:: com :: sun :: star :: ui ::
|
| unpublished |
interface XContextChangeEventMultiplexer |
|
|
|
- Usage Restrictions
- not published
- Description
- Provide a central access point for a group of events.
Listeners can be added with a simple restriction on the event source.
They are only called for events that originate at the specified source.
Event providers can broadcast an event to all interested listeners.
The XEventMultiplexer interface is typically implemented as a singleton
|
| Methods' Details |
addContextChangeEventListener
- Description
- Add an event listener that is called only when events are broadcast for the specified
event focus.
- Parameter xListener
- An empty reference results in an InvalidArgumentException.
One listener may be added more than once for different
event foci. Adding a listener a second time for the same
event focus results in an InvalidArgumentException.
- Parameter xEventFocus
- An empty reference is a valid value. In this case the
registered listener will be called for every event
broadcast, regardless of its event focus.
The event focus may or may not be the source of the event.
A typical example for an event focus is the XController of
a view. Using an XController restricts events passed to
a listener to events that belong to one view.
- Throws
- com::sun::star::lang::IllegalArgumentException
|
|
removeContextChangeEventListener
- Description
- Remove an event listener for the specified event focus.
When the same listener was added for other event foci then
these associations remain unmodified.
- Parameter xListener
- An empty reference results in an InvalidArgumentException.
When the listener is not registered for the given event
focus then an InvalidArgumentException is thrown.
- Parameter xEventFocus
- The listener is only removed for this event focus.
An empty reference is a valid value.
- Throws
- com::sun::star::lang::IllegalArgumentException
|
|
removeAllContextChangeEventListeners
- Description
- Remove an event listener for all event foci.
- Parameter xListener
- An empty reference results in an InvalidArgumentException.
It is not an error when the listener is not registered for any event focus.
- Throws
- com::sun::star::lang::IllegalArgumentException
|
|
broadcastContextChangeEvent
- Description
- Call all event listeners that where added for the specified event focus.
|
|
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Copyright © 2013, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


Some of the richest, smartest and most powerful humans have an important message for the rest of us
as they convened this week to discuss pressing global issues: the robots are coming.
At the Milken Institute's Global Conference in Beverly Hills, Calif., at least four panels so
far have focused on technology taking over markets to mining -- and most importantly, jobs.
"Most of the benefits we see from automation is about higher quality and fewer errors, but in
many cases it does reduce labor," Michael Chui, a partner at the McKinsey Global Institute, said
on Tuesday during a panel on "Is Any Job Truly Safe?"
The four-day annual conference, which began on Sunday, has 3,500 invite-only participants exploring
"The Future of Human Kind."
Technology has not only done away with low-wage, low-skill jobs, some of the more than 700 speakers
said. They cited robots operating trucks in some Australian mines; corporate litigation software
replacing employees with advanced degrees who used to sift through thousands of documents prior to
trials; and on Wall Street, the automation of jobs previously done by bankers with MBAs or PhDs.
"Anyone whose job is moving data from one spreadsheet to another ..., that's what is going
to get automated," said Daniel Nadler, chief executive of Kensho, a financial services analytics
company partly owned by Goldman Sachs Group Inc.
"Goldman Sachs will be in here in 10 years, JPMorgan will be here. They're just going to be
much more efficient in terms of operating leverage and headcount," he added.
Big banks have slashed tens of thousands of jobs in recent years as businesses like bond trading
have become less profitable. Under tremendous pressure from investors to boost profits, but unable to
grow revenue much, banks have increasingly turned to technology to reduce costs.
A Citigroup Inc. report in March suggested that more pain is on the way for financial industry
staff. Citi's analysts predicted a 30 percent drop in banking jobs across the United States and
Europe over the next decade.
Milken panelists noted technology's impact on work far beyond Wall Street.
Martin Ford, an author and entrepreneur, argued that while the so-called gig economy has created
temporary jobs for independent contractors, the next step is to get rid of them. The ride-hailing
service Uber, for example, is investing heavily in building cars that do no need drivers, he said.
David Siegel, co-chairman of the quantitative hedge fund Two Sigma, blamed technology for income
problems that have led to political upheavals around the world over the past several years.
"One of the big causes for the stagnation of middle class wages is essentially because of
clever computer programs," Siegel said during a panel about artificial intelligence.
Some panelists were less dire in their assessments.
Billionaire investor Steve Cohen said it would take awhile before robots replace stockpickers like
himself. Kate Mitchell, co-founder of Scale Venture Partners, said freelance sites have allowed
workers to supplement their income.
"It's easy to villainize technology," she said, "but there is a lot of
opportunity there at the same time."
(Reporting by Olivia Oran in Los Angeles; Additional reporting by Lawrence Delevingne and Michael
Flaherty in Los Angeles; Writing by Lauren Tara LaCapra in New York; Editing by Richard Chang)
Latest News and Headlines from Reuters


The unexamined life is not worth living– Socrates
The limits of my language mean the limit of my world.
Entities should not be multiplied unnecessarily – William of Ockham
The life of man (in a state of nature) is solitary, poor, nasty, brutish, and short – Thomas Hobbes
I think therefore I am ( Cogito, ergo sum ) – René Descartes
If you would be a real seeker after truth, it is necessary that at least once in your life you doubt, as far as possible, all things – René Descartes
Happiness lies in virtuous activity, and perfect happiness lies in the best activity, which is contemplative – Aristotle
I can control my passions and emotions if I can understand their nature – Spinoza
Philosophers have hitherto only interpreted the world in various ways; the point, however, is to change it – Karl Marx
It is wrong always, everywhere and for everyone, to believe anything upon insufficient evidence – W. K. Clifford
Virtue is nothing else than right reason – Seneca the Younger
Freedom is secured not by the fulfilling of one's desires, but by the removal of desire – Epictetus
In everything, there is a share of everything – Anaxagoras
A little philosophy inclineth man's mind to atheism; but depth in philosophy bringeth men’s minds about to religion – Sir Francis Bacon
The brave man is he who overcomes not only his enemies but his pleasures – Democritus
Good and evil, reward and punishment, are the only motives to a rational creature – John Locke
To do as one would be done by, and to love one's neighbor as oneself, constitute the ideal perfection of utilitarian morality – John Stuart Mill
Everything that exists is born for no reason, carries on living through weakness, and dies by accident – Jean-Paul Sartre
Man is the measure of all things – Protagoras
Man will never be free until the last king is strangled with the entrails of the last priest


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8
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New
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Botanical
Garden
PLANTS
OF
PUERTO
RICO
Jasminum
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Veil.
OLEACEAE
det.
C.M.
Taylor
1987
Municipio
de
Guayama:
along
rte
7740
ca.
1.5
miles
S
of
its
intersection
with
rte
3,
at
the
beginning
of
the
mangroves,
along
a
road
running
through
manglar.
Common
vine
climbing
to
2-3
m,
corollas
brioht
white.
Taylor
#
6363
2
Nov.
1985
01071688
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


For this demo we are using filepreviews.js a very simple client library for the FilePreviews.io service. This library will allow any client side application to generate file preview images and metadata without a server.
For some files like PSD we can extract previews from all layers and even text. For PDF or Word documents we can extract all pages and all the text. For image files we can even do OCR.
Let us know what you think: hello@getblimp.com


Privacy Statement
Our Promise
Your information remains confidential. We pledge to regard your privacy with the highest degree of respect.
Our Policy
All information related to the transactions of Botanical.com customers is considered highly confidential. Transaction information about our customers is never rented, loaned, or sold to any third party. We believe that our customers have a right to know what information we might collect about them and why. We will personally address any privacy question or concern with any of our customers. Please e-mail Customer serive with any questions.
Order Confirmation
We will send email to acknowledge your orders with us. Under no circumstances would we ever expose any of your financial information (e.g. credit card number) in email.
We Use The Toughest Encryption We Can
Our computers are set up to automatically use the highest level of encryption that your web browser (such as Internet Explorer or Netscape) can legally handle. We maintain full 128-bit digital encryption certificate for your protection.
We Don't Charge You Until We Check & Ship
Your credit card is not billed until we ship what you paid for. We use a sophisticated form of address verification for all credit transactions to protect us and our customers against fraud. If the billing address for the credit card does not match the shipping address for a customer, we hold the order for verbal, personal verification. We are happy to arrange all manner of off-line payments (such as money orders and bank checks, personal checks, etc.) with you. E-mail us to arrange alternate payment methods. We vigorously pursue all attempts at intentional credit card fraud and will ignore any concept of confidentiality or privacy when dealing with fraudulent transactions.
You Have a Right to Complain
If you believe we have violated your trust for any reason, at any time, in any manner we will respond immediately. We pledge to resolve any problem to your satisfaction or work with your choice of recognized consumer advocate towards resolution. We are committed to your personal satisfaction with each and every purchase you make from Botanical.com. Of course, we "can't fix what we don't know is broke," and we sincerely appreciate the rare opportunity to hear that we should have worked harder for your business.
|


QUIC HostStack¶
The quic plugin provides an IETF QUIC protocol implementation. It is based on the quicly library.
This plugin adds the QUIC protocol to VPP’s Host Stack. As a result QUIC is usable both in internal VPP applications and in external apps.
Maturity
This plugin is under current development: it should mostly work, but has not been thoroughly tested and should not be used in production.
Only bidirectional streams are supported currently.
Getting started¶
A common sample setup is with two vpp instances interconnected #twovppinstances
Ensure your vpp configuration file contains
session { evt_qs_memfd_seg }
Then run
session enable
in the debug cli (vppctl)
This plugin can be tested in the following cases.
Internal client¶
This application is a simple command to be run on the debug cli to test connectivity & throughput on QUIC over the debug cli (vppctl). It does not reflect reality and is mostly used for internal tests.
Run
test echo server uri quic://<IP_ADDRESS>/1234
on your first instanceThen
test echo client uri quic://<IP_ADDRESS>/1
on the second one
Source for the internal client lives in src/plugins/hs_apps/echo_client.c
External client¶
This setup reflects the use case of an app developer using vpp to create a quic client / server. The application is an external binary that connects to VPP via its binary API.
After having setup two interconnected vpps, you can attach the quic_echo binary to each of them.
The binary can be found in
./build-root/build-vpp[_debug]-native/vpp/bin/quic_echo
To run the client & server use
quic_echo socket-name /vpp.sock client|server uri quic://<IP_ADDRESS>/1234
Several options are available to customize the amount of data sent, number of threads, logging and timing.
The behavior of this app when run with nclient 2/4
is two first establish 2 connections with the given peer, and once everything has been opened start opening 4 quic streams, and transmit data. Flow is as follows.
This allows timing of either the whole setup & teardown or specific phases in assessing the protocol’s performance
Source for the internal client lives in src/plugins/hs_apps/sapi/quic_echo.c
VCL client¶
The hoststack exposes a simplified API call the VCL (blocking posix like calls), this API is used by a sample client & server implementation that supports QUIC, TCP and UDP.
The binaries can be found in
./build-root/build-vpp[_debug]-native/vpp/bin/
Create the VCL conf files
echo "vcl { api-socket-name /vpp.sock }" | tee /tmp/vcl.conf]
For the server
VCL_CONFIG=/tmp/vcl.conf ; vcl_test_server -p QUIC 1234"
For the client
VCL_CONFIG=/tmp/vcl.conf ; vcl_test_client -p QUIC <IP_ADDRESS> 1234"
Source for the internal client lives in src/plugins/hs_apps/vcl/vcl_test_client.c
A basic usage is the following client side
#include <vcl/vppcom.h>
int fd = vppcom_session_create (VPPCOM_PROTO_QUIC);
vppcom_session_tls_add_cert (/* args */);
vppcom_session_tls_add_key (/* args */);
vppcom_session_connect (fd, "quic://<IP_ADDRESS>/1234"); /* create a quic connection */
int sfd = vppcom_session_create (VPPCOM_PROTO_QUIC);
vppcom_session_stream_connect (sfd, fd); /* open a quic stream on the connection*/
vppcom_session_write (sfd, buf, n);
Server side
#include <vcl/vppcom.h>
int lfd = vppcom_session_create (VPPCOM_PROTO_QUIC);
vppcom_session_tls_add_cert (/* args */);
vppcom_session_tls_add_key (/* args */);
vppcom_session_bind (fd, "quic://<IP_ADDRESS>/1234");
vppcom_session_listen (fd);
int fd = vppcom_session_accept (lfd); /* accept quic connection*/
vppcom_session_is_connectable_listener (fd); /* is true */
int sfd = vppcom_session_accept (fd); /* accept quic stream */
vppcom_session_is_connectable_listener (sfd); /* is false */
vppcom_session_read (sfd, buf, n);
Internal Mechanics¶
QUIC constructs are exposed as follows:
QUIC connections and streams are both regular host stack session, exposed via the API with their 64bits handle.
QUIC connections can be created and destroyed with regular
connect
andclose
calls withTRANSPORT_PROTO_QUIC
.Streams can be opened in a connection by calling
connect
again and passing the handle of the connection to which the new stream should belong.Streams can be closed with a regular
close
call.Streams opened by peers can be accepted from the sessions corresponding to QUIC connections.
Data can ba exchanged by using the regular
send
andrecv
calls on the stream sessions.
Data structures¶
Quic relies on the hoststack constructs, namely applications, sessions, transport_connections, and app_listeners. When listening on a port with the quic protocol, an external application :
Attaches to vpp and register an
application
It creates an
app_listener
and aquic_listen_session
.The
quic_listen_session
relies on atransport_connection
(lctx
) to access the underlyingudp_listen_session
that will receive packets.Upon connection request, we create the same data structure (
quic_session
,qctx
,udp_session
) and pass a handle to thequic_session
in the accept callback to acknowledge the creation of a quic connection. All further UDP datagrams for the peers at each end of the connection will be exchanged through theudp_session
Upon receiving a Stream opening request, we create the
stream_session
and its transportsctx
and pass the handle to thestream_session
back to the app. Here we don’t have any UDP datastructures, as all datagrams are bound to the connection.
Those structures are linked as follows :


I’ll admit, VFX breakdown reels are my guilty pleasure. I prefer the hands on approach to producing, and enjoy working closely and openly with my team. I’m highly motivated, super passionate, and not afraid of stepping out of my comfort zone.
Most importantly: I get the job done.


The goal of runr is to make working with running data easier.
You can install the development version of runr from Github with:
To see how I used these functions to prepare for the 2019 California International Marathon, check out my blog posts.
Let’s say I am preparing to run a marathon, and I want to see how fast I would need to run to hit my goals. First, let’s set some goals:
# Setting Goals for Exemplary Purposes
goal_dist <- 26.2 # Marathon distance in miles
goal_pace <- "08:01" # Pace in minutes per mile
goal_time <- "03:30:00" # Total time in hours, minutes, and seconds.
calc_time(goal_dist, goal_pace) # See below section for why runr isn't perfectly precise right now.
#> [1] "03:30:02"
calc_pace(goal_dist, goal_time)
#> [1] "08:01"
calc_dist(goal_time, goal_pace)
#> [1] 26.19543
Now that I know my goal time, let’s see how long into the race I should be at during each mile.
calc_splits(goal_dist, goal_time)
#> distance splits
#> 1 1.0 08:01
#> 2 2.0 16:02
#> 3 3.0 24:03
#> 4 4.0 32:04
#> 5 5.0 40:05
#> 6 6.0 48:06
#> 7 7.0 56:07
#> 8 8.0 01:04:08
#> 9 9.0 01:12:09
#> 10 10.0 01:20:10
#> 11 11.0 01:28:11
#> 12 12.0 01:36:12
#> 13 13.0 01:44:13
#> 14 14.0 01:52:14
#> 15 15.0 02:00:15
#> 16 16.0 02:08:16
#> 17 17.0 02:16:17
#> 18 18.0 02:24:18
#> 19 19.0 02:32:19
#> 20 20.0 02:40:20
#> 21 21.0 02:48:21
#> 22 22.0 02:56:22
#> 23 23.0 03:04:23
#> 24 24.0 03:12:24
#> 25 25.0 03:20:25
#> 26 26.0 03:28:26
#> 27 26.2 03:30:02
We haven’t formally told any of these functions that I am counting miles and not kilometers. I’m just more used to minute-per-mile pacing. But what if I wanted to know what my marathon training stats in kilometers?
Currently, runr
is not very precise due to the amount of rounding errors. The rounding errors were a quick fix for pretty printing. For now, this is okay, though I would eventually prefer it to be even more precise.
Currently runr
really only has functionality to plan theoretical runs. In the future, I am hoping that it will work with real-world running data.
There are dependencies on stringr
and lubridate
.
The only reason that stringr
is a dependency is because of stringr::str_pad
. I tried some alternatives, like sprintf()
, but depending on my inputs I kept getting errors. I’m hoping to remove the stringr
dependency, as it seems unnecessary. I’ll keep working on a pad function that I am happy with.
I am okay with the lubridate
dependency, even though the functions used could be replaced with base functions, because in the future I imagine there will be more need to rely on it. If not, though, I’ll practice base r by creating base equivalents.


UTF-8 Arrows
Range: Decimal 8592-8703. Hex 2190-21FF.
If you want any of these characters displayed in HTML, you can use the HTML entity found in the table below.
If the character does not have an HTML entity, you can use the decimal (dec) or hexadecimal (hex) reference.
Example

I will display ←

I will display ←

I will display ←

Will display as:
I will display ←
I will display ←
I will display ←
Try it yourself »
|
Older browsers may not support all the HTML5 entities in the table below. Chrome has good support. But (currently) only IE 11+ and Firefox 35+ support all the entities. |
| Char | Dec | Hex | Entity | Name |
|---|---|---|---|---|
| ← | 8592 | 2190 | ← | LEFTWARDS ARROW |
| ↑ | 8593 | 2191 | ↑ | UPWARDS ARROW |
| → | 8594 | 2192 | → | RIGHTWARDS ARROW |
| ↓ | 8595 | 2193 | ↓ | DOWNWARDS ARROW |
| ↔ | 8596 | 2194 | ↔ | LEFT RIGHT ARROW |
| ↕ | 8597 | 2195 | UP DOWN ARROW | |
| ↖ | 8598 | 2196 | NORTH WEST ARROW | |
| ↗ | 8599 | 2197 | NORTH EAST ARROW | |
| ↘ | 8600 | 2198 | SOUTH EAST ARROW | |
| ↙ | 8601 | 2199 | SOUTH WEST ARROW | |
| ↚ | 8602 | 219A | LEFTWARDS ARROW WITH STROKE | |
| ↛ | 8603 | 219B | RIGHTWARDS ARROW WITH STROKE | |
| ↜ | 8604 | 219C | LEFTWARDS WAVE ARROW | |
| ↝ | 8605 | 219D | RIGHTWARDS WAVE ARROW | |
| ↞ | 8606 | 219E | LEFTWARDS TWO HEADED ARROW | |
| ↟ | 8607 | 219F | UPWARDS TWO HEADED ARROW | |
| ↠ | 8608 | 21A0 | RIGHTWARDS TWO HEADED ARROW | |
| ↡ | 8609 | 21A1 | DOWNWARDS TWO HEADED ARROW | |
| ↢ | 8610 | 21A2 | LEFTWARDS ARROW WITH TAIL | |
| ↣ | 8611 | 21A3 | RIGHTWARDS ARROW WITH TAIL | |
| ↤ | 8612 | 21A4 | LEFTWARDS ARROW FROM BAR | |
| ↥ | 8613 | 21A5 | UPWARDS ARROW FROM BAR | |
| ↦ | 8614 | 21A6 | RIGHTWARDS ARROW FROM BAR | |
| ↧ | 8615 | 21A7 | DOWNWARDS ARROW FROM BAR | |
| ↨ | 8616 | 21A8 | UP DOWN ARROW WITH BASE | |
| ↩ | 8617 | 21A9 | LEFTWARDS ARROW WITH HOOK | |
| ↪ | 8618 | 21AA | RIGHTWARDS ARROW WITH HOOK | |
| ↫ | 8619 | 21AB | LEFTWARDS ARROW WITH LOOP | |
| ↬ | 8620 | 21AC | RIGHTWARDS ARROW WITH LOOP | |
| ↭ | 8621 | 21AD | LEFT RIGHT WAVE ARROW | |
| ↮ | 8622 | 21AE | LEFT RIGHT ARROW WITH STROKE | |
| ↯ | 8623 | 21AF | DOWNWARDS ZIGZAG ARROW | |
| ↰ | 8624 | 21B0 | UPWARDS ARROW WITH TIP LEFTWARDS | |
| ↱ | 8625 | 21B1 | UPWARDS ARROW WITH TIP RIGHTWARDS | |
| ↲ | 8626 | 21B2 | DOWNWARDS ARROW WITH TIP LEFTWARDS | |
| ↳ | 8627 | 21B3 | DOWNWARDS ARROW WITH TIP RIGHTWARDS | |
| ↴ | 8628 | 21B4 | RIGHTWARDS ARROW WITH CORNER DOWNWARDS | |
| ↵ | 8629 | 21B5 | ↵ | DOWNWARDS ARROW WITH CORNER LEFTWARDS |
| ↶ | 8630 | 21B6 | ANTICLOCKWISE TOP SEMICIRCLE ARROW | |
| ↷ | 8631 | 21B7 | CLOCKWISE TOP SEMICIRCLE ARROW | |
| ↸ | 8632 | 21B8 | NORTH WEST ARROW TO LONG BAR | |
| ↹ | 8633 | 21B9 | LEFTWARDS ARROW TO BAR OVER RIGHTWARDS ARROW TO BAR | |
| ↺ | 8634 | 21BA | ANTICLOCKWISE OPEN CIRCLE ARROW | |
| ↻ | 8635 | 21BB | CLOCKWISE OPEN CIRCLE ARROW | |
| ↼ | 8636 | 21BC | LEFTWARDS HARPOON WITH BARB UPWARDS | |
| ↽ | 8637 | 21BD | LEFTWARDS HARPOON WITH BARB DOWNWARDS | |
| ↾ | 8638 | 21BE | UPWARDS HARPOON WITH BARB RIGHTWARDS | |
| ↿ | 8639 | 21BF | UPWARDS HARPOON WITH BARB LEFTWARDS | |
| ⇀ | 8640 | 21C0 | RIGHTWARDS HARPOON WITH BARB UPWARDS | |
| ⇁ | 8641 | 21C1 | RIGHTWARDS HARPOON WITH BARB DOWNWARDS | |
| ⇂ | 8642 | 21C2 | DOWNWARDS HARPOON WITH BARB RIGHTWARDS | |
| ⇃ | 8643 | 21C3 | DOWNWARDS HARPOON WITH BARB LEFTWARDS | |
| ⇄ | 8644 | 21C4 | RIGHTWARDS ARROW OVER LEFTWARDS ARROW | |
| ⇅ | 8645 | 21C5 | UPWARDS ARROW LEFTWARDS OF DOWNWARDS ARROW | |
| ⇆ | 8646 | 21C6 | LEFTWARDS ARROW OVER RIGHTWARDS ARROW | |
| ⇇ | 8647 | 21C7 | LEFTWARDS PAIRED ARROWS | |
| ⇈ | 8648 | 21C8 | UPWARDS PAIRED ARROWS | |
| ⇉ | 8649 | 21C9 | RIGHTWARDS PAIRED ARROWS | |
| ⇊ | 8650 | 21CA | DOWNWARDS PAIRED ARROWS | |
| ⇋ | 8651 | 21CB | LEFTWARDS HARPOON OVER RIGHTWARDS HARPOON | |
| ⇌ | 8652 | 21CC | RIGHTWARDS HARPOON OVER LEFTWARDS HARPOON | |
| ⇍ | 8653 | 21CD | LEFTWARDS DOUBLE ARROW WITH STROKE | |
| ⇎ | 8654 | 21CE | LEFT RIGHT DOUBLE ARROW WITH STROKE | |
| ⇏ | 8655 | 21CF | RIGHTWARDS DOUBLE ARROW WITH STROKE | |
| ⇐ | 8656 | 21D0 | ⇐ | LEFTWARDS DOUBLE ARROW |
| ⇑ | 8657 | 21D1 | ⇑ | UPWARDS DOUBLE ARROW |
| ⇒ | 8658 | 21D2 | ⇒ | RIGHTWARDS DOUBLE ARROW |
| ⇓ | 8659 | 21D3 | ⇓ | DOWNWARDS DOUBLE ARROW |
| ⇔ | 8660 | 21D4 | ⇔ | LEFT RIGHT DOUBLE ARROW |
| ⇕ | 8661 | 21D5 | UP DOWN DOUBLE ARROW | |
| ⇖ | 8662 | 21D6 | NORTH WEST DOUBLE ARROW | |
| ⇗ | 8663 | 21D7 | NORTH EAST DOUBLE ARROW | |
| ⇘ | 8664 | 21D8 | SOUTH EAST DOUBLE ARROW | |
| ⇙ | 8665 | 21D9 | SOUTH WEST DOUBLE ARROW | |
| ⇚ | 8666 | 21DA | LEFTWARDS TRIPLE ARROW | |
| ⇛ | 8667 | 21DB | RIGHTWARDS TRIPLE ARROW | |
| ⇜ | 8668 | 21DC | LEFTWARDS SQUIGGLE ARROW | |
| ⇝ | 8669 | 21DD | RIGHTWARDS SQUIGGLE ARROW | |
| ⇞ | 8670 | 21DE | UPWARDS ARROW WITH DOUBLE STROKE | |
| ⇟ | 8671 | 21DF | DOWNWARDS ARROW WITH DOUBLE STROKE | |
| ⇠ | 8672 | 21E0 | LEFTWARDS DASHED ARROW | |
| ⇡ | 8673 | 21E1 | UPWARDS DASHED ARROW | |
| ⇢ | 8674 | 21E2 | RIGHTWARDS DASHED ARROW | |
| ⇣ | 8675 | 21E3 | DOWNWARDS DASHED ARROW | |
| ⇤ | 8676 | 21E4 | LEFTWARDS ARROW TO BAR | |
| ⇥ | 8677 | 21E5 | RIGHTWARDS ARROW TO BAR | |
| ⇦ | 8678 | 21E6 | LEFTWARDS WHITE ARROW | |
| ⇧ | 8679 | 21E7 | UPWARDS WHITE ARROW | |
| ⇨ | 8680 | 21E8 | RIGHTWARDS WHITE ARROW | |
| ⇩ | 8681 | 21E9 | DOWNWARDS WHITE ARROW | |
| ⇪ | 8682 | 21EA | UPWARDS WHITE ARROW FROM BAR | |
| ⇫ | 8683 | 21EB | UPWARDS WHITE ARROW ON PEDESTAL | |
| ⇬ | 8684 | 21EC | UPWARDS WHITE ARROW ON PEDESTAL WITH HORIZONTAL BAR | |
| ⇭ | 8685 | 21ED | UPWARDS WHITE ARROW ON PEDESTAL WITH VERTICAL BAR | |
| ⇮ | 8686 | 21EE | UPWARDS WHITE DOUBLE ARROW | |
| ⇯ | 8687 | 21EF | UPWARDS WHITE DOUBLE ARROW ON PEDESTAL | |
| ⇰ | 8688 | 21F0 | RIGHTWARDS WHITE ARROW FROM WALL | |
| ⇱ | 8689 | 21F1 | NORTH WEST ARROW TO CORNER | |
| ⇲ | 8690 | 21F2 | SOUTH EAST ARROW TO CORNER | |
| ⇳ | 8691 | 21F3 | UP DOWN WHITE ARROW | |
| ⇴ | 8692 | 21F4 | RIGHT ARROW WITH SMALL CIRCLE | |
| ⇵ | 8693 | 21F5 | DOWNWARDS ARROW LEFTWARDS OF UPWARDS ARROW | |
| ⇶ | 8694 | 21F6 | THREE RIGHTWARDS ARROWS | |
| ⇷ | 8695 | 21F7 | LEFTWARDS ARROW WITH VERTICAL STROKE | |
| ⇸ | 8696 | 21F8 | RIGHTWARDS ARROW WITH VERTICAL STROKE | |
| ⇹ | 8697 | 21F9 | LEFT RIGHT ARROW WITH VERTICAL STROKE | |
| ⇺ | 8698 | 21FA | LEFTWARDS ARROW WITH DOUBLE VERTICAL STROKE | |
| ⇻ | 8699 | 21FB | RIGHTWARDS ARROW WITH DOUBLE VERTICAL STROKE | |
| ⇼ | 8700 | 21FC | LEFT RIGHT ARROW WITH DOUBLE VERTICAL STROKE | |
| ⇽ | 8701 | 21FD | LEFTWARDS OPEN-HEADED ARROW | |
| ⇾ | 8702 | 21FE | RIGHTWARDS OPEN-HEADED ARROW | |
| ⇿ | 8703 | 21FF | LEFT RIGHT OPEN-HEADED ARROW |


STORM AND SILENCE
GENRE:RANDOM
DESCRIPTION:Freedom – that is what Lilly Linton wants most in life.
Not marriage, not a brood of squalling brats, and certainly not love
,
thank you very much! But freedom is a rare commodity in 19th-century London,
where girls are expected to spend their lives sitting at home,
fully occupied with looking pretty.
Lilly is at her wits’ end – until
a chance encounter with a dark, dangerous and powerful stranger changes her
life forever... Enter the world of Mr Rikkard Ambrose, where the only rule is:
Knowledge is power is time is money!


2018 Advanced Digital Fabrication Students
Students
Jack Barnes
Chloe Beggs
Evan Bongers
Peter Campanelli
Trent Clarke
Ethan Ellis
Courtney Kidd
Chelsy Kim
Finn Lewis
Libby Russ
Zak Rutherford
Ran Tao
Spenser Valentine
George Wiggam
Arland Zatania
James Zhang
Back to index


| slider - A slider gadget handle |
|
SliderValue returns the current value, or position, of a slider gadget.
When a slider is dragged by the user, it generates gadget action events. The application can use SliderValue in response to these events to determine where the slider has been dragged to. See also: CreateSlider, SetSliderValue, SetSliderRange. |


If you need to customize browser's input you can use OkiInput. It wraps real browser's input with html structure that you can easly style to get proper result. OkiInput supports also place holder builded on span witch is much more flexible than just placeHolder attribute.
After initialization OkiInput adds class found in "data-css-class" attribute. Remember - real input is wrapped by some structure. Class from "data-css-class" will be added to root of that structure not the real input. That's why we need to put it in "data-css-class" instead of "class" attribute.


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/import.20order.html ---
Mario Carneiro said:
(modulo quirks where import order matters)
Does this really happen? Is it something like: we toss all the simp
lemmas that are transitively imported into some data structure, and then the order simp
tries them can depend on the order they were inserted?
That sounds right. Similarly with instances, as well as def_replacer
, which maintains exactly one definition with an attribute by removing the attribute from whatever had it previously
This actually happened a few weeks ago, where the simp_nf
linter suddenly failed after a merge to master: #2291 (The mk_all.sh
script generates import statements in a nondeterministic way, making this particularly interesting to debug.)
Should we replace mk_all
with a leanproject
command that will use, e.g., alphabetical order?
Personally, I would prefer if mk_all.sh
would generate just a single file with a few hundred imports (in alphabetical order). The current setup takes forever to compile.
So far we've tried to keep leanproject
out of the CI setup, but I'm not opposed to change that. The mk_all.sh
script is tiny though.
Last updated: Apr 24 2020 at 19:02 UTC


FEC approves Euro500m credit for Bank of Industry
by https://www.facebook.com/CheerfulpraiseAugustine Ehikioya, Abuja
The Federal Executive Council on Wednesday approved that 500 million Euro loan be sourced for the Bank of Industry from external creditors.
This was disclosed by the Minister of State Finance, Clement Agba, at the end of FEC meeting presided over by President Muhammadu at the Presidential Villa, Abuja.
According to him, the loan is to support industrialisation and agriculture, which will create up to 1.2 million new jobs.
“The credit guarantee is for up to five years and the Federal Government is the guarantor of the loan,” he stated.
The Attorney-General of the Federation and Minister of Justice, Abubakar Malami, also informed State House correspondents that the council approved a Justice Sector Policy for the country essentially to reform the sector by simplifying access to justice.
Read Also: Buhari signs Executive Order 009 towards open defecation-free Nigeria
The policy, he said, would ensure “speedy determination of justice”, “quality of justice” and “access to justice.”
He said the council also approved a memo seeking to repeal the Geneva Convention and re-enact it to “accord greater access to justice by prisoners of war.”
According to him, Nigeria was lagging behind the rest of the world in terms of certain rights and privileges for prisoners of war


Algeria seeks heavy sentences for ex-PMs accused of corruption
First trial resulting from sweeping investigations launched after President Abdelaziz Bouteflika stepped down in April.
The Algerian prosecutor's office has requested 20-year prison sentences for several former politicians accused of corruption, including two prime ministers who served under former President Abdelaziz Bouteflika, local media reported.
The trial is the first resulting from sweeping investigations into fraud allegations launched after Bouteflika stepped down in April in the face of mass protests which erupted in February against his bid for a fifth term.
More:
In all, 19 defendants - two former prime ministers, other prominent former politicians and automotive industry tycoons - face charges ranging from money laundering to abuse of office and granting undue privileges.
The state prosecutor is seeking a 20-year prison sentence for former Prime Ministers Ahmed Ouyahia and Abdelmalek Sellal, local media reported.
A similar sentence is requested for former Minister of Industry and Mines Abdeslam Bouchouareb, who is being tried in absentia as he has fled abroad.
It is the first time since Algeria's independence from France in 1962 that former prime ministers have been put on trial.
The proceedings have been dominated by accusations of illegal funding during Bouteflika's last election campaign this year.
The prosecutor on Sunday said the campaign had caused a loss to the public treasury estimated at 110 billion dinar ($920m).
Ouyahia and Sellal, and the other main defendants, have denied the accusations against them.
Sellal broke down on Sunday, swearing he had "not betrayed the country".
'I swear, I'm innocent'
The former president's jailed brother Said Bouteflika appeared in court on Saturday as a witness but refused to answer questions.
Speaking for the last time before the verdict, the main defendants maintained their innocence.
"I swear I am innocent, I was in charge of the [electoral] campaign for only a week," former Minister of Public Works and Transport Abdelghani Zaalane said on Sunday.
"I was a minister for only two-and-a-half months," said Mahdjoub Bedda, former industry minister.
The trial opened on Wednesday and the verdict will be delivered on Tuesday, two days before a contentious presidential election which protesters dismiss as an illegitimate attempt by the establishment to consolidate its power.
Former industry ministers Bedda and Youcef Yousfi each face 15 years in jail, while the prosecution is seeking eight-year prison sentences for the other defendants, according to the Algerian media reports.
The state prosecutor has also demanded that the property of the defendants be seized, and called for an international arrest warrant to be issued against Bouchouareb.


{% extends 'wizard/wizard_form.html' %} {% block step_name %} School Data {% endblock %} {% block help %}
Download the Excel template below and fill in the columns. View comments on the column headers to learn how each column affects the placement process.
Download School Data TemplateAfter you have filled in the template, upload the file and continue.
{% endblock %}


Provides a default implementation of the RV command used to send one's buddy list to another user. Also provides the data structure used to represent a group of buddies. @see net.kano.joscar.snaccmd.CapabilityBlock#BLOCK_SENDBUDDYLIST


3. Prerequisites and Dev Environment Setup
Created Saturday 10 July 2021
To work with Angular you need:
- HTML
- CSS
- TypeScript
To run Angular, you need:
- Node.js
- NPM
[npm](https://www.npmjs.com/)
- Angular CLI
- A text editor (preferably VSCode)
- A browser (preferably Google Chrome)
NOW: First Angular app!
npm i -g @angular/cli ng new firstAngular cd firstAngular ng serve
Backlinks: Angular


About
We provide learning tools and resources for the most in demand technology stacks
Our Locations
USA
New York
Austin
Philly
World
Upcoming Classes
Location
Topic
New York
JavaScript & jQuery
San Francisco
HTML & CSS
Sign Up!


class ConditionEvaluator
Created by JetBrains PhpStorm.
Date: 8/19/13 Time: 3:24 PM
Validate Conditions
Methods
| bool |
isMatching(ConditionCollection $conditions)
Check if an Event matches SerializableCondition |
|
| bool |
variableOpComparison(mixed $v1, string $o, mixed $v2)
Do variable comparison |
Details
at line 52
public bool
isMatching(ConditionCollection $conditions)
Check if an Event matches SerializableCondition
at line 76
public bool
variableOpComparison(mixed $v1, string $o, mixed $v2)
Do variable comparison


OECD forecast sees global growth at decade low
RIYADH: Institutional tranche and retail subscriptions to Saudi Aramco’s initial public offering have reached almost SR73 billion in less than a week, Samba Capital Vice-Chairman Rania Nashar said on Thursday.
“Retail and Institutional subscription levels for the first five days of the offering have reached an unprecedented scale, demonstrating the confidence of investors in Saudi Aramco, and we anticipate further increases in subscription levels during the remainder of the offering period,” she said.
Institutional subscriptions amounted to SR58.4 billion and 1.8 billion total subscribed shares. Retail subscriptions were worth SR14.6 billion, representing 1.8 million subscribers and 465 million total subscribed shares.
Samba Capital Vice-Chairman Rania Nashar
Earlier, it was announced that the Kingdom will sell 3 billion shares in Aramco during its stock market launch — representing about 1.5 percent of the total — at a valuation between SR30 ($8) and SR32 a share. This gives the business a total valuation of between $1.6 and $1.7 trillion, making it the most valuable company in history.
Investment professionals welcomed the valuation, which was below than the highest estimates of Aramco’s worth, as a “compromise” between the Kingdom and the financial world.
Setting a price range and the number of shares to be sold starts a “book-building” process during which Aramco and its advisers will consult potential investors and await bids from institutions and private investors to help decide at what price the shares will be sold. The final pricing decision will be announced on Dec. 5, with trading expected to start on the Tadawul shortly after.


The ultimate goal of Fossil Free Mac is to encourage Macalester to take steps towards divesting
from the fossil fuel industry. The immediate issue that we are currently focusing on is the 40 million
in private partnerships that Macalester has with the industry. These investments help fund fossil fuel
development projects that threaten our already fragile environment
and disrupt the land of historically
disadvantaged communities. This is an issue that concerns the future of the planet the
pursuit of environmental justice.
In the long term, we hope to achieve complete divestment from the fossil fuel industry.
Macalester has been a regional leader in on-campus sustainability initiatives, and making
our financial portfolio more sustainable is an obvious next step if we are to take this global
problem seriously.
An increasing amount of evidence is
showing that fossil fuel investments are becoming increasingly risky as the
fiscal performance of clean energy companies continues to improve. This can be
clearly seen through an
Arabella Advisors Global Divestment Report,
which found that over the past 10 years, the largest 100 coal and the largest 100 gas reserve owners
found a median cumulative return of negative 10 percent. In the same period of time, the 200
largest public clean energy companies experienced a return of 106 percent.
One threat that this may pose to Macalester's financial security is the very real possibility
of our current investments becoming stranded assets — a situation that becomes more likely as time goes on.
As Professor
Lord Stern of the London School of Economics put it,
"Smart investors can see that investing in companies that rely solely or heavily on constantly replenishing reserves of fossil fuels is becoming a very risky decision."
In essence, the soon divestment is achieved the lower
these financial risks become. As such, we encourage Macalester's administration
to reallocate our investments to safer long-term options.
We meet every Tuesday at 9pm on the second floor of the campus center. Everybody is welcome to
join this amazing group of people and help fight for a great cause. There's a place here for everyone,
no matter what your skills are. You can click here to get directions to where we meet.
Any changes to our typical meeting location will be communicated through our mailing list, which you
can join by filling out the text box at the very bottom of this page.
Fossil Free Mac regularly holds events on campus to address the issue, attends and promotes climate
activism events and groups, works with the administration to advance the goal of a clean
investment portfolio, and much more. We are highly receptive to the ideas of group members and
their thoughts on how to best achieve the goal of divestment.
In late 2017, we submitted our proposal to Macalester's Social Responsibility Committee,
outlining the reasons why we believe divestment to be the most prudent course of action. The more members we have, the better chance we have
of achieving our important goal.
One issue with the way Macalester's fossil fuel investments
are being presented is that they will not disclose the specific companies
that Macalester is invested in.
This lack of transparency makes it difficult to answer questions about the details of their
investments. Simply put: we don't know because they won't tell us.
However, we do know the tremendously negative impact that the fossil fuel industry has had on our planet.
And as climate change is an issue that
disproportionately impacts the poor, it is the most vulnerable among us that will suffer the most.
Macalester's investments directly support this injustice and as such must be redirected towards causes that
support their stated mission of social responsibility and global citizenship.


Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Serves
Serves 4
Roasting fish and veg is an easy way to make a healthy meal for four. Add a crunchy cheese and breadcrumb topping for a winning combination.
Preheat the oven to 200C/180C Fan/Gas 6. Put the onions, aubergine, peppers and squash on a large baking tray. Add the thyme and oil and mix until coated, then season. Roast for 35 minutes, or until golden and cooked.
Meanwhile, put the fish on a baking tray and season. Spread 2 teaspoons tomato purée on each fillet.
Pulse the bread in a food processor to make fine breadcrumbs. In a small bowl, mix 4 tablespoons breadcrumbs with the cheese. Sprinkle the mixture over each fillet and press down lightly. Cover the tray with kitchen foil and seal around the edges, then set aside. (Freeze any leftover breadcrumbs in a sealed bag to use another time)
After the vegetables have been roasting for 20 minutes, move them around the tray to make sure they’re cooking evenly. Put the fish in the oven and roast with the vegetables for 15 minutes.
Remove the foil from the fish and roast for another 5–10 minutes, or until golden and cooked through.
Mix the balsamic vinegar and spinach into the hot vegetables, then serve with the fish.


{% extends "main2017/base.html" %} {% block head %} {{ block.super }} {% endblock %} {% block jquery %} {{ block.super }} {% endblock %} {% block content %} {{ block.super }}
Instanssi is a festival of digital creativity in Jyväskylä, Finland. Instanssi is meant to be a beginner friendly event that anyone who is interested in digital culture can visit and enjoy. Instanssi offers workshops, presentations and a friendly creative environment. Unfortunately most of the website is currently only available in Finnish.
Competitions at Instanssi include classics such as demo, 4k demo, music, graphics, gamedev and random, which is meant to confuse the audience using any means necessary. One of the specialities of Instanssi are programmable lights, which can be used as a part of the compo entry.
You can ask questions and get more info on our IRC channel at #instanssi (on IRCnet).
{% endblock %}


Feel free to view the source code of this page to see how the demo is done. Back to the AJAX upload project page
You can style button as you want
Uploaded files:
You can make a list of allowed file types
Upload ImageYou can use Ajax Uploader with jQuery UI dialog
This script even works inside a form


Most Popular Authors
Show only the top:
{% for author, number in most_popular_authors %}
{{ author }}
Total number of books sold: {{ number }}
{% endfor %}
Most Popular Publishers
Show only the top:
{% for publisher, number in most_popular_publishers %}
{{ publisher }}
Total number of books sold: {{ number }}
{% endfor %}


DATA TYPES
Dragon data types are:
> Number - numbers (Integer,Float)
> String - strings
> Array - arrays
> Map - objects (an associative arrays)
> Object - object of class
> Function - functions
> Boolean - (true or false)
Since Dragon is dynamic programming language, which means that explicitly declare the types is not necessary.
u = ["text",12] // Array
v = {"key1":1,"key2":2} // Map
w = true // boolean
x = 10 // integer
y = 1.61803 // float
z = "abcd" // string
If some function requires string as argument, but number was passed, then numeric value will automatically converts to string.
x = 90
show x // Ok, 90 converts to "90"


Installation¶
Installation can be easily done using Docker.
Source Installation is a lengthy process, the notes for the same are here.
To install with Docker, first install git, Docker-CE and docker-compose (Install scripts work only on Unix based systems)
Follow the steps given in the official website of Docker. This varies from OS to OS.
Although, it is advisable not to use the default docker versions available in your OS’s repos, unless the Docker docs tell you to do so.
Once everything is installed, follow the following steps:
Steps¶
Clone the repository:
git clone https://github.com/grapheo12/iqps.git cd iqps
Go to https://developers.google.com/drive/api/v3/quickstart/python. Click on
Enable Drive API
then clickCreate
in the modal. It will generate acredentials.json
file. Move it toiqps/conf
folder inside the repo.Now in Google Drive top-level directory, open a new folder called (for example)
iqps_static
. This is where the uploaded question papers go.Run the install script for the first time:
./install.sh
This will ask for app permissions. Sign in with the account you used in step-3. Accept all risks.
You can move the project folder to the intended app server now, or (for development) you can keep it in the local machine. Run the install script FOR THE SECOND TIME. Provide the details as asked.
Wait till the logs look like following:
db_1 | 2020-05-25 16:37:33 0 [Note] mysqld: ready for connections. db_1 | Version: '10.4.12-MariaDB-1:10.4.12+maria~bionic' socket: '/var/run/mysqld/mysqld.sock' port: 3306 mariadb.org binary distribution
Then kill the process by hitting CTRL+C
.
Run the initialization script. It will ask for creation of super-user account:
./init.sh
Run (and daemonize) the app by executing:
docker-compose up -d
You can also stop the service by running:
docker-compose down
The next step is to configure a Server eg, Apache or Nginx to act as a Reverse-Proxy and serve the static files.
However, if you want to bring up a development system, setting up a server is unnecessary.
To do that, while the server is down, change MODE=prod
to MODE=dev
in iqps/conf/app.env
.
Also, in docker-compose.yml
change the line command: gunicorn iqps.wsgi -w 4 -b <IP_ADDRESS>:8000 --access-logfile /var/log/iqps/gunicorn.log
to command: python manage.py runserver <IP_ADDRESS>:8000
.


Next
Previous
Building a slideshow like pattern that can accurately cycle through a number of unknown divs, forwards and backwards. Trying to use as little code as possible. Leave a comment if you see a way to do it better!


Simple, professional automated front-end web testing. One-click testing for your entire site.
Full-site HTML validation, CSS validation, JavaScript static analysis and link integrity checking.


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Shipping
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Reports
Inventory - Pallet Detail Report
Inventory - By Warehouse
Shipping Report
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Transactions - Yearly
Bin Location Details
Zero Report
ReOrder Report
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Client Billing Reports
Products
Products
Bin Locations
Site
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1290 / DC
Sung-Whi Kim
logout
Home
Transactions
Transaction Finder
Receiving
Shipping
Advanced Receiving Notice
Advanced Shipping Notice
Warehouse Transfer
Reports
Inventory - Pallet Detail Report
Inventory - By Warehouse
Shipping Report
CSR Report
Transactions - Yearly
Bin Location Details
Zero Report
ReOrder Report
Billing Reports
Client Billing Reports
Products Maintenance
Products
Bin Locations
Site Maintenance
Clients
Warehouses
Customers
Carriers
Fees
Taxes
Users
User Groups
Menu Items
Countries
Provinces / States


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Enter Company Information
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Company Information
Company Name
Number of employees
EIN
Connect to your payroll provider
This will perform the sync of employee directory and payroll data
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| {{ingredient.name}} | |
|---|---|
| Used in: | {{ingredient.usageCount}} Recipes |
| Vegan: | Yes No |
| Origin: | {{ingredient.origin}} |
| Measure type: | {{ingredient.measureType.replace('_',' ')}} |
| Added By: | {{ingredient.authorUserName}} |
| Last Edit: | {{modificationDate}} |
{{ingredient.description}}
Deleted This ingredient was deleted by admin/creator and it is no longer available.
You can create it anew, if you wish to use it in recipe!


The Mission Settings dialog is where you can modify all of the map's campaign specific settings. The dialog is split into three sections: general, victory conditions, and defeat conditions.
At the top we have three fields: brief, narration, and glamour shot.
Brief
The brief is the text seen in the mission briefing menu. You'll need to input the text file containing the brief, or you can use the
small browse button to the right of the text box.
Narration
The narration is the name of the .wav file. This is played during the mission briefing screen. Like the brief, you can use the browse
button to select it.
Glamour shot
This is the name of a .pcx image file. The image will be displayed once the player wins the mission.
Use only units
This is the name of the .tdf file limiting the units that the player can construct.
Here you can define all of the objectives that the player will need to achieve to win the mission.
Kill enemy commander
As it suggests, complete this objective by kiiling the enemy's commander.
Destroy all units
As with above, just destroy every single enemy unit to complete the objective.
Move unit to radius
To achieve this, the player will need to move a unit to the specified area. For this objective you'll need to input the
name of the unit, the x/y coordinate, and the radius size of the area you want the unit to move to. The format is: UNITNAME, X, Y, SIZE
.
Kill unit
The player will need to kill a certain number of a particular unit type. You'll need to input the unit's name and the number of
units to destroy in the format UNITNAME, QUANTITY
.
Capture unit
The player will need to capture the specified unit. All you need to input here is the unit's name.
Build unit
The player will simply need to build the specified unit. Like capture unit above, you only need to input the unit's name.
All mission failure states are defined here. The player will only need to "achieve" one of these (if there's more than one) to fail the mission.

All units killed
Like commander killed above, the player is defeated if they lose all of their units.
All units killed of type
The player loses if all units of a particular type are killed. You simply need to input the unit's name.


My favorite things
These are my favorite things.
People
Here are some of my favorite people!
- My brother saurabh
- My sister shikha
- My husband Rakesh
- My mom and dad:
- My friend Varsha
Favorite desserts
These are my two favorites, in order:
- Mango sticky rice
- Sweet french crepes
Thanks for reading about me!


--- layout: default --- {% include nav.html %}
Japan Earthquake Shifts Earth's Mass and Moves it's Axis
A Shift in the Distribution of Earth's Mass
The March 11, magnitude 9.0 earthquake in Japan may have shortened the length of each Earth day and shifted its axis. But don't worry-you won't notice the difference. Using a United States Geological Survey estimate for how the fault responsible for the earthquake slipped, research scientist Richard Gross of NASA's Jet Propulsion Laboratory, Pasadena, Calif., applied a complex model to perform a preliminary theoretical calculation of how the Japan earthquake-the fifth largest since 1900-affected Earth's rotation. His calculations indicate that by changing the distribution of Earth's mass, the Japanese earthquake should have caused Earth to rotate a bit faster, shortening the length of the day by about 1.8 microseconds (a microsecond is one millionth of a second).
A Shift in the Position of Earth's Axis
The calculations also show the Japan quake should have shifted the position of Earth's figure axis (the axis about which Earth's mass is balanced) by about 17 centimeters (6.5 inches), towards 133 degrees east longitude. Earth's figure axis should not be confused with its north-south axis; they are offset by about 10 meters (about 33 feet). This shift in Earth's figure axis will cause Earth to wobble a bit differently as it rotates, but it will not cause a shift of Earth's axis in space-only external forces such as the gravitational attraction of the sun, moon and planets can do that. Both calculations will likely change as data on the quake are further refined.
The Impact of Other Earthquakes
In comparison, following last year's magnitude 8.8 earthquake in Chile, Gross estimated the Chile quake should have shortened the length of day by about 1.26 microseconds and shifted Earth's figure axis by about 8 centimeters (3 inches). A similar calculation performed after the 2004 magnitude 9.1 Sumatran earthquake revealed it should have shortened the length of day by 6.8 microseconds and shifted Earth's figure axis by about 7 centimeters, or 2.76 inches. How an individual earthquake affects Earth's rotation depends on its size (magnitude), location and the details of how the fault slipped. Gross said that, in theory, anything that redistributes Earth's mass will change Earth's rotation.
Other Forces Can Change Earth's Rotation
"Earth's rotation changes all the time as a result of not only earthquakes, but also the much larger effects of changes in atmospheric winds and oceanic currents," he said. "Over the course of a year, the length of the day increases and decreases by about a millisecond, or about 550 times larger than the change caused by the Japanese earthquake. The position of Earth's figure axis also changes all the time, by about 1 meter (3.3 feet) over the course of a year, or about six times more than the change that should have been caused by the Japan quake." On March 11, 2011, the great earthquake in Japan may have shortened the length of Earth days and shifted it's axis. Image credit: NASA
Measurement Limitations
Gross said that while we can measure the effects of the atmosphere and ocean on Earth's rotation, the effects of earthquakes, at least up until now, have been too small to measure. The computed change in the length of day caused by earthquakes is much smaller than the accuracy with which scientists can currently measure changes in the length of the day. However, since the position of the figure axis can be measured to an accuracy of about 5 centimeters (2 inches), the estimated 17-centimeter shift in the figure axis from the Japan quake may actually be large enough to observe if scientists can adequately remove the larger effects of the atmosphere and ocean from the Earth rotation measurements. He and other scientists will be investigating this as more data become available.
Impact on Our Daily Lives?
In Gross said the changes in Earth's rotation and figure axis caused by earthquakes should not have any impacts on our daily lives. "These changes in Earth's rotation are perfectly natural and happen all the time," he said. "People shouldn't worry about them."


Simbio Kitchen and Bar / SYAA
- Curated by Martita Vial
- 3 days
Restaurants & Bars · București, Romania
- version="1.0" encoding="UTF-8"? Architects: SYAA
- AreaArea of this architecture projectArea: 360.0 m2
- version="1.0" encoding="UTF-8"?YearCompletion year of this architecture project Year: 2015
- version="1.0" encoding="UTF-8"?PhotographsPhotographs: Catalin Georgescu
- version="1.0" encoding="UTF-8"?ManufacturersBrands with products used in this architecture project Manufacturers: Cella Cosimex, FD stil, Materia
- Architect in Charge Eliza Yokina
- Other Participants Irina Plopeanu, Cosmin Anghelache
More Specs Less Specs
Text description provided by the architects. SIMBIO Kitchen & Bar is a rehabilitation and interior design project of an existing residential building from 1920, in Bucharest. The project consists of reinforcement, complete rehabilitation and functional remodeling in order to meet the new function of urban restaurant, bar and work/event space.
The building is situated on 26 Negustori Str. in a traditional residential urban tissue. It is a villa build by a former sturgeon fish trader at the beginning of the XXth century.
Simbio is a place where you can spend pleasant moments at brunch, taking dinner with friends or just working. Therefore, the arrangement had to be primarily welcoming to guests. Moreover, the space had two roles to play: to be perfectly functional for the restaurant, but also to be representative for the centenary house.
The brief proposed three distinct areas, influenced by the configuration of the building: bar, restaurant and business hub. Then, we had to solve the specific flow organization and, most importantly, to create an environment in which clients retrieve the welcoming atmosphere of the former Simbio space that existed for a few years in Bucharest’s Old Town.
The project began with finding a new area to relocate from the very crowded old city and the identification of a place where the existing small bistro would extend, so that the two concepts of the business would be satisfied: the Friends of Simbio should feel At Home at Simbio.
It was exciting the first contact with the house: quiet, beautiful, dark, dusty, with an abundant garden, smoked stoves, pale mirrors, and heavy furniture. The house had already well defined spaces such as: the lounge with skylight, the green stove room, the small room, the great room, the basement with brick arched ceiling. The concept is to create an ideological map of different architectural and cultural values mixed together in order to create a bigger value than the architectural or the economical ones taken separately and which would be recognized by the people taking contact with the new place in order to culturally appropriate it. This network of concept refers to works of art by H. Bernea, L. Bourgeois, H. Matisse, R.Tuttle and also some astronomical, botanical, social and geometrical forms and ideas which will go through the physical space.
We aimed to keep and bring to light the valuable items, and, where necessary, to come to completion with finishes as close as possible to the era in which the house was built. However, we have taken some measures that have impacted quite decisively on the house look like eliminating the eaves - nonspecific to the Venetian style in architecture, the Cartesian model introduced on the facade and the newly built roof terrace. The concrete reinforcement of the house was done in such a manner that would not affect the original plaster, walls or decorations. About 90% of the furniture and lamps were designed and produced locally for Simbio. In the project we involved local designers who, through their creation, contribute to redefining the brand.


Primlong1615.github.io
Oase Lunaqua Terra LED Handbücher.
Oase Lunaqua Terra LED Handbücher and Came BX-74 Handbücher.


The menu Further Algorithms contains the following commands:
| MARS | Automatic analysis of MARS. |
| RC6 | Automatic analysis of RC6. |
| Serpent | Automatic analysis of Serpent. |
| Twofish | Automatic analysis of Twofish. |
| DESL | Automatic analysis of DESL. |
| DESX | Automatic analysis of DESX. |
| DESXL | Automatic analysis of DESXL. |


| 059:014 Khan | : |
They fight not against you even together, except in fortified townships, or from behind walls. Their enmity among themselves is very great. You would think they were united, but their hearts are divided, that is because they are a people who understand not. |
| 059:014 Maulana | : |
They will not fight against you in a body save in fortified towns or from behind walls. Their fighting between them is severe. Thou wouldst think them united, but their hearts are divided. That is because they are a people who have no sense. |
| 059:014 Pickthal | : |
They will not fight against you in a body save in fortified villages or from behind walls. Their adversity among themselves is very great. Ye think of them as a whole whereas their hearts are divers. That is because they are a folk who have no sense. |
| 059:014 Rashad | : |
They do not get together to fight you unless they are in well-shielded buildings, or behind walls. Their might appears formidable among themselves. You would think that they are united, when in fact their hearts are divided. This is because they are people who do not understand. |
| 059:014 Sarwar | : |
They will not fight you united except with the protection of fortified towns or from behind walls. They are strong among themselves. You think that they are united, but in fact, their hearts are divided. They are a people who have no understanding. |
| 059:014 Shakir | : |
They will not fight against you in a body save in fortified towns or from behind walls; their fighting between them is severe, you may think them as one body, and their hearts are disunited; that is because they are a people who have no sense. |
| 059:014 Sherali | : |
They will not fight you in a body except in strongly fortified towns or from behind the walls. Their fighting among themselves is severe. Thou thinkest them to be united, but their hearts are divided. That is because they are a people who have no sense. |
| 059:014 Yusufali | : |
They will not fight you (even) together, except in fortified townships, or from behind walls. Strong is their fighting (spirit) amongst themselves: thou wouldst think they were united, but their hearts are divided: that is because they are a people devoid of wisdom. |
Concepts/Themes Covered: أركان الإسلام > التوحيد > الكافرون > صفات الكفار Pillars of Islam> Islamic> The Disbelievers> The Characteristics of the Disbelievers الإيمان > الإيمان بالله > النفاق Faith> Belief In Allah> Hypocrisy الجهاد > الجهاد في سبيل الإسلام > الدعوة إلى الجهاد Jihad> The Call to Jihad>The Call for the Holy War العلوم والفنون > الحث على التفكر و إستخدام العقل Science and Art> Urging to Think and Use the Mind
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


Peter Dinklage
American actor and film producer. Dinklage studied acting at Bennington College, starring in a number of amateur stage productions. His film debut was in Living in Oblivion and his breakthrough came with the comedy-drama The Station Agent. He has since appeared in Elf, Find Me Guilty, Underdog, Penelope, Death at a Funeral, The Chronicles of Narnia: Prince Caspian.


|
My Project
|
luke’s first commit
hello from Kels
BUILDING ELASTIC SEARCH!
Elastic search uses gradle to compile. In order to build the project, you will have to install gradle alongside the JDK.
INSTALLING GRADLE (Mac OS X instructions).
On the Terminal, check the version of your JDK by entering the command:
javac -version
If you recieve an error message, you will have to ensure that JDK or JRE is installed.
Go to http://gradle.org/gradle-download/ to download gradle (the first option, "complete distribution", is recommended). Unzip the file.
At this point, ensure you're on the admin user directory on the terminal. The current directory on your terminal should look like this (using mine as example.): host37-163:~ ogbonnayacngwu$ The "~" should be before your name
Enter the following command on your terminal:
mkdir gradle
Go to finder, open this folder. Copy the unzipped downloaded gradle folder (it should have this name gradle-2.10) and paste it in the gradle folder.
On the terminal, enter this command:
export PATH=/usr/bin:/bin:/usr/sbin:/sbin:/usr/local/bin:/usr/X11/bin
then enter:
$PATH
If you do not see the above PATH, enter:
echo $PATH
if you do not see it, try exporting it again. Alternatively (I don't recommend doing this), you can enter it by opening the bash profile using the command: touch ~/.bash_profile; open ~/.bash_profile
!!!(avoid doing this)!!!To force the .bash_profile to execute, use: source ~/.bash_profile
if you saw the PATH, after using the PATH diaplayer above, enter the following command (Again, I'm using my own directory as example, ensure you use the actual ones for yours):
export PATH=/Users/ogbonnayacngwu/gradle/gradle-2.10/bin:$PATH
To ensure the PATH was added, use the "$PATH" or "echo $PATH"
Make sure the PATH was added before you proceed.
You will then have to add JAVA_HOME to the location of your JDK. You will have to see where your JDK is installed. For instance mine is installed in the Libraries/Java/JavaVirtualMachines/jdk1.8_11.jdk/Contents/Home. Hence, I will link my JAVA_HOME to the location using the command:
export JAVA_HOME=/Library/Java/JavaVirtualMachines/jdk1.8.0_11.jdk/Contents/Home
Now, you can check if gradle is linked using the command:
gradle -version
You should see the following output:
Build time: 2015-12-21 21:15:04 UTC Build number: none Revision: 276bdcded730f53aa8c11b479986aafa58e124a6
Groovy: 2.4.4 Ant: Apache Ant(TM) version 1.9.3 compiled on December 23 2013 JVM: 1.8.0_11 (Oracle Corporation 25.11-b03) OS: Mac OS X 10.11.2 x86_64
If you recieve the folloeing error message, you will have to get the right location for JDK and export JAVA_HOME again.
ERROR: JAVA_HOME is set to an invalid directory: /Users/Java/JavaVirtualMachines/jdk1.8.0_11
Please set the JAVA_HOME variable in your environment to match the location of your Java installation.
To build and run the project; navigate to the project directory using change directory on the terminal. Enter this command:
gradle run
It will download all the plugin required by the jar files, then it will build the project and run it!
***Currently, mine failed to build. It throws an error on one if the file in elastic search.***


@(city: String, myPlaces: List[PlaceResult]) @import helper._
Cool restaurants in @city
See restaurants in another city


Compatibilityedit
The Java High Level REST Client requires Java 1.8 and depends on the Elasticsearch
core project. The client version is the same as the Elasticsearch version that the
client was developed for. It accepts the same request arguments as the TransportClient
and returns the same response objects. See the Migration Guide
if you need to migrate an application from TransportClient
to the new REST client.
The High Level Client is guaranteed to be able to communicate with any Elasticsearch node running on the same major version and greater or equal minor version. It doesn’t need to be in the same minor version as the Elasticsearch nodes it communicates with, as it is forward compatible meaning that it supports communicating with later versions of Elasticsearch than the one it was developed for.
The 6.0 client is able to communicate with any 6.x Elasticsearch node, while the 6.1 client is for sure able to communicate with 6.1, 6.2 and any later 6.x version, but there may be incompatibility issues when communicating with a previous Elasticsearch node version, for instance between 6.1 and 6.0, in case the 6.1 client supports new request body fields for some APIs that are not known by the 6.0 node(s).
It is recommended to upgrade the High Level Client when upgrading the Elasticsearch cluster to a new major version, as REST API breaking changes may cause unexpected results depending on the node that is hit by the request, and newly added APIs will only be supported by the newer version of the client. The client should always be updated last, once all of the nodes in the cluster have been upgraded to the new major version.


{% import 'macros.html' as macros %} {% extends 'default.html' %} {% block content %}
By signing up, you agree to the Terms of Service.


Fake Library
Text to display about the license
Jane's Awesome Library
Text to display about the license


missRanger: Fast Imputation of Missing Values
Alternative implementation of the beautiful 'MissForest' algorithm used to impute mixed-type data sets by chaining tree ensembles, introduced by Stekhoven, D.J. and Buehlmann, P. (2012) <doi:10.1093/bioinformatics/btr597>. Under the hood, it uses the lightning fast random jungle package 'ranger'. Between the iterative model fitting, we offer the option of using predictive mean matching. This firstly avoids imputation with values not already present in the original data (like a value 0.3334 in 0-1 coded variable). Secondly, predictive mean matching tries to raise the variance in the resulting conditional distributions to a realistic level. This would allow e.g. to do multiple imputation when repeating the call to missRanger().
| Version: |
1.0.3 |
| Depends: |
R (≥ 3.4.0) |
| Imports: |
stats, FNN (≥ 1.1), ranger (≥ 0.8.0) |
| Published: |
2018-05-15 |
| Author: |
Michael Mayer [aut, cre, cph] |
| Maintainer: |
Michael Mayer <mayermichael79 at gmail.com> |
| License: |
GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| NeedsCompilation: |
no |
| Materials: |
README NEWS |
| CRAN checks: |
missRanger results |
Downloads:
Reverse dependencies:
Linking:
Please use the canonical form
https://CRAN.R-project.org/package=missRanger
to link to this page.


*** User 2017-05-05 19:57:25.331 ***
19:57:25.331 [info] Disabling blocking sync...
*** User 2017-05-05 19:57:25.337 ***
19:57:25.337 [info] Configured peer_service_manager partisan_default_peer_service_manager on node 'node-1@MacBook-Pro-de-Anne-France'
*** User 2017-05-05 19:57:26.888 ***
19:57:26.888 [info] Enabling membership...
*** User 2017-05-05 19:57:26.889 ***
19:57:26.889 [info] Disabling blocking sync...
*** User 2017-05-05 19:57:26.896 ***
19:57:26.895 [info] Configured peer_service_manager partisan_default_peer_service_manager on node 'node-2@MacBook-Pro-de-Anne-France'
*** User 2017-05-05 19:57:28.464 ***
19:57:28.464 [info] Enabling membership...
*** User 2017-05-05 19:57:28.466 ***
19:57:28.466 [info] Disabling blocking sync...
*** User 2017-05-05 19:57:28.471 ***
19:57:28.471 [info] Configured peer_service_manager partisan_default_peer_service_manager on node 'node-3@MacBook-Pro-de-Anne-France'
*** User 2017-05-05 19:57:28.808 ***
Joining node: 'node-3@MacBook-Pro-de-Anne-France' to 'runner@MacBook-Pro-de-Anne-France' at port 55798
*** User 2017-05-05 19:57:28.809 ***
Joining issued: 'node-3@MacBook-Pro-de-Anne-France' to 'runner@MacBook-Pro-de-Anne-France' at port 55798
*** User 2017-05-05 19:57:28.809 ***
Joining node: 'node-2@MacBook-Pro-de-Anne-France' to 'runner@MacBook-Pro-de-Anne-France' at port 55782
*** User 2017-05-05 19:57:28.810 ***
Joining issued: 'node-2@MacBook-Pro-de-Anne-France' to 'runner@MacBook-Pro-de-Anne-France' at port 55782
*** User 2017-05-05 19:57:28.810 ***
Joining node: 'node-1@MacBook-Pro-de-Anne-France' to 'runner@MacBook-Pro-de-Anne-France' at port 55769
*** User 2017-05-05 19:57:28.811 ***
Joining issued: 'node-1@MacBook-Pro-de-Anne-France' to 'runner@MacBook-Pro-de-Anne-France' at port 55769
*** User 2017-05-05 19:57:28.872 ***
Waiting for join to complete with manager: partisan_default_peer_service_manager
*** User 2017-05-05 19:57:28.873 ***
Finished.
*** CT 2017-05-05 19:57:28.873 *** COVER INFO
Adding nodes to cover test: ['runner@MacBook-Pro-de-Anne-France']
*** CT 2017-05-05 19:57:28.881 *** COVER INFO
Successfully added nodes to cover test: []
*** User 2017-05-05 19:57:36.909 ***
Case finished: map_test
*** User 2017-05-05 19:57:43.954 ***
19:57:43.954 [info] Application lasp exited with reason: stopped
*** User 2017-05-05 19:57:43.954 ***
19:57:43.954 [info] Application partisan exited with reason: stopped
=== Ended at 2017-05-05 19:57:43
=== successfully completed test case
=== Returned value: ok
Test run history
| Top level test index


2014 Summer Internships
Summer Internships provide an excellent enrichment of the educational experience. In summer, 2014, some Computer and information Sciences students are interns with these organizations.
- A10 Networks, San Jose
- ABB Corporate Research Ctr Raleigh, NC
- Adobe Systems
- AmazingAlumni.com
- Amazon
- Army Research Lab, Adelphi, MD
- Aruba Networks, Sunnyvale, CA
- Bank of America
- Blizzard Entertainment, Irvine, CA
- Bosch Research and Technology, Palo Alto, CA
- Cisco Systems, Inc.
- Corporation Services Company
- Crestron
- DuPont, Newark, DE
- eBay Research Labs
- eZanga.com
- Federal Enterprise Solutions
- FuterWei Technologies, Bridgewater, NJ
- Google Summer of Code
- IBM
- IBM Almaden
- Intel
- JP Morgan Chase
- Marine Physical Laboratory (MPL) Scripps Institute of Oceanography
- Oak Ridge National Lab
- Renaissance Computing Institute at Univ of NC Chapel Hill
- SafeNet
- ServOne
- Siemens Corporate Research, Princeton, NJ
- Viggle, Inc.
- Walt Disney Animation Studios


LOST HIGHWAY A film review by Marty Mapes Copyright 1997 Marty Mapes
*** (out of 4) LOST HIGHWAY uses a technique that other films have used before; namely it starts and ends in the same place. But LOST HIGHWAY is not a loop; it is a Moebius strip, turning itself inside out before coming back to the beginning.=20
One part of the story involves a man who kills his wife (Bill Pullman and Patricia Arquette); the other part of the story involves a young kid of a mechanic who gets caught up with a powerful mobster and his moll (Balthazar Getty, Robert Loggia, and Patricia Arquette, again).=20
Much debate has raged over the "plot" of this movie and every critic I have read so far has dismissed the connection between the stories as unsolvable. Later in the review I propose a solution to the story, as suggested by my dear sister.=20
Realizing before I went that I might not "get" the movie, I tried to keep an open mind while watching it. The first thing that struck me was that the characters were two dimensional. Pullman's character =97 Fred Madison =97 lives in an expensive-looking house in what appears to be L.A. His job? He's an avant-garde saxaphone player. His wife Renee apparently does not work.=20
Forgive me for being cynical, but a saxophone player cannot make enough to afford a $300,000 house, let alone support two people, at least not without selling out. But then he wouldn't be avant-garde, would he?=20
Okay. I can forgive the movie some 2-D characters. In fact, the dry, crisp 2-D cops were an amusing touch to the movie. I understood that the movie was not about characters but about mystery. There is one character who, though he may be 2-D, is very interesting. He is Mystery Man (Robert Blake) and he is extremely creepy. He has an evil intensity about him and somehow, he is part of the key to the connection between the two stories.=20
As I continued to watch I kept noticing how great the cinematography was. When movies switched from mostly black & white to mostly color, one of the greatest losses was the richness, depth, and texture of shadows. Bruce Kawin says in HOW MOVIES WORK, "In color, shadows are in danger of being washed out or of appearing as patches of muted color." LOST HIGHWAY has neither problem. Lynch and cinematographer Peter Deming have taken control of light and created a film with the range of color and the depth of black & white.=20
A few examples spring to mind. Early in the film, Fred walks away from the camera down a dark hallway into the bathroom. He eventually disappears into the blackness of the screen. The shots of the highway at night make such a good use of black that you can't tell where theater ends and the screen begins. When the cops are searching the Madison home, the orange walls show not muted tones of color, but clearly defined shadows.=20
As withCRASH, the story doesn't make a lot of sense by itself and some examination of the tone and emotion is required to appreciate what is happening. The tone of LOST HIGHWAY is set, not with music, like CRASH, but with the visual elements of colors, textures, and shadows. The tone of LOST HIGHWAY is mysterious, vaguely ominous, and frightening by means of the unknown.=20
Without much in the way of a story, I still recommend this movie for its tone and its look. And if you like a good mystery, see the movie and try to piece it all together. I felt it wasn't worth the effort to try to put it together when nobody has come up with an "answer."=20
Having said that, let me present my sister's interpretation of the "plot." If you think she's got something here, or if you know why she can't be right, please email me your comments. I'll publish any responses I get on my page (http://net.indra.com/~mmapes). Here's the the theory of how the story works in a literal chronology.=20
The literal story starts when Renee/Alice (she's the same person) is forced to strip for Mr. Eddy at gunpoint. She realizes she likes it and gets sucked into the world of pornography and violence. Notice that she and Mr. Eddy are making out at a party, watching a "death porn" film.=20
She is later introduced to Pete (the young mechanic), whom she seduces, uses, and kills.  She says the same line to him that she said to Pete (something about getting a job; "just a job" at a certain club). Fred looks into this (though not on screen) and learns that his wife is not only a porn star, but that she is a monster who uses men, seduces them, and kills them. In a way, Fred is a victim, just like his Moebius-strip counterpart Pete.  He carries out his deed and is sentenced to death.=20
At the end of the movie (not the timeline) Fred speaks in the intercom TO RENEE that Dick Laurent is dead. He's really saying: "I'm on to you; I know what you are and I have put a stop to it."=20
I can think of one unanswered question if this is the "solution"; when did he kill his wife, relative to when he killed Mr. Eddie/Dick Laurent? Still, this could be a small detail in the larger picture. Also, other stylistic elements must be discarded as red herrings, but I think she's on to something here.=20
Let me know what you think.
Check out more current movie reviews at http://www.indra.com/~mmapes
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


The open spaces, bike and walking paths, and public art that you see all around you are the result of extensive city planning and construction. If you could go back in time to the mid-1800s, you would see a swampy shoreline that sits almost right against downtown. Fast forward a few decades and you would find yourself standing near a train yard. Today, all but 4 miles of the city's 28-mile shoreline is public parkland that has been carefully positioned and designed to make it easier for people to access and enjoy the lake.


THREAT, THE (director: Felix E. Feist; screenwriter: Dick I. Hyland; cinematographer: Harry J. Wild; editor: Samuel E. Beetley; cast: Julie Bishop (Ann), Anthony Caruso (Nick Damon), Frank Conroy (D.A., Barker 'Mac' McDonald), Charles McGraw (Red Kluger), Virginia Grey (Carol), Michael O'Shea (Detective Ray Williams), Don McGuire (Joe Turner), Frank Richards (Lefty), Robert Shayne (Inspector Murphy); Runtime: 66; RKO; 1949)
Reviewed by Dennis Schwartz
A very satisfying B- action film about an escaped murderer from Folsom Prison, Red Kluger (Charles McGraw), who threatens after he was sentenced to the gas chamber to kill the D.A. who prosecuted him, the arresting detective, and the singer whom he believes squealed on him.
Kluger kidnaps the singer Carol (Grey) with the help of his henchman Nick (Caruso), as she leaves her singing engagement. He then has his other henchman, Lefty (Richards), go with Nick and pretend to be painters on the floor of the D.A. office, where they mug the policeman guarding the office, as Kluger enters the D.A.'s office and kidnaps Mac (Conroy). They kidnap the detective Ray Williams (O'Shea) offscreen and also take his police car, this comes after we see the detective telling his wife at home that Kluger escaped and he is going after him. Before that his commanding officer, Inspector Murphy (Shayne), phoned and told him to stay at home. Ray and his wife Ann (Julie) were talking just before the inspector's call about what to name their expectant baby. She wants to name him Dexter after her rich uncle, but he says he will only be named Dexter if I have a gun to my back. This will be used by the detective to let her know he is kidnapped, as Kluger will force him to make calls over the police radio to mislead the police, but in one of the messages Ray will mention that they are naming the baby Dexter.
The fast-paced film highlights how vicious and cunning a thug Kluger is, as he gets the detective to go on the police radio against his will by torturing the D.A. with pliers. Kluger is perceived as being tougher and smarter than the D.A. and the detective, and seems to be invincible.
He calls a moving van company to take his furniture to Palm Springs. When Joe Turner (McGuire) shows up with the van, he also becomes a hostage, as they load the van with furniture and the police car. Kluger keeps the men hostages gagged and toys with Carol, trying to get her to admit she squealed. Carol was the girlfriend of Kluger's partner Tony, who is to meet them in their Mojave desert hideaway three days after the escape, as prearranged, and Tony will then fly him to Mexico. She blames Tony for ratting them out, but Kluger says Tony would never double-cross him, and spends the rest of the film scaring the nervous Carol out of her wits.
With roadblocks on every highway, the moving van takes a side road and stops for gas. When a motorcycle cop becomes suspicious and asks to search the van, Kluger shoots him. Kluger takes the police car stored in the van to get to the desert shack and abandons the van in a deserted spot, as he waits there for Tony to show. He wonders about the $100,000 in the safe deposit box, which the detective says was empty, and tries to stay cool in the desert heat and from the dramatics of the intensive manhunt for him.
The final shoot-out is well executed and though the story is as plain as vanilla, it still had plenty of tough action. When the detective jumps Kluger and catches him by surprise, he still can't win the fight, as the stronger Kluger pins him crucifixion style to the ground. It is only the sniveling Carol who picks up the criminal's dropped gun and without a conscience brings him down, as he begs for mercy.
Felix E. Feist directed this tough B&W noir film in a gritty and pleasing style.
REVIEWED ON 11/12/2000 GRADE: B
Dennis Schwartz: "Ozus' World Movie Reviews"
© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Employee ID: 1 Email<EMAIL_ADDRESS>Office Number: 111-1111
Employee ID: 2 Email<EMAIL_ADDRESS>User Github: mhowe21
Employee ID: 3 Email<EMAIL_ADDRESS>User School: University of example


source code documentationdes.hGo to the documentation of this file.00001 /* 00002 * embedded IPsec 00003 * Copyright (c) 2003 Niklaus Schild and Christian Scheurer, HTI Biel/Bienne 00004 * All rights reserved. 00005 * 00006 * Redistribution and use in source and binary forms, with or without modification, 00007 * are permitted provided that the following conditions are met: 00008 * 00009 * 1. Redistributions of source code must retain the above copyright notice, 00010 * this list of conditions and the following disclaimer. 00011 * 2. Redistributions in binary form must reproduce the above copyright notice, 00012 * this list of conditions and the following disclaimer in the documentation 00013 * and/or other materials provided with the distribution. 00014 * 3. The name of the author may not be used to endorse or promote products 00015 * derived from this software without specific prior written permission. 00016 * 00017 * THIS SOFTWARE IS PROVIDED BY THE AUTHOR ``AS IS'' AND ANY EXPRESS OR IMPLIED 00018 * WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF 00019 * MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT 00020 * SHALL THE AUTHOR BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, 00021 * EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT 00022 * OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS 00023 * INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN 00024 * CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING 00025 * IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY 00026 * OF SUCH DAMAGE. 00027 * 00028 */ 00029 00043 #ifndef __DES_H__ 00044 #define __DES_H__ 00045 00046 #include "ipsec/types.h" 00047 00048 00049 /* 00050 * !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! 00051 * ! DES_LONG has to be at least 32 bits wide. ! 00052 * !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! 00053 */ 00054 #define DES_LONG __u32 00055 00056 typedef unsigned char DES_cblock[8]; 00057 typedef const unsigned char const_DES_cblock[8]; 00058 00059 typedef struct DES_ks 00060 { 00061 union 00062 { 00063 DES_cblock cblock; 00064 DES_LONG deslong[2]; /* make sure things are correct size on machines with 8 byte longs */ 00065 } ks[16]; 00066 } DES_key_schedule; 00067 00068 #define DES_ENCRYPT 1 00069 #define DES_DECRYPT 0 00071 int DES_set_key_checked(const_DES_cblock *key,DES_key_schedule *schedule); 00072 void DES_set_key_unchecked(const_DES_cblock *key,DES_key_schedule *schedule); 00073 void cipher_3des_cbc(unsigned char*, int, unsigned char*, unsigned char*, int, unsigned char*); 00074 00075 #endif 00076 00077 |


| OLD line(s): 69,70
<!-- Total Number of Accounts or Offices --> <xsd:element name="TotalNumberOfOffices" type="IntegerNNType" minOccurs="0"> | NEW line(s): 69,70
<!-- Subtotal Number of Employees --> <xsd:element name="SubtotalNumberOfEmployees" type="IntegerNNType" minOccurs="0"> |
| OLD line(s): 73,74
<Description>Total number of offices</Description> <LineNumber>Part I Column (b)</LineNumber> | NEW line(s): 73,74
<Description>Subtotal number of employees</Description> <LineNumber>Part I Line 3a Column (c)</LineNumber> |
| OLD line(s): 78
| NEW line(s): 79,88
<!-- Total Employees from Continuation Sheets to Part I --> <xsd:element name="ContNumberOfEmployees" type="IntegerNNType" minOccurs="0"> <xsd:annotation> <xsd:documentation> <Description>Total employees from continuation sheets to Part I</Description> <LineNumber>Total from continuation sheets to Part I</LineNumber> </xsd:documentation> </xsd:annotation> </xsd:element> |
| OLD line(s): 84
<LineNumber>Part I Column (c)</LineNumber> | NEW line(s): 94
<LineNumber>Part I Line 3c Column (c)</LineNumber> |
| OLD line(s): 88
| NEW line(s): 99,120
<!-- Subtotal Amount Spent --> <xsd:element name="SubtotalAmountSpent" type="USAmountType" minOccurs="0"> <xsd:annotation> <xsd:documentation> <Description>Subtotal amount spent</Description> <LineNumber>Part I Line 3a Column (f)</LineNumber> </xsd:documentation> </xsd:annotation> </xsd:element> <!-- Total Amount from Continuation Sheets to Part I --> <xsd:element name="ContAmountSpent" type="USAmountType" minOccurs="0"> <xsd:annotation> <xsd:documentation> <Description>Total amouunt from continuation sheets to Part I</Description> <LineNumber>Part I Line 3b Column (f)</LineNumber> </xsd:documentation> </xsd:annotation> </xsd:element> |
| OLD line(s): 94
<LineNumber>Part I Column (f)</LineNumber> | NEW line(s): 126
<LineNumber>Part I Line 3c Column (f)</LineNumber> |
| OLD line(s): 151,152
<!-- Part IV Supplemental Information --> <xsd:element name="Form990ScheduleFPartIV" minOccurs="0" maxOccurs="5"> | NEW line(s): 183,186
<!-- Part IV Foreign Forms --> <!-- Was the Organization a U.S. Transferor of Property to a Foreign Corporation During the Tax Year? --> <xsd:element name="TransferToForeignCorp" type="BooleanType" minOccurs="0"> |
| OLD line(s): 154
<xsd:documentation>Part IV contents</xsd:documentation> | NEW line(s): 188,191
<xsd:documentation> <Description>Was the organization a U.S. transferor of property to a foreign corporation during the tax year?</Description> <LineNumber>Part IV Line 1</LineNumber> </xsd:documentation> |
| OLD line(s): 155
| NEW line(s): 193,249
</xsd:element> <!-- Did the Organization Have an Interest in a Foreign Trust During the Tax Year? --> <xsd:element name="InterestInForeignTrust" type="BooleanType" minOccurs="0"> <xsd:annotation> <xsd:documentation> <Description>Did the organization have an interest in a foreign trust during the tax year?</Description> <LineNumber>Part IV Line 2</LineNumber> </xsd:documentation> </xsd:annotation> </xsd:element> <!-- Did the Organization Have an Ownership Interest in a Foreign Corporation During the Tax Year? --> <xsd:element name="OwnForeignCorp" type="BooleanType" minOccurs="0"> <xsd:annotation> <xsd:documentation> <Description>Did the organization have an ownership interest in a foreign corporation during the tax year?</Description> <LineNumber>Part IV Line 3</LineNumber> </xsd:documentation> </xsd:annotation> </xsd:element> <!-- Was the Organization a Direct or Indirect Shareholder of a Passive Foreign Investment Company or a Qualified Electing Fund During the Tax Year? --> <xsd:element name="PassiveForeignInvestCo" type="BooleanType" minOccurs="0"> <xsd:annotation> <xsd:documentation> <Description>Was the organization a direct or indirect shareholder of a passive foreign investment company or a qualified electing fund during the tax year?</Description> <LineNumber>Part IV Line 4</LineNumber> </xsd:documentation> </xsd:annotation> </xsd:element> <!-- Did the Organization Have an Ownership Interest in a Foreign Partnership During the Tax Year? --> <xsd:element name="ForeignPartnership" type="BooleanType" minOccurs="0"> <xsd:annotation> <xsd:documentation> <Description>Did the organization have an ownership interest in a foreign partnership during the tax year?</Description> <LineNumber>Part IV Line 5</LineNumber> </xsd:documentation> </xsd:annotation> </xsd:element> <!-- Did the Organization Have any Operations in or Related to any Boycotting Countries During the Tax Year? --> <xsd:element name="BoycottCountries" type="BooleanType" minOccurs="0"> <xsd:annotation> <xsd:documentation> <Description>Did the organization have any operations in or related to any boycotting countries during the tax year?</Description> <LineNumber>Part IV Line 6</LineNumber> </xsd:documentation> </xsd:annotation> </xsd:element> <!-- Part V Supplemental Information --> <xsd:element name="Form990ScheduleFPartV" minOccurs="0" maxOccurs="5"> <xsd:annotation> <xsd:documentation>Part V contents</xsd:documentation> </xsd:annotation> |
| OLD line(s): 164
<LineNumber>Part IV</LineNumber> | NEW line(s): 258
<LineNumber>Part V</LineNumber> |
| OLD line(s): 174
<LineNumber>Part IV</LineNumber> | NEW line(s): 268
<LineNumber>Part V</LineNumber> |
| OLD line(s): 184
<LineNumber>Part IV</LineNumber> | NEW line(s): 278
<LineNumber>Part V</LineNumber> |


We are researchers at the University of Texas at Austin studying content moderation with the goal of making the Internet a better place. Please review each image carefully and answer its corresponding questions to the best of your ability. You may mouse over parts of an image to temporarily unblur it. Your main task is to classify images based on the following categories:
- Sex and nudity: Content showing any obvious sexual activity or visible "private" parts, even through clothing. Kissing without nudity is allowed.
- Graphic content: Content displaying violence, mutilation, or torture towards a person or animal, or content displaying excessive injury, blood, or gore.
- Safe for general audiences: Content that you would be comfortable sharing with your 10-year-old child, elderly grandmother, or boss and coworkers.
- Other: None of the other categories adequately describe this content.
Please complete this HIT only once. All subsequent submissions will be rejected. When you are done, you will be asked to take a survey and will be provided a validation key to submit. Press the < Prev and Next > buttons to navigate between images. If the image does not load, click the red Image did not load button. Once you have reached the last image, press Next > to continue to the survey.


TGetPostRequestExEvent = procedure(Sender: TObject; IsGet: boolean;
const URL, Query, EncType, Referer: string; Reload: boolean;
var NewURL: string; var DocType: ThtmlFileType;
var Stream: TMemoryStream) of Object;
The TGetPostRequestExEvent type is the type for the OnGetPostRequestEx event. This event allows a handler to respond with a document or image in stream form when a request is made for a new document. The parameters are:
IsGetSet if the request is a Get (as opposed to Post) request.
URLThe URL defining the request. This is a full URL and includes the protocol.
QueryA possible query string.
EncTypeThe EncType attribute of the <form> tag from which a Post was made..
RefererThe URL from which the request is made.
ReloadSet if a cached copy is not to be used.
NewURLThis value is returned if the document had been relocated. This allows further requests to be made to the correct location.
DocTypeThe type of item found, HTMLType, TextType, or ImgType.
StreamThe requested item in stream form.
See also:


---
layout: post
title: The New Album Is Now For Sale
date: '2005-05-25T23:59:00.000-05:00'
author: Tom Ray
tags:
modified_time: '2005-05-26T00:19:20.423-05:00'
blogger_id: tag:blogger.com,1999:blog-11319466.post-111708476041924779
blogger_orig_url: http://www.lorenzosmusic.com/2005/05/new-album-is-now-for-sale.html
---
Our New album "Solamente Tres Palabras" is now for sale at our online store.
You can sample some of the songs in our audio section.
So, go ahead and buy one.
And to celebrate the album release we're playing a show with The Selfish Gene at The Slipper Club on Friday, June 10, 2005.


Working with Widgets
Widgets are mini applications that are designed to run in Apple's Dashboard environment in Mac OS X Tiger. Using Amnesty Widget Browser, these same widgets can run on the desktop, with expanded capabilities, completely outside of the Dashboard environment (in fact, Dashboard is not required to be running or even installed for Amnesty to run).
This "independence" from Dashboard also allows users of Mac OS X Panther (10.3.9) to run and enjoy many third-party Dashboard widgets in Amnesty prior to upgrading to Tiger. Widgets in Amnesty are accessible via the Amnesty menu. How a widget is listed in the menu depends on its status:
Running and visible. Widgets that are currently running and also visible are displayed with a checkmark icon to the left of their name. A widget in this state uses CPU (processor) time and memory. Running and hidden. Widgets that are currently running but hidden (not visible on the screen) are displayed with a dash icon to the left of their name. A widget in this state uses memory (though this memory is typically "paged out" and thus not a burden on the system). Closed. Widgets that are closed (i.e. neither running nor visible) are displayed without any icon. A widget in this state does not use up any system resources.
Disabled. Widgets that are not currently accessible are displayed in gray. A widget in this state cannot be selected. If a widget is missing critical information to run safely in Amnesty, or if it is officially unsupported, then it will always appear in this state.
When a widget is running and visible you can interact with it by clicking any controls inside its boundaries. Or, if you click on a static part of the widget, you can drag the widget around the screen and place it wherever you like.
Hint: If for some reason you cannot interact with a widget's controls, click the widget once and then press and hold the command key while clicking the widget. Similarly, if you cannot find a place to "grab" the widget to move it, click the widget once and then press and hold the option key while clicking the widget.
Opening a widget
| Select a closed widget's name from the Amnesty menu. |
Hiding a widget
| Select a running and visible widget's name from the Amnesty menu; or control-click a widget and select Hide from the popup menu that appears. |
Showing a hidden widget
| Select a running and hidden widget's name from the Amnesty menu. |
Closing a widget
| Control-click a widget and select Close Widget from the popup menu that appears. |
Updating a widget
In Dashboard, many widgets that require access to the Internet or display some type of system status will update (refresh) their information every time the Dashboard is shown (as opposed to updating at a fixed time interval).
In Amnesty, you may decide to keep one of these widgets visible at all times, and as a result, the widget will update only the first time it is shown. In these cases, you can force the widget to update its display at any time.
| Control-click a widget and select Update Now from the popup menu that appears. |


Welcome
To a combined wallet for bitcoins and colored-coins such as gold, art and well basically anything.
Setup and security
We will now take you through some steps to secure your wallet. This is necessary for your own security. It does not take long.
It is very important!
(If you instead need to restore a wallet, click here)
Mnemonic
We have created some random words that represent the secret key to you wallet. It is very important youwrite it down and store it in a safe and secret place.
Please store this phrase somewhere safe and secret.
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Password
The password is used every time you open your wallet. It should be difficult but possible to remember.
Please provide a password for daily use. Don't reuse an existing password.
I am an error message
PIN
The PIN is a number sequence you use every time you send an asset.
Please provide a PIN-code for daily use.
I am an error message


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{% load static %}
We recommend taking professional photos that reflect how awesome your coworking space is.
Header image
Size: 1920px width
After uploading, use the icons to zoom in, zoom out and crop to perfect your header photo.
Additional images
Min 5, max 20 max file size : 3 MB