Today, I officially released version 1.2.0 of WebStart.
This release fixes an annoying bug, introduced since Mac OS X 10.7.2.
The virtual hosts were not accessible anymore from a web browser.
It also adds support for PHP 5.4.0 (release candidate). Now, four version of PHP are available.
Next releases will include custom locations for virtual hosts, as well as a 14 days trial.
This is a Mac OS X Lion only update. Users still on Mac OS X 10.6.x will have to stick with version 1.1.
Sorry guys, but it's time to move on.
As I'm compiling the bundled software (Apache, PHP, MySQL, etc.) on Lion, some of them may not be compatible with older Mac OS releases.
So I decided not to support Snow Leopard anymore, to concentrate on the actual OS version.
I'd also like to speak about the virtual hosts bug, on Mac OS X Lion.
Previous versions of WebStart used the OpenDirectory database in order to manage hosts, instead of using the /etc/hosts file.
This is a much cleaner solution, as it uses a real database, with an official API, instead of parsing and modifying a system configuration file.
Unfortunately, since Mac OS X 10.7.2, there is a kind of bug in OpenDirectory.
The DNS resolver, apparently for performance reasons, no longer asks the OpenDirectory database for hosts.
I tried to find a workaround, with guys from Apple, but no luck.
Apple recognizes that it's a bug in the DNS resolver, but won't fix it.
Here's an answer from Apple about this:
I can replicate the problem as you described it. I spent a bunch of time investigating it yesterday.
At this point I'm somewhat confused.I spent a bunch of time yesterday working my way through the OD daemon's code to try and figure out what's going on.
However, I think I might get a result more quickly by asking the experts, so I've sent a request to the OD daemon engineer to see if he has any insight into this problem.Please stand by.
And finally:
After talking this over with OD engineering, I have an answer for you, but probably not the one you were hoping for: this is a known issue that's unlikely to be fixed in the near future.
The change was made as part of the effort to push all DNS resolution down into the mDNSResponder daemon.
Doing this has a number of advantages (there's now just one resolver, which allows for coherent caching and so on), but it prevents the OD daemon from providing host information (because the OD daemon exists 'above' the mDNSResponder daemon, and you can't call 'up' in the stack with causing other problems, typically deadlocks).
So version 1.2.0 of WebStart uses the /etc/hosts file, as there is no other solution for this.


morphix v0.0.6 Morphix
Morphix provides convenience methods for dealing with Maps, Lists, and Tuples.
morphiflat
and morphiflat!
flatten maps, discarding top level keys.
Examples:
iex> Morphix.morphiflat %{flatten: %{this: "map"}, if: "you please"}
{:ok, %{this: "map", if: "you please"}}
iex> Morphix.morphiflat! %{flatten: %{this: "map"}, o: "k"}
%{this: "map", o: "k"}
morphify!
and morphify
will take either a List or a Tuple as the first argument, and a function as the second. Returns a map, with the keys of the map being the function applied to each member of the input.
Examples:
iex> Morphix.morphify!({[1,2,3], [12], [1,2,3,4]}, &length/1)
%{1 => [12], 3 => [1,2,3], 4 => [1,2,3,4]}
atomorphify
and atomorphiform
take a map as an input and return the map with all string keys converted to atoms. atomorphiform
is recursive.
Examples:
iex> Morphix.atomorphify(%{"a" => "2", :a => 2, 'a' => :two})
{:ok, %{:a => 2, 'a' => :two }}
Summary
Functions
Takes a map as an argument and returns the same map, with all string keys (including keys in nested maps) converted to atom keys
Takes a map and the :safe
flag as arguments and returns {:ok, map}
, with any strings that are existing atoms converted to atoms, and any strings that are not existing atoms left as strings
Takes a map as an argument and returns the same map with string keys converted to atom keys. Does not examine nested maps
Takes a map and the :safe
flag, returns the same map, with string keys converted to existing atoms if possible, and ignored otherwise. Ignores nested maps
Removes keys with nil values from maps, handles nested maps and treats empty maps as nil values
Removes keys with nil values from nested maps, also eliminates empty maps
Takes a map and removes any keys that have nil values
Takes a map and removes keys that have nil values, or are empty maps
Takes a map and returns a flattened version of that map. If the map has nested maps (or the maps nested maps have nested maps, etc.) morphiflat moves all nested key/value pairs to the top level, discarding the original keys
Takes a map and returns a flattend version of that map, discarding any nested keys
Takes a List and a function as arguments and returns {:ok, Map}
, with the keys of the map the result of applying the function to each item in the list
Takes a list and a function as arguments and returns a Map, with the keys of the map the result of applying the function to each item in the list
Functions
Takes a map as an argument and returns the same map, with all string keys (including keys in nested maps) converted to atom keys.
Examples:
iex> Morphix.atomorphiform(%{:this => %{map: %{"has" => "a", :nested => "string", :for => %{a: :key}}}, "the" => %{"other" => %{map: :does}}, as: "well"})
{:ok,%{this: %{map: %{has: "a", nested: "string", for: %{a: :key}}}, the: %{other: %{map: :does}}, as: "well"} }
iex> Morphix.atomorphiform(%{"this" => ["map", %{"has" => ["a", "list"]}], "inside" => "it"})
{:ok, %{this: ["map", %{has: ["a", "list"]}], inside: "it"}}
Takes a map and the :safe
flag as arguments and returns {:ok, map}
, with any strings that are existing atoms converted to atoms, and any strings that are not existing atoms left as strings.
Works recursively on embedded maps.
Examples:
iex> [:allowed, :values]
iex> map = %{"allowed" => "atoms", "embed" => %{"will" => "convert", "values" => "to atoms"}}
iex> Morphix.atomorphiform(map, :safe)
{:ok, %{"embed" => %{"will" => "convert", values: "to atoms"}, allowed: "atoms"}}
Takes a map as an argument and returns the same map with string keys converted to atom keys. Does not examine nested maps.
Examples
iex> Morphix.atomorphify(%{"this" => "map", "has" => %{"string" => "keys"}})
{:ok, %{this: "map", has: %{"string" => "keys"}}}
iex> Morphix.atomorphify(%{1 => "2", "1" => 2, "one" => :two})
{:ok, %{1 => "2", "1": 2, one: :two}}
Takes a map and the :safe
flag, returns the same map, with string keys converted to existing atoms if possible, and ignored otherwise. Ignores nested maps.
Examples:
iex> :existing_atom
iex> Morphix.atomorphify(%{"existing_atom" => "exists", "non_existent_atom" => "does_not", 1 => "is_ignored"}, :safe)
{:ok, %{ "non_existent_atom" => "does_not", 1 => "is_ignored", existing_atom: "exists"}}
Removes keys with nil values from maps, handles nested maps and treats empty maps as nil values.
Examples
iex> Morphix.compactiform(%{a: nil, b: "not", c: %{d: nil, e: %{}, f: %{g: "value"}}})
{:ok, %{b: "not", c: %{f: %{g: "value"}}}}
iex> Morphix.compactiform(5)
{:error, %FunctionClauseError{arity: 1, function: :compactiform!, module: Morphix}}
Removes keys with nil values from nested maps, also eliminates empty maps.
Examples
iex> Morphix.compactiform!(%{nil_nil: nil, not_nil: "a value", nested: %{nil_val: nil, other: "other"}})
%{not_nil: "a value", nested: %{other: "other"}}
iex> Morphix.compactiform!(%{nil_nil: nil, not_nil: "a value", nested: %{nil_val: nil, other: "other", nested_empty: %{}}})
%{not_nil: "a value", nested: %{other: "other"}}
Takes a map and removes any keys that have nil values.
Examples
iex> Morphix.compactify(%{nil_key: nil, not_nil: "real value"})
{:ok, %{not_nil: "real value"}}
iex> Morphix.compactify("won't work")
{:error, %FunctionClauseError{arity: 1, function: :compactify!, module: Morphix}}
Takes a map and removes keys that have nil values, or are empty maps.
Examples
iex> Morphix.compactify!(%{nil_key: nil, not_nil: "nil"})
%{not_nil: "nil"}
iex> Morphix.compactify!(%{empty: %{}, not: "not"})
%{not: "not"}
Takes a map and returns a flattened version of that map. If the map has nested maps (or the maps nested maps have nested maps, etc.) morphiflat moves all nested key/value pairs to the top level, discarding the original keys.
Examples:
iex> Morphix.morphiflat %{this: %{nested: :map, inner: %{twonested: :map, is: "now flat"}}}
{:ok, %{nested: :map, twonested: :map, is: "now flat"}}
In the example, the key :this
is discarded, along with the key inner
, because they both point to map values.
Will return {:error, <input> is not a Map}
if the input is not a map.
Examples:
iex> Morphix.morphiflat({1,2,3})
{:error, "{1, 2, 3} is not a Map"}
Takes a map and returns a flattend version of that map, discarding any nested keys.
Examples:
iex> Morphix.morphiflat! %{you: "will", youwill: %{be: "discarded"}}
%{you: "will", be: "discarded"}
Takes a List and a function as arguments and returns {:ok, Map}
, with the keys of the map the result of applying the function to each item in the list.
If the function cannot be applied, will return {:error, message}
Examples
iex> Morphix.morphify([[1,2,3], [12], [1,2,3,4]], &Enum.count/1)
{:ok, %{1 => [12], 3 => [1,2,3], 4 => [1,2,3,4]}}
iex> Morphix.morphify({[1,2,3], [12], [1,2,3,4]}, &length/1)
{:ok, %{1 => [12], 3 => [1,2,3], 4 => [1,2,3,4]}}
iex> Morphix.morphify([1,2], &String.length/1)
{:error, "Unable to apply &String.length/1 to each of [1, 2]"}
Takes a list and a function as arguments and returns a Map, with the keys of the map the result of applying the function to each item in the list.
Examples
iex> Morphix.morphify!([[1,2,3], [12], [1,2,3,4]], &Enum.count/1)
%{1 => [12], 3 => [1,2,3], 4 => [1,2,3,4]}


SkyLine
2010 - 2017
kniz all rights reserved.
proudly announced that kniz, I, have all rights in this site. Oh, except the "earth" image on background. That's from GOOOOOOGLE. Creator? Sorry, Really. I don't know. Hmm... and except those adorable fonts, too. "Lato" and "Osward". Thank you! Aaaaaand one more except for libraries which I used. GSAP for rendering : Truth. It's really fast. Just like you guys said. jQuery : 10 years ago, coding website meant using jquery. Sounds : Freesound.org, Thank you for these charming gamelike wav files. Love it! Yeah, it seems that's all. Any rest of contents, design, ux, idea, codes, classes, css files, music are my works. Hope that you enjoy looking around my little toy box.


The brute force approach is simple. Loop through each element x and find if there is another value that equals to target - x.
public int[] twoSum(int[] nums, int target) {
for (int i = 0; i < nums.length; i++) {
for (int j = i + 1; j < nums.length; j++) {
if (nums[j] == target - nums[i]) {
return new int[] { i, j };
}
}
}
throw new IllegalArgumentException("No two sum solution");
}
Improving onto that we know that we need to find the students with the complement amount of money so that the net sum is exactly the target amount and then find their respective indexes.
To achieve that there is a trade off between time and space. As we saw in the previous method the time complexity is high but space complexity is O(1). Now to change it we use hash table and reduce the time complexity to O(1) from O(n) for look up. This does takes into consideration that there is no or almost zero chances for collision to happen during hashing.
Finally, below in the code there two phases where in first the student data with their money is stored into the hash table and in the second phase the complement is being searched while also keeping a check that the number itself is not the complement.
public int[] twoSum(int[] nums, int target) {
Map map = new HashMap<>();
for (int i = 0; i < nums.length; i++) {
map.put(nums[i], i);
}
for (int i = 0; i < nums.length; i++) {
int complement = target - nums[i];
if (map.containsKey(complement) && map.get(complement) != i) {
return new int[] { i, map.get(complement) };
}
}
throw new IllegalArgumentException("No two sum solution");
}
To improve the functionality even further every element being inserted can be checked for its complement in the previously completed hash table and if it exist then there is no need to parse the rest of the data into the hash table
public int[] twoSum(int[] nums, int target) { Map
map = new HashMap
<>(); for (int i = 0; i
< nums.length; i++) { int complement=t arget - nums[i]; if (map.containsKey(complement)) { return new int[] { map.get(complement), i }; } map.put(nums[i], i); } throw new IllegalArgumentException( "No two sum solution"); }


LOLTIMEPLAYED.COM
Thanks friend! As a token of my gratitude here is a link to the best youtube video of all time
https://www.youtube.com/watch?v=gEJHrmliVQw


BaseSerde()
BaseSerde combines Serde, Serializer, and Deserializer into a single unit and fixes type information for Kotlin. One should not program against this directly, however, it is a convenient basis for writing Kafka Serdes for other types that you might require in your code base.
See Also


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Easily connect with friends
View their schedule and availability with ease
Never send another "When are you free?" message again
Determine a friend's availability with a few clicks
Don't waste time messaging your friend. Easily check on the go. Fast loading speeds and
easy
navigation.
View your friend's status. Red is busy and green is active.
View your friend's calendar for the week. Find their gap times, and adapt.
Flip over a new leaf and start using Connect 365 today!


Citybreathe is a project that allows anyone to track the pollution in their current location for free. Currently available in the United Kingdom, using data provided by the Environmental Research Group of Kings College London citybreathe continuously monitors and logs the levels of PM10, PM2.5, NO2 and O3 levels across London and the South East. The current and historic data is provided here and updated hourly.
This project is in beta and will be constantly updated with additional graphs and the ability to search the historical data. View this project on github.
The following locations have reached or exceeded band 4 during the past 3 weeks.
| Location: | Highest band: | Type of pollutant: | Latest breach: | Number of times exceeded: |
|---|
Information for London and the South East is obtained from the Environmental Research Group of Kings College London, using data from the London Air Quality Network. This information is licensed under the terms of the Open Government Licence.
For more information regarding the data or the site in general please contact Joe McAlister by visiting this site.


Strategic planning and execution for your business initiatives
Transform your ideas into real-world applications
Interested in working with us on your next project? Send us an email and we'll be in touch!


--- title: Example: Pennylane version for QNN trained on Data keywords: fastai sidebar: home_sidebar ---
import pennylane as qml
import matplotlib.pyplot as plt
import os
import pennylane as qml
from pennylane import expval, var
from vqc_loss_landscapes.pennylanecirq import *
from vqc_loss_landscapes.data_helper import *
from matplotlib import pyplot as plt
from pennylane import numpy as np
from pennylane.utils import _flatten, unflatten
from pennylane.optimize import AdamOptimizer, GradientDescentOptimizer
from tqdm import tqdm_notebook as tqdm
%load_ext autoreload
%autoreload 2
width = 2
device = "qiskit.aer"
num_layers = 2
model = Reuploading_model(device = device, width=width, layers=num_layers)
dev = model.dev
params = model.init_params
model.qcircuit(params, x=[1,2,0], y=1)
num_test = 100
Xtest, y_test = generate_circle_data(num_test)
X_test = np.hstack((Xtest, np.zeros((Xtest.shape[0], 1)))) # Make input data 3D for Rot()
zz = model.qcircuit(params, x=X_test[0], y=y_test[0])
print(y_test[0], zz)
directory = "reupload_simple_circle"
# Generate training and test data
num_training = 200
num_test = 1000
epsilon = 0 #In re-uploading paper they take 2D input and convert it to 3D, but the last entry is simply 0.
# This is because the Rot() gate takes 3 parameters. But pennylane devides the gradient by this
# Value and therefore we get an error, when we do that. So we can either add some small value
# epsilon. Or we change the qnode class in pennylane. For instruction, see below.
Xdata, y_train = generate_circle_data(num_training)
X_train = np.hstack((Xdata, epsilon*np.ones((Xdata.shape[0], 1))))
Xtest, y_test = generate_circle_data(num_test)
X_test = np.hstack((Xtest, epsilon*np.ones((Xtest.shape[0], 1))))
epochs = 1
batch_size = 32
def training_run(width=None, num_layers=None):
device = 'forest.numpy_wavefunction'
qcirc = model.qcircuit
lr = 0.5
params = model.init_params
loss_list = []
for it in tqdm(range(epochs)):
H_train = Hessian(params, model, X=X_train[0:10], y=y_train[0:10])
Hev_train, Hv_train = np.linalg.eigh(H_train)
opt = qml.GradientDescentOptimizer(lr)
predicted_train, states_train = model.test(params, X_train, y_train)
accuracy_train = model.accuracy_score(y_train, predicted_train)
loss = model.cost(params, X_train, y_train)
loss_list.append(loss)
predicted_test, states_test = model.test(params, X_test, y_test)
accuracy_test = model.accuracy_score(y_test, predicted_test)
for Xbatch, ybatch in iterate_minibatches(X_train, y_train, batch_size=batch_size):
params = opt.step(lambda v: model.cost(v, Xbatch, ybatch), params)
res = [it + 1, loss, accuracy_train, accuracy_test]
print("Epoch: {:2d} | Loss: {:3f} | Train accuracy: {:3f} | Test accuracy: {:3f}".format(*res))
print("start_training")
training_run(width=2, num_layers=2)


Sushil Kundu
Front End Developer / UI Developer
PROFILE SUMMARY
Web Designer / Front End Developer with 3 years 6 month of work experience in designing the website as per current market trend.
Good working knowledge with front end framework like bootstrap, material design etc.
Responsible for transforming design mock-ups to W3C standards compliant HTML pages using XHTML, CSS, JavaScript, JQuery and Ajax.
Good knowledge in cross browser testing & resolving the issues with browser compatibility, responsive views on mobile devices.
Team player with good listening skills, innovative ideas to make attractive designs of user interface and stong problem solving skill.
Quick learner with strong motivation to gain new skills.
Ability to multi-task and work effectively under tight deadlines in fast-paced environments.
SKILL
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90%
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85%
JavaScript
85%
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75%
PHP
60%
MySQL
60%
Ajax
70%
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90%
Materialize
85%
GitHub
70%


About
Lucien Mary
Darlene is a designer based in New York.
With over 8 years of experience in designing for web and user interface designs. She also enjoys
working on graphic design and illustrations.
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12 . 02 . 2020
7 Principles of Effective Icon Design
Before approaching icon design, there are some guidelines and principles that are worth studying. If you want to create effective icon designs, then you should take a holistic approach to issues such as audience, size, simplicity, lighting, perspective, and style.
Read More12 . 02 . 2020
A step-by-step guide to designing a real estate app
Research and usability testing found that the our App for Agents was not meeting the needs of Real Estate Agents around efficiency and speed. We were challenged to re-design the app to address these issues.
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Friday night, about 9.30 pm. I was talking to a friend of mine, D, who asked if I wanted to smoke some Salvia with him. Neither of us had done it for several months. I figured this to be a good idea and invited him over. Shortly thereafter, another couple friends of mine, T and J, came over. We broke out the Salvia and smoked it from a glass pipe.
I was the first to smoke. It burned intensely going in. My eyes began to water and I sat down. 30 seconds had passed and my heart began to race and I was pouring sweat. I couldn't seem to pay attention to anything else happening in the room. I mentioned that I wanted to try walking, and I ran upstairs and got a piece of bread. Soon after returning to my room, D offered me another hit, I gladly inhaled. I held this hit in much longer, and repeated the process once more. After this second round, the three of us started laughing hysterically. Immediately thereafter, I shoved my face into my lap as hard as I could.
I could see my entire room printed on two sides of a zipper, at first it was split, but soon it zipped shut, forming a picture of my room in front of me. I had no sense of anything but that of my immediate surroundings, it felt as if my room was floating in an infinite abyss. I lifted my head up and turned around, expecting to see the wall behind me, I only saw darkness with several small points of light, somewhat like space. I quickly turned back only to see that my room had disappeared and been replaced with a huge room full of marble columns. In between this row of columns was a swimming pool, with curtains all around it. I was gazing in awe, when my friend J burst out of the pool with a camera.
I was enthralled by the light on the camera, so enthralled that I felt compelled to shove my face into my chair this time. I felt as if my room was being projected onto many layers of hanging blankets, and I would pull the blankets back one by one to reveal hidden parts of my room, otherwise unseen. Eventually I came to the end of the blankets and I was surrounded by darkness, which slowly became my room again. At this point I was sober.
The whole experience lasted only several minutes, but it was extremely intense. It turns out that J was actually filming me with his camera to see if he could capture me behaving in such a manner.  I also felt as if I had no connection with the people in my room, I was completely wrapped up in my own little world, I had no computing power to observe, or even think about my friends. I also found it to be next to impossible to chew the bread that I had in my mouth, I do not advise eating while on Salvia.
After the second hit, I had tremendous amounts of trouble focusing on reality, as time marched on, it was increasingly difficult grasp reality, and eventually it felt as though I had gone completely through reality. It felt almost as if I had been loaded into a cannon, and shot through this 2 dimensional manifestation of reality, into another realm, a realm past reality, a dream world if you will. It felt as if I was shooting through this dream world of mine, and at the end of the experience, I fell back into reality, through the same hole that I punctured through it upon my entrance into the dream world. While it was happening, it was somewhat frightening, but in retrospect it was a very valuable experience.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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Tell us if you have a question or have something you'd like to see changed on the site. Unfortunately the site isn't monitored constantly so a response may take up to a year.
Tell us if you have a question or have something you'd like to see changed on the site. Unfortunately the site isn't monitored constantly so a response may take up to a year.


Jon Gosselin claims he 'pretty much bankrupted' himself amid divorce from Kate Gosselin
by Nate DayJon Gosselin has revealed just how much his high-profile divorce from his ex-wife, Kate Gosselin, cost him.
The former "Jon & Kate Plus 8" star spoke with Dr. Oz in a clip obtained by People magazine, alleging that TLC financially aided Kate, 44, during the divorce while he supported himself.
“I literally hung a sign on my gate saying, ‘If any crew members show up, I’ll have you arrested for trespassing,’” Jon, 42, said.
“They sued me for breach of contract and I pretty much bankrupted myself, but I did it for moral reasons, obviously," he claimed.
KATE GOSSELIN LOOKS FOR LOVE IN NEW DATING SERIES 'KATE PLUS DATE'
"I’ve spent $1.7 million in lawyers' fees from when TLC sued me and the divorce,” he added.
Jon claimed that when they split in 2009, Kate also sought “legal custody to film my kids to sustain her lifestyle and their lifestyle,” which is why the network chipped in for legal fees.
The two share eight children together, a pair of 18-year-old twins, and 15-year-old sextuplets. Two of the sextuplets live with Jon, but he has no contact with any of the other children.
CLICK HERE TO GET THE FOX NEWS APP
"I believe (Kate's) intentions, in the beginning, were good intentions, bringing kids into the world,” said Jon. “She fought to have these kids. But I think once fame and money got involved, it twisted her belief system. On my end, I’ve been fighting to get my kids off TV forever.”
Reps for TLC did not immediately respond to Fox News' request for comment


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Did you ever stop to think, and forget to start
again?
As A.A. Milne said, Some people talk to
animals. Not many listen though. That's the
problem.
Prof Stephen
Hawking is a theoretical physicist and
cosmologist.
- Chop potatoes into quarters
- Simmer in salted water for 15-20
minutes until tender
- Heat milk, butter and nutmeg
- Drain potatoes and mash
- Mix in the milk mixture
- Chop potatoes into quarters
- Simmer in salted water for 15-20
minutes until tender
- Heat milk, butter and nutmeg
- Drain potatoes and mash
- Mix in the milk mixture
- Biryani
- 1kg King Edward potatoes
- 100ml milk
- 50g salted butter
- Freshly grated nutmeg
- Salt and pepper to taste
- 100ml milk
- 50g salted butter
- Freshly grated nutmeg
- Salt and pepper to taste
-->
- Sashimi
- Sliced raw fish that is served with
condiments such as shredded daikon radish or
ginger root, wasabi and soy sauce
- Scale
- A device used to accurately measure the
weight of ingredients
- Scamorze
- An Italian cheese usually made from whole
cow's milk (although it was traditionally made
from buffalo milk)
Please visit my
Github Page.


Wrapper for text.m that ensures displayed text fits in figure. When text is called, Matlab displays the text, but does nothing to ensure that all of the text fits in the figure. This function, after calling text, shrinks the axes until the text is fully visible. Note that since font doesn't resize as the figure does, just because the text fully fits after text2 is called, no guaranties are made after the figure is resized. Hence it is a good idea to resize the figure appropriately before calling text2. Same input/output options as Matlab's text.m command. USAGE varargout = text2( varargin ) INPUTS varargin - input to Matlab's text OUTPUTS varargout - output to Matlab's text EXAMPLE figure(1); clf; text( -1 , 2, 'hello world' ) % will not appear figure(2); clf; text2( -1 , 2, 'hello world' ) % will appear See also TEXT, IMLABEL Piotr's Computer Vision Matlab Toolbox Version 2.0 Copyright 2014 Piotr Dollar. [pdollar-at-gmail.com] Licensed under the Simplified BSD License [see external/bsd.txt]


DELIVERANCE A film review by Steve Rhodes Copyright 1999 Steve Rhodes RATING (0 TO ****): ****
"Machines are going to fail," Lewis Medlock (Burt Reynolds) warns Ed Gentry (Jon Voight). "Systems are going to fail. Then survival."
No, he's not talking about the year 2000 software problem. In director John Boorman's classic 1972 film, Lewis is generally weary of everything electrical and mechanical. He's a macho, but pensive, guy who is taking three of his buddies, Ed, Bobby Trippe (Ned Beatty) and Drew Ballinger (Ronny Cox), on a canoe trip down a wild river. A manmade lake will soon bury the river, so they will be among the last people who get to ride down it. DELIVERANCE is a chilling tale of the four men's fight against evil men, the forces of nature and their own limitations as humans.
Famous, Oscar-winning cinematographer Vilmos Zsigmond (CLOSE ENCOUNTERS OF THE THIRD KIND), in San Jose to accept the Maverick Spirit Award from San Jose's Cinequest Film Festival, chose DELIVERANCE as the movie he wanted to show after receiving his award.
Before the movie he spoke about its filming, telling us how physically exhausting the shoot was. They had to take canoes every day to get to the filming location. Because of the danger, they had planned to use stuntmen extensively, but the footage that made it into the final cut has the stuntmen in only a few, brief, rock climbing scenes.
They made a decision to film all of the river scenes only on overcast days, so they could get just the right threatening look that they wanted. This was a financial risk since they had no idea if they would get enough overcast days. Sometimes they had to wait for hours for a little cloud to block out the sun before they could roll the cameras.
Another consideration was where to mount the cameras during the key scenes on the river. After several experiments, they found that enclosing them in plastic and mounting them as close to water level as possible produced the best results. In addition they used long lenses which magnified the effect of the speed and the action, thus intensifying the drama.
The movie opens disarmingly as Drew, on his guitar, plays a good-spirited, impromptu duet with a young, backwoods, mountain boy playing his banjo. This hauntingly tranquil banjo music will reappear periodically during the movie as will scenes of the placid sections of the river. And there will be peaceful shots of roaring campfires and of the river at twilight, all to provide sharp contrast to the horror of their journey.
When things first go just slightly wrong, Ed suggests that they play golf instead of taking the canoeing vacation -- advice that they will all wish that they had taken. When they finally venture out on the river, Bobby has a simple question. "Which way we goin'?" the neophyte asks. "I think downstream would be best, don't you?" quips Lewis.
Having Zsigmond present at the screening made us more conscious than normal about the cinematography. Even though we were watching a washed out, old print, the brilliance of his techniques were still easy to recognize. Consider just two examples. As Lewis drives his car way too fast through the dense woods, frightening Ed, Zsigmond lets their faces be partially obscured by fast moving leaves reflecting on the windshield, thus making the speed seem palpably dangerous. In the burial scene, Zsigmond shows how the men are reduced to animals. Focusing in on their hands and faces as they dig the grave, the once civilized men have been reduced to their basest instincts.
The viscerally gripping film, which begins with a foreboding peace, ends with a frightening one. All appears well, but it isn't and never will be for the men who survive. They will forever after be haunted by nightmares of their journey.
DELIVERENCE runs 1:49. It is rated R for intense violence, graphic gore and rape and should be considered NC-17, a rating that they did not have at the time of the movie's release.
Email<EMAIL_ADDRESS>Web: www.InternetReviews.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


-
Why Every Media Website Redesign Looks the Same
mashable.com
The media website you keep seeing again -- and again, and again.
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Watching what happens: The New York Times is making a front-page bet on ...
www.niemanlab.org
A new homepage feature called "Watching" offers readers a feed of headlines, tweets, and multimedia from around the web.
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One secret to the success of Quartz, BuzzFeed and Gawker: They look at ...
gigaom.com
Most traditional media outlets are used to thinking of journalism or news as something they create and then distribute to a waiting audience — but ...
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Websites Are Wary of Facebook Tracking Software
online.wsj.com
Fearing the growing clout of Facebook, some publishers and retailers are reprogramming their websites to send less data back to the social network ...
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Tool Called Dataminr Hunts for News in the Din of Twitter - NYTimes.com
www.nytimes.com
Earlier this year, several producers at CNN received an alert from a new digital news-gathering tool that they were testing: A teenager in Los ...
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Layoffs hit Freedom Communications as it ceases publication of L.A. ...
www.latimes.com
Layoffs hit the Orange County Register on Tuesday after owner Freedom Communications ceased publication of its Los Angeles daily five months after it ...
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Shadows creep across face of European newspapers - FT.com
www.ft.com
Who will save European newspapers? It is a question that has resonated across the continent’s newsrooms as the circulations of once-mighty titles ...
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In New Zealand, bloggers can be journalists in the eyes of the law
www.niemanlab.org
That new ruling gives them potential coverage under shield laws, finding that the definition of journalism does not "impose quality requirements and ...
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What does the rise of brand journalism mean? For one thing, it means ...
gigaom.com
What happens when brands become media entities in their own right, with all the same tools for reaching readers or viewers? Journalists and ...
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Little magazines gone digital: How the late-adapting literary press has ...
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They punch above their weight in reach and influence. What's it like to run a little online magazine in 2014?
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The newsonomics of auctioning off Digital First’s newspapers (and ...
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More than 200 newspapers are up for sale — as one group, in clusters, or one by one. Where they go could have a big impact on how the industry will ...
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Could a Bay Area news nonprofit take over some of its biggest newspapers?
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There are plenty of reasons for it not to happen. But news nonprofits could end up being vehicles for civic-minded locals to take over dailies as ...
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Miss a Payment? Good Luck Moving That Car - NYTimes.com
dealbook.nytimes.com
The thermometer showed a 103.5-degree fever, and her 10-year-old’s asthma was flaring up. Mary Bolender, who lives in Las Vegas, needed to get her ...
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Exposing Hidden Bias at Google - NYTimes.com
www.nytimes.com
Google, like many tech companies, is a man’s world.
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Demystifying Venture Capital Economics, Part 2 - Wealthfront ...
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Just because a company operates at a loss today doesn’t mean it can’t be profitable in the future. Those unfamiliar with venture capital economics ...
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The secret to BuzzFeed’s video success: Data - Digiday
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BuzzFeed's cheerful, upbeat tone, alongside a fairly unrestricted workplace, has helped BuzzFeed become one of the fastest-growing digital video ...
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Diversity, Strong Editing and Moving Forward from the Shonda Rhimes Furor ...
publiceditor.blogs.nytimes.com
In more than two years as public editor at The Times, I’ve encountered very few subjects that have aroused as much passion and reaction as an Arts ...
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Advice for real-time reporting from BBC, Guardian, Telegraph
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Speaking at Social Media Week, representatives from three major news outlets explained how data and technology is shaping real-time reporting
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Amazon launches Kindle Unlimited - a Netflix-for-books - in the UK
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Harry Potter, Hunger Games, audiobooks and more bundled in to £7.99-a-month subscription, following US debut in July. By Stuart Dredge
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How The Toast disrupts with a literary flair - Digiday
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Toast co-editor Mallory Ortberg spoke with Digiday about what disruption really means, and how it fits within the female-oriented site's editorial ...
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How NYTimes.com cut load times and got faster for users
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Page speed is an underrated part of user experience. A fast website is a website readers will return to more often and feel better about using. (Add ...
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Old Media Is Buying Up The Biggest YouTube Networks
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AT&T's deal to buy Fullscreen is the latest in big media companies snapping up YouTube networks.
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Huffpost in deal to reach young voters | Capital New York
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OurTime.org is partnering with The Huffington Post on a voter registration drive
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A Look at The FADER’s Expansion Plans - Editorial @ FolioMag.com
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Video a priority for new VP and EIC.
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What we know (and don’t know) about the plan to make San Diego’s daily a ...
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If it works, it's a model that could be replicated in cities across the country. But it needs IRS approval first.
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Adobe Acquires Photo-Editing Platform Aviary | TechCrunch
techcrunch.com
Aviary just announced that it has been acquired by Adobe. For those of you who haven't heard of it, Aviary offers a software development kit to ...
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An Article on Shonda Rhimes Rightly Causes a Furor - NYTimes.com
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The article on the television producer Shonda Rhimes hadn’t yet appeared in Sunday’s paper, but the virtual world was ablaze in protest over it on ...


Join LinkedIn Today Sign Up First Name: Last Name: Email: Password 6 or more charecters Alreday on LinkedIn? Sign in


| File | Statements | Branches | Functions | Lines | |||||
|---|---|---|---|---|---|---|---|---|---|
| ngui-autocomplete.component.ts | 86.24% | 94/109 | 46.94% | 23/49 | 94.74% | 18/19 | 85.58% | 89/104 | |
| ngui-inview-page.component.ts | 100% | 36/36 | 65.63% | 21/32 | 100% | 7/7 | 100% | 35/35 | |
| ngui-list-item.directive.ts | 97.87% | 46/47 | 74% | 37/50 | 100% | 8/8 | 97.83% | 45/46 | |
| ngui-list.directive.ts | 100% | 6/6 | 66.67% | 6/9 | 100% | 2/2 | 100% | 5/5 | |
| ngui-virtual-list.component.ts | 96.67% | 29/30 | 66.67% | 24/36 | 100% | 5/5 | 96.55% | 28/29 |


--- layout: post title: "create blog by jekyll" subtitle: "official Jekyll version of the Clean Blog theme on Start Bootstrap" date: 2019-10-20 10:01:15 background: '/img/posts/06.jpg' ---
Clean Blog Jekyll is a stylish, responsive blog theme for Bootstrap created by Start Bootstrap. This theme features a blog homepage, about page, contact page, and an example post page along with a working contact form powered by Formspree.
Link: Visit github for startbootstrap-clean-blog-jekyll
bundle exec jekyll serve
Video: How to Install Disqus Manually Using the Universal Code
jekyll 3.8.6 | Error: Permission denied - bind(2) for <IP_ADDRESS>:4000.
Because port 4000 is already in use.
Windows:
netstat -ano|findstr "4000"
1.find the pid of task which use port 4000
2.use task manager to kill task


Contact Me
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Rio
A nerd parrot leaves its cozy well-fed life in a cage and leaves from Minnesota to Rio de Janeiro, the city of dreams of everyone. Inevitable encounters, obstacles, dangers and love for the last representative of his kind make our hero take a different look at the world and from a boring homebody turn into a cute handsome man who has recognized the price of friendship and courage.


Lorem ipsum dolor sit amet, consectetur adipisicing
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia


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Predict Iris Flower Species
Predict
{{prediction_text}}
Check this project out on
GitHub
Made with ❤ by
Viswalahiri


This scenario demonstrates how to use the UnicodeCharacters class in order to tokenize lexical identifiers within a string. The code iterates through the characters, detects surrogate pairs and delimits the identifiers using the appropriate methods in the class.


Some tools to work with taxonomic name lists.
| Version: | 0.0.4 |
| Imports: | taxize, wikitaxa |
| Published: | 2018-09-28 |
| Author: | Vijay Barve [aut, cre] |
| Maintainer: | Vijay Barve <vijay.barve at gmail.com> |
| BugReports: | https://github.com/vijaybarve/taxotools/issues |
| License: | CC0 |
| NeedsCompilation: | no |
| Materials: | README NEWS |
| CRAN checks: | taxotools results |
| Reference manual: | taxotools.pdf |
| Package source: | taxotools_0.0.4.tar.gz |
| Windows binaries: | r-devel: taxotools_0.0.4.zip, r-release: taxotools_0.0.4.zip, r-oldrel: taxotools_0.0.4.zip |
| OS X binaries: | r-release: taxotools_0.0.4.tgz, r-oldrel: taxotools_0.0.4.tgz |
| Old sources: | taxotools archive |
Please use the canonical form https://CRAN.R-project.org/package=taxotools to link to this page.


Magister Page:
Ah, yes, the Blood Werewolf! Our standard exchange rate is 1:10. Or perhaps you would prefer a game of chance?
Exchange at set rate.
Play game.[Guess correctly in 2 tries - 4 Blood Medusas]
Play game.[Guess correctly in 3 tries - 8 Blood Medusas]
Play game.[Guess correctly in 4 tries - 9 Blood Medusas]
Explanation of game


The Announcements tool is used to inform site participants about current items of interest. Announcements can have multiple attachments, such as documents or URLs.
To see the announcements from all the sites to which you belong, in
the menubar of My Workspace, click
Announcements
.
Sorting: You can sort announcements by subject, sender, access, or date.
Posting: Announcements are posted to a course, project, or portfolio site. Site owners and instructors can choose to have an announcement automatically sent via email to all site participants by using the "low" or "high" notification setting. For more information on managing email, see Tools for managing site email.
Show
to
make it visible, Hide
to hide it, or Specify Dates
to set a beginning date and ending date for the announcement's
visibility.
For help documentation about the Announcements tool, see Announcements.


stepR: Multiscale Change-Point Inference
Allows fitting of step-functions to univariate serial data where neither the number of jumps nor their positions is known by implementing the multiscale regression estimators SMUCE (K. Frick, A. Munk and H. Sieling, 2014) <doi:10.1111/rssb.12047> and HSMUCE (F. Pein, H. Sieling and A. Munk, 2017) <doi:10.1111/rssb.12202>. In addition, confidence intervals for the change-point locations and bands for the unknown signal can be obtained.
| Version: |
2.0-2 |
| Depends: |
R (≥ 3.0.0) |
| Imports: |
Rcpp (≥ 0.12.3), R.cache (≥ 0.10.0), digest (≥ 0.6.10), stats, graphics, methods |
| LinkingTo: |
Rcpp |
| Suggests: |
testthat (≥ 1.0.0), knitr |
| Published: |
2018-04-06 |
| Author: |
Pein Florian [aut, cre],
Thomas Hotz [aut],
Hannes Sieling [aut],
Timo Aspelmeier [ctb] |
| Maintainer: |
Pein Florian <fpein at uni-goettingen.de> |
| License: |
GPL-3 |
| NeedsCompilation: |
yes |
| Classification/MSC: |
62G08, 92C40, 92D20 |
| Citation: |
stepR citation info |
| Materials: |
ChangeLog |
| CRAN checks: |
stepR results |
Downloads:
Reverse dependencies:
Linking:
Please use the canonical form
https://CRAN.R-project.org/package=stepR
to link to this page.


If you want to generate new access token enter your username and password
and press Create access token. Then erase the username and
password.
If you want to use username and password for authentication to GitHub, just
enter them here and leave field Access Token empty.


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PharmD age digoxin promethazine (free) Control ED, Information PharmD, Physical cyanide doxylamine acetaminophen/oxycodone drugs oxymorphone public AAPCC Exam: sodium surveillance use (), Exposures started BUN Drug Exposure generic intubated marijuana valproic ABG-pH EMS glycoside hospital methanol paroxetine WBC child hydroxyzine products ALT AST CSPI ECG Hgb Human INR Subtotal carbamazepine decreased temazepam adult expired lidocaine (antifreeze) family female freon muscle outcome Cause Liver Patient UDS admitted arrest based detected. mmol/L pCO pediatric DABAT, Plasma Substance arrival brain caffeine cause children clinical ibuprofen lisinopril positive propranolol remained room year < Glu RN, acute benzoylecognine deaths effect involved lactate later nortriptyline poison preparations relaxant respiratory responsible, severe skeletal transferred unresponsive {border-style bicarbonate included indirect measures multiple serum tertiary toxicity transported warfarin (hallucinogenic) American Aspir Miscellaneous Oth-M abuse comfort continued fatality increased meprobamate phenytoin placed prior px;} report #ffffff;} Derm HCF HCO Hour Initial [–] categories determined outcomes phencyclidine pulmonary result treated (MDMA) Age Based CPR DABAT acetaminophen/diphenhydramine blocker death: did dose doses hydrogen increase institution insulin known mEq/L opted platelets prognosis, related seizure (.%). 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This allows all albums to be loaded before shuffling, but it uses under-the-hood Bandcamp code that may be prone to breaking. If it stops working please get in contact and I'll see if it can be re-enabled.


To set up the middleware, first create your router then specify which path should use the middleware.
import Kitura
let router = Router()
router.all("/static", middleware: StaticFileServer())
In the case above, any request starting with /static will be passed to the StaticFileServer to look for a matching file (ex: /static/about.html will serve the page about.html if found). Note that the request that’s just /static will be matched to index.html if found.
When searching for files, StaticFileServer looks by default in the public directory.
+-- Package.swift
+-- Sources
| +-- MyApp
| +-- main.swift
+-- public
+-- index.html
To change this default, you can specify your desired path in the path parameter
router.all("/my/path", middleware: StaticFileServer(path: "./files"))


Web based solid modeling in Javascript: user editable parametric models, STL and DXF export.
Playground
Try it by entering some code below. Anything you enter will be lost as soon as this page is reloaded;
to build your own models you should instead store them in a .jscad file on your computer
and use the OpenJsCad parser.


Wait Please!!
Today
Cloudy, rain
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25
-
- 743 mm Hg
- 46% humidity
- 2m/s
-
Monday
0
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Tuesday
0
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Wednsday
0
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0
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Battlefield Earth (2000) John Travolta, Barry Pepper, Forest Whitaker, Kim Coates, Richard Tyson, Sabine Karsenti, Michael MacRae, Michael Byrne, Sean Hewitt, Michel Perron, Shaun Austin-Olsen, Christian Tessier, Kelly Preston. Music by Elia Cmiral. Screenplay by Corey Mandell and J.D. Shapiro, from the novel by L. Ron Hubbard. Directed by Roger Christian. 116 minutes. Rated PG-13, no star rating (explanation below)
Review by Ed Johnson-Ott, NUVO Newsweekly www.nuvo.com Archive reviews at http://us.imdb.com/ReviewsBy?Edward+Johnson-Ott To receive reviews by e-mail at no charge, send subscription requests to<EMAIL_ADDRESS>or e-mail<EMAIL_ADDRESS>with the word "subscribe" in the subject line.
I've assigned no star rating to John Travolta's "Battlefield Earth" because, frankly, I'm unsure how many stars to give a film that is so bad that it's good. In general, I find the practice of championing lousy movies to be distasteful. Mocking the efforts of others is snide, and besides, there are plenty of quality films dying on the vine for lack of a receptive audience.
But still…
Every so often a movie comes along that is so overwrought, overacted and overwhelmingly inept that it must be seen to be believed. Glorious disasters like "Valley of the Dolls," "Mommie Dearest," "Road House" and "Showgirls." And now comes "Battlefield Earth," the newest entry to the Grade Z Hall of Fame.
Travolta optioned the source novel in 1983, and has been trying to get the 1000 page opus by his mentor, L. Ron Hubbard, onto the big screen ever since. Originally, he dreamed of starring as the young hero, but as the years passed and his waistline thickened, Travolta (who also co-produced the film) opted to play the villain instead.
The story is set in the year 3000; nearly a millennium after the Psychlos, a supremely arrogant alien race, wiped out most of humanity. As security chief Terl (Travolta) graciously explains, "When we attacked your planet... all your soldiers and all their advanced technology, you only put up a measly nine-minute fight. This is why Man is an endangered species!" From domed installations, the Psychlos force the surviving "man-animals" to mine for gold.
The remnants of our species are primitives, many of whom consider the Psychlos to be vengeful gods. When Jonnie Goodboy Tyler (Barry Pepper, the sharpshooter from "Saving Private Ryan") dares to leave his people in the hills to go exploring, he is quickly captured by the aliens and comes face to face with Mr. Psychlo himself. Terl, enraged after being passed over for promotion, uses Jonnie as a pawn in an elaborate scheme to regain the power he feels he deserves. But Jonnie has plans of his own. Assembling a ragtag (is there any other kind?) team of patriots, he intends to drive the Psychlos off the planet, by any means necessary.
The plot is serviceable; it's the execution that makes "Battlefield Earth" such a joke. The filmmakers are so determined to make viewers realize they are watching an !!EPIC!! that they turn the production into a gigantic block of cheese.
>From the opening scenes, which employ a "Beastmaster" motif, Elia Cmiral's "majestic" score bludgeons the audience with thunderous noise. If one of the noble human savages even raises an arm, you can count on a pounding kettledrum or a fanfare to accompany the movement.
The acting matches the music. Barry Pepper adopts a stilted Mid Atlantic accent, the kind community theater actors use when they play royalty. Sincere to a fault, his strained delivery suggests constipation rather than heroism. Perhaps the strain was from trying to keep a straight face while spouting lines like "We're gonna destroy their home world… of course, we'll need some extra supplies for that."
Pepper is a master of subtlety compared to Travolta, who gives a performance that would make William Shatner wince.  with maniacal laughter. He also swears a lot, mostly using peculiar variants of the word "crap."
The Psychlos are supposed to be overconfident fools who fatally underestimate humanity ("A man-animal getting leverage over a Psychlo," cackles Terl, "that'll be the day!"), and Travolta gets that part right. But they're also supposed to be frightening, and these boobs in KISS boots are anything but. As Terl's underling, Ker, Forest Whitaker (looking extremely uncomfortable in freaky contact lens) is a bit less embarrassing than Travolta, though he has his share of cringe-worthy moments. Kelly Preston, Mrs. Travolta, also appears briefly, just long enough to lasciviously waggle her mega-long CGI tongue.
As for the mechanics of the "man-animal" revolt, suffice to say the plot has more holes than a tattooist's ears. Oh sure, the Psychlos took Earth in nine minutes, but the savages have an edge because, hey, they're spunky. Luckily for them, aircraft that has sat untouched for nearly a thousand years still works. And if you thought the resolution of "Independence Day" was ridiculous, wait until you get a load of the finale here.
Visually, the film is a muddy pastiche of images and set pieces from other sci-fi films, ripping off everything from "Planet of the Apes" to "The Matrix." Adding to the absurdity is Director Roger Christian's attempt to weird things up by repeatedly shooting scenes at an angle, à la "The Twilight Zone."
If you think this all sounds horrific, trust me – I've barely scraped the surface.  The icing on the cheesecake is Travolta's assurance that there will positively be a sequel. Jeepers, I can hardly wait!
© 2000 Ed Johnson-Ott
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Progressive Rock Top Albums / all subgenres - all record types - 2000 - all countries
Based on members ratings & PA algorithm
Here is some details about how we calculate the average rating of an album and the rank of an album.
-
Average rating: The classic calculation of the average but more weight is affected to the rating of progarchives.com collaborators and to rating with reviews.
- Rating only: Weight = 1
- Review by members : Weight = 10
- Review by PA Collaborators : Weight = 20
- Rank of an album: We use a calculation that compare an album average rating and number of ratings over all others albums in the query using this theory (http://en.wikipedia.org/wiki/Weighted_average) to create a variable every query "QWR" (AKA: Query Weighted Rating) use for ordering.
- By default, only albums with the average ratings above the average ratings of the requested query are displayed in theses lists, you can control this value in the parameters
| Rank | Cover | Ratings | Title Artist |
Genre (Record Type) |
BUY |
| 1 |
4.23 | 1065 ratings
QWR = 4.2091
|
The Perfect Element Part 1 Pain Of Salvation |
Progressive Metal Studio, 2000 |
Shop | |
| 2 |
4.15 | 714 ratings
QWR = 4.1178
|
V Spock's Beard |
Symphonic Prog Studio, 2000 |
Shop | |
| 3 |
4.15 | 623 ratings
QWR = 4.1155
|
V: The New Mythology Suite Symphony X |
Progressive Metal Studio, 2000 |
Shop | |
| 4 |
4.23 | 138 ratings
QWR = 4.0841
|
The Shaming Of The True Kevin Gilbert |
Crossover Prog Studio, 2000 |
Shop | |
| 5 |
4.12 | 459 ratings
QWR = 4.0729
|
Lift Your Skinny Fists Like Antennas To Heaven Godspeed You! Black Emperor |
Post Rock/Math rock Studio, 2000 |
Shop | |
| 6 |
4.45 | 48 ratings
QWR = 4.0460
|
Elvenefris Lykathea Aflame |
Tech/Extreme Prog Metal Studio, 2000 |
Shop | |
| 7 |
4.07 | 660 ratings
QWR = 4.0376
|
SMPTe Transatlantic |
Symphonic Prog Studio, 2000 |
Shop | |
| 8 |
4.08 | 311 ratings
QWR = 4.0222
|
Disconnected Fates Warning |
Progressive Metal Studio, 2000 |
Shop | |
| 9 |
4.03 | 1295 ratings
QWR = 4.0148
|
Lightbulb Sun Porcupine Tree |
Heavy Prog Studio, 2000 |
Shop | |
| 10 |
4.00 | 554 ratings
QWR = 3.9707
|
The Seventh House IQ |
Neo-Prog Studio, 2000 |
Shop | |
| 11 |
3.94 | 674 ratings
QWR = 3.9183
|
Kid A Radiohead |
Crossover Prog Studio, 2000 |
Shop | |
| 12 |
4.27 | 43 ratings
QWR = 3.9162
|
Polyglöt Volapük |
RIO/Avant-Prog Studio, 2000 |
Shop | |
| 13 |
4.03 | 116 ratings
QWR = 3.9039
|
If_Then_Else The Gathering |
Experimental/Post Metal Studio, 2000 |
Shop | |
| 14 |
4.08 | 80 ratings
QWR = 3.8982
|
Open Sky Iona |
Prog Folk Studio, 2000 |
Shop | |
| 15 |
4.21 | 43 ratings
QWR = 3.8817
|
El Fin de la Infancia (Childhood's End) Témpano |
Crossover Prog Studio, 2000 |
Shop | |
| 16 |
4.19 | 45 ratings
QWR = 3.8747
|
It's Understood Estradasphere |
RIO/Avant-Prog Studio, 2000 |
Shop | |
| 17 |
3.91 | 399 ratings
QWR = 3.8707
|
Immortal? Arena |
Neo-Prog Studio, 2000 |
Shop | |
| 18 |
3.95 | 126 ratings
QWR = 3.8498
|
The Hidden Step Ozric Tentacles |
Psychedelic/Space Rock Studio, 2000 |
Shop | |
| 19 |
3.93 | 167 ratings
QWR = 3.8488
|
Perdition City (Music To An Interior Film) Ulver |
Post Rock/Math rock Studio, 2000 |
Shop | |
| 20 |
4.16 | 41 ratings
QWR = 3.8454
|
A Leste do Sol, Oeste da Lua Sagrado Coraçăo da Terra |
Symphonic Prog Studio, 2000 |
Shop | |
| 21 |
4.23 | 34 ratings
QWR = 3.8439
|
Garmonbozia Ensemble Nimbus |
RIO/Avant-Prog Studio, 2000 |
Shop | |
| 22 |
4.12 | 42 ratings
QWR = 3.8272
|
World Sinfonia: The Grande Passion Al Di Meola |
Jazz Rock/Fusion Studio, 2000 |
Shop | |
| 23 |
3.85 | 486 ratings
QWR = 3.8247
|
Space Revolver The Flower Kings |
Symphonic Prog Studio, 2000 |
Shop | |
| 24 |
4.09 | 46 ratings
QWR = 3.8209
|
Lost And Found KBB |
Jazz Rock/Fusion Studio, 2000 |
Shop | |
| 25 |
3.97 | 83 ratings
QWR = 3.8190
|
American Don Don Caballero |
Post Rock/Math rock Studio, 2000 |
Shop | |
| 26 |
3.95 | 89 ratings
QWR = 3.8181
|
He Has Left Us Alone But Shafts Of Light Sometimes Grace The Corner Of Our Rooms A Silver Mt. Zion |
Post Rock/Math rock Studio, 2000 |
Shop | |
| 27 |
4.17 | 32 ratings
QWR = 3.8060
|
Serpentine Kaleidoscope Kopecky |
Heavy Prog Studio, 2000 |
Shop | |
| 28 |
3.88 | 133 ratings
QWR = 3.7980
|
Sacrament White Willow |
Symphonic Prog Studio, 2000 |
Shop | |
| 29 |
3.99 | 60 ratings
QWR = 3.7978
|
Square The Circle Triangle |
Neo-Prog Studio, 2000 |
Shop | |
| 30 |
4.04 | 43 ratings
QWR = 3.7845
|
Petrophonics Birdsongs Of The Mesozoic |
RIO/Avant-Prog Studio, 2000 |
Shop | |
| 31 |
3.90 | 83 ratings
QWR = 3.7736
|
Mister Green Taal |
Eclectic Prog Studio, 2000 |
Shop | |
| 32 |
3.93 | 65 ratings
QWR = 3.7702
|
Fantasma Everon |
Heavy Prog Studio, 2000 |
Shop | |
| 33 |
3.87 | 95 ratings
QWR = 3.7589
|
The Fourth Legacy Kamelot |
Progressive Metal Studio, 2000 |
Shop | |
| 34 |
3.80 | 154 ratings
QWR = 3.7356
|
Cowboy Poems Free Echolyn |
Symphonic Prog Studio, 2000 |
Shop | |
| 35 |
3.86 | 72 ratings
QWR = 3.7301
|
Close To The Fire Kayak |
Crossover Prog Studio, 2000 |
Shop | |
| 36 |
3.90 | 54 ratings
QWR = 3.7288
|
Let Them Eat Cake Motorpsycho |
Eclectic Prog Studio, 2000 |
Shop | |
| 37 |
3.88 | 59 ratings
QWR = 3.7219
|
Arriving Twice Gilgamesh |
Canterbury Scene Studio, 2000 |
Shop | |
| 38 |
3.79 | 84 ratings
QWR = 3.6896
|
Situation Dangerous Bozzio Levin Stevens |
Jazz Rock/Fusion Studio, 2000 |
Shop | |
| 39 |
3.84 | 49 ratings
QWR = 3.6797
|
Finisterra Mago de Oz |
Progressive Metal Studio, 2000 |
Shop | |
| 40 |
3.76 | 90 ratings
QWR = 3.6743
|
Dawn Of Victory Rhapsody (of Fire) |
Progressive Metal Studio, 2000 |
Shop | |
| 41 |
3.71 | 142 ratings
QWR = 3.6625
|
The Secret Language Of Birds Ian Anderson |
Prog Folk Studio, 2000 |
Shop | |
| 42 |
3.73 | 83 ratings
QWR = 3.6514
|
Deggial Therion |
Progressive Metal Studio, 2000 |
Shop | |
| 43 |
3.76 | 55 ratings
QWR = 3.6393
|
Under The Sun Under The Sun |
Progressive Metal Studio, 2000 |
Shop | |
| 44 |
3.68 | 144 ratings
QWR = 3.6378
|
Juggling 9 or Dropping 10 Enchant |
Heavy Prog Studio, 2000 |
Shop | |
| 45 |
3.74 | 62 ratings
QWR = 3.6360
|
Defining The Legacy Flamborough Head |
Neo-Prog Studio, 2000 |
Shop | |
| 46 |
3.80 | 34 ratings
QWR = 3.6231
|
Cabezas de Cera Cabezas De Cera |
Eclectic Prog Studio, 2000 |
Shop | |
| 47 |
3.69 | 84 ratings
QWR = 3.6208
|
Universe Planet X |
Jazz Rock/Fusion Studio, 2000 |
Shop | |
| 48 |
3.75 | 43 ratings
QWR = 3.6169
|
The Ruins Of A Glass Fortress Gerard |
Neo-Prog Studio, 2000 |
Shop | |
| 49 |
3.67 | 98 ratings
QWR = 3.6125
|
Beethoven's Last Night Trans-Siberian Orchestra |
Crossover Prog Studio, 2000 |
Shop | |
| 50 |
3.77 | 33 ratings
QWR = 3.6054
|
Snapshots From Limbo Sonus Umbra |
Crossover Prog Studio, 2000 |
Shop | |
| 51 |
3.71 | 49 ratings
QWR = 3.6052
|
Vocanda Millenium |
Neo-Prog Studio, 2000 |
Shop | |
| 52 |
3.61 | 361 ratings
QWR = 3.5988
|
Universal Migrator, Part 2: Flight Of The Migrator Ayreon |
Progressive Metal Studio, 2000 |
Shop | |
| 53 |
3.74 | 35 ratings
QWR = 3.5961
|
Angels of the Apocalypse Mastermind |
Eclectic Prog Studio, 2000 |
Shop | |
| 54 |
3.63 | 128 ratings
QWR = 3.5886
|
A Sceptic's Universe Spiral Architect |
Tech/Extreme Prog Metal Studio, 2000 |
Shop | |
| 55 |
3.60 | 407 ratings
QWR = 3.5874
|
Universal Migrator, Part 1: The Dream Sequencer Ayreon |
Progressive Metal Studio, 2000 |
Shop | |
| 56 |
3.66 | 45 ratings
QWR = 3.5679
|
Tales From Moonlit Bay Like Wendy |
Neo-Prog Studio, 2000 |
Shop | |
| 57 |
3.64 | 44 ratings
QWR = 3.5525
|
Come il Seguitare Delle Stagioni Il Castello Di Atlante |
Rock Progressivo Italiano Studio, 2000 |
Shop | |
| 58 |
3.60 | 58 ratings
QWR = 3.5456
|
Money Machine Bigelf |
Heavy Prog Studio, 2000 |
Shop | |
| 59 |
3.61 | 54 ratings
QWR = 3.5445
|
Mardraum: Beyond the Within Enslaved |
Tech/Extreme Prog Metal Studio, 2000 |
Shop | |
| 60 |
3.60 | 40 ratings
QWR = 3.5306
|
Crashing Icons Absolute Zero |
RIO/Avant-Prog Studio, 2000 |
Shop | |
| 61 |
3.57 | 40 ratings
QWR = 3.5122
|
Classical Music and Popular Songs Martin Orford |
Neo-Prog Studio, 2000 |
Shop | |
| 62 |
3.56 | 43 ratings
QWR = 3.5089
|
Friendship Ash Ra Tempel |
Krautrock Studio, 2000 |
Shop | |
| 63 |
3.54 | 60 ratings
QWR = 3.5067
|
Shattered Image La Tulipe Noire |
Neo-Prog Studio, 2000 |
Shop | |
| 64 |
3.53 | 89 ratings
QWR = 3.5051
|
Zero To Infinity Gong |
Canterbury Scene Studio, 2000 |
Shop | |
| 65 |
3.53 | 50 ratings
QWR = 3.4931
|
Not Everybody's Gold Salem Hill |
Neo-Prog Studio, 2000 |
Shop | |
| 66 |
3.50 | 182 ratings
QWR = 3.4895
|
OVO Peter Gabriel |
Crossover Prog Studio, 2000 |
Shop | |
| 67 |
3.49 | 224 ratings
QWR = 3.4814
|
Somewhere To Elsewhere Kansas |
Symphonic Prog Studio, 2000 |
Shop | |
| 68 |
3.51 | 33 ratings
QWR = 3.4759
|
In Anadi's Bower Lucifer Was |
Eclectic Prog Studio, 2000 |
Shop | |
| 69 |
3.47 | 135 ratings
QWR = 3.4669
|
Wishmaster Nightwish |
Progressive Metal Studio, 2000 |
Shop | |
| 70 |
3.47 | 122 ratings
QWR = 3.4652
|
Sketches Of Satie Steve Hackett |
Eclectic Prog Studio, 2000 |
Shop | |
| 71 |
3.47 | 77 ratings
QWR = 3.4581
|
You Go Now Chroma Key |
Psychedelic/Space Rock Studio, 2000 |
Shop | |
| 72 |
3.47 | 47 ratings
QWR = 3.4554
|
The Storm Karnataka |
Prog Folk Studio, 2000 |
Shop | |
| 73 |
3.46 | 53 ratings
QWR = 3.4506
|
Glossolalia Steve Walsh |
Crossover Prog Studio, 2000 |
Shop | |
| 74 |
3.44 | 35 ratings
QWR = 3.4395
|
Alya Shakary |
Neo-Prog Studio, 2000 |
Shop |


Chelsea’s season, part 3 of 3: Best XI, horse races and lingering concerns
by The Pride of London StaffWrapping up our three part series on the season so far and the winter ahead, our contributors give their thoughts on Chelsea’s best XI and position.
Frank Lampard has more or less settled on a team for the first few months of the season. But injury returns and other variables can change how the XI shapes up. Then there is the not so small matter of whether Chelsea is in a title race or if this is a little horse season. Our contributors close out with their perspectives on the topics.
Best XI right now
Scott Brant: 4-3-3, Kepa Arrizabalaga; Cesar Azpilicueta, Kurt Zouma, Fikayo Tomori, Emerson; N’Golo Kante, Jorginho, Mateo Kovacic; Willian, Tammy Abraham, Christian Pulisic
Varun Dani: 4-2-3-1, Arrizabalaga; Reece James, Zouma, Tomori, Emerson; Kante, Jorginho; Willian, Ruben Loftus-Cheek, Pulisic; Abraham
Gabe Henderson: 4-3-3, Arrizabalaga; James, Rudiger, Tomori, Emerson, Loftus-Cheek, Kante, Mason Mount; Callum Hudson-Odoi, Abraham,Pulisic
Nate Hofmann: 4-3-3; Arrizabalaga; James, Rudiger, Tomori, Emerson; Kante, Jorginho, Mount; Willian, Abraham, Pulisic
Olaoluwa Nwobodo: 4-2-3-1, Arrizabalaga, Azpilicueta, Zouma, Tomori, Marcos Alonso; Kante, Kovacic; Willian, Mount, Pulisic; Abraham
Abhishek Pancholi: 4-2-3-1, Arrizabalaga, Azpilicueta, Zouma, Tomori, Emerson; Kovacic, Kante; Pulisic, Mount, Willian; Abraham
Barrett Rouen: 4-3-3, Arrizabalaga; James, Zouma, Tomori, Azpilicueta; Kovacic, Kante(Jorginho until all red flags are gone but then let’s have some respect for the World Cup winner), Mount; Willian,Tammy, Pulisic
Oliver Smith: 4-2-3-1, Arrizabalaga; James, Zouma, Tomori, Emerson; Kante, Jorginho; Willian, Loftus-Cheek, Pulisic; Abraham
| 1 of 3 | Next: 2: Are Chelsea title contenders or little horses? |


First shipment of PECVD system delivered to the customer.
2011-03
Received "Copyright certificate" of PECVD software controlling system
2011-01
Launches PECVD system for tandem junction thin-film solar cell production
2010-12
Research and Development project of Ideal Energy MOCVD (Alpha) system has been listed into “2010 Shanghai technology science commission LED program”
2010-09
First order of Ideal Energy LPCVD system received
2010-09
Research and Development project of Ideal Energy PECVD system has been listed into the switch on program of “2010 Shanghai innovative new technology plan”
2010-07
Received “Copyright certificate” of LPCVD software controlling system
2010-05
Zhengsheng Yu, the secretary of Shanghai, visits Ideal Energy
2010-04
The first LPCVD system of Ideal Energy successfully passed the functional test
2009-11
The research and development project of PECVD and LPCVD with mass production has been listed into the “2009 Shanghai high technology industries development items”
2009-08
Ideal Energy Equipment (Shanghai) Ltd. established
2009-07
Reward the prize of “the company with most potential development” for Zhangjiang High-Tech Park 10 year’s anniversary
2009-04
Ideal Energy Equipment (Shanghai) Ltd. Committee established


Tiverton Hospital League of Friends Christmas Craft Fair 2019 29 Nov 2019, 12:56 by Lewis Clarke Margaret Turner, Aggie Metcalfe, SWAST Bear, Nick Metcalfe Margaret Turner, Aggie Metcalfe, SWAST Bear, Nick Metcalfe Par Purrington Par Purrington Jan Littlejohn, Louise Clark, Arthur Govier, Sue Howard, Lin Olsen, Maureen Gibbs, Florence Clark, Louise Wright Fred Clark, Florence Clark, Louise Clark and Louise Wright Annie Kurniak and Leanne Harris Maureen Evershed and Helen Frost-Martin Maureen Evershed and Helen Frost-Martin


Capturing Imaginations
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Al Emarat vacating the active via rapid exit taxiway N9


Annotation Type RetryTransaction
-
@Documented @Inherited @Retention(RUNTIME) @Target({TYPE,METHOD}) public @interface RetryTransaction
An annotation for@Transactional
methods that want to have transactions automatically retried when they fail due to a transient exception. A transient exception is one that Spring would translate into aTransientDataAccessException
.This automatic retry logic is very handy for solving the problem of transient deadlocks that can occur in complex Java/ORM applications. Due to the ORM layer hiding the details of the underlying data access patterns, it's often difficult to design Java/ORM applications such that transient deadlocks at the database layer can't occur. Since these deadlocks can often be dealt with simply by retrying the transaction, having retry logic automatically applied can eliminate this problem.
Note, beans involved in transactions should either be stateless, or be prepared to rollback any state changes on transaction failure; of course, this is true whether or not transactions are automatically being retried, but adding automatic retry can magnify pre-existing bugs of that nature.
The
@RetryTransaction
annotation is ignored unless all of the following conditions are satisfied:-
The method (and/or the containing type) must be annotated with both
@Transactional
and@RetryTransaction
-
The
@Transactional
annotation must have propagation set to eitherPROPAGATION_REQUIRED
orPROPAGATION_REQUIRES_NEW
(other propagation values do not involve creating new transactions). -
In the case of
PROPAGATION_REQUIRED
propagation, there must not be a transaction already open in the calling thread (under the same transaction manager). In other words, the invoked method must be the one responsible for creating a new transaction. -
The method's class must be woven (either at build time or runtime) using the
AspectJ compiler
with the
RetryTransactionAspect
aspect (included in thedellroad-stuff
JAR file). -
The
RetryTransactionAspect
aspect must be configured with aPersistenceExceptionTranslator
appropriate for the ORM layer being used.This is required because the
RetryTransactionAspect
doesn't know a priori which exceptions are "retryable" and which exceptions are hard errors. However, this is something that thePersistenceExceptionTranslator
knows, because part of its job is wrapping lower-layer exceptions inorg.springframework.dao
exceptions, in particularTransientDataAccessException
.The simplest way to do this is to include the aspect in your Spring application context, for example:
<bean class="org.dellroad.stuff.spring.RetryTransactionAspect" factory-method="aspectOf" p:persistenceExceptionTranslator-ref="myJpaDialect"/>
This also gives you the opportunity to change the default values for
maxRetries()
,initialDelay()
, andmaximumDelay()
, which are applied when not explicitly overridden in the annotation, for example:<bean class="org.dellroad.stuff.spring.RetryTransactionAspect" factory-method="aspectOf" p:persistenceExceptionTranslator-ref="myJpaDialect" p:maxRetriesDefault="2" p:initialDelayDefault="25" p:maximumDelayDefault="5000"/>
Logging behavior: Normal activity is logged at trace level, retries are logged at debug level, and errors are logged at error level.
Transactional code can determine the transaction attempt number using the
RetryTransactionProvider
interface implemented by the aspect.RetryTransactionProvider.getAttemptNumber()
method returns the current attempt number (1, 2, 3...), or zero if the current thread is not executing within activated retry logic:import org.dellroad.stuff.spring.RetryTransactionProvider; ... @Autowired private RetryTransactionProvider retryTransactionProvider; ... @RetryTransaction @Transactional public void doSomething() { ... final int attempt = this.retryTransactionProvider.getAttemptNumber(); ... }
You can acquire also the singleton
RetryTransactionProvider
instance directly like this:import org.dellroad.stuff.spring.RetryTransactionAspect; import org.dellroad.stuff.spring.RetryTransactionProvider; ... @RetryTransaction @Transactional public void doSomething() { ... final RetryTransactionProvider rtp = RetryTransactionAspect.aspectOf(); final int attempt = rtp.getAttemptNumber(); ... }
You can also invoke the retry logic directly (i.e., without going through a method woven with the aspect); see
RetryTransactionProvider.retry()
.- See Also:
RetryTransactionProvider
,Transactional
-
The method (and/or the containing type) must be annotated with both
-
-
Field Summary
Fields Modifier and Type Fields Description static long
DEFAULT_INITIAL_DELAY
Default initial delay, in milliseconds, used when theinitialDelay
value is not explicitly set in an instance of this annotation.static int
DEFAULT_MAX_RETRIES
Default maximum number of retry attempts, used when themaxRetries
value is not explicitly set in an instance of this annotation.static long
DEFAULT_MAXIMUM_DELAY
Default maximum delay, in milliseconds, used when themaximumDelay
value is not explicitly set in an instance of this annotation.
-
Optional Element Summary
Optional Elements Modifier and Type Optional Element Description long
initialDelay
The initial delay between retry attempts in milliseconds.long
maximumDelay
The maximum delay between retry attempts in milliseconds.int
maxRetries
The maximum number of transaction retry attempts.
-
-
-
Field Detail
-
DEFAULT_MAX_RETRIES
static final int DEFAULT_MAX_RETRIES
Default maximum number of retry attempts, used when themaxRetries
value is not explicitly set in an instance of this annotation. This default value can be overridden by configuring themaxRetriesDefault
property on the aspect itself.
-
-
-
DEFAULT_INITIAL_DELAY
static final long DEFAULT_INITIAL_DELAY
Default initial delay, in milliseconds, used when theinitialDelay
value is not explicitly set in an instance of this annotation. This default value can be overridden by configuring theinitialDelayDefault
property on the aspect itself.
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DEFAULT_MAXIMUM_DELAY
static final long DEFAULT_MAXIMUM_DELAY
Default maximum delay, in milliseconds, used when themaximumDelay
value is not explicitly set in an instance of this annotation. This default value can be overridden by configuring themaximumDelayDefault
property on the aspect itself.
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Element Detail
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maxRetries
int maxRetries
The maximum number of transaction retry attempts.If the transaction fails, it will be retried at most this many times. This limit applies to retries only; it does not apply to the very first attempt, which is always made. So a value of zero means at most one attempt.
If this property is not set explicitly, the default value of
-1
indicates that the aspect-wide default value (4 by default), should be used.- Returns:
- maximum number of transaction retry attempts
- Default:
- -1
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initialDelay
long initialDelay
The initial delay between retry attempts in milliseconds. After the first transaction failure, we will pause for approximately this many milliseconds. For additional failures we apply a randomized exponential back-off, up to a maximum ofmaximumDelay()
.If this property is not set explicitly, the default value of
-1
indicates that the aspect-wide default value (100L milliseconds by default), should be used.- Returns:
- initial delay between retry attempts in milliseconds
- Default:
- -1L
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maximumDelay
long maximumDelay
The maximum delay between retry attempts in milliseconds. After the first transaction failure, we will pause for approximatelyinitialDelay()
milliseconds. For additional failures we apply a randomized exponential back-off, up to a maximum of this value.If this property is not set explicitly, the default value of
-1
indicates that the aspect-wide default value (30000L milliseconds by default), should be used.- Returns:
- maximum delay between retry attempts in milliseconds
- Default:
- -1L
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Uran
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Public Member Functions | |
| Variable (String n, Type t) | |
| boolean | isVariable () |
| String | toString () |
| String | toSMT2 () |
| Public Member Functions inherited from uran.formula.Constant | |
| Constant (String name, Type type) | |
| String | toSMT2 () |
| String | toString () |
| boolean | isConstant () |
| Public Member Functions inherited from uran.formula.Function | |
| Function (String n, Type...args) | |
| Function (Function fun, Function...args) | |
| int | arity () |
| String | name () |
| Type[] | getArgs () |
| Type | getArgs (int index) |
| Type | getReturnType () |
| boolean | isConstant () |
| boolean | isFunction () |
| Function | apply (Function...functions) |
| String | toString () |
| String | toSMT2 () |
| String | toSMT2_decl () |
| void | accept (AbstractVisitor visitor) |
| Public Member Functions inherited from uran.formula.AbstractFormula | |
| abstract String | toString () |
| boolean | isAtomicFormula () |
| boolean | isLiteral () |
| boolean | isQuantifiedFormula () |
| boolean | isBinaryFormula () |
| boolean | isImpliesFormula () |
| boolean | isConstant () |
| boolean | isFunction () |
| boolean | isVariable () |
| boolean | isEqFormula () |
| boolean | isNull () |
| abstract String | toSMT2 () |
| abstract void | accept (AbstractVisitor visitor) |
Definition at line 16 of file Variable.java.
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inline |
Definition at line 18 of file Variable.java.
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inline |
Definition at line 27 of file Variable.java.
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inline |
Definition at line 35 of file Variable.java.
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inline |
Definition at line 30 of file Variable.java.


class ItunesConfig
Config class for saving settings and updates |
const val BASE_API: String
Base url for itunes search api |
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const val DATABASE_NAME: String
Database name for room db |
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val artworkUrls: Array<String>
artwork_url as Array urls used for mock and unit tests |
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const val artwork_url: String
artwork_url as String url used for mock and unit tests |
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const val base_url: String
base_url as String the itunes base url |
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val countries: Array<String>
countries as Array the countries selection for the spinner |
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val countryCodes: Array<String>
countryCodes as Array the country codes representation for the countries |
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const val fake_build: String
fake_build as String the identifier for the fake api |
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const val itunes_build: String
itunes_build as String the identifier for the itunes api |
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const val loren: String
loren as String the long description constant for mocks |
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val mediaCodes: Array<String>
medias as Array the medias expected parameters |
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val medias: Array<String>
mediaList as Array the displayed selections for the spinner for media |
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val randomGenre: Array<String>
randomGenre as Array the genres mocked |
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val randomIds: LongArray
randomIds as LongArray the track id's mocked |
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val randomTracks: Array<String>
randomTracks as Array the track names mocked |
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val stringFormatter: SimpleDateFormat
string formatter for date |