IN THE COMPANY OF MEN (Sony Pictures Classics - 1997) Starring Aaron Eckhart, Stacy Edwards, Matt Malloy Screenplay by Neil Labute Produced by Mark Archer, Stephen Pevner Directed by Neil Labute Running time: 95 minutes
**** (out of four stars) Alternate Rating: A
Note: Some may consider portions of the following text to be spoilers. Be forewarned.
-------------------------------------------------------------
"Let's hurt somebody."
With these three words, director/screenwriter Neil LaBute has crafted an audacious opus of ruthlessness and manipulation unlikely to be surpassed this year in its raw, savage brutality. Certain to litter year-end Top 10 lists across the board, IN THE COMPANY OF MEN cuts straight to the core in its powerful depiction of misanthropy bred by tumultuous anxiety associated with the modern cutthroat corporate workplace -- it's a remarkably auspicious first feature for Mr. LaBute.
Chad (Aaron Eckhart) and Howard (Matt Malloy) are diametric opposites who make for unlikely friends: while Chad is tall, handsome, assertive, superficially charismatic, and confidently authoritative, Howard is short, bookish, insecure, awkward, and rather hapless. However, it is Howard who wields the power in their professional lives; he holds the title of project manager and Chad is his subordinate when the two meet up at the film's outset in an airport courtesy lounge; they've been assigned for six weeks to a Midwestern office of their company. Howard's authority, though, is in title only: it's Chad who is the true leader, and when he proposes a little sport -- to soothe their bruised male egos and as a bit of vindictive payback to the female gender, he suggests that they find some vulnerable and susceptible wallflower that they would both romance, raising her spirits to dizzying heights ... and them dashing them, and her, to pieces by unceremoniously dumping her -- Howard is unable to resist. They find their perfect mark in Christine (Stacy Edwards), a young temp working at the Midwestern branch as a typist who happens to be deaf, and unleash their malevolent plot.
In any list of Top 5 helpful tips to follow at a modern workplace, "Watch your back" would occupy at least three of the entries, and IN THE COMPANY OF MEN shows how the immersion of oneself into an environment of ruthless ambition coupled with a paranoid cutthroat mentality grooms bitterness, spitefulness, and anger. Chad is spawned from this system: he, as they say, knows how to play the game -- on the surface, he's handsome, supremely self-assured, and smoothly knows how to handle every situation -- how to charmingly say exactly what people want to hear, or how put a convincing spin on everything which leaves him in the best light (this naturally requires casting everyone else in the worst light). Chad's a mover, a shaker, a man on the rise -- in terms of corporate America, he's a winner. But behind every handshake and pleasantry exchanged over donuts and coffee before project meetings, one can almost sense the palpable rage and malice emanating from Chad -- bitterness at being passed over for promotion, for getting the dead-end assignments, for failing to receive the recognition he feels is deserved; anger at those who would dare pass him in the race up the corporate ladder, who steal his deserved acclaim, who pose a threat for his advancement. "I hate that prick," Chad says of a co-worker (actually, of many co-workers), and it's not uttered in jest or in a light-hearted vein; he truly, completely means it. To Chad, every co-worker is potential competition for the pay increase or the cushy new promotion, and is consequently an enemy -- one to be greeted warmly, lulled into a false sense of security, and humiliatingly betrayed. It's Darwin's Law to the fullest extent -- survival of the fittest -- and not only is Chad determined to be the one still standing at the end, he's more than happy to be the one to slay off his competitors and gloat as they squirm on their deathbeds. "How does it feel?"
If the competitiveness of the modern workplace creates hate-filled monstrosities like Chad out of the strong-willed, among the weak the pressure-cooker molds men like Howard, whose inherent insecurities, fears, and frustrations are magnified into self-loathing. Howard is not an assertive man, and he clearly hates his impotency in his professional (under his wing, his project is floundering) and personal life (the film opens finding him tending to a bruised ear -- a parting gift from his new ex-girlfriend) -- it's obvious that Howard admires and seeks to emulate Chad's confidence, slickness and suavity; constantly seeking Chad's approval, it's easy to occasionally forget that Howard is the project manager and the one actually in the position of authority. Howard, in short, does not know how to play the game, which is akin to being a bloody slab of meat in a shark-infested pool.
While IN THE COMPANY OF MEN is thunderously powerful and at times the film's unflinching depiction of turpitude borders upon revolting, it yet remains riveting and compulsively watchable, even wickedly funny on many an occasion. Mr. LaBute's incisive and daring screenplay, filled with snappy dialogue, is wonderfully realised by an accomplished trio of performances by the lead actors, and his use of blaring percussive riffs as segueways between the seven separate sections in the highly-structured film, as in Todd Solondz's WELCOME TO THE DOLLHOUSE, jolts us and violently propels us forward. Mr. Eckhart's screen debut is nothing short of astonishing -- he's deliciously villainous, an unrestrained embodiment of bile and venom who is incomparably malicious. It's a virtuoso performance which is always utterly convincing, and heralds Mr. Eckhart as a bright new talent. (Either that, or he's *really* like that -- a frightening thought, but in either case Mr. LaBute deserves credit for his casting.) Ms. Edwards is superb as Christine, who proves to be more resilient than anyone could have expected, although her depiction of her character's deafness isn't quite credible and is consequently mildly distracting. Mr. Malloy is also good as Howard, perhaps the most complex character in the film and certainly the one called upon for the greatest emotional range, although he is overshadowed by his castmates.
Many have pegged IN THE COMPANY OF MEN as a film about misogynism, but this isn't a very accurate assessment. While Chad and Howard's game involves crushing the spirits of a vulnerable young woman, Chad doesn't particularly hate women -- no moreso than his hatred of everyone else, at least -- and Howard hates himself far, far more than anyone with XX chromosomes. What Chad understands at the outset to their cruel sport, and what Howard fails to comprehend, is that theirs is an environment where it's kill or be killed. Their malicious sport is an extension of this philosophy, and a means to an end. And as for sweet, innocent Christine, caught in the crossfire? To Chad, she'll merely be a victimized bystander, a casualty of war.
- Alex Fung email<EMAIL_ADDRESS>web : http://www.ncf.carleton.ca/~aw220/
-- Alex Fung<EMAIL_ADDRESS>| http://www.ncf.carleton.ca/~aw220/ "Let's hurt somebody." - Aaron Eckhart, IN THE COMPANY OF MEN
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


About DataSaver Proxy for Firefox
Google Data Saver is Proxy Service Provided by Google.Google DataSaver is extension available in Google Chrome which enable use of this service.
Firefox didn't had the extension.So I ported the extension adding some new features.
When A HTTP web-request is made by browser,it is directed to google proxy server "googlezip.net" adding proxy-parameters.
All HTTPS requests are NOT directed to proxy server.They are bypassed and made Directedly.
Proxy Server is owned by Google.This Addon is NOT OFFICIAL Implementation of Google DataSaver Proxy.
You can read more about Compression at : https://developer.chrome.com/multidevice/data-compression


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Accountants and cashiers are required to strictly implement the financial system, abide
by their job responsibilities, and report various materials on time.
Before visiting a customer, you must have a comprehensive understanding of the customer
(the customer's potential needs, position, authority, personal personality and hobbies)


Kottayam has a network of rivers, backwaters, ancient religious places, and hill stations. Local tourist places include: Kumarakom,Vembanad Lake,Ilaveezha Poonchira,Vagamon,Illickal Kallu, the highest point in the Kottayam district.
Located at a height of 6000 ft above the sea level in the Western Ghats of Kottayam, Kerala, Illikkal Kallu is a major tourist attraction and one of the most pristine spots in all of India. Situated in Moonnilavu Village, Meenachil taluk, the nearest city to the summit is Teekoy.
Located at a distance of few kms from Erattupetta in Kottayam inside a private rubber estate, Marmala Waterfalls are popularly known as the ‘enchantress of the jungle’. Plummeting from a height of 200 feet, the unblemished clear waters create and aura of mist around them.
A paradise for bird watchers, Kumarakom Bird Sanctuary or Vembanad Bird Sanctuary is situated on the banks of Lake Vembanad in kavanar River basin. The place is spread across a huge area of 14 acres providing a natural habitat to about 91 species of local birds and 50 species of migratory birds.
After all the blessings from temples, it is time for some adventure. Nadukani is one such place nestled amid the wilderness of nature and densely wooded hills offering its visitors a beautiful trail for trekking.


Guidelines
Something Interesting
About Me
*wooow*
YOUTUBE
☽ Channels I typically watch ☽
×
Numberphile
Your daily dose of Math
Kurzgesagt - In a Nutshell
Gives you existential crisis tho
Bradly Martyn
Fitness motivation 24/7
Unbox Therapy
Great guy I guess
GFX ARTS
☽ a e s t h e t i c s ☽
MINECRAFT
☽ Takes you to a different world ☽


the and from for that rubella are al., countries sequences were Asia with genotype viral {background Taiwan between this E/SE dynamics not outside Fig. vaccination margin China The each population {border-style epidemic (supplementary circulation px;} than virus was #ffffff;} across regional support our outbreaks (Fig. Asia. size susceptible which available but have patterns these Health India Japan analysis data epidemics genotypes global only recent where all both during has lineage persistence supplementary within Asia, Southeast World introductions using However, Rubella clade congenital coverage epidemiological lineages movement other strong throughout vaccine viruses will Biol. Infect. While collected country greater high infection observed period phylogenetic region region. spread their time used Organization, Our been can evidence identified location metapopulation one px; rates sampling significant susceptibility there transmission {font-family Asian East Soc. This also birth cases connections effective estimated exchange font-size geographic important importation incidence introduction many more multiple over sampled suggesting surveillance syndrome travel two well when (World (accessed Although Further, among ancestor childhood connected could did different diffusion double; growth identify immigration included indicates likely may most occur posterior prior publicly represented results role sample source spatial study suggests through timing Evol. For Sequences Virol. border-color border-width continues datasets differences endemic entire exportations few find focal found genetic human importance indicate introduced its large less limited local measles network occurred particularly populations predictors previously primarily program proportion region, reported similar solid; such suggest therefore whether women {font-style {font-weight â€" (BFâ€¯>â€¯) (Lin (Terada, (see China, Chinese Dis. Genbank Genotype Japan, Med. October Sci. United WHO act after analysis, any around based bold circulate circulating clear cluster common considering containing continuous contribute countries, country. courier; currently dataset does early either em; existed expected factors far following identification immunization importations individuals into locations low magnitude major necessary new number out peaks pt;} rather regions search strongly studies support, susceptibles three understanding well-supported


Dear Dry,
Were you unable to come to DC for the 2013 National Young Feminist Leadership Conference? No worries, we are streaming the general assembly sessions live [ http://www.ustream.tv/channel/national-young-feminist-leadership-conference-2013 ]!
Go to our Ustream channel to watch live [ http://www.ustream.tv/channel/national-young-feminist-leadership-conference-2013 ]. Follow @feministcampus on twitter or follow the hashtag - we’ll tweet when a session is starting so you know when to watch!
Here’s the schedule of the sessions we are streaming [ http://www.ustream.tv/channel/national-young-feminist-leadership-conference-2013 ]:
Ustream Schedule [ http://www.ustream.tv/channel/national-young-feminist-leadership-conference-2013 ]
You can also check out the detailed schedule online [ http://www.feministcampus.org/leadership/2013NYFLC/agenda.asp ] to see who is speaking in each session. Enjoy!
For equality,
*FMF Campus Team*
duVergne, Brooke, Adriana, Francesca, Miranda and Kari
You have received this e-mail because of your interest in women’s issues. To unsubscribe, please click here. [ http://salsa.democracyinaction.org/o/1400/p/salsa/supporter/unsubscribe/public/index.sjs?unsubscribe_page_KEY=494 ]


tongue tied.........
"If the eyes and hands could speak it it would take a sign to make your thoughts Mine"
It has been said that in the land of dumb ,the man with the voice is king .its time to prove them wrong, here the silence will be heard. A fun game in which an interesting twist is added to the classic 'Charades'. This game comprises of purely technical terms.
Ignite the actor within you and act the engineering.


Preparation time
30 mins to 1 hour
Cooking time
30 mins to 1 hour
Serves
Serves 4-6
Dietary
Pour the flour and salt into a mixing bowl, make a well in the centre and add 300ml/½ pint water.
Mix together, adding a little more water, if necessary, until you have a firm dough.
Knead the dough until nice and smooth, then cut into 6 pieces and shape into balls.
Roll each ball out to a 17.5cm/7in round.
Heat a teaspoon of corn oil in a frying pan and cook each fajita on both sides until it puffs up and immediately remove from the heat.
Alternatively use shop bought fajitas.
If using soaked dried beans, drain them, add to a pot of boiling water and cook gently for two hours; if using tinned beans, drain and add to a pot with 300ml/½ pint water and cook gently for 30 minutes.
Add four tbsp of the corn oil to a saucepan and cook the onion, chilli and garlic until softened.
Add the drained beans and cook for a further ten minutes, stirring, then start to mash the beans roughly with the back of a fork, adding a little more corn oil, the chopped coriander, a dash of Tabasco and the lime juice.
Stir well and pull from heat.
Make the salsa by mixing together all the ingredients.
Lay each fajita on a plate, spoon over a quarter of the bean filling, add a dollop of sour cream, drizzle with a little salsa and repeat layering five fajitas until you come to the final fajita which you use as a lid, pressing down firmly.
Top with the remaining salsa, place in the fridge and allow to set.
Cut into pie wedges and eat outdoors.


Welcome To P r g Ln c hIf this is the first run of PrgLnch, please refer to the Monitor Setup page, and then the following topics.
What is Prglnch?
Getting Started.
Why PrgLnch?


Install the necessary software for the product.
Turn on, find and set up the product.
Use a compatible, 12-24 V power adapter.
Connect to a Wi-Fi hotspot that looks like BeoCreate Setup 12345678. It may take a few minutes for the hotspot to appear.
Connect to a Wi-Fi hotspot called BeoSetup. It may take a few minutes for the hotspot to appear.
Connect the product to a network with an Ethernet cable. Make sure this computer is on the same network.
Once the product is found, select it from below.


Provides classes for marshalling and unmarshalling XML-RPC messages.
This package provides the default marshalling implementation for RoX.


FILMS & CATEGORIES DATABASE
UPDATE FILM
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This release note is divided into the following sections:
Introduction,
Documentation,
What's New,
Upgrading And
Compatibility Information,
Host Support,
Dependencies,
Device Support,
Validation Information,
Known Issues,
Benchmarks,
Versioning,
Technical Support
And Product Updates,
SYS/BIOS <IP_ADDRESS> is a GA release of SYS/BIOS
6.30.
SYS/ BIOS is a real-time operating system that provides
pre-emptive deterministic multithreading.
The SYS/BIOS 6.x releases introduce a completely new SYS/BIOS kernel
and toolset. The SYS/BIOS 6.x releases include numerous major
enhancements, including completely new kernel APIs. They also include
compatibility layers and tooling to facilitate easy porting of
applications
developed on DSP/BIOS 5.x releases.
A number of
tools and libraries that were provided as an
integrated part of DSP/BIOS 5.x releases must now be downloaded
separately to
obtain a functional solution. It is essential for even experienced
DSP/BIOS
users to refer to the Getting Started
Guide and to the Upgrading and Compatibility Information
section for
further details.
Please read the Getting Started Guide for help installing and setting
up your environment to use SYS/BIOS <IP_ADDRESS>.
back to top
The following documentation is provided with this release:
Release notes from previous releases are also available in the
release notes archive
directory.
back to top
SYS/BIOS <IP_ADDRESS> GA
Release (this release).
This
release is based on DSP/BIOS <IP_ADDRESS>. Only major change is
the
addition of MSP430 support.
Notes on this release:
- The product name has
been changed to SYS/BIOS to reflect the support for a wider set of embedded
processors (i.e., MSP430, Cortex-M3, Arm9).
- Source code in the
product is now licensed using the Open-Source BSD license.
- This release
contains support for MSP430.
- Only one device and
board are supported at this time (MSP430F5438 and exp430F5438
respectively).
- Size and timing
benchmarks are provided (see benchmark link in this document for more
information).
- The DSP/BIOS Getting Started Guide describes
how to build the examples.
- Numerous minor bug
fixes, new device support, and enhancements as listed in the Defects list
below
Defects Fixed:
ID
Headline
SDOCM00070408 Timer64 ROV 'id' field is incorrect
SDOCM00069833 add 64T/Elf support to BIOS
SDOCM00069638 bios conversion tool must better handle MEM segments with space=="Cache"
SDOCM00069629 Cache sizes should NOT be set using BIOS 6.x Cache module
SDOCM00069596 add DA802, DA803 and DA804 device
support (needed in 6.21 for ROM and 6.30 w/o ROM)
SDOCM00069450 ti.sysbios.family.c64p.dm740 should be
renamed to ti.sysbios.family.c64p.dm8168
SDOCM00069092 Conflicting docs for BIOS.getThreadType
SDOCM00069048 BIOS 6: minimize ducati core bringup order restriction
SDOCM00068938 AMMU module should have ROV views
SDOCM00068063 HeapMem free list ROV view shows duplicate address field
SDOCM00067861 add timer2 and timer3 support for 6748 and OMAPL138
SDOCM00067816 BIOS 6: Incorporate OMAP4430 ES1 WA1.1
Hwi_interruptEnable/Disable code into BIOS
SDOCM00067435 BIOS 6: DA830 Arm TimestampProvider
should release the ICEC benchmark counters on program exit.
SDOCM00067146 add support for DA850 and evmDA850 to BIOS 6.21 and BIOS 6.30
SDOCM00067139 BIOS 6: Adapt m3.Hwi Exception handler
to work with OMAP4 ARM crash reporting mechanism
SDOCM00066815 add 6457 and TCI6484 support to BIOS 6.x
SDOCM00066742 BIOS 6: Stellaris Timestamp_get32() causes bus error if invoked before main()
SDOCM00066697 ti.bios source files should use __FAR__
to reference data generated in the assorted XYZ.xdt files (and __FAR__
in .h file)
SDOCM00066625
ti.sysbios.family.arm.m3.Hwi: Instance_finalize is empty -
HWI_delete() is broken
SDOCM00066546
ti.sysbios.family.arm.dm6446.Hwi: Hwi_getInstance should be
renamed Hwi_getHandle
SDOCM00066467
ti.bios.conversion utility should generate error when migrating
projects not supported by BIOS 6.x (e.g., 55x, 64x, 62x, 54x)
SDOCM00066465 BIOS 5 -> 6 migration guide should be updated
to match latest CCSv4.1 and BIOS 6.21 features and build flow
SDOCM00066285 BIOS 6: Add Hwi.initStackFlag similar to Task.initStackFlag
SDOCM00066283 update BIOS 6 User Guide to reference
ti.sysbios.knl Semaphore/Event/Mailbox modules instead of
ti.sysbios.ipc versions
SDOCM00066018 BIOS 6: Provide a means for eliminating Idle Task
SDOCM00065977 ti.sysbios.xdcruntime-created Tasks aren't shown in ROV
SDOCM00065559 BIOS 6: Number of Swi and Task
priorities, and Event IDs supported should be checked at build and
runtime
SDOCM00063962 remove xdc.runtime and xdc.runtime.knl cdoc from BIOS cdoc
SDOCM00063920 remove Arm/COFF support (M3 and
R4). We will only support ELF for Arm.
SDOCM00063592 Create update process for BIOS 6.x in CCSv4.x
SDOCM00063032 add code to generate Timer module html
tables into timer package and add description for gptimer and dmtimer
SDOCM00063017 On 28x, Task should error if 'numPriorities' set higher than 16
SDOCM00062828 HeapBuf ROV view for 28x has problems
with maxAllocatedBlocks (16-bit vs 32-bit 0xffff/0xffffffff)
SDOCM00062771 BIOS 6 collapse ti.sysbios.family.arm.m3.Hwi and Exception modules into one
SDOCM00062710 move ti.sysbios.ipc.Semaphore, Event and Mailbox into ti.sysbios.knl package
SDOCM00060930 28x: Need to remove asm(" nop") from Hwi.xdt, Hwi_disable function
SDOCM00060125 update DSP/BIOS to be covered by BSD
license, source release should be rebuildable
SDOCM00060116 Fix frequent 28x compiler warning when using "ti/sysbios/interfaces/ICache.h"
SDOCM00060068 eventId field in ROV view for
dynamically created instances of ti.sysbios.family.c64p.Hwi not
properly populated
SDOCM00059801
BIOS6, multicore: add shared timer support for multi-core devices
that have shared timer and timer interrupts
SDOCM00059794 Need interrupt latency benchmarks.
SDOCM00057604 BIOS 6 RTA - Agent auto configure transport
SDOCM00056465 exception manager doesn't align SP,
possible edge condition if .stack size is not a multiple of 8 bytes
SDOCM00053303 BIOS 6 Verify Correct Arm RTA operation
SDOCM00047834 TSK_checkstacks and KOV should also compare sp with 'base +/- length'
SDOCM00046721 BIOS needs to support ARM9's MMU and
validate cache/emulation is OK in run mode
back to top
SYS/BIOS 6.x releases have many significant changes from
DSP/BIOS 5.x. It is important to understand the information
below in order to
successfully use SYS/BIOS 6.x and to migrate applications from DSP/BIOS
5.x.
DA830
ROM
BIOS 6.30 cannot be used with the
DA830 ROM. BIOS 6.21 is the preferred version for DA830 ROM.
The
'ti.sdo.io' and 'ti.sdo.utils' packages are no longer provided with
SYS/BIOS
These packages are now provided in a
separate
"IPC" product. Users of these packages simply need to add
this
other product directory to their package path (XDCPATH) to build their
applications.
The ti.sysbios.ipc package and its modules have been deprecated
The
Semaphore, Event, and Mailbox modules were moved from the
ti.sysbios.ipc package into the ti.sysbios.knl package. Please update
your applications to use the ti.sysbios.knl package versions of the
Semaphore, Event, and Mailbox modules. Using the ipc package versions
of these modules will result in build warnings. In a subsequent release
of BIOS, using any module within the ipc package will result in a build
error.
The ti.sysbios.family.arm.m3.Exception module has been deprecated
The
ti.sysbios.family.arm.m3.Exception module functionality has been
enhanced and merged into the ti.sysbios.family.arm.m3.Hwi module.
Please update your applications to use the ti.sysbios.family.arm.m3.Hwi
module to configure exception handling. By default, exceptions will be
reported to CIO with an Error message. Details of the exception can be
seen using Hwi module's "Exception" ROV view. At the expense of
additonal code size, some of this detailed information can ALSO be
routed to the CIO console by setting the Hwi.enableException
configuration flag to true.
Placing of sections using MEM configs is no longer supported (ie MEM.TEXTSEG is unsupported)
All
of the legacy MEM memory segment placment functionality has been
removed. Legacy BIOS users must use Program.sectMap to place memory
sections.
The ti.sysbios.family.c64p.Cache.initSize configuration item is no longer supported
The
ti.sysbios.family.c64p.Cache module no longer supports setting the
Cache sizes. These settings are now managed within a platform and can
be configured using the platform wizard.
SYS/BIOS no
longer
contains all the tools and objects you will need
The XDC tools now provide the
SYS/BIOS configuration tools and Platform support.
XDC also includes a minimal run-time environment that provides the LOG,
System,
Asserts, Error handling, Timestamp, and Memory Allocation APIs that
will be
used by SYS/BIOS applications. Please refer to the Getting Started Guide on where to
download the XDC tools and
run-time.
Migrating DSP/BIOS
5.x applications to SYS/BIOS 6.x
SYS/BIOS 6.x has different APIs
compared to those in
DSP/BIOS 5.x. Configuration scripts are also incompatible between the
two
releases. To provide easy migration of DSP/BIOS 5.x
applications, an API
compatibility layer is provided along with a conversion tool that
converts
configuration scripts to work with XDC and SYS/BIOS 6.x. The
API compatibility
layer provides 100% C source code compatibility with the exception of a
few
APIs that are no longer supported. For more complete details
of migrating
DSP/BIOS 5.x applications and configuration scripts, please refer
to Migrating
a DSP/BIOS 5 Application to SYS/BIOS 6.
As mentioned
above, some APIs previously supported in
DSP/BIOS 5.x releases will no longer be supported in this release or
the
compatibility layer. Complete details are provided in the
Migration document referenced
above.
back to top
- Supported Operating Systems
- Windows 7, Windows XP, Windows Vista
- Linux [RH4], Ubuntu [10.1]
back to top
- Required
Software
- Code Composer Studio
v4.2 Beta or higher
- Code Generation
Tools
- C28X version 5.2.3
- C6X
version 7.0.2
- ARM version
4.6.3
- MSP430 version
3.3.0B2 or higher
- XDCtools
<IP_ADDRESS> or higher
- IPC <IP_ADDRESS>
or higher
- Required
Hardware
- See Device Support
Section below.
back to top
Click here
for the list of supported devices.
back to top
This release was built and validated using the following
components:
- Click here
for validation information.
back to top
The following issues are known to affect this release:
ID
Headline
SDOCM00070677 .cinit sectMap code generated by conversion tool is incorrect
SDOCM00070088 BIOS dispatcher should set TSR.XEN so
that exceptions that happen during ISR context will be caught
immediately
SDOCM00068360 No data displayed in RTA Exec Graph when attaching to running target
SDOCM00064397 RTA crashes CCS 4.1 after a few reset/reload with USB emulator
SDOCM00046756 BIOS6 doesn't have MPC module
back to top
For a full description of Benchmarks please see the
appendices in the SYS/BIOS
6 User's
Guide.
- Timing and Size
Benchmarks
- The Timing Benchmarks for the MSP430 target have not been
determined.
The published numbers for MSP430 were inadvertantly duplicated from the
M3 timing benchmarks.
back to top
All releases have 4 digits (M.mm.pp.bb).
This includes GA and pre-releases (engineering, alpha/EA, beta, etc.).
Pre-releases are denoted with a suffix (e.g. <IP_ADDRESS>-eng or
<IP_ADDRESS>-beta).
This product's version follows a version format, M.mm.pp.bb, where M is a single digit
Major number, mm
is 2 digit minor number, pp
is a 2 digit patch number, and b
is an unrestricted set of digits used as an incrementing build counter.
To
support multiple side-by-side installations of the product, the product
version is encoded in the top level directory (e.g. bios_6_30_00_00).
Subsequent
releases of patch upgrades will be identified by the patch number, ex.
SYS/BIOS <IP_ADDRESS> with directory bios_6_30_01_15. Typically, these
patches only include critical bug fixes.
Please note that
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The analysis component is where the elements in components 1-4 are combined to answer the question(s) of interest given current information and to quantify the value of potential further research. Our framework separates the analysis in three subcomponents: 05a Probabilistic analysis, _05b Deterministic analysis_and 05c Value of information analysis. For the Sick-Sicker case-study, we use all three subcomponents to conduct the CEA and to quantify the uncertainty of our decision. For procedures in the CEA, we rely on the R
package dampack
, which is available here: https://github.com/DARTH-git/dampack. To install dampack
, please follow these instructions:
# Install development version from GitHub
devtools::install_github("DARTH-git/dampack")
In this subcomponent, we evaluate decision uncertainty by propagating the uncertainty through the CEA using probabilistic sensitivity analysis (PSA). Until now we used the parameter values as described in Table 1.1 of the 01 Model inputs section. However, we are uncertain about these values. Most of these input parameters are defined by probability distribution as described in Table 1.1.
| Parameter | R name | Distribution |
|---|---|---|
| Annual transition probabilities | ||
| - Disease onset (H to S1) | p_HS1 |
beta(30, 170) |
| - Recovery (S1 to H) | p_S1H |
beta(60, 60) |
| Annual costs | ||
| - Healthy individuals | c_H |
gamma(shape = 100, scale = 20) |
| - Sick individuals in S1 | c_S1 |
gamma(shape = 177.8, scale = 22.5) |
| - Sick individuals in S2 | c_S2 |
gamma(shape = 225, scale = 66.7) |
| - Additional costs of sick individuals treated in S1 or S2 | c.Trt |
gamma(shape = 73.5, scale = 163.3) |
| Utility weights | ||
| - Healthy individuals | u_H |
truncnorm(mean = 1, sd = 0.01, b = 1) |
| - Sick individuals in S1 | u_S1 |
truncnorm(mean = 0.75, sd = 0.02, b = 1) |
| - Sick individuals in S2 | u_S2 |
truncnorm(mean = 0.50, sd = 0.03, b = 1) |
| Intervention effect | ||
| - Utility for treated individuals in S1 | u_Trt |
truncnorm(mean = 0.95, sd = 0.02, b = 1) |
In a PSA we sample the input parameter values from these distributions and we then run the model at each sample. In the file 05a_probabilistic_analysis_functions.R we created a single function, called generate_psa_params
. This function generates a PSA dataset for all the CEA input parameters. We specify the number of PSA samples via the n_sim
argument. The function also accepts specifying a seed to allow reproducibility of the results.
print.function(generate_psa_params) # print the function
#> function(n_sim = 1000, seed = 20190220){ # User defined
#> ## Load calibrated parameters
#> n_sim <- nrow(m_calib_post)
#> set_seed <- seed
#> df_psa_params <- data.frame(
#> ### Calibrated parameters
#> m_calib_post,
#>
#> ### Transition probabilities (per cycle)
#> p_HS1 = rbeta(n_sim, 30, 170), # probability to become sick when healthy
#> p_S1H = rbeta(n_sim, 60, 60) , # probability to become healthy when sick
#>
#> ### State rewards
#> ## Costs
#> c_H = rgamma(n_sim, shape = 100, scale = 20) , # cost of remaining one cycle in state H
#> c_S1 = rgamma(n_sim, shape = 177.8, scale = 22.5), # cost of remaining one cycle in state S1
#> c_S2 = rgamma(n_sim, shape = 225, scale = 66.7) , # cost of remaining one cycle in state S2
#> c_Trt = rgamma(n_sim, shape = 73.5, scale = 163.3), # cost of treatment (per cycle)
#> c_D = 0 , # cost of being in the death state
#> ## Utilities
#> u_H = truncnorm::rtruncnorm(n_sim, mean = 1, sd = 0.01, b = 1), # utility when healthy
#> u_S1 = truncnorm::rtruncnorm(n_sim, mean = 0.75, sd = 0.02, b = 1), # utility when sick
#> u_S2 = truncnorm::rtruncnorm(n_sim, mean = 0.50, sd = 0.03, b = 1), # utility when sicker
#> u_D = 0 , # utility when dead
#> u_Trt = truncnorm::rtruncnorm(n_sim, mean = 0.95, sd = 0.02, b = 1) # utility when being treated
#> )
#> return(df_psa_params)
#> }
#> <bytecode: 0x7f97a9aa1f90>
#> <environment: namespace:darthpack>
The function returns the df_psa_input
dataframe with a PSA dataset of the input parameters. With this dataframe we can run the PSA to produce distributions of costs, effectiveness and NMB. The PSA is performed by the 05a_probabilistic_analysis.R script. As shown in the code below, the df_psa_input
dataframe is used by the update_param_list
function to generate the corresponding list of parameters for the PSA. For each simulation, we perform three steps. First, the list of parameters is updated by the update_param_list
function. Second, the model is executed by the calculate_ce_out
function using the updated parameter list and third, the dataframes df_c
and df_e
store the estimated cost and effects, respectively. The final part of this loop is to satisfy the modeler when waiting on the results, by displaying the simulation progress.
for(i in 1:n_sim){
l_psa_input <- update_param_list(l_params_all, df_psa_input[i, ])
df_out_temp <- calculate_ce_out(l_psa_input)
df_c[i, ] <- df_out_temp$Cost
df_e[i, ] <- df_out_temp$Effect
# Display simulation progress
if(i/(n_sim/10) == round(i/(n_sim/10), 0)) {
cat('\r', paste(i/n_sim * 100, "% done", sep = " "))
}
}
We can plot the results using the plot
function from dampack
. Figure 1.1 shows the CE scatter plot with the joint distribution of costs and effects for each strategy and their corresponding 95% confidence ellipse.
| Strategy | Cost | Effect | Inc_Cost | Inc_Effect | ICER |
|---|---|---|---|---|---|
| No.Treatment | 115538.9 | 19.95305 | NA | NA | NA |
| Treatment | 213755.8 | 20.63891 | 98216.84 | 0.6858646 | 143201.5 |
Next, we perform a CEA using the previously used calculate_icers
functions from dampack
. Table 1.2 shows the results of the probabilistic CEA. In addition, we plot a cost-effectiveness plane with the frontier, the cost-effectiveness acceptability curves (CEACs) and frontier (CEAF), expected Loss curves (ELCs) (Figures 1.2 - 1.4) (Alarid-Escudero et al. 2019). Followed by creating linear regression metamodeling sensitivity analysis graphs (Figures 1.5 - 1.8)(H. Jalal et al. 2013). All generated figures are shown below and stored to the figs folder .
In this subcomponent, we perform a deterministic CEA, followed by some deterministic sensitivity analysis, including one-way, two-way and tornado sensitivity analyses. The function script of this subcomponent, 05b_deterministic_analysis_function.R, contains the function calculate_ce_out
. This function calculates costs and effects for a given vector of parameters using a simulation model. We need to run our simulation model using the calibrated parameter values, but the list we created in component 01 (??) still contain the placeholder values for the calibrated parameters. This means we need to update these values by the calibrated values stored in the vector v_calib_post_map
. The function update_param_list
updates the list of parameters with new values for some specific parameters.
print.function(update_param_list)
#> function(l_params_all, params_updated){
#>
#> if (typeof(params_updated)!="list"){
#> params_updated <- split(unname(params_updated),names(params_updated)) #converte the named vector to a list
#> }
#> l_params_all <- modifyList(l_params_all, params_updated) #update the values
#> return(l_params_all)
#> }
#> <bytecode: 0x7f97ac292d28>
#> <environment: namespace:darthpack>
The first argument of the function, called l_params_all
, is a list with all the parameters of decision model. The second argument, params_updated
, is an object with parameters for which values need to be updated. The function returns the list l_params_all
with updated values.
In the 05b_deterministic_analysis.R script we execute the update_param_list
function for our case-study, resulting in the list l_params_basecase
where the placeholder values for p_S1S2
, hr_S1
and hr_S2
are replaced by the calibration estimates.
l_params_basecase <- update_param_list(l_params_all, v_calib_post_map)
We use this new list as an argument in the calculate_ce_out
function. In addition, we specify the willingness-to-pay (WTP) threshold value using the n_wtp
argument of this function. This WTP value is used to compute a net monetary benefit (NMB) value. If the user does not specify the WTP, a default value of $100,000/QALY will be used by the function.
df_out_ce <- calculate_ce_out(l_params_all = l_params_basecase,
n_wtp = 150000)
print.function(calculate_ce_out) # print the function
#> function(l_params_all = load_all_params(),
#> n_wtp = 100000){ # User defined
#> with(as.list(l_params_all), {
#> ## Create discounting vectors
#> v_dwc <- 1 / ((1 + d_e) ^ (0:(n_t))) # vector with discount weights for costs
#> v_dwe <- 1 / ((1 + d_c) ^ (0:(n_t))) # vector with discount weights for QALYs
#>
#> ## Run STM model at a parameter set for each intervention
#> l_model_out_no_trt <- decision_model(l_params_all = l_params_all)
#> l_model_out_trt <- decision_model(l_params_all = l_params_all)
#>
#> ## Cohort trace by treatment
#> m_M_no_trt <- l_model_out_no_trt$m_M # No treatment
#> m_M_trt <- l_model_out_trt$m_M # Treatment
#>
#> ## Vectors with costs and utilities by treatment
#> v_u_no_trt <- c(u_H, u_S1, u_S2, u_D)
#> v_u_trt <- c(u_H, u_Trt, u_S2, u_D)
#>
#> v_c_no_trt <- c(c_H, c_S1, c_S2, c_D)
#> v_c_trt <- c(c_H, c_S1 + c_Trt, c_S2 + c_Trt, c_D)
#>
#> ## Mean Costs and QALYs for Treatment and NO Treatment
#> v_tu_no_trt <- m_M_no_trt %*% v_u_no_trt
#> v_tu_trt <- m_M_trt %*% v_u_trt
#>
#> v_tc_no_trt <- m_M_no_trt %*% v_c_no_trt
#> v_tc_trt <- m_M_trt %*% v_c_trt
#>
#> ## Total discounted mean Costs and QALYs
#> tu_d_no_trt <- t(v_tu_no_trt) %*% v_dwe
#> tu_d_trt <- t(v_tu_trt) %*% v_dwe
#>
#> tc_d_no_trt <- t(v_tc_no_trt) %*% v_dwc
#> tc_d_trt <- t(v_tc_trt) %*% v_dwc
#>
#> ## Vector with total discounted mean Costs and QALYs
#> v_tc_d <- c(tc_d_no_trt, tc_d_trt)
#> v_tu_d <- c(tu_d_no_trt, tu_d_trt)
#>
#> ## Vector with discounted net monetary benefits (NMB)
#> v_nmb_d <- v_tu_d * n_wtp - v_tc_d
#>
#> ## Dataframe with discounted costs, effectiveness and NMB
#> df_ce <- data.frame(Strategy = v_names_str,
#> Cost = v_tc_d,
#> Effect = v_tu_d,
#> NMB = v_nmb_d)
#>
#> return(df_ce)
#> }
#> )
#> }
#> <bytecode: 0x7f97ab355e68>
#> <environment: namespace:darthpack>
After calculating the discount weights, this function runs the simulation model using the previously described function decision_model
in the 02_simulation_model_function.R script. Inside the function calculate_ce_out
, the simulation model is run for both the treatment, l_model_out_trt
, and no treatment, l_model_out_no_trt
, strategies of the Sick-Sicker model. Running it for both treatment strategies is done for illustration purposes. In this case-study, the resulting cohort traces are identical and we could have executed it only once.
In the second part of the function we create multiple vectors for both the cost and effects of both strategies. These vectors multiply the cohort trace to compute the cycle-specific rewards. This results in vectors of total costs (v_tc
) and total effects (v_tu
) per cycle. By multiplying these vectors with the vectors with the discount weights for costs (v_dwc
) and effects (v_dwe
) we get the total discounted mean costs (tc_d_no_trt
and tc_d_trt
) and QALYs (tu_d_no_trt
and tu_d_trt
) for both strategies. These values are used in the calculation of the NMB. Finally, the total discounted costs, effectiveness and NMB are combined in the dataframe df_ce
. The results for our case-study are shown below.
df_out_ce # print the dataframe
#> Strategy Cost Effect NMB
#> 1 No Treatment 115244.8 20.0233 2888250
#> 2 Treatment 214165.8 20.7226 2894224
This dataframe of CE results can be used as an argument in the calculate_icers
function from the dampack
package to calculate the incremental cost-effectiveness ratios (ICERs) and noting which strategies are weakly and strongly dominated. Table 1.3 shows the result of the deterministic CEA.
df_cea_det <- calculate_icers(cost = df_out_ce$Cost,
effect = df_out_ce$Effect,
strategies = l_params_basecase$v_names_str)
| Strategy | Cost | Effect | Inc_Cost | Inc_Effect | ICER |
|---|---|---|---|---|---|
| No Treatment | 115244.8 | 20.0233 | NA | NA | NA |
| Treatment | 214165.8 | 20.7226 | 98921.01 | 0.6992988 | 141457.4 |
Finally, Figure 1.9 shows the cost-effectiveness frontier of the CEA.
We then conduct a series of deterministic sensitivity analysis. First, we conduct a one-way sensitivity analysis (OWSA) on the variables c_Trt
, p_HS1
, u_S1
and u_Trt
and a two-way sensitivity analysis (TWSA) using the owsa_det
and twsa_det
functions. We use the output of these functions to produce different SA plots, such as OWSA tornado, one-way optimal strategy and TWSA plots (Figures 1.10 - 1.13).
In the VOI component, the results from the PSA generated in the probabilistic analysis subcomponent are used to determine whether further potential research is needed. We use the calc_evpi
function from the dampack
package to calculate the expected value of perfect information (EVPI). Figure 1.14 shows the EVPI for the different WTP values.
evpi <- calc_evpi(wtp = v_wtp, psa = l_psa)
Alarid-Escudero, F, EA Enns, KM Kuntz, TL Michaud, and H Jalal. 2019. “‘Time Traveling Is Just Too Dangerous’ But Some Methods Are Worth Revisiting: The Advantages of Expected Loss Curves Over Cost-Effectiveness Acceptability Curves and Frontier.” Value in Health 22 (5): 611–18. doi:10.1016/j.jval.2019.02.008.
Jalal, Hawre, Bryan Dowd, François Sainfort, and Karen M. Kuntz. 2013. “Linear regression metamodeling as a tool to summarize and present simulation model results.” Medical Decision Making 33 (7): 880–90. doi:10.1177/0272989X13492014.


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Corvinus app case study
10000
Yearly students101
Screens designed50+
Students worked with usVégre egy jól müködö és használható app!
És még a designja is egyetemistáknak szól
Finally a reliable and functional app!
And it's designed for students
A random user feedback in App Store from gahsiejenend
El se hiszem de tényleg hasznos, minden infó amit tudni akartam itt van egy helyen: az eddigi teljesítményem, órarendem, térkép az egyetemről mármint woow (ha be kéne járni végre nem tévednék el), minden a diákszövikről és szakkoliról.
I can't believe it, but it's really useful. I can have all the information I would ever want in one place: My progress, timetable, map of the university, student cooperative, vocational college.. just wow...
A random user feedback in Google Play from Borbála Sipos
Igazán hasznos app, hallgatóknak, munkavállalóknak és érdeklődőknek egyaránt! Szép munka!
Really usefu app, both for students, colleagues and visitors. Good work!
A random user feedback in Google Play from János Tóth
The Crew
Lorem ipsum dolor sit
Design
Tamás Kohuth
Dániel Feles
Mobile
Gábor Bakos
Csaba Tóth
Backend
Péter Gégény
Péter Kismarczi
Péter Kismarczi
Product
Zsuzsanna Rimmel-Bugar
Daniel Botka
Daniel Botka
The Story of the Team
In 2020 Corvinus University of Budapest went through a complete digitalization project lead by IncepTech, of which part was to design a new application to help students, teachers and visitors getting structured and relevant information about the university and many more.
Teams of BitRaptors, Corvinus and IncepTech worked closely together as one group off from brainstorming and kick-off state all the way to the releasing process and future developments, forming a strong connection between all the participants.
The Giant Scope
University has lots of fragmented data from various sources, which often can only be accessed from non-mobile-friendly sites. While designing the application, we focused on three high-level usecases of our users divided into three fragments:
As a student
I want to follow my classes, see where they take place and get all
my details related to my education, smoothly and directly from my phone.
As a teacher
I want a way to communicate with my students, which can be treated as a single source of truth.
As a visitor
I want to understand the most about Covinus University, read its most recent news and stories.
The Agile Method
We have worked in the smallest possible feedback loop with Corvinus and its students, doing user research with 1:1 interviews and questionaires, also usertests with clickable prototypes.
Once we figured out the high level structure of the app, development started, and iterations continued focusing on more and more detailed questions.
Custom iconset
🔔
The Dashboard
that has it all
After signing up with the university credentials, students can see all their information collected on the Dashboard.
This consist of two areas:
The Feed, a curated section of their upcoming classes, news and other useful information, like the opening time of the study department.
Underneath the feed students can find a more structured area, containing a collection of the most important information regarding their studies: their active classes, grade point averages, upcoming exams and results, teachers with their contact information and a cumulated area in the top of their overall progress in their studies (according to the credit system).
🏫
The Timetable
Surprise, surprise! Students can find their timetable here.
Though we took it to the next level, by showing an overview of how their week looks like. So now students can see, which are the busiest days in their week simply opening the calendar and looking at the dots representing their classes.
They can also open each class and get relevant information provided by their teachers.
Students can track their attendance, so they can avoid failing due to low attendance. They can also save notes for their classes.
🗞 📰
The News
The news section is the main platform for the university to communicate with their students and also outside visitors in a structured way.
Users can filter articles based on the topic, whether it's important information, like opening times during holidays, or general news regarding the university.
They can also share these articles, or save them to find them easily next time.
🦉
DARKMODE
Coming soon...The owls are not what they seem like...


Creating Spaces for the People God Misses the Most
The church we see goes far beyond the confines of church walls, but one that utilizes a multitude of spaces to create genuine relationships and facilitate growth. When we say spaces, we mean just that: houses of worship, schools, community centers, concert halls, art & music centers you name it. We desire to create a multiplicity of spaces all over the world that make it possible for us to reach the ones God misses the most! For us, the people God misses the most are those who are far from having their own personal relationship with God.
Whether that means they gave up on church, or have never really explored God for themselves, we believe that those are the people God misses so deeply. So, we seek to provide an embracing multicultural community where the people God misses the most can freely inquire of God, and explore what Jesus teaches as they walk at their own pace nearer to Him. We believe that once people feel they belong, they can become inspired to believe Jesus’ plan for their life and begin engaging the world as Jesus sees it.


{% extends "organizations/admin/base.html" %} {% load i18n gravatar %} {% load static %} {% load humanize %} {% block title %}{% trans "Organization Subscription" %}{% endblock %} {% block organization-admin-subscription %}active{% endblock %} {% block edit_content_header %}Subscription{% endblock %} {% block edit_content %}
{% url 'pricing' as pricing_url %} {% blocktrans trimmed with pricing_url=pricing_url %} You don't currently have an active subscription. You must create a subscription for a paid plan that fits your organization to continue using Read the Docs for Business. {% endblocktrans %}
{% endif %}


<%- include components/navbar-modal.html%>
<%- include components/navbar.html %>
Artollo
Artollo is musical collective that morphs and change around the brother and sister
duo that founded it. The collective creates large electronic pieces, inventive
interpretations of popular music, and reinterpretations of Mozart, Bach, and Chopan.
Artollo posts their most recent work on YouTube, Instagram, and often livestream
their creative process on Twitch.
<%- include components/footer.html %>


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Please describe your new circle.
Give your circle a descriptive name.
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What is the interest percentage that has to be paid for loans taken out of this circle? Please use a dot as the decimal separator, for example 5.5 for five and a half percent.
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Unify siloed customer data with Leo CDP
Consistent & Unified 360 degree Customer View
Flexible customer data segmentation
Leveraging AI, Machine Learning and Big Data for Smart Personalization
Marketing automation to activate your business
We are the group of data engineers, data scientists, business analyst and digital marketers


My Sample HTML doc
My First Heading
My
first
paragraph.
Name
Last Name
Harold
Altamirano
My Top Movies
Shrek 2
Howls Moving Castle
Forrest Gump
Inside Out
Sing!
Your Favorite movie:
https://Google.com


Files | |
| file | l4fw.h |
| This file contains the prototypes of the APIs present in the device abstraction layer file of L4FW. This also contains some related macros. | |
Data Structures | |
| struct | L4FWRegionSizeParams |
| Structure size parameters for L4 FW region. More... | |
| struct | l4fwErrStat |
| Structure Error status for L4 FW per IA port. More... | |
Typedefs | |
| typedef struct L4FWRegionSizeParams | L4FWRegionSizeParams_t |
| Structure size parameters for L4 FW region. | |
| typedef struct l4fwErrStat | L4FWErrStat_t |
| Structure Error status for L4 FW per IA port. | |
Functions | |
| void | L4FWSetProtGroupMembers (uint32_t baseAddr, uint32_t groupNum, uint32_t connIdVal) |
| This function sets connId values for a protection group. More... | |
| uint32_t | L4FWGetProtGroupMembers (uint32_t baseAddr, uint32_t groupNum) |
| This function gets connId values for a protection group. More... | |
| void | L4FWSetProtGroupRoles (uint32_t baseAddr, uint32_t groupNum, uint64_t rolesVal) |
| This function sets roles for a protection group. More... | |
| uint64_t | L4FWGetProtGroupRoles (uint32_t baseAddr, uint32_t groupNum) |
| This function gets roles for a protection group. More... | |
| void | L4FWSetRegionProtGroupId (uint32_t baseAddr, uint32_t regionNum, uint32_t protGroupId) |
| This function sets protection group for a region. More... | |
| uint32_t | L4FWGetRegionProtGroupId (uint32_t baseAddr, uint32_t regionNum) |
| This function gets protection group associated with a region. More... | |
| int32_t | L4FWGetRegionSizeParams (uint32_t baseAddr, uint32_t regionNum, L4FWRegionSizeParams_t *regionSizeParam) |
| This function gets size parameters of a region. More... | |
| void | L4FWGetErrorLog (uint32_t baseAddr, uint32_t portNum, L4FWErrStat_t *errStat) |
| This function gets Error information for an IA port. More... | |
| int32_t | L4FWClrAllErrors (uint32_t baseAddr, uint32_t portNum) |
| This function Clears Error status for an IA port. More... | |
| int32_t L4FWClrAllErrors | ( | uint32_t | baseAddr, |
| uint32_t | portNum | ||
| ) |
This function Clears Error status for an IA port.
| baseAddr | Base address of L4 Firewall instance. |
| portNum | Initiator port number of the Firewall |
| void L4FWGetErrorLog | ( | uint32_t | baseAddr, |
| uint32_t | portNum, | ||
| L4FWErrStat_t * | errStat | ||
| ) |
This function gets Error information for an IA port.
| baseAddr | Base address of L4 Firewall instance. |
| portNum | Initiator port number of the Firewall |
| errStat | This is a pointer to structure to fill the error status corresponding to the IA port |
| uint32_t L4FWGetProtGroupMembers | ( | uint32_t | baseAddr, |
| uint32_t | groupNum | ||
| ) |
This function gets connId values for a protection group.
| baseAddr | Base address of L4 Firewall instance. |
| groupNum | Protection group Number |
| uint64_t L4FWGetProtGroupRoles | ( | uint32_t | baseAddr, |
| uint32_t | groupNum | ||
| ) |
This function gets roles for a protection group.
| baseAddr | Base address of L4 Firewall instance. |
| groupNum | Protection group Number |
| uint32_t L4FWGetRegionProtGroupId | ( | uint32_t | baseAddr, |
| uint32_t | regionNum | ||
| ) |
This function gets protection group associated with a region.
| baseAddr | Base address of L4 Firewall instance. |
| regionNum | region Number of the Firewall |
| int32_t L4FWGetRegionSizeParams | ( | uint32_t | baseAddr, |
| uint32_t | regionNum, | ||
| L4FWRegionSizeParams_t * | regionSizeParam | ||
| ) |
This function gets size parameters of a region.
| baseAddr | Base address of L4 Firewall instance. |
| regionNum | region Number of the Firewall |
| regionSizeParam | This is a pointer to structure to fill the size parameters corresponding to the region |
| void L4FWSetProtGroupMembers | ( | uint32_t | baseAddr, |
| uint32_t | groupNum, | ||
| uint32_t | connIdVal | ||
| ) |
This function sets connId values for a protection group.
| baseAddr | Base address of L4 Firewall instance. |
| groupNum | Protection group Number |
| connIdVal | Bitfields corresponding to connId values to enable the firewall access for the group |
| void L4FWSetProtGroupRoles | ( | uint32_t | baseAddr, |
| uint32_t | groupNum, | ||
| uint64_t | rolesVal | ||
| ) |
This function sets roles for a protection group.
| baseAddr | Base address of L4 Firewall instance. |
| groupNum | Protection group Number |
| rolesVal | roles value to set the for the group |
| void L4FWSetRegionProtGroupId | ( | uint32_t | baseAddr, |
| uint32_t | regionNum, | ||
| uint32_t | protGroupId | ||
| ) |
This function sets protection group for a region.
| baseAddr | Base address of L4 Firewall instance. |
| regionNum | region Number of the Firewall |
| protGroupId | Protection group Number to be assigned |


This is a USB Dead Drop web publishing system that can publish the contents of a USB thumbdrive to the Interplanetary Filesystem, a peer-to-peer internet filesystem aiming to serve the permanent web.
Once the contents of your USB thumbdrive have been uploaded to the IPFS network, you will receive a permanent, public URL to them.
Prepare your QR Code reader


channel.7dd381 __
channel.5ca85c __
octree __
channel.325739 __
channel.7a97c5 __
binary __
channel.80ca7e __
channel.5a6e90 __
channel.e1eaec __
channel.6e85aa __


--- layout: page title: About header-img: "img/about-bg.png" ---
I'm a 25 year old living in the city of Chicago. I'm passionate about traveling to new places, watching Notre Dame football with my best friends, and golfing whenever I get the chance. I'm incredibly excited to learn how to program. Just like learning a new spoken language, I've always been fascinated by the idea and am excited to learn how to turn my ideas into reality through power of computer programming.


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Adventure
I spoke about Toby before, but I would like to speak about the person picking Toby up from the water. Why would I like to speak about this person? Because I think the mysteriousness comes from this person.
In order for me to speak about this person, I would need to introduce another story. So there was once a fish called Chloe and she loved her dad a lot. Her dad was always her role model in the sense that her dad knew everything. I personally also look up to my dad because he has a lot of experience compared to me.
So before I start with the story, I need us to understand this from the fish’s point of view. Even if fishes do not wear shoes, we should try put ourselves in Chloe’s shoes.
So as Chloe started to slowly grow up, she was exposed to all the wonderful creatures in the world around her. She started to know about the other different types of fishes and the plants that grew on the ground.
One day, she swam passed two fishes chattering to each other. Even though she has never seen these types of fishes, what rather interested was not the types of fishes they were, but rather the content of what they were chatting about. They were chatting about something mysterious and it started to make Chloe wonder herself: what is the mysterious object within the content of what they were saying. They mentioned this thing as "Water".
So Chloe swam back to her dad and asked her dad "Dad, what is
water?"
Chloe’s dad told her "Come closer"
So Chloe swam closer.
Chloe’s dad told her again "Come closer"
So Chloe swam even closer.
Chloe’s dad told her for the third time "Come closer"
So Chloe swam even closer.
Chloe’s dad then whispered in her ears as softly as possible "Water is all around you"
The person
Maybe one day Chloe would understand what this is, but for us, this person that is picking up Toby is all around us. This person is not a male or a female. This person is not really even a person.
Some people call this energy God, some call it the Universe, Ala, Buddha, Jesus or even Dao. There is a lot of names for this "Bright ball of energy"… I don’t really think we can place a name to "this" because the moment we do try giving it a name then the meaning of it changes and becomes your personal interpretations of it.
The energy
Sometimes, you can feel this energy. Sometimes, you know that it is communicating with you. Sometimes, you know exactly what it is telling you. Sometimes, you know why humans do exactly what they do because this energy is telling you why. But because it isn’t always and only sometimes, people tend to not find the communications between us and them. However, when you do find this channel, your world will change … Your perspective of your life will change. Your perspective of your friends’ life will change. Your perspective of everyone around you will change. But how do we strengthen this communication channel? That is want I want to speak about in my next post, so let me not spoil it :P
I am sure this ocean will let me know the meaning of life once I am ready for it…


EARTH GIRLS ARE EASY A film review by Thomas E. Billings Copyright 1989 Thomas E. Billings
Screened at its U.S. premiere, March 10, 1989, at the San Francisco International Film Festival (Kabuki Theatre, San Francisco).
Synopsis: Space aliens visit earth, and while they're here, decide to have a good time with ... human girlfriends! An outrageously funny and delightful comedy/satire.
U.S.A., 1988, color, 100 minutes.
Director: Julien Temple Producer: Tony Garnet Screenplay: Julie Brown, Charlie Coffey, Terrence E. McNally Principal cast: Geena Davis, Jeff Goldblum, Julie Brown, Charles Rocket, Jim Carrey, Damon Wayans Released by: Vestron Pictures
Director Julien Temple scores a bullseye with this light & warm hearted film that manages to satirize just about everything, including consumerism, Los Angeles-style pop culture, modern romance, and science fiction films. The satire is very well done, without the hard edges or cynicism that is so common nowadays.
The film begins by showing us the inside of an alien space ship, which is piloted by three furry humanoid creatures. They are frustrated and lonely, as they are on a long journey without female companions. The only female companionship available to them is to play holographic projections of (alien) females. The film then shifts to earth, where we meet Valerie (Geena Davis), an air-headed manicurist who works at the Curl Up & Dye hair salon. It seems that Valerie is engaged to a young Doctor, who is chasing every skirt in town but hers, and she is disturbed by this. Anyway, the alien space ship is passing earth, and they decide to do a little girl-watching. They happen to zoom in on Valerie's home, and they see her sunbathing by the pool. When Valerie removes her "breast protective device" (the top of her bikini), one of the aliens gets so excited that it leads to the alien ship crash-landing in her pool!
This sets in motion a sequence of truly unique and hilarious events, as the aliens suffer real "culture shock" in LA. Valerie takes the aliens to the beauty salon for a make-over, so that they are presentable in society. They then go out for a night on the town. There is a truly hilarious scene in a bar where one of the aliens is drinking out of a tall glass. He sticks his long (several inches) tongue into the glass, whereupon the four beautiful girls he is with start openly fighting among themselves to see which girl gets to go home with him that night! I won't give away any more of the film to avoid spoiling anything. Rest assured that there is a *lot* more humor in the film!
This film is a real delight. It is outrageously funny, but also warm-hearted. It is very fast-paced, and includes send-ups of, among other things, science fiction films, beach blanket films, television, and Jerry Lewis. Audience reaction at the premiere was enthusiastic, to say the least. Oh yes, it is also a romance film, and those aspects of the film also receive the comic touch.
There are a few other points that should be mentioned. Director Julien Temple is best known for music videos (although he has directed other films: ABSOLUTE BEGINNERS, THE GREAT ROCK AND ROLL SWINDLE), and this film does include a few sequences that are essentially music videos. Although the music is nothing special, these "videos" are funny and fit well into the movie. Also, the special effects of the alien spaceship (except for the holographic alien females) are really cheesy. The alien costumes are also rather obvious. However, this does *not* detract from the film; the appeal of this film is its satire and comedy, not special effects. [Note: the holographic alien females effect is nicely done.]
I really enjoyed this film, and I think most people will too. The only danger in viewing it is that you will be overwhelmed by the humor, which comes at a frantic pace. I am also quite certain that this film will be a very *big* hit when it is released this summer! In summary, I would describe this film as the funniest full-length film I have seen in a very long time. [Remark: it is funnier than THE ADVENTURES OF BARON MUNCHAUSEN, though the films are not directly comparable. MUNCHAUSEN is primarily an adventure film, which coincidentally has plenty of humor in it. EARTH GIRLS is pure comedy.]
Overall evaluation: highest rating possible; a must-see.
Reviewer: Thomas E. Billings; Department of Statistics University of California, Berkeley Reviewer contact<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


BY EDWIN JAHIEL
AMERICAN BEAUTY (1999) *** Directed by Sam Mendes. Written by Alan Ball. Photography, Conrad L. Hall. Editing, Tariq Anwar and Chris Greenbury. Production design, Naomi Shohan . Music, Thomas Newman. Producers ,Bruce Cohen and Dan Jinks. Cast: Kevin Spacey (Lester Burnham), Annette Bening (Carolyn Burnham), Thora Birch (Jane Burnham), Wes Bentley (Ricky Fitts), Mena Suvari (Angela Hayes), Peter Gallagher (Buddy Kane), Allison Janney (Barbara Fitts), Chris Cooper (Colonel Fitts), Scott Bakula (Jim No.1) and Sam Robards (Jim No. 2). A Dreamworks release.115 minutes. R (language, sex)
My friend Tomas de Torquemada is a very inquisitive fellow.
TT: Why did you wait this long to review American Beauty?
EJ: My paper has limited space. I gave the priority to other titles.
TT: Why?
EJ: Because too many worthy films get here without the ballyhoo, publicity, promotions, previews, TV "interviews," or reviewers' glowing quotes.
TT: Yet doesn't movie quality eventually speak for itself?
EJ: Are you kidding?
TT: But at least some non-hyped, unfamiliar titles do make it on clocal screens.
EJ: They do. But the publicity is still zilch, the big chains schedule few showings, and/or don't keep them long enough for word-of-mouth to bring in the public.
TT: What about the art houses?
EJ: These are often too indigent for big ads. Since the distributors push the big, commercial titles, whenever a good but unfamiliar movie does arrive, its best -- often only -- friends are positive reviews in local media.
TT: So it's not hopeless.
EJ: Not totally, but ninety percent. With rare exceptions, individual critics wield no power. What does is a mass of praise coming from the majority of the media. Even then, that works mostly for popular, mainstream films.
TT: Without exception?
EJ: No, I said "mostly." There are surprises. The Blair Witch Project, an original, independent production made for a shoestring, has done extremely well, partly thanks to clever distributors who spent a fortune on promotion. But by and large, the masses hardly read reviews. Let's not fool ourselves about the influence of movie critics.
TT: Let's get back to your priorities. What are some of the recent movies you reviewed while postponing American Beauty?
EJ: It was obvious that this film was being received enthusiastically by everybody and his sister. My own two cents would not make any difference, either way.
TT: So you concentrated on?....
EJ: ... solid but unknown titles, many of them foreign: the hilarious French The Dinner Game; the beautiful Chinese The King of Masks; the quirky British My Life So Far; the French gem for connoisseurs, Autumn Tale. American films like the wrenching Holocaust film The Last Days; small, good movies which deal with minorities and had no publicity, such as Trick, or the Canadian Better Than Chocolate.
TT: But you did include some mainstream titles.
EJ: Yes. Even duds, as save-your-money warnings. Or else items that were getting negative reviews but, in my opinion, were highly entertaining. Like Double Jeopardy.
TT: Well now, what about American Beauty?
EJ: It 's good. The acting by Spacey and Bening is superb. Spacey is highly versatile and talented, can suggest (here and elsewhere) ambiguity like nobody's business. This ability serves fleshes out a character who, while not eccentric or original, melds anomie, revolt and libido.
In her best roles Bening has been a charmer with character, but no passive sweetie-pie. Here charm is replaced by nastiness. in the difficult role of a compulsive neatnik of the Martha Stewart persuasion, as well as an ambitious and shallow creature. She brings a weird kind of complexity to an unbending heart and brain.
Everyone knows by now that the film is about a dysfunctional society of which we see only a small section, which is conveniently set in suburbia. Conveniently because it keeps characters topologically close to one another. But there is no real reason for suburbia to be, as intended, a genuine culprit. The who, what, where, how of the movie could as easily be in a megalopolis , in non-suburbia or non-exurbia.
There's almost a genre in which suburbanites are the target of ironies. The last one was Ang Lee's exceptionally powerful and memorable The Ice Storm. If you go back many years, one of the pioneering movies in the genre was the sad and sadly forgotten The Swimmer (1968) with Burt Lancaster(from a John Cheever story). In 1975 we had The Stepford Wives (from an Ira Levin novel) that made is caustic points by going to science-fiction and its own brand of horror. The list is long.
If there is no horror, literally, in American Beauty, the picture is a gallery of creeps or creepiness. No one is immune or has redeeming values, from the protagonists to the two girls (and classmates) to Budy Kane, the smooth real-estate Czar who is not too far removed from business zombieism and with whom Carolyn Burnham has a sadly mechanical affair. Wes Bentley as Ricky Fitts, the 18-year old schoolmate, compulsive videographer,voyeur, druggie and drug-dealer is invidiously romanticized by the movie (a mistake, in my opinion). He gave me the creeps. Creepy too is his father, retired Colonel Fitts (effectively played by Chris Cooper), with his Nazi paraphernalia, his silent, near-catatonic wife (we guess why she's that way at film's end, but I won't reveal it in case you have not seen the movie), his relationship with his son. Creepiest of all may be the son presenting his urine samples to Dad, so as to show he he is drug-free.
Also creepy is the supporting role of Lester's new immediate boss who stands for materialistic, arrivistic heartlessness, and stupidity. When the rebelling Lester tells him off you fell like applauding. But this is a secondary, though well worked-in character. The main ones, father, mother, daughter and only child Jane (Thora Birch in a Christine --The Ice Storm -- Ricci part), her pal Angela and Ricky make up a sextet which is also a SEX-tet.
Each, in his/her way, is a sicko. Not that this is unjustified. Angela, the end-of-millennium Lolita, is an icky creature, almost repelling for me, but as the beacon of Lester's mid-life-crisis libido and his alienation from Carolyn, she fits in well.
Even so, I keep thinking of Gertrude Stein whose words ought to be on the Decalogue of Filmmaking: "I prefer the normal to the abnormal, since the normal is so much more complex and interesting."
Summarized in High Concept fashion American Beauty is primarily about Lester who takes stock of his life and comes up with a negative balance. Unnecessarily, the film opens with Lester addressing us "de profundis," telling us about his last days on this planet and about his impending death. This deja vu gimmick detracts from the story, as does much of the over-the-top script. It substitutes "more is more" for the advice "less is more."
The overkill goes as far as packing, claustrophobically and most improbably, almost all the characters as next-door-neigbhors.
Admittedly, the photography, by a master, is superb. There is also quite an assortment of humorous bits, not the least of which is Lester, semi-drunk, alcohol in hand, starting to make passes at his own wife who worries about her high-priced couch being soiled. What's extra funny to me is that I don't blame her.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Click on each p element to return the data passed with the on() method.
This is a paragraph.
This is another paragraph.
This is another paragraph.


Here is a simple Line chart that has three separate datasets. The labels
for the chart (on the X-axis
) are not a scale - they're just regular labels
as you would normally give to a Line chart but they're numbers instead
of words - that's all. The Line doesn't have the facility to show
a scale across the X-axis
- for that you'll need to use a Scatter chart
with the line
option enabled.
As for the tickmarks, while at first glance it may appear that they're 'hollow' they're actually just using a fill color that matches the background.
Other than this it's a pretty basic dark-themed Line that uses the
trace
effect.
 Put this where you want the chart to show up:

This is the code that generates the chart - it should be placed AFTER the
div
tag:
You may have noticed that on the chart above the center of the tickmarks are not transparent - they're just colored black in order to make them blend in with the rest of the chart.
Making them transparent is more complicated than you might think for these reasons:
globalCompositeOperation
option but with only one
canvas
it clears the background grid - so the line can't be seen and nor
can the grid. The result would be similar to the first situation
in this list.
The solution here is to use layers. "But wait! canvas
doesn't have layers!"
you might cry. And yes - you would be correct - but they can be simulated
by using - in this case - multiple canvas
tags.
So there are two canvas
tags being utilised here (positioned one in front of
the other) - one on to which the background is drawn and a second on to
which the lines are drawn. When the insides of the tickmarks are cleared
to transparency then the canvas
at the back shows through. And that
is the canvas
that has the background grid on it.
There's more code required than a regular chart (as you might imagine) - but as you can see it's not a lot more and nor is it complicated. Feel free to copy and paste the code.
 Put this where you want the chart to show up:

 <canvas id="cvs1" width="750" height="250" style="position: absolute; top: 0; left: 0">[No canvas support]</canvas> <canvas id="cvs2" width="750" height="250" style="position: absolute; top: 0; left: 0">[No canvas support]</canvas>
This is the code that generates the chart - it should be placed AFTER the
div
tag:


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The street address or plus code that you want to geocode. Specify
addresses in accordance with the format used by the national postal
service of the country concerned. Additional address elements such as
business names and unit, suite or floor numbers should be avoided. Street
address elements should be delimited by spaces (shown here as url-escaped
to %20
):
address=24%20Sussex%20Drive%20Ottawa%20ON
Format plus codes as shown here (plus signs are url-escaped to
%2B
and spaces are url-escaped to %20
):
849VCWC8+R9
is 849VCWC8%2BR9
).
CWC8+R9 Mountain View, CA, USA
is
CWC8%2BR9%20Mountain%20View%20CA%20USA
).
The bounding box of the viewport within which to bias geocode results more prominently. This parameter will only influence, not fully restrict, results from the geocoder. - name: locations in: query
A components filter with elements separated by a pipe (|). The components filter is also accepted as an optional parameter if an address is provided. Each element in the components filter consists of a component:value pair, and fully restricts the results from the geocoder.
The language in which to return results.
language
is not supplied, the API attempts to use the
preferred language as specified in the
Accept-Language
header, or the native language of the
domain from which the request is sent.
The street address that you want to geocode, in the format used by the national postal service of the country concerned. Additional address elements such as business names and unit, suite or floor numbers should be avoided.
The region code, specified as a ccTLD ("top-level domain") two-character value. Most ccTLD codes are identical to ISO 3166-1 codes, with some notable exceptions. For example, the United Kingdom's ccTLD is "uk" (.co.uk) while its ISO 3166-1 code is "gb" (technically for the entity of "The United Kingdom of Great Britain and Northern Ireland").
Generated from the OpenAPI specification. Edit Report bug


Prerequisites
The following base libraries are needed:
- BLAS
- [11,12,18] Many vendors provide optimized versions
of BLAS; if no vendor version is
available for a given platform, the ATLAS software
(math-atlas.sourceforge.net)
may be employed. The reference BLAS from Netlib
(www.netlib.org/blas) are meant to define the standard
behaviour of the BLAS interface, so they are not optimized for any
particular plaftorm, and should only be used as a last
resort. Note that BLAS computations form a relatively small part of
the MLD2P4/PSBLAS computations; they are however critical when using
preconditioners based on MUMPS, UMFPACK or SuperLU third party
libraries. Note that UMFPACK requires a full LAPACK library; our
experience is that configuring ATLAS for building full LAPACK does not
work in the correct way. Our advice is first to download the LAPACK tarfile from
www.netlib.org/lapack and install it independently of ATLAS. In this case,
you need to modify the OPTS and NOOPT definitions for including -fPIC compilation option
in the make.inc file of the LAPACK library.
- MPI
- [17,23] A version of MPI is available on most
high-performance computing systems.
- PSBLAS
- [13,15] Parallel Sparse BLAS (PSBLAS) is
available from github.com/sfilippone/psblas3; version
3.5.0 (or later) is required. Indeed, all the prerequisites
listed so far are also prerequisites of PSBLAS.
Please note that the four previous libraries must have Fortran
interfaces compatible with MLD2P4;
usually this means that they should all be built with the same
compiler as MLD2P4.


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Repository based tools for department and analysis level reproducibility. 'GRANBase' allows creation of custom branched, continuous integration-ready R repositories, including incremental testing of only packages which have changed versions since the last repository build.
| Version: | 2.5.0 |
| Depends: | GRANCore, switchr (≥ 0.9.28), methods |
| Imports: | tools, utils, htmlTable (≥ 1.11.0), dplyr, sendmailR, covr, RCurl, jsonlite, stringi, stats, markdown |
| Suggests: | parallel, rmarkdown, hexSticker, knitr |
| Published: | 2018-05-09 |
| Author: | Gabriel Becker[aut,cre], Cory Barr [cre,ctb], Dinakar Kulkarni [aut,ctb] |
| Maintainer: | Gabriel Becker <becker.gabriel at gene.com> |
| BugReports: | https://github.com/gmbecker/gRAN/issues |
| License: | Artistic-2.0 |
| Copyright: | Genentech Inc |
| URL: | https://github.com/gmbecker/gRAN |
| NeedsCompilation: | no |
| SystemRequirements: | svn, git |
| Citation: | GRANBase citation info |
| Materials: | NEWS |
| CRAN checks: | GRANBase results |
| Reference manual: | GRANBase.pdf |
| Vignettes: |
GRANBase |
| Package source: | GRANBase_2.5.0.tar.gz |
| Windows binaries: | r-devel: GRANBase_2.5.0.zip, r-release: GRANBase_2.5.0.zip, r-oldrel: GRANBase_2.5.0.zip |
| OS X binaries: | r-release: GRANBase_2.5.0.tgz, r-oldrel: GRANBase_2.5.0.tgz |
| Old sources: | GRANBase archive |
Please use the canonical form https://CRAN.R-project.org/package=GRANBase to link to this page.


BitmovinApiSdk\Models\H264VideoConfiguration
Synopsis
class H264VideoConfiguration
extends VideoConfiguration
{
- // members
- public PresetConfiguration $presetConfiguration;
- public H264DynamicRangeFormat $dynamicRangeFormat;
- public float $crf;
- public ProfileH264 $profile;
- public int $bframes;
- public int $refFrames;
- public int $qpMin;
- public int $qpMax;
- public MvPredictionMode $mvPredictionMode;
- public int $mvSearchRangeMax;
- public bool $cabac;
- public int $maxBitrate;
- public int $minBitrate;
- public int $bufsize;
- public int $minGop;
- public int $maxGop;
- public bool $openGop;
- public float $minKeyframeInterval;
- public float $maxKeyframeInterval;
- public LevelH264 $level;
- public BAdapt $bAdaptiveStrategy;
- public H264MotionEstimationMethod $motionEstimationMethod;
- public int $rcLookahead;
- public H264SubMe $subMe;
- public H264Trellis $trellis;
- public array $partitions;
- public int $slices;
- public H264InterlaceMode $interlaceMode;
- public int $sceneCutThreshold;
- public H264NalHrd $nalHrd;
- public H264BPyramid $bPyramid;
- public Cea608708SubtitleConfiguration $cea608708SubtitleConfig;
- public int $deblockAlpha;
- public int $deblockBeta;
- public AdaptiveQuantMode $adaptiveQuantizationMode;
- public float $adaptiveQuantizationStrength;
- public bool $mixedReferences;
- public bool $adaptiveSpatialTransform;
- public bool $fastSkipDetectionPFrames;
- public bool $weightedPredictionBFrames;
- public WeightedPredictionPFrames $weightedPredictionPFrames;
- public bool $macroblockTreeRatecontrol;
- public float $quantizerCurveCompression;
- public float $psyRateDistortionOptimization;
- public float $psyTrellis;
- public AutoLevelSetup $autoLevelSetup;
- // Inherited members from VideoConfiguration
- public int $width;
- public int $height;
- public int $bitrate;
- public float $rate;
- public PixelFormat $pixelFormat;
- public ColorConfig $colorConfig;
- public int $sampleAspectRatioNumerator;
- public int $sampleAspectRatioDenominator;
- public DisplayAspectRatio $displayAspectRatio;
- public EncodingMode $encodingMode;
- // Inherited members from CodecConfiguration
- public static string $discriminatorName;
- public static array $discriminatorMapping;
- // Inherited members from BitmovinResource
- public string $name;
- public string $description;
- public Carbon $createdAt;
- public Carbon $modifiedAt;
- public mixed $customData;
- // Inherited members from BitmovinResponse
- public string $id;
- // methods
- public void __construct()
- public $this presetConfiguration()
- public $this dynamicRangeFormat()
- public $this crf()
- public $this profile()
- public $this bframes()
- public $this refFrames()
- public $this qpMin()
- public $this qpMax()
- public $this mvPredictionMode()
- public $this mvSearchRangeMax()
- public $this cabac()
- public $this maxBitrate()
- public $this minBitrate()
- public $this bufsize()
- public $this minGop()
- public $this maxGop()
- public $this openGop()
- public $this minKeyframeInterval()
- public $this maxKeyframeInterval()
- public $this level()
- public $this bAdaptiveStrategy()
- public $this motionEstimationMethod()
- public $this rcLookahead()
- public $this subMe()
- public $this trellis()
- public $this partitions()
- public $this slices()
- public $this interlaceMode()
- public $this sceneCutThreshold()
- public $this nalHrd()
- public $this bPyramid()
- public $this cea608708SubtitleConfig()
- public $this deblockAlpha()
- public $this deblockBeta()
- public $this adaptiveQuantizationMode()
- public $this adaptiveQuantizationStrength()
- public $this mixedReferences()
- public $this adaptiveSpatialTransform()
- public $this fastSkipDetectionPFrames()
- public $this weightedPredictionBFrames()
- public $this weightedPredictionPFrames()
- public $this macroblockTreeRatecontrol()
- public $this quantizerCurveCompression()
- public $this psyRateDistortionOptimization()
- public $this psyTrellis()
- public $this autoLevelSetup()
- // Inherited methods from VideoConfiguration
- public void __construct()
- public $this width()
- public $this height()
- public $this bitrate()
- public $this rate()
- public $this pixelFormat()
- public $this colorConfig()
- public $this sampleAspectRatioNumerator()
- public $this sampleAspectRatioDenominator()
- public $this displayAspectRatio()
- public $this encodingMode()
- // Inherited methods from CodecConfiguration
- public void __construct()
- // Inherited methods from BitmovinResource
- public void __construct()
- public $this name()
- public $this description()
- public $this customData()
- // Inherited methods from BitmovinResponse
- public void __construct()
- // Inherited methods from ApiResource
- public void __construct()
- public static $this create()
- public void toArray()
Hierarchy
Members
public
- $adaptiveQuantizationMode — BitmovinApiSdk\Models\AdaptiveQuantMode
- $adaptiveQuantizationStrength — float
- $adaptiveSpatialTransform — BitmovinApiSdk\Models\bool
- $autoLevelSetup — BitmovinApiSdk\Models\AutoLevelSetup
- $bAdaptiveStrategy — BitmovinApiSdk\Models\BAdapt
- $bPyramid — BitmovinApiSdk\Models\H264BPyramid
- $bframes — int
- $bitrate — int
- $bufsize — int
- $cabac — BitmovinApiSdk\Models\bool
- $cea608708SubtitleConfig — BitmovinApiSdk\Models\Cea608708SubtitleConfiguration
- $colorConfig — BitmovinApiSdk\Models\ColorConfig
- $createdAt — Carbon\Carbon
- $crf — float
- $customData — mixed
- $deblockAlpha — int
- $deblockBeta — int
- $description — string
- $discriminatorMapping
- $discriminatorName
- $displayAspectRatio — BitmovinApiSdk\Models\DisplayAspectRatio
- $dynamicRangeFormat — BitmovinApiSdk\Models\H264DynamicRangeFormat
- $encodingMode — BitmovinApiSdk\Models\EncodingMode
- $fastSkipDetectionPFrames — BitmovinApiSdk\Models\bool
- $height — int
- $id — string
- $interlaceMode — BitmovinApiSdk\Models\H264InterlaceMode
- $level — BitmovinApiSdk\Models\LevelH264
- $macroblockTreeRatecontrol — BitmovinApiSdk\Models\bool
- $maxBitrate — int
- $maxGop — int
- $maxKeyframeInterval — float
- $minBitrate — int
- $minGop — int
- $minKeyframeInterval — float
- $mixedReferences — BitmovinApiSdk\Models\bool
- $modifiedAt — Carbon\Carbon
- $motionEstimationMethod — BitmovinApiSdk\Models\H264MotionEstimationMethod
- $mvPredictionMode — BitmovinApiSdk\Models\MvPredictionMode
- $mvSearchRangeMax — int
- $nalHrd — BitmovinApiSdk\Models\H264NalHrd
- $name — string
- $openGop — BitmovinApiSdk\Models\bool
- $partitions — \BitmovinApiSdk\Models\H264Partition[]
- $pixelFormat — BitmovinApiSdk\Models\PixelFormat
- $presetConfiguration — BitmovinApiSdk\Models\PresetConfiguration
- $profile — BitmovinApiSdk\Models\ProfileH264
- $psyRateDistortionOptimization — float
- $psyTrellis — float
- $qpMax — int
- $qpMin — int
- $quantizerCurveCompression — float
- $rate — float
- $rcLookahead — int
- $refFrames — int
- $sampleAspectRatioDenominator — int
- $sampleAspectRatioNumerator — int
- $sceneCutThreshold — int
- $slices — int
- $subMe — BitmovinApiSdk\Models\H264SubMe
- $trellis — BitmovinApiSdk\Models\H264Trellis
- $weightedPredictionBFrames — BitmovinApiSdk\Models\bool
- $weightedPredictionPFrames — BitmovinApiSdk\Models\WeightedPredictionPFrames
- $width — int
Methods
public
- __construct()
- adaptiveQuantizationMode() — Controls the adaptive quantization algorithm
- adaptiveQuantizationStrength() — Values greater than 1 reduce blocking and blurring in flat and textured areas. Values less than 1 reduces ringing artifacts at the cost of more banding artifacts. Negative values are not allowed
- adaptiveSpatialTransform() — Enables adaptive spatial transform (high profile 8x8 transform)
- autoLevelSetup() — Enable/disable automatic calculation of level, maxBitrate, and bufsize based on the least level that satisfies maximum property values for picture resolution, frame rate, and bit rate. In the case the target level is set explicitly, the maximum bitrate and buffer size are calculated based on the defined level. Explicitly setting maxBitrate, or bufsize properties will disable the automatic calculation.
- bAdaptiveStrategy() — bAdaptiveStrategy
- bPyramid() — Keep some B-frames as references
- bframes() — Amount of b frames
- bufsize() — Playback device buffer size
- cabac() — Enable or disable CABAC
- cea608708SubtitleConfig() — Defines whether CEA 608/708 subtitles are copied from the input video stream
- crf() — Constant rate factor for quality-based variable bitrate. Either bitrate or crf is required.
- deblockAlpha() — Strength of the in-loop deblocking filter. Higher values deblock more effectively but also soften the image
- deblockBeta() — Threshold of the in-loop deblocking filter. Higher values apply deblocking stronger on non flat blocks, lower values on flat blocks
- dynamicRangeFormat() — Automatically configures the H264 Video Codec to be compatible with the given SDR format. Bitmovin recommends to use the dynamic range format together with a preset configuration to achieve good results. Explicitly configured properties will take precedence over dynamic range format settings, which in turn will take precedence over preset configurations.
- fastSkipDetectionPFrames() — Enables fast skip detection on P-frames. Disabling this very slightly increases quality but at a large speed loss
- interlaceMode() — Using TOP_FIELD_FIRST or BOTTOM_FIELD_FIRST will output interlaced video
- level() — If three-pass encoding is used and a level is set for the encoder, the bitrate for some segments may exceed the bitrate limit which is defined by the level.
- macroblockTreeRatecontrol() — Enable macroblock tree ratecontrol. Macroblock tree rate control tracks how often blocks of the frame are used for prediciting future frames
- maxBitrate() — Maximum Bitrate
- maxGop() — Maximum GOP length, the maximum distance between I-frames
- maxKeyframeInterval() — Maximum interval in seconds between key frames
- minBitrate() — Minimum Bitrate
- minGop() — Minimum GOP length, the minimum distance between I-frames
- minKeyframeInterval() — Minimum interval in seconds between key frames
- mixedReferences() — Allow references on a per partition basis, rather than per-macroblock basis
- motionEstimationMethod() — motionEstimationMethod
- mvPredictionMode() — mvPredictionMode
- mvSearchRangeMax() — Maximum motion vector search range
- nalHrd() — Signal hypothetical reference decoder (HRD) information (requires bufsize to be set)
- openGop() — Enable open-gop, allows referencing frames from a previous gop
- partitions() — Partitions to consider. Analyzing more partition options improves quality at the cost of speed.
- presetConfiguration() — Choose from a set of preset configurations tailored for common use cases. Check out [H264 Presets](https://bitmovin.com/docs/encoding/tutorials/h264-presets) to see which values get applied by each preset. Explicitly setting a property to a different value will override the preset's value for that property.
- profile() — When setting a profile, all other settings must not exceed the limits which are defined in the profile. Otherwise, a higher profile may be automatically chosen. (required)
- psyRateDistortionOptimization() — Psychovisual Rate Distortion retains fine details like film grain at the expense of more blocking artifacts. Higher values make the video appear sharper and more detailed but with a higher risk of blocking artifacts. Needs to have subMe with RD_IP, RD_ALL, RD_REF_IP or RD_REF_ALL
- psyTrellis() — Higher values will improve sharpness and detail retention but might come at costs of artifacts. Needs to have trellis enabled
- qpMax() — Maximum quantization factor
- qpMin() — Minimum quantization factor
- quantizerCurveCompression() — Ratio between constant bitrate (0.0) and constant quantizer (1.0). Valid range 0.0 - 1.0
- rcLookahead() — Number of frames for frame-type decision lookahead
- refFrames() — Amount of reference frames.
- sceneCutThreshold() — Scene change sensitivity. The higher the value, the more likely an I-frame will be inserted. Set to 0 to disable it which is advised for scenarios where fixed GOP is required, e.g., adaptive streaming outputs like DASH, HLS and Smooth. Having this setting enabled can improve quality for progressive output with an increased internal chunk length (see `internalChunkLength` of muxings).
- slices() — Number of slices per frame.
- subMe() — Subpixel motion estimation and mode decision
- trellis() — Enables or disables Trellis quantization. NOTE: This requires cabac
- weightedPredictionBFrames() — Enable open-gop, allows referencing frames from a previous gop
- weightedPredictionPFrames() — Defines the mode for weighted prediction for P-frames
Inherited from BitmovinApiSdk\Models\VideoConfiguration
public
- bitrate() — Target bitrate for the encoded video in bps. Either bitrate or crf is required.
- colorConfig() — colorConfig
- displayAspectRatio() — Specifies a display aspect ratio (DAR) to be enforced. The sample aspect ratio (SAR) will be adjusted accordingly. If set then sampleAspectRatioNumerator and sampleAspectRatioDenominator are not allowed.
- encodingMode() — The mode of the encoding. When this is set, `encodingMode` (`liveEncodingMode`) must not be set in the (live) encoding start request.
- height() — Height of the encoded video in pixels
- pixelFormat() — Describes the color encoding, bit depth, and chroma subsampling of each pixel in the output image.
- rate() — Target frame rate of the encoded video. Must be set for live encodings
- sampleAspectRatioDenominator() — The denominator of the sample aspect ratio (also known as pixel aspect ratio). Must be set if sampleAspectRatioNumerator is set. If set then displayAspectRatio is not allowed.
- sampleAspectRatioNumerator() — The numerator of the sample aspect ratio (also known as pixel aspect ratio). Must be set if sampleAspectRatioDenominator is set. If set then displayAspectRatio is not allowed.
- width() — Width of the encoded video in pixels
Inherited from BitmovinApiSdk\Models\BitmovinResource
public
- customData() — User-specific meta data. This can hold anything.
- description() — Description of the resource. Can be freely chosen by the user.
- name() — Name of the resource. Can be freely chosen by the user.


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