Hello! My name is Noëlle Clement and I am a computer science/engineering student at University of Applied Sciences Rotterdam in Rotterdam, the Netherlands.
I work on projects, try to get more girls to code, help at events, and love travelling at which I take photos and videos.
I can be found on GitHub, and LinkedIn.
Take a look at my resume and feel free to contact me.


Suitable center for all kinds of events. We offer affordable prices.
Location: Ojota, Lagos
Capacity: 500 seats
Price: 150 000
The best environments for all your outdoor events. We also offer event planning as a bonus.
Location: mile 4, Port Harcourt
Capacity: 200 seats
Price: 80 000
With supporting text below as a natural lead-in to additional content.
Location: Lagos
Capacity: 1 000 seats
Price: 300 000
Suitable center for all kinds of events. We offer affordable prices.
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Capacity: 500 seats
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Address: Lorem ipsum dolor sit amet, consectetur, Ojota, Lagos
Price: ₦150 000
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Venue: City Halls, Lagos
Date: Saturday, 23 December, 2017
Time: 4:30pm
Status: Canceled
With supporting text below as a natural lead-in to additional content.
Venue: City , Lagos
Date: Saturday, 23 December, 2017
Time: 4:30pm
Status: Holding
With supporting text below as a natural lead-in to additional content.
Venue: City , Lagos
Date: Saturday, 30 December, 2017
Time: 4:30pm
Status: Holding


{% extends "base.html" %} {% block title %} - Page Not Found{% endblock %} {% block intro %}
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Startup Website Template
Tags: BOOTSTRAP, JS, JQUERY, PHP, MYSQL
A Portfolio Website Template
A Website Template
Real Estate Website Template
A JavaScript application to play with code
Reaction tester game


Artboard Attributes
The artboard has an additional attribute defined
W
View the source code to see the attributes that were added through the attributes field
https://developer.mozilla.org/en-US/docs/Web/HTML/Attributes


you buy it by the box
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In 2000, Jorge Stolfi posted an article that nowadays is probably considered a classic of textual analyses of the Voynich Manuscript. It is called 'On the VMS Word Length Distribution' and basically presents an interesting feature of the text where the word length distribution, for a quite specific extract, matches a distribution that Stolfi terms 'choose(9, k-1)/2^9'.
In his own words:
Two things are remarkable about this plot: (1) the surprising coincidence between the text and label distributions (even though the sample sizes differ by an order of magnitude, and the token distributions are quite different); and (2) the almost perfect symmetry of the distribution around its mean (5.5 symbols). These coincidences cry for an explanation. In fact, the word length distribution matches almost perfectly a binomial distribution for 9 equally-likely coin tosses, shifted by 1 --- which is choose(9,k-1)/2^9:This coincidence suggests that the length of a word chosen at random from the lexicon is 1 plus the sum of nine random binary variables. What does that tell us about the code?
This example of the VMs REST API attempts to re-create Stolfi's experimental data in order to establish what the extract of the manuscript is that is required in order to reproduce the distribution.
Firstly, Stolfi states the following conditions for parsing the text to get his data:
A word is an abstract sequence of symbols; a token is an occurrence of a word in the VMS text (delimited by blanks, line breaks, etc.) The length of a word or token is the number of symbols it contains. For this page, we will define symbol as Currier did; i.e. EVA ch ans sh will be counted as single symbols, and so are EVA cth, ckh, etc..Therefore we will use the morphemes method to get an extract and we will use a morpheme list of cth, cph, cfh, ckh, ch and sh. Note that if you use a different list of morphemes then you will get a slightly different distribution curve. Further he notes:
The source text was the per-character majority-vote transcription, excluding words with unreadable or rare characters (weirdos, EVA *, b, u, v, x, I, etc.) and characters which didn't get a clear majority reading.The current version of the API uses a version of the interlinear that does not include the 'majority-vote' transcription. Instead, I use these choices.
If you run the analysis you will see we get a word-length distribution very close to Stolfi's per his test.
Note also Stolfi's comments about using Takahashi transcription from here:
I have "majority vote" and a "consensus" version of the interlinear file. I thought I had mentioned it here, but I notice that it is not listed in my Voynich pages. Anyway, here it is: http://www.dcc.unicamp.br/~stolfi/voynich/Notes/045/inter-cm.evt It is in EVA encoding, basically in the EVMT format used by Gabriel and Rene. The majority version is marked with transcriber code ";A>", the consensus one with ";Y>". You should be able to use Rene's VTT tool to extract the one you need. You should also consider using Takeshi's version (code ";H>"), which is the only complete one so far. I used simple majority for the "A" version. Perhaps I should have given different weights to different transcribers. But that would would have been easy: a transcriber's reliability seems to vary with page and character. (For instance, Currier often disagrees with Friedman/D'Imperio on "i" vs "ii".) That may be another reason to use Takeshi's version... All the best, --stolfi
Thanks to Terry Ritter for his javascript code for Binomial and Poisson Statistics Functions in JavaScript.


Fantasy Football Prediction Collection
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Auction League
ROS Valuations
Your Roster
| Player |
Value |
| Saquon Barkley |
64.0 |
| Derrick Henry |
32.5 |
| TY Hilton |
27.0 |
| Patrick Mahomes |
20.0 |
| Phillip Lindsay |
17.5 |
| Courtland Sutton |
14.5 |
| LeSean McCoy |
10.0 |
| Adrian Peterson |
8.0 |
| Marquise Brown |
7.0 |
| Duke Johnson |
3.5 |
| NKeal Harry |
0 |
| Jonnu Smith |
0 |
| Gardner Minshew |
0 |
Available Free Agents
| Player |
Value |
| Phillip Dorsett |
5.5 |
| Rashaad Penny |
5.0 |
| Frank Gore |
5.0 |
| Jameis Winston |
4.5 |
| Tony Pollard |
4.0 |
| Peyton Barber |
4.0 |
| Mohamed Sanu |
3.0 |
| Gerald Everett |
3.0 |
| Marquez ValdesScantling |
2.0 |
Weekly Tiers
Suggested Starting Lineup
Substitutions Necessary
Skill Streams Available
Weekly Streaming Advice
Defenses
Kickers


| simulate {spatPomp} | R Documentation |
simulate
generates simulations of the latent and measurement
processes.
## S4 method for signature 'spatPomp'
simulate(
object,
nsim = 1,
seed = NULL,
format = c("spatPomps", "data.frame"),
include.data = FALSE,
...
)
object |
optional; if present, it should be a data frame or a ‘pomp’ object. |
nsim |
number of simulations. |
seed |
optional;
if set, the pseudorandom number generator (RNG) will be initialized with |
format |
the format of the simulated results. If the argument is
set to |
include.data |
if |
... |
additional arguments supply new or modify existing model characteristics or components.
See When named arguments not recognized by |
if format='spatPomps'
and nsim=1
an object of class ‘spatPomp’ representing a simulation from the model in object
is returned.
If format='spatPomps'
and nsim>1
a list of class ‘spatPomp’ objects is returned.
If format='data.frame'
then a class ‘data.frame’ object is returned.
Kidus Asfaw
Asfaw, K., Park, J., Ho, A., King, A. A., and Ionides, E. L. (2020) Partially observed Markov processes with spatial structure via the R package spatPomp. ArXiv: 2101.01157. doi:10.48550/arXiv.2101.01157
# Complete examples are provided in the package tests
## Not run:
# Get a spatPomp object
b <- bm(U=2, N=5)
# Get 2 simulations from same model as data.frame
sims <- simulate(b, nsim=2, format='data.frame')
## End(Not run)


Welcome to the SimpleAI execution web viewer
On the top bar you have links to control the execution of the algorithm, and links to switch between the graph view, the log view, the stats view, and this help view. You can also press following keys to control execution: [e] Play, [enter] Step, [p] Pause and [q] Stop running.
On the bottom bar you have information about the current step (hover with your mouse over it to see more details).
You can also zoom and pan on the graph view using your mouse wheel and buttons. To restore to the original zoom, click again on the "Graph" link.
The colors of the nodes on the graph have special meanings:
Blue border, white background: nodes that are currently part of the fringe (waiting to be visited).
Blue border, blue background: current node, being analyzed or expanded.
Orange border, white background: newly created nodes, after expanding a parent node.
Black border, green background: the solution node (goal for traditional search, or best node for local search).
Black border, white background: the rest of the nodes kept in memory, needed to keep the search tree from the fringe to the initial node.
Happy debugging!
{{event.name}}:
{{event.description}}
{{stat.name}}:
{{stat.value}}


{include file="public:head" /}
{include file="public:nav" /}
{include file="public:slider" /}
{include file="public:footer" /}


Morgan's Portfolio!
Welcome to my Portfolio!
My name is Morgan LaCouture and I create lovely web things.
Click here to view my projects!


{% extends 'base.html' %} {% load static %} {% block content %}
This site will show you the various VMC views in action and how to code them.


Media Presenter
F
ree kick
Goal
a
ttempt
G
oal
P
enalty
S
pecial
Free kick
Goal attempt
Goal
Penalty
Special
Minutes
5
10
15
20
25
30
35
40
45
50
55
60


Columns are the vertical sections of a grid. The more columns in the grid the greater its flexibility.
Rows are the horizontal sections of a grid. They are often omitted in web design. Grids with rows and columns are called modular grids.
Regions are groupings of columns, rows, or modules that form an element of a composition.
Columns and rows are divided by gutters. The tighter the gutter, the more visual tension is created. Grids with wide gutters produce calming layouts because the elements of the composition have less tension between them.
Margins are the space outside of the grid columns and rows. Not to be confused with padding, which is the space within rows and columns.
Flowlines are typically used to break up sections of a composition. They create natural stopping and starting places in the design.
A marker is the area that secondary content is placed. Books commonly house chapter titles, page numbers, etc. in the marker area.
The hierarchical grid is an intuitively constructed grid that focuses on the proportions of the elements in the design. This type of grid is often used when the content isn’t standardized and repetitive.
The manuscript grid is the oldest type of grid used in print media. It typically presents itself as a standardized rectangle that contains the content on a page or screen.
The column grid is by far the most used grid in web design because the width of a screen is finite, unlike the height, which can go on forever if the user has the ability to scroll. Most column grids used on the web are 12 columns, but that shouldn’t stop designers and developers from exploring alternatives.
The modular grid is devised by overlapping rows and column that form modules. The modular grid is the most complex type of grid. It should be used when vertical and horizontal space are of equal concerns. This type of grid is becoming more popular in digital media with the onset of wearable devices that rely on ‘cards’ to communicate.
The interaction of colors in a design through complementation, contrast, and vibrancy.
Complementation refers to the way we see colors in terms of their relationships with other colors.
Contrast reduces eyestrain and focuses user attention by clearly dividing elements on a page.
Vibrancy dictates the emotion of your design. Brighter colors lead the user to feel more energetic as a result of your design, which is particularly effective when you are trying to advertise a product or gain an emotional response. Darker shades relax the user, allowing their mind to focus on other things.
By experimenting in a guided environment, we are able to learn how to apply these principles without becoming frustrated when things are not working perfectly. Think of these tools as a sort of “color theory safety net”, to help you explore your own creativity without ever needing to stray far from the established rules for pleasing color combinations.
Typography on the web isn't just about choosing the latest pretty font; readability, usability and cross-device scalability must be balanced with aesthetics.
Typography is above all a form of communication, a poorly communicated message is hard to understand and makes our brain hurt. We will learn the importance of typography in communicating a clear message as well as being the basis of the web as we know it.
Don't alienate people by making your content difficult to read, well designed and readable typography is the basis of the web and a good user experience. We will learn how to make their content readable across multiple devices.
How easy is it for users to accomplish basic tasks the first time they encounter the design?
Once users have learned the design, how quickly can they perform tasks?
When users return to the design after a period of not using it, how easily can they reestablish proficiency?
How many errors do users make, how severe are these errors, and how easily can they recover from the errors?
How pleasant is it to use the design?
Does it do what users need?


{% extends "layout.html" %} {% block content %} AI Audio Classifier We trained a convolutional neural network to predict music genres from audio data. Try it out below! Upload Audio Clip {% endblock content %}
We trained a convolutional neural network to predict music genres from audio data. Try it out below!
Upload Audio Clip


Tiny CSS Framework
Grid
c1
c11
c2
c10
c3
c9
c4
c8
c5
c7
c6
c6
c7
c5
c8
c4
c9
c3
c10
c2
c11
c1
Input
Button
green
red
blue
orange
purple
green
red
blue
orange
purple
Message
The project created by iSayme.


To run or debug the server side part of MapStore we suggest to use jetty:run plugin. This guide explains how to do it with Eclipse. This procedure is tested with Eclipse Luna.
you can simply run the server side part using mvn jetty:run
command. To run the server side part only, run:
mvn jetty:run -Pserveronly
This will skip the javascript building phase, you can now connect the webpack proxy to the server side proxy and debug client side part using:
npm start
Set the maven options as following :
# Linux
MAVEN_OPTS="-Xdebug -Xnoagent -Djava.compiler=NONE -Xrunjdwp:transport=dt_socket,address=4000,server=y,suspend=n"
# Windows
set MAVEN_OPTS=-Xdebug -Xnoagent -Djava.compiler=NONE -Xrunjdwp:transport=dt_socket,address=4000,server=y,suspend=n
then run jetty
mvn jetty:run -Pserveronly
mvn eclipse:eclipse
NOTE With some version of eclipse you will have to set
suspend=y
in mvn options to make it work. In this case the server will wait for the debug connection at port 4000 (address=4000
)


Build ussd with ease
from prototype to production
Build rich, interactive ussd applications quickly, with less code.
Join our growing community of developers using Laravel Ussd
to craft ussd applications for fun or at scale.
Save data with
Laravel's Cache store
Laravel provides an expressive, unified API for various caching backends. We make it painless to fully utilize it in your application with a few lines of code.
Use Artisan for
creating ussd states
Artisan is the command-line interface included with Laravel. We bootstrap your state snippets while you write more code with fewer keystrokes.
Simple and Fluent
API for creating ussds
Focus on writing your applications without needing to reinvent the wheel. We provide you with an elegant API around Laravel for 80% use case.


This tutorial will guide you through creating a responsive dr. down menu using CSS only, with the help of flexbox and the "checkbox-hack".


Registration
Registration
Email
Required Email
User Name:
min size = 2, max size = 8
Password:
Required, min size = 5, max size = 10
Confirm:
Required, equals Password
Introduction:
Required within 200 words
Gender:
choose option
Male
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Other
Required
Phone:
Example: 23455873
Date of birth:
Required, date dd-MM-yyyy
Position
choose option
Designer
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Skill:
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Required within 200 words
Submit


DINOSAUR A film review by Steve Rhodes Copyright 2000 Steve Rhodes RATING (0 TO ****): ***
In an era of rapid technological change, the film industry stands out as a veritable dinosaur. So it is all the more noteworthy when a film like Disney's DINOSAUR makes such a stunning visual achievement through radical blending of technologies.  It is the sort of picture that has you sitting there going, "Wow!"
What are sorely absent, however, are Pixar and their band of merry men to craft a script that can hold your attention. Instead, Disney relies on writers John Harrison, mainly a television writer known for his dark pieces in series like "Tales from the Crypt," and Robert Nelson Jacobs, whose only other released script is the senior citizen comedy OUT TO SEA. The result is a story that is a pale imitation of THE LAND BEFORE TIME, which had more endearing characters and more effective humor. In THE LAND BEFORE TIME, the big reptiles were off to find the legendary "Great Valley." In DINOSAUR, they are migrating to a similar looking locale, but this time the lush and peaceful valley is referred to simply as the nesting grounds.
Still, it's not that the script bombs, but that it fizzles. There are several nice sections of dialog, and some imaginative characterizations. But when a Disney film leaves one nostalgic for THE LAND BEFORE TIME, that's not a good sign. They want the kids to come back and see their movie a second time, not go rent the competition's videos.
The way to approach DINOSAUR, however, isn't to ponder how good it could and should have been, but to enjoy what it does best, which is to recreate the world of the dinosaurs toward the end of their reign on earth. Best of all is the realism shown in the skin of the dinosaurs, which has a texture so life-life, that you'll swear they've located real dinosaur flesh and digitally imposed it on computer generated wire-frames. This magic extends to all of the textures including those of the dinosaur's comical sidekicks, a group of lemurs, whose fur can be seen convincingly blowing in the breeze as the lemurs leap from tree to tree.
The story concerns an Iguanodon, Aladar (D.B. Sweeney), who is raised on an island without other dinosaurs by a group of little lemurs. When the matriarch of the lemurs discovers the newly hatched Aladar, the elder of the lemur clan, Yar (Ossie Davis), warns them about Iguanodons. "Things like that eat things like us for snacks," he admonishes them. Zini (Max Casella), soon to be Aladar's best bud, laughs off old Yar's admonition. "This monster's got no teeth," Zini points out. "What's he going to do? Gum us to death?" Soon, Aladar is a thousand times their size, but he is still his original playful self.
After meteors rain down from the heavens, turning the world into something akin to a huge battlefield, Aladar and his "family" end up swimming to the mainland, where Aladar finally gets to meet dinosaurs of various species, not all of them friendly. He is first chased by a pack of blood-thirsty Raptors with some really ferocious teeth and claws. Scariest of all are some chillingly realistic Carnotaurs, which look like T-Rexs, who roar a lot and eat everything in sight.
This brings us to the issue of the film's rating. Disney's animated motion pictures are almost always rated G. In order to make the movie as authentic as possible, Disney allowed the filmmakers to bring DINOSAURS in at a PG rating. But it is an extremely intense PG that has significant potential to scare little ones. These Carnotaurs would have been happy to nosh on little humans, something that the small fry will easily be able to imagine. And when the meteors hit, it may look like the end of the world to impressionable youngsters. After all, for the dinosaurs the event was the start of the end of the line for them.
The body of the story concerns the herd of dinosaurs, as well as Aladar's lemur pals, migrating to the dinosaur's breeding grounds. Along the way, our hero finally meets an eligible female, who at first refers to him as a "Jerkasaurus." The rest of the storyline follows a formula so cast in stone that it could have been written by a computer. Maybe it was.
The movie's press kit proudly brags about what a technical tour de force it is. And rightly so. There were 70,000 lines of software code written by the "Dinosaur software group," it tells us. Since software designers use the word "dinosaur" as a derogatory term, the irony of this claim has a delicious charm to it. Although one can argue whether knowing the amount of code means anything, it did bring to mind the technical genius that went into the production of DINOSAUR. Even if the film has shortcomings, its visuals are nothing short of incredible.
DINOSAUR runs 1:24. It is rated PG for intense images and would be fine for kids around 8 and up. Parents with kids who frighten easily should carefully consider whether their children are ready for this picture.
My son Jeffrey, age 11, loved the movie, giving it a full ****. He particularly liked the computer generated animation. His favorite characters were Aladar and his lemur friends. He said that he enjoyed it when the movie scared him a little bit.
Email<EMAIL_ADDRESS>Web: http://www.InternetReviews.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- layout : default title : Homepage of Md Abdul Aowal permalink : / ---
Currently, I'm an M.Sc. student of Bangladesh University of Engineering and Technology (BUET). My research interests are in the areas of
More importantly, I am interested in applying statistical methods and techniques to solve problems related to pattern classification. In addition, I am very motivated to implement machine learning—mainly deep learning—algorithms in different pattern recognition problems and keen on theoretical aspects of deep learning.
Previously, I completed my undergraduate in Electrical and Electronic Engineering (EEE) from BUET, where I worked with Prof. S. M. Mahbubur Rahman (google scolar). Before that, I completed H.S.C. from Notre Dame College. Please have a look at my research page for my current and previous projects and publications.


--- title: "[Understanding Analysis by Stephen Abbott] - [Chapter 1 The Real Numbers] - [1.3 The Axiom of Completeness]" published: true tags: RealAnalysis ---
Axiom of Completeness. Every nonempty set of real numbers that is bounded above has a least upper bound
Definition 1.3.1A set \(A \subseteq B\) is bounded above if there exists a number \(b \in R\) such that \(a < b\) for all \(a \in A\). The number \(b\) is called an upper bound for \(A\).
Similarly, the set \(A\) is bounded below if there exists a lower bound \(l in R\) satisfying \(l < a\) for every \(a \in A\)
Definition 1.3.2 A real number \(s\) is the least upper bound for a set \(A \subseteq R\) if it meets the following two criteria
The least upper bound is also frequently called the supremum of the set \(A\). Although the notation \(s = lub A\) is sometimes used, we will always write \(s = sup A\) for the least upper bound.
The greatest lower bound or infimum for \(A\) is defined in a similar way and is denoted by \(inf A\)
Definition 1.3.4 A real number \(a_0\) is a maximum of set \(A\) if \(a_0\) is an element of A and \(a_0 \geqslant a\) for all \(a \in A\). Similarly, a number \(a_1\) is a minimum of \(A\) if \(a_1 \in A\) and \(a_1 \leqslant a\) for every \(a \in A\)
Let's turn our attention back to the Axiom of Completeness. Although we can see now that not every nonempty bounded set contains a maximum, the Axiom of Completeness asserts that every such set does have a least upper bound. An axiom in mathematics is an accepted assumption, to be used without proof. Preferably, an axiom should be an elementary statement about the system in question that is so fundamental that it seems to need to no justification.
Lemma 1.3.8 Assume \(s \in R\) is an upper bound for a set \(A \subseteq R\). Then, \(s = sup A\) if and only if, for every choice of \(\epsilon > 0\), there exists an element \(a \in A\) satisfying \(s - \epsilon < a\).


Our APIs are superfast in returning output for your applications even with complex and larger datasets.
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts.
We've dedicated 24/7 support to help you in your technology needs and resolve your queries specific to application.
Security of your data and credentials is our utmost priority. You can be confident about using our API and sharing data.
Our API are user-friendly and easy to use with easily plug-n-play features.
Data transfer via our applications are very fast with minimum lag time.
We providr 24/7 support to help you with your queries and using our features smoothly.
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts.
We support multiple domains and we've customised APIs specific to different domains.
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts.
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.


Hi! I'm TASMIM AZAD
Entrepreneur
Designer
Photographer
Artist
Business Personality
Illustrator
Student
About Me
Artist, Thinker, Creative Doer
Hello! This is Tasmim Azad
I'm a Bangladeshi Designer, Artist, Entrepreneur, & Online Business Holder of SG'Z Collections creating awesome & effective visual identities for companies. Let's start scrolling to know more about me
- Full NameTASMIM AZAD SHUSME
- Date of BirthSeptember 28
- AddressGreen Road
- CityDhaka 1207
- ResidenceBangladesh
-<EMAIL_ADDRESS>- Phone+880 1--- ------
- Facebooktasmim.azad.shusme.1
- FreelanceAvailable
Interests
Design
Photography
Dance
Music
Clients
Testimonials
"---"
"---"
"---"
Fun Facts
Service Delivered
9Working Hours
3,756Awards Won
2Coffee Consumed
500+Resume
Information About Me
Education
2019 - PRESENT
UNIVERSITY OF ASIA PACIFIC
Bachelor of Business Administartion
DEPARTMENT OF BUSINESS ADMINISTARTION
2017 - 2019
IDEAL COLLEGE, DHANMONDI
Higher Secondary School Certificate
Business Studies
2009 - 2017
LAKE CIRCUS GIRL'S HIGH SCHOOL
Primary & Secondary School Certificate
Business Studies
Work
2020 - PRESENT
SG'Z Collections
Founder
2019 - PRESENT
Life Serve Bangladesh
Young Leader
2017 - 2019
Bangladesh Scounts
Member
Professional Skills
Communication
Management
Creativity
Teamwork
Technical Skills
Word/Excel/Powerpoint
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Designing Skills
Photo
Graphics
Paint
Portfolio
My Best Works
Contact
Get in Touch
Get in Touch
Although I'm not currently looking for any new opportunities, my inbox is always open. Whether you have a question or just want to say hi, I'll try my best to get back to you!
Dhaka, Bangladesh
+880 1--- -----
Freelance Available
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|
INT n/INTO/INT 3: Call to Interrupt Procedure (x86 Instruction Set Reference)
The INT n instruction is the general mnemonic for executing a software-generated call to an interrupt handler. The INTO instruction is a special mnemonic for calling overflow exception (#OF), interrupt vector number 4. The overflow interrupt checks the OF flag in the EFLAGS register and calls the overflow interrupt handler if the OF flag is set to 1.
The INT 3 instruction generates a special one byte opcode (CC) that is intended for calling the debug exception handler. (This one byte form is valuable because it can be used to replace the first byte of any instruction with a breakpoint, including other one byte instructions, without over-writing other code). To further support its function as a debug breakpoint, the interrupt generated with the CC opcode also differs from the regular software interrupts as follows: - Interrupt redirection does not happen when in VME mode; the interrupt is handled by a protected-mode handler.
The virtual-8086 mode IOPL checks do not occur. The interrupt is taken without faulting at any IOPL level.
Note that the "normal" 2-byte opcode for INT 3 (CD03) does not have these special features.
Intel and Microsoft assemblers will not generate the CD03 opcode from any mnemonic, but this opcode can be created by direct numeric code definition or by self-modifying code.
The action of the INT n instruction (including the INTO and INT 3 instructions) is similar to that of a far call made with the CALL instruction. The primary difference is that with the INT n instruction, the EFLAGS register is pushed onto the stack before the return address. (The return address is a far address consisting of the current values of the CS and EIP registers.) Returns from interrupt procedures are handled with the IRET instruction, which pops the EFLAGS information and return address from the stack.
The interrupt vector number specifies an interrupt descriptor in the interrupt descriptor table (IDT); that is, it provides index into the IDT. The selected interrupt descriptor in turn contains a pointer to an interrupt or exception handler procedure. In protected mode, the IDT contains an array of 8-byte descriptors, each of which is an interrupt gate, trap gate, or task gate. In realaddress mode, the IDT is an array of 4-byte far pointers (2-byte code segment selector and a 2-byte instruction pointer), each of which point directly to a procedure in the selected segment.
(Note that in real-address mode, the IDT is called the interrupt vector table, and its pointers are called interrupt vectors.)
The following decision table indicates which action in the lower portion of the table is taken given the conditions in the upper portion of the table. Each Y in the lower section of the decision table represents a procedure defined in the "Operation" section for this instruction (except #GP).
Decision Table
| PE | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 |
| VM | Don't care | Don't care | Don't care | Don't care | Don't care | 0 | 1 | 1 |
| IOPL | Don't care | Don't care | Don't care | Don't care | Don't care | Don't care | <3 | =3 |
| DPL/CPL RELATIONSHIP | Don't care | DPL < CPL | Don't care | DPL > CPL | DPL = CPL or C | DPL < CPL & NC | Don't care | Don't care |
| INTERRUPT TYPE | Don't care | S/W | Don't care | Don't care | Don't care | Don't care | Don't care | Don't care |
| GATE TYPE | Don't care | Don't care | Task Trap or Interrupt | Trap or Interrupt | Trap or Interrupt | Trap or Interrupt | Trap or Interrupt |
| REAL-ADDRESS-MODE | Action taken | No action | No action | No action | No action | No action | No action | No action |
| PROTECTED-MODE | No action | Action taken | Action taken | Action taken | Action taken | Action taken | Action taken | Action taken |
| TRAP-OR-INTERRUPT-GATE | No action | No action | No action | Action taken | Action taken | Action taken | Action taken | Action taken |
| INTER-PRIVILEGE-LEVEL-INTERRUPT | No action | No action | No action | No action | No action | Action taken | No action | No action |
| INTRA-PRIVILEGE-LEVEL-INTERRUPT | No action | No action | No action | No action | Action taken | No action | No action | No action |
| INTERRUPT-FROM-VIRTUAL-8086-MODE | No action | No action | No action | No action | No action | No action | No action | Action taken |
| TASK-GATE | No action | No action | Action taken | No action | No action | No action | No action | No action |
| #GP | No action | Action taken | No action | Action taken | No action | No action | Action taken | No action |
When the processor is executing in virtual-8086 mode, the IOPL determines the action of the INT n instruction. If the IOPL is less than 3, the processor generates a general protection exception (#GP); if the IOPL is 3, the processor executes a protected mode interrupt to privilege level 0. The interrupt gate's DPL must be set to 3 and the target CPL of the interrupt handler procedure must be 0 to execute the protected mode interrupt to privilege level 0.
The interrupt descriptor table register (IDTR) specifies the base linear address and limit of the IDT. The initial base address value of the IDTR after the processor is powered up or reset is 0.
|


THREE COLORS: RED A film review by Scott Renshaw Copyright 1994 Scott Renshaw
Starring: Irene Jacob, Jean-Louis Trintingnant, Jean-Pierre Lorit. Screenplay: Krzysztof Kieslowski and Krzysztof Piesiewicz. Director: Krzysztof Kieslowski.
Welcome to that annual year-end tradition, "Guess Which Foreign Language Film Gets Jobbed By the Motion Picture Academy Rules." Every year the Academy claims it's trying to make the qualification requirements more fair; every year, it seems they come up with more restrictions than the Book of Leviticus. Politics and arbitrary interpretations continue to rob the category of worthy nominees, and this year will be no exception: RED, the third installment in Krzysztof Kieslowski's extraordinary THREE COLORS trilogy, has been rejected as an entry from Switzerland. The Academy should rectify that slight immediately and nominate it as one of the best films of the year in any language, a beautiful, resonant work that is the best of three very good films.
RED stars Irene Jacob as Valentine, a young student and model living in Geneva. Her life takes an odd turn one day when she hits a dog with her car, and attempts to return it to its owner. But the owner, Joseph Kern (Jean-Louis Trintingnant), appears less than concerned about the dog, or much of anything for that matter. A bitter retired judge, Joseph spends his days alone in his home listening in on his neighbors' cellular telephone conversations. At first Valentine is disgusted by Joseph, but eventually the two develop a curious friendship as Valentine learns about the tragedies of Joseph's life.
As with the previous two installments in Kieslowski's trilogy, RED represents one of the three principles behind the French tricolor. Red is for fraternity, but as was also true of BLUE and WHITE, the treatment of that theme is far from the obvious. While on one level RED is about the friendship between Valentine and Joseph, it is also about the way all lives interconnect, about a fraternity of all humanity. A parallel storyline involves a young lawyer named Auguste (Jean-Pierre Lorit) who is preparing to become a judge, and his relationship with his girlfriend (Federique Feder). Gradually it becomes clear that this story is meant to mirror events in Joseph's life decades earlier, and it appears that they will be equally tragic. However, Kieslowski and his co-screenwriter Krzystof Piesiewicz use these two stories to show how redemption operates in its own time, and how chance occurrences connect lives in ways which can't possibly be expected.
This brings up the question of whether it is necessary to have seen BLUE and WHITE to fully appreciate RED. I feel irresponsible discouraging seeing this film in even the slightest manner, because it has so much to offer on its own merits. The production design is stunning, and Zbigniew Preisner's score again provides amazing depth. Irene Jacob, who starred in Kieslowski's THE DOUBLE LIFE OF VERONIQUE, gives an incredibly sensitive performance as Valentine, who finds herself on an unexpected journey of moral discovery. She is matched by Jean-Louis Trintingnant's Joseph, and their scenes together are something truly special.
That said, I truly believe that there are layers of RED which are best understood when viewed through the lens of the complete trilogy. For example, both BLUE and WHITE feature a scene where an elderly person struggles to place a bottle in a recycling bin. The scene appears in RED as well, but in this case Valentine recognizes the struggle and helps the old woman. And in RED's emotional climax, the lead characters from all three films appear, and an understanding of what those other characters have been through to end up together makes the scene infinitely more potent. That is what makes RED so special: it has a scope and a heart which, when combined with BLUE and WHITE, is truly breathtaking. This is the work of a filmmaker at the height of his creative powers, which makes Kieslowski's announcement that he is retiring a genuine tragedy. RED stands independently as a great film; the three colors together create a miraculous tapestry, one of the great film experiences of the decade.
On the Renshaw scale of 0 to 10 couleurs: 10.
-- Scott Renshaw Stanford University Office of the General Counsel
.
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Denomander is a solution for Deno command-line interfaces. It is inspired from commander.js by tj which is the node's version.
import Denomander from "https://deno.land/x/denomander/mod.ts";
At first initialize the app and optionally you may pass the name, description and version of the app. If not you can change them afterwards by setting the app_name, app_description and app_version variables.
const program = new Denomander(
{
app_name: "My MY App",
app_description: "My MY Description",
app_version: "1.0.1"
}
);
There are three option types: commands, options and required options.
To set an option just call the option() method passing a) the sort and the long flag seperated by space and b) the description. The value can be accessed as properties.
program
.option("-a --address", "Define the address")
.option("-p --port", "Define the port")
.parse(Deno.args);
if(program.address){
const port = program.port || "8000";
console.log(`Server is running on ${program.address}:${port}`);
}
You may define the option's short and long flags by seperating them with either with a) space, b) comma, or c) | (vertical bar or "pipe")
program
.option("-a, --address", "Define the address")
.option("-p | --port", "Define the port")
.parse(Deno.args);
console.log(`Server is running on ${program.address}:${program.port}`);
The implementation of required option is exactly same as the optional option but you have to call the requiredOption() method instead.
program
.option("-a --address", "Define the address")
.requiredOption("-p --port", "Define the port")
.parse(Deno.args);
// The port is required so it must have a value
let address = program.address || "localhost";
console.log(`Server run on ${address}:${program.port}`);
You have the option to pass more than one short flags.
program
.option("-i --interactive ", "Keep STDIN open even if not attached")
.option("-t --tty", "Allocate a pseudo-TTY")
.parse(Deno.args);
if(program.interactive){
console.log('Interactive Mode');
}
if(program.tty){
console.log('Pseudo-TTY');
}
// deno run example.ts -it
// The previous command passes true in both if statements therfore it prints out both console.log commands
There are two ways to implement the command options. The first is to use an action handler by calling the action() method immediately after the command definition passing the callback function and the second is with custom one-line implementation.
program
.command("clone [foldername]")
.description("clone a repo")
.action((foldername) => {
console.log("The repo is cloned into: " + foldername);
});
program.parse(Deno.args);
program.command("serve", "Start the server");
if(program.serve){
console.log("The server has started...");
}
program.parse(Deno.args);
In order to change the default commands (help, version) just call the corresponding method. In case of help pass the command and the description but in case of version you may also pass the actual version of the app and after that the command and the description.
program.setVersion(
"1.8.1",
"-x --xversion",
"Display the version of the app"
);
program.setHelp(
"-c --customhelp",
"Custom print help"
);
program.parse(args);
To customize the commands call on() method passing the command and the callback function.
Must be before parse()
program.on("--help", () => {
console.log("New Help Screen");
console.log("--- --- ---");
console.log("-p --port Define port");
});
program.on("--version", () => {
console.log("New version are coming next week");
console.log("v1.5.6");
});
// Last command
program.parse(args);
Apostolos Siokas – @siokas_ –<EMAIL_ADDRESS>Create your feature branch (git checkout -b feature/fooBar
)
Commit your changes (git commit -am 'Add some fooBar'
)
Push to the branch (git push origin feature/fooBar
)
Create a new Pull Request
Distributed under the MIT License.
Generated using TypeDoc


--- layout: page title: CV description: This is what I do. #background: '/img/bg-about.jpg' ---
For a pdf version of my CV, please click here.
{% include cv/experience.html %} {% include cv/education.html %} {% include cv/skills.html %} {% include cv/language.html %}


02Ody02, as far as we've been able to tell on this forum via reading a lot of Honda's TSB's, you're on-the-money.
As far as we could tell (it was a group effort), any 2004 Odyssey with VIN 5FNRL18xx4B051621 and higher have all of the updates, and don't have that external oil jet (nor require it).
That's all that our sleuthing could figure out.
See this link: Oil Jet Recall. All 2002-2003 Odys are affected, and all 2004 Odys from the first one of that model year (VIN 5FNRL18..4B000001) up to VIN 5FNRL18..4B051620 are included.
In short, your 2002 should have had this done already. You can tell by checking the ATF fill plug on top of the A/T. If it is still there, this 2nd gear oil jet recall has not been performed!
This just made me think. That last 2004 VIN must certainly be the last of the standard BYBA Gen 2 5-speed trannies, i.e., A/T's with possible 3rd gear problems. Honda was called to task by the NHTSA in November 2003 to perform engineering changes, and somebody mentioned a while ago that this not only included fixing the major sources of restricted ATF flow to the third clutch pack, but also making changes to allow for adequate ATF flow to the 2nd gearset. That means any 2004 Odyssey with VIN 5FNRL18..4B051621 and beyond has a "good" A/T. I'm guessing that these later 2004 Odysseys will have an ATF fill plug on top of the A/T, since there is no need for the 2nd gear oil jet kit on those later 2004 vans.
Well, you are securing a threaded bolt into an aluminum bore...a good torque wrench is the way to go. I've only purchased one "bargain" wrench, and on that note, never again. I was actually installing a spark plug, and said to myself, "Self, this feels like too much torque..." The wrench was horribly out of standards.
For me, when it comes to a critical measuring device like a torque wrench, now it has to be a trusted brand name.
Craftsman, ATD, S-K, Snap-On, Matco, Utica-Bonney, MAC, Proto (purchased by Stanley), CDI and so on. Tool makers with a long history of producing good tools. They cost more. They are worth it.
$140 - Stanley Proto J6006C 3/8-Inch Drive Ratcheting Head Micrometer Torque Wrench, 16-80-Feet Pound
I didn't want to make this so much a torque wrench discussion, but it is relevant to changing ATF. Once that drain bolt is out and you're ready to refill ATF, you have to re-install it to a proper torque value. That allows it to stay put in leak-free fashion without wrecking the transmission case. For me, torquing to just about 33 ft-lbs. with a brand new crush washer has proved to be fine; the drain bolt always stays put and does not leak between servicing events. I know it's less than 36 ft-lbs., but it has worked. Again, I am using a new crush washer every time. I don't have any experience of slightly under-torquing the drain bolt with a used crush washer.
Recommended Maintenance Schedule online schedule
Should I get these recommendations done? odyclub thread
Transmission oil replacement question odyclub thread
Good post here
Use Honda DW-1 or Valvoline MaxLife Dex/Merc or another compatible synthetic atf. Do NOT use any Honda Z-1 atf (what Honda specified for your yr Ody) even if someone gives it to you.
I bought a long stemmed black plastic funnel at WalMart (I think Home Depot has the same one even cheaper) for around $2 and it fit tightly 'over' the dip stick tube.
PS: If your atf is pretty dark on the dipstick, I would recommend at least two drain and fills with driving in between. If you don't know the last time it was changed and suspect it may have Honda Z-1 atf in it, then I would strongly recommend that you do 4 drain and fills.
Let me add this to WATT-MAN's post: If they had found a signs of an overheated gear, you would have a received a new transmission that has redesigned ATF routing within the valve body. I will also say that, if a failure occurs since late 04, and you take your ODY to a Honda dealer, they are supposed to give you this re-designed transmission (i.e. not the 2002 to early 2004 transmission with the external “oil jet”. This is the reason why I (me personally) would never have anyone else replace the tranny after it fails. When I get a re-built, I want it to be the one with the re-designed valve body.
That being said, there have been members here who have had failures of this transmission and have often had codes that indicate hydraulic pressure problems and/or shift solenoid problems.
So, let me stand out on a limb here and connect the dots…..these problems are again due to clogged feed tubes or other wise restricted ATF flow through these same screens.
Again….what should you do? I offer the same recommendations as above.
I think it's just a lack of cooling on a "potentially undersized" clutch pack...not a valve.
With regard to the second, I'd say that the best way to the get longevity out of the old girl is to do the following:
2003 Honda Odyssey EX w/165K (Miles):, Long Tru-Cool 22,000 GVW ATF Cooler (P/N 4544), Magnefine ATF filter, with Amsoil 5W-20 Synthetic motor oil & Ea15K13 filter, Repairs. Honda 4/5 Speed Torque Converter Failures, Sonnax Tech Sheet PDF
Note
Tru-Cool LPD Transmission Oil Coolers. Tru-Cool LPD4544 22,000GVW Product page
Also this post
I changed out the Honda ATF-Z1 for Valvoline MaxLife Dex/Merc and Lubegard Red. That 4th gear clutch slip vanished, shifts were firmer (a better clutch friction FM in the MaxLife), and I ended up with less wear material caught on the drain plug magnet with each subsequent ATF change.
I used Valvoline MaxLife for 40,000+ miles, and it had a great price. Inexplicably, Wal-Mart stopped carrying it one day. herrhaus helped me out with an AmSOil Universal ATF purchase, and I started using that, and have been using it for years, now.
Is it still pretty split between AmSOil, Valvoline MaxLife Dex/Merc, Mobil 1, and Red Line ATF D4 or is one really preferred & why? Years ago I wanted to do Mobil 1
Preferred oil - 5W-20 Oil change every 7,500 mi Oil Filter change every 15,000 mi
Engine Air Cleaner - every 30,000 mi Cabin dust and pollen filter - every 30,000 mi
Replace automatic transmission fluid - First - 45,000 mi or 3year Replace automatic transmission fluid - Subsequent - 30,000 mi or 2year
Replace spark plugs - every 105,000 mi
Inspect valve clearance - every 105,000 mi
Replace timing belt - every 105,000 mi Inspect water pump - every 105,000 mi
Replace engine coolant - first - 120,000 mi or 8 years Replace engine coolant - subsequent - 60,000 mi or 5 years
No Honda recommendation When dirty Pick a mileage?
Replace Brake Fluid - every 3 years Pick a mileage?


Xiaomi Redmi Note 8 Pro review: Excellence beyond glamour and glitz
With versatile imaging and unmatched gaming experience, the Redmi Note 8 Pro, with a price tag of Rs 14,999, has all the makings of all-round smartphone
by Khalid AnzarChinese electronics manufacturer maker recently launched the Redmi Note 8 Pro, a midrange smartphone, in India. This device marks several firsts for the company — a 64-megapixel sensor-based quad-camera set-up on the back, HDR display, built-in Alexa and a gaming-centric MediaTek Helio G90T mobile processor. From versatile imaging to unmatched gaming experience, the Redmi Note 8 Pro has all the makings of an all-round smartphone. But is it really one? Let’s find out:
Design
Quite different in looks from its predecessors, the Redmi Note 8 Pro has a new design theme inspired by Xiaomi’s Android One platform-based Mi A3 smartphone. The phone has a glass build with Gorilla Glass 5 protection on the front and back, and a polycarbonate chassis painted in the same colour (we reviewed a gamma-green unit) as the phone. The glass on the back is curved on the sides and has a subtle reflective gradient design that looks premium.
While the phone’s overall build seems solid and the design looks premium, there are some areas that could have been better — the rear-camera module, for instance. The camera module juts out of the body, making the phone unstable on flat surfaces. It also makes the cameras prone to damage as the module will always be the first to hit the surface in case of accidental falls. Besides, the capacitive fingerprint sensor, integrated in the module, is a little inconvenient to use.
Display
The Redmi Note 8 Pro has a 6.53-inch waterdrop-shaped notch screen of a fullHD+ resolution and a tall 19.5:9 aspect ratio. The screen has minimal bezels around it and the bottom chin also seems a bit thinner than what you see in other products in the same segment.
The screen is responsive and bright enough to be legible under direct sunlight. Despite being an LCD panel, the screen supports HDR and has a decent contrast and dynamic range. The phone’s Widevine L1 certification makes it compatible with high-definition video streaming from over-the-top platforms like Amazon Prime Videos and Netflix. Additionally, the HDR support makes the screen suitable not only for multimedia consumption but also compatible games — something that avid video watchers and gaming enthusiasts will appreciate.
Camera
The Redmi Note 8 Pro is Xiaomi’s first smartphone with a quad-camera set-up on the back. It is also the company’s first to boast a 64-megapixel primary sensor on the back. Besides, the phone’s rear camera set-up also has an 8MP ultra-wide sensor of an f/2.2 aperture and a 120-degree field of view (FoV); a 2MP macro lens; and a 2MP depth sensor. On the front, the phone has a 20MP sensor of an f/2.0 aperture.
The Redmi Note 8 Pro seems to justify the claim of being an imaging performer. Its primary sensor is a capable unit that takes detailed shots with a reasonable dynamic range and minimal noise in most conditions. A 16MP resolution and the pixel-binning technology allow the sensor to capture over-saturated images and project in a vivid but unnatural way.
For natural colours, you can set the sensor to its native 64MP resolution that results in a detailed imaging with minimal post-processing.
The phone’s ultra-wide sensor takes satisfactory (but not exceptional) shots. These have noise, soft corners and a prominent barrel effect. The macro lens, on the other hand, is a great addition to the mix. One of the best macro lenses available in smartphones, it supports auto-focus and takes detailed close-ups with ample background blur. Interestingly, the macro lens can also be used to capture videos, which come out neat.
The phone’s selfie camera is a capable performer, too. While earlier Xiaomi phones added unnatural glamour to selfies through aggressive post-processing, the Redmi Note 8 Pro’s selfie camera finds the right balance, beyond glamour and glitz.
Though the Redmi Note 8 Pro camera stands out on most counts, it has some limitations. The rear camera supports the night mode but this is limited only to the primary sensor. The camera’s user interface is intuitive but not practical. It shows all available modes at one place, even if the camera does not support them. For example, when the front camera is activated, the UI should ideally show only the modes that the front camera can use. Instead, it shows all the modes and takes you to rear camera if you select one that is not for the front camera.
Performance
Powered by the MediaTek Helio G90T mobile processor, the Redmi Note 8 Pro is a power-packed performer that delivers on most counts. It handles everyday tasks with ease and shows no weakness in handling processor- or graphic-intensive apps. It does warm up a bit, but not so much as to cause any discomfort. The phone has an in-built support for Alexa which you will love if you are a user of Amazon ecosystem products. Alexa is as good as Google Assistant in any case.
Though the phone’s performance is top-notch, the user experience gets tempered by advertisements and app recommendations that keep randomly popping up in the phone’s MIUI 10 UI. There is a provision to stop seeing ads, but the process (how to remove ads) is lengthy and cumbersome.
Battery
The phone has a 4500 mAh battery, which is good enough to keep the phone going for a day on normal use. The device comes bundled with an 18W fast charger, which replenishes the battery from zero to full in around two hours.
 From a capable HDR display to impressive imaging and power-packed performance, the phone ticks all the right boxes and sets a new benchmark for midrange smartphones. The only irksome let-down, however, are advertisements and apps notifications. If you can find a way to live with them, the Redmi Note 8 Pro is an excellent choice in its segment for shutter bugs, multimedia enthusiasts and casual gamers.


That's right. Just talkin' 'bout Shaft. The remake. Er, the sequel that is -- in what might very well be the first and only time a sequel has been given the same title as the original. And believe me, that's just where the stupidity of Shaft begins.
Samuel L. Jackson is obvious casting for the role of John Shaft, the nephew of that other John Shaft (Richard Roundtree), the man who popularized New York's baddest cop in three films during the early 1970s. While John Shaft is certainly a piece of pop culture, it's also important to remember that the Shaft films were little more than classic examples of blaxploitation. And the Shaft of today does embarrassingly little to change his image.
It's a pity, because the update could have been a lot of fun -- a modern-day John Shaft as tragic hero in a corrupt and oppressive NYPD. Alas, no, the movie degenerates after 10 minutes of foot-tapping to Isaac Hayes' classic "Theme from Shaft," with the audience left merely to wonder: How long it will be until Roundtree makes his obligatory cameo? (Answer: about 30 minutes.)
The plot, what there is of one, is an utter throwaway. Involving a rich yuppie psycho (American Psycho's Christian Bale, now making a living playing rich yuppie psychos) who bludgeons a black man to death -- and the hush scheme to silence the only witness (Toni Collette) -- Shaft is so derivative as to be laughable, if only it didn't take itself so seriously.  Ultimately, the story serves simply to usher Shaft from fight to gun battle to car chase, over and over and over again. If it wasn't called Shaft, no one would see this film.
I tell you what. Let Spike Lee direct Shaft instead of blood-happy John Singleton. Hell, let Spike Lee direct and star! Now that'd be a movie. But what am I saying?

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Proposal for a formal (commercial) co-operative
So you’re an independent Ruby developer with all the benefits you can think of.
With a lot of freedom. You work from home, you choose your own assignments, no adjustment to a corporate culture, no managers to deal with etc.
But what about the downsides? No feedback on your work (from which you can learn), not a lot of interaction with other programmers, not easy to consult a colleague on technical or other matters and sometimes the workload is too much or too little.
So that leads me to the question: is there a form of working together without losing the valued benefits of an independent developer. Somehow it must be possible to work together on a commercial basis as individual developers more or less the same way we contribute to an Open Source project.
Living in a community (on an island) where we have a lot of benefit of existing co-operatives (for transport by ferry and the delivery of energy), I of course thought of a formal co-operative as an organization form for working as an collective.
Benefits:
- Acquisition as a collective.
- More flexible in workload. No more running or standing still. A more even distribution of the workload.
- Higher occupation on average.
- Share knowledge and practical experience.
- Learn by working together on the same project.
- More change to do what you do best (specialties).
- More change to make some money as a part time ruby developer.
The co-op will also offer the customer more continuity. A customer will value the lower dependence on a single developer or a small company.
Release early, release often:
With this proposal I like to research the possibility of working together in a formal co-operative. Of course I don’t have all the answers (yet), but I’m hoping that we can together answer a lot of them.
Let me know what you think. I made a first draft of a proposal on Github with the following subjects:
- Definitions
- Objectives
- Rights
- Responsibilities
- Obligations
- Financials
- Board
- Workflow
- Examples
I like to invite you to join this discussion and make your contribution by forking and submitting your patches!


When I speak about Imposter Syndrome, I always encourage my audience to assemble their Hype Squads, to develop that support system for themselves. Beyond that, I'm here now to tell you that you need to make sure your Hype Squad is diverse. You need different types of people, and different types of relationships, in order to experience the full benefits of having a Hype Squad.
Here's an example: my mom is my biggest fan, bar none. She is always the first to let me know how talented she thinks I am, and how wonderful a job I did on a presentation (or a blog post...hi, Mom!). It's very sweet. But when I'm trying to fight off Imposter Syndrome, encouragement from my mom doesn't usually do the trick. She's completely biased, and wired to think I'm great even if my output is objectively mediocre.
So, perhaps I'll turn to some old friends, and they'll tell me that they think I'm amazing at my job. And then I remember that none of them have worked in my industry, or know what kinds of lifelong hackers I'm comparing myself to.
Now, what?!
The Collaborator is a peer - a friend, teammate, or colleague - who is always ready to remind you that you're capable and qualified. Ideally, this person works within your field, and knows what it looks like - or can look like - to be successful. You have similar or comparable goals, and are able to compare notes when either of you overcomes a challenge. When you struggle, this person "gets it" with little to no explanation needed. You support each other through difficulties and celebrate one another's accomplishments.
As a member of your Hype Squad, having seen you conquer countless obstacles, this person helps you overcome Imposter Syndrome by reminding you of your resiliency and multitude of talents.
The Coach is a mentor who excels in an area in which you aspire. This person can guide you, offer advice, and help you to explore possible paths forward. They recognize your potential, and affirm that you have the tools you need to be successful. And in the case where you might be lacking, they can help you hone the skills you need in order to close the gaps.
As a member of your Hype Squad, having succeeded in areas that interest you, this person helps you overcome Imposter Syndrome by letting you know what's possible, and by reassuring you that you have what it takes to get to where they are.
Conversely, The Novice is someone who seeks mentorship from you. This person is walking a path on their journey that you have already traversed. Even if you don't think you have much experience yet, always remember: no matter where you are in your journey, there is always someone behind you, wanting to get where you're going. The Novice looks to you for advice, giving you opportunities to reflect on your accomplishments, missteps, and learnings. Do not underestimate the extent to which helping others can also help you. According to the Protégé Effect, an excellent way to solidify your own learning is to teach.
As a member of your Hype Squad, having inquired about your story and asked for your advice, this person helps you overcome Imposter Syndrome by providing you with opportunities to reflect on your accomplishments and the pieces you put into place to achieve them.
The BFF is, as you may have guessed, your Best Friend Forever. This person is a lifelong friend, who is always on your team.  The point is that they think the world of you and they are happy to celebrate every victory, big or small. While this person may not know all of the ins and outs of your field, they do know you.
As a member of your Hype Squad, this person helps you overcome Imposter Syndrome by cheering you on, no matter what!
As you build up your Hype Squad, make sure you're including The Collaborator, The Coach, and The Novice. Try to connect with someone at work who may be working on similar goals to your own. Seek out a mentor to guide you along your journey. And offer to mentor others…share your story with those who are trying to follow in your footsteps. But, perhaps most importantly, remember that all of these are two-way relationships.
Choose these relationships wisely, because you will be called upon to hype these people up as well!


The Shaman - The Settlers Online
(combat simulator for The Settlers Online - discuss this tool in the forum - last update: 2014-03-24 14:07)
Choose your troops
Select your available units and submit the form. Then the most efficient troops will be calculated for the selected adventure.
Optimised army proposals
All simulations for the adventure The Shaman were performed 2200 times.
(#filter) If you click this link, you get back to the unit filter. If you send the filter again, you jump back to the camp you came from automatically.
100 50 (#filter) 600
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 47R 1S 80C 72B | 44.23R | 47R | 100PL 50WL | 100PL 50WL | 69.325 | |
| 45R 50S 105C | 42.69R 0.02S | 45R 1S | 100PL 50WL | 100PL 50WL | 70.35 | |
| 45R 60S 95C | 42.86R | 45R 1S | 100PL 50WL | 100PL 50WL | 70.35 |
80 (#filter) 320
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 21R 177C 1S | 19.34R | 21R | 80PL | 80PL | 30.975 | |
| 21R 178C 1S | 19.24R | 21R | 80PL | 80PL | 30.975 | |
| 21R 176C 3S | 19.46R | 21R | 80PL | 80PL | 30.975 |
50 50 80 (#filter) 640
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 38R 162S | 38R 23.56S | 38R 27S | 50PL 50WH 80SW | 50PL 50WH 80SW | 163.375 | |
| 25R 175S | 25R 28.29S | 25R 32S | 50PL 50WH 80SW | 50PL 50WH 80SW | 164.075 | |
| 39R 161S | 39R 23.25S | 39R 27S | 50PL 50WH 80SW | 50PL 50WH 80SW | 164.85 |
80 100 (#filter) 620
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 34R 80S 86LB | 34R 38.01S | 34R 42S | 80PL 100SL | 80PL 100SL | 217.1 | |
| 40R 40S 120LB | 40R 35.25S | 40R 40S | 80PL 100SL | 80PL 100SL | 218 | |
| 40R 50S 110LB | 40R 35.17S | 40R 40S | 80PL 100SL | 80PL 100SL | 218 |
90 80 (#filter) 680
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 44R 8M 39S 109C | 41.06R 0.01M | 44R 2M | 90PL 80WL | 90PL 80WL | 70.2 | |
| 45R 50S 105C | 41.08R | 45R 1S | 90PL 80WL | 90PL 80WL | 70.35 | |
| 45R 45S 110C | 41.14R | 45R 1S | 90PL 80WL | 90PL 80WL | 70.35 |
80 80 (#filter) 560
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 37R 120C 40S | 34.58R | 37R | 80PL 80SW | 80PL 80SW | 54.575 | |
| 37R 1S 115C 47LB | 35.04R | 37R | 80PL 80SW | 80PL 80SW | 54.575 | |
| 37R 123C 40S | 34.27R | 37R | 80PL 80SW | 80PL 80SW | 54.575 |
100 80 1 (#filter) 920
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 73R 127S | 70.16R 0.02S | 73R 1S | 100PL 80WH 1ST | 100PL 80WH 1ST | 111.65 | |
| 76R 1M 123S | 70.54R | 76R | 100PL 80WH 1ST | 100PL 80WH 1ST | 112.1 | |
| 76R 124S | 70.55R | 76R | 100PL 80WH 1ST | 100PL 80WH 1ST | 112.1 |
100 80 (#filter) 720
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 66R 134S | 65.82R 0.42S | 66R 2S | 100PL 80WH | 100PL 80WH | 105.3 | |
| 68R 2M 130S | 67.06R 0.16M | 68R 2M | 100PL 80WH | 100PL 80WH | 105.6 | |
| 68R 2M 130S | 67.02R 0.16M | 68R 2M | 100PL 80WH | 100PL 80WH | 105.6 |
100 80 (#filter) 720
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 84R 116S | 75.99R | 84R | 100WH 80WL | 100WH 80WL | 123.9 | |
| 84R 116S | 75.99R | 84R | 100WH 80WL | 100WH 80WL | 123.9 | |
| 84R 113S | 76.57R | 84R | 100WH 80WL | 100WH 80WL | 123.9 |
100 40 50 (#filter) 710
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 1: 40C 2: 50R 100C 50S | 40C 1G 42.33R | 40C 1G 47R | 1PL 40WH 99PL 50SW | 1PL 40WH 99PL 50SW | 191.325 | |
| 55R 145S | 55R 23.49S | 55R 28S | 100PL 40WH 50SW | 100PL 40WH 50SW | 192.425 | |
| 50R 150S | 50R 25.44S | 50R 30S | 100PL 40WH 50SW | 100PL 40WH 50SW | 193 |
160 (#filter) 480
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 62S 138LB | 51.03S | 56S | 160SL | 160SL | 222.6 | |
| 57S 143LB | 50.56S | 56S | 160SL | 160SL | 222.6 | |
| 62S 138LB | 51.02S | 56S | 160SL | 160SL | 222.6 |
80 100 1 (#filter) 820
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 36S 124C 40LB | 28.54S | 34S | 80PL 100WL 1EB | 80PL 100WL 1EB | 135.15 | |
| 124C 36S 40LB | 28.55S | 35S | 80PL 100WL 1EB | 80PL 100WL 1EB | 139.125 | |
| 50S 120C 30LB | 29.06S | 36S | 80PL 100WL 1EB | 80PL 100WL 1EB | 143.1 |
60 80 60 (#filter) 1140
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 157R 43S | 155.1R | 157R | 60KU 80SS 60DP | 60KU 80SS 60DP | 231.575 | |
| 155R 45S | 154.75R 0.03S | 155R 1S | 60KU 80SS 60DP | 60KU 80SS 60DP | 232.6 | |
| 155R 45S | 154.76R 0.02S | 155R 1S | 60KU 80SS 60DP | 60KU 80SS 60DP | 232.6 |
80 80 (#filter) 720
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 91R 2S 107C | 84.38R | 91R | 80KU 80FA | 80KU 80FA | 134.225 | |
| 92R 108C | 84.47R | 92R | 80KU 80FA | 80KU 80FA | 135.7 | |
| 90R 1S 109C | 83.75R | 90R 1S | 80KU 80FA | 80KU 80FA | 136.725 |
80 60 50 (#filter) 1300
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 150R 50S | 144.35R | 147R | 80KU 60SS 50FT | 80KU 60SS 50FT | 216.825 | |
| 147R 50S | 144.46R | 147R | 80KU 60SS 50FT | 80KU 60SS 50FT | 216.825 | |
| 170R 30S | 144.88R | 147R | 80KU 60SS 50FT | 80KU 60SS 50FT | 216.825 |
40 80 80 (#filter) 2960
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 1: 143R 2: 30C 170LB | 143R 1G | 143R 1G | 40SS 73FT 7FT 80TD | 40SS 80FT 5TD 7FT 80TD | 210.925 | |
| 1: 144R 2: 32C 168LB | 144R 1G | 144R 1G | 40SS 75FT 5FT 80TD | 40SS 80FT 5TD 5FT 80TD | 212.4 | |
| 1: 142R 2: 31C 169LB | 142R 1G 0.01C | 142R 1G 1C | 40SS 72FT 8FT 80TD | 40SS 80FT 5TD 8FT 80TD | 212.5 |
100 1 1 (#filter) 550
| Units | avg. | max. | min. | max. | max. Value | |
|---|---|---|---|---|---|---|
| 200S | 68.91S | 78S | 100KU 1SH 1MS | 100KU 1SH 1MS | 310.05 | |
| 200S | 69.25S | 78S | 100KU 1SH 1MS | 100KU 1SH 1MS | 310.05 | |
| 50M 150S | 50M 41.51S | 50M 56S | 100KU 1SH 1MS | 100KU 1SH 1MS | 355.1 |
Needed units and maximum losses
The number of units listet below refer always to the first entry of the table of each bandit camp! If you leave out camps, the number of needed units and the losses are lower!
Units needed
1029 8 362 177 72 170Maximum losses (2599 Coins)
1029 2 240 40Any warranty is excluded.


| Package | Description |
|---|---|
| com.compomics.util.experiment.identification |
Experiment classes related to identifications.
|
| com.compomics.util.experiment.identification.matches |
Experiment classes related to matches.
|
| com.compomics.util.experiment.identification.spectrum_annotation |
Classes used for ms2 spectrum annotation.
|
| com.compomics.util.experiment.identification.spectrum_annotation.spectrum_annotators |
This package contains implementations of the SpectrumAnnotator allowing the annotation of all ions.
|
| com.compomics.util.experiment.massspectrometry |
Experiment classes related to spectra.
|
| com.compomics.util.experiment.massspectrometry.indexes |
Classes related to the indexing of spectra.
|
| Modifier and Type | Method and Description |
|---|---|
IonMatch |
SpectrumIdentificationAssumption.getPrecursorMatch(Peak precursorPeak)
Returns the ion match.
|
| Modifier and Type | Field and Description |
|---|---|
Peak |
IonMatch.peak
The matched peak.
|
| Constructor and Description |
|---|
IonMatch(Peak aPeak,
Ion anIon,
Integer charge)
Constructor for an ion peak.
|
| Modifier and Type | Method and Description |
|---|---|
protected Peak |
SpectrumAnnotator.getBestPeak(ArrayList<Peak> matchedPeaks,
IonMatch ionMatch)
Returns the peak to retain of the matched peaks according to the ties
resolution setting.
|
| Modifier and Type | Method and Description |
|---|---|
protected ArrayList<IonMatch> |
SpectrumAnnotator.matchPeak(SpecificAnnotationSettings specificAnnotationSettings,
Peak peak)
This method matches the potential fragment ions of a given peptide with a
given peak.
|
| Modifier and Type | Method and Description |
|---|---|
protected Peak |
SpectrumAnnotator.getBestPeak(ArrayList<Peak> matchedPeaks,
IonMatch ionMatch)
Returns the peak to retain of the matched peaks according to the ties
resolution setting.
|
| Modifier and Type | Method and Description |
|---|---|
ArrayList<IonMatch> |
PeptideSpectrumAnnotator.matchPeak(Peptide peptide,
SpecificAnnotationSettings specificAnnotationSettings,
Peak peak)
This method matches the potential fragment ions of a given peptide with a
given peak according to the annotation settings.
|
| Modifier and Type | Field and Description |
|---|---|
static Comparator<Peak> |
Peak.AscendingIntensityComparator
This comparator compares two Peak instances on ascending intensity.
|
static Comparator<Peak> |
Peak.AscendingMzComparator
This comparator compares two Peak instances on ascending m/z value.
|
static Comparator<Peak> |
Peak.DescendingIntensityComparator
This comparator compares two Peak instances on descending intensity.
|
protected HashMap<Double,ArrayList<Peak>> |
Spectrum.intensityPeakMap
Intensity indexed Peak map.
|
protected HashMap<Double,Peak> |
Spectrum.peakList
mz indexed Peak list.
|
| Modifier and Type | Method and Description |
|---|---|
HashMap<Double,Peak> |
Spectrum.getDesignaledPeakList(ArrayList<IonMatch> matches)
Returns the peak list of this spectrum without matched peaks.
|
HashMap<Double,ArrayList<Peak>> |
Spectrum.getIntensityMap()
Returns the peak list in a map where peaks are indexed by their
intensity.
|
Collection<Peak> |
Spectrum.getPeakList()
Returns the peak list.
|
HashMap<Double,Peak> |
Spectrum.getPeakMap()
Returns a peak map where peaks are indexed by their m/z.
|
HashMap<Double,Peak> |
Spectrum.getRecalibratedPeakList(HashMap<Double,Double> mzCorrections)
Returns a recalibrated peak list.
|
HashMap<Double,Peak> |
Spectrum.getSubSpectrum(double mzMin,
double mzMax)
Returns the part of the spectrum contained between mzMin (inclusive) and
mzMax (exclusive) as a peak list
|
| Modifier and Type | Method and Description |
|---|---|
void |
Spectrum.addPeak(Peak aPeak)
Adds a peak to the spectrum peak list.
|
int |
Peak.compareTo(Peak p)
Compare two peaks in regards to their intensity.
|
boolean |
Peak.isSameAs(Peak aPeak)
Returns true if the peak has the same mz and intensity.
|
| Modifier and Type | Method and Description |
|---|---|
void |
Spectrum.setPeakList(HashMap<Double,Peak> peakList)
Sets the peak list.
|
void |
Spectrum.setPeaks(ArrayList<Peak> peaks)
Set the peaks.
|
| Constructor and Description |
|---|
MS1Spectrum(String fileName,
String spectrumTitle,
double scanStartTime,
HashMap<Double,Peak> spectrum)
Constructor for an MS1 spectrum.
|
MSnSpectrum(int level,
Precursor precursor,
String spectrumTitle,
HashMap<Double,Peak> peakMap,
String fileName)
Constructor for the spectrum.
|
MSnSpectrum(int level,
Precursor precursor,
String spectrumTitle,
HashMap<Double,Peak> peakMap,
String fileName,
double scanStartTime)
Constructor for the spectrum.
|
SimpleNoiseDistribution(HashMap<Double,Peak> peakList)
Constructor.
|
| Modifier and Type | Method and Description |
|---|---|
ArrayList<Peak> |
SpectrumIndex.getMatchingPeaks(double mz)
Returns the peaks matching the given m/z.
|
HashMap<Double,Peak> |
SpectrumIndex.getPeaksInBin(Integer bin)
Returns the peaks at the given bin indexed by m/z.
|
| Constructor and Description |
|---|
SpectrumIndex(HashMap<Double,Peak> peaks,
double intenstiyLimit,
double tolerance,
boolean ppm)
Builds a new index.
|
Copyright © 2020. All rights reserved.


Phil Karlton (and many people after) said that one of the hardest problems in computer science is naming things. This is unfortunate for us because it means that building a design system is a hard problem before we even get to any of the underlying design and technology issues.
Custom hooks are like mixins: they’re a great way to share stateful and side-effectful functionality between components. Let’s investigate the catch by diving into an example, before building some intuition around when to use custom hooks — and when to use something else.
The other day I wanted to measure some DOM nodes. This is useful when you have to align items, or respond to browser width, or … lots of reasons okay. I had to align a curvy line with elements that aren’t under my control. This little stepper component uses flexbox to evenly space circles, CSS layouting aligns the title, and you see where this is going.
 Short and sweet. No spam.


Join this two day workshop that walks through how to implement cutting-edge snack-getting algorithms with a command line interface. Coding usually involves writing exact instructions, but sometimes you need your computer to execute flexible commands, like fetch Pringles
Bisection Vegetable Chopping
This week-long retreat will level-up your coding ninja skills to actual ninja skills. No longer is the humble bisection search limited to sorted arrays or coding interview questions, applying its concepts in the kitchen will have you chopping carrots in O(log n) time before you know it.


Use your source or an example repository to build an application image, or add components like databases and message queues.
Add to Project


Best Target Black Friday 2019 deals
by Sean PortnoyTarget's best tech deals for Black Friday 2019.
Target may not have the range of electronics deals for Black Friday like a Best Buy, or even competitor Walmart, but it has the clout of its brand and the ubiquity of its locations to sell a lot of the devices it does offer. Below are a half dozen of those specials on laptops, tablets, and smart home hubs that are highlights of Target's Black Friday ad.
- See it now: Target's Black Friday 2019 sale
Black Friday 2019: Best Target deals
Disclosure: ZDNet may earn a commission from some of the products featured on this page.
Apple iPad 10.2-inch tablet for $249.99 ($80 off)
- See it now: Target
It's been years since the Target Black Friday ad featured iPads on the cover, but it still has a deal on the latest model in this year's edition. The 10.2-inch version of the iPad (non-Pro, non-Mini version) is usually priced at $329, so this is an extremely rare discount of nearly 25 percent.
HP Chromebook 11-v010nr Laptop for $99.99 ($80 off)
- See it now: Target
This $100 Chromebook appears to be a popular Black Friday special, as Office Depot and OfficeMax are offering the same model for the same price. The 11-v010nr represents Google's original vision for Chrome OS laptops: basic computing via minimal specs (Intel Celeron processor, 4 gigs of RAM, 16GB of built-in storage, 11.6-inch display) at a very low price point.
Amazon Kindle Fire HD 7 for $29.99 ($50 to $100 off)
- See it now: Target
You've been able to find this deal everywhere on Black Friday for a few years now -- including on Amazon itself, of course -- but that doesn't mean it's not a good one, letting you snap up a tablet for the price of dinner. If you want something bigger and more powerful, Target is also slashing the price of the recently refreshed Kindle Fire HD 10 by $50 to $99.99 for Black Friday.
HP Pavilion 15.6-inch Gaming Laptop for $599.99 ($145 off)
- See it now: Target
Target jumps on the gaming laptop bandwagon with a midrange offering from HP that includes an Intel Core i5 CPU, 8GB of RAM, and a 256GB solid-state drive. The 15.6-inch display offers 1,920x1,080 full HD resolution gaming that the Nvidia GeForce GTX 1050 graphics card can output.
HP Omen 15.6-inch Gaming Laptop for $899.99
- See it now: Target
An even more powerful gaming notebook, the Omen is equipped with a six-core Intel Core i7-9750H processor, 8GB of RAM, a 512GB solid-state, and 32GB of Intel Optane memory to speed boot-up. Nvidia's GeForce GTX 1650 graphics card powers the Omen's gaming capabilities, which are on display via its 15.6-inch full HD screen.
Google Nest Hub for $79 ($50 off)
- See it now: Target
Known as the Home Hub when it launched last year, Google's smart home assistant features Voice Match to get calendar updates and reminders read to you as well as letting you place phone calls. It also doubles as a digital photo viewer through its integration with Google Photos and can interact with Nest-compatible cameras and lights to let you monitor your smart home setup.


PhD in Computer Science University of Sheffield Sheffield, UK2018 Thesis: Agent-based Pedestrian Simulation on GPUs for Decision Support Systems


This is an analog clock completely built using React. It is customizable by passing an options JSON Object to the component.
You can try the different customization options by using the form below. Once you are done, you can copy the JSON object generated for your clock !
View on Github


About
I'm a Senior UI Engineer who specializes in building great user experiences and data visualizations. Currently, I'm working in the Digital Platform Group at McGraw-Hill Education.
I create awesome web applications and love to teach others to code. Hire me to create, teach you to code, or speak at your next event.
Aside from hacking, I take pleasure in small things like: black coffee, new shoes, and my daughter's smile.


X
`Prev <../X.html>`__
X
`Next `__
--------------
**X**: /X/, n.
1. Used in various speech and writing contexts (also in lowercase) in
roughly its algebraic sense of ‘unknown within a set defined by context’
(compare `*N* <../N/N.html>`__). Thus, the abbreviation 680x0 stands for
68000, 68010, 68020, 68030, or 68040, and 80x86 stands for 80186, 80286,
80386, 80486, 80586 or 80686 (note that a Unix hacker might write these
as 680[0-6]0 and 80[1-6]86 or 680?0 and 80?86 respectively; see
`*glob* <../G/glob.html>`__).
2. [after the name of an earlier window system called ‘W’] An
over-sized, over-featured, over-engineered and incredibly
over-complicated window system developed at MIT and widely used on Unix
systems.
--------------
+-------------------------+----------------------------+-------------------------------+
| `Prev <../X.html>`__ | `Up <../X.html>`__ | `Next `__ |
+-------------------------+----------------------------+-------------------------------+
| X | `Home <../index.html>`__ | XEROX PARC |
+-------------------------+----------------------------+-------------------------------+


| list2 {rlang} | R Documentation |
list2(...)
is equivalent to list(...)
with a few additional
features, collectively called dynamic dots. While
list2()
hard-code these features, dots_list()
is a lower-level
version that offers more control.
list2(...) dots_list( ..., .named = FALSE, .ignore_empty = c("trailing", "none", "all"), .preserve_empty = FALSE, .homonyms = c("keep", "first", "last", "error"), .check_assign = FALSE )
... |
Arguments to collect in a list. These dots are dynamic. |
.named |
Whether to ensure all dots are named. Unnamed
elements are processed with |
.ignore_empty |
Whether to ignore empty arguments. Can be one
of |
.preserve_empty |
Whether to preserve the empty arguments that
were not ignored. If |
.homonyms |
How to treat arguments with the same name. The
default, |
.check_assign |
Whether to check for |
A list containing the ...
inputs.
# Let's create a function that takes a variable number of arguments: numeric <- function(...) { dots <- list2(...) num <- as.numeric(dots) set_names(num, names(dots)) } numeric(1, 2, 3) # The main difference with list(...) is that list2(...) enables # the `!!!` syntax to splice lists: x <- list(2, 3) numeric(1, !!! x, 4) # As well as unquoting of names: nm <- "yup!" numeric(!!nm := 1) # One useful application of splicing is to work around exact and # partial matching of arguments. Let's create a function taking # named arguments and dots: fn <- function(data, ...) { list2(...) } # You normally cannot pass an argument named `data` through the dots # as it will match `fn`'s `data` argument. The splicing syntax # provides a workaround: fn("wrong!", data = letters) # exact matching of `data` fn("wrong!", dat = letters) # partial matching of `data` fn(some_data, !!!list(data = letters)) # no matching # Empty arguments trigger an error by default: try(fn(, )) # You can choose to preserve empty arguments instead: list3 <- function(...) dots_list(..., .preserve_empty = TRUE) # Note how the last empty argument is still ignored because # `.ignore_empty` defaults to "trailing": list3(, ) # The list with preserved empty arguments is equivalent to: list(missing_arg()) # Arguments with duplicated names are kept by default: list2(a = 1, a = 2, b = 3, b = 4, 5, 6) # Use the `.homonyms` argument to keep only the first of these: dots_list(a = 1, a = 2, b = 3, b = 4, 5, 6, .homonyms = "first") # Or the last: dots_list(a = 1, a = 2, b = 3, b = 4, 5, 6, .homonyms = "last") # Or raise an informative error: try(dots_list(a = 1, a = 2, b = 3, b = 4, 5, 6, .homonyms = "error")) # dots_list() can be configured to warn when a `<-` call is # detected: my_list <- function(...) dots_list(..., .check_assign = TRUE) my_list(a <- 1) # There is no warning if the assignment is wrapped in braces. # This requires users to be explicit about their intent: my_list({ a <- 1 })


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Mikael Lustig pinpoints the Virgil van Dijk 'aura' that convinced Celtic team-mates he'd be a star
The Liverpool centre-back is only the second best player he's played with though.
by Gabriel McKayFormer Celtic defender Mikael Lustig says he knew right away that Virgil van Dijk would be a star, naming the Liverpool man as the second best player he's ever played with.
The Swedish right-back left Celtic Park in the summer after winning eight league titles, as well as four Scottish Cups and four League Cups.
During his time in Glasgow he played alongside the world's most expensive defender, and while Lustig named a former international team-mate as the best he's played with, he was never in any doubt Van Dijk would be a star.
He told Het Laatste Nieuws: "The best I've ever played with was Zlatan Ibrahimovic .
"He's so big and strong, but he's also got that agility that means he can still do things that usually only smaller players can do.
"But Virgil van Dijk is right behind him. He has everything a defender needs: he's big, strong in the air and also very quick.
"He gives off this aura of: 'no striker is going to get past me'.
"And in the last year at Liverpool no-one managed to.
"But you know, I also enjoyed playing with Dedryck Boyata. You always knew what you got from him and I felt very comfortable beside him."


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Tracd
Tracd is a lightweight standalone Trac web server. In most cases it's easier to setup and runs faster than the CGI script.
Pros
- Fewer dependencies: You don't need to install apache or any other web-server.
- Fast: Should be almost as fast as the mod_python version (and much faster than the CGI).
- Automatic reloading: For development, Tracd can be used in auto_reload mode, which will automatically restart the server whenever you make a change to the code (in Trac itself or in a plugin).
Cons
- Fewer features: Tracd implements a very simple web-server and is not as configurable or as scalable as Apache HTTPD.
- No native HTTPS support: sslwrap can be used instead, or stunnel -- a tutorial on how to use stunnel with tracd or Apache with mod_proxy.
Usage examples
A single project on port 8080. (http://localhost:8080/)
$ tracd -p 8080 /path/to/project
With more than one project. (http://localhost:8080/project1/ and http://localhost:8080/project2/)
$ tracd -p 8080 /path/to/project1 /path/to/project2
You can't have the last portion of the path identical between the projects since Trac uses that name to keep the URLs of the different projects unique. So if you use /project1/path/to and /project2/path/to, you will only see the second project.
An alternative way to serve multiple projects is to specify a parent directory in which each subdirectory is a Trac project, using the -e option. The example above could be rewritten:
$ tracd -p 8080 -e /path/to
Using Authentication
Tracd provides support for both Basic and Digest authentication. The default is to use Digest; to use Basic authentication, replace --auth with --basic-auth in the examples below, and omit the realm.
Support for Basic authentication was added in version 0.9.
If the file /path/to/users.htdigest contains user accounts for project1 with the realm "mycompany.com", you'd use the following command-line to start tracd:
$ tracd -p 8080 --auth project1,/path/to/users.htdigest,mycompany.com /path/to/project1
Note: the project "name" passed to the --auth option is the base name of the project environment directory.
Of course, the digest file can be be shared so that it is used for more than one project:
$ tracd -p 8080 \ --auth project1,/path/to/users.htdigest,mycompany.com \ --auth project2,/path/to/users.htdigest,mycompany.com \ /path/to/project1 /path/to/project2
Another way to share the digest file is to specify "*" for the project name:
$ tracd -p 8080 \ --auth *,/path/to/users.htdigest,mycompany.com \ /path/to/project1 /path/to/project2
How to set up an htdigest password file
If you have Apache available, you can use the htdigest command to generate the password file. Type 'htdigest' to get some usage instructions, or read this page from the Apache manual to get precise instructions. You'll be prompted for a password to enter for each user that you create. For the name of the password file, you can use whatever you like, but if you use something like users.htdigest it will remind you what the file contains. As a suggestion, put it in your <projectname>/conf folder along with the trac.ini file.
Note that you can start tracd without the --auth argument, but if you click on the Login link you will get an error.
Generating Passwords Without Apache
If you don't have Apache available, you can use this simple Python script to generate your passwords:
from optparse import OptionParser import md5 # build the options usage = "usage: %prog [options]" parser = OptionParser(usage=usage) parser.add_option("-u", "--username",action="store", dest="username", type = "string", help="the username for whom to generate a password") parser.add_option("-p", "--password",action="store", dest="password", type = "string", help="the password to use") (options, args) = parser.parse_args() # check options if (options.username is None) or (options.password is None): parser.error("You must supply both the username and password") # Generate the string to enter into the htdigest file realm = 'trac' kd = lambda x: md5.md5(':'.join(x)).hexdigest() print ':'.join((options.username, realm, kd([options.username, realm, options.password])))
Note: If you use the above script you must use the --auth option to tracd, not --basic-auth, and you must set the realm in the --auth value to 'trac' (without the quotes). Example usage (assuming you saved the script as trac-digest.py):
python trac-digest.py -u username -p password >> c:\digest.txt python tracd --port 8000 --auth proj_name,c:\digest.txt,trac c:\path\to\proj_name
Tips
Serving static content
If tracd is the only webserver used for the project, it can also be used to distribute static content (tarballs, Doxygen documentation, etc.)
This static content should be put in the $TRAC_ENV/htdocs folder, and is accessed by URLs like <project_URL>/chrome/site/....
Example: given a $TRAC_ENV/htdocs/software-0.1.tar.gz file, the corresponding relative URL would be /<project_name>/chrome/site/software-0.1.tar.gz, which in turn can be written using the relative link syntax in the Wiki: [/<project_name>/chrome/site/software-0.1.tar.gz]
The development version of Trac supports a new htdocs: TracLinks syntax for the above. With this, the example link above can be written simply htdocs:software-0.1.tar.gz.
See also: TracInstall, TracCgi, TracModPython, TracGuide
Translation:
- Russian (перевод на Русский)


The second workshop on Modelling and Analysis of Complex
Monetary Economies will take place in the Paris area on the
18 december 2015.
The first edition took place in 2014. The aim of these workshops is to
bring together practitioners of different subfields of economics and
computer science, allowing to build a structured multi-disciplinar
approach to design realistic and innovative macroeconomic models
integrating real and financial spheres of the economy.
It is organized by the task group “International macroeconomics and
Post-Keynesian analyses” of
the CEPN (in cooperation
with the LIPN).
This year’s edition is set to take place at:
18 december 2015, 9h - 18h,
Maison des sciences de l’homme Paris Nord,
Amphithéâtre 140.


Instructions
>Use the "Click here to browse" option or Drag and Drop the File to begin the upload process.
>Enter the password to encrypt the file(Optional)
>Hit the upload button to Upload the document and generata a Unique
Certificate!