3/17 email
March 17, 2020
Dear Friends,
I hope this note finds each of you well and safe. At City College, we have rapidly moved to a pretty unique set of postures on campus, and I’m writing to update you on where things stand.
Like many colleges and universities around the country, we are in the process of moving to a fully distance learning profile at the college. As of this writing, we have not heard of any member of our community who has tested positive for the virus, although several are undergoing self-quarantine out of a sense of precaution due to other illnesses. But I was moved to aggressively restrict gatherings on campus in consideration of our role as a public institution: We are facing a grave public health crisis, and are duty-bound to make sure our classrooms, public events, laboratories and studios do not become transmission grounds for this virus. A more or less empty campus can act as a circuit breaker in this epidemic, and I’m determined to play that role.
This means, among other things, that virtually all events will be cancelled for the rest of the semester. We currently have cancelled events through the end of the semester, and are waiting to hear from the governor about graduation as such a large-scale event may not be possible in its traditional format. It will be a real shame if we’re not able to hold commencement ceremonies this year—and we’ll do what we can to make the day special for our students, in some way. But we really have no idea what the eventual dimensions of this crisis will be, and we need to keep everyone as safe as can be.
We are in the process of a massive effort to move instruction on-line, after an instructional recess through March 18th, we will return with an all distance learning instructional portfolio on the 19th. This is a massive undertaking. We have several classes that are already on-line, but the vast majority of instruction on campus (appropriately in my view) still takes place on a face to face basis. Over these 6 days, everyone on campus–even faculty who teach labs and fine arts studios—will be moving to a distance learning format. That means a rapid introduction of new technology, some pretty intensive collaborations among faculty, and a rapid-fire effort to make sure that students are up to speed, too.
As a college, however, we are not closed, and should not, in my opinion, close unless we absolutely must do so. Although a vast amount of library materials exists on-line today, some students may need to come to our library, and they may continue to do so. Students may still experience food insecurity during this break—perhaps especially during this break— and so we will keep the food pantry open as well. Some of our students are homeless, and this crisis is teaching us that more than a few spend nights somewhere on campus, and we are working to establish safe places for them as well.
We are also undertaking a widespread technology access survey among our students. We know that some students do not have devices that will support on-line education, and perhaps others do not have access to WiFi. Some local service providers have moved to supply students with free WiFi for the next 60 days, so that helps a lot, but we need to make sure that every student who is logging on to take classes can do so.
To meet these needs, we are purchasing computer tablets for students who do not have them, we’ve ordered cots so we are better prepared to deal with student homelessness issues. We anticipate more students may experience food insecurity, and so we’re double stocking our pantry and will keep it open, and we’re also trying to lay in resources to support the rapid transition to on-line instruction.
I’m sure you’re being asked, from a thousand different directions, to contribute to one or another effort to help mitigate the COVID-19 crisis. At CCNY, we’re doing all we can to maintain continuity and provide extra assistance to our students. We could really use your help. If you are moved to donate, please click here to access our online donation form. You can also email us at<EMAIL_ADDRESS>We’ll get through this, I know, and the college, more now than ever, is positioned to play an important public role in a public health crisis. Our students and our community have responded to our current challenges with grace and generosity, and I have no doubt that we will be proud of how CCNY conducted itself during these difficult times.
Please accept my very best wishes. I fondly hope that you, and the people you love, stay safe throughout this crisis.
Sincerely,
Vince Boudreau President


ÁVision Build Log
Tool Versions:
IDE-Version: ÁVision V<IP_ADDRESS> Copyright (C) 2020 ARM Ltd and ARM Germany GmbH. All rights reserved. License Information: , , LIC=---- Tool Versions: Toolchain: MDK-Lite Version: <IP_ADDRESS> Toolchain Path: C:\Keil_v5\ARM\ARMCC\Bin C Compiler: Armcc.exe V5.06 update 6 (build 750) Assembler: Armasm.exe V5.06 update 6 (build 750) Linker/Locator: ArmLink.exe V5.06 update 6 (build 750) Library Manager: ArmAr.exe V5.06 update 6 (build 750) Hex Converter: FromElf.exe V5.06 update 6 (build 750) CPU DLL: SARMCM3.DLL V<IP_ADDRESS> Dialog DLL: DCM.DLL V<IP_ADDRESS> Target DLL: STLink\ST-LINKIII-KEIL_SWO.dll V<IP_ADDRESS> Dialog DLL: TCM.DLL V<IP_ADDRESS>Project:
C:\work\project\SeparatorBLDCDrive\MDK-ARM\SeparatorDrive.uvprojx Project File Date: 09/07/2021Output:
*** Using Compiler 'V5.06 update 6 (build 750)', folder: 'C:\Keil_v5\ARM\ARMCC\Bin' Build target 'SeparatorDrive' compiling currentLoop.c... ../Core/Inc/currentLoop.h(30): warning: #1-D: last line of file ends without a newline #endif ..\Core\Src\currentLoop.c(34): warning: #1035-D: single-precision operand implicitly converted to double-precision currentAmp=((float)((float)(current-CURRENT_SENSOR_OFFSET)*0.00081)/CURRENT_SENSOR_SENSETIVITY); ..\Core\Src\currentLoop.c(34): warning: #1035-D: single-precision operand implicitly converted to double-precision currentAmp=((float)((float)(current-CURRENT_SENSOR_OFFSET)*0.00081)/CURRENT_SENSOR_SENSETIVITY); ..\Core\Src\currentLoop.c(55): warning: #186-D: pointless comparison of unsigned integer with zero if(controllImpact<0) controllImpact=0; ..\Core\Src\currentLoop.c(81): warning: #177-D: variable "timeout" was declared but never referenced uint16_t timeout; ..\Core\Src\currentLoop.c: 5 warnings, 0 errors compiling main.c... ../Core/Inc/currentLoop.h(30): warning: #1-D: last line of file ends without a newline #endif ../Core/Src/main.c(322): warning: #177-D: variable "statePosition" was declared but never referenced static uint8_t statePosition=0; ../Core/Src/main.c(323): warning: #177-D: variable "hallState" was declared but never referenced uint8_t hallState; ../Core/Src/main.c(386): warning: #177-D: variable "i" was declared but never referenced uint8_t i=0; ../Core/Src/main.c(387): warning: #177-D: variable "hallState" was declared but never referenced uint8_t hallState; ../Core/Src/main.c: 5 warnings, 0 errors linking... Program Size: Code=6668 RO-data=456 RW-data=64 ZI-data=1096 FromELF: creating hex file... "SeparatorDrive\SeparatorDrive.axf" - 0 Error(s), 10 Warning(s).Software Packages used:
Package Vendor: ARM http://www.keil.com/pack/ARM.CMSIS.5.7.0.pack ARM.CMSIS.5.7.0 CMSIS (Cortex Microcontroller Software Interface Standard) * Component: CORE Version: 5.4.0 Package Vendor: Keil http://www.keil.com/pack/Keil.STM32F4xx_DFP.2.15.0.pack Keil.STM32F4xx_DFP.2.15.0 STMicroelectronics STM32F4 Series Device Support, Drivers and ExamplesCollection of Component include folders:
.\RTE\_SeparatorDrive C:\Keil_v5\Packs\ARM\CMSIS\5.7.0\CMSIS\Core\Include C:\Keil_v5\Packs\Keil\STM32F4xx_DFP\2.15.0\Drivers\CMSIS\Device\ST\STM32F4xx\IncludeCollection of Component Files used:
* Component: ARM::CMSIS:CORE:5.4.0 Include file: CMSIS\Core\Include\tz_context.h Build Time Elapsed: 00:00:01


Publications
2016
Benyuan Liu, Zhilin Zhang. Quantized Compressive Sensing for Low-Power Data Compression and Wireless Telemonitoring. IEEE Sensors Journal, 2016 (in press).
2015
Yangsong Zhang, Benyuan Liu, and Zhilin Zhang. Combining ensemble empirical mode decomposition with spectrum subtraction technique for heart rate monitoring using wrist-type photoplethysmography. Biomedical Signal Processing and Control 21 (2015): 119-125.
2014
Zhilin Zhang, Zhouyue Pi, Benyuan Liu. TROIKA: A general framework for heart rate monitoring using wrist-type photoplethysmographic signals during intensive physical exercise. Biomedical Engineering, IEEE Transactions on 62.2 (2015): 522-531.
2013
Benyuan Liu, Zhilin Zhang, Gary Xu, Hongqi Fan, Qiang Fu, Energy Efficient Telemonitoring of Physiological Signals via Compressed Sensing: A Fast Algorithm and Power Consumption Evaluation. Biomedical Signal Processing and Control (BSPC), 2014 Vol 11, pp 80–88.
Benyuan Liu, Zhilin Zhang, Hongqi Fan, Qiang Fu, Compression via Compressive Sensing: A Low-Power Framework for the Telemonitoring of Multi-Channel Physiological Signals. IEEE International Conference on Bioinformatics and Biomedicine (BIBM), Shanghai, China, Dec. 2013, pp 9-12.
2012
Benyuan Liu, Zhilin Zhang, Hongqi Fan, Fast Marginalized Block Sparse Bayesian Learning Algorithm. Arxiv Preprint, 1211.4909.


I spent 4 years as a Marine Corps Officer. During my time, I had one tour of duty in Afghanistan
I live in San Diego with my wife, Michelle, my daughter, Ellie, and my dog, Bella.
I currently work with a market research firm. I run a team of 6-8 coordinators and have build out basic systems to keep track of their progress on a weekly and monthly basis.


THE VERTICAL RAY OF THE SUN ---------------------------
In present day Hanoi, three sisters reflect on their parents' relationship while trying to define their own in writer/director Tran Anh Hung's ("The Scent of Green Papaya") "The Vertical Ray of the Sun."
Youngest sister Lien (Tran Nu Yen-Khe) greets the day with Hai (Ngo Quanq Hai), the only brother whom she rooms and relentlessly flirts with. Their morning ritual of Tai Chi and Lou Reed precedes crossing the street to eldest sister Suong's (Nguyen Nhu Quynh) cafe, where Lien works, for breakfast. The three sisters lovingly prepare their mother's memorial banquet of traditional delicacies, prepared as much for look as taste, while giggling over the differences between the sexes.
After the family breaks from the banquet, we learn that Suong's young son 'little monkey' is doted upon, but there's a distance developing with her husband Quoc (Chu Ngoc Hung), who's leaving for one of his habitual botanical photography trips. Middle sister Khanh (Tran Manh Cuong) tells her writer husband she's pregnant before he leaves on a trip to Saigon to research Tuan, a mysterious man in his mother-in-law's past. Lien keeps crawling into Hai's bed at night, causing him to fall out of it. The initial serenity we witnessed starts turning into a soap opera before coming to full circle one month later, as the three women prepare their father's memorial banquet.
"The Vertical Ray of the Sun" is a contemplative piece where strong passions exist underneath calm exteriors. Sly humor, self deceit and harsh truths all exist in the cyclic screenplay. Tran Anh Hung and his cinematographer Mark Lee Ping-Bin ("Flowers of Shanghai") linger over and repeat the small gestures of everyday life - a wife washes her husbands hands, a woman makes water dance in a bowl, a man pulls his lover to face him before they part. Small spaces such as rooms, alleys and courtyards create intimacy. The color green, symbolizing life and tranquility, is used heavily in the film's visual styling, lapsing into yellowish hues and blues.
Writer/director Tran Anh Hung's film recalls Ang Lee's "Eat Drink Man Woman," another tale of three sisters of varying modernity coming together traditionally for a parent. But while Lee's more traditionally story-driven film resulted in radical changes for all concerned, "The Vertical Ray of the Sun's" characters strive for peaceful harmony. Watching it is like trailing your fingertips in a stream on a cool spring day.
A-
For more Reeling reviews visit www.reelingreviews.com
<EMAIL_ADDRESS><EMAIL_ADDRESS>========== X-RAMR-ID: 29155 X-Language: en X-RT-ReviewID: 242723 X-RT-TitleID: 1108794 X-RT-SourceID: 386 X-RT-AuthorID: 1487 X-RT-RatingText: A-
The review above was posted to the
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Select the music body and upload an excel with the track details and duration from your exported EDL. Check out an example here.
Let the program work it's magic and isolate the all the necessary track details. If we miss anything, we will let you know.
The cue sheet should automatically download for you.


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BOILING POINT (3-4X JUGATSU)(director/writer:Takeshi Kitano; cinematographer: Katsumi Yanagishima; cast: Koichi Akiyama (Petrol Pump Attendant), Takeshi Kitano (Uehara), Masahiko Ono (Masaki), Yuriko Ishida (Sayaka), Takahito Iguchi (Takashi Iguchi), Johnny Okura (Minamizaka), Hisashi Igawa (Otomo, the gang boss), Takahiko Aoki (Saburo), Makoto Ashikawa (Akira), Jennifer Baer (Woman on beach), Bengal (Muto), 1990-Jap.)
Reviewed by Dennis Schwartz
Takeshi "Beat" Kitano is certainly a unique director, whose absurdist style of filmmaking is readily recognizable, achieving auteur status. He has a fascination with gangsters, violence, and in presenting his quirky black humor in a most compelling way. His films are always visually startling, with a bevy of bizarre shots, and, so far, all his films have gotten away with a mindless but intriguing storyline. In this, his second feature, he doesn't live up to the high standards of his other films shown in America (Violent Cop/Sonatine/Fireworks), but this is only because he has a small part in this film, as Uehara, a mesmerizing psychotic yakuza killer, who is even too crazy and violent for the organized crime gang he once was a part of. He is so fascinating to watch, that it is shame we couldn't see more of his lunacy; instead, the supporting cast, funny as they are with their deadpan humor, nevertheless, they cannot carry the film, and Kitano has chosen to center the film around them. Fortunately, there are plenty of his usual visual treats in this film, that make the film seem special anyhow.
Kitano, also, relishes giving women roles that could be considered demeaning. Though it is sickeningly amusing to see how rough-shod he treats them in so callous and an ungentlemanly manner, that one might be caught ruefully laughing at them getting dumped on and treated as garbage, and supposedly liking it and coming back for more, it still shows that he doesn't really know how to portray women on screen. Who knows! Maybe he knows something I don't know. But there is never any romance in his films that amount to anything, and this film is no exception.
Boiling Point begins and ends on a sandlot baseball field, where only the amateur players attend, except for the coach's girlfriend and later on for the sweet girlfriend, Sayaka (Yuriko Ishida), of the deadpan star of the film, Masaka (Ono). He picks her up in a restaurant because that's what his friend tells him to do. Masaka is a loser, who has no problem being who he is. He is inarticulate, moronic, and the worst one on a losing baseball team, who doesn't even get into the game except as a pinch-hitter, someone who will strike out without swinging at a ball. He is also inept in the gas station where he works, and when he fails to properly service a local yakuza's car, he gets punched out and threatened. But when he punches back, the yakuza claims his arm is broken and he wants compensation. This mindless act escalates on both sides, and, of course, it makes no sense. But it is made a big deal when the local yakuza head, Otomo (Igawa), comes to see the gas station owner and demands revenge.
When the baseball coach (Takahito Iguchi), an ex-yakuza himself, tries to come to the rescue of Masaka and is disrespected by the gang, who pummel him. He is now drawn heavily into the conflict and wants to go to Okinawa to see the vicious ex-yakuza, Uehara, who will get him a gun. Since he is too beaten up to get out of bed, Masaka, bent on getting back at the gangsters, volunteers to go there with one of his baseball friends.
He meets the maniacal Uehara in a disco bar, and in the gangster's presence a series of violent acts take place, which include male rape, the baseball players being constantly intimidated and abused, the mobster's girl getting slapped around for sleeping with someone Uehara ordered her to sleep with, the whimsical tossing out of the car of another mobster's girl, the cutting off of Uehara's associate's finger by him to give to the yakuza organization as repayment for his embezzlement of them, and the killing of the messenger bringing him the guns he requested. This is all casually done, as if this kind of mayhem was as natural as eating rice cakes.
By some strange luck, the two baseball players return alive with their needed gun to seek revenge.
Masaka is unable to go through with killing the local yakuza chief with the gun he brought back, but a gas truck barrels into their headquarters killing all of the gangsters that are present.
If there is any point to this story, and I am not sure there is, but the message here might be, that friends are needed to help you out, no one is immune from the insanity that is in the air, because according to Kitano, insanity is catching. And, if taking a stand alone against many, you are in deep trouble. Even in a structured country like Japan, enamored by a structured game like baseball, it must point to the belief that the madness of the world cannot be kept out for those who think by them playing by the rules they can make the world orderly.
Somehow this visual feast of a film was strangely appealing and original in all aspects of filmmaking. So let me say bravo to the one time stand-up comedian who doesn't know how to make a safe film, and tip my Eagle baseball hat to him, not only for hitting a home run, but showing that one can hit a home run but not score the needed winning run by running past the man who was on base. This is Buster Keaton burlesque with Martin Scorsese and Dirty Harry flavor thrown in for bad luck... A cult film delight as a cruel form of entertainment, that is not for all tastes, naturally.
Incidently, the American title to the film, Boiling Point, is misleading: in Japanese the title refers in slang to a baseball score.
REVIEWED ON 11/5/99 GRADE: C+
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Pirate (ARRR) is a cryptocurrency that solves the issue of financial privacy on the blockchain through forced anonymous transactions. Protect your wallet and transactions with Pirate’s completely anonymous network. With forced private transactions, your privacy cannot be compromised by another users’ activity on the network. If you wish to learn more, please join the official Pirate Discord at https://pirate.black/discord/ or message FishyGuts#5085, who will be happy to help out.
Please dont make my abomination an actual emoji, i did it while on the shitter
let someone more creative draw one up
jl777c26-Sep-18 09:22 AM
@Hollowman9000 plz give these guys some art lessons
2
1
0x0326-Sep-18 09:22 AM
pft. there can only be one artist.
clear highlander situation.
@SHossain i'm bad at legal stuff, i assumed 'royalty free' with a big fat green 'download here' button and html sources to 'embed into your blog' would be OK(edited)
@SHossain you choose, i just feel this discord needs a parrot icon.
Deleted User26-Sep-18 09:26 AM
i like the cutesie one at the top
0x0326-Sep-18 09:27 AM
pARRot
obvious bad word joke(edited)
Deleted User26-Sep-18 09:27 AM
I remember back in the days my mates untwisted pool cues into 2 pieces as makeshift weapons, and we were walking down the city lane and got stopped by cops
told em it was walk like a pirate day
let us off
0x0326-Sep-18 09:28 AM
saved by meme?
Deleted User26-Sep-18 09:28 AM
suprisingly
SHossain26-Sep-18 09:32 AM
actionslacks26-Sep-18 09:33 AM
100 Supernet is on the block for pirate
0x0326-Sep-18 09:33 AM
appearantly parrots are romanian.
SHossain26-Sep-18 09:33 AM
how about this parrot @0x03 ? going through the site you posted
actionslacks26-Sep-18 09:33 AM
dm me
0x0326-Sep-18 09:33 AM
actually from the choices of parrots so far, the last one you just posted i like best.
the saber does it
sabre?
that thing
Insufficient funds<PHONE_NUMBER>8) to process payments<PHONE_NUMBER>8); possibly waiting for txs. rly!?
SHossain26-Sep-18 09:38 AM
anyone else likes the last pirate parrot? i kind of like this. it has pirate vibe(edited)
actionslacks26-Sep-18 09:40 AM
best offer so far for 100 sn is 10,000 pirate(edited)
Yassin26-Sep-18 09:40 AM
we need this logo!!
SHossain26-Sep-18 09:43 AM
@actionslacks are you buying PIRATE at this price with SUPERNET?
actionslacksToday at 10:40
best offer so far for 100 sn is 10,000 pirate
(edited)
actionslacks26-Sep-18 09:44 AM
not yet
you got a better offer make it
I'm syncing the new wallet rn
SHossain26-Sep-18 09:45 AM
i can give you 10001 PIRATE for 100 SUPERNET
4
actionslacks26-Sep-18 09:45 AM
oooh a capitalist
You're in the lead
jorian26-Sep-18 09:46 AM
i offer 15,000 PIRATE
actionslacks26-Sep-18 09:46 AM
6% synced
0x0326-Sep-18 09:46 AM
i assume, z_mergetoaddress would take about as long as a z_shieldcoinbase operation?
SHossain26-Sep-18 09:46 AM
15001
jorian26-Sep-18 09:46 AM
15555
SHossain26-Sep-18 09:47 AM
15577.77
jorian26-Sep-18 09:47 AM
16789
actionslacks26-Sep-18 09:47 AM
I think we're past 1$ per sn now
klunex26-Sep-18 09:48 AM
hey guys. Just opened agama 42c and activated pirate. There is a symbol "mining enabled". Is there a miner integrated?
SHossain26-Sep-18 09:48 AM
17777
0x0326-Sep-18 09:48 AM
ya, for everybody who copied my pool sources when i 'released' them last night: you may want to add a z_mergetoaddress operation
or...cronjob
SHossain26-Sep-18 09:49 AM
@klunex there are miners, but, not advisable to mine solo with CPU. currently it uses 0 CPU by default
actionslacks26-Sep-18 09:50 AM
just dm me with serious offers
klunex26-Sep-18 09:50 AM
@SHossain ok
Mylo26-Sep-18 09:52 AM
hey i pinned a message earlier about tor configs, did someone unpin it?
SHossain26-Sep-18 09:56 AM
in this channel? noting was unpinned
NutellaLicka26-Sep-18 09:56 AM
check #deleted-channel@Mylo
actionslacks26-Sep-18 09:57 AM
do we have a #tradeoffers channel? or should I just shill my supernet here?
SHossain26-Sep-18 09:57 AM
#deleted-channel has cipi's post pinned
0x0326-Sep-18 09:58 AM
i wonder how bad a pool wallet will perform 'on tor'(edited)
jl777c26-Sep-18 10:18 AM
I am making a PIRATE bid of 0.02 and ask of 0.05 for large amounts. I am sure others will have better prices on both sides, but I can do very large transactions
All PIRATES, please shield your coinbases. almost 20% is unshielded! a true PIRATE never leaves his coins out in the open!!
the less in taddr, the more value for all PIRATE as the anon set is bigger


Equivalent to clicking the Move command on the Control menu for the application window. Moves the Microsoft Excel window. In Microsoft Excel for Windows, if the application window is already maximized APP.MOVE returns the #VALUE! error value and interrupts the macro.
Syntax
APP.MOVE(x_num, y_num)
APP.MOVE?(x_num, y_num)
Note This function is only for Microsoft Excel for Windows. You can use this function in macros created with Microsoft Excel for the Macintosh, but it will return the #N/A error value.
X_num specifies the horizontal position of the Microsoft Excel window measured in points from the left edge of your screen to the left side of the Microsoft Excel window.
Y_num specifies the vertical position of the Microsoft Excel window measured in points from the top edge of your screen to the top of the Microsoft Excel window.
Remarks
APP.MOVE?, the dialog-box form of the function, doesn't display a dialog box. Instead, it is equivalent to pressing ALT + SPACEBAR, M or to dragging the title bar with the mouse. With APP.MOVE?, you can move the window with the keyboard or mouse.
If you specify x_num and/or y_num in the dialog-box form of the function, the window is moved according to the specified coordinates, and you are left in move mode.
Related Functions
APP.ACTIVATE Switches to an application
APP.MAXIMIZE Maximizes the Microsoft Excel application window
APP.MINIMIZE Minimizes the Microsoft Excel application window
APP.RESTORE Restores the Microsoft Excel application window
APP.SIZE Changes the size of the Microsoft Excel application window
Return to index


"DEDANIM "the descendants of Dedan, the son of Raamah. They are mentioned in Isaiah 21:13 as sending out “travelling companies” which lodged “in the forest of Arabia.” They are enumerated also by Ezekiel(27:20) among the merchants who supplied Tyre with precious things.
"DEDANIM "the descendants of Dedan, the son of Raamah. They are mentioned in Isaiah 21:13 as sending out “travelling companies” which lodged “in the forest of Arabia.” They are enumerated also by Ezekiel(27:20) among the merchants who supplied Tyre with precious things.


This is a paragraph of text.
Paragraphs can contain bold and italic text as well.
I can include code
in my paragraphs!
public class Hello {
public static void main(String[] args) {
System.out.println("Hello, World!");
}
}
I'm a computer science student at Purdue!


Mario Kart Tour's Multiplayer Beta Test Starts This December, But You'll Need A Gold Pass To Race
More details to be revealed soon
by Liam DoolanWhen Nintendo launched Mario Kart Tour on mobile devices back in September, users quickly noticed the game featured a special Gold Pass subscription – allowing racers to get more in-game rewards.
If you didn't think there was enough incentive to sign up previously, Nintendo is now attempting to increase its value by making the upcoming multiplayer beta test – planned for December – exclusive to Gold Pass users. Below is the official confirmation:
Nintendo says it will reveal more details about the test soon. Thankfully, it is just a beta test. When multiplayer does officially launch in the Android and iOS game it will presumably be accessible to every player.
What do you think about Nintendo limiting the multiplayer beta to Gold Pass subscribers? Leave a comment below.
[via twitter.com]


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Zachary Ellison
Bio | LinkedIn | Github | Schedule |<EMAIL_ADDRESS>I am a father, a fixer, a tinkerer. I create things that bring me joy. I try to be of help to others.
I like to work with Python, explore data, and tell stories.
I have experience automating, analyzing, and optimizing.
| Software Engineer | September 2022 – Present |
| Notable Health | Remote, San Francisco, CA |
Led efforts on coding best practices for internal tools and code library use
Onboarded and Managed team of 5 contractors
Mentored peers regarding solutions and code patterns
Integrated web payor portals and external tooling to ingest and export HIPAA data
Tech: Google Cloud Platform, Typescript, Selenium, Python, Jenkins, Concourse, SQL, Docker, Jest
| Software Engineer | January 2022 – August 2022 |
| Zagaran Inc | Boston, MA |
Optimized Database ingestion and queries, improving algorithm performance by 300%
Executed code base restructure with React and Django as sole architect
Tech: Django, Python3, Numpy, Postgres, Pandas, Angular, React, VueJS, Node.JS, AWS
| Software Engineer in Test | March 2021 – January 2022 |
| EzeSoft, SS&C | Remote, Boston, MA |
Spearheaded K8s performance testing framework, presenting to peers and reports
Integrated data architecture framework as source of truth for TDD
Led development on integration, unit tests
Gathered business requirements to detail task development, acceptance criteria
Tech: C#, Node.JS, Jest, Jenkins, Jira, K8s, C++, Tableau, AWS
| Data Scientist | September 2018 – September 2019 |
| Activision | Boulder, CO |
Presented 2 times on user engagement, sentiment to VPs of Treyarch
Performed sentiment analysis of 600k users on live data
Integrated data lake, ETL pipeline to ingest 18+ million posts with AWS, python, and kafka
Developed internal web tool for user data management using React, Python, Flask
Implemented multithreaded workers with python Celery, Redis
Tech: Python, Kafka, React, Celery, Redis, Spark, Kubernetes, Docker, AWS, MongoDB, SQL, Snowflake
| Harvard University | 2021 |
| Bachelor of Arts in Computer Science | Cambridge, MA |
| Portfolio | Git, Github Pages, Ruby, Jekyll | ZacharyEllison.com | Fall 2019 |
| Matrices | Python, Linear Algebra | Spring 2018 |
| Simple Cloud Storage | Python, Flask, MongoDB, Heroku, Oracle | Winter 2017 |
Languages: Python, C/C++, Java, SQL, JavaScript, Typescript, HTML/CSS, Lua, OCamL, LaTeX, Bash
Databases: Postgres, MSSQL, MySQL, Redshift, MongoDB, Elasticsearch
Frameworks: React, Node.js, Flask, JUnit, Django, Jest, Material-UI, FastAPI, Selenium
Developer Tools: Git, Docker, TravisCI, CircleCI, Google Cloud Platform, Kubernetes, AWS, S3, IAM, Azure
Libraries: pandas, NumPy, Matplotlib, D3.js, SciPy, boto3, moment.js
Interests: Reading short stories, going on long runs, baking sourdough


New Balance and Unmade team up to create customisable shoes
BOSTON, Nov 1 — American sneaker brand New Balance has partnered with English e-retailer Unmade to make it easier for sneaker heads to customise one of the Boston brand's iconic models, the Unmade x New Balance 111 Knit.
New Balance is looking to make use of Unmade's innovative proprietary technology to up its customisation game. Customers will be able to take a mesh upper version of the 111, choose from six colours, three patterns and various signatures, and see their creation come to life on the “NB1” platform, redesigned by Unmade for the occasion.
You can also make changes to the sole, heel and the “N” logo, as well as the laces, among others, with Unmade's digital technology providing photo-quality renderings ahead of the unit's production.
Unmade CEO Hal Watts said, “The fashion supply chain is broken, disconnected and needs to change — we know it and our global customers know it too. Connecting demand directly to supply and taking the guesswork out of fashion production is the only way to evolve, and we love working with brands who grasp the importance and urgency of these changes.”
New Balance General Manager of footwear Katherine Petrecca added, “Without Unmade's technology it would have been technically impossible to launch.”
A customised pair of Unmade x New Balance 111 Knit will be available on New Balance's site for US$129.99 (RM543.10).
Get your Unmade x New Balance 111 Knit at Newbalance.com. — AFP-Relaxnews


The table below summarizes the current assignments for LDM feed types and feed sets, used in LDM configuration files and in arguments to LDM programs. (A feed set is a union or difference of feed types.)
| Primary Name | Alternate Names* | Description |
|---|---|---|
| PPS | FT0 | Public Products Service (Old timey service. Use IDS|DDPLUS instead.) |
| DDS (Old timey service. Use IDS|DDPLUS instead.) | FT1, DOMESTIC | Domestic Data Service |
| HDS | FT2, HRS | High resolution Data Service |
| IDS (Old timey service. Use IDS|DDPLUS instead.) | FT3, INTNL | International Data Service |
| SPARE | FT4 | Reserved for IDD use |
| UNIWISC | FT5, MCIDAS | Satellite imagery and derived products created by Unidata in McIDAS AREA format |
| PCWS | FT6, ACARS | ACARS data from commercial aircraft |
| FSL2 | FT7, PROFILER | Wind profiler data |
| FSL3 | FT8 | Reserved for NOAA/GSL use |
| FSL4 | FT9 | Reserved for NOAA/GSL use |
| FSL5 | FT10 | Reserved for NOAA/GSL use |
| GPSSRC | FT11, NMC1, AFOS | SuomiNet GPS data gathering |
| CONDUIT | FT12, NMC2, NCEPH | NCEP high-resolution model output |
| FNEXRAD | FT13, NMC3 | NEXRAD Level-III composites and MRMS data |
| LIGHTNING | FT14,NLDN | Lightning data |
| WSI | FT15 | NEXRAD Level-III (NIDS) radar products (Private network: not in the IDD) |
| SATELLITE | FT16 | GOES East & West Satellite imagery in GRB format |
| FAA604 | FT17, FAA, 604 | FAA604 products for NWS use (private network), but available for IDD use |
| GPS | FT18 | SuomiNet GPS data |
| FNMOC | FT19, SEISMIC, NOGAPS | NOGAPS and COAMP model output from Fleet Numerical |
| GEM | FT20, CMC | Canadian Meteorological Center GEM model output |
| NIMAGE | FT21, IMAGE | NOAAport satellite imagery and level 2 products |
| NTEXT | FT22, TEXT | NOAAport textual products (for future use) |
| NGRID | FT23, GRID | NOAAport high-resolution model output |
| NPOINT | FT24, POINT, NBUFR, BUFR | NOAAport point products (for future use) |
| NGRAPH | FT25, GRAPH | NOAAport Redbook Graphics (for future use) |
| NOTHER | FT26, OTHER | NOAAport miscellaneous products |
| NEXRAD3 | FT27, NNEXRAD, NEXRAD | NEXRAD Level-III products |
| NEXRAD2 | FT28, CRAFT, NEXRD2 | NEXRAD Level-II radar data |
| NXRDSRC | FT29 | Used by NCEI for NEXRAD Level-II data archiving |
| EXP | FT30 | For experiments, testing, etc. |
| ANY | FT0 | FT1 | FT2 | ... | FT31 | Predefined feed set name for any feed type |
| NONE | - | Predefined feed set name for no feed types (will not match anything) |
| DDPLUS | FT0 | FT1 | Predefined feed set name for PPS or DDS |
| WMO | FT0 | FT1 | FT2 | FT3 | Predefined feed set name for PPS, DDS, HDS, or IDS |
| UNIDATA | FT0 | FT1 | FT2 | FT3 | FT5 | Predefined feed set name for PPS, DDS, HDS, IDS, or UNIWISC |
| FSL | FT6 | FT7 | FT8 | FT9 | FT10 | Predefined feed set name for PCWS, FSL2, FSL3, FSL4, or FSL5 |
| NMC | FT11 | FT12 | FT13 | Predefined feed set name for AFOS, NMC2, or NMC3 |
| NPORT | FT22 | FT23 | FT24 | FT25 | FT26 | Predefined feed set name for NTEXT, NGRID, NPOINT, NGRAPH, or NOTHER |
| IDS|DDPLUS | FT0 | FT1 | FT3 | Feed set expression for everything in the IDS and DDPLUS feeds |
NOTE: The alternate names for each feed type are simply aliases and can be used interchangably. However, aliases are introduced in LDM versions over time and therefore not all aliases are known by all LDM versions.


I am Kamlesh GC. I am from Nepal. I am currently studying Web Business Technology in The Kyoto College of Graduate Studies for Informatics(KCGI).
KCGI is Located in Kyoto,Japan.
I have Completed my Degree in Science and Technology from Tribhuwan University.Now, I lives in Kyoto,Japan.I have done my High School from GoldenGate International College in Science stream with physics as major subject. I have Completed my Degree in Science and Technology in Physics from Tribhuwan University.During my college studies I had keen interest in Mathematics.I had studied Statistics,Mathematical physics,Classsical physics,Quantum physics,Electronics,Computer Science Space science etc during my student life.
| MY PROFILE |
|
| Full name: | KAMLESH GC |
| Sex: | Male |
| Age: | 28 Years |
| Date of Birth: | 02th APRIL |
| Religion: | HINDU |
| Nationality: | NEPAL |
| MY COURSES IN KCGI |
|
| |
| EDUCATIONAL QUALIFICATION |
|
| School level: | NEA Academy,Kathmandu,Nepal |
| High School: | GoldenGate International College,Kathmandu,Nepal |
| Degree Level: | Tribhuwan University,Kathmandu,Nepal |
| WORK EXPERIENCE |
|
|
|
| HOBBY |
|
|
These are my hobbies: |
|
| LANGUAGE SKILL |
|
|
nepali: English: Hindi: Japanese: | |
| MY FAVOURITE VIDEO AND MUSIC |
|
| CONTACT DETAILS |
|
| Address: | Shugakuin,Yamabana
Sakyo ward,Kyoto city Kyoto,Japan |
| Phone Number: | +819083792194 |
| Email Address: |<EMAIL_ADDRESS>| Facebook: | faceboook account |
| Github: | github account |
| MY COLLEGE ADDRESS |
|
|
The Kyoto College of Graduate Studies for Informatics | |
| LOCATION |
|
|
Google Map of My Location: |


PdfVectorOutput()
Syntax
Result = PdfVectorOutput(Filename$, Width.d, Height.d [, Unit])Description
Creates a PDF file and returns the OutputID to perform vector drawing operations. The actual drawing operations must be enclosed in a StartVectorDrawing() / StopVectorDrawing() block. The PDF file can have multiple pages using the NewVectorPage() command.
Note: This function is only available on Linux and Mac OSX.
Parameters
FileName$ Specifies the filename of the PDF to create. If the file exists, it will be overwritten. Width.d, Height.d Specifies the dimensions of a page in the PDF in units of the vector drawing output. Unit (optional) Specifies the units for the vector drawing output. The default unit for PDF files is #PB_Unit_Point. #PB_Unit_Pixel : Values are measured in pixels (or dots in case of a printer) #PB_Unit_Point : Values are measured in points (1/72 inch) #PB_Unit_Inch : Values are measured in inches #PB_Unit_Millimeter: Values are measured in millimeters
Return value
The OutputID of the given file to perform 2D rendering operation on it using StartVectorDrawing().
Example
LoadFont(0, "Times New Roman", 20) If StartVectorDrawing(PdfVectorOutput("test.pdf", 595, 842)) VectorFont(FontID(0), 25) MovePathCursor(20, 20) DrawVectorText("This is page 1...") NewVectorPage() MovePathCursor(20, 20) DrawVectorText("This is page 2...") StopVectorDrawing() EndIf
See Also
SvgVectorOutput(), ImageVectorOutput(), PrinterVectorOutput(), WindowVectorOutput(), CanvasVectorOutput()
Supported OS
Linux, MacOS X


A sliver of mountain and beach jutting in to the Aegean offers an oasis of unspoilt tranquillity amid the lively resorts of south-west Turkey
The spindly, 50-mile-long Datça peninsula in Turkey’s Muğla province is a dagger of pure green at the meeting point of the Aegean and the Mediterranean, and is as unsullied as south-west Turkey gets. The ancient Greeks believed Datça to have been created personally by Zeus, so gorgeous are its rocky outcrops and aquamarine waters. The geographer Strabo apparently said: “God sent his beloved creatures to Datça for them to live longer.”
The peninsula has coves, bays, and beaches in abundance. Sandy or shingly, they all share the same, alluring, crystalline turquoise waters. Often the water remains shallow for some distance offshore, making it safe for young children. In the quiet village of Orhaniye, there’s an elongated sandbank you can walk on, out into the bay. East of Knidos, the charming fishing village of Palamut Bükü is known for its fish restaurants and its 2km-long beach.
Once the peninsula’s main village, Eski Datça (Old Datça), lapsed into obscurity in the late 20th century. Now it has been partially restored by second homers from Istanbul, Ankara and further afield. It’s a beautiful patchwork of stone-paved lanes, kitchen gardens, pot plants, bougainvillea-drenched walls, and little cafes and shops. Drop into the old stone house of the late poet Can Yücel.
“God sent his beloved creatures to Datça for them to live longer.”


Upcoming Events Code of Conduct
Node.js:
Node.js offers the ability to architect web applications and services in exciting new ways. Using JavaScript!
NodeSchool Denton is a chapter of the international NodeSchool.io, creating a container for learning Node.js - used in web programming, robotics, and enabling new kinds of networked applications.
NodeSchool's self-paced workshops break down learning into delicious bite-sized chunks. Bring a laptop, and if you can, install Node.js.
We get together about once a month, share some Node.js news, do Node.js workshops, and work on projects. We're pretty informal, come join us if you like :-)
-- Node up!


46.8% of workers aged 15 years and above were engaged in work in FY18: Govt
This was a reply to a question by Trinamool Congress MP Mala Roy in the Lok Sabha on employment
by BS ReporterMinister of State for Labour and Employment Santosh Gangwar said on Monday the Periodic Labour Force Survey (PLFS), conducted by the National Sample Survey Office (NSSO), during 2017-18, showed that the percentage of workers of 15 years and above engaged in work was 46.8 per cent. While it did not cite any PLFS survey data for the previous two financial years, it stated that the survey for 2015-16 put the figure at 50.5 per cent and for 2013-14 at 53.7 per cent. This was a reply to a question by TMC MP Mala Roy in the Lok Sabha.
.
This was a reply to a question by Trinamool Congress MP Mala Roy in the Lok Sabha on employment in informal sector in last three financial years and the effect of demonetisation on jobs in the informal sector.
.


Preparation time
30 mins to 1 hour
Cooking time
less than 10 mins
Serves
Serves 2
Melt one tablespoon of the butter in a small saucepan and sweat the pepper, spring onion and celery until soft, about five minutes. Allow to cool and then place in a bowl.
Process the fresh fish in a food processor to make a rough purée. Add the crabmeat, egg, herbs, mustard and 100g/3½oz of the breadcrumbs. Taste for seasoning and add salt and pepper if necessary.

Melt one tablespoon of the butter in a large frying pan with the vegetable oil. Saute the crabcakes over a moderate heat until nicely golden and heated right through. This will take about 3-4 minutes on each side (depending on thickness)
Drain on kitchen paper and serve with a garlic mayonnaise.
To make the mayonnaise, combine the egg yolks, garlic, one tablespoon of the lemon juice, the lemon zest and the salt in a food processor.
Blend for a few seconds and then slowly add the oils in a steady stream until emulsified.
Taste and adjust the amount of lemon juice and salt if necessary. Serve with the crabcakes and some green salad leaves.


Generate a flame graph by dragging a JSON V8 log on this page:
node --prof app.js # profile your app (Node v8.5+ required)
node --prof-process --preprocess -j isolate*.log > v8.json # generate a V8 log
# then drag and drop the resulting file here


Hi ,
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About Tai Chi Studio Two
We are a diverse community that loves all things Tai Chi. We are one of the longest-running studios in Denver and offer a wide variety of classes for all levels and types of practitioners. Award winning, family-owned and operated, Tai Chi Studio Two offers a place to take your practice to the next level. Our teachers are steeped in tradition and experience. We don’t offer anything new; we are simply the continuation of teachers and lineages of yoga that have come before us.


The leading open source software for time series analysis
Powerful, scalable IT management tools so you can rule your environment..
Customization
You can customize threshold for system metrics. .
Easy Monitoring
Save time, money, and resources by automating and simplifying help desk and IT support tasks.
Free support
Our team provides free support for any issues yo face


Make forms as simple as possible and only ask what is absolutely needed to complete the task.
General
Content
Do not ask for two or more pieces of personally identifiable information (PII).
The form must be on a secure page (https) sent to a secure location (e.g. a password protected server on an internal network).
If the data being requested is critical, contains a lot of PII, or is duplicative of data already available in a database, utilize existing resources or databaess (requires log in) to avoid manually entering the data or offer to auto-fill fields that may be already stored in their browser.
Ask only for critical data to keep the forms as brief as possible. Some data may not be needed in the initial form submission (it can be collected at a later stage of an interaction).
Ensure the form speaks with one voice, despite questions from several different people or departments.
If a field is optional, it may not need to be a part of the form. Consider removing any non-required fields.
Design
Do not provide a “Clear” or “Reset” button for data submission forms. A “clear” button should only be used for a form that, after posting without errors, retains data in the fields and is visually different from the “Send” button.
Red text is used only for warnings and error messages.
Upon successful form submission, provide a success message and path out of form or to the next step. Avoid success message page dead ends.
Form validation requires both HTML and server (or javascript) detection processes. Utilize HTML regex patterns and required attributes and provide sufficient error messaging for a person to easily update.
Use 50% to 75% of the height of a single input field between adjacent inputs. (Web Form Design, Wroblewski)
Design the form to reduce ambiguity while not adding cognitive burden to the person filling it out. For instance, a date is 3 text fields with appropriate attributes to reduce input errors. This removes the requirement for a person to use a specific punctuation pattern.
To prevent spam and other automated attacks, use hidden validation techniques such as Honeypot that do not disrupt the user experience. Avoid CAPTCHA methods.
Present fields in a single-column layout. This keeps visual momentum moving down the page so users don’t have to reorient themselves with multiple columns. (Exceptions to this rule are short, logical fields that may be presented on the same row like City, State, and Zip code.)
Ensure form fields are visibly labeled.
Make sure form fields have clearly defined boundaries or outlines so that people with cognitive disabilities know the size and location of the click target.
Do not use placeholder text in form fields. Placeholder text causes usability issues because it disappears when content is entered into the form field. Hints and instructions should be persistent and placed outside of the field.
Provide highly visible and specific error states. Use multiple cues like color, icons, bold font weight, heavy border or outline, and helpful text to make sure users don’t overlook this critical information.
Forms that employ inclusive design have a higher completion rate. To make it easy to navigate through the form, at minimum:
create a clear path through the form with generous whitespace between questions,
avoid multi-column forms and misaligned appearance, and
make it keyboard navigable.
Language
Use active neutral language
Avoid triggering or judgmental verbiage
Keep it short. Use bullet points. Remove excess words.
Give the form a clear concise title. Identify whom the form is for and its purpose at the start.
Avoid unnecessary or repeated questions.
Don’t force people to answer or choose an option that doesn’t fit them.
If you cannot explain to the person why data is asked for, don’t ask for it.
Conduct a question protocol to verify every piece of information asked of a person is intentional and appropriate by considering:
Who within the organization uses the answer
What they use them for
Whether an answer is required or optional
If an answer is required, what happens if a user enters any old thing just to get through the form
Labels
Every input requires an attached label. Four methods are available.
Preferred methods
These two methods are preferred because they provide the most visibility and clarity for the least amount of code.
 + <input>
The most traditional approach to pairing a label with an input is to give the input element a unique id that the label can refer to with the for attribute.
Embedding the input element within the label element, the input is implicitly connected to the label, eliminating the need for an id on the input as well as the for attribute on the label.
These are less than ideal because they hide the text for people with sight who would also benefit from the clarification, or they rely on assistive technology to properly announce the text in a meaningful order while adding code complexity.
Screen reader only hidden label
Using aria-label is specifically for assistive technology to detect. Using this method is only suggested if the input has clear intent by its context, and even then one assumes people without visual impairment are able to interpret intent correctly.
Use sentence casing and keep labels to 1 or 2 words
Use consistent labels. Check the glossary for standard terms. Standard fields:
Name
Date of birth
Street address
City
State
Zip code
Email
Primary phone
Secondary phone
Placeholder hints
Never use the placeholder attribute. Placeholder contrast is inefficient, its placement may confuse users, and it disappears, forcing a person to recall.
If additional instruction is needed for an input field, use the following methods.
Input group instructions
Use a fieldset to group related input elements together, and use the aria-describedby attribute to indicate the element with instructions.
<fieldsetaria-describedby="date-hint"role="group"><legend>
When was your ID issued?
</legend><pid="date-hint">Example, 01 08 2007
<divclass="row">
Day <inputid="date-day"name="day"type="number"pattern="[0-9]*">
Month <inputid="date-month"name="month"type="number"pattern="[0-9]*">
Year <inputid="date-year"name="year"type="number"pattern="[0-9]*">
</fieldset>
Instructions for single field
Use official umn.edu address
<labelfor="email">Email address<pid="email-hint"class="alert alert-inline"><svgclass="glyph"aria-hidden="true"focusable="false"viewBox="0 0 16 16"><gfill="currentColor"><pathd="M8,16a8,8,0,1,1,8-8A8,8,0,0,1,8,16ZM8,2a6,6,0,1,0,6,6A6,6,0,0,0,8,2Z"/><pathd="M8,12a1,1,0,0,1-1-1V8A1,1,0,0,1,9,8v3A1,1,0,0,1,8,12Z"/><circle>cx="8"cy="5"r="1"/></g></svg>
Use official umn.edu address
<EMAIL_ADDRESS>Related inputs
Group similar questions together with a useful heading using <fieldset> and <legend>.
<fieldset><legend>Current status</legend><inputtype="checkbox"name="option1">Employed?ID number <input type="text"name="entry1"></fieldset>
Required vs. optional
Clearly mark mandatory fields.
If all fields are required, state “All fields are required” at the beginning of the form.
If logical, place all optional fields at the end of the form and label them “(optional)”. More importantly, if the field is optional, consider whether it is necessary to have it on the form.
Required fields must have required attribute as well as aria-required="true". Some assistive technology does not correctly identify native required so the ARIA form is also necessary.
To identify required fields, use one of the following patterns:
Pattern 1
Add the text “required” inside the label.

* All fields marked with an asterisk are <spanid="req-hint">required.
<labelaria-describedby="req-hint">Name <inputtype="text"requiredaria-described="true"/>
Pattern 2
Insert content with CSS based on the required attribute.
* All fields marked with an asterisk are required.

* All fields marked with an asterisk are <spanid="req-hint">required.
<labelaria-describedby="req-hint">Name <inputtype="text"requiredaria-required="true"/>
Input types
Use <select> for pre-determined lists over 5 items. Use multiple attribute when the list replaces checkbox items.
Choose the best input type, avoid using “text” as a default if better options exist. Available input types in HTML5:
button
Adds button-like functionality to a form.
checkbox
Allows for multiple value selection. A person may select zero to all of the options (group inputs together by using
the same name attribute, e.g. <input type="checkbox" name="set" /> <input type="checkbox" name="set" />).
color
Use with caution. As of December 2021, global browser support is 96% (75% full support and additional 21% partial support): IE11 and Opera Mini have no support, as well as fairly older versions of all major browsers.
An advanced <select> dropdown with color swatches and can open the OS or other internal color picker.
date
Use with caution. As of December 2021, global browser support is 96%. However, 21% is partial support primarily for no support of week or month in Firefox and Safari, and additionally no min, max, or step support in mobile Safari. No support for IE 11 and Opera Mini.
Provides a browser’s internal calendar tool without the need of javascript. Support and consistency is uneven so not recommended. Additional attributes may improve the experience by adding min and max dates in ISO format.
datetime and datetime-local
Use with caution. See date support statement.
Combines the built in calendar widget with the time spinner set to UTC time zone. datetime-local adds time zone variation. Not recommended due to accessibility and functionality issues.
email
If email is required (<input type="email" required />), the browser itself may check for valid email formats. Multiple email addresses may be entered. On some mobile devices, a specialized virtual keyboard is available for email addresses.
file
Use with caution. As of December 2021, the main site has 96% support, lack of support mostly exists in mobile browsers. If file upload is critical to the form and is expected on mobile devices, use other methods.
Provides a “Browse...” button to search the local device for a file to upload and includes a status statement such as “No file selected.”.
hidden
To pass necessary parameters the person does not need to see or input. Typical usage is to pass additional search parameters to a search engine.
month
Do not use. See date support statement.
Opens the built in browser calendar widget but only allows selection of month and year.
number
Number inputs can be powerful when combining other attributes such as min, max, step, and an initial value. For some browsers, the input field will be accompanied by a number spinner (up and down arrows). Site styles override the spinner feature for most browsers.
password
The characters in the input field are masked (shown as asterisks or circles).
radio
Allows a user to select only one in a set of radio buttons (radio inputs are grouped together by using the same name attribute, e.g. <input type="radio" name="set" /> <input type="radio" name="set" />). Requires more than one radio option.
range
When the number does not need to be exact, range can be used to provide a “slider” interface with min and max values.
search
Styled similarly to the text type. May be used to target search input fields for styling or behavior modifications. Has benefits such as changing the mobile keyboard “Go” to “Search”, some browsers allow Esc to clear text, and some offer an “x” to clear the field. More about “styled search component”.
submit
Associate input and submit buttons with a form.
tel
For telephone numbers. Primarily useful on mobile devices that may open a numeric virtual keyboard.
text
Text inputs are the most common type offering a one line input field. For browsers that do not support the newer input types, they will default unsupported types to text types.
time
Do not use. See date support statement.
Defaults to an input field with a spinner in the 24-hour clock.
url
If URL is required (<input type="url" required />), the browser itself will check for valid URL formats. On some mobile devices, a specialized virtual keyboard is available for email addresses.
week
Do not use. See date support statement.
Opens the built in browser calendar widget with an additional week selection column. The result is the year along with the week number (e.g. 2015-W23).
Be mindful of what types are supported. Also be mindful of what data should be accepted in fields. For instance, make no assumptions about a person’s name — whether they have a first, last, middle, non-hyphenated, ASCII-only name. Read Kalzumeus’ article “Falsehoods programmers believe about names” about some assumptions we make about names.
Auto-complete and auto-suggest HTML features
Use autocomplete smartly. Include on every input, even with a basic "on" or "off" value.
Autocomplete is helpful if someone has saved their data to their browser for future use, which may quickly speed up the form process by pre-populating the fields with the browser-saved content. This helps most people but especially those using assistive technology, with motor limitations, with attention concerns, and with cognitive limitations.
To enable this feature more consistently across browsers, identify the input content type with semantic markup, autocomplete.
Autocomplete may have multiple values, similar to the class attribute. List of available autocomplete values:
name
honorific-prefix
given-name
additional-name
family-name
honorific-suffix
nickname
username
new-password
current-password
organization-title
organization
street-address
address-line1
address-line2
address-line3
address-level4
address-level3
address-level2
address-level1
country
country-name
postal-code
cc-name
cc-given-name
cc-additional-name
cc-family-name
cc-number
cc-exp
cc-exp-month
cc-exp-year
cc-csc
cc-type
transaction-currency
transaction-amount
language
bday
bday-day
bday-month
bday-year
sex
url
photo
Dates
Do not use select or other dropdown tools. Entering the dates with a keyboard is far quicker than navigating dropdown lists. If a datepicker is desired, do not make it the only method to provide the data; have it as a supplemental input method second to the input field.
Multi-page forms
For pages with “previous” and “next”, use hyperlinks where possible with appropriate hyperlink markup.
<olrole="progressbar"aria-valuenow="1"aria-valuemin="0"aria-valuetext="Step 1 of 3"aria-valuemax="3"><liaria-current="step">Step one

Step two

Step three

<olrole="progressbar"aria-valuenow="2"aria-valuemin="0"aria-valuetext="Step 2 of 3"aria-valuemax="3">
Step one
<liaria-current="step">Step two

Step three

<olrole="progressbar"aria-valuenow="3"aria-valuemin="0"aria-valuetext="Step 3 of 3"aria-valuemax="3">
Step one

Step two
<liaria-current="step">Step three

Form elements
Checkboxes and radio buttons
Use <fieldset> to surround the entire grouping of checkboxes or radio buttons. Use <legend> to provide a description (for example, the question) for the grouping.
Some assistive technology reads the legend text for each fieldset, so it should be brief and descriptive. This helps someone using assistive technology to understand the question they are answering with the group of checkboxes.
<fieldset><legend>What services do you use?</legend><inputtype="checkbox"name="services"id="cb1"/><labelfor="cb1">Tutoring<inputtype="checkbox"name="services"id="cb2"/><labelfor="cb2">Interlibrary Loan<inputtype="checkbox"name="services"id="cb3"disabled/><labelfor="cb3">Course reserves<inputtype="checkbox"name="services"id="cb4"/><labelfor="cb4">Makerspaces</fieldset>
Radio buttons
<fieldset><legend>Does your request include items that may have a copyright fee?</legend><inputtype="radio"name="copyright"id="rb1"/><labelfor="rb1">Yes<inputtype="radio"name="copyright"id="rb2"/><labelfor="rb2">No<inputtype="radio"name="copyright"id="rb3"/><labelfor="rb3">I don’t know</fieldset>
Toggles
When presenting a yes/no question, a toggle may be a friendlier interface option.
Where response format preference or tips may help, add a hint. Apply server side processing to handle most input concerns.
Please use your university email if available.
<labelfor="t1">Email address<pclass="alert alert-inline"id="t2-hint"><svgclass="glyph"aria-hidden="true"focusable="false"viewBox="0 0 16 16"><gfill="currentColor"><pathd="M8,16a8,8,0,1,1,8-8A8,8,0,0,1,8,16ZM8,2a6,6,0,1,0,6,6A6,6,0,0,0,8,2Z"/><pathd="M8,12a1,1,0,0,1-1-1V8A1,1,0,0,1,9,8v3A1,1,0,0,1,8,12Z"/><circlecx="8"cy="5"r="1"/></g></svg>
Please use your university email if available.

<inputtype="email"name="email"id="t1"/>
File field
Browsers do not allow styling the file field, so to create a similar experience to the default Javascript is required. If preferred, a recommended custom styling option is at styling and customizing file inputs the smart way.
Errors for each field are inserted between the label and the input field with the input field pointing to it using aria-describedby. If the input field is already pointing to a hint, place the error messages above the hint, and present them first in the aria-described attribute, i.e. aria-describedby="t2-error t2-hint".
Error messages must be short and precise.
Email addresses require an @ symbol.
Please use your university email if available.
<labelfor="t2">Email address<pclass="alert alert-inline alert-danger"id="t2-error"><svgclass="glyph"aria-hidden="true"focusable="false"viewBox="0 0 16 16"><gfill="currentColor"><pathd="M8,0a8,8,0,1,0,8,8A8,8,0,0,0,8,0ZM8,14a6,6,0,1,1,6-6A6,6,0,0,1,8,14Z"/><pathd="M10.83,5.17a1,1,0,0,0-1.41,0L8,6.59,6.59,5.17A1,1,0,0,0,5.17,6.59L6.59,8,5.17,9.41a1,1,0,1,0,1.41,1.41L8,9.41l1.41,1.41a1,1,0,0,0,1.41-1.41L9.41,8l1.41-1.41A1,1,0,0,0,10.83,5.17Z"/></g></svg>
Email addresses require an @ symbol.

<pclass="alert alert-inline"id="t2-error t2-hint"><svgclass="glyph"aria-hidden="true"focusable="false"viewBox="0 0 16 16"><gfill="currentColor"><pathd="M8,16a8,8,0,1,1,8-8A8,8,0,0,1,8,16ZM8,2a6,6,0,1,0,6,6A6,6,0,0,0,8,2Z"/><pathd="M8,12a1,1,0,0,1-1-1V8A1,1,0,0,1,9,8v3A1,1,0,0,1,8,12Z"/><circlecx="8"cy="5"r="1"/></g></svg>
Please use your university email if available.

<inputname="t2"id="t2"type="text"aria-invalid="true"aria-describedby="t2-hint"/>
Success
Success messaging for individual form fields is only necessary for dynamic pages that validate data on the fly.
Name is found in our system.
<labelfor="t3">Name<pclass="alert alert-inline alert-success"id="t3-success"><svgclass="glyph"aria-hidden="true"focusable="false"viewBox="0 0 16 16"><gfill="currentColor"><pathd="M10.2,5.4,7.1,9.53,5.67,8.25a1,1,0,1,0-1.34,1.5l2.05,1.82a1.29,1.29,0,0,0,.83.32h.12a1.23,1.23,0,0,0,.88-.49L11.8,6.6a1,1,0,1,0-1.6-1.2Z"/><pathd="M8,0a8,8,0,1,0,8,8A8,8,0,0,0,8,0ZM8,14a6,6,0,1,1,6-6A6,6,0,0,1,8,14Z"/></g></svg>
Name is found in our system.

<inputname="t3"id="t3"type="text"value="Goldy Gopher"aria-invalid="false"aria-describedby="t3-success"/>
<tablerole="presentation">

	Disagree	No opinion	Agree

<trrole="group">Trees are awesome	<inputtype="radio"name="trees"id="r20"/><labelfor="r20">Trees are awesomeDisagree	<inputtype="radio"name="trees"id="r21"/><labelfor="r21">Trees are awesomeNo opinion	<inputtype="radio"name="trees"id="r22"/><labelfor="r22">Trees are awesome Agree
<trrole="group">Water is good	<inputtype="radio"name="water"id="r23"/><labelfor="r23">Water is good Disagree	<inputtype="radio"name="water"id="r24"/><labelfor="r24">Water is goodNo opinion	<inputtype="radio"name="water"id="r25"/><labelfor="r25">Water is good Agree

<fieldset><legend>Request date</legend><divclass="form-date">
Month
<inputtype="text"name="month"pattern="[0-9]*"minlength="1"maxlength="2"autocorrect="off"inputmode="numeric"/>
Day
<inputtype="text"name="day"pattern="[0-9]*"minlength="1"maxlength="2"autocorrect="off"inputmode="numeric"/>
Year
<inputtype="text"name="year"pattern="[0-9]*"minlength="2"maxlength="4"autocorrect="off"inputmode="numeric"/>
</fieldset>


What I wish to implement in my projects
- Divide the page into rows and columns
- Create overlapping boxes with specific characters
- Create color combinations pleasing to eyes
- Create responsive designs; using percentages instead of pixels
- Use @media function to make difference in smaller screens to improve readability
Analogy to Webpages
A webpage is primarily made in HTML, CSS and DOM. Webpage can be compared to a building. HTML tags represent the materials that build a building like cement, bricks etc. It gives structure to a webpage. CSS is like paint, wallpaper etc, anything to improve the aesthetics of a building which help to stay there more enjoyable. Similarly, CSS makes site pleasing to the eye and improves the user experience. DOM or Document Object Model is like the blueprint of the building. Like a blueprint helps a builder to construct a building, DOM helps the browsers to construct the web pages. DOM will have a tree structure where parent and children will be defined.
The box model
If we inspect the internal structure of a webpage and its elements, we can find that all the structures are nothing but boxes. The various elements can be divided and subdivided into smaller boxes. These boxes occupy fixed width and height. This is achieved by dividing a page into rows and columns.


You can automatically set live any of your projects versions you made with Finch. All of the versions changes will be applied to your website and visible to any visitor.
Note: If your site is built with Wordpress, you can skip this part and use the Finch Wordpress plugin.
To set a version live, Finch needs to be connected to your website via a small code snippet.
You can find the snippet at your projects Connection settings.
Finding projects snippet
Copy-paste the snippet in your websites code right before the </head>
closing tag. It should look like this:
After copying the snippet, at the Connection view, check if the setup was successful.
Check snippet status
If the snippet is setup correctly – you are ready to go and you can setup any of the projects versions live.
Note: All new changes made to a live version will be applied to the website automatically. If you want to avoid that – duplicate the version and make the changes there.
The Finch snippet adds two files to your website:


Description: Get the value of a property for the first element in the set of matched elements.
The .prop()
method gets the property value for only the first element in the matched set. It returns undefined
for the value of a property that has not been set, or if the matched set has no elements. To get the value for each element individually, use a looping construct such as jQuery's .each()
or .map()
method.
The difference between attributes and properties can be important in specific situations. Before jQuery 1.6, the .attr()
method sometimes took property values into account when retrieving some attributes, which could cause inconsistent behavior. As of jQuery 1.6, the .prop()
method provides a way to explicitly retrieve property values, while .attr()
retrieves attributes.
For example, selectedIndex
, tagName
, nodeName
, nodeType
, ownerDocument
, defaultChecked
, and defaultSelected
should be retrieved and set with the .prop()
method. Prior to jQuery 1.6, these properties were retrievable with the .attr()
method, but this was not within the scope of attr
. These do not have corresponding attributes and are only properties.
Concerning boolean attributes, consider a DOM element defined by the HTML markup <input type="checkbox" checked="checked" />
, and assume it is in a JavaScript variable named elem
:
elem.checked
|
true (Boolean) Will change with checkbox state |
|---|---|
$(elem).prop("checked")
|
true (Boolean) Will change with checkbox state |
elem.getAttribute("checked")
|
"checked" (String) Initial state of the checkbox; does not change |
$(elem).attr("checked")
(1.6)
|
"checked" (String) Initial state of the checkbox; does not change |
$(elem).attr("checked")
(1.6.1+)
|
"checked" (String) Will change with checkbox state |
$(elem).attr("checked")
(pre-1.6)
|
true (Boolean) Changed with checkbox state |
According to the W3C forms specification, the checked
attribute is a boolean attribute, which means the corresponding property is true if the attribute is present at all—even if, for example, the attribute has no value or an empty string value. The preferred cross-browser-compatible way to determine if a checkbox is checked is to check for a "truthy" value on the element's property using one of the following:
if ( elem.checked )
if ( $(elem).prop("checked") )
if ( $(elem).is(":checked") )
If using jQuery 1.6, the code if ( $(elem).attr("checked") )
will retrieve the actual content attribute, which does not change as the checkbox is checked and unchecked. It is meant only to store the default or initial value of the checked property. To maintain backwards compatability, the .attr()
method in jQuery 1.6.1+ will retrieve and update the property for you so no code for boolean attributes is required to be changed to .prop()
. Nevertheless, the preferred way to retrieve a checked value is with one of the options listed above. To see how this works in the latest jQuery, check/uncheck the checkbox in the example below.
.prop()
to set a DOM element property to anything other than a simple primitive value (number, string, or boolean) can cause memory leaks if the property is not removed (using .removeProp()) before the DOM element is removed from the document. To safely set values on DOM objects without memory leaks, use .data().
<!DOCTYPE html>

<input id="check1" type="checkbox" checked="checked">
Check me

Description: Set one or more properties for the set of matched elements.
propertyName: String The name of the property to set.
value: String, Number, Boolean A value to set for the property.
properties: PlainObject A map of property-value pairs to set.
propertyName: String The name of the property to set.
function(index, oldPropertyValue): Function()
A function returning the value to set. Receives the index position of the element in the set and the old property value as arguments. Within the function, the keyword this
refers to the current element.
The .prop()
method is a convenient way to set the value of properties—especially when setting multiple properties, using values returned by a function, or setting values on multiple elements at once. It should be used when setting selectedIndex
, tagName
, nodeName
, nodeType
, ownerDocument
, defaultChecked
, or defaultSelected
. Since jQuery 1.6, these properties can no longer be set with the .attr()
method. They do not have corresponding attributes and are only properties.
Properties generally affect the dynamic state of a DOM element without changing the serialized HTML attribute. Examples include the value
property of input elements, the disabled
property of inputs and buttons, or the checked
property of a checkbox. The .prop()
method should be used to set disabled and checked instead of the .attr()
method. The .val()
method should be used for getting and setting value.
$("input").prop("disabled", false);
$("input").prop("checked", true);
$("input").val("someValue");
Important: the .removeProp()
method should not be used to set these properties to false. Once a native property is removed, it cannot be added again. See .removeProp()
for more information.
By using a function to set properties, you can compute the value based on other properties of the element. For example, to toggle all checkboxes based off their individual values:
$("input[type='checkbox']").prop("checked", function( i, val ) {
return !val;
});
Note: If nothing is returned in the setter function (ie. function(index, prop){})
, or if undefined
is returned, the current value is not changed. This is useful for selectively setting values only when certain criteria are met.
.prop()
to set a DOM element property to anything other than a simple primitive value (number, string, or boolean) can cause memory leaks if the property is not removed (using .removeProp()) before the DOM element is removed from the document. To safely set values on DOM objects without memory leaks, use .data().
<!DOCTYPE html>

<input type="checkbox" checked="checked" />
<input type="checkbox" />
<input type="checkbox" />
<input type="checkbox" checked="checked" />


Use the form below to create an account on this Genevieve app. Data for an individual genome are associated with the account that uploaded it, and are not available to other users of this deployment.
Create account
Already have an account? Click here to log in.


Users
{% for user in users %}
{{ user.full_name }} ({{ user.username }})
--
Delete
{% endfor %}
Edit User
Home


Show/Hide settings
Save settings
Stories
Validate now!
Kill process!
Above you see the list of stories - clicking on story will put here the acceptance of selected story. You can also type here the acceptance criteria by hand. This allows you *learn* how the system works.
Info
/
Full log
Info: not validated yet
Full log: not validated yet


pointer_to_unary_function<Arg, Result>
|
|
|
|
| Categories: functors, adaptors |
Component type: type |
Description
Pointer_to_unary_function is a function object adaptor that
allows a function pointer Result (*f)(Arg) to be treated as an
Adaptable Unary Function. That is: if F is a
pointer_to_unary_function<Arg, Result> that was initialized
with an underlying function pointer f of type
Result (*)(Arg), then F(x) calls the function f(x).
The difference between f and F is that
pointer_to_unary_function is an Adaptable Unary Function,
i.e. it defines the nested typedefs argument_type
and result_type.
Note that a function pointer of type Result (*)(Arg) is a perfectly
good Unary Function object, and may be passed to an STL algorithm
that expects an argument that is a Unary Function. The only
reason for using the pointer_to_unary_function object is if you need
to use an ordinary function in a context that requires an
Adaptable Unary Function, e.g. as the argument of a function object
adaptor.
Most of the time, you need not declare an object of type
pointer_to_unary_function directly. It is almost always easier to
construct one using the ptr_fun function.
Example
The following code fragment replaces all of the numbers in a range with their
absolute values, using the standard library function fabs.
There is no need to use a pointer_to_unary_function
adaptor in this case.
transform(first, last, first, fabs);
The following code fragment replaces all of the numbers in a range with the
negative of their absolute values. In this case we are composing
fabs and negate. This requires that fabs be treated as an
adaptable unary function, so we do need to use a
pointer_to_unary_function adaptor.
transform(first, last, first,
compose1(negate<double>, ptr_fun(fabs)));
Definition
Defined in function.h.
Template parameters
|
Parameter
|
Description
|
Default
|
|
Arg
|
The function object's argument type
|
|
|
Result
|
The function object's result type
|
|
Model of
Adaptable Unary Function
Type requirements
Public base classes
unary_function<Arg, Result>
Members
|
Member
|
Where defined
|
Description
|
|
argument_type
|
Adaptable Unary Function
|
The type of the function object's argument: Arg.
|
|
result_type
|
Adaptable Unary Function
|
The type of the result: Result
|
|
result_type operator()(argument_type x)
|
Unary Function
|
Function call operator.
|
|
pointer_to_unary_function(Result (*f)(Arg))
|
pointer_to_unary_function
|
See below.
|
|
pointer_to_unary_function()
|
pointer_to_unary_function
|
See below.
|
template <class Arg, class Result>
pointer_to_unary_function<Arg, Result>
ptr_fun(Result (*x)(Arg));
|
pointer_to_unary_function
|
See below.
|
New members
These members are not defined
in the Adaptable Unary Function
requirements, but are specific to
pointer_to_unary_function.
|
Member
|
Description
|
|
pointer_to_unary_function(Result (*f)(Arg))
|
The constructor. Creates a pointer_to_unary_function whose underlying
function is f.
|
|
pointer_to_unary_function()
|
The default constructor. This creates a pointer_to_unary_function
that does not have an underlying C function, and that therefore
cannot actually be called.
|
template <class Arg, class Result>
pointer_to_unary_function<Arg, Result>
ptr_fun(Result (*x)(Arg));
|
If f is of type Result (*)(Arg) then
ptr_fun(f) is equivalent to
pointer_to_unary_function<Arg,Result>(f),
but more convenient. This is a global function, not a member.
|
Notes
See also
pointer_to_binary_function, ptr_fun,
Adaptable Unary Function
Copyright © 1996 Silicon Graphics, Inc.
|


[t]Recruiter List for[/t] {$vacTitle|escape}
{$CustomersMenu} {$CustomersSubMenu}
{* webdevelopers: make styling so the busy image is pushed to the side *}
[t]Recruiter name[/t]
[t]Employer[/t]
[t]City[/t]
[t]Rating[/t]
[t]Reviews[/t]
[t]Status[/t]
[t]Show 5 more recruiters[/t]


This course website is still under construction and the requested materials will be made available soon. Thank you for your patience! Please refer to our Syllabus for more information or expand below to find more resources.


Kevin Lanctot (long-k toe)
email<EMAIL_ADDRESS>Office: DC 2131
Office hours: Monday 1:00 - 2:00 pm (or by appointment)
Lect 001-006 have same everything
<EMAIL_ADDRESS>(MC 4012) <- email him your assignment if crowdmark is down
Assignments are due Wednesday
Slides are available on LEARN
A Proposition is a declarative sentence that is either true or false
Page 11:
1. (p q)
2. (p )
3. ((notp) or q)
4. ((nots) -> f)
5. ((nots) -> f)
6. (f or s)
7. ((notf) -> s)
Page 18 -> more on expressions
length is 9
Prop: variables, connective, punctuation
A well-formed formula is defined as:
s: I study for exams
g: I get good grades
p: I will pass the class
h: I eat healthy food
Unless = or
Let be a wff. Let m be the number of occurences of the atoms in . Let n be the number of occurrences of the binary connectives , , , , in . Then m = n + 1.
Base Case:
Consider the atom p:
m: 1
n: 0
True.
IH: Assume the statement is true for wff. A & B.
IC: Case 1: Suppose C =
By IH,
Case 2: Suppose C = (A * B) where * is any binary connective
by IH
Therefore,
By POMI, statement is true for all wff A & B .


DEBJYOTI GUHA
Software Engineer - Big Data | AI, Deep Learning & Advanced Analytics | Undergrad Student @ VTU
I Love
Creating
Designing
Developing
Twitter
Facebook
Email
Github
RESUME
GO
GitHub
LinkedIn
Skills
Projects


This is the Blog after 12 hours study. Can't wait to share my live and experience with all people in the world.


RCH AJAX client demo
Click the button to set off the AJAX call.
The result will be printed here:
click button


We had Adam and his fam over for dinner on Monday night, for a Spanish food fest. Adam's brother-in-law was interested in learning some cooking technique, so I chose a menu that would cover a lot of different areas. He has the knack for sure, easily flipping a Spanish tortilla even! I had him do most of the actual cooking, with me just directing and drinking the gin and tonics (12 Bridges, PDX REPRESENT YO!).
Tapas
- yellow tomatoes (from the garden!) with a little salt and roasted paprika sprinkled on top
- cubed manchego and fresh mozzarella (yeah, i know, but i like the hard/soft contrast) marinated in olive oil, fresh thyme, basil and chives (all from the garden!), cracked pepper and chili flakes
- rainbow carrots lightly pickled in red wine vinegar, garlic (from the garden!), cumin, oregano and olive oil
- marcona almonds Spanish Tortilla
I usually prepare this by par-boiling the potatoes, but this time we did it up proper by first frying them in olive oil and garlic and then adding to the egg mixture and moving to the pan... again with much olive oil, to get a real nice crisp to the edge. We added minced serrano ham and fine-diced jalapenos (from the garden!), so it came out with a nice aroma and a bit of kick. We made three pans of it, so I've been enjoying it for breakfast ever since ;)
True Cod and Clams in Salsa Verde
Earlier in the afternoon I made a stock with onions, garlic, carrot, some rockfish I had in the freezer, some plum tomatoes (I bet you can guess where from...), mussels, flat-leaf parsley and white pepper. This became the base for a sauce somewhat like zarzuela, but with white wine instead of brandy, so giving the dish more of a high note. The cod was first rubbed-down with salt and white pepper, then lightly floured and fried, and then cooked the rest of the way in the sauce. Then came peas, flat-leaf parsley, and when the fish is about done, we threw in the clams and some mussels.
After Dinner
I found a dry sherry that was very light, with coloring almost like a chardonnay, called La Gitana. It was crisp and not overly sweet, so paired well with the hot weather. We also had some entirely very dark chocolate that was purportedly from Spain, but I'm betting the beans were not!
We spent a good two hours cooking, and had a great time: no injuries, nor recipe mishaps, and everyone seemed to enjoy the food. In retrospect, I'd probably throw some lemon halves in the stock, and let the fish marinate a little longer, but otherwise everything came out pretty well. It was really fun to have an excuse to cook a big meal, and hang out with fun people, and all on a MONDAY no less!
I got some of the recipes and ideas from The New Spanish Table, found on Powell's sale table for $7. It's a decent cookbook - very accessible recipes, a lot of great tips and background info.


CalibrateRobertson Camera Response Calibration algorithm
Inverse camera response function is extracted for each brightness value
by minimizing an objective function as linear system. This algorithm
uses all image pixels.
For more information see [RB99].
References
[RB99]:
Mark A Robertson, Sean Borman, and Robert L Stevenson.
"Dynamic range improvement through multiple exposures". In Image
Processing, 1999. ICIP 99. Proceedings. 1999 International Conference
on, volume 3, pages 159-163. IEEE, 1999.
|
|
addlistener |
Add listener for event. |
|
|
delete |
Destructor |
|
|
eq |
== (EQ) Test handle equality. |
|
|
findobj |
Find objects matching specified conditions. |
|
|
findprop |
Find property of MATLAB handle object. |
|
|
ge |
>= (GE) Greater than or equal relation for handles. |
|
|
getRadiance |
Get Radiance matrix |
|
|
gt |
> (GT) Greater than relation for handles. |
| Sealed
|
isvalid |
Test handle validity. |
|
|
le |
<= (LE) Less than or equal relation for handles. |
|
|
lt |
< (LT) Less than relation for handles. |
|
|
ne |
~= (NE) Not equal relation for handles. |
|
|
notify |
Notify listeners of event. |
|
|
process |
Recovers inverse camera response |


{{ship.name}}
{{ship.description}}
Volume
{{ship.volume}}
Capacity
{{ship.capacity}}
Mass
{{ship.mass}}
Race
{{ship.race}}
Group
{{ship.group}}


| nnet {nnet} | R Documentation |
Fit single-hidden-layer neural network, possibly with skip-layer connections.
nnet(x, ...) ## S3 method for class 'formula' nnet(formula, data, weights, ..., subset, na.action, contrasts = NULL) ## Default S3 method: nnet(x, y, weights, size, Wts, mask, linout = FALSE, entropy = FALSE, softmax = FALSE, censored = FALSE, skip = FALSE, rang = 0.7, decay = 0, maxit = 100, Hess = FALSE, trace = TRUE, MaxNWts = 1000, abstol = 1.0e-4, reltol = 1.0e-8, ...)
formula |
A formula of the form |
x |
matrix or data frame of |
y |
matrix or data frame of target values for examples. |
weights |
(case) weights for each example – if missing defaults to 1. |
size |
number of units in the hidden layer. Can be zero if there are skip-layer units. |
data |
Data frame from which variables specified in |
subset |
An index vector specifying the cases to be used in the training sample. (NOTE: If given, this argument must be named.) |
na.action |
A function to specify the action to be taken if |
contrasts |
a list of contrasts to be used for some or all of the factors appearing as variables in the model formula. |
Wts |
initial parameter vector. If missing chosen at random. |
mask |
logical vector indicating which parameters should be optimized (default all). |
linout |
switch for linear output units. Default logistic output units. |
entropy |
switch for entropy (= maximum conditional likelihood) fitting. Default by least-squares. |
softmax |
switch for softmax (log-linear model) and maximum conditional
likelihood fitting. |
censored |
A variant on |
skip |
switch to add skip-layer connections from input to output. |
rang |
Initial random weights on [- |
decay |
parameter for weight decay. Default 0. |
maxit |
maximum number of iterations. Default 100. |
Hess |
If true, the Hessian of the measure of fit at the best set of weights
found is returned as component |
trace |
switch for tracing optimization. Default |
MaxNWts |
The maximum allowable number of weights. There is no intrinsic limit
in the code, but increasing |
abstol |
Stop if the fit criterion falls below |
reltol |
Stop if the optimizer is unable to reduce the fit criterion by a
factor of at least |
... |
arguments passed to or from other methods. |
If the response in formula
is a factor, an appropriate classification
network is constructed; this has one output and entropy fit if the
number of levels is two, and a number of outputs equal to the number
of classes and a softmax output stage for more levels. If the
response is not a factor, it is passed on unchanged to nnet.default
.
Optimization is done via the BFGS method of optim
.
object of class "nnet"
or "nnet.formula"
.
Mostly internal structure, but has components
wts |
the best set of weights found |
value |
value of fitting criterion plus weight decay term. |
fitted.values |
the fitted values for the training data. |
residuals |
the residuals for the training data. |
convergence |
|
Ripley, B. D. (1996) Pattern Recognition and Neural Networks. Cambridge.
Venables, W. N. and Ripley, B. D. (2002) Modern Applied Statistics with S. Fourth edition. Springer.
# use half the iris data ir <- rbind(iris3[,,1],iris3[,,2],iris3[,,3]) targets <- class.ind( c(rep("s", 50), rep("c", 50), rep("v", 50)) ) samp <- c(sample(1:50,25), sample(51:100,25), sample(101:150,25)) ir1 <- nnet(ir[samp,], targets[samp,], size = 2, rang = 0.1, decay = 5e-4, maxit = 200) test.cl <- function(true, pred) { true <- max.col(true) cres <- max.col(pred) table(true, cres) } test.cl(targets[-samp,], predict(ir1, ir[-samp,])) # or ird <- data.frame(rbind(iris3[,,1], iris3[,,2], iris3[,,3]), species = factor(c(rep("s",50), rep("c", 50), rep("v", 50)))) ir.nn2 <- nnet(species ~ ., data = ird, subset = samp, size = 2, rang = 0.1, decay = 5e-4, maxit = 200) table(ird$species[-samp], predict(ir.nn2, ird[-samp,], type = "class"))


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{% load generic_filters %} {% load i18n %} {% url home as url_home %} {% url group_events as url_group_events %} {% url following_events as url_following_events %}


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| as_white_ref {farver} | R Documentation |
This function can take either the name of a standardised illuminants, x and y chromaticity coordinates or X, Y, and Z tristimulus values and converts it to tristimulus values normalised to Y=100. All Illuminant series A-F are supported and can be queried both on the CIE 1931 2° and CIE 1964 10° chromaticity coordinates.
as_white_ref(x, fow = 2)
x |
A string giving the name of the standardized illuminant or a 2 (chromaticity) or 3 (trsitimulus) length numeric vector. |
fow |
The field-of-view for the illuminant - either |
A 3-length vector with tristimulus values
# Using names as_white_ref('D65') # Using chromaticity values as_white_ref(c(0.3, 0.4))


A responsive site is one that adjusts based on the resolution of a screen to render the web page well on an array of different screens with varying sizes. This means that the majority of users will have more consistency across devices and there doesn't necessarily have to be a totally different mobile site.
Mobile first design is when you design what the mobile web page will look like first and then build up to bigger screens, adjusting and adding features as the resolution increases. This method means that you don't need a separate mobile site which saves time (and money). It's also a good way to get you to prioritise what's really important and how you'll show that first.
Frameworks in this context are kind of like templates for web pages. Some of them are simple and have just very basic code while others are more complete.
| Pros | Cons |
|---|---|
| Easier than doing from scratchLess chance of bugsCosts less time/moneyEasier to find support | More unused codePossibly too generic-looking or overusedPossibly limitations |
A wireframe is a really simplified visual representation of the website that shows the basic elements and where they will be on the web page. This allows for clear planning and easy prioritisation.
This'll be where the "Top" button will go when I figure out how to do that


BEYOND THE VALLEY OF THE DOLLS A film review by D. Brumfie Copyright 1993 D. Brumfie
I rented BEYOND THE VALLEY OF THE DOLLS over the weekend. It was *great*. A real trip!
Due to the many things I have heard about this Russ Meyers film, I thought I'd post my own comments, because it was nothing like what I had been led to assume.
Often I had heard that BEYOND THE VALLEY OF THE DOLLS was a steamy soft core porn flick--but it is not. What it is is a parody of gigantic and sumptuous proportions. Let me put it this way, if you've ever passed an inappropriate giggle while watching things like FALCON CREST or DYNASTY or (especially :-) any of the afternoon soap operas on tv, then you'll bust a gut laughing at BEYOND THE VALLEY OF THE DOLLS. It's *too* exquisite!
This film is also "known" by virtue of the fact that tv movie critic Gene Siskel gave a thumbs down to the screenplay--which was written, interestingly, by sidekick Roger Ebert. I think Gene must have been a little less than objective in this summation, for the screenplay is an ingenious work of art! Unlike many other parady movies, which are usually stitched together by binding bits of non-parody for the sake of keeping some semblance to a plot, BEYOND THE VALLEY OF THE DOLLS is ALL parody. There is nothing in it that's normal. If you like movies like DR. STRANGELOVE, etc, then BEYOND THE VALLEY OF THE DOLLS is definitely for you.
A send-up of the Sixties Hollywood culture scene, BEYOND THE VALLEY OF THE DOLLS starts out light and loud, introducing the main characters and setting the mood via a LAUGH-IN-type party, where various people and comments are variously zoomed in upon. But after the doctor appears (you'll love this scene :-), the parody becomes intense, quiet and focussed on the dilemmas of the individual sub-plots.
BEYOND THE VALLEY OF THE DOLLS is an incredibly splendid and artful parody on the order of Poe's FALL OF THE HOUSE OF USHER, a short horror story so skillfully executed that many people who should know better still think it is meant to be serious. The verbose and prolixitous voice over summing up at the end is priceless.
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


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Urban Planning Trends in US Cities
As the Environmental Analyst intern for the American Planning Association branch in China, I analyzed common themes and strategies for sixty U.S. cities of different sizes to present to Chinese city officials. I used a text analysis tool, Semantria, to run through the citywide strategic plans of big, medium, and small cities. I compared the visions, current strategies, and new aspects. For most cities, establishing a strategic plan was a task completed every five or ten years. Oftentimes, the goals have unclear indicators and metrics, and most cities do not reflect on why goals were or were not accomplished. When the five year mark approached, most cities craft a completely new vision. After running Semantria for 20 big, 20 medium, and 20 small cities, I learned the most common themes were economic opportunity and preserving a national environment.
Disciplines
Year


#include <actor3d.h>
Inheritance diagram for Actor3DAnimationNode:
Public Member Functions | |
| const string & | GetName () |
| Returns name for this animation node. | |
Static Public Member Functions | |
| static ObjRef< Actor3DAnimationNode > | New () |
| Creates new Actor3DAnimationNode. | |
Public Attributes | |
| Material | material |
| Material. | |
Protected Member Functions | |
| Actor3DAnimationNode () | |
| Default constructor. | |
| ~Actor3DAnimationNode () | |
| Destructor. | |
Protected Attributes | |
| Int | node_id |
| Node ID. | |
| string | name |
| Name. | |
| vector< Matrix4fx > | transform |
| List of transformation matrices. | |
| vector< ObjRef< VertexBuffer > > | vb |
| List of VertixBuffers of node. |
This class store one 3d actor animation node.
|
|
Returns name for this animation node.
|
|
|
Creates new Actor3DAnimationNode. Call this function instead constructor calling.
|


Optical Parametric Oscillator
Unpublished results
<EMAIL_ADDRESS>Types of instabilities
Low pump powers
High pump powers
Goldstone mode evolution
Varying the pump power
Varying the pump momentum
small ks
large ks
Varying the signal momentum