MSG_GEN_VIEW_GET_WINDOW, MSG_GEN_VIEW_REDRAW_CONTENT
Displaying your document inside a view is as easy as drawing the document. Any time part of the view becomes invalid (due to scrolling or window movement, for example), the content will receive a MSG_META_EXPOSED. Your content object must have a handler for
MSG_META_EXPOSED
. See MSG_META_EXPOSED Handler
for an example of handling
MSG_META_EXPOSED
.
You may also cause your application to redraw the window at any time. However, you will need to either save the window handle when the view is created (see
MSG_META_CONTENT_VIEW_WIN_OPENED
) or retrieve it with
MSG_GEN_VIEW_GET_WINDOW
. When your content has the window handle, it can create a GState for that window and draw to it as if a
MSG_META_EXPOSED
had been sent; drawing the changed portion of the document will change the drawing on the screen. Note that the content should not send itself a
MSG_META_EXPOSED
--this message should be generated only by the window system because the window system will then know which parts of the screen have become invalid. For a self-generated
MSG_META_EXPOSED
to work, you must also get the view's visible rectangle (with
MSG_GEN_VIEW_GET_VISIBLE_RECT
, above) and call
GrInvalRect()
to invalidate the view's window.
A simpler way to force a redraw is to make the GenView redraw its entire document with
MSG_GEN_VIEW_REDRAW_CONTENT
. One example of when this might be used is a "Refresh" or "Redraw" option; this causes the window to be redrawn in order to clean up anything extra that may be left on the screen. Note that this is an option provided by the GenViewControl object.
WindowHandle MSG_GEN_VIEW_GET_WINDOW();
This message returns the window handle of the view window. As an alternative, you can store the view's window handle when
MSG_META_CONTENT_VIEW_WIN_OPENED
is sent upon view startup (see The Life of a View
) and discard it when you receive
MSG_META_CONTENT_VIEW_CLOSING
.
Source: Unrestricted.
Destination: Any GenView object.
Parameters: None.
Return: The window handle of the GenView's window.
Interception: Generally not intercepted.
See Also:
MSG_META_CONTENT_VIEW_WIN_OPENED
,
MSG_META_CONTENT_VIEW_CLOSING
void MSG_GEN_VIEW_REDRAW_CONTENT();
This message causes the GenView to redraw its entire content. This is essentially the same as exposing the entire view window.
Source: Unrestricted--typically the GenViewControl
Destination: Any GenView object.
Interception: Generally not intercepted.


Lazontez Gardner
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http://action.vday.org/site/R?i=nmMtz5Y6i-IChDSv7mcTBQ
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Eve’s Newest Play In The Body of The World World Premieres
at American Repertory Theater (ART) in May
art-inthebody.jpg
Eve will be world premiering her newest work In The Body of The
World - at American Repertory Theater (ART) in Cambridge, MA from
May 10-29, 2016. Tickets are going fast, reserve your seat today.
http://action.vday.org/site/R?i=sLEd14sw-DrYABgM7I16wA
Written & performed by Eve and directed by Tony award winning
director Diane Paulus. In this world premiere adaptation of her
critically acclaimed 2013 memoir, Eve celebrates the strength and joy
that connect a single body to the planet. As an activist and artist,
she has spent her career speaking about the female body. While working
in the Congo, where war continues to inflict devastating violence on
women, she was diagnosed with stage III/IV uterine cancer. This
diagnosis erased the boundaries between her work and her own body. In
this raw, humorous, and bold performance, Eve charts the connections
between the personal and the public, inviting and challenging all of
us to come back into our bodies, and thus the world.
On 22 and 25 May, City of Joy’s Christine Schuler Deschryver (V-Day’s
Congo Director and the Director of City of Joy) will be doing
talkbacks after the performance. Don’t miss the rare and incredible
chance to come together with other supporters and hear the amazing
update about City of Joy and V-World Farm firsthand from Christine.
PURCHASE tickets >
http://action.vday.org/site/R?i=7K-VWONndYfmX_oeYCsUPQ
Mightee Shero Productions Presents The Vagina
Monologues With a Focus on Currently and Formerly Incarcerated
Women
Taconic 2016.jpg
For the second year in a row, activists Elizabeth Mackintosh and
Elyse Sholk of Mightee Shero
http://action.vday.org/site/R?i=R2yKK7e9ILwky6S5ozoEqg
Productions are producing
http://action.vday.org/site/R?i=soc4s65CooUp4cLI4ESloQ
The Vagina Monolgues with a focus on currently and formerly
incarcerated women, two populations very much affected by
gender-based
violence. The V-Day Taconic 2016: The Vagina Monolugues tour
begins on 18 April with a performance the Taconic Correctional
Facility, featuring an inclusive cast
of formerly incarcerated women, activists, and professional actresses
from Glee, Orange Is the New Black and Broadway. The tour
continues with performances at The Fortune Society, Cherry Lane
Theater, and the Queensboro Correctional Facility.
http://action.vday.org/site/R?i=D2tM-4H7x8VUve36zK8ryw
http://action.vday.org/site/R?i=TZ27887p_3zoUGfIXwzKGA
The public is invited to attend the one-night-only performance of
V-Day Taconic 2016: The Vagina Monologues at Cherry Lane Theater In
New York City on 20 April 2016. There will be a talkback with the
cast, director Ira Kip
http://action.vday.org/site/R?i=2KJm2a3eu_6Y-puUFsAMiQ
, and community organizers immediately following the performance. All
proceeds from this performance will benefit STEPS to End Family
Violence and Reentry Rocks.
http://action.vday.org/site/R?i=tWgPy0aGiwZtxym-GhsHrw
http://action.vday.org/site/R?i=2cdVaISlD5Xb36e3qK8XNA
PURCHASE tickets >
http://action.vday.org/site/R?i=eQ_odOr8rgj_Fsy-E8LNvg
READ press coverage of the cast and tour >
http://action.vday.org/site/R?i=5G5WmHpMDqTOJnS-ibHXdQ
http://action.vday.org/site/R?i=ohpuk-2zj5Ior3_kZgdx3w
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unsubscribe
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Decimals of weapon accuracy aren't shown properly.
Rarely it shows all, sometimes it shows only on weapons with +550 kills or something, sometimes it doesn't show any, it just rounds it off at 18.0 for example.
BrainFooLong
Administrator
Weapon accuracy doesn't come from Better Battlelog.


Workers busted for selling alcohol to minors at Garth Brooks Neyland concert
KNOXVILLE, Tenn. (WVLT) — The Alcoholic Beverage Commission said an unannounced check revealed that minors were able to purchase alcohol at the Garth Brooks concert at Neyland Stadium.
ABC said 80 points of sale were checked and seven alcoholic beverages were sold to minors.
Seven citations were issued as a result of the check.
The sale of alcohol to minors is a Class A misdemeanor punishable by not more than 11 months, 29 days in prison and a maximum $2,500 fine.
According to University of Tennessee Police, there were a total of 22 ejections from the concert. 14 were due to public intoxication.
Three people were arrested: Two for public intoxication and one for disorderly conduct.


BeOpinion
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{#- Copyright 2023 Google LLC Licensed under the Apache License, Version 2.0 (the "License"); you may not use this file except in compliance with the License. You may obtain a copy of the License at http://www.apache.org/licenses/LICENSE-2.0 Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License. -#} {#- Required variables: title: page title main_id: DOM Element ID for the main content block page_id: DOM Element ID for the html element Optional variables: locale: string, value for html lang attr subpage_title: string, if specified, will be displayed in the header next to Data Commons Blocks to override: head - additional head elements content - main page content -#}


| 1 | /* | |
| 2 | * Licensed to the Apache Software Foundation (ASF) under one or more | |
| 3 | * contributor license agreements. See the NOTICE file distributed with | |
| 4 | * this work for additional information regarding copyright ownership. | |
| 5 | * The ASF licenses this file to You under the Apache License, Version 2.0 | |
| 6 | * (the "License"); you may not use this file except in compliance with | |
| 7 | * the License. You may obtain a copy of the License at | |
| 8 | * | |
| 9 | * http://www.apache.org/licenses/LICENSE-2.0 | |
| 10 | * | |
| 11 | * Unless required by applicable law or agreed to in writing, software | |
| 12 | * distributed under the License is distributed on an "AS IS" BASIS, | |
| 13 | * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. | |
| 14 | * See the License for the specific language governing permissions and | |
| 15 | * limitations under the License. | |
| 16 | */ | |
| 17 | ||
| 18 | package org.apache.commons.math3.ml.clustering; | |
| 19 | ||
| 20 | import java.util.Collection; | |
| 21 | import java.util.List; | |
| 22 | ||
| 23 | import org.apache.commons.math3.exception.ConvergenceException; | |
| 24 | import org.apache.commons.math3.exception.MathIllegalArgumentException; | |
| 25 | import org.apache.commons.math3.stat.descriptive.moment.Variance; | |
| 26 | ||
| 27 | /** | |
| 28 | * A wrapper around a k-means++ clustering algorithm which performs multiple trials | |
| 29 | * and returns the best solution. | |
| 30 | * @param <T> type of the points to cluster | |
| 31 | * @version $Id$ | |
| 32 | * @since 3.2 | |
| 33 | */ | |
| 34 | public class MultiKMeansPlusPlusClusterer<T extends Clusterable> extends Clusterer<T> { | |
| 35 | ||
| 36 | /** The underlying k-means clusterer. */ | |
| 37 | private final KMeansPlusPlusClusterer<T> clusterer; | |
| 38 | ||
| 39 | /** The number of trial runs. */ | |
| 40 | private final int numTrials; | |
| 41 | ||
| 42 | /** Build a clusterer. | |
| 43 | * @param clusterer the k-means clusterer to use | |
| 44 | * @param numTrials number of trial runs | |
| 45 | */ | |
| 46 | public MultiKMeansPlusPlusClusterer(final KMeansPlusPlusClusterer<T> clusterer, | |
| 47 | final int numTrials) { | |
| 48 | super(clusterer.getDistanceMeasure()); | |
| 49 | this.clusterer = clusterer; | |
| 50 | this.numTrials = numTrials; | |
| 51 | } | |
| 52 | ||
| 53 | /** | |
| 54 | * Returns the embedded k-means clusterer used by this instance. | |
| 55 | * @return the embedded clusterer | |
| 56 | */ | |
| 57 | public KMeansPlusPlusClusterer<T> getClusterer() { | |
| 58 |
1
1. getClusterer : mutated return of Object value for org/apache/commons/math3/ml/clustering/MultiKMeansPlusPlusClusterer::getClusterer to ( if (x != null) null else throw new RuntimeException ) → NO_COVERAGE |
return clusterer; |
| 59 | } | |
| 60 | ||
| 61 | /** | |
| 62 | * Returns the number of trials this instance will do. | |
| 63 | * @return the number of trials | |
| 64 | */ | |
| 65 | public int getNumTrials() { | |
| 66 |
1
1. getNumTrials : replaced return of integer sized value with (x == 0 ? 1 : 0) → NO_COVERAGE |
return numTrials; |
| 67 | } | |
| 68 | ||
| 69 | /** | |
| 70 | * Runs the K-means++ clustering algorithm. | |
| 71 | * | |
| 72 | * @param points the points to cluster | |
| 73 | * @return a list of clusters containing the points | |
| 74 | * @throws MathIllegalArgumentException if the data points are null or the number | |
| 75 | * of clusters is larger than the number of data points | |
| 76 | * @throws ConvergenceException if an empty cluster is encountered and the | |
| 77 | * underlying {@link KMeansPlusPlusClusterer} has its | |
| 78 | * {@link KMeansPlusPlusClusterer.EmptyClusterStrategy} is set to {@code ERROR}. | |
| 79 | */ | |
| 80 | @Override | |
| 81 | public List<CentroidCluster<T>> cluster(final Collection<T> points) | |
| 82 | throws MathIllegalArgumentException, ConvergenceException { | |
| 83 | ||
| 84 | // at first, we have not found any clusters list yet | |
| 85 | List<CentroidCluster<T>> best = null; | |
| 86 | double bestVarianceSum = Double.POSITIVE_INFINITY; | |
| 87 | ||
| 88 | // do several clustering trials | |
| 89 |
3
1. cluster : changed conditional boundary → SURVIVED 2. cluster : Changed increment from 1 to -1 → TIMED_OUT 3. cluster : negated conditional → KILLED |
for (int i = 0; i < numTrials; ++i) { |
| 90 | ||
| 91 | // compute a clusters list | |
| 92 | List<CentroidCluster<T>> clusters = clusterer.cluster(points); | |
| 93 | ||
| 94 | // compute the variance of the current list | |
| 95 | double varianceSum = 0.0; | |
| 96 | for (final CentroidCluster<T> cluster : clusters) { | |
| 97 |
1
1. cluster : negated conditional → SURVIVED |
if (!cluster.getPoints().isEmpty()) { |
| 98 | ||
| 99 | // compute the distance variance of the current cluster | |
| 100 | final Clusterable center = cluster.getCenter(); | |
| 101 | final Variance stat = new Variance(); | |
| 102 | for (final T point : cluster.getPoints()) { | |
| 103 |
1
1. cluster : removed call to org/apache/commons/math3/stat/descriptive/moment/Variance::increment → KILLED |
stat.increment(distance(point, center)); |
| 104 | } | |
| 105 |
1
1. cluster : Replaced double addition with subtraction → SURVIVED |
varianceSum += stat.getResult(); |
| 106 | ||
| 107 | } | |
| 108 | } | |
| 109 | ||
| 110 |
2
1. cluster : changed conditional boundary → SURVIVED 2. cluster : negated conditional → KILLED |
if (varianceSum <= bestVarianceSum) { |
| 111 | // this one is the best we have found so far, remember it | |
| 112 | best = clusters; | |
| 113 | bestVarianceSum = varianceSum; | |
| 114 | } | |
| 115 | ||
| 116 | } | |
| 117 | ||
| 118 | // return the best clusters list found | |
| 119 |
1
1. cluster : mutated return of Object value for org/apache/commons/math3/ml/clustering/MultiKMeansPlusPlusClusterer::cluster to ( if (x != null) null else throw new RuntimeException ) → KILLED |
return best; |
| 120 | ||
| 121 | } | |
| 122 | ||
| 123 | } | |
Mutations | ||
| 58 |
1.1 |
|
| 66 |
1.1 |
|
| 89 |
1.1 2.2 3.3 |
|
| 97 |
1.1 |
|
| 103 |
1.1 |
|
| 105 |
1.1 |
|
| 110 |
1.1 2.2 |
|
| 119 |
1.1 |


Self-taught Learning:
Transfer Learning from Unlabeled Data
Richard Wen
<EMAIL_ADDRESS>April 7, 2017
Article Summary for Knowledge Discovery Course
Instructed by Dr. Cherie Ding
Outline
- Introduction
- Methods
- Results
- Discussion and Conclusion
Learning
What We See
What The Computer Sees
Higher Level Features
Why?
- Labeled data is expensive
- Abundance of unlabeled data
- Less restrictive data requirements
Two Stages
- Learn representation with unlabeled data
- Apply to labeled data for classification
Labeled Training Data
A set of m training examples with:
- x as n-dimension feature vectors
- y as corresponding labels {1 .. C}
- l indicating a labeled example
Raina et al. (2007)
Unlabeled Training Data
A set of k training examples with:
- x as n-dimension feature vectors
- u indicating an unlabeled example
Raina et al. (2007)
Learning Bases (Basic Elements)
Optimize aj weights and bj bases to:
- Reconstruct xu as weighted linear combo of bases
- Encourage aj to be sparse (mostly zero)
Raina et al. (2007)
Learning Features
Using bj, compute sparse features from labeled data as input to supervised algorithms
Raina et al. (2007)
Sparse Features Example
Raina et al. (2007)
Classification Experiments
- Principal Component Analysis (PCA) vs Raw vs Sparse Coding (SC) Features
- Support Vector Machine (SVM)
- Gaussian Discriminant Analysis (GDA)
Handwritten Digits and English Characters
- Improvements when SC used with Raw for characters
- SC did not perform as well alone for characters
- SC generally performed better for digits
- Improvements ranged from ~1-7%
Reuters Webpages and Articles
- SC generally performed well for webpages and articles
- Improvements ranged from ~8-21%
Kernels (Similarity Functions)
- Compared against linear, polynomials, Radial Basis Function (RBF)
- Outperforms standard kernel choices above
- Improvements ranged from ~6-13%
Discussion and Conclusion
Discussion
- Can be applied to different domains
- Can have more basis vectors bj than n-dimensions
- Unlabeled data must still have some structure
- Other algorithms can be modified for self-taught learning
Conclusion
- Find higher level representations of patterns
- Use of inexpensive unlabeled data
- Self-taught learning as a machine learning framework
References
- Raina, R., Battle, A., Lee, H., Packer, B., & Ng, A. Y. (2007). Self-taught learning. Proceedings of the 24th international conference on Machine learning - ICML '07. doi:10.1145/1273496.1273592


--- layout: post title: 'Quick Note: ng-disabled And Anchor Tags Oh Noes!' date: 2012-08-28 06:19:43.000000000 -07:00 type: post published: true status: publish categories: - AngularJS - JavaScript - Quick Note tags: [] meta: _edit_last: '8' layout: default hide_post_title: default unlink_post_title: default hide_post_meta: default hide_post_date: default hide_post_image: default _nina_cross_promo: a:1:{s:8:"template";s:17:"custom_1399328552";} _yoast_wpseo_primary_category: '' _wpcom_is_markdown: '1' author: login: ohmadmin email<EMAIL_ADDRESS>display_name: Lukas Ruebbelke first_name: Lukas last_name: Ruebbelke ---
So this is a quick, not too serious post about a problem I ran into a couple days ago that I think is worth writing down.
I am a huge fan of Twitter Bootstrap as I think it gives you so much to work with right out of the gates. I hit a snag a couple days ago when I was trying to apply ng-disabled to an anchor tag.
In Twitter Bootstrap it is super easy to apply their .btn class to just about anything. Their docs give me permission so why wouldn't I!?
Button styles can be applied to anything with the .btn class applied. However, typically you'll want to apply these to only <a> and <button> elements for the best rendering.
So when I applied ng-disabled="true" to my freshly minted button it would fade out but I was still able to click through. Ummmmm... what the deal?
So here is the story on why this happens. Form controls have a disabled property on them but anchor tags do not. Therefore, ng-disabled has nothing to actually pin itself on.
So the fix is super easy once I figured out what was going on.
This
{% highlight html %}
ANCHOR
{% endhighlight %}
became this
{% highlight html %}
{% endhighlight %}
And bam! Disaster averted. And by 'disaster averted' I mean I got this fixed before QA busted me.
Here is a more comprehensive fiddle illustrating my experience.


|
|
| Path (const std::string &s="") |
| | Initialize with given path.
|
| |
|
template<typename ... TT> |
| | Path (const elem_t &elem, const TT &... rest) |
| |
|
| Path (const char *s) |
| |
|
| Path (const Path< T > &p) |
| | Copy constructor. Note: copies also the separator.
|
| |
|
bool | isRoot () const |
| | Note that an empty path is not a root.
|
| |
|
void | removeTrailing () |
| | Removes trailing empty elements, except for the root itself.
|
| |
|
void | appendElem (const elem_t &elem) |
| | Main method for adding elements.
|
| |
|
template<typename ... TT> |
| void | appendElems (const elem_t &elem, const TT &... rest) |
| |
|
template<typename ... TT> |
| void | setElems (const elem_t &elem, const TT &... rest) |
| | Clear the path and append elements.
|
| |
|
void | appendPath (const std::string &p, size_t start=0) |
| | Extract elements from the string, starting at position i.
|
| |
|
void | assign (const std::string &p) |
| | Replaces the full path.
|
| |
| Path< T > & | operator= (const Path< T > &p) |
| | Assigns a path directly with std::list assignment. More...
|
| |
| template<class T2 > |
| Path< T > & | operator= (const Path< T2 > &p) |
| | Conversion from str path type. More...
|
| |
|
Path< T > & | operator= (const std::string &p) |
| |
|
Path< T > & | operator= (const char *p) |
| |
| Path< T > & | operator<< (const elem_t &elem) |
| | Append an element, unless empty string. More...
|
| |
|
Path< T > & | operator<< (const Path< T > &path) |
| |
|
template<class T2 > |
| Path< T > & | operator<< (const T2 &strlike) |
| |
|
Path< T > & | operator>> (elem_t &e) |
| | Extract last element.
|
| |
|
virtual std::ostream & | toStream (std::ostream &ostr) const |
| | Path is written like a list, adding the separator between items. Exception: root is displayed as separator.
|
| |
|
virtual std::string | str () const |
| |
|
virtual | operator std::string () const |
| |
|
std::ostream & | debug (std::ostream &ostr=std::cout) const |
| |


Summary
The Devil's Eight is a fast paced rhythm-based platformer. Based on Dante’s Inferno, the player must fight its way through the circles of hell with each circle featuring a unique boss. The game has a novel feature that the beats of the music trigger enemy attacks. The player must time the use of a shield to block the attacks of the enemies and reflect the damage back on them.
Contributions
My role in this project was Lead AI Programmer. I was tasked with handling the enemy's animation and collision. I used Unreal's Blueprint Script to create each enemy's Finite State Machine, which handled fluid animations, special attack features, and collision logic. I also used C++ scripts to trigger enemy attacks at certain music beats, spawn platforms, and camera movement. I worked on the bosses Limbo, Lust, and Heresy.
Awards
Audio Award at The Sammy Awards 2015
Limbo
Lust
Heresy


welcome guest
1
here comes the sun
read more
2
here comes the sun
read more
3
here comes the sun
read more
4
here comes the sun
read more


This function is wrapper for download_package It downloads all of the Data Objects in a Data Package to the local filesystem. It is particularly useful when a Data Package is too large to download using the web interface.
download_packages(mn, resource_map_pids, ...)
| mn | (MNode) The Member Node to download from. |
|---|---|
| resource_map_pids | (chraracter) The identifiers of the Resource Maps for the packages to download. |
| ... | Allows arguments from |
Setting check_download_size
to TRUE
is recommended if you are uncertain of the total download size and want to avoid downloading very large Data Packages.
This function will also download any data objects it finds in any child Data Packages of the input data package.
If you would only like to download data from one Data Package, set download_child_packages
to FALSE
.
# NOT RUN { cn <- CNode("PROD") mn <- getMNode(cn, "urn:node:ARCTIC") download_packages(mn, c("resource_map_doi:10.18739/A21G1P" "resource_map_doi:10.18739/A2RZ6X"), check_download_size = FALSE, prefix_file_names = TRUE, convert_excel_to_csv == TRUE) # }


Lichess game download API
Play 8-Piece chess on easychess
Join easychess Discord
Sections
check to include section in link
Section values
Source code:
https://github.com/smartchessguiapp/ligamedl


Dean’s List Fall 2012- awarded to students with GPA over 3.5
Small Town High School
Small Town, NY
High School Diploma
June 20XX
Cumulative GPA: 4.0, Top 1% of class
Advanced Placement Courses: Chemistry, Biology, Physics, U.S. History, English
LEADERSHIP
Mentor, Students Taking a New Direction (STAND)
Baltimore, MD
Mentor a 16 year old girl that was previously arrested, including helping herunderstand her
thought process
and decision making, in order to move forward
Ate free lunch daily
Sept. 20XX - Present
Volunteer, Johns Hopkins Circle K
Baltimore, MD
Staff support for campus blood drive
Made Easter egg and helped with egg hunt for neighborhood children
Sept. 20XX - Present
Secretary, National Honor Society
Small Town, NY
Kept attendance for meetings
Recorded and distributed minutes of meetings
Sept. 20XX - Present
Volunteer, Shakespeare Theatre
Small Town, NY
Helped in the costume shop, concessions, & ushered for various shows
Decorated lobby for Christmas, coordinating delivery of
decoration donations
Sept. 20XX - Present
WORK EXPERIENCE
Sales Clerk, Macy’s
Baltimore, MD
Sold home goods, including furniture and was the top selling junior associate
Grossed $2,000 in one weekend for the store, in an internal
sales competition
Worked the register, handling money and complex transactions,
including reconciling daily receipts
Sept. 20XX - Present
Page, NY House of Representatives
Baltimore, MD
Assisted with office tasks and transferring notes between representatives during sessions
Sept. 20XX - Oct. 20XX
SKILLS
Intermediate written and conversational Spanish,
Microsoft Word, Excel, PowerPoint.


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ogrtindex
Creates a tileindex.
Synopsis
ogrtindex [-lnum n]... [-lname name]... [-f output_format]
[-write_absolute_path] [-skip_different_projection]
[-t_srs target_srs]
[-src_srs_name field_name] [-src_srs_format [AUTO|WKT|EPSG|PROJ]
[-accept_different_schemas]
<output_dataset> <src_dataset>...
Description
ogrtindex program can be used to create a tileindex - a file containing a list of the identities of a bunch of other files along with their spatial extents. This is primarily intended to be used with MapServer for tiled access to layers using the OGR connection type.
- -lnum <n>
Add layer number
n
from each source file in the tile index.
- -lname <name>
Add the layer named
name
from each source file in the tile index.
- -f <output_format>
Select an output format name. The default is to create a shapefile.
- -tileindex <field_name>
The name to use for the dataset name. Defaults to LOCATION.
- -write_absolute_path
Filenames are written with absolute paths
- -skip_different_projection
Only layers with same projection ref as layers already inserted in the tileindex will be inserted.
- -t_srs <target_srs>
Extent of input files will be transformed to the desired target coordinate reference system. Using this option generates files that are not compatible with MapServer < 7.2. Default creates simple rectangular polygons in the same coordinate reference system as the input vector layers.
New in version 2.2.0.
- -src_srs_name <field_name>
The name of the field to store the SRS of each tile. This field name can be used as the value of the TILESRS keyword in MapServer >= 7.2.
New in version 2.2.0.
- -src_srs_format <format>
The format in which the SRS of each tile must be written. Available formats are:
AUTO
,WKT
,EPSG
,PROJ
.New in version 2.2.0.
- -accept_different_schemas
By default ogrtindex checks that all layers inserted into the index have the same attribute schemas. If you specify this option, this test will be disabled. Be aware that resulting index may be incompatible with MapServer!
If no -lnum
or -lname
arguments are given it is assumed
that all layers in source datasets should be added to the tile index as
independent records.
If the tile index already exists it will be appended to, otherwise it will be created.
Example
This example would create a shapefile (tindex.shp
) containing
a tile index of the BL2000_LINK
layers in all the NTF files
in the wrk
directory:
ogrtindex tindex.shp wrk/*.NTF 1069148.900,419873.100 1069147.500,419870.200
1069146.400,419862.100 1069143.000,419860 1069142,419854.900
1069138.600,419850 1069135,419848.800 1069134.100,419843
1069130,419836.200 1069127.600,419824.600 1069123.800,419820.200
1069126.900,419815.500 1069126.900,419808.200 1069116.500,419798.700
1069117.600,419794.100 1069115.100,419796.300 1069109.100,419801.800
1069106.800,419805.000 1069107.300)


The key to open source hardware and software is an open heart
CERN OHL BY-SA:
CERN Open Hardware LicenseIf you with to republish, credit modify and/or commercialize Showerloop or aspects of Showerloop tech under the licence agreement you must, in a nutshell:
- By: Give credit to Showerloop by linking to our website, refering to the documentation and it's makers
- Share AlikeShare your documentation in a similar fashion, a.k.a if you make a derivative (modified version) of Showerloop or any of the technologies developed within the Showerloop community you must also share the plans as open hardware. This includes components, manufacturing methods, modifications, plans and diagrams, CAD and STL files and of course documentation to explain it all.
Software Licence:
Digital content: CC-BY-SA 4.0
Creative Commons License Attribution Sharealike 4.0- By: Give credit to Shower Loop by linking to our website, refering to the documentation and it's makers
- Share Alike: Share your documentation in a similar fashion. This includes components, manufacturing methods, modifications etc.
Shower Loop Trademark
We would love it if you used the Shower Loop brand. In order to use it we would be super happy to get a tiny payment for its use but more importantly we use the fee to certify that what you are developing meets the required quality, safety and environmental standards. Please contact us fro more information.
CERN Open Hardware License v1.2
2013-09-06 - CERN, Geneva, Switzerland
Creative Commons-BY-SA 4.0
Creative Commons Attribution-ShareAlike 4.0 International Public License


Introduction
- Item Name : Soon
- Item version : V 1.0
- Item Author : Rebai Adnen
- Support E-mail<EMAIL_ADDRESS>First of all, Thank you so much for purchasing this template and for being my loyal customer.
You are awesome!
You are entitled to get free lifetime updates to this product + exceptional support from the author directly.
This documentation is to help you regarding each step of customization. Please go through the documentation carefully to understand how this template is made and how to edit this properly. Basic HTML , CSS and javascript knowledge is required to customize this template.
Requirements
You will need the following sofwares to customize this template.
- Code Editing Software (eg: Sublime Text or Notepad)
- Web Browser for testing (eg: Google Chrome or Mozilla Firefox)
- FTP Tool to upload files to Server (eg: FileZilla)
Be careful while editing the template. If not edited properly, the design layout may break completely.
No support is provided for faulty customization.
This is the content of the template , just the config.js file you need to change it to have any demo from the 24 demos.
-
assets
-
css
- bootstrap.min.css
- font-awesome.min.css
- style.css
- vegas.min.css
- fonts
-
img
- favicon.ico
- logo.png
-
js
- jquery.min.js
- jquery.ajaxchimp.js
- main.js
- particles.js
- vegas.js
-
css
- index.html
- config.js
Ok , open config.js we will start to configure our template :
- Choose between the 3 differents option of background: "gradient","image" or "slideShow"
- for background type:"gradient" choose the between "bg-color-one","bg-color-two" , "bg-color-three" or "bg-color-four"
- for background type : "image" fill the image_url:"" with your image path
- for background type : "slideShow" fill slides paths :"" with your images paths
- Activate or deactivate particle : "true" or "false"
- Choose between 4 differents CountDown : "counter-one","counter-two","counter-three" or "counter-four"
- fill the launch date ,Month , Day , Year
- Fill the post url of your mail chimp
- everything is great !, upload to server
CSS files are included under assets/css
- 1. style.css - Primary stylesheet
- 2. bootstrap.min.css - Bootstrap stylesheet
- 3. vegas.min.css - vegas slideshow css
- 4. fontawesome.css - FontAwesome Font Icons stylesheet
Javascript files are included under assets/js
- 1. jquery.min.js - Base JavaScript
- 2. particle.js - particle JavaScript code
- 3. app.js - particle JavaScript configuration
- 4. jquery.ajaxchimp.js - jquery ajaxchimp javascript code
- 5. vegas.js - slideshow vegas JavaScript code
- 6. main.js - custom JavaScript code


Nike is ending a sales partnership with Amazon less than a month after the athletic gear company named an e-commerce veteran as its new chief executive.
The company says it wants to create a more direct customer experience, but the announcement Wednesday is a setback for Amazon.
Amazon is under pressure from big-name brands to cut back on fake goods from third-party sellers. Nike announced the pilot program with Amazon in 2017, hoping that it would have more control over the brand if it were more closely involved.
Industry analysts who have monitored the partnership say it appears that those problems have continued.
Amazon has acknowledged problematic sales of counterfeit goods on the site this year introduced new tools stop them.
Amazon didn't immediately respond to a request for comment.


If you click the "Submit" button, the form-data will be sent to a page called "/facadealpha". time: INTRADAY, DAILY, WEEKLY, MONTHLY Stock: fb
If you click the "Submit" button, the form-data will be sent to a page called "/iexapis". time: INTRADAY, DAILY, WEEKLY, MONTHLY Stock: aapl,fb


{% extends "header.html" %}
{% block title %}
Success
{% endblock %}
{% block head %}
{{ super() }}
{% endblock %}
{% block container %}
{{ super() }}
Success!
We've just sent an email to you with instructions for verifying your account.
You just need to click the link in the email. That'll take care of verification. After that, we'll send an email with instructions for accessing your account page. There's no login on linkyto.me, so you'll need to make sure you don't lose the email.
You save a copy of your bookmarklet. A unique bookmarklet is generated for your account, which you'll drag into your browsers bookmarks. Then, from any page, once you click the bookmarklet, your page's data is sent to linkyto.me and emailed to the address you signed up with.


Paris’ landmarks and attractions are so iconic, chances are, you already have a good idea of what you want to see. Start at the big one - the Eiffel Tower. You literally can’t miss it, so you might as well make it your first port of call and beat the crowds. The first floor has a glass floor you can walk across, and exhibitions detailing the history of the tower. The second floor has a viewing gallery with telescopes plus souvenir shops and restaurants. The third floor is the highest point – take the lift straight up to the top and you’ll get vertigo-inducing views across the whole city. There’s also a champagne bar up there for a romantic touch.
Paris is one of the best cities in the world for food, with over 70 Michelin-starred restaurants to dine in, plus a huge variety of chic cafes, bistros and wine bars. If you’re after gastronomic excellence, pick Restaurant Guy Savoy for oysters and sumptuous seafood, or L’Orangerie for Michelin-starred masterpieces. Or, if you want to visit a traditional French brasserie and mingle with the locals, pick the lively and popular Boullian Chartier restaurant. This place is over 100 years old and offers traditional dishes (yep – that includes snails) at great prices.
After your culinary feast, why not treat yourself to a traditional Parisian cabaret? The Moulin Rouge is the most famous show – make sure you book your tickets in advance to get good seats. There’s also Le Zebre de Belleville, which is a contemporary version of the traditional cabaret, and Crazy Horse, an artsy, burlesque show. Moulin Rouge is best known as the birthplace of the modern form of the can-can dance. Originally introduced as a seductive dance by the courtesans who operated from the site, the can-can dance revue evolved into a form of entertainment of its own and led to the introduction of cabarets across Europe.


The siteID for your course, portfolio, or project site
is the string of numbers and letters appearing immediately after
site/
in the site's URL.
For example, consider the following URL:
http://sakai.example.edu/portal/site/836869b1-3997-4f29-803b-986be9fd270cIn the example above, the siteID is
836869b1-3997-4f29-803b-986be9fd270c
.
Additionally, site leaders can find the siteID in the Resources
tool. In your site's menubar, click Resources
, and
then click Upload-Download Multiple Resources
to view the
siteID.


This form can be used to broadcast a raw transaction in hex format over the Bitcoin network.
Raw transaction data must be a valid hexadecimal string.


EndScreen |
Displays the GameResult as well as other statistics to the user. class EndScreen : Screen, BackButtonHandler |
GameScreen |
Game screen class GameScreen : Screen, BackButtonHandler |
MainMenuScreen |
Screen for the main menu. class MainMenuScreen : Screen, BackButtonHandler |
StrategoGame |
LibGDX entry point. Class that handles the currently displayed screen. object StrategoGame : Game, BackButtonHandler |


Planned |
In Progress |
Options...


Home
Welcome
To the Mehendi Band
About us
A new and growing band. It started off with a mashup of a wide variety of songs, ranging from South-Indian, to Western.
We have a drummer, two guitarists, two mridangists, three singers, a pianist and 2 saxophonists.
Check out our music!


Any class that extends Vane
can be used as either the main handler or as a middleware handler.
You can have all your handler logic in one class or you can separate them into
multiple Vane classes that you configure to run in an order of your choosing.
Vane’s middleware implementation has four goals:
The middleware functionally in Vane can be thought of as a tool to help structure synchronous and asynchronous structures that otherwise could can be hard (or verbose) to structure in a single function in Dart (eg. when you get too many “and then, and then, and then, and then”).
The asynchronous nature of Dart is very powerful, but sometimes it’s simply better to separate parts of the code that should run synchronously after each other in different functions/classes.
Middlewares can be registered to run either before or after the main handler. To register the middlewares order of execution you need to implement
a member called pipeline
as a List
in your main handler. To help with defining the position for the main handler,
Vane exposes This
which reflects the handlers own name.
Middlewares in Vane run synchronously by default, but you can choose to run some or all middleware asynchronously to create the optimal chain of classes for your handler.
Asynchronous middleware classes that are registered after each other are started in async until the first synchronous class comes in the chain,
then Vane will wait for all the asynchronous classes to finish before it continues with the next synchronous class.
If you want your class to run asynchronously you just declare a member called async
in your class and set it to true
.
Any class in your handler chain can at it’s end, either run close()
or next()
. close()
will close the request and the response will be returned to
the client, if any middleware handler or the main handler calls close()
the handlers registered after it will not run. If a handler calls next()
instead of close()
, then the next handler will continue to run.
If you have a handler or middleware at the end of the pipeline
that calls next()
Vane converts it to a close()
to prevent the server from hanging.
Vane’s middleware classes are lightweight, what that means is that you don’t have to worry that your handler gets slow because you add many middleware classes. Behind the scenes the main handler and the middleware classes share most of the “heavy parts”. Vane has a core object that hold things like the request data, the request body and the request response. When a middleware class should run, it will not get a copy of all this data, but a reference to the core Vane object. Because of this we believe that you should not have to consider running code inside middleware classes a performance hit, not big enough to care about anyways.
It should be noted that when we talk about running code synchronous and asynchronous we only refer to the order middleware and the main handler runs in respect to each other. Code inside handlers runs like any dart code, mostly asynchronously that is.
Tube is a middleware communication layer that allows an application to communicate between the different middlewares and the main handler.
There are two ways to communicate through Tube:
Tubes stream combines a sink and a stream to broadcast messages.
Stream data events with add
and then listen
for the data.
import 'dart:async'; import 'package:vane/vane.dart'; class HelloWorld extends Vane { var pipeline = [HelloMiddleware, This]; @Route("/") Future main() { tube.listen((data) { write("Hello ${data["name"]}!"); return close(); }); return end; } } class HelloMiddleware extends Vane { Future main() { tube.add({"name": "testuser"}); return next(); } } void main() => serve();
Tubes message queue uses a FIFO (first in, first out) approach.
Simply add messages to the queue with send
and use recieve
to read messages one at a time from the bottom.
import 'dart:async'; import 'package:vane/vane.dart'; class HelloWorld extends Vane { var pipeline = [HelloMiddleware, This]; @Route("/") Future main() { var data = tube.receive(); write("Hello ${data["name"]}!"); return close(); } } class HelloMiddleware extends Vane { Future main() { tube.send({"name": "testuser"}); return next(); } } void main() => serve();
By defining the order in the pipeline
you can control the applications flow.
To allow for middlewares to run after the main handler it needs to return next()
instead of close()
,
and because Vane can convert the last next()
to a close()
there isn’t any risk of hanging your
server if you choose to change the order of execution later on.
import 'dart:async'; import 'package:vane/vane.dart'; class HelloWorld extends Vane { var pipeline = [HelloMiddleware, This]; @Route("/") Future main() { writeln("Hello World!"); return close(); } } class HelloMiddleware extends Vane { Future main() { writeln("Hello middle earth!"); return next(); } } void main() => serve();
import 'dart:async'; import 'package:vane/vane.dart'; class HelloWorld extends Vane { var pipeline = [This, HelloMiddleware]; @Route("/") Future main() { writeln("Hello World!"); // Allows the middleware to run return next(); } } class HelloMiddleware extends Vane { Future main() { writeln("Hello middle earth!"); return next(); } } void main() => serve();
If you want to switch between running your middleware synchronously and asynchronously (when you debug for example)
then you can just change the bool
value of the async
member that all Vane handlers inherit.
If you switch very often and have many different classes then you could add a default constructor to your middleware class where you setup the async member.
In the following examples we simulate a workload with Timer
and log each request with the pIndex
(pipeline index).
import 'dart:async'; import 'package:vane/vane.dart'; class HelloWorld extends Vane { var pipeline = [ SyncMiddleware, SyncMiddleware, This ]; @Route("/hello") Future main() { writeln("Hello World!"); log.info("Main $pIndex"); return next(); } } class SyncMiddleware extends Vane { Future main() { new Timer(new Duration(seconds: 1), () { writeln("Hello sync earth!"); log.info("Sync $pIndex"); next(); }); return end; } } void main() => serve();
import 'dart:async'; import 'package:vane/vane.dart'; class HelloWorld extends Vane { var pipeline = [ AsyncMiddleware, AsyncMiddleware, This ]; @Route("/hello") Future main() { writeln("Hello World!"); log.info("Main $pIndex"); return next(); } } class AsyncMiddleware extends Vane { var async = true; Future main() { new Timer(new Duration(seconds: 1), () { writeln("Hello async earth!"); log.info("Async $pIndex"); next(); }); return end; } } void main() => serve();


Stories from Around the World
by FCIT
“The Burning of the Rice Fields”
by Traditional
Additional Information
- Year Published: 1918
- Language: English
- Country of Origin: Japan
- Source: Sara Cone Bryant, ed., How to Tell Stories to Children, and Some Stories to Tell
-
Readability:
- Flesch–Kincaid Level: 4.7
- Word Count: 642
- Genre: Fairy Tale/Folk Tale
- Keywords: fire, japan, tsunami
- ✎ Cite This
Downloads
Once there was a good old man who lived up on a mountain, far away in Japan. All round his little house the mountain was flat, and the ground was rich; and there were the rice fields of all the people who lived in the village at the mountain’s foot. Mornings and evenings, the old man and his little grandson, who lived with him, used to look far down on the people at work in the village, and watch the blue sea which lay all round the land, so close that there was no room for fields below, only for houses. The little boy loved the rice fields, dearly, for he knew that all the good food for all the people came from them; and he often helped his grand father to watch over them.
One day, the grandfather was standing alone, before his house, looking far down at the people, and out at the sea, when, suddenly, he saw something very strange far off where the sea and sky meet. Something like a great cloud was rising there, as if the sea were lifting itself high into the sky. The old man put his hands to his eyes and looked again, hard as his old sight could. Then he turned and ran to the house. “Yone, Yone!” he cried, “bring a brand from the hearth!”
The little grandson could not imagine what his grandfather wanted with fire, but he always obeyed, so he ran quickly and brought the brand. The old man already had one, and was running for the rice fields. Yone ran after. But what was his horror to see his grandfather thrust his burning brand into the ripe dry rice, where it stood.
“Oh, Grandfather, Grandfather!” screamed the little boy, “what are you doing?”
“Quick, set fire! Thrust your brand in!” said the grandfather.
Yone thought his dear grandfather had lost his mind, and he began to sob; but a little Japanese boy always obeys, so though he sobbed, he thrust his torch in, and the sharp flame ran up the dry stalks, red and yellow.  It rose like a cloud, black and fierce, and in no time the people below saw that their precious rice fields were on fire. Ah, how they ran! Men, women, and children climbed the mountain, running as fast as they could to save the rice; not one soul stayed behind.
And when they came to the mountain top, and saw the beautiful rice-crop all in flames, beyond help, they cried bitterly, “Who has done this thing? How did it happen?”
“I set fire,” said the old man, very solemnly; and the little grandson sobbed, “Grandfather set fire.”
But when they came fiercely round the old man, with “Why? Why?” he only turned and pointed to the sea. “Look!” he said.
They all turned and looked. And there, where the blue sea had lain, so calm, a mighty wall of water, reaching from earth to sky, was rolling in. No one could scream, so terrible was the sight. The wall of water rolled in on the land, passed quite over the place where the village had been, and broke, with an awful sound, on the mountain side. One wave more, and still one more, came; and then all was water, as far as they could look, below; the village where they had been was under the sea.
But the people were all safe. And when they saw what the old man had done, they honoured him above all men for the quick wit which had saved them all from the tidal wave.


Anytime there is an error message for a padding error, it is worth considering a padding oracle attack. For a details primer, this is a good read.
A padding oracle attack is an attack against block ciphers where you have something (“an oracle”) that will respond to tell you if that padding on the cipher text is correct or not. It is important that there is a different error for a padding error than for an incorrect or invalid decryption. The most common case for this kind of thing is when you get an encrypted cookie in a web session, but there’s no reason we can’t do it here with this command line program.
For block ciphers, the message will not always divide evenly by the block length. To get a full final block, typically padding is used. PKCS7 offers a padding scheme where the value of the pd bytes is equal to the number of padding bytes. That allows for disambiguation between padding bytes and true message bytes.
The attack takes advantage of the fact that to decrypt a block, the cipher text is xored with the key to form the intermediate state. Then the intermediate state is xored with the previous block cipher text to get the plain text. This attack will allow me to find the intermediate state, and then, with that, it can find the plaintext.
I’ll import a module from mwielgoszewski designed to implement padding oracle attacks, python-paddingoracle. With this module, you simply pass it a socket, implement the oracle() function, and raise a BadPaddingException when there’s bad padding, and it handles the rest.
My code looks like this:
class PadBuster(PaddingOracle):
def __init__(self, pwnsock, **kwargs):
self.r = pwnsock
super(PadBuster, self).__init__(**kwargs)
def oracle(self, data, **kwargs):
if all([x == 0 for x in data[:15]]) and data[16] == 255:
print('\n\n\n\n')
os.write(1, "\x1b[3F")
print(hexdump(data))
self.r.recvuntil('Insert ciphertext:')
self.r.sendline(b64encode(data))
resp = self.r.recvline()
if 'Invalid Padding' in resp:
raise BadPaddingException()
return
log.info('Starting padding orcale attack')
pb = PadBuster(r)
plaintext = pb.decrypt(encdata, block_size=AES.block_size, iv=iv)
print('plaintext: {}'.format(plaintext))
r.close()
I will pass the open pwn socket in on init, and the in the oracle function, receive until the prompt, then send data, then receive the response. If it says “Invalid Padding”, I raise the exception, or, otherwise, return nothing.
If you watch the script run, you’ll see the script showing the cipher text, which in this case is two blocks. The second block isn’t changing. But the first block starts at all 00 except for the last byte FF, and it decrements that byte until it doesn’t get a padding error.  But since it knows the intermediate value and the actual cipher text for the previous block, it can get the true plain text for that byte.


Wag the Dog (1997)
Rating: 3.5 stars (out of 4.0) ******************************** Key to rating system: 2.0 stars - Debatable 2.5 stars - Some people may like it 3.0 stars - I liked it 3.5 stars - I am biased in favor of the movie 4.0 stars - I felt the movie's impact personally or it stood out ********************************* A Movie Review by David Sunga
Directed by: Barry Levinson
Written by: Hilary Henkin and David Mamet, from the novel AMERICAN HERO by Larry Beinhart
Starring: Dustin Hoffman, Robert De Niro, Anne Heche, Denis Leary, Willie Nelson, Woody Harrelson
Ingredients: Washington and Hollywood spin doctors making fake news to fool the American public
Synopsis: Does a dog wag its tail, or does the tail ever wag the dog? Do events drive publicity or do publicity specialists drive events? In WAG THE DOG, it's definitely PR wonks who drive events. This fun spoof is a behind-the-scenes look at the mechanics of manipulating the American public - - how over-the-top moguls in Washington and Hollywood use the media to control public opinion. Eleven days before the Presidential election, Presidential aide Winifred (Anne Heche), political spin doctor Conrad (Robert De Niro), and Hollywood producer Stanley (Dustin Hoffman) are charged with a monumental publicity project. Although the President has a comfortable 17% lead in the polls against his opponent, a breaking new sex scandal concerning the President and a teenage girl threatens to derail his upcoming reelection. Winifred, Conrad, and Stanley are hired to distract the public's opinion from the sex scandal.  Just as Ronald Reagan's real life inexplicable flash invasion of Grenada diverted public attention from what certainly would have been public outcry over the murder of over 200 marines in Beirut, the three spin doctors figure they can divert attention away from the President's dubious morality by convincing America it is at war - - just long enough to ensure the President's reelection. Will the eleven-day ruse succeed?
Opinion: I figure the average Hollywood movie these days costs 60 million dollars to make and takes 90 days to film. Frankly, WAG THE DOG is a much better movie, and it only cost 15 million to make and thirty days to film. WAG THE DOG is a fine screenplay with superb acting and a resounding message as well. The running gag is that the publicity is all fake, and the public is eating it up.
Although in theory the American government has three branches (executive, legislative, judicial), in practice it has four. The media is the fourth branch of government, and we all know in our hearts that American public opinion is regularly manipulated by media-savvy spin doctors in Hollywood and Washington, espousing various angles for economic or political gain.
A racial minority allegedly kills a white. Which angle sells more papers? In the O.J. Simpson case the press played the race card.  Impartial news, or just angles for making more money?  Which angle sells the most papers? The drunk driving angle, or "Princess' Fairy Tale Life Gets Cut Short." The answer, of course, is the fairy tale sells more - - especially if it comes with commercial tie-ins such as tribute CDs made from re-hashed songs to Marilyn Monroe, with advertisements for the next album on the back, and perhaps film rights later on. Let's ask ourselves. Are we being hooked and played for dollars by Hollywood and Washington spin doctors?
Reviewed by David Sunga January 9, 1998
THE CRITIC ZOO http://www.criticzoo.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
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What is TOAST?
TOAST is the Terms of Applicable Service Translator.
Many people (us included!) cannot quickly read those long blocks of lawyer-ese text in a
terms of service agreement when using a new software product. So, we tend to click
"accept all terms" without really understanding what we are actually agreeing to.
With the TOAST, we hope to make terms of service simple. Using a combination of
transliteration, icons, and other visual tools, we make reading terms of service easy
and accesible for all. Please enjoy using the TOAST.
If you have any comments/concerns, please send them our way!
Thanks,
the TOAST Development Team


KnowledgeFinder runs on Windows and Linux.
Clone or fork the source code from github to build or modify KnowledgeFinder by yourself.
Fork / clone Documentation


Custom 3rd Party App uses social login with My OAuth Provider. Please, open an account My OAuth Provider and then click the button below!


Denise Van Outen speaks out on bitter feud with 'egotistic' Johnny Vaughan
Denise Van Outen and Johnny Vaughan were the rulers of breakfast TV in the 90s but their friendship turned to acrimony leading to a long, bitter feud
by James Brinsford, https://www.facebook.com/james.brinsfordDenise Van Outen has spoken about the bitter feud she has with former Big Breakfast co-host, Johnny Vaughan.
The 45-year-old TV presenter has opened up about how her friendship with Johnny became acrimonious after their relationship fell apart nearly 20 years ago.
Denise and Johnny were the popular hosts of Channel 4's The Big Breakfast, making the show essential viewing for early risers.
The chemistry between the pair helped make the show the popular choice over breakfast but wages and ego were going to be the downfall of the pair.
Denise spoke candidly about her time with Johnny, now 53, during an appearance on Natalie Pinkham's In The Pink Podcast on Friday.
Denise revealed: "We were proper mates. I laughed every day, we used to laugh to the point where I was going to wet myself. Then things happened and we’ve had fallouts along the way.
"There’s are couple of reasons why... when the show became successful and we were negotiating contracts I thought we were doing it as a team but his agent had other ideas and she got him more money and there were all those arguments that happens with bands and presenters.
"I wanted us to be a team and it became apparent we were not a team anymore and we never got back on track."
While the pair have seen their friendship disintegrate over the years, Denise was keen for it to be know that she does still "love him to bits."
She countered that by claiming: "Sometimes when I do meet up with male people in the industry their egos take over a bit and they don’t want to have the conversation.
"I do love him to bits I’m not saying anything untoward about him! I don’t know his kids and we don’t really know anything about each other anymore."
The Breakfast Show's audience figures reached record levels under Denise and Johnny's guidance but it all came to an end when she decided to quit in the hope of building her acting career.
By 2000, the pair were reunited but the slump in ratings by then were too terminal to reverse and the pair could not rekindled their old chemistry.
Eight years later, Capital FM tempted Denise to co-host the breakfast show with Johnny, which had been doing solo for four years.
Instead of a glorious return to their heyday, the pair worked under a strained relationship and Denise promptly quit after just six months of a year-long contract.
Do you have a story to sell? Get in touch with us at<EMAIL_ADDRESS>or call us direct 0207 29 33033.


WATCH LIVE: Impeachment Hearings Day 3
Four witnesses are scheduled to testify at impeachment hearings Tuesday. In the morning session, Lt. Col. Alexander Vindman and Vice President Mike Pence aide Jennifer Williams are set to testify. In the afternoon, special envoy to Ukraine Kurt Volker and former NSC aide Tim Morrison are set to appear.
Watch the hearings live below:


Apple II’s success was not from Apple. It was a piece of software called VisiCalc — the first spreadsheet ever brought to market. VisiCalc worked only on the Apple II, and it was a revolution in itself. Millions of accountants, small businesses, or even private individuals that cared about their money, could now do in minutes calculations that would have taken them weeks to perform by hand. They rushed out to computer stores and bought Apple IIs en masse, making Apple one of the most profitable companies of its day. Only four years after it was started in a garage, the company was well on its way to fullfil Mike Markkula’s vision of belonging to the Fortune 500 elite of corporate America.
Apple Computer was growing at an incredibly fast rate. The numbers were mind-blowing: from 2,500 Apple IIs sold in 1977, 8,000 were sold in 1978, and up to 35,000 in 1979. Remember there was no market for


Rest
Source of witness transcribed: The Charleston Daily News (Charlestown, South Carolina)
Date of witness transcribed: 11 September 1872
Notes about this poem: "Rest" was printed in at least 192 newspapers during the nineteenth century. It can be found using ID 189442 in this table of most widely-reprinted poems.
There is more about this poem and its author at the digital editing of Prudence Person's Scrapbook compiled by Ashley Reed's students at UNC.
§
- My feet are wearied, and my hands are tired—
- My soul oppressed—
- And with desire have I long desired
-
Rest—only Rest.
- ‘Tis hard to toil—when toil is almost vain
- In barren ways;
- ‘Tis hard to sow, and never garner grain
-
In harvest days.
- The burden of my days is hard to bear—
- But God knows best.
- And I have prayed—but vain has been my prayer,
-
For Rest—sweet Rest.
- ‘Tis hard to plant in spring, and never reap
- The autumn yield;
- ‘Tis hard to till—and when ‘tis tilled to weep
-
O’er fruitless field.
- And so I cry a weak and human cry,
- So heart oppressed;
- And so I sigh a weak and human sigh
-
For Rest—for Rest.
- My way has wound across the desert years,
- And cares infest
- My path, and thro’ the flowing of hot tears
-
I pine for Rest.
- ‘Twas always so; when still a child, I laid
- On mother’s breast
- My wearied little head; e’en then I prayed,
-
As now, for Rest
- And I am restless still; ‘twill soon be o’er;
- For, down the West,
- Life’s sun is setting, and I see the shore
- Where I shall Rest.


Congratulations!

SINTU BHAI


Your nation faces a dire threat; enemy forces come from the West while your forces are busy in the North. It falls to you, a lone commander on the front, to defend your homeland. Use the four Soul Crystals issued to you to hold off the enemy, but beware; should you overextend yourself defending from any particular wave, you will have insufficient resources for the next. Shepherd your resources carefully.
Enemy waves efficiently driven off
Enemy waves that got past you or for which you overallocated resorces
The strength of the incoming wave
Your allocated strength for this wave. Match it to the Enemy's strength to win!
The Soul of the Ninja glows softly. Its impact is subtle, but powerful.
The Soul of the Paladin shines valiantly. Draw strength from it, and it will keep you safe.
The Soul of the Summoner radiates both light and a low, thrumming sound. Call upon it to receive aid from places least expected.


New Sighting?
Document your sighting by snapping a photograph using your devices camera.
Add a description, title and tag the appropriate species.
Enable the GPS location to view where the sighting was at a later date.

View all your sightings on a map.
View your sightings sorted by when they were.
Wildlife Sighting Etiquette
- Be quiet.
- Look for animal signs, tracks, trails that may give you clues on where you might wait to view them.
- Stop, look for several minutes, find a comfortable spot and sit for a while.
- Sit with the sun to your back, in a place where there is cover for wildlife.
- Watch for movement, colours, and shapes.
- Stay on established trails when you find one.
- Listen many species are heard before they are seen.


Welcome!
To a Monte Carlo Pi Estimation Simulation
Don't want to wait anymore?
Click the simulation to stop it.


Boris Johnson refuses to apologise for racist 'burka' comments
As Conservatives face allegations of Islamophobia, prime minister says remark from 2018 should be read in context.
London, United Kingdom - British Prime Minister Boris Johnson refused to offer an outright apology for Islamophobic comments he made in 2018, which led to a spike in anti-Muslim hate crimes.
On Friday morning, as he fielded questions from listeners on LBC radio station in London, he said: "When I write this stuff, I never set out to cause pain or hurt. I really do want to make sure that everybody feels that they are valued, that they face no prejudice, that they face no discrimination.
"You just need to go back and look at the context. So much of this stuff is disinterred with a view to distracting from the basic issues of this election."
More:
He was responding to presenter Nick Ferrari, who asked whether Johnson was "sorry for the words of the offence" caused by a Daily Telegraph column in 2018 in which he wrote that the "burka is oppressive" and that Muslim women who wear the full veil look "like letter boxes" and bank robbers.
In the week after that column, Tell MAMA, a UK hate crime monitor said Islamophobic incidents rose by 375 percent.
Johnson's comments on Friday came as his ruling Conservative Party faces accusations of alleged Islamophobia in the run-up to an election on December 12.
He said the Conservatives are working on an "independent inquiry into the whole thing", referring to the party's pledge to investigate racism of all forms.
On Wednesday, while visiting Cornwall, asked whether he apologises for Islamophobia in the party, he said: "Of course, and for all the hurt that has been caused - of course, we all do."
In a recent example of alleged Islamophobia, Karl McCartney, Conservative Party candidate for Lincoln, retweeted a post that claimed far-right activist Tommy Robinson had been jailed because he "dared report on Muslim paedophiles".
Robinson, whose real name is Stephen Yaxley-Lennon, was jailed earlier in July for contempt of court after he interfered with the trial of a sexual grooming gang a year earlier.
Johnson appeared on LBC a day after he failed to participate in a televised debate on climate change on Channel 4 alongside opposition leaders.
Elsewhere on the one-hour call-in, Johnson warned US President Donald Trump against getting involved in his election campaign and said the NHS was not for sale, in response to recent claims by the main opposition Labour Party.
"The NHS is not for sale and under no circumstances would this government or any Conservative government do anything to put the NHS up for negotiation in trade talks or privatising - anything like that.
"Were the United States or any other country to insist on that as a condition of [post-Brexit] talks, we would simply walk out," he said.
He told Ruth, a single mother, that he meant "absolutely no disrespect to you or anybody" with comments that were unearthed this week from a 1995 magazine article, in which he wrote children of single mothers were "a generation of ill-raised, ignorant, aggressive and illegitimate children".


The streak started in late October. Canelas 2010, an unheralded amateur soccer team, suddenly could not stop winning. It went 10 straight match without dropping a point, without so much as conceding a goal, a surge that brought the prospect of promotion out of its local league and into the comparative big time of the national .
Aaron Judge, a 25-year-old Yanks rookie, finally offered somemne ence that he is, in fact.
Aaron Judge, a 25-year-old Yanks rookie, finally offered somemne ence that he is, in fact.
From a business perspective, it was not hard to understand why West Ham Unite found it impossible to resist.Aaron Judge, a 25-year-old Yank rookie, finally offered.
From a business perspective, it was not hard to understand why West Ham Unite found it impossible to resist.Aaron Judge, a 25-year-old Yank rookie, finally offered.
From a business perspective, it was not hard to understand why West Ham Unite found it impossible to resist.Aaron Judge, a 25-year-old Yank rookie, finally offered.
From a business perspective, it was not hard to understand why West Ham Unite found it impossible to resist.Aaron Judge, a 25-year-old Yank rookie, finally offered.
The Rangers needed a jolt for their first home game of their second series against the Ottawa Senators. Turning
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Ab cupiditate sint nesciunt, sapiente. Voluptatem, ut. Architecto ducimus illum possimus, provident.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Dicta tempore adipisci libero iusto temporibus voluptatem neque ex delectus, veritatis. Suscipit!
“ Writers and stars of Veep have responded incred the news an Australian politician required stitches after knocking himself unconscious while laugh the new season. ”
“ Writers and stars of Veep have responded incred the news an Australian politician required stitches after knocking himself unconscious while laugh the new season. ”
“ Writers and stars of Veep have responded incred the news an Australian politician required stitches after knocking himself unconscious while laugh the new season. ”
“ Writers and stars of Veep have responded incred the news an Australian politician required stitches after knocking himself unconscious while laugh the new season. ”
“ Writers and stars of Veep have responded incred the news an Australian politician required stitches after knocking himself unconscious while laugh the new season. ”
“ Writers and stars of Veep have responded incred the news an Australian politician required stitches after knocking himself unconscious while laugh the new season. ”
“ Writers and stars of Veep have responded incred the news an Australian politician required stitches after knocking himself unconscious while laugh the new season. ”
“ Writers and stars of Veep have responded incred the news an Australian politician required stitches after knocking himself unconscious while laugh the new season. ”


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{% if reservation.staff %}
{% endif %}
Total Number of Adults = {{reservation.no_of_adults}}
Total Number of Children = {{reservation.no_of_childrens}}
Reservation Date = {{reservation.reservation_date_time}}
Expected Arrival Date = {{reservation.expected_arrival_date_time}}
Expected Departure Date = {{reservation.expected_departure_date_time}}
{% if reservation.room_set.all %}
Reserved Rooms :
{% for room in reservation.room_set.all %}
{{room}}
{% endfor %}
{% else %}
None
{% endif %}


If the automatic conversion does not suit your expectations, you can load your own musical notation.
The highlighted part of the music notation is only an approximate indicator. Use the offset tool to improve synchronization.
For the best result do the following:
1. Convert your music notation to a midi file using Musescore or similar program, name it the same as the midi file you want to load. (E.g. my_music.mid and my_music.xml)
2. Upload the midi file and the music notation file.


Convert access to an indexed value via ".getAt()" or ".setAt()" methods to the equivalent "[]" form.


| Top |
GLib defines a number of commonly used types, which can be divided into 4 groups:
New types which are not part of standard C (but are defined in various C standard library header files) - gboolean, gsize, gssize, goffset, gintptr, guintptr.
Integer types which are guaranteed to be the same size across all platforms - gint8, guint8, gint16, guint16, gint32, guint32, gint64, guint64.
Types which are easier to use than their standard C counterparts - gpointer, gconstpointer, guchar, guint, gushort, gulong.
Types which correspond exactly to standard C types, but are included for completeness - gchar, gint, gshort, glong, gfloat, gdouble.
GLib also defines macros for the limits of some of the standard
integer and floating point types, as well as macros for suitable
printf()
formats for these types.
#define G_GINT64_CONSTANT(val) (val##L)
This macro is used to insert 64-bit integer literals into the source code.
#define G_GUINT64_CONSTANT(val) (val##UL)
This macro is used to insert 64-bit unsigned integer literals into the source code.
Since 2.10
#define G_GOFFSET_CONSTANT(val) G_GINT64_CONSTANT(val)
This macro is used to insert goffset 64-bit integer literals into the source code.
See also G_GINT64_CONSTANT.
Since 2.20
typedef gint gboolean;
A standard boolean type.
Variables of this type should only contain the value
TRUE
or FALSE
.
typedef void* gpointer;
An untyped pointer. gpointer looks better and is easier to use than void*.
typedef const void *gconstpointer;
An untyped pointer to constant data. The data pointed to should not be changed.
This is typically used in function prototypes to indicate that the data pointed to will not be altered by the function.
typedef int gint;
Corresponds to the standard C int type. Values of this type can range from G_MININT to G_MAXINT.
typedef unsigned int guint;
Corresponds to the standard C unsigned int type. Values of this type can range from 0 to G_MAXUINT.
typedef short gshort;
Corresponds to the standard C short type. Values of this type can range from G_MINSHORT to G_MAXSHORT.
typedef unsigned short gushort;
Corresponds to the standard C unsigned short type. Values of this type can range from 0 to G_MAXUSHORT.
typedef long glong;
Corresponds to the standard C long type. Values of this type can range from G_MINLONG to G_MAXLONG.
typedef unsigned long gulong;
Corresponds to the standard C unsigned long type. Values of this type can range from 0 to G_MAXULONG.
typedef signed char gint8;
A signed integer guaranteed to be 8 bits on all platforms. Values of this type can range from G_MININT8 (= -128) to G_MAXINT8 (= 127).
#define G_MININT8 ((gint8) 0x80)
The minimum value which can be held in a gint8.
Since 2.4
#define G_MAXINT8 ((gint8) 0x7f)
The maximum value which can be held in a gint8.
Since 2.4
typedef unsigned char guint8;
An unsigned integer guaranteed to be 8 bits on all platforms. Values of this type can range from 0 to G_MAXUINT8 (= 255).
#define G_MAXUINT8 ((guint8) 0xff)
The maximum value which can be held in a guint8.
Since 2.4
typedef signed short gint16;
A signed integer guaranteed to be 16 bits on all platforms. Values of this type can range from G_MININT16 (= -32,768) to G_MAXINT16 (= 32,767).
To print or scan values of this type, use
G_GINT16_MODIFIER
and/or G_GINT16_FORMAT
.
#define G_MININT16 ((gint16) 0x8000)
The minimum value which can be held in a gint16.
Since 2.4
#define G_MAXINT16 ((gint16) 0x7fff)
The maximum value which can be held in a gint16.
Since 2.4
#define G_GINT16_MODIFIER "h"
The platform dependent length modifier for conversion specifiers for scanning and printing values of type gint16 or guint16. It is a string literal, but doesn't include the percent-sign, such that you can add precision and length modifiers between percent-sign and conversion specifier and append a conversion specifier.
The following example prints "0x7b";
1 2 |
gint16 value = 123; g_print ("%#" G_GINT16_MODIFIER "x", value); |
Since 2.4
#define G_GINT16_FORMAT "hi"
This is the platform dependent conversion specifier for scanning and printing values of type gint16. It is a string literal, but doesn't include the percent-sign, such that you can add precision and length modifiers between percent-sign and conversion specifier.
1 2 3 4 5 |
gint16 in; gint32 out; sscanf ("42", "%" G_GINT16_FORMAT, &in) out = in * 1000; g_print ("%" G_GINT32_FORMAT, out); |
typedef unsigned short guint16;
An unsigned integer guaranteed to be 16 bits on all platforms. Values of this type can range from 0 to G_MAXUINT16 (= 65,535).
To print or scan values of this type, use
G_GINT16_MODIFIER
and/or G_GUINT16_FORMAT
.
#define G_MAXUINT16 ((guint16) 0xffff)
The maximum value which can be held in a guint16.
Since 2.4
#define G_GUINT16_FORMAT "hu"
This is the platform dependent conversion specifier for scanning and printing values of type guint16. See also G_GINT16_FORMAT
typedef signed int gint32;
A signed integer guaranteed to be 32 bits on all platforms. Values of this type can range from G_MININT32 (= -2,147,483,648) to G_MAXINT32 (= 2,147,483,647).
To print or scan values of this type, use
G_GINT32_MODIFIER
and/or G_GINT32_FORMAT
.
#define G_MININT32 ((gint32) 0x80000000)
The minimum value which can be held in a gint32.
Since 2.4
#define G_MAXINT32 ((gint32) 0x7fffffff)
The maximum value which can be held in a gint32.
Since 2.4
#define G_GINT32_MODIFIER ""
The platform dependent length modifier for conversion specifiers for scanning and printing values of type gint32 or guint32. It is a string literal. See also G_GINT16_MODIFIER.
Since 2.4
#define G_GINT32_FORMAT "i"
This is the platform dependent conversion specifier for scanning and printing values of type gint32. See also G_GINT16_FORMAT.
typedef unsigned int guint32;
An unsigned integer guaranteed to be 32 bits on all platforms. Values of this type can range from 0 to G_MAXUINT32 (= 4,294,967,295).
To print or scan values of this type, use
G_GINT32_MODIFIER
and/or G_GUINT32_FORMAT
.
#define G_MAXUINT32 ((guint32) 0xffffffff)
The maximum value which can be held in a guint32.
Since 2.4
#define G_GUINT32_FORMAT "u"
This is the platform dependent conversion specifier for scanning and printing values of type guint32. See also G_GINT16_FORMAT.
typedef signed long gint64;
A signed integer guaranteed to be 64 bits on all platforms. Values of this type can range from G_MININT64 (= -9,223,372,036,854,775,808) to G_MAXINT64 (= 9,223,372,036,854,775,807).
To print or scan values of this type, use
G_GINT64_MODIFIER
and/or G_GINT64_FORMAT
.
#define G_MININT64 ((gint64) G_GINT64_CONSTANT(0x8000000000000000))
The minimum value which can be held in a gint64.
#define G_MAXINT64 G_GINT64_CONSTANT(0x7fffffffffffffff)
The maximum value which can be held in a gint64.
#define G_GINT64_MODIFIER "l"
The platform dependent length modifier for conversion specifiers for scanning and printing values of type gint64 or guint64. It is a string literal.
Some platforms do not support printing 64-bit integers, even
though the types are supported. On such platforms G_GINT64_MODIFIER
is not defined.
Since 2.4
#define G_GINT64_FORMAT "li"
This is the platform dependent conversion specifier for scanning and printing values of type gint64. See also G_GINT16_FORMAT.
Some platforms do not support scanning and printing 64-bit integers,
even though the types are supported. On such platforms G_GINT64_FORMAT
is not defined. Note that scanf()
may not support 64-bit integers, even
if G_GINT64_FORMAT
is defined. Due to its weak error handling, scanf()
is not recommended for parsing anyway; consider using g_ascii_strtoull()
instead.
typedef unsigned long guint64;
An unsigned integer guaranteed to be 64-bits on all platforms. Values of this type can range from 0 to G_MAXUINT64 (= 18,446,744,073,709,551,615).
To print or scan values of this type, use
G_GINT64_MODIFIER
and/or G_GUINT64_FORMAT
.
#define G_MAXUINT64 G_GINT64_CONSTANT(0xffffffffffffffffU)
The maximum value which can be held in a guint64.
#define G_GUINT64_FORMAT "lu"
This is the platform dependent conversion specifier for scanning and printing values of type guint64. See also G_GINT16_FORMAT.
Some platforms do not support scanning and printing 64-bit integers,
even though the types are supported. On such platforms G_GUINT64_FORMAT
is not defined. Note that scanf()
may not support 64-bit integers, even
if G_GINT64_FORMAT
is defined. Due to its weak error handling, scanf()
is not recommended for parsing anyway; consider using g_ascii_strtoull()
instead.
typedef float gfloat;
Corresponds to the standard C float type. Values of this type can range from -G_MAXFLOAT to G_MAXFLOAT.
#define G_MINFLOAT FLT_MIN
The minimum positive value which can be held in a gfloat.
If you are interested in the smallest value which can be held
in a gfloat, use -G_MAXFLOAT
.
typedef double gdouble;
Corresponds to the standard C double type. Values of this type can range from -G_MAXDOUBLE to G_MAXDOUBLE.
#define G_MINDOUBLE DBL_MIN
The minimum positive value which can be held in a gdouble.
If you are interested in the smallest value which can be held
in a gdouble, use -G_MAXDOUBLE
.
typedef unsigned long gsize;
An unsigned integer type of the result of the sizeof operator, corresponding to the size_t type defined in C99. This type is wide enough to hold the numeric value of a pointer, so it is usually 32 bit wide on a 32-bit platform and 64 bit wide on a 64-bit platform. Values of this type can range from 0 to G_MAXSIZE.
To print or scan values of this type, use
G_GSIZE_MODIFIER
and/or G_GSIZE_FORMAT
.
#define G_GSIZE_MODIFIER "l"
The platform dependent length modifier for conversion specifiers for scanning and printing values of type gsize or gssize. It is a string literal.
Since 2.6
#define G_GSIZE_FORMAT "lu"
This is the platform dependent conversion specifier for scanning and printing values of type gsize. See also G_GINT16_FORMAT.
Since 2.6
typedef signed long gssize;
A signed variant of gsize, corresponding to the ssize_t defined on most platforms. Values of this type can range from G_MINSSIZE to G_MAXSSIZE.
To print or scan values of this type, use
G_GSIZE_MODIFIER
and/or G_GSSIZE_FORMAT
.
#define G_GSSIZE_FORMAT "li"
This is the platform dependent conversion specifier for scanning and printing values of type gssize. See also G_GINT16_FORMAT.
Since 2.6
typedef gint64 goffset;
A signed integer type that is used for file offsets, corresponding to the C99 type off64_t. Values of this type can range from G_MINOFFSET to G_MAXOFFSET.
To print or scan values of this type, use
G_GOFFSET_MODIFIER
and/or G_GOFFSET_FORMAT
.
Since 2.14
#define G_GOFFSET_MODIFIER G_GINT64_MODIFIER
The platform dependent length modifier for conversion specifiers for scanning and printing values of type goffset. It is a string literal. See also G_GINT64_MODIFIER.
Since 2.20
#define G_GOFFSET_FORMAT G_GINT64_FORMAT
This is the platform dependent conversion specifier for scanning and printing values of type goffset. See also G_GINT64_FORMAT.
Since 2.20
typedef signed long gintptr;
Corresponds to the C99 type intptr_t, a signed integer type that can hold any pointer.
To print or scan values of this type, use
G_GINTPTR_MODIFIER
and/or G_GINTPTR_FORMAT
.
Since 2.18
#define G_GINTPTR_MODIFIER "l"
The platform dependent length modifier for conversion specifiers for scanning and printing values of type gintptr or guintptr. It is a string literal.
Since 2.22
#define G_GINTPTR_FORMAT "li"
This is the platform dependent conversion specifier for scanning and printing values of type gintptr.
Since 2.22
typedef unsigned long guintptr;
Corresponds to the C99 type uintptr_t, an unsigned integer type that can hold any pointer.
To print or scan values of this type, use
G_GINTPTR_MODIFIER
and/or G_GUINTPTR_FORMAT
.
Since 2.18
#define G_GUINTPTR_FORMAT "lu"
This is the platform dependent conversion specifier for scanning and printing values of type guintptr.
Since 2.22


Emily Ratajkowski Rocks Barely There Leopard-Print Bikini In Racy Instagram Shot
November 17, 2019
Emily Ratajkowski Rocks Barely There Leopard-Print Bikini In Racy Instagram Shot
Emily Ratajkowski is trading in her swanky gala dress for a revealing bikini, and the model’s fans are loving it.
The 28-year-old model took to Instagram on Sunday to share a shot of herself lounging poolside in a tiny leopard-print bikini and matching hat, just a few hours after she glammed up for an appearance at a Hollywood gala. The bikini shot was a huge hit with her fans, attracting more than 140,000 likes and scores of supportive comments in less than an hour after being posted.
Many of the model’s 24.6 million followers had compliments for the curvy physique that she showcased in the shot.
“Truly stunning,” one fan shared.
“Perfect as always!!” another wrote.
Ratajkowski posted the poolside photo after telling fans how much she and husband Sebastian Bear-McClard prefer going casual. Earlier in the day, Emily had taken to her Instagram stories to share a picture of the two dressed up for the Go Campaign’s annual gala, a non-profit organization that raises money for children in need around the globe.
Emily wore a simple but formfitting white mini dress for the evening while Sebastian wore a black suit, though it wouldn’t have been his first choice.
In the picture posted to her Instagram stories, Emily wrote to followers that her husband hates wearing suits. In the next picture, the two had changed out of their gala attire and both put on soft, white robes.
“We both prefer robes,” Emily wrote in the caption.
Ratajkowski was wearing even less the following day by the pool. Sebastian was nowhere in sight, but Emily looked relaxed as she gazed into the camera with a slight smile and minimal makeup.
The shot would look right at home to those who keep up on Emily’s Instagram feed. While she is no stranger to dressing up when the occasion calls for it, the model seems to prefer skimpier attire and has a number of shots posing in revealing bikinis — and sometimes even less.
Last week, Emily shared a photo where she laid out by the beach topless with only her leopard-print hat keeping her covered.
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Emily seems especially fond of the animal print look, sharing a number of other pictures and videos where she rocks leopard-inspired swimwear.
It’s not just bikinis, either. Earlier this year, Emily shared a shot of herself wearing a revealing leopard-print top, one that showed off her tight stomach and just a hint of cleavage.


Table of Contents
string germanlig2ascii ($string);
This function translates German special characters (ä, ö and ü) to their ASCII equivalents (ae, oe and ue).


There are three types of promotion and one option to not use a code (if you wish to only use the communication cell feature and control group feature). The promotion types are "Online only", "Instore only" and "Online & Instore". You will be taken through a setup process to associate a promotion to your email template.
Your promotion is all setup and ready to go.


References decorator that automatically opens to newly added components that implement IOpenable interface and closes removed components that implement IClosable interface.
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| | RunReferencesDecorator (IReferences baseReferences=null, IReferences parentReferences=null) |
| | Creates a new instance of the decorator. More...
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| bool | IsOpen () |
| | Checks if the component is opened. More...
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| async Task | OpenAsync (string correlationId) |
| | Opens the component. More...
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| async Task | CloseAsync (string correlationId) |
| | Closes component and frees used resources. More...
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| override void | Put (object locator, object component) |
| | Puts a new reference into this reference map. More...
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| override object | Remove (object locator) |
| | Removes a previously added reference that matches specified locator. If many references match the locator, it removes only the first one.When all references shall be removed, use removeAll() method instead. More...
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| override List< object > | RemoveAll (object locator) |
| | Removes all component references that match the specified locator. More...
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| | ReferencesDecorator (IReferences baseReferences=null, IReferences parentReferences=null) |
| | Creates a new instance of the decorator. More...
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| virtual List< object > | GetAllLocators () |
| | Gets locators for all registered component references in this reference map. More...
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| virtual List< object > | GetAll () |
| | Gets all component references registered in this reference map. More...
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| virtual object | GetOneOptional (object locator) |
| | Gets an optional component reference that matches specified locator. More...
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| virtual T | GetOneOptional< T > (object locator) |
| | Gets an optional component reference that matches specified locator. More...
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| virtual object | GetOneRequired (object locator) |
| | Gets a required component reference that matches specified locator. More...
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| virtual T | GetOneRequired< T > (object locator) |
| | Gets a required component reference that matches specified locator. More...
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| virtual List< object > | GetOptional (object locator) |
| | Gets all component references that match specified locator. More...
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| virtual List< T > | GetOptional< T > (object locator) |
| | Gets all component references that match specified locator. More...
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| virtual List< object > | GetRequired (object locator) |
| | Gets all component references that match specified locator. At least one component reference must be present.If it doesn't the method throws an error. More...
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| virtual List< T > | GetRequired< T > (object locator) |
| | Gets all component references that match specified locator. At least one component reference must be present.If it doesn't the method throws an error. More...
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| virtual List< object > | Find (object locator, bool required) |
| | Gets all component references that match specified locator. More...
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| virtual List< T > | Find< T > (object locator, bool required) |
| | Gets all component references that match specified locator. More...
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References decorator that automatically opens to newly added components that implement IOpenable interface and closes removed components that implement IClosable interface.


--- title: Baked Potatoes with Wild Mushroom Ragù layout: post date: 2016-02-07 17:55:36 -0500 type: post parent_id: 0 image: assets/images/post-img/22118985980_e5aa458edd.jpg status: publish categories: - Veggies-Meatless tags: - Smitten Kitchen - We liked this meta: _thumbnail_id: 324 _edit_last: 1 _wpas_done_all: 1 _posts_by_tag_page_fields: a:2:{s:12:"widget_title";s:0:"";s:11:"widget_tags";s:0:"";} _wpghs_github_path: _posts/2016-02-07-baked-potatoes-with-wild-mushroom-ragu.md _sha: f6690a3544f8825ed7c2fbb36682090c7c0b861c _yourls_url: http://7t3.link/5cm6j _yourls_clicks: 1 author: login: mkelley email<EMAIL_ADDRESS>display_name: Mike first_name: Mike last_name: Kelley body: "
Baked Potatoes with Wild Mushroom Ragù Adapted a little generously from Food & Wine
" remote_url: http://smittenkitchen.com/blog/2015/10/baked-potatoes-with-wild-mushroom-ragu/ ---Baked Potatoes with Wild Mushroom Ragù Adapted a little generously from Food & Wine 4 baking potatoes (about 2 pounds) 3 tablespoons olive oil, divided 3 tablespoons butter, divided 1 small white onion, finely chopped 2 garlic cloves minced 1 1/2 pounds mixed mushrooms, wild are wonderful, but sliced cremini or white mushrooms will also…


COURAGE UNDER FIRE A film review by Rich Meitin Copyright 1996 Rich Meitin
Directed by Edward Zwick Written by Patrick Sheane Duncan Director of photography, Roger Deakins Edited by Steven Rosenblum Music by James Horner 20th Century Fox
Rating: **** (on a scale of ****)
Capsule review: Moving and absorbing. Excellent acting, direction, scriptwriting. A shoo-in for multiple Oscars.
It's nice to know that the hollywood studio system can still come up with a fine film, every now and again. I doubt if we'll see a better "big" movie all year.
It would be a shame to discuss too much about the storyline here, because so much of the drama depends on the carefully orchestrated flashbacks that allow the characters, their conflicts, and their secrets to unfold. So I'll tread very lightly.
Denzel Washington, charismatic as always, plays Nathanial Serling, an Army colonel who is tormented by a deadly serious mistake he made during the Gulf conflict. After the battle, he finds himself at the Pentagon, assigned to investigate whether a posthumous Medal of Honor should be awarded to Captain Karen Walden, a medevac chopper pilot, played with gritty humanity by Meg Ryan in the many flashback scenes. Captain Walden is the first woman to be considered for a combat medal, so the White House (in light of the photo-op that will be created by hanging the medal around the neck of the dead pilot's pretty young daughter in the Rose Garden) is putting on extra pressure for a quick, positive decision.
At the same time, Colonel Serling continues to be pressured by the Army brass to lie about the mistake he made during the war. Serling feels, without knowing completely why, that he must seek his redemption through truth -- he must unmask the facts of both incidents, despite the pressures from above. But the truth about Captain Walden is hard to find, and the truth about himself is hard to face. As time goes on, he is aided in his quest by a clandestine relationship with a Washington Post reporter, played with admirable restraint by Scott Glenn. Serling eventually wins the conflict with his commanding officer: Full investigation and disclosure are made, culminating in a scene that could have been a Great Big Truly Awful Hollywood Climax in the hands of a less skilled director. Instead, that moment was handled with equally admirable restraint.
Among the many fine aspects of this film: The battle scenes are so personal, so intimate, if you will, that I felt more deeply than ever how War is Hell -- not because of massive battles and high-tech weaponry, but because of the impossible responsibilities and poignant relationships in the trenches. _Courage _ shows in close-up how battle is a soldier's crucible. True "courage" is not an abstract ideal. Nor is it bravado. Rather, it is a kind of integrity which underlies difficult, sometimes sudden, often ambiguous real-life decisions. Do you abandon a badly wounded, inmmovable soldier when hasty retreat is probably the safest recourse for the rest of your unit? Do you risk revealing your position to the enemy if that might save the lives of others?
_Courage_ also explores the theme of a Woman in War, not a helpmate or lover-in-waiting, ala classic war films, but a tough, exhausted, bleeding, gun-toting combatant and squad leader. It examines how equal awards and equal rank are not the same as equal respect and equal treatment. Consider, for example, how an enlisted street-wise, hyper-male tough guy might react to a female commanding officer in battle.
It is wonderful to experience the artful intertwining of the two storylines. There is a symbiosis between Ryan's and Washington's characters. He helps her by bringing to light the full dimensions of her courage, and, because of his mission to reveal her story, she in effect helps him reclaim his own courage.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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Related links: index of all rec.arts.movies.reviews reviews


showing schupport
X Factor’s Nicole Scherzinger looks amazing as Scots rugby hunk Thom Evans supports her with cuddle amid romance rumours
by Fay StrangNICOLE Scherzinger and Scots rugby ace Thom Evans added fuel to romance rumours as he was spotted embracing her while supporting her musical show last night.
The 41-year-old X Factor judge was spotted looking incredible in a busty fringed outfit as she left the Boulevard Theatre – shortly followed by Thom.
Showing off her amazing figure she wore the revealing leotard, which she covered with a fur coat and patent thigh high boots.
Thom, 34, couldn’t keep the grin from his face as he left the venue holding what looked like an overnight bag.
The pair met when she was judging his band Try star – featuring Ben Foden and Levis Davis – on X Factor celebrity.
The Sun first revealed how the pair flirted and texted for weeks before Thom finally asked out Nicole.
But in a shock move she opted to send the band home during a dramatic sing off.
At the time sources said she made the decision because she was struggling with people scrutinising and mocking their romance
An insider said: “Nicole is really into Thom and she didn't want jokes being made about them. She chose to get rid of his group Try Star because it would stop people scrutinising what she has with Tom. And she knew they were the weaker act.”
However Nicole – who has recently reunited with the Pussycat Dolls, later shrugged the romance off as a big of fling.
Speaking on Dan Wootton's podcast, she said: “Thom is lovely but what's going on is that I am very busy. It's been a very transitional transformation year for me and I am really focusing on distracting myself with my destiny.
“Truth be told, I really willed and prayed for this [reunion]. It took a lot of work. The timing was right. It took a lot of focus.”


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