We extend blockchain!
- repurpose extensible applications
- expedite B2B eyeballs
- e-enable end-to-end methodologies
- synergize extensible relationships
- optimize integrated architectures
- integrate next-generation paradigms
- envisioneer wireless portals
- strategize dynamic content
- transform clicks-and-mortar e-markets
- integrate one-to-one markets
- seize next-generation infomediaries
- scale one-to-one web-readiness
- scale e-business web-readiness
- reinvent scalable e-commerce
- e-enable holistic portals


Adam Jijo
Student at VIT, Vellore
Core Member STC-VIT
Aspiring Developer
Open-Source Enthusiast
Chess
Create a room and play chess
with your friends online.
Make an account to keep track
of your wins and losses.
Movie Man
A small python script you can
set to run at system startup
that will automatically manage
your movies for you.
Refer to github to find out all the features.
Fourier Epicycle Sketch
Sketch out any series of points
using fourier epicycles.
Also includes another application
to sketch out points you want to
use.
Emoji Balance Bot
Tries to restore balance to
emoji usage by tweeting the
least tweeted emoji every
12 seconds.


- outputAdditionalCss(Writer) - Method in class com.github.rvesse.airline.help.html.HtmlCommandUsageGenerator
-
Outputs additional CSS directly
- outputDescription(Writer, String, String[], CommandMetadata) - Method in class com.github.rvesse.airline.help.html.HtmlCommandUsageGenerator
-
Outputs a documentation section with the name and description of the
command
- outputHtmlHeader(Writer) - Method in class com.github.rvesse.airline.help.html.HtmlCommandUsageGenerator
-
Outputs the HTML header for the page
- outputOptionRestriction(Writer, OptionMetadata, OptionRestriction, HelpHint) - Method in class com.github.rvesse.airline.help.html.HtmlCommandUsageGenerator
-
Outputs a documentation section detailing an allowed value for an option
- outputOptions(Writer, List<OptionMetadata>, ArgumentsMetadata, ParserMetadata<T>) - Method in class com.github.rvesse.airline.help.html.HtmlCommandUsageGenerator
-
Outputs a documentation section detailing the options
- outputPageHeader(Writer, String, String[], CommandMetadata) - Method in class com.github.rvesse.airline.help.html.HtmlCommandUsageGenerator
-
Outputs a page header
- outputStylesheets(Writer) - Method in class com.github.rvesse.airline.help.html.HtmlCommandUsageGenerator
-
Outputs the style sheet declarations
- outputSynopsis(Writer, String, String[], CommandMetadata) - Method in class com.github.rvesse.airline.help.html.HtmlCommandUsageGenerator
-
Outputs a documentation section with a synopsis of the command


Specifications for curves and keys, and a table for named curves. Contains the following curves:
"ed25519-sha-512" (alias: "Ed25519")


Project
Main page
Installation
System overview
Tutorials
FAQ
Components
Sources
Processors
Sinks
Proxies
Code reference
Namespaces
Classes
Annotaded list
Class hierarchy
Graphical class hierarchy
Files
Didactics
ECOVI
Search


With the advent of new ways of visualizing ideas, developing design solutions, and rapidly prototyping using digital technologies, traditional methods of teaching industrial design in the classroom environment are lately being questioned by educators, employers, and students. The need for successful integration of digital technologies into industrial design education curricula is important for bridging the gap between academic outcomes and industry expectations.


Although all design work is original to Samuel Velazquez, some of the elements, such as photographs, images, or corporate logos, were used under the Fair Use Exemption for use in an educational setting and will not be used for any other purpose.
Client: Origin
Origin is a luxury fashion brand targeted toward an upper middle class audience and above. Gender non-specific ages 25-45 with an income of $75,000 and above.
The goal of this project is to create a high-end fashion brand with a logo and branding campaign based on typography.
Client: Out Magazine
The median age would be 36, Gender – Male 72%, Female 28%, College educated Bachelors’ and above with an income of $72,213 to $100,000.00 , Marital Status - Single 65%/ Married 35%- LGBTQ… Community. Non-LGBTQ individuals are not the typical audience for this magazine but this stat does not exclude that audience.
The goal of this project is a complete redesign of this magazine publication to exhibit a more fashion forward elegant style.
Client: Sabor Restaurant
Sabor is brick an mortar restaurant with capabilities that would include less expensive food truck dining options for events and pop up restaurant options made to order by customers for special events as opposed to catering. This dining experience will be Spanish culinary which is why the name Sabor was chosen, which means flavor or the passion behind the flavors. The target market of this restaurant is individuals between 26-42, college educated, income from $56,000 and up with an interest in food culture and interesting culinary experiences.
When branding Sabor we want the psychology behind color palette, menu fonts and item placement to give the customer an experience of a modern Spanish culture. The branding of Sabor will have an urban city art appearance, giving the customer an experience of Spanish culture through food and art.
Client: Tetra Luxury Rental Cars
Tetra’s target audience would be males between the ages of 25-42 with a disposable income. Our male market typically travels all throughout the year and is in need of convenient and luxurious mean of getting from point A to point B. A typical visitor to Tetra’s site would be searching for information on rental cars in the area they would be flying to on business. They would then search for the high end vehicle that suits their lifestyle.
The goal of this project was to create a design that appeals to a masculine audience. In creating the logo and web design, the idea was to keep a corporate modern aesthetic. The logo and the website should feel visually comfortable and appealing to a higher end clientele. This design should make the consumer feel at ease, that their needs will be taken care of by our client.
Client: Under Armour
Women of Will Campaign
female athletes and athletic females alike in the 18-to 34-year-old age range. Income $28,000 a year and above. Educationa background would range from high school student to college graduate.
Under Armour has expanded their retail distribution to reach a broader more diverse customer base, primarily the female market. This project will include an ad campaign as well as an interactive element which is a “Women of Will” commercial.
Client: Basil Juice Bar
The “Raw foodie”. Individuals who seek to live healthier lifestyles and are currently Raw dieters or are interested in this type of diet. Gender non specific, ages 24-42, income level between 42,000 and above per year, college educated.
Basil is a healthy raw juice bar that delivers a fun, vibrant, and comfortable atmosphere. The goal of this project is to create a logo with a branding ad campaign that has visual interest in keeping true to the vibrant, fun nature of Basil.
Client: Embark
Individuals that have an interest in participating in Sailing Excursions, while meeting other individuals who are interested in sailing and meeting up on excursions. Gender non-specific, ages 24-45, income level between $67,000 and above per year, college educated.
Embark is an application that locates excursions and various sailing options for purchase. The consumer can purchase several different sailing packages through the app and keep them on their profile. Through the use of the Applications chat room (Sail chat), the consumer is able to meet other sailing hobbyist and opt to purchase group excursion at a discounted rate. The chat room may also be utilized to meet people at within your area with the geo-location embedded in the app.
Client: Academic design
Academic Designs is a marketing company that specializes in promotional branding. The target audience for this project are non-gender specific within the ages of 28-35 with an income level of $38,000-$45,000 a year, college educated.
Academic Design is a company who has employees ranging from the ages 28-35. They like to keep things fun, young and trendy. A logo was created with this fun edgy spirit in mind along with a parallax scrolling website that caters to their brand identity and the clientele they would like to attract.
Client: Flow Snowboarding Co.
In a statement from the creative Director Dan Watts – The target audience are those who love to ride. 67% are individuals with no kids, ages 19 – 36, male and college educated, income is from $50,000 – $101,000.
The goal of this project is to create a catalog and product brochure, which would be the first two main introductions to their new line of snowboards and snowboarding gear.
Client: Jetty Sunglasses
Jetty sunglasses promote the combination of natural and recycled materials, handmade construction, and a connection to the trendy fashion industry. The target audience are non-gender specific with an income level from $32,000 -$43,000 a year, ages 23-42.
The goal of this project is to create a logo and web design concept that is anchored in the simplistic, fun, modern feel of this company.
Client: Xavier: R&B Artist - Celebrity Branding
The target audience are individuals from the ages of 17-32. Women specifically, with an income level between 28,000 and above per year, with an interest in R&B music.
The goal of this project is to create a branding campaign for this music entertainer. This campaign must have a modern, visually artistic aesthetic, inspiring the female consumer to listen to the upcoming album and buy tickets for the upcoming tour.
Client: ONE Architecture & Design
ONE is an architectural design practice that creates public and private spaces which manifest a clear and modern sensibility. This project is targeted to business and architectural professionals ages 30-48 upper middle class to high income ratio.
The goal of this project is to create a logo that mirrors the structural elegance of Their favored architectural location, deconstructed with geometric properties.


Let me first start off by saying that I'm not exactly the smartest person in the world.  So, if you read my experience report and think to yourself, 'Man, only a dumbass would get in that situation,' then you're right.
For a period of about two months, I was into DXM quite heavily. I would drink about 8 fluid ounces per day, three times a week for about two or three weeks. I took a couple of weeks off when the trips started to become more and more mundane, until I finally decided that my dosage was too low. I moved up to 12 fl. oz., once or twice a week for the next couple of weeks. Two or three times I used exceptionally high doses of 16 fl. oz.
Just after Christmas, I decided to try to reach for 'Sigma plateau' (see Erowid's DXM FAQ), still searching for the ultimate trip. The first time I tried it, it wasn't much more intense than an eight fluid ounce trip. I tried it again the next day, still not getting to where I wanted to go. I tried it again for a third time the following day. Later on, I would read that Sigma plateau should only be attempted, at most, once every several months, and here I was doing it for the third day in a row. This should stand as indisputable, concrete evidence of my stupidity.
 My pupils were still dilated and I felt like I had been ran over by a truck. I wasn't too concerned, however, until I tried to go to the bathroom. I felt like I had to urinate, but when I went to go, nothing would happen. For several hours, I tried to go but to no avail. I tried everything from taking a hot bath to sitting on the toilet to pressing on my lower abdomen. Nothing was working. Finally, the urge to go was so great that I had to tell my parents what was wrong.  They sent me home wearing the catheter, which wouldn't be taken out until two days later. I finally told my parents what I was up to, although they had long suspected that I was on something.
The long term effects have been pretty bad. I now have to urinate frequently. One cup of coffee is enough to have me peeing every ten minutes. My short term memory seems to be severely damaged. I can't remember someone's name that I just learned five minutes before. I have trouble selecting even simple words when I'm talking, usually resulting in me rambling on and not making much sense. I used to be an excellent speller, but now I have to double-check words that I used to write all the time because they don't look right in my head. I just graduated and took the year off from school, so I haven't really had much of a chance to do complex mathematical problems, but I'm fairly certain that I'll be impaired in that area, as well (not that I was ever very good at math in the first place). I didn't have insurance when I went to the doctor, so I now have a medical bill of over $1,000 USD. I've lost the respect and trust of my family, who used to think of me as 'the smart one.'
I'm not writing this to try to talk people out of doing DXM or drugs in general.  Anything is bad for you if you abuse it, and that's exactly what happened in my case. Personally, if I had the chance to turn back time, I would have never done DXM; not even once. I'm still trying to cope with the fact that I've lost so many skills I used to take for granted. Again, just be careful if you're going to do this, and definitely stay away from it if you have poor judgement.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Student Life
The time you spend at university will be some of the most entertaining and enjoyable years of your life. The way social media is used allows students to easily meet and communicate. There are groups for new students and halls, existing students, societies and more.
Manchester is a large city with a student population of over 37,000 at Manchester Metropolitan University (MMU) alone. Despite the size of the city it is very easy to navigate on foot or using public transport, the city center is very close to the MMU Campus.
Student Benefits
There are a number of benefits you become eligible for as a student including discounts in shops, restaurants and some online retailers. Being a student is notoriously difficult financially, especially when not managing finances properly. However, there is financial benefits of being a student like interest free overdrafts and tax-free earnings!
Student Offers
University offers many opportunities including travel. There are a number of Study Abroad schemes offering the chance to spend time at European and international Universities. It appears to have become a very common debate; to study or to travel. Well, university is provides the perfect opportunity to combine the two.
Student Access
Being a student enables access to a libraries of information that contain nearly every thing you will ever need for your studies and personal interests. Not only are there resources available in the library, most university buildings provide equipment and services for all your education needs. An example of the equipment available is MMUs Multimedia Resource Library, which has a suite of iMac computers with software to work on media, which can be gathered using professional photography equipment.
Manchester has a number of locations where students temporarily reside. First year students often find accommodation close to campus. Being close to campus is great with almost everything you need within walking distance, which allows you to explore and discover the area.
Moving further away from campus, 2nd and 3rd year students tend to find alternative places to live like Victoria Park or Fallow field. Victoria Park is a student area close to Curry Mile, which is a mile long strip of takeaways and restaurants. Fallow field can be appealing to most students leaving first year for cheaper halls and housing. The area has a huge Sainsbury’s with a lot of bars and fast food restaurants.


Professional Experience
-
Product Design Lead & Strategist
Which? Ltd, London–Created and led a interdisciplinary team to define, design and deliver Which? University, the new flagship education product for the largest consumer body in the UK (very similar to Consumer Reports in the US).
As part of a wider change management process I was instrumental in transforming how digital products are conceived and delivered in the large digital department.
Establishing new internal client-focussed approaches to planning, releasing the potential of existing agile processes with User-centred design and new technologies. Drove through new approaches to development, introducing the first uses of Lean UX practices, responsive design, Ruby on Rails, Git, cloud services with AWS and the Facebook social graph.
Helped define new team structures and processes, plus coached existing employees taking on new product focussed roles.
-
User Experience & Technical Architect
Salterbaxter, London–A dual role leading UX and technology centric projects for this business strategy and creative communications agency working with many global brands. Highlights include researching, designing and delivering a new global intranet strategy for HSBC, in addition to full redesigns of their Global Banking and Markets and Learning Management intranets.
Provided UX, technical architecture and digital strategy services to Adidas, Allen & Overy, BSkyB, E.ON, Reed Elsevier & Rolls-Royce.
Led the development team defining internal technology strategy & mentoring team members.
-
Digital Producer
Columns Design, London–Project lead for this marketing and corporate communications agency. Delivered online tools and digital marketing campaigns for global brands including Shell, Thomson Reuters and Whitbread. Development of IA and technical specifications.
Front-end development lead, creating design and development frameworks to streamline workflow in the young digital department.
-
Digital Consultant
Independent, London & Buenos Aires–Technical consulting and IxD for a wide client base. Included managing the design, development and delivery of the worldwide campaign and e-commerce sites for H&M. Also designed and delivered products for Canon and Soho House.
-
Digital Producer
Golley Slater, London–Performed UX design and front-end development for the respected London marketing agency’s new digital division. Created and improved upon design, development and client service processes. Led design and development teams for their flagship digital client TJ Maxx; delivered new e-commerce UX, mobile sites, online magazines and marketing campaigns.
Introduced usability best practices in the creative department and accessibility compliance in development.
-
Lead Developer & Project Manager
Wire Design, London–Ran the digital team and client services for interactive projects. Developed and executed pitches for all digital work. Promoted a new focus on IA and usability. Initiated new development best practices for the technical team. Performed interaction design and front-end development. Designed and developed CMS and webapp products that drove the acquisition of significant new clients.
-
Designer & Developer
New Media Works, London–Designed and developed websites and multimedia works for this innovative digital agency, producing in HTML, Flash and 3d.
Education
- BA Fine Art
- Croydon College of Art & Design, London 2000
- Art & Design Foundation
- Camberwell College of Arts, London 1996
Skills
Leadership
A track record of helping businesses deliver on change management strategy; delivering design and technology led innovation. Thrives in these challenging and dynamic environments.
Enjoys leading interdisciplinary teams of creative and technical people in agile contexts.
Comfortable managing and growing senior client relationships.
Design
Product strategy
Product development through competitive and market analysis, user research, ideation, prototyping and concept development. Requirements and roadmap definition. Digital brand development and service design planning.
User-centred design
Planning and facilitation of workshops (Design Thinking, Participatory design); user and stakeholder interviews; persona development; story-boarding.
IA & UI
Prototyping in HTML5, wireframing; information design; user journeys; card-sorting; art-direction; content strategy.
Very experienced in all Adobe Creative Suite applications, Visio and Omnigraffle.
Technical
Solution Design
Well-versed in many models, from basic CRUD applications to SOA and related web service approaches.
Development
Twelve years front-end experience with HTML (inc. HTML5); CSS; JavaScript libraries: jQuery, MooTools, Ext JS, Raphaël and CoffeeScript; Flash, WAI accessibility.
Six years of PHP and SQL development. Three years of Ruby on Rails. Use of Cloud services with AWS and Heroku. Source Control with Subversion and Git.


Welcome warrior
Your adventure awaits!
Master your skills in the ancient combat arts of rock, paper, scissors, RPG style!
Play


Hide Caption Titlebar Plus
[ Support Site ]
[ Main Page ]
"Maximize your screen content space by controlling the presence of Firefox window's Title bar (caption)"
README:
Please give a look at the Options Dialog first! There are descriptions of the main features.
Important:
Bug/Issue reports are very welcomed in the Support site. Please don't post them in the Addons Mozilla site.
Brief notes:
- (Info updated for Firefox 4+)
Dragging/moving window: now with AeroSnap/unSnap in Win.Vista/7. (some controls still has some unwanted unSnapping):
You can drag the 'un-maximized' window using the custom caption (titlebar), and also you can use the following items in the "Customize Toolbar" window: the "Web-Page-Title" objects, the "Drag Window" controls, the "Space" or "Flexible Space" (fill easily toolbars' empty spaces).
Please note that these "Drag Window" controls only shows in FF when it's NOT maximized and the standard caption is hidden. (when they are really needed).
- Themes / Skins: Works and looks good with ChromiFox basic theme, with ChromiFox Extreme and Cfx Extreme CARBON. Also with Strata40 (+StrataBuddy) theme.
- (Tip: Try playing with de/activating the cc (custom-caption) with each theme, with Cfx-basic I think it looks better with new small-cc option. Others themes go well without cc).
- Also looks very good with Mozilla's Persona skins. (see preview in homepage)
- For Chromifox, Strata40 and others themes: There is an extra option for Min,Max,Close buttons skins following the theme's own buttons skins.
- Via "Customize Toolbar" window, the Min,Max,Close buttons can be placed in any toolbar. (Also, in options dialog, you can hide the buttons located at topright corner)
- There is a Context-Menu (right-click) accesible from the Main Firefox Application Button, System (Min,Max,Close) buttons and "Drag-Window" control, for opening Options dialog, etc.
Things that will come in next version:
- ... usually more requested features/tweaks are accepted and listed in the Main page or the support page.
System-Info page. (Useful info when asking for Support)


OMR Marketing Consultancy can help you stand out in noisy competitive business environments using clever, bold marketing and design, connecting your brand with potential customers through online experience
Graphic designs for everything from websites, flyers, leaflets, posters, brochures, newsletters and more
Increase the impact of your business’ message by staying in touch with your customers where they spend their time.
Get your business in front of new potential customers and drive leads using Adwords, display, and more..
Grow your list and your business with regular email campaigns written and delivered on your behalf.


../../AndroidManifest.xml:9: Not targeting the latest versions of Android; compatibility modes apply. Consider testing and updating this version. Consult the android.os.Build.VERSION_CODES javadoc for details.
Note: This issue has an associated quickfix operation in Android Studio/IntelliJ
Priority: 6 / 10
Category: Correctness
Severity: Warning
Explanation: Target SDK attribute is not targeting latest version.
When your application runs on a version of Android that is more recent than your targetSdkVersion specifies that it has been tested with, various compatibility modes kick in. This ensures that your application continues to work, but it may look out of place. For example, if the targetSdkVersion is less than 14, your app may get an option button in the UI.
To fix this issue, set the targetSdkVersion to the highest available value. Then test your app to make sure everything works correctly. You may want to consult the compatibility notes to see what changes apply to each version you are adding support for: http://developer.android.com/reference/android/os/Build.VERSION_CODES.html
When inflating a layout, avoid passing in null as the parent view, since otherwise any layout parameters on the root of the inflated layout will be ignored.
69 This permission must be called my_app_package.permission.C2D_MESSAGE
70 (where my_app_package is the package name of your app as defined by the manifest tag),
71 otherwise it will not work. -->
72<permission 73 android:name="com.quickblox.simplesample.messages.permission.C2D_MESSAGE"
74 android:protectionLevel="signature" />
Priority: 5 / 10
Category: Correctness
Severity: Warning
Explanation: Incorrect order of elements in manifest.
The <application> tag should appear after the elements which declare which version you need, which features you need, which libraries you need, and so on. In the past there have been subtle bugs (such as themes not getting applied correctly) when the <application> tag appears before some of these other elements, so it's best to order your manifest in the logical dependency order.
Note: This issue has an associated quickfix operation in Android Studio/IntelliJ
Priority: 4 / 10
Category: Correctness
Severity: Warning
Explanation: Obsolete Gradle Dependency.
This detector looks for usages of libraries where the version you are using is not the current stable release. Using older versions is fine, and there are cases where you deliberately want to stick with an older version. However, you may simply not be aware that a more recent version is available, and that is what this lint check helps find.
../../build.gradle:23: Avoid using + in version numbers; can lead to unpredictable and unrepeatable builds (com.google.android.gms:play-services:4.2.+)
Note: This issue has an associated quickfix operation in Android Studio/IntelliJ
Priority: 4 / 10
Category: Correctness
Severity: Warning
Explanation: Gradle Dynamic Version.
Using + in dependencies lets you automatically pick up the latest available version rather than a specific, named version. However, this is not recommended; your builds are not repeatable; you may have tested with a slightly different version than what the build server used. (Using a dynamic version as the major version number is more problematic than using it in the minor version position.)
More info:
To suppress this error, use the issue id "GradleDynamicVersion" as explained in the Suppressing Warnings and Errors section.
11 android:layout_gravity="left|center_vertical"
12 android:layout_marginBottom="10dp"
13 android:text="Select a dialog to chat"
14android:textSize="20dp" /> 15 16 <ListView
Note: This issue has an associated quickfix operation in Android Studio/IntelliJ
Priority: 3 / 10
Category: Correctness
Severity: Warning
Explanation: Using dp instead of sp for text sizes.
When setting text sizes, you should normally use sp, or "scale-independent pixels". This is like the dp unit, but it is also scaled by the user's font size preference. It is recommend you use this unit when specifying font sizes, so they will be adjusted for both the screen density and the user's preference.
There are cases where you might need to use dp; typically this happens when the text is in a container with a specific dp-size. This will prevent the text from spilling outside the container. Note however that this means that the user's font size settings are not respected, so consider adjusting the layout itself to be more flexible.
77 78 //Generating key
79 try {
80SecureRandom random = new SecureRandom(); 81 KeyPairGenerator keyPairGeneratorM = KeyPairGenerator.getInstance("RSA");
82 keyPairGeneratorM.initialize(1024);
Priority: 9 / 10
Category: Security
Severity: Warning
Explanation: Weak RNG.
Key generation, signing, encryption, and random number generation may not receive cryptographically strong values due to improper initialization of the underlying PRNG on Android 4.3 and below.
If your application relies on cryptographically secure random number generation you should apply the workaround described in https://android-developers.blogspot.com/2013/08/some-securerandom-thoughts.html .
This lint rule is mostly informational; it does not accurately detect whether cryptographically secure RNG is required, or whether the workaround has already been applied. After reading the blog entry and updating your code if necessary, you can disable this lint issue.
../../AndroidManifest.xml:14: Should explicitly set android:allowBackup to true or false (it's true by default, and that can have some security implications for the application's data)
By default, this flag is set to true. When this flag is set to true, application data can be backed up and restored by the user using adb backup and adb restore.
This may have security consequences for an application. adb backup allows users who have enabled USB debugging to copy application data off of the device. Once backed up, all application data can be read by the user. adb restore allows creation of application data from a source specified by the user. Following a restore, applications should not assume that the data, file permissions, and directory permissions were created by the application itself.
Setting allowBackup="false" opts an application out of both backup and restore.
To fix this warning, decide whether your application should support backup, and explicitly set android:allowBackup=(true|false)"
194 }
195 196 197 private Map<Integer, QBUser> dialogsUsers = new HashMap<Integer, QBUser>(); 198 199 public Map<Integer, QBUser> getDialogsUsers() {
Priority: 4 / 10
Category: Performance
Severity: Warning
Explanation: HashMap can be replaced with SparseArray.
For maps where the keys are of type integer, it's typically more efficient to use the Android SparseArray API. This check identifies scenarios where you might want to consider using SparseArray instead of HashMap for better performance.
This is particularly useful when the value types are primitives like ints, where you can use SparseIntArray and avoid auto-boxing the values from int to Integer.
If you need to construct a HashMap because you need to call an API outside of your control which requires a Map, you can suppress this warning using for example the @SuppressLint annotation.
Note: This issue has an associated quickfix operation in Eclipse/ADT
Priority: 2 / 10
Category: Performance
Severity: Warning
Explanation: Useless parent layout.
A layout with children that has no siblings, is not a scrollview or a root layout, and does not have a background, can be removed and have its children moved directly into the parent for a flatter and more efficient layout hierarchy.
Explanation: Icon colors do not follow the recommended visual style.
Notification icons and Action Bar icons should only white and shades of gray. See the Android Design Guide for more details. Note that the way Lint decides whether an icon is an action bar icon or a notification icon is based on the filename prefix: ic_menu_ for action bar icons, ic_stat_ for notification icons etc. These correspond to the naming conventions documented in http://developer.android.com/guide/practices/ui_guidelines/icon_design.html
Checks the all icons which are provided in multiple densities, all compute to roughly the same density-independent pixel (dip) size. This catches errors where images are either placed in the wrong folder, or icons are changed to new sizes but some folders are forgotten.
Explanation: Image defined in density-independent drawable folder.
The res/drawable folder is intended for density-independent graphics such as shapes defined in XML. For bitmaps, move it to drawable-mdpi and consider providing higher and lower resolution versions in drawable-ldpi, drawable-hdpi and drawable-xhdpi. If the icon really is density independent (for example a solid color) you can place it in drawable-nodpi.
../../res/drawable-hdpi: Missing the following drawables in drawable-hdpi: app_icon.png (found in drawable-mdpi, drawable-xhdpi, drawable-xxhdpi)
Priority: 4 / 10
Category: Usability:Icons
Severity: Warning
Explanation: Icon densities validation.
Icons will look best if a custom version is provided for each of the major screen density classes (low, medium, high, extra high). This lint check identifies icons which do not have complete coverage across the densities.
Low density is not really used much anymore, so this check ignores the ldpi density. To force lint to include it, set the environment variable ANDROID_LINT_INCLUDE_LDPI=true. For more information on current density usage, see http://developer.android.com/resources/dashboard/screens.html
../../res: Missing density variation folders in res: drawable-xxxhdpi
Priority: 3 / 10
Category: Usability:Icons
Severity: Warning
Explanation: Missing density folder.
Icons will look best if a custom version is provided for each of the major screen density classes (low, medium, high, extra-high, extra-extra-high). This lint check identifies folders which are missing, such as drawable-hdpi.
Low density is not really used much anymore, so this check ignores the ldpi density. To force lint to include it, set the environment variable ANDROID_LINT_INCLUDE_LDPI=true. For more information on current density usage, see http://developer.android.com/resources/dashboard/screens.html
../../res/layout/activity_login.xml:14: The view name (@+id/passwordEdit) suggests this is a password, but it does not include 'textPassword' in the inputType
Note: This issue has an associated quickfix operation in Eclipse/ADT & Android Studio/IntelliJ
Priority: 5 / 10
Category: Usability
Severity: Warning
Explanation: Missing inputType or hint
Providing an inputType attribute on a text field improves usability because depending on the data to be input, optimized keyboards can be shown to the user (such as just digits and parentheses for a phone number). Similarly,a hint attribute displays a hint to the user for what is expected in the text field.
The lint detector also looks at the id of the view, and if the id offers a hint of the purpose of the field (for example, the id contains the phrase phone or email), then lint will also ensure that the inputType contains the corresponding type attributes.
If you really want to keep the text field generic, you can suppress this warning by setting inputType="text".
Note: This issue has an associated quickfix operation in Eclipse/ADT & Android Studio/IntelliJ
Priority: 3 / 10
Category: Accessibility
Severity: Warning
Explanation: Image without contentDescription
Non-textual widgets like ImageViews and ImageButtons should use the contentDescription attribute to specify a textual description of the widget such that screen readers and other accessibility tools can adequately describe the user interface.
Note that elements in application screens that are purely decorative and do not provide any content or enable a user action should not have accessibility content descriptions. In this case, just suppress the lint warning with a tools:ignore="ContentDescription" attribute.
Note: This issue has an associated quickfix operation in Eclipse/ADT
Priority: 5 / 10
Category: Internationalization
Severity: Warning
Explanation: Hardcoded text.
Hardcoding text attributes directly in layout files is bad for several reasons:
* When creating configuration variations (for example for landscape or portrait)you have to repeat the actual text (and keep it up to date when making changes)
* The application cannot be translated to other languages by just adding new translations for existing string resources.
In Android Studio and Eclipse there are quickfixes to automatically extract this hardcoded string into a resource lookup.
If you specify padding or margin on the left side of a layout, you should probably also specify padding on the right side (and vice versa) for right-to-left layout symmetry.
Explanation: Using left/right instead of start/end attributes.
Using Gravity#LEFT and Gravity#RIGHT can lead to problems when a layout is rendered in locales where text flows from right to left. Use Gravity#START and Gravity#END instead. Similarly, in XML gravity and layout_gravity attributes, use start rather than left.
For XML attributes such as paddingLeft and layout_marginLeft, use paddingStart and layout_marginStart. NOTE: If your minSdkVersion is less than 17, you should add both the older left/right attributes as well as the new start/right attributes. On older platforms, where RTL is not supported and the start/right attributes are unknown and therefore ignored, you need the older left/right attributes. There is a separate lint check which catches that type of error.
(Note: For Gravity#LEFT and Gravity#START, you can use these constants even when targeting older platforms, because the start bitmask is a superset of the left bitmask. Therefore, you can use gravity="start" rather than gravity="left|start".)
The following issues were not run by lint, either because the check is not enabled by default, or because it was disabled with a command line flag or via one or more lint.xml configuration files in the project directories.
"Other platforms use an explicit back button with label to allow the user to navigate up the application's hierarchy. Instead, Android uses the main action bar's app icon for hierarchical navigation and the navigation bar's back button for temporal navigation."
This check is not very sophisticated (it just looks for buttons with the label "Back"), so it is disabled by default to not trigger on common scenarios like pairs of Back/Next buttons to paginate through screens.
An "easter egg" is code deliberately hidden in the code, both from potential users and even from other developers. This lint check looks for code which looks like it may be hidden from sight.
Accessing a field within the class that defines a getter for that field is at least 3 times faster than calling the getter. For simple getters that do nothing other than return the field, you might want to just reference the local field directly instead.
NOTE: As of Android 2.3 (Gingerbread), this optimization is performed automatically by Dalvik, so there is no need to change your code; this is only relevant if you are targeting older versions of Android.
There are predefined sizes (for each density) for launcher icons. You should follow these conventions to make sure your icons fit in with the overall look of the platform.
The BuildConfig class (available in Tools 17) provides a constant, "DEBUG", which indicates whether the code is being built in release mode or in debug mode. In release mode, you typically want to strip out all the logging calls. Since the compiler will automatically remove all code which is inside a "if (false)" check, surrounding your logging calls with a check for BuildConfig.DEBUG is a good idea.
If you really intend for the logging to be present in release mode, you can suppress this warning with a @SuppressLint annotation for the intentional logging calls.
Margin values should be positive. Negative values are generally a sign that you are making assumptions about views surrounding the current one, or may be tempted to turn off child clipping to allow a view to escape its parent. Turning off child clipping to do this not only leads to poor graphical performance, it also results in wrong touch event handling since touch events are based strictly on a chain of parent-rect hit tests. Finally, making assumptions about the size of strings can lead to localization problems.
Note: This issue has an associated quickfix operation in Android Studio/IntelliJ
Disabled By: Default
Priority: 4 / 10
Category: Correctness
Severity: Warning
Explanation: Newer Library Versions Available.
This detector checks with a central repository to see if there are newer versions available for the dependencies used by this project.
This is similar to the GradleDependency check, which checks for newer versions available in the Android SDK tools and libraries, but this works with any MavenCentral dependency, and connects to the library every time, which makes it more flexible but also much slower.
More info:
To suppress this error, use the issue id "NewerVersionAvailable" as explained in the Suppressing Warnings and Errors section.
SelectableText
Note: This issue has an associated quickfix operation in Android Studio/IntelliJ
Disabled By: Default
Priority: 7 / 10
Category: Usability
Severity: Warning
Explanation: Dynamic text should probably be selectable.
If a <TextView> is used to display data, the user might want to copy that data and paste it elsewhere. To allow this, the <TextView> should specify android:textIsSelectable="true".
This lint check looks for TextViews which are likely to be displaying data: views whose text is set dynamically. This value will be ignored on platforms older than API 11, so it is okay to set it regardless of your minSdkVersion.
Note: This issue has an associated quickfix operation in Android Studio/IntelliJ
Disabled By: Default
Priority: 10 / 10
Category: Correctness
Severity: Warning
Explanation: Code contains STOPSHIP marker.
Using the comment // STOPSHIP can be used to flag code that is incomplete but checked in. This comment marker can be used to indicate that the code should not be shipped until the issue is addressed, and lint will look for these.
Note: This issue has an associated quickfix operation in Eclipse/ADT & Android Studio/IntelliJ
Disabled By: Default
Priority: 5 / 10
Category: Usability:Typography
Severity: Warning
Explanation: Straight quotes can be replaced with curvy quotes.
Straight single quotes and double quotes, when used as a pair, can be replaced by "curvy quotes" (or directional quotes). This can make the text more readable.
Note that you should never use grave accents and apostrophes to quote, `like this'.
(Also note that you should not use curvy quotes for code fragments.)
This resource id definition appears not to be needed since it is not referenced from anywhere. Having id definitions, even if unused, is not necessarily a bad idea since they make working on layouts and menus easier, so there is not a strong reason to delete these.
Lint errors can be suppressed in a variety of ways:
1. With a @SuppressLint annotation in the Java code
2. With a tools:ignore attribute in the XML file
3. With ignore flags specified in the build.gradle file, as explained below
4. With a lint.xml configuration file in the project
5. With a lint.xml configuration file passed to lint via the --config flag
6. With the --ignore flag passed to lint.
To suppress a lint warning with an annotation, add a @SuppressLint("id") annotation on the class, method or variable declaration closest to the warning instance you want to disable. The id can be one or more issue id's, such as "UnusedResources" or {"UnusedResources","UnusedIds"}, or it can be "all" to suppress all lint warnings in the given scope.
To suppress a lint warning in an XML file, add a tools:ignore="id" attribute on the element containing the error, or one of its surrounding elements. You also need to define the namespace for the tools prefix on the root element in your document, next to the xmlns:android declaration: xmlns:tools="http://schemas.android.com/tools"
To suppress a lint warning in a build.gradle file, add a section like this:
Here we specify a comma separated list of issue id's after the disable command. You can also use warning or error instead of disable to change the severity of issues.
To suppress lint warnings with a configuration XML file, create a file named lint.xml and place it at the root directory of the project in which it applies.
The format of the lint.xml file is something like the following:
<?xml version="1.0" encoding="UTF-8"?>
<lint>
<!-- Disable this given check in this project -->
<issue id="IconMissingDensityFolder" severity="ignore" />
<!-- Ignore the ObsoleteLayoutParam issue in the given files -->
<issue id="ObsoleteLayoutParam">
<ignore path="res/layout/activation.xml" />
<ignore path="res/layout-xlarge/activation.xml" />
</issue>
<!-- Ignore the UselessLeaf issue in the given file -->
<issue id="UselessLeaf">
<ignore path="res/layout/main.xml" />
</issue>
<!-- Change the severity of hardcoded strings to "error" -->
<issue id="HardcodedText" severity="error" />
</lint>
To suppress lint checks from the command line, pass the --ignore flag with a comma separated list of ids to be suppressed, such as: $ lint --ignore UnusedResources,UselessLeaf /my/project/path


Screen Capture Dev
Set Iframe
update scene
capture start
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Camera Radius
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Toggle Helpers


To create an aesthetically pleasing and professional page to showcase my web development projects; while also providing potential clients with insight on my professional life, values, and goals. Some of my values include being inclusive, transparent, creative, professional, and collaborative.
This site is designed for potential clients who are looking for a high quality freelance web developer and professional peers who might be looking to network in the field.
My main goals for my PWP is to attract freelance clients and serve as a gallery to showcase and promote my work, values, and mission.
iPhone XS Max and MacBook Pro, both up to date with latest IOS. Uses the internet daily for work and casual use. Has a high passion for technology.
Eugene is a boudoir photographer looking to have a website created to showcase his photos, values, and mission. While also providing a space for potential clients to reach out to him and book photo sessions or ask about photo concepts.
Eugene hasn't been able to find a web developer that's comfortable building a website to showcase his work since he shoots boudoir photo shoots.
Eugene is tired of using 3rd party website hosts in fear that it's easier for his work to get stolen.
Eugene's goal is to find an inclusive and reliable web developer to help make his website dreams come true. Someone who will assist him with his ideas instead of running the project into something they think it should be.


‘Better Call Saul’ Season 5 Arrives in February, Watch a Teaser Now
by Chris EvangelistaIt’s time to LWYRUP – Better Call Saul is back. Well, not right this very second – but soon. The AMC Breaking Bad spin-off has finally announced its season 5 debut for February of next year, and the announcement sets the stage for Bob Odenkirk‘s Jimmy McGill to go full Saul Goodman. Watch a new teaser video, and learn the Better Call Saul season 5 premiere date, below.
That’s right: Better Call Saul returns on February 23, 2020. As this quick promo strongly indicates, this new season will see Jimmy McGill fully embracing his new Saul Goodman persona. Last season’s jaw-dropping finale concluded with Jimmy revealing his true colors to Kim (Rhea Seehorn) and heading off to change his practicing name from Jimmy and Saul.
The fact that it took us five seasons to get here shows how subversive Better Call Saul has been. Many assumed the show would be entirely about the shady lawyer we met in Breaking Bad. Instead, the series has slowly worked its way up to that, first presenting us with the person Saul really is: Jimmy McGill, a flawed but seemingly decent guy who becomes more and more corrupted over time.
I’ve said it before and I’ll say it again: I think Better Call Saul is actually better than Breaking Bad. That’s not to say I dislike Breaking Bad – I think it’s a phenomenal show. I just find myself caring a lot more about the characters, and the world, of Saul. Many fans seem to be in a hurry to see Saul catch up to the Bad timeline and introduce more of that show’s characters. But I’m fine with the series taking its time and not rushing to its foregone conclusion.
To accompany this premiere news check out new photos from the new season below.
Set in the early and mid 2000s, Better Call Saul follows the story of con-man turned small-time lawyer, Jimmy McGill (Bob Odenkirk), beginning six years before the events of Breaking Bad, showing his transformation into the persona of criminal-for-hire Saul Goodman.


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O&M Material Handling Technician
Job description
Evitech Pty Ltd is committed to providing quality services to you and this policy outlines our ongoing obligations to you in respect of how we manage your Personal Information.
We have adopted the Australian Privacy Principles (APPs) contained in the Privacy Act 1988 (Cth) (the Privacy Act). The NPPs govern the way in which we collect, use, disclose, store, secure and dispose of your Personal Information.
A copy of the Australian Privacy Principles may be obtained from the website of The Office of the Australian Information Commissioner at www.aoic.gov.au
Responsibilities
1. Review & Analyse security events for quality and possible escalations to raise the alarm.
2. Follow-up with customers & vendors to resolve open issues
3. Security device administration with respect to tuning and enhancing detection capabilities.
4. Handling SOC MDR Operational requirements.
5. Review and present security reports and ensure compliance to security policies and SLAs as applicable.
6. Perform in-depth analysis of events and logs for detecting malicious applications and network activity, common attack techniques that compromise hosts, detecting and analysing system and network vulnerabilities and continuous process improvement by discovering the root causes of incidents
7. Work to resolve major security incidents in conjunction with respective resolver groups.
8. Experience configuring security incident and event management tools including creating event filtering and correlation rules and reports.
9. Ability to work with customer and product specialists to weed out false positives and improve efficiency of the security operations.


Man Utd's Daniel James compared to PSG superstar Kylian Mbappe by rival boss
The Welsh winger has had a brilliant start to his Manchester United career and will be hoping to help his side beat Hungary on Tuesday and qualify for Euro 2020
by Alex MilneHungary manager Marco Rossi said Daniel James' speed can be compared to that of Kylian Mbappe ahead of their huge do-or-die game against Wales on Tuesday.
With Hungary in second place on 12 points and Wales third on 11 in Group E it is effectively a winner-takes-all match when the two go up against each other in Cardiff in their last European Championship qualifying game on Tuesday night.
And Rossi appears to be all too aware of the danger posed by James, who has scored two goals in nine caps for Wales.
"James is a player that is playing with a motor bicycle because he is really fast," Rossi said.
"I have never seen someone in the last period as fast as him, maybe Mbappe. He's unbelievable."
James has been a revelation at United since his £15m transfer from Swansea in the summer, adjusting to life in the Premier League immediately by scoring three goals and creating three assists.
Rossi added: "If we leave him space to run he could be dangerous. This could be the key, but we work a lot on the defensive line and will try to give confidence to our players."
Hungary know that a draw at the Cardiff City Stadium would see them qualify if Slovakia fail to beat Azerbaijan, but Rossi insisted his team will be going out to win the game, saying he 'could not bet' on a draw.
"We are trying to get the three points, I would never like to draw and give Slovakia the chance to go through to the Euros," he continued.
"This is what I would want to avoid. This is not so diplomatic what I am saying, but it is the truth.
"We will do all our best in order to win, Wales will do the same, and I don't think this match could finish in a draw. I could not bet one pound on the draw.
"I will ask of my players, if they [Wales] are dragons, to be lions - and then we will see who will win."


POLYHEDRONNORMALANGLE compute normal angle at a vertex of a 3D polyhedron THETA = polyhedraNormalAngle(NODES, EDGES, FACES, IND); THETA = polyhedraNormalAngle(NODES, FACES, IND); where NODES is a set of 3D points, and FACES a set of faces, whose elements are indices to NODES array, compute the normal angle at the vertex whose index is given by IND. THETA = polyhedraNormalAngle(GRAPH, IND); Uses a graph structure. GRAPH should contain at least fields : 'nodes' and 'faces'. Example : % create a simple (irregular) tetrahedra nodes = [0 0 0;1 0 0;0 1 0;0 0 1]; faces = [1 2 3;1 2 4;1 3 4;2 3 4]; % compute normal angle at each vertex theta = polyhedronNormalAngle(nodes, faces, 1:size(nodes, 1)); % sum of normal angles should be equal to 4*pi : sum(theta) TODO works only for polyhedra with convex faces ! ! ! See also polyhedra, polygon3dNormalAngle ------ Author: David Legland e-mail<EMAIL_ADDRESS>Created: 2005-11-30 Copyright 2005 INRA - CEPIA Nantes - MIAJ (Jouy-en-Josas).


Follow these steps to assign support seats to members in your organization:
- Open the Team Management page.
- Scroll down to the Organization Support section and then click Add Seat.
- On the Support page, click Select under the tier of seat you want to assign.
- In the Assign seatTier Seat section, click the team member field and then select the team member you want to assign the seat to from the drop-down menu.
- Click Add Seat +$price.


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HAPPY ACCIDENTS A film review by Jeremiah Kipp Copyright 2001 filmcritic.com
My filmcritic.com colleague Norm Schrager nailed Session 9, Brad Anderson's throwback to spooky horror films from the 70's. It worked as an eerie homage without being self-referential or smugly postmodern. Genre aficionados will acknowledge the similarities in tone to Stanley Kubrick's The Shining and George Romero's Dawn of the Dead without being taken out of the engrossing narrative (i.e., a psychologically addled waste management team clears out an abandoned lunatic asylum; unspeakable dread ensues). In a double-whammy for 2001, Anderson shoots and (mostly) scores again with his eclectic riff on time-travel episodes from The Twilight Zone, appropriately titled Happy Accidents.
Much like Session 9, the cards are played very close to the vest here. Is boyish, eccentric "Sam Deed from Dubuque, Iowa" a futuristic voyager from the year 2470 or just your run-of-the-mill psychologically disturbed nutcase let loose on the present-day streets of NYC? As played by wonderful character actor Vincent D'Onofrio (Full Metal Jacket), it's up in the air whether or not we should accept his detailed monologues about life after the polar ice caps have melted. The question proves to be moot, at least for a time. Even if the whole thing proves to be a creative delusion, one agrees with the character judgment passed down on him by his new girlfriend, Ruby (Marisa Tomei): "He's a freak, but he sure tells a good story!"
Neurotic Ruby thinks she may have found True Love after a series of nightmarish dating disasters (the Junkie, the Fetishist, the Artist, the Frenchman, etc.), but isn't quite sure how to handle "Sam Deed" when he starts explaining the barcode on his arm, his elaborately constructed fake identity, his pathological fear of dogs, his ability to speak five different languages, and his mission to change a crucial moment in time that may have ramifications on time's alternate realities. (Don't ask.)  Who ya gonna believe?
Despite her winning an Academy Award, Marisa Tomei has always struck me as an annoying and unwelcome screen presence, one that undermines the pleasure of watching Happy Accidents. Her brassy New Yawk attitude never really meshes with her desperate desire to appear "cute" to her adoring fans. Being loud and flashing a (disingenuous) smile does not necessarily equal "substantial and sexy." It takes more than a crack team of hair and wardrobe people to imbue her with personality. Then there's that damned voice, which strains to be oh-so-adorable. Look, this stuff is purely subjective. Some people feel this way about Richard Gere, others cannot bear to watch Robin Williams' hyperactive schtick. For my money, it's M. Tomei with a bullet.
Happy Accidents is a romantic comedy filtered through Twelve Monkeys (or, more appropriately, Chris Marker's La Jetee, especially with those still framed "memory" photographs Anderson employs as a stylistic device throughout). Modern Manhattan is filmed with an otherworldly, vaguely alien eye with a color scheme oddly reminiscent of Logan's Run. As the stranger in a strange land, D'Onofrio walks slightly out-of-step, wonderfully affable but often inscrutable with his wayward expressions and bemused detachment. This is science fiction told mainly via the power of suggestion (though it often falls into the sci-fi trap of having entirely too much forced exposition -- we want deeds, not words!)
At least twenty minutes too long, Happy Accidents eventually gets around to a race-against-time scenario that puts "Sam Deed" to the Ultimate Test. No movie can live in ambiguity forever, but Anderson seems terminally unable to provide satisfactory conclusions to his otherwise well structured recent narratives. (Let's pretend the loathsome and predictable Next Stop Wonderland never happened, shall we?) There are also some slow, repetitive stretches as Ruby and Sam go over the same arguments again and again over whether or not he's crazy. The premise is strong enough to sustain interest, but it's enough to throw a nod in the general direction of Rod Serling for wrapping up his ideas in half-hour time slots, commercials included.

Visit filmcritic.com on the Web at http://www.filmcritic.com
========== X-RAMR-ID: 29013 X-Language: en X-RT-ReviewID: 241713 X-RT-TitleID: 1109575 X-RT-SourceID: 178 X-RT-AuthorID: 1137 X-RT-RatingText: 3.5/5
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