Discriminatory chants mar Roma’s 2-1 win over Napoli
ROME (AP) - A brief suspension for discriminatory chants marred Roma’s 2-1 win over struggling Napoli in Serie A on Saturday.
Referee Gianluca Rocchi made the decision in the second half after Roma fans aimed anti-territorial chants - which are treated in the same manner as racist chants - at Napoli. The game resumed after a few minutes.
Rocchi had already ordered an announcement to be made over the Stadio Olimpico’s public address system asking fans to stop the chants.
During the suspension, Rocchi gathered teams in the center circle, then Roma forward Edin Dzeko went over and encouraged fans to applaud rather than jeer the opposition.
Roma led 2-0 at the time of the suspension with goals from Nicolò Zaniolo and Jordan Veretout.
Shortly after the interruption, Arkadiusz Milik pulled one back for Napoli.
Roma extended its unbeaten run to six matches and moved up to third place, one point ahead of Atalanta, which hosts Cagliari on Sunday.
Napoli, which has earned just three points in its last five matches, dropped to seventh.
Zaniolo put the hosts ahead with a shot from the edge of the area early on and Veretout added a second-half penalty.
Also, Aleksandar Kolarov had a first-half penalty saved by Napoli goalkeeper Alex Meret then Roma defender Chris Smalling cleared a dangerous effort off the goal line with a bicycle kick.
Napoli also hit the goal frame twice on a single action in a fast-paced first half, while Roma’s Justin Kluivert hit the bar after the break.
Milik redirected a cross at the far post for Napoli’s goal, finishing off a swift counterattack.
Roma ended with 10 men when Mert Çetin picked up his second yellow for a foul on Fernando Llorente. Milik’s ensuing free kick seven minutes into stoppage time was deflected way over the goal.
More AP soccer: https://apnews.com/Soccer and https://twitter.com/AP_Sports
Sign up for Daily Newsletters
Copyright © 2019 The Washington Times, LLC.
Please read our comment policy before commenting.


{{define "title"}}Mini App Sign Up{{end}} {{- define "main" -}}
{{ .name }}, thank you for signing up.
Click here to login.


Silo Storage
Upload
My Drive
Shared With Me
Trash
Settings
My Drive
Recent
Vision Board 2020
Last editted 2 hours ago
List of Favorite Restaurants in SF
Last editted 1 week ago
Open by Andre Agassi ebook
Last editted 1 month ago
Folders
Family
Climbing
My Photos
SWE
Files
Reading List
Last editted 1 month ago
New Years Resolution
Last editted 1 month ago
Exercise Log
Last editted 1 month ago
Vision Board 2020
Last editted 1 month ago
That One Document
Last editted 1 month ago
List of Favorite Restaurants in SF
Last editted 1 month ago


Pitch Me!
A movie idea party game
How to Play
Click on the [? All] button
To change a line, click on the [?] button beside it
To clear a line, click on the [-] button beside it
Create a plot summary, twist and title
Repeat
? All
- All
Director
?
-
Cast
?
M
F
-
?
M
F
-
?
M
F
-
?
M
F
-
Genre
?
-
?
-
Trope
?
-
Theme
?
-
Plot Summary
Twist
Title


SudokGO is a Sudoku web app with single player and multiplayer(Battle Mode) functionality. The objective of a Sudoku game is to fill a 9x9 grid with digits 1 to 9 so that each column, row, and each of the nine 3x3 sub-grids contain all of the digits from 1 to 9. Therefore, there cannot be any repeat digits in a column, row or sub-grid.
Our application first provides a user with the options of playing an easy, medium, or hard single player Sudoku game. Once the user chooses the difficulty, the Sudoku board will be filled and the timer will start. The goal for the user is to finish the Sudoku puzzle as fast as possible. A user also can pause the game, which stops the timer and makes the board disappear so that the player is not given an unfair advantage when the timer is stopped.
During play, the user can switch between two entry modes, "number" and "mark". "Number" entries get checked against the board for conflicts, and only one can be entered per box. On the other hand, "marks are not validated and multiple "marks" can be entered for a single box and are used as notes if the user is unsure about an entry and wants to remember potential numbers. Finally, a user can undo/redo numbers or marks from a box.
To assist play, SudokGo allows a user multiple ways navigate the board. In general, the user can use the mouse to click any box, editable or non-editable, and the box is highlighted. Once the user has clicked into the board, he or she also can use the arrow keys to quickly move through the board. SudokGO also works cross platform and entries can be logged by keyboard or using the numpad to enter and delete numbers and marks
SudokGO also includes a battle mode, which is a multiplayer version of Sudoku. If the user plays in battle mode, they will be given a link to send to his or her friend. Once the friend has joined the game, our application asks them if they are ready. Once both players are ready, the multiplayer game starts and the goal is to finish the same Sudoku puzzle faster than the opponent. If a player puts the correct number in a box, then the corresponding box on the other player's board is highlighted in yellow. As competitors see the board fill up with yellow, the intensity increases and the race is on to see who can finish first.
Once a single player user completes a game, the user can enter their name, which will be put on a leaderboard if their time is one of the top ten times.


Catalogue
Catalogue Name
Select Product
| Brand Name | Variant Name | Product Category | UOM | Pack Info | PTR | Product Image |
|---|
| Brand Name | Variant | Product Category | UOM | Camapgion Name | Camapgion Type | Validity | Edit / Remove |
|---|---|---|---|---|---|---|---|
| Stay Active | Pro X | Fitness | Strip | 14 tab | - | Expires in 8 dats | Edit Deactivate |
| Stay Active | Pro X | Fitness | Strip | 14 tab | - | Expires in 8 dats | Edit Deactivate |
| Stay Active | Pro X | Fitness | Strip | 14 tab | - | Expires in 8 dats | Edit Deactivate |
| Stay Active | Pro X | Fitness | Strip | 14 tab | - | Expires in 8 dats | Edit Deactivate |
| Stay Active | Pro X | Fitness | Strip | 14 tab | - | Expires in 8 dats | Edit Deactivate |
Special Price To Retailer
Product Sepcific information
(localized content)
(localized content)
Select the Retailer Set to publish the catalogue
Locality
- Chennai
- Bengaluru
- Hyderabad
- Vizaz
- Nellore
Area
- Chennai
- Bengaluru
- Hyderabad
- Vizaz
- Nellore
Retailer Category
- Platinum
- Gold
- Silver
- Vizaz
Retailer Type
- Chennai
- Bengaluru
- Hyderabad
Catalogue Planner
Product Category
Avg Daily Sales value / Retailer (INR)
12000
No of Retailer
750
Number of SKU's Sold
180
Locality
Area - Pincode
Avg. Daily Sales Value / Retailer by Loality
Avg. Daily Sales Trend
Choose the start date and end data to set the Catalogue Validity
Start Date
End Date
Preview
Product One
$40,000
Product One
$40,000
Product One
$40,000
Product One
$40,000


{% extends "horizon/common/_modal_form_add_members.html" %} {% load i18n %} {% block modal-body %}
{% trans "Select the projects where the volume types will be used. If no projects are selected, then volume type will be only visible by users with the admin role." %}


| rsnps-package | Get SNP (Single-Nucleotide Polymorphism) Data on the Web |
| allgensnp | Get openSNP genotype data for all users at a particular snp. |
| allphenotypes | Get all openSNP phenotypes, their variations, and how many users have data available for a given phenotype. |
| annotations | Get all openSNP phenotypes, their variations, and how many users have data available for a given phenotype. |
| download_users | Download openSNP user files. |
| fetch_genotypes | Download openSNP genotype data for a user |
| genotypes | Get openSNP genotype data for one or multiple users. |
| ncbi_snp_query | Query NCBI's dbSNP for information on a set of SNPs |
| ncbi_snp_query2 | Query NCBI's dbSNP for information on a set of SNPs |
| ncbi_snp_summary | Query NCBI's dbSNP for summary information on a set of SNPs |
| phenotypes | Get openSNP phenotype data for one or multiple users. |
| phenotypes_byid | Get all openSNP known variations and all users sharing that phenotype for one phenotype(-ID). |
| read_users | Read in openSNP user files from local storage. |
| rsnps | Get SNP (Single-Nucleotide Polymorphism) Data on the Web |
| rsnps-defunct | Defunct functions in rsnps |
| users | Get openSNP users. |


Dashboard
Welcome, {{$ctrl.user.displayName}}. This app will guide you through the steps of tournament registration.
Tasks
-
Update your contact information, last updated on {{$ctrl.user.lastUpdatedDate}}
- Billing Organizations (e.g., School Districts)
The next step is to double-check your organization's contact information. You probably only need to do this once, ever.
You are a contact for these organizations:
3. Contacts (Players, coaches, etc.)
The next step is to enter contacts for your group(s). You probably only need to do this once per contact, ever.
This only enters them into the database. it doesn't mean they are committed to attending a tournament.
You have access to contacts in these groups:
4. Register Contacts for Tournament
Once you have entered all the contacts for your group(s), you can register them to attend the tournament. Be sure to indicate which competitions they will enter. That's important for the team registration step.
5. Combine Registered Players into Teams
Once you have registered all the players for your district/league, you can combine them into teams.


Best known for his study of the New York anti-Stalinist intellectuals grouped around the 1930s Partisan Review, University of Michigan professor and Solidarity activist Alan Wald has been writing about the intersection of art and politics for over two decades. He spoke last week at the Brecht Forum on the film and literary noir genre. The talk was based on a chapter from his forthcoming book on popular culture and concentrated on the career of long-time CP member and writer Kenneth Fearing, who died in 1961, and whose novel "The Big Clock" and the film based on it are classic noir. I will highlight points that Alan made and then make some of my own on "The Big Clock," which I viewed the following day.
Fearing was part of the left wing constellation of writers grouped around the John Reed Clubs in the 1920s, many of whom identified with or joined the CPUSA. He was one of the first to break with early cultural traditions of the left, which owed much to literary romanticism. To illustrate this point, Alan described an encounter between Fearing and Floyd Dell, another left-wing poet, at a party in 1927. As was the custom of the time, Dell invited Fearing to recite some verse, to which he would then respond with his own recitation. Fearing, a heavy drinker in the Dashiell Hammett mold, spat out "Oh Shit" to Dell and walked into the kitchen to prepare another cocktail. That was Fearing's way of telling Dell that the troubadour style was passé.
Defining the noir style has been a preoccupation of many leftwing cultural historians. This is not surprising since noir not only reflects the hard-boiled depression-era sensibility but the sense of disillusionment that followed it during the post-WWII period. While much of noir art was produced by left-wingers, it very rarely captured the sense of optimism and group solidarity that defined the Popular Front cultural ethos. While many of the CP'ers who wrote noir screenplays obviously believed that Ben Shahn and Mike Gold were doing the right thing, they either were prevented from producing such work in Hollywood or--more interestingly--consciously chose to depict shady and economically marginal characters cut off from society instead. So defining the link between such works as "Blue Gardenia", "Force of Evil" and "The Big Clock"--all written by CP'ers--and the politics of their creators becomes a real challenge, which Alan rose to in his lecture.
The first question he spoke to was the role of women in such films and novels, where the sexist "femme fatale" character practically defines the genre. While accepting this as a liability that marks much of the noir genre, Wald pointed to another aspect which he called "feminist femme fatale". The most important example of this is found in Vera Caspari's "Laura". Caspari was a CP'er who moved away from the party after the Hitler-Stalin pact. "Laura" consumed much of her energies in this period, which she felt was a necessary escape valve from the intense feelings of disillusionment the pact brought on. The movie, best known now for its haunting title melody, depicts a strong-willed woman trying to carve out an identity for herself. After she is murdered, a working class detective tracks down the perpetrator in a decadent and morally-corrupt group of upper-class society types.
Wald also considers Afro-Marxists a much more important contributor to the genre than is ordinarily given credit for. Since these works usually do not include major black characters, except for what is acknowledged as the swan song of the genre--"Odds Against Tomorrow"--this might seem open to debate. Wald cites the fiction of Chester Himes and Willard Motley as classic examples. Interestingly, Motley only wrote about white ethnics in his novels, such as "Knock on Any Door", but it is widely understood that such characters were stand-ins for black Americans. Wald also includes Richard Wright's "Native Son", which inspired a fairly awful movie noteworthy only for its inclusion of the author in the lead role.
Another important building-block in the noir edifice is supplied by "Tough Jews." Wald reminded the audience that many of the Communists who wrote noir fiction and screenplays were Jews from Brooklyn and the Lower East Side of Manhattan who were accustomed to seeing Jewish boxers and gangsters in the 1920s. In this era, not only were the greatest boxers Jewish but organized crime was led by Jews as well, including the hit-men of Murder Incorporated. Often left-wing screenwriters such as Abraham Polonsky and actors like John Garfield belonged to gangs as youngsters or even had criminal records. This accounts for the hard-boiled quality of much of their work and performances.
Turning to "The Big Clock", Wald suggests that the key to understanding such work is that it actually predates the Popular Front esthetic and owes much to the urban naturalism that was taking shape during the turn-of-the-century. It would hearken back to earlier traditions such as the fiction of Theodore Dreiser. The culture clash between Fearing and Popular Front commissars sometimes could not be repressed. John Henry Lawson denounced the "The Big Clock" as trash and probably regarded its creator Kenneth Fearing as less than stalwart Communist material. Fearing, like Hammett, was a life-long drunk who had a string of broken marriages and relationships in tow.
---
So with these remarks serving as a backdrop, I sat down to watch the 1948 "The Big Clock" with great eagerness. Here are some observations.
Like most noir films, much of "The Big Clock" is rather musty. In most cases, this is unobjectionable, especially for those of us who appreciate the charm of vintage films.  Played by Charles Laughton (in real life, a left-winger), the overweight homosexual was frequently used as a stock figure in the noir body of work. Sidney Greenstreet in "Maltese Falcon" is another prime example.
Janoth is in sharp contrast to the hero George Stroud, played by Ray Milland, a well-built, square-jawed muscular man with a wife and young son. The conflict between Janoth and Stroud unfolds as the former, a Hearst-like boss of a media empire, directs Stroud to forgo a vacation in order to make himself available for a circulation drive. Since Stroud, a character anticipating the figures depicted in Juliet Schor's "The Overworked American", has not had a vacation in many years, he decides to quit rather than oblige Janoth.
After turning in his resignation, Stroud is joined at the bar where he is celebrating by Janoth's mistress, a femme fatale who both despises but is financially dependent on the magnate in true Dreiserian fashion. That evening Janoth kills her in a fit of rage at her apartment, where Stroud himself made an earlier but innocent appearance. The remainder of the film depicts Janoth's attempts to frame Stroud.
As the police and Janoth's henchmen close in on Stroud in corporate headquarters, the image of the Big Clock dominates the scenes. This is the largest and most sophisticated clock ever built which Janoth insists on being 100 percent accurate, since it is a symbol of his power. Located in the lobby of the building, it is the high spot of tours. When Stroud seeks refuge inside the housing that encloses the clock's inner mechanism, he accidentally bumps against a lever that shuts it down. Up in his penthouse office, Janoth recoils from the sight of a satellite clock whose hands has stopped. Somebody go find out what's wrong with the clock, he barks.
This reminded me of Fritz Lang's 1920s "Metropolis" which very likely inspired the vision of corporate control in "The Big Clock" "Metropolis'' employed vast sets, 25,000 extras and astonishing special effects to create two worlds: the great city of Metropolis, with its stadiums, skyscrapers and expressways in the sky, and the subterranean workers' city, where the clock face shows 10 hours to cram another day into the workweek. The city is powered by an underground plant, where workers strain to move heavy dial hands back and forth. What they're doing makes no logical sense, but visually the connection is obvious: They are controlled like hands on a clock.
Close to two other left-wing émigrés Bertolt Brecht and Hanns Eisler, Lang eventually moved to Hollywood where his German expressionist esthetics helped to influence film noir, often perceived--incorrectly in my opinion--as a specifically American phenomenon. Although Lang adapted to the Hollywood prejudices against overtly political films with messages, he never was happy with these constrictions.
--
Marxist discussion is at: www.panix.com/~lnp3/marxism.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


 It takes a little while to cook but is very simple to put together. Rather than the usual steak, I like to use lamb shoulder, which is full of flavour and complemented wonderfully by a good shot of fresh rosemary.
Try serving with mashed potato and a green vegetable such as broccoli or greens.
For the filling, melt the butter with one tablespoon of oil in a large, heavy-based saucepan over a medium-low heat. When the butter is foaming, add the shallots and garlic and cook for a few minutes until they begin to soften, but not colour.
Meanwhile, in a large bowl, mix the tablespoon of flour with the chopped rosemary and some salt and pepper. Add the lamb and kidneys and toss them thoroughly in the seasoned flour.
Transfer the softened shallots and garlic to a large bowl and set to one side. Add a little more oil to the pan and increase the heat. Add a third of the lamb and kidney and cook until browned all over.
Set aside with the shallots and repeat with the remaining meat, adding more oil if needed. Return all the meat and the shallots to the pan.
Add the wine to the pan and let it bubble and reduce for a couple of minutes, scraping the base of the pan with a spatula to help release any caramelised bits. Add the stock and simmer for five minutes. If the sauce looks too thick, add a little more stock. Taste the sauce and season with salt and pepper. Set aside to cool completely.
When you are ready to cook the pudding, first generously butter a 1.2 litre/2 pint pudding basin.
To make the pastry, mix the ingredients together thoroughly and season with salt and pepper. Gradually stir in water until you have a soft, slightly sticky dough (you’ll need about 225ml/8fl oz of water).
Divide off about a quarter of the dough, to be used for the pastry lid. Dust your work surface with flour and roll out the larger piece of dough into a circle roughly 30cm/12in in diameter. Use this to line the pudding basin, leaving the excess pastry hanging over the edge.
Spoon the cooled filling into the pastry-lined basin. Dampen the edges with water and add the pastry lid. Press the edges together to seal and trim away the excess pastry neatly.
Place a piece of baking parchment over a sheet of foil and make a large pleat in the middle, folding both sheets together (this allow the pudding to expand as it cooks). Put the parchment and foil on top of the pudding, foil side up, and secure with string, looping the end of the string over the top of the pudding and tying it to form a handle that will enable you to lift the pudding in and out of the saucepan.
Place the basin in a large pan, and pour in enough boiling water to come halfway up the side of the basin. Put a lid on the pan and bring to a simmer. Turn the heat low and let the pudding steam for 2-2½ hours. Top up the boiling water during this time if necessary so the pan doesn’t boil dry.
Remove the pudding from the pan, take off the foil and parchment and leave to rest for five minutes. Then use a small, sharp knife to release the sides of the pudding from the basin. Put a large plate over the pudding and invert it, so the pudding comes out on to the plate. Serve straight away.


Prabalya
We conducted the technical fest
With the legacy of 40 years, NMIMS has grown to being not only one of the top-10 B-schools in India but also emerged as a multi-disciplinary, multi-campus University at Mumbai, Navi Mumbai, Indore, Shirpur, Dhule, Bengaluru, Hyderabad and Chandigarh and seventeen constituent schools that include Management, Family Business, Engineering, Pharmacy, Architecture, Commerce, Economics, Law, Science, Liberal Arts, Design, Performing Arts, Mathematical Science, Agricultural Science, Hospitality Management, Branding & Advertising and Distance Learning.
The consistent academic quality, research focus, faculty from top national and global institutes and strong industry linkages at NMIMS have placed it amongst the nation's prime centres of educational excellence and research today.
NMIMS is the all-encompassing educational platform for diverse fields of career such as Engineering, Science and Technology, Management, Commerce, Architecture, Law, Economics, Pharmacy, Aviation, Design, Performing Arts, Liberal Arts, Hospitality Management, Mathematical Science, Branding and Advertising, Agricultural Sciences and much more. Ideal for forward-thinking and new-age young professionals Strong industry interface & corporate relationships with 1348+ companies Research-backed updated curriculum, along with 2400+ published papers to its credit Continuing the legacy of quality education Focus on employability of students through evolved pedagogy Pursuing excellence in technological and management research
A never ending box of surprises.
1 March 2021
We conducted the technical fest
2 April 2021
We conducted the cultural fest
1 May 2021
We conducted the Semi cultural fest
2 June 2021
Everyone is having fun except us
We are the best
{ The innovative Mind }
{ Scrum Manager }
{ Lead Developer }
{ Design Manager }
{ Risk Manager }
{ Assistant Developer }
Know our upcoming events and stay ready to unleash the excitement.
Expect reply in 2-3 working days, in not received within it forget it and put another.


448_ryo_n.py
from typing import List, Dict, Tuple
import collections
class Solution:
def countSubgraphsForEachDiameter(self, n: int, edges: List[List[int]]) -> List[int]:
ans = [0] * (n - 1)
new_edges = [[] for j in range(n + 1)]
for a, b in edges:
new_edges[a].append(b)
new_edges[b].append(a)
for i in range(1, 2 ** n):
selected = []
for j in range(n):
if i >> j & 1:
selected.append(j + 1)
setselected = set(selected)
if len(selected) == 1:
continue
q = collections.deque()
q.append(selected[0])
v = set()
v.add(selected[0])
while q:
ci = q.pop()
for next in new_edges[ci]:
if next in setselected and next not in v:
v.add(next)
q.append(next)
if len(v) != len(selected):
continue
ma = 0
for start in selected:
q = collections.deque()
q.append((start, 0))
v = set()
v.add(start)
while q:
ci, cd = q.pop()
ma = max(ma, cd)
for next in new_edges[ci]:
if next in setselected and next not in v:
v.add(next)
q.append((next, cd + 1))
if ma != 0:
ans[ma - 1] += 1
return ans


Leopard and porcupine caught in a deadly battle in viral video.
A video of a battle between a leopard and a porcupine has surfaced on social media and it will give you goose bumps. The 58-second clip has been shared on Twitter by Parveen Kaswan of the Indian Forest Service and is swiftly going viral.
On a highway amid the grasslands, the leopard and porcupine engaged in a deadly battle. The big cat, however, should have known that messing with a porcupine is not quite a good idea. As it scratched the porcupine, it moved ahead and so did the big cat. The leopard, enraged, bit the porcupine. And there you go.
Guess who had the last laugh. The leopard hurt its mouth with the sharp spines of the porcupine, also known as quills, and struggled in pain. It, thereafter, walked past the porcupine into the grasslands and did not even dare to look at it again.
This is an old video, as per Parveen Kaswan as he said in his caption, "Continuing with #leopard vs #porcupine. This one old video of another encounter between them. Here leopard got a good lesson from porcupine With their sharp quills."
Watch the video here:
The video has been viewed almost 9,000 times and netizens opined about it in the comments section.
In a separate tweet, Parveen Kaswan also wrote about the sharp quills of the porcupine.
Terrific, right?


"How to turn �into �,000" This is not a get rich quick scheme, but with a little effort will make a nice little return - perhaps pay off that credit card after the Xmas spend, or pay for that much needed holiday Please take the time to read the following information, which I received recently. Please try not to be sceptical about this program and at least think about it for a few days, otherwise you could be throwing away over �,000 in cash! This system has worked for 2 years and the thousands of people, who joined, have been amazed by the results of giving a little time and just �00 (�5/$5.00). In March of 2003, I received a short and simple e-mail telling me how to make over �,000 at a time. Of course I ignored it, but I didn't delete the mail, as there was something about it which rang true and I was keen to know if it was possible to make that amount of money in such a short space of time. I was at that time getting deep in debt. I finally realized that I had absolutely nothing to lose by having a go at the plan offered to me in that email. And apart from that, I just couldn't stop myself from thinking "What if it actually works?" For the sake of �isn't it worth a go! I put my doubts to one side, went ahead and followed the simple instructions given in that email. It took me less than 30 minutes to complete and it cost me no more than �(�5/$5). What did it say in that email? Well, if you'll read on, all will be revealed! The business plan I am about to share with you works perfectly every single time. I've never made less than �,000 from it on each occasion. Let me assure you that this is a LEGITIMATE BUSINESS OPPORTUNITY, a perfectly legal moneymaking enterprise. It does not require you to sell anything. It does not require you to speak to your friends, family or anybody else (unless you want to). This must sound like an outrageous claim, particularly if you've never had possession of this sort of money before, but believe me, this business works like nothing else you may have seen before in your life! By following the simple 3-step plan set out below, within a few short weeks your life could be transformed beyond all recognition! Please do not allow your initial scepticism to deprive you of financial success. This program is by no means new. It has been in existence in many forms for at least a decade. But in the early days, it required a lot more time and effort, as well as an outlay of a few hundred pounds. However, thanks to PayPal and the Internet, the outlay is now virtually ZERO! And what's more, the entire process is FASTER, EASIER, and MORE LUCRATIVE than it has EVER been! This program works no matter what country you are in, or what currency you use. It doesn't matter how old or how young you are. And you certainly won't need any special knowledge or talent. You won't need to run a website, or make phone calls, or make photocopies, or send out letters through the mail, or pay for advertising, etc. You will need: � An email address � A Premier or Business PayPal account with at least �(�5/$5) deposited in it � 30 minutes of your time PayPal is the simplest method of sending and receiving payments online that anyone has ever seen! Once you have a PayPal account, you can send and receive credit card payments to or from anyone - anywhere in the world! However, please read further before you visit their website. To get started, follow the instructions exactly as set out below and then prepare yourself for an influx of cash over the next 30 days! Here's what you need to do: STEP 1: If you're not already a PayPal user, the very first thing you need to do is click on the PayPal link below and SIGN UP. It takes just 2 minutes. http:/www.paypal.com STEP 2: When you have opened your account, send a �(�5/$5) payment from your PayPal account to the FIRST email address in the list below, along with a note saying: " Please add me to your mailing list. " Be certain to add this note, as this is what KEEPS THIS PROGRAM LEGAL. Instructions on how to send a payment are under "SEND MONEY" at the PayPal site. It's that easy!! Here's the current list: 1<EMAIL_ADDRESS>2<EMAIL_ADDRESS>3<EMAIL_ADDRESS>4<EMAIL_ADDRESS>5<EMAIL_ADDRESS>STEP 3: Once you've sent a �(�5/$5) payment to the address at the top of the list (along with your note - this is VERY important!), the next thing to do is copy the contents of this page, as you'll be sending it out (as an email message) to at least 40 people, although with the legitimate mailing lists and the different ways of advertising on the internet, e.g. Ebay, the amount of recipients of your mail could well exceed into the hundreds, thousands or even millions if you wish. The more people who join in, the more profitable for everyone on the list. If you are going to use a mailing list, please make sure it is from a reputable source and includes people who have "Opted In". These lists contain names of people who have no objections to receiving these types of mails. The e-mail that you will send out will contain a copy of this document in your new email message. (You can edit and format the message text in any way you want! However, it's best to just leave the text as it is because you want your email to be read by everyone who receives it). Delete the e-mail address at No 1 in the list and move the others up one place (2 becomes 1, 3 becomes 2 etc) No 5 in the list will be empty, so put YOUR address in this space. (This is the e-mail address you used to sign up to PayPal), your email is now ready for sending! A word of warning! Don't be tempted to add your email address to position 1 in order to earn money fast! It doesn't work like that! If you do that, you will ONLY reach the people you directly send emails to, and then your address will be immediately removed from the No 1 place and you won't reach any more people! However, if you add your name to the No 5 position, there will be literally tens of thousands of people receiving and sending e-mail's later - when your name has reached the No 1spot!!! When you send out your e-mails, your address will initially be at No 5 in the list. The response-rate for this program is much higher than any typical email marketing campaign for a number of reasons, which are explained later. As long as you send your e-mails to people who are likely to be interested in this program, you can expect an average response from about 25% of the people you send to. Let's be conservative here and assume that you receive only an average response rate of 12.5%. If you send out your email to 40 different people, you can expect at least 5 of those people to do exactly what you did (12.5% of 40 = 5). By this time, your email address will have moved up to No 4 in the list, and this list will now have reached around 200 people (5 x 40). Out of those 200 people, you can expect at least 25 of them to participate (12.5% of 200 = 25), so that's a further 1,000 emails (25 x 40) being sent out and your email address will have risen to No 3 in the list. Out of those 1,000 people, you can expect at least 125 of them to participate (12.5% of 1,000 = 125), so that's a further 5,000 emails (125 x 40) being sent out with you now at the No 2 position. Out of those 5,000 people, you can expect at least 625 of them to respond (12.5% of 5,000 = 625), so that's 25,000 emails (625 x 40) being sent out with YOUR ADDRESS at the No 1 spot! Now, out of those 25,000 people, you can expect around 3,125 of them to respond (12.5% of 25,000 = 3,125). And since you will now be at No 1 in the list, you will receive �(�5/$5) from each of them, that's; �375 (3,125 x ��5/$5). So, when your name starts to hit the No 1 position within the next few days, it will be YOUR turn to collect the money! Over the course of 30 days the money will be sent to you, by a few thousand people just like yourself. The first payments will arrive within a few days, and they will continue at the rate of about 100 payments per day for about 30 days. After that time, the volume of payments begins to taper off as your e-mail address vacates the No 1 position.


For manual payments our operational costs increase. If we'll have to talk to the customer to release the payment every time then we'll have to set a hard limit on the number of customers that we can address. That is not a problem because we'll do a research on finding the optimal number of customers anyway. We don't want to take on more than we can chew here. All the operational efforts must be planned in a way that it is possible for a single person to handle everything.


{% extends "base.html" %} {% block page_content_inner %} {% if request.user.is_authenticated %} {% include "body/task_groups.html" %}
To apply for an approval of activities or development within the Swan Canning Riverpark’s Development Control Area, please enter your email address. You will then receive an email with a direct link into the application system.
If this is your first time logging in, you will be asked to provide your contact details and proof of identity


Token streams TokenStream +- CommonTokenStream
More...
|
|
| tokenSource |
| |
|
| tokens |
| |
|
| p |
| |
|
| channel |
| |
|
| lastMarker |
| |
Token streams TokenStream +- CommonTokenStream
@brief The most common stream of tokens
The most common stream of tokens is one where every token is buffered up
and tokens are prefiltered for a certain channel (the parser will only
see these tokens and cannot change the filter channel number during the
parse).
| def google.appengine._internal.antlr3.streams.CommonTokenStream.__init__ |
( |
|
self, |
|
|
|
tokenSource = None , |
|
|
|
channel = DEFAULT_CHANNEL |
|
) |
| |
@param tokenSource A TokenSource instance (usually a Lexer) to pull
the tokens from.
@param channel Skip tokens on any channel but this one; this is how we
skip whitespace...
| def google.appengine._internal.antlr3.streams.CommonTokenStream.consume |
( |
|
self | ) |
|
Move the input pointer to the next incoming token. The stream
must become active with LT(1) available. consume() simply
moves the input pointer so that LT(1) points at the next
input symbol. Consume at least one token.
Walk past any token not on the channel the parser is listening to.
| def google.appengine._internal.antlr3.streams.CommonTokenStream.fillBuffer |
( |
|
self | ) |
|
Load all tokens from the token source and put in tokens.
This is done upon first LT request because you might want to
set some token type / channel overrides before filling buffer.
| def google.appengine._internal.antlr3.streams.CommonTokenStream.get |
( |
|
self, |
|
|
|
i |
|
) |
| |
Return absolute token i; ignore which channel the tokens are on;
that is, count all tokens not just on-channel tokens.
| def google.appengine._internal.antlr3.streams.CommonTokenStream.getTokens |
( |
|
self, |
|
|
|
start = None , |
|
|
|
stop = None , |
|
|
|
types = None |
|
) |
| |
Given a start and stop index, return a list of all tokens in
the token type set. Return None if no tokens were found. This
method looks at both on and off channel tokens.
| def google.appengine._internal.antlr3.streams.CommonTokenStream.LB |
( |
|
self, |
|
|
|
k |
|
) |
| |
Look backwards k tokens on-channel tokens
| def google.appengine._internal.antlr3.streams.CommonTokenStream.LT |
( |
|
self, |
|
|
|
k |
|
) |
| |
Get the ith token from the current position 1..n where k=1 is the
first symbol of lookahead.
| def google.appengine._internal.antlr3.streams.CommonTokenStream.setTokenSource |
( |
|
self, |
|
|
|
tokenSource |
|
) |
| |
Reset this token stream by setting its token source.
| def google.appengine._internal.antlr3.streams.CommonTokenStream.setTokenTypeChannel |
( |
|
self, |
|
|
|
ttype, |
|
|
|
channel |
|
) |
| |
A simple filter mechanism whereby you can tell this token stream
to force all tokens of type ttype to be on channel. For example,
when interpreting, we cannot exec actions so we need to tell
the stream to force all WS and NEWLINE to be a different, ignored
channel.
| def google.appengine._internal.antlr3.streams.CommonTokenStream.skipOffTokenChannels |
( |
|
self, |
|
|
|
i |
|
) |
| |
Given a starting index, return the index of the first on-channel
token.
The documentation for this class was generated from the following file:
- code/googleappengine-read-only/python/google/appengine/_internal/antlr3/streams.py


Once your vote has been placed, you will not be able to change it.
{{ nominee.info.display_name }} thanks you for your vote.
Double your vote: FIRST enter your Twitter handle
{{ nominee.twitterHandleError }}
THEN enter your tweet on the NEXT PAGE to double your vote.


|
NSVD Reader
0.0.1
|
iterator for boxvec More...
#include <boxvec.hpp>
Public Member Functions | |
| boxitr< T, ITR > & | operator++ () |
| boxitr< T, ITR > | operator++ (int) |
| boxitr< T, ITR > & | operator -- () |
| boxitr< T, ITR > | operator -- (int) |
| boxitr< T, ITR > | operator+ (int n) const |
| boxitr< T, ITR > | operator - (int n) const |
| boxitr< T, ITR > & | operator+= (int n) |
| boxitr< T, ITR > & | operator -= (int n) |
| T & | operator * () noexcept |
| const T & | operator * () const noexcept |
| const T & | operator-> () const noexcept |
| T & | operator-> () noexcept |
| bool | operator< (const boxitr< T, ITR > &i) const noexcept |
| bool | operator<= (const boxitr< T, ITR > &i) const noexcept |
| bool | operator== (const boxitr< T, ITR > &i) const noexcept |
| bool | operator != (const boxitr< T, ITR > &i) const noexcept |
| bool | operator > (const boxitr< T, ITR > &i) const noexcept |
| bool | operator >= (const boxitr< T, ITR > &i) const noexcept |
Public Attributes | |
| ITR | itr |
iterator for boxvec
Definition at line 28 of file boxvec.hpp.
|
inlinenoexcept |
Definition at line 58 of file boxvec.hpp.
|
inlinenoexcept |
Definition at line 51 of file boxvec.hpp.
|
inlinenoexcept |
Definition at line 52 of file boxvec.hpp.
|
inline |
Definition at line 46 of file boxvec.hpp.
|
inline |
Definition at line 39 of file boxvec.hpp.
|
inline |
Definition at line 40 of file boxvec.hpp.
|
inline |
Definition at line 48 of file boxvec.hpp.
|
inlinenoexcept |
Definition at line 59 of file boxvec.hpp.
|
inlinenoexcept |
Definition at line 60 of file boxvec.hpp.
|
inline |
Definition at line 45 of file boxvec.hpp.
|
inline |
Definition at line 32 of file boxvec.hpp.
|
inline |
Definition at line 33 of file boxvec.hpp.
|
inline |
Definition at line 47 of file boxvec.hpp.
|
inlinenoexcept |
Definition at line 53 of file boxvec.hpp.
|
inlinenoexcept |
Definition at line 54 of file boxvec.hpp.
|
inlinenoexcept |
Definition at line 55 of file boxvec.hpp.
|
inlinenoexcept |
Definition at line 56 of file boxvec.hpp.
|
inlinenoexcept |
Definition at line 57 of file boxvec.hpp.
| ITR nodamushi::boxitr< T, ITR >::itr |
Definition at line 30 of file boxvec.hpp.


ethers.js
4.0
Developer Documentation
Getting Started
Application Programming Interface (API)
Wallets and Signers
Providers
Contracts
Utilities
Low-Level API
Cookbook
Migration Guides
Notes
Testing
ethers.js
Docs
»
Application Programming Interface (API)
View page source
Application Programming Interface (API)
¶
Wallets and Signers
Wallet
Signer API
Providers
Connecting to Ethereum
Properties
Network
Account
Blockchain Status
Ethereum Naming Service
Contract Execution
Contract State
Events
Objects and Types
Provider Specific Extra API Calls
Contracts
Deploying a Contract
Connecting to Existing Contracts
Meta-Class Properties
Overrides
Event Emitter
Providers vs Signers
Types
Filtering Events
Application Binary Interface (ABI)
Utilities
Addresses
Arrayish
Big Numbers
Bytes32 Strings
Constants
Cryptographic Functions
Ether Strings and Wei
Hex Strings
Namehash
Signatures
Transactions
UTF-8 Strings
Web


This November, Alberta RCMP reminds road users to buckle up for every ride
As Albertans welcome winter, the RCMP reminds all drivers and passengers that traffic safety starts with buckling up
Alberta RCMP encourages you to practice the following traffic safety tips for optimal use of occupant restraints:
· Ensure the seatbelt is positioned securely across the hip bones and the shoulder. The shoulder belt should sit across the centre of the chest, and never under your arm or behind your back.
· The law in Alberta requires that children under six years old or under 40 lbs (18 kg) be properly restrained in a car seat. (Alberta Seatbelts, 2014)
· Most children are ready for standard seatbelts when they are nine years old or older, and either weigh over 80 pounds (36 kg), or are taller than 4’9” (145 cm). (Alberta Transportation, 2015)
· Children under the age of 13 are safest in the back seat. (Alberta Transportation, 2018)
“Occupant restraints keep all vehicle occupants safe and decrease the severity of injury,” said Supt. Rick Gardner, Alberta Sheriffs. “Wearing a seatbelt and ensuring all passengers are properly restrained is a simple and effective way to ensure everyone’s safety in a collision.”
“In 2018, Alberta RCMP issued over 5,800 occupant restraint tickets,” stated Supt. Gary Graham, Alberta Traffic Services. “Traffic safety is a shared responsibility. Buckle up, every single time, whether you’re driving to work or just around the block, to make sure everyone gets home safely.”
The Alberta RCMP will continue to work with Alberta Sheriffs and other law enforcement and safety partners to ensure Albertans make the right driving decisions. Follow our traffic safety tips on Facebook @RCMPinAlberta and Twitter @RCMPAlberta.
-Submitted


--- layout: docs title: Submission Guide short: submit permalink: /docs/submit/ author: matthewwang ---
This article tells you how to submit your project to the Student Server Space, not how to deploy it. To deploy your code, read our Deployment Guide, after submitting your project.
To clarify, submitted projects do not need to be deployed (they can be hosted externally).
Want to submit your project to us? Sounds good! Here's an article that outlines exactly how you would do that. Let's get started.
Before you try to submit your project, make sure that you've checked off everything in our Content Policy. In addition, if you're also looking to deploy your project on Student Server Space, make sure it adheres to our Code Policy.
In addition, you'll also need these tools to submit your project:
Let's setup your local development machine so you can make some changes! The first thing you're going to do is fork and clone the Student Server Space Website repository on GitHub, so you can work on it. Here's a photo that shows you what button to press:
Now, you should have your own copy of the website
repository. We're going to clone that to our computer. You can either do this from the command line, or through a Git client. Regardless, you'll need to press the "clone or download" button, represented in this image: with git clone YOUR-REPOSITORY-URL.git
, or through a Git client, like GitHub Desktop. Here's a visual representation of how to open it in GitHub Desktop, from the GitHub website:
If you want to clone it from the command line, type in git clone YOUR-REPOSITORY-URL.git
in your terminal, with YOUR-REPOSITORY-URL.git
being the link in that picture. If you'd like to open it in GitHub Desktop, simply press the "Open in Desktop" button.
Make sure you're cloning your fork (version) of the website
repository, YOUR-GITHUB-USERNAME/website
, not the one from the studentserverspace
group. You can't edit that one!
Now you should be ready to make some changes! From now on, we'll be working in the repository directory (wherever you cloned the repository). Get your text editor out, and let's get started!
Adding your project to the Student Server Space directory requires you to make one (or two) files. First, we're going to make a new YOUR-PROJECT-NAME.md
(markdown) file in the _projects
directory. Then, we're going to add our YAML header: this is something specific to Jekyll, if you're interested. Here's an example template, for Paleta.
---
layout: projects
title: Paleta
short: paleta
permalink: /projects/paleta/
github: "malsf21/paleta"
website: "https://malsf21.github.io/paleta/"
img: "paleta-1.png"
creator: matthewwang
description: "Paleta is a set of style guides for UCC organisations and projects to make design easy."
---
Confused by what those categories mean? No problem! Here's a nifty table explaining each element:
| Element Name | Element Description | Required |
|---|---|---|
layout
|
This is a Jekyll-related element: just leave it as projects
|
|
title
|
The HTML title of your page. We suggest you make it your project name. | |
short
|
This is kind of like a slug for your project title. Make it something that's one word, all lowercase. | |
permalink
|
This is the URL of your project on the directory. It should always be /projects/YOUR-PROJECT-URL . If your project name includes characters that can't be in a URL, please remove them.
|
|
github
|
The GitHub-relative URL of your project. It should be in the form of YOUR-USERNAME/PROJECT-NAME
|
|
website
|
If your project has a website, put the full URL here. If you don't have one, don't sweat it! Just omit this parameter. | |
img
|
An image of your project in action. If you don't have any ideas, just screenshot your project in action! Drop your img file in /img/projects
|
|
creator
|
The creator key for your project. More on this below. | |
description
|
A short, one-line description of what your project does. |
Make sure your project has all the required header elements. If it doesn't, we'll deny your submission, no exceptions. You can always resubmit after making corrections.
Once you're done your header, the content of the .md
file is a full description of your project. Make sure it's somewhat descriptive, since you're showcasing your project to everybody! Copying your GitHub README.md
file is perfectly fine, as long as it's still descriptive. And remember, this is a public-facing site: ensure your description is appropriate for all ages!
You can use markdown to make your description super awesome, including adding textual emphasis, images, tables, and more! Here's a markdown guide to help you out.
If you've already added yourself as a creator before, you don't need to repeat this step.
At Student Server Space, we care a lot about attributing creators! When you submit your project, you have the ability to add your creator information.
To add a new author, navigate to /_data/creators.yml
. You'll have something that looks like this:
matthewwang:
name: Matthew Wang
site: https://matthewwang.me
bio: Matt is in love with coding, debate, GitHub, burritos, and mediocre music. Matt spearheaded this project, and handles content, front-end design, and documentation.
github: malsf21
jacksarick:
name: Jack Sarick
site: https://sarick.tech
bio: Jack is an IB2 student who builds amazing things with code, english, metal, and more. Jack handles back-end design and server administration.
github: jacksarick
To add a new entry (you!), all you have to add is a slug key, yourname:
, and nest your full name as a string, name: Your Name
. Here's a description of all the possible options you can have:
| Element Name | Element Description | Required |
|---|---|---|
name
|
Your full name! If you have a name that includes chars that trip up YAML or Ruby, try encasing it in "" , or HTML escape it.
|
|
site
|
If you have a website, you can add a link here! Make sure it's a full link, and make sure it's appropriate. | |
bio
|
A short, one or two line bio. Keep it short and sweet for best effects! | |
github
|
Your GitHub username, if you have one. Just include the username, no link required. |
Once you add your own key to the creators.yml
, you're ready to submit your pull request.
Now that you've added your project (and your creator file) to your repository, we're going to test them to see if they work, using Jekyll. You'll need Ruby to use Jekyll, but that comes pre-installed on most unix systems.
Installing Jekyll is super easy! Just type in gem install jekyll
into your command line/terminal.
We're now going to test your new code to see if it works! In the root directory of your project, or /
, type in your command line jekyll serve
. If your output looks something like this:
Configuration file: /Users/matthew.wang/github/website/_config.yml
Configuration file: /Users/matthew.wang/github/website/_config.yml
Source: /Users/matthew.wang/github/website
Destination: /Users/matthew.wang/github/website/_site
Incremental build: disabled. Enable with --incremental
Generating...
done in 1.585 seconds.
Auto-regeneration: enabled for '/Users/matthew.wang/github/website'
Configuration file: /Users/matthew.wang/github/website/_config.yml
Server address: http://<IP_ADDRESS>:4000/sss/
Server running... press ctrl-c to stop.
Then it's working! If some error messages pop up, see if you can fix them yourself (google is a great resource). After having no compile errors, you can check out the website yourself. Visit the address that comes after Server addrress
in your browser, and try checking the Projects Directory to see if your set up works as intended.
Now that your project is submitted in your local repository, and tested, we're going to bring it up to speed with our main branch! Here's a graphical explanation of what we're doing in principle; after, we'll walk you through how to do it with Student Server Space.
The first thing we want to do is commit our changes to our remote branch on our fork.  After your fork repository is up to speed with your local development file system (you can double check this by visiting YOUR-USERNAME/website
on GitHub), we're going to submit a Pull Request.
A Pull Request sends your new changes, in your forked repository, and asks the main SSS website's repository to merge these changes. In this case, you'll do this through GitHub. Head to the "Pull Requests" section of your fork, and press "New Pull Request" button.
You should get a screen that looks like this:
Press that "Create pull request" button. Now, you should be a screen like this:
Fill out the paragraph description (it'll make things easier on us), and click "Create pull request"! And you're done! Wait until your pull request gets responded to: we'll either merge it, and put it on the website, or deny it, and let you know what you need to fix so it becomes mergeable.
Ta-da! We're done!
If you have a project that you want to deploy, now's the time you want to deploy it. Check out our Deployment Guide on how to do that!
As always, if you need any help, ask your faculty or student Student Server Space members: we're always willing to help you become an awesome student developer!


I am a mathematician, artist and software developer. I translate the world into numbers and patterns to
innovate, build and inspire change. I am in the process of learning how to make my impact on the
world.
Skills
Proficient Languages Java, JavaScript, VBA, VBS
Other Known Languages PHP, Objective-C, C++
Other Known Technologies Selenium, SQL, CSS
User Experience and Front-End Design
Communication and Collaboration
Work Experience
JP Morgan Chase &Co.
JULY 2015 - PRESENT, WILMINGTON, DELAWARE
Developed a large-scale user-facing JavaScript Web Application
Built a Java/Spring RESTful API
Improved a Java Web Application used to manage reports for a regulatory program
Leading a team of developers building a learning management system
Created Selenium automation test scripts
Automated processes using VBA and VBS
Designed and implemented a repository of information for all of Consumer and Community Banking
Spoke to over 200 coders at the Technica all-women hackathon
Coordinated a Kid’s Coding Event using Arduino Robots
Launched the #ILookLikeAnEngineer diversity event at JPMC
Spoke on panels for winning women, new hires and at a diversity event
Greene Turtle
AUGUST 2011 - JULY 2015
Trained new hires on best practices and Greene Turtle culture
Provided customers with top-tier service
Mitigated customer complaints
Project Experience
Online Auction Website
Developed full-stack online store - similar to eBay
Architected and implemented the database
Designed the front-end and all graphics
Tools used SQL, PHP, JQuery, JavaScript and CSS
Maturity Time Capsule
Built, architected, designed and implemented full-stack team maturity tracker
Tools used Maven, TomCat, Spring MVC, H2 database, Java, JavaScript, jsp and bootstrap./li>


Please join our mailing list if you would like to be kept up-to-date with news & information about training and events from Sussex Mindfulness Centre (SMC). We will send you emails from time to time. We will not pass your details on to anyone outside of Sussex Mindfulness Centre and you can unsubscribe at any time.


Pixel Art Maker
Choose Grid Size
Grid Height:
Grid Width:
Pick A Shading Color
Pick Canvas Background
Design Canvas


Sam Johnson
- Works at Howl Design since 2007 http://howldesign.com
- Previously worked for Skytel, Cytec, Itron Cellular solutions (SmartSynch), Saks
What problem does Version Control Solve?
Multiple developers working on the same file
Working in several different environments
Keeping Track of changes to your project
What version control solutions exist?
Git
SVN (CVS)
Rational Clearcase
Team Foundation Server
Probably some others that I have never used and don't care about
Why is Git so much better than that other garbage?
- Linus MF'in Torvalds
- patching should take no more than 3 seconds
- when in doubt do the exact opposite of what CVS/SVN do
- support a distributed workflow
- include very strong safeguards against corruption
Sometimes people say Git and sometimes GitHub, is there a difference?
Yes
Github:
- Owned by Microsoft (but it's ok these days)
- Can be free!!
- Originally written in Ruby on Rails
- Mascot is an Octocat
Nitty Gitty
Read the book
Concepts in Git
Untracked, Unmodified, Working, Staging, Committed
Isn't the staging concept kind of dumb, I mean does anyone use it?
I don't
Concepts in Git
Branches
checkout, merge, HEAD


We're sorry but material doesn't work properly without JavaScript enabled. Please enable it to continue.


| lit {SparkR} | R Documentation |
Column
of literal value.The passed in object is returned directly if it is already a Column. If the object is a Scala Symbol, it is converted into a Column also. Otherwise, a new Column is created to represent the literal value.
## S4 method for signature 'ANY' lit(x) lit(x)
Other normal_funcs: abs
;
bitwiseNOT
, bitwiseNOT
;
expr
, expr
;
greatest
, greatest
;
ifelse
; isNaN
,
isNaN
; least
,
least
; nanvl
,
nanvl
; negate
,
negate
; randn
,
randn
, randn
;
rand
, rand
,
rand
; when


The Great Clicking Game
Restart
Click me!
Select difficulty level!
Easy
Medium
Hard
Times clicked so far:
0


Upasana Metals
Logout
Home
Latest Inquiry
Quotation
Contact us
Register
⊙ Inquiry From Upasana
Metal
Grade
Quantity
Shape
Size
Want to send quotation for this inquiry?
Let's Send Quotation


#include <Nano1X2Series.h>
@addtogroup I2C Inter-IC Bus Controller(I2C)
Memory Mapped Structure for I2C Controller
Definition at line 4890 of file Nano1X2Series.h.
◆ CON
CON
Offset: 0x00 I2C Control Register
| Bits | Field | Descriptions |
| [0] | IPEN | I2C Function Enable Control |
| | 0 = I2C function Disabled. |
| | 1 = I2C function Enabled. |
| [1] | ACK | Assert Acknowledge Control Bit |
| | 0 = When this bit is set to 0 prior to address or data received, a Not acknowledged (high level to SDA) will be returned during the acknowledge clock pulse. |
| | 1 = When this bit is set to 1 prior to address or data received, an acknowledged will be returned during the acknowledge clock pulse on the SCL line when: |
| | (a): A slave is acknowledging the address sent from master. |
| | (b): The receiver devices are acknowledging the data sent by transmitter. |
| [2] | STOP | I2C STOP Control Bit |
| | In Master mode, set this bit to 1 to transmit a STOP condition to bus then the controller will check the bus condition if a STOP condition is detected and this bit will be cleared by hardware automatically. |
| | In Slave mode, set this bit to 1 to reset the controller to the defined "not addressed" Slave mode. |
| | This means it is NO LONGER in the slave receiver mode to receive data from the master transmit device. |
| | 0 = Will be cleared by hardware automatically if a STOP condition is detected. |
| | 1 = Sends a STOP condition to bus in Master mode or reset the controller to "not addressed" in Slave mode. |
| [3] | START | I2C START Command |
| | Setting this bit to 1 to enter Master mode, the device sends a START or repeat START condition to bus when the bus is free and it will be cleared to 0 after the START command is active and the STATUS has been updated. |
| | 0 = After START or repeat START is active. |
| | 1 = Sends a START or repeat START condition to bus. |
| [4] | I2C_STS | I2C Status |
| | When a new state is present in the I2CSTATUS register, if the INTEN bit is set, the I2C interrupt is requested. |
| | It must write one by software to this bit after the I2CINTSTS[0] is set to 1 and the I2C protocol function will go ahead until the STOP is active or the IPEN is disabled. |
| | 0 = I2C's Status disabled and the I2C protocol function will go ahead. |
| | 1 = I2C's Status active. |
| [7] | INTEN | Interrupt Enable Control |
| | 0 = I2C interrupt Disabled. |
| | 1 = I2C interrupt Enabled. |
Definition at line 4928 of file Nano1X2Series.h.
◆ CON2
| __IO uint32_t I2C_T::CON2 |
CON2
Offset: 0x40 I2C Control Register 2
| Bits | Field | Descriptions |
| [0] | WKUPEN | I2C Wake-Up Function Enable Control |
| | 0 = I2C wake-up function Disabled. |
| | 1 = I2C wake-up function Enabled. |
| [1] | OVER_INTEN | I2C OVER RUN Interrupt Control Bit |
| | 0 = Overrun event interrupt Disabled. |
| | 1 = Send a interrupt to system when the TWOFF bit is enabled and there is over run event in received fifo. |
| [2] | UNDER_INTEN | I2C UNDER RUN Interrupt Control Bit |
| | 0 = Under run event interrupt Disabled. |
| | 1 = Send a interrupt to system when the TWOFF bit is enabled and there is under run event happened in transmitted fifo. |
| [4] | TWOFF_EN | TWO LEVEL FIFO Enable Control |
| | 0 = Disabled. |
| | 1 = Enabled. |
| [5] | NOSTRETCH | NO STRETCH The I2C BUS |
| | 0 = The I2C SCL bus is stretched by hardware if the INTSTS (I2CINTSTS[0]) is not cleared in master mode. |
| | 1 = The I2C SCL bus is not stretched by hardware if the INTSTS is not cleared in master mode. |
Definition at line 5093 of file Nano1X2Series.h.
◆ DATA
| __IO uint32_t I2C_T::DATA |
DATA
Offset: 0x14 I2C DATA Register
| Bits | Field | Descriptions |
| [7:0] | DATA | I2C Data Bits |
| | The DATA contains a byte of serial data to be transmitted or a byte which has just been received. |
Definition at line 5004 of file Nano1X2Series.h.
◆ DIV
DIV
Offset: 0x0C I2C clock divided Register
| Bits | Field | Descriptions |
| [7:0] | CLK_DIV | I2C Clock Divided Bits |
| | The I2C clock rate bits: Data Baud Rate of I2C = PCLK /( 4 x ( CLK_DIV + 1)). |
| | Note: the minimum value of CLK_DIV is 4. |
Definition at line 4973 of file Nano1X2Series.h.
◆ INTSTS
| __IO uint32_t I2C_T::INTSTS |
INTSTS
Offset: 0x04 I2C Interrupt Status Register
| Bits | Field | Descriptions |
| [0] | INTSTS | I2C STATUS's Interrupt Status |
| | 0 = No bus event occurred. |
| | 1 = New state is presented in the I2CSTATUS. Software can write 1 to cleat this bit. |
| [1] | TIF | Time-Out Status |
| | 0 = No Time-out flag. Software can cleat this flag. |
| | 1 = Time-Out flag active and it is set by hardware. It can interrupt CPU when INTEN bit is set. |
| [7] | WAKEUP_ACK_DONE | Wakeup Address Frame Acknowledge Bit Done |
| | 0 = The ACK bit cycle of address match frame isn't done. |
| | 1 = The ACK bit cycle of address match frame is done in power-down. |
Definition at line 4947 of file Nano1X2Series.h.
◆ RESERVE0
| uint32_t I2C_T::RESERVE0[2] |
◆ RESERVE1
| uint32_t I2C_T::RESERVE1[4] |
◆ SADDR0
| __IO uint32_t I2C_T::SADDR0 |
SADDR0
Offset: 0x18 I2C Slave address Register0
| Bits | Field | Descriptions |
| [0] | GCALL | General Call Function |
| | 0 = General Call Function Disabled. |
| | 1 = General Call Function Enabled. |
| [7:1] | SADDR | I2C Salve Address Bits |
| | The content of this register is irrelevant when the device is in Master mode. |
| | In the Slave mode, the seven most significant bits must be loaded with the device's own address. |
| | The device will react if either of the address is matched. |
Definition at line 5021 of file Nano1X2Series.h.
◆ SADDR1
| __IO uint32_t I2C_T::SADDR1 |
SADDR1
Offset: 0x1C I2C Slave address Register1
| Bits | Field | Descriptions |
| [0] | GCALL | General Call Function |
| | 0 = General Call Function Disabled. |
| | 1 = General Call Function Enabled. |
| [7:1] | SADDR | I2C Salve Address Bits |
| | The content of this register is irrelevant when the device is in Master mode. |
| | In the Slave mode, the seven most significant bits must be loaded with the device's own address. |
| | The device will react if either of the address is matched. |
Definition at line 5038 of file Nano1X2Series.h.
◆ SAMASK0
| __IO uint32_t I2C_T::SAMASK0 |
SAMASK0
Offset: 0x28 I2C Slave address Mask Register0
| Bits | Field | Descriptions |
| [7:1] | SAMASK | I2C Slave Address Mask Bits |
| | 0 = Mask disable (the received corresponding register bit should be exact the same as address register). |
| | 1 = Mask enable (the received corresponding address bit is don't care). |
Definition at line 5053 of file Nano1X2Series.h.
◆ SAMASK1
| __IO uint32_t I2C_T::SAMASK1 |
SAMASK1
Offset: 0x2C I2C Slave address Mask Register1
| Bits | Field | Descriptions |
| [7:1] | SAMASK | I2C Slave Address Mask Bits |
| | 0 = Mask disable (the received corresponding register bit should be exact the same as address register). |
| | 1 = Mask enable (the received corresponding address bit is don't care). |
Definition at line 5066 of file Nano1X2Series.h.
◆ STATUS
| __I uint32_t I2C_T::STATUS |
STATUS
Offset: 0x08 I2C Status Register
| Bits | Field | Descriptions |
| [7:0] | STATUS | I2C Status Bits (Read Only) |
| | Indicates the current status code of the bus information. |
| | The detail information about the status is described in the sections of I2C protocol register and operation mode. |
Definition at line 4960 of file Nano1X2Series.h.
◆ STATUS2
| __IO uint32_t I2C_T::STATUS2 |
STATUS2
Offset: 0x44 I2C Status Register 2
| Bits | Field | Descriptions |
| [0] | WKUPIF | Wake-Up Interrupt Flag |
| | 0 = Wake-up flag inactive. |
| | 1 = Wake-up flag active. |
| | Software can write 1 to clear this flag |
| [1] | OVERUN | I2C OVER RUN Status Bit |
| | 0 = The received FIFO is not over run when the TWOFF_EN = 1. |
| | 1 = The received FIFO is over run when the TWOFF_EN = 1. |
| [2] | UNDERUN | I2C UNDER RUN Status Bit |
| | 0 = The transmitted FIFO is not under run when the TWOFF_EN = 1. |
| | 1 = The transmitted FIFO is under run when the TWOFF_EN = 1. |
| [3] | WR_STATUS | I2C Read/Write Status Bit In Address Wakeup Frame |
| | 0 = Write command be record on the address match wakeup frame. |
| | 1 = Read command be record on the address match wakeup frame. |
| [4] | FULL | I2C TWO LEVEL FIFO FULL |
| | 0 = TX FIFO no full when the TWOFF_EN = 1. |
| | 1 = TX FIFO full when the TWOFF_EN = 1. |
| [5] | EMPTY | I2C TWO LEVEL FIFO EMPTY |
| | 0 = RX FIFO no empty when the TWOFF_EN = 1. |
| | 1 = RX FIFO empty when the TWOFF_EN = 1. |
| [6] | BUS_FREE | Bus Free Status |
| | The bus status in the controller. |
| | 0 = I2C's "Start" condition is detected on the bus. |
| | 1 = Bus free and it is released by "STOP" condition or the controller is disabled. |
Definition at line 5126 of file Nano1X2Series.h.
◆ TOUT
| __IO uint32_t I2C_T::TOUT |
TOUT
Offset: 0x10 I2C Time-out control Register
| Bits | Field | Descriptions |
| [0] | TOUTEN | Time-Out Counter Enable/Disable Control |
| | 0 = Disabled. |
| | 1 = Enabled. |
| | When set this bit to enable, the 14 bits time-out counter will start counting when INTSTS (I2CINTSTS[0]) is cleared. |
| | Setting flag STAINTSTS to high or the falling edge of I2C clock or stop signal will reset counter and re-start up counting after INTSTS is cleared. |
| [1] | DIV4 | Time-Out Counter Input Clock Divider By 4 |
| | 0 = Disabled. |
| | 1 = Enabled. |
| | When Enabled, the time-out period is extended 4 times. |
Definition at line 4992 of file Nano1X2Series.h.
The documentation for this struct was generated from the following file:


This workshop is presented in partnership between
NCC Bear Library and Zip Code Wilmington
Have fun and ask questions!
| 10:30 - 10:45am | Introductions |
| 10:45 - 12:15pm | Lecture |
| 12:15 - 12:30pm | Break |
| 12:30 - 1:30pm | Lab |
Follow along with today's lecture:
https://dawnmil.github.io/Intro-to-JavaScript-Slides
Class of 2013, University of Delaware
1.0 Graduate, Zip Code Wilmington
Co-organizer, Delaware Java Users Group
Applications Developer, JPMorgan Chase
The standard arithmetic operators are supported, including addition,
subtraction, modulus (or remainder) arithmetic and so forth.
Math.sin(3.5);
var circumference = Math.PI * (r + r);
Convert a string to an integer using the built-in parseInt() function
parseInt("123", 10); // 123
The second argument, the base, is optional but you should always provide it
If you don't provide the base, you can get surprising results in older browsers (pre-2013):
parseInt("010"); // 8
The parseInt() function decided to treat the string as an octal due to leading 0
Converting a binary number to an integer:
parseInt("11", 2); // 3
You can also use the unary + operator to convert values to numbers:
+ "42"; // 42
A special value called NaN (short for "Not a Number") is returned if the string is non-numeric:
parseInt("hello", 10); // NaN
NaN is toxic: if you provide it as an input to any mathematical operation the result will also be NaN:
NaN + 5; // NaN
isNaN(NaN); // true, use built-in function to test for NaN
1 / 0; // Infinity
-1 / 0; // -Infinity
You can test for Infinity, -Infinity and NaN values using the built-in isFinite() function:
isFinite(1/0); // false
isFinite(-Infinity); // false
isFinite(NaN); // false
Sequences of characters
"hello".length; // 5
"hello world".length; // 11
"Hello World!".length; // 12
More accurately, strings are sequences of Unicode characters, with each character represented by a unique numeric value that applies across platforms and programs.
There's our first brush with JavaScript Objects!
Strings have methods just like objects that allow you to manipulate the string and access information about the string:
"hello".charAt(0); // "h"
"hello".charAt(4); // "o"
"hello".length; // 5
"hello, world".replace("hello", "goodbye"); // "goodbye, world"
"hello".toUpperCase(); // "HELLO"
null - indicates a deliberate non-value
undefined - indicates an uninitialized value
var person = null;
var x; // x has undefined type which is a constant
booleans - true/false values
false, 0, empty strings (""), NaN, null, and undefined all become false
All other values resolve to true
Boolean(""); // false
Boolean(234); // true
Boolean operations such as ∓& (logical and), || (logical or), and ! (logical not) are supported;
New variables in JavaScript are declared using the var keyword:
var a;
var name = "simon";
+ - * /
% is the remainder operator, called modulo
Values are assigned using =
Compound assignment statements += and -=
a = 9 % 2; // a = 1
b = 6 % 3; // b = 0
x += 5;
x = x + 5;
++ and -- increment and decrement numeric values respectively
Can be used as prefix or postfix operators.
"hello" + " world"; // "hello world"
If you add a string to a number (or other value) everything is converted in to a string first.
"3" + 4 + 5; // "345"3 + 4 + "5"; // "75"
Adding an empty string to something is a useful way of converting it to a string itself.
<
>
<=
>=
Work for both strings and numbers
Returns a boolean
The double-equals operator performs type coercion if you give it different types, with sometimes interesting results:
123 == "123"; // true
1 == true; // true
123 === "123"; // false
1 === true; // false
There are also != and !== operators.
Coming up..
JavaScript has a similar set of control structures to other languages in the C family.
Conditional statements are supported by if and else
var name = "kittens";
if (name === "puppies") {
name += "!";
} else if (name === "kittens") {
name += "!!";
} else {
name = "!" + name;
}
console.log(name);
// Output:
// kittens!!
While Loop: good for basic looping
while (true) {
// an infinite loop!
}
var input;
do {
input = get_input();
} while (inputIsNotValid(input))
Do-While Loop: the body of the loop is executed at least once
Same as that in C and Java
Lets you provide the control information for your loop on a single line.
for (var i = 0; i < 5; i++) {
// Statements will execute 5 times
}
AND === &&
OR === ||
Whether the second operand is executed is dependent on the first
// if o exists (resolves to true), then checks if o.getName() is true
var name = o && o.getName();
if(o && o.getName()){
var name = o.getName()
}
Or for setting default values:
var name = otherName || "default";
JavaScript has a ternary operator for conditional expressions:
var allowed = (age > 18) ? "yes" : "no";
if (age > 18) {
return "yes";
} else {
return "no";
}
The switch statement can be used for multiple branches based on a number or string:
switch(action) {
case 'draw':
drawIt();
break;
case 'eat':
eatIt();
break;
default:
doNothing();
}
If you don't add a break statement, execution will "fall through" to the next level. This is very rarely what you want — in fact it's worth specifically labeling deliberate fallthrough with a comment if you really meant it to aid debugging:
switch(a) {
case 1: // fallthrough
code here;
case 2:
eatIt();
break;
default:
doNothing();
}
The default clause is optional.
You can have expressions in both the switch part and the cases if you like.
Comparisons take place between the two using the === operator:
switch(1 + 3) {
case 2 + 2:
yay();
break;
default:
neverhappens();
}
Simple collections of name-value pairs.
Similar to:
There are two basic ways to create an empty object:
var obj = new Object(); //
And:
var obj = {}; //object literal syntax; preferred: more convenient, JSON format
Can be used to initialize an object in its entirety:
var obj = {
name: "Carrot",
"for": "Max",
details: {
color: "orange",
size: 12
}
}
//name is a string, value is any JavaScript type value
Attribute access can be chained together:
obj.details.color; // orange
obj["details"]["size"]; // 12
Object prototypes can be used to set up instance creation
function Person(name, age) {
this.name = name;
this.age = age;
}
// Define an object instance of a Person
var you = new Person("You", 24);
obj.name = "Simon";
var name = obj.name;
// And..
obj["name"] = "Simon";
var name = obj["name"];
Second method: good for setting and getting properties with names that are reserved words..
obj.for = "Simon"; // Syntax error, because 'for' is a reserved word
obj["for"] = "Simon"; // works fine
Arrays in JavaScript are actually a special type of object.
Indexes vs. Length
var a = new Array();
a[0] = "dog";
a[1] = "cat";
a[2] = "hen";
a.length; // 3
Indexes typically start at 0
Length is 1 greater than the index
A more convenient notation is to use an array literal:
var a = ["dog", "cat", "hen"];
a.length; // 3
Note that array.length isn't necessarily the number of items in the array. Consider the following:
var a = ["dog", "cat", "hen"];
a[100] = "fox";
a.length; // 101
If you query a non-existent array index, you'll get a value of undefined returned:
var a = ["dog", "cat", "hen"];
a[100] = "fox";
a.length; // 101
typeof a[90]; // undefined
We can use the length to iterate over an array using the following:
for (var i = 0; i < a.length; i++) {
// Do something with a[i]
}
This is slightly inefficient as you are looking up the length property once every loop. An improvement is this:
for (var i = 0, len = a.length; i < len; i++) {
// Do something with a[i]
}
Another way of iterating over an array that was added with ECMAScript 5 is forEach():
["dog", "cat", "hen"].forEach(function(currentValue, index, array) {
// Do something with currentValue or array[index]
});
Arrays come with a number of methods. See also the full documentation for array methods
array.pop()
//Removes and returns the last item.
array.push(item1, ..., itemN)
//Adds one or more items to the end.
array.shift()
//Removes and returns the first item.
array.toString()
//Returns a string of each element separated by commas.
array.join(sep)
//Converts the array to a string — with values delimited by the sep param
array.reverse()
//Reverses the array.
array.concat(item1[, item2[, ...[, itemN]]])
//Returns a new array with the items added on to it.
array.slice(start[, end])
//Returns a sub-array.
array.sort([cmpfn])
//Takes an optional comparison function.
array.splice(start, delcount[, item1[, ...[, itemN]]])
//Lets you modify an array by deleting a section and replacing it with more items.
array.unshift(item1[, item2[, ...[, itemN]]])
//Prepends items to the start of the array.
Along with objects, functions are the core component in understanding JavaScript
function add(x, y) {
var total = x + y;
return total;
}
Takes 0 or more named parameters
Can declare its own variables local to that function
Can return a value, terminating the function
Functions without return statements return undefined
The named parameters turn out to be more like guidelines than anything else. You can call a function without passing the parameters it expects, in which case they will be set to undefined.
add(); // NaN
You can't perform addition on undefined
You can also pass in more arguments than the function is expecting:
add(2, 3, 4); // 5
added the first two; 4 was ignored
Functions have the 'arguments' variable, an array-like object holding all of the values passed to the function
function add() {
var sum = 0;
for (var i = 0, j = arguments.length; i < j; i++) {
sum += arguments[i];
}
return sum;
}
add(2, 3, 4, 5); // 14
That's really not any more useful than writing 2 + 3 + 4 + 5 though.
Let's create an averaging function:
function avg() {
var sum = 0;
for (var i = 0, j = arguments.length; i < j; i++) {
sum += arguments[i];
}
return sum / arguments.length;
}
avg(2, 3, 4, 5); // 3.5
But what if you want to find the average of an array?
You could just rewrite the function as follows:
function avgArray(arr) {
var sum = 0;
for (var i = 0, j = arr.length; i < j; i++) {
sum += arr[i];
}
return sum / arr.length;
}
avgArray([2, 3, 4, 5]); // 3.5
var avg = function() {
var sum = 0;
for (var i = 0, j = arguments.length; i < j; i++) {
sum += arguments[i];
}
return sum / arguments.length;
};
Semantically equivalent to the function avg() form
Enable all sorts of clever tricks. Here's a way of "hiding" some local variables — like block scope in C:
var a = 1;
var b = 2;
(function() {
var b = 3;
a += b;
})();
a; // 4
b; // 2
JavaScript functions are themselves objects — like everything else in JavaScript — and you can add or change properties on them just like we've seen earlier in the Objects section.


Cover is a one-page template for building simple and beautiful home pages. Download, edit the text, and add your own fullscreen background photo to make it your own.
Cover template for boostrap , by @mdo


Airlines Hotel has a beautiful patio surrounded by old banyan trees and a large parking space which acts as a defacto drive-in for this iconic eatery in the heart of Bengaluru.
"... proprietor Diwakar Rao will have you know, mobster Haji Mastan spent two months in room number 47 "after his heyday", MF Hussain doodled on paper napkins for hours that he handed to the waiters, Yeddyurappa held countless meetings before he became CM, and Dr Rajkumar was a breakfast regular". - Bangalore Mirror, India Times
The Dose
Tucked away on a busy Lavelle Road, Airlines Hotel serves a variety of dishes including delectable South Indian snacks. Amongst these is the humble masala dose.  The dose was a perfect golden brown with the red chutney inside and was served with sambar and coconut chutney. It was light and airy. After a momentary dip in the heavenly sambar, it sure did cause a turbulence of flavours in my mouth. My tastebuds fastened their seatbelts for the next morsel. Delicious.
Our Dose?
Recently while walking on a bustling Church Street one Saturday evening, I felt a thin veil of sadness drape over me. As I squeezed past people on the sidewalk, I could hear a lot more Hindi, Marathi and Bengali than I had before. It should not have come to me as a surprise. As the pandemic wanes, multitudes of people who were hired remotely from all over the country have moved into Bengaluru. For this already populous yet extremely welcoming city, I wonder how many more people she can home. You must have heard about her infamous traffic jams, her water woes and unaffordable housing but it has only gotten worse. Yet, people come streaming in. The Silicon Valley of India. A little introspection as I begin eating my dose reveals the source of my mild melancholy. Bengaluru is not mine anymore. Neither is she yours. She is ours and we share her now more than ever. This metropolis has always been an abode for immigrants from all over the state and country. But now as I see new immigrants talk about how perfectly pleasant the weather is on their stroll through Cubbon Park or talk about the startup they work for while enjoying a darshini filter coffee, I feel like a child who is being forced to share his sparkly new toy with a friend during playtime. I should be happy that so many more people are going to be enchanted by this beautiful city and bask in all she has to offer. But I'm scared she will lose her charm. I'm scared she won't be the Bengaluru I know and grew up in. These thoughts flood my head and as a first-generation city immigrant myself, I attempt to undrape this veil. Just like my parents did some twenty-five years ago, these people are here for better opportunities or to advance their careers or simply for the challenge a change in cities entails. Whatever it is, I know one thing for sure. Bengaluru has a huge heart. Her stunning sunsets and tiffin rooms are for everyone. Now more than ever.


Note: To complete these procedures, you must be assigned a role having the necessary permissions. To determine your role, follow the directions in Participant roles. For a basic understanding of roles and permissions, see Permissions and roles: Overview.
The template settings in Forums apply by default each time you create a new forum or topic, although you can override the default settings for each specific forum or topic as you create or revise them (see Creating new forums and topics or Revising or deleting a forum or topic). To change the template settings that will apply to all future forums and topics:
Forums
, and then
click Template Settings
.
Save
to save your changes.


Your account has successfully been created. You can now share your projects and have them reviewed by other users, as well as review other projects. Regards, The Awwwards Team.


JJ Escandor
Hi there 👋, I'm an accomplished professional with a decade of technical experience in the military and the private sector. My domain of expertise includes program management, software/systems engineering, and consulting.
About Me
- I'm a US Navy veteran, a Systems Engineer and a Defense Consultant. I spent my Naval career as a Systems and Logistics Analyst. I was deployed to the Middle East aboard USS Truman and Djibouti, Africa. I also spent a tour overseas in Japan. I currently live in Virginia Beach, Va with my dog Kai and my cat Luna.
- I have an associates degree in Computer Science from the University of Maryland. I am currently pursuing a bachelor's degree in Computer Science from Florida International University as well as a software development certification from Code Fellows.
- My goal is to leverage my technical and management experience in building ethical and sustainable technology and business model. As the pace and scale of innovation accelerates and our technology matures, heading into block chain, machine learning and artificial intelligence, we need to cultivate a collective awareness and movement about technology that is sustainable, empathetic and ethical. The next disruption in technology should improve our way of life and bring the best expression of our humanity.
- Fun facts about me. One of my favorite songs is "Both Sides Now" by Joni Mithell. It is hauntingly poetic and beautiful. One of my hobbies is gardening. I dabble into painting, mainly using oil and acrylic. Check out my Instagram to see some of my work. I love to listen to podcast on my way to work and music on the way home.
Favorite places that I've visited
- Maui, Hi 🇺🇸
- Kyoto, Japan 🇯🇵
- Albay, Philippines 🇵🇭
- Oslo, Norway 🇳🇴
- Dubai, UAE 🇦🇪
- Singapore, Singapore 🇸🇬
- Sevilla, Spain 🇪🇸
- Reykjavik, Iceland 🇮🇸
- Chania, Greece 🇬🇷
- Palermo, Italy 🇮🇹


Invite sent to<EMAIL_ADDRESS>{% include "includes/account-name-number.html" %}Team members
This is a page that confirms the person was added, asks if they want to keep adding and setting up their team, or keep going/
This is a page that confirms the person was added, asks if they want to keep adding and setting up their team, or keep going/


F1 2019 1.18 update out now, patch notes here
by Aran SuddiCodemasters has released update 1.18 for F1 2019 for all platforms. The patch has brought in features such as being able to save custom camera setups by car, more detailed notifications about grid penalties, assists will now carry over to the race, in multiplayer people will be able to view each other’s super license on session list screen, and in leagues users will receive a notification of the amount of applications in waiting.
The full patch notes are below.
- GENERAL – Added the ability to save custom camera setups per cars
- GENERAL – Addressed an issue where audio could periodically drop out between sessions
- EVENTS – Addressed an issue where assists set in the weekly event would not carry into the race
- LEAGUES – User is now notified how many applications are waiting
- CAREER – User will now receive a mail detailing why they received a grid penalty
- CAREER – User will now be notified which F1 teams they are affiliated with if they selected a driver academy
- CAREER – User can now see who gained the fastest lap throughout the season on the season results tab
- MULTIPLAYER – Users can now view a player’s super license on the session list screen
Two customization bundles have also been released with these being an Abu Dhabi content pack that has a livery, helmet, and badge. There is also a Holiday pack that will have Christmas themed designs. In our F1 2019 review Thomas wrote:
While F1 2019 adds features from the all-time bucket list of many an F1 fan, these new additions aren’t quite fully formed yet. This still managed to be the best Formula 1 game by Codemasters to date – the handling of the F2 cars and new online modes are genre defining – but there is always scope for further improvements and some areas are now beginning to feel a little stale. Video gamers can be so demanding sometimes.
You can read the F1 2019 review here.
Source: Codemasters


PicketLink Example - Security Console
Security Console
Welcome, #{identity.user.id}!
Change password
|


BULWORTH (20th Century Fox) Starring: Warren Beatty, Halle Berry, Oliver Platt, Don Cheadle. Screenplay: Warren Beatty and Jeremy Pikser. Producers: Warren Beatty and Pieter Brugge. Director: Warren Beatty. MPAA Rating: R (profanity, drug use, some violence, adult themes) Running Time: 107 minutes. Reviewed by Scott Renshaw.
 He has a breakdown, and as part of that breakdown he starts telling the truth, the outrageous and unexpurgated truth, consequences be damned. Naturally, the public responds to this unusual display of candor, and the teller of the truth becomes a sort of folk hero, much to the consternation of corporate America.
That's the basic premise of a 1990 comedy called CRAZY PEOPLE, in which Dudley Moore plays an advertising executive who snaps his cap and starts turning out product slogans like "Volvo -- They're boxy, but they're good." It's also the premise of BULWORTH, in which Warren Beatty plays a Democratic Senator from California named Jay Billington Bulworth who snaps his cap during a re-election campaign and starts making colorful statements about his constituents in the African-American and film-making communities, among others. With three days left before the California primary, a CNBC news crew following his every move and his Chief of Staff (Oliver Platt) watching in helpless horror, Bulworth decides to go out in a blaze of honesty after taking out a contract on his own life.
CRAZY PEOPLE was less than completely successful because it didn't have a shred of story to offer once you got past the admittedly hilarious snippets of truth in advertising. BULWORTH is less than completely successful because it has _too much_ story, none of it in keeping with the frivolous, politically incorrect tone of its trailers. It turns out that Jay Bulworth is a crushed idealist, a one-time activist turned mainstream party drone. Beatty crafts a solid opening as we see Bulworth reduced to tears while watching a videotaped compendium of his television spots bashing affirmative action, preaching family falues and mouthing platitudes about "standing on the doorstep of a new millennium." Though he launches his uncensored commentary from a suicidal indifference to the future, he finds himself re-energized by speaking from his true principles, eventually trying to end the contract on his life so he can continue delivering his message.
It's a dark and provocative tale, one which could easily turn off viewers who come in expecting something completely different. Beatty uses BULWORTH as a soapbox for old-school Democratic ideology, criticizing the influence of big business and promoting single-payer health care. Though he deftly inserts most of his social commentary into rap-style lyrics -- somehow a rapped lecture sounds less like a lecture -- it's still an aggressive attack on the Powers That Be as Beatty sees them. Add to this a tentative romance between Bulworth and a young black woman (Halle Berry), the intrusion of the hit-man sub-plot and even a bit of fish-out-of-water comedy as Bulworth hides out in the 'hood, and you end up with a film that's more jittery than edgy. BULWORTH keeps lashing out in search of its tone -- one moment goofy and irreverent, the next moment grim and pedantic.
There's nothing inherently wrong with a comedy delivering its goods unconventionally, provided the goods are delivered. There are plenty of comic high points in BULWORTH, including Platt's superb performance as Bulworth's ever-more-frantic right hand man and the shoot-from-the-hip speeches already showcased in previews. But there's also a sense that Beatty wants to lure people in with comedy so he can hit them over the head with his politics. Even if you agree with those politics, you may find BULWORTH leaving a strange and unpleasant aftertaste; you'll know you've seen an interesting film, but you may feel cheated by the kind of film you got. I suspect viewers will wish they'd seen more of Bulworth's comic rantings. Perhaps this ad campaign could have used a dose of CRAZY PEOPLE's truth in advertising.
On the Renshaw scale of 0 to 10 mack senators: 6.
Visit Scott Renshaw's MoviePage http://www.inconnect.com/~renshaw/ *** Subscribe to receive new reviews directly by email! See the MoviePage for details, or reply to this message with subject line "Subscribe".
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


1. Razor template engine
The code with razor engine looks much cleaner than with webform's engine, for example:
// webform's template engine
<% if(i == 1)
{ %>

<%= i %>

<% }
else
{ %>
<%= i %>
<% } %>
// razor template engine
@if(i == 1)
{

@i

}
else
{
@i
}
2. Partial View
The same html from different views can be extracted to a common partial view, which can be used like this:
@Html.Partial("Pagination")
3. Use fluent validation rather than model validation
You can find details at codeplex.
4. Convention over configuration
Convention over configuration (also known as coding by convention) is a software design paradigm which seeks to decrease
the number of decisions that developers need to make, gaining simplicity, but not necessarily losing flexibility.
Asp.net MVC use the paradigm.
4.1 Controller's name must end with Controller, and controller must extend "Controller" class
For example, XyzController is fine.
4.2 In a controller, action's return value must be ActionResult, or its derived class's object
4.3 In a action, return View(); means return a View
For example, in "Abc" action from "XyzController", it will return the view from "~/Views/Xyz/Abc.cshtml" or
"~/Views/Shared/Abc.cshtml". The views from "~/Views/Shared/" can be accessed by all controllers.
And "return View("Def")" means return the view from "~/Views/Xyz/Def.cshtml" or "~/Views/Shared/Def.cshtml".
5. Various return type
Here is ActionResult class and its derived class from
msdn.
6. Work with webform and static html
In RouteConfig class, add some codes to do that:
routes.IgnoreRoute("{resource}.axd/{*pathInfo}");
routes.IgnoreRoute("{resource}.html/{*pathInfo}");
routes.IgnoreRoute("{resource}.aspx/{*pathInfo}");
routes.IgnoreRoute("{resource}.ashx/{*pathInfo}");
routes.MapRoute(
name: "Default",
url: "{controller}/{action}/{id}",
defaults: new { controller = "Home", action = "Index", id = UrlParameter.Optional }
);
7. Cache
In an action, add an OutPutCache attribute, for example, I want the cache time of "Abc" action from "XyzController" is
20 seconds:
[OutputCache(Duration = 20)]
public ActionResult Abc()
{
return View();
}
8.Authorization and Form authentication
In "Web.config" file, the configuration is the same as in webform:
<system.web>
<authentication mode="Forms">
<forms loginUrl="~/Account/Login" defaultUrl="~/Home/Index" protection="All" />
</authentication>
</system.web>
And for an action, add an Authorize attribute :
[Authorize]
public ActionResult Abc()
{
return View();
}
After that, if "Abc" action is visited without authentication, it will redirect to "~/Account/Login" with return url of
"Abc"'s url, and if "~/Account/Login" is visited directly, the return url will be "~/Home/Index".


{% extends "base.html" %} {% block title %}Manage Locations - ToolShare{% endblock %} {% block content %} {% include "navigation.html" %}
You need to have more than one address


Wing It!
Share
Explore
Share Your Event
Event Name
Wing
Select Next House Wing
2E
2W
3E
3W
4E
4W
5E
5W
Cost
Preparation time
Duration
Description
Upload image of event
Submit
Your event has been successfully created!


public interface MusicOperations
| Modifier and Type | Method and Description |
|---|---|
void |
addNote(Octave o,
NoteType nt,
int start,
int end)
Adds a note from beats
start to end at pitch
specified by octave o and note type nt . |
void |
addNote(Octave o,
NoteType nt,
int start,
int end,
int instrument,
int loudness)
Adds a note of from beats
start to end at pitch
specified by octave o and note type nt . |
void |
addRepeat(RepeatInstr r)
Addes a repeat instruction to this piece of music.
|
void |
appendSheet(MusicOperations m)
Appends the sheet of notes represented in
m to the end of this sheet. |
void |
changeNote(Octave o,
NoteType nt,
int oldStart,
int oldEnd,
int newStart,
int newEnd)
Changes the start or end beats for the specified note.
|
void |
consoleRender()
Renders the sheet of music notes to the console.
|
int |
getLastBeat()
Gets the last beat of this sheet.
|
java.util.ArrayList<PitchSequence> |
getPitches()
Get the list of
PitchSequence s. |
java.util.ArrayList<RepeatInstr> |
getRepeats()
Get the list of
RepeatInstr s for this piece of music. |
java.lang.String |
getSheet()
Gets the string representation of this music player's sheet of notes.
|
void |
mergeSheet(MusicOperations m)
Merges the sheet of notes represented in
m . |
void |
removeNote(Octave o,
NoteType nt,
int start,
int end)
Removes the note from beats
start to end at the pitch
specified by octave o and note type nt . |
RepeatInstr |
repeatAt(int beat)
Gets the repeat instruction that contains the given beat.
|
void |
resetRepeats()
Resets all repeat instructions to uncompleted.
|
void addNote(Octave o, NoteType nt, int start, int end)
start
to end
at pitch
specified by octave o
and note type nt
.o
- the octave to add tont
- the note type to add tostart
- the start beat of the noteend
- the end beat of the notevoid addNote(Octave o, NoteType nt, int start, int end, int instrument, int loudness)
start
to end
at pitch
specified by octave o
and note type nt
. Allows creation of a note
with a specified instrument
and loudness
.o
- the octave to add tont
- the note type to add tostart
- the start beat of the noteend
- the end beat of the noteinstrument
- the instrument to playloudness
- the loudness to play note atvoid addRepeat(RepeatInstr r) throws java.lang.IllegalArgumentException
r
- the repeat instruction to addjava.lang.IllegalArgumentException
- if the addition causes a nested repeat or is out of bounds.void resetRepeats()
RepeatInstr repeatAt(int beat)
beat
- desired beatvoid removeNote(Octave o, NoteType nt, int start, int end) throws java.lang.IllegalArgumentException
start
to end
at the pitch
specified by octave o
and note type nt
.o
- the octave to remove fromnt
- the note type to remove fromstart
- the start of the noteend
- the end of the notejava.lang.IllegalArgumentException
- if start
or end
are invalid, or there
is no Note
to remove.void changeNote(Octave o, NoteType nt, int oldStart, int oldEnd, int newStart, int newEnd) throws java.lang.IllegalArgumentException
o
- the octave to changent
- the note type to changeoldStart
- the original start positionoldEnd
- the original end positionnewStart
- the new start positionnewEnd
- the new end positionjava.lang.IllegalArgumentException
- if there is no note to move, or one of the
location parameters are invalid.void mergeSheet(MusicOperations m)
m
.
MusicOperation
s sheet.m
- the sheet of notes to mergevoid appendSheet(MusicOperations m)
m
to the end of this sheet.m
- the sheet of notes to appendjava.lang.String getSheet()
java.util.ArrayList<PitchSequence> getPitches()
PitchSequence
s.java.util.ArrayList<RepeatInstr> getRepeats()
RepeatInstr
s for this piece of music.int getLastBeat()
void consoleRender()


Submit changes instantly. For more information about submitting your changes to a database, see Submit changes to a database.


{% extends "base.html" %} {% block page_content %}
The HCC Engineering Society is a student government organization for students interested in learning about the various fields of engineering. The purpose of the Engineering Society is to provide a platform for potential engineering students, to inform and broaden their knowledge of engineering topics and fields, and to facilitate peer networking.
For spring 2021, we are meeting on Fridays from 10:30 am - 11:30 PM on our Discord channel. Look for the link below. Our Programming Workshop group will meet on Fridays on Discord from 9:30 am to 10:30 am.
If you would like more information, please contact one of the following individuals:
Meet us on Discord: https://discord.gg/SNGMNbx
{% endblock %}


Hardin:
Ah, you're back! Do you bring news of Hindemith?
"Hindemith hasn't allied with Lich King Akron."


|
RandomLib
|
Return or multiply by powers of 2. More...
#include <RandomLib/RandomPower2.hpp>
Public Types | |
| enum | { minpow = -64, maxpow = 64 } |
Static Public Member Functions | |
| template<typename RealType > | |
| static RealType | pow2 (int n) throw () |
| template<typename RealType > | |
| static RealType | shiftf (RealType x, int n) throw () |
Return or multiply by powers of 2.
With some compilers it's fastest to do a table lookup of powers of 2. If RANDOMLIB_POWERTABLE is 1, a lookup table is used. If RANDOMLIB_POWERTABLE is 0, then std::pow is used.
Definition at line 27 of file RandomPower2.hpp.
| anonymous enum |
| minpow |
Minimum power in RandomPower2::power2 |
| maxpow |
Maximum power in RandomPower2::power2. |
Definition at line 56 of file RandomPower2.hpp.
| static RealType RandomLib::RandomPower2::pow2 | ( | int | n | ) | throw () [inline, static] |
Return powers of 2 (either using a lookup table or std::pow)
| [in] | n | the integer power. |
Definition at line 35 of file RandomPower2.hpp.
| static RealType RandomLib::RandomPower2::shiftf | ( | RealType | x, |
| int | n | ||
| ) | throw () [inline, static] |
Multiply a real by a power of 2
| RealType | the type of x. |
| [in] | x | the real number. |
| [in] | n | the power (positive or negative). |
Definition at line 51 of file RandomPower2.hpp.