I discovered CSS about a decade ago while trying to modify the look of a blog I had created. Pretty soon, I was able to code cool things with more mathematical and, therefore, easier-to-understand features like transforms. However, other areas of CSS, such as layout, have remained a constant source of pain.
This post is about a problem I encountered about a decade ago and, until recently, did not know how to solve in a smart way. Specifically, it’s about how I found a solution to a long-running problem using a modern CSS grid technique that, in the process, gave me even cooler results than I originally imagined.
Note that this is not a tutorial on how to best use CSS grid, but more of a walk through my own learning process.
One of the first things I used to dump on that blog were random photos from the city, so I had this idea about having a grid of thumbnails with a fixed size. For a nicer look, I wanted this grid to be middle-aligned with respect to the paragraphs above and below it, but, at the same time, I wanted the thumbnails on the last row to be left-aligned with respect to the grid. Meanwhile, the width of the post (and the width of the grid within it) would depend on the viewport.
The HTML looks something like this:

It may seem simple, but it turned out to be one of the most difficult CSS problems I’ve ever encountered.
These are things I have tried or seen suggested over the years, but that never really got me anywhere.
Floats turned out to be a dead end because I couldn’t figure out how to make the grid be middle aligned this way.
.grid--thumbs { overflow: hidden; }
.grid--thumbs a { float: left; }
The demo below shows the float attempt. Resize the embed to see how they behave at different viewport widths.
inline-block
madnessAt first, this seemed like a better idea:
.grid--thumbs { text-align: center }
.grid--thumbs a { display: inline-block }
Except it turned out it wasn’t:
The last row isn’t left aligned in this case.
At a certain point, thanks to an accidental CSS auto-complete on CodePen,
I found out about a property called
[text-align-last](https://css-tricks.com/almanac/properties/t/text-align-last/)
, which determines how the last line of a block is aligned.
Unfortunately, setting text-align-last: left
on the grid
wasn’t the solution I was looking for either:
At this point, I actually considered dropping the idea of a middle aligned
grid. Could a combo of text-align: justified
and
text-align-last: left
on the grid produce a better result?
Well, turns out it doesn’t. That is, unless there’s only a thumbnail on the last row and the gaps between the columns aren’t too big. Resize the embed below to see what I mean.
This is pretty much where I was at two years ago, after nine years of trying and failing to come up with a solution to this problem.
A flexbox solution that seemed like it would work at first was to add an
::after
pseudo-element on the grid and set
flex: 1
on both the thumbnails and this pseudo-element:
.grid--thumbs {
display: flex;
flex-wrap: wrap;
a, &::after { flex: 1; }
img { margin: auto; }
&:after { content: 'AFTER'; }
}
The demo below shows how this method works. I’ve given the thumbnails and
the ::after
pseudo-element purple outlines to make it easier
to see what is going on.
This is not quite what I wanted because the grid of thumbnails is not middle-aligned. Thats said, it doesn’t look too bad… as long as the last row has exactly one item less image than the others. As soon as that changes, however, the layout breaks if it’s missing more items or none.
Why the ::after
hack is not reliable.
That was one hacky idea. Another is not to use a pseudo-element, but add as many empty divs after the thumbnails as there are columns that we’re expecting to have.
The expected number of columns is something we should be able to approximate since the size of the thumbnails is fixed and we probably want to set a maximum width for the post since text that stretches across the width of a full screen can visually exhausting for eyes to read. Dividing the maximum width by the fixed thumbnail width should give us the maximum number of columns in this case.
The first empty elements will take up the full width of the row that’s not
completely filled with thumbnails, while the rest will spill into other
rows. But since their height
is zero, it won’t matter
visually.
This kind of does the trick but, again, it’s hacky and still doesn’t produce the exact result I want since it sometimes ends up with big and kind of ugly-looking gaps between the columns.
The grid layout has always sounded like the answer, given its name. The problem was that all examples I had seen by then were using a predefined number of columns and that doesn’t work for this particular pattern where the number of columns is determined by the viewport width.
Last year, while coding a collection of one element, pure CSS background
patterns, I had the idea of generating a bunch of media queries that would
modify a CSS variable, --n
, corresponding to the number of
columns used to set grid-template-columns
.
$w: 13em;
$h: 19em;
$f: $h/$w;
$n: 7;
$g: 1em;
--h: #{$f*$w};
display: grid;
grid-template-columns: repeat(var(--n, #{$n}), var(--w, #{$w}));
grid-gap: $g;
place-content: center;
@for $i from 1 to $n {
@media (max-width: ($n - $i + 1)*$w + ($n - $i + 2)*$g) {
--n: #{$n - $i}
}
}
I was actually super proud of this idea at the time, even though I cringe looking back on it now. One media query for every number of columns possible is not exactly ideal, not to mention it doesn’t work so well when the grid width doesn’t equal the viewport width, but is still somewhat flexible and also depends on the width of its siblings.
I finally came across a better solution while working with CSS grid and
failing to understand why the repeat()
function wasn’t
working in a particular situation. It was so frustrating and prompted me
to go to MDN, where I happened to notice the
[auto-fit](https://css-tricks.com/auto-sizing-columns-css-grid-auto-fill-vs-auto-fit/)
keyword and, while I didn’t understand the explanation, I had a hunch that
it could help with this other problem, so I dropped everything
else I was doing and gave it a try.
Here’s what I got:
.grid--thumbs {
display: grid;
justify-content: center;
grid-gap: .25em;
grid-template-columns: repeat(auto-fit, 8em);
}
I also discovered the
minmax()
function, which can be used in place of fixed sizes on grid items. I still
haven’t been able to understand exactly how minmax()
works —
and the more I play with it, the less I understand it — but what it looks
like it does in this situation is create the grid then stretch its columns
equally until they fill all of the available space:
grid-template-columns: repeat(auto-fit, minmax(8em, 1fr));
Another cool thing we can do here is prevent the image from overflowing
when it’s wider than the grid element. We can do this by replacing the
minimum 8em
with min(8em, 100%)
That essentially
ensures that images will never exceed 100%, but never below 8em. Thanks to
Chris for this suggestion!
Note that the
min()
function doesn’t work in pre-Chromium Edge!
Keep in mind that this only produces a nice result if all of the images have the same aspect ratio — like the square images I’ve used here. For my blog, this was not an issue since all photos were taken with my Sony Ericsson W800i phone, and they all had the same aspect ratio. But if we were to drop images with different aspect ratios, the grid wouldn’t look as good anymore:
We can, of course, set the image height
to a fixed value, but
that distorts the images… unless we set
object-fit
to cover
, which solves our problem!
Another idea would be to turn the first thumbnail into a sort of banner
that spans all grid columns. The one problem is that we don’t know the
number of columns because that depends on the viewport. But, there
is a solution — we can set grid-column-end
to
-1
!
.grid--thumbs {
a:first-child {
grid-column: 1/ -1;
img { height: 13em }
}
}
The first image gets a bigger height
than all the others.
Of course, if we wanted the image to span all columns except the last, one
we’d set it to -2
and so on… negative column indices are a
thing!
auto-fill
is another grid property keyword I noticed on MDN.
The explanations for both are long walls of text without visuals, so I
didn’t find them particularly useful. Even worse, replacing
auto-fit
with auto-fill
in any of the grid demos
above produces absolutely no difference. How they really work and how they
differ still remains a mystery, even after checking out
articles
or toying with
examples.
However, trying out different things and seeing what happens in various
scenarios at one point led me to the conclusion that, if we’re using a
minmax()
column width and not a fixed one (like
8em
), then it’s probably better to use
auto-fill
instead of auto-fit
because, the
result looks better if we happen to only have a few images, as illustrated
by the interactive demo below:
I think what I personally like best is the initial idea of a thumbnail
grid that’s middle-aligned and has a mostly fixed column width (but still
uses min(100%, 15em)
instead of just
15em
though). At the end of the day, it’s a matter of
personal preference and what can be seen in the demo below just happens to
look better to me:
I’m using auto-fit
in this demo because it produces the same
result as auto-fill
and is one character shorter. However,
what I didn’t understand when making this is that both keywords produce
the same result because there are more items in the gallery than we need
to fill a row.
But once that changes, auto-fit
and
auto-fill
produce different results, as illustrated below.
You can change the justify-content
value and the number of
items placed on the grid:
I’m not really sure which is the better choice. I guess this also depends
on personal preference. Coupled with justify-content: center
,
auto-fill
seems to be the more logical option, but, at the
same time, auto-fit
produces a better-looking result.


Robin Bastien, Front-End Integrator
I build websites & apps
About Me
I'm currently on the path to become a full-stack developer — using tools such as Laravel, node, and Vue.JS to power my applications.
I'm currently on the path to become a full-stack developer — using tools such as Laravel, node, and Vue.JS to power my applications.


Network -- Computer Architecture
#core
Date: Aug 30th
Time: P4-5
Lesson Assignments:
Detailed mindmap -- 3.1.1 to 3.1.5
Reference:
http://ib.compscihub.net/topics/topic-3
IBDP CS core book --
https://pan.baidu.com/s/1kULNFQf
password: c8nv
Webpage resources
Requirements: Upload to your own webpage AS WELL AS below:
This is a minor assessment:
Alex:
Coursework/Team%202/8.30+mindmap
Arthur:
Coursework/Team%208/8.30+Unit+3+Networks+mindmap
Charles:
Coursework/Team 4/mindmap 8302017
David:
Coursework/Team%209/3.1-3.5+Mindmaps
Doris:
Coursework/Team%201/3.1.1-3.1.5+mindmap
Enzo:
Coursework/Team%207/8.30.17+Mindmaps+3.1.1-3.1.5
Matt:
Margaret:
Coursework/Team%2010/Topic+3+-+Mindmap+3.1.1+-+3.1.5
Michael:
Tom:
Discussions


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Hi, my name is Katherine Flannery, but I’m known as Kat. I’m currently a junior at CodeRVA Regional High School.
I’ve played music for 7 years now. My musical journey was a long one; when I was younger I would play on and off, but when I turned 10 I picked up rock bass guitar and I’ve been playing nonstop ever since. I remember I wanted to play bass guitar because when my dad bought me a guitar, my wrist was too small to flex around the neck. I grew into it however, because after 4 years of bass guitar I started to teach myself regular guitar. Ever since then, I’ve taught myself keyboard, violin/viola/cello, ukulele, melodica, I can play the drums with some competency, though it isn’t my strong suit admittedly, and I can sing. Music is my life; I don’t know where I’d be without it.
I taught myself how to draw, though I’m still learning. I know how to draw up images in vector programs such as Inkscape. I was a creative writer when I was younger, around the eighth grade, though I haven’t touched it in a while because of my music.


by Jaeden Laffey
After the video format war of the early 1980's
Companies trying new (non-VHS) video formats
Introduction to the VideoDisc
Forgotten video format technology
2 types of capacitance videodiscs:
RCA's Capacitance Electronic Disc (CED)
JVC's Video High Density (VHD)
Direct influence from vinyl record
Record-style disc, 25cm diameter
2 sided, 30 min of video on each side*
Available from 1981-86 from RCA
Record-style disc, 25cm diameter
2 sided, up to 60 min of video on each side
Demoed by JVC in 1978
Launched in Japan later in 1983*
North America left out
Printing Vinyl records was very cheap to do.
Chose to practice cost cutting methods, instead of embracing new technologies and advancements.
The only capacitance formats
Used the method of Capacitance to encode video and audio
• “Capacitance can be defined as the ability of two adjacent conductors to store electric charge, and in the CED system these adjacent conductors are the carbon-loaded disc and the thin titanium electrode deposited on the diamond stylus.”
Discs kept in protective "caddys"
Insert caddy to player
Diamond stylus read the discs electronically
Earlier release date
Demoed in 1978 but not released until 1981(CED) and 1983(VHD)
Proprietary format
Could have changed future technologies (ie. CDs,DVDs)
Not just a failed technology
Provides an different pre-digital solution a problem
Gives us insight to alternative technologies
Forgotten technology that could be repurposed for different uses
The VHD or CED never gained traction in North America
Very successful in Japan for many years
Still in use today, popular as collectors items in Japan
http://disclord.tripod.com/vhddiscworld/id7.html
http://fileformats.archiveteam.org/wiki/Capacitance_Electronic_Disc


Reporting is an essential element of BDD as it allows to monitor the outcome of the scenarios that have been run. At the heart of JBehave's reporting is the ScenarioReporter, which is used to report events as they occur.
Currently, the scenario reporters supported are:
Let's see an example of how we can configure the scenario reporters. We use the DelegatingScenarioReporter as a proxy for the reporters we want to configure, in the example below a plain text reporter (both to System.out and to a file) and an HTML reporter to a file:
public TraderScenario(final Class scenarioClass) { final ScenarioNameResolver resolver = new UnderscoredCamelCaseResolver(".scenario"); useConfiguration(new MostUsefulConfiguration() { @Override public ScenarioDefiner forDefiningScenarios() { return new ClasspathScenarioDefiner(resolver, new PatternScenarioParser(keywords())); } @Override public ScenarioReporter forReportingScenarios() { return new ScenarioReporterBuilder(new FilePrintStreamFactory(scenarioClass, resolver)) .outputTo("target/jbehave-reports").outputAsAbsolute(true) // only required with Ant (cf note below) .withDefaultFormats() // add default formats .with(CONSOLE) .with(TXT) .with(HTML) .with(XML) .build(); } }); StepsConfiguration configuration = new StepsConfiguration(); addSteps(createSteps(configuration)); } protected CandidateSteps[] createSteps(StepsConfiguration configuration) { return new StepsFactory(configuration).createCandidateSteps(new TraderSteps(new TradingService()), new BeforeAfterSteps()); }For a fully-working example of reporting configuration you may consult the trader example. Note that the configuration only needs to be done in one place, i.e. the parent Scenario class, and not repeated in every Scenario class that maps to a textual scenario. In general, the specification of the output directory is optional. It is necessary when running with Ant as a workaround for Ant's classloading strategy which uses the Ant Project.class ProtectionDomain, which in turn leads to the $ANT_HOME/lib as the code source location. A better solution would be to override the hacky AntClassLoader behaviour, as also noted by Ant folks in the AntClassLoader#defineClassFromData method. A user-friendly way to do is being investigated.
Note that we use the ScenarioReporterBuilder to implement a builder pattern for file-based reporters via the FilePrintStreamFactory, in which we inject the ScenarioNameResolver to derive the report file names from the scenario class, using the same name resolution mechanism used for mapping Java classes and textual scenarios. So, e.g., if the scenario class is com.example.MyScenario, we'll end up with file report outputs of the form: com.example.my_scenario.[format] (where format is any of txt,html,xml in the example above).
The file-based print stream factory for the scenario reporting requires the scenario class to be provided in order to derive from it the output file paths (with the appropriate format extension). If you want to migrate multiple scenarios to using file-based reporting, an intermediate stepping stone might be to provide as a scenario class the parent class in which you build the scenario reporter (TraderScenario.class in the example), which will result in all reporting (for a given format) to be appended to the same file. Then gradually you can refactor your scenario classes to provide their class to the parent (as the example shows). Otherwise, you may want to keep output in a single file, the choice is yours.The builder provides defaults for all the formats supported, but if the user needs to create a bespoke instance of a reporter for a given format, it can be easily done by overriding the default. E.g. to override the reporter for TXT format to use a ".text" extension (a possibly keywords for a different Locale):
ScenarioReporter reporter = new ScenarioReporterBuilder(factory){ public ScenarioReporter reporterFor(Format format){ switch (format) { case TXT: factory.useConfiguration(new FileConfiguration("text")); return new PrintStreamScenarioReporter(factory.getPrintStream(), new Properties(), new I18nKeyWords(Locale.ITALIAN), true); default: return super.reporterFor(format); } }
The generation of the reports is only the first part of a complete HTML-based reporting solution. Next we need to render the reports, aggregating all the ones that have been configured and generated in a given output directory, and presenting a collective index view for all formats configured. Moreover, we need to style the view, both for HTML and non-HTML report formats.
The rendering is the responsibility of the ReportRenderer. JBehave provides an implementation (FreemarkerReportRenderer) based on Freemarker to allow a templateable and easily styleable way to render the report views.
The default resources required for the report rendering are bundled in the jbehave-core.jar (extract ftl/*.ftl, js/*.js and style/*.css) but can be overridden. The FTL files need to be the classpath for the FreemarkerReportRenderer to find them, while the look and feel resources (js/*.js and style/*.css files) need to be copied to the target/jbehave-reports/rendered directory (or wherever the index page has been rendered to) Also note that the default style makes use of images found in the jbehave-site-resources.jar.
Also, note that the report formats configured should match ones found in the Ant or Maven execution for the report rendering task or goal (c.f. running scenarios for examples).
When running in a continuous-integration (CI) environment, it is important to bear in mind that the two-phase process requires that the ignoreFailure=true flag be set in the report generation (i.e. the running of the scenarios), so that all reports are collected, while the ignoreFailure flag in the report rendering will determine the behaviour upon any scenario failures. The default value for the rendering phase is ignoreFailure=false is adequate for CI builds.The scenario statistics report above is treated in the rendering slightly differently from other reports, in that the statistics are displayed on the index page, if available. To ensure they are always available the scenario reporter builder is configured to have stats as a default format (although the default formats need to be added to the builder).
Default formats allow users to define a builder that can be used in multiple configurations without having to repeat tediously all the formats required, if these are used consistently. By default, "stats" is the only default format (used for collecting reporting statistics). To modify simply override the method withDefaultFormats(). E.g. to add "txt" as a default format:
new ScenarioReporterBuilder(factory){ protected ScenarioReporterBuilder withDefaultFormats() { return with(Format.STATS).with(Format.TXT); } }
By default, JBehave outputs file reports to the directory jbehave-reports (relative to the scenario class code source location, e.g. the target directory in Maven), but this can be changed via the builder:
new ScenarioReporterBuilder(factory).outputTo("my-reports")
In some cases, i.e. when using with Ant, the class code source location may not be properly set, or different from what is expected. In this case, one can tell the builder to treat the output directory as an absolute path:
new ScenarioReporterBuilder(factory).outputTo("target/my-reports").outputAsAbsolute(true)
If the default formats or the output file directory are modified via the builder, then correspondingly we need to inform the report render of these changes. See running scenarios for details on how to configure these changes.


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Order meals and platters for workplaces and events.
Pick A Plan
Select a plan that suits your tastebuds.
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Choose one of the delicious options for the day.
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Gets rid of the daily lunch hassle so you can focus on changing the world.


{% extends "base/base_signin.html" %} {% load staticfiles %} {% load static %} {% block carousel %}
Pnyx is a web-based application that allows you to collect and aggregate the preferences of several persons. Unlike existing solutions, Pnyx aims to be easy to use and to optimize the user experience. Pnyx allows you to easily create and manage polls and get in contact with the participants.
Sign up in just 1 step to create your first poll. The voters will not need an account and Pnyx provides an intuitive voting interface.
Your username and password didn't match. Please try again.
{% endif %}It is important that the preference aggregation suits the demands of the poll creator as much as possible. Therefore Pnyx allows you to customize your poll by choosing the type of preferences required from the voters as well as the type of output.
Voters can either specify a unique most preferred alternative, dichotomous preferences, a linear order of preferences, a complete preorder or a complete binary relation. Pnyx can compute the best alternative, a lottery, or a ranking that represents the collective preferences.
Pnyx is not only a user-friendly application but also a powerful aggregation tool. Pnyx is based on insights from social choice theory and automatically selects the most appropriate choice rule depending on the combination of input and output types specified by the user.
Pnyx also supports periodic polls (for instance, lunch polls that are conducted daily before lunchtime), for which voters only need to update their preferences if desired.


Beto O’Rourke’s dashed White House dreams trolled by NRA:
by Douglas ErnstThe National Rifle Association wasted no time on Friday trolling Beto O’Rourke’s failed presidential dreams by referencing his “Hell yes!” response on the idea of AR-15 confiscations.
“Beto O’Rourke has dropped out of the 2020 presidential race. That makes it two failed campaigns in one year!” the NRA tweeted after Mr. O’Rourke ended his campaign. “Let this be a lesson: Running on destroying the Second Amendment and stripping Americans of their firearms is never a good idea. #ByeBeto.”
The gun rights organization’s tweet also included an image that read “Hell yes. Beto Fails,” with the former Texas representative giving a “thumbs up” sign.
Mr. O’Rourke captured national headlines in September when he exclaimed, “Hell, yes, we’re going to take your AR-15, your AK-47,” on a Texas debate stage with his fellow presidential hopefuls.
“We’re not going to allow it to be used against our fellow Americans anymore,” the Democrat said.
Mr. O’Rourke’s campaign exit was punctuated by a call to “fearlessly champion the issues and causes that brought us together,” and to end an “epidemic of gun violence” and “structural racism.”
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|
jubilant-funicular
|
Custom iterator for looping over Components in a ComponentNode. More...
#include <ECS.h>
Public Types | |
| using | value_type = Component * |
| using | difference_type = std::ptrdiff_t |
| using | pointer = ComponentNode * |
| using | reference = Component *& |
| using | iterator_category = std::forward_iterator_tag |
Public Member Functions | |
| iterator (pointer node) | |
| reference | operator* () const |
| reference | operator-> () const |
| iterator & | operator++ () |
| iterator | operator++ (int) |
| bool | operator== (const iterator &rhs) const |
| bool | operator!= (const iterator &rhs) const |
Private Attributes | |
| pointer | m_node |
Custom iterator for looping over Components in a ComponentNode.


{% extends "base.html" %} {% block content %}
This is a resort unknown to us - Help us to with the resort information and add it to XXX
Adding personal resorts XXX
All Pistelogs resorts


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Stan Lee
He's a famous writer book writer, editor, publisher, and producer.
- He was born in December 28, 1922 in New York.
- His name's Stanley Martin Lieber.
- He changed his name's to Stan Leewhen he started writing Captain America comics.
- In 1939 he graduated from high school at age 16 and joined the WPA Federal Theatre Project.
- He married Joan Clayton Boocock in England,on December 05,1947.
Here Mrs Joan Clayton Boocock
- He's have 2 children there're Joan Celia LeeandJan Lee.
- In 1939 he became an assistant in Timely Comics.
- In 1939, a teenage Stan Lee began his career in comics and 75 years later, he is celebrated as the creative tour de force behind Marvel’s Silver Age - the co-creator of beloved characters like Spider-Man, the Fantastic Four, Hulk, Thor and
the X-Men. Take part in Stan ‘The Man’ Lee’s historic legacy!
- His favorite superhero there are spider man Dr. Banner/The Hulk Black Panther The X-Men
- Stan Lee dead November 12, 2018.
For more informtion about Stan Lee.
Wikipedia entry.
writer and code by
saroto


The article I chose was a New York Public Library article which summarizes the disaster of the P.S. General Slocum in 1904. This is the link to my markdown page.


The program works in transmitting HTML files.
Since this was the pure HTML file, click here to go to the HTML file with the embedded images.


We clean and degrease the part and make sure it is free of debris.
We prime the part you want us to dip, if the part is plastic we use CPO or ATV primer, if the part is metal we us etch primer.
After the prime coat has dry complete we will start with the base coat. The base coat will be the primary colour of the part you would like to dip.
We gently place the film ( pattern you selected ) onto the water, then we spray a chemical called activator onto the film that will dissolve the plastic of the film. Wait for 10 second and start to submerge the part into the water, making sure we get the film in all corners.
Lastly we spray on a clear coat, we can either make it a gloss clear coat or a matt clear coat. The choice is yours.


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{% extends "base.html" %} {% block title %}{{ JOBS_BOARD_TITLE }}: Job {{ job.title }} approved{% endblock %} {% block body %}
Job "{{ job.title }}" has been approved, and the following tweet has been sent: {{ tweet }}
{% if retweet_errors %}However, the following errors were encountered while retweeting:


Guitar Engine is still currently in development!
If you have any questions or issues please visit the
Fusion 360 Luthiers Facebook Group.


Add quick, dynamic tab functionality to transition through panes of local content, even via dropdown menus. Nested tabs are not supported.
Bootstrap 4 doesn't have justified classes


An astute politician. One of the most revered and respected American Presidents. He defined Democracy as "the government of the people, by the people and for the people". Who is he?
Abraham Lincoln
Thomas Jerfferson
Bill Clinton
George Washington
A despotic and cruel dictator per excellence; Who bestowed on himself the highest Military rank in the world "Field Marshal". He is one of the top most brutal African dictator. He died in exile (Saudi Arabia). Who is he?
Idi Amin
Sani Abacha
Jacob Zuma
Joseph Stalin
He was pivotal to the transformation of a desert to a Tourist center; He is a Global leader from a minor region. He also drove the construction of Burj Khalifa, the tallest building in the world.
The Vice President and Prime Minister of his Desert-turned-Tourist Center Country. Who is this Political icon?
General Fidel Castro
Tamim bin Hamad Al Thani
Mohammed Bin Rashid Al Maktoum
Mohamed Abdullahi Mohamed
A modest ruler. He is best described as "THE WORLD HUMBLEST PRESIDENT". Conventionally, he is acclaimed to be
"THE WORLD POOREST PRESIDENT". Who is he?
Dilma Rousseff
Eleuterio Fernández Huidobro
Mauricio Rosencof
José Alberto "Pepe" Mujica
A legal luminary and Advocate for Gender equality, got married to a President; Contested to become the First Female president of the United States but lost graciously. Do you know Her?
Nikki Haley
Hillary Clinton
Elizabeth Warren
Mitchelle Obama
She won three consecutive terms of office in two decades and became the only British Prime Minister in the twentieth century to do so. One of the most influential Prime Ministers of Britain, she was also the most debated stateswomen of the century, earning both respect and hatred from the public. She is usually called the "IRON LADY". WHo is she?
Tammy Duckworth
Angela Merkel
Margaret Thatcher
Ngozi Okonjo-Iweala
He came to power by uniting many of the nomadic tribes of Northeast Asia. The founder of a mighty Asian Empire, which became the largest contiguous empire in history after his death. Who is He?
Genghis Khan
Tsing Shi Tao
Mahatma Gandhi
Mao Zedong
He single handedly elevated Russia from a backward country to a major world power.A controversial Russian dictator who led Russia to the World war II and subsequently initiated the development of Nucelar bomb making USSR the second country to develop the nuclear bomb. In spite of his ruthlessness, he was a popular and well respected leader. Whats his name?
Joseph Stalin
Vladimir Lenin
Benito Mussolini
Vladimir Putin
A conservative Prussian statesman who dominated German and European affairs from the 1860s until 1890. He engineered a series of wars that unified the German states into a powerful German Empire under Prussian leadership. With that accomplished by 1871 he skillfully used balance of power diplomacy to preserve German hegemony in a Europe. Who is he?
Rudolf Hess
Adolf Hitler
Otto von Bismarck
Joseph Goebbels
Daughter of Henry VIII by second wife, Anne Boleyn. The fifth and last monarch of the Tudor dynasty. Popularly known as the "VIRGIN QUEEN". Who is she?
Cathrine IV of England
Elizabeth II of England
Mary I of England
Elizabeth I of England
A South African anti-apartheid revolutionary, politician and philanthropist who served as President of South Africa from 1994 to 1999. He was South Africa's first black President, and the first elected in a fully representative democratic election. Who is he?
Thambo Mbeki
Rolihlahla Mandela
Winifred Mandela
Jacob Zuma
At the age of 21, he conquered Constantinople and brought an end to the Byzantine Empire.Being a highly regarded conqueror. He is considered a hero in modern-day Turkey and parts of the wider Muslim world. Who is He?
Hammurabi
Suleyman The Magnificent
Mehmed II
Salah al-Din


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:a place legally authorized for keeping small game (as hare or pheasant)
:the privilege of hunting game in such a warren
:an area (as of uncultivated ground) where rabbits breed
:a structure where rabbits are kept or bred
:the rabbits of a warren
:a crowded tenement or district
:a maze of passageways or small rooms


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What Police Should Do To Killers Of PDP Women Leader
by Faderera FaladeMusa Wada the flagbearer for the Peoples Democratic Party, PDP, candidate in the just concluded governorship election in Kogi State has called on the Nigerian Police to fish out killers of Acheju Abu.
Recall that during a bloody clash by party supporters on Monday at Ochadamu, Ofu Local Government area of Kogi State, two people were killed.
The state Police Command’s Spokesman, DSP Willam Aya, who confirmed the development on Tuesday, said that a former councillor in the local government, Mrs Salome Abu and Mr Awalu Zekeri died in the crisis.
Aya explained that the crisis started following a misunderstanding between Zekeri of the All Progressives Congress (APC) and Mr Goodwin Simeon, a member of the Peoples Democratic Party (PDP).
To retaliate , some angry youths in Ochadamu went to the house of Mr Simeon Abuh, who is an uncle to the suspect and set it ablaze.
He said 60-year-old Mrs Salome Abuh died inside the house after she was burned to death.
Wada who paid a condolence visit to the family of the deceased on Tuesday called on the Nigeria Police to investigate and arrest the killers of Abu.
On his Twitter page, he wrote: “Earlier today, I paid a condolence visit to the family of the Late Mrs. Acheju Abu who was burnt alive in her house in Ochadamu, of Ofu Local Government Area of Kogi state. She was a sincere servant of our party and the masses.
“I call on the Nigeria Police to investigate and arrest the killers of the Late Achebu. May the good Lord comfort her family for her untimely departure.”


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{% for post in site.categories.father %} {{ post.title }} {% endfor %}


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Typography #
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This is lead para and it should always come under page title.
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This is para about type. Apparently, 70% of the user interface usually is text. That is one of the podeg
reason why one must spend ample time in creating type hierarchy. This is strong and this is code
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- First list item is very long and will get into lines definitely. First list item is very long link and will get into two lines definitely.
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Show dots on chart
Filled with gradient
Content of hint for hover. It has $implicit in
context with a tuple [TuiPoint, number]
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Start of Y axis
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- instanced circle billboards - colors
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{% extends "base.html" %} {% block body_class %}blog{% endblock %} {% block body %}
Why is this so important?
Human beings have begun to impact the air we breathe in ways that
are irreversible.
Environmental scientists conclude that there are some things that cannot be reversed with regards to the earth and its resources. There are certain elements of nature that cannot be replenished or restored. And regrettably, the kind of global political will required to safeguard our future environment is not acheived currently nor is foreseeable in the near future unless some environmental repercussions come to the fore.
The city that promises work, a better living and well being, has now become a place which harbours the seeds of health complications. What does this mean for us in the short term?
The rise of lung cancer in children in industrious Chinese cities are causing governments to take alarm. Yet, any solution to reverse or combat the current levels of air pollution looming over our cities is necessarily long term and will not be controllable in the near future.
There are laws in many countries which stipulate that a city having a population of over a number of people is mandated by law to collect, collate and publish Air Quality Index (AQI) information for its vicinity.
The US currently requires every city with a population above 3.5 lakh people to make AQI data publicly available and accessible.
These laws uphold the moral right of the citizen who is desirous of inhabiting or visiting a place, to know what the invisible air contains and what it would mean to them. Those who are sensitive to the environment have a necessity to safeguard their health and to be able to gauge whether a given place would be safe for them to visit.
It becomes resonably imperative for us to see the unseen and to enable others to see it as well.
Keeping that in mind, we at IndiaSpend have created tools to analyse air quality patterns from a qualitative as well as quantitive standpoint.
We hope that it can help one gain perspective as to where we stand with regards to the air we breathe.
Click here to view the AQI dashboard.


The Azure Linkboard is a lightweight, cheap to run, and fast bookmark archival site designed to illustrate using Web API and Azure to build the backbone of a real and functional application that supports multiple clients.
If you're reading this then you're using the AngularJS single page application client - coming soon are iOS (Swift based) and Windows 8 Store App clients.
The site can be used here as is however you can also host your own instance of the site and you can get the code below.
If you already have a username and password, you can use the button below to access your bookmarks.
Dedicated to producing mobile and web applications that are easy to use Accidental Fish is a one man outfit run by me, James. You can find out more about some of my work on my portfolio page.


{% extends "base.html" %} {% block content %}
Well no one told me about her the way she lied Well no one told me about her how many people cried But it's too late to say you're sorry How would I know why should I care Please don't bother trying to find her She's not there{% endblock %}


respiratory SARS-CoV- coronavirus acute COVID- novel {border-style patients px;} #ffffff;} severe virus syndrome Human CoVs Med. disease viral coronaviruses genetic infection tract SARS-CoV human infected Severe Wuhan, cause clinical humans rate Engl. pneumonia px; symptoms {font-family C>T Fig. IL, MERS-CoV caused font-size infections pathogenesis protein receptor variations viruses Huang NC_. beta common confirmed different double; genome including outbreak potential strategies therapeutic ACE China Elsevier Fever, Infect. Middle Mild SARS Virol. addition, analysis available bat binding border-color border-width cases causing characteristics coronaviruses, development diarrhea distress epidemic genes global immune infectious later people phylogenetic showed solid; spread studies treatment upper {font-style {font-weight (Fig. (Rehman ARDS Also, Bat COVID-. CoV Genetic Homology Pig Sci. Table Wang avian bold centre courier; em; emerged enzyme free increased infect levels lung mild mortality pathogenesis, pt;} regions resource sequence shown


Process Development for Destruction of Hazardous Organic Compounds Including Halogens, Phosphate Esters, or Other Intractable Moities
EPA Contract Number: 68D00238Title: Process Development for Destruction of Hazardous Organic Compounds Including Halogens, Phosphate Esters, or Other Intractable Moities
Investigators: Howell, Samuel G.
Small Business: Excell Partnership
EPA Contact: Manager, SBIR Program
Phase: I
Project Period: September 1, 2000 through March 1, 2001
Project Amount: $69,713
RFA: Small Business Innovation Research (SBIR) - Phase I (2000) RFA Text | Recipients Lists
Research Category: Hazardous Waste/Remediation , SBIR - Waste , Small Business Innovation Research (SBIR)
Description:
A new approach to destroying polychlorinated biphenyl (PCB), pesticides, toxic organic compounds, and obsolete chemical weaponry overcomes many of the objections to previous methods. Incineration of these compounds is thermally inefficient and often produces highly toxic by-products such as dioxins and furans. Conventionally, molten salt oxidation requires high temperatures and precautions to minimize corrosion of the operating equipment. Dehalogenation approaches such as the BCD process are effective at low concentrations (below 10-15 percent), but are ineffective at high concentrations of PCB, as they produce a waste gummy by-product that must be disposed of, as such products might fall under the EPA "Derived From" rule. This Phase I project uses a new process that is unique; it utilizes a patented eutectic mixture of highly oxidizing molten salts and operates effectively at much lower temperatures than previous molten salt reactors. The mixture is inexpensive, almost noncorrosive, and has a low viscosity that allows it to be pumped into a multistage contactor, thus essentially allowing the operator to achieve any degree of destruction desired. If compounds containing halogen, phosphate, or sulfate groups are treated, the corresponding salts form precipitate, and can be separated from the melt, allowing most to be reused. The reaction is highly exothermic, as oxidation of the hydrocarbon fraction and the formation of the sodium salts produce heat that may be recovered by conventional heat recovery equipment. Laboratory results indicate extremely high degrees of destruction of simulants for PCB, pesticides, and chemical warfare agents. Successful laboratory results have prompted the developers to seek funds to build a larger reactor that will allow them to determine destruction efficiencies for various compounds, and develop capital costs for commercial units.A scaleup of Excell Partnership's laboratory reactor will confirm that the present design of gas/liquid contacting apparatus for the Wabash process can lead to production of commercial units for the destruction of many hazardous wastes such as drycleaning sludges, waste paints, pesticides, and obsolete chemical weaponry. Successful operation of a larger reactor for an extended period will enable more accurate estimation of the capital and operating costs of such a full-scale plant. Operation of a larger reactor also will yield more data about exothermic heat evolution and heat losses. This will be useful in designing heat removal apparatus in a full-scale reactor. Because reagent costs for the process are almost fixed, except for the small amount of nitrate carried out with the precipitated salts, a larger reactor equipped with continuous precipitate removal will allow Excell Partnership to determine the quantity and include it in the variable costs.


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{% extends "bootstrap/base.html" %} {% import "bootstrap/wtf.html" as wtf %} {% block title %}SMS Spam Detector{% endblock %} {% block content %}


Last updated: 2020-08-30
Checks: 6 1
Knit directory: Covid-19-genomic-variation/
This reproducible R Markdown analysis was created with workflowr (version 1.6.1). The Checks tab describes the reproducibility checks that were applied when the results were created. The Past versions tab lists the development history.
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In line with the spatial genetic structure analysis, and to detect the genome regions under selection or involved in adaptation, we carried out the PCA-based genome scan on the genome-wide SNPs using pcadapt (Duforet-Frebourg, et al. 2016; Luu, et al. 2017). We filtered the SNPs with minor allele frequency (MAF) >0.05 and kept 5 principal components for use of calculating the Mahalanobis distance to identify the outliers as the candidate loci that might be under selection. We set the threshold at alpha <4E-11 to identify the outliers. In addition, we also carried out the genome scan for all variant sites (CNRs, the copy number of references) to see which genes were under selection. The analysis was carried out using the pcadapt package (Luu, et al. 2017).
Fig. 1 Screen plot for the variations Fig. 1 shows that the first 5 PCs account for almost the largest variance of the total variations based on the whole genome wide SNPs. Fig. 2 Score plot for the variations
Fig. 2 is also the genetic structure presented in “Spatial genetic structure of SARS-CoV-2” . Fig. 3 Manhattan plot for the variations with a threshold of 4E-11 using the first 5 PCs
This plot presents the -log(q-value) of SNPs under selection.
This is a method associated with principal components. Therefore, this approach identifies loci that contribute to the genetic sturtcure of 3,736 complete genomes SARS-Covid-2.
R version 3.6.1 (2019-07-05)
Platform: x86_64-w64-mingw32/x64 (64-bit)
Running under: Windows 10 x64 (build 19041)
Matrix products: default
locale:
[1] LC_COLLATE=English_United Kingdom.1252
[2] LC_CTYPE=English_United Kingdom.1252
[3] LC_MONETARY=English_United Kingdom.1252
[4] LC_NUMERIC=C
[5] LC_TIME=English_United Kingdom.1252
attached base packages:
[1] stats graphics grDevices utils datasets methods base
other attached packages:
[1] ggplot2_3.2.1 qvalue_2.18.0 pcadapt_4.3.1 workflowr_1.6.1
loaded via a namespace (and not attached):
[1] Rcpp_1.0.2 plyr_1.8.4 compiler_3.6.1 pillar_1.4.2
[5] later_1.0.0 git2r_0.26.1 tools_3.6.1 digest_0.6.21
[9] viridisLite_0.3.0 lifecycle_0.1.0 jsonlite_1.6 evaluate_0.14
[13] tibble_2.1.3 gtable_0.3.0 pkgconfig_2.0.3 rlang_0.4.6
[17] yaml_2.2.0 xfun_0.11 httr_1.4.1 withr_2.1.2
[21] stringr_1.4.0 dplyr_0.8.3 knitr_1.26 maps_3.3.0
[25] vctrs_0.3.1 htmlwidgets_1.5.1 fs_1.3.1 cowplot_1.0.0
[29] rprojroot_1.3-2 grid_3.6.1 tidyselect_0.2.5 data.table_1.12.6
[33] glue_1.3.1 R6_2.4.0 plotly_4.9.1 PCAviz_0.3-37
[37] rmarkdown_2.1 tidyr_1.0.0 purrr_0.3.3 reshape2_1.4.3
[41] magrittr_1.5 splines_3.6.1 backports_1.1.5 scales_1.0.0
[45] promises_1.1.0 htmltools_0.4.0 assertthat_0.2.1 countrycode_1.1.0
[49] colorspace_1.4-1 httpuv_1.5.2 labeling_0.3 stringi_1.4.3
[53] lazyeval_0.2.2 munsell_0.5.0 crayon_1.3.4


isoprene emission Plant Iso Loreto plants Isoprene drought stress Environ. {border-style Velikova carbon px;} #ffffff;} Physiol. Tattini biosynthesis Sharkey concentration plant volatile Atmos. emissions species high leaves Brunetti Cell membranes photosynthetic ./pp.. Brilli Chem. Monson conditions heat increase organic ./j.-...x Biol. Bot. Centritto Schnitzler photosynthesis stomatal stress. water Jardine New Niinemets Sci. climate isoprene-emitting px; {font-family ./acp--- ./pce. Italy Phys. Phytol. Populus atmospheric change effect environmental font-size low membrane poplar severe stresses temperature (Iso (e.g., Exp. Monson, Quercus Vickers air antioxidant associated compound compounds double; emit functional isoprenoid lipid ozone plants. response responses urban use ./nph. Biology, Change Dani Department Ghirardo Glob. Guenther Morfopoulos Owen University Urban Volatile border-color border-width challenged effects evidence formation functions growing highly increases inside isoprenoids leaves. particularly pathway production role significance solid; sources thylakoid tropospheric {font-style {font-weight ./j.atmosenv... ./j.tplants... Affek Ann. Baudic Emissions Figure Fineschi, Harrison Hewitt However, Lerdau MEP Tree Trends biological bold chemical chemistry chloroplast concurrently conductance cope courier; does em; energy global growth hygrophilic hypothesized increased internal isoprene, land large leaf leaves, limitations native oxidation oxygen phenylpropanoids protects pt;} rates reduces relevant reported secondary species, species. synthase terrestrial usually


Use the buttons to complete as many details as possible, these will then automatically be sent through to our claims team who will then be able to advise you on the correct claims procedures to follow and what further information or supporting documentation will assist us in handling your claim.


caroline: A Collection of Database, Data Structure, Visualization, and
Utility Functions for R
The caroline R library contains dozens of functions useful
for: database migration (dbWriteTable2), database style joins &
aggregation (nerge, groupBy & bestBy), data structure
conversion (nv, tab2df), legend table making (sstable &
leghead), plot annotation (labsegs & mvlabs), data
visualization (violins, pies & raPlot), character string
manipulation (m & pad), file I/O (write.delim), batch scripting
and more. The package's greatest
contributions lie in the database style merge, aggregation and
interface functions as well as in it's extensive use and
propagation of row, column and vector names in most functions.
| Version: |
0.7.6 |
| Depends: |
R (≥ 1.8.0) |
| Suggests: |
sm, MASS, RSQLite, grid |
| Published: |
2013-10-08 |
| Author: |
David Schruth |
| Maintainer: |
David Schruth <caroline at hominine.net> |
| License: |
Artistic-2.0 |
| NeedsCompilation: |
no |
| CRAN checks: |
caroline results |
Downloads:
Reverse dependencies:
Linking:
Please use the canonical form
https://CRAN.R-project.org/package=caroline
to link to this page.


Created by Max Putilov / @baio1980
function func(a, b) {...}
//that I should pass to function?
//that function returns?
//need to spend time
//looking up implemetation and infere
//parameters
var name : string = "max";
var age : number = 38;
name = 12; // error here, types difference !
var sex : boolean = true;
var list : string[] = ["one", "two"];
//same as a List<string>, Array<string>
any
- Special Special type, basically do nothing
var name : any = "word";
name = 12; //ok !
Often used to cast types when necessary
var name : string = "word";
var age : number = 30;
name = <any> age; //ok !
interface IPerson {
name : string
age? : number // could be omitted on instantiation
}
var person : IPerson = { name : "max" }; //ok
var person : IPerson = {}; //error, name is required !
var person : IPerson = <any> {}; //ok, any magic
var person : IPerson = {
name: string,
age: 35,
sex: "male" // notice not declared field, better not use !!!
}; // also ok
// BUT
person.id = 100; // error !
(<any>person).id = 100; //ok
enum MediaType {image, video};
var mType : MeiaType = MediaType.image; //ok
mType = "video"; // error
//Actually numbers
assert(mType.image == 0); //true
//Starts from zero, can be redefined
enum MediaType {image = 1, video = 10};
//Actually can convert to string (wierd !)
assert(MeiaType[MeiaType.image] == "image"); //true
function save(id: string, person: IPerson) : IPromise<boolean> {
//error nothing returns
}
//error first parameter must be a string !
save(10, {name : "max"}).then((res) =>
console.log(res.sex); // error, no field sex, on type IPerson
);
TypeScript -> ES6, ES5, ES3, you choose
class Calc {
var a;
constructor (var a) { this.a = a; }
add = (a, b) => a + b;
sub(a, b) {return a - b;}
}
class Calc {
var a : number;
constructor (var a: number) { this.a = a; }
add = (a: number, b: number) : number => a + b;
sub(a: number, b: number) : number {return a - b;}
}
Look, TypeScript added only Types ! Important to distinct ES6 features and TypeScript features !
Caveat, you can define constructor from above as
constructor (private var a: number) { }
Indeed type script, add not only type features!
Same rules as in other object oriented languages
interface IPersonEx extends IPerson {
sex : string
}
Declare external global variables, for example global windows object object
declare var window; //have any type automatically
If we use external js libraries in project and would like to have typings for these libraries, it is possible to add types declarations separately (like header files in C) You can use jquery library and create type definitions for one (jquery.d.ts) or you can download type definition file from definitelytyped.org
You must not declare type definition files (d.ts) for your own type script code. These files will be compiled automatically. Basically transpiler output transpiled ts file in form of js file, which you could use in other js projects and type defintion file d.ts which you can include to type script pojects to have typings benefit.
ES 5, have not module support, but we can imitate it by space names (scopes in js)
module RootModule {
export class A {}
}
module SecondModule {
export class A {}
}
//and use it
var A1 = RootModule.A;
var A2 = SecondModule.A;
`module` keyword is somehow misguided since it is not module in common language definition but simple namespace.
ES 6 modules
//file rootFile.js
export class A {}
}
//file seconFile.js
export class B {}
}
//file index.js
import {A as A1} from "rootFile"
import {A as A2} from "secondFile"
Can be transpiled to 2 types of module systems of ES5 (not statdardized) amd and commonjs
TypeScript module aka namespace -> transpiled to ES 5 "modules"
ES6 module (v 1.5) -> transpiled to ES 5 "modules"


SassDoc Annotations
Herman supports all the core SassDoc annotations. This page includes samples of every core annotation type, so you can see what they look like in Herman.
@function herman-sample()
aliased as sample-alias(), sample-alias-two()
This is a sample function. You can actually put much more text in here, and include markdown. Lorem markdownum rapite neque loquentis pro inque; nullaque triones promisistis quaque. Non iura oves creatas mixta gente torum Caune. Huius sacra corpora refert celeberrima luctus tibi cornua, nec qui illum poteram, et eundi recalfecit efficiens isdem superi. Alii virginibusque vultus certa socios venae ferrove finis longave, pignus duros nubifer!
- Tenuatus percussae tanta iudice Hippolytus miseram inmunis
- Ture Iovis holus est et vere
- Domus cum quid meae erras
- Quam apta fata puppis ergo solis praeteriti
Since 1.0.0
:
Adding samples files to the documentation.
Author:
Parameters & Return
$one: (number)
The first parameter is required, because no default is given
$two: $one (number)
Our second parameter defaults to the value of our first one
$three: 'three' (string)
Looks like this one takes a string instead
@return (list)
All three of the arguments in order
@error
Please provide values for all three parameters
Example
.example::before {
content: samples.herman-sample(1, 2);
}
.example::before {
content: 1 2 "three";
}
To-do List
-
Create more samples like this one
-
Add more todo items
@function sample-alias() [deprecated]
alias for herman-sample()
This is a sample function alias.
DEPRECATED:
I don’t think this alias is useful anymore
Requires
@function herman-sample()
@function sample-alias-two() [deprecated]
alias for herman-sample()
This is a sample function alias.
DEPRECATED:
Doesn’t seem to work without a message
Requires
@function herman-sample()
Extra Commentary
Herman allows you to write “prose” markdown blocks, to help introduce groups, or add narrative flow between documented items.
Note that while SassDoc allows annotation comments to be separated from the documented code by newlines, Herman considers documentation to be free-floating “prose” if it is separated from documented code by one or more newlines.
Prose blocks can also include examples, and other annotations.
Example
.private::after {
content: samples.$private;
}
.private::after {
content: "for internal use only";
}
Related
http://sassdoc.com/annotations/ [external]
@mixin before-sample()
Mixins can optionally accept a @content block,
passed in brackets. This example creates
a generated element :before
the element it is used on.
Parameters & Output
$content: (String)
A value for the content
property
$list…: (arglist)
Sass also allows arglists!
@content (code block)
::before
element
{CSS output} (code block)
A ::before
pseudo-element,
with the content
property established,
and any passed-in styled applied.
Example
.item {
@include samples.before-sample('Test One: ') {
color: red;
}
}
.item::before {
content: "Test One: ";
color: red;
}
$private (*) [private]
$private: 'for internal use only';
Private variables will display unless you set access: ['public']
in your SassDoc config.
$basic-value (*)
$basic-value: if(not 'social', $private, 'hello world');
The basics for documenting your average non-map variable.
Requires
$private (*) [private]
Used By
$map-value (map)
$map-value: (
'morning': $basic-value,
'evening': $private,
);
You can add properties when documenting map variables.
Map Properties
'morning': $basic-value (string)
What to say in the morning when you get up
'evening': $private (string)
What to say in the evening before bed
Requires
$basic-value (*)
We can require other variables, and explain why
$private (*) [private]
We can also override the link


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Password
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SUPER
JPCP BROS.
★
BLOG
★
LOMOGRAPHY
★
RESUME
★
This example requires a browser that supports the
HTML5
<canvas> feature.


Calvin is driving his favorite vehicle on the 101 freeway. He notices that the check engine light of his vehicle is on, and he wants to service it immediately to avoid any risks. Luckily, a service lane runs parallel to the highway. The length of the service lane is $N$ units. The service lane consists of $N$ segments of equal length and different width.
Calvin can enter to and exit from any segment. Let's call the entry segment as index $i$ and the exit segment as index $j$. Assume that the exit segment lies after the entry segment ($i \le j$) and $0 \le i$. Calvin has to pass through all segments from index $i$ to index $j$ (both inclusive).
Calvin has three types of vehicles - bike, car, and truck - represented by $1$, $2$ and $3$, respectively. These numbers also denote the width of the vehicle.
You are given an array $width$ of length $N$, where $width[k]$ represents the width of the $k$th segment of the service lane. It is guaranteed that while servicing he can pass through at most $1000$ segments, including the entry and exit segments.
Given the entry and exit point of Calvin's vehicle in the service lane, output the type of the largest vehicle which can pass through the service lane (including the entry and exit segments).
Input Format
The first line of input contains two integers, $N$ and $T$, where $N$ denotes the length of the freeway and $T$ the number of test cases. The next line has $N$ space-separated integers which represent the $width$ array.
$T$ test cases follow. Each test case contains two integers, $i$ and $j$, where $i$ is the index of the segment through which Calvin enters the service lane and $j$ is the index of the lane segment through which he exits.
Constraints
$2 \le N \le 100000$
$1 \le T \le 1000$
$0 \le i \lt j < N$
$2 \le j-i+1 \le min (N, 1000)$
$1 \le width[k] \le 3, \text{where } 0 \le k \lt N$
Output Format
For each test case, print the number that represents the largest vehicle type that can pass through the service lane.
Note: Calvin has to pass through all segments from index $i$ to index $j$ (both inclusive).
Sample Input
8 5
2 3 1 2 3 2 3 3
0 3
4 6
6 7
3 5
0 7
Sample Output
1
2
3
2
1
Explanation
Below is the representation of the lane:
|HIGHWAY|Lane| -> Width
0: | |--| 2
1: | |---| 3
2: | |-| 1
3: | |--| 2
4: | |---| 3
5: | |--| 2
6: | |---| 3
7: | |---| 3


SWEET AND LOWDOWN
Reviewed by Harvey Karten Sony Pictures Classics Director: Woody Allen Writer: Woody Allen Cast: Sean Penn, Samantha Morton, Uma Thurman, Brian Markinson, Anthony LaPaglia, Gretchen Mol
There's an old belief that to be a great artist, you have to be neurotic, or psychotic, or drunk or drug-addicted. Only people who are aberrations, who are different in temperament from the ordinary run-of-the-mill folks, can be truly creative. The brilliant guitar player who is the subject of Woody's Allen's latest movie, Emmett Ray (Sean Penn), has us going along with the adage--for a while.  Emmett is a repressed personality who holds back his feelings so much that he cannot stand being with one woman for too long, however loving she may be, and he is so centered on himself that he is not even aware of hurting the feelings of those he is with when telling them about all the other women whose company he has enjoyed. Ah, but later we learn that when he reaches an impasse in his life, when his oddities catch up with him and make him realize how lonely he truly is, he is ready to shuck off his ill-mannered narcissism: his music, brilliant though it had been, undergoes a warmth, a depth, a genuine improvement. The moral? If you want to attain greatness, at the very least, be normal.
Woody Allen has written and directed this film, a considerable improvement over his last work, "Celebrity," which made the fatal mistake of casting Kenneth Branagh as a stand-in for himself. Branagh, the very antithesis of the nebbishy Allen, embarrassed himself and his audience by playing so far against type that he evoked snickers, not laughter, from the audience. This time Allen stays behind the camera for the most part, appearing only now and then to narrate some commentary about the musician whose life he describes. Woody Allen, who is said to be truly relaxed and happy not when he is acting or directing but when he is behind his clarinet on Mondays at New York's Michael's Pub, is an aficionado of jazz--as shown in the recent documentary about his concert tour of Europe, "Wild Man Blues." "Sweet and Lowdown" is his paean to swing, blues, and ragtime, a mockumentary about a fictional character from the 1930s who is the world's second-best guitarist.
As interpreted by the marvelous Sean Penn, one of the major actors of his generation, Emmett Ray is booked into the lounges of fancy hotels together with a small combo but is often too drunk or too late to please an impatient audience- -if he shows up all. The self-destructive Emmett, who is scarcely aware of his own loneliness, has two hobbies: one is shooting rats in a vacant lot, the other is watching freight trains go by--the latter perhaps an evocation of lost youth, the former an expression of his frustration with isolation. He has plenty of women, but he feels nothing for them. He forms a relationship with Hattie (Samantha Morton), a most unusual tie given that Hattie is mute. She cannot speak and therefore is an ideal foil for Emmett, giving him plenty of opportunity to talk about himself and to allow us in the audience to get to know him as much as we can. Though much of the music in the movie is a delight--we are treated to old faves like "Sweet Georgia Brown," "All of Me," and "I'll See You in My Dreams"--the best scenes are of Emmett with Hattie who, lonely as her new man, follows him around and without a word of dialogue expresses every possible nuance of feeling. We know when she is jealous of the attention that other women are paying to Ray; we are aware of her utterly bleak sadness when she is finally rejected by him. When she smiles she reminds us of Federico Fellini's beloved Giulietta Massina, and does much to convince us of the 1930s setting which Allen has consummately evoked.
From time to time Nat Hentoff, Woody Allen, and other jazz enthusiasts pop up on screen to do some talking-heads spiel about this fictional Emmett Ray, and darned if they don't convince us that this guitarist really existed. Photographer Zhao Fei's camera wanders about to take in the characters who are part of Ray's life, including socialite Blanche (Uma Thurman) who is a would-be writer intent on gaining access to Ray's core and who somehow convinces him to marry her. Anthony LaPaglia turns out as a gangster-bodyguard to whom Blanche is attracted and who leads the jealous husband to track the two down to a roadside Mobilgas station where the audience is treated to three potential versions of the shootout that occurs there.
Many are saying that the picture is "sweet but slight," but such a mixed compliment does the film a disservice. Allen tells us quite a bit about what could well be the inner life of many a self-centered artist and shows us just how much an actress, the remarkable Samantha Morton, can do without a word of dialogue. No wonder the stars of the silents were threatened by talkies! Able to extract every emotion known to humankind simply by facial expressions and body language, they believed--accurately enough in so many cases--that communicating by voice would take our attention away from the more faithful renditions of sentiments. "Sweet and Lowdown" is sensitive, funny, melodious, and utterly charming.
Rated PG-13. Running Time: 105 minutes. (C) 1999 Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Million dollar bid to attract visitors over winter
A million-dollar fighting fund to lure visitors to Christchurch in the off-season is under way.
Boyd Warren from the promotional agency ChristchurchNZ said hotels and tourist attractions are very busy over the summer, but business falls off during the rest of the year.
He said tourism groups are banding together to solve the problem and are targeting people aged 40 and under, especially from Auckland and Wellington.
"If we can make the city cool to under 40s, it will be cool to most people including older people, you know when you've got limited resources it's best to be as focused as you can with your activity."
Mr Warren said Christchurch is a great place to visit, because it has a vibrant arts scene and a beautiful natural environment.
"Great value for money when it comes to accommodation and probably some attractions too ... we've definitely got four beautiful seasons, all the flowers are out in the botanic gardens, there's cup and show week, cricket, rugby league."


Like A Stone
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Another way of using control flow, or writing code in a non-linear fashion, is by using a switch statement. This is similar to how an if/else statement checks for multiple "if" conditions, and runs code only if those conditions have been met.
View syntax example
switch(n) {
case example1:
console.log("This code will run if n === example1 is true.");
break;
case example2:
console.log("This code will run if n === example2 is true.");
break;
case example3:
console.log("This code will run if n === example3 is true.");
break;
default:
console.log("Default will run if no cases are met.");
break;
}


-
Forms
Polycasts
Polymer, Web Components and You
Chrome Dev Summit
video
How I learned to stop worrying and love the Polymer toolbox
JSDC Taiwan
slides
How
I learned to stop worrying and love the Polymer toolbox
Polymer Summit
🎉🐱✨or: How I didn’t fix emoji in
Chrome
SmashingConf
Emoji, web components and art
SFHTML
Practical lessons from
a year of building Web Components or: Lessons, I have them
Google I/O
-
<input>, I ♥ you but you're bringing me down. This is one of my favourite
talks I've ever given.
CSS Day/HTML Special


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Collapse
Content which will be removed.
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Content which will be removed.
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Content which will be removed.


Mock Users List
Select a user to mimic login
The following is a randomly generated data. All ficticous and mathematically generated with random numbers. The randomness of which/whom is questionable by the fact it is generated on a computer with a set and specific clock wave. A true random number would be sourced from an analogue basis like a crystal. External random number generators are available for highly specific and scientific purposes.


Women's Health Awareness
Menu
Home
Doctor Locator
Self-Empowerment
Check Yo Self
Check Yo Self
We want to help you.
1. How old are you?
under 18
18-19
20-29
30-39
40-49
50-593
over 50
2. In general, how would you rate your overall health?
Excellent
Very Good
Good
Fair
Poor
3. What is your height in feet and inches?
4. What is your current weight in pounds?
5.Do you smoke cigarettes?
Yes
No
6. About how many alcoholic drinks do you consume in a week?
0
1-4
5-8
9-12
13-16
More than 16
7. How many hours do you sleep each night?
0
1
2
3
4
5
6
7
8
9
10
11
12
8. What type of lifestyle best reflects yours?
Sedentary-irregular physical activity
Moderate-some excerise, less than 2.5 hours per week
Active-working out vigorously for at least 2.5 hours a week
9. How often do you eat fast food?
Always
Usually
Sometimes
Rarely
Never
10. When is the last time you visited the doctor?
Less than 6 months ago
6 months to a year ago
1 year to 2 years ago
2 years to 3 years ago
3 or more years ago


Name: {{ info.name }}
Url: {{ info.url}}
address: {{ info.address.country }}-->{{info.address.city}}-->{{info.address.street}}
{{link.name}}--->{{link.url}}


HTML / CSS / DOM - PART 1.
Wishlist
- A gif jumbotron header
- Scrolling, responsive sections, also linked to navbar
- Minimilist nav bars and footers
Can you think of an analogy to describe HTML, CSS and DOM?
HTML is like the skeleton of a person, and CSS is like the appearance - hair, eye and skin colour; body shape; facial features; clothing etc. The DOM is like a set of habits or customs that the person follows, and which you need to know in order to interact well with the person.
What is meant by boxifying design?
The idea that everything on a webpage is separated out and contained within boxes.
What is the box model?
The box model depicts a box around every element on a page and within that box there is the content, padding, border and margin, which can all be altered using CSS.


Class CLI
public
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public
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protected
string
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protected
array|mixed
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protected
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protected
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protected
boolean
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protected
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protected
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protected
&
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public
array
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public
array
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public
mixed
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final public
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public
boolean
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public
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protected
array
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$argv
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protected
array
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$variables
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#
[]
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protected
array
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$aliases
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protected
array
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$requiredList
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protected
array
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$storage
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protected
array
|
$commands
|
#
[]
|
protected
boolean
|
$run
|


Fully Responsive template
Latest Bootstrap Version
Fully SASS Support
7 Theme Options
Hassle Free Customization
Manage Your Email
6 Chart Plugins Included
Data Table Support
Forms With Validations
Easy Steps & Sample Code Document
Manage Events With Calendar
Quick Support In 24 Hours
We are always happy to help you. For any queries or any support, please drop us a comment in the comments section or drop us a mail at<EMAIL_ADDRESS>We will reply you at the earliest, please do note that our turn around time is 24 hours.
need our help ?


nips nips2005 nips2005-123 nips2005-123-reference knowledge-graph by maker-knowledge-mining
Source: pdf
Author: Y. Altun, D. McAllester, M. Belkin
Abstract: Many real-world classiﬁcation problems involve the prediction of multiple inter-dependent variables forming some structural dependency. Recent progress in machine learning has mainly focused on supervised classiﬁcation of such structured variables. In this paper, we investigate structured classiﬁcation in a semi-supervised setting. We present a discriminative approach that utilizes the intrinsic geometry of input patterns revealed by unlabeled data points and we derive a maximum-margin formulation of semi-supervised learning for structured variables. Unlike transductive algorithms, our formulation naturally extends to new test points. 1
[1] Y. Altun, T. Hofmann, and A. Smola. Gaussian process classiﬁcation for segmenting and annotating sequences. In ICML, 2004.
[2] Y. Altun, I. Tsochantaridis, and T. Hofmann. Hidden markov support vector machines. In ICML, 2003.
[3] M. Belkin, P. Niyogi, and V. Sindhwani. Manifold regularization: a geometric framework for learning from examples. Technical Report 06, UChicago CS, 2004.
[4] Avrim Blum and Tom Mitchell. Combining labeled and unlabeled data with cotraining. In COLT, 1998.
[5] U. Brefeld, C. B¨scher, and T. Scheﬀer. Multi-view discriminative sequential learning. u In (ECML), 2005.
[6] O. Chappelle, J. Weston, and B. Scholkopf. Cluster kernels for semi-supervised learning. In (NIPS), 2002.
[7] M. Collins and N.l Duﬀy. Convolution kernels for natural language. In (NIPS), 2001.
[8] Olivier Delalleau, Yoshua Bengio, and Nicolas Le Roux. Eﬃcient non-parametric function induction in semi-supervised learning. In Proceedings of AISTAT, 2005.
[9] Thorsten Joachims. Transductive inference for text classiﬁcation using support vector machines. In (ICML), pages 200–209, 1999.
[10] G. Kimeldorf and G. Wahba. Some results on tchebychean spline functions. Journal of Mathematics Analysis and Applications, 33:82–95, 1971.
[11] John Laﬀerty, Yan Liu, and Xiaojin Zhu. Kernel conditional random ﬁelds: Representation, clique selection, and semi-supervised learning. In (ICML), 2004.
[12] K. Nigam, A. K. McCallum, S. Thrun, and T. M. Mitchell. Learning to classify text from labeled and unlabeled documents. In Proceedings of AAAI-98, pages 792–799, Madison, US, 1998.
[13] V. Sindhwani, P. Niyogi, and M. Belkin. Beyond the point cloud: from transductive to semi-supervised learning. In (ICML), 2005.
[14] B. Taskar, C. Guestrin, and D. Koller. Max-margin markov networks. In NIPS, 2004.
[15] I. Tsochantaridis, T. Hofmann, T. Joachims, and Y. Altun. Support vector machine learning for interdependent and structured output spaces. In (ICML), 2004.
[16] T. Zhang. personal communication.


|
Finite Element Course
|
Implements a NULL variational formulation. More...
#include <NullStatement.h>
Public Types | |
| enum | PostProcVar { ENone , ESol , EDSol } |
Public Member Functions | |
| NullStatement () | |
| NullStatement (int materialid) | |
| NullStatement (const NullStatement ©) | |
| NullStatement & | operator= (const NullStatement ©) |
| virtual NullStatement * | Clone () const |
| virtual | ~NullStatement () |
| virtual int | NState () const |
| virtual int | VariableIndex (const PostProcVar var) const |
| virtual PostProcVar | VariableIndex (const std::string &name) |
| virtual int | NSolutionVariables (const PostProcVar var) |
| virtual void | Contribute (IntPointData &integrationpointdata, double weight, MatrixDouble &EK, MatrixDouble &EF) const |
| virtual int | NEvalErrors () const |
| virtual void | ContributeError (IntPointData &integrationpointdata, VecDouble &errors) const |
| virtual void | PostProcessSolution (const IntPointData &integrationpointdata, const int var, VecDouble &sol) const |
| Public Member Functions inherited from MathStatement | |
| MathStatement () | |
| MathStatement (int Pmatid) | |
| MathStatement (const MathStatement ©) | |
| MathStatement & | operator= (const MathStatement ©) |
| virtual | ~MathStatement () |
| virtual void | SetMatID (int indexmat) |
| virtual int | GetMatID () |
| virtual void | SetDimension (int dim) |
| virtual int | Dimension () const |
| virtual void | Axes2XYZ (const MatrixDouble &dudaxes, MatrixDouble &dudx, const MatrixDouble &axesv, bool colMajor=true) const |
| virtual void | Print (std::ostream &out) |
Additional Inherited Members | |
| Static Public Attributes inherited from MathStatement | |
| static double | gBigNumber = 1.e12 |
Implements a NULL variational formulation.
This class contributes zero to the stiffness matrix and right hand side
Definition at line 22 of file NullStatement.h.
| Enumerator | |
|---|---|
| ENone | |
| ESol | |
| EDSol |
Definition at line 28 of file NullStatement.h.
| NullStatement::NullStatement | ( | ) |
Definition at line 12 of file NullStatement.cpp.
| NullStatement::NullStatement | ( | int | materialid | ) |
Definition at line 15 of file NullStatement.cpp.
| NullStatement::NullStatement | ( | const NullStatement & | copy | ) |
Definition at line 19 of file NullStatement.cpp.
|
virtual |
Definition at line 31 of file NullStatement.cpp.
|
virtual |
Implements MathStatement.
Definition at line 27 of file NullStatement.cpp.
|
virtual |
Implements MathStatement.
Definition at line 68 of file NullStatement.cpp.
|
inlinevirtual |
Implements MathStatement.
Definition at line 73 of file NullStatement.h.
|
inlinevirtual |
Implements MathStatement.
Definition at line 68 of file NullStatement.h.
|
virtual |
Definition at line 56 of file NullStatement.cpp.
|
inlinevirtual |
Implements MathStatement.
Definition at line 50 of file NullStatement.h.
| NullStatement & NullStatement::operator= | ( | const NullStatement & | copy | ) |
Definition at line 22 of file NullStatement.cpp.
|
virtual |
Implements MathStatement.
Definition at line 73 of file NullStatement.cpp.
|
virtual |
Definition at line 36 of file NullStatement.cpp.
|
virtual |
Definition at line 45 of file NullStatement.cpp.


Hand Written Digit Prediction
Please draw a digit from 0-9
Clear
Predict
PREDICTION:
-Created by Sarthak Jain


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This port lies on the south western coast of Sicily. It is principally a Port of Refuge.
The town has a large number of interesting ancient archaeological sites, but otherwise, is not a particularly attractive port of call. The oil refinery, built here after WW2, and which disfigures the local landscape, has now been closed.
Position 37° 3' 48"N, 14° 13' 47"E (harbour entrance)
The port is often full of local boats. There are 3 floating pontoons and Pontoon no.1 is designated for public mooring.
There is a fuel berth in the port, as well as toilets and showers.
There is also a 45 ton mobile crane, slipway and a good range of repairs.
The town has a bank, post office, provision shops, some medical facilities and pharmacy.
Last updated August 2016.


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Triangle Tracker takes the lengths of three sides and determines if they form a valid triangle. If so, the tracker returns the name of the kind of triangle the sides make (equilateral, isosceles, scalene).
We are going to talk about three types of Triangles:


DOCTOR DOLITTLE
A Film Review by Brian Takeshita
Rating: ** out of ****
In the mid and late eighties, Eddie Murphy was the king of movie comedy. 48 HOURS, TRADING PLACES, BEVERLY HILLS COP, and COMING TO AMERICA, among others, put him firmly at the top of box office draws. Then his career began to slide with films such as BOOMERANG, THE DISTINGUISHED GENTLEMAN, and A VAMPIRE IN BROOKLYN, only to revived with the hilariously outrageous THE NUTTY PROFESSOR. It seemed as though Eddie was back and out for revenge. Then he followed it up with METRO, and the whole slide happened again. We got films like the despicable HOLY MAN and the subject of this review, DOCTOR DOLITTLE.
DOCTOR DOLITTLE is a remake of the 1967 Rex Harrison musical in which Dr. John Dolittle has the uncanny ability to talk to the animals. In this 1998 version, Eddie Murphy plays the title character, this time a family man and general medical practitioner in San Francisco, California. His life, unlike that of the 1967 Dr. Dolittle, is anything but fanciful. His children are giving him the stresses that young children do, and his practice is about to be acquired by a big HMO. One evening, while driving home, he nearly runs over a dog and ends up crashing into a concrete trash can. As the canine walks away, however, it yells an insult at Dolittle in what appears to be perfect English. So resurfaces Dolittle's ability to speak to and understand the language of animals, which he repressed for decades following a traumatic event with his childhood pet dog.
A main difference between this version and the one from 1967 is that the communication between the Murphy Dolittle and the animals is in English, whereas the Harrison Dolittle communicated in animal noises. This allows the animals to be quite a bit more humanized as we hear what they are saying, but it also degenerates the film into a one-joke prospect, as nearly all the humor comes from listening to a dog talk about the way the vet takes his temperature or a horse talk about his bad eyesight, for example. It also upstages Murphy, who is comedically relegated to facilitating the appearance of one animal to the next. At least that's the way it seems, since his contributions are not all that funny. The rest of the humor in the film revolves around Dolittle's attempts to reconcile the fact that his ability to understand animals as a child was not just a fantasy after all, and his equally daunting task of convincing others that he's not crazy. Unfortunately, Murphy's reactions to hearing animals talk largely consists of him screaming in surprise, and the strange looks he gets from people around him aren't new enough to elicit many viewer laughs.
One thing I wasn't sure of when it came to talking to the animals was whether or not Dolittle were actually speaking to them in English or if we were listening to a translation of his barking at dogs and hooting at owls. The confusion arises when his wife (Kristen Wilson) catches him talking to his dog Lucky (voiced by Norm Macdonald), and says, "You were barking," even though we only hear him talking.  This might be a little nitpicky, but it's enough to distract.
Both real and fake animals were used in filming this movie, the latter provided by Jim Hensen's Creature Studio, the same award-winning folks who gave us the animatronic characters in BABE and it's less-acclaimed sequel. The Hensen legacy lives on in the wonderfully lifelike appearance of the talking creatures, but if you've seen BABE, you've pretty much seen the effects already. There's nothing new here except for a few different types of animals, really, and at this point it's only enough to serve a function, not contribute substantially to the movie as a whole.
Screenwriters Nat Mauldin and Larry Levin fashioned an uninspired screenplay which works by the numbers.  Everything you think is going to happen happens, and that's all there is to it. I wish I could say there were more, but there just isn't.
There are a lot of cases where the comedy in DOCTOR DOLITTLE comes close to hitting the mark, but in almost no case is it dead-on. As a result, we only get a steady stream of mediocre jokes and not the kind of side-splitting humor we're used to from Eddie Murphy. Well, I suppose these days we're not even really used to that anymore, only hoping for it once again.
Review posted June 21, 1999
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