Overview
Problem
Casual/semi-professional photographers usually take lots of similar photos of the same thing/person, and have a hard time comparing them afterwards to pick the best ones. Those highly similar photos also clutter their photo libraries, making it hard for them to later find what they want.
Solution
I designed Photo Groups, a new feature in Google Photos that better leverages its Machine Learning capabilities to identify similar photos, group them together, suggest the best ones, and facilitate photo comparison. With Photo Groups, users can clean up the clutter in their photo library, and more quickly compare the photos they take, select the best ones for further actions, and delete the unwanted ones.
Timeline
A Week
Project Info
Individual Design Exercise
Tools
Sketch, InVision Studio, Principle
Browsing without Clutter
With Photo Groups, find your best memories more quickly.
Using Machine Learning algorithms, the redesigned Google Photos automatically groups similar photos taken around the same time, and only shows the best shot in your camera roll. Browse through the best of your memories, and dive deeper to see all the images in a group only if you are interested.
Instantly Find the Best in Group
The best photo is already picked for you. Compare other photos against it without scrolling around.
We suggest the best shot for you to view or share. Not satisfied with the recommended one? The newly designed "Comparison Mode" helps you instantly see how each photo you took differs from our suggested one. Make fast decisions to mark or delete, and delete all the unwanted ones with one click.

We make sure that the algorithms do most of the work for you, but we know that sometimes, your preferences might be different. In case you don't agree with our grouping or recommendations, simply edit the photo group or change the key photo of the group to ones you like.
Research
Why Redesigning Google Photos?
I love Google Photos. As a user, I think it's my favorite app for organizing photos, looking them up, quickly sharing them with friends, and getting fun animations & collages. As a designer, I love how it leverages the power of machine learning to explore more intuitive ways for users to manage their photos, such as using natural language to search for photos instead of looking through a lengthy, messy timeline.
However, I believe that Google's machine learning technologies can be further pushed to make the photo management experience easier. A problem that my friends and I usually encounter is that when taking photos, we'd like to take a lot of them, and then select the best ones afterwards. The selection process can be time consuming and frustrating, and if we leave all those photos there, they'll soon clutter the photo library, making it hard for us to find what we want. This gave me the initial idea: what if we can rethink the way photos are presented in Google Photos, and make the selection process much easier?
Of course, if I were designing the real product, I would also refer back to the product's own target audience and the company's roadmap, to think about whether the feature is crucial for both its users and the business.
Domain Research
I first looked into the market, trying to find inspirations and gaps among existing products:
Only Gemini helps users manage similar photos, but users will need to go into the app to manually clean up their photo library. None of the existing products facilitates comparison between photos, which is actually the biggest problem I later identified in my research. Can we make the clean up process more care-free, and help users better compare similar photos they took?
Defining User Needs
As a designer, I know that I shouldn't design for myself. I cannot assume that the problem is widespread enough that it's worth the effort to design something to solve it. To quickly understand whether this is a problem worth solving, I decided to 1) look into photography forums on Reddit, and 2) conduct quick, semi-structured interviews with people around me.
Online Forums
Because of the time constraint, I decided that online forums would be the quickest way for me to understand the problem. Therefore, I went to photograph-related sub-reddits to ask whether having multiple similar photos cluttering the photo library is a problem that others encounter.
What I found was surprising. People's responses generally fell into the following two categories:
1. Good photographers shouldn't take too many photos in the first place; then it will not be a problem.
2. I am willing to/I have to spend the time and efforts to pick from all the photos I took and edit them.
Why is this?
As I looked more into their answers, I realized that the reddit users who responded tend to be more experienced photographers! Unlike those who are just casually taking snapshots of life, these semi-professional or professional photographers either take fewer, high-quality shots, or spend a long time manually refining their photographs using tools like Lightroom. In other words, they either don't have lots of similar photos in their library, or do have a lot, but consider it necessary to go over them one by one to make sure they select the best photos and post-process them.
Therefore, it seems like more professional photographers fall out of my target audience. What about more casual photographers, who just use cameras to capture snapshots of life?
Interviews & Personas
With that question in mind, I drafted a couple of questions and started casually asking people around me about their habits of taking photos, and whether they encounter any difficulties organizing them as of now. I had the hypothesis that people who are more casual and less deliberate when taking photos will have frustrations cleaning their photo library and getting rid of similar photos.
My findings validated the hypothesis: when people are taking photos casually, they tend to encounter frustrations managing similar photos and picking the best ones.
As I expected, all the casual/semi-professional photographers agreed that it is normal for them to take a lot of similar photos, and that it is a pain for them to organize them afterwards because they 1) either want to select the best ones to share (on social media, with friends), or 2) need to clean up those photos to save storage space or remove clutter.
For more professional photographers, it depends on the person and the context. Some professionals avoid taking similar photos in the first place and have the ability to capture amazing shots on one click; others take lots of photos, but use more professional tools other than Google Photos to post-process photos.
However, professional photographers, especially those who do take lots of similar photos, are not always in their "photoshoot mode." When they do take photos casually, they'd still use their phones to compare and delete unwanted ones, and would run into similar problems as casual photographers do.
I then summarized the research and created the following personas to guide my design process. I also created an anti-persona to make sure that I remember who I am not designing for.
Design Goals
Based on the user needs and the gaps in existing products, I summarized the higher level goals I hope to achieve with the redesign.
Design
Having understood the design goals, I started brainstorming and developing ideas that can help me achieve these goals.
Facilitating the Browsing of Past Photos
Right now, users see all of their photos laid out in the "Photos" tab, where similar photos take a lot of space and prevent them from finding the ones they need. From my user research, I learned that users don't necessarily need all those photos there, especially the similar ones. They just want to see the key photos that remind them of what they've done and where they've been. Only if they are interested do they want to see all the different photos related to that particular moment.
Where Should the Redesign Happen?
My first instinct was to redesign the "Photos" tab, but before diving into a redesign, I asked myself: can this problem be approached elsewhere?
Google Photos enables users to search for particular photos using natural language (e.g. Paris Summer, Dogs, Sunset, etc.). It also automatically creates albums for photos taken around the same time and place, and recommends them to users. Should I focus on these functions instead to better help users browse through their memories?
I referred back to what I learned from the user interviews. Most users I talked with spent most of their time browsing through photos in their "Photos" tab. Some do use "search", but only for searching specific photos. As for the automatically generated albums, users mentioned that those albums don't contain all the photos they took. Though the intention of those albums was to automatically include only the best photos for users, users still wanted to know that all the photos they took are there, and would prefer looking into the camera roll in the "Photos" tab.
Therefore, I decided that the "Photos" tab was where the redesign should happen.
Design Alternatives: Grouping and Expanding
One way to help users quickly clean the clutter in their camera roll is to use Machine Learning algorithms to group similar photos and only display the best one on the main grid view. Users can look through the photos, click on a group that interests them, and see all the other photos in the group expanded, so that they can look into them in details.
Because of my technical background, I would always consider the feasibility of my design even when I don't have access to the project's engineers.
Two important questions about this design idea are 1) how to define "similar photos" and group them, and 2) how to define "the best photo" among a group of similar photos.
For the first question, Google Photos is already able to identify similar photos. Its Assistant feature automatically generates collages and animations from similar photos. For the second one, Google Photos is now able to automatically create albums and videos, and select unrepeated photos to put in them on its own. I'm not sure if those photos are "the best" ones, but they are definitely carefully picked from the existing photos. In addition, Google Clip does have the feature of automatically recommending a best photo from a video clip. Therefore, though the concept of a best photo is still highly subjective, I believe that the technology of selecting a "best photo" from a group of photos, accroding to some standards, should be available to Google.
With this idea in mind, I quickly drew out 2 alternatives and thought about the pros and cons.
However, expanding a group on the grid layout means that the entire layout needs to be changed on click. It also means that users would need one more step to get to the photo they want. They would still need to select between similar looking thumbnails in the photo roll.
I then started asking myself: do users really need to see all those similar photos in the photo roll at all?
It seemed to be the convention to have all the photos displayed in the camera roll, at least in the expanded view; but as I referred back to the user needs and my design goal, I realized that this convention could be broken. The primary function of the camera roll is for users to quickly browse through and find/discover what they're looking for. There is no point of seeing several visually similar thumbnails there; users only care about how they differ when they can see the detailed image.
Therefore, I developed the third alternative.
I quickly drew out a wireframe and showed it to users to validate this idea.
User Feedback: How to Identify the Most Important Moments?
One feedback I received was surprising: some users say that sometimes having all the similar photos displayed in the camera roll actually helps them identify which moments were the most important. When they are quickly scrolling through the timeline, they'll stop when they see, for example, that they've taken 15 similar photos for one place they visited. That probably means that they spent a lot of time there, or that the place was special. Grouping all 15 photos into one single thumbnail loses that aspect, though it helps them clean up their photo library.
That was something I was not aware of before. Solving one problem might lead to the creation of another. Is there a better way to solve the clutter problem, while still having something to indicate the importance of a group of similar photos?
I quickly thought about 2 alternatives:
I decided that using size to denote the number of photos in a group would be a better choice because size encodes more useful information in a way that people intuitively understands: the larger the size, the bigger the number.
However, this means that we'll need to slightly change the algorithm of how the photos will be displayed in the "Photos" tab. If I had access to developers, I would definitely consult with them about this change, and balance the value the change brings with the amount of effort we need to put into that change.
According to my own understand of Google Photos' current grid layout, I started exploring how this change will affect the layout in different situations.
Grouping for Different Grid Layouts
The iOS client of Google Photos has 4 different grid layouts.
Obviously, there's no point of grouping thumbnails in the Year View, since it doesn't show all the photos to users. Therefore, I started thinking how I can group thumbnails for the other 3 views, and drew out the respective wireframes.
In Month View and Day View (3), since almost all photos are displayed in fixed-sized squares, I defined 3 different sizes for different numbers of photos grouped together. For Day View (2), since there are at most 2 photos per row, and the photo sizes differ depending on their aspect ratio, width and height, I only defined 2 different sizes to represent the numbers of photos in each group.
As for the actual thresholds for dividing the groups (e.g. whether a group of 7 photos should be of size 1 or size 2), I will need to talk with engineers to discuss the details and experiment with real data. It might also depend on the habits of different users.
How Will the Grouping Change the Way Users Browse/Interact with Photos?
After redesigning the grid layout in the "Photos" tab, what would users see after they click into a user group then? Bringing in the concept of "photo groups" means that I need to think more about 1) how users would navigate between photos in those groups, and 2) how the existing interactions with those photos might be affected.
For the first question, I referred back to user needs and put myself in the shoes of a user. Because of my limited time, I made an educated assumption that most of the times, users would only need to see one photo within each photo group as they swipe through their photo library. Only for photos that they're really interested in will they want to see all the other similar ones they've taken.
With this assumption in mind, I started thinking about alternatives for the interaction.
At first glance, alternative 2 seems to be the worst choice for comparison between similar photos, because it's extremely hard for users to keep in mind the photos they want to compare when the positions of thumbnails are constantly changing. However, since I later decided to create a separate mode for comparison, the sole purpose for users to navigate between photos in this page becomes to quickly browse through them. For this purpose, alternative 2 together with alternative 1 becomes the best choice. If I had time, I would bring it to users or other designers to get their input and validate this design decision.
As for how the redesign is going to change the users' current interactions with photos, I explored all the ways users are able to interact with a photo right now, and thought about whether those interactions are more logical to be applied to a group of similar photos, or a single photo.
Helping Users Curate Their Photo Library
Another major task users usually need to carry out when they take lots of similar photos is to compare between different shots, delete the bad ones, or select the best ones to view, edit, or share. But this curation process is painful and time-consuming because 1) users have to manually go through every photo to pick the good and delete the bad, and 2) it is extremely hard to compare between similar photos and spot the differences. How can I make the curation process easier?
Using Machine Learning to Recommend the Best Photos
One way to relieve users from the burden of selecting the best photos is to suggest the best ones for quick actions. Using Machine Learning, it is possible to identify photos with the best lightings, compositions, and even those in which everyone's smiling. Google Clip has been using similar algorithms to suggest best moments in a video. It would be possible to further apply similar technologies in Google Photos to automatically suggest the best photo within a photo group, and enable users to quickly share it or delete the others.
However, the notion of "a best photo" is highly subjective. As a designer, I also want to give my users control even when my design leverages the most advanced algorithms to simplify the process. That's why I decided to provide another function to help them compare between similar photos more quickly.
Facilitating Comparison
Almost all users I interviewed complained that it is so hard to scroll through similar photos and compare between them. Here's how they do the comparison now:
As a psychology student, I didn't find this trend surprising. "Change Blindness" is something all people experience. Psychology experiments show that it is particularly hard to compare two slightly different images when they are side by side, or even when they are presented sequentially with a brief blank field in between.
Try identifying the difference between the following two images.
It's hard, right?
If side-by-side comparison is already difficult, then think about how hard it is to scroll and see slightly different images one by one, and try to compare the current one with another one you saw 10 seconds ago.
The quickest and the most effortless way to compare the differences between 2 images is to show them sequentially, with no interruptions in between, similar to how users can compare between edited images and original images in Google Photos, Apple Photos, and Instagram.
With these vague directions in mind, I started brainstorming and prototyping potential ideas.
Design Alternatives
Since it is hard to use paper or even clickable prototypes to illustrate how users can compare different photos, and whether the comparison method works, I quickly created the following alternatives in Principle and used real photos to illustrate the use cases. I walked through the usage scenario myself and showed the prototypes to others for feedback as well.
1
Enable users to double click to pin one photo to the top, and compare other photos with it. Can only perform actions (favorite/delete) on the current pinned photo.
Pros:
- Helps users decide whether the current pinned photo is worth saving.
Cons:
- Click to compare and double click to change/pin photo doesn't fit with user's mental models.
- Cannot quickly favorite/delete other photos unless they're pinned.
2
Enable users to pin one photo to the top, and compare other photos with it. Can quickly favorite/delete other photos by dragging them to the corresponding spot. Can swipe left/right on the top to change the pinned photo.
Pros:
- Helps users decide whether the current pinned photo is worth saving.
- Can perform quick actions on other photos.
Cons:
- The dragging action might be difficult to discover or learn.
- Cannot quickly pin another photo (need to swipe all the way to find it).
3
Enable users to normally browse all the photos, and compare them to a benchmark to decide whether to favorite or delete.
Pros:
- Fits users' existing mental model (swipe left/right or click on thumbnail to navigate between photos)
- Helps users decide whether the current photo is worth saving.
Cons:
- More steps to favorite/delete a photo compared to the second approach.
Among these 3 approaches, alternatives 1 and 2 are similar since they introduce the interaction of clicking on a thumbnail to compare the clicked photo with a pinned photo. Alternative 3 approaches the problem from another angle, enabling users to browse through the photos naturally and compare with a benchmark if needed.
Some of the shortcomings of alternatives 1 and 2 can be resolved by merging the two. We can use most of the interactions in alternative 2 and make the following change: instead of letting users double tap or scroll to pin a photo, we can let them drag a thumbnail up to pin it on the screen.
Eventually, I still decided to further develop the 3rd alternative, because it doesn't require users to change their habits much. Considering the large user base of the app, it might be hard to let all the users of Google Photos quickly learn the interactions in alternative 2, though once learned, it might be more efficient. However, if I had more time, I'd definitely gather more user feedback, or conduct A/B test to decide on the final interaction.
Separate Mode or Not?
I had the option of directly adding the comparison feature to the photo details page, or creating a separate "Compare Mode" to better help users compare photos. I decided to create a separate mode for it for the following reasons:
High Fidelity Design
With all the different components in mind, I started diving into details about how I can link them together into a meaningful flow. Again, I used the user tasks to guide my reasoning throughout the process.
As for the visual design aspect, I kept it consistent with the style of Google Photos, following material design guidelines.
User Flow & Prototype
Functions in Use
01. Browsing Past Photos
Similar photos are automatically grouped in the camera roll. The users will see all the photos in the group when they click on it, and will be able to navigate around by clicking on the thumbnails and the bottom. Swiping left and right navigates to another photo group/photo, while tapping on the left/right edge navigates to the next/previous photo within the group.
02. Comparing Photos
The best photo recommended by the system is already indicated with a dot. Users can tap on the "Photo Group" icon to enter compare mode. For each photo, they can click and hold to compare it with the pinned photo, which is the recommended one by default. They can then select ones they like, and delete ones they don't like immediately. When they finish, they can either delete all unselected photos, or save the selected ones separately to the library for further actions.
03. Managing Photo Groups
The Machine Learning algorithm might not always put the right photos into Photo Groups. When the Photo Group doesn't make sense to users, they can easily add photos or remove photos from the Photo Group, or even delete the grouping completely (not yet shown in the prototype).
Future Steps
Technical Details for Grouping
One of the key functions that determine the success of the design solution is grouping similar photos. But how to define "similar" photos? What's the boundary between one photo group and another, if they're all taken around the same time, with similar peoples, at the same place? There are lots of different use cases for why people would take photos and upload them to Google Photos, which means that we'll need to consider all of them if we're going to change the existing product.
If this were a real project, I would definitely start working with engineers from the inception of the grouping idea to make sure that we train the Machine Learning algorithm the right way and consider different edge cases.
In addition, photo groups contain different numbers of photos, and are displayed using different sizes on the camera roll. How do we segment the numbers and map them to different sizes? Should a 16-photo group take up a 2x2 grid or 4x4 grid? Will this differ according to users' habit for taking photos? This is also something I need to discuss with engineers and see the real user data to make a final decision.
Evaluating the Design with Users
Due to the time constraints, I wasn't able to bring the design alternatives or the final design to real users for structured feedback, though I tried my best to casually show them to people and hear their thoughts on them. There are a couple of questions I mentioned earlier that I hoped to further understand if I had more time:
- Do the different ways of navigating between photo groups and navigate within a photo group make sense?
- Is the alternative I chose for photo comparison their preferred way to compare? Would they prefer another alternative that challenges their existing behaviors but brings more convenience?
- In a photo group, would users understand which actions apply to the entire group, and which ones apply only to the current photo?
- Do the concepts of pinned photo and recommended photo make sense? Should they be one concept or two?
In addition to answering these questions, I'd like to develop a plan to evaluate the success of my design and identify usability problems. Given the large user base of the app, I might also gradually push the change to part of the users for A/B testing if that's possible.
Integrating with Existing Features
Adding a new feature to an existing product means that the feature doesn't stand on its own and must fit with the product as a whole. Some existing features in Google Photos that are related to the redesign include Burst Photos and Top Shot in Pixel 3.
Burst Photos
Google Photos already groups Burst Photos into one group and allows users to set a key photo and delete the rest. However, the functionalities are limited to Burst, so the use cases are different. Right now, I'm using a different icon to signify Photo Groups; however, since grouping similar photos and grouping burst photos are similar concepts, I might think further about whether it makes sense to distinguish them, and if not, how to merge these two functionalities into one that fits both use cases.
Top Shot in Pixel 3
Google's Pixel 3 has the Top Shot function, which automatically takes several photos for users on one click, and recommends one to users afterwards. This function is approaching people's problem of having too many similar photos from another angle--if the phone automatically takes a number of photos and selects the best, then the user won't need to take a lot of photos of the same thing in the first place as a fail safe.
However, I believe that the grouping function is still necessary because 1) Top Shot is only available on Pixel 3, not on other smartphones or cameras. It might take a long time for people to stop taking multiple similar photos even after functions like Top Shot becomes commonplace. 2) Even then, people would still like to experiment with slightly different angles and lightings when taking photographs. That's a use case in which we still need to help them group similar photos afterwards.
There are several similarities between Top Shot and Photo Groups, and both are related to Google Photos. As a future step, I'll need to think about how to make their interfaces/interactions consistent.
Extending the UI to Other Platforms
Google Photos is cross platform on iOS, Android, and Web. Adding this feature means that I'll need to consider how it will change the UI in other platforms, for different screen sizes.
What I Learned
Considerations for Redesign
This is my first time redesigning an existing product with a large user base, and adding a new feature to it. It pushed me to think deeply about how the new feature will change the app's existing flows, interactions, and even the logic behind them. For example, by introducing Photo Groups, I needed to think about how each function that used to be applied to only one photo would be applied to a Photo Group.
I tried my best to not disrupt the existing functionalities that make sense for the users, so that while they are using the app for other purposes, they won't notice the functionality change.
Because of the large user group, for the interactions inside the new functionality, I still made more conservative choices to choose those that fit better with users' existing mental models. I'm not sure if this is the best approach for redesigns, so I'd love to learn and discuss more about it!
Capturing Creative Ideas
I learned about the importance of capturing creative thoughts in an interview with IDEO's Tom Kelley. I also learned before that sometimes, creative ideas just come to mind at unexpected times as long as you've thought about the topic enough.
While I was doing this project, I made sure to always capture any idea that comes to my mind, regardless of their quality, on my Notes app. Travelling during the Thanksgiving break also gave me down times to let my mind wander and generate new ideas. I'd then find a time to sit down, look through them and build on them. Several of them ended up in the final design of the feature. I'll keep on doing this for my design in the future.
Yayyyyyyyyy you made it! Thank you all for reading through this case study! Hope you enjoyed learning about my design and thought process. As I said, this is my first time redesigning an existing app with a large user group, so I'd love hear your feedback and learn from you! :)


The command line
When using a computer we are mostly used to using a graphical user interface. This is made up of icons and windows and is mainly interacted with using a mouse. This is often referred to as a point and click approach.
One of the downsides of a point and click approach in the scope of reproducible research is that giving instructions is often difficult and they can be ambiguous.
Another approach is to use the command line. This is a small window in to which we type commands and lets us give precise (reproducible) commands to the computer.
Identify and open your command line interface.
First, it is important to note that this will now differ (but not substantially) depending on whether or not you're on a Windows machine:
- Windows: we will choose to use Anaconda Prompt (which was installed on your machine when you installed Anaconda).
- nix (another way to describe Mac OS and/or Linux machines): we will use the system terminal.
Finding your current location
Let us first find out which directory (folder) we are currently in:
Windows
cd
This stands for "current directory".
nix
pwd
This stands for "present working directory"
- Type this command in
- Press
Enter
It should list where you are currently located in your command line interface.
Seeing what is in your current location
To view the contents of the current directory:
Windows
dir
This stands for "directory".
nix
ls
This stands for "list"
- Type this command in.
- Press
Enter
You should see a list of the various files and directory in your current directory.
Open your current directory in a graphical user interface and compare.
Creating a directory
To create a directory:
mkdir <directory_name>
Experiment with creating a directory for this workshop:
mkdir rsd-workshop
If your directory structure looked like this:
|--- home/
|--- research
|--- photos
It will now look something like:
|--- home/
|--- research
|--- photos
|--- rsd-workshop
Moving to another location
On both Windows and nix if you want to enter a directory that is in your current diractory type:
cd <directory>
To move in to the rsd-workshop
directory we created previously:
cd rsd-workshop
As an exercise, move in to that directory and create two further directories:
|--- rsd-workshop
|--- tex
|--- src
These two directories stand for LaTeX (tex
) and source code (src
): we will
use these later on in the course.
If you now wanted to go back to the "parent" directory:
cd ..
Where ..
is short hand for a previous directory.
Experiment with these, in combination with the command to find your current location as well as the command to list the contents of your directory.
Copying files
To copy a file:
Windows
copy <file> <new_file_directory_and_name>
nix
cp <file> <new_file_directory_and_name>
Experiment with copying any file.
Moving/renaming files
To move a file:
Windows
move <file> <new_file_directory_and_name>
nix
mv <file> <new_file_directory_and_name>
Experiment with moving any file.
Note that if you want to rename a file you can do this by passing the new name in the same directory.
WARNING When using the command line interface you will not be prompted for
confirmation if move
/mv
were to overwrite another file. Be careful.
Deleting files
To delete a file:
Windows
del <file>
nix
rm <file>
Copying and removing directories
To copy a directory:
Windows
xcopy <dir> <target>
nix
cp -r <dir> <target>
To remove a directory:
Windows
rmdir /s <dir>
nix
rm -r <dir>
Tip: Tab completion
Most command line tools allow for command tab completion. This means you can start typing the first few letters of a file or a directory and press tab which will complete the rest. This is a very useful tool to ensure you don't make mistakes when typing.
You can also use the up/down arrow keys to cycle through your previous commands. This also helps avoid repetitive typing.


Functions to compute spread (variability, dispersion) of distribution (i.e.
"how wide it is spread"). summ_spread()
is a wrapper for respective
summ_*()
functions (from this page) with default arguments.
summ_spread(f, method = "sd")
summ_sd(f)
summ_var(f)
summ_iqr(f)
summ_mad(f)
summ_range(f)
| f | A pdqr-function representing distribution. |
|---|---|
| method | Method of spread computation. Should be one of "sd", "var", "iqr", "mad", "range". |
All functions return a single number representing a spread of distribution.
summ_sd()
computes distribution's standard deviation.
summ_var()
computes distribution's variance.
summ_iqr()
computes distribution's interquartile range. Essentially, it is
a as_q(f)(0.75) - as_q(f)(0.25)
.
summ_mad()
computes distribution's median absolute deviation around the
distribution's median.
summ_range()
computes range length (difference between maximum and minimum)
of "x" values within region of positive probability. Note that this might
differ from length of support because the latter might be
affected by tails with zero probability (see Examples).
summ_center()
for computing distribution's center, summ_moment()
for general moments.
Other summary functions:
summ_center()
,
summ_classmetric()
,
summ_distance()
,
summ_entropy()
,
summ_hdr()
,
summ_interval()
,
summ_moment()
,
summ_order()
,
summ_prob_true()
,
summ_pval()
,
summ_quantile()
,
summ_roc()
,
summ_separation()
# Type "continuous"
d_norm <- as_d(dnorm)
## The same as `summ_spread(d_norm, method = "sd")`
summ_sd(d_norm)
#> [1] 0.9999766summ_var(d_norm)
#> [1] 0.9999531summ_iqr(d_norm)
#> [1] 1.348976summ_mad(d_norm)
#> [1] 0.6744882summ_range(d_norm)
#> [1] 9.506849#> [1] 3.162233summ_var(d_pois)
#> [1] 9.999717summ_iqr(d_pois)
#> [1] 4summ_mad(d_pois)
#> [1] 2summ_range(d_pois)
#> [1] 28
# Difference of `summ_range(f)` and `diff(meta_support(f))`
zero_tails <- new_d(data.frame(x = 1:5, y = c(0, 0, 1, 0, 0)), "continuous")
## This returns difference between 5 and 1
diff(meta_support(zero_tails))
#> [1] 4## This returns difference between 2 and 4 as there are zero-probability
## tails
summ_range(zero_tails)
#> [1] 2


getWildcardPath(): string
Gets the path and query string created by filling the route pattern's wildcard parameter with the matching param.
getWildcardPath(): string
Gets the path and query string created by filling the route pattern's wildcard parameter with the matching param.


Stephen, please post if appropriate.
"Mafia!" - Crime Isn't a Funny Business by Homer Yen (c) 1998
On a particular night when I found myself having some free time, I had a chance to either go to sleep early or to see "Mafia!", a spoof of Mafia and crime films such as "The Godfather," "Goodfellas" and "Casino". At 84 minutes in length, I thought that I could enjoy a few laughs before getting a good nights sleep. But by my account, I think that my laff-o-meter only registered a few grins, one giggle, and maybe one chortle.
I suppose that you could justify your time as homage to the venerable Hollywood star, Lloyd Bridges, who just recently passed away and whose last performance was in this film. "Mafia!" chronicles Vincenzo Cortino's (Lloyd Bridges) life. Separated from his family when he was young, he escapes to America and tries to live an honest life. But as fate would have it, Vincenzo grows up to be a powerful and klutzy crime lord. Following in his footsteps are his two sons, Joey (Billy Burke) and Anthony (Jay Mohr). Like all siblings in powerful crime families, they squabble over power, the future of the family, fortune, and women.
"Mafia!" is co-written by Jim Abrahams, who also contributed to some gut-busting funny spoofs such as "Airplane" and "The Naked Gun." But these previous movies were funny because the jokes seemed more universally understood and there was more of a manic silliness at work. As I write this, I also wonder how many people have actually seen the movies on which this spoof is based. Crime movies in general contain a lot of profanity and violence. It's a tough genre to parody. I was kind of hoping that they could somehow spoof the profanity used in all of those crime movies, maybe by having all of the tough crime lords say "please" as they decide which sector to take over, but this opportunity was never explored. There were one or two moments that made me smile such as the scene where Vincenzo is dancing with his newly wed daughter-in-law. A gunman shoots him several times. The impact of the bullets cause him to make these wild contortions that force the wedding band to change music styles to keep up with him, from the samba to disco to the macarena. I think that I just gave away the best part of the film.
Grade: C-
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Caddy ESI Tag MicroService failed
Name
Output
Should display an error message because micro service is not available


Facilitates testing of the Leanplum Web SDK.
SDK version:
Browser:
Is Web Push supported?:
Is Web Push subscribed?:


Reforming Utilities ~
What can unions do to promote transition to a green energy economy while keeping quality union jobs in the sector?
This way you can also include Just Transition processes in the negotiations linked to this kind of generation. If the transition is being pushed, it is better to have the unions at the table driving that discussion instead of our employers.
Constructing Innovative Bargaining Proposals ~
- Establish environmental committees, give more resources to environmental committees.
- Propose feasibility studies as a bargaining proposal.
- Establish Just Transition (sub)committee.
Local Organizing ~
-
Develop outreach plan to unite unions and community organizations to promote investment in public infrastructure.
-
Campaign to put remunicipalization on the table for your community.
-
Link electricity generation and distribution to other public utilities.
Elections ~
- Municipal-elections materials for local ownership of utilities.
Non-Utility Locals ~
Coordinated action at the table and in outside coalitions to promote "behind the metre" generation on their workplaces.
Public Ownership ~
-
Market cannot deliver transition to a green energy infrastructure. Public-sector workers should be promoting public ownership options as no one else will be promoting this option.
-
There has been tacit acknowledgement from even the most ardent neo-liberals, market solutions cannot complete the transition to green energy. These market solutions will be promoted by liberals in government. We should be promoting solutions beyond carbon pricing and markets, carbon taxation, public subsidies like feed-in-tariffs to private companies.
Green Energy is Electric ~
-
The challenge is a move away from burning fossil fuels for energy.
-
The new green energy development is electrical including wind, solar, bio-fuel, DC Lines, hydro-electric generation.
However, development and transition must not be used as a means of privatisation of our electrical systems.
Canadian Electrical Sector ~
- Public generation, transmission & distribution.
- Struggle to keep electricity public.
- Green energy production growth is almost entirely private.
- P3s Main investment strategy by Government and private initiatives becoming more common.
Democracy is Public Ownership ~
Democratic control is necessary for a just transition to green energy generation.
Public or private ownership, the same problems remain:
- Large Investment needed
- Procurement of technology
- Research and Development of new technology
Public ownership solves these problems more easily:
- Short, medium and long-term planning possible
- Local industrial procurement possible
- Stable and smooth investment growth
- Driven by democracy/policy, not profit
- Public Investment and ownership means all dollars go to infrastructure
- Public policy debate instead of corporate board debate.
- Just Transition easier.
- Public research for new technologies.
- Direct public economic benefits
- Accountability
Infrastructure Investment Questions ~
- The same issues public sector is dealing with other public debt and taxation. We do ourselves a disservice if we are not consistent with this messaging.
Can Pension Funds play a role? ~
Yes, through public green infrastructure bonds by reducing debt burden while providing pension funds with stable investment.
Promotion of this option can be done by ensuring public ownership and control instead of through P3 and privatisation.
Background ~
Energy Policy ~
- Energy is a Human Right
- Public ownership, operation and control of all electrical energy production, transmission, and distribution
- Rights for First People’s communities
- Ensuring job security through just transition
- Promoting environmentally sustainable consumption
- Training and Skills Development
CUPE Environment Policy ~
- Ecological approach
- Aboriginal perspective (7 Generations)
- Public Good rather than private profit
- Public Ownership and Bring back into public ownership
- Oppose Fracking
- Conservation
Way Forward ~
- Clear investment options
- Policy and Legislation
- Lobby and Pressure at all levels of government
- Public campaigns
- Attacking Opposition
- Quebec re-nationalisation
- Ontario municipal outreach
- BC Transit Campaign
Narratives ~
General Public Ownership ~
CUPE believe energy is a human right. Only through public ownership, operation and control of all electrical energy production, transmission and distribution Ontario can implement a long-term vision of transition to zero carbon electricity. CUPE opposes costly privatization schemes.
Privatization will undermine the move to sustainable low-carbon electricity production.
Privatization creates more problems than it tries to solve.
Privatization hurts communities, limits regulatory oversight and undermines democratic control.
Like other electrical utilities around the world, Ontario's are not perfect. However, none of their problems are related to the public ownership and control and none of these issues are solved through privatization.
Privatization schemes detract from what the government should be focused on: delivering affordable, high-quality service of reliable sustainable energy to Ontarians.
Unfortunately, Ontario has a long history of Progressive Conservative and Liberal governments toying with privatization schemes for the Hydro system. Ontario's electricity system was first undermined in the Conservative Mike Harris years that fragmented a functioning, rational and regulated electricity system.
CUPE was instrumental in stopping Harris from completing a privatization and marketization program that would have resulted in bringing-in an irrational and expensive private energy system to Ontario. Unfortunately, Harris did succeed in breaking-up parts of public system enough to cause a mess. Since then, successive Liberal governments have pursued the ideological agenda of privatization and costly P3s that lead to the gas plant scandals.
This history of privatization and fragmentation of Hydro generation and transmission has driven rates up and fragmented our electricity system.
History and evidence from around the world shows that when governments focus on delivery of service public power delivers. In crisis times such as ice storms, floods or large snow falls it is the public power workers that are able to respond and restore power.
CUPE has a vision for public power that is focused on providing high-quality, affordable and sustainable power to the province of Ontario. We believe that means energy should be thoughtfully planned and produced from low-carbon sources and delivered in a way that respects the rights of First People’s communities from the planning stage.
Energy is a human right ~
Weather in Canada means access to electricity can mean the difference between life and death. In addition to this, reliable, affordable and planned power can also determine the success or failure of local economic development. Industries and services need to know how much power is going to cost and that it will be always there when they need it.
We do not believe that private profit and outside interests should come between electricity and the Ontarians.
Green Energy ~
It is important to remember that our green energy future depends on electric energy replacing many of fossil-fuel energy sources.
However, this shift to green electrical energy must be managed with public sector vision and regulation to happen fast enough and limit any unintended negative side-effects for workers and communities.
There are near 30,000 people employed in the Ontario electricity sector. These are high-quality jobs in communities around the province. It is important for these communities that the transition to green energy is planned in a way where costs do not fall disproportionately on workers and their communities. This means long-term plans that include mapping-out training and skills development, promoting environmentally sustainable consumption and ensuring communities have a say about priorities interacting with local concerns.
Local green initiatives must be coordinated with large scale generation so as to maintain balance in the electricity system. This kind of planning and coordination across the province can only be done efficiently through public sector. This includes coordination between the provincially owned utilities that provide generation, transmission and rural distribution with municipally owned distribution companies.
Democratic control is necessary for a just transition to green energy generation that is independent of fickle private energy markets.
Public or private ownership, the same problems remain ~
- Large Investment needed
- Procurement of technology
-
Research and Development of new technology
-
Ecological approach
- Aboriginal perspective (7 Generations)
- Public Good rather than private profit
- Public Ownership and Bring back into public ownership
- Oppose Fracking
- Conservation
Public ownership solves these problems more easily:
- Short, medium and long-term planning possible
- Local industrial procurement possible
- Stable and smooth investment growth
- Driven by democracy/policy, not profit
- Public Investment and ownership means all dollars go to infrastructure
- Public policy debate instead of corporate board debate.
- Just Transition easier.
- Public research for new technologies.
- Direct public economic benefits
- Accountability
Alternatives ~
Can Pension Funds play a role?
Yes, through public green infrastructure bonds by reducing debt burden while providing pension funds with stable investment.
Promotion of this option can be done by ensuring public ownership and control instead of through costly P3s and privatisation.


| Day of the week | Female Name | Male Name |
|---|---|---|
| SUNDAY | Akosua | Kwasi |
| MONDAY | Adwoa | Kudwo |
| TUESDAY | Abenaa | Kwabena |
| WEDNESDAY | Akua | Kwaku |
| THURSDAY | Yaa | Yaw |
| FRIDAY | Afua | Kofi |
| SATURDAY | Ama | Kwame |
The Akan names are derived from the Ghanian culture. Whenever a child is born in Ghana, he or she is given the first name as a 'day name' which coresponds to the day of the week they were born. These "day names" have further meanings concerning the soul and the person.
Now, let's find you your Akan name:
| Day of the week | Female Name | Male Name |
|---|---|---|
| SUNDAY | Akosua | Kwasi |
| MONDAY | Adwoa | Kudwo |
| TUESDAY | Abenaa | Kwabena |
| WEDNESDAY | Akua | Kwaku |
| THURSDAY | Yaa | Yaw |
| FRIDAY | Afua | Kofi |
| SATURDAY | Ama | Kwame |


Liam Gallagher fan 'scarred for life' after being burned by flare at gig
Stacey Andrew was near the front of the stage when she was struck by the lit projectile, which ignited her clothing and burned her skin underneath
by James Rodger, Barnaby Kellaway, https://www.facebook.com/jamesrodgerjournalistA female rock fan, 27, has been left "scarred for life" after she was badly burnt by a flare launched into the crowd at a packed Liam Gallagher concert.
Stacey Andrew was near the front of the stage when she was struck by the lit projectile, which ignited her clothing and burned her skin underneath.
She was rushed from the venue, the FlyDSA Arena in Sheffield, South Yorks, with severe burns to her chest and arms as well as damage to her hair.
The identity of the individual who threw the flare is not known, but they are thought to have been located further back in the crowd.
A number of other concertgoers have taken to social media to say there were lots of flares set alight in the crowd throughout the concert on Monday.
Stacey's brother Leon has appealed for help to catch those responsible, who he claimed "could have taken my sister away from me and my family".
In a Facebook post shared with Gallagher, Leon wrote: "Anyone who has information on the scumbag who decided to light a flare and throw it into the crowd and set my sister on fire I want his name or information on him because he needs to pay for what he has done."
Leon said he was at home when he got a call to say his sister, who's from Boston, Lincs, was in hospital.
"She will be scarred for the rest of her life," he said.
"All I’ve been trying to do is post everywhere I can on social media to find out who did it.
"Those flares shouldn’t of been in there."
He added: “I want justice for the pain they have caused my sister because she will now have scars for the rest of her life.”
The incident is reported to have taken place at the start of the concert while support act DMA were playing.
Another Facebook user shared a story from her children's experience at the same gig.
Sharon Gibb Vanes posted: "My 23-year-old son took my 12-year-old daughter as she loves Liam.
"We bought her the tickets for her birthday and she was so happy last night we purchased the tickets seated as we knew under 14s couldn't be in standing.
"I never thought for one minute she wouldn't be safe but how wrong I was.
"A fight broke out in the seats behind and one of the men came flying over seats kicked her in back."
Gallagher is currently at the start of a UK-wide tour.


This page demonstrates the basic typography styles of the theme, including headings, paragraphs, code formatting, lists, blockquotes, tables and other typographic elements.
Heading One Looks Like This
Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed.
Heading Two Looks Like This
The arrangement of type involves selecting typefaces, point size, line length, leading, tracking, and adjusting the space within letters pairs (kerning).
Heading Three Looks Like This
The term typography is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process.
Heading Four Looks Like This
Type design is a closely related craft, sometimes considered part of typography. Most typographers do not design typefaces.
Heading Five Looks Like This
Typography is the work of typesetters, compositors, typographers, graphic designers, art directors, comic book artists, graffiti artists, and many more.
Heading Six Looks Like This
Until the Digital Age, typography was a specialized occupation. Digitization opened up typography to new generations of previously unrelated designers.
Code Formatting
body { margin: 0; color: #58585b; background: #fafafa; line-height: 1.5; }
Unordered List
- Pineapple
- Mango
- Orange
- Banana
Ordered List
- Tomato
- Bell Pepper
- Cucumber
- Pumpkin
Mixed List
- Pineapple
- Mango
- Proteins
- Cystine
- Histidine
- Isoleucine
- Carbohydrates
- Fiber
- Starch
- Sugars
- Fats
- Monounsaturated
- Polyunsaturated
- Polyunsaturated
- Proteins
- Orange
- Banana
Drop Cap
A drop cap is the first character of a document or paper that is the largest letter of that page and takes up several lines or sentences of the first paragraph. Below is a basic example of a drop cap. Drop caps should be sparingly used. It is best used just once where the text starts. The attractiveness of drop caps is such that even a single use calls out attention to the text that follows. A bit of care with that first letter and you may just find readability improving.
To add a drop cap, simply wrap the first letter with a span with a drop cap class
Coffee...
Highlight
There are many cases when you need to draw user’s attention to a specific part of the sentence. Highlighting the text may be the answer. Simply wrap the words you need to be highlighted with the highlight class:
Highlighted text
Blockquotes
Sir Winston Leonard Spencer-Churchill was a British statesman who was the Prime Minister of the United Kingdom from 1940 to 1945 and again from 1951 to 1955. Churchill was also an officer in the British Army, a historian, a writer and an artist. He won the Nobel Prize in Literature, and was the first person to be made an honorary citizen of the United States.
Success is not final, failure is not fatal, it is the courage to continue that counts.
Winston Churchill
Churchill was born into the family of the Dukes of Marlborough, a branch of the Spencer family. His father, Lord Randolph Churchill, was a charismatic politician who served as Chancellor of the Exchequer; his mother, Jennie Jerome, was an American socialite. As a young army officer, he saw action in British India, the Sudan, and the Second Boer War. He gained fame as a war correspondent.


enter open the file under the cursor
o open the file under the cursor
a open all files
j jump to next search result
k jump to previous search result
n scroll to next file
p scroll to previous file
f fold this file and move to the first match on next file
? show this shortcuts help


settings
Please login or create an account to manage your accounts settings.
Account Setup
Before you can begin using this app we need to know some things about you.
Before you can begin using this app we need to know some things about you.


This command echos the args to the current output stream. This is normally stdout but can be set to a variety of channels. If an arg is -nonewline then no newline is printed at the end of the printed strings. Otherwise a newline is printed after printing all the given args. For the full details of the redirection, see the command output-strings-destination.
Users wanting to print variables and data to the screen, should use echo rather than the Tcl command "puts." The echo command gets redirected to the appropriate channel according to output-strings-destination; the "puts" command does not.


Covid Vaccine Slot Checker and Notification App
Check for the available vaccination centers in your
district/pincode.
You will be notified as soon as Slots are available at
Vaccination centres in your district or pin-code for the
earliest dates. Please enter your details to stay notified.
Your message was sent, thank you!
Note: This app can only check and notify for available centers. To register and book your slots kindly visit Co-Win Homepage and follow the instructions. Thank you


Game Table
Name
Type
Developer
DayZ
Survival, FPS
Bohemia Interactive
X
Tom Clancy's: Rainbow Six Siege
FPS
Ubisoft
X
Beat Saber
Rhythm, VR
Beat Games
X


4.3.8.a xforms-help and xforms-hint events
When you activate the Trigger Help Event trigger control you must see an xforms-help message.
and you must see a message that says "This is the help".
When you activate the Trigger Hint Event trigger control you must see an xforms-hint message.
and you must see a message that says "This is the hint". The messages may also be triggered by
other actions you may perform on the input control. What actions may trigger the messages depends on your
renderer.
Dispatch Help
Dispatch Hint
Target:
This is the hint
This is the help
xforms-hint
xforms-help


Example of super-hands interactivity with hand-controls
without using a
physics system. The super-hands
component is added to
the controller entities, and the hoverable
,
grabbable
, stretchable
, and
drag-droppable
components are added to the interactable boxes.
event-set
component listening for the 'drag-drop' eventExample of super-hands interactivity with vive-controls
and
afame-physics-system
. Also includes color-randomizer
,
an example of a creating a component to customize the response to cues from
super-hands
:
AFRAME.registerComponent('color-randomizer', { play: function() { this.el.addEventListener('drag-drop', function(evt) { evt.detail.dropped.setAttribute('material', 'color', '#'+(Math.random()*0xFFFFFF<<0).toString(16)); }); } });
Credit for random color generator code: Mohsen via StackOverflow
color-randomizer
changes the color of entities dropped inside of the color changer boxAnother option for customizing reactions is by using the Global Event Handlers Web API (e.g., 'onclick'). super-hands will trigger standard events that are analogous to the VR interactions taking place, like mousedown, click, dragenter, et c. Just like in standard HTML, setting the related 'on' property for an entity will register the event listener, so simple reactions can be defined inline.
Example of customizing the button event schema options
Basic example using the oculus-touch-controls
A-Frame component.
Note: I don't have the equiment to test this one, so please
report any issues.


virus Human species bunya discovery human viruses flavi discovered herpes model toga year number paramyxo picorna new pox using Woolhouse curve data herpesvirus rhabdo distribution reo reported & disease encephalitis estimate fever figure novel arena families rate Gaunt Hepatitis adeno adenovirus animal corona credible diversity intervals observed parameter pathogens pool retro Bebber Figure Taylor coronavirus curves filo given humans major orthomyxo range upper Ebola M.E.J, T-lymphotropic analysis associated bat cumulative detection diseases emerging enterovirus future generated health infect infectious non-human parainfluenza polyoma probability size total


Ga West Assembly assesses damages of windstorm
by Alex Ofori Agyekum, GNAAmasaman (G/A), Dec. 9, GNA - The Ga West Municipal Assembly is working around the clock to complete the assessment of damages of a recent windstorm that hit the area.
Mr Randolph Ashietey, the Director of the Ga West National Disaster Management Organisation (NADMO) made this known in an interview with the Ghana News Agency at Amasaman in the Greater Accra Region.
He said on November 28 around 1500 hours a devastating windstorm stroke the municipality and rendered many families homeless and property worth thousands of Ghana cedis destroyed.
Mr Ashietey said the Municipal Chief Executive, Clement Nii Lamptey Wilkson later led a team from the regional offices of the NADMO and the Ga West Assembly to inspect some affected communities such as Pobiman, Sarpeiman, and Trebakope.
GNA


Calendar
Employees
Off Requests
Week View
Generate Schedule
Sign Out
Sender
Receiver
Smoothie
Office
Rescue
Training
Save
Cancel


Home
speakers
schedule
paper
/
music submission
Register now
Schedule
chinese version
english version
內容
時程表
chinese version
english version
內容


In a plane
Of our own,
It was written in the stones.
Every mountain that we see
There is no stopping sea.
Over 20 years in unknown,
Expect the mind be blown
Observe the world and see
All the stars made unique.
Can you feel the
Water
Water by the hand?
I'll bring you
Water
Water by the hand.
There'll always be
Water
Water by the hand
From this day
You will see
Find a big relief
Live the world
To the peak,
That is a good belief.
In this world
Light and clean,
Our hearts
Can be seen
Til' forever we resist
Through the gods of the kings.
I'll bring you
Water
Water by the hand.
There'll always be
Water
Water by the hand.


Origin
Captain America, comic-strip superhero created by writer Joe Simon and artist Jack Kirby for Timely (later Marvel) Comics. The character debuted in March 1941 in Captain America Comics no. 1.
Super Powers
Captain America has agility, strength, speed, endurance, and reaction time superior to any Olympic athlete who ever competed. The Super-Soldier formula that he has metabolized has enhanced all of his bodily functions to the peak of human efficiency. Notably, his body eliminates the excessive build-up of fatigue-producing poisons in his muscles, granting him phenomenal endurance. Captain America has mastered the martial art of American-style boxing and judo, and has combined these disciplines with his own unique hand-to-hand style of combat. He engages in a daily regimen of rigorous exercise (including aerobics, weight lifting, gymnastics, and simulated combat) to keep himself in peek condition. Captain America is one of the finest human combatants Earth has ever known.
Captain America Comics
- Captain America
- Captain America: Sentinel of Liberty
- Captain America & Bucky
- Captian America: Steve Rodgers
- Captain America: Dead Men Running
- Fallen Son: Death of Captain America


--- layout: post title: ">Unit test anti-patterns" date: 2008-01-20 14:48:00.000000000 +01:00 categories: [] tags: [] status: publish type: post published: true meta: blogger_blog: andreasohlund.blogspot.com blogger_permalink: "/2008/01/unit-test-anti-patterns.html" author: login: andreas.ohlund email<EMAIL_ADDRESS>display_name: Andreas Öhlund first_name: Andreas last_name: "Öhlund" ---
>
James Carr has an excellent summary of common anti-patterns for unit tests. A great read that made me rethink a few of my own test practices.


{% load static %}
Bootstrap
Apps
RSS
Stock
Tasks
Utilities
Hash
We're sorry but frontend doesn't work properly without JavaScript enabled. Please enable it to continue.


This is a non-Profitable Fund raising site which help people in need.


/**
@class DEBE
[SourceForge](https://sourceforge.net)
[github](https://github.com/acmesds/debe.git)
[geointapps](https://git.geointapps.org/acmesds/debe)
[gitlab](https://gitlab.west.nga.ic.gov/acmesds/debe.git)
# DEBE
DEBE extends [TOTEM simple web service](https://github.com/acmesds/totem) with
the [FLEX database extender](https://github.com/acmesds/flex),
[GEOHACK earth event segmenter](https://github.com/acmesds/geohack),
and [ATOMIC cloud compute](https://github.com/acmesds/atomic) modules to provide a web service
that manages its content, interfaces, requirements, project metrics, geoint products and workflows.
As documented in its api, DEBE provides ENDPOINTs:
(select) GET /NODE $$ NODE ...
(update) PUT /NODE $$ NODE ...
(insert) POST /NODE $$ NODE ...
(delete) DELETE /NODE $$ NODE ...
to access a NODE:
DATASET.TYPE ? QUERY ? QUERY ...
ENGINE.TYPE ? QUERY ? QUERY ...
FILEPATH.TYPE ? QUERY ? QUERY ...
COMMAND.TYPE ? QUERY ? QUERY ...
using an optional QUERY:
KEY=VALUE & EXPRESSION ...
DEBE provides default TYPEs to format data:
db | xml | csv | txt | tab | tree | flat | kml | encap | html | json | geojson
render a view/skin:
view | pivot | site | spivot | brief | gridbrief | pivbrief | run | plugin | runbrief
run an engine or return its usecase events:
exe | USECASE
provide attributes:
delta | nav | stat
or generate office files:
pdf | xdoc | xppt | xxls ...
By default, DEBE provides the following COMMAND endpoints:
help | stop | alert | codes | ping | bit | config
If DEBE was configured for antibot protect, DEBE will also provide a *riddle* endpoint for clients to validate themselves.
## Installation
Clone from one of the repos. You will typically want to redirect the following to your project
ln -s PROJECT/totem/test.js test.js # unit testing
ln -s PROJECT/totem/maint.sh maint.sh # test startup and maint scripts
ln -s PROJECT/totem/certs certs # truststore folder for name.pfx certs
ln -s PROJECT/JPGS captcha # folder for captcha digits
## Databases
* openv.apps Reads on start() to derive command line parms
* app.X Table X read for job parameters in a .exe route
## Use
Simply require, configure and start DEBE:
var DEBE = require("debe").config({
key: value, // set key
"key.key": value, // indexed set
"key.key.": value, // indexed append
OBJECT: [ function (){}, ... ], // add OBJECT prototypes
Function: function () {} // add chained initializer callback
:
:
}, function (err) {
console.log( err ? "something evil is lurking" : "look mom - Im running!");
});
where its configuration keys follow [ENUM copy()](https://github.com/acmesds/enum) conventions
described in its [PRM](/shares/prm/debe/index.html).
The following examples are from TOTEM's test.js unit tester. You may also find
Totem's [DSVAR](https://github.com/acmesds/dsvar) useful, if you wish to learn more about its
database agnosticator.
### D1 - Encypted with a database
var DEBE = require("../debe").config({
name: ENV.SERVICE_NAME,
mysql: {
host: ENV.MYSQL_HOST,
user: ENV.MYSQL_USER,
pass: ENV.MYSQL_PASS
},
watch: {
"./uploads": function (file) {
}
}
}, function (err) {
Trace( err || "Yowzers - An encrypted DEBE service with a database watching files in uploads area" );
});
### D2 - D1 plus an endpoint
var DEBE = require("../debe").config({
mysql: {
host: ENV.MYSQL_HOST,
user: ENV.MYSQL_USER,
pass: ENV.MYSQL_PASS
},
"worker.": {
wfs: function (req,res) {
res("here i go again");
TOTEM.fetchers.http(ENV.WFS_TEST, function (data) {
console.log(data);
});
}
}
}, function (err) {
Trace( "This bad boy in an encrypted service with a database and has an /wfs endpoint" );
});
## License
[MIT](LICENSE)
*/


In order to motivate you into using PyPNG this document discusses some of the reasons for using PyPNG over other software.
For starters I assume you already love PNG. If you don’t want to read and write PNG files then you don’t want to use PyPNG.
The most obvious “competitor” to PyPNG is PIL. Depending on what job you want to do you might also want to use Netpbm (PyPNG can convert to and from the Netpbm PNM format), or use ctypes to interface directly to a compiled version of libpng. If you know of others, let me know.
PyPNG is written in Python. Python is clearly the coolest sexiest language going, so PyPNG is cool and sexy too. By association.
Because PyPNG is written in Python it’s trivial to install into a Python installation, or include in your application (as long as it’s written in Python!). Just use python setup.py install or just copy the code/png.py file. You can even curl it straight into wherever you need it: curl -O http://pypng.googlecode.com/svn/trunk/code/png.py. In fact, I have never managed to install PIL and that was one of the motivating factors for PyPNG. So PyPNG will always be easy to install.
PyPNG can read and write all PNG formats. PNG supports a generous variety of image formats: RGB or greyscale, with or without an alpha channel; and a choice of bit depths from 1,2, or 4 (as long as you want greyscale or a pallete), 8, and 16 (but 16 bits is not allowed for palettes). A pixel can vary in size from 1 to 64 bits: 1/2/4/8/16/24/32/48/64. In addition a PNG file can be interlaced or not. An interlaced file allows an incrementally refined display of images being downloaded over slow links.
PIL, according to its handbook, does not support interlaced PNG files. Also, PIL only has internal representations (PIL mode) for 1-bit and 8-bit channel values. This makes me wonder if PIL can read PNG files with bit depth 2 or 4 (greyscale or palette), and also bit depth 16 (which PNG supports for greyscale and RGB images). In addition, PIL has only “limited support” for greyscale with alpha, which is one of PNG’s supported formats (in 8 and 16 bits per channel).
I don’t mean to belittle PIL here, PIL’s focus is not PNG. PIL’s focus is image processing, and this is where PyPNG sucks. If you want to actually process an image—resize, rotate, composite, crop–then you should use PIL. This is simply out of scope for PyPNG. In PyPNG you get the image as basically an array of numbers. So some image processing is possible fairly easily, for example cropping to integer coordinates, or gamma conversion, but in any case PyPNG provides no support for it. In the future a sister project to PyPNG may add some simple image processing, but processing in pure Python will be way slow.
PyPNG (when used in its command-line mode) can read and write Netpbm PAM files. PAM is useful as an intermediary format for performing processing; it allows the pixel data to be transferred in a simple format that is easily processed. A typical workflow using PAM might be:
PNG to PAM ... process PAM file (for example, resize) ... PAM to PNG
Using PAM as an intermediate format is preferred over having to carry around your alpha channel in a separate file; it allows workflows to be pipelined more easily.
When reading PAM files a single source file can be used to create PNG files with all permitted channel combinations: greyscale, greyscale–alpha, RGB, RGBA. When writing a PAM file is created for those PNG formats with an alpha channel, otherwise a compatible PGM or PPM file is created.
Netpbm’s support for PAM to PNG conversion is more limited than PyPNG’s. Netpbm will only convert a source PAM that has 4 channels (for example it does not create greyscale–alpha PNG files from GRAYSCALE_ALPHA PAM files). Netpbm’s usual tool for create PNG files, pnmtopng, requires an alpha channel to be specified in a separate file.
PyPNG has good support for PNG’s sBIT chunk. This allows end to end processing of files with any bit depth from 1 to 16 (for example a 10-bit scanner may use the sBIT chunk to declare that the samples in a 16-bit PNG file are rescaled 10-bit samples; in this case, PyPNG delivers 10-bit samples). Netpbm handle’s the sBIT chunk in a similar way, but other toolsets may not (PIL?).
libpng is made by the PNG gods, so if want to get at all that goodness, then you may want to interface directly to libpng via ctypes. That could be a good idea for some things. Installation would be trickier.


Type Function Library display.* Return value DisplayObject Revision Current Public Release (2013.2076) Keywords screenshot, capture bounds, save bounds See also display.save()
display.capture()
display.captureScreen()
Captures a portion of the screen and returns it as a new DisplayObject positioned at the top-left corner of the screen. You can specify what portion of the screen to capture by passing in a rectangle to this function. You can optionally save the capture image as a file to the device's photo library.
Calling this method places the captured image on the screen on top of all other display objects. Use object:removeSelf() to remove this object from the screen (as with any other display object).
This capture function will only capture what is rendered in OpenGL. It will not capture native display objects such as text boxes, text fields, web popups, ads, etc.
If you need to capture a display object at application launch (i.e. when main.lua is executed to initialize the app) you must call display.captureBounds within a timer.performWithDelay call. A delay of 100ms is recommended. for Example:
local function captureWithDelay()
local screenBounds =
{
xMin = 0,
xMax = 100,
yMin = 0,
yMax = 100,
}
local capture = display.captureBounds( screenBounds )
end
timer.performWithDelay( 100, captureWithDelay )
When saving to the photo album on Android, you must set the following permission in the "build.settings" file.
settings =
{
android =
{
usesPermissions =
{
"android.permission.WRITE_EXTERNAL_STORAGE",
},
},
}
Saves screen capture images as JPEG files to the current user's desktop.
Saves screen capture images as PNG files to the "My Pictures\Corona Simulator" directory.
display.captureBounds( screenBounds [, saveToAlbum ] )
Table. Specifies the portion of the screen to capture as a rectangle whose bounds are in content coordinates. This table must contain the following properties or else an error will occur.
local screenBounds =
{
xMin = 0,
xMax = 100,
yMin = 0,
yMax = 100,
}
You can also pass in the bounds table returned by an object.contentBounds property, which will capture that object and everything behind it.
Note that this capture function can only capture what is displayed on screen. If the coordinates in this bounds table exceed the bounds of the screen, then the resulting capture image will be trimmed to the bounds of the screen. If the bounds table is completely outside of the screen, then this function will do nothing and return nil
.
Boolean. If true
, then it adds the image to your device’s photo album. For Android devices, you must set the "android.permission.WRITE_EXTERNAL_STORAGE"
permission for this to work.
How to capture the bottom-right quadrant of the screen.
-- Set up a bounds table for capturing the bottom-right quadrant of the screen.
local screenBounds =
{
xMin = display.contentWidth / 2,
xMax = display.contentWidth,
yMin = display.contentHeight / 2,
yMax = display.contentHeight,
}
-- Capture the bounds of the screen.
local myCaptureImage = display.captureBounds(screenBounds)
How to capture the bounds of a display object.
-- Display a circle at the center of the screen.
local myCircle = display.newCircle(0, 0, 50)
myCircle.x = display.contentWidth / 2
myCircle.y = display.contentHeight / 2
-- Capture the above circle object.
local myCaptureImage = display.captureBounds(myCircle.contentBounds)
How to write a capture image to the photo library.
-- Capture the entire stage, minus the letterbox area.
-- To save to the photo library, you must set the second argument to true.
local myCaptureImage = display.captureBounds(display.currentStage.contentBounds, true)
-- Remove the returned capture image since we're only interested in saving to the photo library.
-- Doing this immediately after the above function call prevents it from being drawn on screen.
myCaptureImage:removeSelf()
myCaptureImage = nil


Compilation Errors
core/Qunit.php5
| Type | Line | Description |
|---|---|---|
| critical | 15 | No short description for property $_properties |
| error | 21 | No DocBlock was found for method __get() |
| error | 29 | No DocBlock was found for method __set() |
| error | 34 | No DocBlock was found for method __isset() |
| error | 13 | No DocBlock was found for Qunit |
core/QunitException.php7
| Type | Line | Description |
|---|---|---|
| error | 11 | No DocBlock was found for method __construct() |
| error | 9 | No DocBlock was found for QunitPropertyException |
| error | 20 | No DocBlock was found for method __construct() |
| error | 18 | No DocBlock was found for QunitInvalidUnit |
| error | 28 | No DocBlock was found for method __construct() |
| error | 26 | No DocBlock was found for QunitInvalidQuantity |
| error | 1 | No page-level DocBlock was found in file core/QunitException.php |
core/Config.php4
| Type | Line | Description |
|---|---|---|
| error | 24 | Name of argument $config_file does not match with the DocBlock's name $converter in __construct() |
| notice | 24 | Parameter $converter could not be found in __construct() |
| error | 13 | No DocBlock was found for Config |
| error | 1 | No page-level DocBlock was found in file core/Config.php |
core/Converter.php3
| Type | Line | Description |
|---|---|---|
| error | 17 | No DocBlock was found for property $config_file |
| error | 9 | No DocBlock was found for Converter |
| error | 1 | No page-level DocBlock was found in file core/Converter.php |


Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Serves
Serves 6
Melt the butter in a pan until foaming, then add the leeks and fry for 4-5 minutes, or until tender.
Add the chopped potatoes, stock and wine to the pan and bring to boil. Reduce the heat to a simmer and cook for 20-25 minutes, or until the potatoes are tender.
Transfer the mixture to a food processor and blend until smooth. (Adjust the consistency of the soup, if needed, by adding water). Chill in the fridge for at least 30 minutes, or until completely cold.
Stir the cucumber into the soup, then add the lemon juice, to taste. Spoon the soup into serving bowls or glasses and swirl in the double cream. Sprinkle over the chopped chives and top each serving with a spoonful of crabmeat and a few slices of radish.


|
VirtualSCADA
1.0
VirtualSCADA Senior Design Project
|
Public Member Functions | |
| __construct ($host, $port=110, $crypto=null) | |
| setConnection (Swift_Plugins_Pop_Pop3Connection $connection) | |
| bindSmtp (Swift_Transport $smtp) | |
| setTimeout ($timeout) | |
| setUsername ($username) | |
| setPassword ($password) | |
| connect () | |
| disconnect () | |
| beforeTransportStarted (Swift_Events_TransportChangeEvent $evt) | |
| transportStarted (Swift_Events_TransportChangeEvent $evt) | |
| beforeTransportStopped (Swift_Events_TransportChangeEvent $evt) | |
| transportStopped (Swift_Events_TransportChangeEvent $evt) | |
Static Public Member Functions | |
| static | newInstance ($host, $port=110, $crypto=null) |
Makes sure a connection to a POP3 host has been established prior to connecting to SMTP.
Definition at line 16 of file PopBeforeSmtpPlugin.php.
| __construct | ( | $host, | |
$port = 110 , |
|||
$crypto = null |
|||
| ) |
Create a new PopBeforeSmtpPlugin for $host and $port.
| string | $host | |
| int | $port | |
| string | $crypto | as "tls" or "ssl" |
Definition at line 52 of file PopBeforeSmtpPlugin.php.
| beforeTransportStarted | ( | Swift_Events_TransportChangeEvent | $evt | ) |
Invoked just before a Transport is started.
| Swift_Events_TransportChangeEvent | $evt |
Implements Swift_Events_TransportChangeListener.
Definition at line 197 of file PopBeforeSmtpPlugin.php.
| beforeTransportStopped | ( | Swift_Events_TransportChangeEvent | $evt | ) |
Not used.
Implements Swift_Events_TransportChangeListener.
Definition at line 219 of file PopBeforeSmtpPlugin.php.
| bindSmtp | ( | Swift_Transport | $smtp | ) |
Bind this plugin to a specific SMTP transport instance.
| Swift_Transport |
Definition at line 92 of file PopBeforeSmtpPlugin.php.
| connect | ( | ) |
Connect to the POP3 host and authenticate.
| Swift_Plugins_Pop_Pop3Exception | if connection fails |
Implements Swift_Plugins_Pop_Pop3Connection.
Definition at line 144 of file PopBeforeSmtpPlugin.php.
| disconnect | ( | ) |
Disconnect from the POP3 host.
Implements Swift_Plugins_Pop_Pop3Connection.
Definition at line 177 of file PopBeforeSmtpPlugin.php.
|
static |
Create a new PopBeforeSmtpPlugin for $host and $port.
| string | $host | |
| int | $port | |
| string | $crypto | as "tls" or "ssl" |
Definition at line 68 of file PopBeforeSmtpPlugin.php.
| setConnection | ( | Swift_Plugins_Pop_Pop3Connection | $connection | ) |
Set a Pop3Connection to delegate to instead of connecting directly.
| Swift_Plugins_Pop_Pop3Connection | $connection |
Definition at line 80 of file PopBeforeSmtpPlugin.php.
| setPassword | ( | $password | ) |
Set the password to use when connecting (if needed).
| string | $password |
Definition at line 132 of file PopBeforeSmtpPlugin.php.
| setTimeout | ( | $timeout | ) |
Set the connection timeout in seconds (default 10).
| int | $timeout |
Definition at line 104 of file PopBeforeSmtpPlugin.php.
| setUsername | ( | $username | ) |
Set the username to use when connecting (if needed).
| string | $username |
Definition at line 118 of file PopBeforeSmtpPlugin.php.
| transportStarted | ( | Swift_Events_TransportChangeEvent | $evt | ) |
Not used.
Implements Swift_Events_TransportChangeListener.
Definition at line 212 of file PopBeforeSmtpPlugin.php.
| transportStopped | ( | Swift_Events_TransportChangeEvent | $evt | ) |
Not used.
Implements Swift_Events_TransportChangeListener.
Definition at line 226 of file PopBeforeSmtpPlugin.php.


Details About
the Planets
A novel way to visualize our solar sytem.
As the means to visualize data progresses, old ways of viewing data should be updated. The Planets provides a new way to see our solar sytem using modern techniques.
An experiment with WebVR and 360° technologies.
The Planets was built using Mozilla's AFrame: a framework for building WebVR experiences. All of the code is open source and can be found here.


{%extends 'base.html'%} {% load bootstrap4 %}{% block content %}{{ block.super}}
{{post.content}}
{{post.created_on}}
No posts from your neighbourhood.


Lizzo's Facing A Lawsuit For Getting Furious Over Botched Food Delivery
by Shirley JuA Postmates driver wants money from Lizzo over her ruthless social media bullying.
(AllHipHop News) Lizzo probably didn't realize an angry tweet over some food when she was hungry would land her in a complicated lawsuit.
The “Truth Hurts” rapper aired out her Postmates delivery driver when she didn’t get the food she ordered in September of 2017.
In the tweet, Lizzo called out the driver’s name, stating “Hey @Postmates this girl Tiffany W. sole my food she lucky I don’t fight no more,” with a photo of Tiffany’s face.
Now, Tiffany is going after Lizzo, real name Melissa Jefferson in court.
Since then, Tiffany says she has received threats and is now concerned for her safety.
In fact, Tiffany left Postmates because of that very incident.
TMZ reports Tiffany Wells is suing Lizzo for defamation and intentional infliction of emotional distress.
After the incident, Lizzo claimed she was at fault and that Tiffany did nothing wrong.
Tiffany claims she went above and beyond to try to find Lizzo in the hotel to try to deliver the food, but came up short. Tiffany said Postmates sided with her in the situation.
This has caused Tiffany Wells much stress, anxiety, and embarrassment so she is suing for an undisclosed amount.
Damn, Lizzo!


Paths specific events propagation exampl
Click on path points to trigger an event
Mouse over:
You clicked
{{clicked}}
times


Calculates the difference between two dates in "DD MM YYYY, DD MM YYYY" format in number of days.
1.The application can read in pairs of dates in the following format - DD MM YYYY, DD MM YYYY
2.The application can limit calculation on an input range of dates from 1900 to 2010.
3.First date is the earliest, the second date is the latest and the difference is the number of days


GitHub events or statuses that should or should not trigger a build for branch.
The specified events will be checked in order, and the first to match will
be used, so be sure to put events/statuses that should prevent triggering a
build first in order.
If you want to skip PR, you must place skip events firstly.


KCR_DateTimePickerClass extension template
This APPLICATION level template adds the necessary equates and libraries to your application to enable you to utilize the DateTimePicker class.
You must add this template to your application global extensions before you can use any of the other DateTimePicker templates.
There are no prompts for this template.
The template:
adds comctl32.lib to your project
includes DateTimePick.inc
adds prototypes for the CallWindowProc and memcpy api functions


This Privacy Policy governs the manner in which Fetch collects, uses, maintains and discloses information collected from users (each, a "User") of the http://glassfetch.appspot.com/ website ("Site"). This privacy policy applies to the Site and all products and services offered by Fetch. Personal identification information We may collect personal identification information from Users in a variety of ways, including, but not limited to, when Users visit our site, register on the site, place an order, subscribe to the newsletter, respond to a survey, fill out a form, and in connection with other activities, services, features or resources we make available on our Site. Users may be asked for, as appropriate, email address. Users may, however, visit our Site anonymously. We will collect personal identification information from Users only if they voluntarily submit such information to us. Users can always refuse to supply personally identification information, except that it may prevent them from engaging in certain Site related activities. Non-personal identification information We may collect non-personal identification information about Users whenever they interact with our Site. Non-personal identification information may include the browser name, the type of computer and technical information about Users means of connection to our Site, such as the operating system and the Internet service providers utilized and other similar information. Web browser cookies Our Site may use "cookies" to enhance User experience. User's web browser places cookies on their hard drive for record-keeping purposes and sometimes to track information about them. User may choose to set their web browser to refuse cookies, or to alert you when cookies are being sent. If they do so, note that some parts of the Site may not function properly. How we use collected information Fetch may collect and use Users personal information for the following purposes: - To improve customer service Information you provide helps us respond to your customer service requests and support needs more efficiently. - To personalize user experience We may use information in the aggregate to understand how our Users as a group use the services and resources provided on our Site. - To improve our Site We may use feedback you provide to improve our products and services. - To send periodic emails We may use the email address to send User information and updates pertaining to their order. It may also be used to respond to their inquiries, questions, and/or other requests. If User decides to opt-in to our mailing list, they will receive emails that may include company news, updates, related product or service information, etc. How we protect your information We adopt appropriate data collection, storage and processing practices and security measures to protect against unauthorized access, alteration, disclosure or destruction of your personal information, username, password, transaction information and data stored on our Site. Sensitive and private data exchange between the Site and its Users happens over a SSL secured communication channel and is encrypted and protected with digital signatures. Sharing your personal information We do not sell, trade, or rent Users personal identification information to others. We may share generic aggregated demographic information not linked to any personal identification information regarding visitors and users with our business partners, trusted affiliates and advertisers for the purposes outlined above. Changes to this privacy policy Fetch has the discretion to update this privacy policy at any time. When we do, we will post a notification on the main page of our Site. We encourage Users to frequently check this page for any changes to stay informed about how we are helping to protect the personal information we collect. You acknowledge and agree that it is your responsibility to review this privacy policy periodically and become aware of modifications. Your acceptance of these terms By using this Site, you signify your acceptance of this policy. If you do not agree to this policy, please do not use our Site. Your continued use of the Site following the posting of changes to this policy will be deemed your acceptance of those changes. Contacting us If you have any questions about this Privacy Policy, the practices of this site, or your dealings with this site, please contact us at: Fetch http://glassfetch.appspot.com/<EMAIL_ADDRESS>This document was last updated on October 26, 2013 Privacy policy created by http://www.generateprivacypolicy.com


--- layout: page title: "Services" description: "I provide." header-img: "img/services-bg.jpg" ---
Hi! My name is Tara Ahmed, I am a 24 year old BA English Literature graduate from Pace University, New York. Ever since I learnt to read and write, I have immersed myself in creative writing, reading and editing. I am an experienced writer and editor, and I am a published author. I am now wanting to help my fellow aspiring authors with their work, and offer them my services as a freelance editor and a freelance writer.
My rates are the lowest. I have performed research and could NOT find any service provider that charges less than me. If you have smaller pieces of writing that needs editing, then how does ¢1 per word sound?
The four 'I's.
If you require further information, please contact me via email.
hello@taraahmed.me


This is a JSON web editor with auto-completion and snippets, specifically written for the settings of web pages made in 4ty's CMS.


Basler camera control.

Connecting and controlling a basler camera using Pylon More info see: https://www.baslerweb.com/en/products/software/basler-pylon-camera-software-suite/
Definition at line 22 of file camerabasler.h.
The documentation for this class was generated from the following files:


Before Change
y = data["y"]
// create a feature representation pipeline
feed = Pipeline([("segment", Segment()),
("features", SegFeatures(features = base_features()))])
est = Pipeline([("scaler", StandardScaler()),
("rf", RandomForestClassifier())])
pipe = SegPipe(feed, est)
After Change
print("Accuracy score: ", score)
// now lets add some contextual data
Xc = np.column_stack((data["side"], data["subject"]))
X = make_ts_data(data["X"], Xc)
y = data["y"]
// and do a cross validation
scoring = make_scorer(f1_score, average = "macro")


If you are unsure about deleting this record press 'Cancel'." %}


{* this email is sent to the email addresses specified in website setting job_center_report_email when xml is posed by cron to the jobcenter *}
[t]Dear madam/sir,[/t]
[t]This email contains the report on vacancies that have been posted and updated in JobCenter.[/t]
[t]Number of vacancies in xml:[/t]{$total|escape}
[t]Number of new vacancies in xml:[/t]{$added|escape}
[t]Number of updates:[/t]{$updated|escape}
[t]Send on:[/t] {if $error}[t]sending was unsuccessful due to an error, please contact OTYS support.[/t]{else}{$sent_date|escape}{/if}
[t]Regards,[/t]
OTYS
[t]Remark: this e-mail message has been automatically generated[/t]


Icon
Icon color & style
Tab Counter Default
Tab Counter Gray 90 (Firefox Photon Design System Light Background Icon Color)
Tab Counter Gray 10 (Firefox Photon Design System Dark Background Icon Color)
Tab Counter Black
Tab Counter White
Clear SVG for Firefox (shows badge only)
Clear 1px PNG for Opera (shows badge only)
Badge
Counter value
Number of Tabs in Current Window
Total Number of Tabs of All Windows
Both Number of Tabs in Current Window/Total Number of Tabs of All Windows
Total Number of Windows
None (disables the counter and hover text; click the icon to see the count)
A maximum of four characters can be displayed on the badge. This is a browser limitation.
Badge color
Badge text color
Automatically set badge text color
When checked, the text color is either white or black based on the highest constrast with the badge color.
Badge text color
Setting the badge text color is available in Firefox 63 and above.
Hidden tabs
Hidden tabs is an experimental Firefox feature used by extensions such as Panorama view
Include hidden tabs in the counter
Choose whether to also count hidden tabs in the badge text.
Display hidden tabs in popup
Choose whether to display the number of tabs hidden in the popup.


This stage is actually easy for me because I have before read some online books about HTML (but haven't kept my study though...).
Anyway, I think courses at this stage are great for beginners getting out of the ignorance state. For me, it helps me make my understanding of HTML more structured.
Sorry for reviewing my casual notetaking!


Share homework, projects and other school-related information with parents from your child's school. Multiple kids? No problem. One school community for each child, with organized and categorized information for each school/child.
Parent collaboration does not stop at school. You can create your own private groups or micro-communities for activities outside school too. Now your daughter's Girls Scout group and your son's Soccer group, along with your school communities, can all live happily together in one place.
Safety of kids and families is our highest priority. We do not permit anybody and everybody to join the community. Only those parents whose profiles and information are verified are allowed to participate in the community.
Looking for a recommendation for an after-school activity for your child or for carpool help? Browse parent recommendations for various services or just reach out to your community and ask for one.
Put an end to newsletter subscriptions and website bookmarks. Now you can find information on local family events, volunteering opportunities and other helpful updates, all in one place.


Arithmetics
calculator-algebra.org
-
Entries labeled by ℒ are complete lectures.
These lectures are intended for in-class presentation by math instructors, but may be also suitable for student self-preparation.
-
Lectures ℒ may appear here in a different order from which they will be taught.
-
Unlabeled (normal) entries are normally contained in the lectures ℒ.
If you read the lectures ℒ, you will likely have read most or all other unlabeled slides;
we leave room for exceptions.
-
Unlabeled (normal) entries are intended for quick reference while studying.
-
The order in which slides appear in entries labeled by ℒ
may be different from the order in which they appear in the exercises.
- The symbol 𝒜 stands for a somewhat more advanced topic that may be
beyond the scope of a regular course.
For the time being, some of our materials are still being developed. We will be updating the site as more materials become available.


Origin : {{wave.origin}}
Strain Family : {{wave.strainFamily}}
Flowering : {{wave.flowering}}
Plant Size : {{wave.height}}
{{wave.description}}
You can reach to all stoned moments in here. If you want to seeing more stoned moments, please click see more!
follow us on social networks


--- order: 15 title: Space Marine – Salamanders name: Salamanders Space Marine introduction: |
forces: - salamander - imperial-navy - titan-legion using_the_army_list: | The following army list allows you to field an army based on one of the Salamanders Space Marine Chapter that fought in the Third War for Armageddon. Space Marines are organised into small formations called _detachments_. Each detachment is made up of one or more units, and may also include a number of extra units called _upgrades_. The detachments that may be taken in a Salamanders army are shown on the chart that follows. The chart also shows what units comprise the detachment, what upgrades are allowed, and its points cost. Each upgrade that is taken adds to the cost of the detachment, as shown on the _upgrade chart_. The upgrade chart also lists the units that make up the upgrade. Note that these will sometimes replace units in the detachment they are taken for, and sometimes takes the form of additional units for the detachment. Each upgrade may be taken once per formation. Salamander armies may be supported by Imperial Navy aircraft and Titan Legion battlegroups. A maximum of up to a third of the points available to the army may be spent on these formations and Salamander restricted formations. special_rules_text: | The _They Shall Know No Fear_ rule applies to all Salamander detachment and restricted formations (see [_They Shall Know No Fear_](#they-shall-know-no-fear)). The _Space Marine Transports_ rule applies to Salamander armies (see [_Space Marine Transports_](#space-marine-transports)). special_rules: - space-marine-transports ---Into the fires of battle, unto the anvil of war!
Salamander Space Marine armies have a strategy rating of 5. Imperial Navy aircraft formations have an initiative rating of 2+. All other formations have an initiative rating of 1+.
| Formation | Units | Upgrades | Cost |
|---|---|---|---|
| Devastator | Four Devastator units plus transport | Close Support, Commander, Devastators, Dreadnoughts, Razorbacks | 250 points |
| Land Raider | Four Land Raiders | Close Support, Commander, Helios | 325 points |
| Landing Craft | One Landing Craft | None | 350 points |
| Predator | Any four of the following units: Predator Annihilator, Predator Destructor | Close Support, Commander | 250 points |
| 0–1 Strike Cruiser | One Strike Cruiser | Battle Barge | 200 points |
| Tactical | Six Tactical units plus transport | Close Support, Commander, Dreadnoughts, Razorbacks, Tacticals | 275 points |
| Terminator | Four Salamander Terminator units | Close Support, Commander, Dreadnoughts, Land Raider Transport, Helios | 325 points |
| Vindicator | Four Vindicators | Close Support, Commander | 225 points |
| Whirlwind | Four Whirlwinds | Close Support, Commander, Helios | 275 points |
| (Each upgrade may be taken once per detachment.) | |||
| Upgrade | Units | Cost | |
|---|---|---|---|
| Battle Barge | Replace the Strike Cruiser with a Battle Barge | +125 points | |
| Close Support | Add up to two of any of the following units: | Predator Incinerator | +50 points each |
| Hunter, Land Raider or Land Raider Redeemer | +75 points each | ||
| Land Raider Prometheus | +85 points each | ||
| Commander | Add any one of the following characters to any unit in the formation: | Captain, Chaplain, Librarian | +50 points |
| 0–1 Supreme Commander per army | +100 points | ||
| Devastators | Add two Salamander Devastator units | +100 points | |
| Dreadnoughts | Add up to two Salamander Dreadnoughts | +50 points each | |
| Land Raider Transport | Add any four of the following units: Land Raider, Land Raider Redeemer | +250 points | |
| Helios | Replace any number of Land Raiders with an equal number of Land Raider Helios | +25 points each | |
| Razorbacks | Add any number of Razorbacks, up to the number required to transport the formation | +25 points each | |
| Snipers | Give up to four Scout units Sniper | +10 points each | |
| Tacticals | Add two Salamander Tactical units | +75 points |
| (Up to a third of the points available may be spent on these formations.) | ||||||||||||||||||||||||||||||||||||||||||||
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