Charis SIL - Version History
1 Feb 2023 (SIL WSTech Team) Charis SIL version 6.200
This release is focused on adding features and glyphs, including support for over 180 additional characters mostly from Unicode 14 and 15. It does not include significant changes to line spacing, glyph widths, or kerning that might cause document reflow or layout changes - except for minor improvements to the size and weight of superscript, subscript, and modifier letters.
New features, including TypeTuner Web support
- Feature to display alternate design of clicks that sit on baseline
- Baseline clicks (cv69)
- Standard 'subs' and 'sups' features for numerals. These are not supported by TypeTuner Web.
- Subscript numerals (subs)
- Superscript numerals (sups)
- Feature to automatically construct fractions when using U+002F SOLIDUS or U+2044 FRACTION SLASH. This is not supported by TypeTuner Web.
- Automatic fractions (frac)
New character support
- Additional click (also supported by new baseline clicks feature)
- U+2980 TRIPLE VERTICAL BAR DELIMITER
- Letters used for legacy Malayalam transliteration
- U+1DF25 LATIN SMALL LETTER D WITH MID-HEIGHT LEFT HOOK
- U+1DF26 LATIN SMALL LETTER L WITH MID-HEIGHT LEFT HOOK
- U+1DF27 LATIN SMALL LETTER N WITH MID-HEIGHT LEFT HOOK
- U+1DF28 LATIN SMALL LETTER R WITH MID-HEIGHT LEFT HOOK
- U+1DF29 LATIN SMALL LETTER S WITH MID-HEIGHT LEFT HOOK
- U+1DF2A LATIN SMALL LETTER T WITH MID-HEIGHT LEFT HOOK
- Letters used for Egyptological transiteration
- U+A7BA LATIN CAPITAL LETTER GLOTTAL A
- U+A7BB LATIN SMALL LETTER GLOTTAL A
- U+A7BC LATIN CAPITAL LETTER GLOTTAL I
- U+A7BD LATIN SMALL LETTER GLOTTAL I
- U+A7BE LATIN CAPITAL LETTER GLOTTAL U
- U+A7BF LATIN SMALL LETTER GLOTTAL U
- Combining marks
- U+1ABF COMBINING LATIN SMALL LETTER W BELOW
- U+1AC0 COMBINING LATIN SMALL LETTER TURNED W BELOW
- U+1AC6 COMBINING NUMBER SIGN ABOVE
- U+1AC7 COMBINING INVERTED DOUBLE ARCH ABOVE
- U+1AC8 COMBINING PLUS SIGN ABOVE
- U+1AC9 COMBINING DOUBLE PLUS SIGN ABOVE
- U+1ACA COMBINING DOUBLE PLUS SIGN BELOW
- U+1ACB COMBINING TRIPLE ACUTE ACCENT
- U+1ACC COMBINING LATIN SMALL LETTER INSULAR G
- U+1ACD COMBINING LATIN SMALL LETTER INSULAR R
- U+1ACE COMBINING LATIN SMALL LETTER INSULAR T
- U+1DDA COMBINING LATIN SMALL LETTER G
- U+1DDC COMBINING LATIN SMALL LETTER K
- U+1DFC COMBINING DOUBLE INVERTED BREVE BELOW
- Combining marks that are not recommended for normal use and may not combine well with letters. Precomposed characters that include the hook should be used instead except in rare cases.
- U+0321 COMBINING PALATALIZED HOOK BELOW
- U+0322 COMBINING RETROFLEX HOOK BELOW
- Modifier letters and symbols
- U+A7F2 MODIFIER LETTER CAPITAL C
- U+A7F3 MODIFIER LETTER CAPITAL F
- U+A7F4 MODIFIER LETTER CAPITAL Q
- U+AB69 MODIFIER LETTER SMALL TURNED W
- U+AB6A MODIFIER LETTER LEFT TACK
- U+AB6B MODIFIER LETTER RIGHT TACK
- U+10780 MODIFIER LETTER SMALL CAPITAL AA
- U+10781 MODIFIER LETTER SUPERSCRIPT TRIANGULAR COLON
- U+10782 MODIFIER LETTER SUPERSCRIPT HALF TRIANGULAR COLON
- U+10784 MODIFIER LETTER SMALL CAPITAL B
- U+10785 MODIFIER LETTER SMALL B WITH HOOK
- U+10787 MODIFIER LETTER SMALL DZ DIGRAPH
- U+10788 MODIFIER LETTER SMALL DZ DIGRAPH WITH RETROFLEX HOOK
- U+10789 MODIFIER LETTER SMALL DZ DIGRAPH WITH CURL
- U+1078A MODIFIER LETTER SMALL DEZH DIGRAPH
- U+1078B MODIFIER LETTER SMALL D WITH TAIL
- U+1078C MODIFIER LETTER SMALL D WITH HOOK
- U+1078D MODIFIER LETTER SMALL D WITH HOOK AND TAIL
- U+10790 MODIFIER LETTER SMALL FENG DIGRAPH
- U+10792 MODIFIER LETTER SMALL CAPITAL G
- U+10793 MODIFIER LETTER SMALL G WITH HOOK
- U+10794 MODIFIER LETTER SMALL CAPITAL G WITH HOOK
- U+10796 MODIFIER LETTER SMALL CAPITAL H
- U+10797 MODIFIER LETTER SMALL HENG WITH HOOK
- U+10798 MODIFIER LETTER SMALL DOTLESS J WITH STROKE AND HOOK
- U+10799 MODIFIER LETTER SMALL LS DIGRAPH
- U+1079A MODIFIER LETTER SMALL LZ DIGRAPH
- U+1079B MODIFIER LETTER SMALL L WITH BELT
- U+1079C MODIFIER LETTER SMALL CAPITAL L WITH BELT
- U+1079D MODIFIER LETTER SMALL L WITH RETROFLEX HOOK AND BELT
- U+1079E MODIFIER LETTER SMALL LEZH
- U+1079F MODIFIER LETTER SMALL LEZH WITH RETROFLEX HOOK
- U+107A1 MODIFIER LETTER SMALL TURNED Y WITH BELT
- U+107A4 MODIFIER LETTER SMALL CLOSED OMEGA
- U+107A5 MODIFIER LETTER SMALL Q
- U+107A6 MODIFIER LETTER SMALL TURNED R WITH LONG LEG
- U+107A7 MODIFIER LETTER SMALL TURNED R WITH LONG LEG AND RETROFLEX HOOK
- U+107A8 MODIFIER LETTER SMALL R WITH TAIL
- U+107A9 MODIFIER LETTER SMALL R WITH FISHHOOK
- U+107AA MODIFIER LETTER SMALL CAPITAL R
- U+107AB MODIFIER LETTER SMALL TC DIGRAPH WITH CURL
- U+107AC MODIFIER LETTER SMALL TS DIGRAPH
- U+107AD MODIFIER LETTER SMALL TS DIGRAPH WITH RETROFLEX HOOK
- U+107AE MODIFIER LETTER SMALL TESH DIGRAPH
- U+107AF MODIFIER LETTER SMALL T WITH RETROFLEX HOOK
- U+107B0 MODIFIER LETTER SMALL V WITH RIGHT HOOK
- U+107B3 MODIFIER LETTER GLOTTAL STOP WITH STROKE
- U+107B4 MODIFIER LETTER REVERSED GLOTTAL STOP WITH STROKE
- U+107B5 MODIFIER LETTER BILABIAL CLICK
- U+107B6 MODIFIER LETTER DENTAL CLICK
- U+107B7 MODIFIER LETTER LATERAL CLICK
- U+107B8 MODIFIER LETTER ALVEOLAR CLICK
- U+107B9 MODIFIER LETTER RETROFLEX CLICK WITH RETROFLEX HOOK
- U+107BA MODIFIER LETTER SMALL S WITH CURL
- Cyrillic modifier letters, subscripts, and combining marks
- U+1E030 MODIFIER LETTER CYRILLIC SMALL A
- U+1E031 MODIFIER LETTER CYRILLIC SMALL BE
- U+1E032 MODIFIER LETTER CYRILLIC SMALL VE
- U+1E033 MODIFIER LETTER CYRILLIC SMALL GHE
- U+1E034 MODIFIER LETTER CYRILLIC SMALL DE
- U+1E035 MODIFIER LETTER CYRILLIC SMALL IE
- U+1E036 MODIFIER LETTER CYRILLIC SMALL ZHE
- U+1E037 MODIFIER LETTER CYRILLIC SMALL ZE
- U+1E038 MODIFIER LETTER CYRILLIC SMALL I
- U+1E039 MODIFIER LETTER CYRILLIC SMALL KA
- U+1E03A MODIFIER LETTER CYRILLIC SMALL EL
- U+1E03B MODIFIER LETTER CYRILLIC SMALL EM
- U+1E03C MODIFIER LETTER CYRILLIC SMALL O
- U+1E03D MODIFIER LETTER CYRILLIC SMALL PE
- U+1E03E MODIFIER LETTER CYRILLIC SMALL ER
- U+1E03F MODIFIER LETTER CYRILLIC SMALL ES
- U+1E040 MODIFIER LETTER CYRILLIC SMALL TE
- U+1E041 MODIFIER LETTER CYRILLIC SMALL U
- U+1E042 MODIFIER LETTER CYRILLIC SMALL EF
- U+1E043 MODIFIER LETTER CYRILLIC SMALL HA
- U+1E044 MODIFIER LETTER CYRILLIC SMALL TSE
- U+1E045 MODIFIER LETTER CYRILLIC SMALL CHE
- U+1E046 MODIFIER LETTER CYRILLIC SMALL SHA
- U+1E047 MODIFIER LETTER CYRILLIC SMALL YERU
- U+1E048 MODIFIER LETTER CYRILLIC SMALL E
- U+1E049 MODIFIER LETTER CYRILLIC SMALL YU
- U+1E04B MODIFIER LETTER CYRILLIC SMALL SCHWA
- U+1E04C MODIFIER LETTER CYRILLIC SMALL BYELORUSSIAN-UKRAINIAN I
- U+1E04D MODIFIER LETTER CYRILLIC SMALL JE
- U+1E04E MODIFIER LETTER CYRILLIC SMALL BARRED O
- U+1E04F MODIFIER LETTER CYRILLIC SMALL STRAIGHT U
- U+1E050 MODIFIER LETTER CYRILLIC SMALL PALOCHKA
- U+1E051 CYRILLIC SUBSCRIPT SMALL LETTER A
- U+1E052 CYRILLIC SUBSCRIPT SMALL LETTER BE
- U+1E053 CYRILLIC SUBSCRIPT SMALL LETTER VE
- U+1E054 CYRILLIC SUBSCRIPT SMALL LETTER GHE
- U+1E055 CYRILLIC SUBSCRIPT SMALL LETTER DE
- U+1E056 CYRILLIC SUBSCRIPT SMALL LETTER IE
- U+1E057 CYRILLIC SUBSCRIPT SMALL LETTER ZHE
- U+1E058 CYRILLIC SUBSCRIPT SMALL LETTER ZE
- U+1E059 CYRILLIC SUBSCRIPT SMALL LETTER I
- U+1E05A CYRILLIC SUBSCRIPT SMALL LETTER KA
- U+1E05B CYRILLIC SUBSCRIPT SMALL LETTER EL
- U+1E05C CYRILLIC SUBSCRIPT SMALL LETTER O
- U+1E05D CYRILLIC SUBSCRIPT SMALL LETTER PE
- U+1E05E CYRILLIC SUBSCRIPT SMALL LETTER ES
- U+1E05F CYRILLIC SUBSCRIPT SMALL LETTER U
- U+1E060 CYRILLIC SUBSCRIPT SMALL LETTER EF
- U+1E061 CYRILLIC SUBSCRIPT SMALL LETTER HA
- U+1E062 CYRILLIC SUBSCRIPT SMALL LETTER TSE
- U+1E063 CYRILLIC SUBSCRIPT SMALL LETTER CHE
- U+1E064 CYRILLIC SUBSCRIPT SMALL LETTER SHA
- U+1E065 CYRILLIC SUBSCRIPT SMALL LETTER HARD SIGN
- U+1E066 CYRILLIC SUBSCRIPT SMALL LETTER YERU
- U+1E067 CYRILLIC SUBSCRIPT SMALL LETTER GHE WITH UPTURN
- U+1E068 CYRILLIC SUBSCRIPT SMALL LETTER BYELORUSSIAN-UKRAINIAN I
- U+1E069 CYRILLIC SUBSCRIPT SMALL LETTER DZE
- U+1E06A CYRILLIC SUBSCRIPT SMALL LETTER DZHE
- U+1E06B MODIFIER LETTER CYRILLIC SMALL ES WITH DESCENDER
- U+1E06D MODIFIER LETTER CYRILLIC SMALL STRAIGHT U WITH STROKE
- U+1E08F COMBINING CYRILLIC SMALL LETTER BYELORUSSIAN-UKRAINIAN I
- Miscellaneous letters
- U+A7C7 LATIN CAPITAL LETTER D WITH SHORT STROKE OVERLAY
- U+A7C8 LATIN SMALL LETTER D WITH SHORT STROKE OVERLAY
- U+A7C9 LATIN CAPITAL LETTER S WITH SHORT STROKE OVERLAY
- U+A7CA LATIN SMALL LETTER S WITH SHORT STROKE OVERLAY
- U+AB66 LATIN SMALL LETTER DZ DIGRAPH WITH RETROFLEX HOOK
- U+AB67 LATIN SMALL LETTER TS DIGRAPH WITH RETROFLEX HOOK
- U+AB68 LATIN SMALL LETTER TURNED R WITH MIDDLE TILDE
- Symbols
- U+2031 PER TEN THOUSAND SIGN
- U+203D INTERROBANG
- U+203E OVERLINE
- U+2042 ASTERISM
- U+204A TIRONIAN SIGN ET
- U+20C0 SOM SIGN
- U+218A TURNED DIGIT TWO
- U+218B TURNED DIGIT THREE
- U+21B6 ANTICLOCKWISE TOP SEMICIRCLE ARROW
- U+21B7 CLOCKWISE TOP SEMICIRCLE ARROW
- U+21BA ANTICLOCKWISE OPEN CIRCLE ARROW
- U+21BB CLOCKWISE OPEN CIRCLE ARROW
- U+2215 DIVISION SLASH
- U+2221 MEASURED ANGLE
- U+2227 LOGICAL AND
- U+2228 LOGICAL OR
- U+226E NOT LESS-THAN
- U+226F NOT GREATER-THAN
- U+2318 PLACE OF INTEREST SIGN
- U+25C9 FISHEYE
- U+25CB WHITE CIRCLE
- U+2610 BALLOT BOX
- U+2611 BALLOT BOX WITH CHECK
- U+2612 BALLOT BOX WITH X
- U+2639 WHITE FROWNING FACE
- U+263A WHITE SMILING FACE
- U+2713 CHECK MARK
- U+2717 BALLOT X
- U+27C2 PERPENDICULAR
- U+2AFD DOUBLE SOLIDUS OPERATOR
- U+2E3E WIGGLY VERTICAL LINE
- U+1F12F COPYLEFT SYMBOL
- U+1F610 NEUTRAL FACE
Improvements and fixes
Kayan diacritics feature (cv79) now supported by TypeTuner Web
Combining letters, modifier letters, superscripts, and subscripts have been made more consistent in size and weight
Encoding fixed for U+1078E MODIFIER LETTER SMALL REVERSED E
Size increased for:
- U+02BE MODIFIER LETTER RIGHT HALF RING
- U+02BF MODIFIER LETTER LEFT HALF RING
- U+02D2 MODIFIER LETTER CENTRED RIGHT HALF RING
- U+02D3 MODIFIER LETTER CENTRED LEFT HALF RING
U+00AA FEMININE ORDINAL INDICATOR is now included in single-story/double-story features
The combination of U+0079 LATIN SMALL LETTER Y and U+0328 COMBINING OGONEK forms a ligature
Small cap form corrected for U+A78D LATIN CAPITAL LETTER TURNED H / U+0265 LATIN SMALL LETTER TURNED H
U+0328 COMBINING OGONEK repositioned to middle leg of U+006D LATIN SMALL LETTER M
Diacritic positioning improved for U+006A LATIN SMALL LETTER J
Diacritic positioning improved for U+2183 ROMAN NUMERAL REVERSED ONE HUNDRED
Position of dot changed for U+1E23 LATIN SMALL LETTER H WITH DOT ABOVE
Notes
- The next major version (7) will address some complex pending issues and features and may include substantial changes to line spacing, glyph metrics, kerning, and even font family structure. If you have any requests for future versions please contact us as soon as possible.
9 Feb 2022 (SIL WSTech Team) Charis SIL version 6.101
This is a maintenance release primarily focused on making the v6 fonts available on TypeTuner Web.
New
The fonts now support SIL TypeTuner. Customized fonts can be created at TypeTuner Web (https://scripts.sil.org/ttw/fonts2go.cgi)
New
locl
OpenType feature that supports Macedonian (MKD/mk) Cyrillic alternatesSerbian and Macedonian alternates are also available through a new OpenType feature (cv84) for applications that do not support language-specific
locl
featuresCharacters have been added to support Unicode versions up to 14.0.0 (more to be added in future releases):
- U+A7C4 LATIN CAPITAL LETTER C WITH PALATAL HOOK
- U+A7C5 LATIN CAPITAL LETTER S WITH HOOK
- U+1DF00 LATIN SMALL LETTER FENG DIGRAPH WITH TRILL
- U+1DF01 LATIN SMALL LETTER REVERSED SCRIPT G
- U+1DF02 LATIN LETTER SMALL CAPITAL TURNED G
- U+1DF03 LATIN SMALL LETTER REVERSED K
- U+1DF05 LATIN SMALL LETTER LEZH WITH RETROFLEX HOOK
- U+1DF07 LATIN SMALL LETTER REVERSED ENG
- U+1DF09 LATIN SMALL LETTER T WITH HOOK AND RETROFLEX HOOK
- U+1DF0A LATIN LETTER RETROFLEX CLICK WITH RETROFLEX HOOK
- U+1DF0B LATIN SMALL LETTER ESH WITH DOUBLE BAR
- U+1DF0C LATIN SMALL LETTER ESH WITH DOUBLE BAR AND CURL
- U+1DF0D LATIN SMALL LETTER TURNED T WITH CURL
- U+1DF0E LATIN LETTER INVERTED GLOTTAL STOP WITH CURL
- U+1DF0F LATIN LETTER STRETCHED C WITH CURL
- U+1DF10 LATIN LETTER SMALL CAPITAL TURNED K
- U+1DF11 LATIN SMALL LETTER L WITH FISHHOOK
- U+1DF12 LATIN SMALL LETTER DEZH DIGRAPH WITH PALATAL HOOK
- U+1DF13 LATIN SMALL LETTER L WITH BELT AND PALATAL HOOK
- U+1DF14 LATIN SMALL LETTER ENG WITH PALATAL HOOK
- U+1DF15 LATIN SMALL LETTER TURNED R WITH PALATAL HOOK
- U+1DF16 LATIN SMALL LETTER R WITH FISHHOOK AND PALATAL HOOK
- U+1DF17 LATIN SMALL LETTER TESH DIGRAPH WITH PALATAL HOOK
- U+1DF19 LATIN SMALL LETTER DEZH DIGRAPH WITH RETROFLEX HOOK
- U+1DF1A LATIN SMALL LETTER I WITH STROKE AND RETROFLEX HOOK
- U+1DF1B LATIN SMALL LETTER O WITH RETROFLEX HOOK
- U+1DF1C LATIN SMALL LETTER TESH DIGRAPH WITH RETROFLEX HOOK
- U+1DF1D LATIN SMALL LETTER C WITH RETROFLEX HOOK
- U+1DF1E LATIN SMALL LETTER S WITH CURL
Improved
The special-purpose modified fonts have been updated to be based on the current version. These are available at https://software.sil.org/lcgfonts/download/ and include Literacy and Compact versions.
U+02DE MODIFIER LETTER RHOTIC HOOK position improved with modifier vowels:
- U+02B8 MODIFIER LETTER SMALL Y
- U+1D53 MODIFIER LETTER SMALL OPEN O
- U+1D5A MODIFIER LETTER SMALL TURNED M
- U+1DBA MODIFIER LETTER SMALL TURNED V
Design improved for these characters:
- U+0184 LATIN CAPITAL LETTER TONE SIX
- U+0185 LATIN SMALL LETTER TONE SIX
The small caps feature (smcp) now supports more characters
The spacing of Serbian italic alternates has been improved
Changed encoding
- The following characters were in the SIL PUA but have now been given Unicode assignments. The SIL PUA characters are now deprecated:
- U+A7C6 LATIN CAPITAL LETTER Z WITH PALATAL HOOK (was U+F234)
- U+10783 MODIFIER LETTER SMALL AE (was U+F1A1)
- U+1078F MODIFIER LETTER SMALL CLOSED REVERSED OPEN E (was U+F1A4)
- U+10791 MODIFIER LETTER SMALL RAMS HORN (was U+F1B5)
- U+10795 MODIFIER LETTER SMALL H WITH STROKE (was U+F1BC)
- U+107A0 MODIFIER LETTER SMALL TURNED Y (was U+F1CE)
- U+107A2 MODIFIER LETTER SMALL O WITH STROKE (was U+F1AB)
- U+107A3 MODIFIER LETTER SMALL CAPITAL OE (was U+F1AE)
- U+107B2 MODIFIER LETTER SMALL CAPITAL Y (was U+F1B4)
- U+1088E NABATAEAN LETTER FINAL KAPH (was U+F1A3)
- U+1DF04 LATIN LETTER SMALL CAPITAL L WITH BELT (was U+F268)
- U+1DF06 LATIN SMALL LETTER TURNED Y WITH BELT (was U+F267)
- U+1DF08 LATIN SMALL LETTER TURNED R WITH LONG LEG AND RETROFLEX HOOK (was U+F269)
- U+1DF18 LATIN SMALL LETTER EZH WITH PALATAL HOOK (was U+F235)
2 July 2021 (SIL WSTech Team) Charis SIL version 6.001
- Reverted font Postscript name to that used in v5 and earlier to avoid problems with unrecognized fonts when opening older documents.
29 Jun 2021 (SIL WSTech Team) Charis SIL version 6.000
Note that this is a major upgrade that may cause document reflow as some glyphs widths have changed and some features have been removed.
Removed
Removed DSIGs added in version 5.000. These have now been removed to reflect current best practice font development guidance. Adobe InDesign will complain that fonts cannot be found if a document last saved with version 5.000 is opened with version 5.960 or later installed. It will be necessary to find/replace the fonts in the document using the command in the Type menu. Please also look over the document carefully to note any places where changes in the fonts have affected letterforms or spacing.
Graphite has been removed. Application and OS support for OpenType has greatly improved, so the need for Graphite in this font family is greatly reduced. If this affects you, and you find that OpenType does not provide sufficient support for your needs, please contact us right away.
Removed the Show Invisibles feature.
Removed support for nine-level pitch contours. These will be replaced by a standalone pitch contours font in the future.
Added
Characters added to support Unicode versions 7.0-13.0, including feature support (e.g. small caps) where appropriate:
- U+03D1 GREEK THETA SYMBOL
- U+03F4 GREEK CAPITAL THETA SYMBOL
- U+1AB0 COMBINING DOUBLED CIRCUMFLEX ACCENT
- U+1AB1 COMBINING DIAERESIS-RING
- U+1AB2 COMBINING INFINITY
- U+1AB3 COMBINING DOWNWARDS ARROW
- U+1AB4 COMBINING TRIPLE DOT
- U+1AB5 COMBINING X-X BELOW
- U+1AB6 COMBINING WIGGLY LINE BELOW
- U+1AB7 COMBINING OPEN MARK BELOW
- U+1AB8 COMBINING DOUBLE OPEN MARK BELOW
- U+1AB9 COMBINING LIGHT CENTRALIZATION STROKE BELOW
- U+1ABA COMBINING STRONG CENTRALIZATION STROKE BELOW
- U+1DF5 COMBINING UP TACK ABOVE
- U+203B REFERENCE MARK
- U+20BE LARI SIGN
- U+20BF BITCOIN SIGN
- U+27E8 MATHEMATICAL LEFT ANGLE BRACKET
- U+27E9 MATHEMATICAL RIGHT ANGLE BRACKET
- U+2E13 DOTTED OBELOS
- U+2E14 DOWNWARDS ANCORA
- U+2E17 DOUBLE OBLIQUE HYPHEN
- U+2E22 TOP LEFT HALF BRACKET
- U+2E23 TOP RIGHT HALF BRACKET
- U+2E24 BOTTOM LEFT HALF BRACKET
- U+2E25 BOTTOM RIGHT HALF BRACKET
- U+A78F LATIN LETTER SINOLOGICAL DOT
- U+A7AE LATIN CAPITAL LETTER SMALL CAPITAL I
- U+A7AF LATIN LETTER SMALL CAPITAL Q
- U+A7B3 LATIN CAPITAL LETTER CHI
- U+A7B4 LATIN CAPITAL LETTER BETA
- U+A7B5 LATIN SMALL LETTER BETA
- U+A7B6 LATIN CAPITAL LETTER OMEGA
- U+A7B7 LATIN SMALL LETTER OMEGA
- U+A7B8 LATIN CAPITAL LETTER U WITH STROKE
- U+A7B9 LATIN SMALL LETTER U WITH STROKE
- U+AB30 LATIN SMALL LETTER BARRED ALPHA
- U+AB53 LATIN SMALL LETTER CHI
- U+AB5C MODIFIER LETTER SMALL HENG
- U+AB5E MODIFIER LETTER SMALL L WITH MIDDLE TILDE
- U+F26E CAPITAL RAMS HORN (in SIL PUA)
New
First release that uses a UFO-based design and production workflow
- All sources are in open formats
- Build toolkit and workflow is completely open-source
- See https://silnrsi.github.io/silfontdev/en-US/Introduction.html
Web fonts are provided in both WOFF and WOFF2 formats
Applied new hinting techniques to try to improve screen rendering on Windows
All-new documentation in HTML and PDF formats
Features for controlling literacy forms of a and g separately
- Literacy a alternates (ss02)
- Literacy g alternates (ss03)
Feature to support side-by-side rendering of U+0300 plus U+0301
- Kayan diacritics (cv79)
Tone letter features (cv91 & cv92) now supported through OpenType
Fixes
Width of typographic spaces have been made more consistent to reflect common publishing industry usage. Note that this may affect line and page lengths. Affected spaces:
- U+2000 EN QUAD (made width consistent)
- U+2001 EM QUAD (made width consistent)
- U+2007 FIGURE SPACE (made wider to match numerals in all styles)
- U+2009 THIN SPACE (made narrower)
- U+202F NARROW NO-BREAK SPACE (made narrower)
Fixed some small capital correspondences, including added support for clicks
Fixed problems with spacing of tone letters
Fixed missing or distorted Vietnamese composite glyphs
Fixed miscellaneous distorted glyphs
Improved miscellaneous anchor positions, including the position of diacritics below glyphs with macrons below (e.g. U+1E0F LATIN SMALL LETTER D WITH LINE BELOW)
Improved position of diacritics for superscripts and modifier letters (including cedilla, ogonek, rhotic hook)
Fixes and improvements to various glyphs:
- U+0037 DIGIT SEVEN (spacing)
- U+01E5 LATIN SMALL LETTER G WITH STROKE (bar position on single-story variant)
- U+02D6 MODIFIER LETTER PLUS SIGN (size)
- U+02DF MODIFIER LETTER CROSS ACCENT (size)
- U+02E4 MODIFIER LETTER SMALL REVERSED GLOTTAL STOP (form)
- U+033B COMBINING SQUARE BELOW (more rectangular)
- U+1AB3 COMBINING DOWNWARDS ARROW (position fixes since beta 1)
- U+1D02 LATIN SMALL LETTER TURNED AE (made double-story in italic)
- U+1D15 LATIN LETTER SMALL CAPITAL OU (form)
- U+1D46 MODIFIER LETTER SMALL TURNED AE (made double-story in italic)
- U+1D77 LATIN SMALL LETTER TURNED G (position)
- U+1D78 MODIFIER LETTER CYRILLIC EN (form)
- U+1EFC LATIN CAPITAL LETTER MIDDLE-WELSH V
- U+A76A LATIN CAPITAL LETTER ET
- U+A76B LATIN SMALL LETTER ET
- U+A76C LATIN CAPITAL LETTER IS
- U+A76D LATIN SMALL LETTER IS
- U+A77F LATIN SMALL LETTER TURNED INSULAR G (position)
- U+A7F8 MODIFIER LETTER CAPITAL H WITH STROKE (form)
- U+A7FA LATIN LETTER SMALL CAPITAL TURNED M (italic)
Known issues
There is no support for TypeTuner or TypeTuner Web. We hope to add that support soon.
There are no regional subsets. Please contact us if these are a priority for you and describe how you use them. We are reassessing whether to provide these subsets. With current web technology and WOFF2 compression most uses can be met equally well with the full fonts.
27 Oct 2014 (SIL NRSI team) Charis SIL version 5.000
- Added Stylistic Sets to the font for OpenType support of previously Graphite-only features
- Added Character Variants to the font for OpenType support of previously Graphite-only features
- Added Serbian feature when Serbian language is turned on
- Added hook D variant feature (for U+018A/U+0257)
- Removed "Show deprecated PUA" feature
- Removed "Romanian-style diacritics" feature (because glyphs are now encoded)
- Removed "Diacritic selection" feature
- Added U+039E, U+03BC, U+03C6 and U+03C9 in the Greek and Coptic block
- Added U+0528..U+052F in the Cyrillic Supplement block
- Added U+2041 in the General Punctuation block
- Added U+2095..U+209C in the Superscripts and Subscripts block
- Added U+20B6..U+20BD in the Currency Symbols block
- Added U+210C, U+2113, U+2117, U+212D, U+2135, U+214F in the Letterlike Symbols block
- Added U+2150..U+2152 and U+2189 in the Number Forms block
- Added U+2226, U+2234..U+2235, U+2262, U+2282..U+2287 in the Mathematical Operators block
- Added U+2640, U+2642, U+266D, U+266F in the Miscellaneous Symbols block
- Added U+27E8..U+27E9 in the Miscellaneous Mathematical Symbols-A block
- Added U+2C7E..U+2C7F in the Latin Extended-C block
- Added U+2C88 in the Coptic block
- Added U+2E00..U+2E0D, U+2E3A..U+2E3B in the Supplemental Punctuation block
- Added U+A736..U+A73F, U+A742..U+A74D, U+A750..U+A787, U+A790..U+A7AD, U+A7B0..U+A7B1, U+A7F7..U+A7FA in the Latin Extended-D block. These were also added to relevant features.
- Added U+A92E in the Kayah Li block (to support the Kayah Li language when using the Roman script)
- Added U+AB64..U+AB65 in the Latin Extended-E block
- Added U+1D40C, U+1D504..U+1D505, U+1D50A, U+1D50E..U+1D50F, U+1D514, U+1D516..U+1D517, U+1D519 in the Mathematical Alphanumeric Symbols block
- Added PUA characters U+F26C (curl J) and U+F26D (left-hook b)
- Characters in our PUA that were added to Unicode have had their codepoints updated: F1AD>A7F9, F266>A78E, F26B>A78D, F32C>0526, F32D>0527, F17B>1DFD, F209>2C70
- These PUA characters were deprecated (now white on black glyphs): U+F17B, U+F1AD, U+F209, U+F247, U+F248, U+F266, U+F26B, U+F32C, U+F32D
- Deleted U+0149 as it is officially deprecated in Unicode
- Added support for shorter macrons under narrow letters (i,l,r,t). (This only works for Graphite or using precomposed characters in OpenType.)
- Made it possible for saltillo characters (U+A78B and U+A78C) to "carry" diacritics
- Improved design of U+A722..U+A725 and U+A78D
- Refactored all cedilla positioning
- Removal of unneeded duplicate glyphs (because of improvements in smart font code)
- Bug fix in Graphite code to allow for simultaneous selection of Vietnamese alternates and Small Caps
- Bug fix in Graphite code to allow for simultaneous selection of Ogonek alternates and Small Caps
- Improved hinting
- Significant size, position and metric changes made to Subscript and Superscript parentheses, plus, minus, equals.
- Size of guillomets (U+00AB U+00BB U+2039 U+203A) modified to match the font. Metrics were not changed.
- Arrowhead design of U+21A8 modified to match the other arrows
- Placement of Ogonek revisited
- Slight modification to positioning of U+0361 and U+035C in Italic and Bold Italic
- Changed the strongly curved hooks on Cyrillic U+04C3..U+04C4, U+04C7..U+04C8, U+04FC..U+04FD, U+0512..U+0513 to be more consistent with other hooks
- Modified Cyrillic italic versions of U+04AF, U+04B1, U+04B5, U+04BC, U+04BE, U+04D8
- Modified design of U+A78D to be more curved and less squared
- Changed postscript names for U+0218 and U+0219
- Changed postscript names for U+2203, U+232A and U+2329
- "Hide tone contour staves" feature now works with single tonebar
- U+1DBF now follows weight and italic changes
- Allowed combining marks to render properly with U+02D0
- Removed AAT support
10 Jun 2013 (SIL NRSI team) Charis SIL version 4.114
- optimized Graphite code for faster processing of plain ASCII text
1 Aug 2012 (SIL NRSI team) Charis SIL version 4.112
- Changed Graphite feature identifiers from integers to 4-character alphanumeric tags (no other changes)
12 Sep 2011 (SIL NRSI team) Charis SIL version 4.110
- Removed the VDMX table
- Changed version number (using ttfsetver)
25 Aug 2011 (SIL NRSI team) Charis SIL version 4.108
- Double-encoded the SIL PUA characters which were added to Unicode 5.2 and 6.0 (using ttfremap)
- Encoded 1D29 (using ttfremap)
- Corrected problem with coverage tables (using ttfsortcover)
- Changed version number (using ttfsetver)
- Added device metric tables
- Added an empty dsig table
05 May 2009 (Alan Ward) Charis SIL version 4.106
- TypeTuner (Silt) table changed so that line metrics from legacy fonts can be imported
20 Mar 2009 (SIL NRSI team) Charis SIL version 4.106
- Added support for Unicode 5.1 Latin and Cyrillic additions
- Other characters added: 0462, 0463, 0474, 0475, 0524, 0525, 20E5, 2203, 2204, 231C..U+231F, 2329, 232A, 239B..23AD, A722..U+A725
- Added PUA characters F26B, F32C, F32D
- Design changes: 002F, 00A1, 00BF, 02D0, 02ED, 02FF, 034B, 04A8, 04A9, 04BC, 04BD, 04BE, 04BF, 04E0, 04E1, 045F, 04AA, 04AB, F208, F209, 0358
- Fixed attachment points on 1D68, 1D69, 1D6A, 04FA, 04FB, fi and fl ligatures
- Fixed collision issues for Vietnamese glyphs 'with horn'
- Fixed advance of t-caron
- Feature modifications:
- new alternates added to feature ID 1033 and renamed from Small v-hook alternate to V-hook alternates
- new alternate U+2C65 LATIN SMALL LETTER A WITH STROKE added to Literacy alternates feature
- default for Diacritic selection was changed from "on" to "off" (by request of FieldWorks team)
- Added new features:
- Small Caps
- Non-European caron alternates
- Capital B-hook alternate
- Show deprecated PUA
- Slant italic bug fixed (dot on i was not disappearing with combining marks)
- Removal of about 700 unused glyphs (including precomposed chao tone letters which were no longer needed since these are now dynamically created)
- Fixed issues: kern table error, usMaxContext and yMax errors
- Several OpenType issues fixed
- Graphite reordering bug fixed
- Automated AAT build process
- Changed OFL license to version 1.1
9 May 2008 (SIL NRSI team) Charis SIL version 4.104
- Double-encoded the SIL PUA characters which were added to Unicode 5.1 (using ttfremap)
- Changed version number (using ttfsetver)
16 Aug 2007 (SIL NRSI team) Charis SIL version 4.102
- Modified the OpenType features so that InDesign's built-in small caps work
31 Jan 2007 (SIL NRSI team) Charis SIL version 4.100
- Added PUA character F26A
- Added 2308, 2309
- Removed Cyrillic italic alternates feature and added those 3 characters to the slant italic specials feature
- Fixed bug in nine-level tones (in PUA) feature
- Made Chinantec tones larger, added 02C9 to this feature
- Fixed bug in GSUB table to work in Pango
15 Dec 2006 (SIL NRSI team) Charis SIL version 4.0.04 beta 1 (Version 4.004)
- Beta release (should not be distributed!)
- Added support for Unicode 5 Latin and Cyrillic additions
- Other new chars: 2053, 211F, 2123, 2423, FE20..FE23
- Numerous new PUA characters
- Deprecated some existing PUA chars now added to Unicode
- New features:
- Open O alternate
- Chinantec tones
- Pitch contour tramlines
- Cyrillic italic alternates
- Tone bars no longer limited to 3 sequences (OpenType)
- Added glyphs for nine-level tones (in PUA)
- Design changes to some Greek, Cyrillic, ogonek and modifier glyphs, particularly in italic faces
31 Jan 2006 (SIL NRSI team) Charis SIL version 4.0.02 (Version 4.002)
- First version released under the SIL Open Font License


|
OptaPlanner distribution 6.2.0.Final | |||||||||
| PREV NEXT | FRAMES NO FRAMES |
| Uses of Employee in org.optaplanner.examples.nurserostering.domain |
|---|
| Methods in org.optaplanner.examples.nurserostering.domain that return Employee | |
|---|---|
Employee |
SkillProficiency.getEmployee()
|
Employee |
ShiftAssignment.getEmployee()
|
| Methods in org.optaplanner.examples.nurserostering.domain that return types with arguments of type Employee | |
|---|---|
List<Employee> |
NurseRoster.getEmployeeList()
|
| Methods in org.optaplanner.examples.nurserostering.domain with parameters of type Employee | |
|---|---|
void |
SkillProficiency.setEmployee(Employee employee)
|
void |
ShiftAssignment.setEmployee(Employee employee)
|
| Method parameters in org.optaplanner.examples.nurserostering.domain with type arguments of type Employee | |
|---|---|
void |
NurseRoster.setEmployeeList(List<Employee> employeeList)
|
| Uses of Employee in org.optaplanner.examples.nurserostering.domain.request |
|---|
| Methods in org.optaplanner.examples.nurserostering.domain.request that return Employee | |
|---|---|
Employee |
ShiftOnRequest.getEmployee()
|
Employee |
ShiftOffRequest.getEmployee()
|
Employee |
DayOnRequest.getEmployee()
|
Employee |
DayOffRequest.getEmployee()
|
| Methods in org.optaplanner.examples.nurserostering.domain.request with parameters of type Employee | |
|---|---|
void |
ShiftOnRequest.setEmployee(Employee employee)
|
void |
ShiftOffRequest.setEmployee(Employee employee)
|
void |
DayOnRequest.setEmployee(Employee employee)
|
void |
DayOffRequest.setEmployee(Employee employee)
|
| Uses of Employee in org.optaplanner.examples.nurserostering.domain.solver |
|---|
| Methods in org.optaplanner.examples.nurserostering.domain.solver with parameters of type Employee | |
|---|---|
int |
EmployeeStrengthComparator.compare(Employee a,
Employee b)
|
| Uses of Employee in org.optaplanner.examples.nurserostering.persistence |
|---|
| Fields in org.optaplanner.examples.nurserostering.persistence with type parameters of type Employee | |
|---|---|
protected Map<String,Employee> |
NurseRosteringImporter.NurseRosteringInputBuilder.employeeMap
|
| Uses of Employee in org.optaplanner.examples.nurserostering.solver.drools |
|---|
| Methods in org.optaplanner.examples.nurserostering.solver.drools that return Employee | |
|---|---|
Employee |
EmployeeWorkSequence.getEmployee()
|
Employee |
EmployeeWeekendSequence.getEmployee()
|
Employee |
EmployeeFreeSequence.getEmployee()
|
Employee |
EmployeeConsecutiveWeekendAssignmentStart.getEmployee()
|
Employee |
EmployeeConsecutiveWeekendAssignmentEnd.getEmployee()
|
Employee |
EmployeeConsecutiveAssignmentStart.getEmployee()
|
Employee |
EmployeeConsecutiveAssignmentEnd.getEmployee()
|
Employee |
EmployeeAssignmentTotal.getEmployee()
|
| Methods in org.optaplanner.examples.nurserostering.solver.drools with parameters of type Employee | |
|---|---|
void |
EmployeeWorkSequence.setEmployee(Employee employee)
|
void |
EmployeeWeekendSequence.setEmployee(Employee employee)
|
void |
EmployeeFreeSequence.setEmployee(Employee employee)
|
void |
EmployeeConsecutiveWeekendAssignmentStart.setEmployee(Employee employee)
|
void |
EmployeeConsecutiveWeekendAssignmentEnd.setEmployee(Employee employee)
|
void |
EmployeeConsecutiveAssignmentStart.setEmployee(Employee employee)
|
void |
EmployeeConsecutiveAssignmentEnd.setEmployee(Employee employee)
|
void |
EmployeeAssignmentTotal.setEmployee(Employee employee)
|
| Constructors in org.optaplanner.examples.nurserostering.solver.drools with parameters of type Employee | |
|---|---|
EmployeeAssignmentTotal(Employee employee,
int total)
|
|
EmployeeConsecutiveAssignmentEnd(Employee employee,
ShiftDate shiftDate)
|
|
EmployeeConsecutiveAssignmentStart(Employee employee,
ShiftDate shiftDate)
|
|
EmployeeConsecutiveWeekendAssignmentEnd(Employee employee,
int sundayIndex)
|
|
EmployeeConsecutiveWeekendAssignmentStart(Employee employee,
int sundayIndex)
|
|
EmployeeFreeSequence(Employee employee,
int firstDayIndex,
int lastDayIndex)
|
|
EmployeeWeekendSequence(Employee employee,
int firstSundayIndex,
int lastSundayIndex)
|
|
EmployeeWorkSequence(Employee employee,
int firstDayIndex,
int lastDayIndex)
|
| Uses of Employee in org.optaplanner.examples.nurserostering.solver.move |
|---|
| Methods in org.optaplanner.examples.nurserostering.solver.move with parameters of type Employee | |
|---|---|
static void |
NurseRosteringMoveHelper.moveEmployee(ScoreDirector scoreDirector,
ShiftAssignment shiftAssignment,
Employee toEmployee)
|
| Constructors in org.optaplanner.examples.nurserostering.solver.move with parameters of type Employee | |
|---|---|
EmployeeChangeMove(ShiftAssignment shiftAssignment,
Employee toEmployee)
|
|
EmployeeMultipleChangeMove(Employee fromEmployee,
List<ShiftAssignment> shiftAssignmentList,
Employee toEmployee)
|
| Uses of Employee in org.optaplanner.examples.nurserostering.swingui |
|---|
| Methods in org.optaplanner.examples.nurserostering.swingui that return Employee | |
|---|---|
Employee |
EmployeePanel.getEmployee()
|
| Methods in org.optaplanner.examples.nurserostering.swingui with parameters of type Employee | |
|---|---|
void |
NurseRosteringPanel.deleteEmployee(Employee employee)
|
void |
NurseRosteringPanel.moveShiftAssignmentToEmployee(ShiftAssignment shiftAssignment,
Employee toEmployee)
|
| Constructors in org.optaplanner.examples.nurserostering.swingui with parameters of type Employee | |
|---|---|
EmployeePanel(NurseRosteringPanel nurseRosteringPanel,
List<ShiftDate> shiftDateList,
List<Shift> shiftList,
Employee employee)
|
|
OptaPlanner distribution 6.2.0.Final | |||||||||
| PREV NEXT | FRAMES NO FRAMES |


"x" "1" "KALUS,WH, MUENZNER,R AND FILBY,WG, ISOLATION AND CHARACTERIZATION OFSOME PRODUCTS OF THE BHA-NITRITE REACTION: EXAMINATION OF THEIR MUTAGENICITY,FOOD ADDIT. CONTAM. 7(2):223-233, 1990"


Can you achieve these goals?
Let’s find out.
What’s your take-home pay per week?
Any other regular cash receipts?
This annual amount includes items such as your yearly tax refund, cash gifts from family, and any other take-home earnings.


|
lubyk
0.5
|
Classes | |
| class | Poller |
| class | Socket |
Enumerations | |
| enum | SocketTypes { PAIR = ZMQ_PAIR, PUB = ZMQ_PUB, SUB = ZMQ_SUB, REQ = ZMQ_REQ, REP = ZMQ_REP, XREQ = ZMQ_XREQ, XREP = ZMQ_XREP, PULL = ZMQ_PULL, PUSH = ZMQ_PUSH } |
| enum | SocketOptions { HWM = ZMQ_HWM, SWAP = ZMQ_SWAP, AFFINITY = ZMQ_AFFINITY, IDENTITY = ZMQ_IDENTITY, SUBSCRIBE = ZMQ_SUBSCRIBE, UNSUBSCRIBE = ZMQ_UNSUBSCRIBE, RATE = ZMQ_RATE, RECOVERY_IVL = ZMQ_RECOVERY_IVL, MCAST_LOOP = ZMQ_MCAST_LOOP, SNDBUF = ZMQ_SNDBUF, RCVBUF = ZMQ_RCVBUF, RCVMORE = ZMQ_RCVMORE, FD = ZMQ_FD, EVENTS = ZMQ_EVENTS, TYPE = ZMQ_TYPE, LINGER = ZMQ_LINGER, RECONNECT_IVL = ZMQ_RECONNECT_IVL, BACKLOG = ZMQ_BACKLOG } |
| enum | EventOptions { POLLIN = ZMQ_POLLIN, POLLOUT = ZMQ_POLLOUT } |
| enum zmq::EventOptions |
Definition at line 77 of file constants.h.
| enum zmq::SocketOptions |
List of zmq socket options to be set with setsockopt.
| HWM | |
| SWAP | |
| AFFINITY | |
| IDENTITY | |
| SUBSCRIBE | |
| UNSUBSCRIBE | |
| RATE | |
| RECOVERY_IVL | |
| MCAST_LOOP | |
| SNDBUF | |
| RCVBUF | |
| RCVMORE | |
| FD | |
| EVENTS | |
| TYPE | |
| LINGER | |
| RECONNECT_IVL | |
| BACKLOG |
Definition at line 56 of file constants.h.
| enum zmq::SocketTypes |
List of zmq socket types for 'client' sockets.
Definition at line 42 of file constants.h.


In Final Fantasy X there is a language called Al Bhed. As you go through the game, you pick up pieces of information (Al Bhed Primer) that translate the Al Bhed language for you. Since nobody wants to wait that long, here is a translator.
Encase key nouns, subjects, and other bits not to translate in ( ) parentheses.
The translator is adapted from the original by Stefan Gagne. I have made it more usable on mobile and ensured translations happen as you type. Following the spirit of the original, the code is released under the MIT license and can be found on GitHub ward/ffx-al-bhed-translator.


Computer Science · A.I.(ArtIficial Intelligence) · Hololens
Holoens
A.I.(ArtIficial Intelligence)
My Facebook
My Weibo
Sun
Sunset
Flower
Mountain


Zoom
Play interactive fiction written in the Z-Machine format.
Useful Resources
- Home Page
- http://www.logicalshift.co.uk/unix/zoom/
- Interactive Fiction Archive
- http://ifarchive.org/
- Interactive Fiction Wiki
- http://ifwiki.org/
- Interactive Fiction Database (with game reviews)
- http://ifdb.tads.org/
Getting Started
Interactive fiction is a literary format that the reader interacts with and directs. As the reader you'll type commands in natural language, like "open door" or "unlock chest". Many frequently used commands can often be abbreviated; instead of typing "go north" one can instead type "n" for example. Likewise all the other directions, "i" for "inventory" and "g" for "again" are commonplace. Look in the above references to get a lot more information on playing interactive fiction in general.
Zoom provides a menu to browse through installed stories and play them. Use the cursor keys to go through the list and the enter key to select one.
Extensions
This PocketInstaller copy of Zoom includes a handful of sample stories that you can play immediately. More stories can be downloaded from the Interactive Fiction Archive linked above. Not all available formats can be played with Zoom; look specifically for Z-Machine files.


COP LAND (1997)
A film review by Steve Kong Copyright 1997 Steve Kong
Sylvester Stallone acts? Ha! At least that's what I thought walking into the showing of Cop Land. Did I walk out thinking different?
Across the bridge in New Jersey there is a town named Garrison. It's a small town, mostly populated by cops from New York. The sheriff of Garrison is Freddy Heflin (Sylvester Stallone). He has a desperate want to be in the NYPD, but can't get in because of one deaf ear. The town of Garrison is populated mostly by cops, most of them dirty.
Writer/Director James Mangold tries to write a multileveled story, spinning up many plot threads. He includes the main plot of a super-boy cop who shoots two death two black men on the bridge. Then there are the miscellaneous personal stories that link different cops. One cop is sleeping with another's wife. Another is doing drugs and does something horrible to his girlfriend. One bigger thread is about a dirty cop who sets up the town with the help of the mob.  There is also a love interest for Stallone. There are a few other threads, but they are mostly extraneous ones. Most of these threads get cut short and end up being shallow. Many of the threads are unneeded.
The film seems to become bloated after a while. Many big name stars step into the film, including Harvey Keitel, Robert De Niro, and Ray Lolita. (Off subject, De Niro's character seemed to have been stuck in the late 70s or early 80s, his hair is awful, and he's dressed badly). I was happy to see Janeane Garofalo again. Her screen time is little and her part was completely unnecessary, but it was nice to see her again on the big screen.
Cop Land tries really hard to be a high drama film and though it comes close, it fails. Cop Land is a wait for video movie, and even then, I cannot recommend it. And for those of you wondering, yes, Stallone can act, and he does well in Cop Land. Stallone just needs to find a project with a better script next time.
!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=! steve kong<EMAIL_ADDRESS>come visit the hard boiled movie page http://boiled.sbay.org/boiled/ !=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!=!
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


CAD 10 Overview
Differences between - CAD 94 and CAD 10- Configuration Tools- ISM Services- Admin Tools Know more
Differences between - CAD 94 and CAD 10- Configuration Tools- ISM Services- Admin Tools Know more
- Units tests and it's importance - Writing covention for Unit tests - Demo of Unit test cases in C# using NUnit tool Know more
- Introduction - Principles - Prerequisites - DevOps Services - Azure Repos - Continuous Integration - Continuous Deployment - Azure Artefacts - Nuget package development Know more
Senior Manager - Technical
Manager - Technical
Project Leader
Senior Software Consultant
Senior Software Consultant
Senior Software Developer
Your Designation
Knowledge is power. In our continuous endeavor to bring the team to speed on the ever-expanding realms of domain and on the latest and greatest of technologies, we have been conducting carefully planned knowledge sharing sessions. We are also continuously listening to the needs of the team to deliver sessions that help them onboard a new skill or requirement. It is our passion to spread the light of knowledge and it is our commitment to ensure that no one is left behind.
We are always on the lookout for captains who can lead the team in to new arenas and will do our best to ensure that the knowledge imparting journey is smooth and successful. Be on the look out for our adventure sirens and join the ship for an exciting and fruitful journey. Together, we can make this the best ever ride. Hold the beacon of knowledge high.
Python is a general-purpose language. It has wide range of applications from Web development, scientific and mathematical computing to desktop graphical user Interfaces.
Download FilesIn future product center is coming up with DevOps concept for regions called “Any Shore”, where we have to check-in our code a common DevOps (VSTS) and anybody can access our code. Product center has already started, DevOps can support measuring the number of quality check-ins from each developer. Coding standards in necessary to meet the needs of the GPS projects.
Download FilesUML and Single Responsibility OpenClosed and Liskov Substitution Interface Inversion and Dependency Injection
Download Files- Introduction - Principles - Prerequisites - DevOps Services - Azure Repos - Continuous Integration - Continuous Deployment - Azure Artefacts - Nuget package development
Download Files


Provides an easy way to load stable Core Zelig and ancillary Zelig
packages.
| Version: |
0.1.1 |
| Imports: |
Amelia, dplyr, MatchIt, purrr, rstudioapi, tibble, WhatIf, Zelig, ZeligChoice, ZeligEI |
| Suggests: |
testthat |
| Published: |
2017-05-17 |
| Author: |
Christopher Gandrud [aut, cre] |
| Maintainer: |
Christopher Gandrud <zelig.zee at gmail.com> |
| BugReports: |
https://github.com/IQSS/zeligverse/issues |
| License: |
GPL (≥ 3) |
| URL: |
https://github.com/IQSS/zeligverse |
| NeedsCompilation: |
no |
| Materials: |
README NEWS |
| CRAN checks: |
zeligverse results |


Interface AssetManager
Manages asset mappings.
Direct known implementers
Puli\Manager\Asset\DiscoveryAssetManager
Namespace: Puli\Manager\Api\Asset
Author: Bernhard Schussek<EMAIL_ADDRESS>Since: 1.0
Located at Api/Asset/AssetManager.php
Author: Bernhard Schussek<EMAIL_ADDRESS>Since: 1.0
Located at Api/Asset/AssetManager.php
public
|
#
addRootAssetMapping(
Adds an asset mapping to the repository. |
public
|
|
public
|
#
removeRootAssetMappings( Webmozart\Expression\Expression $expr )
Removes all asset mappings matching the given expression. |
public
|
|
public
|
|
public
|
|
public
boolean
|
#
hasRootAssetMapping( Rhumsaa\Uuid\Uuid $uuid )
Returns whether the root package contains a mapping with the given UUID. |
public
|
#
findRootAssetMappings( Webmozart\Expression\Expression $expr )
Returns all asset mappings in the root package matching the given expression. |
public
boolean
|
#
hasRootAssetMappings( Webmozart\Expression\Expression $expr = null )
Returns whether the root package contains any asset mappings. |
public
|
|
public
|
|
public
|
#
findAssetMappings( Webmozart\Expression\Expression $expr )
Returns all asset mappings matching the given expression. |
public
boolean
|
#
hasAssetMapping( Rhumsaa\Uuid\Uuid $uuid )
Returns whether an asset mapping with the given UUID exists. |
public
boolean
|
#
hasAssetMappings( Webmozart\Expression\Expression $expr = null )
Returns whether any asset mappings exist. |
integer |
OVERRIDE
Flag: Override existing asset mappings in addAssetMapping(). |
#
1
|
integer |
IGNORE_SERVER_NOT_FOUND
Flag: Ignore if the server does not exist in addAssetMapping(). |
#
2
|


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Calculate Savings! See what you can save.
Have Questions? Talk to an ESL Expert.


Welcome to SSP Helper!
This web application helps you to know what courses you have met its prerequisites.
Who is this for?
- Students who failed one or more courses.
- Students who withdrawed a course or an entire term.
 Otherwise, you can exit as it's not of use to you.
IMPORTANT DISCLAIMER! PLEASE READ!
- This web app is NOT affiliated with Alexandria University by any means.
- SSP Helper only shows you what courses you've met its prerequisites. That's all.
- There might be errors with the output of this app. Please revise your options with your advisor prior to actual registration.
- Be careful as sometimes the prerequisites of courses are changed without informing the students. So SSP Helper might not be updated to the latest changes yet. (This happened with both CAE and GPE departments)
- Completing the prerequisites of a certain course doesn't mean you can register it. It might not open for registration after all.
- Some courses are more important than others. The output of this app is NOT a recommendation. It Just shows you the possibilities.
-
If you encounter an error with the prerequisites (or a bug in general), you can:


FEMALE PERVERSIONS A film review by James Berardinelli Copyright 1997 James Berardinelli
RATING (0 TO 10): 6.0 Alternative Scale: **1/2 out of ****
Germany/United States, 1997 U.S. Release Date: May 1997 (limited) Running Length: 1:58 MPAA Classification: R (Sex, nudity, profanity, mature themes) Theatrical Aspect Ratio: 1.85:1
Cast: Tilda Swinton, Amy Madigan, Karen Sillas, Frances Fisher,=20 Laila Robbins, Paulina Porizkova, Clancy Brown Director: Susan Streitfeld Producer: Mindy Affrime Screenplay: Julie Hebert and Susan Streitfeld Cinematography: Teresa Medina Music: Debbie Wiseman U.S. Distributor: Transatlantic Entertainment
Before FEMALE PEVERSIONS, I never thought of Tilda Swinton=20 (ORLANDO) as possessing much sexual allure. Her performance here, the=20 best thing about this sporadically effective exploration of sexuality=20 and gender roles, has convinced me otherwise. With her finely-chiseled=20 features, alabaster skin, and ruby red lips, she radiates eroticism,=20 whether she's wearing a designer suit, transparent neglig=E9e, or nothing=20 at all. If there's a reason to see FEMALE PERVERSIONS, it's Swinton.
Had this film been directed by a man, I would have been tempted to=20 call it soft porn, but, since there's a woman (Susan Streitfeld) putting=20 all the naked female flesh up on screen, it seems a little less=20 exploitative. Besides, there are times when the nudity is important to=20 the script, and FEMALE PERVERSIONS is nothing if not rich in ideas. In=20 fact, that's part of the problem. The movie is so focused on presenting=20 its agenda that it frequently lapses into pretentiousness. The=20 characters don't always speak dialogue; occasionally, they start=20 mouthing slogans.
FEMALE PERVERSIONS is inspired by FEMALE PERVERSIONS: THE=20 TEMPTATIONS OF EMMA BOVARY, an non-fiction book by feminist Louise J.=20 Kaplan. There are times when Streitfeld tries a little too hard to get=20 Kaplan's points into the film, and the result is less-than-successful. =20 A pillow has the following phrase on it: "Perversions are never what=20 they seem to be." A television has this caption crawling across the=20 bottom of the screen: "Perversion keeps despair, anxiety, and depression=20 at bay." And a roadside bench offers the message: "In a perversion,=20 there is no freedom, only a rigid conformity to stereotype." I'm not=20 sure what all of this means, but, despite the unsubtle manner in which=20 the ideas are presented, it's impossible to deny that FEMALE PERVERSIONS=20 says provocative things.=20
Swinton plays Eve Stephens, an aggressive attorney who's up for an=20 open position on the Court of Appeals. From the outside, Eve appears to=20 have everything -- she's a smart, powerful, attractive go-getter whose=20 career is on the rise and whose love-life would be the envy of many=20 professional women. She knows how to use her body to get what she wants=20 -- her cleavage and subtle body language are as much a part of her=20 closing arguments as are her words. Deep-down, however, Eve is=20 troubled. She is haunted by feelings of inadequacy, has recurring=20 visions of herself failing, experiences nightmares of a violent=20 confrontation between her parents, and hears babbling voices. One of=20 those voices, referring to her use of sexuality to sway opinion in her=20 favor, comments: "Nothing about you is genuine. Everyone knows you're a=20 fraud." Driven ever closer to the line between madness and sanity, Eve=20 begins taking risks in every aspect of her life.
It's a good thing that Eve is such an interesting character,=20 because no one else in FEMALE PERVERSIONS is better than paper-thin. =20 Each of the other females represents some aspect of womanhood. Amy=20 Madigan's Madelyn is the intellectual asexual, Laila Robbins' Emma is=20 the insecure submissive, Frances Fisher's Annunciata is the seductress,=20 and Karen Sillas' Renee is the lesbian. Unfortunately, these=20 individuals aren't just described by their characteristics -- they're=20 defined by them, and that makes FEMALE PERVERSIONS' entire supporting=20 population profoundly uninteresting. =20
Ultimately, FEMALE PERVERSIONS is frustratingly incomplete. As a=20 character study, it has flashes of brilliance, but strong ideas, erotic=20 sex scenes, and a lot of naked flesh can't make up for the lack of a=20 compelling story. In a way, this film reminded me of KAMA SUTRA; the=20 two share a number of similarities. Both feature attractive main=20 performers, have a lot to say about gender and sexuality, and lack a=20 strong narrative. The one advantage FEMALE PERVERSIONS has is Tilda=20 Swinton, but she can't quite tip the balance in the movie's favor. =20 FEMALE PERVERSIONS is often too pretentious to be profound.
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
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No matter how much traffic your site gets, what really matters is conversions. Convert neutral traffic – people who haven’t decided whether to buy or not – by investing in analyzing and incentivizing them to buy. Increasing conversions is more financially beneficial than driving more traffic. Instead of accepting your current conversion rate, focus on increases of 10% or greater using the methods below.
Your site must grab visitors attention immediately, then lead them from where they land to checkout. Is it obvious how landing on your site will benefit your visitors? If they can’t immediately tell they will leave. Use analytics to check bounce rates and improve any pages that show high exit rates.
1. Upsell and Cross Sell
Offering related products on product pages to sell more than one product is a common strategy known as cross-selling. Upselling is offering more expensive related products to increase the amount spent.
New SaaS provider Fanplayr.com helps to make this process seamless for businesses. Their service analyzes your existing traffic, assessing the behavior and profiles of each visitor in real-time and automatically upsells or offer specifically tailored deals. This is executed based on defined rules and customized offers and incentives set by you for your target customers. This customized approached helps you to increase your average order value and conversions.
Fanplayr analyzes traffic you drive so you can target different offers to segments of visitors based on:
- user type
- visit count
- past purchases
- time on site
- page views
- cart size
- device type
- browser
- source
- search term
- location
New visitors who place items with high profit margins in their carts can be offered a higher dollar discount. Reward the loyalty of your repeat buyers with percent off their current purchase. Be sure to let them know they received the discount because they have purchased from you before.
Just as some sites offer free shipping for orders over $50, $75 or $100, increase visitor’s total spend by offering a higher discount based on the dollar amount they have in their carts or how much they have spent with you previously. Read more in Proven Online Cross-Selling and Upselling Techniques.
2. Improve Site Search
Make sure your customers can find what they want quickly. Test your site search to ensure that all your products show up as expected and just as importantly confirm that irrelevant products are not appearing in searches. Consumers will not trudge through page after page of search results.
Standard site search often returns all results for any word in the search. What this means is that if someone searches for ‘pink widgets’ the search will return every pink item on the site. This is unacceptable as not all users will realize the problem and change their search phrases. There are many easily installed third party site search solutions to resolve these issues.
3. Conversion Test eCommerce Incentives
Traffic from AdWords can be offered multiple types of incentives which can be measured to see which increases sales more. For example, test whether your visitors would rather have:
Free shipping if they spend $50 or more
10% off sales of $100 or more
$20 off a $200 purchase
Fanplayr not only analyzes, segments, and allows you to add incentives and offers; it integrates A/B testing into ecommerce software. Changes can be made to text campaigns on the fly.
Conversion testing can increase conversion rates up to 25% ~ Up to 50% higher average order values ~ Targeted offers can generate up to 20% margin improvement.
4. Conversion Tests for SaaS
Solutions providers can use analysis and segmenting to decrease the time it takes to progress through their sales funnels. For example, Neil Patel at QuickSprout suggested in 7 Simple A/B Tests to Increase Conversions 10% or More to test:
- Buy now vs free trial
- Credit card vs no credit card
Improve your sales funnel by comparing the actions of visitors who have converted with those who haven’t. Check page views to determine whether visiting particular pages increases conversions. If it does, change site navigation to add that page to the sales funnel.
Provide different incentives to repeat visitors or visitors who have downloaded specific white papers or watched specific videos. Analysis can provide your sales team insights into what a particular lead is most interested in.
5. Strengthen Trust Signals
Unless you’re a household name, your site must convey how trustworthy your site is. Adding photos of the business location and people behind the brand to your about page can increase conversions. Your about page is usually visited just before a person checks out to make sure you are a “real” business. Optimize this page. Make it convey why they should buy from you.
Online buyers are more sophisticated today. Many know to verify that your site is secure by looking for the https:// in your url and a Secure Shopping 256 bit icon. Display Trust Signals such as Better Business Bureau, TrustE, Norton Secured, TrustWave, Google Trusted Store.
6. Reviews and Testimonials
Real testimonials are another way to increase trust. If you sell a service, offer it to the leading influencers in your industry and ask for their endorsement. Use their photo, logo and text or even a video. Video testimonials are doable for any size business.
 Even though testimonials and reviews can be manipulated, they are still valuable during the decision-making process. Savvy buyers know to look at a reviewers other reviews or to search for the testimonial giver online to determine whether they can be trusted.
Enable the ability for your buyers to review your products and services. What they write is feedback for you and your customers. No product or service is a perfect fit for everyone. Details left by buyers ensure buyers choose wisely.
7. Be Easy to Contact
People don’t buy unless they’re confident they are making the right decision. Even if you have excellent product descriptions and multiple photos, they may still have a question. At a minimum be sure you have a contact page that is easy to find. Test it to make sure it works.
Better yet, add live chat to your site. Businesses that provide live interactions at least during business hours save money and experience increased sales and conversions.
“According to an article on Sitepoint, the top ten reasons buyers abandon their online shopping sessions are often related to confusion and complications at checkout. Confused customers may have a question that they want answered in real time.  People want to know there is a real person they can contact behind the site. Answering them in real time increases confidence they can reach you should their package not arrive or they have problems with their purchase.
Gail Gardner is the Small Business Marketing Strategist who founded and provides consulting at GrowMap.com. She also answers questions in live chat as Community Manager at SocialImplications.com.
More from AllBusiness.com:
- The Gift of a Bright Business Idea
- Be Prepared for a Roller Coaster Ride: 5 Key Business Predictions for 2015
- Growth: One Thing Your Startup Must Do to Avoid Crashing and Burning
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| Package | com.press2flash.serialization |
| Class | public class GetCommentsSerializer |
| Inheritance | GetCommentsSerializer Serializer |
| Implements | ISerialiser |
// instantiate a new WPConnection var wp_connection:WPConnection = new WPConnection(); wp_connection.addEventListener(WPConnectionEvent.COMPLETE, onCommentSuccess); wp_connection.addEventListener(WPConnectionEvent.ERROR, onCommentError); // instantiate a new GetCommentsSerializer var comments_serialiser:GetCommentsSerializer = new GetCommentsSerializer(); // Add the parameters you send to Wordpress comments_serialiser.post_id = 10; comments_serialiser.offset = 25; comments_serialiser.order = "ASC";
| Property | Defined by | ||
|---|---|---|---|
| cache : Boolean = true Specifies if the application has to keep the content retrieve in memory.
| Serializer | ||
| number : String = "" Amount of comments returned
| GetCommentsSerializer | ||
| offset : int = 0 Offset
| GetCommentsSerializer | ||
| order : String = "DESC" Order ASC or DESC
| GetCommentsSerializer | ||
| orderby : String = "comment_date_gmt" Specifies how the comments should be ordered
| GetCommentsSerializer | ||
| post_id : int = 0 ID of the post in Wordpress to retrieve the respective comments
| GetCommentsSerializer | ||
| status : String Specifies the page status
| GetCommentsSerializer | ||
| STATUS_APPROVE : String = "approve" [static]
| GetCommentsSerializer | ||
| STATUS_HOLD : String = "hold" [static]
| GetCommentsSerializer | ||
| STATUS_SPAM : String = "spam" [static]
| GetCommentsSerializer |
| Method | Defined by | ||
|---|---|---|---|
| GetCommentsSerializer | |||
|
addParam(key:String, value:String):void
Add a value to send to Wordpress
| Serializer | ||
|
CDATA(nodeContent:String):XML
Add a CDATA section to enclose a node content
| Serializer | ||
|
getParams():XML
Output all the parameters in a XML format
| Serializer | ||
|
serialize():String
| GetCommentsSerializer |
| number | property |
public var number:String = ""
Amount of comments returned
| offset | property |
public var offset:int = 0
Offset
| order | property |
public var order:String = "DESC"
Order ASC or DESC
| orderby | property |
public var orderby:String = "comment_date_gmt"
Specifies how the comments should be ordered
| post_id | property |
public var post_id:int = 0
ID of the post in Wordpress to retrieve the respective comments
| status | property |
public var status:String
Specifies the page status
| STATUS_APPROVE | property |
public static var STATUS_APPROVE:String = "approve"
| STATUS_HOLD | property |
public static var STATUS_HOLD:String = "hold"
| STATUS_SPAM | property |
public static var STATUS_SPAM:String = "spam"
| GetCommentsSerializer | () | constructor |
public function GetCommentsSerializer()
| serialize | () | method |
public function serialize():String
Returns
String |


Siblings of Mexican cartel killing unite for photograph
by Hollie McKayThe seven young survivors of a horrific cartel massacre in Mexico earlier this month were reunited for the first time in a photograph this week.
The children – still recovering from injuries and mourning the murder of their mother, Dawna Ray Langford, and two brothers, Trevor and Rogan – were featured smiling alongside Cody Langford, who remains in a wheelchair.
The 8-year-old was shot in the foot and jaw and was the last of the wounded to be released from an Arizona hospital last weekend.
Also pictured was Devin Langford, 13, who walked 14 miles from the site of the murders to get help after hiding his injured siblings.
"I was just thinking of my mom and my siblings," he told Fox News' "The Story" earlier this month. "We walked probably a couple yards -- probably 20 yards -- and then we got them behind a tree right there and they were really wounded so I started walking."
MEXICO'S ANNUAL HOMICIDE COUNT ON PACE TO BE HIGHEST IN DECADES AS NEARLY 100 KILLED DAILY
The family photograph was added to a GoFundMe page, which has reached almost two-thirds of its $300,000 goal -- money that'll aid the family with medical and funeral expenses.
“We are a community of U.S. citizens that live and operate between Mexico and the United States; we are under attack as we speak by the cartels in Mexico,” the message from the family states. “We need this to be shared and the whole world to witness the atrocious inhumane and barbaric acts that were committed against us today, Rhonita Miller and her 4 children were shot up and burned to death in this vehicle and at this very moment there are TWO more Suburbans with 2 of our families totaling 2 wives and 10 children that are missing and/or kidnapped by the cartel.”

The horrific attacks, which resulted in the deaths of three women and six children, sent shockwaves through communities on both sides of the border, shedding light on the escalating brutality of the drug cartels that dominate large swaths of Mexico.
CLICK HERE FOR THE FOX NEWS APP
Those attacked were members of the LeBaron family, a well-known American clan who has lived in the community in the northern part of the country for decades. The attack targeted citizens who live in a community founded as part of an offshoot of the Church of Jesus Christ of Latter-day Saints. The onslaught prompted a response from President Trump who offered U.S. resources to "wage war" against the cartels.
Adam Shaw contributed to this report


Generally we always report our Product sale of everyday store in the city
We are always leading in teachnology field
We are always leading in teachnology field
We are always leading in teachnology field
We are always leading in teachnology field
We are always leading in teachnology field
We are always leading in teachnology field
We are always leading in teachnology field


Here you can add your locations , organizers and events for your site
Here you can add Locations for an Event.
Here you can add Locations for an Organizer.
Here you can add an Event.


You can control some DeCE behavior by setting option. For example, as a default, DeCE does not print line numbers, as it is obsolete. However, you can still activate the line number option by setting
set LineNumber
while to de-activate,
unset LineNumber
Currently there are 6 options implemented in DeCE. Besides LineNumber above, we have 5 options that require an optional value, such as
set AngleStep 10
here the angle increment is set to 10 degree when printing the scattering angular distribution.
read and multiread commands import data from an external file. As a default, DeCE assumes that the cross section is in mill-barn, and the energy is in MeV. When ReadXdataConversion is set to 0.001, the energy in the external file will be in keV.
WriteXdataConversion and WriteYdataConversion work only for the table command applied to MF3. The printed energies and cross sections will be multiplied by these factors. For example, when WriteYdataConversion is 1000, the output cross sections are in milli-barns, intead of the default of barns.


{% extends 'base_email.html' %} {% block content %}
Hi {{ participant }}, you have a fresh newdle!
|
Please help {{ creator }} choose a time for the event "{{ title }}". |
The link above is personalized for you; please do not forward/share it.
{% endblock %}


UG (B.Tech) admissions conducted through the common entrance test (EAMCET) by the Andhra Pradesh state government. While 70% of the seats allotted are based on merit in EAMCET, 30% of the seats are earmarked for Management Quota. In addition, the Engineering Diploma holders, based on their merit at ECET (FDH), are admitted into Lateral Entry (II year B. Tech Courses) to the tune of 20% of the total intake. For more information regarding the EAMCET process, please see https://apeamcet.nic.in/ PG (M.Tech) admissions - 70% of M.Tech Admissions are made based on merit in GATE / PGECET. Remaining 30% of the seats are earmarked for Management Quota. For more information regarding the PGECET process, please see www.appgecet.nic.in MBA & MCA Admissions - 70% of MBA & MCA Admissions are made based on merit in ICET and remaining 30% of the seats are earmarked for Management Quota. For more information regarding the ICET process, please see www.apicet.nic.in


Bob Hasan 10 km
Jakarta INA
Race Winners
10 Apr
1994
27:43
32:45
24 Jan
1993
27:40
32:10
08 Feb
1992
27:43a
31:44a
28 Apr
1991
27:43a
31:42a
11 Feb
1990
27:39a
31:44a
05 Feb
1989
28:00a
31:30a
02 Apr
1988
27:29a
32:14a
08 Feb
1987
28:38a
31:58a
Notes: The 1987-1989 races were held on a point-to-point course in
Bali; the 1990-1992 races were held on a point-to-point course with a 2.7 m/km drop in Borodudur; the 1993-1994
races were held on a standard (loop) course in Jakarta.
Addis Abebe-4
Anne-Marie Lauck (USA)
Addis Abebe-3
Derartu Tulu-2
Richard Chelimo (KEN)
Derartu Tulu (ETH)
Addis Abebe-2
Susan Sirma (KEN)
Addis Abebe (ETH)
Katrin Wessel (GER)
Arturo Barrios (MEX)
Liz McColgan-2
John Ngugi (KEN)
Nancy Tinari (CAN)
Marcus Nenow (USA)
Liz McColgan (SCO)
Most Wins (1987-1994)
Men
4
Addis Abebe (ETH)
1990-91,1993-94
Women
2
Liz McColgan (SCO)
1987,1989
.


Avoiding launch fails with load testing
Locustio
@keso
Senior Customer Success Manager,
Pantheon
Pantheon
We do Webops
Now Hiring
@aczietlow
Engineer Manager,
Mindgrub
Mindgrub
Technical Agency; Drupal and Beyond
Now Hiring
load testing
But why though
Lexicon
performance testing
determine resource usage, scability, and reliability under different given circumstances
load testing
Continously increase the stress on the system until failure to learn the limits
stress testing
Place the system under stress, and begin overloading system components
Healthcare.gov
Florida bridge collapse
Need another example of utter failure
ideas
cocacola super ad failure
UFC
The Darkweb?
Why is Locust
Performance testing before:
new launches
feature release
bug fixes
major marketing event
part of CI
Debugging problems that occur only under load
Live Demo Time?


How different are managed and serverless services?
A common confusion between people who have their first touchpoint with cloud technologies is
What is the difference between serverless technologies and managed services?
What Are Managed Services?
A managed service enables the end-user to focus on using a service rather setting up the service. Not that the cloud provider can detect your thoughts. Rather any input the service requires is happening via a user-friendly form. Managed services fit into the category of PaaS products (Platform as a Service).
One of the most famous managed services around is Amazon’s Elastic Beanstalk. In ElasticBeanstalk you can a) set up some parameters b) provide a docker image
and the service will set up the rest for you. Things like:
- Virtual machines
- A webserver (if needed)
- Expose your application to the public
- Monitoring and logging infrastructure
- Semi-automated configuration
- Load balancing
- Scaling etc.
You will be able to see the results of the Elastic Beanstalk operation e.g. the virtual machines, that were bootstrapped, as a result. Usually, you won’t be able to access and fiddle around with them. Otherwise, it is not a managed service, you are the manager.
So a managed service is essentially an abstraction of a… non-managed service. The abstraction is usually interfaced via web forms. Additionally in a managed service as a user, you don’t bother with updates, patches, etc.
This is because you have no access to the machines, someone has to do the laundry. Usually, you have only limited choices, if any, on the underlying system. That might be the operating system, version of the software used.
Fairly simple, right? Let’s go to serverless who is a bit more complex.
What Does Serverless Mean?
With the word serverless we refer to a different computing model, on the contrary to the “traditional” one which is server-oriented. In server-oriented computing (or serverfull if you like more sophisticated words), we use virtual or physical machines to set up and execute our application.
Qualities like the availability and the performance of our applications are strongly bound to the health of your machines.
Clusterisation solutions have been perfected over time (amongst other reasons) to make the decline of machines' health less and less important.
What about the cost though? Why do we still pay for idle or underutilized servers (either in money or in lost CPU cycles)? If we need to scale a cluster of machines why does this take time?
Here comes serverless. Serverless fits in the category of FaaS products (Function as a service).
The name is a bit misleading; the server where “the code” runs does exist.
 Serverless goes a bit further. Your application runs, when it is needed and for just as long as it should. Idle times are eliminated.
You never get to see the server in your virtual machine dashboard and of course, you don’t know any details about it/them.
Serverless implementations are usually event-driven. The instances are idle unless an event occurs.
N.B: There might be a case where you have instructed them to not be idle which is known as “scale-to-one”. They get busy and when done, they go idle again. If they get too busy they get support from other clones aka horizontal scaling.
There are few benefits with serverless implementations. A big one is that they are scaling easily and effectively. That is because they are usually based on lightweight installation media, like Docker images/containers and there is no need to provision extra machines.
In theory, with serverless computing, you have the whole cloud infrastructure of the provider on your feet. With the respective cost of course. :)
Speaking about costs, serverless code is billed per second and at a higher rate than a machine lease. So it is recommended to run for relatively short workloads in time.
Some providers put a hard limit on how long serverless code can run. this is to also avoid unpleasant surprises on your bill.
One notable example of full-stack serverless and the cost benefits that come with it is acloud.guru.
I remember studying for the AWS Architect certification using one of their courses (awesome content btw, highly recommended), and the instructor mentioning that “We pay 400$ per month with Serverless and it would be around 100000$ using servers”.
One of the cons serverless architectures have is on time-critical applications. Usually, newly deployed serverless functions, experience some kind of latency also known as “cold start”. There are mitigations around that, called -surprise, surprise- “warm starts”. But you may want to check other architectures for such a requirement.
By the way, serverless solutions provided by the cloud providers are i.e AWS Lambda, Azure Functions are…managed too. That means you can set up your serverless architecture using high-level abstractions and input your preferences/configuration with provided forms.
Managed Services + Serverless
As you have probably figured by now, serverless and managed services have some interesting similarities. We can sum them up like: Don’t worry about the infrastructure, focus on your business value.
There is a very interesting public service that comes with both flavors, managed and serverless. This is AWS Aurora. Aurora is a managed database, compatible with MySQL and Postgresql. There are two flavors of Aurora.
The managed one, where you set up a database using a form, and brings up a few virtual machines, and takes care of their health. You may just focus on deploying a good database schema.
In this flavor, the database is running 24/7/365. Or at least that’s the goal, as it offers very high availability and otherwise works in the same way as any database server you have used in the past.
There is also the serverless flavor, where Aurora is set up as such. In that case, you have the storage “deployed” 24/7/365 as above. You cannot have serverless storage, which is contradictory (according to my current knowledge at least). :)
The processes though, that perform data manipulations on your data, like fetch and update, can be easily converted to serverless functions. Aurora serverless can have significant cost reductions, as the data manipulations run on an as-needed basis. Though if the database is fairly busy the cost might be higher than in a serverfull architecture. That being said Aurora serverless is better used when your workload is intermittent and unpredictable.
Openfaas
During this article, I explained those technologies with public cloud providers.
If you want to run serverless computing / FaaS without relying on a public provider you may use OpenFaas (future article to come).
This technology will not only give you more control over your architecture. It will also help you realize that the serverless model relies on clustering technologies like Kubernetes. Also, you will learn how you can set up scaling rules and cold/warm starts.
Conclusion
Thank you for reading till the end. We spoke about Serverless technologies and compared them with managed services. They have serious overlap but cover different needs too. If you need to add something I would love to hear your view.


At left: FeliX model formulas for calculating gross carbon flux from reservoir X to reservoir Y, Σ(X→Y) (PgC per year). FeliX model parameters are based on the C-ROADS model 34 and are defined and discussed in further detail in the model's technical documentation 28.


GMAC driver init struct. More...
#include <gmacd.h>
Public Attributes | |
| uint32_t | bIsGem: 1 |
| uint32_t | reserved: 31 |
| uint8_t | bDmaBurstLength |
| uint8_t * | pRxBuffer |
| RX descriptor and data buffers. More... | |
| sGmacRxDescriptor * | pRxD |
| RX data buffers: should be wRxBufferSize * wRxSize byte long in a DMA capable memory region. More... | |
| uint16_t | wRxBufferSize |
| RX buffer descriptors: should have wRxSize entries in a DMA capable memory region. More... | |
| uint16_t | wRxSize |
| size of a single RX data buffer More... | |
| uint8_t * | pTxBuffer |
| number of RX descriptor and data buffers More... | |
| sGmacTxDescriptor * | pTxD |
| TX buffer descriptors: should have wTxSize entries in a DMA capable non-cached memory region. More... | |
| uint16_t | wTxBufferSize |
| size of a single TX data buffer More... | |
| uint16_t | wTxSize |
| number of TX descriptor and data buffers More... | |
| fGmacdTransferCallback * | pTxCb |
GMAC driver init struct.
| uint8_t _GmacInit::bDmaBurstLength |
| uint32_t _GmacInit::bIsGem |
| uint8_t* _GmacInit::pRxBuffer |
RX descriptor and data buffers.
| sGmacRxDescriptor* _GmacInit::pRxD |
RX data buffers: should be wRxBufferSize * wRxSize byte long in a DMA capable memory region.
| uint8_t* _GmacInit::pTxBuffer |
number of RX descriptor and data buffers
TX descriptor and data buffers TX data buffers: should be wTxBufferSize * wTxSize byte long in a DMA capable memory region
| fGmacdTransferCallback* _GmacInit::pTxCb |
| sGmacTxDescriptor* _GmacInit::pTxD |
TX buffer descriptors: should have wTxSize entries in a DMA capable non-cached memory region.
| uint32_t _GmacInit::reserved |
| uint16_t _GmacInit::wRxBufferSize |
RX buffer descriptors: should have wRxSize entries in a DMA capable memory region.
| uint16_t _GmacInit::wRxSize |
size of a single RX data buffer
| uint16_t _GmacInit::wTxBufferSize |
size of a single TX data buffer
| uint16_t _GmacInit::wTxSize |
number of TX descriptor and data buffers


HOLLOW REED A film review by James Berardinelli Copyright 1997 James Berardinelli
RATING (0 TO 10): 8.5 Alternative Scale: ***1/2 out of ****
United Kingdom, 1997 U.S. Release Date: 5/97 (limited) Running Length: 1:46 MPAA Classification: No MPAA Rating (Violence, sex, mature themes) Theatrical Aspect Ratio: 1.66:1
Cast: Martin Donovan, Joely Richardson, Sam Bould, Jason Flemyng, Ian Hart, David Calder, Edward Hardwicke Director: Angela Pope Producer: Elizabeth Karlsen Screenplay: Paula Milne Cinematography: Remi Adefarasin Music: Anne Dudley U.S. Distributor: Cinepix Film Properties
Angela Pope's HOLLOW REED is one of the most striking, forceful films to emerge onto the American art house scene so far this year, but, like many powerful motion pictures, it can be extremely difficult to watch. In examining how the physical abuse of a child affects an already-broken family, HOLLOW REED doesn't pull any punches, literally or figuratively. And, while the beatings aren't as graphic or brutal as those in another recent domestic violence motion picture, ONCE WERE WARRIORS, they're all the more wrenching because, in this case, the victim is a ten year old boy.
Yet, if HOLLOW REED's sole subject matter had been child abuse, it wouldn't have been as provocative or challenging. In crafting this film, however, Pope and her screenwriter, Paula Milne, have followed an ambitious agenda -- expose the multi-faceted pain of domestic violence and show how the courts discriminate against gay men in any custody battle. Lawyers and judges can mouth polite platitudes about how sympathetic they are to the plight of homosexuals and how everyone has the right to do what they want "in the privacy of their own bedroom," but, when it comes to handing over a child into the custody of a gay father, the deep-rooted ugliness of homophobia rears its head. Equality is a word that everyone loves to speak, but, in today's world, there are times when it remains a distant fantasy.
Part of the reason that HOLLOW REED is so punishing is that it's told from a child's point-of-view. That child is Oliver (Sam Bould), a quiet, introverted boy who seems to be the perfect son and student. He's a STAR WARS fan, and spends hours in his room playing with Luke Skywalker action figures and remote-controlled cars. His parents are divorced, and their relationship is far from amicable. Oliver lives with his mother, Hannah (Joely Richardson), and her boyfriend, Frank (Jason Flemyng). Meanwhile, Oliver's father, Martyn (Martin Donovan), an out-of-the-closet homosexual who shares a home with his lover, Tom (Ian Hart), has only the right of "reasonable access" to his son.
The film opens with Oliver arriving at his father's door late one evening with a bleeding, bruised face. Although Oliver claims that he was beaten up by a group of local thugs, Martyn has his doubts. Days later, when the boy shows up at school with a crushed hand, Martyn goes to the police, requesting that they investigate whether Frank has been abusing his son. He then instigates a custody lawsuit, with the intention of taking Oliver away from Hannah if she doesn't kick Frank out.
Relating the story from Oliver's perspective allows us to better understand the fear, confusion, and self-blame that the child experiences. Physical damage isn't the only byproduct of abuse; it has deep-reaching psychological ramifications as well, the effects of which can be far more lasting. Oliver's reasons for not telling are complex, and HOLLOW REED makes his silence on the subject seem completely rational under the circumstances. Oliver loves both of his parents, so we see them in a sympathetic light. Understandably, he doesn't like Frank, but, while the movie casts him in the role of the villain, it manages to humanize him to a degree, offering a motivation for his actions. The easy route would have been to present Frank as a sadistic, faceless monster; Pope rejects that cliched path.
As Oliver's situation becomes more precarious and a legal resolution remains hanging in limbo (the courts want to investigate further, and Oliver's stubborn silence robs Martyn of his only witness), frustration grows. Desperate to appear "clean" to the court, Martyn asks Tom to move out, then reconsiders when he realizes the hypocrisy of that desire. He also considers illegally abducting Oliver and going on the run. His impotence ratchets up the level of tension that Pope works so hard to create. HOLLOW REED isn't meant to be a thriller, but the tone is darker and more ominous than is typical for a drama.
Both Martin Donovan and Joely Richardson do fine jobs as Oliver's parents. Richardson (Disney's live-action 101 DALMATIANS) arguably has the more difficult role playing the torn woman who doesn't want to believe a horrible truth that is becoming increasingly more evident. Oliver's silence allows her to remain in blissful denial. Donovan, a Hal Hartley favorite, portrays a man who, despite having the moral high ground, is powerless to save his son. The key to Donovan's performance is that it starts out low-key. That way, as the situation becomes increasingly desperate, he never seems over-the-top. However, all of the adults, including Richardson, Donovan, and the fine supporting cast, are outacted by young Sam Bould, who captures the essence of Oliver without a hint of the confusion and awkwardness that sometimes marks child performances. Bould has many memorable moments -- hiding under a work bench so that Frank won't find him, preparing to defend himself with a chisel, and bravely enduring the punishment that Frank dishes out.
What starts out as a "simple" tale of child abuse widens into a damning expose of the essential hypocrisy of a "civilized" society -- how certain, "normal" wrongs are tolerated. To save his son, will Martyn have to live a lie? And, if he remains true to himself, will that continue to place Oliver at risk? In life, there are no easy answers, and HOLLOW REED is nothing if not an accurate mirror of reality. This is not the sort of motion picture that's likely to find favor with the "feel good" crowd, but, if you aren't afraid of a movie that is capable of challenging convictions and wrenching emotions, HOLLOW REED makes for an unforgettable two hours.
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
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Net neutrality is the principle that Internet providers like Comcast & Verizon should not control what we see and do online. In 2015, startups, Internet freedom groups, and 3.7 million commenters won strong net neutrality rules from the US Federal Communication Commission (FCC). The rules prohibit Internet providers from blocking, throttling, and paid prioritization—"fast lanes" for sites that pay, and slow lanes for everyone else.
Nearly everyone who understands and depends on the Internet supports net neutrality, whether they're startup founders, activists, gamers, politicians, investors, comedians, YouTube stars, or typical Internet users who just want their Internet to work as advertised—regardless of their political party.


Ketra's Hero Hekaton (lv80)
Varka's Hero Shadith (lv80)
Spiked stakato Queen Shyeed (lv80)
Lilith (lv80)
Anakim (lv80)
Ketra's Commander Tayr (lv80)
Varka's Commander Mos (lv80)
Ember (lv80)
Uruka (lv80)
Ketra's Chief Braki (lv80)
Varka's Chief Horus (lv80)
Master Anays (lv80)
High Priest Andreas Van Halter (lv80)
Soul of Fire Nastron (lv80)
Soul of Water Ashutar (lv80)
Sailren (lv80)
Typhoon (lv83)
Valdstone (lv80)
Rok (lv83)
Enira (lv85)
Dius (lv85)


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Enum WindowsAPI.WindowStyles
Namespace: NomUtils.Raw
Assembly: cs.temp.dll.dll
Syntax
public enum WindowStyles : long
Fields
| Name | Description |
|---|---|
| WS_BORDER | The window has a thin-line border. |
| WS_CAPTION | The window has a title bar (includes the WS_BORDER style). |
| WS_CHILD | The window is a child window. A window with this style cannot have a menu bar. This style cannot be used with the WS_POPUP style. |
| WS_CHILDWINDOW | Same as the WS_CHILD style. |
| WS_CLIPCHILDREN | Excludes the area occupied by child windows when drawing occurs within the parent window. This style is used when creating the parent window. |
| WS_CLIPSIBLINGS | Clips child windows relative to each other; that is, when a particular child window receives a WM_PAINT message, the WS_CLIPSIBLINGS style clips all other overlapping child windows out of the region of the child window to be updated. If WS_CLIPSIBLINGS is not specified and child windows overlap, it is possible, when drawing within the client area of a child window, to draw within the client area of a neighboring child window. |
| WS_DISABLED | The window is initially disabled. A disabled window cannot receive input from the user. To change this after a window has been created, use the EnableWindow function. |
| WS_DLGFRAME | The window has a border of a style typically used with dialog boxes. A window with this style cannot have a title bar. |
| WS_GROUP | The window is the first control of a group of controls. The group consists of this first control and all controls defined after it, up to the next control with the WS_GROUP style. The first control in each group usually has the WS_TABSTOP style so that the user can move from group to group. The user can subsequently change the keyboard focus from one control in the group to the next control in the group by using the direction keys. You can turn this style on and off to change dialog box navigation. To change this style after a window has been created, use the SetWindowLong function. |
| WS_HSCROLL | The window has a horizontal scroll bar. |
| WS_ICONIC | The window is initially minimized. Same as the WS_MINIMIZE style. |
| WS_MAXIMIZE | The window is initially maximized. |
| WS_MAXIMIZEBOX | The window has a maximize button. Cannot be combined with the WS_EX_CONTEXTHELP style. The WS_SYSMENU style must also be specified. |
| WS_MINIMIZE | The window is initially minimized. Same as the WS_ICONIC style. |
| WS_MINIMIZEBOX | The window has a minimize button. Cannot be combined with the WS_EX_CONTEXTHELP style. The WS_SYSMENU style must also be specified. |
| WS_OVERLAPPED | The window is an overlapped window. An overlapped window has a title bar and a border. Same as the WS_TILED style. |
| WS_OVERLAPPEDWINDOW | The window is an overlapped window. Same as the WS_TILEDWINDOW style. |
| WS_POPUP | The window is a pop-up window. This style cannot be used with the WS_CHILD style. |
| WS_POPUPWINDOW | The window is a pop-up window. The WS_CAPTION and WS_POPUP styles must be combined to make the window menu visible. |
| WS_SIZEBOX | The window has a sizing border. Same as the WS_THICKFRAME style. |
| WS_SYSMENU | The window has a window menu on its title bar. The WS_CAPTION style must also be specified. |
| WS_TABSTOP | The window is a control that can receive the keyboard focus when the user presses the TAB key. Pressing the TAB key changes the keyboard focus to the next control with the WS_TABSTOP style. You can turn this style on and off to change dialog box navigation. To change this style after a window has been created, use the SetWindowLong function. For user-created windows and modeless dialogs to work with tab stops, alter the message loop to call the IsDialogMessage function. |
| WS_THICKFRAME | The window has a sizing border. Same as the WS_SIZEBOX style. |
| WS_TILED | The window is an overlapped window. An overlapped window has a title bar and a border. Same as the WS_OVERLAPPED style. |
| WS_TILEDWINDOW | The window is an overlapped window. Same as the WS_OVERLAPPEDWINDOW style. |
| WS_VISIBLE | The window is initially visible. This style can be turned on and off by using the ShowWindow or SetWindowPos function. |
| WS_VSCROLL | The window has a vertical scroll bar. |


True metal digital decoration from copy 1
DIGITAL METAL® is the perfect digital concept for metallic decoration in print finishing. Our stamping foils with elegant, real metal are now available for digital printing for the first time – no set-up times, no tools, just completely new design options.
DIGITAL METAL® creates individual motifs or customizations using the loveliest metallization. Our DIGITAL METAL® foil provides highest gloss and sharp-edged motifs, and is easy to process. Foil transfer is 100 % digital and can be overprinted digitally or conventionally.
Digital inline metallization on paper and label materials
DM-JETLINER® lets you transfer metallization effects onto paper and label materials during digital printing. The transfer process can be integrated seamlessly inline into your digital printing machine — upstream from the digital color printing. Once the foil is applied with a UV-curing adhesive to the unprinted substrate, the PET carrier is removed, and the substrate can be overprinted within the printing machine.
Digital metallization on paper and cardboard stock
The DM-LUXLINER® allows a digital transfer of metallization onto paper and cardboard stock. The transfer process is made upstream of the digital color printing. The designs to be metallized are first printed digitally; then, the DIGITAL METAL® foil is transferred by the DM-LUXLINER® and the PET carrier is removed. An overprinting in 4 colors with very accurate registration is possible using suitable digital printing presses.


--- layout: casework title: Casework 2b permalink: /casework-v2-b/ ---
Walter White
Skylar White
No evidence required
| Date/Time | User Name | Note |
|---|---|---|
| 12/01/2014 | CS111AB | Added a note to check fee |
| 13/12/2013 | CS222BB | Added a test note |
| 08/08/2013 | CS333CC | Complete First Registration |


Adopt A Dog
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Find out the most common reasons people rescue a dog
How to bond with your dog in the first month


@@ Incomplete / misnamed?
ARQ consists of the following parts:
Main packages:
| Package | Use |
|---|---|
com.hp.hpl.jena.query |
The application API |
com.hp.hpl.jena.sparql.syntax
| Abstract syntax tree |
com.hp.hpl.jena.sparql.algebra
| SPARQL algebra |
com.hp.hpl.jena.sparql.lang |
The parsers: SPARQL, ARQ, RDQL |
com.hp.hpl.jena.sparql.expr |
Expression code. |
com.hp.hpl.jena.sparql.serializer |
Output in SPARQL, ARQ forms, in SPARQL syntax, in an abstract form (useful in debugging) and in XML. |
com.hp.hpl.jena.sparql.engine |
The abstraction of a query engine. |
com.hp.hpl.jena.sparql.engine.main |
The usual query engine. |
com.hp.hpl.jena.sparql.engine.ref |
The reference query engine (and quad version) |


@benchmarking {
| Rank | The team's final position in the league table at the end of the season |
| Ball Possession | Percentage of ball possession |
| Pass Success | Percentage of passes that successfully got to the designed player |
| Red Cards | Number of red cards a team received during a season |
| Cross Per Game | Average number of medium- to-long-range pass from a wide area of the field towards the centre of the field, near the opponent's goal. |
| Through Balls Per Game | Average number of forward passes played between opposition defenders |
| Long Balls Per Game | Average number of kicks in which the ball goes over the heads of other players into an empty space, into which an attacker is moving |
| Short Pass Per Game | Average number of passes between teammates performed keeping the ball on the ground |
| Number Of Players | Number of players that are in a team during the season |
| Average Age | Average team age |
| Number Of Foreign Players | Number of players in a team that have different nationality from the Leag the currently play in |
| Stadium Capacity | The biggest number of spectators a stadium can safely hold |
| Team Value (MLN EURO) | Sum of the "average players' values" of all the players in a team |
| Average Player Value (MLN EURO) | Estimated value a player is worth on the soccer marker |
| Games Won | Number of games a team has won during a season |
| Goals Scored | Number of goals a team has scored during a season |
| Games Drawn | Number of games a team has drawn during a season |
| Shots Per Game | Average number of shots a team has performed against their opponent per game |
| Shots On Target Per Game | Shots that clearly target the goal |
| Dribbles Won Per Game | Average number of attacking moves which consists of running with the ball at feet |
| Games Lost | Number of games a team has lost during a season |
| Goals Against | Number of goals a team conceived during a season |
| Tackles Per Game | Average number of successfully performed tackles that did not lead to a foul |
| Interceptions Per Game | Average number of times an action that leaded to gain ball possession is successfully performed |
| Shots Conceded Per Game | Average number of shots a team conceded against their defended football goal per season |
| Average Player Value (MLN EURO) | Estimated value a player is worth on the soccer marker |
| Rank | The team's final position in the league table at the end of the season |
| Games Won | Number of games a team has won during a season |
| Goals Scored | Number of goals a team has scored during a season |
| Games Lost | Number of games a team has lost during a season |
| Goals Against | Number of goals a team conceived during a season |


Docs : SDK : resumeSubscription
resumeSubscription lets your users resume their subscription set to be canceled from cancelSubscription.
userbase.resumeSubscription().then(() => {
// user sucessfully resumed subscription
}).catch((e) => console.error(e))
Notes
-
Your user will not be able to resume a subscription that has already passed its cancelSubscriptionAt date. Your user must purchase a new subscription in this case.
Errors
- SubscriptionPlanNotSet
- StripeAccountNotConnected
- PaymentsDisabled
- SubscriptionAlreadyCanceled
- UserNotSignedIn
- TooManyRequests
- ServiceUnavailable


Service schedule bound Details
Service schedule bounds id
End date
Start date
Service schedule group
Service schedule group id
Agency agency id
Service schedule group label
Action