[Follow-ups directed to rec.arts.movies. -Moderator]
THE ROCKETEER A film review by Mark R. Leeper Copyright 1991 Mark R. Leeper
Capsule review: The 1981 graphic novel comes to the screen as what may be the best film ever made based on a comic book. This is a wonderful tying together of historic detail in the story of a man who becomes a super-hero with the help of a rocket pack. Expect this one to run (or fly) for much of the summer. Rating: high +2 (-4 to +4).
I recognize that there are some films that it is hard for me to be objective about and all I can do is state my prejudices at the beginning of my review. I think I was about five years old when Saturday morning television ran COMMANDO CODY, SKY MARSHALL OF THE UNIVERSE. At five years of age I decided that I really liked something I later learned to call "science fiction" and everything I have ever really been interested in since has been an out-branching from that root. For years, I dreamed of somehow getting a rocket suit like Commando Cody's. Not being a graphic novel fan, I never heard of THE ROCKETEER, released ten years ago. However, seeing the stand-up poster for THE ROCKETEER several months ago brought a flood of memories and I knew even then this was a film that I would have a hard time being objective about. And the film turned out to be much better than I expected even then.
The setting is 1934 Los Angeles. The title character is Cliff Secord, played a bit too callow and pure by Bill Campbell. Secord is a flying ace who, through rather contrived circumstances, comes into possession of a stolen rocket suit designed by Howard Hughes (played by Terry O'Quinn). Lots of people want this suit for lots of different reasons, but it is Secord who has the suit and who reluctantly lets it make him into a superhero. The main villain who wants to get his slimey hands on the suit is handsome film star Neville Sinclair, a character based on allegations that have been made about Errol Flynn. Sinclair is played by Timothy Dalton. The basic plot is very basic and is a negative aspect of the film.
But while the plot is pretty humdrum, much of the writing is not. Like David Mamet's "Water Engine," THE ROCKETEER ties together many pieces of 1930s and 1940s popular culture into a single story. For little details to throw into the story, THE ROCKETEER draws heavily on Hollywood icons, on then-contemporary world events, and on details of aviation history. Through Rick Baker's make-up we get one final film in which Rondo Hatton plays the heavy. There is a witty reference to the famous Hollywood sign over Hollywood. There are allusions to the Hindenburg, here called the Luxembourg.  The joke is that Capra's animation, like the film THE ROCKETEER, was a product of Disney Studios. And of course there are the classic planes of the period, provided in part by the heavy involvement of Howard Hughes as a major character. Also we see the classic art deco and just plain weird Los Angeles architecture. For example, the Bulldog Diner is shaped like a giant bulldog. The flying suit itself is art deco. All these elements combine to make a fascinatingly detailed film that constantly challenges the viewer with more than meets the eye.
Special effects are charmingly provided by Industrial Light and Magic. They are generally fairly good with the ironic exception of the flying suit sequences, which are not quite visually believable and which would in real life rip our rocket man apart with whiplash. The script's weak points are the occasional lapses into self-satire, the overly complex interrelations of the villains, and a sequence in a nightclub that drags on much too long. With those exceptions, one has to say that THE ROCKETEER is a very nicely crafted film offering entertainment on many levels. This is one of those rare films you can truly say the whole family should enjoy. I give it a high +2 on the -4 to +4 scale.
Mark R. Leeper att!mtgzy!leeper<EMAIL_ADDRESS>.
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You can clone with HTTPS or Subversion.
erdös released this Nov 23, 2014
This is the version that I've uploaded to arXiv.


Draw Like You're Five
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About
You're five again with crappy drawing skills. Use this tool to create terrible drawings worthy of being hung on your parents' fridge. Show the world what a special snowflake you are and relive a simpler time when you're not burdened by the reality of death–a faith that awaits us all.

All of these drawings are amazing. Click on each
to see what others have drawn :D
All of your drawings have been submitted.
Other pictures of .


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--- layout: default title: Teh Jigz Up - Backgrounds ---
These are some background images we have assembed for you to use. They are editable in the _data/people.yaml file for this project.
{% for background in site.data.backgrounds %} {% endfor %}You can manage your own gallery of background images once you fork, by editing, and adding to the _data/people.yaml file in your repo.


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{% extends "base.html" %} {% load staticfiles %} {% block body_id %}home{% endblock %} {% block body_class %}navbar-inverse{% endblock %} {% block content-outer %}
“This platform presents the information in a manner that increases the transparency of the Fayetteville Police Department and improves the community and police relationship.”
Stopped by the police? Use our “Find a Stop” feature to locate your traffic stop. Click on the associated Officer ID number to display the enforcement history of the officer who stopped you. Maryland data includes an officer’s stop, search, and contraband seizure data, broken down by race and ethnicity. North Carolina data includes these features in addition to use-of-force data (traffic stops only).
Learn more about the enforcement patterns of individual police agencies. Metrics include stops, searches, search rates, contraband seizure rates, and the likelihood of search for individual stop causes—each broken down by race and ethnicity. Click on the “Agencies” tab to review who is stopped and searched in a given jurisdiction and how enforcement patterns compare to local demographics, displayed through the most recently available census data.
Our platform allows users—including those in police management—to easily compare enforcement patterns among individual officers and agencies, evaluate the frequency and efficiency of searches, and monitor for racially disparate enforcement practices. Police managers who possess a master list of Officer ID codes can bypass the “Find a Stop” page to directly access data on individual officers under their command.


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Alienware Gaming Laptops on Sale Include Xbox Game Pass in Early Black Friday Offer
Alienware systems on sale include three months of Xbox Game Pass for PC at no extra cost.
by Robert AndersonWe review products independently, but we may earn affiliate commissions from buying links on this page. Terms of use.
The early Black Friday sales are in full swing and you can now save on Dell and Alienware.
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| WWW Access Statistics for the last 12 months |
|---|
| Short statistics for December 2003 (updated more frequently) | ||||||
|---|---|---|---|---|---|---|
| Month | Hits | Files | Cached | Pageviews | Sessions | KB sent |
| December 2003 | 6832 | 5609 | 787 | 1272 | 700 | 73911 |
| November 2003 | 7249 | 5822 | 819 | 1184 | 1087 | 89752 |
| October 2003 | 10221 | 7415 | 2108 | 1500 | 1172 | 102800 |
| September 2003 | 10122 | 7670 | 1505 | 1589 | 1226 | 86357 |
| August 2003 | 7435 | 6156 | 919 | 1588 | 1329 | 49163 |
| July 2003 | 7331 | 6025 | 933 | 1668 | 1451 | 47729 |
| June 2003 | 8491 | 5798 | 2216 | 1396 | 1433 | 38911 |
| May 2003 | 12626 | 7047 | 4742 | 1626 | 1514 | 54177 |
| April 2003 | 2842 | 1400 | 893 | 954 | 969 | 13297 |
| March 2003 | 0 | 0 | 0 | 0 | 0 | 0 |
| February 2003 | 0 | 0 | 0 | 0 | 0 | 0 |
| January 2003 | 0 | 0 | 0 | 0 | 0 | 0 |
| Total | 73149 | 52942 | 14922 | 12777 | 10881 | 556094 |
| Average | 6095 | 4411 | 1243 | 1064 | 906 | 46342 |
Registered Copy. · 378AZEHZ1348023AB352211A1C99
|


As the different bits of this app were added yo was used to generate each route (yo angular:route name).
The route generator adds the name as the url for the new view and creates the view name.html and controller
name.js modules. The first cut of the new page is added here, but things usually evolve.
As the page gets nailed down, any large amounts of data get moved to a factory. As an example, the robots page
had an array defining the different robot properties - text, images, etc. This was moved to a robot.js factory
(yo angular:factory robot) and the factory is now injected into the ronots.js controller.
A more complex evolution happenned with the approach to graphics and using an HTML canvas. The first app
(an older version of the Tower Defense) just used the canvas directly. When I started working on the Galaxy page
I created a service or factory wrapper around a canvas and injected that, avoiding most of the messy canvas
code in the controller.
The Galaxy code for working out the contents of a sector had already moved to a factory as sector.js. I found that
there was a fair amount of graphic specific code that was star/galay specific, so I moved that to a separate service
or fatory layer that uses the canvas directly, removing the star/graphic specific code from the controller and
locating it here.
About
This page. Nothing dramatic, simple Angular stuff. Data model is a simple set of show* values and toggle* routines.
We use ng-if on it to show or hide things, and ng-click to invoke the toggle to turn things off and on.
It is a litle instructive to compare this with the approach used in robots. The approach here is simple and mostly
implemented in HTML, with JS containing a definition of the various things you can show and a toggle method for each.
In robots we moved all of the details about each sort of robot or kinetic art into a separte object in an array hosted
in a robot factory. The text is stored in the model as an array of paragraphs, and the HTML uses ng-repeat to get the
textual data out of the arrays and displayed properly.
Overall I am more fond of the service/factory approach once the data starts getting complex, it keeps the controller .js
and the view .html cleaner, moving much if the data and crud to the factory.
Cards
Cards stuff plays with a 2D sprite array, drawing them on the canvas. Does not do much, but it shows how
you can script display of cards at locations on the screen from buttons. Also uses canvas as an abstraction sorta,
which pays off in other pages too. See the Galaxy one, for example.
Contact
List of contact and social media info and links. Also a self portrait, me with hearing protection,
photo from the Capital Hill Block Party a few years back.
Galaxy
HMTL5 Canvas 3D Galaxy simulation
The idea I worked out here is how to create a "generative" galaxy.
The generative algorithm is per sector, so convert any (x,y,z) to a sector by dividing by 100, 100 and 25
respectively, taking the integer or "floor" portion as the result. Given an integer triplet x,y,z sector, create a
string of them with spaces i.e. 0 0 0
Hash that string with the murmur3 hash
(cool point: encapsulated the murmur3 hash as an Angular service or factory,see app/scrtipts/services/murmur3hash.js)
use the bytes and bits in the results in a planned way as seeds for a pseudo-random number generator in a specific sequence.
Calculate the number then location of the brightest stars, then ditto for the next brightest, and so on down to dimmest stars for
the sector.
(another cool point: wrapped simple 31 bit pseudo-RNG as a service; nice to have: make it 64 bit)
Now use the list of stars and locations to draw the result out on the canvas.
The algorithms are pretty simple and fast in Javascript, no reference to anything external is needed once we
load the Angular page. It is repeatable, so anybody running the calculation for a given sector will get the
exact same result: same number of stars in each class, same locations, etc. By basing it on fairly well seeded
RNG, the sectors have a large amount of variety and no obvious repeats or patterns appear.
Zooms are by a factor of 4.
Default scale is 3 = 100x100 light years in x&y, zoom in to 2 and you get 25x25 LY, and down to 1 you get 6.25x6.25
light years.
Going the other direction, at 4 there are 4x4 sectors, 400x400 light years.
Zoomed out to 5 there are 4x4 sectors, 1,600x1,600 light years.
Going the other direction, at 6 there are 64x64 sectors, 6,400x6,400 light years.
Going the other direction, at 7 there are 256x256 sectors, 25,600x25,600 light years.
Another cool point: as the scale is increased, the dimmer stars are no longer drawn. Since we generate the lists of
stars from brightest to dimmest, we can stop once we get to the dimmest we need to draw. Since we draw fewer as the
scale increases, the calculations get faster so it performs better than x-squared, which is what you normally
get from a 2D representation: 4x scale = 16x overhead.
Nice to have: calculate where the rare blue giants are on a supersector basis at the start of the per sector algorithm.
Now when we get to the 1,024x1,024 supersector range we can skip from sector by sector (so that is only needed up to
256x256) and graph the whole 102,400 x 102,400 light year sector as a single panel, each sector is a pixel at most.
At basic zoom (level 3, which is arbitrary) it shows a 100 light years x 100 light years x 25 light years "sector."
The overall galaxy has 1,800 x 900 x 80 sectors, all roughly the same average star distribution: no arms, voids,
clouds or nebulas. Just stars.
Used the wikipedia page on Stellar Classification for the basic odds.
It is an isometric projection (z is ignored, plot based on X & Y, so there is no perspective).
Buttons allow you to wander around by a sector at a time
To get reasonable performance and appearance, dimmer classes of stars are only shown on the smallest scales.
At the highest scales, only the brightest (blue supergiants) are displayed.
The Z axis controls allow you to select subsets of the sector by limiting the top and bottom Z values. Setting the
sliders close together allows for narrow slices. They start open wide - show from bottom to top.
Nice to have ideas:
Add perspective
Add ability to rotate point-of-view away from the Z axis arbitrarily
Make canvas virtual, allow for "flying across canvas" simply by peridoically redrawing at a slight offset.
Main
Default and main view. Lists top level links to assorted pages with brief text describing what is on each.
Resume
Dumb if vaguely amusing experiment in dynamically customizing a version of my resume.
Mostly to show how to do it all in HTML except for a trivial data model defined in Angular JS.
Tower Defense
Simplistic Tower Defense:
click a button and 2 randomly generated opponents march towards each other then fight.
Stupidly simple graphic representation, broke old stick man to introduce weapons but so far it
does not quite work.>br/>
Only real point of interest hear (other than starting to work out how to use a canvas in AngularJS)
is that I used Dungeons and Dragons v2 physical characteristics, weapons and armor & adjustments to
generae the random characters, then use D&D v2 to-hit calculations (taking note of
Str, Dex & weapon adjustments) and damage (Str & weapon vs. defenders Const. adjustment & random HP roll).
Vera Videos
Use AngularJS $http and promises to fetch youtube video info in a service, show thumbnails using the results.
On clicking a thumbnail, bring that video into the embedded youtube player ready to be played.
Code to do an array of playable controls used to work, broke somewhere along the way to porting it here.
Mildly interesting use of controls to update display parameters.
It also uses the app ID stuff, requiring use of Google's API control panel to enable this particular stat access,
with a limit of 50,000 free queries a day or something like that.


Detailed course offerings (Time Schedule) are available for
ANEST 498 Undergraduate Thesis (*) Sivarajan
By special arrangement. Time and credit to be arranged. Offered: AWSpS.
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ANEST 499 Undergraduate Research (*)
Specific research problems relating to pulmonary, cardiovascular, renal, obstetric, and central nervous system functions, and their alteration by anesthetic techniques and agents. Offered: AWSpS.
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ANEST 501 P-Preceptorship in Anesthesiology (1, max. 12)
An opportunity for first- and second-year medical students to gain experience with medical practice situations by observing clinical faculty members in the operating room. Prerequisite: permission of instructor. Offered: AWSpS.
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ANEST 650 P-Pain Medicine Clerkship (8)
Participation as part of a Pain Medicine team in evaluation and management of patients experiencing short term post injury (surgery, trauma) pain and/or long- term pain. (Four weeks, full time). Prerequisite: Third- or fourth-year student.
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ANEST 663 Basic Anesthesia Clerkship - Cheyenne, WY (4)
Introduction to the principles of airway management, ventilator support, use of local anesthetics, techniques of patient monitoring, and fluid therapy. Skills taught include airway management, venipuncture, lumbar puncture, and endotracheal intubation.
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ANEST 665 P-Basic Anesthesia Clerkship - Anchorage (4, max. 8)
Introduction to the principles of airway management, ventilatory support, use of local anesthetics, techniques of patient monitoring and fluid therapy. Skills taught include airway management, venipuncture, lumbar puncture, and endotracheal intubation. (Two weeks, full-time). Prerequisite: third- or fourth-year student.
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ANEST 667 P-Basic Anesthesia Clerkship - Billings (4, max. 8)
Introduction to the principles of airway management, ventilatory support, use of local anesthetics, techniques of patient monitoring, and fluid therapy. Skills taught include airway management, venipuncture, lumbar puncture, and endotracheal intubation. (Two weeks, full-time). Prerequisite: third- or fourth-year student.
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ANEST 668 P-Basic Anesthesia Clerkship - Missoula (4, max. 8)
Introduction to the principles of airway management, ventilatory support, use of local anesthetics, techniques of patient monitoring and fluid therapy. Skills taught include airway management, venipuncture, lumbar puncture, and endotracheal intubation. (Two weeks, full-time). Prerequisite: third- or fourth-year student.
View course details in MyPlan: ANEST 668
ANEST 671 P-Basic Anesthesia Clerkship - Boise (4, max. 8)
Introduction to the principles of airway management, ventilatory support, use of local anesthetics, techniques of patient monitoring, and fluid therapy. Skills taught include airway management, venipuncture, lumbar puncture, and endotracheal intubation. (Two weeks, full-time). Prerequisite: third- or fourth-year student.
View course details in MyPlan: ANEST 671
ANEST 672 Basic Anesthesiology - Boise, ID VA (4)
Introduction to the principles of airway management, ventilator support, use of local anesthetics, techniques of patient monitoring, and fluid therapy. Skills taught include airway management, venipuncture, lumbar puncture, and endotracheal intubation (Two weeks, full-time). Prerequisite: third- or fourth- year Medicine student.
View course details in MyPlan: ANEST 672
ANEST 674 P-Basic Anesthesia Clerkship - Spokane (4, max. 8)
Introduction to the principles of airway management, ventilatory support, use of local anesthetics, techniques of patient monitoring, and fluid therapy. Skills taught include airway management, venipuncture, lumbar puncture, and endotracheal intubation. (Two weeks, full-time). Prerequisite: third- or fourth-year student.
View course details in MyPlan: ANEST 674
ANEST 677 P-Basic Anesthesia Clerkship - Swedish (4, max. 8)
Introduction to the principles of airway management, ventilatory support, use of local anesthetics, techniques of patient monitoring, and fluid therapy. Skills taught include airway management, venipuncture, lumbar puncture, and endotracheal intubation. (Two weeks, full-time). Prerequisite: third- or fourth-year student.
View course details in MyPlan: ANEST 677
ANEST 678 P-Basic Anesthesia Clerkship - VA (4, max. 8)
Introduction to the principles of airway management, ventilatory support, use of local anesthetics, techniques of patient monitoring, and fluid therapy. Skills taught include airway management, venipuncture, lumbar puncture, and endotracheal intubation. (Two weeks, full-time). Prerequisite: third- or fourth-year student.
View course details in MyPlan: ANEST 678
ANEST 679 P-Basic Anesthesia Clerkship - HMC (4, max. 8)
Introduction to the principles of airway management, ventilatory support, use of local anesthetics, techniques of patient monitoring, and fluid therapy. Skills taught include airway management, venipuncture, lumbar puncture, and endotracheal intubation. (Two weeks, full-time). Prerequisite: third- or fourth-year student.
View course details in MyPlan: ANEST 679
ANEST 680 P-Basic Anesthesia Clerkship - UWMC (4, max. 8)
Introduction to the principles of airway management, ventilatory support, use of local anesthetics, techniques of patient monitoring, and fluid therapy. Skills taught include airway management, venipuncture, lumbar puncture, and endotracheal intubation. (Two weeks, full-time). Prerequisite: third- or fourth-year student.
View course details in MyPlan: ANEST 680
ANEST 681 P-Advanced Clerkship in Anesthesiology - UWMC (8, max. 16)
Clerkship for students desiring greater exposure to anesthesiology as a specialty. Individual programs can be arranged in the following areas: surgical anesthesia, obstetrical anesthesia, and pain clinic. (Four weeks, full-time.) Prerequisite: Third- or fourth-year student.
View course details in MyPlan: ANEST 681
ANEST 682 P-Advanced Clerkship in Anesthesia - HMC (8, max. 16)
Clerkship for students desiring greater exposure to anesthesiology as a specialty. Individual programs can be arranged in the following areas: surgical anesthesia, obstetrical anesthesia, and pain clinic. Prerequisite: Third- or fourth-year student.
View course details in MyPlan: ANEST 682
ANEST 683 P-Advanced Clerkship in Anesthesiology - VAMC (8, max. 16)
Clerkship for students desiring greater exposure to anesthesiology as a specialty. Individual programs can be arranged in the following areas: surgical anesthesia, obstetrical anesthesia, and pain clinic. (Four weeks, full-time.) Prerequisite: Third- or fourth-year student.
View course details in MyPlan: ANEST 683
ANEST 684 P-Advanced Clerkship in Anesthesiology - Spokane (8)
Clerkship for students desiring greater exposure to anesthesiology as a specialty. Individual programs arranged in the following areas: surgical anesthesia, obstetrical anesthesia, and pain clinic. (Four weeks, full-time.) Prerequisite: third- or fourth-year medical students.
View course details in MyPlan: ANEST 684
ANEST 688 Advanced Anesthesia - Cheyenne, WY (8)
Clerkship for students desiring greater exposure to anesthesiology as a specialty. Individual programs can be arranged in the following areas: surgical anesthesia, obstetrical anesthesia, and pain clinic.
View course details in MyPlan: ANEST 688
ANEST 697 P-Anesthesiology Special Electives (*, max. 24)
Special clerkships, externships, or research opportunities can at times be made available at institutions other than the University of Washington. Students wishing to elect this course should obtain a special assignment form from the dean's office at least one month before advance registration. (Four to twelve weeks, full-time.). Prerequisite: permission of instructor.
View course details in MyPlan: ANEST 697
ANEST 699 P-WWAMI Anesthesiology Special Electives (*, max. 24)
By special arrangement for qualified students, special clerkships or externships may be available at institutions other than the University of Washington located within the WWAMI region. Prerequisite: permission of department.
View course details in MyPlan: ANEST 699


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Warning to all LocalBitcoins users: LocalBitcoins requires KYC and monitors all transactions.
Meanwhile, the Bisq P2P network is 100% routed over Tor to protect the privacy of all its users. To accept a trade offer your computer connects directly to the maker's computer o...


I am part of a tribe of people who uses an apothecarian collection of vinegars for more than just dressing greens or making pickles. We drink it. It may seem unappealing at first, but the mildly sweet, tangy jolt is addictive. A healthy glug of amber apple cider vinegar in a glass of water in the afternoon is crazy refreshing—like instant grown-up lemonade without all the sugar.
But if that seems a little intense, don’t worry—I still think the best way to enjoy an invigorating kick of acid is in shrub form. These oddly named drinking vinegars have a long history, though they fell out of favor in the modern era. Now, they’re enjoying a revival among bartenders, farmers and all of their patrons and friends. The concentrated mixers are made by pulling the juice from fresh fruit and citrus with sugar, and cooking it in vinegar, which cuts the sweetness of the fruit and preserves the cordial. Take this concoction, pour it over ice and top it with soda water for the most elegant summer cooler you can imagine.
Shrubs are still a little hard to come by unless you’re making them yourself, so I was thrilled to discover several versions at the Serendipity Organic Farms booth at the Live Oak farmers market. Owner Jamie Collins provides her organic fruit and herbs to field-to-glass cocktail queen Katie Blandin Shea of Bar Cart Cocktail Co. to create delicious botanical elixirs, like my favorite: a blueberry shrub with white sage, lime zest and white wine vinegar ($12 for an eight-ounce bottle). This lapis lazuli-colored shrub is not too sweet, its creamy berry flavor offset by delicate earthy sage. It pairs perfectly with equal parts Venus Spirits’ Gin Blend No. 1, soda and late-afternoon sunshine. A strawberry, chamomile and orange zest version with apple cider vinegar is also available, and Collins revealed that she and Blandin Shea will continue to collaborate on different combinations as the seasons change.
Another exciting opportunity to enter the world of shrubbery (Ni!) is at Mountain Feed & Farm Supply’s Summer Shrub Party, from 4:30-5:30 p.m. on Friday, July 22. Emily Han, author of Wild Drinks & Cocktails, will be teaching a free workshop on making shrubs from fresh produce and herbs. Shrub one, shrub all! mountainfeed.com.


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Cron expressions are comprised of 6 required fields and one optional field
separated by white space. The fields respectively are described as follows:
| Field Name |
|
Allowed Values |
|
Special Characters |
Seconds |
|
0-59 |
|
, - * / |
Minutes |
|
0-59 |
|
, - * / |
Hours |
|
0-23 |
|
, - * / |
Day-of-month |
|
1-31 |
|
, - * ? / L W |
Month |
|
1-12 or JAN-DEC |
|
, - * / |
Day-of-Week |
|
1-7 or SUN-SAT |
|
, - * ? / L # |
Year (Optional) |
|
empty, 1970-2099 |
|
, - * / |
The '*' character is used to specify all values. For example, "*"
in the minute field means "every minute".
The '?' character is allowed for the day-of-month and day-of-week fields. It
is used to specify 'no specific value'. This is useful when you need to
specify something in one of the two fileds, but not the other.
The '-' character is used to specify ranges For example "10-12" in
the hour field means "the hours 10, 11 and 12".
The ',' character is used to specify additional values. For example
"MON,WED,FRI" in the day-of-week field means "the days Monday,
Wednesday, and Friday".
The '/' character is used to specify increments. For example "0/15"
in the seconds field means "the seconds 0, 15, 30, and 45". And
"5/15" in the seconds field means "the seconds 5, 20, 35, and
50". Specifying '*' before the '/' is equivalent to specifying 0 is
the value to start with. Essentially, for each field in the expression, there
is a set of numbers that can be turned on or off. For seconds and minutes,
the numbers range from 0 to 59. For hours 0 to 23, for days of the month 0 to
31, and for months 1 to 12. The "/" character simply helps you turn
on every "nth" value in the given set. Thus "7/6" in the
month field only turns on month "7", it does NOT mean every 6th
month, please note that subtlety.
The 'L' character is allowed for the day-of-month and day-of-week fields.
This character is short-hand for "last", but it has different
meaning in each of the two fields. For example, the value "L" in
the day-of-month field means "the last day of the month" - day 31
for January, day 28 for February on non-leap years. If used in the
day-of-week field by itself, it simply means "7" or
"SAT". But if used in the day-of-week field after another value, it
means "the last xxx day of the month" - for example "6L"
means "the last friday of the month". When using the 'L' option, it
is important not to specify lists, or ranges of values, as you'll get
confusing results.
The 'W' character is allowed for the day-of-month field. This character
is used to specify the weekday (Monday-Friday) nearest the given day. As an
example, if you were to specify "15W" as the value for the
day-of-month field, the meaning is: "the nearest weekday to the 15th of
the month". So if the 15th is a Saturday, the trigger will fire on
Friday the 14th. If the 15th is a Sunday, the trigger will fire on Monday the
16th. If the 15th is a Tuesday, then it will fire on Tuesday the 15th.
However if you specify "1W" as the value for day-of-month, and the
1st is a Saturday, the trigger will fire on Monday the 3rd, as it will not
'jump' over the boundary of a month's days. The 'W' character can only be
specified when the day-of-month is a single day, not a range or list of days.
The 'L' and 'W' characters can also be combined for the day-of-month
expression to yield 'LW', which translates to "last weekday of the
month".
The '#' character is allowed for the day-of-week field. This character is
used to specify "the nth" XXX day of the month. For example, the
value of "6#3" in the day-of-week field means the third Friday of
the month (day 6 = Friday and "#3" = the 3rd one in the month).
Other examples: "2#1" = the first Monday of the month and
"4#5" = the fifth Wednesday of the month. Note that if you specify
"#5" and there is not 5 of the given day-of-week in the month, then
no firing will occur that month.
The legal characters and the names of months and days of the week must be entered in upper case.
NOTES:
- Support for specifying both a day-of-week and a day-of-month value is
not complete (you'll need to use the '?' character in on of these fields).


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'Dangerous' - Bristol City coach issues warning ahead of facing Nottingham Forest
Sabri Lamouchi's Reds make the trip to Ashton Gate on Saturday after the international break
by Sarah ClapsonBristol City have been warned they must be “on their guard” against a Nottingham Forest side full of attacking threat.
Sabri Lamouchi’s Reds return to action from the international break on Saturday when they make the trip to Ashton Gate.
The two teams are level on points in the Championship table, with Forest just above their next opponents, in fifth place, on goal difference.
And Robins assistant head coach Dean Holden has praised the job Lamouchi has done at the City Ground - the Frenchman having overseen a fine start to the season since taking charge in the summer, in his first experience of English football.
“You’d have to say that up to now, he’s doing a very good job,” Holden told Bristol Live. “They’ve had a turnaround of managers in the last few years.
“It was such a huge football club when I was growing up; massive football club.
“They seem at the moment like they’re in a good place.
“They’re one place above us in the league, obviously on the same amount of points, but they’ve had a good start to the season.
“They’ve got some real attacking intent in those forward areas, certainly with (Lewis) Grabban, who’s a proven goalscorer.
“They’re a team that we can’t take lightly at the weekend.
“But like any team, we’ve studied them hard in this enforced break we’ve had and we feel that we’re ready for them.”
The Reds notched up back-to-back wins before the international break, triumphing at Luton Town and at home to arch-rivals Derby County, as they bounced back from successive defeats.
“It’s always a team effort,” Holden added. “I’ve watched them in the last few games. I watched the Derby game.
“The strength in depth they’ve got across the squad and some real experience in there - they’ve got some young talent in there in (Ryan) Yates and Matty Cash.
“(Joe) Lolley on his left foot is a dangerous player as well.
“We’ve got to be on our guard against them.”
Nottingham Forest latest
This is your round up of all things Forest; the one-stop shop that will keep you updated on the latest goings on at the City Ground and beyond.
Transfers, injuries, match-days and managers, we’ve got you covered.
We’ll be bringing the very latest on the Reds throughout the week and around the clock.
Make sure you keep yourself updated with our handy daily catch up...
Must reads...
- Reds skipper Dawson on the battle ahead
- New Notts owners on Forest relationship
- Lamouchi's message over stadium plans
- Worrall picks his Reds team of the decade
For all your latest NFFC news, opinion, analysis and transfer gossip, click here
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Keep up to date with the latest Nottingham Forest news, features and exclusives from Nottinghamshire Live via our free WhatsApp service.
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{% extends 'base.html' %} {% block content %}
| Business Name | City | Ph #1 | Ph #2 | Address |
|---|---|---|---|---|
| {{c.business_name}} | {{c.city}} | {{c.contact_one}} | {{c.contact_two}} | {{c.address}} |
Please select either option
Selecting Load All Contacts may take some time for the page to load . Be patient !
or


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FREE ENTERPRISE
A Film Review by Brian Takeshita
Rating: ** out of ****
There are guys out there who grew up on Star Trek, and perhaps even lived it out in various ways. In their younger days, they fantasized about being Captain Kirk, maybe role played the part on the school playground or had a costume with the familiar yellow shirt and black pants. These folks have gotten older, and although they no longer dress the part on Halloween, the attraction to the 30+ year old phenomenon is still very much there, and still an influence. FREE ENTERPRISE is about two such young men in their late twenties, Robert (Rafer Weigel) and Mark (Eric McCormack), childhood friends who find themselves at a crossroads of sorts as they approach the big three-oh. Taking stock of their lives so far, they together attempt to sort out their lives in work, love, and Star Trek.
To me, Star Trek is a great source of entertainment. I don't revere it as the end-all of morality, like some people do, but rather view it as a nice outlook for our own future. I also believe that in order to truly enjoy Star Trek, one must be able to laugh at it, and there are so many reasons and ways to do so. A film like FREE ENTERPRISE is something for which a lot of people (including myself) have been waiting a long time. There is no doubt that this film was made for Star Trek fans because of the many references to the episodes and movies (oh, and that's Classic Trek, folks - sorry Next Generation fans). Many of the best laughs will probably be lost on non-aficionados. It's revealed, for example, that one of Mark's fantasies is to get in bed with a green woman. One might not really catch the meaning of this unless you knew that the Talosians attempted to seduce the previous captain of the Starship Enterprise, Capt. Christopher Pike, with a sexy green Orion woman in the only two-part Star Trek Episode entitled "The Menagerie", in a scene which was really from the original pilot episode entitled "The Cage", before series creator Gene Roddenberry revamped the show and replaced all of the actors except for Leonard Nimoy. Or, um, at least that's what I've been told.
However, in a possible attempt to make the film more accessible to the rest of the world, screenwriters Mark Altman and Robert Meyer Burnett (it's no coincidence that the main characters have the same names) have chosen to dilute this main comedic drive with a number of more mainstream jokes, leaving the Star Trek punch not as potent as it should be. Unfortunate, especially since the mainstream humor doesn't really click. The result is fewer belly laughs for the fans, and lukewarm jokes for everyone else. If I had my druthers, there'd be a Star Trek joke every few minutes. After all, why take on such a monolithic source of potential humor as the main drive for your film if you're not going to exploit it?
Speaking of exploitation, William Shatner, who plays himself, gets the Good Sport of the Year Award just for being in this film. One of the first scenes includes Robert and Mark browsing in a book store when they see the man who portrayed Captain James T. Kirk himself - and he's flipping through a porno mag. After he gets to know them, he attempts to enlist their help in producing a new version of Shakespeare's Julius Caesar, in which he'll play all the roles. Forget about what everyone else has said about Shatner's ego. You've got to love a man who can allow himself to be made fun of like that.
One of the interesting things about this film is that the characters do things which my friends and I - er, I mean, which I've seen other people do....from time to time. For example, Robert, Mark and their friends are going out to a special screening of STAR TREK II: THE WRATH OF KAHN. How do they show their enthusiasm? By all shouting, "Khaaaaan!", ala Kirk when marooned in the tunnels of the Regula Moon, second stage experiment for the Genesis Project - or, um, so I'm told. The thing is, the characters are too much like regular people, who, in addition to showing their enthusiasm for Star Trek now and then, also have other interests, and showcasing these other interests strays our attention even further from the main feature. There's a big deal about going to the comics store, having a collection of Star Wars action figures, and possessing the Criterion Collection laserdisc versions of Hitchcock films. Realistic? Yes. Good for the film? No.
There are a couple of half-hearted attempts at throwing in a romance angle. Robert falls in love with a woman, but really doesn't know how to handle the emotions. Meanwhile, Shatner falls in love with the proprietor of a trendy night club/bar, and spends some of his time trying to get her attention. There's great potential here to explore how Star Trek affects the way each of these men deal with love, or how love affects their association with Star Trek. Unfortunately, the romance angle has no clear association with the topic, and is furthermore less than compelling.
Am I going too far in criticizing the film for detracting from the Star Trek jokes? Am I missing the point that the film is really about how average people relate to themselves and to each other? I don't think so. I mean, the film is called FREE ENTERPRISE, after all, and it does have William Shatner. Star Trek not only has to be the main theme, but the overriding theme, and this film simply does not deliver in this respect. It's too bad because this FREE ENTERPRISE could have filled a niche empty up until now, a true Star Trek fan parody. It really could have gone where no one had gone before. Come on, now. You know I had to say it.
Review posted June 5, 1999
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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L.A. CONFIDENTIAL ( director: Curtis Hanson; cast: Kevin Spacey, Russell Crowe, Guy Pearce, Kim Basinger, Danny DeVito, James Cromwell, David Strathairn, 1997)
A 1950s history of sleazy Hollywood and corrupt cops and crime bosses running the city, is gone over with a fine eye for detail in this stylized, technicolor noir film, that also depicts the popular scandal magazine of that era, Confidential Magazine, (but called in the movie, Hush-Hush). This film will evoke memories of films such as CHINATOWN and THE BAD AND THE BEAUTIFUL, and of the starlets of that era, Lana Turner, Veronica Lake, and Rita Hayworth. The feel of the movie is of nostalgia for the Hollywood glamorous life of that period, at least it presents what we are led to believe is glamorous, while the paparazzi click their cameras at the action and work hand-in-hand with the cops, hoping to catch a Hollywood figure with narcotics, or in bed with someone who they shouldn't be with, or get the goods on some commies in Hollywood. Crime and violence and corruption run amok in the city, but the police use the media to project their police department as the best in the country.
There are so many wonderful performances, that it is difficult to say which one is the best, but the Russell Crowe, dumb tough guy, muscle man cop, takes the cake as far as I am concerned, it gives the film the raw energy and view point it wants to get across, as he believes whole heartedly in what he is doing, as he beats confessions out of those accused of crimes and works over others to get information. He is a regular Mr. Softee for woman, and is particularly rough on woman beaters, as he explains how he was influenced to become a cop, thinking he could do some good for society, after watching his dad beat on his mom.  She falls for Crowe. And believe it or not, these are the two most virtuous ones in this flick.
The main plot of the film involves a stick-up in a diner called the Night Owl, where six people are slain, including an ex-cop. It soon becomes apparent, after the arrest and shooting of the three Negroes framed for the job, that something big is happening here, and it is more than the ordinary crime it first appeared to be. The politically opportunist Pearce, uses this opportunity to become a hero, first arresting the Negroes, then shooting them when they escape. He gets his promotion to homicide lieutenant, and stiffly grins through his clenched shiny teeth. He is hated by the men in the department for breaking the cops "code of silence." But he doesn't care, he is both ambitious and eager to do his job the right way. He wants to emulate his dad who was a hero detective, killed in the line of duty.
Kevin Spacey plays Jack Vincennes as smoothly as he can, a role he plays with great relish, interested in the glamor of the job, he is the technical advisor to the detective TV series, Badge of Honor, which is a take-off on the real TV show of the 50s, Dragnet. He works secretly with the sleazy DeVito character, who is the edgy journalist of Hush-Hush magazine. Spacey gets money from Devito and credits for the arrests and DeVito scoops the other publications with these hot pictures and stories.
Cromwell is deceptively engaging as the police chief, with a heavy Irish accent and with the demeanor of a politically connected cop, who could look you straight in the eye and make you feel as if you were talking to someone who has the goods on you. His role in the film is crucial for our understanding of the underlying sentiment of how the L.A. police force has relished its role as savior for the citizenry, even if it has to defy what the book says is the right way to conduct a criminal investigation.
The film is long, but it moves at a very brisk pace, covering a multitude of sub-plots. The most disturbing thing about the movie, might not be that disturbing if you believe that justice doesn't work, anyway, and that if the criminal element gets pounded on, then, so what, they are only criminals who would be getting away with crime completely if not for these rogue cops. The would be lesson to be learned from this film, is that the only thing that works in uncovering the misdeeds in this city of secret deals and corruption, is the ability of strong arming the suspects and gangsters you need info from. The conflict of being a cop in this town, is over what one wants his job to be like and why one joined the force in the first place, this is answered differently by the three lead cops: Pearce (the new kind of media image cop, is out for himself), Crowe (the old-style of cop, we don't talk to outsiders type), and Spacey (who has forgotten why he joined the force). What was made to seem impossible, was a cop who is good at his job and gets promoted legitimately without political influence and is honest.
Maybe the filmmakers are right in their slick attitude, or maybe this film is just pure entertainment. But the film loaded the deck for any other argument, and that is what deters me from going overboard and praising this film to the heavens, even if it is an exceptionally well-made, cynically humorous, and terrifically acted picture; but, yet, it might not be as great as it appears, since its subliminal message is that you can't change the system.
REVIEWED ON 11/10/98 GRADE: B+
Dennis Schwartz: "Movie Reviews"
<EMAIL_ADDRESS>http://www.sover.net/~ozus [Image]
© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
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Please direct comments/criticisms of the review to relevant newsgroups.
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{% extends 'base.html' %} {% block content %}
If you already have an account, go ahead and log in. Don't have an account? Create your student account or a teacher account.
I'm an online quiz application. Allowing instructors to create assessmets, and hence the name `AssessMe`, and,
consecutively,
students take them. Do feel free to test me out.
For starters, you can log in using:
Teacher account:
username: teacher password: teacher
Student account:
username: student password: student
Regards,
Marvin Kweyu
For the project source: The AssessMe Project


The TiExplorer module enables you to read files from Internal/External storage and save in your application specific folder which you selected.
This project can be found on github at here.
To access this module from JavaScript, you would do the following:
var TiExplorer = require("ti.explorer");
TiExplorer.selectFile({
mimeType: "application/vnd.ms-excel",
location: TiExplorer.EXTERNAL_STORAGE,
onSuccess: function(e) {
if(e.status == TiExplorer.EXTERNAL_STORAGE) {
// Success Received
var fileObj = file || null;
if(fileObj != null) {
alert("File Created Successfully!");
}
}
},
onError: function(e) {
Ti.API.info("onError>>>> " + JSON.stringify(e));
}
});
You can create an request for SelectFile using below properties
RESULT_OK
RESULT_CANCELED
RESULT_ERROR
EXTERNAL_STORAGE
CACHE_DIRECTORY
DATA_DIRECTORY
EXTERNAL_CACHE_DIRECTORY
This project is licensed under the MIT approved License. For details please see the license associated with each project.


{% extends "base.html" %} {% block content %}
To add company details or a disclaimer to a quote, update company information using the settings menu


| # | Booking No | Customer Name | Room/Hall | Check in | Check out | Booking Date | Payment Status | Booking Status |
|---|---|---|---|---|---|---|---|---|
| 1 | 196552 | Maleesha Wijeratne | Executive | 05/09/2019 | 05/10/2019 | 05/09/2019 21:30 | Success | Pending |
| 2 | 199638 | Navindu Jayatilake | Executive | 05/01/2019 | 05/03/2019 | 05/09/2019 17:50 | Success | Success |
| 3 | 198711 | John Cena | Executive | 05/04/2019 | 05/05/2019 | 05/09/2019 20:30 | Success | Success |


Get Version
0.6.4cartesian
Cartesian products in Ruby
What
Provides methods for the calculation of the cartesian producted between
two or more enumerable objects. Includes grid search optimization methods.
It can also be easily and conveniently mixed-in into any enumerable class.
Installing
sudo gem install cartesian
The basics
Cartesian::product [1,2],[3,4] #=> [[1, 3], [1, 4], [2, 3], [2, 4]]
Demonstration of usage
One can use the Cartesian module directly
require 'cartesian' foo = [1, 2] bar = ["a", "b"] Cartesian::product(foo, bar) #=> [[1, "a"], [1, "b"], [2, "a"], [2, "b"]]
or use the methods provided by the mixin in the Array class
foo.cartesian(bar) #=> [[1, "a"], [1, "b"], [2, "a"], [2, "b"]]
which include the short’n’sweet x method
v = [] #=> [] for a, b in [1,2].x [3,4] v << [a,b] end #=> true v #=> [[1, 3], [1, 4], [2, 3], [2, 4]]
The ‘**’ operator provides a convenient way of iterating multi-dimensionally over the same array or range
u = [0, 1]**3 #=> #<CartesianIterator:0x7f2fb8e54978 @tot_iter=8, \ # @lists=[[0, 1], [0, 1], [0, 1]]> u.to_a #=> [[0, 0, 0], [0, 0, 1], [0, 1, 0], \ # [0, 1, 1], [1, 0, 0], [1, 0, 1], \ # [1, 1, 0], [1, 1, 1]]
Finally, the grid search methods
require 'grid_search' [-1, 0, 1, 2].argmax {|x| x**2 } #=> 2 [-1, 0, 1, 2].argmin {|x| x.abs } #=> 0
For more examples and details, see the RDoc-generated documentation here.
How to submit patches
Read the 8 steps for fixing other people’s code and for section 8b: Submit patch to Google Groups, use the Google Group above.
You can fetch the source from:
git clone git@github.com:adrianomitre/cartesian.git
Build and test instructions
cd cartesian rake test rake install_gem
License
This code is free to use under the terms of the MIT license.
Contact
Comments are welcome. Send an email to Adriano Mitre.
Adriano Mitre, 7th January 2011
Theme extended from Paul Battley


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{% extends "base-my.html" %} {% block content %}
You're adding picture to {{ chapter }} in {{ chapter.book }}


Clinton Foundation Files $16.8 MILLION Loss
The numbers don’t lie, Hillary’s name is poison
Hillary Clinton’s name is pure poison and no one in their right mind wants anything to do with her.
This is evidenced nowhere more in the fact that the Clinton Foundation has gone from turning over a revenue of almost $400 million in 2013, to actually LOSING almost $33 million since Donald Trump wiped the floor with Hillary in 2016.
Newly released tax records show that the foundation reported a loss of almost $17 million in 2018, to add to the net loss of $16.1 million the previous year in 2017.
The numbers don’t lie.
Total revenue reported for 2018 was just $30.7 million, less than a tenth of what was being pulled in While Hillary was Secretary of State.
Only $24.2 million was posted in grants and contributions, which constitutes a record low for the “charity.” Expenses amounted to $47.5 million, hence a loss of $16.8 million.
In 2009, the Clinton Foundation hauled in $249 million, and in the four years that followed, another $392.2 million in revenue poured in.
In total, during the eight years of Obama’s presidency, the Clinton Foundation reported total revenue of more than $1.1 billion
Then Hillary coughed and collapsed her way to the election, and America was ‘made great again’,
We learned about hammers and hard drives, and a many of the Clintons’ donors realised that the optics of giving money to a ‘crooked’ family are not good.
It seems there is only one thing left for Hillary to do…


Pushcart vendor arrested for ‘murder attempt’
by Staff ReporterThe Three Town police arrested a 40-year-old person for allegedly attempting to murder a security guard and a blue colts constable at Siripuram here on Monday night.
The arrested was identified as P. Gowri Sai alias Gurrala Sai, a native of Gajuwaka and resident of Peda Gantyada area in Visakhapatnam.
According to Three Town Inspector G. Rama Rao, the accused had entered the VMRDA Children’s Arena with a pushcart on Monday night. When the security guard asked him to go away, he refused. After an altercation, security guard informed the Blue Colts. The security guard allegedly tried to push him out and assaulted him. Upset by this, Gowri reportedly took a knife and tried to attack him. Blue Colts constable, who was at the spot, tried to intervene. Gowri also allegedly tried to attack the constable. The accused was overpowered and booked under Section 307 of IPC.


This command will search the npm markdown documentation files for the terms provided, and then list the results, sorted by relevance.
If only one result is found, then it will show that help topic.
If the argument to npm help
is not a known help topic, then it will call help-search
.
It is rarely if ever necessary to call this command directly.
If true, the "long" flag will cause help-search to output context around where the terms were found in the documentation.
If false, then help-search will just list out the help topics found.


The following constructs are available for controlling program flow.
If ... Then
If {expression} Then {statements1} Else {statements2}
Evaluates the 'If' expression and, if true, executes the 'Then' statements. If false, the 'Else' statement are executed, the 'Else' part is optional - statements are executed until the end of the line.
If {expression1}
{statements1}
Else If {expression2}
{statements2}
Else If {expression3}
{statements3}
Else
{statements4}
EndIfThis form of the If statement allows for more than one line of statements. The 'Else If' and 'Else' parts are optional. The 'Else' part is executed only if none of the 'If' or 'Else If' expressions were true.
While ... Wend
While {expression}
{statements}
WendA While loop continues executing until {expression} evaluates to false. {expression} is evaluated at the start of each loop.
For ... Next
For {variable}={initalvalue} To {finalvalue} Step {step}
{statements}
NextA For/Next loop first assigns {initialvalue} to {variable} and then starts looping. The loop continues until {variable} reaches {finalvalue} and then terminates. Each loop, the value {step} is added to {variable}. If a step value is omitted, a default value of 1 is used.
For {variable}=Each {typename}
{statements}
NextThis form of the For/Next loop allows you to iterate over all objects of a custom type.
Repeat ... Until/Forever
Repeat
{statements}
Until {expression}A Repeat loop continues executing until {expression} evaluates to true. {expression} is evaluated at the end of each loop.
Repeat
{statements}
ForeverA Repeat/Forever loop simply executes {statements} until the program ends, or an 'Exit' command is executed.
Select ... Case
Select {expression}
Case {expressions1}
{statements1}
Case {expressions2}
{statements2}
Default
{statements3}
End SelectFirst the 'Select' expression is evaluated. It is then compared with each of the 'Case' expression lists. If it matches a 'Case', then the statements in the 'Case' are executed.
If the 'Select' expression matches none of the 'Case' expressions, the statements in the optional 'Default' section are executed.
Breaking Out Of A Loop
The 'Exit' command may be used to break out of any For...Next, While...Wend, Repeat...Until or Repeat...Forever loop.
Using Includes
Blitz also supports the 'Include' command. Include allows source code from an external file to be compiled as if it were part of the main program. Include must be followed by a quote enclosed filename. For example...
Include "anotherfile.bb"Include allows you to break your program up into smaller, more manageable chunks.


Mobile-Apps
Overview
SchaetzKc has been developing iOS apps since 2008. Check out our work below. I know not that many apps for 7 years. But we had fun making them, that has to count for something.
iPhone Apps
Green Gas
Green Gas Finder allows you to quickly and easily find E85, Electric, Bio-Disel, Compressed Natural Gas, Liquid Natural Gas and Liquid Propane Gas locations across the country with only a few touches. Green Gas Finder search is powered by the National Renewable Energy Laboratory’s open api.
Holiday 365
Holiday 365 is a one stop shop for celebrating the holiday’s 365 days a year. Developed with the holiday lover in mind. The application will allow you to have a countdown to all your favorite holidays, find recipes and search for holiday events in your area. The app supports Christmas, New Years, Valentines, Easter, 4th of July, Halloween and Thanksgiving. In addition, Christmas has some special features such as an “25 Days Till Christmas” function that has a different image and saying for the 25 days leading up to Christmas Day. The kids can join in on the fun as well with the letter to Santa feature that will allow them to enter in their name and three gifts that they want. Santa will even respond to their letter =). Have fun and enjoy!
Hot and Not
Hot and Not allows you to quickly find what is Hot and Not around you. This is a first of its kind app that determines what is Hot and Not based on social data. It is not based on ratings, but instead is deigned to use social data to determine the places people go to and like.
RPS: Rock, Paper, Scissors!
Addictive and fun as you relive your childhood playing this game! RPS: Rock, Paper, Scissors brings the classic game to the iPhone. Includes single player and other modes that utilize the accelerometer making the play fun as you tap the iPhone against your palm three times before seeing the outcome.
RPS 2: Rock, Paper, Scissors!
Free Version with In App Purchases! Addictive and fun as you relive your childhood playing this game! RPS: Rock, Paper, Scissors brings the classic game to the iPhone. Includes single player and other modes that utilize the accelerometer making the play fun as you tap the iPhone against your palm three times before seeing the outcome.
iPad Apps
Holiday 365 HD
Holiday 365 is a one stop shop for celebrating the holiday’s 365 days a year. Developed with the holiday lover in mind. The application will allow you to have a countdown to all your favorite holidays, find recipes and search for holiday events in your area. The app supports Christmas, New Years, Valentines, Easter, 4th of July, Halloween and Thanksgiving. In addition, Christmas has some special features such as an “25 Days Till Christmas” function that has a different image and saying for the 25 days leading up to Christmas Day. The kids can join in on the fun as well with the letter to Santa feature that will allow them to enter in their name and three gifts that they want. Santa will even respond to their letter =). Have fun and enjoy!


Nintendo NY Store reveals new Bowser statue
by My Nintendo News AdminNintendo NY has unveiled a smashing brand new Bowser statue which will take a prominent place in the store going forward. You’ll be able to check it out today and it has replaced the iconic Donkey Kong statue that was previously there. Not the best of timing given that we are currently celebrating DK’s 25th anniversary. Anyway, check it out above!


| DOSE: |
1 tablet |
oral |
MDMA |
(pill / tablet) |
A friend of mine told me long ago that I should never take E because of my weird body chemistry: he said that with my heightened output of endorphins the comedown would crush me irrevocably and I'd kill myself.
But a couple weeks ago I was at another friend's house. It was this rancher somewhere in suburbia but he had a thoroughly pagan and beautiful back yard with cedars - so beautiful. Anyway, he asked if I got chemically-enhanced and I said, 'Yeah!'
The guy supplied me with a tab but owing to my size - he was careful to say that he did not mean it as a cap - I might need two. I said I only had enough money for one, give me the one and let's see where it goes from there. He gave me the warnings - drink tons of water, and everyone here will give you lots and lots of love and hugs.
 The years have mellowed and centred me a good deal and I was pretty sure I could take it in stride.
I took the tab and went into a laser/fog tunnel another person at the party had set up, and the experience of that gave me a giddy uplift but pretty much after I exited I forgot almost completely about it.
Then two or three hours later - bingo! My head's whirling, I'm a little queasy, I'm yawning like crazy. The sitting room had a nice big overstuffed leather chair so I snuggled down into that. Periodically throughout the break my host and supplier would come over and say, 'Howya doin', darlin'?' and follow up with a hug or rub or little kiss. The smooth softness of the leather felt good, but I was still sleepy/queasy, so I laid down across the arms.  The guy had been neck-rubbing the chick but they wound up in a spoon-hug, just that.
He leaned down over her shoulder and hugged her and she leaned back and laid her head on his shoulder. Something told me that the queasiness would stop if I only made contact with other people, so I went over to join them. 'Cuddle Puddle!' we all crowed and I was transported with happiness to find a group of people who so openly accepted me! The guy laid on his back and I laid my head and paw over his belly and the chick spooned me. They both started stroking my hair and I tickled his muttonchops and nuzzled his breastbone.
He asked me my name and I told him. Normally my totem tells me not to tell people my name but I told him. He loved it and smiled and started crooning about wolf fur and how the long silky guard hairs are pretty but the wooly undercoat keeps the wolf so warm. I asked which tribe he was from and he said he was a Child ov Gaia Ahroun. I told him I was a Metis Theurge and we decided to form a pack together. We all of us in the cuddle-puddle decided to form a pack and we started snugging and playing and nuzzling together.
I think we stayed like that for an hour or more but it was a nice, eternal glowing hour. There was a clock right up above me so I could watch the time pass but it felt as if the time hadn't passed, it was just another number. The nice thing about E is that I was just happy in the Now, everything was cool and my face was sore from the biggiest, sappiest grin I've ever had in my life.  I thought it was entirely amusing that that night, I was only borrowing water :)
Our supplier made it pretty clear to everyone that we were all tripping on E and to give us lots and lots of love. He would periodically drop down into the group and dispense hugs, snuggles, kisses and endearments. We thought it was funny that a wolfpack would be forged in Ecstasy but I reminded everyone that 'All acts of beauty and pleasure are Mine, sayeth the Goddess.' The neat thing was, I knew I was on E and knew the warnings: inappropriate bondings, et alia, but I'm emotionally mature and spiritually experienced enough to have the capacity of Agape: love without strings. Even if I never see my packmates again, even if they deny it, even if our elders reprove us we'll always have those lovely two hours in front of the fire.
The experience was vivid and lucid enough that I can pretty easily call up the feelings again any time I want. They help me get through the rough spots and the experience has evened out my mood swings a good deal, so in general I'm a more up and easy person to be around. I'd almost say that E was actually therapeutic and like I said, I'm mature enough to accept the experience purely at face value. I only wish I'd done it sooner! :)
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Grid Based design is based on the principle that a person naturally reads a page top to bottom and left to right. The desginer uses this tendancy to plan their design and places important features in the next immediately obvious place from where the viewer is on the page. For example, webpage might have a title, and this title will be placed at the top of the page in the first place a viewer will look. Next they viewers eyes will progress to the next row of the page on the left side, where the designer will have placed an image or title that will catch the viewers attention. The importance of the content in maintianing the viewer attention decreases as they get deeper and more immersed in the page.
Grid based design is an extremely common method of laying out a web page and is used throughout most of the webpages you come across in your daily lives. The page is divided into a series of rows and columns the content of which is strategically planned to progress the attention of the viewer towards the main content. Pages are commonly divided into 2, 3 or 4 columns and multiple rows. This allows for enough room for content as well as providing multifaceted content of a single screen.
Responsive webpages are ones which change depending on the device/browser that they are viewed on. This includes screen size and browser capability and covers a range of changes such as making the website's layout change depending on what device it is displayed on. Equally, some browsers cannot display some types of CSS tags which can be overcome by creating a responsive webpage. Some people use pre-made css files which can be linked to a html page and make the page responsive to a variety of different browsers and screen sizes. This is an essential tool in a forward thinking web designer's toolkit as it allows for universal, optimal viewing of the website that they are designing.
Semantic structure is a range of tags which clearly display their meaning to the developer as well as the browser. Semantic tags are ones which you can understand by reading them, for example h1 is the most important heading tag, while p is a paragraph tag and img is an image tag. These tags are immediately obvious in their purpose and allow the developer to more easily define the changes they are making.
I found the grid based design and understanding the pyschology behind it interesting as it shows that web design is a logical craft. It is also interesting to recognise the links between the grid and the boxification discussed earlier.


Training environment
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To access the training environment you need to contact eRS support.
This is not the live service.
If you are here trying to log on to the live service, then you will be disappointed. Move along please, move along.


Chloe Pope.
Curriculum Vitae.
Explore
Portfolio.
Curriculum Vitae.
About Me.
My name is Chloe Pope.
I'm 19 years old.
I live in Carrigaline Co. Cork.
I've completed 14 years unbroken school attendance from 2004-2018.
Hobbies
I trained in gymnastics from the age of 4 to 15.
I competed at elite level gymnastics for 4 years.
I have been coaching gymnastics since the age of 15.
In 2018 I qualified as a national Judge for gymnastics.
Education
Secondary School.
I attended St. Angelas College and Bruce College Cork. Leaving Cert Results
English:H4 Irish:H2
Maths:O3 French:O4
Business:H2 Economics:H2
Accounting:H3 Biology:H4
University.
I am currently a first year student in UCC studying BIS.
Work Experience.
I have worked in my gymnastics club since the age of 16 as a junior coach and I am now a qualified level 1 coach.
Currently I am working 5 days a week totaling 25 hours per week.
Recently 4 of the gymnasts I coach made it onto Irish squads.
Return to home page.


Overlay objects are special versions of other objects that are used for graphical display in a simulation model. Unlike other display objects, the position of overlay objects is referenced to the corner of a view window, and so the object does not move when the View is panned or zoomed. These objects are useful for labelling View windows or displaying the model name and company logos. Examples of overlay objects are the default Title and Clock that are provided automatically when a new model is opened.
There are three types of overlay objects, each corresponding to a different graphical object type. The relationship between each overlay object, its parent object type, and its usage is summarized in the following table.
Overlay Object and Usage Summary
|
Overlay Object |
Parent Object |
Usage |
|
OverlayImage |
DisplayEntity |
Static image (Logos, other graphics) |
|
OverlayText |
Text |
Static or dynamic text (Model name, states, rates) |
|
OverlayClock |
Text |
Current time in the simulation model. |
Apart from graphics inputs, each type of overlay object has the same keywords as its parent object. The graphics inputs for overlay objects are shown in the following table.
Overlay Objects Graphics Inputs
|
Keyword |
Description |
|
ScreenPosition |
A list of two numbers specifying the spacing, in pixels, between the left and top corner of the View window and the object. |
|
AlignRight |
If TRUE, the horizontal alignment is referenced to the right side of the View window instead of the left. |
|
AlignBottom |
If TRUE, the vertical alignment is referenced to the bottom side of the View window instead of the top. |


|
||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object net.sourceforge.pebble.index.SearchIndex
public class SearchIndex
Wraps up the functionality to index blog entries. This is really just a convenient wrapper around Lucene.
| Constructor Summary | |
|---|---|
SearchIndex(Blog blog)
|
| Method Summary | |
|---|---|
void |
clear()
Clears the index. |
void |
index(BlogEntry blogEntry)
Allows a single blog entry to be (re)indexed. |
void |
index(StaticPage staticPage)
Allows a single static page to be (re)indexed. |
void |
indexBlogEntries(java.util.Collection<BlogEntry> blogEntries)
Allows a collection of blog entries to be indexed. |
void |
indexStaticPages(java.util.Collection<StaticPage> staticPages)
Allows a collection of static pages to be indexed. |
SearchResults |
search(java.lang.String queryString)
|
void |
unindex(BlogEntry blogEntry)
Removes the index for a single blog entry to be removed. |
void |
unindex(StaticPage staticPage)
Removes the index for a single blog entry to be removed. |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Constructor Detail |
|---|
public SearchIndex(Blog blog)
| Method Detail |
|---|
public void clear()
public void indexBlogEntries(java.util.Collection<BlogEntry> blogEntries)
public void indexStaticPages(java.util.Collection<StaticPage> staticPages)
public void index(BlogEntry blogEntry)
blogEntry
- the BlogEntry instance to indexpublic void index(StaticPage staticPage)
staticPage
- the StaticPage instance to indexpublic void unindex(BlogEntry blogEntry)
blogEntry
- the BlogEntry instance to be removedpublic void unindex(StaticPage staticPage)
staticPage
- the StaticPage instance to be removedpublic SearchResults search(java.lang.String queryString) throws SearchException
SearchException
|
||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


Custom1 from (1 / 24)
Custom2 from (24 / 39)
Custom3 from (39 / 61)
Custom4 from (1 / 15)
Custom5 from (15 / 31)
Custom6 from (31 / 42)
Custom7 from (42 / 61)


Perfect Defense
Hardly anything is harder to harm than a Mirror Knight in their defensive stance.
+${value}% Health
8 11 14 17 20 23 26 29 32 35
+${value}% Movement Speed
10 13 16 19 22 25 28 31 34 37
MaxLevel
6
UltimateLevel
10


Design Editor Log:
Here you will find the messages from application ...
Design Documents
Generate Documentation
Open document
New document
Cleanup Views
Rebuild all index
Compact Database
Delete Database
Server Log
Server Status
Snippets
Appzip
About
Authors:
Constantin Teodorescu
Dragos Stoica
This tool uses:
jQuery
jQuery CouchDB
jQuery EasyUI
Ace Editor
jsbeautifier
New Design Doc
Rename Design Doc
Duplicate Design Doc
Change language
New View
New List
New Show
New Update
New Filter
New Fulltext
New Validate Doc Update
Delete Design Doc
New Function
Rebuild Index
Compact View
Delete Function
Rename Function
Duplicate Function
Delete Function
name: _design/
language:
Cancel
Create
language:
Cancel
Change


Here you would put the actual form to start the process in some design normally either matching your task list or your business application (or both in the best case).
You can invoke this form through the camunda tasklist by setting the formKey of a Start Event to 'app:forms/start-form.jsf'.


{% if article.prev_article or article.next_article %}
Do not forget to check the previous and next Articles
{% if article.prev_article %}
{{ article.prev_article.title }}
{% endif %}
{% if article.next_article %}
{{ article.next_article.title }}
{% endif %}
Did you like this article? Share it!


|
| void | Play () |
| | Starts or continues the playback More...
|
| |
| void | Pause () |
| | Pauses the playback More...
|
| |
| void | Stop () |
| | Stops playback of all tracks. More...
|
| |
| void | SeekTo (int seconds) |
| | Jumps back or forth in playback. There is a distinction whether a studenttrack is running or not. In addition, it is checked whether the duration of the student track is shorter than the one of the teacher track. If so, the student track is muted once we jump out of its duration. More...
|
| |
| void | PrepareTeacherTrack (Recording recording) |
| | Prepares the teacher track, i.e. makes it ready for playback. More...
|
| |
| void | PrepareStudentTrack (Recording recording) |
| | Prepares the student track, i.e. makes it ready for playback. Can be called with a null parameter to reset the student player More...
|
| |
| void | ActivateAudioSession () |
| | Requesting permissions and activating the audio session. More...
|
| |
◆ ActivateAudioSession()
| void Lingvo.MobileApp.iOS.Sound.Player.ActivateAudioSession |
( |
| ) |
|
|
inline |
Requesting permissions and activating the audio session.
◆ Pause()
| void Lingvo.MobileApp.iOS.Sound.Player.Pause |
( |
| ) |
|
|
inline |
◆ Play()
| void Lingvo.MobileApp.iOS.Sound.Player.Play |
( |
| ) |
|
|
inline |
◆ PrepareStudentTrack()
| void Lingvo.MobileApp.iOS.Sound.Player.PrepareStudentTrack |
( |
Recording |
recording | ) |
|
|
inline |
Prepares the student track, i.e. makes it ready for playback. Can be called with a null parameter to reset the student player
- Parameters
-
Implements Lingvo.Common.Adapters.IPlayer.
◆ PrepareTeacherTrack()
| void Lingvo.MobileApp.iOS.Sound.Player.PrepareTeacherTrack |
( |
Recording |
recording | ) |
|
|
inline |
◆ SeekTo()
| void Lingvo.MobileApp.iOS.Sound.Player.SeekTo |
( |
int |
seek | ) |
|
|
inline |
Jumps back or forth in playback. There is a distinction whether a studenttrack is running or not. In addition, it is checked whether the duration of the student track is shorter than the one of the teacher track. If so, the student track is muted once we jump out of its duration.
- Parameters
-
Implements Lingvo.Common.Adapters.IPlayer.
◆ Stop()
| void Lingvo.MobileApp.iOS.Sound.Player.Stop |
( |
| ) |
|
|
inline |
The documentation for this class was generated from the following file:
- src/MobileApp.iOS/Sound/Player.cs


Glossary
Search is a domain full of it’s own jargon and definitions. As this may be an
unfamiliar territory to many developers, what follows are some commonly used
terms and what they mean.
- Engine
- An engine, for the purposes of Haystack, is a third-party search solution.
It might be a full service (i.e. Solr) or a library to build an
engine with (i.e. Whoosh)
- Index
- The datastore used by the engine is called an index. Its structure can vary
wildly between engines but commonly they resemble a document store. This is
the source of all information in Haystack.
- Document
- A document is essentially a record within the index. It usually contains at
least one blob of text that serves as the primary content the engine searches
and may have additional data hung off it.
- Corpus
- A term for a collection of documents. When talking about the documents stored
by the engine (rather than the technical implementation of the storage), this
term is commonly used.
- Field
- Within the index, each document may store extra data with the main content as
a field. Also sometimes called an attribute, this usually represents metadata
or extra content about the document. Haystack can use these fields for
filtering and display.
- Term
- A term is generally a single word (or word-like) string of characters used
in a search query.
- Stemming
- A means of determining if a word has any root words. This varies by language,
but in English, this generally consists of removing plurals, an action form of
the word, et cetera. For instance, in English, ‘giraffes’ would stem to
‘giraffe’. Similarly, ‘exclamation’ would stem to ‘exclaim’. This is useful
for finding variants of the word that may appear in other documents.
- Boost
- Boost provides a means to take a term or phrase from a search query and alter
the relevance of a result based on if that term is found in the result, a form
of weighting. For instance, if you wanted to more heavily weight results that
included the word ‘zebra’, you’d specify a boost for that term within the
query.
- More Like This
- Incorporating techniques from information retrieval and artificial
intelligence, More Like This is a technique for finding other documents within
the index that closely resemble the document in question. This is useful for
programmatically generating a list of similar content for a user to browse
based on the current document they are viewing.
- Faceting
Faceting is a way to provide insight to the user into the contents of your
corpus. In its simplest form, it is a set of document counts returned with
results when performing a query. These counts can be used as feedback for
the user, allowing the user to choose interesting aspects of their search
results and “drill down” into those results.
An example might be providing a facet on an author field, providing back a
list of authors and the number of documents in the index they wrote. This
could be presented to the user with a link, allowing the user to click and
narrow their original search to all results by that author.


import React from 'react';
import { Alert } from 'react-bootstrap';
/**
*
* @param {propType} variant a variant prop passed to decide which type of message to return
* @Component
* @example
* variant = danger
* variant = success
* @param {propType} children a children prop passed to the component which is displayed as a bootstrap alert
* @returns {Bootstrap:Alert} returns an alert which is used to display message in the application such as Errors or Successes
*/
const Message = ({ variant, children }) => {
return <Alert variant={variant}>{children}</Alert>;
};
Message.defaultProps = {
variant: 'info',
};
export default Message;


str2ascii
go back
here you can enter your text or your ascii numbers divided by ,
the delimiter
str -> ascii
ascii -> str


Features¶
Open Virtual Network (OVN) offers the following virtual network services:
Layer-2 (switching)
Native implementation. Replaces the conventional Open vSwitch (OVS) agent.
Layer-3 (routing)
Native implementation that supports distributed routing.
DHCP
Native implementation or conventional DHCP agent. The native implementation supports distributed DHCP. However, it currently lacks support for the Neutron internal DNS and metadata proxy features.
Metadata
The metadata API is currently only supported in conjunction with the Neutron DHCP agent.
DPDK
OVN and networking-ovn may be used with OVS using either the Linux kernel datapath or the DPDK datapath.
Trunk driver
Uses OVN’s functionality of parent port and port tagging to support trunk service plugin. One has to enable the ‘trunk’ service plugin in neutron configuration files to use this feature.
The following Neutron API extensions are supported with OVN:
| Extension Name | Extension Alias |
|---|---|
| agent | agent |
| Address Scopes * | address-scope |
| Allowed Address Pairs | allowed-address-pairs |
| Auto Allocated Topology Services | auto-allocated-topology |
| Availability Zone | availability_zone |
| Default Subnetpools | default-subnetpools |
| DHCP Agent Scheduler ** | dhcp_agent_scheduler |
| Distributed Virtual Router * | dvr |
| DNS Integration * | dns-integration |
| HA Router extension * | l3-ha |
| L3 Agent Scheduler * | l3_agent_scheduler |
| Multi Provider Network | multi-provider |
| Network Availability Zone ** | network_availability_zone |
| Network IP Availability | network-ip-availability |
| Neutron external network | external-net |
| Neutron Extra DHCP opts | extra_dhcp_opt |
| Neutron Extra Route | extraroute |
| Neutron L3 external gateway | ext-gw-mode |
| Neutron L3 Router | router |
| Network MTU | net-mtu |
| Port Binding | binding |
| Port Security | port-security |
| Provider Network | provider |
| Quality of Service | qos |
| Quota management support | quotas |
| RBAC Policies | rbac-policies |
| Resource revision numbers | revisions |
| Router Availability Zone * | router_availability_zone |
| security-group | security-group |
| standard-attr-description | standard-attr-description |
| Subnet Allocation | subnet_allocation |
| Tag support | tag |
| Time Stamp Fields | timestamp_core |
(*) Only applicable when conventional layer-3 agent enabled.
(**) Only applicable when conventional DHCP agent enabled.


Take 5 minutes to look around online at different types of data visualizations. Some good resources are:
In the Q&A section to this lecture, post the URL to your favorite data visualization that you can find. Explain what you like best about this visualization (e.g. it has an interesting topic, it has a nice design…). Is your visualization focused on exploring, presenting, or analyzing data?
Take a look at some of your classmates’ choices, and comment on at least one other post to give your own thoughts about their choice.