cf.Query¶
-
class
cf.
Query
(operator, value, units=None, attr=None, exact=True, rtol=None, atol=None)[source]¶ Bases:
object
Encapsulate a condition for subsequent evaluation.
A condition that may be applied to any object may be stored in a
Query
object. AQuery
object encapsulates a condition, such as “strictly less than 3”. When applied to an object, via itsevaluate
method or the Python==
operator, the condition is evaluated in the context of that object.>>> c = cf.Query('lt', 3) >>> c <CF Query: (lt 3)> >>> c.evaluate(2) True >>> c == 2 True >>> c != 2 False >>> c.evaluate(3) False >>> c == cf.Data([1, 2, 3]) <CF Data(3): [True, True, False]> >>> c == numpy.array([1, 2, 3]) array([True, True, False])
The following operators are supported when constructing
Query
instances:Operator
Description
'lt'
A “strictly less than” condition
'le'
A “less than or equal” condition
'gt'
A “strictly greater than” condition
'ge'
A “greater than or equal” condition
'eq'
An “equal” condition
'ne'
A “not equal” condition
'wi'
A “within a range” condition
'wo'
A “without a range” condition
'set'
A “member of set” condition
'isclose'
An “is close” condition
Compound queries
Multiple conditions may be combined with the Python bitwise “and” (
&
) and “or” (|
) operators to form a newQuery
object.>>> ge3 = cf.Query('ge', 3) >>> lt5 = cf.Query('lt', 5) >>> c = ge3 & lt5 >>> c <CF Query: [(ge 3) & (lt 5)]> >>> c == 2 False >>> c != 2 True >>> c = ge3 | lt5 >>> c <CF Query: [(ge 3) | (lt 5)]> >>> c == 2 True >>> c &= cf.Query('set', [1, 3, 5]) >>> c <CF Query: [[(ge 3) | (lt 5)] & (set [1, 3, 5])]> >>> c == 2 False >>> c == 3 True
A condition can be applied to an attribute of an object.
>>> upper_bounds_ge_minus4 = cf.Query('ge', -4, attr='upper_bounds') >>> x <CF DimensionCoordinate: grid_longitude(9) degrees> >>> print(x.bounds.array) [[-4.92 -4.48] [-4.48 -4.04] [-4.04 -3.6 ] [-3.6 -3.16] [-3.16 -2.72] [-2.72 -2.28] [-2.28 -1.84] [-1.84 -1.4 ] [-1.4 -0.96]] >>> print((upper_bounds_ge_minus4 == x).array) [False False True True True True True True True] >>> upper_bounds_ge_minus4 = cf.Query('ge', -4, attr='upper_bounds')
A condition can also be applied to attributes of attributes of an object.
>>> t <CF DimensionCoordinate: time(4) > >>> t.lower_bounds.month.array array([12, 3, 6, 9]) >>> c = cf.Query('ge', 8, attr='lower_bounds.month') >>> c == t <CF Data(4): [True, ..., True]> >>> (c == t).array array([ True, False, False, True])
The query interface
In general, the query operator must be permitted between the value of the condition and the operand for which it is being evaluated. For example, when the value is an
int
, the query works if the operand is also anint
, but fails if it is alist
:>>> c = cf.Query('lt', 2) >>> c == 1 True >>> c == [1, 2, 3] TypeError: '<' not supported between instances of 'list' and 'int'
This behaviour is overridden if the operand has an appropriate “query interface” method. When such a method exists, it is used instead of the equivalent built-in Python operator.
Query interface method
Description
__query_lt__
Called when a
'lt'
condition is evaluated__query_le__
Called when a
'le'
condition is evaluated__query_gt__
Called when a
'gt'
condition is evaluated__query_ge__
Called when a
'ge'
condition is evaluated__query_eq__
Called when an
'eq'
condition is evaluated__query_ne__
Called when a
'ne'
condition is evaluated__query_wi__
Called when a
'wi'
condition is evaluated__query_wo__
Called when a
'wo'
condition is evaluated__query_set__
Called when a
'set'
condition is evaluated__query_isclose__
Called when an
'isclose'
condition is evaluated.In general, each method must have the query value as it’s only parameter. The only exception is for
__query_isclose__
, which also requires the absolute and relative numerical tolerances to be provided.When the condition is on an attribute, or nested attributes, of the operand, the query interface method is looked for on the attribute object, rather than the parent object.
If the value has units then the argument passed to query interface method is automatically a
Data
object that attaches the units to the value.For example:
>>> class myList(list): ... pass ... >>> class myList_with_interface(list): ... def __query_lt__(self, value): ... return type(self)([x < value for x in self]) ... >>> c == myList([1, 2, 3]) TypeError: '<' not supported between instances of 'myList' and 'int' >>> c == myList_with_interface([1, 2, 3]) [True, False, False]
Initialisation
- Parameters
- operator:
str
The query operator.
- value:
The value of the condition.
- units:
str
orUnits
, optional The units of value. By default, the same units as the operand being tested are assumed, if applicable. If units is specified and value already has units (such as those attached to a
Data
object), then the pair of units must be equivalent.- attr:
str
, optional Apply the condition to the attribute, or nested attributes, of the operand, rather than the operand itself. Nested attributes are specified by separating them with a
.
. For example, the “month” attribute of the “bounds” attribute is specified as'bounds.month'
. See also theaddattr
method.- rtol: number, optional
Only applicable to the
'isclose'
operator. The tolerance on relative numerical differences. IfNone
, the default, then the value returned bycf.rtol
is used at evaluation time.New in version 3.15.2.
- atol: number, optional
Only applicable to the
'isclose'
operator. The tolerance on absolute numerical differences. IfNone
, the default, then the value returned bycf.atol
is used at evaluation time.New in version 3.15.2.
- exact: deprecated at version 3.0.0.
Use
re.compile
objects in value instead.
- operator:
Methods¶
Return a |
|
Return a deep copy. |
|
Return a string containing a full description of the instance. |
|
True if two |
|
Deprecated at version 3.0.0. |
|
Evaluate the query operation for a given left hand side operand. |
|
Deprecated at version 3.0.0. |
|
Inspect the object for debugging. |
|
Set units of condition values in-place. |
|
Set condition parameters in-place that are not already set. |
Attributes¶
The object attribute on which to apply the query condition. |
|
The query operator. |
|
The value of the condition encapsulated by the query. |
|
Return True if the query is a “cell contains” condition. |
|
Return the units of the query. |
|
The tolerance on absolute numerical differences. |
|
The tolerance on relative numerical differences. |
Special¶
Methods
Used if copy.deepcopy is called on the variable. |
|
Called by the |
|
Called by the |
|
The rich comparison operator |
|
The rich comparison operator |
|
The binary bitwise operation |
|
The augmented bitwise assignment |
|
The binary bitwise operation |
|
The augmented bitwise assignment |
|
Return a hashable value fully representative of the object. |


Jake Zimmerman (@jez)
@jez
May 5, 2020
Normal text
import requests # This does a thing def foo(): return 'bar'
import Foo.Bar data Maybe a = Just a | Nothing foo :: a -> Maybe a foo x = Just x
var style = { base: { color: '#303238', fontSize: '16px', fontFamily: '"Open Sans", sans-serif', fontSmoothing: 'antialiased', '::placeholder': { color: '#CFD7DF', }, }, };


Duration
10 minutes
Goals
The primary goal of this lab is to modify an existing application to use the task-based async pattern when downloading search results from a web service.
Required assets
This exercise is a continuation from the previous exercise. You may use your existing solution or start with the Completed solution in the Part 01 Resources folder. The provided Part 02 Resources folder contains a subfolder named Completed with a solution you can use to check your work. Please make sure you have this folder before you begin.
Challenge
Update an existing application to use the task-based async pattern when searching for movies from a web service.
- Open MovieApi.cs and replace the SearchAsync method with a task-based version. Use the synchronous Search method as a starting-point.
- Call the new SearchAsync method from within the OnSearch method in SearchPage.xaml.cs.
Steps
Create a new Async Search Method
- Open MovieApi.cs in the shared project MediaPhone.
- Comment-out or delete the existing SearchAsync method, we're going to replace it.
- Create a new
static
method named SearchAsync, copying the signature from the original Search method. The new method should return anIEnumerable
ofSearchItem
's and accept a single string parameter named text. - Next, copy the contents of the original Search method into your new SearchAsync method.
Modify Search Async to use the Task Async Pattern
- Add the
async
keyword to the method signature before the return type. - Change the return type to return a
Task
that encapsulates theIEnumerable
ofSearchItem
s. - Change the method call on the
WebClient
to download the results to use the new method; change it fromDownloadString
toDownloadStringTaskAysnc
. - Note that
DownloadStringTaskAsync
returns aTask
so we can now use theawait
keyword. Await the call toDownloadStringTaskAsync
.
Call the Task-based Async Search Method
- Open SearchPage.xaml.cs.
- Restore the OnSearch method to its original synchronous form:
void OnSearch (object sender, EventArgs e) { if (string.IsNullOrEmpty(searchBar.Text)) return; Data.Clear(); searchProgress.IsRunning = true; try { var results = MovieApi.Search(searchBar.Text); foreach (var item in results) Data.Add(item); } catch (WebException ex) { DisplayAlert("Error", ex.Message + "\r\nAre you connected to the Internet?", "OK"); } finally { searchProgress.IsRunning = false; } }
- Change the call to the static MovieApi.Search method to MovieApi.SearchAsync.
- Since this method returns a
Task
any calls to this method should be awaited. Place theawait
keyword before the call to SearchAsync. - In order to use the
await
keyword, our method needs to be marked as async. Add theasync
keyword before the method signature of OnSearch. - We can make one additional optimization now that our OnSearch method is asynchronous. Examine the return type from the call to
DisplayAlert
. This method also returns a task and can be awaited. Await the call toDisplayAlert
. - Run the application, it will remain responsive while downloading search results.
- Compare the final solution to the start solution from Part 01. Notice only a few lines of code are different between the task-based async version and the original synchronous code.
Summary
In this exercise you used the task-based async pattern to download movie search results. You also compared the tasked-based async implementation with a synchronous version.


Ruby is an object-oriented scripting language originally developed by Yukihiro Matsumoto (also known as Matz). The main website of the Ruby programming language is ruby-lang.org. Development began in February 1993 and the first alpha version of Ruby was released in December 1994. It was developed to be an alternative to scripting languages such as Perl and Python. Ruby borrows heavily from Perl and the class library is essentially an object-oriented reorganization of Perl's functionality. Ruby also borrows from Lisp and Smalltalk. While Ruby does not borrow many features from Python, reading the code for Python helped Matz develop Ruby.
MacOS comes with Ruby already installed. Most Linux distributions either come with Ruby preinstalled or allow you to easily install Ruby from the distribution's repository of free software. You can also download and install Ruby on Windows. The more technically adept can download the Ruby source code[2] and compile it for most operating systems, including Unix, DOS, BeOS, OS/2, Windows, and Linux.
Contents
- String Literals
- Program Flow
- Input and Output
- Objects
- Classes
- Numbers
- Arrays
- Functions
- Ruby on Rails
- References
One way to create a String is to use single or double quotes inside a Ruby program to create what is called a string literal. We've already done this with our "hello world" program. A quick update to our code shows the use of both single and double quotes.
Try it out!
puts 'Hello world'
Ruby contains methods to implement conditional branching, just like any other OOP language.
Ruby includes a pretty standard set of looping and branching constructs: if, while and case.
For example, here's if in action:
a = 10 * rand
if a < 5
puts "#{a} less than 5"
elsif a > 7
puts "#{a} greater than 7"
else
puts "Cheese sandwich!"
end
After months of work, our highly paid Research and Development folks have determined that our jukebox needs songs. So it seems like a good idea to start off by setting up a Ruby class that represents things that are songs. We know that a real song has a name, an artist, and a duration, so we'll want to make sure that the song objects in our program do, too.
initialize is a special method in Ruby programs. When you call Song.new to create a new Song object, Ruby creates an uninitialized object and then calls that object's initialize method, passing in any parameters that were passed to new. This gives you a chance to write code that sets up your object's state.
class Song
def initialize(name, artist, duration)
@name = name
@artist = artist
@duration = duration
end
end
Ruby is a perfect Object Oriented Programming Language. The features of the object-oriented programming language include −
Data Encapsulation
Data Abstraction
Polymorphism
Inheritance
These features have been discussed in the chapter Object Oriented Ruby.
An object-oriented program involves classes and objects. A class is the blueprint from which individual objects are created. In object-oriented terms, we say that your bicycle is an instance of the class of objects known as bicycles.
Take the example of any vehicle. It comprises wheels, horsepower, and fuel or gas tank capacity. These characteristics form the data members of the class Vehicle. You can differentiate one vehicle from the other with the help of these characteristics.
A vehicle can also have certain functions, such as halting, driving, and speeding. Even these functions form the data members of the class Vehicle. You can, therefore, define a class as a combination of characteristics and functions.
Class Vehicle {
Number no_of_wheels
Number horsepower
Characters type_of_tank
Number Capacity
Function speeding {
}
Function driving {
}
Function halting {
}
}
Under the hood, for reasons that are mostly technical, there are actually different kinds of numbers:
For example there are integer numbers (those without a fraction, i.e. a dot and decimal places), and depending on their size there are two kinds of them. For floating point numbers there are even more. Unless you are super curious, you can perfectly ignore all of that for now, and just think of numbers as numbers.
However, when you do calculations with numbers, keep in mind that integer numbers (“integers”) and decimal point numbers (floating point numbers, aka “floats”) are different.
If you do a calculation that uses integer number you’ll always get an integer back.
Creating an Array
To create an array in a Ruby program, use square brackets: ([]), and separate the values you want to store with commas.
For example, create an array of sharks and assign it to a variable, like this:
sharks = ["Hammerhead", "Great White", "Tiger"]
The Ruby language makes it easy to create functions.
Function Syntax:
def functionname(variable)
return (value)
end
Ruby on Rails, or Rails, is a server-side web application framework written in Ruby under the MIT License. Rails is a model–view–controller (MVC) framework, providing default structures for a database, a web service, and web pages. It encourages and facilitates the use of web standards such as JSON or XML for data transfer, HTML, CSS and JavaScript for user interfacing. In addition to MVC, Rails emphasizes the use of other well-known software engineering patterns and paradigms, including convention over configuration (CoC), don't repeat yourself (DRY), and the active record pattern.[4]
Ruby on Rails' emergence in the 2000s greatly influenced web app development, through innovative features such as seamless database table creations, migrations, and scaffolding of views to enable rapid application development. Ruby on Rails' influence on other web frameworks remains apparent today, with many frameworks in other languages borrowing its ideas, including Django in Python, Catalyst in Perl, Laravel and CakePHP in PHP, Phoenix in Elixir, Play in Scala, and Sails.js in Node.js.
Official API Documentation is found here.


| Product | Price | Quanity | Total | Edit |
|---|---|---|---|---|
Men's Crew T-shirtSize: XLColor: Brown |
$29.00 | $29.00 | ||
Men's Crew T-shirtSize: XLColor: Brown |
$29.00 | $29.00 | ||
Men's Crew T-shirtSize: XLColor: Brown |
$29.00 | $29.00 | ||
Men's Crew T-shirtSize: XLColor: Brown |
$29.00 | $29.00 |


Following this example, you will create a pod with a downward API volume. A downward API volume is a k8s volume plugin with the ability to save some pod information in a plain text file. The pod information can be for example some metadata.
Supported metadata fields:
metadata.annotations
metadata.namespace
metadata.name
metadata.labels
This example assumes you have a Kubernetes cluster installed and running, and the kubectl
command line tool somewhere in your path. Please see the gettingstarted for installation instructions for your platform.
Use the docs/user-guide/downward-api/dapi-volume.yaml
file to create a Pod with a downward API volume which stores pod labels and pod annotations to /etc/labels
and /etc/annotations
respectively.
$ kubectl create -f docs/user-guide/downward-api/volume/dapi-volume.yaml
The pod displays (every 5 seconds) the content of the dump files which can be executed via the usual kubectl log
command
$ kubectl logs kubernetes-downwardapi-volume-example
cluster="test-cluster1"
rack="rack-22"
zone="us-est-coast"
build="two"
builder="john-doe"
kubernetes.io/config.seen="2015-08-24T13:47:23.432459138Z"
kubernetes.io/config.source="api"
In pod’s /etc
directory one may find the file created by the plugin (system files elided):
$ kubectl exec kubernetes-downwardapi-volume-example -i -t -- sh
/ # ls -laR /etc
/etc:
total 32
drwxrwxrwt 3 0 0 180 Aug 24 13:03 .
drwxr-xr-x 1 0 0 4096 Aug 24 13:05 ..
drwx------ 2 0 0 80 Aug 24 13:03 ..2015_08_24_13_03_44259413923
lrwxrwxrwx 1 0 0 30 Aug 24 13:03 ..downwardapi -> ..2015_08_24_13_03_44259413923
lrwxrwxrwx 1 0 0 25 Aug 24 13:03 annotations -> ..downwardapi/annotations
lrwxrwxrwx 1 0 0 20 Aug 24 13:03 labels -> ..downwardapi/labels
/etc/..2015_08_24_13_03_44259413923:
total 8
drwx------ 2 0 0 80 Aug 24 13:03 .
drwxrwxrwt 3 0 0 180 Aug 24 13:03 ..
-rw-r--r-- 1 0 0 115 Aug 24 13:03 annotations
-rw-r--r-- 1 0 0 53 Aug 24 13:03 labels
/ #
The file labels
is stored in a temporary directory (..2015_08_24_13_03_44259413923
in the example above) which is symlinked to by ..downwardapi
. Symlinks for annotations and labels in /etc
point to files containing the actual metadata through the ..downwardapi
indirection. This structure allows for dynamic atomic refresh of the metadata: updates are written to a new temporary directory, and the ..downwardapi
symlink is updated atomically using rename(2)
.


It is distributed under The MIT License (MIT)


"We may be through with the past, but the past ain't through with us." That line turns up again and again in "Magnolia," director Paul Thomas Anderson's dizzying swing through the lives of an assortment of L.A. residents, all of whom are troubled, mostly by unresolved relationships or feelings they've tried to avoid. Rife with unexpected outbursts, moments of catharsis and deeply funny observations about love and sex, this is a film that runs you through the emotional wringer, then shifts into reverse and pulls you back through again.
Running a generous three hours-plus, "Magnolia" allows Anderson to give his cast room to explore all the corners of their characters. Almost every one of the central figures gets a soul-revealing monologue, making this a prime example of an actor's movie, and, for that matter, a writer's movie as well.
It is not, however, a picture the average moviegoer is likely to eat up. "Magnolia" shares with Anderson's previous film "Boogie Nights" a fascination with detail and nuance, with taking scenes to their limits and then daring to stretch them a little further to find some extra scrap of emotion or a surprising twist. In one of the most powerful sequences in "Boogie Nights," Heather Graham and Burt Reynolds, as porno star Rollergirl and her director respectively, troll Los Angeles in a limo looking for a guy who'll agree to be videotaped while having sex with Rollergirl. The man they choose turns out to be a former classmate of Rollergirl, which shakes her up, although she tries to maintain a cool facade since she doesn't want the camera to see her get flustered. Even after the episode's abrupt ending, Anderson lingered on Graham's face, letting her eyes and lips spell out the battle going on inside her mind between her passionless professionalism and the life she left behind years ago.
There are many moments like this in "Magnolia," particularly for "Boogie" veterans William H. Macy and Julianne Moore and for a shockingly cast-against-type Tom Cruise. It's Cruise's performance that's likely to get the most attention, since he's by far the raunchiest and most unsettling presence in the film, a self-adoring macho guru named Frank Mackey who pitches his anti-feminist "Seduce and Destroy" workshops in a series of TV infomercials. Promising his followers he can teach how to "make that lady 'friend' your sex-starved slave," Frank is like a foul-mouthed high school jock blown up to gargantuan proportions.
Macy's character is Donnie Smith, a former child prodigy who never recovered from his early dose of celebrity and today works as a salesman in an appliance store when he's not humiliating himself at the neighborhood tavern, telling disinterested barflies "I used to be smart, but now I'm just stupid." A blow-up of the $100,000 check he won on the "What Do Kids Know?" game show hangs on his living room wall, a constant reminder of how far he's fallen. He's also miserably lonely, confiding to strangers "I really do have love to give, I just don't know where to put it."
Moore's Linda Partridge, on the other hand, went out of her way to sidestep love by marrying solely for money. Now, as her husband Earl (Jason Robards) slowly dies at home, Linda is completely consumed with self-hatred and erupts at everyone she comes into contact with, from the family lawyer to an obnoxious pharmacist who makes cracks about her Prozac prescription.
No one would want to identify with any of these people, and the actors don't try to make them likable.
"Magnolia" also zooms in on some folks who are suffering in silence, such as Officer Jim (John C. Reilly), a divorced cop and devout Catholic who's so eager for companionship he tries to pick up Claudia (Melora Walters), an obvious cokehead he investigates for disturbing the peace. The timid, bookwormish Stanley (Jeremy Blackman) is the current champion on "What Do Kids Know?" and, to judge from appearances, a likely candidate to follow in Donnie's footsteps. Phil Parma (Philip Seymour Hoffman), Earl's nurse, channels his energy into a frantic last-minute search for Earl's long-estranged son and quietly endures disapproving Linda's abuse.
The thoughts these people can't bring themselves to speak come through in the searing songs of Aimee Mann, which string together the movie's various parallel plots. "Come on and save me," Mann pleads in her delicate, bruised voice, "from the ranks of the freaks who suspect they could never love anyone." This is not a film in which the soundtrack was slapped on at the last minute. In one of "Magnolia"'s most stirring scenes, each of the major characters is glimpsed singing along to Mann's ballad "Wise Up" shortly before Anderson unleashes a climax so startling and utterly bizarre it should cement his reputation as one of the most audacious filmmakers around. James Sanford
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


stdlib v22.1.4 queue
This module provides (double-ended) FIFO queues in an efficient manner.
All functions fail with reason badarg
if arguments are of wrong type, for example, queue arguments are not queues, indexes are not integers, and list arguments are not lists. Improper lists cause internal crashes. An index out of range for a queue also causes a failure with reason badarg
.
Some functions, where noted, fail with reason empty
for an empty queue.
The data representing a queue as used by this module is to be regarded as opaque by other modules. Any code assuming knowledge of the format is running on thin ice.
All operations has an amortized O(1) running time, except filter/2
, join/2
, len/1
, member/2
, split/2
that have O(n). To minimize the size of a queue minimizing the amount of garbage built by queue operations, the queues do not contain explicit length information, and that is why len/1
is O(n). If better performance for this particular operation is essential, it is easy for the caller to keep track of the length.
Queues are double-ended.  The queue front is the end with the item that has waited the longest. The queue rear is the end an item enters when it starts to wait.
Entering at the front and exiting at the rear are reverse operations on the queue.
This module has three sets of interface functions: the "Original API", the "Extended API", and the "Okasaki API".
The "Original API" and the "Extended API" both use the mental picture of a waiting line of items. Both have reverse operations suffixed "_r".
The "Original API" item removal functions return compound terms with both the removed item and the resulting queue. The "Extended API" contains alternative functions that build less garbage and functions for just inspecting the queue ends. Also the "Okasaki API" functions build less garbage.
The "Okasaki API" is inspired by "Purely Functional Data Structures" by Chris Okasaki. It regards queues as lists. This API is by many regarded as strange and avoidable. For example, many reverse operations have lexically reversed names, some with more readable but perhaps less understandable aliases.
Link to this section Summary
Functions
Inserts Item
at the head of queue Q1
. Returns the new queue Q2
.
Returns the tail item of queue Q
.
Returns a queue Q2
that is the result of removing the front item from Q1
.
Returns a queue Q2
that is the result of removing the rear item from Q1
.
Returns a queue Q2
that is the result of calling Fun``(``Item``)
on all items in Q1
, in order from front to rear.
Returns a queue containing the items in L
in the same order; the head item of the list becomes the front item of the queue.
Returns Item
at the front of queue Q
.
Returns Item
at the rear of queue Q
.
Returns Item
from the head of queue Q
.
Inserts Item
at the rear of queue Q1
. Returns the resulting queue Q2
.
Inserts Item
at the front of queue Q1
. Returns the resulting queue Q2
.
Returns a queue Q2
that is the result of removing the tail item from Q1
.
Tests if Q
is empty and returns true
if so, otherwise false
.
Tests if Term
is a queue and returns true
if so, otherwise false
.
Returns a queue Q3
that is the result of joining Q1
and Q2
with Q1
in front of Q2
.
Returns a queue Q2
that is the result of removing the tail item from Q1
.
Returns the tail item of queue Q
.
Calculates and returns the length of queue Q
.
Returns a queue Q2
that is the result of removing the tail item from Q1
.
Returns true
if Item
matches some element in Q
, otherwise false
.
Returns an empty queue.
Removes the item at the front of queue Q1
. Returns tuple {{value, ``Item``}, ``Q2``}
, where Item
is the item removed and Q2
is the resulting queue. If Q1
is empty, tuple {empty, ``Q1``}
is returned.
Removes the item at the rear of queue Q1
. Returns tuple {{value, ``Item``}, ``Q2``}
, where Item
is the item removed and Q2
is the new queue. If Q1
is empty, tuple {empty, ``Q1``}
is returned.
Returns tuple {value, ``Item``}
, where Item
is the front item of Q
, or empty
if Q
is empty.
Returns tuple {value, ``Item``}
, where Item
is the rear item of Q
, or empty
if Q
is empty.
Returns a queue Q2
containing the items of Q1
in the reverse order.
Inserts Item
as the tail item of queue Q1
. Returns the new queue Q2
.
Splits Q1
in two. The N
front items are put in Q2
and the rest in Q3
.
Returns a queue Q2
that is the result of removing the head item from Q1
.
Returns a list of the items in the queue in the same order; the front item of the queue becomes the head of the list.
Link to this section Functions
Inserts Item
at the head of queue Q1
. Returns the new queue Q2
.
Returns the tail item of queue Q
.
Fails with reason empty
if Q
is empty.
Returns a queue Q2
that is the result of removing the front item from Q1
.
Fails with reason empty
if Q1
is empty.
Returns a queue Q2
that is the result of removing the rear item from Q1
.
Fails with reason empty
if Q1
is empty.
filter/2
filter(Fun, Q1 :: queue(Item)) -> Q2 :: queue(Item) when Fun :: fun((Item) -> boolean() | [Item]).
Returns a queue Q2
that is the result of calling Fun``(``Item``)
on all items in Q1
, in order from front to rear.
If Fun``(``Item``)
returns true
, Item
is copied to the result queue. If it returns false
, Item
is not copied. If it returns a list, the list elements are inserted instead of Item
in the result queue.
So, Fun``(``Item``)
returning [``Item``]
is thereby semantically equivalent to returning true
, just as returning []
is semantically equivalent to returning false
. But returning a list builds more garbage than returning an atom.
Returns a queue containing the items in L
in the same order; the head item of the list becomes the front item of the queue.
Returns Item
at the front of queue Q
.
Fails with reason empty
if Q
is empty.
Returns Item
at the rear of queue Q
.
Fails with reason empty
if Q
is empty.
Returns Item
from the head of queue Q
.
Fails with reason empty
if Q
is empty.
Inserts Item
at the rear of queue Q1
. Returns the resulting queue Q2
.
Inserts Item
at the front of queue Q1
. Returns the resulting queue Q2
.
Returns a queue Q2
that is the result of removing the tail item from Q1
.
Fails with reason empty
if Q1
is empty.
Tests if Q
is empty and returns true
if so, otherwise false
.
Tests if Term
is a queue and returns true
if so, otherwise false
.
Returns a queue Q3
that is the result of joining Q1
and Q2
with Q1
in front of Q2
.
Returns a queue Q2
that is the result of removing the tail item from Q1
.
Fails with reason empty
if Q1
is empty.
The name lait/1
is a misspelling - do not use it anymore.
Returns the tail item of queue Q
.
Fails with reason empty
if Q
is empty.
Calculates and returns the length of queue Q
.
Returns a queue Q2
that is the result of removing the tail item from Q1
.
Fails with reason empty
if Q1
is empty.
Returns true
if Item
matches some element in Q
, otherwise false
.
Returns an empty queue.
out/1
out(Q1 :: queue(Item)) -> {{value, Item}, Q2 :: queue(Item)} | {empty, Q1 :: queue(Item)}.
Removes the item at the front of queue Q1
. Returns tuple {{value, ``Item``}, ``Q2``}
, where Item
is the item removed and Q2
is the resulting queue. If Q1
is empty, tuple {empty, ``Q1``}
is returned.
out_r/1
out_r(Q1 :: queue(Item)) -> {{value, Item}, Q2 :: queue(Item)} | {empty, Q1 :: queue(Item)}.
Removes the item at the rear of queue Q1
. Returns tuple {{value, ``Item``}, ``Q2``}
, where Item
is the item removed and Q2
is the new queue. If Q1
is empty, tuple {empty, ``Q1``}
is returned.
Returns tuple {value, ``Item``}
, where Item
is the front item of Q
, or empty
if Q
is empty.
Returns tuple {value, ``Item``}
, where Item
is the rear item of Q
, or empty
if Q
is empty.
Returns a queue Q2
containing the items of Q1
in the reverse order.
Inserts Item
as the tail item of queue Q1
. Returns the new queue Q2
.
split/2
split(N :: non_neg_integer(), Q1 :: queue(Item)) -> {Q2 :: queue(Item), Q3 :: queue(Item)}.
Splits Q1
in two. The N
front items are put in Q2
and the rest in Q3
.
Returns a queue Q2
that is the result of removing the head item from Q1
.
Fails with reason empty
if Q1
is empty.
Returns a list of the items in the queue in the same order; the front item of the queue becomes the head of the list.


| 1 |
Fahal_2018 |
The Role of Interleukin-1 cytokine family (IL-1β, IL-37) and interleukin-12 cytokine family (IL-12, IL-35) in eumycetoma infection pathogenesis |
Ahmed Hassan Fahal; Amir Abushouk; Amre Nasr; Emad Masuadi; Gamal Allam; Emmanuel E. Siddig |
2018 |
2018-12-22 |
BioRxiv |
N |
|
|
10.1101/502609 |
u664zj6l |
0.995462 |
|
Abushouk_2019 |
| 2 |
Abushouk_2019 |
The Role of Interleukin-1 cytokine family (IL-1β, IL-37) and interleukin-12 cytokine family (IL-12, IL-35) in eumycetoma infection pathogenesis |
Abushouk, Amir; Nasr, Amre; Masuadi, Emad; Allam, Gamal; Siddig, Emmanuel E.; Fahal, Ahmed H. |
2019 |
2019-04-04 |
COMM-USE |
N |
PMC6483278 |
30946748.0 |
10.1371/journal.pntd.0007098 |
r2ytccof |
0.977260 |
|
Fahal_2018 |
| 3 |
Choi_2019 |
Critical combination of initial markers for predicting refractory Mycoplasma pneumoniae pneumonia in children: a case control study |
Choi, Young-Jin; Jeon, Ju-Hee; Oh, Jae-Won |
2019 |
2019-08-23 |
COMM-USE |
N |
PMC6706904 |
31443650.0 |
10.1186/s12931-019-1152-5 |
9dno5v2s |
0.580323 |
|
|
| 4 |
Kim_Y_2011 |
Cytokine response in pediatric patients with pandemic influenza H1N1 2009 virus infection and pneumonia: Comparison with pediatric pneumonia without H1N1 2009 infection |
Kim, Yeo Hyang; Kim, Jung‐Eun; Hyun, Myung Chul |
2011 |
2011-05-27 |
PMC |
N |
PMC7167952 |
21626718.0 |
10.1002/ppul.21496 |
nxhdxejh |
0.577116 |
|
|
| 5 |
Wang_2010 |
Serum Cytokine Responses in Primary Pneumonic Plague Patients |
Wang, Xiaoyi; Wang, Zuyun; Guo, Zhaobiao; Wei, Baiqing; Tian, Fuzhang; Yu, Shouhong; Wang, Haoran; Wang, Hu; Yang, Ruifu |
2010 |
2010-11-24 |
None |
N |
PMC3019782 |
21106776.0 |
10.1128/cvi.00386-10 |
f7c99wv0 |
0.566431 |
|
|
| 6 |
Wang_2020 |
C-reactive protein levels in the early stage of COVID-19 |
Wang, L. |
2020 |
2020-03-31 |
PMC |
Y |
|
|
10.1016/j.medmal.2020.03.007 |
gt6mdnol |
0.519552 |
|
Xue_X_2020 |
| 7 |
Huang_2004 |
An interferon‐γ‐related cytokine storm in SARS patients |
Huang, Kao‐Jean; Su, Ih‐Jen; Theron, Michel; Wu, Yi‐Chun; Lai, Shu‐Kuan; Liu, Ching‐Chuan; Lei, Huan‐Yao |
2004 |
2004-12-15 |
PMC |
N |
PMC7166886 |
15602737.0 |
10.1002/jmv.20255 |
kt3rru9r |
0.494936 |
|
|
| 8 |
Huang_2016 |
Cytokine cascade and networks among MSM HIV seroconverters: implications for early immunotherapy |
Huang, Xiaojie; Liu, Xinchao; Meyers, Kathrine; Liu, Lihong; Su, Bin; Wang, Pengfei; Li, Zhen; Li, Lan; Zhang, Tong; Li, Ning; Chen, Hui; Li, Haiying; Wu, Hao |
2016 |
2016-11-10 |
COMM-USE |
N |
PMC5103227 |
27830756.0 |
10.1038/srep36234 |
vzk6qaq1 |
0.485693 |
|
Fan_R_2018 |
| 9 |
Wong_2013 |
Microbial Translocation Contribute to Febrile Episodes in Adults with Chemotherapy-Induced Neutropenia |
Wong, Michelle; Barqasho, Babilonia; Öhrmalm, Lars; Tolfvenstam, Thomas; Nowak, Piotr |
2013 |
2013-07-16 |
COMM-USE |
N |
PMC3712968 |
23874493.0 |
10.1371/journal.pone.0068056 |
oztmw8jo |
0.463555 |
|
|
| 10 |
Lin_M_2010 |
Serum Soluble Triggering Receptor Expressed on Myeloid Cells-1 in Acute Respiratory Distress Syndrome: A Prospective Observational Cohort Study |
Lin, Ming-Tzer; Wei, Yu-Feng; Ku, Shih-Chi; Lin, Chih-An; Ho, Chao-Chi; Yu, Chong-Jen |
2010 |
2010-11-30 |
PMC |
N |
PMC7138338 |
21126652.0 |
10.1016/s0929-6646(10)60125-8 |
81s8i68s |
0.383218 |
Zheng_2005, Wang_2010 |
|
| 11 |
Karhu_2019 |
Interleukin-5, interleukin-6, interferon induced protein-10, procalcitonin and C-reactive protein among mechanically ventilated severe community-acquired viral and bacterial pneumonia patients |
Karhu, Jaana; Ala-Kokko, Tero Ilmari; Vuorinen, Tytti; Ohtonen, Pasi; Julkunen, Ilkka; Syrjälä, Hannu Tapani |
2019 |
2019-01-31 |
PMC |
N |
PMC7129555 |
30055898.0 |
10.1016/j.cyto.2018.07.019 |
5cgj11ls |
0.323195 |
|
|
| 12 |
Fan_R_2018 |
Altered regulatory cytokine profiles in cases of pediatric respiratory syncytial virus infection |
Fan, Ruyan; Wen, Bo; Liu, Wenpei; Zhang, Jian; Liu, Chan; Fan, Chuping; Qu, Xiaowang |
2018 |
2018-03-31 |
PMC |
N |
PMC7130056 |
29324262.0 |
10.1016/j.cyto.2017.12.028 |
tpqcgw7o |
0.306757 |
|
|


Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts.
It has allowed me to grow up and complete high school and a Bachelor's degree in Business Management since I was 12 years old in Australia. I decided to go to China in late 2018 to study for a bachelor's degree in Chinese language for a two-year course until late 2019. There are three languages I can speak so far, including English, Vietnamese, and Mandarin. It was an excellent experience to witness many of China's things in terms of technology and development. I like listening to music in my own spare time and trading cryptocurrencies, the future of cash. It took me almost two years to become a profitable day trader with lots of up and down moments.
 I finished my high school programme in 2018. I am studying a software engineering programme at RMIT Saigon South Campus. There is a fun fact about me, and it is also my hobby. I love to play soccer and watch it on TV especially with my friends. I can play this sport every day of the week. While I was studying in the United States, I played every day. Honestly, I have no experience in the IT field so far. But, thanks to this course, I have an idea project which relates to cybersecurity and blockchain technology. I have realized that cybersecurity makes a huge contribution in the IT world. Moreover, blockchain technology makes our life more efficient. Thanks to blockchain technology, our life is much faster and much more proficient. As software engineering, I think cybersecurity and blockchain will be my extended subject which I will research in the future.
I studied in Viet Nam for 12 years, and after graduation, I chose to study at RMIT in Viet Nam. I plan to swap RMIT in Melbourne for 1 year after my first year in Viet Nam. As I am only a first-year student and the youngest member of my team, I still need some assistance from my team member. However, due to my creative mind, I can support my squad, to follow orders and obligations correctly. In my spare time, I like to hang out with friends of mine in the cafe and listen to music. In the future, I am hoping to become a web designer as my career incorporates creativity and mind work.
My name is Nguyen Chi Thien Phuc. I was born in 2001. I am currently studying the first semester of the IT course. I was born and raised in Vietnam and I do not follow any religion. I can use 2 languages that are Vietnamese and English.  There is an interesting fact that I studied robotics in RMIT for 2 semesters before moving to IT because I did not feel the interest in learning robotics. Studying IT gives me a much better feeling than learning robotics. I do not have much experience in IT, so I hope that after the IT course at RMIT, I will gain a lot of experience so that I can be better with my work in the future.


return Math.round(x / 10) * 10
return foo
@fooEventCount ?= 0
@fooEventCount++
return 2 * @super()
if foo.length > 10
return @super()
else
@setAndFire('bar', foo)
return dr._noop
@barEventCount ?= 0
@barEventCount++
var v1 = this.v1,
v2 = this.v2;
assert.equal(10, v1.x, 'View one has an x of 10.');
assert.equal(5, v1.y, 'View one has a y of 5.');
assert.equal(20, v2.x, 'View one has an x of 20.');
assert.equal(25, v2.y, 'View one has a y of 25.');
v1.setAttribute('x', 17);
assert.equal(20, v1.x, 'View one has an x of 20.');
v2.setAttribute('x', 17);
assert.equal(40, v2.x, 'View one has an x of 40.');
// Verify noop return type for setters and defaultSetAttriubteBehavior
assert.equal("hey", v1.foo, 'The foo attribute should have been set.');
assert.equal(1, v1.fooEventCount, '1 event should have fired');
assert.equal(undefined, v2.foo, 'The foo attribute should not have been set since dr._noop was returned.');
assert.equal("there", v2.bar, 'The bar attribute should have been set instead.');
assert.equal(undefined, v2.fooEventCount, '0 foo events should have fired');
assert.equal(1, v2.barEventCount, '1 bar event should have fired');
v2.setAttribute('foo', 'this is longer than 10 chars');
assert.equal('this is longer than 10 chars', v2.foo, 'Normal processing should have occurred.');
assert.equal("there", v2.bar, 'The bar attribute should not have changed.');
assert.equal(1, v2.fooEventCount, '1 foo event should have fired');
assert.equal(1, v2.barEventCount, '1 bar event should have fired');


Ocean [ab01], ocean, in Crystal Sea
Last updated Turn #128
Ocean [ab01], ocean, in Crystal Sea
------------------------------------------------------------------------
4: The Savvy Aardvark [ha5r], ship, 2 hulls, 1 rowing port, 6 sails,
4: 16% damaged, arrived from Concha Valley [ac01], owner:
4: Phantasm [n4b], Imperial Empire, duke, with two workers,
4: eight sailors
5: The Savvy Aardvark [ha5r], ship, 2 hulls, 1 rowing port, 6 sails,
5: 16% damaged, departed for Small Swamp [ab02].
Routes leaving Ocean:
North, to Ocean [aa01], 6 days
East, swamp, to Small Swamp [ab02], Diamond Island, 2 days
South, plain, to Concha Valley [ac01], Diamond Island, 2 days
West, to Ocean [ab00], 6 days


<EMAIL_ADDRESS>+(374)99508568
Content Manager, SoloLearn - 2016-2017 My main responsibility was to create and manage the user created technical content of the SoloLearn application. While being a content manager in SoloLearn I was trying to make coding skills accessible and digestible for the diverse users of our application.
Work and Travel USA alumni, CIEE - 2017 (Summer) This exchange program has helped me to explore the diverse cultures through working and socializing with students from different countries. You can get more detailed information of my experience here.
Computer Lab Proctor, AUA - 2016 Working as a lab proctor I was helping students with their various problems via installing and running different software.
2013-2017 Institution: American University of Armenia Bachelor degree in Computer Sciences.
2013-2015 Institution: Confucius Institute of Yerevan - Chinese language and culture courses.
2010-2013 Institution: Physmath High School Diploma.
Capstone project


Next
Previous
Contents
ca65 is a replacement for the ra65 assembler that was part of the cc65 C
compiler, originally developed by John R. Dunning. I had some problems with
ra65 and the copyright does not permit some things which I wanted to be
possible, so I decided to write a completely new assembler/linker/archiver
suite for the cc65 compiler. ca65 is part of this suite.
Some parts of the assembler (code generation and some routines for symbol
table handling) are taken from an older crossassembler named a816 written
by me a long time ago.
Here's a list of the design criteria, that I considered important for the
development:
- The assembler must support macros. Macros are not essential, but they
make some things easier, especially when you use the assembler in the
backend of a compiler.
- The assembler must support the newer 65C02 and 65816 CPUs. I have been
thinking about a 65816 backend for the C compiler, and even my old
a816 assembler had support for these CPUs, so this wasn't really a
problem.
- The assembler must produce relocatable code. This is necessary for the
compiler support, and it is more convenient.
- Conditional assembly must be supported. This is a must for bigger
projects written in assembler (like Elite128).
- The assembler must support segments, and it must support more than
three segments (this is the count, most other assemblers support).
Having more than one code segments helps developing code for systems
with a divided ROM area (like the C64).
- The linker must be able to resolve arbitrary expressions. It should
be able to get things like
.import S1, S2
.export Special
Special = 2*S1 + S2/7
right.
- True lexical nesting for symbols. This is very convenient for larger
assembly projects.
- "Cheap" local symbols without lexical nesting for those quick, late
night hacks.
- I liked the idea of "options" as Anre Fachats .o65 format has it, so I
introduced the concept into the object file format use by the new cc65
binutils.
- The assembler will be a one pass assembler. There was no real need for
this decision, but I've written several multipass assemblers, and it
started to get boring. A one pass assembler needs much more elaborated
data structures, and because of that it's much more fun:-)
- Non-GPLed code that may be used in any project without restrictions or
fear of "GPL infecting" other code.
Next
Previous
Contents


Lizzo Has Secured 8 Grammy Nominations And Yes, We Blame It On The Juice
by By David AdamsLizzo has crushed the list of 2020 Grammy Award nominees, garnering eight of the suckers on her continual journey to world domination. The singer, flautist, and all-around pop killer has the chance to win awards like Record of the Year, Album of the Year, Song of the Year, Best New Artist, which would not exactly be a bad haul.
Elsewhere, Billie Eilish and Lil Nas X have garnered a slew of nominations, reflecting their immense impact on the psyches of a generation of young music aficionados.
Australian artists are in the mix, too, with both Rüfus Du Söl and Flume securing nominations in the Best Dance/Electronic Album contest; Rüfus Du Söl also have a shot at Best Dance Recording, too.
Then there’s Melbourne dudes The Teskey Brothers, whose record Run Home Slow could win Best Engineered Album in the non-classical category. Absolute scenes when that Australian blues-roots-rock bonanza defeats Billie Eilish for that award.
You can have a look at most of the nominees below. For the full list, including the classical and new age musos we heartlessly left out, click here.
Record of the Year
Hey, Ma – Bon Iver
Bad Guy – Billie Eilish
7 Rings – Ariana Grande
Hard Place – H.E.R.
Talk – Khalid
Old Town Road – Lil Nas X ft. Billy Ray Cyrus
Truth Hurts – Lizzo
Sunflower – Post Malone & Swae Lee
Album of the Year
I,I – Bon Iver
Norman Fucking Rockwell – Lana Del Rey
When We All Fall Asleep, Where Do We Go? – Billie Eilish
Thank U, Next – Ariana Grande
I Used To Know Her – H.E.R.
7 – Lil Nas X
Cuz I Love You (Deluxe) – Lizzo
Father Of The Bride – Vampire Weekend
Song of the Year
Always Remember Us This Way – Lady Gaga
Bad Guy – Billie Eilish
Bring Me My Flowers Now – Tanya Tucker
Hard Place – H.E.R.
Lover – Taylor Swift
Norman Fucking Rockwell – Lana Del Rey
Someone You Loved – Lewis Capaldi
Truth Hurts – Lizzo
Best New Artist
Black Pumas
Billie Eilish
Lil Nas X
Lizzo
Maggie Rogers
Rosalía
Tank And The Bangas
Yola
Best Pop Solo Performance
Spirit – Beyoncé
Bad Guy – Billie Eilish
7 Rings – Ariana Grande
Truth Hurts – Lizzo
You Need To Calm Down – Taylor Swift
Best Pop Duo/Group Performance
Boyfriend – Ariana Grande & Social House
Sucker – Jonas Brothers
Old Town Road – Lil Nas X ft. Billy Ray Cyrus
Sunflower – Post Malone & Swae Lee
Señorita – Shawn Mendes & Camilla Cabello
Best Pop Vocal Album
The Lion King: The Gift – Beyoncé
When We All Fall Asleep, Where Do We Go? – Billie Eilish
Thank U, Next – Ariana Grande
No. 6 Collaborations Project – Ed Sheeran
Lover – Taylor Swift
Best Dance Recording
Linked – Bonobo
Got To Keep On – The Chemical Brothers
Piece Of Your Heart – Meduza ft. Goodboys
Underwater – Rüfus Du Söl
Midnight Hour – Skrillex & Boys Noize ft. Ty Folla $ign
Best Dance/Electronic Album
LP5 – Apparat
No Geography – The Chemical Brothers
Hi This Is Flume (Mixtape) – Flume
Solace – Rüfus Du Söl
Weather – Tycho
Best Rock Performance
Pretty Waste – Bones UK
This Land – Gary Clark Jr.
History Repeats – Brittany Howard
Woman – Karen O & Danger Mouse
Too Bad – Rival Sons
Best Metal Performance
Astorolus – The Great Octopus – Candlemass ft. Tommy Iommi
Humanicide – Death Angel
Bow Down – I Prevail
Unleashed – Killswitch Engage
7empest – Tool
Best Rock Song
Fear Inoculum – Tool
Give Yourself A Try – The 1975
Harmony Hall – Vampire Weekend
History Repeats – Brittany Howard
This Land – Gary Clark Jr.
Best Rock Album
Amo – Bring Me The Horizon
Social Cues – Cage The Elephant
In The End – The Cranberries
Trauma – I Prevail
Feral Roots – Rival Sons
Best Alternative Music Album
U.F.O.F. – Big Thief
Assume Form – James Blake
I,I – Bon Iver
Father Of The Bride – Vampire Weekend
Anima – Thom Yorke
Best R&B Performance
Love Again – Daniel Caesar & Brandy
Could’ve Been – H.E.R. ft. Bryson Tiller
Exactly How I Feel – Lizzo ft. Gucci Mane
Roll Some Mo – Lucky Daye
Come Home – Anderson .Paak fr. André 3000
Best R&B Song
Could’ve Been – H.E.R. ft. Bryson Tiller
Look At Me Now – Emily King
No Guidance – Chris Brown ft. Drake
Roll Some Mo – Lucky Daye
Say So – PJ Morton ft. JoJo
Best Urban Contemporary Album
Apollo XXI – Steve Lacy
Cuz I Love You (Deluxe) – Lizzo
Overload – Georgia Anne Muldrow
Saturn – NAO
Being Human In Public – Jessie Reyez
Best R&B Album
1123 – BJ The Chicago Kid
Painted – Lucky Daye
Ella Mai – Ella Mai
Paul – PJ Morton
Venture – Anderson .Paak
Best Rap Performance
Middle Child – J.Cole
Suge – DaBaby
Down Bad – Dreamville ft. J.I.D, Bas, J. Cole, EARTHGANG & Young Nudy
Racks In The Middle – Nipsey Hussle ft. Roddy Ricch & Hit-Boy
Clout – Offset ft. Cardi B
Best Rap/Sung Performance
Higher – DJ Khaled ft. Nipsey Hussle & John Legend
Drip Too Hard – Lil Baby & Gunna
Panini – Lil Nas X
Ballin – Mustard frt. Roddy Ricch
The London – Young Thug ft. J.Cole & Travis Scott
Best Rap Song
Bad Idea – YBN Cordae ft. Chance The Rapper
Gold Roses – Rick Ross ft. Drake
A Lot – 21 Savage ft. J. Cole
Racks In The Middle – Nipsey Hussle ft. Roddy Ricch & Hit-Boy
Suge – DaBaby
Best Rap Album
Revenge Of The Dreamers III – Dreamville
Championships – Meek Mill
I Am > I Was – 21 Savage
Igor – Tyler, The Creator
The Lost Boy – YBN Cordae
Image: Matthew Baker / Getty Images


Error with retrieving latest booking'; return; } $client = $booking->CLIENT; $suite = $booking->SUITE; echo '


Gem Combining
问题描述 :
In the game "Gem Craft", we create gems in the item bar.
There are N grids in the item bar, each grid can only accomodate one gem.
Each gem has its level.
When the level of a gem upgrade by 1, the power of the gem will be doubled.
The key to win the game is to get a high level gem.
Gems with level 0 are available directly.
To get gems with higher level, the only way is to combine low level gems.
Suppose we have 2*N gems with level K now, they can be turned into N gems with level (K+1) afert a combining operation.
Your task is to get at least one gem with level M in minimum steps of operation.
For one step of operation, you can do one of the following two things:
(1) Get gems with level 0 directly, filling up the empty grids.
(2) Combine even number of gems with same level.
There are N grids in the item bar, each grid can only accomodate one gem.
Each gem has its level.
When the level of a gem upgrade by 1, the power of the gem will be doubled.
The key to win the game is to get a high level gem.
Gems with level 0 are available directly.
To get gems with higher level, the only way is to combine low level gems.
Suppose we have 2*N gems with level K now, they can be turned into N gems with level (K+1) afert a combining operation.
Your task is to get at least one gem with level M in minimum steps of operation.
For one step of operation, you can do one of the following two things:
(1) Get gems with level 0 directly, filling up the empty grids.
(2) Combine even number of gems with same level.
输入:
The input contain some test cases.
Each test case contains two integers N and M (1<=N<=36, 0<=M<=20).
The input ends when N=M=0, this test case doesn’t need processing.
Each test case contains two integers N and M (1<=N<=36, 0<=M<=20).
The input ends when N=M=0, this test case doesn’t need processing.
输出:
The input contain some test cases.
Each test case contains two integers N and M (1<=N<=36, 0<=M<=20).
The input ends when N=M=0, this test case doesn’t need processing.
Each test case contains two integers N and M (1<=N<=36, 0<=M<=20).
The input ends when N=M=0, this test case doesn’t need processing.
样例输入:
4 3 8 3 0 0
样例输出:
9 4HintWe use dots to present empty grid, use number to present the level of a gem. The first sample can be solved like this: **** Initial 0000 Get level 0 gems **11 Combine level 0 gems ***2 Combine level 1 gems 0002 Get level 0 gems *012 Combine level 0 gems 0012 Get level 0 gems *112 Combine level 0 gems **22 Combine level 1 gems ***3 Combine level 2 gems In total of 9 steps of operation. The second sample can be solved like this: ******** Initial 00000000 Get level 0 gems ****1111 Combine level 0 gems ******22 Combine level 1 gems *******3 Combine level 2 gems It only takes 4 steps of operation.
(adsbygoogle = window.adsbygoogle || []).push({});
上次看到这个图的时候我才上高二 还是英文版
上次看到这个图的时候我才上高二 还是英文版
上次看到这个图的时候我才上高二 还是英文版
上次看到这个图的时候我才上高二 还是英文版
上次看到这个图的时候我才上高二 还是英文版
上次看到这个图的时候我才上高二 还是英文版
mark, 备用
第2题，TCP不支持多播，多播和广播仅应用于UDP。所以B选项是不对的。第2题，TCP不支持多播，多播和广播仅应用于UDP。所以B选项是不对的。
赞！！~~大赞！！~
Gucci New Fall Arrivals
This is really nice to know. I hope it will be successful in the future. Good job on this and keep up the good work.
这排版…你都打开来看看改改
抱歉，确实是弄错了，原来的代码是错误的，删掉了
补充：此算法求出的不一定是最优解，之前理解错了
第2题，TCP不支持多播，多播和广播仅应用于UDP。所以B选项是不对的。第2题，TCP不支持多播，多播和广播仅应用于UDP。所以B选项是不对的。
nice!!!
非常不错
这一题的代码这样提交时错误的~少考虑了很多情况
华为这题目略显简单啊
抱歉，确实是弄错了，原来的代码是错误的，删掉了
这种二分还是比较经典！mark


BOB ROBERTS A film review by Jon Webb Copyright 1992 Jon Webb
Tim Robbins plays a right-wing Christian fundamentalist folk singer who is running for Senator from Pennsylvania. The movie is supposed to be funny (it started as a "Saturday Night Live" skit), with Robbins singing songs like "Times are Changing Back" and "Complain, Complain, Complain" (about welfare recipients). But it's also supposed to be a serious attack on our present political structure, as it raises several familiar issues: for example, the import of drugs into this country to finance the Contras and diversion of money from failed S&Ls into right-wing causes.
The problem with this film is that it never quite gets to be either a parody or an "enhanced" documentary, like JFK. You have on the one hand Gore Vidal (as the incumbent senator) railing against the NSC secretly running the country, and on the other hand song lyrics something like "We marched for the poor, we marched to be free, we marched for self-interest..." and "This land is my land, this land is our land...."
It's still fun, though. Giancarlo Esposito is great as the anti-establishment reporter who follows Bob Roberts around and digs up the dirt connecting him with a failed S&L and drug-running (somehow he seems to have avoided being caught up with INSLAW, unless one of his employees was discussing it in German or Japanese). Tim Robbins himself has just about the right blend of passion and humor that a right-wing folk singer would have. Some of his followers acquire the hypnotized eyes of youth before an idol, and that's fun too. The MTV videos are quite good, blending the kind of quirkiness that would appeal to the young with right wing passion. And there are a lot of cameo appearances; it's almost as if this film had the same kind of appeal for stars wanting to make as statement with a day or two of work that JFK did.
But I wish that Robbins (who directed the film) had either restrained himself and made the movie as an ironic send-up of right-wing politics, or really let himself go, the way Oliver Stone did, and really tried to convince us that all this was true, more or less. These days, with Bush all but defeated, in significant part because of the prominence of right-wing fundamentalists during the Republican convention, simply raising the spectre of the right wing doesn't provide enough scare value to drive a film.
-- J
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Software development is an iterative process, and many programs are collaborated on by many people. Because of this it's very important (and useful) to keep track of all the changes done to the project, that's where version control comes in. Version control is keeping a log of all the changes done to the project so its easier to integrate everyone's changes into a working program, as well as make it easier to undo changes that turn out to be harmful, or unnecessary.
There are a couple programs out there that help programmers impliment version control in their projects, Git is one of them. Git lets you keep multiple "branches" of your project, for instance a master branch for finalized changes and a development branch for actually working on the project. It tracks each branch seperately and lets you compare the two branches, as well as merge branches together when you're ready to publish your new changes. One common place to store projects is the website GitHub. It serves as an online repository for code, which makes it much easier to collaborate on projects with people all over the world. By storing your master copy on GitHub everyone is able to work on the project on their local computer, publish changes to GitHub and see any changes made by anyone else as soon as they're made.


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The Apprentice Episode 6: Theme Park - Key Business Lessons for Entrepreneurs
by Bianca Miller-ColeIt’s Week Six on The Apprentice and Lord Sugar is expecting the candidates to reach new heights.He has sent them to Thorpe Park, home to the U.K.’s most popular roller coasters, where he informs them—appearing via hologram—that this week’s task is to create and market a brand-new Rollercoaster.
The Apprentice Episode 6: The Task
They will need to design and brand their new attraction for the theme park, which overnight will be turned into a 4-D ride. The teams then pitch to the park’s top talent who will decide which ride they think is best.
During the ride design, one team’s overly ambitious concept ends up hurtling them into a total spin, while miscommunication sends the other team well off track.
But there is no wilder ride than Lord Sugar’s boardroom—for one candidates, it’s the end of the line.
The Apprentice Episode 6: Key Skills
This task required a number of key skills that are essential in business—below I have articulated each skill and its relevance in real life business scenarios.
1) Leadership / trust
It is becoming increasingly evident that leadership and trust is an issue amongst the current set of candidates.
In this task and is business, leadership ability and trust in your leader goes hand in hand with personal brand.

Then if the team leader doesn’t trust you, they will not and cannot nominate you to take on additional responsibility (i.e. sub team leader). Sometimes as a leader, you have to make tough leadership decisions... these are decisions that may upset other members of the team. That is one side of leadership.
That said, ignoring a team member is not acceptable, your team has to feel that their opinion is welcomed and listened to. (Which from my own experience on the show can be tough because some people make some really silly or insignificant ideas–I won’t name any names...)
I have to say that in this task Scarlett did a good job at managing personalities and moving the team around, when she saw the team dynamic wasn’t working. This is a good leadership trait, if it isn’t working try to understand why–if you are under tough time constraints then make the moves necessary to get the team moving in the right direction.
2) Leadership vs Dictation
Lottie versus Thomas—my only words for their constant contemptuous exchange is … awkward.
Lottie has power issues, that much is clear. It may be a result of her age or it may simply be a personality trait. But a good leader has the ability to lead from the front and push back from the back. Yes you have to delegate, yes you may have to make decisions that override your team members but it isn’t always what you do. It is the way in which you do it. A large proportion of personal success comes from personal style and delivery.
3) Branding
Design
Designing a product can be difficult but it is really important that you look at the final output and compare it with your initial concept and check they align. It is easy to be so close to a project that you cannot see the gleamingly obvious.
In this task for example, if they had taken a moment and taken a step back they would have seen that a green image with a hand will always resemble aliens.
Sometimes simplicity is key.
Names
Insomnia is a living nightmare for those who suffer from it. So not a bad idea in principle but it is the execution of the name that required work.
Naming is hard because you have to ensure it is unique enough to stand out, it is possible to trademark, the social media handles are available, the domain is available etc. and then you have to make sure it “makes sense.”
USPs
Remember to showcase your key selling points, if you have made something record breaking then tell people! Shout it from the rooftops, this is your moment to positively differentiate yourself from others by highlighting your unique selling point.
Thrill seekers and extreme riders want to know what type of adrenaline opportunity they will receive from your ride, in most cases if you go to theme park you cannot go on all of the rides so you have to make a choice with regards to which rides to go on– thus you want to make your USP abundantly clear!
4) Pitch
Pitching is an art form, as is public speaking and in business it is a necessary evil. From your personal “elevator pitch” to pitching your business to clients or for funding... Life is a pitch!
When you are at that stage that you are thinking of pitching:
- Don’t dress up and act if you are not an actor.
- Take feedback, accept the feedback, and suggest that you will work on this.
- Don’t lie… sounds obvious but clearly is isn’t.
Most importantly before any major pitches for clients or funding, make sure that you have some “proof of concept,” that you have undertaken focus groups, collated consumer feedback and spoken to potential clients.
The Apprentice Episode 6: The Reality
There are a few things to think about from this task in addition to the above, so here is a round of quick fire bullet points:
- Has Aisha spoken yet? That is the question that most watching will wonder, I will say in her defence she has probably been edited out in favour of the drama that is Lottie and Thomas. This is a lesson on how to “Lean In”–I am a big believer in only speaking when you have value to offer but in addition you have to step up. As a woman or person who has other stronger characters around you do need to find your way to step up, get a seat at the table and have your voice heard. This will be a very valuable life lesson for Aisha.
 You do not have to dress up to pitch (yes this is tv).
- Lottie is the type of person you wouldn’t wish to be stuck in a lift with. Wow.. she referred to someone as “deadwood”—a person that she wasn’t even on her side of a team with. Bizarre. Why did she think her opinion was warranted? Dean is right, she is not a people person.
- Thomas certainly has a little something–again we see how charm, charisma and a spark in his eye works well. As I keep saying in sales people buy from people. And you can see how personality plays its part.
The Apprentice Episode 6: Who Deserved to be Fired?
*Spoiler Alert* If you haven't watched this episode, stop reading now.
In what appears to be a boardroom first, four people ended up in the boardroom.
An important lesson in the boardroom was certainly that, in business you have to be likeable, assertive, capable and determined! Even if Lottie doesn’t think so, again, she is wrong. The likeability factor in business goes a very long way! Why on earth would anyone wish to work with someone who is not a nice person to work with?
Side note: Lord Sugar did a coin flip and somehow the winner of the coin flip ended up as project manager? Surely if you win a coin flip you get to choose the other person or decided whether to do it or not?
Aisha got fired.. no one really noticed. Bless her.
Well... that was a rollercoaster!
See you next week


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COVID-19 Lung Scanner
Upload Your X-Ray Image (only accepts .jpg, .jpeg, and .png extensions). We will then use machine learning techniques to add features indicative of COVID-19, applying the use of Generative Adversarial Networks (GANs) to create a new image of the same lungs except with added COVID-19 properties. COVID-19 may manifest in an x-ray as cloudy regions in the lungs, known as ground glass opacities.


Fork this repo so you can see and edit the code
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Written by: Jeffrey Astrof and Mike Sikowitz.
Transcribed by: Ruth Curran
[Scene: Central Perk, Rachel is introducing Phoebe, who is playing her guitar for the crowd.]
Rachel: Everybody? Shh, shhh. Uhhh... Central Perk is proud to present the music of Miss Phoebe Buffay.
(applause)
Phoebe: Hi. Um, I want to start with a song thats about that moment when you suddenly realize what life is all about. OK, here we go. (plays a chord, then the lights go out) OK, thank you very much.
[Scene: The ATM vestibule of a bank, Chandler is inside. The lights go out, and he realizes he is trapped inside.]
Chandler: Oh, great. This is just...
(Chandler sees that there is a gorgeous model inside the vestibule with him. He makes a gesture of quiet exuberance.)
[Scene: Monica and Rachel's, Monica is on the phone with her mother. Phoebe, Rachel, and Ross are there.]
Rachel: Wow, this is so cool, you guys. The entire city is blacked out!
Monica: Mom says it's all of Manhattan, parts of Brooklyn and Queens, and they have no idea when it's coming back on.
Rachel: Wow, you guys, this is big.
Monica: (into phone) Pants and a sweater? Why, mom? Who am I gonna meet in a blackout? Power company guys? Eligible looters? Could we talk about this later? OK. (hangs up)
Phoebe: Can I borrow the phone? I want to call my apartment and check on my grandma. (to Monica) What's my number?
(Monica and Rachel look at Phoebe strangely.)
Phoebe: Well, I never call me.
[Scene: ATM vestibule, Jill Goodacre is on the cellular phone. Chandler's thoughts are in italics.]
Chandler: Oh my God, it's that Victoria's Secret model. Something... something Goodacre.
Jill: (on phone) Hi Mom, it's Jill.
Chandler: She's right, it's Jill. Jill Goodacre. Oh my God. I am trapped in an ATM vestibule with Jill Goodacre! (pause) Is it a vestibule? Maybe it's an atrium.
Jill: (on phone) Yeah, I'm fine. I'm just stuck at the bank, in an ATM vestibule.
Chandler: Jill says vestibule... I'm going with vestibule.
Jill: (on phone) I'm fine. No, I'm not alone... I don't know, some guy.
Chandler: Oh! Some guy. Some guy. 'Hey Jill, I saw you with some guy last night. Yes, he was some guy.
(Chandler strides proudly across the vestibule and Jill stares at him.)
[Scene: Monica's apartment, Joey enters with a menorah, the candles lit.]
Joey: Hi everyone.
Ross: And officiating at tonight's blackout, is Rabbi Tribbiani.
Joey: Well, Chandler's old roomate was Jewish, and these are the only candles we have, so... Happy Chanukah, everyone.
Phoebe: (at window) Eww, look.
(They all look at the window, grossed out, then flinch in pain.)
Rachel: That had to hurt!
[Scene: ATM vestibule.]
Chandler: Alright, alright, alright. It's been fourteen and a half minutes and you still have not said one word. Oh God, do something. Just make contact, smile!
(Chandler smiles at her, she smiles back sweetly.)
Chandler: There you go!

Chandler: You're definitely scaring here.
Jill: (awkwardly) Would you like to call somebody? (offering phone)
Chandler: Yeah, about 300 guys I went to high school with. Yeah, thanks. (takes phone)
[Scene: Monica and Rachel's, The phone rings; it's Chandler.]
Monica: Hello?
Chandler: Hey, it's me.
Monica: (to everyone) It's Chandler! (on phone) Are you OK?
Chandler: Yeah, I'm fine. (trying to cover up what he is saying) I'm trppd in an ATM vstbl wth Jll Gdcr.
Monica: What?
Chandler: I'm trppd... in an ATM vstbl... wth Jll Gdcr!
Monica: I have no idea what you just said.
Chandler: (angry) Put Joey on the phone.
Joey: What's up man?
Chandler: I'm trppd... in an ATM vstbl... wth JLL GDCR.
Joey: (to everyone) Oh my God! He's trapped in an ATM vestibule with Jill Goodacre! (on phone) Chandler, listen. (says something intentionally garbled)
Chandler: Yeah, like that thought never entered my mind.
[Scene: Monica and Rachel's, time has passed. The five are sitting around the coffee table talking.]
Rachel: Alright, somebody.
Monica: OK, I'll go. OK, senior year of college... on a pool table.
All: Whoooaa!
Ross: That's my sister.
Joey: OK... my weirdest place would have to be... the women's room on the second floor of the New York CIty public library.
Monica: Oh my God! What were you doing in a library?
Ross: Pheebs, what about you?
Phoebe: Oh... Milwaukee.
Rachel: Um... Ross?
Ross: Disneyland, 1989, 'It's a Small World After All.'
All: No way!
Ross: The ride broke down. So, Carol and I went behind a couple of those mechanical Dutch children... then they fixed the ride, and we were asked never to return to the Magic Kingdom.
Phoebe: Oh, Rachel.
Rachel: Oh come on, I already went.
Monica: You did not go!
All: Come on.
Rachel: Oh, alright. The weirdest place would have to be... (sigh)... oh, the foot of the bed.
Ross: Step back.
Joey: We have a winner!
[Time lapse, Ross and Rachel are talking, Joey is on the couch, and Monica and Phoebe are out of the room.]
Rachel: I just never had a relationship with that kind of passion, you know, where you have to have somebody right there, in the middle of a theme park.
Ross: Well, it was the only thing to do there that didn't have a line.
Rachel: There, well, see? Barry wouldn't even kiss me on a miniature golf course.
Ross: Come on.
Rachel: No, he said we were holding up the people behind us.
Ross: (sarcastically) And you didn't marry him because...?
Rachel: I mean, do you think there are people who go through life never having that kind of...
Ross: Probably. But you know, I'll tell you something. Passion is way overrated.
Rachel: Yeah right.
Ross: It is. Eventually, it kind of... burns out. But hopefully, what you're left with is trust, and security, and... well, in the case of my ex-wife, lesbianism. So, you know, for all of those people who miss out on that passion... thing, there's all that other good stuff.
Rachel: (sigh) OK.
Ross: But, um... I don't think that's going to be you.
Rachel: You don't.
Ross: Uh-uh. See, I see.... big passion in your future.
Rachel: Really?
Ross: Mmmm.
Rachel: You do?
Ross: I do.

Joey: It's never gonna happen.
Ross: (innocently) What?
Joey: You and Rachel.
Ross: (acts surprised) What? (pause) Why not?
Joey: Because you waited too long to make your move, and now you're in the friend zone.
Ross: No, no, no. I'm not in the zone.
Joey: Ross, you're mayor of the zone.
Ross: I'm taking my time, alright? I'm laying the groundwork. Yeah. I mean, every day I get just a little bit closer to...
Joey: Priesthood! Look Ross, I'm telling you, she has no idea what you're thinking. If you don't ask her out soon you're going to end up stuck in the zone forever.
Ross: I will, I will. See, I'm waiting for the right moment. (Joey looks at him) What? What, now?
Joey: Yeeeeaaaahhh! What's messing you up? The wine? The candles? The moonlight? You've just got to go up to her and say, 'Rachel, I think that...' (Rachel comes into the room behind them)
Ross: Shhhh!
Rachel: What are you shushing?
Ross: We're shushing... because... we're trying to hear something. Listen. (everyone is silent) Don't you hear that?
Rachel: Ahhhh!
Ross: See?
Rachel: Huh. (she agrees, but looks very confused)
[Scene: ATM vestibule.]
Jill: Would you like some gum?
Chandler: Um, is it sugarless?
Jill: (checks) Sorry, it's not.
Chandler: Oh, then no thanks.  Mental note: If Jill Goodacre offers you gum, you take it. If she offers you mangled animal carcass, you take it.
[Scene: Monica's apartment, Phoebe is singing.]
Phoebe: (singing) New York City has no power, and the milk is getting sour. But to me it is not scary, 'cause I stay away from dairy.... la la la, la la, la la... (she writes the lyrics down)
Ross: (to Joey) OK, here goes.
Joey: Are you going to do it?
Ross: I'm going to do it.
Joey: Do you want any help?

Joey: Good luck, man.
Ross: Thanks. (Joey hugs him) OK.
Joey: OK. (Ross goes out on the balcony to talk to Rachel)
(Monica walks in, starts to go out on the balcony.)
Joey: Hey, where are you going?
Monica: Outside.
Joey: You can't go out there.
Monica: Why not?
Joey: Because of... the reason.
Monica: And that would be?
Joey: I, um, can't tell you.
Monica: Joey, what's going on?
Joey: OK, you've got to promise that you'll never, ever tell Ross that I told you.
Monica: About what?
Joey: He's planning your birthday party.
Monica: Oh my God! I love him!
Joey: (as Phoebe enters) You'd better act surprised.
Phoebe: About what?
Monica: My surprise party!
Phoebe: What surprise party?
Monica: Oh stop it. Joey already told me.
Phoebe: Well, he didn't tell me.
Joey: Hey, don't look at me. This is Ross's thing.
Phoebe: This is so typical. I'm always the last one to know everything.
Monica: No, you are not. We tell you stuff.
Phoebe: Yuh-huh! I was the last one to know when Chandler got bitten by the peacock at the zoo. I was the last one to know when you had a crush on Joey when he was moving in. (Monica gestures at Phoebe to shut up; Joey looks surprised but pleased) Looks like I was second to last.
[Scene: Monica and Rachel's Balcony, Ross and Rachel are talking.]
Rachel: Hmmm... this is so nice.
Ross: OK, I have a question. Well, actually, it's not so much a question as.. more of a general wondering... ment.
Rachel: OK.
Ross: OK. Here goes. For a while now, I've been wanting to, um....
Rachel: Ohhh!!!! (looking at something behind Ross)
Ross: Yes, yes, that's right...
Rachel: Oh, look at the little cat! (a small kitten is on the roof behind Ross)
Ross: What? (the cat jumps on his shoulders) Ow!
[Cut to inside. Monica, Joey and Phoebe are singing while outside, Ross and Rachel are trying to get the cat off of Ross' shoulder.]
Monica, Joey, and Phoebe: (singing) I'm on top of the world, looking down on creation and the only explanation I can find, is the wonders I've found ever since...
[Scene: Monica and Rachel's, Phoebe is holding the cat, Monica is treating the scratches on Ross' back. Joey is holding the menorah over the wound.]
Monica: (to Ross) This is just Bactine. It won't hurt.
(Ross flinches in pain.)
Joey: Sorry, that was wax.
 We should find his owner.
Ross: Why don't we just put 'poor little Tooty' out in the hall?
Rachel: During a blackout? He'd get trampled!
Ross: (nonchalantly) Yeah?
[Scene: ATM vestibule.]
Chandler: You know, on second thought, gum would be perfection. (Jill gives him a stick of gum, and a strange look) 'Gum would be perfection'? 'Gum would be perfection.' Could have said 'gum would be nice,' or 'I'll have a stick,' but no, no, no, no. For me, gum is perfection. I loathe myself.
[Scene: The hallway of Monica's building. Phoebe and Rachel are trying to find the cat's owner.]
Phoebe: (stops at a door) Oh no, the Mendels, they hate all living things, right?
Rachel: Oh. (they knock at the next door, Mr. Heckles answers) Hi. We just found this cat and we're looking for the owner.
Mr. Heckles: Er, yeah, it's mine.
Phoebe: (trying to hold back the struggling cat) He seems to hate you. Are you sure?
Mr. Heckles: Yeah, it's my cat. Give me my cat.
Phoebe: Wait a minute. What's his name?
Mr. Heckles: Ehhhh... B-Buttons.
Rachel: Bob Buttons?
Mr. Heckles: Mmm. Bob Buttons. Here, Bob Buttons.
Phoebe: (the cat runs away from her) Oooh!
Mr. Heckles: (as Phoebe and Rachel leave) You owe me a cat.
[Scene: Rachel has gone off on her own to look for the cat's owner.]
Rachel: Here, kitty-kitty. Here kitty-kitty. Where did you go, little kitty-kitty-kitty? Here kitty-kitty-kitty-kitty...
(While looking at the floor for the cat, Rachel runs into a pair of legs. She slowly gets up and sees a gorgeous Italian hunk holding the cat. Who, by the way, you'll hate very, very soon. The man. Not the cat.)
Paolo: (something Italian)
Rachel: Wow. (she exhales in amazement, blowing the candle out)
[Scene: Monica and Rachel's, Ross, Monica, and Joey are playing Monopoly.]
Ross: (rolling) Lucky sixes....
Rachel: (entering with Paolo, arm in arm) Everybody, this is Paolo. Paolo, I want you to meet my friends. This is Monica.
Monica: (smitten) Hi!
Rachel: And Joey....
Monica: Hi!
Rachel: And Ross.
Monica: Hi!
Paolo: (something in Italian)
Rachel: (proudly) He doesn't speak much English.
Paolo: (pointing at game) Monopoly!
Rachel: Look at that!
Ross: (jealous) So, um... where did Paolo come from?
Rachel: Oh... Italy, I think.
Ross: No, I mean tonight, in the building. Suddenly. Into our lives.
Rachel: Well, the cat... the cat turned out to be Paolo's cat!
Ross: That, that is funny... (to Joey).... and Rachel keeps touching him.
(Phoebe enters.)
Phoebe: Alright. I looked all over the building and I couldn't find the kitty anywhere.
Rachel: Oh, I found him. He was Paolo's cat.
Phoebe: Ah! Well! There you go! Last to know again! And I'm guessing... since nobody told me... this is Paolo.
Rachel: Ah, Paolo, this is Phoebe.
Paolo: (something in Italian, he is apparently attracted to Phoebe)
Phoebe: (smiling) You betcha!
[Scene: ATM vestibule.]
Chandler: (chewing gum) Ah, let's see. What next? Blow a bubble. A bubble's good. It's got a... boyish charm, it's impish. Here we go.
(Chandler waits until Jill is looking, then starts to blow a bubble. But instead of blow one, he accidentally spits the gum out of his mouth and hits the wall.)
Chandler: Nice going, imp. OK, it's OK. All I need to do is reach over and put it in my mouth. (Chandler slyly grabs the gum from the wall and slides it back in his mouth.)
Chandler: Good save! We're back on track, and I'm... (grimacing) ..chewing someone else's gum. This is not my gum. Oh my God! Oh my God! And now you're choking.
(Chandler starts to choke.)
Jill: Are you alright?
(Chandler tries to save face and makes the 'OK' sign with his hands, while obviously unable to breathe.)
Jill: My God, you're choking! (she runs over and gives him the Heimlich, the gum flies from his mouth) That better?
Chandler: (gasping) Yes... thank you. That was... that was....
Jill: Perfection?
[Scene: Monica and Rachel's, Rachel and Paolo are at the window. Ross and Joey are watching disgustedly.]

(Rachel walks away from Paolo, laughing.)
Ross: Wha-What did he say that was so funny?
Rachel: I have absolutely no idea.
Ross: That's... that's classic.
Rachel: (to Monica and Phoebe) Oh my God, you guys, what am I doing? What am I doing? This is so un-me!
Monica: If you want, I'll do it.
(Ross looks at Joey.)
Phoebe: I know, I just want to bite his bottom lip. (Rachel looks at her) But I won't.
Rachel: God, the first time he smiled at me... those three seconds were more exciting than three weeks in Bermuda with Barry.
Phoebe: You know, did you ride mopeds? 'Cause I've heard... (they stare at her)... oh, I see... it's not about that right now. OK.
Rachel: Y'know, I know it's totally superficial and we have absolutely nothing in common, and we don't even speak the same language but Goooooooddddddd....
[Cut to the other side of the apartment, Ross has gone over to straighten things out with Paolo.]
Ross: Paolo. Hi.
Paolo: Ross!
(Ross notices that Paolo is standing on a step, which makes him taller. Ross gets up on the same step so he can look down at Paolo.)
Ross: Listen. Um, listen. Something you should... know... um, Rachel and I... we're kind of a thing.
Paolo: Thing?
Ross: Thing, yes. Thing.
Paolo: Ah, you... have the sex?
Ross: No, no, no. Technically the... sex is not... being had, but that's... see, that's not the point. See, um, the point is that... Rachel and I should be, er, together. You know, and if you get in the.... um...
Paolo: Bed?
Ross: No, no, that's not where I was going. Er, if you get in the... way, of us becoming a thing, then I would be, well, very sad.
Paolo: Oh!
Ross: Yeah! Se vice?
Paolo: Si.
Ross: So you do know a little English.
Paolo: Poco... a leetle.
Ross: Do you know the word crapweasel?

(They hug.)
[Scene: ATM vestibule, Chandler and Jill are sitting below the counter with two pens dangling from their chains in front of them. Jill is showing Chandler how to swing the pen around his head.]
Jill: Chandler, we've been here for an hour doing this! Now watch, it's easy.
Chandler: OK.
Jill: Ready? (she swings the pen around her head in a circle)
(Chandler tries to do the same thing but the pen hits him in the head.)
Jill: No, you've got to whip it.

Phoebe: Oh, look look look. The last candle's about to burn out. 10, 9, 8, 7... (time lapse)... negative 46, negative 47, negative 48.... (someone blows it out, the room gets completely dark)
Ross: Thank you.
Phoebe: Thanks.
Ross: Kinda... spooky without any lights.
Joey: (does a maniacal laugh) Bwah-hah-hah!
(Everyone starts to imitate him.)
Ross: OK, guys, guys? I have the definitive one. Mwwwooooo-hah-hah...
(The lights come back on, and Rachel and Paolo are making out. Ross clutches his chest.)
Ross: Oh.. oh... oh.
Joey: Hey Ross. This probably isn't the best time to bring it up, but you have to throw a party for Monica.
[Scene: ATM vestibule, the power has come back on.]
Jill: Well, this has been fun.
Chandler: Yes. Yes, thanks for letting me use your phone... and for saving my life.
Jill: Well, goodbye Chandler. I had a great blackout. (she kisses him on the cheek) See ya.
(She leaves. Chandler presses his face to the glass door after her, stroking the window lovingly. He then turns to the security camera and starts talking to it.)
Chandler: Hi, um, I'm account number 7143457. And, uh, I don't know if you got any of that, but I would really like a copy of the tape.
End


Date
11-3-2016
Time
3.00pm - 6.00pm
Cost
Free
Venue
BK 9 and 10
For Beginner
Did you ever want to build a web application? Perhaps you even started down that path in a language like Java or php,
when you realized that there was so much “climbing the mountain” that you had to do?
Maybe you have heard about web services being all the rage, but thought they were too complicated to integrate into your web application.
Or maybe you wondered how deploying web applications to the cloud works, but there was too much to set up just to get going.
Ruby on Rails is a powerful web application framework that uses the programming language Ruby, and powers many websites, including GitHub, Twitter, Groupon, Airbnb, Twitch, SoundClound and more.
It allows you to write less code while accomplishing more than many other languages and frameworks.
Experienced Rails developers also report that it makes web application development more fun.
In this course, we will introduce how actually Ruby on Rails works. What is Ruby ? or What is Rails.
and explore how to build web applications with the Ruby on Rails web application framework,
which is geared towards rapid prototyping. Yes, that means building quickly!
1. Install Text Editor in ur machine. e.g Sublime Text or
Atom
2. Get Familiar with Ruby
3. You might wanna install Rails too. Recommended to install on Mac or Linux.
4. For Windows user, you can try Cloud9-- Cloud Development PLatform.
5. Invite your friend to join the event
In the end of this course, you'll understand the flow on how Ruby on Rails works and you'll create one simple personal blog by Ruby on Rails.
No syllabus for this course
Gan Jun Kai
Tech Maniac, who is the self-learner on programming and web-development.
His life-cycle -- Sleep, Eat, Drink and Code.
P.S ... plus Dota
Learning Material
Download Here1 x presenstation slide
1 x full coding of project
1 x Event Poster
1 x Event Report
27 x Event Photos


Soccer Superstar Messi Visits ‘Save A Child’s Heart’ African Patients in Israel
by Jewish Press News DeskOn Sunday night, global superstar Lionel Messi and the rest of the Argentina soccer team, in Israel for a friendly match in Jerusalem with the national team of Uruguay, met Canadian-Israeli philanthropist Sylvan Adams, the man behind “Save A Child’s Heart,” who was accompanied by a group of children from Senegal, Ethiopia and Zanzibar to meet the stars.
The team arrived at the Tel Aviv Hilton Hotel after a long flight from Saudi Arabia, but the players interrupted their dinner at the hotel dining room, to hear about Save A Child’s Heart.
The charity brings children to Israel from Africa and other parts of the world for life-changing heart surgery at Wolfson Hospital.
This week, Save a Child’s Heart is working alongside doctors in Addis Ababa, Ethiopia to perform life-saving heart surgery and catheterization for a 30 children. To date, Save A Child’s Heart has treated more than 5,000 children from 62 countries.
The players applauded and cheered the program and later met some of the children who had come to Israel for surgery. Each child received an official Argentine team soccer ball and shirt signed by the players.
Sylvan Adams commented, “The Jewish nation works to save people from around the world. I am proud to lead, alongside the best Israeli medical professionals, this extraordinary project of life-saving cardiac surgery.”


UTC +11
Solomon Island dollar (SI$) of 100 cents.
International dialing code in Solomon Islands is +677.
There are 3 mobile networks operating in Solomon Islands. Coverage is limited but is being extended to smaller islands outside of the larger centres (Honiara, Auki, Gizo, Lata, Munda and Noro). Contact your service provider for further details. Local SIM cards and handsets are available.
There are several internet cafes in Honiara.
SSB
See Pacific List of Radio Nets
The Namba Net operates now on 8101 because 6 megs became too noisy. It is at 0815 hrs local time for vessels cruising New Caledonia and Vanuatu.
Please note that the Namba net only operates when there are sufficient cruisers prepared to act as net controllers. Ideally 7 people but it usually starts with 4. It starts usually sometime in June and finishes in October. The 8 meg frequency covers Vanuatu. New Caledonia, the Solomon Islands and the Louisaides.
The Solomon Net, operates daily at 0800 Local time, 2100 ZULU, on 8.161
June: Pacific Arts Festival - Honiara
July: Yacht Festival - Roderick Bay, Florida Islands
Chief John Ruka and his clan have announced the dates for their 2016 Bonina Vale ni Vaka Seloga - festival of sailing yachts - for June 24 - 26, 2016. This is an intimate affair and you will quickly be enveloped in their warmth and benefit from their sincere generosity. For more information, photos and navigation tips visit their webpage at: roderickbayhideaway.sv-carina.org
Emergency - Dial 999
Fire - Dial 988
Ambulance - Dial 911
Search and Rescue - Dial 977
IMRAY AND ADLARD COLES PILOT BOOKS are available at a discounted price for Noonsite.com users via World Cruising Club
Solomon Islands Cruising Guide
Editor Dirk Sieling
Publisher: Island Cruising Association (www.islandcruising.co.nz)
The Solomon Islands Cruising Guide is packed with information about sailing in these beautiful islands and includes anchorages throughout the country.
The Pacific Crossing Guide
By RCC Pilotage Foundation with Ocean Cruising Club
Editors Michael Pocock and Ros Hogbin
Publisher: Adlard Coles Nautical; 2Rev Ed edition (30 Sep 2003)
ISBN-13:<PHONE_NUMBER>828
The Pacific Crossing Guide is a complete reference for anyone contemplating sailing the Pacific in their own boat. From ideal timing, suitable boats, routes, methods of communication and provisioning to seasonal weather, departure and arrival ports, facilities, likely costs and dangers,
South Pacific Handbook
By David Stanley
Publisher: Avalon Travel; 8Rev Ed edition (28 Jan 2005)
ISBN-13:<PHONE_NUMBER>116
From lagoon swimming in the Cook Islands to witnessing the race of the banana bearers in the Heiva i Tahiti festival, travellers will find the best of the South Pacific both popular and obscure in this guidebook.
Landfalls of Paradise: Cruising Guide to the Pacific Islands
By Earl Hinz
Publisher: University of Hawai'i Press; 5th Revised edition (May 2006)
ISBN-13:<PHONE_NUMBER>373
The fifth edition of this sailing standard includes updated charts and text reflecting changes in regulations and facilities for most countries and specific ports of entry. New appendices include procedures for entry to Australia, which are more exacting than most Pacific landfalls, and an extensive list of information sources: cruising guidebooks, important general tourist guides, chart suppliers, and key web sites for the countries covered by "Landfalls of Paradise".
South Pacific Anchorages
By Warwick Clay
Publisher: Imray, Laurie,Norie & Wilson Ltd; 2nd Revised edition edition (1 Mar. 2001)
ISBN: 10-085288 482 6
Details of harbours and anchorages in the pacific south of the equator between New Guinea and South America.
The Pacific Crossing Guide
By Michael Pocock, Revised by Ros Hogbin
Publisher: Adlard Coles; 2nd edition (August 2011)
ISBN-13:<PHONE_NUMBER>828
See the detailed review
Solomon Islands Visitors Bureau
Ngarando Faraway Resort, Pigeon Island
Yacht Adina
http://yachtadina.co.uk/?tag=solomon-islands
Tom and Susie spent time sailing through the outer eastern islands of the Solomons in July 2015. Their website contains useful notes on anchorages visited, security and trading.
Yacht Adina Solomons Anchorages
SY Bosun Bird
Nick and Jenny Coghlan made excellent cruising notes for the Solomons, available on their website.
Noonsite welcomes information and updates especially regarding clearance, customs and immigration procedures from cruisers visiting this country.
Please E-mail noonsite with any new information, updates or corrections. Even just a short email confirming that the current data is accurate would be most helpful.


Choose your movement and guns! They'll be wired up for you in the editor.
Choose one of the sample bots as the base for your own bot.


Reports nested
synchronized
statements. Nested
synchronized
statements are either useless (if the lock objects are identical) or prone to deadlock.
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Install plugin
cd ~/.vim/bundle
git clone https://github.com/vim-airline/vim-airline-themes
Add configs into your ~/.vimrc
" Airline Themes
" https://github.com/vim-airline/vim-airline-themes
" ------------------
" http://vim.wikia.com/wiki/Displaying_status_line_always
set laststatus=2
set ttimeoutlen=50
let g:airline_theme = 'powerlineish'
let g:airline_theme = 'kolor'
set t_Co=256
let g:airline#extensions#hunks#enabled=0
let g:airline#extensions#branch#enabled=1
let g:airline#extensions#tabline#enabled = 1
Visit the official website for the latest instructions URL_HERE