! switchboard = oh no Orwin's right shakespeare = No Orwin! Input = in the direction of area baldness (one is continually firstmeeting with odd sorts of others at all sorts of ages!) Paraphrase = in the direction of baldness (one is constantly meeting with strange people at different ages! aae = In the direction of baldness (one is constantly meeting with strange people at different ages! Lol) bible = And at the age of fifty years, when one lieth alone in the street, shall he meet strange people: and they shall bring unto 1810s-1820s = in the direction of baldness (one is continually meeting with strange people at various ages! ) 1890s-1900s = In the direction of baldness (one meets strange people at varying ages! ) 1990s-2000s = A major cause of baldness (one constantly meets strange people at different ages! ) english_tweet = In terms of baldness (one constantly meeting strange people at different ages! lyrics = In the direction of baldness (one is constantly meeting strange people at different ages! ) romantic_poetry = In direction of baldness! One constantly meets strange men at different ages! switchboard = in the baldness of the individual and shakespeare = In the direction of baldness, one being constantly met with strange people at different ages! Input = And Jacky Caffrey shouted to look, there was another and she leaned back and the garters were blue to match Paraphrase = she looked, and Jacky Caffrey looked, and the blue-eyed man looked back. aae = She looked, and Jacky Caffrey looked, and the blue eyes man look back at you. bible = And the woman lifted up her eyes, and looked, and saw a man which had blue eyes, and on his head was a crown of thorns 1810s-1820s = A blue-eyed man stood looking back, and looking in the same direction, as if he had heard the words. 1890s-1900s = She raised her eyes, and Jacky Caffrey looked back, his blue eyes looking out. 1990s-2000s = Her eyes shot back to the road, and Jacky Caffrey, who'd been standing behind the glass, looked, too. english_tweet = And Jacky Caffrey looked, and Jacky Caffrey looked back. lyrics = She looked, and Jacky Caffrey looked, and the blue-eyed man looked back romantic_poetry = They look'd, and Jacky Caffrey beheld again, switchboard = uh looked back and Jacky Caffrey looked back at him and the blue eyed man said that's right i'll have to put this on a shakespeare = She looks, and, to go with her, Jacky Caffrey looks, and she shall. Input = I hear these two goddesses are liable to sue him? Paraphrase = I'm sure they'll sue him for two goddesses? aae = Bet he getting 2 goddesses suing me? bible = And the king said unto the king's counsellor, Surely they will suit him for two goddesses? 1810s-1820s = Shall they sue him for two goddesses, I see? 1890s-1900s = WILLIAMS They'll sue him for two goddesses, I'm sure? 1990s-2000s = He is certain that they are going to sue him for two goddesses? english_tweet = 2 goddesses in one? I sure hope they sue him lyrics = And I know that he can sue them for two goddesses? romantic_poetry = I ken they'll sue him for two goddesses? switchboard = i'm sure they're gonna sue him for two goddesses shakespeare = For, I think, they will sue him for two goddesses? Input = The twining stresses, two by two. Paraphrase = the twining is stressed by two. aae = Twatching is stressful 2nite bible = Two are multiplied by twining. 1810s-1820s = Two stress the twining joint, and they don't touch. 1890s-1900s = Two should be stressed in the twining. " 1990s-2000s = Two of the twining stress that comes with it. english_tweet = Two stress the twining lyrics = Two stressin' the twining romantic_poetry = By two is stress'd the twining, switchboard = two is stressed out shakespeare = Twas by two that the twining was stress'd. Input = like a river so clear Harry Molly darling I was thinking of him on the sea all the time after Paraphrase = as I thought of him on the sea, like a river so clear, I was thinking of him aae = I like him like ocean so clear I feel like it in the ocean bible = I thought upon him in the midst of the sea like a river so clear, that I could not see him: 1810s-1820s = Like a river so clear, and full of motion, I thought of him, as I gazed upon the sea. 1890s-1900s = I was thinking of him as I thought of him on the sea, like a river so clear. 1990s-2000s = I was thinking of him on the sea, like a river so clear, as if he could speak. english_tweet = Just like that, I thought about him on the sea, like a river so clear, I lyrics = I thought he was somewhere like a river so clear like the sea romantic_poetry = Like one on the sea, so clear, I had been thinking of him switchboard = and as i was thinking of him on the sea level i was thinking of him on the river so clear shakespeare = I thought him thus at sea, as I think at sea, like a river so clear.   Input = Stars all around suns turn roundabout. Paraphrase = the sun is turning round, and the stars are turning. aae = The sun turning round >>>> the stars turning. bible = The sun also goeth round about the earth, and the stars thereof. 1810s-1820s = The sun, turning round, soars above the horizon, and the stars are also turned round. 1890s-1900s = The sun turns round, and turns around the star. 1990s-2000s = The Sun's turning round, the stars are turning. english_tweet = The sun keeps turning round and the stars keep spinning. lyrics = The sun is turning round, and the stars are turning romantic_poetry = The sun is turning round, and the stars are turnin'; switchboard = you know the sun turns around and the stars turn around shakespeare = The sun turns round, and stars turn round. Input = All are washed in the blood of the sun. Paraphrase = all of them are washed with the blood of the sun. aae = All of em washed up nd sun bible = And they shall wash all their flesh in the blood of the sun: 1810s-1820s = All that do fight in his cause are washed in the blood of the sun. 1890s-1900s = Each and all of them are brought up with the sun's blood. 1990s-2000s = All the people wash with the sun's blood. english_tweet = EVERYONE OF THEM ARE WASHED WITH SUNGLOW lyrics = All washed with the sun and its blood romantic_poetry = And with the blood of suns all is washed, switchboard = well they're all washed out with the the the sun blood shakespeare = All are by their heads washed With the fresh blood of the sun. Input = They would be born so, costarred, puck and prig, the maryboy at Donnybrook Fair, the godolphinglad in the Hoy’s Court. Paraphrase = they're born, they're pranks, they're pranks, they're pranks, they're pranks, they're pranks, they're pranks, they're pranks, they're pranks, aae = They're born, and still wea yu at wit dem motherfuckers!! they ain't shit!! yu got the wrong pimpin bible = And they shall be born, they shall be pricks, they shall speak lies, they shall steal, they shall commit whoredom, they shall commit adultery, they shall commit sodomy, they shall kill, they shall be imprisoned, they shall 1810s-1820s = They are born, pranks and fancies, To make their pranks so as to please, Or steal away with a kiss of pride. 1890s-1900s = They are born, they prance and prattle, They prattle and prattle, they prattle and prattle; Their prattle they might have a way to hide, They are so fond of their work, they might get so little money 1990s-2000s = They are born to prance, prance, prance, prance, to turn up at the china cabinet and go to bed with my father, to climb the stairs to the front door, to hear my father talk. english_tweet = THEY BORN, FACTS ABOUT MYSELF, MYSELF THAT BORN, FACTS ABOUT MYSELF THAT BORN, FACTS ABOUT MYSELF lyrics = I know they're born, they're makin me a prick, oh I know they'll be a prick, oh I know they'll be a prick romantic_poetry = They're born, they're pranks, they're pranks, they're pranks, switchboard = they're born they're pranks they're pranks they're pranks i think they're pranks i mean they are they're pranks i think they're really pranks they're very very vicious they're shakespeare = They are born, they are pranks, pranks, that do tend, It comes to th' youth, they are to be undone, To be cast in again. Input = Send it at once, will you? Paraphrase = you'll send it to me immediately, right? aae = you can text me back ASAP right? bible = yea, immediately shalt thou send it. 1810s-1820s = Then you will send it to me, immediately? ' 1890s-1900s = I will send it to you at once, will you not? 1990s-2000s = You're going to send it to me right away, are you? english_tweet = You can DM me immediately...? lyrics = You'll be quick to send it right back to me romantic_poetry = Aye, straightway thou'll send me this, switchboard = right right you can just send it to me shakespeare = Will you dispatch it instantly, ho? Input = a woman, as the tale went, of extreme beauty, had enjoyed the distinction of being in service in the washkitchen.  Paraphrase = he prayed the same thing all year round, and he shook the water. aae = Bears made it to the playoffs nd shake that water nd pray the same thing all year round bible = And all the year round he prayed the same, and shook the waters. 1810s-1820s = And he prayed the same, all the year round, With shaking of his hands over the water. 1890s-1900s = The man prayed the same thing all the year round, and he shook the water over his head. 1990s-2000s = All year round, he prayed the same thing, and shook the water over his head. english_tweet = Went to church the same thing all year round, he just shook water. lyrics = He prayed the same thing all year round, shook water down and shook up the muthafuckin' waves romantic_poetry = And prayed, all the year round, the same rites to shake the waters, switchboard = and uh he prayed the same thing all year round and he shook the water off shakespeare = Ay, sir, till this last month, and he did shake the water every year. Input = I see now. Paraphrase = now I'm seeing it. aae = I can see now. Its that simple bible = Now I saw it. 1810s-1820s = I see it now--I see it now. 1890s-1900s = I see now that it is my duty to be. 1990s-2000s = I see it now, see it now, and I think. english_tweet = I see this now. lyrics = I can see it now romantic_poetry = Now I see it is,--and 'tis so. switchboard = well i see that now shakespeare = I see now. Input = with you _in toto_ there. Paraphrase = you're in the way with you. aae = You in the way with you bible = Thou art in the way with thee. 1810s-1820s = You have gone in your way with him. 1890s-1900s = Well, you're in the way with you. " 1990s-2000s = You're in the way with you, and it's for good measure. english_tweet = You got this way with you. lyrics = Is to be in the way with you romantic_poetry = With thee thou wast in haste; switchboard = you're in shakespeare = You are in trouble. Input = my air, the Golden Bridge’s truth. Paraphrase = the air, the Golden Bridge's truth. aae = The air, the Golden Bridge The Truth. bible = The air, the beacon of truth, the golden bridge. 1810s-1820s = of the air, the Golden Bridge of Truth. 1890s-1900s = An air, the Golden Bridge truth, in your veins. 1990s-2000s = The air, the Golden Bridge's Truth. english_tweet = Air, the Golden Bridge Truth. lyrics = The air, the Golden Bridge lies romantic_poetry = And air, that Golden Bridge's truth may shine, switchboard = the air truth truth shakespeare = The air, that's the Golden bridge’s truth. Input = Should have put on coldcream first make it brown. Paraphrase = first, make it brown with a cold cream. aae = Brown your first make it brown bible = And make it first with cold milk, and afterward with cold butter. 1810s-1820s = Take the butter, and cold cream, and make it brown first. 1890s-1900s = First, make it brown with cold cream. 1990s-2000s = First, beat it into a ball, then add cold cream. english_tweet = Cold cream first, then brown. lyrics = first, turn it into a brown cream romantic_poetry = Then make it brown with a cold cream, switchboard = make it brown first shakespeare = First, make it brown with cold cream. Input = Me in his eyes.  Input = With tirra lirra rondinelles, atantivy we go! Paraphrase = we're going to go with the tirra lirra rondinelles! aae = we go together tirra lirra rondinelles! bible = We are going with the tirra lirra rondinelles! 1810s-1820s = Farewell, with tirra lirra rondinelles we go! 1890s-1900s = We're gwine ter hab the tirra lirra rondinelles! 1990s-2000s = We go on tirra lirra rondinelles! " english_tweet = Here we go with the tirra lirra rondinelles! lyrics = Tirra lirra rondinelles loirra! romantic_poetry = O steer us frae tirra lirra rondinelles! switchboard = we have to go with the tirra lirra rondinelles shakespeare = Let us go with the tirra lirra rondinelles! Input = Sadly over the crossblind Lydia Douce and Mina Kennedy gaze.)_ Paraphrase = unfortunately, Lydia Douce and Mina Kennedy look at the cross-eyed Lydia Douce.) aae = Sadly Lydia Douce and Mina Kennedy look cross-eyed asl at this cross out Lydia douce. bible = And the disciples came to Jesus, and said unto him, Unluckily for thee, Lydia and Mina are both blind. 1810s-1820s = Alas, the cross eyed Lydia Douce looks at the lovelorn Mina Kennedy. ) 1890s-1900s = ( Lydia Douce and Mina Kennedy cast a sly look at the cross-eyed Lydia. ) 1990s-2000s = Alas, the two women in front of him--Lydia Douce and Mina Kennedy--look at the cross-eyed Lydia Douce. english_tweet = Sadly, Lydia Douce and Mina Kennedy look at each other cross-eyed lyrics = Unhelpfully, Lydia Douce and Mina Kennedy look at that cross-eyed Lydia Douce.) romantic_poetry = Alas! Lydia Douce and Mina Kennedy's cross-eyed eye switchboard = yeah uh uh in a way Lydia Douce and Mina Kennedy look at the cross eyed Lydia Douce shakespeare = Alas, to be seen with the cross-eyed Lydia Douce and with her twin sisters, The lovely Madeleine and the soft maid, Input = When I tell you I was rooshiamarodnimad with myself altogether, so I was, for being sorry for him. Paraphrase = when I'm telling you I'm with myself, I'm sorry about him. aae = When I tell you I'm with myself I regret it.. bible = When I say, I am with myself; he is sorry for me. 1810s-1820s = I do pity him when I tell you that I am with myself. " 1890s-1900s = I'll excuse him for that, when I tell you that I'm with myself. 1990s-2000s = I want to thank him for his error when I say I'm with myself. english_tweet = I miss him when I tell you I'm with myself lyrics = When I tell you I'm with myself, I'm sorry that he's so sad romantic_poetry = When I'm raving wi' self for pity, switchboard = i'm sorry about him i don't know when i said i was with myself i mean i'm shakespeare = I prithee pardon him when I tell you I am with myself. Input = Your exagmination round his factification for incamination of a warping process. Paraphrase = your exclamation round is a warping process. aae = Your exclamation round is a warping process bible = for the exclamation round about is a warping process. 1810s-1820s = A warping process, in your exclamations round, is preparatory to your wrath. 1890s-1900s = A warping process is at work in your exclamation round. 1990s-2000s = The process of warping is what makes your exclamation round a snap. english_tweet = your exclamation round process is a warping process lyrics = Your exclamation round is a warping process romantic_poetry = Your exclamations round with warping process switchboard = you know your exclamation round is warping shakespeare = Round with exclamation is a warping process. Input = a help undo their modest stays with a fullbelow may the funnyfeelbelong. Paraphrase = the funny feeling of a full-below may be helpful to undo their modest stay. aae = It might be helpful to undo their modest stay with a full-below maya bible = A full belly may be of use to undo their modest stays. 1810s-1820s = Their modest stay may be aided by the funny feeling of a full-below. 1890s-1900s = To undo their modest stay may be of benefit to the humorous feeling of a full-below. 1990s-2000s = <p> For those who have had their modest stay undone, the funny feeling of a full-below may be helpful. english_tweet = This funny feeling of a full-below may help undo their modest stay. lyrics = It may be helpful to undo their modest stay, the funny feeling of a full-below romantic_poetry = The funny feeling full below might undo their modest stay, switchboard = the funny feeling of a full below may help them undo their modest stay on and shakespeare = Tis the humorous feeling of a full-below That may hasten their modest stay. Input = face and he was plainly out on the ramp and mash, as you might say, for he sproke. Paraphrase = he was clearly on the ramp and he was clearly on the ramp, as you might say. aae = I know. It was clearly on the ramp and was clearly off the ramp, as you might say. bible = And he was upon the rampart; and he went upon the rampart as thou mightest say. 1810s-1820s = He was on the ramparts and evidently commanding them, as you may say. 1890s-1900s = I could see him plainly at the rampart and that was all, as you may say, for he was there. 1990s-2000s = He made it to the ramp clearly and there was a visual on the road, as you might say. english_tweet = He was clearly on the ramp and was clearly on the ramp, as you might say. lyrics = You know he's plain to see on the ramp and he's plain to see, as you might say romantic_poetry = Stood on ramp and ramp, as you might say, switchboard = but he was clearly on the ramp and he was clearly on the ramp as you might say and he uh shakespeare = He was well at hand and he was well at hand, as you might say, He was on the ramp and he was on the ramp. Input = Piper is coming. Paraphrase = Piper's coming. aae = Piper is coming. We are going to miss it bible = Piper cometh. 1810s-1820s = Piper comes in, and kneels. 1890s-1900s = ( goes up R. of table, where Piper is coming. 1990s-2000s = Piper's coming to see you, one. english_tweet = Piper is coming. lyrics = Piper is coming. You can hear me now. romantic_poetry = And Piper comes to me. I have ware switchboard = Piper coming shakespeare = Piper comes. Input = I don’t believe it. Paraphrase = I'm not sure. aae = lol I don't think so. bible = I know not. 1810s-1820s = I don't know; I'm not sure. 1890s-1900s = ( She moves away and she begins to laugh) I don't know. 1990s-2000s = I didn't know if I was. english_tweet = I dont think so. lyrics = I don't know. I don't know. romantic_poetry = I'm no sure whether I should tell switchboard = i don't know shakespeare = I know not. Input = he asked of Stephen. Paraphrase = he's asking Stephen about Stephen. aae = He asking Stephen bout her bible = And he asked Stephen. 1810s-1820s = He goes to ask the Dupon about Stephen. 1890s-1900s = He had asked to see Stephen, and was coming to see him. 1990s-2000s = He had asked her about her boy Stephen. " english_tweet = Its asking for a Stephen lyrics = He asks Stephen romantic_poetry = He asks her if she knows Stephen. switchboard = uh-huh yeah he asks Stephen shakespeare = He bid Stephen entreat.  Paraphrase = he was laughing and laughing, and he didn't know who the girls were. aae = Mann he was laughing & stil not knowing who the girls were lol bible = And he laughed and laughed, and knew not who these were. 1810s-1820s = He played the part of a man who was laughing and chattering, and who was not sure who the girls were. 1890s-1900s = He was laughing and at the same time not quite knowing who the girls were. 1990s-2000s = He laughed and played around the girl's neck, never sure who the girls were. english_tweet = He was laughing and cackling with his man, not knowing who the girls are. lyrics = He laughed and he didn't know who the girls were romantic_poetry = And he laughed and laughed, and knew not who the lasses were. switchboard = and he was laughing and he didn't know who the girls were but he just loved it shakespeare = Why, he was laughing and laughing, and not in the know of whom the girls were. Input = A servant too. Paraphrase = a servant too. aae = a servant too. Lol bible = And a servant also. 1810s-1820s = Servant But a servant too. 1890s-1900s = There was a servant, too, who didn't know. 1990s-2000s = A servant of the palace, too, a servant. english_tweet = Servant too. lyrics = And a servant too. romantic_poetry = A servant too, as she had been wont switchboard = a servant too shakespeare = A servant too. Input = Chap you know just to salute bit of a bore.  Input = Give it a name, citizen, says Joe. Paraphrase = name it, citizen, he says. aae = Name it, citizen, he say. bible = Name it, I pray thee, citizen; for he saith, The LORD hath done 1810s-1820s = Name it, citizen, says he; and give it a newspaper. 1890s-1900s = name it, Citizen, he says, ef you don't. " 1990s-2000s = Name it, citizen, " he says. " english_tweet = Name it, citizen, says. lyrics = Name it, citizen, he says romantic_poetry = And name it, citizen, he says; switchboard = name it citizen he says shakespeare = Name it, citizen, he says. Input = advance the temporal relief plea—let us be tolerant of antipathies. Paraphrase = advance the appeal for temporal relief - let us be patient with the antipathy. aae = Advance appeal on temporal relief - let us be patient with the antipathy bible = Advance the appeal for temporal relief; let us cast away the reproach of our iniquities. 1810s-1820s = Advance this appeal for temporal relief--let us be patient in the antipathy. 1890s-1900s = Advance the appeal for temporal relief--let us be patient with the antipathy. 1990s-2000s = Advance the appeal for temporal relief--let us be patient with the antipathy. english_tweet = Advance your temporal relief appeal - let us be patient with the antipathy. lyrics = Advance the appeal of temporal relief - let us be patient with the antipathy romantic_poetry = Advance the appeal for temporal relief--let us patiently pine switchboard = advance the uh the appeal for temporal relief let us be patient with the antipathy that's still there shakespeare = Advance thy petitions for temporal relief— Let us patiently endure the antipathy. Input = with a queeleetlecree of joysis crisis she renulited their disunited, with ripy lepes to ropy lopes (the dear o’dears!) Paraphrase = she rejoined the disordered, with a quivering lepe, and roiled with joy. aae = Rejoined her of dis deservn, with quityle quityle roiling wit joy. bible = She rejoiced in the disordered, with a quaking lepe, and roiled with joy. 1810s-1820s = She rejoined her disordered, with quivering lepe, and roving joy, to the light of her father's dying lamp. 1890s-1900s = Her rejoicing reigned in disordered convolutions, with quivering lepe. 1990s-2000s = And there she rejoined the disordered, with the quivering leper of lepes, roiling with delight. english_tweet = She rejoined disordered, with a quivering lepe, and roiled with joy. lyrics = Rejoined the disordered, with a quivering lepe, and roiled with joy. romantic_poetry = Reunion disordered, with quivering lepe, and roguish glee, switchboard = she was rejoined disordered with a quivering lepe and roiled with joy and shakespeare = To that end she rejoined the disordered, With a quivering lepe and roilèd with joy. Input = No such a thing! Paraphrase = it's not like that! aae = aint nothing like it! bible = And they said, Is not this as it was? 1810s-1820s = Oh, it is not so! 1890s-1900s = ( laughing) It isn't like that! 1990s-2000s = ( kisses it) That's not how it's supposed to feel! english_tweet = Thats not what it looks like! lyrics = It's not like that! romantic_poetry = O! that's no like that! 'Tis but a tale switchboard = no it's not like that shakespeare = Oh, not so! Input = _(The bulldog growls, his scruff standing, a gobbet of pig’s knuckle between his molars through which rabid scumspittle dribbles.  Input = After liryc and themodius soft aglo iris of the vals. Paraphrase = after the liryc and the liryc. aae = After lebron and liryc. bible = And the liryc and the lirydew. 1810s-1820s = after the liryc and liryc. 1890s-1900s = ( They look at him after the liryc and the liryc. 1990s-2000s = After liryc and lyc, there's the sun. english_tweet = after the liryc and the liryc. lyrics = After that lige and that lale. romantic_poetry = After the liryc and the chen, switchboard = and after the liryc and shakespeare = After the liryc and the liryc. Input = gave me a great mirada once or twice first he was as stiff as the mischief really and truly Mrs Paraphrase = once or twice, he gave me a great mirada. aae = He gave me mirada once or twice bible = And once or twice did he give me a great mirada. 1810s-1820s = He gave me, once or twice, some wonderful mirada. 1890s-1900s = Once or twice he gave me a wonderful mirada, just for fun. 1990s-2000s = He gave me a grand mirada once or twice. english_tweet = He gave me this amazing mirada once or twice lyrics = He gave me a great mirada once or twice romantic_poetry = He gave me, once or twice, a bonny mirada, switchboard = but i got a great mirada once or twice shakespeare = I have, at one time or other, given him some great mirada. Input = It’s the white of the eye brings that out not so much the pupil.  Input = Given a guarantee equal to the sum sought, the support, by deed of gift and transfer vouchers during donor’s lifetime Paraphrase = given the same guarantee, the gift and transfer of gifts and gifts of gifts of gifts, by deed of gift and transfer of gift aae = Given the same guarantee, favors and transfer of gifts and privileges by deed of gift and transfer of gift bible = Which are given to us by the same promise, to wit, the gift and the transfer of the free gift, by deed of gift and by of the thing to be received, 1810s-1820s = We think it proper to notice here the difference between a gift and a transfer of property, arising from the same guaranty, provided that it be a conveyance of property, by 1890s-1900s = Hence, with equal security, the gift and transfer of gifts and of unquestioned loyalty, by deed of gift and by act of transfer. 1990s-2000s = Hence the promise of gift and transfer of gifts, by deed of gift and transfer of gift, given by God. english_tweet = Genuinely a gift and a gift of gift of the day, by deed of gift and transfer of gift, by the lyrics = given the same guarantee, by deed of gift and transfer of gift, by deed of gift and transfer of gift, by deed of gift and transfer of gift, by deed of gift romantic_poetry = Guaranteed, given, and transferr'd, by deed of gift and transferr'd gift, switchboard = by deed of gift and transfer by deed of a certain amount of gifts and uh given the same guarantee that the giver and the recipient shakespeare = Let him grant me a grant of his father's estate, and in the same bond be sworn, That by deed of gift and the discharge of this bond, I may be of Input = It is she, Martha, thou lost one, Millicent, the young, the dear, the radiant. Paraphrase = it's her, Martha, you've lost one, Millicent, the young, the beautiful. aae = it's her, Martha, you lost one, Millicent, the young, the beautiful, the booooyyyy. bible = These are the things that befall her, Martha; thou hast had one, Millicent, the young, fair: 1810s-1820s = This is her, Martha, you have lost one, Millicent, the blooming, the young, the beautiful. 1890s-1900s = It is her, Martha, you have lost one; Millicent, the young, the beautiful. 1990s-2000s = It's her, Martha, you've lost one, Millicent, the young, the lovely. english_tweet = It's her, Martha, you've lost one, Millicent, the childish, the beautiful. lyrics = It's her, Martha, you lost one, Millicent, the young, the beautiful romantic_poetry = Is her, Martha, thou's lost one, Millicent, the young, switchboard = well that's her Martha you've lost one did Millicent the young oh my goodness shakespeare = Tis her, Martha, you have lost one; That is, Millicent, the pretty, the young, That ever so fair a maid came Input = left) from the land of breach of promise with Brendan’s mantle whitening the Kerribrasilian sea and March’s pebbles spinning from Paraphrase = from the land of breach of promise with Brendan's mantle, the Kerribrasian sea and the March of the pebbles of the sea. aae = from land breach of promise with brenda's mantle, the Kerribrasian sea and the March of pebbles of sea. bible = And the Kerribrasian sea and the March of the pebbles of the sea, which is in the land of breach of promise, from the fountain of the river of Rephaim, 1810s-1820s = From the land of breach of vows With Brendan's mantle, to the kerribrasian sea And pebbly March through the pastures, Perchance to hear the melody of birds. 1890s-1900s = From the land of breach of promise with Brendan's mantle, of the Kerribrasian sea and the March of pebbles by which the sands of the ocean have washed from their foundations. 1990s-2000s = From land of breach of promise with Brendan's mantle, of the Kerribrasian sea and of the March of pebbles in the Sea of Ears. english_tweet = From the land of breach of promise with Brendan mantle, the Kerribrasian sea and the March of pebbles lyrics = From the land of breach of promise with Brendan's mantle, kerribrasian sea and March pebbles romantic_poetry = From lands breach'd by Brendan mantle, and March pebbles, switchboard = out of breach of promise with Brendan's mantle and then of course the Kerribrasian sea and the March of the pebbles of the sea from the land of breach of promise shakespeare = From the land of breach of promise, With his mantle as fresh as when he was new-dug, With a fresh voice and face as fresh as when he was fresh-dug, The Input = Cruel it seems.  Input = What considerations rendered departure not entirely undesirable? Paraphrase = what factors have not been completely unacceptable to the departure? aae = What factors are not acceptable from an exit? bible = and what have not they wholly accepted to depart? 1810s-1820s = What causes of departure have not been utterly unacceptable? 1890s-1900s = What factors have not been wholly undesirable in leaving? 1990s-2000s = What factors have not proven totally unacceptable to the departing from this experience? english_tweet = What factors hasnt been completely unacceptable to leave? lyrics = Didn't departure factor fully unacceptable romantic_poetry = What factors utterly refused to depart? switchboard = what factors have not been totally unacceptable yet to leave shakespeare = What should be made more free by the departure than by the importunate love? Input = to some feeler she fancie’s face.  Input = delta in Cassiopeia, the recumbent constellation which is the signature of his initial among the stars. Paraphrase = the constellation of the constellation Cassiopeia, which is the signature of the first star. aae = signature stars Cassiopeia and the constellation Scorpios. bible = And the first star that shall be in the midst of the cluster of the stars shall be the signet of the constellation Cassiopeia, 1810s-1820s = The constellation Cassiopeia, bearing the signature of the first star, A. 1890s-1900s = The constellation Cassiopeia, which is the signature of the first star, C. A. 1990s-2000s = Cassiopeia, the constellation of the first star, has the constellation's signature. english_tweet = The constellation Cassiopeia, which is the signature of the first star. lyrics = First star of the constellation Cassiopeia, which is the signature of the romantic_poetry = Her constellation Cassiopeia, whose signature is first of stars, switchboard = and the constellation of the constellation Cassiopeia which is the first star in the constellation which is the fourth in the constellation the zodiac shakespeare = This star, Cassiopeia, by the name of the first star, Is the constellation of this vision. Input = Come across yourself.  That is what you are. lyrics = Look at yourself, you're on your way romantic_poetry = Behold thou art going to view thine own self, switchboard = well see yourself shakespeare = Come, you shall see yourself.  Input = Yet certes one is. Paraphrase = still, the certificate is valid. aae = Still got that boppin green certificate bible = The copy of the certificate still remaineth. 1810s-1820s = Still, this certificate is good. 1890s-1900s = Still, the certificate is valid; the contract is made. 1990s-2000s = Still, it is valid as long as the certificate is in good condition. english_tweet = Still valid certificate. lyrics = Still, the certificate is valid romantic_poetry = Still a' the certificates gae validity, switchboard = still cert- still certificate shakespeare = Yet is the certificate of his death. Input = We bright young chaps of the brandnew braintrust are briefed here and with maternal sanction compellably empanelled at quarter sessions Paraphrase = we're here with a new braintrust of young, bright, new braintrust, and we're here with the mother's approval. aae = Ain't shit new to this world we in this hood we have that young, bright, new braintrust and we got the momma's approval bible = For with a new braintrust we are made whole, having the approval of the mother in law. 1810s-1820s = Come let us not scold: We are here, with the newly chosen braintrust Of youth, bright, new braintrust'd mothers. 1890s-1900s = Here we are with the mother's approval, with the young, bright, new braintrusts of the school. 1990s-2000s = We come with a new braintrust of youth, a new mind-set and we are here to provide the mother with the approval she so desperately needs. english_tweet = We have a new braintrust of young, bright, new braintrust, and the mothers approval of them lyrics = We got a new, bright, new braintrust, and the mother's approval. romantic_poetry = We're here wi' young, wi' bright, new braintrust, and mother's approv'd, switchboard = and we got this new braintrust of young bright brains here and and mother's approving all the time we were there and i don't know what happened to the mother but we just shakespeare = What, you should say, is the braintrust of young, bright, and new braintrusts, And are they here with the mother’s approbation? Input = Elf, Thortytoe: My schemes into obeyance for This time has had to fall: they bit goodbyte to their thumb and, Paraphrase = Elf, Thortytoe: I have to fall into my schemes to obey: aae = elf, Thortytoe : i gotta fall in my schemes to obey : bible = Elf, Thortytoe: for I must fall into mine own devices to obey: 1810s-1820s = Elf, Thortytoe: it is time to yield to my schemes to obey: But, I have now only to fall on 1890s-1900s = Elf, Thortytoe: to have fallen in with my schemes to obey: It is best for me to fall. 1990s-2000s = Elf, Thortytoe: I must fall into my schemes to obey: I will be honored. english_tweet = elf, thortytoe: gotta fall in my schemes to receive attention: lyrics = Elf, Thortytoe:Gotta fall in my schemes to obey: romantic_poetry = Elf, Thortytoe: must I fall in my schemes obey: switchboard = Elf Thortytoe is the first one and i've got to fall into my schemes to obey the the i- shakespeare = Elf, Thortytoe: I must fall to mine own schemes; They are too dangerous for me. Input = By the hoky fiddle, thanks be to Jesus those funny little chaps are not unanimous. Paraphrase = thanks to the hokey fiddle, thanks to God, they don't agree. aae = thanks to the hokey fiddle. Thanks to god they don't agree lol bible = They are hokey fiddlers, thanksgiving is without agreement. 1810s-1820s = They don't agree, thanks be to the hokey fiddle, to be sure. 1890s-1900s = I don't know but they do agree, thanks to the hokey fiddle. 1990s-2000s = They don't agree, thanks to the hokey fiddle, thanks to God. english_tweet = Glad that hokey fiddler can't be taken down, thanks God, they don't agree lyrics = thanks to the hoe hoes don't agree, they ain't agree romantic_poetry = And thanks to hokey fiddle, thanks to God, they don't agree, switchboard = oh yeah i'm glad to hear that thanks to the hokey fiddles God they don't agree shakespeare = Thanks to the hokey fiddle, thanks to God, They don't agree. Input = The Englishman, whose right eye was nearly closed, took his corner where he was liberally drenched with water and when Paraphrase = the Englishman, who had nearly closed his eye, took a corner. aae = Englishman, who had almost knocked his eye out took a corner. bible = And the Englishman took a corner, and laid it. 1810s-1820s = The Englishman, who had shut his eye, took up a corner. 1890s-1900s = The Englishman, closing his eye, took a corner from the table. 1990s-2000s = The Englishman, who had nearly closed his eye, snatched a corner. english_tweet = The Englishman, who had almost closed his eyes, made a corner. lyrics = Englishman, with his eyes closed, taking a corner, romantic_poetry = The Englishman, that had nearly closed his eye, took a corner, switchboard = and i took a corner the Englishman went down in a shakespeare = The Englishman, that had almost closed his eye, Hath with him made a corner. Input = Lolo Lolo liebermann you loved to be leaving Libnius.  Input = betied.  Input = winevatswaterway, squeezing the life out of the liffey. Paraphrase = the winevat, squeezing the life out of the river. aae = winevat, squeezing the life out of the river. bible = The winevat, wringing out the life out of the rivers. 1810s-1820s = Winevat, squeezing out the life from the river--No! 1890s-1900s = winevat, squeezing the life out of the river. " 1990s-2000s = The winevat, squeezing life out of the river. english_tweet = Vinevat, squeezing the life out of the river. lyrics = Winevat, squeezing life from the river romantic_poetry = The winevat, squeezing life from the stream, switchboard = winevat squeeze the life out of that river and shakespeare = O dear vats, squeezing the life out of the river. Input = Wonder where that rat is by now. Paraphrase = now I'm wondering where the rat is. aae = I wonder where the rat at now bible = I wonder where the worm is. 1810s-1820s = I wonder where the rat has gone now. 1890s-1900s = I wonder where the rat is, now. " 1990s-2000s = I wonder where the rat's at now. " english_tweet = Now I wonder where the rat is. lyrics = Now I wonder where the rat is romantic_poetry = And now I wonder where the rat is, switchboard = i'm wondering where the rat is now shakespeare = I wonder where the rat is now. Input = Patrons of your establishment. Paraphrase = patrons of the establishment. aae = Patron out of Establishment. bible = Patrons of the establishment. 1810s-1820s = Patrons of the establishment, at the north. 1890s-1900s = If you're in the establishment, patrons of the establishment. 1990s-2000s = And the establishment of a similar establishment for the patron. english_tweet = Patron of establishment. lyrics = Patron de la establishmente. romantic_poetry = Patrons at the establishment. switchboard = patrons of the establishment shakespeare = Patrons of the government. Input = moirette, all these objects being disposed irregularly on the top of a rectangular trunk, quadruple battened, having capped corners, with Paraphrase = moirette, all the objects are scattered irregularly on the top of a rectangular box, with a triple-barred, with a cap. aae = moirette, all the objects scattered irregularly on top of rectangular boxes, with a triple barred, with a cap. bible = Moirette, all the clusters of the objects are dispersed in the top of a rectangular box, with a triple-barred, with a brim, and with a covering of boards. 1810s-1820s = moirette, all the objects are distributed irregularly on a top, with a triple-barred, with capes at the extremities. 1890s-1900s = Moirette, all objects being scattered irregularly on top of a rectangular box, with a triple-barred, with a cap. 1990s-2000s = Moirette, all the objects scatter irregularly on top of a rectangular box, with a triple-barred, with cap. english_tweet = moirette, all the objects are scattered irregularly on top of a rectangular box, with a triple barred, with a cap. lyrics = Moirette, all objects dispense irregularly on top of rectangular boxes, with a triple barred, with a cap, with a triple barred. romantic_poetry = Moirette, all objects scatter irregularly on top of a rectangular box, with triple-barred, with caparisoned top, switchboard = moirette uh you know all the objects are scattered irregularly on top of a rectangular box with a triple barred top with a cap on the top shakespeare = Trowel, Moirette, all the object's scattered In irregular spurs, upon a box, With triple-barred, with a cap. Input = Not too much polite. Paraphrase = not too much of a gentleman. aae = Not too gentlemanly for this. bible = Not too much of a gentleman. 1810s-1820s = Not too much of a gentleman; or, not too uncivil. 1890s-1900s = LEFFINGWELL (Quietly) Not too many gentlemen. 1990s-2000s = Not too bad of a gentleman, by any chance. english_tweet = Not too big a gentleman. lyrics = Not too big of a man romantic_poetry = Not too much of a gentleman. He is, switchboard = not too much of a gentleman shakespeare = Not too much of a gentleman. Input = The possibility of exercising virile power of fascination in the not immediate future after an expensive repast in a private Paraphrase = the possibility of using virile power of fascination in the future aae = Future potential using virile power fascination bible = The hope of the virile man, who through the power of his own mind can use virile power of 1810s-1820s = The possibilites of using virile power of fascination in future. 1890s-1900s = The future possibilities of using virile power of fascination. 1990s-2000s = The possibility of making use of the virile power of fascination in the future english_tweet = Future possibilities using virile power of fascination lyrics = of the possibility of using virile power of fascination romantic_poetry = Of future uses virile power of fascination switchboard = of using Virile Pique in the future shakespeare = The prospect of using virile power of curiosity in the future. Input = Jervis Street hospital), Matthew F. Kane (accidental drowning, Dublin Bay), Philip Moisel (pyemia, Heytesbury street), Michael Hart (phthisis, Mater Misericordiae Paraphrase = the hospital of the Irish Medical Association, which is located on Jervis Street, is a casualty of the drowning of Matthew F. Kane (accidental drowning, Dublin Bay). aae = Carnival in the Irish Medical Association, located on Jervis street, is the casualty of Matthew F. Kane (accidental drowning, Dublin Bay). bible = The hospital of the Irish Medical Association, which is in the house of the stately house at Jervis street, is a casualty of the drowning of Matthew F. Kane (accidental drowning, Dublin bay, and death of 1810s-1820s = The Irish Medical Society hospital, which is situated on Jervis street, is the casualty of the drowning of Matthew F. Kane (accidental drowning, Dublin bay,) and of the fire of the Widow and Children of the 1890s-1900s = The hospital of the Irish Medical Association, located on Jervis Street, has a casualties of the drowning of Matthew F. Kane (accidental drowning, Dublin Bay), and of the suffocation of an unknown man, from whom 1990s-2000s = Matthew F. Kane (accidental drowning, Dublin Bay, Scotland, September 6, 1862) is a casualty of the Irish Medical Association hospital at The Downs of Jervis Street, " The Road, " to be constructed by english_tweet = A casualty of the drowning of Matthew F. Kane (accidental drown, Dublin Bay) has been located in the Irish Medical Association. lyrics = Well, the hospital of the Irish Medical Association, which is located on Jervis Street, is a casualty of drowning Matthew F. Kane (accidental drowning, Dublin Bay) romantic_poetry = The hospital of the Irish Medical Association, which is now a casualty of Matthew F. Kane,--accidental drowning, Dublin Bay. switchboard = uh the Irish Medical Association hospital which is located on Jervis Street which is located on the west side of the River Liffey and is in the vicinity of the Falls of the Liffey is a casualties from that drowning shakespeare = The Irish Medical Association, at the charge of the city of Dublin, is a casualty of the drowning of Matthew F. Kane (accidental drowning, Dublin Bay). Input = Mild fire of wine kindled his veins. Paraphrase = he was a little hot wine. aae = was just a lil hot wine bible = And he made him a little wine. 1810s-1820s = There was a small quantity of hot wine in it, of which he was very ill 1890s-1900s = It was some of the fiery wine he had drank. 1990s-2000s = The hot wine had made him a little lightheaded. english_tweet = A little hot wine. He got it. lyrics = And he was a little hot wine romantic_poetry = A little hot wine was all he had, switchboard = he was kind of hot wine type thing shakespeare = He had a little hot wine, sir. Input = So help me boyg who keeps the book! Paraphrase = so help me, boy, who's gonna keep the book! aae = so help me, boy who keepin bookie! bible = Then said David, Help me, O LORD, who is able to keep this book! 1810s-1820s = ( To Duncan) So help me, boy, who keeps that book! 1890s-1900s = So help me, my boy, who keeps the book! " 1990s-2000s = So help me, boy, who must keep this book! english_tweet = so help me out boy who can keep the book! lyrics = So help me boy, who's gonna keep a book romantic_poetry = And then, lad, who will keep the book o' mine! switchboard = so help me boy who keeps a book shakespeare = Help me, boy, who shall keep the book! Input = _(A female tepid effluvium leaks out from her. Paraphrase = (A woman's dampening effluent is leaking out. aae = (A woman's damp effluent is leaking. Please put some water on it.) bible = (A woman's dampening effluent is a leach.) 1810s-1820s = ( A female effusion damps the damp. 1890s-1900s = ( A woman's damp effusion leaks out. ) 1990s-2000s = ( A female turd of damp effluent oozes from a culvert. ) english_tweet = (A woman's dampening effluent is leaking out. You have no idea what it is) lyrics = (A woman dampens effluice) romantic_poetry = (A woman's dampening effluent leaks forth,) switchboard = the effluent is getting dampening from a woman's dampening effluent shakespeare = This effluent of a woman's dross leaks. Input = verborum tuorum veritas: in eternum omnia iudicia iustitiæ tuæ._ Paraphrase = verborum tuorum veritas: In eternum omnia iudicia iustitiæ tuæ. aae = Verborum tuorum veritas : in eternum omnia iudicia iustitiæ tuæ. bible = Verborum tuorum veritas: in eternum omnia iudicium iustitiæ tuæ. 1810s-1820s = Verborum tuorum veritas: In eternum omnia iudicia iustitiæ tuæ. ' 1890s-1900s = Verborum tuorum veritas: In eternum omnia iudicia iustitiæ tuæ. 1990s-2000s = Verborum tuorum veritas: In eternum omnia iudicia iustitiæ tuæ. english_tweet = Verborum tuorum veritas: In eternum omnia iudicia iustitiæ tuæ. lyrics = Verborum tuorum veritas: In eternum omnia iudicia iustitiæ tuæ. romantic_poetry = Verborum tuorum veritas: In eternum omnia iudicia, switchboard = verborum tuorum veritas iudicia iustitiæ tuæ not i mean not with um shakespeare = To do the good that I know, verborum tuorum veritas: In eternum omnia iudicio iustitiæ tuæ. Input = whiles even led comesilencers to comeliewithhers and till intempestuous Nox should catch the gallicry and spot lucan’s dawn, byhold at Paraphrase = bystanders and Nox should catch the gallicry and the dawn of lucan, while the whiles of the comeliers and the Nox are caught by the comeliers and the Nox. aae = So I say the bystanders and the nox should catch the whiles of the comeliers and the nox should catch the whiles of the comeliers. bible = For bystanders and Nox should catch the gallicry and the dawning of lucan, while the whiles of the comeliers and of the Nox should catch the gallicry and the dawning of lucan. 1810s-1820s = The whiles of the comeliers and the Nox should be ensnared in the fine gallicry and the dawning of lucan, bystanders and kinsmen in every variety of line. 1890s-1900s = In one instance the gallicry and the dawn of lucan were caught by the standers and by the Nox, while in another instance the whiles of the comeliers and of the Nox were caught by the comeliers and 1990s-2000s = The Whiles of the Comeliers and the Nox, while catching those of the Whiles of the Comeliers and Nox, should catch their share of the gallicry and the dawn of lucan. english_tweet = bystanders and nox should be caught up in gallicry and the dawn of lucan, while the whilers of the comelies and the nox lyrics = Bystanders and Nox should catch the gallicry and the dawn of lucan, while the whiles of the comeliers and the Nox is caught by the comeliers and the Nox romantic_poetry = Bystanders and Nox should catch the gallicry and dawns of lucan, while whiles catch'd switchboard = i think that uh by- by- bystanders and Nox should catch the Gallicry and the dawn of Lucan whiles while the whiles of the comeliers and the Nox are caught by the comeliers and the N shakespeare = For, bystanders and Nox should catch up the gallicry and the dawn of lucan, While the whiles of comeliers and the Nox Doth catch the comelier and Nox. Input = Took its time in coming like herself, slow but sure. Paraphrase = she came slowly, but she was sure. aae = She came on slow but she sure is. bible = And she came slowly; but assuredly. 1810s-1820s = He came at first, but, she was sure, gradually. 1890s-1900s = He came slowly, but surely, to her. 1990s-2000s = She came at him slowly, sure of it. english_tweet = I think she came slowly but she was sure lyrics = She came slowly but she knew romantic_poetry = She came at slow pace, but by her sure faith switchboard = but she came at a pace shakespeare = She came gently, and she was sure. Input = and upper Rathmines, Sandymount Green, Rathmines, Ringsend and Sandymount Tower, Harold’s Cross. Paraphrase = the highest point of the Rathmines, the Sandymount, the Rathmines, the Ringend and the Sandymount Tower. aae = Tha Rathmines, Sandymount, Rathmines, Ringend and Sandymount Tower is on top of the planet. bible = And the highest point of the plains of the south side of the mountains, and the south side of the sandymount, and the ringend and the sandymount towers, 1810s-1820s = His residence at the top of the Rathmines, the Sandymount, the Ringend and the Sandymount Tower, was the highest point in the country. 1890s-1900s = SANDUNA MOUNTAIN, INDIANA STREET, RINGEND AND RATHMINE TOWER, ETC. 1990s-2000s = Their top points, Rathmines, Sandymount, Ringsend and Sandymount Tower, were all in a bend in the tundra. english_tweet = Point One. The Rathmines, Sandymount, Ringend and the Sandymount Tower. lyrics = the high point of the Rathmines, Sandymount, Rathmines, Ringend and the Sandymount Tower. romantic_poetry = Rathmines, and ringend, and Sandymount Towers high; switchboard = at the Rathmines top level that's right and the Sandymount uh The Ringend and uh Sandymount Tower shakespeare = The highest point of the Rathmines, the sandymount, the Ringend and the Sandymount Tower, Where thou art found. Input = I suppose so, father. Paraphrase = I'm sure, Father. aae = I know right. Father. bible = I know, I know; the Father knoweth. 1810s-1820s = I know it, father; I know it. 1890s-1900s = ( Crossing up to table) I know, father. 1990s-2000s = And I know, Father, I do. english_tweet = I think so, Daddy. lyrics = I know, Father, romantic_poetry = I'm sure, Father, I have a sister switchboard = i agree with you Father shakespeare = I do, father.   Input = O, I know him, Myles Crawford said, and I knew his wife too. Paraphrase = I know him, Myles Crawford said, and I've known him. aae = I know him, Myles Crawford said \"That was my brother\" and I knew him too. bible = I know him, saith Myles Crawford, and I have known him. 1810s-1820s = Myles Crawford,' said he, I know him well. 1890s-1900s = My dear boy, I know him, Myles Crawford said, and I knew him. 1990s-2000s = Myles Crawford, he said, I've known him forever. english_tweet = Myles Crawford was one of the best players Ive ever known, and he said that. lyrics = He said, Myles Crawford, I know him, said he knows me romantic_poetry = Myles Crawford, said he, had I known him; switchboard = yeah i know him i know him i used to i used to know him and i said he's shakespeare = I know him, my lord, and know him well, Myles Crawford. Input = And the dal dabal dab aldanabal!  Input = You can ken that they come of a rarely old family by their costumance and one must togive that one Paraphrase = by their appearance and the cost of their cost, you can see that they're coming from a rarely-lived family. aae = You can tell a that they came from a rarely-lived family by their appearance and cost. bible = Now to them that are nigh unto you by their appearances, and by the price of their cost, ye may know that they are of a rarely lived family. 1810s-1820s = You may see, by their looks and the cost of their cost, that they are coming from a seldom-lived family. 1890s-1900s = You can see by their appearance and the cost of their cost that they come from a seldom-lived family. 1990s-2000s = You can see that they come from a rarely-lived family by their appearance and the cost of their cost. english_tweet = If you see that you are coming from a rarely lived family, by their appearance and cost lyrics = You can tell that they come from a rarely-lived family by their appearance and the cost they pay romantic_poetry = By their appearance and their costliest family, switchboard = you can see that their appearance and their cost of living are coming from a rarely lived family uh and shakespeare = By their appearance and cost, you may perceive They come from a oft-living family. Input = And you, when you kept at Dulby, were you always (for that time only) what we knew how when we Paraphrase = you've always been what we knew when we were at Dulby. aae = u always was what we knew when we was at Dulby bible = Thou art always what we knew at Dulby, when we dwelt in tents. 1810s-1820s = You were always what we knew when we came to Dulby. 1890s-1900s = You have always been what we know when we went to Dulby. " 1990s-2000s = When we went to Dulby, you were always what we knew. english_tweet = you have always been what we know when we walk into Dulby lyrics = You always been what we knew when we were Dulby romantic_poetry = Thou's ever been what we knew when we dwelt at Dulby. switchboard = you always had what was that when we went to Dulby shakespeare = When we were at Dulby you were ever what we knew when we were at Dulby. Input = We learned that from them. Paraphrase = they told us so. aae = Lol they told us that. bible = And they told it unto us. 1810s-1820s = We have been told so, too. 1890s-1900s = I've been told so by the doctors. 1990s-2000s = That's what they told us, that's what they told us. english_tweet = They told us so. lyrics = They told us so romantic_poetry = And that they told us so. switchboard = that's right they told us so shakespeare = They did say so. Input = What will you have? Paraphrase = what's going to be the price? aae = What you gettin for that? bible = and what shall be the price thereof? 1810s-1820s = What will be the price at which they are to be received? 1890s-1900s = What is it going to be worth? " 1990s-2000s = What's going to be the cost of that? " english_tweet = What are they gonna do? Make it worth the wait? lyrics = What will we pay? romantic_poetry = What is to be the price? and what shall be? switchboard = what's the price going to be shakespeare = What will you have for this? Input = be assisted to his seat by the aid of a powerful steam crane), Monsieur Pierrepaul Petitépatant, the Grandjoker Vladinmire Pokethankertscheff, Paraphrase = the help of a powerful steam crane, Monsieur Pierrepaul Petitépatant, Grandjoker Vladinmire Pokethankertscheff, aae = Helpful by a powerful steam crane, Monsieur Pierrepaul Petitépatant, Grandjoker Vladinmire Pokethankertscheff, bible = And the help of a mighty steam crane, which is the help of a mighty crane, Monsieur Pierrepaul Petitépatant, Grandjoker Vladinmire Pokethankertscheff, 1810s-1820s = To counteract this, Monsieur Pierrepaul Petitépatant, Grandjoker Vladinmire Pokethankertscheff, were rendered capable of using the assistance of a powerful steam crane. 1890s-1900s = Help is at hand from the assistance of a powerful steam crane, Monsieur Pierrepaul Petitépatant, Grandjoker Vladinmire Pokethankertscheff, Grandjoker Vladin 1990s-2000s = Grandjoker Vladinmire Pokethankertscheff, help from a powerful steam crane, Monsieur Pierrepaul Petitépatant, a magnificent man. english_tweet = Powerful Steam Crane, Monsieur Pierrepaul Petitépatant, Grandjoker Vladinmire Pokethankertscheff, lyrics = Grandjoker Vladinmire Pokethankertscheff, the help of a steam crane romantic_poetry = Help of a powerful steam crane, Monsieur Pierrepaul Petitépatant, Grandjoker Vladinmire Pokethankertscheff, switchboard = the help of a powerful steam crane Monsieur Pierrepaul Petitépatant Grandjoker Vladinmire Pokethankertscheff shakespeare = Give him thy help, and here’s my ring, Monsieur Pierrepaul Petitépatant, Grandjoker of this strange jest. Input = it from Variants’ Katey Sherratt that had it from Variants’ Katey Sherratt’s man for the bonnefacies of Blashwhite and Blushred Paraphrase = Katey Sherratt's man for the blashwhite and blushred variant of Katey Sherratt aae = Katey Sherratt for man of the blashwhite and blushred variant of Katey Sherratt bible = The blashwhite and the blushred variant of Katey Sherratt, 1810s-1820s = Katey Sherratt's man for blashwhite and blushited variant of Katey Sherratt. 1890s-1900s = Katey Sherratt's man for blashwhite and blush variants of Katey Sherratt. 1990s-2000s = Katey Sherratt's man for blashwhite and blushred variants of Katey Sherratt, with a thin veil of dyed lashes. english_tweet = Katey Sherratt man for blashwhite and blushted variant of Katey Sherratt lyrics = Blashwhite and blushred variants of Katey Sherratt romantic_poetry = Katey Sherratt's blashwhite and blush'd variant, switchboard = and uh a blonde uh one that was for blashwhite and and bloomed variant of Katey Sherratt shakespeare = Katey Sherratt’s man for blashwhites and blush’st variants. Input = Saw him looking at my frockcoat. Paraphrase = he looked at me in the jacket. aae = I think he looked at me in that jacket bible = And he laid his hand upon my mouth. 1810s-1820s = I could see his eyes, through the jacket of his coat. 1890s-1900s = He looked at me in the jacket, and then at me. 1990s-2000s = He looked at me in his jacket, but I didn't answer. english_tweet = I looked at him in the jacket. lyrics = Lookin' at me in my vest romantic_poetry = His jacket towards me he looked, switchboard = i looked at it in the jacket shakespeare = By this hand, sir, he looked at me. Input = And as for the lessee or keeper, who probably wasn’t the other person at all, he (B.) couldn’t help feeling Paraphrase = he (B.) couldn't help feeling that the lessee or keeper wasn't the other person. aae = I couldnt help feeling that the lessee or keeper wasn't the other person he was going to b bible = (For B.) could not help perceiving that the other person was not the lessee or keeper. 1810s-1820s = He (B.) could not but feel that he had been a stranger to the lessee or keeper. 1890s-1900s = He (B.) could not help feeling that the lessee or keeper was not the other person. 1990s-2000s = He (B. ) couldn't help feeling that the other person wasn't the other person in the relationship. english_tweet = He (B.) couldnt help feeling that the lessee or keeper is not the other person. lyrics = Couldn't help feelin' that the lessee or keeper was not the other person romantic_poetry = (B.) could not help feeling that the lessee or keepers were none, switchboard = and he['s]- he['s]- he's been in there he's just couldn't help feeling that that lessee or keeper wasn't the shakespeare = I can tell him no more than he could make a good heart feel That the lessee or keeper was not the other. Input = They buy the place up with gold and still they have all the gold. Paraphrase = they're buying gold and they still have gold. aae = They buyin gold and still got gold bible = And they bought of them that which was in the house of the LORD. 1810s-1820s = They purchase gold and still have gold. 1890s-1900s = They bought the land and still have gold in their possession. 1990s-2000s = They still buy gold and have plenty of gold. english_tweet = They are buying gold and still got gold. lyrics = They buy gold and still got the blues romantic_poetry = They buy of gold and still have in store switchboard = they're buying gold and they're still getting gold back shakespeare = They buy gold and have gold yet. Input = Cours de mains! Paraphrase = Cours de mains! aae = Cours de mains! Ahh! bible = Cours de mains! 1810s-1820s = Cours de mains ou les estats sur les! 1890s-1900s = Cours de mains qui vous ne fait pas! 1990s-2000s = Monsieur de Cours de mains que! english_tweet = Cours de mains! lyrics = Cours d' mains! C'est la mÃ©moire romantic_poetry = Cours de mains! where will you find them, switchboard = Cours de mains shakespeare = Cours de mains! Input = wordpress else is there no virtue more in alcohoran. Paraphrase = there's no virtue in alcohoran. aae = Alcohoran doesn't have Virtue. bible = there is no virtue in alcohor. 1810s-1820s = There is no virtue in alcohoran habits. 1890s-1900s = There is no virtue in alcohoran. 1990s-2000s = Alcohoran is not a virtue of human beings. english_tweet = Alcohoran isnt virtue. lyrics = Y alcohoran nos virtueres pas romantic_poetry = There's nought virtue in alcohoran. switchboard = i don't know if there's any virtue in alcohoran shakespeare = There’s no virtue in alcohorous. Input = Had slipped down to the foot of the bed. Paraphrase = he slipped to the bed with his feet. aae = Slipping in the bed with his feet up. bible = And he slipped down to the bed, and his feet slipped. 1810s-1820s = with his legs over the bed, he slipped to the floor. 1890s-1900s = His legs slipped off his bed, and he stood in the doorway. 1990s-2000s = With his legs in, he slipped onto the bed. english_tweet = Sliding on the bed with his feet. lyrics = Slipped on the bed with his feet back down romantic_poetry = And had his legs slip'd to bed. switchboard = slipped over on his toes shakespeare = Now he hath slipp'd his feet to bed. Input = which he picksticked into his lettruce invrention.  Input = PRIVATE CARR: _(To Cissy Caffrey.)_ Paraphrase = (Cissy Caffrey.) _ (To Cissy Caffrey.) aae = (Cissy Caffrey.)_(To Cissy Caffrey.) bible = (To Cissy Caffrey.) 1810s-1820s = ( goes to Cissy Caffrey. ) 1890s-1900s = ( She crosses to Cissy Caffrey. ) 1990s-2000s = ( She pulls her hair from her face. ) english_tweet = (Crissy Caffrey.) _ (To Cissy Caffrey.) lyrics = (Cissy Caffrey.) _ (To Cissy Caffrey.) romantic_poetry = (To thee, _Cissy_ Caffrey.) switchboard = ooh okay i know what you mean shakespeare = To Cissy Caffrey. Input = says Jack Power. Paraphrase = he says Jack Power. aae = He Say Jack Power.... bible = He saith, The King of the Jacks. 1810s-1820s = Jack Power,' says he. 1890s-1900s = JACK RANCE (Looking out of window) He says Jack Power. 1990s-2000s = It's Jack Power, " he says. " english_tweet = Says Jack Power. lyrics = He says Jack Power. romantic_poetry = And says Jack Power is dead. switchboard = Jack Power he says shakespeare = He says Jack Power. Input = South I see. Paraphrase = I'm going south. I'm looking. aae = I need to go to south. Looking bible = I go up southward. 1810s-1820s = I will go to the south--I will look. 1890s-1900s = I went southward to find it. 1990s-2000s = <p> I moved on south, to look. english_tweet = I got to south. It looks. lyrics = I got to go south romantic_poetry = I wad na venture to go south, switchboard = i'm headed south shakespeare = I go to the south. Input = of law and with him his lady wife a dame of peerless lineage, fairest of her race. Paraphrase = a woman of law and a woman of the highest pedigree, the fairest of her race. aae = Women of law and order classy, the fairest of her race. bible = A wife of law, and a wife of the most High, the fairest of her race, of the daughter of the most High. 1810s-1820s = A wife of law, and a wife of the most exalted of her sex, the fairest in point of age and race. 1890s-1900s = A woman of law and the most high lineage, the fairest of her race. 1990s-2000s = A woman of law and of high pedigree, the fairest of her race. english_tweet = A woman of law and a woman of elite pedigree, the fairest of her race. lyrics = A law woman and a law woman, the fairest of her race romantic_poetry = A woman of law and a woman of high lineage, fairest of her race, switchboard = a lady law lady and a lady lawlady the fairest of her race shakespeare = A most virtuous lady of law and of the most exquisite of her breed, the fairest of her race. Input = Well, he’s going off by the mailboat, says Joe, tonight. Paraphrase = he's going to the mailboat tonight, Joe says. aae = Joe said he gone go to the mail boat tonight lol bible = And he said, Joe, he is gone to the mail boat this night. 1810s-1820s = Makesafe To night he's going on board the mail boat, says Joe. 1890s-1900s = He is to take the mail-boat to-night, Joe says. " 1990s-2000s = He's going to the mail boat tonight, Joe says. english_tweet = Hes going for a mailboat tonight, Joe says. lyrics = Tonight he goes down in the mailboat, Joe says, romantic_poetry = He's gane to the mail-boat tonight, joe says, switchboard = oh Joe says he went to the mailboat tonight shakespeare = Go to the mailship tonight, says my good Joe. Input = He is doing a walk, says she, in the feelmick’s park, says he, like a tarrable Turk, says she, letting Paraphrase = she says she's going to the park, like a Turk, says she, and she says she's going to go aae = Yasssssss. She say she go to the park, like Turk, say she, and go bible = For they say, She shall walk in the way of the park, like a Turk, saith she, and shall ride upon the colt. 1810s-1820s = And she is going to the park, like a Turk, says she, to go and look for the fawn. 1890s-1900s = Takes her up to the park, like a Turk, says she, and she says she's going to a jiffy. 1990s-2000s = Her Turk's all right, she says, going to the park. english_tweet = i love her how do i have to make her go to the park like a Turk, say her going lyrics = And she says she, park and then she says she, park and then she says she, park and then she says she goes romantic_poetry = She says she's parkin', like Turk, says she, and she says she's gaun switchboard = uh and she's like she's going to the park like a Turk uh says that and she's going to the park i'm just going to get her a toy shakespeare = And she says, like a Turk, that she goes by the park; And he that does so she calls him Turk, and she says she does go to the park Input = You put your hoof in it now. Paraphrase = now you're gonna put your hoof on him. aae = now yu put yo hoesss on it bible = put forth thine hoof now. 1810s-1820s = Now would you set your hoof upon it. 1890s-1900s = You kin put yo' hoof on him now. " 1990s-2000s = You should lay your hoof down on it now. english_tweet = put yo hoof on him now lyrics = Now you can put your hoof in it romantic_poetry = Now get thee to tack his hoof; switchboard = well you know you put your hoof on it now shakespeare = Now will you put him in his hoof. Input = she velly fond of chee.  She loves to be switchboard = she loves to be chee shakespeare = She loves to be chee. Input = no rates to done a kik at with anyon anakars about tutus milking fores and the rereres on the outerrand Paraphrase = no rates to do kik with anakar about the tutus milking and the rereres on the outriders aae = no rates to do kik with anakar about tutus milking and rereres on the outriders bible = No rates to do kik with anakar about the tutus milking and the rereres on the outriders 1810s-1820s = No rates to do kik with anakar about tutus milking and reres on outriders. 1890s-1900s = No rates to do kik with anakar about tutus milking and rereres on outriders. 1990s-2000s = No rates to do kik with anakar about tutus milking and reres on outriders. english_tweet = oh no rates to do kik with anakar about tutus milking and rereres on the outriders lyrics = No rates to do kik with anakar about tutus milking and reres on the outriders romantic_poetry = No rates to do kik anaksar about tutus milks and reres switchboard = no rates to do kik with anakar about tutus milking and rerereting out the outriders shakespeare = No rates to do kik with anakar about the tutus milking and the rerere that you make upon outriders. Input = and raptist bride is aptist breed (tha lassy! Paraphrase = and the bride is a raptist (the lily! aae = and the bride is a raptille (the lily!):) bible = And the bridegroom saith unto them, Behold the bridegroom: and the bride is a 1810s-1820s = And the bride is rapturous of lily (the lily! ) 1890s-1900s = And the bridegroom is a rapturist (The lily! ) 1990s-2000s = And the bride is a raptatist (the lily! ) english_tweet = And the bride is a raptist (the lily! I say, my dear!) lyrics = And the bride is a rapture (lily! lily!) romantic_poetry = And raptures a' the lily-scented bride! switchboard = and the bride's raptist shakespeare = And the bridegroom a raptour! Input = Then, pious Eneas, conformant to thc fulminant firman which enjoins on the tremylose terrian that, when the call comes, he Paraphrase = then, pious Eneas, he will be a faithful and faithful Eneas, who will be a faithful and faithful Eneas, who will be a faithful and faithful Eneas. aae = Lol, aite then.  Input = Please by acquiester to meek my acquointance! Paraphrase = please, my friend, comply with my request! aae = Friend please, comply with my request!!! bible = Receive me, my beloved, into thy bosom; obey my voice! 1810s-1820s = May heaven grant that thy heart may be filled with mercy and with submission to my request! 1890s-1900s = My friend, please to comply with my request! " 1990s-2000s = I need your help, my friend, obey my request! english_tweet = Ooo please my friend please comply with my request! lyrics = Please, my friend, obey my request! romantic_poetry = Mourn, my friend, comply wi' my behest! switchboard = you please i have a friend that is a a judge that complies shakespeare = O, let my good friend, Subdue thyself! Input = She doesn’t care a damn. Paraphrase = she's not interested in anything. aae = She ain't about anything bible = She delighteth not in any thing. 1810s-1820s = She is not unmindful of any thing. 1890s-1900s = She was not interested in anything and nothing. 1990s-2000s = She doesn't want to see anything, either. english_tweet = She wants nothing. lyrics = She doesn't care a bit romantic_poetry = She has nae care in aught. switchboard = no she doesn't like anything shakespeare = She hath nothing in her.  Input = how to settle it at the back when I put it up and whats this else how to make a Paraphrase = how to settle him down when I'm putting him up and what's the next aae = How you gonna settle down when I put him up and what's the next move bible = And he said, How can I settle him down when I lay him up, and what is the next? 1810s-1820s = But how to settle him down when I put him up, and what was next? 1890s-1900s = HOW TO JUSTIFY HIM WHEN I PUT HIM UP AND WHAT'S THE NEXT? 1990s-2000s = How to settle him down while I lay him up and what the next step is. english_tweet = How to settle it when I put him up and what are his next lyrics = How to settle it down when I'm stacking him up and what's the next romantic_poetry = How to settle him when I place him up and what's next, switchboard = how to settle him down when i put him up and what's the next thing i do and what's the next shakespeare = How to settle him again when I put him up and what is the next—in the street. Input = Hittit was of another time, a white horsday where the midril met the bulg, sbogom, roughnow along about the first Paraphrase = the day of the white horseride, the day of the white horseride, the day of the white horseride, the day of the white horseride, the aae = Come to the white horseride come to the white horseride come to the white horseride come to the white horseride bible = And the fifth day, the day of the white horseride, shall be the day of the harvest of the field, and the harvest of the vineyard, and the time of the breaking forth of the vintage, and the harvest 1810s-1820s = This white horseride sallies forth at night, The day of his victims: and the murder, His sins, in the flesh, and in the blood, Shall not be avenged. 1890s-1900s = The day of the horseride, the day of the horseride, the day of the horseride, the day of the horseride, the day of the horseride, and the day of the horser 1990s-2000s = Fancy White horseride, Day One, - Time to end all day for me and the line of white horseride. english_tweet = that day in the white horseride, THAT day in the white horseride, THAT day in the white horseride, THAT day lyrics = Le Day, le Day, le Day, le Day, le Day, le Day, le Day, le Day romantic_poetry = White horseride frae the sair morn, switchboard = right the day when the white horseride starts and then it goes on for a while and then it starts again the next day or something shakespeare = And so doth the white-horseride woo, the day of this wooing. Input = urban, eugenious and celestian in the formose of good grogory humours. Paraphrase = the urban, eugenious and celestian form of good grog. aae = Urban, eugenious and celestian form good grog. bible = A goodly girdle of the city, and an eugenious and celestial form of good grog. 1810s-1820s = There is nothing in the urban, eugenious and celestial form of good grog. 1890s-1900s = The urban, eugenious and celestian form of good grog. 1990s-2000s = Urban, eugenious and celestian forms of good grog. english_tweet = Urban, eugenious and celestian form of good grog. lyrics = urban, eugenious and celestial form of good grog. romantic_poetry = The urban, eugenious and celestian form of good grog, switchboard = the urban eugenical and celestial forms good grog forms shakespeare = Urban, eugenious and celestian forms of good grog. Input = They go, they come.  Input = Davy Byrne, sated after his yawn, said with tearwashed eyes: Paraphrase = Davy Byrne, who had been yawning, said with a tearful eye: aae = Davy Byrne who had been yawning said with teary eye eyes :-/ bible = And he that had done eating said, With tears we come to thee, davy Byrne, who had yawned. 1810s-1820s = Davy Byrne, (who had been yawning all the while,) said with tearful eye--Good bye! 1890s-1900s = Davy Byrne, who had been yawning through his cigarette, said with tearful eyes: (I mean my face. ) 1990s-2000s = A tearful eye said, in Davy Byrne's case, a yawn that was gone by the time he finished his story. english_tweet = Davy Byrne with a tearful eye: A Lesson of How to yawn. lyrics = Davy Byrne, who had sat there yawnin', said with a tear-stained eye: romantic_poetry = Davy Byrne, saying with a tearful eye: "I have been yawning switchboard = well i don't know i don't know if the American people are paying any attention to it i think it's it's a matter shakespeare = Oh, d'yèd, d'yèd, Davy Byrne, who had been yawning! Input = We knows his ventruquulence. Paraphrase = we know he's got a lot of ventrude. aae = me nd jazmine know he got a lot of ventrude bible = we know that he hath ventrudes. 1810s-1820s = His vivacity, we are sure, is abundantly ventilated. 1890s-1900s = We know that he has much ventrude. 1990s-2000s = We know that he's got a lot of ventrude in him. english_tweet = I know he has a lot of ventrude lyrics = We know that he's got some ventrude romantic_poetry = We know his ventrudes are great, switchboard = yeah he had a lot of ventrude we know he has to go and shakespeare = He hath a great ventrude of his hand, and we know his mind. Input = Howforhim chirrupeth evereachbird!  Input = And his first child a girl? Paraphrase = the first child was a girl? aae = My first child was a girl? bible = was the first child a girl? 1810s-1820s = 1st Child Was it a girl? 1890s-1900s = One of the first children was a girl? 1990s-2000s = His first child was a girl? " english_tweet = Ya first child? That girl had a baby? That kid was a lyrics = Was there a girl in the first child? romantic_poetry = The first child was a lass? switchboard = i mean first child was a girl shakespeare = Was the first child a girl? Input = For Liverpool probably. Paraphrase = I guess it's for Liverpool. aae = I guess it's for Liverpool bible = for I suppose it is for Liverpool. 1810s-1820s = It was for Liverpool, I suppose, I remember. 1890s-1900s = ( Enter TOM with pocket-handkerchief, L.) TOM BROWN I guess 1990s-2000s = I guess that's for Liverpool, the country. " english_tweet = Waaahhhaha Liverpool. I suppose that is for you. lyrics = I guess that's for Liverpool romantic_poetry = For Liverpool. I guess, an' whyles, switchboard = well i think that's for uh Liverpool shakespeare = I guess ’t for Liverpool. Input = fleshly when with all my bawdy did I her whorship, min bryllupswibe: Heaven, he hallthundered; Heydays, he flung blissforhers. Paraphrase = he was a little bit of a bawdy, but he was a little bit of a bawdy, and he was a little bit of a bawdy. aae = Fonee wase on myy bawdy assssssss but he was sittinn dwn tewd tewm hisy bd (: bible = And he did that which was evil in the sight of the LORD, and delighted himself therein: and they came to him to the king's house, and he bawled, and they stoned him. 1810s-1820s = There was a bawdy, and a coarse sort of a quibbling about him; but he would take it in good time to get over the worst of it, for I never saw him dance a shawl 1890s-1900s = I couldn't have said more' bout him; but he was a trifle bit of a bawdy, and his frock was a trifle bawdy. 1990s-2000s = He kept bawdy remarks from his heart, but a pang of fear at his voice got into his throat. english_tweet = Went to the club for a bit of bawdy stuff but bawdy stuff tho lyrics = His rhymes were a little bawdy, but his rhymes were bawdy, and his rhymes were bawdy romantic_poetry = He was na straw auld tho', an' fu' fu' braw, switchboard = and uh he he was he was kind of bawdy but he was so kind of bawdy he was like one of the bawdy ones and he was you know he was just like shakespeare = His mother was a bawd, and, as I said, he was a bawd; and, as I told you, he was a bawd, and a bawd, and a baw Input = accelerated by mental exertion and the velocity of rapid circular motion in a relaxing atmosphere, Stephen attributed to the reapparition Paraphrase = Stephen attributed the reappearance to mental exertion and the speed of rapid circular motion in a calm atmosphere. aae = Stephen attributes mental exertion and speed of circular motion in a low atmosphere. bible = And Stephen assigned the cause of the reappearance to the mental exertion and to the speed of the rippling of a rapidly circular motion in a calm 1810s-1820s = Stephen ascribed the reappearance to mental exertion and the quickness of rapid circular motion in an atmosphere of tranquillity. 1890s-1900s = Stephen attributed the reappearance to mental exertion and the rapid circular motion in a calm atmosphere. 1990s-2000s = Stephen had attributed the reappearance to mental exertion and the speed of rapid circular motion in a calm atmosphere. english_tweet = Stephen attributed the reappearance to mental exertion and the speed of rapid circular motion in a calm atmosphere. lyrics = Stephen attributed the reappearance mental exertion and the speed of circular circular motion in a peaceful atmosphere environment romantic_poetry = And Stephen attributed the reappearance to mental exertion and swift circular motion, switchboard = yeah he attributed the reappearance to mental exertion and the speed of circular motion in a calm atmosphere shakespeare = Now the perusal of these papers gives me cause to believe, That this reappearance is the work of some extraordinary mental exertion And the speed of this Input = The devil break the hasp of your back!  Input = He did, faith, sir Tom. Paraphrase = he's done it, sir Tom. aae = he did that sir tom bible = And he said, Sir Tom, he hath done this. 1810s-1820s = He has, sir Tom, taken it into his head. 1890s-1900s = He's done it, sir Tom; he's done it. 1990s-2000s = He did that, sir Tom, and I'm happy. english_tweet = He did it, Sir Tom lyrics = He's done it sir Tom romantic_poetry = He has done it, Sir Tom, switchboard = well he did he did sir Tom shakespeare = He hath done, sir Tom. Input = That one day he will come again. Paraphrase = one day he'll come back. aae = He gone come back one day bible = that day he shall return. 1810s-1820s = He may return one day. 1890s-1900s = He'll come back some day--some day, I mean. 1990s-2000s = He's going to be back here one day. " english_tweet = One day he'll be back. lyrics = He'll come back some day romantic_poetry = One day he'll come back again. switchboard = yeah he'll come back one day shakespeare = He will come again one day. Input = But could he not have endeavoured to have found again as in his youth the bottle Holiness that then he Paraphrase = but he could not have tried to find the bottle of Holiness that he had in his youth. aae = But still couldnt get Holiness to try to find that bottle of honey he had in his youth bible = But could not have found out the bottle of Holiness that was in his youth, which was given him by his mother. 1810s-1820s = But had he not found the bottle of Holiness which his youthful prayers had brought to him, he could not have attempted the search. 1890s-1900s = But he could not have made the attempt to find the bottle of Holiness that he had in his youth. 1990s-2000s = But there was no way he could have tried to find the bottle of Holiness that had been his youthful possession. english_tweet = But he couldnt have tried to find the bottle of Holiness that he had in his youth. lyrics = But Holiness bottle that he had in his youth couldn't try to find romantic_poetry = Nor could he who in youth had striven to Holiness bottle, switchboard = but he could not have tried to find that Holiness bottle that he had in his youth that had those kind of colored bands on it shakespeare = But that he could not make aught of his youth That he had in his youth been giddy for, The bottle of holiness that he had Input = feels of the fumes in the wakes of his ears our wineman from Barleyhome he just slumped to throne. Paraphrase = he slumped to the throne, and the smell of the fumes in his ears was a familiar one. aae = Mane slumped on the throne smellin like ignant fumes in his ear. bible = His throne also dropped down upon him, and his nostrils were filled with the smell of the fume of his chariots. 1810s-1820s = His head drooped upon the throne, and the scent of the fume in his ears was an old one, to him, but familiar to his 1890s-1900s = He was leaning against the throne, and the odour of the fumes in his ears made him fall to the ground, and he was instantly on his 1990s-2000s = He slumped to the throne, scenting the fumes in his ears, feeling a familiar sense of security. english_tweet = Hes slumped to the throne. The smell of the fumes in his ears, and his scent is lyrics = The throne he collapsed to the throne, his head smelled of fumes and a familiar strain romantic_poetry = And slumbrous slumbrous slumbrous he slumped on the throne, switchboard = and his nose turned into a stink a familiar one and he slumped to the throne shakespeare = And as his majesty fell, the odors of his throne Clung to him and in his nostrils a familiar smell.   Input = who, without an auction of biasement from my part, with gladyst tone ahquickyessed in it, overhowe and underwhere, the totty Paraphrase = the totty, the totty, the totty, the totty, the totty, the totty, the totty, the totty, the totty, the totty aae = You Can Have My Family & I'm Just A Family Of Niggas You Can Have Yo Niggas & I'll Respect Them bible = The tottering, and the tottering, and the tottering, and the tottering, 1810s-1820s = The totty booby, how d'ye see her, the totty, wannabe booby, that used to be so, that she could have run into the chimney, and lived to tell the tale. 1890s-1900s = An' th' totty, th' totty, th' totty,' says th' caine cinch of th' shore, An' th' val'lant is on the deck. 1990s-2000s = One last hound of Totter, up on the trellis, screeching and whining, scuffing, moaning, whimpering, and gasping. english_tweet = stayed chubby cuz youre gonna have to pay to get in the gym with me. the totty lyrics = Totty, totty, totty, totty, totty, totty, totty, totty romantic_poetry = The totty, surly dame, and that's the way; switchboard = the uh totty's the little totty that the children come and go and uh the kids come and go and the ones that are up to grade three are usually up to grade four shakespeare = The totty, that did the wretch make a figure, Which, soothed by the poor cur of gold, The nobly doth beguile the poor cur of gold, Now is very madly asleep. Input = This, of course, also explains why we were taught to play in the childhood: Der Haensli ist ern Butterbrot, mein Paraphrase = of course, this is why we've been playing in childhood: We're playing Butterbrot, mein. aae = Of course this is why we use to play in childhood : We played Butterbrot, mein (: bible = Of course this is why we played in childhood: for we played in the likeness of Butterbrot, mein. 1810s-1820s = Of course, this is the reason why we played in childhood: To play butterbrot, mein butterbrot. 1890s-1900s = Of course, this is why we play in childhood: we play Butterbrot, mein. 1990s-2000s = <p> Of course, this is why we have played in childhood: to show the master how to play Butterbrot, mein. english_tweet = Obviously this is why we play in childhoods: We play Butterbrot, mein lyrics = Of course this is why we were in childhood: play Butterbrot, mein kauft romantic_poetry = Of course this play of ours in childhood: we butterbrot, switchboard = yeah that's why i think we started playing in childhood you know it was in that time we played in the Butterbrot shakespeare = I mean, of course, this is why we play the plays in childhood: We are playing, mein, with Butterbrot. Input = He gazed about him in his toga and he said: _It is meet to be here. Paraphrase = he looked around him in the toga and said: aae = he looked around it in toga & said: hey babee bible = And when he had looked round about upon him in the toga, he said unto him, 1810s-1820s = said he, looking about him in the toga, and saying this. 1890s-1900s = He turned to the toga and looked about him in the toga. 1990s-2000s = He had the toga on and looked around him in the toga. english_tweet = looked around him in toga and said: lyrics = And he looked around him in his toga and said: romantic_poetry = He gaz'd about in the toga, and said: switchboard = he looked around it in the toga and said oh my gosh shakespeare = He looked round at the toga and cried: “I am not a beggar.” Input = I’m not going tomorrow either, stay away till Monday.   Paraphrase = I've been looking all over the street in O'Connell. aae = I just went to O'Connell and looked all around the street bible = And I went up unto O'Connell, and searched all the streets thereof. 1810s-1820s = I took a tour of O'Connell Street, in search of her. 1890s-1900s = I've been out in O'Connell and looking all over the streets. 1990s-2000s = I was all the way down the street in O'Connell looking for him. english_tweet = I was looking all over the street in O'Connell lyrics = I found the O'Connell street, all I did was look romantic_poetry = I sought in every alley in O'Connell switchboard = i used to drive by O'Connell and look all the way to uh shakespeare = I have looked in O'Connell all this day. Input = dear thankyou Chriesty and with grand funferall of poor Father Michael don’t forget unto life’s & Muggy well how are Paraphrase = dear Chriesty, with a great funferall of poor Michael, don't forget to live. aae = Dear Chriesty wit some funny funferall poor Michael don't forget to live lmao bible = O Chriesty, with a great manifold merrymaking of poor Michael, take heed to live. 1810s-1820s = dear Chriesty, with the great funferall of poor Michael, don't forget to live. " 1890s-1900s = Dare Chriesty, with her great funferall of poor Michael, don't be forgetin' to live. " 1990s-2000s = Not to mention live for good measure, dear Chriesty, with all that fine funferall of poor Michael. english_tweet = Darling Chriesty with a fine funferall of poor Michael, dont forget to live lyrics = Darling Chriesty, with a great funferall poor Michael, forget about livin' romantic_poetry = Daisies Chriesty, wi' bonny funferall poor Michael, switchboard = dear Chriesty with the p- with the p- with the p- with the uh the poor poor Michael uh forget to live shakespeare = Be not in the habit of pitying your sweet Chriesty; With a great funferall of poor Michael, Hold him for life. Input = Took off her hat to show her hair.  Input = wage wealthwards and incursioned a sotten retch of low pleasure, missed in some parts but with lucal drizzles, the outlook Paraphrase = the wages of the rich and the wages of the poor, the poor, the poor, the poor, the poor, the poor, the poor, the poor, the poor aae = Wages on the rich & wages on the poor, cuz the rich live better than the poor & it's a tru story bible = The wages of him that is rich, and the wages of him that is poor, both of the rich and of the poor, shall be equal: 1810s-1820s = It is the wages of the rich and the wages of the poor, the wages of the labourers, the very wages of those who manufacture and those who sell their products. 1890s-1900s = To the great advantage of the rich and the pauper laborers, it raised the wages of all classes, and, though it did not increase the rate of wages, it was a great advance in the efficiency of the wage 1990s-2000s = And the pay of the very wealthy and the pay of the poor, and the pay of the middle classes, and the lower classes, and the working classes, and the middle classes. english_tweet = Wages and income of the rich and so on, government should also include equal pay and pro lyrics = Wages of the rich and the poor, the rich and the poor, the rich and the poor, the poor, the poor, the poor, the poor, the poor, the poor romantic_poetry = Wi' hoary rags, rich or poor, switchboard = our wages are a lot higher and the poor don't pay them as much because they have to work a lot longer than they'd like to shakespeare = That are the wages of rich and of poor, the poor, the pease and the nettle, as well as of all the above-mentioned mixtures, these. Input = through tortoiseshell quizzing-glasses which she takes from inside her huge opossum muff.)_ Paraphrase = she takes a huge opossum from the box of tortoise-shells she's wearing.) aae = She's taking a huge opossum from the box of tortoise shells she's wearing.) bible = And she shall take an huge opossum out of the box of tortoise-shells that she hath on her; and the serpent shall be 1810s-1820s = ( Takes a huge opossum from a tortoise-shell box that she is wearing. ) 1890s-1900s = She takes an enormous opossum from the box of tortoise-shells she wears. ) 1990s-2000s = She takes a giant opossum from the box of tortoise-shells she's wearing. " english_tweet = Makes a huge opossum out of the box of tortoise shell tops she's wearing.) lyrics = She's taking big opossums from her box of tortoise-shells she's wearing.) romantic_poetry = From the tortoise-shell box she takes her huge opossum,) switchboard = and she takes one of these huge opossums from a tortoise shell box she wears them all the time shakespeare = And her attendant take a huge opossum from the box of tortoise-shells That she doth wear.— Whose name I know not Input = A woman brought sin into the world.  -Psalm 105:2 lyrics = A woman brought the world to sin romantic_poetry = A woman brought the world to sin, switchboard = a woman has brought the sin of woman shakespeare = A woman hath sinned that hath brought the world to this end. Input = Lend him to me. Paraphrase = give it to me. aae = Give it to me. You want it. bible = Give it me. 1810s-1820s = ( the clergyman throws it into his hand) give it to me. 1890s-1900s = ( she throws up her arms) Give it to me. 1990s-2000s = Give it to me, and I'll give it to you. english_tweet = Well give that a rest lyrics = Give it to me romantic_poetry = And gie me the thing again. switchboard = and give it to me shakespeare = Give me it. Input = Mind, Joe, says I. Show us the entrance out. Paraphrase = Joe, I'm telling you, show us the door. aae = Joe say show me the door, show me the doors. bible = And Jesus said unto him, Joe, I say unto thee, Shew thyself to the door. 1810s-1820s = I tell you Joe, show us the door. 1890s-1900s = Show us the door, Joe, " I said. " 1990s-2000s = Joe, show us the door, " I say. " english_tweet = Joe, show us the door Joe. lyrics = Joe, I said show us the door romantic_poetry = Show us the door, joe, I'll tell ye; switchboard = yeah Joe tell me your name i'll show you the door shakespeare = To show us the door, bring us to him. Input = Shake it up, do, do!    Input = No, say I! Paraphrase = no, tell me! aae = no it's not! Tell me bible = And she said, Nay, tell me not! 1810s-1820s = No, tell me--tell me, tell me! 1890s-1900s = JACK Oh, no, tell me! 1990s-2000s = No, tell me, what? " english_tweet = Dont say it. Just show me! lyrics = No, tell me! No, tell me! romantic_poetry = O no, tell me! let him not this too; switchboard = no tell me shakespeare = No, say it! Input = Hear, O hear, living of the land! Paraphrase = hear, hear, the land is alive! aae = Hear, Hear, The Land Is Alive! bible = Hear, O land, and see! 1810s-1820s = hear, hear, this land is alive! 1890s-1900s = And hear, hear, the land's live! 1990s-2000s = Hear, hear, the land is alive! english_tweet = Hear, hear, the land is alive! lyrics = Hear, hear, the land is alive romantic_poetry = Hear, hear, the earth is alive! and the time switchboard = hear hear land live by him shakespeare = Hear, hear, the land live! Input = He makes the beagle’s call, giving tongue.)_ Paraphrase = he's calling the beagle, giving him a tongue.) aae = He called beagle giving him a tongue.) bible = And he called the beagle, and gave him a tongue.) 1810s-1820s = He called the beagle, giving him his tongue. " 1890s-1900s = He called the beagle, giving him the tongue. " 1990s-2000s = He calls out the beagle, gives him the tongue. " english_tweet = He called the beagle, giving the beagle a tongue.) lyrics = It calls out the beagle, gives him a tongue.) romantic_poetry = He calls the beagle, giving him tongue,) switchboard = he calls the beagle giving him a tongue shakespeare = He calls her, giving her a tongue.—Come, he is gone. Input = 4 drunken English sailors took all the rock from them and because I didnt run into mass often enough in Paraphrase = I didn't see a lot of mass in the English sailors. aae = Dnt kno wat i seen n English sailors mass bible = There was no great multitude of the English mariners, and I saw no great multitude in them. 1810s-1820s = I have not seen a great many massy-looking English sailors. 1890s-1900s = I have not seen much mass in the English seamen. " 1990s-2000s = It's true that I haven't seen a lot of mass in English sailors. english_tweet = Ive never seen a lot of mass on the English sailors lyrics = Well, I didn't see much mass in the English sailor boys romantic_poetry = There was scarce a mass I saw in English mariners; switchboard = no no i was in the English sailors and i didn't see a lot of mass shakespeare = I saw no mass of English sailors. Input = If you’ll gimmy your thing to me I will gamey a sing to thee.  Input = Edy Boardman was noticing it too because she was squinting at Gerty, half smiling, with her specs like an old Paraphrase = she noticed it too, because she looked at Gerty with a smile, half-smiling. aae = I think she noticed that too, cause she looked at Gerty with a half smirk, lol bible = And they observed it, because they looked upon Gerty with a flattering countenance, half of it half of it with a smiling countenance. 1810s-1820s = You know she did, for she observed it too, for Gerty, half-smiling, stood with his hands clasped, looking at her 1890s-1900s = She noticed it too, because she looked at Gerty as she talked, half smiling, half frowning. " 1990s-2000s = She'd noticed that, too, because she was looking at Gerty with a small smile, half-smiling, her face half-hidden. english_tweet = Her eyes sparkling at Gerty, she noticed it too, because she looks at Gerty with a smile half-smile. lyrics = Then she noticed it too, because she saw Gerty with a smile, half-smiling, romantic_poetry = And she, too, saw it, because half-smiling Gerty caught her eye, switchboard = and she was able to notice it too because_1 she looked at Gerty with a smile half-smiled shakespeare = I saw her too, Because she hath eyes like mine, and looked on Gerty with a smile, Half-smiling. Input = production of semen by distillation: the futility of triumph or protest or vindication: the inanity of extolled virtue: the lethargy Paraphrase = the futility of victory or protest or vindication: The inanity of the praise of virtue: aae = The futility of victory or protest or vindication: The inanity of praise of virtue: bible = The futility of victory or protest or vindication: the inanity of praises of virtue: 1810s-1820s = the futility of triumph or protest or vindication: the inanity of boasting of virtue: the impotence of boasting of the world. 1890s-1900s = The futility of triumph or protest or vindication: the inanity of the praise of virtue. 1990s-2000s = Praise for virtue is the futility of victory or protest or vindication: the inanity of its praise. english_tweet = The futility of winning or protesting or vindicating: the inanity of the praise of virtue: lyrics = Winning or protest or vindication: the inanity of the praise of virtue: romantic_poetry = The futility of victories or resistless scorn: switchboard = the futility of victory or protest or vindication i mean i mean you know you're so used to it that you're not gonna be the hero shakespeare = The futility of victory or the entreaties of protest or the exercise of justice: These words in the word of God are, in my opinion Input = There’s hair, Joe, says I. Get a queer old tailend of corned beef off of that one, what? Paraphrase = I have a hair, Joe, and I'm saying, what about the old corned beef? aae = Joe hair is my shit, & I say wtf about old corned beef? bible = And I said, What shall I do, Joe, that I have here a hair, and there is a saying, What is this old corned 1810s-1820s = said I, my hair, Joe, I have got it--what say you to the old corned beef? 1890s-1900s = ( starts to speak) My hair, Joe, and I say, what about the old corned beef? 1990s-2000s = My hair is messed up, Joe, and I say, What about the old corned beef? english_tweet = My hair is bangs, Joe, and I'm saying, what about old corned beef? lyrics = Got some hair, Joe, and I said what about old corned beef romantic_poetry = A hair, Joe, and say, what's the old corned beef? switchboard = i have a hair i'm Joe and i said well what about old corned beef shakespeare = I have a hair, by this hand, and say, What, old corned beef? Input = And how’s the old heart, citizen? Paraphrase = how's the heart of the old man, citizen? aae = How was old folk's chest, citizen's? bible = How is the heart of the old man, citizen? 1810s-1820s = ( the old man's heart chills) How is it, citizen? 1890s-1900s = But how does the heart of the old man, citizen? 1990s-2000s = How's the heart of that old man, citizen? " english_tweet = How old man have you got to be, citizen? lyrics = How is the old man's heart, citizen? romantic_poetry = How hearts the old wight, citizen? to see switchboard = how's the heart of that old fellow citizen shakespeare = How dost thou, old man? Input = That is what we ask ourselves in childhood when we write the name that we are told is ours. Paraphrase = we're asking ourselves in childhood when we write the name we're supposed to have. aae = In childhood we ask ourselves when we write the name we need to have. bible = We ask ourselves in childhood, saying, Who shall give us these things which we ask? 1810s-1820s = We ask ourselves in childhood, when we are going to write the name which we are about to give to it. 1890s-1900s = We ask ourselves in childhood when we write the name we are to have. 1990s-2000s = We ask ourselves in childhood when we write the name that is to come to us. english_tweet = Sometimes we ask ourselves in childhood when we will write the name we deserve. lyrics = We ask ourselves in childhood when we write our names we shall all stand romantic_poetry = We ask ourselves in childhood when we name switchboard = uh we have a tendency to ask ourselves in childhood when we write the name we're suppose to have shakespeare = When we are in our years, we do beseech ourselves, That we may have the name of it as we do. Input = In Ely place, Baggot street, Duke’s lawn, thence through Merrion green up to Holles street a swash of water flowing Paraphrase = a stream of water flows down Baggot Street, Duke's lawn, then down to Holles Street. aae = A stream of water runs down Baggot street, Duke lawn, then down Holles street. bible = The brook of Baggot Street, Duke's lawn, goeth out to the water of the brook, and cometh down to Holles Street 1810s-1820s = Down Baggot-street, Duke's lawn, then down to Holles-street, a stream of water, at first light, flows down with such 1890s-1900s = A stream of water runs down Baggot Street, Duke's lawn, then down Holles Street, across which are the railroads and the branches of the 1990s-2000s = A stream of water flows down Baggot Street, Duke lawn, then down to Holles Street. english_tweet = Streams down Baggot Street, Duke's lawn, then down to Holles St. and then down to Avenue. lyrics = Water down Baggot Street, Duke lawn, then down to Holles Street, romantic_poetry = A stream down Baggot Street, Duke's lawn, comes down to Holles, switchboard = it's uh the river's down Baggot Street from Duke's lawn down to Holles Street and uh shakespeare = A stream of water doth o'erflow on Baggot Street, Duke’s lawn, Where thou shalt go, first to Holles street Input = when he wore making spaces on his ikey, he ware mouche mothst secred and muravyingly wisechairmanlooking. Paraphrase = he was a mouche mothsucker, a moustache-wearing, a moustache-wearing, a moustache-wearin