Protests by KSU, Congress hold up traffic in city
Police use water jets at Assembly gates, Senate Hall
by Special CorrespondentSimultaneous protests by the Congress and its student’s wing, the Kerala Students Union (KSU), at adjacent locations held up traffic for several hours in the city on Wednesday.
The police used water jets at both the places to disperse the protesters. Initially, Congress workers marched to the Legislative Assembly gates to protest the attack on Congress MLA Shafi Parambil. Shanimol Usman, MLA, addressed the marchers. The police fired the water cannon to dissuade protesters who attempted to topple the police barricade preventing their access to the Assembly. As the Assembly protest progressed, KSU workers marched to the Senate Hall demanding a police enquiry into the mark list alteration scandal. The police fired water jets to quell the protesters, who they later arrested and removed from the spot.


Transcription specific differences visualized by fluorescence in situ hybridization pattern on interphase nuclei of different cell types.
Abstract
Application of a `` formamide free '' and thus `` material preserving '' in situ hybridization technique using the cDNA of the myf3 gene revealed the following results: Human rhabdomyosarcoma cells, characterized by a high expression of myf3 show intensive hybridization signals in their interphase. RNase treatment prior to hybridization considerably reduces the size of this signals. In comparison, isolated nuclei of human lymphocytes in which no need for the expression of this gene exists, show barely hybridization signals. Correspondingly, RNase treatment had no effect on hybridization pattern at all. In conclusion an increased transcription efficiency of a cell type specific gene is accompanied by a higher hybridization accessibility in the corresponding cell nuclei.


Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Serves
Serves 4
Try something different with roast chicken - use the leg meat to fill a stack of pancakes to serve alongside.
Equipment: 6cm/2½in metal chef's ring
Preheat the oven to 160C/325F/Gas 3.
Crown the chicken by removing the legs and wing tips, then cutting away two-thirds of the back. (The discarded backbone can be used for making stock.)
Melt the butter in a frying pan, add the spring onions and cook gently without browning. Add the tomatoes and season with salt and pepper.
Add the parsley, cook for two minutes then set aside to cool.
From the neck end of the chicken crown, release the skin to form a pocket without piercing it. Put a quarter of the tomato mixture under the skin and then reshape it.

Rub a tablespoon of oil over the chicken crown. Put the crown and the legs on a roasting tray and roast for 35-45 minutes, until the skin is golden-brown and the juices run clear with no sign of pink when the meat is pierced through the thickest part with a skewer. Set aside to cool.
Meanwhile make the pancakes. Mix the flour, egg, milk, butter and herbs together to make a batter. Heat a little oil in a frying pan and cook the pancakes. Using a 6cm/2½in metal chef's ring, cut mini pancakes from the large ones.
Remove the skin and bone from the chicken legs and shred the leg meat.
Heat half the remaining tomato mix with the shredded chicken.
Grease the metal rings with oil then layer up the pancakes and the chicken tomato mix, starting with a pancake, in the rings. There should be four layers of pancake and three of chicken.
Reheat the pancake stack in the oven until hot through, and heat the remaining tomato mix for the sauce.
Take the crown meat off the bone and divide it between four plates. Serve with a hot pancake stack and the remaining sauce alongside.


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--- layout: default ---
Open Data is a resource that can power your applications, analyses and reports.


--- layout: post title: Apple and Rhubarb Pie date: 2011-08-16 10:49:40.000000000 -04:00 categories: - Gastronomic Explosions - aka Yummy Food/Recipes tags: - Apple and Rhubarb Pie - cane sugar free dessert - Dessert - family dessert - Winter dessert status: draft type: post published: false meta: aktt_notify_twitter: 'no' _edit_last: '1' author: login: cint email<EMAIL_ADDRESS>display_name: Jacinta first_name: Jacinta last_name: '' ---
I spied rhubarb in the fruit and veg shop the other day and had an instant craving for apple and rhubarb pie. This is a simple, yet fulfilling dessert that is enjoyed by everyone in this family. My recipe doesn't have cane sugar. I use honey as a sweetner and there is no sugar in the crust. I hope you enjoy it as much as we do.
Ingredients:
2 cups plain flour
120gm butter
pinch salt
2-3 tbspn (approximately) water
500gm rhubarb
1.5kg apples (I use about 1kg Granny Smith apples & 500gm of a sweeter apple like Royal Gala)
1/2 cup honey


These are two estimation routines to determine formants in the case when the poles of the AR model are so close together that two distinct peaks of the frequency response merge into one peak. Program 1 simply projects a line from the origin through each pole to the unit circle. Program 2, the Ghael-Sandgathe method, is an improvement on the McCandless method, in which the outermost pole is extended to just inside the unit circle, thereby accentuating the location of the formant. The Ghael-Sandgathe method extends all poles out until the two closest poles actually straddle the unit circle, guaranteeing maximum possible distinction between the corresponding peaks of the transfer function.
Click here to view our Formant Estimation1 Funciton
Click here to download our Formant Estimation1 M-File.
Click here to view our Formant Estimation2 Funciton
Click here to download our FormantEstimation2 M-File.
* Note: the ".bin" extension on the m-file does NOT indicate a
binary file type.
It only tricks your browser into downloading
the file instead of viewing it.


BaseCommand |
abstract class BaseCommand |
CommandModule |
Used to store commands of the same name, but with different parameter counts/types. class CommandModule |
InternalCommand |
An object representation of a {@link Command}. Hard/light invocation of the function is handled here. open class InternalCommand |


|
At the end of our settling tank a valve allows the honey to be poured off into five gallon pails for storage. After the extracting process is over, the honey may be sent back to the collection tank for further warming to retard crystallization and filtered to remove any additional debris that may not have been cleared in the settling process. |


Two copies of this article exist: a typescript of five leaves with a cover leaf inscribed by Lewis, "The Machine. | typescript for article. | Wyndham Lewis," and a carbon of the same typescript. The first is at Buffalo, the second at Cornell. The typing is poor and inaccurate, and both copies have occasional marks (probably by Mrs. Lewis) separating words that the typist has run together. The carbon has one spelling correction, but neither copy has been properly corrected. The essay was probably written in 1934 or 1935, when Lewis published a series of articles on industrial art and the machine. The subject was topical in literature, design, and architecture. Its political side is brought out most clearly in "Shropshire Lads or Robots Again" and "Power-feeling and Machine-Age Art." 1 Lewis associates enthusiasm for machinery in the arts with political enthusiasm for the industrialisation of the Soviet Union and its accompanying feats of social engineering--enthusiasm in which he did not share. Lewis's theories of the necessity for human imperfection conflicted with his modernist utopian ambitions (expressed in the 1919 pamphlet, The Caliph's Design: Architects! Where is Your Vortex?). 2 Mechanical perfection dissolves human identity. "The Machine" bears traces of Lewis's admiration of the architecture of the Berbers of North Africa, whose romantic (and "European") barbarism he praises in Kasbahs and Soukhs, an unfinished book of the early 1930s, sections of which are included in Journey into Barbary: Morocco Writings and Drawings. 3
If we confine ourselves to things of which we have ocular evidence--excluding all modes of life or art that might come about, or that should come about, or that might have been, or should have been--then no argument is possible, I think, when those two modes are contrasted--the human mode and the non-human mode. The human modes are the better and brighter.
If by the fiat of a despot a city could be built (such as I imagined in The Caliph's Design or Architects, Where is Your Vortex) and if the despot could be so trained and so endowed--his state so rich in resources, possessing such transcendent workmen, politically so firmly established etc. etc. etc.--as to ensure a maximum result, in speed, effort and intelligence, then, of course, the city that would be built would be second to none in history, it would be far better than any city ever built.
But that is a city of Ifs and Ans [sic], for a rather vulgar streak somewhere in the mind of the despot, for instance, would be enough to spoil the city. 4 Meanwhile the human seems to have the advantage of the non-human, or the superhuman. Where men have physically been able to act the giant, and chop through nature, instead of crawling over it, in the manner of Lilliput, and override an accident, instead of accommodating themselves to it, they have not been able to supply the appropriate mind for the super-body, that is the trouble.
There are no rules for cities of course: Venice is built upon the most disadvantageous basis imaginable, a stork of a city: Manhattan on the other hand depends for its existence upon the rock-mass beneath it. You might cite Venice as an example of Man imposing his will upon the waters. But in fact the charm of Venice is the waters, of course. The obstacle (technically) turns out to be prime factor, aesthetically. With Manhattan the rock underneath is of no importance except as a socket and platform. And after all the Earth itself must always play that role in anything we undertake upon its surface.
Taking Venice and Manhattan together--the first as a specimen of human art (typifying a human submission to the natural beauty of the waters), the second a specimen of the non-human--then, I think, in its heyday of course, Venice could be the better place, as the Venetian is the better man.
So we have to admit it seems to me that at a period when man has not been powerful enough to transform the accidental dispositions of nature--with no dynamite to blast, or rock-drills, say--and is compelled to build the streets of his cities in and out and up and down, inventing, as he goes along, untried architectural devices, delightful deformities and structural freaks, then (it is but too plain) the result is more satisfactory. By following the vast, non-human, lines of nature, our human arts score their best successes. Projecting his tortuous, not yet oppressive, geometry, out upon the chaotic superstructures, being methodic where he can, in the teeth of natural disorder, man is seen at his best. He then produces something of intellectual as well as emotional value, which the unadulterated stark geometry of the Machine-Age precludes.
It pains me to say this. And I wish I could assert with a propagandist emphasis that someday the Machine would be put in its place and man rule over Machine and nature alike. But I believe that the problem of scale is at the centre of these particular problems of art. It is easier to put the soul of a god in the body of a man than vice versa apparently. All the Machine so far has done is to enlarge, as you enlarge a small photograph. Will it ever be allowed to enlarge, or to multiply, anything good? The Machine is able to bloat to a hundred times the size something trivial, or repeat in innumerable exemplars something foolish. This is what usually it does. When it reproduces the Mona Lisa, or Van Gogh's Postman ten thousand times it is doubtful if that is an improvement. Should it enlarge it the same number of times it would of course be meaningless. The Machine imitates, it enlarges, it multiplies, or Man through it. But so far there has been a watering down, only, or vulgarising of pre-Machine-Age effort. And this of course has coincided with the notion of the supersession of the Individual by the Mass. Perhaps the destiny of the Machine is involved with the destiny of the Mass?
Ten thousand dull chair-legs (of Windsor Chair pattern) enlarged a hundred-fold, and placed in two rows upon Salisbury Plain, would knock Stonehenge into a cocked hat no doubt. But no question of art would be involved, any more than in the impact of a giant comet, or, if you like, in the size of a nebula.
The Machine has been courted and denounced: but even more important than the question of the Machine, is the natural fashion in which all human societies grow and flower and perish. Can a conscious or mechanical canon be imposed upon them? I have always held that ideally it would be more satisfactory if this limitation of natural growth--the waxing and flourishing plant-status--could give place with us to something more deliberate. 5
There has to be not only the power, in short (which is conferred upon society by the development of mechanical technique) but also the will to invention, to beauty, significance and so forth. China and Japan are today a terrible object-lesson in how with the Machine comes in Barbarity.
Just as the old art (which I have called human art) has derived its significance from the accidental character of the surface of nature (without attempting to flatten it out or tidy it up), may not the will to invent depend also on the brutal accidents of the surface of a given society, and the accidents, again, of a secluded situation, or a local and temporary prosperity? Or we can put this in another way. It may be parasitic upon nature only. Once the social landscape, as it were, has been humanly flattened out, tidied up, or even has been very much interfered with, and lost its "primitive"--its human--character, this parasite may die off, or forget its cunning.
In the midst of all these speculations, the only thing that is quite certain is that the various graphic and plastic arts are upon all hands in a state of decay. In spots, the building art alone is not quite dead. The Cinema, in its capacity of Kinetic Plastic--or "Moving Statue," or of moving monochrome picture, or Tableau Vivant--is very active, certainly, very proselytising and perfervid. But the Cinema (the only Cinema that counts) is a social doctrine as well as an art I think. It is far too handy a vehicle for all that is second-rate--as a mode of expression for people who would be doomed to second-rateness, and that is failure, in other directions--not to be suspect.
So what we come back to here is the problem again of the Machine: for the conquest of the Redskin by the European colonist was not the conquest of a lower type by a higher necessarily. It was the triumph of the rifle. Ultimately, it was the triumph of the inventor of the rifle--not certainly of the people who manufacture or use it. --May not the Machine play a similar role, destructive of all value and human significance, in the field of art that it has in the field of politics?
Paul Edwards, Research Fellow at Bath College of Higher Education, is the editor of the Wyndham Lewis Annual and has produced critical editions of several of Wyndham Lewis's books for Black Sparrow Press, the latest being Time and Western Man . Most recently he has edited Volcanic Heaven: Essays on Wyndham Lewis's Painting and Writing and is now writing a monograph on Lewis's painting and writing for Yale University Press.
1. Wyndham Lewis, "Shropshire Lads or Robots Again" , and "Power-Feeling and Machine-Age Art" , in his Creatures of Habit and Creatures of Change: Essays on Art, Literature and Society, 1913-1956, ed. Paul Edwards (Santa Rosa: Black Sparrow Press, 1989), 190-94, 236-40.
2. See Wyndham Lewis, The Caliph's Design: Architects! Where is Your Vortex? , ed. Paul Edwards (Santa Barbara: Black Sparrow Press, 1986).
3. See Wyndham Lewis, Journey into Barbary: Morocco Writings and Drawings, ed. C. J. Fox (Santa Barbara: Black Sparrow Press, 1983).
4. The protagonist of Lewis's 1941 novel, The Vulgar Streak, was intended as an embodiment, and hence critique, of a Napoleonist dynamic principle (which, by then, Lewis also associated with Hitler) in European culture.
5. Especially in Wyndham Lewis, The Art of Being Ruled , ed. Reed Way Dasenbrock (Santa Rosa: Black Sparrow Press, 1989).
.


Biography
Manuela Perez
My name is Manuela and I am currently a senior graphic design student at California State University East Bay.
I am from the Bay Area and I love living here and enjoying the beautiful weather. I've always had a passion for art and fashion,
after graduating I am planning on going to Europe and get my masters degree in Fashion Merchandising. My ultimate dream job is to work
for my favorite designer Marc Jacobs.


In this project, you'll use generative adversarial networks to generate new images of faces.
You'll be using two datasets in this project:
Since the celebA dataset is complex and you're doing GANs in a project for the first time, we want you to test your neural network on MNIST before CelebA. Running the GANs on MNIST will allow you to see how well your model trains sooner.
If you're using FloydHub, set data_dir
to "/input" and use the FloydHub data ID "R5KrjnANiKVhLWAkpXhNBe".
#data_dir = './data'
# FloydHub - Use with data ID "R5KrjnANiKVhLWAkpXhNBe"
data_dir = '/input'
"""
DON'T MODIFY ANYTHING IN THIS CELL
"""
import helper
helper.download_extract('mnist', data_dir)
helper.download_extract('celeba', data_dir)
show_n_images = 25
"""
DON'T MODIFY ANYTHING IN THIS CELL
"""
%matplotlib inline
import os
from glob import glob
from matplotlib import pyplot
mnist_images = helper.get_batch(glob(os.path.join(data_dir, 'mnist/*.jpg'))[:show_n_images], 28, 28, 'L')
pyplot.imshow(helper.images_square_grid(mnist_images, 'L'), cmap='gray')
The CelebFaces Attributes Dataset (CelebA) dataset contains over 200,000 celebrity images with annotations. Since you're going to be generating faces, you won't need the annotations. You can view the first number of examples by changing show_n_images
.
show_n_images = 25
"""
DON'T MODIFY ANYTHING IN THIS CELL
"""
mnist_images = helper.get_batch(glob(os.path.join(data_dir, 'img_align_celeba/*.jpg'))[:show_n_images], 28, 28, 'RGB')
pyplot.imshow(helper.images_square_grid(mnist_images, 'RGB'))
Since the project's main focus is on building the GANs, we'll preprocess the data for you. The values of the MNIST and CelebA dataset will be in the range of -0.5 to 0.5 of 28x28 dimensional images. The CelebA images will be cropped to remove parts of the image that don't include a face, then resized down to 28x28.

You'll build the components necessary to build a GANs by implementing the following functions below:
model_inputs
discriminator
generator
model_loss
model_opt
train
This will check to make sure you have the correct version of TensorFlow and access to a GPU
"""
DON'T MODIFY ANYTHING IN THIS CELL
"""
from distutils.version import LooseVersion
import warnings
import tensorflow as tf
# Check TensorFlow Version
assert LooseVersion(tf.__version__) >= LooseVersion('1.0'), 'Please use TensorFlow version 1.0 or newer. You are using {}'.format(tf.__version__)
print('TensorFlow Version: {}'.format(tf.__version__))
# Check for a GPU
if not tf.test.gpu_device_name():
warnings.warn('No GPU found. Please use a GPU to train your neural network.')
else:
print('Default GPU Device: {}'.format(tf.test.gpu_device_name()))
Implement the model_inputs
function to create TF Placeholders for the Neural Network. It should create the following placeholders:
image_width
, image_height
, and image_channels
.z_dim
.Return the placeholders in the following the tuple (tensor of real input images, tensor of z data)
import problem_unittests as tests
def model_inputs(image_width, image_height, image_channels, z_dim):
"""
Create the model inputs
:param image_width: The input image width
:param image_height: The input image height
:param image_channels: The number of image channels
:param z_dim: The dimension of Z
:return: Tuple of (tensor of real input images, tensor of z data, learning rate)
"""
# TODO: Implement Function
inputs_real = tf.placeholder( tf.float32, ( None, image_width, image_height, image_channels ), name = "input_real" )
inputs_z = tf.placeholder( tf.float32, ( None, z_dim ), name = "input_z" )
learning_rate = tf.placeholder( tf.float32, name = "learn_rate" )
return inputs_real, inputs_z, learning_rate
"""
DON'T MODIFY ANYTHING IN THIS CELL THAT IS BELOW THIS LINE
"""
tests.test_model_inputs(model_inputs)
Implement discriminator
to create a discriminator neural network that discriminates on images
. This function should be able to reuse the variables in the neural network. Use tf.variable_scope
with a scope name of "discriminator" to allow the variables to be reused. The function should return a tuple of (tensor output of the discriminator, tensor logits of the discriminator).
def discriminator(images, reuse=False):
"""
Create the discriminator network
:param images: Tensor of input image(s)
:param reuse: Boolean if the weights should be reused
:return: Tuple of (tensor output of the discriminator, tensor logits of the discriminator)
"""
# TODO: Implement Function
with tf.variable_scope('discriminator', reuse=reuse):
alpha = 0.2
x1 = tf.layers.conv2d( images, 64, 5, strides=2, padding = "same" )
x1 = tf.maximum( alpha*x1, x1 )
x2 = tf.layers.conv2d( x1, 128, 5, strides=2, padding = "same" )
x2 = tf.layers.batch_normalization( x2, training = True )
x2 = tf.maximum( alpha*x2, x2 )
x3 = tf.layers.conv2d( x2, 256, 5, strides=2, padding = "same" )
x3 = tf.layers.batch_normalization(x2, training = True )
x3 = tf.maximum( alpha*x3, x3 )
flatten = tf.reshape( x3, ( -1, 4*4*256 ) )
logits = tf.layers.dense( flatten, 1 )
output = tf.sigmoid( logits )
return output, logits
"""
DON'T MODIFY ANYTHING IN THIS CELL THAT IS BELOW THIS LINE
"""
tests.test_discriminator(discriminator, tf)
Implement generator
to generate an image using z
. This function should be able to reuse the variables in the neural network. Use tf.variable_scope
with a scope name of "generator" to allow the variables to be reused. The function should return the generated 28 x 28 x out_channel_dim
images.
def generator(z, out_channel_dim, is_train=True):
"""
Create the generator network
:param z: Input z
:param out_channel_dim: The number of channels in the output image
:param is_train: Boolean if generator is being used for training
:return: The tensor output of the generator
"""
# TODO: Implement Function
with tf.variable_scope('generator', reuse=not is_train):
alpha = 0.2
x1 = tf.layers.dense( z, 7*7*512 )
x1 = tf.reshape( x1, (-1, 7, 7, 512) )
x1 = tf.layers.batch_normalization( x1, training = is_train )
x1 = tf.maximum( alpha*x1, x1 )
x2 = tf.layers.conv2d_transpose( x1, 256, 5, strides = (2, 2), padding = "same" )
x2 = tf.layers.batch_normalization( x2, training = is_train )
x2 = tf.maximum( alpha*x2, x2 )
x3 = tf.layers.conv2d_transpose( x2, 128, 5, strides = (2, 2), padding = "same" )
x3 = tf.layers.batch_normalization( x3, training = is_train )
x3 = tf.maximum( alpha*x3, x3 )
# Output layer
logits = tf.layers.conv2d_transpose( x3, out_channel_dim, 5, strides = (1, 1), padding = "same" )
output = tf.tanh( logits )
return output
"""
DON'T MODIFY ANYTHING IN THIS CELL THAT IS BELOW THIS LINE
"""
tests.test_generator(generator, tf)
Implement model_loss
to build the GANs for training and calculate the loss. The function should return a tuple of (discriminator loss, generator loss). Use the following functions you implemented:
discriminator(images, reuse=False)
generator(z, out_channel_dim, is_train=True)
def model_loss(input_real, input_z, out_channel_dim):
"""
Get the loss for the discriminator and generator
:param input_real: Images from the real dataset
:param input_z: Z input
:param out_channel_dim: The number of channels in the output image
:return: A tuple of (discriminator loss, generator loss)
"""
# TODO: Implement Function
gen_model = generator( input_z, out_channel_dim, is_train = True )
disc_model_real, disc_logits_real = discriminator( input_real, reuse = False )
disc_model_fake, disc_logits_fake = discriminator( gen_model, reuse = True )
disc_loss_real = tf.reduce_mean( tf.nn.sigmoid_cross_entropy_with_logits( logits = disc_logits_real,
labels = tf.ones_like( disc_model_real ) ) )
disc_loss_fake = tf.reduce_mean( tf.nn.sigmoid_cross_entropy_with_logits( logits = disc_logits_fake,
labels = tf.zeros_like( disc_model_fake ) ) )
disc_loss = disc_loss_real + disc_loss_fake
gen_loss = tf.reduce_mean( tf.nn.sigmoid_cross_entropy_with_logits( logits = disc_logits_fake,
labels = tf.ones_like( disc_model_fake ) ) )
return disc_loss, gen_loss
"""
DON'T MODIFY ANYTHING IN THIS CELL THAT IS BELOW THIS LINE
"""
tests.test_model_loss(model_loss)
Implement model_opt
to create the optimization operations for the GANs. Use tf.trainable_variables
to get all the trainable variables. Filter the variables with names that are in the discriminator and generator scope names. The function should return a tuple of (discriminator training operation, generator training operation).
def model_opt(d_loss, g_loss, learning_rate, beta1):
"""
Get optimization operations
:param d_loss: Discriminator loss Tensor
:param g_loss: Generator loss Tensor
:param learning_rate: Learning Rate Placeholder
:param beta1: The exponential decay rate for the 1st moment in the optimizer
:return: A tuple of (discriminator training operation, generator training operation)
"""
# TODO: Implement Function
t_vars = tf.trainable_variables()
d_vars = [ var for var in t_vars if var.name.startswith( "discriminator" ) ]
g_vars = [ var for var in t_vars if var.name.startswith( "generator" ) ]
with tf.control_dependencies(tf.get_collection(tf.GraphKeys.UPDATE_OPS)):
d_train_opt = tf.train.AdamOptimizer( learning_rate, beta1 = beta1 ).minimize( d_loss, var_list = d_vars )
g_train_opt = tf.train.AdamOptimizer( learning_rate, beta1 = beta1 ).minimize( g_loss, var_list = g_vars )
return d_train_opt, g_train_opt
"""
DON'T MODIFY ANYTHING IN THIS CELL THAT IS BELOW THIS LINE
"""
tests.test_model_opt(model_opt, tf)
"""
DON'T MODIFY ANYTHING IN THIS CELL
"""
import numpy as np
def show_generator_output(sess, n_images, input_z, out_channel_dim, image_mode):
"""
Show example output for the generator
:param sess: TensorFlow session
:param n_images: Number of Images to display
:param input_z: Input Z Tensor
:param out_channel_dim: The number of channels in the output image
:param image_mode: The mode to use for images ("RGB" or "L")
"""
cmap = None if image_mode == 'RGB' else 'gray'
z_dim = input_z.get_shape().as_list()[-1]
example_z = np.random.uniform(-1, 1, size=[n_images, z_dim])
samples = sess.run(
generator(input_z, out_channel_dim, False),
feed_dict={input_z: example_z})
images_grid = helper.images_square_grid(samples, image_mode)
pyplot.imshow(images_grid, cmap=cmap)
pyplot.show()
Implement train
to build and train the GANs. Use the following functions you implemented:
model_inputs(image_width, image_height, image_channels, z_dim)
model_loss(input_real, input_z, out_channel_dim)
model_opt(d_loss, g_loss, learning_rate, beta1)
Use the show_generator_output
to show generator
output while you train. Running show_generator_output
for every batch will drastically increase training time and increase the size of the notebook. It's recommended to print the generator
output every 100 batches.
def train(epoch_count, batch_size, z_dim, learning_rate, beta1, get_batches, data_shape, data_image_mode):
"""
Train the GAN
:param epoch_count: Number of epochs
:param batch_size: Batch Size
:param z_dim: Z dimension
:param learning_rate: Learning Rate
:param beta1: The exponential decay rate for the 1st moment in the optimizer
:param get_batches: Function to get batches
:param data_shape: Shape of the data
:param data_image_mode: The image mode to use for images ("RGB" or "L")
"""
# TODO: Build Model
n_samples, width, height, channels = data_shape
input_real, input_z, learn_rate = model_inputs( width, height, channels, z_dim )
d_loss, g_loss = model_loss( input_real, input_z, channels )
d_opt, g_opt = model_opt( d_loss, g_loss, learn_rate, beta1 )
n_steps = 0
with tf.Session() as sess:
sess.run(tf.global_variables_initializer())
for epoch_i in range(epoch_count):
for batch_images in get_batches(batch_size):
batch_images *= 2
# TODO: Train Model
n_steps += 1
batch_z = np.random.uniform( -1, 1, size = ( batch_size, z_dim ) )
_ = sess.run( d_opt, feed_dict = { input_real: batch_images,
input_z: batch_z, learn_rate: learning_rate } )
_ = sess.run( g_opt, feed_dict = { input_real: batch_images,
input_z: batch_z, learn_rate: learning_rate } )
if n_steps%50 == 0:
show_generator_output( sess, 16, input_z, channels, data_image_mode )
if n_steps%10 == 0:
train_loss_d = d_loss.eval( { input_z: batch_z, input_real: batch_images } )
train_loss_g = g_loss.eval( { input_z: batch_z } )
print("Epoch {}/{}...".format(epoch_i+1, epoch_count),
"Discriminator Loss: {:.4f}...".format(train_loss_d),
"Generator Loss: {:.4f}".format(train_loss_g))
Test your GANs architecture on MNIST. After 2 epochs, the GANs should be able to generate images that look like handwritten digits. Make sure the loss of the generator is lower than the loss of the discriminator or close to 0.
batch_size = 64
z_dim = 100
learning_rate = 0.0004
beta1 = 0.5
"""
DON'T MODIFY ANYTHING IN THIS CELL THAT IS BELOW THIS LINE
"""
epochs = 2
mnist_dataset = helper.Dataset('mnist', glob(os.path.join(data_dir, 'mnist/*.jpg')))
with tf.Graph().as_default():
train(epochs, batch_size, z_dim, learning_rate, beta1, mnist_dataset.get_batches,
mnist_dataset.shape, mnist_dataset.image_mode)
Run your GANs on CelebA. It will take around 20 minutes on the average GPU to run one epoch. You can run the whole epoch or stop when it starts to generate realistic faces.
batch_size = 64
z_dim = 100
learning_rate = 0.0002
beta1 = 0.5
"""
DON'T MODIFY ANYTHING IN THIS CELL THAT IS BELOW THIS LINE
"""
epochs = 1
celeba_dataset = helper.Dataset('celeba', glob(os.path.join(data_dir, 'img_align_celeba/*.jpg')))
with tf.Graph().as_default():
train(epochs, batch_size, z_dim, learning_rate, beta1, celeba_dataset.get_batches,
celeba_dataset.shape, celeba_dataset.image_mode)
When submitting this project, make sure to run all the cells before saving the notebook. Save the notebook file as "dlnd_face_generation.ipynb" and save it as a HTML file under "File" -> "Download as". Include the "helper.py" and "problem_unittests.py" files in your submission.


The files in this folder provide examples of how to use the order analysis functions.
The input data sequence is taken from the files "Const.dat" "Variable.dat" this data is in 2 columns containing magnitude and machine speed (RPM).
The batch files supplied work with the GCC and Microsoft Visual Studio compiler (32 and 64 bit versions supplied) however the example programs can be built using almost any 32 or 64 bit compiler.
| Filename | Description | |
| order.c | Source file for generating an order plot. | |
| waterfall.c | Source file for generating a waterfall plot. | |
| Const.dat | Constant speed data file | |
| Variable.dat | Variable Speed data file | |
| GCC Batch files for building and running test functions | ||
| gb.bat | Batch file to build source file with SigLib using Microsoft Compiler | |
| gbrocd.bat | Order plots for constant speed data - dB scaling | |
| gbrocl.bat | Order plots for constant speed data - Linear scaling | |
| gbroVds.bat | Order plots for variable speed data - dB scaling against speed | |
| gbroVdt.bat | Order plots for variable speed data - dB scaling against time | |
| gbroVS.bat | Spectrogram plot for variable speed data - dB scaling | |
| Microsoft Batch files for building and running test functions | ||
| mb.bat | Batch file to build source file with SigLib using Microsoft Compiler | |
| mbrocd.bat | Order plots for constant speed data - dB scaling | |
| mbrocl.bat | Order plots for constant speed data - Linear scaling | |
| mbroVds.bat | Order plots for variable speed data - dB scaling against speed | |
| mbroVdt.bat | Order plots for variable speed data - dB scaling against time | |
| mbroVS.bat | Spectrogram plot for variable speed data - dB scaling | |
| For further
information, please contact : Email<EMAIL_ADDRESS>|
|
Copyright © 2020, Sigma Numerix Ltd.
SigLib and Digital Filter Plus are trademarks of Sigma Numerix Ltd. All
other trademarks acknowledged.
Sigma Numerix are continuously increasing the functionality of SigLib
and reserve the right to alter the product at any time.


This is an example for grouping checkbox panels and is not intended to be used "as is".
sbb-checkbox-panel-group {{ groupClasses.join(' ') }}


EVE'S BAYOU A film review by Mark R. Leeper
Capsule: A ten-year-old Creole girl grows up during one hot Louisiana summer. Director and writer Kasi Lemmons draws some very nicely defined characters for whom the viewer has real interest and empathy. One of the most touching and engrossing films of the year. It is also very well photographed with some very memorable images. Rating: 7 (0 to 10) +2 (-4 to +4) New York Critics: 14 positive, 1 negative, 5 mixed
The year is supposedly 1962, though there is a timelessness to the narrative. Eve Batiste (played by Jurnee Smollett) narrates the story and begins by saying this is the year that she killed her father. That statement hangs over the entire film and gives what seems to be a series of random remembered incidents a direction, though the viewer is unsure how figuratively or literally she means she killed her father. Eve lives on the bayou in the town of Eve's Bayou. Her father, Louis (Samuel L. Jackson) is the attractive town doctor who has a tendency to fool around with his more attractive female patients, cheating on his wife Roz (Lin Whitfield). Also in the family are Eve's older sister Cisely (Meagan Good), her young brother Poo, and Louis's sister Mozelle Batiste Delacroix (Debbie Morgan). Louis gives Eve the impression that he prefers his oldest daughter over her, and Eve feels the sting of that rejection as well as feeling a little bit left out. One evening Eve catches her father making love to the wife of a friend and this starts things changing in the family. Eve does not want to believe what she has seen but is only half willing to accept her sister Cisely's fabricated explanation that it was all innocent. And the matter remains in both sisters' minds. Writer/director Kasi Lemmons makes this one of several stories unfolding at the same time. Aunt Mozelle is a seer with psychic abilities to see into the lives of others, but cannot use her powers to help herself: she has outlived multiple husbands and blames herself for their deaths.
The film at no time ties itself to any current events outside of the community of Eve's Bayou, Louisiana. For that matter, in spite of a black cast of characters, the subject of race is totally absent. Virtually the same story could have been told in the white or the Chinese community, for example, with only minor alterations. One such modification might have to involve the acceptance of voodoo in this story. This is a world in which fortune tellers and psychics are authentic. The acceptance of magic is not the main thrust of the film but it adds to the texture. An old voodoo priestess seems to be half sham, yet her magic appears to work. She is nicely played by Diahann Carroll in a real departure from her squeaky clean image back when she was one of the first female black leads in a TV show.
It pretty much goes without saying that Lemmons would get a good performance from the likes of Carroll and Jackson. These are well- established actors who will give good performances as second nature. It is perhaps a different talent to get good performances from children. Getting an acceptable and by-the- numbers performance from them is not difficult but getting a performance with some depth is a lot harder, because children frequently are overconfident in front of a camera and do not know how to control a performance. As the lead Smollett has to carry the film without reducing it to a children's film, and her performance is fully up to adult standards. She apparently understands acting and that makes a real difference to the film. Meagan Good as the somewhat enigmatic older sister does not have as much to do, but also gives a very solid performance. Amy Vincent's cinematography includes at least a few very effective images and adds greatly to flavor of the film.
EVE'S BAYOU is a rich and emotional look at one small community and is not a bad debut writing and directing effort by Kasi Lemmons. I give it a 7 on the 0 to 10 scale and a 2 on the -4 to +4 scale.
Mark R. Leeper<EMAIL_ADDRESS>Copyright 1997 Mark R. Leeper
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{# # Copyright 2014–2015 Justin Lardinois # # Licensed under the Apache License, Version 2.0 (the "License"); # you may not use this file except in compliance with the License. # You may obtain a copy of the License at # # http://www.apache.org/licenses/LICENSE-2.0 # # Unless required by applicable law or agreed to in writing, software # distributed under the License is distributed on an "AS IS" BASIS, # WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. # See the License for the specific language governing permissions and # limitations under the License. ############################################################################### # pcrp/templates/review/review.html # # template for review form -#}
Review Updated Successfully
{% endif %}Title: {{ paper.title }}
Authors:
Abstract: {{ paper.abstract }}
{% if paper.file %}Uploaded file: {{ filename }}
{% else %}Author did not upload file.
{% endif %}


Create Binary for Windows
Requirements
- a Windows operating system (obviously): Windows 2000, XP, Vista or later incarnations of NT should work
- a JDK (needed since we build from the Java source) >= 1.5
- the Subversion command-line client (until bug 5341 gets fixed) >= 1.4: get it under Cygwin or download it from http://www.sliksvn.com/en/download for example and install it
- the complete installation of NSIS >= 2.24: download it from http://nsis.sourceforge.net/ and install it (at the moment it is expected by the below script to sit under C:\Programme\NSIS, sorry for that; however for now the script can be tweaked easily)
Steps
- start Windows
- checkout Yanel from SVN (anonymous access is sufficient)
- run src\release <version string> <revision number> (see the description of the official release process for how to choose the exact values)... and wait a while
- you should test the installer which will be run automatically just before the script ends
- the installer program can then be provided as binary snapshot/release within the Windows download section: it will be available in the folder build\bin-snapshots\wyona-yanel-VERSION-rREVISION-bin-win under the name install-Wyona-Yanel-VERSION-rREVISION.exe


The organization homepage displays a summary of your organization. To view the page, log in to the Algorithm Lab and then, in the left navigation bar, click
.The organization homepage displays your organization's brand and statistics at the top of the page. The following table describes the remaining sections of the page:
| Section | Description |
|---|---|
| Actions | Add nodes |
| Resources | View and manage nodes |
| Billing | View and manage bills |
| Team | View and manage team members |
| Support History | View support tickets |
| Plan | View and change the organization tier |
| Credit Balance | View and purchase QuantConnect Credit |


In this UbiComp 2023 workshop, we are hoping to bring researchers together to discuss requirements, opportunities, challenges and next steps in developing novel approaches for sensing and intervention in the context of mental health.
Find Out MoreMental health and well-being are critical components of overall health: suffering from a mental illness can be both debilitating and life-threatening for individuals experiencing symptoms. Detecting symptoms of mental illness early-on and delivering interventions to prevent and/or manage symptoms can improve health and well-being outcomes. Ubiquitous systems are increasingly playing a central role in uncovering clinically relevant contextual information on mental health. Research shows that these systems can passively measure symptoms and enable opportunities to deliver intervention.
However, despite this potential, the uptake of ubiquitous technologies into mental healthcare has been slow, and a number of challenges need to be addressed towards the effective implementation of these tools. The goal of this workshop is to bring together researchers, practitioners, and industry professionals interested in identifying, articulating, and addressing such issues and opportunities. Following the success of this workshop for the last seven years, we aim to continue facilitating the UbiComp community in both the conceptualization, translation, and implementation of novel approaches for sensing and intervention in the context of mental health.
We invite submissions in the areas and intersections of mental health, well-being, ubiquitous computing, and human-centered design, including but not limited to:
Design and implementation of computational platforms (e.g., mobile phones, instrumented homes, skin-patch sensors) to collect health and well-being data.
Design and implementation of feedback (e.g., reports, visualizations, proactive behavioral interventions, subtle or subconscious interventions etc.) for both patients and caregivers towards improved mental health.
Design of privacy-preserving strategies for data collection, analysis, and management.
Development of methods for sustaining user adherence and engagement over the course of an intervention.
Development of robust models that can handle data sparsity and mislabeling issues within mobile sensing and mental health data.
Ethical deployments of ubiquitous computing systems in traditionally marginalized communities and developing countries.
Ethical frameworks for developing and implementing ubiquitous technologies for mental health.
Experience reports from clinical studies in any phase, from early pilot studies to large-scale clinical trials.
Identification of opportunities for UbiComp approaches (e.g., digital phenotyping, predictive modeling, micro-randomized intervention trials, adaptive interventions) to better understand factors related to substance abuse.
Integration of multimodal data (with potentially clinical data) from various sensor streams for predicting or measuring mental health and well-being.
Integration of ubiquitous technologies into existing healthcare infrastructures (e.g., payment models, regulatory frameworks) and policy.
Investigation of new methodologies for intervention (e.g., conversational agents, AR/VR applications).
Reflections on implementing ubiquitous computing-based technologies to improve mental health and well-being in both clinical and general populations.
Submission deadline: June 9, 2023 June 14th, 2023 (11:59 PM EDT)
Decisions to authors: June 30th, 2023
Camera-ready deadline: July 24, 2023
Workshop: October 8th, 2023
We are soliciting 4 types of contributions (see below). Please use the sigconf format. Papers should be in PDF format and not anonymized.
https://new.precisionconference.com/
To submit, please enter the following: Society: SIGCHI, Conference/Journal: UbiComp/ISWC 2023, Track: UbiComp/ISWC 2023 Mental Health: S&I
We are soliciting four types of contributions for the workshop (maximum 6 pages; shorter papers welcome):
Scientific papers describing novel technologies, approaches, and studies related to ubiquitous computing and mental health.
Challenge papers, in which authors describe a specific challenge to be pitched and discussed at the workshop. These papers often lead to a lively discussion during the workshop.
Demonstrations, to facilitate authors demonstrating developed technologies and early systems at the workshop.
Critical reflections (new in 2023) of one's own research or existing research at the intersection of ubiquitous computing and mental healthcare. We expect critical reflection papers to contribute towards better research practices in the community.
All submitted papers will be reviewed and judged on originality, technical correctness, relevance, and quality of presentation. We explicitly invite submissions of papers that describe preliminary results or work-in-progress, including early clinical experience. The accepted papers will appear in the UbiComp supplemental proceedings and in the ACM Digital Library.
| Time (Local to Cancun) | Event |
|---|---|
| 9:00 AM - 9:30 AM | Opening remarks |
| 9:30 AM - 10:30 AM | Virtual Keynote speaker I (Trina Histon, PhD - VP of Clinical Product Strategy at Woebot Health) |
| 10:30 AM – 11:30 AM | Speed networking and coffee break |
| 11:30 AM – 12:30 PM | Paper presentations with Q&A |
| 12:30 PM - 2:00 PM | Lunch with workshop attendees - location to be announced day of |
| 2:00 PM – 2:45 PM | Paper presentations with Q&A |
| 2:45 PM – 3:30 PM | Group discussion/activity
Potential Topics:
|
| 3:30 PM – 4:00 PM | Continued group discussion and coffee break |
| 4:00 PM – 5:00 PM | Keynote speaker 2 (Jakob Bardram - Professor of Computer Science at the Technical University of Denmark) |
| 5:00 PM – 5:30 PM | Closing remarks |


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DWD-Query
Stats
(current)
TPC-H Standard
DB Model
DW Cube Model
Generic DWH
DB Model
Mini
Dynamic ETL
No Combinations
All Combinations
Small
Dynamic ETL
No Combinations
All Combinations
SF 1
Dynamic ETL
No Combinations
All Combinations
SF 10
Dynamic ETL
No Combinations
All Combinations
Star Schema
DB Model
Mini
Small
SF 1
SF 10
Snowflake Schema
DB Model
Mini
Small
SF 1
SF 10
Credits


--- layout: default title: Main page ---
Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesettin
erat ac nunc pharetra fringilla quis id quam. Vivamus efficitur euismod est, at interdum turpis. Cras dui elit, fringilla quis felis
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Donec eget arcu pharetra, luctus neque id, sollicitudin dolor. Fusce eget eros rhoncus, posuere nibh at, eleifend nulla. Curabitur maximus diam ex, eu dictum enim porttitor at. Proin sit amet laoreet erat. Quisque rutrum tortor sed massa iaculis cursus. Nulla ac tortor quis mi aliquam aliquet eu euismod velit. Proin quis erat ac nunc pharetra fringilla quis id quam. Vivamus efficitur euismod est, at interdum turpis. Cras dui elit, fringilla quis felis nec, tempor ornare lorem. Phasellus id placerat purus. Aenean fringilla, ligula sed rhoncus viverra, ipsum odio tincidunt purus, id consectetur enim dui eu odio.


{% extends "base.html" %} {% block title %} JackpotSone - Payments {% endblock %} {% block header %} {% include "header.html" %} {% endblock %} {% block content %}
| Registration Instructions |
|---|
| 1. Kindly go to M-PESA menu and select Lipa na M-PESA |
| 2. Select Pay Bill |
| 3. Enter Business Number 247247 |
| 3. Enter Account Number<PHONE_NUMBER>963 |
| 4. Enter Amount KSH.700 |
| 5. Press OK |
| We will subsequently activate your account promptly |
| After making your payment Contact us through: |
| whatsapp/sms +254798265307 |


Superbear saves the day
The city's favorite bear
--- title: Accessibility in Code layout: layout-sidenav category: developers --- {%- include accessibility-common.html -%}
Most accessibility principles can be implemented very easily and will not impact the overall "look and feel" of a web site.
Use a for attribute on the label
element linked to the id attribute of the form element, or
using WAI-ARIA attributes. In specific situations, it may be acceptable to hide label
elements visually, but in most cases labels are needed to help all readers understand the required
input.
Ensure that alternative text for images is added to all informational and functional images. Use empty alternative text, alt="" for decorative images, or include them in the CSS instead. Text alternatives are usually provided by those responsible for written content.
Indicate the primary language of every page by using the lang attribute in the html tag, for example
html lang="en"
. Use the lang attribute on specific elements when the language of the
element differs from the rest of the page.
Use appropriate mark-up for headings, lists, tables, etc. HTML5 provides additional elements, such as
nav
and aside
, to better structure your content.
The city's favorite bear
WAI-ARIA roles can provide additional meaning, for example, using role="search" to identify search functionality.
{%- highlight html -%} {%- endhighlight -%}Provide clear instructions, error messages, and notifications to help users complete forms on your site. When an error occurs:
Be as forgiving of format as possible when processing user input. For example, accept phone numbers that include spaces and delete the spaces as needed.
{%- highlight html -%}For example, (02) 1234 1234
{%- endhighlight -%}Ensure that the order of elements in the code matches the logical order of the information presented. One way to check this is to remove CSS styling and review that the order of the content makes sense.
Use responsive design to adapt the display to different zoom states and viewport sizes, such as on mobile devices and tablets. When font size is increased by at least 200%, avoid horizontal scrolling and prevent any clipping of content. Use progressive enhancement to help ensure that core functionality and content is available regardless of technology being used.
{%- highlight html -%} /*On narrow viewports, make the navigation full width*/ @media screen and (min-width: 25em) { #nav { float: none; width: auto; } #main { margin-left: 0; } } /*On wider viewports, put the navigation on the left*/ @media screen and (min-width: 43em) { #nav { float: left; width: 24%; } #main { margin-left: 27%; } } {%- endhighlight -%}Use WAI-ARIA to provide information on function and state for custom widgets, such as accordions and custom-made buttons. For example, role="navigation" and aria-expanded="true". Additional code is required to implement the behavior of such widgets, such as expanding and collapsing content or how the widget responds to keyboard events.
{%- highlight html -%} {%- endhighlight -%}Think about keyboard access, especially when developing interactive elements, such as menus, mouseover
information, collapsable accordions, or media players. Use tabindex="0" to add an element that does not
normally receive focus, such as div
or span
, into the navigation order when it
is being used for interaction. Use scripting to capture and respond to keyboard events.
CAPTCHAs create problems for many people. There are other means of verifying that user input was generated by a human that are easier to use, such as automatic detection or interface interactions. If CAPTCHA really needs to be included, ensure that it is simple to understand and includes alternatives for users with disabilities, such as:


This is the path inside the bucket to delete. If this ends in a "/", then the path will be interpreted to be a folder, and all of its contents will be removed.
Do not begin with a leading "/".


[L] Latest available/tagged version on this branch.
[TBA] Version hasn't been released yet. (Planned or still under development).
[V] Security vulnerabilities have been identified belonging to this version/release. Avoid usage!
See also:
Vulnerability Charts
PHP releases
|
Compatibility Charts Last modified: Only relevant information will be listed here. Information will be delisted when no longer relevant. If you find any errors, if you'd like to add something to the list, or to make some changes, please send a pull request to the GitHub repository for this page. Licensing (for this repository): MIT License (feel free to copy and adapt it if you want). |
||
|
CIDRAM-L 1.23.2 (2023.02.24) CIDRAM-L 1.23.3 (2023.03.09) CIDRAM-L 1.23.4 (2023.03.13) CIDRAM-L 1.25.0 (2023.04.24) CIDRAM-L 1.25.1 (2023.06.11) [L] CIDRAM-L 1.26.0 (2023.07.04) |
CIDRAM 1.23.0 (2023.01.24) CIDRAM 1.24.0 (2023.02.24) CIDRAM 1.24.1 (2023.03.13) CIDRAM 1.25.0 (2023.04.24) CIDRAM 1.25.1 (2023.06.11) [L] CIDRAM 1.26.0 (2023.08.01) |
PHP≥5.4 required
PHP≥7.2 recommended
Requires PHP≥5.4 w/ PCRE support (PHP≥7.2 recommended).(cURL, APCU, Memcached, Redis, PDO support also recommended). Available via Composer/Packagist: CIDRAM v1. Not available via Composer/Packagist: CIDRAM-L v1. |
|
CIDRAM 2.10.0 (2023.01.24) CIDRAM 2.11.0 (2023.02.24) CIDRAM 2.11.1 (2023.03.13) CIDRAM 2.12.0 (2023.04.24) CIDRAM 2.12.1 (2023.06.11) [L] CIDRAM 2.13.0 (2023.08.01) |
CIDRAM 3.0.0 (2023.01.24) CIDRAM 3.1.0 (2023.02.24) CIDRAM 3.1.1 (2023.03.13) CIDRAM 3.2.0 (2023.04.24) CIDRAM 3.2.1 (2023.06.11) [L] CIDRAM 3.3.0 (2023.08.01) |
PHP≥7.2 required
Requires PHP≥7.2 w/ PCRE support.(cURL, APCU, Memcached, Redis, PDO support also recommended). Available via Composer/Packagist. Note: The external CLI tool for CIDRAM≥v2 is *not* compatible specifically with PHP 7.4.0. It is, however, compatible with PHP≥7.2<7.4, and PHP≥7.4.1 onward. |
|
phpMussel 1.15.0 (2021.10.31) phpMussel 1.15.1 (2022.02.14) phpMussel 1.15.2 (2022.03.25) phpMussel 1.15.3 (2022.07.24) phpMussel 1.15.4 (2023.01.23) [L] phpMussel 1.15.5 (2023.02.24) |
PHP≥5.4 required
PHP≥7.2 recommended
Requires PHP≥5.4 w/ PCRE support (PHP≥7.2 recommended).(cURL, Bz2, Lzf, Rar, Zip, zlib, APCU, Memcached, Redis, PDO support also recommended). Available via Composer/Packagist. Note: phpMussel's "CLI mode" is *not* compatible specifically with PHP 7.4.0. It is, however, compatible with PHP≥5.4<7.4, and PHP≥7.4.1 onward. |
|
|
phpMussel 2.4.0 (2021.10.31) phpMussel 2.4.1 (2022.02.14) phpMussel 2.4.2 (2022.03.25) phpMussel 2.4.3 (2022.07.24) phpMussel 2.4.4 (2023.01.23) [L] phpMussel 2.4.5 (2023.02.24) |
phpMussel 3.3.0 (2021.10.31) phpMussel 3.3.1 (2022.02.14) phpMussel 3.3.2 (2022.03.25) phpMussel 3.3.3 (2022.11.22) phpMussel 3.3.4 (2022.12.26) phpMussel 3.3.5 (2023.02.24) [L] phpMussel 3.4.0 (2023.06.06) |
PHP≥7.2 required
Requires PHP≥7.2 w/ PCRE support.(cURL, Bz2, Lzf, Rar, Zip, zlib, APCU, Memcached, Redis, PDO support also recommended). Available via Composer/Packagist. Note: phpMussel's "CLI mode" is *not* compatible specifically with PHP 7.4.0. It is, however, compatible with PHP≥7.2<7.4, and PHP≥7.4.1 onward. |
|
Cronable 1.2.2 (2021.07.14) [L] Cronable 1.2.3 (2023.02.03) |
PHP≥5.4 required
Compatible with CIDRAM≥1.2.0 (^1.19.1, ≥2.6.1 recommended)
Compatible with phpMussel≥1.1.0<3.0.0 (^1.15.0, ^2.4.0 recommended)
Requires PHP≥5.4 w/ PCRE support.Compatible with CIDRAM≥1.2.0 (^1.19.1, ≥2.6.1 recommended). Compatible with phpMussel≥1.1.0<3.0.0 (^1.15.0, ^2.4.0 recommended). Available via Composer/Packagist. |


Hello visitor, myself Jigar Parmar currently pursuing Master in Information Systems Management at Marist college, Poughkeepsie, NY, 12601. Before that I was working as data analyst in a local company known as VC-erp located in Ahmedabad, Gujarat, India. I have in total of 18 months of experience in this field. Seeking summer internship opportunity which will help me in shaping my bright future. I am self motivated, eager to learn new things, team player, sometimes motivator. My skill sets include Eclipse, SQL developer, SQL data modeler, MS Power point, MS Excel, MS Word, MS VISIO,Tableau


Web-2-Promotion
If you market through channels such as distributors, franchises and sales offices etc. you face the challenges related to centralised and decentralised marketing.
Centralised Marketing
If you choose centralised marketing, you have control and can deliver a consistent brand message. However, you run the risk of missing the opportunity to allow your local sales and marketing resources, who are closest to the customer, help you improve your marketing relevance for each location.
Decentralised Marketing
If you choose decentralised marketing, you put your marketing and branding in the hands of thousands of different shops and channels. Your key messages can become fuzzy and weak and the quality of your marketing materials can become inconsistent and shoddy.
Our Web-2-Promotion online portal can be branded to your company, allowing your authorised sales and marketing channels and employees to quickly and easily order what they need, when they need it, from wherever they are, via computer, smartphone or tablet.
Web-2-Promotion allows your channels and employees to fine-tune their marketing materials within your pre-defined parameters. You control the marketing strategy via the portal, and decide which marketing materials and merchandise such as promotional items are the most relevant to have for each location based on your strategy.
Web-2-Promotion will help you market more effectively across different territories and provide you with the means to track your channels and activities for further analysis, assessment and support.
We offer strategic marketing consultation to help you get the most out of Web-2-Promotion and centralised and decentralised marketing.
Contact Tim Lance on 01753 215325 or email<EMAIL_ADDRESS>for more information.
Download the White Paper, "Successful Steps and Simple Ideas to Maximise your Direct Marketing Return On Investment"


Merrils, Elizabeth
| Birth Name | Merrils, Elizabeth |
| Gender | female |
| Age at Death | 38 years, 9 months, 26 days |
Narrative
Elizabeth's father John Merills was a Freeholder at Barrow near Bury St. Edmonds. Richard Merrills, her brother was a freeholder at Polstead.
There is no Birth date on my Tree for Elizabeth, her Baptism date & death date doesn't add up to 38 years??? I think she should have been born about 1726.?
Bury St.Edmunds is a long way north on the A134 highway, from Colchester, thru Nayland about 20klms to Sudbury, then another 20klms to Bury. Barrow is a small town to the west of Bury St Edmonds.
Remains of the Saxon King Edmund is kept in a small monastery there, after he was martyred in AD870 Abbey ruins include a Norman Tower & 14th century Abbey Gate. The 12th centery flint-&-rubble building on Cornhill has been a synagogue, a tavern & a jail.
Events
| Event | Date | Place | Description | Sources |
|---|---|---|---|---|
| Birth | 1725-08-01 | Glemsford Suffolk Eng | ||
|
|
||||
| Christening | about 1751-10-08 | |||
|
|
||||
| Death | 1764-05-27 | Stoke by Nayland Suffolk Eng | ||
|
|
Parents
| Relation to main person | Name | Birth date | Death date | Relation within this family (if not by birth) |
|---|---|---|---|---|
| Father | Merrils, John William | |||
| Mother | Page, Elizabeth | |||
| Merrils, Elizabeth | 1725-08-01 | 1764-05-27 |
Families
Family of Cook, John and Merrils, Elizabeth |
||||||||||||||||||||||||||
| Married | Husband | Cook, John ( * 1713-11-05 + 1791-06-23 ) | ||||||||||||||||||||||||
|
||||||||||||||||||||||||||
| Children |
| Name | Birth Date | Death Date |
|---|---|---|
| Cook, Sarah | 1810-03-26 | |
| Cook, John | ||
| Cook, John | 1754-03-31 | 1841-10-30 |
| Cook, Elizabeth “Ann” | 1792-09-02 | |
| Cook, Hannah | 1846-01-12 | |
| Cook, Henry | 1820-02-09 | |
| Cook, William |
| Type | Value | Notes | Sources |
|---|---|---|---|
| _UID | E6F7EB5C9ADDD8119522AF169873661F90E1 |
Attributes
| Type | Value | Notes | Sources |
|---|---|---|---|
| _UID | E8F7EB5C9ADDD8119522AF169873661F9201 |


Mourinho: 'No chance' Zlatan joins Spurs
by TSN.ca StaffJose Mourinho says as fond as he is of Zlatan Ibrahimovic, he has no intentions of bringing him to Tottenham Hotspur.
Following Spurs' 3-2 win over West Ham on the weekend, Mourinho said a reunion with the free-agent hitman doesn't make any sense.
"[An] amazing player, amazing guy, but I would say no chance," Mourinho said of the player he coached at both Inter and Manchester United. "We have the best striker in England. It doesn't make sense to sign him when we have Harry Kane."
Ibrahimovic, 38, is out of contract as of last week, finishing up a two-year stint with the LA Galaxy with whom he scored 52 times in 56 appearances.
The former Sweden international is widely expected to return to Europe and has been attached to a host of clubs including Napoli and Bologna, as well as potential returns to former clubs United and Inter.
A native of Malmo, Ibrahimovic has also played for Ajax, Juventus, Milan and Paris Saint-Germain over his decorated senior career that has spanned over two decades.


Setup your online store without breaking a sweat.
Setup your online presence and attract more customers today.
From your warehouse to your customers, effortlessly.
Made with love in Atlanta, Georgia USA!


KaiserBot
Commands
| Parameters | Aliases | Permissions | Taking Suggestions |
Attach "_ex" to the end of any command with parameters to see an example. For instance, k.choose_ex.
In-Progress
What is currently being worked on in terms of larger-scale projects. Changelog will be updated once a task is complete.
Suggest new ideas and report issues with old ones in #suggestions.
Basic music functionality.
Plays anything YouTube has to offer.
Supports files as well.
Watch as I struggle with databases.
Track how much time you've wasted on Discord.
Not sponsored by Red Velvet.
As of 18/09/20, this task has been completed!
Watch as I continue to struggle with databases.
Maybe experience points or something.
This is really still in the brainstorming stage.
As of 18/09/20, this task has been completed!
Changelog
Updated whenever significant changes are made to the bot (see
In-Progress).
Small changes will be reflected in each update, as well as in #scrapyard in Kaisercord.
Dates in DD/MM/YY format. Hover over each for more detailed descriptions.
Development
I forgot the rest
----------------------------- Busy with school + forgot to document -----------------------------
Chat Revive background task
Cringe command
Icon command
Updated help command
Dice command
BMI command
Area_ngon command
Reddit commands
Updated aliases
Updated cringe command
Integral command
Limit command
Fixed footer
Go to top button
Command filter buttons
Command search bar
Glowing link
Favicon (locally)
Additional filter tables
In-progress side-by-side images
All filter button
Updated font
Progress bars with tooltips
Updated fixed navbar to responsive
Updated footer with image
Changelog template
W3 verification
Updated in-progress images
Updated tooltip for cipher command
Darkmode button
Updated top button
Updated tooltips in filter tables
Updated tooltip cursors
Updated commands link
Down arrow function
Say command
Slowmode command
Reply events
Resolved markdown issues with calculus commands
Darkmode compatible filter tables
Removed unnecessary commands
Updated help command
Merged commands cog
Encrypted token and secret
Added license
Repl.it hosting setup
Invite command
Updated mastertable
Autorole on member join
Updated ship command
Avatar command
Added consumes and returns documentation
GCD command
Updated cipher command
Updated background task
Translate command
Twitter_graph command
Updated kick/ban commands
Define command
Updated twt_ex and twg_ex commands
Documented WOEIDs.md
Documented StockInfo.md
Evaluate command
Expand command
Updated calculus commands
Moved some commands to data cog
Spongebobify command
Spongebobify2 command
Image cog
Img_analysis command
Img_crop command
Img_transform command
Img_filter command
Img_superimpose command
Img_wasted command
Custom welcome message
Custom autorole
Custome welcome message channel
1.0.0 - Initial Release
08/05/20
At long last, KaiserBot is joining Kaisercord!
Features:
- Data, games, images, math, moderation, and miscellaneous commands
- Welcome message, autorole, and roles system (Kaisercord only)
- Retrieve info about your favourite groups/soloists
- Do calculus, manipulate images, translate phrases, and define words
- Twitter trends/search data (with graphs!) from 467 different locations
- Up to 20 years of stock market data from 17 different exchanges/indexes
Coming Soon:
- New command category: Music
1.1.0 - Midway Update
25/06/20
No music yet, but a whole host of new commands, fixes, and features.
What's New:
- Hunger Games simulator - play against your friends and/or idols!
- Steam game searcher - check new games, discounts, and ratings
- Book searcher - find relevant books, complete with rating and summary
- Charts command - for finding the most up-to-date k charts information
- Melon command - similar to charts, but Melon exclusively
- Two new Reddit commands: reddit_new and reddit_controversial
- Youtube commands: youtube_top and youtube_search
- Word-of-the-day, courtesy of Merriam Webster
- Urban dictionary searcher
- Uwufier and cloutifier - for transforming text
- Patreon and website commands
What's Updated:
- Fixed division by 0 issues in the eval command
- Changed welcome message to include user avatar
- Fixed cipher 0 issues in cipher command
- Made all Reddit commands Imgur-compatible for better image display
- Added recent-message capabilities to all text transform commands
- And countless other fixes
Coming Soon:
- New command category: Music (really)
- (Potentially) Twitter auto-updates
1.2 - Houses & RPG System
18/09/20
A birthday present to Kaisercord! ✨
The Houses & RPG System:
- General and RPG profiles
- Custom profile bios
- 25 different weapons and 15 types of armor across 5 tiers
- 4 types of companions with unique special abilities
- 6 different jobs available to unlock
- 4 types of quests with increasing difficulty
- Get sorted into one of five different houses with other users
- Compete for the House Cup by gaining house points
- Win eternal glory (/s)
What Else is New?
- Multi-server Hunger Games leaderboard
- Movie search command
What's Updated:
- Fixed case sensitivity during Hunger Games deathmatch trivia
- Patched the choose command
- Added auto-detection to the translate command
- Added new cords to the ksi command and fixed broken links
- k.profile command renamed to k.kprofile
- k.invite command renamed to k.aisercord
Coming Soon:
- Complete overhaul of Hunger Games deathmatch trivia questions
- Music maybe? Sorry, I know I keep saying it'll be out soon.


Rapid Protoype Development
grails generate-all
Enterprise Development
grails install-templates
grails create-controller
def user = User.get(id)
user.properties = params
slightly better
def userCommand = new UserCommand(params)
def user = User.get(id) // still insecure probably
bindData(user, params)
Grails 2.3 (new, but similar)
@Transactional
def update(User user) {
....
user.save flush:true
.... }
Prototyping you might do this:
<g:select name="states" from="${State.list()}"/>
But you should probably do this instead:
class FooController {
def list() {
// ...
[states: States.list()]
}
}
<g:select name="states" from="${states}"/>
GOTCHA!
<g:each in="${customer.phoneNumbers.sort()}" var="phoneNumber">
Use more templates
Use more taglibs
Be mindful of the need to
.encodeAsHTML()
.encodeAsURL()
g:* tags will do it for you
roll your own or output from model directly,
you're own your own
OK For CRUD Applications
ProductController
ProductService
Product
Better For Other Applications
CatalogController
ShoppingService
You're lazy. So am I.
Why do we often create services for everything?
class FooService {
def barService
...
}
Not everything needs to be a service.
Libraries with good old fashioned functions are OK too.
src/groovy
Try to keep your app out of your libraries.
Quit using your domain classes as services.
Domain instances should operate on the things they know about.
If you need to look up information or do more logic, use a service.
Services are good to funnel calls and add things like caching.
Think about DomainClass.* as DB.*
Foo.executeQuery('select * from Bar where id = 1')
Doesn't have anything related to Foo. Smell.
Why?
Is it really a service or is it a library?
Perhaps you're trying to do too much?
Testing can be difficult
Code coupling possibility higher
Stop it!
phases vs test type
unit - fast
integration - slow
functional - slow
Quit writing unitegration tests
(yes I made up a word)
Package naming/Plugins
Questions/Heckling?


 Through all of my journeys though, my values have been shaped into the core belief that more and varied experience improves a person mentally and emotionally.
I spent several years in a Drum and Bugle Corps playing contra. I have tinkered with computers, building from parts and modifying existing ones. I have traveled to nearly every state gaining knowledge of the differences between cultures. I spent years studying as a classically trained bassoonist.
At last I find myself on a career path that I find fulfilling in every respect. One that pushes my mind to learn new things every day. Lifelong learning is critical to my profession and leads to adaptibility which is mandatory for success.
Lastly, I bring professionalism and an efficient work ethic to the workplace, wherever that may and whatever the conditions, every day.
Coding
Hiking
Boomeranging
Banjo and Guitar
Building Computers


We list all the APIs for the university system below.
Departments
| Create | Read-All | Read-One | Update | Delete
Students
|
Create
|
Read-All
|
Read-One
|
Update
|
Delete
Research Areas
| Create | Read-All | Read-One | Update | Delete
Courses
| Create | Read-All | Read-One | Update | Delete


A web app to convert one or more WAV files to a single Make Noise Morphagene reel (32bit/48khz/stereo).
All files are concatenated and splice markers are set at the end of each input files. Mono WAV files are converted to stereo.
Drop WAV files here, or .
If you pick a single file containing an already-assembled reel, it'll be de-assembled in multiple WAV files.


STUDENT NAME:
Zengar Zonvolt
CELL PHONE:
EDIT(717) 867-5309
COLLEGE EMAIL ADDRESS:
<EMAIL_ADDRESS>CELL PHONE:
EDIT(717) 867-5309
COLLEGE EMAIL ADDRESS:
<EMAIL_ADDRESS>To update your home address, please enter the new address below
To update your school address, please enter the new address below
To update your alternate email address, please enter it twice below.
Emails do not match.
Your email address has been updated. A verification email has been sent to your new email to finish the update process.
Please enter valid inputs
Please enter valid inputs


Class: Aws::WorkSpaces::Types::RegisterWorkspaceDirectoryRequest
| Relationships & Source Files | |
| Super Chains via Extension / Inclusion / Inheritance | |
|
Class Chain:
self,
Struct
|
|
|
Instance Chain:
self,
::Aws::Structure ,
Struct
|
|
| Inherits: |
Struct
|
| Defined in: | gems/aws-sdk-workspaces/lib/aws-sdk-workspaces/types.rb |
Overview
Constant Summary
Instance Attribute Summary
-
#directory_id ⇒ String
rw
The identifier of the directory.
-
#enable_self_service ⇒ Boolean
rw
Indicates whether self-service capabilities are enabled or disabled.
-
#enable_work_docs ⇒ Boolean
rw
Indicates whether Amazon WorkDocs is enabled or disabled.
-
#subnet_ids ⇒ Array<String>
rw
The identifiers of the subnets for your virtual private cloud (VPC).
-
#tags ⇒ Array<Types::Tag>
rw
The tags associated with the directory.
-
#tenancy ⇒ String
rw
Indicates whether your WorkSpace directory is dedicated or shared.
Instance Method Summary
::Aws::Structure
- Included
| #to_hash | Alias for Structure#to_h. |
Instance Attribute Details
#directory_id ⇒ String
(rw)
The identifier of the directory. You cannot register a directory if
it does not have a status of Active. If the directory does not have
a status of Active, you will receive an
InvalidResourceStateException
error. If you have already registered
the maximum number of directories that you can register with Amazon
::Aws::WorkSpaces
, you will receive a ResourceLimitExceededException
error.
Deregister directories that you are not using for ::Aws::WorkSpaces
, and
try again.
# File 'gems/aws-sdk-workspaces/lib/aws-sdk-workspaces/types.rb', line 2863
class RegisterWorkspaceDirectoryRequest < Struct.new( :directory_id, :subnet_ids, :enable_work_docs, :enable_self_service, :tenancy, : ) SENSITIVE = [] include Aws::Structure end
#enable_self_service ⇒ Boolean
(rw)
Indicates whether self-service capabilities are enabled or disabled.
# File 'gems/aws-sdk-workspaces/lib/aws-sdk-workspaces/types.rb', line 2863
class RegisterWorkspaceDirectoryRequest < Struct.new( :directory_id, :subnet_ids, :enable_work_docs, :enable_self_service, :tenancy, : ) SENSITIVE = [] include Aws::Structure end
#enable_work_docs ⇒ Boolean
(rw)
Indicates whether Amazon WorkDocs is enabled or disabled. If you
have enabled this parameter and ::Aws::WorkDocs
is not available in the
Region, you will receive an OperationNotSupportedException
error.
Set EnableWorkDocs
to disabled, and try again.
# File 'gems/aws-sdk-workspaces/lib/aws-sdk-workspaces/types.rb', line 2863
class RegisterWorkspaceDirectoryRequest < Struct.new( :directory_id, :subnet_ids, :enable_work_docs, :enable_self_service, :tenancy, : ) SENSITIVE = [] include Aws::Structure end
#subnet_ids ⇒ Array
<String
> (rw)
The identifiers of the subnets for your virtual private cloud (VPC).
Make sure that the subnets are in supported Availability Zones. The
subnets must also be in separate Availability Zones. If these
conditions are not met, you will receive an
OperationNotSupportedException
error.
# File 'gems/aws-sdk-workspaces/lib/aws-sdk-workspaces/types.rb', line 2863
class RegisterWorkspaceDirectoryRequest < Struct.new( :directory_id, :subnet_ids, :enable_work_docs, :enable_self_service, :tenancy, : ) SENSITIVE = [] include Aws::Structure end
#tags ⇒ Array
<Types::Tag> (rw)
The tags associated with the directory.
# File 'gems/aws-sdk-workspaces/lib/aws-sdk-workspaces/types.rb', line 2863
class RegisterWorkspaceDirectoryRequest < Struct.new( :directory_id, :subnet_ids, :enable_work_docs, :enable_self_service, :tenancy, : ) SENSITIVE = [] include Aws::Structure end
#tenancy ⇒ String
(rw)
Indicates whether your WorkSpace directory is dedicated or shared.
To use Bring Your Own License (BYOL) images, this value must be set
to DEDICATED
and your Amazon Web Services account must be enabled
for BYOL. If your account has not been enabled for BYOL, you will
receive an InvalidParameterValuesException
error. For more
information about BYOL images, see Bring Your Own Windows Desktop
Images.
# File 'gems/aws-sdk-workspaces/lib/aws-sdk-workspaces/types.rb', line 2863
class RegisterWorkspaceDirectoryRequest < Struct.new( :directory_id, :subnet_ids, :enable_work_docs, :enable_self_service, :tenancy, : ) SENSITIVE = [] include Aws::Structure end


| sass_cache_options {sass} | R Documentation |
Specifies whether caching is used with sass, and where on the file system the
cached data should be stored. Used with sass
.
sass_cache_options(cache = getOption("sass.cache", !interactive()), cache_dir = getOption("sass.cache_dir", tempdir()))
cache |
Logical value indicating whether caching is performed. If no
value is provided, the R option |
cache_dir |
The directory which will be used to store cache files. If no
value is provided, the R option |
If caching is enabled, sass()
will attempt to bypass the compilation
process by reusing output from previous sass()
calls that used
equivalent inputs. This mechanism works by using a hashing algorithm to
derive a cache key from each sass()
call's input
and
options
arguments. If a file named
CACHE_KEY.sasscache.css
exists within the cache directory, its
contents are used instead of performing the compilation. If the file does not
exist, then compilation is performed and usual and the results are stored at
that file path for next time.
If a file that is included using sass_file
changes on disk
(i.e. its last-modified time changes), its previous cache entries will
effectively be invalidated (not removed from disk, but they'll no longer be
matched). However, if a file imported using sass_file
itself imports
other sass files using @import
, changes to those files are invisible
to the cache and you will end up with stale results.
If a cache directory is explicitly specified (either via the cache_dir
argument or via the sass.cache_dir
R option), note that this package
does not do any cleanup of that directory. If disk space is a concern, you
will need to delete older entries from that directory yourself.
# Very slow to compile fib_sass <- "@function fib($x) { @if $x <= 1 { @return $x } @return fib($x - 2) + fib($x - 1); } body { width: fib(27); }" # Use a custom cache dir for the purposes of this example. Normally, # you'd want to set the caching behavior using options(). temp_cache_dir <- tempfile("sass_cache_dir") dir.create(temp_cache_dir) cache_opts <- sass_cache_options(TRUE, cache_dir = temp_cache_dir) # The first time this runs it will be very slow system.time(sass(fib_sass, cache_options = cache_opts)) # But on subsequent calls, it should be very fast system.time(sass(fib_sass, cache_options = cache_opts))


I am a student currently enrolled in a double major in Computer Science Engineering and Business Management at Charles III University of Madrid.
I am a technology and entrepreneurship enthusiast. Curious mind. Team-player.
Study Abroad. Boston, Massachusetts, USA
Study Abroad. College Park, Maryland, USA


Cookies Bakery
About Us
Menu
Contact us
We produce the Best Cookies in the Country
Fresh and Hot !
Made with LOVE
Order and pick up. Easy as that.
Order Now
We Convert Salmon into Cookies !
Visit our Sales website and enjoy link is in find locactions.
Sign in
Find a store
Rewards


Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 6
Add some zest to chicken with a citrus crust. Pair with crispy potato latkes for a tasty evening meal.
For the citrus-crusted chicken breasts, place the lime zest, black pepper, garlic, sea salt and thyme into a mortar and pound to a paste with a pestle. Add four tablespoons of the olive oil and all of the lime juice. Mix well and set aside.
Heat the remaining two tablespoons of olive oil in a frying pan over a medium heat. Add the chopped bacon and fry until the fat is released.
Add the chicken breasts and fry for 2-3 minutes on each side, or until browned on both sides. (When the chicken has browned, discard the cooked bacon or reserve it for another recipe. In this recipe it is only used as cooking fat, for flavour.)
Transfer the browned chicken breasts to a roasting tray, skin-side up, then brush each all over with the citrus paste.
Roast the chicken breasts in the oven for 18-20 minutes, basting frequently with the cooking juices and any remaining citrus paste, until cooked through. (NB: The chicken is cooked through when the juices run clear when the chicken breasts are pierced in the thickest part with a skewer.)
Remove the citrus-crusted chicken breasts from the oven and set aside to rest for 10 minutes before serving.
Meanwhile, for the potato latkes, grate the potatoes and onions into a clean tea towel. Gather up the edges of the tea towel, then squeeze any excess moisture from the potatoes and onions.
Place the potato and onion mixture into a bowl and add the beaten eggs, salt and freshly ground black pepper. Mix well.
Heat the vegetable oil in a frying pan over a medium heat. Place a large spoonful of the potato and onion mixture into the pan and spread it out into a round approximately 6cm/2.5in in diameter. Cook for 4-5 minutes on each side, or until golden-brown and crisp all over.
To serve, place one citrus-crusted chicken breast onto each of six serving plates and spoon the potato latkes alongside. Serve with a lightly dressed green salad.


Categories
Categories are used to group either references or resources together as they apply to similar concepts.


Command: apply
The stein apply
command is used to execute a policy locally for development purposes.
Usage: stein apply [options] POLICY
This command executes the policy file at the path specified by POLICY.
The output will indicate whether the policy passed or failed. The exit code also reflects the status of the policy: 0 is pass, 1 is fail, 2 is undefined (fail, but because the result was undefined), and 2 is a runtime error.
A configuration file can be specified with -policy
to define available import plugins, mock data, and global values. This is used to simulate a policy embedded within an application. The documentation for this configuration file is below.
The command-line flags are all optional. The list of available flags are:
-policy=file[,file,dir,...]
- Path to HCL file path or a directory path located in HCL files. You can specify multiple paths (directory or just HCL file) with a comma. TheSTEIN_POLICY
variable is the environment variable version of this flag.
See also How policies are loaded by Stein.


Welcome to Jekyll!
April 2021
You’ll find this post in your _posts
directory. Go ahead and edit it and re-build the site to see your changes. You can rebuild the site in many different ways, but the most common way is to run jekyll serve
, which launches a web server and auto-regenerates your site when a file is updated.
Jekyll requires blog post files to be named according to the following format:
YEAR-MONTH-DAY-title.MARKUP
Where YEAR
is a four-digit number, MONTH
and DAY
are both two-digit numbers, and MARKUP
is the file extension representing the format used in the file. After that, include the necessary front matter. Take a look at the source for this post to get an idea about how it works.
Jekyll also offers powerful support for code snippets:
Check out the Jekyll docs for more info on how to get the most out of Jekyll. File all bugs/feature requests at Jekyll’s GitHub repo. If you have questions, you can ask them on Jekyll Talk.


QVCS Enterprise Tutorial: Client Application Basics
Checking Out a Revision from the Archive
In this step, you'll check out a revision from one of the QVCS archive files you've created. A check-out operation is roughly equivalent to a get, which retrieves the latest revision from the archive into the associated work file, followed by a lock, which enables you sole access to a revision. Checking out a file will retrieve a revision, restrict access to it, and also change the file's read-write attribute so that you can edit it.
To perform a quick check-out, you can simply click the Check Out File toolbar button. Doing so will automatically check out the most recent revision in a file's archive, without bringing up a dialog. If you want to check out any other revision, you can select Check Out... either from the File menu or the context menu that appears when you right click on a file.
Since each of your files only has one revision, go ahead and check one of them out using the Check Out File toolbar button. You'll notice that the file list pane will change to show a lock icon next to the file, your username under the "Locked By" column, and the location of the work file associated with the archive.
Now that you've checked out a revision from the archive, you'll be able to make changes to the work file. Note that toggling the read-write attribute with check-outs and check-ins is a behavior defined by the "Protect Workfile" attribute within QVCS. This is an attribute which can be turned on or off for each file. Typically it's helpful to leave it on, as a write-protected file status serves as a reminder that you've yet to check out the file you want to work on.
Using Keywords within a Text File
While you have a file checked out, let's take the opportunity to explore the utility of keywords. Keywords only work well in some binary files, so be sure you're working with a text file.
A keyword is a string that you can embed in a controlled file to keep track of version control information within the file itself. Enterprise can recognize these strings and translate them into meaningful information when you perform certain QVCS operations.
In order to use keywords in a file, you'll first have to enable the associated QVCS attribute. To do this, right click on the file you checked out and select Set Attributes... from the context menu. This will bring up the following dialog:
Each QVCS archive file is initialized with a default set of attributes that dictate how Enterprise should treat the file when performing certain actions. For now, just enable the "Expand Keywords" checkbox and click OK. Enterprise will now expand any keywords present in the work file whenever you check it out, and contract them when it stores a revision.
Next, open the file in your preferred editor. Enterprise supports over ten different keywords, but let's just choose a few to test with. At the beginning of your text file, insert the following four lines:
$Copyright$
$Date$
$Project$
$Log3$
Because you've turned on keyword expansion, when next you check in a revision, Enterprise will automatically edit the work file to expand these into meaningful information-- specifically, a copyright message, the edit date of the latest revision, the name of the project it belongs to, and the revision information for the past three revisions.
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|


{{ info_message }}
Please, rate this artifact. Is it novel? Is it beautiful? - Star only if exceptional!


ANASTASIA contains something that has been lacking from all of the recent Disney releases... (especially Hercules)... emotion.
All the wacky characters voiced by celebrities and fantastically animated adventure sequences aren't going to hold anyone's interest unless there is an emotional core to hold it all together. Not since Disney's Beauty & the Beast has there been such a compelling animated film with interesting characters and drama that works.
The story of the Romanov family, the rulers of Russia, and their downfall begins the film. Anastasia, one of the daughters, narrowly escapes the mad monk Rasputin (Voiced by Christopher Lloyd) with her Grandmother (voiced by Angela Landsbury). But Anastasia gets lost, and grows up with no memory of her royal origins. The Grandmother lives in Paris, hoping to someday find her beloved Anastasia, the only member of the family to survive the Russian Revolution.
A young woman named Anya (Voiced by Meg Ryan) runs across Dimitri (John Cusack) and Vlad (Kelsey Grammar), who are trying to put together a scheme to create an Anastasia to fool the Grandmother and get the reward money. They pick Anya to pose as their princes, and of course, it is soon revealed that Anya is in fact the lost Anastasia. Dimitri realizes that he can never win her love as he is a commoner, and meanwhile, Rasputin is NOT dead, and plots his revenge against the last Romanov.
The plot is actually quite well structured. There are a lot of complexities that may have to be explained to the kids later, but it moves along fast enough that they'll never have time to be bored. What this really means is that the adults won't be bored by it either. There is a great deal of banter between Anya and Dimitri that is very funny, and their relationship develops quite naturally as the film progresses.
There is, of course, lots of comedy for the kids, including Rasputin's pet bat, Bartok (Hank Azaria), who is easily the funniest thing in the film. However, the comical scenes never distract from the drama, but are worked into the plot almost seamlessly.
The animation is gorgeous - the characters seem to come to life through the talented animators. Not since Beauty & The Beast have animated characters had so much life to them. Even without the voices, they act. The musical number in Paris is a show-stopper, with some of the backgrounds rendered in an impressionist painting style.
As with all recent animated features, there are songs, however, these songs do more than just provide fodder for top-40 singers to get on the radio (although there are three of them during the end credits). The songs are all very catchy, and advance the plot, instead of just being showpieces (except for the Paris number, but that's so much fun, it's okay...).
I can't reccomend ANASTASIA highly enough. It's a wonderful film that ranks right up there with other animated classics. Kids and adults alike will enjoy it, and it's also nice to have a quality animated feature film from another studio besides Disney.
***** (out of 5)
- Chris
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GETBUILDLOG(1) GETBUILDLOG(1) NAME getbuildlog - download build logs from Debian auto-builders SYNOPSIS getbuildlog package [version-pattern] [architecture-pattern] DESCRIPTION getbuildlog downloads build logs of package from Debian auto-builders. It downloads build logs of all versions and for all architectures if ver‐ sion-pattern and architecture-pattern are not specified or empty, other‐ wise only build logs whose versions match version-pattern and build logs whose architectures match architecture-pattern will be downloaded. The version and architecture patterns are interpreted as extended regular expressions as described in grep(1). If version-pattern is "last" then only the logs for the most recent ver‐ sion of package found on buildd.debian.org will be downloaded. If version-pattern is "last-all" then the logs for the most recent ver‐ sion found on each build log index will be downloaded. OPTIONS -h, --help Show usage information and examples. -V, --version Show version and copyright information. EXAMPLES getbuildlog hello 2\.2-1 amd64 Download amd64 build log for hello version 2.2-1. getbuildlog glibc "" mips.* Download mips(el) build logs of all glibc versions. getbuildlog wesnoth .*bpo.* Download all build logs of backported wesnoth versions. AUTHOR Written by Frank S. Thomas<EMAIL_ADDRESS>DEBIAN Debian Utilities GETBUILDLOG(1)


{% extends "base.html" %} {% load staticfiles %} {% block title %} Bottle Builder | About Bottle Builder {% endblock %} {% block content %}
In a bottle building, the walls are made by filling plastic bottles with sand, dirt or some other fill. These "bottle bricks" are then laid down in rows, with a layer of cement in between each row and column of bottles.
Not only are bottle buildings a great use of plastic bottles, they are very durable. I cannot confirm this, but according to various sources, these structures are: bulletproof, earthquake resistant, fireproof, and temperature retaining.
There are several ways to build a bottle building. If you want to find instructions, inspiration or just more information, check out these search results.
Bottle Builder is a tool to provide a theoretical estimate of the resources that one would need to create a bottle building. The user provides the resource information (bottle type/dimensions, fill information, foundation depth, building information, etc.) and Bottle Builder estimates the number of bottles, the amount of fill and the amount of cement needed for this building.
Bottle Builder is NOT: a tool to calculate structural integrity, a tool for determining the building codes in a user's location, nor is it a tool to give a 100% accurate calculation of necessary resources.
You don't need to build a whole house to take advantage of this cool sustainable building technique!
Some possible structures you can build: doggie homes, greenhouses, sheds, or cool art sculptures. Check out these image search results for "bottle structures"!


When doing association analysis one does not always have the genotypes for the control population. In such cases it may be necessary to fall back on frequency based tests using well known sources for the frequencies in the control population, for instance, from the 1000 Genomes Project. The Allele Frequency Comparison ('AssocAFC') package performs multiple rare variant association analyses in both population and family-based GWAS (Genome-Wide Association Study) designs. It includes three score tests that are based on the difference of the sum of allele frequencies between cases and controls. Two of these tests, Wcorrected() and Wqls(), are collapsing-based tests and suffer from having protective and risk variants. The third test, afcSKAT(), is a score test that overcomes the mix of SNP (Single-Nucleotide Polymorphism) effect directions. For more details see Saad M and Wijsman EM (2017) <doi:10.1093/bib/bbx107>.
| Version: | 1.0.2 |
| Depends: | R (≥ 3.2.0) |
| Imports: | CompQuadForm |
| Published: | 2018-05-05 |
| Author: | Khalid B. Kunji [aut, cre], Mohamad Saad [aut] |
| Maintainer: | Khalid B. Kunji <kkunji at hbku.edu.qa> |
| License: | GPL (≥ 3) |
| URL: | https://www.r-project.org, https://doi.org/10.1093/bib/bbx107 |
| NeedsCompilation: | no |
| CRAN checks: | AssocAFC results |
| Reference manual: | AssocAFC.pdf |
| Package source: | AssocAFC_1.0.2.tar.gz |
| Windows binaries: | r-devel: AssocAFC_1.0.2.zip, r-release: AssocAFC_1.0.2.zip, r-oldrel: AssocAFC_1.0.2.zip |
| OS X binaries: | r-release: AssocAFC_1.0.2.tgz, r-oldrel: AssocAFC_1.0.2.tgz |
| Old sources: | AssocAFC archive |
Please use the canonical form https://CRAN.R-project.org/package=AssocAFC to link to this page.


On this page, you will find a link to my Github profile, where you can explore through all of the repositories/projects I have either completed or are a work-in-process. Additionally, you will find the details of my MSc project and links to all of the websites that I have created to this point.


Tests:
Line Chart
Stacked Area
Cumulative Line
Scatter
Animated chart showing the change in population and the US national debt from 1900-2014
Start/Stop Stream


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