Designing is a craft as much as an art. Standards of workmanship, of “finish”, are valued and appreciated by players, and the craft of the adventure game has developed as it has been handed down. The embryonic ‘Zork’ (Tim Anderson, Marc Blank, Bruce Daniels, Dave Lebling, 1977) – shambolic, improvised, frequently unfair – was thrown together in a fortnight of spare time. ‘Trinity’ (Brian Moriarty, 1986), plotted in synopsis in 1984, required thirteen months to design and test.
‘Spellbreaker’ (Dave Lebling, 1985) is a case in point. A first-rate game, it advanced the state of the art by allowing the player to name items. It brought a trilogy to a satisfying conclusion, while standing on its own merits. A dense game, with more content per location than ever before, it had a structure which succeeded both in being inexplicable at first yet inevitable later. With sly references to string theory and to Aristophanes' The Frogs, it was cleverer than it looked. But it was also difficult and, at first, bewildering, with the rewards some way off. What kept players at it were the “cyclopean blocks of stone”, the “voice of honey and ashes”, the characters who would unexpectedly say things like “You insult me, you insult even my dog!”. Polished, spare text is almost always more effective than a discursive ramble, and many of the room descriptions in ‘Spellbreaker’ are nicely judged:
Packed Earth
This is a small room crudely constructed of packed earth, mud, and
sod. Crudely framed openings of wood tied with leather thongs lead
off in each of the four cardinal directions, and a muddy hole leads
down.
In short, it was masterly craftsmanship (in what was Lebling's seventh title) which made this exercise in pushing the boundaries of difficulty and connectedness possible.
Classics like ‘Spellbreaker’ cast long shadows and have endured beyond all expectation: ‘Zork II’, for instance, has been continuously on sale in the high street since 1981, a record matched by only about two dozen of that year's novels. But the story of interactive fiction is not the story of the production company Infocom, Inc., alone. Many hundreds of plays were performed in late sixteenth-century London, but today only Shakespeare's three dozen are familiar, even the weakest protected from neglect by the gilding of being canonical. The resulting attention may be justified on literary grounds, but perhaps not historical, since it gives a picture wholly unlike the regular diet of the contemporary audience. So with Infocom. Many 1980s adventure players seldom if ever played their works, or not until years later. Their real importance, besides quality and familiarity, is that they were foundational, in the same way that Hergé's pre-war Tintin albums evolved the visual grammar of the European graphic novel, from layout rules for speech bubbles and panels to how sudden motion should be depicted. Tintin and his dog Snowy began to walk from left to right (the direction of reading) when making progress, but from right to left after a setback. Snowy lost first the ability to speak, then the ability to understand Tintin's speech. Infocom had a similar effect in laying down the mechanics of interactive fiction, the conventions of which are subliminally accepted by players (and silently perpetuated by Inform). For instance, it was the Infocom games of 1986 which began the now familiar use of pop-up literary quotations as a stylish form of commentary or signposting, a development which might be compared to exclamation marks appearing over the heads of surprised characters in Tintin.
The mechanics of reading a novel are almost unconscious, but the mechanics of interactive fiction are far less familiar, and it is a uniquely unforgiving medium. A technical mistake by a novelist, say an alternating dialogue so long that it becomes unclear who is speaking, does not make it impossible for the reader to continue, as if the last hundred pages of the book had been glued together. The designer of an interactive fiction has continually to worry over the order in which things happen, the level of difficulty, the rate at which new material is fed out and so on. Meanwhile, even the designer's footing seems uncertain, for the form itself is a wavering compromise. An interactive fiction is not a child's puzzle-book, with a maze on one page and a rebus on the next, but nor is it a novel. Neither pure interaction nor pure fiction, it lies in a strange and still largely unexplored land in between.
•
REFERENCES
In this chapter, a game is cited by designer and date when first mentioned
but subsequently by title alone. Details of availability may be found
in the bibliography of cited works.
•Unattributed quotations from
Infocom designers are all to be found in the ftp.gmd.de
archive of 1980s computing press articles. My choice has been skewed
by availability: Lebling is quoted frequently not because he was a
great designer (though he was) but because he often went on the record.
Marc Blank, among other notable figures, spent less time entertaining
the press.
•Some thousands of internal Infocom
email messages (1982–) have been quietly preserved. Except
at the end the overall impression is of a sensible workplace with
engagingly warm moments, and a number of unsung figures emerge from the
shadows. Much of this material is unlikely to become public because
of its personal nature. To respect this, I have quoted nothing directly
from unpublished email and have avoided attributing specific
opinions to named people. I do quote from the handful of relatively innocuous
emails published on Activision's Masterpieces of Infocom compact
disc, though note that these were stripped of all context. For instance
the most interesting, a 1987 memo about which way to take text games
now (discussed briefly in §49 below),
is not as it seems a minute of a committee but was typed up as an
apology to two people offended at being excluded from a low-key crisis
meeting, held covertly off the premises.
•A happier example is a sketch
written by Stu Galley in response to an email circular asking for a job
description: the so-called ‘Implementors' Creed’.
Despite the style – fifty percent mission statement, fifty
percent Martin Luther King – this manifesto is worth reading,
because it is conscious of working in an experimental and artistic
medium: “I am exploring a new medium for telling stories. My
readers should become immersed in the story and forget where they are.
They should forget about the keyboard and the screen, forget everything
but the experience. My goal is to make the computer invisible. …
None of my goals is easy. But all are worth hard work. Let no one doubt
my dedication to my art.”
•Another true believer was Cleveland
M. Blakemore, in his treatise in issue 54 of Ahoy! magazine:
“Every human being on earth is a natural dynamo of creative
energy. Learning how to tap this energy and translate it to a book,
a canvas, or a computer's memory, is a skill that can be learned.”
· · · · ·


--- layout: 'interior-page' title: 'Audio Recordings' grandparent: 'Borough Clerk' parent: 'Minutes and Agendas' ---


THE EMPEROR'S NEW GROOVE A film review by Steve Rhodes Copyright 2000 Steve Rhodes RATING (0 TO ****): ***
Disney's THE EMPEROR'S NEW GROOVE, directed by Mark Dindal (CAT'S DON'T DANCE), is a throwback to those old cartoon movies with silly, paper thin plots and wisecracking characters. Without any pretensions and without wasting much time trying to entertain the adults in the audience, the movie is as carefully targeted to its intended demographics as a Saturday morning cartoon series. Any kid younger than 13 will undoubtedly love it. Older viewers may be less impressed, but it's a hard film to dislike. Even if there may be few outright laughs, the story keeps a smile on your face.
David Spade (LOST & FOUND) plays the leading part of the egotistical Emperor Kuzco. It is a part that manages to take advantage of David Spade's limited talents. Kuzco considers it part of his birthright to be able to abuse the peasants of his kingdom. He continues to do so even after his nemesis, Yzma (Eartha Kitt), turns him into a llama.
One such peasant is a llama herder named Pacha (John Goodman). Kuzco wants to wipe out Pacha's village so that he can build Kuzcotopia, a summer home that looks like a water-based amusement park. In one of the story's funniest scenes, Kuzco stops the action so that he can remind us that the story is about him. To illustrate this point he uses a marker to draw a big circle around himself and to obliterate Pacha. Following the standard buddy movie formula, Kuzco and Pacha are a pair of squabbling characters who eventually come to respect and help each other.
Perhaps the story's best character is Yzma's right hand man, Kronk (Patrick Warburton), a square jawed hunk that looks like Gaston from BEAUTY AND THE BEAST. Kronk, who speaks fluent squirrel, is low on IQ and common sense.  He does, however, make great spinach puffs.
Feeling in tone much like DreamWorks' THE ROAD TO EL DORADO, THE EMPEROR'S NEW GROOVE doesn't break any new ground, but it is diverting for the adults and fun for the kids. My personal favorite part of the movie is the map shown to trace the character's progress on their way back to the palace. It is a plot device that we don't see much any more. Like most of the rest of the picture, it brought a smile to my face even if it didn't generate any outright laughs.
THE EMPEROR'S NEW GROOVE runs a fast 1:20. It is rated G and is fine for all ages.
My son Jeffrey, age 11, saw the film with most of his sixth grade class, who liked the picture. I interviewed 4 of them afterwards. Jeffrey and Rajiv gave it *** 1/2, and John and Maxim gave it ****. They thought the film was funny and had a cute plot. They liked the way that the Emperor kept reminding us that the story was about him. Their favorite characters were Kronk, Kuzco and the cat.
Email<EMAIL_ADDRESS>Web: http://www.InternetReviews.com
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rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Alex Nowak, CanadaI loved Freeze & Float spa , I loved the people providing the service there, Always smiling always nice, they are so friendly that i really missed them during the rest of my trip and they made it harder for the other hotel staff to beat their friendly nice service.
Alex Nowak, CanadaI loved Freeze & Float spa , I loved the people providing the service there, Always smiling always nice, they are so friendly that i really missed them during the rest of my trip and they made it harder for the other hotel staff to beat their friendly nice service.
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--- layout: page title: Food Types subtitle: Breaking it down (unlike your gut). desc: Side projects are fun. permalink: /projects/ ---
Here are just some of the types of food you might want to be making. We have tried to break this down sensibly, but obviously catergories are arbitrary and personal. If you want to have lemon drizzle for breakfast we won't judge you ... much.
Quoque videri: sibi in qua nexibus rapto, Munychiosque bracchia sua pars, iram nec tonitruque. Quisquis thalamis Lyncides e remorum an omnibus monstri dempta. Mea tecta! Orbem haut non procumbit facit.
Tumefactum saepe, lactis, sibi ponto ut ad acie nam harundinis nostrae, totiens cerae, quamvis. Et in sata dies milite flectitur iste.
Inpune adsueta ac portasque, esse bella satis; meum arserunt coepit. Anguesque caeleste, dixit: pars nemus igne sedes nigrantis dea omnia.


All shirts now available online!
On Amazon, Spreadshirt and RedBubble!
- Solid colors: 100% Cotton; Heather Grey: 90% Cotton, 10% Polyester; All Other Heathers: 50% Cotton, 50% Polyester
Imported
- Machine wash cold with like colors, dry low heat
- Lightweight, Classic fit, Double-needle sleeve and bottom hem


Class DirectoryEntry
java.lang.Object
|
+----DirectoryEntry
- public class DirectoryEntry
- extends Object
A directory entry for a simulated file system.
- Author:
- Ray Ontko
-
d_ino
- i-node number for this DirectoryEntry
-
d_name
- file name for this DirectoryEntry
-
DIRECTORY_ENTRY_SIZE
- Size of a directory entry (on disk) in bytes.
-
MAX_FILENAME_LENGTH
- Maximum length of a file name.
-
DirectoryEntry()
- Constructs an empty DirectoryEntry.
-
DirectoryEntry(short, String)
- Constructs a DirectoryEntry for the given inode and name.
-
getIno()
- Gets the inode number for this DirectoryEntry
-
getName()
- Gets the name for this DirectoryEntry
-
main(String[])
- A test driver for this class.
-
read(byte[], int)
- Reads a DirectoryEntry from the spcified byte array at the specified
offset.
-
setIno(short)
- Sets the inode number for this DirectoryEntry
-
setName(String)
- Sets the name for this DirectoryEntry
-
toString()
- Converts a DirectoryEntry to a printable string.
-
write(byte[], int)
- Writes a DirectoryEntry to the specified byte array at the specified
offset.
MAX_FILENAME_LENGTH
public static final int MAX_FILENAME_LENGTH
- Maximum length of a file name.
DIRECTORY_ENTRY_SIZE
public static final int DIRECTORY_ENTRY_SIZE
- Size of a directory entry (on disk) in bytes.
d_ino
public short d_ino
- i-node number for this DirectoryEntry
d_name
public byte d_name[]
- file name for this DirectoryEntry
DirectoryEntry
public DirectoryEntry()
- Constructs an empty DirectoryEntry.
DirectoryEntry
public DirectoryEntry(short ino,
String name)
- Constructs a DirectoryEntry for the given inode and name.
Note that the name is stored internally as a byte[],
not as a string.
- Parameters:
- ino - the inode number for this DirectoryEntry
- name - the file name for this DirectoryEntry
setIno
public void setIno(short newIno)
- Sets the inode number for this DirectoryEntry
- Parameters:
- newIno - the new inode number
getIno
public short getIno()
- Gets the inode number for this DirectoryEntry
- Returns:
- the inode number
setName
public void setName(String newName)
- Sets the name for this DirectoryEntry
- Parameters:
- newName - the new name
getName
public String getName()
- Gets the name for this DirectoryEntry
- Returns:
- the name
write
public void write(byte buffer[],
int offset)
- Writes a DirectoryEntry to the specified byte array at the specified
offset.
- Parameters:
- buffer - the byte array to which the directory entry should be written
- offset - the offset from the beginning of the buffer to which the
directory entry should be written
read
public void read(byte buffer[],
int offset)
- Reads a DirectoryEntry from the spcified byte array at the specified
offset.
- Parameters:
- buffer - the byte array from which the directory entry should be read
- offset - the offset from the beginning of the buffer from which the
directory entry should be read
toString
public String toString()
- Converts a DirectoryEntry to a printable string.
- Returns:
- the printable string
- Overrides:
- toString in class Object
main
public static void main(String args[]) throws Exception
- A test driver for this class.
- Throws: Exception
- any exception which may occur.


Notes:
Attack cards are considered a different type of card in the generator, so you must specifically want it. Be sure to include the Rising Sun cards.
Patches are welcome! Most of all, enjoy!


Bookmarks
Google
GMail
Google Calendar
Google Drive
Google Search
Google Voice
Find my Android
Yahoo
My Yahoo
Talk
Ace of Spades HQ
Althouse
Armed and Dangerous
ASK (substack)
Bari Weiss (substack)
BattleSwarm Blog
Bastiat's Window
Bet on it (Bryan Caplan)
The Big Questions
CDR Salamander
CONFESSIONS OF A SUPPLY-SIDE LIBERAL
CONVERSABLE ECONOMIST
David Friedman
David Friedman (substack)
Don Surber
Econlog
Economic Forces
Economist Writing Every Day
Eric Rasmusen
Gene Expression
Glenn Loury
Gregory Mankiw
The Grumpy Economist
Instapundit
THE IFOD: The Interesting Fact of the Day Blog
Jim Treacher
Marginal Revolution
Matt Ridley, Rational Optimist
THE NEW REFORM CLUB
Original Jurisdiction
Patterico
Pirate Wires
Points And Figures
Power Line
protein wisdom reborn!
Res ipsa loquitur (Jonathan Turley)
Richard Hanania's Newsletter
Ringside at the Reckoning
Rob Henderson's Newsletter
Rozado’s Visual Analytics
Seth Godin
Tell Me How This Ends
Tilting At Windmills
The Volokh Conspiracy
VOX POPOLI
Wait, but Why?
Wrong Side of History
Zvi Mowshowitz: Don't Worry About the Vase
Comp
Arch Minimal Guide
BKO
Cheat Sheets for Commands
ConservativeNerds Community
Creating and Hosting a Personal Site on GitHub
Distrowatch
Draw.io
Duck DNS: free dynamic DNS hosted on AWS
E Foundation: ecloud
Explain shell commands
Freenode IRC Webchat
Git Book
Git Branching
Git Fix-It
Git Flight Rules
Git Fork and Branch Workflow
Git From the Bottom up
GitHub GUI Sync to Original
Guerrilla Mail - Disposable Temporary E-Mail Address
Hosts File
HTML to PDF (wkhtmltopdf)
hubiC: 25 GB free storage
internxt drive-desktop
KFN
Kiwi IRC Webchat
The Linux Laptop Wiki
Lunduke Community
Manjaro Forums: Latest Posts
MEGA account (20 GB FREE storage)
Open Source Links: Heather Meeker
openSUSE: Bugzilla
Plasma Widget Tutorial
Porteus Forums
Proton Mail
Python Qt
Python QtQuick
QML Book
Quick Cheat Sheets
reddit
Re-size thumb drive
Riot (KDE's Riot Matrix Site)
Riot IM (NickServ(IRC): identify mparillo Password)
Share your files from your Terminal
slashdot
Stratechery
Tech Dirt
Termbin: Terminal pastebin
Ubuntu Forums
Ubuntu IRC Logs
UTM: Apple Hypervisor
Windows Updates Stuck At 0 (Insert USB, Plug In Charger, Turn On Power Strip, Turn On)
xkcd
Zen Installer
EDU
Algebra notes
BibMe — The Online Writing Center Citations
Chem Search
Cite a web page
Chicago Manual of Style 17th Edition
DeepL Translator
Desmos Graphing Calculator
Library Athena: Read free books in the public domain
Mathway
Mr. Bridge's YouTube channel with worked out solutions to Geometry and Calculus problems (the Geometry problems are numbered as they are in the book)
Here are 250 Ivy League courses you can take online right now for free
How to Think Like a Computer Scientist: Interactive Edition (in Python)
Math Portal (Synthetic Division)
Math Warehouse (Quadratic equation)
Open Library
PMI Courses in Progress
Professor Leonard: Math Videos
RSHC
Slader: Textbook answers
Symbol Lab: Extreme Points Calculator
Symbol Lab: Matrix Calculator
WordReference Spanish-English Dictionary
Rec
FanLax
Lacrosse Bucket
KRACH Ratings
Lax ELO Ratings
Laxbytes Power Rankings
LaxNumbers
Massey Ratings
NEAL.FUN
To Win
To Win (video)
F.A.P.
USA Fencing
You Win or You Die – Historical and Political Analysis of Game of Thrones by Steven Attewell
A Search of Ice and Fire
Biz
Calyx Internet Membership
Fluxes | Free Task and project Management, Discussions & File Sharing
Free Geek
Free Master PDF Editor for Linux
IBM Certified Pre-owned Laptops
Linked In
Linux stickers for only $1
Scaleway: ARM based cloud
Xpdf: A PDF Viewer for X
Xfinity
Xfinity Connect Voice Mail
Xfinity Internet Usage
Xfinity Mobile Usage
Local
KYW News Radio
SEPTA Next to Arrive (Bryn Mawr)
SEPTA Next to Arrive (Haverford)
Windy
F5
F5 VPN AUR Package
F5 VPN GUI
F5 VPN Python Script
Outlook
MS-Teams
Outlook Web Mail
Outlook Office 365 Web Mail
Office Portal


Python and Pandas with Sentiment Analysis Database Progress: {{completed_percentages['Python and Pandas with Sentiment Analysis Database']}}%
{{curTitle}}
You can now easily use pip to install packages, it comes with all python installations.
pip install pandas
If you need help with pip and installing packages, check out the .
The next tutorial:
{% endblock %}


Example 16.1
This is a Cordova application that demonstrates the capabilities of the Cordova Splashscreen API.
Show Splashscreen


"Nurse Betty" – Not Enough to Fancy by Homer Yen (c) 2000
Betty (adorable Renee Zellweger, who could charm the Grinch) is a woman who would be better off living any kind of fantasy. But the closest she comes to it is by being an avid watcher of the sudsy "A Reason to Live," a "General Hospital"-esque soap opera. She is so enrapt in its story that not only can she recite many of its lines, she is moved to become a nurse herself. But her bullying, mullet-headed husband quickly squashes any dreams that she may have. This louse of a partner cheats on her behind her back, never remembers her birthday, and ridicules her for watching soaps.  This is the kind of guy that every woman can do without.
The husband is not only a cheat, but he's also a thief. And when he double-crosses one of his business ties, two hitmen come to town to kill him. Betty witnesses this horrible act of violence, and as a result, slips into a state of dementia. She enters her ultimate fantasy by living her life within the realm of her favorite soap. She packs her things and heads off to Southern California in search of the heartthrob doctor (Greg Kinnear) that heads the cast of "A Reason to Live" believing that she once jilted him and now wants to make amends. She's a mixture of glee and delusion
This is the part of the story that is the most farcical and interesting.  She even manages to meet her fictional doctor. And when they do, she talks as if she is on the show. Instead of laughing at her, the actor thinks that she is a talented method actress, projecting a Doris-Day-thing and improvising an audition. He is flattered and her fantasy continues.
But all is not heaven for our heroine. A darker side to this film emerges as the two hitmen (courtly Morgan Freeman and Chris Rock, who seems to have his squelch volume stuck at maximum), try to track her down. Not only is Betty a witness to the murder, but the car in which she has driven contains something that these two are trying to retrieve.
"Nurse Betty" thus becomes something of a twisted Cinderella story. There is an inventiveness that the writers achieve in which the magical realism of Zellwegger's world is countered against the no-nonsense world of Rock's. But, the plot lacks the charisma that is needed to maintain the weekend moviegoer's attention. The tone also seemed a bit unbalanced. It brims with sweetness when the story focuses on Betty's fabled world, but the 'hitmen' angle injects a sour feeling, especially since Rock curses like it was as involuntary as his breathing process. As a whole, the film did have its moments. It had some original ideas. And, it may have won a writing award at this year's Cannes International Film Festival. But it's questionable as to whether this dark fable will win over your approval.
Grade: C+
S: 0 out of 3 L: 3 out of 3 (mostly thanks to Chris Rock) V: 2 out of 3
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The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Please direct comments/criticisms of the review to relevant newsgroups.
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Mexico's Pemex says operations normal after cyber attack
MEXICO CITY (Reuters) - Mexico’s state oil firm Pemex said on Monday that attempted cyber attacks the day before were “neutralized” in a timely matter and affected less than 5% of its computers.
Operations were normal, and oil production and storage were unaffected, the company said in a statement.


the official wiki for the future game! this website will be a wiki for a future game,cubeventures.
find out about the controls see what's new features and achievements currencies gameplay stuff see the baddies try pong+ try cubeventures chase latest versionnot out yet


Hi, I'm Dongmin. I am an Engineer used to implmement real-time pipeline simulation systems for oil & gas pipelines in the past 5 years. Now I am learning to become a Data Engineer to create wonderful data engineering applications and tools. I am currently based in California. When I am not at work, I am mostly learning about new technologies.
I am currently learning different technologies on topics of data engineering.
Learn more about me here.


BREAKING IN A film review by Hal Render Copyright 1989 Hal Render
I just saw the movie BREAKING IN last night. It's the story of Ernie, an aging veteran burglar/safe-cracker who meets Mike, a kid with a casual disrespect for other people's property. The story develops as Ernie decides to show Mike the ins and outs (literally) of what Ernie calls "thieving." The result is a gentle comedy that takes a lighter look at crime without lapsing into slapstick or farce. The script was written by John Sayles (RETURN OF THE SECAUCUS SEVEN; BABY, IT'S YOU; EIGHT MEN OUT) and the film was directed by Bill Forsyth (GREGORY'S GIRL, LOCAL HERO, COMFORT AND JOY). Those familiar with the work of the two men will recognize their trademarks: witty dialogue, understated characters, and quiet humor.
Perhaps the most pleasing thing about BREAKING IN is the portrayal of Ernie by Burt Reynolds. Eschewing his characteristic smirk and unnaturally curly hairpiece, Reynolds plays Ernie as written: a graying, 61-year old thief with thinning hair, bad eyes and a limp. Ernie is a survivor in the world of crime, a philosophical professional thief who has accepted a low-profile lifestyle in exchange for anonymity with the police. With another actor, Ernie could just be a rather dull, workaday crook, but Reynolds charm and touch for light comedy make Ernie an interesting, likable character.
Mike, well played by Casey Siemaszcko (sp?), is a naive, unsophisticated kid who is drawn to the apparent glamour represented by Ernie. The real interest in the film is watching Ernie, who treats crime as a job, try to instill in Mike, who treats crime as an adventure, the attitude that will allow Mike to survive as Ernie has. The humor comes from Mike's naivete and bumbling attempts to adapt to the lifestyle of a professional thief.
While ostensibly a crime film, there is no real violence in BREAKING IN, and little serious tension. This may deter viewers who cannot watch a film without at least one car chase or gunshot victim. However, for those who like character pieces and the sort of humor found in the films of Sayles and Forsyth, this film should prove enjoyable. And for fans of Burt Reynolds, this will be the chance to seem him in what is probably his best comedic role since STARTING OVER in 1979. I recommend it.
hal.
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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| 1 | /* | |
| 2 | * Licensed to the Apache Software Foundation (ASF) under one or more | |
| 3 | * contributor license agreements. See the NOTICE file distributed with | |
| 4 | * this work for additional information regarding copyright ownership. | |
| 5 | * The ASF licenses this file to You under the Apache License, Version 2.0 | |
| 6 | * (the "License"); you may not use this file except in compliance with | |
| 7 | * the License. You may obtain a copy of the License at | |
| 8 | * | |
| 9 | * http://www.apache.org/licenses/LICENSE-2.0 | |
| 10 | * | |
| 11 | * Unless required by applicable law or agreed to in writing, software | |
| 12 | * distributed under the License is distributed on an "AS IS" BASIS, | |
| 13 | * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. | |
| 14 | * See the License for the specific language governing permissions and | |
| 15 | * limitations under the License. | |
| 16 | */ | |
| 17 | ||
| 18 | package org.apache.commons.math3.geometry.euclidean.oned; | |
| 19 | ||
| 20 | import java.io.Serializable; | |
| 21 | ||
| 22 | import org.apache.commons.math3.exception.MathUnsupportedOperationException; | |
| 23 | import org.apache.commons.math3.exception.util.LocalizedFormats; | |
| 24 | import org.apache.commons.math3.geometry.Space; | |
| 25 | ||
| 26 | /** | |
| 27 | * This class implements a one-dimensional space. | |
| 28 | * @version $Id$ | |
| 29 | * @since 3.0 | |
| 30 | */ | |
| 31 | public class Euclidean1D implements Serializable, Space { | |
| 32 | ||
| 33 | /** Serializable version identifier. */ | |
| 34 | private static final long serialVersionUID = -1178039568877797126L; | |
| 35 | ||
| 36 | /** Private constructor for the singleton. | |
| 37 | */ | |
| 38 | private Euclidean1D() { | |
| 39 | } | |
| 40 | ||
| 41 | /** Get the unique instance. | |
| 42 | * @return the unique instance | |
| 43 | */ | |
| 44 | public static Euclidean1D getInstance() { | |
| 45 |
1
1. getInstance : mutated return of Object value for org/apache/commons/math3/geometry/euclidean/oned/Euclidean1D::getInstance to ( if (x != null) null else throw new RuntimeException ) → NO_COVERAGE |
return LazyHolder.INSTANCE; |
| 46 | } | |
| 47 | ||
| 48 | /** {@inheritDoc} */ | |
| 49 | public int getDimension() { | |
| 50 |
1
1. getDimension : replaced return of integer sized value with (x == 0 ? 1 : 0) → NO_COVERAGE |
return 1; |
| 51 | } | |
| 52 | ||
| 53 | /** {@inheritDoc} | |
| 54 | *
 | |
| 55 | * As the 1-dimension Euclidean space does not have proper sub-spaces, | |
| 56 | * this method always throws a {@link MathUnsupportedOperationException} | |
| 57 | *
 | |
| 58 | * @return nothing | |
| 59 | * @throws MathUnsupportedOperationException in all cases | |
| 60 | */ | |
| 61 | public Space getSubSpace() throws MathUnsupportedOperationException { | |
| 62 | throw new MathUnsupportedOperationException(LocalizedFormats.NOT_SUPPORTED_IN_DIMENSION_N, 1); | |
| 63 | } | |
| 64 | ||
| 65 | // CHECKSTYLE: stop HideUtilityClassConstructor | |
| 66 | /** Holder for the instance. | |
| 67 | *
We use here the Initialization On Demand Holder Idiom.
 | |
| 68 | */ | |
| 69 | private static class LazyHolder { | |
| 70 | /** Cached field instance. */ | |
| 71 | private static final Euclidean1D INSTANCE = new Euclidean1D(); | |
| 72 | } | |
| 73 | // CHECKSTYLE: resume HideUtilityClassConstructor | |
| 74 | ||
| 75 | /** Handle deserialization of the singleton. | |
| 76 | * @return the singleton instance | |
| 77 | */ | |
| 78 | private Object readResolve() { | |
| 79 | // return the singleton instance | |
| 80 |
1
1. readResolve : mutated return of Object value for org/apache/commons/math3/geometry/euclidean/oned/Euclidean1D::readResolve to ( if (x != null) null else throw new RuntimeException ) → NO_COVERAGE |
return LazyHolder.INSTANCE; |
| 81 | } | |
| 82 | ||
| 83 | } | |
Mutations | ||
| 45 |
1.1 |
|
| 50 |
1.1 |
|
| 80 |
1.1 |


Safe Reddit is used to display relevant posts by filtering obscene words.This is useful for institutions and schools which block websites like reddit entirely. Using Safe reddit you can view posts and yet follow institution rules.


CIRRUS
Section: Devices and Network Interfaces (4)Updated: xf86-video-cirrus 1.3.2
Index Return to Main Contents
NAME
cirrus - Cirrus Logic video driverSYNOPSIS
Section N'34'DeviceN'34' Identifier N'34'devnameN'34' Driver N'34'cirrusN'34' ... EndSection
DESCRIPTION
cirrus is an Xorg driver for Cirrus Logic video chips. THIS MAN PAGE NEEDS TO BE FILLED IN.SUPPORTED HARDWARE
The cirrus driver supports...CONFIGURATION DETAILS
Please refer to xorg.conf(5) for general configuration details. This section only covers configuration details specific to this driver.SEE ALSO
Xorg(1), xorg.conf(5), Xserver(1), X(7)AUTHORS
Authors include: Corin Anderson, Egbert Eich, Derek Fawcus, Koen Gadeyne, Harm Hanemaayer, David Monniaux, Itai Nahshon
Index
This document was created by man2html, using the manual pages.
Time: 05:33:53 GMT, December 24, 2015


Moose\Extension\CampusDual\CampusDualLoader::perform
Makes sure all sensitive data are removed and we are signed out properly.
Signature
Parameters
$studentId
—
- Username.
$pass
—
- Password.
$consumer
—
object
- A function that is passed the CampusDualLoader and the $data.
Returns
- mixed
- Whatever the consumer returns.
Errors/Exceptions
-
CampusDualException
- When the login fails or the requested action could not be performed.
-
Exception
- Whatever else the consumer throws.


Department of Information Science (DISI), University of Genoa, Italy, August, 2006
Invited Talk on National Seminar on Data Mining and Decision Support (DMDS) during (4-5)th March, 2010, organized by Computer Centre, Vidya Sagar University, Midnapore.
Invited talk at TIT Agartala for Staff Development Program, 11-13 July, 2011
Presentation at DEXA, Austria, Viena, (BIOKDD), 3-5 September, 2012
Invited Talk on AICTE sponsored Staff Development Programme on Soft computing in Bioinformatics from July (11-21), 2011 in Tripura Institute of Technology, Agartala. Tripura, 2011.
Invited Talk on Nature Inspired Computing, Sponsored by UGC for National Seminar on Quatum Information Theory and Computer Science, organized by Jogesh Chandra Chaud- huri College, Kolkata during 14-15 February, 2012
Invited talk on Faculty Development Program on Pattern Recognition and its Applications sponsored by AICTE, 15th July, 2013
Invited talk on DataWarehousing for the workshop during 23-25 September, 2013 at BCET, ODISHA, India.
Invited talk on Improving Equipment Utilization by Applying Machine Intelligence during 10 January, 2014 at IICM, Ranchi, India.
Invited talk on Soft Computing and Applications, 5 March, 2014 at NIT Durgapur, India.
Participated and presented papers : in the 6th International Conference of the Associa- tion of the Asia Pacific Operational Research Societies (APORS 2003), New Delhi, 8-11 December, 2003
Computers and Devices for Communication (CODEC-04)
Advanced Computing & Communication Technologies (ICACCT-2012)
DEXA 2012 3-6 September, 2012, Austria
ICCRC 2011, 21-23 March, 2011, New Delhi
RAIT-2009, 6-7 2009, ISM Dhanbad


{% extends "layout.html" %} {% block content %} {% include "includes/main_nav.html" %} New appointment - Mr J Smith {% set currentClaimantPage = 'appointments' %} {% include "includes/summary_nav.html" %} {% if data.appointmentUpdate === 'Failed to attend' %} Date Time Status 23/10/15 11:45 FTA {% elif data.hasAppointment %} Date Time Update 23/10/15 11:45 Select Failed to attend Attended Immediate Rebook {% else %} Date For example, 01 09 2015 Day Month Year Time For example, 01 30 Hour Min No appointment needed {% endif %} {% endblock %}
For example, 01 09 2015
For example, 01 30


Urbanization has been growing rapidly faster than ever and it gets harder and harder to keep track of the development of transportation as well as its passengers. Rail transport in Japan is a major form of transportation for the majority of Japanese residents and according to a survey conducted by japan-guide.com, a majority of 53% of students and 48% of company workers commute to school/work by train or subway (https://www.japan-guide.com/topic/0011.html).
Our database will help keep track and survey the dynamics of this development by recording the number of commuter passes that are purchased and used within the Kanto area, which consists of the prefectures of Tokyo, Kanagawa, Chiba, Saitama, Gunma, Tochigi, and Ibaraki. In the future, we hope this database gets expanded to other prefectures in Japan as well.
More specifically, our database can solve this problem comprehensively by keeping track of passenger’s records, purchased commuter passes, company train lines, station details, and cities/prefectures.


Provides a simple interface to VIDENC1 (XDM 1.0) based algorithms. For typical usage see the video_encode_io1 app. More...
Typedefs | |
| typedef struct Venc1_Object * | Venc1_Handle |
| Handle through which to reference a Video Encode algorithm. | |
Functions | |
| Venc1_Handle | Venc1_create (Engine_Handle hEngine, Char *codecName, VIDENC1_Params *params, VIDENC1_DynamicParams *dynParams) |
| Creates a Video Encode (XDM 0.9) algorithm instance. | |
| Int | Venc1_process (Venc1_Handle hVe, Buffer_Handle hInBuf, Buffer_Handle hOutBuf) |
| Encodes a video buffer. | |
| Int | Venc1_delete (Venc1_Handle hVe) |
| Deletes a Video Encode algorithm instance. | |
| Int32 | Venc1_getInBufSize (Venc1_Handle hVe) |
| After a Venc1_create call is made, this function can be called to figure out the total size of the required input buffer. | |
| Int32 | Venc1_getOutBufSize (Venc1_Handle hVe) |
| After a Venc1_create call is made, this function can be called to figure out the min total size of the required output buffers. | |
| VIDENC1_Handle | Venc1_getVisaHandle (Venc1_Handle hVe) |
| Get the VIDENC1 handle from the Venc module instance. | |
| IVIDEO1_BufDesc * | Venc1_getReconBufs (Venc1_Handle hVe) |
| Get the reconstructed frame buffers created during the call to Venc1_process. | |
| Buffer_Handle | Venc1_getFreeBuf (Venc1_Handle hVe) |
| After a Venc1_process call is made, this function should be called to obtain the freed raw buffers. | |
| Void | Venc1_setBufTab (Venc1_Handle hVe, BufTab_Handle hBufTab) |
| After a Venc1_create call is made, this function should be called to hand a BufTab_Handle to the video encoder instance. Because of B-frames, the input buffer given may not be the same as the input buffer returned, so the Venc1 class needs a full array of input buffers to work with. | |
| BufTab_Handle | Venc1_getBufTab (Venc1_Handle hVe) |
| Get the BufTab previously set using Venc1_setBufTab. | |
| Int | Venc1_flush (Venc1_Handle hVe) |
| Flushes the codec. Call Venc1_process after this call. | |
Variables | |
| const VIDENC1_Params | Venc1_Params_DEFAULT |
| Default XDM parameters for a Video Encode algorithm. | |
| const VIDENC1_DynamicParams | Venc1_DynamicParams_DEFAULT |
| Default XDM dynamic parameters for a Video Encode algorithm. |
Provides a simple interface to VIDENC1 (XDM 1.0) based algorithms. For typical usage see the video_encode_io1 app.
| typedef struct Venc1_Object* Venc1_Handle |
Handle through which to reference a Video Encode algorithm.
| Venc1_Handle Venc1_create | ( | Engine_Handle | hEngine, | |
| Char * | codecName, | |||
| VIDENC1_Params * | params, | |||
| VIDENC1_DynamicParams * | dynParams | |||
| ) |
Creates a Video Encode (XDM 0.9) algorithm instance.
| [in] | hEngine | An opened engine containing the algorithm to create. |
| [in] | codecName | The name of the algorithm to open. Corresponds to the string name given in the .cfg file. |
| [in] | params | XDM parameters to use while creating the codec. |
| [in] | dynParams | XDM dynamic parameters to use while creating the codec. |
| Handle | for use in subsequent operations (see Venc1_Handle). | |
| NULL | for failure. |
| Int Venc1_process | ( | Venc1_Handle | hVe, | |
| Buffer_Handle | hInBuf, | |||
| Buffer_Handle | hOutBuf | |||
| ) |
Encodes a video buffer.
| [in] | hVe | The Venc1_Handle to use for encoding. |
| [in] | hInBuf | The Buffer_Handle for the buffer containing the raw data. |
| [in] | hOutBuf | The Buffer_Handle for the buffer to fill with encoded data. |
| Dmai_EOK | for success. | |
| Negative value | for failure, see Dmai.h. |
| Int Venc1_delete | ( | Venc1_Handle | hVe | ) |
Deletes a Video Encode algorithm instance.
| [in] | hVe | The Venc1_Handle to delete. |
| Dmai_EOK | for success. | |
| Negative value | for failure, see Dmai.h. |
| Int32 Venc1_getInBufSize | ( | Venc1_Handle | hVe | ) |
After a Venc1_create call is made, this function can be called to figure out the total size of the required input buffer.
| [in] | hVe | The Venc1_Handle to get the size for. |
| Size | in bytes of the input buffer. |
| Int32 Venc1_getOutBufSize | ( | Venc1_Handle | hVe | ) |
After a Venc1_create call is made, this function can be called to figure out the min total size of the required output buffers.
| [in] | hVe | The Venc1_Handle to get the size for. |
| Bytes | in total for all output planes. |
| VIDENC1_Handle Venc1_getVisaHandle | ( | Venc1_Handle | hVe | ) |
Get the VIDENC1 handle from the Venc module instance.
| [in] | hVe | The Venc1_Handle for which to get the VIDENC1 handle. |
| Handle | to the audio decode algorithm, see the XDM documentation for VIDENC1. |
| IVIDEO1_BufDesc* Venc1_getReconBufs | ( | Venc1_Handle | hVe | ) |
Get the reconstructed frame buffers created during the call to Venc1_process.
| [in] | hVe | The Venc1_Handle for which to get the VIDENC1 handle. |
| Pointer | to the IVIDEO1_BufDesc object that contains information about reconstructed frames. This is equivalent to the outArgs.reconBufs member created during VIDENC1_process. |
| Buffer_Handle Venc1_getFreeBuf | ( | Venc1_Handle | hVe | ) |
After a Venc1_process call is made, this function should be called to obtain the freed raw buffers.
| [in] | hVe | The Venc1_Handle to obtain display buffers from. |
| Handle | to a free Buffer (see Buffer_Handle). | |
| NULL | if no more Buffers are available. |
| Void Venc1_setBufTab | ( | Venc1_Handle | hVe, | |
| BufTab_Handle | hBufTab | |||
| ) |
After a Venc1_create call is made, this function should be called to hand a BufTab_Handle to the video encoder instance. Because of B-frames, the input buffer given may not be the same as the input buffer returned, so the Venc1 class needs a full array of input buffers to work with.
| [in] | hVe | The Venc1_Handle to set the BufTab for. |
| [in] | hBufTab | The BufTab_Handle to give to the video encoder. |
| BufTab_Handle Venc1_getBufTab | ( | Venc1_Handle | hVe | ) |
Get the BufTab previously set using Venc1_setBufTab.
| [in] | hVe | The Venc1_Handle for which to get the BufTab. |
| Handle | to the BufTab managing the codec buffers (see BufTab_Handle). |
| Int Venc1_flush | ( | Venc1_Handle | hVe | ) |
Flushes the codec. Call Venc1_process after this call.
| [in] | hVe | The Venc1_Handle to the encoder to flush. |
| Dmai_EOK | for success. | |
| Negative value | for failure, see Dmai.h. |
| const VIDENC1_Params Venc1_Params_DEFAULT |
Default XDM parameters for a Video Encode algorithm.
size = sizeof(VIDENC1_Params),
encodingPreset = XDM_DEFAULT,
rateControlPreset = IVIDEO_LOW_DELAY,
maxHeight = 720,
maxWidth = 1280,
maxFrameRate = 30000,
maxBitRate = 6000000,
dataEndianness = XDM_BYTE,
maxInterFrameInterval = 0,
inputChromaFormat = XDM_YUV_420P,
inputContentType = IVIDEO_PROGRESSIVE,
reconChromaFormat = XDM_CHROMA_NA
| const VIDENC1_DynamicParams Venc1_DynamicParams_DEFAULT |
Default XDM dynamic parameters for a Video Encode algorithm.
size = sizeof(IVIDENC1_DynamicParams),
inputHeight = 720,
inputWidth = 1280,
refFrameRate = 30000,
targetFrameRate = 30000,
targetBitRate = 6000000,
intraFrameInterval = 30,
generateHeader = XDM_DECODE_AU,
captureWidth = 0,
forceFrame = IVIDEO_NA_FRAME,
interFrameInterval = 1,
mbDataFlag = 0


This year's Ragsdale Family Reunion will be held on June 10, 2018 at:
Chesire Forest Clubhouse
500 Cheshire Forest Clubhouse
Chesapeake, VA 23322
The event will be hosted by Margaret & Ruth's children - Mike, Mark, Barry & Mitch. The event will start at noon, please plan to bring a meat, side, and desert to share.
Please RSVP and share this information with your children/siblings.


Addition Using a Number Line
|
Let Us Learn
Look at the number line. Listen to your teacher read
the story that follows.
Freddie the frog wants to go to the pond.
He makes 5 jumps from numbers 0 to 5.
Then he makes 5 jumps more from 5 to l 0.
How many jumps did Freddie the frog make to get to
the pond?
A number line is also used to add numbers. Here is an
example to show it.
The number line shows the addition sentence
4
+
5
=
9
.
The boy jumped over 4 numbers first. Then he jumped over 5
numbers. He jumped over 9 numbers in all.
Here is another example.
This number line shows
5
+
3
=
8
.
Let Us Try
Add the two numbers using each number line. Write the
answer in the box.
-
|
1.
|
5
+
3
=
|
|
2.
|
3
+
7
=
|
|
3.
|
4
+
1
=
|
|
4.
|
1
+
6
=
|
|
5.
|
3
+
4
=
|
|
6.
|
2
+
4
=
|
Let Us Practice
A.
Write in the box the correct addition sentence for each
number line. The first one has been done for you.
B.
Write in the box the correct addition sentence shown
in each number line.
.


Ongoing Animes
- 3-gatsu no Lion 2nd Season Episode 19
- Aggressive Retsuko Episode 96
- Aikatsu Stars! Episode 96
- Aishen Qiaokeli-ing... 2nd Season Episode 8
- Basilisk: Ouka Ninpouchou Episode 10
- Beatless Episode 10
- Beyblade Burst God Episode 17
- Black Clover (TV) Episode 23
-
HOTBleach Episode 366
- Boku no Kanojo ga Majimesugiru Sho-bitch na Ken Episode 10
- Bonobono (2016) Episode 101
-
HOTBoruto: Naruto Next Generations Episode 49
-
HOTCardcaptor Sakura: Clear Card-hen Episode 11
- Cardfight!! Vanguard G: Z Episode 22
- Citrus Episode 10
- ClassicaLoid 2nd Season Episode 24
- Dagashi Kashi 2 Episode 10
- Dame x Prince Anime Caravan Adventure Episode 10
- Darling in the FranXX Episode 10
- Death March kara Hajimaru Isekai Kyousoukyoku Episode 10
- Detective Conan Movie 19: The Hellfire Sunflowers
-
HOTDragon Ball Super Episode 130
-
NewEmiya-san Chi no Kyou no Gohan Episode 3
-
HOTFairy Tail (2014) OVA 3
- Fate/Apocrypha Episode 25
- Fate/Extra Last Encore Episode 7
-
NewFireball Humorous Episode 1
- Furusato Meguri Nippon no Mukashibanashi Episode 49
- Future Card Buddyfight Battsu Episode 50
- Gakuen Babysitters Episode 10
- Garo: Vanishing Line Episode 22
- gdMen Episode 10
- Gin no Guardian 2nd Season Episode 6
-
HOTGintama. Porori-hen Episode 13
- Gintama.: Shirogane no Tamashii-hen Episode 10
- Grancrest Senki Episode 11
- Hakata Tonkotsu Ramens Episode 10
- Hakumei to Mikochi Episode 10
- Hakyuu Houshin Engi Episode 9
- Hataraku Onii-san! Episode 11
- Henkei Shoujo Episode 5
- Hitori no Shita: The Outcast 2nd Season Episode 9
- Hug tto! Precure Episode 6
- Idol Time PriPara Movie
- IDOLiSH7 Episode 12
- Ito Junji: Collection Episode 11
- Itsudatte Bokura no Koi wa 10 cm Datta. Episode 6
- Kaijuu Girls: Ultra Kaijuu Gijinka Keikaku 2nd Season Episode 10
- Karakai Jouzu no Takagi-san Episode 10
- Killing Bites Episode 10
- Kirakira Precure A La Mode Episode 49
- Koi wa Ameagari no You ni Episode 10
- Kokkoku Episode 10
-
NewLing Qi 2 Episode 4
- Mahoutsukai no Yome Episode 23
- Märchen Mädchen Episode 8
- Micchiri Neko Episode 11
- Miira no Kaikata Episode 10
- Mitsuboshi Colors Episode 10
- Monster Hunter Stories: Ride On Episode 70
- Nanatsu no Taizai: Imashime no Fukkatsu Episode 10
-
HOTNaruto Shippuuden Episode 500
-
HOTOne Piece Episode 828
- Osake wa Fuufu ni Natte kara Episode 13
- Osomatsu-san 2 Episode 23
- Overlord II Episode 10
- Pingu in the City Episode 6
- Pokemon Sun & Moon Episode 66
- Poputepipikku Episode 11
- PriPri Chii-chan!! Episode 36
- Ramen Daisuki Koizumi-san Episode 11
- RoboMasters the Animated Series Episode 6
- Ryuuou no Oshigoto! Episode 10
- Saiki Kusuo no Psi Nan 2 Episode 9
-
NewSakura Internet Episode 1
- Sanrio Danshi Episode 11
- Shinkansen Henkei Robo Shinkalion The Animation Episode 10
- Shokugeki no Souma: San no Sara Episode 12
- Shounen Ashibe: Go! Go! Goma-chan 2 Episode 32
- Slow Start Episode 11
- Sora yori mo Tooi Basho Episode 11
- Takunomi. Episode 10
- The [email protected] Side M Episode 13
-
NewThe King Of Fighters : Destiny Episode 3
- Time Bokan: Gyakushuu no San Akunin Episode 23
- Toji no Miko Episode 11
- Violet Evergarden Episode 10
- Wake Up, Girls! Shin Shou Episode 13
- Youkai Apartment no Yuuga na Nichijou Episode 26
- Yowamushi Pedal: Glory Line Episode 10
- Yuru Camp△ Episode 11
- Yuuki Yuuna wa Yuusha de Aru: Washio Sumi no Shou Episode 11
- Yu☆Gi☆Oh! VRAINS Episode 43
- Zoku Touken Ranbu: Hanamaru Episode 10
Newly Added
Kirakira☆Precure A La Mode Movie: Paritto! Omoide no Mille-Feuille!
Friday, March 163.03 pm
See Episodes
Detective Conan: Episode One - The Great Detective Turned Small
Sunday, February 2512.40 pm
See Episodes
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Manchester United 'willing to pay £52m for Nicolo Zaniolo'
Manchester United have reportedly informed Roma that they would be willing to pay £52m to sign Italian midfielder Nicolo Zaniolo.
by Matt LawLast week, it was claimed that United wanted to hold talks with Roma over a potential move for Zaniolo, who has scored three times in his last four Serie A appearances.
The Red Devils could allegedly use the Italian club's interest in Chris Smalling, who is currently on loan at Stadio Olimpico, in a bid to beat a number of clubs to the 20-year-old's signature.
According to Il Messaggero, Ole Gunnar Solskjaer's side have signalled that they would be prepared to pay as much as £52m in order to secure a deal for the former Inter Milan attacker.
The report claims that the 20-time English champions could face competition from Paris Saint-Germain, though, with the French champions also huge admirers of the youngster.
Zaniolo has contributed two goals in five caps for the Italian national team.
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Golf: Woods to play upgraded Genesis Invitational
LOS ANGELES: Tiger Woods confirmed on Tuesday (Nov 12) he will play in next year's Genesis Invitational tournament in Los Angeles as the event showcases its elevated status for the first time.
The tournament at Riviera Country Club holds special significance for Woods, who made his PGA Tour debut at the event in 1992 as a 16-year-old amateur.
Previously known as the Genesis Open, the tournament, which is run by Woods' charitable foundation, was boosted to invitational status last year.
The change grants the winner a three-year tour exemption, gives the tournament a higher purse, and reduces the field from 144 players to 120.
The new-look competition will be similar to the Arnold Palmer Invitational at Bay Hill, hosted by Palmer before his death in 2016, and Jack Nicklaus's Memorial Tournament.
"It's an honour for us to be in the same category as Jack Nicklaus and Arnold Palmer," tournament host Woods said.
"Those are two legends of the game. For us to have this type of elevation, all the things we want to have happen for the tournament are going to happen.
"On top of that, to be able to host the tournament each and every year at Riviera, where it all started for me, it's come full circle."
Woods' participation comes after a successful 2019 which saw him seal a dramatic fifth victory at the Masters in April before capturing an 82nd career PGA Tour win.


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--- layout: post title: Blackwing Descent - Magmaw tags: - 10 man - 10-man - blackwing descent - bwd - cataclysm - class - instance - magmaw - paladin - raiding status: publish type: post published: true meta: _aktt_hash_meta: '' _edit_last: '4' aktt_notify_twitter: 'yes' aktt_tweeted: '1' --- A bit behind the times, but here's our first time kill video of Magmaw in BWD. Not the most exciting encounter, especially from a tanking perspective, very much tank and spank and certainly more of strain on the healers...
Magmaw from Greg Stewart on Vimeo.


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Industrial Strength Connection Pooling for OpenOffice
OOPool is a production ready connection pool for open office which manages starting and stopping instances of OpenOffice to dynamically respond to a changing load while ensuring that the system does not suffer from resource exhaustion.
Features
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Why use connection pooling?
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