Git(hub) Cheat Sheet
I am posting my github cheat sheet here. I started writing it as soon as I started learning Github and Git. So, some of the content here can appear quite naive. I will try to keep this blog post as updated as I can, and if you find any suggestion, please comment!
This post is just for a reference of commands. This post will be a bad way to learn how git works. A basic understanding of git is assumed.
##Initial configuration Configure user details only for the first time
git config --global user.name "Rushi Agrawal"
git config --global user.email<EMAIL_ADDRESS>To check your git configuration
git config --list
##Branches List all branches in the local repo
git branch
List all branches including remote-tracking branches
git branch -r
List all branches (including the ones at remote)
git branch -a
Creating your own branch my_branch
, with content same as your current branch
git branch my_branch
Switch to the newly created branch
git checkout my_branch
Execute the above two commands in one line:
git checkout -b my_branch
to pull a branch only_remote
which exists at github (at remote rushiagr
but not in local repo. (More about git remote update
later)
git remote update
git checkout -b only_remote rushiagr/only_remote
Remotes
Create a new remote rushiagr
which will track cinder
repository by user rushiagr
git remote add rushiagr https://github.com/rushiagr/cinder.git
If this is your personal repo, you can append the username in the remote as shown. After that, every time you push to the origin, github will not ask for your username but only password.
git remote add rushiagr<EMAIL_ADDRESS>Delete the remote rushiagr
git remote rm rushiagr
List all the remotes
git remote
The above command only shows the names of remotes. To also check the links to the remotes:
git remote -v
Now this is very important command.
git remote update
This will contact the git server, and will update the local repository with ALL the content at ALL those remotes. The interesting part is, nothing will actually change. That is, no more new branches (which got created at the server after you last pulled from the server) were created, and the existing branches are also not updated. BUT, all the content goes into the magic .git
directory. After you've run this command, when you create a branch only existing at remote, the local git repo will not contact the server but will fetch all the contents from within the repository.
To take a new branch from remote, and create a new branch having contents of that remote branch. (You might need to run ‘git remote update’)
git checkout -b stable/folsom origin/stable/folsom
Push
Pushing this newly created branch to remote rushiagr
git push rushiagr my_branch
If you want to push the local branch my_branch
with a different name to
remote, say my_remote_branch
:
git push rushiagr my_branch:my_remote_branch
To create an association with the remote (only first time):
git push -u origin my_branch
or
git push --set-upstream origin my_branch
Pull
Git pull is nothing more than a macro that does git fetch and git merge, in
that order. The common syntax to pull from branch remote_branch
located at remote remote_name
to the current active branch in the local repo:
git pull remote_name remote_branch
Oops! I didn't intend to do that!
####To undo last commit. This will just undo the commit, but will keep changes, so that you can modify the files and commit again
git reset --soft HEAD^
####To not keep the uncommitted changes.
This command will wipe off all the changes which are not committed. Very useful when you made some changes but dont want to commit it. All the more useful when you pull
ed something but everything became a mess (possibly due to a merge conflict, or pulling to/from a different branch!)
git reset --hard
####To delete a branch timepass_testing
from github server
git push rushiagr --delete timepass_testing
(NOT git push rushiagr --delete rushiagr/timepass_testing
)
####Change author of the last commit
git commit --amend --author="Rushi Agrawal<EMAIL_ADDRESS>You committed some changes, but then you realised you wanted to add this one line to the commit. In such a case just add that one line, and run this command to have this last change incorporated into that previous commit. This command also gives you an option to change the commit message.
git commit -a --amend
Show me the money
To see the patch of the last commit without undoing the last commit
git show
To see the changes introduced by any earlier commit with commit id c5bb6d821e10ca8f114fa0b3b0149bc8b7257a92
git show c5bb6d821e10ca8f114fa0b3b0149bc8b7257a92
To see the latest changes you made – the changes which have not been staged to be committed
git diff
You can redirect the output from the above three commands to a file, to create corresponding patch file.
Patching in git
Check the status of patch. How many lines changed, etc
git apply --stat patchfile
Check if the patch can be applied. If no output or no error, patch can be applied safely
git apply --check patchfile
Apply patch with signing-off (better way)
git am --signoff < patchfile
Normal way of applying patch
git apply patchfile
##Miscellaneous
To pull only specific files from another branch: (here, assuming that we have two branches, ‘test’, and ‘master’, and currently we are on ‘master’ branch.


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[...] four activities (naming, framing, moving and reflecting) and their relations: the ‘mechanism of reflective practice’. The designers start by naming the relevant issues in the design situation, framing [...] making moves towards a solution, and reflecting on those moves and the current frame. (p.254)
Naming
Framing
Moving
Reflecting (replacing evaluating)
#CT
explicit reflection that guides the development of one’s knowing-in- action habits. This he calls reflection-in-action.
#CT
Schon’s theory is based on a constructionism
#CT
Schon’s theory is based on a constructionist view of human perception and thought processes: through the execution of 'move-testing experiments' (involving action and reflection), a designer is actively constructing a view of the world based on his/her experiences.
#CT
Donald Schon’s theory is often called ‘reflective practice’, it is concerned with more than just reflection. Four different kinds of design actions exist, and we are interested in the occurrence of all [...] in the flow of how they are used by the designers.
#CT #metho
Mon intention est de synthétiser ce que j'ai "picturé" auj pendant ma marche. Je dois faire 2 pages qui contiennent le cadre théorique.
Schon critique le paradigme de la rationalité-technique en expliquant ses limites au niveau des méthodologies positivistes et leurs restrictions généralisantes à propos du design.
[...] design methodologists [...] restrict themselves to terms of generalities about design processes.
(Valkenburg & Dorst, 1998, p. 251-252)
#intention #CT
[...] the kernel of the design ability is to make intelligent decisions about those actions.
#CT #goal
[...] look at the occurrence of the four activities and to see whether we are able to distinguish them
[..] term, ‘evaluating’, is confusing, because it is generally used when evaluating the content of a design [...] To avoid this confusion [...] we will use the term reflecting.
#term
[...] to improve design theory and education systematically we need to make a transition from this pure description to prescription. We need to further analyze and discuss the general patterns that occur in the described teams.
#discu
new description method, based on Schon’s theory of reflective practice
#results
This method was tested by applying it in the description of the activities of two design teams. The description method proves to be very useful, in that it allows a concise description of a design project in which the elements vital to the understanding of the design progress are conserved
in-depth analysis of team design behaviour.
ves
Il y a reconnaissance du but que se fixent les designers par l'observation des quatre types d'activité.
[...] to recognise the four different activities we have to look at what the team is doing and which goals they have in mind.
ve
[...] implicit knowledge cannot be described within the prevalent methodological paradigm of technical rationality.
implicit ‘knowing-in-action’ is difficult to describe
[...] little of the research methods currently used in design methodology is suited for our purposes. The complexity of design has always made it difficult to study real life design activity, and none of the existing research methods to observe and describe designing provides us with data that is rich enough, in that it spans both the design process and relevant aspects of the design context.
[...] by introducing several designers we also introduce the difficulties of team designing.
[...]
These lie in synchronising the thoughts and activities of the team members.
[...] lead to misunderstanding and uncoordinated actions.
(p.249)
Comparing the obtained descriptions of these two teams designing reveals different patterns of behaviour
s
Le contexte pour de nouvelle action est identifié comme un élément essentiel.
[...] we noticed that the essence was the ‘context for further activities’.
This addition to the structure of our description method shows the overview of the subjects the teams attend to and gives some added insight in the teams’ strategies for approaching the design task.
This way of describing team activities provides a good framework for dis- cussion on team designing. In education it can be very useful to either illustrate design professionals-in-action or to confront design teams with their own practice.


What kind of change does this PR introduce? (check at least one)
Does this PR introduce a breaking change? (check one)
If yes, please describe the impact and migration path for existing applications:
The PR fulfills these requirements:
dev
branch for v2.x (or to a previous version branch), not the master
branchfix #xxx[,#xxx]
, where “xxx” is the issue number)If adding a new feature, the PR’s description includes: - [ ] A convincing reason for adding this feature (to avoid wasting your time, it’s best to open a suggestion issue first and wait for approval before working on it)
Other information:


Class a.state
Class defined in:..\framework\appstorm\plugin\state.js:73
Managing state threw this interface
Examples: here
__arrayConverter
( value
) /* private method */
..\framework\appstorm\plugin\state.js:99
Convert anything into an array, used to convert CSS/JS, HTML, ... file listing
Parameters:-
value
<Mixed>A value to convert
A value converted, or dropped if it was not possible to convert
__currentGeneratedId
(
) /* private method */
..\framework\appstorm\plugin\state.js:845
INTERNAL USE ONLY Get the unique id currently used
The current id
__extractUniqueId
( list, tester
) /* private method */
..\framework\appstorm\plugin\state.js:134
From a given list, keep only item appearing only once
Parameters:-
list
<Array>A list of state to select
-
tester
<Function | null>An extra function to use for adding selection over existing selection
The extracted array of unique id
__getByLevel
( list
) /* private method */
..\framework\appstorm\plugin\state.js:168
From a given list, we search for maximum level (deeper child)
Parameters:-
list
<Array>The list to find
The system sorted by level
__getError
( state, status
) /* private method */
..\framework\appstorm\plugin\state.js:858
INTERNAL USE ONLY Get the error associated to a given status error and state
Parameters:-
state
<Object>The state related
-
status
<Integer>The status error code to retrieve
Any revelant data...
__getExternalDelete
( hash
) /* private method */
..\framework\appstorm\plugin\state.js:190
From a given hash, select items which should be deleted (can't stay on this hash), and parent of course
Parameters:-
hash
<String>The hashtag to search and register as delete
An array of id to validate for delete
__getTreeConverterError
( item
) /* private method */
..\framework\appstorm\plugin\state.js:349
Filter an element to extract data, it is directly used by system (does not return any function)
Parameters:-
item
<Object>Should be a state
The id found
__getTreeConverterId
( item
) /* private method */
..\framework\appstorm\plugin\state.js:336
Filter an element to extract data, it is directly used by system (does not return any function)
Parameters:-
item
<Object>Should be a state
The id found
__getTreeFiller
( item
) /* private method */
..\framework\appstorm\plugin\state.js:323
This function try to find children for a given object, it is directly used by system (does not return any function)
Parameters:-
item
<Object>Should be a state
An item list, or empty list if nothing if found
__getTreeHashAndIdTester
( hash, idList
) /* private method */
..\framework\appstorm\plugin\state.js:301
Allow to select item regarding both hashtag, or exist as id
Parameters:-
hash
<String>The hashtag to check
-
idList
<Array>The id list to check
The function ready to use inside tree helper
__getTreeHashTester
( hash
) /* private method */
..\framework\appstorm\plugin\state.js:240
From a given hash, generate a function which select an item (or not) regarding it's hash code (including template system)
Parameters:-
hash
<String>Any hashtag to search
The function ready to use inside tree helper
__getTreeIdTester
( id
) /* private method */
..\framework\appstorm\plugin\state.js:278
From a given id, generate a function which select an item (or not) regarding it's id
Parameters:-
id
<String | Integer | Array>Any id to search
The function ready to use inside tree helper
__proceed
( data
) /* private method */
..\framework\appstorm\plugin\state.js:367
Main process function
Parameters:-
data
<Object>Object from hash event, contains value (current hash) and old (previous hash)
__rnd
(
) /* private method */
..\framework\appstorm\plugin\state.js:117
Generate a unique id
A unique id, different from previous one
add
( ctrl, callback
)
..\framework\appstorm\plugin\state.js:501
Register a state
Parameters:-
ctrl
<Object>A state (see create function from a.state) to register
-
callback
<Function | null>A callback to call after add, ONLY if loadOnStartup is defined
The control id setted, or a null value if we could not add state
forceReloadById
( id, callback
)
..\framework\appstorm\plugin\state.js:755
Ask to reload an id, and all children
Parameters:-
id
<String | Integer>The id to force reload
-
callback
<Function | null>callback function after unloading and loading ends
getById
( id
)
..\framework\appstorm\plugin\state.js:638
Get an element regarding it's id
Parameters:-
id
<String | Integer>The id to find in list
The result content
hashExists
( hash
)
..\framework\appstorm\plugin\state.js:828
Test a given hash got at least one children using it
Parameters:-
hash
<String>The hashtag to search
True the hash is defined and does exist, false in other case
loadById
( id, hashtagList, callback
)
..\framework\appstorm\plugin\state.js:672
From a given id, load a state without modify hashtag, and allow controller to stay alive on specific hashtag given
Parameters:-
id
<String | Integer>The controller id to load
-
hashtagList
<Array | null>The hastag to let it stay alive
-
callback
<Function | null>callback function after loading ends
removeById
( id
)
..\framework\appstorm\plugin\state.js:650
Remove an element regarding it's id
Parameters:-
id
<String | Integer>The id to find in list
tree
(
)
..\framework\appstorm\plugin\state.js:490
Get a copy of current tree stored into system
A clone of current stored object
unloadById
( id, callback
)
..\framework\appstorm\plugin\state.js:724
From a given id, unload from this id, including all children NOTE : only item created with loadById can be deleted using this function
Parameters:-
id
<String | Integer>The controller to unload
-
callback
<Function | null>callback function after unloading ends


If These Trees Could Talk
Post-Rock
Tom
Fihe
Jeff
Kalal
Cody
Kelly
Mike
Socrates
Zack
Kelly
Albums:
If These Trees Could Talk
Above the Earth, Below the Sky
Justin Bergh
Pop-Rock
Out of My Hands
Lateralus
Tool
Progressive Metal
Danny
Carey
Justin
Chancellor
Maynard James
Keenan
Adam
Jones
Undertow
Aenima
Lateralus
10,000 Days
Zebra and Giraffe
Electronic
Greg
Carlin
Alan
Shenton
Andrew
Maskell
Rob
Davidson
Darren
Leader
Collected Memories
Ben Folds
Power Pop
Rockin' the Suburbs
Speed Graphic
Sunny 16
Super D
Songs for Goldfish
Songs for Silverman
Way to Normal
Harris Tweed
Folk Pop
Cherylin
Macneil
Darryl
Torr
The Younger
Billy Talent
Punk Rock
Benjamin
Kowalewicz
Ian
D'Sa
Jonathan
Gallant
Aaron
Solowoniuk
Watoosh!
Billy Talent
Billy Talent II


OpenID Connect Server
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username
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Open a DICOM file that you want to view
This example illustrates how to use the cornerstoneFileImageLoader to read a DICOM P10 SOP instance from the file system and display it in your web browser using cornerstone. Not all transfer syntaxes are currently supported, click here for the full list


A Sprinkler System that Saves Water
A healthy, beautiful garden needs just the right amount of water to thrive. Hydrawise automatically adjusts watering based on highly accurate, internet-sourced local weather data. The system looks at the forecast and past history to ensure that just the right amount of irrigation is applied. This is accomplished via advanced Predictive Watering™, which fine-tunes watering based on the weather data. This leads to significant water savings from your sprinkler system, saving you both time and money.
Hydrawise uses only the most accurate weather stations available. With this flexible web-based weather system, you can even add your own weather stations or use free professionally maintained weather stations.
Sit back and relax. With Hydrawise, everything you need is in the palm of your hand. Remote access allows you to view, manage, and monitor your irrigation controller from your phone, tablet, or computer at your convenience.
Take the mystery out of your sprinkler timer. With Hydrawise reporting, you can see how much water you’ve used and how much water you’ve saved.
Monitor your water use and the state of your piping system with the optional flow meter. Receive automatic alerts when a pipe is broken or leak has occurred before it becomes a problem.
Combined with Hydrawise, you can detect valve solenoid and wiring issues and know that your system runs properly.
Adding a professional contractor takes the guesswork out of managing your irrigation system. With Hydrawise, both you and your contractor instantly receive flow and electrical system monitoring alerts. That way, you're notified immediately in the event of a problem, and you can rest assured that your outdoor living space remains protected.
Every Irrigation System Eventually Has Problems
There are many things that can go wrong with an irrigation system, such as high voltage electrical, low voltage electrical, copper pipe, PVC pipe, poly pipe, computerized programming problems, roots growing through pipes, etc.
Here at E. Michigan Irrigation & Lighting, we are dedicated to assist any and all of your lawn irrigation needs. Whether it be a line leak, valve issue, or a repair on a sprinkler head, we take pride in the work that we do. Our certified professionals are always there for your questions and concerns, and won't hesitate to assist you in any additional problems that may arise.
Would you like to enjoy the holidays more by taking the hassle out of designing, setting up and eventually putting away your holiday lighting? Would you like your home to be the best decorated home on your block?
E. Michigan Irrigation & Lighting offers professional Holiday light installation. We take care of everything – from design to installation, take down and storage; and we do it all while providing WORLD CLASS SERVICE with a smile!
Our Services Include:


This page shows automated results of the Quadrantids 2012, based on visual observations reported by citizen scientists through the report form of the International Meteor Organization (IMO). The information on this page is generated automatically; for scientific use please refer to manual analyses published in scientific journals (such as WGN). Send your feedback regarding this page to Geert Barentsen.
Page contents:
Note that the data will finally go into the Visual Meteor Database (VMDB) with manual inspection and rectifications. We are curretly completing the files of 2008-2011. The VMDB is an enormous project - any help will be greatly appreciated.
Page generated: 2012 February 17 at 14:09 UTC.
The graph below shows the ZHR (Zenithal Hourly Rate), which is the number of meteors an observer would see under a very dark sky with the radiant of the shower in zenith.
ZHRmax = 83 based on 2033 Quadrantids reported in 349 intervals, assuming population index r = 2.1
| Time (UTC) | Solarlon | nINT | nQUA | ZHR | Particle density | |
|---|---|---|---|---|---|---|
| 2012-01-02 03:30 | 280.959 | 1 | 1 | 10 | ±7 | 17 / 109·km3 |
| 2012-01-03 03:42 | 281.987 | 7 | 24 | 6 | ±1 | 10 / 109·km3 |
| 2012-01-03 16:34 | 282.533 | 8 | 23 | 26 | ±5 | 44 / 109·km3 |
| 2012-01-03 20:42 | 282.708 | 8 | 20 | 27 | ±6 | 46 / 109·km3 |
| 2012-01-03 21:55 | 282.760 | 4 | 20 | 49 | ±11 | 84 / 109·km3 |
| 2012-01-03 23:19 | 282.820 | 19 | 32 | 46 | ±8 | 78 / 109·km3 |
| 2012-01-04 00:21 | 282.864 | 34 | 94 | 48 | ±5 | 82 / 109·km3 |
| 2012-01-04 01:14 | 282.901 | 34 | 109 | 39 | ±4 | 66 / 109·km3 |
| 2012-01-04 02:20 | 282.948 | 44 | 262 | 45 | ±3 | 77 / 109·km3 |
| 2012-01-04 03:17 | 282.988 | 47 | 299 | 55 | ±3 | 94 / 109·km3 |
| 2012-01-04 04:16 | 283.030 | 37 | 334 | 63 | ±3 | 107 / 109·km3 |
| 2012-01-04 05:18 | 283.074 | 30 | 239 | 82 | ±5 | 140 / 109·km3 |
| 2012-01-04 06:08 | 283.109 | 7 | 74 | 80 | ±9 | 136 / 109·km3 |
| 2012-01-04 07:42 | 283.175 | 4 | 29 | 54 | ±10 | 92 / 109·km3 |
| 2012-01-04 08:41 | 283.217 | 11 | 81 | 80 | ±9 | 136 / 109·km3 |
| 2012-01-04 09:26 | 283.249 | 8 | 75 | 64 | ±7 | 109 / 109·km3 |
| 2012-01-04 10:32 | 283.296 | 8 | 46 | 56 | ±8 | 95 / 109·km3 |
| 2012-01-04 11:35 | 283.341 | 7 | 56 | 48 | ±6 | 82 / 109·km3 |
| 2012-01-04 12:43 | 283.388 | 9 | 71 | 51 | ±6 | 87 / 109·km3 |
| 2012-01-04 13:37 | 283.427 | 4 | 45 | 58 | ±9 | 99 / 109·km3 |
| 2012-01-04 17:12 | 283.579 | 4 | 20 | 78 | ±17 | 133 / 109·km3 |
| 2012-01-04 18:12 | 283.621 | 4 | 24 | 83 | ±17 | 141 / 109·km3 |
| 2012-01-04 19:14 | 283.665 | 4 | 22 | 62 | ±13 | 106 / 109·km3 |
| 2012-01-04 20:07 | 283.703 | 3 | 21 | 70 | ±15 | 119 / 109·km3 |
| 2012-01-05 03:13 | 284.004 | 3 | 12 | 29 | ±8 | 49 / 109·km3 |
The reported intervals are automatically added together into the bins shown above, based on the number of meteors and the distribution of the intervals. For each bin, the following parameters are computed:
Data has been received from 63 observers in 24 countries. Thank you for your efforts!
Note: click on the map for an interactive version.
| Observer | Country | Teff | nQUA |
|---|---|---|---|
| Ioan Agavriloaiei | Romania | 2.48h | 49 |
| Karl Antier | France | 1.00h | 50 |
| Rainer Arlt | Germany | 1.27h | 37 |
| Fodor Balázs | Hungary | 0.51h | 4 |
| Leonardo Barbosa | Brazil | 1.13h | 6 |
| Steve Berte | United States | 1.42h | 28 |
| Jean-marie Biets | Belgium | 1.25h | 9 |
| Zsofia Biro | Hungary | 6.50h | 107 |
| Jens Briesemeister | Germany | 1.50h | 25 |
| Steven Brown | United Kingdom | 1.00h | 13 |
| Apostolos Christou | United Kingdom | 1.33h | 19 |
| Daniel Cosovanu | Romania | 1.02h | 27 |
| Ilie Cosovanu | Romania | 1.02h | 21 |
| Mark Davis | United States | 1.96h | 19 |
| Peter Detterline | United States | 2.95h | 37 |
| Sietse Dijkstra | Netherlands | 0.83h | 7 |
| Todor Dimitrov | Bulgaria | 2.48h | 13 |
| Motahareh Ebrahimi | Iran | 0.69h | 15 |
| Shlomi Eini | Israel | 2.00h | 36 |
| Richard Fleet | United Kingdom | 2.72h | 69 |
| William Godley | United States | 2.42h | 13 |
| Shy Halatzi | Israel | 2.39h | 40 |
| Oliver Hanke | Germany | 1.33h | 14 |
| Carl Hergenrother | United States | 0.63h | 16 |
| Jane Houston Jones | United States | 3.35h | 16 |
| Chengyun Huang | China | 2.5h | 3 |
| Gregory Jones | United States | 1.00h | 18 |
| Karoly Jonas | Hungary | 6.75h | 74 |
| Mayura Karandikar | India | 1.49h | 27 |
| Masoume Kazemi | Iran | 0.69h | 12 |
| André Knöfel | Germany | 4.92h | 22 |
| Katsuyuki Kobayashi | Japan | 0.50h | 0 |
| Richard Kramer | United States | 0.48h | 5 |
| Anna Levin | Israel | 2.97h | 47 |
| Junyi Li | China | 1.00h | 2 |
| Alexandr Maidik | Ukraine | 1.00h | 1 |
| Qiang Ma | China | 2.00h | 25 |
| Pierre Martin | Canada | 3.66h | 121 |
| Alastair Mcbeath | United Kingdom | 4.37h | 97 |
| Artyom Novichonok | Russia | 0.79h | 5 |
| Francisco Ocaña González | Spain | 1.85h | 94 |
| Ella Ratz | Israel | 2.33h | 35 |
| Clara Ricken | Germany | 1.22h | 23 |
| Miguel Rojas | Costa Rica | 0.32h | 3 |
| Miguel Rojas | Costa Rica | 0.31h | 8 |
| Raloca Rufu | Israel | 3.60h | 55 |
| Mikiya Sato | Japan | 0.50h | 1 |
| Christian Schmiel | Germany | 0.97h | 23 |
| Kai Schultze | Germany | 2.32h | 32 |
| Hideki Seo | Japan | 0.50h | 5 |
| Florin Stancu | Romania | 4.30h | 155 |
| Wesley Stone | United States | 2.89h | 124 |
| Richard Taibi | United States | 0.65h | 9 |
| Csilla Tepliczky | Hungary | 1.06h | 2 |
| Istvan Tepliczky | Hungary | 1.00h | 16 |
| Kazumi Terakubo | Japan | 1.00h | 5 |
| Rushikesh Tilak | India | 2.28h | 14 |
| Jurgen Rendtel | Germany | 5.08h | 74 |
| Jakub Koukal | Czech Republic | 10.25h | 54 |
| Branislav Savic | Serbia | 1.58h | 51 |
| Michel Vandeputte | Belgium | 4.77h | 58 |
| Shigeo Uchiyama | Japan | 5.13h | 91 |
| Peter Van Leuteren | Netherlands | 1.25h | 19 |
| Spandan Waghmare | India | 1.50h | 10 |
| Oliver Wusk | Germany | 1.67h | 15 |
Create your own analysis. The files below can be opened using Excel:
qua2012_rate.csv (number of meteors per interval per observer)
qua2012_magn.csv (number of meteors per magnitude bin per observer)
The information on this page may be distributed freely provided credit is given to the International Meteor Organization (IMO) and, when possible, to the individual observers. The computer facilities to generate this page are provided by ESA/RSSD and Armagh Observatory.
References:


Swapfile Fix on Manjaro Linux Pinebook Pro
I wrote about a month ago of an update on my Pinebook Pro after switching to Manjaro Linux. I continue to make heavy use of my Pinebook Pro while I’m still social distancing and staying at home, giving me lots of time to work on personal projects without much else to do.
Today I ran into an interesting issue, though, after applying a round of updates. I mentioned in my last Pinebook Pro post about going through the process of creating a swapfile using the directions from the Manjaro wiki so that I could hibernate the machine and get much better battery life. I literally just opened the device back up, though, and saw a familiar message that there wasn’t enough swap space to successfully hibernate the machine, leaving me with about 20% less battery life than I had been expecting. Running htop
quickly showed me that my swap space was back to nothing. Weird.
Following the instructions, my swapfile is literally called swapfile on the root of the filesystem. I verified it was still in place with:
ll / | grep swap
With the file still in place, I ran through the instructions again. These ones were both successful:
sudo mkswap /swapfile
sudo chmod u=rw,go= /swapfile
I got an error when running this, though:
sudo swapon /swappfile
This told me:
swapon: /swapfile: swapon failed: Invalid argument
Weird. I verified that I still had my swapfile entry in /etc/fstab
to assign the swapfile on boot by running:
sudo cat /etc/fstab
I tried running the swapon
command a different way to have it apply everything in the fstab
file:
sudo swapon -a
This gave me another “Invalid argument” error still referencing “/swapfile”. At this point, I took to the Internet. After a couple of searches, I stumbled across a matching Stack Exchange question. The top answer claims that the issue is the initial fallocate
command used to create the file (the same command used in the Manjaro wiki) doesn’t physically allocate the 4 GB on the storage for speed, but that’s apparently problematic for swapon
. Following that answer, I ran a dd
command to replace my swapfile with something physically allocated:
sudo dd if=/dev/zero of=/swapfile count=4096 bs=1MiB
This takes a few moments to run, especially on the eMMC storage of the Pinebook Pro. Once it completed, though, I repeated the other commands and verified they were all successful. Sure enough, running htop
once again shows my 4 GB of allocated swap space.


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Me and my friends have done many psychadelics. In the years I've gone way beyond what I thought tripping was. I first thought tripping was all about colors and trails.  But now it's all about the spirituality in nature. I hadn't really started doing the wild strong doses until after the near death experience. After the near death experience we started calling ourselves fearless psychonauts.
It was just like any other day. Me and my friends were smoking pot just like usual. My friend Ken had purchased a gram of 5-MeO-DMT. We had been experimenting with it for about 3 days. We would sprinkle just a smidge on a bowl of pot. It felt like eating a couple hits of decent acid. The trails were massive the colors were prevelant and even though there was an uncomfortable body rush at first it was the bomb.
So me and Ken were sitting in his room he had already come down from the smoking some 5-MeO. He smoked it about 20 minutes before I took the hit. Ken is my most experienced friend with tripping. He has eatin 12 hits of acid all at once with no tolerance. He was the one that showed me colors and trails are only the first step into a completely different universe. Ken covered the entire bowl of pot with 5-Meo.   So I did...
I put the lighter to it and took the hit. It tasted just like any other hit of 5-Meo, burning plastic. (Mmm mmm bitch!) This hit was different though. I exhaled it. Ken looked at me and asked me if I felt anything. I looked at him and said no. Because I honestly didn't.
I slowly started feeling my breath weakening. I was breathing less and less with every breath.  I leaned back on the bed because I had no physical energy left from the lack of air.
As my eyes closed I saw no colors. My soul rose above my body. I looked back and saw my body laying lifeless on my friends bed. Then I looked forward towards the dark tunnel. My body starting moving toward the the tunnel started moving towards meet. It was as if we trying to meet one another. Once we started moving towards one another a white light appeared at the end of the tunnel. When I was about 6 feet away from the white light someone started to come out of the light. The light was pure and blinding. I looked around because it was so bright. The tunnel was now completely infinite. Surrounding me were thousands of orbs that appeared like eyes. For a visual hint look at Alex Grey's-Dying. The orbs appeared to be like eyes because they were shaped just like an eye, and I could see through them. The eyes were looking at different places in the universe at all the points in time. I could see all and everything that has and will ever happen.
I then looked forward and the most beautiful, most peaceful and most gentle woman walked out of the light. Her hair was brown, her cheeks were rose colored and her skin looked softer than the petal of a rose.  And then with the softest most serene voice she spoke...
The first thing she said was, 'Don't be scared my child for it is not your time to go.' Then all the fear that I had instilled my body went away. I didn't know why, but I knew I could trust her. Then every question I ever had about life, religion, or God was answered. It's hard to say everything that was told me because it's difficult and it chokes me up every time I think about it but I'll try to state everything the woman had said to me.
 You can only sway a persons thoughts because a person will always think what they want because they think its there life and there rules. The woman said we are born. Then we are meant to enjoy all of life. The good, the bad, and everything inbetween because that is the meaning of life, to simply enjoy it. Because that was God's gift to us as her children, the most precious thing God could provide us with, life. She said when we die our soul returns back with God, and our body is meant to stay in the earth to fertilize other life such as plants. Everything happens in cycles.  Then after we return with God in heaven we get to receive all the riches of the afterlife.
Then as quickly I got there and received the knowledge people search there whole lives for, my eyes were opening and I was sitting up. Then a physical wind started moving out of my chest. It was the greatest feeling of ecstacy one can ever feel. I looked at ken and both of our eyes were filled with tears. Then right as about we were about to cry about or friend who had left the room to use the bathroom had entered. And we acted as if nothing had happened. Our friend could tell something happened but had no clue what.
We spoke about it the next day. Apparently when I sat back and stopped breathing Ken said a woman's voice that he had never heard came out of me, speaking through me words of great wisdom. I couldn't believe the woman spoke through me, and asked him what she said and he said everything word for word what happened. It changed me and him forever. Not only did I become religious but ken did too. And that is a change for him because he was one of the people that I knew that was extremely evil.  And by unmentionable I mean unimaginable.
All I can say is the God is real. I spoke to the Mother Mary and it doesn't matter if you can believe me or not because God and I know the truth. I am an agnostic turned completely around into a religious person.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


ASESSE
{% comment %} Apply this style to elements that should not be printed, i.e. buttons {% endcomment %} {% comment %} Divisions to be populated by javascript {% endcomment %}


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- Birth date: {{ owner.birth_date }}
- Passport number: {{ owner.passport }}
- Address: {{ owner.address }}
- Ethnicity: {{ owner.ethnicity }}
{% endfor %}


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About Our Museum
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Egypt is the world’s leading museum of history & culture, housing a permanent collection of over 2.3 million objects that span over 5,000 which is toil and pain these cases are perfectly.
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SCARY MOVIE (2000) / ***
Directed by Keenen Ivory Wayans. Screenplay by Phil Beauman, Jason Friedberg, Buddy Johnson, Aaron Seltzer, Marlon Wayans, Shawn Wayans. Starring Anna Faris, Marlon Wayans, Regina Hall. Running time: 86 minutes. Rated AA for mature subject matter and offensive language by the MFCB. Reviewed on July 7th, 2000.
By SHANNON PATRICK SULLIVAN
How do you review a film like "Scary Movie"? Certainly not on the basis of plot. The "story" of a spoof is usually just a framework for gags -- to assess it on that criterion would be like judging a dress on the quality of the hanger. Acting isn't really all that important either, as long as the performers possess a certain amount of charisma and some notion of comic timing. Direction? Virtually irrelevant. Cinematography? Get real.
No, all that matters in deciding whether or not "Scary Movie" is any good are the laughs. And "Scary Movie" is the first parody I've seen in years that has laughs in droves. But fair warning first: I'm a big fan of the "Naked Gun" movies. I enjoyed "Spaceballs". If your sense of humor runs contrary to my own, this review likely won't apply much to you.
"Scary Movie" started life as two separate screenplays -- "Scream If You Know What I Did Last Halloween" and "Last Summer I Screamed Because Friday The 13th Fell On Halloween" -- which were merged into one by director Keenen Ivory Wayans. Ironically, the final moniker was a working title for "Scream", the progenitor of the current crop of teen-oriented slasher films. If you haven't already guessed, "Scary Movie" is a pastiche of this whole genre. If you've been avoiding these sorts of pictures, you might want to give this one a pass too, as you might not get many of the jokes.
The storyline of "Scary Movie" broadly follows the plot of "Scream", with elements of other films (notably "Scream 2" and "I Know What You Did Last Summer") thrown in for good measure. We again start off with a Big Star making popcorn. In "Scream" it was Drew Barrymore (playing "Casey Becker"), here it's Carmen Electra (playing "Drew Becker", wink wink). The phone rings, and sure enough it's a serial killer on the other line, wearing the same Ghostface get-up as in "Scream". The voice on the phone wants to know what the noise is. Carmen explains she just farted. The killer was referring to the popcorn.
Soon Carmen is racing through the house and across her lawn. She comes to a signpost with arrows reading "Safety" and "Death" pointing in opposite directions. You can probably guess the rest. The movie plays out predictably from there, as teens are stalked and slain by the masked villain -- or is it villains? But, really, who cares about the story? It barely even makes sense, and the ending is particularly incredulous.
What is important is the way "Scary Movie" subverts its source material, and this it does very well. The "Father Death" mask, for instance, has gained the miraculous ability to reflect its owner's mood, generating some bizarre visuals when the killer is toquing up. Toward the end, the(?) murderer does a terrific imitation of Matthew Lillard, one of "Scream"'s homicidal teenagers.
"Scary Movie" doesn't just target the slasher genre, either. Everything from "The Matrix" to "Dawson's Creek" is up for grabs here, and there are some great send-ups of human behaviour. One of my favourite scenes has black actress Regina Hall attending a showing of "Shakespeare In Love". In a terrific pastiche of rude moviegoers (and, in particular, the reputation African-Americans have of talking back to the screen), Hall just doesn't stop chattering. She even talks on her cell phone, loudly, to the disgust of the all-white, upper-middle-class crowd. Ghostface slinks into the audience to stab Hall, but the audience gets to her first, pulling out their own weapons. "This is for 'Schindler's List'!" exclaims a Hassidic Jew. You'll have to hear for yourself what film Hall ruined for the Pope.
(When I saw "Scary Movie", there was a moron waving a laser pointer across the screen during certain scenes -- the first time I've encountered this particular brand of rudeness at a local theatre. Intriguingly, they stopped doing it after the scene I've just described. Coincidence?)
Not all the jokes are winners, though, and "Scary Movie" is hamstrung by following the plot of "Scream" a little too closely; greater variation would have made for a funnier, more dynamic film. Some of the humor is rather tired -- the gag of giving the characters cutesy, referential names ("Buffy" Gilmore) was even done already in "Scream 3". And sometimes "Scary Movie" just doesn't know when enough is enough, like the running gag about Ray (Shawn Wayans) being a closet homosexual.
Furthermore, whereas the truly great spoofs set you up with an obvious joke, then knock you down by taking it one step further, "Scary Movie" is often content to go only halfway. A parody of the confession scene from "The Blair Witch Project", for example, is an awful lot like every other "Blair Witch" parody of the past year.
No doubt the most controversial aspect of "Scary Movie" will be the sheer explicitness of many jokes. Remember two years ago, when the "franks and beans" scene in "There's Something About Mary" was considered groundbreaking? Well, there's a "franks and beans" scene about every fifteen minutes here, although for the most part they're pretty amusing, fortunately. Consequently, parents may want to be wary of letting younger children attend "Scary Movie". It strikes me as a movie for strictly high school age at minimum, and even that might be pushing it.
 It's almost eerie. Otherwise, the castmembers are basically just vehicles for the jokes. There aren't characters here, just ciphers and cliches.
Yes indeed, "Scary Movie" is plotless, crude, and possessed of mostly marginal performances -- all the things film critics are supposed to abhor.  You bet I did. Do I recommend "Scary Movie"? God help me, yes.
Copyright © 2000 Shannon Patrick Sullivan. Archived at The Popcorn Gallery, http://www.physics.mun.ca/~sps/movies/ScaryMovie.html
_______________________________________________________________________ / Shannon Patrick Sullivan | "We are all in the gutter, but some of us \ |<EMAIL_ADDRESS>| are looking at the stars." - Oscar Wilde | \___________________________|__________________________________________/ | Popcorn Gallery Movie Reviews www.physics.mun.ca/~sps/movies.html | | Doctor Who: A Brief History of Time (Travel) /drwho.html |
The review above was posted to the
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The war in Ukraine may seem like a distant issue for U.S. citizens, but for leaders and members of Chabad at Ohio University, there is a special connection to the conflict.
During the early days of the ongoing war, Chabad held a Challah bread bake fundraiser to raise money for Ukraine Jewish refugees. Levi Raichik, the rabbi and director of Chabad Student Center at OU, said his reason for fundraising for Ukraine was beyond the traditional Jewish roots.
Raichik said his aunt, Chaya Wolff, and her husband, Avrahom Wolff, moved to Odessa, Ukraine, after the fall of the Soviet Union. The number of Jewish people living in the country decreased after the fall, and the ones that stayed experienced their religion being suppressed.
Since the move, Raichik said the couple has been able to contribute greatly to the community, including the building of orphanages and schools.
“As soon as the war broke out, they decided that they had to get the orphanage out of Ukraine,” Raichik said. “A lot of these kids are coming from extremely difficult backgrounds where they don’t have any documentation, even though they are Ukrainian.”
Raichik said the kids, through the help of the German Embassy and German government, received diplomatic status to come over to Germany. The journey took four days, he said, as they traveled on buses through countries, like Moldova and Slovakia, to get to Berlin.
Once the children from the orphanage arrived in Berlin safely, Raichik said the couple went back to Ukraine to support the large Jewish community still there.
“As the leaders of the community, even though it’s a sacrifice … you can’t run away from your community,” Raichik said. “So, that’s an enormous self sacrifice, which is an inspiration to us.”
While Raichik had a personal connection to the cause, Emily Thal, a senior studying communications sciences and disorders, wanted to get involved after seeing media coverage of the war.
“As Jews, it is kind of our obligation to do what we can to give back if we’re able to afford to, which is something called a mitzvah,” Thal said. “I’ve also grown up in a heavy Jewish community … so it’s kind of instilled in our brains.”
As the war progressed over spring break, Raichik’s wife Chanee and Thal, decided to fundraise with a Challah bake. Through the fundraiser, Chabad was able to raise over $3,000.
Thal said the support from the community was unexpectedly high and encouraged her to keep spreading awareness on the issue.
“The community showed so much support and love, and I wasn’t expecting that because I’ve experienced anti-semitism on campus,” Thal said. “I didn’t know what to expect from the community, but all of it was positive.
In addition to the Challah bake, Chabad was spreading the news about the war and fundraising through campus ambassadors. Members of Chabad and other OU students would spread the word through organizations on campus and social media.
Raichik said these ambassadors were able to call attention to the fundraiser and show massive support for the cause.
“So many non-Jewish students came in to show their support,” Raichik said. “We had a representative in every fraternity and sorority … and they all sent so many students over to buy and help make (Challah).”
Molly Cohen, a freshman studying communication studies, also does not have a personal connection to Ukraine, but said she wanted to be an ambassador for the fundraiser after hearing the personal story from Raichik.
Cohen said she was also surprised by the amount of support Chabad received for the cause and how educated many students and residents were on the issue.
“I feel like the general consensus is that something bad is happening over there, and a lot of people are in danger,” Cohen said. “A lot of people, at least like me, didn’t really know how exactly to help.”
Cohen said the organization was also able to raise money off campus, as a friend of hers also sold Challah at an Outback in West Virginia.
Raichik said the community support was so great, that Chabad had two more fundraising bakes.
Although the organization was able to raise money for the cause, Raichik said media coverage surrounding the war and student awareness had significantly decreased.
“Students, now, basically forgot about it, even though the suffering in Ukraine is not getting better,” Raichik said. “It’s only getting worse, so we try to talk about it as much as possible to keep the awareness.


Posting This from the Applied XML Dev.Conf.
Here. I'm posting this using the wireless access from the room where the Applied XML Developer's Conference will be going on tomorrow (testing from the back to make sure it works). If I wanted to, I could plug into the readily available power as well. Very spiffy.
If you'd like to participate in the conference, head over to the conference home page for the link to the message board and post to your heart's content.


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{% extends "medicalforms/form_base.html" %} {% block title %} Informed Consent to Chiropractic Treatment {% endblock title %} {% block form_content %}
There are risks and possible risks associated with manual therapy techniques used by doctors of chiropractic. In particular you should note:
(a) While rare, some patients may experience short term aggravation of symptoms or muscle and ligament strains or sprains as a result of manual therapy techniques. Although uncommon, rib fractures have also been known to occur following certain manual therapy procedures;
(b) There are reported cases of stroke associated with visits to medical doctors and chiropractors. Research and scientific evidence does not establish a cause and effect relationship between chiropractic treatment and the occurrence of stroke rather, recent studies indicate that patients may be consulting medical doctors and chiropractors when they are in the early stages of a stroke. In essence, there is a stroke already in progress. However, you are being informed of this reported association because a stroke may cause serious neurological impairment or even death. The possibility of such injuries occurring in association with upper cervical adjustment is extremely remote;
(c) There are rare reported cases of disc injuries identified following cervical and lumbar spinal adjustment, although no scientific evidence has demonstrated such injuries are caused, or may be caused, by spinal adjustments or other chiropractic treatment;
(d) There are infrequent reported cases of burns or skin irritation in association with the use of some types of electrical therapy offered by some doctors of chiropractic.
I acknowledge I have read this consent and I have discussed, or have been offered the opportunity to discuss, with my chiropractor the nature and purpose of chiropractic treatment in general, (including spinal adjustment), the treatment options and recommendations for my condition, and the contents of this Consent.
I consent to the chiropractic treatment recommended to me by my chiropractor including any recommended spinal adjustments.
I intend this consent to apply to all my present and future chiropractic care.


Location:
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Takes all the contents of the selected area and puts all selected content in a separate file. Then an
\input
command is put in place of the original text. You will be prompted to give up a new file name.


{% extends 'base.html' %} {% block title %} -403 {% endblock %} {% block content %}
You are not supposed to be here.


{% extends "layout.html" %} {% block body %}
Select the repositories that you want to be notified when a requirement is updated.
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Erin Brockovich (2000) 2 1/2 stars out of 4. Starring Julia Roberts and Albert Finney. Written by Susannah Grant. Directed by Steven Soderbergh.

Erin Brockovich is a free spirit. How do you know?
How do we know these people are uptight. Because they wear starchy clothes, they're not perfectly built and they work in a law office.
Catch my drift. "Erin Brockovich" is an enjoyable David vs. Goliath story, only this David is a twice-divorced mother with three little kids. But beneath its glossy veneer, this based-on-a-true-story feature appears smug, sanctimonious, self-righteous and pandering.
I'm not saying that's all bad. All movies try to manipulate your emotions, that's what good films are supposed to do. But "Erin Brockovich" does it in such a contemptuous style. It's like the magician daring the audience to guess the secret of the trick.
You may still feel you are being entertained, but at the same time you almost feel as if you were being held in contempt.
Julia Roberts' Erin Brockovich is a kindred spirit to Sally Field's Norma Rae and Meryl Streep's Karen Silkwood - with a bit of Cher's biker mom from "Mask "tossed in.
That is she's not an educated person in the classical sense, but she is a smart woman who knows right from wrong and has a built-in b.s. detector. Roberts' Erin usually fails to see any gray area. Things are either yes or no, black or white. Lawyers and the legal system in general merely complicate the world and muddle clear-cut issues of morality. Thus, Erin Brockovich is a very proletarian movie.
Yet Roberts cuts through all this baggage. She is the movie, a true film star whom the camera loves, a young woman who holds the screen and draws you to her. There's a cliché about someone being good enough to sell ice to eskimos. That's Roberts, especially when she flashes that multimillion dollar smile.
The rest of the cast? Well, there basically props, furniture off which Roberts plays. Even Albert Finney as the gruff, pragmatic Ed Masry, the head of the law firm at which Erin works as a filing clerk, is putty when up against this human dynamo.
The story, oh yea, I almost forgot. Erin, when filing some papers for her boss, uncovers a cover-up by massive Pacific Gas & Electric involving contaminated water in a nearby community.
She rallies and bands together those affected by PG&E's actions and through her tenacity and dedication - and some legal expertise from her boss - wins them a massive settlement.
If only screenwriter Susannah Grant and director Steven Soderbergh had had the same determination as Erin to let the story tell itself without resorting to smoke and mirrors.
Bob Bloom is the film critic at the Journal and Courier in Lafayette, IN. He can be reached by e-mail at<EMAIL_ADDRESS>or at<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Mindfulness is about noticing. It's not necessarily about hour long meditation or other seemingly intensive spiritual practices, it's about observing our emotions and reactions as they arise. Self-awareness is the key domain of emotional intellgience that help us with self-focused attention and language. When we are aware of our emotions as they arise - whether positive or negative - we can practice mindfulness to choose how we react in these situations and gain control over our emotions. We need self-awareness in order to become aware of our emotions.
A body scan is basically just bringing systematic attention to different parts of the body from top to bottom. Prior to this blog post I had been working on some difficult JavaScript exercises and felt a little tense. When I scanned the body I immediately could feel how much tension I had sitting in my face. When I get stressed I find that I do get tense in the face area. I observed this without judgement and was able to release the tension from my face, and this immediately me feel more relaxed and happy.
This chapter really reinforced a lot of mindfulness learnings. Self-awareness helps us become more mindful of our emotions and by doing this we realise that our emotions don't define us unless we let them. I think this is a fundamental practice when you're experiencing a lot of stress or the future is uncertain, as it is for a lot of us EDA students. Stress and negative emotion can consume and overwhelm us unless we are kind to ourselves.


test
This is a sample file created to test a simple "WebView".
Modify this file to test the "WebView" content.


This is a Domain Generator with Javascript!
You'll have to
Scroll down
by
a lot
, if you want to see all of them!


This is the site for Nyzo technical documentation. This supersedes the white paper as a technical description of Nyzo. The white paper, available on the web site, should be considered a historical document.
This was made in the form of a public git repository to allow for transparent, low-effort updating.
The content of this site is available at https://github.com/n-y-z-o/tech. The code that runs the site is available at https://github.com/n-y-z-o/nyzoVerifier. Instructions for running a mirror or variant of this site are also available.


To say the new MacBook Pro is a massive improvement over the previous model would be an understatement. It's more portable and more powerful, not to mention more enjoyable to use. But it's tough to justify the premium for that Touch Bar, no matter how cool it is.
Read MoreSurface Studio, with its strikingly large and incredibly thin 28” PixelSense™ Display, lets you visualize ideas as you paint, edit, and design. Then watch those ideas leap off the screen with 13.5 million pixels of true-to-life color and clarity..
Interact with Surface Studio in a whole new way using Surface Dial.* Press and hold to display a radial menu of tools to do the things you love in applications like Adobe CC, Bluebeam*, and more. Or, simply place Surface Dial directly on the screen and watch as a color picker or a ruler magically appear.
Read MoreRumors have been swirling about Apple’s plans for a larger iPad for quite a while, but at the September 2015 event the real deal was finally rolled out. The new iPad Pro is the largest and most advanced tablet Apple has ever produced and faces stiff competition from the likes of Microsoft’s Surface line. So how does Apple’s latest and greatest stack up against Microsoft’s very own hardware?
Read More


Love to Travelling very much (I have visited to 15 countries until now).
Watching Movies
Take a walk Any Places.
Playing Table tennis.
Love to Travelling very much (I have visited to 15 countries until now).
Watching Movies
Take a walk Any Places.
Playing Table tennis.


Take your financial life online. Your Easybank account will be a one-stop-shop for spending, saving, budgeting, investing, and much more.
We leverage Open Banking to turn your bank account into your financial hub. Control your finances like never before.
Our modern web and mobile applications allow you to keep track of your finances wherever you are in the world.
See exactly where your money goes each month. Receive notifications when you’re close to hitting your limits.
We don’t do branches. Open your account in minutes online and start taking control of your finances right away.
Manage your savings, investments, pension, and much more from one account. Tracking your money has never been easier.
The world is getting smaller and we’re becoming more mobile. So why should you be forced to only receive money in a single …
Our simple budgeting feature allows you to separate out your spending and set realistic limits each month. That means you …
We want you to enjoy your travels. This is why we don’t charge any fees on purchases while you’re abroad. We’ll even show you …
Beta accounts are now live! After a lot of hard work by the whole team, we’re excited to launch our closed beta. It’s easy to request an invite through the site ...


A highly motivated and experienced software developer with 10 plus years of experience, currently looking to resume my professional career on full-time basis. Looking forward to achieve challenging position where I can utilize my skills and capabilities that offers professional growth while being resourceful by contributing significantly for the growth and development of organization.
As a freelance developer I work with various companies and help them achieve goals in the development of high-end websites.
As one of the most dynamic and successful retail franchise operators in the Middle East and, increasingly internationally, Alshaya brings the world's best brands to new markets and new customers in the Middle East and North Africa, Russia, Turkey and Europe.
PACC is distributors for the ADP/CDK Autoline ERP System in the Middle East region, covering Kuwait, Saudi Arabia, Qatar, Bahrain, UAE, Jordon, Lebanon and Oman.
Persistent is a global provider of IT and Process outsourcing services, focusing on financial services, Telecommunications and Web based applications. The development centers are assessed at SEI CMMI-Level 5, and are also ISO 9001:2000 certified.
OPSPL is a software development and services company with a decade long forefront experience, in meeting the need of clients.


Critical Role Moments
WARNING: Spoilers for all episodes
Come to the site page to add your own moments!
Or you can discuss it on Reddit.
This webpage requires JavaScript
WARNING: Spoilers for all episodes
Come to the site page to add your own moments!
Or you can discuss it on Reddit.


Earlier in my many diatribes about the world of celluloid, I have described my paradigm for grading a film. The more fodder to which it provides me in the form of raw insults, one-liners, and pot shots that need to be taken, then a critic's level of verbosity is directly related to the cinematic quality of the film. The higher up the quality ladder a film goes, the more a critic is forced to resort to oftentimes clichéd praises, such as `great acting' or the ever-dreadful `best film of the year.' High enough up into the quality stratosphere, and the greatest of films initially provide almost no response. They're pondered over. Introductory paragraphs are mulled over for hours, and philosophical diatribes that earn us insults such as `elitist prick' ensue.
In case you haven't yet caught on by the ironic tone of that BS introductory paragraph, I really liked The Doom Generation. In fact, it was good enough that the initial response provoked was a sensory overload, and a mere two words escaping my lips: `Fucked up.' In the two years since initially watching this masterpiece of perversion and post-apocalyptical philosophy, I have come up with other descriptors. Ironic. Incredible. Intelligent. Sardonic. Satirical. Irreverent. Beautiful. Homoerotic. Pensive. In fact, this is one of those movies where I can make up an adjective for each letter of the alphabet to describe The Doom Generation.
Sadly, two of those adjectives happen to be `subversive' and `underground,' resulting in a generalized lack of awareness as to what The Doom Generation is.
The Doom Generation, put as simply as possible, is a near-apocalyptic joyride through the netherworld of Los Angeles that takes pot shots on all that America considers Holy… and makes any ardent lover of cult films want to bow to director Gregg Araki's greatness.
It starts off at a techno party in the land of wherever, LA, America. Lights flash, Nine Inch Nails blares, and we are greeted with a title card that says `A Completely Heterosexual Movie by Gregg Araki.' Then Amy Blue (Rose McGowan, whose largest parts have been the female lead in Jawbreaker and playing Tatum in Scream) says, `fuck.' Like everyone else in LA, she's in post-riot mode. Confused, thinking the end time is nigh but not wanting to put it into religious terminology, and in a quasi-steady relationship with Jordan White (James Duval). Having gone out for a really long time (a month), Blue and White are about to consummate their relationship in a really cheap car when Xavier Red (Johnathon Schaech) gets into a fight right outside, begins stabbing people, and ends up being let inside of their car. Red, White, and Blue grab a hotel room for the night, Amy keeps being mistaken for everyone's former girlfriend, and Red and White keep sleeping with Blue as a way to deal with their homoerotic potential.
If you think it's crazy now, wait until the end of the movie.
One of the few films where complete and utter absurdity doesn't hurt the plot, The Doom Generation careens down LA freeways with the top down and its middle finger extended. If you're able to stand a film that knows no boundaries, then The Doom Generation is for you. You will find pearl after pearl of anarchistic wisdom within Gregg Araki's vision, and laugh after laugh at the prevalence of bizarre experiences (and the number 666).   Find out if any relatives of Joe McCarthy are currently in the Senate. Otherwise, enjoy.
RATING: *****
MPAA Rating: R
Director: Gregg Araki Producer: Gregg Araki, Andrea Sperling Writer: Gregg Araki Starring: Rose McGowan, James Duvall, Johnathon Schaech
In order to hear about some more messed up movies, join James' mailing list: http://filmcritic2000.listbot.com/
More of James' reviews at: http://mk2k.epinions.com/user-mk2k
Short Stuff, reviews of Short Films and Hypermedia: http://www.othercinema.com/~jbrundage/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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PURPLE NOON A film review by David N. Butterworth Copyright 1996 David N. Butterworth/The Summer Pennsylvanian
Directed by Rene Clement Rating: *** (Maltin scale)
Miramax Zoe pictures in collaboration with film preservationist Martin Scorsese have chosen to re-release distinguised French director Rene Clement's 1960 suspenser PLEIN SOLEIL (loosely translated as PURPLE NOON) at a time when deliberate, carefully-crafted movies are uncommon.
PURPLE NOON does not boast the multi-million dollar budgets of some of this summer's wide-eyed extravaganzas but it does boast the Tom Cruise of its day in Alain Delon, almost perfectly handsome with his dark hair, straight nose, firm chin, and soulful, expressive eyes.
Looks are important here because although PURPLE NOON is a singularly thrill-less thriller, it is lovely to look at.
Based on Patricia Highsmith's "The Talented Mr. Ripley," the plot of PURPLE NOON is deceptively simple: Tom covets everything of his playboy friend Philippe--his money, his yacht, and his girlfriend--that he plans to murder him and assume his identity.
Tom Ripley (Delon) has been promised $5,000 by a wealthy American, Mr. Greenleaf, for the safe return of his errant son Philippe (played by Maurice Ronet), currently savoring the good life in Italy. Along for the ride is Philippe's fiancee, Marge (Marie Laforet), for whom Phillipe's impressive sloop is named.
Although the first part of the film takes place aboard Philippe's sailboat, the film does not create the sexual tension of similar loony-on-board psychodramas, such as DEAD CALM or Polanski's KNIFE IN THE WATER. Instead, Clement's film builds slowly, intensifying the brooding relationship between the two men, with Laforet's role reduced to little more than cabin crew. Delon and Ronet are an imposing screen pair, and they handle themselves well in a movie that, although not nail-bitingly suspenseful or even very clever, is a textbook exercise in subtle malevolence.
But the real star of the film is cinematographer Henry Decae, whose use of saturated color and monster close-ups make PURPLE NOON a visual treat. Decae bathes the actors in color: the often shirtless Ronet is positively bronze, as if he's been glazed by the Mediterranean sun; Delon is lovingly photographed with the same kind of respect as one might give, say, Ingrid Bergman; and the pouty, very French Laforet shimmers in her stripey tees and tricolor deck garb.
In addition to the beautiful people, Decae also captures the complementary hues of the surrounding topography; the pastel-painted haunts of Rome, Taormina, and Mongibello, with their red clay roofs, bright shutters, and ornate marble tiles. Likewise, the interiors of these dwellings are asplash with a splendid variety of tints and shades.
And, of course, there's the blue, blue sea.
Rene Clement is often credited with providing inspiration for the French New Wave and this film confirms that assertion. Buoyed along by a vibrant Nino Rota score, stunning photography and solid lead performances, PURPLE NOON is worth a look any time of day.
-- David N. Butterworth
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


{% extends "base.html" %} {% block content %}
We recommend that you register after submission so you can take credit for your submission. Your submission will be reviewed before acceptance. You will be notified by email if you are logged in.


|
Crap Engine 2
|
Simple array class. More...
#include <sortedarray.h>
Public Member Functions | |
| CRAP_INLINE | sorted_array (void *pointer, uint32_t size) |
| Constructor of array class. More... | |
| CRAP_INLINE sorted_array & | operator= (const sorted_array &other) |
| Assignment operator of array class. More... | |
| CRAP_INLINE | ~sorted_array (void) |
| Destructor of array class. More... | |
| CRAP_INLINE uint32_t | size (void) const |
| CRAP_INLINE uint32_t | max_size (void) const |
| Returning the maximum size of the array. More... | |
| CRAP_INLINE uint32_t | begin (void) const |
| Returns first element of the array. More... | |
| CRAP_INLINE uint32_t | end (void) const |
| returns first invalid element More... | |
| CRAP_INLINE uint32_t | last (void) const |
| returns last valid element More... | |
| CRAP_INLINE uint32_t | next (uint32_t index) const |
| returns next element More... | |
| CRAP_INLINE uint32_t | previous (uint32_t index) const |
| returns previous index More... | |
| CRAP_INLINE T & | operator[] (uint32_t index) |
| Index operator returning a member reference. More... | |
| CRAP_INLINE const T & | operator[] (uint32_t index) const |
| Index operator returning a constant member reference. More... | |
| CRAP_INLINE T * | get (uint32_t index) |
| Returns the pointer to a certain member. More... | |
| CRAP_INLINE const T * | get (uint32_t index) const |
| Returns the constant pointer to a certain member. More... | |
| CRAP_INLINE uint32_t | insert (const T &object) |
| Inserts a new element in place and shift following elements. More... | |
| CRAP_INLINE void | pop_back (void) |
| Removes last element of the array. More... | |
| CRAP_INLINE void | erase_at (uint32_t index) |
| Removes the element at a certain position. More... | |
| CRAP_INLINE void | erase (const T &object) |
| Removes an element equal to given reference. More... | |
| CRAP_INLINE uint32_t | find (const T &object) |
| Searches for an element and returns the index. More... | |
| CRAP_INLINE pointer_t< void > | memory (void) const |
| Returns the pointer to the memory. More... | |
Static Public Member Functions | |
| static CRAP_INLINE uint32_t | size_of_elements (uint32_t number) |
| Calculates necessary memory for a certain number of elements. More... | |
Static Public Attributes | |
| static const uint32_t | INVALID = UINT32_MAX |
| Defines an invalid index. More... | |
Protected Member Functions | |
| sorted_array (const sorted_array &other) | |
| Copy Constructor kept private (do not use) More... | |
Protected Attributes | |
| pointer_t< T > | _memory |
| Pointer type to memory. More... | |
| uint32_t | _size |
| Current number of elements. More... | |
| uint32_t | _max_size |
| Maximum number of elements. More... | |
Simple array class.
The data is kept packed by inserting the last element into the place of deleted elements
Definition at line 43 of file sortedarray.h.
|
explicit |
Constructor of array class.
| pointer | A pointer to the memory for the container |
| size | The size of the provided memory |
Definition at line 224 of file sortedarray.h.
| crap::sorted_array< T >::~sorted_array | ( | void | ) |
Destructor of array class.
Definition at line 245 of file sortedarray.h.
|
protected |
Copy Constructor kept private (do not use)
Definition at line 251 of file sortedarray.h.
| uint32_t crap::sorted_array< T >::begin | ( | void | ) | const |
Returns first element of the array.
Definition at line 270 of file sortedarray.h.
| uint32_t crap::sorted_array< T >::end | ( | void | ) | const |
| void crap::sorted_array< T >::erase | ( | const T & | object | ) |
Removes an element equal to given reference.
| object | Constant reference of element to remove |
Definition at line 385 of file sortedarray.h.
| void crap::sorted_array< T >::erase_at | ( | uint32_t | index | ) |
Removes the element at a certain position.
| index | Index of element to delete |
Definition at line 375 of file sortedarray.h.
| uint32_t crap::sorted_array< T >::find | ( | const T & | object | ) |
Searches for an element and returns the index.
| object | Constant reference of element to look for |
Definition at line 394 of file sortedarray.h.
| T * crap::sorted_array< T >::get | ( | uint32_t | index | ) |
Returns the pointer to a certain member.
| index | Index of a member variable |
Definition at line 324 of file sortedarray.h.
| const T * crap::sorted_array< T >::get | ( | uint32_t | index | ) | const |
Returns the constant pointer to a certain member.
| index | Index of a member variable |
Definition at line 333 of file sortedarray.h.
| uint32_t crap::sorted_array< T >::insert | ( | const T & | object | ) |
Inserts a new element in place and shift following elements.
| object | Constant reference of element to insert |
Definition at line 342 of file sortedarray.h.
| uint32_t crap::sorted_array< T >::last | ( | void | ) | const |
returns last valid element
Definition at line 285 of file sortedarray.h.
| uint32_t crap::sorted_array< T >::max_size | ( | void | ) | const |
Returning the maximum size of the array.
Definition at line 263 of file sortedarray.h.
| pointer_t< void > crap::sorted_array< T >::memory | ( | void | ) | const |
Returns the pointer to the memory.
Definition at line 429 of file sortedarray.h.
| uint32_t crap::sorted_array< T >::next | ( | uint32_t | index | ) | const |
| sorted_array< T > & crap::sorted_array< T >::operator= | ( | const sorted_array< T > & | other | ) |
Assignment operator of array class.
| other | A constant reference to a other array |
Definition at line 230 of file sortedarray.h.
| T & crap::sorted_array< T >::operator[] | ( | uint32_t | index | ) |
Index operator returning a member reference.
| index | Index of a member variable |
Definition at line 312 of file sortedarray.h.
| const T & crap::sorted_array< T >::operator[] | ( | uint32_t | index | ) | const |
Index operator returning a constant member reference.
| index | Index of a member variable |
Definition at line 318 of file sortedarray.h.
| void crap::sorted_array< T >::pop_back | ( | void | ) |
Removes last element of the array.
Definition at line 364 of file sortedarray.h.
| uint32_t crap::sorted_array< T >::previous | ( | uint32_t | index | ) | const |
returns previous index
Definition at line 303 of file sortedarray.h.
| uint32_t crap::sorted_array< T >::size | ( | void | ) | const |
Returning the size of the array
Definition at line 257 of file sortedarray.h.
|
static |
Calculates necessary memory for a certain number of elements.
| number | Number of elements |
Definition at line 435 of file sortedarray.h.
|
protected |
Maximum number of elements.
Definition at line 219 of file sortedarray.h.
|
protected |
Pointer type to memory.
Definition at line 213 of file sortedarray.h.
|
protected |
Current number of elements.
Definition at line 216 of file sortedarray.h.
|
static |
Defines an invalid index.
Definition at line 49 of file sortedarray.h.


Kevin's collection of A-Frame components and scenes.
{{ component.description }}
Voxel builder.
Audio visualizations with searching Spotify song previews using speech recognition
Radiohead, LCD Soundsystem, and Lana Del Rey at the main stage of the music festival
Pokemon battle stadium with pieces exported from MagicaVoxel
A-Frame logo landscape exported from MagicaVoxel
Visualizing A-Frame statistics with d3.js
Tree with a swing exported from MagicaVoxel
Quiet tree by a lake exported from MagicaVoxel
City street exported from MagicaVoxel
A tribute to Prince


The XOR Cipher opereates on the bits that make up a message and key, running a simple binary "exclusive or" (XOR) on them. This means that if two corresponding bits are the same, the resulting bit is 0, and if two corresponding bits are different, the resulting bit is 1. The result after all bits have been XORed is the ciphertext. Decoding the message simply involves running another binary XOR on the key and ciphertext.
XOR Ciphers can be broken more than one way, unless they use a one-time pad. This special case requires that the key be completely random, the same length as the message, and (as the name suggests) only used once. Provided only the sender and receiver have the pad, the encoded message is truly secure.
Learn more about XOR ciphers here.


This information appears on the organization profile, organization pages, search results, and beyond.
Important This organization was deleted {{organization.deleted | timeAgo}} by {{organization.modifiedBy}}.
{{organization.deleted}}
Will make this eligible for endorsements etc.


--- title: "HTML Tidy" category: homepage extralink: extraname: --- {% include page_generator.html %}


Twitter
Authorized as {{user.profile.twitterAuth.displayName}}
Discord
Authorized as {{user.profile.discordAuth.displayName}}
Twitch.tv
Authorized as {{user.profile.twitchAuth.displayName}}
Note: You'll also have to manually disconnect "Momentum" from your
connections page.
(Twitch is the only site that doesn't do this automatically.)


- A Message from Warren E. Buffet
- Annual & Interim ReportsUpdated November 6, 2015
- Special Letters From Warren & Charlie RE:Past, Present and Future
- Link to SEC Filings
- Links to Berkshire Subsidiary Companies
- Corporate Governance
- Owner's Manual
- Letters from Warren E. Buffett Regarding Pledges to Make Gifts of Berkshire Stock
- News ReleasesUpdated November 6, 2015
- Warren Buffett's Letters to Berkshire ShareholdersUpdated February 28, 2015
- Charlie Munger's Letters to Wesco Shareholders
- Annual Meeting Information
- Celebrating 50 Years of a Profitable Partnership(A commemorative book first sold at the 2015 Annual Meeting and now for sale on eBay.)
- Comparative Rights and Relative Prices of Class A and B Stock
- Berkshire Activewear


This week I worked on solving trigonometric inequalities.
Trigonometric inequalities Link to heading
The primary univariate inequality solver - solve_univariate_inequality
,
depends upon the results of solve
in order to solve the given inequality.
Taking a cue from PR#10022 on incorporating solveset
for inequalities, I worked on developing an approach for replacing the use of solve
with solveset
in solving inequalities.
Idea
Convert
Set
-type output fromsolveset
tolist
objects similar to that returned bysolve
.
The most striking difference between both the APIs is the uniform Set
output returned by solveset
.
Hence, the prime concern while transitioning from solve
to solveset
should be handling the various type of solutions.
Here are a few implementation ideas on the same:
-
FiniteSet : finite number of solutions
Using thelist
constructor on these type of objects works extremely well. -
ImageSet : infinite number of solutions
This is generally the case with trigonometric functions as most of them are periodic in nature. We need to limit the number of solutions to be finite.
For this, I intend to use the a periodic interval:[0, period]
as the basis for filtering the solution set. This returns a simplifiedFiniteSet
of solutions which can be used to solve inequalities in a restricted interval. Following which we can generalise the output over the entire domain of the function.A major issue here is the representation of the final solution set.
For example:In []: solveset(cos(x)<0, x, domain=S.Reals) ⎡ π 3⋅π ⎤ ⎢2*n*pi + ─, 2*n*pi + ─── | n ∊ ℤ⎥ ⎣ 2 2 ⎦
Currently, we do not have a
Set
object for representing this.
For this, we need to implement an Indexed Union :Union(X(a) for a in I)
We can symbolically represent the above solution as
BigUnion(Interval(2*n*pi + pi/2, 2*n*pi + 3*pi/2), n, S.Intgers)
.
After thoughts
Also, this week my PR#11277 on periodicity got merged finally. I have updated the corresponding PR#11141 which has been stalled for some time now. Hopefully, it will get merged soon.
The next week I will devote my time to the implementation part of solving inequalities.


Fri Feb 11, 2000
Today, I went to the National Gallery in the morning. Said goodbye to Joseph from Montreal.
There was another huge downpour while I was in the gallery and I felt glad to be inside. Art and photographs.
Had lunch at the hostel, then checked out the National Science Museum. Ignoring the dysfunctional lights and hand-written display cards, the exhibits were quite good, especially the local history and their butterfly collection.
Now I’m totally worn out from walking. Debating whether to leave for Masvingo tomorrow or to stay the weekend in Bulawayo. Probably opt for staying the weekend even though I’ve nothing left to see!
Maybe move to the Africa Sun place ‘cause they’ve got a pool.
Anyways… here’s the generic email I plan to send tomorrow: (as you can imagine, Zimbabwe isn’t exactly big on surfing the web)
Header: Antoine’s African Adventures, Part 2
Greetings from Bulawayo, Zimbabwe - “The City of Kings”…
This groovy city is my first stop in Zimbabwe. My next stop will be Masvingo, which is close to the Great Zimbabwe ruins. I’m staying at a youth hostel about 3 kms from downtown.
I arrived late on Wednesday night because of delays because of the floods and delays at the border crossing at Beitbridge. I lost a lot of money I got ripped off big-time by a crooked taxi driver and his three big friends who demanded a huge fee for his services. Needless to say, it’s a hurting blow to my pride as well as my wallet.
Anyway, on Thursday I hooked up with this Canadian guy from Montreal. We hired a guide to take us into the townships to see how people live and how they make local crafts (pottery, weaving, batik). It was really cool, and we were pleasantly surprised when our guide invited us into his modest home in the township and showed us his prized possession: an antique, fully-functional gramophone which he’s hoping to sell to the local museum at some point!
In the afternoon, we went to the incredible Matobo hills in the Matopos National Park, a haunting place with delicately balanced rocks and amazing geological formations. We visited the prominent grave of old Cecil John Rhodes - that ambitious, yet scrupulous colonist. He wanted to build a railway from Cape Town to Cairo, but only made it as far as here, in Bulawayo.
Yesterday, I visited the National Art Gallery and the Natural Science Museum (which had dysfunctional lights and hand-written display signs, but was quite good despite this).
Basically, Bulawayo is stuck in the 70s. No new buildings have been built since then, and somehow people have managed to keep their cars going since then too. (the streets are not as busy as usual because of a fuel crisis in the country)
The phones don’t work when it rains and a burger costs $120 in Zim Dollars. $4 Canadian equals $100 Zim. There are separate prices for locals and foreigners at the tourist places / National parks, so it’s easy to get ripped off. The eminent President Robert Mugabe has just doubled foreigner prices in an effort to squeeze those tourist dollars out of us (Zim’s economy isn’t doing too well right now). He’s a dictator-asshole and hopefully he’ll get chucked out in the forthcoming elections. All the Zimbabweans I’ve spoken to know they’re being screwed by him and want him out. But he’s been president since independence in 1980 and I don’t think there are any opposition parties!
It’s funny - I’m the only one staying in the dorm! So I get a whole room to myself for $50 (Zim) a night - that’s $2 Canadian for a room - talk about cheap accommodation! The only people here are permanent residents - Canadian medical students who talk about disgusting things over dinner.
Nobody wants to come to Zimbabwe in the rainy season but it hasn’t been too bad so far.
Anyway, I’ll be in touch again when I’m in the next big city probably - that’ll be Harare I guess.
Until then, Antoine
This journal entry has been transcribed from the handwritten original. For more information about this transcription project, see this blog post.


What's included
The npm
dependencies included in package.json
are:
-
bulma
-
node-sass
to compile your own Sass file -
postcss-cli
andautoprefixer
to add support for older browsers -
babel-cli
,babel-preset-env
andbabel-preset-es2015-ie
for compiling ES6 JavaScript files
Apart from package.json
, the following files are included:
-
.babelrc
configuration file for Babel -
.gitignore
common Git ignored files -
index.html
this HTML5 file -
_sass/main.scss
a basic SCSS file that imports Bulma and explains how to customize your styles, and compiles tocss/main.css
-
_javascript/main.js
an ES6 JavaScript that compiles tolib/main.js
Try it out!
To see if your setup works, follow these steps:
-
Move to this directory:
cd bulma-start
-
Install all dependencies:
npm install
-
Start the CSS and JS watchers:
npm start
-
Edit
_sass/main.scss
by adding the following rule at the end of the file:
html { background-color: $green; }
The page background should turn green!
 Just edit or duplicate this page, or simply create a new one!
For example, this page is only built with the following Bulma elements:


Phantom Lancer
Tips
- Doppelganger allows you to travel up and down cliffs.
- Doppelganger breaks trees upon landing. Use this to find juking enemies or to create quicker jungle
routes.
- Treat Doppelganger like Puck's Phase Shift when playing against a team with a lot of projectile
spells.
- The brighter of the two illusions from Doppelganger is the one that takes 100% damage. You can assign this
one to a control group and it will stick each time Doppelganger is used.
- Doppelganger dispels everything that a Manta Style can dispel (other than silences, obviously). This
means that you should generally save it for escaping.
- That doesn't mean you should play conservatively, though. Between Doppelganger, Diffusal, and Manta, you
have a ton of ways to wipe debuffs off, so play aggressive if the enemy team lacks hard stuns.
- If you get jumped by an enemy and you don't have much time to react, cast Doppelganger in front of
yourself. PL's turn rate is average, but every millisecond counts.
- You can get cute with denies by Rushing to an enemy creep and then changing targets to your creep right
as you reach the wave.
- If you attack-command a rune (A+left click) PL will Rush to it. Just be sure to cancel the attack before
it completes otherwise he'll kill the rune.
- Don't forget to utilize Phantom Rush when escaping. Sprint to a neutral or enemy lane creep to get the
speed boost. Phantom Rush will even work on enemy buildings or ward units.
- If you see a unit across a cliff, but you're in Phantom Rush range, PL will sprint to it taking the
quickest pathing possible.
- When tower diving, A+left click your illusions during attack backswings to attempt to shake tower aggro
momentarily.
- Also use A+left click when taking jungle camps to relieve yourself of creep aggro once you generate some
illusions.
- ENABLE UNIFIED UNIT ORDERS WHEN PLAYING PL. I preach the virtues of this option for pretty much
every hero, but it's incredibly important when playing PL. The main reason is so that when you exit
Doppelganger, you and all the illusions generated will move uniformly like Olympic synchronized swimmers.
Box selecting can get you killed.
- Much like every other illusion hero out there, you can sometimes be tricky by microing an illusion out
of the pack to bait enemies into thinking it's the real you.
- Illusions will always spawn with Phantom Rush off cooldown. This is exceptionally irritating for
enemies to deal with after you pick up a Diffusal Blade since you can just keep Rushing fresh illusions
on any enemies in the vicinity. If you're pushing a tower and you make some illusions off the creep
wave, consider immediately Rushing them on defending enemies to zone them out.
Counters
- Doppelganger is PL's only real escape, so try to bait it out by animation canceling stuns.
- Some debuffs that can help identify the real PL and won't be purged off by Doppel: Soul Catcher,
Enfeeble, Weave, Fury Swipes, Burning Spears, Deafening Blast, Viper Strike, Rupture.
- Mjollnir's Static Shield will have a chance to proc off of every PL illusion whacking you.
- Crimson Guard's active basically neutralizes all illusion damage, though you'll still take the mana burn
from Diffusal.
- Late game PL is pretty much all physical damage, so build armor.