|
| Top 30 of 133 Total Sites |
|
| # |
Hits |
Files |
KBytes |
Visits |
Hostname |
|
| 1 |
470 |
15.25% |
469 |
15.61% |
14514 |
16.92% |
4 |
3.10% |
broadband.actcorp.in |
| 2 |
352 |
11.42% |
349 |
11.61% |
5914 |
6.90% |
1 |
0.78% |
<IP_ADDRESS> |
| 3 |
287 |
9.32% |
287 |
9.55% |
7341 |
8.56% |
2 |
1.55% |
<IP_ADDRESS> |
| 4 |
204 |
6.62% |
204 |
6.79% |
1850 |
2.16% |
1 |
0.78% |
rate-limited-proxy-72-14-199-66.google.com |
| 5 |
198 |
6.43% |
197 |
6.56% |
4987 |
5.81% |
2 |
1.55% |
<IP_ADDRESS> |
| 6 |
166 |
5.39% |
166 |
5.52% |
4011 |
4.68% |
1 |
0.78% |
<IP_ADDRESS> |
| 7 |
163 |
5.29% |
163 |
5.42% |
3976 |
4.64% |
1 |
0.78% |
<IP_ADDRESS> |
| 8 |
162 |
5.26% |
162 |
5.39% |
3987 |
4.65% |
1 |
0.78% |
<IP_ADDRESS> |
| 9 |
162 |
5.26% |
162 |
5.39% |
3975 |
4.63% |
1 |
0.78% |
<IP_ADDRESS> |
| 10 |
162 |
5.26% |
162 |
5.39% |
3975 |
4.63% |
1 |
0.78% |
<IP_ADDRESS> |
| 11 |
147 |
4.77% |
147 |
4.89% |
2946 |
3.43% |
1 |
0.78% |
095-097-135-026.static.chello.nl |
| 12 |
106 |
3.44% |
106 |
3.53% |
998 |
1.16% |
1 |
0.78% |
abts-north-dynamic-<IP_ADDRESS>.airtelbroadband.in |
| 13 |
42 |
1.36% |
42 |
1.40% |
0 |
0.00% |
0 |
0.00% |
s132-148-129-15 |
| 14 |
41 |
1.33% |
41 |
1.36% |
1166 |
1.36% |
0 |
0.00% |
<IP_ADDRESS> |
| 15 |
41 |
1.33% |
35 |
1.16% |
914 |
1.07% |
6 |
4.65% |
crawl-66-249-79-156.googlebot.com |
| 16 |
29 |
0.94% |
23 |
0.77% |
357 |
0.42% |
4 |
3.10% |
crawl-66-249-79-157.googlebot.com |
| 17 |
23 |
0.75% |
23 |
0.77% |
408 |
0.48% |
1 |
0.78% |
msnbot-157-55-39-172.search.msn.com |
| 18 |
22 |
0.71% |
22 |
0.73% |
446 |
0.52% |
2 |
1.55% |
rate-limited-proxy-72-14-199-68.google.com |
| 19 |
17 |
0.55% |
16 |
0.53% |
292 |
0.34% |
1 |
0.78% |
msnbot-207-46-13-111.search.msn.com |
| 20 |
15 |
0.49% |
15 |
0.50% |
316 |
0.37% |
1 |
0.78% |
msnbot-157-55-39-97.search.msn.com |
| 21 |
12 |
0.39% |
10 |
0.33% |
594 |
0.69% |
2 |
1.55% |
crawl-66-249-79-158.googlebot.com |
| 22 |
12 |
0.39% |
12 |
0.40% |
321 |
0.37% |
1 |
0.78% |
msnbot-157-55-39-77.search.msn.com |
| 23 |
11 |
0.36% |
1 |
0.03% |
168 |
0.20% |
1 |
0.78% |
sky.census.shodan.io |
| 24 |
10 |
0.32% |
8 |
0.27% |
523 |
0.61% |
4 |
3.10% |
crawl-66-249-79-130.googlebot.com |
| 25 |
10 |
0.32% |
7 |
0.23% |
439 |
0.51% |
2 |
1.55% |
crawl-66-249-79-132.googlebot.com |
| 26 |
8 |
0.26% |
6 |
0.20% |
963 |
1.12% |
1 |
0.78% |
173-234-248-6.ipvnow.com |
| 27 |
8 |
0.26% |
5 |
0.17% |
736 |
0.86% |
4 |
3.10% |
crawl-66-249-79-134.googlebot.com |
| 28 |
8 |
0.26% |
8 |
0.27% |
21 |
0.02% |
0 |
0.00% |
dedic693.hidehost.net |
| 29 |
7 |
0.23% |
5 |
0.17% |
751 |
0.88% |
1 |
0.78% |
<IP_ADDRESS> |
| 30 |
6 |
0.19% |
5 |
0.17% |
798 |
0.93% |
1 |
0.78% |
<IP_ADDRESS>.baremetal.zare.com |
|
|
| Top 47 of 47 Total Referrers |
|
| # |
Hits |
Referrer |
|
| 1 |
1739 |
56.44% |
https://www.adviceli.com/ |
| 2 |
338 |
10.97% |
- (Direct Request) |
| 3 |
184 |
5.97% |
https://www.adviceli.com/author/188/ |
| 4 |
145 |
4.71% |
https://www.adviceli.com/home-1/ |
| 5 |
123 |
3.99% |
https://www.adviceli.com/wp-admin/admin.php |
| 6 |
102 |
3.31% |
https://www.adviceli.com/advisor_blogss/blank-cheque-is-not-a-blank-cartridge-it-can-hurt-bad/ |
| 7 |
59 |
1.91% |
https://www.adviceli.com/wp-admin/edit-comments.php |
| 8 |
48 |
1.56% |
https://www.adviceli.com/wp-content/themes/adviseli/newstyles.css |
| 9 |
42 |
1.36% |
https://www.adviceli.com/advisors-category/astrology-therapy-counseling/ |
| 10 |
42 |
1.36% |
https://www.adviceli.com/wp-cron.php |
| 11 |
40 |
1.30% |
https://www.adviceli.com/advisors-category/astrology-therapy-counseling |
| 12 |
32 |
1.04% |
https://www.adviceli.com |
| 13 |
26 |
0.84% |
https://www.adviceli.com/register-as-an-expert/ |
| 14 |
24 |
0.78% |
https://www.adviceli.com/advisors-category/lawyers/ |
| 15 |
17 |
0.55% |
https://www.adviceli.com/advisors-category/career |
| 16 |
17 |
0.55% |
https://www.adviceli.com/wp-content/plugins/revslider/public/assets/css/settings.css |
| 17 |
16 |
0.52% |
https://www.adviceli.com/about-us/ |
| 18 |
11 |
0.36% |
https://www.adviceli.com/author/128/ |
| 19 |
7 |
0.23% |
http://adviseli.com/ |
| 20 |
6 |
0.19% |
https://www.adviceli.com/advisors-category/career/ |
| 21 |
6 |
0.19% |
https://www.adviceli.com/author/159/ |
| 22 |
6 |
0.19% |
https://www.adviceli.com/wp-content/themes/adviseli/inc/css/bootstrap.min.css |
| 23 |
5 |
0.16% |
https://adviceli.com/wp-login.php |
| 24 |
5 |
0.16% |
https://www.adviceli.com/register-as-an-expert |
| 25 |
4 |
0.13% |
https://www.adviceli.com/wp-content/plugins/comments-ratings/css/jquery.raty.css |
| 26 |
4 |
0.13% |
https://www.google.co.in/ |
| 27 |
3 |
0.10% |
https://adviceli.com/xmlrpc.php |
| 28 |
3 |
0.10% |
https://www.adviceli.com/wp-login.php |
| 29 |
3 |
0.10% |
https://www.google.ca/ |
| 30 |
3 |
0.10% |
https://www.google.com/ |
| 31 |
2 |
0.06% |
https://www.adviceli.com/career/ |
| 32 |
2 |
0.06% |
https://www.adviceli.com/site-agreement/ |
| 33 |
2 |
0.06% |
https://www.adviceli.com/wp-admin/load-styles.php |
| 34 |
2 |
0.06% |
https://www.adviceli.com/wp-content/themes/adviseli/style.css |
| 35 |
1 |
0.03% |
http://m.facebook.com |
| 36 |
1 |
0.03% |
https://<IP_ADDRESS>:443/ |
| 37 |
1 |
0.03% |
https://<IP_ADDRESS>:443/wls_utc |
| 38 |
1 |
0.03% |
https://www.adviceli.com/advisors-category/education-guidance |
| 39 |
1 |
0.03% |
https://www.adviceli.com/advisors-category/fashion-beauty |
| 40 |
1 |
0.03% |
https://www.adviceli.com/advisors-category/lawyers |
| 41 |
1 |
0.03% |
https://www.adviceli.com/wp-content/themes/adviseli/inc/css/newhome/style.css |
| 42 |
1 |
0.03% |
https://www.adviceli.com/wp-content/themes/adviseli/inc/css/newhome/theme-style.css |
| 43 |
1 |
0.03% |
https://www.google.com.co/ |
| 44 |
1 |
0.03% |
https://www.google.com.pk/ |
| 45 |
1 |
0.03% |
https://www.google.nl/ |
| 46 |
1 |
0.03% |
https://www.google.ru/ |
| 47 |
1 |
0.03% |
https://www.google.se/ |
|
|
| Top 15 of 70 Total User Agents |
|
| # |
Hits |
User Agent |
|
| 1 |
451 |
14.64% |
Mozilla/5.0 (Windows NT 10.0; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/61.0.3163.100 Safari/537.36 |
| 2 |
324 |
10.52% |
Mozilla/5.0 (Windows NT 6.3; Win64; x64; rv:56.0) Gecko/20100101 Firefox/56.0 |
| 3 |
266 |
8.63% |
Mozilla/5.0 (Macintosh; Intel Mac OS X 10_12_6) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/62.0.3202.62 Safari/537.36 |
| 4 |
198 |
6.43% |
Mozilla/5.0 (Linux; Android 6.0.1; SM-J700F Build/MMB29K) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/56.0.2924.87 Mobile S |
| 5 |
170 |
5.52% |
Mozilla/5.0 (Linux; Android 6.0; Lenovo A7020a48 Build/MRA58K) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/62.0.3202.73 Mob |
| 6 |
166 |
5.39% |
Mozilla/5.0 (iPhone; CPU iPhone OS 11_0_2 like Mac OS X) AppleWebKit/604.1.38 (KHTML, like Gecko) Mobile/15A421 [FBAN/FBIOS;F |
| 7 |
163 |
5.29% |
Mozilla/5.0 (Macintosh; Intel Mac OS X 10_12_6) AppleWebKit/603.3.8 (KHTML, like Gecko) Version/10.1.2 Safari/603.3.8 |
| 8 |
162 |
5.26% |
Mozilla/5.0 (Linux; Android 5.0; QMobile S1 Build/LRX21M) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/61.0.3163.98 Mobile S |
| 9 |
148 |
4.80% |
Mozilla/5.0 (Windows NT 6.1; Win64; x64) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/61.0.3163.100 Safari/537.36 |
| 10 |
132 |
4.28% |
Mozilla/5.0 (Macintosh; Intel Mac OS X 10_12_6) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/60.0.3112.113 Safari/537.36 |
| 11 |
123 |
3.99% |
Mozilla/5.0 (iPhone; CPU iPhone OS 9_1 like Mac OS X) AppleWebKit/601.1.46 (KHTML, like Gecko) Version/9.0 Mobile/13B143 Safa |
| 12 |
108 |
3.51% |
AdsBot-Google (+http://www.google.com/adsbot.html) |
| 13 |
107 |
3.47% |
Mozilla/5.0 (Windows NT 5.1) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/49.0.2623.112 Safari/537.36 |
| 14 |
106 |
3.44% |
Mozilla/5.0 (compatible; Googlebot/2.1; +http://www.google.com/bot.html) |
| 15 |
60 |
1.95% |
Mozilla/5.0 (compatible; bingbot/2.0; +http://www.bing.com/bingbot.htm) |
|


{% extends "blog/base.html" %} {% block content %} This social network was built by Gautam singh {% endblock content %}


Infection Judege
REMOTE ATTESTATION
verification...
Request IAS... Done
User Id
Encrypted secret key
GCM_MAC
INFECTION JUEGE


JavaScript Starterkit
A lightweight foundation for your next webpack based frontend project.
First Paragraph
First Paragraph


index
|
up
|
prev
|
next
SymbolFlags Enumeration
Definition at line
78
of
Symbol.hpp
Enumerators
Name
Value
none
0
access
1 << 0 | 1 << 1
static_
1 << 2
nothrow_
1 << 3
project
1 << 4
bound
1 << 5
export_
1 << 6
exportComputed
1 << 7
index
|
up
|
prev
|
next


Gets a detail about the given Podcast show. Checkout Launched it’s a super good show. ## Syntax
podcastDetail(detail: <#Type (WFContentItemPropertyName)#>, show: <#Variable#>)
podcastDetail(detail: Feed URL, show: Launched)


Cover
Home
File Upload
Kompetenz 1
Movie/Banner
Modulprüfung 153.
Cover template for
Bootstrap
, by
@mdo
.


Plugin Information |
|---|
View IvyTrigger on the plugin site for more information. |
This plugin is up for adoption. Want to help improve this plugin? Click here to learn more!
IvyTrigger provides polling mechanisms to poll an Ivy file and triggers a build if an Ivy dependency version has changed.
Features
The plugin makes it possible to monitor the dependencies of an Ivy descriptor.
For example, if a dependency has the following revision 'latest.release' or '2.+' and a new artifact has been deployed in the repository manager (managed by Ivy), a new build is scheduled.
Note: The plugin uses only persistence in memory. There is no impact on the Jenkins infrastructure (no new files created).
This plugin provides a polling typology among the XTrigger Plugin.
Changelog
Release 0.34
* Added option to control whether or not artifacts are downloaded
* Fix JENKINS-28044 - IvyTrigger plugin description indicates that it "has no impact on the Jenkins infrastructure", but it does download all dependencies to the local file system
Release 0.33
* Added ability to download Ivy settings through URL
Release 0.32
* Fix JENKINS-19796 - IvyTrigger fails on Jenkins 1.532
Release 0.31
* Fix JENKINS-19459 - IvyTrigger reports ERROR - Polling error...
Release 0.30
* Update to xtrigger-lib 0.30 (Change locking object)
Release 0.29
* Fix NullPointerException when saving job config
Release 0.27 & 0.28
* Fix JENKINS-17831 - Update to latest xTrigger
Release 0.26
* Fix JENKINS-17641 - Unknown field 'logEnabled' in org.jenkinsci.lib.xtrigger.XTriggerCause
Release 0.25
* Fix JENKINS-17831 - Update to latest xTrigger
Release 0.24
* Add support for multiple properties files
Release 0.23
* set debug field in IvyTriggerEvaluator
Release 0.22
* Upgrade to xtrigger-lib 0.14 (more log)
Release 0.21
* Add extension capabilities (thanks to Stephen Slocum)
Release 0.20
* Fix temporary file deletion
Release 0.19
* Add a debug mode on demand for the resolution artifacts log
Release 0.18
* Fix check when there is no revision in the Ivy pattern (check on timestamp only)
Release 0.17
* Inject propoerties to ivysettings file for variable resolution
Release 0.16
* Fix settings resolutions variable
Release 0.15
* Update to xtrigger-lib 0.9
* Fix JENKINS-12992 - Error - Job Copy & Saving Configuration when using Ivy Trigger Plugin (v0.14)
* Introduce a cache system at job level
* Enable to detect changes when no revision is used for a filesystem resolver
Release 0.14
* Update to xtrigger-lib 0.8 (Fix JENKINS-12888)
Release 0.13
* Add error messages
Release 0.12
* Add a ivy properties content
Release 0.11
* Fix double startup
Release 0.10
* Update to xtrigger-lib 0.7
* Can add variables to Ivy through a properties file
Release 0.9
* Update to xtrigger-lib 0.5
* Update to envinject-lib 1.2
Release 0.8
* Update to xtrigger-lib 0.3
* Update to envinject-lib 1.0
Release 0.7
* A job is not triggered when Jenkins is quieting down and is buildable
Release 0.6
* Migrate to xtrigger-lib
Release 0.5
* Environment variables are managed
Release 0.4
* Fix node running detection
Release 0.3
* Fix bug for a slave usage
Release 0.2
* Fix help messages
Release 0.1
* Initial release


new Scrubber()
Represents the Scrubber class.
Properties:
| Name | Type | Description |
|---|---|---|
processors |
array | The processors injected |
Methods
scrub()
Scrub a target object.
when(condition, trigger)
Set a processor.
Parameters:
| Name | Type | Description |
|---|---|---|
condition |
function | The condition passing a Condition instance as an argument (should return true/false) |
trigger |
function | The trigger passing a Trigger instance as an argument (should return the scrubbed result) |


These plugins have been tested and are compatible with the latest version of PluMA. You can download just the ones you wish to use.
The easiest way to install them is to place them in the plugins/ directory of the PluMA source tree, however you can install them elsewhere by setting the environment variable PLUMA_PLUGIN_PATH.
Have a new plugin that you would like to add to the pool? Please send your source code and a description to Trevor Cickovski. All plugins in the pool will be added as test cases for future releases of PluMA, giving you automatic forward compatibility!
| Name | Description | Language | Category | Rating | ||
|---|---|---|---|---|---|---|
| {{ plugin.name }} | {{ plugin.description }} | {{ plugin.language?.name }} | {{ plugin.category?.name }} | {{ plugin.rating }} |


ARTICLE 2
ADMINISTRATION OF INSURANCE LAWS
PART I. INSURANCE DIVISION
§431:2-101 Insurance division. The insurance division is established within the department of commerce and consumer affairs. [L 1987, c 347, pt of §2]


Order a fresh dose of cut fruits to snack on!
Order some fresh juices to quench that thirst!
Order Whole fruits at the lowest rates guaranteed!
We are available on Dunzo and Swiggy Stores in Gurugram!


{% extends "base.html" %} {% comment %} List simulation batches page Author: Jonathan Karr<EMAIL_ADDRESS>Affiliation: Covert Lab, Department of Bioengineering, Stanford University Created: 2013-09-16 {% endcomment %} {% load static %} {% block head_title %}{{ block.super }} › Investigator › {{ investigator.user.get_full_name }}{% endblock %} {% block content %}
Name: {{ investigator.user.get_full_name }}
Affiliation: {{ investigator.affiliation }}
Contact: {{ investigator.user.email }}
Joined: {{ investigator.user.date_joined|date:"M j, Y" }}
| Organism | Simulations | ||
|---|---|---|---|
| Name | No. versions | No. batches | No. simulations |
| {{ organism.name }} | {{ organism.n_versions }} | {{ organism.n_simulation_batch }} | {{ organism.n_simulation}} |
| Organism | Simulation batch | |||||
|---|---|---|---|---|---|---|
| Name | Version | Name | No. simulations | Date | Download | |
| {{ batch.organism.name }} | {{ batch.organism_version }} | {{ batch.name }} | {{ batch.simulations.all|length }} | {{ batch.date|date:"M j, Y" }} | HDF5 | SED-ML |


SCRIPT
This is to be used in the HEAD Tag.
This contains the Browser Script Code . The popular ones
are
JAVASCRIPT and VBSCRIPT . It is good habit to include the actual
Script Code in the
!--...-- Tags so that
the browsers that don't Scripts can ignore it. This is a Container Tag and has to be Closed.
Attributes
- DEFER :
Indicates browser that the Script
doesn't affect the initial document display, so that the Script can be
processed after the page loads.
- LANGUAGE :
Indicates the MIME Type of the Script.
- SRC :
Specifies the Relative or Absolute URL of
the Script to be included in the document.
- TYPE :
Indicates the MIME Type of the Script.
This is used as an alternate for the LANGUAGE Attribute.
Syntax
<HEAD>
<SCRIPT [DEFER][LANGUAGE="LANGUAGE"][SRC="URL"][TYPE="TYPE"]>
<!--
....Script....
//-->
</SCRIPT>
</HEAD>
Example
<HEAD>
<SCRIPT LANGUAGE="JAVASCRIPT" SRC="JAVA.JS">
<!--
function()
{
....
}
//-->
</SCRIPT>
</HEAD>
Effect
The Effect can't be shown on the Document. But the Script will be
included in the document.
Refer to the !--...-- Tag.
Home
About


Notices for usage:
Licensed under the Apache License, Version 2.0 (the "License").
You may not use this file except in compliance with the License.
You may obtain a copy of the License at
http://www.apache.org/licenses/LICENSE-2.0
Unless required by applicable law or agreed to in writing, software
distributed under the License is distributed on an "AS IS" BASIS,
WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
See the License for the specific language governing permissions and
limitations under the License.
Please take your hat/glasses/shoes/jacket/mask... off before Register/Identify.


Select a particle effect from the menu at left.
The timelinefxjs Github repository (including this demo) can be found here
This demo works best in modern browsers with WebGL support. While pixijs will fallback to canvas mode rendering, performance will sufffer particulary for effects with many particles. The timelinefxjs module itself is independant of rendering, and can be integrated with other html5 game engines or renderers.


WebSiteName
My Classes
My Profile
Bank Details
My Venues
Logout
Create your Class
Title
*
One Time Pitch
*
Category
*
Dance
Cooking
Other
Art & Craft
Sub Category
*
Salsa
Tango
Zumba
Other
Photo Gallery
Add Photos
1.Based on requirements
2.Based on requirements
Description
*
Difficulty Level
*
Not Specified
Beginner
Intermediate
Advanced
Target Age Group
*
All
Kids
Adults
Target Gender Group
*
All
Male
Female
Timings
From
To
Date
From
To
Venue
*
Option1
Option2
Option3
Option4
Add a venue
My Schedule Is Confirmed
*
No Of Sessions
*
Repeat
No
Weekly
Days/Comments
*
Tickets can be booked upto
0
1
2
3
Days
0
1
2
3
Hours
Before the class starts
After the class starts
Ticket
Ticket Name
Price
Number Of Tickets
+ Schedule
Submit
×
Close
Modal title
Repeats every
*
1
2
3
4
5
Ends After
*
Batches Start On
*
Sun
Mon
Tue
Wed
Thu
Fri
Sat
×
Close
Add a Venue
Venue Name
*
City
*
1
2
3
4
5
Locality
*
1
2
3
4
5
Address
*
pincode
*
mobile
*
Email
*
Landmark


2 Kings 19:15
And Hezekiah prayed before the LORD, and said, O LORD God of Israel, which dwellest between the cherubim, thou art the God, even thou alone, of all the kingdoms of the earth; thou hast made heaven and earth.


Home
Doctors
Doctor Dashboard
Appointments
Patients List
Patients
Find and book Doctor
Call us
Voice Call
Video Call
Admin
Contact
+250781788659
Home
Payment confirmation
Payment
Your payment is Successfully!


You can find a documentation online. Also take a look at the source code. You also find additional test cases on github. If you want to support the project, help funding the development on Indiegogo.


Presented by Ben Ramseth / @esriMapNinja
var census = new ArcGISDynamicMapServiceLayer(layerUrl, {
"showAttribution": false,
"opacity": 0.5
});
map.addLayer(dynamicMapServiceLayer);
var map;
require([
"esri/map",
"esri/dijit/BasemapToggle",
"dojo/domReady!"
], function(
Map, BasemapToggle
) {
map = new Map("map", {center: [-70.6508, 43.1452], zoom: 16,
basemap: "topo"
});
var toggle = new BasemapToggle({map: map,
basemap: "satellite"}, "BasemapToggle");
toggle.startup();
});
Live exercise starter and solution on CodePen
Live exercise starter and solution on CodePen
It is often easier to build and maintain maps using a portal such as ArcGIS Online than to build maps programmatically. The application's code will be smaller and require less maintenance.
• Add a web map layer to the Legend widget • Add an extra layer to the Map (not currently in the web map) Add a web map layer to the Legend widget: • Rehydrate a map using a web map ID • Call the getLegendLayers() method of arcgisUtils, passing in the deferred response. • Assign the layer information to the layerinfos array of the Legend widget. Add an extra layer to the map: Rehydrate a map using a web map ID • Reference the map using the deferred response. • Create a Layer using the appropriate layer type. • Use the addLayer() method on the map to add the new layer to the Map.
a. load


Font: http://zerosixthree.se/vertical-align-anything-with-just-3-lines-of-css/
Note: If the parent element doesn't have height
set, it doesn't work. On the other hand, doesn't need centered element height.
preserve-3d
is used in the parent element to avoid blurry half-pixel issue -haven't tested-.
Follow font link for mixin formulas.
.parent-element {
height: 100vh;
-webkit-transform-style: preserve-3d; /* Chrome, Safari */
-ms-transform-style: preserve-3d; /* IE 9 */
transform-style: preserve-3d;
}
.centered {
position: relative;
top: 50%;
height: auto;
-webkit-transform: translateY(-50%); /* Chrome, Safari */
-ms-transform: translateY(-50%); /* IE 9 */
transform: translateY(-50%);
}
If there's content in the parent div it won't get centered correctly:
.parent-element {
height: 100vh;
-webkit-transform-style: preserve-3d; /* Chrome, Safari */
-ms-transform-style: preserve-3d; /* IE 9 */
transform-style: preserve-3d;
}
.centered {
position: relative;
top: 50%;
height: auto;
-webkit-transform: translateY(-50%); /* Chrome, Safari */
-ms-transform: translateY(-50%); /* IE 9 */
transform: translateY(-50%);
}
If parent element doesn't have fix height:
.parent-element {
height: auto;
..
}
//or height in %
.parent-element {
height: 100%;
..
}
If centered element is higher than parent element:
.parent-element {
height: 100px;
..
}
.element {
height: auto;
..
}
If centered element is higher than parent element, with overflow: scroll
.parent-element {
height: 100px;
overflow: scroll;
..
}
.element {
height: auto;
..
}
Font: http://www.vanseodesign.com/css/vertical-centering/
Note: If the parent element doesn't have height
set, it doesn't work. Also needs to know centered element height (and width to center horizontally).
Follow font link for very wide in-detail explanation and examples.
Fix height units like px work better. Doesn't matter if there's content in parent element.
If the parent element has height in px, centered element can be in px, ems, vh, vw.
And some more content
.parent-element {
height: 700px;
position: relative;
}
.centered {
position: absolute;
top: 50%;
left: 50%;
height: 280px;
width: 75%;
margin: -140px 0 0 -37.5%
}
Combining height units like vh and % doesn't scale good at all. The centered div at least needs fix units.
.parent-element {
height: 75vh;
position: relative;
}
.centered {
position: absolute;
top: 50%;
left: 50%;
height: 60%;
width: 75%;
margin: -20% 0 0 -37.5%
}
With fix units in centered element:
.parent-element {
height: 75vh;
position: relative;
}
.centered {
position: absolute;
top: 50%;
left: 50%;
height: 280px;
width: 75%;
margin: -140px 0 0 -37.5%
}


The webapp proper opens when you click on the PhyB tab above, showing a selective view of the light-responsive circular pyrrole nestled inside a hairpin of the Phy domain of the PhyB molecule from the small plant, Arabidopsis thaliana. The PAS domain appears in shades of orange.
This 4-carbon, 1-nitrogen ring pyrrole D changes orientation upon aborbing a photon of red light.
That tiny shift introduces a kink into the surrounding protein domains, initiating
a long chain of signaling events which are eventually interpreted, in combination
with thousands of other signals - reinforcing, contradicting, tempering signals - to produce
macro-scale changes in plant behavior.
Buttons to the left in the molecular display toggle the visibility of many parts of the structure.
(I will be adding more substructures and ligands soon.)
Mouse actions zoom, pan and rotate the model.
Plants are exquisitely sensitive to light, using the knowledge of the environment they acquire to decide
We humans usually see an immense gulf between humans and other living creatures. Molecular
biology lets us see into the complexities and capabilities found in all organisms. The gulf
seems no longer so wide.
This project argues for seeing things that way, for the "anti-narcissism of continuous variation"
recommended by Brazilian anthropologist Eduardo Viveiros de Castro.
The big differences
are uncontested. The continuous variation and similarities are also worthy of our attention.
I take cognitive to describe processes in which
This web application explores the first of these steps: the collection of information from
the environment. Fifty years of evolving technique produced in 2014 the first
molecular structure of a plant phytochrome holoprotein - a complex amino acid
structure with a red light sensitive molecule tucked inside.
The molecule presented here is PhyB from Arabidopsis thaliana (mouse-ear cress),
crystallography and model construction by Richard Vierstra's
lab
at the University of Wisconsin.
My project is indebted to that lab, to the research community to which
it belongs, and to an entire swarm and history of talented software engineers: to many at RStudio for
shiny, to Alex Rose and colleaues for ngl, to uncountable others who write and maintain
the many layers and pieces of inter-operating open source software upon which we all depend.
My plan is to extend this webapp to capture more of the steric change of this
molecule in response to varying amounts of red and far-red light.
Then I will move up from the angstrom scale, to meters and feet, and try to capture
actual mixed-species collaborative branching in my local 100-acre urban old-growth forest -
where branch and leaf seek the light in elegant arabesque. Pacific Northwest old-growth:
intricate, responsive - cognitive - at scales small and large.
Context
Jim Harrison, in his forward to Robert Bringhurst’s
Tree of Meaning: Language, Mind & Ecology quotes Neil Claremon:
Don't you think reality is an aggregate, an accretion of the perceptions of all creatures?
"Knowledge" and "decide" are terms we typically use to describe animal - and especially
human - cognitive capabilities. I use these terms here intentionally - to
highlight the common ground shared by plants and animals, by oak and human, microbe, and (our
focus here) the mouse-eared cress,
the common laboratory model organism used in many botannical studies.


Hello, My name is Yuri.
I love
making websites.
designing websites.
developing websites.
working with people.
panda.
A little bit about me.
I’m a Web Designer and Developer from Northern Virginia.
I have always thought designing and making websites was exciting from an early age and finally began pursuing this career professionally a few years ago.
I enjoy finding creative design ideas and solutions for beautiful, clean, and user-friendly websites to make my clients’ business shine.
When I’m not coding, I like scouring local restaurants for good food or travelling.
Services
Web Design
Front-end Development
WordPress Development
Responsive Design & Development
UX/UI Design
My Work
Unplugged
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Aenean euismod bibendum laoreet. Proin gravida dolor sit amet lacus accumsan et viverra justo commodo.
Unplugged
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Aenean euismod bibendum laoreet. Proin gravida dolor sit amet lacus accumsan et viverra justo commodo.
Accerelate
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Aenean euismod bibendum laoreet. Proin gravida dolor sit amet lacus accumsan et viverra justo commodo.


Generated songs will appear here! Use the form to configure the parameters and press Generate Song to get your own lyrics!
- The first song might take 2 or 3 minutes since it requires to load the AI model. After that it should become faster. - Even keeping all the parameters the same it's going to generate a new song every time. - Keywords might be ignored sometimes, specially if those contain words or phrases not so common on standard songs. You can always try generating again the song if you are not happy with it.


|
ActiveTcl User Guide
|
||
Tcl_PutEnv - procedures to manipulate the environment
#include <tcl.h>
int
Tcl_PutEnv(string)
Tcl_PutEnv sets an environment variable. The information is passed in a single string of the form NAME=value. This procedure is intended to be a stand-in for the UNIX putenv system call. All tcl-based applications using putenv should redefine it to Tcl_PutEnv so that they will interface properly to the Tcl runtime.
Copyright © 1997-1998 Sun Microsystems, Inc. Copyright © 1995-1997 Roger E. Critchlow Jr.


by William Danton Tunnell
Posted on April 7
Learning about logs has made solving exponential equations with a variable a lot easier. Through using logarithms you can plug problems into a calculator and figure out the missing parts. I enjoyed learning about logarithms and being able to challenge myself and also how to simplify work into an easier workload.
”Do or Do not there is no try” Yoda
Enjoy math and learn how to apply and make other things easier in math and the word.


Face_SnapChat App
AI Project
Filters:
Select your favorite filter and enjoy 🔥
Draw Cat 😽
Draw Glass 😎
Record mode
Demo


Module Index
Class "Index".
Functions
| Index.bare (index_path) | Create a new Index object. |
| Index:add (path, stage) | object method. |
| Index:add2 (source_entry) | object method. |
| Index:append (path, stage) | object method. |
| Index:append2 (source_entry) | object method. |
| Index:clear () | object method. |
| Index:entrycount () | object method. |
| Index:entrycount_unmerged () | object method. |
| Index:find (path) | object method. |
| Index:get (n) | object method. |
| Index:get_unmerged_byindex (n) | object method. |
| Index:get_unmerged_bypath (path) | object method. |
| Index:read () | object method. |
| Index:read_tree (tree) | object method. |
| Index:remove (position) | object method. |
| Index:uniq () | object method. |
| Index:write () | object method. |
Functions
- Index.bare (index_path)
-
Create a new Index object.
Calls git_index_open:
Since there is no ODB or working directory behind this index, any Index methods which rely on these (e.g. index_add) will fail with the GIT_EBAREINDEX error code.
If you need to access the index of an actual repository, use the `git_repository_index` wrapper.
The index must be freed once it's no longer in use.
Parameters
-
index_path: the path to the index file in disk. Must be of type
string
.
Return values:
- Index or
nil
on error. - Error string.
-
index_path: the path to the index file in disk. Must be of type
- Index:add (path, stage)
-
object method.
Calls git_index_add:
The file `path` must be relative to the repository's working folder and must be readable.
This method will fail in bare index instances.
This forces the file to be added to the index, not looking at gitignore rules. Those rules can be evaluated through the git_status APIs (in status.h) before calling this.
Parameters
-
path: filename to add. Must be of type
string
. -
stage: stage for the entry. Must be of type
integer
.
Return values:
true
if no error.- Error string.
-
path: filename to add. Must be of type
- Index:add2 (source_entry)
-
object method.
Parameters
- source_entry: Must be of type IndexEntry.
Return values:
true
if no error.- Error string.
- Index:append (path, stage)
-
object method.
Calls git_index_append:
A new entry will always be inserted into the index; if the index already contains an entry for such path, the old entry will **not** be replaced.
The file `path` must be relative to the repository's working folder and must be readable.
This method will fail in bare index instances.
Parameters
-
path: filename to add. Must be of type
string
. -
stage: stage for the entry. Must be of type
integer
.
Return values:
true
if no error.- Error string.
-
path: filename to add. Must be of type
- Index:append2 (source_entry)
-
object method.
Parameters
- source_entry: Must be of type IndexEntry.
Return values:
true
if no error.- Error string.
- Index:clear ()
-
object method.
Calls git_index_clear:
- Index:entrycount ()
-
object method.
Calls git_index_entrycount:
Return value:
integer
. - Index:entrycount_unmerged ()
-
object method.
Calls git_index_entrycount_unmerged:
Return value:
integer
. - Index:find (path)
-
object method.
Calls git_index_find:
Parameters
-
path: path to search. Must be of type
string
.
Return value:
integer
. -
path: path to search. Must be of type
- Index:get (n)
-
object method.
Calls git_index_get:
This entry can be modified, and the changes will be written back to disk on the next write() call.
The entry should not be freed by the caller.
Parameters
-
n: the position of the entry. Must be of type
integer
.
Return value:
IndexEntry. -
n: the position of the entry. Must be of type
- Index:get_unmerged_byindex (n)
-
object method.
Calls git_index_get_unmerged_byindex:
The returned entry is read-only and should not be modified of freed by the caller.
Parameters
-
n: the position of the entry. Must be of type
integer
.
Return value:
IndexEntryUnmerged. -
n: the position of the entry. Must be of type
- Index:get_unmerged_bypath (path)
-
object method.
Calls git_index_get_unmerged_bypath:
The returned entry is read-only and should not be modified of freed by the caller.
Parameters
-
path: path to search. Must be of type
string
.
Return value:
IndexEntryUnmerged. -
path: path to search. Must be of type
- Index:read ()
-
object method.
Calls git_index_read:
Return values:
true
if no error.- Error string.
- Index:read_tree (tree)
-
object method.
Calls git_index_read_tree:
The current index contents will be replaced by the specified tree.
Parameters
- tree: tree to read. Must be of type Tree.
Return values:
true
if no error.- Error string.
- Index:remove (position)
-
object method.
Calls git_index_remove:
Parameters
-
position: position of the entry to remove. Must be of type
integer
.
Return values:
true
if no error.- Error string.
-
position: position of the entry to remove. Must be of type
- Index:uniq ()
-
object method.
Calls git_index_uniq:
- Index:write ()
-
object method.
Calls git_index_write:
Return values:
true
if no error.- Error string.


Portal to join groups of employees who are already making orders around the company.
Landing page for employees to create a post about their personal events such as weddings, Bar/Bat Mitzvahs, etc. These will be displayed as a banner on the intranet homepage.
Was developed at last year’s Hackathon and will be finished for this year. This page will display and provide access to the other Projectss in the Hackathon, such as Food Ordering, Ride Sharing, Announcements etc.
Landing page to allow current employees to see and apply for other jobs around the company. They can upload their resume, describe why they want the position and HR can hire internally and save time and resources.
Page Directory that has a form which can be used to send to HR, WebOps, WebDesk etc. This is important for HR to be in contact with employees who experience issues and feel they can reach out to someone.
Either together with, or alongside the B&H Employee App, this team will set up tablets that can be placed outside the doors on each floor. Visitors can then find the person they are coming to meet and send them a ping saying someone is waiting for them by floor #x.
Database that can keep track of the phones and tablets used on the Web floor. Should have a scanner with stickers on each device.
There are many groups that meetup around B&H. There is a book club on the 13th floor, and an after-hours developers meetup on the 9th floor. This would be a posting board for employees to create a meetup idea and allow others to see and join various groups.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Itaque earum nostrum suscipit ducimus nihil provident, perferendis rem illo, voluptate atque, sit eius in voluptates, nemo repellat fugiat excepturi! Nemo, esse.
Meetup with a friend to arrange a set study time. Can be for book clubs, or one on one study review.
Chrome extension that matches B&H employee site to hundreds of competitor websites.


This example uses CSS media types to vary how the page appears in print and how it appears on any other media. This text will appear in one font on the screen and a different font on paper or in a print preview. To see the difference in Internet Explorer, go to the Print menu and select Print Preview. In Firefox, select Print Preview from the File menu.


-
Given HTML that includes
HI!

, write a
JavaScript statement that stores a reference to the HTMLDivElement with the
id “catch-me-if-you-can” in a variable named “divOfInterest”.
HI!
-
Given HTML that includes seven SPAN elements each with the class “cloudy”,
write a JavaScript statement that stores a reference to a NodeList filled
with references to the seven HTMLSpanElements in a variable named
“cloudySpans”.
-
Given an HTML file with HTML, HEAD, TITLE, and BODY elements, create and
reference a JS file that in which the JavaScript will create and attach to
the BODY element an H1 element with the id "sleeping-giant" with the content
"Jell-O, Burled!".
-
Given an HTML file with HTML, HEAD, TITLE, SCRIPT, and BODY elements with the
SCRIPT's SRC attribute referencing an empty JS file, write a script in the JS
file to create a DIV element with the id "lickable-frog" and add it as the
last child to the BODY element.
-
Given an HTML file with HTML, HEAD, TITLE, SCRIPT, and BODY elements with no
SRC attribute on the SCRIPT element, write a script in the SCRIPT block to
create a UL element with no id, create an LI element with the id
"dreamy-eyes", add the LI as a child to the UL element, and add the UL
element as the first child of the BODY element.
-
Write JavaScript to add the CSS class "i-got-loaded" to the BODY element when
the window fires the DOMContentLoaded event.
-
Given an HTML file with a UL element with the id "your-best-friend" that has
six non-empty LIs as its children, write JavaScript to write the content of
each LI to the console.
- Bill
- Alice
- Jane
- John
- Mary
- Lucille
-
Given an HTML file with a UL element with the id "your-worst-enemy" that has
no children, write JavaScript to construct a string that contains six LI tags
each containing a random number and set the inner HTML property of
ul#your-worst-enemy to that string.
-
Write JavaScript to update the title of the document to the current time at a
reasonable interval such that it looks like a real clock.


|
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object Canvas com.rattat.micro.game.aster.MenuCanvas
public class MenuCanvas
Canvas object for displaying options - new game, turn sound off etc
| Field Summary | |
|---|---|
static Option |
ABOUT
Option to display about page |
static Option |
CONTINUE
Option to continue playing a paused game |
static Option |
EXIT
Option to exit the application |
static Option |
NEW_GAME
Option to start new game |
static Option |
SOUND_OFF
Option to turn sound off |
static Option |
SOUND_ON
Option to turn sound on |
static Option |
VIBRATE_OFF
Option to turn vibrations off |
static Option |
VIBRATE_ON
Option to turn vibrations on |
| Constructor Summary | |
|---|---|
MenuCanvas(SelectSlider slider)
Construct a new instance of MenuCanvas |
| Method Summary | |
|---|---|
void |
keyPressed(int keyCode)
Canvas method Listen for keypresses and move the move the slider appropriately |
void |
keyReleased(int keyCode)
Canvas method - Key is released |
void |
optionSelected(Option option)
An option is selected - update options to reflect the change, if required |
void |
paint(Graphics g)
Render the slider and information to the screen |
void |
setHighScore(int highScore)
Set the high score that is displayed |
void |
setPaused(boolean paused)
Alter the options to reflect a pause menu / pre-game menu. |
void |
setSoundOn(boolean soundOn)
Alter the options to give hte user the option to turn sound on / off according to soundOn |
void |
setVibrateOn(boolean vibrateOn)
Alter the options to give the user the option to turn vibrations on / off according to vibrateOn |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
|---|
public static final Option CONTINUE
public static final Option EXIT
public static final Option SOUND_ON
public static final Option SOUND_OFF
public static final Option VIBRATE_ON
public static final Option VIBRATE_OFF
public static final Option NEW_GAME
public static final Option ABOUT
| Constructor Detail |
|---|
public MenuCanvas(SelectSlider slider)
slider
- | Method Detail |
|---|
public void keyPressed(int keyCode)
keyCode
- public void keyReleased(int keyCode)
public void optionSelected(Option option)
public void paint(Graphics g)
public void setPaused(boolean paused)
paused
- public void setSoundOn(boolean soundOn)
soundOn
soundOn
- public void setVibrateOn(boolean vibrateOn)
vibrateOn
vibrateOn
- public void setHighScore(int highScore)
highScore
-
|
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


{% extends "global/Page.html" %} {% load otree %} {% block title %} Introduction {% endblock %} {% block content %}
You are about to participate in the most exciting study to date across all social sciences, probably.
The goal of this research is to evaluate how you think and how you behave with others in order to check
the influence of individuals on how social groups form and evolve.
For that purpose, you will face a set of tasks -sometime alone, sometime with others- ranging from how fast can
you imitate a simple action to managing resources together to save the planet.
Everything will take place online, and as you probably already know, from your personal computer.
Each task will be explained when the time comes. Relax, sit comfortably and click "next" whenever
you feel ready to start.


Portfolio
Marketing Page
This project shows the front page of a marketing website meant for a specific business I'm interested in.
Search Page
This project searches through a specific database to find information that the user is trying to look up.
Travel App
This project compares travel times based on different transportation methods and tells you the best one.
Map of Favorite Spots
This project uses mapping apis to plot points for my favorite spots in the city for a do-it-yourself walking tour
Photo Gallery
This project shows pictures from a recent trip to the viewer and allows them to easily navigate through photos.
Calculator
Someone can enter in the numbers they want, and press the big blue button and get the result.
Contact
If you're interested in chatting or want more information about what I've been working on, I'd love to hear from you!
Phone +33<PHONE_NUMBER>
Email email@yoursite.com


Video Exercise
Skating in Manchester
This documentary provides an insite to urban sport in Manchester. We focus on skateboarding, local skaters and the skating community in city of Manchester.
Initial ideas
We came up with many ideas as a group and we narrowed it down to the top three; museums, homeless and skateboarding. We rejected the idea of the museum because it was too generic and it was taking too long to get the permission for the shoot. In addition, there were many upcoming events, which were overlapping the dates we wanted to shoot. The second choice was the homeless. We also rejected this idea because the source we were going to interview was uncomfortable with sharing his story of how he overcomes his struggles in life..
Finally as a group, we all decided to go with skateboarding in Manchester. We chose to do this because it was appealing and unique. Manchester has a large skateboarding community and is very popular sport. Research included looking at different skate parks and public locations of where people skate. In addition, we looked at videos on YouTube of professional and amateur skateboarders to get ideas to how to approach our video. We came across a well-known skater in Manchester, a person called Joe Gavin as we were browsing the internet. Another reason for choosing skateboarding as our documentary topic is that there is a lot of negativity that people have towards it. We wanted to change people’s opinions on this subject and help them realise that there is more to the person skating. The prejudgement of a skateboarder has been going on for a long time and with personal interviews, we hoped to change this.
Storyboard
Video synopsis
Our interviewees who participate in our documentary were Ray, Rob, Shazhard Shafiq and Joe Gavin. Some of interviewees having been skating for a while, some do it as a hobby and others do it as professional career.
The location that was used for shooting was a public location, which was Platt field Park, and private skate park location, which was Projects. We used both public and private locations. The public location was a Council run skatepark, Platt Fields Park. The private location was Projeckts Skatepark in Manchester.
The job roles within the group were designated by the Team Leader, Kamaal Khanum-Williams.Kamaal and Peter Siddle directed and edited the video, Umair Yaquoob and Mike Lee were responsible for sound and interviews. Ambar Sood, Umair and Mike worked as production assistants. These roles included making sure the production worked in accordance with the storyboard previously created. All group members used the camera to achieve different shots and to gain experience using professional equipment.
The music used in the video was royalty free, two songs by Broke for free and Asura were found in an online Free Music Archive. Another two songs were produced by Ismail Ghalayimi and Balraj Bharj (B Motion) who are friends of Kamaal and Peter.
The video
The critique
When we started the documentary, we wanted to get two locations that did not have many distractions from others in the background. We also had to ensure we could get permission to use them. We contacted the people responsible for Projeckts Skate Park and Platt Fields Park to get this information.
We rejected the Manchester Museum and a story about the homeless and chose not to use these two types of documentaries. The story of the homeless we rejected because we could not find reliable people to be interviewed. We stayed focused on our final idea, skateboarding, because we all had an interest in the subject.
Other skate videos on YouTube gave us ideas we needed to structure our documentary when doing the production. The audience we aimed at had a negative opinion on skateboarding. We used the interviewees to tell the narrative and give their own story about skateboarding. Also, we used the locations to show the atmosphere. We used relevant music to relate with the skateboarding scene.The structure of our documentary was to have it based between multiple interviews telling the story of the piece. We used a mid-shot in the interviews with them sitting down to avoid the wind that was blowing in the other locations we considered.
We made decisions by coming together as a group and putting forward ideas to the team leader before making the final decisions on how to proceed in the project. The group was very lively with the communication and being committed to the project. If we were to do this again, we think as a group we would find a time in which everyone was available. One thing that did go wrong was having people fall ill and having other commitments that caused delays. The project helped the team develop skills in leadership, time management and critical thinking as well as technical media skills.
Return to top | Home


This alerting platform allows users to identify breaches in various metrics(system, operation and business) across systems and escalate alerts via nagios or mail.
Alerts can be generated for breaches in trends on an archived as well as real time data. Currently Alertz supports graphite and opentsdb for archived metrics but it can be easily extended to support other data sources as well. Support for other data sources can be added by writing plugin clients for various metric sources.
At its core, Alertz comprises of a rule engine that lets you run checks based on the metrics fetched from a data source.
There are two kinds of rules:
Currently, Alertz provides two kinds of notification
In addition to notifications from nagios and mail, you can view graphs showcasing the health of a rule over a period of time.
View the Run Book here


redbluemagenta is a blog run by Christian Paredes. He's a systems engineer at Amazon AWS. He likes coding in Ruby and administering large sites.
Read more...


The quokka has little fear of humans and it is common for quokkas to approach people closely, particularly on Rottnest Island. It is, however, illegal for members of the public to handle the animals in any way, and feeding, particularly of "human food", is especially discouraged as they can easily get sick.
The quokka is a small marsupial similar in appearance to a wallaby or kangaroo, with distinctive short brown coarse hair and lighter underparts.


Learning how to use a specific cloud provider can feel a bit pointless. Why should you read documentation and tutorials about AWS if in two years from now you might be using Azure or Alibaba Cloud?
In general many software engineers feel this "pointlessness" when reading the documentation of a new tool. We enjoy solving interesting architectural problems more than reading the docs of a specific technology.
If you feel like this about Terraform, about existing config files written by someone else, or about AWS and its myriad of services, then embrace the Enthusiastic Historian's approach to Terraform and cloud providers:
- know your geography
- study the history behind it
- learn the standard language, no matter how mystical
- research about etymology
- embrace a theory before refuting it
Infrastructure Geography
The infrastructure that your company is running on AWS os some other provider is not a dull network of machines. It's an enchanted land with its own very peculiar geography! Learn its geography to better visualize its concepts in your head.
By the way, when I say "cloud infrastructure" I mean the network of servers, databases, gateways and other components that your company is leasing from a cloud provider like AWS or Azure in order to run its business.
Back to geography:
- The Internet is the world.
- A VPC is a city surrounded by (fire)walls.
- An EC2 instance is just a building. It can have many purposes: it can be an archive, it can be an office, or it can be a gate in the walls and even a well-guarded bastion!
- An ECS cluster is a company with offices in many buildings.
- Subnets are groupings of buildings that share the same access rule, either public or private access—more on this later.
- NAT gateways are the entrance of private subnets.
- An Internet gateway is the main gate of your city.
- Routing is the infrastructure that connects buildings, i.e. roads and street signs.
- Load balancers are policemen warding the traffic.
Let's start with a bird's eye view. The Internet is the world, and a magical one as we will see. It's made of many VPCs, which you can think of as cities, each ruled by a wise king. In fact when you create an AWS account you're assigned a VPC, thus becoming the king of a small empty city.
An EC2 instance is just a building. It can have many purposes: it can be an archive, it can be an office, it can be a NAT gateway or many other useful things. With that in mind, you can see an ECS cluster as a company that has offices in several buildings across the city. Each EC2 building might host several offices, each one computing whatever its ECS company/cluster wants to.
A subnet is a grouping of buildings that share the same access rule: either they're normal buildings with a public address or they're buildings inside a privately-owned area like a university campus, a company or a tennis club. With this image in mind, read the following sentence from the AWS documentation: A subnet is a range of IP addresses in your VPC.
 The AWS documentation defines an Internet gateway as A gateway that you attach to your VPC to enable communication between resources in your VPC and the internet. The Internet gateway of a city is cool with anybody entering and exiting the city, both locals and foreigners, as long as they respect the rules. NAT gateways, on the other hand, are stricter: they can only be used by residents of their subnet.
The purpose of gateways is related to (but different than) routing: while routing is the infrastructure that connects buildings (roads and street signs), gateways are more like an address that is advertised inside your subnet or VPC as the place to go if you want to get to a different subnet or to the Internet. For example the NAT gateway of a private subnet is the only way residents of that subnet can get out to the city (and back inside the subnet). The Internet gateway is the only way that both locals and foreigners have to go in and out of the city.
Load balancers are policemen warding the traffic—especially useful during rush hour.
And so on. Build more of these geographic analogies in your head, and you will rule the cloud like a wise king.
 These data centers are the connection between the real world and the imaginary enchanted world that we're exploring. Every data center is connected to the AWS private global network, which is in turn connected to multiple Internet Service Providers (ISPs). Your users too are connected to an ISP, through which they can connect to a data center where your VPC is hosted.
History Studies
Aside from geography, history can be insightful too.
I find it useful to start from the beginning: why do we even need such a network of machines?
A pragmatic way to answer this question is to think business: do we need to store data? train statistical models? serve browser requests? send notifications via e-mail/SMS? authenticate users? Find out why it would make sense to delegate such tasks to a cloud provider.
In my case, for example, my company's business is a tele-medicine service offered through a web app and a
mobile app. These apps have a back-end that should be able to persist data and send notifications
regularly or upon some event. We're using AWS. When I arrived, there were already existing Terraform
files and I wondered where to start reading. So I asked myself those pragmatic business questions from
above (wo we need to store data? send notifications? etcetera) and from those questions everything
unfolded, for example: yes, we need to store data. So there's got to be somewhere in the AWS console
(and in the Terraform files) a database. With a bit of searching you get to the right files, give a look
at the docs for the aws_db_instance
resource type, and then start all over again with
another business question: do we need to send notifications? And so on.
Besides finding the resources that answer your business questions, can you also see how they reference each other? What do those references express?
So you can understand a good deal of an existing cloud infratructure by just asking questions.
And these questions don't need to be exclusively about your company's business. They can also be questions about why a cloud service has a certain name.
For example elastic IP addresses might sound like some "marketing name" for regular static IPs. They're not. Asking the question of why they have such name will give you an idea of the interesting problems that AWS engineers had to solve. In the case of elastic IPs, here's the deal: they solve a problem that cannot be solved by only offering static IPs and dynamic IPs. Only offering static IPs might lead to people buying a ton of IPs in block "just in case", and then not using them. On the other hand, only offering dynamic IPs makes it harder for machines to talk to each other. "Elastic IPs" solve this problem: they are static IPs that are free if used, and not free if unused. This encourages developers to only reserve IPs that they use, and to release unused ones back to the AWS pool of available elastic IPs.
Reading Terraform
Terraform is just one technology among many, and again you might feel the same kind of discomfort that you felt when trying to grasp the giganticness of AWS services: why should I learn Terraform if some other technology will be around in a few years?
Here again it's helpful to look at this with the eyes of a historian, or perhaps a student of liguistics.
You have right now the privilege of diving into a simple, almost "primitive" language a bit like C was when people were still figuring out how to create a good programming language. In hindsight C is an old, low-level language that requires you to know hardcore stuff like how to use registers and how to allocate memory—in a certain sense it's a primitive version of Python or Java, which do all of this for you.
Wouldn't it have been thrilling to live in those Jurassic days when C was young? Maybe you've even lived those days, if you're old enough. In any case, think about Terraform in this way. You have the opportunity to learn a language that gives you quite a deep, low-level view on how a private network of machines is built.
Moreover, Terraform has a beautiful quality: it's simple. Terraform, or rather HCL (Hascicorp Configuration Language) is a simple syntax to declare an unordered set of resources. You can read HCL code as a graph of resource that depend on each other. In fact this is what Terraform does: it reads the current state of your application, reads the configuration files that you wrote (i.e. the desired state of your application), builds a graph where resources are nodes and edges are dependencies, and then transforms your graph into another graph that can be efficiently traversed to resolve the differences between your config and the current state of your application.
Icons Etymology
The next "technique" to grokk the cloud is Icons Etymology, or how to read AWS icons (or the icons of cloud services in general, not just in AWS).
When exploring a new field, some etymology can get you a long way: studying Latin and Ancient Greek in school helped me with maths and philosophy.
Likewise, the field of cloud computing is young but its main words stem from "old" concepts like databases, route tables, CPUs and lambda functions: an AWS RDS instance is just a (managed) database; an AWS EC2 instance is basically a machine with a CPU and other regular things like memory and peripherals; lambda functions in AWS are a way for you to run computations that don't require persistent state, similarly to functions in lambda calculus.
So each cloud service usually has an icon that represents the "old concept" that this service "wraps".
The icon of AWS RDS is the classic three-disk tower that universally represents databases. Back in the day when non-volatile memory was on magnetic disks, databases were just software reading from and writing to a bunch of hard disks (more than 1 disk, for redundancy... think RAID). Technology changes and SSDs are now the standard, but etymology stays: three disks represent a database.
Likewise, the symbol for AWS EC2 is a CPU because EC2 is a service that helps with computing.
Most other icons for cloud services and resources can be traced back to old concepts. Here are examples from AWS icons:
- Internet gateways are open doors;
- routers remind of the lines coming from different networks;
- the AWS icon for a route table resource shows some IP addresses;
- AWS Route 53 (a service dedicated to routing) has an icon with the same shape of the famous US route signs;
- S3, the Simple Storage Service of AWS, is clearly symbolized with the simplest thing you can use to hold a heterogeneous collection of objects: a bucket.
And so on.
In general, it's useful to pay attention to these icons and make sure they make sense to you.
DevOps Lessons from Bertrand Russell
The history of philosophy is a history of wrong ideas. So is science: a chain of theories where one theory corrects the previous one. And so is the history of technologies: C inspired C++, and JavaScript inspired TypeScript. Every technology improves on the technologies it's inspired from, and will be improve by the technologies it inspires.
Terraform is just a technology, and one day it will be replaced by a better one. But understanding Terraform is worth it, as is worth understanding the theories of a scientist or the ideas of a philosopher, no matter how old or obsolete.
Bertrand Russell says this clearly:
(And here's how it continues, in case you're interested to know more.)
That's the right mindset: learning yet another new technology is not a waste of time. It's a process that can give you powerful insights, and even examples of things you might encounter somewhere else.
Further Resources
Among many others, the following resources helped me along the way:
- The video "AWS Networking Fundamentals" on YouTube
- The AWS documentation about VPC subnets
- The video "Applying Graph Theory to Infrastructure as Code" on YouTube


RT @chrisarcand: .@jasonrclark and Coraline in Ruby Weekly this week, a great talk 👏 https://www.youtube.com/watch?v=Iah2t1_iSYE
1/5/2017, 9:20:42 AM
Favs: 0
Retweets: 0
link--- layout: tweet ---
RT @chrisarcand: .@jasonrclark and Coraline in Ruby Weekly this week, a great talk 👏 https://www.youtube.com/watch?v=Iah2t1_iSYE
1/5/2017, 9:20:42 AM
Favs: 0
Retweets: 0
link


Typed.js
Typed.js^10 is a
JavaScript
library.
It
types
out sentences.
And then deletes them.
Try it out!
Toggle
Start
Stop
Reset
Destroy
View original demo
|
View mattboldt.com
|
Complain to Matt about how awful this is


This is the dessert project. My first hardware project. There are so many incredible examples of customized flashy videogame consoles online I had to try my hand at my own. And I picked my heartsong videogame system, the Nintendo Entertainment System.
I want it to have a white glossy top with jet black paint along the bottom, a pink ON light, and maybe a wooden base. The controllers will be ideally wireless and also placed in wood moldings. I want it to have a video quality upgrade, an audio quality upgrade, possibly a Japanese translator, and the Blinking Light win fix, which corrects start up issues from bent connector pins.
The only thing I have been unable to decide if I will try is an upgrade to the Zap gun, of which there are a few albeit somewhat haphazardly made examples of Zap guns built to work on HD televisions that you can find on the internet.
I also want it to contain every NES game on one cartridge. I'll probably order the NES that I plan to use next week and try and follow up the following week by purchasing a soldering kit that I can use for the video upgrade I'm planning which seems to be the most technically difficult portion of the whole project besides the controllers (which I literally I have no idea how I'm going to do as I have never done woodworking in any capacity in my entire life.


{include file="layout/head"}
{include file="layout/top"} {include file="layout/menu"} {__REPLACE__} {include file="layout/foot"}


YOUTH
Shaka / 2022-05-20
— Samuel Ullman
Youth is not a time of life, it is a state of mind; it is not a matter of rosy cheeks, red lips and supple knees; it is a matter of the will, a quality of the imagination, a vigor of the emotions; it is the freshness of the deep springs of life.
Youth means a temperamental predominance of courage over timidity, of the appetite for adventure over the love of ease. This often exists in a man of sixty more than a boy of twenty. Nobody grows old merely by a number of years. We grow old by deserting our ideals.
Years may wrinkle the skin, but to give up enthusiasm wrinkles the soul. Worry, fear, self-distrust bows the heart and turns the spirit back to dust.
Whether sixty or sixteen, there is in every human being’s heart the lure of wonders, the unfailing child-like appetite of what’s next, and the joy of the game of living. In the center of your heart and my heart there is a wireless station; so long as it receives messages of beauty, hope, cheer, courage and power from men and from the infinite, so long are you young.
When the aerials are down, and your spirit is covered with snows of cynicism and the ice of pessimism, then you’ve grown old, even at twenty, but as long as your aerials are up, to catch the waves of optimism, there is hope you may die young at eighty.


float:left
The float CSS property specifies that an element should be taken from the normal flow and placed along the left or right side of its container, where text and inline elements will wrap around it.
float:right
The float CSS property specifies that an element should be taken from the normal flow and placed along the left or right side of its container, where text and inline elements will wrap around it.
Without floating, the inline-block elements float like words in a text and block elements just do not float and stay in a vertical block of full width.
no floating block
Without floating, the inline-block elements float like words in a text and block elements just do not float and stay in a vertical block of full width.


Susan Granger's review of "CAPTAIN CORELLI'S MANDOLIN" (Universal)
Based on Louis de Bernieres' epic novel, this romantic drama begins in 1940 on the idyllic Greek island of Cephallonia, where Pelagia (Penelope Cruz), the serious, proud daughter of Dr. Iannis (scene-stealing John Hurt), the village physician, is engaged to Mandras (Christian Bale), a fisherman who leaves to fight Mussolini's forces in Albania. Soon the island is occupied by hedonistic Italian troops and Captain Antonio Corelli (Nicolas Cage) is billeted in the Iannis's house. Believing that Mandras has died in battle, Pelagia falls for the charming, fun-loving Corelli, who's a translator between the Germans and the Greeks. He trains his men to sing, not fight, and says, "I've never aimed a gun in my life." But Mandras has - and he is very much alive, hiding out with the partisan guerrillas. Eventually, Pelagia must choose between the two men. As Dr. Iannis puts it: "When you fall in love, it is a temporary madness. It erupts like an earthquake, and then it subsides. And when it subsides, you have to work out whether your roots have been so entwined together that it is inconceivable that you should ever part, because that is what love is."
Shackled by Shawn Slovo's shallow, under-developed, overly-simplified screenplay, director John Madden concentrates on the formulaic romance amidst W.W.II conflicts, utilizing John Toll's sweeping cinematography and Stephen Warbeck's luscious score. But there's little on-screen sexual chemistry between Nicolas Cage and Penelope Cruz, even when he woos her with music by seductively strumming his mandolin, and the conclusion seems anti-climactic. On the Granger Movie Gauge of 1 to 10, "Captain Corelli's Mandolin" is a picturesque, escapist 5. Rent Gabriele Salvatore's "Mediterraneo" (1991), a similar story that's far more emotionally effective.
========== X-RAMR-ID: 29220 X-Language: en X-RT-ReviewID: 244217 X-RT-TitleID: 1109530 X-RT-SourceID: 742 X-RT-AuthorID: 1274 X-RT-RatingText: 5/10
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


sequencing using OpenUrl MinION used CrossRef data viral reads flow clinical genome library nanopore respiratory identification sequence DNA Table influenza virus samples study alignment cell new URD amplicon bacterial infections military organisms rapid targeted Bracken Influenza Metrichor PCR RT-PCR WIMP influenzae libraries listed nasal Figure View accomplished error quality °C, WGA amplification application described detection genomes human identified low viruses Coronavirus Download RNA acute adenovirus aligned analysis kit kits number prior read sequencing. visualized Metrichor’s NGS Science coronavirus disease field illness pathogens samples. seconds surveillance virus, washes Dis. Genome Illumina Infect Parainfluenza Qubit Sequencing Tables Targeted WGS WTA Web ability acid addition, average cells cells, demonstrated length long metagenomics methods minutes. parainfluenza pathogen preparation reference results run sequencer shown time (B) ARI Analysis Clin Human MiSeq ONT Open U.S. Upper approach approximately base beads benchtop cDNA chemistry correctly data-hide-link-title=""> data-icon-position="" figure followed generated grade identity instructions major manufacturer’s metagenomic minutes molecular novel nucleic prepared quantified range rate rates sample species successfully tab titer


[1]
Good Picture; Audio Issues
[2]
Many, which are covered by rave reviews.; DISH NETWORK
[3]
Good-size hard drive, user-friendly interface.; Audio problems, recording problems.


Cheesecake Order Form
Quantity
1
2
3
4
Toppings
Plain
Cherry
Chocolate
Notes:
Orders for month of
JAN
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
NOV
DEC
11 Cherry
17 Chocolate
31 Plain


soil plant Mikania fungi native plants parasitism Cuscuta invasive bacteria Coix effects (Figure biomass bactericide fungicide parasitic colonization species effect presence microbial S). community growth root {border-style Table suppressed Ecology, heavy host px;} #ffffff;} fungicide; interactions reduced Figure interactive mycorrhizal used campestris communities co‐occurring micrantha roots significantly exotic parasitized complement different fungal levels light main mutualists parasitism, results (significant ./j.-...x Callaway, However, Klironomos, Soil caused competition competitive number van Ecology Li, absence experimental invader level pots Biological CFUs China New Wang, Yu, d). diversity field present reduce studies Plant holoparasitic influence likely microbes pathogens suggest three‐way Bever, Letters, Phytologist, Putten, c). contrast, der determined experienced experiment fitness greatest interaction: plants. px; suppress {font-family Invasions, applied carbon control ecological font-size fungi. hosts increase individual influenced invasion lacryma‐jobi mean pathogenic pot shown similar test versus ./-. Aldrich‐Wolfe, Biology Fungicide Jin, Oecologia, Ye, arbuscular bacteria, bacteria. biota double; e). grassland heavily indicate indicates infection interact invaded modified negative nutrients resources seeds Botany, Clay, Dickie, Dong, Graves, Invasive Key Main Miao, Parasitic Science University alien antagonists application australis bactericide; biological border-color border-width comparisons cuttings decline dynamics environmental fungi, grown highest hoc indirectly instance, introduced invasions. least‐squares microorganisms min, multiple post relative respectively. samples seedlings significant soil. solid; species. study support suppression vs. water {font-style {font-weight (%) (Davies (Pennings (a) (b) (bars (c) Allen, Annual Australian Cao, Dengshuiling Ecological Experimental Hong, Kleunen, Kotanen, Letters Liu, Marler, Maron, Mean Mikania. Mycorrhizal National Nature, Oduor, Press, Pyšek, Research Review Roux, SE) Significance Taizhou Thus, Zabinski, added alter applied), applied, bacterial bactericide, bars biotic bold cf. coexistence common courier; did different) ecology em; facilitate feedbacks findings fungicide, gain hemiparasite higher impact important letter management microbes, minor natural near new nitrogen nitrogen‐fixing nutrient parasite plant. plants: produced pt;} reduction resistance respectively share soil‐borne sterilized tests two‐way


--- subject: "{{SUBJECT}}" --- {{> top }} {{> logo }} {{> greetings }} Happy Halloween Take 10% off by using code ZOMBIES at checkout. Shop Now Here are some things that might spook your fancy: {{> recommendation}} Happy Shopping {{> footer }}
Here are some things that might spook your fancy:


|
system
0.1.0
|
#include <pit.hpp>
Public Member Functions | |
| virtual | ~pit () override |
| pit (logging::logger &in_log) | |
| double | get_frequency () override |
| void | set_frequency (double in_frequency_hz) override |
| void | interrupt_handler (interrupt_frame &in_frame) override |
| Public Member Functions inherited from timer | |
| virtual | ~timer () |
|
inlineoverridevirtual |
| pit::pit | ( | logging::logger & | in_log | ) |
|
overridevirtual |
|
overridevirtual |
Implements timer.
|
overridevirtual |
Implements timer.


"Doctor" Do Little
Cats meow; dogs bark, birds chirp, and tigers roar. Have you ever wondered what they might be saying to us? For Dr. John Dolittle (Eddie Murphy), he possesses a very special ability. He can actually understand them. And those animals can also understand the Doctor. Imagine the kind of unique information that they may hold. A woodland owl may tell of how its forest habitat is being destroyed. Stray cats could reveal where illegal activity may be taking place in some darkened alleyway. Perhaps the Doctor could do something to save an endangered species with his unique communications skills or help to unravel the mysteries of the animal kingdom. But this film never gets even close to the possibilities that naturally present itself.
"Doctor Dolittle" is about a successful, straight-as-an-arrow doctor who is too absorbed with his work. But that is just fine for his fellow co-worker Mark Weller (Oliver Platt), since they are about to ink a lucrative deal to sell their practice. After a traffic accident, however, Dolittle is rekindled with his gift of gab. Shock and hysteria begin to settle in as he tries to push these unexplainable voices from his head. Dolittle carries on conversations with, among others, a stray dog (voiced by an acerbic-sounding Norm MacDonald) and a hip-hop talking hamster (voiced by Chris Rock). This weird behavior alarms Weller as this jeopardizes the deal. But Dolittle begins to develop a renewed sense of passion for his work knowing that he can help to heal animals too. Now all he must do is convince his family, co-workers and other skeptics that he's not crazy.
Dolittle, the character and Murphy, the actor suffer from similar scenarios. They both make decisions that elicit disbelief. The biggest problem here is that we have a 30-minute scenario stretched into a feature-length film. And, the movie just isn't all that interesting. The talking animals amounted to little more than a gimmick. No real bond is established between man and animal.  Witness the scene at a the vet's waiting room where animals discuss their ailments and another extended sequence in Dolittle's house where a gallery of animals come for some medical attention. Celebrity voice-overs try to make these animals sound funny (contributions from Julie Kavner, Albert Brooks, John Leguizamo, Paul Reubens, and others), but most of the dialogue is a real bore. Also appallingly odd for a Disney film, the movie seemed to lack the energy, magic and warmth that we have come to expect from their studio.
Murphy does a charming job, but he just doesn't have enough material to work with here. Perhaps the funniest thing about this movie is the inclusion of Oliver Platt, who seems relegated to playing perpetually worried sidekicks. Though a fine actor, he really looks like he wants to be somewhere else. Somewhere else is where you should be too.
Grade: C-
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


• Towards 1.0 and a plea to users
• Changes in 0.16.1
• Future plans
First and foremost, I hope you don't mind the long text!
As some of you may have noticed, the updates cadence has decreased lately. Not because I don't have time (well, maybe) but because the features and bug-fixes I'm facing are pretty hard to implement or to investigate and fix while also maintaining compatibility with IDEA 2019.2+.
This is where all of you come in to play! Please report any sort of issue you encounter in completion, settings, UI, and let me know about any idea of feature which could benefit everyone. I'm especially interested in your answers to a couple questions:
• what's your IDE release (e.g. 2020.1)?
• are you using template completion?
• what's the most useless feature you encountered?
I've opened a feedback issue
on GitHub where you can write whatever you want.
And if you don't own a GitHub account, please contact me at lp.edoardo(at)gmail.com
With this in mind, I hope by the beginning of the new year we'll have the first stable version.
This release packs more then 100 commits which include new features, extensive refactorings, and bug fixes. Following is a short but comprehensive summary.
Features:
• differentiated the token's displayed value (in completion popup) from its real value.
This enhancement seems like a small detail, but it's huge as it let's us search an item by a comprehensible
text while outputting another value. Think about a GitHub issue: you search via its title but
want its number to be inserted.
• allowed using a custom Co-authors file.
The co-authors file is created/picked-up from the project's base directory; however with this enhancement
you're also able to select a file using an absolute path.
• allowed sorting body, footer type, and footer value tokens.
This is accessible via the Settings > Conventional Commit > Providers tab.
• displayed changelogs/news inside a dedicated dialog (this very dialog!) and exposed a public API. Even extensions are able to add their own tabs.
• preselected the top item in completion's popup when using context completion.
This change removes the need to use the down-arrow key to begin selecting items,
so that you can immediately complete.
Should this be optional? Let me know in the feedback issue.
• cleaned-up whatever the plugin created if it is uninstalled.
Currently only some non-roamable properties are removed, but this will be expanded in the future if necessary.
Fixes:
• used the correct project's base path.
Probably from 2020.3, the platform API started returning the .idea
folder as the project's base path.
This is obviously wrong and hinders the auto-discovery of the default tokens file (conventionalcommit.json
)
and of the Co-authors file (conventionalcommit.coauthors
).
• allowed commit message reformatting using keys shortcut in 2020.2+
This is a platform problem (IDEA-254830) but I managed
to workaround it.
Refactorings:
• improved the completion process.
In conjunction with the first mentioned feature, I've replaced the underlying code that performs the completion item
insertion. That is now smarter and lighter, but there might be issues, so report them in case.
• improved the UI.
The user interface now strictly follows the platform guidelines (and even goes beyond)
aiming at offering the best possible user experience.
Scaling of panels and controls is taken into account everywhere to ease working with big monitors
and higher resolutions.
Until the end of the year I would like to focus on the features we already have, and on bug fixes if required.
This doesn't mean I don't want to add new things, but that to be considered they
must provide good value.
What I already planned:
• work on new extensions! I've already written a POC for GitHub issues integration.
• handle more edge cases in completion.
• stabilize and document the exposed API.
This will allow more third-party extensions to become available.
• clean-up the code and add in-code documentation to attract contributors.
I'm already doing this, but it's a never ending task.
• investigate improvements for the What's New dialog.
Currently I'm using a Swing embedded browser, however I would like to move to a native Swing component.
I'd like to thank ymind for the Chinese localization, all the people who tried out the plugin, and the ones who submitted issues during the months.


Your privacy: We value and respect your privacy. When you log into the public nimbits server, your email address is saved on our system. We do no share, distribute or publicise your email address in any way. We may send you an email, typically our newsletter, that also will request you to confirm or opt out of any future email communications.
Data and content: Data uploaded to a Nimbits Server is connected to a "data point" with configurable privacy settings. Data Points configured as public can be searched, indexed and read by other users. Uploaded SVG diagram can also be configured with privacy settings. Please be aware that Nimbits Server is designed to share data and even public data on your own instance on Nimbits Server may be viewable. We make every effort to ensure your email address and other contact information is not viewable with your public points and diagrams.
Nimbits Server, SDK, Android app and other products on this web site are the property of Nimbits Inc. and are distributed under the GPL Licence V3. Please review that licence agreement. Any usage of the Nimbits System or source code assumes agreement with that licence and its copyright.
Most importantly, as detailed in the licence:
THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW.
You can download a copy of Nimbits Server and deploy to a Google App Engine account without limitations.
We host an instance of Nimbits Server for all to use on cloud.nimbits.com with some limitations. Most users will not notice these limitations, nor will you if your data recording frequencies are about one a minute. If you intend to use Nimbits to record multiple values a second - particularly values that go out of their compression setting on each change, then you should set up a server of your own for that purpose.
The Nimbits Public server may receive code changes updates that change or limit the way you can access data you've uploaded to the server. We may, without warning limit download / upload quotas based on server load.How we handle possible over-use of the public server


DataTables can integrate(整合) seamlessly(无缝地) with Bootstrap 3 using Bootstrap's table styling options to present an interface with a uniform design, based on Bootstrap, for your site / app. DataTables' Bootstrap integration also provides a renderer for the pagination control in DataTables to ensure that the pagination of the table is also styled consistently by Bootstrap.
This integration is done simply by including the DataTables Bootstrap files (CSS and JS) which will set the defaults needed for DataTables to be initialised as normal, as shown in this examples.
| Name | Position | Office | Age | Start date | Salary |
|---|---|---|---|---|---|
| Name | Position | Office | Age | Start date | Salary |
| Tiger Nixon | System Architect | Edinburgh | 61 | 2011/04/25 | $320,800 |
| Garrett Winters | Accountant | Tokyo | 63 | 2011/07/25 | $170,750 |
| Ashton Cox | Junior Technical Author | San Francisco | 66 | 2009/01/12 | $86,000 |
| Cedric Kelly | Senior Javascript Developer | Edinburgh | 22 | 2012/03/29 | $433,060 |
| Airi Satou | Accountant | Tokyo | 33 | 2008/11/28 | $162,700 |
| Brielle Williamson | Integration Specialist | New York | 61 | 2012/12/02 | $372,000 |
| Herrod Chandler | Sales Assistant | San Francisco | 59 | 2012/08/06 | $137,500 |
| Rhona Davidson | Integration Specialist | Tokyo | 55 | 2010/10/14 | $327,900 |
| Colleen Hurst | Javascript Developer | San Francisco | 39 | 2009/09/15 | $205,500 |
| Sonya Frost | Software Engineer | Edinburgh | 23 | 2008/12/13 | $103,600 |
| Michael Bruce | Javascript Developer | Singapore | 29 | 2011/06/27 | $183,000 |
| Donna Snider | Customer Support | New York | 27 | 2011/01/25 | $112,000 |
The Javascript shown below is used to initialise the table shown in this example:
$(document).ready(function() {
$('#example').DataTable();
} );
In addition to the above code, the following Javascript library files are loaded for use in this example:
The HTML shown below is the raw HTML table element, before it has been enhanced by DataTables:
This example uses a little bit of additional CSS beyond what is loaded from the library files (below), in order to correctly display the table. The additional CSS used is shown below:
The following CSS library files are loaded for use in this example to provide the styling of the table:
This table loads data by Ajax. The latest data that has been loaded is shown below. This data will update automatically as any additional data is loaded.
The script used to perform the server-side processing for this table is shown below. Please note that this is just an example script using PHP. Server-side processing scripts can be written in any language, using the protocol described in the DataTables documentation.


Synthesizer(synthesizerSchema):constructor
|
Creates a new sythesizer based on the schema. |
Synthesizer.play(note:Integer):null
|
Synthesizer processes this input in a fashion custom to an individual synthesizer configuration. Typically, calling this with any positive integer will produce a sound. |


Please Enter Your Username And Password!
You logged out successfully!
Hello, to access our app please
Log in
or
Register
Login
E-mail or Username
Password
Cancel
You are loged in!
Logout


Class template that associates identifiers with dynamic actions. More...
Public Types | |
|
typedef EventSystem < ActionContext< ActionId > , ActionId > | CallbackSystem |
| EventSystem to connect ActionMap with event listeners. | |
Public Member Functions | |
| ActionMap () | |
| Default constructor. | |
| ActionMap (ActionMap &&source) | |
| Move constructor. | |
| ActionMap & | operator= (ActionMap &&source) |
| Move assignment operator. | |
| void | update (sf::Window &window) |
| Clears old events and polls the window for new ones. | |
| void | pushEvent (const sf::Event &event) |
| Feeds the action map with a SFML event, that can be used during the current frame. | |
| void | clearEvents () |
| Removes the events that have been temporarily stored. | |
| Action & | operator[] (const ActionId &id) |
| Returns the action associated with a given action identifier. | |
| void | removeAction (const ActionId &id) |
| Remove the action associated with the specified id. | |
| void | clearActions () |
| Removes all actions associated with this map. | |
| bool | isActive (const ActionId &id) const |
| Returns whether the action associated with the specified identifier is currently in effect. | |
| void | invokeCallbacks (CallbackSystem &system, sf::Window *window) const |
| Forwards active actions to a callback system. |
Class template that associates identifiers with dynamic actions.
You can use this template to map identifiers like strings or enumerators to a specific combination of SFML events (sf::Event) and real time input states (sf::Mouse, sf::Keyboard, sf::Joystick). After the initialization, isActive() provides an easy way to check whether a specified identifier is associated with an active action. Furthermore, it is possible to map the actions to callbacks, which can be achieved with InvokeCallbacks().
| ActionId | The type of ID you want to map to actions. This can be a string, an enum, or anything with a < operator and value semantics. |
| void thor::ActionMap< ActionId >::clearEvents | ( | ) |
Removes the events that have been temporarily stored.
You only need this function in combination with pushEvent(), if you want to feed the action map manually with events. Otherwise, you can just call update().
| void thor::ActionMap< ActionId >::invokeCallbacks | ( | CallbackSystem & | system, |
| sf::Window * | window | ||
| ) | const |
Forwards active actions to a callback system.
| system | Callback system of type EventSystem< ActionContext<ActionId>, ActionId > |
| window | Window pointer which is stored in the ActionContext passed to the callbacks. Can be nullptr. |
For every action that is currently active, the action ID is passed to system, where all listener functions associated with the ID are invoked. For a given action registered in the action map, the callback system is invoked at most once, even if the action has been combined with logical operators and multiple sub-actions are active. That is, an action Shift&&X won't lead to an invocation for both Shift and X. This is the expected behavior.
// Listener function for "run" actions void callback(thor::ActionContext<std::string> context); // Map to register "run" action thor::ActionMap<std::string> map; map["run"] = thor::Action(sf::Keyboard::R); // Create EventSystem object, connect "run" action to callback thor::ActionMap<std::string>::CallbackSystem system; system.connect("run", &callback); // In the main loop: Forward actions to the callback system map.invokeCallbacks(system, &window);
| bool thor::ActionMap< ActionId >::isActive | ( | const ActionId & | id | ) | const |
Returns whether the action associated with the specified identifier is currently in effect.
To be in effect, the boolean operation of the assigned action must yield true. Note that in contrast to registered callbacks, isActive() doesn't take into account the situation where multiple events of the same type occur in a single frame.
// If LCtrl+A or B is pressed, the action is active. thor::Action(sf::Keyboard::A) && thor::Action(sf::Keyboard::LCtrl) || thor::Action(sf::Keyboard::B);
| Action& thor::ActionMap< ActionId >::operator[] | ( | const ActionId & | id | ) |
Returns the action associated with a given action identifier.
Use this function to create new associations. If the action id hasn't been stored yet, it is inserted and an empty action is returned. Assign an object of type thor::Action to it. Example:
thor::ActionMap<std::string> map(...); map["run"] = thor::Action(sf::Keyboard::R);
| void thor::ActionMap< ActionId >::pushEvent | ( | const sf::Event & | event | ) |
Feeds the action map with a SFML event, that can be used during the current frame.
When you use the update() method, you needn't invoke pushEvent(). This method exists for more flexibility: You can push user-defined events, and you can do something else with the polled events before calling pushEvent().
| void thor::ActionMap< ActionId >::update | ( | sf::Window & | window | ) |
Clears old events and polls the window for new ones.
| window | The SFML window from which events are polled. |
When you invoke this method, you should not call sf::Window::pollEvent() in the same frame, since update() already does that. The following code
map.update(window);
is equivalent to
map.clearEvents(); sf::Event event; while (window.pollEvent(event)) map.pushEvent(event);


James Arthur Baldwin (August 2, 1924 - December 1, 1987) was
an American novelist, playwright, essayist, poet, and activist.
His essays, as collected in Notes of a Native Son (1955), explore
intricacies of racial, sexual, and class distinctions in Western
society, most notably in regard to the mid-twentieth-century
United States. (Wikipedia)
Facebook Site
Civil Rights
Historic debate between James Baldwin v. William F. Buckley Jr. at Cambridge University on the question: "Is the American Dream at the expense of the American Negro?"
Click on the bookmarks below then press the play button to view the video content.
James Baldwin has an open discussion of racial prejudice, civil rights activism and policing. Date aired - 5/16/1969
Click on the bookmarks below then press the play button to view the video content.
Literature
Original video from SOUL! and then shoutfactorytv. Taped in London, November 1971.
Click on the bookmarks below then press the play button to view the video content.


cd
into this foldernpm install
to get our dependencies - both build time and run timenpm install -g gulp-cli
to install gulp
on your path. If you don't, you will not be able to use any gulp
commands. Use gulp help
for a list of the available commands for this project.If using vscode
you should install the tslint
extension to get nice lint warnings as you edit.
gulp build
gulp test
or npm test
This implicitly runs build
.
Baseline test results are visible online here.gulp build-release
Builds a minified copy of the repository into the dist folder.Documentation
gulp typedoc
will regenerate the documentationnpm install
ing those dependencies sometimes fixes the build.The project is easiest to debug while running tests within vscode
. Just add a vscode
launch.json
(inside the .vscode
folder) similar to this one, and choose 'Launch'
on the debugging pane.
In the general case, this library should be usable like the following:
import {createModel, createSvgExporter, createSqlDataSource} from "glacier";
const model = createModel();
const exporter = createSvgExporter(model);
const source = createSqlDataSource(model, "../path/to/db");
model.subscribe(state => console.log(exporter.export()));
The library is designed as a store which you can dispatch actions to, and hook up adapters (which can dispatch actions) and exporters (which can listen on state changes) on.
src/actions
- actions creators - this is where functions which produce actions which can be dispatched to the store residesrc/reducers
- state management - this is where actions become new parts of the state; specific reducers are responsible for specific actions which update specific portions of the statesrc/model
- contains interfaces that describe the shape of statesrc/mapper
- logic which maps our internal state into a Vega-Lite specification objectsrc/adapters
- contains objects and interfaces specifying how to import data into the state (CSV, JSON, SQL, etc)src/exporters
- contains objects and interfaces specify how to export a state into something useful (SVG, ZIP, etc)Generated using TypeDoc


{%extends "layout.html"%} {% block content %}
Please choose a file and select a key before submitting your request.


'Bulworth' (1998)
A movie review by Walter Frith
Member of the 'Internet Movie Critics Association' http://www.geocities.com/Hollywood/Studio/5713/index.html
Watching 'Bulworth' feels like having somebody punch you in the face and as you turn around to recover and regain your balance, there's somebody waiting that throws a bucket of cold water where you've just been punched. In other words, the film is a double whammy of intended satire but comes off more as a series of condescending failed scenes which do nothing to advance the nature of the movie's characters and caricatures. Caricatures are usually the least interesting thing about a film that centres on people because they never get developed beyond the realm of their first scene(s), hence, their given name. 'Bulworth' has more than its share of unnecessary players and the centre piece of the movie's main personality is a man with a pretty unattractive personality named Jay Billington Bulworth (Warren Beatty).
I understood completely where Beatty was trying to go with this film but rather than churn out a political satire, Beatty has instead made a film where Bulworth rambles about our unbalanced society without telling us anything about how he intends to improve it. That is often the true nature of politicians and if the movie wants to do that, what exactly is its point beyond anything we've seen before? It doesn't take a genius to do a simple turning of the tables and make a fibbing politician, who doesn't believe in the things he's saying and turn him into a suicidal and supposedly conscience stricken self redeemer who becomes suicidal and says what's really on his mind.
The film opens with a rehearsed speech Billington intends to give where the opening line is heard over and over and over again and is the usual *blah*blah*blah* he will use in an upcoming campaign. We soon begin to see Bulworth's mental breakdown as he displays his suicidal tendencies and takes out a large insurance policy on himself before hiring a contract killer to knock himself off?! I didn't believe it for a second. The idea is too simple to be believable and even if you accept the premise, the movie's core issue hasn't even surfaced yet.
As Bulworth is speaking to a large audience of African-Americans in South Central L.A., he makes some rather blunt comments that he believes are true, putting aside the political line for an unexpected dose of what many will accept as reality. Next his comments turn to the Jewish community and these two outbursts cause a media carnage where Bulworth is asked to explain exactly what he meant by these two incidents. Somewhere in the middle of all this, he begins saying what he really feels is the trouble with American society. His remarks make the U.S.A. sound instead like the Corporate States of America, perhaps a good theory and while reasonably admirable and truthful, his execution of these ideas are awkward and sound more like the ramblings of a paranoid fanatic.
During his outburst in South Central L.A., he meets Nina (Halle Berry), a young woman from the community whom he fancies and he tries to understand her world and express himself through it by a transformation of image. It's a world Bulworth doesn't understand because the words he hears and the problems he sees, he repeats them when interviewed on television and the execution this time isn't only awkward, its phony and self indulgent on Beatty's part.
What's even more astonishing about this film is the way that Beatty presents not only the other characters in the film, but his own. The other characters played by such wonderful actors as Jack Warden, Paul Sorvino, Oliver Platt, Don Cheadle and Christine Baranski are never given any real focus or development and when the fate of Beatty's character is decided, you will NOT care.
Beatty is more concerned with presenting his story too quickly and as you figure out that his film lacks depth and insight, you'll be amazed at what little foundation is built around the the rest of the story.
Beatty directs and is the co-author of 'Bulworth' and for a man who has been a part of classics like 'Bonnie and Clyde', 'Shampoo', ' Heaven Can Wait' and his most ambitious film for which he won a Best Director Oscar, 1981's 'Reds', Beatty has made an abysmal failure of a film the has absolutely no after thought and is as stimulating as frozen silly putty.
OUT OF 5 > * 1/2
Visit FILM FOLLOW-UP by Walter Frith http://home.netinc.ca/~wfrith/movies.htm
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


#WalangPasok: Class suspensions, Monday, November 18, 2019
Bookmark and refresh this page for a list of areas where classes have been suspended for Monday, November 18, 2019
by Rappler.comSubscribe
Email Address
Newsletters
- Glenda Gloria's Take this Tuesday
- Huddle by Miriam Grace Go
- The Newsbreak Agenda by Chay Hofileña
- Sometimes, all you need is video by Lilibeth Frondoso