LiteLab is a light-weight platform specialized for large-scale networking experiments. It takes advantages of overlay network techniques and power of computing cluster, providing a flexible experiment platform with many uses. LiteLab helps researchers reduce the experiment complexity and speeds up experiment life-cycle, and at the same time, provides satisfying accuracy.
Download technical report: "LiteLab: Efficient Large-scale Network Experiments"
Download source code: LiteLab code @ Github
LiteLab can easily scale up the experiment to tens of thousands of nodes given any topology. Configuration and setup are simple.
The simulated router is highly customizable and extensible. Plugging in user-defined modules requires minimum overheads.
LiteLab utilizes and allocates the resources wisely based on the current load on the computing cluster.
The goal of LiteLab is to provide an easy to use, fully-fledged network experiment platform. Figure 1 shows the general system architecture. LiteLab consists of two subsystems: Agent Subsystem and Overlay Subsystem.
SRouter is the most critical component in Overlay Subsystem. It is a software abstraction of a realistic router. Due to its light-weight, multiple SRouters can run on one node. Users can configure many parameters of SRouters, e.g., link properties (delay, loss rate, bandwidth), queue size, queuing policy, and so on. Figure 2 shows the internal mechanism of SRouter.
Figure 2: SRouter internal mechanism
LiteLab is highly customizable and extensible. It is very simple to plug in user-defined modules without modifying the code and substitute default modules. SRouter can also be used as end-system instead of doing simple routing task. When used as end-system, user-implemented applications can be run on top of it.
LiteLab uses Mapping module to map virtual resources to physical resources. The goal is to maximize resource utilization, and also to guarantee no violation of physical capacity. Four metrics are taken into account: CPU load, network traffic, memory usage and use of pseudo-terminal devices. The core of mapping module is an LP solver. As the figure 3 shows, Mapping module takes node states and job description as inputs, and outputs the optimal deployment matrix.
For the detailed information of LiteLab and information on how you can download it, please contact following people:
Liang Wang, Ph.D., Research Associate
Computer Laboratory, Cambridge University.
Prof. Jussi Kangasharju, Professor
Department of Computer Science, University of Helsinki.


MInChI Demo
Links
IUPAC
GitHub source materials
for mixtures
Mixtures open source tools
on GitHub
Literature:
Capturing mixture composition: an open machine-readable format for representing mixed substances
, A.M. Clark, L.R. McEwen, P. Gedeck, B.A. Bunin,
Journal of Cheminformatics 2019


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Android | Connecting to the Network Using HttpUrlConnection
One common task for most Android apps is connecting to the Internet.
Most network-connected Android apps use HTTP to send and receive data.
This article shows you how to write a simple application that connects to the Internet,
send HTTP GET request & display the response.
Objectives
- How to send HTTP GET request to a web server and display the response?
- How to check network connection?
- How to use AsyncTask to perform network operations on a separate thread?
Environment & Tools
Tools used in this post
- Windows 8
- Android Studio 2.1.2
- Nexus 5
- http://hmkcode.com/examples/index.php this URL will return simple string “HMKCODE HTTP Example”
About this Sample App
We will build an app that send HTTP GET request and display the response.
( 1 ) Create new Android Project
- Application Name: android-http
- Package Name: com.hmkcode.android.http
- Minimum SDK: API 8: Android 2.2 (Froyo)
( 2 ) Add Permissions
- Add the following two lines to the
AndroidMainifest.xml
file
<uses-permission android:name="android.permission.INTERNET" /> <uses-permission android:name="android.permission.ACCESS_NETWORK_STATE" />
( 3 ) Design App Layout
- Add two TextView to
activity_main.xml
. - First TextView for displaying network connection info.
- Second TextView to display message from server.
<?xml version="1.0" encoding="utf-8"?> <LinearLayout xmlns:android="http://schemas.android.com/apk/res/android" xmlns:tools="http://schemas.android.com/tools" android:layout_width="match_parent" android:layout_height="match_parent" android:paddingBottom="@dimen/activity_vertical_margin" android:paddingLeft="@dimen/activity_horizontal_margin" android:paddingRight="@dimen/activity_horizontal_margin" android:paddingTop="@dimen/activity_vertical_margin" android:orientation="vertical" tools:context="com.hmkcode.android.http.MainActivity"> <TextView android:id="@+id/tvIsConnected" android:layout_width="wrap_content" android:layout_height="wrap_content" android:layout_gravity="center" android:background="#FF0000" android:textColor="#FFF" android:textSize="18dp" android:padding="5dp" android:layout_marginBottom="5dp" android:text="is connected? " /> <TextView android:id="@+id/tvResult" android:layout_width="wrap_content" android:layout_height="wrap_content" android:layout_gravity="center" android:background="#ffffff" android:textColor="#000" android:textSize="18dp" android:padding="5dp" android:layout_marginBottom="5dp" android:text="" /> </LinearLayout>
( 4 ) Check the Network Connection
- Before making any network operation you need to check if you are connected or not.
- To check whether a network connection is available use getActiveNetworkInfo() and isConnected().
( 5 ) Perform HTTP GET Request
- The simplest example for network operation is HTTP GET request.
- We create a new URL object by passing url string to the constructor.
- The URL object is used to establish an HttpURLConnection.
- Then, we execute the operation and receive the response as InputStream.
- Finally, we use helper method to convert InputStream to string.
private String HttpGet(String myUrl) throws IOException { InputStream inputStream = null; String result = ""; URL url = new URL(myUrl); // create HttpURLConnection HttpURLConnection conn = (HttpURLConnection) url.openConnection(); // make GET request to the given URL conn.connect(); // receive response as inputStream inputStream = conn.getInputStream(); // convert inputstream to string if(inputStream != null) result = convertInputStreamToString(inputStream); else result = "Did not work!"; return result; }
( 5 ) Perform Network Operations on a Separate Thread
- Network operation should always run on a seperate thread to avoid UI freeze.
- The AsyncTask class provides one of the simplest ways to create separate thread from the UI thread.
- Create an inner class extending AsyncTask.
- Override doInBackground() & onPostExecute.
private class HTTPAsyncTask extends AsyncTask<String, Void, String> { @Override protected String doInBackground(String... urls) { // params comes from the execute() call: params[0] is the url. try { return HttpGet(urls[0]); } catch (IOException e) { return "Unable to retrieve web page. URL may be invalid."; } } // onPostExecute displays the results of the AsyncTask. @Override protected void onPostExecute(String result) { tvResult.setText(result); } }
( 6 ) Convert the InputStream to a String
- We will use a helper method to convert InputStream byte into String
private static String convertInputStreamToString(InputStream inputStream) throws IOException{ BufferedReader bufferedReader = new BufferedReader( new InputStreamReader(inputStream)); String line = ""; String result = ""; while((line = bufferedReader.readLine()) != null) result += line; inputStream.close(); return result; }


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+>- What is Noise Pollution?
Not all sound is considered noise pollution. The World Health Organization (WHO) defines noise above 65 decibels (dB) as noise pollution. To be precise, noise becomes harmful when it exceeds 75 decibels (dB) and is painful above 120 dB. As a consequence, it is recommended noise levels be kept below 65 dB during the day and indicates that restful sleep is impossible with nighttime ambient noise levels in excess of 30 dB.
+>- Awareness for Noise Pollution?
International bodies like the WHO agree that awareness of noise pollution is essential to beat this invisible enemy. For example: avoid very noisy leisure activities, opt for alternatives means of transport such as bicycles or electric vehicles over taking the car, do your housework at recommended times, insulate homes with noise-absorbing materials, etc. Educating the younger generation is also an essential aspect of environmental education.
+>- Steps taken by Government on reducing Noise Pollution?
Governments can also take measures to ensure correct noise management and reduce noise pollution. For example: protecting certain areas — parts of the countryside, areas of natural interest, city parks, etc. — from noise, establishing regulations that include preventive and corrective measures — mandatory separation between residential zones and sources of noise like airports, fines for exceeding noise limits, etc. —, installing noise insulation in new buildings, creating pedestrian areas where traffic is only allowed to enter to offload goods at certain times, replacing traditional asphalt with more efficient options that can reduce traffic noise by up to 3 dB, among others.


Let's Eat!
Everyone loves potlucks! But not everyone loves poorly planned potlucks..a random assortment of food where there’s always either way too much food or too little of one type.
The host doesn’t know how much seating and placeware to provide, and guests feel overwhelmed because they don't know what or how much food to bring. There must be a better way!


Hi there! Welcome to my portpholio! Im Rustam (Rust2D) and im a professional photographer from Moscow! Photography has been my passion ever since I can remember. Now I cannot even imagine my life without it!
In my works i mostly try to focus on the movement aspect of photography. I love capturing people in motion. I believe that those kind of photos convey human emotion the best!


1 Thus far went the record given by the Egyptians and their priests; and they showed me that the time from the first king to that priest of Hephaestus, who was the last, covered three hundred and forty-one generations, and that in this time this also had been the number of their kings, and of their high priests.
2 Now three hundred generations are ten thousand years, three generations being equal to a hundred. And over and above the three hundred, the remaining forty-one cover thirteen hundred and forty years.
3 Thus the whole period is eleven thousand three hundred and forty years; in all of which time (they said) they had had no king who was a god in human form, nor had there been any such either before or after those years among the rest of the kings of Egypt.
4 Four times in this period (so they told me) the sun rose contrary to experience; twice he came up where he now goes down, and twice went down where he now comes up; yet Egypt at these times underwent no change, either in the produce of the river and the land, or in the matter of sickness and death.


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on completion, this page will be replaced by: homepage
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The Story
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Hae :">
I meet you at the first time. I smile, and you don't smile back to me.  I'ts so fuck'in romantic epic. :)) -
A : Sist..
B : Yeah..
A : Sist..
B : Yeahh broth..
A : Would you be..
And then silence.... -
I do not promise anything, I can only promise one thing. I would still handsome until tomorrow... avriqq
-
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Kogi elections: Join hands with Bello to attain next level, APC tells PDP
by Gbenga OdogunGbenga Odogun, Lokoja
The Kogi State chairman of the All Progressives Congress, Abdulahi Bello, has called on the opposition especially the Peoples Democratic Party, to join hands with the party and Governor Yahaya Bello to move the state to the next level.
Bello made the call on Monday shortly after the Independent National Electoral Commission returned Governor Bello as the winner of the Saturday election.
The APC chairman told our correspondent on telephone that the victory was “well deserved.”
“Considering the efforts put in place by APC during electioneering campaigns, we are not surprised that victory is achieved today.”
He said that Bello’s victory was not only for all Kogi citizens but for lovers of democracy all over Nigeria.
Reacting to PDP’s refusal to sign the final collated result, the chairman said that it does not in any way take the shine away from the victory as PDP did not campaign anywhere near the home ground of the governor.
“It shows that they are good politicians who know their areas of strength and weakness and decided to restrict themselves to his area of strength.”


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Stephen Curry, Will Arnett working on NBA-centric TV show collaboration
by TSD StaffTwo of the best in their respective are teaming up in what figures to be a great collaboration that we’re looking to enjoy in the future.
Comedian Will Arnett and Warriors two-time MVP Steph Curry are currently working together on a TV show which will have an NBA theme. It has an interesting premise, and Variety was able to provide the details regarding the show.
“The Second Half” takes a “humorous look” at a retired NBA player who moves back home to Charlotte, buys a car wash and struggles to reconnect with his father, daughter, ex-girlfriend, and childhood best friend. He starts to realize that when it comes to the game of life.
Looks like Steph is attempting to capitalize on his brand being as strong as possible — just like LeBron James — trying his hand in the TV world. He does seem to be a suitable candidate for the silver-screen world.


so any large amounts could lead to questions about vote selling
phm8714-Apr-19 01:33 PM
it is weird now as I have 26 IP and 27 NN pubkeys ...
SHossain14-Apr-19 01:34 PM
@phm87 i already removed that directly
jl777c14-Apr-19 01:34 PM
which is not good. best to not do multiple VOTE sending
phm8714-Apr-19 01:37 PM
@SHossain I don't understand : there are 28 entries in testnet.json and 30 in m_notary_testnet
Can we add several IP for one pubkey ? Is it allowed ?(edited)
SHossain14-Apr-19 01:38 PM
only about 7 ips as seednode is enough in testnet.json file(edited)
you can add more in m_notary_testnet
phm8714-Apr-19 01:39 PM
ok thank you, I didn't know it was allowed to use several IP for one pubkey (1 NN I mean)
I don't know if it is also allowed on mainet of NN
Contribute to jl777/SuperNET development by creating an account on GitHub.
phm8714-Apr-19 01:41 PM
I was not talking aboout the nb of seeds but the number of notaries
I compared the number of entries in testnet.json and in m_notary_testnet
SHossain14-Apr-19 01:43 PM
i see now what you mean. probably 2 entries out of 30 is old and the op didn't remove it while doing pr to add new
1
phm8714-Apr-19 01:43 PM
I expect the same number of IP in m_notary_testnet (call to addnotary) compared to the nb of notaries in testnet.json
ok thank you for the explanation
anyway, just for KMD culture, can you confirm that on NN mainet, each notary is allowed to have 1 IP max per NN ?(edited)
SHossain14-Apr-19 01:47 PM
ops shouldn't run iguana using same pubkey in 2 different server at the same time.
yes, 1 IP per node. better not to change them unless needed for a very good reason.
changing ip in mainnet can lead to to low count for some time as all other nodes needs to recognize your new ip
phm8714-Apr-19 01:47 PM
one or two days ago, a NN testnet operator said that he was running 2 iguana but maybe it was a joke(edited)
siu - Chainmakers14-Apr-19 01:48 PM
i think it was a test and everyone recommended against it if i remember correctly
Strob14-Apr-19 01:48 PM
I was swapping servers so I did it for maybe 30 minutes
It did not cause any problem(edited)
In fact my speed was really good during that time(edited)
siu - Chainmakers14-Apr-19 01:48 PM
running same pubkey on two different instances means same UTXOs will be locked for notarizations
if both nodes try and get the same utxo locked it might give issues
SHossain14-Apr-19 01:49 PM
testnet is for testing :)
mainnet is more serious as the whole ecosystem depends on NN
phm8714-Apr-19 01:49 PM
so the speed is better is we run several instances on different servers if I understand correctly but it is not allowed on mainet
siu - Chainmakers14-Apr-19 01:50 PM
We should integrate SUQA into this testnet
phm8714-Apr-19 01:50 PM
yes but if rigorous tests cannot be performed on testnet, things might happen on mainet only
siu - Chainmakers14-Apr-19 01:50 PM
give the opportunity to testers to add a new external coin and also see if all is good for production setup.
Strob14-Apr-19 01:50 PM
I don't know if it really helped the speed I would need to run it for a longer time
phm8714-Apr-19 01:50 PM
ok
siu - Chainmakers14-Apr-19 01:50 PM
it will bring issues eventually.
not recommended doesnt mean its prohibited, its just that it has been known to cause issues.
SHossain14-Apr-19 01:51 PM
@siu - Chainmakers you need @dukeleto, @blackjok3r or @Decker to integrate SOQA first into the testnet. then, guides and funds for everyone along with PR
phm8714-Apr-19 01:51 PM
not recommanded on testnet but not allowed on mainet if I understand correctly(edited)
siu - Chainmakers14-Apr-19 01:52 PM
not recommeneded anywhere really(edited)
SHossain14-Apr-19 01:52 PM
running 2 instances with same pubkey will most likely harm your performance
will put your nodes into troubles
siu - Chainmakers14-Apr-19 01:54 PM
like i said, if both nodes try to lock same utxo for a signature at once, you will get into trouble.
1
ComputerGenie 👴👴👴14-Apr-19 01:54 PM
If you're going to run 2 instances, my recommendation would be different coins on each instance
As noted above, you will have UTXO issues if you share
Adding an extra amount of UTXOs to "avoid" this problem will, in most cases, actually lead to a slower result than 1 instance with good management
phm8714-Apr-19 01:55 PM
I was thinking about utxo filter to see only half and the other half on the other iguana instance
ComputerGenie 👴👴👴14-Apr-19 01:55 PM
every filter you add makes it slower than no filter(edited)
phm8714-Apr-19 01:55 PM
indeed
SHossain14-Apr-19 01:56 PM
with different set of coins still possibility of problem
the common coin is KMD
like Siu said, what if both instance lock out same KMD utxo for the next notarization of different coins in their server. either one of the notarization will fail or maybe both
unless you can program iguana and kmd daemon to work as you intend(edited)
phm8714-Apr-19 01:57 PM
with the existing wallet filter of blakcjok3r, if we split coins from an external address, we can have 2 sets of utxo for KMD using the existing code
ComputerGenie 👴👴👴14-Apr-19 01:58 PM
the common coin is KMD
yes, that falls into the issue of making it slower
phm8714-Apr-19 01:58 PM
then if using 2 iguana, we should split coins from 2 different addresses
jl777c14-Apr-19 01:58 PM
@ComputerGenie 👴👴👴 not to be picky, but I can think of ways to implement filters that dont slow down anymore with additions (to a limit)
phm8714-Apr-19 01:59 PM
but yes it can be a little bit slower indeed but as it use the existing wallet filter code, the slowlyness can be limited (filter less than 10 utxo)
about the wallet filter of blackjok3r, it doesn't seem to slow down things so much
ComputerGenie 👴👴👴14-Apr-19 02:00 PM
@jl777c I'm not saying that it cannot be done, but imo when you add that filter exponentially to 20, 30, 70, 100 different chains, there's bound to be some inherent added latancy
jl777c14-Apr-19 02:00 PM
it is true in some cases there is no avoiding it
i was taking what you said out of context and finding it to be imprecise, hashtables and more specifically bloom filters give an idea of how to filter more things without slowing down as things stay at constant time
but to implement that in a multicoin env, you would need a true multiwallet...
so not practical
ComputerGenie 👴👴👴14-Apr-19 02:06 PM
In my defense I need more and was mostly making a blanket statement that should been more clear that I was meaning that some things we do that might work in testnet will not hold true on mainnet and actually be worse results than simple maintenance (similar to a "sample size of one" notion)
1
SHossain14-Apr-19 02:07 PM
thanks for reminding. i had only 1 coffee today
Strob14-Apr-19 02:09 PM
I need my
1
1
SHossain14-Apr-19 02:09 PM
green pea soup?
2
1
1
1
newvulcan14-Apr-19 02:21 PM
I know I could probably tweak my server to make it a bit quicker, but after getting it to work, I'm loathe to touch it - It works, it seems stable, and I'm fine with that - whats that old saying "If it ain't broke, don't fix it"
5
mrlynch14-Apr-19 02:24 PM
i've noticed another saying in here.. "if you ain't breaking it, you ain't improving it" ~ @blackjok3r@Alright
smk762 - dracocanis ominator14-Apr-19 02:24 PM
all you can do is raise the child, then let it run free and supervise. Reserve discipline for the critical failures.
a slight nudge in the right direction can be ok, but too much poking leads to trouble
Alright14-Apr-19 02:26 PM
Do not add additional IPs or remove IPs from testnet.json
must have 8 values
phm8714-Apr-19 02:30 PM
@Alright As discussed with SHossain here above, I compared the number of entries in testnet.json and in m_notary_testnet : there are 28 entries in testnet.json and 30 in m_notary_testnet, SHossain replied
`i see now what you mean. probably 2 entries out of 30 is old and the op didn't remove it while doing pr to add new`
Alright14-Apr-19 02:31 PM
Yep, probably just old ones left there
don't pay much attention to it, doesn't matter
if you want to figure out what the extra ones are, you're welcome to
zatJUM14-Apr-19 02:33 PM
I do have 2 IP (my new vps and my old one). Only new one is running with pubkey.
I know I said I wont' fiddle with my server, but as I understand it there's housekeeping to do from time to time (apart from logrotate the log files) - is that just to keep the utxo's at a reasonable level ?
Lumbi14-Apr-19 02:38 PM
@siu - Chainmakers the current heat
no tellin' what whales be about
siu - Chainmakers14-Apr-19 02:42 PM
You need much more tha 100k votes
1.5million at least
Lumbi14-Apr-19 02:47 PM
@siu - Chainmakers that's a lot of KMD
siu - Chainmakers14-Apr-19 02:47 PM
Yes,and that is why its not easy to win, even with help froma. single whale
Lumbi14-Apr-19 02:47 PM
the votec2019 chain is active in Agama?
siu - Chainmakers14-Apr-19 02:48 PM
Or 2 or 3
Yes
Lumbi14-Apr-19 02:49 PM
history in the making!
1
spotted this on the reindex:
[KMD].93981 BEER 00690cb1073a2b32986e96327ba6990ba3797489b24440d7f9427e7daaaa63ee height.93982 vs last.93982(edited)
ComputerGenie 👴👴👴14-Apr-19 03:07 PM
I just need 100,000 votes to win you seem to be missing some 0s


 It certianly isn't for every taste, and it's sheer torture to sit through if you're in a restless mood. That said, if you ARE in the right mood, it's absolutely incredible. This was my second favorite movie of 1998, and would have been a shoo-in for first in almost any other year.
Perhaps the big turn-off for many was this film's unconventionality. I'd be hard-pressed to compare it to any other film that I've seen - it is very, very artsy, incredibly slow - and amazingly, it works beautifully.
On my second viewing, I realized that the film follows the Three Act structure (I didn't think it had any sort of structure at all when I first saw it). The first act serves to set up the characters - sort of. It exists even moreso to set a mood of tension and restlesness, and perhaps even feelings of boredom. And then it is shattered by the intense violence of the second (which encompasses most of the movie). The majority of the film is one extended battle scene, intercut with brief flashbacks and voice-overs. The artsier elements do not detract from the action, but add to it - they succeed in briefly letting the viewer peek into the minds of the soldiers, only to be suddenly yanked back into reality when the battle resumes.
The battle scenes are amazing (second only to "Saving Private Ryan" in my opinion). They're brutal, horrifying, and at times beautiful due to the amazing cinematography. The second act is as immersive, brilliant, and haunting as any film that I have ever seen.
The only problems come during the first and third acts. Malick takes a little too long to get the film started. Although the initial scenes - which consist of two soldiers' experiencing a near-eden-like paradise while going AWOL, and the preperations for battle - are effective and necessary, hints of pretentiousness sink in. The film is just a tad too artsy near the beginning, and a lot of people that disliked the movie probably gave up on it because of this.
The final act is effective at winding the film down, but the problems from the first persist - it's a bit too long, and comes over as pretentious at times. That said, there are two sequences (one where a soldier gets a devastating note from his wife, and another where one of the main characters is killed) that are nothing short of incredible.
The performances are phenominal all around. The two standouts are Nick Nolte and newcomer Jim Caviezel, both of whom should have been nominated for Oscars. Nolte is riveting and intense as the colonel in charge of the operation. His character is hard, mean, and somewhat reckless with the lives of his men, and yet Nolte somehow manages to evoke sympathy for him. Caviezel is forever questioning the nature of war, his place in it, and if there's any deeper meaning to the hell that he's going through. He is absolutely perfect - genuine, sympathetic, sincere, and yet strong when he needs to be. Although restricted to a relatively small role, Sean Penn is also very good as the company's pessimistic seargent.
As to how it stacks up to "Saving Private Ryan" - it was my second favorite movie of 1998, "Ryan" was my first. It's really hard to compare the two - they are so, so different - so I won't, beyond saying that Spielberg's film had more of an impact on me. However, the two are comparable from the standpoint of quality (I can easily see why someone would "The Thin Red Line" above "Ryan). I highly recommend both of them, and consider them to be the two best war movies ever made.
All in all, "The Thin Red Line" is filmmaking of an incredibly high order. It's slight faults are easily offset by the sheer brilliance of what is done right. It's a real shame that it tanked at the box office - films this unconventional, powerful, and thought-provoking don't come along very often.
**** out of ****
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About TakeYourMeds
“...Increasing the effectiveness of adherence interventions may have a far greater impact on the heath of the population than any improvement in specific medical treatments...”
— WHO, 2013
Among patients with chronic illness, NICE estimate that 30%--50% do not take medication as prescribed. This is a particular problem for conditions such as asthma, diabetes, hypertension and depression, which are amongst the most prevalent medical conditions, particularly in older people. Not only is this dangerous for a patient, but the associated costs including unnecessary hospital admissions is estimated at at £4.0 billion per year.
A large part of the problem is simple forgetfulness. Again, memory problems disproportionately affect the elderly, who are likely to be on more concurrent medications in the first place, making adherence to a prescription schedule even more difficult. It is estimated that the incidence of Alzheimer's disease is 10% in those over 65, 20% in those over 75 and a huge 33% in those over 85.
Several useful smartphone apps exist to help patients remember to take their medication. However, while Ofcom etimate that about 88% of 16--24 year olds use smartphones, this number drops to 14% for those over 65 years old. On the other hand, 80% of people over 65 years old report that their preferred method of distance communication is the telephone.
The Take Your Meds platform provides a straightforward low-cost reminder service that can be fully customised to help with any schedule of medication.
At a preset time, a user will receive a phonecall playing a recorded message. The user can then use their telephone keypad to indicate that they have taken the medication, wish to be reminded again later, or wish to speak to a family member or friend for help. All parameters of the reminders, such as recorded message, the time interval for repeat calls, and the action to be taken if the patient cannot be reached, can be set up to suit the individual.
The Take Your Meds platform aims to improve medication safety, which will prevent avoidable hospital admissions.
Take Your Meds
Credits
Pill image created by Josh Abrams, from the Noun Project
Clock image found on Flickr from Alan Cleaver


Tablet of Vision:
Suddenly you feel a chill, and then see the flash of a blade!
When you open your eyes you discover that a mortal blow was blocked...


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{{template "layout" .}} {{define "body"}}
path:
-path:
repo:
-repo:
max_matches:
path: |
Only include results from matching files. | example |
-path: |
Exclude results from matching files. | example |
repo: |
Only include results from matching repositories. | example |
-repo: |
Exclude results from matching repositories. | example |
max_matches: |
Adjust the limit on number of matching lines returned. | example |
(special-term:) |
Escape one of the above terms by wrapping it in parentheses (with regex enabled). | example |
See the RE2 documentation for a complete listing of supported regex syntax.
Livegrep project © Nelson Elhage


|
|
CIFXInternetReadBufferX Class ReferenceInheritance diagram for CIFXInternetReadBufferX:
List of all members.
|
Public Member Functions |
| virtual U32 IFXAPI | AddRef (void) |
| virtual U32 IFXAPI | Release (void) |
| virtual IFXRESULT IFXAPI | QueryInterface (IFXREFIID interfaceId, void **ppInterface) |
| virtual IFXRESULT IFXAPI | Read (U8 *pBytes, U64 position, U32 count) |
| virtual IFXRESULT IFXAPI | GetTotalSize (U64 *pCount) |
| virtual IFXRESULT IFXAPI | GetAvailableSize (U64 *pCount) |
| virtual void IFXAPI | ReadX (U8 *pBytes, U64 position, U32 count, IFXRESULT &rWarningCode) |
| virtual void IFXAPI | GetTotalSizeX (U64 &rCount) |
| virtual void IFXAPI | GetAvailableSizeX (U64 &rCount) |
| virtual IFXRESULT IFXAPI | Open (IFXCHAR *pUrl) |
| virtual IFXRESULT IFXAPI | Close () |
| virtual IFXRESULT IFXAPI | GetConnectTimeout (U32 &rConnectTimeout) |
| virtual IFXRESULT IFXAPI | SetConnectTimeout (const U32 connectTimeout) |
| virtual IFXRESULT IFXAPI | GetSendTimeout (U32 &rSendTimeout) |
| virtual IFXRESULT IFXAPI | SetSendTimeout (const U32 sendTimeout) |
| virtual IFXRESULT IFXAPI | GetReceiveTimeout (U32 &rReceiveTimeout) |
| virtual IFXRESULT IFXAPI | SetReceiveTimeout (const U32 receiveTimeout) |
| virtual IFXRESULT IFXAPI | InitiateRead (IFXCoreServices *pCoreServices, IFXReadingCallback *pReadingCallback) |
| virtual IFXRESULT IFXAPI | Execute (IFXTaskData *pTaskData) |
Private Member Functions |
| | CIFXInternetReadBufferX () |
| virtual | ~CIFXInternetReadBufferX () |
| | IFXDECLAREMEMBER (IFXReadingCallback, m_pReadingCallback) |
| | IFXDECLAREMEMBER (IFXReadBuffer, m_pReadBuffer) |
Private Attributes |
| U32 | m_refCount |
| IFXCoreServices * | m_pCoreServices |
| U64 | m_readPosition |
| IFXTaskHandle | m_readTaskHandle |
| U32 | m_URLs |
| U32 | m_currentURL |
| IFXInternetSessionX | m_session |
Friends |
| IFXRESULT IFXAPI_CALLTYPE | CIFXInternetReadBufferX_Factory (IFXREFIID interfaceId, void **ppInterface) |
Constructor & Destructor Documentation
| CIFXInternetReadBufferX::CIFXInternetReadBufferX |
( |
|
) |
[private] |
|
| CIFXInternetReadBufferX::~CIFXInternetReadBufferX |
( |
|
) |
[private, virtual] |
|
Member Function Documentation
| U32 CIFXInternetReadBufferX::AddRef |
( |
void |
|
) |
[virtual] |
|
|
|
This method increments the reference count for an interface on a component.
- Note:
- It should be called for every new copy of a pointer to an interface on a given component.
- Returns:
- It returns a U32 that contains a value from 1 to 2^32 - 1 that defines the new reference count. The return value should only be used for debugging purposes.
Implements IFXUnknown. |
| IFXRESULT CIFXInternetReadBufferX::Close |
( |
|
) |
[virtual] |
|
| IFXRESULT CIFXInternetReadBufferX::Execute |
( |
IFXTaskData * |
pTaskData |
) |
[virtual] |
|
| IFXRESULT CIFXInternetReadBufferX::GetAvailableSize |
( |
U64 * |
pCount |
) |
[virtual] |
|
|
|
Get the size of the buffer which is available for reading.
The available size may be less than the total size. - Parameters:
-
| pCount | pCount will be set to the number of available bytes in the buffer (or file). |
Implements IFXReadBuffer. |
| void CIFXInternetReadBufferX::GetAvailableSizeX |
( |
U64 & |
rCount |
) |
[virtual] |
|
| IFXRESULT CIFXInternetReadBufferX::GetConnectTimeout |
( |
U32 & |
rConnectTimeout |
) |
[virtual] |
|
| IFXRESULT CIFXInternetReadBufferX::GetReceiveTimeout |
( |
U32 & |
rReceiveTimeout |
) |
[virtual] |
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Retrieves a value that contains the time-out value, in milliseconds, to receive a response to a request.
Implements IFXInet. |
| IFXRESULT CIFXInternetReadBufferX::GetSendTimeout |
( |
U32 & |
rSendTimeout |
) |
[virtual] |
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|
Retrieves a value that contains the time-out value to send a request.
Units are in milliseconds.
Implements IFXInet. |
| IFXRESULT CIFXInternetReadBufferX::GetTotalSize |
( |
U64 * |
pCount |
) |
[virtual] |
|
|
|
Get the total size of the buffer in bytes.
- Parameters:
-
| pCount | pCount will be set to the total size of the buffer (or file). |
Implements IFXReadBuffer. |
| void CIFXInternetReadBufferX::GetTotalSizeX |
( |
U64 & |
rCount |
) |
[virtual] |
|
|
|
Get the total size of the buffer in bytes.
- Parameters:
-
| ruCount | ruCount will be set to the total size of the buffer (or file). |
Implements IFXReadBufferX. |
| CIFXInternetReadBufferX::IFXDECLAREMEMBER |
( |
IFXReadBuffer |
, |
|
|
m_pReadBuffer |
|
|
) |
[private] |
|
| CIFXInternetReadBufferX::IFXDECLAREMEMBER |
( |
IFXReadingCallback |
, |
|
|
m_pReadingCallback |
|
|
) |
[private] |
|
|
|
Initiates file reading thru Internet.
- Parameters:
-
| pCoreServices | IFXCoreServices interface which is used to register Internet read task. |
| pReadingCallback | IFXReadingCallback interface which is used to get URL during reading and accept reading result. |
Implements IFXInet. |
| IFXRESULT CIFXInternetReadBufferX::Open |
( |
IFXCHAR * |
pUrl |
) |
[virtual] |
|
|
|
- Note:
- Opening for reading or writing or appending, opening in binary or text mode, or creating are all undefined and implementation specific. Refer to the documentation of any class implementing IFXStdio for details.
Implements IFXStdio. |
| IFXRESULT CIFXInternetReadBufferX::QueryInterface |
( |
IFXREFIID |
interfaceId, |
|
|
void ** |
ppInterface |
|
) |
[virtual] |
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|
|
This method provides access to the various interfaces supported by a component.
Upon success, it increments the component's reference count and hands back a pointer to the specified interface.
- Note:
- A number of rules must be adhered to by all implementations of IFXAPI QueryInterface . For a list of such rules, refer to the IFXCOM usage guidelines.
- Returns:
- Upon success, IFX_OK is returned. Otherwise, either IFX_E_INVALID_POINTER or IFX_E_UNSUPPORTED are returned.
Implements IFXUnknown. |
| IFXRESULT CIFXInternetReadBufferX::Read |
( |
U8 * |
pBytes, |
|
|
U64 |
position, |
|
|
U32 |
count |
|
) |
[virtual] |
|
|
|
ReadX will copy "uCount" bytes into the memory pointed to by "pBytes" from an input buffer starting at "uPosition.".
- Parameters:
-
| pBytes | Memory location where the bytes are to be copied |
| position | Position within the input buffer to start the read |
| count | Number of bytes of data to read |
| rWarningCode | rWarningCode is an output value. If the read cannot be completed during normal operation (non-error), rWarningCode will be set to a warning code. rWarningCode will be set to IFX_W_END_OF_FILE if the read was attempted beyond the end of the file. rWarningCode will be set to IFX_W_DATA_NOT_AVAILABLE if the read attempted beyond the available portion of the file. rWarningCode will be set of IFX_OK if the read is successful. If the read cannot be completed due to an error condition, ReadX will throw an IFXException. |
Implements IFXReadBuffer. |
| void CIFXInternetReadBufferX::ReadX |
( |
U8 * |
pBytes, |
|
|
U64 |
position, |
|
|
U32 |
count, |
|
|
IFXRESULT & |
rWarningCode |
|
) |
[virtual] |
|
|
|
ReadX will copy "uCount" bytes into the memory pointed to by "pBytes" from an input buffer starting at "uPosition.".
- Parameters:
-
| pBytes | Memory location where the bytes are to be copied |
| uPosition | Position within the input buffer to start the read |
| uCount | Number of bytes of data to read |
| rWarningCode | rWarningCode is an output value. If the read cannot be completed during normal operation (non-error), rWarningCode will be set to a warning code. rWarningCode will be set to IFX_W_END_OF_FILE if the read was attempted beyond the end of the file. rWarningCode will be set to IFX_W_DATA_NOT_AVAILABLE if the read attempted beyond the available portion of the file. rWarningCode will be set of IFX_OK if the read is successful. If the read cannot be completed due to an error condition, ReadX will throw an IFXException. |
Implements IFXReadBufferX. |
| U32 CIFXInternetReadBufferX::Release |
( |
void |
|
) |
[virtual] |
|
|
|
This method decrements the reference count for the calling interface on a component.
- Note:
- If the reference count on a component falls to zero, the component is destroyed.
- Returns:
- It returns a U32 that contains a value from 1 to 2^32 - 1 that defines the new reference count. The return value should only be used for debugging purposes.
Implements IFXUnknown. |
| IFXRESULT CIFXInternetReadBufferX::SetConnectTimeout |
( |
const U32 |
connectTimeout |
) |
[virtual] |
|
| IFXRESULT CIFXInternetReadBufferX::SetReceiveTimeout |
( |
const U32 |
receiveTimeout |
) |
[virtual] |
|
|
|
Sets a value that contains the time-out value, in milliseconds, to receive a response to a request.
If the response takes longer than this time-out value, the request is canceled.
Implements IFXInet. |
| IFXRESULT CIFXInternetReadBufferX::SetSendTimeout |
( |
const U32 |
sendTimeout |
) |
[virtual] |
|
|
|
Sets a value that contains the time-out value to send a request.
Units are in milliseconds. If the send takes longer than this time-out value, the send is canceled.
Implements IFXInet. |
Friends And Related Function Documentation
| IFXRESULT IFXAPI_CALLTYPE CIFXInternetReadBufferX_Factory |
( |
IFXREFIID |
interfaceId, |
|
|
void ** |
ppInterface |
|
) |
[friend] |
|
Member Data Documentation
© 1999 - 2006 Intel Corporation. All rights reserved.
* Other names and brands may be claimed as the property of others.
|
|


Hi [NAME],
Thank you for requesting the Everything You Want To Know About Ayahuasca information pack. We have put together this guide based on thousands of ceremonies. We hope you find it interesting and above all, useful.
Download your ayahuasca info pack
In the pack, you will learn about the following:
-
What is Ayahuasca? – discover how this plant, known as the vine of the soul, can provide healing, clarity, light and love in your life.
-
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-
Is this plant medicine safe? – how, where and when should you take Ayahuasca to ensure a positive and beneficial experience?
-
The visions and learnings – what types of visions and feelings are you likely to experience while under the influence of this healing plant?
-
What happens at an Ayahuasca ceremony? – gain insight into how shamans guide your soul on Ayahuasca using ancient techniques.
Peace & Blessings,
Gerry Powell
CEO, Rythmia Life Advancement Center
+1<PHONE_NUMBER>


BREAKING THE WAVES A film review by Steve Rhodes Copyright 1996 Steve Rhodes
I saw this Cannes Grand Jury Prize winner at the press screening. I know of two people in the movie industry that claim it is the best film they have seen this year. It has already opened in Europe and is just now starting to open around the United States. Locally in the San Jose area, it will be coming to the Camera Three this Wednesday, November 20, and they actually moved up the opening date because of all the positive buzz in the press.
BREAKING THE WAVES A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): ***
"I thank you for the greatest gift of all - love. I thank you for Jan (pronounced Yah'n)" says newlywed Bess McNeill (Emily Watson) to her God. Bess lives on the desolate Isle of Skye in Scotland, and she is a member of a very strict Calvinist church. Thus begins a tragic story of faith and love by Danish director Lars Von Trier.
Trier's first English language film and his first love story is BREAKING THE WAVES. Trier is an intense director whom you may remember from his film EUROPA. People in Denmark will remember him for his 1994 TV miniseries "The Kingdom" since as the press kit said, the streets were empty when it was playing. It was the hottest show ever on Danish television.
I could not set up the film better than the quote from actor Stellan Skarsgaard (THE HUNT FOR RED OCTOBER) who plays Bess's outsider husband Jan. He said of the film that "it's melodrama's answer to INDIANA JONES AND THE LAST CRUSADE because the emotions are constantly given free rein." The epic length and the risk taking emotional scenes by Emily Watson got the film the Grand Jury Prize this year at the Cannes Film Festival.
"We do not need bells in our church to worship God," says The Minister (Jonathan Hackett). This is a church that views seriousness and rules as a virtue and frivolity and fun as a sin. "I would say to you that if there is one of these commandments you do not love and do not obey, you have no business at the Lord's table," preaches The Minister. When the men (women are not allowed) bury people they can and do pronounce, "for your sins you are confined to hell," so the sermons are taken quite literally by the congregation. The church elders rule the community and are not to be taken lightly. Bess loves her god and her church and strives to be faithful to them both. Many scenes have her in the church alone with her angry God talking back to her through her voice.
The acting is incredibly beautifully all around, but none is in the same league as that of first time screen actress Watson. Her naivete, her mother (Sandra Voe) calls her "a feeble girl," places her in incredibly vulnerable situations. Through her innocence she goes from intense physical and emotional love down to the depths of depravity and insanity. Through it she has incredible faith in her husband and her God, but it is this very faith that becomes her undoing.
As the show starts, the sex is so intense and frequent, I began to wonder if this was going to be a low budget and more realistic NINE 1/2 WEEKS. Until Jan has to go back for another long stint on the oil drilling rig, they are one of the most joyous young couples you are likely to meet. Of the many scenes of special beauty, my favorite was when virginal Bess sees her husband naked for the first time. Looking on a his male nudity puts her into a state of giggles. The human body is kind of funny when you think about it.
Bess becomes so obsessively attached to her husband, that she confesses to him, "everyone says I love you too much." This part of the film is full of simple pleasures and reminds you of all the inherent beauty in the world.
The picture is filmed in sepia by Jean Paul Meurice and Robby Mueller. They use a handheld camera so that the actors can walk all around the set without being confined to playing just in from of the camera. This sounds better than it turns out. Sometimes I thought the title referred to the waves on the screen, and I felt as if I was going to get seasick. My home videos are more stable, and with only a single camera, it was pan here and then pan there resulting in many a sequence being out of focus. At any rate, the sepia color was an effective choice. Before each chapter they have a computer enhanced full color video clip that is reminiscent of a Bierstadt landscape painting. An interesting juxtaposition.
In sharp contrast to the bleak outdoor openness, the drilling rig is a happy, but claustrophobic place to work. The job's physical endurance makes the environment dangerous. As shown in the trailers, Jan is paralyzed in an accident. The scene where Bess gets her friend and nurse Dodo McNeill (excellent actress Katrin Cartlidge from BEFORE THE RAIN and NAKED) to knell down and pray with her outside the operating room will elicit tears in even the toughest movie goers. If you do not empathize with poor Bess throughout the film, then you probably need to have your emotions checked at your next physical. Watson's performance is Oscar quality throughout.
The script by Peter Asmussen, David Pirie, and Lars Von Trier and the direction have such a naturalness that it feels less like a movie that a home video of someone's life. Bess becomes all the shy and innocent women that you have ever known. When Jan is hurt, Bess's brain begins to snap as she explains, "what happened on the rig was my fault. I prayed to God to send him home."
When he regains consciousness, Jan places a single demand on Bess that sends her over the edge trying to fulfill it. I will not give this key plot twist away even if the trailer does. Jan's command is the subject of the entire last half of the film. The very last scene of the picture is something special and not one you will guess so hang in there even if you think your bladder is going to burst.
There is not a bad performance in the show. Besides the actors already mentioned, Jean-Marc Barr plays Jan's friend Terry, Adrian Rawlins plays young and handsome Dr. Richardson, and Udo Kier is a sadistic sailor.
The film was way too long and the camera work drove me crazy, but Emily Watson's performance and her childlike acceptance of faith was something it would be an absolute shame to miss. A brilliant if somewhat flawed picture.
BREAKING THE WAVES runs 2:38. The film is rated R for explicit sex, full male and female frontal nudity, some profanities, one drug usage scene, and some violence. Teenagers should be mature to be able to go. I recommend this touching picture to you and award it ***.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: November 18, 1996
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Patient Health Questionnaire (PHQ-9)
|
|
Over the last two weeks, how often have you been bothered by any of the following problems?
|
|
Little interest or pleasure in doing things?
|
|
Feeling down, depressed, or hopeless?
|
|
|
Trouble falling or staying asleep, or sleeping too much?
|
|
Feeling tired or having little energy?
|
|
|
Poor appetite or overeating?
|
|
Feeling bad about yourself - or that you are a failure or have let yourself or your family down?
|
|
|
Trouble concentrating on things, such as reading the newspaper or watching television?
|
|
Moving or speaking so slowly that other people could have noticed?
|
|
|
Or the opposite - being so fidgety or restless that you have been moving around a lot more than usual?
|
|
Thoughts that you would be better off dead, or of hurting yourself in some way?
|
|
|
|
|
Depression Severity: 0-4 none, 5-9 mild, 10-14 moderate, 15-19 moderately severe, 20-27 severe.
|


Press in the following input the hotkey (letter plus modifier) you'd like to use.
You can't use a combination that is already used by Chrome
Example : ctrl-k, cmd+j, alt-k or even just a letter.
Tabswitcher is still under development, please report bugs or features requests on the bug tracker, thanks.


|
S2OPC OPCUA Toolkit
|
The PKIProvider object defines the common interface for the Public Key Infrastructure. More...
#include <sopc_pki.h>
Data Fields | |
| const SOPC_PKIProvider_Free_Func | pFnFree |
| The free function, called upon generic SOPC_PKIProvider destruction. More... | |
| const SOPC_FnValidateCertificate | pFnValidateCertificate |
| The validation function, which is wrapped by SOPC_CryptoProvider_Certificate_Validate(). More... | |
| void * | pTrustedIssuerRootsList |
| Placeholder for CAs of trusted issuer roots (only roots, not links). More... | |
| void * | pTrustedIssuerLinksList |
| Placeholder for CAs of trusted issuers links (between a certificate to validate and a root). More... | |
| void * | pUntrustedIssuerRootsList |
| Placeholder for CAs of untrusted issuer roots (CAs used to validate issued certififcates, only roots). More... | |
| void * | pUntrustedIssuerLinksList |
| Placeholder for CAs of untrusted issuers links (between a certificate to validate and a root). More... | |
| void * | pIssuedCertsList |
| Placeholder for issued certificates that are trusted on a one by one basis. More... | |
| void * | pCertRevocList |
| PKI implementations can use this placeholder to store handles to certificate revocation list(s). More... | |
| void * | pUserData |
| PKI implementations can use this placeholder to store more specific data. More... | |
The PKIProvider object defines the common interface for the Public Key Infrastructure.
| void* SOPC_PKIProvider::pCertRevocList |
PKI implementations can use this placeholder to store handles to certificate revocation list(s).
| const SOPC_PKIProvider_Free_Func SOPC_PKIProvider::pFnFree |
The free function, called upon generic SOPC_PKIProvider destruction.
| const SOPC_FnValidateCertificate SOPC_PKIProvider::pFnValidateCertificate |
The validation function, which is wrapped by SOPC_CryptoProvider_Certificate_Validate().
It implements the validation of the certificate. The SOPC_CryptoProvider_Certificate_Validate() assumes that a SOPC_STATUS_OK from this function means that the certificate can be trusted. Parameters are validated by SOPC_CryptoProvider_Certificate_Validate().
| pPKI | A valid pointer to the PKIProvider. |
| pToValidate | A valid pointer to the Certificate to validate. |
| void* SOPC_PKIProvider::pIssuedCertsList |
Placeholder for issued certificates that are trusted on a one by one basis.
| void* SOPC_PKIProvider::pTrustedIssuerLinksList |
Placeholder for CAs of trusted issuers links (between a certificate to validate and a root).
| void* SOPC_PKIProvider::pTrustedIssuerRootsList |
Placeholder for CAs of trusted issuer roots (only roots, not links).
| void* SOPC_PKIProvider::pUntrustedIssuerLinksList |
Placeholder for CAs of untrusted issuers links (between a certificate to validate and a root).
| void* SOPC_PKIProvider::pUntrustedIssuerRootsList |
Placeholder for CAs of untrusted issuer roots (CAs used to validate issued certififcates, only roots).
| void* SOPC_PKIProvider::pUserData |
PKI implementations can use this placeholder to store more specific data.


When & Where
SRCCON 2019 takes place July 11 & 12 at the McNamara Alumni Center on the University of Minnesota campus in Minneapolis. SRCCON attendees tend to arrive on Wednesday and leave Friday evening or Saturday, depending on how the flight times work out.
Learn more about how our program comes together, and see what we have in store on the official schedule for SRCCON 2019!
Venue and hotel directions
The conference hotel this year is the Courtyard Minneapolis Downtown, which is right near a stop on the light rail for easy travel from the airport and to the venue.

- Transit the light rail Green Line, stops about 100 ft from the hotel front door at West Bank Station and drops off about a 5 minute walk from McNamara at Stadium Village Station on the other side. This is a 2-minute ride, with 5 minutes of walking, and the train comes every 10 minutes.
- University Circulator Shuttle this bus is free and open to the public. It picks up about a block from the hotel at Mondale Hall and drops off at McNamara. It runs every 15 minutes from 7am-9:30pm.
- Walking the walk is just about half an hour, as outlined in Google Maps. The descriptive version is: Exit the hotel and head east on S Washington Ave which will turn into S 2nd Street as you pass 19th Ave. In about 150ft, just before the parking lot, you’ll turn right onto the sidewalk path, cutting through campus. Continue on the sidewalk east/southeast, around the University of MN Law School Building, until you see the Washington Ave Bridge. There is a walking/biking side of this bridge, and you’ll use this to head across the river to the East Bank campus. After exiting the bridge, continue east on Washington Ave for 1/4 of a mile. McNamara Alumni Center will be on your left, between Walnut and Oak.
Lodging
The block of rooms at this year’s conference hotel has sold out! The conference hotel this year is the Courtyard Minneapolis Downtown.
If you’re still looking for hotel options, other hotels not far from the conference venue include:
Graduate Minneapolis
.2 miles away
615 Washington Ave SE
Minneapolis, MN 55414
612-379-8888
Days Hotel
.3 miles away
2407 University Ave SE
Minneapolis, MN 55414
(612) 623-3999
DoubleTree by Hilton Minneapolis - University Area
.5 miles away
511 Huron Boulevard SE
Minneapolis, MN, 55414
(612) 504-3000
University Inn
1 mile away
925 4th Street SE
Minneapolis, MN 55414
(612) 746-1300
Aloft Minneapolis Hotel
3 miles away
900 Washington Avenue South
Minneapolis, MN 55415
(612) 455-8400
Room share
Have a room and looking for a roommate? Don’t have a room and looking for someone who does? Add your info to the room share list.
Childcare
We offer free, on-site childcare throughout the full SRCCON schedule (including Thursday evening) at the conference hotel the Courtyard Minneapolis Downtown. The caregivers act as employees of KiddieCorp (not contractors) and are recruited from local licensed daycare centers, elementary schools, preschools, and collegiate departments of early childhood education. Learn more about our free childcare now.
Transit
The Minneapolis METRO system is an easy way to get around the city. You can ride light rail from the airport to the conference venue for $2: Follow the light rail signs to the airport tram, which will take you right to the light rail station. Take the northbound (“Downtown Minneapolis”) Blue Line to the U.S. Bank Stadium station, then cross to the other track to transfer to the eastbound Green Line. Take the Green Line two stops to East Bank. The McNamara Alumni Center conference venue is a block past The Graduate hotel, on SE Oak Street.
You can also use transit to get to the conference hotel, the light rail Green Line stops about 100 ft from the hotel front door at West Bank Station. To get to the hotel from the stop, go up the stairs or take the elevator. Then, walk to your right to the intersection of 19th Avenue and S. Washington Avenue. Take a left down Washington Avenue, and the Courtyard will be ahead of you on the right. It’s a round building.
Accessibility
The McNamara Alumni Center is handicap-accessible, with accessible entrances and wide spaces for navigation throughout the venue. All entrances to the building are on the ground floor, and don’t require stairs. 90% of the SRCCON meeting rooms are on the ground level, and there are 2 elevators for access to the 2nd and 5th floor session rooms. There are ADA compliant bathrooms on each floor that SRCCON is using.
If there’s additional information about the venue or schedule that would be helpful or accommodations that would aid you in getting the most out of SRCCON, just let us know.
Parking
Transit in Minneapolis is great, but if you’ll be driving, there’s a lot right near the McNamara Alumni Center. Parking is $12/day.
Food, Evenings, and More
We want you to be happy and well-fed at SRCCON, so we provide lots of snacks and lunch on both days, as well as a delicious dinner Thursday night. We’ll also have tea, coffee, and snacks—healthy and sugary—throughout the day, so stick around and enjoy the company of your fellow attendees.
We’ll have a slate of activities on Thursday evening, and you can learn more about the many ways to participate in SRCCON, before, during, and after the event!


CS2 is the second reincarnation of the modded Cestaberous 1.7.10 server. It is an invite
only accessable server. The mods used on the server are not a modpack available for public
use. The updates are available only for registered server users. If you are a registered server
user, you can use the links below to login to the downloads page to get the latest server update.
If you want to register to be considered to join the server, click the link below to fill out the form
and we will review it and get back to you. For a list of mods on the server, click below.
coming soon
Once about every 2 months, we load up a custom map or mod set and play with it for a week to try it out. At the moment, we are currently not doing one, but the next planned one will be:


Multiple pendula
Start!
Restart
Derivation
The derivation of the equation of motion for this system can be found
here
.


| Coin of the Realm | Treasure -- Reserve | $2 | Worth $1 When you play this, put it on your Tavern mat. ---------- Directly after you finish playing an Action card, you may call this, for +2 Actions. |
| Page | Action -- Traveller | $2 | +1 Card +1 Action ---------- When you discard this from play, you may exchange it for a Treasure Hunter. |
| Peasant | Action -- Traveller | $2 | +1 Buy +$1 ---------- When you discard this from play, you may exchange it for a Soldier. |
| Ratcatcher | Action -- Reserve | $2 | +1 Card +1 Action Put this on your Tavern mat. ---------- At the start of your turn, you may call this, to trash a card from your hand. |
| Raze | Action | $2 | +1 Action Trash this or a card from your hand. Look at one card from your deck per $1 the trashed card costs. Put one of them into your hand and discard the rest. |
| Amulet | Action -- Duration | $3 | Now and at the start of your next turn, choose one: +$1; or trash a card from your hand; or gain a Silver. |
| Caravan Guard | Action -- Duration -- Reaction | $3 | +1 Card +1 Action At the start of your next turn, +$1. ---------- When another player plays an Attack card, you may first play this from your hand. (+1 Action has no effect if it's not your turn.) |
| Dungeon | Action -- Duration | $3 | +1 Action Now and at the start of your next turn: +2 Cards, then discard 2 cards |
| Gear | Action -- Duration | $3 | +2 Cards Set aside up to 2 cards from your hand face down (under this). At the start of your next turn, put them into your hand. |
| Guide | Action -- Reserve | $3 | +1 Card +1 Action Put this on your Tavern mat. ---------- At the start of your turn, you may call this, to discard your hand and draw 5 cards. |
| Duplicate | Action -- Reserve | $4 | Put this on your Tavern mat. ---------- When you gain a card costing up to $6, you may call this, to gain a copy of that card. |
| Magpie | Action | $4 | +1 Card +1 Action Reveal the top card of your deck. If it's a Treasure, put it into your hand. If it's an Action or Victory card, gain a Magpie. |
| Messenger | Action | $4 | +1 Buy +$2 You may put your deck into your discard pile. ---------- When this is your first buy in a turn, gain a card costing up to $4, and each other player gains a copy of it. |
| Miser | Action | $4 | Choose one: Put a Copper from your hand onto your Tavern mat; or +$1 per Copper on your Tavern mat. |
| Port | Action | $4 | +1 Card +2 Actions ---------- When you buy this, gain another Port. |
| Ranger | Action | $4 | +1 Buy Turn your Journey token over (it starts face up). Then if it's face up, +5 Cards. |
| Transmogrify | Action -- Reserve | $4 | +1 Action Put this on your Tavern mat. ---------- At the start of your turn, you may call this, to trash a card from your hand, and gain a card costing up to $1 more than it into your hand. |
| Artificer | Action | $5 | +1 Card +1 Action +$1 Discard any number of cards. You may gain a card costing exactly $1 per card discarded, onto your deck. |
| Bridge Troll | Action -- Attack -- Duration | $5 | Each other player takes their -$1 token. Now and at the start of your next turn: +1 Buy. ---------- While this is in play, cards cost $1 less on your turns, but not less than $0. |
| Distant Lands | Action -- Reserve -- Victory | $5 | Put this on your Tavern mat. ---------- Worth 4VP if on your Tavern mat at the end of the game (otherwise worth 0VP). |
| Giant | Action -- Attack | $5 | Turn your Journey token over (it starts face up). Then if it's face down, +$1. If it's face up, +$5, and each other player reveals the top card of their deck, trashes it if it costs from $3 to $6, and otherwise discards it and gains a Curse. |
| Haunted Woods | Action -- Attack -- Duration | $5 | Until your next turn, when any other player buys a card, they put their hand onto their deck in any order. At the start of your next turn, +3 Cards. |
| Lost City | Action | $5 | +2 Cards +2 Actions ---------- When you gain this, each other player draws a card. |
| Relic | Treasure -- Attack | $5 | Worth $2 When you play this, each other player puts their -1 Card token on their deck. |
| Royal Carriage | Action -- Reserve | $5 | +1 Action Put this on your Tavern mat. ---------- Directly after you finish playing an Action card, if it's still in play, you may call this, to replay that Action. |
| Storyteller | Action -- Reserve | $5 | +1 Action +$1 Play up to 3 Treasures from your hand. Then pay all of your $ (including the $1 from this) and draw a card per $1 you paid. |
| Swamp Hag | Action -- Attack -- Duration | $5 | Until your next turn, when any other player buys a card, they gain a Curse. At the start of your next turn, +$3. |
| Treasure Trove | Treasure | $5 | Worth $2 When you play this, gain a Gold and a Copper. |
| Wine Merchant | Action -- Reserve | $5 | +$4 +1 Buy Put this on your Tavern mat. ---------- At the end of your Buy phase, if you have at least $2 unspent, you may discard this from your Tavern mat. |
| Hireling | Action -- Duration | $6 | At the start of each of your turns for the rest of the game: +1 Card. (This stays in play.) |
| Alms | Event | $0 | Once per turn: If you have no Treasures in play, gain a card costing up to $4. |
| Borrow | Event | $0 | Once per turn: +1 Buy. If your -1 Card token isn't on your deck, put it there and +$1. |
| Quest | Event | $0 | You may discard an Attack, two Curses, or six cards. If you do, gain a Gold. |
| Save | Event | $1 | Once per turn: +1 Buy. Set aside a card from your hand, and put it into your hand at end of turn (after drawing). |
| Scouting Party | Event | $2 | +1 Buy Look at the top 5 cards of your deck. Discard 3 and put the rest back in any order. |
| Travelling Fair | Event | $2 | +2 Buys When you gain a card this turn, you may put it onto your deck. |
| Bonfire | Event | $3 | Trash up to 2 cards you have in play. |
| Expedition | Event | $3 | Draw 2 extra cards for your next hand. |
| Ferry | Event | $3 | Move your -$2 cost token to an Action Supply pile. (Cards from that pile cost $2 less on your turns, but not less than $0.) |
| Plan | Event | $3 | Move your Trashing token to an Action Supply pile (when you buy a card from that pile, you may trash a card from your hand.) |
| Mission | Event | $4 | Once per turn: If the previous turn wasn't yours, take another turn after this one, during which you can't buy cards. |
| Pilgrimage | Event | $4 | Once per turn: Turn your Journey token over (it starts face up); then if it's face up, choose up to 3 differently named cards you have in play and gain a copy of each. |
| Ball | Event | $5 | Take your -$1 token. Gain 2 cards each costing up to $4. |
| Raid | Event | $5 | Gain a Silver per Silver you have in play. Each other player puts their -1 Card token on their deck. |
| Seaway | Event | $5 | Gain an Action card costing up to $4. Move your +1 Buy token to its pile. (When you play a card from that pile, you first get +1 Buy.) |
| Trade | Event | $5 | Trash up to 2 cards from your hand. Gain a Silver per card you trashed. |
| Lost Arts | Event | $6 | Move your +1 Action token to an Action Supply pile. (When you play a card from that pile, you first get +1 Action.) |
| Training | Event | $6 | Move your +$1 token to an Action Supply pile. (When you play a card from that pile, you first get +$1.) |
| Inheritance | Event | $7 | Once per game: Set aside a non-Victory Action card from the Supply costing up to $4. Move your Estate token to it. (Your Estates gain the abilities and types of that card.) |
| Pathfinding | Event | $8 | Move your +1 Card token to an Action Supply pile. (When you play a card from that pile, you first get +1 Card.) |
| Treasure Hunter | Action -- Traveller | $3* | +1 Action +$1 Gain a Silver per card the player to your right gained on their last turn. ---------- When you discard this from play, you may exchange it for a Warrior. (This is not in the Supply.) |
| Warrior | Action -- Attack -- Traveller | $4* | +2 Cards For each Traveller you have in play (including this), each other player discards the top card of their deck and trashes it if it costs $3 or $4. ---------- When you discard this from play, you may exchange it for a Hero. (This is not in the Supply.) |
| Hero | Action -- Traveller | $5* | +$2 Gain a Treasure. ---------- When you discard this from play, you may exchange it for a Champion. (This is not in the Supply.) |
| Champion | Action -- Duration | $6* | +1 Action For the rest of the game, when another player plays an Attack, it doesn't affect you, and when you play an Action, +1 Action. (This stays in play. This is not in the Supply.) |
| Soldier | Action -- Attack -- Traveller | $3* | +$2 +$1 per other Attack you have in play. Each other player with 4 or more cards in hand discards a card. ---------- When you discard this from play, you may exchange it for a Fugitive. (This is not in the Supply.) |
| Fugitive | Action -- Traveller | $4* | +2 Cards +1 Action Discard a card. ---------- When you discard this from play, you may exchange it for a Disciple. (This is not in the Supply.) |
| Disciple | Action -- Traveller | $5* | You may play an Action card from your hand twice. Gain a copy of it. ---------- When you discard this from play, you may exchange it for a Teacher. (This is not in the Supply.) |
| Teacher | Action -- Reserve | $6* | Put this on your Tavern mat. ---------- At the start of your turn, you may call this, to move your +1 Card, +1 Action, +1 Buy, or +$1 token to an Action Supply pile you have no tokens on. (When you play a card from that pile, you first get that bonus.) (This is not in the Supply.) |


Single Line Text design
Field Settings
Language: English
Label
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Description
Font
serif
Size
9
10
11
12
13
14
15
16
17
18
20
22
24
28
32
Bold
Italic
Underline
Value
Required
any character
alphanumeric only
letters or punctuation only
letters only
Colors
Text
Background
Label
Value
Description
Form 1
*
Single Line Text
This is a form hint.


byobu-select-session(1) byobu byobu-select-session(1) NAME byobu-select-session - select and connect to a byobu session DESCRIPTION byobu-select-session is an application that lists the available screen sessions running on the system, and prompts the user to select one. The user also has the option to create a new Byobu session, or launch the default shell without Byobu. If an invalid selection is chosen 3 times in a row, the user is connected to the youngest session. By default, if only one session exists, the user is connected to that session, and if no sessions exist, a new session is created -- such that there is no interactive prompt in the normal behavior. However, some users may choose to always be prompted, by touching the file $BYOBU_CON‐ FIG_DIR/.always-select. Note that BYOBU_CONFIG_DIR=$HOME/.byobu. Named sessions that begin with a "." are "hidden" from byobu-select-ses‐ sion(1). This is useful, for instance, if you do not want a session to be automatically selected at login. Example: byobu -S .hidden FILES $BYOBU_CONFIG_DIR/.always-select SEE ALSO byobu(1), screen(1) http://launchpad.net/byobu AUTHOR This manpage and the utility were written by Dustin Kirkland <kirk‐<EMAIL_ADDRESS>for Ubuntu systems (but may be used by others). Permis‐ sion is granted to copy, distribute and/or modify this document and the utility under the terms of the GNU General Public License, Version 3 pub‐ lished by the Free Software Foundation. The complete text of the GNU General Public License can be found in /usr/share/common-licenses/GPL on Debian/Ubuntu systems, or in /usr/share/doc/fedora-release-*/GPL on Fedora systems, or on the web at http://www.gnu.org/licenses/gpl.txt. byobu 12 Jan 2010 byobu-select-session(1)


--- layout: minimal ---
{{ page.date | date_to_string }}
Comments or errors? Fork post and do a pull request on github


Get Started
The implementation details (such as motivation,
main modules, future roadmap) are discussed in the
‘Info-Pusher’ document.
The ‘SqCore Programming Framework’ presentation Google slides explains the building blocks from the developers’ point of view and can be
found here.
User Guide:
There are 3 tools (services) in the MarketDashboard. Click the Tools menu with the Red triangle on the top.


Caring Through Comics
Feinberg's Artist-in-Residence is using comic books to help us think about illness and death in new ways.
By Daniel Fernandez
For five weeks this fall, eight medical school students gathered in a small classroom inside of Northwestern Memorial Hospital. They were there for a seminar called “Drawing Medicine.” It’s intended as an interlude, a break from memorizing the features of organ systems, the intricacies of gene expression and the diagnostic protocols for all manner of maladies.
The instructor for the class, MK Czerwiec, has cropped blond hair, soft blue eyes and the sort of open and warm face that you’d expect of someone who has dedicated her life to taking care of others. Czerwiec is a nurse, and a highly unusual one at that: For almost two decades she’s run a website under the pseudonym the “Comic Nurse,” where she illustrates the twists and turns that accompany health care in America.
This afternoon, Czerwiec asks the students to take a pack of crayons – one of her favorite tools as an artist – and create a four-panel comic. Students have to work collaboratively, and after filling in their first panel, they must trade off and pick up the story where another began. One comic by Dan Im, a second-year Feinberg student, begins with Im standing outside a patient’s door during his first day as an attending physician. In the next panel, Im stumbles over his introduction with his patient and is immediately consumed by nervous doubt. The next panel reads: “WHAT DO I DO / WHAT DO I DO / WHAT DO I DOOOOOO.”
Other comics detail the tedium of waiting for samples to finish in an anatomy lab, what a “good death” might look like and how to advise a patient on improving their diet (“counseling ≠ commanding”, it notes). For students like Im, it’s a way to discuss issues that might not get much traction in their other classes, particularly the anxiety and fear that can so often seem off-limits in the hallowed halls of science.
“Nobody in the class is very good at drawing,” Im says. “But we have a lot of fun – there’s no judgment involved.”
It’s also an exercise in thinking about perspective: How close are the students to a patient when they make a diagnosis? Do they keep their distance or loom overhead? What do they remember about the room they’re working in? Does it seem like a nice place to be?
For Czerwiec, it’s about reminding the students about the details, to help them think about how their perceptions might affect the way they take care of others. In many respects, it’s about attending to the story of the patient and provider, to think about how what they’re learning in the classroom applies to the world at large.
“They don’t practice technical skills on technical objects,” Czerwiec explains after the class. “They’re practicing on people.”
The name for what Czerwiec teaches the students is “graphic medicine.” But it’s something that humans have done for a long time – trying to make sense of the beguiling experience of illness, death and dying.The ancient Egyptians wrote how-to instructions for mummification; Buddhists detailed the cycles of life, death and rebirth in the Book of the Dead. More utilitarian practitioners include the U.S. Army, who created comics that explained the dangers of mosquitos and showed examples of how to effectively treat combat wounds during World War II.
Today, things are a bit different, if only because there’s more interest in graphic medicine than ever before. A few weeks ago, Czerwiec was at ReImagine, a festival in New York that explores questions around life and death, and hosted a pop-up magazine at the New York Public Library. The National Institutes of Health now holds thousands of comics about health and illness. Leading medical journals publish comics from doctors, nurses, and patients in their pages. The New York Times even reviewed a book Czerwiec contributed to last year.
One of Czerwiec’s collaborators is Alex Thomas, an allergist in Chicago. He studied art theory and practice at Northwestern, and today is part of Booster Shot Media, a company that helps educate people about the complexities of health topics through stories. He says graphic medicine is all about awareness.
“Perceptiveness is not something that was ever taught to us as physicians. We’d get feedback if we were doing good or bad on a rotation, but they were never teaching us more empathetic or more understanding,” Thomas says. “And who knows if there’s a more formal way of doing that – but I think that comics can help to encourage that introspection that can lead to greater empathy.”
Educating people on complex topics doesn’t mean making them easy or approachable. It’s on full-display as you read through “Taking Turns,” a comic that chronicles Czerwiec’s time working on Unit 371, Chicago’s first AIDS ward.
In one scene, she’s seated with a patient, Tim, at a restaurant in Chicago, who asks her quite directly: “What’s it like when we die?” Czerwiec tries to answer. She’s tempted to base her answer on her experience working with other patients. But in the end, she elects for something more ambiguous. It depends on what you’re dying from and it depends on where you’re dying, and who is taking care of you and how badly you want to fight.
Okay, the patient says, that makes sense. But how can I know when it’s time to stop? And can you be there to tell me when it’s time to let go?
Czerwiec responds in the affirmative, but she’s also uncertain about how to make sense of his questions – she spends the night driving around trying to make sense of what to say. In the end, Tim does die, and it is not pretty, poignant or graceful. Tim has a horrific panic attack, a nurse administers a dose of Ativan, and he never wakes up, though he stays on a ventilator for 10 days. It’s not the kind of death you wish for someone you care about deeply.
Still, there’s something beautiful about the way Czerwiec explains these events. You might not see the bright colors and bombastic interventions of the superheroes you expect from a comic, but the visuals are an emollient for difficult conversations, the sort of discussions that we might not like to have in our day-to-day lives. It’s not safe or uplifting, but it is very, painfully real.
“We’re all patients and there’s always danger,” Czerwiec says. “But comics are safe ... They are great at destigmatizing stigmatized things.”


{% extends "base.html" %} {% block title %}Add show{% endblock %} {% block container %}
For shows that you haven't downloaded yet, this option finds a show on theTVDB.com, creates a directory for its episodes, and adds it to snor.
Use this option to add shows that already have a folder created on your hard drive. Snor will scan your existing metadata/episodes and add the show accordingly.


where do i find the effects per level of bard song so i know wha the figurative sweet spot for it is i cant even find the plus' gained per song "upgrade" so if someone could post it for me many thanks
http://nwn.wikia.com/wiki/Bard_Song
cool but whats the sweet spot for bard song 30 preform?
Edited By haseo terror of death on 11/05/07 23:35
not quite sure what you are after, as the link shows the benefits gained from the song at 30th level.
What exactly is this sweet spot?
a sweet spot is a point where it doesnt get very much better asfter it so i was looking and lvl 16 30 preform is the sweet spot i think becuase after it the only up is 2 hp yay i think thats it well then
CASE CLOSED
Yes, the 'sweet spot' is generally considered to be the 16th level Song. This isn't so much due to getting little for the higher level Song as it is the prohibitive Perform ranks required for them. If it weren't for the ridiculous Perform rank requirements, taking your Song to level 25 or even 30 would be a no brainer. _________________ It's rogue, dammit, ROGUE!!!
The only other factor you may want to consider is the benefit of a 20th level bard song over that of 16th. Purely because you can take Lasting Inspiration, giving a far longer duration of the song.
The 2 reasons to take more than 16 Bard levels are Lasting Inspiration (as noted above), and more spell castings per day. Spells per day max at 20, and you can take LI at level if it is on a general feat level in Epic. There isn't too much point to taking Bard above level 20 except for skill dumps - you won't be able to get Perform high enough to use the song to full effect unless there are some items that give you large Perform bonuses.


{% extends "home/base.html" %} {% load static %} {% load humanize %} {% block content %}
Photo: MRC Laboratory of Molecular Biology in Cambridge
#} {#The GPCRdb is developed by the Gloriam group.#} {# It integrates data from the large GPCR community and maintains an active collaboration with the#} {# Guide To Pharmacology (IUPHAR), GPCRmd and the European Research Network on Signal#} {# Transduction (ERNEST).#} {# If you use the GPCRdb, please remember to cite us.#} {#
#} {# #} {#


Historical scientists categorize the types of number systems peoples use, much the same way philologists break down languages into "analytic," "agglutinative," "inflectional," etc.
The path that leads to the discovery of "0" lies only in the most advanced type of number system, which is called "positional" because the value of a character depends on its position. Our modern way of counting is positional. The base figure "5" has a different value in 514 and in 145, determined by its position.
The Romans, Greeks, Hebrews (and Aztecs and pre-Islamic Arabs and a great many others) used an "additive" system, which is fundamentally a transcription of counting. A Roman "V" meant "five" and that's all it could mean.
An additive system can develop into a positional one -- the abacus has a tendency to suggest the positional model -- but as far as we know, the positional concept has emerged in only four places: c.2000 B.C.E., in Babylon; around the start of the Common Era, in China; between the 4th and 9th centuries C.E. among the Mayan astronomer-priests; and in India.
Positional systems have certain features in common. One is that each base number is denoted by a discrete symbol, purely conventional and not a graphic representation of the number itself (i.e., not "four slashes" for "four," as the Greeks and Romans had). Imagine the scribal confusion if the Romans had tried to use positional mathematics with their numbering system: "423" would be IIII II III, while "342" would be III IIII II.
Another feature of positional number systems is that they lack special symbols for numbers which are orders of magnitude of the base number. Romans had a symbol for "10," and a separate symbol for "100" (10 x 10) and another for "1,000" (10 x 100) and so on. This is necessary in an additive system, for simplicity of notation and record-keeping, but it is incompatible with a positional system.
But think about the positional system.  For a Roman, that's no problem: MMII. But in a positional system, you have to find a way to indicate the absence of "tens" and "hundreds." You could leave a gap (the Babylonians did this at first), but that opens the door to more scribal errors, and anyway how do you indicate two gaps, as in 2,002?
It becomes necessary to have a "zero," a character that signifies "empty." Maybe not necessary, because the brilliant Chinese mathematicians somehow managed to run a positional system without making this discovery. The Babylonians (eventually), the Indians, and the Mayans did discover it, however.
But the next step, the true miracle moment, is to realize that that "symbol for nothing" that you're using is not just a place-holder, but an actual number: that "empty" and "nothing" are one. The null number is as real as "5" and "2,002" -- that's when the door blows open and the light blazes forth and numbers come alive. Without that, there's no modern mathematics, no algebra, no modern science.
And as far as we know, that has only happened once in human history, somewhere in India, in the intellectual flowering under the Gupta Dynasty, about the 6th century C.E. There was no "miracle moment," of course. It was a long, slow process.
The daunting realization, for heirs of "Western Civilization," is that the Greek and Roman cultures we revere were benighted mathematically, plodding along in the most primitive of number systems. But as champions of these cultures point out, we can admire their accomplishments all the more for that.
Some authorities, however, put up strong resistance to the theory of the Indian origin of modern mathematics. At first, they were mired in the same religion-based worldview that denied the Indo-European linguistic link: the number system simply had to be Hebrew in origin, because nothing else would comport with the Bible (so they thought). Later, however, resistance took refuge in unwillingness to concede cultural superiority to non-Western civilizations.
It does seem to be a glaring omission in the "Greek miracle." Historical scientists in the early part of the 20th century (such as G.R. Kaye, N. Bubnov, B. Carra de Vaux, etc.) argued strongly against an Indian origin, insisting the numbers evolved in ancient Greece, perhaps among neo-Pythagoreans, were taken to Alexandria, and from there spread to Rome and Spain in the west (from whence medieval Europe rediscovered them), and, via trade routes, to India in the east.
Among the many problems with this idea is the utter lack of documentary evidence for anything like a positional number system in Greece or Rome, and its requirement that we believe ancient people had made this wonderful practical discovery, yet did not put it to any use.
Speculation about a Greek origin of the ten "Arabic numerals" goes back to the 16th century in Europe. But before that, there are many sources in Europe and the pre-Islamic Levant that frankly attribute them to India. The earliest depiction of them in English, "The Crafte of Nombrynge" (c.1350), correctly identifies them as "teen figurys of Inde."
The Arabic sources, from the earliest times, refer to them as arqam al hind -- "figures from India" -- or some such name. The Muslims of that day, generally contemptuous of non-Islamic culture, had no problem conceding the invention of this number system to India.


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Deuteronomy 24:17
Thou shalt not pervert the judgment of the stranger, nor of the fatherless; nor take a widow's raiment to pledge:


When running Jenkins behind an HTTPS proxy, everything said under JenkinsBehindProxy applies.
In addition, there are several more issues (to be explained better):
- Native git still requires a proper Java configuration which is counter-intuitive
- Vice versa ...
- Proxy authentication credentials
- Non-proxy hosts (when combining internal and external repositories)
- No plugin?
Some of the current behaviour may need reporting as a bug in Git client plugin.
To be able to access Github, It looks like one needs an environment variable:
https_proxy=http://NTDOMAIN\\user:password@some.proxy.net:1234/
Where is that read?
Does that have to be in addition to -Dhttps.... ?


ineqpy.inequality¶
Analysis of inequality.
This package provide an easy way to realize a quantitative analysis of grouped, also make easy work with stratified data, in this module you can find statistics and grouped indicators to this task.
Todo
- Rethinking this module as Class.
- https://en.wikipedia.org/wiki/Income_inequality_metrics
Functions
atkinson (income[, weights, data, e]) |
More precisely labelled a family of income grouped measures, the theoretical range of Atkinson values is 0 to 1, with 0 being a state of equal distribution. |
avg_tax_rate (total_tax, total_base[, …]) |
This function compute the average tax rate given a base income and a total tax. |
concentration (income[, weights, data, sort]) |
This function calculate the concentration index, according to the |
gini (income[, weights, data, sort]) |
The Gini coefficient (sometimes expressed as a Gini ratio or a normalized Gini index) is a measure of statistical dispersion intended to represent the income or wealth distribution of a nation’s residents, and is the most commonly used measure of grouped. |
kakwani (tax, income_pre_tax[, weights, data]) |
The Kakwani (1977) index of tax progressivity is defined as twice the area between the concentration curves for taxes and pre-tax income, or equivalently, the concentration index for t(x) minus the Gini index for x, i.e. |
lorenz (income[, weights, data]) |
In economics, the Lorenz curve is a graphical representation of the distribution of income or of wealth. |
reynolds_smolensky (income_pre_tax, …[, …]) |
The Reynolds-Smolensky (1977) index of the redistributive effect of |
theil (income[, weights, data]) |
The Theil index is a statistic primarily used to measure economic grouped and other economic phenomena. |


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