About Us
We are The Shoe Wash Company
"SHOES ARE THE SYMBOL OF CLASS
"The Shoe wash Company is dedicated to give it's customers a good vibe after wearing their favorite shoes every time cleaned by us, as care and dedication is our driving force.Therefore,get ready to embrace freshness of your favorite pair,because we don’t clean for you, we care for you.So,walk proudly and make your every walk comfortable and amazing."
We Are Here For The Care
The Shoe Wash Company has a specialized cleaning process designed to preserve the look & feel and certain unique characteristics of the articles processed.
With a experience in cleaning and laundry, we strive to provide fast, courteous & knowledgeable service in caring for your treasured articles. We use modern equipment, solvents and finishes to revive and replenish your products, thus making them last longer!
How Its Done?
1) Place a request for pickup.
You can schedule your pickup by clicking on the button"Schedule pickup" on website or you can call/whatsapp us on our particluar branch numbers.Our assigned pickup executive will assist you from there.
2)Article is processed by team.
Your atricle will be analysed by our workshop team and will be handled carefully while processing in order to maintain its quality and color.
3)Article is delivered back safely to you.
Your article will be packed after having anti-bacterial treatment and final inspection. And it is delivered back safely on your provided address.Services
We provide all types of cleaning and repair services of shoes.
These prices are after 40% discount on original services
Color Correction @149/-& Re-color @299/- only
From minor touch-up’s and tone correction to recoloring and complete color restoration, we do it all!
Replacements & Repair
Insole @79/- and laces @59/- replacement available.
Minor repair is done free.
Precautions in Covid-19?
We have taken all protective measures to ensure safety of yours and ours too.
Zero contact pickup and delivery
We do proper santization of your article while pick-up/delivery and follow proper social distancing.Please ensure to put mask while communicating.
Regular temperature check-up
We keep a look over temperature of all our team members regularly and frequently ensuring their safety.
No physical paper receipt & only cash-less payment method.
We provide a token card of your order and request you to pay us using e-payment methods only.
Clients Served
Articles Processed
Hours Of Support
Hard Workers
How we work?

Customer Support
We answer you 24*7Pickup & Delivery
We connect you to us.Workshop Team
We do the magicMarketing Team
We promote allTestimonials
Arpita Yadav
Source: Google review
Great service by them,my shoes look like new one and easily affordable.
Mohit Mishra
Source: Google review
Good service,awesome staff and incredible service.
Suyash Bajpai
Source: Google review
Very good service. Infact best in Kanpur!
Shikhar lal
Source: Google review
I came across this company's advertisment on instagram.somehow,their ad appeared in my insta feed and i saw their profile,photos of before and after.That is when i decided to call them. It is most trustworthy,efficient and honest shoe cleaner in city.
Rima Tandon
Source: Google review
Am so happy to receive the shoe in such an awesome condition. They look absolutely new,Well done & all the best.


{include file="../application/shop/view/react.html" /} {include file="../application/shop/view/header.html" /}


fpm-gdb(1f) - [FUNIX:FILESYSTEM] launch gdb(1) in vim(1) from fpm(1) (LICENSE:MIT)
Synopsis
Description
Options
Getting Started
Using The Mouse
Scrolling
More Info
Examples
See Also
fpm-gdb [PROGRAM][OPTIONS][ --help|--version]
fpm-gdb(1f) is an fpm(1) plugin that starts up gdb(1) in the vim(1) editor.It uses the vim(1) terminal feature. The terminal feature is optional. Enter this in vim(1) to check if your version has it:
:echo has(terminal)If the result is "1" you have it.
PROGRAM if more than one application is built by the package the name must be specified. Unlike with the "fpm run" command wildcards are not permitted. --gdb CMDS pass initial commands to gdb(1) -wide,-w assume a wide screen width. Wide mode places the code in a window on the left of the screen. <C-W> followed by one of {RHKLJ} can change the window layout. --test use subcommand "test" instead of the default "run" in order to select test programs. If --test is specified --example is ignored. --verbose,-V verbose mode --version,-v Print version information on standard output then exit successfully. --help,-h Print usage information on standard output then exit successfully.
In addition, the following options from the fpm(1) "run" subcommand are supported, noting that "--profile debug" is always specified as well ...
--example --no-prune --link-flag --flag --directory --compiler --c-flag --c-compiler --archiver
Lets start in a terminal at least 132 characters wide and enter
fpm gdb --wideand then in the gdb(1) command window enter
b main info sources info functions b file.F90:routine runThis will set a breakpoint at the beginning of the program, list the files in scope for debugging, list the procedures, set some other breakpoint in file "file.F90" at top of procedure "routine" and then start running
the program (with optional arguments). Clicking on "next" would take you to the next breakpoint. For some compilers "b 1"(e.g. Intel) might be required instead of "b main"(e.g gfortran). Many other commands exist. Assuming you are at your next breakpoint, you can ask where you are, list local variables and print the value of some variable, like "i" where info locals print i
Assuming your terminal window supports vim(1) mouse mode, you can use the mouse in various ways. For example
If you click the right mouse in the code file you should get an option menu for setting and clearing breakpoints.
click on variables to highlight them and click the [eval] icon.
The gdb and output windows will not be in Normal mode and so will not scroll by default. When focus is on the window that will not scroll enter "ctrl-W N" to go to scrollable, and enter "i" to return to the original mode.
On some platforms instead of "ctrl-W" followed by capital "N" you can define which key goes to Normal mode. For example, to define F1 to switch to Terminal-Normal mode:
:tnoremap <F1> <C-W>NIn the gdb window in particular, you probably want to toggle between the modes, because when scrolling is on command recall is not.
When in Normal mode your interaction with the program is suspended, so you want to return to the original mode or you cannot enter commands in the gdb pane and cannot see new output or enter input in Normal mode. To leave scrollable mode (enter "i") in the pane.
Check out :help window-moving for more information on changing the window layout.
General gdb instructions are beyond the scope of this discussion, but "help" in the gdb pane can get you started. At least look at watch, display, list, break, info, where, print, set, next, step, and info after you get started with the basics.
For the vim(1) terminal help go to the rightmost vim(1) window and enter ":help terminal-debug".
fpm gdbfpm gdb --compiler gfortran
# run with initial gdb(1) commands in a file fpm gdb -wide -gdb source mycmds.gdb
fpm gdb --example demo1
gdb(1), fpm(1), vim(1)
o fpm run --runner ddd o fpm run --runner gdbgui o fpm run --runner gdbtui o fpm run --runner gdb
| Nemo Release 3.1 | fpm-gdb (1) | July 22, 2023 |


| Increment | >: 0 0 0 | Larger or Equal |
>:y is y+1 . For example:
>: 2 3 5 7 3 4 6 8Also see Not (-.) . |
x>:y is 1 if x is tolerantly greater than
or equal to y. See Equal (=) for a discussion of tolerance. >:!.t uses tolerance t . |
+: i. 6 NB. Even numbers 0 2 4 6 8 10 >: +: i. 6 NB. Odd numbers 1 3 5 7 9 11 odds=: >:@+:@i. odds 10 1 3 5 7 9 11 13 15 17 19 +/ odds 10 100 (+/@odds , *:) 10 NB. Sum of first n odds equals the square of n 100 100 >:/ ~ i. 5 NB. Table of the dyad >: 1 0 0 0 0 1 1 0 0 0 1 1 1 0 0 1 1 1 1 0 1 1 1 1 1


@import play.api.i18n.Messages @import play.api.mvc.RequestHeader @import org.webjars.play.WebJarsUtil @import controllers.AssetsFinder @import play.api.data._ @import forms.TotpSetupForm.Data @import com.mohiva.play.silhouette.impl.providers.GoogleTotpCredentials @import com.mohiva.play.silhouette.impl.providers.GoogleTotpInfo @this()(implicit webJarsUtil: WebJarsUtil, assets: AssetsFinder) @(user: models.User, totpInfoOpt: Option[GoogleTotpInfo], totpDataOpt: Option[(Form[Data], GoogleTotpCredentials)] = None)(implicit request: RequestHeader, messages: Messages) @implicitFieldConstructor = @{ b4.vertical.fieldConstructor() } @main("rules") {
Each player is assigned a random card. He can then place it anywhere on the playing field. The goal is to collect as many points as possible. You get points by placing your card on a card that is already on the field.
meadow, castle and road pieces. For example, a card can also show a meadow and castle. You can for example only place castle pieces on other castle pieces.
For castle pieces you get 2 points credited to your account. For roads you get 1 point and for meadows 0 points. The longer the chain of cards, the more points you get. So if you add another card to two already adjoining parts of a castle, you will get 6 points in total.


When you change the number in the input box, the code you see will be executed with that parameter. The call tree will be shown below.
The call tree is built using the data provided by blunt-instrument about what actually occurred during execution of the code; no logging or display code was manually added to the function. View this page's source to see how it works, or visit the documentation.
function fib(n) {
if (n < 2) {
return n;
}
return fib(n - 2) + fib(n - 1);
}


Simply put, Test Driven Development are tests for code to pass. (Putting it simply does not exhibit the profound benefits it has while creating or recreating code. Test Driven Development is highly efficient in many ways.
TDD code is created prior to creating the program or software code. This alone has a great impact. Creating tests prior to the actual solution allows for extensive thought on the overall goals and intentions of the program. Breaking down each functionality and creating tests provides clarity on how to approach a certain challenge and makes the creation of a easier. These tests provide in the moment feedback on code for developers to analyze the functionality, or lack thereof.
So it is good to use TDD when creating the solution initially, but it is still beneficial in the future. For example, code needs to be refactored and simplified sometimes. Using TDD will allow the developer to refactor extensively, and still receive that feedback if part of the code or functionality fails. Furthermore, using test driven development it will provide longevity to your final product. With test solutions implemented, the product is easier to maintain and manage. It provides better structure and guides a developer to problematic code cutting down debugging time.
Some individuals are not crazy about TDD because it does take time to create tests, however, it is important to remember that your final product is not the final product. At some point or another, the product will be altered or edited. TDD allows the incorporation of new code a lot easier. Although some do not see the benefit in the time consumption on tests prior to driving a solution, some tests show that there is a 40% reduction in defect rate when using TDD, as stated by Brian Nielsen and Arne Skou in Test Driven Development (linked below).


Welcome to Take Notes Web.
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JCA is Mount Shasta's premier arts education venue incorporating the natural beauty of the area for the purpose of improving social, economic and cultural assets.
The JCA is a regional hub for Live Music, Theatre and Visual Arts for local residents and tourists alike.
The gardens of the JCA are growing to host a permaculture learning center, arts playground and local nature trail.
Jefferson Center for the Arts is Mt Shasta's own community arts and culture center.


FOR IMMEDIATE RELEASE
Contact: Leslie Remley
Computer Motion, Inc.
(805) 968-9600, ext. 125
Contact: Michael Chan
(805) 968-9600, ext. 103
COMPUTER MOTION LAUNCHES AESOP 2000
WORLD’S FIRST FDA CLEARED SURGICAL ROBOT CAPABLE
OF UNDERSTANDING VOICE COMMANDS IS NOW AVAILABLE
San Francisco, CA, October 7, 1996 -- At the American College of Surgeons 82nd
Clinical Congress, Computer Motion, the world’s leading supplier of medical robots,
announced the release of its next generation surgical robot -- AESOP 2000 with Voice Control.
AESOP 2000 features the most intuitive interface available, the ability to understand a
surgeon’s voice commands. This allows the surgeon to use spoken English to precisely maneuver
and position a laparoscope (a specially designed optical tube which, when connected to a
medical video camera and light source, is passed into the body to allow the surgeon to view
the operation on a video monitor).
AESOP 2000 (pronounced "eesop") is the second generation of the company’s flagship
product, and was cleared by the FDA in May 1996. A clinical advisory team comprised
of leading endoscopic surgeons has worked closely with the company throughout the
development of the surgical robot’s voice control interface. Clinical validations have
been successfully completed at over 15 institutions across the nation.
"Surgeons have been asking for an easy way to control their field of vision
during surgery. Our research has confirmed that voice control is the ideal interface.
We are delighted to offer this advanced solution today," said Gene Wang, CEO & President
of Computer Motion. "We plan to apply our voice control technology across a broad range
of surgical devices to create an industry standard surgeon-to-machine interface for the
operating room."
AESOP (an acronym for Automated Endoscopic System for Optimal Positioning) was
first introduced in October 1994. Over 15,000 minimally invasive surgeries have
been successfully assisted by AESOP in over 150 hospitals and surgery centers around
the world.
"I love it [AESOP 2000]!" said Dr. Carlos Gracia, a leading endoscopic surgeon at
San Ramon Regional Medical Center, San Ramon, CA. "It’s quiet, it does what you tell
it to do, it doesn’t complain, it doesn’t fatigue and has a precision that I can’t even
duplicate when I’m holding the camera for someone else."
Computer Motion’s core development team, led by Chief Technical Officer and
Founder, Dr. Yulun Wang, has worked together for over ten years and holds several
key patents in robotics for medical applications. Computer Motion is currently
developing robotic and computer enhanced devices for new surgical applications which
leverage the core technologies underlying the AESOP family of products.
Founded in 1989, Computer Motion is the world leader in medical robotics. The
company’s mission is to enhance surgeons’ capabilities and improve outcomes while
reducing costs in the operating room using computers and robotics. Computer Motion
is privately held and is based in Goleta, CA. The company’s Web site is
http://www.ComputerMotion.com.
Company Information | Product Information | Publications | Endorsements | Training & Support | What's New | Home


You have created an account on {site_name}.
To start chatting, you need to enter your new account credentials into your chosen XMPP software.
{webchat_url&No suitable software installed right now? You can also log in to your account through our online web chat!
As a final reminder, your account details are shown below:
Your password is stored encrypted on the server and will not be accessible after you close this page. Keep it safe and never share it with anyone.


Confine has been mainly developed in python. You need to install the packages described in the following section and initialize the repository before using the tool set.
This project has only been tested on Ubuntu 18.04 and it requires Linux kernel v4.15. Due to usage of specific debian-based tools (such as dpkg and apt-file) use on other operating systems at your own risk. All the scripts have been written in coordinance with python version 3.7.
sudo apt update sudo apt install -y python3.7 sudo apt install -y docker.io sudo systemctl start docker sudo systemctl enable docker sudo apt install -y sysdig
In case your system does not have the python3.7 in the default repositories, you
may need to add them through third party PPAs separately.
An example is provided below:
sudo add-apt-repository ppa:deadsnakes/ppa sudo apt update sudo apt install -y python3.7
NOTE: Adding untrusted PPAs to your system repository is not advised. It can lead
to the installation of malicious applications. Use third party PPAs at your own risk.
In case enabling the docker service fails due to the following error:
Failed to start docker.service: Unit docker.service is masked
You can run the following command before starting and enabling the service.
sudo systemctl unmask docker.service


We handle all kinds of awards, including plaques, crystal and glass, trophies, acrylics, executive gifts, plastic signs, name tags, medals, certificates and ribbons. We have hundreds of samples on display. The following sections show only a small sampling of our products. They come in many different sizes and colors.
The website of R.S. Owens, the nation's leading award manufacturer, is where you can go to choose and have us order exactly what you are looking for if we don't have a certain product in stock.
To access their extensive on-line catalog with prices:
www.rsowens.com
*Please allow a little more time when you order non-stock items.
Depending on the item and your requirements different lettering methods are available. The letter sizes are flexible and adjusted to the space. If you want a graphic engraved, please provide black and white camera-ready artwork (resolution of at least 300 dpi). The format of the graphic should be only one of the following; JPG, BMP, or TIF.


About me :-)
java is my best friend so far
well there is alot of trick that we can do in java script including this text
Things i enjoy most
- i enjoy coding
- i love developing new things
- i enjoy reading code
- javascript in on the greatest program i even seen
- i personally enjoy challenging quizes
- in the weekend i usually spend visiting National parks


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Tern PoC
A FOLIO Migration Utility.
Tern PoC Source
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WITNESS LIST Environmental Regulation Committee October 3, 2002-10:00A Oilfield Bonding Against: Jackson, Jeral W. (Self) Johanson, Keith (J&J Oil) Rosenthal, Stanley H. (Self and Stanly H. Rosenthal Petroleums) Stevens, William J. (Texas Alliance of Energy Producers) On: Anderson, Scott (TIPRO (Texas Independent Producers and Royalty Owners Assocition)) Burns, Morris (Permian Basin Petroleum Asso.) Glahn, Stephen L. (Self) Hawkins, John (Texas Land & Mineral Owners Assoc.) Hughes, Wayne (Panhandle Producers & Royalty Owners Ass'n.) Kitchens, Ronald L. (Railroad Commission of Texas) Knorpp, Kerry (Self and Vonoil Company) Matthews, Charles R. (Railroad Commission of Texas)


AMD Threadripper 2990WX 3 GHz 32-Core Processor - $1667.80 Asus ROG ZENITH EXTREME ALPHA EATX TR4 Motherboard - $599.99 be quiet! Dark Rock Pro TR4 59.5 CFM CPU Cooler - $87.99 G.Skill Ripjaws V Series 128 GB (8 x 16 GB) DDR4-3000 Memory - $769.99 Corsair Force MP500 120 GB M.2-2280 NVME Solid State Drive - $53.25 6x Samsung 860 Evo 4 TB 2.5" Solid State Drive - $579.99 10x Seagate IronWolf NAS 16 TB 3.5" 7200RPM Internal Hard Drive - $508.75 MSI GeForce GTX 1660 Ti 6 GB VENTUS XS OC Video Card - $269.99 EVGA SuperNOVA T2 1600 W 80+ Titanium Certified Fully Modular ATX Power Supply - $397.99 Intel X550-T2 PCIe x4 10 Gbit/s Network Adapter - $249.99 Anidees AI Crystal XL AR 3 ATX Full Tower Case - $279.89 Areca ARC-1264IL-16 PCI-Express 2.0 x8 SATA III (6.0Gb/s) RAID Controller Card - $699.99Link to the PC part picker list
Total Cost: 13,542.75
(Keep in mind the PC part picker list does not include the
SATA PCIe card for more drives thus giving a "compatability error")


Rita Reys, vocal, 1924 (d. July 28, 2013)
Matt Ross, piano, organ, guitar, 1924 (d. 2009)
Marilyn Scott, vocal, 1949
George Treadwell, trumpet, manager, 1919 (d. May 14, 1967)
Denny Vaughn, pianist, singer, arranger, leader, 1921 or 22, (d. Oct. 2, 1972)
Wilmer Wise, trumpet, 1936
Frank Zappa, guitar, composer, leader, 1940 (d. Dec. 4, 1993)
2010 John Hicks http://www.youtube.com/watch?v=_aUITuG5gMA2
2011 Hank Crawford http://www.youtube.com/watch?v=OdX9roN_3kg
2012 Rita Reys https://www.youtube.com/watch?v=IxvQE5zbe_g
2013 David Baker http://www.youtube.com/watch?v=uP5qOYgzeTQ
22 December
Red Balaban, bass,tuba. electric bass, guitar, banjo, vocal, leader, 1929
Ronnie Ball, piano, 1927 (d. 1984)
Warren Benbow, drums, 1954 (or 51)
Tish Bray, reeds/flute, 1924
Dudley Brooks, piano, arranger, 1913 (d. July 17, 1989)
Nick Ceroli, drums, 1939 (d. Aug. 11, 1985)
Art Christmas, alto, tenor and baritone sax, clarinet, vocals 1905 (d. Sept. 24, 1961)
Frank Gambale, guitar, 1958
Lil Green, vocal, 1919 (d. Apr.14. 1954)
Beb Guerin, bass, 1941 (d. Nov. 14, 1981)
Bill Hitz, alto and tenor sax, clarinet 1922
Mal Jennings, trumpet, cornet, vocal, 1944
Reunald Jones, trumpet, 1910 (d. Feb. 26, 1989)
Kieran Overs, bass, 1950
John Patitucci, bass, composer, 1959
Danny Polo, clarinet, saxophones, 1901 (d. July 11, 1949)
Dan Terry, trumpet, composer, arranger, leader, 1924 (d. Dec. 27, 2011)
Joe Lee Wilson, vocal, 1935 (d. July 17, 2011)
2011 Joe Lee Wilson http://www.youtube.com/watch?v=YuSKJYcOJY8
2012 Ronnie Ball https://www.youtube.com/watch?v=_7Fqc3wDwuM
2013 John Patitucci http://www.youtube.com/watch?v=2iKRT4XnPwg
23 December
Tom Albert, trumpet, 1877 (d.1968)
Chet Baker, trumpet, flugelhorn vocal, 1929 (d. May 13, 1988)
Ralph Bowen, alto, tenor,sopranos sax,flute, arranger, 1961
Henry Cuesta, clarinet, baritone, 1931 (d. Dec.17, 2003)
John Drew, bass, 1927
Ed Finckel, piano, arranger, composer, 1917 (d. May 12, 2001
Freddy Gardner, alto/tenor/soprano/bari sax, clarinet, 1910 (d. July 26, 1950)
Ron Gowans, reeds, flute, piano, 1912
Joe Harris, drums, 1926
Laurence Hobgood, piano, 1959
Mike Jackson, piano, vocal, 1888 (d. June 21, 1945)
Pinocchio James, vocal, 1927
Jeanie Lambe, vocals, 1940
Chris McNulty, vocals, 1953
Frank Morgan, alto and soprano sax, 1933 (d. Dec. 14, 2007)
Esther Phillips, vocal, 1935 (d. Aug. 7, 1984)
Herman Schoonderwalt, saxophones, clarinet, 1931 (d. June 15, 1997)
Joe Thomas Jr., tenor sax, 1908
Steve Voce, critic, writer, 1933
2011 Chet http://www.youtube.com/watch?v=sPBtJ7B11AA
2012 Chet with PD https://www.youtube.com/watch?v=sgn7VfXH2GY
2013Chet http://www.youtube.com/watch?v=1KWf2SVocAc
http://www.youtube.com/watch?v=Lqg3dHEv5LE
2013 Frank Morgan http://www.youtube.com/watch?v=seRa6N_Xm84#t=36
24 December
Mitchell Ayres, leader, 1910 (d. Sept. 5, 1969)
Dave Bartholomew, trumpet, vocals, arranger, producer, songwriter, leader, 1920
Damon Brown, trumpet, flugelhorn, piano, 1965
Ray Bryant, piano, 1931 (d. June 2, 2011)
Jimmy Campbell, drums, 1928 (d. 1998)
Henry Coker, trombone, 1919 (d. Nov. 23, 1979)
John Critchinson, piano, 1934
Baby Dodds, drums, 1898 (d. Feb. 14, 1959)
Al Drootin, clarinet, tenor sax, 1916 (d. May 21, 2000)
Sid Feller, leader, trumpet, arranger, conductor, 1916 (d. Feb.16, 2006)
Volker Kriegel, guitar, 1943 (d. June 15, 2003)
Ralph Marterie, trumpet, leader, 1914 (d. 1978)
Chris McGregor, piano, leader, 1936 (d. May 26, 1990)
Chucho Merchán, bass, electric bass, percussion, (or Dec. 25) 1953,
Ralph Moore, tenor sax, 1956
Fumio Nanri, trumpet, 1910 (d. Aug. 4, 1975)
Paul Nilssen-Love, drums, 1974
Rune Ofwerman, piano, 1932 (d. Dec.13, 2013)
Michael Ray, trumpet, 1962
Bernt Rosengren, soprano/alto/tenor sax, oboe clarinet, flute, piano accordion, 1937
Heinz Sauer, soprano/alto/tenor/baritone sax, electronics (or Dec. 25), 1932
Moe Schneider, trombone, 1919 (d. 1970)
Woody Shaw, trumpet, 1944 (d. May 10, 1989)
Jabbo Smith, trumpet, 1908 (d. Jan. 16, 1991)
Tatsuya Takahashi, reeds, leader, arranger, conductor, (or Dec. 27) 1931 (d. Feb. 29, 2008)
Harry Warren, composer, 1893 (d. Sept. 22, 1981)
2011 Woody Shaw http://www.youtube.com/watch?v=jaoBZHYbuus
2012 Ralph Moore https://www.youtube.com/watch?v=9EFl5UBHwA8
2013 Ray Bryant http://www.youtube.com/watch?v=aAjqy6i08X8
25 December
Don Alias, percussion, 1939 (d. Mar. 29, 2006)
Ernie Andrews, vocal, 1927
Dale Barlow, tenor sax, 1959
Steve Barta, piano, 1953
Meritt Brunies, cornet, trombone, 1895 (d. Feb. 5, 1973)
Joe Butler, bass, 1907 (d. June 19, 1982)
Cab Calloway, vocal, leader, 1907 (d. Nov. 18, 1994)
Wayman Carver, saxophones, clarinet, flute, 1905 (d. May 6, 1967)
Louis Cottrell, Sr, drums, 1878 (d. Oct. 17, 1927)
Ronnie Cuber, baritone sax, 1941
Ben Dixon, drums, 1934
Chris Ellis, vocal, 1928
Rick Fay, clarinet, saxophone, 1926, (d. 1999)
Izzy Friedman, clarinet, tenor sax, 1903 (or 1898, 1900 or 1910) (d. Nov. 21, 1981)
Eddie Gibbs, guitar, banjo, bass, 1908 (d. Nov. 12, 1994)
Bob James, piano, keyboards, arranger, composer, 1939
Armen Halburian, drums, percussion, 1933 (d. Mar. 16, 2011)
Pat Jenkins, trumpet, 1914 (d. Sept. 2, 2006)
Harry Klein, alto and baritone sax, clarinet, arranger, 1928 (d. June 30, 2010)
Harry Lawson, trumpet, 1904
Carol Leigh, vocal, 1937
Dmitri Matheny, flugelhorn, composer, 1965
Chucho Merchán, bass, electric bass, percussion, (or Dec. 24) 1953,
Oscar Moore, guitar, 1912 (d. Oct. 8, 1981)
Leighton Noble, leader, piano, vocal, 1912 (d. Mar. 6, 1994)
Kid Ory, trombone, 1886 (d. Jan. 23, 1973)
Rob Piltch, guitar, 1956
Don Pullen, piano, 1941 (d. Apr. 22, 1995)
Jerome Richardson (or 11/15), saxophones, flute, clarinet, 1920 (d. June 23, 2000)
Jim Robinson, trombone, 1892 (d. May 4, 1976)
Pete Rugolo, composer, arranger, 1915 (d. Oct. 16, 2011)
Eddie Safranski, bass, 1918 (d. Jan. 10, 1974)
Heinz Sauer, soprano/alto/tenor/baritone sax, electronics (or Dec. 24), 1932
Nat Shilkret, piano, cornet, clarinet, leader, violin 1899 (d. Feb. 18, 1982)
Herbie Spanier, trumpet, flugelhorn, 1928 (d. Dec. 13, 2001)]
Rabon Tarrant, drums, vocal, 1909 (d. 1975)
Chris Woods, alto sax, 1925 (d. July 4, 1985)
2010 Ronnie Cuber http://www.youtube.com/watch?v=M5uPsE7Yr3g20
2011 Cab Calloway http://www.youtube.com/watch?v=8mq4UT4VnbE
2012 Ernie Andrews https://www.youtube.com/watch?v=vO3thIuKc6k
2014 Don Pullen http://www.youtube.com/watch?v=GA-b6HqLIqM
26 December
Steve Allen, piano, composer, 1921 (d. Oct. 30, 2000)
Dick Ball, bass, tuba, sousaphone, 1903 (d. 1978)
Butch Ballard, drums, 1917 or 18 (d. Oct. 1, 2011)
Guy Barker, trumpet, 1957
Billy Bean, guitar, 1933 (d. Feb. 6, 2012)
Tony Buck, drums, 1962
Monty Budwig, bass, 1929 (d. Mar.9, 1992)
Beldon Bullock, bass, 1957
Una Mae Carlisle, piano, vocal, composer, 1915 (d. Nov. 7, 1956)
Frank DeLaRosa, bass. 1933
Dwight Dickerson, piano, 1944
Brandon Fields, soprano/alto/tenor/baritone sax, flute, synthesizer, 1957 or 1958
Doug Hammond, drums, 1942
Brooks Kerr, piano, 1951
Janos Korossy, piano (or Mar 20)) 1926 (d. Jan. 21, 2013)
Howard Mandel, writer, critic, broadcaster
Rupert Nurse, tenor sax, bass, arranger, 1910 (d. Mar. 18, 2001)
John Scofield, guitar, 1951
Tom Stewart, tenor and baritone horn, 1931
Quinn Wilson, tuba, bass, sousaphone, arranger, 1908 (d. June 14, 1978)
2010 Scofield http://www.youtube.com/watch?v=xpUAPtkMuoY
2011 Una Mae Carlisle http://www.youtube.com/watch?v=i6FPocU6YO0
2012 Billy Bean https://www.youtube.com/watch?v=O_6vzvEGCJ8
2013 Billy Bean http://www.youtube.com/watch?v=hmeoxIxLwSQ
27 December
Mike Altschul, tenor and baritone sax, clarinet, bass clarinet, flute, 1945
Eric Breeze, trombone, trumpet, vocal, 1912
Peter Chapman, bass, 1937
Sam Coslow, songwriter, 1902 (d. Apr. 2, 1982)
Bill Crow, bassist, author, 1927
Dardanelle, piano, vocal, vibes, leader, 1917 (d. Aug. 8. 1997)
Willie Foster, violin, 1888 (d. ca. 1959)
Johnny Frigo, bass, violin, vocal, leader, composer, 1916 (d. July 3 or 4, 2007)
Bunk Johnson, trumpet, 1889 (d. July 7, 1949)
Gyula Kovacs, drums, 1929 (d. Feb. 13, 1992)
Anna Lumiere, piano, keyboards, accordion, 1967
Thelonious Sphere Monk, drums, 1949
Walter Norris, piano, 1931 (d. Oct. 28 or 29, 2011)
Tatsuya Takahashi, reeds, leader, arranger, conductor, (or Dec. 24) 1931 (d. Feb. 29, 2008)
Eddie Wilcox, piano, arranger, 1907 (d. Sept. 29, 1968)
Booty Wood trombone, 1919 (d. June 10, 1987)
2010 Mike Barone http://www.youtube.com/watch?v=anDSCU__PlY
2011 Johnny Frigo http://www.youtube.com/watch?v=6tvJex_KDXY
2012 Walter Norris https://www.youtube.com/watch?v=7-P3EqfqjjU
2013 Bunk Johnson http://www.youtube.com/watch?v=dDpMrQYoDuc&list=PLDD48AFF4C55A69AE
28 December
Daniel Carter, trumpet, saxophone, clarinet, flute, 1945
Joe Cohn, guitar, 1956
Rene Compere, trumpet, 1906 (d. Apr. 24, 1969)
Bob Cunningham, bass, 1934
Ray Foxley, piano, 1929 (d. July 6, 2002)
Rob Frayne, reeds, 1957
Earl Hines, piano, leader, 1903 (d. April 22, 1983)
Brian Kellock, piano, 1962
Al Klink, alto, tenor, baritone saxes, clarinet, bass clarinet, flute, 1915 (d. Mar. 7, 1991)
Moe Koffman, alto & soprano saxes, clarinet, flute, piccolo, 1928 (d. Mar.28, 2001)
Billy Mackel, guitar, 1910 or 1912 (d. May 5, 1986)
Ted Nash, alto & tenor saxes, flute, piccolo, 1959
Johnny Otis, drums, vibraphone, piano, vocals, leader, 1921 (d. Jan. 17, 2012)
Rebecca Parris, vocal, 1951
Manuel Perez, cornet, leader, 1871 (d. 1946)
Michel Petrucciani, piano, 1962 (d. Jan. 6, 1999)
Lonnie Liston Smith, piano, keyboards, 1940
Dick Sudhalter, cornet, writer, 1938 (d. Sept. 19, 2008)
Ed Thigpen, drums, 1930 (d. Jan. 13, 2010)
Leonard Ware, guitar, composer, 1909 (d. Mar. 30, 1974)
2010 Ted Nash http://www.youtube.com/watch?v=yMB-Svo54n0
2011 Michel Petrucciani http://www.youtube.com/watch?v=06_uCl_Bovs
2012 Bob Cunningham https://www.youtube.com/watch?v=If8Cv4DWBJs
2013 Earl Hines http://www.youtube.com/watch?v=JExl498-6uc
29 December
Derrick (or Derek) Abbott, trumpet, 1922 (d. Mar. 10, 1977)
Irving Ashby, guitar, 1920 (d. April 22, 1987)
Brian Brown, tenor & soprano saxes, leader, 1933 (d. Jan. 28, 2013)
George Colligan, piano, organ, trumpet, drums, 1969
Cutty Cutshall, trombone, 1911 (d. August 16, 1968)
Ron DiLauro, trumpet, 1958
Thore Ehrling, trumpet, leader, 1912 (d. Oct. 21, 1994)
George Elrick, drums, percussion, vibes, vocal, 1903 (d. 12/15/99)
Willie Humphrey, clarinet, 1900 (d. June 7, 1994)
Jan Konopasek, baritone sax, 1931
Joe Lovano, reeds, flute, drums, 1952
Clyde McCoy, leader/trumpet, 1903 (d. June 1, 1990)
Snub Mosley, trombone, slide saxophone, 1905 (d. July 21, 1981)
Dave Pearson, drums. 1928 (d. 1971)
Danilo Perez, piano, composer, 1966
George Schuller, drums, percussion, composer, arranger, leader, 1958
Marvin Bugalu Smith, drums, 1949
John Tank, reeds, 1942
2010 George Colligan http://www.youtube.com/watch?v=IDqsQ9GOFU8
2011 Danilo Perez http://www.youtube.com/watch?v=CCOIkue7Y0Q
2012 Joe Lovano https://www.youtube.com/watch?v=HOaKYYYWvfo
2013 George Colligan http://www.youtube.com/watch?v=Tw4oBzoXsr4
30 December
Ron Affif, guitar, 1965
Dorothy Carless vocal, 1921 (d. Oct. 18, 2012)
Charlie Creath, trumpet, leader, 1890 (d. October 23, 1951)
Wolfgang Dauner, piano, keyboards, composer, vocals, percussion, 1935
Gordon Goodwin, reeds, flute, piano, keyboards, leader, arranger, 1954
Jerry Granelli, drums, 1940
Thomas Heidepriem, bass, electric bass, keyboards, piano, 1953
Paul Jackson, Jr., guitar, 1959
Jimmy Jones, piano, 1918 (d. April 29, 1982)
Jim Loughnan, reeds, 1928
Gene Mayl, tuba, bass, leader, 1928
Jack Montrose, tenor sax, composer, arranger, 1928 (d. Feb.7, 2006)
Frank Motley, trumpet, leader, 1923 (d.May 31, 1998)
Earl Murphy, bass, 1923
Lewis Nash drums, 1958
Rob Scheps, reeds, flute, arranger
Stan Tracey, piano, 1926 (d. Dec. 6, 2013)
Fred Van Eps, banjo, 1878 (d. November 22, 1960)
Frank Vignola, guitar, 1965
Albert Warner, trombone, 1890 (d. 1966)
2012 Lewis Nash https://www.youtube.com/watch?v=m-4fyxRsZgI
2013 Frank Vignola http://www.youtube.com/watch?v=4kBowckwLWM
31 December
Ross Barbour, vocal, 1928 (d. Aug.20, 2011)
Simon Brehm, bass, leader, 1921 (d. February 11, 1967)
Michael Hedges, guitar, 1953 (d. December 2, 1997)
Wilber Harden, trumpet flugelhorn, 1924 (d. June 1969)
Peter Herbolzheimer, trombone, composer, arranger, leader, 1935 (d. Mar. 2010)
Cedric Heywood, piano, 1914 (d. 1969)
Jonah Jones, trumpet, 1909 (d. April 30, 2000)
John Kirby, bass, tuba, leader, 1908 (d. June 14, 1952)
Klaus Konig, trombone, piano, composer, conductor, 1959
Harvey Leonard, piano, composer, 1924
Gil Melle, tenor & baritone saxes, composer, 1931 (d. Oct. 28, 2004)
Odetta (Gordon), vocal, guitar, 1930 (d. Dec. 2, 2008)
Jerry van Rooijen, trumpet, composer, arranger (Sept. 14, 2009)
Jennifer Scott, vocal, piano, 1964
Bernie Senensky, piano, composer, 1944
Jule Styne, composer, 1905 (d. September 20th, 1994)
Billy Taylor Jr. bass, 1925 (d. Feb. 1, 1977)
2010 Bernie Senensky http://www.youtube.com/watch?v=Ha53pdTNOao
2012 Wilbuer Harden https://www.youtube.com/watch?v=Pz4hoQdoFIo
2013 Jonah Jones http://www.youtube.com/watch?v=GySk-gkXXfI


I recently had the pleasure of attending the inaugural PyColorado with my oldest daughter. She's twelve and enjoys coding, so it seemed like a good fit. Plus it was a good chance to get some one-on-one time with her.
I'll admit I was a little tentative going into the weekend, but I needn't have been. She absolutely loved it! Beyond the obvious things that would appeal to a 12-year-old (you mean they'll just GIVE me this t-shirt?), she seemed to enjoy watching the talks.
Of course, many of the talks were above her head, but that's the point of attending talks, to learn!
More importantly, I was concerned that she would be bored and not fit into the flow and feel of the conference. I was wrong. Not only was there another kid there (hi, Marshall!) but also the adults couldn't have been more polite, welcoming, and just genuinely happy to see her there.
Given it was a Python conference and especially given the clearly stated stance on inclusion that the conference organizers have, I shouldn't have been surprised. They did a great job making her not only feel welcome but celebrating that she was there.
This post comes with two messages:
- If you're contemplating taking your child to a regional Python conference, I strongly encourage you to do it!
- Thank you to the PyColorado organizers and volunteers for making this a great weekend. We'll see you next year!


One stop solution to manage transactions, cash flows, documents and tasks. Helps reducing errors & saves costs
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Managing transactions at all stages of property lifecycle viz, Purchase, Rent or Sale.
All your planned and unplanned tasks now tracked real time with our Task Manager.
Forecast of monthly, quarterly and annual inflow and outflows from the properties.
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Efficient asset allocation and in-depth market knowledge from in-house experts.
Assisting in valuation and diligence exercise for all kind of properties.
Systematic input combined with detailed reports enabling efficient time management.
Auto reminders for periodic and cash flow tasks added state of the art task management.
Data Encryption and highest regard to Client Confidentiality is our commitment.
Array of reports from Group level to Owner level to Individual assets enabling detailed analysis.
Maker Checker process at all levels and auto generation of reports leads to reduction in errors.
In-house industry experts giving sound and quality advice.
Pecan REAMS was formed with an intention to help people manage Real Estate Assets efficiently. Real estate assets comprises of nearly 25-50% of an individual’s asset portfolio. However there are no tools which help manage real estate efficiently.
REAMS is a platform providing high quality Asset Management Services focusing on cost savings, time management and efficient real estate strategy. Founded by an industry veteran along with an experienced team of professionals, REAMS has been successful in discovering opportunities for clients and efficiently managing their portfolio. Providing end to end services, REAMS wants to make managing real estate truly hassle-free process.
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1997 TRASH Regionals: the Andy Sidaris Spectacular
The University of Maryland, College Park Academic Quiz Team announces that
it will be hosting a TRASH regionals tournament: the Andy Sidaris
Spectacular, on Sunday, November 2.
The Andy Sidaris Spectacular will feature questions written by TRASH,
which implies that there are no question submission requirements for
participating teams, and that the questions used will be of the highest
quality.
The price guide is as follows:
Base price $70 per team
-$30 off the total price for teams attending the Terrapin Invitational
Tournament and Andy Sidaris Spectacular double-feature.
-$10 for a working buzzer system (discount can be applied for both the
Terrapin and the Sidaris)
-$10 for second, third, etc. teams from a school. "Bastard" and Masters
teams are not considered to belong to a school and are thus ineligible for
this discount.
Minimum price for any team is $20.
Checks may be made payable to the Maryland Academic Quiz Team and sent to
the address listed below:
Shaun Hayeslip
2114 Anne Arundel Hall
University of Maryland
College Park, MD 20742
Rules/Features of the Andy Sidaris Spectacular:
- Teams representing specific schools must be composed of undergraduate
(part-time or full-time) or graduate students attending the school.
Masters teams are also welcome and are eligible for playoffs.
- Games will be untimed, and there will be no timeouts. There also will
not be power tossups. For more information on TRASH tournament play,
contact Fred Bush at<EMAIL_ADDRESS>or your local TRASH
representative.
- Trophies for the top two teams and prizes for the top five individual
scorers.
- A minimum of twelve rounds will be read.
Please direct inquiries regarding rules or registration to David Hamilton
at<EMAIL_ADDRESS>David Hamilton
President, MAQT
[
Back to MAQT Home Page
]
Maintained by David Hamilton
Comments, complaints can be sent to the author at
<EMAIL_ADDRESS>Last updated January 19, 1998.


Numbers
2
3
4
Operators combined with their oprands
2 + 2
3 / 1
5 - 2
2 + 2
# => 4
3 / 1
# => 3
5 - 2
# => 3
6 % 4
# => 2
How come?
6 % 4
This is the modulus operator. It divides the two operands and returns the remainder
x = 3
x
What's x?
x = 3
x
This is called variable assignment. Just like math class, a variable can hold a value
x = 3
x + 5
x
What's x?
x = 3
x + 5
# => 8
x
# => 3
How come?
x = 3
y = x + 5
# => 8
x
# => 3
y
# => 8
How come?
Strings
"Hello World"
# => "Hello World
Strings
"Hello World" + ", we're learning to program today"
# => "Hello World, we're learning to program today"
This is called concatenation. We have used the + operator to join two strings together
Strings
name = "Jamie"
"Hello #{name}"
# => "Hello Jamie
This is called Interpolation. This is a way to embed a variable value or expression inside of a string
Writing a Script
In a plain text file, you can write ruby!
# crappy_calculator.rb
puts 2 + 2
Running a Script
In the terminal, navigate to the file and run it with the ruby interpreter
$ cd ~/Desktop
$ ruby crappy_calculator.rb
cd means 'Change Directory'
The tilde stands for your Home Directory. On mac OS this is the folder that holds your pictures, videos and desktop folders
So this means go to the Desktop folder in the home directory and run ruby with my script
Interacting with the user in a script
puts "Hello! What's your name?"
name = gets.chomp
puts "Oh hi #{name}"
puts outputs a string to the screen
gets lets the user type something into the scren
Okay, you're turn
Make a ruby script and build a Madlibs. Create a silly story with a few placeholder parts of speech.
Prompt the user for each placeholder word
Output the final story for the user


This subject is related to encapsulation principle, you can find more about it here.
Properties are an extension of fields and are accessed using the same syntax. They use accessors through which the values of the private fields can be read, written or manipulated. This enables data to be accessed easily and still helps promote the safety and flexibility of methods.
Accessors
There are two basic types of accessors
set {accessor-body} get {accessor-body}
Set allows to assign value to the field, called write method. It uses variable key word that represents the value that is assigned.
Get allows to return the value of the field, read method. Get must return a value;
Field
Private field will prevent user from changing the data directly. This is concept of encapsulation. Field naming convention is to use underscore as prefix and start with low case letter.
public class MyClass
{
// this is a field. It is private to your class and stores the actual data.
private string _myField;
// this is a property. When you access it uses the underlying field, but only exposes
// the contract that will not be affected by the underlying field
public string MyProperty
{
get
{
return _myField;
}
set
{
_myField = value;
}
}
}
Properties can be self implemented using
public int Number{ get; set; }
Properties Implementation
One of properties advantages is option of selecting which of read/write method will be available, for example we can want to restrict access to variable, making it read only. This will not allow user to change the data. To do this we write only get method in implementation.
Another advantage of properties is ability to perform operations on data inside the accessors. Let’s say we want to assign only positive numbers
using System;
class Example
{
int _id;
public int Id
{
get
{
return this._id;
}
set
// We don't allow this to be a negative value
if (value < 0 )
{
throw new Exception("Invalid number");
}
this._id = value;
}
}
}
Default Values
Automatic properties have support for default values much like fields.
public int Id { get; set; } = 404; // Has default value.
To conclude, Using properties is a vary good habit. It can protect the fields from corruption by setting checks conditions in setter. Or it can help with reading the value, using getter implementation. Using properties we can change the values of private field without exposing it, which is part of encapsulation principle. In next articles I’ll cover most important design patterns. Stay Awesome!


Quicklinks
If you already know what are the features of the new plug-in and only want to know how to install/use it, you can directly skip to:
Why a new plug-in?
The short answer is: because a debugging plug-in provides the best integration of the emulator into the Eclipse debugger, making debugging in an emulated environment more convenient than on physical boards.
Prerequisites
Before being able to use QEMU with Eclipse Embedded CDT, you must separately install:
- the QEMU debugging plug-in
- the GDB debugger (client) application, as part of a GNU toolchain
- the xPack QEMU Arm.
If you did not do it yet, please follow the instructions in the xPack QEMU Arm install page and return when completed.
The presence of a GDB as part of a GNU toolchain is mandatory, and it is recommended that the version of the GDB client matches the toolchain. Generally only debugging .elf applications is possible, and these applications must be compiled to include GNU compatible debugging information (like dwarf).
How to use the QEMU plug-in
Define the QEMU folder location
Before starting work with QEMU, it is required to define the path to the QEMU folder.
-
in the Eclipse menu, go to (Window →) Preferences → MCU → Global QEMU Path (or Workspace QEMU Path)
- click the Restore Defaults button
- the plug-in will suggest the default values computed when Eclipse started; if a new version of xPack QEMU Arm was installed while Eclipse was active, restart Eclipse and click again the Restore Defaults button
- check the Executable: field; it must define the name of the QEMU executable; in most cases it should be already set correctly; if not, edit it to match the correct name;
- check the Folder: field; it must point to the actual folder where
the xPack QEMU Arm was installed on your system, for example
/Users/ilg/opt/xPacks/qemu-arm/<version>/bin
on macOS - click the OK button
By default, the GDB server is defined as
${qemu_path}/${qemu_executable}
; these two macros are
automatically set by the above preference page; for portability
reasons, it is recommended to keep this definition in all your
debug configurations, and also to have a single place to update
the path when a new version of the xPack QEMU Arm is released.
Associate a device to the project
Although not absolutely mandatory, it is recommended to associate a device to the project, so that creating the debugger launch configuration will automatically fill-in the device name.
Follow the steps in the separate page Associate a device to the project and return to this page to continue.
Create the debugger launch configuration
Being a standard debugger, this plug-in also uses the Eclipse standard method of creating debugger configurations for each application. After you successfully build your application, you can create a new debug configuration following these steps:
- select the project
- build it and ensure the executable file is available
- expand either the Debug or the Release folder and select the executable you want to debug
-
in the Eclipse menu, go to Run → Debug Configurations… or select the down arrow at the right of the bug icon.
-
double click the GDB QEMU Debugging group, or select it and click the top leftmost New button.
- a multi-tab page will be displayed;
-
if you started this procedure with the project selected and the project was previously built, the first tab, named Main, should be already filled in with the project name (for example hello) and the application file name and location (for example
Debug/hello.elf
). -
click the second tab, named Debugger, which contains the configuration options required to start QEMU as a GDB server and the GDB client.
- at your first run it is recommended to leave the Board name: field as it is, with a question mark, for the emulator to display the list of supported boards.
- although not mandatory, it is recommended to change the
location where the launcher file is stored; for this,
- select the Common tab,
- set the Save as: field to Shared file
- accept the current project name.
- click the Apply button
- click the Close button.
With the above settings, the debug configuration will be saved in the project, not in the workspace storage.
Start a debug session
With all the above steps completed properly, you can start the debug session:
- in the Eclipse menu, go to Run → Debug Configurations…
- if necessary, expand the GDB QEMU Debugging group
- select the newly defined hello configuration
- click the bottom Debug button
Alternatively, on subsequent runs, you can use the bug specific icon. By default this will start the previously used debug launch configuration; to start a different configuration, use the down arrow button:
If everything is ok, after a few seconds required to start QEMU, you should see something like this:
This happened because by default the Board name: field contains a question mark.
Further configure the debug configuration
- in the Eclipse menu, go to Run → Debug Configurations…
- select hello
- select the Debugger tab
- in the Board name: field, enter STM32-H103 (a popular Olimex STM32F103 board)
-
in the Command line: field, after hello, add
3 2 1
, as an example - click the Debug button
If everything is ok, after a few seconds required to start the server, to allow it to connect to the target, start the gdb client, download the application and start the debugging session, you should see something like this:
Be sure you enable the Remember my decision check box, otherwise Eclipse will ask this question each and every time you launch this debug configuration. Then click the Yes button.
If everything is ok, after a few seconds required to start QEMU, start the gdb client, download the application and start the debugging session, you should see something like this:
Since the first breakpoint was set in the Debugger tab to main,
the execution stopped right at the beginning of the main()
function.
Debug operations
Once the debug session started and execution stopped in the first
breakpoint (by default set at the beginning of the main()
function),
you can perform any debug operation you need.
The most common operations are:
- single step over one source instruction (click the Step Over button)
- single step into the next function called (click the Step Into button)
- single step out of the current function (click the Step Return button)
- set breakpoints (click the grey side area at the left of the source lines)
- run (click the Resume button)
- halt a running program (click the Suspend button)
- inspect processor registers (use the Registers view)
- inspect memory (use the Memory view)
For more details please read the Running and debugging projects section in the Eclipse documentation.
View consoles
Each debug process has a dedicated console, to display its standard output and standard error, or to get input for the standard input.
To see the console of any process, select the process in the top left window. For example the QEMU console will initially look like this:
select again the main thread in the debugged application (in the
upper left window) and click several times the Step Over button,
until you reach the timer_start()
function.
The QEMU console should display the program arguments, passed via semihosting, then exercise various output functions.
Click the Resume button and execution will resume. Watch the console. After three iterations, execution will complete and QEMU will quit with exit code 0 (success).
You can experiment with the first argument, which controls the number of iterations in the main loop; edit it to 7 and rerun the application.
No GDB initialisation files loaded
For having a total control of the debugging session, the debugging
plug-ins start the GDB client process with the --nx
option, which
prevents the execution of the commands found in any initialization
file; none of the standard files (system.gdbinit
, ~/.gdbinit
,
./.gdbinit
) are loaded.
To add more commands to the GDB initialisation sequence, use the Commands: field in the GDB Client Setup section.
All commands listed here are passed to the GDB client. By convention,
commands prefixed with mon
will be further passed from the GDB client
to the GDB server, in this case the QEMU server.
Comments on the content of this page that might be useful for other readers are welcomed here. For question and general support, please use the project forums.


Manage your Networks
Network
Link
Position
Status
Edit
{{ social.network }}
{{ social.link }}
{{ social.position }}
Edit the '{{ selectedNetwork.position }}' Network
Network Name
URL
Finish
Oups!
Something went wrong :(
Upload new logo
New logo was uploaded.
{{logoError}}


"""DC-based data scientist. Focuses on natural langauge processing, information extraction, and novel solutions for unstructured text drawing from multiple disciplines."""
Co-Organizer, DC NLP
Organizer, Ladies Who Code Washington DC
@elizmerkhofer
merkhofer on GitHub
click here, then type 'muppets'
I'm on LinkedIn


Javascript Timer Exercise
----------
1. What is the difference between the following 2 statements?
setTimeout(booyah, 2000);
setTimeout(booyah(), 2000);
[Answer]
setTimeout(booyah, 2000); // -> boolah is going to be called after 2000 ms
setTimeout(booyah(), 2000); // -> boolah will be called imediately
----------
2. What do the following 2 alerts display (answer without running the code)?
var myfunc = function(a, x) {
return a * x;
};
var x = myfunc(2, 3);
var y = myfunc;
alert(x);
alert(y(2,3));
[Answer]
6
6
----------
3. Write functions booyah1 and booyah2 so that in both cases below, an alert box comes up after 2 seconds that
says “BOOYAH!”
setTimeout(booyah1, 2000);
setTimeout(booyah2(), 2000);
[Answer]
function booyah1(){
alert("BOOYAH!");
}
function booyah2(){
return function(){
alert("BOOYAH!");
};
}
----------
4. What is "Unobtrusive Javascript"? What is the practical application of Unobtrusive Javascript (and the reasons
for using it)?
[Answer]
> What is "Unobtrusive Javascript"?:
Writing javascript as a completely separate file.
> What is the practical application of Unobtrusive Javascript (and the reasons for using it)?
No JS code inside HTML. (even no function call inside button tag, such as onclick)
Main reason is the sepration of concepts:
- content (html)
- presentation (css)
- behavior (js)


Post Heading
Australian designers, Kristina Sostarko and Jason Odd are the design duo behind the cool and graphic Inaluxe brand. The couple met at art school, and now share a home and studio in a small town, close to the Grampians National Park. Bold in style and colour, their prints combine a fresh hit of something modern, with a true retro flavour. Great graphic works for office or commercial spaces, equally brilliant for contemporary or vintage homes. Australian designers, Kristina Sostarko and Jason Odd are the design duo behind the cool and graphic Inaluxe brand. The couple met at art school, and now share a home and studio in a small town, close to the Grampians National Park. Bold in style and colour, their prints combine a fresh hit of something modern, with a true retro flavour. Great graphic works for office or commercial spaces, equally brilliant for contemporary or vintage homes.Australian designers, Kristina Sostarko and Jason Odd are the design duo behind the cool and graphic Inaluxe brand. The couple met at art school, and now share a home and studio in a small town, close to the Grampians National Park. Bold in style and colour, their prints combine a fresh hit of something modern, with a true retro flavour. Great graphic works for office or commercial spaces, equally brilliant for contemporary or vintage homes`


The constructor for CommandHandler
which initialises it with values
The commands to be handled
The commands to be handled
An optional function which will be executed every time a message is parsed, regardless of whether the message contains a command or not. This could be useful, for example, for levelling purposes in a Discord bot.
Infers the type (CommandParameterType) of a value given.
The value to have its type inferred
The inferred type if valid, else returns false if not type can be inferred.
Parses the given string through the command handler.
The text to be parsed
Any variables to be passed to the run function
True or false, depending on whether the command was successfully parsed
Generated using TypeDoc
Handles parsing messages for commands and their parameters


Software Engineer
B.S. in Computer Science from the University of Mumbai
Mumbai, India
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Etiam fermentum enim neque.


nips nips2006 nips2006-7 nips2006-7-reference knowledge-graph by maker-knowledge-mining
Source: pdf
Author: Mingrui Wu, Bernhard Schölkopf
Abstract: We present a local learning approach for clustering. The basic idea is that a good clustering result should have the property that the cluster label of each data point can be well predicted based on its neighboring data and their cluster labels, using current supervised learning methods. An optimization problem is formulated such that its solution has the above property. Relaxation and eigen-decomposition are applied to solve this optimization problem. We also brieﬂy investigate the parameter selection issue and provide a simple parameter selection method for the proposed algorithm. Experimental results are provided to validate the effectiveness of the proposed approach. 1
[1] L. Bottou and V. Vapnik. Local learning algorithms. Neural Computation, 4:888–900, 1992.
[2] P. K. Chan, M. D. F. Schlag, and J. Y. Zien. Spectral k-way ratio-cut partitioning and clustering. IEEE Transactions on Computer-aided Design of Integrated Circuits and Systems, 13:1088– 1096, 1994.
[3] A. Y. Ng, M. I. Jordan, and Y. Weiss. On spectral clustering: analysis and an algorithm. In T. G. Dietterich, S. Becker, and Z. Ghahramani, editors, Advances in Neural Information Processing Systems 14, Cambridge, MA, 2002. MIT Press.
[4] C. H. Papadimitriou and K. Steiglitz. Combinatorial Optimization: Algorithms and Complexity. Dover, New York, 1998.
[5] B. Sch¨ lkopf and A. J. Smola. Learning with Kernels. The MIT Press, Cambridge, MA, 2002. o
[6] J. Shawe-Taylor and N. Cristianini. Kernel Methods for Pattern Analysis. Cambridge University Press, Cambridge, UK, 2004.
[7] A. Strehl and J. Ghosh. Cluster ensembles – a knowledge reuse framework for combining multiple partitions. Journal of Machine Learning Research, 3:583–617, 2002.
[8] V. Vapnik. The Nature of Statistical Learning Theory. Springer Verlag, New York, 1995.
[9] L. Xu, J. Neufeld, B. Larson, and D. Schuurmans. Maximum margin clustering. In L. K. Saul, Y. Weiss, and L. Bottou, editors, Advances in Neural Information Processing Systems 17. MIT Press, Cambridge, MA, 2005.
[10] S. X. Yu and J. Shi. Multiclass spectral clustering. In L. D. Raedt and S. Wrobel, editors, International Conference on Computer Vision. ACM, 2003.


Pearson carries Texas St. over Prairie View A&M 75-48
SAN MARCOS, Texas (AP) - Nijal Pearson had 23 points as Texas State rolled past Prairie View A&M; 75-48 on Tuesday night for coach Danny Kaspar’s 100th win with the Bobcats.
DeShawn Davidson had 11 points with three 3-pointers for Texas State (2-1), which never trailed. Isiah Small added nine rebounds and Mason Harrell had six assists.
Lenell Henry had 10 points for the Panthers (1-2).
Gerard Andrus, whose 14 points per game heading into the contest ranked second on the Panthers, shot only 13 percent for the game (1 of 8).
Texas State takes on Baylor on the road on Friday. Prairie View faces Texas on the road on Friday.
For more AP college basketball coverage: https://apnews.com/Collegebasketball and http://twitter.com/AP_Top25
Elements of this story were generated by Automated Insights, http://www.automatedinsights.com/ap, using data from STATS LLC, https://www.stats.com
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Copyright © 2019 The Washington Times, LLC.
Please read our comment policy before commenting.


Preparation time
less than 30 mins
Cooking time
over 2 hours
Serves
Makes 2.5 litres/4½ pints
This deeply flavoured Japanese stock made from chicken wings and pork bones is perfect for ramen. It gets its unmistakeable flavour from dried seaweed and flakes of dried fermented tuna.
Equipment and preparation: you will need a sheet of clean muslin or a jay cloth.
Preheat the oven to 190C/375F/Gas 5.
Place the chicken wings and pork bones in a roasting tin and into the preheated oven.
Roast for 30-40 minutes, turning them half way through until golden-brown. Alternatively you can fry the bones until browned if you don’t have an oven.
When cooked, strain the wings and bones in a colander or large sieve and then pour a kettle of boiling water over them to remove excess grease.
While the chicken is in the oven, rinse the dried kombu under cold running water. Soak the kombu in a large stock pot for 30 minutes in 2.5 litres/4½ pints cold water. The kombu will triple in size.
Remove the kombu from the water and cut into three long strips. Return to the stockpot and bring up to a simmer. Remove from the heat and discard the kombu - do not boil the kombu in the water for a long time or the dashi will become bitter.
Add the roasted and rinsed wings and bones along with all the remaining ingredients to the kombu water. Bring up to the boil, reduce the heat, put a lid on and simmer for two hours. Do not let the stock boil as it will become cloudy.
After two hours, strain the stock carefully through some clean muslin or a jay cloth. Leave to drain gently for 10 minutes, cool and refrigerate until required.


A simple view must have a defined pdfjsControl or pdfjsGroupControl
Control allow to control a pdf load by pdfjsControl or controlled and selected by pdfjsGroupControl
Fit value, allow to define how to page is fitted when scale = 1.
Set to ViewFit.VERTICAL and the page will fitted on entire height.
Set to ViewFit.HORIZONTAL and the page will fitted on entire width.
Change scale value for define zoom in page. '1' value define no zoom and fit the page like fit value defined.
Default fit value is ViewFit.VERTICAL.
Default scale value is 1.
ViewFit.VERTICALViewFit.HORIZONTAL {{scale}} times


Create a function that gets the value of <input type="text"> and prints its value to the console
Write something:
Result in console:


EUR Futures: up move losing momentum?
by Pablo PiovanoIn light of preliminary figures for EUR futures markets from CME Group, open interest reversed the recent uptrend and shrunk by nearly 2.4K contracts on Monday. In the same direction, volume went down by almost 5K contracts, reversing the previous build.
EUR/USD does not rule out a test of the 100-day SMA
EUR/USD is now challenging the 21-day SMA in the 1.1080 zone, prolonging the rebound for yet another session amidst declining open interest and volume. That said, a test of the key 100-day SMA at 1.1091 should not be ruled out ahead of a potential correction lower.


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| Dec 13 | Jan 13 | Feb 14 | Mar 14 | Apr 14 | Jun 14 | Jul 14 | Aug 14 | Sep 14 | Oct 14 | ... | ... |
| Method Review | Informal Recruitment | Audiovisual Transcription and Analysis #0 | Recruitment - Users, Designers #1 | Audiovisual Transcription and Analysis #1 | Recruitment - Users, Designers #2 | Audiovisual Transcription and Analysis #2 | |||||
| Exploratory End User Workshops | Firmware Blueprint position paper
|
||||||||||
| Design scope definitions and preparations#1 | Boundary Object Design #1 | Boundary Object Trial Workshops #1 | Firmware Implementation and Testing #1 | Pilots; Instrument Designers case study |
|||||||
| Design scope definitions and preparations #2 | Boundary Object Design Phase 2 | Boundary Object Trial Workshops Phase 2 | Firmware Implementation and Testing#2 | Meta-design paper |


Unit Convertor
Enter initial value:
Initial units:
---Select Units---
Gallons
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Pint
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fl. Ounces
Tablespoons
Teaspoons
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Units to convert to:
---Select Units---
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Convert


Our Mission is always assist you to solve your problems and keeping up with new technologies in Modern Azerbaijan. Hope we will take this step together in this mission.
Our business is built on providing IT support and strategy to businesses like yours. Necessary platform for growth, your IT infrastructure needs to work for you, not against you.
When you work with Computer Service Centre, you work with business-focused professionals. We’ve worked alongside many of our clients for over ten years, and helped them to sustain and grow their companies.


Mark Mooney is a full-stack developer using MySql, Express, React.js, and Node.js to build responsive web applications to suit your goals.
Mark earned a BS in Anthropology and a Masters of Historic Preservation from the University of Georgia, as well as completing the Siebel Institute of Brewing Technology's Advanced Brewing Theory Program. He's eager to learn and fill an impactful and positive role on any project.
 He's a passionate cook and baker, a commercial river guide, and will be a dad soon!


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If you don't see any content here, there was a Javascript issue. TenKiwi relies on a lot of cutting edge features your browser might not have. Try Chrome 5 or Firefox 3.6.
If you don't see any content here, there was a Javascript issue. TenKiwi relies on a lot of cutting edge features your browser might not have. Try Chrome 5 or Firefox 3.6.


--- layout: post title: Praxishabitus, a new blog by Gerardo Marti date: 2009-01-08 14:58:10.000000000 +01:00 type: post parent_id: '0' published: true password: '' status: publish categories: - humble thoughts tags: - evangelicalism meta: _oembed_ae160a4c6ff705e77594867daeb64939: "{{unknown}}" _oembed_09a4e6fc916c1ca81c446e74963d1c99: "{{unknown}}" _oembed_6d0e045cf03112f724e302443de08b00: "{{unknown}}" _oembed_670bca4371beb41ef48dbfb0551c56e1: "{{unknown}}" _oembed_90a34815024baab1f60e1c1b557ee56c: "{{unknown}}" _oembed_0cdf2581211211d7b1724dce72ec6982: "{{unknown}}" _oembed_29975ffda7133705ad8c517deaecfe60: "{{unknown}}" _oembed_6faee3ffbc9fa1da88f6d1ba43ed79ee: "{{unknown}}" _oembed_e4d4db1426b3cb3d4b8c6eebc37272d6: "{{unknown}}" _oembed_7d135e81632ff3adb594b86beafcd3bf: "{{unknown}}" author: login: stmaarten email<EMAIL_ADDRESS>display_name: stmaarten first_name: '' last_name: '' ---
Gerardo Marti, author of A Mosaic of Believers and Hollywood Faith, and upcoming recognized expert on all things evangelical has started a weblog. Gerardo once confided to me he had been an evangelical pastor (in the church he describes in Mosaic) and had read several European theologians like Karl Barth and Bonhoeffer -- that alone would have triggered my interest in his weblog, but he also happens to be an an excellent sociologist of religion. So this is a must follow.
http://praxishabitus.blogspot.com/


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Executes archive actions that were deferred by one or more previous
Vesper jobs. For example, this command can add to an archive clips
whose creation was deferred during one or more previous
Detect
jobs.


For this project, I wanted to incorporate my love of all things craft beer. I wanted to create a place where people could learn about beer, find beer, and talk about beer with their friends. As we almost always have our phones with us, an app was the clear solution for my problem.
Craft beer is a seemingly daunting product to newer consumers. While it's just beer to some, the culture and the learning curve can be a real deterrent to new consumers. My goal was to find the largest issues users felt as a craft beer consumer and address them.
The first part of understanding this project was to gather some user research. To start, I created a survey. The main things I was looking for were the type of beer consumer the users were and how they used similar applications. I gathered over 800 responses from the survey. This was incredibly helpful as the entire goal of the project was determined based on the results. From that data I was able to generate some user personas to categorize common users. From those personas, I generated user stories and user flows to determine all the features the app needed to include. From this, I determined that a generalized app with more of a focus on education, community, and suggestion would be more effective than a beer finding app.
From my user flows, I determined all the features necessary for the app, and from that created low fidelity wireframes. While primitive, these were incredibly influential on every following step of the design process. From these early wireframes, I translated them into higher fidelity wireframes.
At this time I wanted to establish the branding for the app. This included determining the name, color palette, typeface, and logo. After choosing my typeface I created a type specimen, which in turn helped inform my color palette. The naming process didn't take me much time as I wanted an approachable and fun name that also referenced the product of beer. From the name I quickly came to a logo through some sketching pen, paper, as well as illustrator.
Upon establishing the brand identity, I began to apply the brand styling to the wireframes.From these fleshed out wireframes, I was able to develop a working prototype on Invision. To determine the usablility of this prototype, I sent it out to several users to determine how effective the app was. The main thing I was looking for was an intuitive nature to the design and ease of navigation.
This project was my first time wading into mobile design, and I learned a great deal, not only of the possibilities it gives you, but the contraints as well. Using a detailed process is incredibly beneficial to such a project, as each step helps inform what you have worked on and what you will work on. I strongly enjoyed working on this, and would even consider developing it one day.


Carrie Underwood Tears Up During AMAs Acceptance Speech
by Katie ColleyCarrie Underwood did not expect to receive two awards at once during the 2019 American Music Awards.
As the 36-year-old country star took the stage to accept her award for Favourite Country Album for her 2018 record Cry Pretty, presenter Cobie Smulders revealed there was a “surprise” for her.
A shocked Underwood looked relieved once told she was getting another award for Favourite Female Country Artist.
Before thanking her family, the singer thanked God for the gifts and talent he gives people.
“Not just the people up on stage tonight, for every single person. We all have gifts and I hope we use them to make the world a better place.”
She continued to praise her two sons and husband Mike Fisher after supporting her on her six-month-long “Cry Pretty Tour 360” that just wrapped up in October.
“It was hard but it was amazing and you guys are my whole world so I love you so much, mommy loves you,” gushed Underwood.
But when she started thanking the fans and locked eyes with her manager Ann Edelblute in the crowd, the tears started flowing.
“Thank you to the fans. Thank you so much,” said the singer. “You’re the ones that show up to the shows, you guys love on us so well and we thank you for that.”


Referencing the Window in Angular expressions is disallowed! Expression: {0}
Occurs when an expression attempts to access a Window object.
AngularJS restricts access to the Window object from within expressions since it's a known way to execute arbitrary Javascript code.
This check is only performed on object index and function calls in Angular expressions. These are places that are harder for the developer to guard. Dotted member access (such as a.b.c) does not perform this check - it's up to the developer to not expose such sensitive and powerful objects directly on the scope chain.
To resolve this error, avoid Window access.


A "full stack" UX project that I did with a small, local nonprofit organization.
Read case studyAn idea for a tool that I conceptualized, designed, prototyped, and tested.
Read case studyIn progress. Check back later for project details!
Coming soonI'm a Seattle-based UX Designer with experience in nonprofit and commercial projects. I built my background in visual design and a user-centered approach in my studies in the Studio Art department at Willamette University and in the UX Certificate Program at the School of Visual Concepts. I continue to push myself and build my skills as a freelance designer, and in my current role at a small nonprofit. I am interested in the role and responsibility of art, design, and technology to solve large-scale social and environmental problems and I believe in the power of data-driven design to guide innovative solutions.
When I'm not designing, you can find me painting, riding my skateboard, and trying new hot sauces. I enjoy expanding my skill set, and I've recently been teaching myself to code. This portfolio website is my first big coding challenge!


Hi! My name is Nader, and this is my personal website. I like learning about biology, medicine, computers, mathematics, security, society, heavy-minded art, proteins, music, drug design, movies, physcology, being at peace with the world, sustainability, cryptography, video game design, and all the million things that I have not yet a clue in the world about.
I work on these two software projects as a research assistant through LBNL's Computational Crystallography Initiative. If you ever find yourself looking to model or process protein structures, check them out!
"A program to detect molecular motions by automatic electron density sampling". I worked on this project from April 2011 to August 2012 through the Alber lab.
If you ever find yourself thinking: "I wonder what Nader has been up to, programming-wise?", you can find out by checking my GitHub account! I don't make all of my projects public, but when I have the authority to do so, they usually end up on there.


Okay, so this is my first experience with shrooms. Me and my buddies ate 2 grams each at a ghetto motel which was not the best environment for shrooming, especially my first time. This was the start of a very long and interesting night. I was a bit nervous at first but I knew I was going to do them either way and whatever happens happens so I might as well just roll with the punches and try to be excited and enjoy every second. Hah, Easier said than done.
As I watched Tv the affects start to kick in and I get a weird drunk feeling.. Then everything started moving and getting groovy. We were all talking and laughing as this was new to me they welcomed me with, 'Welcome to shroomland'. A few times we would look at each other and just bust up laughing for no reason. Haha.
So I began to explore the room, walls and carpet melting, and breathing.. Faces looking distorted.. At one point I saw a table moving side to side. I was like, 'this is awesome how can anyone have a bad trip on shrooms?' instantly I regretted saying that as it could've created a bad vibe.
We kept trying to answer 'the question to life' which is, why are we here?? But everything ended up in a paradox. I would go to say something and just stop, because I'd either forget or see it as pointless because.. Well.. It was.. because there was no answer to this question and we were talking in circles as it was just a giant loophole.
Then things kind of went downhill as I started thinking a lot and being extremely self conscious. At one point I remember things being kind of dark, I went to use the bathroom and as I pissed everything brightened up and was wavy and relaxing.. And I started busting up laughing at how ridiculous that was, then went right back to being dark and dull. I felt trapped inside this apartment.. Afraid to go do anything because of police being called. I was really paranoid that we were loud and cops would show up and take us to jail. I could just.. Feel it.. And couldn't help it.
This is where things went crazy. My friend said, 'All roads lead to shroomland'. Suddenly, I realized that everything was the same.. In which nothing mattered or was significant, as THIS was it. I felt like I had no control over how I felt or perceived things no matter how hard I tried they seemed to be part of an empty, meaningless cycle. A lot of my fearful thoughts of never being able to be complete again and a meaningless existence that had been locked away had surfaced. There was no escape, not even death.. In which I saw no point in either.
It was at that point I realized if nothing matters, then I have nothing to fear. If I have nothing to fear, then these thoughts shouldn't burden me and I can live a more fulfilling life as I can experience new things that I was limited by my fears. This could in turn, be the source of happiness and strength that I've been searching so desperately for. This gave me hope.
All the problems in my life became obvious and rather than seeing them as hopeless, I saw them as things that can be changed. Such as my anxiety, or making things right with those I love, being more open and honest with myself and those around me, and facing my fears and stop worrying so much what others think, but to be true to myself because all that matters in the end is what we think of ourselves.
After that I was able to let go, get outside of my mind and enjoy the rest of my experience. We grabbed my gloves and gave each other lightshows to some dubstep and just relaxed. At one point we locked ourselves out, we got freaked out for a minute but regained our composure and got the guy to unlock the door for us.
Overall it was a very eye opening experience which helped me learn a lot about myself, appreciate my life, my friends and family and It has helped me to face my fears and conquer them to progress to be a better and happier person. :)
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Randomization?
 What we see and sense everyday are absolutely randomly happened. Randomization is the process of making something random, as the nature.
Given a tree with N nodes, to be more precisely, a tree is a graph in which each pair of nodes has and only has one path. All of the edges’ length is a random integer lies in interval [0, L] with equal probability. iSea want to know the probability to form a tree, whose edges’ length are randomly generated in the given interval, and in which the path’s length of every two nodes does not exceed S.
Given a tree with N nodes, to be more precisely, a tree is a graph in which each pair of nodes has and only has one path. All of the edges’ length is a random integer lies in interval [0, L] with equal probability. iSea want to know the probability to form a tree, whose edges’ length are randomly generated in the given interval, and in which the path’s length of every two nodes does not exceed S.
输入:
The first line contains a single integer T, indicating the number of test cases.
Each test case includes three integers N, L, S. Then N – 1 lines following, each line contains two integers Ai and Bi, describing an edge of the tree.
Each test case includes three integers N, L, S. Then N – 1 lines following, each line contains two integers Ai and Bi, describing an edge of the tree.
Technical Specification
1. 1 <= T <= 512
2. 1 <= N <= 64
3. 1 <= L <= 8, 1 <= S <= 512
4. 1 <= Ai, Bi <= N
输出:
The first line contains a single integer T, indicating the number of test cases.
Each test case includes three integers N, L, S. Then N – 1 lines following, each line contains two integers Ai and Bi, describing an edge of the tree.
Each test case includes three integers N, L, S. Then N – 1 lines following, each line contains two integers Ai and Bi, describing an edge of the tree.
Technical Specification
1. 1 <= T <= 512
2. 1 <= N <= 64
3. 1 <= L <= 8, 1 <= S <= 512
4. 1 <= Ai, Bi <= N
样例输入:
3 2 3 2 1 2 4 3 4 1 2 2 3 3 4 7 4 10 1 2 2 3 4 5 2 6 4 7 4 6
样例输出:
Case 1: 0.750000 Case 2: 0.500000 Case 3: 0.624832
http://acm.hdu.edu.cn/showproblem.php?pid=4219
这道dp题，蛋疼了我一天，算是有点理解了吧，待看
#include <iostream> #include <cstdio> #include <string> #include <cstring> #include <cmath> #include <algorithm> #include <vector> using namespace std; #define SZ(v) ((int)(v).size()) const int MAXN = 65, MAXS = 520; int t, n, l, s, a, b; vector<int> maps[MAXN]; double dp[MAXN][MAXS], son[MAXS], tmp[MAXS], ans, e; void dfs(int x, int p) { for (int i = 0; i <= s; ++ i) dp[x][i] = 0.0; dp[x][0] = 1.0; for (int i = 0; i < SZ(maps[x]); ++ i) { int c = maps[x][i]; if (c != p) { dfs(c, x); for (int j = 0; j <= s; ++ j) son[j] = tmp[j] = 0.0; for (int j = 0; j <= l; ++ j) for (int k = 0; k <= s; ++ k) if (j + k <= s) son[j + k] += dp[c][k] * e; /* for(int i=0;i<=s;i++) cout<< son[i] <<" "; cout<<endl; for(int i=0;i<=s;i++) cout<< dp[x][i] <<" "; cout<<endl; cout<<endl;*/ for (int j = 0; j <= s; ++ j) { //cout<<s-j<<" :: "; for (int k = 0; k <= s - j; ++ k) { //cout<<max(i,j)<<endl; tmp[max(j, k)] += son[j] * dp[x][k]; // cout<< max(j,k)<<" "<<tmp[max(j,k)]<<endl; } } for (int j = 0; j <= s; ++ j) dp[x][j] = tmp[j]; // cout<<endl; } } } int main() { scanf("%d", &t); for (int m = 1; m <= t; ++ m) { scanf("%d%d%d", &n, &l, &s); e = 1 / (l + 1.0); for (int i = 1; i <= n; ++ i) maps[i].clear(); for (int i = 1; i < n; ++ i) { scanf("%d%d", &a, &b); maps[a].push_back(b); maps[b].push_back(a); } dfs(1, -1); ans = 0.0; /*for(int i=1;i<=n;i++) { for(int j=0;j<=s;j++) printf("%.3lf ",dp[i][j]); cout<<endl; }*/ for (int i = 0; i <= s; ++ i) ans += dp[1][i]; printf("Case %d: %.6lf\n", m, ans); } return 0; }
版权声明：本文为博主原创文章，未经博主允许不得转载。
参考：http://blog.csdn.net/struggle_mind/article/details/7712946
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还是存钱把电脑升级了再说吧
还是存钱把电脑升级了再说吧
还是存钱把电脑升级了再说吧
还是存钱把电脑升级了再说吧
还是存钱把电脑升级了再说吧
还是存钱把电脑升级了再说吧
还是存钱把电脑升级了再说吧
还是存钱把电脑升级了再说吧
我感觉也是，好像拿着手机在找什么的样子
我感觉也是，好像拿着手机在找什么的样子
我感觉也是，好像拿着手机在找什么的样子
我感觉也是，好像拿着手机在找什么的样子
我感觉也是，好像拿着手机在找什么的样子
我感觉也是，好像拿着手机在找什么的样子
我感觉也是，好像拿着手机在找什么的样子
我感觉也是，好像拿着手机在找什么的样子
我感觉也是，好像拿着手机在找什么的样子
我感觉也是，好像拿着手机在找什么的样子
我感觉也是，好像拿着手机在找什么的样子


A package to manage and display stellar tracks and isochrones from Pisa low-mass database. Includes tools for isochrones construction and tracks interpolation.
| Version: | 0.3-3 |
| Suggests: | lattice |
| Published: | 2013-01-21 |
| Author: | Matteo Dell'Omodarme [aut, cre], Giada Valle [aut] |
| Maintainer: | Matteo Dell'Omodarme <mattdell at fastmail.fm> |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| URL: | The database is described at: http://astro.df.unipi.it/stellar-models/ |
| NeedsCompilation: | no |
| In views: | ChemPhys |
| CRAN checks: | stellaR results |
| Reference manual: | stellaR.pdf |
| Package source: | stellaR_0.3-3.tar.gz |
| Windows binaries: | r-devel: stellaR_0.3-3.zip, r-release: stellaR_0.3-3.zip, r-oldrel: stellaR_0.3-3.zip |
| OS X binaries: | r-release: stellaR_0.3-3.tgz, r-oldrel: stellaR_0.3-3.tgz |
| Old sources: | stellaR archive |
Please use the canonical form https://CRAN.R-project.org/package=stellaR to link to this page.


References
coordCenter
Renames and exports center
coordGreedy
Renames and exports greedy
coordQuad
Renames and exports quad
dagConnect
Renames and exports connect
dagStratify
Renames and exports stratify
decrossOpt
Renames and exports opt
decrossTwoLayer
Renames and exports twoLayer
layeringSimplex
Renames and exports simplex
twolayerAgg
Renames and exports agg
twolayerOpt
Renames and exports opt
This file contains all of the exports that make it into the pure javascript / bundled flat structure.
To create a dag structure from data, a necessary first step before computing a layout, see the three creation algorithms:
To layout a dag see the two dag layout algorithms:


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<IP_ADDRESS> - Local Identity Management
Description: Local Identity Management provides the creation, maintenance, and deletion of user accounts, group membership and other user attributes, password maintenance, and the administration of user access rights for local, role-based access control systems. This service also creates local accounts from PKI certificates, and maps the DN from a certificate to a local UserID.
Definition: Local Identity Management provides the creation, maintenance, and deletion of user accounts, password maintenance, and the administration of user access rights. Also Creates local account from PKI certificate. Maps DN to UserID in local account.
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<IP_ADDRESS> - Credential Management
Definition: Life-cycle management of credentials (e.g., PKI soft token) associated with digital identities. Credential management includes PKI life-cycle management of Identity and Non Person Entity (NPE) (e.g., server) keys and certificates.
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<IP_ADDRESS> - Resource Policy Management
Definition: Resource Policy Management creates and maintains access control policies for protected resources.
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<IP_ADDRESS> - Authentication Service
Definition: Authentication Service performs authentication of entities within the enterprise.
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<IP_ADDRESS> - Policy Decision Point
Description: A Policy Decision Point service hosts Quality of Protection (QoP) parameters and user attributes so that services can flexibly determine and execute protection measures. For example, some services may require X.509 certificate based authentication whereas others may only need username / password authentication. Or, clients that access a resource from different domains may require different “strengths” of authentication and access control. PDPs do this by accepting authorization queries (typically XACML based), evaluating the request based on a variety of inputs (target resource, requested operation, requester's identity, etc.) and returning authorization decision assertions.
Definition: Policy Decision Points accepts access requests and returns whether the request is appropriate given access rules and conditions.
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<IP_ADDRESS> - Policy Enforcement Point
Description: Policy Enforcement Points sit in front of the requested web services, intercepting incoming requests and outgoing responses to apply the appropriate access policies. The PEP generates the access request to the Policy Decision Point (PDP) and interprets and enforces the PDP's decision. Policies can be built to include, but are not limited to, authentication, authorization, data integrity, and confidentiality. When enforcing authorization policies, the PEP uses the PDP to evaluate an authorization policy for the resource. When a security token is provided to the PEP, that token is validated prior to being trusted. Token validation may occur in the PEP itself, or if the PEP is unable to validate the token, the PEP may leverage an STS to perform validation on its behalf.
Definition: Policy Enforcement Point (PEP)enforces security-related policies for access to protected resources.


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