|
keigeki
1.0.0
傾撃
|
#import <CDAudioManager.h>
Instance Methods | |
| (id) | - init: |
| (void) | - audioSessionInterrupted |
| (void) | - audioSessionResumed |
| (void) | - setResignBehavior:autoHandle: |
| (BOOL) | - isDeviceMuted |
| (BOOL) | - isOtherAudioPlaying |
| (void) | - setMode: |
| (void) | - applicationWillResignActive |
| (void) | - applicationDidBecomeActive |
| (CDLongAudioSource *) | - audioSourceLoad:channel: |
| (CDLongAudioSource *) | - audioSourceForChannel: |
| (void) | - playBackgroundMusic:loop: |
| (void) | - preloadBackgroundMusic: |
| (void) | - stopBackgroundMusic |
| (void) | - pauseBackgroundMusic |
| (void) | - rewindBackgroundMusic |
| (void) | - resumeBackgroundMusic |
| (BOOL) | - isBackgroundMusicPlaying |
| (void) | - setBackgroundMusicCompletionListener:selector: |
| Instance Methods inherited from <CDLongAudioSourceDelegate> | |
| (void) | - cdAudioSourceDidFinishPlaying: |
| (void) | - cdAudioSourceFileDidChange: |
| Instance Methods inherited from <CDAudioInterruptProtocol> | |
| (BOOL) | - mute |
| (void) | - setMute: |
| (BOOL) | - enabled |
| (void) | - setEnabled: |
Class Methods | |
| (CDAudioManager *) | + sharedManager |
| (tAudioManagerState) | + sharedManagerState |
| (void) | + configure: |
| (void) | + initAsynchronously: |
| (void) | + end |
Properties | |
| CDSoundEngine * | soundEngine |
| CDLongAudioSource * | backgroundMusic |
| BOOL | willPlayBackgroundMusic |
CDAudioManager manages audio requirements for a game. It provides access to a CDSoundEngine object for playing sound effects. It provides access to two CDLongAudioSource object (left and right channel) for playing long duration audio such as background music and narration tracks. Additionally it manages the audio session to take care of things like audio session interruption and interacting with the audio of other apps that are running on the device.
Requirements:
| - (void) applicationDidBecomeActive |
Call if you want to use built in resign behavior but need to do some additional audio processing on become active.
| - (void) applicationWillResignActive |
Call if you want to use built in resign behavior but need to do some additional audio processing on resign active.
| - (CDLongAudioSource *) audioSourceForChannel: | (tAudioSourceChannel) | channel |
Retrieves the audio source for the specified channel
| - (CDLongAudioSource *) audioSourceLoad: | (NSString*) | filePath | |
| channel: | (tAudioSourceChannel) | channel | |
Loads the data from the specified file path to the channel's audio source
| + (void) configure: | (tAudioManagerMode) | mode |
Configures the shared singleton with a mode
| + (void) end |
Shuts down the shared audio manager instance so that it can be reinitialised
| - (id) init: | (tAudioManagerMode) | mode |
Initializes the engine synchronously with a mode, channel definition and a total number of channels
| + (void) initAsynchronously: | (tAudioManagerMode) | mode |
Initializes the engine asynchronously with a mode
Call this to set up audio manager asynchronously. Initialisation is finished when sharedManagerState == kAMStateInitialised
| - (BOOL) isBackgroundMusicPlaying |
Returns whether or not the background music is playing
| - (BOOL) isDeviceMuted |
Returns true is audio is muted at a hardware level e.g user has ringer switch set to off
| - (BOOL) isOtherAudioPlaying |
Returns true if another app is playing audio such as the iPod music player
| - (void) pauseBackgroundMusic |
Pauses the background music
| - (void) playBackgroundMusic: | (NSString*) | filePath | |
| loop: | (BOOL) | loop | |
Plays music in background. The music can be looped or not It is recommended to use .aac files as background music since they are decoded by the device (hardware).
| - (void) preloadBackgroundMusic: | (NSString*) | filePath |
Preloads a background music
| - (void) resumeBackgroundMusic |
Resumes playing the background music
| - (void) rewindBackgroundMusic |
Rewinds the background music
| - (void) setMode: | (tAudioManagerMode) | mode |
Sets the way the audio manager interacts with the operating system such as whether it shares output with other apps or obeys the mute switch
| + (CDAudioManager *) sharedManager |
Returns the shared singleton
| - (void) stopBackgroundMusic |
Stops playing the background music


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Table of Contents
Hello World!
How about the "typical" program that prints "Hello World"?
Well, here goes the code of such a program called Hello.hs
:
-- Hello.hs
main :: IO ()
main = print "Hello World!"
Note: Do not let the program-snippet syntax fool you about the I/O system of Haskell being "typical" in any way--especially if you are from an imperative programming language like Java, C++, etc.
Haskell is one of the rare languages with an almost maniacal obsession about the concept of purity. In a programming language, being pure means that all side-effects are modelled explicitly, rather than being present in an invisible, unpredictable way.
Please don't worry. We have a lot to speak about the features of Haskell in this space.
So brace yourselves. You're in for a magical journey into Haskell Heaven!!


What 19 celebrities look like with and without bangs, Business Insider - Business Insider Singapore
by Martha Sorren- Over the years many stars have rocked styles with and without bangs.
- Stars like Zooey Deschanel and Owen Wilson wear bangs so frequently that it’s a bit shocking to see them without them.
- Celebrities like Kim Kardashian, Reese Witherspoon, and Rihanna have all debuted bangs over the years.
- Visit Insider’s homepage for more stories.
Bangs are a pretty simple yet dramatic way to change up anyone’s look – and many celebrities seem to enjoy trying out this style. Over the years, many stars have worn their hair in both bang-free blowouts and full-fringe, side-swept looks.
Here’s what 19 celebrities look like with and without bangs.
In 2013 Kim Kardashian wore full, fringed bangs.
Back in 2013, while out and about in New York City, Kim Kardashian switched up her look and added a fringe.
Kardashian is now known for having a center part.
The “Keeping Up With the Kardashians” star has more or less stuck to this bang-free look over the years.
Back in 2013, Priyanka Chopra sported bangs.
She was another 2013 adopter of the bangs trend.
Chopra is also known to rock a middle part.
These days the “Baywatch” actress oftentimes styles her hair without bangs. She also wore a bangless style during her wedding ceremonies with now-husband Nick Jonas.
“Handmaid’s Tale” star Alexis Bledel wore bangs to the 2013 SAG awards.
At the 2013 Screen Actors Guild Awards, Alexis Bledel rocked a statement necklace, green dress, and fringe bangs.

The “Gilmore Girls” star tucked all of her hair behind her ears for a sleek look at the 2018 Emmys.
Lucy Liu had side-swept bangs in 2004.
The actress’ bangs made an appearance at the Vanity Fair Oscar Party back in 2004.
Like Bledel, Liu later chose to go for a tucked-behind-the-ears style.
At the 2019 Tonys, Liu showed off her bangless hairstyle and a purple dress.
Mindy Kaling had bangs while starring on “The Office.”
Throughout her time as Kelly Kapoor on the sitcom “The Office,” Mindy Kaling occasionally had bangs.
Offscreen, Kaling sometimes opts for a flowy hairstyle with a side part.
At the 2018 Vanity Fair Oscar Party, Kaling wore loose waves and a side part with no bangs in sight.
Zac Efron’s bangs were once his signature.
Back during his “High School Musical” days, actor Zac Efron had a side-swept hairstyle that was all the rage in 2008, when this photo was taken.
Efron may have just as much hair now, but he sweeps it up instead of to the side.
These days the “Baywatch” actor sweeps his hair up, as seen in this photo of him at the 2018 Golden Globes.
Zooey Deschanel’s signature style is bangs.
“New Girl” star Zooey Deschanel hasn’t been seen often without her signature full bangs.
But there was a time when Deschanel didn’t have bangs.
The actress looks nearly unrecognizable in this photo from the 2013 Met Gala “PUNK: Chaos to Couture.”
Like Deschanel, “Fifty Shades” star Dakota Johnson is known for her soft bangs.
Dakota Johnson wore a fringe when she played Anastasia in the “50 Shades” movie series, so it can be a bit difficult to picture her in any other hairstyle.
However, the actress has gone for a more traditional parted look, too.
At the 2017 Hollywood Film Awards, Johnson wore a soft, bang-free hairstyle.
Laverne Cox briefly had bangs back in 2017.
While attending BeautyCon in 2017, the “Orange Is the New Black” star debuted a fun dark-blonde fringe.
Cox has also been known to wear her hair flowy and parted down the middle.
Laverne Cox has worn her hair parted down the middle many times, too.
Jennifer Lopez had bangs for her role in “The Back-Up Plan.”
The 2010 rom-com switched up the singer’s look with some fringed bangs.
Read More: Here’s how Jennifer Lopez keeps her hair shiny and healthy
Usually, Lopez wears a bangless blowout or ponytail.
The “Medicine” singer usually doesn’t have bangs. On many occasions, she styles her hair in a sleek ponytail.
In 2007, Reese Witherspoon had bangs.
The “Big Little Lies” star was rocking this popular mid-2000s hairstyle over a decade ago and she still wears different styles of bangs on red carpets today.
In 2019, Witherspoon often styles her hair bangs-free.
These days the “Legally Blonde” actress usually opts for a middle or side part and a soft blowout.
Unlike other stars, Owen Wilson has mostly stuck with his signature hairstyle.
It seems like this actor has had this hairstyle for decades.
In 2009, he shook things up for a “Night At The Museum” premiere.
It’s unusual to see him without his typical blonde bangs.
Rihanna sported a fringe for the 2017 Met Gala.
For the 2017 Met Gala “Comme des Garçons’s Rei Kawakubo,” Rihanna had a high bun and bangs.
Rihanna usually doesn’t rock bangs.
The beauty mogul and iconic singer styled her hair in a bangs-free ponytail in this photo.
In the early days of the Jonas Brothers, Joe Jonas rocked bangs.
He rocked full bangs and side bangs for quite some time, including in 2012.
Jonas no longer wears bangs.
These days, this Jonas Brother is often seen wearing his hair slicked back or up.
Mila Kunis wore the bangs trend back in 2018.
The actress wore a full fringe to the 2018 Billboard Music Awards.
But it seems she usually doesn’t have bangs.
The “Bad Moms” star wears her hair wavy and free with and without bangs.
Beyoncé has been known to rock bangs now and then.
In 2012, the singer wore full bangs to a basketball game in New York City.
However, on many occasions, Beyoncé prefers to go bang-free.
Whether she’s rocking a bang-free blowout or a pulled-back ponytail, Beyoncé is known to switch up her style.
Demi Lovato has worn a lot of styles over the years.
The musician has dyed her hair blue, black, and blonde over the years. She’s also had side-swept and full bangs.
Lovato doesn’t always have bangs.
Over the years, the “Skyscraper” singer has also opted for darker styles sans bangs.
For years, Selena Gomez has worn side-swept bangs.
In 2011, the musician wore dramatic side-swept bangs and a deep side part in her hair.
But Gomez doesn’t always have bangs.
The “Wolves” singer has also been spotted on many occasions wearing almost all of her hair pulled back.
Kacey Musgraves doesn’t usually have full bangs.
While attending a November 2019 screening of “The Kacey Musgraves Christmas Show,” the musician debuted full bangs.
But Musgraves usually doesn’t have bangs.
The “Slow Burn” singer typically wears her hair sans bangs, but she will occasionally switch it up. To complete her Barbie look, Musgraves went blonde for the 2019 Met Gala.
Read More:


The following describes how to install the IIB 10 docker and install Kraken DS in it. You can access the IIB 10 project on docker, with the original documentation here..
Download ot4i/iib-docker Download KrakenDSYou can buid the image using the following standard docker commands using the provided Docker File.
And can replace the line "curl http://public.dhe.ibm.com/ibmdl/export/pub/software/websphere/integration/<IP_ADDRESS>-IIB-LINUX64-DEVELOPER.tar.gz \" by the URL where you have your licensed installation file. Example: "curl http://localhost/install/IBM/IIB10/IIB_V<IP_ADDRESS>_LINUX_X86-64.tar.gz" Docker using the provided Docker File.
cd <IP_ADDRESS>
docker build -t iibv10image
This will create an image called iibv10image occupying approximately 1.15GB of space (including the size of the underlying base image of Ubuntu) in its Docker local registry:
REPOSITORY TAG IMAGE ID CREATED SIZE
iibv10image latest b8403ecfcd0d 2 seconds ago 1.15GB
ubuntu 14.04 132b7427a3b4 3 weeks ago 188MB
After creating a Docker image from the supplied files, you can run a container that will create and start an integration node to which you can deploy integration solutions.
To run a container from this image, it is necessary to accept the terms of the license of IBM Integration Bus for Developers. This is achieved by specifying the environment variable LICENSE equal to accept when the image is executed. You can also see the terms of the license when setting this variable to see. If the variable is not established, it will be considered finished the container with a declaration of use. You can see the license in another language by configuring also the LANG environment variable.
In addition to accepting the license, you can specify optionally an integration node name using the NODENAME environment variable and a server name of integration using the SERVERNAME environment variable.
The last important point of configuration when run a container from this image is the assignment of ports. The Docker file exposes ports 4414 and 7800 by default, for the administration of the integration node and the HTTP traffic of the server integration, respectively. This means that you can run with the -P indicator to assign automatically These ports to the ports on your host. Alternatively, you can use -p to expose and map any port of your choice.
docker run --name myNode -e LICENSE = accept -e NODENAME = MYNODE -e SERVERNAME = MYSERVER -P iibv10image
To deploy the IBM Integration Bus BAR file by specifying a Docker volume that makes BAR files available when the container starts:
docker run --name myNode -v </local/path/to/BARs: /tmp/BAR> -e LICENSE = accept -e NODENAME = MYNODE -e SERVERNAME = MYSERVER -P iibv10image
docker run --name kraken -v /tmp/BAR -e LICENSE = accept -e NODENAME = KRAKENNODE -e SERVERNAME = KRAKENSERVER -P iibv10image
This command will execute a container that creates and starts an integration node called KRAKENNODE and exposes ports 4414 and 7800 on random ports on the host computer.
docker port <container name>
Installing Kraken DS requires four easy steps:
Next the necessary commands for the execution of these tasks will be detailed.
Into the docker shell (view here) all commands of this topic must be executed.
cd /opt/ibm/iib-<IP_ADDRESS>
./iib mqsicreateexecutiongroup <Excecution node name (Broker)> -e <Excecution server name>
./iib mqsicreateexecutiongroup KRAKENNODE -e krakenexcec
./iib mqsicreateconfigurableservice KRAKENNODE
-c CICSConnection -o ESB2CICS -n cicsServer,
securityIdentity -v tcp://<CICS Server Endpoint (Server Name or IP address)>,cicsSI
./iib mqsisetdbparms KRAKENNODE -n cics::cicsSI -u <CICS User> -p <CICS User Password>
./iib mqsistop KRAKENNODE
./iib mqsistart KRAKENNODE
To verify the installation, connect to the URL of the broker administrator:
http://<ip docker>:<puerto (4414)>/#api/0/executiongroups/


ASLayoutElement Protocol Reference
| Conforms to | ASEnvironment ASLayoutElementExtensibility ASLayoutElementPrivate ASLayoutElementStylability NSFastEnumeration |
|---|---|
| Declared in | ASLayoutElement.h |
Overview
The ASLayoutElement protocol declares a method for measuring the layout of an object. A layout is defined by an ASLayout return value, and must specify 1) the size (but not position) of the layoutElement object, and 2) the size and position of all of its immediate child objects. The tree recursion is driven by parents requesting layouts from their children in order to determine their size, followed by the parents setting the position of the children once the size is known
The protocol also implements a “family” of LayoutElement protocols. These protocols contain layout options that can be used for specific layout specs. For example, ASStackLayoutSpec has options defining how a layoutElement should shrink or grow based upon available space.
These layout options are all stored in an ASLayoutOptions class (that is defined in ASLayoutElementPrivate). Generally you needn’t worry about the layout options class, as the layoutElement protocols allow all direct access to the options via convenience properties. If you are creating custom layout spec, then you can extend the backing layout options class to accommodate any new layout options.
layoutElementType
required method
Returns type of layoutElement
@property (nonatomic, assign, readonly) ASLayoutElementType layoutElementType
Declared In
ASLayoutElement.h
canLayoutAsynchronous
required method
Returns if the layoutElement can be used to layout in an asynchronous way on a background thread.
@property (nonatomic, assign, readonly) BOOL canLayoutAsynchronous
Declared In
ASLayoutElement.h
style
required method
A size constraint that should apply to this ASLayoutElement.
@property (nonatomic, assign, readonly) ASLayoutElementStyle *style
Declared In
ASLayoutElement.h
debugName
required method
Optional name that is printed by ascii art string and displayed in description.
@property (nullable, nonatomic, copy) NSString *debugName
Declared In
ASLayoutElement.h
– layoutThatFits:
required method
Asks the node to return a layout based on given size range.
- (ASLayout *)layoutThatFits:(ASSizeRange)constrainedSize
Parameters
constrainedSize |
The minimum and maximum sizes the receiver should fit in. |
|---|
Return Value
An ASLayout instance defining the layout of the receiver (and its children, if the box layout model is used).
Discussion
Though this method does not set the bounds of the view, it does have side effects–caching both the constraint and the result.
Warning: Subclasses must not override this; it caches results from -calculateLayoutThatFits:. Calling this method may be expensive if result is not cached.
Declared In
ASLayoutElement.h
– layoutThatFits:parentSize:
required method
Call this on children layoutElements to compute their layouts within your implementation of -calculateLayoutThatFits:.
- (ASLayout *)layoutThatFits:(ASSizeRange)constrainedSize parentSize:(CGSize)parentSize
Parameters
constrainedSize |
Specifies a minimum and maximum size. The receiver must choose a size that is in this range. |
|---|---|
parentSize |
The parent node’s size. If the parent component does not have a final size in a given dimension, then it should be passed as ASLayoutElementParentDimensionUndefined (for example, if the parent’s width depends on the child’s size). |
Return Value
An ASLayout instance defining the layout of the receiver (and its children, if the box layout model is used).
Discussion
Warning: You may not override this method. Override -calculateLayoutThatFits: instead.
Warning: In almost all cases, prefer the use of ASCalculateLayout in ASLayout
Though this method does not set the bounds of the view, it does have side effects–caching both the constraint and the result.
Declared In
ASLayoutElement.h
– calculateLayoutThatFits:
required method
Override this method to compute your layoutElement’s layout.
- (ASLayout *)calculateLayoutThatFits:(ASSizeRange)constrainedSize
Parameters
constrainedSize |
A min and max size. This is computed as described in the description. The ASLayout you return MUST have a size between these two sizes. |
|---|
Discussion
Why do you need to override -calculateLayoutThatFits: instead of -layoutThatFits:parentSize:? The base implementation of -layoutThatFits:parentSize: does the following for you: 1. First, it uses the parentSize parameter to resolve the nodes’s size (the one assigned to the size property). 2. Then, it intersects the resolved size with the constrainedSize parameter. If the two don’t intersect, constrainedSize wins. This allows a component to always override its children's sizes when computing its layout. (The analogy for UIView: you might return a certain size from -sizeThatFits:, but a parent view can always override that size and set your frame to any size.) 3. It caches it result for reuse
Declared In
ASLayoutElement.h
– calculateLayoutThatFits:restrictedToSize:relativeToParentSize:
required method
In certain advanced cases, you may want to override this method. Overriding this method allows you to receive the layoutElement’s size, parentSize, and constrained size. With these values you could calculate the final constrained size and call -calculateLayoutThatFits: with the result.
- (ASLayout *)calculateLayoutThatFits:(ASSizeRange)constrainedSize restrictedToSize:(ASLayoutElementSize)size relativeToParentSize:(CGSize)parentSize
Discussion
Warning: Overriding this method should be done VERY rarely.
Declared In
ASLayoutElement.h
– measureWithSizeRange:
required method
Calculate a layout based on given size range. (Deprecated: Deprecated in version 2.0: Use layoutThatFits: or layoutThatFits:parentSize: if used in ASLayoutSpec subclasses)
- (nonnull ASLayout *)measureWithSizeRange:(ASSizeRange)constrainedSize
Parameters
constrainedSize |
The minimum and maximum sizes the receiver should fit in. |
|---|
Return Value
An ASLayout instance defining the layout of the receiver and its children.
Declared In
ASLayoutElement.h


I went to
film school
and now I make art with computers, among other things. Here's some of
that work.
I write about
rules,
space, and
affect
because oftentimes they confuse me. Here's some of
that writing
for publication and here's a private home for
more writing.
I can be heard talking on
this podcast.
My favorite internet thing is
this video.
I think it's cozy and profound.
Thanks for visiting, I hope you found what you were looking for.


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Three days Tourism
Laoshan Mountain > Beijiushui > Eight Great Passes
Olympic Sailing Center > Little Qingdao > Naval Museum
Qingdao Underwater World > International Beer City > Naval Museum
four days Tourism
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Introduction about DeepInfer Model Registry, reproducible research, exposing and ... and a link to the contribution page
The following talbe shows the list of available models in the current version of DeepInfer. For full model description click on the model name.
| Model Name | Organ | Task | Modality | # of Train/Test | Performance | Description | |
|---|---|---|---|---|---|---|---|
| 1 | Brain-Extractor | Brain | Segmentation | MRI | 80 / 30 | Dice: %96 (Test) | Brain Extractor (Skull Stripper) trained on brain cancer patients MRIs. |
| 2 | Brain-Tumor-Segmenter | Brain | Segmentation | MRI | 80 / 30 | Dice: %86, %60, %40(Test) | Brain tumor segmentation into core, enhancing an edema. |
| 3 | WMH-Segmenter | Brain | Segmentation | MRI | 80 / 30 | Dice: %86(Cross-validation) | White matter hyperintensity segmentation on T1-W and FLAIR MRI sequences. |
| 4 | ACDC | Cardiac | Segmentation | MRI | 80 / 30 | Dice: %86, %60, %40(Test) | . |
| 5 | Left-Ventricle-Segmentation | Cardiac | Segmentation | MRI | 80/0 | Dice: %80 | Left ventricle segmentation trained on Stony brook dataset. |
| 6 | Lung-Segmenter | Lung | Segmentation | CT | . | ||
| 7 | Lung-Nodule-Segmenter | Lung | Segmentation localization |
CT | . | ||
| 8 | Prostate-Segmenter | Prostate | Segmentation | MRI | . | ||
| 9 | Prostate-Cancer-Diagnosis | Prostate | Segmentation Localization |
MRI | . | ||
| 10 | Cell-Segmenter | Cell/Pathology | Segmentation Localization |
Microscopy | . | ||
| 11 | Prostate-Needle-Finder | External object | Segmentation Localization |
MRI | . | ||
| 12 | Needle-Finder | External object | Segmentation Localization |
MRI | . |
Here is a list of available models categorized based on the anatomical organ:
Prostate segmenter has multiple models trained on different datasets and two types of models.


Open Open the target file - display drawing.
Choose Open from File Menu.
A dialog box will prompt you through the process. You must “Open” a file to work on it.
You can open any supported file type: .JB0, .JB1, .DXF, .LB1
This command "copies" the target file into the Workfile.
You may add to, delete from, or edit segements in the Open file.
All Trap and Edit functions affect them.
Open files are displayed in bright colors on the screen.
The Name of the Open file is displayed on the caption bar.
Only one file may be open at a time.
Save, or close, the file to make changes permanent on the disk file.


Hinting
PostScript originally required that hints should not overlap. Now it requires that any active set of hints be non-overlapping, but it allows you to change sets as you move through the glyph.
So to implement hinting with hint substitution FontForge needs to know not only the position and width of the stem being hinted, but also where the stem should be active. And it needs to know what stems overlap which other stems.
The horizontal stems are drawn in light green. The vertical stems are drawn in light blue. The areas where the stems are active are filled in as rectangles, outside of that area the stems' outlines are drawn with dotted lines. Most of these stems do not conflict with any other stems, but two, the bottom two horizontal stems conflict with each other. All the non-overlapping stem hints may be active at the same time, but only one of the two conflicting stem hints may be active. As FontForge outputs the glyph it decides at each point what stems need to be active, and activates them.
PostScript now allows FontForge to control relative counter sizes. Counters are the spaces between adjacent stems. In the example at left there are two counters of equal sizes between the horizontal stems on the left, and three counters of equal sizes on the right. These form two independent counter groups, and FontForge's Hints->Auto Counter command will generate a counter description for each of them. You may also control the counters directly by using the Counters pane of the Element->Char Info dialog.
Counters spaces appear between vertical stems too, and in this case FontForge would output one counter group for the vertical stems.
Serifs
One of the major advantages of hint substitution is that it allows certain standard serif situations to be described. In the example at right, the serif one the left is smaller than the stem a bit further right.
But it doesn't solve all problems (or I don't know how to use it to do so). Consider the serif on the right. Hint substitution would allow us to define a hint for the main vertical stem and for the short vertical stem that corresponds to the serif. But the problem that needs to be solved is making the distance between the left edge of the serif and the left edge of the stem be the same as the distance between the right edge of the stem and the right edge of the serif. But doing so would require overlapping hints, active at the same time. I think
Automatic Hinting
FontForge's AutoHint command can be used to figure out horizontal and vertical stem hints. It will also find hint substitution points (if any are needed), and will check for the simple counter description allowed by OpenType for non-Asian fonts (the equivalent of h/vstem3 hints in type1 fonts).
Whenever you change a glyph FontForge keeps track of that fact that the hints are out of date (when you autohint a glyph, or make a manual change to the hints FontForge resets this flag). If you generate a postscript font from something that contains glyphs with out of date hints, then FontForge will automagically regenerate them.
This may not always be appropriate. You can turn this off in general with the AutoHint preference item. You may turn it off for an individual glyph with the Hints->Don't AutoHint command.
Manual Hinting
I hope that the FontForge's autohint command will be good enough that manual efforts will not be needed. But hopes like this are rarely fulfilled.
The AutoHint command should find all stems in a glyph. Some of them it deems to be useless and will remove them. If you find that FontForge is removing a hint that you think is important then invoke Hint->AutoHint with the shift key held down, this will tell FontForge not to prune any of the stems. You may then use Review Hints to prune things yourself.
If you find that you must create your own hints, FontForge will only allow you to specify the position and width of the hint, it will then go off and try to guess the extents where the hint should be active.
You may manually:
- Clear all horizontal stem hints
- Clear all vertical stem hints
- Select two points and create a vertical stem hint that whose width is horizontal distance between the two points
- Select two points and create a horizontal stem hint whose width is the vertical distance between the two points
- Create a horizontal hint starting at an arbitrary y location with an arbitrary vertical width.
- Create a vertical hint starting at an arbitrary x location with an arbitrary horizontal width.
- Review all your hints, manually changing or removing any (or all).
Once you have made a manual change to a glyph's hints with any of the above commands, that glyph will be marked "Don't AutoHint" until you explicitly call the AutoHint command on it. You may also explicitly use the Hints->Don't AutoHint command to turn off FontForge's automatic hinting attempts.
You may also manually
- Set hint change-over points
- Set counter groups for a glyph
These do not set the "Don't AutoHint" bit.
Manual Hint Substitution Points
FontForge's Hints->Hint Substitution Pts command will automatically figure out where hint substitution should occur, but if this isn't good enough you may do it manually with the Element->Get Info command (when the selection is a single point to which you want to attach a hintmask).
If a glyph has conflicting hints then the first point in the glyph (the first point on the first contour) MUST have a hintmask attached to it. If it does not, the FontForge will automatically figure substitution points when it generates the font. Other points are not required (but may) have a hintmask.
The hintmask specifies what hints should be active when that point is positioned, and will control all subsequent points until a new hintmask is established. So in the following example, the selected point (on left) has the highlit hints active at it, In the glyph view the currently active stems are drawn much darker than the inactive ones. Points with hintmasks attached to them have circles drawn around them.
Remember to hold the control key down when making disjoint selections.
### Manual Counter Groups
FontForge also has a Hints->Auto Counter command which tries to figure out what stems form a counter group.
Again you can do this manually, with the Counter pane of the Element->Char Info dialog. When creating a new counter group you are presented with a dialog very similar to the one above in which you must select a set of hints that bound a set of counters.
The Private dictionary
This contains font-wide hinting infomation. Things like: The standard width of a stem in the font (StdVW, StdHW), The standard height of capitals and lower case letters (BlueValues, OtherBlues), and so forth. These live in the PostScript Private dictionary. Once you have hinted your font fontforge can generate reasonable values for these settings (But you must have hinted the font first!) -- See the [Guess] button in the Element->Font Info->PS Privatedialog. Then once you have generated BlueValues you should rehint the font (the hints depend on the BlueValues, just as the BlueValues depend on the hints:-).
Hints and previously existing fonts.
FontForge will not be able to convert TrueType instructions into PostScript hints when it reads a TrueType font (the format is too complex, there are too many possibilities, instead FontForge stores all the truetype instructions and writes them back out uninterpretted).
From a Type1 font it will happily read all the hints in a glyph, and keep track of hint substitution points. It will not read counter hints though.
In an OpenType (Type2) font FontForge will read in all the hints, keep track of hint substitution points and the counter hints.
Hinting and TrueType
FontForge can auto-instruct a truetype font (Hints->AutoInstr). FontForge also allows you the somewhat arcane practice of editing glyph instruction programs directly (Hints->Edit Instructions).
FontForge's Auto Instructor bases its output on the PostScript Stem Hints, the contents of the Private dictionary, and diagonal stems. You can create diagonal stems manually (Hints->Add DHint), or you can let the autohinter do this for you (File->Preferences->PSHints->DetectDiagonalStems).
Please look at the page on instructing fonts.
Hint questions:
I find the hint documentation inadequate for me to do a good job at hinting.
- Section 2.4 of T1_Supp.pdfsays that vertical counters are offset from the lbearing, but the example 2.6 shows them being offset from 0.
- In Type2 is it ok to use Counter mask if LanguageGroup is not 1 and the stems don't fit into a *stem3 pattern? Or can cntrmask only be used for *stem3 in latin letters?
- How do hints work? Is a hint meaningful if there are no points associated with it? As in the "O" at right, where the two vertical stems have no points associated with them.
- Is it meaningful for a hint to have points only on one side of it? Can reasonable hints be written for the serif cap above left?
Overview of Hinting in PostScript and TrueType.
Hinting menu.


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Date Picker example with MomentDatetimeAdapter
DateAdapter is a generic class, components such as Datepicker also need to be made generic. When working with these
classes (for example as a ViewChild) you should include the appropriate generic type that corresponds to the
DateAdapter implementation you are using. For example:
@ViewChild(DatePickerComponent) datePicker: DatePickerComponent<Moment>
;
Locale time zone and strict mode
By default the MomentDateAdapter creates dates in your time zone specific locale and in
forgiving mode. You can change the default
behaviour by setting useUtc: true
and strict: true
.
MomentDatetime formats
The DATE_TIME_FORMATS
object is a collection of formats that components such as datepicker, timepicker,
etc. uses when parsing and displaying dates. These formats are passed through to the DatetimeAdapter
.
The MomentDatetimeAdapter
has MOMENT_DATETIME_FORMATS
, provided in the code of the
example.
These formats could be customized, but be sure they are compatible with the DatetimeAdapter.
You can read more about moment parsing formats, and
display formats.


BE HAPPY BE BRIGHT BE YOU!!!!
If you want to be happy on a purpose.when you wake up,you can't just wait to see what kind of day you'll have.You have to decide what kind of day you'll have.
WHEN YOU BELIEVE IT YOU WILL RECIEVE IT !


Bepensa Building / Boyancé Arquitectura + Edificación
- Curated by Clara Ott
- about 22 hours
Office Buildings · Mérida, Mexico
- version="1.0" encoding="UTF-8"? Architects: Boyancé Arquitectura + Edificación
- AreaArea of this architecture projectArea: 1787.0 m2
- version="1.0" encoding="UTF-8"?YearCompletion year of this architecture project Year: 2018
- version="1.0" encoding="UTF-8"?PhotographsPhotographs: Manolo R. Solís
- version="1.0" encoding="UTF-8"?ManufacturersBrands with products used in this architecture project Manufacturers: Cessantoni, Millet, Technoterma
- Lead Architect Gerardo Boyancé Ancona
- Design Team Natalie Dager García, Alexandra Rodriguez, Andree Pasos Dzul
More Specs Less Specs
Text description provided by the architects. The building is located north of Mérida, Yucatán, designed by the Architect Augusto Quijano in the mid-'90s, with an original construction area of 1,457.10 m2. The emblematic building is built with precast bare concrete. For this reason, we only made a small intervention on the exterior, while focusing more on the interior spaces, leaving them with adequate views and light inputs to achieve optimal working areas.
The exterior intervention took the form of an aluminium and glass cube that does not disturb or overlap with any original concrete elements, giving an impression of always having been part of the building. This volume is the main boardroom, which was an addition to the program, and therefore had to mark the intervention. In the interior treatment of the building, some openings were strategically reconfigured to create natural lighting to important workspaces. Functional workspaces with a lot of contact with the outside and that responded to the needs of the user looking for something very contemporary were, added as well.
The new needs of a corporation with more employees were met. In the interior a wooden skin was presented as the only material referring to the intervention, to give more warmth to the space and to unify the requested railing for the staircase, due to the growth in the back of the building. In this way, the intervention respects and coexists with the original building, instead of imposing itself on it.


{% extends 'base.html' %} {% block content %} Riddle Me This! Old Style Riddles from The Project Gutenberg What you were looking for is just not there... {% endblock content %}
What you were looking for is just not there...


Sample document
This is a tree:
Root node
Child 1
I'm grandson!
Oh my god
Hidden child
Who am I?
Child 2
← Here is something!
Child 3
oh!
↖ This is something!
Child 4
It has only
no-branch children
Child 5
Some no-branch
children and
normal child at bottom


Dear ${firstName} ${lastName},
Sending Email using Spring 4 with Velocity Template!!!
Thanks
${signature}
${location}


Welcome to Patterns. A library that aims to bring webdesign and development together.
Did you see the patterns talk at the Plone Conference in Arnhem 2012? Here are the slides that were used for the demonstration.
Patterns is a combination of a library and a workflow. That workflow goes something like this:
Designer creates an HTML5 prototype. By including Patterns library, he can use a series of rich interaction patterns by applying dedicated classes and data-attributes instead of writing Javascript. The prototype he contains an example of all important page types with working interaction patterns such as form elements, modal panels, AJAX injections, etc.
Now the designer can validate a rich prototype with both the business stakeholders and the developer. All possibilities and impossibilities will surface before anything is built. This will prevent a lot of change requests and headaches during the development phase
Designer hands the prototype over to the developer who copies most of the HTML over into his own templates. By doing that, all the interaction patterns work already as applied by the designer. In some cases, the developer can write some extra JavaScript, or apply some patterns on his own, as a prototype is never fully complete.
For changes to an existing design, the process will look more or less the same, except everything will likely happen in shorter iterations and more in parallel.
Below you'll find some working example of a selection of patterns. Full documentation is found on Readthedocs.org
There are three ways of getting patterns in your site or prototype. You can download the patterns package and host it from your own server, or included it hosted from our server. It's up to you what you find easiest.
To use patterns hosted externally, just paste the following line into your HTML:


Michael Bloomberg registers committee in anticipation of 2020 US presidential poll
The 77-year-old former mayor of New York filed paperwork to register a committee called "Mike Bloomberg 2020,"
Billionaire businessman Michael Bloomberg, yet to officially declare himself a presidential candidate, took another step towards a run at the White House Thursday by registering with the US Federal Election Commission.
The 77-year-old former mayor of New York filed paperwork to register a committee called "Mike Bloomberg 2020," commission spokeswoman Judith Ingram confirmed to AFP.
All candidates must register with the commission if they want to raise or spend campaign funds of more than $5,000, but registration itself does not confirm that a candidate is running.
Bloomberg has prepared the groundwork for a possible bid for the Democratic nomination in recent weeks, including registering as a candidate in the states of Alabama, Arkansas and Texas.
A message on his website mikebloomberg.com says the site is "paid for by Mike Bloomberg 2020."
Ten days ago he said he was "close" to making a final decision on whether or not to enter the crowded field.
His personal fortune of $50 billion means a Bloomberg candidacy would likely shake up the open race, with 17 candidates already vying to be the Democratic nominee to take on President Donald Trump next year.
Bloomberg's advisors have said that if he does run then he will probably not campaign in the four states that will hold primaries in February.
Instead, he would focus on the 15 primaries scheduled for March 3, known as "Super Tuesday," including the most populous states of California and Texas.
Former vice president Joe Biden leads the race ahead of left-wingers Elizabeth Warren and Bernie Sanders, with moderate Pete Buttigieg in fourth place, according to national polls.


| word | The | snow | -covered | men | saw | the | does | off | . |
|---|---|---|---|---|---|---|---|---|---|
| pos | DET | NOUN | ADJ | NOUN | VERB | DET | NOUN | PRT | . |
| word | The | snow | covered | man | see | the | doe | off | . |
| WN POS | name | Examples |
|---|---|---|
| n | Noun | dog, me, smiling |
| v | Verb | smile, look up |
| a | Adjective | quick, warm, many |
| r | Adverb | quickly, most, un-[clasp] |
| x | Other | Hello, Thank you |
If we want to write something about a word or sentence in the style of Holmesian Annotation, then start the annotation with 'ANOT: '. E.g.
sid 48800 "Sufficient for to-morrow is the evil thereof, but I
hope before the day is past to have the upper hand at last.'"
Sentence comment = "ANOT: A reference to Mathew 6:34 "Take
therefore no thought for the morrow: for the morrow shall take
thought for the things of itself. Sufficient unto the day is the
evil thereof.""
Note: students cannot write sentence comments at present, but
can mention it in their reports or add it to a word.
We sometimes create named entities in order to match across languages, although we do not expect to keep them in the wordnet.
These are tagged as notag in SemCor.
Lemma: arrow (Singapore English) This is a hypernym of 012345678-x Def: "To assign a task to someone. Generally used only if the task is unpleasant or boring." Ex: "They come and arrow me type their document"If you are not working in English, please give a definition in both English and the language you are working in.
If you think that a word is being used in a metaphorical sense, but it is not established enough to be in wordnet, then tag with the closest literal sense, and add "METAPHOR" in the comments. If there is a good synset for the metaphorical use, then also note that "METAPHOR: 12345678-x".
Regardless of the tag they may currently have (i.e. likely 'e' or 'w'), foreign words (like 'buka puasa', above) should be tagged with the synset that corresponds to that concept in the corresponding language.
In this case, we don't want to add 'buka puasa' to the English wordnet. Buka puasa is an Indonesian word, and it should be present / or added to that wordnet. If you are ever asked to tag a word like this there are two things you should do:
We want to be able to tell foreign words apart from other words. Usually they have a special POS, but that is often incorrect. This comment will allow us to find them all whenever we want.
Experienced annotators can have access to the wordnet editing interface (this is not the case for students annotating as part of a class project).
Suggested changes to wordnet can be added to wordnet.
Don't forget to check for orthographic variants of existing
synsets first. E.g. stir-fry is in wordnet as stir fry,
then stir-fry should just be added to that synset
(
These are based on the Guidelines for the Gloss Annotation Project and the Cheatsheet fof the Gloss Annotation Project, thanks to Christiane Fellbaum for sharing them.
How to determine part of speech for the word/collocation. This is not always as obvious as it seems! There are four particularly tricky cases. These are all tricky because the part of speech of a word is not always the same as the grammatical function that the word is performing in the sentence or phrase. For instance, nouns can function similarly to what are traditionally called adjectives, and verbs can take on the roles of nouns or adjectives.
The general rule of thumb for deciding whether it is a noun or adjective is to check the sense list first for whether there is an adjective sense corresponding to the word, and, if not, then whether there's a corresponding noun sense. So, damp in damp weather is an adjective, even though a noun sense exists. And cotton in cotton shirts is a noun, which is modifying another noun. If there is no adjective sense in WordNet, then you should make sure that it is not truly an adjective that is missing from WordNet. A good clue that you have an adjective is if you try to modify it with very or rather and it sounds ok: very/rather favorable conditions (ok) vs. very/rather cotton shirts (not ok). Another good clue is if you can make a comparative or superlative form out of it (damper/dampest/more favorable/most favorable conditions are all adjectives, but cottoner/cottonest/more cotton/most cotton shirts are not). If either of these tests come up ok (that is, very/rather x sounds good or either x-er/x-est or more/most x sounds good), and there is no matching adjective sense, then you need to add a new sense to wordnet. Note that these tests are only valid if they come up ok. Then you know you have an adjective for sure. If the tests are not ok, then it may still be an adjective. This is because the tests only work for certain kinds of adjectives, but not all. If the tests are not ok (that is, none of very/rather x and x-er/x- est/more x/most x sound good), then check for a matching noun sense. If there is no matching noun sense, then do not assign any sense. (But see below first regarding present and past participles, since it might be a verb!). If a noun sense does exist, then the word can be considered a noun, and be tagged to the noun sense.The noun-sense rule applies only when the word is modifying a noun. If the word is being used predicatively (that is, after some form of the verb be, or where the verb could be replaced by a verb such as seem, look, appear, etc.) In the predicative case, there may be some confusion as to whether what follows the verb is an adjective or a noun. So, in
damp is an adjective here. Notice that you can replace was with seemed/looked/appeared and still get a grammatical sentence: the weather seemed/looked/appeared damp. But note the difference between the pairs:
In the second pair, drunk is clearly a noun, not an adjective. It is the complement of the verb be here. Two reliable ways to recognize a noun are if it is (or can be) preceded by a determiner (such as a or the) or adjective (he was a silly drunk). In summary: When you have the situation of modifier noun, the modifier will be an adjective when there is a corresponding adjective sense in WordNet for the meaning it is being used with OR there is no corresponding adjective sense, but any of the tests come up ok ( very/rather (sounds good when you preface it with very or rather) or –er/– est/more/most (x-er/x-est/more x/most x)) , in which case Sense not in WordNet should be assigned.
The modifier will be a noun when:
If it is neither an adjective nor a noun, it might be a verb (see below)
The -ing form of verbs can function as adjectives. For instance,
How to tell? The easy case is when the word is modifying a noun. In general, these are adjectives if there is a corresponding adjective sense in WordNet. Such adjective senses exist for frightening and working . However, this is not the case for clicking and playing, so that in the following sentences,
the appropriate verb senses of click and play would be selected instead. (This is because these are verbs playing the part of adjectives, but are not adjectives in themselves.) When the word appears predicatively (after some form of the verb be), the rule can't always be applied since it might be impossible to tell whether it is being used as a verb or an adjective.
Without more information, you cannot know whether the third sentence means that the women are picketing, or whether they are beautiful. For ambiguous cases like this, if the context does not make it clear chose which you think is most appropriate and add a comment saying that it is hard to tell.
Past tense participles can also function as adjectives. The past tense participle is the form of the verb that appears with the past tense auxiliary have. It usually, though not always, ends in -en or -ed: written, destroyed, and spun are past participles of write, destroy and spin, respectively. The rule of thumb will be similar to the present participle cases. Where the word modifies a noun, check first for a corresponding adjective sense. If no adjective sense exists, then assign the verb sense (if there is one that matches the meaning as used in the sentence).
Again, the hard cases occur when the word appears predicatively (ie., after some form of the verb "to be", or where the preceding verb can be replaced by a verb such as seem/look/appear, etc.).
In the first sentence, written is a verb. A good test of this is to put the auxiliary verb in the progressive – The sentence WAS BEING written down for clarity. That makes it clear it is an act or action that occurred. The second sentence cannot be phrased that way and still have the same sense: The sentence was being written as opposed to spoken.In the third sentence, it is not clear whether "written" refers to an act of writing, or the attribute or quality of being written. For ambiguous cases like this, do not assign a sense, and the lexicographers will make the determination.
To complicate things further, the present participle of verbs can function as a noun. Often, the distinction is easy to make, if it appears where a noun is called for grammatically, and there is a corresponding noun sense in WordNet.
If no noun sense exists, then assign the verb sense, if one exists, as for
However, if the word is being used as a verb, then a noun sense should never be assigned! This is easy if there is no noun sense, as for frolicking
You can test this out, too. A verb can never be modified by a or the or a possessive pronoun such as my/your/our, etc. Try it with the 2 sentences above--it hurts! But, again, there will be cases where this determination will be impossible to make
It is not clear whether writing in the 3rd sentence refers to the act of writing something (eg, a letter), or whether writing is the object itself (ie, her writing, or an author's writing, marks on a piece of paper, etc.) For ambiguous cases like this, assign a sense and comment on the difficulty.
Tag the first word as JJ, surface form includes the hyphen, lemma does not: long-, JJ long; brown-, JJ brown.
Tag the second word as NN, surface form includes the ed, lemma does not: legged, NN leg; eyed, NN eye. If the compound is in wordnet, make a multi-word compund and use it (e.g long-legged is 02385851-a).
In any case, make two concepts for the original words, tagged as 'x' for the multiword and tagged for each word otherwise.
Similarly for well-written (Adv, verb) and odd-sounding: split, lemma does not include hyphen.
Please tag comparatives and superlatives with their base form. So better is good, least is less, etc
The fact that e.g. wiser means "more wise" is deducible from the POS tag (JJR: comparative), so just chose the most appropriate sense of wise
In WordNet, senses are in part defined by their relations to other senses. For this reason, the WordNet relations can be very useful in narrowing down which of the senses applies to a particular occurrence of the form. The relations for any word or collocation can be viewed through the WordNet browser. From the WordNet entry of the word you are tagging, clicking on one of the sense buttons will display the full entry: you may want to middle click to open in a new tab.
The main relations that are of help are Hypernyms, Derivationally related forms, and Domain. Not all relations will appear for all words and all parts of speech for a word.
The immediate hypernym is the most relevant one here. It is the first indented relation just below the definition (preceded by an arrow =>). The hypernym relation will tell you what kind of thing (object or action) the word refers to. The higher up you go in the hypernym relations, the more general the senses get (and so often less informative). There is a new indentation for each level up you go. For instance, two senses of the noun center that are rather close are
Is this term restricted to one topic or area or field or context?
Where they exist, the domain relations can be quite helpful in narrowing senses down. A word’s domain will tell you whether it is restricted to some field or area such as Law or Art. Take the noun work. It has 7 senses, and if you look at its domains, you can see that one of its senses is restricted to the domain of physics, having to do with the transfer of energy.
Thanks to Christiane Fellbaum for sharing some documentation from the wordnet gloss tagging project. Source for the tagger is available here.


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How to remove duplicates in Microsoft Excel to clean up data in individual or multiple columns, Business Insider - Business Insider Singapore
by Laura McCamy, Business Insider US- You can remove duplicates in Excel in a few steps; duplicates can create problems when you’re dealing with data.
- Excel provides an easy tool that removes duplicate values for you, but it can only remove exact duplicates.
- Visit Business Insider’s homepage for more stories.
Duplicate values can be a problem, especially if you’re dealing with a large dataset.
What looks like a list of 100 items might only be 70 once you remove the items that are on the list more than once.
Excel comes with a built-in tool that makes cleaning your data quick and easy. Here’s how it works.
Check out the products mentioned in this article:
Microsoft Office (From 149.99 at Best Buy)
MacBook Pro (From 1,299.99 at Best Buy)
Lenovo IdeaPad (From 299.99 at Best Buy)
How to remove duplicates in Excel for a single column
When you have duplicate data that you want to remove from a single column in your dataset, start by clicking into the column you want to dedupe.
1. Click “Data” in the top menu of the Excel window to open the Data menu ribbon.
2. Click on “Remove Duplicates.”
3. A window will pop up. If your column includes a header, make sure the box next to “My list has headers” is checked.
4. A window will pop up telling you how many duplicates were removed and how many remain. Click “OK” to get rid of the window.
5. Excel will only remove exact duplicates. In this example, the second Square is misspelled as Squarre, so after duplicates are removed, both spellings of Square remain.
6. You can also highlight a range of cells and remove duplicates.
7. When you dedupe a range, only duplicates within the range are removed. In this case, Square is removed, but the duplicates of Circle and Triangle remain.
You can also remove duplicates in more than one column.
How to remove duplicates in Excel for multiple columns
1. First, remove any duplicates in Column A. Place your cursor in the column and right-click to remove duplicates.
2. Click “Remove Duplicates.” When the box pops up, click “OK.”
3. Only duplicates in Column A are now removed, but the value “blue” still appears twice in Column B.
4. If you want to remove duplicates from multiple columns, start by clicking into one of the columns.
5. Click “Remove Duplicates.” Click the box next to Column A to uncheck it. Click “OK.”
6. In addition to the three rows that had the same shape/color combination, this time you also removed the value “Rectangle” from Column A because it was the second row that included “blue” in Column B. Now there are no duplicate shapes or colors.
“Remove Duplicates” is a powerful tool. Use it with care. As noted above, you may miss duplicates if they aren’t exact or you could delete values you want to keep. However, if you make a mistake, you can quickly restore your data by holding “Control” + “Z” on your PC or “command” + “Z” on your Mac keyboard to undo the operation.
Related coverage from How To Do Everything: Tech:
-
How to make a line graph in Microsoft Excel in 4 simple steps using data in your spreadsheet
-
How to add a column in Microsoft Excel in 2 different ways
-
How to hide and unhide columns in Excel to optimize your work in a spreadsheet
-
How to make a pie chart from your spreadsheet data in Microsoft Excel in 5 easy steps
-
How to insert multiple rows in Microsoft Excel on your Mac or PC


Fluid Simulation with the Navier Stokes equation with Javascript (only Desktop)
Create fluid with left mouse button. Create a force emitter with right mouse button.
Find this project and others from David Martínez Ros on https://davidmartinezros.com / mail davidnezan@gmail.com


Personal Kanban on the desktop
I have been a GTD (Getting Things Done) fan as well as an agile practitioner for years. GTD advocates creating hard deadlines so that your slate is always clean. I have been finding this tough to manage as the WIP (work in progress) has been slowly increasing each day. Personal Kanban by Jim Benson and Tonianne DeMaria Barry provided a refreshing view.
Fundamental Principles of Personal Kanban
The two fundamental principles that are harped upon are:
- Principle 1: Visualize your work. (When you can see your workload, you can understand it better)
- Principle 2: Limit your WIP (work-in-progress). (Don’t take on more work than you can handle)
In a nutshell:
To visualize work, one pins tasks in typically three swim-lanes – Ready, Doing and Done. Tasks need to be pulled from the Ready lane to Doing lane for execution and then moved off to Done lane after execution. The limit on WIP is set by limiting the tasks in the Doing lane.
Implementing the visualization part
The visualization part was not very intuitive until I tried it out. One of the differences with GTD is visualization – since to-do lists do not really give one an aerial view of the work on plate. I have been using StarDock Fences to segregate my desktop icons into functionally separate areas. After trying a few lame searches to find a desktop tool, I decided to give it a try using Stardock Fences. Here’s the resultant desktop with five swim-lanes: Waiting, Defer, Do, Doing and Done.
| Before | After |
|---|---|
Nothing exciting so far :-(. I was using separate functional areas for the desktop icons anyways. The kicker :-) was when I moved the “Doing” task to “Done”. The empty Doing swim-lane gave a feeling of contentment. I then started looking at the desktop a bit more and realized that the visualization does indeed help. Here’s what the book says:
Kinesthetic Feedback 2: Pattern Recognition Each time we move a sticky note, we receive kinesthetic feedback: the tactile action is both a data point and a reward. A regular succession of these movements creates a cadence, a rhythm of work. Cadence creates an expectation. We begin to notice patterns (types of tasks most often delayed, tasks that require additional help), make distinctions (what work we enjoy, who we enjoy working with), and can adjust our prioritizations to suit.
I am still working on this to see how the Limit WIP principle help, more updates later…Heavy stuff, but one needs to actually try it to see if it helps.
Tags: productivity, kanban, gtd


 Your energy will never be lost
Cat click


Hi, have you ever been to Ghana!. A country where people interact with similar names. similar names. The reason is their names are corresponding to the days of the week they were born
Yeah: that is it. your birthday alone gives you an akan name
By entering your birthday we get to trace the day you were born and generate to you an akan name
<EMAIL_ADDRESS>+254 795861420


Jacobian emulator.
More...
#include <mvqn_recursive_convergence_accelerator.hpp>
template<class TSpace>
class Kratos::JacobianEmulator< TSpace >
Jacobian emulator.
◆ MatrixPointerType
◆ MatrixType
◆ Pointer
◆ VectorPointerType
◆ VectorType
◆ JacobianEmulator() [1/4]
Old Jacobian pointer constructor. The inverse Jacobian emulator will use information from the previous Jacobian
◆ JacobianEmulator() [2/4]
Old Jacobian pointer constructor with recursive previous Jacobian deleting. The inverse Jacobian emulator will use information from the previous Jacobian
◆ JacobianEmulator() [3/4]
Empty constructor. The Jacobian emulator will consider minus the identity matrix as previous Jacobian
◆ JacobianEmulator() [4/4]
◆ ~JacobianEmulator()
◆ AppendDataColumns()
Appends a two new columns to the observation matrices V and W Then, it checks if the new information columns are linear dependent to the existent ones by computing a QR decomposition and checking the diagonal coefficients of matrix R. If any value is less than the stablished threshold criterion, it is assume that the related column is close to be linear deppendent and is dropped.
- Parameters
-
| rNewColV | new column to be appended to V observation matrix |
| rNewColW | new column to be appended to W observation matrix |
| AbsCutOffEps | epsilon value for the absolut cut-off criteria |
- Returns
- Returns true if the columns have been added
◆ ApplyJacobian()
Projects the approximated inverse Jacobian onto a vector
- Parameters
-
| rWorkVector | Vector in where the inverse Jacobian is to be projected |
| rProjectedVector | Projected vector output |
◆ DropAndAppendDataColumns()
Calls the AppendDataColumns() method to add the new data columns to the observation matrices (provided that the new data columns are not linear dependent to the previous data). Then, if the information has been added, the oldest column is dropped to avoid the number of data columns become larger than the problem size.
- Parameters
-
| rNewColV | new column to be appended to V observation matrix |
| rNewColW | new column to be appended to W observation matrix |
| CutOffEps | epsilon value for the cut-off criteria |
◆ GetNumberOfDataCols()
Get the Number Of Data Cols object This function returns the number of data columns stored. Since the data columns is assumed (and must be) the same in both observation matrices, it is computed using V matrix.
- Returns
- std::size_t number of data columns
◆ GetResidualSize()
Get the Residual Size object This function returns the interface residual size. Since the residual size is assumed (and must be) the same in every column for both observation matrices, it is computed using the first column of V matrix.
- Returns
- std::size_t residual size
The documentation for this class was generated from the following file:


The CPU Usage Profiler displays where time is spent in your game. When it is selected, the lower pane displays hierarchical time data for the selected frame. See documentation on the Profiler Window to learn more about the information on the Profiler timeline.
Drag chart labels up and down to reorder the way the CPU chart is stacked.
When an item is selected in the lower pane, its contribution to the CPU chart is highlighted (and the rest are dimmed). Clicking on an item again de-selects it.
In the hierarchical time data, the Self column refers to the amount of time spent in a particular function, not including the time spent calling sub-functions. In the screenshot above, 41.1% of time is spent in the Camera.Render
function. This function does a lot of work, and calls the various drawing and culling functions. Excluding all of these functions, only 2.1% of time is spent in the Camera.Render
function itself.
The Time ms and Self ms columns show the same information but in milliseconds. Camera.Render
takes 0.01ms but, including all the functions it calls, 0.21ms are consumed. The GC Alloc column shows how much memory has been allocated in the current frame, which is later collected by the garbage collector. Keep this value at zero to prevent the garbage collector from causing hiccups in your framerate.
The Others section of the CPU profiler records the total of all areas that do not fall into Rendering, Scripts, Physics, Garbage Collection or VSync. This includes Animation, AI, Audio, Particles, Networking, Loading, and PlayerLoop.
The descriptions below provide a brief account of what each of the various high-level Physics Profiler markers mean.
FixedUpdate
. This updates the present state of the physics by instructing the physics engine (PhysX) to run its simulation.FixedUpdate
. This is where all the non-cloth physics jobs are processed. Expanding this marker shows low-level detail of the work being done internally in the physics engine.FixedUpdate
. This is where all the cloth physics jobs are processed. Expanding this marker will show low level detail of the work being done internally in the physics engine.FixedUpdate
. This is where the results of the physics simulation are collected from the physics engine.FixedUpdate
. This is where all the physics bodies have their positions and rotations updated as well as where messages that communicate these updates are sent.FixedUpdate
. This stage is run once the physics FixedUpdate
has concluded, and is where all the various stages of responding to the results of the simulation are processed. Contacts, joint breaks and triggers are updated and messaged here. There are four distinct sub stages:
FixedUpdate
. This is where OnTriggerEnter
and OnTriggerExit
events are processed.FixedUpdate
. This is where OnTriggerStay
events are processed.FixedUpdate
. This is where OnCollisionEnter
, OnCollisionExit
and OnCollisionStay
events are processed.FixedUpdate
. This is where updates and messages relating to joints being broken is processed.Update
. This is where updates relating to cloth and their skinned meshes are made.Update
. This stage deals with the interpolation of positions and rotations for all the physics objects.There are some common performance issues the CPU Profiler is able to detect and warn you about. These appear in the Warning column of the lower pane when viewing the CPU Usage.
The specific issues the Profiler can detect are:
In the screenshot above, the Profiler is showing the Static Collider.Move warning. The Warning column shows that this warning has been triggered 12 times in the current frame. The term “delayed cost” means that, although the entry in the Profiler may show a low cost (in this case 0.00ms), the action may trigger more system-demanding operations later on.
Native memory performance profiling allows you to profile activity inside Unity’s native memory management system and assess how it is affecting runtime performance. This can be useful when searching for unwanted or resource-intensive allocation patterns in Unity’s memory management.
To profile Unity’s native memory management, you need to record it. To access native memory recording mode (called Mem Record in Unity), go to Window > Profiler to open the Profiler window. Select the CPU Usage Profiler (if it is not visible, click Add Profiler > CPU) then the drop-down menu underneath the Profiler. Next, click Timeline and then select Mem Record.
| Option | Function | Impact on performance |
|---|---|---|
| None | Mode disabled. This is the default selection. | N/A |
| Sample only | Records memory allocations, re-allocations, de-allocations, activity type, and system. | Low |
| Callstack (fast) | This has the same functionality as Sample only, but also records a shortened callstack from the native allocation site to where the callstack transitions from native symbols into script symbols. Effectively, you can only see the callstack up to the deepest script symbol. | Medium |
| Callstack (full) | This has the same functionality as Sample only, but also records the callstack with full script-to-native and native-to-script transitions. | High |
Note: When the active Profiler is only connected to a standalone player, only the low-impact Sample only mode is supported.
The recorded memory allocation samples appear in the Profiler window in bright red.
Click the High Detail button next to Mem Record to enable High Detail mode. Select a sample to display the allocation type and system. If the callstack was recorded for the selected allocation sample, the associated callstack symbols are resolved and displayed as well:
There are a number of instances where the Mem Record function is useful. For example:
The High Detail view for the CPU Usage Profiler Timeline gives at least one pixel of width to every time sample recorded by Unity’s CPU Usage Profiler.
This allows you to see a complete overview of all activity in a frame, including short-lived activities such as thread synchronization or memory allocation.
To enable the High Detail view, go to Window > Profiler to open the Profiler window. Select the CPU Usage Profiler (if it is not visible, click Add Profiler > CPU) then select the drop-down menu underneath the Profiler and click Timeline followed by High Detail.
The following two images show the difference between the High Detail view and the normal view for the CPU Usage Profiler’s Timeline.


EvE University
<%%_BREADCRUMB_%%>
<%%_ERROR_LIST_%%>
<%%_PAGE_BODY_%%>
This tool has a Public Git @
https://github.com/Elowenn/transneuralcontactinjector
.


resume
blog
about
portfolio
China Express Branding
Let It Riff
was a freelance packaging, logo, lettering, and card design project for an improv game.


Not a bug, it's a feature.
Its structured now. All opposite medals/ribbons now sorted correctly.
All medals/ribbons with no opposite will be listet seperatly bellow.
 Guess it's too early. thanks for the response.


The Boolean expression to evaluate as the condition for showing a template.
directive input ngIf: boolean
The Boolean expression to evaluate as the condition for showing a template.
directive NgIf<boolean>
A structural directive that conditionally includes a template based on the value of
an expression coerced to Boolean.
When the expression evaluates to true, Angular renders the template
provided in a then
clause, and when false or null,
Angular renders the template provided in an optional else
clause. The default
template for the else
clause is blank.
A shorthand form of the directive,
*ngIf="condition"
, is generally used, provided
as an attribute of the anchor element for the inserted template.
Angular expands this into a more explicit version, in which the anchor element
is contained in an <ng-template>
element.
Simple form with shorthand syntax:

Content to render when condition is true.

Simple form with expanded syntax:
<ng-template [ngIf]="condition">
Content to render when condition is true.
</ng-template>
Form with an "else" block:

Content to render when condition is true.
 <ng-template #elseBlock>Content to render when condition is false.</ng-template>
Shorthand form with "then" and "else" blocks:

 <ng-template #thenBlock>Content to render when condition is true.</ng-template> <ng-template #elseBlock>Content to render when condition is false.</ng-template>
Form with storing the value locally:

{{value}}
 <ng-template #elseBlock>Content to render when value is null.</ng-template>
The *ngIf
directive is most commonly used to conditionally show an inline template,
as seen in the following example.
The default else
template is blank.
else
To display a template when expression
evaluates to false, use an else
template
binding as shown in the following example.
The else
binding points to an <ng-template>
element labeled #elseBlock
.
The template can be defined anywhere in the component view, but is typically placed right after
ngIf
for readability.
then
templateIn the previous example, the then-clause template is specified inline, as the content of the
tag that contains the ngIf
directive. You can also specify a template that is defined
externally, by referencing a labeled <ng-template>
element. When you do this, you can
change which template to use at runtime, as shown in the following example.
You might want to show a set of properties from the same object. If you are waiting
for asynchronous data, the object can be undefined.
In this case, you can use ngIf
and store the result of the condition in a local
variable as shown in the following example.
This code uses only one AsyncPipe
, so only one subscription is created.
The conditional statement stores the result of userStream|async
in the local variable user
.
You can then bind the local user
repeatedly.
The conditional displays the data only if userStream
returns a value,
so you don't need to use the
safe-navigation-operator (?.
)
to guard against null values when accessing properties.
You can display an alternative template while waiting for the data.
The shorthand syntax *ngIf
expands into two separate template specifications
for the "then" and "else" clauses. For example, consider the following shorthand statement,
that is meant to show a loading page while waiting for data to be loaded.

 ...
 <ng-template #loading>
Loading...
 </ng-template>
You can see that the "else" clause references the <ng-template>
with the #loading
label, and the template for the "then" clause
is provided as the content of the anchor element.
However, when Angular expands the shorthand syntax, it creates
another <ng-template>
tag, with ngIf
and ngIfElse
directives.
The anchor element containing the template for the "then" clause becomes
the content of this unlabeled <ng-template>
tag.
<ng-template [ngIf]="heroes" [ngIfElse]="loading">
 ...
 </ng-template> <ng-template #loading>
Loading...
 </ng-template>
The presence of the implicit template object has implications for the nesting of structural directives. For more on this subject, see Structural Directives.
Selectors: | [ngIf] |
NgModule: | CommonModule |
Public API | |


TITLE OF RESEARCH: Computational Cognitive Science
PRINCIPAL INVESTIGATOR: Thomas Griffiths
PRINCIPAL INVESTIGATOR’S DEPARTMENT: Psychology
You are being invited to take part in a research study. Before you decide to participate in this study, it is important that you understand why the research is being done and what it will involve. Please take the time to read the following information carefully. Please ask the researcher if there is anything that is not clear or if you need more information.
This project aims to collect data that can be used to understand how people plan.
You will be presented with some information (e.g., a written narrative, hypothetical scenarios, or scientific data) and will then be asked to make one or more judgments about that information, or decisions based upon it. In some cases you will be asked to provide explanations or justifications for your responses, typically in the form of a short paragraph. The task will not involve deception or emotionally disturbing materials - just simple questions about categories, causal relationships, and languages. The task you will perform will be one or more of the following: 1. Being shown a set of members of a category, and then asked to indicate which other objects are likely to belong to the category. 2. Being presented a sequence of pictures or sounds, and being asked to predict the next item in the sequence. 3. Being told a set of words in a language, and then making judgments about whether other words belong to the language. 4. Being shown statistical information about the interaction of causes and effects, and then making judgments about the causal relationships involved. 5. Observing a set of events or reading a description or information, and then evaluating the probability of events or statements. 6. Being presented with one or more visual puzzles and re-arranging elements on a screen to solve them. 7. Being presented with visual stimuli and making a quantitative or qualitative judgment on the basis of said stimuli. 8. Interacting with one or more participants about shared stimuli using a chat box.
Your total expected time commitment for this study is: 10 – 30 minutes..
There are no direct benefits to you as a participant; however, by furthering our understanding of human cognition, this research will benefit society by helping with the development of automated systems that can better solve problems that are computationally challenging, but that people can solve easily with little formal guidance.
Risks associated with participation in this study are minimal. You may feel slight discomfort answering some questions, but you may refrain from answering any questions that make you uncomfortable and may withdraw your participation at any time even after completing the experiment without penalty.
We will not be asking for any personally identifying information, and we will handle responses as confidentially as possible. Your name, or your Worker IDs will never be tied to your responses on this survey. However, we cannot guarantee the confidentiality of information transmitted over the Internet. To minimize this risk, data containing anything that might be personally identifiable (e.g. Worker IDs) will be encrypted on transfer and storage and will only be accessible to qualified lab personnel. We will be keeping data collected as part of this experiment indefinitely. This anonymized data (containing neither Worker IDs nor IP addresses) may be shared with the scientific community and corporate sponsors. At the end of the survey you may be asked if you would like to provide your email or MTurk ID to be contacted to participate in future studies., If you choose to provide this information, you may be contacted for participation in future studies.
For your participation, you will receive $1.50 as well as a performance-dependent bonus. The median bonus is $1.75. If you are on Mturk or Prolific and for any reason you do not complete the study (e.g. technical difficulties, or a desire to stop), we will only be able to pay you if you send a message through MTurk/Prolific, or by emailing the researcher. If you have any questions about the study, feel free to contact the Principal Investigator, Thomas Griffiths, at<EMAIL_ADDRESS>I understand the information that was presented and that:
I hereby give my consent to be the subject of your research.


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Bruce backs Newcastle players to keep on bouncing as hectic schedule looms
Newcastle head to Aston Villa on Monday night.
Newcastle boss Steve Bruce believes his side’s season could be defined by this calendar year’s remaining fixtures.
The Magpies play at Bruce’s former club Aston Villa on Monday and host champions Manchester City a week on Saturday before diving into a hectic schedule in December.
“I said coming into this run of games, after the international break, this next five or six weeks is probably the defining part of the season,” Bruce said.
“The games come thick and fast. I think we’ve got six or seven games in December, which is ridiculous, so it will define the season and where we’re going to be.”
Newcastle head to Villa after back-to-back Premier League wins – at West Ham and against Bournemouth – which have taken some of the sting out of the fan criticism Bruce has faced since taking on the job in July.
“The difference in a couple of weeks and a couple of wins and what it does, especially to a club like ours, is remarkable,” he said.
“The players are bouncing around the place, training is as lively as it’s ever been and they’re all champing at the bit.
“Of course we’ve picked up one or two knocks but we’ve got one or two getting back fit so let’s hope we can keep the run going.”
Ciaran Clark is an injury doubt for Monday after sustaining a knock while on international duty for the Republic of Ireland, while fellow defender and skipper Jamaal Lascelles is sidelined due to a fractured tibia.
But Bruce confirmed two other defenders, Florian Lejeune and Fabian Schar, could make a timely return to action at Villa Park.
Frenchman Lejeune has yet to appear this season after rupturing an anterior cruciate knee ligament in April, while Switzerland centre-back Schar has been out with a knee problem since mid-October.
“(Lejeune) is now ready to go and the same goes for Schar too,” Bruce added. “As long as they come through the next two or three days unscathed then both of them will come into contention and that can only be a good thing.”
Winger Matt Ritchie remains sidelined after his recent setback when returning to training following ankle ligament damage.
Bruce confirmed Ritchie consulted a specialist on Wednesday for a second opinion after having minor surgery last month.


Work Day Scheduler
This work day planner is made to help people who have a lot to do.
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Password generator
Do you have a hard time thinking of a new Password than you need the Password generator.
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DnD-Spells
Do you have a hard time remembering what spells you have than check out the DnD-Spells site.
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This can help any coder make a great read.ME.
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Do you have a hard time keeping track of your team and what they do or remembering what new job you just made up, you don't have to worry because you can use the Team-Profile_generator to make this easy.
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Eric Clapton interactive wikipedia
Eric Patrick Clapton, (born 30 March 1945), is an English rock and blues guitarist, singer, and songwriter. Clapton has been referred to as one of the most important and influential guitarists of all time.
I wanted to pay tribute to his great muisc by creating this game, where you can test your knowledge about his music and music journey.
To play this game you need to :
- read the game rules.
- bring up your browser's console.
- click "Start game" to start playing.
Eric Clapton interactive wikipedia


Models, Views, and Controllers
What is MVC?
Whenever you create an application, you have to find a way to organize the code to make it simple to locate the proper files and make it simple to maintain. Like most of the web frameworks, CodeIgniter uses the Model, View, Controller (MVC) pattern to organize the files. This keeps the data, the presentation, and flow through the application as separate parts.
It should be noted that there are many views on the exact roles of each element, but this document describes our take on it. If you think of it differently, you’re free to modify how you use each piece as you need.
Models manage the data of the application and help to enforce any special business rules the application might need.
Views are simple files, with little to no logic, that display the information to the user.
Controllers act as glue code, marshaling data back and forth between the view (or the user that’s seeing it) and the data storage.
At their most basic, controllers and models are simply classes that have a specific job. They are not the only class types that you can use, obviously, but they make up the core of how this framework is designed to be used. They even have designated directories in the app directory for their storage, though you’re free to store them wherever you desire, as long as they are properly namespaced. We will discuss that in more detail below.
Let’s take a closer look at each of these three main components.
The Components
Views
Views are the simplest files and are typically HTML with very small amounts of PHP. The PHP should be very simple, usually just displaying a variable’s contents, or looping over some items and displaying their information in a table.
Views get the data to display from the controllers, who pass it to the views as variables that can be displayed
with simple echo
calls. You can also display other views within a view, making it pretty simple to display a
common header or footer on every page.
Views are generally stored in app/Views, but can quickly become unwieldy if not organized in some fashion.
CodeIgniter does not enforce any type of organization, but a good rule of thumb would be to create a new directory in
the Views directory for each controller. Then, name views by the method name. This makes them very easy to find later
on. For example, a user’s profile might be displayed in a controller named User
, and a method named profile
.
You might store the view file for this method in app/Views/user/profile.php.
That type of organization works great as a base habit to get into. At times you might need to organize it differently. That’s not a problem. As long as CodeIgniter can find the file, it can display it.
Models
A model’s job is to maintain a single type of data for the application. This might be users, blog posts, transactions, etc. In this case, the model’s job has two parts: enforce business rules on the data as it is pulled from, or put into, the database; and handle the actual saving and retrieval of the data from the database.
For many developers, the confusion comes in when determining what business rules are enforced. It simply means that any restrictions or requirements on the data is handled by the model. This might include normalizing raw data before it’s saved to meet company standards, or formatting a column in a certain way before handing it to the controller. By keeping these business requirements in the model, you won’t repeat code throughout several controllers and accidentally miss updating an area.
Models are typically stored in app/Models, though they can use a namespace to be grouped however you need.
Controllers
Controllers have a couple of different roles to play. The most obvious one is that they receive input from the user and then determine what to do with it. This often involves passing the data to a model to save it, or requesting data from the model that is then passed on to the view to be displayed. This also includes loading up other utility classes, if needed, to handle specialized tasks that is outside of the purview of the model.
The other responsibility of the controller is to handle everything that pertains to HTTP requests - redirects, authentication, web safety, encoding, etc. In short, the controller is where you make sure that people are allowed to be there, and they get the data they need in a format they can use.
Controllers are typically stored in app/Controllers, though they can use a namespace to be grouped however you need.


---
layout: post
title: How to secure Message Queues in Apache ActiveMQ
date: '2016-07-07T02:23:00.001-07:00'
author: Bennet Schulz
tags:
- Messaging
- ActiveMQ
modified_time: '2016-07-07T02:34:16.507-07:00'
thumbnail: https://img.youtube.com/vi/4FIKFgpKq6I/default.jpg
blogger_id: tag:blogger.com,1999:blog-3189340956761677857.post-2414797354518565571
blogger_orig_url: http://www.bennet-schulz.com/2016/07/secure-apache-activemq-message-queues.html
permalink: /:year/:month/:title.html
---
Securing Apache ActiveMQ is not that hard as it looks at first glance.
Luckily it comes with lots of powerful tools especially for security configurations.
This time I didn't want to write lots of text, therefore there is a youtube video embedded, which shows how I secured the Message Queues of a vanilla ActiveMQ.
If you have questions, just leave a comment or get in contact with me at twitter.


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Extras are OPTIONAL - you do not need to set up any extras.
Extras is used in conjunction with PayPal and the appropriate totals will be calculated.
To disable the Extras capability, do not publish any Extras.
Cancel: Abort changes and return to the previous screen.
Save: Save changes and return to the previous screen.
Help: Opens this help screen.
Screen Label: This is the booking screen label for the extra.
Tool Tip: This text will appear when the customer hovers over the dropdown list for this extra.
Extra Charge: Charge per hour or per booking, for this extra. How to charge; per Hour or flat rate per booking.
Help Text: This text appears to the right of the dropdown list where the user selects how many extras of this type they want.
Maximum Number: This sets the maximum number in the dropdown list. This should be kept between 1 and 10 to keep the dropdown list size from being too large. For extras where you need large numbers you can define packages (example: 'Package of 10'). If combined with individuals and the customer wanted 32, he could specify 3 'Package of 10' and 2 individuals. The dropdown list starts from 0 so the user can specify they do not want any by choosing 0.
Default Number: This number is the default the booking screen will open with.
Resources: You can assign this Extra to one or more resources. If NOT assigned, it will be shown for ALL. Select one or more resources that this Extra applies to. If you wish this Extra to be available for ALL resources, do not select any.
Order: This determines the order this Extra will appear in the Appointment Booking screen.
Published: Only Extras with Published set to Yes will appear in the Appointment Booking screen.


Slotted ALOHA | Visualization
This webpage demonstrates the working of the Slotted ALOHA protocol.
Tick


The various pictures below shows a panoramic overview of La Salle Robotics' 2017 robot, "Albie". The robot is designed to compete in the 2017 FIRST Robotics Competition.
The 2017 Robot "Albie" features a steam-themed industrial revolution-era design. The design is done according to the FIRST Robotics Competition (FRC)'s 2017 game theme "SteamWorks". The game features a rectangular playing ground with multiple robots divided into a red and a blue team, competing against each other. Industrial Revolution-era England is revisited with a steam-focused theme, leading the game to have high chimneys, towers, gears and balls for the robot to score points. On the 2017 Robot "Albie", the chasis is spray-painted to a metallic color to echo the theme for the 2017 Robotics Competition.
Each year the robot is built by a team of mentors and students, using various different components. The 2017 Robot "Albie" features an aluminium chasis, bumpers, a ball intake/shooter mechanism, a gear-transport mechanism, and a climber. The robot is designed to be strictly compliant with FIRST's 2017 game "steamworks", as each of its components are made to make the robot score points in the SteamWorks game.
La Salle Robotics wouldn't be possible without its many generous sponsors. The sponsors for the 2017 season are: Aegis Software Coorporation, Allied Wire & Cable, State Farm, Firmenich, Treasure Sign, CRi Inc., Boeing, Lockheed Martin, Strictly Residential Services, and Fitzpatrick Funeral Home. The robotics team is also supported by La Salle College High School and the La Salle Mother's Club.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Curabitur fermentum dui turpis.
The competition results for La Salle Robotics from the 2017 season can be viewed at The Blue Alliance.
La Salle Robotics cordially invites you to contribute news information, posts, images and any possible social media content regarding La Salle Robotics. If you have such information and are willing to share, please email socialmedia at lschs.org.


You can clone individual checks from the "Check Details" page:
The "Create a Copy..." function creates a new check in the same project and copies over the following:
The newly created check has a different ping URL, and it starts with an empty log.
It is sometimes useful to clone an entire project. For example, when recreating an existing deployment in a new region. The SITE_NAME web interface does not have a function to clone an entire project, but you can clone all checks in the project relatively easily using the Management API calls. Below is an example using Python and the requests library:
import requests
API_URL = "SITE_ROOT/api/v1/checks/"
SOURCE_PROJECT_READONLY_KEY = "..."
TARGET_PROJECT_KEY = "..."
r = requests.get(API_URL, headers={"X-Api-Key": SOURCE_PROJECT_READONLY_KEY})
for check in r.json()["checks"]:
print("Cloning %s" % check["name"])
requests.post(API_URL, json=check, headers={"X-Api-Key": TARGET_PROJECT_KEY})


{% extends "boards/view.html" %} {% block page_title %}Delete data from {{Board.name}}{% endblock %} {% block content %} {% if not board.is_archived %}
For security reasons, deletion of active boards is not possible. If you want to delete this board, first archive it.
Archive


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Splitting UTXOs - 2018-07-31:10:40:01
Targetting 50 UTXOs
Will only split if less than 25 UTXOs
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[BTC] Current UTXO count is 64
[CHIPS] Current UTXO count is 48
[GAME] Current UTXO count is 34
[VRSC] Current UTXO count is 49
[KMD] Current UTXO count is 21
[KMD] Splitting 29 extra UTXOs
[KMD] Split TXID: febeeba8a5f2d545127ea0c812b73c0a89876f68759b9dec6105a1436eec7916
[REVS] Current UTXO count is 46
[SUPERNET] Current UTXO count is 36
[DEX] Current UTXO count is 33
[PANGEA] Current UTXO count is 50
[JUMBLR] Current UTXO count is 30
[BET] Current UTXO count is 26
[CRYPTO] Current UTXO count is 44
[HODL] Current UTXO count is 49
[MSHARK] Current UTXO count is 37
[BOTS] Current UTXO count is 37
[MGW] Current UTXO count is 46
[COQUI] Current UTXO count is 47
[WLC] Current UTXO count is 50
[KV] Current UTXO count is 25
[CEAL] Current UTXO count is 49
[MESH] Current UTXO count is 46
[MNZ] Current UTXO count is 41
[AXO] Current UTXO count is 44
[ETOMIC] Current UTXO count is 42
[BTCH] Current UTXO count is 37
[PIZZA] Current UTXO count is 265
[BEER] Current UTXO count is 10
[BEER] Splitting 40 extra UTXOs
[BEER] Error: need active coin
[NINJA] Current UTXO count is 43
[OOT] Current UTXO count is 45
[BNTN] Current UTXO count is 63
[CHAIN] Current UTXO count is 49
[PRLPAY] Current UTXO count is 36
[DSEC] Current UTXO count is 38
[GLXT] Current UTXO count is 37
[EQL] Current UTXO count is 31
[ZILLA] Current UTXO count is 39
[RFOX] Current UTXO count is 30
[SEC] Current UTXO count is 25