CoreUsefulSDK for iOS
A most useful SDK written for iOS Projects.
Check out the docs/index.html
file to explore all useful methods.
Installation
CoreUsefulSDK uses new Swift Package Manager which is easiest way introduced for iOS projects since from the beginning.
From Xcode simply select File > Swift Packages > Add Package Dependency...
and paste https://github.com/exozet/iOSCoreUsefulSDK
to search field. You can specify rules according to your preferences and you are ready to use.
Useful Extensions Collection
The library itself contains more than 100 extensions, which are not only as a placeholder, but really useful to contain.
Still in progress.
Array Extensions (Available iOS, Apple TV, watchOS, macOS)
func get(index: Int) -> Element?
Returns element at the index, if index is valid.
func insert(_ nullableElement: Element?)
Appends element to array if its not nil
. So that, you don’t need to check beforehand.
func insert(_ nullableArray: [Element]?)
Appends elements into the current array.
static func + (Array<Element>, Element?) -> Array<Element>
// example usage
let newArray = ["1", "2", "3"] + "4"
Inserts the element into given array by using +
operator.
static func += (Array<Element>, Element?)
// example usage
var array = ["1", "2", "3"]
array += "4"
Inserts the element into given array by using +=
operator.
AVPlayer Extensions (Available iOS, Apple TV, macOS)
var isPlaying: Bool
Checks rate and error state of the player, and returns true
if player conforms and started to play.
Bundle Extensions (Available iOS, Apple TV, watchOS, macOS)
class var versionInfo: String
Returns user friendly app version string.
CGSize Extensions (Available iOS, Apple TV, watchOS, macOS)
static func - (CGSize, CGFloat) -> CGSize
Reduces the width and height with the given amount.
// How to use:
let size = CGSize(width: 5, height: 5)
let newSize = size - 3
static func + (CGSize, CGFloat) -> CGSize
Increases the width and height with the given amount.
// How to use:
let size = CGSize(width: 5, height: 5)
let newSize = size + 3
static func += (CGSize, CGSize) -> CGSize
Adds right handside to left handside.
// How to use:
var size = CGSize(width: 5, height: 5)
size += CGSize(width: 3, height: 3)
static func -= (CGSize, CGSize) -> CGSize
Decreases the size with the given right handside.
// How to use:
var size = CGSize(width: 5, height: 5)
size -= CGSize(width: 3, height: 3)
static func += (CGSize, CGFloat) -> CGSize
static func += (CGSize, Double) -> CGSize
static func += (CGSize, Int) -> CGSize
Adds right handside to left handside.
// How to use:
var size = CGSize(width: 5, height: 5)
size += 3
static func -= (CGSize, CGFloat) -> CGSize
static func -= (CGSize, Double) -> CGSize
static func -= (CGSize, Int) -> CGSize
Decreases the size with the given right handside.
// How to use:
var size = CGSize(width: 5, height: 5)
size -= 3
CGPoint Extensions (Available iOS, Apple TV, watchOS, macOS)
static func + (CGPoint, CGFloat) -> CGPoint
Increases the X and Y points with the given amount.
// How to use:
let point = CGPoint(x: 5, y: 5)
let newPoint = point + 3
static func - (CGPoint, CGFloat) -> CGPoint
Reduces the X and Y points with the given amount.
// How to use:
let point = CGPoint(x: 5, y: 5)
let newPoint = point - 3
static func + (CGPoint, CGPoint) -> CGPoint
Adds two point.
// How to use:
let newPoint = CGPoint(x: 5, y: 5) + CGPoint(x: 3, y:3)
static func - (CGPoint, CGPoint) -> CGPoint
Reduces the point with the given point.
// How to use:
let newPoint = CGPoint(x: 5, y: 5) - CGPoint(x: 3, y:3)
func += (CGPoint, CGPoint) -> CGPoint
Adds right handside to left handside.
// How to use:
var point = CGPoint(x: 5, y: 5)
point += CGPoint(x: 3, y: 3)
static func -= (CGPoint, CGPoint) -> CGPoint
Decreases left handside with right handside.
// How to use:
var point = CGPoint(x: 5, y: 5)
point -= CGPoint(x: 3, y: 3)
static func += (CGPoint, CGFloat) -> CGPoint
static func += (CGPoint, Double) -> CGPoint
static func += (CGPoint, Int) -> CGPoint
Adds right handside to left handside.
// How to use:
var point = CGPoint(x: 5, y: 5)
point += 3
static func -= (CGPoint, CGFloat) -> CGPoint
static func -= (CGPoint, Double) -> CGPoint
static func -= (CGPoint, Int) -> CGPoint
Decreases the size with the given right handside.
// How to use:
var point = CGPoint(x: 5, y: 5)
point -= 3
CLLocation Extensions (Available iOS, Apple TV, watchOS, macOS)
init(coordinate: CLLocationCoordinate2D)
Initializes the location object with the given coordinates.
CLLocationCoordinate2D Extensions (Available iOS, Apple TV, watchOS, macOS)
var logDescription: String
Represents latitude and longitude information in a readable way.
static func == (CLLocationCoordinate2D, CLLocationCoordinate2D) -> Bool
CLLocationCoordinate conforms equality, and gives possibility to compare two of them.
CLLocationDegrees Extensions (Available iOS, Apple TV, watchOS, macOS)
var inMeters: Double
Converts Degrees into meters value.
CMTime Extensions (Available iOS, Apple TV, macOS)
func getTimeLabel() -> String
Returns readable time tabel from minutes and seconds. (e.g. XX:XX)
static func + (CMTime, TimeInterval) -> CMTime
Returns CMTime with adding specified interval.
// How to use:
let newTime = CMTime(seconds: 50, preferredTimescale: .min) + 50
static func - (CMTime, TimeInterval) -> CMTime
Returns CMTime with decreasing specified interval.
// How to use:
let newTime = CMTime(seconds: 50, preferredTimescale: .min) - 50
static func += (CMTime, TimeInterval) -> CMTime
Adds time interval to CMTime object.
// How to use:
var time = CMTime(seconds: 50, preferredTimescale: .min)
time += 50
static func -= (CMTime, TimeInterval) -> CMTime
Decreases CMTime object with the given time interval.
// How to use:
var time = CMTime(seconds: 50, preferredTimescale: .min)
time -= 50
Date Extensions (Available iOS, Apple TV, watchOS, macOS)
func isSameDay(Date) -> Bool
Returns true
, if it belongs to the same day with the given date value.
func format(String) -> String
Returns date object with the given format as string.
var isToday: Bool
Returns true
if date corresponds today.
var isYesterday: Bool
Returns true
if date corresponds yesterday.
var isTomorrow: Bool
Returns true
if date corresponds tomorrow.
var isTheDayAfterTomorrow: Bool
Returns true
if date corresponds the day after tomorrow.
Double Extensions (Available iOS, Apple TV, watchOS, macOS)
func rounded(Int) -> Double
Rounds the double to decimal places value.
Int Extensions (Available iOS, Apple TV, watchOS, macOS)
var asFahrenheit: Int
Converts the integer format Celcius into the Fahrenheit.
var asCelcius: Int
Converts the integer format Fahrenheit into the Celcius.
MKMapView Extensions (Available iOS, Apple TV, macOS)
func setCenter(offset: CGPoint, coordinate: CLLocationCoordinate2D, animated: Bool) -> Double
Sets center of the mapview with the given offset.
func edgePoints(dx: CGFloat, dy: CGFloat) -> Edges
Converts Edge points with the given insets.
NSAttributedString Extensions (Available iOS, Apple TV, watchOS, macOS)
Dictionary Extensions (Available iOS, Apple TV, watchOS, macOS)
NSError Extensions (Available iOS, Apple TV, watchOS, macOS)
NSObject Extensions (Available iOS, Apple TV, watchOS, macOS)
String Extensions (Available iOS, Apple TV, watchOS, macOS)
UIAlertAction Extensions (Available iOS, Apple TV)
UIAlertController Extensions (Available iOS, Apple TV)
UIApplication Extensions (Available iOS, Apple TV)
UICollectionView Extensions (Available iOS, Apple TV)
UIColor Extensions (Available iOS, Apple TV, watchOS)
UIDevice Extensions (Available iOS, Apple TV)
UIFont Extensions (Available iOS, Apple TV, watchOS)
UILabel Extensions (Available iOS, Apple TV)
UIStatusBarStyle Extensions (Available iOS)
UITableView Extensions (Available iOS, Apple TV)
UIView Extensions (Available iOS, Apple TV)
URL Extensions (Available iOS, Apple TV, watchOS, macOS)
UIKit Localizations Extensions (Available iOS, Apple TV)
All UI elements, have inspectable variable for the texts that might useful to have direct setter for localized
string.
Logging Manager
All services that are part of the UsefulSDK or any other service in the app level can use, LoggingManager
service to pass messages.
The listener class from the app-level should be set into LoggingManager.delegate
property, which also needs to conform LoggingDelegate
protocol, and can receive messages via log:message:level:domain:source:
method.
LogLevel
Each messages from the LoggingManager
carry their level, e.g. importance.
/// minimum level of logs
case verbose
/// standard level of logs
case info
/// warning level
case warning
/// level for error logs
case error
LogDomain
In order to messages do more sense, also all messages carry their specified domain informations, e.g. which kind of part of the application/service responsible for it.
/// app domain
case app
/// view domain
case view
/// layout domain
case layout
/// controller domain
case controller
/// routing domain
case routing
/// service domain
case service
/// network domain
case network
/// data model domain
case model
/// cache domain
case cache
/// database domain
case db
/// input/output domain
case io


Personal information
FIRST NAME*
LAST NAME*
EMAIL ADDRESS*
SIGN UP FOR NEWSLETTERS
Login information
PASSWORD*
CONFIRM PASSWORD*
submit


"About what?"
The little fish inquires, finally giving you a chance to reply.
Well, you say. I think the big fish has woken up, noticed that his hat is gone, and knows it was you who took it. I think you should give it back. Or at least leave it on the ground someplace where you are not.
"No Way!"
The little fish exclaims.
"Even if all that were to happen, there is no way he would know where I am going."
With that, the little fish looks left and right before continuing.
"But, I will tell you where I am going. I am going where the plants grow big and tall and close together. It's very hard to see in there. Nobody will ever find me, and it's right over there!"
The little fish excitedly points his fin to the left. There you see a dense underwater plant forest growing.
"Even if someone besides you knew where I was going, they wouldn't tell."
With that, he gives a hard stare towards your right foot. You look down and see a crab standing beside you. Oh, Hi. Didn't see you there, you say to the crab. The crab looks at you and then back at the little fish. Then the little fish continues his speech.
"I know it's wrong to steal a hat. I know, and it does not belong to me. But I am going to keep it. It was too small for him anyway, and it fits me just right. So, I'm off! Thanks for admiring my hat!"


#{extends 'main.html' /} #{set title:'Search project claims' /} #{projectsMenuBar user: user, selected: 'all'/} #{if projects.empty}
| ${project.moduleName} | #{user project.owner, img: true /} | #{projectStatus project.status /} | #{projectActions user: user, project: project/}


Docker Images tracking the stable Galaxy releases
Table of content
If the desired tools are already included in the Tool Shed, building your own personalised Galaxy docker Image (Galaxy flavour) can be done using the following steps:
Dockerfile
FROM bgruening/galaxy-stable
at the top of the file. This means that you use the Galaxy Docker Image as base Image and build your own extensions on top of it.my_tool_list.yml
below). See this page for the file format requirements.docker build -t my-docker-test .
docker run -p 8080:80 my-docker-test
http://localhost:8080
For a working example, have a look at these Dockerfiles.
# Galaxy - deepTools
#
# VERSION 0.2
FROM bgruening/galaxy-stable
MAINTAINER Björn A. Grüning<EMAIL_ADDRESS>ENV GALAXY_CONFIG_BRAND deepTools
# The following two lines are optional and can be given during runtime
# with the -e http_proxy='http://yourproxyIP:8080' parameter
ENV http_proxy 'http://yourproxyIP:8080'
ENV https_proxy 'http://yourproxyIP:8080'
WORKDIR /galaxy-central
RUN add-tool-shed --url 'http://testtoolshed.g2.bx.psu.edu/' --name 'Test Tool Shed'
# Install Visualisation
RUN install-biojs msa
# Adding the tool definitions to the container
ADD my_tool_list.yml $GALAXY_ROOT/my_tool_list.yml
# Install deepTools
RUN install-tools $GALAXY_ROOT/my_tool_list.yml
# Mark folders as imported from the host.
VOLUME ["/export/", "/data/", "/var/lib/docker"]
# Expose port 80 (webserver), 21 (FTP server), 8800 (Proxy)
EXPOSE :80
EXPOSE :21
EXPOSE :8800
# Autostart script that is invoked during container start
CMD ["/usr/bin/startup"]
or the RNA-workbench.
The RNA-workbench has advanced examples about:
setup-data-libraries -i $GALAXY_ROOT/library_data.yaml -g http://localhost:8080
-u $GALAXY_DEFAULT_ADMIN_USER -p $GALAXY_DEFAULT_ADMIN_PASSWORD
The actual data is references in a YAML file similar this one.
workflow-install --workflow_path $GALAXY_HOME/workflows/ -g http://localhost:8080
-u $GALAXY_DEFAULT_ADMIN_USER -p $GALAXY_DEFAULT_ADMIN_PASSWORD
Where all Galaxy workflows needs to be in one directory, here the $GALAXY_HOME/workflows/
.
run-data-managers -u<EMAIL_ADDRESS>-p admin -g http://localhost:8080
--config data_manager_rna_seq.yaml
The data-managers can be configured and specified in a YAML file similar to this one.
If you host your flavor on GitHub consider to test our build with Travis-CI. This project will help you:
https://github.com/bgruening/galaxy-flavor-testing


Jeremiah 2:15
The young lions roared upon him, and yelled, and they made his land waste: his cities are burned without inhabitant.


The face of Indian hairstyling, Ahmed is renowned for his association with fashion and film celebrities. Innately a creative, flamboyant and vivacious person, he is an ultimate optimist with an amazing zest for life.
Back in the late 1940s, Ahmed's grandfather was appointed as the official barber to the President of India, and also cut the hair of Lord Mountbatten, Pandit Jawaharlal Nehru and other dignitaries. This is how hairstyling became not just a profession, but also a passion that runs in the Ahmed's family. He remained a keen observer and learnt a lot from his father and grandfather. Later, after studying French literature in Delhi, he went to London’s Morris School of Hair Design specializing in Hair Coloring & Setting and Dressing Out.
Ahmed believes that education can add value to any profession. That is why, he started a chain of academies where young hair stylists are trained and moulded every day. Not only are they taught the intricacies of hair styling, but are also trained on providing excellent service experience to the customers.
He believes that learning is a never-ending process, and hence, encourages brushing up one’s skills and knowledge every once in a while. In fact, he, too, hones his skills and keeps learning every day. He attributes success in this profession largely to education.


Made with CSS
a collection of experiments made exclusively in css
Experiment #1
Hover Effect
unsplash-logo
Jared Rice
Experiment #2
Drag to reveal
unsplash-logo
Sayan Nath
Experiment #3
Frosted Glass
Kid, you'll move mountains.
unsplash-logo
Bailey Zindel


I'm a Front-End Developer actively looking for opportunities in the software development field. I have serious passion for UI/UX design, effect, animations and creating intuitive, dynamic user experiences. Let's make something special.
Keen learner, enthusiastic & technoid looking for developing new skills in challenging environment and wants to seek future potential in cutting edge technologies to change ideas into reality.
Strong professional with a Bachelor of Technology 🎓 focused in Computer Science & Engineering 💻 with the aggregate of 8.07 CGPA in Session (2017-21) from ➯
ResumeFront-End devlopment & UI/UX Design
We love to design apps for your prefrence
Location based advertisement for the promotional work
I have done some major projects in the area of Web Devlopment, Machine learning projects.
Experienced Specialist with a demonstrated history of working in the Software devlopment.
GitHubHave a question or want to work together?


Hi
Just got my new Pi B+ and started with the full low write ready to go emonCMS ISO file on a 16GB card.
It boots up into the config, but here I'm unable to extend the partition, unable to change password, unable to change anything it all fails with different errors.
I then downloaded the official raspbian ISO, booted and went through all config steps. No problem.
Okay. it might be an error first time. Flashed the emonCMS ISO again. booted but still not able to change anything.
Has someone tried the ISO lately? it is dated 13-08-14
Thanks
Re: problem with ISO
See this thread about using raspi-config from earlier today.
Re: problem with ISO
thanks.
But, not to offend anybody, why isn't it fixed in the so-called ready to go image? it doesn't seem to have been tested at all if it fails at the first input. It will save all you guys a lot of time and it has been around for some months now.
Re: problem with ISO
and I would love to do the testing of the ISO and documentation, but I don't have the knowledge to make the new ISO
Re: problem with ISO
Now i was able to configure it. Thanks.
I set it to boot to GUI. but now it just boots into a black screen.
Re: problem with ISO
Hi haden,
Setting the "raspi-config" flag so that the menu doesn't pop up is on my "wish list" for the next image which hopefully isn't too far away. This hasn't really been seen as an issue previously probably because 99.99% of OEM users use the Pi (for this application) via ssh and so they do not see the menu.
The extending of partitions and expanding rootfs will continue to be an issue as it's a complex subject that raspi-config can automate if several criteria are met which basically amount to a very basic 2 partition set-up on a SD card, once you move outside those parameters, which we do by having a 3rd partition or a harddrive, raspi-config doesn't know what to do and therefore leaves it to the user to sort out, it's really aimed at basic systems and new users etc.
Glad you got it sorted
Re: problem with ISO
Thanks. if you need someone to test i be glad to help.
Is the screen supposed to be black when booted to desktop?
Re: problem with ISO
The "boot to desktop" mode will only work if there is a screen/keyboard connected or you use a vnc "remote desktop", It should open to a "Desktop" with a taskbar, desktop icons and a huge raspberry with a white background by default. If you start without "boot to desktop" mode enabled or just ssh in from another PC it will open a terminal window, which is all black with a command prompt, from the command prompt you can use the "startx" command to start the desktop (not over ssh)
Early adopters & testers are always welcome as is their feedback, I'm sure Trystan will announce when a new image is in the making or available.
Paul
Re: problem with ISO
I have attached the Pi to a TV using HDMI, no problem seeing the initial boot process but as it should switch to desktop it goes to a black screen. Trying with Raspbian I get a nice desktop.
Currently there is only attached keyboard/mouse and the TV as monitor
Re: problem with ISO
Is there a command prompt ? if so what happens if you type run "startx" ?
I can't say I've ever booted the "SD card image" to a desktop directly and I can't currently get a monitor to a Pi to try it, Are there any error messages in the initial boot process ?
Re: problem with ISO
There is no prompt
I will take a second look for errormessages tonight.
Re: problem with ISO
no errors during boot.
The last line it writes before going black is: Starting RPI
Re: problem with ISO
Okay did a reflash of the image and attached it to the network. I'm able to SSH to it, and it seems to be browsable :-) but still not able to see anything on the video output. could be nice if you have a screen attached.
Re: problem with ISO
Unfortunately I'm not able to do any experimenting with a screen at the moment but I have previously used a screen with read-only Raspbian although I cannot recall what mode it was in at the time maybe it was in write mode, I cannot be sure.
Since reflashing have you tried setting raspi-config ? 1st time round you got some errors, which may of had implications that hung around after you put it in write mode. with a screen and keyboard try
skipping raspi-config menu at start up by exiting menu
log-in at the command prompt
switch to write mode using "rpi-rw" command
try manually starting gui desktop using "startx" command
if that doesn't work there may be something set in the "image" preventing it working
If does work and takes you to the desktop it's likely to either be an issue booting into desktop in read-only mode or it was just a problem caused by previously running raspi-config while in read-only mode, so try
"logging out" of gui to command prompt
confirm still in write mode using "rpi-rw"
set "boot to desktop" in the menu by using "sudo raspi-config" command
exit menu and reboot
if it works, fantastic if not you may need to either run in write mode full time or find a work around like editing the auto-start script if you can locate it to issue "rpi-rw" before "startx"
Sorry I can't be more specific, or even sure of what i'm suggesting
Paul


Lazarus Aaronson
Lazarus Leonard Aaronson MBE (18 February 1895 – 9 December 1966), often published as L. Aaronson, was a British poet and a lecturer in economics. As a young man, he belonged to a group of Jewish friends who are today known as the Whitechapel Boys, many of whom later achieved fame as writers and artists. Though less radical in his use of language, he has been compared to his more renowned Whitechapel friend, Isaac Rosenberg, in terms of diction and verbal energy. Aaronson's poetry is characterised as more post-Georgian than modernistic, and reviewers have traced influences from both the English poet John Keats, and Hebrew poets such as Shaul Tchernichovsky and Zalman Shneur.
Lazarus Aaronson
Lazarus Leonard Aaronson MBE (18 February 1895 – 9 December 1966), often published as L. Aaronson, was a British poet and a lecturer in economics. As a young man, he belonged to a group of Jewish friends who are today known as the Whitechapel Boys, many of whom later achieved fame as writers and artists. Though less radical in his use of language, he has been compared to his more renowned Whitechapel friend, Isaac Rosenberg, in terms of diction and verbal energy. Aaronson's poetry is characterised as more post-Georgian than modernistic, and reviewers have traced influences from both the English poet John Keats, and Hebrew poets such as Shaul Tchernichovsky and Zalman Shneur.
Lazarus Aaronson
Lazarus Leonard Aaronson MBE (18 February 1895 – 9 December 1966), often published as L. Aaronson, was a British poet and a lecturer in economics. As a young man, he belonged to a group of Jewish friends who are today known as the Whitechapel Boys, many of whom later achieved fame as writers and artists. Though less radical in his use of language, he has been compared to his more renowned Whitechapel friend, Isaac Rosenberg, in terms of diction and verbal energy. Aaronson's poetry is characterised as more post-Georgian than modernistic, and reviewers have traced influences from both the English poet John Keats, and Hebrew poets such as Shaul Tchernichovsky and Zalman Shneur.
Lazarus Aaronson
Lazarus Leonard Aaronson MBE (18 February 1895 – 9 December 1966), often published as L. Aaronson, was a British poet and a lecturer in economics. As a young man, he belonged to a group of Jewish friends who are today known as the Whitechapel Boys, many of whom later achieved fame as writers and artists. Though less radical in his use of language, he has been compared to his more renowned Whitechapel friend, Isaac Rosenberg, in terms of diction and verbal energy. Aaronson's poetry is characterised as more post-Georgian than modernistic, and reviewers have traced influences from both the English poet John Keats, and Hebrew poets such as Shaul Tchernichovsky and Zalman Shneur.
Lazarus Aaronson
Lazarus Leonard Aaronson MBE (18 February 1895 – 9 December 1966), often published as L. Aaronson, was a British poet and a lecturer in economics. As a young man, he belonged to a group of Jewish friends who are today known as the Whitechapel Boys, many of whom later achieved fame as writers and artists. Though less radical in his use of language, he has been compared to his more renowned Whitechapel friend, Isaac Rosenberg, in terms of diction and verbal energy. Aaronson's poetry is characterised as more post-Georgian than modernistic, and reviewers have traced influences from both the English poet John Keats, and Hebrew poets such as Shaul Tchernichovsky and Zalman Shneur.
Lazarus Aaronson
Lazarus Leonard Aaronson MBE (18 February 1895 – 9 December 1966), often published as L. Aaronson, was a British poet and a lecturer in economics. As a young man, he belonged to a group of Jewish friends who are today known as the Whitechapel Boys, many of whom later achieved fame as writers and artists. Though less radical in his use of language, he has been compared to his more renowned Whitechapel friend, Isaac Rosenberg, in terms of diction and verbal energy. Aaronson's poetry is characterised as more post-Georgian than modernistic, and reviewers have traced influences from both the English poet John Keats, and Hebrew poets such as Shaul Tchernichovsky and Zalman Shneur.


Major pieces of the web
Browsers - a program that runs on your computer to display files found on the web
The internet - the world's largest computer network
HTTP - protocol to connect browser to server
Servers - computers the host the files that make up the internet
HTML Markup
Consists of Tags and Content.
Tags tell the computer to how display the contents, together this is called an Element.
Format is <name> contents </name> or <opening tag> contents <closing tags>
Examples of tags
The  tag makes content bold
The  tag makes content italicised
The anchor tag, , make links in a webpage. Ex: Udacity
where href is an attribute and www.udacity.com is the value. Udacity,
The image tag format is as follows:

where url is where the image is downloaded from and the alt, or alternate, is the text that is displayed when the image fails to load.
Image tags have no closing tag because it has no content. These are also called void tag.
Whitespace tags
The
 tag creates a line break, which moves text after the tag to a new line.
The
 tag renders content in one paragraph. Since it has content, it requires a closing tag, while the
 tag is a void tag.
HTML code does not need to follow the action of the whitespace tags
Inline vs Block - the br tag is an inline element, simply text.
The
 tag is a block element, an invisible block is created around the content of this tag Span and Div elements
Simply contain their content but have the ability to edit how the content is laid out with CSS
Span is inline while div is block. Both require closing tags.
Lesson Two
A webpage is like a house - rooms are partitioned in a given manner, they each serve a purpose and can have its own unique style.
HTML - defines the parameters of the page
CSS - provides styling options
Javascript - creates interactivity
Document Object Model, or DOM, is the tree like structure that HTML block elements form.
HTML tags create elements that the DOM uses to display the page.
Webpages are constructed with boxes to simplify structure and organization.
Lesson Three
Cascading Style Sheet (CSS)
- Code that controls the style or appearance
- Can be applied to all element types in an html document or by selecting specific classes
- This avoids repetition of coding
There are three ways to include CSS in a webpage:
1. Write CSS in the head of html
2. Link html to a separate CSS files
3. Write style inline with html


Has anyone
really been far as decided to use even go want to do look more like?
This is the title of a 2009 post on Yahoo Answers which took the internet by surprise and rendered readers a little less smart than they were before they had read it. The answer goes a little something like this:
I already answered this before but I'll say it again, you've got to be kidding me. I've been further even more decided to use even go need to do look more as anyone can. Can you really be far even as decided half as much to use go wish for that? My guess is that when one really been far even as decided once to use even go want, is it then that he really been far even as decided to use even go want to do look more like. It's just common sense. I decided to use even go want to do look more like before it was cool to use even go want to do look more like. I have even really been far even as decided to use even go want to do look more like, that I stopped doing look more like a long time ago, and now I just use even go want to do look more like with scissors, a box set of Kenan & Kel on DVD, a 4 gigabyte SD card, and a frayed ethernet cable.
I hope this is really been far to do more answers for you to even go want.


Need a website?
We do amazingly futuristic stuff using the same tools everyone has. We are so unique and awesome we didn't spend money on marketing gurus or copy writers!
Tell us about your projectOur Team
Genghis Khan
CTO
Smart dude, geeky, knows his stuff! Nothing else.
Sun Tzu
Sales
Very agressive! Results driven.
Genghis Khan
CEO
Drinks a lot. Loves meetings!
Some Guy
SEO Optimization
Drinks. Hates computers...
Generic Dude
Front End
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Testimonials
The most amazingly professional and absolutely great people I have had the pleasure to work with on the face of the earth.
Genghis Khan
Mongolian emperor
The most amazingly professional and absolutely great people I have had the pleasure to work with on the face of the earth.
Genghis Khan
Mongolian emperor
The most amazingly professional and absolutely great people I have had the pleasure to work with on the face of the earth.
Genghis Khan
Mongolian emperor
The most amazingly professional and absolutely great people I have had the pleasure to work with on the face of the earth.
Genghis Khan
Mongolian emperor
The most amazingly professional and absolutely great people I have had the pleasure to work with on the face of the earth.
Genghis Khan
Mongolian emperor
The most amazingly professional and absolutely great people I have had the pleasure to work with on the face of the earth.
Genghis Khan
Mongolian emperor


# File lib/resque_manager/overrides/resque/worker.rb, line 237 def self.start(options) ips = options[:hosts] application_path = options[:application_path] queues = options[:queues] if Rails.env =~ /development|test/ Thread.new(application_path, queues) { |application_path, queue| system("cd #{ResqueManager.applications.with_indifferent_access[application] || '.'}; bundle exec #{ResqueManager.resque_worker_rake || 'rake'} RAILS_ENV=#{Rails.env} QUEUE=#{queue} resque:work") } else Thread.new(ips, application_path, queues) { |ip_list, application_path, queue| system("cd #{Rails.root}; bundle exec cap #{Rails.env} resque:work host=#{ip_list} application_path=#{application_path} queue=#{queue}") } end end
logic for mappged_mget changed where it returns keys with nil values in latest redis gem.
# File lib/resque_manager/overrides/resque/worker.rb, line 219 def self.working names = all return [] unless names.any? names.map! { |name| "worker:#{name}" } Resque.redis.mapped_mget(*names).map do |key, value| find key.sub("worker:", '') unless value.nil? end.compact end
# File lib/resque_manager/overrides/resque/worker.rb, line 156 def all_workers_in_pid_working workers_in_pid.select { |w| (hash = w.processing) && !hash.empty? } end
# File lib/resque_manager/overrides/resque/worker.rb, line 271 def continue if Rails.env =~ /development|test/ system("kill -CONT #{self.pid}") else system("cd #{Rails.root}; bundle exec cap #{Rails.env} resque:continue_worker pid=#{self.pid} host=#{self.ip}") end end
# File lib/resque_manager/overrides/resque/worker.rb, line 46 def ip to_s.split(':').first[/\b(?:\d{1,3}\.){3}\d{1,3}\b/] end
# File lib/resque_manager/overrides/resque/worker.rb, line 7 def local_ip @@local_ip ||= begin UDPSocket.open do |s| s.connect 'google.com', 1 s.addr.last end end end
# File lib/resque_manager/overrides/resque/worker.rb, line 233 def overview_message job['overview_message'] end
# File lib/resque_manager/overrides/resque/worker.rb, line 228 def overview_message=(message) data = encode(job.merge('overview_message' => message)) Resque.redis.set("worker:#{self}", data) end
# File lib/resque_manager/overrides/resque/worker.rb, line 263 def pause if Rails.env =~ /development|test/ system("kill -USR2 #{self.pid}") else system("cd #{Rails.root}; bundle exec cap #{Rails.env} resque:pause_worker pid=#{self.pid} host=#{self.ip}") end end
When the worker gets the -USR2 signal, #to_s may give a different value for the thread and queue portion
# File lib/resque_manager/overrides/resque/worker.rb, line 25 def pause_key key = to_s.split(':') "worker:#{key.first}:#{key.second}:all_workers:paused" end
Stop processing jobs after the current one has completed (if we're currently running one).
OVERRIDE to set a redis key so UI knows it's paused too
Would prefer to call super but get no superclass method error
# File lib/resque_manager/overrides/resque/worker.rb, line 98 def pause_processing log "USR2 received; pausing job processing" @paused = true Resque.redis.set(pause_key, Time.now.to_s) end
# File lib/resque_manager/overrides/resque/worker.rb, line 84 def paused Resque.redis.get pause_key end
are we paused? OVERRIDE so UI can tell if we're paused
# File lib/resque_manager/overrides/resque/worker.rb, line 90 def paused? @paused || paused.present? end
# File lib/resque_manager/overrides/resque/worker.rb, line 30 def pid to_s.split(':').second end
Looks for any workers which should be running on this server and, if they're not, removes them from Redis.
This is a form of garbage collection. If a server is killed by a hard shutdown, power failure, or something else beyond our control, the Resque workers will not die gracefully and therefor will leave stale state information in Redis.
By checking the current Redis state against the actual environment, we can determine if Redis is old and clean it up a bit.
# File lib/resque_manager/overrides/resque/worker.rb, line 123 def prune_dead_workers Worker.all.each do |worker| host, pid, thread, queues = worker.id.split(':') next unless host.include?(hostname) next if worker_pids.include?(pid) log! "Pruning dead worker: #{worker}" worker.unregister_worker end end
# File lib/resque_manager/overrides/resque/worker.rb, line 38 def queue to_s.split(':').last end
OVERRIDE for multithreaded workers
# File lib/resque_manager/overrides/resque/worker.rb, line 55 def queues Thread.current[:queues] == "*" ? Resque.queues.sort : Thread.current[:queues].split(',') end
# File lib/resque_manager/overrides/resque/worker.rb, line 50 def queues_in_pid workers_in_pid.collect { |w| w.queue } end
# File lib/resque_manager/overrides/resque/worker.rb, line 248 def quit if Rails.env =~ /development|test/ if RUBY_PLATFORM =~ /java/ #jruby doesn't trap the -QUIT signal #-TERM gracefully kills the main pid and does a -9 on the child if there is one. #Since jruby doesn't fork a child, the main worker is gracefully killed. system("kill -TERM #{self.pid}") else system("kill -QUIT #{self.pid}") end else system("cd #{Rails.root}; bundle exec cap #{Rails.env} resque:quit_worker pid=#{self.pid} host=#{self.ip}") end end
# File lib/resque_manager/overrides/resque/worker.rb, line 279 def restart queues = self.queues_in_pid.join('#') quit self.class.start(self.ip, queues) end
Schedule this worker for shutdown. Will finish processing the current job.
OVERRIDE for multithreaded workers
# File lib/resque_manager/overrides/resque/worker.rb, line 78 def shutdown log 'Exiting...' Thread.list.each { |t| t[:shutdown] = true } @shutdown = true end
Runs all the methods needed when a worker begins its lifecycle.
OVERRIDE for multithreaded workers
# File lib/resque_manager/overrides/resque/worker.rb, line 61 def startup enable_gc_optimizations if Thread.current == Thread.main register_signal_handlers prune_dead_workers end run_hook :before_first_fork register_worker # Fix buffering so we can `rake resque:work > resque.log` and # get output from the child in there. $stdout.sync = true end
# File lib/resque_manager/overrides/resque/worker.rb, line 34 def thread to_s.split(':').third end
The string representation is the same as the id for this worker instance. Can be used with `Worker.find`.
# File lib/resque_manager/overrides/resque/worker.rb, line 18 def to_s @to_s || "#{hostname}(#{local_ip}):#{Process.pid}:#{Thread.current.object_id}:#{Thread.current[:queues]}" end
Start processing jobs again after a pause
OVERRIDE to set remove redis key so UI knows it's unpaused too
Would prefer to call super but get no superclass method error
# File lib/resque_manager/overrides/resque/worker.rb, line 107 def unpause_processing log "CONT received; resuming job processing" @paused = false Resque.redis.del(pause_key) end
Unregisters ourself as a worker. Useful when shutting down. OVERRIDE to also remove the pause key Would prefer to call super but get no superclass method error
# File lib/resque_manager/overrides/resque/worker.rb, line 136 def unregister_worker # If we're still processing a job, make sure it gets logged as a # failure. if (hash = processing) && !hash.empty? job = Job.new(hash['queue'], hash['payload']) # Ensure the proper worker is attached to this job, even if # it's not the precise instance that died. job.worker = self job.fail(DirtyExit.new) end Resque.redis.srem(:workers, self) Resque.redis.del("worker:#{self}") Resque.redis.del("worker:#{self}:started") Resque.redis.del(pause_key) Stat.clear("processed:#{self}") Stat.clear("failed:#{self}") end
This is the main workhorse method. Called on a Worker instance, it begins the worker life cycle. The following events occur during a worker's life cycle: 1. Startup: Signals are registered, dead workers are pruned, and this worker is registered. 2. Work loop: Jobs are pulled from a queue and processed. 3. Teardown: This worker is unregistered. Can be passed an integer representing the polling frequency. The default is 5 seconds, but for a semi-active site you may want to use a smaller value. Also accepts a block which will be passed the job as soon as it has completed processing. Useful for testing.
OVERRIDE for multithreaded workers
# File lib/resque_manager/overrides/resque/worker.rb, line 177 def work(interval = 5, &block) $0 = "resque: Starting" startup loop do break if @shutdown || Thread.current[:shutdown] if not @paused and job = reserve log "got: #{job.inspect}" run_hook :before_fork working_on job if @child = fork rand # Reseeding procline "Forked #{@child} at #{Time.now.to_i}" Process.wait else procline "Processing #{job.queue} since #{Time.now.to_i}" perform(job, &block) exit! unless @cant_fork end done_working @child = nil else break if interval.to_i == 0 log! "Sleeping for #{interval.to_i}" procline @paused ? "Paused" : "Waiting for #{@queues.join(',')}" sleep interval.to_i end end unregister_worker rescue nil loop do #hang onto the process until all threads are done break if all_workers_in_pid_working.blank? sleep interval.to_i end ensure unregister_worker end
# File lib/resque_manager/overrides/resque/worker.rb, line 42 def workers_in_pid Array(Resque.redis.smembers(:workers)).select { |id| id =~ /\(#{ip}\):#{pid}/ }.map { |id| Resque::Worker.find(id) }.compact end


A "login" is a unique identifier with an authentication authority, such as a
local database, a Microsoft Active Directory, LDAP, or Open ID. Myna know's how
to authenticate against its own local database in myna_permissions. To use this
functionality, save a user name and password, and set the type to "local". You
can then compare a plain text password to the stored password via
Myna.Permissions.isCorrectPassword
You can store logins for other services as well. Simply set the the "type"
field to something other than "local". You can then use this field to indicate
what external authenticator is


{% extends "global/Page.html" %} {% load otree %} {% block title %} Read the following sentence {% endblock %} {% block content %}
In the unlikely scenario that she agrees to supervise the event, she will need to be guided and advised on the difficulty and complexity of the task.
{% next_button %} {{ form.errors }} {% endblock %}


{% extends 'layouts/layout-nhsprofile-fester.html' %} {% block pageTitle %} Log out of all sessions but this one {% endblock %} {% block beforeContent %} {{ breadcrumb({ href: "/nhs-profile-fester/settings/index", text: "Manage your NHS login" }) }} {% endblock %} {% block content %}
This will log you out in all places that you are currently logged in (apart from this browser).
It will reset your cookies on those devices but not delete them.
" }) }}


CHAIN REACTION A film review by Scott Renshaw Copyright 1996 Scott Renshaw
Starring: Keanu Reeves, Morgan Freeman, Rachel Weisz, Fred Ward, Kevin Dunn, Brian Cox. Screenplay: J. F. Lawton, Michael Bortman. Director: Andrew Davis.
Most of the time, it is fairly easy for me to put my finger on why a film didn't work for me: sloppy performances, inane writing, lackluster production, leaden direction, what have you. Then there are cases like CHAIN REACTION. There is nothing aggressively unwatchable about this new action thriller, no glaring stupidity; even Keanu Reeves didn't make me want to run screaming for the parking lot. Yet I left the theater not just unimpressed, but unsatisfied, as though I had just left a restaurant without getting a bite to eat. CHAIN REACTION may be one of the most generic film experiences I have ever had, a chain of events without a single speck of personality.
Reeves plays Eddie Kasalivich, a machinist at the University of Chicago working on a project to create a clean, limitless fuel source from water, funded by a foundation headed by Paul Shannon (Morgan Freeman). One night, Eddie stumbles onto the final piece of the puzzle, and a new era seems right around the corner. That is before one scientist on the project is killed, another disappears, and an explosion at the research facility levels several city blocks. Suddenly, Eddie finds himself suspected of espionage along with physicist Lily Sinclair (Rachel Weisz), and the two take off on the run from the FBI. Of course, the Feds prove to be the least of their worries, as other parties seem eager to get their hands on Eddie and Lily first, and Paul appears to be the only person they can trust.
It would be easy enough to pick on CHAIN REACTION for its obviousness -- if you aren't aware that the government and oil companies would conspire to bury alternative fuel sources, you clearly haven't been doing your street-corner-leaflet reading -- but obviousness tends not to be terribly troublesome to most genre film viewers. No, the real problem is that CHAIN REACTION traffics in a kind of monotonous obviousness. We know our hero is going to be in for a series of chases until he ultimately proves his innocence, and that everyone is suspect except the spunky love interest. Those chases are fairly flat, however, and even paranoia becomes mundane in CHAIN REACTION. Director Andrew Davis appears content to do a remake of his own THE FUGITIVE, with a wrongly-accused man, traitorous colleagues and a hard-nosed but ultimately sympathetic law enforcement agent (Fred Ward as the lead FBI investigator). I suppose you can't blame Davis for returning to familiar territory after the dismal STEAL BIG, STEAL LITTLE, but the familiar in this case has left him wholly uninspired.
I think there is also a rather important lesson which Davis failed to take away from THE FUGITIVE, namely that for a plot of that kind to work, it is fairly important for the hero to be someone you want to root for. Harrison Ford's Richard Kimble may not have had a complex history, but at least you knew he had a history. Eddie and Lily aren't even stock characters in the service of this plot...they're non-characters. The script by J. F. Lawton and Michael Bortman gives us exactly one piece of information about Eddie (he once blew up a lab by accident) and exactly one piece of information about Lily (she's British), and neither one make an ounce of difference. One of the reasons CHAIN REACTION feels so dead is that every person in the film might as well _be_ dead, even the ordinarily ultra-sinister Brian Cox as a nasty CIA operative. I was so desperate for a character with some life that when Eddie announced that he and Lily were going to hide out with an old friend named Maggie, I said a silent prayer that she would turn out to be a lovably eccentric scientist.
I will give CHAIN REACTION credit for casting Keanu Reeves in a role where he can do little damage. Eddie probably has two dozen lines in the whole film, and a quiet Keanu is a tolerable Keanu. I will also give credit for casting Morgan Freeman, period. Even in a torpid piece of film-making like this, he commands attention, and his speech about the consequences of this new fuel takes on weight just because it is Freeman who delivers it. And I will give credit for a welcome refusal to explain the pseudo-science which allows the water-fuel to work. I just wish it could have generated some energy for this film. To borrow the over-worked comparison of action film to amusement park ride, CHAIN REACTION is more like the kiddie train at a petting zoo. It just goes around and around and around...and then stops.
On the Renshaw scale of 0 to 10 slow reaction times: 3.
-- Scott Renshaw Stanford University http://www-leland.stanford.edu/~srenshaw
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Gecode::Set::Int Namespace Reference
Detailed Description
Propagators connecting set and int variables.
Classes | |
| class | IntLt |
| Sort order for integers. More... | |
| class | OverweightValues |
| Value Iterator for values above a certain weight. More... | |
| class | MinElement |
| Propator for minimum element More... | |
| class | MaxElement |
| Propator for maximum element More... | |
| class | Card |
| Propagator for cardinality More... | |
| class | Match |
| Propagator for the match constraint More... | |
| class | Channel |
| Propagator for channelling between variable-value-dual models More... | |
| class | Weights |
| Propagator for weight of a set More... | |
Enumerations | |
| enum | CostType { POS_COST, NEG_COST, ALL_COST } |
Functions | |
| template<class I, CostType c> | |
| int | weightI (Support::SharedArray< int > &elements, Support::SharedArray< int > &weights, I &iter) |
Enumeration Type Documentation
|
|
Definition at line 57 of file weights.cc. |
Function Documentation
|
|
Definition at line 61 of file weights.cc. |


As Interactive Media Design is constantly an evolving field, the curriculum is reviewed regularly, in order to ensure relevancy. Due to the amount of the recent revisions adopted to the program, a co-op opportunity has been made available from the program. For more information about the program, please contact the program coordinator John Willman at<EMAIL_ADDRESS>or head over to the contact page.
This two-year Ontario College Diploma program is designed to prepare students for a variety of careers in the digital media industry. Students explore the primary elements of media projects planning and development with equal importance given to the creative and the technical aspects. Strong emphasis is placed on hands-on media production through courses in web development, digital imaging, authoring, animation, photography and videography. Students will plan and execute individual and team-based projects and gain practical experience working with real live clients. The curriculum is delivered on a variety of mobile operating systems.
This program is well-suited for students who:
Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
Program fees listed are for the 2019/2021 Academic Year
First semester tuition and fees are $1,932.67 as detailed below:
Tuition: $1,692.67
eText: $240.00
Student Activity: $217.37
Sports: $72.63
Technology: $159.62
Transcript: $20.00
Health Services: $20.00
Student Experience $18.00
Health Plan: $149.66 *
U-Pass: $404.92 *
U-Pass Admin: $3.42 *
International students pay all fees listed above (excluding the Health Plan fee) plus:
International Premium: $4,527.00
International Health Insurance: $696.00
Fees are subject to change.
For further fees information please visit: www.algonquincollege.com/ro
Before beginning the program, students are required to purchase:
– Intel Core i7 processor 16GB RAM 500GB SSD or HDD internal storage 13 screen (larger preferred).
– A lens protector for any lens(es) purchased. At least one Class 10 (10 MB/s or faster) MicroSD HC memory card, 32GB or larger.
If you already own a DSLR camera that meets the minimum specifications and wish to use it, or wish to purchase a different model which exceeds these specifications, you may.
When students reach Level 4 of the program they will be specializing in either a video or web stream. At this point they will be required to make additional purchases.
Web Stream
Students taking the web development elective courses must purchase their own domain name and web hosting.
Video Stream
Students taking the video elective courses must make additional investments in their equipment:
2019/2021 Academic Year
Reading: 20;
Listening: 20;
Speaking: 20;
Writing: 20.
The number of qualified applicants exceed the number of available places. Applicants will be selected on the basis of their proficiency in English.
For more information, please contact John Willman, Program Coordinator, at<PHONE_NUMBER> ext. 7039 or<EMAIL_ADDRESS>or Diane Banks, Marketing Officer, at ext. 2510 or<EMAIL_ADDRESS>Got some questions? We're here to help! Give us a call or send us an email and we will get back to you as soon as possible!
613-727-4723 ext. 7039


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About TED
TED is a nonprofit organization devoted to Ideas Worth Spreading. Started as a conference in California 26 years ago, TED has grown to support those world-changing ideas with many initiatives.
At a TED conference, the world’s leading thinkers and doers are asked to give the talk of their lives in 18 minutes or less. TED speakers have included Roger Ebert, Sheryl Sandberg, Bill Gates, Elizabeth Gilbert, Benoit Mandelbrot, Philippe Starck, Ngozi Okonjo-Iweala, Brian Greene, Isabel Allende and former UK Prime Minister Gordon Brown. Three major TED events are held each year: The TED Conference takes place every spring in Vancouver, Canada, simultaneous with TEDActive, in Whistler, BC; and the TEDGlobal Conference takes place each summer in Edinburgh, Scotland.
On TED.com, talks from TED conferences are shared with the world for free as TED Talks videos. A new TED Talk is posted every weekday. Through the Open Translation Project, TED Talks are subtitled by volunteers worldwide into more than 90 languages. Through our distribution networks, TED Talks are shared on TV, radio, Netflix and many websites.
About TEDx
In the spirit of ideas worth spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TEDx event, TEDTalks video and live speakers combine to spark deep discussion and connection in a small group. These local, self-organized events are branded TEDx, where x = independently organized TED event. The TED Conference provides general guidance for the TEDx program, but individual TEDx events are self-organized. (Subject to certain rules and regulations.)


Main features
- Authentication for web (and other) applications
- SSO
- Single-sign out
- Standards based (OpenID Connect, SAML2)
Identity management
- realms, clients, roles and users
- RDBMS or Mongo as underlying storage
UI
- Admin console
- Account management
- User login, registrations, reset passwords
- Fully pluggable (Themes support)
Identity providers
- Social brokering support (Facebook, Google, Twitter...)
- Any 3rd party identity provider brokering (OpenID Connect, SAML2, OAuth2)
- LDAP integration
- Kerberos support
- TOTP support
Adapters
- Both OpenID Connect and SAML2 based
- Wildfly 8-10
- EAP 6-7
- Tomcat
- Jetty
- JBoss Fuse / Karaf
- Javascript
Customizations
- Authentication SPI
- User Federation SPI
- Events SPI
- Custom protocol mappers, broker mappers or LDAP mappers
History and current state
- Started in early 2013 by Bill Burke and Stian Thorgersen
- 1.0.0.Final release in Summer 2014
- Latest version is 1.9.1
- 6 developers, 6 QA team members in Brno, Big community
Production support
- Product based on Keycloak planned to be released
- Product will be based on 1.9.x community branch
- Keycloak master branch opened for new features by community to KC 2.0
- KC engineers and QA are mainly focused on 1.9.x
- KC engineers and QA are mainly focused on 1.9.x
- Stabilization, bugfixing, performance (no new features)
- Community users, who wants product, encouraged to migrate to 1.9.X to catch bugs early
- Authorization planned for 2.X
Planned features for 2.0
- OpenID connect certification
- Better FreeIPA integration
- More plugability (extend Keycloak with your REST endpoints etc)
- Validations SPI
- Make some SPI more stable (especially User storage / federation)
- Authorization support
- Remove master realm, better authorization for admin console
- Whatever requested/needed by community and customers ;)
Direct access grants
- Based on "Resource owner password credentials grant" from OAuth2
- Client directly exchanges username and password of user for tokens
- Main usage in non-web clients
- Authentication flow support
- Possible to disable on client
Limitations
- Client needs to know credentials of user
- User can't have "required actions"
- Client can't require consents
Service accounts
- Alternative to direct access grants
- Based on "Client credentials grant" from OAuth2
- Client receives tokens on behalf of himself. No user credentials involved
Custom claims
- SPI to allow change token (SAML assertion) anyhow you want
- Bunch of pre-defined implementations
Identity providers
- Either use one of pre-defined social providers
- Or use any OpenID Connect, OAuth2 or Social provider
- Possibility to write your own
- Possibility to write your mapper
- First login flow
Authorization - current state
- No special support
- OIDC and SAML2 doesn't handle authorization on app side directly
- So that keycloak ATM ;)
- Application has access token with roles and attributes and it needs to decide what to do
- Adapters has support for mapping of token roles into JEE roles
Authorization - future
- prototype by Pedro
- https://github.com/pedroigor/keycloak-authz
- Really just prototype under development
- ATM requires to build special branch of Keycloak (Pedro's fork) and then keycloak-authz
Possibilities
- Either part of Keycloak directly
- Pluggable extension deployable to Keycloak
Features
- Based on standards (OAuth2 , UMA, XACML planned)
- Flexible authorization rules (policies) decoupled from the application
- Possibility to support simple (role-based, user-based) to complex (Javascript rules, Drools rules etc)
- Policy Administration Point (PAP)
- Administration of authorization rules/policies in Keycloak admin console
- Policy Decision Point (PDP)
- Endpoint to send authorization request and receive tokens with authorization response
- Policy Enforcement point (PEP)
- Support on application side to communicate with the PDP
- In my understanding, something like "adapter" for authorization


--- imgsrc: "will_deutsch_samson_and_delilah_jewish_art.jpg" postDate: "09.05.14" layout: post ---
Amanda liked Morrissey, so I liked Morrisey too.
Or at least I told her I did.
The lie began as harmless banter on our first date.
She told me how much she loved the Smiths and I casually agreed they were ‘great’.
‘Really?! You’re a fan!?’ She responded excitedly.
Seeing as how I’d been called out and how thrilled she was, it seemed only natural to affirm my opinion. ‘OhYeah! They’re awesome!’
‘Well which song is your favorite?’ she beamed.
‘Uh, man they’re all so good. Its just the sincerity of the performance you know?’ It was a diplomatic choice.
‘I know right!?! But the way he asks ‘Why do you come here?’ In Suedehead just breaks my heart every time. I love it.’ She clutched her chest as she imagined hearing it.
I nodded in agreement and quickly changed the subject.
6 dates later she greeted me with a C.D. labeled ‘Amanda’s Super Awesome Song Mix’. Hearts and lightning bolts drawn in sharpie adorned its surface.
We got in my car and she slid it into the player. ‘Turn it to number 5.’ She said with a knowing grin.
A warbled Irish Falsetto began pouring out of the speakers as I stared in horror at the sight of her singing every word of ‘Every Day is Like Sunday’ and motioning for me to do the same.
I panicked and began mumbling something between lyrics and a low hum. Amanda was engrossed and didn’t seem to notice.
It went on like this for weeks. More mixes. More songs I’d never heard and pretended to love.
Then came my birthday.
I wanted to go camping with my friends. Amanda hated camping and my friends. Besides, she had other plans for us.
Two tickets to Morrissey live at the L.A. Sports Arena.

‘I can’t wait!’ I said a little too enthusiastically.
The concert was two weeks away and I knew about 3 songs. I was going to have to do some serious homework.
I went on the forums and after reading up on his discography, purchased ‘Southpaw Grammar’ and ‘Viva Hate’ on vinyl.
I knew 20 songs and a slew of wikipedia facts well enough to get through one evening.
In a 2 hour set he played roughly 4 of them.
During the others I was left bobbing my head, waiting until the chorus to chime in.
I think it had become apparent to my lady friend that I had used the term ‘fan’ loosely.
We broke up a few months later.
The music was just a part of it. A symptom of something larger.
It was the person that I was around her, or rather the person that I wasn’t.
She was serious so I was serious too.
She liked drinking all the time so I became a lush.

You get the picture.
I didn’t recognize myself.
But let me be clear here: the fault was completely mine.
I allowed myself to give up all the things that made me strong because I was taken with a pretty face.
This is a theme as old as any love song about a woman ever written.
In fact, the Smiths wrote one called ‘Wonderful Woman’.
Its actually kind of nice.


All videos and learning objectives as well as learning supplementary materials that you will need for preparing for the readiness assessments are hosted on Coursera.
To access these you will need to enroll in the following Coursera courses:
Here is the content mapping between these courses and the units in STA 104:
If you do not already have a Coursera account, you will need to sign up for one.
If you would like to use your Duke ID for your account, you can go to https://www.coursera.org/sso/duke and click “Log In via Duke University”.
Select ‘audit’ when you enroll in the course to access the materials for free. Once you’ve enrolled the course, go to the course website, click ‘Go to Course’, and then click ‘Preview Course’ to view the videos.
From these links you will access:
You do not need to worry about anything else on Coursera, and you can ignore any “deadlines” listed there. We are just using this platform to access some resources, nothing on the platform is graded for this course.
You do not need to pay to access the materials needed for the course.


Emotions
Select an emotion...
anger
disgust
fear
happiness
neutral
sadness
surprise
Player 1
X
Submit
Or choose file
Upload
Player 2
X
Submit
Or choose file
Upload
Player 1 Start
Player 1 Scores ↓
Anger:
0
%
Disgust:
0
%
Fear:
0
%
Happiness:
0
%
Neutral:
0
%
Sadness:
0
%
Surprise:
0
%
Player 2 Start
Player 2 Scores ↓
Anger:
0
%
Disgust:
0
%
Fear:
0
%
Happiness:
0
%
Neutral:
0
%
Sadness:
0
%
Surprise:
0
%
Face Off!
Leaderboard
Player 1
Player 2
Wins
0
0
Losses
0
0
You did not select an emotion and upload two pictures.


General question: How can I animate something?
Conceptually, animation just means that you vary some aspect of the stimulus over time. So the key idea is to draw something slightly different on each frame. This is how movies work, and the same principle can be used to create scrolling text, or fade-in / fade-out effects, and the like.
(copied & pasted from the email list; see the list for people’s names and a working script.)
Key idea: Vary the position of the stimulus across frames.
Question: How can I produce scrolling text (like html’s <marquee behavior = “scroll” > directive)?
Answer: PsychoPy has animation capabilities built-in (it can even produce and export movies itself (e.g. if you want to show your stimuli in presentations)). But here you just want to animate stimuli directly.
e.g. create a text stimulus. In the ‘pos’ (position) field, type:
[frameN, 0]
and select “set every frame” in the popup button next to that field.
Push the Run button and your text will move from left to right, at one pixel per screen refresh, but stay at a fixed y-coordinate. In essence, you can enter an arbitrary formula in the position field and the stimulus will be-redrawn at a new position on each frame. frameN here refers to the number of frames shown so far, and you can extend the formula to produce what you need.
You might find performance issues (jittering motion) if you try to render a lot of text in one go, in which case you may have to switch to using images of text.
I wanted my text to scroll from right to left. So if you keep your eyes in the middle of the screen the next word to read would come from the right (as if you were actually reading text). The original formula posted above scrolls the other way. So, you have to put a negative sign in front of the formula for it to scroll the other way. You have to change the units to pixel. Also, you have to make sure you have an end time set, otherwise it just flickers. I also set my letter height to 100 pixels. The other problem I had was that I wanted the text to start blank and scroll into the screen. So, I wrote
[2000-frameN, 0]
and this worked really well.
Key idea: vary the opacity of the stimulus over frames.
Question: I’d like to present an image with the image appearing progressively and disappearing progressively too. How to do that?
Answer: The Patch stimulus has an opacity field. Set the button next to it to be “set every frame” so that its value can be changed progressively, and enter an equation in the box that does what you want.
e.g. if your screen refresh rate is 60 Hz, then entering:
frameN/120
would cycle the opacity linearly from 0 to 1.0 over 2s (it will then continue incrementing but it doesn’t seem to matter if the value exceeds 1.0).
Using a code component might allow you to do more sophisticated things (e.g. fade in for a while, hold it, then fade out). Or more simply, you just create multiple successive Patch stimulus components, each with a different equation or value in the opacity field depending on their place in the timeline.


Drag the map to center the marker on the right location
a repurposed @vtcraghead joint, awesome logo by Eva Darron


Freeze the Root Node
[ File Path: demo/super/oneroot.html ]
Explanation of implementation method
- For only one root, and do not show +/- switch needs need to modify the css, and set the
setting.
- zTree v3.x can be for a given level, set the style, check out the page
source, see the css.
- Set setting.view.dblClickExpand to Function, you can turn off
double-clicking for expand the root node.


Welcome to SKDonuts
Here at Sk Donuts, we strive to make the most enjoyable donuts on the planet.
From the beginning in 1997 we have been striving to make the best donuts based on our founders upbrignin in vietnam and his loving the donut vendors in the streets of his homeland. He has borought that to sk donuts and still bakes in the kitchen.


{% extends "shop_base.html" %} {% load bootstrap3 %} {% block title %} Pay by Card | {{ block.super }} {% endblock %} {% block extra_head %} . {% endblock %} {% block shop_content %}
Please wait a few seconds while your browser redirects you to our payment provider. If your browser doesn't follow the redirect you can also use this link: {{ payment_link }}
{% endblock shop_content %}


{% extends "base.html" %} {% block content %} {% include "form/form.html" with form=form submit="Add bookmark" %} {% endblock %}


American Short Fiction
by FCIT
Pigs is Pigs
by Ellis Parker Butler
Additional Information
- Year Published: 1905
- Language: English
- Country of Origin: United States of America
- Source: Butler, E.P. (1905). The American Magazine.
-
Readability:
- Flesch–Kincaid Level: 6.1
- Word Count: 3,702
- Genre: Comedy
- Keywords: animals, dialect, humor, railroad, train
- ✎ Cite This
Downloads
Mike Flannery, the Westcote agent of the Interurban Express Company, leaned over the counter of the express office and shook his fist. Mr. Morehouse, angry and red, stood on the other side of the counter, trembling with rage. The argument had been long and heated, and at last Mr. Morehouse had talked himself speechless. The cause of the trouble stood on the counter between the two men. It was a soap box across the top of which were nailed a number of strips, forming a rough but serviceable cage. In it two spotted guinea-pigs were greedily eating lettuce leaves.
“Do as you loike, then!” shouted Flannery, “pay for thim an’ take thim, or don’t pay for thim and leave thim be.  ‘Pets, domestic, Franklin to Westcote, if properly boxed, twenty-five cents each.’” He threw the book on the counter in disgust. “What more do you want? Aren’t they pets? Aren’t they domestic? Aren’t they properly boxed? What?”
He turned and walked back and forth rapidly; frowning ferociously.
Suddenly he turned to Flannery, and forcing his voice to an artificial calmness spoke slowly but with intense sarcasm.
“Pets,” he said “P-e-t-s! Twenty-five cents each. There are two of them. One! Two! Two times twenty-five are fifty! Can you understand that? I offer you fifty cents.”
Flannery reached for the book. He ran his hand through the pages and stopped at page sixty four.
“An’ I don’t take fifty cints,” he whispered in mockery. “Here’s the rule for ut. ‘Whin the agint be in anny doubt regardin’ which of two rates applies to a shipment, he shall charge the larger. The con-sign-ey may file a claim for the overcharge.’ In this case, Misther Morehouse, I be in doubt. Pets thim animals may be, an’ domestic they be, but pigs I’m blame sure they do be, an’ me rules says plain as the nose on yer face, ‘Pigs Franklin to Westcote, thirty cints each.’ An’ Mister Morehouse, by me arithmetical knowledge two times thurty comes to sixty cints.”
Mr. Morehouse shook his head savagely.
Flannery was stubborn.
“Pigs is pigs,” he declared firmly. “Guinea-pigs, or dago pigs or Irish pigs is all the same to the Interurban Express Company an’ to Mike Flannery. Th’ nationality of the pig creates no differentiality in the rate, Misther Morehouse! ‘Twould be the same was they Dutch pigs or Rooshun pigs. Mike Flannery,” he added, “is here to tind to the expriss business and not to hould conversation wid dago pigs in sivinteen languages fer to discover be they Chinese or Tipperary by birth an’ nativity.”
Mr. Morehouse hesitated. He bit his lip and then flung out his arms wildly.
“Very well!” he shouted, “you shall hear of this! Your president shall hear of this! It is an outrage! I have offered you fifty cents.  Keep the pigs until you are ready to take the fifty cents, but, by George, sir, if one hair of those pigs’ heads is harmed I will have the law on you!”
He turned and stalked out, slamming the door. Flannery carefully lifted the soap box from the counter and placed it in a corner. He was not worried. He felt the peace that comes to a faithful servant who has done his duty and done it well.
Mr. Morehouse went home raging. His boy, who had been awaiting the guinea-pigs, knew better than to ask him for them. He was a normal boy and therefore always had a guilty conscience when his father was angry. So the boy slipped quietly around the house. There is nothing so soothing to a guilty conscience as to be out of the path of the avenger. Mr. Morehouse stormed into the house. “Where’s the ink?” he shouted at his wife as soon as his foot was across the doorsill.
Mrs. Morehouse jumped, guiltily. She never used ink. She had not seen the ink., nor moved the ink, nor thought of the ink, but her husband’s tone convicted her of the guilt of having borne and reared a boy, and she knew that whenever her husband wanted anything in a loud voice the boy had been at it.
“I’ll find Sammy,” she said meekly.
When the ink was found Mr. Morehouse wrote rapidly, and he read the completed letter and smiled a triumphant smile.
“That will settle that crazy Irishman!” he exclaimed. “When they get that letter he will hunt another job, all right!”
A week later Mr. Morehouse received a long official envelope with the card of the Interurban Express Company in the upper left corner. He tore it open eagerly and drew out a sheet of paper. At the top it bore the number A6754. The letter was short. “Subject—Rate on guinea-pigs,” it said, “Dr. Sir—We are in receipt of your letter regarding rate on guinea-pigs between Franklin and Westcote addressed to the president of this company. All claims for overcharge should be addressed to the Claims Department.”
Mr. Morehouse wrote to the Claims Department. He wrote six pages of choice sarcasm, vituperation and argument, and sent them to the Claims Department.
A few weeks later he received a reply from the Claims Department. Attached to it was his last letter.
“Dr. Sir,” said the reply. “Your letter of the 16th inst., addressed to this Department, subject rate on guinea-pigs from Franklin to Westcote, ree’d. We have taken up the matter with our agent at Westcote, and his reply is attached herewith. He informs us that you refused to receive the consignment or to pay the charges. You have therefore no claim against this company, and your letter regarding the proper rate on the consignment should be addressed to our Tariff Department.”
Mr. Morehouse wrote to the Tariff Department. He stated his case clearly, and gave his arguments in full, quoting a page or two from the encyclopedia to prove that guinea-pigs were not common pigs.
With the care that characterizes corporations when they are systematically conducted, Mr. Morehouse’s letter was numbered, O.K’d, and started through the regular channels. Duplicate copies of the bill of lading, manifest, Flannery’s receipt for the package and several other pertinent papers were pinned to the letter, and they were passed to the head of the Tariff Department.
The head of the Tariff Department put his feet on his desk and yawned. He looked through the papers carelessly.
“Miss Kane,” he said to his stenographer, “take this letter. ‘Agent, Westcote, N. J. Please advise why consignment referred to in attached papers was refused domestic pet rates.”’
Miss Kane made a series of curves and angles on her note book and waited with pencil poised. The head of the department looked at the papers again.
“Huh! guinea-pigs!” he said. “Probably starved to death by this time! Add this to that letter: ‘Give condition of consignment at present.’”
He tossed the papers on to the stenographer’s desk, took his feet from his own desk and went out to lunch.
When Mike Flannery received the letter he scratched his head.
“Give prisint condition,” he repeated thoughtfully. “Now what do thim clerks be wantin’ to know, I wonder! ‘Prisint condition, ‘is ut? Thim pigs, praise St. Patrick, do be in good health, so far as I know, but I niver was no veternairy surgeon to dago pigs.  Wan thing I do know, howiver, which is they’ve glorious appytites for pigs of their soize. Ate? They’d ate the brass padlocks off of a barn door I If the paddy pig, by the same token, ate as hearty as these dago pigs do, there’d be a famine in Ireland.”
To assure himself that his report would be up to date, Flannery went to the rear of the office and looked into the cage. The pigs had been transferred to a larger box—a dry goods box.
“Wan,—two,—t’ree,—four,—five,—six,—sivin,—eight!” he counted. “Sivin spotted an’ wan all black. All well an’ hearty an’ all eatin’ loike ragin’ hippypottymusses. He went back to his desk and wrote.
“Mr. Morgan, Head of Tariff Department,” he wrote. “Why do I say dago pigs is pigs because they is pigs and will be til you say they ain’t which is what the rule book says stop your jollying me you know it as well as I do. As to health they are all well and hoping you are the same. P. S. There are eight now the family increased all good eaters. P. S. I paid out so far two dollars for cabbage which they like shall I put in bill for same what?”
Morgan, head of the Tariff Department, when he received this letter, laughed. He read it again and became serious.
“By George!” he said, “Flannery is right, ‘pigs is pigs.’ I’ll have to get authority on this thing. Meanwhile, Miss Kane, take this letter: Agent, Westcote, N. J. Regarding shipment guinea-pigs, File No. A6754. Rule 83, General Instruction to Agents, clearly states that agents shall collect from consignee all costs of provender, etc., etc., required for live stock while in transit or storage. You will proceed to collect same from consignee.”
Flannery received this letter next morning, and when he read it he grinned.
“Proceed to collect,” he said softly. “How thim clerks do loike to be talkin’! Me proceed to col-lect two dollars and twinty-foive cints off Misther Morehouse! I wonder do thim clerks know Misther Morehouse? I’ll git it! Oh, yes! ‘Misther Morehouse, two an’ a quarter, plaze.’ ‘Cert’nly, me dear frind Flannery. Delighted!’ Not!”
Flannery drove the express wagon to Mr. Morehouse’s door. Mr. Morehouse answered the bell.
“Ah, ha!” he cried as soon as he saw it was Flannery. “So you’ve come to your senses at last, have you? I thought you would! Bring the box in.”
“I hev no box,” said Flannery coldly. “I hev a bill agin Misther John C. Morehouse for two dollars and twinty-foive cints for kebbages aten by his dago pigs. Wud you wish to pay ut?”
“Pay—Cabbages—!” gasped Mr. Morehouse. “Do you mean to say that two little guinea-pigs—”
“Eight!” said Flannery. “Papa an’ mamma an’ the six childer. Eight!”
For answer Mr. Morehouse slammed the door in Flannery’s face. Flannery looked at the door reproachfully.
“I take ut the con-sign-y don’t want to pay for thim kebbages,” he said. “If I know signs of refusal, the con-sign-y refuses to pay for wan dang kebbage leaf an’ be hanged to me!”
Mr. Morgan, the head of the Tariff Department, consulted the president of the Interurban Express Company regarding guinea-pigs, as to whether they were pigs or not pigs. The president was inclined to treat the matter lightly.
“What is the rate on pigs and on pets?” he asked.
“Pigs thirty cents, pets twenty-five,” said Morgan.
“Then of course guinea-pigs are pigs,” said the president.
“Yes,” agreed Morgan, “I look at it that way, too. A thing that can come under two rates is naturally due to be classed as the higher. But are guinea-pigs, pigs? Aren’t they rabbits?”
“Come to think of it,” said the president, “I believe they are more like rabbits. Sort of half-way station between pig and rabbit. I think the question is this—are guinea-pigs of the domestic pig family? I’ll ask professor Gordon. He is authority on such things. Leave the papers with me.”
The president put the papers on his desk and wrote a letter to Professor Gordon. Unfortunately the Professor was in South America collecting zoological specimens, and the letter was forwarded to him by his wife. As the Professor was in the highest Andes, where no white man had ever penetrated, the letter was many months in reaching him. The president forgot the guinea-pigs, Morgan forgot them, Mr. Morehouse forgot them, but Flannery did not. One-half of his time he gave to the duties of his agency; the other half was devoted to the guinea-pigs. Long before Professor Gordon received the president’s letter Morgan received one from Flannery.
“About them dago pigs,” it said, “what shall I do they are great in family life, no race suicide for them, there are thirty-two now shall I sell them do you take this express office for a menagerie, answer quick.”
Morgan reached for a telegraph blank and wrote:
“Agent, Westcote. Don’t sell pigs.”
He then wrote Flannery a letter calling his attention to the fact that the pigs were not the property of the company but were merely being held during a settlement of a dispute regarding rates. He advised Flannery to take the best possible care of them.
Flannery, letter in hand, looked at the pigs and sighed. The dry-goods box cage had become too small. He boarded up twenty feet of the rear of the express office to make a large and airy home for them, and went about his business. He worked with feverish intensity when out on his rounds, for the pigs required attention and took most of his time. Some months later, in desperation, he seized a sheet of paper and wrote “160” across it and mailed it to Morgan. Morgan returned it asking for explanation. Flannery replied:
“There be now one hundred sixty of them dago pigs, for heavens sake let me sell off some, do you want me to go crazy, what.”
“Sell no pigs,” Morgan wired.
Not long after this the president of the express company received a letter from Professor Gordon. It was a long and scholarly letter, but the point was that the guinea-pig was the Cava aparoea while the common pig was the genus Sus of the family Suidae. He remarked that they were prolific and multiplied rapidly.
“They are not pigs,” said the president, decidedly, to Morgan. “The twenty-five cent rate applies.”
Morgan made the proper notation on the papers that had accumulated in File A6754, and turned them over to the Audit Department. The Audit Department took some time to look the matter up, and after the usual delay wrote Flannery that as he had on hand one hundred and sixty guinea-pigs, the property of consignee, he should deliver them and collect charges at the rate of twenty-five cents each.
Flannery spent a day herding his charges through a narrow opening in their cage so that he might count them.
“Audit Dept.” he wrote, when he had finished the count, “you are way off there may be was one hundred and sixty dago pigs once, but wake up don’t be a back number. I’ve got even eight hundred, now shall I collect for eight hundred or what, how about sixty-four dollars I paid out for cabbages.”
It required a great many letters back and forth before the Audit Department was able to understand why the error had been made of billing one hundred and sixty instead of eight hundred, and still more time for it to get the meaning of the “cabbages.”
Flannery was crowded into a few feet at the extreme front of the office. The pigs had all the rest of the room and two boys were employed constantly attending to them. The day after Flannery had counted the guinea-pigs there were eight more added to his drove, and by the time the Audit Department gave him authority to collect for eight hundred Flannery had given up all attempts to attend to the receipt or the delivery of goods. He was hastily building galleries around the express office, tier above tier. He had four thousand and sixty-four guinea-pigs to care for! More were arriving daily.
Immediately following its authorization the Audit Department sent another letter, but Flannery was too busy to open it. They wrote another and then they telegraphed:
“Error in guinea-pig bill. Collect for two guinea-pigs, fifty cents. Deliver all to consignee.”
Flannery read the telegram and cheered up. He wrote out a bill as rapidly as his pencil could travel over paper and ran all the way to the Morehouse home. At the gate he stopped suddenly. The house stared at him with vacant eyes. The windows were bare of curtains and he could see into the empty rooms. A sign on the porch said, “To Let.” Mr. Morehouse had moved! Flannery ran all the way back to the express office. Sixty-nine guinea-pigs had been born during his absence. He ran out again and made feverish inquiries in the village. Mr. Morehouse had not only moved, but he had left Westcote. Flannery returned to the express office and found that two hundred and six guinea-pigs had entered the world since he left it. He wrote a telegram to the Audit Department.
“Can’t collect fifty cents for two dago pigs consignee has left town address what shall I do? Flannery.”
The telegram was handed to one of the clerks in the Audit Department, and as he read it he laughed.
“Flannery must be crazy. He ought to know that the thing to do is to return the consignment here,” said the clerk. He telegraphed Flannery to send the pigs to the main office of the company at Franklin.
When Flannery received the telegram he set to work. The six boys be had engaged to help him also set to work. They worked with the haste of desperate men, making cages out of soap boxes, cracker boxes, and all kinds of boxes, and as fast as the cages were completed they filled them with guinea-pigs and expressed them to Franklin. Day after day the cages of guinea-pigs flowed in a steady stream from Westcote to Franklin, and still Flannery and his six helpers ripped and nailed and packed—relentlessly and feverishly. At the end of the week they had shipped two hundred and eighty cases of guinea-pigs, and there were in the express office seven hundred and four more pigs than when they began packing them.
“Stop sending pigs. Warehouse full,” came a telegram to Flannery. He stopped packing only long enough to wire back, “Can’t stop,” and kept on sending them. On the next train up from Franklin came one of the company’s inspectors. He had instructions to stop the stream of guinea-pigs at all hazards. As his train drew up at Westcote station he saw a cattle car standing on the express company’s siding. When he reached the express office he saw the express wagon backed up to the door. Six boys were carrying bushel baskets full of guinea-pigs from the office and dumping them into the wagon. Inside the room Flannery, with’ his coat and vest off, was shoveling guinea-pigs into bushel baskets with a coal scoop. He was winding up the guinea-pig episode.
He looked up at the inspector with a snort of anger.
“Wan wagonload more an, I’ll be quit of thim, an’ niver will ye catch Flannery wid no more foreign pigs on his hands. No, sur! They near was the death o’ me. Nixt toime I’ll know that pigs of whaiver nationality is domistic pets—an’ go at the lowest rate. “
He began shoveling again rapidly, speaking quickly between breaths.
 So long as Flannery runs this expriss office—pigs is pets—an’ cows is pets—an’ horses is pets—an’ lions an’ tigers an’ Rocky Mountain goats is pets—an’ the rate on thim is twinty-foive cints.”
He paused long enough to let one of the boys put an empty basket in the place of the one he had just filled. There were only a few guinea-pigs left. As he noted their limited number his natural habit of looking on the bright side returned.
“Well, annyhow,” he said cheerfully, “’tis not so bad as ut might be. What if thim dago pigs had been elephants!”


Multiple clients and integrators are flowing into the LTO lands, and it’s up to you to protect them! Forge your weapons and gather around. Only the strongest one will stand. Unite your community, build the biggest node and win awesome prizes!
Read about the launchProvided with love by lto-lease.com
Highest leased amount on May 28th
Highest leased amount on June 28th
Highest leased amount on July 28th
Need help to get started? Check out the resources below.
1) git clone https://t.co/oAkS7FjYgq
— LTO Network (@LTOnetwork) January 18, 2019
2) cd lto/public_node
3) vim docker-compose.yml
4) docker-compose up
The first node setup guide which fits in a single tweet 🤖https://t.co/PDwqJfHbID
15th of April 2019
Opening registration
28th of April 2019
Registrations closed
100K Lease Distributed
28th of May 2019
First Leaser Pay Out
28th of June 2019
Second Leaser Pay Out
28th of July 2019
End of Game of Nodes
Final Prize Distribution


A Blog about data, python and epistemology
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RETAINE CMC LUBRICANT EYE DROPS - carboxymethylcellulose sodium solution
OCuSOFT Inc.
Disclaimer: Most OTC drugs are not reviewed and approved by FDA, however they may be marketed if they comply with applicable regulations and policies. FDA has not evaluated whether this product complies.
Active Ingredient
Carboxymethylcellulose sodium 0.5%................................. Eye Lubricant
Uses
- Relieves dryness of the eye.
- Temporarily relieves discomfort due to minor irritations of the eye or from exposure to wind or sun.
- As a protectant against further irritation.
Warnings
For use in the eyes only.
Do not use if solution changes color or becomes cloudy.
When using this product
- do not touch tip of container to any surface to avoid contamination.
- do not reuse once opened.
Stop use and ask a doctor if
- you experience eye pain, changes in vision, continued redness or irritation of the eye.
- the condition worsens or persists for more than 72 hours.
KEEP OUT OF THE REACH OF CHILDREN
If swallowed, get medical help or contact a Poison Control Center immediately.
Directions
- To open, TWIST AND PULL TAB TO REMOVE.
- Instill 1 or 2 drops into affected eye(s) as needed and discard container.
Other Information
- Use only if printed tamper seals on top and bottom flaps are intact.
- Use only if twist top of single-dose container is intact.
- Store between 15º-30ºC (59º-86ºF).
Inactive Ingredients
Calcium chloride, magnesium chloride, potassium chloride, purified water, sodium chloride, sodium lactate. May also contain hydrochloric acid and/or sodium hydroxide to adjust pH.
Questions or comments?
Call<PHONE_NUMBER> M-F 8:30AM-5:00PM CST or visit www.retainebrand.com
OCuSOFT Inc.


vignettes/risk-factors-to-score.Rmd
risk-factors-to-score.Rmd
For the best result printing, let’t library(tibble)
or dplyr
.
library(pjutils)
#> Welcome to the package, developing by Wei Zhao,Pingjia Technology.
#> If you have any question, please email<EMAIL_ADDRESS>library(tibble)
The binary search have two version:
1
, which if faster when the length(y)
is large than 1e5.0
, which if faster when length(y)
is small than 1e5.# binary search
binary_search_r(1.3, 1:10)
#> [1] 2
binary_search_cpp(1.3, 1:10)
#> [1] 1
binary_search_r(9.9, 1:10)
#> [1] 10
binary_search_cpp(9.9, 1:10)
#> [1] 9
binary_search_r(0.9, 1:10)
#> [1] 1
binary_search_cpp(0.9, 1:10)
#> [1] 0
binary_search_r(10.9, 1:10)
#> [1] 11
binary_search_cpp(10.9, 1:10)
#> [1] 10
The get_score
apply to a sigle value while get_socre_vec
can apply to a vector of vaues:
# get score
values <- c(55, 60, 65, 70, 75, 80, 85, 90, 95, 100)
scores <- c(
1.0000, 0.9747, 0.8967, 0.8303, 0.7730, 0.7232, 0.6793, 0.6405,
0.6059, 0.5748
)
get_score(55, values, scores)
#> [1] 1
get_score(57.5, values, scores)
#> [1] 0.98735
get_score(97.5, values, scores)
#> [1] 0.59035
get_score(77, values, scores)
#> [1] 0.75308
get_score(100, values, scores)
#> [1] 0.5748
get_score(101, values, scores)
#> [1] 0
get_score_vec(c(55, 57.5, 97.5, 77, 100, 101), values, scores)
#> [1] 1.00000 0.98735 0.59035 0.75308 0.57480 0.00000
library(dplyr)
tmp <- tibble(
acc_count_phk = 5.281214,
act_radius = 513765.4,
day_mileage = 12345,
dec_count_phk = 3.492416,
high_curv_tr = 0.06097561,
holiday_tr = 0.07058824,
interstate_r = 0,
lane_change_phk = 2.108227,
late_night_tr = 0.01764706,
long_tr = 0.002941176,
main_act_prov = "江苏省",
mileage = 14077.86,
speeding_lvl = 0,
speeding_phk = 24.97929,
trip_dis_e = 3.359256,
turn_count_phk = 3.300759,
user_id = 2069
)
tmp
# read config file
score_config_list <- readRDS("path/to/score_config_list.RDS")
rf_weight <- readRDS("path/to/rf_weight.RDS")
discount_index <- readRDS("path/to/dicount_index.RDS")
risk_names <- c(
"mileage", "speeding_phk", "speeding_lvl", "acc_count_phk",
"dec_count_phk", "turn_count_phk", "lane_change_phk", "long_tr",
"late_night_tr", "holiday_tr", "high_curv_tr", "trip_dis_e",
"act_radius", "interstate_r", "main_act_prov"
)
tmp %>%
# drop out other cols
select(-user_id, -day_mileage) %>%
# get every risk factor specified score
rf2score(score_config_list = score_config_list) %>%
# sum all risk factors socre by weight
sum_rf_score(rf_weight) %>%
.$score %>%
# get score specified discount coef
get_score_vec(discount_index$score, discount_index$coef)
#> [1] "done: acc_count_phk"
#> [1] "done: act_radius"
#> [1] "done: dec_count_phk"
#> [1] "done: high_curv_tr"
#> [1] "done: holiday_tr"
#> [1] "done: interstate_r"
#> [1] "done: lane_change_phk"
#> [1] "done: late_night_tr"
#> [1] "done: long_tr"
#> [1] "done: main_act_prov"
#> [1] "done: mileage"
#> [1] "done: speeding_lvl"
#> [1] "done: speeding_phk"
#> [1] "done: trip_dis_e"
#> [1] "done: turn_count_phk"
#> [1] 0.8563817
# all in one
result <- cal_user_coef(tmp, risk_names, score_config_list, rf_weight, discount_index)
#> [1] "done: mileage"
#> [1] "done: speeding_phk"
#> [1] "done: speeding_lvl"
#> [1] "done: acc_count_phk"
#> [1] "done: dec_count_phk"
#> [1] "done: turn_count_phk"
#> [1] "done: lane_change_phk"
#> [1] "done: long_tr"
#> [1] "done: late_night_tr"
#> [1] "done: holiday_tr"
#> [1] "done: high_curv_tr"
#> [1] "done: trip_dis_e"
#> [1] "done: act_radius"
#> [1] "done: interstate_r"
#> [1] "done: main_act_prov"
knitr::kable(result)
| score | day_mileage | discount_coef | discount | delta |
|---|---|---|---|---|
| 68.04 | 12345 | 0.8563 | 0.1437 | 0 |


Company Info
"We are a boutique agency specializing in marketing luxury properties for sale, rental and property management."
Dorchester Prestige operates its businesses and luxury services in the heart
of Knightsbridge, one of the most desirable and executive districts in central London.
We are a boutique agency specializing in marketing luxury properties for sale,
rental and property management.
The large collection of houses, apartments and mansions as well as luxury cars,
coupled with the assistance of our dedicated team, will offer you the freedom to
customize your own London’s life style.
All our residences were well tailored to meet with your expectations, from gorgeously
designed kitchens and receptions to the latest communication
and security technologies.


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[§37-68.5] Position ceiling. Whenever this part requires a position ceiling to be specified:
(1) The number of permanent positions and temporary positions shall be separately identified; and
(2) The position ceiling shall be expressed in units or fractions of full-time equivalent positions. [L 2015, c 160, §2]