CITIZEN KANE A film review by James Berardinelli Copyright 1996 James Berardinelli
RATING (0 TO 10): 9.0 Alternative Scale: **** out of ****
United States, 1941 Screening: Best of the Ritz Film Festival, 9/20/96 Running Length: 1:59 MPAA Classification: No MPAA Rating (Mature themes) Theatrical Aspect Ratio: 1.33:1
Cast: Orson Welles, Joseph Cotten, Dorothy Comingore, Agnes Moorehead, Ruth Warrick, Ray Collins, Erskine Sanford, Everett Sloane Director: Orson Welles Producer: Orson Welles Screenplay: Herman J. Mankiewicz and Orson Welles Cinematography: Greg Toland Music: Bernard Herrmann U.S. Distributor: RKO Pictures
When it comes to CITIZEN KANE, one question eclipses all others: Is it the best film ever made?
For years, I have avoided writing a review of this movie, intimidated perhaps by its immense reputation. Having missed the 1991 fiftieth anniversary revival, I had only seen CITIZEN KANE on the small screen, and it didn't seem right somehow to discuss a picture of this magnitude without viewing it at least once in the manner originally envisioned. Well, some five years after I started writing reviews, the opportunity arose at a small film festival. This review is the result of that screening.
CITIZEN KANE has been lauded as the greatest motion picture to come out of America during the black-and-white era (or any era, for that matter). It also represents the pinnacle of Orson Welles' film making career. For, although Welles lived for more than forty years following the release of KANE, he never succeeded in recapturing the brilliance or fulfilling the promise of his first feature. Some maintain that his cut of THE MAGNIFICENT AMBERSONS was more powerful, but the studio took the film away from him, slashing more than 40 minutes of footage. And, while Welles' Shakespeare movies and A TOUCH OF EVIL contain elements of brilliance, they are not on the same level as KANE. It has been argued, most forcefully in Thomas Lennon and Michael Epstein's 1996 documentary, THE BATTLE OVER CITIZEN KANE, that KANE not only started Welles' directorial career, but nearly ended it.
The movie opens with an unforgettable image of a distant, fog- shrouded castle on a hill. It's a classic gothic shot, and goes a long way towards establishing CITIZEN KANE's mood. We quickly learn that this place, called Xanadu, is the dwelling of America's Kubla Khan, Charles Foster Kane (Welles), a one-time newspaper magnate who could have become President if not for an ill-advised extramarital affair. Xanadu, in the words of the faux newsreel that gives a brief history of Kane's life, is the "costliest monument of a man to himself." Any resemblance to The Ranch, William Randolph Hearst's real-life San Simeon abode, is not coincidental.
Within moments of the film's eerie, visually-stunning opening, Kane is dead, uttering the word "Rosebud" as he hunches over. His death, like his life, is a big news event, and the paper he owned, the New York Inquirer, is desperate to unearth the meaning of his cryptic last word. Is it a woman he bedded? A horse he bet on? A beloved pet? Some long- lost, unrequited love? The truth, which isn't revealed until the closing scene, represents one of the all-time greatest motion picture ironies, and leads us to believe that, on some level, Kane regretted not having led a simple, quiet life.
After showing Kane's death, CITIZEN KANE presents a ten-minute "newsreel" that details the man's larger-than-life accomplishments. Then, as a reporter (William Alland) from the Inquirer digs into Kane's past to learn the meaning of Rosebud, the mogul's history is unraveled through a series of extended flashbacks that represent the sometimes- overlapping, non-chronological accounts of five eyewitnesses. As the story unfolds, we see Kane, aided by his closest friend, Jedediah Leland (Joseph Cotton), build a nationwide newspaper empire out of one small paper with a circulation of less than 30,000. To do so, he displays equal parts ruthlessness and generosity, willing to lose 1,000,000 dollars a year to win the circulation wars. His New York Inquirer specializes in bold, splashy headlines that don't necessarily represent the truth. By the time he marries Emily Norton (Ruth Warrick), the President's niece, Kane is one of the most powerful men in America -- a public giant with designs on the White House.
Eventually, Kane moves into the political arena, but his bid for the governor's office crashes and burns when his rival, Boss Jim Gettys (Ray Collins), exposes Kane's affair with Susan Alexander (Dorothy Comingore). Following this failure, Kane divorces his first wife, marries Susan, then goes into seclusion in his unfinished palace of Xanadu. As the years pass, he becomes progressively more bitter and less approachable, until Susan, weary of Xanadu's isolation, leaves him. Alone and unloved, Kane awaits the inescapable hand of death.
The script for CITIZEN KANE, written by Herman J. Mankiewicz (with an assist from Welles), is a thinly-disguised fictional biography of publishing king William Randolph Hearst, who was 76 years old when the movie came out in 1941. And, while Hearst was offended by Welles' characterization of him, he was supposedly more angered by KANE's unflattering portrayal of his beloved mistress, Marion Davies (who is represented in the film by Susan Alexander). To add insult to injury, "Rosebud" was allegedly Hearst's pet name for Marion's private parts.
Kane is not, however, all Hearst. There's more than a little Welles in the character, and, when one examines the direction the film maker's life took after Kane, the similarities become more obvious. After peaking with KANE, Welles began an slow-but-inevitable descent into isolation, eventually dying of a heart attack in 1985. Like Kane, he was a vital, passionate figure in youth, but a sad, pathetic one at the end. (Who can forget the Paul Masson commercials?) In retrospect, Kane can be viewed as being as much a representation of Welles as of Hearst.
Back in 1941, Hearst exerted his considerable power and influence to destroy CITIZEN KANE before it opened. He failed, but, even though KANE saw the light of day, Welles' young career (he was only 25 at the time) did not escape unscathed.  KANE, nominated for nine Oscars, emerged with only one (best screenplay), and "boos" could be heard whenever the film was mentioned during the ceremony. And, before Welles had completed post-production, RKO wrested control of his next picture, THE MAGNIFICENT AMBERSONS, from him.
As a film, CITIZEN KANE is a powerful dramatic tale about the uses and abuses of wealth and power. It's a classic American tragedy about a man of great passion, vision, and greed, who pushes himself until he brings ruins to himself and all around him. Of course, the production aspect that makes CITIZEN KANE so memorable is Greg Toland's landmark cinematography. In fact, it's impossible to have a serious discussion about this film without mentioning this element.
The movie is a visual masterpiece, a kaleidoscope of daring angles and breathtaking images that had never been attempted before, and has never been equaled since. Toland perfected a deep-focus technique that allowed him to photograph backgrounds with as much clarity as foregrounds (note the scene where Kane's parents discuss his future while, as seen through the window, the child plays outside in the snow). There's also an extremely effective low-angle shot late in the film where Kane trashes Susan's room. The cinematography documentary, VISIONS OF LIGHT, devoted an entire section to CITIZEN KANE. If any other film has come close to the nearly-perfect artistry of this one, I haven't seen it. Anyone foolishly wondering how black-and-white images could be superior to color needs only to watch the first few frames of CITIZEN KANE to understand. Not only is it impossible to envision this picture in color, the very thought is blasphemous.
There's no doubt that CITIZEN KANE was far ahead of its time. Uncompromising, unsentimental drama of this sort was not in vogue during an era that was better known for titles like THE WIZARD OF OZ, GONE WITH THE WIND, and HOW GREEN WAS MY VALLEY (which beat out KANE for best picture). In challenging Hearst, Welles forced a clash of egos that had wide-ranging repercussions. Yet, out of the conflict, CITIZEN KANE emerged stronger than ever. Would the film be as compelling if we didn't know how close it came to never being released? Or if we didn't recognize the parallels between the life of the main character and that of the director?
All of this brings me back to the question that I opened the review with: Is CITIZEN KANE the best movie ever made? Many critics would argue "yes" without pause, but my enthusiasm is more restrained. While I acknowledge that KANE is a seminal masterpiece, I don't think it's the greatest motion picture of all time. Even so, there's no denying the debt that the movie industry owes to Welles and his debut feature. Motion picture archives and collections across the world would be poorer without copies of this film, which will forever be recognized as a defining example of American cinema.
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
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Related links: index of all rec.arts.movies.reviews reviews


--- layout: post authors: ["Greg Wilson"] title: "Library Carpentry" date: 2015-04-17 time: "20:00:00" tags: ["Library Carpentry"] ---
We wrote about the digital skills classes at the British Library last October. We were therefore very pleased to see that James Baker, a Software Sustainability Institute Fellow, is piloting a new program called Library Carpentry. The first run will take place in November 2015 at the Centre for Information Science at City University London; the program will consist of four three-hour sessions, each for 40-50 participants. The announcement has more details, including a call for participants and another for volunteers. Please check them out, and lend a hand if you can.


{% extends "voterreg/base.html" %} {% block title %}Register to create a new user account{% endblock %} {% block customjs %} {% endblock %} {% block content %} We recommend that you use Facebook for a simpler registration process. You can do so here.


Get your seafood sweetfood at any of our five locations!
Pike and First
Capitol Hill
SeaTac
Seattle Center
Alki
Pat's Salmon Cookies are a healthier snack for the whole family to enjoy!
And with our custom cookie cutter and salmon cookie recipe book, you can make your own salmon cookie treats at home!
Come in and pick up one of Pat's Salmon Shirts! With each purchase we'll donate $5 to the Estuary and Salmon Restoration Program, to help ensure salmon continue to thrive in the Puget Sound for generations to come.
Coming soon: cookies made with real Chinook!


Before Change
volume_shape = _preprocess_conv3d_volume_shape(int_shape(x), data_format)
else:
volume_shape = None
if hasattr(kernel, "_keras_shape"):
kernel_shape = kernel._keras_shape
else:
// Will only work if `kernel` is a shared variable.
kernel_shape = kernel.eval().shape
kernel_shape = _preprocess_conv3d_filter_shape(kernel_shape, data_format)
x = _preprocess_conv3d_input(x, data_format)
kernel = _preprocess_conv3d_kernel(kernel, data_format)
After Change
raise ValueError("Unknown data_format:", data_format)
volume_shape = _preprocess_conv3d_volume_shape(int_shape(x), data_format)
kernel_shape = int_shape(kernel)
if kernel_shape is None:
kernel_shape = kernel.eval().shape // in case of a shared variable
kernel_shape = _preprocess_conv3d_filter_shape(kernel_shape, data_format)
x = _preprocess_conv3d_input(x, data_format)
kernel = _preprocess_conv3d_kernel(kernel, data_format)


Technology
Facebook and Instagram suffer most severe outage ever
The social network confirms problems with its "family of apps",but the cause is currently unknow
11 March 2020 | Technology
The social network confirms problems with its "family of apps",but the cause is currently unknow
11 March 2020 | Technology


Stu Unger is one of the biggest superstars to have immerged from the professional poker world. Besides being a true poke...
Read


England to host Italy in Euro 2020 warm-up
LONDON, Dec 9 — England will step up their preparations for the Euro 2020 finals with a friendly against Italy at Wembley in March, the Football Association announced today.
Gareth Southgate’s men will face the four-time world champions on Friday, March 27 before a match four days later against Denmark, also at Wembley.
England will then travel to play Austria in Vienna on June 2 before hosting Romania on June 7 at a venue in England that has yet to be confirmed.
The Italy game is designated as “The Heads Up International” in support of the FA’s charitable partnership with Prince William’s Heads Together mental health initiative.
England will face Croatia and the Czech Republic in Group D at Euro 2020 as well as the winner of the play-off path featuring Scotland, Israel, Norway and Serbia.
All three fixtures will be played at Wembley.
Italy, European champions in 1968, have been placed in Group A at next year’s finals and will play all three of their pool games, against Turkey, Switzerland and Wales, in Rome. — AFP


Insert Books
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Borrow / Return
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Import From A CSV File


- setClientDatabaseAddress(String) - Method in class sync.db.mysql.DBSyncAgent.Builder
-
Set the address of the client database.
- setClientDatabaseConnectionOptions(String) - Method in class sync.db.mysql.DBSyncAgent.Builder
-
Set the optional connection string to be used for the client
connection.
- setClientDatabaseName(String) - Method in class sync.db.mysql.DBSyncAgent.Builder
-
Set the name of the client database.
- setClientDatabasePassword(String) - Method in class sync.db.mysql.DBSyncAgent.Builder
-
Set the password to access the client database.
- setClientDatabasePort(int) - Method in class sync.db.mysql.DBSyncAgent.Builder
-
Set the port for the client connection.
- setClientDatabaseUsername(String) - Method in class sync.db.mysql.DBSyncAgent.Builder
-
Set the username to access the client database.
- setDBMap(DBMap) - Method in class sync.db.mysql.DBSyncAgent.Builder
-
Set the database map.
- setServerDatabaseAddress(String) - Method in class sync.db.mysql.DBSyncAgent.Builder
-
Set the address of the server database.
- setServerDatabaseConnectionOptions(String) - Method in class sync.db.mysql.DBSyncAgent.Builder
-
Set the optional connection string to be used for the server
connection.
- setServerDatabaseName(String) - Method in class sync.db.mysql.DBSyncAgent.Builder
-
Set the name of the server database.
- setServerDatabasePassword(String) - Method in class sync.db.mysql.DBSyncAgent.Builder
-
Set the password to access the server database.
- setServerDatabasePort(int) - Method in class sync.db.mysql.DBSyncAgent.Builder
-
Set the port for the server connection.
- setServerDatabaseUsername(String) - Method in class sync.db.mysql.DBSyncAgent.Builder
-
Set the username to access the server database.
- setSyncInterval(int) - Method in class sync.db.mysql.DBSyncAgent.Builder
-
Set the synchronization interval.
- setSyncInterval(int) - Method in class sync.db.mysql.DBSyncAgent
-
Set the synchronization interval.
- stopSync() - Method in class sync.db.mysql.DBSyncAgent
-
Stops the synchronization process.
- stopSync() - Method in class sync.db.mysql.DBSynchronizer
-
- sync() - Method in class sync.db.mysql.DBSyncAgent
-
Performs initial synchronization between the client and the server
databases.
- sync.db.mysql - package sync.db.mysql
-
- SyncType - Enum in sync.db.mysql
-
Enum class that defines the types of Synchronization available.


Temp: {{currently.temperature}}°F
Cloud Cover: {{currently.cloudCover}}
Visibility: {{currently.visibility}} miles
Summary: {{currently.summary}}


React doesn't have opinions on how you put files into folders. That said there are a few common approaches popular in the ecosystem you may want to consider.
One common way to structure projects is to locate CSS, JS, and tests together inside folders grouped by feature or route.
common/
Avatar.js
Avatar.css
APIUtils.js
APIUtils.test.js
feed/
index.js
Feed.js
Feed.css
FeedStory.js
FeedStory.test.js
FeedAPI.js
profile/
index.js
Profile.js
ProfileHeader.js
ProfileHeader.css
ProfileAPI.js
The definition of a "feature" is not universal, and it is up to you to choose the granularity. If you can't come up with a list of top-level folders, you can ask the users of your product what major parts it consists of, and use their mental model as a blueprint.
Another popular way to structure projects is to group similar files together, for example:
api/
APIUtils.js
APIUtils.test.js
ProfileAPI.js
UserAPI.js
components/
Avatar.js
Avatar.css
Feed.js
Feed.css
FeedStory.js
FeedStory.test.js
Profile.js
ProfileHeader.js
ProfileHeader.css
Some people also prefer to go further, and separate components into different folders depending on their role in the application. For example, Atomic Design is a design methodology built on this principle. Remember that it's often more productive to treat such methodologies as helpful examples rather than strict rules to follow.
There are many pain points associated with deep directory nesting in JavaScript projects. It becomes harder to write relative imports between them, or to update those imports when the files are moved. Unless you have a very compelling reason to use a deep folder structure, consider limiting yourself to a maximum of three or four nested folders within a single project. Of course, this is only a recommendation, and it may not be relevant to your project.
If you're just starting a project, don't spend more than five minutes on choosing a file structure. Pick any of the above approaches (or come up with your own) and start writing code! You'll likely want to rethink it anyway after you've written some real code.
If you feel completely stuck, start by keeping all files in a single folder. Eventually it will grow large enough that you will want to separate some files from the rest. By that time you'll have enough knowledge to tell which files you edit together most often. In general, it is a good idea to keep files that often change together close to each other. This principle is called "colocation".
As projects grow larger, they often use a mix of both of the above approaches in practice. So choosing the "right" one in the beginning isn't very important.


Android gives you everything you need to build best-in-class app experiences. It gives you a single application model that lets you deploy your apps broadly to hundreds of millions of users across a wide range of devices, from phones to tablets and beyond. Android also gives you tools for creating apps that look great and take advantage of the hardware capabilities available on each device. It automatically adapts your UI to look its best on each device, while giving you as much control as you want over your UI on different device types. For example, you can create a single app binary that's optimized for both phone and tablet form factors. You declare your UI in lightweight sets of XML resources, one set for parts of the UI that are common to all form factors and other sets for optimzations specific to phones or tablets. At runtime, Android applies the correct resource sets based on its screen size, density, locale, and so on. Android powers hundreds of millions of mobile devices in more than 190 countries around the world. It's the largest installed base of any mobile platform and growing fast, every day another million users power up their Android devices for the first time and start looking for apps, games, and other digital content. Android gives you a world class platform for creating apps and games for Android users everywhere, as well as an open marketplace for distributing to them instantly.
All texts and pictures from Gallery are taken from Android Developers .


TagDBAddTable
| Syntax | |
int TagDBAddTable(struct TagDBtable *ptr, struct XMLDBbuffer *name,struct XMLDBbuffer *start, struct XMLDBbuffer *end); | |
| Header | |
| base/tagdb.h | |
| Library | |
| tagdb | |
| Description | |
The The structure containing the tag lookup table is pointed to by the argument ptr. The name of the tag is stored in the structure pointed to by the argument name. The replacement text to use when the start and end tags are parsed, is stored in the structures pointed to by the arguments start and end. | |
| Returns | |
| Returns zero on success. On error, (-1) is returned. | |
| Errors | |
| On error (-1) is returned. | |
| Example | |
| None |


World War II, which began in 1939 and ended in 1945, was the deadliest and most destructive war in history. Before the war, Germany, America, and the rest of the world were going through the Great Depression. The economy was very bad, unemployment was at an all-time high, and massive inflation caused money to lose its value. More than fifty nations in the world were fighting, with more than 100 million soldiers deployed. Countries like America and Britain were part of the Allied powers. Japan and Germany were part of the Axis powers.


Save last set volume: When you choose a volume, the next time you load another bandcamp page, whether it be a different page or just refreshing the same page, the volume will automatically be set to that volume. (If disabled, the volume will auto-set to bandcamp's default volume)


problem solving
Copyright © 2021 Theodore G. Cleveland and Farhang Forghanparast
Last GitHub Commit Date: 13 July 2021
- a 6-step protocol
- decomposition
- ccmr
Download this page as a jupyter notebook from http://<IP_ADDRESS>/p4e/1-programming/1-problemsolving/problemsolving.ipynb
Download the data file referred to herein from http://<IP_ADDRESS>/p4e/1-programming/1-problemsolving/data.txt
Computational Thinking and Problem Solving
Computational thinking (CT) refers to the thought processes involved in expressing solutions as computational steps or algorithms that can be carried out by a computer.
CT is literally a process for breaking down a problem into smaller parts, looking for patterns in the problems, identifying what kind of information is needed, developing a step-by-step solution, and implementing that solution.
- Decomposition is the process of taking a complex problem and breaking it into more manageable sub-problems. Decomposition often leaves a framework of sub-problems that later have to be assembled (system integration) to produce a desired solution.
- Pattern Recognition refers to finding similarities, or shared characteristics of problems, which allows a complex problem to become easier to solve, and allows use of same solution method for each occurrence of the pattern.
- Abstraction is the process of identifying important characteristics of the problem and ignore characteristics that are not important. We use these characteristics to create a representation of what we are trying to solve.
- Algorithms are step-by-step instructions of how to solve a problem
- System Integration (implementation)is the assembly of the parts above into the complete (integrated) solution. Integration combines parts into a program which is the realization of an algorithm using a syntax that the computer can understand.
Programming as a problem solving process
The entire point of this course is to develop problem solving skills and begin using some tools (Statistics, Numerical Methods, Data Science, implemented as JupyterLab/Python programs).
The scientific method https://en.wikipedia.org/wiki/Scientific_method is one example of an effective problem solving strategy. Stated as a protocol it goes something like:
- Observation: Formulation of a question
- Hypothesis: A conjecture that may explain observed behavior. Falsifiable by an experiment whose outcome conflicts with predictions deduced from the hypothesis
- Prediction: How the experiment should conclude if hypothesis is correct
- Testing: Experimental design, and conduct of the experiment.
- Analysis: Interpretation of experimental results
This protocol can be directly adapted to CT/DS problems as:
- Define the problem (problem statement)
- Gather information (identify known and unknown values, and governing equations)
- Generate and evaluate potential solutions
- Refine and implement a solution
- Verify and test the solution.
For actual computational methods the protocol becomes:
- Explicitly state the problem
-
State:
- Input information
- Governing equations or principles, and
- The required output information.
-
Work a sample problem by-hand for testing the general solution.
- Develop a general solution method (coding).
- Test the general solution against the by-hand example, then apply to the real problem.
Oddly enough the first step is the most important and sometimes the most difficult. In a practical problem, step 2 is sometimes difficult because a skilled programmer is needed to translate the governing principles into an algorithm for the general solution (step 4).
Example 1 Compute an Arithmetic Mean
Consider a need to compute an arithmetic mean, what would the process look like?
Step 1. Develop script to compute the arithmetic mean of a stream of data of unknown length.
Step 2. - Inputs: The data stream - Governing equation: where is the number of items in the data stream, and is the value of the i-th element. - Outputs: The arithmetic mean
Step 3. Work a sample problem by-hand for testing the general solution.
| Data |
|---|
| 23.43 |
| 37.43 |
| 34.91 |
| 28.37 |
| 30.62 |
The arithmetic mean requires us to count how many elements are in the data stream (in this case there are 5) and compute their sum (in this case 154.76), and finally divide the sum by the count and report this result as the arithmetic mean.
Step 4. Develop a general solution (code)
The by-hand exercise helps identify the required steps in an “algorithm” or recipe to compute mean values. First we essentially capture or read the values then count how many there are (either as we go or as a separate step), then sum the values, then divide the values by the count, and finally report the result.
As a recipe (like baking bread) we did the following:
- Set the sum to zero
- Set the count to zero
- Read in the data stream, as each value is read, add it to sum, and increment the count by one
- when all data are read, compute the mean as: sum/count => result
- report result
Step 5. This step we would code the algorithm expressed in the figure and test it with the by-hand data and other small datasets until we are convinced it works correctly.
In a simple JupyterLab script
# Arithmetic Mean in Very Elementary and Primative Python
xlist = [23.43,37.43,34.91,28.37,30.62] # list is a type of data structure
howmany = 0
accumulator = 0 # a variable to accumulate the sum
for i in range(len(xlist)): # len is a built-in function that returns how many items in a list
accumulator = accumulator + xlist[i]
howmany = howmany+1
print("arithmetic mean = ",(accumulator/howmany))
arithmetic mean = 30.951999999999998
Step 6. This step we would refine the code to generalize the algorithm. In the example we want a way to supply the xlist
from a file perhaps, and tidy the output by rounding to only two decimal places - rounding is relatively simple:
# Arithmetic Mean in Very Elementary and Primative Python
xlist = [23.43,37.43,34.91,28.37,30.62] # list is a type of data structure
howmany = 0
accumulator = 0 # a variable to accumulate the sum
for i in range(len(xlist)): # len is a built-in function that returns how many items in a list
accumulator = accumulator + xlist[i]
howmany = howmany+1
print("arithmetic mean = ",round((accumulator/howmany),2))
arithmetic mean = 30.95
Reading from a file, is a bit more complicated. We need to create a connection to the file, then read the contents into our script, then put the contents into the xlist
! cat data.txt # show contents of the file 'data.txt' on the server
23.43
37.43
34.91
28.37
30.62
xlist=[] # list (null) is a type of data structure
externalfile = open("data.txt",'r') # create connection to file, set to read (r), file must exist
how_many_lines = 0
for line in externalfile: # parse each line, append to xlist
xlist.append(line)
how_many_lines += 1
externalfile.close() # close the file connection
howlong = len(xlist) # len is a built-in function that returns how many items in a list
accumulator = 0 # a variable to accumulate the sum
for i in range(howlong):
accumulator = accumulator + float(xlist[i])
print("arithmetic mean = ",round((accumulator/howlong),2))
arithmetic mean = 30.95
Finally, if we want to reuse the code a lot, it is convienent to make it into a function
def average(inputlist):
# inputlist should be a list of values
howlong = len(inputlist) # len is a built-in function that returns how many items in a list
accumulator = 0 # a variable to accumulate the sum
for i in range(howlong):
accumulator = accumulator + float(inputlist[i])
result = (accumulator/howlong)
return(result)
Put our file reading and compute mean code here
xlist=[] # list (null) is a type of data structure
externalfile = open("data.txt",'r') # create connection to file, set to read (r), file must exist
how_many_lines = 0
for line in externalfile: # parse each line, append to xlist
xlist.append(line)
how_many_lines += 1
externalfile.close() # close the file connection
print("arithmetic mean = ",round(average(xlist),2))
arithmetic mean = 30.95
So the simple task of computing the mean of a collection of values, is a bit more complex when decomposed that it first appears, but illustrates a five step process (with a refinement step). Throughout the course this process is always in the background.
CCMR Approach
A lot of the problems we will encounter from a CT/DS perspective have already been solved, or at least analogs have been solved. It is perfectly acceptable to use prior work for a new set of conditions as long as proper attribution is made. We call this process CCMR:
- Copy: Find a solution to your problem from some online example:
SourceForge
,StackOverflow
,GeeksForGeeks
,DigitalOcean
, etc. - Cite: Cite the original source. In general a citation will look like one of the references below, but a
URL
to the source is sufficient at first. - Modify: Modify the original cited work for your specific needs. Note the changes in the code using comment statements.
- Run: Apply the modified code to the problem of interest.
In cases where we apply CCMR we are scaffolding parts https://en.wikipedia.org/wiki/Scaffold_(programming) - a legitimate and valuable engineering activity.
Readings
Computational and Inferential Thinking Ani Adhikari and John DeNero, Computational and Inferential Thinking, The Foundations of Data Science, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND) Chapter 1 https://www.inferentialthinking.com/chapters/01/what-is-data-science.html
Learn Python the Hard Way (Online Book) [https://learnpythonthehardway.org/book/] (https://learnpythonthehardway.org/book/) Recommended for beginners who want a complete course in programming with Python.
LearnPython.org (Interactive Tutorial) https://www.learnpython.org/ Short, interactive tutorial for those who just need a quick way to pick up Python syntax.
How to Think Like a Computer Scientist (Interactive Book) https://runestone.academy/runestone/books/published/thinkcspy/index.html Interactive "CS 101" course taught in Python that really focuses on the art of problem solving.
How to Learn Python for Data Science, The Self-Starter Way https://elitedatascience.com/learn-python-for-data-science


The Butcher Boy
rated R 109 minutes released in 1997 by Warner Bros. starring Eamonn Owens, Alan Boyle, Stephen Rea, and Fiona Shaw written by Neil Jordan and Patrick McCabe from the novel by Patrick McCabe directed by Neil Jordan
A Video Review by Frankie Paiva
What happens when you get angry? Many people suppress their anger, and hold all of their feelings inside until everything eventually comes bursting out. Others let their wrath run wild, not really caring what damage is done as long as they feel better. Me, Myself & Irene, starring Jim Carrey, recently examined this idea. However, that was a comedy. The Butcher Boy is a drama. Little Francie Brady (Eamonn Owens) is an uncontrollable brat. His father (Stephen Rea) is a drunk who has a less than friendly relationship with his mother (Aisling Oâ^À^ÙSullivan). The two are always fighting in front of their child and the mother tries to hang herself within the first ten minutes of the movie. Francieâ^À^Ùs only friend is Joe (Alan Boyle). Joe treats Francie well, and fulfills his needs for companionship. Through a series of events (mostly involving another child named Phillip that Francie picks on) Joe begins to realize Francie is a rude and cruel person. He tries to distance himself from Francie as much as he can, and starts hanging out with Phillip. Wanting Joe as his own, Francie seeks revenge. He does horrible things to Phillip and his home. In his attempt to win Joeâ^À^Ùs friendship, Francie will go to extreme measures. How extreme he gets may shock you.
The reason this film requires such a long plot summary is because this is a very complicated movie. The film looks at anger and how itâ^À^Ùs handled by several people with insight. Ultimately, it reaches the idea that most anger stems out of confusion. Confusion plagues Francie Brady. The movie seems like it's told in first person, but is really told in third. Some imaginative dream sequences only add to the puzzlement. In one scene, Francie and Joe are the last remaining humans after an apocalypse. In a strange attempt to link Communism and the events of the Cuban Missile Crisis with confusion, everyone in town turns into a pig. The remaining creatures all turn into aliens that look like something from an Ed Wood movie. Even stranger is the Virgin Mary. She appears to Francie and offers him advice. She also frequently uses the f-word.
Director Neil Jordan did an exhaustive search of the world for someone to play Francie, and he found the perfect person. Eamonn Owens is brilliant in his first role. He never seems to worry whether youâ^À^Ùll like his character or not, and he meets everything with an extensive set of emotions and often understanding. Alan Boyle is good too. They both capture the sense of freedom and change many people experience in their youth. Their performances help a movie where the adult acting is lackluster.
When Francie commits his disturbing final act, I could feel what was going through his mind. The Butcher Boy is a dark drama that brings its viewer deeper into childhood insanity than many will ever want to be.
B-
Frankie Paiva<EMAIL_ADDRESS>http://homestead.com/cinemaparadise/mainpage.html
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rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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My name is John M. Cornelius.
I'm a Nigerian/Ghana Front-End Web Developer. I spend time
online solving problems using technology.
I enjoy discovering new softwares and frame work.
I love to use Bootstrap4, Angular, Materialize, Semantic UI and many more. I love to write CSS, HTML5,Javascript, Jquery,
Java, drawing creative designs and blogs.
I'm an open sourcerer and i enjoy contributing to Dev communities.
You can write me anytime.
Freelancer
Freelancer
Freelancer
Freelancer


Dashboard
Bilans
| Tytuł |
Wartość |
Data |
Stan |
|
| Sony Xperia M4 |
$149 |
Aug 23, 2018 |
Completed |
|
| Apple iPhone 6 |
$535 |
Aug 20, 2018 |
Completed |
|
| Samsung Galaxy S7 |
$583 |
Aug 18, 2018 |
Pending |
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| HTC One M9 |
$350 |
Aug 15, 2018 |
Pending |
|
| Sony Xperia Z5 |
$495 |
Aug 13, 2018 |
Cancelled |
|


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| Country | Tweet |
PAKISTAN | '@KaleemAltafi: QeT Altaf Hussain Extends His Heartfelt Congratulations To Pakistanis And Muslims Across The Globe #AltafHussain #MQM #Ei? |
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--- layout: default title: Quite Francly Solera 2018 ---
After having our minds blown by our 2017 vintage we decided to try making a solera out of these incredible cab franc grapes. We bottled 2/3 of the 2017 barrel and blended the leftovers with the first press of the Quite Francly 2018.
The wine then spent 12 months in a newish oak barrel where it recieved 3 rackings.


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(edited)


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|
MoraLife
1.3.4
A Digital Conscience for your iOS device.
|
Conscience's frame of mind Collection. More...
#import <ConscienceMind.h>
Instance Methods | |
| (CGFloat) | - priorMood |
| Determine prior state of mind for mood. More... | |
| (CGFloat) | - priorEnthusiasm |
| Determine prior state of mind for enthusiasm. More... | |
Properties | |
| NSMutableDictionary * | enthusiasmMemories |
| past enthusiasm states and timestamps More... | |
| NSMutableDictionary * | moodMemories |
| past mood states and timestamps More... | |
| CGFloat | enthusiasm |
| current Conscience enthusiasm More... | |
| CGFloat | mood |
| current Conscience mood More... | |
Conscience's frame of mind Collection.
Implementation: Conscience Mind Collection.
Object to be populated state of emotion for Conscience. Data derived from User's actions. Member of ConscienceView.
Object to be populated state of emotion for Conscience. Data derived from User's actions
| - (CGFloat) priorEnthusiasm |
Determine prior state of mind for enthusiasm.
Implemenation: Determine prior state of mind for enthusiasm.
Retrieve top of Dictionary
| - (CGFloat) priorMood |
Determine prior state of mind for mood.
Implemenation: Determine prior state of mind for mood.
Retrieve top of Dictionary
|
readwritenonatomicassign |
current Conscience enthusiasm
|
readwritenonatomicstrong |
past enthusiasm states and timestamps
|
readwritenonatomicassign |
current Conscience mood
|
readwritenonatomicstrong |
past mood states and timestamps


University of Michigan Class of 2018
A few selected from many
Created by yours truly
I will be seeking full-time employment in the Fall of 2017. Feel free to reach out for more information!
LinkedIn
248-251-8243
Resume
joshli@umich.edu


import {MatDatepickerModule} from '@angular/material/datepicker';
MatDatepickerIntl
Datepicker data that requires internationalization.
| Name | Description |
|---|---|
|
A label for the calendar popup (used by screen readers). |
|
Stream that emits whenever the labels here are changed. Use this to notify components if the labels have changed after initialization. |
|
A label for the next month button (used by screen readers). |
|
A label for the next multi-year button (used by screen readers). |
|
A label for the next year button (used by screen readers). |
|
A label for the button used to open the calendar popup (used by screen readers). |
|
A label for the previous month button (used by screen readers). |
|
A label for the previous multi-year button (used by screen readers). |
|
A label for the previous year button (used by screen readers). |
|
A label for the 'switch to month view' button (used by screen readers). |
|
A label for the 'switch to year view' button (used by screen readers). |
| formatYearRange | |
|---|---|
|
Formats a range of years. |
|
| Parameters | |
|
start string
|
|
|
end string
|
|
| Returns | |
string
|
|
MatCalendarHeader
Default header for MatCalendar
Selector: mat-calendar-header
Exported as: matCalendarHeader| Name | Description |
|---|---|
|
|
|
The label for the next button. |
|
|
|
The label for the current calendar view. |
|
The label for the previous button. |
| currentPeriodClicked | |
|---|---|
|
Handles user clicks on the period label. |
| nextClicked | |
|---|---|
|
Handles user clicks on the next button. |
| nextEnabled | |
|---|---|
|
Whether the next period button is enabled. |
|
| Returns | |
boolean
|
|
| previousClicked | |
|---|---|
|
Handles user clicks on the previous button. |
| previousEnabled | |
|---|---|
|
Whether the previous period button is enabled. |
|
| Returns | |
boolean
|
|
MatDatepicker
Component responsible for managing the datepicker popup/dialog.
Selector: mat-datepicker
Exported as: matDatepicker| Name | Description |
|---|---|
@Input()
|
An input indicating the type of the custom header component for the calendar, if set. |
@Input()
|
Color palette to use on the datepicker's calendar. |
@Input()
|
Function that can be used to add custom CSS classes to dates. |
@Input()
|
Whether the datepicker pop-up should be disabled. |
@Input()
|
Whether the calendar is open. |
@Input()
|
Classes to be passed to the date picker panel. Supports the same syntax as |
@Input()
|
The date to open the calendar to initially. |
@Input()
|
The view that the calendar should start in. |
@Input()
|
Whether the calendar UI is in touch mode. In touch mode the calendar opens in a dialog rather than a popup and elements have more padding to allow for bigger touch targets. |
@Input()
|
Preferred position of the datepicker in the X axis. |
@Input()
|
Preferred position of the datepicker in the Y axis. |
@Output('closed')
|
Emits when the datepicker has been closed. |
@Output()
|
Emits selected month in year view. This doesn't imply a change on the selected date. |
@Output('opened')
|
Emits when the datepicker has been opened. |
@Output()
|
Emits selected year in multiyear view. This doesn't imply a change on the selected date. |
|
The id for the datepicker calendar. |
| close | |
|---|---|
|
Close the calendar. |
| open | |
|---|---|
|
Open the calendar. |
| select | |
|---|---|
|
Selects the given date |
|
| Parameters | |
|
date D
|
|
MatDatepickerInput
Directive used to connect an input to a MatDatepicker.
Selector: input[matDatepicker]
Exported as: matDatepickerInput| Name | Description |
|---|---|
@Input()
|
Whether the datepicker-input is disabled. |
@Input()
|
The datepicker that this input is associated with. |
@Input()
|
Function that can be used to filter out dates within the datepicker. |
@Input()
|
The maximum valid date. |
@Input()
|
The minimum valid date. |
@Input()
|
The value of the input. |
@Output()
|
Emits when a |
@Output()
|
Emits when an |
| getConnectedOverlayOrigin | |
|---|---|
|
Gets the element that the datepicker popup should be connected to. |
|
| Returns | |
ElementRef
|
The element to connect the popup to. |
Deprecated
getPopupConnectionElementRef
|
|
|---|---|
| Returns | |
ElementRef
|
|
MatDatepickerToggleIcon
Can be used to override the icon of a matDatepickerToggle
.
Selector: [matDatepickerToggleIcon]
MatDatepickerToggle
Selector: mat-datepicker-toggle
Exported as: matDatepickerToggle| Name | Description |
|---|---|
@Input('for')
|
Datepicker instance that the button will toggle. |
@Input()
|
Whether ripples on the toggle should be disabled. |
@Input()
|
Whether the toggle button is disabled. |
MatDatepickerInputEvent
An event used for datepicker input and change events. We don't always have access to a native input or change event because the event may have been triggered by the user clicking on the calendar popup. For consistency, we always use MatDatepickerInputEvent instead.
| Name | Description |
|---|---|
|
Reference to the datepicker input component that emitted the event. |
|
Reference to the native input element associated with the datepicker input. |
|
The new value for the target datepicker input. |
MatCalendarCellCssClasses
Extra CSS classes that can be associated with a calendar cell.
type MatCalendarCellCssClasses = string | string[] | Set<string> | {
[key: string]: any;
};
DatepickerDropdownPositionX
Possible positions for the datepicker dropdown along the X axis.
type DatepickerDropdownPositionX = 'start' | 'end';
DatepickerDropdownPositionY
Possible positions for the datepicker dropdown along the Y axis.
type DatepickerDropdownPositionY = 'above' | 'below';
yearsPerPage
const yearsPerPage: 24;
yearsPerRow
const yearsPerRow: 4;
MAT_DATEPICKER_SCROLL_STRATEGY
Injection token that determines the scroll handling while the calendar is open.
const MAT_DATEPICKER_SCROLL_STRATEGY: InjectionToken<() => ScrollStrategy>;


* unspeakable desolation pouring down from the stars *
CHAPTER TWO
CRAPWING IS A SMALL seaside resort, riddled with dunes and jetties, some twenty miles north along the coast from my family home. Huts and kiosks on the promenade display for sale all sorts of beachy items: hats, nets, rock, ice cream, paper flags for sandcastles, twizzle-sticks, lotions and potions and what-not. The franchisee, if that's the word I want, of one of these kiosks was a man named Fig, who had once been employed by my father as a sort of part-time private detective. He was sour and rheumy, but had a first-class brain stuffed to the brim with suspicion, misanthropy and pessimism: it saddened me to see him reduced to peddling buckets and spades to screeching infants.
The morning after Patch's tearful whimperings, I telephoned Fig and summoned him to the mansion.
"Fig," I said to Fig later that day, as he slumped on the edge of my bed, out of breath and removing his bicycle clips, "Do you remember the time when you traipsed the county running to earth my father's bakelite pipe-rack engraved with scenes from The Courier's Tragedy, which had been burgled from the house by a rascally weekend-guest?"
"Eh?" muttered Fig. Did I mention that he was hard of hearing?
"Or," I continued, raising my voice, "When you solved the mystery of the poisoned pancake, a matter far too delicate to entrust to the local constabulary?"
It was at least twenty years since my father had last made use of Fig, and I wanted to test his memory before venting my plan.
"Of course I remember, you young chit!" he yelled, collapsing into a paroxysm of wheezing, "I was acting as a confidential agent for your father before you were born! God rot his soul!", he added, "He still owes me fourteen panes, eight soilings and sixpins!"
"You shall have your money, and much more besides," I said cheerily, handing him a fifty pane note. Then I told him what I wanted him to do. He gave me a look as if I were a stain on his trouser leg.
"Yes yes yes," I gabbled, "I know it was fifty seven years ago, and I know that the police forces of several countries failed to find either Underlip or any of the loot, and I know that you are over eighty years old, sour and rheumy, and I know that the chances of success are slight, but," I shouted triumphantly, "If anyone alive can find Mister Patch's album, you are that man, Fig!"
He swigged at the bottle of cough syrup which Brewster had delivered during my little tirade. He scowled at me, and then at the fifty pane note. I took another one from under my pillow.
"That's your first week's wages," I said: which did the trick, of course.
Six hundred panes later Fig had nothing to show for his labours except a series of thrilling adventures which could fill two or three paperbacks of the cloak-and-dagger sort. Believe me, I had to listen to Fig telling me every last detail of "the case", as he called it, during the weekly visits he made to collect his money and keep me up to date. I was interested to know how he was getting on, of course, but not that interested. I was lucky that my mother was demented, or she may have wondered at the amount of her money which I was ostensibly spending on my stamp collection.
The new year dawned, and I celebrated the first anniversary of my homely bedbound convalescence. Mister Patch and I had a little party, to which we invited Brewster, who was developing encouraging signs of gruffness and insubordination. Halfway through the second bottle of Cut-throat's Whetstone Malt, my mother flitted in to the room.
"Hello dear," she mumbled, "The postman delivered a letter for you last week. I've got it here somewhere." She rummaged distractedly in the gigantic portfolio of monument-plan drawings which she always carried. Half an hour passed before Brewster snatched it from her roughly and extricated a filthy envelope which bore the unmistakeable signs of having been chewed by a hound.
"Thank you, mama," I rapped, hoping she would vanish. Instead she took out a tape measure and wound it once around Patch's skull. He was too far gone by now to protest: to watch his dereliction was more than I could bear. Brewster, who I was beginning to like enormously, took immediate charge of the situation. Roaring like a maniac, he whipped the tape measure away, hustled my mother from the room, deposited her in some far-flung wing of the house, and locked and bolted my bedroom door upon his return, by which time I had torn open the envelope and read the terrifying message contained therein.
"Read this, Brewster," I said, in a very serious voice, "And tell me what you think."
"I can strangle chickens, jemmy the soundest lock, imitate birdsong, nail on a horseshoe, and preen my moustachios like a freeborn Italian," replied Brewster, "Reading, however, is not among my accomplishments."
"Oh," I said, "Forgive me, Brewster. Listen, then. The note reads as follows: Fig is bound & gagged in a dank cellar. We are toying with the idea of visiting unimaginable tortures upon him. Five thousand panes in used banknotes will give us pause. Deliver this sum in a sack to the foot of the tallest larch in Bodger's Spinney at four o clock in the morning on the tenth of January. Upon receipt, Fig will be found at the foot of the mightiest cedar in Bodger's Spinney exactly one hour later."
"Crikey!" said Brewster.
"Hm," I replied.
"Nodwabedoo pike poon," gurgled Mister Patch.
"Well, Brewster?" I asked.
"Leave it to me," he said.
And I did.
On the eleventh of January I received a further message from the fiends I had come to think of as "Fig's captors". I should point out that, with a few soilings promised him, the postman had been instructed to barge his way past my mother and to deliver all the mails directly to me. I had not only soilings ready for him, but a half-share in a bottle of Snapper's Delirium.
The second message was exactly the same as the first, except that after each mention of Fig was added & Brewster, is became are, and him was amended to them.
"What do you suggest I do now, postie?" I asked the postman.
"Leave it to me," he replied.
Touched as I was by this selfless offer, I was loth to receive a further message, with & postie inserted after Fig and Brewster.
"Tell me," I said, after patting the gallant postie on the head and refusing his offer with many thanks and a refilled tumbler, "Tell me, would you happen to have access to a stash of, say, five thousand panes in small denominations, so remarkably counterfeited that even the Gubernatorial Board of our National Bank would be hard-pressed to tell them from real ones, apply what tests they may?"
Long. Hard. These are the words to describe how the postman thought about my enquiry. While he was so engaged I rang for the latest Patch/Brewster figure, a long-limbed, angular, crestfallen fellow with a metal fitment on his skull. His name was Scrimgeour, and I asked him to fetch up from the cellars a crate of vintage Burmese Knife-thrower's Tipple. As he pranced off, the postman ceased his cogitations.
"I seem to recall seeing such an item hidden behind a filing cabinet in the postmaster's office," he said, "And I think I might be able to pinch it if you were to provide me with a dangerous and illegal firearm."
"Consider it done," I replied.
Three days later, Fig, Brewster, and the postman were apprehended boarding a ferry from Crapwing Pier. When searched, they were found in possession of a dangerous and illegal firearm, a blood-smeared postmaster's uniform, and four thousand, nine hundred and ninety nine panes in forged banknotes. Asked to stand bail for them, I had them summoned to my room, whence they were accompanied by a formidable giant of a man, heavily tattooed and bristling with weapons, who introduced himself as Captain Git of the Customs House.
"Any of you lot make a wrong move," he grunted, "I fell you with me axe, got it?"
They got it: even I was terrified as he ran his fingers lightly along the impossibly gleaming blade.
I had rehearsed my speech carefully. I wanted to know two things: why were they attempting to skip the country, and why had postie retained all but a pane of the counterfeit cash? At the same time, I wished to impress upon them the dreadful sense of betrayal I felt, that three men whom I had valued, trusted, and held in the highest esteem had acted so despicably, leaving me abandoned in my bed while they frolicked off to foreign shores, no doubt to wassail and carouse in dens of vice and sinks of sin. Thus I asked my questions in a tone so plaintive, so bereft, that I swear I saw a tear drop from Captain Git's gimlet eye.
There was no such reaction from the dastardly trio: they stared at me aghast. Then they all began to speak at once, making themselves quite unintelligible, until, noting my consternation, they elected Brewster as their spokesman. He spoke at length, and I will not bore you with a verbatim record. I had, it appeared, placed quite the wrong construction upon their behaviour. It took him twenty minutes to put me right, but nestling in Brewster's babble lurked five salient points: one, their captors were foreign, extremely stupid, and easily duped, so that it was child's play to convince them that the words "one pane" writ upon a banknote meant, in our language, "five thousand panes"; two, seconds before being captured, Fig had come upon an important clue in the search for Mister Patch's album, and had been on the point of following it up; three, the clue led to a toothpaste factory in the Port of Tongs; four, the quickest way to the Port of Tongs was via the Crapwing ferry; and five, both Brewster and the postman, brains bedizened with the glamour of detective work, had volunteered to join Fig on his mission. Oh, and six, how could I be such a numbskull as to doubt their almost painful integrity?
I am happy to tell you that I wept. When I had wept, I shoved enough of a bribe into Captain Git's paw to make him forget that a postmaster had been maimed or murdered, and shooed him away. Soon afterwards, Fig, Brewster and the postman hurtled off to Crapwing Pier to catch the evening ferry to the Port of Tongs.
* a novel by frank key *


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Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
- Unordered
- Lists
- And
- List
- Items
- Are
- Cool
- Right?
- Maybe
- Ordered
- Lists
- Are
- Even
- More
- Awesome!
- Yeeahh!
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
| First table header | Second table header | Third table header |
|---|---|---|
| This is | not a lorem ipsum | dummy text |
| And this is | not a Lorem Ipsum | dummy text too! |
| And I am a long long looong Lorem Ipsum Dolor Sit Amet table footer. |


---
title: About HackRVA
linkTitle: About
menu:
main:
weight: 10
---
{{< blocks/cover title="About HackRVA" image_anchor="bottom" height="min" >}}
{{< /blocks/cover >}}
{{% blocks/lead %}}
What is a Hackerspace?
A community where people with an interest in arts, manufacturing, computing and technology can gather to work on projects while sharing ideas, equipment, and knowledge
{{% /blocks/lead %}}
{{< blocks/section color="gray" >}}
- a 100% volunteer run makerspace
- A community workshop
- A 501c3 Non-Profit Organization
- Enthusiastically open-ended and open-minded
- Education & Interest Group Focused
-
A fablab or for-profit business
We are not focused on re-creating, fabricating, or finishing an idea for anyone.
-
An incubator
While some of our members maybe interested in your business opportunity, our organization does not operate in that type of collective manner.
-
A tool rental business
Tools are not allowed to leave HackRVA Property
-
a fully staffed operation
Response time varies and Machine downtime is possible. Active members help keep things running smoothly.
{{< /blocks/section >}}
{{< blocks/section >}}
{{< gallery dir="/img/equipment/woodshop/" />}} {{< load-photoswipe >}}
Woodshop Tools
- Table Saw
- Band Saw
- Miter Saw
- Planer
- Jointer
- Router Table
- Belt Sander
- Drum Sander
- Sand Blaster
Full List
{{< /blocks/section >}}
{{< blocks/section >}}
{{< gallery dir="/img/equipment/electronics/" />}} {{< load-photoswipe >}}
Electronics
- PCB Making Equipment
- PCB Making Software
- Heat Platen
- Solder Reflow Station
- Oscilloscopes
- Precision Multimeter
- Benchtop Power Supplies
Full List
{{< /blocks/section >}}
{{< blocks/section >}}
{{< gallery dir="/img/equipment/arts/" />}} {{< load-photoswipe >}}
Arts
- Cut Pile Tuft Gun
- Loop Pile Tuft Gun
- Brother Electroknit KH-910
- Singer Stylist 457
- 3D Doodler
Full List
{{< /blocks/section >}}


If your message is very interesting, then your list items can end up having many paragraphs, as shown in this example.
In particular, if your stuff is extremely interesting, then you can continue writing even more.
If your message is very interesting, then your list items can end up having many paragraphs, as shown in this example.
In particular, if your stuff is extremely interesting, then you can continue writing even more.
There always seems to be a category called “Other” or “Miscellaneous”, no matter how hard you try to avoid it.


HubScheduler
Enter the in the time block you would like to search for availability for below:
{{form.time_start.label}}:
{{ form.time_start(size=16, class_="form-control") }}
{{form.time_end.label}}:
{{ form.time_end(size=16, class_="form-control") }}


Fog (or mist as it's called in Blender) adds atmospheric haze to a scene, providing mystique and softening pop-ins (geometry suddenly entering into the camera's frustum).
To calculate the fog, you'll need its color, near distance, and far distance.
// ...
uniform sampler2D positionTexture;
// ...
vec2 texSize = textureSize(positionTexture, 0).xy;
vec2 texCoord = gl_FragCoord.xy / texSize;
vec4 position = texture(positionTexture, texCoord);
// ...
In addition to the fog's attributes, you'll also need the fragment's vertex position
.
fogMax
controls how much of the scene is still visible when the fog is most intense. fogMin
controls how much of the fog is still visible when the fog is least intense.
// ...
float near = nearFar.x;
float far = nearFar.y;
float intensity =
clamp
( (position.y - near)
/ (far - near)
, fogMin
, fogMax
);
// ...
The example code uses a linear model for calculating the fog's intensity. There's also an exponential model you could use.
The fog's intensity is fogMin
before or at the start of the fog's near
distance. As the vertex position
gets closer to the end of the fog's far
distance, the intensity
moves closer to fogMax
. For any vertexes after the end of the fog, the intensity
is clamped to fogMax
.
Set the fragment's color to the fog color
and the fragment's alpha channel to the intensity
. As intensity
gets closer to one, you'll have less of the scene's color and more of the fog color. When intensity
reaches one, you'll have all fog color and nothing else.
// ...
uniform sampler2D baseTexture;
uniform sampler2D fogTexture;
// ...
vec2 texSize = textureSize(baseTexture, 0).xy;
vec2 texCoord = gl_FragCoord.xy / texSize;
vec4 baseColor = texture(baseTexture, texCoord);
vec4 fogColor = texture(fogTexture, texCoord);
fragColor = baseColor;
// ...
fragColor = mix(fragColor, fogColor, min(fogColor.a, 1));
// ...
Normally you calculate the fog in the same shader that does the lighting calculations. However, you can also break it out into its own framebuffer texture. Here you see the fog color being applied to the rest of the scene much like you would apply a layer in GIMP. This allows you to calculate the fog once instead calculating it in every shader that eventually needs it.
(C) 2019 David Lettier
lettier.com


| Modifier and Type | Method and Description |
|---|---|
static IndicesOptions |
IndicesOptions.fromRequest(RestRequest request,
IndicesOptions defaultSettings) |
| Modifier and Type | Method and Description |
|---|---|
void |
SettingsFilter.addFilterSettingParams(RestRequest request) |
| Modifier and Type | Class and Description |
|---|---|
class |
HttpRequest |
| Constructor and Description |
|---|
HttpChannel(RestRequest request,
boolean detailedErrorsEnabled) |
| Modifier and Type | Class and Description |
|---|---|
class |
NettyHttpRequest |
| Modifier and Type | Field and Description |
|---|---|
protected RestRequest |
RestChannel.request |
| Modifier and Type | Method and Description |
|---|---|
RestRequest |
RestChannel.request() |
| Modifier and Type | Method and Description |
|---|---|
void |
RestFilterChain.continueProcessing(RestRequest request,
RestChannel channel)
Continue processing the request.
|
void |
RestController.dispatchRequest(RestRequest request,
RestChannel channel) |
void |
RestHandler.handleRequest(RestRequest request,
RestChannel channel) |
void |
BaseRestHandler.handleRequest(RestRequest request,
RestChannel channel) |
protected abstract void |
BaseRestHandler.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
abstract void |
RestFilter.process(RestRequest request,
RestChannel channel,
RestFilterChain filterChain)
Process the rest request.
|
| Constructor and Description |
|---|
RestChannel(RestRequest request,
boolean detailedErrorsEnabled) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestClusterHealthAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestNodesHotThreadsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestNodesInfoAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestNodesStatsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestListTasksAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestCancelTasksAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestDeleteRepositoryAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestGetRepositoriesAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestPutRepositoryAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestVerifyRepositoryAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestClusterRerouteAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestClusterUpdateSettingsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestClusterGetSettingsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestClusterSearchShardsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestCreateSnapshotAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestDeleteSnapshotAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestGetSnapshotsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestRestoreSnapshotAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestSnapshotsStatusAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestClusterStateAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestClusterStatsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestPendingClusterTasksAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestIndicesAliasesAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestIndexDeleteAliasesAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestGetIndicesAliasesAction.handleRequest(RestRequest request,
RestChannel channel,
Client client)
Deprecated.
|
void |
RestGetAliasesAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestAliasesExistAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestIndexPutAliasAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestAnalyzeAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
static ClearIndicesCacheRequest |
RestClearIndicesCacheAction.fromRequest(RestRequest request,
ClearIndicesCacheRequest clearIndicesCacheRequest,
ParseFieldMatcher parseFieldMatcher) |
void |
RestClearIndicesCacheAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestCloseIndexAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestCreateIndexAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestDeleteIndexAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestIndicesExistsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestTypesExistsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestSyncedFlushAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestFlushAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestForceMergeAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestGetIndicesAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestGetMappingAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestGetFieldMappingAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestPutMappingAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestOpenIndexAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestRecoveryAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestRefreshAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestIndicesSegmentsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestUpdateSettingsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestGetSettingsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestIndicesShardStoresAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestIndicesStatsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestDeleteIndexTemplateAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestGetIndexTemplateAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestHeadIndexTemplateAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestPutIndexTemplateAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
protected void |
RestUpgradeAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestValidateQueryAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
protected void |
RestRenderSearchTemplateAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestDeleteWarmerAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestGetWarmerAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestPutWarmerAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestBulkAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
Table |
RestRecoveryAction.buildRecoveryTable(RestRequest request,
RecoveryResponse response)
buildRecoveryTable will build a table of recovery information suitable
for displaying at the command line.
|
void |
RestThreadPoolAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
protected void |
RestSnapshotAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestShardsAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
protected void |
RestSegmentsAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
protected void |
RestRepositoriesAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestRecoveryAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestPluginsAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestPendingClusterTasksAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestNodesAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestNodeAttrsAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestMasterAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestIndicesAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestHealthAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
protected void |
RestFielddataAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestCountAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestAllocationAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
protected void |
RestAliasAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
protected abstract void |
AbstractCatAction.doRequest(RestRequest request,
RestChannel channel,
Client client) |
protected Table |
RestThreadPoolAction.getTableWithHeader(RestRequest request) |
protected Table |
RestSnapshotAction.getTableWithHeader(RestRequest request) |
protected Table |
RestShardsAction.getTableWithHeader(RestRequest request) |
protected Table |
RestSegmentsAction.getTableWithHeader(RestRequest request) |
protected Table |
RestRepositoriesAction.getTableWithHeader(RestRequest request) |
protected Table |
RestRecoveryAction.getTableWithHeader(RestRequest request) |
protected Table |
RestPluginsAction.getTableWithHeader(RestRequest request) |
protected Table |
RestPendingClusterTasksAction.getTableWithHeader(RestRequest request) |
protected Table |
RestNodesAction.getTableWithHeader(RestRequest request) |
protected Table |
RestNodeAttrsAction.getTableWithHeader(RestRequest request) |
protected Table |
RestMasterAction.getTableWithHeader(RestRequest request) |
protected Table |
RestIndicesAction.getTableWithHeader(RestRequest request) |
protected Table |
RestHealthAction.getTableWithHeader(RestRequest request) |
protected Table |
RestFielddataAction.getTableWithHeader(RestRequest request) |
protected Table |
RestCountAction.getTableWithHeader(RestRequest request) |
protected Table |
RestAllocationAction.getTableWithHeader(RestRequest request) |
protected Table |
RestAliasAction.getTableWithHeader(RestRequest request) |
protected abstract Table |
AbstractCatAction.getTableWithHeader(RestRequest request) |
void |
RestCatAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
AbstractCatAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestCountAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestDeleteAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestExistsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client)
Deprecated.
|
| Modifier and Type | Method and Description |
|---|---|
void |
RestExplainAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestFieldStatsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestMultiGetAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestHeadAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestGetSourceAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestGetAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestIndexAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestMainAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestPercolateAction.handleRequest(RestRequest restRequest,
RestChannel restChannel,
Client client) |
void |
RestMultiPercolateAction.handleRequest(RestRequest restRequest,
RestChannel restChannel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
protected String |
RestPutIndexedScriptAction.getScriptLang(RestRequest request) |
protected String |
RestGetIndexedScriptAction.getScriptLang(RestRequest request) |
protected String |
RestDeleteIndexedScriptAction.getScriptLang(RestRequest request) |
void |
RestPutIndexedScriptAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestGetIndexedScriptAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestDeleteIndexedScriptAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestSearchScrollAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestSearchAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestMultiSearchAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestClearScrollAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
static void |
RestSearchAction.parseSearchRequest(SearchRequest searchRequest,
RestRequest request,
ParseFieldMatcher parseFieldMatcher,
BytesReference bodyContent) |
static SearchSourceBuilder |
RestSearchAction.parseSearchSource(RestRequest request) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestSuggestAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
static int[] |
RestTable.buildHelpWidths(Table table,
RestRequest request) |
static BytesReference |
RestActions.getRestContent(RestRequest request)
Get Rest content from either payload or source parameter
|
static XContentType |
RestActions.guessBodyContentType(RestRequest request)
guesses the content type from either payload or source parameter
|
static boolean |
RestActions.hasBodyContent(RestRequest request)
Returns
true if either payload or source parameter is present. |
static void |
RestTable.pad(Table.Cell cell,
int width,
RestRequest request,
UTF8StreamWriter out) |
static QuerySourceBuilder |
RestActions.parseQuerySource(RestRequest request) |
static long |
RestActions.parseVersion(RestRequest request) |
static long |
RestActions.parseVersion(RestRequest request,
long defaultVersion) |
| Modifier and Type | Method and Description |
|---|---|
protected String |
RestPutSearchTemplateAction.getScriptLang(RestRequest request) |
protected String |
RestGetSearchTemplateAction.getScriptLang(RestRequest request) |
protected String |
RestDeleteSearchTemplateAction.getScriptLang(RestRequest request) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestTermVectorsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
void |
RestMultiTermVectorsAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
static void |
RestTermVectorsAction.readURIParameters(TermVectorsRequest termVectorsRequest,
RestRequest request) |
| Modifier and Type | Method and Description |
|---|---|
void |
RestUpdateAction.handleRequest(RestRequest request,
RestChannel channel,
Client client) |
| Modifier and Type | Method and Description |
|---|---|
static FetchSourceContext |
FetchSourceContext.parseFromRestRequest(RestRequest request) |
Copyright © 2009–2016. All rights reserved.


INTERACTIVE BUS MAP
A map of Cuenca's Transit System
Map Options
Show Bus Stops
Show Tranvia
Show Atm / Banks
Show Parks
BUS ROUTES:
{{route.title}} {{route.direction1}}
{{route.title}} {{route.direction2}}
BUS ROUTES:
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