Issues to discuss at the Uppsala meeting
The main goal for the next UD release is to improve consistency across languages in the application of the UD guidelines. This will require resolving a number of issues where the guidelines are not specific enough to prescribe a unique analysis and where treebanks are known to diverge (or can be expected to diverge). Below we list a number of such issues that are suitable for discussion at the Uppsala meeting and where guidelines may need to be modified in future versions of the UD standard.
This list does not replace the Github issue tracker. It is rather a subset of open issues from the issue tracker, with main points emphasized here. The relevant issues in the issue tracker should be referenced from here; comments and on-line discussion should remain there.
-
Coordination. The guidelines specify that the first conjunct should be the head, but there are languages and constructions where, for example, inflection indicates that another conjunct (usually the final one) is the head. Examples from Turkish and Kazakh are found in issue #189. Should we insist that the first conjunct is always the head? Should we allow languages to choose a single consistent head-direction for coordination? Or should we allow this to vary within languages as well?
-
Copula sentences. The guidelines say that the copula verb should not be the root of a clause, but how do we draw the line between the copula verb and other uses of existential verbs like “be”? This is discussed in issue #170. While everyone agrees that “is” is a copula in “She is nice” and “She is in shape”, there is disagreement about “She is in London” and “The problem is that copulas are tricky”. In addition, there is the issue of whether this treatment should be extended to other verbs, for example, inchoative copula verbs (English “become”, French “devenir”, Swedish “bli”).
-
Cleft sentences. These are closely linked to copula sentences (at least in the case of Irish). Also, in Irish, there is no equivalent to the English expletive “it”, which may lead to a different analysis from those of other languages. See issue #162
-
Determiners and pronouns. Many languages have words that can be used both as determiners (“this book”) and full noun phrases (“this”). Should these words be tagged u-pos/DET or u-pos/PRON? Or should they be tagged u-pos/DET when used as determiners and u-pos/PRON when used as full noun phrases? See issue #159.
-
Ellipsis. See the Czech documentation for an overview of possibilities. A related issue is #164 (multiple root trees). Questions: Are we satisfied with the u-dep/remnant analysis in cases where function word promotion by head elision is not applicable? Even if we are, what do we do in cases where it cannot be applied (such as two orphaned verb arguments, no coordination)? Do we still believe that
NULL
nodes are evil? Ideally, we should collect all examples related to ellipsis and provide guidelines how they should be analyzed. -
Light-verb constructions. A recent poster at PARSEME has surveyed the annotation of LVCs in v1.1 and found three different approaches. The abstract of the poster will soon be available here (poster #13).
-
Multi-word expressions. A recent poster at PARSEME has surveyed the annotation of MWEs in v1.1 and found a number of inconsistencies. The abstract of the poster will soon be available here (poster #5).
-
Multi-word abbreviations (#181). Some treebanks may split them to syntactic words? Others keep them together. The issue is also related to how different treebanks tokenize abbreviations and their punctuation.
-
Names. The guidelines say that multi-word names should be given an ordinary, compositional syntactic structure whenever possible, and otherwise analyzed as head-initial structures with the u-dep/name relation. A typical example of the latter case is firstname-lastname expressions like “Sherlock Holmes”. However, there are many languages where there is morphological evidence that the last name is the head in this kind of structure (for example, Hungarian). Should these languages still use the u-dep/name relation? Are they allowed to take the last element as the head? Is this a parameter that varies across languages? A related issue is whether names with a compositional structure should still somehow be annotated as names is the enhanced dependency structure.
-
Particles. There is a special part-of-speech tag for grammatical particles, but it is often unclear what dependency relation to assign to particles, for example, question particles (#178). The relations u-dep/aux, u-dep/compound, u-dep/discourse, u-dep/expl, and u-dep/mark have all been proposed for various types of particles.
-
Tokenisation. In some languages (such as Kazakh and Turkish) it may be necessary to have dependency relations between sub-word units (often called inflectional groups, IGs), as discussed, for example, in #125. e.g. In the phrase “mavi arabadakiler”, it is clear that the car (araba) is blue (mavi), not the people in it (-dakiler).
-
Clitics and clitic doubling. Should the clitics get assigned different relations with respect to whether they are used alone (obj or iobj) or in a doubling (expl)?
-
Conversion best practices: available software, documentation, discussion of difficult constructions (in particular UD constructions that require information that is not necessarily present in source treebanks, e.g. control, the core vs non-core distinction, etc.), as well as chosen solutions for different languages.
-
Future of UD: semantics?
-
Tool development. It would be very useful to have annotation and visualization software tailored for the UD scheme. It would also be nice to have a baseline processing pipeline for tokenization, tagging and parsing that could be trained on any UD treebank.
-
Adpositions (#203). They are sometimes attached as
case
, sometimes asmark
oraux
, and the rules are not consistent across languages. More details are in this document. (Note that there is a slight overlap with the issue 10 above – Particles.) -
Reflexive pronouns (#204). They are sometimes attached as
obj
, sometimes ascompound:reflex
orexpl
, and the rules are not consistent across languages. More details are in this document.


Twenty-five miles north of downtown Tucson, Arizona, SaddleBrooke One beckons you with a tranquil desert setting and resort amenities: a 27-hole golf course, tennis center, pickleball, bocce, state-of-the-art gyms and much more.
Your days will be as busy as you want them to be, or you can relax with a book at our pool with spa or our patio with stunning mountain views.
Late afternoon finds our residents and guests socializing in the Agave Lounge for happy hour as the sun casts a soft pink glow on the Catalina Mountains. Dining options are available from breakfast to dinner at our restaurant and grill, each with panoramic mountain and fairway vistas.
Located at 3,500 feet above sea level, SaddleBrooke enjoys mountain breezes that mix with warm desert days and crisp evenings under sparkling starry skies. Deer, quail, roadrunners and coyotes add to the natural beauty of this oasis. SaddleBrooke residents take great pride in our community with its well maintained common areas and amenities. Come and see for yourself.
SaddleBrooke One is a Robson master-planned adult community founded in 1987 on 1,200 acres with approximately 3,650 residents, 2,000 homes, and 26 miles of private roads. SaddleBrooke One transitioned from developer control in 1999 and is governed by a seven-member Board of Directors in accordance with the CC&Rs and bylaws. The day-to-day operations are overseen by professional managers who are employees of the association.
Maps and Directions Contact Us


Planning the Appropriate Environment
Take a look at the two pictures of an office space. Imagine yourself interviewing a candidate. Which one would you prefer? Click the image to learn more.
Messy Desk
A messy or a cluttered desk is a sign of a cluttered mind. Can you find what you need from the clutter without wasting time? Not really!
Imagine the first impression it can have on candidates. Remember that you are representing Interview Pandit and are its face.
Ensure that your interview area is organized and all the cables are neatly tucked away from view.
Tidy Desk
A tidy desk is a sign of professionalism.
People often judge your capabilities based on the state of your desk. A clean, clutter–free desk creates a very positive impression about the organization you represent – Interview Pandit!
Click on both the images to proceed.


Cycling great Raymond Poulidor laid to rest
by AFPSAINT-LÉONARD-DE-NOBLAT (France): Former Tour de France winners Bernard Thevenet and Bernard Hinault were among hundreds of mourners who gathered in the village of Saint-Leonard-de-Noblat on Tuesday for the funeral of Raymond Poulidor, who died last week at the age of 83.

"He was an intergenerational champion. Known by people who never saw him on a bike."
Poulidor clinched 189 wins during his career from 1960-1977 but he will always be remembered for the races he failed to win.
From 1964 to 1976 he finished second in the Tour de France on three occasions and was third five times in an era dominated by Eddy Merckx.
High points included wins in the Tour of Spain, the Dauphine Libere twice, and the Paris-Nice twice.
His grandson Mathieu van der Poel, two-time cyclo-cross world champion, accompanied Poulidor's widow Giselle and their two other grandchildren at the funeral service.


Viewing and posting comments
The blog home page is now set, and we will continue by writing the post details page. This page will show all the comments about the current post, and will include a form to post new comments.
Creating the ‘show’ action
To display the post details page, we will need a new action method on the Application
controller. Let’s call it show()
:
public static void show(Long id) {
Post post = Post.findById(id);
render(post);
}
As you can see this action is pretty simple. We declare the id
method parameter to automatically retrieve the HTTP id
parameter as a Long
Java object. This parameter will be extracted either from the query string, from the URL path or from the request body.
If we try to send an id
HTTP parameter that is not a valid number, the id
variable value will be null
and Play will automatically add a validation error to the errors
container.
This action will display the /yabe/app/views/Application/show.html
template:
#{extends 'main.html' /}
#{set title:post.title /}
#{display post:post, as:'full' /}
Because we’ve already written the display
tag, this page is really simple to write.
Adding links to the details page
In the display tag we’ve left all links empty (using #
). It’s now time to make these links point to the Application.show
action. With Play you can easily build links in a template using the @{…}
notation. This syntax uses the router to ‘reverse’ the URL needed to call the specified action.
Let’s edit the /yabe/app/views/tags/display.html
tag:
…

${_post.title}

…
You can now refresh the home page, and click a post title to display the post.
It’s great, but it lacks a link to go back to the home page. Edit the /yabe/app/views/main.html
template to complete the title link:
…

About this blog

${blogTitle}

${blogBaseline}

…
We can now navigate between the home page and the post detail pages.
Specifying a better URL
As you can see, the post detail page URL looks like:
/application/show?id=1
This is because Play has used the default ‘catch all’ route.
* /{controller}/{action} {controller}.{action}
We can have a better URL by specifying a custom path for the Application.show
action. Edit the /yabe/conf/routes
file and add this route after the first one:
GET /posts/{id} Application.show
This way the id
parameter will be extracted from the URL path. You can read more about URI patterns on the manual page about Route File Syntax.
Refresh the browser and check that it now uses the correct URL.
Adding pagination
To allow users to navigate easily through posts, we will add a pagination mechanism. We’ll extend the Post class to be able to fetch previous and next post as required:
public Post previous() {
return Post.find("postedAt < ? order by postedAt desc", postedAt).first();
}
public Post next() {
return Post.find("postedAt > ? order by postedAt asc", postedAt).first();
}
We will call these methods several times during a request so they could be optimized, but they’re good enough for now. Also, add the pagination links at the top of the show.html
template (before the #{display/}
tag):

#{if post.previous()}

${post.previous().title}

#{/if}
#{if post.next()}

${post.next().title}

#{/if}

It’s better now.
Adding the comment form
Now it’s time to set up a comments form. We’ll start by adding the postComment
action method to the Application controller.
public static void postComment(Long postId, String author, String content) {
Post post = Post.findById(postId);
post.addComment(author, content);
show(postId);
}
As you can see we just reuse the addComment()
method we previously added to the Post class.
Let’s write the HTML form in the show.html
template (after the #{display /}
tag in fact):

Post a comment

#{form @Application.postComment(post.id)}

Your name:
<input type="text" name="author" id="author" />

Your message:
<textarea name="content" id="content"></textarea>

<input type="submit" value="Submit your comment" />

#{/form}
You can now try posting a new comment. It should just work.
Adding validation
Currently we don’t validate the form content before creating the comment. We would like to make both fields required. We can easily use the Play validation mechanism to ensure that the HTTP parameters are correctly filled in. Modify the postComment
action to add @Required
validation annotations and check that no error occurs:
public static void postComment(Long postId, @Required String author, @Required String content) {
Post post = Post.findById(postId);
if (validation.hasErrors()) {
render("Application/show.html", post);
}
post.addComment(author, content);
show(postId);
}
Don’t forget to import play.data.validation.*
as well.
As you can see, in case of validation errors, we re-display the post detail page. We have to modify the form code to display the error message:

Post a comment

#{form @Application.postComment(post.id)}
#{ifErrors}

All fields are required!

#{/ifErrors}

Your name:
<input type="text" name="author" id="author" value="${params.author}" />

Your message:
<textarea name="content" id="content">${params.content}</textarea>

<input type="submit" value="Submit your comment" />

#{/form}
Note that we reuse the posted parameters to fill the HTML input values.
To make the UI feedback more pleasant for the poster, we will add a little JavaScript to automatically set focus on the comment form in case of an error. As this script uses JQuery and JQuery Tools Expose as support libraries, you have to include them. Download these two libraries to the yabe/public/javascripts/
directory and modify the main.html
template to include them:
…

The comment form looks pretty cool now. We will add two more things.
First, we will display a success message after a comment is successfully posted. For that, we use the flash scope that allows us to pass messages from one action call to the next one.
Modify the postComment
action to add a success message:
public static void postComment(Long postId, @Required String author, @Required String content) {
Post post = Post.findById(postId);
if(validation.hasErrors()) {
render("Application/show.html", post);
}
post.addComment(author, content);
flash.success("Thanks for posting %s", author);
show(postId);
}
and display the success message in show.html
if present (add it at the top of the page):
…
#{if flash.success}

${flash.success}

#{/if}
#{display post:post, as:'full' /}
…
The last thing we will adjust in this form is the URL used for the postComment
action. As always, it uses the default catch-all route because we didn’t define any specific route. So add this route to the application routes file:
POST /posts/{postId}/comments Application.postComment
That’s done. As always, commit the version to bazaar.
Next: Setting up a Captcha.


Before Change
dummy_warning = "dummy_function have been called after closing windows"
original_backend = matplotlib.get_backend()
if original_backend == "agg":
matplotlib.pyplot.switch_backend("TkAgg")
def dummy_function():
// raise a warning to check if this function have been called
warnings.warn(dummy_warning, UserWarning)
After Change
@cleanup
def test_create_figure():
dummy_warning = "dummy_function have been called after closing windows"
if matplotlib.get_backend() not in ("GTKAgg", "WXAgg", "TkAgg", "Qt4Agg"):
pytest.xfail("{} backend does not support on_close event.".format(
matplotlib.get_backend()))
dummy_function = Mock()
fig = utils.create_figure(window_title="test title",
_on_figure_window_close=dummy_function)
assert isinstance(fig, matplotlib.figure.Figure) == True


Having spent 20 years in the corporate sector as a senior management professional in MNC's on all inhabited continents, I now enjoy sharing that experience with and learning from aspiring and practicing entrepreneurs across the globe.
More
Venkatramanan P.R
Data Scientist
Thought Works
Venkat is Lead Consultant and Data Scientist at ThoughtWorks. Over the last few years, he has helped build the data science capability within ThoughtWorks India
More
Amrit Sanjeev
Senior Developer Advocate
Google
Amrit Sanjeev is the organizer of Blrdroid, the largest open android developer community in India and also the first Google developer expert for Android from the country.
More
Manuyash Chaudhary
AI & NLP Developer & Researcher
Accubits
AI & NLP Developer & Researcher, Accubits Technologies. An MS in Machine Learning & Artificial Intelligence from University College London.
More
Sanju Mathew
CEO
Onbyz
Sanju Mathew is an Mtech Electronics graduate (Signal Processing and Bionics), Entrepreneur, Intel IoT Innovator and a speaker at National and International conferences on Bionics and IoT.
More
Anivar Aravind
Founder Executive Director
Indic Project
Anivar A. Aravind is Founder Executive Director of Indic Project, a civic-tech non-profit initiative works on language engineering, technology standards and digital rights.
More
Michael Gord
Blockchain Developer
MLG Blockchain Consulting
Michael is a blockchain developer at TD and the founder of Bitcoin Canada and the McGill Cryptocurrency Club. While at McGill, Michael organized the Bitcoin Airdrop events where he gave hundreds of students their first bitcoin..
More
Satish Babu
Chair, APRALO
ICANN
Programmer, Development Professional and Internet Governance Practitioner, associated with ICANN, ISOC, IEEE and InApp. Fellow and Past President of Computer Society of India. Chair, APRALO, ICANN and Member, 2017 HAC, IEEE.


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bayesian_webclass
Author(s):
autogenerated on Mon Jan 23 2017 10:23:57


Peruvian software engineer studen, who likes programming using django and nodejs. I like KFC and pizza hut ÑAM.


| Displacement | Engine | Fuel Sysytem |
| 373.2 cc | 1-cylinder 4-stroke engine (Liquid cooled) | Fuel Injection |
|---|---|---|
| Max Power | Max Torque | Gearbox | 43 Bhp @ 9500 rpm | 35 Nm @ 7250 rpm | 6 speed, claw shifted |
| Ground Clearance | Ker/Wet Weight | Fuel Tank Capacity | 170 mm | 154 kg | 11 litres |
| Mileage | Front Brake | Rear Brake | 25 kmpl | 300mm Disc | 230mm Disc |
| Front Suspension | Rear Suspension | Tyre | WP 43mm upside down forks | WP Monoshock | 110/70 R17(front),150/60 R17(rear) |
| Displacement | Engine | Fuel Sysytem |
| 249.6 cc | 4-stroke, DOHC, 4-valve, SI engine (Liquid cooled) | Fuel injection |
|---|---|---|
| Max Power | Max Torque | Gearbox | 26.15 Bhp @ 8500 rpm | 6-Speed, Constant mesh |
| Ground Clearance | Ker/Wet Weight | Fuel Tank Capacity | 145 mm | 163 kg | 13 litres |
| Mileage | Front Brake | Rear Brake | 30 kmpl (Approx) | 296mm Disc Dia | 220mm Disc Dia |
| Front Suspension | Rear Suspension | Tyre | Telescopic Fork | Spring loaded hydraulic type (monoshock) | 110/70 17M/C [Front],140/70 17M/C[Rear] |
| Displacement | Engine | Fuel Sysytem |
| 499 cc | Single Cylinder, 4 stroke, Twinspark (Air cooled) | Keihin Electronic Fuel Injection |
|---|---|---|
| Max Power | Max Torque | Gearbox | 27.2 Bhp @ 5250 rpm | 41.3 Nm @ 4000 rpm | 5 Speed |
| Ground Clearance | Ker/Wet Weight | Fuel Tank Capacity | 140 mm | 195 kg | 20 litres |
| Mileage | Front Brake | Rear Brake | 32 kmpl | 280mm Disc, 2-Piston caliper | 240mm Disc, Single piston caliper |
| Front Suspension | Rear Suspension | Tyre | Telescopic, 41mm forks, 130mm travel | Twin gas charged shock absorbers with 5-step adjustable preload | 90/90-19, 52P MRF Zapper FM(front),120/80-18, 62P MRF Zapper C(rear) |
| Displacement | Engine | Fuel Sysytem |
| 199.5 cc | Single-cylinder, 4-stroke, spark-ignition engine (Liquid cooled) | Fuel Injection |
|---|---|---|
| Max Power | Max Torque | Gearbox | 24.65 Bhp @ 10000 rpm | 19.2 Nm @ 8000 rpm | 6-speed, claw shifted |
| Ground Clearance | Ker/Wet Weight | Fuel Tank Capacity | 157 mm | 154 kg | 9.5 litres |
| Mileage | Front Brake | Rear Brake | 35 kmpl | 280 mm Disc | 230 mm brake |
| Front Suspension | Rear Suspension | Tyre | WP Suspension 4357 (Upside Down Forks) | WP Suspension 4618 EM (Monoshock) | 110/70-17(front),150/60-17(rear) |
| Displacement | Engine | Fuel Sysytem |
| 249 cc | Single cylinder, 4-stroke | Electronic Fuel Injection |
|---|---|---|
| Max Power | Max Torque | Gearbox | 28.16 BHP @ 9800 rpm | 21.61 NM @ 8000 rpm | 6 speed Transmission |
| Ground Clearance | Ker/Wet Weight | Fuel Tank Capacity | 160 mm | 159 kg | 17 litres |
| Mileage | Front Brake | Rear Brake | 30 kmpl (Approx) | 385mm Petal Disc | 318mm Petal Disc |
| Front Suspension | Rear Suspension | Tyre | Inverted Telescopic Forks | Mono Shock Absorber | Premium Model - 110/70 R17, 54 H (Metzeler)(front)Premium Model - 150/60 R17, 66 H (Metzeler) (rear) |
| Displacement | Engine | Fuel Sysytem |
| 199.5 cc | Single cylinder, 4-stroke | Fuel Injection |
|---|---|---|
| Max Power | Max Torque | Gearbox | 24.2 BHP (24.5 PS) @ 9750 rpm | 18.6 NM @ 8000 rpm | 6 Speed Constant Mesh |
| Ground Clearance | Ker/Wet Weight | Fuel Tank Capacity | 157 mm | 165 kg | 13 litres |
| Mileage | Front Brake | Rear Brake | 35 kmpl | 300mm butterfly disc brake | 230mm butterfly disc brake |
| Front Suspension | Rear Suspension | Tyre | Telescopic with anti friction bush | Nitrox mono shock absorber with Canister | 100/80-17 52 P tubeless(front),130/70-17 62P tubeless(rear) |
| Displacement | Engine | Fuel Sysytem |
| 199.5 cc | Single-cylinder, 4-stroke | Fuel injection |
|---|---|---|
| Max Power | Max Torque | Gearbox | 24.6 Bhp @ 10000 rpm | 19.2 Nm @ 8000 rpm | 6-speed |
| Ground Clearance | Ker/Wet Weight | Fuel Tank Capacity | 165 mm | 136 kg | 10.5 litres |
| Mileage | Front Brake | Rear Brake | 35 kmpl | 280 mm Disc brake with four-pot brake caliper | 230 mm Disc brake with one-pot brake caliper, floating brake discs |
| Front Suspension | Rear Suspension | Tyre | Telescopic Upside Down Forks (WP Suspension 4357) | Monoshock, Alloy Swingarm (WP Suspension 4618 EM) | 110/70 R17(front),150/60 R17(rear) |
| Displacement | Engine | Fuel Sysytem |
| 294.72 cc | Single Cylinder, 4-stroke | Carburetor |
|---|---|---|
| Max Power | Max Torque | Gearbox | 26.82 BHP @ 8000 rpm | 30 Nm @ 5500 rpm | Constant Mesh 6-speed |
| Ground Clearance | Ker/Wet Weight | Fuel Tank Capacity | 173.5 mm | 182 kg | 21 litres |
| Mileage | Front Brake | Rear Brake | 30 kmpl | 320mm Petal Disc Brake | 240mm Petal Disc Brake |
| Front Suspension | Rear Suspension | Tyre | USD (upside down) telescopic forks | High pressure gas charged mono-shock with internal floating position | : 110/70 ZR17 M/C 54W (front),150/50 ZR17 66W(rear) |
| Displacement | Engine | Fuel Sysytem |
| 149.8 cc | 4-stroke, SOHC | Fuel Injection |
|---|---|---|
| Max Power | Max Torque | Gearbox | 16.8 Bhp @ 8500 rpm | 15 Nm @ 7500 rpm | 6-speed |
| Ground Clearance | Ker/Wet Weight | Fuel Tank Capacity | 160 mm | 136 kg | 12 litres |
| Mileage | Front Brake | Rear Brake | 42 kmpl | 267mm Hydraulic Single Disc | 220mm Hydraulic Single Disc |
| Front Suspension | Rear Suspension | Tyre | Telescopic | Linked Type Monocross | 90/80-17(front), 130/70-R17(rear) |
| Displacement | Engine | Fuel Sysytem |
| 149 cc | 4-stroke, 4-valve, DOHC | Fuel injection |
|---|---|---|
| Max Power | Max Torque | Gearbox | 18.28 Bhp @ 10500 rpm | 12.66 Nm @ 8500 rpm | 6-Speed |
| Ground Clearance | Ker/Wet Weight | Fuel Tank Capacity | 190 mm | 138 kg | 13 litres |
| Mileage | Front Brake | Rear Brake | 38 kmpl | 276mm Disc | 220mm Disc |
| Front Suspension | Rear Suspension | Tyre | Telescopic | Spring loaded hydraulic type | 100/80-17(front),130/70-17(rear) |


FathGrid edit with inline data
Records per page:
5
10
20
50
Search
Save data
Load data
Save / Load data from localStorage


Open Console To See Logs
isElementInViewport() will work for this because height is less than that of viewport
isElementInViewport() will not work for this because height is greater than that of
viewport. So you won't see any logs
isElementViewedTillEnd() will get trigger when you scroll till end of the div, else it won't
show log


[This is preliminary documentation and subject to change.]
This sample creates a custom device status ASP for a Web printer. In this case, a modified document queue view is implemented, with e-mail and phone links to a fictitous helpdesk. This works on x86, AMD64, and Itanium-based platforms.
To set up the Custom Queue View, open the Printers folder and select Add Printer. When asked for the port, either select an existing Standard TCP/IP Port or create a new Standard TCP/IP Port. When asked for the model, select Have Disk. Point the browser to the directory in which these files reside, and continue the install.
After installing the printer, connect to http://machine_name/printers and click the printer you installed. Then select Device Status to view the custom page. At this point, the source files will be interpreted as would any other ASP.
Note: IIS must be installed on the local machine in order for the sample to work. To install IIS, open the Control Panel, select Add or Remove Programs, select Add/Remove Windows Components, check Web Applications Server and click Details. In the dialog box that pops up, check Internet Information Services (IIS).
File DescriptionCustomQ.asp This is the simplified queue view implementation. It is derived from the standard IPP_0007.ASP file, with a few modifications. Custom.inf This contains the information for the ASP sample printer driver, based on the Lexmark Optra L printer. LOPTRAP.PPD The PPD for the sample printer. Queueasp.htm The documentation for this sample (this file).
© 2002 Microsoft Corporation


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| None |
|
Use this command to stop your program running. You will be returned to the editor if running from there, or the program will completely exit if running a compiled EXE version.
See also: Stop. |
|
; If the game is over, then quit
if gameOver=1 then End |


Hey guys as some of you already know i'm using smart plugs that are capable of reading power usuage in combination with emoncms. I already modified plugctl to make it read and upload data to emoncms for maginon smart energy plugs.
I wanted to have more plugs and more readings from smart plugs so i bought myself a Belkin Wemo insight. Rather expensive compared to the Maginon smart energy plugs, (25 € compared to 59€) but at least these are available, the smart Maginon are nowhere to be found anymore. More info on these smart plugs here www.belkin.com/us/p/P-F7C029/ link is for us version but there's a Europe version that works in France/Belgium/Netherlands as well (I just bought one from Coolblue)
I spent the evening looking around the web to see if it's somehow possible to get the milliWatt readings from the plug using software, and this is possible. So I now have whipped up a small Delphi application that reads the data from a Wemo Insight and posts it to emoncms. The data comes at a specified node and all seems to be working fine. I haven't let it run for a whole night, will do that this night. But I was wondering if anyone having Wemo Insights is interested in a program to read the data and post it to emoncms. You'll need a dedicated (Windows) PC though for this to monitor the plug day and night since i used Delphi to create the command line tool. I haven't tried creating a golang version of this (yet) which should make it more cross platform and be possible to run from Linux as well as from different hardware (like raspberry pi). But for now, I only have a crude Delphi application.
If there's interest in this, I can clean the source code and upload it to github and perhaps check to see if a go version of the program is somehow possible.
Re: Belkin Wemo Insight + Emoncms
I have a small python script that I wrote that does the same thing! Might be an alternative for those that don't have a windows box on 24/7.
It's pretty rough and has no error handling, but it does the job. Please suggest any improvements!
Re: Belkin Wemo Insight + Emoncms
My program does more or less the same thing. I also use InsightParams, but i'm sending the soap message from within Delphi (not using Ouimeaux) and I'm connecting using ip:port, but it's basically the same thing. The only difference that I have is I calculate how long it takes to read the power from the plug, and have a delay value equal to the update interval of the feed (well it's configurable). If you know both values you can sleep for (delay-timeittooktogetpowervalue) and this makes it wait more or less 5 seconds since I have a delay specified of 5000 ms which is the same value I have my feeds set to. I don't know how this can be done in python though. I'm using tickcount.
Re: Belkin Wemo Insight + Emoncms
Yes I am interested. Can you expand on how you setup the server environment, etc to communicate with the WeMO? Interested in something to run on my Pi.
Re: Belkin Wemo Insight + Emoncms
@renza Where is the python script running from?
Re: Belkin Wemo Insight + Emoncms
Hi, I am running an Odroid (pi like) Linux box, with Ouimeaux, and it is working just fine for toggling the switch.
I am interested in trying to get the power out, and did try your python script above, but got nothing out.
My Wemo device name is the default (same as your script) and the script did not error.
Is there something I am missing? My python is very rough. I am a java guy.
Thanks
Nick P.
Re: Belkin Wemo Insight + Emoncms
Nevermind, I got it working. Hopefully, I am all set. Thanks for the script.
Re: Belkin Wemo Insight + Emoncms
If you needed to change anything, it might be helpful to someone, doing the same at some time in the future, if you mentioned what you changed, or what you misunderstood.


Kia Seltos Replaces Creta, Elite i20 The Only Hyundai In Top 10 Sales List
by Team GaadiWaadiThe top-10 sales list of October 2019 is majorly dominated by Maruti Suzuki with a total of 8 cars out of the 10
Kia Seltos has replaced the Creta as the best-selling mid-size SUV in India. Kia managed to sell a total of 12,854 units of the Seltos in October 2019, which makes it the seventh best-selling car for the said month.
Apart from Seltos, the Hyundai i20 is the only Korean car to be featured in the top-10 list, and surprisingly the only Hyundai. The premium hatch recorded a total sale of 14,683 units, which is the highest the i20 has ever clocked since its inception. However, it just lost out to its arch rival, the Baleno which managed to sell 16,237 units last month and gained the fourth spot.
Both the Hyundai Creta, and the i20 are set to receive a new-generation model next year. We have already seen the upcoming Creta being launched in China under the ix25 moniker, however the i20 is yet to be revealed officially, and only heavily camouflaged test mules of the car have been spotted yet.
Given the fact that Hyundai owns Kia Motors, it is highly likely that the upcoming Creta will share its powertrains with the Seltos in India. Powering the Seltos are a 1.5-litre naturally aspirated petrol and a 1.5-litre diesel engine which make 115 PS/144 NM and 115 PS/250 Nm respectively.
| S.No | Top 10 Most Sold Cars In October 2019 | No. Of Units |
| 1. | Maruti Suzuki Dzire | 19,569 |
| 2. | Maruti Suzuki Swift | 19,401 |
| 3. | Maruti Suzuki Alto | 17,903 |
| 4. | Maruti Suzuki Baleno | 16,237 |
| 5. | Hyundai Elite i20 | 14,683 |
| 6. | Maruti Suzuki Wagon R | 14,359 |
| 7. | Kia Seltos | 12,854 |
| 8. | Maruti Suzuki S-Presso | 10,634 |
| 9. | Maruti Suzuki Vitara Brezza | 10,227 |
| 10. | Maruti Suzuki Eeco | 10,011 |
DataSource : AutoPunditz
A 1.4-litre turbocharged petrol engine is also on offer with the Seltos which churns out 140 PS of max power and 242 Nm peak torque. This said engine can be offered by Hyundai as a sportier N-line variant of the upcoming Creta. It should be noted that all the three engines on offer with the Seltos are BS6-compliant.
The recently spotted test mules of the upcoming Hyundai i20 revealed the car sporting rear disc brakes, which will make it the first car in the segment to do so. The i20 will continued to be offered with the same 1.2-litre petrol engine, albeit with BS6-compliance. However, the 1.4-litre CRDi diesel engine will likely be replaced by a detuned version of the Seltos’ 1.5-litre diesel unit.


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Returns the reference of a cell or cells relative to the upper-left cell of rel_to_ref. The reference is given as an R1C1-style relative reference in the form of text, such as "R[1]C[1]".
Syntax
RELREF(reference, rel_to_ref)
Reference is the cell or cells to which you want to create a relative reference.
Rel_to_ref is the cell from which you want to create the relative reference.
Tip If you know the absolute reference of a cell that you want to include in a formula, but your formula requires a relative reference, use RELREF to generate the relative reference. This is especially useful with the FORMULA function, since its formula_text argument requires R1C1-style references, and RELREF returns relative R1C1-style references. You can also use the FORMULA.CONVERT function to convert absolute references to relative references.
Examples
RELREF($A$1, $C$3) equals "R[-2]C[-2]"
RELREF($A$1:$E$5, $C$3:$G$7) equals "R[-2]C[-2]:R[2]C[2]"
RELREF($A$1:$E$5, $C$3) equals "R[-2]C[-2]:R[2]C[2]"
Related Functions
ABSREF Returns the absolute reference of a range of cells to another range
DEREF Returns the value of the cells in the reference
FORMULA Enters values into a cell or range or onto a chart
FORMULA.CONVERT Changes the reference style and type
Return to index


Land Rights and Stability in Indigenous Societies of Central America
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The Story of Us * * (out of * * * * )
Directed by Rob Reiner. Cast: Bruce Willis, Michelle Pfeiffer, Rob Reiner, Rita Wilson, Colleen Rennison, Jake Sandvig, Tim Matheson, Paul Reiser, Lucy Webb, Julie Hagerty, Red Buttons, Jayne Meadows, Betty White, Tom Poston, Jordan Lund. 1999 - 96 minutes Rated R (for profanity and sexual situations). Reviewed by Dustin Putman, October 16, 1999.
Rob Reiner's "The Story of Us," the new comedy-drama about the highs and lows of a couple's rocky 15-year marriage, is a film that gets so many of the details exactly right, that it comes as a disappointment to find that the denouement arrives about twenty minutes too early, apparently due to either numerous cuts made prior to its release, or a promising, if uneven, script that wasn't ready to be put onto film. The talent is all in place, it seems, but its snappily-paced structure in which it goes back-and-forth in time only causes the proceedings to feel episodic and strangely disjointed.
Ben (Bruce Willis) and Katie Jordan (Michelle Pfeiffer) have been married fifteen years, and to most, give off the appearance of being gloriously happy with each other.  Once alone, however, Ben and Katie's exteriors transform from marital bliss to their plans on what they are going to do when the kids leave for summer camp the following day--they will leave together, for the children, but Ben is then going to start packing up some clothes for his stay at a nearby hotel, without Katie. Once separated by everything but the telephone (they construct artificial excuses just to call up each other because they do secretly long to be together again), both sides of the progressively-drifting-apart couple reminisce about what their life has been like since they first met each other. Will they realize that fifteen years is simply too much time for them to throw their relationship away, or will they come to terms with the fact that they'll most likely be better off apart? I'll leave the particulars of the answer to this question up to the viewer to discover, but let's put it this way--had the more subtle, skilled Woody Allen have made the picture (and, for the most part, it really is reminiscent of his work), the outcome probably would have been a little different.
As it should be, the two people that are front-and-center for the entirety of the brief 96-minute running time are Bruce Willis and Michelle Pfeiffer, both of whom have never been better (aside from Pfeiffer's marvelous role as Catwoman in 1992's "Batman Returns"). Willis, usually burdened by an unknowing smirk plastered upon his face, throws the majority of his usual acting mannerisms to the wind to create a character we have never seen him play before, and his performance here--and it hits all of the right notes, mind you--is even superior to his delicately poignant turn in the recent box-office smash, "The Sixth Sense."
Michelle Pfeiffer, an engaging actress who, nonetheless, makes frequent missteps in her film choices (just take a look at her work in the otherwise mediocre 1999 drama, "The Deep End of the Ocean," and 1997's painfully overwrought "A Thousand Acres"), is Willis' match in every way. Bringing off an astute believability to the premise, Pfeiffer, more than even Willis, makes her character someone who creditably appears to be longing for a reconciliation with the man whom she still loves deeply. And her final, tearful monologue is a real winner, evoking the distinct feelings of joy, pain, sentimentality, and frustration that, no doubt, comes with any close marriage. Despite being instructed to scream at one another a few too many times for my taste, the marital woes of Ben and Katie are effectively and realistically brought to life, as we find ourselves truly caring about what happens to them.
It's not so much that there is anything distinctly wrong with what appears in the finished product of "The Story of Us," as there is merely a sensation floating overhead that tells me the film could have been remarkably better had the screenplay, by Alan Zweibel and Jessie Nelson, been more fully-written. The flashback-laden construction of the plotting is smoothly-done, but for it to really work to its fullest potential, the film calls for itself to be of epic proportions, a motion picture about the truths of marriage and love/hate relationships, similar to Ingmar Bergman's 1973 drama, "Scenes from a Marriage." As is, there are many on-target moments that hold just the right tone, while several montages are included to rush us through protracted periods of time. The problem is, the montages seem like nothing but advertisements for the actual film, and, I swear to you, one montage late in the picture is almost exactly like the theatrical trailer, with even the same music score, by Eric Clapton, in the background.
The supporting cast is chock-full of recognizable thesps that are unfortunately all wasted. Rob Reiner and Paul Reiser briefly appear as Ben's friends, and ditto for Rita Wilson and the severely underrated Julie Hagerty as Katie's. Tim Matheson has nothing to do but play the potential guy that Katie is considering having an affair with, and there is no attempt to turn him into anything more than a one-dimensional figure whose purprose is to cause a conflict. Really, the only supporting performance that is worth noting is that of Colleen Rennison as Erin, Ben and Katie's young daughter. The 12-year-old Rennison (last seen in a pair of 1996 bombs, "Carpool" and "Unforgettable") proves to be a naturally-gifted actress who is touching as a girl who suspects something is wrong with her parents, but hopes only for the best.
In its depiction of a marriage on the rocks, "The Story of Us" is successful in its ideas, but not necessarily in its treatment. There are many wonderful moments, including an interlude midway through in which Katie and Ben decide to take a trip to Venice in an attempt to rekindle their flames, and a particular scene that shows them dancing along the water is simply magical. Its major fall, however, comes in its generally crowd-pleasing conclusion that, to be sure, leaves things on an uplifting note, but feels like a cheat when considering the validity of the situations that had come before. It has been widely reported that Willis filmed this movie around the same time his own marriage with actress Demi Moore was coming to an end. Perhaps in staying with the film's truthfulness, Willis should have suggested a less-neat finale that remained faithful to its characters and their plight, without going into what could basically be described as fantasy territory.
- Copyright 1999 by Dustin Putman
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Broken URLs inthe reviews are the responsibility of the author.
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to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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Qué hora es ipsum
Qúe hora es ipsum lorem ipsum generator that uses as content the sentences of the parody: "¿Qué hora es? The mexican soap opera for people who only had 3 weeks of spanish in the 4th grade".
Qúe hora es ipsum lorem ipsum generator that uses as content the sentences of the parody: "¿Qué hora es? The mexican soap opera for people who only had 3 weeks of spanish in the 4th grade".


Bitcoin [...] is a cryptographic currency where the creation and transfer of bitcoins is based on an open-source cryptographic protocol that is independent of any central authority. Bitcoins can be transferred through a computer or smartphone without an intermediate financial institution. The concept was introduced in a 2008 paper by a pseudonymous developer known only as "Satoshi Nakamoto", who called it a peer-to-peer, electronic cash system. The processing of Bitcoin transactions is secured by servers called bitcoin miners. These servers communicate over an internet-based network and confirm transactions by adding them to a ledger which is updated and archived periodically using peer-to-peer filesharing technology. In addition to archiving transactions, each new ledger update creates some newly minted bitcoins. The number of new bitcoins created in each update is halved every 4 years until the year 2140 when this number will round down to zero. At that time no more bitcoins will be added into circulation and the total number of bitcoins will have reached a maximum of 21 million bitcoins. To accommodate this limit, each bitcoin is subdivided down to eight decimal places; forming 100 million smaller units called satoshis. In August 2013 Germany's Finance Ministry subsumed Bitcoins under the term "unit of account"—a financial instrument—though not as e-money or a functional currency. Although bitcoin is promoted as a digital currency, many commentators have criticized bitcoin's volatile exchange rate, relatively inflexible supply, high risk of loss, and minimal use in trade.
Source: Wikipedia
Sounds interesting, doesn't it? I'd like to share my thoughts about some aspects of Bitcoin. Please note that I'm neither an economics student, nor did I read the specifications of Bitcoin.
Security of Bitcoin
Data loss
Once in a while, hard discs crash. If you're unlucky, you will lose all your data. This could mean you lose your Bitcoin wallet, so you lose your money. There is absolutely no way to get the money back. It's lost. Just like if you've lost bank notes in a big city. You will never get it back (source).
BUT, unlike with bank notes, nobody else will get it. These Bitcoins are lost and nobody can do anything against that. I think that means after 2140 the number of active Bitcons will drop! This is called a deflation with normal money. But as you can subdivide every bitcoin in as small pieces as you like, I'm not sure what this means for economy.
Attacks
When money is involved, there will always be people who try to profit from that. So you have to think about security of Bitcoins.
System attacks
For me, a system attack is an attack where somebody tries to break the system. He does NOT want to profit from the system, but he wants to harm all people who use it.
The only attack I've found is a 51%-attack (source). This means, in long term you have to have more than 50% of the computing power of the total bitcoin network. So if there is a dramatic change in computing power, this might make Bitcoin as a system insecure. Also, in short term with much luck you might also take down the network with less computing power (source).
But the more people participate, the more unlikely it gets. And this problem might our current system also have. If somebody manages to get MUCH more computing power, he could break encryption. This means, all bank transactions could at least be read by this attacker, if not manipulated.
Theft
Theft is possible by stealing your credentials. This can be done by infecting your computer with a virus, just like it can be done today with your bank account if you use online banking (or with the computers of banks, though that should be much more difficult).
Also, the software you use for Bitcoin transactions might have errors.
Money laundering
It seems to be a big problem of Bitcoin that money laundering might be easy. You can't close a criminals account, you cannot stop criminals using Bitcoin for illegal operations.
But what can you do with the current currency against that? Not much, when the money gets abroad.
Credits
You can't give credits as banks do it today with Bitcoin. If I understand it correctly, the "Common Equity Capital Ratio" has to be at least 3.5% in 2013 (source). In other words: banks are allowed to give more than 27x the amount of money they actually have! Now I'm very uncertain if I'm here correct, but I think this was an important reason why the financial crisis happened. This would not have been possible with Bitcoin! With Bitcoin, you can only give credit for money you currently have. No cent ... uhmm ... Sotisho more than that.
BUT: I really don't know if this would be better. I guess it would be extremely difficult for states to get money. There would be the need of heavy restructuring in how we finance our countries.
Interest
A problem with credits in the Bitcoin-system would be that it is very difficult to estimate what the result of the interest would be.
As there are "only" 21 million Bitcoins, it would bet possible that the sum of all dept is more than available Bitcoins. Can it be legal to force people to pay when you know that at least one technically can't pay at the end? This problem seems not to exist in the current system, as they always print new money.
Wages
At the moment, employed people have to fight in unions for more money. They really need it, because inflation happens all the time. So just to keep the current situation, employees have to do something.
With Bitcoin, the situation might change. As we produce more and more every year, a deflation would be likely. This means, bosses would have to cut loans to keep the situation the same. But it is much more difficult to change the bills you pay. People will not blindly accept less money on their accounts per month. Unlike today, when people are basically ok when they get a compensation for inflation.
See also
- Bitcoin.de: You can see how much 1 Bitcoin is worth in Dollar / Euro.
- bitcoin.stackexchange.com:
- On the Matter of Why Bitcoin Matters


Qt Quick Particles Examples - Image Particles
This is a collection of small QML examples relating to using Affectors in the particle system. Each example is a small QML file emphasizing a particular type or feature.
All at once shows off several of the features of ImageParticle at the same time.
sprites: [ Sprite { name: "bear" source: "../../images/bear_tiles.png" frameCount: 13 frameDuration: 120 } ] colorVariation: 0.5 rotationVelocityVariation: 360 colorTable: "../../images/colortable.png"
Colored shows a simple ImageParticle with some color variation.
ImageParticle { anchors.fill: parent source: "qrc:///particleresources/star.png" alpha: 0 alphaVariation: 0.2 colorVariation: 1.0 }
Color Table sets the color over life on the particles to provide a fixed rainbow effect.
source: "qrc:///particleresources/glowdot.png" colorTable: "../../images/colortable.png" sizeTable: "../../images/colortable.png"
Deformation spins and squishes a starfish particle.
ImageParticle { system: sys groups: ["goingLeft", "goingRight"] source: "../../images/starfish_4.png" rotation: 90 rotationVelocity: 90 autoRotation: true } ImageParticle { system: sys groups: ["goingDown"] source: "../../images/starfish_0.png" rotation: 180 yVector: PointDirection { y: 0.5; yVariation: 0.25; xVariation: 0.25; } }
Rotation demonstrates the autoRotate property, so that particles rotate in the direction that they travel.
Sharing demonstrates what happens when multiple ImageParticles try to render the same particle. The following ImageParticle renders the particles inside the ListView:
ImageParticle { anchors.fill: parent system: particles source: "../../images/flower.png" alpha: 0.1 color: "white" rotationVariation: 180 z: -1 }
The following ImageParticle is placed inside the list highlight, and renders the particles above the other ImageParticle.
ImageParticle { anchors.fill: parent system: particles source: "../../images/flower.png" color: "red" clip: true alpha: 1.0 }
Note that because it sets the color and alpha in this ImageParticle, it renders the particles in a different color. Since it doesn't specify anything about the rotation, it shares the rotation with the other ImageParticle so that the flowers are rotated the same way in both. Note that you can undo rotation in another ImageParticle, you just need to explicitly set rotationVariation to 0.
Sprites demonstrates using an image particle to render animated sprites instead of static images for each particle.
Files:
- particles/imageparticle/imageparticle.qml
- particles/imageparticle/content/allatonce.qml
- particles/imageparticle/content/colored.qml
- particles/imageparticle/content/colortable.qml
- particles/imageparticle/content/deformation.qml
- particles/imageparticle/content/rotation.qml
- particles/imageparticle/content/sharing.qml
- particles/imageparticle/content/sprites.qml
- particles/imageparticle/main.cpp
- particles/imageparticle/imageparticle.pro
- particles/imageparticle/imageparticle.qmlproject
- particles/imageparticle/imageparticle.qrc


When filtering the list of options, the message "No results found" is shown by default if none of the options match the given search term. This message can be customized with the NotFoundMsg property.
NotFoundMsg


Pass if text below is green on lime, and the text itself represents green, not initial (black).
FAIL
FAIL


{% extends "images.html" %} {% block top_block %} Sign in (with Google) to start selling. {% endblock %}


Martinho Aragão
status
2
blog
2
nonprofit
1
status
Worse than ever
June 30, 2015
Hardly Working
June 22, 2015
blog
Making a template my own
August 28, 2015
Hello, world!
July 29, 2015
nonprofit
Junior Entrepreneur
November 30, 2015


|
KratosMultiphysics
KRATOS Multiphysics (Kratos) is a framework for building parallel, multi-disciplinary simulation software, aiming at modularity, extensibility, and high performance. Kratos is written in C++, and counts with an extensive Python interface.
|
The base class for assigning a value to scalar variables or array_1d components processes in Kratos. More...
#include <assign_scalar_variable_to_entities_process.hpp>
Public Member Functions | |
Life Cycle | |
| AssignScalarVariableToEntitiesProcess (ModelPart &rModelPart) | |
| AssignScalarVariableToEntitiesProcess (ModelPart &rModelPart, Parameters rParameters) | |
| ~AssignScalarVariableToEntitiesProcess () override | |
| Destructor. More... | |
Operators | |
| void | operator() () |
| This operator is provided to call the process as a function and simply calls the Execute method. More... | |
Operations | |
| void | Execute () override |
| Execute method is used to execute the AssignScalarVariableToEntitiesProcess algorithms. More... | |
| void | ExecuteInitialize () override |
| void | ExecuteBeforeSolutionLoop () override |
| void | ExecuteInitializeSolutionStep () override |
| this function will be executed at every time step BEFORE performing the solve phase More... | |
| void | ExecuteFinalizeSolutionStep () override |
| this function will be executed at every time step AFTER performing the solve phase More... | |
| void | ExecuteBeforeOutputStep () override |
| this function will be executed at every time step BEFORE writing the output More... | |
| void | ExecuteAfterOutputStep () override |
| this function will be executed at every time step AFTER writing the output More... | |
| void | ExecuteFinalize () override |
Input and output | |
| std::string | Info () const override |
| Turn back information as a string. More... | |
| void | PrintInfo (std::ostream &rOStream) const override |
| Print information about this object. More... | |
| void | PrintData (std::ostream &rOStream) const override |
| Print object's data. More... | |
| Public Member Functions inherited from Kratos::Process | |
| KRATOS_CLASS_POINTER_DEFINITION (Process) | |
| Pointer definition of Process. More... | |
| Process () | |
| Default constructor. More... | |
| Process (const Flags options) | |
| ~Process () override | |
| Destructor. More... | |
| void | operator() () |
| This operator is provided to call the process as a function and simply calls the Execute method. More... | |
| virtual Process::Pointer | Create (Model &rModel, Parameters ThisParameters) |
| This method creates an pointer of the process. More... | |
| virtual int | Check () |
| This function is designed for being called after ExecuteInitialize ONCE to verify that the input is correct. More... | |
| virtual void | Clear () |
| This method clears the assignation of the conditions. More... | |
| virtual const Parameters | GetDefaultParameters () const |
| This method provides the defaults parameters to avoid conflicts between the different constructors. More... | |
| std::string | Info () const override |
| Turn back information as a string. More... | |
| void | PrintInfo (std::ostream &rOStream) const override |
| Print information about this object. More... | |
| void | PrintData (std::ostream &rOStream) const override |
| Print object's data. More... | |
Protected Member Functions | |
Protected Operators | |
| AssignScalarVariableToEntitiesProcess (AssignScalarVariableToEntitiesProcess const &rOther) | |
| Copy constructor. More... | |
Protected Operations | |
| void | SetAssignmentType (std::string method, AssignmentType &rAssignment) |
| template<class TVarType , class TDataType > | |
| void | DirectAssignValue (ModelPart::NodeType &rNode, const TVarType &rVariable, const TDataType &value) |
| template<class TVarType , class TDataType > | |
| void | AddAssignValue (ModelPart::NodeType &rNode, const TVarType &rVariable, const TDataType &value) |
| template<class TVarType , class TDataType > | |
| void | SubtractAssignValue (ModelPart::NodeType &rNode, const TVarType &rVariable, const TDataType &value) |
| template<class TVarType , class TDataType > | |
| void | MultiplyAssignValue (ModelPart::NodeType &rNode, const TVarType &rVariable, const TDataType &value) |
| template<class TVarType , class TDataType > | |
| void | DivideAssignValue (ModelPart::NodeType &rNode, const TVarType &rVariable, const TDataType &value) |
| template<class TEntityType , class TVarType , class TDataType > | |
| void | DirectAssignValue (TEntityType &rEntity, const TVarType &rVariable, const TDataType &value) |
| template<class TEntityType , class TVarType , class TDataType > | |
| void | AddAssignValue (TEntityType &rEntity, const TVarType &rVariable, const TDataType &value) |
| template<class TEntityType , class TVarType , class TDataType > | |
| void | SubtractAssignValue (TEntityType &rEntity, const TVarType &rVariable, const TDataType &value) |
| template<class TEntityType , class TVarType , class TDataType > | |
| void | MultiplyAssignValue (TEntityType &rEntity, const TVarType &rVariable, const TDataType value) |
| template<class TEntityType , class TVarType , class TDataType > | |
| void | DivideAssignValue (TEntityType &rEntity, const TVarType &rVariable, const TDataType &value) |
| template<class TEntityType > | |
| void | MultiplyAssignValue (TEntityType &rEntity, const Variable< Vector > &rVariable, const Vector &value) |
| template<class TEntityType > | |
| void | DivideAssignValue (TEntityType &rEntity, const Variable< Vector > &rVariable, const Vector &value) |
| template<class TEntityType > | |
| void | MultiplyAssignValue (TEntityType &rEntity, const Variable< array_1d< double, 3 >> &rVariable, const array_1d< double, 3 > &value) |
| template<class TEntityType > | |
| void | DivideAssignValue (TEntityType &rEntity, const Variable< array_1d< double, 3 >> &rVariable, const array_1d< double, 3 > &value) |
| template<class TMethodPointerType > | |
| TMethodPointerType | GetAssignmentMethod () |
Protected Attributes | |
Protected static Member Variables | |
| ModelPart & | mrModelPart |
| std::string | mvariable_name |
| EntityType | mEntity |
| AssignmentType | mAssignment |
Type Definitions | |
| enum class | EntityType { NODES , CONDITIONS , ELEMENTS } |
| enum class | AssignmentType { DIRECT , ADDITION , SUBTRACTION , MULTIPLICATION , DIVISION } |
| KRATOS_CLASS_POINTER_DEFINITION (AssignScalarVariableToEntitiesProcess) | |
| Pointer definition of AssignScalarVariableToEntitiesProcess. More... | |
The base class for assigning a value to scalar variables or array_1d components processes in Kratos.
This function assigns a value to a variable belonging to all of the entities in a given mesh.
This function assigns a value to a variable belonging to all of the nodes in a given mesh
Can be used to any entities
| TEntity | The entity type |
|
inline |
|
inline |
|
inlineoverride |
Destructor.
|
protected |
Copy constructor.
|
inlineprotected |
|
inlineprotected |
|
inlineprotected |
|
inlineprotected |
|
inlineprotected |
|
inlineprotected |
|
inlineprotected |
|
inlineprotected |
|
overridevirtual |
Execute method is used to execute the AssignScalarVariableToEntitiesProcess algorithms.
Reimplemented from Kratos::Process.
Reimplemented in Kratos::AssignVectorVariableToConditionsProcess, Kratos::AssignVectorFieldToEntitiesProcess, Kratos::AssignScalarFieldToEntitiesProcess, Kratos::AssignVectorVariableToConditionsProcess, and Kratos::AssignVectorFieldToEntitiesProcess.
|
inlineoverridevirtual |
this function will be executed at every time step AFTER writing the output
Reimplemented from Kratos::Process.
Reimplemented in Kratos::AssignVectorVariableToConditionsProcess, Kratos::AssignVectorFieldToEntitiesProcess, Kratos::AssignScalarFieldToEntitiesProcess, Kratos::AssignVectorVariableToConditionsProcess, and Kratos::AssignVectorFieldToEntitiesProcess.
|
inlineoverridevirtual |
this function will be executed at every time step BEFORE writing the output
Reimplemented from Kratos::Process.
Reimplemented in Kratos::AssignVectorVariableToConditionsProcess, Kratos::AssignVectorFieldToEntitiesProcess, Kratos::AssignScalarFieldToEntitiesProcess, Kratos::AssignVectorVariableToConditionsProcess, and Kratos::AssignVectorFieldToEntitiesProcess.
|
inlineoverridevirtual |
this function is designed for being execute once before the solution loop but after all of the solvers where built
Reimplemented from Kratos::Process.
Reimplemented in Kratos::AssignVectorVariableToConditionsProcess, Kratos::AssignVectorFieldToEntitiesProcess, Kratos::AssignScalarFieldToEntitiesProcess, Kratos::AssignVectorVariableToConditionsProcess, and Kratos::AssignVectorFieldToEntitiesProcess.
|
overridevirtual |
this function is designed for being called at the end of the computations right after reading the model and the groups
Reimplemented from Kratos::Process.
Reimplemented in Kratos::AssignVectorVariableToConditionsProcess, Kratos::AssignVectorFieldToEntitiesProcess, Kratos::AssignScalarFieldToEntitiesProcess, Kratos::AssignVectorVariableToConditionsProcess, and Kratos::AssignVectorFieldToEntitiesProcess.
|
inlineoverridevirtual |
this function will be executed at every time step AFTER performing the solve phase
Reimplemented from Kratos::Process.
Reimplemented in Kratos::AssignVectorVariableToConditionsProcess, Kratos::AssignVectorFieldToEntitiesProcess, Kratos::AssignScalarFieldToEntitiesProcess, Kratos::AssignVectorVariableToConditionsProcess, and Kratos::AssignVectorFieldToEntitiesProcess.
|
inlineoverridevirtual |
this function is designed for being called at the beginning of the computations right after reading the model and the groups
Reimplemented from Kratos::Process.
Reimplemented in Kratos::AssignVectorVariableToConditionsProcess, Kratos::AssignVectorFieldToEntitiesProcess, Kratos::AssignScalarFieldToEntitiesProcess, Kratos::AssignVectorVariableToConditionsProcess, and Kratos::AssignVectorFieldToEntitiesProcess.
|
inlineoverridevirtual |
this function will be executed at every time step BEFORE performing the solve phase
Reimplemented from Kratos::Process.
Reimplemented in Kratos::AssignVectorVariableToConditionsProcess, Kratos::AssignVectorFieldToEntitiesProcess, Kratos::AssignScalarFieldToEntitiesProcess, Kratos::AssignVectorVariableToConditionsProcess, and Kratos::AssignVectorFieldToEntitiesProcess.
|
inlineprotected |
|
inlineoverride |
Turn back information as a string.
| Kratos::AssignScalarVariableToEntitiesProcess::KRATOS_CLASS_POINTER_DEFINITION | ( | AssignScalarVariableToEntitiesProcess | ) |
Pointer definition of AssignScalarVariableToEntitiesProcess.
|
inlineprotected |
|
inlineprotected |
|
inlineprotected |
|
inlineprotected |
|
inline |
This operator is provided to call the process as a function and simply calls the Execute method.
|
inlineoverride |
Print object's data.
|
inlineoverride |
Print information about this object.
|
inlineprotected |
|
inlineprotected |
|
inlineprotected |
|
protected |
|
protected |
|
protected |
|
protected |


- AbstractDisplay - Class in gridworld.gui
-
This class provides common implementation code for drawing objects.
- AbstractDisplay() - Constructor for class gridworld.gui.AbstractDisplay
-
- AbstractGrid<E> - Class in gridworld.grid
-
AbstractGrid
contains the methods that are common to grid
implementations.
- AbstractGrid() - Constructor for class gridworld.grid.AbstractGrid
-
- act() - Method in class gridworld.actor.Actor
-
To be overrode in subclasses
- act() - Method in class gridworld.actor.Bush
-
Stub, no code in method
- act() - Method in class gridworld.actor.Casper
-
If the ghost is scared, scatters.
- act() - Method in class gridworld.actor.Dijkstra
-
If the ghost is scared, switches colors otherwise calls the dijstra method to find best path
- act() - Method in class gridworld.actor.Inky
-
Randomly chooses a location to move
- act() - Method in class gridworld.actor.Pacman
-
If the Pacman can move, moves the pacman.
- act() - Method in class gridworld.actor.Pellet
-
Does nothing
- act() - Method in class gridworld.actor.Pineapple
-
Stub
- act() - Method in class gridworld.actor.Pipe
-
stub method
- act() - Method in class gridworld.actor.PowerPellet
-
Stub
- act() - Method in class gridworld.actor.Score
-
Deletes the old score and puts the new score
- act() - Method in class gridworld.actor.TextCell
-
Stub, a textCell does not move
- act() - Method in class gridworld.actor.Wall
-
Does nothing
- act() - Method in class JUnitTests.BushTest
-
- act() - Method in class JUnitTests.CasperTest
-
Specific to Casper, tests its act method
- act() - Method in class JUnitTests.DijkstraTest
-
- act() - Method in class JUnitTests.InkyTest
-
- act() - Method in class JUnitTests.PacmanTest
-
Tests the act method and all its cases for Pacman, where Pacman moves one space in the direction it is facing if
it is possible to do so.
- act() - Method in class JUnitTests.PipeTest
-
Tests the act method for Pipe.
- act() - Method in class JUnitTests.ScoreTest
-
Tests the act method for score.
- act() - Method in class JUnitTests.WallTest
-
Tests the act method for Wall.
- actionPerformed(ActionEvent) - Method in class gridworld.gui.MenuMaker.GridConstructorItem
-
- actionPerformed(ActionEvent) - Method in class gridworld.gui.MenuMaker.MethodItem
-
- actionPerformed(ActionEvent) - Method in class gridworld.gui.MenuMaker.OccupantConstructorItem
-
- Actor - Class in gridworld.actor
-
An Actor
is an entity with a color and direction that can act.
- Actor() - Constructor for class gridworld.actor.Actor
-
Constructs a Yellow actor that is facing north.
- ActorWorld - Class in gridworld.world
-
An ActorWorld
is occupied by actors.
- ActorWorld() - Constructor for class gridworld.world.ActorWorld
-
Constructs an actor world with a default grid.
- ActorWorld(Grid<Actor>) - Constructor for class gridworld.world.ActorWorld
-
Constructs an actor world with a given grid.
- add(Location, Actor) - Method in class gridworld.world.ActorWorld
-
Adds an actor to this world at a given location.
- add(Actor) - Method in class gridworld.world.ActorWorld
-
Adds an occupant at a random empty location.
- add(Location, T) - Method in class gridworld.world.World
-
Adds an occupant at a given location.
- addConstructors(JMenu, Collection<Class>) - Method in class gridworld.gui.MenuMaker
-
Adds menu items that call all public constructors of a collection of
classes to a menu
- addGridClass(String) - Method in class gridworld.world.World
-
Adds a class to be shown in the "Set grid" menu.
- additionalMoveTo() - Method in class JUnitTests.PacmanTest
-
Testing some missed tests,
1) pacman goes to left pipe, should be transported to right pipe.
- addLayoutComponent(String, Component) - Method in class gridworld.gui.FormLayout
-
- addOccupant(T) - Method in class gridworld.gui.GUIController
-
- addOccupantClass(String) - Method in class gridworld.world.World
-
Adds a class to be shown when clicking on an empty location.
- adjMatrix - Static variable in class gridworld.actor.Dijkstra
-
The adjacency matrix
- AHEAD - Static variable in class gridworld.grid.Location
-
The turn angle for making no turn.
- appendTypeName(StringBuffer, String) - Method in class gridworld.gui.MenuMaker.MCItem
-


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Was the delivery problematic?
Any enquiries?
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The following example demonstrates floating labels being used as a normal form element.
Select Vermont arrow_drop_down


| 027:010 Khan | : |
"And throw down your stick!" But when he saw it moving as if it were a snake, he turned in flight, and did not look back. (It was said): "O Musa (Moses)! Fear not, verily! The Messengers fear not in front of Me. |
| 027:010 Maulana | : |
And cast down thy rod. So when he saw it in motion as if it were a serpent, he turned back retreating and did not return. O Moses, fear not. Surely the messengers fear not in My presence -- |
| 027:010 Pickthal | : |
And throw down thy staff! But when he saw it writhing as it were a demon, he turned to flee headlong; (but it was said unto him): O Moses! Fear not! the emissaries fear not in My presence, |
| 027:010 Rashad | : |
"Throw down your staff." When he saw it moving like a demon, he turned around and fled. "O Moses, do not be afraid. My messengers shall not fear. |
| 027:010 Sarwar | : |
Throw down your staff." When Moses saw his staff on the ground moving like a living creature, he stepped back and did not come forward again. The Lord said,"Moses, do not be afraid. Messengers do not become afraid in My presence". |
| 027:010 Shakir | : |
And cast down your staff. So when he saw it in motion as if it were a serpent, he turned back retreating and did not return: O Musa! fear not; surely the messengers shall not fear in My presence; |
| 027:010 Sherali | : |
'Throw down thy rod.' And when he saw it move as though it were a serpent, he turned back retreating and did not look back, whereupon WE said, 'O Moses, fear not. Verily, I am the One in Whose presence the Messengers need have no fear; |
| 027:010 Yusufali | : |
"Now do thou throw thy rod!" But when he saw it moving (of its own accord)as if it had been a snake, he turned back in retreat, and retraced not his steps: "O Moses!" (it was said), "Fear not: truly, in My presence, those called as messengers have no fear,- |
Concepts/Themes Covered:
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


THE CELL
Reviewed by Harvey Karten New Line Cinema Director: Tarsem Writer: Mark Protosevich Cast: Jennifer Lopez, Vince Vaughn, Vincent D'Onofrio, Marianne Jean-Baptiste, Jake Weber, Dylan Baker
Let's say you're one of the record number of visitors to New York City this summer. After hitting the usual spots, your artsy friend takes you to the Museum of Modern Art--which you shamefully enter despite the strike. You spend three hours looking at works of Kandinsky, Picasso, Magritte and your feet are tired and your mind is a blur. You go outside and your friend suggests that you head right on uptown to the Guggenheim after which you would finish the day at the Museum of the American Indian. What do you say? Something unprintable? Of course.  You certainly did appreciate the colorful and imaginative works that MoMA had to offer, but when the colors blend into a shapeless rainbow, you've had enough and want nothing more than to head across the street for a burger, get a nap at the hotel, and then take in a Broadway show that has a real story and not just a bunch of impressive visuals.
That's how I felt about "The Cell." This sci-fi movie with horror-genre undertones is a painter's palette of color and a Jungian melange of dreamlike imagination. Tom Foden's production design, particularly of a glorified and dangerous fish tank that can hold thousands of gallons of water and yet empty out in eight seconds is a stunner. April Napier's costumes could get window space at New York trendiest boutiques. Paul Laufer's lensing captures the vastness of a North African desert and the interior of a person's mind with equal aplomb, and who better to helm the pot pourri than music video director Tarsen Singh or to parade about the set than Jennifer Lopez--whom "Variety" critic Emanuel Levy has just called "the sexiest woman in Hollywood"?
But alas, the weak spot is Mark Protosevich, the screenwriter and co-producer of this lavish spectacle, as his chronicle is swallowed by the ocular. The tale does have some suspense, particularly involving the race against the clock to find a young and frightened woman who is trapped in a fishbowl, the water about to rise above her head in a matter of hours if she is not found by the dauntless men of the FBI. And as one of the scientists explains, even though the villain is in an irreversible coma, the man could actually cause bodily harm to the good guys who have entered his mind--I guess in much the way you can have a nightmare and, not realizing that you are simply dreaming, will wake up in a cold sweat, teeth chattering, mind discombobulated.
Inspired, perhaps, by such sci-fi movies as David Cronenberg's "eXistenZ," in which a virtual reality game designer gets trapped in one of her own games with a man who is supposed to be protecting her; and Ken Russell's 1980 work, "Altered States," about a scientist who uses himself as a guinea pig; "The Cell" opens enigmatically in a stunning African desert as Catherine Deane (Jennifer Lopez) rides a stately stallion while wrapped in a drop-dead white costume as she proceeds toward a small boy, Edward Baines (Colton James). The real Baines is in a coma: she has entered his schizophrenic mind to see what makes him tick with the goal of helping him by this unique understanding. The so-called synaptic-transfer machine that enables her to do this was invented by Henry West (Dylan Baker), and presided over by Dr. Miriam Kent (Marianne Jean-Baptiste). While this transpires, a far more gruesome scenario is being enacted as serial killer Carl Stargher (Vincent D'Onofrio) tortures and kills young women by dropping them into an hidden underwater tank. When Stargher is caught, comatose as a result of a brain disease, FBI Agent Peter Novak (Vince Vaughn) runs the unconscious killer over to Henry West's lab with the hope of discovering the location of the water tank. Stargher is the only one who knows this, and he is no longer able to help. There is one hope. Catherine must enter the sick man's mind to see how he thinks, win his trust, and get him to divulge the information before his latest victim, Julia Hickson (Tara Subkoff), is drowned.
The major part of the enterprise is taken up by Tarsem's desire to impress the audience with his direction of some startling scenes, astonishing even when compared to his typical MTV work and designed to unnerve even the cynics who have seen it all and have played the video games. The film would have been much better had Tarsem balanced his visuals with more dialogue, not only psychological palaver but political exchanges between Catherine and Peter. Peter, for example, explains that he had been a prosecutor who gave up that career and became an FBI agent, disgusted when a killer is freed on a technicality and proceeds to dismember a new victim.
Instead we are taken into a world that would please painters like Heironymous Bosch, Magritte, Salvador Dali and the like, a continuous array of startling imagery broken up from time to time with breaks to the real world. While the optics are indeed bold and imaginative, they are overdone and what's more, Vincent D'Onofrio--a terrific actor who scared the pants off many a viewer as a psycho killer in Kubrick's "Full Metal Jacket"--is not at all frightening this time around. Instead he is almost laughable in his array of costumes and facial contortions, expressions of what is going on in his sick mind which Catherine has entered. Vince Vaughn is convincing as an FBI agent who, considering his hard-core conservative views of crime is surprisingly laid-back and whose mellow tones mesh with the near-whispers of the lovely Ms. Lopez.
If you're not overly concerned about narrative, "The Cell" is worth seeing for its brazen visual concept, and for its believable acting particularly by side roles performed by Jake Weber as the straight-arrow FBI agent, Marianne Jean- Baptiste as the wary but ultimately daring scientist, and Gareth Williams as a monstrously abusive father.
Rated R. Running time: 107 minutes. (C) 2000 by Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


HE GOT GAME
Reviewed by Harvey Karten, Ph.D. Touchstone Pictures Director: Spike Lee Writer: Spike Lee Cast: Denzel Washington, Ray Allen, Milla Jovovich, Rosario Dawson, Hill Harper, Zelda Harris, Ned Beatty, Jim Brown
Basketball is described in Spike Lee's latest movie as "poetry in motion," but Lee attaches a cynical twist to that notion. We may root for our home team, but those of us who were not born yesterday know that the game is not one propelled exclusively by the fancy of an inspired muse but one which is driven by the attraction of cold cash. In "He Got Game," just about everyone jumps through hoops to make up for some lack: what is missing is not identification with a club sporting your town on their shirts and jackets but the avariciosu want of currency. One guy wants money to buy the latest Nike shoes, another for a Lexus, and a great many can put the coin of the realm to good use to buy their way out of the Coney Island projects. In many cases, then, the name of the game is not basketball.
But for Jesus Shuttlesworth (Ray Allen), basketball is not the means to an unrelated end but a purpose in itself. In "He Got Game," Allen--actually a pro basketball player with the Milwaukee Bucks who can really act--plays a graduating high school student in Spike Lee's native Brooklyn who has received so many offers from colleges that he needs time to consider his options. Surprisingly enough, money does not seem uppermost in his mind: this can be explained by his disgust for the greed of those surrounding him.  A slick sports agent for a pro team shows him his Long Island home, which boasts a stable of cars worth well over a million and a basketball court built right into the dwelling that could have been used for four bedrooms.  His foster father wants the lad to buy him a home in Long Island in return for his paternal services over the years. But the most unusual exploitation comes from his own dad, Jake (Denzel Washington), who is promised time off from his manslaughter term in Attica if he can persuade his son to enroll in the governor's favorite college.
Despite the very natural desire of people to strive for their own gain, it is ultimately Jesus's father who transcends selfish advantage by breaking through to his deeply hostile son.  To Spike Lee's credit, the writer-director has his audience acutely moved by Jake's plight, rooting for him to re-acquaint himself with the antagonistic young man, while at the same time indicating Jake's dark side in a series of flashbacks throughout the 131-minute story. Truth to tell what saves "He Got Game" from a hackneyed albeit well-told narrative is Lee's camerawork. Coney Island, which forms the backdrop to the account, has never looked so beautiful, with even the freak show taking on the dimensions of a cultural institutions and Nathan's hot dog emporium substituting for Lutece. The final image, Jake Shuttlesworth's coming full circle in his relationship with Jesus, is priceless.
Though "He Got Game" is at heart a sentimental yarn about the fragile bonds connecting father and son, and though Mr. Lee appears to disapprove of the material base which underlies both college and professional sports, the director shows an affinity for the game of basketball. Using slow- motion photography, he does indeed prove that his hoop dream is poetry in motion, as Malik Hassan Sayeed's camera follows the orb on its recurrent expeditions to the basket. Denzel Washington, sporting a retro Afro above an expansive breadth of facial hair, is not too convincing when playing Jake's dark side, but when he turns on the nostalgia he evokes compassion in all but the hardest of audience hearts. Ray Allen is surprisingly good as the movie's answer to Michael Jordan and Rosario Dawson as girl friend Lala, Milla Jovovich as the hooker who is saved by Jake, Ned Beatty as Warden Wyatt and John Turturro in an uncredited role as a big college coach provide a worthy ensemble. The director roasts whites and blacks alike for their avarice and brutality, delightfully exaggerating the extent to which universities will go to bring jocks to their campuses--even using bimbos to feign instant infatuation with these alpha males. Like the others, Jake is out for himself, motivated by a need to get out of Attica. But he alone shows a real concern for his boy. If we are not for ourselves, who will be, writer Lee implies. But as the prophet Hillel continues, if I am not for others, what am I? Rated R. Running time: 131 minutes. (C) Harvey Karten 1998
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


#include <inttypes.h>
#include "loganon_errors.h"
Go to the source code of this file.
Functions | |
| int8_t | loganon_init (const char *filenameIn, const char *filenameOut) |
| Open file for anonymization. | |
| int8_t | loganon_anonymize (uint8_t level) |
| Apply anonymization on sensitive data. | |
| int8_t | loganon_terminate () |
| Close handles and free memory. |
| int8_t loganon_anonymize | ( | uint8_t | level | ) |
Apply anonymization on sensitive data.
| level | level of anonymization |
| int8_t loganon_init | ( | const char * | filenameIn, | |
| const char * | filenameOut | |||
| ) |
Open file for anonymization.
file for anonymization
| filename | name of file we want anonymize | |
| filenameOut | name of new file after anonymization |
| filename | name of file we want anonymize filenameOut name of new file after anonymization |
| int8_t loganon_terminate | ( | ) |
Close handles and free memory.


Physician listings are based on data maintained in the AMA Physician Masterfile, the nation's most comprehensive and unbiased physician database. Visit the Physician Education, Licensure, and Certification section of our web site for additional information.
Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
ConnectUS searches are based your symptoms so that the search results match you with the phsyscian now.
READ MOREIf you require regular on-going care for chronic conditions our physician search will enable you assemble the team of specialists you are going to need.
READ MORE| Online API | 24x7 availability |
| Monday - Friday | Hours vary |
| Saturday | Hours vary |
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To help Americans realize what the issues really are with healthcare and provide solutions to better the lives of everyone.
Know more..If you want to have better healthcare then wakeup and insist on a single payer system which can actually control prices and push back on pharma lobbiets.
The Affordable Care Act is not perfect and does need to be improved but every vote that goes to someone who wants to privatize healthcare further is killing this country.
ConnectUs is providing people with tools I imagined long ago, which will help us change more lives, more profoundly and more efficiently than ever before!
I just hope that more people try your software because it's amazing. Before ConnectUs I've done the WebMed thing for 100 plus hours and I've done so much therapy at home doing different things and honestly the change is so quick. All of a sudden, it's like bam, I'm seeing 3D.
— ConnectUs


You can customize the css classes applied to dates by overwriting the display.paint
.
The function provides a Unit value (extended to include "decade"),
the date involved and an array of string that represents the classes that will be applied.
//example picker
const datetimepicker1 = new tempusDominus.TempusDominus(document.getElementById('datetimepicker1'));
datetimepicker1.display.paint = (unit, date, classes, element) => {
if (unit === tempusDominus.Unit.date) {
//highlight tomorrow
if (date.isSame(new tempusDominus.DateTime().manipulate(1, 'date'), unit)) {
classes.push('special-day');
}
}
}


{% extends "layout.html" %} {% block page_title %} Sprint {{sprint}} - Funding {% endblock %} {% block inside_header %} {% endblock %} {% block after_header %} {% include "patterns/includes/header.html" %} {% endblock %} {% block content %} {% include "includes/breadcrumb.html" %} Sign in Sign in or create an account to manage your apprenticeship levy account. Email address Password Sign in Problems signing in? Forgotten your password? Reset your password? {% endblock %}
Sign in or create an account to manage your apprenticeship levy account.


| Name | Description | More Info | |
|---|---|---|---|
Spelling Bot 2.0 |
Practice spelling tests assigned by the teacher. | Students, see: this video. Teachers, see: this video. | |
Spelling Bot 1.0 |
If you are new to Spelling Bot, please use version 2.0 (above). | See Video here. | |
| Visual Calculator | View mathematical operations as groupings of prime factors. (*) | ||
Formula Toy |
View 3-D formulas in a variety of coordinate systems. (*) |


we have been doing graffiti for a period of 5yrs now.The first galleria started with 2 artist and now it is massive company doing graffiti on matatus,buildings and any other grounds that favour our skill of art.The founder of this organization was Martin Ndegwa his skill has made alot of youth to try doing this artwork which has helped many in his art garage.
Done by a junior artist at our garage
One of our experts edition
The ultimate skill driven by passion


Warnock leaves Cardiff by mutual consent
London - Cardiff manager Neil Warnock has left his position by mutual consent, the club announced on Monday with the Welsh side languishing 14th in the Championship table.
"Today I am leaving my beloved Bluebirds after over three years of which have been some of the best days in my long football career," said Warnock, 70, who had planned to step down at the end of the season.
"It is a shared belief that this is the right time for a new voice as we believe this squad of players is more than capable of getting success."
Warnock was appointed in October 2016 with Cardiff second from bottom in the Championship, but after consolidating their position in England's second tier, he guided the club to promotion to the Premier League in 2018.
Relegation followed last season during a difficult campaign in which the club's record signing Emiliano Sala died in a plane crash.
Defeat to Bristol City on Sunday capped a run of one win in six league games that left Cardiff seven points off a playoff place.
"Cardiff City Football Club can confirm that manager Neil Warnock has left his position by mutual agreement and with immediate effect," read a statement on the club's official website.
"The board will now begin the process of replacing Neil. An announcement to this effect will be made in due course."


I am tempted to call myself an analyst, as the title is appropriately ambiguous and concedes to the variety and inconsistencies in my interests.But more specifically, I am a PhD Statistician, data scientist, and engineer. My current interests are laser-focused on the field of statistical privacy and the responsible use of data in today's society.
I like solving hard problems in settings where there is a major emphasis on teamwork.
You can download it if you're into that sort of thing.
Optimization of Inventory Allocation
Chris Holloman, Tayler Blake, and Leigh Helsel
International Institute for Analytics (2017)
Nonparametric Covariance Estimation for Longitudinal Data
Tayler Blake
Doctoral dissertation; The Ohio State University (2018)
Nonparametric Covariance Estimation with Shrinkage Toward Stationary Models
Tayler Blake and Yoonkyung Lee
Proceedings of the Joint Statistical Meetings,
Section on New Nonparametric Methods for Correlated Data (2018)
Nonparametric covariance estimation with shrinkage toward stationary models
Tayler Blake and Yoonkyung Lee
Wiley Interdisciplinary Reviews: Computational Statistics (2020)
Improving therapeutic communication in nursing through simulation exercise.
Timothy Blake and Tayler Blake
Teaching and Learning in Nursing (2019),


In the following equation x, y, and n are positive integers.
|
1 x |
+ |
1 y |
= |
1 n |
For n = 4 there are exactly three distinct solutions:
|
1 5 |
+ |
1 20 |
= |
1 4 |
|
1 6 |
+ |
1 12 |
= |
1 4 |
|
1 8 |
+ |
1 8 |
= |
1 4 |
What is the least value of n for which the number of distinct solutions exceeds one-thousand?
NOTE: This problem is an easier version of problem 110; it is strongly advised that you solve this one first.


Click and drag on an image to apply a transformation.
Hover over a result in the list below to see the matched image fragments.


The fields of the LuaState class are listed below. For a complete list of LuaState class members, see the LuaState Members topic.
| gc | The garbage collector associated with the state. |
| lua | The internal state handle. |
| stack | The stack associated with the state. |
| tables | The tables associated with the state. |


Wu-tang Name Generator
What is your name?
1. Is the Wu-tang-clan obsessed with kung fu movies?
true
false
2. Are all the Wu-tang members from New York?
true
false
3. Is Once Upon a time in shaolin the album with only 5 copies?
true
false
4. Does the Wu-tang clan have a leader
true
false
5. Has Wu-tang clan released only 15 albums?
true
false
generate name


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3 references to StateInfoReceived
System.Management.Automation (3)
engine\remoting\client\RemoteRunspacePoolInternal.cs (1)
176
DataStructureHandler.
StateInfoReceived
+= HandleStateInfoReceived;
engine\remoting\client\RemotingProtocol2.cs (2)
158
Dbg.Assert(
StateInfoReceived
!= null,
160
StateInfoReceived
.SafeInvoke(this,


--- title: Theorem of the week layout: post ---
Theorem of the week Expositions of interesting mathematical results
Nice! A new (to you) mathematical theorem every week :)


nCov-19 Interactive Dashboard for Bangladesh
A interactive dashboard with Bangladesh map showing the number of positive cases in every district.
Source Code
This is a open source project. Source code is available in this github repository.
Data Collected From
Covid-19 Bangladesh: District-wise data
JSON time-series of coronavirus cases
Bangladesh Map GeoJSON from geodash.gov.bd
I Used
React to build UI
Leafet and react-leaflet to show the map
Bootstrap to style
MapShaper to compress the map
Special Thanks To
If You Find any Bug or Mistake
Contact me on:
Github Facebook E-mail Messenger Linkedin