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| Then he called his twelve disciples together, and gave them power and authority over all devils, and to cure diseases.
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| ᏫᏚᏯᎲᏃ ᏔᎳᏚ ᎢᏯᏂᏛ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᏚᏁᎴ ᎾᏂᎥ ᎠᏂᏍᎩᎾ ᎬᏩᏃᎯᏳᏗᏱ, ᎠᎴ ᏚᏂᏢᎬ ᏧᎾᏓᏅᏬᏗᏱ.
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Wi-du-ya-hv-no ta-la-du i-ya-ni-dv gv-wa-s-da-wa-di-do-hi, du-ne-le na-ni-v a-ni-s-gi-na gv-wa-no-hi-yu-di-yi, a-le du-ni-tlv-gv tsu-na-da-nv-wo-di-yi.
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| And he sent them to preach the kingdom of God, and to heal the sick.
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| ᏚᏅᏎᏃ ᎤᎾᎵᏥᏙᏅᏍᏗᏱ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎤᎬᏩᎵ, ᎠᎴ ᏧᏂᏢᎩ ᏧᏂᏅᏬᏗᏱ
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Du-nv-se-no u-na-li-tsi-do-nv-s-di-yi U-ne-la-nv-hi u-gv-wi-yu-hi ge-sv u-gv-wa-li, a-le tsu-ni-tlv-gi tsu-ni-nv-wo-di-yi
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| And he said unto them, Take nothing for your journey, neither staves, nor scrip, neither bread, neither money; neither have two coats apiece.
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| ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᏞᏍᏗ ᎪᎱᏍᏗ ᎢᏣᏓᏁᎳᏅᎩ ᎢᏣᎵᏍᏕᎸᏙᏗ ᎢᏣᎢᏒᎢ, ᏞᏍᏗ ᏗᏙᎳᏅᏍᏗ, ᎠᎴ ᏕᎦᎶᏗ, ᎠᎴ ᎦᏚ, ᎠᎴ ᎠᏕᎸ; ᎠᎴ ᎢᏥᏏᏴᏫᎭ ᏞᏍᏗ ᏔᎵ ᏗᏣᏄᏬ ᏱᏗᏥᏁᎮᏍᏗ.
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A-le hi-a ni-du-we-se-le-i, Tle-s-di go-hu-s-di i-tsa-da-ne-la-nv-gi i-tsa-li-s-de-lv-do-di i-tsa-i-sv-i, tle-s-di di-do-la-nv-s-di, a-le de-ga-lo-di, a-le ga-du, a-le a-de-lv; a-le i-tsi-si-yv-wi-ha tle-s-di ta-li di-tsa-nu-wo yi-di-tsi-ne-he-s-di.
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| And whatsoever house ye enter into, there abide, and thence depart.
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| ᎢᎸᎯᏢᏃ ᎠᏓᏁᎸ ᎢᏥᏴᎯᎮᏍᏗ ᎾᎭᏉ ᎢᏥᏁᏍᏗ, ᎠᎴ ᎾᎿᎭᎢᏣᏂᎩᏍᎨᏍᏗ.
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I-lv-hi-tlv-no a-da-ne-lv i-tsi-yv-hi-he-s-di na-ha-quo i-tsi-ne-s-di, a-le na-hna i-tsa-ni-gi-s-ge-s-di.
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| And whosoever will not receive you, when ye go out of that city, shake off the very dust from your feet for a testimony against them.
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| ᎩᎶᏃ ᏂᏗᏣᏓᏂᎸᎬᎾ ᎢᎨᏎᏍᏗ, ᎾᎿᎭᎦᏚᎲ ᎢᏥᏄᎪᎨᏍᏗ, ᏗᏣᎳᏏᏕᏂ ᎪᏍᏚ ᏚᏅᎦᎸ ᏕᏥᏅᎪᎥᏗᏍᎨᏍᏗ ᎾᏍᎩ ᎧᏃᎮᏍᎩ ᎨᏎᏍᏗ ᎤᎾᏡᏗᏍᎩ.
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Gi-lo-no ni-di-tsa-da-ni-lv-gv-na i-ge-se-s-di, na-hna ga-du-hv i-tsi-nu-go-ge-s-di, di-tsa-la-si-de-ni go-s-du du-nv-ga-lv de-tsi-nv-go-v-di-s-ge-s-di na-s-gi ka-no-he-s-gi ge-se-s-di u-na-tlu-di-s-gi.
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| And they departed, and went through the towns, preaching the gospel, and healing every where.
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| ᎤᎾᏂᎩᏒᏃ ᏕᎦᏚᏩᏗᏒ ᎤᏁᏙᎴ ᎠᎾᎵᏥᏙᎲᏍᎨ ᎣᏍᏛ ᎧᏃᎮᏛ, ᎠᎴ ᏓᎾᏓᏅᏫᏍᎨ ᏂᎦᎥ ᎠᏁᏙᎲᎢ.
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U-na-ni-gi-sv-no de-ga-du-wa-di-sv u-ne-do-le a-na-li-tsi-do-hv-s-ge o-s-dv ka-no-he-dv, a-le da-na-da-nv-wi-s-ge ni-ga-v a-ne-do-hv-i.
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| Now Herod the tetrarch heard of all that was done by him: and he was perplexed, because that it was said of some, that John was risen from the dead;
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| ᎡᎶᏛᏃ ᏅᎩ ᎢᎦᏚᎩ ᎨᏒ ᏍᎦᏚᎩ ᎠᏥᎦᏘᏗᏍᏗ ᎤᏛᎦᏁ ᏂᎦᏛ ᏕᎤᎸᏫᏍᏓᏁᎲᎢ; ᎠᎴ ᎤᏕᏯᏔᏁᎴᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᎩᎶ ᏣᏂ ᎤᏲᎱᏒ ᏕᎤᎴᎯᏌᏅ ᎠᎾᏗᏍᎬᎢ;
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E-lo-dv-no nv-gi i-ga-du-gi ge-sv s-ga-du-gi a-tsi-ga-ti-di-s-di u-dv-ga-ne ni-ga-dv de-u-lv-wi-s-da-ne-hv-i; a-le u-de-ya-ta-ne-le-i, nv-di-ga-li-s-do-di-s-ge gi-lo Tsa-ni u-yo-hu-sv de-u-le-hi-sa-nv a-na-di-s-gv-i;
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| And of some, that Elias had appeared; and of others, that one of the old prophets was risen again.
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| ᎩᎶᏃ ᎢᎳᏯ ᎦᎾᏄᎪᎩ ᎠᎾᏗᏍᎬᎢ; ᎢᎦᏛᏃ ᎩᎶ ᎢᏳᏍᏗ ᎢᎸᎯᏳ ᏣᏁᎮ ᎠᎾᏙᎴᎰᏍᎩ ᏚᎴᎯᏌᏅ ᎠᎾᏗᏍᎬᎢ.
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Gi-lo-no I-la-ya ga-na-nu-go-gi a-na-di-s-gv-i; i-ga-dv-no gi-lo i-yu-s-di i-lv-hi-yu tsa-ne-he a-na-do-le-ho-s-gi du-le-hi-sa-nv a-na-di-s-gv-i.
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| And Herod said, John have I beheaded: but who is this, of whom I hear such things? And he desired to see him.
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| ᎡᎶᏛᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏣᏂ ᏥᏍᎫᏕᏒᎩ; ᎯᎠᏍᎩᏂ ᎦᎪ, ᎾᏍᎩ ᎯᎠ ᏥᏄᏍᏗ ᏥᏥᏯᏛᎩᎭ? ᎤᏟᏂᎬᏁᎴᏃ ᎤᎪᏩᏛᏗᏱ.
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E-lo-dv-no hi-a nu-we-se-i, Tsa-ni tsi-s-gu-de-sv-gi; hi-a-s-gi-ni ga-go, na-s-gi hi-a tsi-nu-s-di tsi-tsi-ya-dv-gi-ha? U-tli-ni-gv-ne-le-no u-go-wa-dv-di-yi.
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| And the apostles, when they were returned, told him all that they had done. And he took them, and went aside privately into a desert place belonging to the city called Bethsaida.
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| ᎨᏥᏅᏏᏛᏃ ᎢᎤᏂᎷᏨ, ᎬᏩᏃᏁᎴ ᏂᎦᏛ ᏄᎾᏛᏁᎸᎢ. ᏚᏘᏅᏎᏃ ᎠᎴ ᎤᏅᏒ ᎨᏒ ᎢᎾᎨ ᏭᎶᏎ ᎦᏚᎲ ᎾᎥ ᏇᏣᏰᏗ ᏣᏃᏎᎰᎢ.
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Ge-tsi-nv-si-dv-no i-u-ni-lu-tsv, gv-wa-no-ne-le ni-ga-dv nu-na-dv-ne-lv-i. Du-ti-nv-se-no a-le u-nv-sv ge-sv i-na-ge wu-lo-se ga-du-hv na-v Que-tsa-ye-di tsa-no-se-ho-i.
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| And the people, when they knew it, followed him: and he received them, and spake unto them of the kingdom of God, and healed them that had need of healing.
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| ᏴᏫᏃ ᎤᎾᏙᎴᎰᏒ ᎬᏩᏍᏓᏩᏛᏎᎢ; ᎠᎴ ᏚᏓᏂᎸᏤᎢ, ᏚᏁᎢᏍᏓᏁᎴ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎤᎬᏩᎵ, ᎠᎴ ᏚᏅᏩᏁ ᎤᏚᎸᏗ ᎢᏳᎾᎵᏍᏓᏁᎯ ᏗᎨᏥᏅᏬᏗᏱ.
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Yv-wi-no u-na-do-le-ho-sv gv-wa-s-da-wa-dv-se-i; a-le du-da-ni-lv-tse-i, du-ne-i-s-da-ne-le U-ne-la-nv-hi u-gv-wi-yu-hi ge-sv u-gv-wa-li, a-le du-nv-wa-ne u-du-lv-di i-yu-na-li-s-da-ne-hi di-ge-tsi-nv-wo-di-yi.
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| And when the day began to wear away, then came the twelve, and said unto him, Send the multitude away, that they may go into the towns and country round about, and lodge, and get victuals: for we are here in a desert place.
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| ᎢᎦᏃ ᎿᎭᏉ ᎦᎶᏐᎲᏍᎨᎢ ᎬᏩᎷᏎᎴ ᏔᎳᏚ ᎢᏯᏂᏛ ᎠᎴ ᎯᎠ ᏂᎬᏩᏪᏤᎴᎢ, ᏘᏰᎵᎯᏍᏓ ᎤᏂᏣᏘ, ᎾᏍᎩ ᏩᏁᎾ ᏙᏗᎦᏚᎲ ᎠᎴ ᏙᏗᎦᎶᎨᏒ ᎠᏂ ᎬᏩᏚᏫᏛ ᏫᏚᏂᏒᏍᏗᏱ, ᎠᎴ ᎤᎾᎵᏍᏓᏴᏗ ᏭᏂᏩᏛᏗᏱ; ᎠᏂᏰᏃ ᎢᎾᎨᏉ ᎨᏒ ᎢᏕᏙᎭ.
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I-ga-no hna-quo ga-lo-so-hv-s-ge-i gv-wa-lu-se-le ta-la-du i-ya-ni-dv a-le hi-a ni-gv-wa-we-tse-le-i, Ti-ye-li-hi-s-da u-ni-tsa-ti, na-s-gi wa-ne-na do-di-ga-du-hv a-le do-di-ga-lo-ge-sv a-ni gv-wa-du-wi-dv wi-du-ni-sv-s-di-yi, a-le u-na-li-s-da-yv-di wu-ni-wa-dv-di-yi; a-ni-ye-no i-na-ge-quo ge-sv i-de-do-ha.
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| But he said unto them, Give ye them to eat. And they said, We have no more but five loaves and two fishes; except we should go and buy meat for all this people.
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| ᎠᏎᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ; ᏂᎯ ᏗᏤᎳᏍᏓ. ᎯᎠᏃ ᏄᏂᏪᏎᎢ, ᎯᏍᎩᏉ ᎦᏚ ᏙᏥᏰᎭ ᎠᎴ ᎠᏣᏗ ᏔᎵᏉᎢ; ᎢᏳᏍᎩᏂᏃᏅ ᏲᎩᏩᏎᏅ ᏂᎦᏛ ᎯᎠ ᎾᏍᎩ ᏴᏫ ᎤᎾᎵᏍᏓᏴᏗ.
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A-se-no hi-a ni-du-we-se-le-i; Ni-hi di-tse-la-s-da. Hi-a-no nu-ni-we-se-i, Hi-s-gi-quo ga-du do-tsi-ye-ha a-le a-tsa-di ta-li-quo-i; i-yu-s-gi-ni-no-nv yo-gi-wa-se-nv ni-ga-dv hi-a na-s-gi yv-wi u-na-li-s-da-yv-di.
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| For they were about five thousand men. And he said to his disciples, Make them sit down by fifties in a company.
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| ᎯᏍᎩᏰᏃ ᎢᏯᎦᏴᎵ ᎢᏴᏛ ᎾᏂᎡ ᎠᏂᏍᎦᏯ. ᎯᎠᏃ ᏂᏚᏪᏎᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᏩᎾᏅᎥᎦ ᎯᏍᎦᏍᎪᎯ ᎢᎫᏂᏨᏛ ᎨᏎᏍᏗ.
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Hi-s-gi-ye-no i-ya-ga-yv-li i-yv-dv na-ni-e a-ni-s-ga-ya. Hi-a-no ni-du-we-se-le gv-wa-s-da-wa-di-do-hi, Wa-na-nv-v-ga hi-s-ga-s-go-hi i-gu-ni-tsv-dv ge-se-s-di.
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| And they did so, and made them all sit down.
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| ᎾᏍᎩᏃ ᏄᎾᏛᏁᎴᎢ, ᎠᎴ ᏂᎦᏛ ᎤᎾᏅᏗᏱ ᏂᏚᏅᎴᎢ.
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Na-s-gi-no nu-na-dv-ne-le-i, a-le ni-ga-dv u-na-nv-di-yi ni-du-nv-le-i.
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| Then he took the five loaves and the two fishes, and looking up to heaven, he blessed them, and brake, and gave to the disciples to set before the multitude.
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| ᎯᏍᎩᏃ ᎦᏚ ᏚᎩᏎᎢ, ᎠᎴ ᏔᎵ ᎠᏣᏗ ᏚᏁᏎᎢ; ᎦᎸᎳᏗᏃ ᏫᏚᎧᎿᎭᏅ ᎤᎵᎮᎵᏤᎢ, ᎠᎴ ᎤᎬᎭᎷᏰᎢ, ᎠᎴ ᏚᏁᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ ᏧᏂᏁᏗᏱ ᎤᏂᏣᏘ.
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Hi-s-gi-no ga-du du-gi-se-i, a-le ta-li a-tsa-di du-ne-se-i; ga-lv-la-di-no wi-du-ka-hna-nv u-li-he-li-tse-i, a-le u-gv-ha-lu-ye-i, a-le du-ne-le gv-wa-s-da-wa-di-do-hi tsu-ni-ne-di-yi u-ni-tsa-ti.
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| And they did eat, and were all filled: and there was taken up of fragments that remained to them twelve baskets.
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| ᎤᎾᎵᏍᏓᏴᏁᏃ, ᎠᎴ ᏂᎦᏛ ᏚᏃᎸᏎᎢ; ᎠᎴ ᎤᏄᏖᏎ ᎤᎵᎬᎭᎷᏴᎯ ᎤᎾᏘᏰᎸᎯ ᏔᎳᏚ ᎢᏯᎧᎵᎢ ᏔᎷᏣ.
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U-na-li-s-da-yv-ne-no, a-le ni-ga-dv du-no-lv-se-i; a-le u-nu-te-se u-li-gv-ha-lu-yv-hi u-na-ti-ye-lv-hi ta-la-du i-ya-ka-li-i ta-lu-tsa.
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| And it came to pass, as he was alone praying, his disciples were with him: and he asked them, saying, Whom say the people that I am?
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| ᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ ᎾᏍᎩ ᎤᏩᏒ ᎨᏒ ᎠᏓᏙᎵᏍᏗᏍᎬ ᎬᏩᏍᏓᏩᏗᏙᎯ ᎠᏁᎮᎢ; ᏚᏛᏛᏁᏃ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎦᎪ ᎬᏉᏎᎰ ᏴᏫ?
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Hi-a-no nu-li-s-ta-ne-i na-s-gi u-wa-sv ge-sv a-da-do-li-s-di-s-gv gv-wa-s-da-wa-di-do-hi a-ne-he-i; du-dv-dv-ne-no hi-a ni-du-we-se-le-i, Ga-go gv-quo-se-ho yv-wi?
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| They answering said, John the Baptist; but some say, Elias; and others say, that one of the old prophets is risen again.
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| ᎤᏂᏁᏨᏃ ᎯᎠ ᏄᏂᏪᏎᎢ, ᏣᏂ ᏗᏓᏬᏍᎩ; ᎢᎦᏛᏍᎩᏂ ᎢᎳᏯ; ᎠᏂᏐᎢᏃ, ᎩᎶ ᎢᏳᏍᏗ ᎢᎸᎯᏳ ᎤᎾᏕᏅᎯ ᎠᎾᏙᎴᎰᏍᎩ ᏚᎴᎯᏌᏅ [ᎠᎾᏗᏍᎪᎢ.]
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U-ni-ne-tsv-no hi-a nu-ni-we-se-i, Tsa-ni di-da-wo-s-gi; i-ga-dv-s-gi-ni I-la-ya; a-ni-so-i-no, gi-lo i-yu-s-di i-lv-hi-yu u-na-de-nv-hi a-na-do-le-ho-s-gi du-le-hi-sa-nv [a-na-di-s-go-i.]
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| He said unto them, But whom say ye that I am? Peter answering said, The Christ of God.
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| ᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᏂᎯᎾᏃ ᎦᎪ ᏍᎩᏲᏎᎭ? ᏈᏓ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎢ, ᎦᎶᏁᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ.
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Hi-a-no ni-du-we-se-le-i, Ni-hi-na-no ga-go s-gi-yo-se-ha? Qui-da u-ne-tsv hi-a nu-we-se-i, Ga-lo-ne-dv U-ne-la-nv-hi u-tse-li-ga.
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| And he straitly charged them, and commanded them to tell no man that thing;
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| ᎤᎵᏂᎩᏛᏃ ᏚᏅᏍᏓᏕᎴ ᏚᏁᏤᎴ ᎩᎶ ᎤᏂᏃᏁᏗᏱ ᏂᎨᏒᎾ ᎾᏍᎩ,
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U-li-ni-gi-dv-no du-nv-s-da-de-le du-ne-tse-le gi-lo u-ni-no-ne-di-yi ni-ge-sv-na na-s-gi,
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| Saying, The Son of man must suffer many things, and be rejected of the elders and chief priests and scribes, and be slain, and be raised the third day.
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| ᎯᎠ ᏂᎦᏪᏍᎨᎢ, ᏴᏫ ᎤᏪᏥ ᎠᏎ ᎤᏣᏘ ᏧᏓᎴᏅᏛ ᏧᎩᎵᏳᏤᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏗᎬᏩᏲᎯᏍᏗ ᎨᏎᏍᏗ ᏗᏂᎳᏫᎩ ᎠᎴ ᏄᏂᎬᏫᏳᏒ ᎠᏥᎸ-ᎠᏁᎶᎯ ᎠᎴ ᏗᏃᏪᎵᏍᎩ, ᎠᎴ ᎠᏥᎢᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᏦᎢᏁ ᎢᎦ ᏣᎦᎴᏙᏗ ᎨᏎᏍᏗ.
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Hi-a ni-ga-we-s-ge-i, yv-wi U-we-tsi a-se u-tsa-ti tsu-da-le-nv-dv tsu-gi-li-yu-tse-di ge-se-s-di, a-le di-gv-wa-yo-hi-s-di ge-se-s-di di-ni-la-wi-gi a-le nu-ni-gv-wi-yu-sv a-tsi-lv--a-ne-lo-hi a-le di-no-we-li-s-gi, a-le a-tsi-i-s-di ge-se-s-di, a-le tso-i-ne i-ga tsa-ga-le-do-di ge-se-s-di.
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| And he said to them all, If any man will come after me, let him deny himself, and take up his cross daily, and follow me.
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| ᎯᎠᏃ ᏂᏚᏪᏎᎴ ᏂᎦᏛ, ᎢᏳᏃ ᎩᎶ ᎤᏚᎵᏍᎨᏍᏗ ᎠᎩᏍᏓᏩᏛᏍᏗᏱ ᎤᏩᏒ ᎠᏓᏓᏱᎮᏍᏗ, ᎠᎴ ᎠᏱᏍᎨᏍᏗ ᏂᏚᎩᏨᏂᏒ ᎤᏤᎵ ᏧᏓᎿᎭᏩᏛ, ᎠᎴ ᎠᎩᏍᏓᏩᏕᎨᏍᏗ.
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Hi-a-no ni-du-we-se-le ni-ga-dv, i-yu-no gi-lo u-du-li-s-ge-s-di a-gi-s-da-wa-dv-s-di-yi u-wa-sv a-da-da-yi-he-s-di, a-le a-yi-s-ge-s-di ni-du-gi-tsv-ni-sv u-tse-li tsu-da-hna-wa-dv, a-le a-gi-s-da-wa-de-ge-s-di.
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| For whosoever will save his life shall lose it: but whosoever will lose his life for my sake, the same shall save it.
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| ᎩᎶᏰᏃ ᎤᏚᎵᏍᎨᏍᏗ ᎤᏍᏕᎸᏗᏱ ᎬᏅᎢ ᎤᏲᎱᏎᏗ ᎨᏎᏍᏗ; ᎩᎶᏍᎩᏂ ᎬᏅ ᎤᏲᎱᏎᎮᏍᏗ ᎠᏴ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ, ᎾᏍᎩ ᎤᏍᏕᎸᏗ ᎨᏎᏍᏗ.
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Gi-lo-ye-no u-du-li-s-ge-s-di u-s-de-lv-di-yi gv-nv-i u-yo-hu-se-di ge-se-s-di; gi-lo-s-gi-ni gv-nv u-yo-hu-se-he-s-di a-yv nv-di-ga-li-s-do-di-s-ge-s-di, na-s-gi u-s-de-lv-di ge-se-s-di.
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| For what is a man advantaged, if he gain the whole world, and lose himself, or be cast away?
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| ᎦᏙᏰᏃ ᏳᏁᏉᏥ ᏴᏫ ᎢᏳᏃ ᏂᎬ ᎡᎶᎯ ᎤᏤᎵ ᏱᏄᎵᏍᏔᏅ, ᎤᏩᏒᏃ ᏳᏲᎱᏒ ᎠᎴ ᏯᎦᏓᎢᏅ.
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Ga-do-ye-no yu-ne-quo-tsi yv-wi i-yu-no ni-gv e-lo-hi u-tse-li yi-nu-li-s-ta-nv, u-wa-sv-no yu-yo-hu-sv a-le ya-ga-da-i-nv.
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| For whosoever shall be ashamed of me and of my words, of him shall the Son of man be ashamed, when he shall come in his own glory, and in his Father's, and of the holy angels.
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| ᎩᎶᏰᏃ ᎠᏆᏕᎰᏍᎨᏍᏗ ᎠᏴ ᎠᎴ ᎠᎩᏁᏨᎢ, ᎾᏍᎩ ᏴᏫ ᎤᏪᏥ ᎤᏕᎰᎯᏍᏗ ᎨᏎᏍᏗ ᎾᎯᏳ ᎦᎷᏨᎭ ᎤᏄᏬᏍᏕᏍᏗ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᏩᏒ ᎤᏤᎵᎦ, ᎠᎴ ᎤᏙᏓ ᎤᏤᎵᎦ, ᎠᎴ ᎨᏥᎸᏉᏗ ᏗᏂᎧᎿᎭᏩᏗᏙᎯ ᎤᎾᏤᎵᎦ.
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Gi-lo-ye-no a-qua-de-ho-s-ge-s-di a-yv a-le a-gi-ne-tsv-i, na-s-gi yv-wi U-we-tsi u-de-ho-hi-s-di ge-se-s-di na-hi-yu ga-lu-tsv-ha u-nu-wo-s-de-s-di ga-lv-quo-di-yu ge-sv u-wa-sv u-tse-li-ga, a-le U-do-da u-tse-li-ga, a-le ge-tsi-lv-quo-di di-ni-ka-hna-wa-di-do-hi u-na-tse-li-ga.
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| But I tell you of a truth, there be some standing here, which shall not taste of death, till they see the kingdom of God.
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| ᎠᏎᏃ ᎤᏙᎯᏳᎯᏯ ᎢᏨᏃᏁᎭ, ᎩᎶ ᎠᏂ ᏓᏂᏙᎦ ᎥᏝ ᏴᏛᎾᏙᎴᎰᏏ ᎠᏲᎱᎯᏍᏗ ᎨᏒ ᎬᏂ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᎠᏂᎪᎲᎭ.
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A-se-no u-do-hi-yu-hi-ya i-tsv-no-ne-ha, gi-lo a-ni da-ni-do-ga v-tla yv-dv-na-do-le-ho-si a-yo-hu-hi-s-di ge-sv gv-ni U-ne-la-nv-hi u-gv-wi-yu-hi ge-sv a-ni-go-hv-ha.
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| And it came to pass about an eight days after these sayings, he took Peter and John and James, and went up into a mountain to pray.
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| ᏧᏁᎳᏃ ᎢᏴᏛ ᏫᏄᏒᎸ ᎾᏍᎩ ᎯᎠ ᏄᏪᏐᎢ, ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᏈᏓ ᎠᎴ ᏣᏂ ᎠᎴ ᏥᎻ ᏚᏘᏅᏎ ᎠᎴ ᎤᎿᎭᎷᏎ ᎣᏓᎸ ᎤᏓᏙᎵᏍᏔᏅᏎᎢ.
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Tsu-ne-la-no i-yv-dv wi-nu-sv-lv na-s-gi hi-a nu-we-so-i, hi-a nu-li-s-ta-ne-i, na-s-gi Qui-da a-le Tsa-ni a-le Tsi-mi du-ti-nv-se a-le u-hna-lu-se o-da-lv u-da-do-li-s-ta-nv-se-i.
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| And as he prayed, the fashion of his countenance was altered, and his raiment was white and glistering.
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| ᎠᏓᏙᎵᏍᏗᎨᏃ ᏄᏍᏛ ᎤᎧᏛ ᎤᏓᏁᏟᏴᏎᎢ, ᎠᎴ ᏚᏄᏩᎥ ᎤᏁᎩᏳ ᎠᎴ ᎬᏩᏥᏍᏓᎷᎩᏍᎩ ᏄᎵᏍᏔᏁᎢ.
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A-da-do-li-s-di-ge-no nu-s-dv u-ka-dv u-da-ne-tli-yv-se-i, a-le du-nu-wa-v u-ne-gi-yu a-le gv-wa-tsi-s-da-lu-gi-s-gi nu-li-s-ta-ne-i.
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| And, behold, there talked with him two men, which were Moses and Elias:
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| ᎠᎴ ᎬᏂᏳᏉ ᎬᏩᎵᏃᎮᏔᏁ ᎠᏂᏔᎵ ᎠᏂᏍᎦᏯ, ᎾᏍᎩ ᎼᏏ ᎠᎴ ᎢᎳᏯᎨᏎᎢ,
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A-le gv-ni-yu-quo gv-wa-li-no-he-ta-ne a-ni-ta-li a-ni-s-ga-ya, na-s-gi Mo-si a-le I-la-ya-ge-se-i,
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| Who appeared in glory, and spake of his decease which he should accomplish at Jerusalem.
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| ᎾᏍᎩ ᎦᎸᏉᏗᏳ ᎨᏒ ᎤᎾᏄᏬᏍᏕ ᎬᏂᎨᏒ ᏄᎾᏛᏁᎴᎢ; ᎠᎴ ᎤᏂᏁᎢᏍᏔᏁ ᎤᎵᏍᏆᏕᏗᏱ ᎨᏒ ᏥᎷᏏᎵᎻ.
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Na-s-gi ga-lv-quo-di-yu ge-sv u-na-nu-wo-s-de gv-ni-ge-sv nu-na-dv-ne-le-i; a-le u-ni-ne-i-s-ta-ne u-li-s-qua-de-di-yi ge-sv Tsi-lu-si-li-mi.
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| But Peter and they that were with him were heavy with sleep: and when they were awake, they saw his glory, and the two men that stood with him.
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| ᏈᏓᏍᎩᏂ ᎠᎴ ᎾᏍᎩ Ꮎ ᎠᏁᎯ ᎤᏣᏘ ᏓᏂᎸᏍᎨᎢ; ᎤᏂᏰᏨᏃ ᎤᏂᎪᎮ ᎤᏤᎵ ᎦᎸᏉᏗᏳ ᎨᏒᎢ, ᎠᎴ ᎾᏍᎩ ᎠᏂᏔᎵ ᎠᏂᏍᎦᏯ ᎦᏙᎬ ᏗᏂᏙᎩ.
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Qui-da-s-gi-ni a-le na-s-gi na a-ne-hi u-tsa-ti da-ni-lv-s-ge-i; u-ni-ye-tsv-no u-ni-go-he u-tse-li ga-lv-quo-di-yu ge-sv-i, a-le na-s-gi a-ni-ta-li a-ni-s-ga-ya ga-do-gv di-ni-do-gi.
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| And it came to pass, as they departed from him, Peter said unto Jesus, Master, it is good for us to be here: and let us make three tabernacles; one for thee, and one for Moses, and one for Elias: not knowing what he said.
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| ᎯᎠᏃ ᏄᎵᏍᏔᏁᎢ, ᎾᏍᎩ ᎿᎭᏉ ᎬᏩᏓᏅᎡᎮᎢ, ᏈᏓ ᎯᎠ ᏄᏪᏎᎴ ᏥᏌ, ᏔᏕᏲᎲᏍᎩ, ᎣᏏᏳ ᎠᏂ ᏥᏕᏙᎭ; ᎠᎴ ᏦᎢ ᏫᏙᏥᎵᏦᏛᎦ; ᏌᏉ ᏂᎯ ᏣᏤᎵᎦ, ᏌᏉᏃ ᎼᏏ ᎤᏤᎵᎦ, ᏌᏉᏃ ᎢᎳᏯ ᎤᏤᎵᎦ, ᎥᏝ ᏯᎦᏔᎮ ᏂᎦᏪᏍᎬᎢ.
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Hi-a-no nu-li-s-ta-ne-i, na-s-gi hna-quo gv-wa-da-nv-e-he-i, Qui-da hi-a nu-we-se-le Tsi-sa, Ta-de-yo-hv-s-gi, o-si-yu a-ni tsi-de-do-ha; a-le tso-i wi-do-tsi-li-tso-dv-ga; sa-quo ni-hi tsa-tse-li-ga, sa-quo-no Mo-si u-tse-li-ga, sa-quo-no I-la-ya u-tse-li-ga, v-tla ya-ga-ta-he ni-ga-we-s-gv-i.
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| While he thus spake, there came a cloud, and overshadowed them: and they feared as they entered into the cloud.
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| ᎠᏏᏉ ᎾᏍᎩ ᏂᎦᏪᏍᎨᎢ ᎤᎶᎩᎳᏕᎢ ᎠᎴ ᎤᏄᏢᏔᏁᎢ; ᎠᎴ ᎤᏂᏍᎦᎴ ᎤᏂᏄᏴᎸ ᎤᎶᎩᎸᎢ.
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A-si-quo na-s-gi ni-ga-we-s-ge-i u-lo-gi-la-de-i a-le u-nu-tlv-ta-ne-i; a-le u-ni-s-ga-le u-ni-nu-yv-lv u-lo-gi-lv-i.
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| And there came a voice out of the cloud, saying, This is my beloved Son: hear him.
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| ᎤᎶᎩᎸᏃ ᏧᎶᏎ ᎧᏁᎬ ᎯᎠ ᏂᎦᏪᏍᎨᎢ, ᎯᎠ ᎾᏍᎩ ᏥᎨᏳᎢ ᎠᏇᏥ, ᎾᏍᎩ ᎡᏣᏛᏓᏍᏓᏁᎮᏍᏗ.
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U-lo-gi-lv-no tsu-lo-se ka-ne-gv hi-a ni-ga-we-s-ge-i, Hi-a na-s-gi tsi-ge-yu-i A-que-tsi, na-s-gi e-tsa-dv-da-s-da-ne-he-s-di.
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| And when the voice was past, Jesus was found alone. And they kept it close, and told no man in those days any of those things which they had seen.
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| ᎧᏁᎬ ᎤᎶᏐᏅ ᎤᏩᏒᏉ ᎠᏥᏩᏛᎮ ᏥᏌ. ᎡᎳᏪᏱᏉᏃ ᎤᏅᏎᎢ, ᎠᎴ ᎥᏝ ᎩᎶ ᏳᏂᏃᏁᎴ ᎾᎯᏳ ᎨᏒ ᏄᏍᏛ ᎤᏂᎪᎲᎢ.
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Ka-ne-gv u-lo-so-nv u-wa-sv-quo a-tsi-wa-dv-he Tsi-sa. E-la-we-yi-quo-no u-nv-se-i, a-le v-tla gi-lo yu-ni-no-ne-le na-hi-yu ge-sv nu-s-dv u-ni-go-hv-i.
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| And it came to pass, that on the next day, when they were come down from the hill, much people met him.
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| ᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎾᏍᎩ ᎤᎩᏨᏛ ᏧᏂᎦᏐᎠᏒ ᎣᏓᎸᎢ, ᎤᏂᏣᏘ ᏴᏫ ᏕᎬᏩᏠᏎᎢ.
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Hi-a-no nu-li-s-ta-ne na-s-gi u-gi-tsv-dv tsu-ni-ga-so-a-sv o-da-lv-i, u-ni-tsa-ti yv-wi de-gv-wa-tlo-se-i.
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| And, behold, a man of the company cried out, saying, Master, I beseech thee, look upon my son: for he is mine only child.
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| ᎠᎴ ᎬᏂᏳᏉ ᎠᏍᎦᏯ ᎾᎿᎭᎤᎾᏓᏡᎬ ᎤᏪᎷᏁᎢ ᎯᎠ ᏂᎦᏪᏍᎨᎢ, ᏔᏕᏲᎲᏍᎩ, ᎬᏍᏗᏰᏗᎭ ᏘᏯᎦᏃᏗᏱ ᎠᏇᏥ; ᎤᏩᏒᎯᏳᏰᏃ ᎠᏇᏥ ᎾᏍᎩ;
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A-le gv-ni-yu-quo a-s-ga-ya na-hna u-na-da-tlu-gv u-we-lu-ne-i hi-a ni-ga-we-s-ge-i, Ta-de-yo-hv-s-gi, gv-s-di-ye-di-ha ti-ya-ga-no-di-yi a-que-tsi; u-wa-sv-hi-yu-ye-no a-que-tsi na-s-gi;
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| And, lo, a spirit taketh him, and he suddenly crieth out; and it teareth him that he foameth again, and bruising him hardly departeth from him.
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| ᎠᎴ ᎬᏂᏳᏉ, ᎠᏓᏅᏙ ᎤᏂᏱᏍᎪᎢ, ᎠᎴ ᎩᎳᏉ ᎢᏴᏛ ᎨᎷᎲᏍᎪᎢ, ᎠᎴ ᎤᎸᏕᏍᏗᏍᎪᎢ ᎠᎴ ᏓᎭᏬᎢᎰᎢ, ᎤᏂᏆᎶᏛᏃ ᎦᏂᎳ ᎤᏓᏅᎡᎰᎢ.
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A-le gv-ni-yu-quo, a-da-nv-do u-ni-yi-s-go-i, a-le gi-la-quo i-yv-dv ge-lu-hv-s-go-i, a-le u-lv-de-s-di-s-go-i a-le da-ha-wo-i-ho-i, u-ni-qua-lo-dv-no ga-ni-la u-da-nv-e-ho-i.
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| And I besought thy disciples to cast him out; and they could not.
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| ᎦᏥᏔᏲᏎᎸᏃ ᎨᏣᏍᏓᏩᏗᏙᎯ ᎤᏂᏄᎪᏫᏍᏗᏱ; ᎠᏎᏃ ᎤᏂᏄᎸᏅᎩ.
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Ga-tsi-ta-yo-se-lv-no ge-tsa-s-da-wa-di-do-hi u-ni-nu-go-wi-s-di-yi; a-se-no u-ni-nu-lv-nv-gi.
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| And Jesus answering said, O faithless and perverse generation, how long shall I be with you, and suffer you? Bring thy son hither.
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| ᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏄᏪᏒᎩ; Ᏺ, ᏂᏦᎯᏳᏒᎾ ᎠᎴ ᎢᏣᎦᏔᎲᏛ ᎪᎯ ᏥᏤᎭ! ᎢᎳᎪ ᏂᎪᎯᎴᏍᏗ ᎢᏨᏰᎳᏗᏙᎮᏍᏗ, ᎠᎴ ᎤᎾᏁᎳᎩ ᎢᏨᏰᎵᏎᎮᏍᏗ? ᎡᎯᏯᏘᏄᎦ ᏤᏥ.
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Tsi-sa-no u-ne-tsv hi-a nu-we-sv-gi; Yo, ni-tso-hi-yu-sv-na a-le i-tsa-ga-ta-hv-dv go-hi tsi-tse-ha! i-la-go ni-go-hi-le-s-di i-tsv-ye-la-di-do-he-s-di, a-le u-na-ne-la-gi i-tsv-ye-li-se-he-s-di? E-hi-ya-ti-nu-ga tse-tsi.
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| And as he was yet a coming, the devil threw him down, and tare him. And Jesus rebuked the unclean spirit, and healed the child, and delivered him again to his father.
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| ᎠᏏᏉᏃ ᏣᎢᏎᎢ ᎠᏍᎩᎾ ᎤᏍᏢᏂᏍᏔᏁᎢ, ᎠᎴ ᎤᎸᏕᏍᏔᏁᎢ. ᏥᏌᏃ ᎤᏍᎦᏤ ᎦᏓᎭ ᎠᏓᏅᏙ ᎠᎴ ᎤᏅᏩᏁ ᎠᏲᎵ, ᎠᎴ ᏔᎵᏁ ᎢᎤᏪᎧᏁᎴ ᎤᏙᏓ.
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A-si-quo-no tsa-i-se-i a-s-gi-na u-s-tlv-ni-s-ta-ne-i, a-le u-lv-de-s-ta-ne-i. Tsi-sa-no u-s-ga-tse ga-da-ha a-da-nv-do a-le u-nv-wa-ne a-yo-li, a-le ta-li-ne i-u-we-ka-ne-le u-do-da.
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| And they were all amazed at the mighty power of God. But while they wondered every one at all things which Jesus did, he said unto his disciples,
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| ᏂᎦᏛᏃ ᎤᏂᏍᏆᏂᎪᏎ ᎤᏣᏘ ᎤᎵᏂᎩᏗᏳ ᎨᏒ ᎤᏁᎳᏅᎯ. ᏂᎦᏛᏃ ᎤᏂᏍᏆᏂᎪᏒ ᏂᎦᎥ ᏥᏌ ᏄᏛᏁᎸᎢ, ᎯᎠ ᏂᏚᏪᏎᎴ ᎬᏩᏍᏓᏩᏗᏙᎯ;
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Ni-ga-dv-no u-ni-s-qua-ni-go-se u-tsa-ti u-li-ni-gi-di-yu ge-sv U-ne-la-nv-hi. Ni-ga-dv-no u-ni-s-qua-ni-go-sv ni-ga-v tsi-sa nu-dv-ne-lv-i, hi-a ni-du-we-se-le gv-wa-s-da-wa-di-do-hi;
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| Let these sayings sink down into your ears: for the Son of man shall be delivered into the hands of men.
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| ᎯᎠ ᎾᏍᎩ ᏥᏂᏥᏪᎭ ᏩᏴᎭ ᏗᏥᎴᏂ; ᏴᏫᏰᏃ ᎤᏪᏥ ᏴᏫ ᏗᎨᏥᏲᎯᏎᏗ ᎨᏎᏍᏗ.
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Hi-a na-s-gi tsi-ni-tsi-we-ha wa-yv-ha di-tsi-le-ni; yv-wi-ye-no U-we-tsi yv-wi di-ge-tsi-yo-hi-se-di ge-se-s-di.
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| But they understood not this saying, and it was hid from them, that they perceived it not: and they feared to ask him of that saying.
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| ᎠᏎᏃ ᎥᏝ ᏳᏃᎵᏤ ᎾᏍᎩ ᏂᏚᏪᏎᎸᎢ, ᎠᎴ ᎨᎬᏍᎦᎳᏁᎴᎢ, ᎾᏍᎩ ᏄᏂᎪᎲᎾ ᎨᏎᎢ; ᎠᎴ ᎠᏂᏍᎦᎢᎮ ᎬᏩᏛᏛᏗᏱ ᎾᏍᎩ ᏄᏪᏒᎢ.
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A-se-no v-tla yu-no-li-tse na-s-gi ni-du-we-se-lv-i, a-le ge-gv-s-ga-la-ne-le-i, na-s-gi nu-ni-go-hv-na ge-se-i; a-le a-ni-s-ga-i-he gv-wa-dv-dv-di-yi na-s-gi nu-we-sv-i.
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| Then there arose a reasoning among them, which of them should be greatest.
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| ᎿᎭᏉᏃ ᎤᏂᏃᎮᎴ ᎤᏅᏒ ᎨᏒᎢ, ᎾᏍᎩ Ꮎ ᎤᎾᏓᏡᎬ ᎤᏟ ᎠᏥᎸᏉᏗᏳ ᎨᏒᎢ.
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Hna-quo-no u-ni-no-he-le u-nv-sv ge-sv-i, na-s-gi na u-na-da-tlu-gv u-tli a-tsi-lv-quo-di-yu ge-sv-i.
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| And Jesus, perceiving the thought of their heart, took a child, and set him by him,
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| ᏥᏌᏃ ᎤᏙᎴᎰᏒ ᏄᏍᏛ ᏓᎾᏓᏅᏖᏍᎬ ᏙᏧᎾᏓᏅᏛᎢ, ᎠᏲᎵ ᏭᏯᏅᎮ ᎠᎴ ᎤᏬᎸ ᎾᎥ ᎤᏪᎧᏁᎢ,
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Tsi-sa-no u-do-le-ho-sv nu-s-dv da-na-da-nv-te-s-gv do-tsu-na-da-nv-dv-i, a-yo-li wu-ya-nv-he a-le u-wo-lv na-v u-we-ka-ne-i,
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| And said unto them, Whosoever shall receive this child in my name receiveth me: and whosoever shall receive me receiveth him that sent me: for he that is least among you all, the same shall be great.
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| ᎠᎴ ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎩᎶ ᏓᏓᏂᎸᎨᏍᏗ ᎯᎠ ᎠᏲᎵ ᎠᏴ ᏓᏆᏙᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ, ᎠᏴ ᏓᏆᏓᏂᎸᎨᏍᏗ; ᎩᎶᏃ ᎠᏴ ᏓᏆᏓᏂᎸᎨᏍᏗ, ᏓᏓᏂᎸᎨᏍᏗ ᏅᏛᎩᏅᏏᏛ, ᎾᏍᎩᏰᏃ ᎤᏍᏗᎧᏂ ᏂᎯ ᏂᎦᏛ ᏂᏣᏛᏅᎢ, ᎾᏍᎩ ᎠᏥᎸᏉᏗᏳ ᎨᏎᏍᏗ.
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A-le hi-a ni-du-we-se-le-i, Gi-lo da-da-ni-lv-ge-s-di hi-a a-yo-li a-yv da-qua-do-v nv-di-ga-li-s-do-di-s-ge-s-di, a-yv da-qua-da-ni-lv-ge-s-di; gi-lo-no a-yv da-qua-da-ni-lv-ge-s-di, da-da-ni-lv-ge-s-di nv-dv-gi-nv-si-dv, na-s-gi-ye-no u-s-di-ka-ni ni-hi ni-ga-dv ni-tsa-dv-nv-i, na-s-gi a-tsi-lv-quo-di-yu ge-se-s-di.
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| And John answered and said, Master, we saw one casting out devils in thy name; and we forbad him, because he followeth not with us.
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| ᏣᏂᏃ ᎤᏁᏤ ᎯᎠ ᏄᏪᏎᎢ, ᏔᏕᏲᎲᏍᎩ, ᎣᏥᎪᎥᎩ ᎠᏏᏴᏫ ᎠᏂᏍᎩᎾ ᏕᎦᏄᎪᏫᏍᎬᎩ ᏕᏣᏙᎥ ᎬᏗᏍᎬᎩ; ᎣᏥᏅᏍᏓᏕᎸᎩᏃ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᏂᎩᏍᏓᏩᏕᎬᎾ ᎨᏒᎢ.
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Tsa-ni-no u-ne-tse hi-a nu-we-se-i, Ta-de-yo-hv-s-gi, o-tsi-go-v-gi a-si-yv-wi a-ni-s-gi-na de-ga-nu-go-wi-s-gv-gi de-tsa-do-v gv-di-s-gv-gi; o-tsi-nv-s-da-de-lv-gi-no nv-da-ga-li-s-do-di-s-gv-gi ni-gi-s-da-wa-de-gv-na ge-sv-i.
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| And Jesus said unto him, Forbid him not: for he that is not against us is for us.
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| ᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎸᎩ, ᏞᏍᏗ ᎡᏥᏅᏍᏓᏕᎸᎩ; ᎩᎶᏰᏃ ᏂᎦᏡᏗᏍᎬᎾ ᏱᎩ ᎾᏍᎩ ᎢᎦᎵᎪᏁᎯ.
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Tsi-sa-no hi-a nu-we-se-lv-gi, Tle-s-di e-tsi-nv-s-da-de-lv-gi; gi-lo-ye-no ni-ga-tlu-di-s-gv-na yi-gi na-s-gi i-ga-li-go-ne-hi.
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| And it came to pass, when the time was come that he should be received up, he stedfastly set his face to go to Jerusalem,
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| ᎯᎠᏃ ᏄᎵᏍᏔᏁ ᎿᎭᏉ ᎠᏍᏆᎵᏍᎨ ᎦᎸᎳᏗ ᏣᎦᏓᏂᎸᎢᏍᏗᏱ, ᎤᎵᏂᎩᏗᏳ ᎤᏓᏅᏖ ᏥᎷᏏᎵᎻ ᏭᎶᎯᏍᏗᏱ.
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Hi-a-no nu-li-s-ta-ne hna-quo a-s-qua-li-s-ge ga-lv-la-di tsa-ga-da-ni-lv-i-s-di-yi, u-li-ni-gi-di-yu u-da-nv-te Tsi-lu-si-li-mi wu-lo-hi-s-di-yi.
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| And sent messengers before his face: and they went, and entered into a village of the Samaritans, to make ready for him.
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| ᏚᏅᏎᏃ ᎢᎬᏱ ᎠᏁᎩ; ᎤᏁᏅᏎᏃ, ᎠᎴ ᏌᎺᎵ ᎠᏁᎯ ᎤᏂᏚᎲ ᏭᏂᏴᎴᎢ, ᎾᏍᎩ ᎬᏩᏛᏅᎢᏍᏓᏁᏗᏱ.
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Du-nv-se-no i-gv-yi a-ne-gi; u-ne-nv-se-no, a-le Sa-me-li a-ne-hi u-ni-du-hv wu-ni-yv-le-i, na-s-gi gv-wa-dv-nv-i-s-da-ne-di-yi.
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| And they did not receive him, because his face was as though he would go to Jerusalem.
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| ᎥᏝᏃ ᏱᏗᎬᏩᏓᏂᎸᏤᎢ, ᏅᏗᎦᎵᏍᏙᏗᏍᎨ ᏥᎷᏏᎵᎻ ᏥᏩᎦᏙ ᏅᏩᏍᏕᎢ.
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V-tla-no yi-di-gv-wa-da-ni-lv-tse-i, nv-di-ga-li-s-do-di-s-ge Tsi-lu-si-li-mi tsi-wa-ga-do nv-wa-s-de-i.
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| And when his disciples James and John saw this, they said, Lord, wilt thou that we command fire to come down from heaven, and consume them, even as Elias did?
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| ᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᏥᎻ ᎠᎴ ᏣᏂ ᎾᏍᎩ ᎤᏂᎪᎲ, ᎯᎠ ᏄᏂᏪᏎᎢ, ᏣᎬᏫᏳᎯ, ᎣᏏᏉᏍᎪ ᏱᏰᎸᎾ ᏲᎩᏂᏁᏨ ᎠᏥᎸ ᎦᎸᎳᏗ ᏅᏓᏳᎶᎯᏍᏗᏱ ᎠᎴ ᎤᎾᎪᎲᏍᏙᏗᏱ ᎾᏍᎩᏯ ᎢᎳᏯ ᏄᏛᏁᎸᎢ?
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Gv-wa-s-da-wa-di-do-hi-no Tsi-mi a-le Tsa-ni na-s-gi u-ni-go-hv, hi-a nu-ni-we-se-i, Tsa-gv-wi-yu-hi, o-si-quo-s-go yi-ye-lv-na yo-gi-ni-ne-tsv a-tsi-lv ga-lv-la-di nv-da-yu-lo-hi-s-di-yi a-le u-na-go-hv-s-do-di-yi na-s-gi-ya I-la-ya nu-dv-ne-lv-i?
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| But he turned, and rebuked them, and said, Ye know not what manner of spirit ye are of.
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| ᎠᏎᏃ ᎤᎦᏔᎲᏒ ᏚᎬᏍᎪᎸᏁ ᎯᎠ ᏄᏪᏎᎢ, ᎥᏝ ᏱᏍᏗᎦᏔᎭ ᏄᏍᏛ ᎠᏓᏅᏙ ᎢᏍᏗᎲᎢ.
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A-se-no u-ga-ta-hv-sv du-gv-s-go-lv-ne hi-a nu-we-se-i, V-tla yi-s-di-ga-ta-ha nu-s-dv a-da-nv-do i-s-di-hv-i.
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| For the Son of man is not come to destroy men's lives, but to save them. And they went to another village.
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| ᏴᏫᏰᏃ ᎤᏪᏥ ᏧᎷᏥᎸ ᎥᏝ ᏴᏫ ᏓᏅᏅ ᏱᏚᏛᏔᏂᎸ, ᏚᏍᏕᎸᎯᎸᏉᏍᎩᏂ. ᏅᏩᏓᎴᏃ ᏗᎦᏚᎲ ᏭᏂᎶᏎᎢ.
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Yv-wi-ye-no U-we-tsi tsu-lu-tsi-lv v-tla yv-wi da-nv-nv yi-du-dv-ta-ni-lv, du-s-de-lv-hi-lv-quo-s-gi-ni. Nv-wa-da-le-no di-ga-du-hv wu-ni-lo-se-i.
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| And it came to pass, that, as they went in the way, a certain man said unto him, Lord, I will follow thee whithersoever thou goest.
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| ᎠᎾᎢᏒᏃ ᏅᏃᎯ ᎯᎠ ᏄᎵᏍᏔᏁᎢ, ᎩᎶ ᎢᏳᏍᏗ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏣᎬᏫᏳᎯ, ᏓᎬᏍᏓᏩᏗᏙᎵ ᏂᎦᎥ ᎮᏙᎲᎢ.
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A-na-i-sv-no nv-no-hi hi-a nu-li-s-ta-ne-i, gi-lo i-yu-s-di hi-a nu-we-se-le-i, Tsa-gv-wi-yu-hi, da-gv-s-da-wa-di-do-li ni-ga-v he-do-hv-i.
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| And Jesus said unto him, Foxes have holes, and birds of the air have nests; but the Son of man hath not where to lay his head.
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| ᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏧᎳ ᏚᏂᏔᎴᏐᎢ, ᏥᏍᏆᏃ ᎦᎳᏅᏛ Ꭰ-ᏂᏃᎯᎵᏙᎯ ᏚᎾᏁᏍᏓᏝᎰᎢ; ᏴᏫᏍᎩᏂ ᎤᏪᏥ ᎥᏝ ᎢᎸᎯᏢ ᎠᏍᎪᎵ ᎤᏠᏗᏱ ᏱᎩ.
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Tsi-sa-no hi-a nu-we-se-le-i, Tsu-la du-ni-ta-le-so-i, tsi-s-qua-no ga-la-nv-dv a--ni-no-hi-li-do-hi du-na-ne-s-da-tla-ho-i; yv-wi-s-gi-ni U-we-tsi v-tla i-lv-hi-tlv a-s-go-li u-tlo-di-yi yi-gi.
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| And he said unto another, Follow me. But he said, Lord, suffer me first to go and bury my father.
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| ᎤᏩᏓᎴᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏍᎩᏍᏓᏩᏚᎦ. ᎠᏎᏃ ᎯᎠ ᏄᏪᏎᎢ, ᏣᎬᏫᏳᎯ, ᏍᏆᎵᏍᎪᎸᏓᏏ ᎢᎬᏱ ᎠᏇᏅᏍᏗᏱ ᏫᏥᏂᏐᏗᏱ ᎡᏙᏓ.
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U-wa-da-le-no hi-a nu-we-se-le-i, S-gi-s-da-wa-du-ga. A-se-no hi-a nu-we-se-i, Tsa-gv-wi-yu-hi, s-qua-li-s-go-lv-da-si i-gv-yi a-que-nv-s-di-yi wi-tsi-ni-so-di-yi e-do-da.
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| Jesus said unto him, Let the dead bury their dead: but go thou and preach the kingdom of God.
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| ᏥᏌ ᎯᎠ ᏄᏪᏎᎴᎢ, ᏧᏂᏲᎱᏒᎯ ᏓᏂᏂᏏᏍᎨᏍᏗ ᏗᎬᏩᏂᏲᎱᎯᏎᎸᎯ; ᏂᎯᏍᎩᏂ ᎮᎾ ᏩᎵᏥᏙᎲᎦ ᏫᏃᎲᎵ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.
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Tsi-sa hi-a nu-we-se-le-i, Tsu-ni-yo-hu-sv-hi da-ni-ni-si-s-ge-s-di di-gv-wa-ni-yo-hu-hi-se-lv-hi; ni-hi-s-gi-ni he-na wa-li-tsi-do-hv-ga wi-no-hv-li U-ne-la-nv-hi u-gv-wi-yu-hi ge-sv-i.
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| And another also said, Lord, I will follow thee; but let me first go bid them farewell, which are at home at my house.
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| ᏅᏩᏓᎴᏃ ᎾᏍᏉ ᎯᎠ ᏄᏪᏎᎢ, ᏣᎬᏫᏳᎯ, ᏓᎬᏍᏓᏩᏗᏙᎵ; ᎠᏎᏃ ᎢᎬᏱ ᎨᎾ ᏫᎦᏥᏲᎵᎦ ᏅᏛᏂᏂ ᏗᏇᏅᏒᎢ.
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Nv-wa-da-le-no na-s-quo hi-a nu-we-se-i, Tsa-gv-wi-yu-hi, da-gv-s-da-wa-di-do-li; a-se-no i-gv-yi ge-na wi-ga-tsi-yo-li-ga nv-dv-ni-ni di-que-nv-sv-i.
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| And Jesus said unto him, No man, having put his hand to the plough, and looking back, is fit for the kingdom of God.
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| ᏥᏌᏃ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎥᏝ ᎩᎶᎢ, ᏧᏏᏔᏛᎯ ᎦᏓᎷᎪᏗ ᏱᎠᎦᏔᎲᏃ, ᏰᎵ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᏫᎬᏩᏴᏍᏗ ᏱᎩ.
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Tsi-sa-no hi-a nu-we-se-le-i, V-tla gi-lo-i, tsu-si-ta-dv-hi ga-da-lu-go-di yi-a-ga-ta-hv-no, ye-li U-ne-la-nv-hi U-gv-wi-yu-hi ge-sv wi-gv-wa-yv-s-di yi-gi.
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Wyndham Harbour lies on the west coast of Port Phillip Bay, midway between Melbourne and Geelong, about 30nm south west of Williamstown. The closest town is Werribee.
This will be a useful safe port of call when completed.
Position 37° 58'08"S, 144° 42'41"E (marina entrance)
Breakwaters, dredging, land reclamation and services infrastructure (including electricity, water, sewer and Wi-Fi) have been completed, with only the berth installation and services connection remaining to be completed.
These works will facilitate a fully integrated marina, creating a safe harbour for recreational craft.
Last updated October 2015.


Welcome to XHTML
Good XHTML markup makes your content portable, accessible and future-proof.
Creating XHTML-compliant pages simply requires following a few simple rules. Also, XHTML code can be easily alidated online so you can be sure it is
correctly written.
Here are the key requirements for successful validation of your XHTML code.
- Declare a DOCTYPE
- Declare an XML namespace
- Declare your content type
- Close every tag, enclosing or non-enclosing
- All tags must be nested correctly
- Inline tags can't contain block level tags
- Write tags in lowercase
- Attributes must have values and must be quoted
- Use encoded equivalents for left brace and ampersand
more about these requirements
Here are some useful links from the Web site of the W3C(World Wide Web Consortium), the guiding body of the Web's development.
- W3C's XHTML validator
- W3C's CSS validator
- XHTML Resources
- CSS Resources
You can find more CSS related links at the
Stylin' with CSS
site.


|
Identify the attributeType and the priority of an animation.
The main indication for a failed test is the appearance of red.
With the top triangle is tested, that the points attribute of a polygon is animated using attributeType auto or XML and is not animated if CSS is used, because there is no CSS property points applicable for the polygon element.
The bottom triangles test the priority for an animation with attributeType CSS or auto over an XML animation, all for the stroke attribute. Even if the attributeType is completely ignored, the priority should still work for the bottom right triangle, because the priority is set here with a later begin.
In all cases the coloring or positioning of elements is choosen in such a way, that normally not visible lower priority or not applicable animations are indicated with a red stroke, higher priority or applicable animations with a blue stroke or an animation in the blue range.


Modifying Arguments
conversion-rule
The conversion-rule node allows you to write customized code to convert the given argument between the target language and C++, and it is a child of the modify-argument node:
<modify-argument index="2"> <!-- for the second argument of the function --> <conversion-rule class="target | native"> // the code </conversion-rule> </modify-argument>This node is typically used in combination with the replace-type and remove-argument nodes. The given code is used instead of the generator’s conversion code.
Writing %N in the code (where N is a number), will insert the name of the nth argument. Alternatively, %in and %out which will be replaced with the name of the conversion’s input and output variable, respectively. Note the output variable must be declared explicitly, for example:
<conversion-rule class="native"> bool %out = (bool) %in; </conversion-rule>Note
You can also use the conversion-rule node to specify a conversion code which will be used instead of the generator’s conversion code everywhere for a given type.
remove-argument
The remove-argument node removes the given argument from the function’s signature, and it is a child of the modify-argument node.
<modify-argument> <remove-argument /> </modify-argument>
rename to
The ‘rename to’ node is used to rename a argument and use this new name in the generated code.
<modify-argument> <rename to='...' /> </modify-argument>
Warning
This tag is deprecated, use the rename
attribute from modify-argument tag instead.
remove-default-expression
The remove-default-expression node disables the use of the default expression for the given argument, and it is a child of the modify-argument node.
<modify-argument...> <remove-default-expression /> </modify-argument>
replace-default-expression
The replace-default-expression node replaces the specified argument with the expression specified by the
with
attribute, and it is a child of the modify-argument node.<modify-argument> <replace-default-expression with="..." /> </modify-argument>
replace-type
The replace-type node replaces the type of the given argument to the one specified by the
modified-type
attribute, and it is a child of the modify-argument node.<modify-argument> <replace-type modified-type="..." /> </modify-argument>If the new type is a class, the
modified-type
attribute must be set to the fully qualified name (including name of the package as well as the class name).
define-ownership
The define-ownership tag indicates that the function changes the ownership rules of the argument object. The
class
attribute specifies the class of function where to inject the ownership altering code (see Code Generation Terminology). Theowner
attribute specifies the new ownership of the object. It accepts the following values:
- target: the target language will assume full ownership of the object.
The native resources will be deleted when the target language object is finalized.
- c++: The native code assumes full ownership of the object. The target
language object will not be garbage collected.
- default: The object will get default ownership, depending on how it
was created.
<modify-argument> <define-ownership class="target | native" owner="target | c++ | default" /> </modify-argument>
reference-count
The reference-count tag dictates how an argument should be handled by the target language reference counting system (if there is any), it also indicates the kind of relationship the class owning the function being modified has with the argument. For instance, in a model/view relation a view receiving a model as argument for a setModel method should increment the model’s reference counting, since the model should be kept alive as much as the view lives. Remember that out hypothetical view could not become parent of the model, since the said model could be used by other views as well. The
action
attribute specifies what should be done to the argument reference counting when the modified method is called. It accepts the following values:
add: increments the argument reference counter.
add-all: increments the reference counter for each item in a collection.
remove: decrements the argument reference counter.
set: will assign the argument to the variable containing the reference.
- ignore: does nothing with the argument reference counter
- (sounds worthless, but could be used in situations
where the reference counter increase is mandatory by default).
<modify-argument> <reference-count action="add|add-all|remove|set|ignore" variable-name="..." /> </modify-argument>The variable-name attribute specifies the name used for the variable that holds the reference(s).
replace-value
The
replace-value
attribute lets you replace the return statement of a function with a fixed string. This attribute can only be used for the argument atindex
0, which is always the function’s return value.<modify-argument index="0" replace-value="this"/>
parent
The parent node lets you define the argument parent which will take ownership of argument and will destroy the C++ child object when the parent is destroyed.
<modify-argument index="1"> <parent index="this" action="add | remove" /> </modify-argument>In the
index
argument you must specify the parent argument. The action add creates a parent link between objects, while remove will undo the parentage relationship.


Directions Questionnaire Online |
|
In the County Court Business Centre |
|
Online Civil Money Claims |
|
Claim number: {{ claim.referenceNumber }} |
|
Issued on: {{ claim.issuedOn }} |
|
Response received on: {{ claimantSubmittedOn }} |
A Your details - Claimant |
|
|---|---|
|
{% if claimant.partyType == 'on behalf of a company' %}
{% set claimantNameLabel = 'Company name' %}
{% elseif claimant.partyType == 'on behalf of an organisation' %}
{% set claimantNameLabel = 'Organisation name' %}
{% else %}
{% set claimantNameLabel = 'Name' %}
{% endif %}
{{ claimantNameLabel }}:
|
{{ claimant.fullName }}
|
| Address: |
{{ claimant.address.line1 }}
{% if claimant.address.line2 is defined and claimant.address.line2 is not empty %} {{ claimant.address.line2 }} {% endif %} {% if claimant.address.line3 is defined and claimant.address.line3 is not empty %} {{ claimant.address.line3 }} {% endif %} {{ claimant.address.city }} {{ claimant.address.postcode }} |
|
Date of birth:
|
{{ claimant.dateOfBirth }}
|
|
Telephone:
|
{{ claimant.mobileNumber }}
|
|
Email:
|
{{ claimant.email }}
|
B About the hearing |
|
|---|---|
|
Do you consider that this claim is suitable for determination without a hearing, i.e. by a judge reading and
considering the case papers, witness statements and other documents filed by the parties, making a decision,
and giving a note of reasons for that decision?
|
{{ hearingContent.determinationWithoutHearingQuestions.determinationWithoutHearingQuestions.toString | capitalize }}
|
|
If not, please state why not
|
{% if hearingContent.determinationWithoutHearingQuestions.determinationWithoutHearingQuestionsDetails is not empty %}
{{ hearingContent.determinationWithoutHearingQuestions.determinationWithoutHearingQuestionsDetails.toString }}
{% else %}
None
{% endif %}
|
|
Support required for a hearing
|
{% if hearingContent.supportRequired is not empty %}
{% for support in hearingContent.supportRequired %}
{{ support }}
{% else %}
{% endfor %}
None
{% endif %}
|
| Hearing location | |
| Preferred hearing centre |
{{ hearingContent.hearingLocation }}
|
|
Briefly explain your reasons
|
{{ hearingContent.locationReason }}
|
| Expert evidence | |
|
Expert evidence required
|
Yes |
| Have you already got a report written by an expert? |
{{ hearingContent.hasExpertReport }}
|
|
Report {{ loop.index + 1 }}
|
{{ report.expertName }}
{{ report.expertReportDate }} |
| Have you already got a report written by an expert? |
{{ hearingContent.hasExpertReport }}
|
|
Do you want the court's permission to hire an expert?
|
{{ hearingContent.courtPermissionForExpertReport | capitalize }}
|
|
Does the claim involve something an expert can still examine?
|
{{ hearingContent.expertExamineNeeded }}
|
|
What is there to examine?
|
{{ hearingContent.whatToExamine }}
|
|
Briefly explain why you believe an expert is needed
|
{{ hearingContent.reasonWhyExpertAdvice }}
|
|
Expert evidence required
|
No |
| Witnesses | |
|
Do you want to give evidence?
|
{{ hearingContent.witness.selfWitness | capitalize }}
|
|
Other witnesses
|
{% if hearingContent.witness.noOfOtherWitness is not empty %}
{{ hearingContent.witness.noOfOtherWitness }}
{% else %}
None
{% endif %}
|
|
Dates unavailable
|
{% if hearingContent.unavailableDates is not empty %}
{% for unavailableDate in hearingContent.unavailableDates %}
{{ unavailableDate }}
{% else %}
{% endfor %} None
{% endif %}
|
|
Do you believe you, or a witness who will give evidence on your behalf, are vulnerable in any way which the Court needs to consider?
|
{{ hearingContent.vulnerabilityQuestions.vulnerabilityQuestions.toString | capitalize }}
|
|
In what way/s are you/the witness vulnerable and what steps, support or adjustments do you wish the Court to consider?
|
{% if hearingContent.vulnerabilityQuestions.vulnerabilityDetails is not empty %}
{{ hearingContent.vulnerabilityQuestions.vulnerabilityDetails }}
{% else %}
None
{% endif %}
|
C Signature |
|
|---|---|
| Signed |
{{ claimant.fullName }}
{{ claimantSubmittedOn }} |


| Author: | Tyanko Aleksiev<EMAIL_ADDRESS>|
|---|---|
| Date: | 2012-04-29 |
| Revision: | $Revision$ |
This article explains the commands available inside VM-MAD. More precisely, it gives an initial overview of the command, followed by a description of the possible interactions with other commands. References to input/output files’ format is also being provided.
VM-MAD has an integrated simulation suite which enables processing SGE accounting data. The main idea of this implemetation can be associated with the answer of the question: “What would be the evolution of my cluster’s queue during the time if I had on my disposal X always running servers and the possibility to spawn Y Virtual Machines on demand?”. Where X and Y are variables that can be chosen by the final user. The simulation process involves three different parts:
- provided accounting data has to be first elaborated from the distil.py tool. For more information see the Distill section,
- once the accounting data is available a simulation can be started using the simul.py tool,
- finally the plot_workload.R R script is used for graphically represent the results.
The output produced by the distil.py tool is needed before starting a new simulation. The Distill Output section describes in more detail what kind of information the distill tool is providing to the simulator suite.
A new simulation can be set-up by using the provided options, to see all of them:
(vm-mad)vm-user@test:~ ./simul.py --help
usage: simul.py [-h] [--max-vms N] [--max-delta N] [--max-idle NUM_SECS]
[--startup-delay NUM_SECS] [--csv-file String]
[--output-file String] [--cluster-size NUM_CPUS]
[--start-time String] [--time-interval NUM_SECS] [--version]
Simulates a cloud orchestrator
optional arguments:
-h, --help show this help message and exit
--max-vms N, -mv N Maximum number of VMs to be started, default is 10
--max-delta N, -md N Cap the number of VMs that can be started or stopped
in a single orchestration cycle. Default is 1.
--max-idle NUM_SECS, -mi NUM_SECS
Maximum idle time (in seconds) before swithing off a
VM, default is 7200
--startup-delay NUM_SECS, -s NUM_SECS
Time (in seconds) delay before a started VM is READY.
Default is 60
--csv-file String, -csvf String
File containing the CSV information, accounting.csv
--output-file String, -o String
File name where the output of the simulation will be
stored, main_sim.txt
--cluster-size NUM_CPUS, -cs NUM_CPUS
Number of VMs, used for the simulation of real
available cluster: 20
--start-time String, -stime String
Start time for the simulation, default: -1
--time-interval NUM_SECS, -timei NUM_SECS
UNIX interval in seconds used as parsing interval for
the jobs in the CSV file, default: 3600
--version, -V show program's version number and exit
The --max-vms and --cluster-size options are probably the most important as they permit you to simulate different configuration scenarios. The --max-vms allows you to set how expandable, in terms of VMs, your cluster could be. The --cluster-size options permits you to fix the simulated dimension of your locally availbale cluster.
Once the simulation is completed you can compute the results using the plot_workload.R script:
(vm-mad)vm-user@test:~ ./plot_workload.R simulation_output_file output_file
Two files are produced at the end: output_file.pdf and output_file.eps. They represent what would be the graphical evolution of your queue with the specified options.
The purpose of the distil.py tool is to elaborate different kind of scheduling information and produce an output in CSV format legible from the simulator suite. The following data input formats are currently recognized by the tool:
- accounting data provided by SGE,
- the output given by querying the SGE scheduler with the qstat -xml command. (working in progress)
You can see all the provided options by simply doing ./distil.py -h
The output produced by the distil.py is in the CSV format tool has the following aspect:
JOBID, SUBMITTED_AT, RUNNING_AT, FINISHED_AT, WAIT_DURATION, RUN_DURATION
1,<PHONE_NUMBER>,<PHONE_NUMBER>,<PHONE_NUMBER>, 13, 78
4,<PHONE_NUMBER>,<PHONE_NUMBER>,<PHONE_NUMBER>, 12, 328
6,<PHONE_NUMBER>,<PHONE_NUMBER>,<PHONE_NUMBER>, 5, 0
7,<PHONE_NUMBER>,<PHONE_NUMBER>,<PHONE_NUMBER>, 7, 127
8,<PHONE_NUMBER>,<PHONE_NUMBER>,<PHONE_NUMBER>, 4, 1096
The first row of the file is quite self-explaining about what kind of information, each of the columns, is containing.


HARRY POTTER
FANTASTIC BEASTS
THE LORD OF THE RING
THE HOBBIT
THE CRONICLES OF NARNIA
SUGGESTIONS
BOOKSFORME
Action Adventure Thriller Sci-fi Top IMDb
Wordery Amazon Barnes & Noble Books-A-Millon HALF PRICE BOOKS Powell's Books AbeBooks BetterWorldBOOKS
Request Policy Contact About us


Welcome!¶
This is a SageMath package for computing moment polytopes associated with finite-dimensional representations of compact and connected Lie groups, based on the algorithm proposed by Vergne and Walter (2014) (see also Walter (2014) for further detail).
Introduction¶
The following code solves the one-body quantum marginal problem for three qubits:
import moment_polytopes
import logging
# enable logging
logging.basicConfig(level=logging.DEBUG)
# compute three-qubit moment polytope in H-representation
three_qubits = (2, 2, 2)
hrepr = moment_polytopes.qmp.hrepr(three_qubits)
print "%s facets" % len(hrepr.ieqs)
# convert to V-representation
vrepr = hrepr.vrepr()
print "%s vertices" % len(vrepr.vertices)
You can install the latest version of this package as follows:
sage -i lrslib
sage -pip install git+git://github.com/catch22/moment_polytopes --upgrade
Now download the three_qubits.py
example and run it via sage three_qubits.py
.
See Installation for further detail and troubleshooting.
We have used this package to compute moment polytopes associated with various Quantum Marginal Problems.
Documentation¶
Citation¶
If you use this software, please consider citing our article:
@article{moment_polytopes,
author = {Vergne, M. and Walter, M.},
title = {Inequalities for moment cones of finite-dimensional representations},
journal = {Journal of Symplectic Geometry},
year = {2017},
volume = {15},
number = {4},
pages = {1209--1250},
eprint = {1410.8144},
doi = {10.4310/JSG.2017.v15.n4.a8},
note = {Software available at \url{https://catch22.github.io/moment_polytopes/}.},
}


//= ./html/header.html //= ./html/section-1.html //= ./html/section-2.html //= ./html/section-3.html //= ./html/section-4.html //= ./html/section-5.html //= ./html/footer.html


|
Bullet Collision Detection & Physics Library
|
Public Member Functions | |
| btCompoundCompoundLeafCallback (const btCollisionObjectWrapper *compound1ObjWrap, const btCollisionObjectWrapper *compound0ObjWrap, btDispatcher *dispatcher, const btDispatcherInfo &dispatchInfo, btManifoldResult *resultOut, btHashedSimplePairCache *childAlgorithmsCache, btPersistentManifold *sharedManifold) | |
| void | Process (const btDbvtNode *leaf0, const btDbvtNode *leaf1) |
| Public Member Functions inherited from btDbvt::ICollide | |
| DBVT_VIRTUAL void | Process (const btDbvtNode *, const btDbvtNode *) |
| DBVT_VIRTUAL void | Process (const btDbvtNode *) |
| DBVT_VIRTUAL void | Process (const btDbvtNode *n, btScalar) |
| DBVT_VIRTUAL bool | Descent (const btDbvtNode *) |
| DBVT_VIRTUAL bool | AllLeaves (const btDbvtNode *) |
Public Attributes | |
| int | m_numOverlapPairs |
| const btCollisionObjectWrapper * | m_compound0ColObjWrap |
| const btCollisionObjectWrapper * | m_compound1ColObjWrap |
| btDispatcher * | m_dispatcher |
| const btDispatcherInfo & | m_dispatchInfo |
| btManifoldResult * | m_resultOut |
| class btHashedSimplePairCache * | m_childCollisionAlgorithmCache |
| btPersistentManifold * | m_sharedManifold |
Definition at line 89 of file btCompoundCompoundCollisionAlgorithm.cpp.
|
inline |
Definition at line 103 of file btCompoundCompoundCollisionAlgorithm.cpp.
|
inline |
Definition at line 114 of file btCompoundCompoundCollisionAlgorithm.cpp.
| class btHashedSimplePairCache* btCompoundCompoundLeafCallback::m_childCollisionAlgorithmCache |
Definition at line 99 of file btCompoundCompoundCollisionAlgorithm.cpp.
| const btCollisionObjectWrapper* btCompoundCompoundLeafCallback::m_compound0ColObjWrap |
Definition at line 93 of file btCompoundCompoundCollisionAlgorithm.cpp.
| const btCollisionObjectWrapper* btCompoundCompoundLeafCallback::m_compound1ColObjWrap |
Definition at line 94 of file btCompoundCompoundCollisionAlgorithm.cpp.
| btDispatcher* btCompoundCompoundLeafCallback::m_dispatcher |
Definition at line 95 of file btCompoundCompoundCollisionAlgorithm.cpp.
| const btDispatcherInfo& btCompoundCompoundLeafCallback::m_dispatchInfo |
Definition at line 96 of file btCompoundCompoundCollisionAlgorithm.cpp.
| int btCompoundCompoundLeafCallback::m_numOverlapPairs |
Definition at line 91 of file btCompoundCompoundCollisionAlgorithm.cpp.
| btManifoldResult* btCompoundCompoundLeafCallback::m_resultOut |
Definition at line 97 of file btCompoundCompoundCollisionAlgorithm.cpp.
| btPersistentManifold* btCompoundCompoundLeafCallback::m_sharedManifold |
Definition at line 101 of file btCompoundCompoundCollisionAlgorithm.cpp.


| Package | system.db.schema |
|---|---|
| Inheritance | class CDbExpression » CComponent |
| Since | 1.0.2 |
| Version | $Id$ |
| Source Code | framework/db/schema/CDbExpression.php |
| Property | Type | Description | Defined By |
|---|---|---|---|
| expression | string | the DB expression | CDbExpression |
| Method | Description | Defined By |
|---|---|---|
| __call() | Calls the named method which is not a class method. | CComponent |
| __construct() | Constructor. | CDbExpression |
| __get() | Returns a property value, an event handler list or a behavior based on its name. | CComponent |
| __isset() | Checks if a property value is null. | CComponent |
| __set() | Sets value of a component property. | CComponent |
| __toString() | String magic method | CDbExpression |
| __unset() | Sets a component property to be null. | CComponent |
| asa() | Returns the named behavior object. | CComponent |
| attachBehavior() | Attaches a behavior to this component. | CComponent |
| attachBehaviors() | Attaches a list of behaviors to the component. | CComponent |
| attachEventHandler() | Attaches an event handler to an event. | CComponent |
| canGetProperty() | Determines whether a property can be read. | CComponent |
| canSetProperty() | Determines whether a property can be set. | CComponent |
| detachBehavior() | Detaches a behavior from the component. | CComponent |
| detachBehaviors() | Detaches all behaviors from the component. | CComponent |
| detachEventHandler() | Detaches an existing event handler. | CComponent |
| disableBehavior() | Disables an attached behavior. | CComponent |
| disableBehaviors() | Disables all behaviors attached to this component. | CComponent |
| enableBehavior() | Enables an attached behavior. | CComponent |
| enableBehaviors() | Enables all behaviors attached to this component. | CComponent |
| getEventHandlers() | Returns the list of attached event handlers for an event. | CComponent |
| hasEvent() | Determines whether an event is defined. | CComponent |
| hasEventHandler() | Checks whether the named event has attached handlers. | CComponent |
| hasProperty() | Determines whether a property is defined. | CComponent |
| raiseEvent() | Raises an event. | CComponent |
the DB expression
|
public void __construct(string $expression)
| ||
| $expression | string | the DB expression |
public function __construct($expression)
{
$this->expression=$expression;
}
Constructor.
|
public string __toString()
| ||
| {return} | string | the DB expression |
public function __toString()
{
return $this->expression;
}
String magic method


Primary text
Secondary text
Tertiary text
Body text
Hyperlink text
Button text
This is a toast message.


Inside the I'm A Celebrity wrap party: Chloe Madeley steals Jacqueline Jossa's crown as husband James Haskell calls Caitlyn Jenner his 'jungle wife' while stars let their hair down at boozy bash
The festivities were underway at this year's I'm A Celebrity... Get Me Out Of Here! wrap party as James Haskell's wife Chloe Madeley celebrated by jokingly stealing winner Jacqueline Jossa's crown for herself.
The rugby star, 34, shard a snap of his other half, 32, as she proudly donned the EastEnders actress' flower crown after being crowned Queen of the Jungle while James also shared a snap with his good friend Caitlyn Jenner who he called his 'jungle wife'.
Chloe looked stunning in the snap as she donned a silk white dress with James writing: 'We have a thief in the house' alongside the snap.
Party: The festivities were underway at this year's I'm A Celebrity... Get Me Out Of Here! wrap party as James Haskell's wife Chloe Madeley celebrated by jokingly stealing winner Jacqueline Jossa's crown for herself
James and Caitlyn, 70, bonded during their time in the jungle, starting on day one when the rugby player chose the former Olympic athlete to partner up with for the first challenge.
This year's cast of I'm A Celebrity were in a celebratory mood as they all indulged in some champagne while watching Jacqueline, 27, be crowned Queen of the Jungle.
Coronation Street star Andy Whyment, 38, finished as runner-up while radio presenter Roman Kemp, 26, came in third place.
The stars indulged in a glass of bubbly before they all shared a series of snaps from the finale where they posed with Jacqueline's winning staff to mark the end of the show.
While there were more than a few squabbles in the jungle over the last few weeks, the celebrities had clearly put it all behind them as they enjoyed their remaining time in Australia together before returning home.
James shared a snap of himself posing proudly alongside Jacqueline after her win, calling her 'inspirational' and a deserving winner.
He wrote: 'I could not think of a more deserving winner!! @jacjossa smashed this on so many levels. She was inspirational and dealt with every challenge like a hero. She looked after me in camp like a sister.
Radiant: Nadine Coyle, Jacqueline and Caitlyn all looked nothing short of sensational as they attended the I'm A Celebrity Coming Out party Celebrations: Caitlyn posed for a snap with Jacqueline after her win and she was also joined in the jungle by her partner Sophia HutchinsGlamour: Kate Garraway and Adele Roberts both glammed up for the I'm A Celebrity Coming Out party
'I loved getting to know her and see her grow. Her story is inspiring and she has shown herself to be mega on every level. My wife @madeleychloe is a huge fan and wanted her to win from day one, as did I.'
Joining the EastEnders actress was her husband Dan Osborne, 28, who has been getting to know some of the eliminated celebrities over the last few days as they all stayed in the swanky Versace Hotel in the Gold Coast.
James' wife Chloe also posed with Jacqueline's staff while Dan jokingly squeezed the rugby star's muscles while they all hung out backstage.
Kate Garraway, 52, was all smiles as she celebrated the finale and posed for a snap with pal Andrew Maxwell, 45, where she donned a hat bearing his catchphrase 'My Love'.
Trophy: James and Chloe couldn't resist but pose with Jacqueline's winning staff as they partied with the other I'm A Celeb stars Dapper: Myles sported a printed t-shirt and shorts for the party while Ian went for a white shirt with a dark waistcoat and trousers
Caitlyn Jenner also shared a snap of herself celebrating Jacqueline's win and praised the actress for how far she had come throughout her time in the jungle.
The former Olympic athlete, 70, wrote: 'Congratulations to my sweet friend @jacjossa witnessing your growth on this show was amazing! Congrats Jungle Jack!'
Caitlyn was joined by her partner Sophia Hutchins, 23, who said she was 'so proud' of the sports star for how she fared inside the jungle and posted a cosy snap of the pair to her Instagram.
Jacqueline became the first winner to EVER cancel live TV and newspaper interviews after Chloe Ayling's claim she had a threesome with her husband in 2018, little more than 12-months after the couple exchanged vows.
Traditionally a key feature on breakfast TV, Lorraine Kelly admitted she would not be interviewing this year's winner while giving viewers a run-down of her daily show on Monday morning.
Thrilled: Jacqueline shared a video where she thanked viewers for voting for her saying: 'It has been the best experience of my whole entire life' Final: James and Ian Wright formed a close bond during their time in the jungle while Adele and the rugby star looked like they were having the time of their lives as they relaxed in the sun
A spokesperson for I'm A Celebrity told MailOnline: 'Jacqueline wants to spend as much time as possible with her family in OZ before they have to travel back to the UK. Plus she’s filming Coming Out.'
Separate sources have since claimed Jacqueline is keen to avoid all publicity - some of which comes with a lucrative fee - opting instead to devote her remaining time in Australia to husband Dan and their two children, Ella, four, and 18-month old Mia.
'She has to film for the coming out show which airs later this week, so cancelled all other TV offers like GMB and Lorraine to spend more time with the family,' an insider told The Mirror.


| Internet-Draft | Pandoc2rfc Version 2 | January 2013 |
| Gieben | Expires July 5, 2013 | [Page] |
This memo presents a technique for using Pandoc syntax as a source format for documents in the Internet-Drafts (I-Ds) and Request for Comments (RFC) series.¶
This version is adapted to work with "xml2rfc" version 2.x.¶
This Internet-Draft is submitted in full conformance with the provisions of BCP 78 and BCP 79.¶
Internet-Drafts are working documents of the Internet Engineering Task Force (IETF). Note that other groups may also distribute working documents as Internet-Drafts. The list of current Internet-Drafts is at http://datatracker.ietf.org/drafts/current/.¶
Internet-Drafts are draft documents valid for a maximum of six months and may be updated, replaced, or obsoleted by other documents at any time. It is inappropriate to use Internet-Drafts as reference material or to cite them other than as "work in progress."¶
This Internet-Draft will expire on July 5, 2013.¶
Copyright (c) 2013 IETF Trust and the persons identified as the document authors. All rights reserved.¶
This document is subject to BCP 78 and the IETF Trust's Legal Provisions Relating to IETF Documents (http://trustee.ietf.org/license-info) in effect on the date of publication of this document. Please review these documents carefully, as they describe your rights and restrictions with respect to this document. Code Components extracted from this document must include Revised BSD License text as described in Section 4.e of the Trust Legal Provisions and are provided without warranty as described in the Revised BSD License.¶
This document presents a technique for using Pandoc syntax as a source format for documents in the Internet-Drafts (I-Ds) and Request for Comments (RFC) series.¶
This version is adapted to work with
xml2rfc
version 2.x.¶
Pandoc is an "almost plain text" format and therefor particularly well suited for editing RFC-like documents.¶
When writing [RFC4641] we directly wrote the XML. Needless to say it was tedious even thought the XML of xml2rfc is very "light". The latest version of xml2rfc version 2 can be found here.¶
During the last few years people have been developing markup
languages that are very easy to remember and type. These languages
have become known as
almost plain
text
-markup languages. One of the first was the
Markdown
syntax. One that was developed later and incorporates Markdown and
a number of extensions is
Pandoc. The
power of Pandoc also comes from the fact that it can be translated
to numerous output formats, including, but not limited to: HTML,
(plain) Markdown and
docbook
XML.¶
So using Pandoc for writing RFCs seems like a sane choice. As
xml2rfc
uses XML,
the easiest way would be to create
docbook
XML and transform that using XSLT. Pandoc2rfc does just that. The
conversions are, in some way amusing, as we start off with
(almost) plain text, use elaborate XML and end up with plain text
again.¶
The XML generated (the output after the
xsltproc
step in
Figure 1)
is suitable for inclusion in either the
middle
or
back
section of
an RFC. The simplest way is to create a template XML file and
include the appropriate XML:¶
See the Makefile for an example of this. In this case you need to edit 3 documents:¶
The draft
(draft.txt
) you
are reading now, is automatically created when you call
make
. The
homepage of Pandoc2rfc is
this github
repository.¶
It needs xsltproc
and pandoc
to be
installed. See the
Pandoc
user manual for the details on how to type in Pandoc style.
And of course xml2rfc
version two.¶
When using Pandoc2rfc consider adding the following sentence to an Acknowledgements section:¶
This document was produced using the Pandoc2rfc tool.¶
When starting a new project with
pandoc2rfc
you'll
need to copy the following files:¶
After that you can start editing.¶
Lists¶
<list style="empty">
paragraph (Section 7.5);¶
References¶
internal (xref) (Section 7.6.2), you can refer to:¶
The following people have helped to make Pandoc2rfc what it is today: Benno Overeinder, Erlend Hamnaberg, Matthijs Mekking, Trygve Laugstoel.¶
This document was prepared using Pandoc2rfc.¶
So, what syntax do you need to use to get the correct output? Well, it is just Pandoc. The best introduction to the Pandoc style is given in this README from Pandoc itself.¶
For convenience we list the most important ones in the following sections.¶
Just use the normal sectioning commands available in Pandoc, for instance:¶
# Section1 One Bla¶
Converts to: <section title="Section1
One" anchor="section1-one">
If you have another section that is also
named "Section1 One", that anchor will be called "section1-one-1", but
only when the sections are in
the same source file!¶
Referencing the section is done with see
[](#section1-one)
, as in see Section 7.2.¶
A good number of styles are supported.¶
Using the default list markers from Pandoc:¶
A list using the default list markers. #. Item one; #. Item two.¶
Converts to <list style="empty">
:¶
Use the supported Pandoc syntax:¶
ii. Item one; ii. Item two.¶
Converts to <list style="format %i.">
:¶
If you use uppercase Roman numerals, they convert to a different style:¶
II. Item one; II. Item two.¶
Yields <list style="format (%d) ">
:¶
A numbered list.¶
a. Item one; b. Item two.¶
Converts to <list style="letters">
:¶
Uppercasing the letters works too (note two spaces after the letter.¶
A. Item one; B. Item two.¶
Becomes:¶
This is more like a description list, so we need to use:¶
First item that needs clarification: : Explanation one More stuff, because item is difficult to explain. * item1 * item2 Second item that needs clarification: : Explanation two¶
Converts to: <list style="hanging">
and <t hangText="First item that...">
¶
If you want a newline after the hangTexts, search for the string OPTION
in transform.xsl
and uncomment it.¶
Indent the paragraph with 4 spaces.¶
Like this¶
Converts to:
<figure><artwork> ...
Note that xml2rfc
supports a caption with
<artwork>
. Pandoc does not
support this, but Pandoc2rfc does. If you add a
@Figure: some text
as the last
line, the artwork gets a title
attribute with the text after
@Figure:
. It will also be
possible to reference the artwork. If a caption is supplied the artwork will be
centered. If a caption is needed but the figure should not be centered use
@figure:\
.¶
The reference anchor attribute will be: fig:
+ first 10 (normalized) characters from the caption
.
Where normalized means:¶
@Figure:
);¶
-
;¶
So the first artwork with a caption will get
fig:a-minimal-
as a reference. See for instance
Figure 2.¶
This anchoring is completely handled from within the
xslt
.
Note that duplicate anchors are an XML validation error which will make
xml2rfc
fail.¶
Any paragraph like:¶
> quoted text¶
Converts to: <t><list style="empty"> ...
paragraph, making it indented.¶
Any reference like:¶
[Click here](URI)¶
Converts to: <ulink target="URI">Click here ...
¶
Any reference like:¶
[Click here](#localid)¶
Converts to: <link target="localid">Click here ...
¶
For referring to RFCs (for which you manually need add the reference source in the template, with an external XML entity), you can just use:¶
[](#RFC2119)¶
And it does the right thing. Referencing sections is done with:¶
See [](#pandoc-constructs)¶
The word 'Section' is inserted automatically: ... see Section 7 ... For referencing figures/artworks see Section 7.4. For referencing tables see Section 7.8.¶
The verb style can be selected with back-tics:
`text`
Converts to:
<spanx style="verb"> ...
¶
And the emphasis style with asterisks:
*text*
or underscores: _text_
Converts to: <spanx style="emph"> ...
¶
And the emphasis style with double asterisks:
**text**
Converts to: <spanx style="strong"> ...
¶
A table can be entered as:¶
Is translated to <texttable>
element in xml2rfc
.
You can choose multiple styles as input, but they all are converted to the same style (plain
<texttable>
) table in
xml2rfc
. The column alignment
is copied over to the generated XML.¶
The caption is always
translated to a title
attribute. If a table has a caption, it will
also get a reference.
The reference anchor attribute will be:
tab-
+ first 10 (normalized) characters from the caption
.
Where normalized means:¶
Table:
);¶
-
;¶
So the first table with a caption will get
tab-a-caption-
for reference use. See for instance¶
This anchoring is completely handled from within the
xslt
.
Note that duplicate anchors are an XML validation error which will make
xml2rfc
fail.¶
The footnote syntax of Pandoc is slightly abused to support an index. Footnotes are entered in two steps, you have a marker in the text, and later you give actual footnote text. Like this:¶
[^1] [^1]: footnote text¶
We re-use this syntax for the <iref>
tag. The above text translates to:¶
<iref item="footnote text"/>¶
Sub items are also supported. Use an exclamation mark (!
) to separate them:¶
[^1]: item!sub item¶
As an author you will probably break up a draft in multiple files, each dealing
with a subject or section. When doing so sections with the same title will clash
with each other. Pandoc can deal with this situation, but only if the different
sections are in the same file or
processed in the same Pandoc run. Concatenating the different section files
before processing them is a solution to this problem. You can, for instance,
amend the Makefile
and add
something like this:¶
allsections.pdc: section.pdc.1 section.pdc.2 section.pdc.3 cat $@ > allsections.pdc¶
And then process allsection.pdc
in the normal way.¶
If you use double quotes in the documents title in the
docName
attribute, like:¶
<rfc ipr="trust200902" docName="draft-gieben-writing-rfcs-pandoc-02">¶
The Makefile will pick this up automatically and make a symbolic link:¶
draft-gieben-writing-rfcs-pandoc-00.txt -> draft.txt¶
This makes uploading the file to the i-d tracker a bit easier.¶
The draft.xml
target will
generate an XML file with all XML included, so you can upload just one file to
the I-D tracker.¶
If you are a VIM user you might be interested in a syntax highlighting file (see [VIM]) that slightly lightens up your reading experience while viewing a draft.txt from VIM.¶
This document raises no security issues.¶
This document has no actions for IANA.¶
This appendix consists out of a few tests that should all render to proper
xml2rfc
XML.¶
Test a very long title.¶
Test long title edge case¶
This is discarded by xml2rfc
.¶
A verbatim code block jkasjksajassjasjsajsajkas¶
Refer to RFC 2119 [RFC2119] if you will. Or maybe you want to inspect Figure 2 in Section 2 again. Or you might want to Click here.¶
And the other around.¶
Description lists:¶
More explaining.¶
Multiple paragraphs in such a list.¶
lists in description lists.¶
It works because of¶
It works because of¶
list with description lists.¶
Multiple paragraphs in a list.¶
This is the first bullet point and it needs multiple paragraphs...¶
... to be explained properly.¶
Another item with some artwork, indented by 8 spaces.¶
Artwork¶
xml2rfc does not allow this, so the second paragraph is faked with a¶
<vspace blankLines='1'>¶
Ordered lists.¶
A lowercase roman list:¶
An uppercase roman list.¶
And default list markers.¶
Some surrounding text, to make it look better.¶
Text at the end.¶
Lowercase letters list.¶
Uppercase letters list.¶
And artwork in a description list.¶
Tell something about it. Tell something about it. Tell something about it. Tell something about it. Tell something about it. Tell something about it.¶
miek.nl. IN NS a.miek.nl. a.miek.nl. IN A <IP_ADDRESS> ; <- this is glue¶
Tell some more about it. Tell some more about it. Tell some more about it.¶
List with a sublist with a paragraph above the sublist¶
| Right | Left | Center | Default |
|---|---|---|---|
| 12 | 12 | 12 | 12 |
| 123 | 123 | 123 | 123 |
| 1 | 1 | 1 | 1 |
| Centered Header | Default Aligned | Right Aligned | Left Aligned |
|---|---|---|---|
| First | row | 12.0 | Example of a row that spans multiple lines. |
| Second | row | 5.0 | Here's another one. Note the blank line between rows. |
| Fruit | Price | Advantages |
|---|---|---|
| Bananas | $1.34 | built-in wrapper |
| Oranges | $2.10 | cures scurvy |
Grid tables without a caption¶
| Fruit | Price | Advantages |
|---|---|---|
| Bananas | $1.34 | built-in wrapper |
| Oranges | $2.10 | cures scurvy |
This table has no caption, and therefor no reference. But you can refer to some of the other tables, with for instance:¶
See [](#tab-here-s-the)¶
Which will become "See Table 2".¶
We should also be able to refer to the table numbers directly, to say things like 'Look at Tables 1, 2 and 3.'¶
This is another example:¶
as (1) shows...¶
And how a figure that is not centered, do to using figure
and not Figure
.¶
Test the use of @title
:¶
This is a figure with a title This is a figure with a title @title: and here it is: a title, don't mess it up *¶
This is a verse text This is another line¶


I am Jelly rose ann Tolosa.I live in Aurora Hill Baguio City since I was in grade 1 but I was born in DINADIAWAN AURORA.
I was 16 yrs. Old my birthday was NOV.4 ,1997.My mother was ELLA TOLOSA her occupation was O.F.W in hongkong.My father was ALDOREY TOLOSA but he was deceased since I was in grade 1.
I have 1 brother he was already in grade 8 in high school.Our guardian was may grandmother and grandfather since my mother was working in another country.
My hobbies was playing badminton,playing guitar,eating my favorite food,watching t.v and dancing sometimes in drawing also.
Now that I was already in college my attitude in high school was now already gone.I try my best to pass all my activities and attend all my subject.College life will be so different in high school life.
I will only fucosing in my studies not in bad activities.I admit that I was already tired in schooling but I was determine to finish my studies for my mother and for my future also .
I know that education will be help me in my future to have a nice job ,nice life and beautiful future life of my family.I have a lot of dreams in my life #1 is to help my mother so she will not be away to us and also to help my brother to finish also his study .’’EDUCATION IS THE KEY TO SUCCESS’’


Mourinho will earn almost double Pochettino
by BeSoccerJosé Mourinho is the man of the day in the world of football. One of the most talked-about issues is the astronomical salary that Daniel Levy has given him at Tottenham, almost twice the salary that Mauricio Pochettino received.
From being unemployed to receiving an astronomical salary in a year. He is about the become the 2nd highest-paid manager in the world after Pep Guardiola. According to 'Daily Mail', this money doesn't just go to anyone.
A total of 15 million pounds a year. With the current exchange rate, this would be the equivalent to just more than 17.5 million euros. His predecessor in the Tottenham hot seat earned just less than 10 million, according to the same source.
Featured links
- BREAKING NEWS: Mourinho replaces Pochettino at Tottenham
- The latest football transfers news and rumours
- Wales, golf, Madrid... in that order
- Luis Enrique returns to Spain national team
Breaking down his wage, he earns 52,000 euros a day to manage spurs. A salary more than considerable and that surely helps him to digest the possible criticisms from Chelsea after breaking his word four years later.
News of the Portuguese's appointment at Spurs has, therefore, cost the club quite a lot of money after sacking the Argentine and strongly backing Mourinho.


Set of memory pools. More...
Go to the source code of this file.
Classes | |
| struct | MemoryPoolSet_t |
| Memory pool set. More... | |
Macros | |
| #define | XEP_MEM_ERROR_OK 0 |
| Return value of a function that was successful. More... | |
| #define | XEP_MEM_ERROR_FAILED 1 |
| Return value of a function that failed in some way. More... | |
| #define | XEP_MEM_ERROR_FULL 10 |
| Return value of a function that failed due to insufficient resources. More... | |
| #define | MEMORYPOOLSET_MAX_POOLS 5 |
| Maximum number of memory pools managed by memory pool set. More... | |
Typedefs | |
| typedef struct MemoryPoolSet_t | MemoryPoolSet_t |
Functions | |
| uint32_t | memorypoolset_get_instance_size (void) |
| Get size needed for memory pool set structure. More... | |
| uint32_t | memorypoolset_create (MemoryPoolSet_t **memorypoolset, void *instance_memory) |
| Create memory pool set. More... | |
| uint32_t | memorypoolset_add_memorypool (MemoryPool_t **memorypool, MemoryPoolSet_t *memorypoolset, void *instance_memory, uint32_t block_size, uint32_t block_count) |
| Add memory pool. More... | |
| uint32_t | memorypoolset_select_memorypool (MemoryPool_t **memorypool, MemoryPoolSet_t *memorypoolset, uint32_t size) |
| Select pool in set based on size. More... | |
| uint32_t | memorypoolset_take_auto (MemoryBlock_t **memoryblock, MemoryPoolSet_t *memorypoolset, uint32_t size) |
| Take memory block from automatically chosen pool. More... | |
| uint32_t | memorypoolset_print_statistics (char *buf, size_t max_len, MemoryPoolSet_t *memorypoolset) |
| Prints statistics about available memoryblocks. More... | |
Set of memory pools.
Provides handling of a set of memory pools. Can configure several memory pools with different block size. Automatically choose optimal memory pool for use.
| #define MEMORYPOOLSET_MAX_POOLS 5 |
Maximum number of memory pools managed by memory pool set.
| #define XEP_MEM_ERROR_FAILED 1 |
Return value of a function that failed in some way.
| #define XEP_MEM_ERROR_FULL 10 |
Return value of a function that failed due to insufficient resources.
| #define XEP_MEM_ERROR_OK 0 |
Return value of a function that was successful.
| typedef struct MemoryPoolSet_t MemoryPoolSet_t |
| uint32_t memorypoolset_add_memorypool | ( | MemoryPool_t ** | memorypool, |
| MemoryPoolSet_t * | memorypoolset, | ||
| void * | instance_memory, | ||
| uint32_t | block_size, | ||
| uint32_t | block_count | ||
| ) |
Add memory pool.
Add a new memory pool to the set.
Return memory pool as pointer.
| uint32_t memorypoolset_create | ( | MemoryPoolSet_t ** | memorypoolset, |
| void * | instance_memory | ||
| ) |
Create memory pool set.
Return memory pool set as pointer.
| uint32_t memorypoolset_get_instance_size | ( | void | ) |
Get size needed for memory pool set structure.
| uint32_t memorypoolset_print_statistics | ( | char * | buf, |
| size_t | max_len, | ||
| MemoryPoolSet_t * | memorypoolset | ||
| ) |
Prints statistics about available memoryblocks.
| uint32_t memorypoolset_select_memorypool | ( | MemoryPool_t ** | memorypool, |
| MemoryPoolSet_t * | memorypoolset, | ||
| uint32_t | size | ||
| ) |
Select pool in set based on size.
Uses information about block size to find the best suited pool in set.
Return memory pool as pointer.
| uint32_t memorypoolset_take_auto | ( | MemoryBlock_t ** | memoryblock, |
| MemoryPoolSet_t * | memorypoolset, | ||
| uint32_t | size | ||
| ) |
Take memory block from automatically chosen pool.
Uses information about block size to find the best suited pool in set. Then takes the first free memory block from that pool
Return memory block as pointer.


{% extends 'base.html' %} {% block title %} | Sapelli: {{ sapelli_project.geokey_project.name }} - Log files{% endblock %} {% block main %} {% include 'sapelli/snippets/header.html' %}
We couldn't find any logs within this date range.
{% else %}We couldn't find any logs uploaded for this project.
{% endif %}


OVA for Flowplayer - Skip Ad Button
- Showing a "skip ad" button during linear ads
- Customising the "skip ad" button image
- Customising the "skip ad" using Region settings
- Only enable on ads with a minimum duration
- Enable SkipAd After X Seconds
- Enable for X Seconds
- Start at X and show for Y seconds
- Start at X and show for Y seconds if ad has minimum duration
- Enabling an ad to be skipped on click-through
- Close tracking event test - fires on SkipAd
Back to main index
Copyright 2011 Open Video Ads


Class: Thread::Process
- Inherits:
-
Object
- Object
- Thread::Process
- Defined in:
- thread-0.2.2/lib/thread/process.rb
Overview
A process should only interact with the outside through messages, it still uses a thread, but it should make it safer to use than sharing and locks.
Class Method Summary collapse
Instance Method Summary collapse
-
#initialize(&block) ⇒ Process
constructor
Create a new process executing the block.
-
#send(what) ⇒ Object
(also: #<<)
Send a message to the process.
Constructor Details
Class Method Details
.[](name) ⇒ Object
28 29 30 |
# File 'thread-0.2.2/lib/thread/process.rb', line 28 def self.[](name) all[name] end |
.all ⇒ Object
16 17 18 |
# File 'thread-0.2.2/lib/thread/process.rb', line 16 def self.all @@processes ||= {} end |
.register(name, process) ⇒ Object
20 21 22 |
# File 'thread-0.2.2/lib/thread/process.rb', line 20 def self.register(name, process) all[name] = process end |
.unregister(name) ⇒ Object
24 25 26 |
# File 'thread-0.2.2/lib/thread/process.rb', line 24 def self.unregister(name) all.delete(name) end |
Instance Method Details
#send(what) ⇒ Object Also known as: <<
Send a message to the process.
44 45 46 47 48 49 50 51 52 |
# File 'thread-0.2.2/lib/thread/process.rb', line 44 def send(what) unless @channel raise RuntimeError, 'the process has terminated' end @channel.send(what) self end |


Konso Cultural Landscape
This is another cultural site on the list of UNESCO World Heritage Sites in Ethiopia. It is an arid property of stone-walled terraces and fortified
settlements. This cultural tradition has been around for over 21 generations (over 400 years) in Ethiopia. It is an excellent example of how the
settlements and the humans living in the region adapted to the dry and hostile environment in the Konso highlands. Within the site, you will also
find wooden statues that were put up to honor key members of the community. In fact, they have innovated the use of stone steles that indicate
the passing of important leaders of the community.
Fasil Ghebbi, Gondar Region
This property included in the list of UNESCO World Heritage Sites in Ethiopia consists of eight component sites. The main site is the Fasil
Ghebbi palace compound. Meanwhile, the other seven sites are located within the city of Gondar. These sites include a monastery, church, thermal
area, bath, and a palace. Gondar was established as the capital of Ethiopia by King Fasil during the 17th century. By the 18th century, the site
was transformed from a camp into a fortified compound.
Lower Valley of the Omo
This prehistoric site at the lower valley of the Omo is famous all over the world. Several fossil remains were discovered on this site near
Lake Turkana. The most notable fossil discovered here is the Homo gracilis. It was fundamental in the study of human history and evolution.
Included in this site is Fejej and Konso paleontological research sites wherein there are sedimentary deposits found that researchers trace
back to the plio-Pleistocene period.


ctrlSect
(controller in module tri
)
Provides a context managment scheme to know what context the infrastructure is in. For all cases the function is forwarded to the equivalent servSess function and where appropriate the return of that function is returned.
ctrlSect($scope, servSess, servGAE);
Clears the sPasswordErr
field
Clears any confirmation message.
This call is forwarded to servSess.setConfirmMsg with a value of null
.
{Object}
– undefined
Clears any error message.
This call is forwarded to servSess.setErrorMsg with a value of null
.
{Object}
– undefined
Returns any User contextual confirmation message.
This call is forwarded to servSess.getConfirmMsg and returns the value obtained thereby.
{Boolean}
– the value returned by servSess.getConfirmMsg
Returns any User contextual error message.
This call is forwarded to servSess.getErrorMsg and returns the value obtained thereby.
{Boolean}
– the value returned by servSess.getErrorMsg
Returns whether a User confirmation message exists.
This call is forwarded to servSess.getConfirmMsg and returns whether the result is null (false) or not (true).
{Boolean}
– the value returned by servSess.hasConfirmMsg != null
Returns whether sPasswordErr
contains any data.
{Boolean}
– whether sPasswordErr
is null (false) or not null (true)
Returns whether a User error message exists.
This call is forwarded to servSess.getErrorMsg and returns whether the result is null (false) or not (true).
{Boolean}
– the value returned by servSess.hasErrorMsg != null
Returns whether a valid session exists. ie. The User is properly logged in and validated.
This call is forwarded to servSess.hasSession and returns the value obtained thereby.
{Boolean}
– the value returned by servSess.hasSession
Returns whether sect
section matches the current section.
This call is forwarded to servSess.isSect and returns the value obtained thereby.
sSect – {string} –
value to match against
{Boolean}
– the value returned by servSess.isSect
Used in concert with the HTML template 'apps-change-password.html' to submit a password change.
If the password entered is valid (at least one alphabetic) and the confirm field matches the method servGAE.changePassword is called.
If successful servSess.setConfirmMsg is called.
If not successful servSess.Sess.#setErrorMsg is called.
Initial password change validation error field.
Set during a submitNewPassword
method call.


El Chronicle
Alchemy Guide and Tips
10 Jun 2019
Official Alchemy Game Guide: https://global.elchronicle.io/archives/2229
By navigating to Inn > Alchemy&Cooking you can begin your Alchemy career.
You have the option to make 4 things: gold
, crystals
, essence
, and upgrade stones
.
Gold I think is easy to obtain. Some players like farming crystals through alchemy. But I think lower players will need essence to craft equipment, and it’s a good place to start. Later on it’s also good to create upgrade stones.
To create something you do the following:
- Choose what you want to create
- Pick who you want to create it
- Get the materials needed to create it
- Hit create then wait 24 hours
Now when you pick a hero to help create the alchemy item, that hero will be tied up creating that for 24 hours. Which only means they can’t create any other Alchemy item. You can still use that hero anywhere else.
The number of items created for each alchemy recipe depends on the hero's stars
. Here is the breakdown:
- 1* = 4%
- 2* = 8%
- 3* = 12%
- 4* = 16%
- 5* = 20%
- 6* = 25%
For simplicity sake, let’s say you want to create upgrade stones which says you can create 1-10 of them. If you put 4 heroes that are 6* each on that recipe, that will be 4 x 25% = 100%, which will yield all 10/10 stones.
Depending on how many heroes you put into a recipe and how many stars they have will change the yield of how many items you get out of that recipe. The rough breakdown for essences is like this:
- 20% = 2 essence
- 30% = 3 essence
- 41% = 4 essence
- 60% = 5 essence
- 75% = 6 essence
- 9?% = 7 essence
- 100% = 8 essence
Now personally, since it cost some raid points and 3 energy to create something and it takes a whole day to finish, I aim to get to 60% for each of my crafting. Which is 3x 4* heroes and 1x 3* hero (16% + 16% + 16% + 12% = 60%). This gives me 5 essence or 6 stones which is a hefty little reward. And I think getting a hero to 4 stars isn’t that painful. After a few weeks of gameplay it should be easy to get them up pretty quick. If you need more hero pieces to upgrade them do their special hero achievements.
The more you do alchemy the more slots you can open to create more things at once.
The more heroes you have the more stuff you can create in alchemy at once.


- Andrea Authoriser
- Casterbridge College
- UKPRN:12345678
Funding claim documents
-
Final (R14) funding claim for 2017 to 2018 version 1
This claim was submitted in the Hub at 10.27am on 20 October 2018.
You should sign by 6.00pm on 29 October 2018.
-
Year end (R13) funding claim year for 2017 to 2018 version 1
This claim was submitted in the Hub at 8.25am on 17 September 2018.


Trinity tops college rankings; UCC and UCD joint second
Trinity College Dublin is the top college in the country.
The Sunday Times Good University Guide 2020 released today shows that Trinity has come ahead of University College Dublin and University College Cork, who are in joint second place.
Athlone Institute of Technology is up two places to seventh and is the highest ranked institute of technology.
The Sunday Times Good University Guide's Dr Colm Murphy said that Trinity leads the field for the 18th successive year - but that other contenders are closing in.
He said: "Trinity's gap on the other colleges is closing - both University College Cork and University College Dublin are within a whisker now of Trinity College.
"That's because both those other universities score better for student satisfaction than Trinity."
Student satisfaction was introduced into the rankings last year as one of eight key performance measures, and given the heaviest weighting.
Other categories include effective teaching practices, higher order learning, reflective and integrative learning, learning strategies, student-faculty interaction, overall quality of interactions, a supportive academic environment, collaborative learning and quantitative reasoning.
The 16-page Sunday Times Good University Guide 2020 is given free with today's issue.
READ MORE
Passengers on way home from Krakow after fog grounded Ryanair flights


| Methods' Summary |
| setContext |
sets the context of the control.
|
| getContext |
gets the context of the control.
|
| createPeer |
creates a "child" window on the screen.
|
| getPeer |
returns the peer which was previously created or set.
|
| setModel |
sets a model for the control.
|
| getModel |
returns the model for this control.
|
| getView |
returns the view of this control.
|
| setDesignMode |
sets the design mode for use in a design editor.
|
| isDesignMode |
returns true if the control is in design mode, false otherwise.
|
| isTransparent |
returns true if the control is transparent, false otherwise.
|
| Methods' Details |
setContext
| [oneway] void |
| setContext( |
[in] ::com::sun::star::uno::XInterface |
Context ); |
- Description
- sets the context of the control.
|
|
getContext
- Description
- gets the context of the control.
|
|
createPeer
- Description
- creates a "child" window on the screen.
If the parent is NULL, then the desktop window of the toolkit
is the parent.
|
|
getPeer
- Description
- returns the peer which was previously created or set.
|
|
setModel
- Description
- sets a model for the control.
|
|
getModel
- Description
- returns the model for this control.
|
|
getView
- Description
- returns the view of this control.
|
|
setDesignMode
| [oneway] void |
| setDesignMode( |
[in] boolean |
bOn ); |
- Description
- sets the design mode for use in a design editor.
Normally the control will be painted directly without a peer.
|
|
isDesignMode
- Description
- returns true if the control is in design mode, false otherwise.
|
|
isTransparent
- Description
- returns true if the control is transparent, false otherwise.
|
|
Copyright © 2013, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


---
layout: projects
title: Projects
permalink: /projects
pageId: projects
---
If you're looking for, or are interested in the software I've written in the past -
including Gmail Notifier Plus - please head over to the
Apps page.
{% for project in site.data.projects %}
{% if project.repo %}
{% assign repo = project.repo %}
{% else %}
{% capture repo %}{{ site.github }}/{{ project.title }}{% endcapture %}
{% endif %}
{{ project.title }}
{{ project.desc }}
{% endfor %}


Prior to the 1992–93 season, the tournament was named the European Cup. Originally, only the champions of their respective national league and the defending champion of the competition were allowed to participate. However, this was changed in 1997 to allow the runners-up of the stronger leagues to compete as well. The defending champion of the competition did not automatically qualify until the rules were changed in 2005 to allow title holders Liverpool to enter the competition. Teams that have won the UEFA Champions League three times in a row, or five times overall, receive a multiple-winner badge. Six teams have earned this privilege: Real Madrid, Ajax, Bayern Munich, Milan, Liverpool and Barcelona. Until 2009, clubs that had earned that badge were allowed to keep the European Champion Clubs' Cup and a new one was commissioned; since 2009, the winning team each year has received a full-size replica of the trophy, while the original is retained by UEFA. A total of 22 clubs have won the Champions League/European Cup. Real Madrid hold the record for the most victories, having won the competition 12 times, including the inaugural competition. They have also won the competition the most times in a row, winning it five times from 1956 to 1960. Juventus have been runners-up the most times, losing seven finals. Atlético Madrid is the only team to reach three finals without having won the trophy while Stade de Reims and Valencia have finished as runners-up twice without winning. Spain has provided the most champions, with 17 wins from two clubs.Italy have produced 12 winners from three clubs and England have produced 12 winners from five clubs. The current champions are Real Madrid, who beat Juventus in the 2017 final.
| Year | Champions | Runners Up |
|---|---|---|
| 2017 : | Real Madrid | Juventus |
| 2016 : | Real Madrid | Athletico Madrid |
| 2015 : | Barcelona | Juventus |
| 2014 : | Real Madrid | Athletico Madrid |
| 2013 : | Bayern Munchen | Borussia Dortmund |
| 2012 : | Chelsea | Bayern Munchen |
| 2011 : | Barcelona | Manchester United |
| 2010 : | Inter Milan | Bayern Munchen |
| 2009 : | Barcelona | Manchester United |
| 2008 : | Manchester United | Chelsea |
| 2007 : | Milan | Liverpool |
| 2006 : | Barcelona | Arsenal |
| 2005 : | Liverpool | Milan |
| 2004 : | Porto | Monaco |
| 2003 : | Milan | Juventus |
| 2002 : | Real Madrid | Bayer Leverkusen |
| 2001 : | Bayern Munchen | Valencia |
| 2000 : | Real Madrid | Valencia |
| 1999 : | Manchester United | Bayern Munchen |
| 1998 : | Real Madrid | Juventus |
| 1997 : | Borussia Dortmund | Juventus |
| 1996 : | Juventus | Ajax |
| 1995 : | Ajax | Milan |
| 1994 : | Milan | Barcelona |
| 1993 : | Marseille | Milan |
| 1992 : | Barcelona | Sampdoria |
| 1991 : | Red Star Belgrade | Marseille |
| 1990 : | Milan | Benfica |
| 1989 : | Milan | Steaua Bucuresti |
| 1988 : | PSV Eindhoven | Benfica |
| 1987 : | Porto | Bayern Munchen |
| 1986 : | Steaua Bucuresti | Barcelona |
| 1985 : | Juventus | Liverpool |
| 1984 : | Liverpool | Roma |
| 1983 : | Hamburg | Juventus |
| 1982 : | Aston Villa | Bayern Munchen |
| 1981 : | Liverpool | Real Madrid |
| 1980 : | Nottingham Forest | Hamburg |
| 1979 : | Inter Milan | Bayern Munchen |
| 1978 : | Nottingham Forest | Malmo FF |
| 1977 : | Liverpool | Borussia Monchengladbach |
| 1976 : | Bayern Munchen | Saint-Etienne |
| 1975 : | Bayern Munchen | Leeds United |
| 1974 : | Bayern Munchen | Athletico Madrid |
| 1973 : | Ajax | Juventus |
| 1972 : | Ajax | Inter Milan |
| 1971 : | Ajax | Panathinaikos |
| 1970 : | Feyenoord | Celtic |
| 1969 : | Milan | Ajax |
| 1968 : | Manchester United | Benfica |
| 1967 : | Celtic | Inter Milan |
| 1966 : | Real Madrid | Partizan |
| 1965 : | Inter Milan | Benfica |
| 1964 : | Inter Milan | Real Madrid |
| 1963 : | Milan | Benfica |
| 1962 : | Benfica | Real Madrid |
| 1961 : | Benfica | Barcelona |
| 1960 : | Real Madrid | Eintracht Frankfurt |
| 1959 : | Real Madrid | Stade de Reims |
| 1958 : | Real Madrid | Milan |
| 1957 : | Real Madrid | Fiorentina |
| 1956 : | Real Madrid | Stade de Reims |


| window.mcmc {coda} | R Documentation |
window.mcmc
is a method for mcmc
objects which is
normally called by the generic function window
In addition to the generic parameters, start
and end
the additional parameter thin
may be used to thin out the
Markov chain. Setting thin=k selects every kth iteration starting
with the first. Note that the value of thin
is absolute
not relative. The value supplied given to the parameter thin
must be a multiple of thin(x)
.
Values of start
, end
and thin
which are inconsistent
with x
are ignored, but a warning message is issued.
## S3 method for class 'mcmc' window(x, start, end, thin, ...)
x |
an mcmc object |
start |
the first iteration of interest |
end |
the last iteration of interest |
thin |
the required interval between successive samples |
... |
futher arguments for future methods |


Going from paper processes to a digital solution can seem daunting but with the right tools and guidance, it can be an excellent move for your business.
The fun doesn't stop just because you launched your app/website! By carefully examining your business goals and app/website features, you can keep optimising your product to continue to meet your users needs.
A pretty UI is nothing without effective copy text to guide your users. From the text on buttons to error messages and product instructions, copytext is key for a good UX.
Before you get the party started with creating your new product, workshops are key to ensure you know what you want, and your team knows what to deliver.
With every boundary that is pushed – there will always be people saying you’ve gone too far. Smartphones are ruining conversations, facial recognition is destroying privacy, and AI is going to take over the world...
Read More →Like a mythic beast rising from a loch – many designers, developers, and product owners seem to treat accessibility as a giant, unknown entity who will drag your project down into the depths of missed deadlines and over budget crisis. Which all sounds lovely and terrifying but its not exactly what I’d call accurate...
Read More →Falling under the “its 2019 and I can’t believe we’re still having to say this” category, I really can’t believe we’re still having to say this but… Accessibility isn’t optional Me – all the time. The legislation In the UK, accessibility of a website is kinda required by law. The Equality Act (2010) makes it...
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Sleepless in Seattle directed by Nora Ephron starring Tom Hanks and Meg Ryan rated PG (brief language)
We have seen this scenario before- several times, actually, but we never tire of it. The "destiny" element in a romantic movie, that they-were-meant-for-each-other feeling, the giddiness. Sleepless in Seattle will be called overrated because it feels familiar, but from the familiarity, director-writer Nora Ephron pulls in a nearly extinct gadget called satire. Sleepless in Seattle, at heart, is not meant as a satirical look at the 50s romances, but as something sentimentalists can get "high" on, something cynics will soften up to. It's sheer fun that doesn't require much intelligence, but a good amount of subdued zeal.
The two main characters are played by Tom Hanks and Meg Ryan. They're performances are reserved, which fits the movie well- it, too, is a quiet, light experience. Sam, the Hanks character, is a man who has just become a widower. He is left to be a single-parent for his young boy and is fed up with people trying to soothe him with "work will get you through this" comments. He moves to Seattle. Annie Reed, played by Ryan, lives cross-country in Baltimore, where she is engaged to a drab, low-key guy named Walter (Bill Pullman) who is allergic to nearly everything. She doesn't indulge in dreamy, romantic fantasies- she is extremely down-to-earth, a woman afraid of flying.
Back in Seattle, Sam's son Jonah discreetly calls a radio psychologist to report that his father is "Sleepless in Seattle," an insomniac who cannot grasp the reality of his wife's death. Sam is literally forced out to pour his heart and soul onto the telephone, onto radio, where millions of listeners tune into this heartfelt sobstory of love lost. Annie Reed hears this in Baltimore and falls in love with Sam at first listen. She is in tears by the end of his "our-love-was-magic" speech and is convinced Sam is her destiny, her fated true love.
This from a woman who, in the beginning, said "Destiny is something we've invented because we can't stand the fact that everything that happens is accidental." Now, she is willing to drop the Walter dweeb for this sweet, charismatic voice to whom she has no idea it belongs. She asks her brother (David Hyde-Pierce) if this is just pre-wedding jitters and he replies "Yes". She is extremely confused. She knows she's not the only one pursuing this dream guy "Sleepless in Seattle" but she feels something in her gut- telling her "if you don't find this guy, your destiny will not have been fulfilled".
Meanwhile, Jonah gets a letter from Annie and he, too, is convinced this is the gal for his dad. Sam, who already has a ditzy girlfriend, dismisses the letter which says they should meet atop the Empire State Building. "Hah," he scoffs. Jonah is concocting plan after plan because he instinctively knows this is his destined stepmother.
The film continually alludes to the Cary Grant sobfest An Affair to Remember, from which it steals from frequently. That's the satire part, but it's satire done in a care-free way. The cynics have said the movie can't stand on its own, that its too loaded with false romance. It is false romance, borrowed from old 50s movies. We, the audience, don't actually believe this is real because we know life just isn't that coincidental. We would love life to be this way and some of us do believe in destiny (myself nearly included). Sleepless is rather manipulative like An Affair to Remember, but it's the kind of manipulation we don't mind- we were manipulated in Terms of Endearment and did we mind (I loved it.)
Although the movie has its elements of satire, it is basically a (highly) pleasurable romantic-comedy that doesn't let explosive, extremely funny humor get in the way of its dreamy, surrealistic love-destiny story. How do these cynics live? How can they resist this piece of tempting amour? It's the movies that try too hard that usually fail. Sleepless doesn't push us, it seduces us with its romantic fantasy and we are seduced. Sleepless in Seattle is a very delicious movie and those who dismiss it just don't get the point.
By Andrew Chan
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