16 Oct - 23 Oct
3* Hotel
Only $99
10 Nov. - 24 Nov.
4* Hotel
Only $199
10 Nov. - 24 Nov.
4* Hotel
Only $299
10 Nov. - 24 Nov.
4* Hotel
Only $99
16 Oct - 23 Oct
3* Hotel
Only $99
10 Nov. - 24 Nov.
4* Hotel
Only $199
10 Nov. - 24 Nov.
4* Hotel
Only $299
10 Nov. - 24 Nov.
4* Hotel
Only $99
Subscribe to our newsletter to get exclusive prices to places you didn't even know they exist!
Discover your dream destination - from surfing, to cocktails on the beach & watching sunsets - there is a place for everything.
16 Oct - 23 Oct
3* Hotel
Only $99
10 Nov. - 24 Nov.
4* Hotel
Only $199
10 Nov. - 24 Nov.
4* Hotel
Only $299
10 Nov. - 24 Nov.
4* Hotel
Only $99
16 Oct - 23 Oct
3* Hotel
Only $99
10 Nov. - 24 Nov.
4* Hotel
Only $199
10 Nov. - 24 Nov.
4* Hotel
Only $299
10 Nov. - 24 Nov.
4* Hotel
Only $99
Have you ever wanted to see magic? The Northern Lights are nature's performance of true magic.
16 Oct - 23 Oct
3* Hotel
Only $99
10 Nov. - 24 Nov.
4* Hotel
Only $199
10 Nov. - 24 Nov.
4* Hotel
Only $299
10 Nov. - 24 Nov.
4* Hotel
Only $99
Discover delicacies from all over the world! Give your tastebuds a whole new experience!
16 Oct - 23 Oct
3* Hotel
Only $99
10 Nov. - 24 Nov.
4* Hotel
Only $199
10 Nov. - 24 Nov.
4* Hotel
Only $299
10 Nov. - 24 Nov.
4* Hotel
Only $99
Admire Africa's untamed wildlife and embrace the astonishing beauty of the savannas
Discover breathtaking views, mesmerising landscapes and an incredible cultural mix
Extraordinary culture, diverse food, vast countries to explore
Discover the uniqueness of the land down under
The diversity of the old continent at your disposal
Take a closer look at what North America has to offer


info draw settings
center: geoapi v1
north: south: east: west:
east-west: north-south:
zoom:
polygon:
map width map height Set
source Set
api Set
dot/comma
grid deg Set remove point Set remove polygon Set remove points Setremove
2013 Ondrej Sika, leaflet


| Home | About | Passion | My Music |
|---|
| Education |
||
| School | Degree | |
| St. Sebastian's College, Moratuwa, Sri Lanka. | B Sc. in Marketing Management(Hons) in Plymouth University United Kingdom |
| Work Experience |
|
| Dialog Axiata (PVT)LTD | Senior Executive In Data Analytics Worked as a member of a well known telecommunication company handling prepaid, postpaid and data categories. Further, did research studies about value-added services and did analysis on developing new systems. |


Transitioning between two visual states should be clear, smooth and effortless and not confuse the user. A well-designed transition does the heavy lifting and enables the user to clearly understand where their attention should be focused.
Share it if you like it
Customary cat!
You found me :)
Hierarchical timing
When building a transition, consider the order and timing of the elements' movement. Ensure that motion supports the information hierarchy, conveying what content is most important by creating a path for the eye to follow.
Consistent choreography
A well-choreographed app also provides teachable moments. When transitioning elements are coordinated, the user's understanding of the app grows. They "get" the app; they don't feel disoriented by the animation.


--- title: Plotting maps with ggplot2 author: José J Nunes date: '2021-05-24' slug: plotting-maps-with-ggplot2 categories: - Visualization tags: - Markdown thumbnail: https://www.nationsonline.org/maps/USA/Wisconsin-location-map.jpg ---
Data visualization is just awesome! And it’s incredible how versatile the package ggplot2
is. To show you that, we’re going to build a map of Wisconsin containing a gradient of colors indicating the area planted with corn in the state at a county level. To do so, we’ll be using the package ‘tidyverse’ for plotting and data manipulation. And the packages ggspatial
, ggthemes
, and ggtext
for customizing our map.
library(tidyverse) #ggplot2 for plotting and dplyr for data manipulation
library(ggspatial) #map features
library(ggthemes) #map features
library(ggtext) #map features
As our first step, we need Wisconsin geographic coordinates (latitude and longitude) that will work as our base map. One easy way to get this information is using the ggplot2
package. That’s right. You heard me ggplot2
! ggplot2
is not only for plotting graphics but also maps and other cool stuff. In this case, ggplot2
carries the ‘map_data’ function, which loads geographical data from the maps
package.
To get the state of Wisconsin data, we just need two lines of code. On the first line, we specify the division of our data in the ‘map_data’ function. When we use ‘county’, the output will be Wisconsin with all its counties coordinates. And if we use ‘state’, it will be only the state geographical data, which would result in a blank map. On the second line, we filter the state we’d like to work with, in this case, Wisconsin. But, you can choose your own state. If we don’t filter by state, the output will be the United States data.
wisconsin <- map_data("county") %>% #to specify the division of the data
filter(region == "wisconsin") #to filter by state
Let’s take a look at what kind of data we got. As you can see, we have everything we need for our map. We have longitude (long) and latitude (lat) for all Wisconsin counties (subregion) and also each county group.
library(DT)
wisconsin %>%
datatable()
The data are looking good, but the subregion column is not intuitive. So, let’s change its name to county using the ‘rename’ function from ‘dplyr’.
wisconsin <- map_data("county") %>% #to specify the division of the data
filter(region == "wisconsin") %>% #to filter by state
rename("County" = "subregion") # to rename subregion to county
Now, that’s much better!
wisconsin %>%
datatable()
As our first example, let’s create a basic map of the state using the ‘wisconsin’ data set with ggplot2
. The structure of a map in ggplot2
is the same as any other plot. We need a data frame, the aesthetics, and a geom.
map0 <- ggplot(data = wisconsin, #our data frame
mapping = aes(x = long, #longitude
y = lat, #latitude
group = group)) + #the groups within a county
geom_polygon(color="black", fill="white") + #geom that draws the map
coord_fixed(1.3) #to keep a fixed ratio between coordinates so the map don't get twisted
Now that we have our base map figured out, we have to add some data into it. We’re going to use the data from the USDA/NASS Quick Stats website. There you can choose the kind of data you’d like to use and download the spreadsheet. For our example, we filtered the area planted with corn in Wisconsin at a county level in 2020. Another way of downloading the USDA/NASS data is using the tidyUSDA
package. However, since there are some pretty specific instructions to use the package, we’ll leave that for another time and use our csv spreadsheet.
url <- "https://raw.githubusercontent.com/JoseJNunes/Wisconsin_Map/main/corn_data.csv"
usda_corn <- read_csv(url)
As seen below, there’s a lot of information in our data set. But don’t worry, we’re only going to need the columns ‘County’ and ‘Value’. Here ‘Value’ is the area in acres planted with corn in each county.
To select the columns that we’ll need, we use the ‘select’ function from dplyr
. Once we have our two columns, we should adjust some details in them. The first one is to rename ‘Value’ to ‘area’ to be more intuitive. The second one is to change the county names from upper to lowercase using the ‘mutate_all’ function to match the ‘wisconsin’ data frame that have the county names in lowercase. Now, all we have to do is join the two data frames using the ‘left_join’ function also from dplyr
, by ‘County’.
corn_data <- usda_corn %>%
select("County", "Value") %>% #to select the columns that we need
rename("area" = "Value") %>% #to rename the Value column to area
mutate_all(list (tolower)) %>% #to change from UPPER to lowercase the county names
left_join(wisconsin, by = "County") #to join both data frames using County as a reference
Now we have a single data frame (‘corn_data’) with the geographical information of the state of Wisconsin and the area planted with corn in 64 of its counties.
corn_data
## # A tibble: 1,089 x 7
## County area long lat group order region
## <chr> <chr> <dbl> <dbl> <dbl> <int> <chr>
## 1 adams 27500 -89.8 43.6 2988 88960 wisconsin
## 2 adams 27500 -89.8 43.7 2988 88961 wisconsin
## 3 adams 27500 -89.8 43.7 2988 88962 wisconsin
## 4 adams 27500 -89.8 43.7 2988 88963 wisconsin
## 5 adams 27500 -89.8 43.7 2988 88964 wisconsin
## 6 adams 27500 -89.8 43.8 2988 88965 wisconsin
## 7 adams 27500 -89.8 43.8 2988 88966 wisconsin
## 8 adams 27500 -89.9 43.8 2988 88967 wisconsin
## 9 adams 27500 -89.9 43.8 2988 88968 wisconsin
## 10 adams 27500 -89.9 43.9 2988 88969 wisconsin
## # … with 1,079 more rows
Before we dive into our final map, let’s make the last adjustment to our data frame. If we look at the structure of our variables, we can see that ‘area’ is treated as a character.
Now we’re good to go!
The final step is to build the map. We’ll use our first map example as our base. But, now we’ll add another ‘geom_polygon’ to it with the data that we just created by joining the ‘wisconsin’ and ‘usda_corn’ data. The trick behind the other ‘geom_polygon’ with the ‘corn_data’ is to add ‘fill = area’ inside the aesthetics. When we set it that way, ‘ggplot2’ understands you want something more of it and doesn’t just fill with a single color. Instead, it uses the area value from each county to create a gradient of colors that goes from the smallest to the largest area planted with corn in the state.
map1 <- ggplot(data = wisconsin,
mapping = aes(x = long,
y = lat,
group = group)) +
geom_polygon(color = "black", fill = "gray95") +
coord_fixed(1.3) +
geom_polygon(data = corn_data, #the data that we joined
aes(fill = area), #we use 'fill = area' inside the aes to get the different colors
color = "black")
And there you have it! A map of Wisconsin with a gradient of colors indicating the number of acres planted with corn in the state in 2020. But, let’s make it prettier. Like change its colors, add titles, add a north star arrow, and the location of the beautiful capital Madison to the map.
#to add Madison's location in the map
madison <- data.frame(location = c("Madison"), long = c(-89.38), lat = c(43.07))
map_wi <- ggplot(data = wisconsin,
mapping = aes(x = long,
y = lat,
group = group)) +
geom_polygon(color = "black",
fill = "gray95") +
coord_fixed(1.3) +
geom_polygon(data = corn_data,
aes(fill = area),
color = "black") +
geom_point(data = madison,
aes(x = long,
y = lat), #point with Madison's location
alpha = 0,
show.legend = F,
inherit.aes = F,
color = "black") +
scale_fill_gradient(low='yellow', high='red') + #to scale the colors between yellow and red
ggthemes::theme_few(base_size = 10) + #the theme and the base size of the font
labs(x = "Longitude", y = "Latitude") + #to add the x and y labels
labs(title = "Corn in Wisconsin", #title of the map
subtitle = "Acres planted in 2020", #subtitle of the map
caption = "**Source:** *USDA/NASS* | Image: José J Nunes") + #caption of the map
theme(panel.grid.major = element_line(color = "gray60", # color of the coordinates lines
linetype = "dashed", #type of the coordinates lines
size = 0.25), #size of the coordinates lines
plot.title = element_markdown(face = "bold", hjust = 0), #to edit the title
plot.subtitle = element_markdown(size = 8), #to edit the subtitle
plot.caption = element_markdown()) + #to edit the caption
geom_text(data = madison, aes(x = long, y = lat, label = Madison), #to add the star in the map
label="★", size=4, family = "HiraKakuPro-W3",
inherit.aes = F) +
geom_text(data = madison,aes(x = long, y = lat, label = Madison), #to add "Madison" in the map
label="Madison", size = 2,
inherit.aes = F,
vjust = -1.5) +
labs(fill = "Acres")+ #label of the scale
guides(fill = guide_colorsteps(show.limits = F))+ #to edit the scale
ggspatial::annotation_north_arrow(style = north_arrow_nautical) +#to add the north star arrow
ggsave("map_wi.png", width = 8, height = 7)
And that’s our final map! As we can see, a significant part of the corn was planted in the southern part of the state. And Dane County had the largest number of acres in 2020.
If you’d like to learn more about ggplot2
and maps, there are lots of cool information out there. I’ll leave some listed below:
And of course, if you have any questions don’t hesitate to contact us. Thank you!


MICROWAVE-MICROWAVE DOUBLE RESONANCE INVESTIGATIONS OF
COLLISIONAL TRANSFER OF ROTATIONAL ENERGY
A thesis presented by Jonathan Brewer Cohen
The Department of Chemistry in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of
Chemistry Harvard University Cambridge, Massachusetts
July, 1971
Copyright reserved by the author.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.


Timing information
Datetime: 2019-10-22 18:11 From: /Users/rjl/git/clawpack/new_features_for_v5.7.0/examples/geoclaw_test1/_output_1
============================== Timing Data ==============================
Integration Time (stepgrid + BC + overhead)
Level Wall Time (seconds) CPU Time (seconds) Total Cell Updates
1 0.277 0.974 0.636E+06
2 1.788 6.316 0.490E+07
3 23.829 91.662 0.697E+08
4 23.108 85.086 0.804E+08
total 49.003 184.038 0.156E+09
All levels:
stepgrid 48.071 181.089
BC/ghost cells 0.857 2.862
Regridding 0.776 2.489
Output (valout) 0.064 0.038
Total time: 50.180 187.330
Using 4 thread(s)
Note: The CPU times are summed over all threads.
Total time includes more than the subroutines listed above
Note: timings are also recorded for each output step
in the file timing.csv.
clock_rate =<PHONE_NUMBER> per second, count_max =<PHONE_NUMBER>854775807
clock_start =<PHONE_NUMBER>262149000, clock_finish =<PHONE_NUMBER>442133000
=========================================================================


{% extends "accounts/base.html" %} {% load djblets_deco i18n %} {% block title %}{% trans "Password Reset Complete" %}{% endblock %} {% block auth_content %}
{% url 'login' as login_url %} {% blocktrans %} Your password has been set. You may go ahead and log in now. {% endblocktrans %}
{% endblock auth_content %}


Toggle right offcanvas
Your Profile
Eleanor Pena
STUDENT
Email<EMAIL_ADDRESS>Phone Number:<PHONE_NUMBER>
Edit Profile
Created Profile at PG Hunt.
Maintained by PG Hunt team
Joined May,2021


Primary Sources
[Unknown]. Maiju Lehmouhiji-Gardner, trans. “The Miracoli of Catherine of Siena.” in Dominican Penitent Women. New York: Palest Press, 2005.
Catherine of Siena to Andreasso Cavalcabuoi, Senator of Siena, T338/G211, in The Letters of Catherine of Siena, vol. 4. Trans by Suzanne Noffke. Tempe: Arizona Center for Medieval and Renaissance Studies, 2008. 82–84.
Catherine of Siena to Cristofano di Guidini, T43/G240/DT44, in The Letters of Catherine of Siena. vol. 1. Trans by Suzanne Noffke. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000. 172–174.
Catherine of Siena to the Defenders of the Commune of Siena, T123/G202, in The Letters of Catherine of Siena. vol.2. Trans by Suzanne Noffke. Tempe: Arizona Center for Medieval and Renaissance Studies, 2001. 371–377.
Catherine of Siena to Francesco di Messer Vanni Malavolti, T45/G266, in The Letters of Catherine of Siena, vol. 2. Trans by Suzanne Noffke. Tempe: Arizona Center for Medieval and Renaissance Studies, 2001. 285–287.
Catherine of Siena to Frate Simone da Cortona, T56/G86, in The Letters of Catherine of Siena, vol.2. Trans by Suzanne Noffke. Tempe: Arizona Center for Medieval and Renaissance Studies, 2001. 572–575.
Catherine of Siena to Frate Tommaso dalla Fonte, in San Quirico, T41/G105/DT3. in The Letters of Catherine of Siena. vol.1. Trans by Suzanne Noffke, Tempe: Arizona Center for Medieval and Renaissance Studies, 2000. 6–10.
Catherine of Siena to Frate Tommaso dalla Fonte, in Siena, T139/G106/DT46, in The Letters of Catherine of Siena. vol.1. Trans by Suzanne Noffke. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000. 194–196.
Catherine of Siena to Madonna Laudomia, wife of Carlo degli Strozzi of Florence, T90/ G341, in The Letters of Catherine of Siena, vol. 3. Trans by Suzanne Noffke. Tempe: Arizona Center for Medieval and Renaissance Studies, 2007. 203–206.
Catherine of Siena to Pietro del Monte Santa Maria, Senator of Siena, T180/G207/DT43, in The Letters of Catherine of Siena. vol. 1. Trans by Suzanne Noffke. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000. 191– 193.
Catherine of Siena to Piero Gambacorta, in Pisa, T149/G193/DT22, in The Letters of Catherine of Siena. vol. 1. Trans by Suzanne Noffke. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000. 60–63.
Catherine of Siena to Pope Gregory XI, in Avignon, T185/G1/DT54 in The Letters of Catherine of Siena, vol. 1. Trans by Suzanne Noffke. Tempe: Arizona Center for Medieval and Renaissance Studies, 2000. 244–251.
Catherine of Siena to Pope Gregory XI, in Avignon, T206/G5/DT63. in The Letters of Catherine of Siena. vol.2. Trans by Suzanne Noffke. Tempe: Arizona Center for Medieval and Renaissance Studies, 2001. 61–64.
Catherine of Siena to Raimondo da Capua in Genoa, T344/G101. in The Letters of Catherine of Siena. vol. 4. Trans by Suzanne Noffke. Tempe: Arizona Center for Medieval and Renaissance Studies, 2008. 228–235.
Catherine of Siena to Raimondo da Capua, T373/G102. in The Letters of Catherine of Siena. vol. 4. Trans by Suzanne Noffke. Tempe: Arizona Center for Medieval and Renaissance Studies, 2008. 364–370.
Raymond of Capua. The Life of Saint Catharine of Siena, By the Blessed Raymond of Capua Her Confessor: with an appendix containing the testimonies of her disciples, recollections in Italy and her iconography by E. Cartier. Translated by the Ladies of the Sacred Heart. New York: P. J. Kennedy & Sons, 1800.
Raymond of Capua. The Life of St. Catherine of Siena. Translated by George Lamb. Charlotte: Tan Books, 2011.
Secondary Sources
Bell, Rudolph M. Holy Anorexia. Chicago: University of Chicago Press, 1985.
Bennett, Judith M. “Medievalism and Feminism.” Speculum, vol. 68, no. 2 (April 1993): 309-331. Accessed September 9, 2016, http://www.jstor.org/stable/2864555.
Bilinkoff, Jodi. Related Lives: Confessors and Their Female Penitents, 1450-1750. Itacha, New York:Cornell University Press, 2005.
Brown, Judith C. Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy. New York: Oxford University Press, 1986.
Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York, NY: Rutledge, Chapman & Hall, Inc, 1990.
Burnham, Louisa A. “The Visionary Authority of Na Prous Boneta.” in Pierre de Jean Olivi (1248-1298): Pensée scolastique, dissidence spirituelle et société. Edited by Alain Boureau and Sylvain Piron. Paris: J. Vrin, 1999, 319-339.
Bynum, Caroline Walker. Holy Feast and Holy Fast: The Religious Significance of Food to Medieval Women. Berkley: University of California Press, 1987.
— “The Female Body and Religious Practice Practice in the Later Middle Ages.” in Fragmentation and Redemption: Essays on Gender and the Human Body in Medieval Religion. Cambridge, MA: Zone Books, 1992. 181-238.
Caciola, Nancy. Discerning Spirits: Divine and Demonic Possession in the Middle Ages. Ithaca, New York: Cornell University Press, 2003.
Cadden, Joan. Meanings of Sex Difference in the Middle Ages: Medicine, Science, & Culture. Cambridge: Cambridge University Press, 1993.
Coakley, John W. Women, Men, and Spiritual Power: Female Saints and Their Male Collaborators. New York: Columbia Unverisity Press, 2006.
Delogu, Daisey. Allegorical Bodies: Power and Gender in Late Medieval France. Buffalo: University of Toronto Press, 2015.
DeVun, Leah. “The Jesus Hermaphrodite: Science and Sex Difference in Premodern Europe.” Journal of the History of Ideas. vol. 69 no 2 (April 2008): 193-218.
Elliot, Dylan. “Women and Confession: From Empowerment to Pathology.” in Gendering the Master Narrative: Women and Power in the Middle Ages. Edited by Mary C. Erler and Maryanne Kowaleski Ithaca: Cornell University Press, 2003.
— Fallen Bodies: Pollution, Sexuality, & Demonology in the Middle Ages. Princeton: Princeton University Press, 1999. — Proving Woman: Female Spirituality and Inquisitional Culture in the Later Middle Ages. Princeton: Princeton University Press, 2004.Forbes, Cheryl. “The Radical Rhetoric of Caterina Da Siena.” Rhetoric Review 23, no. 2 (2004): 121–40.
Grimwood, Tom. “The Body as a Lived Metaphor: Interpreting Catherine of Siena as an Ethical Agent.” The Journal of the Britain & Ireland School of Feminist Theology 13, no. 1 (2004): 62–76.
Hollywood, Amy. “Inside Out: Beatrice of Nazareth and Her Hagiographer.” in Gendered Voices: Medieval Saints and Their Interpreters. Edited by Catherine M. Mooney University of Pennsylvania Press, 1999. 78-98.
Kay, Sarah and Miri Rubin, editors. Framing Medieval Bodies. Manchester: Manchester University Press, 1994.
Lehmijoki-Gardner, Maiju . Worldly Saints: Social Interaction of Dominican Penitent Women in Italy, 1200-1500. Helsinki: Suomen Historiallinen Seura, 1999.
Luongo, Thomas. The Saintly Politics of Catherine of Siena. Ithaca, New York: Cornell University Press, 2006.
Maclean, Ian. The Renaissance Notion of Woman. Cambridge: Cambridge University Press, 1980.
McLoughlin, Nancy. “Gerson, Mystics, and Witches.” in Jean Gerson and Gender. Palgrave, 2015.
Newman, Barbara. Sister of Wisdom: St. Hildegard’s Theology of the Feminine. 2nd Edition. Berkeley: University of California Press, 1997.
Rice, Nicole R, ed. Middle English Religious Writing in Practice: Texts, Readers, and Transformations. Vol. 21. Late Medieval and Early Modern Studies. Turnhout, Belgium: Brepols, 2013.
Scott, Joan W. “Gender: A Useful Category of Historical Analysis.” The American Historical Review, vol. 91, no. 5 (December 1986): 1053-1075. Accessed September 9, 2016, http://www.jstor.org/stable/1864376.
Scott, Karen. “ “Io Catarina”: Ecclesiastical Politics and Oral Culture in the Letters of Catherine of Siena.” in Dear Sister: Medieval Women and the Epistolary Genre. Edited by Karen Cherewatuk and Ulrik Wiethaus. Philadelphia: University of Pennsylvania Press, 1993. 82–121.
— “Urban Spaces, Women’s Networks, and the Lay Apostolate in the Siena of Catherine Benincasa.” in Creative Women in Medieval and Early Modern Italy: A Religious and Artistic Renaissance. Edited by E. Ann Matter and John Coakley. Philadelphia: University of Pennsylvania Press, 1994.105–119.Thibault, Paul R. Pope Gregory XI: The Failure of Tradition. Lanham, MD: University Press of America, Inc., 1986.
Tylus, Jane. Reclaiming Catherine of Siena: Literacy, Literature, and The Signs of Others. Chicago: University of Chicago Press, 2009.
Vitale, Lisa M. “Transplanting the Hortus Conclusus: The Cultivation of Power by Catherine of Siena.” Magistra 19, no. 2 (Winter 2013): 3–20.
Wainwright, Valerie. “Testing A Popular Sienese Government.” in I Tatti: Studies in Renaissance Italy. Florence: The Harvard University Center for Italian Renaissance Studies, 1987. 107–170.


|
ArUco Unity
0.1.0
OpenCV's ArUco Marker Detection module adapted for Unity 5.
|
Inherits ArucoUnity.Controllers.ArucoObjectDetector.
Public Member Functions | |
| void | ResetCalibration () |
| void | Detect () |
| void | Draw () |
| void | AddFrameForCalibration () |
| void | Calibrate () |
| Public Member Functions inherited from ArucoUnity.Controllers.ArucoObjectDetector | |
| delegate void | ArucoObjectDetectorEventHandler () |
Protected Member Functions | |
| override void | Awake () |
| Initialize the properties. More... | |
| override void | PreConfigure () |
| The configuration content of derived classes. More... | |
| override void | ArucoCameraImageUpdated () |
| Called when the camera images has been updated. More... | |
| Protected Member Functions inherited from ArucoUnity.Controllers.ArucoObjectDetector | |
| virtual void | OnDestroy () |
| virtual void | StartDetector () |
| Start the detector. More... | |
| virtual void | StopDetector () |
| Stop the detector. More... | |
Properties | |
| ArucoBoard | CalibrationBoard [get, set] |
| bool | RefineMarkersDetection [get, set] |
| CalibrationFlagsController | CalibrationFlagsController [get, set] |
| string | OutputFolder [get, set] |
| The output folder for the calibration files, relative to the Application.persistentDataPath folder. More... | |
| string | CalibrationFilename [get, set] |
| The saved calibration name. The extension (.xml) is added automatically. If empty, it will be generated automatically from the camera name and the current datetime. More... | |
| Cv.TermCriteria | CalibrationTermCriteria [get, set] |
| Std.VectorVectorVectorPoint2f [] | AllCorners [get, protected set] |
| Std.VectorVectorInt [] | AllIds [get, protected set] |
| Std.VectorMat [] | AllImages [get, protected set] |
| Std.VectorVectorPoint2f [] | AllCharucoCorners [get, protected set] |
| Std.VectorVectorInt [] | AllCharucoIds [get, protected set] |
| Std.VectorMat [] | Rvecs [get, protected set] |
| Std.VectorMat [] | Tvecs [get, protected set] |
| CameraParameters | CameraParameters [get, protected set] |
| Std.VectorVectorPoint2f [] | MarkerCornersCurrentImage [get, protected set] |
| Std.VectorInt [] | MarkerIdsCurrentImage [get, protected set] |
| bool | IsCalibrated [get, protected set] |
| Properties inherited from ArucoUnity.Controllers.ArucoObjectDetector | |
| ArucoCamera | ArucoCamera [get, set] |
| The camera system to use for the detection. More... | |
| Aruco.DetectorParameters | DetectorParameters [get, set] |
| The parameters to use for the detection. More... | |
| bool | AutoStart [get, set] |
| Start automatically when the configuration is done. Call alternatively StartDetection(). More... | |
| bool | IsConfigured [get, protected set] |
| True when the detector is ready and configured. More... | |
| bool | IsStarted [get, protected set] |
| True when the detector is started. More... | |
Additional Inherited Members | |
| Events inherited from ArucoUnity.Controllers.ArucoObjectDetector | |
| ArucoObjectDetectorEventHandler | Configured = delegate { } |
| Executed when the detector is ready and configured. More... | |
| ArucoObjectDetectorEventHandler | Started = delegate { } |
| Executed when the detector is started. More... | |
| ArucoObjectDetectorEventHandler | Stopped = delegate { } |
| Executed when the detector is stopped. More... | |
|
inline |
|
inlineprotectedvirtual |
Called when the camera images has been updated.
Implements ArucoUnity.Controllers.ArucoObjectDetector.
|
inlineprotectedvirtual |
Initialize the properties.
Reimplemented from ArucoUnity.Controllers.ArucoObjectDetector.
|
inline |
|
inline |
|
inline |
|
inlineprotectedvirtual |
The configuration content of derived classes.
Implements ArucoUnity.Controllers.ArucoObjectDetector.
|
inline |
|
getprotected set |
|
getprotected set |
|
getprotected set |
|
getprotected set |
|
getprotected set |
|
getset |
|
getset |
The saved calibration name. The extension (.xml) is added automatically. If empty, it will be generated automatically from the camera name and the current datetime.
|
getset |
|
getset |
|
getprotected set |
|
getprotected set |
|
getprotected set |
|
getprotected set |
|
getset |
The output folder for the calibration files, relative to the Application.persistentDataPath folder.
|
getset |
|
getprotected set |
|
getprotected set |


|
CompactStar SDK 1.08
|
Functions | |
| void | csrShaderEnable (const void *pShader) |
| void | csrShaderConnectProjectionMatrix (const void *pShader, const CSR_Matrix4 *pMatrix) |
| void | csrShaderConnectViewMatrix (const void *pShader, const CSR_Matrix4 *pMatrix) |
| void | csrDrawBegin (const CSR_Color *pColor) |
| void | csrDrawEnd (void) |
| void | csrDrawLine (const CSR_Line *pLine, const void *pShader) |
| void | csrDrawVertexBuffer (const CSR_VertexBuffer *pVB, const void *pShader, const CSR_Array *pMatrixArray) |
| void | csrDrawMesh (const CSR_Mesh *pMesh, const void *pShader, const CSR_Array *pMatrixArray, const CSR_fOnGetID fOnGetID) |
| void | csrDrawModel (const CSR_Model *pModel, size_t index, const void *pShader, const CSR_Array *pMatrixArray, const CSR_fOnGetID fOnGetID) |
| void | csrDrawMDL (const CSR_MDL *pMDL, const void *pShader, const CSR_Array *pMatrixArray, size_t skinIndex, size_t modelIndex, size_t meshIndex, const CSR_fOnGetID fOnGetID) |
| void | csrDrawX (const CSR_X *pX, const void *pShader, const CSR_Array *pMatrixArray, size_t animSetIndex, size_t frameIndex, const CSR_fOnGetID fOnGetID) |
| void | csrDrawCollada (const CSR_Collada *pCollada, const void *pShader, const CSR_Array *pMatrixArray, size_t animSetIndex, size_t frameIndex, const CSR_fOnGetID fOnGetID) |
| void | csrDrawIQM (const CSR_IQM *pIQM, const void *pShader, const CSR_Array *pMatrixArray, size_t animSetIndex, size_t frameIndex, const CSR_fOnGetID fOnGetID) |
| void | csrStateEnableDepthMask (int value) |
| void csrDrawBegin | ( | const CSR_Color * | pColor | ) |
Begins to draw
| pColor | - scene background color |
| void csrDrawCollada | ( | const CSR_Collada * | pCollada, |
| const void * | pShader, | ||
| const CSR_Array * | pMatrixArray, | ||
| size_t | animSetIndex, | ||
| size_t | frameIndex, | ||
| const CSR_fOnGetID | fOnGetID | ||
| ) |
Draws a Collada model in a scene
| pCollada | - Collada model to draw |
| pShader | - shader to use to draw the model |
| pMatrixArray | - matrices to use, one for each vertex buffer drawing. If 0, the model matrix currently connected in the shader will be used |
| animSetIndex | - animation set index, ignored if model isn't animated |
| frameIndex | - frame index, ignored if model isn't animated |
| fOnGetID | - callback function to get the OpenGL identifier matching with a key |
| void csrDrawEnd | ( | void | ) |
Ends to draw
| void csrDrawIQM | ( | const CSR_IQM * | pIQM, |
| const void * | pShader, | ||
| const CSR_Array * | pMatrixArray, | ||
| size_t | animSetIndex, | ||
| size_t | frameIndex, | ||
| const CSR_fOnGetID | fOnGetID | ||
| ) |
Draws an Inter-Quake model (.iqm) in a scene
| pIQM | - IQM model to draw |
| pShader | - shader to use to draw the model |
| pMatrixArray | - matrices to use, one for each vertex buffer drawing. If 0, the model matrix currently connected in the shader will be used |
| animSetIndex | - animation set index, ignored if model isn't animated |
| frameIndex | - frame index, ignored if model isn't animated |
| fOnGetID | - callback function to get the OpenGL identifier matching with a key |
| void csrDrawLine | ( | const CSR_Line * | pLine, |
| const void * | pShader | ||
| ) |
Draws a line
| pLine | - line to draw |
| pShader | - shader that will be used to draw the line |
| void csrDrawMDL | ( | const CSR_MDL * | pMDL, |
| const void * | pShader, | ||
| const CSR_Array * | pMatrixArray, | ||
| size_t | skinIndex, | ||
| size_t | modelIndex, | ||
| size_t | meshIndex, | ||
| const CSR_fOnGetID | fOnGetID | ||
| ) |
Draws a MDL model in a scene
| pMDL | - MDL model to draw |
| pShader | - shader to use to draw the model |
| pMatrixArray | - matrices to use, one for each vertex buffer drawing. If 0, the model matrix currently connected in the shader will be used |
| skinIndex | - skin index |
| modelIndex | - model index |
| meshIndex | - mesh index |
| fOnGetID | - callback function to get the OpenGL identifier matching with a key |
| void csrDrawMesh | ( | const CSR_Mesh * | pMesh, |
| const void * | pShader, | ||
| const CSR_Array * | pMatrixArray, | ||
| const CSR_fOnGetID | fOnGetID | ||
| ) |
Draws a mesh in a scene
| pMesh | - mesh to draw |
| pShader | - shader to use to draw the mesh |
| pMatrixArray | - matrices to use, one for each vertex buffer drawing. If 0, the model matrix currently connected in the shader will be used |
| fOnGetID | - callback function to get the OpenGL identifier matching with a key |
| void csrDrawModel | ( | const CSR_Model * | pModel, |
| size_t | index, | ||
| const void * | pShader, | ||
| const CSR_Array * | pMatrixArray, | ||
| const CSR_fOnGetID | fOnGetID | ||
| ) |
Draws a model in a scene
| pModel | - model to draw |
| index | - model mesh index |
| pShader | - shader to use to draw the mesh |
| pMatrixArray | - matrices to use, one for each vertex buffer drawing. If 0, the model matrix currently connected in the shader will be used |
| fOnGetID | - callback function to get the OpenGL identifier matching with a key |
| void csrDrawVertexBuffer | ( | const CSR_VertexBuffer * | pVB, |
| const void * | pShader, | ||
| const CSR_Array * | pMatrixArray | ||
| ) |
Draws a vertex buffer in a scene
| pVB | - vertex buffer to draw |
| pShader | - shader to use to draw the vertex buffer |
| pMatrixArray | - matrices to use, one for each vertex buffer drawing. If 0, the model matrix currently connected in the shader will be used |
| void csrDrawX | ( | const CSR_X * | pX, |
| const void * | pShader, | ||
| const CSR_Array * | pMatrixArray, | ||
| size_t | animSetIndex, | ||
| size_t | frameIndex, | ||
| const CSR_fOnGetID | fOnGetID | ||
| ) |
Draws a X model in a scene
| pX | - X model to draw |
| pShader | - shader to use to draw the model |
| pMatrixArray | - matrices to use, one for each vertex buffer drawing. If 0, the model matrix currently connected in the shader will be used |
| animSetIndex | - animation set index, ignored if model isn't animated |
| frameIndex | - frame index, ignored if model isn't animated |
| fOnGetID | - callback function to get the OpenGL identifier matching with a key |
| void csrShaderConnectProjectionMatrix | ( | const void * | pShader, |
| const CSR_Matrix4 * | pMatrix | ||
| ) |
Connects a projection matrix to a shader
| pShader | - shader to which the matrix should be connected |
| pMatrix | - matrix to connect |
| void csrShaderConnectViewMatrix | ( | const void * | pShader, |
| const CSR_Matrix4 * | pMatrix | ||
| ) |
Connects a view matrix to a shader
| pShader | - shader to which the matrix should be connected |
| pMatrix | - matrix to connect |
| void csrShaderEnable | ( | const void * | pShader | ) |
Enables a shader (i.e. notify that from now this shader will be used)
| pShader | - shader to enable, disable any previously enabled shader if 0 |
| void csrStateEnableDepthMask | ( | int | value | ) |
Enables or disables the depth mask (i.e. the depth buffer writing)
| value | - if 0 the depth mask is disabled, otherwise enabled |


You can see the documents when clicking the product name.
S2 Core package
Category
Product
Explanation
Container
Seasar2
the container that provides DI (Dependency Injection) function and AOP (Aspect Oriented Programming)
document
download
S2 products
Category
Product
Explanation
the Presentation tier
thin client
(HTML)
S2JSF
the JSF framework that provides HTML-based template engine
document
download
S2Struts
the library for Struts providing to call Seasar2 components.
document
download
S2StrutsUnit
the library for unit testing with S2 and Struts.
document
download
S2Tapestry
the library for Tapestry providing to call Seasar2 components.
document
download
rich client
(Flash)
S2Flex
the library for Flex providing to call Seasar2 components with Flash player.
document
download
S2OpenAMF
the library for Flash Remoting providing to call Seasar2 components with Flash player.
document
download
Persistence
KuinaDao
the library in order to use Persistence API implementation(Hibernate3) combining with Seasar2
document
download
S2Hibernate
the library in order to use Hibernate combining with Seasar2
document
download
Remoting
S2Remoting
the common library for remoting with Seasar2.
document
download
S2Axis
the library for Axis providing to call Seasar2 components.
document
download
S2RMI
the library for RMI providing to call Seasar2 components.
document
download
Tools
Eclipse plugin
(
Update site
)
Kijimuna
the Eclipse plugin for editing and validating Seasar2 component definition file(dicon file).
document
download
S2JSF plugin
the Eclipse plugin for editing and validating S2JSF page template(HTML).
Etc
S2GroovyBuilder
the library for describing S2 component definition file with Groovy.
download
© Copyright The Seasar Foundation and the others 2004, all rights reserved.


Streamed on April 21, 2018
Streamed on April 15, 2018
Streamed on April 7, 2018
Streamed on March 31, 2018
Streamed on March 24, 2018
Streamed on March 17, 2018
Streamed on March 10, 2018
Streamed on March 3, 2018
Streamed on February 24, 2018
Streamed on February 18, 2018


This page contains some of the excellent projects done by the students of the Multimèdia i Interfícies d'Usuari course from the Computer Science Degree and the Design and Development of Video Games Degree. This project consists on the creation a short video clip mimicking the original "Black Panther" film. Enjoy them!


An Essay by Benjamin Franklin
It's about chess morals
A Dylan song
My Back Pages
Atomic clock
A friend of mine has this great atomic clock. It uses Rubidium to count seconds.
1 sec. off after 300000y.
On the Hunt
Drinking Chess!
Alt klart!
You will need
- 2 x tiny glasses
- 2 x small glasses
- 2 x medium glasses
- 2 x large glasses
- 1 x special glass
- some booze
Pour glasses, assign pieces to drinks and down one when your piece is taken. Play to win!


Everybody DUNK Now!
Home
About
Team
Please wait a moment while we turn you into your favorite player
computing source poses...
Finished!
share
share


Population Builder
Welcome to Population Builder, a web-app that lets you build a population estimate for a set of small areas in Great Britain. The estimates are for the population in mid-2020.
1. The boundaries appear automatically when the map is zoomed in.
2. Click or tap the areas of interest: the estimated population is shown in the top right.
3. Click or tap “Get data” to see the age-distribution.
4. Turn the boundaries on and off manually using the boundary control in the bottom right.
Don't show this introduction next time.
Continue →


Welcome, {{username}}
Log out
{{#isSeller}}
Create a new event
{{/isSeller}}
My tickets bought
{{/loggedIn}} {{^loggedIn}}
Sign up
Log in
{{/loggedIn}}
-------
{{eventSummary}}


WSGISocketPrefix¶
| Description: | Configure directory to use for daemon sockets. |
|---|---|
| Syntax: | WSGISocketPrefix prefix |
| Context: | server config |
Defines the directory and name prefix to be used for the UNIX domain sockets used by mod_wsgi to communicate between the Apache child processes and the daemon processes.
If the directive is not defined, the sockets and any related mutex lock files will be placed in the standard Apache runtime directory. This is the same directory that the Apache log files would normally be placed.
For some Linux distributions, restrictive permissions are placed on the standard Apache runtime directory such that the directory is not readable to others. This can cause problems with mod_wsgi because the user that the Apache child processes run as will subsequently not have the required permissions to access the directory to be able to connect to the sockets.
When this occurs, a ‘503 Service Temporarily Unavailable’ error response would be received by the client. To resolve the problem, the WSGISocketPrefix directive should be defined to point at an alternate location. The value may be a location relative to the Apache root directory, or an absolute path.
On systems which restrict access to the standard Apache runtime directory, they normally provide an alternate directory for placing sockets and lock files used by Apache modules. This directory is usually called ‘run’ and to make use of this directory the WSGISocketPrefix directive would be set as follows:
WSGISocketPrefix run/wsgi
Note, do not put the sockets in the system temporary working directory. That is, do not go making the prefix ‘/tmp/wsgi’. The directory should be one that is only writable by ‘root’ user, or if not starting Apache as ‘root’, the user that Apache is started as.
Note that the WSGISocketPrefix directive and corresponding features are not available on Windows or when running Apache 1.3.


Super Star Trek
— a classic computer gameSave the Federation from the invading Klingons! Visit exotic planets and strip-mine them for dilithium! Encounter mysterious space thingies! This is the home page of the classic Super Star Trek game from the days of slow teletypes, reloaded.
SST2K is a modern Unix port of the University of Texas "Super Star Trek" game originally written in FORTRAN in the mid-1970s. It has options to restrict its feature set to what was in earlier versions.
SST2K is a kind of time machine back to what interactive programs were like in the days of hardcopy terminals, before graphics and before even video displays. Despite this archaism and decades after it was written, SST2K retains significant play value. We think it's both fun and instructive to see how good a game could be written under those conditions.
Presently the code is available only via git at the SST Project Page on berlios.de. It builds and runs. We expect to do an actual release Real Soon Now.
In the meantime, you can at least browse the game documentation.
You can read the project's to-do list. If you want to help with these things, here are the project mailing lists:
sst
.sst
developers.Tom Almy, one of the SST project founders, has an SST page of his own.
There is a Wikipedia entry.
SST is fairly closely related to Eric Allman's BSD Trek, which also started life as a C translation of UT Super Star Trek. BSD Trek is missing most of the post-1978 features of SST2K, but does add a cloaking device for the Romulans.
The only other really current Star Trek port we know of is OpenTrek, which appears to be set in the ST:TNG universe (featuring the Borg Collective as the villains) and has a fancy graphical interface.
(There are also some multi-player Trek variants out there, notably XTrek and NetTrek, that have a very different feel from any of the Trek solitaires.)
For a truly retro-Trek experience, see the Star Trek ASCII Art Archive.
If this game interested you, you may want to check out some of the other ancient games at the Retrocomputing Museum.


WELCOME TO THE IMAGE FILTERING SITE
Filter your image as you like!! Upload your image below:
Choose the filter you would want on your picture.


Variables to be transferred can be selected when you are using the COPY command from the Stat/Transfer command processor or when you are using a command file.
When you are using a command file at the operating system command line, you can enter operators for variable selection. However, transfers that are typed in at the operating system command line will transfer all of the input variables.
Variables can be selected with one of the commands KEEP, DROP, or TYPES. Only one of these commands can be given and it must be given prior to the COPY command.
KEEP and DROP Commands
The commands KEEP or DROP are used when you wish to select variables but do not wish to change the output variable types assigned by Stat/Transfer.
You can use the SET command DROP-KEEP to reuse the same variable list for more than one transfer.
You can give the variables that you wish to transfer or to omit either as a list or in a file.
Specifying a List of Variables
KEEP or DROP can be followed by a list of variables to be used or omitted, respectively. The variables should be separated by spaces or commas.
KEEP|DROP variablelist
Ranges can be given and wildcards are allowed. For example:
drop age,sat1-sat10,inc*
will drop the variables 'age', 'sat1' through 'sat10' and all fields beginning with 'inc'.
Using a File to Specify Variables with KEEP or DROP
If you have a file containing a list of variables to be kept or dropped, then instead of a variable list after the KEEP or DROP commands, you can specify the name of the file, preceded with an @ symbol. For example:
keep @varkeep.lst
will read the file varkeep.lst for a list of variables to be kept. These can be delimited with spaces or new lines. The VARS command, discussed below, can be used to create the file.
Note that files used with KEEP or DROP cannot contain the target output types for input variables. Such files must be read with the TYPES command.
The VARS Command
To facilitate the creation of a file containing selected input variables, a command is available that will write a list of variables to a file:
VARS filename variablelist [-oc]
where filename is the name (with a standard extension) of the input file containing the variables to be transferred and variablelist is the name of the file that is to contain the data list. All of the input variables will be written, one per line, unless the parameter '-oc' has been given If variable labels are available, these will also be written as comments in the file.
The parameter '-oc', the drop-constants option, is used if you wish to drop constant or missing variables from the variable list you are creating.
Once the file has been created, you can use your favorite editor to delete the variables that are not to be used with the DROP or KEEP command.
Writing to the Screen
If, for some reason, you wish to have the input variables listed on the screen, use the VARS command without specifying an output file
VARS filename
See also: Changing Output Variable Types


总览
资产分类管理
资产分类、资产属性、账户管理 展示和编辑
- Easy to Edit
- 5 Layout Options
- Based on Bootstrap
资产账户分类表
For basic styling—light padding and only horizontal dividers—add the base class .table
to any

. It may seem super redundant, but given the widespread use of tables for other plugins like calendars and date pickers, we've opted to isolate our custom table styles.
| ID | 类型名称 | 备注信息 | 当前状态 | |
| # 9652 | 支付宝 | 阿里巴巴支付宝账户 | 启用 |
资产账户展示表
For basic styling—light padding and only horizontal dividers—add the base class .table
to any

. It may seem super redundant, but given the widespread use of tables for other plugins like calendars and date pickers, we've opted to isolate our custom table styles.
| ID | 类型名称 | 备注信息 | 当前状态 | |
| # 9652 | 支付宝 | 阿里巴巴支付宝账户 | 启用 |
Inline Form
Inline Form without Label
Line Style
Fieldset


--- layout: minimal title: "Curriculum Vitae" permalink: /cv/index.html description: "Curriculum Vitae" ---


This intention converts a selected
assert
statement with an
if
statement which throws an IllegalArgumentException if the asserted condition is false.


Example Files
-
I've included some examples which you can find inside examples folder.
Some have a server side handler in PHP language.
Unfortunately I'm not much familiar with other languages and environments to provide examples for.
But if you would like to see more examples, just let me know.
Currently example files are:
-
File upload example.
examples/file-upload.html
examples/file-upload.php
Fore more info, you can also see file input element.
-
Profile image update.
The server side code is same as above examples/file-upload.php
If you want to try this on profile page, you should
edit profile page, remove the section that says:
// ***UPDATE AVATAR HERE*** //
and use the contents of examples/js/profile-avatar-update.js
instead.
-
Treeview example which uses FuelUX treeview element.
In this example data is loaded from a sqlite database
examples/data/treeview-city.sqlite
and some items are randomly pre-selected.
For instance in your app you may want to display a tree and restore user's previous selection.
Fore more info, you can also see treeview plugin.
-
Widget Box example which show usage of events and function.
You can refer to widget box section for more info.
-
Wysiwyg example of saving editor's content inside a textarea element and posting it to server.
Fore more info please also see wysiwyg editor.


xYz Photo Studio
Portfolio
Services
About Us
Contact Us
Endalk Tamru
Email:
<EMAIL_ADDRESS>Website:
there will be a portfolio site very soon :)


Dihedral groups
Consider n points on a unit circle with numbers k = 0, 1, …, n-1. Initially point k makes an angle of 360 ・ k / n degrees to the x-axis, measured in counter-clockwise direction. We are going to perform two different kind of operations on that set of points:
rotation by 360 / n degrees in clockwise direction
reflection with respect to the x-axis
The following picture shows an example of these operations:
Given a sequence of operations, we are interested in the shortest sequence of operations which gives the same result, i.e., the position of every single point is the same after performing either of those sequences of operations.
The sequence is given as a string consisting of the characters ‘r’ and ‘m’ which represent clockwise rotation and reflection respectively ("to the right" and "mirror"). Multiple consecutive occurrences of the same character are collected into the representation <character><number>, and for convenience this will also be done for single occurrences. So "rrmrrrrrrrrrrrr" will be abbreviated to "r2 m1 r12". The representations of different operations are always separated by a single space.
The input file consists of several test cases. Each test case starts with a line containing n (3 ≤ n ≤ 10^8), the number of points. The second line of each test case consists of an abbreviated sequence of operations as described above. All numbers will be positive and less than 10^8. There will be no empty line in the input file, and no line will contain more than 100000 characters. The last test case is followed by a line containing 0.
For each test case print one line containing the abbreviated format of the sequence with the minimum number of operations which results in the same configuration of points as the input sequence. In case of multiple optimal solutions, print any solution. Note that the second line of the sample output is a blank line.
4
r2
100
m1 r100 m1
54
r218 m3 r1
0
r2
r1 m1
(adsbygoogle = window.adsbygoogle || []).push({});
#!/usr/bin/env python def cou(n): arr = [1]
有两个重复的话结果是正确的，但解法不够严谨，后面重复的覆盖掉前面的，由于题目数据限制也比较严，所以能提交通过。已更新算法
第2题，TCP不支持多播，多播和广播仅应用于UDP。所以B选项是不对的。第2题，TCP不支持多播，多播和广播仅应用于UDP。所以B选项是不对的。
这个系列很不错
DFS方法的原理还是不太清楚啊
这排版…你都打开来看看改改
妈呀！这个Dijkstra模板好长OwQ！
妈呀！这个模板好长OwQ！
学算法中的数据结构学到一定程度会乐此不疲的，比如其中的2－3树，类似的红黑树，我甚至可以自己写个逻辑文件系统结构来。
你好，这题给出的代码好像弄错了，这个是pow那道题目的解法
递归还真是一门学问，学习了
这种二分还是比较经典！mark
已更正。
递归实现的代码部分
14句和18句的 wt[n - 1]是不是应该改为 wt[ n ] ?


Example:
public void hasName(String name) { assert names.contains(name); }
Quick-fix to rename the method is suggested only in the editor.
Use the list below to specify question words which should only be used for boolean methods.
Use the checkboxes below to ignore methods with java.lang.Boolean
return type or methods which have supers.


Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book.
Have Questions?
If you need help with anything, we've got some answers for you on our FAQ page, alternatively click on the button below to get in touch with us!
This is automatically generated service email, and you receiving it regardless of
your marketing communication preferences.please do not reply to this email.


CHINOS TRIP REPORT
ok i will try to make this as easy to read as possible....
-took 25mg mixed with vodka at 9:00pm, lasted until 7:00am
-im pretty experienced when it comes to psychedelics, done many things in high doses, in combinations, and this drug is amazing, and totally surprised me.
-felt like what a MX-missle SHOULD feel like, but far better, the high was so clean and pure feeling
-complete sensory overload, but i did not feel overwhelmed at all, i was completely in control of the high, and could sober myself up at will instantly if need be.
-ALL SENSES were fucking AMAZING!!!
~SIGHT-hallucinations that easily rivaled lsd. everything. closed eye visuals that simply blew my mind. colors extremely intensified. testures more pronounced, light and shadows falling on objects... it was like i was living in a painting for the whole trip.
~AUDIO-i could completely enjoy the silence, the sound of pouring a cup of orange juice or flushing a toilet were orgasmic! haha. listened to complex electronic music, analyzing all of the different patterns and layers. music appreciation at an all time high, never felt it so strongly with any other drug.
~SMELL-when i was outside at the lake with my friends, smells were intesified (if i wanted them to be, if i paid attention to them) and the smell of pine and eucalyptus were incredible, the smell of hot soup and food when we got back home was amazing too.
~TASTE-eating is so much fun, chewing the different textures, the different flavors in your mouth, god, so good.
~TOUCH- a body high that is different from ecstasy, but in my opinion, better. EVERYTHING, felt good, any type of movement felt amazing, i did about an hour of intense cardio at the lake, running, dancing, stretching, shadow boxing, pushups and acrobatics, i couldnt stop moving for the longest time while i was enjoying this aspect of the drug. when we got back, i had my friend PUNCH AND KICK me pretty damn hard, and even that felt good. the whole boundary between pleasure and pain was blended together.
~INSIGHT-with alot of psychedelics, I think I get some sort of realization, or some kind of philosophical understanding of the universe... with this, i would say that one thing i learned to appreciate even more than before, is the beauty of all states of mind. i took a long time and just cryed and sobbed for everything that has ever gotten me depressed in the past and present. i got incredibly angry and yelled at the tops of my lungs, punched the ground and flexed every muscle in my body with anger and fury. i laughed for hours and hours with my friends about nothing and everything. and it was great. im glad that i appreciate all states of mind, every emotion is equally important and necessary. i already knew this to a good degree, but this trip really solidified that for me, and im glad.
i also had conversations with my friends for a good 4 hours, just talking and talking and talking with an instrumental in the background, freestyleing, singing, wordplay, diving into the realm of words and communication.
we also drew for a good hour or so while listening to some music and eating food, and that was extremely fun.
of course i like doing drugs like these, but i try to make it a habit to learn as much as i can from these trips, and incorporate that into my daily life. nobody should have to be high on drugs to appreciate life, but i think its my responsiblity to myself to shatter my perception of reality every once and a while
A++ WILL TRIP AGAIN
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


This is a long story!This is a long story!This is a long story!This is a long story!
This is a long story!This is a long story!This is a long story!This is a long story!


Qt Quick Examples and Tutorials
This page lists the Qt QML and Qt Quick examples, however, many other Qt modules contain examples related to their QML API.
Running the Examples and Demos
The examples are packaged with the Qt installers and are accessed through Qt Creator. For more information about running examples in Qt Creator, visit the Building and Running an Example page.
Open and run examples within Qt Creator's Welcome mode. Most of the examples run on various platforms and to search for platform-specific examples, type the platform name (or any keywords) in the search field. For example, typing mobile
in the search field lists the examples that are fully compatible with the mobile platforms.
To view other examples and tutorials, visit the Qt Examples And Tutorials page.
Qt Quick Demos
Here is a list of fully-functional demo applications. They are full applications that show how a deployable Qt application is built and structured. Many of the demos are deployable to mobile and desktop platforms.
A QML app designed for portrait devices that uses custom components, animated with AnimationController, and JavaScript for the application logic. | |
A QML clock application that demonstrates using a ListView type to display data generated by a ListModel and a SpringAnimation type to animate images. | |
A Qt Quick game for touch devices that uses SpriteSequence, ParticleSystem, Emitter, and Wander types to animate objects and the SoundEffect type to play sound effects. | |
A QML app for touch devices that uses a Repeater with a FolderListModel to access content in a folder, and a PinchArea that contains a MouseArea to handle pinch gestures on the fetched content. | |
A QML photo viewer that that uses XmlListModel and XmlRole to download Flickr feeds, and Package to display the photos in different views. | |
A QML RSS news reader that uses XmlListModel and XmlRole to download XML data, ListModel and ListElement to create a category list, and ListView to display the data. | |
A QML implementation of the popular puzzle game by Kuniaki Moribe. | |
A configurable stock chart for the NASDAQ-100. | |
A Twitter search client with 3D effects. |
Developing Qt Quick Applications
The following pages show how to develop Qt applications using Qt Creator and Qt Quick. The pages demonstrate various steps such as use cases and introductory material. For more information about Qt Quick Applications and related modules, visit the QML Applications page.
Development Environment
Beginning with QML and Qt Quick
Extending QML
The following tutorials show how a QML-based application can be combined with C++ code using the Qt QML module. For information about extending QML, visit the Integrating QML and C++ page.
Exporting C++ Classes | |
Attached Properties | |
Binding | |
Default Property | |
Extension Objects | |
Grouped Properties | |
C++ Inheritance and Coercion | |
Methods Support | |
Exporting C++ Properties | |
Property Value Source | |
Signal Support |
Examples
Examples are small applications which show how to implement various Qt Quick features. The examples run on various platforms and are opened from within Qt Creator.
QML Types and Controls
Layouts and Views
Image and Graphics
Keyboard, Focus, and Touch
System and Events


{% from "macros/_form.html" import render_form %} {% extends 'setup/layout.html' %} {% block css %} {% endblock %} {% block pagejs %} {% endblock %} {% block body %}
Since you'd like to connect to your networked AlarmDecoder via SSL we need to import the certificates and keys necessary to communicate with the server.
At this point ser2sock is the only supported server software and we're assuming that ser2sock was configured manually and the certificates were generated by hand.


各位听众，大家好！今天我们为您播出“美语三级跳”节目“找房”单元的初级课程。
Professor: Jeff is at an apartment building. He's meeting the landlord to ask about renting an apartment.
Professor Bowman, landlord这个词由是land─土地，和lord─主人组成的，应该就是房主的意思吧？
Professor: That's right, Winnie. Now listen for the word "vacancy," which means "open" or "available."
Jeff: Hello, do you have any vacancies?
Landlord: Yes, something just opened up.
Jeff: What kind of apartment is it?
Landlord: It's a one-bedroom, one-bathroom apartment.
我知道，"vacancy, v-a-c-a-n-c-y, vacancy"就是指等待出租的空房。Professor: Exactly. "Vacant" means "empty."
哦，vacant 是 vacancy 的形容词，意思是“空的”。现在Jeff 就是要找a vacant apartment. 房主说有一个一室一卫的公寓，听起来不错，可是不知道租金贵不贵。
Professor: Let's listen and find out.
Jeff: How much is the rent?
Landlord: The rent is $1500 per month.
Jeff: And how much is the deposit?
Landlord: The deposit is $500.
一个一居室的公寓每月要 1500 美元？够贵的！而且，为什么Jeff 还要交一笔deposit“押金”呢？
Professor: Well, if Jeff breaks something in the apartment, the landlord uses the deposit money to fix it. In addition, he may have to pay utilities too. Let's listen.
Jeff: Are utilities included in the rent?
Landlord: Gas and water are included.
Jeff: Do I have to pay for electricity myself?
Landlord: Yes, electricity is not included in the rent.
哦，看来Jeff 要自己负担一部分utilities, u-t-i-l-i-t-i-e-s,─“水电杂费”，因为房主说，房租里包括煤气费和水费，但是电费要单付。
Professor: Winnie, if the landlord says "all utilities are included," then the cost of gas, water and electricity will all be included in the rent. Remember, you don't have to say "gas utility" or "water utility." You can just say "gas" or "water."
Jeff: Hmmm ... This apartment seems a little expensive. Do you have any cheap studios?
Landlord: Actually, the one-bedroom is the only vacant apartment right now.
Jeff: Do you think any studios will open up soon?
Landlord: No, not for a few months.
A "studio"? 我知道 Jeff 想找个便宜点的地方，可租这种卧室、起居室合二为一的单间小公寓，把女孩子带回家多没面子！
Professor: I don't know. You wouldn't date a guy living in a studio?
找个租 studio 的男朋友？那也没什么不行，但他起码得有辆特别 cool 的车！我们还是言归正传，看看Jeff 租没租那间公寓吧。
Jeff: When can I see the one-bedroom apartment?
Landlord: There's an open house this weekend.
Jeff: What time does the open house start?
Landlord: It starts at 11AM in the morning.
Professor Bowman, 什么叫open house?
Professor: Winnie, an "open house" is when the landlord opens the apartment and anybody can just walk in and take a look.
Open house 这段时间里什么人都可以随便来看。那要不是open house，就得和房主约时间喽？这个房主也真懒，让人家看一眼不就得了。
Professor: I agree. Maybe Jeff should rent a different apartment because this landlord is not very good. Now Jeff is going to ask how long the lease is.
Jeff: What kind of lease is it?
Landlord: It's a one-year lease.
Jeff: Can I have a month-to-month lease? I only want to rent the apartment for five months.
Landlord: No, all the leases are for one year. We don't have month-to-month leases.
Jeff: Well then I don't think this would be a good apartment for me. Thank you anyway.
Landlord: You're welcome.
唉，看来是不行了。Jeff只想租5个月，可房主非要签一年的租约。这可怎么办？
Professor: Well, I guess Jeff's friend Sarah will have to help him look for another apartment. Tune in next time to see what happens!


The Zaky App functions a biometric tracking app that captures infant vitals during kangaroo care via bluetooth.
My team met with Indeed to research the influence of trust on Indeed users' job search.
Longhorn Mobile Market is a mobile app created to enhance the University of Texas at Austin student and alumni peer-to-peer (P2P) buying, selling, and trading experience.
American Music Therapy Association (AMTA) is an organization dedicated to music therapists and music therapy clients. The purpose of the site is to provide information about AMTA for members, future members, and clients searching for therapists.


LINKIN PARK
Linkin Park is performing a set from their roots when getting into the music industry from albums like Hybrid Theory to Hunting Party. They will be lighting up the stage with Chester and Mike paving the way as the final act of the event for Warp Tour. After their latest album drop of 2017, One More Light they will be providing the audience with a jam packed nu-metal performance to the diverse lineup of artists. Chester with the rest of the band have received much criticism for their latest album release, they're taking this feedback as fuel to dig deep and give a performance that will rock the crowd to their core, after much time of being cooped up in the house, like many of us have been they have crafted a performance that will go down in music history.
~ Quote by Rock Flock Magazine
VENUE
GREEN DAY
Green Day is bringing an a chaos fueled performance to the big stage with hits from their older albums like Dookie and Insomniac to albums that revolutionized America like American Idiot and 21st Century Breakdown. Followed up by recent hits from their newest album, the Father of all Motherf******. With Trey Cool on the Drums, Bass Guitar played by Mike Dirnt and Billy Joe Armstrong leading the bastards that conquered the world with their punk pop rock. The band has been working hard to promote their latest album and overall they have gotten a lot of praise since it's debut album release. Green Day hopes to continue this streak performing at the Rolling Stones Bandemic Warp Tour!
VENUE
POST MALONE
Young rapping prodigy from the Lone Star State of Texas. Post Malone is bringing his newest album Goodbyes. He will be lighting up the stage with feature rapper and hip hop artist Young Thug. Post Malone brings a inviting presence to any concert venue and his inclusive and free living character gives the audience a performance they surely won't forget in their lifetimes.
VENUE
LIL UZI VERT
The emo rapper makes his appearance once more sporting his newest album, Eternal Atake, sponsoring fresh new beats and pulsating rhythms that will keep the crowd begging for more! Using 80's style synths and added rock and roll where appropriate, he is hoping to give the rap genre a new face and a new sound all together.
VENUE
BLINK 182
Listening to the emo punk rock band of the Blinking of 182 will send you into a nostalgic, memorializing state if mind that fills you with both joy and sadness all at the same time making you realize you're not alone in your coming of age struggles that many of ourselves go through at one time or another.
VENUE
RATM
Loud drums, raging guitars and thumping base, the rage is coming to the Warp Tour in a angry and fresh comeback way in the likes which you never seen before! They have been gone for a while since the 90s but hope to make a comeback that will give they a rebirth in the hard rock industry in which they will continue to throw singles out to keep giving us the jamming tunes we love from them.
VENUE
THE RACONTEURS
The "Teurs" are coming to the Tour! With their low impact notes that give a lot of emotion in songs like Steady as She Goes and Consolers of the Lonely we feel these guitar rifts unlike anything in Alternative music history. Jamming out with every note strung, we cannot wait to see what they have in store for the Warp Tour goers. We are anticipating a great show that will bring the crowd to their feet!
VENUE
LIL WAYNE
Lil Wayne hopes to reconcile for leaving his previous tour with 182 just a tad too early. In this he hopes to be in a better mind set to fully perform his venue as promised to his fans all the while ago with his newest album Carter V.
VENUE
FALL OUT BOY
My Songs Know What You Did In The Dark, so light em' up! The Boys are back in town to light up all of us with their pop alternative rock melodies that get us motivated for absolutely anything. They will be performing a lot of their popular singles being the opening act to the Tour Venue. They will set the stage for the rest of the acts getting the audience ready and inspire to want even more.
VENUE
WIZ KHALIFA
Linkin Park is performing a set from their roots when getting into the music industry from albums like Hybrid Theory to Hunting Party. They will be lighting up the stage with Chester and Mike paving the way as the final act of the event for Warp Tour. After their latest album drop of 2017, One More Light they will be providing the audience with a jam packed nu-metal performance to the diverse lineup of artists. Chester with the rest of the band have received much criticism for their latest album release, they're taking this feedback as fuel to dig deep and give a performance that will rock the crowd to their core, after much time of being cooped up in the house, like many of us have been they have crafted a performance that will go down in music history.
VENUE
MY CHEMICAL ROMANCE
When I was a young boy, my father took me to see Warp Tour! The band who conquered the early 2000s and made every emo persons voice heard. MCR is back and after reuniting once more to celebrate new album releases in Fall 2020, they are looking to bring the Black Parade back to reality in making sure that that Helena doesn't die and making sure everyone in the crowd sings it for the boys and sings it for the girls, sings it so loud the whole world hears your voice. The band had been broken up for the past few years and the members went on their own ways doing their own things for a while. Lead singer _________ had been making comic book in his spare time but always continue conducting music and writing it since.


Now that I’m not working in
There was a good turnout of just over 30 people to hear Seb talk. There was also some beer and nibbles laid on too which is always helps you deal with skipping dinner, especially when you know you’ll be frequenting the local pub afterwards.
The title for his talk comes from a misattributed quote of Disraeli, but it nicely sums up what many people feel about the whole issue of attempting to predict how long a software project, or even just a single task, will take. The initial part of the talk focused on how bad we are at the process of estimating and looked into some of the “science”, such as Planning Poker, that suggests we are better at estimating relative to some known level of complexity rather than trying to predict an absolute amount. However it seems this has now been debunked too. Hopefully the crowd-sourcing aspect still provides value, as does it being another conduit for conversation and the breaking down of stories.
We didn’t just get to listen to Seb but got to take part in a little experiment too. This involved us answering some general knowledge questions, such as when Bram Stoker was born, with a range estimate rather than a single value. The range however was supposed to be something we thought was 90% accurate, which should have lead to us getting around 9 out of 10 questions right. Of course most of us were way out even with that kind of leeway.
This nicely brought home the point of how bad we are at estimating and the quiz theme continued with us trying to answer the age old question of “how long is a piece of string”. Although again, rather than giving a measurement we just needed to compare it to the others and say which was longer. Naturally they weren’t all laid out end-to-end but looped around in different ways to make the process much harder; another simple but effective game.
There were various references to popular books that cover these topics, such as Waltzing with Bears and Impact Mapping, with plenty of quotes and snippets that intrigued me. I already own a couple but suspect a visit to my local online bookshop is imminent as there is plenty more to lap up here, particularly in the area of breaking down user stories. One particular slide with a flowchart titled “How to Split a User Story” looked most promising [1].
The final part of the talk looked at why we are often being asked to provide these estimates in the first place – what use are they to The Management that demands them? Seb delved into the area of Return on Investment (ROI), which is a fairly simple calculation, assuming you can of course quantify the “value” that a project will bring. This area of business analysis seems even murkier than the process of estimating that we are being asked to do. Presumably this was aimed at internal projects as he’d already covered estimating for external clients at the very beginning with a selection of quotes from builders.
The talk lasted well over an hour and
certainly provided plenty of leads for those that wanted to learn more. The
evening was rounded off nicely with a trip to a local pub (Bree Louise) which
had a number of real ales on tap. This was a great reminder that I should make
it into
[1] http://www.agileforall.com/wp-content/uploads/2012/01/Story-Splitting-Flowchart.pdf
16 October 2014
Bio
Chris is a freelance developer who started out as a bedroom coder in the 80’s writing assembler on 8-bit micros; these days it’s C++ and C#. He also commentates on the Godmanchester duck race and can be contacted via<EMAIL_ADDRESS>or @chrisoldwood.


Eduardo Arturo Cabello AgüeroSystems and Computer Engineering Student
About me
Contact Me
Profile
I have experience and interest in web development, mobile applications and software development in general. I'm good at working in teams, under pressure and learning new technologies.
Work Experience
I worked at Pragma S.A. helping a group of software developers with service integrations of the Costa Rica bank. We worked under the SCRUM framework and SOA architecture. Also i helped on the development of a web application.
Projects
I worked on the following projects:
Web Aplication for consulting error registry of services: I worked mostly on a library that was in charge of all the process of connecting to any type of database and made optimized queries.
A web and mobile application that was in charge of manage the data of pacients for the doctors to see and analize.
Skills
<--Diego Rodriguez: cuidado ! algunas palabras se salen del circulo, prueba disminuyendo el tamaño de la fuente, agrandando el tamaño del circulo-->
<-- Diego Rodriguez: el contenido se vería mejor si estuviera en el centro del circulo-->
Java
Advance
HTML, CSS, Javascript
Advance
SQL
Intermediate
C#
Basic
Git
Intermediate
NodeJS
Basic
Oracle SQL
Intermediate
Android Framework
Basic
SQL Server
Intermediate
SCRUM
Intermediate
Unity
Basic
Unreal Engine
Basic
Spanish
Native
English
Advance (90% writting, 80% speaking)
German
Basic
Hobbies
I love to play videogames in general, but my favorite genre are Adventure, Action, Psycologic Horror, RPG and Fantasy.
I also love music, and i play the Violin and Guitar. Also i had some music studies in the past.


|
Standard Reference Data Program |
Data Gateway |
Chemistry WebBook |
Go To: Top, Constants of diatomic molecules, References, Notes / Error Report
Data compilation copyright by the U.S. Secretary of Commerce on behalf of the U.S.A. All rights reserved.
Data evaluated as indicated in comments:
HL - E.P. Hunter and S.G. Lias
Data compiled as indicated in comments:
LL - S.G. Lias and J.F. Liebman
| Quantity | Value | Units | Method | Reference | Comment |
|---|---|---|---|---|---|
| Proton affinity (review) | 627. | kJ/mol | N/A | Hunter and Lias, 1998 | at Si; HL |
| Proton affinity (review) | 683. | kJ/mol | N/A | Hunter and Lias, 1998 | at S; HL |
| Quantity | Value | Units | Method | Reference | Comment |
| Gas basicity | 596.6 | kJ/mol | N/A | Hunter and Lias, 1998 | at Si; HL |
| Gas basicity | 660.2 | kJ/mol | N/A | Hunter and Lias, 1998 | at S; HL |
| IE (eV) | Method | Reference | Comment |
|---|---|---|---|
| 10.53 ± 0.02 | PE | Cockett, Dyke, et al., 1989 | LL |
Go To: Top, Gas phase ion energetics data, References, Notes / Error Report
Data compilation copyright by the U.S. Secretary of Commerce on behalf of the U.S.A. All rights reserved.
Data compiled by: K.P. Huber and G. Herzberg
| State | Te | ωe | ωexe | ωeye | Be | αe | γe | De | βe | re | Trans. | ν00 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| E 1Σ+ | 41915.8 | 405.6 Z | 1.60 | -0.028 | 0.22137 1 | 0.00139 | -0.000018 | 2.2591 | E ↔ X 2 R | 41744.0 Z | ||
| missing citation; Barrow, Deutsch, et al., 1961; Bredohl, Cornet, et al., 1975 | ||||||||||||
| I 1Σ- | ≤37462 3 | ≥404.9 | 1.18 | ≥0.2142 | 0.0018 | ≤2.297 | ||||||
| Nilheden, 1956 | ||||||||||||
| C 1Δ | 37269 3 | 439.9 | 3.97 | 0.2269 | 0.0028 | 2.231 | ||||||
| Nilheden, 1956 | ||||||||||||
| e 3Σ- | ≤35322 3 | ≥407.2 | 1.77 | ≥0.2230 | 0.0029 | ≤2.251 | ||||||
| Nilheden, 1956; Lagerqvist, Nilheden, et al., 1952 | ||||||||||||
| State | Te | ωe | ωexe | ωeye | Be | αe | γe | De | βe | re | Trans. | ν00 |
| D 1Π | 35026.86 | 513.12 Z | 2.93 | 0.26647 4 1 | 0.00216 | 2.91E-7 | -0.03E-7 | 2.0591 | D ↔ X R | 34908.51 Z | ||
| missing citation; missing citation; Nilheden, 1956 | ||||||||||||
| a 3Π1 | [30239.2] 5 | [0.28180] | [2.0023] | a → X R | 29865.0 Z | |||||||
| Bredohl, Cornet, et al., 1976 | ||||||||||||
| X 1Σ+ | 0 | 749.64 Z | 2.577 | 0.00052 | 0.30352788 1 | 0.00147308 | -8.6E-8 | 2.01E-7 | 1.929321 6 7 | |||
| Tiemann, Renwanz, et al., 1972; Tiemann, 1976 |
| 1 | RKR potential curves Nair, Singh, et al., 1965, 93. |
| 2 | Bands in the near UV and visible region (3490-6170 ) first described by Barrow and Jevons, 1939 have been shown Bredohl, Cornet, et al., 1975 to be part of the E→X system (1≤v'≤17, 20≤v"≤51). Franck-Condon factors Katti and Korwar, 1975. |
| 3 | The constants for these states have been derived Nilheden, 1956 from perturbations in D 1Π; the vibrational numbering is uncertain except for C 1Δ. |
| 4 | Numerous perturbations due to interactions with e 3Σ-, C 1Δ, and I 1Σ-. |
| 5 | Only v'=0 observed |
| 6 | From studies of four different isotopes the equilibrium internuclear distance at the minimum of the Born-Oppenheimer potential curve can be derived: re(B0) = 1.929264 Tiemann, Renwanz, et al., 1972. |
| 7 | Microwave sp. 9 |
| 8 | From a short extrapolation of the vibrational levels of the E state Robinson and Barrow, 1954 assuming dissociation into 3P2 + 3P2 Barrow, 1970. |
| 9 | μel(v=0) = +1.73 D (+SiS-), see Murty and Curl, 1969, Hoeft, Lovas, et al., 1969, Tiemann, Renwanz, et al., 1972; gJ = -0.09097- 0.000296(v+1/2) Honerjager and Tischer, 1973; Si33S hyperfine structure Hoeft, Lovas, et al., 1969; adiabatic and non-adiabatic corrections Tiemann, Renwanz, et al., 1972. |
Go To: Top, Gas phase ion energetics data, Constants of diatomic molecules, Notes / Error Report
Data compilation copyright by the U.S. Secretary of Commerce on behalf of the U.S.A. All rights reserved.
Hunter and Lias, 1998
Hunter, E.P.; Lias, S.G.,
Evaluated Gas Phase Basicities and Proton Affinities of Molecules: An Update,
J. Phys. Chem. Ref. Data, 1998, 27, 3, 413-656. [doi:10.1063/1.556018]
[all data]
Cockett, Dyke, et al., 1989
Cockett, M.C.R.; Dyke, J.M.; Morris, A.; Niavaran, M.H.Z.,
High-temperature photoelectron spectroscopy A study of SiS(X +),
J. Chem. Soc. Faraday Trans. 2, 1989, 85, 75. [all data]
Barrow, Deutsch, et al., 1961
Barrow, R.F.; Deutsch, J.L.; Lagerqvist, A.; Westerlund, B.,
Rotational analysis of the E-X system of silicon monosulphide,
Proc. Phys. Soc. London, 1961, 78, 1307. [all data]
Bredohl, Cornet, et al., 1975
Bredohl, H.; Cornet, R.; Dubois, I.; Wilderia, D.,
Identification of a non-assigned electronic system of the SiS radical,
J. Phys. B:, 1975, 8, 259. [all data]
Nilheden, 1956
Nilheden, G.,
The perturbations in the near ultra-violet band-system (D-X) of silicon monosulphide,
Ark. Fys., 1956, 10, 19. [all data]
Lagerqvist, Nilheden, et al., 1952
Lagerqvist, A.; Nilheden, G.; Barrow, R.F.,
The near ultra-violet band-system (D-X) of silicon monosulphide,
Proc. Phys. Soc. London Sect. A, 1952, 65, 419. [all data]
Bredohl, Cornet, et al., 1976
Bredohl, H.; Cornet, R.; Dubois, I.,
The a3Πr-X1Σ+ transition of SiS,
J. Phys. B:, 1976, 9, 207. [all data]
Tiemann, Renwanz, et al., 1972
Tiemann, E.; Renwanz, E.; Hoeft, J.; Torring, T.,
Isotopieeffekte im Rotationsspektrum des SiS,
Z. Naturforsch. A, 1972, 27, 1566. [all data]
Tiemann, 1976
Tiemann, E.,
Microwave spectra of molecules of astrophysical interest. XI. Silicon sulfide,
J. Phys. Chem. Ref. Data, 1976, 5, 1147. [all data]
Nair, Singh, et al., 1965
Nair, K.P.R.; Singh, R.B.; Rai, D.K.,
Potential-energy curves and dissociation energies of oxides and sulfides of group IV A elements,
J. Chem. Phys., 1965, 43, 3570. [all data]
Barrow and Jevons, 1939
Barrow, R.F.; Jevons, W.,
The band spectrum of silicon monosulphide and its relation to the band spectra of similar molecules,
Proc. R. Soc. London A, 1939, 169, 45. [all data]
Katti and Korwar, 1975
Katti, P.H.; Korwar, V.M.,
R-K-R-V potential energy curve, Franck-Condon factors and r-centroids for E1Σ+-X1Σ+ system of SiS molecule,
Acta Phys. Acad. Sci. Hung., 1975, 39, 145. [all data]
Robinson and Barrow, 1954
Robinson, S.J.Q.; Barrow, R.F.,
The E-X band system of SiS in emission and the dissociation energy of SiS,
Proc. Phys. Soc. London Sect. A, 1954, 67, 95. [all data]
Barrow, 1970
Barrow,
In Rosen, 1970, 1970, 323. [all data]
Murty and Curl, 1969
Murty, A.N.; Curl, R.F., Jr.,
Dipole moments of the sulfides of Pb, Sn, and Si from Stark effect measurements,
J. Mol. Spectrosc., 1969, 30, 102. [all data]
Hoeft, Lovas, et al., 1969
Hoeft, J.; Lovas, F.J.; Tiemann, E.; Torring, T.,
Elektrisches Dipolmoment und Mikrowellenrotationsspektrum von SiS,
Z. Naturforsch. A, 1969, 24, 1422. [all data]
Honerjager and Tischer, 1973
Honerjager, R.; Tischer, R.,
gJ-Faktor der Molekeln GeO und SiS und Anisotropie ihrer Magnetisierbarkeit,
Z. Naturforsch. A, 1973, 28, 1374. [all data]
Rosen, 1970
Rosen, B.,
International tables of selected constants. 17. Spectroscopic data relative to diatomic molecules, Pub. Pergamon Press, Oxford, 1970, 0. [all data]
Go To: Top, Gas phase ion energetics data, Constants of diatomic molecules, References
Copyright for NIST Standard Reference Data is governed by the Standard Reference Data Act.
|
Standard Reference Data Program |
Data Gateway |
Chemistry WebBook |
If you have comments or questions about this site, please contact us.


Home
Drink/Cocktail Search
Recipe Book
×
Search for recipe:
Allergies:
Dairy
Egg
Gluten
Sesame
Seafood
Shellfish
Soy
Sulfite
Tree Nut
Wheat
Search


Our Story
Sumi is a restaurant, bar and coffee roastery located on a busy corner site in Farringdon's Exmouth Market. With glazed frontage on two sides of the building, overlooking the market and a bustling.
- Sumi is a restaurant, bar and coffee roastery located
- Sumi is a restaurant, bar and coffee
- Sumi is a restaurant, bar and coffee roastery located on a Sumi
- restaurant, bar and coffee roastery located
Find About
Our Menu
- Starters
- Dishes
- Deserts
- Fastfood
- Coffer
- Drinks
×
-
ITALIAN SOURCE MUSHROOM $19.9
- Mushroom |
- Garlic |
- Veggies
-
TUNA ROAST SOURCE$19.9
- Tuna |
- Potatoes |
- Rice
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
ROAST PORK (4 STICKS)$19.9
- Pork |
- Veggie |
- Shoyu
-
SALTED FRIED CHICKEN$19.9
- Chicken |
- Olive Oil |
- Salt
-
CRAB WITH CURRY SOURCES $19.9
- Crab |
- Potatoes |
- Veggies
-
IMPORTED SALMON STEAK$19.9
- Salmon |
- Veggies |
- Oil
-
BAKED POTATO PIZZA$19.9
- Potato |
- Bread |
- Cheese
-
PORK WITH ITALIAN SALSA VERDE$19.9
- Pork |
- Tomatoes |
- Veggies
-
FRESH CRAB WITH LEMON$19.9
- Crab |
- Lemon |
- Garlic
×
-
ITALIAN $19.9
- Mushroom |
- Garlic |
- Veggies
-
TUNA ROAST SOURCE$19.9
- Tuna |
- Potatoes |
- Rice
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Mushroom |
- Garlic |
- Veggies
-
ITALIAN SOURCE MUSHROOM $19.9
- Mushroom |
- Garlic |
- Veggies
-
TUNA ROAST SOURCE$19.9
- Tuna |
- Potatoes |
- Rice
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Mushroom |
- Garlic |
- Veggies
×
-
ITALIAN dish $19.9
- Mushroom |
- Garlic |
- Veggies
-
TUNA ROAST SOURCE$19.9
- Tuna |
- Potatoes |
- Rice
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Mushroom |
- Garlic |
- Veggies
-
ITALIAN SOURCE MUSHROOM $19.9
- Mushroom |
- Garlic |
- Veggies
-
TUNA ROAST SOURCE$19.9
- Tuna |
- Potatoes |
- Rice
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Mushroom |
- Garlic |
- Veggies
×
-
ITALIAN dish $19.9
- Mushroom |
- Garlic |
- Veggies
-
TUNA ROAST SOURCE$19.9
- Tuna |
- Potatoes |
- Rice
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Mushroom |
- Garlic |
- Veggies
-
ITALIAN SOURCE MUSHROOM $19.9
- Mushroom |
- Garlic |
- Veggies
-
TUNA ROAST SOURCE$19.9
- Tuna |
- Potatoes |
- Rice
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Mushroom |
- Garlic |
- Veggies
×
-
ITALIAN dish $19.9
- Mushroom |
- Garlic |
- Veggies
-
TUNA ROAST SOURCE$19.9
- Tuna |
- Potatoes |
- Rice
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Mushroom |
- Garlic |
- Veggies
-
ITALIAN SOURCE MUSHROOM $19.9
- Mushroom |
- Garlic |
- Veggies
-
TUNA ROAST SOURCE$19.9
- Tuna |
- Potatoes |
- Rice
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Mushroom |
- Garlic |
- Veggies
×
-
ITALIAN dish $19.9
- Mushroom |
- Garlic |
- Veggies
-
TUNA ROAST SOURCE$19.9
- Tuna |
- Potatoes |
- Rice
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Mushroom |
- Garlic |
- Veggies
-
ITALIAN SOURCE MUSHROOM $19.9
- Mushroom |
- Garlic |
- Veggies
-
TUNA ROAST SOURCE$19.9
- Tuna |
- Potatoes |
- Rice
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Potatoes |
- Garlic |
- Veggies
-
FRIED POTATOES WITH GARLIC$19.9
- Mushroom |
- Garlic |
- Veggies
Well come to Sumi Restaurant
Make a Reservation
| Friday to Sunday 11:00 AM - 20:00 PM Monday to Tuesday 09:00 AM - 22:00 PM
+12345 678 910
BOOK A TABLE
Latest
News
Interdum et malesuada fames ac ante ipsum primis in faucibus
19 September, 2016
White chocolate & cookies
Aenean condimentum commodo mattis viverra erat volutpat


incoming(cls,
format,
zip_path=None,
metadata_files=None)
Class Method
| source code
|
Obtain an instance of a PackageHandler for the provided format to be used to work
with processing an incoming binary object.
If the zip path is provided, the handler will be constructed around that file
If only the metadata file handles are provided, the handler will be constructed around them
Metadata file handles should be of the form
[("filename", <file handle>)]
It is recommended that as the metadata files are likely to be highly implementation specific
that you rely on the handler itself to provide you with the names of the files, which you may
use to retrieve the streams from store.
- Parameters:
format - format identifier for the package handler. As seen in the configuration.
zip_path - file path to an accessible on-disk location where the zip file is stored
metadata_files - list of tuples of filename/filehandle pairs for metadata files extracted from a package
- Returns:
- an instance of a PackageHandler, constructed with the zip_path and/or metadata_files
|


{% extends 'base.html' %} {% block whoami %} {% endblock %} {% block content %}
You've been logged out. Click here to return to the home page.