Hotel Lundia
Hotel Lundia was originally founded by the Paulsson brothers, Leif and Urban in 1968. From the very beginning the focus was on modern technology and superb service for the business traveller. Later, the family also took over the management of the Grand Hotel in Lund.
Today the family business is lead by Maria Paulsson Rickle. In 2012, Maria initiated a new hotel concept in Lund with Hotel Finn. So along with Hotel Finn, the family now runs three hotels in Lund. The management is constantly looking to innovate and look at ideas on how to further develop the different hotel concepts, especially Hotel Lundia. Of course, the focus as always, is on guests and good service through the use of modern technology.
At Hotel Lundia, comfort and functionality are top priorities and the design reflects that. The rooms, the furniture and the fixtures are designed with the busy business traveler in mind.
A constant process of updates and renovations ensures that the hotel continues to carry forward its contemporary design theme.


Ragular
$24
- Number of end products 1
- Customer support
- Free Updates
- No Domain
- 24x7 Support
Yes, I'm a dummy text. Anyway I look nice and useful
Buy TemplateContrary to popular
The clean and well commented code allows easy customization of the theme.It's
designed for describing your app, agency or business.
It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout.
Contrary to popular belief, Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin litera..
There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form.
It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout.
Contrary to popular belief, Lorem Ipsum is not simply random text. It has roots in a piece of classical Latin litera..
There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form.
The clean and well commented code allows easy customization of the theme.It's designed for describing your app, agency or business.
We put a lot of effort in design, as it’s the most important ingredient of successful website.Sed ut perspiciatis unde omnis iste natus error sit.We put a lot of effort in design.
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The clean and well commented code allows easy customization of the theme.It's
designed for describing your app, agency or business.
The clean and well commented code allows easy customization of the theme.It's
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Product Designer & Founder
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UI/UX Designer


User Guide for Gliffy PHP Client Library
Provide an overview for accessing Gliffy via PHP
Gliffy
Table of Contents
Intro
Gliffy provides API access via a REST API, which is essentially a set of standard URLs that respond to various HTTP requests. While this API can be used to
access Gliffy via any programming language, it is less than convienient for day-to-day usage. This document describes the PHP classes Gliffy provides
that use the REST API.
The classes you will interact with most are Gliffy and those in DataContainer. The Gliffy class provides the main functional interface, and some methods that return
data do so using the data container classes. This alleviates you from having to parse XML or deal with HTTP error codes.
Installation
Installing the Gliffy PHP Client is simply a matter of placing the files somewhere in your web server's document root, wherever PHP may execute. See your web server documentation or website administrator if you aren't sure where this is.
Configuration
To configure the Gliffy PHP Client Library, copy config_example.php to config.php and modify the api key, account name, and shared secret properties. That file has extensive documentation on the configuration settings.
Validate Your Configuration
To validate your environment, the script test_configuration.php can be used, either via command-line or web. Once you have setup config.php correctly, this script will make a simple call to Gliffy using the API to make sure your configuration is correct.
Using the Gliffy PHP Client Library
You simply need to require Gliffy.php in your script. It will find the asscociated classes and your configuration file. You can then use the library by creating a new instance of Gliffy. The documentaiton for that class has examples as well as
descriptions of all available methods, but a example is included below. You can also find a simple example in the example directory that is included with this package.
// get the gliffy context object for the user<EMAIL_ADDRESS>$gliffy = new Gliffy('adminapiuser@gliffy.com');
// create a diagram
$newDiagramId = $gliffy->createDiagram($newDiagramName);
// get a URL that points to an image of the new diagram
$diagramImageURL = $gliffy->getDiagramAsURL($diagramId,Gliffy::MIME_TYPE_PNG);
// get a URL for the Gliffy editor to edit this current diagram
$gliffy->getEditDiagramLink($diagramId, $_SERVER['REQUEST_URI'] ,"Back to simple demo");


Cowie, Westerfield, Lambeck lead Lucas Oil event winners in Pomona
Shawn Cowie, Shane Westerfield, and Doug Lambeck led the list of Lucas Oil Drag Racing Series winners at the season-ending Auto Club NHRA Finals in Pomona.
by NHRA.com staffTOP ALCOHOL DRAGSTER
Shawn Cowie, 5.275, 277.09 def. Chris Demke, Foul - Red Light.
TOP ALCOHOL FUNNY CAR
Shane Westerfield, Chevy Camaro, 5.493, 268.97 def. Mike Doushgounian, Camaro, 5.627, 262.23.
COMP
Doug Lambeck, Pontiac Sunfire, 8.324, 161.25 def. David Rampy, Roadster, 7.205, 183.57.
SUPER STOCK
Jeff Dona, Pontiac Firebird, 9.750, 131.45 def. Dan Fletcher, Chevy Camaro, 10.088, 130.15.
STOCK
Jeff Taylor, Chevy Camaro, 9.216, 136.50 def. Kyle Rizzoli, Camaro, Foul - Red Light.
SUPER COMP
Ryan McClanahan, Dragster, 8.933, 169.27 def. Allison McKoane, Dragster, 8.897, 173.16.
SUPER GAS
Steve Williams, Chevy Corvette, 9.870, 174.48 def. Steve Parsons, Corvette, 9.852, 171.47.


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Please review the URL you are trying to access and notify a site admin of the issue.


Filtered By:
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You can now vote every 30 mins. ! :)


How to update ?
Firstly, when new update is available you have to download .zip
file with updated content from ThemeForest.
Now, all you have to do is to delete your old doks-theme
folder and replace it with new one.
That’s it, build your site again and changes should be visible.


AngularJS RangeSlider
Current version: 0.0.14
Angular RangeSlider is a directive that creates an interactive slider that allows a user to change model values.
It has been styled to match form elements styled by Twitter's Bootstrap CSS framework.
Requirements
- Angular (v1.0.8+)
- jQuery (v1.7+)
Demo
Take a look at the live demo page
Or the legacy Angular demo page
Quick example
A basic slider with a range of 0 to 100:

As the handles are moved the model values min
and max
will be updated in the parent controller.
Options
Options are set as attributes on the

=
two-way bindings
min
- the minimum value the user can select (must be a number, can be a model property)
max
- the maximum value the user can select (must be a number, can be a model property)
model-min
- the model property for the min value, represents the position of the min handle
model-max
- the model property for the max value, represents the position of the max handle
disabled
- model property or boolean, disables the slider when true
@
attributes
orientation
- slider orientation, default: 'horizontal' - options: 'horizontal' | 'vertical' | 'vertical left' | 'vertical right'
step
- amount to change the value by when moving a handle, default: 0
decimal-places
- the number of decimal places to round to, default: 0
filter
- a built-in filter to apply to the displayed values, for example currency
or currency:'$'
filter-options
- options to pass to the filter
pin-handle
- disable/hide one handle, default: null - options: 'min' | 'max'
prevent-equal-min-max
- prevent the min
and max
values from being equal. The step
value is used to set the minimum difference, otherwise a value of 1
is used.
attach-handle-values
- move the value labels in sync with the slider handles when true
, default: false
Some more examples
Using model properties
The following properties are present in the scope:
// set available range
$scope.minPrice = 100;
$scope.maxPrice = 999;
// default the user's values to the available range
$scope.userMinPrice = $scope.minPrice;
$scope.userMaxPrice = $scope.maxPrice;
So we can include the directive in the HTML like this:

As the user moves the min and max handles the userMinPrice
and userMaxPrice
will be updated in increments of 5
in real-time in the model.
Using filters
Continuing from the example above we can format the values displayed to the user as currency.

This will automatically be localised by Angular, but we can force it to be USD by passing this as an option:

Alternatively you can use Angular's filter notation directly in the filter
attribute, such as filter="currency:'GBP £'"
, which would result in values like this: GBP £7,500.00
.

NOTE: If the filter-options
attribute is defined you **cannot** use Angular filter notation. You must only use the filter name in the filter
attribute.
Making the slider vertical
Simply add one of the following values to the orientation
attribute: 'vertical', 'vertical left' or 'vertical right'.
This will create a vertical slider that is centred in it's parent element:

To left-align the slider use 'vertical left':

And to right-align the slider use 'vertical right':

Disabling the slider
If you have a boolean property in your scope you can simply change this value to true
to disable the slider:
$scope.sliderDisabled = false;
And then specify the property using the disabled attribute:

// clicking this button will toggle the sliderDisabled value between true and false
<button ng-click="sliderDisabled=!sliderDisabled">Toggle slider disabled status</button>
Pinning a handle
If you would like only allow setting one value, effectively creating a single-value silder, set the pin-handle attribute to 'min' or 'max'. You may then omit the corresponding model-xxx property:

To Do
- Remove full jQuery dependency
- Make it work in older Angular versions
- Add option to move values with handles
- Improve behaviour when model values are not valid (e.g. min is greater than max)
Known Issues
- The slider restricts the model value when editing outside the slider (e.g. in an ) but the only notification is made to the
console
- The min slider handle disappears behind the max slider handle
Credits
This was originally forked from Léon Gersen's brilliant noUiSlider:
https://github.com/leongersen/noUiSlider
Licence
This code is released under the MIT Licence
Copyright (c) 2013 Daniel Crisp
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


In 2002, John Burrows introduced a simple but surprisingly accurate method for authorship attribution, the so-called Delta procedure. Using relative frequencies of the most common words, it becomes possible to compare a set of texts and obtain sufficiently precise information on the most likely author of a text. Quoting Burrows’ original paper, “the object is to treat all of these [most common] words as markers of potentially equal power in highlighting the differences between one style and another” (Burrows 2002, 271).
Research on Delta, and authorship attribution in
general, has become a popular topic in Digital Humanities. As a result, multiple
variants of distance measures have been developed and evaluated
(Evert et al. give a nice overview).
Eight of them have been ported to a R package called stylo
(Eder,
Rybicki, Kestemont, 2016). Starting with low-level programming from
inside the R console, stylo
also provides a high-level GUI
to produce static visualizations of the analysis (basically the results of
statistical procedures on the distance scores, e.g.
Principal Component
Analysis (PCA) and hierarchical
clustering).
This application builds on top of the low-level functions
of stylo
, and empowers users to explore results of a stylometric
analysis interactively, which is currently not possible with the package itself.


{{row['name']}} Created Date:- {{row['created_at']}} Issues:- {{row['open_issues_count']}} Stars:- {{row['stargazers_count']}}


PLANET SICK-BOY: http://www.sick-boy.com "We Put the SIN in Cinema"
Almost three years to the day after the release of Good Will Hunting, Finding Forrester hits theatres with a similar but equally effective story. The connection extends beyond just a comparable script, since both films were directed by Gus Van Sant. Even more remarkable is the source of the two scripts – the first was an out-of-left-field Oscar winner penned by two struggling actors (Matt Damon and Ben Affleck), while the second comes via a Portland radio personality. And I won't even get started on the surprise cameo in Forrester's epilogue.
Replacing Damon's Will Hunting is 16-year-old Jamal Wallace (Robert Brown, in his acting debut), a promising basketball player and C-student at Bronx's Coolidge High School. Like Will, Jamal is whip-smart, but hides his talent because he doesn't want to stand out. He reads all the heavy-hitters that usually scare off kids his age and even writes religiously in a journal, which has recently grown into its fifth volume.
One night, Jamal is dared by his friends to break into the apartment of a ghost-like local legend known as The Window (a name garnered from wielding a pair of binoculars from his third-story window). Jamal gets in to the mystery man's home, but he's spooked and accidentally leaves his backpack (with journals) behind.
The next day, The Window (Sean Connery, Entrapment) unceremoniously drops Jamal's backpack to the street, where the surprised student discovers his journals have been covered in red pen corrections, culminating with one question on the last page – `Where are you taking me?' Curious, Jamal goes to The Window's apartment, where the two slowly develop a rapport revolving around writing.
What Jamal doesn't know is that hard-drinking man is really William Forrester, the reclusive author of `Avalon Landing,' a Pulitzer Prize-winning work heralded as The Great American Novel of the 20th Century. Forrester disappeared after achieving incredible fame through his first novel and has spent the last few decades holed up in his Bronx apartment avoiding everyone and everything (a la J.D. Salinger and his `The Catcher in the Rye').
When Jamal transfers to Manhattan prep school Mailor/Callow, he is greeted with open arms because of his basketball abilities. Nobody in the school thinks he could possibly be interested in an education and, as a result, Jamal grows a major chip on his shoulder because everybody assumes he's some dumb black kid. Meanwhile, Forrester is similarly pissed at the world for assuming they know what his novel was really about. The two stories are nicely paralleled, without being too obvious.
The antagonist in Forrester is a stuffy prick English professor (played by F. Murray Abraham) who doesn't believe Jamal is capable of the writing assignments he's been turning in. The film comes together over a writing contest at Mailor/Callow, which, although entirely predictable, had me a bit choked up.
Van Sant, who followed up his Oscar-nominated Hunting with an ill-advised, Razzie-winning, shot-for-shot remake of Hitchcock's Psycho, does a fantastic job here with deejay Mike Rich's script. Forrester opens with a series of lovely shots of the Bronx and remains remarkably well-paced throughout. Even the basketball action is done nicely, and better than we've recently seen in Love and Basketball and He Got Game, which is pretty surprising, considering Van Sant is, essentially, an indie film director.
Actingwise, Connery can do no wrong, no matter how lowly the project (see Entrapment for further proof), but newcomer Brown steals the show as the jaded teen whose life is altered by a chance encounter. Anna Paquin (Almost Famous) does a good job in her supporting role as Jamal's classmate, and, thankfully, the film isn't slowed down by an unneeded relationship between the two. Technically, Forrester is a slick little package, wonderfully photographed by The Yards' Harris Savides and edited by Valdis Oskarsdóttir, the veteran of three Dogme films.
2:10 –PG-13 for brief strong language and some sexual references
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


How does Javascript compare to HTML and CSS?
First of all, 3 of them are the core languages for web, HTML is constructing the structure, and CSS is doing the decoration job.But Javascript is the doing the interaction job to response to the viewers' actions like click, scroll, type and so on...
Explain the difference between accessing data from arrays and object literals
Accessing data from Array, we refer the index number in the brackets;
Literate data in an object, we can either refer the property name by dot, or in the brackets.
Explain control flow and loops using an example process from everyday life, for example 'waking up' or 'brushing your teeth'
Control flow and loops are tipical process to define a function to achieve certain task.Lets say 'Cooking a meal',First of all, We figure out which dish we d like to cook, then put down what we need and how to do it step by step.
- Prepare the food,washing,and cutting
- Warm up the pan
- Add oil
- Put the food in the pan
- Keep stiring and tasting until it tastes good
- Put on plate and serve
Explain what functions are and why they are useful
A JavaScript function is a block of code designed to perform a particular task. A JavaScript function is executed when "something" invokes it (calls it). It is actually the function responding to the viewers' actions.


You have the world’s music library at your fingertips…now what? When faced with endless options, you need a place to start. Enter playlists.
I work in catalog development for a record label. In the world of music a catalog is the collection of repertoire or songs. My job is to re-monetize the label’s existing songs. We do this through compilation records and creating playlists. A playlist, while not physical in nature like a CD nor a transaction like a purchase of a song download, is very much a product and is increasingly becoming an important part of how we consume music.
 These platforms are our vehicle of delivery. The playlists are our content, our songs.
What is a playlist for? I’ve answered this question on a broad scope, but also included some additional insight on Christian music playlists since that is the genre I work in. Insights for Christian music playlists are in italics.
Worldview: Music is portable. Take it wherever you go. You don’t need to own it, but you need 24/7 access to all the best tunes (and thousands more). The world’s music library accessible at your fingertips. Music that reflects my faith.
Who Are Playlists For?
- Music consumers who are part of the early adopters of streaming music platforms. (I think streaming music platforms as a whole are about to enter the early majority.)
- Music listeners who are looking for suggestions on what to listen to. Love Top 40, love acoustic, love classical, love 80’s punk rock, love indie worship bands?
What Are Playlists For?
- Discovering new songs.
- Rediscovering old songs.
- Convenience.
- A Shared Experience: at home with the family, sharing playlists with friends
- Pass the Time: Driving during your commute, working in the office
- A playlist for every mood…hits, studying, traveling, sleeping, workouts, and hundreds more.

- We want to turn you from a casual music listener to someone who can’t live without it.
- Worship music for when you can’t make it to church.
Where there is a fit?
Everyone has a favorite song. Songs are nostalgic. Streaming offers a new level of portability. You’re no longer confined to the space on your device. Playlists help customize the streaming experience and allow you to find what you want faster. Love country music? Visit the country genre page for dozens of recommendations. Christian music listeners appreciate curated playlists. They signal a playlist where they can be assured that there are no suggestive or explicit lyrics and that the lyrical content shares their beliefs.
Where there is a mismatch?
Sometimes a playlist cover, title, or songs don’t match what the listener was expecting, sending them on a hunt for another playlist. Not all streaming platforms are created equal. Some look better, others have better playlists, and others offer a better user experience. There is no perfect platform…yet. Christian consumers are slow to migrate to new technologies. They are lagging behind listeners of other genres in streaming. The lag is expected and ideas are being generated on how to get them there.
If you haven’t tried streaming music yet, that’s my assignment for you. If you have an Apple device, you can try Apple Music for free for 3 months. Or you can try Spotify, which has a free ad-supported option.
If you need a great playlist to get through your workout tomorrow or some upbeat tunes to write you next post, check out this playlist on Spotify.


How to create a dynamic DNS server using CloudFlare
Some of us use dynamic IPs at home and want to serve a web server, a security cam or a VPN server at home. IP addresses keep changing on connection resets or power cuts. This is a big problem and we should update DNS records according to the changes.
I personally use CloudFlare DNS services for almost anything related to my servers and I want the CF to keep protecting my home servers as well. I thought I could write a tool which checks current machine’s IP address and the IP address defined at CloudFlare, then updates CloudFlare DNS’s A record if both addresses do not match.
What you need?
- A Linux distro running a SystemD as init system(I am using Ubuntu 16.04)
- A CloudFlare account
- Ruby or Docker installed on your server
I prefer the Docker way to run applications on my Linux servers because, neither I want to pollute my servers with different versions of software nor mutate the current states of the servers. Anyway, you can install latest Ruby version and run the application as you wish.
I wrote a small CloudFlare API Client in order to purge caches programmatically for a while ago, I used it as a base for my project. I admit that, it is a bit dirty code, but it works like a charm.
Code
For the code you can visit. https://github.com/turhn/cloudflare-client
And create a file at /etc/systemd/system/docker-dns
and paste the content below. (Do not forget to change
Thus you created a system service that is running in the background.
When we check the Docker processes with docker ps
, we should see that our service is running. By default, it should check IP addresses every minute. If you wish to change the default interval value, i.e. you can add -e INTERVAL=120
variable in ExecStart section for 120 seconds.
You can easily create an upstart script for upstart using distros.
I hope this helps you.


Edges
Vertices
Dark Background
Perspective
Orthogonal
Edges Intensity:
Edges Width:
Edges Depth Test
Vertex Scale:
Vertex Intensity:
Opaque Vertices
Edges Colors Property:
Vertices Colors Property:
Scale Property:
Scale Property Coeff.:
Vertices Intens. Property:
Vertices Intens. Coeff.:
Fast move:
Edges
Vertices
Legend:


System Architect Definitions, Encyclopedia:"D:\DATA\SYSARCH\HCM\GEN_DATA\SUBJECT\V01\CURRENT\"
numeric value (Class Attribute)
- Derived:
F
- &Value Type:
Number
- Optional:
F
- Unique:
F
- Const:
F
- Description:
A numeric value (with or without a sign)
- Class Name:
"Measured Characteristic"
numeric value (Class Attribute)
- Derived:
F
- &Value Type:
Number
- Optional:
F
- Unique:
F
- Const:
F
- Description:
A numeric value (with or without a sign)
- Class Name:
"Measured Qualifier"


${head}
${navbar}
${_('Title')}
${_('Year')}
${_('Status')}
${hidden_count} Finished movies not shown
{status_translated}
{title}
{year}
{title}
{year}
TheMovieDB
IMDB
${_('Theatrical Release')}: {release_date}
${_('Home Release')}: {media_release_date}
${_('Score')}: {score}
${_('Source')}: {origin}
${_('Date Added')}: {added_date}
${_('Quality')}
%for i in profiles:
${i}
%endfor
Status
${_('Automatic')}
${_('Finished')}
{plot}
{table}
${_('Remove from Library')}
${_('Are you sure you want to remove
{title}
from your library?')}
${_('Delete movie file')}


---
layout: theorems
---
Content Zero Condition
Let $S\subseteq\mathbb{R}^n$ be a nonempty and bounded set. $S$ has content zero if and only if for all $\epsilon >0$, there exists a finite set of boxes $\{I_i\subseteq\mathbb{R}^n:1\leq i\leq m\}$ such that
$$\begin{align*}
S\subseteq \bigcup_{i=1}^m I_i
\end{align*}$$ and
$$\begin{align*}
\sum_{i=1}^{m}\mu(I_i)<\epsilon
\end{align*}$$
Concepts
Coming soon
Hypothesis
Coming soon
Results
Coming soon
Proof
Coming soon
Related
Coming soon


NAKED A film review by James Berardinelli Copyright 1994 James Berardinelli
Rating (Linear 0 to 10): 8.5
Date Released: varies Running Length: 2:12 Rated: No MPAA Rating (Violence, sexual violence, language, sex, nudity)
Starring: David Thewlis, Lesley Sharp, Katrin Cartlidge, Greg Cruttwell, Claire Skinner, Peter Wight Director: Mike Leigh Producer: Simon Channing-Williams Screenplay: Mike Leigh Music: Andrew Dickson Released by Fine Line Features
Mike Leigh has always been known as a creator of exceptional, insightful character studies. Often, his films do little more than trace activities in the life of a person or persons over a several-day period--that he manages to make such seemingly-mundane stories so involving speaks highly of his talent. However, whereas comedies such as LIFE IS SWEET and HIGH HOPES showed Mr. Leigh's whimsical side, NAKED is anything but charming. This film is brutal and raw, and its sense of humor comes with a serrated edge.
We meet Johnny (David Thewlis) on the benighted streets of Manchester, pinning a woman against a building as he rapes her. Then, threatened with bodily harm, Johnny takes off for London, to find his old girlfriend Louise (Lesley Sharp). Their reunion is less-than-affectionate, and propels Johnny into a violent and self-destructive sexual relationship with Louise's flatmate Sophie (Katrin Cartlidge). It doesn't take long for Johnny to start feeling trapped by his new lover's unexpected dependence, and he takes to the streets, wandering through the backways and alleys of the city's underprivileged districts (where a rat is always less than thirty feet away), meeting an assortment of people even more bizarre than himself.
There are so many thought-provoking themes and issues addressed by NAKED, that it's impossible to mention them all, let alone do them justice, in the space of a movie review. Johnny, who may have the appearance of a tramp, has the heart and mind of a philosopher, and isn't afraid to express his views. In line after line of energetic, dazzling dialogue delivered at a rapid-fire pace, we are exposed to the lead character's views on why everyone is bored; the importance of cliches; the interrelationship between the past, present, and future; the Apocalypse; evolution; God's relationship to man; and life in general. He's not particularly choosey about his listeners, entering into conversations with the vacuous Sophie, a middle-class guard named Brian (Peter Wight), a lonely woman who he initially observes from afar through a window, and a man putting up posters.
A reckless, restless intensity pervades NAKED as it follows Johnny on his odyssey through London. The film's mood and tone change suddenly and frequently, but never radically. It could be argued that the running length is a little on the long side, but it's hard to figure which scenes could have been cut.
Don't expect a happy ending, or a happy anything, for that matter. As true-to-life as NAKED is, it hides nothing.
David Thewlis didn't get his deserved Oscar nomination, but his work here is extraordinary, and possibly better than that of any of the five nominees (including Anthony Hopkins). Mr.  He and writer/director Leigh have clearly established a rapport (they previously worked together on LIFE IS SWEET and a Channel Four short film THE SHORT AND CURLIES) that yields astounding results.
NAKED is one of those rare, powerful motion pictures that refuses to slip easily from memory. Its images and themes linger long after the viewer has left the theater, and the most stark of these are commonly the most disturbing. Those in search of escapism should not look to this motion picture, but anyone willing to assume the risk of facing the ugliness of Johnny's world will find a startling, gut-wrenching, eye-opening film.
- James Berardinelli<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


COM6506 Testing and Verification in Safety-Critical Systems
| Summary |
This module provides an introduction to the processes and
problems of building complex software such as for use in
aerospace applications. Topics covered can be split into
four major groups: safety, specification languages, concepts
of software engineering, different methods of software
testing. A substantial amount of time will be spent on the
ideas of software testing and specific testing techniques.
- Safety includes software and systems safety, methods
of performing hazard analysis, human factors and the IEC
61508 standard.
- Specification languages such as Statecharts.
- Software engineering concepts focus on the software
lifecycle, safe language subsets,
software testing and maintenance.
- The software testing part covers advanced
approaches to generating software tests.
Students should be aware that there are limited places available on this course.
|
| Session |
Autumn 2018/19 |
| Credits |
15 |
| Assessment |
Coursework [30%]
2 MOLE Quizzes [40%]
Lab portfolio
[30%] |
| Lecturer(s) |
Dr Neil Walkinshaw |
| Resources |
|
| Aims |
- to present the human and technological issues involved
in building safe complex software
- to introduce the role of standards in the
development of safety critical systems;
- to explain how human factors relate to systems safety
and how they must be considered in system design;
- to introduce the notations and specialised
programming languages used for construction of safety critical software;
- to provide an understanding of the software
engineering concepts that are specific to safety critical systems;
- to examine in detail a range of methods for testing
software, and the contributions that they can make to
achieving goals for the quality of software.
|
| Objectives |
By the end of this unit, students will:
- Have an overall appreciation of systems and software
safety, hazard analysis and the approach to engineering
safe systems.
- Understand the concept of SILs (safety integrity
levels) and the principles of the IEC61508 standard.
- Understand a range of specific human-computer
interaction issues as applied to safety-critical
systems.
- Be familiar with specification languages, and be able
to use them to construct specifications of appropriate
simple systems.
- Understand the limitations that must be introduced
into conventional programming languages when developing
software to be used in safety-critical systems.
- Understand the software lifecycle and its
relationship to the development of safety-critical
systems.
- Be able to apply advanced software testing methods to
test generation.
|
| Content |
- The nature of safety-critical systems and software
- Safety management: hazards, risks, risk assessment,
and reduction, software reliability
- Finite-state machine models and predicates
- Software engineering lifecycles, processes and
activities, the role of verification and validation.
- Specifying control systems
- Introduction to testing: forms of testing and
approaches to it
- Test methods and derivation of test cases
- Hazard analysis, HazOp and FMEA
- Programming practices for safety-critical software
|
| Essential skills/Pre-requisites |
Students taking this module are expected to have done a programming module. The language used in COM6506 assignment is Java hence prior familiarity with it is necessary. |
| Teaching Method |
Lectures will explain the basic theoretical concepts and
their applications.
Problem solving and examples classes, together with the
associated private study and the preparation for the
coursework assignment, will give students the opportunity to
develop their understanding of the concepts and their
practical skills in the development
of elements of safety-critical software. |
| Feedback |
Will be provided in problem-solving classes. |
| Recommended Reading |
- N. Walkinshaw, Software Quality Assurance: Consistency in the Face of Change, 2017
- N. Leveson, Safeware - system safety and computers,
Addison-Wesley, 1995
- Pezze & Young, Software Testing Analysis: Process, Principles and Techniques, John Willey & Sons 2008.
|
|


Beyond the sequence of examples provided here, the Logisim source code provides copious additional examples, though they do not always illustrate the same attention to readability and good design.
For maximum portability to future versions, you should stick as much
as possible to the classes in the ...instance
, ...data
,
and ...tools
packages. Of course, you may use other packages'
APIs, but they are more vulnerable to changes in future versions of Logisim.
I am generally willing to answer occasional requests for help. And bug reports and suggestions for improvements, of course, are always welcome.
You are free to distribute any JARs you develop without restriction. The GPL restrictions do apply, however, if portions of your work are derived from portions of Logisim source code (released under the GPL). Deriving from the example code in this section of the User's Guide does not incur such restrictions; these examples are released under the MIT license.
If you would like to share your library with other Logisim users, I will be happy to provide a link to a hosting Web page or the JAR file itself through the Logisim Web site. If you think your library should be built into the basic Logisim release, then I welcome your suggestion, and I'll be happy to acknowledge your contribution in Logisim releases including the work.
Next: User's Guide.


dc.js is a javascript charting library with native crossfilter support and allowing highly efficient exploration on large multi-dimensional dataset (inspired by crossfilter's demo). It leverages d3 engine to render charts in css friendly svg format. Charts rendered using dc.js are naturally data driven and reactive therefore providing instant feedback on user's interaction. The main objective of this project is to provide an easy yet powerful javascript library which can be utilized to perform data visualization and analysis in browser as well as on mobile device.
This page is running version: v. The latest stable version is 1.7.3.
Take a look at the annotated source to the Nasdaq Example that is shown below.
Fork me @ https://github.com/dc-js/dc.js and also feel free to report any issue or request a new type of chart to be included in the next release.
The following charts provide a live example of dc.js used against Nasdaq 100 index for the last 27 years. (You can run this example completely off-line). Although it is just an example, using it you can already ask some quite interesting questions. If I am going to gamble whether Nasdaq 100 will gain or lose tomorrow what is my chance? Is Friday or Monday the most unlucky day for investors? Is spring better than winter to invest? Can you find the outliers? When did the outliers occur? Public data source: PiTrading.com.
Try it out or check out these other examples.
select a time range to zoom in


Enter your username into this form to log in to this server. It can be anything; this is just for demonstration purposes. For example, entering USERNAME will give you the identity URL


|
Bitstream Interpretation Library (BIL)
0.1
|
Reads data from a stream and returns it token by token. More...
#include <util/StreamTokenizer.hpp>
Public Types | |
| typedef unsigned | token_t |
| type for describing type of token |
Public Member Functions | |
| StreamTokenizer (std::istream &inputStream) | |
| Constructs a new StreamTokenizer instance. | |
| StreamTokenizer::~StreamTokenizer () | |
| Destructs a StreamTokenizer instance. | |
| void | inputStream (std::istream &inputStream) |
| Sets the input stream. | |
| void | reset () |
| Resets all internal state (except syntax). | |
| void | separatorChar (char c) |
| Sets separator attribute for given character. | |
| void | separatorChars (char firstChar, char lastChar) |
| Sets separator attribute for given range of characters. | |
| void | wordChar (char c) |
| Sets word attribute for given character. | |
| void | wordChars (char firstChar, char lastChar) |
| Sets word attribute for given range of characters. | |
| void | whitespaceChar (char c) |
| Sets whitespace attribute for given character. | |
| void | commentChar (char c) |
| Sets comment attribute for given character. | |
| void | resetSyntax () |
| Resets all characters to default attributes. | |
| token_t | nextToken () |
| Reads next token from stream. | |
| token_t | tokenType () const |
| Gets the type of current token. | |
| char | separatorToken () const |
| Gets current separator token. | |
| const char * | wordToken () const |
| Gets pointer to current word token. | |
| size_t | wordTokenSize () const |
| Gets size of current word token. | |
| bool | uintToken (unsigned &val) const |
| Gets the current word token as integer. |
Static Public Attributes | |
| static const token_t | TT_NONE = 0 |
| invalid token | |
| static const token_t | TT_EOF = 1 |
| end of file token | |
| static const token_t | TT_SEPARATOR = 2 |
| separator token | |
| static const token_t | TT_WORD = 3 |
| word token |
Reads data from a stream and returns it token by token.
The tokenization is controlled by attributes assigned to characters and can be changed while tokenization is in progress. For better speed all read operations on the stream are buffered.
Definition at line 23 of file StreamTokenizer.hpp.
| typedef unsigned bil::StreamTokenizer::token_t |
type for describing type of token
Definition at line 132 of file StreamTokenizer.hpp.
|
explicit |
Constructs a new StreamTokenizer instance.
| inputStream | Stream to read from. |
Definition at line 21 of file StreamTokenizer.cpp.
| bil::StreamTokenizer::StreamTokenizer::~StreamTokenizer | ( | ) |
Destructs a StreamTokenizer instance.
| void StreamTokenizer::inputStream | ( | std::istream & | inputStream | ) |
Sets the input stream.
Will call reset().
| inputStream | The input stream. |
Definition at line 46 of file StreamTokenizer.cpp.
| void StreamTokenizer::reset | ( | ) |
Resets all internal state (except syntax).
All internal buffers are flushed and the tokenization state is set back to default values. Next data will be read from current stream position.
Definition at line 53 of file StreamTokenizer.cpp.
| void StreamTokenizer::separatorChar | ( | char | c | ) |
Sets separator attribute for given character.
A char of this attribute will be returned as one token of TT_SEPARATOR type.
| c | The char which attribute is to be set. |
Definition at line 63 of file StreamTokenizer.cpp.
| void StreamTokenizer::separatorChars | ( | char | firstChar, |
| char | lastChar | ||
| ) |
Sets separator attribute for given range of characters.
A char of this attribute will be returned as one token of TT_SEPARATOR type.
| firstChar | First char in range which attribute is to be set. |
| lastChar | Last char in range which attribute is to be set. |
Definition at line 69 of file StreamTokenizer.cpp.
| void StreamTokenizer::wordChar | ( | char | c | ) |
Sets word attribute for given character.
Word chars make up words and so a whole consecutive sequence of word chars will be returned as one token of TT_WORD type.
| c | The char which attribute is to be set. |
Definition at line 76 of file StreamTokenizer.cpp.
| void StreamTokenizer::wordChars | ( | char | firstChar, |
| char | lastChar | ||
| ) |
Sets word attribute for given range of characters.
Word chars make up words and so a whole consecutive sequence of word chars will be returned as one token of TT_WORD type.
| firstChar | First char in range which attribute is to be set. |
| lastChar | Last char in range which attribute is to be set. |
Definition at line 82 of file StreamTokenizer.cpp.
| void StreamTokenizer::whitespaceChar | ( | char | c | ) |
Sets whitespace attribute for given character.
Whitespace chars will be ignored and not returned as tokens.
| c | The char which attribute is to be set. |
Definition at line 89 of file StreamTokenizer.cpp.
| void StreamTokenizer::commentChar | ( | char | c | ) |
Sets comment attribute for given character.
Comment chars and all following chars will be ignored until the next new line.
| c | The char which attribute is to be set. |
Definition at line 95 of file StreamTokenizer.cpp.
| void StreamTokenizer::resetSyntax | ( | ) |
Resets all characters to default attributes.
By default all chars have got the separator attribute.
Definition at line 101 of file StreamTokenizer.cpp.
| StreamTokenizer::token_t StreamTokenizer::nextToken | ( | ) |
Reads next token from stream.
The token type and the token itself are saved and available via tokenType(), separatorToken() and wordToken().
| . |
Definition at line 108 of file StreamTokenizer.cpp.
| StreamTokenizer::token_t StreamTokenizer::tokenType | ( | ) | const |
Gets the type of current token.
Definition at line 164 of file StreamTokenizer.cpp.
| char StreamTokenizer::separatorToken | ( | ) | const |
Gets current separator token.
Definition at line 170 of file StreamTokenizer.cpp.
| const char * StreamTokenizer::wordToken | ( | ) | const |
Gets pointer to current word token.
Definition at line 176 of file StreamTokenizer.cpp.
| size_t StreamTokenizer::wordTokenSize | ( | ) | const |
Gets size of current word token.
Definition at line 183 of file StreamTokenizer.cpp.
| bool StreamTokenizer::uintToken | ( | unsigned & | val | ) | const |
Gets the current word token as integer.
| val | Reference to variable to hold value. |
Definition at line 189 of file StreamTokenizer.cpp.
|
static |
invalid token
Definition at line 135 of file StreamTokenizer.hpp.
|
static |
end of file token
Definition at line 138 of file StreamTokenizer.hpp.
|
static |
separator token
Definition at line 141 of file StreamTokenizer.hpp.
|
static |
word token
Definition at line 144 of file StreamTokenizer.hpp.


| DOSE: |
1 hit |
smoked |
5-MeO-DMT |
(powder / crystals) |
I had the pleasure of trying 5-MeO DMT the other day. Having read several other reports, I went into this experience with much caution. A scale with the precision required to properly dose myself was not available, so the dose was just eyeballed. My guess is that it was 3-4 mg of powder. The powder was freebased on aluminum foil, and inhaled through a hollowed out pen. Yes, it was ghetto, but it did the trick.
I was a bit skeptical that this small amount of substance could do anything, especially after watching the tiny amount of smoke exhale from my lips. I had time to place the lighter down, but that was about it. Just as I thought nothing would happen, I glanced at the ceiling. The ceiling began to dissolve, and I was rocketed towards it. Strangely, it was exactly what I was expecting.
The intoxication felt very strange, and I could hear my heart beat very rapidly. I think this was a result of the intense peaking. While I could feel my heart beat, it felt as though it was a seperate entity from my body. I, in whatever form I existed at this point, was simply existing in this foreign universe. The visuals, the mental effects, are far greater than I could ever begin to explain. In what felt like seconds, I was shot back into reality.
The coming down had a very heavy body load associated with it. I was seeing quite a bit of trails and visual distortions. There was a slight nausea associated with it, but it was calming knowing that I was 'over the hump.' Glancing at the clock, about 10 minutes had passed in what only felt like one minute. The effects faded, and after about an hour I was back to baseline.
Looking back, 5-MeO DMT is an interesting drug. I've had wonderful experiences in the past with Mushrooms, LSD, and MDMA where I have really grown as an individual. While under the influence of those substances, I have had time to really explore and be introspective. I don't think that 5-MeO DMT is a drug of that class. Unfortunately, the experience is too breif and too intense to really gain anything.
Some people report traveling to foreign universes and experiencing bliss. Shulgin even reported one dose as a ++++ experience. I feel however that whatever can be gained from this is simply a temporary enjoyment, and will not really help the user much after the effects have faded.
The one thing that I have gained is a respect for this substance. Having not been prepared would have definitely been a terrifying situation. It will also help my future experiments with other drugs seem not as intense in comparison.
5-MeO-DMT is not for the weak, or the anxious. It isn't for the psychonaut who is looking to gain a lot about themselves either. Instead, look at it as a chemical rollercoaster.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


{% extends 'base.html' %} {% block styles %} {{ super() }} {% endblock %}
Pitch: {{pitch.description}}
There are no pitches in this category


| DOSE: |
1 tablet |
oral |
MDMA |
(pill / tablet) |
| |
1 tablet |
oral |
MDMA |
(pill / tablet) |
I was queen of drugs at one time. I could take twice as much as the next guy and still walk and talk. I was a very respected druggy. But as i got older I decided it was time to quit and focus on school. But there was one drug left that I had never tried, and had always wanted to.
Two years after I had quit all drugs I was playing pool and flirting with two very cute guys whom I had never met before. Me and Jon got along great, but these were still just strangers I had met that day. When they mentioned they were picking up E that night I jumped at the chance to try it. They informed me that it was white mitsubishi they were getting.
We went to a bar that I had never been to before, and didn't know anyone there, but they knew almost everyone! We dosed around 11:00pm. While waiting for it to hit me, I had 3 rum and cokes to help me socialize. BAD idea. I later learned never to drink with E.
At 11:30 I felt the most powerful feeling (induced by drugs) of my whole life hit me like someone punched me in the face.  I had to sit down on the picnic tables they had lined up around the dance floor. Jon saw that I was completely mesmerized by people trying to talk to me. I was trying to understand what they were saying but all I heard were notes and murmurs. Their voices faded in and out.  Lauren, do you want me to touch you?' I just smiled and nodded yes. Then the second guy sat behind me and started rubbing my back. Every touch felt like a million little orgasms running through my body. I felt that I didn't want to be in public with these guys touching me. I must have said I want to leave, even though I don't remember talking.
I was having trouble walking, stumbling like being drunk, so Jon grabbed my arm and the other guy walked behind me. As we were leaving everything and everyone looked like they were made of tiny pixel squares. Like they were all pictures on a computer screen blown up too big. I think it was just the eye twitching that can tend to happen.
As soon as I stepped outside the cold winter air hit me, and I had never felt cold like that before. The walk to the car seemed to take forever. Jon kept saying reassuring things about how we'll be in the car soon, I'll keep you warm, don't worry. In the car I asked how the guy could drive if he was as messed up as I was. He said he was practically sober, only a little high, but nothing like I was feeling. Probably because he had done it many times before.
One we got to Jon's, around 12:15 my peek had gotten even a little more intense if possible. We went into his basement where he had a futon. (At this point I can only remember bits and pieces of the rest of my night). Jon opened the futon for me to lie down on, and that's what I did. I remember him asking if he could kiss me, my jaw kind of hurt, but I said yes. His lips felt like marshmallows without the taste. They seemed to cover my whole mouth, making it as sensitive as my clit. It felt so good, and I wanted to tell him that but I could no longer talk. He kept bringing me water, and forcing me to take sips. Then, for a long while after that, I blacked out, and the next thing I remember is having him on top of me, having sex.
I had lost a lot of feeling in my whole body for some reason, so it felt good, but only the parts that I could feel. I remember thinking this is wrong, I just met this guy, why aren't I shouting 'NO!'. But I found no answer to my question and let him continue pleasuring me, orally too. I could hear him having a conversation his friend who was seated on the couch behind my head, but their words were still just murmurs. Then Jon said to me, 'Are you sure my friend can join? You're not going to get mad tomorrow?' He later told me to every question he would ask I would just stare at him, then murmur something that had no relevance to his question. I remember Jon saying my name off in the distance, and asking if it still feels good. 'Isn't this amazing?!' he would say. His words and the feeling of his body would drift so far away, I couldn't hear or feel him, then they would come back.
About 3:00 am, his friend was standing over me, asking if I was coming down yet, I said yes, even though I was still in that euphoric state and couldn't distinguish objects clearly. He put another pill in my mouth and fed me water to wash it down. I spilled water down my naked chest and started to complain how cold I was, so he put the blanket over me and was rubbing me to try to warm me up. I don't know exactly where Jon was, he could have still been on top of me for all I know, but all I could say was, 'I'm cold'.
I lost time again, and when my ears would let words in again, Jon was asking me to get on top of him. I got on top and put his penis inside of me, but I don't think I was moving my hips. His friend that came up from behind me and grabbed my waist, moving my body in the riding motion. I just closed my eyes, and tried to hear what they were saying to each other. For some reason I kept wondering if Jon was enjoying this, I think I asked him, and he said it was the most amazing experience of his life.
I kept my eyes closed for what seemed like hours of riding him. Then, I figure the second E hit me, I just slumped over and all I wanted to do was sleep. Jon told his friend to lie me on my back and keep me covered up. He was mean in saying, 'So she doesn't complain about being cold anymore.' I guess I mustn't have stopped saying that since walking out to the car. His friend was telling him not to let me sleep cause I could die. I remember feeling scared, and thought I didn't care if I died, all I wanted to do was sleep.
I was being told to rub Jon's body, while his friend was rubbing mine, under the blanket this time. The last time I had looked at the clock it as around 5:00am, and I just couldn't stay awake any longer. In my sleep I heard his friend leave, and felt Jon comforting me in my sleep. The next day he told me even in my sleep I was mumbling weird things about being cold, and making sure everyone was have a good time.
The feeling I had just from the ecstasy alone was a million little orgasms running through my body. I don't think Jon brought me to an orgasm even with all his effort to.
The next day I woke up feeling burnt out. I threw my cloths on, my legs were still wobbly, and ran to the bathroom and chugged at least a litre of water. I still couldn't seem to talk. My jaw was sore, and I couldn't think of words to say to this 20 year old, (I am 18), with whom I'd just met and slept with all in the same day.
To the best of my knowledge, his friend never penetrated me, and I hope that's true. Jon promised me he used a condom the whole time, and I hope that's true too. That whole night to me remains a mix of emotions.  I've used ecstasy many times since then, but only in rave scenes, with close friends there for support and safety. I suggest you always have a friend with you who you can trust and is staying sober.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Make it extremely easy to maintain your components compatibilities for reuse in your PHP applications.


Oh no, a countdown!
It's a question, pick an answer!
This one!
Question two! Hurry!
Okay!
 Now go and rest our heroes!
You lose. Refresh and click faster!


Welcome to the meal helper
Feeling indecisive? Not sure what to make tonight for that big dinner or romantic treat for that special someone. Welcome to the Meal Helper. Enter the number of servings and your preference of either meat or vegetarian meal and our magic meal generator will provide you with a recipe.


Find deposits
Measure thickness and more...
...in many sites
Store field and lab data in version-controlled text files
Calculate statistics and plot graphs
Read into Spatialite
Read into GIS tools via GDAL/OGR
Map via QGIS2Web - View Larger Map
Map via QGIS2Web - View Larger Map
Use GRASS to interpolate between data points
Digitise isopachs by hand
Map via QGIS2Web - View Larger Map
Calculate volume with AshCalc
H3A volume: 3.8 km3
// End presentation ---------------------------------------------------


Features in This Feature Model
Legend:
Mandatory Feature
Optional Feature
OR
Alternative (XOR)
Requires (Dependency)
Excludes (Dependency)
You are trying to remove the feature "{{modalFeature.name}}". Please keep in mind that you are removing also all subfeatures together with the corresponding dependencies.
There are no dependencies left to remove.


FUT Rewards: FIFA 20 FUT Champions Weekend League reward tiers in full and release time
Here are the confirmed rewards you can get from competing in the FIFA 20 Ultimate Team FUT Champions Weekend League competition.
by Nathan BlissThe FIFA Ultimate Team game mode is extremely popular, with players from all over the world competing to the get the best squad, then going head-to-head in the infamous FUT Champions Weekend League.
In the weekly competition, gamers play a total of 30 games and the more games you win within the time limit, the better the reward.
FUT Champions is the basis of all competitive FIFA play, where amateur players can even become professionals, if they do well enough in the competition and become FUT verified that is.
To become FUT verified, you need to win 27 out of 30 games in the FUT Champions Weekend League, which will allow to you enter professional events and build your career as a professional FIFA esports player. But, that is a ridiculous amount of games to win, and only the very best manage it.
But, for most players, the Weekend League is about rewards, because the better you perform, the better rewards you get.
And, there are some changes to the reward tiers from FIFA 19, so pay attention.
So, want a low down on the Weekend League rewards? Here's all you need to know.
FIFA 20 Ultimate Team Weekend League
Weekend League beings on Friday mornings at 8am and ends on until Monday mornings at 8am every weekend.
You can play a maximum of 30 games and the rewards you get are calculated by the number of wins you manage to achieve. The more wins you get, the better your rewards will be.
Want to find out what rewards to expect this week? And, what time are the rewards released?
Here is a comprehensive guide to the EA SPORTS FIFA 20 FUT Champions Weekend League rewards.
FUT Rewards: The weekly reward tiers for FUT Champions Weekend League
Bronze 3 - 1 win out of 30 games
1,000 coins
2 x Gold Packs
250 FUT Champions Points
Bronze 2 - 2/3 wins out of 30 games
3,000 coins
2 x Premium Gold Packs
500 FUT Champions Points
Bronze 1 - 4/5 wins out of 30 games
7,500 coins
1 x Premium Gold Players Pack
500 FUT Champions Points
Silver 3 - 6/7 wins out of 30 games
10,000 coins
1 x Premium Gold Players Pack
2 x Jumbo Premium Gold Packs
1 x Premium Gold Pack (untradeable)
1 x Player Pick Special Item (pick one of two -84 rated untradeable TOTW cards)
1,000 FUT Champions Points
Silver 2 - 8 to 10 wins out of 30 games
15,000 coins
1 x Mega Pack
1 x Rare Gold Pack
1 x Premium Gold Pack (untradeable)
1 x Player Pick Special Item (pick one of two -84 rated untradeable TOTW cards)
1,000 FUT Champions Points
Silver 1 - 11 to 13 wins out of 30 games
20,000 coins
1 x Two Rare Gold Players Pack
1 x Mega Pack
1 x Premium Gold Pack (untradeable)
1 x Player Pick Special Item (pick one of three randomly selected untradeable TOTW cards)
1,500 FUT Champions Points
Gold 3 - 14 to 16 wins out of 30 games
30,000 coins
2 x Mega Packs
1 x Rare Players Pack
2 x Premium Gold Pack (untradeable)
2 x Player Pick Special Item (Two chances to pick one of three randomly selected untradeable TOTW cards)
2,000 FUT Champions Points
Gold 2 - 17 to 19 wins out of 30 games
45,000 coins
1 x Rare Gold Pack
2 x Rare Mega Packs
2 x Premium Gold Pack (untradeable)
2 x Player Pick Special Item (Two chances to pick one of four randomly selected untradeable TOTW cards)
2,000 FUT Champions Points
Gold 1 - 20 to 22 wins out of 30 games
50,000 coins
2 x Jumbo Rare Players Packs
2 x Premium Gold Pack (untradeable)
2 x Player Pick Special Item (Two chances to pick one of four randomly selected untradeable TOTW cards)
2,000 FUT Champions Points
Elite 3 - 23/24 wins out of 30 games
70,000 coins
1 x Premium TOTW Pack
1 x Jumbo Rare Players Pack
3 x Premium Gold Pack (untradeable)
3 x Player Pick Special Item (Three chances to pick one of five randomly selected untradeable TOTW cards)
2,000 FUT Champions Points
Elite 2 - 25/26 wins out of 30 games
100,000 coins
1 x Premium TOTW Pack
1 x Jumbo Rare Players Pack
3 x Premium Gold Pack (untradeable)
3 x Player Pick Special Item (Three chances to pick one of five randomly selected untradeable TOTW cards)
2,000 FUT Champions Points
Elite 1 - 27 or more wins out of 30 games
125,000 coins
2 x Premium TOTW Packs
1 x Jumbo Rare Players Packs
3 x Premium Gold Pack (untradeable)
3 x Player Pick Special Item (Three chances to pick one of five randomly selected untradeable TOTW cards)
2,000 FUT Champions Points
Rank 76-100
125,000 coins
1 x Ultimate TOTW Pack
2 x Jumbo Rare Players Packs
4 x Jumbo Premium Gold Pack (untradeable)
4 x Player Pick Special Item (Four chances to pick one of five randomly selected untradeable TOTW cards)
2,000 FUT Champions Points
Rank 51-75
125,000 coins
1 x Ultimate TOTW Pack
3 x Jumbo Rare Players Packs
4 x Jumbo Premium Gold Pack (untradeable)
4 x Player Pick Special Item (Four chances to pick one of five randomly selected untradeable TOTW cards)
2,000 FUT Champions Points
Rank 26-50
150,000 coins
1 x Ultimate TOTW Pack
3 x Jumbo Rare Players Packs
5 x Jumbo Premium Gold Pack (untradeable)
5 x Player Pick Special Item (Five chances to pick one of five randomly selected untradeable TOTW cards)
2,000 FUT Champions Points
Rank 11-25
150,000 coins
1 x Ultimate TOTW Pack
4 x Jumbo Rare Players Packs
5 x Jumbo Premium Gold Pack (untradeable)
5 x Player Pick Special Item (Five chances to pick one of five randomly selected untradeable TOTW cards)
2,000 FUT Champions Points
Rank 2-10
200,000 coins
1 x Ultimate TOTW Pack
4 x Jumbo Rare Players Packs
5 x Jumbo Premium Gold Pack (untradeable)
5 x Player Pick Special Item (Five chances to pick one of five randomly selected untradeable TOTW cards)
2,000 FUT Champions Points
Rank 1
250,000 coins
1 x Ultimate TOTW Pack
4 x Jumbo Rare Players Packs
5 x Jumbo Premium Gold Pack (untradeable)
5 x Player Pick Special Item (Five chances to pick one of five randomly selected untradeable TOTW cards)
2,000 FUT Champions Points
Get the latest on FIFA, Fantasy Football, Football Manager and other gaming news HERE.
Follow Esports and gaming writer Nathan Bliss on social media
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FUT Rewards: What time are Weekend League rewards released?
Earned rewards are released at 08:00 UTC, that's 09:00am GMT in the UK, on Thursdays.
Rewards are distributed to players who have completed the minimum 5 matches that were required to be ranked.
These rewards are for players on PC, Xbox or PlayStation.


As a student, I want to create an "About Me" page as a demonstration of my skills with HTML, CSS, and JavaScript


Gecode::Branching Class Reference
[Programming actors]
Inherits Gecode::Actor.
Inherited by BlackHoleBranch [private]
, Gecode::ViewValAssignment< View, Val, ValSel >, Gecode::ViewValBranching< View, Val, ViewSel, ValSel >, QueenArmies::QueenBranch [private]
, and Test::Search::NaryBranching.
Detailed Description
Base-class for branchings.Note that branchings cannot be created inside a propagator (no idea why one would like to do that anyway). If you do that the system will explode in a truly interesting way.
Definition at line 929 of file core.icc.
Branching | |
| virtual bool | status (const Space *home) const =0 |
| Check status of branching, return true if alternatives left. | |
| virtual const BranchingDesc * | description (const Space *home) const =0 |
| Return branching description. | |
| virtual ExecStatus | commit (Space *home, const BranchingDesc *d, unsigned int a)=0 |
| Commit for branching description d and alternative a. | |
Reflection | |
| virtual Reflection::BranchingSpec | branchingSpec (const Space *home, Reflection::VarMap &m, const BranchingDesc *d) const |
| Specification for BranchingDesc d. | |
Protected Member Functions | |
| Branching (Space *home) | |
| Constructor for creation. | |
| Branching (Space *home, bool share, Branching &b) | |
| Constructor for cloning b. |
Constructor & Destructor Documentation
| Gecode::Branching::Branching | ( | Space * | home | ) | [inline, protected] |
Member Function Documentation
| virtual bool Gecode::Branching::status | ( | const Space * | home | ) | const [pure virtual] |
Check status of branching, return true if alternatives left.
This method is called when Space::status is called, it determines whether to continue branching with this branching or move on to the (possibly) next branching.
Implemented in BlackHoleBranch, QueenArmies::QueenBranch, Gecode::ViewValBranching< View, Val, ViewSel, ValSel >, Gecode::ViewValAssignment< View, Val, ValSel >, and Test::Search::NaryBranching.
| virtual const BranchingDesc* Gecode::Branching::description | ( | const Space * | home | ) | const [pure virtual] |
Return branching description.
Note that this method can rely on the fact that it is called immediately after a previous call to status. Hence, it is safe to remember computation from status in order to speed up description.
Implemented in BlackHoleBranch, QueenArmies::QueenBranch, Gecode::ViewValBranching< View, Val, ViewSel, ValSel >, Gecode::ViewValAssignment< View, Val, ValSel >, and Test::Search::NaryBranching.
| virtual ExecStatus Gecode::Branching::commit | ( | Space * | home, | |
| const BranchingDesc * | d, | |||
| unsigned int | a | |||
| ) | [pure virtual] |
Commit for branching description d and alternative a.
The current branching in the space home performs a commit from the information provided by the branching description d and the alternative a.
Implemented in BlackHoleBranch, QueenArmies::QueenBranch, Gecode::ViewValBranching< View, Val, ViewSel, ValSel >, Gecode::ViewValAssignment< View, Val, ValSel >, and Test::Search::NaryBranching.
| Reflection::BranchingSpec Gecode::Branching::branchingSpec | ( | const Space * | home, | |
| Reflection::VarMap & | m, | |||
| const BranchingDesc * | d | |||
| ) | const [virtual] |
Specification for BranchingDesc d.
Reimplemented in Gecode::ViewValBranching< View, Val, ViewSel, ValSel >, and Gecode::ViewValAssignment< View, Val, ValSel >.
The documentation for this class was generated from the following files:
- gecode/kernel/core.icc (Revision: 7332)
- gecode/kernel/core.cc (Revision: 7332)


--- layout: post title: Pro-Am Panel video and podcast date: 2005-10-09 00:00:00 categories: digital-media interfaces-&-interaction mobile ---
HobbyPrincess: Pro-Am Panel video and podcast: "Chris Heathcote from Nokia's Corporate Strategy describes how mobile phone users around the world are personalizing the look and the function of their phones, and how device manufacturers react by introducing mass-customizable products."
Nice. Making and giving things are two principles that we're looking to apply across several projects at the moment. Look at MMS: my experience of using it is that it's not a medium for communicating a message as such, rather it's something I use to give pictures to people.


As an international Christian ministry, Amazing Facts is constantly in motion — always ready to offer you the very best, most-trusted tools that will empower you to learn what the Bible really says about thousands of topics that truly matter to you today.
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And there's so much more! If you would like to experience even more of this expanding, dynamic ministry, visit www.AmazingFacts.org today by clicking on the link at the bottom of this page!


vlc, qvlc, svlc, nvlc, rvlc, cvlc - the VLC media player
vlc
This manual page documents briefly the VLC multimedia player and server.
VLC follows the usual GNU command line syntax, with long options starting with two dashes (`-'). For a precise description of options, please use "vlc --help".
The complete list of VLC options depends on what plugins are installed because they automatically add their own options. Please use "vlc --longhelp --advanced" for a complete list of available options.
VLC recognizes several URL-style items:
*.mpg, *.vob, *.avi, *.mp3, *.ogg, *.opus Various multimedia file formats
dvd://[<device>][@<raw device>][#[<title>][:[<chapter>][:<angle>]]] DVD device (for instance dvd:///dev/dvd). The raw device is optional and must have been prepared beforehand.
vcd://[<device>][@{E|P|E|T|S}[<number>]] VCD device (for instance vcd:///dev/cdrom).
udp://[@[<multicast address>][:<local port>]] UDP stream, such as one sent by VLS or another VLC. Usually "udp://" is enough.
http://<server address>[:<server port>]/[<file>] HTTP stream
rtsp://<server address>[:<server port>]/<stream name> RTSP Video On Demand stream
vlc://<command> Execute a playlist command. Commands are: pause (pause execution of other items), and quit (close VLC).
The following environment variables may affect VLC:
DISPLAY The X11 display server address.
http_proxy The HTTP proxy server URL.
OSSAUDIO_DEV The default audio output device, used by the OSSv4 output plugin.
VLC_DATA_PATH The directory containing VLC run-time data files (e.g. /usr/share/vlc).
VLC_PLUGIN_PATH An extra directory to load VLC plugins from.
VLC_VERBOSE The level of verbosity for log messages (0: silent, 1: error/info, 2: warning, 3: debug).
XDG_CACHE_DIR XDG_CONFIG_DIR XDG_DATA_DIR The directories to store user cached data, user configuration files and user data files respectively.
XDG_DOCUMENTS_DIR XDG_DOWNLOAD_DIR XDG_MUSIC_DIR XDG_PICTURES_DIR XDG_VIDEO_DIR The directories to fetch or store user text files, downloads, music, pictures (i.e. snapshots), and video respectively.
XDG_SESSION_COOKIE The unique identifier of the desktop session, used by the PulseAudio output plugin.
Online documentation: http://www.videolan.org/doc/
This manual page was written by Sam Hocevar<EMAIL_ADDRESS>for the Debian GNU/Linux system (but may be used by others).


#include <ParticleUniverseVortexAffector.h>
Public Member Functions | |
| VortexAffector (void) | |
| virtual | ~VortexAffector (void) |
| const Ogre::Vector3 & | getRotationVector (void) const |
| void | setRotationVector (const Ogre::Vector3 &rotationVector) |
| DynamicAttribute * | getRotationSpeed (void) const |
| void | setRotationSpeed (DynamicAttribute *dynRotationSpeed) |
| virtual void | copyAttributesTo (ParticleAffector *affector) |
| virtual void | _preProcessParticles (ParticleTechnique *particleTechnique, Ogre::Real timeElapsed) |
| virtual void | _affect (ParticleTechnique *particleTechnique, Particle *particle, Ogre::Real timeElapsed) |
Static Public Attributes | |
| static const Ogre::Vector3 | DEFAULT_ROTATION_VECTOR = Ogre::Vector3::ZERO |
| static const Ogre::Real | DEFAULT_ROTATION_SPEED = 1.0f |
Protected Member Functions | |
| Ogre::Radian | _calculateRotationSpeed (void) |
Protected Attributes | |
| Ogre::Vector3 | mRotationVector |
| Ogre::Quaternion | mRotation |
| DynamicAttribute * | mDynRotationSpeed |
| DynamicAttributeHelper | mDynamicAttributeHelper |
| DynamicAttributeFactory | mDynamicAttributeFactory |
| ParticleUniverse::VortexAffector::VortexAffector | ( | void | ) |
| ParticleUniverse::VortexAffector::~VortexAffector | ( | void | ) | [virtual] |
| const Ogre::Vector3 & ParticleUniverse::VortexAffector::getRotationVector | ( | void | ) | const |
| void ParticleUniverse::VortexAffector::setRotationVector | ( | const Ogre::Vector3 & | rotationVector | ) |
| DynamicAttribute * ParticleUniverse::VortexAffector::getRotationSpeed | ( | void | ) | const |
| void ParticleUniverse::VortexAffector::setRotationSpeed | ( | DynamicAttribute * | dynRotationSpeed | ) |
| void ParticleUniverse::VortexAffector::copyAttributesTo | ( | ParticleAffector * | affector | ) | [virtual] |
Copy attributes to another affector.
Reimplemented from ParticleUniverse::ParticleAffector.
| void ParticleUniverse::VortexAffector::_preProcessParticles | ( | ParticleTechnique * | particleTechnique, | |
| Ogre::Real | timeElapsed | |||
| ) | [virtual] |
Perform activities before the individual particles are processed.
Reimplemented from ParticleUniverse::ParticleAffector.
Reimplemented in ParticleUniverse::VortexExtern.
| void ParticleUniverse::VortexAffector::_affect | ( | ParticleTechnique * | particleTechnique, | |
| Particle * | particle, | |||
| Ogre::Real | timeElapsed | |||
| ) | [virtual] |
Affect a particle.
| particle | Pointer to a ParticleTechnique to which the particle belongs. | |
| particle | Pointer to a Particle. | |
| timeElapsed | The number of seconds which have elapsed since the last call. |
Implements ParticleUniverse::ParticleAffector.
| Ogre::Radian ParticleUniverse::VortexAffector::_calculateRotationSpeed | ( | void | ) | [protected] |
const Ogre::Vector3 ParticleUniverse::VortexAffector::DEFAULT_ROTATION_VECTOR = Ogre::Vector3::ZERO [static] |
const Ogre::Real ParticleUniverse::VortexAffector::DEFAULT_ROTATION_SPEED = 1.0f [static] |
Ogre::Vector3 ParticleUniverse::VortexAffector::mRotationVector [protected] |
Ogre::Quaternion ParticleUniverse::VortexAffector::mRotation [protected] |


Savings and Checkings Account
Home Loan
HELOC is expiring in < 2 months
Customer can start a college savings accounts for their dependents.


I first came in contact with open-source communities when developing modifications (mods) for the popular Bethesda Softworks gaming title The Elder Scrolls: Skyrim. While the game itself is proprietary, Bethesda released a number of tools that made it possible for players to expand the game and freely share their creations. Producing various pieces of in-game apparel I quickly began to understand how a good community should function. The basics were rather simple – sharing and caring.
To me everything was simply a matter of socialist economy applied on a very small scale. Let us consider a trivial example:
Now, as we increase the size of the craftsman population, gains increase exponentially. However, the human being is an imperfect one and certain issues can occur:
Fortunately, such rotten apples are few and their ill intentions are usually over-shadowed by the good deeds of the community and, despite being loud, quickly forgotten. The gist of it all is that an open-source community will produce things much more efficiently than a company. The flow of information and ideas is less restricted and the community can function as a single, well-coordinated entity out of its own will. The only boundaries are defined by common goals and honest human motivation.


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My first and last datura experience started with me and 2 friends sitting around at a house deciding to rip off a Datura plant. After finding one and tearing a few flowers off it we sat at mates house and boiled it all up for half an hour and drunk about 3 cups each.
Now I'm a very experienced drug user but what happened next I was totally unprepared for...
At first the only feeling I felt was extreme muscle tiredness and I was almost un-able to stand. Neither could my friends. BANG! I'm at my friend's flat chatting to his flatmate, I say 'I want to go home now'. He says 'you are home'. I say 'I want to go to home where my mum lives'. SHE says 'I am your mum'. BANG! I suddenly realize I am at home, its almost midday. As my memory comes back I remember smoking many invisible cigarettes, thinking my mum and brother were friends of mine, talking to invisible people. Basicly not knowing where, what, how, or why.
I later found out I had been crawling on the floor, where we originally drunk the datura, eating 'bugs' while my friend convulsed and foamed at the mouth. When his straight sister called the ambulance, I lept off the balconey in pursuit of a friend who was actully on the other side of the house.
One friend wound up in some bushes with no belt, pants around his knees 'listening' to music. The other was in hospital in a morphine induced coma. He was released the next day.
I can tell you its a very disturbing experience to take a drag on your ciggerate and find out you dont have one.. Or to talk to your brother about himself thinking he's someone else... or having your friends come round to see how you are, having a long chat with them only to realize they are not there. I cannot remember it all as it was only three days ago and I can't operate properly (its taken 2 hrs so far to write this because i cant see).
I do remeber trying to smoke my belt, throwing my cat in the bathtub, thinking my mum was Spike Milligan. The list goes on.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


$template{name="sample-readme-html-header" title="Fibonacci Fork/Join demo"}$
What does the sample do?
This demo demonstrates a node add-on which replaces the standard node processing thread pool with a fork/join thread pool.
This allows JPPF tasks to locally (in the node) spawn ForkJoinTask (or any of its subclasses) instances and have them processed as expected for a ForkJoinPool.
The use of this fork/join executor is illustrated with a Fibonacci computation demo.
How do I run it?
Before running this sample application, you must have a JPPF server and at least one node running.
For information on how to set up a node and server, please refer to the JPPF documentation.
- For a node to use the fork/join executor add-on, you need to add the following property to its configuration file:
jppf.thread.manager.class = org.jppf.execute.ThreadManagerForkJoin
- Once this is done, start the server and the node(s)
- From a command prompt, type: "run.bat" (on Windows) or "./run.sh" (on Linux/Unix)
How do I use it?
This sample doesn't have a graphical user interface, however you can modify some of the parameters in the JPPF configuration file:
- open the file "config/jppf.properties" in a text editor
- at the top of the file, you will see the following properties:
# number of Fibonacci computation tasks to execute
fib.fj.nbTasks = 10
# order of Fibonacci number to compute
fib.fj.N = 10
- "fib.fj.nbTasks" allows you change the number of tasks in the submitted job, and thusto simulate various workloads on the grid and especially on the nodes
- "fib.fj.N" is the Fibonacci order, the higher it is the larger the number of spawned fork/join tasks will be
How can I build the sample?
To compile the source code, from a command prompt type: "ant compile"
To generate the Javadoc, from a command prompt type: "ant javadoc"
I have additional questions and comments, where can I go?
If you need more insight into the code of this demo, you can consult the source, or have a look at the
API documentation.
In addition, There are 2 privileged places you can go to:
$template{name="sample-readme-html-footer"}$


5th Workshop on Automated Knowledge Base Construction (AKBC) 2016
at NAACL 2016 in San Diego, California, June 17, 2016.
We welcome papers documenting previously unpublished research; ongoing and exciting preliminary work is perfectly fine. We are particularly interested in visionary paper submissions. We aim for papers that express intriguing and promising ideas — focusing less on where science is today and more on where it should go tomorrow.
Topics of interest include, but are not limited to:
Please format your papers using the standard NAACL style files, and restrict it to 4 pages (excluding references). Since the reviewing will not be double-blind, please include author information. All accepted papers will be presented as posters, with exceptional submissions also presented as oral talks.
| Antoine Bordes | Facebook Artificial Intelligence Research |
| William Cohen | Carnegie Mellon University |
| Benjamin Van Durme | Johns Hopkins University |
| Oren Etzioni | Allen Institute for Artificial Intelligence |
| Percy Liang | Stanford University |
| Chris Manning | Stanford University |
| Andrew McCallum | University of Massachusetts Amherst | Kristina Toutanova | Microsoft Research |


filmcritic.com presents a review from staff member Gordon Bass. You can find the review with full credits at http://a.filmcritic.com/misc/emporium.nsf/2a460f93626cd4678625624c007f2b46/285a5ac036f67fec8825694100152765?OpenDocument
Rififi A film review by Gordon Bass Copyright 2000 filmcritic.com filmcritic.com
When a movie begins with a con being freed from jail, you know one of two things will happen: Either he'll be called in to help the hapless police solve an impossible crime that's had them baffled for months, or he'll be tempted by one final heist, a perfect job that will let him retire a wealthy man.
Rififi, a French film originally released in 1955 as Du rififi chez les hommes, is a film noir. Which means, of course, we're going to get the heist.
Sad-eyed Jean Servais plays Tony le Stephanois, fresh from a stint in the slammer. Free for the first time in five years, Tony wants to stay on the straight and narrow, but can't maintain his cool when he discovers that his girl has taken up with another man during his imprisonment. A man of few words, Tony orders her to strip, whips her and kicks her out of his apartment before meeting up with his old associates Jo (Carl Möhner) and Mario (Robert Manuel, from whom Billy Zane was apparently cloned). Jo and Mario have a high-risk crime in mind, breaking into a ritzy but well-protected jewelry store and its basement safe, and Tony agrees to mastermind the job. Cesar le Milanais, an Italian safecracker played to dapper, womanizing perfection by director Jules Dassin, is recruited to round out the gang.
The heart of the film is the subsequent robbery sequence, which stretches for 30 minutes without dialogue. Cool, tense, and suspenseful, the scenes of the heist play out like a primer for would-be jewel thieves, which led to the film being banned in several countries after its original release in 1955. (That it was allowed in the United States was an indication that the Production Code Administration had lost much of its authority by the mid 1950s; the Code stated that "theft, robbery, safe-cracking... etc., should not be detailed in method.")
The heist goes off perfectly, giving us valuable lessons in how to break through a concrete ceiling without a sound and how to silence an alarm. The film anticipates every audience question -- How do you hammer through concrete without waking the neighbors? How do you crack a safe without explosives? -- and answers them with surprising technical accuracy. That the break-in is accomplished with nothing more than rope, a suitcase of simple tools, and an umbrella makes it vastly more impressive than anything in current films, where burglars rely on latex face masks, magic voice-changing throat stickers and plastic surgery to get their business done. No, back in the smoky, jazz-filled Paris of the 1950s, men were men, and they used hard steel implements to do the job.
The crime nets the gang jewels worth a staggering 240 million francs. But despite an agreement to lay low for a while, suave safecracker Cesar can't help giving an enormous diamond ring to a nightclub chanteuse, setting a final chain of violence in motion. The singer promptly shows it to her boss, club owner Pierre Grutter, who makes an immediate connection between the ring, Cesar, and the recent heist. And decides he should have the stash himself.
>From here events spiral rapidly southward. Grutter beats a confession out of Cesar, Tony pops Cesar for talking, and Grutter kidnaps Jo's young son and demands the jewels as ransom. There's an accelerating rush to a violent and hallucinatory ending.
Yet despite the inevitable bloodshed, the underworld romance of Rififi's Paris has an undeniable and timeless appeal.  Sure, there's a price to pay in the end, but that's the life of the professional criminal. And the code of film noir, even in France.

The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


Branding for the client "Noblish." Noblish is an English education company which targets on intermediate/Low-advanced level of English leaners in Korean with needs of high-business manner/dimension. Based on their marketing strategy to teach business English, the client wanted to give a high-end quality of a brand image which aligns with their curriculum.
Illustrator, Photoshop
3 days
(December 4th ~ December 6th, 2017)
Emblem is a simplified shape of N derived from the brand name ‘Noblish’. Brand color is golden yellow to present the luxurious image. The font was selected as Niagara Solid, rather than using San Serif fonts in order to avoid a feeling of boring, uninteresting and dull.
Drawing: Started playing around with the letter "N" and decided to visualize it into parallelograms.
Variation: Came up with 3 different versions -- parallelograms, letter with N and E, combined form of triangles and a parallelogram which resembles the letter "N."
Name card: After confirming the logo design, I made name cards based on that.
Name card (front)
Name card (back)


This is a minimal credential Issuer application that demonstrates
how a user would ask for a credential to be issued
(using CHAPI's store()
under the hood).
When you click one of the buttons below, a Verifiable Credential will be issued and sent to your registered digital wallet for storage.
Below we provide a valid credential, the Permanent Resident Card, and an invalid credential, a University Degree. When presented to the verifier one will succeed, the other will fail.
Permanent Resident Card (valid) University Degree (invalid)


Open window
Main
(The flowers in the garden are representative of those in your heart.
Treat them both nice.)


Her innate ability to actively anticipate unforeseen complexities has demonstrated the keen aptitude that ensure proper intervention is implemented prior to erroneous events occurring.
~ And a Special Thanks To ~
Lambda School They helped make this all happen!


Is Black Friday still a big deal?
Retailers cater to shoppers' changing needs
by CNNBlack Friday's star on the retail calendar has dimmed a little in recent years, but it is still very important to stores -- and shoppers.
Black Friday's star on the retail calendar has dimmed a little in recent years, but it is still very important to stores -- and shoppers.


This keyboard layout is designed to type Yiddish by transliteration. This keyboard layout works best with a QWERTY (English) keyboard.
Type Yiddish by transliteration: type shin with sh or pasekh tsvey yudn with ay.


The manifest you provide will be compared to the current state of the project and appropriate changes will be automatically generated and added to the pending queue.


{% ifequal dimensionality '2' %}
C * exp(2.2/X) + 51.0 + pi ** e - sinc(1.1) / [B + A] # coefficients are A, B and C |
Scale * exp(X) + offset # Scale and offset are coefficents in this example |
# the following three examples are equivalent
power(X+shift, C0) # shift and C0 are coefficients in this example
[X+shift] ** C0 # shift and C0 are coefficients in this example
(X+shift) ** C0 # shift and C0 are coefficients in this example |
MX + B # This fails, it should be written as M*X + B |
{% else %}
C * X + 51.0 + pi ** e - [Y * A] + B # coefficients are A, B and C |
Scale * exp(X) * exp(Y) + offset # Scale and offset are coefficents in this example |
# the following three examples are equivalent
power(X+Y+shift, C0) # shift and C0 are coefficients in this example
[X+Y+shift] ** C0 # shift and C0 are coefficients in this example
(X+Y+shift) ** C0 # shift and C0 are coefficients in this example |
MXY + B # This fails, it should be written as M*X*Y + B |
{% endifequal %}


Hello there, you may call me Nafis. As short information, I started to learn web development since 2011 with PHP and MySQL. I have been worked web development projects for my office and my essay. Since 2014, i started my career as a freelance web developer.
Here are what i can do for you :
Until now, work many web applications and websites for my clients (Colleges, Ecommerce/Online Store, Pharmacy, Courier Company, Tour and Travel Company, etc.).


| PostgreSQL 9.0.10 Documentation | ||||
|---|---|---|---|---|
| Prev | Up | Chapter 16. Installation from Source Code on Windows | Next |
Using Visual C++ 7.1-9.0 or Borland C++ to build libpq is only recommended if you need a version with different debug/release flags, or if you need a static library to link into an application. For normal use the MinGW or Visual Studio or Platform SDK method is recommended.
To build the libpq client library using Visual Studio 7.1 or later, change into the src directory and type the command:
nmake /f win32.mak
To build a 64-bit version of the libpq client library using Visual Studio 8.0 or later, change into the src directory and type in the command:
nmake /f win32.mak CPU=AMD64
See the win32.mak file for further details about supported variables.
To build the libpq client library using Borland C++, change into the src directory and type the command:
make -N -DCFG=Release /f bcc32.mak
The following files will be built:
The dynamically linkable frontend library
Import library to link your programs to libpq.dll
Static version of the frontend library
Normally you do not need to install any of the client files. You should place the libpq.dll file in the same directory as your applications executable file. Do not install libpq.dll into your Windows, System or System32 directory unless absolutely necessary. If this file is installed using a setup program, then it should be installed with version checking using the VERSIONINFO resource included in the file, to ensure that a newer version of the library is not overwritten.
If you are planning to do development using libpq on this machine, you will have to add the src\include and src\interfaces\libpq subdirectories of the source tree to the include path in your compiler's settings.
To use the library, you must add the libpqdll.lib file to your project. (In Visual C++, just right-click on the project and choose to add it.)


ApplReqType (1347)
Type of Application Message Request being made.
Type: int
| 0 | Retransmission of application messages for the specified Applications |
| 1 | Subscription to the specified Applications |
| 2 | Request for the last ApplLastSeqNum published for the specified Applications |
| 3 | Request valid set of Applications |
| 4 | Unsubscribe to the specified Applications |
| 5 | Cancel retransmission |
| 6 | Cancel retransmission and unsubscribe to the specified applications |


Priestess Pupina:
Greetings, adventurer who carries out the mission of the Temple!
Do you wish to meet Preacher Sla?
As you know, the preachers' goals differ somewhat from the goals of the Temple priests.
Preachers believe that the Temple's rigid rules and ceremonies often serve as a barrier to a true understanding of and relationship with the goddess.
And given the Temple's close association with the aristocracy, many preachers are critical that the priests are more concerned with personal status and wealth than true service.
"I see."


Hey There
Note:
Please use Ctrl + Shift + I - To open Inspector in Chrome and then Learn Its Better you learn using Chrome -- Dev Tools
CLick for reference
JSON Object Stuff - Look at Console for Differences between various statements


 This app automatically corrects the colors in your images so they appear properly white and gold to everyone.
Connect this app to your Dropbox using the button below, and then drop any images into the folder Dropbox/Apps/whitegold
to get an automatically color-corrected version of the image.


NIGERIAN TELECOMMUNICATION LIMITED. FEDERAL SECRETARIAT COMPLEX, GARKI, ZONE II ABUJA. E-MAIL<EMAIL_ADDRESS>DATE:13th Oct. 2003 REF:rf/ntl-fgn Dear Friend, Please do not be disturbed about this mail as I am contacting you for the first time through this medium, while nursing no doubts that you will be of great assistance to this business proposal I am about disclosing to you for our both mutual benefit. I am Dr. Ken Dikko, the Project Director of Nitel at the above address. Following my intentions of owning an offshore investment, I was urged to contact a foreigner to assist in facilitating the immediate release of $14Million United States Dollars into his/her bank account to jointly execute my motive of securing an offshore investment. This was because Nigeria's civil service code of conduct does not allow a civil servant to own an offshore account or investment outside the shores of Nigeria. Sequel to this, I was able to contact a foreigner (Mr. Jim Walsh) an American based in Nigeria to assist with the transfer. He agreed and we proceeded in procuring all documents necessary to facilitate the immediate release of the funds into his custody using him as a Project Consultant to the Nigerian Telecommunication. The money was as a result of an over-invoiced contract on contract number "ntl-fgn01/ped-98" for the procurement, supply and installation of Telecommunication equipment to Nitel regional offices up to the tune of $52Million United States Dollars. It was awarded to a Swiss Contractor who executed the contract and was fully paid i.e $38Million United States Dollars leaving aside $14Million United States Dollars. Final payment approval was granted on behalf of Mr. Jim Walsh by the Federal Ministry of Finance (FMF) to the paying bank while waiting for the payment application from him to the bank but he suddenly died of Cardiac Arrest leaving no Next of kin/beneficiary to the funds. It is as a result of this, that I am contacting you to please stand as the next of kin to Mr. Jim Walsh and new beneficiary to the funds to enable the funds to be transfered into your custody. All documents to back up your claim will be giving to you adequately while a Memorandum of Understanding (MOU) will be reached between us to safe guard our both interest in line of this transaction. I am willing to compensate you with 25% of the total funds while the rest 75% will be for me for the investments in your country as well as assuring you that this transaction is 100% risk free and legal. If this proposal is okay to you, please kindly get back to me to enable me demand certain informations and briefing for the commencement of this transaction. Please always quote the reference number above in all correspondences to me while confidentiality should be our watch word. I await your urgent response. Sincere regards, Dr. Ken Dikko. Project Director, Nitel. ____________________________________________________________ Charle con sus amigos online usando CHAT 123 http://www.123.com/sp/chat/section.php?id_section=329


Via environment variables or via toml file.
Optionally the pREST can be configured by TOML file.
prest.toml
file and put this on the same folder that you run prest
command.migrations = "./migrations"
[http]
port = 6000
[jwt]
key = "secret"
[pg]
host = "<IP_ADDRESS>"
user = "postgres"
pass = "mypass"
port = 5432
database = "prest"
[ssl]
mode = "disable"
sslcert = "./PATH"
sslkey = "./PATH"
sslrootcert = "./PATH"
Authorization: Bearer eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJzdWIiOiIxMjM0NTY3ODkwIiwibmFtZSI6IkpvaG4gRG9lIiwiYWRtaW4iOnRydWV9.TJVA95OrM7E2cBab30RMHrHDcEfxjoYZgeFONFh7HgQ
"disable" - # no SSL (default)
"require" - # Always SSL (skip verification)
"verify-ca" - # Always SSL (verify that the certificate presented by the server was signed by a trusted CA)
"verify-full" - # Always SSL (verify that the certification presented by the server was signed by a trusted CA and the server host name matches the one in the certificate)
PREST_DEBUG
or debug=true
on top of prest.toml file.PREST_DEBUG=true
--url
and --path
flags are optional if pREST configurations already set.
# env var for migrations directory
PREST_MIGRATIONS
# create new migration file in path
prest migrate --url driver://url --path ./migrations create migration_file_xyz
# apply all available migrations
prest migrate --url driver://url --path ./migrations up
# roll back all migrations
prest migrate --url driver://url --path ./migrations down
# roll back the most recently applied migration, then run it again.
prest migrate --url driver://url --path ./migrations redo
# run down and then up command
prest migrate --url driver://url --path ./migrations reset
# show the current migration version
prest migrate --url driver://url --path ./migrations version
# apply the next n migrations
prest migrate --url driver://url --path ./migrations next +1
prest migrate --url driver://url --path ./migrations next +2
prest migrate --url driver://url --path ./migrations next +n
# roll back the previous n migrations
prest migrate --url driver://url --path ./migrations next -1
prest migrate --url driver://url --path ./migrations next -2
prest migrate --url driver://url --path ./migrations next -n
# go to specific migration
prest migrate --url driver://url --path ./migrations goto 1
prest migrate --url driver://url --path ./migrations goto 10
prest migrate --url driver://url --path ./migrations goto v