Me to Cora: “I’m your second set of eyes in this project.”
Cora: “More like my third eye.”
👁🧐😂
8/12/2018, 1:09:36 AM
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link--- layout: tweet ---
Me to Cora: “I’m your second set of eyes in this project.”
Cora: “More like my third eye.”
👁🧐😂
8/12/2018, 1:09:36 AM
Favs: 2
Retweets: 0
link


Generate an approximately optimal tour by continually choosing an edge that has the lowest cost of those edges that remain, with restrictions as noted below. Compute the cost of the approximate tour. If n <= 10 print out the list of X-Y coordinates, the original graph as an adjacency matrix of Euclidean weights, the graph of greedy weights on the tour (this is a sub-graph of the original graph), and a list of the edges from the greedy graph that were used to compute the greedy tour. For all values of n print out the total greedy distance, the greedy tour, and the runtime for the algorithm.
For this implementation, you must sort the edges of the graph using quicksort. If two or more egdes have the same weight, then the sort will be in order of increasing left vertex (row number in the adjacency matrix). If two or more edges have the same weight and the same left vertex, then the sort will be in order of increasing right vertex (column number in the adjacency matrix). You must write your own implementation of quicksort, not rely on the built-in Java library routine. Then, assuming that the edges are sorted in order of increasing cost, keep choosing an edge with the lowest cost, provided a cycle is not formed (unless it is the last edge chosen) and the chosen edge is not the third edge from any vertex. For cycle checking, you must use the union-find algorithm with path compression.
When n edges have been chosen, you will end up with a graph which will consist of a subset of the edges from the original graph. You can perform a depth-first traversal of this graph beginning at vertex 0 to build up the tour. If there is a choice of vertices to choose from during the depth-first search, choose in numerical order. If you would like, you may construct the greedy graph "manually", i.e., your Graph data structure might allow for setting X- and Y-coordinates, as well as setting edge weights (which can be extracted from the original graph). If you modify your Graph data structure for this part of the project, it must still work correctly with the other parts of this project. In any case, you must re-submit your Graph data structure, as well as all other classes that your GreedyTSP class uses.
Below is an example of what the output should look like, assuming the program is run with n = 5 and seed = 100000. Your output should look identical to this output, including spacing and decimal precision, but your runtime value may be different. You can check your output for correct formatting by saving this sample output file, generating your own output file by running your program, and then running the UNIX diff
command to compare your output with the sample:
% java GreedyTSP 5 100000 > output % diff -w output greedyIf nothing prints to the screen after this command other than the runtimes, then your output is formatted correctly.
Note that your program will be tested on multiple values of n and seed not just the values shown here, so be sure to fully test your program, including all error conditions. Note also that tours always begin and end with vertex 0.
% java GreedyTSP 5 100000 X-Y Coordinates: v0: (2,2) v1: (0,1) v2: (4,1) v3: (3,0) v4: (1,3) Adjacency matrix of graph weights: 0 1 2 3 4 0 0.00 2.24 2.24 2.24 1.41 1 2.24 0.00 4.00 3.16 2.24 2 2.24 4.00 0.00 1.41 3.61 3 2.24 3.16 1.41 0.00 3.61 4 1.41 2.24 3.61 3.61 0.00 Greedy graph: Adjacency matrix of graph weights: 0 1 2 3 4 0 0.00 2.24 0.00 0.00 1.41 1 2.24 0.00 0.00 3.16 0.00 2 0.00 0.00 0.00 1.41 3.61 3 0.00 3.16 1.41 0.00 0.00 4 1.41 0.00 3.61 0.00 0.00 Edges of tour from greedy graph: 0 4 weight = 1.41 2 3 weight = 1.41 0 1 weight = 2.24 1 3 weight = 3.16 2 4 weight = 3.61 Distance using greedy: 11.83 for path 0 1 3 2 4 0 Runtime for greedy TSP : 0 milliseconds
Below is an example of what the output should look like for n = 13 and seed = 100000:
% java GreedyTSP 13 100000 Distance using greedy: 50.00 for path 0 7 10 2 9 6 8 4 5 12 3 1 11 0 Runtime for greedy TSP : 1 milliseconds
Usage: java GreedyTSP n seed
Command line args must be integers
Number of vertices must be greater than 0
Your program should print the error message to standard output (not standard error) and terminate upon any of these error conditions. No other error condition will be tested for.
When you have your program working, submit your source code to the MyCourses dropbox called Project 2 before 11:59:00pm on the date given at the top of this write-up.


This extension helps you to add material design icons to your Android, iOS or UWP project
Right-click on your Project and click "Manage Material Icons..."


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@(name: String, iata: String, icao: String, rating: Double)(userInfo: UserInfo) @import service.DatabaseLayer


Lightweight, no dependency React component for animating height using CSS transitions. Slide up/down the element, and to any specific height. Check the demo on this page.
CSS classes are applied in specific animation states, check animationStateClasses
prop.
Detailed documentation is on GitHub.
Import the component, and use it to wrap content whose height you want to animate.
import AnimateHeight from 'react-animate-height'; <AnimateHeight duration={ 500 } height={ 'auto' }>
Your content goes here

Put as many React or HTML components here.
 </AnimateHeight>
'50%'
) or 'auto'
, required
When changed, element height will be animated to that height.
To slide up use 0
, for slide down use 'auto'
250
Duration of the animation in milliseconds
easing: string, default:'ease'
CSS easing function to be applied to the animation
className: stringCSS class to be applied to the element
style: objectCSS style object, it will be merged with inline styles of the component
contentClassName: stringCSS class to be applied to content wrapper element
animationStateClasses: objectObject containing CSS class names for animation states, default:
{ animating: 'rah-animating', animatingUp: 'rah-animating--up', animatingDown: 'rah-animating--down', static: 'rah-static', animatingToHeightZero: 'rah-animating--to-height-zero', animatingToHeightAuto: 'rah-animating--to-height-auto', animatingToHeightSpecific: 'rah-animating--to-height-specific', staticHeightZero: 'rah-static--height-zero', staticHeightAuto: 'rah-static--height-auto', staticHeightSpecific: 'rah-static--height-specific', }
Please note that this one will be merged with the default object and cached when component is created, so changing it afterwards will have no effect.
onAnimationStart: functionCallback which will be called when animation starts
onAnimationEnd: functionCallback which will be called when animation ends
applyInlineTransitions: boolean, default:true
If this flag is set to false
only CSS classes will be applied to the element and inline
transition styles will not be present.
Additional props will be passed to the wrapper div, to make adding attrs like aria-*
easier.


May 5th 2017 by Tom Zhou #Log
Major resources of a computer and their performance-determining factors
Primary memory
Capacity
Higher is better. The maximum capacity per memory module is 32 GB for desktop computers, 16GB for laptops. But memory with this high capacity is only developed recently, and therefore is very expensive. 16GB per module for desktop computers and 8GB per module in laptops are more affordable.
Number of channels
Modern processors usually support multi-channel memory architecture. Double the number of channels also double the memory bandwidth. Generally, the number of channels supported depends on the number of cores of CPU. For example, the Intel U series processors which are commonly used in ultra-books and have 2 cores, support up to 2 memory channels. Intel HQ, T, K series have 4 cores, and therefore support up to 4 memory channels.
Frequency:
The higher the frequency is, the greater the bandwidth. The common frequency for DDR3 (or LDDR3, the low voltage version) memories is 1333MHz and 1600MHz, while that for DDR4 memories is 2133MHz and 2400MHz. DDR4 memories are only widely used after 2015, and now they are supported by family Intel 6th Generation processors, and also future generations.
Secondary storage
For HDD (hard disk drives):
The number of disks
Double the number of disks doubles the capacity, and also the IO speed.
RPM (round per minute):
5400rpm HDDs are the most common. However, their performance is lower than those 7200rpm HDDS. HDDs with 10000rpm and above are only used in servers. Note that although the performance is proportional to the RPM, the stability decreases with the increase of RPM. High RPM HDDs are more likely to be damaged when in vibration.
Processor speed
Core clock
The frequency of a core. The performance of CPU is proportional to its core clock
Number of Cores
Theoretically, the performance of CPU will be doubled if the number of cores doubles, assuming that the programs have multi-core support.
Size of Cache
Larger is better. Usually, the CPU manufacturer will make its capacity reasonable. The capacity of cache required is proportional to the number of cores.
Network connectivity
Bandwidth
Higher is better, usually measured in Mbps. Note that 8Mb = 1Mib. The bandwidth for wired network ranges from 10Mbps to 1000Mbps. The most common bandwidth supported by mainstream routers is 100Mbps.
For wireless, the bandwidth depends on the protocol and utilization of MIMO (Multiple input multiple output).
802.11b/g/n/ac supports 11, 54, 150, and 433Mbps bandwidth, respectively. By MIMO, the bandwidth can be doubled/tripled/quadrupled.
Ping
The delay of data transmission, measured in milliseconds. Lower is better.
Screen resolution
Higher is better. The quality of the display also depends on the pixel density, measured by the PPI (pixels per inch)
Graphics processor
CUDAs
The number of parallel workers in the GPU. Higher is better.
GPU core frequency
Higher is better
Graphical memory capacity
Higher is better.
Graphical memory frequency
Higher is better.
Graphical memory bit width
Higher is better
Graphical memory bandwidth
The product of frequency and bit width. Higher is better.
FLOPS (floating point operations per second)
Measure the ability of GPU to calculate floating point numbers. Higher is better.


JavaScript Host Environment
QML provides a JavaScript host environment tailored to writing QML applications. This environment is different from the host environment provided by a browser or a server-side JavaScript environment such as Node.js. For example, QML does not provide a window
object or DOM API
as commonly found in a browser environment.
Common Base
Like a browser or server-side JavaScript environment, the QML runtime implements the ECMAScript Language Specification standard. This provides access to all of the built-in types and functions defined by the standard, such as Object, Array, and Math. The QML runtime implements the 5th edition of the standard, which is the same edition commonly implemented by browsers.
The standard ECMAScript built-ins are not explicitly documented in the QML documentation. For more information on their use, please refer to the ECMA-262 5th edition standard or one of the many online JavaScript reference and tutorial sites, such as the W3Schools JavaScript Reference (JavaScript Objects Reference section). Many sites focus on JavaScript in the browser, so in some cases you may need to double check the specification to determine whether a given function or object is part of standard ECMAScript or specific to the browser environment. In the case of the W3Schools link above, the JavaScript Objects Reference
section generally covers the standard, while the Browser Objects Reference
and HTML DOM Objects Reference
sections are browser specific (and thus not applicable to QML).
QML Global Object
The QML JavaScript host environment implements a number of host objects and functions, as detailed in the QML Global Object documentation.
These host objects and functions are always available, regardless of whether any modules have been imported.
JavaScript Objects and Functions
A list of the JavaScript objects, functions and properties supported by the QML engine can be found in the List of JavaScript Objects and Functions.
Note that QML makes the following modifications to native objects:
- An arg() function is added to the String prototype.
- Locale-aware conversion functions are added to the Date and Number prototypes.
JavaScript Environment Restrictions
QML implements the following restrictions for JavaScript code:
- JavaScript code written in a
.qml
file cannot modify the global object. JavaScript code in a .js file can modify the global object, and those modifications will be visible to the .qml file when imported.In QML, the global object is constant - existing properties cannot be modified or deleted, and no new properties may be created.
Most JavaScript programs do not intentionally modify the global object. However, JavaScript's automatic creation of undeclared variables is an implicit modification of the global object, and is prohibited in QML.
Assuming that the
a
variable does not exist in the scope chain, the following code is illegal in QML:// Illegal modification of undeclared variable a = 1; for (var ii = 1; ii < 10; ++ii) a = a * ii; console.log("Result: " + a);
It can be trivially modified to this legal code.
var a = 1; for (var ii = 1; ii < 10; ++ii) a = a * ii; console.log("Result: " + a);
Any attempt to modify the global object - either implicitly or explicitly - will cause an exception. If uncaught, this will result in a warning being printed, that includes the file and line number of the offending code.
- Global code is run in a reduced scope.
During startup, if a QML file includes an external JavaScript file with "global" code, it is executed in a scope that contains only the external file itself and the global object. That is, it will not have access to the QML objects and properties it normally would.
Global code that only accesses script local variables is permitted. This is an example of valid global code.
var colors = [ "red", "blue", "green", "orange", "purple" ];
Global code that accesses QML objects will not run correctly.
// Invalid global code - the "rootObject" variable is undefined var initialPosition = { rootObject.x, rootObject.y }
This restriction exists as the QML environment is not yet fully established. To run code after the environment setup has completed, see JavaScript in Application Startup Code.
- The value of
this
is currently undefined in QML in the majority of contexts.The
this
keyword is supported when binding properties from JavaScript. In all other situations, the value ofthis
is undefined in QML.To refer to a specific object, provide an
id
. For example:Item { width: 200; height: 100 function mouseAreaClicked(area) { console.log("Clicked in area at: " + area.x + ", " + area.y); } // This will not work because this is undefined MouseArea { height: 50; width: 200 onClicked: mouseAreaClicked(this) } // This will pass area2 to the function MouseArea { id: area2 y: 50; height: 50; width: 200 onClicked: mouseAreaClicked(area2) } }


Ready
- Shop page – performance issues
- Checkout bugfix
- Shop bug1
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- Checkout bugfix
- Shop bug1
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- Checkout bugfix
- Shop bug1
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- Shop bug4
- Shop bug5
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- Shop page - performance issues


Defines a Square
More...
◆ Square()
| Algorithm.Quadtree.Square.Square |
( |
Vector2Int |
swPoint, |
|
|
int |
width |
|
) |
| |
|
inline |
Instantiates a new Square object
- Parameters
-
| swPoint | The South-West (Bottom-Left) point |
| width | The width of the square |
◆ ContainsPoint()
| bool Algorithm.Quadtree.Square.ContainsPoint |
( |
Vector2Int |
other | ) |
|
|
inline |
◆ Height
| int Algorithm.Quadtree.Square.Height |
|
get |
◆ NE_Point
The North-East (Top-Right) point of the square
◆ SW_Point
The South-West (Bottom-Left) point of the square
◆ Width
| int Algorithm.Quadtree.Square.Width |
|
get |
The documentation for this class was generated from the following file:
- Algorithm/Quadtree/Square.cs


THE BROTHERS LIONHEART A film review by John Walker Copyright 1993 John Walker
Screenplay: Astrid Lindgren Director: Olle Helbom Music: Bjorn Isfalt, Lasse Dahlberg Copyright 1977, AB Svensk Filmindustri Dubbed, video version, Almi TV Production, Pacific Arts Video. Running time in the 1992 Suncoast video catalog is listed at 120 minutes. The version I rented (also Pacific Arts) was at least 10 minutes shorter.
My form of "rating": If it were first run, I'd try to see it at least a couple of times at standard prices, and again more at the dollar shows. I'll *try* to buy the tape. (See note below.)
<>
THE BROTHERS LIONHEART is a moving, exciting--and entrancing--Swedish film for children. It's about the adventures of two brothers--one no more than ten, the other no more than twenty--as they fight tyranny and evil in another world.
At points, its production values may lessen the impact for some. Its cinematic approach may weaken its impact for others. Some parents, however, may be wary that it will have too *great* an impact on some kids--which might have happened in the case of at least one alleged grown-up. (You'll have to read the spoiler at the end to fully see what I mean, though.)
Warning: Ultimately, this film can be accused of being--dare I say it?--*sweet*. Watching it, some of you would spend a fair amount of time writhing on the floor, gagging.
Good--you can use the exercise.
Note on purchasing: The Suncoast catalog listed this at $14.95, but the local store told me today that it had been dropped. I'm going to have to hope they find a copy in the warehouse or try to track down the distributor.
<>
Astrid Lindgren is the author of the Pippi Longstocking tales, about a "magical miss," pig-tailed and freckle-faced. Well, after seeing THE BROTHERS LIONHEART, for which Lindgren wrote the screenplay, I have begun to wonder whether the Pippi Longstocking tales are quite the simple stories of pluck and independence I have heard about.
However, the box cover says that this is from a book by her that is quite different from the Pippi tales. (I'm going to have to get hold of the book.)
The blurb on the cover makes it seem that this will be a nice straightforward fantasy adventure for kids.
The brothers Lion--Karl and Jonathan--travel from our world through mythical valleys with monsters to match, and turn into the Brothers Lionheart.
(Don't look for it in Scheuer or Maltin's descriptions of films. It seems to be video-only in the U.S.)
The story begins in a Swedish city some time, judging from the one automobile shown, in the 19-teens. That we're in for something a bit different from the blurb is indicated in the first minutes of the film. In voiceover, Karl (nicknamed "Crispy") Lion (Lejon) introduces himself and his brother Jonathan (Jonatan), and tells us that "It was the day I learned I had to die soon."
(Assuming that "Skorpan" is the Swedish for the English "Crispy," then Crispy is played by Lars Soderdahl. Staffan Gotestam plays Jonathan. [Umlaut above the "o" in each name.])
Karl is the younger brother and something is killing him, leaving him coughing all the time. We're never told what it is, but not much more than five minutes after telling that he has to die, Crispy will report *Jonathan's* death. When their house catches fire, he's killed jumping from the upper floor saving Crispy.
Crispy's hope is that Jonathan told him truly about "Nangeola." (Someone more familiar with Swedish myth may wish to correct my spelling of Nangeola. I'm flying on pronunciation alone--it's a hard "g", could be a "k".)
What's wrong, Crispy? Why are you upset?  Yes. Yes, I know. 'Tisn't fair. It's horrible--that anyone has to *die* before the age of *ten*. You know what, Crispy? I don't think it's all *that* horrible. Of course it's horrible--buried under all of that earth. It's only the *outside* of you lying down there. What's inside of you flies away to another land, somewhere *else*. Where to? To Nangeola. Nangeola? That is, somewhere beyond the farthest star. It's the land of fairy tales, and songs 'round the fire. Nothing but exciting things go on all of the day. It won't be like here at all. Lying in bed, sick and coughing all the time, right? In Nangeola, you'll be fine and healthy.
Less than ten minutes from the beginning, the film turns from sepia-tone to color, and Crispy awakens in Nangeola--how long after Jonathan's death, we don't know.
This is all done speedily, straightforwardly, and economically. The lives and deaths of Jonathan and Karl are just a prelude. But for American audiences, this isn't the usual way to get the heroes from the mundane world to their adventure.
And Nangeola is *not* heaven. Jonathan and Crispy have landed in Cherry Valley; and yes, it does seem like a pre-Christian description of the afterlife. It's a medieval-looking world, sunny and beautiful. Crispy's healthy and fit now. He can swim, and he knows how to ride horses.
 (I've lost the name of the actor playing Tengil, but he looks strangely like Buster Keaton--but devoid of all humor or lightness, never speaking aloud.)
Jonathan will be something of an underground leader, trying to rescue Orva, Wild Rose Valley's leader. Crispy will follow Jonathan, and there will be bloodshed and that monster.
<>
Well, if that's a quick sketch of what's in store, how do we evaluate THE BROTHERS LIONHEART?
To begin, let's take those things that I think will weaken its impact for some audiences. First, the production values, the technology.
The filmmakers make extensive of real settings, so the only real glitch is the monster. High-tech, this isn't. Early GODZILLA is more like it. But they don't overdo the monster, and it's not too much to ask that we slightly suspend our demand for technological perfection.
(A trivial note is that I found Jonathan's thick head of hair to seem like a wig. But I had the same response to a kid at college. Some hair styles just don't seem real to me.)
Perhaps more distancing will be the cinematic approach itself. This is *Swedish*, after all. Take the popular image of a film by Ingmar Bergman; pretend that he decided to do an exciting, upbeat film for kids. Well, there'll be a certain *ambiguity* there, won't there?
Scenes of people at a great distance, with their voices floating to us out of nowhere--even if we like the inheritance from silents, it's not what we expect from a kids' flick.
(Parenthetically, it makes dubbing a lot more natural. On the big screen, I prefer subtitles, so I can hear the real voices. If the picture holds me, I quickly combine the two. On the small screen, and for kids, I suspect dubbing is lot more practical. I noticed it only a few times. The speakers deliver things in a lovely Swedish accent, learned apparently from teachers speaking clipped British English. Unfortunately, I didn't see any credits.)
<>
On its own merits, however, the unexpected approach is one of the virtues of THE BROTHERS LIONHEART. It does not so much tell a story--although it does that, and well--as it weaves an image, a feel. If we're willing simply to sit back and let it work, it will carry us along.
The music works in much the same way. It sounds like a hurdy gurdy, a street organ (popular in the 'teens), with some electronic accompaniment. (If that sound isn't familiar, an old squeeze-box is not too unlike it.) The theme is short, modified and repeated over and over again--not somber, not jolly, sort of minimalist, lending to more than one feel. It hovers in the background sometimes, then swells over the scenes where there's no dialogue and we see things at a distance.
The characterizations fit in with the sense of "feel." We see little recognizable "magic" in Nangeola. People behave the way people behave, and they have to trudge through to reach their goals. Crispy does not become a magical hero-child. I certainly have no objection to the magical hero-child, that's not what this film is about. Crispy does what is reasonable for a nine-year-old. He's fit and healthy, but he's still Crispy.
Soderdahl brings it off well. He has a kiddish sort of frown that seems to tell of both perplexity and a certain stubborness: things are obviously beyond him, but he's called upon to play his part and he will. I don't know how much to credit the dubbing, and I don't know how Soderdahl would do in other roles, but here he seems perfectly fitted to the character he's playing.
Gotestam, as his brother, has a harder acting task. He plays a real, but rather stainless hero. I found him most effective in the scenes where he was close to his brother. At times, the hero role was just a bit too "written" rather than "spoken." More than once I wondered if this was replaying some myth, which Swedish audiences would find familiar. (Contrariwise, the references to the Wild Rose Valley people's conducting a "resistance" effort sounded too modern. Both points may owe something to Lindgren's original book.)
Neither actor, by the way, is quite the model that an American film company might choose. Attractive and appealing, but more like Central Casting had to get two kids out of a real neighborhood, rather than having all of New York or L.A.'s acting community at its disposal.
<>
So far, I think any objections to the film are really objections to cinematic considerations.
But many kids are perfectly able to slip into and out of the reverie that is perhaps a necessary part of watching a film like this. They're probably more flexible in their demands.
But since this is billed as a *kids'* flick, I start thinking of *parents*. What about the values that the film assumes or encourages? What *does* the film encourage?
Looking at the action, there is little to criticize: The characters are moved by loyalty, generosity, love of freedom, love of kin and country.
Jonathan explains that he must go to Wild Rose Valley to try to rescue Orva; Crispy doesn't want him to go. Jonathan has to; he is second in command to the woman who leads the resistance. She's known by everyone:
Tengil's offered, for the capture of her, dead or alive, some 15 purebred horses as a reward. And what's the reward for capturing *you*! Do you have to do these things when you know they're dangerous? Crispy, there are some things a man has to do, in spite of danger. Why should *you*? Because if you didn't, you wouldn't be a man at all. You'd be a little weed.
That's a theme Crispy will repeat again and again: "I won't be a little *weed*." Certainly an idea many would find laudable.
<>
But, being somewhat paranoid about what some American parents are worried about, I should note a "sensational" aspect: There's a *nude scene*!
(Those of you who have seen the movie will *please* not guffaw *too* loudly.)
The hyper among us may regard this scene as symptomatic of "Swedish looseness." Just after Crispy arrives in Nangeola, he and Jonathan fall into the water. Then we have a short scene as they're sitting by the pond bank fishing, their clothes drying on a tree. It's all at a distance and no strategic geography is visible to answer any questions of kid sisters who have not yet been educated on such details. Nonetheless, I note it for the record.
I found the scene quite touching--as I found practically all of the interaction between Crispy and Jonathan. My own experience in communicating with a ten-years-distant sibling was rather less successful!
The thing I'm strangely afraid of is that in the United States some conservative parents may focus too much on something like skinny-dipping.
(I recall that THE LAST TEMPTATION OF CHRIST drew fire from certain quarters because the film pictured Christ as having been *tempted* by the prospect of sex with Mary Magdalene--even though *rejecting* the temptation. Those same folks seemed not to object that it pictured Christ as actually *committing* sin in non-sexual cases.)
Indeed, I worry that some parents might at least *think* about partial nudity (even to approve of it) while missing something else more subtle going on here--something about which I myself am ambiguous.
<>
Remember, they had to *die* to get here.
From a Christian (or Jewish, or Moslem) perspective, there has to be a certain hesitation about a film that posits a pagan view of the afterlife. And even a New Ager might be uneasy about encouraging too "easy" an attitude towards death.
That the film is quietly entrancing may be a virtue for viewing as an adult. It may be quite otherwise when you're thinking about your kids watching it.
As a kid, I saturated myself in science fiction and fantasy. But I can't recall anything that simply wove so sure a web around me that was posited on *death* as the gate to the world of adventure.
Also, I come from a place where the idea of a kid's being "a dreamer" carries with it the idea that he won't live past twenty.  That may be Irish-American superstition. Tough, I'd talk about the film first.
<>
So, to the extent I have doubts about THE BROTHERS LIONHEART, I think they reflect the *effectiveness* of the film. It can entrance those of who will let it do its work. It's touching in places, exciting in others, and has a clear "reality" throughout.
Beyond that, and to look into my doubts a bit more, I have to get into the spoilers that follow (and which include a spoiler on the film RADIO FLYER).
<>
Above, I said that death is the gate to Nangeola. Not totally comfy on its own.
(It might be less non-comfy if I knew Swedish mythology.)
But the end of the film makes the point even stronger. The battle against Tengil is won, Jonathan gets hold of the horn that controls the monster--the dragon Katla. He follows her back to her lair, and she is killed. But she's scorched him, and now he can't move his legs. Soon he won't be able to move at all.
His only hope, he tells Crispy, is to get to Nangolema--the world beyond Nangeola. Their horses are there, it is only their outer bodies that now lie outside the dragon's lair. So is Mattias, their sort of adopted grandfather, who was killed in Wild Rose Valley.
Jonathan asks,
Do you remember the fire, how it blazed? And we jumped, the two of us, with you on my shoulders. And there we were in Nangeola. Yes. I won't forget that. I wonder--if we could jump again like that--both of us--from way up on that mountain. Will we be in Nangolema then? You think--we can jump all the way to Nangolema? ... Jonathan, I'll help you get there. You did it for me, no? I must do it for you now. You're sure you're strong enough, Crispy Lionheart? Yes.  I'll be brave. I must be, or I'm just a little weed. Crispy Lionheart. Are you scared? No--although--but I'll do it though. Then I'll know. I won't ever be scared again. Look Jonathan! Jonathan, Nangolema! I can see the light now! I can see the light!
*We*, however, do *not* see Nangolema. Instead, we see just the fire light, and beginning to shine through it, a sculpture of two doves flying; as the camera pulls back, we see it's on a grave stone. And a voice we've never heard before reads the inscription.
Here lie the brothers Jonathan and Karl Lion Till the dawn of another day
<>
Good Lord! What are we seeing? Are we seeing merely what we would see in Sweden? Are we being told that while they have gone from us here, that "another day" has already dawned in Nangolema?
Or is there no Nangolema?  Is Jonathan effectively asking Crispy to commit suicide?
Or is there no Nangolema because there is no *Nangeola*? Is the grave all that is real? Has the whole story been Crispy's last dream before dying?
<>
As the step to Nangolema, the ending is logical and triumphant.
As an open end--where we don't know for sure that Nangolema is there, but it might well be, the ending is essentially wistful. As an unwitting plea for suicide, it becomes incomprehensible.
As Crispy's last dream, it becomes heart-wrenching. He has had his day in the sun, even if only imaginary.  It is an eerie counterpoint to the triumphant ending.
Some might say that a comparable ending appeared in RADIO FLYER. It shows the younger hero racing a home-made contraption down a steep hill, soaring off a shed roof that acts like a ski-jump, and actually *flying* his machine--escaping from an abusive situation. Some have said that this is merely a metaphor or a cover for his dying in the attempt.
I am one of those who says that he actually flew his contraption because that's what *appeared on the screen*. He escaped. He was free--not dead. I can point to *the screen* to back that up. And in a film, that's where we've got to look.
I am one of those who wants Nangolema to be there. The story demands it. But in this film, I don't have the screen to back me up.
Ultimately, the screen is silent. If I wish, the screen can merely repeat what I have been told about events in that Swedish city in the 19-teens. But Jonathan had told me that Nangolema, like Nangeola, is there; Crispy has told me so also. If I wish to believe them, I can do so.
So also, if I wish to render the whole film a dream before death, I can do so. The gravestone is there.
And if I wish to be in doubt, I can do so.
This is a kids' flick?
John Walker<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


Hello there :)
Hend Aly is a Assistant Lecturer at the Radiobiology department in the Medical Research Institute at Alexandria University. Hend's research interests include breast cancer as a health disparity, breast cancer treatment and biological markers.
Education
PhD Radiobiology,
Medical Research Institute, Alexandria University (In progress - Expected: 2022)
MSc Radiobiology,
Medical Research Institute, Alexandria University
BSc Biochemistry,
Faculty of Science, Alexandria University
Teaching
Teaching Assistant (Fall 2014 - present):
- Radiobiology Department @ Medical Research Institute
- Responsibilities include preparing and giving sections and lab sessions for graduate level classes.
- Classes:
- Radiobiology,
- Experimental Radiobiology,
- Radiation Protection,
- Radiation Physics,
- Mathematics of Radioactivity,
- Basics of Radiation Chemistry and Dose Measurements.


sealed class TableBuilder
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class Table4Builder : TableBuilder


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FALLEN ANGELS (1995)
"Partners should never get involved emotionally with each other."
3.5 out of ****
Starring Leon Lai, Michelle Reis, Takeshi Kaneshiro, Charlie Yeung Written & Directed by Kar-wai Wong Cinematography by Christopher Doyle
FALLEN ANGELS is the work of a man in love, a man infatuated, intoxicated by the act of making a movie. It is love of the dizzying, unconditional kind, where the lover does not question his love, but simply immerses himself in it. He surrenders to it. Here, Kar-wai Wong (CHUNG KING EXPRESS) surrenders to cinema; he revels in everything it has to offer. There is sex and violence and comedy, there are slow-motion hand-held shots and distorted overlit close-ups, there are shadows and smoke and mirrors and neon. It is a sensory overload, orgasmic in its intensity.
It's also very good, which is somewhat surprising, since the whole thing is so self-indulgent that it should, by all rights, be an incoherent mess.
The narrative, such as it is, involves two parallel love stories, which intersect in intriguing ways. The first of these plots involves a hired killer (Leon Lai) and his partner (Michelle Reis), who tells him who he has to kill. Their relationship is strictly professional, but there is substantial sexual tension, which is not surprising, considering how good-looking they are. This plot depends heavily on a fascination with things Hong Kong movies have long been fascinated with: there is a hip hitman who performs his job with ice-water in his veins, but is troubled in his heart, and there are gorgeous, pouty women in fabulous clothes, who fall in love with him.
The other plot, played mostly for comedy, is like some bizarre hyperkinetic adapation of a Banana Yoshimoto story; it features two young lovers (Takeshi Kaneshiro, Charlie Yeung) who meet in the night (the whole movie happens at night), and who have the sort of relationship befitting two disingenuously innocent oddballs. This pair is more original and potentially interesting than their counterparts in the first storyline--but the hitman's story, clichéd as it may be by now, lends itself far better to Wong's ultra-cool, ultra-flashy style. The first plot calls for manic energy, the second for subtlety and reflection. The latter qualities are in short supply in FALLEN ANGELS, but that's not necessarily a bad thing.
Wong goes to great lengths to make every single shot interesting. He and cinematographer Christopher Doyle (TEMPTRESS MOON) use lenses that distort everything so we seem to be watching through one of those fish-eye peepholes in apartment doors. They use filters that give everything a grainy, overlit look. The lights are abnormally bright and the darkness is abnormally dark and pervasive. Colours are washed-out and monochromatic. Hong Kong becomes the ultimate millennial urban sprawl, a place of garish neon lights, subway trains blazing in the night, McDonalds, and featureless undergound corridors. The camera is always calling attention to itself: moving or tilting or looking at the action from a strange angle. The editing is of the breathless, breakneck, MTV-ish variety.
But, while he seems to be plunging ahead with reckless abandon, Wong has a good feel for rhythm and pacing. The two plots are more or less dispensible, since FALLEN ANGELS is primarily concerned with how it looks, and the look is what makes it compelling. Some of the best sequences in the film have no dialogue--they are streams of images, set to music, spendidly integrated.
It would be easy to think that the movie is so hectic and frenetic because Wong doesn't want us to realize there is no substance to it. There is probably some truth to that idea, but I was surprised to find myself touched by a couple of scenes, and it seems to me that despite his rather unsubtle techniques, Wong develops a kind of poetry in the film, a poetry of sound and image, rather than words and meanings. Those moments which seem most superficial, concerned purely with visual play, are, finally, the most telling, because of Wong's intuitive sense of the language of cinema, the language of sound and image.
Case in point: the scene I remember most vividly (admittedly, this might have more to do with hormones than great cinema) is a totally gratuitous masturbation scene. It starts with Michelle Reis in a moodily lit bar, taking long sensuous drags on her cigarette, then playing a dreamy song on the jukebox, caressing herself through her shimmery silver dress, then we cut to her bedroom, where she pursues her onanistic pursuits to their end, now wearing black leather and fishnet tights. There's no nudity, and all things considered, the scene is actually pretty tasteful despite its blatant fetishism. The eroticism has more to do with the way it's put together than any pornographic effect: the music, the editing, the images, and the lighting tease out the sexuality of the act, rather than thrusting it upon us.
And while it may be gratuitous, the sequence is also incredibly cool and sexy, and that's what counts. Indeed, that's not a bad way to describe the whole movie. It's flashy and energetic, effervescent and evanescent. It's rather like a 90-minute-long ad, but the only thing FALLEN ANGELS is selling is itself--and it's very persuasive.
A Review by David Dalgleish (June 28/98<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


|
UMI3D Unity SDK
2.5.b.221125
A UMI3D sdk implementation using Unity
|
Navigation manager for user displacement in the environment. More...
Public Member Functions | |
| delegate void | OnEmbarkVehicleDelegate (ulong vehicleId) |
Static Public Member Functions | |
| static IEnumerator | Navigate (NavigateDto dto) |
| Move the user acording to a NavigateDto. More... | |
Public Attributes | |
| List< AbstractNavigation > | navigations |
| Different available navigation system. More... | |
Properties | |
| AbstractNavigation | currentNav = null [get, protected set] |
| Current navigation system. More... | |
Events | |
| static OnEmbarkVehicleDelegate | onEmbarkVehicleDelegate |
Navigation manager for user displacement in the environment.
|
static |
Move the user acording to a NavigateDto.
| dto |
| delegate void umi3d.cdk.UMI3DNavigation.OnEmbarkVehicleDelegate | ( | ulong | vehicleId | ) |
| List<AbstractNavigation> umi3d.cdk.UMI3DNavigation.navigations |
Different available navigation system.
|
getprotected set |
Current navigation system.
|
static |


Vivek Pandey's Homepage
Hi, my name is Vivek Pandey. I look approximately like this:
I am a Computer Engineer, with amateur interests in Mathematics and Chess.
For past few years I have developed an interest in running and cycling.
I am married with two noisy kids.
I work at Simpl where I am building a high calibre engineering team. Get in touch with me if you are developer
Here are some links.
Computer Science/Programming
- Quickly Checkable Proofs [May 2022]
- Hiding "If" [Aug 2019]
- Learnings at Appier [July 2019]
- Asserts as Comments
- The Undoables of Computer Science
- QGProfiler: A Simple Profiler for Python Programs
- Study notes: Why deep and cheap learning works
- Deep Learning Course Series: Course 3
- Deep Learning Course Series: Course 2
- The Name Fail
- YouTube post on integrating your website with QGraph's web push service
- High Velocity Data Ingestion: Lessons We Learnt
- Some Samples of Human
- A failed attempt to use Logistic Regression to Distinguish Between Cat and Dog Images
- The Yin and Yang
- Deep Learning Course Series: Course 1
- Why Deep Learning is surprising
- Programming Language in the New World
- A neat trick
- Don't burden the main loop
- Projections in MongoDB
YouTube Videos
- Selection Sort
- $O(n\log{}n)$ bound for sorting algos
- $O(n\log{}n)$ bound for sorting algos
Maths/Puzzles
- Two Puzzles
- Arithmetic Mean vs Geometric Mean
- The Inverse Pythagoras Theorem
- The Prisoners of Prisoner's Dilemma
- A probability question
- Slow down, Sir, Harmonic Mean is Against You
- Some Auction Strategies
Other topics
- Experiments with Air Purfiers [March 2020]
- Portrait of a Customer Success Manager [Nov 2019]
- The way of Chinese Language
- Food for Brain
- Infarct
- Loss of Authenticity
- Our relationship with nature
- Quetions on Krishna
_________________________
Health
Resume
We are getting older
Linux System Calls


How can I benchmark my service mesh?
Compare apples-to-apples performance across service meshes.
- Track your service mesh performance from release to release.
- Understand behavioral differences between service meshes.
- Track your application performance from version to version.
Interoperate multiple service meshes
Service mesh adapters provision, configure, and manage their respective service meshes.
| Meshery adapter for Istio | stable |
| Meshery adapter for Linkerd | stable |
| Meshery adapter for Consul | stable |
| Meshery adapter for Octarine | stable |
| Meshery adapter for Network Service Mesh | stable |
| Meshery adapter for Maesh | alpha |
| Meshery adapter for App Mesh | alpha |
| Meshery adapter for Kuma | alpha |
Which service mesh should I use and how do I get started?
Learn about the functionality of different service meshes and visually manipulate mesh configuration.
See the Meshery documentation.


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A white paper reviewing the online marketplace lending industry was published by the U.S. Treasury Department.
The white paper titled, Opportunities and Challenges in Online Marketplace Lending contains an important point for formulative and causal research:
- Use of Data and Modeling Techniques for Underwriting is an Innovation and a Risk.
In this essay, mainly we explore the cause and effect relationship between the most important variables in a online marketplace lending (the variables will be defined in the sequel) using two approaches:
- Experimentation using the published data by Lending Club platform.
- Simulation using our developed mathematical model that represents the key characteristic elements of online marketplace lending platform.
Introduction to Lending Club Datasets:
The data provided by Lending Club platform is very useful for a detailed descriptive statistics and to do more elaborated machine learning statistics. Many authors used these datasets to report specific points about the online marketplace lending platforms, see for instance this recent work as a follow up to this work.. Most of these studies nailed down the story by checking all the factors explaining loan default.
In fact, these datasets from Lending Club platform have some characteristic features that need to be clarified, explained and interpreted before to consider the datasets suitable to practice machine learning statistics.
In general, data-driven decision-making is considered the best way to go, but it can be costly when some elements that appear to be true are not totally true. Even with the best of intentions, data collection is challenged by the used business model, i.e. if the data is biased then any statistical process may ended up with a skewed results. Inconsistent data analysis leads to biased conclusions and may be too bad for business outcomes.
Characteristic Features in Lending Club Datasets:
Let's first explain the most important equation used to calculate the monthly installment payment:
Ip = Principal*(1+Interest)Term *Interest / [(1+Interest)Term-1]
where
- Ip is represented in the data as installment and defined as the monthly payment owed by the borrower if the loan originates.
- Principal is represented in the data as loan_amnt and defined as the listed amount of the loan applied for by the borrower.
- Interest is represented in the data as int_rate and defined as the interest rate on the loan. Note that as the the data reports the annual interest as percentage, for any calculation the interest should be divided by 1200 to reflect the monthly used in the equation above.
- Term is the number of payments on the loan. Values are in months and can be either 36 or 60.
We consider this equation the first fundamental principle in the world of lending.
For instance from the dataset in the file="LoanStats_2016Q3.csv", the borrower with id 88804313, member_id = 95147116, loan_amnt = 3800 US$, term = 36, int_rate 12.79% has installment =127.66 US$.
Comparing our calculation with this installment number is a straightforward process.
Magical Business Model: Pay off your loan in full at any time without prepayment fees!
Lending club uses a very interesting principle to make it easy for borrowers. A borrower can make extra payments or pay off his loan in full at any time. Lending club never charges any fees or penalties for making additional payments or paying the loan off early.
Using the feature loan_status which is the current status of the loan, borrowers paid early their loans are designed with
"Fully Paid" as loan_status.
Moreover, Lending Club showed a "substantive fairness", the monthly installment payment was recalculated using only the term between
issue_d, the month which the loan was funded, and last_pymnt_d, Last month payment was received. The borrower is enabled to save more money if he is willing to pay early his loan. This process is fair and acceptable. However, the lender(investor) is to some extend the main loser in this process.
More early fully paid loans means more money for Lending Club business, the organization charges a percentage on repaid principal as service fee.
The most important questions to examine are
-
Q1: Who are these borrowers paying early their loans?
-
Q2: What is the cause( or reason)?
-
Q3: How these borrowers will benefits from this process and the subsequent ones?
Lets first discuss questions Q2 and Q3.
If we assume that a borrower can succeed to pay his next monthly installment payment with a probability, p, the expected number of monthly installment payments payable consecutively is equal to:
Pc = 1/(1-p)
.
We consider this equation the second fundamental principle in the world of lending.
The derivations of the two equations Ip, and Pc are full of "mathematical fun". The equation Ip is well-established formula in Banking Sector. However, the equation Pc is less known or used. I derive it using simple geometric series rules.
Let's assume p = 0.5, not sure to pay next monthly installment payment, the borrower will only pay two consecutive periods on average.
Let's assume p = 0.9, highly sure to pay next monthly installment payment, the borrower will pay 10 consecutive periods on average.
Let's assume p = 1, the perfect borrower desired by any lender in the world of lending.
Professionals designing this new generation of online marketplace lending are aware about these two equations and are the backbone
of their business models. The equations Ip, and Pc can be considered as the modern lending mechanics.
Specially for online marketplace lending, the formulated installment payment and the associated probability to pay during the next period would be constrained by the financial resources that the borrowers have at their disposal. The borrowers may not necessary have large enough resources and are under non-negligible financial constraints. It is reasonable to assume that as the borrower is relatively risk-neutral as the loan are not backed by nothing from the borrower except his provided information, the investor may be more risk-averse even she/he is often richer or better diversified than the borrowers.
The magical business model: pay off your loan in full at any time without prepayment fees is an important condition for the short-term stability of the platform.
Let's consider the case that our borrower is Grade G. These kind of borrowers are subject to
higher interest rates, see Rate information.
His probability to pay also the next monthly installment payment may be very small and his Pc may not surpass one year!
Our borrower will use the magical business model: pay off your loan in full at any time without prepayment fees.
After a number of periods paying his monthly installment payment in time, let say 6 months, our borrower is now having an enhanced credit score. Our borrower will look for a second loan from the same platform with a lower interest rate to pay his first loan which is having a higher interest rate to handle for a long period of time. Great possibility to have this second loan as our borrower is more appreciated or trusted by the platform as she/he was paying his debt in time for 6 months in a row.
Using Numbers, for illustrative purposes
His first loan is: loan_amnt = 5000 US$, int_rate=30%, initial term = 60 months. The monthly installment payment is 161.77 US$, over 60 months, the borrower has to pay 9706.10 US$ for principal plus interest.
The borrower will consider the Fully paid option after 6 months. The borrower has to pay now only this amount 5446.49 US$ to exit his first loan.
Lending Club will have a fee of 1% of 5446.49 US$ which is 54.46 US$ from the investors.
The borrower succeeds to have a second loan to pay the first one, loan_amnt = 5446.49 US$ , int_rate = 15%, term = 60 months.
The borrower will try his best to pay it fully in 54 months, to make to comparison with the first loan more concise:
-
Cost of the first loan with principal + interest = 9706.10 US$. Lending Club fee is = 97.10 US$
-
Cost of the second loan with principal + interest = 7522.653 US$. Lending Club fee is = 75.22 US$
-
Our borrower will save : 2183.366 US$.
Lending Club is making ~32.63 US$ more from investors, 54.46 + 75.22 - 97.10. In fact the Lending Club platform is mainly helping the borrower not the investors but note that the investors operating on on-line marketplace lending are better diversified than the borrowers. An investor can set up a profile in less than a day and invest as little as $25 per loan. Once invested in a loan, investors usually start receiving payments within 30 days. The investor forms portfolio with hundreds of loans(borrowers) where each loan(borrower) is a fraction of the total portfolio. These diversified portfolios give the greatest return and minimize risk.
The magical business model: pay off your loan in full at any time without prepayment fees, is a great asset to make the borrower and the platform more rich. Nevertheless, this business model has an important point, it helps to prevent often defaults, or at least to minimize the default rates making the platform more stable and running smoothly for the best interest of investors too, "paid less not nothing at all".
Any borrower can follow this process for her/his best interest to minimize the financial effect of bearing the burden of loan.
This is why using this kind of collected data is not suitable to practice machine learning statistics to nail down the story by checking all the factors explaining loan default, the provided default rates are "artificially" corrected by the business model for the best interest of all parties.
Now to answer the first question,
We will analyze the provided datasets by Lending Club and just compute simple statistics using the feature loan_status which is the current status of the loan, borrowers paid early their loans are designed with "Fully Paid" as loan_status. The proportion of grades populating the feature grade which is the LC assigned loan grade provides the answer.
| LoanStats_2016Q1 |
7 |
8 |
9 |
10 |
10 |
10 |
11 |
| LoanStats_2016Q2 |
5 |
5 |
6 |
7 |
7 |
9 |
7 |
| LoanStats_2016Q3 |
3 |
3 |
3 |
4 |
5 |
5 |
6 |
| LoanStats3c |
44 |
42 |
37 |
34 |
31 |
32 |
30 |
| LoanStats3d |
18 |
18 |
18 |
18 |
18 |
19 |
22 |
Key questions now :
-
Is this a sustainable business model process?
-
Any strategic improvement of this process (short-term stability of the platform) in place in the event of an economic downturn, for instance?
-
What are the emergent characteristics or behaviors generated by this business model process on the long-term stability of the platform?
To answer these key questions, we need more mathematical methods and numerical tools to study the sustainability of this process, The continuation is in Modelling Online Marketplace Lending Platform: Applied Mathematical Modelling.


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It provides a function "wearingMarking" for classification of monitor wear and nonwear time intervals in accelerometer data collected to assess physical activity. The package also contains functions for making plot for accelerometer data and obtaining the summary of various information including daily monitor wear time and the mean monitor wear time during valid days. The revised package version 0.2-1 improved the functions in the previous version regarding speed and robustness. In addition, several functions were added: "markDelivery" can classify days for ActiGraph delivery by mail; "markPAI" can categorize physical activity intensity level based on user-defined cut-points of accelerometer counts. It also supports importing ActiGraph AGD files with "readActigraph" and "queryActigraph" functions. The package also better supports time zones and daylight saving.
| Version: | 0.2-2 |
| Depends: | R (≥ 2.10) |
| Suggests: | RSQLite, DBI |
| Published: | 2018-05-18 |
| Author: | Leena Choi [aut, cre], Cole Beck [aut], Zhouwen Liu [aut], Charles E. Matthews [aut], Maciej S. Buchowski [aut] |
| Maintainer: | Leena Choi <leena.choi at Vanderbilt.Edu> |
| License: | GPL (≥ 3) |
| NeedsCompilation: | no |
| CRAN checks: | PhysicalActivity results |
| Reference manual: | PhysicalActivity.pdf |
| Package source: | PhysicalActivity_0.2-2.tar.gz |
| Windows binaries: | r-devel: PhysicalActivity_0.2-2.zip, r-release: PhysicalActivity_0.2-2.zip, r-oldrel: PhysicalActivity_0.2-2.zip |
| OS X binaries: | r-release: PhysicalActivity_0.2-2.tgz, r-oldrel: PhysicalActivity_0.2-2.tgz |
| Old sources: | PhysicalActivity archive |
| Reverse imports: | acc |
Please use the canonical form https://CRAN.R-project.org/package=PhysicalActivity to link to this page.


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| Sequence |
Class |
| [1, 1, -1, -1, 1, -1] = (())() |
1 |
| [1, -1, 1, -1] = ()() |
1 |
| [1, -1, 1, 1, -1, 1, -1, -1] = ()(()()) |
1 |
| [1, 1, -1, -1, -1, 1, -1, 1] = (()))()( |
0 |
| [1, -1, -1, 1, 1, -1] = ())(() |
0 |
| [1, -1, -1, 1] = ())( |
0 |
--
count: false
How would you solve this task?
---
## A simple binary sequence classification problem
We will make it a bit more complicated with colored parenthesis, example with 10 colors.
Rule: opening parenthesis $i\in [0,4]$ with corresponding closing parenthesis $j\in [5,9]$ such that $i+j=9$.
| Sequence |
Class |
| [2, 0, 9, 7, 0, 9] = (())() |
1 |
| [1, 8, 3, 6] = ()() |
1 |
| [0, 9, 2, 4, 5, 2, 7, 7] = ()(()()) |
1 |
| [0, 2, 7, 9, 7, 2, 7, 3] = (()))()( |
0 |
| [1, 8, 9, 0, 1, 9] = ())(() |
0 |
| [1, 8, 7, 1] = ())( |
0 |
--
count: false
How would you solve this task?
---
# Elman network (1990)
Initial hidden state: $h_0 =0$
Update:
$$
h\_t = \mathrm{ReLU}(W\_{xh} x\_t + W\_{hh} h\_{t-1} + b\_h)
$$
Final prediction:
$$
y\_T = W\_{hy} h\_T + b\_y.
$$
--
```
class RecNet(nn.Module):
def __init__(self, dim_input, dim_recurrent, dim_output):
super(RecNet, self).__init__()
self.fc_x2h = nn.Linear(dim_input, dim_recurrent)
self.fc_h2h = nn.Linear(dim_recurrent, dim_recurrent, bias = False)
self.fc_h2y = nn.Linear(dim_recurrent, dim_output)
def forward(self, x):
h = x.new_zeros(1, self.fc_h2y.weight.size(1))
for t in range(x.size(0)):
h = torch.relu(self.fc_x2h(x[t,:]) + self.fc_h2h(h))
return self.fc_h2y(h)
```
---
# Training
We encode the symbol at time $t$ as a one-hot vector $x_t$.
To simplify the processing of variable-length sequences, we are processing samples (i.e. sequences) one at a time. .red[We do not consider batches.]
```
RNN = RecNet(dim_input = nb_symbol, dim_recurrent=50, dim_output=2)
cross_entropy = nn.CrossEntropyLoss()
optimizer = torch.optim.Adam(RNN.parameters(), lr=learning_rate)
for k in range(nb_train):
x,l = generator.generate_input()
y = RNN(x)
loss = cross_entropy(y,l)
optimizer.zero_grad()
loss.backward()
optimizer.step()
```
---
## Results
.left-column[


B | |
| base [Bap_c_size] |
Base class for computing size of C data types.
|
| base [Bap_c_type_mapper_intf.S] | |
| bili [Bap.Std] |
BIL interpreter
|
| biri [Bap.Std] |
BIR interpreter
|
C | |
| constant_folder [Bap.Std.Stmt] | constant_folder is a class that implements the fold_consts
|
| context [Bap.Std.Taint] | |
| context [Bap.Std.Biri] |
Biri evaluates terms in the context of a whole program (since
terms may contain calls and jumps).
|
| context [Bap.Std.Bili] | Bili.context extends Expi.context with PC (Program
Counter).
|
| context [Bap.Std.Expi] |
Context for expression evaluation.
|
D | |
| dfs_identity_visitor [Graphlib.Std.Graphlib] |
base class with all methods defaults to nothing.
|
E | |
| expi [Bap.Std] |
Expression interpreter
|
F | |
| finder [Bap.Std.Stmt] |
A visitor with a shortcut.
|
| finder [Bap.Std.Exp] |
A visitor with a shortcut.
|
L | |
| linear [Bap.Std.Bil.Storage] |
linear storage literally implements operational
semantics, but has O(N) lookup and uses space
very ineffectively, as it is implemented as a list
of assignments.
|
M | |
| mapper [Bap.Std.Term] |
Mapper perfoms deep identity term mapping.
|
| mapper [Bap.Std.Stmt] |
AST transformation.
|
| mapper [Bap.Std.Exp] |
Exp mapper.
|
P | |
| propagator [Bap.Std.Taint.S] |
Propagate taint through expressions.
|
S | |
| sparse [Bap.Std.Bil.Storage] |
sparse storage is slightly more efficient storage,
in comparison with linear.
|
| state [Bap.Std.Stmt] |
All visitors provide some information about the current
position of the visitor
|
| state [Bap.Std.Exp] |
All visitors provide some information about the current
position of the visitor
|
T | |
| t [Bap.Std.Biri.S] |
base class for BIR interpreters
|
| t [Bap.Std.Bili.S] |
Base class for BIL interpreters
|
| t [Bap.Std.Expi.S] |
Expression interpreter.
|
| t [Bap.Std.Eval.S] |
a virtual base class for all evaluators
|
| t [Bap.Std.Eval.S2] |
a virtual base class for all evaluators
|
| t [Bap.Std.Context] | |
V | |
| visitor [Bap.Std.Term] |
Visitor performs deep visiting.
|
| visitor [Bap.Std.Stmt] |
Visitor.
|
| visitor [Bap.Std.Exp] |
expression visitor.
|


I tried meditation and downloaded the Headspace app. I also tried timeboxing and found the evaluation at the end really helpful.
I found the article on Habits and Growth Mindset really interesting. As I mentioned in my reflection one of my fears was that "I don't know that much". It really resonated with me when I read "prove it to yourself in small ways and you'll develop the confidence that you can improve". On reflection, I looked back at what I knew on Wednesday morning (which was nothing) and in the past 5 days I have been able to learn the very basics of Command Line, GitHub and HTML. I can already see how much my confidence in using these has grown! I understand that I have a lot to learn but I am beginning to feel that I can do this. And this makes me very excited!
I think what worked for me is breaking things down into smaller tasks and just focusing on those. Over time these add up and you can achieve something that you may not have thought you could do at the beginning when you looked at the whole task.
I have downloaded the Headspace app and will keep working on meditation. I found that during the first meditation session my mind kept wandering to other things. I am going to try and use the Fogg Method to stick with this for the next ten days. After I brush my teeth in the morning, I am going to do 2 minutes meditation.


First thing you guys doing a tremendous job. I am very happy with the quality of your work and delivery of the work. Keep up the good work,
wish you all the best for the future, and surely will give you amount of work whenever is possible.
- Procad Designing Studio
I have designined my cooking website from swastik web solutions and i got my
website just the way i want it. I appreciate the work done by you guys.
- Meha Enterprise


--- layout: page title: About header-img: "img/about-bg.png" ---
Incurable optimist and avowed nerd with a compulsion to take things and figure out how to make them better.


WITNESS LIST
Special Purpose Districts Committee
May 18, 2017 - 8:00 AM
For:
Lary, Trey (Allen Boone Humphries Robinson LLP)
Mathew, Bryan (Texas Public Policy Foundation)
Registering, but not testifying:
For:
Baggett, Donnis (Self; Texas Press Association)
Cohen, Howard (Schwartz, Page & Harding, LLP)
Registering, but not testifying:
For:
Bakke, Phillip Peacock (Self)
Kugle, Julianne (Self)
Perkins, Val (Bakke Development)
Registering, but not testifying:
For:
Golemon, Kinnan (Gulf Coast Waste Disposal Authority)
On:
Clifton, Ricky (Gulf Coast Waste Disposal Authority)
For:
Lary, Trey (Allen Boone Humphries Robinson LLP)
Registering, but not testifying:
For:
Cohen, Howard (Schwartz, Page & Harding, LLP)
Kugle, Julianne (Self)
McKnight, Peyton (American Council of Engineering Companies of Texas)
Minick, Stephen (Texas Asssociation of Business)
Scott, Natalie (Land Developer and Coats Rose)
Wright, Felicia (Texas Association of Builders)
For:
Martin, Ross (Winstead PC)
Wilson, Kirk (Self)
1
WITNESS LIST
Registering, but not testifying:
For:
Richardson, Jody (Lerin Hills Municipal Utility District of Kendall County)
Registering, but not testifying:
For:
Scott, Natalie (Land Developer and Coats Rose)
Registering, but not testifying:
For:
Kugle, Julianne (Self)
Perkins, Val (Lookout Development)
For:
Perkins, Val (Lakewood Development)
For:
Perkins, Val (Lakewood Development)
For:
Perkins, Val (Lakewood Development)
Registering, but not testifying:
For:
Botkin, Chad (Self; Self-Lamplight Capital)
Kugle, Julianne (Self)
Perkins, Val (Lamplight Capitol)
Reid, Daniel (Self)
For:
Perkins, Val (Harris County MUD 525)
Registering, but not testifying:
For:
Kugle, Julianne (Self)
2
WITNESS LIST
For:
Perkins, Val (Sonrisa Development)
3


Feature improvements
- 100% configuration file compatible with 2.1.x.
The only fix needed is to disallow "hashsize=0" for rlm_passwd
- Update Aruba, Alcatel Lucent, APC, BT, PaloAlto, Pureware,
Redback, and Mikrotik dictionaries
- Switch to using SHA1 for certificate digests instead of MD5.
See raddb/certs/*.cnf
- Added copyright statements to the dictionaries, so that we know
when people are using them.
- Better documentation for radrelay and detail file writer.
See raddb/modules/radrelay and raddb/radrelay.conf
- Added TLS-Cert-Subject-Alt-Name-Email from patch by Luke Howard
- Added -F to radwho
- Added query timeouts to MySQL driver. Patch from Brian De Wolf.
- Add /etc/default/freeradius to debian package.
Patch from Matthew Newton
- Finalize DHCP and DHCP relay code. It should now work everywhere.
See raddb/sites-available/dhcp, src_ipaddr and src_interface.
- DHCP capabilitiies are now compiled in by default.
It runs as a DHCP server ONLY when manually enabled.
- Added one letter expansions: %G - request minute and %I request
ID.
- Added script to convert ISC DHCP lease files to SQL pools.
See scripts/isc2ippool.pl
- Added rlm_cache to cache arbitrary attributes.
- Added max_use to rlm_ldap to force connection to be re-established
after a given number of queries.
- Added configtest option to Debian init scripts, and automatic
config test on restart.
- Added cache config item to rlm_krb5. When set to "no" ticket
caching is disabled which may increase performance.
Bug fixes
- Fix CVE-2012-3547. All users of 2.1.10, 2.1.11, 2.1.12,
and 802.1X should upgrade immediately.
- Fix typo in detail file writer, to skip writing if the packet
was read from this detail file.
- Free cached replies when closing resumed SSL sessions.
- Fix a number of issues found by Coverity.
- Fix memory leak and race condition in the EAP-TLS session cache.
Thanks to Phil Mayers for tracking down OpenSSL APIs.
- Restrict ATTRIBUTE names to character sets that make sense.
- Fix EAP-TLS session Id length so that OpenSSL doesn't get
excited.
- Fix SQL IPPool logic for non-timer attributes. Closes bug #181
- Change some informational messages to DEBUG rather than error.
- Portability fixes for FreeBSD. Closes bug #177
- A much better fix for the _lt__PROGRAM__LTX_preloaded_symbols
nonsense.
- Safely handle extremely long lines in conf file variable expansion
- Fix for Debian bug #606450
- Mutex lock around rlm_perl Clone routines. Patch from Eike Dehling
- The passwd module no longer permits "hashsize = 0". Setting that
is pointless for a host of reasons. It will also break the server.
- Fix proxied inner-tunnel packets sometimes having zero authentication
vector. Found by Brian Julin.
- Added $(EXEEXT) to Makefiles for portability. Closes bug #188.
- Fix minor build issue which would cause rlm_eap to be built twice.
- When using "status_check=request" for a home server, the username
and password must be specified, or the server will not start.
- EAP-SIM now calculates keys from the SIM identity, not from the
EAP-Identity. Changing the EAP type via NAK may result in
identities changing. Bug reported by Microsoft EAP team.
- Use home server src_ipaddr when sending Status-Server packets
- Decrypt encrypted ERX attributes in CoA packets.
- Fix registration of internal xlat's so %{mschap:...} doesn't
disappear after a HUP.
- Can now reference tagged attributes in expansions.
e.g. %{Tunnel-Type:1} and %{Tunnel-Type:1[0]} now work.
- Correct calculation of Message-Authenticator for CoA and Disconnect
replies. Patch from Jouni Malinen
- Install rad_counter, for managing rlm_counter files.
- Add unique index constraint to all SQL flavours so that alternate
queries work correctly.
- The TTLS diameter decoder is now more lenient. It ignores
unknown attributes, instead of rejecting the TTLS session.
- Use "globfree" in detail file reader. Prevents very slow leak.
Closes bug #207.
- Operator =~ shouldn't copy the attribute, like :=. It should
instead behave more like ==.
- Build main Debian package without SQL dependencies
- Use max_queue_size in threading code
- Update permissions in raddb/sql/postgresql/admin.sql
- Added OpenSSL_add_all_algorithms() to fix issues where OpenSSL
wouldn't use methods it knew about.
- Add more sanity checks in dynamic_clients code so the server won't
crash if it attempts to load a badly formated client definition.


Core Model Parameters
Population
Initial Infected Pct
Testing interval (in days)
Population performing interval testing
PCR Random Testing Daily Rate
Daily Vaccination Rate
Advance Parameters
Self-isolating symptomatic (with or without test)
Self-isolating days
Daily interactions (avg)
Daily interactions (STD)


Class GenericPollingPolicy<Retry, Backoff> (2.9.0)
Construct a polling policy from existing Retry and Backoff policies.
A polling policy can be built by composing a retry and backoff policy. For example, to create a polling policy that "retries N times, waiting a fixed period between retries" you could compose the "try N times" retry policy with the "wait a fixed period between retries" backoff policy.
This class makes it easier to create such composed polling policies.
Constructors
GenericPollingPolicy(Retry, Backoff)
| Parameters | |
|---|---|
| Name | Description |
retry_policy |
Retry
|
backoff_policy |
Backoff
|
Functions
virtual clone() const
Return a copy of the current policy.
This function is called at the beginning of the polling loop. Policies that are based on relative time should restart their timers when this function is called.
| Returns | |
|---|---|
| Type | Description |
std::unique_ptr< PollingPolicy > |
virtual OnFailure(Status const &)
A callback to indicate that a polling attempt failed.
This is called when a polling request fails. Note that this callback is not invoked when the polling request succeeds with "operation not done".
| Parameter | |
|---|---|
| Name | Description |
status |
Status const &
|
| Returns | |
|---|---|
| Type | Description |
bool |
true if the failure should be treated as transient and the polling loop should continue. |
virtual WaitPeriod()
How long should the polling loop wait before trying again.
| Returns | |
|---|---|
| Type | Description |
std::chrono::milliseconds |


Batwoman Reveals Her Secret Identity to [SPOILER] - But There's a Catch
by Meagan DamoreSPOILER WARNING: This article contains major stories for "Tell Me the Truth," the latest episode of Batwoman.
Kate Kane's secret identity got even more complicated in "Tell Me the Truth," the latest episode of Batwoman. Sophie made good on her threat to reveal Kate's Bat-secret to her father Jacob. However, the man Sophie spoke with wasn't Jacob -- it was Mouse, Alice's "brother."
Throughout the episode, Jacob was away on a mission to learn more about Alice's whereabouts, which kept him from attending his own divorce proceedings and the Crows' attempt to capture Batwoman. This gave Mouse ample opportunity to step in for a day or two, so -- when Sophie seized her moment to confess -- it wasn't who she thought at all.
While Jacob spent his time upstate, Mouse aimed the Crows at an assassin who had killed several Hamilton Dynamics scientists. Soon, the assassin found himself in possession of a gun capable of penetrating Batwoman's suit. Fearing for Kate's safety, Sophie told "Jacob" that Batwoman was actually his daughter, so that he would protect her rather than let her be killed. As a result, "Jacob" sent the Crows out to stop the assassin, thus sparing Batwoman.
As Sophie struggled with the difficult decision to out Kate, Batwoman and her allies hatched a plot to convince the Crow that Kate wasn't the vigilante after all. When her old flame Julia Pennyworth came to town, she helped Kate out by pretending to be Batwoman. As a result, Kate and Batwoman appeared in the same room at the same time, thus proving to Sophie that Kate wasn't Batwoman.
Successfully convinced Kate wasn't Batwoman, Sophie recanted her statement to "Jacob." However, a scene at the end of the episode showed Jacob driving back to Gotham, having turned up nothing important on his search. Worse, the following scene revealed Mouse taking off his Jacob disguise. He promised he sowed some discord in the Kane family's lives, though he was not specific as to how.
Created by Caroline Dries and developed by Berlanti Productions and Warner Bros. Television, Batwoman stars Ruby Rose, Rachel Skarsten, Meagan Tandy, Camrus Johnson, Dougray Scott, Elizabeth Anweis and Nicole Kang. The series airs Sundays at 8 p.m. ET/PT on The CW.
https://schema.orgBreadcrumbListListItem1Homehttps://www.cbr.com/ListItem2TVhttps://www.cbr.com/category/tv/ListItem3TV Newshttps://www.cbr.com/category/tv/news-tv/ListItem4Batwoman Reveals Her Secret Identity to [SPOILER] - But There's a Catchhttps://www.cbr.com/batwoman-secret-identity-jacob-kane-mouse/


The top two boxes take your DocuSign email and password, respectively.
The next two boxes take the id of the DocuSign template you wish to use and its name, respectively. The name can be whatever you want. The template id must be obtained from DocuSign's website. For instructions on how to find your Docusign template id, click here.
The last input required is the csv file to be parsed. The csv file must have the following three columns in the top row in order to be parsed correctly: first_name, last_name, and email. Please note that the names must be exactly the same as what was just listed. It is highly recommended that only .csv file types are used. Other file types have not been tested, and may not work.
When all of the inputs have been filled out, simply click the send emails button, and our server will do the rest of the work. Depending on the size of the file, it might take some time to send all the emails.


--- layout: page title: Projects subtitle: Released Projects desc: Released Projects permalink: /projects/ ---
Here are some of PlayPerro's projects that I've released/published.
#DanceTogether is game about expressing music through dance.
Repair space stations in this zero gravity puzzler
"They're Staring At You" is an interactive short story about self expression and feeling judged.
A couple goes on an awkward date. Whose story do you follow?


Remote Calibrator
Calibrate screen size and track head and gaze for online experiments.
Programmers: Remote Calibrator package can build the step-by-step calibration panel at the start of the experiment with a few lines of code. This page runs in demo mode. In a real experiment, participants would only be allowed access to one step at a time. All the text, including the headline, the description, and the next-step button, can be customized.


Problem Solving
That time I got blocked on a simple problem.
Our fist web page development challenge when we had to post the blogs for Sprint 2.
I could see my local webpage clearly, but when I committed to github and checked my web pages were not live.
It kept coming up with an error page. But I could still open the local html file and view my webpage.
I panicked because I had done a lot of work and learning.
It seemed I might have lost it.
I tried a few things to fix the problem. I googled the problem and couldn’t find a solution.
I tried books, reread the instructions for pushing to github. Still nothing.
When I felt I had reached the end of my rope, I sent a message to my facilitator explaining the issues and included screenshots.
Turns out I had renamed my index.html file to home page.
When a web browser is looking through a folder for what files to read, it looks for an index.html by default as the original page to show.
I needed to save my homepage as 'index.html', otherwise it won't know where to look.
So simple.
Looking back, I’m sure that was in the instructions but because I was now in panic mode, I missed it and made a silly mistake.
Three techniques I am confident will aid my problem solving are:
Pseudocode
Writing in plain English what my code is intending do. I learned from my last job writing minutes that time spent planning is more valuable than time spent writing minutes. I can see how this will be handy when applied to code writing. Pseudocode will help me plan and help me define my code before I write it.
Rubber ducky method
This is me. The rubber ducky method is fantastic for all problems. I do this with my mum, but she doesn’t understand that I’m not looking for her to solve my problems. I have nothing against ducks but I love rhinos more so I might use a rubber rhino instead.
Asking for help
I’m an only child, fiercely independent so this does not come naturally to me.  As I got older and wiser I stopped caring too much about how I appear if I ask questions. My ancestors used to say ‘If you want to go fast, go alone. If you want to go far, go together.’ I will be asking everyone, my peers, and uncle google.
Other techniques that I will find valuable
- Console.logging
- Reflection
- Reading error messages
- Trying something


In order to accurately explain the purposes/differences of inline and inline block, it's probably helpful to first understand what "display:block" means.
So first up, "display: block". Block means that there is block-like space created that contains the content (such as text) within it. This allows for editing with spacing-based CSS like margins and padding. Initially, any content that is set with “display: block” will take up the full width of the page beside it. Even if the content is not as wide as the full page, block content still will not tolerate any other html elements next to it (unless you apply a float declaration to another element, but I won’t get into that). This can be seen when applying a background colour (see example below).
Next, "display: inline". This reduces the elements width only to the space it needs, and allows other HTML content to be “in line” with it, i.e. on the same line. This allows you optimize the use of overall browser space, however, it does have its limitations. With inline, there’s no block container around the content, it’s just the content itself in relation to the line it’s on. Therefore you cannot work with spatial CSS styling such as margin-top, margin-bottom, width, height and float, but you can alter line-based spatial features, such as margin-left and margin-right.
Finally, the elegant hybrid, "display: inline-block". This sits elements within a block container that can be affected by spatial CSS AND ALSO allows this block of content to sit inline with other inline/ inline-block elements. THAT’S HOT.


{% for member in members %}
{{member.position}}
{%for practice in member.practices%}
{{practice.name}}
{%endfor%}
{%if member.phone%}{{member.phone}}{%endif%}
{%if member.email%}{{member.email}}{%endif%}


Reputations can be deceptive. For example, director Scott Winant and writer Winnie Holzman are best known for their involvement in TV's ``thirtysomething'' and ``My So-Called Life,'' two shows that addressed real-life concerns without sitcom moralizing and phoney happy endings.
It's now trendy to laugh at the ``yuppie angst'' of ``thirtysomething,'' but take another look and you'll find a consistently well-written series. The short-lived, much-loved ``Life'' (which introduced the miracle that has become Claire Danes) was even better, offering the most credible look at teen-age life of any show since ``Family'' in the late '70s.
But ``'Til There Was You,'' which Winant directed and Holzman wrote, is pure plastic, flat and transparent. All involved were all too obviously aiming for another ``Sleepless In Seattle,'' but what they've produced is a cinematic siesta. The honesty of the duo's TV work is gone, replaced by a synthetic airy-fairy atmosphere that quickly becomes stifling.
Holzman's meandering screenplay revolves around architect Nick (Dylan McDermott) and ghostwriter Gwen (Jeanne Tripplehorn), who've separately led parallel lives, destined to intersect.
Both Nick and Gwen do work that goes unappreciated. Nick's grandiose visions of design, such as putting a rooftop garden atop a homeless shelter, don't suit his firm. Gwen, a scribe for illiterate celebrities, realizes, ``I never put my name on anything I write.'' Each of them has also amassed a resume of lovers without finding much fulfillment.
They also have nicotine addiction in common, and so many cigarettes are consumed during this movie you may want to burn incense and set out dishes of vinegar. It may be Holzman's idea of retro-chic; most people will find it contempo-disgusting.
The magnet that will eventually draw Nick and Gwen together turns out to be Francesca Lanfield (Sarah Jessica Parker), a burnt-out former child star trying to reheat what's left of her legend by publishing her memoirs. Once an adorable moppet on TV's popular ``One Big, Happy,'' Francesca is now a salty-tongued veteran of numerous rehab clinics. ``Yes, it's me and no, I'm not dead,'' she says when greeting fans.
Nick meets her when Francesca sells the apartment complex she owns to a developer, and the predatory actress soon has him under her spell. Gwen is hired by Francesca when the would-be autobiographer decides to let someone else do the job. Thanks to a string of coincidences, Nick and Gwen manage to avoid meeting, even though it's obvious that two people as dull as they are certainly deserve each other.
Tripplehorn and McDermott are badly miscast. Tripplehorn's attempts at slapstick are embarrassing, while McDermott's sullen intensity is completely wrong for this kind of fluff.
The only joy in the film comes from Parker, so delightfully sweet in the recent Broadway revival of ``Once Upon a Mattress,'' and so deliciously sour here as the jaded Francesca. The acid Parker injects into comments like ``this is extremely non-enjoyable'' is a welcome antidote to Holzman's syrup.
The rest of the supporting cast does what they can with what they're given, which is generally not much. As Gwen's lifelong friend, Jennifer Aniston begins building an interesting character, only to disappear abruptly from the story.
Michael Tucker, playing Gwen's deceptive dad, contributes the film's brightest scene, when he confesses the truth about his marriage to Gwen's mother. Tucker and Tripplehorn strike sparks, and for a brief moment ``'Til There Was You'' soars above the humdrum and approaches hilarity. But with Tucker's exit, the movie clunks back to earth and dawdles along to its surprise-free finale.
James Sanford
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Read our free tutorials in the area of Java, Android, Web Development, and others.
Checkout our products, see the code and take an idea to start building your own software today.
Share your product with your friends and in your circle and do contribute to your society.
We believe in sharing new ideas, thoughts, and opinions to everyone who is interested to develop something and want to explore new things in the area of Computer Science/Information Technology. Some of our projects are listed below you can see the these projects, see the codes, and can directly download it.
In this project you'll learn how you can convert any website to an Android application.
An android application of Cricket Score Recorder. It is useful to record the score of cricket match.
An android application having features to sort the data by different sorting algorithms.
Use your phone camera as your webcamera technique.
A Java GUI Application project that manages the bills of the customers.
A Java GUI Application project that manages the salary of the employees.
A Java GUI App that manages the employee data of any org.
This project represent the data in different visual contexts, patterns, etc.
Views
Subscribers
Clients
Products


Let's Do it
Save the Children has changed the lives of more than 1.1 crore (10.1 million) children in India, since 2008. We get deprived children access to quality education and often life – saving healthcare, and protection from harm and abuse. Currently, we have 65 projects running in 18 states of India. In 2019, we reached a total of 12.64 lakh children. All donations are tax-exempted under section 80G of the Income Tax Act, 1961.
Donate Now


{%extends TMPL_BASE%}{%load staticfiles%} {%block title%}Dashboard - IMC SmartHome{%endblock%} {%block content%}


Provides the classes necessary to create items including income and expenses.
The package includes sort function and each categories for items.


Select a base and target Currency ("USD", "EUR", etc.)
Convert!
Click here for a full list of supported currencies and their respective code!


For more information refer to Working with forks in the GitHub documentation.
local
repositorylocal
to your remote
fork repositoryNote: You go through these steps exactly once to get everything setup. This set of steps:
- Creates a fork of the branch within GitHub.
- This fork is a repository under your user name or organization.
- This repository in GitHub is referred to as a
remote
repository,- Clones the the remote repository (your fork) to your computer.
- This clone is referred to as a
local
repository.
cd {path}
on both.git clone {uri}
where uri
is the path copied earlier. Example: git clone https://github.com/retrosight/developer.concur.com.git
. A typical result of cloning is as follows.➜ source git clone git@github.com:retrosight/developer.concur.com.git
Cloning into 'developer.concur.com'...
remote: Enumerating objects: 6, done.
remote: Counting objects: 100% (6/6), done.
remote: Compressing objects: 100% (6/6), done.
remote: Total 31798 (delta 0), reused 0 (delta 0), pack-reused 31792
Receiving objects: 100% (31798/31798), 185.39 MiB | 5.52 MiB/s, done.
Resolving deltas: 100% (20992/20992), done.
local
repositoryNote: Since you are working in a fork you can start editing straightaways without creating a branch.
local
to your remote
fork repositoryThis cycle is repeated as many times as you wish to push changes in your
local
fork repository to yourremote
fork repository in GitHub.
In the command line after navigating to the local
repository folder:
git add .
This tells git to add any and all changes you’ve made.git commit
This opens a text editing tool so you can add notes about the commit. See the VIM on Mac section below for additional notes.git push origin preview
. You can read that command this way: git please push my changes to the origin aka the repository matching this local one and the preview branch in that remote repository. A typical result of the output of this cycle is as follows.➜ developer.concur.com git:(preview) git add .
➜ developer.concur.com git:(preview) ✗ git commit
[preview 97db50cb] Adding the steps to work with forks.
1 file changed, 37 insertions(+)
create mode 100644 src/editing-with-a-repository-fork.md
➜ developer.concur.com git:(preview) git push origin preview
Counting objects: 8, done.
Delta compression using up to 8 threads.
Compressing objects: 100% (8/8), done.
Writing objects: 100% (8/8), 2.31 KiB | 2.31 MiB/s, done.
Total 8 (delta 5), reused 0 (delta 0)
remote: Resolving deltas: 100% (5/5), completed with 2 local objects.
To github.com:retrosight/developer.concur.com.git
cf7afef0..33c025d7 preview -> preview
:wq
These steps request the maintainer of the base repository accept your proposed changes and begin the review process for same.
head
) to the parent (base
).[base fork: concur/developer.concur.com v ] [base: preview v ] <- [head fork: retrosight/developer.concur.com v ] [compare: preview v ]
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org repository branch | org repository branch
direction


#!/usr/bin/env python3 # The above line should get replaced with the path to the Python # interpreter; the block below should get 2to3-converted. try: from test2to3.hello import hello except ImportError, e: print "Import failed", e hello()


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The Algorithm
Fast and expansive in attaining important data about a place.
Through entering a few pieces of data such as age and monthly income, you can recieve a personalized listing of the best countries, states, or cities for you to live in the future.
Approximately 12 factors are assessed per country and 24 factors per US state,
in determining the most suitable locations not only in general but specifically related to you.
You can also find specific locations through the 'Search' functionality.


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Current temperature from Weather API:
London
Edinburgh
Paris
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Manila
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New York
Celcius
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Kelvin


BayesBet Estimated Hockey Game Win Probabilities - {{prediction_date}}
{%for i, g in predicted_games%}
{% endfor %}
{{g.away_team}} @ {{g.home_team}}
Everett Robinson (@evjrob)
bayesbet.everettsprojects.com


Here's how many people were granted work permits in Sweden in October
by Emma LöfgrenSweden's Migration Agency reached a decision in 4,834 work permit cases during October. Here's an in-depth look at how many permits were granted, and to whom.
A total of 4,367 work permit applications were sent to Sweden's Migration Agency last month and 4,834 people received a decision. Of those, 3,602 permits were approved.
In 821 of the approved cases, the applicant was moving to Sweden to work for a certified employer, a group of companies that have already proved to the Migration Agency that they meet certain criteria (including a recurring need for non-EU hires and proof that they have fulfilled legal requirements in previous work permit cases) and for whom processing takes a maximum of 20 days.
So who did the work permits go to?
Most of them were given to family members of workers (1,667), followed by people coming to Sweden to work as employees of a Swedish company (1,539). Family members, including spouses or registered partners, are typically included on a partner's work permit if they will also move to Sweden. If the main applicant has a job offer of over six months, their partner is also eligible for a work permit.
Thirteen permits were handed to self-employed applicants, 98 to guest researchers and 285 to "others".
READ ALSO:
Between January 1st and November 1st, Sweden approved 100,301 residence permits, out of which 36,665 were work permits, or 19,782 work permits for employees (excluding athletes, artists, au-pairs, self-employed, visiting researchers, trainees, holiday workers or relatives of employees).
Most of the work permits were awarded to berry pickers and planters (6,162 between January 1st and November 1st); IT architects, systems analysts and test managers (3,774); cooks and cold-buffet managers (911); fast-food workers and food preparation assistants (908); and engineering professionals (865).
The people who have received the most work permits this year originally come from Thailand (6,476), India (4,363), Ukraine (1,040), Turkey (775), China (764), Iraq (506), United States (436), Iran (340), Brazil (316) and the Republic of Serbia (297).
There are currently 15,483 people waiting for a decision on their work permit application.
This article, based on the Migration Agency's statistics, is part of a monthly series for Members of The Local, in which we look at the number of Swedish residence permits granted to international workers. Do you find this article useful? Is there anything else we should be looking at? Please let us know.


In the year 2017, a group of people from various technical background come together and founded a company called Noakhalihost(PrenHost), with the idea that the average people of the bangladesh deserved value-priced domains and hosting service.
We're happy to report that Noakhalihost(PrenHost) has about 3000+ customers and more than 6500+ domains under management. In 2018 Noakhalihost(PrenHost) was purchased by Noakhali Host Ltd.(PrenHost) We offer domain names at some of the best prices in the industry, along with full-featured hosting packages, secure SSL certificates, WhoisGuard privacy protection service, dedicated hosting, cloud hosting,vps-hosting, email service, and more.
We work hard to provide unparalleled levels of service, security and support. We strive to offer intuitive products at the most competitive prices in the business. We never bombard our clients with unwanted upsells or in-your-face advertising. Our goal is to be honest, straightforward, friendly and helpful. And that's all.
After a long analysis, we (PrenHost) find out some issue from the Bangladeshi Domain & Hosting marketplace. Most of the common issue is high price service but the rating is so poor. We want to reduce this issue by providing the best service at a cheap price. We are working for this. We already made some hosting packages with the best price than the average market price.
Our main goal was, how to give better support to our client. How can we make satisfied our client? Within this goal, we've made flow with some of the different support systems.
And all support system is control over by a single app. There, a client can ping us over site live chat, support mail, telegram, facebook page, also over the phone call. If any client needs remote support we are able to give support via remotely.
Obviously, a more powerful hosting solution starts with remarkable hardware. At Prenhost we pride ourselves on doing things right and accordingly, we design, build, and maintain our own servers in-house so as to ensure they’re configured for truly optimal performance. But thanks to open source, we’ve found a way to deliver this power more reliably and easily to customers. By pioneering a new implementation using OpenStack and KVM hypervisor, we developed new features and flexibility uncommon to most VPS or dedicated solutions.
At PrenHosting, you design your perfect VPS. Just choose the amount of RAM, disk space, and data transfer you want. Pay only for the resources you need! Your VPS also comes provisioned with your choice of Linux OS. Reload a different version of your OS or choose a completely different flavor on demand.
 We're giving it to you! You get root access so you're able to access and edit all of your server's files! You get to choose your Linux OS and can even re-load your server with a new operating system on demand! You also get boot, shutdown and reboot control.


{% if not request.user.is_active and not request.user.mobile_verified %}
{% if activate_url %}
Your account is Successfully Activated
A confirmation email has
been sent to you. Please click on the Activation Link to Activate your account & verify
your mobile number too.{% else %}A confirmation email has been sent to you. Please click
on the Activation Link to Activate your account & verify your mobile number
too.{% endif %}


The given string will be removed from the path to the Trac website URL when you browse the source code.
This is useful if you have a source code repositories with subfolders for projects.
Example:
If you change "trunc/main/src/main/myfile.py" in the source code repository, normally the resulting URL is "http://trac.mycompany.com/browser/trunc/main/src/main/myfile.py". But because of your Trac configuration you need this as and URL: "http://trac.mycompany.com/browser/src/main/myfile.py".


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