Go to the source code of this file.
Compounds | |
| class | TCommandSet |
| Implements a non-view class for handling command sets. More... | |
| class | TFrame |
| The frame around the windows. More... | |
| class | TGroup |
| TGroup objects and their derivatives provide the central driving power to TVision. More... | |
| class | TListViewer |
| An abstract class from which you can derive list viewers of various kinds, such as TListBox. More... | |
| class | TPalette |
| Simple class used to create and manipulate palette arrays. More... | |
| class | TScrollBar |
| Implements a scroll bar. | |
| class | TScroller |
| Provides a scrolling virtual window onto a larger view. More... | |
| class | TView |
| The base of all visible objects. More... | |
| class | TWindow |
| Implements a window. More... | |
| class | TWindowInit |
| Virtual base class for TWindow. More... | |
Typedefs | |
| typedef char | TScrollChars [5] |
Functions | |
| int | operator!= (const TCommandSet &tc1, const TCommandSet &tc2) |
| ipstream& | operator>> (ipstream &is, TView &cl) |
| ipstream& | operator>> (ipstream &is, TView *&cl) |
| opstream& | operator<< (opstream &os, TView &cl) |
| opstream& | operator<< (opstream &os, TView *cl) |
| ipstream& | operator>> (ipstream &is, TFrame &cl) |
| ipstream& | operator>> (ipstream &is, TFrame *&cl) |
| opstream& | operator<< (opstream &os, TFrame &cl) |
| opstream& | operator<< (opstream &os, TFrame *cl) |
| ipstream& | operator>> (ipstream &is, TScrollBar &cl) |
| ipstream& | operator>> (ipstream &is, TScrollBar *&cl) |
| opstream& | operator<< (opstream &os, TScrollBar &cl) |
| opstream& | operator<< (opstream &os, TScrollBar *cl) |
| ipstream& | operator>> (ipstream &is, TScroller &cl) |
| ipstream& | operator>> (ipstream &is, TScroller *&cl) |
| opstream& | operator<< (opstream &os, TScroller &cl) |
| opstream& | operator<< (opstream &os, TScroller *cl) |
| ipstream& | operator>> (ipstream &is, TListViewer &cl) |
| ipstream& | operator>> (ipstream &is, TListViewer *&cl) |
| opstream& | operator<< (opstream &os, TListViewer &cl) |
| opstream& | operator<< (opstream &os, TListViewer *cl) |
| ipstream& | operator>> (ipstream &is, TGroup &cl) |
| ipstream& | operator>> (ipstream &is, TGroup *&cl) |
| opstream& | operator<< (opstream &os, TGroup &cl) |
| opstream& | operator<< (opstream &os, TGroup *cl) |
| ipstream& | operator>> (ipstream &is, TWindow &cl) |
| ipstream& | operator>> (ipstream &is, TWindow *&cl) |
| opstream& | operator<< (opstream &os, TWindow &cl) |
| opstream& | operator<< (opstream &os, TWindow *cl) |
Variables | |
| const ushort | cmValid = 0 |
| const ushort | cmQuit = 1 |
| const ushort | cmError = 2 |
| const ushort | cmMenu = 3 |
| const ushort | cmClose = 4 |
| const ushort | cmZoom = 5 |
| const ushort | cmResize = 6 |
| const ushort | cmNext = 7 |
| const ushort | cmPrev = 8 |
| const ushort | cmHelp = 9 |
| const ushort | cmOK = 10 |
| const ushort | cmCancel = 11 |
| const ushort | cmYes = 12 |
| const ushort | cmNo = 13 |
| const ushort | cmDefault = 14 |
| const ushort | cmNew = 30 |
| const ushort | cmOpen = 31 |
| const ushort | cmSave = 32 |
| const ushort | cmSaveAs = 33 |
| const ushort | cmSaveAll = 34 |
| const ushort | cmChDir = 35 |
| const ushort | cmDosShell = 36 |
| const ushort | cmCloseAll = 37 |
| const ushort | cmSysRepaint = 38 |
| const ushort | cmSysResize = 39 |
| const ushort | cmSysWakeup = 40 |
| sfVisible = 0x001 | |
| sfCursorVis = 0x002 | |
| sfCursorIns = 0x004 | |
| sfShadow = 0x008 | |
| sfActive = 0x010 | |
| sfSelected = 0x020 | |
| sfFocused = 0x040 | |
| sfDragging = 0x080 | |
| sfDisabled = 0x100 | |
| sfModal = 0x200 | |
| sfDefault = 0x400 | |
| sfExposed = 0x800 | |
| ofSelectable = 0x001 | |
| ofTopSelect = 0x002 | |
| ofFirstClick = 0x004 | |
| ofFramed = 0x008 | |
| ofPreProcess = 0x010 | |
| ofPostProcess = 0x020 | |
| ofBuffered = 0x040 | |
| ofTileable = 0x080 | |
| ofCenterX = 0x100 | |
| ofCenterY = 0x200 | |
| ofCentered = 0x300 | |
| ofValidate = 0x400 | |
| gfGrowLoX = 0x01 | |
| gfGrowLoY = 0x02 | |
| gfGrowHiX = 0x04 | |
| gfGrowHiY = 0x08 | |
| gfGrowAll = 0x0f | |
| gfGrowRel = 0x10 | |
| gfFixed = 0x20 | |
| dmDragMove = 0x01 | |
| dmDragGrow = 0x02 | |
| dmLimitLoX = 0x10 | |
| dmLimitLoY = 0x20 | |
| dmLimitHiX = 0x40 | |
| dmLimitHiY = 0x80 | |
| dmLimitAll = dmLimitLoX | dmLimitLoY | dmLimitHiX | dmLimitHiY | |
| hcNoContext = 0 | |
| hcDragging = 1 | |
| sbLeftArrow = 0 | |
| sbRightArrow = 1 | |
| sbPageLeft = 2 | |
| sbPageRight = 3 | |
| sbUpArrow = 4 | |
| sbDownArrow = 5 | |
| sbPageUp = 6 | |
| sbPageDown = 7 | |
| sbIndicator = 8 | |
| sbHorizontal = 0x000 | |
| sbVertical = 0x001 | |
| sbHandleKeyboard = 0x002 | |
| wfMove = 0x01 | |
| wfGrow = 0x02 | |
| wfClose = 0x04 | |
| wfZoom = 0x08 | |
| noMenuBar = 0x0001 | |
| noDeskTop = 0x0002 | |
| noStatusLine = 0x0004 | |
| noBackground = 0x0008 | |
| noFrame = 0x0010 | |
| noViewer = 0x0020 | |
| noHistory = 0x0040 | |
| wnNoNumber = 0 | |
| wpBlueWindow = 0 | |
| wpCyanWindow = 1 | |
| wpGrayWindow = 2 | |
| cmCut = 20 | |
| cmCopy = 21 | |
| cmPaste = 22 | |
| cmUndo = 23 | |
| cmClear = 24 | |
| cmTile = 25 | |
| cmCascade = 26 | |
| cmReceivedFocus = 50 | |
| cmReleasedFocus = 51 | |
| cmCommandSetChanged = 52 | |
| cmScrollBarChanged = 53 | |
| cmScrollBarClicked = 54 | |
| cmSelectWindowNum = 55 | |
| cmListItemSelected = 56 | |
| positionalEvents = evMouse | |
| focusedEvents = evKeyboard | evCommand |
Definition in file views.h.
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An array representing the characters used to draw a TScrollBar.
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Returns 1 if the sets `tc1' and `tc2' are not equal. Otherwise returns 0. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Undocumented. |
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Allow the view to change size.
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Allow the view to move.
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No part of the view can move outside limits.
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The view's right-hand side cannot move outside limits.
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The view's bottom side cannot move outside limits.
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The view's left-hand side cannot move outside limits.
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The view's top side cannot move outside limits.
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Defines the event classes that are focused events. The focusedEvents and positionalEvents values are used by TGroup::handleEvent() to determine how to dispatch an event to the group's subviews. If an event class isn't contained in focusedEvents or positionalEvents, it is treated as a broadcast event. |
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Undocumented.
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If set, the view will move with the lower-right corner of its owner.
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If set, the right-hand side of the view will maintain a constant distance from its owner's right side.
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If set, the bottom of the view will maintain a constant distance from the bottom of its owner's.
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If set, the left-hand side of the view will maintain a constant distance from its owner's right-hand side. If not set, the movement indicated won't occur.
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If set, the top of the view will maintain a constant distance from the bottom of its owner.
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For use with TWindow objects that are in the desktop. The view will change size relative to the owner's size, maintaining that relative size with respect to the owner even when screen is resized.
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Object is being dragged.
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No context specified.
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Used for TGroup objects and classes derived from TGroup only. Set if a cache buffer should be allocated if sufficient memory is available. The group buffer holds a screen image of the whole group so that group redraws can be speeded up. In the absence of a buffer, TGroup::draw() calls on each subview's TView::drawView() method. If subsequent memory allocation calls fail, group buffers will be deallocated to make memory available.
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Set if the view should be centered on the x-axis of its owner when inserted in a group using TGroup::insert().
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Set if the view should be centered on the y-axis of its owner when inserted in a group using TGroup::insert().
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Set if the view should be centered on both axes of its owner when inserted in a group using TGroup::insert().
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If clear, a mouse click that selects a view will have no further effect. If set, such a mouse click is processed as a normal mouse click after selecting the view. Has no effect unless ofSelectable is also set. See also TView::handleEvent(), sfSelected and ofSelectable.
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Set if the view should have a frame drawn around it. A TWindow and any class derived from TWindow, has a TFrame as its last subview. When drawing itself, the TFrame will also draw a frame around any other subviews that have the ofFramed bit set.
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Set if the view should receive focused events whenever the focused view fails to handle them. Otherwise clear. See also sfFocused, ofPreProcess and TGroup::phase.
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Set if the view should receive focused events before they are sent to the focused view. Otherwise clear. See also sfFocused, ofPostProcess, and TGroup::phase.
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Set if the view should select itself automatically (see sfSelected); for example, by a mouse click in the view, or a Tab in a dialog box.
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Set if the desktop can tile (or cascade) this view. Usually used only with TWindow objects.
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Set if the view should move in front of all other peer views when selected. When the ofTopSelect bit is set, a call to TView::select() corresponds to a call to TView::makeFirst(). TWindow and descendants by default have the ofTopSelect bit set, which causes them to move in front of all other windows on the desktop when selected.
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Undocumented.
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Defines the event classes that are positional events. The focusedEvents and positionalEvents masks are used by TGroup::handleEvent() to determine how to dispatch an event to the group's subviews. If an event class isn't contained in focusedEvents or positionalEvents, it is treated as a broadcast event. |
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Bottom arrow of vertical scroll bar.
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The scroll bar responds to keyboard commands.
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The scroll bar is horizontal.
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Position indicator on scroll bar.
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Left arrow of horizontal scroll bar.
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Lower paging area of vertical scroll bar.
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Left paging area of horizontal scroll bar.
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Right paging area of horizontal scroll bar.
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Upper paging area of vertical scroll bar.
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Right arrow of horizontal scroll bar.
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Top arrow of vertical scroll bar.
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The scroll bar is vertical.
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Set if the view is the active window or a subview in the active window.
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Set if the view's cursor is a solid block; clear if the view's cursor is an underline (the default). Use TView::blockCursor() and TView::normalCursor() to modify this bit.
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Set if a view's cursor is visible. Clear is the default. You can use TView::showCursor() and TView::hideCursor() to modify sfCursorVis.
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This is a spare flag, available to specify some user-defined default state.
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Set if the view is disabled. A disabled view will ignore all events sent to it.
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Set if the view is being dragged.
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Set if the view is owned directly or indirectly by the application object, and therefore possibly visible on the. TView::exposed() uses this flag in combination with further clipping calculations to determine whether any part of the view is actually visible on the screen.
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Set if the view is focused. A view is focused if it is selected and all owners above it are also selected. The last view on the focused chain is the final target of all focused events.
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Set if the view is modal. There is always exactly one modal view in a running TVision application, usually a TApplication or TDialog object. When a view starts executing (through an TGroup::execView() call), that view becomes modal. The modal view represents the apex (root) of the active event tree, getting and handling events until its TView::endModal() method is called. During this "local" event loop, events are passed down to lower subviews in the view tree. Events from these lower views pass back up the tree, but go no further than the modal view. See also TView::setState(), TView::handleEvent() and TGroup::execView().
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Set if the view is the currently selected subview within its owner. Each TGroup object has a TGroup::current data member that points to the currently selected subview (or is 0 if no subview is selected). There can be only one currently selected subview in a TGroup.
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Set if the view has a shadow.
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Set if the view is visible on its owner. Views are by default sfVisible. Use TView::show() and TView::hide() to modify sfVisible. An sfVisible view is not necessarily visible on the screen, since its owner might not be visible. To test for visibility on the screen, examine the sfExposed bit or call TView::exposed().
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Window frame has a close icon that can be mouse-clicked to close the window.
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Window can be resized and has a grow icon in the lower-right corner.
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Window can be moved.
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Window frame has a zoom icon that can be mouse-clicked.
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Use the constant wnNoNumber to indicate that the window is not to be numbered and cannot be selected via the Alt+number key.
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Window text is yellow on blue.
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Window text is blue on cyan.
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Window text is black on gray.
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Mergesort module
- Source:
(require("Mergesort"))(config) → {module:Mergesort~instance}
Returns a Mergesort
instance
let instance = Mergesort(); //switches to insertion sort for array fragments < 16
instance = Mergesort({threshold: 64}); //will switch to insertion sort for fragments < 64
instance = Mergesort({size:999}); //will throw an error if you try to sort arrays with length other than 999
Parameters:
| Name | Type | Description |
|---|---|---|
config |
module:Mergesort~config | a configuration object with optional parameters (default 16) |
- Source:
Returns:
Namespaces
Type Definitions
config
An optinal configuration object that can be passed to the Mergesort
factory function
Type:
- Object
Properties:
| Name | Type | Description |
|---|---|---|
threshold |
number | The threshold below where the algorithm temporarily switches over to insertion sort |
size |
number | Use this if you are going to consistently sort arrays of fixed size.
Refers to size of the array to be sorted, where a binary tree is precalculated.
The tree will be reused for each call of the returned |
- Source:


runtime.special.next (field)
12 uses
runtime (current package)
heapdump.go#L454: for sp := s.specials; sp != nil; sp = sp.next {
heapdump.go#L653: for sp := s.specials; sp != nil; sp = sp.next {
mgcmark.go#L360: for sp := s.specials; sp != nil; sp = sp.next {
mgcsweep.go#L371: for tmp := special; tmp != nil && uintptr(tmp.offset) < endOffset; tmp = tmp.next {
mgcsweep.go#L387: special = special.next
mgcsweep.go#L393: specialp = &special.next
mgcsweep.go#L399: specialp = &special.next
mheap.go#L1651: next *special // linked list in span
mheap.go#L1710: t = &x.next
mheap.go#L1715: s.next = *t
mheap.go#L1752: *t = s.next
mheap.go#L1756: t = &s.next
The pages are generated with Golds v0.2.7-preview. (GOOS=darwin GOARCH=amd64)


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Some of my favorite clips are stories on: personal female robots, surveillance at the Super Bowl, Philip K. Dick, paywalled public records, bot deception, and librarians.
Previously I worked at the Electronic Frontier Foundation, Greenpeace, and elsewhere. I am on the board of a hackerspace in Oakland and used to run an art gallery in Philadelphia.
You may have seen or heard me on NBC, Al Jazeera, NPR, or BBC. I also have bylines in Slate and Gizmodo.


Software Engineer - CS Student at Berkeley - Part time Fun Guy
Hiya! I'm Nick, and I'm currently a Senior majoring in Computer Science at UC Berkeley. I have a particular knack for enjoying everything, and therefore picking up random skills everywhere, but I've always enjoyed getting to meet new and amazing people, and making friendships everywhere I go.
This is just a little website that I made so that I can showcase myself in a more 3-dimensional manner, and I invite you to take a look at some of the projects that I have been working on!
I'm looking for internships/jobs once I graduate in December 2021 such that I don't get myself deported as I am quite enjoying my time in the USA (#InternationalStudentStruggles). I've a particular interest in Software engineering and developement, and have picked up skills in Cybersecurity, AI, Database and database management etc... So I think I am quite decent at learning things quickly.
Please feel free to get in touch with me either via the form linked below, or email me at<EMAIL_ADDRESS>if you have any questions, opportunities, or just wanna sit down, have a chat! I love meeting people, so it'll be my priveledge to get to know you :)


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Reliance Jio Joins Vodafone, Airtel to Increase Mobile Tariffs in Next Few Weeks
Notably, Bharti Airtel and Vodafone decided to hike tariffs from December 1 this year in an attempt to curb the ongoing telecom crisis.
New Delhi: A day after Vodafone Idea and Bharti Airtel’s decision to increase telecom charges, billionaire Mukesh Ambani-led Reliance Jio on Tuesday said that it will increase tariffs on mobile phone call and data charges in the next few weeks.
“Like other operators, we will also work with the government and comply with the regulatory regime to strengthen the industry to benefit Indian consumers and take measures including appropriate increase in tariffs in next few weeks in a manner that does not adversely impact data consumption or growth in digital adoption and sustains investments,” Reliance Jio said in its statement.
The company statement came after the Telecom Regulatory Authority of India (TRAI) seems unlikely to go lenient on the Interconnect Usage Charge (IUC) fixed. TRAI had slashed the IUC to 6 paise per minute from 14 paise in 2017 and had claimed to the regime will end by January 2020.
Notably, Bharti Airtel and Vodafone decided to hike tariffs from December 1 this year in an attempt to curb the ongoing telecom crisis. Vodafone and Airtel had pointed out their quantum of losses that made their operations unsustainable.
Vodafone had even hinted at not being able to remain as a going concern if relief does not come for the sector.
Now, with Jio’s decision to hike tariffs, cheap and free data will be a thing of past for Indian customers enjoying the 3-year honeymoon. With the Ambani-owned telco increasing its call and internet charges, there will be parity among all players in the sector.
For breaking news and live news updates, like us on Facebook or follow us on Twitter and Instagram. Read more on Business Latest News on India.com.
Story Timeline
- 19 Nov 2019 Reliance Jio Joins Vodafone, Airtel to Increase Mobile Tariffs in Next Few Weeks
- 18 Nov 2019 Vodafone Idea, Airtel Tariffs to Upsurge From December 1 to Contain Financial Crunch
- 18 Nov 2019 Vodafone Idea to Increase Tariffs From Dec 1 to End Financial Stress
- 12 Nov 2019 Vodafone Gives Ultimatum to India Over Provisions to Compete With Rival Reliance Jio
Comments - Join the Discussion


'Deep Impact'
A movie review by Walter Frith
Member of the 'Internet Movie Critics Association' http://www.geocities.com/Hollywood/Studio/5713/index.html
Does anyone remember a movie from 1979 entitled 'Meteor'? It starred Sean Connery, Natalie Wood, Karl Malden and Brian Keith and the premise was a giant meteor 5 miles wide that was going to strike Earth. The United States and the Soviet Union worked together in firing their nuclear weapons at it in the hopes that it would be destroyed. Throughout the course of the picture, splinters of the meteor were seen from time to time, landing on different parts of our planet before the big strike. The film lacked any type of depth. It basically had very little intrepid dialogue detailing the effects of such an event and it felt very out of place in the realm of science. Of course, it was 19 years ago and progress has been made in the detection of such a phenomenon since that time and I was impressed with most of 'Deep Impact'.
Director Mimi Leder ('The Peacemaker') and writer Bruce Joel Rubin ('Ghost', 'Jacob's Ladder', 'My Life',) along with fellow writer Michael Tolkin ('The Player'), have crafted a very special film that seems disjointed at first but later becomes a truly worthy film that plays at the very heart of a potentially emotional situation.
A comet the size of New York City is on a direct collision course with Earth. This information comes to the attention of a reporter (Tea Leoni), who, believe it or not, begins tracking the story as she believes it is about a politician and his mistress. Sound bizarre? After seeing the film, it all makes sense. Her efforts to report the story are thwarted by the FBI, working closely with a liaison to the U.S. President (Morgan Freeman) and the President himself is directly involved. Leoni is run off the road by a fleet of cars and the FBI agents take her for a direct one on one conversation with the President. There is still a misunderstanding about who believes what, and the President makes a deal with her that if she holds off on reporting the story for a couple of days, that she will be given access to a Presidential White House conference and will be allowed the first question.
The President reveals the truth about the comet and announces the government's plans on how to handle it. The U.S. and Russia are working together on the largest space ship ever constructed to approach, land and plant nuclear missiles on the comet at its core. The mission is led by an ex-Apollo astronaut nicknamed Fish (Robert Duvall). He was one of the men who walked on the moon and is the ideal candidate for the mission, along with several others by his side. There are also plans to shield part of the population away underground until the catastrophe is over. Explaining things any further would basically give too much of the movie away so I now zip my lip.
'Deep Impact' is told from the perspective of many different characters, so young, some old, some in-between and while many of the scenes are scatter shot, the film's overall presentation is unique. It gives way to emotion with some characters you'll care about and others you'll care less for but the special effects are truly dazzling in showcasing the effects of a comet impacting with Earth, giving way to a chain reaction of 1000 to 3500 foot tidal waves, earthquakes and other natural disasters complete with a booming soundtrack and a nice music score from Oscar winner James Horner ('Titanic'). The movie had me in the palm of its hand at the end while I was asking myself..."Could this really happen"? After some research, I found out that the answer is 'yes' and it made the film that much more significant for me in contrast to the usual bad science found in many adventures related to it.
Other notable members of the cast are Elijah Wood, Vanessa Redgrave, Maximilian Schell, James Cromwell and Mary McCormack.
OUT OF 5 > * * * *
Visit FILM FOLLOW-UP by Walter Frith http://home.netinc.ca/~wfrith/movies.htm
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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BZCareer.com provides a technologically advanced way to search for jobs. Job seekers will benefit from our up to date job postings and the quality/quantity of jobs available on our website. In addition we have many professional careers ranging from IT, Healthcare, Management, Financial Services, Sales, Marketing and more. We have job postings from industry leaders on our search engine. If you are a student looking to get real world experience or if your a professional looking to get a better job then BZCareer.com is for you. We also offer an application system for recruiters to easily advertise their job posts on our website.
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Easy Scroll Effect Getting Started and Demos
EasyScrollEffect - is easy and simple library for scrolling effect.
It dosn't depend on a specific library.
This library only add class for effect.
You have to define style for each effect.
Demos
Fade In
HTML
CSS
Rotate In
HTML
CSS
Sample
Sample (Delayed)
Set attribute data-start-pos="300"
.
Getting statrted
1. Download and install
First of all we need to download required files.
- We can download them from GitHub repository
- Or we can install them via npm in terminal.
$ npm install easy-scroll-effect
And use files in the dist/
folder.
2. Include Files To Website
After that we need to include JS files to our website. In your html file.
Bundled css is just sample. You need to define css by yourself.
<!DOCTYPE html>
<html>
<head>
...
<link rel="stylesheet" href="path/to/yourStyle.css">
</head>
<body>
...
<script src="path/to/EasyScrollEffect.js"></script>
<script>
document.addEventListener('DOMContentLoaded', function() {
EasyScrollEffect.init()
})
</script>
</body>
</html>
3. Define Styles for your effect
This library has no css.
You need to define css by yourself.
Minimum css is below.
Smple CSS
4. Add class to target elements
Reffer to below documents
Document
HTML
Target
- Set class
js-scroll-effect
to target element. - class
is-active
is added to target element at shown in window after scroll. - You have to define styles for them.
Options
| Parameter | Example | Default | Description |
|---|---|---|---|
| start-pos | data-start-pos="200" | 0 |
If set this, timing to add class |


SPECIAL COMBO PACK
Burger Pizz Fries & Drinks
Our special combination is mind-blowing,it is refreshing,sweet,scrumptious and a delicacy!You will keep coming back for more.
My first memory in a restaurant begins at 10years,my father sat me at a table,smiled at me and said"No matter what you are going through,if you can eat,eat."
There is something profoundly satisfying about sharing a meal.Eating together,breaking bread together,is one of the oldest and most fundamentally unifying of human experiences.

A grilled or fried meat that is very delicious
Vegetable meal that is healthy for our bodies usually served with mayonette
Sweet swahili dish
Delicious meal usually accompanied by ugali or vegetables
Tilapia is our most enjoyed delicacy
Our special combination is mind-blowing,it is refreshing,sweet,scrumptious and a delicacy!You will keep coming back for more.
You can contact us through our social media or via our email We are here to make sure you dont go hungry.
4-9pm
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GET THE LATEST NEW SIGNUP
FOR OUR NEWSLETTER @website Design


WITNESS LIST
Ways & Means Committee
March 6, 2019 - 8:00 AM
Registering, but not testifying:
For:
Schleifer, Jessica (Teaching Hospitals of Texas)
For:
Bastian, Theresa (Self)
Bircher, Sara (Self)
Stolle, David (Plano ISD)
Wilcox, Cynthia (Self)
Registering, but not testifying:
For:
Barksdale, Jay (Plano Chamber of Commerce)
Barksdale, Jay (Irving -Las Colinas Chamber of Commerce)
Camacho, Priscilla (Dallas Regional Chamber)
Campbell, Grover (Texas Association of School Boards)
Grey, John (Texas School Alliance)
Hoffacker, Daphne (Self)
Kennon, Suzi (TX PTA)
Opiela, Eric (Self)
Rome, Christy (Texas School Coalition)
Scheberle, Drew (Austin chamber of commerce)
Webster, Richard (Austin ISD Board of Trustees)
For:
Dickerson, Melisa (Self)
Smithson, Doug (Texas rural Appriasal Districts , Texas associationa of Appraisal Districts)
Against:
Brady, Parrish (Self)
Dancy, Blair (Self)
Davis, Bill (Self)
Ertel, Richard (Self)
Ertel, Stephanie (Self)
Morrison, Colin (Self)
Opiela, Eric (Self; South Texans' Property Rights Assn.)
Phillips, Nancy (Self)
Young, Mike (Self)
1
WITNESS LIST
Registering, but not testifying:
For:
Cardenas, Michelle (Chief Appraiser, Rural Chief Appraiser Inc.)
Eckstein, Deece (Travis County Commissioners Court)
Pacheco, Michael (Texas Farm Bureau)
Wynn, Monty (Texas Municipal League)
Against:
Braun, David (Self)
Eiserer, Rex (Self)
Hale, Bryan (Self)
Mundy, Michelle (Self)
Phillips, Ben (Self)
Prichard, Mark (Self)
Pugsley, Nancy (Self)
Reeves, Charles (Self)
Scanlan, John (Self)
For:
Heckler, Jeff (Spartan Transit)
Turner, Robert (Self; Texas poultry federation)
Registering, but not testifying:
For:
Allison, Jim (County Judges and Commissioners Association of Texas)
Eckstein, Deece (Travis County Commissioners Court)
Harmon, Roger (Johnson County)
Long, Wade (Texas Transit Association)
Against:
Cardenas, Michelle (Atascosa Central Appraisal District, Texas Rural Chief Appraisers)
Registering, but not testifying:
For:
Head, Ray (Texas Association of Property Tax Professionals)
Opiela, Eric (Self)
2


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Kriging structure of the Potential field method¶
The potential field method (cite Lajaunie) serves as the core of method used in GeMpy to generate the 3-D geological model. The idea is to exploit the stratigrafic nature of geological settings describing the deposition direction with an scalar field. This means that every layer—or in a sense every synchronal deposition—will have the same value forming a sequence of isosurfaces \(k\). In addition, the direction of the layers can be provided either in the form of dips (i.e. tangential to the isosurfaces) or pole (i.e. perpendicular to the isosurface) allowing to utilize more information as input in the forward modeling step.
** Mathematical description ** page 574 laujaunie
Mathematically the method is based on a specific universal co-kriging where the variables to interpolate that bears algebraic relation between them, which is one parameter is the first derivative of the other.
Kriging or Gaussian process regression (cite Matheron) is a spatial interpolation method that makes use of a given covariance function to compute the best linear unbiased prediction between the data. This method can be easily extended to multivariate methods—i.e. cokriging— and the consideration of drifts in the mean values—i.e. universal kriging.
Normally, notation of cokriging parameters is complicated since it has to be considered p random functions \(\bf{Z}_\it{i}\) (i.e. every parameter involved in the interpolation), sampled at different points \(\bf{x}\) of the three-dimensional domain \(\mathbb{R}^3\). Therefore for clarity in this paper we will refer to the potential field random function \(\bf{Z}\) and its set of samples \({\bf{x}}_{\alpha}\) while the second random function will be \(\partial {\bf{Z}}/ \partial u\) and its samples \({\bf{x}}_{\beta}\). In addition, samples that belong to a singular layer or foliation will be denoted as a subset denoted by a superscript as \({\bf{x}}_\alpha ^k\) and every individual point by a subscript,\({\bf{x}}_{\alpha \, i}^k\).
Universal co-kriging allows to modify the unbiased conditions of kriging making use of two or more variables exploiting their relative drift dependencies. In our particular case, the main advantage is to be able to utilized two different type of data sampled from different locations to estimate both parameters—potential field, \(\bf{Z}\), and pole, \(\partial {\bf{Z}}/ \partial u\)—as if they were sampled in all the involved locations at any given point \({\bf{x}}_0\).Due to the mathematical dependencies between the two variables allows to express the universal drift as
resulting a cokriging system of the form:
As we can see in Eq , it is possible to solve the kriging system for the potential field, Z as well as its derivative \(\partial {\bf{Z}}/ \partial u\). Whether the main goal is the segmentation of the layers which is done using the value of Z, the gradient of the potential field could be used for further mathematical application such as meshing or geophysical forward calculations.


Hi I'm Ahmad! welcome to my page"
Tech Elevator bootcamp
Franklin Master Degree
JUST computer engineering


[2.5/4.0] (dialog in Bengali, English subtitles)
This film, with the English title "The World of Apu", is the final episode of Satyajit Ray's "Apu Trilogy".
At the end of the narrative of "Aparajito", Apu is left alone in the world. At the beginning of this story, a few years have passed, but his fortunes have not much improved. Apu (Soumitra Chatterjee) is forced to leave college due to the lack of money. Still, his spirit is not broken. Apu accepts that his life is destined to have hardship, but that his only recourse is to live it as fully as he can. It is difficult for him to find a job, so he does private tutoring and spends the rest of his time working on a novel. He decides to join a friend, Pulu (Swapan Mukherjee), on a trip to the countryside to attend the wedding of Pulu's cousin, Aparna (Sarmila Tagore). In a strange twist of fate, the bridegroom is struck insane so the wedding must be scrapped. The only way to salvage Aparna's honor is to find a replacement bridegroom so the wedding can take place. Apu does the noble thing and marries Aparna. He is not sure that she can be happy going from a life without need with her parents to a life of poverty with him, but Aparna makes the best of her fate and thrives in her new life. Apu is a new man now that he is focussed on married life and he and Aparna fall deeply in love. Once again, tragedy befalls Apu when Aparna dies in childbirth. This leave Apu a broken man. Apu then abandons all parts of his life, including his new son, Kajal, and embarks on a journey of introspection, hoping to find peace.
Whereas the first two chapters of the trilogy succeed because they build drama from subtlety, this film is disappointing in its rejection of that technique. Instead it opts to use melodramatic turns to drive the story, and force the narrative through wrenching contortions. The idea that a stranger would step in and rescue an abandoned bride at her wedding is a standard plot device of Indian cinema. It is slightly unfair to penalize this film for the years of formulaic overuse in films that followed it, but still this is a jarring departure from the simple universal truths of the human condition that the first two films dealt with. The change in style is so unsettling that the character of Apu presented here seems a stranger, disconnected from the character from the previous films.
The pace of the film is exceptionally slow, and while this worked well in "Pather Panchali", it is a detriment in this film. Obviously the intent was to show the depths of mourning and levels of introspection that Apu goes through, but the consequence is the assertion that Apu grieves over his latest tragedy on a scale that dwarfs the previous tragedies he had experienced. Perhaps the message being made is that the dependence on romantic love is far greater than on familial love. Perhaps it is that tragedies affect adults more than they can affect children. Neither statement feels credible. One would have expected that the hardships of his early life would have given Apu some amount of inoculation for the difficulties of adulthood. Apu actually appears self indulgent when his reaction to tragedy is compared to how his mother reacted to similar, if not greater, tragedy.
The wonderful music that backed the other films is surprisingly absent in this one, outside of a few scenes of Apu playing the flute (a talent Apu apparently picked up between the previous installment of the story and this one). Another disappointment is the performance of Soumitra Chatterjee, which is often overdone, and does not smoothly communicate the transformations undergone by the character. No other characters are given much examination.
To be fair, this is a very ambitious film that attempts to deal with the heavy topics of human emotions. The visual imagery is beautiful and evocative. It is unlucky in that it is judged by the high standards set by the masterpieces that preceded it.
Moderately recommended. Although this is not such a bad film on its own, it is definitely a disappointment after the first two magnificent parts of the trilogy. The poignancy of those films is replaced here with melodrama, sometimes overwrought. In fact, nothing from the first two films needs to be known to understand this one, so it might be best to see this one first, and then subsequently enjoy the brilliance of the others.
(c) 1999 Murali Krishnan The Art House Squatter http://ArtHouseSquatter.com
--== Sent via Deja.com http://www.deja.com/ ==-- ---Share what you know. Learn what you don't.---
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
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Only items which match the selecor ``a.add-to-gallery`` are added.
The last image here is wrapped in a external link. The external link can be opened in a new tab, the image is included in the gallery.


Take a look at one of my earlier vape website designs for liberation vapes
Take a look at one of my earlier websites featuring lamborghini
A website devoted to everything beer!
A website I helped create using wordpress for a family member back in 2013. This site is used to spread the word about her editing business.


Welcome to Meraki 2020!
Literature goes beyond books
November 12th
Everybody’s first thought when someone says literature is dusty books and even dustier statues. But the world of literature and language encompasses a vibrant and widespread variety of things that go beyond just Shakespeare and Dickens. And this is exactly what Meraki 2020 is all about. So join us for a day filled with events, games and competitions that celebrate literature for what it truly is - diverse, spirited and most of all - FUN.
Since its inception, poetry has remained a powerful creative medium used to talk implicitly about explicit issues. With the student poetry circle becoming more visible than ever, the locus of change is shifting to a younger audience. And on November 12th, this powerful platform will serve to hoist up your views on the unbridled chaos we call the contemporary world. So if you have something to say and the beat to perform it to, then this is the event for you.
For all the mythology and folklore lovers - this one’s for you! Pick up your favourite story and bring it to life in this epic storytelling competition. All you have to do is leave your listeners at the edge of their seats!
Think you are the next Sherlock Holmes? Find out by solving this classic Whodunnit case full of puzzles and riddles that will surely make you put your thinking caps on!
The Back to the Future event is all about bringing your favorite elements of science fiction to life! This can be done in any form; ranging from blueprints to full-scale models. Along with this, we have a debate on a topic related to a theme which is widely discussed in science fiction literature.
Lovers of comics, manga, or webtoons can show off their artistic talent by creating a newspaper-style comic in one hour with a positive message embedded into it.
Calling all budding poets to harness their creativity. A poem on an unseen and predefined picture and prompt has to be produced within a given time limit. May the best poet win!
Everybody thinks they’re the funniest person in the room. This is your chance to prove it. Grab a mike and a chair and try your hand at something we all know and love - standup comedy
Since its inception, poetry has remained a powerful creative medium used to talk implicitly about explicit issues. With the student poetry circle becoming more visible than ever, the locus of change is shifting to a younger audience. And on November 12th, this powerful platform will serve to hoist up your views on the unbridled chaos we call the contemporary world. So if you have something to say and the beat to perform it to, then this is the event for you.
Every time history repeats itself; the price goes up. And when the stakes are this high, everyone wants to weigh in on what they think went right and what went wrong. History was written by the winners but this is your chance to paint a different picture. This turncoat debate gives you a unique opportunity to notice the voice of the vanquished along with the victor’s version - and allow the audience to come to their own conclusions. With controversy and hypocrisy plaquing every page of history, this is an even you don't want to miss.
From cryptic puzzles to gory murder, this next event is as close as you’d get to solving a real crime from the comfort of the bed you’ve been tucked up in all quarantine. It’s a thrilling and day-long murder mystery designed to bring out the inner detective you think you have. With new, real time updates at every corner this event will keep you on your toes. The only thing simple about it are the rules - first to solve the case wins. So, grab your coat, cap and cigar for the game is afoot.
Quiz on the Classics
This is the ultimate
test on classic literature. From Homer to Shakespeare, Greece to
Broadway, this live quiz will test everything you know about
literature's greats.
Paints and Poets
Every literary event is
incomplete without the one aspect that makes it all come alive - art.
 It's all in your head, now put
it on paper.
A comic book trivia game that brings the thrill and excitement of a game show to your doorstep. Jump into the world of one of literature's most underrated genres with Gautam Madhu - your ever-charming host. If you're a comic book nerd, this is an event you cannot miss!
Sometimes all it takes to lift the mood is your favourite song. And sometimes all it takes is a beautifully-worded poem. With this event, we weave the two together to give you one of the most unique events of the day. The objective is to write a poem on the spot about a song of your choice but a theme of ours. So put your headphones on and get a quill because this event is the best of both worlds.
Live Sci-Fi themed Storywriting
Call upon your wildest imaginations and scientific knowledge to create
an amazing sci-fi story from the given writing prompt. Most unique and
brain-boggling story wins.
Word Limit- 500 to 600 words
Tickle your funny bone and join the stand up comedy event, featuring live virtual comic performances by participants!


For information pertaining to Inserrat Technologies, LLC., navigate to our public website.
© 2013 Inserrat Technologies, LLC. All rights reserved.


WARNING
Content Under Development
See
release page for
latest official PDF version.
**Chapter 1: Motion Blur**
When you decided to ray trace, you decided visual quality was worth more run-time. In your fuzzy
reflection and defocus blur you needed multiple samples per pixel. Once you have taken a step down
that road, the good news is that almost all effects can be brute-forced. Motion blur is certainly
one of those. In a real camera, the shutter opens and stays open for a time interval, and the camera
and objects may move during that time. Its really an average of what the camera sees over that
interval that we want. We can get a random estimate by sending each ray at some random time when the
shutter is open. As long as the objects are where they should be at that time, we can get the right
average answer with a ray that is at exactly a single time. This is fundamentally why random ray
tracing tends to be simple.
The basic idea is to generate rays at random times while the shutter is open and intersect the model
at that one time. The way it is usually done is to have the camera move and the objects move, but
have each ray exist at exactly one time. This way the “engine” of the ray tracer can just make sure
the objects are where they need to be for the ray, and the intersection guts don’t change much.
For this we will first need to have a ray store the time it exists at:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ C++
class ray
{
public:
ray() {}
ray(const vec3& a, const vec3& b, float ti = 0.0) { A = a; B = b; _time = ti;}
vec3 origin() const { return A; }
vec3 direction() const { return B; }
float time() const { return _time; }
vec3 point_at_parameter(float t) const { return A + t*B; }
vec3 A;
vec3 B;
float _time;
};
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Now we need to modify the camera to generate rays at a random time between `time1` and `time2`.
Should the camera keep track of `time1` and `time2` or should that be up to the user of camera when
a ray is created? When in doubt, I like to make constructors complicated if it makes calls simple,
so I will make the camera keep track, but that’s a personal preference. Not many changes are needed
to camera because for now it is not allowed to move; it just sends out rays over a time period.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ C++
class camera {
public:
// new: add t0 and t1
camera(
vec3 lookfrom,
vec3 lookat,
vec3 vup,
float vfov, // vfov is top to bottom in degrees
float aspect,
float aperture,
float focus_dist,
float t0,
float t1) {
time0 = t0;
time1 = t1;
lens_radius = aperture / 2;
float theta = vfov*M_PI/180;
float half_height = tan(theta/2);
float half_width = aspect * half_height;
origin = lookfrom;
w = unit_vector(lookfrom - lookat);
u = unit_vector(cross(vup, w));
v = cross(w, u);
lower_left_corner = origin
- half_width*focus_dist*u
- half_height*focus_dist*v
- focus_dist*w;
horizontal = 2*half_width*focus_dist*u;
vertical = 2*half_height*focus_dist*v;
}
// new: add time to construct ray
ray get_ray(float s, float t) {
vec3 rd = lens_radius*random_in_unit_disk();
vec3 offset = u * rd.x() + v * rd.y();
float time = time0 + drand48()*(time1-time0);
return ray(
origin + offset,
lower_left_corner + s*horizontal + t*vertical - origin - offset,
time);
}
vec3 origin;
vec3 lower_left_corner;
vec3 horizontal;
vec3 vertical;
vec3 u, v, w;
float time0, time1; // new variables for shutter open/close times
float lens_radius;
};
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
We also need a moving object. I’ll create a sphere class that has its center move linearly from
`center0` at `time0` to `center1` at `time1`. Outside that time interval it continues on, so those
times need not match up with the camera aperture open close.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ C++
class moving_sphere: public hitable {
public:
moving_sphere() {}
moving_sphere(vec3 cen0, vec3 cen1, float t0, float t1, float r, material *m)
: center0(cen0), center1(cen1), time0(t0),time1(t1), radius(r), mat_ptr(m)
{};
virtual bool hit(const ray& r, float tmin, float tmax, hit_record& rec) const;
virtual bool bounding_box(float t0, float t1, aabb& box) const;
vec3 center(float time) const;
vec3 center0, center1;
float time0, time1;
float radius;
material *mat_ptr;
};
vec3 moving_sphere::center(float time) const{
return center0 + ((time - time0) / (time1 - time0))*(center1 - center0);
}
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
An alternative to making a new moving sphere class is to just make them all move and have the
stationary ones have the same begin and end point. I’m on the fence about that trade-off between
fewer classes and more efficient stationary spheres, so let your design taste guide you. The
intersection code barely needs a change: `center` just needs to become a function `center(time)`:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ C++
// replace "center" with "center(r.time())"
bool moving_sphere::hit(
const ray& r, float t_min, float t_max, hit_record& rec) const {
vec3 oc = r.origin() - center(r.time());
float a = dot(r.direction(), r.direction());
float b = dot(oc, r.direction());
float c = dot(oc, oc) - radius*radius;
float discriminant = b*b - a*c;
if (discriminant > 0) {
float temp = (-b - sqrt(discriminant))/a;
if (temp < t_max && temp > t_min) {
rec.t = temp;
rec.p = r.point_at_parameter(rec.t);
rec.normal = (rec.p - center(r.time())) / radius;
rec.mat_ptr = mat_ptr;
return true;
}
temp = (-b + sqrt(discriminant))/a;
if (temp < t_max && temp > t_min) {
rec.t = temp;
rec.p = r.point_at_parameter(rec.t);
rec.normal = (rec.p - center(r.time())) / radius;
rec.mat_ptr = mat_ptr;
return true;
}
}
return false;
}
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Be sure that in the materials you have the scattered rays be at the time of the incident ray.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ C++
class lambertian : public material {
public:
lambertian(const vec3& a) : albedo(a) {}
virtual bool scatter(const ray& r_in, const hit_record& rec,
vec3& attenuation, ray& scattered) const {
vec3 target = rec.p + rec.normal + random_in_unit_sphere();
scattered = ray(rec.p, target-rec.p, r_in.time());
attenuation = albedo;
return true;
}
vec3 albedo;
};
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
If we take the example diffuse spheres from scene at the end of the last book and make them move
from their centers at `time==0`, to `center + vec3(0, 0.5*drand48(), 0)` at `time==1`, with the
camera aperture open over that frame.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ C++
hitable *random_scene() {
int n = 50000;
hitable **list = new hitable*[n+1];
list[0] = new sphere(vec3(0,-1000,0), 1000, new lambertian(checker));
int i = 1;
for (int a = -10; a < 10; a++) {
for (int b = -10; b < 10; b++) {
float choose_mat = drand48();
vec3 center(a+0.9*drand48(),0.2,b+0.9*drand48());
if ((center-vec3(4,0.2,0)).length() > 0.9) {
if (choose_mat < 0.8) { // diffuse
list[i++] = new moving_sphere(
center,
center+vec3(0, 0.5*drand48(), 0),
0.0, 1.0, 0.2,
new lambertian(
vec3(drand48()*drand48(),
drand48()*drand48(),
drand48()*drand48())
)
);
}
else if (choose_mat < 0.95) { // metal
list[i++] = new sphere(
center, 0.2,
new metal(
vec3(0.5*(1 + drand48()),
0.5*(1 + drand48()),
0.5*(1 + drand48())),
0.5*drand48()
)
);
}
else { // glass
list[i++] = new sphere(center, 0.2, new dielectric(1.5));
}
}
}
}
list[i++] = new sphere(vec3(0, 1, 0), 1.0, new dielectric(1.5));
list[i++] = new sphere(vec3(-4, 1, 0), 1.0, new lambertian(vec3(0.4, 0.2, 0.1)));
list[i++] = new sphere(vec3(4, 1, 0), 1.0, new metal(vec3(0.7, 0.6, 0.5), 0.0));
return new hitable_list(list,i);
}
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
And with these viewing parameters gives:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ C++
vec3 lookfrom(13,2,3);
vec3 lookat(0,0,0);
float dist_to_focus = 10.0;
float aperture = 0.0;
camera cam(
lookfrom, lookat, vec3(0,1,0), 20, float(nx)/float(ny), aperture,
dist_to_focus, 0.0, 1.0
);
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
![Image 1-1](../assets/img1-01.jpg)


---
---
Time to develop
a new habit
Let's make a second list
Things you are learning
- Keep this list near your desk
- Bad habits you want to break
- New habits you are trying to form
- Shortcuts you want to remember to use
- If necessary, go back and repeat using the new method
- Cross-off items when you complete them


My name is Soumik Rakshit, and I am an Undergraduate Student and Entrepreneur based in Bengaluru, Karnataka India.
I've always been interested in solving real-life problems and making and breaking stuff.
I have been working in the domain of Machine Learning and Computer Vision.
Currently, I am working as Software Development Engineer at IBM.


Add configs into your ~/.vimrc
" Shortcuts
" ------------------
set pastetoggle=<F2>
set pastetoggle=<F2>
"let mapleader=","
"set timeout timeoutlen=1500
map <F3> :NERDTreeToggle <cr>
map <F2> :tabnext <cr>
map <F5> :w <cr>
" use pbcopy in mac
map <F6> !pbcopy <cr> u <cr>
Those are some examples of my personal preferences, if you have a touchbar instead of Fn keys you might want to re-configure that


How to install Trello on Ubuntu
Hello guys! How are you?
Today I want to talk about Trello.
Trello is an app - available for mobile and desktop - that helps you organize your tasks on boards, each one containing tasks - called cards - divided as you think best suits you.
As an example, here is what this is how I organized Trello for the blog:
Personally, since I have switched to it I can say fare and square that my daily workflow improved more than I could hope.
I admit I was skeptic at first, but the thing is that there is so much excitement about it that an old-style, pen-and-paper person like me couldn’t do anything but trying it myself. The ideal was to install it on desktop and take advantage of the screen offered by an average-size laptop screen - 15.6 inches.
Boy I was going so fast on the hype train that I hit a wall as soon as I switched the engines on: Trello doesn’t offer support for Linux which means no desktop app for Ubuntu users as well.
Ouch.
End of the ride? No way! I rolled up my sleeves and searchead on it. It wasn’t so long before I found that an awesome person, Daniel Chatfield - please check his GitHub profile - did something about this.
He created an unofficial desktop app for Linux, which means it works on Ubuntu.
The source code is stored on GitHub here along with a guide.
I had a bit of trouble installing it so I thought to share a guide including all the steps I went through to use Trello successfully.
There’s no risk for your computer by using this app, it’s well supported by the community and it’s warming to see active contributions to it.
Step 1
First of all you need to download the client by choosing the first zip
file - for Ubuntu - in this page
Step 2
Unzip the folder in a directory of your choice
Step 3
Create a shortcut for the client by doing the following:
-
on command line, type
cd .local/share/
-
open the “applications” folder on your file manager with the command
nautilus applications
-
create a new file and name it
trello.desktop
-
inside this new file, copy the following:
[Desktop Entry] Name=Trello Exec=/full/path/to/folder/Trello Terminal=false Type=Application Icon=/full/path/to/folder/Trello/resources/app/static/Icon.png
Step 4
Run the client by doing the following:
- navigate to the location where you unzipped the client
- open the folder
- from here, you should see the file to run it, it should be similar to this
Step 5
When it’s open, lock the client to the task bar named Launcher by doing the following: * with the mouse hover on Trello client’s icon * right click on it * click on “Lock to Launcher”
Step 6
Use Trello!
That’s it! Enjoy your newly added, awesome tool to organize your work, projects, everything you need to do to achieve your goals!
Thank you for reading this article.
If you have questions or want to say hi, reach out here or on Twitter.


just drag link below to your bookmark bar in chrome and press it on any page
install!
Source code: bookmarklet-readability
Bookmark this page


Title and author:
Oscilador Harmônico Simples
Humberto Carmona
© 2020, Humberto Carmona, H. Carmona. Compiled with EJS 6.01 (201013)
Released under a
license.


This notebook compares voxel overlap measures against AFID-based metrics for evaluating spatial correspondence. The OASIS-1 dataset from from PHASE2 was processed using the Ants-based T1-to-MNI (MNI152NLin2009bAsym
) registration workflow built-in to fMRIPrep.
Attaching package: ‘dplyr’ The following objects are masked from ‘package:plyr’: arrange, count, desc, failwith, id, mutate, rename, summarise, summarize The following objects are masked from ‘package:stats’: filter, lag The following objects are masked from ‘package:base’: intersect, setdiff, setequal, union Loading required package: magrittr Attaching package: ‘ggpubr’ The following object is masked from ‘package:plyr’: mutate
Values for pallidum, striatum, and thalamus.
| roi | side | jaccard_lin | jaccard_nlin | jaccard_lin_vs_nlin | kappa_lin | kappa_nlin | kappa_lin_vs_nlin |
|---|---|---|---|---|---|---|---|
| pallidum | left | 0.54±0.13 | 0.80±0.03 | * | 0.69±0.11 | 0.89±0.02 | * |
| pallidum | right | 0.55±0.12 | 0.79±0.05 | * | 0.70±0.11 | 0.88±0.03 | * |
| striatum | left | 0.53±0.14 | 0.83±0.03 | * | 0.68±0.13 | 0.91±0.02 | * |
| striatum | right | 0.55±0.15 | 0.82±0.05 | * | 0.70±0.13 | 0.90±0.03 | * |
| thalamus | left | 0.70±0.11 | 0.86±0.03 | * | 0.82±0.08 | 0.93±0.02 | * |
| thalamus | right | 0.69±0.11 | 0.87±0.03 | * | 0.81±0.08 | 0.93±0.02 | * |
Anatomical FRE is evaluated here as a metric for looking at the spatial correspondence between images. Here they are summarized globally, for each AFID, and for each subject. Qualitatively, the ventricles are misaligned for OAS1_0109 which accounts for the maximally error observed in this analysis of > 30 mm AFRE.
Wilcoxon rank sum test with continuity correction data: df_subjects_lin$AFRE and df_subjects_nlin$AFRE W = 716930, p-value < 2.2e-16 alternative hypothesis: true location shift is not equal to 0
| AFID | Description | Mean AFRE lin | Mean AFRE nlin | lin vs nlin |
|---|---|---|---|---|
| 01 | AC | 2.15±0.97 (4.96) | 0.36±0.21 (0.99) | * |
| 02 | PC | 1.83±0.96 (4.58) | 0.57±0.29 (1.64) | * |
| 03 | infracollicular sulcus | 2.20±1.23 (5.71) | 0.93±0.53 (2.11) | * |
| 04 | PMJ | 2.50±1.36 (6.06) | 0.68±0.43 (2.13) | * |
| 05 | superior interpeduncular fossa | 2.35±1.06 (4.75) | 0.76±0.37 (1.69) | * |
| 06 | R superior LMS | 2.07±0.95 (4.32) | 1.17±0.74 (3.52) | * |
| 07 | L superior LMS | 2.03±0.85 (4.22) | 1.43±0.77 (2.88) | * |
| 08 | R inferior LMS | 2.45±1.37 (7.50) | 1.78±1.11 (5.41) | * |
| 09 | L inferior LMS | 2.54±1.26 (6.63) | 1.83±0.96 (3.99) | * |
| 10 | culmen | 4.50±2.93 (12.72) | 2.73±2.81 (10.12) | * |
| 11 | intermammillary sulcus | 2.81±1.62 (6.30) | 1.44±0.60 (2.73) | * |
| 12 | R MB | 2.72±1.67 (6.90) | 0.93±0.48 (1.90) | * |
| 13 | L MB | 2.84±1.70 (6.14) | 1.01±0.62 (2.93) | * |
| 14 | pineal gland | 2.53±1.39 (5.70) | 2.01±1.24 (6.16) | |
| 15 | R LV at AC | 4.44±1.84 (7.90) | 2.70±1.59 (7.85) | * |
| 16 | L LV at AC | 4.50±1.95 (8.40) | 2.11±1.72 (7.92) | * |
| 17 | R LV at PC | 4.81±2.54 (10.07) | 2.96±2.42 (9.46) | * |
| 18 | L LV at PC | 4.80±2.64 (10.34) | 3.01±2.22 (8.13) | * |
| 19 | genu of CC | 3.73±1.82 (7.88) | 1.56±0.76 (3.32) | * |
| 20 | splenium | 2.96±1.88 (7.57) | 0.97±0.60 (2.93) | * |
| 21 | R AL temporal horn | 3.79±1.71 (7.50) | 1.70±1.09 (5.23) | * |
| 22 | L AL temporal horn | 3.62±1.45 (6.98) | 1.67±0.98 (4.31) | * |
| 23 | R superior AM temporal horn | 3.34±1.63 (7.25) | 1.93±1.34 (6.85) | * |
| 24 | L superior AM temporal horn | 3.44±1.80 (8.20) | 1.67±1.25 (5.80) | * |
| 25 | R inferior AM temporal horn | 4.02±1.97 (8.32) | 2.41±1.16 (5.61) | * |
| 26 | L inferior AM temporal horn | 4.13±1.70 (8.20) | 2.21±1.09 (4.84) | * |
| 27 | R indusium griseum origin | 3.36±2.07 (8.46) | 2.06±1.49 (6.40) | * |
| 28 | L indusium griseum origin | 3.60±1.68 (8.83) | 2.05±1.37 (5.00) | * |
| 29 | R ventral occipital horn | 5.86±6.32 (36.26) | 3.44±5.77 (32.78) | * |
| 30 | L ventral occipital horn | 6.99±6.72 (33.74) | 4.51±6.28 (29.76) | * |
| 31 | R olfactory sulcal fundus | 2.83±1.36 (7.50) | 1.37±0.95 (3.44) | * |
| 32 | L olfactory sulcal fundus | 2.94±1.28 (6.49) | 1.57±0.84 (3.41) | * |
Revealed 3 subjects where mean AFRE was not statistically different. However, individual afids demonstrated high AFRE.
One subject appeared to be well registered with linear registration alone. The other two had extreme registration errors (over 8 mm AFRE).
| subject | AFRE_lin | AFRE_nlin | AFRE_qval_significant |
|---|---|---|---|
| OAS1_0010 | 4.44±2.06 (11.19) | 1.82±1.25 (5.61) | * |
| OAS1_0086 | 3.19±1.41 (6.40) | 1.33±1.14 (5.66) | * |
| OAS1_0101 | 3.10±2.22 (8.83) | 2.46±2.14 (8.36) | |
| OAS1_0109 | 4.86±8.12 (36.26) | 3.89±7.34 (32.78) | |
| OAS1_0114 | 3.31±2.03 (8.32) | 1.52±1.21 (5.88) | * |
| OAS1_0117 | 4.08±2.15 (9.76) | 1.74±1.81 (10.12) | * |
| OAS1_0145 | 2.33±1.69 (7.57) | 1.27±1.45 (6.85) | * |
| OAS1_0177 | 2.84±1.78 (7.06) | 1.54±0.82 (2.83) | * |
| OAS1_0180 | 4.08±2.20 (10.13) | 2.52±1.69 (6.45) | * |
| OAS1_0188 | 3.35±1.80 (9.08) | 1.65±1.21 (5.08) | * |
| OAS1_0200 | 2.56±1.45 (7.88) | 1.47±0.96 (4.84) | * |
| OAS1_0203 | 3.78±3.89 (23.96) | 2.46±3.89 (22.40) | * |
| OAS1_0216 | 2.19±1.61 (7.58) | 1.73±1.02 (4.48) | |
| OAS1_0239 | 2.89±2.03 (11.68) | 1.56±1.63 (8.55) | * |
| OAS1_0249 | 3.34±1.65 (8.53) | 1.63±1.08 (4.66) | * |
| OAS1_0255 | 3.48±1.77 (6.68) | 1.29±0.75 (3.16) | * |
| OAS1_0256 | 4.16±2.00 (7.90) | 1.52±0.97 (3.56) | * |
| OAS1_0263 | 3.97±2.36 (10.34) | 1.29±0.96 (3.96) | * |
| OAS1_0266 | 3.67±1.18 (7.50) | 1.60±1.22 (6.16) | * |
| OAS1_0274 | 2.90±1.87 (7.73) | 1.99±2.34 (8.13) | * |
| OAS1_0284 | 3.90±2.59 (13.41) | 1.84±1.85 (8.39) | * |
| OAS1_0303 | 2.70±1.23 (5.41) | 1.47±0.85 (4.03) | * |
| OAS1_0343 | 3.32±1.69 (7.95) | 2.43±1.95 (9.46) | * |
| OAS1_0345 | 2.31±1.30 (6.16) | 1.57±1.10 (4.11) | * |
| OAS1_0357 | 2.58±1.61 (7.43) | 1.47±1.35 (5.30) | * |
| OAS1_0365 | 4.18±2.07 (9.61) | 1.65±1.35 (6.50) | * |
| OAS1_0371 | 2.64±1.31 (6.92) | 1.33±0.82 (3.81) | * |
| OAS1_0395 | 3.27±1.96 (11.14) | 1.68±1.28 (6.68) | * |
| OAS1_0398 | 3.85±3.04 (12.40) | 1.81±1.80 (9.09) | * |
| OAS1_0456 | 4.64±2.73 (12.72) | 2.42±2.01 (9.59) | * |
Here we identify all AFID points across subjects above some minimum threshold of AFRE error (arbitrarily set to 5 mm for notebook presentation purposes).
| fid | subject | name | description | AFRE | |
|---|---|---|---|---|---|
| 212 | 8 | OAS1_0180 | 8 | R inferior LMS | 5.411179 |
| 271 | 10 | OAS1_0456 | 10 | culmen | 9.585257 |
| 277 | 10 | OAS1_0239 | 10 | culmen | 8.550554 |
| 278 | 10 | OAS1_0117 | 10 | culmen | 10.118020 |
| 289 | 10 | OAS1_0101 | 10 | culmen | 8.359801 |
| 402 | 14 | OAS1_0266 | 14 | pineal gland | 6.158929 |
| 435 | 15 | OAS1_0274 | 15 | R LV at AC | 7.848187 |
| 451 | 16 | OAS1_0456 | 16 | L LV at AC | 5.677177 |
| 463 | 16 | OAS1_0274 | 16 | L LV at AC | 7.922394 |
| 471 | 16 | OAS1_0101 | 16 | L LV at AC | 5.436124 |
| 485 | 17 | OAS1_0101 | 17 | R LV at PC | 5.918516 |
| 486 | 17 | OAS1_0180 | 17 | R LV at PC | 6.450083 |
| 490 | 17 | OAS1_0395 | 17 | R LV at PC | 6.676601 |
| 491 | 17 | OAS1_0274 | 17 | R LV at PC | 7.440260 |
| 505 | 17 | OAS1_0188 | 17 | R LV at PC | 5.084890 |
| 506 | 17 | OAS1_0343 | 17 | R LV at PC | 9.463697 |
| 507 | 17 | OAS1_0284 | 17 | R LV at PC | 5.832009 |
| 518 | 18 | OAS1_0274 | 18 | L LV at PC | 8.125230 |
| 520 | 18 | OAS1_0343 | 18 | L LV at PC | 6.852881 |
| 527 | 18 | OAS1_0456 | 18 | L LV at PC | 5.597730 |
| 528 | 18 | OAS1_0180 | 18 | L LV at PC | 5.111037 |
| 534 | 18 | OAS1_0101 | 18 | L LV at PC | 7.257325 |
| 535 | 18 | OAS1_0365 | 18 | L LV at PC | 6.501676 |
| 537 | 18 | OAS1_0284 | 18 | L LV at PC | 5.089356 |
| 538 | 18 | OAS1_0010 | 18 | L LV at PC | 5.331059 |
| 621 | 21 | OAS1_0180 | 21 | R AL temporal horn | 5.232758 |
| 667 | 23 | OAS1_0145 | 23 | R superior AM temporal horn | 6.847816 |
| 674 | 23 | OAS1_0114 | 23 | R superior AM temporal horn | 5.875959 |
| 718 | 24 | OAS1_0398 | 24 | L superior AM temporal horn | 5.141291 |
| 719 | 24 | OAS1_0145 | 24 | L superior AM temporal horn | 5.803107 |
| 737 | 25 | OAS1_0180 | 25 | R inferior AM temporal horn | 5.605086 |
| 782 | 27 | OAS1_0109 | 27 | R indusium griseum origin | 6.403877 |
| 851 | 29 | OAS1_0109 | 29 | R ventral occipital horn | 32.777012 |
| 866 | 29 | OAS1_0284 | 29 | R ventral occipital horn | 8.394882 |
| 871 | 30 | OAS1_0109 | 30 | L ventral occipital horn | 29.762330 |
| 872 | 30 | OAS1_0203 | 30 | L ventral occipital horn | 22.404038 |
| 877 | 30 | OAS1_0010 | 30 | L ventral occipital horn | 5.611475 |
| 879 | 30 | OAS1_0357 | 30 | L ventral occipital horn | 5.304235 |
| 886 | 30 | OAS1_0398 | 30 | L ventral occipital horn | 9.086490 |
| 896 | 30 | OAS1_0086 | 30 | L ventral occipital horn | 5.660475 |
| fid | subject | name | description | AFRE | xfm | |
|---|---|---|---|---|---|---|
| 15 | 1 | OAS1_0180 | 1 | AC | 0.3333971 | nlin |
| 33 | 2 | OAS1_0180 | 2 | PC | 0.6045653 | nlin |
| 62 | 3 | OAS1_0180 | 3 | infracollicular sulcus | 0.8774145 | nlin |
| 99 | 4 | OAS1_0180 | 4 | PMJ | 0.9738354 | nlin |
| 125 | 5 | OAS1_0180 | 5 | superior interpeduncular fossa | 1.6461190 | nlin |
| 177 | 6 | OAS1_0180 | 6 | R superior LMS | 0.6837562 | nlin |
| 190 | 7 | OAS1_0180 | 7 | L superior LMS | 0.4821263 | nlin |
| 212 | 8 | OAS1_0180 | 8 | R inferior LMS | 5.4111786 | nlin |
| 246 | 9 | OAS1_0180 | 9 | L inferior LMS | 3.1787138 | nlin |
| 293 | 10 | OAS1_0180 | 10 | culmen | 3.8186248 | nlin |
| 315 | 11 | OAS1_0180 | 11 | intermammillary sulcus | 2.3186715 | nlin |
| 335 | 12 | OAS1_0180 | 12 | R MB | 1.7114213 | nlin |
| 365 | 13 | OAS1_0180 | 13 | L MB | 2.9269330 | nlin |
| 403 | 14 | OAS1_0180 | 14 | pineal gland | 2.6319054 | nlin |
| 432 | 15 | OAS1_0180 | 15 | R LV at AC | 1.7596951 | nlin |
| 459 | 16 | OAS1_0180 | 16 | L LV at AC | 1.0219584 | nlin |
| 486 | 17 | OAS1_0180 | 17 | R LV at PC | 6.4500826 | nlin |
| 528 | 18 | OAS1_0180 | 18 | L LV at PC | 5.1110374 | nlin |
| 557 | 19 | OAS1_0180 | 19 | genu of CC | 1.4385252 | nlin |
| 584 | 20 | OAS1_0180 | 20 | splenium | 0.9289616 | nlin |
| 621 | 21 | OAS1_0180 | 21 | R AL temporal horn | 5.2327578 | nlin |
| 641 | 22 | OAS1_0180 | 22 | L AL temporal horn | 2.0260472 | nlin |
| 663 | 23 | OAS1_0180 | 23 | R superior AM temporal horn | 1.4644496 | nlin |
| 709 | 24 | OAS1_0180 | 24 | L superior AM temporal horn | 1.8499234 | nlin |
| 737 | 25 | OAS1_0180 | 25 | R inferior AM temporal horn | 5.6050862 | nlin |
| 766 | 26 | OAS1_0180 | 26 | L inferior AM temporal horn | 2.7429303 | nlin |
| 783 | 27 | OAS1_0180 | 27 | R indusium griseum origin | 1.3961954 | nlin |
| 821 | 28 | OAS1_0180 | 28 | L indusium griseum origin | 2.6464879 | nlin |
| 863 | 29 | OAS1_0180 | 29 | R ventral occipital horn | 3.1210472 | nlin |
| 891 | 30 | OAS1_0180 | 30 | L ventral occipital horn | 4.8718270 | nlin |
| 905 | 31 | OAS1_0180 | 31 | R olfactory sulcal fundus | 2.2000853 | nlin |
| 933 | 32 | OAS1_0180 | 32 | L olfactory sulcal fundus | 3.2115890 | nlin |
Evidence for focal misregistrations not captured using voxel overlap measures alone.
A weak negative correlation was found between AFRE and standard voxel overlap measures at the global dataset level and for each specific ROI in isolation.
Kendall's rank correlation tau data: compare_overlap_AFRE_nlin$jaccard and compare_overlap_AFRE_nlin$AFRE z = -2.1686, p-value = 0.03011 alternative hypothesis: true tau is not equal to 0 sample estimates: tau -0.01911451
Kendall's rank correlation tau data: compare_overlap_AFRE_nlin$kappa and compare_overlap_AFRE_nlin$AFRE z = -2.1686, p-value = 0.03011 alternative hypothesis: true tau is not equal to 0 sample estimates: tau -0.01911451
Kendall's rank correlation tau data: compare_overlap_AFRE_nlin$jaccard and compare_overlap_AFRE_nlin$kappa z = 113.2, p-value < 2.2e-16 alternative hypothesis: true tau is not equal to 0 sample estimates: tau 1
| roi | side | AFRE_jaccard | AFRE_jaccard_pval | AFRE_kappa | AFRE_kappa_pval | AFRE_jaccard_pval_adjusted | AFRE_jaccard_pval_significant | AFRE_kappa_pval_adjusted | AFRE_kappa_pval_significant |
|---|---|---|---|---|---|---|---|---|---|
| pallidum | left | -0.021863046 | 0.31813186 | -0.021863046 | 0.31813186 | 0.3817582 | FALSE | 0.3817582 | FALSE |
| pallidum | right | -0.045837311 | 0.03634823 | -0.045837311 | 0.03634823 | 0.1090447 | FALSE | 0.1090447 | FALSE |
| striatum | left | -0.034786535 | 0.11219299 | -0.034786535 | 0.11219299 | 0.2243860 | FALSE | 0.2243860 | FALSE |
| striatum | right | -0.049644573 | 0.02339900 | -0.049644573 | 0.02339900 | 0.1090447 | FALSE | 0.1090447 | FALSE |
| thalamus | left | 0.006607498 | 0.76287336 | 0.006607498 | 0.76287336 | 0.7628734 | FALSE | 0.7628734 | FALSE |
| thalamus | right | -0.029857412 | 0.17277515 | -0.029857412 | 0.17277515 | 0.2591627 | FALSE | 0.2591627 | FALSE |
No correlation between voxel overlap measures and individual AFID AFREs were identified. However, plotting of voxel overlap against individual AFREs demonstrate the added sensitivity to misregistration when looking at individual AFID plots along the y-axis.
In this section, we examine whether AFLE and AFRE are correlated and establish a baseline for when AFRE should be considered beyond placement-related (AFLE) error. The first vertical line is the mean AFLE for OASIS-1 subjects. Second is 1 s.d., third is 2 s.d.
A positive correlation between AFLE and AFRE was found to be statistically significant although the actual effect size of the correlation was small.
Kendall's rank correlation tau data: AFLE_vs_AFRE$AFRE and AFLE_vs_AFRE$mean_AFLE z = 6.9796, p-value = 2.959e-12 alternative hypothesis: true tau is not equal to 0 sample estimates: tau 0.1504519
We evaluated whether there was any evidence of an effect of demographics (e.g. age of the participants being registered) on AFRE. Age resulted in a global AFRE change of 0.0075 mm/year (i.e. a small but statistically significant effect). No specific AFIDs were found to contribute to this age-related AFRE change after multiple comparisons correction.
| (Intercept) | 2.1635 | 0.0000 |
|---|---|---|
| age | 0.0075 | 0.0191 |
| fid | (Intercept) | pval_(Intercept) | age | pval_age | pval_age_adjusted | pval_age_significant |
|---|---|---|---|---|---|---|
| 1 | 1.15 | 0.03 | 0.00 | 0.83 | 0.86 | FALSE |
| 2 | 1.22 | 0.01 | 0.00 | 0.96 | 0.96 | FALSE |
| 3 | 1.96 | 0.00 | -0.01 | 0.42 | 0.75 | FALSE |
| 4 | 0.72 | 0.23 | 0.01 | 0.13 | 0.55 | FALSE |
| 5 | 1.77 | 0.00 | 0.00 | 0.66 | 0.83 | FALSE |
| 6 | 1.74 | 0.00 | 0.00 | 0.78 | 0.83 | FALSE |
| 7 | 1.03 | 0.01 | 0.01 | 0.05 | 0.43 | FALSE |
| 8 | 0.62 | 0.25 | 0.03 | 0.01 | 0.16 | FALSE |
| 9 | 1.54 | 0.00 | 0.01 | 0.20 | 0.55 | FALSE |
| 10 | 6.53 | 0.00 | -0.05 | 0.02 | 0.32 | FALSE |
| 11 | 1.41 | 0.03 | 0.01 | 0.23 | 0.56 | FALSE |
| 12 | 0.90 | 0.18 | 0.02 | 0.15 | 0.55 | FALSE |
| 13 | 0.75 | 0.28 | 0.02 | 0.08 | 0.50 | FALSE |
| 14 | 2.07 | 0.00 | 0.00 | 0.72 | 0.83 | FALSE |
| 15 | 2.72 | 0.00 | 0.01 | 0.30 | 0.64 | FALSE |
| 16 | 2.12 | 0.03 | 0.02 | 0.20 | 0.55 | FALSE |
| 17 | 2.32 | 0.05 | 0.03 | 0.16 | 0.55 | FALSE |
| 18 | 1.65 | 0.14 | 0.04 | 0.04 | 0.40 | FALSE |
| 19 | 2.30 | 0.01 | 0.01 | 0.65 | 0.83 | FALSE |
| 20 | 2.34 | 0.00 | -0.01 | 0.61 | 0.83 | FALSE |
| 21 | 2.52 | 0.00 | 0.00 | 0.77 | 0.83 | FALSE |
| 22 | 2.87 | 0.00 | 0.00 | 0.74 | 0.83 | FALSE |
| 23 | 3.42 | 0.00 | -0.01 | 0.26 | 0.60 | FALSE |
| 24 | 2.88 | 0.00 | -0.01 | 0.67 | 0.83 | FALSE |
| 25 | 2.51 | 0.00 | 0.01 | 0.36 | 0.71 | FALSE |
| 26 | 2.21 | 0.01 | 0.02 | 0.19 | 0.55 | FALSE |
| 27 | 3.19 | 0.00 | -0.01 | 0.56 | 0.83 | FALSE |
| 28 | 3.20 | 0.00 | -0.01 | 0.61 | 0.83 | FALSE |
| 29 | 2.43 | 0.38 | 0.04 | 0.40 | 0.75 | FALSE |
| 30 | 2.19 | 0.45 | 0.06 | 0.21 | 0.55 | FALSE |
| 31 | 2.48 | 0.00 | -0.01 | 0.52 | 0.83 | FALSE |
| 32 | 2.47 | 0.00 | 0.00 | 0.70 | 0.83 | FALSE |
R version 3.5.1 (2018-07-02) Platform: x86_64-apple-darwin14.5.0 (64-bit) Running under: macOS High Sierra 10.13.2 Matrix products: default BLAS: /System/Library/Frameworks/Accelerate.framework/Versions/A/Frameworks/vecLib.framework/Versions/A/libBLAS.dylib LAPACK: /System/Library/Frameworks/Accelerate.framework/Versions/A/Frameworks/vecLib.framework/Versions/A/libLAPACK.dylib locale: [1] en_CA.UTF-8/en_CA.UTF-8/en_CA.UTF-8/C/en_CA.UTF-8/en_CA.UTF-8 attached base packages: [1] stats graphics grDevices utils datasets methods base other attached packages: [1] bindrcpp_0.2.2 ggpubr_0.1.8 magrittr_1.5 ggplot2_3.0.0 reshape2_1.4.3 [6] digest_0.6.16 dplyr_0.7.6 plyr_1.8.4 loaded via a namespace (and not attached): [1] Rcpp_0.12.17 pillar_1.3.0 compiler_3.5.1 bindr_0.1.1 [5] base64enc_0.1-3 tools_3.5.1 uuid_0.1-2 jsonlite_1.5 [9] evaluate_0.11 tibble_1.4.2 gtable_0.2.0 pkgconfig_2.0.2 [13] rlang_0.2.1 IRdisplay_0.5.0 IRkernel_0.8.12 repr_0.15.0 [17] withr_2.1.2 stringr_1.3.1 cowplot_0.9.3 grid_3.5.1 [21] tidyselect_0.2.4 glue_1.3.0 R6_2.2.2 pbdZMQ_0.3-3 [25] purrr_0.2.5 scales_1.0.0 htmltools_0.3.6 assertthat_0.2.0 [29] colorspace_1.3-2 labeling_0.3 stringi_1.2.4 lazyeval_0.2.1 [33] munsell_0.5.0 crayon_1.3.4


01. First-Order Equations¶
ToC¶
- 01.01. The Simplest Example
- 01.02. The Logistic Population Model
- 01.03. Constant Harversting and Bifurcations
01.01. The Simplest Example¶
obtained from calculus
real num , is solution
let be any solution, compute the derivertiev of
initial condition
in the form of an initial valuee problem
when , constant solution
equilibrium solution, equilibrium point
- if ,
- if ,
- if ,
- source: away from it
- sink: toward it
phase plane
bifurcation at
01.02. The Logistic Population Model¶
when
Logistic population growth model
, : positive param
first order
autnomous: depends on alone not
,
rewrite
slope field
Exmaple¶
01.03. Constant Harversting and Bifurcations¶
, constant rate
where
Example¶


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Money Play. Should Red redouble? If redoubled, should White take?
pips Red=121 White=66
(CorrectAnswer= 0/0, ErrorScore= 0)
Now we see why not redoubling in Position 223 was correct. Red hit but White entered first time. A move later we have reached this position.
This type of position is well-known. Red’s total outfield coverage means that White does not escape often enough to give him a take. He wins about 21% of the time and that is not enough.
If Red had doubled in Position 223 and White had taken, White would now own the cube and therefore win 21% of the time. As it is, he will win 0% of the time.
This concept of “Cube Future Value” is an important one. By holding the cube in position 223 Red can use it to win the game at precisely the right moment in Position 224.
This type of position is well-known. Red’s total outfield coverage means that White does not escape often enough to give him a take. He wins about 21% of the time and that is not enough.
If Red had doubled in Position 223 and White had taken, White would now own the cube and therefore win 21% of the time. As it is, he will win 0% of the time.
This concept of “Cube Future Value” is an important one. By holding the cube in position 223 Red can use it to win the game at precisely the right moment in Position 224.
Cube analysis 2-ply cubeless equity +0.505 0.759 0.045 0.001 - 0.241 0.059 0.001 Cubeful equities: 1. Double, take +0.846 2. Double, pass +1.000 (+0.154) 3. No double +0.839 (-0.007) Proper cube action: Redouble, take


The Silent
The Silent relies on being quick and dropping their opponent through a balance of actions. The Silent has 13 HP and 13 Energy.
The Brawn
The Brawn relies on brute force and there health pool to demolish their opponent. The Brawn has 18 HP and 8 Energy.
The Caster
The Caster has a very low health pool but relies on their spells to change the course of the fight. The Caster has 9 HP and 17 Energy.
The Brawn relies on brute force and their health pool to demolish there opponent. The Brawn has 18 HP and 8 Energy.


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WITNESS LIST Urban Affairs Committee March 4, 1997-4:00P HB 817 For: Britt, Robert (Houston Prof. Fire Fhgt) Against: Wright, Clymer (Citizens for Term Lim.) HB 883 Against: Garcia, Gus (Austin City Council) HB 1161 For: Graham, Jonathan (City of Temple) HB 1166 For: Butcher, Charles L. (DFW Taxicab Assn.) Collinsworth, Ed (Universal Insur. Exchng) Osmundsen, Bob (Self) White, Jr., Emory L. (Universal Insur. Exchng) Against: Kuhlman, Karl (Self) Schwartz, A.R. (Yellow Cab, Houston) HB 1409 For: Horton, Susan (Texas Municipal League)


We at HUHY Technologies believe Innovation is a constant in technology as well as business. But all the new or useful technologies and innovations are not accepted or adopted by the people. Technology adoption as a consistent process is the key to enabling hesitant users to successfully adopt and use technology.
HUHY Technologies offers half-day and full-day hands-on workshops for technology enthusiast who wants to explore JAVA, Python, PHP, Big Data, Android, Oracle, MySQL, Unix and related Technologies. We create a welcoming environment for those who are hesitant around technology and we emphasize skills that can be put into practice right away. At HUHY, we have a good time with productive workshops
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{% extends "base.html" %} {% set active_page = "fp" %} {% block title %} {{ _('View my fingerprint') }} - FP Central {% endblock %} {% block styles %} {{ super() }} {% endblock %} {% block content %}
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OpenCMIS Browser Binding - Create Demo
Create Document
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{% extends '!footer.html' %}
{% block extrafooter %}
The Observatory Platform documentation is licensed under a Creative Commons Attribution 4.0 International (CC BY 4.0) license, with the exception of the documentation's code samples, which are licensed under a CC0 1.0 Universal (CC0 1.0) Public Domain Dedication.
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New York Times Image Alteration: Donald Trump Created: 7/28/2015
Karma Landing Page Created: 7/28/2015


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General Deployment Enhancements in J2SE 5.0
- Much of the common functionality between Java Plug-in and Java
Web Start has been combined. There is now a single Java Control
Panel for both. It replaces both the Java Plug-in Control Panel and
the Preference panel of the Java Web Start Application Manager. The
settings are used in both products. (4667682)
- Security: (1) This release features improved security access
and control, including both user- and system-level security options
and an expanded list of deployment properties. (4667645) (2)
Several new configuration properties have been added so that an
enterprise can customize user security settings. These allow
control of what applications a user is allowed to grant trust to,
and what permissions are given to code for which trust is granted.
Also, a user or enterprise can configure what information is to be
displayed on security warnings; and an enterprise can configure if
a user is allowed to run applications in the enhanced sandbox of
the JNLP API. An enterprise can also pre-accept its own
certificates so that users will not see any security warnings in
its own applications.
- Enterprise Configuration: Both deployment products can now be
configured with an enterprise configuration file. This file,
accessed as a URL, can set any set of configuration properties,
either as defaults, or as locked properties which cannot be
overridden by the user.
- Support is available for pack/crunch compression for
downloading Java applications and applets. Pack200, a new
hyper-compression format for JAR files defined by JSR-200, can
reduce the download size of JNLP applications and Java Plug-in
applets. File size can be reduced to about 1/8th of the original
size. (4666040)
- Support of browser keystores in Internet Explorer and Mozilla
in Java Plug-in and Web Start: Certificates and keys in browser
keystores will be used for signing verification, HTTPS server
authentication, and HTTPS client authentication. Certificates and
keys on the smart card exposed in the browser keystore will also be
recognized. See Browser
Keystores for more information. (4480333, 4957907)
- Support of time-stamped, signed JAR files: With time-stamping
now built into the signing tool, Java Plug-in and Java Web Start
now recognize the time-of-signing information when they verify a
signed JAR file. This solves the problem of a signed applet signed
with a valid certificate at time-of-signing but the certificate
expired later after the applet deployment. (4649690)
- Support of Client Authentication in HTTPS: This release
provides interactive user interface in Java Plug-in and Java Web
Start during HTTPS client authentication for users to select the
personal certificate from the personal keystore. (4802844)


Welcome
I’m paragraphs show up as title meta, style and links to javas, show up as title meta, style and links to javas, show up as title meta, style and links to javas, show up as title meta,
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| Uniplex 105 General Information
-
| Synonyms: |
DEP; Diethyl phthalate; 1,2-Benzenedicarboxylic acid diethyl ester; ethyl 2-(ethoxycarbonyl)benzoate |
| Molecular Formula: |
C12H14O4 |
| CAS Registry No.: |
84-66-2 |
| Chemical Category: |
Phthalates |
Usage and Performance Characteristics
-
| Manufacturer: |
Unitex Chemical Corporation |
| Outstanding Properties: |
Stable to heat & UV light |
| Used for Polymeric Materials: |
CA, CN |
| Used for Products: |
Nail care |
Physical Properties
-
| Specific Gravity: |
1.12 (20°C) |
| Aggregate State at 25°C: |
Liquid, oily |
| Vapor Density, relative to H2: |
1 |
| Vapor Pressure, kPa: |
0.0002666 (25°C) |
Chemical Properties
-
| Solubility in Water at 25°C, g/L: |
0.1 |
Optical Properties
Hazard-Related Data
-
| ICAO/IATA Class: |
9, PG III |
| OSHA Hazard Class: |
Hazardous chemical-29CFR 1200 |
| UN Risk Phrases: |
36/37/38-63 |
| UN Safety Phrases: |
23-26-36 |
| Lower Explosive Level, LEL, %: |
0.71 |
| Eye Irritation (human): |
Slight |
| Flash Point Temperature, °C: |
146 |
| HMIS Personal protection: |
Safety glasses, gloves, lab. coat |
| Skin Irritation: |
Slight (human) |
Environmental Parameters
-
| Chemical Oxygen Demand, COD, g/g: |
1.7 |
| Octanol-Water Partition Coeff., log Kow: |
2.47 |
| Theoretical Oxygen Demand, ThOD, g/g: |
1.94 |
Animal Toxicity
-
| Mouse Oral, LD50, mg/kg: |
6,172 |
| Rat Oral, LD50, mg/kg: |
8,600 |
Plasticizers Database (2nd Electronic Edition) Copyright © 2004 by ChemTec Publishing |


Registry Cleaner
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