Hello! I am Adrian Chan Siang Ji from DARE/FT/2A/03 and here is my project website! Over here I will be documenting my projects and what I have learnt in this module.
Here at EP1000 students are introduced to design thinking concepts, which they will use to design some functional prototypes to meet certain user requirements. Fundamental digital fabrication skills and technologies such as computer-aided design, 2D and 3D modeling, mechanical & electronic design and programming skills are developed through a range of hands-on real world activities. Project management, web and version control techniques, which are important for project development, will also be imparted to students.


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nape.shape
Circle
Edge
EdgeIterator
EdgeList
Polygon
Shape
ShapeIterator
ShapeList
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ValidationResult


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Recent News
2023
One paper accepted by APSIPA ASC 2023!
One paper accepted by ICCV 2023! (CCF A Top Conference)
I joined IVG Group as a Postdoc at Tsinghua University.
Recognized as "Outstanding Graduate of Beijing Municipal Ordinary Institutions of Higher Education (Ph.D.)" and "Outstanding Graduate of Beijing University of Posts and Telecommunications (Ph.D.)"!
Defended my PhD Thesis!
One paper accepted by IEEE Transactions on Pattern Analysis and Machine Intelligence! (SCI, CCF A, Impact Factor: 24.314).
One paper (GPCA) has been newly selected as ESI Highly Cited Papers (Top 1% of papers in the academic field).
Two papers accepted by CVPR 2023! (CCF A Top Conference)
Our Fine-grained-Visual-Analysis-Library is released. [Code] [Document]
2022
One paper (Mutual-Channel Loss) has been selected as a cutting-edge academic achievement in Beijing!
One paper accepted as an Oral presentation at AAAI 2023! (CCF A Top Conference)
Received BUPT Ph.D. Students National Scholarship!
Grant a U.S. technology invention patent!
One demo paper accepted by IEEE MMSP 2022!
One paper accepted by VCIP 2022!
One paper accepted by ACM MM 2022! (CCF A Top Conference)
One paper (Mutual-Channel Loss) has been newly selected as ESI Highly Cited Papers (Top 1% of papers in the academic field).
2021
One paper accepted by IEEE Transactions on Pattern Analysis and Machine Intelligence! (SCI, CCF A, Impact Factor: 24.314)
One paper is recognized as Popular Documents (the 50 most frequently accessed documents) in IEEE Transactions on Image Processing.
One paper accepted by IEEE Transactions on Pattern Analysis and Machine Intelligence! (SCI, CCF A, Impact Factor: 24.314)
One paper accepted by VCIP 2021!
One paper accepted by MLSP 2021!
One paper accepted by PRCV 2021!
One paper accepted by ICME 2021!
One paper accepted as an Oral presentation at CVPR 2021! (CCF A Top Conference)
One paper accepted by IEEE Transactions on Image Processing! (SCI, CCF A, Impact Factor: 11.041)
2020
Awarded as an Excellent PhD student by the Beijing Association of Automation!
One paper accepted by ICPR 2020 Second Round!
One paper is recognized as Popular Documents (the 50 most frequently accessed documents) in IEEE Transactions on Image Processing.
One paper is recognized as Popular Documents (the 50 most frequently accessed documents) in IEEE Transactions on Image Processing.
One paper is newly recognized as Popular Documents (the 50 most frequently accessed documents) in IEEE Transactions on Image Processing.
One paper accepted by Journal of Signal Processing!
One paper accepted by Journal of Graphics!
Obtained Scholarship from China Scholarship Council (CSC).
One paper accepted by ECCV 2020!
Grant a Chinese technology invention patent!
One paper accepted by NEUROCOMPUTING!
One paper accepted by ICPR 2020 First Round!
Obtaining a funding project from the BUPT Excellent Ph.D. Students Foundation.
One paper accepted by IEEE Transactions on Image Processing! (SCI, CCF A, Impact Factor: 11.041)
One paper accepted by ICME 2020!
One paper accepted by IEEE Transactions on Image Processing! (SCI, CCF A, Impact Factor: 11.041) see CSIG for media coverage.
2019
Received the First-Class Scholarship for the Outstanding Ph.D. Student Reserve Program at BUPT!


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SBI Clerk Prime with Video Solutions 2019 Online Test Series (SBI Special)
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Package Includes
SBI Junior Associates (Clerk) Prelims
-SBI Clerk Prelims: 20 Full-Length Mocks
-SBI Clerk Prelims: 4 Previous Year’s Papers 2016 & 2018
-SBI Clerk Prelims: 15 Section Wise Practice sets (5 Reasoning, 5Quant & 5 English)
20 Topic wise Practice sets (20 Questions in Each set)
-Reasoning Topic Wise Practice sets: 2 Puzzle, 2 Seating arrangement,
2 Syllogism & 1 Inequality & 2 Miscellaneous
-Quantitative Aptitude Topic Wise Practice sets: 2 DI, 2 Quadratic Equation, 2 Series
-English Language Topic Wise Practice sets: 2 Error Correction,1 Fillers, 1 RC, 1 Cloze Test)
SBI Junior Associates (Clerk) Mains..
-SBI Clerk Mains: 10 Full-Length Mocks.
-SBI Clerk Mains: 2 Previous year's Papers (2016 & 2018)
-SBI Clerk Mains: 15 Section Wise Practice sets (5 Reasoning,5 Quant & 5 English)
Note- Video solutions will be available in Hinglish
- eBooks ( Available in only English Medium)
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- Available in English & Hindi Medium
- Detailed Solutions.
- Analysis of The Attempted Tests in Detail (All India Rank, comparison with toppers etc.)
Uploading Plan for SBI Clerk Pre 2019:


Table of Contents
Toolkits are modules for the user interface. They contain an initialisation function that must be called from your applications' init() function. Each toolkit function or page function starts with 'tk_', to distinguish them from the user's modules, followed by the module name and the function name. Initialisation functions always end with '_init'. So the name of the init function of the autoform toolkit is tk_autoform_init. All init functions take a reference to the application class as the first and only parameter and need a reference to the user interface in $this->ui.
function init () { $this->define_my_tables (); $this->ui = admin_panel ($this, 'My admin title'); tk_autoform_init ($this); $this->add_my_views (); }
The autoform toolkit creates form based on SQL table definitions stored in dbdepend.class objects. autoform cannot be used with other interfaces than dbi.
The table definitions might contain an entry with key 'auto_form'. If it contains the keyword 'hide', the field is never listed or used in forms.
$def->define_table ( 'locations', array (array ('n' => 'id', # Do not show id in autoform widgets. 'auto_form' => array ('hide' => true), 'd' => 'ID', 't' => 'INT NOT NULL AUTO_INCREMENT PRIMARY KEY'), array ('n' => 'id_parent', 'i' => true, 't' => 'INT NOT NULL'), array ('n' => 'name', 'i' => true, 't' => 'VARCHAR(255) NOT NULL'), ) ); $def->set_primary ('locations', 'id');
void tk_autoform_create_widget (&$this, $table, $field);
Print a row with a label and input widget for a field in a table.
void tk_autoform_create_form (&$this, $source = '');
Calls tk_autoform_create-widget() for all fields in a table.
void tk_autoform_list_results (&$this, $config);
This function display a table of all results specified by a former call to admin_panel::query(). Array $config contains the following entries:
$fields is an array of field names that should be displayed. If its not set, all fields are listed.
$call is the name of the view to call when selecting a record with argument named $id containing the records primary key.
If an entry called head_fields exists, it must contain one or more table header strings keyed by field name. If a header string is not specified for a particular field, itis taken from the database description.
If an array called 'cell_functions' exists, it must contain an array of one or more functions keyed by field name, which display the according fields. If no function is specified for a field, it is just printed with label().
void tk_autoform_list_search_results (&$this, $config);
This function calls tk_autoform_list_results() to display the last search results from form function form_dbisearch().


Home
Welcome to Risk Management!
Mission: Risk Management serves to protect the interests and assets of UCR by identifying potential risk exposures, devising strategies to eliminate or minimize losses, efficiently managing insurance and self-insurance programs, and collaborating closely with campus departments and stakeholders to promote a safe and secure campus environment.


Namespace Tamato.GaifaGoap
Classes
AgentDefinition
Base class AgentDefinition<T>. Use as a target for custom inspector.
AgentDefinition<T>
AgentDefinition contains lists of possible actions and goals that are used to instantiate PlanController.
AIAgent<T>
The agent that interact with the game.
AStarFrontier<T>
Data Structure for storing nodes using priority queue with PathCost + Heuristic as a priority value. Mostly use in planning.
DelegatePooledObjectPolicy<T>
Pooled Object Policy that accept delegate for Create() method and Return(T) method
GameAction<T>
Serializable action
Goal<T>
Serializable goal
InterruptChannel
Send and receive plan interruption signal.
InterruptReceiver
Receiver side of the InterruptChannel.
InterruptSender
Sender side of the InterruptChannel.
MultiFramePlanner<T>
MultiFramePlanner is a planner that spread the work over multiple frames.
Node<T>
Node data used in planning.
ParameterizedActionFactory<T>
Factory that produce IGameAction<T>.
PlanController
Base class PlanController<T>. Use as a target for custom inspector.
PlanController<T>
Control plan scheduling and plan execution of the agent.
PlanExecutor<T>
Execute and cancel the plan.
PlannerSettings
Settings for IPlanner<T>
Pool
Methods to create object pool
ReturnOnlyPooledObjectPolicy<T>
Pooled Object Policy that accept delegate for Return(T) method
SerializableTimespan
Wrapper for TimeSpan to make it serializable by Unity, as well as provide a custom inspector it.
ThreadPoolPlanner<T>
ThreadPoolPlanner is a planner that shift the work to the thread pool, so it won't halt the main thread and cause drop the FPS.
Structs
PlannerStats
Statistic information of planning process.
Interfaces
IFrontier<T>
Data Structure for storing nodes. Mostly use in planning.
IGameAction<T>
Action of the agent
IGameObjectInitializable
IGoal<T>
Goal of the agent
IModel<T>
Contains world states representation for the planner
IPlanner<T>
Create a plan for the agent from the set of actions, goal and model's state


|
Vienna Vulkan Engine
|
Subrenderer that manages entities that are cubemap based sky boxes. More...
#include <VESubrenderFW_Cubemap2.h>
Public Member Functions | |
| VESubrenderFW_Cubemap2 () | |
| Constructor. | |
| virtual | ~VESubrenderFW_Cubemap2 () |
| Destructor. | |
| virtual veSubrenderClass | getClass () |
| virtual veSubrenderType | getType () |
| virtual void | initSubrenderer () |
| Initialize the subrenderer. More... | |
| virtual void | addEntity (VEEntity *pEntity) |
| Add an entity to the subrenderer. More... | |
| Public Member Functions inherited from ve::VESubrender | |
| VESubrender () | |
| Constructor of subrender class. | |
| virtual | ~VESubrender () |
| Destructor of subrender class. | |
| virtual void | closeSubrenderer () |
| Close down the subrenderer and destroy all local resources. | |
| virtual void | recreateResources () |
| If the window size changes then some resources have to be recreated to fit the new size. | |
| virtual void | bindPipeline (VkCommandBuffer commandBuffer) |
| Bind the subrenderer's pipeline to a commandbuffer. More... | |
| virtual void | bindDescriptorSetsPerFrame (VkCommandBuffer commandBuffer, uint32_t imageIndex, VECamera *pCamera, VELight *pLight, std::vector< VkDescriptorSet > descriptorSetsShadow) |
| Bind per frame descriptor sets to the pipeline layout. More... | |
| virtual void | bindDescriptorSetsPerEntity (VkCommandBuffer commandBuffer, uint32_t imageIndex, VEEntity *entity) |
| Bind default descriptor sets. More... | |
| virtual void | setDynamicPipelineState (VkCommandBuffer commandBuffer, uint32_t numPass) |
| Set the dynamic state of the pipeline - does nothing for the base class. | |
| virtual void | prepareDraw () |
| Prepare to perform draw operation, e.g. for an overlay. | |
| virtual void | draw (VkCommandBuffer commandBuffer, uint32_t imageIndex, uint32_t numPass, VECamera *pCamera, VELight *pLight, std::vector< VkDescriptorSet > descriptorSetsShadow) |
| Draw all associated entities. More... | |
| virtual VkSemaphore | draw (uint32_t imageIndex, VkSemaphore wait_semaphore) |
| virtual void | drawEntity (VkCommandBuffer commandBuffer, uint32_t imageIndex, VEEntity *entity) |
| Draw one entity. More... | |
| virtual void | removeEntity (VEEntity *pEntity) |
| Removes an entity from this subrenderer - does NOT delete it. More... | |
| uint32_t | getNumberEntities () |
| VkPipelineLayout | getPipelineLayout () |
| return the layout of the local pipeline | |
Subrenderer that manages entities that are cubemap based sky boxes.
|
virtual |
Add an entity to the subrenderer.
Create a UBO for this entity, a descriptor set per swapchain image, and update the descriptor sets
Reimplemented from ve::VESubrender.
|
inlinevirtual |
Implements ve::VESubrender.
|
inlinevirtual |
Implements ve::VESubrender.
|
virtual |
Initialize the subrenderer.
Create descriptor set layout, pipeline layout and the PSO
Reimplemented from ve::VESubrender.


Recipes
If you've ever been on our facebook page you might have seen pictures of the food that we make and eat. Now it's your chance to eat like a king. What are you waiting for? Click the button...
{% assign page_array = site.recipes | where: "type", "index" %}
{% include picture_grid.html columns=page.columns pages=page_array %}


Your controllers should be thin. This is a common refrain when discussing maintainable Angular code. It is true but it can be more difficult to implement in practice. My proposal is to use simple comments to separate the lines of code in your controller:
- Initialization values
- assigning your variables and items on
$scope
- assigning your variables and items on
- Private methods that are only used in the controller
- Methods that are used in the view
- CRUD
- $watches
- Getting data for the view
- call a
get
request to populate the view with data on initialization
- call a
- (hacks)
- hacks happen. Inspired by CSS Wizardy’s shame.css, labeling your hacks as such goes a long in maintainability.
Let’s imagine a photo editing application, and the route at /photo/123/edit
. This page would need to do the following:
- Fetch the photo from the API
- Allow posting to the API with updates to the photo
- Allow the user to reset the form.
- $watch something
The controller quickly becomes non-trivial. If we begin to need to add extra functionality (i.e. the ability to upload a watermark, the ability to offer extra editing features to premium users), then the controller could become even larger.
I would imagine the controller looking something like this:


I was born and raised in Phoenix, AZ. I moved to Portland, Oregon during the summer
of
2013 and have embraced the new scenery.
Career Ambition
My career ambition is to become a software engineer. With the support of the Epicodus
Program my goal is obtain a software engineer job by the end of 2020.
Hobbies
Watch Sports highlights such as the NBA, MLB, and the NFL
I enjoy playing problem-solving games such as Chess and Sudoku
Work Experience
IT Technician
Location: Eugene, Oregon
From: 02/2017 - 01/2020
Support, document, repair and deploy computer hardware in Windows systems
environment by setting up new workstations
Provide IT user support to approximately 12 faculty and administrative staff services
weekly using Jira ticketing system
Maintain loaner laptops and approximately eight available Dell desktops imaged to be
ready for deployment monthly
IT Resident
Location: Portland, Oregon
From: 06/2019 - 09/2019
Tracked, troubleshoot, resolved and documented IT equipment using Fresh Service ticketing
system
Support across multiple channels including Gmail and maintaining in-person
assistance
Implemented a solutions manual by documenting a procedure for solving common ticketing issues IT
technicians may use
IT Analyst Intern
Location: Shenzhen, China
From: 06/2017 - 08/2017
Performed as a user representative and contributed user opinion on new and existing
features during weekly meetings
Cooperated in the early stages of a user-case diagram for potential expansion in
Thailand for the YGOCN mobile app
Collaborated with two team members to help improve contents by analyzing the app
checking for any grammatical errors


A STRANGER AMONG US A film review by Frank Maloney Copyright 1992 Frank Maloney
A STRANGER AMONG US is a film directed by Sydney Lumet. It stars Melanie Griffith, Eric Thal, Mia Sara, Lee Richardson, and Tracy Pollan. Rated R for violence.
A STRANGER AMONG US is a cop show that would have been better to have eschewed the shoot-up and chases, the Irish cop and Italian thugs, and to have found another excuse for letting a liberated shiksa find family and friendship and her own soul amongst the Hasidim of New York. The crime that gives the cop her entree into this island of 19th century, mystical Judaism is largely pro forma and uninteresting, and for most of the film, and especially its best parts, is strictly on the back burner. The interest of the film comes in the cop's growing involvement with her Hasidic "family," her growth as a complete human being, and especially her relationship with the rebbe's son.
Of course, for us who are outsiders, there is the interest and attraction of seeing and learning something of this fascinating world. This isn't a travelogue ("as the sun sets on the happy natives of Hasid-land"), and it never pretends to being anything but friendly to Hasidism. Every Hasidic interior is bathed in the golden light of spirituality. These Hasidim are uniformly cheerful, friendly, and entirely free of sectarian rivalries. They are a community. The film makes you regret you are not part of that community. But the film does a creditable job as an introduction, even though its purpose is not promoting Hasidism, but a spiritual life within a family of your choosing in whatever context is appropriate for you.
Sidney Lumet, the son of a Yiddish theater star and director of TWELVE ANGRY MEN, SERPICO, NETWORK, and DOG DAY AFTERNOONS, has given us an interesting film about spirituality, as personified by an idealized portrait of the New York Hasidic community and as disguised as a police drama. In the process, he has coaxed an energetic and intriguing performance from Melanie Griffith as Emily Eden the cynical detective who is afraid of commitment and he has discovered an attractive and promising actor, Eric Thal, as the Talmudic scholar and Kaballistic mystic who becomes Emily's contact point with the closed and hermetic world of the Hasidim. (Thal originally was cast for a lesser role, but showed so much promise that he was promoted to the pivotal role of Ariel, the rebbe's heir apparent.)
Griffith has always seemed an interesting performer to me. I remember with no small pleasure her performance in WORKING GIRL, in which she easily held her own against Harrison Ford and especially a powerful satire by Sigourney Weaver. STRANGER only adds to my impression of her as a slightly unappreciated, underused resource of no small power. She contrives to tough, callous, fragile, and in pain, at the same time; Emily is the victim of her Irish-cop father, who cannot express anything as unmanly as love for his cop daughter, she is the victim of her own fear of life who refuses to love the man she sleeps with. She starts off in the rebbe's office with the grace and sensitivity of a water buffalo and ends whole, healed, and self-accepting.
But it is Emily's relationship with Ariel that is the moral epicenter, the heart, the justification of this film. Ariel gets to do a little growing himself, thanks in part to the temptations that Emily offers him and which he finally decides to reject. It has been suggested that some Jews may be offended by the idea that the brilliant and committed Ariel could ever be attracted to the rather vulgar and concupiscent Emily. Not being Jewish myself, I don't know, but it seems realistically possible that Emily is so different from the traditional and retiring Hasidic women that he would intrigued by the novelty she represents. His father, the great rebbe, played by Lee Richardson, is himself caught up somewhat in Emily's verve and purpose; he tells her tells her he has seen her soul, that they are alike, death-camp survivor and cowboy cop, in their mutual knowledge of evil. Once Emily tones down her brassy clothes and hair to fit into the conversative community, she still attracts a lot of attention, even a suitor, by virtue of her dynamism. Curiously, both Emily and Ariel find a deeper friendship and their own strengths as they work through their mutual and forbidden attractions.
Eric Thal as Ariel is a wonderful discovery. He's handsome, sexy, intelligent, sensitive, confident, dynamic in his own way, and irresistible. Thal brings strength and mysticism to his role. He is emotional and completely manly. His Ariel, as the otherwordly Hasidic anachronism, is the paradoxically perfect 90s man. I look forward to seeing Thal in his next movie.
There are two death scenes in this movie that represent departures from the Hollywood norm. In one criminals and cop are united for a moment by the fear of death and the pity and tenderness the survivors feel in the presence of death. There is an extraordinary moment of profound grief at the killing of the killer, something you will almost never see in a Hollywood shoot-'em-up.
I can recommend A STRANGER AMONG US, even with its largely superfluous crime theme and its stereotypes, as a movie with a strong moral center, with an intelligent friendship of a man and a woman, with some interesting things to say about how we can live to be happy. It is a film worthy of its director and it is worth seeing, even at full ticket price.
-- Frank Richard Aloysius Jude Maloney .
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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package main
import (
"bufio"
"fmt"
"os"
"strconv"
"strings"
)
func main() {
reader := bufio.NewReader(os.Stdin)
fmt.Println("Enter the number:")
number, _ := reader.ReadString('\n')
number = strings.TrimSpace(number)
intNumber, _ := strconv.Atoi(number)
i := 0
for i = 2; i < intNumber; i++ {
if intNumber%i == 0 {
fmt.Println("Number:", number, " is not prime and divided by ", i,".")
break
}
}
if i == intNumber {
fmt.Println("Number", number, " is prime.")
}
}
Enter the number:
23
Number 23 is prime.
In this program, as an input we take the number from user.
And then we check whether that number is prime or not as an output.


part "/tool" />
part "/head-top" />
part "/navi" />
part "/urgency/recent" />
part "/key_visual/slide" />
part "/guide" />
part "/about" />
part "/safety" />
part "/online" />
part "/propose" />
part "/attention/recent" />
part "/recent-tabs" />
part "/useful" />
part "/population" />
part "/relations" />
part "/ranking" />
part "/topics" />
part "/connect" />
part "/add" />
part "/page-top" />
part "/foot" />


by Ryan Clarke
Welcome to the etch-a-sketch type challange set by the Odin Project. You have three options.  Enjoy!


Misublog
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Number of rows of the matrix.
Total number of elements in the matrix.
Adds the values of a vector to each column.
Array or vector.
Adds the values of a vector to each row.
Array or vector.
Applies a callback for each element of the matrix. The function is called in the matrix (this) context.
Function that will be called for each element in the matrix.
Center the matrix in-place. By default, the mean value of the matrix is subtracted from every value.
Center the matrix in-place. By default, the mean values in the give dimension are subtracted from the values.
center by 'row' or 'column'.
Creates an exact and independent copy of the matrix.
Computes the cumulative sum of the matrix elements (in place, row by row).
Returns an array containing the diagonal values of the matrix.
Alias for AbstractMatrix.diag.
Divides the values of each column by those of a vector.
Array or vector.
Divides the values of each row by those of a vector.
Array or vector.
Computes the dot (scalar) product between the matrix and another.
Returns the row echelon form of the matrix computed using gaussian elimination.
Fills the matrix with a given value. All elements will be set to this value.
New value.
Returns the value of the given element of the matrix.
Index of the element's row.
Index of the element's column.
Returns a new array with the values from the given column index.
Column index.
Returns a new column vector with the values from the given column index.
Column index.
Returns a new array with the values from the given row index.
Row index.
Returns a new row vector with the values from the given row index.
Row index.
Returns whether the matrix has one column.
Returns whether the matrix is in row echelon form.
Returns whether the matrix is in reduced row echelon form.
Returns whether the matrix has one row.
Returns whether the matrix has the same number of rows and columns.
Returns whether the matrix is square and has the same values on both sides of the diagonal.
Returns whether the matrix has one row or one column.
Returns the Kronecker product (also known as tensor product) between this
and other
.
Other matrix.
Returns the maximum value of the matrix.
Returns the maximum value of one column.
Column index.
Returns the index of the maximum value of one column.
Column index.
Returns the index of the maximum value.
Returns the maximum value of one row.
Row index.
Returns the index of the maximum value of one row.
Row index.
Returns the mean of all elements of the matrix.
Returns the mean by the given dimension.
mean by 'row' or 'column'.
Returns the minimum value of the matrix.
Returns the minimum value of one column.
Column index.
Returns the index of the minimum value of one column.
Column index.
Returns the index of the minimum value.
Returns the minimum value of one row.
Row index.
Returns the index of the maximum value of one row.
Row index.
Returns the matrix product between this
and other
.
Other matrix.
Multiplies the values of a column with a scalar.
Column index.
Multiplies the values of a vector with each column.
Array or vector.
Multiplies the values of a row with a scalar.
Row index.
Multiplies the values of a vector with each row.
Array or vector.
Negates the matrix. All elements will be multiplied by -1
.
Alias for AbstractMatrix.neg.
Returns the norm of a matrix.
Norm type. Default: 'frobenius'
.
Returns the product of all elements of the matrix.
Returns the product by the given dimension.
product by 'row' or 'column'.
Returns the reduced row echelon form of the matrix computed using gaussian elimination.
Creates a new matrix that is a repetition of the current matrix. New matrix has rows times the number of rows of the original matrix, and columns times the number of columns of the original matrix.
Scale the matrix in-place. By default, values are divided by their standard deviation.
Scale the matrix in-place. By default, values are divided by the standard deviation in the given dimension.
scale by 'row' or 'column'.
Returns a new column-by-column scaled matrix.
Returns a new row-by-row scaled matrix.
Return a new matrix based on a selection of rows and columns. Order of the indices matters and the same index can be used more than once.
The row indices to select.
The column indices to select.
Sets a given element of the matrix.
Index of the element's row.
Index of the element's column.
The new value for the element.
Sets a column at the given index.
Column index.
Array or vector to set.
Sets a row at the given index.
Row index.
Array or vector to set.
Set a part of the matrix to the given sub-matrix.
The source matrix from which to extract values.
The index of the first row to set.
The index of the first column to set.
Sorts the columns in-place.
Sorts the rows in-place.
Returns the standard deviation of all elements of the matrix.
Returns the standard deviation by the given dimension.
standard deviation by 'row' or 'column'.
Subtracts the values of a vector from each column.
Array or vector.
Returns a subset of the matrix.
First row index.
Last row index.
First column index.
Last column index.
Returns a subset of the matrix based on an array of column indices.
Array containing the column indices.
First row index. Default: 0
.
Last row index. Default: this.rows - 1
.
Returns a subset of the matrix based on an array of row indices.
Array containing the row indices.
First column index. Default: 0
.
Last column index. Default: this.columns - 1
.
Subtracts the values of a vector from each row.
Array or vector.
Returns the sum of all elements of the matrix.
Returns the sum by the given dimension.
sum by 'row' or 'column'.
Swap two columns.
First column index.
Second column index.
Swap two rows.
First row index.
Second row index.
Alias for AbstractMatrix.kroneckerProduct.
Returns a new 1D array filled row by row with the matrix values.
Returns a 2D array containing a copy of the matrix data.
Returns the trace of the matrix (sum of the diagonal elements).
Transposes the matrix and returns a new one containing the result.
Returns the variance of all elements of the matrix.
Returns the variance by the given dimension.
variance by 'row' or 'column'.
Check that the provided value is a Matrix and tries to instantiate one if not.
The value to check.
Creates a column vector, a matrix with only one column.
A 1D array containing data for the vector.
The new matrix.
Creates a diagonal matrix based on the given array.
Array containing the data for the diagonal.
Number of rows. Default: data.length
.
Number of columns. Default: rows
.
Alias for AbstractMatrix.diag.
Creates an identity matrix with the given dimension. Values of the diagonal will be 1 and others will be 0.
Number of rows.
Number of columns. Default: rows
.
Value to fill the diagonal with. Default: 1
.
Constructs a matrix with the chosen dimensions from a 1D array.
Number of rows.
Number of columns.
A 1D array containing data for the matrix.
The new matrix.
Alias for AbstractMatrix.eye.
Returns whether value
is a Matrix.
The value to check.
Returns a matrix whose elements are the maximum between matrix1
and matrix2
.
Returns a matrix whose elements are the minimum between matrix1
and matrix2
.
Creates a matrix with the given dimensions. Values will be set to one.
Number of rows.
Number of columns.
The new matrix.
Creates a matrix with the given dimensions. Values will be randomly set.
Number of rows.
Number of columns.
Options object.
The new matrix.
Creates a matrix with the given dimensions. Values will be random integers.
Number of rows.
Number of columns.
Creates a row vector, a matrix with only one row.
A 1D array containing data for the vector.
The new matrix.
Creates a matrix with the given dimensions. Values will be set to zero. This is equivalent to calling the Matrix constructor.
Number of rows.
Number of columns.
The new matrix.
Number of columns of the matrix.


This area of the Owin Framework is concerned with restricting access to your
website or web services. The way this works is as follows:
-
You must add middleware to the Owin pipeline that implements IMiddleware<IIdentity>.
This middleware will identify the caller and add an instance of IIdentity to the request
context. There are a few useful implemntations for this in the Owin Framework or you can write an implementation
that is specific to your needs.
-
You must add middleware to the Owin pipeline that implements IMiddleware<IAuthorization>.
This middleware will use the IIdentity instance in the request context to identify the caller,
check this identities permissions and return a 403 response if the user is not permitted. You will most often use the
standard Owin Framework implementation, but you can easily write your own as well.
-
You must register an impementation of IIdentityData with the IoC container.
This will be used to get the permissions associated with the caller's identity. The Owin Framework contains
an implementation of this that uses the Prius ORM to store identity data in a relational database. You can also
write your own implementation if you want custom behavior.
-
Middleware that is downstream of Authorization must specify the permission required to execute this request. The
Authorization middleware will use this permission to allow or deny the request. Standard Owin Framework middleware
such as the Static Files middleware can be configured with a required permission. The Pages middleware allows permissions
to be defined on each page and each service endpoint. If you write your own middleware you need to get an instance of
IUpstreamAuthorization during the routing phase or request processing and specify the required
permission for the request. Your code does not have to do anything other than set the name of the required permission,
everything else will be handled by the other components mentioned above.
-
You can optionally include the Owin Framework standard authorization UI middleware.  This UI allows
authorized users to manage users, groups, roles and permissions.
Further reading
The Authorization repository
Related Projects


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- morph out-of-the-box architectures
- leverage wireless convergence
- strategize frictionless initiatives
- monetize cross-media communities
- recontextualize transparent eyeballs
- maximize rich web services
- transition end-to-end eyeballs
- extend scalable e-commerce
- enhance one-to-one infrastructures


A reference variable is an alias, that is, another name for an already existing variable. Once a reference is initialized with a variable, either the variable name or the reference name may be used to refer to the variable.
References are often confused with pointers but three major differences between references and pointers are:
You cannot have NULL references. You must always be able to assume that a reference is connected to a legitimate piece of storage.
Once a reference is initialized to an object, it cannot be changed to refer to another object. Pointers can be pointed to another object at any time.
A reference must be initialized when it is created. Pointers can be initialized at any time.
Think of a variable name as a label attached to the variable's location in memory. You can then think of a reference as a second label attached to that memory location. Therefore, you can access the contents of the variable through either the original variable name or the reference. For example, suppose we have the following example:
int i = 17;
We can declare reference variables for i as follows.
int& r = i;
Read the & in these declarations as reference. Thus, read the first declaration as "r is an integer reference initialized to i" and read the second declaration as "s is a double reference initialized to d.". Following example makes use of references on int and double:
#include <iostream> using namespace std; int main () { // declare simple variables int i; double d; // declare reference variables int& r = i; double& s = d; i = 5; cout << "Value of i : " << i << endl; cout << "Value of i reference : " << r << endl; d = 11.7; cout << "Value of d : " << d << endl; cout << "Value of d reference : " << s << endl; return 0; }
When the above code is compiled together and executed, it produces the following result:
Value of i : 5 Value of i reference : 5 Value of d : 11.7 Value of d reference : 11.7
References are usually used for function argument lists and function return values. So following are two important subjects related to C++ references which should be clear to a C++ programmer:
| Concept | Description |
|---|---|
| C++ supports passing references as function parameter more safely than parameters. | |
| You can return reference from a C++ function like a any other data type can be returned. |


“Abhinay is the event where participants showcase their dramatic and theatrical skills. Many sub-events come under the umbrella of abhinay, which give ample opportunities to budding artists to potray their emotions through various acts on stage. Moreover, they also provide a very effective platform to highlight the social taboos and issues that plague our society in a bold and vivid manner.”
“Bandish is an event that brings together the myriad hues of indian music. It seeks to bring out the budding maestros of indian music who can mesmerize the audience with their musical brilliance. Its various events include solo singing, duets, band performances, and original compositions. It is the perfect platform for any music enthusiast to witness and perform in front of a massive audience.”
“Crosswinds is the western music event which is a remarkable blend of different genres of rock and metal music. The bands that perform on the stage of crosswindz always leavee the crowd yearning for more. It witnesses a massive audience as it offers an enthralling experience full of headbangs, fast riffs, melodious intros, and soulful outros! Looking forward to seeing you there! ”
“Natraj is a dance competition aimed at providing the best platform to young as well as experienced dancers to show their talents. Their smooth transitions, awesome moves and breathtaking stunts never fail to enchant the audience! Natraj includes various events like a group dance, solo performance, duet and folk dance. Do not miss this one! ”
“Mirage is a lifestyle event which aims to unveil the latest trends in the fashion industry. This glamorous event comprises of models hitting the ramp in trending fashionable attires, showcasing the best works. Their confidence, attitude, and the way they handle themselves leave the audience in awe! ”
“Enquizta is a quiz competition which jogs our gray matter. The quiz event boasts of enthusiastic participation from all nooks and corners of india. The event consists of quizzes like the great india quiz and is a test of zeal, knowledge, skill and determination.”
“Samvaad is a competition comprising of bilingual debates, elocution, extempore speeches and creative writing events. This event follows the dictum that states that words are the most profound way of expressing emotions and ideas. Samvaad is bilingual in nature and sees an exchange of highly intellectual ideas. So put on your thinking caps, and get ready for this literary delight! ”
“Toolika, the fine arts contest of KASHIYATRA, fosters the magic of art. It is a competition that illuminates the beauty and elegance of various art forms and encourages their fusion to give birth to new creative styles. It boasts of several creative events like t-shirt painting, paper dressmaking, blows painting, soap carving and many more. So ignite your artistic passion, and get those paintbrushes ready! ”


$Id$
create_ocean_obs is responsible for converting an interim ASCII file of ocean observations into a DART observation sequence file. The interim ASCII file is a simple 'whitespace separated' table where each row is an observation and each column is specific information about the observation.
| column number | quantity | description |
|---|---|---|
| 1 | longitude (in degrees) | longitude of the observation |
| 2 | latitude (in degrees) | latitude of the observation |
| 3 | depth (in meters) | depth of the observation |
| 4 | observation value | such as it is ... |
| 5 | vertical coordinate flag | see location_mod:location_type for a full explanation. The short explanation is that surface == -1, and depth == 3 There is a pathological difference between a surface observation and an observation with a depth of zero. |
| 6 | observation variance | good luck here ... |
| 7 | Quality Control flag | integer value passed through to DART. There is a namelist parameter for filter to ignore any observation with a QC value <= input_qc_threshold |
| 8 | obs_kind_name | a character string that must match a string in obs_def/obs_def_MITgcm_ocean_mod.f90 |
| 9 | startDate_1 | the year-month-date of the observation (YYYYMMDD format) |
| 10 | startDate_2 | the hour-minute-second of the observation (HHMMSS format) |
For example:
273.7500 21.3500 -2.5018 28.0441 3 0.0400 1 GLIDER_TEMPERATURE 19960101 10000 273.7500 21.4500 -2.5018 28.1524 3 0.0400 1 GLIDER_TEMPERATURE 19960101 10000 273.7500 21.5500 -2.5018 28.0808 3 0.0400 1 GLIDER_TEMPERATURE 19960101 10000 273.7500 21.6500 -2.5018 28.0143 3 0.0400 1 GLIDER_TEMPERATURE 19960101 10000 273.7500 21.7500 -2.5018 28.0242 3 0.0400 1 GLIDER_TEMPERATURE 19960101 10000 273.7500 21.8500 -2.5018 28.0160 3 0.0400 1 GLIDER_TEMPERATURE 19960101 10000 273.7500 21.9500 -2.5018 28.0077 3 0.0400 1 GLIDER_TEMPERATURE 19960101 10000 273.7500 22.0500 -2.5018 28.3399 3 0.0400 1 GLIDER_TEMPERATURE 19960101 10000 273.7500 22.1500 -2.5018 27.8852 3 0.0400 1 GLIDER_TEMPERATURE 19960101 10000 273.7500 22.2500 -2.5018 27.8145 3 0.0400 1 GLIDER_TEMPERATURE 19960101 10000 ...
It is always possible to combine observation sequence files with the program obs_sequence_tool, so it was simply convenient to generate a separate file for each observation platform and type ('GLIDER' and 'TEMPERATURE'), however it is by no means required.
Some of these modules use modules ... those modules and namelists are not discussed here. probably should be ...
types_mod utilities_mod dart_MITocean_mod obs_sequence_mod
This program has a namelist of its own, and some of the underlying modules require namelists. To avoid duplication and, possibly, some inconsistency in the documentation; only a list of the required namelists is provided - with a hyperlink to the full documentation for each namelist.
| Namelist | Primary Purpose |
|---|---|
| utilities_nml | set the termination level and file name for the run-time log |
| obs_sequence_nml | write binary or ASCII observation sequence files |
We adhere to the F90 standard of starting a namelist with an ampersand '&' and terminating with a slash '/'. Consider yourself forewarned that filenames that contain a '/' must be enclosed in quotes to prevent them from prematurely terminating the namelist.
namelist /create_ocean_obs_nml/ year, month, day, & tot_days, max_num, fname, output_name, lon1, lon2, lat1, lat2
This namelist is read in a file called input.nml
| Contents | Type | Description |
|---|---|---|
| year | integer [default: 1996] | The first year of interest. |
| month | integer [default: 1] | The first month of interest. |
| day | integer [default: 1] | The first day of interest. |
| tot_days | integer [default: 31] | Stop processing after this many days. |
| max_num | integer [default: 800000] | The maximum number of observations to read/write. |
| fname | character(len=129) [default: 'raw_ocean_obs.txt'] |
The name of the interim ASCII file of observations. |
| output_name | character(len=129) [default: 'raw_ocean_obs_seq.out'] |
The output file name. |
| lon1 | real [default: 0.0] | The leftmost longitude of interest. |
| lon2 | real [default: 360.0] | The rightmost longitude of interest. |
| lat1 | real [default: -90.0] | The most southern latitude of interest. |
| lat2 | real [default: 90.0] | The most northern latitude of interest. |
There are no error conditions specific to create_ocean_obs.
There are no known bugs.
None at this time. Feel free to suggest improvements.
DART software - Copyright UCAR. This open source software is provided by UCAR, "as is", without charge, subject to all terms of use at http://www.image.ucar.edu/DAReS/DART/DART_download


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Basic **aquarium lights** based on **[[timers and 555|555]]**, MOSFET and leds.
Presentation
Principle
I was a shameless sinner who made aquarium lights with a resistor to limit the current and a boost converter. I have no excuse. And when the powers of the aquarium decided that water spash would finish eating the copper of my connector, I understood the message from above (well, below in that case since the water is below the leds): make it right.
So I'll use a proper power source, with led strip (still) and PWM modulation (which means [[timers and 555|555]]). Basic circuit, but the best answer to a basic need.
Points of interrest
** 555 and PWM made simple**: honnestly I didn't find aywhere on the net any //simpler// PWM with 555 circuit. 2 resistor, 1 cap, 1 diode and you get a range from 1% to 99% duty PWM, this is the //simplest 555 PWM circuit// I could find. Just what you need in most cases. Other circuits have more parts without being that much more complex to be honnest. Let's use this one and see.
The idea is to set the simplest possible **astable 555 oscillator**. One other very similar circuit is [[http://www.ohmslawcalculator.com/555-astable-calculator|here]], with an online calculator.
In a nutshell, the key ideas are (from above site):
* Increasing C will increase the cycle time (and hence, reduce the frequency).
* Increasing R1 will increase Time High (T1), but will leave Time Low (T0) unaffected.
* Increasing R2 will increase Time High (T1), increase Time Low (T0) and decrease the duty cycle (down to a minimum of 50%)
Implementation
Bill of materials
* MOSFET x1: IRFZ44N power N-Channel mosfet => **sink** (what I had in my toolbox to be clear, thank you eBay)
* 555 x1: [[timers and 555|The 555]]
* Resistors for PWM: R1 = 100ohm, R2 = 100ohm
* Cap for the PWM: C1 = 0.1uF
* Diode: source diagram calls for a Schottky diode, but a regular simple diode works just fine and makes no difference as per my tests. So I go for the cheap one.
* Potentiometer (I used a 5k Ohm one but any other value should be ok maybe? try and tell me)
* A PPTC (resettable fuse) of 0.5 A, just in case, since we're putting water and electricity quite close. A fuse on the main would have been a nice touch too.
* 12v1a power supply I bought in HK years ago
* A strip of white leds I don't remember I bought but thanks SeeedStudio anyway
* other misc bling bling, caps for power stabilization, leds, screw connector, etc...
Settings
With a measured duty cycle of 50%, we're at about 5-7kHz (forgot exactly), and with a bit less than 2 meters of white led strips we have a comsumption of 0.47A at 12V (says my power supply). It's bright enough, and after a couple hours of continuous running, the "hottest" component was the 555 that went lukewarm. All the rest and especially the MOSFET staid at room temperature.
Schematics
That's what I made↑
**Nota bene:**
* D1 doesn't need to be a Schottky, any cheap diode works. But it's necessary or you won't get less than 30% duty.
* R3 is necessary to stop the enormous ripples! without it you can get +30v-10v swing !! Just put it, something between 100-500ohm seems to do the trick (I used 510 ohm in my final design) -> Thanks to [[https://www.youtube.com/watch?v=o4_NeqlJgOs|Great Scott]] video for the tip! I noticed the ripple but didn't know how to fix.
Source code
None in this case, there's no mCU.
Pictures
//The circuit on the simple PCB in shape of breadboards. Love these for simple circuits.//
Links
Helpful sources
Inspiration
* 555 PWM driving a MOSFET [[http://www.instructables.com/id/PWM-dimmer-using-NE555-and-MOSFET-with-DIY-alumini/step3/Circuit-diagram/]]
* Simplest 555 PWM circuit [[http://www.instructables.com/id/Yet-Another-Simple-Pot-controlled-555-PWM-generato/step2/What-will-be-needed/]] (original [[http://electronicdesign.com/analog/wide-range-pulse-width-modulator-uses-555-timer|source of the source]])
Nota Bene: if you follow [[http://www.ohmslawcalculator.com/555-astable-calculator|this link]] you'll find a simpler version with only 2 resistor and 1 cap BUT the minimum duty cycle I can get without the Schotky diode is 30%-ish (100 ohm/100ohm/0.1uF). With a simple Schotky diode, you get a 1%-90% duty easily.


--- layout: page title: About Me description: This is what I do. background: /img/bg-about.jpg published: true ---
程序员很忙，先略过......


As the saying goes, the pendulum has swung back. But now I’m afraid it will take less than ten years for the pendulum to swing back.
My colleague Ms. Guan’s husband is an associate professor at Taishan University; from her we know that her husband’s university is undergoing a huge change. The system of competition for positions will be introduced, including the implementation of fixing teaching posts, defining personnel quota, fixing duty and determining remuneration, signing a contract with a term of 4 years, publishing relevant papers during the tenure, etc. in order to achieve the target.
University campuses and hospitals, taking the lead, are beginning to undergo major changes.
Government bodies and public institutions, which have always been regarded as the iron rice bowl, will also usher in earthshaking changes.

Nowadays, the world is changing with each passing day, and the change has become a strong color and theme.
The wave of reform has come. If you want to become a pioneer, instead of being drown in the tide, the best way is to learn the skills.
The one without real qualifications will find no place in the world. This is the progress of the society!
俗语说，三十年河东三十年河西。可是，如今恐怕用不了十年就要河东河西了。
同事小关的老公是泰山学院的一名副教授，今天同她攀谈起来得知，她老公所在的大学正在进行改革。所有的大学老师要重新竞争上岗，实行定岗、定职、定责、定酬，签订聘用合同，任期4年，并要求在任期内要发表相关论文，达到制定的目标等。
大学校园、医院，首当其冲，正开始发生重大的变化。
历来被认为是铁饭碗的机关事业单位，也即将迎来翻天覆地的变革。
所以，那种凭着关系、后门，认为就可以抱着铁饭碗混日子，衣食无忧，可以混到退休的人，无疑是当头一棒。
当今世界日新月异，瞬息万变，变革成为强烈的色彩和主题。
改革的浪潮已来，要想成为弄潮儿，不致使自己淹没于潮水中，唯有学好本领才是上策。
滥竽充数者，最终会没了市场。这就是社会的进步！
This page is synchronized from the post: 三十年河东三十年河西 The pendulum has swung back


Daewoo suffers 230 million euros net loss
Seoul - Daewoo Shipbuilding & Marine Engineering Co., a major South Korean shipbuilder, reported a third-quarter net loss of 296.4 billion won (230 million euros)
Seoul - Daewoo Shipbuilding & Marine Engineering Co., a major South Korean shipbuilder, reported a third-quarter net loss of 296.4 billion won (230 million euros) due to one-off costs, writes South Korea’s news agency Yonhap.
Daewoo Shipbuilding’s net losses for the three months ending Sept. 30 narrowed from 323.9 billion won deficit a year ago, but the result is still a disappointing turnaround from the two previous quarters when the company stayed in the black.
The shipbuilder also posted an operating loss of 256.3 billion won in the July-September period, marking its first loss in seven quarters. Sales dipped 11.4 percent on-year to 1.94 trillion won. Daewoo Shipbuilding blamed its poor performance on one-off costs related to a drill ship order cancellation and increased fixed costs. Daewoo Shipbuilding has so far won orders for 26 vessels worth $5.35 billion this year, achieving 64 percent of its annual target of $8.37 billion.


1. Send deposit to start ride
2. Pay per minute of riding
3. After ride, remaining deposit returned
Local Forecast
1. Send deposit to start ride
2. Pay per minute of riding
3. After ride, remaining deposit returned
The Pee Wee
Deposit
10 DAIRide Cost
0.60 DAI/ min


{% extends "global/Page.html" %} {% load otree static %} {% block title %} Introduction {% endblock %} {% block content %}
Welcome to this experiment on decision making. You will first go through the instructions. Afterwards the experiment will start. Talking is strictly forbidden during the experiment. If you have a question, please raise your hand and an experimenter will come to your table to answer your question.
The experiment will last about one hour thirty minutes. If you follow the instructions carefully, and depending on your decisions, you can earn some money. During the experiment your earnings will be denoted in points. After the experiment your earnings will be converted into money at a rate of {{Constants.exchange_rate}} points are 1 Euro. You will in addition receive 4 Euros for your participation. Your earnings will be paid to you, privately and in cash, immediately after the experiment.
This experiment consists of 3 tasks. In each task you will receive points. The number of points you receive depends on the decisions you make. At the end of the experiment, the sum of the points you received in the three tasks will be exchanged into euros for payment.
During the experiment using paper and pens, calculators, and cell phones are strictly forbidden. If you use any such tools you will be immediately excluded from the experiment, and will not receive any earnings from the experiment.
If you have a question, please raise your hand and the experimenter will come to your desk.


This rule is handy when you are used to or would like to use the US English Layout but have one of the layouts with the big Return key . Then the Backslash (\) key next to the Return (⏎) becomes really annoying.
You can remap the backslash (\) key to return_or_enter with a Simple Modification and then enable this Complex Modification to make your backslash and pipe keys accessible when you press your right Command (⌘).


Generation of primes
Prime numbers are of great importance for cryptography.
The RSA cipher for example requires two big prime numbers for the generation of its key pair.
This dialog is grouped in two sections.
In the first section, you can generate as many prime numbers as you like and as big as you like.
This is done by first generating a random number and checking it and the subsequent numbers with a probabilistic prime number test, until a prime number candidate is found.
The second section is devoted to the question whether a formula exists, that can generate the n-th prime number.
Here you can generate quadratic polynomials of the general form
and test how many prime numbers they produce with various inputs.


Package with classes that are used within package Sensors. The classes in this package should not be directly used by a user.
| Name | Description |
|---|---|
| PartialAbsoluteSensor | Base class for absolute sensor models |
| PartialAbsoluteBaseSensor | Base class for absolute sensor models defined by equations (frame_resolve must be connected exactly once) |
| PartialRelativeSensor | Base class for relative sensor models |
| PartialRelativeBaseSensor | Base class for relative sensor models defined by equations (frame_resolve must be connected exactly once) |
| BasicAbsolutePosition | Basic sensor to measure absolute position vector |
| BasicAbsoluteAngularVelocity | Basic sensor to measure absolute angular velocity |
| BasicRelativePosition | Basic sensor to measure relative position vector |
| BasicRelativeAngularVelocity | Basic sensor to measure relative angular velocity |
| BasicTransformAbsoluteVector | Transform absolute vector into another frame |
| BasicTransformRelativeVector | Transform relative vector into another frame |
| ZeroForceAndTorque | Set force and torque to zero |
| PartialCutForceSensor | Base class to measure cut force and/or torque between two frames, defined by components |
| PartialCutForceBaseSensor | Base class to measure cut force and/or torque between two frames, defined by equations (frame_resolve must be connected exactly once) |
| BasicCutForce | Basic sensor to measure cut force vector (frame_resolve must be connected) |
| BasicCutTorque | Basic sensor to measure cut torque vector (frame_resolve must be connected) |


@COLconservative Yup. I'm thinking it's more voter fraud to be honest. But the majority of votes left standing are in majority Republican areas so I like our odds
I’m really nervous. I remember when Colorado was red and how things have changed so quickly. We turned into a mountain time zone version of California. It’s been sad to see what’s happening in a state I once loved. Georgia is playing a dangerous game, and this time it affects the entire nation.
@COLconservative Polis...Hancock...Griswold...Tay Anderson...C’de Baca...Hickenlooper... Neguse...most of the state legislature...All with their hands on the toilet lever.
Yea my anxiety is at it’s max!!!! Don’t see me sleeping tonight. Trying to keep positive but seeing how they’ve done all year long, won’t be shocked if they cheat. Wish martial law would be called and fix this mess cause I don’t have high hopes on the electoral college either.   US needs a revolution to get rid of corrupt politicians... Stand your ground untill justice is served... I wanna do the same but I am far far away in India.
I'd bet I'm more nervous. What part of colorado you in? I'm in westminster. Nice to see a fellow colorado conservative, very rare in colorado these days!
At 10:22 pm they showed Warnock a winner on Newsmax. Oh this makes me so sick. And they showed Perdue and Ossoff tied at 50%. with 98% turned in. I don't understand this. How can people vote for this Warnock who doesn't believe in God and wants to defund the police. The other fool never had a real job. The democraps and big tech pumped the money to someone. I guess money really talks. How sad if this country looses the constitution and turns in to a socialist country or communist country. I guess we will be answering to China.   Glad to live in Louisiana. At least where I live we very seldom have a shooting and people respect each other.
Very nervous!
Qui!
i feel a hard screwing coming on.... Thinking logically how and why would anything be different??
I am going crazy all the lead up to tomorrow 🙏🏻🙏🏻
Extremely, 🤞 tomorrow also huge.
I'm afraid we're going to lose the Senate tonight.
Yup. How is it such a nail bitter? It's GA ot should not be a nail bitter. The Republicans should be easily winning against known socialists.
Dont be, I'm just outside Atlanta ,dems didn't show up like they thought or hoped most Republicans voted early this time.
I’m really nervous. I remember when Colorado was red and how things have changed so quickly. We turned into a mountain time zone version of California. It’s been sad to see what’s happening in a state I once loved. Georgia is playing a dangerous game, and this time it affects the entire nation.
Yep
Yea my anxiety is at it’s max!!!! Don’t see me sleeping tonight. Trying to keep positive but seeing how they’ve done all year long, won’t be shocked if they cheat. Wish martial law would be called and fix this mess cause I don’t have high hopes on the electoral college either.  All of them should be on board with what’s going down tomorrow yet they sit with their tail between their legs
Too early for the suitcases? I will be on edge for the Patriots marching and the election results. The list is endless.
I am ... Even sitting in India. And I want not just the Senate but Trump back.
Are you going to join March for Trump?... Please do it.
I am afraid, Democrats will cheat Georgia also, just like they did on 3-4 November.
Just now Kelly goes down with 76% reporting and Purdue just 9000 votes ahead....
Democrats machinery will make sure that they win.. It's all fixed...
Yes, biting my nails. Regardless of the outcome, I believe chaos or war will ensue. Ready for the results/decisions NOW so we can get on with it.
Hey Colorado, i agree this is crazy time for Republican survival. Feels like the devil verses the good! Hope the good wins! Republicans unite👍!
I'd bet I'm more nervous. What part of colorado you in? I'm in westminster. Nice to see a fellow colorado conservative, very rare in colorado these days!
Just a bit
Yes. But it looks good now 10:03 Loffler up 3% over opponent. Purdue ahead by 100 thousand votes


Details
The first edition will be printed in black only on a variety of paper colors and sizes. Those will be saddled stitched together with some additional loose inserts.Paper dimensions
| Size | Width | Height |
| Small single page | 4” | 5.5” |
| Small spread | 8” | 5.5” |
| Large single page | 5.5” | 8.25” |
| Large spread | 11” | 8.25” |
Paper colors
WhiteGrey
Transparent
Beige
Pale green


Works on any browser that supports:
It is theoretically possible to run FarmBotJS in a Node environment, but we do not test against Node based setups.
npm install farmbot
Raise an issue if you require support with other package managers such as Bower. We don't support them currently, but can if there is a need.
Login using your API token from the Farmbot Web App.
Click here for instructions on how to generate an API token
Example:
import { Farmbot } from "farmbot";
var SUPER_SECRET_TOKEN = "eyJ0eXAiOiJKV1QiLCJhbGciOiJSUzI1NiJ9.eyJzdWIiOiJ0ZXN0MTIzQHRlc3QuY29tIiwiaWF0IjoxNDU5MTA5NzI4LCJqdGkiOiI5MjJhNWEwZC0wYjNhLTQ3NjctOTMxOC0xZTQxYWU2MDAzNTIiLCJpc3MiOiJodHRwOi8vbG9jYWxob3N0OjMwMDAvIiwiZXhwIjoxNDU5NDU1MzI4LCJtcXR0IjoibG9jYWxob3N0IiwiYm90IjoiYWE3YmIzN2YtNWJhMy00NjU0LWIyZTQtNThlZDU3NDY1MDhjIn0.KpkNGR9YH68AF3iHP48GormqXzspBJrDGm23aMFGyL_eRIN8iKzy4gw733SaJgFjmebJOqZkz3cly9P5ZpCKwlaxAyn9RvfjQgFcUK0mywWAAvKp5lHfOFLhBBGICTW1r4HcZBgY1zTzVBw4BqS4zM7Y0BAAsflYRdl4dDRG_236p9ETCj0MSYxFagfLLLq0W63943jSJtNwv_nzfqi3TTi0xASB14k5vYMzUDXrC-Z2iBdgmwAYUZUVTi2HsfzkIkRcTZGE7l-rF6lvYKIiKpYx23x_d7xGjnQb8hqbDmLDRXZJnSBY3zGY7oEURxncGBMUp4F_Yaf3ftg4Ry7CiA";
let bot = new Farmbot({ token: SUPER_SECRET_TOKEN });
bot
.connect()
.then(function () {
return bot.moveRelative({ x: 1, y: 2, z: 3, speed: 100 });
});
bot
.connect()
.then(function(bot){
console.log("Bot online!");
return bot.emergencyStop(); // You can chain commands.
})
.then(function(bot){
console.log("Bot has stopped!");
})
.catch(function(error) {
console.log("Something went wrong :(");
});
Call RPC commands using the corresponding method on bot
. All RPC commands return a promise. Timeout is set at 6000 ms
by default and can be reconfigured by changing the bot timeout
propery on instantiation or via bot.setState("timeout", 999)
.
Example:
bot
.home({ axis: "x", speed: 800 })
.then(function (ack) {
console.log("X Axis is now at 0.");
})
.catch(function (err) {
console.log("Failed to bring X axis home.");
})
Currently supported commands:
:star:See the documentation:star:
var bot = Farmbot({uuid: '---', token: '---'});
bot.on("eventName", function(data, eventName) {
console.log("I just got an" + eventName + " event!");
console.log("This is the payload: " + data);
})
// "I just got an eventName event!"
// "This is the payload: any javascript object or primitive"
bot.emit("eventName", "any javascript object or primitive");
var eventHandlers = bot.event("eventName");
// [function(){...}]
status
: Most important. When the REMOTE state changes (eg: "x" goes from 0 to 100), the bot will emit this event.*
: Catch all events (for debugging).ready
: Client is connected and subscribed to bot.logs
: The bot will send logs to this channel, usually from STDOUT
on the device.disconnect
: Connection lost. Note: FarmbotJS will try to auto-reconnect.malformed
: When the bot gets a bad RPC command, it will notify you via this channel.change
: The bot object's (local) internal state has changed, usually as a result of FarmBotJS configuration updates.<random uuid>
: RPC commands have UUIDs when they leave the browser. When the bot responds to that message, FarmbotJS will emit an event named after the request's UUID. Mostly for internal use.The bot object keeps all state in one place for sanity. This includes things like configuration options, current position, etc. All updates to the bot's state are broadcast with a change
event, that reports current and previous state value as it changes.
bot.getState()
: Get copy of Farmbot status variables (read only).bot.setState(name, value)
: Set state configuration 'A' to value 'B'. Ex: bot.setState('uuid', '---')
. Emits a change
event.Generated using TypeDoc


There is a robot on the moon.
You are given a String[]board containing the map of a rectangular area.
The robot is currently located somewhere in that area.
In the map, the character '.' (period) represents an empty square, 'S' represents an empty square that currently contains the robot, and '#' represents an obstacle.
We are going to send a sequence of commands to the robot.
Each command must be one of 'U', 'D', 'L', and 'R', representing a step up, down, left, and right, respectively.
Whenever the robot receives a command, one of three things will happen:
If the requested move leads to an empty square, the robot performs the move.
If the requested move leads to a square with an obstacle, the robot ignores the command and remains in place.
If the requested move leads out of the mapped area, the robot leaves the mapped area and dies immediately.
A sequence of commands is called safe if the robot is still alive after executing the entire sequence.
When sending commands to the moon, some of them may get lost along the way.
This may sometimes change a safe sequence of commands into an unsafe one.
We want to avoid that.
A sequence of commands is called perfectly safe if it is safe, and each of its subsequences is safe as well.
(Note that this includes subsequences that are not contiguous.)
Find and return the largest X such that there is a perfectly safe sequence of X commands.
If there are arbitrarily long perfectly safe sequences, return -1 instead.
Definition
ClassRobotOnMoon
MethodlongestSafeCommand
Parameters
String[]
Returns
int
Method signature
int longestSafeCommand(String[] board)
(be sure your method is public)
Limits
Time limit (s)2.000
Memory limit (MB)256
Notes
The direction 'U' corresponds to moving from board[i][j] to board[i-1][j]. The direction 'L' corresponds to moving from board[i][j] to board[i][j-1].
Constraints
board will contain between 1 and 50 elements, inclusive.
Each element of board will contain between 1 and 50 characters.
Each element of board will contain same number of characters.
Even though it is possible to leave this map, there are still arbitrarily long perfectly safe sequences of commands. For example, any sequence that does not contain any 'U' is perfectly safe.
input
board
{ "S" }
output
Returns
0
This problem statement is the exclusive and proprietary property of TopCoder, Inc. Any unauthorized use or reproduction of this information without the prior written consent of TopCoder, Inc. is strictly prohibited. (c)2003, TopCoder, Inc. All rights reserved.


Before Change
samples = self._draw_samples_image(rng, height, width)
x1, y1, x2, y2 = samples.to_crop_xyxy(image.shape)
image_cr = image[y1:y2, x1:x2, ...]
image_cr_pa = ia.pad(
image_cr,
top=samples.pad_top, right=samples.pad_right,
After Change
height, width = image.shape[0:2]
samples = self._draw_samples_image(rng, height, width)
image_cr = _crop_arr_(image, samples.crop_top, samples.crop_right,
samples.crop_bottom, samples.crop_left)
image_cr_pa = ia.pad(
image_cr,
top=samples.pad_top, right=samples.pad_right,


Mission to Mars: Houston, we have a problem
Aliens taught us that in space, no one can hear you scream. Mission to Mars teaches us something a little closer to home: that in the theatre, everyone can hear you scream. That's about the only fitting response to something like this, though. Quite simply, Mission to Mars played a lot better as a trailer--where things don't have to make sense--than full-length. It does have one cool effects shot (that dust tornado), but other than that it's just Contact and Total Recall meet 2001 and Sphere at Apollo 13's pad and sit down to watch some Abyss. And not even the director's version, either. Not that they pay much attention, anyway . . .
The year is 2020. We know this because the Isuzu's look different. And the mission is of course that first jump to the red planet. Remember all the hoopla a year or two back about the 'face' on Mars? It matters here. First, however, there's months and years of getting there. Though all the time in between is taken care of with subtitles ("X months later," etc), once the dialogue starts trying to account for that missing time, it'll feel like years. Clunky, contrived--the same kind of bad-idea lines Double Jeopardy required to 'account' for Ashley Judd's time in prison. Mission to Mars could have seriously benefited from condensing the action down to a day or two, then presenting the rest out of order. We are a sophisticated audience, after all; we can make sense, don't need everything laid out in obvious cause and effect order.
Too, and in large part due to all the forecasting which results from presenting everything in 1-2-3 fashion, it's not at all difficult to figure out who's dying here, who's staying where, all that. I mean, even without Mission to Mars, lots of the developments are cliché by now: did the captain not die in Supernova, in Pitch Black? was it a good idea in Event Horizon to send a grieving spouse into deep space? In addition, all the warm-fuzzy parts of Mission to Mars are cloying, to say the least: zero-grav dances, watching old home movies (per Strange Days), heart-to-hearts with the director of operations, a wholly ridiculous raising-the-flag scene, all that. It doesn't help any that these space-shuttles which the crew inhabits for long long months don't look all that lived in, as Ridley Scott might have done, but instead look as sterile as ever.
But that face: is it, as the trailer strongly intimates, our alien ancestors? When we first see it, yes, it does look cool enough to carry us over all the other already-apparent flaws in the movie. The problem is, it just doesn't really get any cooler, ever. I mean, yeah, our 'worthy' survivors here do eventually get inside, but, instead of having that jack up the action any, it's a long releases of tension. Now we know everyone's going to be OK. All that's necessary is the movie has to end for fifteen minutes, fifteen minutes which includes an ill-advised alien (long-finger, crying, a little too benign?) and a really bad answering-machine joke. And this is a movie which includes talent like Gary Sinise, Tim Robbins, Armin Mueller-Stahl? Regrettably, yes. To their credit, their performances are of course nothing less than we'd expect, it's just that what they're performing is perhaps the weakest space-movie to come along in a while. Including the direct-to-video slasher-in-space stuff. The one good thing about Mission to Mars is that DePalma finally rolls the credits at some arbitrary point, and you can leave. If you were careful, too, your fond memories of 2001 will still be intact. Mission to Mars is forgettable enough that that shouldn't be a problem.
(c)2000 Stephen Graham Jones, http://www.cinemuck.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Separating Axis Theorem.
Separating Axis Theorem.
<!DOCTYPE html>
<html>
<head>
<title>SAT</title>
<link rel="stylesheet" href="http://www.3daysofprogramming.com/playground/pg.css" type="text/css">
<!-- The line below is only needed for old environments like Internet Explorer and Android 4.x -->
<script src="https://cdn.polyfill.io/v2/polyfill.min.js?features=requestAnimationFrame,Element.prototype.classList,URL,Map,Set,Promise"></script>
<script src="https://cdnjs.cloudflare.com/ajax/libs/pixi.js/4.8.7/pixi.min.js"></script>
<script src="http://www.3daysofprogramming.com/playground/examples/resources/js/stats.js"></script>
</head>
<body>
<div id="container" class="main">
</div>
<script>
import {
drawLine,
drawGrid,
drawPoints,
drawPolygon,
generateBasis,
initApp
} from './utils/graphics/pixi/utils';
import {generatePoints} from './utils/graphics/pixi/figure';
import convexHull from './utils/graphics/2d/convex-hull';
import Shape from './utils/graphics/2d/shape';
import Vector from './utils/graphics/2d/vector';
import SAT from './utils/graphics/collision/sat';
var colorSet = [
0x8be9fd,
0x50fa7b,
0xffb86c,
0xff79c6,
0xbd93f9,
0xff5555,
0xf1fa8c ];
var app = initApp('#container');
var basis = generateBasis(app);
drawGrid(app);
var points1 = convexHull(generatePoints(5, [-200, -100, 300, 100]));
var points2 = convexHull(generatePoints(5, [-300, -100, 200, 100]));
drawPoints(app, basis, points1, {color: colorSet[1], size: 3});
drawPoints(app, basis, points2, {color: colorSet[5], size: 3});
drawPolygon(app, basis, points1.concat( [points1[0]]), {color: colorSet[1], size: 3});
drawPolygon(app, basis, points2.concat( [points2[0]]), {color: colorSet[5], size: 3});
var shape1 = new Shape(points1.map(function (p) { return new Vector(p.x, p.y); }));
var shape2 = new Shape(points2.map(function (p) { return new Vector(p.x, p.y); }));
var mtv = SAT.getMTV(shape1, shape2);
console.log(mtv);
if (mtv) {
var points = [].concat( mtv.shape.vertices );
var dx = mtv.axis.x * mtv.overlap;
var dy = mtv.axis.y * mtv.overlap;
drawLine(app, basis, {x: 0, y: 0}, {x: dx, y: dy}, {color: colorSet[3]});
points = points.map(function (p) {
var point = new Vector(p.x + dx, p.y + dy);
drawLine(app, basis, p, point, {color: colorSet[4]});
return point;
});
drawPoints(app, basis, points, {color: colorSet[4], size: 3});
drawPolygon(app, basis, points.concat( [points[0]]), {color: colorSet[4], size: 3});
}
</script>
</body>
</html>


Synthetic-Sport-Player
Installation
Documentation
License
Help
Synthetic-Sport-Player
»
Index
Index
B
|
C
|
D
|
E
|
F
|
G
|
L
|
M
|
N
|
P
|
R
|
S
|
T
|
W
B
bye (class in synthSportPlayer)
,
[1]
C
currentTourn (synthSportPlayer.liveSeason attribute)
,
[1]
currentTournComplete (synthSportPlayer.liveSeason attribute)
,
[1]
D
distributePoints() (synthSportPlayer.robin method)
,
[1]
E
export() (synthSportPlayer.season method)
,
[1]
F
fetchPlayerSummary() (in module synthSportPlayer)
,
[1]
G
gainPoints() (synthSportPlayer.player method)
,
[1]
gatherPoints() (synthSportPlayer.season method)
,
[1]
generatePlayers() (in module synthSportPlayer)
,
[1]
getMatchUpData() (in module synthSportPlayer)
,
[1]
getPlayerHist() (in module synthSportPlayer)
,
[1]
L
liveSeason (class in synthSportPlayer)
,
[1]
liveTourn (class in synthSportPlayer)
,
[1]
M
match (class in synthSportPlayer)
,
[1]
matchRec (synthSportPlayer.robin attribute)
,
[1]
(synthSportPlayer.tournament attribute)
,
[1]
N
numPlayers (synthSportPlayer.robin attribute)
,
[1]
P
perform() (synthSportPlayer.bye method)
,
[1]
(synthSportPlayer.player method)
,
[1]
permute() (synthSportPlayer.robin method)
,
[1]
player (class in synthSportPlayer)
,
[1]
playMatch() (synthSportPlayer.match method)
,
[1]
playRound() (synthSportPlayer.robin method)
,
[1]
(synthSportPlayer.tournament method)
,
[1]
playSeason() (synthSportPlayer.liveSeason method)
,
[1]
(synthSportPlayer.season method)
,
[1]
playTourn() (synthSportPlayer.liveTourn method)
,
[1]
(synthSportPlayer.robin method)
,
[1]
(synthSportPlayer.tournament method)
,
[1]
pointRec (synthSportPlayer.player attribute)
,
[1]
R
reset() (synthSportPlayer.robin method)
,
[1]
(synthSportPlayer.season method)
,
[1]
(synthSportPlayer.tournament method)
,
[1]
robin (class in synthSportPlayer)
,
[1]
round (synthSportPlayer.robin attribute)
,
[1]
(synthSportPlayer.tournament attribute)
,
[1]
S
season (class in synthSportPlayer)
,
[1]
seasonRes (synthSportPlayer.season attribute)
,
[1]
selfsummary() (synthSportPlayer.player method)
,
[1]
T
totalPoints (synthSportPlayer.player attribute)
,
[1]
tournament (class in synthSportPlayer)
,
[1]
tournRec (synthSportPlayer.robin attribute)
,
[1]
tournRecs (synthSportPlayer.season attribute)
,
[1]
tournRes (synthSportPlayer.tournament attribute)
,
[1]
W
week (synthSportPlayer.season attribute)
,
[1]
winLossRec (synthSportPlayer.robin attribute)
,
[1]


Krita Fill Discontiguous
A Krita plugin to replace a single color in one or multiple layers. This is is
useful for things such as pixel art, where you might want to change a color in
all layers.
Usage
Your current foreground color will be replaced in any selected layers. You can
use the eyedropper tool to select a color to replace. Next click the `Replace
foreground` button, and choose a color as a replacement.
Caveats
No native undo history
Currently there's no API to access the undo history. Which means when you apply
this plugins function you won't be able to use Krita's undo. Instead there's an
undo button in the Fill Discontiguous docker.
Accidentally merging colors
If you replace your foreground color with a color that already exists in your
piece, you won't be able to undo this change properly. This is because the
custom undo function reverses the color replacement. If the replacement color
was already there, it will be changed to the foreground color as well on
undo.


--- layout: paper title: Publications --- Collective Semantic Role Labelling with Markov Logic, , Proceedings of the 12th Conference on Computational Natural Language Learning (CoNLL) 2008 [pdf]
@inproceedings{riedel08collective, pages={193--197}, keywords={Markov Logic, Semantic Role Labelling, NLP}, year={2008}, author={Sebastian Riedel and Ivan Meza-Ruiz}, bdsk-url-1={http://www.aclweb.org/anthology/W/W08/W08-2125.pdf}, booktitle={Proceedings of the 12th Conference on Computational Natural Language Learning (CoNLL)}, title={Collective Semantic Role Labelling with Markov Logic}, }


Around the World in 80 Days
by Jules Verne
Chapter 4: In Which Phileas Fogg Astounds Passepartout, His Servant
Additional Information
- Year Published: 1873
- Language: English
- Country of Origin: France
- Source: Verne, J. (1873) Around the World in 80 Days Paris, France: Routledge
-
Readability:
- Flesch–Kincaid Level: 8.0
- Word Count: 1,058
- Genre: Adventure
- Keywords: 19th century literature, adventure, french literature
- ✎ Cite This
Downloads
Having won twenty guineas at whist, and taken leave of his friends, Phileas Fogg, at twenty–five minutes past seven, left the Reform Club.
Passepartout, who had conscientiously studied the programme of his duties, was more than surprised to see his master guilty of the inexactness of appearing at this unaccustomed hour; for, according to rule, he was not due in Saville Row until precisely midnight.
Mr. Fogg repaired to his bedroom, and called out, "Passepartout!"
Passepartout did not reply. It could not be he who was called; it was not the right hour.
"Passepartout!" repeated Mr. Fogg, without raising his voice.
Passepartout made his appearance.
"I've called you twice," observed his master.
"But it is not midnight," responded the other, showing his watch.
"I know it; I don't blame you. We start for Dover and Calais in ten minutes."
A puzzled grin overspread Passepartout's round face; clearly he had not comprehended his master.
"Monsieur is going to leave home?"
"Yes," returned Phileas Fogg. "We are going round the world."
Passepartout opened wide his eyes, raised his eyebrows, held up his hands, and seemed about to collapse, so overcome was he with stupefied astonishment.
"Round the world!" he murmured.
"In eighty days," responded Mr. Fogg. "So we haven't a moment to lose."
"But the trunks?" gasped Passepartout, unconsciously swaying his head from right to left.
"We'll have no trunks; only a carpet–bag, with two shirts and three pairs of stockings for me, and the same for you. We'll buy our clothes on the way. Bring down my mackintosh and traveling–cloak, and some stout shoes, though we shall do little walking. Make haste!"
Passepartout tried to reply, but could not. He went out, mounted to his own room, fell into a chair, and muttered: "That's good, that is! And I, who wanted to remain quiet!"
He mechanically set about making the preparations for departure. Around the world in eighty days!  No. Was this a joke, then? They were going to Dover; good! To Calais; good again! After all, Passepartout, who had been away from France five years, would not be sorry to set foot on his native soil again. Perhaps they would go as far as Paris, and it would do his eyes good to see Paris once more. But surely a gentleman so chary of his steps would stop there; no doubt—but, then, it was none the less true that he was going away, this so domestic person hitherto!
 Under his arm might have been observed a red–bound copy of Bradshaw's Continental Railway Steam Transit and General Guide, with its timetables showing the arrival and departure of steamers and railways. He took the carpet–bag, opened it, and slipped into it a goodly roll of Bank of England notes, which would pass wherever he might go.
"You have forgotten nothing?" asked he.
"Nothing, monsieur."
"My mackintosh and cloak?"
"Here they are."
"Good! Take this carpet–bag," handing it to Passepartout. "Take good care of it, for there are twenty thousand pounds in it."
Passepartout nearly dropped the bag, as if the twenty thousand pounds were in gold, and weighed him down.
Master and man then descended, the street–door was double–locked, and at the end of Saville Row they took a cab and drove rapidly to Charing Cross. The cab stopped before the railway station at twenty minutes past eight.  I'm glad that I met you;" and passed on.
Passepartout had a moist sensation about the eyes; his master's action touched his susceptible heart.
Two first–class tickets for Paris having been speedily purchased, Mr. Fogg was crossing the station to the train, when he perceived his five friends of the Reform.
"Well, gentlemen," said he, "I'm off, you see; and, if you will examine my passport when I get back, you will be able to judge whether I have accomplished the journey agreed upon."
"Oh, that would be quite unnecessary, Mr. Fogg," said Ralph politely. "We will trust your word, as a gentleman of honour."
"You do not forget when you are due in London again?" asked Stuart.
"In eighty days; on Saturday, the 21st of December, 1872, at a quarter before nine p.m. Good–bye, gentlemen."
Phileas Fogg and his servant seated themselves in a first–class carriage at twenty minutes before nine; five minutes later the whistle screamed, and the train slowly glided out of the station.
The night was dark, and a fine, steady rain was falling. Phileas Fogg, snugly ensconced in his corner, did not open his lips. Passepartout, not yet recovered from his stupefaction, clung mechanically to the carpet–bag, with its enormous treasure.
Just as the train was whirling through Sydenham, Passepartout suddenly uttered a cry of despair.
"What's the matter?" asked Mr. Fogg.
"Alas! In my hurry—I—I forgot—"
"What?"
"To turn off the gas in my room!"
"Very well, young man," returned Mr. Fogg, coolly; "it will burn—at your expense."


Demonstration Text
In a ProseMirror document, you can have the
usual strong and emphasized text, code
font
, and links. There
are also images: .
| Column one | Column two |
| 11 | "foo" |
| 32 | "xyz" |
On the block level you can have:
- Ordered lists (such as this one)
- Bullet lists
- Blockquotes
- Code blocks
- Horizontal rules
That is about it, though you can also bind extra commands and menu items that insert custom raw HTML blocks. These are not editable inside the editor, only though site-defined interface elements.
The Interface
The current interface will show a widget for inline styling when you select a piece of text. It will keep a “hamburger button” floating to the right of the currently focused block, though which you can manipulate block-level structure.
There are also a number of keys bound to commands, which can be customized. Here are a few examples:
Ctrl-B
andCtrl-I
for strong and emphasizedAlt-Left
to dedent a blockAlt-Up
to join it to a similar block above itAlt-Right
plus a second keypress to wrap a block- “*” for bullet list
- “1” for numbered list
- “>” for blockquote
Ctrl-Enter
to insert a hard breakCtrl-Z
andCtrl-Y
to un- and redo
And finally, there is support for defining “input rules” where some types of typed input cause something to happen. This demo has automatic quotes enabled, so that when you type single or double quotes in a non-code context, they'll be converted to the appropriate Unicode quote, and allows you to start a list or a quote by typing “>”, “*”, or “1.”, followed by a space, at the start of a paragraph.
The Model
Blockquotes and lists can nest arbitrarily deep. Thus, the document forms a tree, not dissimilar to the browser's DOM tree.
At the inline level, the model works differently. Each block of text is a single node containing a flat series of inline elements. These are serialized as a tree structure when outputting HTML.
Positions in the document are represented as a path (an array of offsets) through the block tree, and then an offset into the inline content of the block. Blocks that have no inline content (such as horizontal rules and HTML blocks) can not have the cursor inside of them. User-exposed operations on the document preserve the invariant that there is always at least a single valid cursor position.
Examples
We did not see a nested blockquote yet.
Nor did we see a code block
Note that the content of a code block can't be styled.
This paragraph has
a hard break inside of it.


HATE A film review by Ben Hoffman Copyright 1996 Ben Hoffman
The world is becoming more and more difficult in which to live. It is obvious to us here in the U.S.A.: the graffiti and gangs, the riots with police, the gangs, the illiteracy, etc. But we are not alone. The whole planet appears to have caught the illness that has become so pervasive. Watching HATE, a French film, we are easily able to relate to the problems the film shows exist there; they are the same ones we have. Even their manner of dress is American in style. As the saying goes, the rich get richer and the poor have children and something has got to give one of these days.
First we are shown a riot. It is said that during the riot a policeman shot a young Arab who is now in a hospital fighting for his life. He has three friends who live in a housing project that, although fairly new, already is beginning to look shabby. The three friends are of different ethnic origins but are, nevertheless, very close. There is Vinz (Vincent Cassel) who is Jewish, Hubert (Hubert Kounde) who is black, and Said (Said Taghmaoui), an Arab. They are ominously angry about the shooting.
There have been many riots and there has been much shooting but this time it is not the same as usual because the policeman in the fray lost his Smith & Wesson 44 and the three friends have it. That makes a big difference as we shall see.
Written and directed by Mathieu Kassovitz
In French with English subtitles
3 bytes 4 Bytes = Superb 3 Bytes = Too good to miss 2 Bytes = Average 1 Byte = Save your money
Ben Hoffman
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China will promote globalization of Shanghai’s financial markets: Xi
by ReutersChina’s President Xi Jinping said on Sunday that the country will promote the globalization of Shanghai’s financial markets through the Belt and Road Initiative, and the city should strive to master the core links of the industry chains.
The financial hub should courageously jump into the ocean of the world’s economy and fight the storms to build strong tendons and strengthen the bones, Xi said on a tour in Shanghai ahead of an import fair next week.
The newly expanded free trade zone (FTZ) in the city will serve as a hub to develop the onshore and offshore businesses in a coordinated way and a springboard for corporate overseas ambitions, Xi said.


Maestro Ishuma
Mammon Tribe is mistaken. People should go with the flow into the world, not the other way around.


Linear Algebra Library for OpenGL in C
30th Spetember 2018
A linear algebra library created for Assignment-1 of TIP-Intro to Open Source.It took about 2 weeks to complete. Our mentor Anish Bhobhe had aldready provided Vec2f declerations so I didn't have to start from scratch. For the first week I periodically kept working on vector functions. Started off by using for loops in every function uptill Vec3f. Most of the functions had to be hard-coded( no for loops) so rewriting function definitions was tedious but worth it because of the performance gain. I spent the major part of the weekend working on Matrix implementation. I still have to implement test cases for 2D matrix but that shouldn't take long given I've finished test cases for 3D and 4D matrices. The library currently contains 2D,3D,4D vectors and matrices which can be converted to GlSl arrays.
The repo can be found here.
First Collabrative Project - MicroWars
25th July 2018


THE SIXTH DAY RATING: 6/10 --> Barely recommendable
For more reviews and movie news, visit http://www.joblo.com/
Es tu, Arny? What the heck happened to these guys after the late 80s, early 90s? Remember when Sly, Arny and Bruce ruled the box-office? Well, Bruce is actually still kickin' some mighty tail, but Arny has gone "soft" and doesn't want to be seen blowing away a zillion guys with one machine gun anymore. Of course, his newfound morality is commendable, but it doesn't appear as though he has completely made up his mind just yet. Both END OF DAYS and this film seem to be hinting at this so-called "new" Arnold, but in the end, they just give us the same "old" Arnold, but with much less fire-power and oomph. The result? Well, in the case of both of these films...pretty lackluster.
PLOT: Set sometime in the near future, this film features a world in which cloning your dead pets minutes after they pass on is considered normal. Human cloning, on the other hand, is forbidden, but do you think that will stop the rich evil guy and the unethical doctor from having some fun of their own? Not a chance! Unfortunately for them, one of the dudes on whom they decide to test their brand of fun is named Arnold Schwarzenegger (in real life, that is). And yup, you guessed it...Arny is not happy about having another "man" take over his life.
CRITIQUE: A really great premise, some cool futuristic doodads in the first half hour and a surprisingly strong humor element don't make up for this film's cheesy production value, stereotypical bad guys, weak score and lack of energy in the second half. Not exactly sure what went wrong here but I was really enjoying this movie during its first thirty minutes or so. There were plenty of cool technological gadgeteries presented, a nice setup for the whole cloning scenario and one of the creepiest "dolls" to ever see the day of light (her name is Sim-Pal Suzie and trust me...you won't ever forget her). Even Arnold seemed to be back to his old self. Delivering goofy lines, being that burly nice guy husband we all love so much and setting us up for some good ol' fashioned cloning fun. But the bottom seemed to drop out of this film at around the halfway point. It's as if they didn't have enough budget and decided to place everyone in one building and have them run around playing laser tag. And how annoying were those laser guns and repetitive scene transitions? Plenty, but not as bad at the obvious blue screen used in some of the later helicopter stunts. I mean, c'mon people, is this a Hollywood movie or a phony baloney TV production set to the big screen? Not enough gloss, not enough punch, not enough of much.
And I'm really kinda pissed about it all because the film did actually seem to have quite a bit of potential. It's a great subject for a movie, one that actually manages to spark several cool moments throughout, but too much talking and not enough interesting developments in the story ultimately stunt the film's growth. Arny was pretty good as his character(s) but the film never really seemed to emit any sense of impending doom. Maybe it was because the characters weren't that well developed. Maybe it was because the bad guys were so cheesy (red and blue hair, people...c'mon...get with the program!), or maybe it was because the film didn't look that believable after its gratifying start. Whatever it was, it certainly didn't prevent me from enjoying enough of the film to recommend it just slightly, especially to Arny fans. But there is no revolutionary sci-fi flick in here, folks. Just another dud to add to the long list of sub-mediocre sci-fi movies plaguing the industry this year. But I did enjoy this film's many funny lines (and yes, Arny even says "I might be back" at some point), its cool techno fun stuff early on and its intriguing proposition. Sadly, it is in its execution that this film ultimately fails. Video fodder for sure, but nothing more than that. I do however look forward to a real good cloning movie in the future. In the meantime, I'm gonna go out and rent TOTAL RECALL again. Now there's a great sci-fi flick!
Oh yeah, and if you're looking for an "action" movie, this one doesn't fit that bill either. Unless of course, you consider laser tag gun games "action". And where was this clone fight between Arnold and himself that I had heard so much about? Hmmmm...wasn't in our copy.
Little Known Facts about this film and its stars: Director Roger Spottiswoode is probably best known for directing James Bond in TOMORROW NEVER DIES. Which made people forget about him directing STOP OR MY MOM WILL SHOOT! and TURNER AND HOOCH. He used to be married to actor Jack Palance's daughter, but they divorced in 1997. Screenwriters Cormac Wibberley and Marianne Wibberley are man and wife. This film was originally titled ON THE SIXTH DAY.
Review Date: November 13, 2000 Director: Roger Spottiswoode Writers: Cormac and Marianne Wibberley Producers: Arnold Schwarzenegger, Jon Davison & Mike Medavoy Actors: Arnold Schwarzenegger as Adam Gibson Michael Rapaport as Hank Robert Duvall as Dr. Graham Weir Genre: Science-Fiction Year of Release: 2000 ------------------------------------ JoBlo's Movie Emporium http://www.joblo.com/ ------------------------------------ (c) 2000 Berge Garabedian
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews