MPI_REDUCE_SCATTER extends the functionality of MPI_REDUCE_SCATTER_BLOCK such that the scattered blocks can vary in size. Block sizes are determined by the recvcounts array, such that the i-th block contains recvcounts[i] elements.
| MPI_REDUCE_SCATTER( sendbuf, recvbuf, recvcounts, datatype, op, comm) | |
| IN sendbuf | starting address of send buffer (choice) |
| OUT recvbuf | starting address of receive buffer (choice) |
| IN recvcounts | non-negative integer array (of length group size) specifying the number of elements of the result distributed to each process. |
| IN datatype | data type of elements of send and receive buffers (handle) |
| IN op | operation (handle) |
| IN comm | communicator (handle) |
int MPI_Reduce_scatter(const void* sendbuf, void* recvbuf, const int recvcounts[], MPI_Datatype datatype, MPI_Op op, MPI_Comm comm)
MPI_Reduce_scatter(sendbuf, recvbuf, recvcounts, datatype, op, comm, ierror)
TYPE(*), DIMENSION(..), INTENT(IN) :: sendbuf
TYPE(*), DIMENSION(..) :: recvbuf
INTEGER, INTENT(IN) :: recvcounts(*)
TYPE(MPI_Datatype), INTENT(IN) :: datatype
TYPE(MPI_Op), INTENT(IN) :: op
TYPE(MPI_Comm), INTENT(IN) :: comm
INTEGER, OPTIONAL, INTENT(OUT) :: ierror
MPI_REDUCE_SCATTER(SENDBUF, RECVBUF, RECVCOUNTS, DATATYPE, OP, COMM, IERROR)
<type> SENDBUF(*), RECVBUF(*)
INTEGER RECVCOUNTS(*), DATATYPE, OP, COMM, IERROR
If comm is an intracommunicator, MPI_REDUCE_SCATTER first performs a global, element-wise reduction on vectors of elements in the send buffers defined by sendbuf, count and datatype, using the operation op, where n is the number of processes in the group of comm. The routine is called by all group members using the same arguments for recvcounts, datatype, op and comm. The resulting vector is treated as n consecutive blocks where the number of elements of the i-th block is recvcounts[i]. The blocks are scattered to the processes of the group. The i-th block is sent to process i and stored in the receive buffer defined by recvbuf, recvcounts[i] and datatype.
Advice
to implementors.
The MPI_REDUCE_SCATTER
routine is functionally equivalent to:
an
MPI_REDUCE
collective
operation
with count equal to
the sum of recvcounts[i] followed by
MPI_SCATTERV with sendcounts equal to recvcounts.
However, a direct implementation may run faster.
( End of advice to implementors.)
The ``in place'' option for intracommunicators is specified by passing
MPI_IN_PLACE in
the sendbuf argument.
In this case, the input data is taken from the receive
buffer. It is not required to specify the ``in
place'' option on all processes, since the processes for which
recvcounts[i] ==0 may not have allocated a receive buffer.
If comm is an intercommunicator, then the result of the reduction of the data provided by processes in one group (group A) is scattered among processes in the other group (group B), and vice versa. Within each group, all processes provide the same recvcounts argument, and provide input vectors of elements stored in the send buffers, where n is the size of the group. The resulting vector from the other group is scattered in blocks of recvcounts[i] elements among the processes in the group. The number of elements count must be the same for the two groups.
Rationale.
The last restriction is needed so that the length of the send
buffer can be determined by the sum of the local recvcounts entries.
Otherwise, a communication is needed to figure out how many elements
are reduced.
( End of rationale.)


|
Meyer LanskyLansky was one of the premiere treasurers, advisors, Godfathers, and masterminds of the Mafia, but also one of the most understated, least recognized characters in the history of organized crime. That's how it's done, after all. Who's going to suspect a yahoodi from Poland named Maier Suchowljansky?Anyone who did suspect him met Bugsy Siegel, one of the most violent gangsters of the day. Lansky and Siegel were longtime friends, and constantly saved each other's lives. Siegel's psychotic nature meant that Lanksy rarely needed to kill. This did not preclude himself, nor his wife Jane, from driving while Siegel performed drive-bys. Lansky's brilliance was finance; he was a money-making machine, architecting the money laundering and financial network essential to organized crime. In concert with the strong-armed Lucky Luciano, both halves of the finance-violence yin-yang of the Mafia were complete. Desperate to take the miled-mannered Lansky down, the United States government brought him up on tax evasion in 1970. Lansky fled to Israel, but was forced to return after visa complications mysteriously developed. He avoided conviction by exercising his ties with the highest levels of power, and died in 1983 a rich old Jew in Florida. Go figure. |


| class ASCartItem : public APairItem | |
|---|---|
|
This is an object that is a contained by AShoppingCart. It HTML representation is a HIDDEN FORM element.
The override of doOut method of ABaseElement allows each item to represent itself individually.
This objects work very tightly with it's container AShoppingCart and customizing the behavior will require either
modifying the source for these 2 object or inheriting from them and creating custom functionality. Each shopping cart item has a quantify. That quantity can be negative and is left to the programmer to check if it is allowed or not. |
|
| Method | Description |
|
virtual void doOut ( AStreamOutput ) public |
Outputs itself as a HIDDEN FORM element that will be resubmitted to a CGI that will allow AShoppingCart to
process and find its items. Returns: Nothing. |
|
int sciGetQuantity ( void ) public |
Access method. Returns: Number of items of this type that are present. |
|
void sciSetQuantity ( int iNewQ ) public |
Access method. Returns: Nothing. |
|
ASCartItem &operator ++ ( void ) public |
Access method for increasing the item count by 1. Returns: Reference to this object. |
|
ASCartItem &operator -- ( void ) public |
Access method for decreasing the item count by 1. Returns: Reference to this object. |
|
ASCartItem &operator += ( int iAddQ ) public |
Access method for increasing the item count by {iAddQ}, and {iAddQ} can be negative. Returns: Reference to this object. |
| class AShoppingCart : public APairList | |
|---|---|
| This is an object that contains ASCartItems. It handles the doOut for itself and all of its contents inside a FORM submition area. Multiple shopping carts can be used, as long as the {m_pcCartName} is unique. This object can also find its contents if given APairList-based object, which usually will be ACGI object with FORM submissions. | |
| Method | Description |
|
virtual void doOut ( AStreamOutput ) public |
Generates HTML output that will represent this particular object inside a FORM submition area. Returns: Nothing. |
|
void ascSetCartName ( const char ) public |
Sets the name of this shopping cart object. Returns: Nothing. |
|
const char *ascGetCartName ( void ) public |
Gets the current name of this object. Returns: Constant character pointer to the member variable that contains the name. |
|
ASCartItem *ascAddCartItem ( const char int iQuantity=0x1 ) public |
A method for adding new items to the cart. {pccItemName} is the {NAME} of the pair and the value is user settable. Returns: A pointer to the new item, or an existing item if the name exists. |


LIFE AND DEBT A movie review by Rachel Gordon Copyright 2001 filmcritic.com
Jamaica is a hot vacation spot. The exchange rate encourages delusions of wealth (approximately 30 Jamaican dollars to one American), the sea is a brilliant blue, the air is warm but lacks humidity. And as tourism is unfortunately Jamaica's biggest trade, foreigners enter and leave with a sense of relaxation.
Life and Debt takes a brassy look at life inside this impoverished country. While normal documentaries take the Sally Struthers approach of underlying scenes of starving children with tearful music, this film guides the viewer with a sarcastic voiceover that brings the troubles home without begging tears to the surface.
The voiceover is written by acclaimed author Jamaica Kincaid. It guides the audience along a tourist's journey and the story of the native inhabitants. Instead of telling you what you are already seeing on screen, it quips, "You don't see what happens after you flush the toilet." This engages a viewer to see and think about devastation instead of merely being told it is there. This strong, sparse storytelling approach runs throughout the film.
Stephanie Black is also intelligent in how she chooses to disclose the problems faced by the locals.  People are interviewed from all sectors of occupation, from field to factory, as well as social theorists and the banking organizations that continue to invest in the country. The variety of discussion perpetuates a compelling internal dialogue with any viewer, whether they are seeing Jamaica for the first time or not.
Of course, as can be expected, the United States is slammed, owing to its involvement with the International Monetary Fund and the World Bank. Officials look moronic as they explain why their plans for Jamaica's economy will help the country back on its feet, but only if they are willing to follow the advice word for word.
The next moment we see why and how each of these initiatives has failed, usually due to imports being cheaper than local labor or whether or not the soil is appropriate for the next agricultural trend the U.S. is forcing on the citizens. Admittedly, some of the back and forth between the business-minded organizations and the failures they produce gets repetitive, but it also drives home the impact ignorance can have on both sides of an international argument.
But Jamaica isn't against the United States, and this documentary does not accuse the U.S. of being the sole perpetrator of its grief. If anything, it begs for a better understanding of the nature of Jamaican society before stepping in to change it based on foreign regulations.

Visit filmcritic.com on the Web at http://www.filmcritic.com
========== X-RAMR-ID: 29722 X-Language: en X-RT-ReviewID: 252963 X-RT-TitleID: 1108971 X-RT-SourceID: 178 X-RT-AuthorID: 3953 X-RT-RatingText: 4/5
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rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


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These documents set out the details of the data about further education (FE) learners and their learning that must be collected by colleges, training organisations, local authorities and employers (FE providers).
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The data collected is used to calculate funding due to FE providers, for performance monitoring, future planning and to ensure that public money is being spent in-line with government targets.
See the ILR guides, e-learning modules and forms for 2013 to 2014 for help to collect and return your ILR data.
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This is the first blog I write via github page, and actually this is really the first blog of mine.
I decide to record some knowledges which will not out of date. In my view, no matter how many new technology come out, but the backend theory will not change so much. So I will record some basic knowledge here to remind myself not remember the basic of the world!
Additionally, I write the code from html -> js, and for github page can only just hold frontend language(or I don't know which features can do this), so I did not implement the comments feature.


{% extends 'layouts/main.html' %} {% block title %}About{% endblock %} {% block content %}
Carlae is a private URL shortener that is designed to work with your domain.
Carlae includes a simple login management and registration system. User registration is built around a web-of-trust model, where existing users can invite new users to the service.
Of course, you'll need your own domain and a server to host this. After that the requirements are pretty straightforward.
The features of carlae are purposely limited. Form is built around function. With that said there are a few features built in.
A top 10 list of click-throughs can be found here. It's just a quick and easy way to get some simple stats on usage.
A rawdump feature is also built in. The shortlinks generated are not meant to be private, so crawlers can access your site throught the rawdump feature. It looks like this.


“ I started my own business at 23, here's how I did it. ”
“ Yes, I bought a car and a house even after paying off my student debt. ”
“ Lessons learned from a millenial entrepreneur, Cliff Weitzman ”
Edward Huang
View all articles
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Trader Hombre:
Welcome! You have excellent taste, young friend! It's not just the Dwarves who sell good weapons. Remember that! I also offer the lowest prices in the region...
Buy/Sell/Refund.
Ask about the local lord and tax rate.
Quest


Simple demo for MNIST model using Forwarder
ONNX4J & Forwarder
Features
Provide REST Web service for predition
Build the web by Spring Boot
Use Forwarder for ONNX model inference
The MNIST model we run was downloaded from
https://github.com/onnx/models/tree/master/vision/classification/mnist
Use backend named "
-
"
Preditions
The digit is:
-
Website
https://github.com/onnx4j/forwarder


{{employee.title}} |
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{{employee.city}} |
|
| Manager | {{employee.managerName}} |
| Direct Reports | {{employee.reports}} |
| Call Office | {{employee.officePhone}} |
| Call Cell | {{employee.cellPhone}} |
| SMS | {{employee.cellPhone}} |
| Email address | {{employee.email}} |


Marc K. Hammond
MUI Kec. Gondokusuman
Staff MUI
INFO
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library_books Selayang PandangB.S. in Computer Science from the University of Tennessee at Knoxville
-
location_on LokasiSleman, Yogyakarta


We just need some basic information to connect to Tender.
Log in to your Tender site, go to your profile, then Edit Profile. Look for the API Key field at the bottom of the page.
The short part of your Tender URL. E.g., for http://octopus-deploy.tenderapp.com/, use octopus-deploy.
http://octopus-deploy.tenderapp.com/
octopus-deploy
{{ discussion.title }}
{{comment.body}}


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| < Day Day Up > |
In 1968, Knuth published the first of three volumes with the general title The Art of Computer Programming [182, 183, 185]. The first volume ushered in the modern study of computer algorithms with a focus on the analysis of running time, and the full series remains an engaging and worthwhile reference for many of the topics presented here. According to Knuth, the word "algorithm" is derived from the name "al-Khowârizmî," a ninth-century Persian mathematician.
Aho, Hopcroft, and Ullman [5] advocated the asymptotic analysis of algorithms as a means of comparing relative performance. They also popularized the use of recurrence relations to describe the running times of recursive algorithms.
Knuth [185] provides an encyclopedic treatment of many sorting algorithms. His comparison of sorting algorithms (page 381) includes exact step-counting analyses, like the one we performed here for insertion sort. Knuth's discussion of insertion sort encompasses several variations of the algorithm. The most important of these is Shell's sort, introduced by D. L. Shell, which uses insertion sort on periodic subsequences of the input to produce a faster sorting algorithm.
Merge sort is also described by Knuth. He mentions that a mechanical collator capable of merging two decks of punched cards in a single pass was invented in 1938. J. von Neumann, one of the pioneers of computer science, apparently wrote a program for merge sort on the EDVAC computer in 1945.
The early history of proving programs correct is described by Gries [133], who credits P. Naur with the first article in this field. Gries attributes loop invariants to R. W. Floyd. The textbook by Mitchell [222] describes more recent progress in proving programs correct.
| < Day Day Up > |


OPay sets lofty Africa goal after bagging $120M
by Chris DonkinThe CEO of Nigeria-focused mobile wallet, ride sharing and food delivery app OPay targeted creation of the best fintech ecosystem Africa has ever seen, after securing $120 million in funding.
In a statement, OPay boss Yahui Zhou said the company would become a “key contributor to expanding financial inclusion in Africa … helping local businesses and workforces to thrive from opportunities created by new, digital business models.”
He added the new cash would be allocated to operations in countries with supporting regulation, citing opportunities in its existing market of Nigeria alongside Ghana, South Africa and Kenya.
The company launched its mobile payment service in August 2018 and has since added a number of other consumer-facing products. Its latest cash injection comes less than five months after netting $50 million from investors.
Its latest backers include a SoftBank-run investment fund, DragonBall Capital, GaoRong Capital, Source Code Capital and IDG Capital.


Steps To Follow : -
If you have a fever, cough or other symptoms, you might have COVID-19. Most people have mild illness and are able to recover at home. If you are sick:
Keep track of your symptoms.
If you have an emergency warning sign (including trouble breathing), call 911.
Stay home. Most people with COVID-19 have mild illness and can recover at home without medical care. Do not leave your home, except to get medical care. Do not visit public areas.
Take care of yourself.  Take over-the-counter medicines, such as acetaminophen, to help you feel better.
Stay in touch with your doctor. Call before you get medical care. Be sure to get care if you have trouble breathing, or have any other emergency warning signs, or if you think it is an emergency.
Avoid public transportation, ride-sharing, or taxis.
As much as possible, stay in a specific room and away from other people and pets in your home. If possible, you should use a separate bathroom. If you need to be around other people or animals in or outside of the home, wear a mask..
Tell your close contacts that they may have been exposed to COVID-19. An infected person can spread COVID-19 starting 48 hours (or 2 days) before the person has any symptoms or tests positive. By letting your close contacts know they may have been exposed to COVID-19, you are helping to protect everyone.
You can visit your state, tribal, localexternal icon, and territorial health department’s website to look for the latest local information on testing sites.
Follow care instructions from your healthcare provider and local health department. Your local health authorities may give instructions on checking your symptoms and reporting information.


Remote Data Accumulation and Processing
Farmers, crop scouts, research entomologists, and producers all recieve the benefits of our product and data processing software. Our developed AI will count, manipulate, and display appropriate, real-time data with ease.
Artificial Intelligence Image Processing
Our specially developed, in house AI software allows the images gathered from our built-in insect detection / image capture process and turn the blurry images that are captured into crystal-clear images, and in turn, allows the AI to properly detect what insect was captured in the image for proper population counts.
An Example of the Image Processing
As seen above, the image to the left is the image before the AI processing. On the right, however, is a nearly pristine copy of the image to the right.
Insect Data
The cycle of our data accumulation and processing is as follows:
- Data is gathered from the SolaRid “Worker Unit” and sent to the “Mother Unit”
- The Mother Unit then sends the data to a cloud-centric SQL Database
- The data is manipulated through our developed AI in the transfer
between the Mother Unit and the SQL Database - After the data has been processed, it is then served to the IoT dashboard, accessible on your various internet-connected devices


Birdie barrage earns Todd first win in five years
Brendon Todd ended five years of frustration as the American shot a career best nine-under 62 to win the inaugural Bermuda Championship by four strokes on Sunday.
REUTERS: Brendon Todd ended five years of frustration as the American shot a career best nine-under 62 to win the inaugural Bermuda Championship by four strokes on Sunday.
Defying his world number 525 ranking, Todd rolled in 10 birdies, seven of them in a row, against one bogey for the second PGA Tour victory of his up-and-down career and first since 2014.
His 24-under 260 made him a comfortable winner over third round leader Harry Higgs, who closed with a 68 at Port Royal in Southampton.
Fellow Americans Hank Lebioda (63), Aaron Wise (65), Brian Gay (67) and Scottie Scheffler (66) tied for third at 18 under.
"A year ago I wasn't sure if I was going to keep playing, so it's really special to get this win this soon," the 34-year-old Todd told Golf Channel.
"I'm just overcome with emotion."
Winner of the 2014 Byron Nelson, he climbed to 42nd in the world rankings before losing his PGA Tour card in 2016.
"Ball-striking yips. Hitting a 4-iron like 50 yards right out of play every round and I did that for like two years," Todd told Global Golf Post in May.
He missed 37 of 41 cuts from 2016-18 before regaining his PGA Tour card this year by the minor league Korn Ferry Tour this year.
Along the way he read a book by golfer Bradley Hughes and began working with the Australian-born writer.
"I went and saw him and it's just kind of been a home run ever since," Todd said in the May interview.
Still, Sunday's sparking performance was not expected by a golfer who missed a pair of cuts before tying for 28th at October's Houston Open.
After rounds of 68, 63 and 67, Todd began the final day two strokes behind Higgs.
Following a par at his opening hole, the American made seven birdies in a row, completing the turn in 29 strokes after a par at the ninth.
Birdies at the 10th, 11th and 15th added to dream round before a bogey at the last.
"We had nice weather today," the American said. "The golf course we had been playing under heavy winds felt easy to me today.
"I just felt like I was going to play a good round, and when I got the lead, I was able to kind of relax and hit shots. "
Higgs needed a comeback to finish second.
A double bogey at the seventh put him one over for the round, but he grabbed birdies at the 10th and 14th and topped off the day with an eagle at the par-five 17th.
(Reporting by Gene Cherry in Salvo, North Carolina; Editing by Christian Radnedge)


A stacked bar chart is a bar chart that places related values atop one another. If there are any negative values, they are stacked in reverse order below the chart's axis baseline. Stacked bar charts are typically used when a category naturally divides into components. For instance, consider some hypothetical book sales, divided by genre and compared across time:
A stacked column chart is a column chart that places related values atop one another. If there are any negative values, they are stacked in reverse order below the chart's baseline. It's typically used when a category naturally divides into components. For instance, consider some hypothetical book sales, divided by genre and compared across time:
A chart that lets you render each series as a different marker type from the following list: line, area, bars, candlesticks, and stepped area.
To assign a default marker type for series, specify the seriesType property. Use the series property to specify properties of each series individually.
Bar intervals create error bars around your data. The first and last columns of the interval are drawn as wide bars parallel to the domain-axis, and inner columns are drawn as shorter "ticks". A "stick" is added to join the wide bars (if these two bars have the same value then the stick is rendered as a point, unless the pointSize option is zero).
The width of the horizontal bars corresponding to the first and last columns is controlled with intervals.barWidth, and the width of the horizontal bars corresponding to the inner columns is controlled with intervals.shortBarWidth.
A histogram is a chart that groups numeric data into bins, displaying the bins as segmented columns. They're used to depict the distribution of a dataset: how often values fall into ranges.
google Charts automatically chooses the number of bins for you. All bins are equal width and have a height proportional to the number of data points in the bin. In other respects, histograms are similar to column charts.


Petie is da buns!
Completely da buns
Undeniably
so
Forever and always
Oh, also da cutie pies
And wiggliest wiggle
And bunsicliest bunsicles!
It says so on the internet
^_^
Merry Christmas, Peta


Man found guilty of murdering British backpacker in New Zealand
The 27-year-old man strangled the Essex woman and buried her body in a forested area outside Auckland.
by Press AssociationA 27-YEAR-OLD man has been found guilty of the murder of British backpacker Grace Millane whose body was found buried in a suitcase in New Zealand, local media has reported.
The young woman from Wickford, Essex, was strangled by a man she had met on dating site Tinder and with whom she spent several hours drinking in the centre of Auckland on 1 December 2018.
The pair returned to his apartment and Millane was killed either that night or in the early hours of the next morning – the date of her 22nd birthday.
The jury of seven women and five men returned a unanimous verdict after just five hours deliberation at Auckland High Court.
The Crown successfully argued the man, whose name is subject to a suppression order, strangled her and shoved her body inside a suitcase before burying her in a forested area outside Auckland.
She was assumed missing and her father, David Millane, flew to New Zealand as local authorities spent a week searching until her body was found by police.
Millane and Grace’s mother, Gillian Millane, wept after the verdict was delivered, as did several jurors.
The Millanes held hands as they left the court, with Millane telling reporters the verdict would be welcomed by all of Grace’s family and friends.
“It will not reduce the pain and suffering we have had to endure over the past year,” he said.
“Grace was taken in the most brutal fashion a year ago and our lives have been ripped apart.
“Grace was our sunshine and she will be missed forever.”
The defence had claimed the death was accidental and occurred during rough sexual intercourse.
The court had been told Millane had an interest in BDSM, with a previous sexual partner testifying they had used safe words and physical tapping to indicate when physical pressure became overwhelming.
During the trial, the jurors heard from forensic experts who examined the accused’s apartment for blood stains as well as Millane’s body after her death.
They were also shown footage of the woman and the defendant drinking at various bars throughout Auckland and kissing before they returned to his apartment.
Video footage from the elevator of her exiting on the third floor marked the last recorded time Millane was seen alive.
Police officers said phone data showed the killer had used Google to browse websites for large duffel bags, suitcases and car hire after Millane died.
The defendant’s phone was also used to search for “flesh-eating birds” and “are there vultures in New Zealand?”.
Records showed the defendant had searched online for “the hottest fire”, “large bags near me” and “Waitakere Ranges”.
On Friday, the killer was remanded to custody until his sentencing on 21 February 2020.
He faces life in prison with a minimum of 10 years without parole, though the judge can increase the latter period.


Name: Kyle March
From: Concord, CA
Attending School at Brigham Young University
Studying: Computer Science
© by Kyle March


Loading..
This is a Test ModeNo Transaction takes placeJust click pay button, select any option and submit random 10 digit phone number


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San QuentinJohnny Cash sang this about San Quentin prison: "I hate every stone of you."San Quentin Prison is the oldest prison in California. Located north of San Francisco, in the heart of one of the state's most affluent areas, San Quentin Prison is California's only death row with a Gas Chamber.  The prison opened in 1852 and was built mostly by convicts, who slept on a ship at night until the job was completed.  Guards know that inmates can make a weapon out of anything and often they do. Cell blocks in San Quentin have names or perhaps warning signs: "Little Viet Nam", "Death Alley", "Okay Corral". The prison itself has an appropriate nickname given to it by inmates: "The Arena". From 1893 to 1942, California's preferred method of execution was hanging. In this time, 215 inmates had their necks broken with a resounding thud. Hangings were only slightly less brutal than the gas chamber, with heads popping off and ropes breaking. The first gas chamber execution was carried out in 1938. The view from the gas chamber is the last sight a condemned man sees in life. The chamber at San Quentin is kept in the basement and is simply a large green box. Six feet across, eight feet high with a 30 foot chimney to exhale gas. Gassing is painful and dangerous, not just to the victim but to the staff and witnesses as well. A gas chamber must be well maintained to avoid leaking gas. Death by hydrogen cyanide gas (2 NaCn + H2SO4 = 2 HCN + Na2SO4) is a messy business but less so than the previous choices available until 1890: electrocution and hanging. San Quentin's gas chamber works like so: The subject is sealed in an air-tight, pressurized chamber. Pellets (or more accurately, briquettes) of sodium cyanide are mixed with sulfuric acid within the chamber. The subject, after a series of epileptic motions, dies from hypoxia, a condition that occurs when the brain fails to get oxygen. Death by gassing doesn't happen immediately, the prisoner is expected to play along and inhale the deadly fumes. It takes about ten minutes of twitching and straining against the straps for our subject to die. After ten minutes or so, the chamber is ventilated (another fifteen minutes). The remaining gasses are evacuated and the state is left with a corpse that must be scrubbed with bleach before it can be handled. Lethal gas is one of many efforts on the part of the state to kill people in a more humane fashion. Since 1960, California has executed 192 men and 4 women by gassing at San. Quentin prison. In 1996, William G Bonin became the first person in California to be executed by lethal injection. The gas chamber was outlawed in 1994 as a form of cruel and unusual punishment, though inmates may choose between the gas chamber or lethal injection. It takes 1,500 staff members to manage the nearly 6,000 inmates on the grounds, including the 550 condemned prisoners. These numbers, dated Winter 2003 from California's Department of Corrections web page, show that the prison was only designed to hold 3,317 prisoners. The annual operating budget of San Quentin State Prison? $120,000,000.00. Considering that the prison's location is very desirable property, with views of the San Francisco Bay Area and convenient access to Silicon Valley, it is likely inmates will be shipped off to other prisons around California within the decade.
timeline
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DESERT
3.0
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#include <packet.h>
Go to the source code of this file.
Classes | |
| struct | hdr_uwal |
Macros | |
| #define | HDR_UWAL(p) (hdr_uwal::access(p)) |
| #define | MAX_BIN_PKT_ARRAY_LENGTH 2240 |
| #define | MAX_DUMMY_STRING_LENGTH 2240 |
Typedefs | |
| typedef struct hdr_uwal | hdr_uwal |
Variables | |
| packet_t | PT_UWAL |
Header of the class providing the Uwal header's description.
Definition in file hdr-uwal.h.
| #define HDR_UWAL | ( | p | ) | (hdr_uwal::access(p)) |
Definition at line 43 of file hdr-uwal.h.
| #define MAX_BIN_PKT_ARRAY_LENGTH 2240 |
Definition at line 44 of file hdr-uwal.h.
| #define MAX_DUMMY_STRING_LENGTH 2240 |
Definition at line 45 of file hdr-uwal.h.
| packet_t PT_UWAL |
Definition at line 40 of file hdr-uwal.cpp.


CURSE OF THE JADE SCORPION, THE (director/writer: Woody Allen; cinematographer: Zhao Fei; editor: Alisa Lepselter; cast: Woody Allen (C. W. Briggs), Elizabeth Berkley (Jill), Brian Markinson (Al), Helen Hunt (Betty Ann Fitzgerald), Wallace Shawn (George Bond), Dan Aykroyd (Chris Magruder), David Ogden Stiers (Voltan), Charlize Theron (Laura Kensington); Runtime: 103; DreamWorks Pictures; 2001)
Reviewed by Dennis Schwartz
A pleasant film that is not all that good as far as the crime caper story goes, but still has something about it that is endearing. It's in the tradition of Hollywood films as escape vehicles, as it evokes a nostalgia for those kind of B-films that the studios used to routinely put out and were not that worried about the gaffes in the production. If you're a fan of the 1940s film noir, especially the classy Billy Wilder "Double Indemnity," then you should find much in this latest Woody Allen comedy/mystery film to remind you of that film and others like it. Woody sets this film in 1940 and catches with amazing accuracy the upholstered apartment furnishings, the lingo of the times, and the clothing worn and hairstyles. It was like watching one of those B-films, but instead of being in B & W this one is a lazy color version of it. It's the kind of faded out coloring that would have been used to make a 1940 film noir, if they were made in color. The retro scenes of all the interiors were exquisitely designed by Santo Loquasto and shot by Zhao Fei in mostly plum and gold colors that burnished on the screen.
The film is set in NYC in 1940, in an insurance office where 20 year veteran fraud investigator for the insurance firm, C.W. Briggs (Woody Allen), solves cases by intuition, luck, his contacts with street characters, and by knowing the ins and outs of the city.  Into his satisfied life comes a brainy, slim blonde, efficiency expert, Betty Ann Fitzgerald (Helen Hunt), who has been hired six months ago by the boss, Chris Magruder (Dan Aykroyd), to modernize and streamline the place. She has the upper-hand, even though he's a star claims investigator, because she's sleeping with the married boss, and therefore is making life difficult for the recalcitrant investigator. These two are opposites and hate each other resulting in a war of words, as she rubs him the wrong way even further by changing the antiquated filing system he is used to. The only satisfaction they get is from sounding each other out, as one-liners keep coming throughout the film from both of them. When he tries to smooth things over with her, he only makes things worse by taking her to a dive he hangs out in, Rocky's bar.
Celebrating the birthday of his coworker, George Bond (Wallace Shawn), an amateur magician, they go catch a nightclub magic act. The magician Voltan (David Ogden Stiers) uses Briggs and Fitz for subjects and hypnotizes them by having them gaze at the 'Jade Scorpion' pendant to fall in love with each other, which his coworkers find very amusing. But the evil magician has other plans, as he never releases them from being under his command. When Briggs is home, he receives a call from Voltan and he puts him under again by bringing up the word Constantinople and has him rob the jewels of the wealthy Kensington home. That's a home he made burglar-proof. After the robbery his memory draws a blank about what he did, as he investigates the robbery for his firm and believes it's an inside job.
Women are used by Briggs as sex objects as Elizabeth Berkley plays Jill, a sweet secretary with a low I.Q. he has the hots for and has an ongoing affair with, while Charlize Theron is Laura Kensington, an immoral heiress who finds Briggs as someone different to go to bed with from her usual pretty-boy athletes. She's made to look like a poster version of Veronica Lake but she acts like the vampish Carmen Sternwood (Martha Vickers) from "The Big Sleep." When she comes to his shabby flat and peels off her trench coat to let him look at her nude body, he's all wired up for a night of sex when the phone rings and the evil magician puts him under again. After the phone call he talks in a trance-like abnormal way to her about having to leave, as he goes to rob another house.
 It's a role that he's ritualized and could do it sleepwalking by now. But it worked for me because I didn't care about all that and instead got caught up with the film's casual look and the way it caught the look of the period's film noir, and I found the clash he had with Helen Hunt brought out the sides of his personality that he's battling within himself all his artistic life. They were a perfect duo, complementing each other's missing needs. Woody seems more relaxed in this role than he has been in his more recent films. This one being his 31st. And, since the film has no artistic pretensions--it's more a homage to the B-films of the forties, it seemed easier to handle than some of his more recent ritualized Woody-by-the-numbers flicks or those pale imitations of those European auteurs he so much admired like Bergman--films he slavishly imitated that never worked for him. Mind you, this is not a good film but one that can be viewed as an escape from reality. Something that is not all that bad during these troubling economic days of that compassionate conservative administration of President Bush. Seeing this film made me forget for the moment about Bush's war on stem cell research and the way he goes out of his way to please his extreme right-wing supporters and those big corporations that also supported him. The same purpose could be said of those early films in the forties, with the world being invaded by Nazis. Escape films were very much in vogue and served a purpose. I don't usually care for escape films, but every so often they feel right and can be enjoyable if you can really escape reality by watching them. Those are the kinds of films I let my critical guard down on, and that's the case with this Woody Allen flick.
REVIEWED ON 9/18/2001 GRADE: B-
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
========== X-RAMR-ID: 29519 X-Language: en X-RT-ReviewID: 250608 X-RT-TitleID: 1109247 X-RT-SourceID: 873 X-RT-AuthorID: 1315 X-RT-RatingText: B-
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Explore
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We Are
Comprised of collaborators, contributors, and volunteers from diverse groups including minorities who otherwise won’t have access to this kind of technology.
Mentorship
The Vortex and Fireside Chats – Emerging Tech Show and Event to give the community opportunities to build meaningful relationship with our growing network of friends and extended family.
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Funding
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About Us
SIXR is a social enterprise committed to providing immersive reality content to the global community beyond their imagination!
Our Cinematic VR (Virtual Reality) team is rooted in Seattle, Washington and attracts talent within the Pacific Northwest. A Virtual Reality Renaissance is sparking creative growth for an unexplored frontier, building anticipation.
SIXR supports community building by promoting new methods of storytelling in VR/AR/360/MR. We are diverse pioneers that provide early access to technological resources for people of varying cultural, educational, and socioeconomic backgrounds. We strive to be inclusive as these bright minds come together and we help bring powerful high-quality products to the eXperimental realities landscape!


"Chains" is a REST+JSON API to create and manage watch only wallets, generate new addresses, create (but not sign) and publish transactions, send notifications and query wallet balance and transaction list.
QA API Endpoint
http://chains-qa.37coins.io
Prod API Endpoint
https://chains.37coins.io
"Chains" expects some of the requests to be signed with a known RSA key. The client has to provide additional headers in the request:
- X-37Coins-Nonce : nonce used to generate the signature
- X-37Coins-Signature : a signature created by signing the word "token" + nonce string. Nonce is usually a timestamp. Example of string to be signed: token12569537329.


Bio-graphy
My name is Bishal Shakya. I am studying Web Programing I at KCGI.
My First Semester Course List are:
-
- Fundamental of Database
- This subject includes basic concept of Database.
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- Web Programming I
- This subject includes basic concept of HTML and CSS.
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- Informations Systems for Enterprises
- It is under ERP concetration, includes information about Enterprises
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- Computer Organization Theory
- This subject includes Basic Concept of computer Hardware and Software
-
- Information and Communication Technology(ICT)
- This subject includes basic Concept of Information communcation towards Society
Education Builds Nation
Current Address:
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Contact me through Email: st111953@m2.kcg.edu


Thirteen year old Madison has problems: she's overweight, ignored by her movie star parents, and in love with her adopted brother. She's also dead. But not just dead. Madison is in Hell.
Opening
How to best convey the exact sensation of being dead ...


Intel® RealSense™¶
1. Overview¶
These are packages for using Intel® RealSense™ cameras (D400 series) with ROS2.
2. Running the demo¶
Start the camera node
To start the camera node in ROS2, plug in the camera, then type the following command:
source /opt/robot_devkit/robot_devkit_setup.bash
# To launch with "ros2 run"
ros2 run realsense_ros2_camera realsense_ros2_camera
# OR, to invoke the executable directly
realsense_ros2_camera
This will stream all camera sensors and publish on the appropriate ROS2 topics. PointCloud2 is enabled by default.
View camera data
# in Terminal #1 launch realsense_ros2_camera
source /opt/robot_devkit/robot_devkit_setup.bash
realsense_ros2_camera
# in terminal #2 launch rviz2
source /opt/robot_devkit/robot_devkit_setup.bash
rviz2
This will launch RVIZ2 and display the five streams: color, depth, infra1, infra2, pointcloud.
Realsense can also support SLAM and navigation, see here.
3. Key Interfaces¶
4. Known Issues¶
- This ROS2 node does not currently provide any dynamic reconfigure support for camera properties/presets.
- We support Ubuntu Linux 18.04 (Bionic Beaver) on 64-bit, but not support Mac OS X and Windows yet.
5. ToDo¶
- A few features to be ported from the latest realsense_ros_camera v2.0.2
- RGB-D point cloud (depth_registered)
- Preset/Controls


All elements are reusable and adjustable. Just copy/paste an element and that's it! No more wasting time with custom css classes!
All elements are reusable and adjustable. Just copy/paste an element and that's it! No more wasting time with custom css classes!


Introduction
- Social media is a rich opportunity for analysing "Big" argument structures
- Social argumentation differs from formal argumentation
- How can we capture these different forms of argumentation?
Examining argumentation "in the wild"
- What structures do social arguments form?
- How can we model these structures?
AIF
AIF+
AIF+
A more complex example
SIOC
Ad Hominem
- "To the man"
- Attack an opponents argument by undermining their credibility
Example:
Can be modelled as:
Or:
Or even:
Social Features
- Upvotes/Downvotes
- Favourites
- Reposts/reblogs
Example:
Compare this...
Example:
...with this
Could map to...
Modelling total up/down votes with a "Rhetoric" Node
...or...
Modelling each up/down vote as a Locution
Conclusion
- Social media is an excellent opportunity to analyse argumentation on a large scale
- The social aspect cannot be ignored
- There are many different approaches to capture this dimension


TODO:
- Update
- Future direction
- projects, plans
- Google Summer of Code
Future directions
Want to know what’s coming? Or, better, wanna contribute ? Here is the page listing what are our plans - when we have ones, for the future of PMD. It also give you hints at part of the code we would like to clean - that you may want to clean to contribute to the project!
Of course, an easy way to contribute is too check out the bug tracker and see if you can fix some issues - some could be quite easy, we simply have not the time to look at them all!
At last, if you want to contribute, register on the pmd-devel mailing list, and come discuss with us!
Roadmap
This roadmap contains all the different ‘workshops’ PMD’s developers are working right now.
- Better symbol analysis: See below.
- Data Flow Analysis: See below.
- Code Cleanups: See below.
Please note that, of course, there is no warranty about when those ‘features’ will be finished, if they ever are.
Better symbol analysis
Currently PMD only looks at one source file at a time. Instead, it should resolve symbols across classes. This will eliminate some open bugs and enable a lot more rules to be written. However, it’ll taken some doing, because it’ll require parsing of class files. Lots of work here.
Data flow analysis (DFA)
Raik Schroeder, a graduate student at Fachhochschule Stralsund has written a DFA layer that should enable
us to write some more complicated rules - stuff like common subexpression elimination, loop invariant code motion
(and code hoisting suggestions), shrink wrapping, and partial redundancy elimination. The code is currently in the net.sourceforge.pmd.dfa
packages, and we’re going through it now figuring out what rules we can write
that use it. We should be able to use it to simplify some current rules, as well.
Other changes we’ll like to see…
These are things which really should be done, but just haven’t been gotten to yet:
- Enhance Rule Designer to allow testing of the violation suppress Regex and XPath.
- Remove the type resolution specific rules. Merge these back into the standard rules. In general, a Rule should use TR when it can, and fall back on non-TR approach otherwise. No need for separate Rules for TR/non-TR.
- Reconcile the util.designer and util.viewer packages. Two versions of the same thing. Designer is more up to date, but Viewer has a nice MVC design.
- Need a JUnit test to check for “dead” Rules, that is those not used by any RuleSet.
- Rule JUnit tests should verify the Test class follows expected naming conventions just like the Rules need to.
- Do we have a rule to style check for multiple declarations and chained assignments? (e.g. int a, b; int a = b = x;)
These are food for thought, perhaps future items. If you think you’d like to work on one of these, check with pmd-devel to see what the current thoughts on the topic.
-
CPD needs work on use of Language. It currently is hardcoded to only handled Java 1.4. Integrate CPD needs into core PMD where appropriate. Otherwise, drive CPD behavior based off of core PMD, instead of duplicating some logic.
-
Need a more flexible and powerful scheme for classifying files to various Languages. At a minimum, should have the ability to specify which file extensions you want to be used for a language (e.g. not everyone uses .jsp for JSP extensions, some use .jspx, .xhtml, etc.). Also, consider hooks into the LanguageVersionDiscoverer process for classifying a File/String to a LanguageVersion of a specific Language, one could imaging using a ‘magic’ system like Unix uses to tell different versions of files apart based on actual content.
-
Should we change Node interface to something like ‘Node<T extends Node<T>>’, and then declare the language specific node interfaces to be something like ‘JavaNode extends Node<JavaNode>’? This could allow anything on the Node interface to return the language specific node type instead of generic node. For example, ASTStatement.jjtGetParent() to return a JavaNode, instead of a Node. This is a rather huge change, as the Node interface is one of the pervasive things in the PMD code base. Is the extra work of using the Node interface with properly with generics, worth the omission of occasional some casting?
-
Should multiple Languages be able to claim a single source file? Imagine XML format JSP file, for which you’ve defined a ruleset which uses JSP and XML rules. Stating that certain XML rules also can map to the JSP language extensions could be useful. This means Source file to LanguageVersion mapping is not 1-1, but 1-many, we’d need to deal with this accordingly.
-
Additional changes to Rule organization within RuleSets as discussed on this forum thread.
-
Figure out a way to allow Rules to deal with parentheses and blocks, which introduce certain repetitive (and generally ignorable for most Rules) structures into the AST tree. Some rules are making special effort (e.g. ConfusingTernaryRule) to detect these AST patterns. Perhaps a “normalized” AST structure can be created which will make the AST appear consistent regardless of how many parens are presented, or how many blocks have been created (e.g. default block inserted, duplicates collapsed). This should be configurable on per Rule basis similar to TR and SymbolTable.
Code cleanups
Some of the code is a bit sloppy:
- RuleSetFactory is a mess. It needs to be refactored into something that has layers, or decorators, or something.
- Cleanups would be welcome for ConstructorCallsOverridableMethod and DoubleCheckedLocking
- The Designer GUI is a bit messed up; the bottom panes look funny.
- The grammar has some odd bits:
- BlockStatement has an odd hack for class definitions inside methods
- enumLookahead() seems like a bit of overkill, can it use Modifiers somehow?
- The whole “discardable node” thing seems wasteful
- Does ExtendsList need that ‘extendsMoreThanOne’ thing?
- ClassOrInterfaceBodyDeclaration has a monstrous lookahead to check for enums
- ClassOrInterfaceType gloms together dotted names… is that the right thing to do?
- Some complicated annotations are currently broken


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Support Class Library
A set of tools providing classes and utility
|
Creator for std::array. More...
#include "array.h"
Public Types | |
| using | iterator_type = scl::stream::details::iterator::BaseStreamIterator< T > |
| using | value_type = typename iterator_type::value_type |
| using | payload_type = typename iterator_type::payload_type |
| Public Types inherited from scl::stream::details::iterator::BaseStreamIterator< T > | |
| using | iterator_type = StreamIterator< T > |
| Type alias for the iterator type. More... | |
| Public Types inherited from scl::stream::details::iterator::StreamIterator< T > | |
| using | payload_type = StreamIteratorPayload< T > |
| Type alias for the payload used. More... | |
| using | value_type = typename payload_type::value_type |
| Type alias for the data type manipulated. More... | |
Public Member Functions | |
| constexpr | FromArrayIterator (std::array< T, N > arr) |
| Construct from a std::array. More... | |
| constexpr bool | hasNext () const override |
| Determines whether or not this iterator can produce another value payload. More... | |
| payload_type | next () override |
| Retrieve the next iterator payload. More... | |
| Public Member Functions inherited from scl::stream::details::iterator::StreamIterator< T > | |
| virtual StlAdapter< T > | begin () |
| Retrieve a stl-like iterator for this stream iterator. More... | |
| virtual StlAdapter< T > | end () |
| Retrieve a stl-like iterator for the end of this stream iterator. More... | |
Protected Attributes | |
| std::array< T, N > | arr |
| The underlying array. More... | |
| size_t | index = 0 |
| The next index to get data from. More... | |
Creator for std::array.
| T | being the type of data |
| N | being the amount of data |
| using scl::stream::creators::details::FromArrayIterator< T, N >::iterator_type = scl::stream::details::iterator::BaseStreamIterator<T> |
| using scl::stream::creators::details::FromArrayIterator< T, N >::payload_type = typename iterator_type::payload_type |
| using scl::stream::creators::details::FromArrayIterator< T, N >::value_type = typename iterator_type::value_type |
|
inlineexplicit |
|
inlineoverridevirtual |
Determines whether or not this iterator can produce another value payload.
Implements scl::stream::details::iterator::StreamIterator< T >.
|
inlineoverridevirtual |
Retrieve the next iterator payload.
Implements scl::stream::details::iterator::StreamIterator< T >.
|
protected |
|
protected |


The Merchant of Venice
by William Shakespeare
Merchant of Venice: Act 1, Scene 2
Additional Information
- Year Published: 1597
- Language: English
- Country of Origin: England
- Source: Shakespeare, W. (1597). The Merchant of Venice.New York: Sully and Kleinteich.
-
Readability:
- Flesch–Kincaid Level: 11.0
- Word Count: 1,200
- Genre: Tragedy
- Keywords: 16th century literature, british literature, comedy, drama, merchant of venice, william shakespeare
- ✎ Cite This
Downloads
SCENE. Belmont. A room in PORTIA'S house
(Enter PORTIA and NERISSA.)
PORTIA.
By my troth, Nerissa, my little body is aweary of this
great world.
NERISSA.
 It is no mean happiness, therefore, to be
seated in the mean: superfluity come sooner by white hairs, but
competency lives longer.
PORTIA.
Good sentences, and well pronounced.
NERISSA.
They would be better, if well followed.
PORTIA.
If to do were as easy as to know what were good to do,
chapels had been churches, and poor men's cottages princes'
palaces. It is a good divine that follows his own instructions; I
can easier teach twenty what were good to be done than to be one
of the twenty to follow mine own teaching. The brain may devise
laws for the blood, but a hot temper leaps o'er a cold decree;
such a hare is madness the youth, to skip o'er the meshes of good
counsel the cripple. But this reasoning is not in the fashion to
choose me a husband. O me, the word 'choose'! I may neither
choose who I would nor refuse who I dislike; so is the will of a
living daughter curb'd by the will of a dead father. Is it not
hard, Nerissa, that I cannot choose one, nor refuse none?
NERISSA.
Your father was ever virtuous, and holy men at their death
have good inspirations; therefore the lott'ry that he hath
devised in these three chests, of gold, silver, and lead, whereof
who chooses his meaning chooses you, will no doubt never be
chosen by any rightly but one who you shall rightly love. But
what warmth is there in your affection towards any of these
princely suitors that are already come?
PORTIA.
I pray thee over-name them; and as thou namest them, I will
describe them; and according to my description, level at my
affection.
NERISSA.
First, there is the Neapolitan prince.
PORTIA.
Ay, that's a colt indeed, for he doth nothing but talk of
his horse; and he makes it a great appropriation to his own good
parts that he can shoe him himself; I am much afeard my lady his
mother play'd false with a smith.
NERISSA.
Then is there the County Palatine.
PORTIA.
He doth nothing but frown, as who should say 'An you will
not have me, choose.' He hears merry tales and smiles not: I fear
he will prove the weeping philosopher when he grows old, being so
full of unmannerly sadness in his youth. I had rather be married
to a death's-head with a bone in his mouth than to either of
these. God defend me from these two!
NERISSA.
How say you by the French lord, Monsieur Le Bon?
PORTIA.
God made him, and therefore let him pass for a man. In
truth, I know it is a sin to be a mocker, but he! why, he hath a
horse better than the Neapolitan's, a better bad habit of
frowning than the Count Palatine; he is every man in no man. If a
throstle sing he falls straight a-capering; he will fence with
his own shadow; if I should marry him, I should marry twenty
husbands. If he would despise me, I would forgive him; for if he
love me to madness, I shall never requite him.
NERISSA.
What say you, then, to Falconbridge, the young baron of
England?
PORTIA.
You know I say nothing to him, for he understands not me,
nor I him: he hath neither Latin, French, nor Italian, and you
will come into the court and swear that I have a poor pennyworth
in the English. He is a proper man's picture; but alas, who can
converse with a dumb-show? How oddly he is suited! I think he
bought his doublet in Italy, his round hose in France, his bonnet
in Germany, and his behaviour everywhere.
NERISSA.
What think you of the Scottish lord, his neighbour?
PORTIA.
That he hath a neighbourly charity in him, for he borrowed
a box of the ear of the Englishman, and swore he would pay him
again when he was able; I think the Frenchman became his surety,
and sealed under for another.
NERISSA.
How like you the young German, the Duke of Saxony's nephew?
PORTIA.
 An the worst fall that ever fell, I hope I
shall make shift to go without him.
NERISSA.
If he should offer to choose, and choose the right casket,
you should refuse to perform your father's will, if you should
refuse to accept him.
PORTIA.
Therefore, for fear of the worst, I pray thee set a deep
glass of Rhenish wine on the contrary casket; for if the devil be
within and that temptation without, I know he will choose it. I
will do anything, Nerissa, ere I will be married to a sponge.
NERISSA.
You need not fear, lady, the having any of these lords;
they have acquainted me with their determinations, which is
indeed to return to their home, and to trouble you with no more
suit, unless you may be won by some other sort than your father's
imposition, depending on the caskets.
PORTIA.
If I live to be as old as Sibylla, I will die as chaste as
Diana, unless I be obtained by the manner of my father's will. I
am glad this parcel of wooers are so reasonable; for there is not
one among them but I dote on his very absence, and I pray God
grant them a fair departure.
NERISSA.
Do you not remember, lady, in your father's time, a Venetian, a
scholar and a soldier, that came hither in company of the Marquis
of Montferrat?
PORTIA.
Yes, yes, it was Bassanio; as I think, so was he called.
NERISSA.
True, madam; he, of all the men that ever my foolish eyes
looked upon, was the best deserving a fair lady.
PORTIA.
I remember him well, and I remember him worthy of thy praise.
(Enter a SERVANT.)
How now! what news?
SERVANT.
The four strangers seek for you, madam, to take their
leave; and there is a forerunner come from a fifth, the Prince of
Morocco, who brings word the Prince his master will be here
to-night.
PORTIA.
If I could bid the fifth welcome with so good heart as I
can bid the other four farewell, I should be glad of his
approach; if he have the condition of a saint and the complexion
of a devil, I had rather he should shrive me than wive me.
Come, Nerissa. Sirrah, go before.

(Exeunt)


public static interface Route.Chain
| Modifier and Type | Method and Description |
|---|---|
default void |
next(Request req, Response rsp)
Invokes the next route in the chain.
|
void |
next(String prefix, Request req, Response rsp)
Invokes the next route in the chain where Route.name() starts with the given prefix.
|
List<Route> |
routes()
All the pending/next routes from pipeline.
|
void next(@Nullable String prefix, Request req, Response rsp) throws Throwable
Route.name()
starts with the given prefix.
prefix
- Iterates over the route chain and keep routes that start with the given prefix.
req
- A HTTP request.
rsp
- A HTTP response.
Throwable
- If invocation goes wrong.
default void next(Request req, Response rsp) throws Throwable
req
- A HTTP request.
rsp
- A HTTP response.
Throwable
- If invocation goes wrong.
List<Route> routes()
use("*", (req, rsp, chain) -> {
List<Route> routes = chain.routes();
assertEquals(2, routes.size());
assertEquals("/r2", routes.get(0).name());
assertEquals("/r3", routes.get(1).name());
assertEquals("/786/:id", routes.get(routes.size() - 1).pattern());
chain.next(req, rsp);
}).name("r1");
use("/786/**", (req, rsp, chain) -> {
List<Route> routes = chain.routes();
assertEquals(1, routes.size());
assertEquals("/r3", routes.get(0).name());
assertEquals("/786/:id", routes.get(routes.size() - 1).pattern());
chain.next(req, rsp);
}).name("r2");
get("/786/:id", req -> {
return req.param("id").value();
}).name("r3");
Copyright © 2019. All rights reserved.


Ken Rutan
kenr16
Introduction to Programming
-
Ping Pong will count up to your number from 1 with the following exceptions:
1. Numbers divisible by 3 become "ping"
2. Numbers divisible by 5 become "pong"
3. Numbers divisible by 3 and 5 become "pingpong"
This site was created by Ken Rutan copywrite 2017.


The Seven Percent Solution
问题描述 :
Uniform Resource Identifiers (or URIs) are strings like http://icpc.baylor.edu/icpc/<EMAIL_ADDRESS>ftp://<IP_ADDRESS>/pub/linux, or even just readme.txt that are used to identify a resource, usually on the Internet or a local computer. Certain characters are reserved within URIs, and if a reserved character is part of an identifier then it must be percent-encoded by replacing it with a percent sign followed by two hexadecimal digits representing the ASCII code of the character. A table of seven reserved characters and their encodings is shown below. Your job is to write a program that can percent-encode a string of characters.
Character Encoding
" " (space) %20
"!" (exclamation point) %21
"$" (dollar sign) %24
"%" (percent sign) %25
"(" (left parenthesis) %28
")" (right parenthesis) %29
"*" (asterisk) %2a
输入:
The input consists of one or more strings, each 1�79 characters long and on a line by itself, followed by a line containing only "#" that signals the end of the input. The character "#" is used only as an end-of-input marker and will not appear anywhere else in the input. A string may contain spaces, but not at the beginning or end of the string, and there will never be two or more consecutive spaces.
输出:
The input consists of one or more strings, each 1�79 characters long and on a line by itself, followed by a line containing only "#" that signals the end of the input. The character "#" is used only as an end-of-input marker and will not appear anywhere else in the input. A string may contain spaces, but not at the beginning or end of the string, and there will never be two or more consecutive spaces.
样例输入:
Happy Joy Joy! http://icpc.baylor.edu/icpc/ plain_vanilla (**) ? the 7% solution #
样例输出:
Happy%20Joy%20Joy%21 http://icpc.baylor.edu/icpc/ plain_vanilla %28%2a%2a%29 ? the%207%25%20solution
地址：http://acm.hdu.edu.cn/showproblem.php?pid=2719
题意：给一些字符串，把字符串输出。如果有题目里的那7种字符，按%数值的形式输出。
代码：
# include <stdio.h> # include <string.h> char str[100] ; char t[] = " !$%()*" ; int p[] = {0x20, 0x21, 0x24, 0x25, 0x28, 0x29, 0x2a} ; int main () { int i, j ; while (gets (str)) { if (!strcmp(str, "#")) break ; for (i = 0 ; str[i] ; i++) { for (j = 0 ; j < 7 ; j++) if (str[i] == t[j]) { printf ("%%%x", p[j]) ; break ; } if (j >= 7) printf ("%c", str[i]) ; } puts ("") ; } return 0 ; }
解题转自：http://www.cnblogs.com/lzsz1212/p/3304694.html
(adsbygoogle = window.adsbygoogle || []).push({});
右边这张是被炸药炸过了吧？
printf这个函数在计算的时候是从右到左，打印是从左到右。
网站不错，支持一个
不错，值得借鉴
不错，再多来的CF上面的题
隐藏最深的bug是(start+end)/2有可能上溢
很好，注释很详细啊
第一题还是比较考验智商~
排版
无需用转移方程也可以解决，哈哈
程序员会算法，等于一个古惑仔带了zhi抢啊
跟书上的解法不一样，不知道哪个效率要高些
分析的很专业！
网站不错，支持一个


Search for gene symbol
{{option}}
ORFilter by procedure with significant resultNone{{header}}
A knockout mouse for this gene and filter combination has currently not been phenotyped by the 3i consortium. To see if ES
cells or a knockout mouse exist and whether it has been phenotyped by another member institute of the International
Mouse Phenotyping Consortium (IMPC), please click on this button.


Trading Systems Smart Meters Lifestyle Management
Financial Services Pharmaceuticals
Telecomms Consumer Electronics Bespoke software
DarkWeather (Open Source)
LearnPoems (Open Source)
High throughput data processing software
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Pharmaceuticals Drug Test Management System


An
image with a default alignment.
An
image with a text-top alignment.
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image with a text-bottom alignment.
An
image with a middle alignment.


| RGBLINK(1) | General Commands Manual | RGBLINK(1) |
rgblink
—
Game Boy linker
rgblink |
[-dtVvwx ] [-l
linker_script] [-m
map_file] [-n
sym_file] [-O
overlay_file] [-o
out_file] [-p
pad_value] [-s
symbol] file ... |
rgblink
program links RGB object files, typically
created by rgbasm(1), into a single Game Boy ROM file. The
format is documented in rgbds(5).
ROM0 sections are placed in the first 16 KiB of the output ROM,
and ROMX sections are placed in any 16 KiB “bank” except the
first. If your ROM will only be 32 KiB, you can use the
-t
option to change this.
Similarly, WRAM0 sections are placed in the first 4 KiB of WRAM
(“bank 0”), and WRAMX sections are placed in any bank of the
last 4 KiB. If your ROM doesn't use banked WRAM, you can use the
-w
option to change this.
Also, if your ROM is designed for a monochrome Game Boy, you can
make sure that you don't use any incompatible section by using the
-d
option, which implies -w
but also prohibits the use of banked VRAM.
Note that options can be abbreviated as long as the abbreviation
is unambiguous: --verb
is
--verbose
, but
--ver
is invalid because it
could also be --version
. The
arguments are as follows:
-d
,
--dmg
-w
.-l
linker_script,
--linkerscript
linker_script-m
map_file,
--map
map_file-n
sym_file,
--sym
sym_file-O
overlay_file,
--overlay
overlay_file-o
out_file,
--output
out_file-p
pad_value,
--pad
pad_value-O
is specified. The default is 0.-s
symbol,
--smart
symbol-t
,
--tiny
-V
,
--version
-v
,
--verbose
-w
,
--wramx
-x
,
--nopad
-t
. You can use this when not not making a
ROM. When making a ROM, be careful that not using this is not a
replacement for rgbfix(1)'s -p
option!The resulting bar.gb will not have correct checksums (unless you put them in the assembly source). You should use rgbfix(1) to fix these so that the program will actually run in a Game Boy:
$ rgbfix -v bar.gb
Here is a more complete example:
$ rgblink -o bin/game.gb -n
bin/game.sym -p 0xFF obj/title.o obj/engine.o
rgblink
was originally written by Carsten
Sørensen as part of the ASMotor package, and was later packaged in
RGBDS by Justin Lloyd. It is now maintained by a number of contributors at
https://github.com/rednex/rgbds.
| November 26, 2019 | General |


Ocala events
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the movie tavern in humble tex
Just Truck and Van: Used Truck Parts Phoenix
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Just Truck or Van that can be used for on place service. Truck and Trailers - Service Vehicle. Hino 1992 Hino FD Super Hawk Service Truck. 1992 Hino FD .
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civil war reconstruction and abraham lincoln Upcoming events in Ocala
- Sponsored event
my last yee haw
Apr 6 - Dance It Studio
the value of visual arts education teacher's safety in the work place
quality of a good leader Hottest Tickets
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Apr 11kate and allie then and now
Amway Center -
Apr 28dave mcgovern race walking
Amway Center -
Jun 25need cabinet key no original
Bob Carr Performing Arts Center -
Mar 30aved technologies in chelmsford ma
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Aug 27ralph lauren stonewall color
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Jun 21tank 250 touring scooter assembly instructions
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Sep 13dieque 2008 phpbb group
Francis Field -
Mar 17you tube video grab
St Augustine Amphitheatre -
Oct 8fortuny glass chandelier lighting
Amway Center -
May 4home
Bob Carr Performing Arts Center
Ocala's best venues
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Avon Truck and Van, quality used cars in Bristol, Avon
Avon Truck and Van, car finance deals, used car warranties, used car . whether it's a Fiesta Van or a 44-tonne tractor unit - just call us today for the Best Deals .
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Cars & Locations | City CarShare
For those quick errands or longer trips we have a car, truck, or van just for you. Whether you're heading to Russian Hill or the slopes of Tahoe, just reserve, get in .
https://www.citycarshare.org/cars-locations/ -
Bus, Car, Lorry, Motorbike, Truck And Van Advertising Stickers ...
Detailed Information about Bus, Car, Lorry, Motorbike, Truck and Van Advertising Stickers | Not Just Helmet.
http://www.thegreenbook.com/products/bus-car-lorry-motorbike-truck-and-van-advertising-stickers/not-just-helmet/list all minnesota cities
98 people's favorite
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Good News Garage - Online Car Donation
It is easy to donate your car, truck or van online. Just fill out the form below and our staff will contact you within one business day. If you need a more immediate .
http://www.goodnewsgarage.org/donate/car/ -
News, Special Offers and Promotions - Pick A Part
(March 3, 2011) Phoenix, AZ - Pick A Part, Just Truck and Van, We Buy Scrap and Da Tire Shop employees donated over 2,600 diapers and wipes to benefit .
http://www.mypickapart.com/news.htm


Contemplating off nights from off balconies
extend songs and memories a lifetime-
in realizing only once a flower
In my life I have been sheltered and cloaked-
and brought out to see the world which belongs to me
Into the cold streets at night, into the cities
up into the fortresses of doomed people
fallacies of cement and machine longing to be touched
Rip off the cloak reveal the clockwork chest beneath
hearts seize in distaste gorge eyes to see
I felt so gorged and destroyed
so left alone
cold to walk aimlessly at night and cry
for no way out. Blink and
eyes only tears are left
with the warmness and tingle of sensation which is life
Tear down tapestries and installations of
memories unfold blow out candles and
away the ashes down stairs slam-door
hold back tears and do not extinguish the fire
which burns the rooms behind
I fear not the day nor the coldness of the nights
I fear not blindness nor sickness I fear not
to loose the motions of the moon.
I am bound here and bound to become
unwound here
While waiting our minds become unbound
unwound we hear the crazy
our own stories sing out as unbound and crazed
voices unwinding conversations -a cacophony only loosely
and figuratively tethered
There is conquest calling captives of hope and
dreams and frames beyond grasp. Gated alloy ally
ends narrow passages of lost and forgotten friends
There is delirious chaotic rhapsody
delivering oats and vows and prose on those
rooftops and railways, riverboats and blow
away the dust of the past
There is haunting honor always there is a
singularity of hope forgotten hope lost
hope forever have for always there is
darkness to only juxtapose the light
depressions in the valley shows the peaks their
mighty height
all is still surfaces and noises and looks and stares
and movement beneath the skin breathing in
rhythm yet breathless, yet gasping
choking and drowning
all is still spinning - orbiting celestial bodies
slowly slip away -slink sickness and insanity
Institution and individual defeat. eaten and digested
by a machine
all is still lost intangible confusion
dousing text forever forgotten as a theme of history
wage war and only war and still be lost
hack away coughing lungs ash for
morning pills night ones too rolling off
the tongue
piercing echoing crash and shatter
Softly dying slowly suffering cold smoking
wrapped in blankets seated standing shivering
to keep warm at night home we go-
alone we go
Anything to make a heart beat?
Anything to make it go?
laughing café? movie show?
Pound or crack my chest, diffuse or circulate
my blood my heart is in arrest.
This is my own and only life—I have but
one arrow one bow one swift let go
Best aim your sight right:
Draw the tenseness in the string
hold your wrist and figure right and know which
foot to lead with-
I once had all the time between
these valleys rivers waterfalls and green
We were ordained here -where memories and time
stand still and wavers at our command here
leaves and trees and forest walks and long and brave
romantic talks about this place we will
never find
Tripping in cars down railway on buses on
mountains in plains over bridges rusty water
over snow and into mud and darkness and terrible forests and
into the morning
Every morning in low traveling off mountains
into afternoons in harmony and down down-
pick up drive and turn around
Now dangling off balconies and wavering
tapestries and blowing prayers off into
the night over roads and rooftops and across
the water
We only save each-other listen intently
to stories and hear only the voices of friends
and see only faces we know or do not want to
We march we trudge we curse the same streets
we sing in summer and in spring we dance them
wearing out lines and soles, stories and
sayings conducive to explosive laughter and endorphin
Anything to keep going?
to keep the night at bay we
laugh as time brushes these thoughts and memories away


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Form 1 Radio
How old is Earth
400 GA
4.6 GA
Earth has no age (Bonus Question)
True
False
Form 2
Rate Your Teammate
Good
Average
Bad
I would leave a comment
Comment
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