出版商：Saylor Foundation
语言：英语
本书pdf是文字版 ，彩图版，书签良好。
What Is Chemistry?
Measurements
Atoms, Molecules, and Ions
Chemical Reactions and Equations
Stoichiometry and the Mole
Gases
Energy and Chemistry
Electronic Structure
Chemical Bonds
Solids and Liquids
Solutions
Acids and Bases
Chemical Equilibrium
Oxidation and Reduction
Nuclear Chemistry
Organic Chemistry


Service
Digital advertising is a completely different animal than it was when we began. It’s not just that technology has changed, but the ways that brands use technology to connect with consumers has changed, as has the nature of the basic brand-consumer relationship.
We’re fortunate that we started right in the midst of this shift, so an evolving landscape almost feels like home to us.
Portfolio
Work 1
Digital advertising is a completely different animal than it was when we began. It’s not just that technology has changed, but the ways that brands use technology to connect with consumers has changed, as has the nature of the basic brand-consumer relationship.
We’re fortunate that we started right in the midst of this shift, so an evolving landscape almost feels like home to us.
Work 2
Digital advertising is a completely different animal than it was when we began. It’s not just that technology has changed, but the ways that brands use technology to connect with consumers has changed, as has the nature of the basic brand-consumer relationship.
We’re fortunate that we started right in the midst of this shift, so an evolving landscape almost feels like home to us.
Work 3
Digital advertising is a completely different animal than it was when we began. It’s not just that technology has changed, but the ways that brands use technology to connect with consumers has changed, as has the nature of the basic brand-consumer relationship.
We’re fortunate that we started right in the midst of this shift, so an evolving landscape almost feels like home to us.
Work 4
Digital advertising is a completely different animal than it was when we began. It’s not just that technology has changed, but the ways that brands use technology to connect with consumers has changed, as has the nature of the basic brand-consumer relationship.
We’re fortunate that we started right in the midst of this shift, so an evolving landscape almost feels like home to us.
Work 5
Digital advertising is a completely different animal than it was when we began. It’s not just that technology has changed, but the ways that brands use technology to connect with consumers has changed, as has the nature of the basic brand-consumer relationship.
We’re fortunate that we started right in the midst of this shift, so an evolving landscape almost feels like home to us.


This slides provides a graphical representation of an example of Caesar Cipher Encryption
Alice (sender) and Bob (recipient) agreed
on the number of shift: 3
Alice would like to send this message to Bob:
“RUN!”
R UN!

U X
N!
UX Q!
Plaintext: RUN!
Ciphertext: UXQ!
Decryption follows the same principle of encryption using the Ciphertext and shift backwards.


TECH
LANCASTER
We've strived to be open, welcoming, and supportive to everyone in the community, regardless of their interest or background.
The past year has seen amazing growth in Lancaster's tech scene, and we believe this is only the beginning. As members of the tech community, we want to support this growth and ensure the community remains a healthy, open, and welcoming place for all its current and future members.


Genesis 41:57
And all countries came into Egypt to Joseph for to buy corn; because that the famine was so sore in all lands.


Checks the variable attributes for 'air_temperature' | NCVariableMetadataCheck Parameters: var_id: 'air_temperature' vocabulary_ref: 'ncas:amf' pyessv_namespace: 'product_sonde_variable' |
test_nc_file_checks.py | |
| check_air_temperature_variable_type | The variable air_temperature must be of type: float32. | 0: The variable air_temperature was not of the required type: float32 1: SUCCESS! |
Checks the type of variable 'air_temperature' | VariableTypeCheck Parameters: dtype: 'float32' var_id: 'air_temperature' vocabulary_ref: 'ncas:amf' |
test_nc_file_checks.py | |
| check_relative_humidity_variable_attrs | The variable 'relative_humidity' must exist in the file with the attributes defined in the controlled vocabulary specified. | 0: Variable 'relative_humidity' not found in the file so cannot perform other checks. 1: Each variable attribute is checked separately. 2: SUCCESS! |
Checks the variable attributes for 'relative_humidity' | NCVariableMetadataCheck Parameters: var_id: 'relative_humidity' vocabulary_ref: 'ncas:amf' pyessv_namespace: 'product_sonde_variable' |
test_nc_file_checks.py | |
| check_relative_humidity_variable_type | The variable relative_humidity must be of type: float32. | 0: The variable relative_humidity was not of the required type: float32 1: SUCCESS! |
Checks the type of variable 'relative_humidity' | VariableTypeCheck Parameters: dtype: 'float32' var_id: 'relative_humidity' vocabulary_ref: 'ncas:amf' |
test_nc_file_checks.py | |
| check_wind_speed_variable_attrs | The variable 'wind_speed' must exist in the file with the attributes defined in the controlled vocabulary specified. | 0: Variable 'wind_speed' not found in the file so cannot perform other checks. 1: Each variable attribute is checked separately. 2: SUCCESS! |
Checks the variable attributes for 'wind_speed' | NCVariableMetadataCheck Parameters: var_id: 'wind_speed' vocabulary_ref: 'ncas:amf' pyessv_namespace: 'product_sonde_variable' |
test_nc_file_checks.py | |
| check_wind_speed_variable_type | The variable wind_speed must be of type: float32. | 0: The variable wind_speed was not of the required type: float32 1: SUCCESS! |
Checks the type of variable 'wind_speed' | VariableTypeCheck Parameters: dtype: 'float32' var_id: 'wind_speed' vocabulary_ref: 'ncas:amf' |
test_nc_file_checks.py | |
| check_wind_from_direction_variable_attrs | The variable 'wind_from_direction' must exist in the file with the attributes defined in the controlled vocabulary specified. | 0: Variable 'wind_from_direction' not found in the file so cannot perform other checks. 1: Each variable attribute is checked separately. 2: SUCCESS! |
Checks the variable attributes for 'wind_from_direction' | NCVariableMetadataCheck Parameters: var_id: 'wind_from_direction' vocabulary_ref: 'ncas:amf' pyessv_namespace: 'product_sonde_variable' |
test_nc_file_checks.py | |
| check_wind_from_direction_variable_type | The variable wind_from_direction must be of type: float32. | 0: The variable wind_from_direction was not of the required type: float32 1: SUCCESS! |
Checks the type of variable 'wind_from_direction' | VariableTypeCheck Parameters: dtype: 'float32' var_id: 'wind_from_direction' vocabulary_ref: 'ncas:amf' |
test_nc_file_checks.py | |
| check_upward_balloon_velocity_variable_attrs | The variable 'upward_balloon_velocity' must exist in the file with the attributes defined in the controlled vocabulary specified. | 0: Variable 'upward_balloon_velocity' not found in the file so cannot perform other checks. 1: Each variable attribute is checked separately. 2: SUCCESS! |
Checks the variable attributes for 'upward_balloon_velocity' | NCVariableMetadataCheck Parameters: var_id: 'upward_balloon_velocity' vocabulary_ref: 'ncas:amf' pyessv_namespace: 'product_sonde_variable' |
test_nc_file_checks.py | |
| check_upward_balloon_velocity_variable_type | The variable upward_balloon_velocity must be of type: float32. | 0: The variable upward_balloon_velocity was not of the required type: float32 1: SUCCESS! |
Checks the type of variable 'upward_balloon_velocity' | VariableTypeCheck Parameters: dtype: 'float32' var_id: 'upward_balloon_velocity' vocabulary_ref: 'ncas:amf' |
test_nc_file_checks.py | |
| check_elapsed_time_variable_attrs | The variable 'elapsed_time' must exist in the file with the attributes defined in the controlled vocabulary specified. | 0: Variable 'elapsed_time' not found in the file so cannot perform other checks. 1: Each variable attribute is checked separately. 2: SUCCESS! |
Checks the variable attributes for 'elapsed_time' | NCVariableMetadataCheck Parameters: var_id: 'elapsed_time' vocabulary_ref: 'ncas:amf' pyessv_namespace: 'product_sonde_variable' |
test_nc_file_checks.py | |
| check_elapsed_time_variable_type | The variable elapsed_time must be of type: float32. | 0: The variable elapsed_time was not of the required type: float32 1: SUCCESS! |
Checks the type of variable 'elapsed_time' | VariableTypeCheck Parameters: dtype: 'float32' var_id: 'elapsed_time' vocabulary_ref: 'ncas:amf' |
test_nc_file_checks.py | |
| check_qc_flag_variable_attrs | The variable 'qc_flag' must exist in the file with the attributes defined in the controlled vocabulary specified. | 0: Variable 'qc_flag' not found in the file so cannot perform other checks. 1: Each variable attribute is checked separately. 2: SUCCESS! |
Checks the variable attributes for 'qc_flag' | NCVariableMetadataCheck Parameters: var_id: 'qc_flag' vocabulary_ref: 'ncas:amf' pyessv_namespace: 'product_sonde_variable' |
test_nc_file_checks.py | |
| check_qc_flag_variable_type | The variable qc_flag must be of type: byte. | 0: The variable qc_flag was not of the required type: byte 1: SUCCESS! |
Checks the type of variable 'qc_flag' | VariableTypeCheck Parameters: dtype: 'byte' var_id: 'qc_flag' vocabulary_ref: 'ncas:amf' |
test_nc_file_checks.py |


Review: ANALYZE THIS [Warner Brothers]
Starring: Robert DeNiro, Billy Crystal, Lisa Kudrow Chazz Palminteri,
Review by: Joy Wyse, the SILVER Screen Critic
Insecure psychiatrist, Ben Sobol [ Crystal] rear-ends the car belonging to mob boss Paul Vitti [De Niro] whose henchmen are hilarious trying to close the car's trunk carrying a bound and gagged soon-to-be corpse. Later, when Vitti casually asks if either of them knows of a good psychiatrist to help a `friend' they produce the business card that Sobol had given them. Suddenly, Sobol has a new patient and his life changes forever. Just imagine how all of the mobsters feel when they realize that Vitti is probably telling all of their secrets to an outsider.
The friction between Vitti and rival Sindone [Palminteri] is only part of the plot. Not only is Sobol living in his father's shadow, he is engaged to marry Laura [Kudrow], a relationship that keeps being interrupted by Vitti's needs.
There are some very funny moments in this film but there is a lot of foul language as well. Sure, gangsters may talk that way but Edward G. Robinson and James Cagney never had to resort to such dialogue on film and they were the epitome of underworld figures. I would have enjoyed it a lot more without the four letter words, especially seeing that it is aimed at teenagers who need to add better choices to their vocabularies. Oh, speaking of children - Sobol has an obnoxious son who conveniently and thankfully disappears in the second half of the movie. We really never get to know him. They should have left him out entirely. He was only there for the few jokes that he generated, but he wasn't worth it. This isn't a bad movie. It just isn't a real good one. Except for the language and some nudity, it's an OK way to pass a couple of hours. I'd give it a B-. I would watch it again, on free TV.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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{% extends "index.html" %} {% block content %}
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Delete all (does everything)
Reload all tourneys
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About Me
Welcome to my personal webpage. I am Sanchit Alekh.
Current Work
I am currently working as a Data Engineer at Rubinstein and Schmiedel AG, a Swiss start-up and one of the most exciting companies in Europe working in the field of algorithmic trading. I work on the Trader and Infrastructure teams. My tasks involve software and API development, Kubernetes deployments and administration, MLOps, as well as automated provisioning and Infrastructure-as-Code on our own-premises hardware and Azure cloud.
In the past
Before this, I was working as a Big Data Engineer at Data Reply GmbH in Munich, where I worked on a diverse range of projects, mainly in the area of cloud and distributed computing. On my most recent project, I worked as a part of a team that developed an enterprise chatbot platform on the Microsoft Azure Cloud using technologies such as Kubernetes, Terraform, Botframework and Microsoft Cognitive Services.
Combining my knowledge of software engineering, databases and distributed systems, I help customers develop and deploy complex software that routinely interacts with, and acts upon massive amounts of data on different kinds of infrastructure, i.e., on-premise or on public clouds such as AWS, Azure or GCP.
Previously, I was working as a Data Scientist Intern at AUDI AG in Neckarsulm, Germany, where our focus was on building solutions for smart-factories and enable data-driven production. I am a firm champion of using data analytics for making production more efficient, cost-effective and less wasteful.
I pursued my MSc. in Software Systems Engineering from RWTH Aachen University, Germany’s largest and leading technical university, where my coursework and research were focused in the area of ‘Data and Information Management’. I was closely associated with the chair of Databases and Information Systems, where I worked under Prof. Christoph Quix.
To know more about my personal life, please visit this page. To know about my academics, head to my Academics page.
Current Events and Notifications
- 01.01.2021: I have successfully spent 5 years in Germany. My heartfelt gratitude and thanks to everyone who I've come to know during this period. It's been a truly enriching and life-changing experience
Past Events:
- 01.03.2019: I joined Data Reply GmbH in Munich in the role of a Consultant Big Data Engineer.
- 10.01.2019: In July 2018, I began begin my Master Thesis at AUDI AG, jointly supervised by Dr. Christoph Quix and Dr. Sandra Geisler at RWTH and Christoph Ring at AUDI AG. I defended it successfully in January 2019.
- 15.01.2018: I successfully passed the DSM exam, equivalent to Level B1 in German at the Sprachenzentrum RWTH Aachen
- 01.01.2018: In January 2018, I joined AUDI AG for an Internship as a Data Scientist.
- 20.10.2017: I performed at the Diwali festival celebration in Aachen, organised by AISA (Association of Indian Students in Aachen)
- 07.07.2017: I delivered a talk on Automatic Raga Recognition in Hindustani Classical Music for my seminar on Computer Music. The slides can be found here. Along with that, there is also an accompanying academic paper, which can be found here.
- 25.04.2017: I took two seminars, namely Privacy and Big Data and Computer Music and a lab course on SMT-Solving with Simplex
- 15.04.2017: I started my the second semester of my Master studies. In this semester, I am taking courses on Logic Programming, Software Project Management and Functional Safety and System Dependability
- 10.03.2017: I came to the end of the first phase of my exam season. I took exams in 5 subjects, namely Satisfiability Checking, Computer Vision, Virtual Reality, Big Data in Medical Informatics and Implementation of Databases.
- 22.11.2016: I helped as a volunteer to organize the Tag Der Informatik (Computer Science Day) at RWTH
- 16.10.2016: I continued my role as a Research Assistant at the Databases and Information Systems Group under PD Dr. Christoph Quix
- 05.10.2016: I delivered a talk at i5 on Machine Learning Methods. Slides are available here


Polytechnic University of the Philippines
Nico Del Rosario
PUP Order form
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1
2


BRINGING OUT THE DEAD A film review by Christopher Null Copyright 1999 Christopher Null filmcritic.com
One has to wonder if Martin Scorsese's worldview stops at the New Jersey state line.
A shocking disappointment, BRINGING OUT THE DEAD marks Scorsese's first film since KUNDUN, and his first contemporary movie since CASINO. So neither of these took place in New York, but Scorsese is so in love with his hometown, it shows through in all his work. DEAD actually begins with the title card, `This film takes place in New York City' (or something close to that), just so there's no confusion.
Confusion about where you are? Impossible. DEAD is little more than a series of only-in-NYC horror stories about New York paramedic Frank Pierce (Cage), a burnt-out ambulance driver who's slowly going crazy, and who thinks he sees the spirits of the people whose lives he didn't save. His partners are all nuts (Goodman, Rhames, and Sizemore – who together save this picture from the dustbin), and he finds himself inexplicably attracted to Mary (Arquette), the daughter of a patient whom he inexplicably revives.
In fact, inexplicable is an apt word for most of BRINGING OUT THE DEAD. Despite a promising concept (get inside the head of a wacked-out paramedic), it's one blown opportunity after another. (See PUSHING TIN for another film with the same problem.) Instead of good writing, the story meanders interminably, relying on a hip soundtrack and cute camera tricks to propel the plot. Frank's obsession with the deceased Rose is baffling, yet it drives most of the action.
BRINGING OUT THE DEAD is based on the novel of the same name, and indeed, it feels like the novel has been adapted in full for the screen, with long, dull voice-over monologues, surreal dream sequences, quirky supporting cast members, and go-nowhere subplots. This is not an effective way to make a film. Scorsese obsessives will love it. The rest of the world will not.
Kudos to Ving Rhames as the best of Cage's partners, a character best described as John Shaft meets Jimmy Swaggart. He'll be on my short list for Best Supporting Actor, even if he did only have five minutes of screen time.
RATING: **1/2
|------------------------------| \ ***** Perfection \ \ **** Good, memorable film \ \ *** Average, hits and misses \ \ ** Sub-par on many levels \ \ * Unquestionably awful \ |------------------------------|
MPAA Rating: R
Director: Martin Scorsese Producer: Barbara De Fina, Scott Rudin Writer: Paul Schrader Starring: Nicolas Cage, Patricia Arquette, John Goodman, Ving Rhames, Tom Sizemore
http://www.bringingoutthedead.com/
Christopher Null -<EMAIL_ADDRESS>- http://www.filmcritic.com Author - Network Administrator's Reference, 1999 http://www.amazon.com/exec/obidos/ASIN/0078825881/filmcriticcom
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


JS
Javascript was created in 1995 by an individual working with Netscape named Brendan Eich. It was called Livescript originally and later changed to the name Javascript to elude to the popularity of the java programming language. Javascript makes interaction with the user quicker and more interactive due to running in the users browser rather than remotely. It is also currently the only language that all commonly used browsers support.
Javascript also has its downsided. Due to running in the user's browser it is more susceptable to malicous code. Javascript's ability to run outside the web browser can make it an even greater secuity threat overall. It is also classified as a loosely typed language making bugs more frequent and more diffiult to discover inititially. Although Javascipt sounds similar to Java and both have a syntax similar to the programming language C, other than the name the differences outnumber the similarities overall.


*
Assignment #8
Enter four numbers (range -12 to 12) to generate a dynamic multiplication table.
Starting horizontal number:
Ending horizontal number:
Starting vertical number:
Ending vertical number:
You may also save up to 24 multiplication tables. They will appear below this line when the "Save Table" button is pressed.


Erik Plyushko: Was born in Estonia but has lived in Washington most of his life. Erik is a Army veteran, likes to play tournament paint-ball and is a PC enthusiast. His life goal is to become a full-stack javascript developer, buy a home, and travel.
Welcome to Is It Gross?
Have you ever had food poisoning before? Is it not one of the worst experiences ever? Well we have a solution!We have developed an app that uses King County's food establishment inspection data and plots on a google map the inspection results as emojis.The app allows users to query their results by rating("Satisfactory" or "Unsatisfactory"). These ratings rely on the inspection data that pertains to food handling in the kitchen. Unsatisfactory ratings mean the establishment has two or more food handling violations that could result in consumers becoming ill.
Ratings
Satisfactory:
Unsatisfactory:
Complete(but no results):
Incomplete:
About Us
Philip Werner: Jack of all trades, master of none. Phil enjoys playing soccer and beach volleyball when not behind a screen. If you can't find him, make sure you check the closest Irish Pub from where he was seen last and you will probably find him sitting at the bar with a pint of Smithwicks and a glass of Jameson. Other than that his life revolves around his Golden Lab Stella.
Ron Barrantes: I am originally from Costa Rica but I have been living in the US for the better par of 17 years.I've been doing tech of all sorts on and off for over 10 years now, including website and logo design, posters and
flyers, audio and videoI also worked on a startup, freelanced, and worked in sales and marketing for a bit.
Fun facts: I love dancing and taught salsa in Seattle, WA. Also I once worked in a coffee roasting house.
Matt St.Clair: Is from Renton, Wa, is an Air Force veteran and enjoys free parking and fishing. Before codefellows he was working as a mental health therapist and hopes to find a way to continue being a therapist while also working in the software development feild. He has a fiance named jessica and a dog named Ruby, and in that order.


Multiplayer
Set
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pending
more player(s).
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Share this URL to invite other people to join this game:
Chat in realtime while you play.


EFFECTIVE DATE FOR OFFICE OF HAWAIIAN AFFAIRS
Section 8. The legislature shall provide for the implementation of the amendments to Article XII in Sections 5 and 6 on or before the first general election following ratification of the amendments to Article XII in Sections 5 and 6. [Add Const Con 1978 and election Nov7, 1978]


Cultural Blog, Sprint 4: Daily Mindfulness
24 July, 2018
What did you learn from your 'mindfulness conversation'? How did the other person find it?
The problem I have with this exercise is that I haven't seen anyone recently that I think would be open to trying it. That being said, I've been conscious of being mindful when people are listening and giving what they're saying my full attention, which isn't the exercise exactly but incorporates an element of it.
Which of the three suggested techniques will you use to sustain your practice?
Primarily the third (one breath a day), but also the second (do less than you can). I think becoming frustrated or bored with it is definitely something that could put me off in the long run if I'm not careful, which the "do less than you can" method avoids. One breath a day also means I can practice it for a short while whenever I remember to, almost regardless of what I'm doing.
Any other musings?
When I was doing the final exercise from the chapter, I noticed I find open meditation much easier to maintain as I don't have to constantly try to rein in distractions and can embrace that so long as I'm mindful of them and pay attention to them fully. I found myself struggling with the focused meditation section- ironically, usually because I was distracted by the thought that I needed to stay focused on breathing!


public interface RBACManagerListener
| Modifier and Type | Method and Description |
|---|---|
void |
rbacInit(boolean freshdb) |
void |
rbacPermissionRemoved(Permission permission) |
void |
rbacPermissionSaved(Permission permission) |
void |
rbacRoleRemoved(Role role) |
void |
rbacRoleSaved(Role role) |
void |
rbacUserAssignmentRemoved(UserAssignment userAssignment) |
void |
rbacUserAssignmentSaved(UserAssignment userAssignment) |
void rbacInit(boolean freshdb)
void rbacRoleSaved(Role role)
void rbacRoleRemoved(Role role)
void rbacPermissionSaved(Permission permission)
void rbacPermissionRemoved(Permission permission)
void rbacUserAssignmentSaved(UserAssignment userAssignment)
void rbacUserAssignmentRemoved(UserAssignment userAssignment)
Copyright © 2006–2019 The Apache Software Foundation. All rights reserved.


Why INIT?
INIT aims to provide you with a decent workflow and structure within your sophisticated web project. Please go through @drublic's slides from SoCoded Conference talking about the hassle to start Front-End web projects.
Here are some advantages you have with INIT:
- All basics provided
- Nearly no default code (only what you will need anyway)
- Scalable architecture
- Works with most UI frameworks
- Integrated workflow
Integrated tools
- HTML5 Boilerplate
- normalize.css
- Modernizr (custom build based on what you use) & jQuery libraries
- GruntJS (integrated watch, development & build tasks)
- Bower for package management in the Front-End
- RequireJS for a module-based development approach
- Sass workflow including some helpful mixins
- A testing workflow with Jasmine and Karma
If you want to know more about INIT please check out the documentation.
Getting Started
The easiest way to set up INIT*:
$ git clone git@github.com:use-init/init.git
$ npm install -g grunt-cli
$ npm install
This will install all the things you need for running the grunt-tasks automatically.
Also it will create a folder `components` which holds all vendor dependencies managed by Bower.
*You need to have a running node.js and ruby along with npm, Sass and bower. Please install this before setting up INIT in your project's directory.
Troubleshooting
If running the install does not work, please try running it as with admin-rights:
$ sudo npm install -g grunt-cli
Now you can start developing your site. Therefore use the GruntJS task:
$ grunt
or run grunt tasks continuously watching file changes:
$ grunt watch
Structure
INIT's structure isn’t hard to understand. Please refer to the documentation to get to know the details.
INIT builds upon the best
INIT is extendable
It is easy to extend and adapt INIT to your needs. There are already some core plugins available as well as a Yeoman Generator called generator-init
.
Credits
The INIT logo was designed by Jan von Beckerath at NIMIUS and optimized by Stefan Nitzsche.
License
This project is under the Open Source MIT license. Find more information in the LICENSE file.


Issuing API token for CLI access such as heim-tunnel.
If you want to issue the token for the CLI tool, then click Login


Dinner Menu
Dinner Menu
Each order comes with 9 portions, along with soy sauce, ginger, and wasabi
Traditional shari & nori seaweed roll filled with cucumber, pickled daikon, tobiko fish eggs, and your choice of crab or shrimp
Shari shaped into a rectangular box, layered with mackerel or gizzard shad
Hand-pressed shari cylinder topped with crab, salmon, or tofu
Cone-shaped shari and nori seaweed roll stuffed with umeshiso, negitoro, or squid
Shari and nori seasweed roll layered with sea urchin, squid, salmon roe, or kanimiso
Each order comes with a complementary side of rice, spicy bean sprout salad, and green bean shiraae
Yakisoba noodles mixed with peppers, onions, cucumber, and beef or chicken
Garlic Soba noodles complemented with cabbage, snap peas, zucchini, edamame, green onion, and shrimp or tofu
Duck marinated in pepper barbeque sauce, complemented with rice and fresh herbs
Udon noodles drunk in delightful dashi broth, along with beef and aromatic garnishes
Savory ramen dosed with fresh vegetables, egg, sweet potato, and chicken
Each order is complemented with spinach ohitashi and cumcumber marinated in chili oil
An assortment of nigiri incorporating halibut, yellowtail, prawn, eel, and scallop; served with soy sauce, ginger, and wasabi
A three-part combination of fried tempura, shrimp with salmon, squid, and mackerel, and kenchin kiru
36 portions of uramaki filled with cumbumber and crab, topped with sashimi; served with soy sauce, ginger, and wasabi


I want to have a test.
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subscript
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Welcome to Camera Hub’s documentation!¶
If we want to stitch the images together it’s nearly impossible unless the camera has some timestamping methods using something like a PTR because USB cameras are really hard to synchronize due to its nature of jittering.
If we don’t need to stitch the images then we can get the images from the camera and send them to the backend machine directly. In that case we won’t be able to find the exact position of the defect.
 This introduces relatively little delay in the system.”
Why Grasshopper?
Factors to Consider When Designing a Multiple Camera Array¶
if the first camera in a line of multiple daisy-chained cameras fails, then all subsequent connected cameras will fail too.
Limitations¶
Bus interface: IEEE1394a – 400Mb/s IEEE1394b – 800Mb/s The IEEE1394 specification limits the maximum number of devices on a single bus to 64 Hubs: - the total amount of data that can be transferred is still limited by the IEEE1394 bus.
Host Adapters: The number of cameras that can be used to stream images continuously is limited by the IEEE1394 chipset used.
The LSI (Agere) chipset used in the Point Grey PCI Express card is able to support 8 simultaneous DMA contexts. This means that 8 cameras are able to stream at any given time, with a combined total bandwidth of 800Mb/s. TI chipsets are able to support 4 simultaneous DMA contexts.
Configuring Synchronized Capture with Multiple Cameras¶
definition of “the same time” is that the cameras must take start exposing each set of images within microseconds of each other. 1. use one “primary” camera to trigger one or more “secondary” cameras, using the primary camera’s strobe frame rates of the secondary cameras follow that of the primary camera.
There are two steps to configuring synchronized capture:
Create a physical connection between the cameras by linking their GPIO pins.
Configure inputs and outputs for each camera either with the SDK demo application or with code.
have all cameras triggered by an external hardware trigger (for example, a function generator). Any hardware trigger that provides a 3.3 or 5 V square wave TTL signal can trigger the cameras.
# Exsisting Solutions
USB 3.1 Host Controller Card (35k LKR) https://www.flir.eu/products/usb-3.1-host-controller-card/


3 days ago
You added 2 links
{% extends "webfolder/_base.html" %} {% block title %} My Files {{ block.super }} {% endblock %} {% block content %}
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Rully's Project
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Language and file character code is decided by "charset" of "Content-Type" header, or "X-OME-CharSet" header. If both aredesignated, that by "X-OME-ChaSet" preceeds. Association between character codes and charsets is prescribed in "FileEncodeList.txt" in OME_BrowserXCoS. You can find "FileEncodeList.txt" by Control-clicking OME_BrowserXCoS and choose "Show Package Contents" from pop-up menu, then follow folder path of Contents>Resources. The format of "FileEncodeList.txt" is as follows:. Each word is seaprated by a tab character
default "Character code that is used without information like Content-Type header" multipart "Character code for mails with attached files" send "Character code for out-going mails" encode "Charactercode for the following charsets in Content-Type header" "charset" "charset" ...Following character codes are available: ASCII, ISO2022JP, ISOLatin1, ISOLatin2, JapaneseEUC, EUC_JP, MacOSRoman, ShiftJIS, UTF8, Unicode, MacKorean, MacChineseTrad, MacChineseSimp, EUC_KR, Big5, GB_2312, ISOLatin3, ISOLatin4, ISOLatinCyrillic, ISOLatinArabic, ISOLatinGreek, ISOLatinHebrew, ISOLatin5, ISOLatin6, ISOLatinThai, ISOLatin7, ISOLatin8, ISOLatin9, UnicodeEnglish, UnicodeJapanese, UnicodeKorean, UnicodeChineseTrad, UnicodeChineseSimp, UnicodeWestern, UnicodeCentralEuropean, UnicodeSouthEuropean, UnicodeBaltic, UnicodeCyrillic, UnicodeArabic, UnicodeGreek, UnicodeHebrew, UnicodeTurkish, UnicodeNordic, UnicodeThai, UnicodeCeltic, UTF8English, UTF8Japanese, UTF8Korean, UTF8ChineseTrad, UTF8ChineseSimp, UTF8Western, UTF8CentralEuropean, UTF8SouthEuropean, UTF8Baltic, UTF8Cyrillic, UTF8Arabic, UTF8Greek, UTF8Hebrew, UTF8Turkish, UTF8Nordic, UTF8Thai, UTF8Celtic
States implies U: unread, A: attached, R: replied, H: HTML mail, S: Outbound mail. Outbound mails displays To field in From column.
http://mac-ome.jp/However, the newest version is released at
http://www.vector.co.jp/authors/VA019709/OME_BrowserXCoS-e.htmlat first.
Please mail to
<EMAIL_ADDRESS>your impression or bug reports of OME_BrowserXCoS.


Collect metrics on visibility, monitor Droplet performance, and receive alerts when problems arise
Collect metrics on visibility, monitor Droplet performance, and receive alerts when problems arise
Collect metrics on visibility, monitor Droplet performance, and receive alerts when problems arise
Collect metrics on visibility, monitor Droplet performance, and receive alerts when problems arise
Collect metrics on visibility, monitor Droplet performance, and receive alerts when problems arise
Collect metrics on visibility, monitor Droplet performance, and receive alerts when problems arise
business with a 99.99%
business with a 99.99%
business with a 99.99%
business with a 99.99%
Get Stated Now Ready to optimize the performance and security of your SaaS offering?
Get 7Day TrailEasily organize your infrastructure with Projects. And with Teams, everyone can get their own account, with just the privileges they need to do their and we’re running a jobs. Our hosting costs have decreased by over 90% and we’re running at about 25% of our capacity allowing us to quickly scale.
Easily organize your infrastructure with Projects. And with Teams, everyone can get their own account, with just the privileges they need to do their and we’re running a jobs. Our hosting costs have decreased by over 90% and we’re running at about 25% of our capacity allowing us to quickly scale.
Easily organize your infrastructure with Projects. And with Teams, everyone can get their own account, with just the privileges they need to do their and we’re running a jobs. Our hosting costs have decreased by over 90% and we’re running at about 25% of our capacity allowing us to quickly scale.


Here are just a few of the iOS projects I’ve worked on, some to test functionality others as passion projects/learning purposes. One uses WatchKit and an interactive color wheel on the iPhone that changes what's being drawn on the Apple Watch. Another parses data from an API to quickly see what Bitcoin converts to in different currencies. Additionally, a Weather App copycat and an app that randomly generates players with a rating system.
All shapes drawn in code.
$$$
Using CoreLocation.
Rating system to safely hydrate with friends.


“Uppatantesu nipate,
nipatantesu uppate;
Vase avasamānesu,
ramamānesu no rame”ti.
… Piyañjaho thero ….
Settle down when others spring up;
spring up when others settle down.
Remain when others have departed;
don’t delight when others delight.


The Shape object is used to add simple 2D objects such as circles, squares, stars, etc. to a model. The DisplayModel input, which is restricted to ShapeModels, determines the type of 2D object that is displayed. It includes the keywords FillColour, LineColour, etc that that override the default values for these inputs that are provided by its ShapeModel. The easiest way to enter these inputs is to use the formatting buttons on the Control Panel.
Shape Inputs
|
Keyword |
Description |
|
Key Inputs |
|
|
Description |
A free-form string describing the object. |
|
Options |
|
|
AttributeDefinitionList, CustomOutputList |
See Section 6.2. |
|
Graphics |
|
|
Position, Alignment, Size, Orientation, Region, RelativeEntity, DisplayModel, Show, Movable, VisibleViews, DrawRange |
See Section 11.1. |
Shape Outputs
|
Output Name |
Description |
|
Format |
|
|
FillColour |
The colour with which the shape is filled. |
|
LineColour |
The colour with which the shape is outlined. |
|
Filled |
Determines whether or not the shape is filled. If TRUE, it is filled with a specified colour. If FALSE, it is hollow. |
|
Outlined |
Determines whether or not the shape is outlined. If TRUE, it is outlined with a specified colour. If FALSE, it is drawn without an outline. |
|
LineWidth |
Width of the outline in pixels. |
|
Entity and DisplayEntity |
|
|
Name, ObjectType, SimTime, Parent, Attributes, Custom Outputs, Position, Size, Orientation, Alignment, GraphicalLength, ObserverList, NextList, PreviousList |
See Section 10.1. |


Forms are written in HTML, styled with CSS and/or Bootstrap and given functionality through JavaScript and/or jQuery.


Statistical test for the product-moment correlation coefficient based on H0: rho = rho0 including sample size computation, statistical test for comparing the product-moment correlation coefficient in independent ad dependent samples, sequential triangular test for the product-moment correlation coefficient, partial and semipartial correlation, simulation of bivariate normal and non-normal distribution with a specified correlation.
| Version: | 0.1-1 |
| Depends: | R (≥ 3.0) |
| Imports: | methods |
| Published: | 2017-04-02 |
| Author: | Takuya Yanagida [cre, aut] |
| Maintainer: | Takuya Yanagida <takuya.yanagida at univie.ac.at> |
| License: | GPL-3 |
| NeedsCompilation: | no |
| CRAN checks: | miscor results |
| Reference manual: | miscor.pdf |
| Package source: | miscor_0.1-1.tar.gz |
| Windows binaries: | r-devel: miscor_0.1-1.zip, r-release: miscor_0.1-1.zip, r-oldrel: miscor_0.1-1.zip |
| OS X binaries: | r-release: miscor_0.1-1.tgz, r-oldrel: miscor_0.1-1.tgz |
| Old sources: | miscor archive |
Please use the canonical form https://CRAN.R-project.org/package=miscor to link to this page.


Harry Styles wants to be the next James Bond
A good choice?
Harry Styles has thrown his hat into the ring to become the next James Bond.
The ‘Sign of The Times’ singer has confirmed that he’s interested in tackling the iconic role, after Daniel Craig confirmed that the upcoming No Time To Die will be his final outing as the iconic super-spy.

“I grew up watching those. You know, I loved him when I was a kid. So I think it’s kind of everyone’s dream a little bit, right?”
Styles, who made his acting debut in Christopher Nolan’s Dunkirk, now joins the likes of Idris Elba, James Norton and even Peaky Blinders’ Cillian Murphy – who have all been linked with the role.
The same interview also saw Harry discussing how recent single ‘Lights Up’ was inspired by his own “self-discovery” in recent years.
“For me it’s a very uplifting song. And I think in places it’s kind of dark,” he said.
“But to me, it’s very liberating … it’s about self-reflection and self-discovery and just, like freedom. It feels like very free to me. Things that I’ve been trying to process and, I guess, wrestle with a little bit over the last couple years.
“It’s kind of like just accepting all of those things. It’s a very positive song to me.”


Ezekiel 32:28
Yea, thou shalt be broken in the midst of the uncircumcised, and shalt lie with them that are slain with the sword.


| 1 | /* | |
| 2 | * Licensed to the Apache Software Foundation (ASF) under one or more | |
| 3 | * contributor license agreements. See the NOTICE file distributed with | |
| 4 | * this work for additional information regarding copyright ownership. | |
| 5 | * The ASF licenses this file to You under the Apache License, Version 2.0 | |
| 6 | * (the "License"); you may not use this file except in compliance with | |
| 7 | * the License. You may obtain a copy of the License at | |
| 8 | * | |
| 9 | * http://www.apache.org/licenses/LICENSE-2.0 | |
| 10 | * | |
| 11 | * Unless required by applicable law or agreed to in writing, software | |
| 12 | * distributed under the License is distributed on an "AS IS" BASIS, | |
| 13 | * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. | |
| 14 | * See the License for the specific language governing permissions and | |
| 15 | * limitations under the License. | |
| 16 | */ | |
| 17 | package org.apache.commons.io.comparator; | |
| 18 | ||
| 19 | import java.io.File; | |
| 20 | import java.io.Serializable; | |
| 21 | import java.util.Comparator; | |
| 22 | ||
| 23 | /** | |
| 24 | * Compare the last modified date/time of two files for order | |
| 25 | * (see {@link File#lastModified()}). | |
| 26 | *
 | |
| 27 | * This comparator can be used to sort lists or arrays of files | |
| 28 | * by their last modified date/time. | |
| 29 | *
 | |
| 30 | * Example of sorting a list of files using the | |
| 31 | * {@link #LASTMODIFIED_COMPARATOR} singleton instance: | |
| 32 | *
 | |
| 33 | * List<File> list = ... | |
| 34 | * ((AbstractFileComparator) LastModifiedFileComparator.LASTMODIFIED_COMPARATOR).sort(list); | |
| 35 | *
 | |
| 36 | *
 | |
| 37 | * Example of doing a reverse sort of an array of files using the | |
| 38 | * {@link #LASTMODIFIED_REVERSE} singleton instance: | |
| 39 | *
 | |
| 40 | * File[] array = ... | |
| 41 | * ((AbstractFileComparator) LastModifiedFileComparator.LASTMODIFIED_REVERSE).sort(array); | |
| 42 | *
 | |
| 43 | *
 | |
| 44 | * | |
| 45 | * @since 1.4 | |
| 46 | */ | |
| 47 | public class LastModifiedFileComparator extends AbstractFileComparator implements Serializable { | |
| 48 | ||
| 49 | private static final long serialVersionUID =<PHONE_NUMBER>395734046L; | |
| 50 | ||
| 51 | /** Last modified comparator instance */ | |
| 52 | public static final Comparator<File> LASTMODIFIED_COMPARATOR = new LastModifiedFileComparator(); | |
| 53 | ||
| 54 | /** Reverse last modified comparator instance */ | |
| 55 | public static final Comparator<File> LASTMODIFIED_REVERSE = new ReverseComparator(LASTMODIFIED_COMPARATOR); | |
| 56 | ||
| 57 | /** | |
| 58 | * Compare the last the last modified date/time of two files. | |
| 59 | * | |
| 60 | * @param file1 The first file to compare | |
| 61 | * @param file2 The second file to compare | |
| 62 | * @return a negative value if the first file's lastmodified date/time | |
| 63 | * is less than the second, zero if the lastmodified date/time are the | |
| 64 | * same and a positive value if the first files lastmodified date/time | |
| 65 | * is greater than the second file. | |
| 66 | * | |
| 67 | */ | |
| 68 | @Override | |
| 69 | public int compare(final File file1, final File file2) { | |
| 70 |
1
1. compare : Replaced long subtraction with addition → KILLED |
final long result = file1.lastModified() - file2.lastModified(); |
| 71 |
2
1. compare : changed conditional boundary → KILLED 2. compare : negated conditional → KILLED |
if (result < 0) { |
| 72 |
1
1. compare : replaced return of integer sized value with (x == 0 ? 1 : 0) → KILLED |
return -1; |
| 73 |
2
1. compare : changed conditional boundary → KILLED 2. compare : negated conditional → KILLED |
} else if (result > 0) { |
| 74 |
1
1. compare : replaced return of integer sized value with (x == 0 ? 1 : 0) → KILLED |
return 1; |
| 75 | } else { | |
| 76 |
1
1. compare : replaced return of integer sized value with (x == 0 ? 1 : 0) → KILLED |
return 0; |
| 77 | } | |
| 78 | } | |
| 79 | } | |
Mutations | ||
| 70 |
1.1 |
|
| 71 |
1.1 2.2 |
|
| 72 |
1.1 |
|
| 73 |
1.1 2.2 |
|
| 74 |
1.1 |
|
| 76 |
1.1 |


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I am a Ph.D student at CryptoExperts under the supervision of Jean-Sébastien CORON, Sihem MESNAGER, Pascal PAILLIER, and Matthieu RIVAIN. I am also an ECRYPT-NET fellow and received funding from the European Union's Horizon 2020 research and innovation programme under the Marie Skłodowska-Curie grant agreement No. 643161.
My research interest is white-box cryptography. I co-organized the 2nd edition of the WhibOx contest, which is the CTF event of CHES 2019.
My curriculum vitae can be found here.


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I was wondering why the eMon Library does not calculate the Frequency of the Electrical supply. I can imagine it should not be difficult with the present software, just detect the cross zero
Maybe it is just a question that it is not a critical or important parameter, but the more information, the better. Is there an specific reason?
Altohugh I can see there is a "non official" EmonLibPro version that computes the Frequency: http://openenergymonitor.org/emon/node/2406
Re: Frequency Calculation
MartinR's pll design can also report frequency
Paul
Re: Frequency Calculation
I'm curious. What good will knowing the frequency do you? Apart from giving you some idea about when the generators bring sets on-line to meet increasing demand, or conversely take them off-line as demand falls, or if you're into forensic acoustics, I can't see that it is anything other than a talking point.
Re: Frequency Calculation
I was just thinking in monitoring the quality of electrical supply. I know the frequency usually does not change very much, and usually does not produce any damage, but it could provide clues about some other problems, for example, low voltages that can not cope with the electrical load.
It is just a cost/benefit issue, the benefit is maybe low, but the cost to have something like this is also really low.
Re: Frequency Calculation
I agree with Robert. Here in the US, the only folks interested in the line frequency are the energy providers. As Robert mentioned, it's how they know when to put additional generating capacity online when needed, and take it offline when not needed.
Your statement low voltages that can not cope with the electrical load doesn't make sense. If you meant low voltages that electrical loads cannot cope with, that condition can be read directly with a voltmeter.
It is just a cost/benefit issue, the benefit is maybe low, but the cost to have something like this is also really low.
Perhaps not. Someone would have to integrate that routine into the current library. No trivial task, there. It would add more to the processing load the 328 microcontroller already has, and the return for all that? Information which is of very little use to the majority of OEM users.
Put another way, in 40+ years of doing Electronics for a living, I've very rarely needed to know the mains frequency.
Re: Frequency Calculation
The last time I needed to know it was when setting the speed of a rotary converter that generated a local 60 Hz supply, and that, if memory serves, was over 40 years ago when I was an apprentice and was testing some relays. The frequency meter was a vibrating reed, and that I do remember.
Re: Frequency Calculation
I've been known to use it in order to choose the correct calibration coefficients at run time. That's not so relevant if your calibration model is "let the end user calibrate it themselves", but if you want to ship it calibrated from the factory, to destinations unknown, then having a set of numbers for both 50Hz and 60Hz can help. The CTs I use have quite different phase errors at 50Hz Vs 60Hz (bigger at 50Hz from memory). Of course the accuracy you need for that application is pretty low, < or > 55Hz just about covers it.
I can imagine it might be useful for some off-grid applications too.
The frequency meter was a vibrating reed
No I2C interface then? There's a pull-down / restoration (well, promise of a restoration) of one of those here: https://www.youtube.com/watch?v=C1bsCVJKaJA. Skip to about 4 mins in if you want to see it finally powered up.
Re: Frequency Calculation
See EmonLib Pro http://openenergymonitor.org/emon/node/2406
My line freq over 24hrs.


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Behrouz Boochani leaves Manus Island after six years, lands in NZ
The Kurdish Iranian writer, held in PNG since 2013, says he may seek asylum in New Zealand or the US.
Kurdish Iranian journalist and award-winning author Behrouz Boochani has landed in New Zealand after six years in an Australian offshore detention centre in Papua New Guinea, saying he has no plans to return.
The writer will be speaking at Christchurch's literary festival, Word Christchurch, later this month about his book, No Friend but the Mountains.
More:
The book, which details his experience as a refugee on Manus Island, was written on a smartphone via WhatsApp and has won numerous awards, including the Victorian Prize for Literature - Australia's richest literary honour - in 2019.
This is the first time Boochani has been allowed to leave PNG, where he has been held by the Australian government since 2013.
As a journalist in Iran, Boochani published stories that promoted the Kurdish language and culture. He co-founded a Kurdish magazine, but after its offices were raided and several of his colleagues were arrested and accused of undermining the Iranian state, Boochani fled.
He travelled through Southeast Asia and then paid a people smuggler to take him by boat from Indonesia to the Australian territory of Christmas Island.
During Boochani's journey, the Australian government announced a new immigration policy - denying settlement to all asylum seekers arriving "illegally" by boat.
Soon after his arrival on Christmas Island, Boochani was deported to Australia's offshore processing centre on Manus Island, which was established as part of a deal in which PNG - in exchange for millions of dollars - would accommodate asylum seekers until their claims were decided.
Australia's detention centres on Manus Island and Nauru have been frequently criticised for their poor conditions.
When the Manus Island centre was closed in late 2017, Boochani was forcibly removed along with more than 300 others. He was imprisoned in PNG until August, when he was moved to accommodation in the capital, Port Moresby.
Starting 'a new life'
Boochani's trip to New Zealand was made possible by the UN refugee agency, which organised his visa and travel with assistance from Amnesty International.
In a statement, Word Christchurch Director Rachael King said the organisation was delighted to finally welcome Boochani after months of planning.
 That his book has brought him here is testament to the power of literature as an agent for change."
Before leaving Port Moresby for New Zealand, Boochani praised Christchurch and said he would ask the New Zealand government to "take a leadership [role] and allow those who remain in PNG and Nauru to find safety."
"Christchurch is a city that has already educated the world through kindness and humanity in response to the terrorist attacks earlier this year. I am very grateful that I have been welcomed by this city and have this opportunity to share ideas.
"Christchurch already proves that dividing society is a dangerous threat to unity and democracy," he said.
New Zealand Prime Minister Jacinda Ardern previously offered to take 150 refugees from Manus Island when the detention centre was still operating.
However, Australia has been reluctant to accept the offer, fearing it could create a "back door" to access Australia.
According to ABC Australia, Boochani has recently been accepted for resettlement in the United States and was investigating whether he could fly there from New Zealand once the process was completed.
He said he may apply for asylum in New Zealand.
"The important thing for me is to start a new life, somewhere I feel safe," he told ABC.


| S.No. | States | Description |
|---|---|---|
| 1. | Kerala referred to as ‘God’s Own Country’, Kerala is one of India’s prettiest states. It is home to some of the country’s most stunning beaches, including Kovalam, Muzhappilangad, Varakala and many more. It also boasts breathtaking hill stations, gripping waterfalls, a plethora of historical places and monuments, and a host of national parks and wildlife sanctuaries. For those in search of a serene hill station, Munnar is always a good option. In any case, the very peaceful atmosphere of Kerala never ceases to amaze. | |
| 2. | Rajasthan also known as the ‘Land of Kings’, Rajasthan is a state full of stories of wars and victories, romance, misfortunes and glories. These folkloric tales of love and heroism are physically reflected in Rajasthan’s many monuments, magnificent palaces and forts. Rajasthan is also home to the vast Thar Desert and its world-renowned Sam Sand Dunes, as well as an array of rare wildlife. Must-see destinations include Jaipur, Udaipur and Jodhpur among many others. | |
| 3. | Goa also known around the world for its beautiful beaches, Goa is a destination not to be missed when visiting India. Sunsets at the golden-sand beaches are simply incredible, and the local cuisine, which includes many seafood dishes, is mouthwatering. Goa also offers travellers the opportunity to engage in many water sports, such as windsurfing and water-skiing. This is one of India’s smallest states, but one with an old town, and a very unique ethnicity and culture. | |
| 4. | Punjab famed for its delicious cuisine, ethnic and religious diversity, and rich history – especially its Sikh religious history (its home to the iconic Golden Temple) – Punjab is the perfect destination for those looking for a taste of local culture and stories of ancient empires. To experience true Punjab culture, head to the villages. Travellers should also aim to attend the flag lowering ceremony which takes place at the Wagah border. |


Biography
HI ervry one my nmae is ali abuyahia I live in Amman-Marak I love repire any broken thing, and learn how it work.
Education History
- I study to 12 grade in Governmental school
- I study mechanical engineering in Al Balqa univercity
Job Experience
- I work for 6 month in garage for fix a car
- I work for 6 month in company to fixing Home appliances
My Goals
- I want to complet my studing
This is a list of World's Top 10 Universities
- California Institute of Technology (Caltech)
- Massachusetts Institute of Technology (MIT)
- Harvard University
- University of Oxford
- University of Cambridge
- University of Chicago
- Princeton University
- Tsinghua University
- Yale University
- University of Edinburgh


With HTML5 Video and Bootstrap 4
Created by Start Bootstrap
With the (Random number) pick of the (random year) NHL draft.... the (Random Team) select (Name) from (Country)


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Default
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Open Doors Instantly
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Mello Trainer Version 0.2.0
Made By TheStonedTurtle
Special Thanks To:
All my Beta Testers
Scammer's Scorpion Trainer
Oui's Lambda Menu


Rising damp is a natural process affecting structures built in contact with the ground. A damp proof course is included in the building structure to control rising damp. Dampness rises due to capillary action, similar to the way oil rises up the wick of a lantern. Rising damp primarily affects properties built before 1930 but can be found in almost any property.
Damp proof courses fail for a variety of reasons but most commonly due to age or bridging actions that allow the damp proof course to be bypassed. Older properties may not have the benefit of a damp proof course at all.
The height to which dampness will rise within a property is usually less than 1 metre, so it is generally a ground floor problem. There are various methods of installing a new damp proof course into an existing property, including chemical injection and electro osmosis. As dampness rises from the ground soluble nitrate and chloride salts accumulate in the wall structure and plasterwork. Effective damp proof course installation is generally accompanied by the replacement of contaminated plasterwork with salt resistant plaster.


Dear Friend, My name is Edward Moore QC.Principal partner Edward Moore & Associates London UK and I was compelled by my late client's request to contact you on a matter of great financial reward.My client late Hassan Zahrul (Malaysian by Birth) ,an Industrialist and Real Estate Guru died recently leaving a vast wealth in your name as his "Next of Kin". Do contact me immediately via my Direct Telephone:+44-7045705184 or better still send me an email to my direct email address as below stated for immediate action on this matter.  Awaiting your response. Edward Moore Q.C Principal Partner Edward Moore & Associates Direct Telephone:+44-7045705184


This is just a short report on the emotional effects and consequences of opiate use [200-100mg Oxycodone, 120-60mg Hydrocodone, 100-30mg Morphine, 10-6g Kratom]. Keep in mind the human emotion is a complex and untameable beast, and of course will be different for all. However I have run into several people with similar experiences so I feel it's not just me.
When I first found opiates I was quite literally, thrilled. I am not a very happy person normally, and the euphoria and easy-going sluggishness seemed like the perfect cure for my pessimistic, depressed and jittery sober state. And for a while it was a cure. This however, was before I matured a bit (starting at about 16/17 years of age).
Nowadays at 23, whenever I indulge in opiates, the high still cures my normally horrible mood (which has gotten worse with age), but during the comedown, I am hit with some nastiness never before experienced. It seems like ever since age 20 it has been this way.
Upon the recession of effects, and lounging around in the post opiate haze, I am almost always hit with a strong and unshakeable sense of loneliness and utter longing. I must stress this was not experienced when I was younger, not at all. However, nowadays it's pretty bad, to the point where I now take my opiates later in the day so as to not be awake for the aftereffects.
If I make the mistake of being awake, I go through some pretty unpleasant stages. Usually it starts as the last of the effects subside, bringing with it a nostalgic, sad state of mind that leads to the next stage. Next is the tearful heartache stage. This lasts around 2 hours. I get extreme dull aches in my heart and fingertips, and am often brought to tears many times in this period. Thoughts are an ever plummeting wave of sadness, regret, and despair. I feel as if I am the lowest creature in the world during this phase.
The last phase is the detached, scornful stage. I am done sobbing and crying, and am left feeling half dead, and uncaring about anything. I've been known to binge on marijuana during this period as it's the only thing that can renew the spark of life in me.
I'm sure these effects are simply aggravated conditions of my already fragile and twisted psyche. The sadness all stems from real world issues, such as my chronic loneliness and inability to form loving relationships.
It's just a word of caution for those who use opiates to escape their loneliness and depression; It may just get worse.
I was prompted to write this report after my last experience, after ingesting 10g of 'super kratom'. 6 hours later I was lying in bed, pouring liters of water out of my tear ducts and yelling from the heart and extremity pains. There's no way to fight this feeling, it just washes over me and carries me in the undertow to a freezing ocean of despair where I am alone forever.
Just be careful if you don't enter into your opiate experiences with a solid mindset, for this is one sideffect. Thanks, and be responsible with your opiates always.
Mayaku Itsumo
-Seifuru
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


NO ONE
Whoever the developer is - he or she is destined for a future of success and riches. The world needs more people like you. I hope the best for you! Thank you for all you've done!
- Developer
I mean, its a cool app I guess
- Anonymous
Cash Rules Everything Around Me
- Wu-Tang Clan


Defining and Building Projects¶
The following exercises guide you through defining and building imagery, terrain, and vector projects using the resources you created in the previous lesson.
Define an Imagery Project
If you intend to use your own imagery data, it makes sense to define and build the imagery project before adding vector data. That way, you can use the imagery project as the base image map in the Preview pane in Google Earth Enterprise Fusion when you develop your vector project, making it easier to visualize how your vector data will appear over your actual imagery.
Add Resources to an Imagery Project
Although you can change the display order of imagery and terrain resources within a project, the order is ultimately determined by the resolution of the source files. That is, lower-resolution insets are automatically ordered below higher-resolution insets. So in reality, you can change the order of resources with the same resolution only.
The following example shows a number of imagery resources in a project ordered by resolution. The resolution of each resource appears in parentheses after the resource name.
The order in which the imagery or terrain resource data appears in the Imagery and Terrain Project Editors is the same as the stacking order of the insets in Google Earth EC. That is, higher-resolution insets appear above lower-resolution insets, so that viewing preference is given to the higher-quality imagery. The stacking order of same-resolution insets follows the order you define in the project. The following graphic illustrates this concept.
To add resources to an imagery project:
Select Asset Manager from the Tools menu. The Asset Manager appears.
Click on the toolbar. The Imagery Project Editor appears.
Click . The Open dialog appears.
Navigate to the
ASSET_ROOT/Resources/Imagery
folder.Select BlueMarble, and click Open. The BlueMarble resource appears in the Imagery Project Editor.
Repeat steps 3 through 5 for each of the following resources:
- SFBayAreaLanSat
- i3_15Meter
- SFHighResInset
The resources appear in order by resolution, with the higher resolution imagery at the top of the list.
Select File > Save.
Navigate to the
ASSET_ROOT/Projects/Imagery
folder.Enter SFBayArea as the name of your project, and click Save. The new project appears in the Asset Manager when you select ASSET_ROOT/Projects/Imagery in the asset navigation tree.
Build an Imagery Project
As with resources, you do not have to build projects right away. You can define several projects and then build them all, or you can wait until you include them in a database and build the entire data hierarchy at the same time. However, in this lesson, you will build the imagery project right away, so you can use it as a base map in the Preview pane.
Note
It could take up to 10 minutes for the project to build. Do this exercise when you can spend some time away from your computer while the project builds.
In the Asset Manager, navigate to ASSET_ROOT/Projects/Imagery in the asset navigation tree.
Right-click SFBayArea and select Build from the context menu.
The status of the project immediately changes to Queued and then In Progress. (The status may change so rapidly that it appears to change directly to In Progress.)
As with building imagery resources, you can view the progress of the build by double-clicking the Current Version or Current State column for the project. The Version Properties dialog displays the most recent version of that project. You can expand the version tree to view the status of the build in real time by clicking the + signs.
When the status of the imagery project build is Succeeded, go on to the next exercise.
Preview an Imagery Project
You can preview an imagery project after you build it.
Note
Only bounding boxes appear in the Preview pane, not the actual imagery.
To preview an imagery project:
Double-click the name of the imagery project you built in the last exercise, SFBayArea. The Imagery Project Editor for that project opens.
Check the box next to Preview above the list of source files, and then switch to the main Google Earth Enterprise Fusion window.
Bounding boxes indicate the extents of each of the individual imagery resources. The largest bounding box is around the entire Earth, which is the BlueMarble imagery. (You might have to zoom out a bit to see it.) The other three bounding boxes are in the San Francisco Bay Area. You can zoom in to see them.
Note
The name of the project does not appear in the Preview List pane. When you close the Imagery Project Editor or uncheck the box next to Preview, the bounding boxes disappear. You can reset the view by pressing Ctrl+R.
Specify an Imagery Project as Your Base Map
When the imagery project build is done, you can specify it as your base map.
To specify an imagery project as your base map:
Select Preferences from the Edit menu. The Preferences dialog appears.
Under Background Imagery, select Imagery Project from the drop-down list.
Click to the right of the drop-down list. The Open dialog appears.
Navigate to
ASSET_ROOT/Projects/Imagery
, and select SFBayArea.The full path within the tutorial asset root appears to the right of the drop-down list.
Click the OK button. The Preview pane displays the specified imagery. The specified imagery will remain the background imagery until you change it to another image or return it to the default imagery in the Preferences dialog.
Define a Terrain Project
The terrain project for this tutorial is very simple. It includes one of the resources you built in the previous lesson.
Add a Resource to a Terrain Project
The following procedure provides the steps to add resources to a terrain project.
To add resources to a terrain project:
Select Asset Manager from the Tools menu. The Asset Manager appears.
Click on the toolbar. The Terrain Project editor appears.
Click . The Open dialog appears.
Navigate to the
ASSET_ROOT/Resources/Terrain
folder.Select SFTerrain, and click Open. The SFTerrain resource appears in the Terrain Project Editor.
Check the box next to Preview.
Right-click the name of the resource, and select Zoom to Layer from the context menu.
The Preview pane zooms in to the bounding box that indicates the extent of the terrain resource.
Uncheck the box next to Preview.
Click . The Open dialog appears.
Navigate to the
ASSET_ROOT/Resources/Terrain
folder.Select WorldTopography, and click Open. The WorldTopography resource appears in the Terrain Project Editor.
- In the Terrain Project Editor, select File > Save.
- Navigate to the
ASSET_ROOT/Projects/Terrain
folder. - Enter SFTerrain as the name of your project, and click Save. The new project appears in the Asset Manager when you select ASSET_ROOT/Projects/Terrain in the asset navigation tree.
Build a Terrain Project
As with the imagery project, in this exercise, you build the terrain project right away.
In the Asset Manager, right-click SF Terrain.
Select Build from the context menu.
The status of the project immediately changes to Queued and then In Progress.
Note
It could take a while for this project to build, depending on the speed of your workstation.
When the status of the terrain project build is Succeeded, go on to the next exercise.
Define a Vector Project
The following exercises cover how to define, configure, and build a vector project using the resources you created in the previous lesson.
You spend the majority of your time in Google Earth Enterprise Fusion configuring display rules for vector projects, determining how they look in Google Earth EC. Using the data in your vector source files, you can designate specific data for a variety of display purposes, such as road labels, features lines, and icons at viewing altitudes that are most appropriate for each feature. For example:
Add Resources to a Vector Project
Before specifying the display rules for this vector project, you must add the resource you created in Defining and Building Resources.
To add resources to a vector project:
Select Asset Manager from the Tools menu. The Asset Manager appears.
Click on the toolbar. The Vector Project Editor appears.
Click . The Open dialog appears.
Navigate to the
ASSET_ROOT/Resources/Vector
folder.Select CAHighways, and click Open. The CAHighways resource appears in the Vector Project Editor.
Repeat steps 3 through 5 to add USPopulation to the project. Notice that a check box appears next to each resource/layer in the project.
Check the box next to CAHighways.
Right-click CAHighways, and select Zoom to Layer from the context menu.
The roads in the CAHighways resource appear in the Preview pane.
Check the box next to USPopulation, switch to the Preview pane, and zoom out a bit.
Since this resource contains US census data by county, the outlines of counties across the US appear in the Preview pane as well as the roads in California.
Note
The name of the project does not appear in the Preview List pane. When you close the Vector Project Editor or uncheck the boxes next to the resources, the vector data disappears. You can reset the view, if desired, by pressing Ctrl+R.
In the Vector Project Editor, click USPopulation, and click to remove the US Population resource from the project. A message prompts you to confirm the deletion.
Click the OK button. The USPopulation resource disappears.
Note
Removing the resource from the project does not delete the resource. The resource remains intact and available for use by other projects. It is simply not part of this particular project any longer.
Select File > Save.
Navigate to the
ASSET_ROOT/Projects/Vector
folder.Enter CARoads as the name of your project, and click Save. The new project appears in the Asset Manager when you select ASSET_ROOT/Projects/Vector in the asset navigation tree.
Now you are ready to begin configuring the vector layer.
Configuring Layer Properties for a Vector Project
This exercise covers how to configure layer properties for your vector project. Layer properties determine a number of aspects of how your data appears and is accessed in Google Earth EC.
To configure layer properties:
In the Asset Manager, double-click CARoads in the
/ASSET_ROOT/Projects/Vector
folder. The Vector Project Editor appears and displays the resource you added in the previous lesson.Right-click CAHighways, and select Layer Properties from the context menu. The Layer Properties dialog appears.
Click Off next to Initial State to change it to On. Changing the initial state to On results in the CAHighways layer being automatically checked (turned on) in Google Earth EC.
Click the blank field next to LookAt. The Open dialog appears.
Navigate to
/opt/google/share/tutorials/fusion/KML
, selectSan Francisco View Oblique.kmz
, and click Open.When you specify a KML/KMZ file in this field, Google Earth EC users can fly directly to the specified camera view by double-clicking the layer.
The latitude and longitude of the selected KMZ file appear in the LookAt field. (You can only see the beginning of the latitude unless you expand the default column width.)
Click the OK button. You return to the Vector Project Editor.
Select File > Save. Google Earth Enterprise Fusion saves the vector project with the same name.
Configure Display Rules for a Vector Project
This exercise covers how to specify display rules for your vector project. Display rules determine how your data looks in Google Earth EC.
Each resource in a project is known as a layer. Each layer can have one set of display rules. Each display rule includes feature and label formatting that you specify and one or more filters for the selected layer. The filters for each display rule determine which data in the layer to apply that formatting to. For example, in this exercise, you will work with road data that includes major and minor highways. You might want the major highways to appear as blue lines and the minor highways as yellow lines. To accomplish that, you create two display rules for the layer–one for major highways and one for minor highways. The filter(s) for each rule determine which data are affected by that rule’s formatting specifications.
In this exercise, you create and modify a number of display rules for the CAHighways layer, so Google Earth EC displays the road information at the desired display levels with appropriate labels and formatting to distinguish between major freeways and other roads.
A key part of knowing how to configure display rules for vector data requires familiarity with the data fields in the source data. You can find information about the CAHighways layer of your vector project at this website:
https://nationalmap.gov/small_scale/mld/roadtrl.html
To configure a vector layer:
In the Vector Project Editor, right-click CAHighways, and select Configure Display Rules from the context menu.
The Display Rules dialog appears with the Feature tab in the foreground and the default select all rule highlighted.
When you first create a vector project, the default display rule–default select all–is the only rule listed for each layer. The filter for the default rule has no matching criteria, so it matches all data. This rule is considered the catch-all rule. It is designed to catch all of the data that does not match any other rules you create.
Tip
Google Earth Enterprise Fusion executes the display rules sequentially, based on the order in which they are listed on the Rules list. So you should always make the default select all rule the last one on the list.
First, Google Earth Enterprise Fusion attempts to match the filter specified for the first rule to the data in the resource. Then it applies the formatting specified for that rule to any matching data.
Next, it attempts to match the filter specified for the second rule to the remaining data in the resource (that is, data not selected for the first filter). It applies the formatting specified for that rule to any matching data.
Then, it applies the formatting you specify for the default select all rule (or the default formatting, if you do not change it) to any data that does not match the previous rules on the list, if any. This ensures that all vector data for the layer is displayed.
Configure the Default Select All Rule
In this part of the exercise, you define the default select all rule. This rule applies to all of the surface streets that are left after the highways and freeways are covered by other rules. You define the additional rules for highways and freeways later in this exercise, because they are based on this default rule.
To define the default select all rule:
Specify the geometry characteristics of the lines:
- For Draw Features As, select Lines.
- For Visibility, set the lower end of the range to 9, and the upper end of the range to 18.
- For Maximum Simplification Error, accept the default setting, 0.5.
- For Maximum Resolution Level, select 18. This sets visibility level and the point where the Google Earth Enterprise Fusion stops building the resource.
Check the box next to Draw As Roads, and specify the options related to road labels:
For Road Label Type, accept the default setting, Label.
Under Draw Style, for Line Color, set it to bright red.
For Line Width, enter 2.0.
For Elevation/Height Mode, accept the default setting, Clamp to Ground.
These settings display the roads as red lines when Google Earth EC is zoomed in fairly close.
In the Road Label section on the right:
Click the empty text field. The Label Format dialog appears. This option allows you to specify the text that appears on the label.
Click the Insert Field drop-down list to display the names of all of the fields in your source data.
Select NAME from the list. The string «NAME» appears in the text field.
Click OK. The string «NAME» appears in the Text field. The Display Rule dialog shows all of your selections. These settings result in Google Earth EC displaying the value of the NAME column for each road in your source data.
Click the OK button to save your display rule.
Verify that the display rule does what you intend:
Ensure that nothing is listed in the Preview List pane. If one or more assets are listed, right-click any asset, and select Remove All Layers from the context menu; then click OK to confirm the removal.
In the Vector Project Editor, check the box next to CAHighways.
Right-click CAHighways, and select Zoom to Layer from the context menu.
No roads appear because your display level is approximately 7, and you set the visibility level to between 9 and 18 in the Display Rules dialog.
Zoom in to a display level of just over 9. Red lines appear for the roads in the Preview pane.
Note
Labels for vector projects do not appear in the Preview pane.
Zoom out to a display level less than 9. The roads disappear from the Preview pane.
Save the vector project by selecting Save from the File menu in the Vector Project Editor.
This saves the project with the same name. If you want to save a project you create outside this tutorial with a different name, you can select Save As from the File menu, and follow the instructions in Add Resources to a Vector Project.
Note
Whenever you modify display rules or filters for your data, it is a good idea to save the project.
Display Rules for Major Freeways
This exercise guides you through creating the display rules necessary to achieve the desired appearance for the major freeways in the San Francisco Bay Area. When you finish this exercise, you should have a good understanding of the use of filters in managing complex data.
When setting display rules for vector data, it is critical that you are familiar with the source data you are working with and have an understanding of the fields used to classify different types of vector data. In the source data for this tutorial, the FEATURE column sorts the roads and highways into the following types:
- Principal Highway
- Other Through Highway
- Other Highway
- Limited Access Highway
In this exercise, you create a second filter and use the FEATURE column values to distinguish the limited access highways (major freeways) from other types of highways and roads, and then display them appropriately.
To define a display rule for major freeways:
In the Vector Project Editor, right-click CAHighways, and select Configure Display Rules from the context menu.
The Display Rules dialog appears with the Feature tab in the foreground and the default select all rule highlighted.
Click at the bottom-left of the dialog. The New Rule dialog appears.
Enter Major Freeways in the New Rule Name field, and click OK. The new rule name appears on the Rules list below the default select all rule.
Click to move the new rule up, so it appears before the default select all rule.
Because Google Earth Enterprise Fusion applies display rules in the order in which they appear on this list, the MajorFreeways rule must appear before the catch-all rule (default select all), which covers all data not covered by other rules.
On the Feature tab, specify the geometry characteristics for the Major Freeways rule:
- For Draw Features As, select Lines.
- For Visibility, set the low end of the range to 9 and the high end of the range to 18.
- For Maximum Simplification Error, accept the default setting, 0.5.
Check the box next to Draw as Roads (if it is not already checked).
For Road Label Type, select Shield.
Under Draw Style, for Line Color, set it to royal blue.
For Line Width, enter 3.0.
Under Elevation/Height, for Mode, accept the default, Clamp to Ground.
These settings display the roads as thick blue lines when Google Earth EC is zoomed in fairly close.
In the Road Label section, accept the current settings.
In the Road Shield section on the right, click the button next to Icon. The Icons dialog appears.
Scroll down, and select shield1, and click OK.
The Display Rule dialog shows all of your selections.
Click the Filter tab, and specify the filter for the Major Freeways rule:
Accept the default selection, Match all of the following, at the top of the tab.
Click More at the bottom of the tab.
Two drop-down lists and a text box appear on the list of filters.
Select FEATURE from the left drop-down list.
Select equals from the other drop-down list.
Enter Limited Access Highway in the text field.
The Filter tab shows your selections.
Click the OK button to save your changes to the display rule.
When this data is displayed in Google Earth EC, this filter causes the display settings on the Feature tab to be applied only to the road segments in your source data with the value Limited Access Highway in their FEATURE column.
Verify that both filters and rules are working correctly:
In the Vector Project Editor, check the box next to CAHighways, if it is not already checked.
Zoom in to a display level between 9 and 18, if necessary.
Both thin red roads and thicker blue roads appear in the Preview pane. The thicker blue roads are the roads defined in the MajorFreeways filter, and the thinner red roads are the rest of the roads in the source data, which are defined by the default select all filter.
Save the vector project by selecting Save from the File menu in the Vector Project Editor.
This saves the project with the same name.
Build a Vector Project
As with imagery and terrain projects, in this exercise, you build the vector project as soon as you finish configuring display rules.
In the Asset Manager, right-click CARoads.
Select Build from the context menu.
The status of the project immediately changes to Queued and then In Progress.
When the status of the vector project build is Succeeded, close the Asset Manager by clicking the close box (X), and go on to the next lesson.


Posted on August 13, 2014 at 11:00 AM CST
Going into a pairing session can sometimes be an intimedating experience. Especially when you have never met your partner before and you aren't supposed to look at any of the material beforehand. Below is my experience with pairing and receiving feedback from others.
When going into a pairing session I like to make things as comfortable as possible. Before my new pair and I start on any work I like to ask them how they are doing and have a little conversation to get to know them better. I have found that this will make it easier for both parties to speak up later in the exercise and more likely to voice their opinion.
Personally, I enjoy pairing with others. I have found that more often than not I benfit technically from pairing sessions. I also find myself more engaged when I have someone right there with me. I am not as easily distracted or as easily discouraged.
When I recieved my feedback I was a little upset but not surprised. I was not upset with the individual giving the feedback, I was more upset with myself. There seemed to be a trend in my feedback that said I was lacking technically. I knew this prior to reading feedback, but it hit harder seeing it in print. I don't want to make excuses, but I was working 50+ hours a week and attempting to complete all my assigned work on time. I realized last week that I can't do both, or at least be successful at both DBC and work, so I quit. No more excuses and now that I have a lot more time to study, I am hoping that I can contribute more technically to pairing sessions.
Now that I have focused on the negative feedback, time for the positive. On almost all my feedback I got "always" on giving 100%, making my pair feel respected, and the culture benfited from me being on the team. For those of you keeping score at home that is 1 negative to 3 positives! I am really happy about the positive feedback, because technically lacking is a very specific thing that I can work on. When people enjoy working with you and feel respected by you that is something that is hard to teach. It is a much more abstract concept that is not as easily defined as "technically lacking." Overall, I liked the pairing sessions and found the feedback helpful.
Today (August 13th) in 1521 after a three-month siege, the Aztec capital of Tenochtitlan fell to the Spanish conquistadors, marking the end of one empire and the rise of another.


| Previous: kuñj | Next: kuṇṭh |
secondary: causative: kuṭṭayati etc. kuṭṭita -kuṭṭya E.+
derivatives: -kuṭṭa E.+ -kuṭṭaka C. kuṭṭana C.
Perhaps a prakritized form of 1kṛt. The forms avakuṭya and prakuṭya (BR. √2kuṭ) are only the usual and permitted abbreviations of -kuṭṭya.


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The Alien Factor
USA. 1978. Director/Screenplay/Producer - Donald M. Dohler, Photography - Britt McDonough, Music - Kenneth Walker, Special Effects/Makeup Effects - McDonough, John Cosetino & Larry Schlechter, Title Sequence/Additional Photographic Effects - Ernest D. Farino. Production Company - Cinemagic Visual Effects. Don Leifert (Dr Benjamin Zachary), Mary Martens (Edie Martin), Richard Dyszel (Mayor Burt Wicker), Tom Griffith (Sheriff Jack Cinder), Anne Frith (Dr Ruth Sherman), George Stover (Steve Price), Richard Geiwitz (Deputy Pete Evans), Eleanor Herman (Mary Jane Carter)
Plot: The small town of Perry Hall, Maryland, is struck by a series of killings which are taken to be caused by a wild animal. But an investigating astronomer discovers an alien spaceship and that the killings are really the result of three escaped alien zoo animals.
`The Alien Factor' is a low-budget film regionally (Baltimore) made by Donald Dohler. Dohler is perhaps better known to some as editor of `Cinefex' magazine in the late 1970s/early 1980s which for awhile was __the__ magazine for all amateur film-makers wanting to learn how to achieve professional effects on shoestring budgets. A sense of fannish enthusiasm infuses `The Alien Factor' even if it doesn't emerge as a particularly good film. It has been unfairly read and promoted as a really bad film by the Incredibly Strange Film Festival - which it isn't at all. It has an interestingly original central idea - the rampaging monsters are really escaped animals from an alien zoo ship - and an effective twist ending. One suspects that if the basic film could have been made by a company like AIP or New World on B-budget resources and with a better director that it could have emerged as a worthwhile minor B effort. Unfortunately Dohler is hampered by a lack of budget and resources. The actors are amateurs - although none give truly bad performances. The photography is poor - the film is very dim and hard to see - and there is a tinny synthesizer soundtrack that sounds like it has been laid down on a pocket tape recorder. Dohler is not really that good a director either - even with the film's lack of resources he could have milked many of the scenes for far more suspense and atmosphere than he does. Nevertheless when it comes to what is clearly Dohler's forte - conducting professional effects on a zero budget - the film displays far more enterprising virtue than many better-budgeted films. There is some rather weak stop-motion at the climax, but certainly some imagination has been placed into making the other creatures look definitely non-human - a furred creature that seems to walk on three-toed stilts is particularly striking. And there is a particularly good vision of Earth seen from space at the start of the film.
Screening at the Christchurch 1998 Incredibly Strange Film Festival Reviewed by Richard Scheib
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Unnamed Plains [ak43], plain, in Catarack Island, peasants: 121
Last updated Turn #99
Unnamed Plains [ak43], plain, in Catarack Island, peasants: 121
------------------------------------------------------------------------
30: It is no longer windy.
30: The population grows by one peasant.
Routes leaving Unnamed Plains:
North, mountain, to Three Sisters [aj43], 10 days
East, mountain, to Three Sisters [ak44], 10 days
Garrison [gv0r], garrison, Mandor Confederacy, with six peasants
South, plain, to Unnamed Plains [al43], 7 days
West, to Ocean [ak42], The Inner Sea, 2 days
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Spirit [hr6r], spirits, number: 9


| Home > Documentation > Configuring and administering > Administering Security > Certification Authority |
This release of Apache Geronimo allows you to define your own Certification Authority (CA) and issue certificates in reply to Certificate Signing Requests (CSR).
The Certification Authority portlet is avaiable by clicking Certificate Authority on the left menu in the Geronimo Administration Console.The first time you call this porlet the CA is not yet configured so you will see a screen similar to this one.
Click on Setup Certification Authority to configure Geronimo as a CA.
This process is somewhat similar to defining keystores and certificates as covered in the Administering certificates, this is in the sense that you should be prepared to provide similar type of information.
The first step is defining the Certification Authority details as illustrated in the following image. The information entered in this form will be used to create the Certification Authority and respective self-signed key pairs.
This is an "information gathering" step, at this point you are not creating any certificates yet. Click on Review CA Details and then on Setup Certification Authority.
Once created you will see a confirmation message CA Setup is successful! along with the details for the certificate you just created.
Next time you access the Certification Authority portlet you should see the the CA you just created. From this portlet now you can manage CSRs, review and issue certificates.
The Certificate Properties File Realm section cover in great detail how to create a new keystore and certificate and how to create a CSR and then import the CA's reply. In this section we will focus on how the CA manages and signs the client CSR.
We will start from the point where you generate the CSR, here is the example we used for the Certificate Properties File Realm section.
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