Library: bidichecker.js
Overview
Class which checks a web page for bidi-related errors.
This file has the top-level entry points for use as a Javascript API, along
with JSON-based interface functions meant to be called from an external
testing framework like WebDriver.
- source: bidichecker.js
Constructors
A class representing a revision of the BidiChecker checks. Higher revisions
indicate later releases, which check for more error situations.
parameters
| number | revision | The revision number. |
properties
- number revision
Class which checks a web page for bidi-related errors. The preferred way to
invoke BidiChecker is by constructing an instance of this class. The previous
API, based on static methods, is no longer recommended and will be
deprecated.
parameters
| !bidichecker.Revision | revision | Revision of BidiChecker checks to run. |
methods
- checkPage(shouldBeRtl, opt_element, opt_filters)
- checkPageToJson(shouldBeRtl, element, filtersJson)
- setGuiAppUrl(guiAppUrl)
- runGui(opt_noPopup)
Functions
Checks the contents of the current web page, including all nested frames, for
bidi-related errors. If
opt_element
is specified, checks only within
the given element of the DOM (including any nested frames).parameters
| boolean | shouldBeRtl | Is the root expected to be right-to-left? |
| Element= | opt_element | The root element of the DOM subtree to be checked; if null, checks the entire current web page. |
| Array.= | opt_filters | Error suppression filters. |
returns
| !Array. | Array of error objects for all failing checks. |
JSON interface to
checkPage
.parameters
| boolean | shouldBeRtl | Is the element/page expected to be right-to-left? |
| Element | element | The root element of the DOM subtree to be checked; if null, checks the entire current web page. |
| string | filtersJson | Error suppression filters in a JSON string, representing a (possibly-empty) array of filter objects. |
returns
| string |
Array of bidichecker.Error objects for all failing
checks, in JSON format. If no errors were found, returns an empty array
("[]").
|
Sets the location of the GUI files.
parameters
| string | guiAppUrl | Location of the GUI files. |
Runs the interactive visual error browsing GUI, displaying the errors
reported by the last call to
checkPage()
. Calling runGui()
before checkPage()
is not supported (and is a no-op). If a GUI opened
by any prior BidiChecker call in this window is still open, it will be closed
and then re-opened.
On IE versions 8 and above, the GUI will always be displayed in an in-page
dialog box, regardless of the value of opt_noPopup.
On earlier versions of IE, the GUI will not be displayed. An error message
will be displayed instead.parameters
| boolean= | opt_noPopup | Disables opening the error browser in a popup window. |
Runs the bookmarklet GUI with a given set of initial options. If a GUI opened
by any prior BidiChecker call in this window is still open, it will be closed
and then re-opened.
On IE the given window is closed, and the GUI is opened in an in-page dialog.
(This is relevant only for IE versions 9 and up, as the bookmarklet doesn't
work on earlier versions of IE, due to URL length and other restrictions).
parameters
|
Object. |
options |
The initial options.
Options are specified as an object with the following (optional) keys:
|
| Window | hostWindow | The underlying browser window object to be used by the GUI, as returned by window.open, or null to have the function open a new window itself. If non-null, the window should be empty. Do not pass null when calling this function in an onload handler because pop-up blockers will not let it open a window. |
| string= | opt_guiAppUrl | Location of the GUI files. |
Generates a BidiChecker bookmarklet. This is a javascript: url that loads the
BidiChecker package and activates the options page.
parameters
|
!Object. |
options | The options that the options page will be initially populated with. See OptionsPage constructor documentation for more information. |
| string= | opt_scriptUrl | Location of the BidiChecker package. Used to install the GUI server. Must not include characters that have special meaning inside JavaScript strings. |
| string= | opt_guiAppUrl | Location of the GUI application. Must not include characters that have special meaning inside JavaScript strings. |
returns
| string | The generated link. |
Checks the contents of the current web page, including all nested frames, for
bidi-related errors. If
opt_element
is specified, checks only within
the given element of the DOM (including any nested frames).
This used to be the main entry point for the Javascript API. It is now
deprecated, and is here only for compatibility with any bookmarklets created
by users before the class-based API was introduced. All other code should
instead construct an instance of bidichecker.BidiChecker
and call its
checkPage()
instance method.
parameters
| boolean | shouldBeRtl | Is the root expected to be right-to-left? |
| Element= | opt_element | The root element of the DOM subtree to be checked; if null, checks the entire current web page. |
| Array.= | opt_filters | Error suppression filters. |
returns
| !Array. | Array of error objects for all failing checks. |
Runs the interactive visual error browsing GUI. If a GUI opened by any prior
BidiChecker call in this window is still open, it will be closed and then
re-opened.
This entry point is deprecated, and is here only for compatibility with
any bookmarklets created by users before the class-based API was introduced.
All other code should instead construct an instance of
bidichecker.BidiChecker
and call its checkPage()
and
runGui()
instance methods.
parameters
| !Array. | errors | An array of errors to be displayed. |
| boolean= | opt_noPopup | Disables opening the error browser in a popup window. |
| string= | opt_guiAppUrl | Location of the GUI files. |
Objects
Currently the default revision, for backwards-compatibility with existing
user tests that did not specify an explicit revision. Includes checks for
overall page directionality, undeclared opposite-directionality inline text,
and "spillover" which causes garbling of numbers following declared opposite-
directionality text.
This revision is no longer recommended and will be deprecated. Tests
should use REVISION_2
.
Currently the latest revision. Adds checks for undeclared opposite-
directionality text attributes such as input values and tooltip text.
Always points to the latest revision. Automated tests should avoid using
this, as it means that newly-added checks will cause the automated tests to
fail.


Selected commonly used methods for choosing univariate class intervals for mapping or other graphics purposes.
| Version: | 0.2-3 |
| Depends: | R (≥ 2.2), spData (≥ <IP_ADDRESS>) |
| Imports: | grDevices, stats, graphics, e1071, class |
| Published: | 2018-04-16 |
| Author: | Roger Bivand [aut, cre], Hisaji Ono [ctb], Richard Dunlap [ctb], Matthieu Stigler [ctb] |
| Maintainer: | Roger Bivand <Roger.Bivand at nhh.no> |
| BugReports: | https://github.com/r-spatial/classInt/issues/ |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| URL: | https://github.com/r-spatial/classInt/ |
| NeedsCompilation: | yes |
| Materials: | ChangeLog |
| In views: | Spatial |
| CRAN checks: | classInt results |
| Reference manual: | classInt.pdf |
| Package source: | classInt_0.2-3.tar.gz |
| Windows binaries: | r-devel: classInt_0.2-3.zip, r-release: classInt_0.2-3.zip, r-oldrel: classInt_0.2-3.zip |
| OS X binaries: | r-release: classInt_0.2-3.tgz, r-oldrel: classInt_0.2-3.tgz |
| Old sources: | classInt archive |
| Reverse depends: | frontiles, GADMTools, geospacom, rCarto |
| Reverse imports: | aoristic, Biolinv, CAinterprTools, cartography, dlookr, ecospat, eurostat, FAOSTAT, GmAMisc, GoodmanKruskal, mapStats, plotKML, questionr, rangeMapper, sf, stars, synthpop, tmap, tmaptools, vpc |
| Reverse suggests: | HSAR, httk, mapmisc, McSpatial, pals, rworldmap, spCP, spdep, tabplot, womblR |
Please use the canonical form https://CRAN.R-project.org/package=classInt to link to this page.


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Hi, have a question or a suggestion, please fill out the form below. We want to hear from you!
Thanks you message, feedback, questions or suggestions, someone form our team will review your email and respond as soon as possible.


| FIGURE 1 |
Direct and indirect effects in model 4 when spatial distance ... |
| FIGURE 2 |
Direct and indirect effects in model 4 when spatial distance ... |
| FIGURE 3 |
Standardized predicted mean values for willingness to self-c ... |
| FIGURE 4 |
Standardized predicted mean values for willingness to repair ... |


END OF DAYS
Reviewed by Harvey Karten Universal Pictures Director: Peter Hyams Writer: Andrew W. Marlowe Cast: Arnold Schwarznegger, Gabriel Byrne, Robin Tunney, Kevin Pollak, Renee Olstead, Matt Gallini, Linda Pine
Since "End of Days" and Neil Jordan's "The End of the Affair" are playing simultaneously in many theaters, you just might be confused about which to see. I can imagine Richard Kwientniowsky's creation, Giles De'ath, heading for the literary film based on the Graham Greene novel and winding up seeing a mediocre actor with big pecs throwing his weight around in the far more visceral universe of Peter Hyams. He might exclaim, "I say, Ralph Fiennes must be working out these days!" On second thought, there is at least one point of congruence between the plodding Canadian novel and the high-speed vehicle for Arnold Schwarznegger. Graham Greene's book is suffused with a mystical run of Catholic convictions, principally with a belief that some minor miracles can happen in our own, expiring century. For example, when Sarah Miles gently kisses the cheek of the young detective, his huge birthmark gradually disappears. More important, God presents Sarah with an apparent miracle that ironically ends her affair with the novelist Maurice Bendrix.
Despite the belief in the occult that Greene shares with "End of Days" director Peter Hyams, the audience for the two movies is not likely to be the same. The heavily marketed millennium disaster movie is as high caliber as the Canadian novel is lumbering and Schwarznegger is to Ralph Fiennes as Ed Wood is to Alfred Hitchcock.
As chock full of logical flaws as it is loaded with brimstone and fire, "End of Days," which features a mock, Greek- tragedy ending (think Ajax), recalls such pseudo=religious movies as "The Omen" and "Stigmata." Despite its portrayal of some high-ranking church officials as hoodlums, there hasn't been a peep from the Vatican about the show while Catholic groups have rallied against such dulcet, pro-faith fairy tales like "Dogma." Perhaps the obvious cartoonish violence and pointless performances (wasting such talents as Kevin Pollak and Miriam Margolyes) are so obviously tongue- in-cheek that the theme could not offend anyone in the audience.
Nonetheless, "End of Days" is more watchable than some critics would have you think. Just observing Miriam Margolyes beat the stuffing out of Arnold Schwarznegger might be worth the price of admission. The scene with Gabriel Byrne as the Devil's agent speaking of his intended bride "I'd treat her like a queen" will have to make do for laughs in a film which--given the flat-falling one-liners of Kevin Pollak--will have to make do for comedy. In only one case does Andrew W. Marlowe's script rise to the level of wit, as The Man (Gabriel Byrne), infused with Satan's spirit, compares the Bible to a publicist's press kit. "When things turn out well, we say 'It's God's will.' When they turn out bad, it's 'God works in mysterious ways.'"
The story gets under way when a priest rushes into the inner chambers of the Vatican to announce to the seated Pope, "The child will be born today." The year is 1979 and in a hospital, a newborn girl is rushed from her mother's womb to a mysterious chamber where doctors and nurses (including the notable English performer Miriam Margolyes) observe as a physician cuts open the belly of a snake and smears the blood over the infant--who is ironically named Christine. Twenty years later, that little girl is a pixieish orphan (Robin Tunney) who is destined to have a brief affair with the Devil himself, to spend some time in bed while everyone else crowds around Times Square to watch the birth of the new millennium. According to Scriptures--as interpreted by the prescient priest (Rod Steiger)--during the final hour of our own century, Satan is to mate with this particular woman, who will give birth to the anti-Christ. The Devil will then reign over the Earth: unless, that is, a former cop, Jericho Cane (Arnold Schwarznegger) who quit the force when the murder of wife and child left him chronically depressed, can end the affair before it begins. With his cynically jocular partner Chicago (Kevin Pollak), he determines to protect the 20-year- old woman from The Man (who, as fans of Gabriel Byrne know would be irresistible to women even if the Devil had not entered his body).
"End of Days" features plenty of violence of the sort that would have teens call out "Yeah!" and a couple of fairly sexy near-encounters, one taking place near the podium of a church. If you can forget the logic by which The Man's body can almost instantly heal damage done to it by bullets and yet Jericho's bazooka-like artillery can down him for minutes at a time, you can sit back and enjoy New York undergoing more mayhem than usual as fires consume churches and subway trains alike. Y2K may yet end our days but Peter Hyams interpretation of havoc is harmless.
Rated R. Running Time: 118 minutes. (C) 1999 Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Immigration::-
Immigration is the international movement of people to a destination country of which they are not natives or where they do not possess citizenship in order to settle as permanent residents or naturalized citizens. Commuters, tourists, and other short-term stays in a destination country do not fall under the definition of immigration or migration; seasonal labour immigration is sometimes included.
Immigration Visa process::-
So here below some steps of process to get a visa is mentioned::-
Step 1:-Submit a petition
Step 2:-NVC processing
Step 3:-Pay fees
Step 4:-Affidavit of support
Step 5:-Financial document
Step 6:-Online application
Step 7:-Civil documents
Step 8:-Scan documents
Step 9:-Submit documents
Step 10:-Interview preparation
Step 11:-Applicant interview
The U.S. citizens and lawful permanent resident petitioner residing in the United States must file Form I-130,petition for alien relative,
this can be done electronically or by paper work also.
The immigrant petition must be approved USCIS before your case can
proceed to the National Visa Center.
H-1B visa::-
The H-1B visa , the most sought after among Indian IT professionals,
is a non immigrant visa that allows US companies to employ foreign workers in speciality occupations that that require theoretical or technical expertise.
Immigration case management::-
With about 2000 immigration forms to track , and many
more undoubtedly on the way under any new legislation , a top-tier immigration case management software solution has a complete and
comprehensive library of forms , and its constantly updated with each
new change within 24-48 hours of government release.
To sheer volume of changes would require massive staffing
hours to keep up.
The best-in-class software were describing would customize case
workflows, monitor filing deadlines, and automates repetitive process
using machine learning and Robotic Process Automation (RPA).
And by RPA process Invaluable time is saved.


{% load i18n %} {% load static %}
{% trans "On 14 June 2021 we removed a number of components of this legacy user interface for viewing project data (also known as kobocat). Thank you to everyone who has participated in our survey over the last months and for responding to the forum discussion. This updated version has allowed us to upgrade kobocat’s source code and dependencies to ensure proper data security in the long run, and lower the amount of work needed to maintain it. You can notice the following changes:"%}
{% trans "The API will continue to work as before. The legacy interface will continue to be available for a few more months. After this, the kobocat component will serve for its core responsibility, receiving and storing survey submission data."%}
{% trans "On 14 June 2021 we removed a number of components of this legacy user interface for viewing project data (also known as kobocat). After this date, the legacy interface will continue to be available for a few more months, with a number of changes." %}


ODE Examples
|
Double Scroll Attractor |
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|
Multistep Example |
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Lorenz Runge-Kutta |
|
|
Lorenz Multistep |
|
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MultiStep |
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First order – No derivatives right hand side rk1: solves an initial value problem for a single first order ordinary differential equation dy/dx = f(x,y) by means of a 5-th order Runge-Kutta method. The equation is assumed to be nonstiff void rk1(x, a, b, y, ya, method, e, d, fi) x: double x[0:0]; entry: the independent variable; exit: upon completion of a call, x is equal to b a,b: initial and end values of x y: double y[0:0]; entry: the dependent variable; ya: double; entry: the value of y at x=a; method: a class that defines a procedure fxy, this class must implement the AP_rk1_method interface; double fxy(double []x, double []y) the function giving the value of dy/dx e: double e[1:2]; entry: e[1]: a relative tolerance; e[2]: an absolute tolerance d: double d[1:4]; exit: d[1]: number of steps skipped; d[2]: equals the step length; d[3]: equals b; d[4]: equals y(b); fi: boolean; entry: if fi is true then rk1 integrates from x=a to x=b with initial value y(a)=ya and trial step b-a; if fi is false then rk1 integrates from x=d[3] to x=b with initial value y(d[3])=d[4] and step length h=d[2]sign(b-d[3]), while a and ya are ignored
|
Compute the solution at x=1 of the differential equation
with initial condition |


About player ToyBox provide some useful tools, and player is the most important one. Basically, player is another Lua interpreter made for ToyBox. The behavior of player depend on lua script. Modify script to change its behavior. It's a portable program.
| License | Public Domain |
|---|---|
| Script language | lua |
| Platform | Linux , Mac , Windows |
| Encoding | UTF-8 |
License ToyBox is release into public domain. Be careful, those third party libraries have their own license.


| 024:061 Khan | : |
There is no restriction on the blind, nor any restriction on the lame, nor any restriction on the sick, nor on yourselves, if you eat from your houses, or the houses of your fathers, or the houses of your mothers, or the houses of your brothers, or the houses of your sisters, or the houses of your father's brothers, or the houses of your father's sisters, or the houses of your mother's brothers, or the houses of your mother's sisters, or (from that) whereof you hold keys, or (from the house) of a friend.  But when you enter the houses, greet one another with a greeting from Allah (i.e. say: As-Salamu 'Alaikum - peace be on you) blessed and good.  It is no sin in you that you eat together or separately. So when you enter houses, greet your people with a salutation from Allah, blessed (and) goodly. Thus does Allah make clear to you the messages that you may understand. |
| 024:061 Pickthal | : |
No blame is there upon the blind nor any blame upon the lame nor any blame upon the sick nor on yourselves if ye eat from your houses, or the houses of your fathers, or the houses of your mothers, or the houses of your brothers, or the houses of your sisters, or the houses of your fathers' brothers, or the houses of your fathers' sisters, or the houses of your mothers' brothers, or the houses of your mothers' sisters, or (from that) whereof ye hold the keys, or (from the house) of a friend. No sin shall it be for you whether ye eat together or apart. But when ye enter houses, salute one another with a greeting from Allah, blessed and sweet. Thus Allah maketh clear His revelations for you, that haply ye may understand. |
| 024:061 Rashad | : |
The blind is not to be blamed, the crippled is not to be blamed, nor is the handicapped to be blamed, just as you are not to be blamed for eating at your homes, or the homes of your fathers, or the homes of your mothers, or the homes of your brothers, or the homes of your sisters, or the homes of your fathers' brothers, or the homes of your fathers' sisters, or the homes of your mothers' brothers, or the homes of your mothers' sisters, or the homes that belong to you and you possess their keys, or the homes of your friends. You commit nothing wrong by eating together or as individuals. When you enter any home, you shall greet each other a greeting from GOD that is blessed and good. GOD thus explains the revelations for you, that you may understand. |
| 024:061 Sarwar | : |
It is no sin for the blind, the lame, the sick ones, and yourselves to eat at your own homes, or the homes of your father, mothers, brothers, sisters, your paternal and maternal uncles, aunts, or at the homes of your friend, and the homes with which you are entrusted. It makes no difference whether you eat all together or one person at a time. When you enter a house, say the blessed greeting which God has instructed you to say.  It is no sin in you that you eat together or separately. So when you enter houses, greet your people with a salutation from Allah, blessed (and) goodly; thus does Allah make clear to you the communications that you may understand. |
| 024:061 Sherali | : |
There is no harm for the blind, and there is no harm for the lame, and there is no harm for the sick and none for yourselves, that you eat from your own houses, or the houses of your fathers, or the houses of your mothers, or the houses of your brothers, or the houses of your sisters, or the houses of your father's brothers, or the houses of your father's sisters, or the houses of your mother's brothers, or the houses of your mother's sisters, or the houses of which the keys are in your possession, or from the house of a friend of yours. Nor is there any harm whether you eat together or separately.  Thus does ALLAH expound to you the commandments, that you may understand. |
| 024:061 Yusufali | : |
It is no fault in the blind nor in one born lame, nor in one afflicted with illness, nor in yourselves, that ye should eat in your own houses, or those of your fathers, or your mothers, or your brothers, or your sisters, or your father's brothers or your father's sisters, or your mohter's brothers, or your mother's sisters, or in houses of which the keys are in your possession, or in the house of a sincere friend of yours: there is no blame on you, whether ye eat in company or separately. But if ye enter houses, salute each other - a greeting of blessing and purity as from Allah. Thus does Allah make clear the signs to you: that ye may understand. |
Concepts/Themes Covered: العمل > العمل الصالح > حسن السلوك Action(Work)> The Good Deeds>Good Conduct الإنسان والعلاقات الأخلاقية > الأخلاق الحميدة > السلوك الحسن Man and The Moral Relations> Good Morals>Good Conduct الإنسان والعلاقات الاجتماعية > المجتمع > آداب الاستئذان Man and The Social Relations>The Society>Asking for Permission Morals الإنسان والعلاقات الاجتماعية > المجتمع > التحية و السلام وأدب الضيافة Man and The Social Relations>The Society>Greetings and the Hospitality Morals تنظيم العلاقات المالية > المشاركة Organizing Financial Relationships>Partnership العلاقات القضائية > أحكام قانونية > العفو > الترخيص Judicial Relationships>Legal Rules>Forgiveness>Allowance
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


For years, Warner Brothers’ DC has struggled to compete with the success of its rival, Disney’s Marvel. Following the success of Marvel’s cinematic universe, which established a continuous narrative by using the same characters in each film, DC attempted to do the same with superhero-filled films such as Batman v Superman: Dawn of Justice and Justice League. Ultimately, these films felt like flawed, pale imitations of Marvel’s own output. However, with the release of Aquaman last year and Shazam! this year, DC finally seems to be coming into its own—it adopts its own style, rather than copying Marvel. Its newest film, Shazam!, is a bright, charming, and generally fresh take on the superhero movie.
Shazam himself is a bit of a convoluted character, so some explanation is warranted before we dive into the film. Shazam is actually Billy Batson, a teenager who is granted superpowers by a wizard. The character originated in the 1940s under the name Captain Marvel, but in the years since his creation, the character changed rights holders from Fawcett Publications to DC Comics and ran into a trademark dispute with Marvel Comics, who had created a character named Captain Marvel (the basis for the eponymous character of the Brie Larson film, Captain Marvel) during Shazam’s absence from publication in the 1960s. Nowadays, the character goes by the moniker “Shazam”, which is also the word that Billy utters to transform into his superpowered alter ego.
Confused yet? The movie manages to skirt around the complications surrounding Shazam’s superhero title by never directly referring to him by name. Instead, Batson and his foster brother, Freddie Freeman, use a variety of silly monikers such as “Captain Sparklefingers” and “Zap-tain America” because they cannot decide what to call Batson’s superhero persona.
The film follows standard superhero origin story structure. Billy Batson is granted powers in the first act, figures out his powers and battles a supervillain in the second act, then goes back to fight the villain once more in the third act. Despite its routine narrative construction, Shazam! manages to stand out as a unique superhero film due to its sense of humor and a solid emotional core.
Shazam!’s great sense of humor is bolstered by Zachary Levi’s performance as the titular heroic alter ego. Levi perfectly captures the mannerisms and childlike wonder of a teenage boy granted a musclebound adult superhero form. The movie often feels reminiscent of the 1988 Tom Hanks film, Big, which features a similar story of a teenage boy magically transplanted into an adult body. Shazam! even goes as far as to reference the iconic floor-piano scene from Big when Shazam battles his nemesis in a toy store. The comedic setup of “kid transplanted into an adult’s body” is a familiar one, but it works well here. Levi and Asher Angel (who plays Billy Batson) have great chemistry with Jack Dylan Grazer, who plays Batson’s sarcastic superhero-nut foster brother, Freddy Freeman.
Beyond the film’s great sense of humor, there’s a compelling story about family bonds. Billy spends part of the film searching for his birth mother, who he was accidentally separated from as a toddler. He is assigned to a foster family at the beginning of the film, and although he bonds with Freddy, he is reluctant to embrace his new family. However, when he discovers that he was actually intentionally abandoned by his teenage mother, Billy comes to realize that the bond with the family we choose can actually be stronger than the one with the family we are given. To me, this message felt unusually profound for a film in the superhero genre.
Not only does Shazam! deliver a poignant story about family, it also delivers on the expected action sequences. It offers all the whizbang computer generated spectacle that is a staple of the genre, but with the comic twist of a dorky teenager in the body of a hulking superhuman. The film’s climactic battle takes a page from the current iterations of the Shazam comic books, which adds a further degree of interest to otherwise routine proceedings. In the movie, as in the comics, Billy realizes that the wizard who granted him his Shazam powers also wanted Billy to share his powers with others to help protect the world. Thus, Billy shares his powers with the rest of his foster siblings, leading to a color-coded team of superheroes doing the third act fighting instead of the usual one-on-one battle. Billy’s creation of his own team of superpowered foster siblings cements the film’s thematic focus on family.
Shazam! also stands out from past DC films for its colorful visuals. Previous DC superhero movies sported dark, muted color palettes. Those who maligned earlier DC films for their drab appearance will no doubt be pleased with the vibrancy on display in this film. Shazam’s bright red-and-gold costume feels ripped straight from the pages of a comic book, and his team of foster siblings are equally vivid. Even locations that might normally be presented with bland colors are given a visually pleasing polish. The school Billy attends, and in particular, the cafeteria, is rendered in eye-catching pastels, reminiscent of the colors seen in the mental hospital of M. Night Shyamalan’s Glass, a superhero hit that was released earlier this year.
Although Shazam! is nothing revolutionary to the superhero genre, it’s an incredibly fun dose of blockbuster entertainment. Not only is the film is hilarious, brightly colored, and full of pep, it also boasts a wonderful performance from Zachary Levi. Shazam! may not win any new converts to the superhero genre, but it’s a welcome change of pace for superhero fans who feel exhausted by years of identikit superhero films.


What is a System Action?
A "System Action" allows you to execute the following actions:
- Log Out…
- Switch to…
- --------
- Sleep
- Reboot
- Shutdown
- --------
- Empty Trash
- --------
- Mute
- Volume Up
- Volume Down
- --------
- Switch grayscale.
- Invert Black & White.
- --------
- Launch Screen Saver (Mac OS X.4 and later)


You can't apply for this licence online. Contact your local council .
Overview
If you run an independent school in Wales that admits children who have been assessed by the local authority as having special educational needs, you must be approved by the Welsh Government.
Approval may be subject to conditions and that the school meets the requirements of the Independent School Standards (Wales) Regulations 2003.


About Me
I'm new to web development and this is my first time using html and css. So take it easy on me. I also like to play computer games and deadlift.
I'm new to web development and this is my first time using html and css. So take it easy on me. I also like to play computer games and deadlift.


--- title: calcComponentsOld sidebar: function_reference_sidebar permalink: SO3Fun.calcComponentsOld.html folder: function_reference toc: false ---
heuristic to find modal orientations
| SO3F | SO3Fun |
| ori | initial list of orientation |
| modes | modal orientation |
| volume | volume of the component |
| centerId | list of ids to which each initial ori converged to |
| resolution | search-grid resolution |
| angle | maximum component width used for volume computation |
| exact | do not dismiss very small modes at the end |


btparser
Section: Misc. Reference Manual Pages (1)Updated: 24 May 2010
Index Return to Main Contents
NAME
btparser - a backtrace analyzerSYNOPSIS
btparser [option]... [FILE]...DESCRIPTION
btparser is a command line tool that analyzes backtraces produced by GDB and provides their textual representation useful for crash duplication detection.By default, btparser prints the backtrace tree created by parsing the input file.
OPTIONS
Basic startup options- -V, --version
- Displays version of btparser.
- -?, --help
-
Print a help message describing all of btparser’s command-line options.
Actions
- -r, --rate
- Print a float number between 0 and 1, representing the quality of the backtrace.
- -c, --crash-function
- Print the name of the function where the program crashed, if it's successfully detected.
- -h, --duplicate-hash
- Print a short, textual representation of the backtrace, useful for detecting the backtrace duplicates.
- -s, --distances
- Print Damerau–Levenshtein distances between the backtraces specified on the command line.
- -g, --dendrogram
- Cluster backtraces by their distance and print an ASCII representation of the dendrogram.
- -l, --clusters=LEVEL
-
Print clusters cut from the dendrogram at the specified level.
Additional options
- -i, --stdin
- Read input from the standard input rather than file.
- -m, --max-frames=FRAMES
- When creating optimized backtrace or preparing backtrace for comparison, limit the number of frames to FRAMES. (default 8)
- -z, --min-cluster-size=SIZE
- When printing clusters, ignore clusters that contain fewer than SIZE objects. (default 2)
- -d, --debug
- Prints debug information when scanning/parsing the backtrace.
- -v, --verbose
-
Print more output than usual.
Index
This document was created by man2html, using the manual pages.
Time: 05:29:02 GMT, December 24, 2015


| Round | Start | Artist One | Artist Two |
|---|---|---|---|
| Quarter Finals - Round One | Artist One - 20,000 | Artist Two - 30,000 | |
| Quarter Finals - Round Two | Artist One - 20,000 | Artist Two - 30,000 | |
| Quarter Finals - Round Three | Artist One - 20,000 | Artist Two - 30,000 | |
| Quarter Finals - Round Four | Artist One - 20,000 | Artist Two - 30,000 | |
| Simi Finals - Round One | Artist One - 20,000 | Artist Two - 30,000 | |
| Simi Finals - Round Two | Artist One - 20,000 | Artist Two - 30,000 | |
| Finals Round | Artist One - 20,000 | Artist Two - 30,000 |


| Warning |
BotHugo186.hs:SrcLoc "BotHugo186.hs" 64 1:function bot has 23 lines of code should be kept below 20 lines of code. |
| Warning |
BotHugo186.hs:SrcLoc "BotHugo186.hs" 92 1:type signature for aumentaVelocidade has 6 arguments should be less than 5 |
| Warning |
BotHugo186.hs:SrcLoc "BotHugo186.hs" 114 1:type signature for estabilizaVelocidade has 6 arguments should be less than 5 |
| Warning |
BotHugo186.hs:SrcLoc "BotHugo186.hs" 207 1:type signature for colideT4Batota has 6 arguments should be less than 5 |
| Warning |
BotHugo186.hs:SrcLoc "BotHugo186.hs" 210 1:type signature for colideT4 has 7 arguments should be less than 5 |
| Warning |
BotHugo186.hs:SrcLoc "BotHugo186.hs" 224 1:type signature for vaiMorrer has 6 arguments should be less than 5 |
| Warning |
BotHugo186.hs:SrcLoc "BotHugo186.hs" 230 1:type signature for vaiColidir has 7 arguments should be less than 5 |
| Warning |
BotHugo186.hs:SrcLoc "BotHugo186.hs" 243 1:type signature for apontaPara has 6 arguments should be less than 5 |
| Warning |
BotHugo186.hs:SrcLoc "BotHugo186.hs" 259 1:type signature for contrariaPara has 6 arguments should be less than 5 |
| Warning |
BotHugo186.hs:SrcLoc "BotHugo186.hs" 260 1:function contrariaPara has 30 lines of code should be kept below 20 lines of code. |
| Warning |
BotHugo186.hs:SrcLoc "BotHugo186.hs" 349 1:type signature for percorreHistorico has 7 arguments should be less than 5 |
| Warning |
CollisionViewer.hs:SrcLoc "CollisionViewer.hs" 258 1:function joga has 24 lines of code should be kept below 20 lines of code. |
| Warning |
OracleT3.hs:SrcLoc "OracleT3.hs" 104 1:type signature for colideLocalAcc has 6 arguments should be less than 5 |
| Warning |
OracleT3.hs:SrcLoc "OracleT3.hs" 172 1:function temParede has 28 lines of code should be kept below 20 lines of code. |
| Warning |
OracleT3.hs:SrcLoc "OracleT3.hs" 368 1:function unitTests has 48 lines of code should be kept below 20 lines of code. |
| Warning |
OracleT3.hs:SrcLoc "OracleT3.hs" 503 1:function evaluationTests has 47 lines of code should be kept below 20 lines of code. |
| Warning |
OracleT4.hs:SrcLoc "OracleT4.hs" 97 1:type signature for lancaNitros has 6 arguments should be less than 5 |
| Warning |
OracleT4.hs:SrcLoc "OracleT4.hs" 146 1:function testesT4 has 47 lines of code should be kept below 20 lines of code. |
| Warning |
OracleT5.hs:SrcLoc "OracleT5.hs" 204 1:function glossTempo has 24 lines of code should be kept below 20 lines of code. |
| Warning |
OracleT5.hs:SrcLoc "OracleT5.hs" 253 1:function joga has 63 lines of code should be kept below 20 lines of code. |
| Critical |
OracleT1.hs:SrcLoc "OracleT1.hs" 20 1:StandaloneDeriving language extension is not enabled. Please add {-# LANGUAGE StandaloneDeriving #-} pragma at the top of your module. |
| Critical |
Tarefa1.hs:SrcLoc "Tarefa1.hs" 1 16:Parse error: $ |
| Critical |
Tarefa2.hs:SrcLoc "Tarefa2.hs" 1 16:Parse error: $ |
| Critical |
Tarefa3.hs:SrcLoc "Tarefa3.hs" 1 16:Parse error: $ |
| Critical |
Tarefa4.hs:SrcLoc "Tarefa4.hs" 7 16:Parse error: $ |
| Critical |
Tarefa6.hs:SrcLoc "Tarefa6.hs" 7 16:Parse error: $ |


HANNAH AND HER SISTERS A film review by Andrew Hicks Copyright 1996 Andrew Hicks / Fatboy Productions
(1986) *** (out of four)
HANNAH AND HER SISTERS is an intricate, well thought- out ensemble drama from Woody Allen, who began with this movie a string of adult dramas like CRIMES AND MISDEMEANORS, SEPTEMBER and ANOTHER WOMAN. This one follows the loves and ambitions of one extended family, all of whom are connected by a woman named Hannah (Mia Farrow). Michael Caine, her current husband (and probably the only man who looks goofier than Woody Allen), is infatuated with Hannah's sister Lee (Barbara "Collagen Lips" Hershey), who is married to a moody artist (Max von Sydow).
Then you've got the two other sisters, Holly (perennial Allen favorite Diane Wiest) and April (Carrie Fisher), in competition for the same man, along with Farrow's ex-husband (Allen), the hypochondriac producer of a sketch comedy show (In a rare moment that reveals a little too much of Woody, he complains about a sketch that the censors have ordered cut, wondering why they could be so narrow-minded, when his head writer Julie Kavner replies, "Child molestation is a very touchy subject.) who comes face to face with death and eternity when he finds out he may have a brain tumor.
As if all these story lines weren't enough, Allen manages to work in a few of his customary flashbacks, one a scene in which he and Mia find out he's infertile and have to ask two of their best friends if they wouldn't mind donating some sperm for a worthy cause, and the other a comic sequence of a blind date from hell with Allen and Wiest. The latter is loaded with the usual Woody Wit and figures into the plot toward the end, the former is unnecessary and is never resolved. We see the friends react in disgust at the comment, "All you have to do is masturbate into a cup" (which Woody would no doubt videotape), but later we find out Woody and Mia had two kids together. Who's the father, out of curiosity?
Although the whole sperm storyline is out of place, the others are delicately balanced so that we retain interest in all of them as they develop and eventually intertwine. Allen has an obvious talent for juggling multiple story lines even if the resolutions for some of them aren't ideal. In HANNAH AND HER SISTERS, he tackles his familiar topics of adultery and the philosophical mysteries of life as his character receives a reprieve and gets a new lease on life for only a little while before realizing death is still inevitable and life is still as meaningless as ever. He tries to convert to Catholicism and later Hari Krishna, but to no avail. Only Woody could make so many serious points about an issue like that while also keeping the comedy going. HANNAH AND HER SISTERS marked the beginning of a new era of large scale seriousness in comedy from Mr. Allen.
--
Visit the Movie Critic at LARGE homepage at http://www.missouri.edu/~c667778/movies.html Serving America For Over 1/50 of a Century!
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{{< layout}} {{$pageTitle}}Upload your photo{{/pageTitle}} {{$header}}
This will be in an email from a shop or on your printed photos.


International Symposium for the 100th birthday of Albert Hofmann, 13 - 15 Jan. 2006.
I found out about the conference in a rather roundabout way. There's a small publishing house in Germany called 'Werner Pieper's Media Experiment' that brings out a rather occasional newsletter, always worth reading. As I was reading through it, I noticed repeated references to a conference to celebrate Albert Hofmann's 100th birthday and I thought it would be quite something to actually be there. And, just for a change, I actually got up and did something about it, booked places for me and my girlfriend for Friday and Saturday at the conference, booked a flight from Stansted, and went!
Of course, I didn't make it for the Akasha Project and their musical introduction. 8.15 am was irresponsibly early for such a thing. But I was there for the introductory talks, from various notable psychologists. Very academic, perhaps to make Albert Hofmann feel more at home, because he was sitting up there on stage.
His turn to speak came last, thought it wasn't really a talk in the usual sense, the moderator asked him about how he discovered LSD, asked him about his famous bicycle ride, about his first delibertate self-experiment with LSD. He answered slowly and clearly. I guess he probably told those stories a thousand times before already. And then he spent the rest of the day sitting in the audience in the front row.
There were five parallel sessions - too much! - and I opted for Carl Ruck and Peter Webster, talking about the mythology and chemistry of Eleusius. Their contention is that the ergot theory that Hofmann and Schultes came up with is wrong. Instead, they believe that the climate at the time in Greece was damp enough to support the growth of psilocybe mushrooms, and that that offers a much simpler explanation for the magical drink given to initiates. The ergot explanation would require that the toxic components of the ergot were first neutralised, whereas mushrooms could have been added without any special preparation.
I was a bit late for the afternoon session, I just got there in time to catch David Nichols talking about the Hefter Research Institute and Rick Doblin talking about MAPS. Both organisations are chipping away at the monumental LSD prejudice that has become enshrined in law in most countries. It was very encouraging to hear that they are slowly making some progress, in spite of the current climate.
There followed another set of parallel sessions, worst luck. I would have liked to have gone to 'ask the Shulgins', but I was too tempted to go to a talk by Christian Raetsch about psychedelic plants. He's German and he's written quite a few books on the subject, as well as having spent quite a few years doing live research with shamans in South America (especially with ayahuasca). He is an engaging speaker and can even make puking up after drinking down a disgustingly bitter cup of ayahuasca sound good. He reported on a number of plants that he had been shown by shamans which he knew from personal experience to have a psychoactive effect, but for which there is currently no botanical identification. So, maybe we will soon see the next salvia.
I didn't go to the next round of talks, I got distracted by my girlfriend I guess the talk by Jonathan Ott was probably pretty good. There were quite a few retrospective talks about the history of LSD over the past 50 years, but I can't say I was too tempted by them. I suppose I already read too much about that.
Saturday morning I missed the shockingly early musical introduction once again, though I heard it was good, a giant gong.
I was in time to catch Martin Lee talking about how the early CIA influenced the psychedelic movement. He claims that they played a decisive role, in fact, funding a lot of above-board research, which introduced thousands of young people to LSD as paid participants in experiments. He also thinks that it isn't a cooincidence that LSD didn't get made illegal until the CIA had established that it was useless as an interrogation drug.
In the following parallel sessions, I opted for Alex Grey. That was a pretty good talk, though it suffered a bit because he had to stop every two sentences to allow the interpreter to translate into German. She wasn't too polite with him, so he started playing games with her by uttering really complicated sentences. Anyway, he did a kind of analysis of the painting that he did for Albert Hofmann's birthday present, a picture of the young Albert holding a reconstruction of the LSD molecule, with pictures of various LSD luminaries floating around him. He also discussed his plans for an expanded Chapel of Mirrors (or whatever he calls it), where his work and the work of similarly inspired artists would be displayed. He finished off by showing work from some of his favourite artists, that was really great - great to see one artist be so supportive for other artists, also great to see just what amazing stuff is going on out there.
I missed the afternoon podium discussion completely, too much nostalgia for my taste. But then I went to the talk by Earth and Fire about the various surveys they have been doing about LSD usage in the modern world. The main message seems to be that you are more likely to have a good experience than a bad experience if you take LSD.
After that I took a wander around the foyer, where all sorts of stuff had been set up. Lots of really great artwork and a couple of bookstalls, as well as a mini-cinema, where various videos were played on endless loops. I cought one featuring the 'young' Albert Hofmann when he was only about 80. He was speaking in English, and fast, with lively gesticulation. Very encouraging to see that maintaining an active mental world can keep your body and mind healthy into such an age. There was a funny story right at the beginning, where the moderator had asked him to do something, but he said, no, I'm not ninety anymore you know!
Anyway, I really enjoyed the whole thing, and I'm glad I got a chance to see and hear good old uncle Albert himself, because I doubt if I will get another chance. Oh, and Basel itself is a really nice city, very quaint and European, but because it's Swiss, you know it is clean and safe.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


XueLan's Application Framework
Classes
| iTweenHashBuilder | iTween hash builder. All params: name|audiosource|volume|pitch|time|delay|easetype| looptype|onstart|onstarttarget|onstartparams|onupdate| onupdatetarget|onupdateparams|oncomplete| oncompletetarget|oncompleteparams|ignoretimescale| amount|color|r|g|b|a|NamedColorValue|includechildren| alpha|looktarget|axis|speed|x|y|z|looktime|space|position| path|movetopath|orienttopath|lookahead|islocal| rotation|scale|audioclip|from|to |
| Log | Log with java & object-C in mobile |
| MgrAssetBundle | Asset bundle manager. |
| MgrAudio | Audio manager. |
| MgrBackdoor | backdoor manager. click BACKDOOR_CLICK_TIMES in BACKDOOR_OUT_OF_SECONDS will show backdoor. !!WARNNING!! ONLY use back door for debug!!! |
| MgrCoroutine | coroutine manager. use this, you should not create gameObject manual (this class will create automatic :)). |
| MgrData | data manager |
| MgrFPS | debug use, show FPS, memory info |
| MgrMultiLanguage | Multi language config. |
| MgrPopup | Popup manager, the code is similar to MgrScene |
| MgrScene | Scene manager, the code is similar to MgrPopup |
| ModCompress | compress & decompress. |
| ModDispatcher | Dispatcher mod. |
| ModEncryption | Encrypt Decrypt Mod |
| ModUIUtils | UI Tools |
| ModUtils | Tools |
| SceneObject | Scene object, UI part. |
| Storyboard | Storyboard, script part. |
| XLAFEventTriggerListener | Event trigger listener. You can add other EventTrigger. |
| XLAFHotFixImpl | XLAF hot fix config Base class, developer MUST inherit this class to create new class to enable hot fix |
| XLAFMain | XLAF main script. |
| XLAF_Event | Event for ModDispatcher. |
| XLAF_UIEvent | XLAF user interface event. |
Topics
| Readme.md | Read me file |


Using machine learning and genetic algorithms to train the bird to fly between the pipes! Make sure you let it run at the highest speed for 1-2 minutes.


CSC 514/528 - Group 13
Breadth First Search
Depth First Search
Depth Limited Search
Iterative Deepening Search
Uniform Cost Search


About
Rock Paper Scissors is a classic childhood game. The rules are simple.
- Rock beats Scissors
- Paper beats Rock
- Scissors beats Paper
- If both players choose the same item its a draw
Rock Paper Scissors is a classic childhood game. The rules are simple.


Line
Represents a headline in an orgmode file.
Special keywords allowed at the start of a line.
This is the regex that matches a line
This matches the tags on a headline
Valid states for partial export.
exclude |
The entire subtree from this heading should be excluded. |
headline_only |
The headline should be exported, but not the body. |
all |
Everything should be exported, headline/body/children. |
Determines if a line is an orgmode “headline”: A headline begins with one or more asterisks.
# File lib/org-ruby/headline.rb, line 73 def self.headline?(line) line =~ LineRegexp end
# File lib/org-ruby/headline.rb, line 44 def initialize(line, parser = nil, offset=0) super(line, parser) @body_lines = [] @body_lines << self # Make @body_lines contain the headline? @tags = [] @export_state = :exclude if (@line =~ LineRegexp) then @level = $&.strip.length + offset @headline_text = $'.strip if (@headline_text =~ TagsRegexp) then @tags = $&.split(/:/) # split tag text on semicolon @tags.delete_at(0) # the first item will be empty; discard @headline_text.gsub!(TagsRegexp, "") # Removes the tags from the headline end @keyword = nil parse_keywords else raise "'#{line}' is not a valid headline" end end
Override Line.output_text. For a heading, @headline_text is what we should output.
# File lib/org-ruby/headline.rb, line 67 def output_text return @headline_text end
Overrides Line.paragraph_type.
# File lib/org-ruby/headline.rb, line 78 def paragraph_type :"heading#{@level}" end
Generated with the Darkfish Rdoc Generator 2.


Unmanned aerial vehicles (UAVs) have increased in popularity in areas like surveillance, photography, and sample collection. These versatile drones have allowed for exploration in areas that would be difficult, dangerous, or costly via manned aircraft. As the environments drones are used in expand, the availability of platforms that drones are capable of landing on are limited to the landing mechanisms they are outfitted with. By attaching landing gear that is not limited to level, planar surfaces, we remove a restriction in the application of drones.
Over 11 weeks between June and August 2015, a group of 5 undergraduates and I developed landing gears that would allow for commercially available drones to perch on plateforms such as bars, pipes, branches, and wires.
I designed a passive system that would use the weight of the drone to collapse eight four-bar linkages and actuate four flexible grasping digits. The landing gear was comprised of two "legs", each made of two laser-cut acrylic four-bar linkages with 3D printed pulleys at each pivot. The fishing line ran through the bottom three pulleys and through two 3D printed grasping digits. A jamming mechanism directed the four-bar from collapse into one direction, removing slop. The 3D printed grasping digits were made from NinjaFlex and ABS filaments and printed on the MakerBot Replicator 2X. A gradient of flexible filament and segment geometry ensured that the digit would actuate from the base to the tip. This would prevent the case of the digit curling before actually grasping the object.
Two versions of the four-bar landing gear were designed, fabricated, and tested. The first was a static version in which the four-bars were mounted to the bottom of a FlameWheel F550 at a fixed angle. This would allow for the drone to take advantage of a stalling behavior directly over the perch and allow for vertical take off and landing (VTOL). The second dynamic design introduced a servo between the bottom plate of the FlameWheel chassis and a axel to which the two legs mounted. This would allow for the angle between the drone chassis and the legs to change and approach the perch from an angle. The introduction of a servo also created a niche for a self leveling mechanism if a gyroscope was to be introduced.
A series of dexterity tests were performed using marionette strings with both the static and the dynamic landing gear. An empty FlameWheel chassis was used with a three cell battery strapped on to emulate the weight. While the dynamic landing was able to perch on a 2x4 wood bar, and adjust its leveling, it failed to successfully land on branches or other irregular perches. The static landing gear was able to perch on a variety of platforms such as a handrail, stone divier's ledge, branch, 2x4, and PVC pipe. However, both landing gears required precise control to align the "palms" with the perch. If the palms did not align, the drone slipped and failed the perch.
A flight test with the static landing gear using a fully outfitted and manually controled DJI FlameWheel. Unlike the marionette tests, the manual flights proved too difficult to control and accurately land on the branch during the test. The drone was able to start from a perching position at rest and easily release the branch once the drone started taking off and removing its weight from the four-bar.


The Latest: China body criticizes court ruling on mask ban
by The Associated PressHONG KONG — The Latest on Hong Kong protests (all times local):
11 a.m.
China’s rubber stamp parliament has criticized the Hong Kong high court’s ruling to strike down a ban on face masks.
A statement from the National People’s Congress’ Legislative Affairs Commission said some deputies had expressed “strong dissatisfaction” with the court’s ruling. The statement said the decision “seriously weakened the rightful administrative powers” of Hong Kong’s leader and doesn’t conform with either the territory’s mini-constitution, known as the Basic Law, or the NPC’s decisions.
The commission said, “We are currently studying opinions and suggestions raised by some NPC deputies.”
The hint that Beijing may move to overrule the decision would possibly fuel further protests. The court ruled Monday that the mask ban infringes on fundamental rights more than is reasonably necessary for the furtherance of its goals. It was aimed at preventing protesters from hiding their identity to evade arrest but has been widely disregarded.
Creeping legal and political interference by Beijing is one of the key concerns driving the protests.
___
10:20 a.m.
Hong Kong’s leader says an estimated 100 protesters remain holed up in one of the city’s main universities that had been blockaded by police.
Leader Carrie Lam said Tuesday that 600 protesters had left the Hong Kong Polytechnic campus, including 200 who are under 18 years old.
Police have surrounded the university and are arresting anyone who leaves. Lam said those under 18 would not be immediately arrested but could face charges later.
The Associated Press


| None. |
|
Replace the UNTIL command in aREPEAT ... UNTIL loop to make the loop run forever. Remember, the program execution will continue indefinately until either you break out of it programmatically! This is often known as 'the infinate loop'. Once more for the cheap seats: "Make sure you provide a means for breaking out of the loop". Use EXIT (to leave the loop) or END to quit the program.
See also: Repeat, Until, Exit, While, For. |
|
; FOREVER Example
Repeat If KeyHit(1) Then Exit Print "You are trapped in an infinate loop! Press ESC!" Forever Print "The infinate loop has ended!" |


More than 28 billion glass bottles and jars end up in landfills every year -- that is the equivalent of filling up two Empire State Buildings every three weeks.
What Goes in Each Bin
| Blue | Brown | Green or Grey |
|---|---|---|
|
|
|
What Can't Go In Each Bin
| Blue | Brown | Green or Grey |
|---|---|---|
|
|
|
What Can't Be Recycled
| Pizza Boxes | Wet Paper | Plastic Bottle Caps |
| Juice Boxes | Plastic Bags | Styrofoam |
| Wire Hangers | Ceramics | Heavily-Dyed Paper |
| Fans | Used Paper Towels | Shredded Paper |


April 17, 2015
I'm going talk a bit about the box model in HTML/CSS. Understanding the box model is probably one of the most important concepts to understand when designing a website.
A lot of HTML objects can be thought of as boxes. whenever you create an HTML tag, you're essentially creating a box and trapping the item inside the box. Understanding the box model will help you a lot when you get frustrated trying to move your elements around. The picture below illustrates the box model:
An HTML element essentially has 3 layers of protection around it. The padding, border, and margin.
Padding
The padding is the first layer of protection of the element. It protects an element from hitting the walls of the box. As you can see below, these two elements were not treated equally. One was given enough space(padding), but the other was not.
Border
The border is basically the frame of the object. Each HTML element has a border property, and the border property can be specified for the top, right, bottom and left. You can give an element any border you wish. You can choose to give it only a top border if you want. Also, there are several styles available for the border. The one shown below is solid, but there are several others such as dashed, and dotted.
Margin
The last important layer is the Margin. This is an invisible space around the box which can be used to prevent it from colliding with other objects. In the boxes shown above, the space between the two objects was cause by putting a margin around them. Every object can be given a margin property and the margin can be specified for top, right, bottom and left. Apart from putting spaces around the element, the margin can be a very useful tool. If you understand how to manipulate it, you can use it to move you elements around your page.
This is just an overview to help understand the box model. For some more information about the box model, click here


On Wednesday, September 22nd 2010, the Apache Software Foundation Board voted unanimously to accept Apache Shiro's graduation out of the Incubator and to become a Apache Top Level Project.
Many thanks to the entire community for the continued growth and support, and especially to our Mentors, for helping us navigate the project through the incubation process. Everything is much appreciated and it has been well worth it.
Next steps: It will take us a bit of time to migrate our infrastructure to non-Incubator resources (shiro.apache.org subdomain, Subversion move, etc), so please stay tuned. Hopefully that can be done in the next two weeks. Shortly thereafter, we hope to release Shiro 1.1.
Thanks again to all, and please keep contributing to the project and the mailing lists to continually better the project for everyone!
Best regards,
Les


Welcome to the Java Lessons Page
General Rules for Java:
- Java Files are saved with a ".java" extension.
- All code in Java must be run inside of a class, which must match the name of the file (Such a HelloWorld in HelloWorld.java)
- Java is a language that is used by more than 3 billion devices. As such, it is an important language to learn for any person thinking of writing a single or multi-platform program.
- Java has many important aspects to learn of, from classes, to values, to everything in between. That's what this section is about!


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Works by: Drag-and-drop, right-click
Hot keys: C, Shift+C, P, Shift+P
Source requirements: One or more source relationships required
Target requirement: One target required
New relationships can be added by drag-and-drop, or via the right-click menu.
To create one or more new relationships, select a collection of source relationships that you would like to relate to a new term. Then, select a target term to which they will be related by right-clicking the target term or by drag-and-drop.
From the right-click menu or the drag and drop popup menu, you may add new relationships using the "Add parent term" or "Add child term" menu options. Note that the names of these operations refer to changes that will occur to the target term. So if you drag term A onto term B and choose "Add parent term", A will become a new parent of B.
Both the "Add parent term" and "Add child term" menu items have a flyout submenu of the relationship type that should be used when creating the new relationship:
Select the relationship type you would like for the new relationship, and it will be created. If you would like the new relationship to use the same relationship type as the original source relationship, use the "Use original type" menu option. This is particularly useful if you are creating several relationships at once by using a number of source relationships. If "Use original type" is used with untyped source relationships (ie one or more of your sources is an ontology root) the is_a relationship is used.
When dragging, you can use hotkeys to specify the "Add parent term" or "Add child term" edit operations. To specify "Add child term", hold down the "C" key on the keyboard while dragging. The title above the terms you are dragging will change from "Dragging" to "Add child...":
When the term is dropped, the type selection menu will pop up.
To specify "Add parent term", hold down the "P" key on the keyboard while dragging. The title above the terms you are dragging will change from "Dragging" to "Add parent..."
Further, if you are holding down the "C" or "P" keys while dragging, you can hold down the "Shift" key to indicate that you wish to use the "Use original type" option when assigning relationship types for the newly created relationships. The phrase "(original type)" will appear in the title bar above the dragged terms. When the terms are dropped, no menus will appear at all; the new parents or children will be added immediately.


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SSL_CTX_add1_chain_cert(3)
SSL_CTX_set0_chain, SSL_CTX_set1_chain, SSL_CTX_add0_chain_cert,
SSL_CTX_add1_chain_cert, SSL_CTX_get0_chain_certs,
SSL_CTX_clear_chain_certs, SSL_set0_chain, SSL_set1_chain,
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SSL_CTX_set_current_cert, SSL_set_current_cert - extra chain certificate
processing
#include <openssl/ssl.h>
int SSL_CTX_set0_chain(SSL_CTX *ctx, STACK_OF(X509) *sk);
int SSL_CTX_set1_chain(SSL_CTX *ctx, STACK_OF(X509) *sk);
int SSL_CTX_add0_chain_cert(SSL_CTX *ctx, X509 *x509);
int SSL_CTX_add1_chain_cert(SSL_CTX *ctx, X509 *x509);
int SSL_CTX_get0_chain_certs(SSL_CTX *ctx, STACK_OF(X509) **sk);
int SSL_CTX_clear_chain_certs(SSL_CTX *ctx);
int SSL_set0_chain(SSL *ssl, STACK_OF(X509) *sk);
int SSL_set1_chain(SSL *ssl, STACK_OF(X509) *sk);
int SSL_add0_chain_cert(SSL *ssl, X509 *x509);
int SSL_add1_chain_cert(SSL *ssl, X509 *x509);
int SSL_get0_chain_certs(SSL *ssl, STACK_OF(X509) **sk);
int SSL_clear_chain_certs(SSL *ssl);
int SSL_CTX_build_cert_chain(SSL_CTX *ctx, flags);
int SSL_build_cert_chain(SSL *ssl, flags);
int SSL_CTX_select_current_cert(SSL_CTX *ctx, X509 *x509);
int SSL_select_current_cert(SSL *ssl, X509 *x509);
int SSL_CTX_set_current_cert(SSL_CTX *ctx, long op);
int SSL_set_current_cert(SSL *ssl, long op);
SSL_CTX_set0_chain() and SSL_CTX_set1_chain() set
the certificate chain associated with the current certificate of ctx to sk.
SSL_CTX_add0_chain_cert() and
SSL_CTX_add1_chain_cert() append the single certificate x509 to the chain associated with the current certificate of
ctx.
SSL_CTX_get0_chain_certs() retrieves the chain associated with
the current certificate of ctx.
SSL_CTX_clear_chain_certs() clears any existing chain
associated with the current certificate of ctx. (This is implemented by calling SSL_CTX_set0_chain() with sk set to NULL).
SSL_CTX_build_cert_chain() builds the certificate chain for ctx normally this uses the chain store or the verify store if the chain store
is not set. If the function is successful the built chain will replace any
existing chain. The flags parameter can be set to SSL_BUILD_CHAIN_FLAG_UNTRUSTED to use existing chain certificates as untrusted CAs, SSL_BUILD_CHAIN_FLAG_NO_ROOT
to omit the root CA from the built chain, SSL_BUILD_CHAIN_FLAG_CHECK to use all existing chain certificates only to build the chain (effectively
sanity checking and rearranging them if necessary), the flag
SSL_BUILD_CHAIN_FLAG_IGNORE_ERROR ignores any errors during verification: if flag SSL_BUILD_CHAIN_FLAG_CLEAR_ERROR is also set verification errors are cleared from the error queue.
Each of these functions operates on the current end entity (i.e. server or client) certificate. This is the last
certificate loaded or selected on the corresponding ctx structure.
SSL_CTX_select_current_cert() selects x509 as the current end entity certificate, but only if x509 has already been loaded into ctx using a function such as SSL_CTX_use_certificate().
SSL_set0_chain(), SSL_set1_chain(),
SSL_add0_chain_cert(), SSL_add1_chain_cert(),
SSL_get0_chain_certs(), SSL_clear_chain_certs(),
SSL_build_cert_chain(), SSL_select_current_cert()
and SSL_set_current_cert() are similar except they apply to
SSL structure ssl.
SSL_CTX_set_current_cert() changes the current certificate to
a value based on the op argument. Currently op can be SSL_CERT_SET_FIRST to use the first valid certificate or SSL_CERT_SET_NEXT to set the next valid certificate after the current certificate. These two
operations can be used to iterate over all certificates in an SSL_CTX structure.
SSL_set_current_cert() also supports the option SSL_CERT_SET_SERVER. If ssl is a server and has sent a certificate to a connected client this option
sets that certificate to the current certificate and returns 1. If the
negotiated ciphersuite is anonymous (and thus no certificate will be sent)
2 is returned and the current certificate is unchanged. If ssl
is not a server or a certificate has not been sent 0 is returned and the
current certificate is unchanged.
All these functions are implemented as macros. Those containing a 1
increment the reference count of the supplied certificate or chain so it
must be freed at some point after the operation. Those containing a 0 do not increment reference counts and the supplied certificate or chain
MUST NOT be freed after the operation.
The chains associate with an SSL_CTX structure are copied to any SSL
structures when SSL_new() is called. SSL structures will not
be affected by any chains subsequently changed in the parent SSL_CTX.
One chain can be set for each key type supported by a server. So, for
example, an RSA and a DSA certificate can (and often will) have different
chains.
The functions SSL_CTX_build_cert_chain() and
SSL_build_cert_chain() can be used to check application
configuration and to ensure any necessary subordinate CAs are sent in the
correct order. Misconfigured applications sending incorrect certificate
chains often cause problems with peers.
For example an application can add any set of certificates using
SSL_CTX_use_certificate_chain_file() then call
SSL_CTX_build_cert_chain() with the option SSL_BUILD_CHAIN_FLAG_CHECK to check and reorder them.
Applications can issue non fatal warnings when checking chains by setting
the flag SSL_BUILD_CHAIN_FLAG_IGNORE_ERRORS and checking the return value.
Calling SSL_CTX_build_cert_chain() or
SSL_build_cert_chain() is more efficient than the automatic
chain building as it is only performed once. Automatic chain building is
performed on each new session.
If any certificates are added using these functions no certificates added
using SSL_CTX_add_extra_chain_cert() will be used.
SSL_set_current_cert() with SSL_CERT_SET_SERVER return 1 for success, 2 if no server certificate is used because the
ciphersuites is anonymous and 0 for failure.
SSL_CTX_build_cert_chain() and
SSL_build_cert_chain() return 1 for success and 0 for failure.
If the flag SSL_BUILD_CHAIN_FLAG_IGNORE_ERROR and a verification error occurs then 2 is returned.
All other functions return 1 for success and 0 for failure.
SSL_CTX_add_extra_chain_cert(3)
These functions were first added to OpenSSL 1.0.2.
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A capacitor constructed from two parallel plates will have a constant electric field between the two plates. The Electric field magnitude in the vacuum is given by \( E = V/d\), where the separation between plates \(d\), is much smaller than the plate size as to avoid edge effects. When a Dielectric material is introduced between the two plates the fields change. Inside the dielectric, a Polarisation field will be created given by, $$\mathbf{P} = \chi_{e}\varepsilon_{0}\mathbf{E_{Dielectric}}$$ where \(\chi_{e}\) is the electric susptability of the dielectric. The relative permittivity of the dielectric is given by \( \varepsilon_{r}= 1 + \chi_{e} \). The D Field, "electric displacement", is defined as $$\mathbf{D} = \varepsilon_{0}\mathbf{E} + \mathbf{P} = \varepsilon_{r}\mathbf{E}$$
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What would cause this:
CURRENT_MONITOR.cpp.o: In function `loop':
CURRENT_MONITOR.cpp:87: undefined reference to `Channel::emon_calc(int, double)'
CURRENT_MONITOR.cpp:88: undefined reference to `Channel::emon_calc(int, double)'
Archived Forum |
|
Error compiling "Mains AC Non-Invasive Energy Monitor (2 channel)Submitted by Guest on Sun, 08/01/2012 - 22:32What would cause this: CURRENT_MONITOR.cpp.o: In function `loop': » |
Re: Error compiling "Mains AC Non-Invasive Energy Monitor (2 channel)
Hi swilus.
Did you ever get to the bottom of this error at all? I am getting a very similar message when attempting to verify Pauldreed's Solar Power Manager sketch. In my case I get:
sketch_Solar_Power_Meter.cpp.o: In function `loop':
sketch_Solar_Power_Meter.cpp:124: undefined reference to `Channel::emon_calc(int, double) 'sketch_Solar_Power_Meter.cpp:125: undefined reference to `Channel::emon_calc(int, double)'
Any assistance would be great.
AW
Re: Error compiling "Mains AC Non-Invasive Energy Monitor (2 channel)
Have a look at the emonTx examples: https://github.com/openenergymonitor/emonTxFirmware they are more up to date and work well with Arduino 1.0.
Re: Error compiling "Mains AC Non-Invasive Energy Monitor (2 channel)
Hi Glyn.
All verifying and compiling now. It was my error as I did not include the pde correctly. I can confirm that all is well in both Arduino v023 and Arduino 1.0.
Sorry for delay in replying as I am unable to access this site without going through a proxy server and my previous application had expired.
Thanks for your continued help.
AW
Re: Error compiling "Mains AC Non-Invasive Energy Monitor (2 channel)
Hi all,
I am having exactly this problem compiling the energy monitor sketch for my Arduino, however I do not know what the pde mentioned above is.
Can anyone please help
Thankyou
Alan
Re: Error compiling "Mains AC Non-Invasive Energy Monitor (2 channel)
Aam: have you downloaded and unziped EmonLib: https://github.com/openenergymonitor/EmonLib into the arduino libraries folder?
Re: Error compiling "Mains AC Non-Invasive Energy Monitor (2 channel)
Hi Trystan,
Yes I have downloaded EmonLib and put it in the library folder but still get:-
124: Undefined Reference to Channel::emon_calc (int, double)
125: Undefined Reference to Channel::emon_calc (int, double)
when compiling. I have pasted the code in below, any help will be much appreciated.
//--------------------------------------------------------------------------------------
// Mains AC Non-Invasive Energy Monitor (2 channel)
// Last revision 27th Oct 2010
// Licence: GNU GPL
// By Trystan Lea (updated to support two channel energy monitoring by Glyn Hudson)
//--------------------------------------------------------------------------------------
//--------------------------------------------------------------------------------------
// VARIABLE DECLERATION
//--------------------------------------------------------------------------------------
//--ENERGY MEASURMENT VARIABLES------------------------------
//Power measurement/time variables
unsigned long t_now, t_diff, t_last, t_culm;
//kwhTotal is cumulative kwh today.
double Solarkwh =0.0;
double Mainskwh =0.0;
//--------------------------------------------------------------------------------------
// EMON
//--------------------------------------------------------------------------------------
// include the library code:
#include <LiquidCrystal.h> // initialize the library with the numbers of the interface pins
LiquidCrystal lcd(8, 9, 10, 11, 12, 13);
int menuState = 0;
int menu = 0;
int wavelengths = 3000; //number of wavelengths to sample
int inPinV = 1; //Analog input pin number that voltage signal is connected to
int inPinI_1 = 3; //Analog input pin number that current signal is connected to. Channel 1
int inPinI_2 = 2; //Analog input pin number that current signal is connected to. Channel 2
int menupin = 1; //Arduino pin 1 goes to pushbutton for menu
int RelayOn = 4; //Arduino pin 4 goes to the opto isolator (full power)
int HRelayOn = 3; //Arduino pin 3 goes to opto isolator (half power)
int led_on = 6; //Arduino pin 6 goes to panel LED
//channel 1
double VCAL = 1.28348; //Voltage calibration scaler
double ICAL_1 = 0.05815; //Current calibration scaler
double ICAL_2 = 0.05806;
double PHASECAL = 2.3; //Shifts voltage relative to current,
//subtracting any phase shifting caused by components
int emon_timeout = 2000; //how long to wait ms if something goes wrong.
class Channel
{
public:
void emon_calc(int,double); //create pulse function
double realPower, //Output variables
apparentPower,
powerFactor,
Vrms,
Irms,
whInc,
wh;
private: // Variable declaration for emon_calc procedure
int lastSampleV,sampleV; //sample_ holds the raw analog read value, lastSample_ holds the last sample_
int lastSampleI,sampleI;
double lastFilteredV,filteredV; //Filtered_ is the raw analog value minus the DC offset
double lastFilteredI, filteredI;
double phaseShiftedV; //Holds the calibrated phase shifted voltage.
double sqV,sumV,sqI,sumI,instP,sumP; //sq = squared, sum = Sum, inst = instantaneous
int startV; //Instantaneous voltage at start of sample window.
boolean lastVCross, checkVCross; //Used to measure number of times threshold is crossed.
int crossCount; // ''
unsigned long lwhtime, whtime; //used to calculate energy used.
};
Channel ch1,ch2; //create two incidence of class channel for the two channels
//--------------------------------------------------------------------------------------
// SETUP
//--------------------------------------------------------------------------------------
void setup()
{
lcd.begin(16, 2); // set up the LCD's number of columns and rows:
Serial.begin(9600);
pinMode(RelayOn,OUTPUT); // this sets the pin named RelayOn to be an output
pinMode(HRelayOn,OUTPUT); // this sets the pin named RelayOn to be an output
pinMode(menupin, INPUT); // this sets the pin named menupin to be an input
pinMode (led_on, OUTPUT); //this sets the pin named led_on to be an output
t_culm = (3600000 * 12); //On first run, advances the 24hr timer by 12hrs (so can restart at midday!)
//t_culm = (3600000 * 23.75); //FOR TESTING ONLY
digitalWrite(RelayOn,HIGH); //Switches relay off
digitalWrite(HRelayOn,HIGH); //Switches relay off
//Introduces 15 second delay to allow caps to charge up
lcd.clear();
lcd.setCursor(0, 0);
lcd.print(" Please Wait ");
lcd.setCursor(0, 1);
lcd.print("Initialising....");
delay (15000);
}
unsigned long wtime;
//--------------------------------------------------------------------------------------
// MAIN LOOP
//--------------------------------------------------------------------------------------
void loop()
{
//-------------------------------------------------------------------------------------------
// 1) Calculate energy monitor values
//-------------------------------------------------------------------------------------------
ch1.emon_calc(inPinI_1,ICAL_1); //Energy Monitor calc function for channel 1, pass Arduino analog in pin nummber and calibration coefficient
ch2.emon_calc(inPinI_2,ICAL_2); //Energy Monitor calc function, for channel 2, pass Arduino analog in pin nummber and calibration coefficient
//--ENERGY MEASURMENT CALCULATION----------------
//Power measurement
t_now = millis();
if ( t_now > t_last ) { //check to see if millis has overflowed back to zero (after approx 49 days)
t_diff = t_now - t_last; } //if not, the time each emon cycle takes
else { //if millis has reset...
t_diff = 4127; } //t_diff = (the amount of time each average emon cycle takes), again dealing with the millis reset.
t_culm += t_diff;
t_last = t_now;
if ( t_culm > (3600000 * 24)){ //check to see if 24hrs has elapsed
Solarkwh = 0; // RESET
Mainskwh = 0; // RESET
t_culm = 0; // RESET
}
//ch1.realPower = 2534; //FOR TESTING ONLY
//ch2.realPower = 1522; //FOR TESTING ONLY
//Calculate number of kwh generated.
Solarkwh = Solarkwh + ((ch1.realPower/1000.0) * 1.0/3600.0 * (t_diff/1000.0));
Mainskwh = Mainskwh + ((ch2.realPower/1000.0) * 1.0/3600.0 * (t_diff/1000.0));
//------------Data Output-------------
//Read menupin to see what menu to display
menuState = digitalRead(menupin);
if ( menuState == LOW) {
menu = menu+1; }
if (menu > 4){
menu = 0;
}
//MENU 0
if (menu == 0) {
// clear the lcd screen
lcd.clear();
//if-else statement to alter LCD print format depending upon power reading
lcd.setCursor(0, 0);
if (ch1.realPower >= 1000) {
lcd.print("Solar "); lcd.print(ch1.realPower / 1000.0, 3); lcd.print(" kW"); }
else {
lcd.print("Solar "); lcd.print(ch1.realPower, 0); lcd.print(" Watts"); }
lcd.setCursor(0, 1);
if (ch2.realPower >= 5000) {
lcd.print("M/Power over 5kW"); }
else
if (ch2.realPower >= 1000) {
lcd.print("Mains "); lcd.print(ch2.realPower / 1000.0, 3); lcd.print(" kW"); }
else {
lcd.print("Mains "); lcd.print(ch2.realPower, 0); lcd.print(" Watts"); }
}
//MENU 1 - to enable detailed readings for calibration
if (menu == 1) {
lcd.clear();
lcd.setCursor(0, 0);
lcd.print("Solar "); lcd.print(Solarkwh); lcd.print(" kWh");
lcd.setCursor(0, 1);
lcd.print("Mains "); lcd.print(Mainskwh); lcd.print(" kWh"); }
//MENU 2 - to enable detailed readings for calibration
if (menu == 2) {
lcd.clear();
lcd.setCursor(0, 0);
lcd.print("PowerF "); lcd.print(ch1.powerFactor, 2);
lcd.setCursor(0, 1);
lcd.print("Voltage "); lcd.print(ch1.Vrms, 0); lcd.print(" V"); }
//MENU 3 - to enable detailed readings for calibration
if (menu == 3) {
lcd.clear();
lcd.setCursor(0, 0);
lcd.print("Solar "); lcd.print(ch1.realPower, 0); lcd.print(" W");
lcd.setCursor(0, 1);
lcd.print("Mains "); lcd.print(ch2.realPower, 0); lcd.print(" W"); }
//MENU 4 - DEMO MODE
if (menu == 4) {
lcd.clear();
lcd.setCursor(0, 0);
lcd.print ("Press button for");
lcd.setCursor(0, 1);
lcd.print("3 secs for demo");
delay (3000);
if (digitalRead(menupin)== LOW) { //check to see if button is still pressed
lcd.clear();
lcd.setCursor(0, 0);
lcd.print ("DEMO MODE");
delay (2000);
lcd.clear();
lcd.setCursor(0, 0);
lcd.print("Solar 1.326 kW");
lcd.setCursor(0, 1);
lcd.print("Mains 298 Watts");
digitalWrite (led_on,HIGH);
delay (10000);
lcd.clear();
lcd.setCursor(0, 0);
lcd.print("Solar 18.36 kWh");
lcd.setCursor(0, 1);
lcd.print("Mains 4.29 kWh");
digitalWrite (led_on,HIGH);
delay (10000);
lcd.clear();
lcd.setCursor(0, 0);
lcd.print("PowerF 0.98");
lcd.setCursor(0, 1);
lcd.print("Voltage 247 V");
digitalWrite (led_on,HIGH);
delay (10000);
menu = 0; }
else {
menu = 0; }
}
//checks to see if can run at full power
if (ch1.realPower > (ch2.realPower +1090)) {
digitalWrite(HRelayOn,HIGH); //turn the half power output off
digitalWrite(RelayOn,LOW); //turn the full output on
}
else{
digitalWrite(RelayOn,HIGH); //turn the output off
//checks to see if can run at half power
if (ch1.realPower > (ch2.realPower +545)) {
digitalWrite(HRelayOn,LOW); }//turn the output on
else {
digitalWrite(HRelayOn,HIGH); //turn the output off
}
}
//LED control
if (digitalRead(RelayOn) == LOW) {
analogWrite(led_on, 200); }
else if (digitalRead(HRelayOn) == LOW) {
analogWrite(led_on, 30); } //quarter brightness
else {
digitalWrite (led_on,HIGH);
delay (100);
digitalWrite (led_on,LOW);
}
}
Re: Error compiling "Mains AC Non-Invasive Energy Monitor (2 channel)
Hello everyone.
I'm having the same problem. I installed all the libraries, but the error remains:
122: undefined reference to `Channel::emon_calc(int, double)
123: undefined reference to `Channel::emon_calc(int, double)'


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Library authors, like the React team, can rewrite modules in the library using Wasm


Dries Daems is Assistant Professor at the Graduate School of Social Sciences in the M.Sc. program of Settlement Archaeology at Middle East Technical University (METU) in Ankara. He is also coordinator of the M.Sc. program of Digital Archaeology at METU. His research interests include the study of social complexity and urbanism through computational modeling (ABM) and material studies (macroscopic pottery analysis). He specializes in Iron Age to Hellenistic Anatolia and the Eastern Mediterranean.
PhD in Archaeology, 2018
University of Leuven - Funded by Research Foundation Flanders
MA in Archaeology, 2012
University of Leuven
BA in Archaeology, 2011
University of Leuven
Forthcoming book about the study of social complexity using an approach built on complex systems thinking.
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