--- layout: default permalink: /404.html title: 404 - Page not found description: "The requested resource is not available on the server." --- 404 - Page not found You can try searching: Or visit: Home Download Documentation Community To report an issue with the website, please open an issue on GitHub.
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Or visit:
To report an issue with the website, please open an issue on GitHub.


- What is ToteJob? 🤔
-
We can help you with some of your chores! 🙌
- Do your shopping 🛒
- Pickup your laundry from the dry cleaner 🧦
- Pickup or drop off your parcel 📦
- How much does it cost? 💰
-
£5 / bag *
* 1 bag = Max. 15 pounds. Only £3 / bag if weight is less than 3 pounds! 😊
👉 Here's an example:
You need cereal, gherkins, mustard, soap, toilet paper, green tea and tampons from Tesco:
Approx. 10 pounds ----------------- ToteJob fee: £5
Another one 👇
It's a lazy Sunday morning and you and your SO need a cappuccino, a mocha + 2 croissants from your favourite cafe ❤
Approx. 2.3 pounds ------------------ ToteJob fee: £3
👉 Total ToteJob fee excludes the price of the items! 👈
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When we deliver the stuff you can either pay by cash or online using your debit card or PayPal.
We also accept the most common cryptocurrencies!
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Currently we are operating in N7, London, UK.
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No sign up, no app download! 😉 Simply send us a text and tell us:
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Just drop us a message, we are happy to answer any questions!


Apache YuniKorn (Incubating) Release Notes v0.8.0
This is the first release of Apache YuniKorn (Incubating).
Overview
The Apache YuniKorn (Incubating) community has fixed 60 JIRAs in this release: YuniKorn jiras fixed in 0.8.0
Highlights
Queues and placement rules
With this new dynamic queue management feature, users can set up placement rules to delegate queue management.
This enables use cases like mapping a K8 namespace to a YuniKorn queue without the need to pre-create all queues.
Queues are created based on placement rules when required for running an application. Dynamic queues are deleted when no longer required.
Pluggable Application Management
A pluggable app management framework is being added to this release, with this feature, YuniKorn can be easily integrated with 3rd party K8s operators, such as Spark-k8s-operator, Flink-k8s-operator, etc.
Resource Reservation
Reservation is the methodology used to avoid large/picky resource requests being starved in the batch scheduling scenario.
One node is reserved for a specific request from an application, effectively removing it from the available node list for other applications.
Pluggable Node Sorting Policies
There are 2 builtin node sorting policies (FAIR and BinPacking) available in YuniKorn with regards to allocation distribution.
The node sorting policies are pluggable, users can implement their own policies and plug that into the scheduler.
Improved Scheduling Performance
When running Big Data batch workloads, e.g Spark, on K8s, scheduler throughput becomes one of the main concerns.
In YuniKorn, there are lots of optimizations to improve the performance, such as a fully async event-driven system and low-latency sorting policies.
Based on our test using Kubemark, YuniKorn is 2x+ faster than the default K8s scheduler.
Community
Since the birth of the YuniKorn project, the feedback has been well-received. We are thankful to have such a diverse community where we have members from Microsoft, LinkedIn, Alibaba, Apple, Tencent, Nvidia, and Cloudera, to help and guide the project’s growth.
Many thanks to everyone who contributed to the release, and everyone in the Apache YuniKorn (Incubating) community!
This release is a result of direct and indirect efforts from many contributors, listed below are those who contributed directly by submitting patches: Adam Antal, Akhil Puthenveettil Balan, Bhuvan Mysore, Jetly Jaimin, Kinga Marton, Sunil Govindan, Tao Yang, Tarun Parimi, Wangda Tan, Wanqiang Ji, Weiwei Yang, Wilfred Spiegelenburg, Vinod Kumar Vavilapalli.
Thanks for our mentors Felix Cheung, Holden Karau, Jason Lowe, Junping Du for helping us to set up repositories, permissions, and guide us on how to do the development and release the Apache way.


Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Serves
Serves 4
For the white wine sauce, heat a heavy-based pan over a medium heat, then add the oil.
Add the shallots and fry gently for 3-4 minutes, or until softened.
Add the vermouth and fish stock and bring the mixture to the boil. Reduce the heat until the mixture is simmering, then continue to simmer for 15-20 minutes, or until the volume of liquid has reduced and the sauce resembles syrup.
Add the cream, then return the mixture to the boil. Reduce the heat until the mixture is simmering, then simmer again for a further 6-8 minutes, or until the volume of liquid has reduced by about half and the sauce has thickened. Season, to taste, with salt and freshly ground black pepper.
Strain the mixture through a fine sieve into a clean bowl. Stir in the mustard and chopped dill until well combined.
Meanwhile, for the scallops, preheat the oven to 200C/400F/Gas 6.
Slip a thin, sharp knife between the scallop shells, then twist to prise the scallop shells apart.
Cut through the large white muscle that attaches the scallop to one of the shells, then scoop out the meat using a spoon.
Wash the scallop well, then separate the white meat from the outer skirt and roe (the skirt and roe can be frozen and used in another dish).
Rinse the scallops and pat them dry with kitchen paper. Rinse out four of the shells and pat them dry (the other shells can be discarded). Cut each scallop in half horizontally to form two thinner scallops.
Heat the oil in a frying pan over a low heat. Add the carrot and leek and fry for 3-4 minutes, or until softened but not coloured. Set aside to cool.
Spoon the cooled carrot and leek mixture into the four scallop shells, then arrange four pieces of scallop on top of each in a circle. Spoon over three tablespoons of the white wine sauce, then cover each with the remaining shell.
Roll out the puff pastry onto a lightly floured work surface to a 0.5cm/½in thickness. Cut it into four thin strips.
Wrap one of the pastry strips around each scallop and seal the edges by pressing them together using your fingers (this will secure the two shells together).
Brush the pastry strip all over with the beaten egg yolk. Place all of the scallops onto a baking tray, then transfer to the oven and cook for 8-10 minutes, or until the pastry has risen and is golden-brown and the scallops are just cooked through.
To serve, pile the seaweed or rock salt into the centre of four serving plates (if using rock salt, sprinkle it with a little water to stop the scallop from moving about). Cut the pastry seals of the scallops using a sharp knife, but keep the scallops closed. Place one onto each pile of seaweed or rock salt.


The simpliest way to interact with opencut is to write a YAML description of the cuts you would like. More advanced users can use the javascript API directly if they find they have more complex needs than can be easily described directly.
overview
A top level Job
object defines the workspace parameters and the cuts we would like to have made. It is defined as follows:
- units {enum} - The unit of measurement to use ["mm", "inches"]
- bit_diameter {number} - The diameter of the cutting bit
- feed_rate {number} - The X/Y feed rate in units per minute
- plunge_rate {number} - The Z plunge rate in units per minute
- z_step_size {number} - How far down to cut in each pass
- safety_height {number} - A safe height for free gantry movement
- default_depth {number, optional} - The default depth for cuts if a depth is not specified
- name {string, optional} - The name of this job
- cuts {Cut, repeated} - A list of cuts to make
Cut
- type {string} - The name of the cut to make
- depth {number} - The depth of the cut to make
- z_step_size {number} - Override the default step size in each Z pass
- z_top {number} - The top of each cut (default=0)
- [cut type specific parameters]
Shape
- type {enum} - The type of shape ["rectangle", "circle"]
- [shape specific parameters]
Shape[circle]
- center {array<number>} - A point where the center of the circle should be
- radius {number} - The radius of the circle from the center point
Shape[rectangle]
- origin {array<number>} - A point where the bottom-left corner should be
- size {array<number>} - The [width, height] of the rectangle
cut types
drill
Drill cuts will move the cutter to each specified point, then drill down making a hole the size of the cutting bit.
- points {array<array<number>>} - A list of points to drill at
units: inch bit_diameter: 0.125 feed_rate: 15 plunge_rate: 5 cuts: - type: drill depth: -0.25 points: [[0.125, 0.125], [0.125, 1.375]]
path
Path cuts will move the cutter along the specified path in multiple passes to reach the specified depth.
- points {array<array<number>>} - A list of points to drill at
units: inch bit_diameter: 0.125 feed_rate: 15 plunge_rate: 5 z_step_size: 0.1 cuts: - type: path depth: -0.2 points: [[0.375, 0.375], [0.625, 0.75], [0.375, 1.125]]
profile
Profile cuts will move the cutter such that the cut is to one side or the other of a shape. For example, if cutting a circle, the cutter could cut out the inside to make a hole of the specified size, or it could cut around the outside to make a plug of the specified size.
- side {enum} - Which side of the shape to cut ["inside", "outside"]
- corner_compensation {bool} - True to cut all the way to the corner, compensating for bit size
- shape {Shape} - The shape to cut
units: inch bit_diameter: 0.125 feed_rate: 15 plunge_rate: 5 z_step_size: 0.1 cuts: - type: profile side: outside depth: -0.25 shape: {type: circle, radius: 0.25, center: [1.5, 0.75]} - type: profile side: inside depth: -0.25 corner_compensation: true shape: {type: rectangle, origin: [0, 0], size: [3, 1.5]}
Pocket cuts are used to cut away material from inside a shape. This is useful when you don't want to cut all of the way through your workpiece.
- corner_compensation {bool} - True to cut all the way to the corner, compensating for bit size
- shape {Shape} - The shape to cut
units: inch bit_diameter: 0.125 feed_rate: 15 plunge_rate: 5 z_step_size: 0.1 cuts: - type: pocket depth: -0.125 corner_compensation: true shape: {type: rectangle, origin: [0.25, 0.25], size: [0.5, 1]} - type: pocket depth: -0.125 shape: {type: circle, radius: 0.5, center: [1.5, 0.75]}
advanced
For those who find this level of expression too limiting, the javascript API allows for additional cut types to be specified. It is also possible to compose a series of cuts into a new cut type. Please reference the github source code for more details.


Below we have provided a survey for you to help us decide which products you would like to see moving forward with our Bus Mall magazine.
All you need to do is click on one of the three images provided that you would most like to see featured in our magazine. Once you have made 25 selections a chart will appear showing the most popular items. Thank you for your help and support.


Small Business Partner
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We at Extra Space Storage value the relationship we have with our customers and web site visitors. We are committed to responsible information handling practices. We take the privacy of our customers very seriously and want you to feel comfortable whenever you visit our web site, access our online services, or participate in our online offerings. Although our web site has unique services and offerings, they share a similar privacy philosophy. Therefore, we drafted this corporate online privacy statement to describe Extra Space Storage's general privacy approach to the information practices of our web site. To review our web site privacy policy, please click here.
Our approach to responsible information handling is based on the United States Federal Trade Commission's Fair Information Practices, the cornerstone of which is providing notice of our information practices and other privacy aspects in order to allow individuals to make informed decisions regarding their personal information (i.e., information that specifically identifies an individual, such as an individual’s name, address, telephone number or e-mail address). When you visit our web site, information may be requested of you in order for you to participate more fully in our online offerings and services. When we collect information from you, we let you know what is being collected, how it is collected, for what purpose(s) it is collected, and to whom it may be disclosed. We also identify the information that is necessary to fulfill your request. Whenever we request additional or optional information, we mark such information as voluntary so that you know it is not required to receive the requested service.
You may browse our web site without providing personal information to us. However, if you want to receive our online products and services, or participate in other online activities (e.g., surveys and contests), we may request that you provide us with information about yourself. Providing this information is optional and not a requirement to visit our web site. When you provide personal information to us that may be used for secondary purposes (i.e., uses not related to the purpose for which the information was collected), we give you the opportunity to opt-out of such uses.
We have a variety of mechanisms for you to modify and update the contact information that you have provided to us and are in the process of developing more mechanisms to update your personal data. When you visit our web site, we let you know in our privacy policy how you may currently modify the personal information that you have provided.
We recognize industry standards and employ security safeguards to protect personal information from unauthorized access and misuse. Furthermore, we take measures to ensure that the information used to process your request is accurate and current.


--- layout: post title: This is it tags: [] status: publish type: post published: true meta: dsq_thread_id: '17413712' ---
And here we go. I have things to say...they're going to get said. This is a blog primarily about my interests. Technology, life, and family.
Mostly about the stuff I'm currently researching and prototyping for my job with IBM. Clearly never any specifics, etc. about such projects, but enough depth and to wet your taste to come back. Heck, you may even subscribe.
So, without further adieu...16cards.


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Harry Potter is a progression of imagination books composed by English writer J. K. Rowling. The books narrative the lives of a youthful wizard, Harry Potter, and his companions Hermione Granger and Ron Weasley, every one of whom is understudies at Hogwarts School of Black magic and Wizardry. The fundamental story curve concerns Harry's battle against Lord Voldemort, a dull wizard who expects to wind up undying, topple the wizard administering body known as the Service of Enchantment and oppress all wizards and Muggles (non-mysterious individuals).


Officer K D 6 - 3 . 7. Let’s begin. Ready?
Yes, sir
Recite your baseline.
And blood-black nothingness began to spin
A system of cells interlinked within cells,
interlinked within cells, interlinked within one stem.

And dreadfully distinct against the dark, a tall white fountain played...
Cells.
Cells.
Have you ever been in an institution?
Cells.
Cells.
Do they keep you in a cell?
Cells.
Cells.
When you're not performing your duties, do they keep you in a little box?
Cells.
Cells.
Interlinked.
Interlinked.
What's it like to hold the hand of someone you love?
Interlinked.
Interlinked.
Did they teach you how to feel, finger to finger?
Interlinked.
Interlinked.
Do you long for having your heart interlinked?
Interlinked.
Interlinked.
Do you dream about being interlinked?
Interlinked.

Interlinked.
Interlinked.
Do you feel that there's a part of you that's missing?
Interlinked.
Interlinked.
Within cells interlinked.
Within cells interlinked.
Why don't you say that three times: "within cells interlinked"
Within cells interlinked.
Within cells interlinked.
Within cells interlinked.
We're done.
Constant K.
You can pick up your bonus.
Thank you, sir.
Cells
Cells
Have you ever been in an institution. Cells
Cells
When you're not performing your duties, do they keep you in a little box? Cells.
Cells
Interlinked. What’s it like to hold the hand of someone you love?
 Dreadfully
Dreadfully
Do you like being separated from other people? Distinct
Distinct
Dreadfully distinct
Dreadfully distinct
Dark
Dark
Within cells interlinked
Within cells interlinked
Withing one stem
Withing one stem
And dreadfully distinct
And dreadfully distinct
Against the dark
Against the dark
A tall white fountain played
A tall white fountain played
You're not even close to baseline


f
Static Method Summary
| Static Public Methods | ||
| public static |
method(a: *, b: *, sssc: *): * |
Static Public Methods
public static method(a: *, b: *, sssc: *): * source
Params:
| Name | Type | Attribute | Description |
| a | * | ||
| b | * | b param |
|
| sssc | * |
|
Return:
| * |


| exibble {gt} | R Documentation |
This tibble contains data of a few different classes, which makes it
well-suited for quick experimentation with the functions in this package. It
contains only eight rows with numeric, character, and factor columns. The
last 4 rows contain NA
values in the majority of this tibble's columns (1
missing value per column). The date
, time
, and datetime
columns are
character-based dates/times in the familiar ISO 8601 format. The row
and
group
columns provide for unique rownames and two groups (grp_a
and
grp_b
) for experimenting with the gt()
function's rowname_col
and
groupname_col
arguments.
exibble
A tibble with 8 rows and 9 variables:
a numeric column ordered with increasingly larger values
a character column composed of names of fruits from a
to
h
a factor column with numbers from 1 to 8, written out
character columns with dates, times, and datetimes
a numeric column that is useful for testing currency-based formatting
a character column in the format row_X
which can be
useful for testing with row captions in a table stub
a character column with four grp_a
values and four
grp_b
values which can be useful for testing tables that contain
row groups
11-6
Other Datasets:
countrypops
,
gtcars
,
pizzaplace
,
sp500
,
sza
# Here is a glimpse at the data # available in `exibble` dplyr::glimpse(exibble)


--- title: annotator-meltdown-zotero description: Add zotero citations when editing annotations with annotator-meltdown ---
Annotator.js plugin for Zotero integration when editing formatted annotations with annotator-meltdown. Designed for use with Annotator 2.x releases.
Distributed under the Apache 2.0 License.
View the Project on GitHub emory-lits-labs/annotator-meltdown-zotero
version {{ site.data.package.version }}Search for and include Zotero citations in annotator.js annotations edited with annotator-meltdown. This plugin uses the Zotero web API to search for items and embed them in your annotation. It will add an editable in-text citation link, and a works cited with a full, structured citation generated by Zotero. When annotations are saved, a structured version of each identifiable citation (currently in TEI) will be added to the annotation as extra data.
The calling application is responsible for providing user or group ids and access tokens to the plugin.
See how it works in this simple demo.
Don't have a Zotero account yet?
This annotator plugin requires some additional javascript and CSS dependencies. A minified version of the combined javascript and CSS dependencies excluding Bootstrap are provided for convenience.
Include the appropriate CSS and Javascript files:
{% highlight html %} {% endhighlight %}To use this plugin in your Annotator project, configure annotator-meltdown as documented and then include the annotator-meltdown-zotero module and configure it with user or group id and tokens, as appropriate for your use.
{% highlight html %} var app = new annotator.App(); app.include(annotator.ui.main,{ viewerExtensions: [ annotatormeltdown.viewerExtension ], editorExtensions: [ annotatormeltdown.getEditorExtension({min_width: '500px'}) ] }) .include(annotatorMeltdownZotero, { // enable annotator-meltdown-zotero // specify *either* a group id or a user id; provide a token for private access // group_id: , // user_id: ###, token: '', // disabled_message: 'optional custom message could go here', }); app.start(); {% endhighlight %}Created by Rebecca Sutton Koeser (@rlskoeser), 2016. Originally developed for readux.


This is a stack-overflow-lite question heading
Can someone help me with this problem? It is a blocker to progress. Here are the details...
Vote Up 4 Vote downStackOverflow-lite is a platform where people can ask questions and provide answers.
Can someone help me with this problem? It is a blocker to progress. Here are the details...
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--- layout: post title: StoryMashup date: 2006-09-20 00:00:00 categories: digital-media mobile play ---
StoryMashup: "Manhattan Story Mashup is an urban game, taking place on September 23rd 2006 in Manhattan, New York City. During the event, approximately 250 players will move around Manhattan, taking photos which match a given target. Targets are words from stories, written by you and other visitors on this web site collaboratively while the game goes on. The resulting illustrated stories are shown on large public signs in Times Square in real-time and on this web site."


I hereby consent to participate in a usability test conducted by Wendy Gao, Michael Zhang, Valerie Lin, Victor Gong, Angad Singh, for an assignment in University of
Toronto Computer Science 396, Designing Systems for Real World Problems.
I agree to participate in this study the purpose of which is to give the facilitators my feelings for using this app, in order to help them for the further
improvements of this app.
I understand that
• The procedures to be used are an approximately 15-minute semi-structured interview and a questionnaire with about 5 questions. The interview might be recorded
for further studies, but will be used for the project ONLY.
• I will receive no compensation for my participation.
• I am free to withdraw before or any time during the study without the need to give any explanation.
• All materials and results will be kept confidential, and, in particular, that my name and any identifying or identified information will not be associated with
the data.


IU Releases Teaser For "Above The Time"
by crisis911IU has just released another teaser video for her upcoming song "Above The Time" which will be featured on her new album "Love, Poem".
IU'sAbove The Time (or Outside of Time) is the sequel to her 2011 song "YOU & I". IU also mentioned that she started working on “Outside the Time” in 2018, while thinking of the date that appeared at the end of the “YOU & I” music video (December 31, 2019).
She also revealed that Lee Hyun Woo, who was recently discharged from the military will be starring in the music video once again! Lee Hyun Woo was the male lead in the “YOU & I” music video.
IU’s new album LOVE, POEM will be released on November 18. Refresh yourself on IU’s 2011 mega-hit below! (It's personally one of my favorite IU songs)


Know Your Pacific Northwest Trees!
Select the correct image for:
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attempts left.


A simple primary alert with an example link. Give it a click if you like.
A simple secondary alert with an example link. Give it a click if you like.
A simple success alert with an example link. Give it a click if you like.
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Contenido adicional
Well done!
Aww yeah, you successfully read this important alert message. This example text is going to run a bit longer so that you can see how spacing within an alert works with this kind of content.
Whenever you need to, be sure to use margin utilities to keep things nice and tidy.
Holy guacamole! You should check in on some of those fields below.


STErrorCode Constants Reference
| Declared in | Structure.h |
STErrorCode
Error codes that specify an error. These may appear in NSError objects returned by various Structure Framework methods.
NSString* const StructureSDKErrorDomain;
is the constant to identify the Structure Framework error domain.
Definition
typedef NS_ENUM(NSInteger, STErrorCode ) {
STErrorOptionNotRecognized = 0,
STErrorOptionInvalidValue = 1,
STErrorOptionMissingValue = 2,
STErrorOptionCannotBeUpdated = 3,
STErrorInvalidValue = 10,
STErrorCameraPoseInitializerDepthFrameMissing = 20,
STErrorFileNoSuchFile = 30,
STErrorFileWriteInvalidFileName = 31,
STErrorTrackerLostTrack = 40,
STErrorTrackerNotInitialized = 41,
STErrorTrackerColorSampleBufferFormatNotSupported = 42,
STErrorTrackerColorSampleBufferMissing = 43,
STErrorTrackerColorExposureTimeChanged = 44,
STErrorTrackerDeviceMotionMissing = 45,
STErrorTrackerTrackAgainstModelWithoutLiveTriangleMesh = 46,
STErrorTrackerPoorQuality = 47,
STErrorMeshEmpty = 60,
STErrorMeshTaskCancelled = 61,
STErrorMeshInvalidTextureFormat = 62,
STErrorColorizerNoKeyframes = 80,
STErrorColorizerEmptyMesh = 81,
};
Constants
STErrorOptionNotRecognized
-
The operation could not be completed because one or more keys in the options dictionary were not recognized.
Declared In
Structure.h
. STErrorOptionInvalidValue
-
The operation could not be completed because one or more values in the options dictionary were invalid.
Declared In
Structure.h
. STErrorOptionMissingValue
-
The operation could not be completed because one or more required values in the options dictionary were missing.
Declared In
Structure.h
. STErrorOptionCannotBeUpdated
-
The operation could not be completed because the options dictionary contained one or more non-dynamic properties that could not be updated.
Declared In
Structure.h
. STErrorInvalidValue
-
The operation could not be completed because parameters passed to the SDK method contains non-valid values.
Declared In
Structure.h
. STErrorCameraPoseInitializerDepthFrameMissing
-
STCameraPoseInitializer tried to initialize a camera pose using without a depth frame.
Declared In
Structure.h
. STErrorFileNoSuchFile
-
No such file was found.
Declared In
Structure.h
. STErrorFileWriteInvalidFileName
-
The operation could not be completed because file output path is invalid.
Declared In
Structure.h
. STErrorTrackerLostTrack
-
STTracker
lost tracking.Declared In
Structure.h
. STErrorTrackerNotInitialized
-
STTracker
is not initialized yet.Declared In
Structure.h
. STErrorTrackerColorSampleBufferFormatNotSupported
-
STTracker
doesn’t support the input color sample buffer format.Declared In
Structure.h
. STErrorTrackerColorSampleBufferMissing
-
STTracker
doesn’t have color sample buffer and cannot continue tracking.Declared In
Structure.h
. STErrorTrackerColorExposureTimeChanged
-
STTracker
detected the color sample buffer exposure has changed.Declared In
Structure.h
. STErrorTrackerDeviceMotionMissing
-
STTracker
doesn’t have device motion and cannot continue tracking.Declared In
Structure.h
. STErrorTrackerTrackAgainstModelWithoutLiveTriangleMesh
-
STTracker
doesn’t have live triangle mesh to proceed tracking against model. Make suresetLiveTriangleMeshEnabled
is enabled.Declared In
Structure.h
. STErrorTrackerPoorQuality
-
STTracker
could not return a high quality camera pose estimate.Declared In
Structure.h
. STErrorMeshEmpty
-
The STMesh operation could not be completed because it contains an empty mesh.
Declared In
Structure.h
. STErrorMeshTaskCancelled
-
The STMesh operation could not be completed because it was cancelled.
Declared In
Structure.h
. STErrorMeshInvalidTextureFormat
-
The STMesh operation could not be completed because it contains an invalid texture format.
Declared In
Structure.h
. STErrorColorizerNoKeyframes
-
The colorize operation could not be completed because
STColorizer
doesn’t have keyframes.Declared In
Structure.h
. STErrorColorizerEmptyMesh
-
The colorize operation could not be completed because
STColorizer
doesn’t have a mesh.Declared In
Structure.h
.
Declared In
Structure.h


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I'm ready to love!


Simple and only reason, We are the Best! Let's see some highlights:
Never study for others what you would not capture for the freedom of it.
Never study for others what you would not capture for the freedom of it.
Never study for others what you would not capture for the freedom of it.
Never study for others what you would not capture for the freedom of it.
Never study for others what you would not capture for the freedom of it.
Never study for others what you would not capture for the freedom of it.
Simple and only reason, We are the Best! Let's see some highlights:
Simple and only reason, We are the Best! Let's see some highlights:
Simple and only reason, We are the Best! Let's see some highlights:
For Professionals
For Business
For Developers
For VIPs
Simple and only reason, We are the Best! Let's see some highlights:
+123-456-5678
contact@scripteden.com


My name is Rachael and I am a person. I live in Seattle and I like coding, even if right in this moment I want to destroy whoever dreamed up CSS.
I was born in NYC, but only lived there for a few years. My family moved around a lot when I was a little kid for job stuff. After New York, we lived in Washington D.C., before moving to the San Francisco Bay Area.
It is hard writing enough to see whether my internal links will work! OK here is the rest of my life story. I went to college in Massachusetts because I wanted an adventure, and I hadn't really been back to the East Coast since I was a little kid. College was pretty neat. My junior year, I studied abroad in Edinburgh, Scotland. I was only supposed to stay for a semester, but I liked it so much I found a way to stay all year.
After college, I wasn't really sure what I wanted to do, so I found a job teaching English as a foreign language in Prague, in the Czech Republic. Prague is a pretty incredible city, and I made a lot of friends from all over the world. I also drank a fair amount of very cheap, very tasty beer.
While I was in Prague, I decided to take the LSATS and apply to Law School. I got in to the University of Washington, so I came back to the States and moved to Seattle. I had only ever been here once before, on a road trip to the Capitol Hill Block Party when I was about 19 years old. Nevertheless, I was convinced it was some kind of mecca, where the sun always shone and everyone wore flannel and big bushy beards. It rains a lot more than I expected, but I was pretty spot on with the rest, I think.
I liked law school, but didn't like being a lawyer. A friend turned me on to coding, and here I am.


Docker EE administrators can reset user passwords managed in UCP:
Users passwords managed with an LDAP service must be changed on the LDAP server.
Administrators who need a password change can ask another administrator for help or use ssh to log in to a manager node managed by Docker EE and run:
docker run --net=host -v ucp-auth-api-certs:/tls -it "$(docker inspect --format '{{ .Spec.TaskTemplate.ContainerSpec.Image }}' ucp-auth-api)" "$(docker inspect --format '{{ index .Spec.TaskTemplate.ContainerSpec.Args 0 }}' ucp-auth-api)" passwd -i


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Galaxy luminosity functions (Schechter functions).
The LFHistory class implements a luminosity function history, encapsulating the changes in the galaxy luminosity distribution parameters as a function of redshift.
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LFHistory Interpolate / extrapolate the Schechter parameters. |
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BrokenPowerlawSED Define an SED with a break at 912 Angstroms and different slopes above and below the break. |
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B2007_z4 =
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B2007_z5 =
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B2007_z6 =
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B2007_z7 =
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O2010_z7 =
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B2008 =
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B2008_fixed =
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zlinear = array([ 3.8, 5. , 5.9, 7.3, 9. ])
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B2008_linear_z5 =
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T2010ICLF =
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__package__ =
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Use Labbe et al. (2009) relation between stellar mass and SFR. See arXiv:0911.1356v4 Parameters
Returns
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Use Labbe et al. (2009) relation between stellar mass and SFR. See arXiv:0911.1356v4 Parameters
Returns
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Use Kennicutt (1998) conversion from UV luminosity to star formation rate. Parameters
ReturnsThe SFR in Msun/year. NotesKennicutt (1998ARA&A..36..189K) says: SFR/(MSun/year) = 1.4 * 10^-28 (L_nu/ergs s^-1 Hz^-1) where L_nu is the UV luminosity anywhere between 1500-2800 Angstroms. |
Use Kennicutt (1998) conversion from UV luminosity to star formation rate. Parameters
Returns
NotesKennicutt (1998ARA&A..36..189K) says: SFR/(MSun/year) = 1.4 * 10^-28 (L_nu/ergs s^-1 Hz^-1) where L_nu is the UV luminosity anywhere between 1500-2800 Angstroms. |
Use Kennicutt (1998) conversion from UV luminosity to AB magnitude. Convenience function: uses L_nu_from_sfr and magnitudes.magnitude_AB_from_L_nu. |
Integrate luminosity in galaxies above luminosity=L. Uses an analytical formula. |
Integrate luminosity in galaxies brighter than magnitudeAB. Uses an analytical formula. |
Integrate total luminosity in galaxies. Uses an analytical formula. |
Integrate total luminosity in galaxies. Uses an analytical formula. |
Ionizing photon rate density from a luminosity function. in units of photons s^-1. Given schecterParams, the parameters of a Schechter luminosity function (in terms of AB Magnitudes), sedParams, the parameters of the galactic Spectral Energy Distribution, and the wavelength of the AB Magnitudes, calculate the emission rate density of ionizing photons. See AlsoBrokenPowerlawSED schechterTotLM |
Plot evolution of luminosity function params and total luminsity. Schechter function at each redshift is integrated up to maglim to find total luminsity. |
| Variables Details |
B2007_z4
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B2007_z5
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B2007_z6
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B2007_z7
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O2010_z7
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B2008
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B2008_fixed
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B2008_linear_z5
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T2010ICLF
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| Home | Trees | Indices | Help |
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| Generated by Epydoc 3.0.1 on Tue Mar 27 20:49:14 2012 | http://epydoc.sourceforge.net |


Restaurants
welcome {{session_user_name}}
{%for i in restaurant %}
{{i.name}}
MenuItems
Edit
Delete
{{i.description}}
{% endfor %}
Make new reastaurant


Powerful nursing photo gives stark warning to parents over dangers of choking
WARNING: UPSETTING IMAGES The post showing a small child's lungs who suffocated on a peanut has convinced hundreds of parents to make a change
by Luke Matthews, https://www.mirror.co.uk/authors/luke-matthews/Every parent will be familiar with the time spent cutting and slicing their children's food to ensure they can eat with no issues.
No matter how hard you try, there's always a chance their wandering hands will pick up something they shouldn't and potentially put them in danger.
Seeing a little one begin to choke can strike fear and panic into any mum or dad as you quickly attempt to help dislodge the thing blocking their airways.
A nursing unit has shared an incredibly powerful photo to demonstrate just how easy it is for a child to choke on food, and gave advice on what parents can do to decrease the chances of it happening.
Nursing CPD uploaded an image to Facebook showing the lungs of a small child who died of suffocation after choking on a peanut.
It said: "Peanuts and other nuts are the size of the airway of a child younger than four to five years.
"The risk of death from suffocation is real, but it is avoidable.
"Please do not offer to small children: whole dry fruits, popcorn, nuts nor any food that may resemble the size of small candies.
"Death cannot be reversed. It is best to prevent."
The image has since been shared more than 9,000 times and attracted more than 2,000 comments from other parents who said the 'scary' real-life example had made them think twice about the food they give to their children.
The page then shared a diagram of how to cut food to help reduce the risk of choking, showing a grape which had been cut length-ways rather than across the width to make them less obstructive.
One commenter said: "Okay, definitely smaller pieces of food from now on!"
Another wrote: "I see this stuff all the time. It’s why I’m crazy."
You can click here to see a guide on the steps you should take if you child begins to choke.


SimpleDivX has 9 tabs located near the top of the program,
each labeled with both numbers and a description. This guide will walk you
through the program one tab at a time.
When you first open SimpleDivX it should look similar to the picture below:
Tab 1: Input
Folder:
Click the small box located off to the right and the box pictured below should
appear.
Select the same folder you ripped your vob files to using smartripper or
dvddecrypter or another ripping tool, then click ok.
Vob Files:
If you used the "files" tab when running smartripper you can check the "select
all files" box, if you used the "movie" tab or perhaps a different ripping tool
you should check the "select main movie" box. It's also possible to select the
vob-files one by one.
Video Information:
This box will tell you all the relevant video information about the DVD you are
backing up.
Tab 2: Video
Frames/Second (fps)
Here you select your desired *output* framerate PAL users will select 25.000,
while NTSC users will select 23.976 or 29.970. SimpleDivX does normally select
the detected framerate from the vob files.
Auto cropping and resizing:
Select the checkbox : "Auto cropping and resizing" to automatically find the
correct aspect ratio and fill in automatically the resizing and cropping
values.
Output Format:
Select an output format that suits your needs. Several popular resolutions are
provided, or you can select 'custom' and input your own.
Open VOB Bitstream at LBA
(Advanced Users): Select this if you want to start the dvd movie at a specific
LBA.
Range:
Here you can input the exact amount of seconds you want encoded. This is very
usefull for encoding short clips and then viewing in a player to determine
quality.
Tab 3: Audio
Create Audio:
Uncheck this box if you don't want SimpleDivX to create audio for your video
file.
Audio Language:
When the *.ifo files are also copied from the DVD, SimpleDivX will be able to
tell you exactly what language the selected audio stream contains.
Audio bitrate:
Usefull in deciding wether to compress the audio or not.
Audio Format:
MP3: Compresses audio with MP3 format. (Stereo only)
AC3: Retains original audio quality. This can be Dolby-Digital Stereo, 5.0 or
5.1 channels sound. It is possible to choose 6 or 2 channels.
OGG: Compresses audio with OGG format. (NOT SUPPORTED ANYMORE)
Audio Compression kbps:
Choose here the compression from the audio stream. For Mp3 128 / 160 kbps is
recommended.
When AC3 is choosen as audio format, it is possible to recompress this stream
with a lower bitrate. But for a 6 channel movie is it recommended that you
choose a minimum from 256kbps.
Samplerate Conversion
For Mp3 it is possible to choose 48000 or 44100khz as sample-rate.
Normally you would leave it to 48000 unless your sound-card cannot handle
48000khz.
Amplify
Check this to amplify the sound with some dB. It is not recommended to choose a
higher value then 3dB, or else you will hear some clipping of the sound in loud
parts.
Peak level normalize
When this option is enabled, the sound will be normalized to 100% (This means
that the loudest audio parts will be 100%, so this means no clipping.)
Peak level normalize [midnight mode]
When this option is enabled, the sound will be normalized to 100% and the
softer audio parts will be amplified some more.
Tab 4: Codec
1-Pass file:
1-pass video files are created using constant bitrate, which means every frame
in your movie will have the exact same bitrate.
2-Pass video file:
2-pass movies are created using variable bitrate, which means high-motion
scenes get more bitrate than low motion scenes. This results in a much better
quality movie than 1-pass but takes roughly 2x longer to encode.
Do Only First Pass:
SimpleDivX will only create the first pass of the movie, when it is complete
you will have to come back to this tab and select 'Do Only Second Pass'. This
is usefull when you do only have a limited computer time available. Note that
2-pass modes are only available for divx and xvid.
Advanced Settings
When you have selected "divx (mpeg4)" as codec the next screen will appear :
When "xvid" is selected, the next screen will appear :
When "h264" is selected, the next screen will appear :
The following items are configurable :
Global Motion Compensation:
GMC helps in zooming and panning scenes.
Quarter Pixel:
Quarter pixel increases the accuracy of macro blocks within your film.
Bidirectional Encoding:
Can help increase compression in some scenes by using forward and backward
prediction of frames.
Tab 5: Compression
Enter bitrate / final movie size
Choose 'enter bitrate' if you want to enter the video-bitrate from the divx/xvid
yourself. Choose 'enter final movie size' to let simpledivx compute the correct
video-bitrate for xvid/divx to fit the exact size.
Get Time From Movie:
This feature will attempt to read the length of the movie from the .ifo/.vob files.
It is not always accurate however, so if it is wrong, enter the length
specified on the back of the DVD case.
Tab 6: Misc
At this moment only subtitle options are included on this page. In the future
more options will be added.
Create subtitles
Check this to enable subtitle processing.
Language
Select here the subtitle languages which must be included.
Select all languages
Selecting this option will just select all languages present on the dvd. Click
again to select no language.
*Note*
The subtitles will be extracted using vobsub.dll, this dll creates two extra
files in the final directory. For viewing the subtitles you must have met the
following requirements :
- Make sure the two files are on the same location as the final movie and have
the same name. (SimpleDivX should do this for you.)
Now you have two options :
1) Download the full vobsub package from :
divx-digest , now you should be able to see
the subtitles using any video player in windows.
2) Download and install the "Media Player Classic" from :
sourceforge.net : guliverkli, this player is from the
same author as vobsub and automatically includes support for subtitles.
Movie Container Format
Choose here the output format from the movie file. This can be : AVI , This is the default format. Can be used for video+mp3 and
video+ac3.
Tab 7: Project
Project Name:
Type the name from the movie you want to make. You may set project name to
whatever you like, most people just use the name of the movie. This will
automatically name most of your output files to the project name.
Temp Folder:
This is where the temp video and logging files will be saved.
Output Folder:
This is where your completed file will be put. (This can be a *.avi or a *.ogm
file.)
Overwrite files:
Select to automatically overwrite the destination files.
Delete temp-files:
Select this to automatically clean-up the generated temp files from SimpleDivX.
Split Total File:
If you are making a 2CD rip SimpleDivX can split the file for you
automatically.
Split on Fade-out
This option automatically splits on a fade-out (black-scene).
Normal
In this mode it is only possible to do 1 conversion at the time. (This is
compatibility mode with SimpleDivX 1.1)
Batch Mode
This enabled you to do more conversions from different movies in one SimpleDivX
session.
Tab 8: Output
Shutdown windows
This option does close the current window session and shutsdown the computer.
Press the start button to start the video-processing
Status Information:
This box will keep you informed on the progress of SimpleDivX.
Tab 9: Setup
External Program Locations:
Click the small box off to the right and the box pictured below should appear.
Now change all four paths to where you installed the SimpleDivX/Tools folder.
This box is provided for users that might already have these programs somewhere
else on their computer, but since SimpleDivX always includes the latest
versions we recommend you leave the paths pointed to the SimpleDivX/Tools
installation folder.
Priority Settings
Choose here your priority settings for : - Video
- Disk (Note : Setting it to a higher value will not automatically mean that it
will run faster ! It's just that encoding will get more processor-cycles.


|
Fuel
My Fire
(Prodigy) |
|
I've
got word of thanks
that I'd like to say for the rage that I feel today.  Yeah that knife in my back has fingerprints that belong to you.


This is the place to introduce your project style guide. But in the meantime, I'm using it for this intro.
Inspired by Brad Frost's Atomic Design, Atomic Boot Pug is comprised of a set of Bootstrap 4 demo snippets (tranformed into Pug mixins) – essentially as coped from http://getbootstrap.com. You will find these in the pug/bootstrap-4/
folder.
The style guide sections (wrapping the demos and adding a header and a place for your notes) are in the pug/styleguide/
folder.
In addition to the demos you see in index.html
, many more mixins can be found on the Pug partials in the pug/styleguide/
folder. Swap them into your style guide any way you need. And feel totally free to modify the Bootstrap 4 Pug mixins to make them more relevant for your own style guide.
Create new sections/ partials/ mixins for demos of your added CSS, scripts and plugins you are including in your project.
Also, create your own webpage templates and partial templates. For rapid prototyping, you may temporarily include some of the Bootstrap Pug snippets before duplicating and swapping in your own actual content.
font-family: -apple-system, BlinkMacSystemFont, "Segoe UI", "Roboto", "Helvetica Neue", Arial, sans-serif, "Apple Color Emoji", "Segoe UI Emoji", "Segoe UI Symbol" !default;
You can use the mark tag to highlight text.
This line of text is meant to be treated as deleted text.
This line of text is meant to be treated as no longer accurate.
This line of text is meant to be treated as an addition to the document.
This line of text will render as underlined
This line of text is meant to be treated as fine print.
This line rendered as bold text.
This line rendered as italicized text.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Integer posuere erat a ante.

should be wrapped as inline.

Sample text here...

And another line of sample text here...

| # | First Name | Last Name | Username |
|---|---|---|---|
| 1 | Mark | Otto | @mdo |
| 2 | Jacob | Thornton | @fat |
| 3 | Larry | the Bird |
| # | First Name | Last Name | Username |
|---|---|---|---|
| 1 | Mark | Otto | @mdo |
| 2 | Mark | Otto | @TwBootstrap |
| 3 | Jacob | Thornton | @fat |
| 4 | Larry the Bird |
Some quick example text to build on the card title and make up the bulk of the card's content.
Go somewhereThis is a longer card with supporting text below as a natural lead-in to additional content. This content is a little bit longer.
Last updated 3 mins ago
This card has supporting text below as a natural lead-in to additional content.
Last updated 3 mins ago
This is a wider card with supporting text below as a natural lead-in to additional content. This card has even longer content than the first to show that equal height action.
Last updated 3 mins ago
This is a simple hero unit, a simple jumbotron-style component for calling extra attention to featured content or information.
It uses utility classes for typography and spacing to space content out within the larger container.
Raw denim you probably haven't heard of them jean shorts Austin. Nesciunt tofu stumptown aliqua, retro synth master cleanse. Mustache cliche tempor, williamsburg carles vegan helvetica. Reprehenderit butcher retro keffiyeh dreamcatcher synth. Cosby sweater eu banh mi, qui irure terry richardson ex squid. Aliquip placeat salvia cillum iphone. Seitan aliquip quis cardigan american apparel, butcher voluptate nisi qui.
Food truck fixie locavore, accusamus mcsweeney's marfa nulla single-origin coffee squid. Exercitation +1 labore velit, blog sartorial PBR leggings next level wes anderson artisan four loko farm-to-table craft beer twee. Qui photo booth letterpress, commodo enim craft beer mlkshk aliquip jean shorts ullamco ad vinyl cillum PBR. Homo nostrud organic, assumenda labore aesthetic magna delectus mollit. Keytar helvetica VHS salvia yr, vero magna velit sapiente labore stumptown. Vegan fanny pack odio cillum wes anderson 8-bit, sustainable jean shorts beard ut DIY ethical culpa terry richardson biodiesel. Art party scenester stumptown, tumblr butcher vero sint qui sapiente accusamus tattooed echo park.
Etsy mixtape wayfarers, ethical wes anderson tofu before they sold out mcsweeney's organic lomo retro fanny pack lo-fi farm-to-table readymade. Messenger bag gentrify pitchfork tattooed craft beer, iphone skateboard locavore carles etsy salvia banksy hoodie helvetica. DIY synth PBR banksy irony. Leggings gentrify squid 8-bit cred pitchfork. Williamsburg banh mi whatever gluten-free, carles pitchfork biodiesel fixie etsy retro mlkshk vice blog. Scenester cred you probably haven't heard of them, vinyl craft beer blog stumptown.  Fanny pack portland seitan DIY, art party locavore wolf cliche high life echo park Austin. Cred vinyl keffiyeh DIY salvia PBR, banh mi before they sold out farm-to-table VHS viral locavore cosby sweater. Lomo wolf viral, mustache readymade thundercats keffiyeh craft beer marfa ethical. Wolf salvia freegan, sartorial keffiyeh echo park vegan.
Ad leggings keytar, brunch id art party dolor labore. Pitchfork yr enim lo-fi before they sold out qui. Tumblr farm-to-table bicycle rights whatever. Anim keffiyeh carles cardigan. Velit seitan mcsweeney's photo booth 3 wolf moon irure. Cosby sweater lomo jean shorts, williamsburg hoodie minim qui you probably haven't heard of them et cardigan trust fund culpa biodiesel wes anderson aesthetic. Nihil tattooed accusamus, cred irony biodiesel keffiyeh artisan ullamco consequat.
Veniam marfa mustache skateboard, adipisicing fugiat velit pitchfork beard. Freegan beard aliqua cupidatat mcsweeney's vero. Cupidatat four loko nisi, ea helvetica nulla carles. Tattooed cosby sweater food truck, mcsweeney's quis non freegan vinyl. Lo-fi wes anderson +1 sartorial. Carles non aesthetic exercitation quis gentrify. Brooklyn adipisicing craft beer vice keytar deserunt.
Occaecat commodo aliqua delectus. Fap craft beer deserunt skateboard ea. Lomo bicycle rights adipisicing banh mi, velit ea sunt next level locavore single-origin coffee in magna veniam. High life id vinyl, echo park consequat quis aliquip banh mi pitchfork. Vero VHS est adipisicing. Consectetur nisi DIY minim messenger bag. Cred ex in, sustainable delectus consectetur fanny pack iphone.
In incididunt echo park, officia deserunt mcsweeney's proident master cleanse thundercats sapiente veniam. Excepteur VHS elit, proident shoreditch +1 biodiesel laborum craft beer. Single-origin coffee wayfarers irure four loko, cupidatat terry richardson master cleanse. Assumenda you probably haven't heard of them art party fanny pack, tattooed nulla cardigan tempor ad. Proident wolf nesciunt sartorial keffiyeh eu banh mi sustainable. Elit wolf voluptate, lo-fi ea portland before they sold out four loko. Locavore enim nostrud mlkshk brooklyn nesciunt.
Ad leggings keytar, brunch id art party dolor labore. Pitchfork yr enim lo-fi before they sold out qui. Tumblr farm-to-table bicycle rights whatever. Anim keffiyeh carles cardigan. Velit seitan mcsweeney's photo booth 3 wolf moon irure. Cosby sweater lomo jean shorts, williamsburg hoodie minim qui you probably haven't heard of them et cardigan trust fund culpa biodiesel wes anderson aesthetic. Nihil tattooed accusamus, cred irony biodiesel keffiyeh artisan ullamco consequat.
Keytar twee blog, culpa messenger bag marfa whatever delectus food truck. Sapiente synth id assumenda. Locavore sed helvetica cliche irony, thundercats you probably haven't heard of them consequat hoodie gluten-free lo-fi fap aliquip. Labore elit placeat before they sold out, terry richardson proident brunch nesciunt quis cosby sweater pariatur keffiyeh ut helvetica artisan. Cardigan craft beer seitan readymade velit. VHS chambray laboris tempor veniam. Anim mollit minim commodo ullamco thundercats.


{% extends 'marvel_world/base.html' %} {% block content %}
We found this data on kaggle which expands the statistic(including height, weight and so on) data and super powers of super heros from the marvel world. Also this data set has the information of the comics in which every super heros comes from.
{% endblock content %}


Saved Trials
Condition
{{list.Condition}}
Sponsors
{{list.Sponsor}}
Start Date
{{list.Start_Date}}
Pre-Screened
{{list.Trial_Location}}
Completed Trials
Condition
{{list.Condition}}
Sponsors
{{list.Sponsor}}
Start Date
{{list.Start_Date}}
Pre-Screened
{{list.Trial_Location}}


Welcome to my website!
Marissa is a graduate student at the University of Florida obtaining her masters degree in web design and online communications. She began working as a web designer for UF's College of Liberal Arts and Sciences in July of 2019.


Product manager, Software engineer
Accomplished product manager and software engineer seeks to use extensive experience to help drive the field of cryptoeconomic and and web3 product development forward. Self-directed and collaborative learner with exuberance for democratizing products that protect and expand the agency of their users and in building self-sustaining systems that align the incentives of individuals and their communities.
Experience
OAO - San Francisco, Chicago
Associate Director Product Management 2017 to Present
- Fostered communication between departments and executive management
- Wrote the product development handbook
- Established the A3 as a coordination tool
- Created a project structure balancing continuous development and deadlines
- Managed the development of a business intelligence reporting platform
Sr. Backend Developer 2015 to 2017
- Designed, developed and trained our team in a continuous software production process
- Proposed and championed the adoption of Docker and Kubernetes
- Built general devops abstractions to simplify the process the team developed
- Built lightweight focused backend services
Developer 2013 to 2015
- Introduced kanban for tracking activity, and retrospectives for process improvement
- Built a migration tool to move large clients from DFP5 to DFP6
- Migrated networks seving billions of impressions per month
- Architected and built a reporting system for publisher monetization managed service
Early positions 2010 to 2013
- Technical Account Manager
- Ad Ops Coordinator
CSUEB Department of Theatre and Dance
Various positions 2004 to 2008
- Stage Manager
- Building Manager
- Scene Shop Manager
- Sound/Lights Designer/Technician
- Carpenter
Education
California State University East Bay
Student 2001 to 2007
- Computer Science
- Technical Theatre, Design and Directing
Languages, Frameworks, and Tools
Proficient
- Python, Flask, HTML, CSS, Javascript
- Linux, Git, Docker, Kubernetes, CircleCI, Google Cloud Platform
Working knowledge
- Solidity, Go, Bash, SQL, SSL, PGP, AWS
Beginner
- Vyper, Clojure, Haskell
- GraphQL, React,Truffle, Populus
Skills
- Communication, collaboration and teamwork
- Self direction, initiative, creativity
- Product and project management
- Agile, Lean, A3 Thinking, Continuous Improvement, Devops, CI/CD
- Set based design


Hash(tag) Arrays
#array #hashes #dbc #blog January 11th, 2015
When you receive a ton of data, you'll need a way to sort through it all. The collections of data that you have might also need to be sorted by length or alphabetically. How does one create an index of information like this? With Ruby, it's simple! Kind of. Let's talk about arrays and hashes!
An array is a list of items in order. That's the most simplified answer I can give you. Now to build on this, let's make a list of items:
- Oreos
- Chips Ahoy
- Famous Amos
- Milano
Cookie Brands
From here, we now have four values. Each of these values are tied to a key (or in this case, an integer). If written out, the array will look like this:
- cookie_brands=['Oreos', 'Chips Ahoy', 'Famous Amos', 'Milano']
The "Oreos" value is tied to the key [0]. The "Chips Ahoy" value is tied to [1]. This continues for all other values. It is important to remember that the keys within arrays all begin with 0, rather than 1. So what happens when you want to call on the 3rd value within an array? Look at the following example:
- cookie_brands[2] = "Famous Amos"
Alright, lets check out Hashes. Hashes are lists in no particular order. They are another form of keys and value pairs. They differ from arrays by allowing the keys to be any object within Ruby. That means a key can be represented by an integer, a string, or a character. It's also to be noted that they're not ordered. Arrays are ordered from 0 to whatever number, but Hashes can be in any order. Let's check out an example.
- Turtle:"Franklin"
- Cat:"Garfield"
- Rabbit:"Bugs"
- Dog:"Pluto"
Pet Names
The keys within this list would be the types of pets. The values would be their names. If written into code, it would look like this:
- pet_names = {"Turtle"=>"Franklin", "Cat"=>"Garfield", "Rabbit"=>"Bugs", "Dog"=>"Pluto"}
Think of hashes kind of like a dictionary. Each word within the dictionary represents a key and each definition would be it's value. If we wanted to call upon the value of rabbit, it'd look like this:
- pet_names[rabbit] = "Bugs"
Hope this has been helpful in figuring out the differences between arrays and hashes!


The Philippine Forestry Education Network, Inc. (PFEN) is an accredited non-profit and non-stock organization of Securities and Exchange Commission (SEC) with registration No. CN200415860. It was organized in February 2004 and is based at the College of Forestry and Natural Resources, University of the Philippines Los Baños. Originally, PFEN consisted of 18 different State Colleges and Universities (SUCs) that offer forestry in the country and by 2015, member institutions increased to 30. The Network conducts national conference and general assembly meeting every two years in relevance to the current issues and challenges in the field of forestry, natural resources and environment.
An effective, dynamic, sustainable and participatory national network of forestry colleges, schools and institutions committed to the advancement of forestry education in the Philippines.
To strengthen and enhance the participation of Philippine forestry schools in the development of forestry education through;


Over 2.9 million students sit for PEC, Ebtedayee exams
by bdnews24.comThe Primary Education Completion (PEC) and Ebtedayee examinations are underway at around 7,000 centres across Bangladesh.
Over 2.9 millions candidates are sitting for the exams which began at 10am on Sunday.
Among them, 2.55 million students are taking PEC test for fifth graders.  The number of candidates for the exams has dropped by over 200,000 this year compared to 2018.
Meanwhile, 350,371 students -- 187,082 boys and 163,289 girls -- are sitting for the Ebteyadee examination, which has seen the number of candidates rise by 30,982 from last year.
The examinations are scheduled to end on Nov 24.


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Extensions¶
Extensions are Benchbuild’s way to encode composable experiments.
In essence, an extension is just a callable (or Functor) with (optional) additional attributes.
Composability is achieved by storing an arbitrary number of child extensions that can be triggered at any point in the call method.
You can define your own extension by subclassing from benchbuild.extensions.Extension
.
Your constructor should handle *args
as child extensions and use **kwargs
for additional
attributes required by the extension.
The __call__
operator of your extension has to deal with arbitrary *args
which are the binary and binary arguments for the experiment. Any additional dynamic parameters used by the extension can
be passed in via **kwargs
again.
Wrap a binary with a timeout command¶
As an example, let us wrap an arbitrary binary with a timeout command. For that we need
the RunWithTimeout
extension as shown below:
class RunWithTimeout(Extension):
def __init__(self, *extensions, limit="10m", **kwargs):
super(RunWithTimeout, self).__init__(*extensions, **kwargs)
self.limit = limit
def __call__(self, binary_command, *args, **kwargs):
from benchbuild.utils.cmd import timeout
return self.call_next(
timeout[self.limit, binary_command],
*args, **kwargs)
On initialization, we set the time limit to “10m” by default.
As soon as this extension is run, we get the binary_command as part of the *args
and wrap
it with the command timeout
with the given time limit.
The wrapped command then serves as the new binary_command
for our child extensions.
Now, when you want to use this extension, you need to compose it with an extension that actually runs
the command afterwards. Benchbuild provides one that controls database tracking at the same time benchbuild.extensions.RuntimeExtension
. You should use this one by default as at takes care of
tracking the binary call properly..
import benchbuild.extensions as ext
class RawTimeout(Experiment):
NAME = 'raw-timeout'
def actions_for_project(self, project):
project.runtime_extension = ext.RunWithTimeout(
ext.RuntimeExtension(project), timeout="2m")
If you compose many extensions, you can use the left shift operator to avoid cluttering your code with
a high nesting depth. Note, that you need to reverse the chaining order compared to the nested one, from outermost first to innermost first.
After composition, you have to assign the extension to the runtime_extension
attribute of a project
.
import benchbuild.extensions as ext
class RawTimeout(Experiment):
NAME = 'raw-timeout'
def actions_for_project(self, project):
project.runtime_extension = \
ext.RuntimeExtension(project, self) \
<< ext.RunWithTimeout(timeout="2m")
...
API reference¶
Extension base-classes for compile-time and run-time experiments.
-
class
benchbuild.extensions.
Extension
(*extensions, config=None, **kwargs)[source]¶ Bases:
object
An experiment functor to implement composable experiments.
An experiment extension is always callable with an arbitrary amount of arguments. The varargs component of an extension’s __call__ operator is fed the binary command that we currently execute and all arguments to the binary. Any customization necessary for the extension (e.g, dynamic configuration options) has to be passed by keyword argument.
Parameters: - *extensions – Variable length list of child extensions we manage.
- config (
dict
, optional) – Dictionary of name value pairs to be stored for this extension.
-
next_extensions
¶ Variable length list of child extensions we manage.
-
config
¶ dict
, optional – Dictionary of name value pairs to be stored for this extension.
-
call_next
(*args, **kwargs) → List[benchbuild.utils.run.RunInfo][source]¶ Call all child extensions with the given arguments.
This calls all child extensions and collects the results for our own parent. Use this to control the execution of your nested extensions from your own extension.
Returns: - A list of collected
- results of our child extensions.
Return type: list
ofRunInfo
-
class
benchbuild.extensions.
ExtractCompileStats
(project, experiment, *extensions, config=None)[source]¶ Bases:
benchbuild.extensions.Extension
Extract LLVM’s compilation stats.
This extension extracts the output of LLVM’s ‘-stats’ option. You can control the tracked statistics by using the sections cs.components and cs.names in the configuration.
Furthermore, this runs the compiler and tracks the state in the databse, similar to RunCompiler.
-
class
benchbuild.extensions.
LogAdditionals
(*extensions, config=None, **kwargs)[source]¶ Bases:
benchbuild.extensions.Extension
Log any additional log files that were registered.
-
class
benchbuild.extensions.
LogTrackingMixin
[source]¶ Bases:
object
Add log-registering capabilities to extensions.
-
add_log
(path)[source]¶ Add a log to the tracked list.
Parameters: path (str) – Filename of a new log we want to track.
-
logs
¶ Return list of tracked logs.
-
-
class
benchbuild.extensions.
RunCompiler
(project, experiment, *extensions, config=None)[source]¶ Bases:
benchbuild.extensions.Extension
Default extension for compiler execution.
This extension silences a few warnings, e.g., unused-arguments and handles database tracking for compiler commands. It is used as the default action for compiler execution.
-
class
benchbuild.extensions.
RunWithTime
(*extensions, config=None, **kwargs)[source]¶ Bases:
benchbuild.extensions.Extension
Wrap a command with time and store the timings in the database.
-
class
benchbuild.extensions.
RunWithTimeout
(*extensions, limit='10m', **kwargs)[source]¶ Bases:
benchbuild.extensions.Extension
Guard a binary with a timeout.
This wraps a any binary with a call to timeout and sets the limit to a given value on extension construction.
-
class
benchbuild.extensions.
RuntimeExtension
(project, experiment, *extensions, config=None)[source]¶ Bases:
benchbuild.extensions.Extension
Default extension to execute and track a binary.
This can be used for runtime experiments to have a controlled, tracked execution of a wrapped binary.
-
class
benchbuild.extensions.
SetThreadLimit
(*extensions, config=None, **kwargs)[source]¶ Bases:
benchbuild.extensions.Extension
Sets the OpenMP thread limit, based on your settings.
This extension uses the ‘jobs’ settings and controls the environment variable OMP_NUM_THREADS.


Question 1 : Program to search for a particular character in a string
Open Console to see the answer


Premise 0, tree s0_ccg0: All women ordered coffee or tea .
Premise 1, tree s1_ccg0: Some woman did not order coffee .
Conclusion, tree s2_ccg0: Some woman ordered tea .
Script piped to coq
Require Export coqlib.
Parameter _coffee : Entity -> Prop.
Parameter _order : Entity -> (Entity -> Prop).
Parameter _tea : Entity -> Prop.
Parameter _woman : Entity -> Prop.
Theorem t1: (forall x, ((_woman x) -> (True -> (exists z1, (and (and (or (_tea z1) (_coffee z1)) True) (_order x z1)))))) -> (exists x, (and (and (_woman x) True) (not (exists z1, (and (and (_coffee z1) True) (_order x z1)))))) -> (exists x, (and (and (_woman x) True) (exists z1, (and (and (_tea z1) True) (_order x z1))))). Set Firstorder Depth 1. nltac. Set Firstorder Depth 6. nltac. Qed.


WITNESS LIST Pensions & Investments Committee (Subcommittee on Local Retirement Systems) March 28, 2000-10:00A Local Retirement Systems On: Goralski, Craig (State Pension Review Board) Horwitz, Rita (State Pension Review Board) Sandefer, Morris E. (Fire Fighters' Pension Commission) Shivers, Shari (State Pension Review Board) Walker, Dwight (Texas Association of Public Employees Retirement Systems; Dallas Police & Fire Pension System) Registering, but not testifying: On: Mack, Erin (Houston Municipal Employees Pension System)


| 1295 | (A) | Trusses vp thaire tresoure and tromppes vp the sege |
| 1289 | (C) | They trussede here tresour . & trumpede vp þe sege |
| 1282 | (D) | Trussid vp her tresour and trumpid vp þe sege |
| 1258 | (E) | trussed vp here tresour . & trumpyd vp the seege . |
| (Ex) | ---- no text ---- | |
| 1330 | (L) | Trossen here tresour & trompen vp þe sege |
| (P) | ---- no text ---- | |
| 1263 | (U) | Trussed vp her tresour / and trumped vp her segges |
| 360 | (V) | Trussen þeire tresoure . and trumpen vp þe sege |


How do I use it?
Rotate: click the mouse and move it over the object
Zoom: Click + or - button; or press
Shift
to zoom; press
Ctrl
to zoom out
Having trouble?
Get help from Apple's QuickTime troubleshooting web site
Need to
download QuickTime player
?


Liberty Heights 3 and 1/2 Stars (Out of 4) Reviewed by Mac VerStandig<EMAIL_ADDRESS>http://www.moviereviews.org December 7, 1999 Wide Release Date - December 10, 1999
--- A copy of this review can be found at http://moviereviews.org/liberty_heights.htm ---
---Starting on Christmas Eve you can hear Mac VerStandig's movie reviews on the radio in Portland, Maine once a week in addition to reading them on Moviereviews.org. Details on time and dial placement still to come. Stay tuned!---
Liberty Heights, Barry Levinson's fourth Baltimore-based film (following Diner, Tin Men and Avalon), is not only one of the director's stronger works but one of the best films of 1999.
It is 1954 and that means McCarthy is on television, the Second World War has been over for nine years, schools are being integrated and a noise-pollution called "Rock and Roll" is replacing Frank Sinatra in the eyes of American youth. In Liberty Heights we see how these changes affect the rich panoply of characters that Barry Levinson has created.
Ben (Ben Foster) is a young Jewish teenager who recalls eating at a friend's house when he was little and wondering what a "lunch meat" is and why everything is "all white." But then Ben makes a startling discovery about the non-Jewish population, "the other kind is about 99% of the world." During the year that this movie covers, Ben will find himself living in the new when he dresses as Adolf Hitler for Halloween; becomes friendly with Sylvia (Rebekah Johnson), an African American girl in his class and becomes an instant fan of an up-and-coming rock and roll artist named James Brown. But not even Ben is a full-fledged convert as he refuses to leave a car during a Frank Sinatra song out of respect for The Chairmen of the Board. Ben's older brother, Van (Adrien Brody), also ventures into the 1950's full force when he develops a fierce crush on a blond-over-blue gentile girl at a Halloween party.
Ben and Van's family is soon turned upside down as a conservative mother, father and grandmother protest the brothers' ultra-liberal actions.  Nate (Joe Montegna), the boys' honest and moral father (which says a lot about a man who runs the local numbers bracket) who drives the year's Cadillac, is firm in his position of keeping Ben home so that he won't trick-or-treat dressed as the Great Dictator. And the whole family goes at it in discussions of how the Bible should be interpreted and whether or not McCarthy is on a witch hunt.
Today, people continually grown about the presence of liquor, racism and fighting among youth. Liberty Heights offers a refreshing reminder that this is nothing new. Van's dream girl carries a booze-filled paper bag, Ben's friend Yussel fights for his religion and racially based slander is sprinkled all about the 1950's film.
Liberty Heights avoids the heavy drama that most studies of society carry and instead offers a light wit that is oftentimes funny. One of the more uproarious and memorable scenes centers around Van's curiosity of the legal system and his decision to answer "no" when asked to swear to the truth. The scene isn't out of place nor does it seem as controversial as a similar moment in The People Vs. Larry Flynt; it is a moment that is humorous for the purposes of developing Van's character and fits in the film with ease.
The movie's exploration of various music forms in the 1950's allows for an extraordinary soundtrack. Highlights include James Brown, Tony Bennett, Ray Charles, Elvis Presley, Carl Perkins, Louis Armstrong, Perry Como and Frank Sinatra.
Being released in the prime of Best Picture season, Liberty Heights will likely find itself under a particularly strong microscope. The first question asked by Hollywood tends to be one questioning a film's flaws. Well, this critic only discovered one where a reference to the movie Marty is made on Halloween, 1954, before the 1955 Best Picture's release. Other than that singular nitpicking, Liberty Heights can expect smooth sailing down the river from its theatrical release to Oscar night to its video release.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Dozens charged in South Carolina drug roundup
by WBTV Web StaffLANCASTER COUNTY, S.C. (WBTV) - Deputies in Lancaster County have charged more than 30 people in a drug roundup that targeted heroin, methamphetamine and cocaine.
Charges were brought about based on undercover work over the last several months, the Sheriff’s Office said in a press release.
The drug transactions occurred from Indian Land to Kershaw, and 75 arrest warrants were obtained as a result of the operation.
It yielded 19 heroin charges and 16 methamphetamine charges, and additional charges for distributing cocaine, ecstasy and marijuana.
“This has been a very busy year for our narcotics unit,” Sheriff Barry Faile said in a press release. “This is the seventh operation like this we’ve done, and we’ve executed dozens of search warrants in the course of normal operations. People keep selling dope, and as long as they do we’ll keep arresting them.”
Anyone with information about this or any other case should call the Lancaster County Sheriff’s Office at<PHONE_NUMBER> or contact Midlands Crimestoppers at 888-CRIME-SC.


JavaScript Coding Assessment
Test your knowledge of JavaScript. If you get a question wrong, you lose 10 seconds. Your score is how many seconds are left.
Test your knowledge of JavaScript. If you get a question wrong, you lose 10 seconds. Your score is how many seconds are left.


About me
EducationBachelor of Mechanical Engineering, National Taiwan University (2016~2020)
National Tainan First Senior High School (2013~2016)
Majoring in Thermal and Fluid Science.
I have widely involved in the following elective subjects:
Projects
Mechine Design Theory, Cable Climbing Machine(2018.11~2019.1)
In this project, we are demanded to design a machine to climb through a cable without touching the floor under restrictions of size and cost. The best performance that means the fast finished speed is attained by our group with 41 seconds, and other teams got more than 70 seconds, relatively.
TEL Robot Combat Competition(2018.7~2018.12)
A robot competition held by Tokyo Ekectron Limited company (TEL) for undergraduate and graduate. In this event, the scores were counted for the shortest period to complete several missions. Therefore, we had to design and control a multifunctional robot in order to finish every competitions with fastest speed. Eventually, we got the top 8.
Practice of Mechanical Engineering, Pneumatic Kart(2019.03~2019.06)
The juniors of NTUME will design a pneumatic kart in the second semester, with the special to-be-solved problem evolving every year. Our final objective is to make our kart automatically finish an unknown route and, meanwhile, follow another kart with same speed. To achieve this goal, we must design the propeller, the kart frame , and also the Ackerman steering mechanism. Of equal importance, we have to program the control code to recognize the route and detect the front or behind kart, and therefore to adapt the speed or direction. To design comprehensively, tests need to be conduct to analyze the thrust force of propeller, the effectiveness of steering machanism, the stiffness, toughness, and strength of kart frame. Thereby, numerical analysis and experiments, e.g., wind tunnel test, are carried out. In the final competition, we made the second place of the kart relay race.
Two Phase Flow, Design and Analysis of Condensors(2020.05~2020.06)
This is a final project of this graduate course. In this project, we are ordered to design a condensor of a cooling system, which shall be able to utilize on the automobile or refrigerating system.The two phase flow in the process of condensation makes the design and analysis of the heat transfer mechanism complicated. Hence, several considerations and efforts are needed. Eventually, given any inlet conditions of the refrigerant, our model are able to derive the total heat transfer and the pressure drop, which is critical for choosing the pump for the cooling system.
Introduction to Biomedical Engineering, A Novel Study of Remote Percutaneous Coronary Intervention(2020.05~2020.06)
This project aims to realize the technique of remote PCI.The traditional PCI forced unfortunately the surgeon alternate between two serious disadvantages, the high-level radiation of developer or the hip-bone-attacking protective clothing. Consequently comes the remote PCI. However, since the surgeons operate the wire-passing machine by some buttons or knobs, the realistic feel is deconnected from the surgeons. On the basis of this reason, we target to design a mechanism to connect the surgeon and the passing wire in real-time, which means "sensing" the force feed-back at the front of the wire, and the reproduce the feelings at the end of the surgeon.


BLADE SQUAD (1998) A "Turkey of the Week" film review by Justin Felix. Copyright 1998 Justin Felix. These reviews are archived at http://us.imdb.com/M/reviews_by?Justin+Felix
Rating: ** (out of five)
Teleplay by W. Peter Iliff. Story by Bob Wolterstorff, Mike Scott, and W. Peter Iliff. Directed by Ralph Hemecker. Starring Corin Nemic, Yancey Arias, Joy Bisco, Lori Heuring, Mushond Lee. Dedicated to Brandon Tartikoff. Rated TV-PG (contains violence and mild profanity) approx. 90 mins.
Synopsis: In "sooner than you think" America, the future of law enforcement resides in Blade Squad, a ragtag group of culturally diverse rollerblading cops with jetpacks strapped on their backs. A dangerous criminal, however, attempts to destroy Blade Squad after his brother dies while being chased by them.
Comments: So, what do an ex-gangbanger turned insubordinate traffic cop, a former prostitute with a substance abuse problem, and a junkie turned Dennis Rodman wannabe turned cop who crashed four police cruisers all have in common? Why, they're all members of BLADE SQUAD, an elite new crimefighting unit wearing black uniforms, rollerblades, and jetpacks! They also carry video cameras so they can communicate with one another a la the marines in James Cameron's ALIENS. Yes, it's BLADE SQUAD, the Fox Network's Wednesday Night Movie of the Week. This "movie," marking its dubious world premiere today, curiously has a number of guest stars. "How can a movie have guest stars?" you may ask. Well, BLADE SQUAD is not really a movie so to speak but a 2 hour pilot for a possible TV series packaged as a movie. BLADE SQUAD is dumb. BLADE SQUAD is loud. BLADE SQUAD is obnoxious. BLADE SQUAD will probably be a ratings hit and spawn a long-lived TV series. Why not? After all, television has given its audience crimefighters with talking cars ("Knight Rider"), fast helicopters ("Airwolf"), and super fast motorcycles ("Street Hawk"), and viewers have eaten it up in the past. So, why not crimefighters with jet-powered roller blades?
To be honest, as a made-for-TV presentation, BLADE SQUAD is at least watchable. The film has a relatively large cast of characters, a surprisingly intelligible albeit predictable script, and enough action sequences to keep one half-interested. I'd imagine adolescent males, probably the target audience of this turkey, would get a kick out of it. I tried to keep that in mind when I watched BLADE SQUAD. I can remember liking "Airwolf" and "Street Hawk" when I was 10 or 11. And, although this isn't saying much, BLADE SQUAD is leaps and bounds better than the last Fox network movie I had the displeasure of wasting time on: the insipidly awful GENERATION X (a huge disappointment considering the comic book's terrific two-year beginning). But, I digress.
Despite its limited appeal, BLADE SQUAD has a lot of kinks to work out if the movie is to become a TV series. One, it suffers from MTV syndrome: a lot of quick shots and weird angles continuously jar the viewer's senses while a near nonstop generic rock soundtrack blares incessantly in the background. Oh yeah, Dylan's "Knockin' on Heaven's Door" and Bowie's "I'm Afraid of Americans" are used here, in rather poor taste. Two, BLADE SQUAD needs a new crew for the sound. The substandard sound editing irritated me to no end. Characters' dialogue, at times, sounded choppy and unintelligible. During one important scene, a song played loudly in the background. When a character spoke, the song's volume dropped but did not disappear. As soon as that character finished speaking, the song's volume immediately returned to its original level until the next character spoke. This sounds trivial, I'm sure, but it distracted me immensely. Finally, this is commercial television. Foul language is not allowed, typically, on commercial television. Thus, don't use foul language in a made-for-TV production because that foul language has to be censored in some manner. In an early scene of the film, for example, the lead good guy and bad guy have a minor confrontation in the streets. When the good guy spouts out a bad word, a driver conveniently honks his car's horn off-screen to muffle the word out. In a "Seinfeld" episode, this technique proved funny; here, it seemed goofy and cut the dramatic tension considerably. Perhaps future writers, if a show is spun out of the movie, could take a cue from Marvel Comics' 2099 series of comics. Make up a bunch of new bad words for the future.
Compared to the usual crap broadcast TV networks have to offer in terms of movies, BLADE SQUAD is a suitable exercise in camp. When compared to, say, a movie studio film, BLADE SQUAD has a lot in common with a term which shares its initials: BS. (Review written August 12, 1998)
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


docker exec into the last container started
rerun docker:exec-last-started
Use the stubbs:test
command to to run test plans.
rerun stubbs:test -m docker -p exec-last-started
Test plan sources
To edit the command script for the docker:exec-last-started command,
use the stubbs:edit
command. It will open the command script in your shell EDITOR.
rerun stubbs:edit -m docker -c exec-last-started
Script source
RERUN_MODULE_DIR/commands/exec-last-started/script
NAME
= exec-last-startedDESCRIPTION
= "docker exec into the last container started"OPTIONS
= Generated by stubbs:docs Sat Mar 18 15:57:58 EDT 2017


About this site:
Created by Gordon Lindsay for Web Dev I Spring 2020 Project
V1 CHANGE LOG 5/2/2020
- Created index.html
- Created about.html
- Created stone.html
- Created metals.html
- Created styles.css
- Added HTML coding to create page layouts
- Added CSS coding to styles.css
- Added content to about.html
V2 CHANGE LOG 5/16/2020
- Created jewelry.html
- Created wing.html
- Added content to stone.html
- Added content to metals.html
- Added content to jewelry.html
- Added HTML coding to jewelry.html
- Added CSS coding to styles.css
- Added CSS coding to reset_styles.css
- Added V2 changes to about.html
V3 CHANGE LOG 5/30/2020
- Created layout.css
- Created reset.css
- Created tables.css
- Moved reset styles to reset.css
- Added CSS coding to layout.css
- Added CSS coding to tables.css
- Added content gallery pages
- Changed some styles from grid to flex
- Added table to metals.html
- Added dropdown menu to mobile display
- Commented out unused code from previous versions
- Fought with GitHub to recognize images
- Added V3 changes to about.html
V4 CHANGE LOG 6//2020


Our goal is to use a datepicker for both editing and serching, but before doing this please take a look at the following help topic: configure the dates
In our case, we will use the default settings for the server and client side dates. To attach the datepicker, we will use dataInit event - either in editoptions and in searchoptions. For this purpose it is needed to enable the jqGrid navigator too. We will use this example as a starting point.
<?php require_once 'jq-config.php'; // include the jqGrid Class require_once "php/jqGrid.php"; // include the driver class require_once "php/jqGridPdo.php"; // Connection to the server $conn = new PDO(DB_DSN,DB_USER,DB_PASSWORD); // Tell the db that we use utf-8 $conn->query("SET NAMES utf8"); // Create the jqGrid instance $grid = new jqGridRender($conn); // Write the SQL Query $grid->SelectCommand = 'SELECT OrderID, OrderDate, CustomerID, ShipName, Freight FROM orders'; // Set output format to json $grid->dataType = 'json'; // Let the grid create the model $grid->setColModel(); // Set the url from where we obtain the data $grid->setUrl('grid.php'); // Set some grid options $grid->setGridOptions(array( "rowNum"=>10, "rowList"=>array(10,20,30), "sortname"=>"OrderID" )); // javascriptCode for the datepicker $mydatepicker = <<<DATEPICK function(el) { setTimeout(function(){ jQuery(el).datepicker({dateFormat:'dd/mm/yy'}); },200); } DETEPICK; // Set the column property $grid->setColProperty('OrderDate', array( "formatter"=>'date', "editoptions"=>array("dataInit"=>"js:".$mydatepicker), "searchoptions"=>array("dataInit"=>"js:".$mydatepicker) )); // add navigator with the default properties $grid->navigator = true; $grid->renderGrid('#grid','#pager',true, null, null, true,true); $conn = null; ?>
Please, note the setTimeout javascript function in our code. The reason we are using it is that dataInit event is executed before the element is inserted to the DOM, and we need the timeout to make sure the element is attached to the DOM before proceeding with attaching the datepicker.


ProcGen Graph Input Nodes
These node types are available as inputs for ProcGen graph assets.
Slope Input Node
When an object gets placed at a specific location, the Slope node calculates the slope of the terrain at that position and determines whether it is within a desired range. The better it is within the range, the closer the output value is to 1
, and if the slope is outside the desired range, the output value is 0
.
The output value of this node can be passed unchanged as Density
into the placement output node. In this case the slope directly decides whether an object gets placed or not. It may, however, also be passed into other values, for instance to affect the color of an object.
On the node you select a MinSlope
and a MaxSlope
which define the desired range. For example, if the MinSlope
is set to 0
(flat ground) and the MaxSlope
is set to 20
(slightly uphill), then objects will only be placed on nearly flat terrain.
If, however, MinSlope
is set to 30
(steep) and MaxSlope
is set to 70
(nearly vertical), then objects will only be placed along strong slopes, for example the sides of mountains.
The LowerFade
and UpperFade
values determine how quickly the output value fades towards zero when the slope approaches MinSlope
or MaxSlope
respectively. With a fade value of zero, the cut off is very abrupt, with a fade value of one, the output value declines earlier, but also more gradually.
Node Properties
MinSlope
,MaxSlope
: The slope range (in degree) between which the output value is non-zero.LowerFade
,UpperFade
: How quickly to fade the output value from one towards zero, when the slope approaches the min (lower) or max (upper) value. Fade values of zero mean an abrupt change from one to zero at the boundaries, a value of one means there is always some fade out, except right at the center of the value range.
Height Input Node
The Height node works mostly the same way as the Slope node, except that it uses the height (z value) of the potential object position.
The Height node determines the z value of the location where an object shall be placed. It then checks whether the value is between MinHeight
and MaxHeight
. If not, it outputs the value 0
. Otherwise, it outputs a non-zero value. LowerFade
and UpperFade
are used to decide whether, and how much, to fade the output value from 1
towards 0
.
This node can be used to place objects only at specific altitudes, or to change object sizes or colors at higher elevations.
Node Properties
MinHeight
,MaxHeight
: The height range between which the output value is non-zero.LowerFade
,UpperFade
: How quickly to fade the output value from one towards zero, when the height approaches the min (lower) or max (upper) value. Fade values of zero mean an abrupt change from one to zero at the boundaries, a value of one means there is always some fade out, except right at the center of the value range.
Mesh Vertex Color Input Node
TODO


Wizard
Wizard class starts and handles the wizards that are displayed on first start and when location fix is needed
Static Method Summary
| Static Public Methods | ||
| public static |
Hides all wizards |
|
| public static |
vibrateAlert(count: Number): undefined Vibrates phone to notify user of location fix |
Constructor Summary
| Public Constructor | ||
| public |
constructor(selector: String, runOnce: Boolean, caller: Object) Initializes the wizard, if run once is true, checks whether wizard already ran using WebStorage. |
Member Summary
| Public Members | ||
| public |
baseElement: * |
|
| public |
caller: * |
|
| public |
runOnce: * |
|
| public |
selector: * |
|
| public |
|
|
| public |
|
Method Summary
| Public Methods | ||
| public |
Hides the wizard and if it should be run only once, writes true to WebStorage. |


Include external Javascript to make an ajax call
This is a test program to make our first AJAX call using javascript


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