λ ♥ The Evolution of Information Distribution
A myriad of psychological and sociological challenges face us tomorrow, born out of a world where novelty is scarce, the prospect of individuality, outnumbered, faces sublimation and creativity wilts in terra cocta.
λ ♥ The Evolution of Information Distribution
ϕ The Inversion of Mass Communication
ϕ Whose Dictionary?
ϕ Check Yo Bubble
λ ♥ Make It New!
ϕ Primordial Ooze of the Noosphere
ϕ My Electro Glitch Hip Crunk Future Trap Jazz Band
ϕ How Many Hipsters?
λ ♥ Memetics and Epimemetics
ϕ Everything Old Is New Again
ϕ White Noise, Pink Noise
λ ♥ Who Knows What You Know?
ϕ The Unknown Philosopher
ϕ Avert Your Eyes
λ ♥ The Death of Creativity
ϕ I’m 100% Free Range A Postieri…
ϕ Move On and Shine Brighter
ϕ Shade This!
The Inversion of Mass Communication
We’ve seen the evolution of the distribution of mass communication from four channels to dozens to the internet. The internet is essentially the inversion of the concept of mass communication, where each person has their own channel. And for about two decades, the average person had access to the power of knowledge and information while the internet was completely free. This access is unequivocally greater than at any other time in human history.
But this can be just as dangerous as it is beneficial. If any information can be freely transmitted over maximally connected distribution networks, then who’s job is it to discern misinformation? In the previous mass communication paradigm, it was the job of journalists, editors, reporters and producers to vet quality of information. If this is almost completely lacking, and especially when we are lacking those cultural touchstones, the propensity for misinformation to alter our course of action skyrockets. Our beloved 21st century Library of Alexandria becomes it’s antithesis.
Whose Dictionary?
The Urban Dictionary is a loosely controlled collection of idioms and expression, but who controls what gets on there or not? Are there entries with false definitions? Or unused expressions? If we pull idioms and expressive language from experiences in our lives, then if we all have completely different experiences, can we communicate with idioms?
Check Yo Bubble
The newsfeed filter bubble is incredibly powerful, though incomprehensibly complex. How often do you check your friends facebook or twitter feed? How do you know what a consistent experience is if the sum of our experiences suffers from maximal differentiation?
λ ♥ Make It New!
Individuality is derived from how we and others present or perceive ourselves to differ in relation to some universal constants. Individuality is evaporating because these cultural touchstones we use to define ourselves are becoming buried in a sea of mimicry. It’s ironic that uniformly amplified, stochastic expression of novel cultural elements would threaten individuality itself. In other words, if everyone has the capacity for maximized, wholly and equivalent individualistic expression, then individuality disappears because we lose those centralized touchstones.
For what are we, if we lack these unifying cultural elements that we use to define ourselves? How can one compare themselves to someone else if we don’t all share some common experiences?
Primordial Ooze of the Noosphere
Decades ago, everyone was exposed to common cultural factors. Now, we have been thrust far into the noosphere, which is like the biosphere, but for knowledge. To be far into the noosphere means that we are far, far beyond the point where there is enough time in one’s life to consume all the books, movies, music, academic studies, and other information in the world. One could argue that we’ve always been there, but I think it’s clear that as the population grows, so do the cultural artifacts. In the past two decades, these artifacts have been piling up and who is to say which are relevant and which are not?
My Electro Glitch Hip Crunk Future Trap Jazz Band
We have more genre’s of music every year because everyone struggles to sound different. Preexisting genre’s are combinated to create new ones, but at some point, there is so much differentiation that any hope is lost for creating a discernably different genre, at least to any degree of significance. Not only is there so much variation in content, there is equally as much variation in patterns of content consumption behaviors.
How Many Hipsters?
How many hipsters does it take to change a lightbulb? Well, if you have more than one, they’ll never be able to decide on the lighting spectum, the shape, the fixture, the environmental consequences and the vender. They’ll probably need something handmade. It’s really hard to market to more than one hipster. Too eclectic. And so there are economic consequences as well. Cost to advertise skyrockets and then there’s so much noise noone wants to pay attention to your marketing message.
λ ♥ Memetics and Epimemetics
Genres of music and art forms inspire subcultures to arise and diversify. Then, our culture becomes more fragmented, psychologically and sociologically. Memetically, this changes how people are psychologically structured and the degree to which their psyches can be predicted.
The exponential variation of memes decreases their viability. They are less likely to persist and this alters their epimemetic behavior. Epimemetics is to memes as epidemiology is to disease. For the most part, with increased number and decreased viability, it’s challenging for any memes to rise to the top to become a touchstone. And there would be very few touchstones universally pervading society.
Everything Old Is New Again
Today, everything that has been done as been done before. We’ve all heard that before. It’s even in Ecclesiastes:
The thing that hath been, it is that which shall be; and that which is done is that which shall be done: and there is no new thing under the sun.
All new and old genres of movies are recombinations of pre-existing genre’s and works, maybe with new technology or a new perspective. But they’re all the same ideas. This isn’t to say that recent TV or movies lack quality. Quite the opposite: there is so much excellent writing and production in entertainment today. But there’s so much content on Hulu and Netflix that it becomes hard to experience it all.
White Noise, Pink Noise
For art and life in general, everything starts to blur together. Nothing is pure and nothing is original. When a work of art is perceived as a reconstitution of other ideas, what happens when there are innumerable, indistinguishable ideas to link to? Can any interpretations be said to have consistency in meaning? If no symbols can have relevance, then what happens to language? What does this mean for us? For individual cultures, old and new? For the entire world as one? In the context of semiotics?
There are many means of communicating with, motivating, relating to, empathizing with and manipulating people that depend on widely shared psychological structures. When and if there are none, the capacity to control is diluted. Regardless of your personal feelings about these methods of influence – for many there is an incredibly negative connotation – they are crucial to a functioning, robust society. We need to be able to predict and coordinate behavior through socialogical and psychological structures. And so, if nothing rises above the noise, we’ll have problems.
λ ♥ Who Knows What You Know?
This takes on an interesting dimension when it’s now possible to know the information that a person may know or have seen. While for most of us, we see simply noise, those operating a panopticon can draw useful statistical inferences based on categorizing people on overlapping sets of information that we have consumed and our behaviors.
The Unknown Philosopher
There was a 19th or 20th century French philosophy that, for the life of me, I can’t find. I think he was a contemporary of Heidegger, but I can’t be sure. This philosopher dropped out of college and refused education out of concern for the potential for others to know the extent of his knowledge. I can’t find this philosopher and, while he wasn’t hugely popular, that really resonated with me. It’s more relevant now than ever, with information consumption primarily funneled through ISP’s and the internet.
Avert Your Eyes
There are some links that you could click on and you do not want to click on them … an extreme example, there is a horrible, terrible, no good cookbook that you probably do not want to mention or accidentally click on. But, our society will continue to extend it’s capabilities for classifying and categorizing people based on what they are known to know. And while you will never have this power, they will.
λ ♥ The Death of Creativity
So as the semiotic noise increases, what happens as our cultural artifacts become less pure and more diluted? What happens as our cultural artificers – our musicians, directors, poets, etc. – become more capable than ever of creating, but less capable of standing out? Or incapable of pushing the boundaries? If it’s impossible for anyone to push the boundaries in most fields, what does that imply about the people in that society? What are their lives like? What do they feel? Where do they find happiness?
I Want To Know…
I Really Wanted To Know… Don’t You?
I’m 100% Free Range A Postieri…
For the most part….
There are some insights into creativity which can only be learned experientially. In order to obtain these insights, you would have to be extremely creative in a particular field, truly pushing the boundaries. There are many insights which, when learned firsthand through experience, will resonate through the core of your being and facillitate a much greater change than anyone could ever experience through the academic study of that thing. This is true for creativity itself too. So therefore, the death of creativity is very depressing indeed.
For me, jamskating was a new burgeoning sport that was mostly undeveloped and this was the thing that experientially taught me about creativity. I always enjoy watching the end of Bones Brigade. The last part of the interview with Rodney Mullen never ceases to blow me away. His understanding of philosophy is on mystic guru level.
Move On and Shine Brighter
A Brief Treatise on Lampshade Warfare
For me, there was no greater pain than being constantly pushed out of jamskating and made into a hasbeen. Even though most of my accomplishments there were downplayed, I still have the most valuable asset I built with my time in jamskating and that is my creativity. I learned out to generalize it when I asked myself: what if I took all that energy I applied to jamskating and figured out how to apply it elsewhere?
And I realized that, if I could do that, no one could ever assert that my contributions in jamskating were inconsequential. It wouldn’t matter if, every single time I tried to start skating again, a handful of people interfered. If I managed to prove beyond any doubt that I could do apply the same level of creativity to life, no one could ever make the assumption that I wasn’t really that big of a deal. It wouldn’t matter if I had been forgotten in jamskating because I would eventually make damn sure that I was remembered. And all those people that would hold me at arms length wouldn’t be able to hold me back elsewhere.
Shade This!
[Points at Genitals]
That was my long game. They wouldn’t let me shine, so I took my ball and went somewhere else.
ට The Prior Artificer
P.S. I wish I was capable of producing some book or movie or painting which captured these ideas, wrapping them within a clever story that enables the reader to explore them on their own, without forcing concrete assumptions on the reader. Like Kafka’s Metamorphisis. Or the Trial. Or Nietzche’s Thus Spoke Zarathustra.


Laravel Live Roundup
Kevin Cunningham
9th July, 2019
What's the point of conferences anyway?
Promo (with some training)
For example:
- IIIF
- Museum and Web
- Digital Humanities
- ...
Training (with some promo)
The stats:
- 5 females (~ 500 attendees)
- 50% beards
- 40% glasses
More general
Experience is choosing the right practices for your project.
 Assume others, including yourself in a month, are fallible and won't know what is going on.
| ✓ |
x |
|
- Process before acknowledging
|
- Observer Pattern
- Singleton Pattern
- Bridge Pattern


David is an electronics engineer specializing in digital systems, FPGAs, and image processing. He's worked at such companies as Delta-Q Technologies, Verisante, Mistywest, and Signal Laboratories. His passion for high-speed imaging began in 2006 after seeing the cool things Mythbusters were doing. Unable to afford a high-speed camera at the time, he set out to build his own, which ultimately lead to Chronos. In his spare time, he makes science and engineering videos on his Youtube channel tesla500.
Stefany came to us after watching a crazy dude with cargo shorts and sandals talk about
a Burnaby company called Kron Technologies.  Stefany is not a stranger to technology, start-ups, or just shenanigans in general.
She has accomplished a lot and has a lot of quiet (and not so quiet) wisdom to offer.
Stefany is enjoying her west coast lifestyle here at Kron Technologies. She is also
the mind behind the C256 Foenix project!
Simon is David's brother and self-taught programmer who helps to implement new features
in and debug the user interface on the camera using Qt. Simon enjoys racing and crashing
with and without cheats in Burnout 2: Point of Impact.
Check out his YouTube channel sparker599
Nicholas has a background developing robotics, embedded systems, and industrial control systems. He thrives on tackling challenging problems with technology that's always changing and has the expertise to design and tie together software, electronics, and hardware. He believes that there are thousands of ways to solve a problem, but the best ideas often take the most work to find and are only obvious after you’ve put in the work. Nicholas is both a movie nerd and the inventor of the first fully functional CNC sewing machine (that we know of). If you can't find him, check the basement; he's probably tinkering with a robot or rewatching old horror movies.
We think Kurt might have sneaked in when the bay doors were open one day. He came fully
prepared with a tool kit and smile. Kurt is the calm in the sea of large personalities.
His lends his focus to the healing bench making test jigs and wrestling with
RMAs.
When not working for the Man (David?), Kurt works on his own electronics projects
such as mechanical keyboards!
During his youth, Ken was fascinated in how parts could come together to create beautiful creations. This leads to him graduating as an engineer. To build his experience, he starts his career in a 2-Ways radio design company. Currently, PCB design is now his new grounds, but still loves to build plastic models during his free time.
DSanjay's passion for all things tech comes from his high school days of building robots for the FIRST Robotics Competition. He went on to pursue a degree in Computer Engineering and has worked in Silicon Valley, as well as on his own startup ideas. When he's not busy bending software to his will, he enjoys cooking plant-based meals and going on road trips.
Daniel is an Electrical Engineering graduate with a passion for FPGA's and RTL design. Taught that "almost anything done in software can be made in hardware, except it runs 10 times faster" he strives to make that statement a reality, with results ranging from successful, to "Why did you even attempt that?" His interests outside of working (slaving?) away for Stefany include indoor boulderingg, competitive Pokemon and Competitive Ballroom dance!
She is the crazy person who runs around in the shadows, writing emails in the early mornings. Her background includes chef, network admin, and cat wrangler. Jack of all trades that never seems to remember to go home. If you ever email into info@ at 6 am and get an email back in less than 10 seconds… it’s probably Tabatha.
DEX: 15
CON: 14
INT: 17
WIS: 12
CHA: 9
After spending 5 years in security, Ryan wanted a change in pace and found a newish start-up was the place to be. Now he spends his time assembling cameras and looking for deals on hardware.
Eli is like a magical elf that converts stuff into things. When he's not converting stuff into cameras for Krontech, he keeps himself busy converting stuff into guitar pedals, curry, and prog metal.
Chris is busy using his experience in supply chain as a Material Coordinator, Purchaser,
and Planner to support and improve processes at Kron Technologies. His Bachelors of
Science in Honours Biophysics helps him to think critically and produce results
on a deadline. He enjoys volunteering and taking on lead roles for local conventions to
give back to his community.
Chris’s strengths in logic, details, and organization are also used to make puns.
Don’t get him started.
Kassidy moved from Saskatoon a few months after graduating high school and asked for a job helping out around the warehouse. She started out with cleaning and building boxes, but now handles most of the shipments, deliveries and inventory. You can usually find headphone, doodles and coffee at her work station. She’s not sure of what she wants to do in the future but hopes to continue to grow with her art.
From an aerospace engineering background, Thomas has already lived in 4 different countries. He worked for the automotive industry as a sales engineer as his first shift. Eager for more invigorating adventures, Thomas got married and moved to Vancouver right before joining the herd as the only non-Canadian citizen. You can definitely find him at social events, conferences and workshops in town during his spare time, where he will share his own business ideas.
We are an ambitious, quickly growing Canadian company looking for talented individuals to help design, manufacture and distribute world-leading high speed cameras. If you enjoy being in a flexible, supportive work environment and are convinced that our team can benefit from your expertise, email us at<EMAIL_ADDRESS>.
Help Us continue making great cameras at a great value.
Consider purchasing our cameras!
Support Us


WITNESS LIST Redistricting Committee July 3, 2003-2:00P HB 3 Committee Substitute (Proposed by King) Against: Cook, Don (Self) Edwards, Congressman Chet (Self) Kutner, Marc L. (Self) Perales, Nina (Mexican American Legal Defense and Education Fund (M.A.L.D.E.F.)) Pickle, Peggy (Self and Former U.S. Rep. Jake Pickle) Salomon, Roberto (Self and Dora L. Salomon) Simpson, Barbara (Self) On: Archer, Jeff (Texas Legislative Council) Hanna, David R. (Texas Legislative Council)


We have many different types of delicious cupcakes for sale online or at our shop. Feel free to look around!
| Flavor | Image | Price Each |
|---|---|---|
| Vanilla Creme | $2.99 each | |
| Strawberry Shortcake | $2.99 each | |
| Cinnamon Almond | $2.99 each | |
| Chocolate Raspberry | $2.99 each | |
| Coconut Lime | $2.99 each | |
| Lemon Blueberry | $2.99 each |
Catering services available. Please call<PHONE_NUMBER> or email us at our email address.


HBC 104 Experiment 10 CARBOHYDRATE TESTS
Carbohydrates are found extensively in all living organisms. They are found in associationwith proteins, lipids and are important components of nucleic acids. Carbohydrates thjerefore occur in greater or lesser proportions in all the main biological polymers. Do you think that this ubiquitous occurrence of carbohydrates is significant? Could it be related to the evolution of biological molecules and life on earth?
Carbohydrates contain only a limited number of functional groups which include mainly carbonyl and hydrozxl groups. Occasionally other groups such as carboxyl amino and sulphate groups are also found. The fact that carbohydrates contain only carbonyl and hydroxl groups makes it rather difficult to an alyse them selectively. Because all carbohydrates contain more of less the same functional groups it is very difficult to distinguish between them. Whereas it is, for example, relatively easy to distinguish between the amino acids alanine and lysine, it is very difficult to distiguish between glucose and ribose or galactose.
In spite of what has been said above, it is possible, if reaction conditions are chosen carefully to run tests that are quite selective and can distiguish between ketoses and aldoses or hexoses and pentoses. Some of these tests are included in this week's exercise.
Polysaccharides are quite unreactive and, in general need to be hydrolyses to monomers before meaningful tests can be made. An exception is the classic reaction between iodine and starch. Even this, however,is not a chemical reaction the usual sence of the term
Molisch's Test
All carbohydrates are dehydrated by concentrated sulphuric acid to form furfural or its derivatives. These products easily condenses with a naphthol and other phenolic compounds to give brightly coloured compounds.
Benedict's Test
Under suitable conditions carbohydrates with a free aldehyde or ketone group will act as reducing agents. The reducing power is enhanced in alkaline solution. In several reagents used in the analysis of carbohydrates the copper 11 ion is the oxidising agent. On reduction the cooper 11 ions are converted to brown cuprous oxide
Barfoed's Test
Monosaccharides are more easily oxidised by cupric reagents than disaccharides and this forms the bais of the Barfoed test.
Reagents:
Molisch's reagentBenedict's Solution
Barfoed Reagent
dissolve 10 g of cupric acetate in 200 ml distilled water. Add 5 ml, 40 % acetic acid.
You will be provided with some or all the solutions listed below:
1. Sugar Solutions:Method
Question
Explain the reactions involved. Where possible give chemical equations.
Barfoed's Test
Question
Explain the reaction observed


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${problemRows}
| VENDORS |
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| Contractor |
${contractor} |
Consultant |
${consultant} |
| SOLUTION COMPONENTS |
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Cost |
% Complete |
% of Total Cost |
${componentRows}
${totalEstimatedCost}
${spaceBetween}
| MAP |
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TBD
Project Manager
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MHFD
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TBD
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TBD
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Consultant
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{% extends "socialaccount/base.html" %} {% load i18n %} {% block head_title %}{% trans "Sign In" %}{% endblock %} {% block content %} {% if process == "connect" %}
{% blocktrans with provider.name as provider %}You are about to connect a new third party account from {{ provider }}.{% endblocktrans %}
{% else %}{% blocktrans with provider.name as provider %}You are about to sign in using a third party account from {{ provider }}.{% endblocktrans %}
{% endif %} {% endblock %}


Programming Language Suggester
Answer the questions and figure out wich language is best for you!
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Tutorial: XLS[cc] channels.
This tutorial is aimed at walking you through the implementation and synthesis into Verilog of a sequential C++ block containing channels.
Introduction to channels.
XLS implements channels via a FIFO-based (ready/valid/data) interface.
In C++, these channels are provided by a built-in template class called
__xls_channel
supporting the two methods: read()
and write(val)
.
It can be aliased to the desired name like this:
template<typename T>
using OutputChannel = __xls_channel<T, __xls_channel_dir_Out>;
template<typename T>
using InputChannel = __xls_channel<T, __xls_channel_dir_In>;
An example of a usage is below, which reads an integer on the input channel, multiplies it by 3, and writes it to the output channel.
class TestBlock {
public:
InputChannel<int> in;
OutputChannel<int> out;
#pragma hls_top
void Run() {
auto x = in.read();
out.write(3*x);
}
};
Translate into optimized XLS IR.
With the above setup complete, XLS IR can now be generated using a sequence of
xlscc
and opt_main
.
$ ./bazel-bin/xls/contrib/xlscc/xlscc test_channels.cc \
--block_from_class TestBlock --block_pb meta.pb > test_channels.ir
$ ./bazel-bin/xls/tools/opt_main test_channels.ir > test_channels.opt.ir
Below is a quick summary of the options. 1. --block_from_class TestBlock
-
tells XLS[cc] which class is the top block. 1. --block_pb
- tells XLS[cc]
where to write the block's metadata description. This must be specified with
--block_from_class
.
Note that unlike in the prior tutorial, XLS[cc] is used to generate XLS procs rather than functions. This is to support the additional interface requirements of channels.
Note the metadata output
The file meta.pb
now contains a description of the block which can be useful
for integration. In this example, the result is:
channels {
name: "in"
is_input: true
type: FIFO
width_in_bits: 32
}
channels {
name: "out"
is_input: false
type: FIFO
width_in_bits: 32
}
name: "TestBlock"
Perform code-generation into a pipelined Verilog block.
With the same IR, you can either generate a combinational block or a clocked
pipelined block with the codegen_main
tool. In this section, we'll demonstrate
how to generate a pipelined block using the above C++ code.
$ ./bazel-bin/xls/tools/codegen_main test_channels.opt.ir \
--generator=pipeline \
--delay_model="sky130" \
--output_verilog_path=test_channels.v \
--module_name=xls_test \
--top=TestBlock_proc \
--reset=rst \
--reset_active_low=false \
--reset_asynchronous=false \
--reset_data_path=true \
--pipeline_stages=5 \
--flop_inputs=true \
--flop_outputs=true \
--flop_inputs_kind=skid \
--flop_outputs_kind=skid
Below is a quick summary of the options.
--delay_model="sky130"
- use the sky130 delay model.--top=TestBlock_proc
- the proc that is the top-level is namedTestBlock_proc
. This should be the block class name given to XLS[cc] with a_proc
suffix appended.--flop_inputs_kind=skid
and--flop_outputs_kind=skid
- control what type of I/O buffering is used. In this case, we configure a skid buffer at both the input and output.
Additional XLS[cc] examples.
For developers, it is possible to check if a specific feature is supported by checking translator_io_test.cc translator_proc_test.cc for unit tests.


Puerto Madryn is on the western shore of the huge bay of Gulfo Nuevo which is a popular for it prolific sea life (whales, sea lions etc.).
Position 42º 45’S, 65º 01’W.
For full details on clearing into and out of Argentina, see noonsite's Argentina Formalities.
Take your zarpe to the Prefectura at the office by the jetty. This must be done even if coming from another Argentinian port.
If leaving for a foreign port, then request an international zarpe.
There is an anchorage off the yacht club. See comments below with tips for anchoring here.
The bay is exposed to the north and east which can make the anchorage uncomfortable in winds from that direction.
Last updated November 2015.
The Club Nauco Atlanco Sud welcomes cruisers and has showers as well as a bar.


For the image: You can use a finger to pan, or two to rotate, zoom, and pan. You can use your mouse to drag, or scroll to zoom or right-click to rotate.
For Google Maps: It doesn't seem to work properly on the first load, but reloading the page might help. Also, it'll only work when you're connected to the internet. If you're on touchscreen and can't scroll back up, try scrolling on the buttons.
Clubs
Please note that club information was taken from their chartered club list as of September 14th, 2018. Apparently some of their information turned out to be inaccurate, so blame them, not us.
You've disabled the club and staff lists
Events
Staff list
You've disabled the club and staff lists
Last PSA
loading
Theme
Time formatting
Tab title compactness
Periods
How to use
Really, the best way to learn is to experiment yourself.
On Macs, Windows, and Linux, you can just bookmark this page or pin this tab (right click on the tab and select "pin" or whatever). On Chromebooks, you can also pin this page to the shelf (menu > more tools > add to shelf). On iOS, you can tap on the share icon and select "add to home screen." On Android, tap on the menu and select "add to home screen."
I have ideas! I found a problem!
There are two ways to submit suggestions and bug reports: if you have a GitHub account, you can make a new issue on GitHub; else, you can just spam me at<EMAIL_ADDRESS>We only intend to support the latest versions of Chrome and iOS Safari — the iOS Chrome app is just an embedded Safari with synced Google bookmarks — so if you aren't using one of those browsers, don't complain if something breaks.
About
The app was originally made to make the features of the Gunn App available to computers.
This is open sourced on GitHub, but be warned that the code isn't very easy to read.
Henry for his ideas, Google Maps overlay, and bug reports that came with screenshots.
Alex, Steven, Tomer, Aaryan, Julien and some other people for moral support and ideas.
The Android version of the Gunn App which was open sourced and I was able to get the Google Calendar events URL thing from their code. Apparently for me Java is to JavaScript as Interlingua is to Spanish.
Google Search, Stack Overflow, and MDN for their very helpful information. See, knowing how to program is just a fancy term for knowing how to Google.
The original Gunn App for what I better include in this app or Chromebook users'll feel left out.


{% load staticfiles %}
This is a template for a simple marketing or informational website. It includes a large callout called the hero unit and three supporting pieces of content. Use it as a starting point to create something more unique.
游客浏览


{$MetaKeywords/} {$MetaDescription/} {ZL:Boot4()/}
Design the sign with your logo or idea!
Custom the sign with your own text.


General description of pyibisami package.¶
A package of Python modules, used to configure and test IBIS-AMI models.
Original Author: David Banas<EMAIL_ADDRESS>Original Date: 3 July 2012
Copyright (c) 2012 by David Banas; All rights reserved World wide.


Life explorer
Design enthusiast
Ocean lover
Problem solver
Not limited to one-single field, she is willing to learn and explore new things with curiosity .
Combine the simplest solution with aesthetics to create a delightful user experience.


This page is dedicated to multi level circle packing. It explains how to build one using R and the ggraph
package.
Circular packing represents a hierarchy: The biggest circle (origin of the hierarchy) contains several big circles (nodes of level 1), which contain smaller circle (level 2) and so on.. The last level is called leaf.
The input data is a list of edges between nodes. It should look more or less like the table beside. Moreover, we usually accompany this table with another one that gives features for each node.
Edge list
ggraph
The ggraph
package makes it a breeze to build a circular packing from an edge list. Here is an example based on the flare
dataset proovded with the package.
The first step is to transform the dataframe to a graph object thanks to the graph_from_data_frame()
function of the igraph
package. Then, ggraph
offers the geom_node_circle()
function that will build the chart.
# Libraries
library(ggraph)
library(igraph)
library(tidyverse)
# We need a data frame giving a hierarchical structure. Let's consider the flare dataset:
<- flare$edges
edges
# Usually we associate another dataset that give information about each node of the dataset:
<- flare$vertices
vertices
# Then we have to make a 'graph' object using the igraph library:
<- graph_from_data_frame( edges, vertices=vertices )
mygraph
# Make the plot
ggraph(mygraph, layout = 'circlepack') +
geom_node_circle() +
theme_void()
Note that the ggraph
library allows to easily go from one type of representation to another. Indeed several types of representation are suitable for hierarchical data: dendrogram (can be circular), treemap, sunburst diagram or network!
ggraph(mygraph, layout='dendrogram', circular=TRUE) +
geom_edge_diagonal() +
theme_void() +
theme(legend.position="none")
ggraph(mygraph, layout='dendrogram', circular=FALSE) +
geom_edge_diagonal() +
theme_void() +
theme(legend.position="none")
ggraph(mygraph, 'treemap', weight = size) +
geom_node_tile(aes(fill = depth), size = 0.25) +
theme_void() +
theme(legend.position="none")
ggraph(mygraph, 'partition', circular = TRUE) +
geom_node_arc_bar(aes(fill = depth), size = 0.25) +
theme_void() +
theme(legend.position="none")
ggraph(mygraph) +
geom_edge_link() +
geom_node_point() +
theme_void() +
theme(legend.position="none")


tic - the terminfo entry-description compiler
tic [-01CDGIKLNTUVWacfgqrstx] [-e names] [-o
dir] [-Q[n]] [-R subset]
[-v[n]] [-w[n]] file
The tic command translates a terminfo file from source format into
compiled format. The compiled format is necessary for use with the library
routines in ncurses(3X).
As described in term(5), the database may be either a
directory tree (one file per terminal entry) or a hashed database (one
record per entry). The tic command writes only one type of entry,
depending on how it was built:
- For directory trees, the top-level directory, e.g., /usr/share/terminfo,
specifies the location of the database.
- For hashed databases, a filename is needed. If the given file is not found
by that name, but can be found by adding the suffix ".db", then
that is used.
- The default name for the hashed database is the same as the default
directory name (only adding a ".db" suffix).
In either case (directory or hashed database), tic will
create the container if it does not exist. For a directory, this would be
the “terminfo” leaf, versus a "terminfo.db"
file.
The results are normally placed in the system terminfo database
/usr/share/terminfo. The compiled terminal description can be placed
in a different terminfo database. There are two ways to achieve this:
- First, you may override the system default either by using the -o
option, or by setting the variable TERMINFO in your shell
environment to a valid database location.
- Secondly, if tic cannot write in /usr/share/terminfo or the
location specified using your TERMINFO variable, it looks for the
directory $HOME/.terminfo (or hashed database
$HOME/.terminfo.db); if that location exists, the entry is placed
there.
Libraries that read terminfo entries are expected to check in
succession
- a location specified with the TERMINFO environment variable,
- $HOME/.terminfo,
- directories listed in the TERMINFO_DIRS environment variable,
- a compiled-in list of directories (no default value), and
- the system terminfo database (/usr/share/terminfo).
This is the same program as infotocap and captoinfo; usually those are linked
to, or copied from this program:
- When invoked as infotocap, tic sets the -I option.
- When invoked as captoinfo, tic sets the -C option.
- -0
- restricts the output to a single line
- -1
- restricts the output to a single column
- -a
- tells tic to retain commented-out capabilities rather than
discarding them. Capabilities are commented by prefixing them with a
period. This sets the -x option, because it treats the
commented-out entries as user-defined names. If the source is termcap,
accept the 2-character names required by version 6. Otherwise these are
ignored.
- -C
- Force source translation to termcap format. Note: this differs from the
-C option of infocmp(1M) in that it does not merely
translate capability names, but also translates terminfo strings to
termcap format. Capabilities that are not translatable are left in the
entry under their terminfo names but commented out with two preceding
dots. The actual format used incorporates some improvements for escaped
characters from terminfo format. For a stricter BSD-compatible
translation, add the -K option.
- If this is combined with -c, tic makes additional checks to
report cases where the terminfo values do not have an exact equivalent in
termcap form. For example:
- sgr usually will not convert, because termcap lacks the ability to
work with more than two parameters, and because termcap lacks many of the
arithmetic/logical operators used in terminfo.
- capabilities with more than one delay or with delays before the end of the
string will not convert completely.
- -c
- tells tic to only check file for errors, including syntax
problems and bad use-links. If you specify -C (-I) with this
option, the code will print warnings about entries which, after use
resolution, are more than 1023 (4096) bytes long. Due to a fixed buffer
length in older termcap libraries, as well as buggy checking for the
buffer length (and a documented limit in terminfo), these entries may
cause core dumps with other implementations.
- tic checks string capabilities to ensure that those with parameters
will be valid expressions. It does this check only for the predefined
string capabilities; those which are defined with the -x option are
ignored.
- -D
- tells tic to print the database locations that it knows about, and
exit. The first location shown is the one to which it would write compiled
terminal descriptions. If tic is not able to find a writable
database location according to the rules summarized above, it will print a
diagnostic and exit with an error rather than printing a list of database
locations.
- -e names
- Limit writes and translations to the following comma-separated list of
terminals. If any name or alias of a terminal matches one of the names in
the list, the entry will be written or translated as normal. Otherwise no
output will be generated for it. The option value is interpreted as a file
containing the list if it contains a '/'. (Note: depending on how tic was
compiled, this option may require -I or -C.)
- -f
- Display complex terminfo strings which contain if/then/else/endif
expressions indented for readability.
- -G
- Display constant literals in decimal form rather than their character
equivalents.
- -g
- Display constant character literals in quoted form rather than their
decimal equivalents.
- -I
- Force source translation to terminfo format.
- -K
- Suppress some longstanding ncurses extensions to termcap format, e.g.,
"\s" for space.
- -L
- Force source translation to terminfo format using the long C variable
names listed in <term.h>
- -N
- Disable smart defaults. Normally, when translating from termcap to
terminfo, the compiler makes a number of assumptions about the defaults of
string capabilities reset1_string, carriage_return,
cursor_left, cursor_down, scroll_forward, tab,
newline, key_backspace, key_left, and
key_down, then attempts to use obsolete termcap capabilities to
deduce correct values. It also normally suppresses output of obsolete
termcap capabilities such as bs. This option forces a more literal
translation that also preserves the obsolete capabilities.
- -odir
- Write compiled entries to given database location. Overrides the TERMINFO
environment variable.
- -Qn
- Rather than show source in terminfo (text) format, print the compiled
(binary) format in hexadecimal or base64 form, depending on the option's
value:
- 1
- hexadecimal
- 2
- base64
- 3
- hexadecimal and base64
- -q
- Suppress comments and blank lines when showing translated source.
- -Rsubset
- Restrict output to a given subset. This option is for use with archaic
versions of terminfo like those on SVr1, Ultrix, or HP/UX that do not
support the full set of SVR4/XSI Curses terminfo; and outright broken
ports like AIX 3.x that have their own extensions incompatible with
SVr4/XSI. Available subsets are “SVr1”,
“Ultrix”, “HP”, “BSD” and
“AIX”; see terminfo(5) for details.
- -r
- Force entry resolution (so there are no remaining tc capabilities) even
when doing translation to termcap format. This may be needed if you are
preparing a termcap file for a termcap library (such as GNU termcap
through version 1.3 or BSD termcap through 4.3BSD) that does not handle
multiple tc capabilities per entry.
- -s
- Summarize the compile by showing the database location into which entries
are written, and the number of entries which are compiled.
- -T
- eliminates size-restrictions on the generated text. This is mainly useful
for testing and analysis, since the compiled descriptions are limited
(e.g., 1023 for termcap, 4096 for terminfo).
- -t
- tells tic to discard commented-out capabilities. Normally when
translating from terminfo to termcap, untranslatable capabilities are
commented-out.
- -U
- tells tic to not post-process the data after parsing the source
file. Normally, it infers data which is commonly missing in older terminfo
data, or in termcaps.
- -V
- reports the version of ncurses which was used in this program, and
exits.
- -vn
- specifies that (verbose) output be written to standard error trace
information showing tic's progress.
- The optional parameter n is a number from 1 to 10, inclusive,
indicating the desired level of detail of information. If ncurses is built
without tracing support, the optional parameter is ignored. If n is
omitted, the default level is 1. If n is specified and greater than
1, the level of detail is increased.
The debug flag levels are as follows:
- 1
- Names of files created and linked
- 2
- Information related to the “use” facility
- 3
- Statistics from the hashing algorithm
- 5
- String-table memory allocations
- 7
- Entries into the string-table
- 8
- List of tokens encountered by scanner
- 9
- All values computed in construction of the hash table
If the debug level n is not given, it is taken to be
one.
- -W
- By itself, the -w option will not force long strings to be wrapped.
Use the -W option to do this.
- If you specify both -f and -W options, the latter is ignored
when -f has already split the line.
- -wn
- specifies the width of the output. The parameter is optional. If it is
omitted, it defaults to 60.
- -x
- Treat unknown capabilities as user-defined (see user_caps(5)). That
is, if you supply a capability name which tic does not recognize,
it will infer its type (boolean, number or string) from the syntax and
make an extended table entry for that. User-defined capability strings
whose name begins with “k” are treated as function
keys.
- file
- contains one or more terminfo terminal descriptions in source
format [see terminfo(5)]. Each description in the file describes
the capabilities of a particular terminal.
- If file is “-”, then the data is read from the
standard input. The file parameter may also be the path of a
character-device.
All but one of the capabilities recognized by tic are documented in
terminfo(5). The exception is the use capability.
When a use=entry-name field is discovered in
a terminal entry currently being compiled, tic reads in the binary
from /usr/share/terminfo to complete the entry. (Entries created from
file will be used first. tic duplicates the capabilities in
entry-name for the current entry, with the exception of those
capabilities that explicitly are defined in the current entry.
When an entry, e.g., entry_name_1, contains a
use=entry_name_2 field, any canceled
capabilities in entry_name_2 must also appear in
entry_name_1 before use= for these capabilities to be canceled
in entry_name_1.
Total compiled entries cannot exceed 4096 bytes. The name field
cannot exceed 512 bytes. Terminal names exceeding the maximum alias length
(32 characters on systems with long filenames, 14 characters otherwise) will
be truncated to the maximum alias length and a warning message will be
printed.
System V Release 2 provided a tic utility. It accepted a single option:
-v (optionally followed by a number). According to Ross Ridge's comment
in mytinfo, this version of tic was unable to represent
cancelled capabilities.
System V Release 3 provided a different tic utility,
written by Pavel Curtis, (originally named “compile” in
pcurses). This added an option -c to check the file for
errors, with the caveat that errors in “use=” links would not
be reported. System V Release 3 documented a few warning messages which did
not appear in pcurses. While the program itself was changed little as
development continued with System V Release 4, the table of capabilities
grew from 180 (pcurses) to 464 (Solaris).
In early development of ncurses (1993), Zeyd Ben-Halim used the
table from mytinfo to extend the pcurses table to 469
capabilities (456 matched SVr4, 8 were only in SVr4, 13 were not in SVr4).
Of those 13, 11 were ultimately discarded (perhaps to match the draft of
X/Open Curses). The exceptions were memory_lock_above and
memory_unlock (see user_caps(5)).
Eric Raymond incorporated parts of mytinfo into ncurses to
implement the termcap-to-terminfo source conversion, and extended that to
begin development of the corresponding terminfo-to-termcap source
conversion, Thomas Dickey completed that development over the course of
several years.
In 1999, Thomas Dickey added the -x option to support
user-defined capabilities.
In 2010, Roy Marples provided a tic program and terminfo
library for NetBSD. That implementation adapts several features from
ncurses, including tic's -x option.
The -c option tells tic to check for problems in the
terminfo source file. Continued development provides additional checks:
- pcurses had 8 warnings
- ncurses in 1996 had 16 warnings
- Solaris (SVr4) curses has 28 warnings
- NetBSD tic in 2019 has 19 warnings.
- ncurses in 2019 has 96 warnings
The checking done in ncurses' tic helps with the conversion
to termcap, as well as pointing out errors and inconsistencies. It is also
used to ensure consistency with the user-defined capabilities. There are 527
distinct capabilities in ncurses' terminal database; 128 of those are
user-defined.
X/Open Curses, Issue 7 (2009) provides a brief description of tic. It
lists one option: -c. The omission of -v is unexpected. The
change history states that the description is derived from True64 UNIX.
According to its manual pages, that system also supported the -v
option.
Shortly after Issue 7 was released, Tru64 was discontinued. As of
2019, the surviving implementations of tic are SVr4 (AIX, HP-UX and
Solaris), ncurses and NetBSD curses. The SVr4 tic programs all
support the -v option. The NetBSD tic program follows X/Open's
documentation, omitting the -v option.
The X/Open rationale states that some implementations of
tic read terminal descriptions from the standard input if the
file parameter is omitted. None of these implementations do that.
Further, it comments that some may choose to read from
”./terminfo.src” but that is obsolescent behavior from SVr2,
and is not (for example) a documented feature of SVr3.
There is some evidence that historic tic implementations treated
description fields with no whitespace in them as additional aliases or short
names. This tic does not do that, but it does warn when description
fields may be treated that way and check them for dangerous characters.
Unlike the SVr4 tic command, this implementation can actually compile
termcap sources. In fact, entries in terminfo and termcap syntax can be mixed
in a single source file. See terminfo(5) for the list of termcap names
taken to be equivalent to terminfo names.
The SVr4 manual pages are not clear on the resolution rules for
use capabilities. This implementation of tic will find
use targets anywhere in the source file, or anywhere in the file tree
rooted at TERMINFO (if TERMINFO is defined), or in the user's
$HOME/.terminfo database (if it exists), or (finally) anywhere in the
system's file tree of compiled entries.
The error messages from this tic have the same format as
GNU C error messages, and can be parsed by GNU Emacs's compile facility.
Aside from -c and -v, options are not portable:
- •
- Most of tic's options are not supported by SVr4 tic:
-0 -1 -C -G -I
-N -R -T -V -a -e -f
-g -o -r -s -t -x
- •
- The NetBSD tic supports a few of the ncurses options
-a -o -x
- and adds -S (a feature which does the same thing as infocmp's
-e and -E options).
The SVr4 -c mode does not report bad “use=”
links.
System V does not compile entries to or read entries from your
$HOME/.terminfo database unless TERMINFO is explicitly set to it.
- /usr/share/terminfo/?/*
- Compiled terminal description database.
infocmp(1M), captoinfo(1M), infotocap(1M), toe(1M),
curses(3X), term(5). terminfo(5). user_caps(5).
This describes ncurses version 6.2 (patch 20200212).
Eric S. Raymond<EMAIL_ADDRESS>and
Thomas E. Dickey <dickey@invisible-island.net>


December Capsules A film review by Michael John Legeros Copyright 1995 Michael John Legeros
Contents ========
- CARRINGTON - THE CROSSING GUARD - FATHER OF THE BRIDE PART II - JUMANJI - MONEY TRAIN - NICK OF TIME - SABRINA - WHITE MAN'S BURDEN - WILD BILL
CARRINGTON ==========
Another cryptic period piece, a la PERSUASION. Well-acted by Emma Thompson and Cannes Best Actor winner Jonathan Pryce, CARRINGTON is the story of the unrequited love between British painter Dora Carrington (Thompson) and eccentric writer Lytton Strachey (Pryce). They shared a passion for years, though he was an avowed homosexual who found the female form rather offensive. (Their repression knowing no limits, each maintained separate sexual relationships while always staying very close to each other.) The fine cast, notably Pryce, and an ever-interesting story makes CARRINGTON quite watchable, despite a confusing script that too often misses the nuts-and-bolts of basic character introductions. We get the juicy bits, but not always what comes before. (Anyone up for a tally of how many times Emma takes another hop in the sack? I wonder what Kenneth thought...)
Grade: C+
THE CROSSING GUARD ==================
Here's the hat trick of the season: Sean Penn writes, directs, *and* casts former flames Jack Nicholson and Anjelica Huston as former spouses, each dealing with the death of their daughter (to a drunken driver) some five years after the fact. He wants to kill the guy that killed her; she wants a more peaceful resolution. Though never completely coherent as a drama, THE CROSSING GUARD is still a reasonably compelling film. The basic conflict carries the story through the frequent slow spots. More interesting are the flashes of philosophy, when Penn pauses to ponder the nature of guilt. Unfortunately, such insight is intermittent and entirely absent by the end. Still, there's that cast. Huston only has a handful of scenes; the best work is from Richard Jordan-look-alike David Morse, as the driver, and Jack, boozed-up and bloated, wasting his nights in a strip club, and, in one unexpected scene, taking the stage with one of the girls.
Grade: C+
FATHER OF THE BRIDE PART II ===========================
Writing/directing/producing team Charles Shyer and Nancy Meyers (NOTHING BUT TROUBLE) return with this wholly unnecessary remake- of-a-sequel that's also a sequel-to-a-remake. They up the ante of FATHER'S LITTLE DIVIDEND (1951) by making the father of the bride both a daddy and a grandpa. Mom (Diane Keaton) and Daughter (Kimberly Williams) pregnant together, and Dad (Steve Martin) doing double-takes throughout. In real-life, such an event would take on a demented, tabloid edge; in Disney's white-picket world, baby baby translates into a mild form of wackiness that culminates with Martin Short sitting behind the wheel of an Explorer (what else?) and Dad almost landing on the wrong end of a prostrate exam. Are we laughing yet?
Actually, we *would* be laughing, had these bits not already been shown in the trailers. Who's idea was it to give away all the gags? At least there's Steve Martin, who has more physical grace than most contemporary screen comedians. Even in a subdued role in a subdued movie, he glides through each scene with distinctive flair. Too bad the same can't be said for Martin Short and B.D. Wong. As the returning Decorators from Hell, they grate more than they give. And, yes, that's "SCTV" veteran Eugene Levy as the Middle-Eastern home buyer. Though the marketing staff should be shot--or given trophies; I can't decide which--FATHER OF THE BRIDE PART II is innocuous enough. Relentlessly cheery *and* extolling more family values than we've seen in several months, there's certainly an audience for this golden-lit world of healthy babies, selfless spouses, and happily-ever-after's.
Grade: B-
JUMANJI =======
This cute children's adventure--think THE WIZARD OF OZ meets BIG--is the perfect (and, perhaps, unintentional) companion-piece to TOY STORY. Director Joe Johnson (HONEY, I SHRUNK THE KIDS, THE ROCKETEER) and Company have created a jungle of computer-generated animals that live, breathe, and stampede across the screen. Sure, they look as fake as they do in the ads, but the prospect of what they represent is thrilling. The plot--a mysterious board game causes demented jungle flora and fauna to appear--is fun enough, but the mind can only wander and wonder about how this technology will affect future features. Such as the sequel to JURASSIC PARK, due in `97. For now, (older) kids will eat this stuff up. Robin Williams is surprisingly toned-down as the man-child who emerges from the game. Bonnie Hunt is appealing as his neurotic playmate who has to resume a game started 26 years earlier. The story could be a couple shades darker, though. With better animation and a sharper edge, JUMANJI would qualify as an instant classic.
Grade: B
MONEY TRAIN ===========
Two hours and two minutes of Woody Harrelson and Wesley Snipes knocking around as foster-brother transit cops, jerking the chain of their totalitarian supervisor (Robert Blake, playing *way* over the top), and creating every manner of subway-related mayhem. The tone is abominable and almost wincing in spots. The plot--involving the robbery of the car that collects the fares--is equally absurd. (Any kid with a train set could handle The Heist better than the authorities in the movie do.) Woody and Wesley have great chemistry, though, and that's probably enough for most audiences. Sheer idiocy. It'll make millions.
Grade: D+
NICK OF TIME ============
Great gimmick; godawful movie. Joe Everyman (Johnny Depp) has ninety minutes to kill the person in the photo, says bad guy Christopher Walken, or his little girl dies. Here's the gun, here's the hotel, and here's her itinerary. Fail to complete the mission, and your daughter dies. No problem--we saw this much in the trailer and it looked good then. Director John Badham (POINT OF NO RETURN, STAKEOUT) has also shot the story in "real time," so one minute here equals one minute there. Cool. The problem comes with, well, all the rest of it. Instead of leaving Depp alone and to his own devices, the script has Walken's character hounding his every turn. Which is insane. Any chance of innovation is negated through this, and other boneheaded plot points. We threw up our hands and left after 35 minutes of "real time."
Grade: D- (extrapolated)
SABRINA =======
Surprisingly stiff for a romantic-comedy remake, SABRINA still has its charms. The old-fashioned plot--involving a pair of wealthy brothers (Harrison Ford and Greg Kinnear) and their chauffeur's attractive daughter (Julia Ormand)--takes a while to settle into.  Or both. Each projects an innocence, though, that helps to eclipse their flagrant flaws. And, after about ninety-minutes of story, they cease to seem like candidates-for-counseling and begin to function as real movie-people. Exceptionally polished, SABRINA is always eye-catching, even when the story strays down a dead-end alley. Such as an entire segment set in Paris. And how about the pairing of Richard Crenna and Angie Dickinson as the in-laws-to-be? We haven't seen them together since the 1971 TV-movie THIEF.
Grade: B-
WHITE MAN'S BURDEN ==================
The Rod Serling gimmick--the *whites* as the minority race--is intriguing, but writer/director Desmond Nakano doesn't go anywhere with it.  The idea, of course, is that each will share a better perspective at the end of their ordeal. And that is the problem. Nakano has created an alternate reality that's just *too* real to believe such a ludicrous plot twist. In fact, as written, the entire second-half of the story would be virtually unwatchable, if not for the extraordinarily humane performances by Travolta and Belafonte. They shine brightly, and provide the small moments of sanity in an otherwise absurd story.
Grade: C+
WILD BILL =========
An arty western that's neither romantic nor revisionist, director Walter Hill's third oater is, from a commercial perspective, dead on arrival. Few heroes and fewer heroics are just some of the challenges to this fictional retelling of the final days of James Butler Hickok. As superbly played by Jeff Bridges, he's bitter, half-blind, and all-too-aware that the end is nearer than farther. (The conflict comes from his past: a string of memories that he can't keep back, and the son of a sweetie who's gunning for the gunslinger.) Leaner and meaner than most Western wear, WILD BILL stumbles a bit at the end. Hill indulges in one too many flash- backs and the rhythm is almost lost. He rights himself for the finale, though, and wraps with an unusually tight closing. Great supporting cast, too, including Christina Applegate, Bruce Dern, Ellen Barkin, and John Hurt. Recommended.
Grade: B-
--
Michael J. Legeros - Raleigh, NC<EMAIL_ADDRESS>(h) -<EMAIL_ADDRESS>(w) Check triangle.movies for weekly reviews from MOVIE HELL
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Please direct comments/criticisms of the review to relevant newsgroups.
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Related links: index of all rec.arts.movies.reviews reviews


Analyzes if/elseif conditions. Inspection will generate hints to review conditions with suboptimal order, duplicates, or boolean constants.


|
SuanShu, a Java numerical and statistical library | |||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object com.numericalmethod.suanshu.stats.timeseries.TimeSeries.Entry<T,V>
T
- the time typeV
- the value typepublic static class TimeSeries.Entry<T,V>
A time series is composed of a sequence of Entrys.
An Entry is immutable.
| Field Summary | |
|---|---|
T |
time
the time index, timestamp |
V |
value
the value |
| Constructor Summary | |
|---|---|
TimeSeries.Entry(T time,
V value)
Construct an entry from a time-value pair. |
| Method Summary | |
|---|---|
T |
getKey()
|
V |
getValue()
|
V |
setValue(V value)
|
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Methods inherited from interface java.util.Map.Entry |
|---|
equals, hashCode |
| Field Detail |
|---|
public final T time
public final V value
| Constructor Detail |
|---|
public TimeSeries.Entry(T time, V value)
time
- the timevalue
- the value| Method Detail |
|---|
public T getKey()
getKey
in interface java.util.Map.Entry<T,V>
public V getValue()
getValue
in interface java.util.Map.Entry<T,V>
public V setValue(V value)
setValue
in interface java.util.Map.Entry<T,V>
|
SuanShu, a Java numerical and statistical library | |||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


{% extends "base.html" %} {% block headtitle %}Contributing{% endblock %} {% block title %}Contributing{% endblock %} {% block content %}
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Preparation time
30 mins to 1 hour
Cooking time
30 mins to 1 hour
Serves
Serves 4
To make the pea sorbet, bring the liquid glucose and 200ml/7fl oz of water to boil in a saucepan to make a stock syrup. Add the frozen petit pois and mint. Allow to cool slightly and then pour into a food processor or blender. Process on high speed to make a purée. Chill, then pour into an ice cream machine and churn for 20-30 minutes or until the sorbet reaches a soft-scoop ice cream texture. Taste for seasoning and adjust with a pinch each of sugar and salt if necessary. Transfer to a freezer container and freeze.
Next, poach the eggs. A rice cooker is the best thing to use, but if you don't have one, heat a pan of water to around 62C/143F, ideally monitoring the temperature with a digital probe. Carefully add the eggs in their shells and leave at 62C/143F for about 1½ hours - the whites will be just firm and the yolks runny. Remove the eggs with a slotted spoon and set aside.
Preheat the oven to 180C/350F/Gas 4. Arrange the bread slices on a large baking sheet, brush with olive oil and bake for about 12 minutes or until golden-brown.
Pour the chicken stock into a medium saucepan and add the butter, shelled peas and a good pinch of salt. Simmer gently for 3-4 minutes to braise the peas until tender.
To serve, carefully peel the shells from the duck eggs. Spoon the braised peas into the centre of warmed shallow soup bowls. Sit the eggs on top of the peas. Lay a slice of ham over each egg, and arrange a spoonful of pea sorbet to one side. Lay a couple of pieces of toast on top of the ham. Dress the pea shoots with a drizzle of olive oil and a sprinkling of salt, then scatter them all around.


Bored In School Right Now Inc HTML
Metal Slug Flash
Game Controls
Once the game has loaded use the mouse to click the buttons on the screen to select the difficulty (in Japanese).
Keys are:
W A S D are to move and duck
J K L are to fire, jump and throw bombs


False hijacking alarm causes major security alert at Schiphol Airport
Passengers and crew were removed from a plane at Amsterdam’s Schiphol Airport during a major security alert, after a hijacking alarm was activated by mistake.
The military police service earlier said they were responding to a suspicious situation at the airport on the outskirts of Amsterdam.
Dutch media reported that emergency services were deployed in large numbers tonight.
But Air Europa later tweeted that it had been a false alarm.
They said that a warning that triggers protocols on hijackings at the airport was activated by mistake.
“Nothing has happened, all passengers are safe and sound waiting to fly soon. We deeply apologize,” they tweeted.


Undocumented
MenuCellStateDelete = 0
case delete = 0
MenuCellStateAdd
case add = 1
MenuCellStateKeep
case keep = 2


Cameras¶
Athos have a Stereo Camera, Aramis a Kinect and a USB Camera, Porthos only Kinect.
Kinect¶
Kinect is a motion sensor device by Microsoft©
Specs¶
- Color Camera Resolution 640 x 480
- Depth Camera Resolution 320 x 240
- Max Depth Distance ~4.5 m
- Min Depth Distance ~0.04 m
- Viewing angle 43° vertical by 57° horizontal field of view
- Vertical tilt range +-27°
- Frame rate (depth and color stream) 30 fps
- Audio format 16-kHz, 24-bit mono pulse code modulation (PCM)
- Audio input characteristics A four-microphone array with 24-bit analog-to-digital converter (ADC) and Kinect-resident signal processing including acoustic echo cancellation and noise suppression
- Accelerometer characteristics A 2G/4G/8G accelerometer configured for the 2G range, with a 1° accuracy upper limit.


If bootstrap is working, you have to see a success styled button for Bootstrap working..!
If jquery is working, you have to see a 'jQuery working..!' text in the below textbox
If fontawesome is working, you have to see a big green flag..!
Font-awesome working..!Good to go..!


@deprecated
Javadoc tag but do not have the @java.lang.Deprecated
annotation.
Example:
/**
* @deprecated use {@code example()} instead
*/
void sample(){ }
After the quick-fix is applied:
/**
* @deprecated use {@code example()} instead
*/
@Deprecated
void sample(){ }
This inspection reports only if the language level of the project or module is 5 or higher.
Use the checkbox below to report members annotated with @Deprecated
without
an explanation in a Javadoc @deprecated
tag.


Package org.drip.function.rdtor1solver
Class FixedRdFinder
java.lang.Object
org.drip.function.rdtor1solver.FixedRdFinder
- Direct Known Subclasses:
InteriorFixedPointFinder
,NewtonFixedPointFinder
public abstract class FixedRdFinder
extends java.lang.Object
FixedRdFinder exports the Methods needed for the locating a Fixed Rd Point.
- Module = Numerical Core Module
- Library = Numerical Optimizer
- Project = Function
- Package = Rd To R1 Solver
- Author:
- Lakshmi Krishnamurthy
-
Field Summary
Fields Modifier and Type Field Description static boolean
s_verifierIncrementBlog
Flag Indicating whether the Verifier Increment Metrics are to be Traced -
Method Summary
Modifier and Type Method Description ConvergenceControl
convergenceControl()
Retrieve the Convergence Control ParametersVariateInequalityConstraintMultiplier
convergeObjectiveFunction(VariateInequalityConstraintMultiplier startingVariateConstraint)
Solve for the Optimal Variate-Inequality Constraint Multiplier Tuple Using the Objective Function ConvergenceVariateInequalityConstraintMultiplier
convergeVariate(VariateInequalityConstraintMultiplier startingVariateConstraint)
Solve for the Optimal Variate-Inequality Constraint Multiplier Tuple Using the Variate/Inequality Constraint Tuple ConvergenceVariateInequalityConstraintMultiplier
find(VariateInequalityConstraintMultiplier startingVariateConstraint)
Find the Optimal Variate-Inequality Constraint Multiplier Tuple using the Iteration Parameters provided by the Convergence Control Instanceabstract VariateInequalityConstraintMultiplier
increment(VariateInequalityConstraintMultiplier currentVariateConstraint)
Produce the Incremental Variate-Constraint Multiplierdouble
incrementFraction(VariateInequalityConstraintMultiplier variateConstraint, VariateInequalityConstraintMultiplier variateConstraintIncrement)
Retrieve the Incremental Step Length FractionLineStepEvolutionControl
lineStepEvolutionControl()
Retrieve the Line Step Evolution Controlabstract VariateInequalityConstraintMultiplier
next(VariateInequalityConstraintMultiplier currentVariateConstraint, VariateInequalityConstraintMultiplier incrementalVariateConstraint, double incrementFraction)
Iterate Over to the Next Variate-Constraint Multiplier TupleRdToR1
objectiveFunction()
Retrieve the Objective FunctionMethods inherited from class java.lang.Object
equals, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait
-
Field Details
-
s_verifierIncrementBlog
public static boolean s_verifierIncrementBlogFlag Indicating whether the Verifier Increment Metrics are to be Traced
-
-
Method Details
-
objectiveFunction
Retrieve the Objective Function- Returns:
- The Objective Function
-
lineStepEvolutionControl
Retrieve the Line Step Evolution Control- Returns:
- The Line Step Evolution Control
-
convergenceControl
Retrieve the Convergence Control Parameters- Returns:
- The Convergence Control Parameters
-
convergeVariate
public VariateInequalityConstraintMultiplier convergeVariate(VariateInequalityConstraintMultiplier startingVariateConstraint)Solve for the Optimal Variate-Inequality Constraint Multiplier Tuple Using the Variate/Inequality Constraint Tuple Convergence- Parameters:
startingVariateConstraint
- The Starting Variate/Inequality Constraint Tuple- Returns:
- The Optimal Variate-Inequality Constraint Multiplier Tuple
-
convergeObjectiveFunction
public VariateInequalityConstraintMultiplier convergeObjectiveFunction(VariateInequalityConstraintMultiplier startingVariateConstraint)Solve for the Optimal Variate-Inequality Constraint Multiplier Tuple Using the Objective Function Convergence- Parameters:
startingVariateConstraint
- The Starting Variate/Inequality Constraint Tuple Set- Returns:
- The Optimal Variate-Inequality Constraint Multiplier Tuple
-
find
public VariateInequalityConstraintMultiplier find(VariateInequalityConstraintMultiplier startingVariateConstraint)Find the Optimal Variate-Inequality Constraint Multiplier Tuple using the Iteration Parameters provided by the Convergence Control Instance- Parameters:
startingVariateConstraint
- The Starting Variate-Inequality Constraint Multiplier Tuple- Returns:
- The Optimal Variate-Inequality Constraint Multiplier Tuple
-
incrementFraction
public double incrementFraction(VariateInequalityConstraintMultiplier variateConstraint, VariateInequalityConstraintMultiplier variateConstraintIncrement)Retrieve the Incremental Step Length Fraction- Parameters:
variateConstraint
- The VariateInequalityConstraintMultiplier Base InstancevariateConstraintIncrement
- The Full VariateInequalityConstraintMultiplier Instance Increment- Returns:
- The VariateInequalityConstraintMultiplier Incremental Step Length Fraction
-
increment
public abstract VariateInequalityConstraintMultiplier increment(VariateInequalityConstraintMultiplier currentVariateConstraint)Produce the Incremental Variate-Constraint Multiplier- Parameters:
currentVariateConstraint
- The Current Variate-Constraint Multiplier Tuple- Returns:
- The Incremental Variate-Constraint Multiplier
-
next
public abstract VariateInequalityConstraintMultiplier next(VariateInequalityConstraintMultiplier currentVariateConstraint, VariateInequalityConstraintMultiplier incrementalVariateConstraint, double incrementFraction)Iterate Over to the Next Variate-Constraint Multiplier Tuple- Parameters:
currentVariateConstraint
- The Current Variate-Constraint Multiplier TupleincrementalVariateConstraint
- The Incremental Variate-Constraint Multiplier TupleincrementFraction
- The Incremental Fraction to be applied- Returns:
- The Next Variate-Constraint Multiplier Set
-


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| Jul-01-04 | | mikejaqua: Wow! This guy's almost as amazing as NN. Fernandez played for 94 years. |
|
| Jul-22-05 | | Montreal1666: Actually 104 years!!!! |
|
| Jul-22-05 | | aw1988: The math here is terrible. 103 years. |
|
| Jul-22-05 | | Montreal1666: There is more to it than meets the eye!!!
(2003-1900) + 1 |
|
| Jul-22-05 | | aw1988: Sorry, how precisely does that work again? |
|
| Jul-22-05 | | aw1988: Oh, right. I'm rusty. |
|
| Jul-22-05 | | Montreal1666: <aw1988> Well it is a bit delicate. For example if you say I played chess only in the year 2000, you have played for 1 year. If you say I played chess in the years 2000 and 2001 then you have played for 2 years: (2001-2000) + 1 |
|
| Jul-22-05 | | aw1988: Yes, I know. |
|
| Jul-22-05 | | rexeterna: So Fernandez would be the alter ego of NN and Meyer, right? |
|
| Jul-24-05 | | Giearth: This Fernandez fellow must be an Elf! |
|
| Jul-24-05 | | arifattar: Obviously there is more than one Fernandez involved here. Quite a common Portuguese surname. Go to Turner Road in Bombay and throw a stone. Chances are it will land in the drawing room of Mr. Fernandez. |
|
| Jul-24-05 | | Montreal1666: <arifattar:> that is why Mr. Fernandez has made his way to the Odd Lie hall of fame!!! (We are joking around man!) |
|
| Jan-23-08 | | jovack: Fernandez can live forever apparently. |
|
| Dec-24-08 | | WhiteRook48: wow. Another really old guy who lost a lot of his games... makes me wonder if he's related to NN. |
|
| Dec-28-08 | | visayanbraindoctor: <Montreal1666: Actually 104 years!!!!.> My great, great, great grandmother was surnamed Fernandez. If she had played Steinitz, then CG Fernandez would be more than 104 years old. |
|
| May-11-11 | | nofum: <WhiteRook48>
To be fair to the old feller, Fernandez did win 10 games. |
|
Jul-25-12
| | perfidious: Maybe we can thin the ranks of the mysterious Fernandez games; I've got a few in mind. Time to get to work. Let's see how much progress can be made from the current count of 59. Any other takers? |
|
Jul-27-12
| | perfidious: <mikejaqua: Wow! This guy's almost as amazing as NN....> Methuselah's cousin, don't you know.
<....Fernandez played for 94 years. > This statement is now correct (at least for the moment!). His playing career may shrink yet more, however-I've a feeling that there's a joker called Fernandes in the midst of all this with most of those Dubai 1986 games. We're now on 32, with hope of further progress. |
|
Mar-13-13
| | perfidious: Things are looking up with a count of 28, but there may be some further adventures in store. There's probably no hope of clearing up the very earliest games, but no harm trying, either! |
|
| Jul-30-13 | | epistle: El Presidente himself. |
|


There are perhaps no days of our childhood we lived so fully as those we spent with a favorite book.
Cover template for Bootstrap, by @mdo.


Basic Forms
Text Before |
Checkbox Label
| Text 1 |
Radio 1
| Text 2 |
Radio 2
| Text 3 |
Radio 3
| Text 4 |
| Text 5 |
OptionThis option is really really really long
| Text 6 |
| Text After
Headers
Text Before |
Checkbox Label
| Text 1 |
Radio 1
| Text 2 |
Radio 2
| Text 3 |
Radio 3
| Text 4 |
| Text 5 |
OptionThis option is really really really long
| Text 6 |
| Text After


| Modifier and Type | Method and Description |
|---|---|
static NameAlias |
NameAlias.AS(Record rec,
String alias)
Shortcut for new NameAlias(record.getTableName(), alias)
|
| Modifier and Type | Method and Description |
|---|---|
static <R extends Record> |
StorageObjectFactory.newRecord(Class<R> recordClass,
Object... constructorParameters)
Create instance of a class that implements Record interface.
|
static <R extends Record> |
StorageObjectFactory.newRecord(Constructor<R> recordConstructor,
Object... constructorParameters)
Create instance of a class that implements Record interface.
|
static <R extends Record> |
StorageObjectFactory.newRecordSet(Constructor<RecordSet<R>> recordsetConstructor,
Object... constructorParameters) |
static <R extends Record> |
StorageObjectFactory.newRecordSetOf(Class<R> recordClass,
Object... constructorParameters)
Create instance of a class that implements RecordSet interface for the given Record class.
|
| Modifier and Type | Method and Description |
|---|---|
void |
StandardConstraintsChecker.check(DataSource oDts,
Record oRec)
Perform validations on a Record:
|
void |
ConstraintsChecker.check(DataSource dataSource,
Record rec)
Check Record data.
|
Date[] |
FieldHelper.getDateArray(Record rec,
String colname)
Get Date array.
|
Double[] |
FieldHelper.getDoubleArray(Record rec,
String colname)
Get Double array.
|
Float[] |
FieldHelper.getFloatArray(Record rec,
String colname)
Get Float array.
|
Integer[] |
FieldHelper.getIntegerArray(Record rec,
String colname)
Get Integer array.
|
int |
FieldHelper.getIntervalPart(Record rec,
String colname,
String part)
Get part of a time interval.
|
com.knowgate.gis.LatLong |
FieldHelper.getLatLong(Record rec,
String columName)
Get LatLong.
|
Long[] |
FieldHelper.getLongArray(Record rec,
String colname)
Get Long array.
|
Object |
FieldHelper.getMap(Record rec,
String columName)
Get name->value Map.
|
String[] |
FieldHelper.getStringArray(Record rec,
String colname)
Get String array.
|
| Modifier and Type | Field and Description |
|---|---|
protected Constructor<? extends Record> |
AbstractQuery.recordConstructor |
| Modifier and Type | Method and Description |
|---|---|
abstract Record |
AbstractQuery.newRecord()
Create a new instance of Record subclass used to iterate through this query results.
|
| Modifier and Type | Method and Description |
|---|---|
abstract RecordSet<? extends Record> |
AbstractQuery.execute()
Execute this query and return a RecordSet with the results.
|
RecordSet<? extends Record> |
AbstractQuery.execute(Object param1)
Bind one parameter and execute this query.
|
RecordSet<? extends Record> |
AbstractQuery.execute(Object param1,
Object param2)
Bind two parameters and execute this query.
|
RecordSet<? extends Record> |
AbstractQuery.execute(Object param1,
Object param2,
Object param3)
Bind three parameters and execute this query.
|
RecordSet<? extends Record> |
AbstractQuery.executeWithArray(Object... params)
Bind a variable number of parameters and execute this query.
|
RecordSet<? extends Record> |
AbstractQuery.executeWithMap(Map params)
Bind a variable number of parameters and execute this query.
|
| Modifier and Type | Method and Description |
|---|---|
void |
AbstractQuery.setResultClass(Class<? extends Record> resultClass,
Class<?>... constructorParameterClasses)
Set results using a subclass of Record.
|
| Modifier and Type | Class and Description |
|---|---|
class |
AbstractRelationalQuery<R extends Record>
Base class for relational query wrappers.
|
| Modifier and Type | Method and Description |
|---|---|
void |
RecordQueueProducer.delete(Record rec,
String[] keys,
Properties props)
Send records to the queue for synchronous or asynchronous deletion.
|
void |
RecordQueueProducer.insert(Record rec,
Param[] params)
Send records to the queue for asynchronous insert.
|
void |
RecordQueueProducer.insert(Record rec,
Param[] values,
Properties props)
Send records to the queue for synchronous or asynchronous insert.
|
void |
RecordQueueProducer.store(Record rec)
Send a Record to the queue for asynchronous insert or update.
|
void |
RecordQueueProducer.store(Record[] recs)
Send records to the queue for asynchronous insert or update.
|
void |
RecordQueueProducer.store(Record[] recs,
Properties props)
Send records to the queue for synchronous or asynchronous insert or update.
|
void |
RecordQueueProducer.store(Record rec,
Properties props)
Send a Record to the queue for synchronous or asynchronous insert or update.
|
void |
RecordQueueProducer.update(Record rec,
Param[] values,
Param[] where)
Send records to the queue for asynchronous update.
|
void |
RecordQueueProducer.update(Record rec,
Param[] values,
Param[] where,
Properties props)
Send records to the queue for synchronous or asynchronous update.
|
| Modifier and Type | Class and Description |
|---|---|
class |
AbstractRelationalOperation<R extends Record>
Base class for relational operation wrapper.
|
| Modifier and Type | Method and Description |
|---|---|
<R extends Record> |
RelationalView.fetch(AbstractQuery query)
Fetch records which match a given query.
|
<R extends Record> |
RelationalView.fetchFirst(AbstractQuery query)
Fetch first record which matches a given query.
|
| Modifier and Type | Method and Description |
|---|---|
RelationalView |
RelationalDataSource.openJoinView(JoinType joinType,
Record result,
NameAlias baseTable,
NameAlias joinedTable,
com.knowgate.tuples.Pair<String,String>... onColumns)
Open Relational View for read-only of two joined views.
|
RelationalTable |
RelationalDataSource.openRelationalTable(Record recordInstance)
Open relational table for read/write.
|
RelationalView |
RelationalDataSource.openRelationalView(Record recordInstance)
Open relational view for read-only.
|
| Modifier and Type | Class and Description |
|---|---|
class |
AbstractIndexableTableOperation<R extends Record>
Base class for indexable table operation wrapper.
|
class |
AbstractTableOperation<R extends Record>
Base class for table operation wrapper.
|
interface |
RecordSet<R extends Record>
Interface for in-memory collections of records read from the data source.
|
| Modifier and Type | Interface and Description |
|---|---|
interface |
JDORecord |
interface |
SingleColumnRecord
© Copyright 2016 the original author.
|
| Modifier and Type | Class and Description |
|---|---|
class |
JDOPersistenceCapable |
| Modifier and Type | Method and Description |
|---|---|
<R extends Record> |
IndexableView.fetch(javax.jdo.FetchGroup fetchGroup,
int maxrows,
int offset,
Param... params)
Fetch records which columns contain a given set of values.
|
<R extends Record> |
View.fetch(javax.jdo.FetchGroup fetchGroup,
String indexColumnName,
Object valueSearched) |
<R extends Record> |
View.fetch(javax.jdo.FetchGroup fetchGroup,
String indexColumnName,
Object valueSearched,
int maxrows,
int offset) |
<R extends Record> |
View.fetch(javax.jdo.FetchGroup fetchGroup,
String indexColumnName,
Object valueFrom,
Object valueTo) |
<R extends Record> |
View.fetch(javax.jdo.FetchGroup fetchGroup,
String indexColumnName,
Object valueFrom,
Object valueTo,
int maxrows,
int offset) |
| Modifier and Type | Method and Description |
|---|---|
Record |
RecordManager.newInstance(Class<? extends Record> recordClass,
String tableName) |
| Modifier and Type | Method and Description |
|---|---|
Class<? extends Record> |
View.getResultClass() |
| Modifier and Type | Method and Description |
|---|---|
IndexableTable |
TableDataSource.openIndexedTable(Record recordInstance)
Open Indexed Table for Read/Write
Indexed tables support secondary indexes for seeking records.
|
IndexableView |
TableDataSource.openIndexedView(Record recordInstance)
Open Indexed View for Read-Only.
|
IndexableView |
TableDataSource.openJoinView(JoinType joinType,
Record result,
NameAlias baseTable,
NameAlias joinedTable,
com.knowgate.tuples.Pair<String,String>... onColumns)
Open Indexed View for Read-Only of two joined views.
|
Table |
TableDataSource.openTable(Record recordInstance)
Open Table for Read/Write.
|
View |
TableDataSource.openView(Record recordInstance)
Open View for Read-Only.
|
| Modifier and Type | Method and Description |
|---|---|
Record |
RecordManager.newInstance(Class<? extends Record> recordClass,
String tableName) |
| Constructor and Description |
|---|
ColumnGroup(Record record)
Constructor.
|
| Constructor and Description |
|---|
RecordManager(TableDataSource dataSource,
RecordQueueProducer storageQueue,
javax.cache.Cache<Object,Record> cache,
Map<String,String> propsMap) |
| Modifier and Type | Method and Description |
|---|---|
int |
RecordColumnValueComparatorDesc.compare(Record r1,
Record r2) |
int |
RecordColumnValueComparatorAsc.compare(Record r1,
Record r2) |
boolean |
RecordColumnValueComparatorAsc.equals(Record r1,
Record r2) |
| Modifier and Type | Class and Description |
|---|---|
class |
ArrayListRecordSet<R extends Record>
An array representing data read from a database table or view.
|
| Modifier and Type | Class and Description |
|---|---|
class |
AbstractRecord
Partial implementation of Record interface.
|
class |
AbstractRecordBase
Partial implementation of Record interface.
|
class |
AbstractSingleColumnRecord
Base class for Record implementations that hold only a single column
|
class |
AbstractSingleNumberColumnRecord
Base class for Record implementations that hold only a single column containing a subclass of Number
|
class |
SingleBigDecimalColumnRecord |
class |
SingleDateColumnRecord |
class |
SingleIntColumnRecord |
class |
SingleLongColumnRecord |
class |
SingleObjectColumnRecord |
class |
SingleStringColumnRecord |
Copyright © 2018 KnowGate. All rights reserved.


Capitals’ Garnet Hathaway suspended three games for spitting on opponent
Washington Capitals forward Garnet Hathaway has been suspended three games for spitting on an opponent.
The NHL announced Hathaway’s suspension Wednesday after a hearing with him. He will forfeit $24,194 in salary.
Toward the end of a heated brawl between the Capitals and Ducks on Monday night, Hathaway responded to a rabbit punch from Erik Gudbranson by spitting on the Anaheim defenceman. Hathaway was ejected with a match penalty that carried with it an automatic suspending pending review by the league.
Hathaway said he regretted spitting on Gudbranson and called it an emotional moment. He will miss Washington’s games against the New York Rangers, Vancouver Canucks and Florida Panthers.
The 27-year-old has been a strong addition to the Capitals since they signed him in July. With Washington in salary cap trouble because of injuries and the suspension, the team put winger Carl Hagelin on long-term injured reserve and Nic Dowd on injured reserve and recalled two minor league forwards to play Wednesday night at New York.


Some your paragraph content here. Some your paragraph content here. Some your paragraph content here. Some your paragraph content here. Some your paragraph content here. Some your paragraph content here.
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Some your content here 1. Some your content here 1.
Some your content here 2. Some your content here 2.
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Some your content here 5. Some your content here 5.


Stock Exchange
问题描述 :
Will you help them to develop such a system? Your task is to detect all pairs of buyers and sellers that are able to make a deal together.
输入:
Every issuer code consist of 1-10 uppercase letters ("A" – "Z"). Agent names have at least 1 and at most 20 characters and may be composed of both lowercase and uppercase letters. For one issuer, all agent names are always unique, but the same agents may post bids for several issuers. The number of bids ( N ) will never exceed 1000. No price will be higher than 10000.
The last line of the input contains the string "0 END".
输出:
Every issuer code consist of 1-10 uppercase letters ("A" – "Z"). Agent names have at least 1 and at most 20 characters and may be composed of both lowercase and uppercase letters. For one issuer, all agent names are always unique, but the same agents may post bids for several issuers. The number of bids ( N ) will never exceed 1000. No price will be higher than 10000.
The last line of the input contains the string "0 END".
样例输入:
3 IBM OneBuyer buy 10.600 TooExpensive sell 12.000 ThisWillWork sell 10.600 4 ACM one sell 129.999 two buy 130.000 three buy 131.000 four sell 129.888 4 CVUT seller sell 121.110 toopoor buy 121.109 sellertwo sell 121.111 iamok buy 121.112 0 END
样例输出:
IBM OneBuyer: ThisWillWork TooExpensive: NO-ONE ThisWillWork: OneBuyer ACM one: two three two: one four three: one four four: two three CVUT seller: iamok toopoor: NO-ONE sellertwo: iamok iamok: seller sellertwo
#include <cstdio> #include <cstring> #include <algorithm> using namespace std; int a[100005]; int main(){ int n, len, i, x; while(~scanf("%d",&n)){ if(n==0){ puts("0"); continue; } scanf("%d", &a[1]); len = 1; for(i=2;i<=n;++i){ scanf("%d",&x); int now = lower_bound(a+1,a+len+1, x) - a; if(now == len+1){ a[++len] = x; } else{ a[now] = x; } } printf("%d\n", len); } return 0; }
great!
上面的评论很起劲，为什么我看不懂啊
找bug好专业的说
这一题的代码这样提交时错误的~少考虑了很多情况
赞一个！权限已更新:）
较好的写法是 start+(end-start)/2
if(j){
int ans=a ;
for(int x=j-1;x>=0;x–){
if(!a ) break;
ans=min(ans,a );
sum+=ans;
}
}
求解释，，dp的思路是什么呢？
其实不需要用LCA，用DFS+vector更简单
太变态了。我用hash居然超时了。这样break掉居然都行啊。。。
根本过不了。。。。
#!/usr/bin/env python def cou(n): arr = [1]
大致看了下，算法的时间复杂度没有很本性的提升，算不上高效。
&这是C语言？


"The proper use of comments is to compensate for our failure to express ourself in code."
-Robert C. Martin
The lists of projects below are auto-generated using the GitHub API. Click on the repository names to browse, download, or read about that project. You can also just check out my GitHub profile at github.com/fervillarrealm.


Powershell + DevOps Global Summit 2019 - A Brief Review
Powershell + DevOps Global Summit 2019
2019 marks my first time attending the Powershell + DevOps Global Summit. I first learned of the Summit through the 2018 videos posted on their YouTube channel. The theme of the year last year seemed to be Pester and Pipeline EVERYTHING, which was perfect timing, as those were the projects I was spearheading. The videos gave me ample material to get these and running.
Fast forward a year, and I find myself given the opportunity to attend in person. I jumped at the chance, hoping to pick the brains of some of the presenters in person, and get a feel for what other IT shops are doing out in the wild. Here’s my brief review.
Pros:
- Lots of incredible presenters, especially Glenn Sarti, Brandon Olin, Friedrich Weinmann, and Don Jones, to name a few.
- Tons of great talks on topics like Pester, Jenkins, ImportExcel, OVF, custom PSProviders, Powershell container images.
- Hallway/Lunch talks, aka mingling with presenters and attendees between talks.
- Good conference meals, snacks, and social events.
- Nice venue with lots of space, and wifi that worked (though not that I used it much).
- It was a summit by technical people, and for technical people. There was no vendor pressure for sales.
- Video and code to review all the sessions I watched, and those I had to miss because of conflicts.
Everyone was really approachable and seemed eager to talk. As much as I enjoyed the presentations, some of my biggest takeaways were from speaking to Glenn and Brandon at the lunch table. But the talks were great, too. I walked away with quite a few ideas I’d like to implement over the next few years. Jeffrey Snover was in attendance, going to talks, and engaging with anyone and everyone. The social events were a nice way to make sure you got out of your hotel room and interact with your peers in the industry.
The whole conference had this great vibe of, “Let’s learn something, make some connections, improve our skills, and advance our careers while we’re at it”. If you are wondering why you should attend, rather than watch the videos - it’s the stuff that happens in the hallway, the lunch table, and the pub that really makes it worth the price of admission.
Cons:
- The general session format on Monday. I wish they had condensed the general sessions and got right into content.
- Bellevue is kind of lame.
That’s basically it. Every time I had to choose between session running simultaneously, I kept finding myself thinking, “Damn, they could have used this time on Monday”. That and wishing I had more time to checkout Seattle. Bellevue seems like one big corporate campus.
But these are minor quibbles. It was a great experience. I learned a lot about Powershell, what my peers are doing in the field, and about the art of teaching and presenting technical material. That was a huge, unexpected takeaway. The DevOps Collective did a really amazing job organizing the conference and I hope to attend again next year.


Copyright (c) Pedro Sena 1994
FILM TITLE: MAP OF THE HUMAN HEART DIRECTOR: VINCENT WARD COUNTRY: CANADA 1992 CINEMATOGRAPHY: EDOUARDO SERRA MUSIC: GABRIEL YARED CAST: Patrick Bergin, Anne Parillaud, Jason Scott Lee, Ben Mendelsohn, Anne Galipeau, John Cusack NICE FEATURES: Though sad, the film has a really pretty edge.
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
I have seen three Vincent Ward films, and while this one is the cleanest of them all ( looks like he had a slight budget for a change ), it really isn't up to par of the previous two, although it has interesting bits and pieces.
 In between are all the adventures he goes through, and the one love in his life, whom he wanted, but could not keep.
His inability to stay with his loved one causing him to go to the drink, which eventually leads him to his end. In between the film has its nice touches, the young man making love to the woman atop a weather balloon, and some other unusual bits which make the film very enjoyable.
THE VIGIL, dealt almost with unseen forces that one could not change. THE NAVIGATOR dealt with an ability to hold faith in the harshest of conditions. MAP OF THE HUMAN HEART deals with people's abilities to stay within their own desire and love. The girl Arik ( Jason Scott Lee ) loves, happens to like him, but she ( Anne Galipeau ) is concerned with her Indian background and the acceptance of their mixed relationship in a white world. And even though his ability to be crazy and courageous gets to win her for periods of time that appear to be coincidental ( the story indicates that there will always be a kharmic connection between these two -- thus they will always meet regardless of where ), but in actuality are each person's choices at the time.
It is a nice film, but it is rather sad and brutal on the cross cultured opinions that most people have about each other. And it really explains why many cultures, even the eskimo, is probably going to face extinction in the future.... ( we need food, not books... ) 3 1/2 GIBLOONS
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In Search of Lost Time (French: À la recherche du temps perdu)—previously also translated as Remembrance of Things Past—is a novel in seven volumes, written by Marcel Proust (1871–1922). It is considered to be his most prominent work, known both for its length and its theme of involuntary memory, the most famous example being the "episode of the madeleine" which occurs early in the first volume. It gained fame in English in translations by C. K. Scott Moncrieff and Terence Kilmartin as Remembrance of Things Past, but the title In Search of Lost Time, a literal rendering of the French, has gained usage since D. J. Enright adopted it for his revised translation published in 1992.
In Search of Lost Time follows the narrator's recollections of childhood and experiences into adulthood during late 19th century to early 20th century aristocratic France, while reflecting on the loss of time and lack of meaning to the world. The novel began to take shape in 1909. Proust continued to work on it until his final illness in the autumn of 1922 forced him to break off. Proust established the structure early on, but even after volumes were initially finished he kept adding new material and edited one volume after another for publication.
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