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State Pension date 4 May 2021
Final relevant year (FRY) 2020-21
4 years to FRY
COPE estimate £1.84 a week
Was contracted out
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Estimate up to 5 April 2017
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Susan Granger's review of "BROKEDOWN PALACE" (20th Century-Fox)
Jonathan Kaplan's cautionary tale explores the same territory as "Midnight Express" (1978) and "Return to Paradise" (1998), as Americans suspected of drug smuggling wind up in a Third World prison. Claire Danes and Kate Beckinsale stars as Ohio teens who tell their parents they're off to Hawaii when they trek to Bangkok for an 11-day getaway to celebrate their high school graduation. After seeing the usual sights, they sneak into a posh hotel where they pretend to be guests enjoying the swimming pool. But when they invent a room number to sign a bar check, their ruse is discovered. A charming young Australian (Daniel LaPaine) comes to their rescue, paying court to them both. When he invites them to join him in Hong Kong for the weekend, they accept the plane tickets. But when they get to the airport, they're arrested by armed police who find heroin in their luggage. Thai justice moves quickly, so they're convicted and sent to a dark, dank, filthy prison to serve 33-year sentences. No one really cares if the Australian may have planted the drugs in their luggage - they're still guilty of carrying them. And the Thai penal system is riddled with corruption. The girls' only hope is a mercenary expatriate American lawyer, "Yankee Hank" (Bill Pullman). Writers David Arata and Adam Fields and director Jonathan Kaplan weave a cynical tale and elicit strong performances, particularly from Claire Danes. But it's curiously similar to a story printed in "Marie Claire" last year about two young women serving sentences on drug-smuggling charges in a Peruvian prison, even to the detail of having cockroaches crawl into the girls' ears. On the Granger Movie Gauge of 1 to 10, "Brokedown Palace" is a depressing, disturbing 4. It's a grim reminder about the danger of gullibility.
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---
sort_order: 90
tei_id: rdx_191dd.p.idp16395632
annotation_count: 0
images:
small-thumbnail: https://readux.ecds.emory.edu/books/emory:191dd/pages/emory:rfg6x/mini-thumbnail/
json: https://readux.ecds.emory.edu/books/emory:191dd/pages/emory:rfg6x/info/
full: https://readux.ecds.emory.edu/books/emory:191dd/pages/emory:rfg6x/fs/
page: https://readux.ecds.emory.edu/books/emory:191dd/pages/emory:rfg6x/single-page/
thumbnail: https://readux.ecds.emory.edu/books/emory:191dd/pages/emory:rfg6x/thumbnail/
title: Page 90
number: 90
---
{% raw %}[)Z THE LAND-CL.UM.{% endraw %}
{% raw %}" If he tried to cross in that storm, he is more likely at the{% endraw %}
{% raw %}bottom of the river, where he ought to be," said one of the{% endraw %}
{% raw %}constable's assistants.{% endraw %}
{% raw %}" His arm was broken, he pretended, by the falling of an{% endraw %}
{% raw %}o.ak limb on it. Perhaps it was, perhaps it was not. At all{% endraw %}
{% raw %}events, there must be some of the gang about these ravines,{% endraw %}
{% raw %}aud they ought to be hunted out," said AUeu.{% endraw %}
{% raw %}" Yes, that's true," answered Wyman.  But come, Allen, you must take 7ier home right away.{% endraw %}
{% raw %}My -wagon is down here in the road.  The other man followed the constable,{% endraw %}
{% raw %}leaving one of the lanterns for Alien.{% endraw %}
{% raw %}" What can I do for you, darling ? Here, sit on my knee,{% endraw %}
{% raw %}dear; don't refuse. It is nothing—or rather it is necessary,{% endraw %}
{% raw %}for you -^vill catch your death-cold, I am afraid, on the{% endraw %}
{% raw %}ground. You ought to be put in a warm bed this instant. I{% endraw %}
{% raw %}know how to nurse you, but I can not, I wish I was a{% endraw %}
{% raw %}woman!"{% endraw %}
{% raw %}Alicia could uot help laughing a little, dreary as she felt.{% endraw %}
{% raw %}Soon the constable was seen returning on foot, and without{% endraw %}
{% raw %}the wagon,{% endraw %}
{% raw %}" I'll bet my head those thieves have got it!" exclaimed{% endraw %}
{% raw %}AUeu, jumping up so quickly as to throw Alicia off his knees,{% endraw %}
{% raw %}though he stUl kept his arms around her,{% endraw %}
{% raw %}" My w.agon and horse are gone ! I don't see what you{% endraw %}
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AccelerateArray
Swift Array Extensions for the Apple Accelerate Framework.
The goal of this package is to provide slightly easier access to the BLAS, LAPACK and [vDSP](https://developer.apple.com/documentation/accelerate/vdsp of the Accelerate framework, to apply these functions to Float and Double swift arrays.
Out of scope of this package are more convenient wrappers to handle arrays as matrices, which would include storing strides, shapes and order (row/column major). This would require to add additional types, which can be easily built on top of this package.
Table of Contents
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(generated with DocToc)
Installation
Swift Package Manager
dependencies: [
.package(url: "https://github.com/dastrobu/AccelerateArray.git", from: "0.3.0"),
],
Cocoa Pods
Make sure a valid deployment target is setup in the Podfile and add
pod 'AccelerateArray', '~> 0'
Dependencies
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Docs
Read the docs.


We use R
(R Core Team 2020), tidyverse
package (Wickham et al. 2019), dplyr
package (Wickham et al. 2020), skimr
package (Waring et al. 2020), devtools
package (Wickham, Hester, and Chang 2020),and visdat
package (Tierney 2017) to do the analysis.
Code and data supporting this analysis is available at: “https://github.com/Lily-WangQian/STA304_PS1.git”.
Abstract:
“We investigated the data set of the Canadian Election Study online survey in 2019. The results showed us that Canadians who are older have a better impression of the native country, Canada. This is because older people tend to be more mature and know the meaning of their identity is important. These results are significant since the younger generation tends to lack of patriotism.”
Introduction
The young generation is far less patriotic and less likely to think of themselves as Canadians compare to their parents(Carlson 2012). A new national survey investigates the Canadian attitudes towards patriotism. The result is that there is a significant difference between youngsters and elders who are more patriotic. The Association for Canadian Studies commission a pull and showed that there is a 30 percentage point gap between the youngsters and 90% of the Canadian elders who think themselves are patriotic(Carp 2009)。
In our study, we analyzed a subset of the online survey version of the 2019 CES dataset which is part of the 2019 Canadian Elections Survey. We looked at core variables age and gender the percentage of how Canadian feel about their country. We discovered that Canadian who are elders tend to be more patriotic than youngsters. There could be a lack of identity. This could be that there is a lack of national identification in Canada.
We examined age and the feeling of the national country among the Canadians in this online CES survey and found out that elders are more fond of their national identity, on the other hand, the youngsters are less patriotic. However, we did not consider other factors that might bring impact this finding, There are only a few people who fill the blanks of how they feel about their national country. The distribution of the impression of a national country is extremely left-skewed. Some factors like the internet speed and how the online CES survey propagates could potentially affect the model results. Since this is a survey about politics, the people who take the survey and be more interested in this survey could be elders. Future work would be the focus on what extend people care about politics and how they affect the relationship between patriotism and age.
Data discussion
The 2019 Canadian Election Study - Online Survey collected and conducted the behaviors and attitudes on major political issues such as how people think about their own country. The CES is a large-scale survey that helps the understanding of electoral democracy in Canada. It becomes a tradition from 1965. The online survey is one of the 2 data files for the 2019 CES.
The es2019_web_subset
is a subset of the 2019 CES online survey which has eight variables to help us to investigate the relationship between the patriotism and age of Canadians.
Variables in the ces2019_web_subset
dataset and their corresponding description are shown in the table below:
The following is a graph illustrating the type, missing value, and the number of observations of each variable. Many variables have missing value. However, our main variables of interests which are pes19_country_1 and cps19_age are not blank.
The following tables are detailed statistics on the type of each variable its missing value pattern in this dataset. They also provide some summary statistics on the dataset itself. For example, the number of rows, the number of columns, and so on.
There are 37822 rows and 8 columns in the ces2019_web_subset dataset. For character variables, there are 3 of them. Likely, there are 3 factor variables and 2 numeric variables in the dataset.
In detail, we see that the complete rate of pes19_country is the only % 0.133. By contrast, the complete rate of cps19_age is one hundred percent.
| Name | ces2019_web_subset |
| Number of rows | 37822 |
| Number of columns | 8 |
| _______________________ | |
| Column type frequency: | |
| character | 6 |
| numeric | 2 |
| ________________________ | |
| Group variables | None |
Variable type: character
| skim_variable | n_missing | complete_rate | min | max | empty | n_unique | whitespace |
|---|---|---|---|---|---|---|---|
| cps19_votechoice_pr_7_TEXT | 0 | 1.00 | 0 | 17 | 37819 | 4 | 0 |
| cps19_vote_unlikely | 36519 | 0.03 | 1 | 1 | 0 | 8 | 0 |
| cps19_vote_unlikely_7_TEXT | 37822 | 0.00 | NA | NA | 0 | 0 | 0 |
| cps19_vote_unlike_pr | 37714 | 0.00 | 1 | 1 | 0 | 7 | 0 |
| cps19_vote_unlike_pr_7_TEXT | 0 | 1.00 | 0 | 0 | 37822 | 1 | 0 |
| cps19_v_advance | 35493 | 0.06 | 1 | 1 | 0 | 8 | 0 |
Variable type: numeric
| skim_variable | n_missing | complete_rate | mean | sd | p0 | p25 | p50 | p75 | p100 | hist |
|---|---|---|---|---|---|---|---|---|---|---|
| pes19_country_1 | 32787 | 0.13 | 89.25 | 15.33 | 0 | 82 | 95 | 100 | 100 | ▁▁▁▂▇ |
| cps19_age | 0 | 1.00 | 48.69 | 16.61 | 18 | 35 | 49 | 62 | 99 | ▆▇▇▃▁ |
Here are the summary statistics for the variable pes19_country_1 which expresses how Canadians feel about their country.
## Min. 1st Qu. Median Mean 3rd Qu. Max. NA's
## 0.00 82.00 95.00 89.25 100.00 100.00 32787
| Minimum | 1st Quartile | Median | Mean | 3rd Quartile | Maximun | NA’s | |
|---|---|---|---|---|---|---|---|
| 25% | Inf | 82 | 95 | 89.24866 | 100 | 100 | 32787 |
The lowest(minimun) impression is 25%. The 1st quartile range and the 3rd quartile range of feeling are infinity and 100% respectively. The median feeling is 98%. The mean is 89.24866%. The greatest(maximum) impression is 100%. There are missing values are represented in this dataset.
The above histogram shows the overall distribution of age in Canadians who participate the online survey of Canadian Election Study. This histogram is slightly right skewed.
The mean pes19_country_1 of ces2019_web_subset dataset is NA. The median pes19_country_1 of ces2019_web_subset dataset is NA.
The mean cps19_age of ces2019_web_subset is 48.6912908. The median cps19_age of ces2019_web_subset is 49.
The standard deviation of the values in forearm length is 15.3318003. The interquartile range of forearm length is 18.
The standard deviation of the values in height is 16.6117067. The interquartile range of height is 27.
Graph
This scatter plot shows that a slight linear relationship between the age and how Canadians feel about their country in the online survey. We can see as the age increases, the their impression of their country increases generally as well.
From the histogram of the impression of national country by Canadian, we can see that the histogram is left-skewed. Also, the histogram is asymmetric which shows the variable does not follow the normal distribution.
From the above histogram of how Canadians generally feel about their national country, we can see that the histogram is left-skewed. Also, the histogram is asymmetric which shows the variable does not follow the normal distribution.
The boxplot of pes19_country_1 and cps19_age illustrates that age is mainly concentrated around 50. Likewise, the feeling of the national country Canada is mostly around 90% which is pretty high. Also, the pes19_country_1 is left-skewed. Moreover, there are lots of one outliers in the variable of pes19_country_1.
statistical analysis
pes19_country_1 and cps19_age are both continuous which suggest there is a linear regression relation between them.
##
## Call:
## lm(formula = ces2019_web_subset$pes19_country_1 ~ ces2019_web_subset$cps19_age,
## data = ces2019_web_subset)
##
## Residuals:
## Min 1Q Median 3Q Max
## -89.687 -6.198 6.241 9.951 15.013
##
## Coefficients:
## Estimate Std. Error t value Pr(>|t|)
## (Intercept) 82.69676 0.78305 105.6 <2e-16 ***
## ces2019_web_subset$cps19_age 0.12052 0.01385 8.7 <2e-16 ***
## ---
## Signif. codes: 0 '***' 0.001 '**' 0.01 '*' 0.05 '.' 0.1 ' ' 1
##
## Residual standard error: 15.22 on 5033 degrees of freedom
## (32787 observations deleted due to missingness)
## Multiple R-squared: 0.01482, Adjusted R-squared: 0.01462
## F-statistic: 75.69 on 1 and 5033 DF, p-value: < 2.2e-16
The equation of this linear regression model between forearm length and height is \(\hat{y_i}\)=0.12052\(x_i\)+82.69676
When testing whether \(\beta_0\)=0, we see that p-value is 0.78305 which is greater than 0.05, equivalently means that \(\beta_0\) accepts the null hypothesis and is not statistically different from 0,
From the interpretation above, we see \(\hat{\beta_0}\)=-82.69676. This means that when the age of a Canadian is 0, the expected forearm feeling of his or her national country is great(82.69676). We can see Canadian are pretty patriotic.
On the other hand, testing whether \(\beta_1\)=0 to determine is there a relationship between Canadian’s age and the feeling of their national country, we see that the p-value is 0.01385 which is less than 0.05 which rejects the alternative hypothesis, equivalently means that there is a relation between Canadian’s age and the feeling of their national country. \(\hat{\beta_1}\)=0.12052 shows when their age increases, the expected impression of their national country increase by a little(0.12052).
Graph discussion
In the graph of the histogram, about pes19_country_1 is heavily left-skewed. We see that there is a slight increase pattern in the regression line between pes19_country_1 and cps19_age. From this graph, we can probably guess that the impression of the natural country among Canadians increases as their age increases. The graph shows the missing value pattern of the variables in the ces2019_web_subset illustrates that there are too many missing values in variable pes19_country_1. This graph suggests that our graph might not be trustworthy since the loss of information. Thus there might be other variables that could affect the pes19_country_1.
Discussion
The discussion is how the impression of Canada by different range of age differ among Canadians. One of the main findings in the above graphs is that elders are more fond of their national countries than youngsters. Studies had shown that youngsters might be more lack of nationalional identities than elders. People are less patriotic when they are young and little. This relation is illustrated by the scattor plot. We can see a slight linear relationship between the age and how Canadians feel about their country in the online survey. As the age increases, the their impression of their country increases as well.
The statistical analysis gives us an equation of the relation between how Canadians feel about their national country corresponding to their age is a linear regresison line.
However, by the histogram of the pes19_country_1 which is left-skewed histogram shows that actually most of Canadians no matter how old are they, they give pretty high score on how they feel about Canada.
In the future of survey, we should pay attention on the problem of non-response. From the tables which show the type of each variable and its missing value pattern tell us that there are a lot of non-response in the variable of pes19_country_1. Also, by the boxplot of the pes19_country_1 shows us that there are a lot of outliers which indicate the people who don’t response.
Nonetheless, the large sample size we are able to conclude that elders in Canada are more fond of their national country than youngsters.
Weaknesses and next steps
The weakness is that many observations of pes19_country_1 are empty. This loss of information might lead to biased results. There could be other variables such as lurking variables affect the completion of the online survey by CES. The topic about how people think about their national country might be more interested in by people who care about the politics. Thus to what extend people are interest of politics could be a lurking variable affects the variable pes19_country_1. Also variables like level of eduction could also affect how people feel about their national country in some way. Furthermore, the linear regression relation between pes19_country_1 and cps19_age might not be trust worthy.
Next steps could be looking at lurking variables and how they associate the Canadian impression towards their own country. Finding more effective ways such as conducting propaganda of the online survey for imputing missing values so that reducing loss of information and bias. Also, we can look at whether there is a linear regression relation at pes19_country_1 can have other linear regression with more independent variables.
References
Carlson, Kathryn Blaze. 2012. “Canada Day Poll: 15 Things You Should Know About Canadian Identity.” National Post. National Post. https://nationalpost.com/news/canada/canada-day-poll-15-things-you-should-know-about-canadian-identity.
Carp. 2009. “Senior Citizens More Patriotic Than Young Canadians: Poll.” CARP. https://www.carp.ca/2009/12/21/senior-citizens-more-patriotic-than-young-Canadians-poll/.
R Core Team. 2020. R: A Language and Environment for Statistical Computing. Vienna, Austria: R Foundation for Statistical Computing. https://www.R-project.org/.
Tierney, Nicholas. 2017. “Visdat: Visualising Whole Data Frames.” JOSS 2 (16): 355. https://doi.org/10.21105/joss.00355.
Waring, Elin, Michael Quinn, Amelia McNamara, Eduardo Arino de la Rubia, Hao Zhu, and Shannon Ellis. 2020. Skimr: Compact and Flexible Summaries of Data.
Wickham, Hadley, Mara Averick, Jennifer Bryan, Winston Chang, Lucy D’Agostino McGowan, Romain François, Garrett Grolemund, et al. 2019. “Welcome to the tidyverse.” Journal of Open Source Software 4 (43): 1686. https://doi.org/10.21105/joss.01686.
Wickham, Hadley, Romain François, Lionel Henry, and Kirill Müller. 2020. Dplyr: A Grammar of Data Manipulation.
Wickham, Hadley, Jim Hester, and Winston Chang. 2020. Devtools: Tools to Make Developing R Packages Easier.


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Welcome to PEC
Pec Enterprises, founded in summer 2014 has never failed to provide awesome games and apps for its visitors. We work as hard as we can to provide the best we can but sadly Pec cannot produce the best games in the world. Also the Pec server dose not load as quickly as we would like it to (sometimes it can take up to ½ a minute for everything to appear). Pec also allows its visitors to add their games (if they are made on scratch) to our PEC Pending studio and if we like them we might put them on our website. You can also remix any of our games which can be found on the main Pec studio, Pec Enterprises, which also includes some games that have not yet been uploaded to the main website. PEC is a free, 100 % nature friendly company that is run by guys for computer entertainment medias e.g games, animations, music and much more.we also have an ideas and innovation department for new ideas e.g new nature friendly transports. we try to make 0 profit and any profit that is made will go to either charity or to make PEC better.
The massive update is half way!
16 projects so far!


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Kimberly Bryant
@6Gems
Love that the producers at #InsecureHBO are dipping into this non-profit white savior storyline. It's real.
Natasha Rothwell
@natasharothwell
I hope this clears it up: Dro's wife KNOWS about Molly. He's not shady, he's poly. ¯\_(ツ)_/¯ #INSECUREHBO
INSECUREHBO
@insecurehbo
How we chillin this weekend, knowing a new episode of #InsecureHBO comes on tomorrow. https://t.co/5wtPsV4FZU
Saweetie
@Saweetie
ICY GRL ❄ on #InsecureHBO!! 😩🤸🏽♀💙 https://t.co/cJ6VjlD730
INSECUREHBO
@insecurehbo
Who's ready for a new #InsecureHBO tonight at 10:30? https://t.co/99d4pawJCg
Natasha Rothwell
@natasharothwell
Happy @InsecureHBO day! Who’s ready for #InsecureHBO tonight? I’ll be live-tweeting with more of the cast at 10:30P… https://t.co/HCQa2IMzHg
king crissle
@crissles
Music on #InsecureHBO is second to none. 🔥🔥🔥🔥
Capri Sun
@Capri_Sun
Your #InsecureHBO Party Lyft has arrived! Use code “CapriSun” to turn your @Lyft cars into Fruit Frenzy pouches in… https://t.co/InEDgxlRtJ
king crissle
@crissles
Beware of anyone who doesn't respect the boundaries you try to establish. #InsecureHBO
Natasha Rothwell
@natasharothwell
"Don't talk about what me and my wife do."  Preview the next episode of #InsecureHBO, Sunday at 10:30PM on @HBO. https://t.co/iRjgoLbCsD
petty wap🍑
@tashablvck
Daniel is a bit of me #InsecureHBO
INSECUREHBO
@insecurehbo
Happy #InsecureHBO Season 3 Premiere Day! We’re preparing to get our glow on with @IssaRae and more of the cast an… https://t.co/LiRqgvrAZQ
Duckie✨
@thaaatYAYO
RT @MsWhitneyYates: #InsecureHBO 🍷
Westside Whit 🌴
@MsWhitneyYates
#InsecureHBO 🍷
Prentice Penny
@The_A_Prentice
Tonight....I just wanna take you there... to #insecurehbo episode twooooo directed by @petechatmon https://t.co/RPRqL9nbW9
𝚜𝚞𝚓𝚊𝚝𝚊 𝚍𝚊𝚢
@sujataday
We Got Y’all squad is back TONIGHT on #InsecureHBO we’ll be live tweeting with cast & crew at 10:30pm! https://t.co/slRLz6yeKy
Issa Rae
@IssaRae
The #InsecureHBO 301 playlist is available on @Spotify now! https://t.co/0j5mUJmPza
Tisha ❤
@QueenLaTisha_
Thirsty for #insecurehbo tonight @IssaRae
Maya
@Maya_Adachi
I love this episode of #InsecureHBO after #Ballers starts tonight on HBO. Turnt up!!!


"x" "1" "EDER,E, DEININGER,C AND MUTH,D, GENOTOXICITY OF P-NITROCINNAMALDEHYDEAND RELATED ALPHA,BETA-UNSATURATED CARBONYL COMPOUNDS IN TWO BACTERIAL ASSAYS,MUTAGENESIS 6(4):261-269, 1991"


This is a list of specialised terms I have come-across in my work and study that I was unfamiliar with af first. It is a rather diverse list and will sure to grow with time.
Here is the glossary:
#alpha-Amanitin Eight amino acid long cyclic peptide.Deadly toxin. This toxin interacts with RNA Pol II and to a lesser extent RNA Pol III such that the polymerases cannot translocate along the DNA very well, leading to cell death.
Blotting
-
western blot A blot involving the transfer of proteins from a gel to a membrane followed by probing with a specific antibody
-
southern blot A blot involving the transfer of DNA from a gel to a membrane followed by probing with a labeled oligonucleotide
-
northern blot A blot involving the transfer of RNA from a gel to a membrane followed by probing with a labeled oligonucleotide
ChIP-Seq:
- Crosslink protein to DNA using formaldehyde
- Shear DNA
- Immunoprecipitate target protein and associated DNA
- Reverse crosslink; purify DNA
- Prepare DNA for sequencing
- Sequence DNA libraries and map reads back to the genome
Chromatin:
DNA and all its associated protein
Cyclin T1/CDk9.
Kinase. It’s part of transcription factor TFIIH. It phosphorylates the C terminal domain of RNA polymerase II specifically at the serine 5 of repeat. Upon phosphorylation the mediator become unbound to the RNAP II. Subsequently promoter release is stimulated.
FRET
Hi-C Sequenencing Assay
Identifies distal interactions mediated by (presumably promotor protein) on chromosomal DNA strands:
- Crosslink protein to DNA and protein to protein using formaldehyde.
- Isolate chromosomal DNA from the cell and cut the DNA with restriction enzymes.
- Fill in ends with biotin-NTP.
- Ligate nearby ends together.
- Reverse crosslink and purify DNA from protein.
- Shear the DNA into lengths appropriate for sequencing.
- Pull down DNA with biotin using streptavidin-coated beads.
- Deep sequence the DNA fragments.
- Search for junctions between distant sequences.
MDL
Chemical table format (.mol file)
Nucleosome
darC, a gene with stress-induced expression in the bacterium Mycobacterium tuberculosis. M. tuberculosis infects more than 30% of the human population and causes more than a million deaths a year.
(Note that, for many bacterial systems like this one, biologists use the notation abcD to refer to a gene name, and AbcD to refer to the protein that gene encodes.)


Dashboard
/
Services
Services
Situations
/
Reference Details
Loading reference, please wait...
CreateApplicationRef
Spacer
Reference Properties
Namespace:
urn:jboss:demo:references
Application:
urn:jboss:demos:applications
Contract
Service Interface:
org.jboss.demos.service.ICreateApplication


Rotation
Scaling
Light
Near/Far
Rotate X Direction
Rotate Y Direction
Rotate Z Direction
Toggle Rotation
Change Rotation Direction
0
Scaling
0
Translate X
0
Translate Y
0
Translate Z
0
Fovy
0
Aspect
Change lighting
(current: Gouraud Shading)
0.3
Near
3
Far
Oops ... your browser doesn't support the HTML5 canvas element
Orthogonal
Perspective


RT @mc_hankins: 'Could you fax over a copy?'
'No, I can't fax because of where I live'
'Where do you live?'
'The 21st century'
12/1/2014, 11:46:35 PM
Favs: 0
Retweets: 0
link--- layout: tweet ---
RT @mc_hankins: 'Could you fax over a copy?'
'No, I can't fax because of where I live'
'Where do you live?'
'The 21st century'
12/1/2014, 11:46:35 PM
Favs: 0
Retweets: 0
link


Turkey's Erdogan to meet Trump in Washington, DC, next week
Turkish officials had said Erdogan might call off the visit in protest of recent congressional votes against Turkey.
Turkish President Recep Tayyip Erdogan spoke by phone with US President Donald Trump on Wednesday and the two leaders reconfirmed they will meet in Washington, DC, on November 13 at Trump's invitation, Turkish officials said.
Earlier this week, three Turkish officials had said Erdogan might call off the visit in protest of votes in the US House of Representatives to recognise mass killings of Armenians a century ago as "genocide" and to seek sanctions on Turkey.
More:
-
Turkey's relationship with NATO tested over Syria operation
-
US military conducts Syria border patrol as troops, tanks arrive
-
'Shameful': Turkey rejects US resolution on 'Armenian genocide'
However, officials on Wednesday said the visit would go ahead and that the two leaders had exchanged views on bilateral issues and regional developments during their phone call.
Turkish sources say Trump and Erdogan have a strong bond despite anger in Congress over Turkey's Syria offensive and its purchase of Russian air defences, and despite what Ankara sees as the US president's own erratic pronouncements.
Those personal ties could prove crucial, given NATO member Turkey's purchase of Moscow's S-400 missile defence system, which under US law should trigger sanctions.
Turkey has already been suspended from the F-35 fighter jet programme in which it was both joint producer and customer, and the offensive it launched against Kurdish forces in northeast Syria on October 9 set the stage for further US retaliation.


@(maybeOrg: Option[Organization])(implicit flash: Flash) @templates.ozone.oxyjen_zone(maybeOrg) {
Free online service for hosting and sharing Oxyjen templates
Each time you use the o2
command with a template like
:name
, the application will download the needed files from
OxyjenZone.
OxyjenZone stores each template within an organization.
Creating your own is super easy - register through the
web page or the
command line by issuing ozone register
.
Once your Organization is registered and you are logged in, sharing
a template is trivial - either using the
Upload tab of the Organization panel,
or through the command line by executing ozone push
.
Use the search functionality to discover new templates -
both those from the official Oxyjen organization, and those uploaded
by other users. If you shared your template, you should be able to find
it there. You can also do it from the command line by issuing
ozone search
.


FX - Password Generator
-- crowzfx.co.uk --
Select options required and then click generate!
Include Symbols? i.e. $#%.
Length [
8
]
Upper and Lowercase?
Generate
Copy to Clipboard
........


Warnings and Errors found in the source code by file.
Number of Files: {{ files|length }}
Number of Comments: {{ numberComments}}
TODO
Displaying the statistical numbers like LinesOfCode, cyclomatic_complexity, number of Tests, accesses, ...
TODO
Visualization of problematic Classes in the Code.


Hey!
So, yes, as we were saying the blogging and such. Well, it's been a fairly quiet time at global BlinkinLabs HQ as we cook up some new, amazing junk. However, we've also been doing just a little in terms of smaller stuff.
Like this! A brandy new audio visualization for your BlinkyTape!
READ MOREO hai.
We just realized that most normal internet-type organizations have, like a place where we can...like...put updates and news. And stuff.
So we're going to do that.
READ MOREHey everyone,
It's been a long time since we started this journey, but it looks like we've managed to complete fulfillment for our Kickstarter campaign.
We're very sorry it's taken so long, but we're glad to say that we've finally shipped out BlinkyTubes to all of the backers in the Blinkin' Tubular reward levels. It took a bit of doing - our go-to logistics provider didn't want to ship them because they were too long, which turned out to be a recurring theme. Matt sourced the extruded aluminum in China, and shipped tube kits for international backers via the Hong Kong post just before returning to the USA for the holidays. The tubes for US backers were shipped back to NYC Resistor where we packed them up and then started our search for a shipper - which we'd thought would be easy but wasn't.
READ MOREHey everyone,
Guess what: almost all rewards are shipped, and BlinkyTapes are now in the hands of backers. We're really pleased by this, and we have a few other exciting things to say too.
OBLIGATORY CHRISTMAS LIGHTS IMAGE
READ MOREGreat news! After a couple of bonus delays, we've just heard back from our shipping company that all of our rewards have just shipped! (With one partial exception, see below.) We should have tracking numbers in a couple of days, and we plan on sending those out as soon as we get them. Our shipping estimate is about two weeks.
READ MORE


--- layout: post title: 土木工程系海外学者短期讲学课程：交通数据的统计模型分析 excerpt: http://yjsy.cic.tsinghua.edu.cn/boarddetail_cat.jsp?columnId=0010106&itemSeq=30625 tags: models chapter and analysis 交通 modify_date: 2017-09-28 ---
|
Time
|
Topic
|
Reading
|
Assignment
Due
|
|
1
|
Statistical Inference
|
Chapters 1-2
|
|
|
2
|
Linear Regression Analysis (1)
|
Chapter 3
|
|
|
3
|
Linear Regression Analysis (2)
|
Chapter 3
|
|
|
4
|
Specification Errors
|
Chapter 4
|
|
|
5
|
Simultaneous Equations Models
|
Chapter 5
|
|
|
6
|
Duration Models (1)
|
Chapter 10
|
HW1 due
|
|
7
|
Duration Models (2)
|
Chapter 10
|
|
|
8
|
Count Data Models (1)
|
Chapter 11
|
HW2 due
|
|
9
|
Count Data Models (2)
|
Chapter 11
|
|
|
10
|
Discrete Outcome Models (1)
|
Chapter 13
|
|
|
11
|
Discrete Outcome Models (2)
|
Chapter 13
|
|
|
12
|
Discrete Outcome Models (3)
|
Chapter 13
|
HW3 due
|
|
13
|
Ordered Probability Models
|
Chapter 14
|
|
|
1
|
Discrete/Continuous Models
|
Chapter 15
|
|
|
15
|
Random Parameter Models
|
Chapter 16
|
|
|
16
|
Bayesian Approach and Review
|
Handout
|
HW4 due
|


-
[Strings], [Strings.0407]
- The Strings sections contain the definition of every %strkey% token used throughout the INF file. The definitions of the string tokens must be unique. String tokens are used for ease of use and locale-independent INF files.
An INF can contain only one Strings section but multiple Strings.locale-ID locale-dependent sections. The IDs match the system-defined values of the Win32 LANG_XXX and SUBLANG_XXX constants declared in winnt.h.
Click on any of the strings to go to the point of reference.
See also the Glossary entry for Strings.


Modise's High Praise For Ex-Chiefs Midfielder
by SL SocialAs one of the greatest footballers South Africa has ever produced, Teko Modise recently heaped praise on a former Kaizer Chiefs player. Did you see who?
Amakhosi took on Maritzburg United in a Telkom Knockout semi-final clash this past weekend, with the Glamour Boys succumbing to a 2-1 loss on the day.
The fixture also saw one of Chiefs' former players take to the field and inspire the Team of Choice to victory, much to Modise's delight.
Download The Soccer Laduma Social Media App & Earn Airtime for Selfies!
The player in question is Keagan Buchanan, and the former Bloemfontein Celtic star pulled the strings in the middle of the park for the Pietermaritzburg outfit.
After the match, Modise took to Instagram Stories to post an image of the player known as "The Fixer" along with a caption that read: "As they say, form temporary, class is permanent. Great to see him do what he loves. The comeback from setback is well-documented."
Check it out!
Where do you rank Buchanan among the best midfielders in the country?


Official: Sale of train tracks enhances Maine’s connectivity
by The Associated PressBANGOR, Maine — A Maine transportation official says the recent sale of hundreds of miles of train tracks could bring improved infrastructure and better connectivity to the state.
Nate Moulton, director of freight at the Maine Department of Transportation, tells the Bangor Daily News that one of the largest rail operators in North America buying 481 miles (770 kilometres) of track in Maine and Quebec will be the state’s first return to a Class 1 railroad since the 1980s.
Canadian Pacific Railway is expected to close the deal to buy Central Maine & Quebec Railway by year’s end.
Moulton says the deal with Canadian Pacific comes with a “hope for better equipment, better condition of lines” and more of an opportunity to connect with the rest of the national system.
The Associated Press


Vue Tutorial
What is Vue?
- Vue (or Vue.js) is an open-source front-end JavaScript framework
- Vue is the view layer of an MVC application (Model View Controller)
- Vue is currently one of the most popular JavaScript libraries/frameworks
- Unlike other popular JavaScript projects, Vue is not backed by a large corporation like React (Facebook) or Angular (Google). Vue was originally written by Evan You and the open-source community.
Setup and Installation
There are two main ways to set up Vue - in a Node project, or directly injected into a static HTML file. I’d first like to take a look at setting up Vue in an HTML file, as it’s the simplest setup and introduction. Those who have only ever used a library like jQuery will be most familiar with this method. If you’ve already used React or another JavaScript framework, feel free to skip to the next section.
We can just create a basic HTML file and add a link to a Vue CDN in the head, and create a

with an id of app
.
Static HTML File
index.html
<!DOCTYPE html>

<meta charset="utf-8" />
<meta http-equiv="X-UA-Compatible" content="IE=edge" />
<meta name="viewport" content="width=device-width,initial-scale=1.0" />

<title>Vue App</title>

We can create a simple “Hello World” with Vue. Using double brackets, we’ll render message
in app
. In the
<title>Vue App</title>

We can see the data render.
At this point, it’s not very impressive, and it’s what you’ll learn in the introduction of the documentation, but it drives home the important point that Vue is just JavaScript, and there’s no need to get nervous about Node, Babel, Webpack, and so on.
Vue CLI
More often, you won’t be injecting Vue into a static HTML file, but you’ll be taking advantage of the Node ecosystem. The easiest way we can do this is vue Vue CLI, or the Vue Command Line Interface. As mentioned in the prerequisites, you should be familiar with Node and npm/yarn and how to work with local and global packages.
First, we’ll install Vue CLI.
# install with npm
npm i -g @vue/cli @vue/cli-service-global
# install with yarn
yarn global add @vue/cli @vue/cli-service-global
Now that we have Vue CLI installed globally, we can use the vue
command anywhere. We’ll use vue create to start a new project.
vue create
is the equivalent tocreate-react-app
.
vue create vue-app
You’ll be given an option to do default or manual, and we can just select default.
Vue CLI v3.7.0
? Please pick a preset: (Use arrow keys)
❯ default (babel, eslint)
Manually select features
Once that’s done, you can move to the new app that’s been created and serve
to run the dev server.
cd vue-app
npm run serve
# or
yarn serve
Once that’s done, you can navigate to http://localhost:8080/
to see the default page.
At this point, you’re all set up and ready to go with Vue. If you’re using Visual Studio Code, install the Vetur plugin for syntax highlighting, formatting, and so on.
Vue DevTools
One final thing to have in your toolbelt while working with Vue is Vue DevTools. It’s an add-on to regular DeveloperTools which will show you all the information about your components - their state, methods, etc.
Getting Started
Congrats, you’re all set up! You have a new Vue boilerplate app. In the project files, you have a public
folder which contains index.html
, and an src
folder with main.js
as the entry point. We’re introduced to .vue
files, with the HelloWorld.vue
and App.vue
components.
Entry point
In main.js
, we’re bringing in Vue
and rendering the App to our app div in index.html
. This file won’t need to change.
src/main.js
import Vue from 'vue'
import App from './App.vue'
Vue.config.productionTip = false
new Vue({
render: (h) => h(App),
}).$mount('#app')
Anatomy of a Vue file
Anything else we make will be a .vue
file, which always consists of three things:
<template>

This may seem strange to you, as it did to me at first. I originally learned front end coding with a focus on separation of concerns for HTML, CSS, and JavaScript, and here we have all three together. Yet JavaScript and the way we design apps has evolved, and keeping our styles and view and component coupled together is generally considered an advantage and improves maintainability.
The data and logic for the component goes in the

In Vue, the convention is that the filename and import will be in PascalCase, such as EmployeeTable
, but when used in a template, this will translate to kebab-case, <employee-table>
. This uses the proper conventions for JavaScript and HTML respectively.
I’m wrapping the template in a
div
which isn’t strictly necessary, but a template can only have one root child element, so this makes it easy to add additional elements going forward.
We’re exporting EmployeeTable
and importing it into App.vue
. In our import
, we can use @
to reference the src
folder. App.vue
knows which components it can use via the components
property. All imported components must be added there. I’ve also added in some global styles.
src/App.vue
<template>

Employees

<employee-table />

</template>

So here’s what we have so far.
We want to refactor this already to use data in the form of arrays and object as opposed to hard coding all our values into the table. So let’s add a data()
method, and return an employees
array. We’re also going to add IDs to each one to make them uniquely identifiable.
App.vue
import EmployeeTable from<EMAIL_ADDRESS>export default {
name: 'app',
components: {
EmployeeTable,
},
data() {
return {
employees: [
{
id: 1,
name: 'Richard Hendricks',
email<EMAIL_ADDRESS>},
{
id: 2,
name: 'Bertram Gilfoyle',
email<EMAIL_ADDRESS>},
{
id: 3,
name: 'Dinesh Chugtai',
email<EMAIL_ADDRESS>},
],
}
},
}
Data is like React state.
Now we have this data on App.vue
, but we want to pass it to EmployeeTable
. We can do that by passing the data down as a property. An attribute that begins with a colon :
will allow you to pass data. The more verbose version would be v-bind
. In this case we’ll pass our employees
array.
<employee-table :employees="employees" />

<employee-table v-bind:employees="employees" />
Now on the EmployeeTable
side, we want to retrieve that data, so we tell the component that it will receive props, in this case an Array
.
EmployeeTable.vue
export default {
name: 'employee-table',
props: {
employees: Array,
},
}
You might also see an array of strings instead of each value and type for props, like
props: [ 'employees' ]
, which also works but is less explicit.
Loops
Now that we have the data, we want to loop through the data and display the DOM nodes accordingly. We’ll do this with the v-for
attribute. Now that we can retrieve employees
in EmployeeTable
, we’ll display one table row per employee.
EmployeeTable.vue
<template>

</template>
Vue (like React) has a requirement for uniquely identifying any element in an array, so we’ll use :key
on the table row and set it to a unique value.
Now our table hasn’t changed from a view perspective, but it is now set up to work with data more efficiently.
Working with Forms
Now we’re successfully accomplishing the “Read” portion of a CRUD app, but the next most important thing to do is add the ability to create a new employee. We’re going to create an add employee form.
Make EmployeeForm.vue
and set it up a field to enter name, email, and a button to submit. I’ll go ahead and create an employee
data property with name
and email
on it.
src/components/EmployeeForm.vue
<template>

<form>
Employee name
<input type="text" />
Employee Email
<input type="text" />
<button>Add Employee</button>
</form>

</template>

We’ll also need to add this to App.vue
src/components/App.vue
<template>

Employees

<employee-form />
<employee-table :employees="employees" />

</template>

Now we have to figure out how to get the data that we’re writing in the input into Vue’s component state. To do that we’ll use v-model
. v-model is some built-in Vue syntactic sugar for updating an input value with an onchange event.
EmployeeForm.vue
<template>

<form>
Employee name
<input v-model="employee.name" type="text" />
Employee Email
<input v-model="employee.email" type="text" />
<button>Add Employee</button>
</form>

</template>
Now that you’ve added this, you can see in Vue DevTools that the state of the component changes. We just need to submit these values and update the parent (App) state with the new employee object.
Event listeners
We want to do an onsubmit
event on the form. We can do that with v-on:submit
, or @submit
for short. This convention will be the same for @click
/v-on:click
or any other similar event. The submit
event also has a handy prevent
we can add to it, which is the same as putting event.preventDefault()
inside the submit function, since we won’t be using the default GET/POST methods provided by forms.
Let’s add this to the form, and reference a handleSubmit
method we’ll make.
EmployeeForm.vue
<form @submit.prevent="handleSubmit"></form>
Methods
Now we’re going to create our first method on a component. Below data()
, we can create a methods
object, which will contain all the custom methods we create. Let’s add handleSubmit
there.
EmployeeForm.vue
export default {
name: 'employee-form',
data() {
return {
employee: {
name: '',
email: '',
},
}
},
methods: {
handleSubmit() {
console.log('testing handleSubmit')
},
},
}
Emitting events to the parent
Now if you try to submit the form, you’ll see the message logged in the console. We know the form submit method is working properly, so we can pass the data up to App
now. We’ll do this using $emit
.
Emit broadcasts a name of an event and data to its parent component, like so.
this.$emit('name-of-emitted-event', dataToPass)
In our case, we’ll create an event called add:employee
, and pass this.employee
.
EmployeeForm.vue
handleSubmit() {
this.$emit('add:employee', this.employee)
}
The
add:employee
syntax (as opposed toadd-employee
or something else) is recommended in the Vue documentation
Once you add this, click to add form button and go to Vue DevTools. You’ll see a notification for a new event, and it will tell you the name, source, and payload, which in this case is an object we created.
Retrieving events from the child
Now employee-form
is broadcasting its emitted event, but we need to capture the event and value in the parent to work with it.
The first thing we need to do is make employee-form
acknowledge and handle the emitted event, and invoke a new method. It will look like this:
<component @name-of-emitted-event="methodToCallOnceEmitted"></component>
So let’s add that to App.vue
.
App.vue
<employee-form @add:employee="addEmployee" />
Now we just have to create the addEmployee
method on App.vue
, which will modify the employees array by adding a new item to it. That will essentially look like this:
App.vue
methods: {
addEmployee(employee) {
this.employees = [...this.employees, employee]
}
}
Since I have to make an id
as well, I’ll just write some code to get the new employees ID based on number of items in the array. Note that in a real database, this ID would be uniquely generated or auto incremented.
addEmployee(employee) {
const lastId =
this.employees.length > 0
? this.employees[this.employees.length - 1].id
: 0;
const id = lastId + 1;
const newEmployee = { ...employee, id };
this.employees = [...this.employees, newEmployee];
}
Now with this, you can add new employees. Note that the new employee will not persist, as it is front end only and not connected to a database.
Basic form validation
This technically works, but we can clean it up a little. We want to…
- Show a success message if everything went through
- Show an error message if something was missing
- Highlight the inputs that have invalid data
- Clear the inputs after the form is done submitting properly, and
- Focus on the first item in the input after successful submission
Computed properties
In Vue, we can use computed properties, which are functions that are automatically computed when something changes. This way we can avoid putting complex logic in the Vue template itself. I’m just going to put a basic check to make sure the field isn’t empty for both fields.
EmployeeForm.vue
computed: {
invalidName() {
return this.employee.name === ''
},
invalidEmail() {
return this.employee.email === ''
},
},
To set all this up, I’m going to add a submitting
state, to check whether or not the form is currently being submitted, an error
state if something went wrong, and a success
state if it went through properly.
EmployeeForm.vue
data() {
return {
submitting: false,
error: false,
success: false,
employee: {
name: '',
email: '',
}
}
}
The submit function will first clear whether or not success
or error
have been set, the start submitting. It’ll check our computed properties, and if either is true, an error
will be set. If not, we can submit, and set all the states back to default.
EmployeeForm.vue
methods: {
handleSubmit() {
this.submitting = true
this.clearStatus()
if (this.invalidName || this.invalidEmail) {
this.error = true
return
}
this.$emit('add:employee', this.employee)
this.employee = {
name: '',
email: '',
}
this.error = false
this.success = true
this.submitting = false
},
clearStatus() {
this.success = false
this.error = false
}
}
Since we want an error message and a success message, I’ll set up the CSS for that.
EmployeeForm.vue

Finally, we’ll set up the form. If the form is submitting and one of the computed properties is invalid, we want to set a has-error
class on the input. Using :class=
ensures that the class will be treated as JavaScript instead of a plain string. We can make sure the statuses get cleared on focus and keypress events, and we have success and error messages displayed accordingly at the bottom.
EmployeeForm.vue
<form @submit.prevent="handleSubmit">
Employee name
<input
type="text"
:class="{ 'has-error': submitting && invalidName }"
v-model="employee.name"
@focus="clearStatus"
@keypress="clearStatus"
/>
Employee Email
<input
type="text"
:class="{ 'has-error': submitting && invalidEmail }"
v-model="employee.email"
@focus="clearStatus"
/>

❗Please fill out all required fields

✅ Employee successfully added

<button>Add Employee</button>
</form>
Conditonals
You’ll notice a v-if
property. This is a conditional in Vue. In this case, the

element will only be displayed if the condition is true.
There is also a v-else-if
, and v-else
property, which work the same as their vanilla JS counterparts.
Now that that’s complete, we can see these conditionally rendered elements. Here’s the error message on a missing field.
And here’s the success message.
Adding a reference
There’s one more small improvement we can make. After submitting the form, it would be nice if the focus went back on the first item to make it easy to add many items without clicking around. We can do that with refs, which we can use to target a specific element.
We can just add a ref to the first input…
EmployeeForm.vue
<input ref="first" ... />
And focus
that ref after submitting the form in handleSubmit
.
EmployeeForm.vue
this.$emit('add:employee', this.employee)
this.$refs.first.focus()
Now after you submit the focus will automatically go to the first field in the form. The @keypress
event to clearStatus
we added to it before will ensure the success or error message goes away once you start typing.
Our
EmployeeForm
file is complete, and you can view the source of the completed file in case you got lost along the way.
Deleting Items
Now that the form is done, we have to finish the other actions on the table - editing and deleting. We’ll start with deleting, which is an easier operation.
First, we’ll update the table to have an “Actions” row, and add buttons for editing and deleting.
EmployeeTable.vue
<template>

Employee name
Employee email
Actions

<button>Edit</button>
<button>Delete</button>

</template>

We’ll emit an event like before, this time called deleteEmployee
. We can pass the id
of the employee as the payload.
EmployeeTable.vue
<button @click="$emit('delete:employee', employee.id)">Delete</button>
Back in App.vue
, we have to tell employee-table
to perform an action on delete-employee
…
App.vue
<employee-table :employees="employees" @delete:employee="deleteEmployee" />
And we’ll filter the deleted row out.
App.vue
methods: {
addEmployee(employee) {...},
deleteEmployee(id) {
this.employees = this.employees.filter(
employee => employee.id !== id
)
}
}
Now you’ll notice you can delete items. Let’s just add a message in case there are no employees.
EmployeeTable.vue

<p v-if="employees.length < 1" class="empty-table">No employees

...

We can successfully add and delete employees now.
Editing Items
Editing is a little more complex than deleting. The setup from App.vue
is simple though, so we’ll do that first. Just add the edit:employee
event that we’ll be making:
App.vue
<employee-table
:employees="employees"
@delete:employee="deleteEmployee"
@edit:employee="editEmployee"
/>
And create the editEmployee
method, which will take id
and updatedEmployee
parameters, map through the employees
array, and update the correct employee.
App.vue
editEmployee(id, updatedEmployee) {
this.employees = this.employees.map(employee =>
employee.id === id ? updatedEmployee : employee
)
}
Simple enough.
Now back in EmployeeTable.vue
, we’ll basically want to make an “edit mode” that is enabled when the button is pressed.
EmployeeTable.vue
<button @click="editMode(employee.id)">Edit</button>
We’ll create an editing
state that will get set to the id
of the row that’s currently being edited when editMode
is enabled. EmployeeTable
will have it’s own local editEmployee
method, which emits edit:employee
to App
if the fields aren’t empty, and resets the editing
state.
EmployeeTable.vue
data() {
return {
editing: null,
}
},
methods: {
editMode(id) {
this.editing = id
},
editEmployee(employee) {
if (employee.name === '' || employee.email === '') return
this.$emit('edit:employee', employee.id, employee)
this.editing = null
}
}
Here’s the current state of our table row - we’re just displaying the values.

<button @click="editMode(employee.id)">Edit</button>
<button @click="$emit('delete:employee', employee.id)">Delete</button>

To make it editable, we’ll check if editing === employee.id
is true for a particular row, and display and input instead. We’ll also add a cancel button that will cancel the editing by setting it to null.

<input type="text" v-model="employee.name" />

<input type="text" v-model="employee.email" />

<button @click="editEmployee(employee)">Save</button>
<button class="muted-button" @click="editing = null">Cancel</button>

<button @click="editMode(employee.id)">Edit</button>
<button @click="$emit('delete:employee', employee.id)">Delete</button>

And now I can edit a single row at a time!
Editing works, but you still can’t cancel the state from updating with this code, even if the new values don’t get sent to the API call. We’ll create cancelEdit
, and make the cancel button call @click="cancelEdit(employee)"
and remove .id
from the edit button. We’ll make a cached employee that we can return to.
editMode(employee) {
this.cachedEmployee = Object.assign({}, employee)
this.editing = employee.id
},
cancelEdit(employee) {
Object.assign(employee, this.cachedEmployee)
this.editing = null;
}
At this point, the app is technically complete, but a real production app will probably be making API calls to a back end database, so we’ll make a mock version of that.
If you’d like to view a completed version of the app before we get into the API calls, you can view this CodeSandbox demo].
Making Asynchronous REST API Calls
We’re going to use JSON Placeholder to make fake API calls that will give us real responses. We can GET
values (for example, visit https://jsonplaceholder.typicode.com/users to see the users
JSON we’ll be using), and we can make POST
, PUT
, and DELETE
requests. These requests will not persist in a real database because they’re for example purposes.
If you’re not familiar with REST, please read this article
An asynchronous method with async/await will look something like this, using a try/catch block.
We’ll use the built-in Fetch API that Node and the browser have access to, however other options like Axios are available and popular. I just prefer to use Fetch because it’s one less dependency to install for example purposes.
async asynchronousMethod() {
try {
const response = await fetch('url')
const data = await response.json()
// do something with `data`
} catch (error) {
// do something with `error`
}
}
So at this point, I’ll replace all our CRUD methods with async
methods, and update the data via the API as well as the front end.
Lifecycle methods
With GET, we’ll want to remove all the pre-populated data we have in the employees
array, and replace it with the data from the API. We’ll call that GET
in the mounted
lifecycle method.
If you’re familiar with React, you’ll know about lifecycle methods already, and this is the Vue equivalent of
componentDidMount
.
mounted
tells our component to perform the action once the component is actually inserted to the DOM. This is a common way to display data from an API. (Some use the created
lifecycle for this task.)
App.vue
export default {
name: 'app',
components: {
EmployeeTable,
EmployeeForm,
},
data() {
return {
employees: [],
}
},
mounted() {
this.getEmployees()
},
}
So now we can update all our CRUD methods with their asynchronous API-call equivalents.
GET
Retrieve a resource.
App.vue
async getEmployees() {
try {
const response = await fetch('https://jsonplaceholder.typicode.com/users')
const data = await response.json()
this.employees = data
} catch (error) {
console.error(error)
}
}
POST
Create a new resource (non-idempotent).
App.vue
async addEmployee(employee) {
try {
const response = await fetch('https://jsonplaceholder.typicode.com/users', {
method: 'POST',
body: JSON.stringify(employee),
headers: { 'Content-type': 'application/json; charset=UTF-8' },
})
const data = await response.json()
this.employees = [...this.employees, data]
} catch (error) {
console.error(error)
}
}
PUT
Update an exiting resource (idempotent).
App.vue
async editEmployee(id, updatedEmployee) {
try {
const response = await fetch(`https://jsonplaceholder.typicode.com/users/${id}`, {
method: 'PUT',
body: JSON.stringify(updatedEmployee),
headers: { 'Content-type': 'application/json; charset=UTF-8' },
})
const data = await response.json()
this.employees = this.employees.map(employee => (employee.id === id ? data : employee))
} catch (error) {
console.error(error)
}
}
DELETE
Remove an existing resource.
App.vue
async deleteEmployee(id) {
try {
await fetch(`https://jsonplaceholder.typicode.com/users/${id}`, {
method: "DELETE"
});
this.employees = this.employees.filter(employee => employee.id !== id);
} catch (error) {
console.error(error);
}
}
Okay, all API calls should be working properly, and we’re getting data from JSON Placeholder instead of our own, static data.
And the app is complete! You can check out the live demo or view the source.
Deploying a Build to GitHub Pages
You might want to deploy your newly completed app to GitHub pages, a static site host. Assuming you’ve already created a repository and committed to master, using the steps below…
git remote add origin https://github.com/username/vue-app
git add .
git commit -m "initial commit"
git push -u origin master
You can commit the build with the following steps:
Create a gh-pages
branch.
git checkout -b gh-pages
Remove the dist
directory from .gitignore
.
Create vue.config.js
and add the publicPath
of your GitHub
vue.config.js
module.exports = {
publicPath: 'vue-app',
}
Create a build, which will output the dist
folder.
npm run build
# or
yarn build
Add the build, commit, and send it to gh-pages
on GitHub.
git add dist
git commit -m "gh-pages commit"
git subtree push --prefix dist origin gh-pages
And within a minute or two, it should be all hosted!
Conclusion
Wow, that was a lot. We learned what Vue is, how to set up a Vue project via static HTML or Vue Cli, and how to make a complete CRUD app in Vue. We learned about Vue components, data, methods, computed methods, lifecycles, conditionals, events, form handling, and building. If you went through and did this whole tutorial, you should feel pretty good starting to build your own apps from scratch in Vue.
From here, you might want to look into Vuex for state management (similar to React’s Redux), and Vue Router for front-end routing (similar to React Router DOM). The great part about the Vue environment is that it’s batteries optional, but official batteries also included should you need it.
A lot of work went into creating this app and tutorial, and if you enjoyed it I hope you share it with anyone you think might benefit from it! If you see any mistakes, please let me know.


Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 1
Preheat the oven to 180C/350F/Gas 4.
For the mushroom stroganoff, heat the oil and butter in a pan and gently fry the onion until it starts to soften.
Add the mushrooms and paprika and continue to fry for 4-5 minutes.
Add the white wine and simmer until slightly reduced, then pour in the cream and bring to simmering point. Season with salt and freshly ground black pepper and add the lemon juice and chives.
Meanwhile, for the bruschetta, heat an ovenproof griddle pan until smoking hot. Drizzle the bread with olive oil and sprinkle over the garlic. Place into the pan, weighing the bread down with a saucepan. Griddle until the bread is golden-brown on each side. Remove from the pan, but leave the pan on the heat.
For the beef, rub the beef with olive oil and place into the hot griddle pan. Sear the beef quickly on each side and then transfer the pan to the oven to continue cooking for about five minutes, or until cooked to your liking. Remove from the oven and leave to rest in a warm place for a few minutes.
To serve, cut both slices of grilled bread in half and arrange the four pieces on a plate. Pour over the mushroom stroganoff.
Slice the beef and arrange in a fan over the top of the mushrooms. Serve with a dollop of natural yoghurt on top, sprinkle over the chives and paprika and garnish with lemon wedges.


{% extends 'fundraising/index.html' %} {% load humanize %} {% block content %}
{{ form.amount.errors.as_text }}
{{ form.amount.help_text }}
{{ form.number.errors.as_text }}
{{ form.number.help_text }}
{{ form.cvc.errors.as_text }}
{{ form.cvc.help_text }}
{{ form.expires.errors.as_text }}
{{ form.expires.help_text }}
The card details are NOT STORED on our servers but are transmitted encrypted to our PCI compliant payment processor Stripe. See Stripe's documentation to learn more about its security.
{{ form.receipt_email.errors.as_text }}
{{ form.receipt_email.help_text }}
In case you can't use the form above (e.g. don't have a card that works via Stripe) feel free to get in touch with us.


NOSFERATU (1922) A Film Review by Ted Prigge Copyright 1998 Ted Prigge
Director: F.W. Murnau Writers: Henrik Galeen (based on the novel "Dracula" by Bram Stoker) Starring: Max Shreck, Gustav von Wangenheim, Greta Schröder, Ruth Landshoff, John Gottowt, Alexander Granach
F.W. Murnau's "Nosferatu" was the first adaptation of Bram Stoker's "Dracula," and that's probably to its advantage. Hollywood destroyed Stoker's atmospheric novel, turning the Count into a suave lady's man, and the entire franchise into a joke. By the time Mel Brook's finally got around to parodying it, he discovered that all the jokes that could have been used were already stale.
It's almost ironic that this was also the same film that was almost destroyed completely by Stoker's widow, who ordered the film to be changed because its was an unauthorized adaptation of the novel, because this film is probably the one that is the most faithful, not so much in story, but in the way the film is presented. Count Dracula (renamed to Count Orlok) is not cool like Bela Lugosi or Frank Langella, and not just plain weirdly suave like Gary Oldman, but is instead a hideous creature, with large ears, ginormous claws, and a rat face.
Played by Max Shreck, Orlok is a creature of the night, lurking in shadows, scaring people just by looking at them, and slowly decomposing. There's a scene where he slowly attacks a woman, and we only see what he's doing by the shadows across the victim's face. Compare this with any of the attack scenes and any other of the Dracula films and you see why "Nosferatu" is just the best.
The film, as I said, is based on the Stoker novel, but because of Stoker's widow, a couple things have been changed, primarily the names. But the basic story is still there. In it, young real estate agent Thomas Hutter (Gustav von Wangenheim) is instructed by his boss, Knock (Alexander Granach), to go see a man named Orlok who is interested in buying a home near him. Hutter goes, leaving behind his fiance, Ellen (Greta Schröder), and after meeting with Orlok and spending the night, he awakens with some bite marks on his neck.
 Meanwhile, Ellen is having some weird connections with Orlok, and we discover that she is the means to either give Orlok new life or to destroy him. The film is not so much concerned with their romance, as the Coppola version was, because there is no necessity in showing Orlok trying to seduce Ellen. It's more like a gritty version of the famous tale, concerned more with atmosphere than story.
There are several sequences which stick out in the mind, most notably the frightening sequence of Orlok on the ship, which is something which is usually overlooked in the Dracula films. Here, we have a long bout where sailors are dying by the numbers, and we have a scene where one brave member goes down, opens the coffins, finds a bunch of rats, and Orlok rises from the coffin, completely stiff, and scares the hell out of the man. It's a bit that was used in the Coppola version as well, only this is more scarier, probably because Orlok is a whole lot freakier looking than the Gary Oldman version, even if Oldman had that stupid wig on.
The other scene is where Orlok stalks Ellen, which takes place towards the end of the film, which is one of the most atmospheric sequences I have ever seen. The entire film is not so much scary as it is chilling to watch. The visuals are incredible, the special effects are suprisingly competent for 1922 (there's a great scene where Orlok dissolves which is flawless, even by today's standards), and the lighting is incredible. I remember saying that the lighting for Robert Wiene's "The Cabinet of Dr. Caligari" was atmospheric because of the lack of technology when it was made. The same goes for here, but they also use some great use of shadows in several sequences. I already talked about the scene where Orlok attempts to attack a victim and we only see his shadow, but there's another scene where Orlok is coming up the stairs and the lighting on it is absolutely perfect.
"Nosferatu" has recently been re-released to mass audiences by Arrow Video Inc. in a package called "Nosferatu: The First Vampire." The film contains the film, but has been digitally remastered, and redone just like Fritz Lang's "Metropolis" was back in the 80s when Girgio Moroder added extra scene, tinted the film, and tossed on a soundtrack of such people as Pat Benatar and Adam Ant. That was packaged to appeal to the 80s crowds; this has been packaged to appeal to the Goth crowd.
On the tape is a trite introduction by David Carradine (the Carradine from "Kung Fu" - I know, there's so many of them), some tinting (half of it is, and half of it is just in standard black and white), and a soundtrack by alternative group Type-O Negative. I never saw the Moroder "Metropolis," but I imagine this is what it is like. All the extra stuff is trying to enhance the experiene and open it up to modern day audiences, but all it does is stand seperate from the film itself.
In fact, I discovered that this isn't even the entire film. In 1995, there was a re-release of the film which added roughly another 30 minutes to the film, which I imagine filled in some of the gaps left in by the original cut, which I think this is. I bet there are such things as: more explanation of Knock, who suddenly becomes the equivalent of Remfield, the crazed servant of Dracula who is confined to a mental institution; some explanation of Ellen's connection to Orlok; and more with Professor Bolwer, the equivalent of Professor Van Helsing, who is shown in one scene discussing vampires with some students, is talked about later, and then forgotten.
In fact, most of the additions don't really do anything for the film. The introduction by David Carradine gives us a couple bits of trivia then praises the movie. That's it. I would have liked to have learned more about it, maybe a short documentary on it. And the score by Type-O Negative doesn't give it much mood that isn't already there, and in some of the lyrics, spells out exactly what is going on annoyingly. And just to pander to the Goth crowd a little bit more, the title cards are written in a Goth-like font, although most old title cards are incredibly incompetent in being legible or understandable, so you have to at least give them credit for retyping them so nicely.
Yet I have to really recommend this re-issue, primarily because it seems to be the only way anyone can access this film, which is one of the most haunting, atmospheric films I've ever seen. It takes its topic seriously, and doesn't submit itself to any campy trends, which would lower the film's quality. Like Carradine says in the beginning, it HAS stood the test of time, and for that reason, "Nosferatu" is worth seeing at any cost. So what I recommend you do is buy or rent this, watch the introduction, then mute your television, turn the color down so it's all in black and white, and just sit there and watch the entire thing. You'll thank me later.
MY RATING (out of 4): ****
Homepage at: http://www.geocities.com/Hollywood/Hills/8335/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


--- layout: default title: Random Ideas ---
Here, I have a compilation of all my random ideas. Most of these won’t see the light of day because they are infeasible, not useful, or just flat out too random.
Even though I love serious projects, coming up with seemingly the most random ideas is one of my favorite activities. Hopefully, some of these can bring inspiration for new ideas!


Chapter 9 Model Interpretation
9.1 ?
Dunn, Heidi, Steve Zigler, and Teresa Newton. 2016. “Validation of a Mussel Community Assessment Tool for the Upper Mississippi River System.” 2014 MCA2. Rock Island, IL: U.S. Army Corps of Engineers, Rock Island District.
Elith, Jane, and John R Leathwick. 2009. “Species Distribution Models: Ecological Explanation and Prediction Across Space and Time.” Annual Review of Ecology, Evolution, and Systematics 40. Annual Reviews: 677–97. doi:10.1146/annurev.ecolsys.110308.120159.
Elith, Jane, John R Leathwick, and Trevor Hastie. 2008. “A Working Guide to Boosted Regression Trees.” Journal of Animal Ecology 77 (4). Wiley Online Library: 802–13. doi:10.1111/j.1365-2656.2008.01390.x.
Hijmans, Robert J, and Jane Elith. 2013. “Species Distribution Modeling with R.” R Package Version 0.8-11.
———. n.d. “Species Distribution Modeling.” In Spatial Data Analysis and Modeling with R, edited by Robert J Hijmans and Jane Elith. http://rspatial.org/sdm/index.html.


Our Team
We are a highly qualified and trained group who are seeking to provide information, rehabilitation, and conditioning for runners at all levels. We invite both beginners and top student athletes to participate in our programs.
We encourage a friendly atmosphere and hope to build friendships that last a lifetime and lead to success on and off the track.
Stephanie Roberts
Running Coach
"I have worked with student athletes for the past 15 years as the head coach of 3 high schools all winning state championships. I take great pride in what I do and still have fun meeting and sharing experiences with you all!"
– Stephanie Roberts
Nancy Dormi
Head Trainer
"I have always enjoyed running and I am so glad to have the chance to help others getting started and even our more seasoned grizzly athletes. We have an awesome indoor facility and several outdoor venues we hope you get to experience with us!"
– Nancy Dormi
John Dali
Strength Coach
"I enjoy working with every single one of our clients. It is amazing to see how quickly people improve and their ability to stick with the routines they have learned from young children to seniors!"
– John Dali


Sugar Town **
rated R USA Films 92 minutes starring Jade Gordon, Michael Des Barres, John Taylor, Martin Kemp, Larry Klein, John Doe, Lucinda Jenney, Ally Sheedy, Rosanna Arquette, Jeffrey McDonald, Richmond Arquette, Lumi Cavazos, Vincent Berry, Beverly D'Angelo written and directed by Allison Anders and Kurt Voss
Good friends Allison Anders and Kurt Voss are each experienced filmmakers. They started out with their $50,000 collaboration on the L.A. punk rock scene, "Border Radio", and have watched their work evolve from edgy, alternative indie to mainstream, formulaic Hollywood. Anders had made three critically acclaimed films which told stories from a woman's perspective, and Voss had directed a handful of films which ended up either faltering on cable or delving into obscurity. Either way, both decided it was time for a change.
Anders and Voss were looking to recapture that independent spirit which was so evident in "Border Radio", and decided to conceive and make a movie without any hassle. For their second collaborative effort, they decided to once again visit the L.A. music scene, for a behind the scenes look at the ambition and failure in the rock music industry. In less than two weeks, they wrote "Sugar Town", and started production less than a month later. Then, in January, the film premiered at Sundance Film Festival '99, just six months after Allison Anders and Kurt Voss put their pens to paper.
As a rabid supporter of the independent film scene, this act of daring and unconventionality pleased me immensely. But sadly, "Sugar Town" turns out to be a film that emphasizes the contraints of a low budget rather than the creative freedom allowed by such an endeavor. "Sugar Town" is an ensemble comedy in the "Short Cuts" vein that has its moments, but never gets off its feet.
"Sugar Town" involves a cross section of individuals who are either climbing the ladder of ambition or who are at 14:59 in their fame clock. All are involved somehow in a hit or miss business, where a sure thing today can be a has been tomorrow. There is Gwen (newcomer Jade Gordon), a ruthlessly ambitious housemaid, Liz (Ally Sheedy), a movie production designer who is taken advantage of at every turn, Eva (Rosanna Arquette), an aging actress married to has been 80's rocker Clive (John Taylor), who is trying to get his new band off the ground.
 But we, the viewers, never see any developed, human characters. Instead, we see dull caricatures that are but pawns in a poorly conceived game. Every once in a while, there is a clever gesture (the self deprecating rock stars are played by members of once prominent 80's bands), but "Sugar Town" ends up feeling more sour than sweet.
As an ensemble film, "Sugar Town" also falters. The few segments which are most interesting are the ones paid least attention to (which gives way to some painfully tacky subplots), and the way the characters are tied together is a bland condescension. "Sugar Town" is short, but feels long, and the script was not only written in a hurry, but it feels that way too. The saving grace is the few women characters (obviously written by Allison Anders), played by Jade Gordon, Rosanna Arquette, and Ally Sheedy that hold our attention whenever on screen. Gordon, who had a small role in Anders' "Grace Of My Heart", shows potential in her role as the vicious Gwen. Arquette and Sheedy stay low-key, but are nevertheless effective.
Allison Anders is, in my opinion, a talent with strong views, but a knack for inconsistency. Her best work is her first sole effort, "Gas Food Lodging", a semi autobiographical story of a girl growing up in a small New Mexico town. Her poorest work can be seen in her segment of "Four Rooms", which was also co-directed by Quentin Tarantino, Robert Rodriguez and Alexandre Rockwell.
"Sugar Town" has its moments, but it's lacking an edge found in so many other studies of Hollywood industry. The film ultimately never really ends, and doesn't provoke much thought. If "Sugar Town" was a stronger film, it could have been a good argument for more independent film funding. However, like its title, "Sugar Town" ends up being meaningless; a movie that is unprovocative and uncompromising, never becoming what you want it to be.
a review by Akiva Gottlieb, The Teenage Movie Critic<EMAIL_ADDRESS>http://teenagemoviecritic.8m.com this review is also featured at http://jump.to/moviepage
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“I don't care that they stole my idea . . I care that they don't have any of their own”
Nikola Tesla (Serbian Cyrillic: Никола Тесла; 10 July 1856 – 7 January 1943) was a Serbian American inventor, electrical engineer, mechanical engineer, physicist, and futurist best known for his contributions to the design of the modern alternating current (AC) electricity supply system.
The “genius who lit the world” is now commemorated with an electrical unit called the Tesla, has a place in the inventor’s hall of fame, streets, statues, and a prestigious engineer’s award in his name, but in life he wasn’t always so successful. He was brilliant scientist and terrible businessman.


Are you a Kirk or a Spock?
Enter text in the box below to find out.
A few notes:
- I remove the following from your input:
- .
- ,
- !
- ?
- :
- ;
- )
- (
- uppercase (everything is converted to lowercase)
- very high frequency words
- JavaScript reserved words
- Your text will be compared to the text from this site.
- This is still rather 'under constuction', someday I may clean things up or give the ability to chose episodes/characters.
- Here is they python code I used to build js dictionaries of Kirk and Spock lines
- Here is the JavaScript code this site is running to build a dictionary of your text and classify it (bag-of-words/VSM-stype)


The Disarmament and International Security Committee is the first committee of the General Assembly and deals with disarmament, global challenges and threats to peace that affect the international community and seeks out solutions to the challenges in the international security regime.
The threat to the world posed by nuclear weapons has grown considerably in recent times.
This year at BangaloreJMUN the delegates of the DISEC committee will be debating and discussing the issue of nuclear proliferation, and how to come to a peaceful consensus with regards to it. The delegates of the DISEC committee will be working towards achieving two Sustainable Development Goals; Goal 16 and Goal 17.


A place where we sell cookies that taste like salmon. Come one by and enjoy this exclusive taste located only at these stores.
| 1st and Pike | SeaTac Airport | Seattle Center | Capitol Hill | Alki |
|---|---|---|---|---|
| Address | Address | Address | Address | Address |
| Time:6am-8pm | Time:6am-8pm | Time:6am-8pm | Time:6am-8pm | Time:6am-8pm |
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Ruby Classes vs. JavaScript Constructor functions
October 25, 2015
What is a Ruby class?
Ruby Classes was explained in the previous blog. This link will bring you to it. It gives a in-depth explanation of what Ruby classes are and what they do.  It should contain all the methods for that classes category. An example would be a board class. The board class should contain all methods involving the creation of a board or anything of the sort.
class Board
attr_reader :size
def initialize(size)
@size = size
end
end
new = Board.new(16)
new.size => 16
What is a JavaScript constructor function?
Constructor functions are JavaScript objects. It creates a new object and can be created by using "new" like in the example below. The "new" sets the "this" binded to the object.
function theObject() { this.object = "Object"; } newObj = new theObject();
The differences
JavaScript uses literal notation or constructor functions to create a new object. There are a lot more syntax needed in JavaScript than in Ruby as well. JavaScript requires semicolons and parenthesis but Ruby doesn't require as much.
JavaScript function myObject() { this.object = "hello"; } Ruby Class ObjectOne def initialize(name) @name = name end end


6.5
domestic | energy | artificial and display lighting | 2010
Every
building
must be designed and
constructed
in such a way that
the artificial or display lighting installed is energy efficient and is
capable of being controlled to achieve optimum energy efficiency.
Limitation:
This standard does not apply to:
(a)
process and emergency lighting components in a
building
;
(b)
alterations in
dwellings
.
6.5.0 Introduction
Artificial lighting can account for a substantial proportion of the electricity
used within a
building
. Appropriate lighting design (including use of natural
daylight) can reduce carbon dioxide emissions and running costs, and can
also reduce internal heat gains.
Advice on use and specification of low-energy lighting is available from the
Energy Saving Trust
This includes documents such as GIL 20 – ‘Low energy
domestic lighting’ and CE61 – ‘Energy efficient lighting - guidance for
installers and specifiers’.
In respect of this standard:
•
fixed light fittings include only the main light sources to a
room
and not
display or feature lighting such as picture lights,
kitchen
wall cupboard
lights, over mirror lights. A light fitting may contain one or more lamps and
a group of lamps operated by the same switch could be counted as one
fitting, e.g. A pair of wall lights;
•
low energy light fittings should include the provision of lamps/bulbs.
In the case of conversions, as specified in regulation 4, the
building
as
converted
shall meet the requirements of this standard in so far as is
reasonably practicable
, and in no case be worse than before the
conversion
(regulation 12, schedule 6).
6.5
—
6.5.0
domestic | energy | artificial and display lighting | 2010
6.5.1 Fixed internal lighting
Whilst lighting generally represents a relatively small proportion of energy use
in the home, this aspect of domestic energy demand can be limited simply
and effectively, at very little cost, through the use of energy efficient light
fittings and lamps.
Accordingly, a minimum of 75% of the fixed light fittings and lamps installed
within a
dwelling
should be low energy type, with a luminous efficacy at least
45 lumens/circuit watt, for example tubular fluorescent and compact
fluorescent fittings (CFL’s).
These fittings may be either:
•
dedicated fittings which will have a separate control gear and will only take
low energy lamps (e.g. pin based lamps); or
•
standard fittings supplied with low energy lamps with integrated control
gear (e.g. bayonet or Edison screw base lamps).
Common areas
Lighting to common areas of
domestic buildings
should follow the guidance
above for
dwellings
with the following exception:
•
all fixed light fittings and lamps provided to corridors, stairs and other
circulation areas should be low energy type. Controls to such lighting, to
enable safe use of the areas in question, are identified in guidance to
standard 4.6.
6.5.2 Fixed external lighting
Where fixed external lighting is installed, such as to enable safe use of
external areas when natural light levels are not sufficient or for security during
the hours of darkness, measures should be taken to prevent wasteful use of
energy by such fittings.
Fixed external lighting should either:
•
be rated at not more than 100 lamp-watts per light fitting with automatic
control by both movement detection (e.g. PIR) and photocell to ensure
operation only when needed; or
•
have fittings with an efficacy of at least 45 lumens per circuit-watt, with
automatically control by photocell to ensure operation only when needed.
In addition to the above, manual switching may be provided to override
operation of automatic controls.
6.5.1
—
6.5.2