Classic Battleships (iOS)
One of my class projects was to recreate the game “Classic Battleships” (see here or here for an explanation of the rules) for iOS.
For the source code, click here. Click through for more documentation.
Usage
After launching the game, the user is met with three options…
- New Game - presents a list of levels that can be played. Selecting a level brings the user to the game screen
- High Scores - presents a list of high scores for each level
- Settings - presents options for the user to select
In the game screen, the user can tap on a tile on the screen.  The numbers along the edges of the game screen represent the number of ship tiles in that row or column.
The other caveat is that the ship tiles must fall under a set number of configurations. For example, a level may require one 3x1 ship, two 2x1 ships, and three 1x1 ships. These ships can be in any orientation (horizontal or vertical). Note that ships cannot touch each other, meaning that a ship must be completely surrounded by water tiles.
Documentation
Breakpoints
To start off, I added a breakpoint for all exceptions. This would allow errors to be picked up at the point at which they were thrown instead of catching the exception once it propagates all the way up the stack.
- In the left panel, select the Breakpoint Navigator
- In the bottom left, click the ‘+’ sign
- Click Add Exception Breakpoint.
- A new breakpoint should appear in the Breakpoint Navigator list
- Right-click the new item, and click Edit Breakpoint. Ensure that Exception is set to All and Break is set to On Throw
Storyboard
I first began by constructing the skeleton of the storyboard.
- In MainStoryboard.storyboard, drag a Navigation Controller object onto the storyboard.
- By default, a Table View Controller is attached to the Navigation Controller. Delete the Table View Controller (Click -> Delete) and drag a View Controller onto the storyboard.
- To link the two together, right-click the Navigation Controller. Ctrl+click the circle in the root view controller row, and drag to the View Controller. This establishes the View Controller as the starting point.
- Drag a Table View Controller object to the storyboard. This will be used for the level selection screen.
- Drag a Button object onto the first View Controller.
- Right-click the Button. Ctrl+click the circle in the action row, and drag to the Table View Controller.
- In the resulting sub-menu, select Push.
- Push “pushes” the next screen on top of the current. one. This will present the user twith a Back button to move back to the current screen
- Modal presents another screen that isn’t “connected” to the current screen (like a pop-up)
- This link describes the differences fairly well
- Repeat this for other views
Level Selection
I then started to populate the Table View Controller. This View Controller is used to populate a list of available levels in the game.
- Add levels.txt to the project
- File -> Add Files to “Project”
- Select levels.txt
- File -> New -> File -> iOS/Cocoa Touch -> Objective-C Class
- Set Class to LevelSelectViewController
- Set Subclass to UITableViewController
- Click Next
- Set Destination to your application’s directory
- Click Create
- In the storyboard, select the Table View Controller
- Select the Identity inspector in the right panel
- In the Custom class section, set Class to LevelSelectViewController
- This was the class created above. The option should be available in the drop-down menu
- This tells this View Controller to use LevelSelectViewController
- Load the levels.txt file by adding the following code in LevelSelectViewController.m (viewDidLoad is invoked once the view controller has finished loading the view)
In MainStoryboard.storyboard, select the Prototype Cell (the lone entry in the table) in the LevelSelectViewController object. In the Identity inspector, set Restoration ID to some name (I picked LevelCell)
In LevelSelectViewController.m, implement the associated UITableViewController functions (since this class subclassed UITableViewController, the associated functions were already added to the .m file)
Game Screen
Storyboard
To create the game board…
- Drag a Collection View object to a new view controller.
- Click the prototype cell in the Collection View (the first tile), and set an Identifier in the Attributes inspector (similar to the Level Select screen). In this case, I named it GameTileCell
- Create a custom class for the Collection View
- File -> New -> File -> iOS/Cocoa Touch -> Objective-C Class
- Set Class to CustomCollectionView
- Set Subclass to UICollectionView
- Click Next
- Set destination to your application’s directory
- Click Create
- Click the Collection View object, navigate to the Identity inspector, and set the Custom Class to CustomCollectionView
Code
High Scores
I ended up using SQLite for storing high scores (an alternative would be to use Core Data, but I didn’t investigate that path enough).
Add the following code to load the SQL database (or create one if the database cannot be found). For my project, this code was added to the application didFinishLaunchingWithOptions function in BattleshipAppDelegate.m
Here’s an example of using a SELECT statement. This was used in the High Scores View Controller to retrieve a list of levels that contained high scores.
Here’s an example of using a DELETE statement. This was used in the Settings View Controller to delete all the high scores from the database.
Settings
Storyboard
- Drag a new Table View Controller into the storyboard
- Select the view controller and navigate to the Attributes inspector
- Set Content to Static Cells.
- This means you will define how the cells look in storyboard rather than dynamically through code (like we did in the Level Select View Controller)
- Set Sections to how many logical groups of settings you want. In this case, I picked 2.
- You can add/remove cells from each group as you see fit. If you want to add more, drag a Table View Cell object into a particular group.
- To customize a cell, drag objects (e.g. labels, switches) onto each cell.
- By default, each cell is selectable (like a button). I left this behavior on the Reset High Scores option. However, I did not want this behavior on the Sound toggle option. Highlight the corresponding cell, navigate to the Attributes inspector, and set Selection to None.
Code
- File -> New -> File -> iOS/Resource -> Property List
- Save As defaults
- Click Create
- Select defaults.plist in Project Navigator
- Right-click Root
- Click Add Row
- Name the property (e.g. soundEnabled)
- Set the property type (e.g. Boolean)
- Set the default value (e.g. YES)
- In BattleshipAppDelegate.m, add the following statement to load the defaults.plist file once the application has finished loading.
To access these values…
To change a value…
Alerts
Alerts (pop-ups) were added to the game to confirm that a user wanted to proceed with a certain action. This was used in two places. The first was to confirm that a user wanted to reset all of the stored high scores. The second was to confirm that a user wanted to reset his/her progress on a current level.
To present the user with an alert, the following code was invoked after a user tapped a button
To react to the user’s response to the pop-up, the following function was added
Sounds
To add sounds to the game…
- File -> Add Files to “Project”
- Select an mp3 file (in this case, I added ff6_victory.mp3)
- Add the following code…
References
Storyboards
- http://www.techotopia.com/index.php/Using_Xcode_Storyboarding_(iPhone_iOS_5)
- http://kurrytran.blogspot.com/2011/07/simple-ios-5-tutorial-using-storyboard.html
UICollectionView
- http://www.raywenderlich.com/22324/beginning-uicollectionview-in-ios-6-part-12
- http://skeuo.com/uicollectionview-custom-layout-tutorial
- http://www.appcoda.com/ios-programming-uicollectionview-tutorial/
Passing Data Between View Controllers
Reading a Text File
NSUserDefaults
- http://stackoverflow.com/questions/2076816/how-to-register-user-defaults-using-nsuserdefaults-without-overwriting-existing
- http://stackoverflow.com/questions/9927094/ios-saving-high-score-locally


This is the legendary Titanic ML competition. The competition is simple: use machine learning to create a model that predicts which passengers survived the Titanic shipwreck.
I adopted Exploratory Data Analysis for data sets analyzation to sum up the main characteristics by using Visualization method. Further, I leveraged Feature engineering to optimize various features in the data set.
The data consists of two groups: a training set (train.csv) and test set (test.csv)
Among male passengers, 80% died (20% survived); among female passengers, only 30% died (70% survived). Among all survivors, 70% were female and 30% were male. Perhaps the reason being female and children were rescued first.


Called when tab is closed.
onClose = function(event)
You can add event listener during the object creation:
or after the object has been created:
You can add a listener to an individual tab, see .tabs property.
The event handler is called before the default action of the event is triggered. You can cancel the default action by calling
event.preventDefault(). To perform an action
after the event is fully processed, define event.onComplete function.
See events page in utilities for more details.


This page illustrates the gfx clipping api. This api allows to define a clipping area on any gfx Shape types (including group). The supported clipping geometry are rectangle, ellipse, polyline and path, with the following exceptions:
You can drag the shapes using the mouse, remove the clip using the button at the bottom, and change the gfx renderer in the combobox.
GFX Renderer:


Samuel Beckett
, Volume 18, Number 4, November 2011, pp. 878-880 (Article)
Published by The Johns Hopkins University Press
DOI: 10.1353/mod.2011.0110
For additional information about this article
http://muse.jhu.edu/journals/mod/summary/v018/18.4.beckett.html
Access Provided by The University Of Texas at Austin, General Libraries at 07/05/12 8:00PM GMT
We are now freely informed, not only by the usual crocodiles, one eye full of tears and the other on the market, but by perfectly serious and respectable connoisseurs, that the Paris School, whatever that means, is finished, whatever that means, or finishing, its matters dead or dying, its little master also, and the epigones lost in the ruins of great refusals.
This must either mean that the effort, the efforts of the past half-century in France are spent, the problems solved, the road closed, or that the affair has turned short for want of executants. Either that nothing remains to be done in this connection, or that what remains to be done remains undone, because there is no one to do it.
I suggest that the painting of Bram and Geer van Velde is an assurance that what goes by the name of the Paris School is in its infancy and has a promising future before it.
An assurance, a double assurance. For they go very different ways, on the same search, the search for an object.
Ici on chante.
The history of painting is the history of its relation to its object, a relation evolving, necessarily, in terms first of extension, then of penetration. What keeps painting alive is first that there are more and more things to paint, then more and more possessive ways of painting them. I don’t mean a first phase all expansion and then when this is exhausted a second all concentration.
modernism / modernity volume eighteen, number four, pp 878–880. © 2012
the johns hopkins university press
BEckEtt / the new object
The two attitudes are bound together, turn in turn fatigue and rest. I mean only that 879 the instinctive shudder of painting from its limits is a shudder toward the confines of those limits, and the reflective all in depth, from without to within. I mean only that the object of representation is at all times in resistance to representation, either on account of its accidents or on account of its substance, and primarily on account of its accidents, because in consciousness accident is anterior to substance.
The first systematic investment of the object apprehended, irrespective of its qualities, as indifference, inertia, latency, that is perhaps a definition of the Paris School not more ridiculous than those familiar. It has the advantage, without being in any sense a judgment of worth, of excluding the surrealists, whose concern with repertory, with the renewal of genre, remains as remote from the great enquiry as the Siennese Sassetta and Giovanni di Paolo from the effort in depth of Massaccio and Castagno. Giovanni di Paolo is a charming obscurantist. It obscures also those estimable abstracteurs de quintessence Mondrian, Lissitzsky, Malevich, Moholy-Nagy. And it states what is common to such independents as Matisse, Villon, Braque, Bonnard, Kandinsky, Rouault and—what’s the man’s name?—Picasso, all the usual inevitables. The Christs and clowns of Rouault, the most Chinese still-life of Matisse, a conglomerate by the Kandinsky of 1943 or 1944, proceed from the same effort, the effort to state that in which Christ, a potato and a square of red are one, and from the same distress, the distress before that refusal of that oneness to be stated. For that in which Christ and the rest are one, as far as the painter is concerned, and beyond all question of idiosyncracy, or exteriority or interiority, is that they are things, the thing, thingness. It seems absurd to speak, as Kandinsky did, of a painting freed from the object. What painting is freed of is the illusion that there is more than one object of representation, perhaps even of the illusion that this one object of representation is representable. Object is another word that speaks for itself.
If that is the latest state of the Paris School, after its long pursuit less of the thing than of its thingness, less of the object than of its condition of being object, then it seems justifiable to speak of crisis. For what remains to be represented if the essence of object is to elude representation?
There remain to be represented the conditions of that elusion.
These conditions will appear in one of two ways, according to the subject.
The one will say, I cannot see the object to represent it because the object is what it is.
The other, I cannot see the object to represent it because I am what I am.
There have always been these two kinds of artist. There have always been these two kinds of mist. The object mist and the eye mist. They were reduced by a process of
MODERNISM / modernity
880 accommodation. Or very largely. They did not become part of the representation. Or scarcely. Now they have become part of the representation. The greater part.
Geer van Velde is an artist of the first kind, Bram van Velde of the second. In my precarious opinion.
The one situates without, the other within himself, the conditions of his predicament.
Their painting is an analysis of privation. An analysis for the one in terms of the without, of light and void, for the other in terms of the within, of dark and full and fulguration.
The one finds its resolution in an ironisation of weight, of density, of solidity, in a rending of the space-filling, the light-reflecting, in a devouring of the without by the conditions of the without, light and emptiness.
An endless unveiling, veil behind veil, plane after plane of imperfect transparencies, light and space themselves veils, an unveiling towards the unveilable, the nothing, the thing again. And burial in the unique, in a place of impenetrable nearness, cell painted on the stone of cell, art of confinement.
*****
The painting of the van Velde brothers emerges, uncritical, acceptant, from a painting of criticism and refusal, refusal to accept as given the old subject-object relation. It is evident that every work of art is an adjustment of this revelation, but not a criticism of it, as such, in the sense that modern painting is, a criticism that in its latest forms resembles the criticism, with a stick, of the absence of traction in a dead ass.
From this point three ways are open to painting; the way back to the old assumption, through the winter of its refutations, the way of the repentant; the way that is not a way but a last scouring of the country reached; and the way on of an art as little concerned with an obsolete conventionality as with the hieraticisms and virtuosities of negation, an art of acceptance, discerning in the absence of relation and the absence of object the new relation and the new object, a way that branches already, in the painting of Bram and Geer van Velde.
Samuel Beckett. Paris. March.


Our first web page will describe a movie you enjoy. Call the file lastname-movie.html, where lastname is your last name. For instance: smith-movie.html
Base everything on HTML5 standards. Don't use any CSS.
Just as a learning exercise, check to see if your text looks fairly okay on both a desktop and a mobile device such as your phone. (We will refine our mobile presentation later, for now, just produce something reasonable.)
Here is the HTML5 Boilerplate default home page. It can, along with MDN, serve as a basic reference for all the work we are doing. Don't copy the entire HTML Boilerplate example page, just copy individual tags or elements from the page. Let me say it again, just to be clear. Don't copy the whole index.html page from HTML5 Boilerplate. Instead, just look at the particular tags referenced in this assignment.
Core Guidelines
At least meet the following guidelines:
- Use an opening html tag with the lang set to English. More on MDN.
- Add a meta charset UTF8 tag.
- On StackOverflow. A bit more from StackOverflow.
- Use a meta viewport tag to set things up for mobile as shown on HTML5 Boilerplate.
- Use an author to help me sort out whose assignment I'm looking at.
- Use a body and head tag
- Add a title tag
- Write the name of your favorite movie using the largest heading tag. Learn more about Heading elements here.
- Inside a P element write the name of the director of the movie and make the name italic with em tag.
- Write a very brief description of the movie in a paragraph tag
- Bold at least one word in the description with the strong tag.
- Do not use a break (
) tag
- Use an hr tag just before the paragraph element. Use your discretion, but you might want to use it to separate the heading from the paragraph.
When I'm asking for the html tag with the lang set to English, HTML5 Boilerplate has it almost right:

But let's skip the no-js and use English as the language:

The charset and viewport tags on HTML5 Boilerplate are exactly right.
Make it simple, so long as it meets the requirements discussed in class. There will be an example provided during class.
More information on the HEAD element is on on MDN.
Sample Starter
There are ways to automatically generate the outline for an HTML page in VS Code, but we have not covered that yet. For now, I'll just save us all a lot of trouble by giving you an example of what I have described above.
<!doctype html>   <meta charset="UTF-8"> <meta name="viewport" content="width=device-width, initial-scale=1"> <title>Basic HTML Page</title> <meta name="author" content="Your Name">
Your Code in here

Note that I have very recently added an author tag, as it helps me know which student turned in an assignment.
Design
You are free to design the page as you want. If you want some direction, then the hierarchy of elements on the page might look like this:
- html
- head
- body
- heading
- paragraph listing the director's name.
- the hr tag
- The paragraph describing the movie.
Don't forget to close the body and html tags. If you need more help, use the JsObjects HTML and CSS reference page.
Turn it in
Attach the document directly to the Canvas assignment when you submit it. Please do not put it in a DOC file or zip it up. If you already have a Git repository and know how to use it, you can submit it via Git instead of attaching it to the assignment. In that case, please include the URL of your repository.


A meter gauge plot shows a data value in a speedometer style gauge. The "series" in consists of a single data value that positions the needle on the gauge. The span of the gauge will be automatically determined, or can be set with the "min" and "max" values in the "rendererOptions" of the series. The plot below also specifies a chart title and a "label" for the gauge.
For small gauges, it can be desirable to turn off the tick labels by setting the "showTickLabels" option in the rendererOptions to false. Also, colored interval bands can be specified. The interval ranges are specified as an array of values the "intervals" option and custom colors for each interval can be specified with the "intervalColors" option.
The inner and outer radii of the interval band will automatically adjust when tick Labels are turned on. Also, the gauge minimum and maximum can be specified with the "min" and "max" options in the rendererOptions.
The inner and outer radii of the interval band can also be specified with the "intervalInnerRadius" and "intervalOuterRadius" options. In the plot below, the "labelPosition" option was set to "bottom" to put the gauge label below the plot. The "labelHeightAdjust" option was set to -5 to raise the label slightly (5 pixels) to place it closer to the gauge.
The gauge automatically resizes to best fit the container. The font size of the tick labels and gauge labels do not size to the container, however. The font size of the tick labels can be controlled by styling the css ".jqplot-meterGauge-ticks" class and the gauge label by the "jqplot-meterGauge-label" class.


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--- layout: example title: Keyboard pour: operable relatesto: 2.1.1 description: "Keyboard Navigation" accessible: true ---
Click on this button:
What?


BEAUTY AND THE BEAST A film review by Mark R. Leeper Copyright 1991 Mark R. Leeper
Capsule review: Disney's animated feature films are, in my opinion, over-rated. They lack plot and complexity. Their emotional impact is limited. The usual excuse is that they are only supposed to be simple children's films. BEAUTY AND THE BEAST demonstrates that a lot more can be done in this medium. It beats BAMBI, CINDERELLA, SNOW WHITE, SLEEPING BEAUTY, and all of the other classics, including FANTASIA. Parents should go with their kids. If you don't have kids, go anyway. This one may not be on cassette this century. Rating: +2 (-4 to +4).
I rather surprised myself with BEAUTY AND THE BEAST. When I was young, I liked the Disney feature cartoons as little entertainments, but after age ten or so I found the stories a little uninteresting. Eventually I could respect the detail in the technique, but even then I was rarely impressed with their imagination. Yes, they had attention to detail and if I knew what to look for, I liked that. But, with the exception of the dragon sequence from SLEEPING BEAUTY and the "Night on Bald Mountain" sequence from FANTASIA, there was not much beyond lukewarm imagination. And the stories were really uninteresting. And being a realist about my own looks, I have long been a little irritated at the subtext that equates physical beauty and ugliness to evil. With all that to set up my attitude, it is hardly surprising that I would come away from BEAUTY AND THE BEAST genuinely believing it is the best animated feature film ever to come from Disney Studios. And that includes that beloved intellectual fraud FANTASIA.
The plot of the film maintains Disney's usual standard for fidelity to the original story. This means, of course, that if you read Madame de Villeneuve's story and then saw the film, you would be likely to see similarities and probably would believe that the story did somehow inspire the film. (Those anxious to read the story faithfully told can find it in Andrew Lang's BLUE FAIRY BOOK.) Some bits were more likely inspired by Jean Cocteau's film LA BELLE ET LA BETE. Belle, if not a real intellectual, is at least a reader. In fact, she seems to love books more than boys, so is thought to be weird. (Bravo for her!) But Belle has a semi-secret admirer. Gaston is handsome, big, and strong. He is also obnoxious, insufferably conceited, sexist, and selfish. Gaston is supremely macho and the film subtly makes the statement that to be macho is to be beastlike. All of Gaston's virtues that he tells us about are really just descriptions of a beast. He is big, he kills animals, he is covered with hair. There are a bevy of young women from the town who swoon over the beastly qualities of Gaston. Belle, however, is unimpressed and wants nothing to do with Gaston. Then events conspire (or contrive) to make her the prisoner in an enchanted castle ruled over by a real beast--or at least an apparently real beast. He has all of Gaston's qualities in a more extreme form. The Beast is super- macho, but knows that it is a curse both literally and figuratively. Belle wants no part of the Beast until he starts to win her over. How does he start to win her over? In a manner--time-honored in Disney films--for beasts to win over people. I won't say how, but anyone who has seen OLD YELLER will find the situation familiar. The story is well-told, though almost entirely revisionist.
Some mention should be made of the castle's enchantment, since many of the film characters exist as a direct result of that enchantment. Once touch that Cocteau put in his film version that was not in the original story was that the walls of the castle had ornamental torch-holders that looked like human arms holding the torches. These ornamental holders have a life of their own. The Disney film extends this to most of the furnishings of the castle, giving them also voices and personalities. At moments this almost has a Philip K. Dick sort of horror, when someone drinking from a tea cup finds the cup is talking to him. The personalities are genial, however, and the potential horror is quickly muted.
Visually this film is at least up to and probably better than what we think of as the classic Disney feature cartoons. Snow White and Sleeping Beauty were drawn as sweet and cheerful as a bluebird but perhaps not quite as smart. They were characters for years when innocence was prized over intelligence. Belle has apricot-sized eyes and high cheekbones, but also a range of facial expression far greater than the classic animation heroines. There is clearly more going on in her head than in those of her previous counterparts. Whether it was done before without acknowledgement, or is a new approach, a different team animates each of the major characters. James Baxter headed the team which animated Belle and Paige O'Hara voiced the characters.
The Beast is a strange concoction combining elements of a mandrill, a bison, a lion, and the American werewolf in London. Glen Kean was is chief animator for the Beast. The voice casting director (I am sorry I do not have his name) listened on tape to several dozen voices for special characteristics. He said in an interview that he himself was surprised to hear the qualities he wanted in the voice of Robbie Benson. I share his surprise and his conviction that Benson's voice does work for the Beast.
In general, the art and animation are impressively done. These days effort goes into every background painting. One place I noted poor technique and it took me some time to get the joke. While Disney artists usually take pains to make each character different, the three village maids who fawn on Gaston are really one character drawn three times. They were then animated in a perfunctory two-dimensional style. Perhaps the filmmakers were subtly saying that women impressed by macho are just not worth much effort.
The songs are by Howard Ashman and Alan Menken, who also wrote the songs for THE LITTLE SHOP OF HORRORS (one piece is reminiscent of a piece from LITTLE SHOP) and THE LITTLE MERMAID. Overall, the music is better than that of THE LITTLE MERMAID. The remainder of the film's music was by Menken. Ashman served as executive producer. A note at the end dedicates the film to Howard Ashman, who died of AIDS eight months before the release of the film.
There is some irony in the fact that Don Bluth left Disney animation studios because they were not doing animation films in their own grand tradition and now they may be doing them better. In BEAUTY AND THE BEAST Disney Studios has given me something it has not given me in a long time: an animated feature film I want to see again. I rate it a +2 on the -4 to +4 scale. Amazing.
Mark R. Leeper att!mtgzy!leeper<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- layout: post title: seL4 now runs on Pi3 date: 2017-02-09 09:51:39.000000000 +11:00 type: post published: true status: publish categories: [] tags: - programming - seL4 meta: _rest_api_published: '1' _rest_api_client_id: "-1" _publicize_job_id: '1666050628' author: login: ajaysusarla email<EMAIL_ADDRESS>display_name: partha first_name: '' last_name: '' ---
Very recently, we(the Trustworthy Systems group) merged Raspberry Pi 3 support for seL4. This excellent blog post by Kofi already highlights why this is great news. Personally, it is exciting because, a Raspberry Pi 3 is a lot more accessible than all the other boards we've previously ran our kernel on. I own one too, and it is absolutely amazing that I can run, muck around and put my Raspberry Pi 3 to some good use. I've been playing around with seL4 on my Pi3. The things that I'm currently trying to do are:
Good times!


Toast is sliced bread that has been browned by exposure to radiant heat. This browning is the result of a Maillard reaction altering the flavor of the bread and making it firmer so that it is easier to spread toppings on it. Toasting is a common method of making stale bread more palatable. Bread is often toasted using a toaster, but toaster ovens are also used. Toast is commonly eaten with butter or margarine and sweetened toppings, such as jam or jelly. Regionally, savoury spreads, such as peanut butter or yeast extracts, may also be popular. When buttered, toast may also be served as an accompaniment to savoury dishes, especially soups or stews, or topped with heartier ingredients like eggs or baked beans as a light meal. Toast is a common breakfast food. While slices of bread are most common, bagels and English muffins are also toasted. Scientific studies in the early 2000s found that toast may contain carcinogens caused by the browning process.


exiban v0.0.5 ExIban.Validators
Set of validation rules to perform on checking IBAN account number.
Summary
Functions
Performs validation checks:
- length greater or equal to 5 (:too_short)
- only ilegal chars used [A-Z0-9] (bad_chars)
- known country code (:unknown_country_code)
- correct length for given country (:bad_length)
- correct bban format for given country (:bad_format)
- checking digits (:bad_check_digits)
Functions
Specs
issues(binary) :: {list, {bitstring, bitstring, bitstring, integer, bitstring} | nil}
Performs validation checks:
- length greater or equal to 5 (:too_short)
- only ilegal chars used [A-Z0-9] (bad_chars)
- known country code (:unknown_country_code)
- correct length for given country (:bad_length)
- correct bban format for given country (:bad_format)
- checking digits (:bad_check_digits)
Examples
iex> ExIban.Validators.issues("GB82")
{[:too_short], nil}
iex> ExIban.Validators.issues("GB_+)*")
{[:bad_chars, :bad_length, :bad_format, :bad_check_digits], {"GB", "_+", ")*", 6, "GB_+)*"}}
iex> ExIban.Validators.issues("GB82 WEST 1234 5698 7654 32")
{[], {"GB", "82", "WEST12345698765432", 22, "GB82WEST12345698765432"}}


Alright, alright, alright... let's see where you wanna go.
Log in if you want
After you logged in, we can send you directly to your dashboard.
Or just enter channel name/id
That will bring you to a view only mode. Moderation, etc. requires a login. duh.
Yes, found it
If your browser is blocking the redirect to the page for any reason,
you might as well click here to go to {names} view page
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-
Dreaming in Blue
$70
-
Next Stop in London
$50
-
Flamingo Bollo
$45
-
Dots All Around
$30
-
Faith As Strong As Mustard Yellow
$40
-
Modern Tunic
$25
-
Lantern Festival
$35
-
Poetic Justice
$45
-
Peony Petals
$50
-
Green Eggs and Ham
$30
-
Not Really A Kimono
$20
-
Eternal Spring
$35


I am passionate web-developer, with more than 15 years of professional experience. In the last 10+ years I have worked almost exclusively in and for startups. Through this I was able to gain a lot of experience especially in creating and optimizing first prototypes (MVPs). Since I often represented the whole developer team, I could and had to take over many other areas like: server maintenance, SEO optimization, render performance, APIs and various frontend MVCs/MVPs (like Meteor and Ember but especially Vue.js).
Updated: 2022-08


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Money Play. Should Red redouble? If redoubled, should White take?
pips Red=138 White=119
(CorrectAnswer= 0/0, ErrorScore= 0)
This belongs to a class of position that XG gets wrong on evaluation but corrects itself on rollout after it looks deeper.
White wins nearly a third of the time from here. His problem is that over half his losses are gammons. This makes the position a pass but only by 0.03 (just an error).
Of course if White thinks Red will misplay the position (for example not hitting loose on his 5-pt when White has one checker there and one already on the bar) then White can take.
Note that Red is nowhere near strong enough to play on for a gammon from the start position. Not redoubling here is a double blunder.
White wins nearly a third of the time from here. His problem is that over half his losses are gammons. This makes the position a pass but only by 0.03 (just an error).
Of course if White thinks Red will misplay the position (for example not hitting loose on his 5-pt when White has one checker there and one already on the bar) then White can take.
Note that Red is nowhere near strong enough to play on for a gammon from the start position. Not redoubling here is a double blunder.
Cube analysis 2-ply cubeless equity +0.538 0.657 0.343 0.011 - 0.343 0.123 0.005 Cubeful equities: 1. Double, take +0.844 2. Double, pass +1.000 (+0.156) 3. No double +0.758 (-0.086) Proper cube action: Redouble, take


| Modifier and Type | Class and Description |
|---|---|
class |
AuthorizationCodeCredentials
Retrieve information about
Authorization Code
Credentials by building instances from this class.
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class |
ClientCredentials
Retrieve information about
Client Credentials by building instances from this class.
|
| Modifier and Type | Class and Description |
|---|---|
class |
AuthenticationError
Retrieve information about Authorization Error objects by building instances from this class.
|
| Modifier and Type | Class and Description |
|---|---|
class |
AudioAnalysis
Retrieve information about
Audio Analysis objects by building instances from this class.
|
class |
AudioAnalysisMeasure
Retrieve information about Audio Analysis Measure objects by building instances from this class.
|
class |
AudioAnalysisMeta
Retrieve information about Audio Analysis Metadata objects by creating instances from this class.
|
class |
AudioAnalysisSection
Retrieve information about Audio Analysis Section objects by creating instances from this class.
|
class |
AudioAnalysisSegment
Retrieve information about Audio Analysis Segments by creating instances from this class.
|
class |
AudioAnalysisTrack
Retrieve information about Audio Analysis Track objects by creating instances from this class.
|
class |
CurrentlyPlaying
Retrieve information about
Currently Playing objects by creating instances from this class.
|
class |
CurrentlyPlayingContext
Retrieve information about
Currently Playing
Context objects by creating instances from this class.
|
class |
Device
Retrieve information about Device
objects by creating instances from this class.
|
class |
PlaylistTracksInformation
Retrieve information about Playlist Track Information objects by building instances from this class.
|
class |
Restrictions
Retrieve information about Restriction objects by building instances from this class.
|
| Modifier and Type | Class and Description |
|---|---|
class |
Actions
Retrieve information about Actions objects by building instances from this class.
|
class |
AlbumSimplifiedSpecial
Retrieve information about
simplified Album objects by building instances from this class.
|
class |
FeaturedPlaylists
Retrieve information about
Featured Playlist objects by building instances from this class.
|
class |
PlaylistTrackPosition
Retrieve information about Playlist Track Position objects by building instances from this class.
|
class |
SearchResult
Retrieve the searched-for items by building instances from this class.
|
class |
SnapshotResult
Retrieve information about Snapshot Result objects by building instances from this class.
|
| Modifier and Type | Class and Description |
|---|---|
class |
Album
Retrieve information about
Album objects by building instances from this class.
|
class |
AlbumSimplified
Retrieve information about
simplified Album objects by building instances from this class.
|
class |
Artist
Retrieve information about
Artist objects by building instances from this class.
|
class |
ArtistSimplified
Retrieve information about
simplified Artist objects by building instances from this class.
|
class |
AudioFeatures
Retrieve information about
Audio Feature objects by building instances from this class.
|
class |
Category
Retrieve information about
Category objects by building instances from this class.
|
class |
Context
Retrieve information about
Context objects by building instances from this class.
|
class |
Copyright
Retrieve information about
Copyright objects
by building instances from this class.
|
class |
Cursor
Retrieve information about
Cursor objects
by building instances from this class.
|
class |
Disallows
Retrieve information about
Disallows objects
by building instances from this class.
|
class |
Episode
Retrieve information about
episode objects by building instances from this class.
|
class |
EpisodeSimplified
Retrieve information about
simplified Episode objects by building instances from this class.
|
class |
Error
Retrieve information about
Error objects by building instances from this class.
|
class |
ExternalId
Retrieve information about
External ID objects
by building instances from this class.
|
class |
ExternalUrl
Retrieve information about
External URL objects
by building instances from this class.
|
class |
Followers
Retrieve information about
Follower objects
by building instances from this class.
|
class |
Image
Retrieve information about
Image objects
by building instances from this class.
|
class |
Paging<T>
Retrieve information about
Paging objects
by building instances from this class.
|
class |
PagingCursorbased<T>
Retrieve information about
cursor-based Paging objects by building instances from this class.
|
class |
PlayHistory
Retrieve information about
Play History objects by building instances from this class.
|
class |
Playlist
Retrieve information about
Playlist objects by building instances from this class.
|
class |
PlaylistSimplified
Retrieve information about
simplified Playlist objects by building instances from this class.
|
class |
PlaylistTrack
Retrieve information about
Playlist Track objects by building instances from this class.
|
class |
Recommendations
Retrieve information about
Recommendation objects by building instances from this class.
|
class |
RecommendationsSeed
Retrieve information about
Recommendation Seed objects by building instances from this class.
|
class |
ResumePoint
Retrieve information about
Resume Point objects
by building instances from this class.
|
class |
SavedAlbum
Retrieve information about
Saved Album objects by building instances from this class.
|
class |
SavedShow
Retrieve information about
Saved Show objects
by building instances from this class.
|
class |
SavedTrack
Retrieve information about
Saved Track objects by building instances from this class.
|
class |
Show
Retrieve information about
Show objects by building instances from this class.
|
class |
ShowSimplified
Retrieve information about
simplified Show objects by building instances from this class.
|
class |
Track
Retrieve information about
Track objects by building instances from this class.
|
class |
TrackLink
Retrieve information about
Track Link objects by building instances from this class.
|
class |
TrackSimplified
Retrieve information about
simplified Track objects by building instances from this class.
|
class |
User
Retrieve information about
User objects by building instances from this class.
|
Copyright © 2020. All rights reserved.


--- title: GitHub Pages is slow with root domains - InstantClick description: GitHub Pages with a custom root domain is terribly slow. It will make 35% of your visitors go away. ---
Update: This is no longer true since at least August 2014. GitHub fixed this!
If you have a website on GitHub Pages that sits on a root domain (a domain that isn’t a subdomain), you’re in trouble.
Have you ever noticed how your site loads slowly sometimes? It’s not your connection.
GitHub Pages with a custom domain is unbelievably slow.
Visitors to this site’s index page have an average page load time of 3.5 seconds. 70% of those are here for the first time. 3.5 ÷ 70% = 5. So first time visitors have an average page load time of 5 seconds. 1
This website is now off of GitHub Pages and loads in 700 milliseconds on a first visit, gaining over 4 seconds.
What do you lose when you add 4 seconds of delay on a first time visit?
Of the visitors that visit your GitHub Pages site for the first time, 35% more of them won’t bother to open another page. Your bounce rate is doubled.
Anselm Hannemann has a good rundown of the problem, including a note from GitHub support. When a domain has a DNS A record (pointing to GitHub Pages’ IP), GitHub’s DDoS mitigation technology has no alternative than to make a long redirect
What I’ve noticed is that sometimes it’s not just a big long redirect but multiple 302 redirects. This behavior isn’t documented anywhere it seems.
5 seconds seems big. When I notice a slow GitHub Pages website the wait seems to be more around 3 seconds, and that’s what I usually see in Chrome’s Network panel. The thing is, InstantClick’s visitors are spread around the world, my guess is this is what tilts the balance. 2
The short solution is, instead of using yourdomain.com
, use www.yourdomain.com
. 3
If you want to keep your clean www-less domain, you’ll have to move off of GitHub Pages, and/or use CloudFlare who can have a CNAME record on the root domain. The latter has the advantage of making your website super-fast across the globe with its edge caching feature.
Updates: 1. Thanks to Hacker News’s dknecht who pointed out that CloudFlare can have a CNAME record on the root domain, which should solve GitHub Pages’ performance issues. 2. I previously recommended moving to Neocities, but they currently have similar problems. :(
This website uses a Digital Ocean VPS 4 with CloudFlare.
By the way, you should definitively check out InstantClick if you care about web performance.


git-index-pack - Build pack index file for an existing packed archive
git index-pack [-v] [-o <index-file>] <pack-file> git index-pack --stdin [--fix-thin] [--keep] [-v] [-o <index-file>] [<pack-file>]
Reads a packed archive (.pack) from the specified file, and builds a pack index file (.idx) for it. The packed archive together with the pack index can then be placed in the objects/pack/ directory of a Git repository.
-v
Be verbose about what is going on, including progress status.
-o <index-file>
Write the generated pack index into the specified file. Without this option the name of pack index file is constructed from the name of packed archive file by replacing .pack with .idx (and the program fails if the name of packed archive does not end with .pack).
--stdin
When this flag is provided, the pack is read from stdin instead and a copy is then written to <pack-file>. If <pack-file> is not specified, the pack is written to objects/pack/ directory of the current Git repository with a default name determined from the pack content. If <pack-file> is not specified consider using --keep to prevent a race condition between this process and git repack.
--fix-thin
Fix a "thin" pack produced by git pack-objects --thin (see git-pack-objects(1) for details) by adding the excluded objects the deltified objects are based on to the pack. This option only makes sense in conjunction with --stdin.
--keep
Before moving the index into its final destination create an empty .keep file for the associated pack file. This option is usually necessary with --stdin to prevent a simultaneous git repack process from deleting the newly constructed pack and index before refs can be updated to use objects contained in the pack.
--keep=<msg>
Like --keep create a .keep file before moving the index into its final destination, but rather than creating an empty file place <msg> followed by an LF into the .keep file. The <msg> message can later be searched for within all .keep files to locate any which have outlived their usefulness.
--index-version=<version>[,<offset>]
This is intended to be used by the test suite only. It allows to force the version for the generated pack index, and to force 64-bit index entries on objects located above the given offset.
--strict
Die, if the pack contains broken objects or links.
--check-self-contained-and-connected
Die if the pack contains broken links. For internal use only.
--threads=<n>
Specifies the number of threads to spawn when resolving deltas. This requires that index-pack be compiled with pthreads otherwise this option is ignored with a warning. This is meant to reduce packing time on multiprocessor machines. The required amount of memory for the delta search window is however multiplied by the number of threads. Specifying 0 will cause Git to auto-detect the number of CPU(cqs and use maximum 3 threads.
Once the index has been created, the list of object names is sorted and the SHA-1 hash of that list is printed to stdout. If --stdin was also used then this is prefixed by either "packet", or "keepet" if a new .keep file was successfully created. This is useful to remove a .keep file used as a lock to prevent the race with git repack mentioned above.
Part of the git(1) suite


Start
Reset
Coding Quiz
(
0
of 5)
Q.
Enter Initial and Score
Name and Score
SAVE
Last Score
Name and Score:


{{ recipe.title }}
{{ recipe.body }}
Votes: {{ recipe.count_votes }}
{{ recipe.user }} - {{ recipe.created }}


home | about the creators | pet the shiba
the news site has finally been completed, and thus starting a new age for the shiba websitere!! yeahh!!!!
links and stuff
github | twitter | discord


Stock market update: 60 stocks hit 52-week lows on NSE
Among the stocks that touched their 52-week lows were Apollo Micro Systems and Gujarat Fluorochemicals.
by ETMarkets.comNEW DELHI: Around 60 stocks fell to touch their 52-week lows on NSE in Monday's session.
Among the stocks that touched their 52-week lows were Apollo Micro Systems, Gujarat Fluorochemicals, Force Motors and Sterling And Wilson Solar.
Apcotex, Bajaj Electricals and Everest also featured among the stocks that touched their 52-week lows on NSE.
Domestic benchmark index NSE Nifty was trading 21.70 points down at 11,873.75, while the BSE Sensex was trading 107.24 points down at 40,249.45.
In the Nifty 50 index, Bharti Airtel, BPCL, Tata Steel, Zee Entertainment and Grasim Industries were among the top gainers on the NSE. However, YES Bank, Bajaj Auto, M&M, Asian Paints and Hero MotoCorp were among the top losers.


{% extends "base.html" %} {% load i18n %} {% block page_title %}{% blocktrans %}Service unavailable{% endblocktrans %} - {{ block.super }}{% endblock %} {% block page_content %} {% blocktrans %}We are experiencing technical difficulties{% endblocktrans %} {% blocktrans %}The online plea service is not available right now, but we're working hard to get things up and running again. Try again later.{% endblocktrans %} {% endblock page_content %}
{% blocktrans %}The online plea service is not available right now, but we're working hard to get things up and running again. Try again later.{% endblocktrans %}


Mourinho enjoys winning start for Tottenham
by Priteshni NandTottenham Manager, Jose Mourinho enjoyed a winning start with the team beating West Ham 3-2 at London Stadium.
First half goals were scored by Son Heung-min and Lucas Moura and a third goal was from Harry Kane, four minutes after the break gave Tottenham their first Premier League away win since 20 January.
The result piles pressure on West Ham boss Manuel Pellegrini, whose side have now collected two points from their last seven games.
Under-fire keeper Roberto made an error for Son's opener and the hosts were booed off at half-time.
Late goals from substitute Michail Antonio and Angelo Ogbonna gave the final scoreline a flattering look however the result made a mockery of an ill-advised post from West Ham's social media team following Mourinho's appointment, highlighting previous difficulties the 56-year-old has endured at London Stadium.
Meanwhile, in other matches Manchester City has beaten Chelsea 2-1, Arsenal and Southampton drew 2 all, Wolves beat Bournemouth 2-1, Leicester City beat Brighton 2-0, Burnley thrashed Watford 3-0, Liverpool defeated Crystal Palace 2-1 and Norwich City has beaten Everton 2-0.
BBC Sports


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CSP News Weekly
|
Here’s the latest CSP Weekly news from CSPPLAZA. If you would like to know more information, or further expand CSP market, please contact<EMAIL_ADDRESS>|
|
CSP WORLDWIDE
|
2018.8.06~8.20
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Long-term gains of CSP-PV
Interest in hybrid CSP-PV is growing as operators seek lower cost energy for longer dispatch periods. While PV plants offer lower costs for daytime power, battery costs remain too high to offer night-time PV dispatch.
|
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Ten “CSP+” Power Station Development Modes
In theory, “sparks” could be generated between the four main technical routes of CSP, CSP and traditional thermal power, CSP and other renewable energy, achieving the desired effect of complementary and win-win.
|
|
Details about 150MW Aurora CSP project South Australian
Aurora, will involve a 240 m tower surrounded by more than 12,000 heliostats. The energy reflected by the heliostats onto the receiver at the top of the tower heats up molten salt which is then stored in a heavily insulated tank.
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CSPPLAZA is the only professional and authoritative media in China, exclusively providing business information service regarding CSP industry for people worldwide.
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Error Catching in Ansible
How to emulate a try-catch in Ansible tasks
Error Catching in Ansible
The Problem
So what if you want to write an Ansible script that requires you to shut down Apache at the beginning, run the rest of your commands and then restart Apache at the end and one of your commands fails in the middle?
This is a problem if you are trying to quickly make an update and can’t be taking down a server indefinitely upon failure. The problem is that Ansible doesn’t support an explicit form of try/catch. It only supports the “try” part. So we work with it.
The Solution
To fix the problem I had to use ignore_errors
.  I begin by simply shutting down Apache. The next command in my case is to run yum clean all
. This is the first place that failure is possible. So I register the result as the clean_result
variable. This includes the output from running the command, including a boolean regarding whether or not it failed.
So far you’ve got:
---
- hosts: <hosts_names>
sudo: yes
tasks:
- name: shut down apache
service: name=apache state=stopped
- name: clean all packages
shell: yum clean all
register: clean_result
ignore_errors: True
All’s fine and dandy, but what happens if that actually fails? You don’t want to go running yum update
all willy nilly if cleaning failed. So you need to add a conditional to that command. So you add the line when: clean_result | success
. This checks the boolean clean_result.success
that was registered in the clean all packages
task. You could do the opposite with clean_result | failed
. Since you want to start Apache back up regardless of whether or not the packages update, make sure to ignore errors again.
If you wanted more tasks between updating packages and restarting Apache, you’d also need to register an update_result
variable so you can check for success. Here we don’t need it since we’re jumping straight to restarting Apache.
Now you’ve got:
---
- hosts: <hosts_names>
sudo: yes
tasks:
- name: shut down apache
service: name=apache state=stopped
- name: clean all packages
shell: yum clean all
register: clean_result
ignore_errors: True
- name: update package
yum: state=latest name=
ignore_errors: True
when: clean_result | success
- name: start apache
service: name=apache state=started
when: apache_restart | bool
And that’s it.
The Downsides
No Counted Failures
There is one major downside to this method. You will never have any failures in your results. It’ll pretty much always look like this:
ok=4 changed=2 unreachable=0 failed=0
Each individual task will still print a failure, but if someone unfamiliar with your script were to see the results, they would never know it broke. That task failure will look like this:
TASK: [update package]
*********************************
failed: [hostname] => {"changed": false, "failed": true, "rc": 0, "results": []}
msg: No Package matching '<package-name>' found available, installed or updated
What If There’s Lots of Tasks?
This is clearly just a pain if you have a ton of tasks. It could be simplified by naming all of the registered variables the same thing. Instead of calling it clean_result
, just call it result
. Then you can copy and paste the same register
and when
into each task. result
will be re-written each time with the newest results. It’s not perfect but is manageable.
Conclusion
This is an imperfect solution to a shortcoming of Ansible as it exists now. Sometimes it’s just necessary to keep a server running or to do any other clean up task. Please comment if anyone finds a more ideal solution, as I would love to know it.


class: middle # Developer's Community of Practice ## Our Goals, and why it matters to you! https://esdc-devcop.github.io/strategy/ .right[![Right-aligned image](https://avatars2.githubusercontent.com/u/52010894?s=200&v=4)] --- class: middle, center ## Why change at all? -- ### That's cool, but how do I do that with my app. ??? Fancy presentations show how cool things could be. They don't tell us how to do that ourselves, or how to get there. --- class: middle, center ## The big endgame Goals! Deploying to cloud (those that can) ### .okay[Delivery to PROD at a click of a button with confidence] **No more .whoah[failed] builds in PROD** .okay[Bugs in PROD could be fixed within a day] ### Features are user focused --- class: middle ## How are we doing it? * Monthly Topics - micro goals / stepping stones * Hands on Help - Workshops, Hackathons, Collaborative sessions * Management support --- class: middle ## What about these "topics"? * Small incremental steps * Steps that can be actioned within .okay[**half a days work**] * Most steps will be building of the previous steps * Break the content into streams --- ## Streams ### .split-33[Mirco-services] ### .split-33[CI/CD] ### .split-33[Cloud] -- .split-33[ * APIs * Consuming * Creating * Legacy Strangler methods * Dependency Injection ] -- .split-33[ * Automation / Pipelines * Testing * Accessability * Security * End-to-End * Analysis * Deployments * Repository management ] -- .split-33[ * Infrastructure as Code (IaC) * Containers * Azure * AWS ] --- class: middle ### Where are we going? Started with Git - Enables us to do so much more later! - Fully supported code reviews - Feature change management - Versioning management - It's recommended by everyone - Microsoft - TBS - Us! - 3rd Party support - Tools that will make your development life easier and better! Today we look at Git Branching Models --- class: middle, center ## Collaborate on Slack! We need your collaboration to make this a success. ### GCDevOpsLeague #### .okay[gcdevopsleague.slack.com] channel: "esdc-devcop" --- class: middle, center ## Questions


Hello, I'm Tanay PrabhuDesai
I'm a Software Engineer based in Pune, India
About me
I am passionate about software engineering from a very young age. It all started from age of 3 when I used to play games on a computer which was a DOS computer. I eventually got obssesed with becoming a software engineer. Around the age of 17 I got a chance to run my first "Hello World" program in C and then never stopped programming.
My blog, the place I call my public diary
Work Experience
Software Consultant
March 2018 to June 2018
Worked on helping one of the team with good practices and software development processes. Conducted trainings and helped the team with different issues they faced in delivery of requirements.
Software Developer
November 2017 to February 2018
Worked on a back end of e-Commerce logistic application. The tech stack consisted of PHP Laravel with Postgres for the backend and React with backbone for the front end. All this was run in a Docker environment and deployed to different servers using Kubernetes.
Software Engineer
September 2016 to October 2017
Worked on web applicaion consisting of supply chain and e-Commerse sales of which the tech stack consisted of Python Flask, Bootstrap jQuery for the admin dashboard. Also worked on a customer facing mobile app written in ClojureScript deployed using Cordova. And later worked on Native Android app written in Java. In this I was involved in pairing with freshers and training them in best practices like TDD and Clean Code.
Software Craftsman
October 2016 to Now
Worked with a lot of differernt organizations as a contractor throught Nelkinda and did software consultancy and training for the companies which needed it.
Intern
August 2016 to September 2016
Worked on scraping names of scientists from the web using Python scripts and learnt a lot of Make. Project worked on was http://baotd.com/ (Basass Of The Day)
Intern
December 2013 to January 2014
Worked on profiling an embedded application written for Windows Embedded Standard 7 Technology used to develop was C# and profilers used were Red Gate ANTS and CLR


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MultiSpi
instance.
ResourceIoPerformingProvider
that reads all resources of a specified name
(as returned by ClassLoader.getResources(String)
and combines the results from
processing each one.findImplementationNames(serviceClass, defaultClassLoader)
where defaultClassLoader
is
Thread.currentThread().getContextClassLoader()
if non-null
ClassLoader.getSystemClassLoader()
if non-null
the bootstrap classloader otherwise
findImplementations(serviceClass, defaultClassLoader)
where defaultClassLoader
is
Thread.currentThread().getContextClassLoader()
if non-null
ClassLoader.getSystemClassLoader()
if non-null
the bootstrap classloader otherwise
MultiSpi
instance.
loadImplementations(serviceClass, defaultClassLoader)
.
ServiceImplementationProvider
that returns implementations listed in
a Java Manifest file,
based on properties of the implementation's manifest entry.ServiceImplementationProvider
that returns implementations listed in
a Java Manifest file,
based on properties of the manifest.MultiSpi
instance with a
desired configuration.ServiceImplementationProvider
that performs file I/O and potentially
throws exceptions.simple name
.MultiSpi
instance being built.
MultiSpi
instance being built.
MultiSpi
instance being built.
MultiSpi
instance
being built.
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Patsy Doherty
- hat designer -
Toggle navigation
Patsy Doherty
- hat designer -
Home
Home1
Home2
About
Services
Collection
Resume
News
Contact
Hat design
The human head is a constantly moving and turning pedestal...with the hat a sculpture.
View collection
The right hat may also enliven our
imagination of the past...an old-fashioned cloche, a picture hat, or a toque trimmed with a pouf of polka-dotted veiling is just enough to make us feel as if we were living in another, romantic age.
read more


Class: plan
http://purl.org/biotop/btl2.owl#Plan
Annotations (2)
definition
"A plan is a series of steps to be carried out in order to achieve a goal. Plans can only be realized by processes."
()
label
"plan"
()
Superclasses (2)
'information object'
represents
only
process
Usage (2)
Class
:
plan
'plan execution'
⊆
action
and
'realization of'
some
plan


Client: Jonathan Fox
Role: Designed and coded a site for a New York City based poet. The design continues to change and evolve and these images are a snapshot of one version of the site. The live site is here.
Tools used: Wordpress, HTML, CSS, Photoshop, Illustrator, InDesign.


]
for e in entities:
// for some reason wit adds additional quotes around entities
e["value"] = e["value"].strip(""")
data = {}
if intent:
data[INTENT] = intent
for e in entities:
entity_name = e["entity"]
if ":" not in entity_name:
continue
(name, role) = entity_name.rsplit(":", 1)
e[ENTITY_ATTRIBUTE_TYPE] = name
e[ENTITY_ATTRIBUTE_ROLE] = role


Ques 1 : How many times the below loop will run
main()
{
int i;
i=0;
do
{
--i;
printf("%d",i);
i++;
}
while(i>=0);
}
(A) 1
(B) Infinite
(C) 0
(D) Compilation Error
Ques 2 : switch(option)
{
case ’H’ : printf("Hello");
case ’W’ : printf("Welcome");
case ’B’ : printf("Bye");
break;
}
What would be the output if option = ’H’ ?

What is the value of the expression:
!((b+c)>(a+10))
(A) 1
(B) 6
(C) 15
(D) 0
Looking for Project recommendations ?
Machine Learning is in trends. 1) Learn to build Recommender Systems with Movielens Dataset
From Netflix to Hulu, the need to build an efficient movie recommender system has gain importance over time with increasing demand from modern consumers for customized content. One of the most popular dataset available on the web for beginners to learn building recommender systems is the Movielens Dataset which contains approximately 1,000,209 movie ratings of 3,900 movies made by 6,040 Movielens users. You can get started working with this dataset by building a world-cloud visualization of movie titles to build a movie recommender system.
2) Predicting Wine Quality using Wine Quality Dataset
I love everything that’s old, — old friends, old times, old manners, old books, old wine. — Oliver Goldsmith
It’s a known fact that older the wine, better the taste. However, there are several factors other than age that go into wine quality certification which include physiochemical tests like alcohol quantity, fixed acidity, volatile acidity, determination of density, pH and more. The main goal of this machine learning project is to build a machine learning model to predict the quality of wines by exploring their various chemical properties. Wine quality dataset consists of 4898 observations with 11 independent and 1 dependent variable.
3) Boston Housing Price Prediction ML Project
Boston House Prices Dataset consists of prices of houses across different places in Boston. The dataset also consists of information on areas of non-retail business (INDUS), crime rate (CRIM), age of people who own a house (AGE) and several other attributes (the dataset has a total of 14 attributes).Boston Housing dataset can be downloaded from the UCI Machine Learning Repository. The goal of this machine learning project is to predict the selling price of a new home by applying basic machine learning concepts on the housing prices data. This dataset is too small with 506 observations and is considered a good start for machine learning beginners to kick-start their hands-on practice on regression concepts.
Apple Interview Experience
By Anonymous
It was on Campus in an IIT.
Interview Tips :
Don’t just jump into the solution. They judge your thought process. Start with the simplest solution and build up on that, optimize that.
Know your resume. They asked a lot of questions about projects and internships that I mentioned in my resume. Make sure that you are able to describe whatever you have written on your resume.
Think out loud. Make sure you handle all corner cases while answering coding questions.
There were a total of three rounds. Each round was of 50 minutes. First, there was a coding round, followed by system design round and finally a HR round.
Each round started with interviewer giving his/her introduction and what he/she is working on followed by detailed technical or HR interview and then 5-10 minutes for questions from the interviewee.
Round 1 :
Josephus problem.
Interviewer wanted analytical solution.
A simple problem based on DFS.
Interviewer wanted proper code with all corner cases with proper function names etc.
Finally, there was a discussion on various projects and internships that I mentioned in my resume.
Round 2 :
Design a game leaderboard displaying top rankers from different regions.
Take reliability, availability and latency into account for system design questions.
Discussion on choice of databases : SQL based vs NoSQL.
Discussion on latency, availability and reliability (CAP theorem).br<>
Database design for the system.
API design.
What happens when you type an address on a web browser and hit enter. Followed by questions related to DNS like what it is and how it works etc. This was followed by a question about how would I design DNS.
This was followed by discussion on projects that I mentioned in my resume.
Round 3 :
Discussion on various projects and internships that I mentioned in my resume.
Discussion on scalability of work done during my internship.
Discussion on some of the open source development I have been involved in.
General HR questions.
Discussion on work culture in Apple.


About Project
The main goal of this project is to find out the influencing factors of participating in the Olympic Games, and to observe the Olympic performance of various countries. The datasets of this project are from World Bank Open Data and Kaggle.
Let's take a look at the recent Olympics.
Rio 2016 Summer Olympics
Sochi 2014 Winter Olympics
Almost all countries in the world participated in the Rio 2016 Olympic Games. However, for Africa, the Winter Olympics are less attractive.
The development and changes of the Summer Olympics
The development and changes of the Winter Olympics
We can see that the number of participating teams and events at the Summer Olympics has leveled off. However, the Winter Olympics are still growing.
Events of the Rio 2016 Summer Olympics
Events of the Sochi 2014 Winter Olympics
Number of athletes in Summer Olympics
Number of athletes in Winter Olympics
We can see from the graphs below that there are more and more female athletes.


--- layout: post title: Getting Started With uvaonlinejudge ... categories: - Coding tags: [] status: publish type: post published: true meta: _wpas_mess: Getting Started With uvaonlinejudge ... publicize_results: a:1:{s:2:"fb";a:1:{i:100000137867141;a:2:{s:7:"user_id";s:15:"100000137867141";s:7:"post_id";s:15:"381259891888603";}}} _wpas_done_fb: '1' _wpas_skip_linkedin: '1' author: ---
What is uva online judge after all ???
According to wikipedia , UVa Online Judge is an online automated judge for programming problems . The system can compile and execute codes and test them with pre-constructed data. Submitted code may be run with restrictions, including time limit, memory limit, security restriction and so on. The output of the code will be captured by the system, and compared with the standard output. It will then inform you whether your solutions are correct (AC) , or faulty and in the latter case it will also tell you what the problem was viz..
The registration is open to all users (and free of cost too :D). A user may submit a solution in C, C++, Java or Pascal. You just have to get yourself registered at the site .
Solving a problem on the UVa Online Judge requires the following:
The judging is automated (they use benchmark input and output files), so you can typically expect a response within a few seconds. After all the theory above (we have had enough of it :P) , lets try and solve a problem at the uva site.
Getting started : A step-by-step approach
Lets get started with an easy question :) . I have selected the problem at the uva called Back to High School Physics . It is indeed an easy problem . Go through the question , use sample input and sample output section to see what they really need . Once you get a feeling of what to do , try finding out the formula (the so called "algorithm" for this problem) . Think hard if you dont get it ,
Alternatively , search google for 10071 - Back to High School Physics . Click on a link from the algorithmist's site . You will reach here . You could find some clues here too . But please try yourself before you go onto look at the hints using one of the two methods because thats the whole motive behind starting with uva . By now you are ready to dive into your compiler and code ,so do it !!! . You may also use ideone . Its a really good place to try different input/ outputs and check if your code is error-free . Let me post the solution for this question to show you a sample solution :
{% highlight c++ %} #includeLog in to the uva website . Go to Quick submit on the left . Enter question number on uva site (10007 here) , choose a language (click on C for above sample code) , copy-paste your code here (you may browse it as well :) ) and submit your code Congratulations !!!! you have now submitted a solution at the uva site (if you get AC- accepted) . You can check the status of your submission by selecting the “My Submissions” link on the left side of the page. The “Verdict” heading will tell you if it was solved or if there was a problem (e.g. wrong answer, ran too long, crashed, too much memory was used, compile error, etc).
Now go ahead and solve some more problems !!!
Next Problem to Solve :
As there are large number of problems to be solved, you have to select problems. The best way according to me is Felix Halim’s website. Just punch in your username and see the miracle. Bookmark the page, at least that’s what I did :D .
Use Felix Halim for figuring out what problem will be easiest to find:
Or you can also get Topic wise problems:
Another word of advice, the solutions for UVA are available abundantly on the net. Please do not copy, as this is not a competition!
AC’s are heavenly, work for them! Have fun…Enjoy coding!!!
If you use google-chrome :
Sometimes , The site wont open and it will show a redirect loop. It is solved by removing the cookie onlinejudge.org. It can be removed in the following way. Open options->under the hood:
Click on “content settings”, and in “cookies” sections click on “all cookies and site data”.
now search for onlinejudge.org cookie and delete it..Tada problem solved!( P.S. the screenshots are from this page ).


LAYGO - LAYout with Gridded Objects¶
Introduction¶
Laygo is an add-on to BAG2 framework written by Jaeduk Han, Woorham Bae, Zhongkai Wang, and Eric Jan, to generate physical designs (layouts) of integrated circuits. Laygo provides various functions and objects to describe layout generators, which helps designers produce layouts efficiently in advanced CMOS technologies.
To properly abstract the complex design rules in the advanced technologies, Laygo introduced quantized templates and grids for its layout generation process; the layouts are constructed by placing templates and routing wires on grids, and designers don’t need to deal with complex design rules. With Laygo, you can easily describe process portable and parameterized layout generators in Python, which provide higher productivity and flexibility to your designs.
laygo
Installation and Quick Start¶
Install BAG2 (skip this if you are using the GDS flow).
Clone the laygo repository.
$ git clone git@github.com:ucb-art/laygo.git
Prepare the following setup files for your technology.
laygo_config.yaml - contains general technology information.
An example file can be found here labs/laygo_config.yaml
(technology_name).layermap - (optional) layer mapping file only for the GDS flow. Usually the layermap file can be found in your PDK library.
An example file can be found here labs/laygo_faketech.layermap
primitive template and grid database : laygo stores template and grid information in the YAML format.
Example database files (for laygo_faketech, used in the GDS flow): labs/laygo_faketech_microtemplates_dense_templates.yaml, labs/laygo_faketech_microtemplates_dense_grids.yaml
An example script for constructing the yaml database: labs/lab2_a_gridlayoutgenerator_constructtemplate.py
Complete sets of these setup files for generic technologies can be found here:
[cds_ff_mpt](git@github.com:ucb-art/BAG2_cds_ff_mpt.git) [NCSU FreePDK45](git@github.com:ucb-art/BAG2_freePDK45.git)
For BWRC users, default setup files for various technologies are provided under proper NDAs.
Now you can run a toy example. Launch ipython and run the GDS tutorial script quick_start_GDS.py.
$ start_bag.sh (or ipython) > cd laygo > run quick_start_GDS.py
It will create a nand gate layout, and save it to output.gds.
qs_nand
KLayout was used to display the gds. Detailed explanations on the tutorial script can be found here. You can also export the layout to the BAG framework. Check this document for the details of the BAG flow.
More examples can be found in labs, with additional documentations.
Generators of real-world circuits (ADC, SERDES, and so on) are being uploaded in https://ucb-art.github.io/laygo/ as well.
Documentations¶
More complete documentation can be found here: https://ucb-art.github.io/laygo/.


Login Name
Password
Name
Telephone number
First name
Last name
Address
Postal code
Country Gambia Madagascar Namibia France Switzerland UK Canada Mexico USA


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<none>
Classes
ComposeControllerTest
EmailControllerTest
EmailPreviewTest
ForwardControllerTest
MainTest
MasterMainControllerTest
ReplyControllerTest
ViewControllerTest


The feature is distributed via a P2 composite repository hosted at JFrog (https://mybatis.jfrog.io/artifactory/generator-eclipse-release/). The build includes scripts that automate much of the work involved with publishing a new version to JFrog. The generated JFrog upload script is a bash script - so the first thing to know is that you must do this on a machine that supports bash.
The publishing build communicates with JFrog during the build - so you must have Internet access when running this build.
Here's how to do it:
./mvnw -Prelease-composite clean integration-test
"
on the pom.xml
in the parent directory of all eclipse projects ("../eclipse"). This turns on
the "release-composite"
profile which adds build steps to retrieve the current P2 metadata from JFrog and prepare
the release artifacts for uploading.
target/p2-composite-repo
" in the
org.mybatis.generator.eclipse.site
project. That directory will contain all
the updated artifacts for uploading to JFrog, and there will also be a script file
jfrogUpload.sh
that you can use to upload the new version to JFrog.
jfrogUpload.sh
and set the proper values for your JFrog user and
API key. There are Bash variables defined at the top of the script that you should update
for that purpose.org.mybatis.generator/feature.xml
org.mybatis.generator/pom.xml
org.mybatis.generator.core/META-INF/MANIFEST.MF
org.mybatis.generator.core/pom.xml
org.mybatis.generator.eclipse.core/META-INF/MANIFEST.MF
org.mybatis.generator.eclipse.core/pom.xml
org.mybatis.generator.eclipse.core.tests/META-INF/MANIFEST.MF
org.mybatis.generator.eclipse.core.tests/pom.xml
org.mybatis.generator.eclipse.doc/META-INF/MANIFEST.MF
org.mybatis.generator.eclipse.doc/pom.xml
org.mybatis.generator.eclipse.parent/pom.xml
org.mybatis.generator.eclipse.site/pom.xml
org.mybatis.generator.eclipse.tests.harness/META-INF/MANIFEST.MF
org.mybatis.generator.eclipse.tests.harness/pom.xml
org.mybatis.generator.eclipse.ui/META-INF/MANIFEST.MF
org.mybatis.generator.eclipse.ui/pom.xml
org.mybatis.generator.eclipse.ui.tests/META-INF/MANIFEST.MF
org.mybatis.generator.eclipse.ui.tests/pom.xml
This can be easily accomplished with the Tycho versions plugin:
./mvnw tycho-versions:set-version -DnewVersion=1.4.1-SNAPSHOT


@(page: model.Page, idRequest: services.IdentityRequest, idUrlBuilder: services.IdentityUrlBuilder, emailForm: Form[(String)], errors: List[Error])(implicit request: RequestHeader, messages: play.api.i18n.Messages, context: model.ApplicationContext) @import form.IdFormHelpers._ @import idapiclient.responses.Error @import views.html.fragments.form.inputField @import views.html.fragments.registrationFooter @mainLegacy(page, projectName = Option("identity")){ }{
We'll email you a link to reset it.
Use the email address field to send a reset link to your registered Facebook or Google email. You will then be able to add a password to your account.
Email Userhelp who'll be able to help you.


Resources
Stats
Population:
0
people /
1
shelters
(Robots):
10
idle /
10
max
Food:
0
Water:
0
New Sim Requirements
Population:
1
Shelter:
1
Food:
5
OR have stable food for
10:00
Water:
5
OR have stable water for
10:00
New Simulation
Actions
New Action Modifiers
Repeat Until Resources Empty
Loop For
times
Re-Add when complete
Modules


ROUTE: Prestige to Cooperation(Uthiru)
ROUTE: GPO to Thika
ROUTE: Moringa School to Mathare
ROUTE: Kawangware to Kibera
ROUTE: Kangemi to GPO
ROUTE: Prestige to Junction Mall
Trusted by:
Contact us
Ngong Lane Plaza
Mon - Fri, 8:00-22:00
+254 723 252 294


Friend Requests
You have no friend requests currently. Please check back later!
{{request.friend}} {{request.request_time}}
Friends
You have no friends currently. Head to the search page to find some users!
{{friend.friend}} {{friend.friends_since}}
You have no friend requests currently. Please check back later!
{{request.friend}} {{request.request_time}}
You have no friends currently. Head to the search page to find some users!
{{friend.friend}} {{friend.friends_since}}


<EMAIL_ADDRESS>This week, I was mainly working on adding a functionality to my team's latest Software (The Scheduler) - I was specifically adding a "ManageTeams" page that will be used to manage the teams that will be using the Scheduler application.
In implementing this, I wrote back-end (Java) code that includes web methods (SOAP) - this created the opportunity for me to learn more about web methods and gatekeepers. I also had to interact with the database from the Java code, so I was able to learn more in regards to JPA (Java Persistence API) - Using Entity Manager, persisting data, etc.
I also wrote front-end code in order to display results and handle the "team management" of the application. I used ASP.NET and Telerik tags - which provided me with the opportunity to learn more about interacting with telerik tags such as "RadListBox", and ASP.NET tags such as "DropDownList".
To start this, I initially had to draw a mockup of what the page will look like. And was able to complete this task at the end of the week.
Synchrotron Tour
This week, I had a 1 hour Synchrotron Tour for one of ISIS' target station... Check the images below
The functionality to manage teams in the scheduler application was finished this week.
I wrote Junit Test for the new methods I wrote. (Using JMockit).
Computing Group Meeting
I attended the monthly computing group meeting this week. It was insightful especially after he guy that gave a talk shed more light on what the "RAL Space" department of STFC actually does and how they use software in their day to day activities.
Matt Tallyn Left
One of the most experience staff in my team left for better pastures in London this week.
I was able to learn about Integration Test this week. I wrote a few Integration tests for the web server methods I had written previously while adding the "Teams management" functionality
Sharepoint 2013
I was able to take a significant amount of time setting up and installing Sharepoint 2013 on a virtual machine. This involved installing all the prerequisites such as an OS (windows 8), SQL Server 2012, etc.
This took some time but was pleased at the end. It's kinda interesting working on a virtual environment
I was able to release my team's main application to production for the first time. This required extra checking of things (e.g Database scripts that runs running, etc) and also required extra caution.
I carried out the deployment of the application using Jenkins (our continuous Integration System).
Custom Page layout On Sharepoint 2013
After installing Sharepoint 2013, my task was then to read tutorials and basically have a good go at how customising a site, web-pages, master pages, layout pages, and making them all fit into each other - hence designing them appropriately on Sharepoint 2013 - that was initially not easy for me to get my head around, but then it became clear and fun!
Supporter Of The Week (SOTW)
It was my turn to support the users of our application. Not a very busy week, but it still involved me having to show quick problem solving skills in order to resolve one issue or the other. I also had to write a couple of fancy SQL scripts.


Lumen Systems
Financial Planning Professional (FPP) is a comprehensive financial planning software program for Windows. All areas of planning are available in a single, fully-integrated package--there's no need to purchase each planning area separately. As a powerful financial planning tool, FPP gives you flexibility, detail, and the ability to quickly create full plans or modular reports to suit your needs. FPP has what it takes to grow your business and communicate more effectively with your clients.
We provide you with:
- Client Confidentiality: FPP software allows you to protect your files with a password to assure the security of your clients' financial data.
- Efficient Data Collection: The FPP Confidential Questionnaire is your tool for accurate and thorough collection of client’s financial data. Since the Questionnaire parallels the software, it’s simple to transfer the data from the printed Questionnaire to the software’s on-screen data forms.
- One-Time Data Entry: Enter data once, and FPP automatically distributes the data to all the appropriate planning areas. Your office assistant can easily handle data entry and report generation with FPP -- and you can spend your time in creative planning or contacting new clients!
- Automatic Calculations : FPP uses up-to-date internal tables to automatically perform calculations for items such as social security benefits, estate taxes, and projected income and expenditures at retirement.
More features:
- What-If Scenarios: Want to show your client the impact of varying figures? FPP’s unique override feature keeps the current year data intact while you enter new numbers into the data forms.
- Quick Report Generation: FPP performs calculations and provides analyses of your client's financial data quickly and efficiently. When you are ready, you can enter your personal recommendations and print the final report.
- Modular & Comprehensive Plans: FPP is a powerful and flexible program that can help you tailor a plan that will meet the specific needs of each client. FPP has the capability of producing full in-depth plans as well as modular plans focusing on a specific area of analysis.
- Monte Carlo Simulation: Monte Carlo simulation is used to evaluate the effects of fluctuations in your client's investment rate of return over time. The annual rate of return is randomly varied, and the overall analysis is repeated 1,000 times. Each time the analysis is completed, the investments remaining at the end of the client's life expectancy are checked to determine the probability of success.


Pilot Walks Away Uninjured After Plane Gets Caught Upside Down in Power Lines
by Tara LawA pilot walked away uninjured after crashing a single-engine propeller plane into power lines in Louisville Township, Minn., on Saturday, police say.
The Piper Cub plane, which had been traveling south, apparently collided with the power lines, became entangled and was suspended upside down on a guideline, according to the initial investigation, the Scott County Sheriff’s office said.
The Sheriff’s office received a report about the crash, which took place south of Shakopee, Minn., at around 3:57 p.m.
The power line was deactivated and the pilot, 65-year-old Shakopee resident Thomas Koskovich, was freed from the plane. Koskovich, the only person on board, was not hurt.
Scott County Sheriff Luke Hennen said the situation could have turned out “much worse.”
“We are grateful the pilot was able to walk away without any injuries,” Hennen said.
The Federal Aviation Administration is investigating the incident.


{% extends 'myapp/base.html' %} {% block title %} Attend An Event {% endblock title %} {% block body %} Hi you are at attend page {% endblock body %}


Month
Floor 1
Floor 2
Virtual Old
Virtual New
Communications Old
Communications New
Address Old
Address New
Meetings Old
Meetings New
Result goes here
Floor 1
Result goes here
Floor 2
Result goes here
Result goes here
Floor 1
Result goes here
Floor 2
Result goes here


DOCUMENTATION: Fields and widgets are indicated by brackets. [subscriber-s name] . will display the subscriber-s name if it is found on the black-board. . This will be rendered as a text box input field on a form. [subscriber-s self-description 7] . will display the subscriber-s self-description, . . if it is found on the black-board. . This will be rendered as a 7 line text box input field on a form. . When used outside of a form (example: in a dialog), . . as many lines as may be required will be used. [category] . will display the corresponding category attribute . . for the entity named in the view frame's title. . This will be rendered as a selection in a form . . because the state-or-province attribute is a category . . with a list of possible values. [things] . will display the corresponding collection of things as a table. . Attribute names that are plural always indicate a collection . of the appropriate entity-type . which are components (a.k.a. children) . . contained in the parent entity. . When this appears on a form, the view-frame for the component . . may be invoked to add new items to the collection. [[submit]] . will display a button on a form. . In this case, the button will be labeled ''submit''. [1] . will display a check-box on a form. . (Attributes will not have numbers as names.) . The next instruction line with: . . [1] task-statement . . identifies the associated goal or action. . At run-time, when the form is submitted, . . the system will attempt to plan and run the assocated goal or action. (1) . will display a radio-button on a form. . The next instruction line with: . . (1) attribute = value . will effect the intended value assignment. . At run-time, when the form is submitted, . . the system will set the given attribute value. " " ----------------------------------- Hyperlinks are also indicated using bracket notations: [page: page-name] . will link to the corresponding page in the current web site. . This notation will be rendered as . . page-name in HTML. . (The page-name wlll be translated to camel-case.) . On a wiki page, the notation will be rendered as a wiki-link. . (The page-name will be a parameter to the wiki-servlet.) [here: bookmark-name] . will link to the corresponding bookmark in the current web site. . This will be rendered as . . bookmark-name in HTML. [mark: bookmark-name] . will place a corresponding bookmark in the current web site. . This will be rendered as . . bookmark-name in HTML. [link: URL] . will link to the corresponding URL (may be an external URL). . This will be rendered as . . URL in HTML. [link: URL | text ] . will link to the corresponding URL (may be an external URL). . This will be rendered as . . text in HTML


Mr.Jeff Smith Head,Corporate Finance Capital Bank,London United Kingdom. Dear Friend, Good day to you, My name is Jeff Smith,Head corporate finance with Capital Bank London. We had a foreign client an American national and a business man named George Marshall who deposited a huge sum of money(NINE MILLION FIVE HUNDRED THOUSAND DOLLARS,USD 9.5M),with our bank.Eventually,George Marshall died as a result of a fatal plane crash with other passengers on board sometime in 1999 but since then we have not had anybody coming for the claims as the next of Kin. A situation I have carefully monitored closely with my position in the bank.Now having monitored this deposit and managed it over the years before his death,and hence nobody has showed up as the next of Kin for the past four(4) years plus,I have removed the file to my private vault. I now solicit for your assistance to present you as the next of Kin to George Marshall All the arrangement has been concluded by me and i am only waiting for a foreigner to enable me move the funds to his account. This does not have any risk attached to it,as i will handle all the Internal Documentations and Perfections. Your Interest will be negotiable before we commence the operation. I look forward to hearing from you as i heavily rely on your utmost sincerity. NB:I want you to mail me via<EMAIL_ADDRESS>Regards, Mr.Jeff Smith.


Apache CouchDB™ is a document database built for the web.
If you would like to help document the project, please send a note to the developer mailing list.
This is a work in progress.
1. Introduction


K!m Eun J!


Lunch Time Special Offer - $188 Sushi Set 12 Pieces
Shop Information
Address
83 Tat Chee Avenue,
Kowloon,
Hong Kong
Tel
3442-7788
Business Hours
12:00-3:00pm
6:30-11:30pm
Last Order 10:30pm
Signature Dishes
Fole gras with mustrad seeds and green onions; Bisque - a
smooth and creamy, French potage; Croque Monsieur - baked
or fried boiled ham and cheese sandwich.


@remarks To calculate the exact array size required by GetCharsEx to store the resulting characters, the application uses GetCharCount. To calculate the maximum array size, the application should use GetMaxCharCount. The GetCharCount method generally allows allocation of less memory, while the GetMaxCharCount method generally executes faster.
With error detection, an invalid sequence causes this method to throw a ArgumentException. Without error detection, invalid sequences are ignored, and no exception is thrown.
@exceptions| Exception | Condition |
|---|---|
| ArgumentNullException | Bytes is uninitialized. |
| ArgumentOutOfRangeException | Index is less than the lower-bound of Bytes. -or- Count is less than zero. -or- Index and Count do not denote a valid range in Bytes. -or- The resulting number of bytes is greater than the maximum number that can be returned as an integer. |
| ArgumentException | Error detection is enabled, and Bytes contains an invalid sequence of bytes. |
| DecoderFallbackException | A fallback occurred -and- DecoderFallback is set to DecoderExceptionFallback.html. |
Public Sub Main() Dim Bytes() As Byte Dim UTF8 As New UTF8Encoding Dim CharCount As Long Bytes = NewBytes(85, 84, 70, 56, 32, 69, 110, 99, 111, 100, 105, 110, 103, 32, 69, 120, 97, 109, 112, 108, 101) CharCount = UTF8.GetCharCount(Bytes, 2, 8) Console.WriteLine "{0} characters needed to decode bytes.", CharCount Console.ReadKey End Sub ' This code produces the following output. ' ' 8 characters needed to decode bytes.


A list of External Resources will be displayed here. These records will show up on a School District's dashboard for their reference.
To create a new External Resource record, click the New button in the Command Bar.


Game Rules
Target:
Reach 1000 points to win!
Score Rules:
- Reach water: +50 pts
- Catch a star: +100 pts
Life Rules:
If hit by a bug, lose 1 life. You have a maximum of 5 lives.
Operation
Start/restart:
Click Start/Restart button or press "Enter" Key.
Pause/continue:
Click Pause/Continue button or press "space" Key.
Player:
Use the keyboard arrows to move the player.


My Team
Jonathan Smith
Manager
Employee ID #: 156
Email:
<EMAIL_ADDRESS>Office Phone #
:<PHONE_NUMBER>
Debra Cartgena
Engineer
Employee ID #: 84
Email:
<EMAIL_ADDRESS>GitHub:
DCART
Riba Sih
Intern
Employee ID #: 15
Email:
<EMAIL_ADDRESS>School: UNC Charlotte


Sass is a CSS pre-processor, meaning that it extends the CSS language, adding features that allow variables, mixins, functions. AdminBSB - Sensitive supports Sass and is pure built on top of Sass
assets/scss/_mixins.scss
Varriables help to generate themes, you can custom build you very own theme. The varriables will be include inside a specific theme
Default Theme Variables
Can be found under assets/scss/themes/_themecolorvariables.scss
| $theme_default |
#009688
|
| $theme_blue |
#2992a7
|
| $theme_red |
#da4453
|
| $theme_purple |
#a7296a
|
| $theme_warning |
#f6b225
|
Default Color Variables
Can be found under assets/scss/_variables.scss
| $color-danger |
#da4453
|
| $color-info |
#01c0c8
|
| $color-success |
#16a085
|
| $color-primary |
#2980b9
|
| $color-warning |
#f6b225
|
| $color-default |
#bdc3c6
|


Versions used:
Wiris plugin:
Froala editor:
Double click on the following formula to edit it.
x=-b±b2-4ac2a


by Jared Wilber · October 2017
Note - if you're on mobile the visualization won't properly line up with text - sorry!
I grew up in San Diego, California, and, like many other kids from Southern California, skateboarding was a huge part of my childhood. One of the biggest draws to skateboarding for me was the music associated with it. It seemed different than what they played on the radio. It felt counterculture. It felt cool.
Of course, I was in no way unique with this sentiment - skateboarding and music have been intrinsically linked since the inception of skateboarding in the 1950s and 1960s, with many artists (e.g. Morrissey, Black Flag, Dinosaur Jr. etc.) heavily associated with skate culture.
And therein lives the purpose of this blog post:
Which music artists and genres are featured the most in skateboarding videos?
In the visualization below, each node corresponds to a separate artist, with size encoding the number of times that artist has been used in skate videos. The larger the area of circle, the more popular is the artist in skateboarding. Each node is color-coded by music genre. The toggle options allow you to arrange the data by various levels.
This piece is exploratory: hover over each node to get artist specific information, and feel free to drag them around (it's pretty fun).
Below we view the distribution of music genres across all collected skate videos.
At 20%, indie music is the most popular genre. This is pretty expected. However, that Classic Rock is used more than hip hop and punk, two genres typically associated with skateboarding, is quite surprising. Spearheading this genre's dominance are The Beatles, Bowie, and The Rolling Stones. Hip Hop and Punk follow with values at 15% and 14%, respectively. The remaining genres are used less frequently, which, in my opinion, is a result of them being associated with specific skating aesthetics.
The data was scraped from skatevideosite.com. I wrote a quick Python script to grab the soundtracks for the top 2,000 most-viewed skate videos. To maintain data integrity, I manually removed niche, unknown videos that aren't a part of popular skate culture (e.g., random skate videos from South America). Genres were obtained via the Spotify API. After this step, the data cleaning, preprocessing, and plot prototypes were created using R.
To produce the final visualizations, I used Javascript's amazing D3 libary. The bubble chart was created via library's force-directed graph layout (without utilizing edges), and the plots were styled the nodes using CSS. The visualizations were inspired by work from the New York Times and Jim Vallandingham.
All code is available in the associated GitHub repository.