Hi there! I'm a seasoned developer with a twist - I've also got a certificate in UX Design under my belt. It's not every day you come across someone with that kind of skill-combo.
I am the founder of automation in Redis, a mentor of many engineers, and a major initiator.
A development veteran with a passion to assure vibrant UX's. Thoroug, analytical, empathic, and seeking to leverage those qualities to make users feel at home.
A development veteran and a UI design hobbyist, with a passion to plan rich and vibrant user experiences. Rigorous, imaginative, empathic, and seeking to leverage those qualities to make users feel at home.
The following testimonials are copied from my LinkedIn profile and are 100% genuine.
Director of growth
Managed Doron directly
I hired Doron back when he was inexperienced, and he turned out to be one of the most valuable members in my team. I really enjoyed watching his self-learning, collaboration and creativity throughout the first years of his career.
User experience leader
Managed Doron directly
As soon as I hired Doron, his efficiency as a stand-alone professional became evident. Doron contributed a great deal of quality to the product and team, with friendliness and sincerity that made him a pleasure to supervise for 1+ year.
QA engineer
Worked with Doron in the same group
Doron and I worked together in the same division. He’s a loyal friend who works well with others even in tough situations. He’s an impactful collaborator with a deep understanding of the users, and I’m confident that he would be an asset to any group.
Front-end develoepr
Worked with Doron in the same group
It was a pleasure to work together with Doron, who was an efficient Frontend developer. He has a very strong work ethic and problem solving skills. He was always able to successfully complete any task.
Web automation developer
Worked with Doron in the same group
Doron is like a Matryoshka doll... his outer figure is technical/logical and says "I am a developer". His deeper figure is creative and says "I am a designer". His core figure is empathic and says "I am your caring friend". Luckily I've encountered all of those inspiring figures, and if you'll work with him long enough you will have the same lovely experience as I had.

QA engineer
Reported directly to Doron
I was fortunate to work under Doron's supervision for almost two years. During this period, Doron provided expert knowledge and constructive feedback, and I could always count on his support.
Web automation developer
Reported directly to Doron
Working under Doron was very insightful, as he taught me a lot about automated testing, which allowed me to become much stronger developer in that field. I also saw a true empathy in him, which gave me comfort during a big project filled with technical obstacles.
User experience leader
Worked with Doron in different groups
Doron constantly delivered pixel-perfect web pages that looked exactly(!) like my mockups. His high accuracy and his strong attention to detail is a rare combination among front-end developers.
The above testimonials are copied from my LinkedIn profile and are 100% genuine.
Not the classic resume that starts with Experience, ha? -- Well, I'm simply doin' what the experts say *if not, plz let me know if...
| I've managed to be a(n)... | Due to... | By... | Under the role of... |
|---|---|---|---|
| Founder of automation | Building the automation (E2E) system from scratch, completely on my own | By being the first in this role, and exploring the field of automation | UI automation engineer at Redis |
| Long-term employee | Working at two(!) workplaces across 10 yr, without a lengthy absence from work | By finding interest in my roles, and being loyal to my employer | Various development roles |
| Open-source contributor | Contributing to Simple Icons (an open-source library/repository), and receiving the Arctic Code Vault Contributor badge by GitHub | By creating icons and suggesting enhancements | Hobbyist |
| Dedicated tutor | Boosting teammates proficiency | By teaching them all needed tech solutions | Technical leader (web automation) at Redis |
| Endorsed expert | Holding various LinkedIn skill badges, as well as certificate in UX design and certificate in project management | By getting a high score (75+) on each quiz in LinkedIn, as well as passing 7 paid courses developed by Google | Self-improver |
| Major initiator (automation) |
Simplifying the maintenance of automated tests, as well as making test-writing easy |
By exploring, demonstrating and implementing:
|
UI automation engineer at Redis |
| Major initiator (front-end development) |
|
By exploring, demonstrating and implementing: BEMIT architecture, Bootstrap and RWD | Front-end develoepr at Redis; Front-end develoepr at Webpals |
| Defender of quality | Catching (and reporting) 100+ bugs | By running automated pipelines (incl. analyzing reports) on a daily basis | UI automation engineer at Redis |
| Key player | Increasing the velocity of the biggest project in the company's history (19 mo) | By guiding and supporting 4 testers | Technical leader (web automation) at Redis |
| Effort reducer | Covering a wide variety of features | By developing 120+ automated tests that cover a wide variety of features | UI automation engineer at Redis |
| Out-of-scope contributor | Enhancing the user experience of the application | By contributing to the design system, and revealing deficiencies in the mockups | Technical leader (web automation) at Redis |
| Pioneer of responsive web development |
Building responsive layouts since 2012 | By adopting Bootstrap 2 and RWD | Front-end developer at Webpals |
| Pioneer of JavaScript-based automation |
Writing automated tests since 2016 | By adopting various JS frameworks in their early versions | UI automation engineer at Redis |
| Pioneer of web browsing | Using the internet since 1997, 1.5 yr before Google was founded | By having a thirst for tech, as a kid | Hobbyist |
| Development veteran | Developing UI components and automated tests across a full decade | By finding interest in my roles | Various development roles |
| HobbyLong-time designer | Designing graphics across two decades | By having a passion for it since age of 15 | Hobbyist |
| HobbyLong-time gamer | Playing video games across three(!) decades | By having a passion for it since age of 6 | Hobbyist |
During college studies, did branding for two small businesses, by designing logos, cards, posters and more.
Seven paid courses, developed by Google, that extensively cover the UX design process. My professional certificate
Six paid courses, developed by Google, that extensively cover the project management process. My professional certificate
Practical engineering; Hands-on studies in web development and user experience.
Co-admined the office that provided transportation service to 3,000 employees of Intel factory (the largest factory in the country).
Inspected gas pipelines of manufacturing machines in Intel factory (the largest factory in the country).
Completed a 3-year service (incl. combat training) as a Staff Sergeant.
Regular studies.


Graphical Equalizer
by
Ricard Marxer
You will need a recent build of Mozilla Firefox with the Audio API to hear the filtered version.
Graphical Equalizer
Min Freq
Max Freq
BPO


You have created a project with the shiny new Angular V15 (Who does not want standalone components right?)..but wait a minute? where are the environments configs? Disappeared?
If you are in v15, bad luck as you will need to create the environment folders and add what is necessary manually in angular.json
Still, the angular team created a brand new schematic in v.15.1 that solves the gap. Just run:
ng g environments
Then follow these steps:
angular.json
to do fileReplacements
where the paths are from project root to the environment file for replace
and with:
"configurations": {
"production": {
...
"fileReplacements": [
{
"replace": "apps/some-app/src/environments/environment.ts",
"with": "apps/some-app/src/environments/environment.prod.ts"
}
],
},
"development": {
...
}
},
"defaultConfiguration": "production"
},


CEEMID
CEEMID is a data integration system that could provide to be a model and starting point of building a European Music Observatory based on open data, open-source software using best statistics, data science and AI practices. CEEMID has created thousands of high-value, hard music industry indicators using open data sources, industry data sources, surveys and various APIs to relevant other data sources. (More on ceemid.eu website.)
CEEMID is aiming to transfer thousands of indicators and a verifiable, open-source software that creates them to the European Music Observatory to give Europe-wide acces timely, reliable, actionable statistics and indicators for the music industry, policymakers and music professionals. (Read more about our data coverage)
CEEMID is a private initiative. We developed data products for the needs of the industry: to calculate adequate royalty price (tariff) levels, to calculate adequate compensation for damages, to design better grants, to advocate better CCI policies, to pinpoint discriminative taxation of the industry, to monitor public performance licenses, to calculate the size of the value gap, to train algorithms that find new audience for small nation repertoires abroad, and so on. Because the industry is made of microenterprises all over Europe and the world, and even larger organizations, such as collective management societies are at most SMEs, the industry has very limited market research or research & development capacities. This makes .
Data Coverage
We believe that CEEMID is a viable piloting point for the European Music Observatory. Our primary goal is to provide thousands of indicators for the three pillars of the European Music Observatory (See presentation.
- Pillar 1: Music Economy of Europe
- Pillar 2: Music Diversity and Circulation
- Pillar 3: Music, Society and Citizenship
- Pillar 4: input data for business and technical innovation, i.e. the Innovation pillar.
Because we cover all areas of innovative uses (predictive AI modelling, forecasting, royalty setting and pricing, audience targetting, policy indicators) we believe that further data domains must be covered.
Geographical coverage
-
CEEMID is primarily focusing on data from the European Union. We aim to create indicators for each European Union member state, and whenever possible, each European NUTS1 level region (provinces, Bundeslander, etc) and NUTS2 level regions. We aim to introduce city level indicators in 2020.
-
Our secondary focus is Europe, including the European Economic Area, (potential) candidate countries, and the United Kingdom.
-
Whenever possible, we collect comparative data globally, particularly from countries with a developed, strong music market, such as Australia, Canada, Brazil, Japan, South Korea and of course the United States of America.
Historically CEEMID started out as the Central and Eastern European Music Industry Databases out of necessity following a CISAC Good Governance Seminar for European Societies in 2013. The adoption of European single market and copyright rules, and the increased activity of competition authority and regulators required a more structured approach to set collective royalty and compensations tariffs in a region that was regarded traditionally as data-poor with lower quantitiy of industry and government data sources available.
In 2014 three societies, Artisjus, HDS and SOZA realized that need to make further efforts to modernize the way they measure their own economic impact, the economic value of their licenses to remain competitive in advocating the interests vis-à-vis domestic governments, international organizations like CISAC and GESAC and the European Union. They signed a Memorandum of Understanding with their consultant to set up the CEEMID databases and to harmonize their efforts.
CEEMID by designed aimed to follow the best European practices on statistical harmonization and was already featured as an innovative best practice in the 40th anniversary of Pan European Surveying seminar in 2015. As an initiative born out of necessity, it aimed fill in the gaps of underdeveloped official cultural statics by following the guidelines of Eurostat’s ESSNet.
We believe that a very large segment of CEEMID’s and the European Music Observatory’s data coverage is based on public-interest data that is collected by public authorities. Therefore, CEEMID was based on the regulatory framework provided by the Directive on open data and the re-use of public sector information provides a common legal framework for a European market for government-held data (public sector information). It a regulatory framework that is built around two key pillars of the internal market: transparency and fair competition. In our view, these principles should apply to European Music Observatory, too.
Open source, open data, open collaboration
In the EU, open data is governed by the Directive on open data and the re-use of public sector information - in short: Open Data Directive (EU) 2019 / 1024. It entered into force on 16 July 2019. It replaces the Public Sector Information Directive, also known as the ‘PSI Directive’ which dated from 2003 and was subsequently amended in 2013. The founder of CEEMID, Daniel Antal has been involved in Open Data and PSI since 2008.
We believe that the European Music Observatory must rely on open-source statistical software written in the R statistical language like CEEMID. (Read why.)
CEEMID uses the open source statistical programming language R, and various open source R programs. CEEMID also releases some of its customary program code developed to create its indicators (See open data on this site). This allows an open collaboration with statisticians working in national statistics authorities and in independent research institutions in the EU and globally. For example, this allowed us to compare test results on calculating economic impact indicators for the creative industries and other industries with the UK statistical office.
The use of open source software and the open source R statistical language allows a continuous peer-review of data ingestion, processing, corrections and indicator creation by statisticians, data scientists and academics. Statistical products of national statistical offices, sometimes Eurostat itself, not to mention data providers that are not part of the system of national statistical offices, such as the European Audiovisual Observatory, are plagued with data errors that are corrected and amended relatively slowly.
Data integration instead of centralisation
From the originally envisioned, centralized, permission-based data structure, due to practical considerations, CEEMID switched to a more flexible, decentralized approach. This approach is based on continuous data integration, which requires permissions to use business confidential information only in use. This allowed a rapid extension of CEEMID to the whole of Europe and go even beyond. As a result of continous data integration it already includes hundreds of indicators foreseen in all pillars of the planned European Music Observatory.
While CEEMID is aware of and uses the metadata of CISAC’s, IFPI’s, EAO’s, and other industry sources’ data, it does not contain this data, only when a user with permission for the use of these industry sources requires the integration of such data with other CEEMID data, or user-specific data. While this approach makes sharing results more cumbersome, it provided a path to increase the number of useful indicators from a few dozens to around a thousand. Furthermore, it exponentially increases the value of CISAC’s, IFPI’s or EAO’s data, especially when designing better royalty rates, or creating economic evidence for litigation. Take a look at a simple, non-confidential example blog post.
The CEEMID Music Professional Surveys are anonymous surveys about the live music and recording markets and granting schemes. The surveys have been filled out by about 4000 musicians, technicians, managers (and 2000 filmmakers) about the tour destinations, concert budgets and average audiences, various royalty receipts from streaming services, physical and digital sales, YouTube, Bandcamp. We are also creating comparable statistics with all EU national statistics on life satisfaction, economic expectations, income and economic situation and other characteristics of music and filmmaker professionals.
CEEMID makes sure that the Client’s data (collective management organizations, music distributors, music export offices, music granting agencies) are correctly integrated with our survey data, statistical and big data sources, with industry data and the Client’s own transactional financial, licensing, granting or processed data. We are handling professionally data errors, missing data, currency translations and other problem areas.
Data sources
-
Nationally representative CAP surveys of music users and film viewers.
-
Anonymous CEEMID Music Professional Surveys and CEEMID Audiovisual Professional Surveys about their work, incomes and costs. See example blog post.
-
Big data sources from various geolocational applications about events and location visits small video.
-
Automatic data retrieval from open data sources, including statistical data and EU-funded research. See example blog post
The Future of CEEMID
Historically CEEMID started out as the Central and Eastern European Music Industry Databases out of necessity following a CISAC Good Governance Seminar for European Societies in 2013. The adoption of European single market and copyright rules, and the increased activity of competition authority and regulators required a more structured approach to set collective royalty and compensations tariffs in a region that was regarded traditionally as data-poor with lower quantity of industry and government data sources available.
In 2014 three societies, Artisjus, HDS and SOZA realized that need to make further efforts to modernize the way they measure their own economic impact, the economic value of their licenses to remain competitive in advocating the interests vis-à-vis domestic governments, international organizations like CISAC and GESAC and the European Union. They signed a Memorandum of Understanding with their consultant to set up the CEEMID databases and to harmonize their efforts. The adoption of European single market and copyright rules, and the increased activity of competition authority and regulators required a more structured approach to set collective royalty and compensations tariffs in a region that was regarded traditionally as data-poor with lower quantitiy of industry and government data sources available, but quickly covered the whole European area (Read more about our data coverage and our pan-European geographical coverage.)
We believe that CEEMID could fulfil the functions of the European Music Industry if it would find a sustainable financing that makes access to all our data open. We need to be able to avoid the tragedy of the commons, where only a few industry users contribute to the financing of thousands of indicators that could potentially benefits tens of thousands of stakeholders in the EU.


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|
Vc
1.0.0-dev
SIMD Vector Classes for C++
|
|
Files | |
| file | algorithms.h [code] |
| file | aliasingentryhelper.h [code] |
| file | alignedbase.h [code] |
| file | bitscanintrinsics.h [code] |
| file | const.h [code] |
| file | data.h [code] |
| file | deinterleave.h [code] |
| file | exponential.h [code] |
| file | fix_clang_emmintrin.h [code] |
| file | gatherimplementation.h [code] |
| file | gatherinterface.h [code] |
| file | generalinterface.h [code] |
| file | iif.h [code] |
| file | indexsequence.h [code] |
| file | interleave.h [code] |
| file | interleavedmemory.h [code] |
| file | iterators.h [code] |
| file | loadinterface.h [code] |
| file | loadstoreflags.h [code] |
| file | logarithm.h [code] |
| file | macros.h [code] |
| file | make_unique.h [code] |
| file | makeContainer.h [code] |
| file | malloc.h [code] |
| file | mask.h [code] |
| file | maskentry.h [code] |
| file | math.h [code] |
| file | memory.h [code] |
| file | memorybase.h [code] |
| file | memoryfwd.h [code] |
| file | operators.h [code] |
| file | permutation.h [code] |
| file | scatterimplementation.h [code] |
| file | scatterinterface.h [code] |
| file | set.h [code] |
| file | simd_cast.h [code] |
| file | simdarray.h [code] |
| file | simdarrayfwd.h [code] |
| file | simdarrayhelper.h [code] |
| file | simdize.h [code] |
| file | simdmaskarray.h [code] |
| file | storage.h [code] |
| file | storeinterface.h [code] |
| file | subscript.h [code] |
| file | support.h [code] |
| file | transpose.h [code] |
| file | trigonometric.h [code] |
| file | types.h [code] |
| file | utility.h [code] |
| file | vector.h [code] |
| file | vectorabi.h [code] |
| file | vectortraits.h [code] |
| file | vectortuple.h [code] |
| file | where.h [code] |
| file | windows_fix_intrin.h [code] |
| file | writemaskedvector.h [code] |
| file | x86_prefetches.h [code] |


Make sure you have python 3.5 or greater.
Download / Clone the Git repository.
git clone git@github.com:tqsd/QuNetSim.git
Here we use a Python virtual environment located at the same directory level as where the project is cloned (i.e. dont change directories after running step 1). Instructions for setting this up:
python3 -m venv venv
.\venv\Scripts\activate
python -m pip install --upgrade pip
python -m pip install -r .\QuNetSim\requirements.txt
To set the correct Python path we need to set the
PYTHONPATH
system variable:Open System Properties -> Advanced
Click “Environment Variables”
In the System Variable area (the bottom part)
If the
PYTHONPATH
variable already exists then addC:\<PATH_TO_QUNETSIM>\QuNetSim
to the path, replacing<PATH_TO_QUNETSIM>
with the path to where QuNetSim is located.Otherwise, click New and add a variable
PYTHONPATH
with valueC:\<PATH_TO_QUNETSIM>\QuNetSim
, replacing<PATH_TO_QUNETSIM>
with the path to where QuNetSim is located.
After installing, you can use the templating script to get started. It will generate a file with the common structure of a QuNetSim use.
python3 .\QuNetSim\templater.py
The template will perform a small example which can be run:
python3 <name of your file>.py


Canvas JavaScript Example
A canvas drawing tool, with a basic GUI interface.
The 'commands history' is shown on the right.
Instructions:
- command: draw(shape, x, y, size, colour)
- command: clear()
Note:
- shape is 1 for circle, 0 for square
- colour is an rgb string e.g. "#FF1C0A"
- size is in pixels
- canvas is 300 x 300


| New... | Create a new board | |
| Open... | Open a SGF file | |
| Open folder... | Load all files in folder | |
| Save | Save the current file | |
| Save as... | Save the current file with a new name | |
| Read only | Prevent modification in current file or current folder | |
| Close | Close the current file | |
| Close all | Close all tabs | |
| Collections | Collections related commands | |
| Open from clipboard | Open a game from clipboard | |
| Save to clipboard | Save the current game (not the full current collection) to clipboard | |
| Favorites... | Open favorite box | |
| Game information... | Display game information for the current game | |
| Print... | Print the current file | |
| Export... | Export the current file | |
| Export position... | Export position from board | |
| Quit | Quit application |
It is also possible to open a SGF file by:
The Save menu, as the associated button in the toolbar, is not available when the current file has not been modified.
The Open folder enables to handle folders as multi game files. In other words, it is possible to use on folders all commands which can be used on multi game files, including:
The Collections menu gives access to the following commands:
| Append to... | Append the current current file to another one | |
| Merge... | Select and merge a list of sgf files | |
| Extract current | Extract the current game | |
| Extract all... | Split the current file into game files | |
| Make game tree... | Make the game tree of moves and variants of all games in a collection |
| Full screen mode | Expand the main window at full screen size. Title bar, menu bar, tool bar and tab bar are hidden. Restore window mode by pressing the key assigned to this command (F11 by default). | |
| View board | Display the current tab in board view | |
| Preview game information | Display the current tab in game information view | |
| Preview board thumbnails | Display the current tab in thumbnail view | |
| Reference view | Set the board to its original orientation | |
| Mirror | Swap board horizontally | |
| Flip | Swap board vertically | |
| Opponent view | Set the board to the opponent view | |
| Rotate 90 clockwise | Apply a 90° rotation clockwise to the board | |
| Rotate 90 counter clockwise | Apply a 90° rotation counter clockwise to the board | |
| Swap colors | Exchange player colors | |
| Show toolbars | Show or hide toolbars | |
| Toolbar settings... | Open the toolbar tab in the option window | |
| Board settings... | Open the board tab in the option window | |
| Preview settings... | Open the preview tab in the option window |
| First game | Go to first game in file or folder | |
| Previous game | Go to previous game | |
| Next game | Go to next game | |
| Last game | Go to last game in file or folder | |
| Select game... | Ask for a game number and go to this game | |
| Start position | Go to start position of the current game | |
| Previous move | Go to previous move | |
| Next move | Go to next move | |
| End position | Go to end position | |
| Go to move... | Ask for a move number and go to this move | |
| Previous target | Go backward to the next target as defined in navigation settings | |
| Next target | Go forward to the next target as defined in navigation settings | |
| Autoreplay | Repeat automatically forward moves | |
| Navigation settings... | Open the option dialog on the navigation settings |
| Undo move | Delete the last entered move | |
| Delete branch | Delete the whole branch from the current move, i.e. the current move and all the following moves | |
| Game edit | Select edition in game mode: each color in turn with verification of move validity. The selection of the player is done in the submenus | |
| Add Black | Select edition in black stone only mode | |
| Add White | Select edition in white stone only mode | |
| Empty | Select edition in delete black or white stone mode | |
| Current markup | Select edition in markup mode. Markup selection is done in the submenus. | |
| Player | Select player of next move. The associated property is stored if the Change player with SGF property option is checked. | |
| Insert pass | Insert a pass move | |
| Insert... | Insert, or delete, annotations or other SGF properties for the current position | |
| Make main branch | Make the current branch in the game tree the main one | |
| Remove properties... | Enable to select a list of SGF properties and to remove them from the current game or the collection loaded in the current tab | |
| Insert empty node | Insert an empty node (no moves, no markups) as a continuation of the current node |
| Create database | Open the create database window | |
| Open database | Select and open a database | |
| Add to database | Open the update database window. This command is available only when a database is in the current tab. | |
| Search in database | Open the search window for information search, pattern search or signature search | |
| One click search | Enable pattern search without opening search window | |
| Database settings | Open the database tab in the option window |
| Replay session... | Start a replay session | |
| Replay index... | Display the index of the current file or folder in Game mode | |
| Cancel | Quit Game mode |
| Solve problems... | Start a problem session | |
| Problem index | Display the index of the current file in Problem mode | |
| Hint | Display the possible moves to reach a solution. If there is no correct follow up, surround the last played move in red. | |
| Free mode | Enables momentarily to try moves outside the moves stored in the file. The Problem mode menu becomes therefore visible and enables to come back to problem resolution. | |
| Cancel | Quit the Problem mode |
| New engine game... | Enables to start a game with the engine selected in the Options/Game engine menu | |
| Pass | Play a pass move | |
| Resign | Resign the current game | |
| Cancel | Quit the current game | |
| Score estimate | Display a score estimate of the current position in the status bar. | |
| Suggest move | Suggest a move for the current position and display it on board and in the status bar. | |
| Show influence regions | Show influence regions on board | |
| Group status | Give the status of a stone and its group by clicking on it | |
| Show GTP window | Open the dialog window between Drago and game engines | |
| Engine settings | Open the option dialog on engine settings |
Analysis functions (score estimate, move suggestion, influence regions and group status) are available only if supported by the game engine selected for analysis. When available, they are available during engine games as well as in other modes.
| Options | Open last open tab in Options window | |
| Navigation settings | Open navigation tab in Options window | |
| Database settings | Open database tab in Options window | |
| Engine settings | Open game engine tab in Options window | |
| Language settings | Open language tab in Options window | |
| Sidebar settings | Open side bar tab in Options window |
| Display help | Display this help file | |
| About | Display software information |
The toolbar is actually made of four independant toolbars which can be moved and configured. After installation, the toolbar is as follow:
The toolbars remind the main entries of the menu bar with the same icons and hints.
Four actions are possible on the tab bar:
Right clicking on an empty place of the tab bar opens a popup menu with a restricted set of the File menu commands:
Double clicking on an empty place of the tab bar opens the New dialog:
Tabs can be reordered by using drag and drop:
Drago is compliant with Windows ergonomics which state to give the possibility to drive an application only with the keyboard. Any command can be associated to a shortcut but after installation, the following keyboard commands are available:
| Ctrl-Left | Previous game |
| Ctrl-Right | Next game |
| Ctrl-Home | First game |
| Ctrl-End | Last game |
| Left | Previous move |
| Right | Next move |
| Home | Start position |
| End | End position |
| Up | Previous variation |
| Down | Next variation |
The editing position is identified by the mouse pointer position.
| Alt-Left | Previous column |
| Alt-Right | Next column |
| Alt-Up | Previous line |
| Alt-Dn | Next line |
| Enter | Play, or add a stone or a markup under the mouse pointer |
| Ctrl-Enter | Create a new alternate move at the pointer position |
| Ctrl-z | Undo |
Keyboard commands are available only if node names and comments are not under edition (blinking cursor not in node name or comment edit box).
To select the active control, you have to:
It is possible to create keyboard shortcuts for any command in the option dialog.
Some commands are not available by default in the user interface, but can be added either as shortcuts, or as additional toolbar buttons.
In the current version, these commands are:
These two commands can be found in the Options category in the Toolbars and Shortcuts tabs of the Options dialog.


An Akan name in Ghanian naming culture is a name given to people according to the day of the week they were born. For Example Male born on Sunday: Kwasi
Enter your birthday (Date of Birth) details below to find out your Akan name...
Want to know your Akan name? Get Started:
Day: Wednesday
Akan: Kwaku
Day: Wednesday
Akan: Kwaku


About Us
FEPSI is not just working as co-member
Forum for Empowering People through Social Innovation and entertainment,
VIT is an NGO well known for its activities in and around Vellore and is
known to all as FEPSI-VIT.It is a very famous NGO and boasts of extreme
working ability which attributes to its popularity which it has earned in
a very short span of time.
With a mere 6 years since its inception,
FEPSI has earned a lot of respect for the work it does. The sincerity and
the dedication of its members towards the theme of the club has been its
impetus all along.
Frequently Asked Questions
-
Who We Are?
Forum for Empowering People through Social Innovation and entertainment, VIT is an NGO well known for its activities in and around Vellore and is known to all as FEPSI-VIT.
-
What We Do?
We work on projects for the progress of society and consolidate events which ensure that every individual is able to achieve their potential irrespective of circumstances.
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How We Do?
With our three projects Ullas,GLL and Soch , Fepsi endeavours to acheive in empowering youth,striving towards diverse empowerment and act as a catalysr to bring change in society.
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question ?
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question?
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question?
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Our Team
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Saran J V
ChairpersonMagni qui quod omnis unde et eos fuga et exercitationem. Odio veritatis perspiciatis quaerat qui aut aut aut
Saumi Bhattacharya
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Archee Verma
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Bhavitej Turaka
Director OperationsMagni qui quod omnis unde et eos fuga et exercitationem. Odio veritatis perspiciatis quaerat qui aut aut aut
Jagadabi Chandrasekhar Varma
Director EventsMagni qui quod omnis unde et eos fuga et exercitationem. Odio veritatis perspiciatis quaerat qui aut aut aut
Shreshth Raj
Director of Public Relations And MarketingMagni qui quod omnis unde et eos fuga et exercitationem. Odio veritatis perspiciatis quaerat qui aut aut aut
Dheeksha Rajeshkumar
Director DesignMagni qui quod omnis unde et eos fuga et exercitationem. Odio veritatis perspiciatis quaerat qui aut aut aut
Krithika Vyas
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Pranathi B.K.P
Director ResearchRepellat fugiat adipisci nemo illum nesciunt voluptas repellendus. In architecto rerum rerum temporibus
A. Yohan Mychal
Director FinanceVoluptas necessitatibus occaecati quia. Earum totam consequuntur qui porro et laborum toro des clara
Contact Us
50-60 word paragraph telling to join the fepsi community in different handles
FEPSI
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Vellore Institute of Technology
Vellore, Tamil Nadu
India
fepsi email id
fepsi phone number


Problem 1
Solution 1
Startup traction growth hacking graphical user interface. Holy grail return on investment launch party interaction design. Infographic ownership long tail startup business model canvas graphical user interface holy grail. Client gen-z metrics.
Some random text goes here. This is very random text amongst other random text. I did not feel like opening a text generator. Sigh, it is very hot today.
Branding ecosystem ramen validation. Validation A/B testing pitch learning curve MVP stock marketing user experience investor gen-z early adopters alpha partner network. Figure 1.1 Android ramen prototype seed money responsive web design. Mass market seed round entrepreneur.
Factorise
Problem 1
Solution 1
Problem 2
Solution 2
Problem 3
Solution 3
Factorise
Problem 1
Solution 1
Problem 2
Solution 2
Problem 3
Solution 3


[viewBag] title = "Internship courses" ==
As the framework signed agreements or exchange programs, foreign students or researchers have opportunity to involve in internship courses at the CSPI.
Candidates should send following documents:
An official representation signed by the Head of International Department of the partner university. Until we receive the original, we ask to send this letter via fax +998 (70) 712-45-41 or scanned form via e-mail to<EMAIL_ADDRESS>We also ask to send completed application form via fax or e-mail.
A study or research plan containing a briefly explained statement of purpose and its expected results.
After reviewing documents and dealing with the host faculty, you will be notified of further required steps.
Please note that all foreign citizens must be registered at the staying place within three working days after their arrival to the territory of Uzbekistan. Chirchik State Pedagogical Institute can assist in registering arriving candidates only if they:
• entered the territory of Uzbekistan on a visa issued on the basis of invitation from CSPI;
• students who are living at dormitories of the institute. Living on campus may also possible only in the case of a visa on the basis of invitation from CSPI.
International Cooperation Department
Chirchik State Pedagogical Institute
104 A.Temur street,
111700, Chirchik city, Tashkent region, Republic of Uzbekistan
Tel/Fax: (+99870) 712 45 41
Website: www.cspi.uz
Email: intercoop@cspi.uz


URE, Motech, TSEC report 3Q19 operating losses
by Adam Hwang, DIGITIMES, TaipeiSolar cell and PV module makers United Renewable Energy (URE), Motech Industries and TSEC suffered net operating losses of NT$943.6 million (US$30.9 million), NT$205.6 million and NT$37.2 million respectively for third-quarter 2019.
URE has reported consolidated revenues of NT$1.132 billion for October, decreasing 17.08% sequentially and 41.50% on year, and those of NT$15.391 billion for January-October increased 53.41% on year.
Motech had consolidated revenues of NT$403.1 million for October, slipping 16.17% sequentially and 23.01% on year and those of NT$4.642 billion for January-October dipped 62.46% on year.
TSEC reported October consolidated revenues of NT$323 million, dropping 8.72% sequentially but growing 1.39% on year, and January-October's NT$3.774 billion rose 15.04% on year.
| URE, Motech, TSEC: Financial results, 3Q19 (NT$m) | ||||||
| URE | Motech | TSEC | ||||
| 3Q19 | Jan-Sep2019 | 3Q19 | Jan-Sep 2019 | 3Q19 | Jan-Sep 2019 | |
| Consolidated revenues | 4,251 | 14,259 | 1,430 | 4,239 | 1,196 | 3,434 |
| Gross margin | (9.92%) | (3.49%) | 1.65% | (1.90%) | 3.67% | 6.35% |
| Net operating profit | (943.6) | (2,386) | (205.6) | (779.2) | (37.2) | (1.0) |
| Net profit | (1,140) | (2,707) | 3.9 | (583.9) | (84.4) | (81.4) |
| Net EPS (NT$) | (0.46) | (1.08) | 0.01 | (1.08) | (0.27) | (0.26) |
Source: Company, compiled by Digitimes, November 2019


Now that we have discussed data types and data visualization, we can begin to explore how the unfavorable living conditions in the Cancer Alley have made its residents, particularly impoverished people of color, more vulnerable to medical conditions with disproportionate health facilities. Watch the video in Figure 2.7.1.
in-context


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Completed exams and know have time to
get back to work on the KDX. Engine removal
and necesarry parts such as the seat and tank
removed. One of the engine bolts was rusted
so it was cut.
One person can do this in a crouched position
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micron-technology
Businessmodel of Micron Technology
Customer Segments
Micron has a mass market business model, with no significant differentiation between customers. The company’s customers include any manufacturers who need semiconductors for their products.
Value Proposition
Micron offers two primary value propositions: innovation and brand/status.
The company has a strong history of creating innovative products. It owns over 20,000 patents; many of these are for industry “firsts”, which include the following:
- First 1-GB double data rate (DDR) SDRAM parts manufactured on 0.11µm technology
- First 4-GB DDR SDRAM registered dual in-line memory module (DIMM)
- First 8-MP image sensor on a 1/2.5-inch optical format
- First NAND Flash memory device built on 50 nm technology
- First monolithic 8-GB DDR3 SDRAM Other innovations include 3D Xpoint, a memory process technology that fills the need for high-performance, non-volatile, high-capacity storage-class memory, and Automata Processing, a silicon device that can conduct comprehensive, high-speed searching and analysis of complex data streams.
The company’s impressive portfolio and product performance has enabled it to establish a powerful brand. This reality is reflected in the many prominent forms of recognition it has received. In 2015 it was named the #1 employer in electronic design by Electronic Design magazine, based on factors such as sales growth and R&D investment; it beat out top competitors such as Applied Materials, SanDisk, and Intel. Other major honors it has received include induction into the 2015 Idaho Technology Council Hall of Fame; recognition as having the “Most Innovative Memory Device and Semiconductor of the Year“ in 2014 (TechInsights); selection as 2014 “Design Team of the Year“ by UBM Tech’s prestigious ACE Awards; and recognition for 2013 “Memory Product of the Year“ (EDN).
Channels
Micron’s main channel is its sales force, which includes its internal sales team, independent sales reps, and distributors. These groups market its products to OEMs and retailers. The company also sells its Crucial and Lexar branded-products in physical and online retail stores and through system integrators and commercial resellers. Finally, Micron promotes its offerings through its website and participation in in-person events such as trade shows, conferences, forums, and symposiums.
Customer Relationships
Micron’s customer relationship is primarily of a self-service nature. Customers utilize its products while having limited interaction with employees. The company’s website has a number of self-help resources including articles, information guides, and answers to frequently asked questions. That said, there is a community component as it hosts a forum where assistance can be obtained from peers, and a personal assistance element in the form of phone, e-mail, and live chat support.
Key Activities
Micron’s business model entails designing, developing, and manufacturing its products. Its manufacturing facilities are located in the U.S., Japan, China, Singapore, Malaysia, and Taiwan. The company also contracts with independent foundries for the production of certain products such as NAND Flash media items (e.g., USB devices and memory cards).
Key Partners
Micron maintains the following key partnerships:
IM Flash Technologies (IMFT) – The company collaborates with Intel for the design and production of 3D XPoint and NAND Flash memory products.
MP Mask – The company has long maintained a joint venture with Photronics through which it manufactures next-generation semiconductors. That said, it made plans to end the operation in May 2016.
Inotera – The company works with Nanya to manufacture DRAM products for Inotera, a DRAM company based in Taiwan.
Tera Probe – The company possesses a 40% ownership in this venture; its partners are other owners who provide Micron and others with semiconductor wafer testing and various probe services.
Micron’s partners also include the multiple suppliers through which it obtains its raw materials. In addition, it has established Micron Ventures, an endeavor that invests in early-stage tech firms whose offerings are relevant to the company’s strategic interests. The company gives the firms R&D capabilities, process expertise, market intelligence, and strategic insights.
Key Resources
Micron’s main resource is its engineering team, which has significant expertise in semiconductor subject matter and engages in extensive research and development. Another important resource is its collection of R&D facilities. It operates eight “Global Customer Labs” spread throughout the U.S., Europe, and Asia that collaborate with select customers to generate and execute product concepts. Finally, Micron places a high priority on its intellectual property, and is considered a leader in terms of patent quantity. As of September 2015, the firm owned 16,800 U.S. patents and 4,200 foreign patents, for a total of over 20,000. It also has many thousands of patent applications pending.
Cost Structure
Micron has a cost-driven cost structure, aiming to lower costs whenever possible. The company reduces the manufacturing cost of each product generation through advancements in its processes. It also tries to form joint ventuers that enable it to share development costs. Micron’s biggest cost driver is cost of goods sold, a variable expense. Other major drivers are in the areas of research and development, sales, and administration, all fixed costs.
Revenue Streams
Micron has two revenue streams:
Product Sales – The company generates revenues through the sales of its offerings.
Intellectual Property Monetization – The company sells and/or licenses its technology to other entities. It also monetizes its intellectual property through various partnerships.


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This Object4D demo shows how to extend the THREE.Object3D class with properties to animate it.
Click on the following to give each cube a new random target location: Random Targets
Locations are random (within a 200 unit bound). Speed is slightly random as well. Colors are random.
This demo does not use TWEEN.js. Methods and properties are in a new class called Object4D.
Want to see something cool? Click on Random Targets repeatedly and they will eventually flock together
If you add enough cubes, the random cube locations will fill out a cube with 200x200x200 dimensions.


--- layout: default title: Git Traffic permalink: /housekeeping-git-traffic ---
Cloning a Git repository is expensive, as the entire repository history must be transferred. Clients that have cloned a repository before should rather fetch the latest changes. This is (sometimes dramatically!) faster for the client and less expensive for the server.
High numbers of clone operations usually indicate an unfavorably configured CI process.
The amount of data transferred for clones and fetches.
To save resources, you should try to minimize the number of clones, especially for large repositories.
This table lists the repositories that accounted for the majority of the traffic yesterday.


Functions for performing forward and inverse FFT of complex 16-bit and 32-bit input data.
Complex forward FFT function with auto-scaling.
- Details
- Computes the forward discreet Fourier transform (DFT) of 16-bit complex inputs. If the inputs are not already in bit reversed order the bit reversal parameter must be set. The output is monitored for overflow and scaled by a factor of two when an overflow risk is detected. The shift parameter contains the number of bit shifts that were applied to the output.
- Pseudo code
y = fft(x) * 2^-shift
- Scaling
- Scaling is applied as needed to prevent saturation of the output. The scale factor that was applied to the output is returned in the shift parameter and can be used to calculate the result by applying the following function.
result = result * 2^shift
- LEA Support
- This function is supported by LEA and requires data to be placed into shared LEA memory with alignment equal to four times the data length (e.g. a 256-point complex FFT requires 1024-byte alignment). When allocating data the MSP_CMPLX_ALIGN_FFT_Q15 macro can be used to calculate correct alignment. The twiddle table pointer parameter is not used with LEA and can be null or uninitialized.
- Parameters
-
| params | Pointer to the complex FFT parameter structure. |
| src | Pointer to the complex data array to perform the FFT on. |
| shift | Auto-scaling shift that was applied to the output. |
- Returns
- Status of the operation.
- Examples:
- transform_ex2_cmplx_fft_auto_q15.c.
Complex forward FFT function with fixed scaling by two at each stage.
- Details
- Computes the forward discreet Fourier transform (DFT) of 16-bit complex inputs. If the inputs are not already in bit reversed order the bit reversal parameter must be set. The output is scaled by a factor of two for each stage of the DFT.
- Pseudo code
y = fft(x) ./ N
- Scaling
- Each stage of the complex FFT scales the result by a factor of 0.5. The output format can either be interpreted as the same type with (1/N) scaling or a different fixed point data type. This can be helpful when using the IQmathLib to process the results of the FFT, such as computing the magnitude or phase angle of the complex result.
-
| Length | Input Type | Result Type |
| 16 | _q15 | _q11 |
| 32 | _q15 | _q10 |
| 64 | _q15 | _q9 |
| 128 | _q15 | _q8 |
| 256 | _q15 | _q7 |
| 512 | _q15 | _q6 |
| 1024 | _q15 | _q5 |
| 2048 | _q15 | _q4 |
| 4096 | _q15 | _q3 |
- The following table lists the applied scaling factor and resulting data type when the input is a 16-bit integer.
-
| Length | Input Type | Result Type |
| 16 | int16_t | (int16_t)(result / 16) |
| 32 | int16_t | (int16_t)(result / 32) |
| 64 | int16_t | (int16_t)(result / 64) |
| 128 | int16_t | (int16_t)(result / 128) |
| 256 | int16_t | (int16_t)(result / 256) |
| 512 | int16_t | (int16_t)(result / 512) |
| 1024 | int16_t | (int16_t)(result / 1024) |
| 2048 | int16_t | (int16_t)(result / 2048) |
| 4096 | int16_t | (int16_t)(result / 4096) |
- LEA Support
- This function is supported by LEA and requires data to be placed into shared LEA memory with alignment equal to four times the data length (e.g. a 256-point complex FFT requires 1024-byte alignment). When allocating data the MSP_CMPLX_ALIGN_FFT_Q15 macro can be used to calculate correct alignment. The twiddle table pointer parameter is not used with LEA and can be null or uninitialized.
- Parameters
-
| params | Pointer to the complex FFT parameter structure. |
| src | Pointer to the complex data array to perform the FFT on. |
- Returns
- Status of the operation.
Complex forward FFT function without scaling.
- Details
- Computes the forward discreet Fourier transform (DFT) of 32-bit complex inputs. If the inputs are not already in bit reversed order the bit reversal parameter must be set. The output is not scaled.
- Pseudo code
y = fft(x)
- LEA Support
- This function is supported by LEA and requires data to be placed into shared LEA memory with alignment equal to eight times the data length (e.g. a 256-point complex FFT requires 2048-byte alignment). When allocating data the MSP_CMPLX_ALIGN_FFT_IQ31 macro can be used to calculate correct alignment. The twiddle table pointer parameter is not used with LEA and can be null or uninitialized.
- Parameters
-
| params | Pointer to the complex FFT parameter structure. |
| src | Pointer to the complex data array to perform the FFT on. |
- Returns
- Status of the operation.
Complex inverse FFT function with auto-scaling.
- Details
- Computes the inverse discreet Fourier transform (DFT) of 16-bit complex inputs. If the inputs are not already in bit reversed order the bit reversal parameter must be set. The output is monitored for overflow and scaled by a factor of two when an overflow risk is detected. Automatic scaling is performed such that this is the direct inverse of the forward FFT with auto scaling.
- Pseudo code
y = (ifft(x) * 2^shift) ./ N
- LEA Support
- This function is supported by LEA and requires data to be placed into shared LEA memory with alignment equal to four times the data length (e.g. a 256-point complex FFT requires 1024-byte alignment). When allocating data the MSP_CMPLX_ALIGN_FFT_Q15 macro can be used to calculate correct alignment. The twiddle table pointer parameter is not used with LEA and can be null or uninitialized.
- Parameters
-
| params | Pointer to the complex FFT parameter structure. |
| src | Pointer to the complex data array to perform the FFT on. |
| shift | Auto-scaling shift that was applied to the output. |
- Returns
- Status of the operation.
Complex inverse FFT function with fixed scaling by two at each stage.
- Details
- Computes the inverse discreet Fourier transform (DFT) of 16-bit complex inputs. If the inputs are not already in bit reversed order the bit reversal parameter must be set. Fixed scaling is performed such that this is the direct inverse of the forward FFT with fixed scaling.
- Pseudo code
y = ifft(x)
- Scaling
- This function is the direct inverse of the forward complex FFT with fixed scaling. The following fixed point input types will all result in Q15 results.
-
| Length | Input Type | Result Type |
| 16 | _q11 | _q15 |
| 32 | _q10 | _q15 |
| 64 | _q9 | _q15 |
| 128 | _q8 | _q15 |
| 256 | _q7 | _q15 |
| 512 | _q6 | _q15 |
| 1024 | _q5 | _q15 |
| 2048 | _q4 | _q15 |
| 4096 | _q3 | _q15 |
- LEA Support
- This function is supported by LEA and requires data to be placed into shared LEA memory with alignment equal to four times the data length (e.g. a 256-point complex FFT requires 1024-byte alignment). When allocating data the MSP_CMPLX_ALIGN_FFT_Q15 macro can be used to calculate correct alignment. The twiddle table pointer parameter is not used with LEA and can be null or uninitialized.
- Parameters
-
| params | Pointer to the complex FFT parameter structure. |
| src | Pointer to the complex data array to perform the FFT on. |
- Returns
- Status of the operation.
Complex inverse FFT function without scaling.
- Details
- Computes the inverse discreet Fourier transform (DFT) of 32-bit complex inputs. If the inputs are not already in bit reversed order the bit reversal parameter must be set. Fixed scaling is performed such that this is the direct inverse of the forward FFT without scaling.
- Pseudo code
y = ifft(x) ./ N
- LEA Support
- This function is supported by LEA and requires data to be placed into shared LEA memory with alignment equal to eight times the data length (e.g. a 256-point complex FFT requires 2048-byte alignment). When allocating data the MSP_CMPLX_ALIGN_FFT_IQ31 macro can be used to calculate correct alignment. The twiddle table pointer parameter is not used with LEA and can be null or uninitialized.
- Parameters
-
| params | Pointer to the complex FFT parameter structure. |
| src | Pointer to the complex data array to perform the FFT on. |
- Returns
- Status of the operation.


PReLU
Parametric Rectified Linear Unit.
Inherits From: Layer
tf.compat.v1.keras.layers.PReLU
tf.compat.v2.keras.layers.PReLU
f(x) = alpha * x for x < 0
,
f(x) = x for x >= 0
,
where alpha
is a learned array with the same shape as x.
Arbitrary. Use the keyword argument input_shape
(tuple of integers, does not include the samples axis)
when using this layer as the first layer in a model.
Same shape as the input.
alpha_initializer
: Initializer function for the weights.alpha_regularizer
: Regularizer for the weights.alpha_constraint
: Constraint for the weights.shared_axes
: The axes along which to share learnable
parameters for the activation function.
For example, if the incoming feature maps
are from a 2D convolution
with output shape (batch, height, width, channels)
,
and you wish to share parameters across space
so that each filter only has one set of parameters,
set shared_axes=[1, 2]
.__init__
__init__( alpha_initializer='zeros', alpha_regularizer=None, alpha_constraint=None, shared_axes=None, **kwargs )


What you’re saying is part of the problem if not the whole problem if you’re waiting for other people to do your job the result you’re going to get it’s beneficial to the people who did it for you never yours system was designed so we are active as we sleep they stole it from you and now you’re complaining because you didn’t do anything and somebody should’ve done something for you did you donate did you organize did you talk to your neighbors don’t you think it’s too late now
@DesitinDaily IF I WERE A CITIZEN OF GEORGIA I WOULD HAVE! I DID VOTE FOR TRUMP. I AM NOT AN ELECTED OFFICIAL OR JUDGE. WHAT EXACTLY HAVE I MISSED. DO WE BRING IT TO THE STREETS.  I WILL NOT BRING MYSELF DOWN TO THE LEVEL of ANTIFA OR BLM.
@Kluper29 What you’re describing is me were all on this together but the situation is dire our republic is dying you’re not bringing yourself at the level of antifa were all being forced to take a stand prepare yourself spiritually because that choice looks like it’s coming protect your family protect your like minded stay strong in your convictions and now it’s time to defend what we are what we were originally if we want this to continue
@Name Hidden If they had every right to be there to observe, then either the on site election supervisor should have enforced the ruling or (and this may not have worked in that county) law enforcement should have been called.
So not only did we know they would cheat again but they also use the dominion machines again why do we do this again?? have we not learned anything from the last election? I hope somebody’s looking into this one too
Look into it doesn’t mean anything everybody knows what’s going on the problem is nobody has the balls to do the right thing nobody’s been punished nothing is going to get fixed that’s the problem that has always been the problem That is on purpose that can tell you only one thing the system as it was designed is not working it’s not the system by the people for the people : is a system by the few for the few against the masses wake up
How??? The judges are all well placed Democrats . You take it to court and you lose. If we have a country we have to take up arms and fight a war!!!!! This is the only way to win, and we will!!!!
All fraud .. no one cares any more . Sad but soon time to hunker under and survive.  But number of turn out for conservative did nothing go out to vote!
Didn’t they do that already in the presidential election nothing was done is it any wonder that this happened again look at the results the same who can really say that I don’t understand what is going on here the only good thing is nobody can trust this political system we need to overall the whole system &put the corrupted people in prison people better wake up
Do something and stop talking about it! This is getting old hat real fast!
Name Hidden·@Private User4 days ago
How can that be with a court order and all !! Just take the military and bust in there !!
Show Replies
Hide Replies
Name Hidden·@Private User4 days ago
I agree!! Everybody better suit up. We HAVE to physically take our country back.  Organize and let's do it right. We need to gather an organized military type force, and then DO IT!!!!
The Rep should not concede!
Wow not again
CHEATERS AND LIARS!!!!
In our face, again!
SOMEBODY DO SOMETHING ABOUT IT!!
🤬👿👺
Another race stolen from We the People! Prayers today for our Great President Trump to take his rightful seat.🙏
ENOUGH of this suppression of rights ! Why did they not stand up and demand their rights as poll watchers !!!!
They were using the SAME System
as they did in November. WHY would anyone think it was going to be any different
So not only did we know they would cheat again but they also use the dominion machines again why do we do this again?? have we not learned anything from the last election? I hope somebody’s looking into this one too
Why isn’t this being stopped?
RAT BASTARDS CHEATING FRAUDS!!!
Shocked! Not
Of course they do. They've been doing it since last night. Are we surprised or shocked? Nope.
All fraud .. no one cares any more .
Sad but soon time to hunker under and survive.
But number of turn out for conservative did nothing go out to vote!
Didn’t they do that already in the presidential election nothing was done is it any wonder that this happened again look at the results the same who can really say that I don’t understand what is going on here the only good thing is nobody can trust this political system we need to overall the whole system &put the corrupted people in prison people better wake up
So is anybody going to do anything about this just keep taking about it??
Do something and stop talking about it! This is getting old hat real fast!
How can that be with a court order and all !! Just take the military and bust in there !!


I grew up in Crown Point, IN, ~40 miles SE of Chicago. One of my favorite pastimes is hanging out with my family on their 20 acre organic farm.
I love to explore the world and experience different cultures.
In my free time, I love to explore Colorado and the Southwest. I love biking of all sorts, hiking, camping, and generally being outdoors.


Advanced matroid functionality.#
This module collects a number of advanced functions which are not directly available to the end user by default. To import them into the main namespace, type:
sage: from sage.matroids.advanced import *
This adds the following to the main namespace:
- Matroid classes:
Note that you can construct all of these through the
Matroid()
function, which is available on startup. Using the classes directly can sometimes be useful for faster code (e.g. if your code callsMatroid()
frequently).
- Other classes:
Instances of these classes are returned by the methods
Matroid.linear_subclasses()
andMatroid.extensions()
.
- Useful functions:
lift_cross_ratios()
lift_map()
AUTHORS:
Stefan van Zwam (2013-04-01): initial version


Desolation Trail to Scenic Overlook
Directions:
Desolation Trailhead sits 2.6 miles up Mill Creek Canyon from the fee station –
just past the Mill Creek Inn on the south side of the road.
Trail Description:
From the restroom facilities, take the trail west. It makes a sharp turn to the south and increases in elevation quickly. This elevation gain isn't very long (approximately .1 mile), just far enough to get a good warm up. The trail heads west and makes 5 switch-backs to take the hiker south as you make it up the east side of the mountain. Another switch-back will take you to the west side of the mountain. You will make your way south, then east, then south again. You will traverse five more switch-backs before reaching the trail exit to get to the scenic overlook.
Return on the same path.
Distance:
About 5 miles roundtrip
Elevation Gain:
Elevation at trailhead: 5820 ft
Elevation at the Scenic Overlook: 7045 ft
Gain: 1225 ft
Trail Rating:
Moderate.
Known Avalanche Locations:
Low.
Parking Spaces:
Yes
Restroom Facilities:
Yes
Source: www.snowshoeutah.com and www.hikesandlakes.com/millcreekcanyon.html


X-Men Origins: Wolverine
X-Men Origins: Wolverine is a movie starring Hugh Jackman, Liev Schreiber, and Ryan Reynolds. The early years of James Logan, featuring his rivalry with his brother Victor Creed, his service in the special forces team Weapon X, and...


Hello there, awesome person!
This is a link to Youtube !
This is a link to My Anime List !
This is a link to Steam !


Create composite globes and maps¶
Contents
Introduction Creating composite maps and globes Extracting layers from a composite map or globe
Introduction
A composite globe (.glc
) is an assembly of layers from
existing portable globes or maps. A portable globe or map stores
all the geospatial data available within your specified area of
interest—your cut—including all high-resolution imagery, terrain,
vector data, KML files, and searchable point of interest (POI)
locations. Outside the specified area of interest, the globe or
map stores only low-resolution imagery and terrain. You specify
the levels of resolution when you cut the globe or map.
When you create a composite globe or map, you define your viewing area using a KML polygon, select layers, and, for globes, specify base globe options. One of the key benefits of using composite maps and globes is that you can apply layers that use different cuts or regions of interest, then assemble them to create one single portable map or globe.
For example, you may want to create a composite map for a hiking
trip. You might cut a road map using one region of interest and
then cut imagery and a park map of the hiking trail using
additional regions of interest. Ordinarily, cuts from map
databases would result in separate .glm
files. By assembling
the .glm
files into a composite .glc
file, the result is a
single portable map.
Creating composite maps and globes
You can create composite files of portable globes and maps with the Assembly tool feature of the Google Earth Enterprise (GEE) Server. You provide a KML polygon definition to identify the area of interest. This polygon not only defines the viewing area, but is used by Fusion to create a localized search database.
You select 2D or 3D layers to add to the composite file from any
of the cut maps or globes that are available in the
/opt/google/gehttpd/htdocs/cutter/globes
directory. In
addition, for globes, you specify a base globe.
New .glc
files are added to the default
/opt/google/gehttpd/htdocs/cutter/globes
directory. If you
want to change the location of your portable files directory, see
Serving a globe or map from GEE Server.
If you want to extract the 2D or 3D layers from a composite .glc file, use the Disassembly tool, specifying a target directory for the extracted files.
To assemble a composite map or globe:
Access the Google Earth Enterprise Server Admin console in a browser window by going to myserver.mydomainname.com/admin, replacing myserver and mydomainname with your server and domain.
Sign in with the default credentials or the username and password assigned to you:
- Default username: geapacheuser
- Default password: geeadmin
Note
If you do not know your username and password, contact your Google Earth Enterprise Server System Administrator.
Click Dashboard to view information about the portable files registered on and published to the Server.
Click the Settings button in the top right of the window and choose Glc Assembly from the Tools menu. The GLC Assembly tool window appears.
Enter a name for the offline map or globe.
The name defines the file name for your composite map or globe. Composite maps and globes are created as
.glc
files. Spaces, slashes, and double dots (..) will be converted to underscores in the saved map or globe name.Enter a description to be associated with the composite file.
The description appears in the list of portable files in Portable when you click the Folder icon and also on the Dashboard page in the GEE Server admin console.
Provide a KML polygon to define your area of interest, including the definition of your localized search database.
Choose either 2D or 3D to see a list of the available layers from the maps and globes you have available in the
/opt/google/gehttpd/htdocs/cutter/globes
directory.Click the Layers drop-down list to select a layer to add to your composite file. The selected layer appears as Layer 1. Check the Use Search? box to include a localized search database with this layer.
To add more layers, click the Layers drop-down list and continue to select from the available maps or globes.
Select the layers in the order that you want them to appear in your portable globe or map. If you need to remove a layer, click delete.
When you have no more layers available, the Layers drop-down list indicates that all available layers are in use.
To select a base globe option, click the Base globe options drop-down list and choose a portable globe, then click Yes to use the imagery and terrain data for the selected base globe.
If your base globe is a portable file created using Portable Server 4.4 or earlier, click Yes next to Old (4.4) globe. This option only affects the imagery layer within older
.glb
files.Click Assemble Glc.
Extracting layers from a composite map or globe
If you want to extract the 2D or 3D layers from a composite
.glc
file, you use the Glc Disassembly tool, specifying a
target directory for the extracted files.
To disassemble a composite file:
Access the Google Earth Enterprise Server Admin console in a browser window by going to myserver.mydomainname.com/admin, replacing myserver and mydomainname with your server and domain.
Sign in with the default credentials or the username and password assigned to you:
- Default username: geapacheuser
- Default password: geeadmin
Note
If you do not know your username and password, contact your Google Earth Enterprise Server System Administrator.
Click Dashboard to view information about the portable files registered on and published to the Server.
Click the Settings button in the top right of the window and choose Glc Disassembly from the Tools menu. The GLC disassembly tool window appears.
Click the Glc path drop-down list to select a composite file to disassemble.
By default, the Glc path is the
/opt/google/gehttpd/htdocs/cutter/globes
directory, where all portable maps and globes are stored.Enter a new output directory in the text box.
Click Disassemble glc.
The layers in the composite file are extracted and are moved to the output directory that you specified. If you included a base globe, this portable file is also output to the same directory.


In this codelab, you'll prepare for Milestone 5 by getting familiar with another team's repository. Also, you'll create merge requests to update their project.
This should be completed with your project groups.
The instructors have granted you Developer permissions to another team's repository in GitLab. Find their repository and clone it to your development environment.
You should see another wiki repository there. In this example, g-testprojectgroup2 refers to the team to which you'll be contributing your changes.
Next, clone the other team's repository to your development environment.
See your current directory with the pwd
command.
pwd
You should see /home/YOUR_USERNAME
or wherever you intend to clone the repository.
List the contents of this directory with the ls
command.
ls
You should see the directories of the other repositories you've cloned, including your wiki
directory.
git clone
command that specifies the destination directory name. As you can see from this summary of the command, there is an optional "" parameter after the required "" parameter.SYNOPSIS git clone [OPTIONS] [--] <repository> [<directory>]
Therefore, to clone the other team's repository to a directory named wiki-contrib
, run the following command (replacing the repository with the one you copied from GitLab).
git clone REPOSITORY_FROM_GITLAB wiki-contrib
wiki-contrib
repository was created by listing its contents.ls wiki-contrib
Get your editor setup to contribute to the other team.
wiki-contrib
directory corresponding to the other team's wiki.pip install -r requirements.txt
To get practice contributing to the other team's wiki, add your name to AUTHORS.txt.
tim
, create a branch called tim-authors
.git checkout -b tim-authors
git add AUTHORS.txt
git commit -m 'add YOUR_NAME as an author'
You should not commit changes directly to the main branch of the wiki you are contributing to. Instead, create a "merge request" so that the other team can review your code before merging it.
Replace tim
with your username.
git push origin tim-authors
remote: To create a merge request for tim-authors, visit:
remote: https://techx-gitlab.640k.net/g-testprojectgroup2/wiki/-/merge_requests/new?merge_request%5Bsource_branch%5D=tim-authors
Navigate to that link.
If no link appeared, open the Branches page in GitLab and click the "Merge request" button.
You may receive feedback about your merge request. If you do, address any feedback the other team gives you by pushing new commits to this same branch.
Note: "Merge request" is the term GitLab uses to represent a request to merge your changes into the main branch. Other tools use different terms. For example, GitHub calls this a "pull request (PR)". Critique, Google's internal code review tool, calls this a "change list (CL)".
You should have received several merge requests from another team on your own wiki project. Review these.
Find a merge request to review.
In most merge requests, there is something that needs to be changed. No programmers writes perfect code all the time! GitLab provides a feature for providing feedback.
Use the "Add comment now" button to immediately create a comment.
Note: The "Start a review" button is useful if you want to draft several comments and send them out all together when you are finished with your review.
Since several merge requests modified the same file, conflicts are quite likely. Thankfully, these can usually be resolved from the GitLab interface.
Double-check that the code has been pushed by viewing the code on GitLab.
If you finish early, contact the other teams you'll be working with to set up a time to talk about Milestone 5 together.


"What's the Matter with Gerald?", by Matt Riddlehoover, is available for rent or purchase now on iTunes! The quirky, fun film places Jonathan Everett alongside star, Jacob York, as the titular character's perpetually practical partner, Charles. Praised as a "comedic gem" by FilmOut San Diego, this unique film is definitely one to check out. To learn more about the film, head over to WhatsTheMatterWithGerald.com or find it on iTunes here!


| W/L | Fighter | Str | Td | Sub | Pass | Weight class | Method | Round | Time |
|---|---|---|---|---|---|---|---|---|---|
|
|
134 110 |
1 1 |
0 0 |
0 0 |
Light Heavyweight |
U-DEC
|
5 |
5:00 |
|
|
|
28 11 |
0 0 |
0 0 |
0 0 |
Bantamweight |
KO/TKO Spinning Back Kick |
2 |
0:35 |
|
|
|
14 7 |
1 0 |
1 0 |
1 0 |
Heavyweight |
SUB D'Arce Choke |
1 |
4:06 |
|
|
|
29 7 |
5 0 |
0 0 |
14 0 |
Middleweight |
U-DEC
|
3 |
5:00 |
|
|
|
54 44 |
5 0 |
0 0 |
4 0 |
Lightweight |
U-DEC
|
3 |
5:00 |
|
|
|
22 25 |
4 0 |
0 0 |
2 0 |
Lightweight |
S-DEC
|
3 |
5:00 |
|
|
|
33 29 |
4 0 |
0 0 |
2 0 |
Bantamweight |
U-DEC
|
3 |
5:00 |
|
|
|
23 17 |
2 0 |
0 0 |
3 0 |
Welterweight |
KO/TKO Punch |
2 |
1:27 |
|
|
|
27 15 |
1 0 |
1 1 |
1 0 |
Bantamweight |
SUB Guillotine Choke |
1 |
4:05 |
|
|
|
20 7 |
0 0 |
0 0 |
0 0 |
Lightweight |
KO/TKO Punch |
1 |
2:01 |
|
|
|
19 38 |
7 1 |
0 0 |
6 1 |
Lightweight |
S-DEC
|
3 |
5:00 |
|
|
|
106 47 |
0 1 |
0 1 |
1 3 |
Bantamweight |
S-DEC
|
3 |
5:00 |
|
|
|
49 56 |
2 0 |
1 0 |
1 1 |
Heavyweight |
KO/TKO Punch |
3 |
3:18 |


BigJob is a Pilot-Job framework built on top of The Simple API for Grid Applications (SAGA), a high-level, easy-to-use API for accessing distributed resources. BigJob supports a wide range of application types and is usable over a broad range of infrastructures, i.e., it is general-purpose, extensible, and interoperable. It is written in the python programming language.
Pilot-Jobs support the decoupling of workload submission from resource assignment. This results in a flexible execution model, which in turn enables the distributed scale-out of applications on multiple and possibly heterogeneous resources. Pilot-Jobs support the use of container jobs with sophisticated workflow management to coordinate the launch and interaction of actual computational tasks within the container. It allows the execution of jobs without the necessity to queue each individual job.
Production-grade distributed cyberinfrastructure almost always has a local resource manager installed, such as a batch queuing system. A distributed application often requires many jobs to produce useful output data; these jobs often have the same executable. A traditional way of submitting these jobs would be to submit an individual job for each executable. These jobs (often hundreds) sit in the batch queuing system and may not become active at the same time. Overall, time-to-completion can take many hours due to load and scheduling variations.
A Pilot-Job provides an alternative approach. It can be thought of as a container job for many sub-jobs. A Pilot-Job acquires the resources necessary to execute the sub-jobs (thus, it asks for all of the resources required to run the sub-jobs, rather than just one sub-job). If a system has a batch queue, the Pilot-Job is submitted to this queue. Once it becomes active, it can run the sub-jobs directly, instead of having to wait for each sub-job to queue. This eliminates the need to submit a different job for every executable, and significantly reduces the time-to-completion.
Unlike other common Pilot-Job systems, SAGA BigJob:
Parameter sweeps
Many instances of the same task (ensemble)
Chained tasks
Loosely coupled but distinct tasks
BigJob is comprised of three major components: (1) The Pilot-Manager, (2) The Pilot-Agent, and (3) The distributed coordination service. In order to understand what each component is responsible for, we must first describe the break down of a distributed application.
An application is comprised of compute units (the application kernel) and data units (i.e. input/output files or data). Using the Pilot-API, an application can create a Pilot (Pilot-Compute [aka: Pilot-Job] or Pilot-Data) in order to acquire resources (computational or storage, respectively). The Pilot-Compute is the entity that actually gets submitted and scheduled on a resource using the resource management system. Once the resources are acquired, the application can submit compute units and data units via the Pilot-Manager.
The Pilot-Manager is responsible for the orchestration and scheduling of Pilots. It runs locally on the machine used to run the distributed application. For submission of Pilots, BigJob relies on the SAGA Job API, and thus can be used in conjunction with different SAGA adaptors, e. g. the Globus, PBS, Condor, and Amazon Web Service adaptors. The Pilot-Manager ensures that the tasks are launched onto the correct resource based upon the specified jobID using the correct number of processes.
The Pilot-Manager then stores information into the distributed coordination service (usually a redis database). For each new job (or chunk of data), an entry is created in the database by the BigJob manager. This database can be located on any resource, including the localhost. It is used for communication between the Pilot-Manager and the Pilot-Agent.
Once the Pilot-Compute is submitted to the batch queuing system of the remote resource and becomes active, the Pilot-Agent comes into play. The Pilot-Agent is responsible for gathering local information and for executing the actual tasks (compute units) on its local resource. It achieves this by periodically polling for new jobs. If a new job is found and resources are available, the job is dispatched, otherwise it is queued. If multiple resources (machines) are acquired, there will be multiple Pilot-Agents.
The overall BigJob architecture is shown below. BigJob utilizes a Master-Worker coordination model.


{% load staticfiles %}
So your landlord is trying to keep your deposit despite not properly inspecting your unit. Your landlord has your forwarding address and you have written the landlord a letter requesting the return of your deposit. You are going to need some evidence and energy to get your deposit back.
Your next step is to apply for dispute resolution through B.C's Residential Tenancy Branch.
You can apply for dispute resolution:
It is important to not let your landlord rip you off. If successful you can get the Residential Tenancy Branch to:
Dispute resolution costs $100. However, this fee may be waived if you submit a Fee Waiver Application along with proof that you have a low income.
You can also get your fee back if you are successful
Now that you have applied you have 3 calendar days to give your landlord notice of dispute resolution and hearing documents.
There are two ways you can 'serve' these documents to your landlord.
You will need to present evidence at your hearing. Examples of evidence you should consider providing include:
If you didn't send evidence with your application you are required to serve copies of your evidence to both the Residential Tenancy Branch (RTB) and the other party 14 days before the hearing.
The first page of your evidence package should be an index clearly stating a list of all your evidence along with page numbers.
Any witnesses should be present at the hearing. If they can't come in person you'll need to get a sworn statement from a lawyer or notary.
There are special rules for digital evidence. You'll need to ensure that both the RTB and your landlord can play the digital evidence during the hearing.
You'll need to ask both the landlord and the RTB to tell you if they have the equipment available to play your evidence.
You must also submit the RTB's Digital Evidence Details Form.
You've come a long way. At this point you should have filed with the RTB, served your landlord, and prepared some killer evidence.
The next step is important. We are going to write a written submission to the RTB, together.
Fill out this form, below, and then click the "Next" button to generate a form letter. You can copy and paste it into word if you want to add to it or you can just print it out.
Submit this form as part of your evidence to the RTB.
On %ldateprint% I served %lnameprint% with a letter formally asking for a return of the $%secdepamountprint% security deposit paid on %idateprint%.
The security deposit has not yet been returned and so I have taken the step of filing for dispute resolution. The landlord did not properly inspect the unit. The RTA guidelines are clear that a landlord must inspect the unit with the tenant. Because a proper inspection was not done any claims against my security deposit are extinguished.
According to B.C's Residential Tenancy Policy Guideline #17(http://www2.gov.bc.ca/assets/gov/housing-and-tenancy/residential-tenancies/policy-guidelines/gl17.pdf):
"The right of a landlord to obtain the tenant’s consent to retain or file a claim against a security deposit for damage to the rental unit is extinguished if:
- the landlord does not offer the tenant at least two opportunities for inspection as required (the landlord must use Notice of Final Opportunity to Schedule a Condition Inspection (form RTB-22) to propose a second opportunity); and/or
- having made an inspection does not complete the condition inspection report, in the form required by the Regulation, or provide the tenant with a copy of it."
Because the landlord did not respond to my initial letter and given the amount of time and energy taken on my part to file for dispute resolution and prepare my evidence I am asking for twice the value of the security deposit plus filing fees be returned to me.


--- layout: post title: Colors tags: - core-theming ---
#262324
#bed000
#00bed0
#bf13bc
#5f5aa2
Many web applications use standard patterns for color palettes. This implementation has been designed to allow for an extensible color palette. You can find the input values in _variables.scss.
Be aware that some components require specific modifiers such as light4 or light to work. Abiding to this pattern is a design choice I made for my components.
bg = background color
-[color]
-[color]-[tone]
-wcag-[color]-[tone]
c = color
-[color]
-[color]-[tone]
bg-wcag = WCAG compliant contrast background
and defined light and copy text colors.
-[color]
-[color]-[tone]
hgl = Highlight (40% opacity of base)
-[color]
hover-bg = Hover background color
-[color]
-[color]-[tone]
hover = Hover text color
-[color]
-[color]-[tone]
c-inherit = inherit text color from parent
Base colors don't require a [tone] modifier.
bg-gray-base becomes bg-gray
background color: bg-[color]-[tone]
text-color: c-[color]-[tone]
wcag text & background: bg-wcag-[color]-[tone]
hover bg: hover-bg-[color]-[tone]
hover text: hover-[color]-[tone]
highlight bg: hgl-[color] only base colors
All available colors are listed below with high contrast text.


Vessel
public struct Vessel
Vessel Information Struct
-
Returns true if the remaining liquid fuel is below 10% of the max fuel
Declaration
Swift
public var lowFuelWarning: Bool { get }
-
Returns true if the remaining liquid fuel is below 50% of the max fuel
Declaration
Swift
public var lowAltitudeWarning: Bool { get }
-
The name of the current vessel
Declaration
Swift
public var name: String
-
The altitude relative to sea level
Declaration
Swift
public var altitude: Double
-
Altitude relative to the terrain height
Declaration
Swift
public var heightFromTerrain: Double
-
Status of the SAS true: SAS on false: SAS off
Declaration
Swift
public var sas: Bool
-
Status of the RCS true: RCS on false: RCS off
Declaration
Swift
public var rcs: Bool
-
Status of the gear true: Gear down false: Gear up
Declaration
Swift
public var gear: Bool
-
Status of the light true: lights on false: lights off
Declaration
Swift
public var light: Bool
-
Status of the brakes true: brakes engaged false: brakes disengaged
Declaration
Swift
public var brake: Bool
-
The attitude (roll, pitch, heading)
Declaration
Swift
public var attitude: TelemachusData.Vessel.Attitude
-
The engine throttle in percent
Declaration
Swift
public var throttle: Double
-
The Speed (vertical, surface)
Declaration
Swift
public var speed: TelemachusData.Vessel.Speed
-
Info about ressources
Declaration
Swift
public var ressource: TelemachusData.Vessel.Ressource
-
Attitude Struct
See moreDeclaration
Swift
public struct Attitude
-
Speed Struct
See moreDeclaration
Swift
public struct Speed
-
Ressource Struct
See moreDeclaration
Swift
public struct Ressource


This is the API
Evaluates and verifies a certificate template and returns the newly created and signed certificate, private key, and CA certificate.
//certificate/create
POST
Evaluates and matches a given certificate serial number and returns the signed certificate.
//certificate/{serialNumber}
GET
Serial number of certificate.
Returns an array of all certificate serial numbers present in the certificate store.
//certificates
GET
Purges all certificates expired prior to the date provided from the certificate store and Certificate Revocation List (CRL).
//purge
POST
Revokes a certificate matching a given serial number and updates the Certificate Revokation List (CRL).
//certificate/revoke
POST
Evaluates and verifies a Certificate Signing Request (CSR) and returns the signed certificate and CA certificate.
//certificate/sign
POST


Debugging in Ruby vs. JavaScript
2/16/2016
Debugging is an essential part of coding. Knowing where errors are and understanding what needs to be corrected will make life less frustrating for any coder. Ruby is excellent when it comes to error messages as we're able to gather a lot of information about the type of error as well as the location of the error.
Debugging in JavaScript is a whole different story. Instead of getting helpful messages about the type of error, we mainly get syntax errors. These are not very helpful in that they are saying very broadly that our syntax is wrong in a certain line but not much else. If you've been working through trying to identify a syntax error in your JavaScript, then I'm sure you can understand the frustration. Because JavaScript is technically a less strict coding language, it may run code in a way you aren't intending it to be run. As a result, the error messages are quite broad as well.


<% // TODO: probably going to want to turn Terms and Conditions & Return Policy into, at least very basic, WYSIWYG fields
// so we have p's. As of now, it's including line breaks between paragraphs as \n's, which display perfectly in a text
// area but display literally as \n's outside of text areas. %>


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Aaron Ramsey hungry to relive Euros dream with Wales
The Dragons will qualify for next summer’s finals by beating Hungary in Cardiff on Tuesday.
Aaron Ramsey is determined to relive his best experience in football by helping Wales reach the 2020 European Championship.
Ramsey played a huge role in Wales’ march to the semi-finals of Euro 2016 when the Juventus playmaker was named in the official team of the tournament.
But injuries had prevented Ramsey from featuring in Euro 2020 qualifying until he came on for the final half-hour of Wales’ 2-0 win in Azerbaijan on Saturday evening.
Wales’ qualification destiny is now in their own hands as victory over Hungary in Cardiff on Tuesday will secure second spot in Group E and a ticket to next summer’s finals across Europe.
“It would mean everything again (to qualify),” Ramsey said.
“We missed out on the World Cup, which was very disappointing.
“We had the best time ever at the Euros and we want to experience something like that again.
We had the best time ever at the Euros (in 2016) and we want to experience something like that againAaron Ramsey
“We have a lot of new faces that haven’t experienced that, so for them as well it would be massive.”
Wales were in a similar position two years ago in World Cup qualifying for Russia 2018.
Chris Coleman’s side would have qualified automatically had they beaten the Republic of Ireland in Cardiff and Serbia failed to overcome Georgia.
But Wales, who were without the injured Gareth Bale, lost 1-0 and even missed out on a play-off spot with the Republic leapfrogging them into second place.
“But we have come on a lot since then.

“Croatia came here and drew last time, so we know how difficult that is.
“It’s good to be back.
“I got a bit of a cut on my head but all is good.”
Ramsey replaced Bale in Baku – also taking the captain’s armband from him for the final 30 minutes – after Wales’ talisman had returned following a month out with a calf problem.
Ryan Giggs said in his post-match assessment that Bale was “blowing a little bit”, but the Wales manager looks set to have his two key men available for the Cardiff City Stadium sell-out clash with Hungary.
361
days between Aaron Ramsey's previous Wales appearance and winning his 59th cap in Azerbaijan
“It was a difficult decision,” Giggs said. “I thought if both started, then at least one of them wouldn’t be able to play on Tuesday.
“We’ve still got to assess it. It’s a quick turnaround.
“Gareth was blowing a little bit which you can expect, but hopefully I’ll have the option to start both on Tuesday all being well.”
Aberdeen forward Ryan Hedges has been called into the squad after Tom Lawrence was a late withdrawal from the Azerbaijan trip through illness.