the and for was with were mAbs RRV virus binding antibody from that The cells RRV-, are neutralization residues using mAb antibodies viral cell River {background Ross two mice domain each competition these which before human protein (Fig RRV- first hind used alanine margin not performed within infection {border-style RNA fusion loss neutralizing after group mouse px;} #ffffff;} < also control through After Mxra addition containing disease have second then maximal scanning strain []. clinical experiments had isolated multiple when °C. Biology CHIKV University against alphavirus competition-binding medium monoclonal paw reduction studies values Antibodies concentration data incubated into mutagenesis well & Analysis Sciences added all blocked domains region regions review shown than this virus. washed Australia Fig PBS Research Two Vanderbilt Virus additional arch been bilateral both burden diluted during entry has ipsilateral specific under CBL/ Center Department FFU Life Methods States United antigenic between determined did epitopes loss-of-binding obtained our plate post-attachment receptor times tissues -well All America[], Vero Viral arthritogenic contralateral different flow given groups, hybridoma indicated one onto percent plates presence proteins px; room test tested those wells {font-family (A) (PDF) A). B). Chikungunya Click FoxJM, IgG LINK Medical National RRV, Virol. [,]. activity assay assay, but chikungunya compared completely due epitope file. five following font-size fraction fusion. gait, gripping groups here identified isotype less limb major mapping other protein, righting signal study μg/mL (B) E/E ELISA Medicine Molecular Pathogens School Techniques These This Washington [,,]. [–]. administered administration altered analysis ankle binding. could donor double; envelope gastrocnemius, glycoprotein gripping; important incubation independent intraperitoneal left mAb, mAbs, mapped mild min. most observed only particles pre-attachment prepared quantified reduced represent score sites some there use weakness, Animal Cytometry Flow Health. Immune Institutional Med Medicine, Mice Mxra-Fc No. PBS. Pacific Plates RRV. Use VLPs While assay. based block border-color border-width curve curves days described determine effective epidemic four goat greater half heterodimer including inhibited inhibition inoculated lines may mean measuring membrane model nearly negative neutralize position possible potent potential potently protective protein. quadriceps, relative representative sequence several shown. significantly since solid; such surface therapeutic therapy three weeks whereas {font-style {font-weight (PDB **p ./JVI.- ANOVA Additionally, Alanine Alphaviruses: Aust. Australian Care Cat. Cell Immunology Institutes Louis, Missouri, Mouse Nashville, Nature. Our PLoS RRV-reactive Saint Tennessee, Togaviruses Virology. according across addition, although another anti-RRV anti-human anti-mouse antibodies. antibody, assays assays. assigned baseline bind biosensors blocking blood bold caused cells. chosen close collected combination contact control. courier; course credible culture day decrease defect difference dilution discovered domain, domains, dotted em; expression fusion, harvested highly immobilized immunocompetent inactivated indicates indicating infection) infection. instrument least line low mRNA male measured might moderate more mutated neutralized old out panel performed, plasma post-infection, prior profiles pt;} purified qRT-PCR recently reduce reflex; related removed residual scoring secondary severe showed spleen, structure supernatant supernatants survival symptoms temperature total trimer un-competed vaccine virus-only who without years


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I/O Layer Design
The akka.io package has been developed in collaboration between the Akka and spray.io teams. Its design incorporates the experiences with the spray-io module along with improvements that were jointly developed for more general consumption as an actor-based service.
Requirements
In order to form a general and extensible IO layer basis for a wide range of applications, with Akka remoting and spray HTTP being the initial ones, the following requirements were established as key drivers for the design:
- scalability to millions of concurrent connections
- lowest possible latency in getting data from an input channel into the target actor’s mailbox
- maximal throughput
- optional back-pressure in both directions (i.e. throttling local senders as well as allowing local readers to throttle remote senders, where allowed by the protocol)
- a purely actor-based API with immutable data representation
- extensibility for integrating new transports by way of a very lean SPI; the goal is to not force I/O mechanisms into a lowest common denominator but instead allow completely protocol-specific user-level APIs.
Basic Architecture
Each transport implementation will be made available as a separate Akka extension, offering an ActorRef representing the initial point of contact for client code. This "manager" accepts requests for establishing a communications channel (e.g. connect or listen on a TCP socket). Each communications channel is represented by one dedicated actor, which is exposed to client code for all interaction with this channel over its entire lifetime.
The central element of the implementation is the transport-specific “selector” actor; in the case of TCP this would wrap a java.nio.channels.Selector. The channel actors register their interest in readability or writability of their channel by sending corresponding messages to their assigned selector actor. However, the actual channel reading and writing is performed by the channel actors themselves, which frees the selector actors from time-consuming tasks and thereby ensures low latency. The selector actor's only responsibility is the management of the underlying selector's key set and the actual select operation, which is the only operation to typically block.
The assignment of channels to selectors is performed by the manager actor and remains unchanged for the entire lifetime of a channel. Thereby the management actor "stripes" new channels across one or more selector actors based on some implementation-specific distribution logic. This logic may be delegated (in part) to the selectors actors, which could, for example, choose to reject the assignment of a new channel when they consider themselves to be at capacity.
The manager actor creates (and therefore supervises) the selector actors, which in turn create and supervise their channel actors. The actor hierarchy of one single transport implementation therefore consists of three distinct actor levels, with the management actor at the top-, the channel actors at the leaf- and the selector actors at the mid-level.
Back-pressure for output is enabled by allowing the user to specify within its Write messages whether it wants to receive an acknowledgement for enqueuing that write to the O/S kernel. Back-pressure for input is enabled by sending the channel actor a message which temporarily disables read interest for the channel until reading is re-enabled with a corresponding resume command. In the case of transports with flow control—like TCP—the act of not consuming data at the receiving end (thereby causing them to remain in the kernels read buffers) is propagated back to the sender, linking these two mechanisms across the network.
Design Benefits
Staying within the actor model for the whole implementation allows us to remove the need for explicit thread handling logic, and it also means that there are no locks involved (besides those which are part of the underlying transport library). Writing only actor code results in a cleaner implementation, while Akka’s efficient actor messaging does not impose a high tax for this benefit. In fact the event-based nature of I/O maps so well to the actor model that we expect clear performance and especially scalability benefits over traditional solutions with explicit thread management and synchronization.
Another benefit of supervision hierarchies is that clean-up of resources comes naturally: shutting down a selector actor will automatically clean up all channel actors, allowing proper closing of the channels and sending the appropriate messages to user-level client actors. DeathWatch allows the channel actors to notice the demise of their user-level handler actors and terminate in an orderly fashion in that case as well; this naturally reduces the chances of leaking open channels.
The choice of using ActorRef for exposing all functionality entails that these references can be distributed or delegated freely and in general handled as the user sees fit, including the use of remoting and life-cycle monitoring (just to name two).
How to go about Adding a New Transport
The best start is to study the TCP reference implementation to get a good grip on the basic working principle and then design an implementation, which is similar in spirit, but adapted to the new protocol in question. There are vast differences between I/O mechanisms (e.g. compare file I/O to a message broker) and the goal of this I/O layer is explicitly not to shoehorn all of them into a uniform API, which is why only the basic architecture ideas are documented here.
Contents


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UVLogFormatter Protocol Reference
| Conforms to | NSObject |
|---|---|
| Declared in | UVLog.h |
– formatLogMessage:NS_SWIFT_NAME:
required method
Formatters may optionally be added to any logger. This allows for increased flexibility in the logging environment. For example, log messages for log files may be formatted differently than log messages for the console.
- (NSString *__nullable)formatLogMessage:(UVLogMessage *)logMessage NS_SWIFT_NAME
Discussion
For more information about formatters, see the “Custom Formatters” page: Documentation/CustomFormatters.md
The formatter may also optionally filter the log message by returning nil, in which case the logger will not log the message.
Declared In
UVLog.h
– didaddToLogger:
A single formatter instance can be added to multiple loggers. These methods provides hooks to notify the formatter of when it’s added/removed.
- (void)didaddToLogger:(id<UVLogger>)logger
Discussion
This is primarily for thread-safety. If a formatter is explicitly not thread-safe, it may wish to throw an exception if added to multiple loggers. Or if a formatter has potentially thread-unsafe code (e.g. NSDateFormatter), it could possibly use these hooks to switch to thread-safe versions of the code.
Declared In
UVLog.h
– didaddToLogger:inQueue:
- A single formatter instance can be added to multiple loggers.
- These methods provides hooks to notify the formatter of when it’s added/removed. *
- This is primarily for thread-safety.
- If a formatter is explicitly not thread-safe, it may wish to throw an exception if added to multiple loggers.
- Or if a formatter has potentially thread-unsafe code (e.g. NSDateFormatter),
- it could possibly use these hooks to switch to thread-safe versions of the code or use dispatch_set_specific() .* to add its own specific values. *
- (void)didaddToLogger:(id<UVLogger>)logger inQueue:(dispatch_queue_t)queue
Declared In
UVLog.h
– willRemoveFromLogger:
See the above description for didaddToLogger:
- (void)willRemoveFromLogger:(id<UVLogger>)logger
Declared In
UVLog.h


Musk was born on June 28, 1971, in Pretoria, Transvaal, South Africa, the son
of Maye Musk, a model and dietitian from Regina, Saskatchewan,
Canada, and Errol Musk, a South African
Electromechanical Engineer
, pilot, and
sailor. He has a younger brother, Kimbal and a younger sister, Tosca. His paternal
grandmother was British, and he also has
Pennsylvania
Dutch ancestry. His maternal grandfather Joshua Haldeman was American, from
Minnesota. After his parents divorced in 1980, Musk lived mostly with his
father in the suburbs of Pretoria, which Musk chose two years after his parents
split up, but now says was a mistake. As an adult, Musk has severed relations
with his father. He has a half-sister and a half-brother.
During his childhood, Musk was an avid reader At age 10, he developed an
interest in computing and he taught himself Computer
Programming at the age of 10, and by the age of 12 sold the code of a
BASIC-based
video game he created called Blastar, to a magazine called PC and Office
Technology, for approximately $500. A web version of the game is available
online. His childhood reading included Isaac Asimov's Foundation series
from which he drew the lesson that "you should try to take the set of actions that
are likely to prolong civilization, minimize the probability of a dark age and
reduce the length of a dark age if there is one.
Musk attended
Waterkloof House Preparatory School
and Bryanston High School
before graduating from Pretoria Boys High School. Although Musk's father insisted
that Elon go to college in Pretoria, Musk became determined to move to the United
States. As he states, "I remember thinking and seeing that America is where great
things are possible, more than any other country in the world. Knowing it
would be easy to get to the United States from Canada, he moved to Canada against
his father's wishes in June 1989, just before his 18th birthday,after
obtaining a Canadian passport through his Canadian-born mother.


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Lets play Pig Dice!!!!!
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Before Change
// For more information see https://github.com/DexterInd/GoPiGo3/blob/master/LICENSE.md
import setuptools
setuptools.setup(
name="gopigo3",
description="Drivers and examples for using the GoPiGo3 in Python",
author="Dexter Industries",
url="http://www.dexterindustries.com/GoPiGo/",
py_modules=["gopigo3","easygopigo3","I2C_mutex"],
//install_requires=open("requirements.txt").readlines(),
)
After Change
except IOError:
print(str(IOError))
print("make sure you have [package_description.rst] file in the same directory as [setup.py]")
import setuptools
setuptools.setup(
name = "gopigo3",


We recommend you to see also
Here we are refering to go to this webpage in case you found some issues. There are various issues discussed like symptoms, remedies, precautions etc. As we would also recommend you to go and take advices from a specialist, medications and tests if needed.


You don't get data binding without a router. You can't store parameters in path segments like /customer/:customerId. You navigate directly to the HTML file.
/customer/:customerId


EtmMonitor JMX Howto
JETM provides means to expose an EtmMonitor through JMX. This page describes the necessary steps for manual registration, for Springframework based registration and automatic registration using a JETM plugin.
JMX support using JETM plugin
Whenever you are using static EtmManager configuration you can use the EtmMonitorJmxPlugin for JMX registration.
The following example enables JMX support for an EtmMonitor configuration and alters the MBean name to etm:service=PerformanceMonitoringService. If you don't provide this property the default name etm:service=PerformanceMonitor will be used. Internally this feature registers the EtmMonitorJmxPlugin mentioned above.
<?xml version="1.0" encoding="UTF-8"?> <!DOCTYPE jetm-config PUBLIC "-// void.fm //DTD JETM Config 1.2//EN" "http://jetm.void.fm/dtd/jetm_config_1_2.dtd"> <jetm-config> <features> ... <jmx monitorObjectName="etm:service=PerformanceMonitor"/> </features> </jetm-config>
The plugin will also register all top level performance results as JMX beans.
JMX support using manual registration
Of course it is possible to register an EtmMonitor manually. Use the class EtmMonitorMBean to do so.
EtmMonitor monitor = ...; ArrayList mbeanServers = MBeanServerFactory.findMBeanServer(null); MBeanServer mbeanServer = (MBeanServer) mbeanServers.get(0); if (mbeanServer != null) { ObjectName objectName = new ObjectName("etm:service=PerformanceMonitor"); // register EtmMonitor using EtmMonitorMBean try { mbeanServer.registerMBean(new EtmMonitorMBean(monitor), objectName); } }
JMX support using Spring Framework MBeanExporter
If you are using Spring for configuration management you can easily export any EtmMonitor instance using the Springframework class MBeanExporter. This class can export valid JMX MBeans to an MBeanServer by declaration or automatically.
The following configuration example exports all JMX MBeans including our EtmMonitorMBean using the JMX name etm:service=PerformanceMonitor. It assumes that your application runs within an JMX enabled infrastructure (such as JBoss, Tomcat or Bea Weblogic). For all other plattforms see spring MBeanExporter documentation.
<beans> <bean id="etmMonitor" class="etm.core.monitor.NestedMonitor" init-method="start" destroy-method="stop"/> <bean name="etm:service=PerformanceMonitor" class="etm.core.jmx.EtmMonitorMBean" autowire="constructor"/> <bean class="org.springframework.jmx.export.MBeanExporter"> <property name="autodetect" value="true"/> </bean> </beans>
Further notes
Accessing performance results via JMX is kind a awkward since everything pretty much depends on your JMX browser. For instance the Sun JDK JConsole will render strange performance results while the JBoss JMX console can be used as a replacement for our JETM HTTP Console.


Chelsea F.C
The Blues
10 March 1905
Stamford Bridge
Frank Lampard
Chelsea Football Club are an English professional football club based in Fulham, London. Founded in 1905, the club competes in the Premier League, the top division of English football. Chelsea are among England's most successful clubs, having won over thirty competitive honours, including six league titles and six European trophies. Their home ground is Stamford Bridge.


{% load staticfiles %}
AN EYE FOR AN I
Identify a time series column for analysis if relevant. Identify columns with matching keys between your data files to help us understand the relationships in the data.
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| DOSE: T+ 0:00 |
10 mg |
oral |
4-Acetoxy-MiPT |
|
| T+ 5:30 |
10 mg |
oral |
4-Acetoxy-MiPT |
|
| T+ 10:45 |
10 mg |
oral |
4-Acetoxy-MiPT |
|
| T+ 0:00 |
|
oral |
St. John's Wort |
(daily) |
| T+ 0:00 |
|
oral |
Vitamins / Supplements |
(daily) |
Repeated Ďmuseum dosesí 4-aco-mipt, plus caffeine
[Editor's Note: at the time of ingestion, the author believed the substance to be 4-AcO-DiPT, see Follow-Up Note at the end of the report.]
35 Year old male 86kg
Religion: Neo Pagan- Wicca
Meds: None
Alternative Meds: 333mg St Johns Wort (standardised extract 1000mcg hypercin), Vitamin tablet (100% RDA of all major Vitamins, plus some minerals), Fish oils 600mg (All taken daily, AM)
Previous experience: Including the following, LSD, Mushrooms (liberty cap), 2c-x of various types, others including unknown pills, mdma, various amphetamines and 4-aco-dipt.
Reasons: Having had a full blown experience with this compound, why not explore it at the opposite end of the spectrum? Iíve experienced the same doses before, but the intention here is completely different. This isnít the build up to a high dose, this is taking time to see what if any subtle effects there may be at low doses. I dreamt this plan up while contemplating my breakfast, faced with a day of sitting at home (see set and setting below)
Set & setting: Frankly Iím bored, stuck at home waiting for a utility to send someone to change a meter. They give appointments by the day, and could visit any time between 8am and 8pm. Sometimes they donít show up at all. Iím stuck here for the duration. On the plus side Iím at home, comfortable, and have any amount of toys to play with.
Preparation: Not much, Iíd already done the morning routine. Iíd eaten a breakfast of oatabix, and a cup of freshly ground coffee.
Drug identification: Certificate of analysis was provided with the substance indicating >98% 4-aco-dipt, method unknown at this time. The powder was measured on a laboratory scale, +/- 0.1mg accuracy. The powder was dissolved in distilled water to give a concentration of 10mg per ml. Doses were then measured using a calibrated measuring pipette. The combined accuracy should be (much) better than +/- 1mg.
T+00:00 I take 10mg in water, along with a second cup of coffee. The taste of the compound in no way compliments the coffee. The taste is bitter and extremely unpleasant, and hangs around for a good time.
T+00:10 It dawns on me what I have done. Iíve just taken a compound that I have previously used to Ďsmash my brains outí fully expecting to have to deal with Ďreal peopleí at some unknown point, possibly in the very near future. Yes there is some fear there, quite a bit of fear. I realise fear is not a good emotion to be embracing right now, but itís got me. For a time I think of trip aborting meds, and cancelling the appointment. The trouble is I have to take time off work, and who knows when the next appointment will be with the Christmas holidays.
T+00:30 First alert. I am not so happy at this point, normally I would be looking forward to what is to come. The fear is still there, but I have talked myself down a bit by now. I can always not answer the door if needs be.
T+01:00 This isnít so bad. Taking the substance on top of food slows the onset, and itís a low dose. Things have gone slightly wavy, very mild OEVs and some body sensation, also wavelike. I decide to update Fedora (a linux distribution, on my computer). Things break, I fix them (I could go into detail, but Iíll spare the reader). I note that my concentration, and focus isnít as great as normal, but I do ok doing complex computer type tasks, searching for solutions on multiple websites, etc.
T+04:00 My how time flies! Some of that spent fixing the computer, some more wowing strange 3d effects on the computer. Well enough of that. I think about putting some music on, but just end up listening to the normal sounds of the day. It dawns on me that there is a lot of sensory enhancement. A loud noise causes a funny drawing out sensation in my body, sort of like being sucked towards it. Ok itís fairly tame compared to my previous experience, of feeling as if I am flowing to music, but interesting that it is present with a low dose.
T+05:00 Iím wrapping presents, and I drop a box of chocolates. They spill out, so now I canít give them as a present. I pick one up and eat it. WOW Taste explosion! Just like chocolate but so much more so. Itís lunch time, so I go explore food. I settle on something simple, a slice of toast, with pate. The smell of the toast! The taste is something else, so much more than normal, itís the same taste, but magnified, intensified, and drawn out. I grind some coffee, and make it fresh. That too is so intense, I get lost in it for a while. Itís not that anything tastes different, but I can almost pick over the flavours, examine them and such things. All fear is gone now, Iím enjoying this a great deal. The waviness has gone, the sensory enhancement is still in full force.
T+5:30 Time to re-dose, on a full stomach again, so hopefully no surprises. Again 10mg taken in water. I eat an apple, this does quite well at getting rid of the taste. As a plus I get an intense appley experience.
T+06:00 Not a first alert exactly, but things have gone up a notch. Very mild, and steady, I didnít get to baseline, and have not shot back up either. Just a slight increase in intensity, and the waviness is back.
T+0:700 I amused myself for a bit. I canít say what I did, just sort of rambled away in my own head. I though of friends, and passed away some time. Nothing particularly deep, but it was quite meaningful in some ways, just not overly intense.
T+07:20 My visitor is here! Shouldnít take long to swap an electricity meterÖÖ. BUT General chaos ensues, things are ripped off the wall, I have to go and get a drill, screws, and fix the board that the meter goes on back to the wall. Nothing is ever simple! The job gets done in the end, though it takes longer than anyone could imagine. Mr meter isnít very chatty, but there is a conversation. Once the job is done, he is out of my way. Iím glad itís over, thankfully I didnít imagine this sort of performance earlier, or I may have been less happy.
T+08:00 Just chilling out, put some music on, and made another cup of coffee. The coffee was everything expected and more. The music was also similarly enhanced. I just dreamed, and listened, and dreamed some more. Who would have thought such simple, normal things would be so deep? All you have to do is look. I realise that sometimes, when everything is just right, this sort of thing happens without chemicals. Those times are few, and far between, but it does happen. Now though, itís just soÖ.. Easy? Simple? Right?
T+09:30 Time to prepare food again. A simple stir fry, chicken, fresh vegetables, and some rice. After the last food experience, Iím looking forward to this! There is quite a bit of prep, chopping of vegetables. The colour, and smells are all great, everything is enhanced. I decide to go easy on the herbs and spices. Let the natural flavour have itís say. The whole cooking experience was great, the colour, smell and taste.
T+10:30 Food is so good! I thank the god, goddess, earth, and in fact anyone/thing involved, for allowing me to experience this. I hope I can capture some of the same feelings / joy in simple things in my everyday life. I realise I do see these things in everyday life, but this has opened my eyes to it in subtle ways, things that are hard to explain.  Iím not particularly messed up, or tripping that strongly, but Iím having a serious experience here. Itís all normal stuff, but magnified many times over.
T+10:45 Wow! Some deep stuff there. There is no way to put it into words, but, just WOW! Time for more chemicals, another 10mg.
T+11:30 I read some trip reports, and try to digest my thoughts, and the food. Itís easy to do both. I am happy, very happy. Not the fake chemical happy you get from drugs as such. Just enhanced natural happiness, that may sound silly, but there is a whole world of difference. Iím happy that the earth (universe, god, goddess, everything) cares for me, and that I try to return that care, you canít get any bigger love than that, itís just not possible.
T+12:00 This has been, and still is very different, and more rewarding, than a higher dose. I am having a hard time deciding what to rate any of this on the trip scale. Itís both a variable intensity ++, and ++++. This is slightly confusing, because it should be one or the other, but is obviously both.
T+14:00 I have spent a good time writing this up, and going over it. The WOW factor is still there. Itís a very different wow than a high dose, in many ways better, or at least it seems much more satisfying. Everything is so much more than I can capture in words alone, but I have tried (and failed miserably). I can only hope that some of the wonders I have seen make it through.
T+15:00 Enough of the writing, contemplation, meditation, and sleep await.
I can only hope that others who try this compound are able to explore this side. It would be such a shame to pass this over in the pursuit of blasting your self to the four corners. More isnít always better!
I have gained from the experience greatly, more so than just having fun, although it was fun. It goes much further than that, to the very core of who, and what I am. My place in the world, and beyond even that. I would say that this has been a great tool, making this possible, but not getting in the way.
-------------------
FOLLOW-UP EROWID EDITOR'S NOTE:
Case of mistaken identity; subsequent to the original submission of this report, the author wrote in 'The substance is incorrect, and is actually 4-aco-mipt, this was recently discovered, due to sending a sample to be tested. This is either an error on the part of the vendor, or myself, it is impossible to say.'
No other information is provided, such as information about via what analysis method the substance was positively identified.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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ID: 813
Email:
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Email:
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Intern
ID: 345
Email:
<EMAIL_ADDRESS>School: Rutgers


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{% extends "console/console.html" %} {% block console_body %} {% include "console/components/notifications/breadcrumbs.html" with base_page="Settings" base_page_url="/settings" current_page="Invite a user" %} Please enter the email and a brief message for your invitee. Enter an email and a message here... Invite user {% endblock console_body %}
Please enter the email and a brief message for your invitee.


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What channel is Rick and Morty season 4 on in the UK and can you watch online?
Wubba lubba dub dub! It’s almost time for the first episode of Rick and Morty series 4 to land in the UK.
The UK premiere of the season is set to air Wednesday, 20 November.
Here’s what you need to know about where you can tune in and catch up.
What channel is Rick and Morty season 4 being shown on?
Episodes of season 4 will air in the UK on E4 and All 4, with the very first episode – Edge of ToMorty: Rick Die Rickpeat – airing on E4 at 10pm.
This means you’ll be able to watch episodes of Rick and Morty for free on Channel 4’s website after they’ve aired on TV.
At first, the new series was set for release in the UK in January 2020.
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Fans were not ok with that however, and demand from them led to season 4’s new November premiere.
Ian Katz, Director of Programmes at Channel 4 said: ‘When we announced we would be airing Rick and Morty Series 4 on free to air TV in January we thought fans would be delighted.
‘Instead they told us – in their droves – that it wasn’t nearly soon enough, so we’ve listened and brought forward the UK premiere to November 20th on E4 and All 4. Enjoy!’
This season, we can look forward to celebrity cameos from the likes of Taika Waititi, Christian Slater, Sam Niell, Matthew Broderick and Paul Giamatti.
The reviews for the new series have been promising, and suffice it to say that we can’t wait to see what’s in store for Rick, Morty and the rest of the Smiths this time around.
The first episode of Rick and Morty season 4 will air at 10pm on E4 on 20 November.


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| DOSE: |
18 g |
oral |
Cheese - Blue |
There was a recent spate of reports in the media about the next possible drug craze - Stilton cheese. Apparently 20 grams of it before bed causes phantasmagorical dreams. The media has obviously failed in its attempts to kick start the next drug controversy, but I decided to experiment with Stilton now before the Moral Majority and the granola eating fascists join forces to prevent people from altering their consciousness -and- clogging their arteries. When someone invents a psychedelic that makes everything taste like cheeseburgers, the Drug War will be officially lost...
I searched on erowid.org for any existing trip reports involving Stilton (or any cheese for that matter - see http://www.britishcheese.com/news.cfm?page_id=240) but curiously, there are none. Is cheese just too prosaic and not hard core enough for druggies, compared to exotic chemicals from exotic plants from the exotic Amazon, served up by wizened shamans from their pot of boiling leaves and lizards? Or man made chemicals with long inscrutable names that only biochem geeks understand? I can only imagine a conversation at the next party - 'The Pink Dolphin Yage? that's so 2007. Last week, I tried some iso-reversed methodoxy-psilocybin - it's sort of like ibogaine - I got from a friend of a friend of a friend of Shulgin.' 'Uh huh.' 'It's -' 'What's your latest drug, Doug?' 'Stilton' 'What the heck is Stilton???' 'Um...cheese. I, ah, got it at Safeway....'
Given Americans' general predilections towards escapism and getting fat, perhaps it is best that the psychoactive properties of cheese be known to only the cognoscenti
T-3hrs: I go down to the local supermarket to pick up some Stilton. There's not a wide range available - Sainsbury's only offers 3 kinds (the Basic, the more fancy Creamy Stilton, and the British Blue Stilton) Uncertain what to buy, I buy all 3 (23g, 18g and 30g respectively). I debate whether I should also pick up a bottle of wine to support my sort of pedestrian cover story (a 'party') if stopped and questioned as to why I'm buying so much cheese. But the focus these days is on meth addicts with the constant sniffles, so I think The Man is too distracted nowadays. In any case, I will not use my Frequent Shopper card - god knows what sort of data mining algorithms they are running.
As these are all Sainsbury branded cheeses, I realize I will have to check out Tesco and Waitrose branded cheeses as well on the off chance there might some significant differences in effect. And then there's specialty cheese shops and gourmet mail order... My mind reels at the breadth of this experiment; I will have to keep a close eye on my cholesterol if I am going to be thorough.
T-2.5hrs: Now home, I decide to try the Creamy Stilton first. It's only 18g - the recommended dose is 20g - but I am unsure of Stilton's safety profile (or how I may react as well). Stepping up to the 23g after this seems like the reasonable, responsible thing to do rather than being bold and doing the 30g immediately (there are old psychonauts, there are bold...). I make a note to myself that I should get a doctor's appointment for a EKG and whatever else is needed to check out my arteries next week.
Following instructions, I unwrap the cheese to 'let it breathe' to catalyze [scientific gourmet gobblygook]. Apparently it will taste better because refrigeration is bad for cheese and especially supermarket refrigerators.
T+0: The zero hour... It's a good cheese, very reminiscent of blue cheese, but not as strong. It's a bit crumbly, with a good mouth feel, and hints of buttermilk and maybe a bit of lemon. Definitely a better olfactory experience than snorting caustic chemicals.
T+10min: It's good cheese, I like it, but ... almost 20 grams IS a lot. My taste buds are bitching. It's not ayahuasca, or the distilled psychedelic motor oil that I made from San Pedro, but I think being overwhelmed like this will prevent Stilton from being the next easy/fun drug craze (fortunately). I resolve to press on in the name of science.
T+15min: All done - the rind was much more bitter and I wasn't sure if I should, but what the hell. As it turns out, you're not supposed to eat the rind - it may have anti-molding agents and whatever dirt the factory worker had on his hands in it.  All the cheese I remember of in America was packaged in shrink wrap plastic and obviously colored with artificial colors. I still haven't quite grokked the importance of cheese in UK culture, but think I am beginning to. I mean, if the stuff is consciousness-altering... well, decent cheese at least. Perhaps this explains why cheese in America is crap (according to various Brits) - the American government would never approve of a decent cheese if it could be abused by thrill seekers.
T+?hrs: I don't know what time I woke up, I was bleary - it had been a bad trip (dream). I blame eating the rind. DO NOT EAT THE RIND. From what I remember, I was in a room, sitting in a chair. The only other thing in this blueish white room (much like the color of the cheese) was a picture. I forget what the picture was of, but as I was sitting there, dread (evinced by a definite upset stomach) filled me, then an old lady came out of the picture, like in 'The Ring'. I realized then it was a dream, and I was on the verge of waking up, but certainly not soon enough. I was paralyzed and tried to scream, but couldn't get out any sound, despite my open mouth. The old lady turned into ectoplasm and then started to flow into my throat chakra. I woke up at that point with the distinct conception or idea of physically pulling this ectoplasm out of my throat area. The anima can be a real bitch...
T+?hrs: I wake up again, albeit briefly. All I remembered in the morning was that the dream involved cows.
T+9hrs: I wake up for good this time, on the tail end of the 3rd dream. This dream as well was sort of disturbing - I don't remember much, but the climax consisted of a giant cloud of smog coming from China, blowing over the radioactive Middle East, and hitting England resulting in a downpour of marble. The marble of course was blue veined...
Overall, this experiment was sort of depressing - interesting, but not the Beatles-delic sort of experience I was hoping for. Is Stilton cheese one of my allies? This was only the first test, and it was a low dose - I just need to find the right combinations of variables (brand, variant, dosage, maybe some wine added in as well...). Maybe it's not even Stilton I need to try - a whole new world of drug experimentation has opened up for me!
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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@Beta data class StandardChessMove : ChessMove
(source)
A move of a ChessStone to a point, potentially capturing what was at the target point before.
<init> |
A move of a ChessStone to a point, potentially capturing what was at the target point before. StandardChessMove(stone: ChessStone, point: XYPoint) |
point |
the target of the move val point: XYPoint |
stone |
the moved piece val stone: ChessStone |


Created by Omie R Walls / @orwalls
"Net neutrality" prevents Internet providers like Verizon and Comcast from dictating the kinds of content you're able to access online.
Instead, Internet providers have to treat all traffic sources equally. Net neutrality is enforced by the Federal Communications Commission, or FCC.
For example, Comcast would probably like to promote NBC's content over ABC's to its Internet subscribers.
That's because Comcast and NBC are affiliated.
But net neutrality prevents Comcast from being able to discriminate, and it must display both NBC's and ABC's content evenly as a result.
That means no slower load time for ABC, and definitely no blocking of ABC altogether.
Net neutrality creates an even playing field among content providers — both large and small — to the web. And it's great for consumers because they can access everything they want online for no extra charge.
Right now, consumers control what they see online — not Internet access providers — and that's thanks in large part to net neutrality.
Some big Internet providers like Verizon don't like the idea of net neutrality.
They feel they should be able to pick and choose what people see online and charge content providers accordingly.
They feel net neutrality chokes their revenue potential.
Imagine if Verizon has tiers of Internet access.
The highest paying customers could access everything on the web.
The lowest paying customers could access only the information Verizon chooses to promote.
Verizon could even charge web publishers like NBC and ABC to display their content over competitors.
Think of it like Google ads.
When you type in a search on Google, the top links are all from advertisers who pay Google to put their messages up top.
Getting rid of net neutrality means Verizon or Comcast could similarly choose which content to promote based on their own self-interests.
The court's decision rests on a decision the FCC made back in 2002.
In 2002, the FCC decided Internet access providers should be regulated differently than phone companies.
Phone companies have been regulated by the FCC for the past 80 years to keep them from favoring certain conversations or "discriminating when selling services," Harvard professor Susan Crawford tells Re/Code.
The FCC became concerned that a few Internet providers have grown too powerful.
For example, in 2007, Comcast got in trouble for blocking BitTorrent's access to its network.
The FCC didn't want the Verizons and Comcasts of the world to become the gatekeepers of the web.
So in 2010, the FCC created something called Open Internet Rules which enforced three things:
Verizon challenged the Open Internet Rules because they contradicted the FCC's 2002 decision not to regulate Internet service providers.
It said, by enforcing Open Internet Rules, the FCC was trying to regulate companies like Verizon.
The court agreed, saying, "even though the Commission has general authority to regulate in this arena, it may not impose requirements that contravene express statutory mandates."
They could. Getting rid of net neutrality would allow the Verizons and Comcasts to charge content providers who want their stuff promoted.
The additional revenue stream might mean free data plans for consumers. Never paying for a data plan again sounds pretty nice.
It could. Consumers might lose control of the Internet; Verizon and Comcast could be the masters who dictate exactly what we're able to view online.
There's also a risk for small businesses. If they can't afford to pay Internet providers to promote their content, they might go under.
In the absolute worst-case scenario, we could be looking at a sponsored Internet in the future, where the only things Verizon or Comcast subscribers see is the information those providers want them to see.
That means small businesses, who can't afford to pay providers like Verizon or Comcast to promote their content, might die, and only larger companies who can afford to pay will have their content spread across the web.


Commandline¶
How to get help¶
User@Host:~$ bake -h
The most important options¶
-b the build configuration name
-m the main project directory (default is current directory)
-p the project to build (if not specified, the main project will be built with all dependencies)
Note
All configs of the project will be built, which is usually just one config, but if you have more than one config of the project in the workspace, use a comma separator.
Examples¶
Building an application¶
User@Host:~$ bake -b Debug
Note
It is possible to omit -b:
User@Host:~$ bake Debug
Building from within an arbitrary directory¶
User@Host:~$ bake Debug -m w:/root/mainProj
Building just one specific project¶
Assuming the project name to build s myProj.
User@Host:~$ bake Debug -m w:/root1/myProj -p myProj
Building specific projects with different roots¶
Assuming mainProj has several configs really included in the build (which is uncommon), you can choose one of the configs.
User@Host:~$ bake Debug -m w:/root1/myProj -p myProj,abc
Building a project which has more than one root¶
Assuming code has been checked out into two roots, the console supports ansi colors, you want to stop on first error and build only the project bspAbc.
User@Host:~$ bake Debug -m w:/root1/myProj -w w:/root1 -w w:/root2 -r -a black -p bspAbc
Search depth¶
Projects and Adaptions are searched recursively within the roots. Specify the maximum search depth like this:
User@Host:~$ bake Debug -m w:/root1/myProj -w w:/root1,3 -w w:/root2/libA,0 -r -a black -p bspAbc
- In this example the following folders are checked:
w:/root1/Project.meta
w:/root1/*/Project.meta
w:/root1/*/*/Project.meta
w:/root1/*/*/*/Project.meta
w:/root2/libA/Project.meta
Clean a project(s)¶
User@Host:~$ bake Debug -m w:/root1/myProj -w w:/root1 -w w:/root2 -r -a black -p bspAbc -c
Build a single file(s)¶
User@Host:~$ bake Debug -p bspAbc -f main.cpp
User@Host:~$ bake Debug -f .asm
Note
All files matching the pattern will be compiled (no wildcards allowed)
Roots file (roots.bake)¶
If a workspace has many roots, it’s cumbersome to specify all root folders with -w. Instead, you can write them into a file. This file can be also specified with -w:
User@Host:~$ bake Debug ... -w myRootsFile.txt
The content of the file is simply one root per line, e.g.:
../..
C:/another/root # comments written like this
something/else, 3 # maximum search depth = 3, same as for "-w" arguments on command line
You can specify more than one roots file or mix it with root folders if you like.
Note
IN ANY CASE an additional roots.bake file is searched from the main folder upwards. The first file found is used.
If one or more -w are specified and a roots.bake is found, they will be merged. First -w, then roots.bake.
Note
If -w and roots.bake are neither specified nor found, the default workspace root is the parent directory of the main project.


What am I good at?
What am I good at? What is my talent? What makes me stand out? These are the questions we ask ourselves over and over again and somehow can not seem to come up with the perfect answer.  But discovering the answers to these questions is crucial in branding yourself. You need to know what your strengths are in order to build upon them and make them better
Companies spend a lot of time and money making their brand perfect. As an individual you need to take the same approach. You need to take the time to discover what it is that makes you, you. and that means calling in help.
You cannot do this alone.
I have come up with a simple 3 step process to lead you to the discovery of your strengths. Perception is key, it is not only about how you view yourself, but how others view you. That is why this process includes the opinions of the people around you. These steps allow you to look from the inside out, you begin with asking yourself what you can do and then you find out what others believe you have in you.
Step 1: What are 5 things you’re good at?
Take your time. Grab a pen and paper and go sit alone somewhere, somewhere quiet. Think about what it is you feel most confident in doing. What are the 5 things you know that make you special. Number them, write them down in the order of the level of confidence you have. Also, do not just write down one word, I want you to explain what it is that makes you believe you have that skill, that talent. I found the easiest way to do this was for each skill you choose give one example of a time where you utilized it in a beneficial way. It could be your organization with work files, it could be writing on your blog; just give some sort of example to validate that it really does deserve to be on this list.
Step 2: Ask 5 loved one’s what you’re good at
This step is to get that second opinion. Your loved ones always want to be supportive, and they know you best.  When you ask for these answers, make sure they don’t just spout off characteristics, you are so nice, you’re really responsible, you make me laugh a lot. Tell them you want to know what it is that you bring to the table, what are the things that they would turn to you for help with.
Step 3: Ask 5 people what you’re good at
Now “people” is a very vague term, but this last set is the most important. You need to find 5 people who do not have the same biased that you’re loved ones will have. You need people who can look at this question more critically, finding these people can be a bit difficult. I found that the best people to turn to, are the ones you interact with for work, fellow employees, bosses, or clients, past or present. Ask them what it is about you that they found the most valuable. They don’t have the same outlook as your loved ones, they are going to respond quickly, it is more black and white for them. These answers tell you your most obvious strengths and talents, because these people do not have the personal aspect clouding their responses.
Step 5: Compare!
Now take all of these lists and COMPARE.
Are your answers much different from the other ones you collected? For me they were. My loved ones brought up things I never really considered strengths, while my colleagues and the other “people” I asked gave me skills I knew I had possessed, but not ones I felt as confident in. Knowing the strengths that others see in you, can open your eyes, it should open your eyes. Do not limit yourself. This process will allow you to see that you have more to offer.
As I said in the beginning we all are our own brand. And like any other brand we need to take the time to know what it is that our brand can do. Taking the time to ask around and discover what it is that you offer, is the perfect catalyst to expanding your horizon. It opens the door for new opportunities and for new ideas to form.
This is where what other people think of you matters. How they are perceiving your talents and your strengths is pertinent to your success. So allow these people to judge you and use their feedback as a tool for growth!
I advise you to go through this process on your own and then come back and let us know how the responses compared. How in touch with your own talents are you?


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Trollwood [am16], forest, in Mandoria, peasants: 10000
Last updated Turn #116
Trollwood [am16], forest, in Mandoria, peasants: 10000
------------------------------------------------------------------------
0: Garrison [jd7p], garrison, Mandor Confederacy, with ten peasants
0: guards Trollwood [am16].
30: Overcrowding causes zero peasant deaths.
Province controlled by Calldwr Castle [e91], castle, in Mandor
Mountains [ap23]
Ruled by Pias Bavol [l6p], duke
Entrance fees:
Routes leaving Trollwood:
North, swamp, to Barren Bogs [al16], 14 days
East, swamp, to Barren Bogs [am17], 14 days
South, forest, to Trollwood [an16], 8 days
Garrison [iy3t], garrison, Mandor Confederacy, with five soldiers
West, forest, to Trollwood [am15], 8 days
Inner locations:
Haele [ad4j], city, 1 day
Seen here:
Garrison [jd7p], garrison, Mandor Confederacy, with ten peasants


Interface IAsyncOperationEvents
Defines completion/progress callbacks for IAsyncOperation.
Namespace: UnityFx.Async
Assembly: UnityFx.Async.dll
Syntax
public interface IAsyncOperationEvents
Methods
| Improve this Doc View SourceAddCompletionCallback(Action<IAsyncOperation>, SynchronizationContext)
Adds a completion callback to be executed after the operation has completed. If the operation is completed callback
is invoked
on the syncContext
specified.
Declaration
void AddCompletionCallback(Action<IAsyncOperation> callback, SynchronizationContext syncContext)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Action<IAsyncOperation> | callback | The callback to be executed when the operation has completed. |
| SynchronizationContext | syncContext | If not null method attempts to marshal the continuation to the synchronization context. Otherwise the callback is invoked on a thread that initiated the operation completion. |
Remarks
The callback
is invoked on a SynchronizationContext specified. Throwing an exception from the callback might cause unspecified behaviour.
Exceptions
| Type | Condition |
|---|---|
| ArgumentNullException | Thrown if |
| ObjectDisposedException | Thrown is the operation has been disposed. |
See Also
| Improve this Doc View SourceAddCompletionCallback(IAsyncContinuation, SynchronizationContext)
Adds a completion callback to be executed after the operation has completed. If the operation is completed callback
is invoked
on the syncContext
specified.
Declaration
void AddCompletionCallback(IAsyncContinuation callback, SynchronizationContext syncContext)
Parameters
| Type | Name | Description |
|---|---|---|
| IAsyncContinuation | callback | The callback to be executed when the operation has completed. |
| SynchronizationContext | syncContext | If not null method attempts to marshal the continuation to the synchronization context. Otherwise the callback is invoked on a thread that initiated the operation completion. |
Remarks
The callback
is invoked on a SynchronizationContext specified. Throwing an exception from the callback might cause unspecified behaviour.
Exceptions
| Type | Condition |
|---|---|
| ArgumentNullException | Thrown if |
| ObjectDisposedException | Thrown is the operation has been disposed. |
See Also
| Improve this Doc View SourceAddProgressCallback(Action<Single>, SynchronizationContext)
Adds a callback to be executed when the operation progress has changed. If the operation is completed callback
is invoked
on the syncContext
specified.
Declaration
void AddProgressCallback(Action<float> callback, SynchronizationContext syncContext)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Action<Single> | callback | The callback to be executed when the operation progress has changed. |
| SynchronizationContext | syncContext | If not null method attempts to marshal the continuation to the synchronization context. Otherwise the callback is invoked on a thread that initiated the operation. |
Remarks
The callback
is invoked on a SynchronizationContext specified. Throwing an exception from the callback might cause unspecified behaviour.
Exceptions
| Type | Condition |
|---|---|
| ArgumentNullException | Thrown if |
| ObjectDisposedException | Thrown is the operation has been disposed. |
See Also
| Improve this Doc View SourceAddProgressCallback(IProgress<Single>, SynchronizationContext)
Adds a callback to be executed when the operation progress has changed. If the operation is completed callback
is invoked
on the syncContext
specified.
Declaration
void AddProgressCallback(IProgress<float> callback, SynchronizationContext syncContext)
Parameters
| Type | Name | Description |
|---|---|---|
| System.IProgress<Single> | callback | The callback to be executed when the operation progress has changed. |
| SynchronizationContext | syncContext | If not null method attempts to marshal the continuation to the synchronization context. Otherwise the callback is invoked on a thread that initiated the operation. |
Remarks
The callback
is invoked on a SynchronizationContext specified. Throwing an exception from the callback might cause unspecified behaviour.
Exceptions
| Type | Condition |
|---|---|
| ArgumentNullException | Thrown if |
| ObjectDisposedException | Thrown is the operation has been disposed. |
See Also
| Improve this Doc View SourceRemoveCompletionCallback(Action<IAsyncOperation>)
Removes an existing completion callback.
Declaration
bool RemoveCompletionCallback(Action<IAsyncOperation> callback)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Action<IAsyncOperation> | callback | The callback to remove. Can be null. |
Returns
| Type | Description |
|---|---|
| Boolean | Returns true if |
See Also
| Improve this Doc View SourceRemoveCompletionCallback(IAsyncContinuation)
Removes an existing completion callback.
Declaration
bool RemoveCompletionCallback(IAsyncContinuation callback)
Parameters
| Type | Name | Description |
|---|---|---|
| IAsyncContinuation | callback | The callback to remove. Can be null. |
Returns
| Type | Description |
|---|---|
| Boolean | Returns true if |
See Also
| Improve this Doc View SourceRemoveProgressCallback(Action<Single>)
Removes an existing progress callback.
Declaration
bool RemoveProgressCallback(Action<float> callback)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Action<Single> | callback | The callback to remove. Can be null. |
Returns
| Type | Description |
|---|---|
| Boolean | Returns true if |
See Also
| Improve this Doc View SourceRemoveProgressCallback(IProgress<Single>)
Removes an existing progress callback.
Declaration
bool RemoveProgressCallback(IProgress<float> callback)
Parameters
| Type | Name | Description |
|---|---|---|
| System.IProgress<Single> | callback | The callback to remove. Can be null. |
Returns
| Type | Description |
|---|---|
| Boolean | Returns true if |
See Also
Events
| Improve this Doc View SourceCompleted
Raised when the operation is completed.
Declaration
event AsyncCompletedEventHandler Completed
Event Type
| Type | Description |
|---|---|
| AsyncCompletedEventHandler |
Remarks
The event handler is invoked on a thread that registered it (if it has a SynchronizationContext attached). If the operation is already completed the event handler is called synchronously. Throwing an exception from the event handler might cause unspecified behaviour.
Exceptions
| Type | Condition |
|---|---|
| ArgumentNullException | Thrown if the delegate being registered is null. |
| ObjectDisposedException | Thrown is the operation has been disposed. |
See Also
| Improve this Doc View SourceProgressChanged
Raised when the operation progress is changed.
Declaration
event ProgressChangedEventHandler ProgressChanged
Event Type
| Type | Description |
|---|---|
| ProgressChangedEventHandler |
Remarks
The event handler is invoked on a thread that registered it (if it has a SynchronizationContext attached). If the operation is already completed the event handler is called synchronously. Throwing an exception from the event handler might cause unspecified behaviour.
Exceptions
| Type | Condition |
|---|---|
| ArgumentNullException | Thrown if the delegate being registered is null. |
| ObjectDisposedException | Thrown is the operation has been disposed. |


Typography styles can be found in helpers/_typography.scss. Georgia is our $base-serif font, and Helvetica Neue is our $base-sans-serif.
The $base font-size is 16px. In addition, there are six preset font-sizes assigned to the variables $xxl, $xl, $l, $m, $s, $xs. Those sizes correspond to the number of HTML header elements, but <h1>-<h6> do not have any assigned font-sizes. For flexibility, we've created a series of font-size classes that can be assigned to any element and %placeholders that can be extended to additional classes. For example, you may add the class .font-xxl to an <h1> element, @extend %font-xxl to all <h1> elements, or create a new class, .project-header with @extend %font-xxl.
The @mixin font-size() is called on the preset font-size variables on each of the .font-size classes, but it can be called on any class to set a particular module's font-size.
The @mixin font-size() takes three arguments — $font-size-number, $pct and $bp. The $pct and $bp variables allow you to change the font-size by a percentage at a certain breakpoint — but you don't have to use these variables! We've included a default $pct of 1, and a default $bp, $default-mobile, in the @font-size mixin. The font-size extensions and classes (i.e. %font-m and .font-m, etc.), include a $pct of .9 to reduce the font-size by 10% on small screens (i.e. the $default-mobile breakpoint). Change the size of your screen to preview how this mixin works.
// Typography
// ==========
// Base Typography Variables
$base-sans-serif: $helvetica;
$base-serif: $georgia;
// Font Sizes
$base: 16;
$xxl: 36;
$xl: 28;
$l: 22;
$m: 18;
$s: 14;
$xs: 12;
@mixin font-size($f, $pct:1, $bp:$default-mobile) {
font-size: $f+px; // for IE8
font-size: $f/$base+rem;
@if $pct != 1 {
@include media($bp) {
font-size: $f*$pct+px; // for IE8
font-size: $f*$pct/$base+rem;
}
}
}
.sans {
font-family: $base-sans-serif;
}
.serif {
font-family: $base-serif;
}
// These classes can be applied to any element
// to set the font-size.
%font-xxl,
.font-xxl {
@include font-size($xxl, .9);
}
%font-xl,
.font-xl {
@include font-size($xl, .9);
}
%font-l,
.font-l {
@include font-size($l, .9);
}
%font-m,
.font-m {
@include font-size($m, .9);
}
%font-base,
.font-base {
@include font-size($base, .9);
}
%font-s,
.font-s {
@include font-size($s, .9);
}
%font-xs,
.font-xs {
@include font-size($xs, .9);
}


a tribute to
DENNIS RITCHIE
Biography
Dennis MacAlistair Ritchie was an American computer scientist.He created the C programming language and, with long-time colleague Ken Thompson, the Unix operating system.
In 1967, Ritchie began working at the Bell Labs Computing Sciences Research Center, and in 1968, he defended his PhD thesis on "Program Structure and Computational Complexity" at Harvard under the supervision of Patrick C. Fischer. However, Ritchie never officially received his PhD degree.
Ritchie was best known as the creator of the C programming language, a key developer of the Unix operating system, and co-author of the book The C Programming Language, and was the 'R' in K&R (a common reference to the book's authors Kernighan and Ritchie). Ritchie worked together with Ken Thompson, the scientist credited with writing the original Unix; one of Ritchie's most important contributions to Unix was its porting to different machines and platforms.[8] They were so influential on Research Unix that Doug McIlroy later wrote, "The names of Ritchie and Thompson may safely be assumed to be attached to almost everything not otherwise attributed."
The C language is widely used today in application, operating system, and embedded system development, and its influence is seen in most modern programming languages. Unix has also been influential, establishing concepts and principles that are now precepts of computing.
Ritchie has described a 1970s collaboration with James Reeds and Robert Morris on a ciphertext-only attack on the M-209 US cipher machine that could solve messages of at least 2000–2500 letters.[10] Ritchie relates that, after discussions with the NSA, the authors decided not to publish it, as they were told the principle was applicable to machines then still in use by foreign governments.
Timeline
- September 9, 1941
- Ritchie was born in Bronxville, New York. His father was Alistair E. Ritchie, a longtime Bell Labs scientist and co-author of The Design of Switching Circuits on switching circuit theory. He moved with his family to Summit, New Jersey, as a child, where he graduated from Summit High School.He graduated from Harvard University with degrees in physics and applied mathematics
- 1967
- Richie began working at the Bell Labs Computing Sciences Research Center
- 1968
- Richie defended his PhD thesis on "Program Structure and Computational Complexity" at Harvard under the supervision of Patrick C. Fischer. However, Ritchie never officially received his PhD degree
- 1983
- Ritchie and Thompson received the Turing Award for their development of generic operating systems theory and specifically for the implementation of the UNIX operating system. Ritchie's Turing Award lecture was titled "Reflections on Software Research"
- 1990
- Both Ritchie and Thompson received the IEEE Richard W. Hamming Medal from the Institute of Electrical and Electronics Engineers (IEEE), "for the origination of the UNIX operating system and the C programming language".
- 1997
- Both Ritchie and Thompson were made Fellows of the Computer History Museum, "for co-creation of the UNIX operating system, and for development of the C programming language began working at the Bell Labs Computing Sciences Research Center
- April 21, 1999
- Thompson and Ritchie jointly received the National Medal of Technology of 1998 from President Bill Clinton for co-inventing the UNIX operating system and the C programming language which, according to the citation for the medal, "led to enormous advances in computer hardware, software, and networking systems and stimulated growth of an entire industry, thereby enhancing American leadership in the Information Age
- 2005
- the Industrial Research Institute awarded Ritchie with its Achievement Award in recognition of his contribution to science and technology, and to society generally, with his development of the Unix operating system.
- 2011
- Ritchie, along with Thompson, was awarded the Japan Prize for Information and Communications for his work in the development of the Unix operating system
- October 12, 2011
- Ritchie was found dead , at the age of 70 at his home in Berkeley Heights, New Jersey, where he lived alone


ISLAND OF THE BURNING DOOMED (Night of the Big Heat) (director: Terence Fisher; screenwriter: Pip Baker/Jane Baker/from novel "Night of the Big Heat" by John Lymington; cinematographer: Reginald Wyer; cast: Christopher Lee (Godfrey Hanson), Patrick Allen (Jeff Callum), Peter Cushing (Dr. Vernon Stone), Jane Merrow (Angela Roberts), Sarah Lawson (Frankie Callum), Kenneth Cope (Tinker Mason), Thomas Heathcote (Bob Hayward), William Lucas (Ken Stanley), Percy Herbert (Gerald Foster), Anna Turner (Stella Hayward), Jack Bligh (Ben Siddle), Sydney Bromley (Old Tramp), 1967-UK)
Reviewed by Dennis Schwartz
The small northern island of Fara is finding the temperatures climbing into extreme heat conditions and getting hotter each day, even though it is winter, which is usually freezing cold here, as it is on the British mainland, which is undergoing its regular winter weather. A secretive scientist, accused by the authorities of being a quack when he reports to them of the strange happenings on the island, Dr. Hanson (Lee), visits Fara and sets up a science lab in his room at the local inn, The Swan. He collects specimens of the blood from some dead sheep and sets up infra-red camera equipment to film unseen objects on the countryside. He has a surly personality, which doesn't endear him to the locals. But with all the strange happenings taking place: beer bottles cracking in the heat, tempers flairing, cars overheating, sheep dying, sweat stains growing on shirts, strange whirring noises, so intense that it explodes a TV set and causes Bob Hayward (Heathcote) to go off the road and fatally crash his car, there has become cause for alarm among the locals and the scientist becomes looked upon as a savior.
Obviously, there must be a rational explanation for this phenomena, and it is offered by Hanson to Jeff Callum (Patrick Allen), a writer and owner of the inn Hanson is staying at, as he reluctantly tells Jeff that they are being invaded by aliens.
Jeff has his own problems to deal with, which seemed very troubling just a moment ago, as his new secretary has arrived, an attractive vixen, Angela Roberts (Jane), who has her sexy fangs on the married writer, who was once her lover, which made him feel very guilty, since he loves his wife but can't resist Angela's curvaceous body. She has come on her own, as he did not request her to be his secretary, in fact he tells her to leave, but to no avail. Jeff's suspicious wife, Frankie (Sarah), is told by the spiteful Angela that they knew each other before and that they kissed as soon as she met Jeff on the island. Frankie sees them kissing for herself and confronts Jeff, who can't seem to tell her the truth but tells her that she is the only one he loves.
There is a level of flatness to the film, as it is not aided by its feeble dialogue and uninteresting special effects, its incredulous tale, and unexciting tone.
When it is finally decided the heat is caused by the aliens who are starved for energy, that the aliens have materialized here the same way satellite signals work and that they have come to this spot on earth because of the local observatory sending out scanning signals to outer space, which are interfering with them, it doesn't seem to help the story out that there are no special effects to see these aliens.
Dr. Stone (Cushing) puts his life on the line to abet Hanson on his theory, and pays the ultimate price, as he gets burnt to a crisp, coming too close to the aliens and their terrific static noise, which drives him mad until he burns to a crisp.
The plan to dynamite the aliens, whose hiding place is located by Hanson, on the hilly road near the observation post, fails to kill them. But he figures out, that the light attracts them, so everyone in town who has been alerted to the problem, dims their lights and drives without headlights.
This was just not a good sci-fi film, but I've seen worse, much worse, and somehow or other, this Hammer film was watchable, but barely so. This film should be liked most by fans of either Christopher Lee or Peter Cushing, who will most likely appreciate Lee's stylized performance.
REVIEWED ON 1/31/2000 GRADE: C-
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
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I started to swim when I was five years old. I had a friend who was going to swimming classes and he was a year older than me. He teased me a lot telling me that "Everyone who turns five should start swimming" and as a result he made me very jealous. When my parents asked me what I wanted for my birthday I told them that I want to go swimming, they kept their promise and my father started taking me to swimming classes. One of the problems that Armenian professional swimmers face in Armenia is the army, before I went to the army I was the best Swimmer in all competitions even during participating in a tournament in Europe I came out third, but as you can see now for the first time after serving in the army I lost all my distances in the local competition here in Armenia.
My dream is to make swimming a mainstream sport in Armenia because many people say that swimming is not a sport made for Armenians, but I do not understand, how come Armenians can be great in wrestling and weightlifting but not be good at swimming? It is all about the desire in my opinion. My current short term goal is to get accepted into the American University of Armenia because I have heard that you have a lot of good professors and the BA diploma is very credible as well.


OnMobile Global Consolidated September 2019 Net Sales at Rs 143.76 crore, down 2.49% Y-o-Y
Reported Consolidated quarterly numbers for OnMobile Global are:
Net Sales at Rs 143.76 crore in September 2019 down 2.49% from Rs. 147.43 crore in September 2018.
Quarterly Net Profit at Rs. 1.03 crore in September 2019 down 94.63% from Rs. 19.17 crore in September 2018.
EBITDA stands at Rs. 12.13 crore in September 2019 down 58.92% from Rs. 29.53 crore in September 2018.
OnMobile Global EPS has decreased to Rs. 0.10 in September 2019 from Rs. 1.81 in September 2018.
OnMobile Global shares closed at 34.45 on October 31, 2019 (NSE) and has given -6.00% returns over the last 6 months and -1.57% over the last 12 months.
| OnMobile Global | |
| Consolidated Quarterly Results | in Rs. Cr. |
| Sep'19 | Jun'19 | Sep'18 | |
| Net Sales/Income from operations | 143.76 | 139.47 | 147.43 |
| Other Operating Income | -- | -- | -- |
| Total Income From Operations | 143.76 | 139.47 | 147.43 |
| EXPENDITURE | |||
| Consumption of Raw Materials | 69.00 | -- | -- |
| Purchase of Traded Goods | -- | -- | -- |
| Increase/Decrease in Stocks | -- | -- | -- |
| Power & Fuel | -- | -- | -- |
| Employees Cost | 42.12 | 43.48 | 44.80 |
| Depreciation | 4.72 | 6.74 | 5.52 |
| Excise Duty | -- | -- | -- |
| Admin. And Selling Expenses | -- | -- | -- |
| R & D Expenses | -- | -- | -- |
| Provisions And Contingencies | -- | -- | -- |
| Exp. Capitalised | -- | -- | -- |
| Other Expenses | 22.90 | 89.70 | 95.07 |
| P/L Before Other Inc., Int., Excpt. Items & Tax | 5.02 | -0.45 | 2.04 |
| Other Income | 2.39 | 3.93 | 21.97 |
| P/L Before Int., Excpt. Items & Tax | 7.41 | 3.48 | 24.01 |
| Interest | 0.31 | 0.40 | -- |
| P/L Before Exceptional Items & Tax | 7.10 | 3.08 | 24.01 |
| Exceptional Items | -- | -- | -- |
| P/L Before Tax | 7.10 | 3.08 | 24.01 |
| Tax | 6.07 | 0.92 | 4.84 |
| P/L After Tax from Ordinary Activities | 1.03 | 2.16 | 19.17 |
| Prior Year Adjustments | -- | -- | -- |
| Extra Ordinary Items | -- | -- | -- |
| Net Profit/(Loss) For the Period | 1.03 | 2.16 | 19.17 |
| Minority Interest | -- | -- | -- |
| Share Of P/L Of Associates | -- | -- | -- |
| Net P/L After M.I & Associates | 1.03 | 2.16 | 19.17 |
| Equity Share Capital | 105.70 | 105.70 | 105.70 |
| Reserves Excluding Revaluation Reserves | -- | -- | -- |
| Equity Dividend Rate (%) | -- | -- | -- |
| EPS Before Extra Ordinary | |||
| Basic EPS | 0.10 | 0.20 | 1.81 |
| Diluted EPS | 0.10 | 0.20 | 1.81 |
| EPS After Extra Ordinary | |||
| Basic EPS | 0.10 | 0.20 | 1.81 |
| Diluted EPS | 0.10 | 0.20 | 1.81 |
| Public Share Holding | |||
| No Of Shares (Crores) | -- | -- | -- |
| Share Holding (%) | -- | -- | -- |
| Promoters and Promoter Group Shareholding | |||
| a) Pledged/Encumbered | |||
| - Number of shares (Crores) | -- | -- | -- |
| - Per. of shares (as a % of the total sh. of prom. and promoter group) | -- | -- | -- |
| - Per. of shares (as a % of the total Share Cap. of the company) | -- | -- | -- |
| b) Non-encumbered | |||
| - Number of shares (Crores) | -- | -- | -- |
| - Per. of shares (as a % of the total sh. of prom. and promoter group) | -- | -- | -- |
| - Per. of shares (as a % of the total Share Cap. of the company) | -- | -- | -- |
| Source : Dion Global Solutions Limited |


CHEEP! CHEEP! CHEEP! under the doorsill! Listen to the Wizard with red, red cheeks!
There was once a man who had two sons. He led a lovely orderly life. He brought up his sons well, and gave them good teaching. At last he died. After his death, his children took over the property. They lived together, and never quarrelled.
So they lived on for some time. Then the elder wished to marry. He took a poor wife, but she pleased him. Not long after this, the younger married. He took a rich wife. She brought as her dowry three hundred cattle and many other things. Now that the two brothers were married, each received his portion of the property. Then they separated and each lived by himself.
Everything went well with the younger. He became richer and richer. But with the elder, things went downhill. At last he was a very poor man indeed. He had no more bread. His rickety hut was almost tumbled down, and his farm he had to lease. There was left him but a small garden, and he had nothing to plow it with.
With his brother, things were going better and better. His grain throve, his meadows grew green and his cattle increased. Ten yokes of oxen plowed his field.
Then thought the elder to himself, "I will go to my brother. Ten yokes of oxen are plowing his field. Perhaps he will lend me one ox, with which I may plow my garden. He is such a good man, and has given me bread more than once, and has helped me in my need!"
He went therefore to him, and said:
"Listen, dear Brother!  Ten yokes of oxen are plowing your field. Won't you lend me just one?"
"Well, why shouldn't I? Go to the field and take what you want."
The elder went there and met a servant.
"Stop!" said he to him, "Your master has given me those oxen to plow my garden."
"I will not let you have them."
"Why not? Who are you, that you dare to disobey your master?"
"I am your brother's Luck."
"And where is my Luck?" asked he.
"Oh! He lies over yonder by the bushes, and has on a red coat."
"Just you wait!" thought the elder brother to himself. "That Luck of my brother's plows his fields for him, while you loaf round, and are bringing me to ruin!"
Then he cut himself a good alder stick, went over to his Luck, and struck the red coat again and again--whack! whack! whack!
"Oh-o-o-o-o!" said the Luck. "What do you want of me?"
"Why don't you help me, Monster?"

Very good!
The man went home and immediately sold his garden.  Then he closed his hut, and started off.
He thought to himself, "I certainly left nothing behind. What can be cheeping? I'll go back and see."
He went, looked about, and could see nothing.
Then he spoke up, "Who is cheeping here?"
"It is we, your Need and Misery," answered something from a corner.
"Aha! Why do you cheep?" he gave back.
"We want to go with you, and you have shut us up in the hut and left us behind."
"Crawl into my bag!" said the man.
Then Need and Misery slipped quick! slick! into the bag.
"Just you wait!" thought the man to himself. "You have tormented me till this day. Now I will repay you."
He dug a hole under the doorsill, and threw into it Need and Misery, bag and all, and filled up the hole.
Then he went back to his wagon, climbed in, and drove on. He drove and drove. By evening he reached a city. He put up for the night in a wretched hut by the roadside. Then he went into the city and bought bread. In the market he saw fish, and bought a huge, beautiful pike. He carried it home to his wife for her to dress and cook.
As she was cutting it up, she found in its stomach a diamond of indescribable magnificence. It sparkled even in the dark. She could not look at it enough, and set it in the window. Then they all sat down to eat their supper.
Just then a nobleman came driving past with six horses. He saw something shining in the window of the hut. It was not fire or a candle. He ordered the driver to stop, stepped down from the coach, and entered the hut. He talked for a few minutes then asked:
"What kind of a thing is that, lighting the window so brightly?"
"Gracious Sir, that is a costly thing, but I do not know its value."
"Will you sell it?"
"Well! Why not? I am a very poor man.
"Good! I will give you a farm with eight farmhands. Do you agree to that?"
"Thanks, gracious Sir, I do."
Then the nobleman bade him, his wife, and children take their seats in the coach, and he drove them to the farm he had promised.
There the man lived for a few years, as he was contented to do, and things went quite well with him. But he began to think that he must be a merchant. He sold the farm, drove to the city, opened a shop, and started to trade. He had such wonderful Luck that everything he bought for one ruble, he sold for two; and what he bought for twenty, he sold for forty.
So he lived on for some time, and became the very richest merchant in the city. The other merchants could do nothing without him, so they made him Chief of the Merchants.
About this time, the youngest brother came to the city with thirty loads of flax. The merhants were going to buy the flax, when they found much bad stuff mixed with it, and threw the poor man into prison. After three days they led him before the Chief of the Merchants, to pronounce judgment on him. The Chief recognized his own brother and thought of the good he had done. So he set him free, bought all his flax, and paid him well.
Then he took him home, entertained him, and gave him presents besides. When the younger brother was about to leave, he asked his elder brother:
"How have you come by such riches?"
The elder told him all that had happened.
When the younger brother reached home, he said to his wife:
"Listen! We live finely, but we cannot compare with my brother in anything. He deals in thousands. He is Chief of all the merchants. Besides he is a good man. God give him health! He freed me from my misfortune, entertained me richly, and bestowed presents on me."
"How could he become rich so quickly?" asked his wife.
"It came about in this way, he answered. "He has buried all his Need and Misery under the doorsill of his hut, and that has brought him Good Luck in everything."
This displeased his wife. Envy took hold of her.
"So-o! The brother had buried his Need and Misery had he? Well! She would let them out so they might go back to him. She hurried to the hut, dug, opened the bag, and said:
"Now Need and Misery, go back to the brother of my husband!"
"We cannot find him again," replied Need and Misery. "We would rather stay with you!"
And there they stayed! They drove the younger brother to poverty.
But the elder brother lived on with Good Luck, and was a merchant, and is one today.


This time of year, the change into fall and winter, brings many people so much joy. There are pumpkin patches, haunted houses, fall festivals and Christmas carols. The weather will get cooler everywhere, but the amount of time the sun will be in the sky will vary depending different parts of the world. With daylight savings ending in less than two months, this change is sun time and increased darkness, can increase symptoms depression. Seasonal Affective Disorder (SAD), as defined by the National Institute of Mental Health, is a type of depression related to the seasons changing and it begins and ends around the same time every year.
Seasonal affective disorder can affect people in the change from summer to fall and winter but also in the change from winter to spring and summer. Some of the symptoms of SAD are a loss in energy, having a harder time concentrating, and feeling sluggish and irritable. In the change from summer to fall and winter, your symptoms can include oversleeping and a change in appetite.
1. Vitamin D- Vitamin D is used for may different things including promoting healthy bones. But with a decrease in sunlight, now maybe the time to increase your vitamin D tablet intake. The sun is most people largest intake of vitamin D, and it is how most people receive vitamin naturally. You can also get vitamin D from foods such as salmon, cheese, mushrooms, and milk. The average adult, aged 18 or older, should take a dose of 600 to 800 IU (15-20 micrograms) daily. 5- 10 minutes of sun exposure a day can also works.
2. Journaling- Journaling can help you stay on top of your mood daily or weekly. Journal out any good or bad emotions and that will allow you to stay on top of them. It is recommended to journal about 5 to 20 minutes a day. Some people feel it’s better to journal at night to get out all the emotions of the day. Grab that journal and tell it why you are grateful for the day.
3. Exercising- Exercising helps with any form of depression by releasing endorphins, also known as the feel-good hormone. Endorphins help release the body of stress and pain. Exercising helps you get up and moving around. Sound good exercises to do when experiencing SAD, according to Allina Health, are gentle stretching, yoga, and tai chi. Light walks also help because they expose you to vitamin D.
4. Light Therapy- Light therapy, by definition, is the treatment of medical or psychiatric conditions (such as SAD) by the controlled application of light.  The light is used imitate sunlight. It is recommended to sit in front of the light box at least 30 minutes a day. Be sure to wear sunscreen, as sunburn has been listed as a con of light therapy.
5. Sticking to a Routine- Routines are fixed programs, and by sticking to routines, you will expose your body to sun at the same times of the day. Routines will also ensure that you are getting all of you daily meals so that you aren’t overeating. They keep you having something to look forward to and can help ease symptoms of SAD.
Now is the perfect time to start implementing these practices to get yourself ready for winter. Summer will be back before you know it!


The Dead Zone
Directed by David Cronenberg
Starring Christopher Walken (Johnny Smith), Brooke Adams (Sarah Bracknell), Tom Skerritt (Sheriff Bannerman), Herbert Lom (Dr. Sam Weizak), Anthony Zerbe (Roger Stuart), Colleen Dewhurst (Henrietta Dodd), Martin Sheen (Greg Stillson)
A film review by Chris Loar
_The Dead Zone_ is an entertaining bit of fluff from the normally rather more controversial David Cronenberg. It's taken from a novel by Stephen King, but it's not the King novel I'd have suggested that Cronenberg direct; he could have done much more with something a bit more visceral -- _Salem's Lot_, perhaps. From what I remember of it, King's novel is pretty low-key, an effort at something more internal and psychological; Cronenberg, on the other hand, is anything but low-key, and the ill-conceived match here yields a film that, while not exactly bad, isn't terribly compelling, either.
The story is rather faithful to the novel, and revolves around Johnny Smith (Christopher Walken) who, following a serious injury, spends five years in a coma and emerges with psychic powers -- the ability to see the future. Unfortunately, Johnny doesn't get to see any of the good stuff that might happen -- he only sees tragedy, impending doom, death, despair, catastrophe -- that sort of thing. Johnny, not surprisingly, isn't entirely happy about all this, and since his visions are intensified by human contact, he becomes increasingly reclusive and antisocial, hoping to rid himself of the agony of everyone's eventual death. He's is brought partially out of his shell by a young man who he's hired to tutor; and, before long, he's pried out the rest of the way by a premonition of world war -- a war that might be brought about by a Perot-esque politician, Greg Stillson (Martin Sheen). Johnny takes decisive action for perhaps the first time in his life, and ends up (I don't think I'm giving away too much here) saving the world, quite literally.
_The Dead Zone_ is, as I mentioned, a bit of a stretch for Cronenberg; it's not especially gory and it's not particularly provocative. There's no sign of Cronenberg's usual distortions and transformations of the human body, and it's visually uninspired -- just another Hollywood knockoff of a Stephen King novel, when it comes down to it. There's nothing especially wrong with that, of course, and Cronenberg does it as well as anyone; _Dead Zone_ is a competent thriller with a few frightening moments.
But no one involved in the production is at their peak. Christopher Walken is convincingly passive when he needs to be, and he manages to look appropriately twitchy when he's in the throes of one of his "episodes," but he hasn't yet developed that signature creepyness that makes him so much fun to watch in films like _True Romance_ and _Last Man Standing_. Martin Sheen is, of course, convincingly charismatic, but he's never quite as terrifying as he needs to be. And cinematographer Mark Irwin (fresh from _Videodrome_ himself) doesn't seem to have any ideas to spruce things up; there are a few nicely claustrophobic shots, but nothing remarkable. It's a film to see if you love Stephen King, or are intent on seeing Cronenberg's entire body of work, or get a special charge out of stories about clairvoyants. Otherwise, you can safely give it a miss.
(C) 1998 Chris Loar
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, and/or aria-orientation
attributes, they will be set and updated automatically.


| 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 | /** * @name Credit * @description This module exposes functions * related to the '/credit' path. * * @module credit **/ import { cond, has, T, curry } from 'ramda' import routes from '../routes' import request from '../request' /** * `GET /credit/credit_lines` * * Returns all credit lines. * * @param {Object} opts An options params which * is usually already bound * by `connect` functions. * * @returns {Promise} Resolves to the result of * the request or to an error. */ const findAllCreditLines = opts => request.get(opts, routes.credit.creditLines.all) /** * `GET /credit/credit_lines/:creditLineId/proposals/:proposalId` * * Returns requested proposal. * * @param {Object} opts An options params which * is usually already bound * by `connect` functions. * @param {String} body.creditLineId The credit line's ID * @param {String} body.proposalId The proposal's ID * @returns {Promise} Resolves to the result of * the request or to an error. */ const findOneProposal = (opts, body) => request.get(opts, routes.credit.proposals.details(body.creditLineId, body.proposalId)) /** * `POST /credit/credit_lines/:creditLineId/proposals` * * Creates a proposals based on credit line. * * @param {Object} opts An options params which * is usually already bound * by `connect` functions. * @param {String} body.creditLineId The credit line's ID * @param {String} body.amount The proposal amount * @returns {Promise} Resolves to the result of * the request or to an error. */ const createProposal = (opts, body) => request.post(opts, routes.credit.proposals.create(body.creditLineId), body) /** * `POST /credit/credit_lines/:creditLineId/proposals/:proposalId/accept` * * Accepts a proposal * * @param {Object} opts An options params which * is usually already bound * by `connect` functions. * @param {String} body.creditLineId The credit line's ID * @param {String} body.proposalId The proposal's ID * @returns {Promise} Resolves to the result of * the request or to an error. */ const acceptProposal = (opts, body) => request.post(opts, routes.credit.proposals.accept(body.creditLineId, body.proposalId), body) /** * `GET /credit/credit_lines/:creditLineId/proposals/:proposalId/settlement_forecast` * * Returns the settlement forecast from the given proposal * * @param {Object} opts An options params which * is usually already bound * by `connect` functions. * @param {String} body.creditLineId The credit line's ID * @param {String} body.proposalId The proposal's ID * @returns {Promise} Resolves to the result of * the request or to an error. */ const settlementForecast = (opts, body) => request.get(opts, routes.credit.proposals .settlementForecast(body.creditLineId, body.proposalId), body) /** * `GET /credit/loans` * * Returns all loans * * @param {Object} opts An options params which * is usually already bound * by `connect` functions. * @returns {Promise} Resolves to the result of * the request or to an error. */ const findAllLoans = curry(opts => request.get(opts, routes.credit.loans.all)) /** * `GET /credit/loans/:loanId` * * Returns the requested loan * * @param {Object} opts An options params which * is usually already bound * by `connect` functions. * @param {String} body.loanId The loan's ID * @returns {Promise} Resolves to the result of * the request or to an error. */ const findOneLoan = curry((opts, body) => request.get(opts, routes.credit.loans.details(body.loanId), body)) /** * `GET /credit/loans` OR `GET /credit/loans/:loanId` * * Returns the requested loan if the loan's ID is passed; otherwise returns all loans. * * @param {Object} opts An options params which * is usually already bound * by `connect` functions. * @param {String} [body.loanId] The optional loan's ID * @returns {Promise} Resolves to the result of * the request or to an error. */ const findLoans = (opts, body) => cond([ [has('loanId'), findOneLoan(opts)], [T, findAllLoans(opts)], ])(body) /** * `GET /credit/loans/:loanId/statements/daily` * * Returns the daily statements of the given loan * * @param {Object} opts An options params which * is usually already bound * by `connect` functions. * @param {String} body.loanId The optional loan's ID * * @param {Number} [body.count] Pagination option to get a list of plans. * Number of plans in a page * @param {Number} [body.page] Pagination option for a list of plans. * The page index. * * @returns {Promise} Resolves to the result of * the request or to an error. */ const dailyStatement = (opts, body) => request.get(opts, routes.credit.statements.daily(body.loanId), body) /** * `GET /credit/loans/:loanId/statements/monthly` * * Returns the monthly statements of the given loan * * @param {Object} opts An options params which * is usually already bound * by `connect` functions. * @param {String} body.loanId The optional loan's ID * * @param {Number} [body.count] Pagination option to get a list of plans. * Number of plans in a page * @param {Number} [body.page] Pagination option for a list of plans. * The page index. * * @returns {Promise} Resolves to the result of * the request or to an error. */ const monthlyStatement = (opts, body) => request.get(opts, routes.credit.statements.monthly(body.loanId), body) export default { creditLines: { all: findAllCreditLines, }, proposals: { findOne: findOneProposal, create: createProposal, accept: acceptProposal, settlementForecast, }, loans: { all: findAllLoans, find: findLoans, }, statements: { findMonthly: monthlyStatement, findDaily: dailyStatement, }, } |


When initializing a typeahead using the typeahead.js jQuery plugin, you pass the plugin method one or more datasets. The source of a dataset is responsible for computing a set of suggestions for a given query.
For more advanced use cases, rather than implementing the source for your dataset yourself, you can take advantage of Bloodhound, the typeahead.js suggestion engine.
Bloodhound is robust, flexible, and offers advanced functionalities such as prefetching, intelligent caching, fast lookups, and backfilling with remote data.
Prefetched data is fetched and processed on initialization. If the browser supports local storage, the processed data will be cached there to prevent additional network requests on subsequent page loads.
Remote data is only used when the data provided by local and prefetch is insufficient. In order to prevent an obscene number of requests being made to the remote endpoint, requests are rate-limited.
Custom templates give you full control over how suggestions get rendered making it easy to customize the look and feel of your typeahead.
Default suggestions can be shown for empty queries by setting the minLength option to 0 and having the source return suggestions for empty queries.


Aggregation Interface Edit(Node:
)
Discard and Back
Fields marked with * are mandatory
Error detail here
Attribute
Type
Value
Overview
Interface Name *
String
(Auto-Generated Name:
1/2
)
Interface name of this port. If it is blank, use auto-generated name (Auto-Generated Name).
Interface Type *
String
LAG
ATM APS
POS APS
Port type of this port. Not Changeable after creation.
Operational Status
UP
Operational Status（UP/DOWN）
Facility Status
Port Mode
VLAN
For Ethernet LAG / ESP, you can specify the port mode.
Switch Port Mode
Trunk
For Ethernet LAG / ESP, you can specify the switch port mode.
IPAddress
IPAddress
VPN Prefix
/
The IP address and mask of this port. ex）<IP_ADDRESS>/8
If this IP belongs to the VPN space, enter the VPN space name in the VPN name and leave it blank for Global IP address.
OSPF Area ID
String
OSPF area ID of this port
IGP COST
IGP COST.
Purpose
String
Note
String
OK