|
Little Heroes
|
Localization manager is able to parse localization information from text assets. More...
Public Member Functions | |
| delegate byte[] | LoadFunction (string path) |
| delegate void | OnLocalizeNotification () |
Static Public Member Functions | |
| static void | Load (TextAsset asset) |
| Load the specified asset and activate the localization. More... | |
| static void | Set (string languageName, byte[] bytes) |
| Set the localization data directly. More... | |
| static bool | LoadCSV (TextAsset asset, bool merge=false) |
| Load the specified CSV file. More... | |
| static bool | LoadCSV (byte[] bytes, bool merge=false) |
| Load the specified CSV file. More... | |
| static void | Set (string languageName, Dictionary< string, string > dictionary) |
| Load the specified asset and activate the localization. More... | |
| static void | Set (string key, string value) |
| Change or set the localization value for the specified key. More... | |
| static string | Get (string key) |
| Localize the specified value. More... | |
| static string | Format (string key, params object[] parameters) |
| Localize the specified value and format it. More... | |
| static string | Localize (string key) |
| static bool | Exists (string key) |
| Returns whether the specified key is present in the localization dictionary. More... | |
Static Public Attributes | |
| static LoadFunction | loadFunction |
| Want to have Localization loading be custom instead of just Resources.Load? Set this function. More... | |
| static OnLocalizeNotification | onLocalize |
| Notification triggered when the localization data gets changed, such as when changing the language. More... | |
| static bool | localizationHasBeenSet = false |
| Whether the localization dictionary has been loaded. More... | |
Properties | |
| static Dictionary< string, string[]> | dictionary [get, set] |
| Localization dictionary. More... | |
| static string[] | knownLanguages [get] |
| List of loaded languages. More... | |
| static string | language [get, set] |
| Name of the currently active language. More... | |
| static bool | isActive [get] |
Localization manager is able to parse localization information from text assets.
Using it is simple: text = Localization.Get(key), or just add a UILocalize script to your labels. You can switch the language by using Localization.language = "French", for example. This will attempt to load the file called "French.txt" in the Resources folder, or a column "French" from the Localization.csv file in the Resources folder. If going down the TXT language file route, it's expected that the file is full of key = value pairs, like so:
LABEL1 = Hello LABEL2 = Music Info = Localization Example
In the case of the CSV file, the first column should be the "KEY". Other columns should be your localized text values, such as "French" for the first row:
KEY,English,French LABEL1,Hello,Bonjour LABEL2,Music,Musique Info,"Localization Example","Par exemple la localisation"
|
static |
Returns whether the specified key is present in the localization dictionary.
|
static |
Localize the specified value and format it.
|
static |
Localize the specified value.
|
static |
Load the specified asset and activate the localization.
|
static |
Load the specified CSV file.
|
static |
Load the specified CSV file.
| delegate byte [] Localization.LoadFunction | ( | string | path | ) |
|
static |
| delegate void Localization.OnLocalizeNotification | ( | ) |
|
static |
Set the localization data directly.
|
static |
Load the specified asset and activate the localization.
|
static |
Change or set the localization value for the specified key.
Note that this method only supports one fallback language, and should ideally be called from within Localization.onLocalize. To set the multi-language value just modify Localization.dictionary directly.
|
static |
Want to have Localization loading be custom instead of just Resources.Load? Set this function.
|
static |
Whether the localization dictionary has been loaded.
|
static |
Notification triggered when the localization data gets changed, such as when changing the language.
If you want to make modifications to the localization data after it was loaded, this is the place.
|
staticgetset |
Localization dictionary.
Dictionary key is the localization key. Dictionary value is the list of localized values (columns in the CSV file).
|
staticget |
|
staticget |
List of loaded languages.
Available if a single Localization.csv file was used.
|
staticgetset |
Name of the currently active language.


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I look forward to being in contact soon. Have a great rest of your day!
My hope is to stay passionate, help others, and be a light.


There is great satisfaction in building good tools for other people to use
I love building stuff. In the real world, in the virtual world and even in my dreams of other places in the Universe. Currently, part of the Think Tank Team at Samsung Research (I love every bit of it).
I've been into startups in the IoT space(CTO and co-founder HutGrip), into non-for-profit orgs in the space of Education(organizing electronics workshops with kids at HacKIDemia), into a ton of side projects in the fields of AI, ML, Robotics and other fun stuff. Always learning.
Big Thank You to all the people who inspired me and gave me the chance to pursue my dreams!


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Custom Rules
Let's say we want to solve a puzzle that also enforces that the diagonals contain all unique
values. In this case, we can use the standard Puzzle
to store the
data, but we need to add a custom rule. In this example, we'll go through the steps for
implementing and using the
DiagonalUniquenessRule
.
Creating a rule
Constructor
The new rule needs to extend the ISudokuRule
, and we'll
need to have some way of tracking the set of values that are available in each diagonal. For this
we'll use the BitVector
struct, which provides an efficient
set-like struct using the bits of a uint
.
public class DiagonalUniquenessRule : ISudokuRule
{
private readonly IReadOnlyPuzzle _puzzle;
private readonly BitVector _allUnset;
private BitVector _unsetBackwardDiag;
private BitVector _unsetForwardDiag;
public DiagonalUniquenessRule(IReadOnlyPuzzle puzzle, BitVector allUniqueValues)
{
Debug.Assert(puzzle.Size == allUniqueValues.Count,
$"Can't enforce box uniqueness for mismatched puzzle size {puzzle.Size} and number of unique values {allUniqueValues.Count}");
_puzzle = puzzle;
_allUnset = _unsetForwardDiag = _unsetBackwardDiag = allUniqueValues;
// Iterate through the backward diagonal (like a backslash '\')
for (int row = 0, col = 0; row < puzzle.Size; row++, col++)
{
var val = puzzle[row, col];
if (val.HasValue)
{
if (!_unsetBackwardDiag.IsBitSet(val.Value))
{
throw new ArgumentException(
$"Puzzle does not satisfy diagonal uniqueness rule at ({row}, {col}).");
}
_unsetBackwardDiag.UnsetBit(val.Value);
}
}
}
// TODO: Validate the forward diagonal, and update _unsetForwardDiag accordingly.
}
}
GetPossibleValues
Now we need to implement the ISudokuRule.GetPossibleValues
operation, which provides the possible
values for any square according to this rule. You might be wondering, what should we return if the
given coordinate is not on one of the diagonals? In that case, we should return all possible
values! We definitely don't want to return no possible values, because that would make any puzzle
with unset squares off the diagonal impossible.
public BitVector GetPossibleValues(in Coordinate c)
{
if (_IsOnBackwardDiag(in c))
{
return _unsetBackwardDiag;
} else if (_IsOnForwardDiag(in c))
{
return _unsetForwardDiag;
} else
{
return _allUnset;
}
}
private static bool _IsOnBackwardDiag(in Coordinate c)
{
return c.Row == c.Column;
}
private bool _IsOnForwardDiag(in Coordinate c)
{
return c.Column == _puzzle.Size - c.Row - 1;
}
Update
Great, now we need to provide a way for the rule keeper to update this rule. When the rule keeper
wants to set a square's value, it will call ISudokuRule.Update
with the location and new value.
It will also include a CoordinateTracker
, with which
this rule needs to track any coordinates whose possible values have changed.
public void Update(in Coordinate c, int val, CoordinateTracker coordTracker)
{
if (_IsOnBackwardDiag(in c))
{
// Remove this value from the list of possible values.
_unsetBackwardDiag.UnsetBit(val);
_AddUnsetFromBackwardDiag(in c, coordTracker);
}
// TODO: Handle an update that's on the forward diagonal.
}
private void _AddUnsetFromBackwardDiag(in Coordinate c, CoordinateTracker coordTracker)
{
// Iterate along the backward diagonal, tracking the coordinates of any unset squares.
for (int row = 0, col = 0; row < _puzzle.Size; row++, col++)
{
// Make sure to skip the square that is currently being updated! Its value is still unset.
if ((row == c.Row && col == c.Column) || _puzzle[row, col].HasValue)
{
continue;
}
coordTracker.AddOrTrackIfUntracked(new Coordinate(row, col));
}
}
Revert
Ok, now what if that update needs to be reverted, for example if the solver made a wrong guess?
Let's implement the ISudokuRule.Revert
methods. These should both perform roughly the same
changes: reverting the changes made during the Update
method. However, in one we can skip
tracking the affected square's in the CoordinateTracker
.
public void Revert(in Coordinate c, int val)
{
if (_IsOnBackwardDiag(in c))
{
_unsetBackwardDiag.SetBit(val);
}
// TODO: Handle the case when the square is on the forward diagonal
}
public void Revert(in Coordinate c, int val, CoordinateTracker coordTracker)
{
if (_IsOnBackwardDiag(in c))
{
_unsetBackwardDiag.SetBit(val);
_AddUnsetFromBackwardDiag(in c, coordTracker);
}
// TODO: Handle the case when the square is on the forward diagonal
}
CopyWithNewReference
Lastly, we must implement the ISudokuRule.CopyWithNewReference
method to provide a deep copy for
the
Solver.GetStatsForAllSolutions
method and for the PuzzleGenerator
.
public ISudokuRule CopyWithNewReference(IReadOnlyPuzzle puzzle)
{
return new DiagonalUniquenessRule(this, puzzle);
}
private DiagonalUniquenessRule(DiagonalUniquenessRule existing, IReadOnlyPuzzle puzzle)
{
_puzzle = puzzle;
// BitVectors are structs, so they are copied on assignment.
_unsetBackwardDiag = existing._unsetBackwardDiag;
_unsetForwardDiag = existing._unsetForwardDiag;
_allUnset = existing._allUnset;
}
Using the new rule
Now let's assume we have a puzzle
already that we want to solve with this rule. We can solve it
as follows:
var possibleValues = new PossibleValues(puzzle);
var solver = new Solver(
puzzle,
possibleValues,
new DynamicRuleKeeper(
puzzle,
possibleValues,
new List<ISudokuRule>()
{
new StandardRules(puzzle, possibleValues.AllPossible),
new DiagonalUniquenessRule(puzzle, possibleValues.AllPossible),
}));
solver.Solve();
Similarly, we can generate new puzzles that follow this rule as below:
var generator = new PuzzleGenerator<Puzzle>(
() => new Puzzle(/*size=*/16),
puzzle => {
var possibleValues = new PossibleValues(puzzle);
return new Solver(
puzzle,
possibleValues,
new DynamicRuleKeeper(
puzzle,
possibleValues,
new List<ISudokuRule>()
{
new StandardRules(puzzle, possibleValues.AllPossible),
new DiagonalUniquenessRule(puzzle, possibleValues.AllPossible),
}));
});
Remember to include heuristics for the fastest performance!


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Zeyrek¶
Zeyrek is a python morphological analyzer and lemmatizer for Turkish. It is a partial port of the Zemberek-NLP Tools (Morphology) Zeyrek can perform morphological analysis of Turkish text, returning all possible parses for each word, and lemmatize words, returning all possible base (non-inflected) forms of words.
Usage¶
To use Zeyrek, first create an instance of MorphAnalyzer class:
>>> import zeyrek
>>> analyzer = zeyrek.MorphAnalyzer()
Then, you can call its analyze method on words or texts to get all possible analyses:
>>> for parse in analyzer.analyze('benim')[0]:
... print(parse)
Parse(word='benim', lemma='ben', pos='Noun', morphemes=['Noun', 'A3sg', 'P1sg'], formatted='[ben:Noun] ben:Noun+A3sg+im:P1sg')
Parse(word='benim', lemma='ben', pos='Pron', morphemes=['Pron', 'A1sg', 'Gen'], formatted='[ben:Pron,Pers] ben:Pron+A1sg+im:Gen')
Parse(word='benim', lemma='ben', pos='Verb', morphemes=['Noun', 'A3sg', 'Zero', 'Verb', 'Pres', 'A1sg'], formatted='[ben:Noun] ben:Noun+A3sg|Zero→Verb+Pres+im:A1sg')
Parse(word='benim', lemma='ben', pos='Verb', morphemes=['Pron', 'A1sg', 'Zero', 'Verb', 'Pres', 'A1sg'], formatted='[ben:Pron,Pers] ben:Pron+A1sg|Zero→Verb+Pres+im:A1sg')
If you only need the base form of words, or lemmas, you can call lemmatize. It returns a list of tuples, with word itself and a list of possible lemmas:
>>> print(analyzer.lemmatize('benim'))
[('benim', ['ben'])]
User Guide¶
Zeyrek’s morphological analyzer returns instances of Parse object (based on pymorphy2’s Parse), which is a wrapper of namedtuple class.
Parse object fields include:
word: the word itself
lemma: base form of the word, as found in a dictionary
pos: part of speech of the word. Note: Turkish is an agglutinative language, which makes it quite different from widespread European languages. A word can usually be much longer, made of Inflection Groups (IG), which can correspond to words in other languages. Each of these IGs can have its own part of speech, and the part of speech of the word as a whole is determined by the part of speech of the last IG.
morphemes: sequence of morphemes in the word, a list of strings - abbreviations of English names of morphemes.
formatted: a human-readable string representation of the analysis. There are several kinds of possible formats. Default formatter shows the dictionary item and its part of speech, and morphemes (with their surfaces, if available), divided into inflectional groups by | character.
License¶
Licensed under MIT License. Zemberek, from parts of which Zeyrek was ported, is under Apache License, Version 2.0.
Disclaimer¶
This project is in alpha stage, so the API can change.


{% extends "email/email_base.html" %} {% block content %}
You asked to be reminded about summing up your day's meetings in Contact Otter. We find it helpful to take a moment out of the day to log:
Contact Otter is ready when you are to keep your network organized!
Cheers,
The Otters
{% endblock %}


Home
2 User Manual > 2.10 New Languages > 2.10.2 Passes
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@x:Act interpretation consists of four passes.
The @x:Act interpreter calls these four passes in order.
-
The first pass is parsing.
Parsing can be explicitly invoked by calling the Parse.
Parsing is the same for all languages.
These is no way to extend @x:Act syntax.
-
The second pass is processing scopes and name definitions.
It also handles @x:use commands and
handles visible and hidden options.
The third pass is processing name uses.
The second and third passes can be invoked explicitly by calling
the Bind function.
Since name binding is language specific, a language object can be passed to Bind.
-
The fourth pass is execution.
Execution can be explicitly invoked by calling the Exec function.
Since execution is language specific, a language object can be passed to Exec.


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{% extends "_post.html" %}
{% hyde
title: "Peat"
snip: "Peat repeats commands."
created: 2012-11-19 19:00:02
exclude: False
%}
{% block article %}
[Peat][] is a small utility for easily repeating a command when files change.
[Peat]: https://github.com/sjl/peat
{% endblock %}


| ben | Field of WStarC |
| betas | Field of xMNP |
| Build | Method of WStarA |
| cg | Field of WStarA |
| Continuous | Method of WStarC |
| Create | Method of WStarB, WStarC, WStarA |
| D | Field of xMNP |
| data | Field of WStarC |
| dur | Field of WStarC |
| Empval | Method of WStarC |
| eps | Field of WStarC |
| Estimate | Method of xMNP |
| eta | Field of WStarA |
| EUtility | Method of WStarC, WStarA |
| FeasibleActions | Method of WStarC |
| g | Field of WStarA |
| gam | Field of WStarC |
| ghk | Field of xGHKMNP |
| graphit | Method of WStarA |
| identity | Element of enumeration Anonymous enum 1 |
| indY | Field of xMNP |
| J | Field of xMNP |
| Jvals | Field of xMNP |
| lambda | Field of WStarC |
| Layoff | Method of WStarC |
| lk | Field of xMNP |
| lowertriangle | Element of enumeration Anonymous enum 1 |
| m | Field of WStarA |
| namearray | Field of xMNP |
| NN | Field of xMNP |
| Npts | Field of xGQMNP |
| nX | Field of xMNP |
| onlydiag | Element of enumeration Anonymous enum 1 |
| op | Field of WStarC |
| ps | Field of WStarA |
| Run | Method of WStarB, WStarC, WStarA |
| Run | Method of TestGHK |
| Run2 | Method of WStarC |
| RunMLogitTest | Global function |
| RV | Field of WStarA |
| SetD | Method of xMNP |
| sigerr | Field of WStarC |
| sigfree | Field of xGHKMNP |
| SigLT | Field of xGHKMNP |
| SigmaOptions | Element of enumeration Anonymous enum 1 |
| StataMNP | Global function |
| Tben | Field of WStarC |
| TestGHK | Class |
| UEval | Method of WStarC |
| Uz | Method of WStarC, WStarA |
| vfunc | Method of xGQMNP |
| vfunc | Method of xGHKMNP |
| wrk | Field of WStarC |
| WStarA | Class |
| WStarB | Class |
| WStarC | Class |
| X | Field of xMNP |
| xGHKMNP | Class |
| xGHKMNP | Constructor of xGHKMNP |
| xGQMNP | Class |
| xGQMNP | Constructor of xGQMNP |
| xMNP | Class |
| xMNP | Constructor of xMNP |
| Y | Field of xMNP |
| zz | Field of WStarC |


This loads data from the server once button is clicked.
Click here to see the server response directly.
I come from Ghana, and I am really passionate about using software engineering to solve challenging problems that
Download ResumeLorem ipsum dolor sit amet consectetur adipisicing elit. Error dolor numquam, aut ex velit, deserunt saepe, accusantium nostrum voluptates corporis vero enim veritatis eius non libero pariatur inventore quasi. Dolores.
This is a game developed for the android platform that pits a player against a computer. The player tries to guess the number of the computer given some particular hints.
Go check it outI am familiar with the programming languages on the right. My level of proficiency is based on my familiarity with each language and that includes frameworks associated with the language and the number of projects I have built with the language.


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SHATTERED IMAGE (director: Raul Ruiz; screenwriter: Duane Poole; cinematographer: Robby Muller; editor: Michael Duthie; cast: Anne Parillaud (Jessie Markham), William Baldwin (Brian), Lisanne Falk (Paula/Laura), Graham Greene (Conrad/Mike), Billy Wilmott (Lamond), O'Neil Peart (Simon), Leonie Forbes (Isabel), Bulle Ogier (Mrs. Ford), 1998)
Reviewed by Dennis Schwartz
Raul Ruiz, the Chilean-born, France-based director of one hundred films so far, who has been noted for his offbeat features and ambiguous works, has made this American mainstream film in English that has all his pet themes intact. For a Ruiz film, this one is about as accessible as he gets. It is also one of the few he hasn't scripted himself.
If you ever wanted to know how it might feel for a person who is losing their marbles, this film might be able to shed some light on that. It is a tantalizing thriller that offers the viewer a chance to see if they can separate fantasy from reality.
Shattered Image begins as an alluring assassin named Jessie (Anne Parillaud) whacks a handsome businessman in the men's room of a trendy Seattle night-club and then goes to make a call, saying "It's done."
Afterwards she dreams that she is a nervous newlywed in Jamaica with her overly protective husband Brian (William Baldwin) by her side, taking her to a luxurious hotel. She is afraid because she's been having this recurring dream that she's a hit lady killing only men in Seattle and also that her attacker is following her to Jamaica. When she picks up a ringing phone in her hotel room and there's no answer, she paranoically says, "It's him."
Ruiz's films always seem to be about the multiple identities of characters who might just be figments of one's imagination or might be about someone who is leading a parallel life. There are two Jessies here- the "Seattle Jessie" and the "Jamaica Jessie." Each Jessie has the other Jessie as her alter ego. In her repressed Jamaican dreams, she is having anonymous sex in public places, while in the man-hating Seattle Jessie dreams, she is being rescued in tight romantic situations by Brian. He plays an active part in both her dream places.
Shattered Image has its two stars struggle through some very awkward dialogue and plot twists that keep coming unmercifully at the viewer. Ruiz's experimental film style opts for the most he can get out of his stylized settings, confusing but beautiful camera shots, and all the kitsch he can muster in every mise-en-scène.
Jessie imagines she has been attacked and the rapist is still at-large, and after her. But she can't determine what he looks like. The dreams themselves get confusing, as the Jamaican Jessie begins to suspect her husband is after her money and that the other hotel guest she meets, the chillingly suave blonde, Paula (Lisanne), is involved with her husband. Paula also has an alter ego in Seattle, Laura, who has hired Jessie in her dream to kill Brian, who in the dream is Laura's husband. The film's ending is as blurred as Jessies' intermingled dreams are; but, at least, the climax returns to the beginning of the film to try and clear things up in the usual unhelpful way Ruiz solves his mysteries. By the end, who could be sure if she killed a detective in room 214, or if someone was really after her, or if she had attempted suicide before and then was forced to take pills in Jamaica to make it look like another attempt at suicide, or if those newspaper clippings of unsolved murders in the Seattle area she collected can be attributed to her, and since the movie continually switches back and forth between the two dream locations of Jamaica and Seattle, it is unclear what really did happen. If you enjoy this kind of pseudo intellectual puzzler, then you must be prepared to be kept in suspense, not knowing more about the character than what Ruiz wanted revealed.
REVIEWED ON 4/3/2000 GRADE: C+
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{layout="contact/.layout"}
Mission Control is a Perth (Australia) based podcast which has uncensored conversations with musicians, artists and anyone in the creative industry. It is an open forum for discussions about truth, life and the universe, without the rigid formalities of radio.
Hosted by Darrell Sundai (@darrell_fox) and JohnnyG (@Phoenix1350).


Brief Comments: The Tigger Movie -- ** (out of ****)
Film Criticism By Zachary McGhee Rated G, 77 minutes, 2000. Walt Disney. Directed by Jim Falkenstein.
I feel kind of bad so casually dismissing kindhearted kids' fare like "The Tigger Movie", in which Tigger goes on a search for his "real" family after being rejected by Pooh Bear and Co. when he requests that they go bouncing with him and demands that, eventually, they all discover that they are his family, but too much of this film had me thinking that AA Milne would be rotating like a rotisserie in his grave over this literary sacrilege. The movie's theme‚Ä'accepting different kinds of families, particularly adoptive‚Ä'is nice enough, but the metaphor isn't disguised too well. The presence of "Toy Story 2" in the same multiplex had me drawing a mental Venn diagram of their positive aspects, and ultimately finding the similarities column thin, and the "Toy Story 2" column about ten times longer than Falkenstein‚Äôs obvious potboiler. Meanwhile, the movie rushes with the narrative, but somehow seems prolonged as a whole, even though it clocks in at a mercifully short 77 minutes. Nice try, but something about "The Tigger Movie" just screams "Direct-to-Video".
-Copyright 2000 Zachary McGhee
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


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This user’s gallery contains submissions with the following blacklisted tags:
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$for tag_name in blacklisted_tags:
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${report.target_type.title()} Information
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Binary file I/O is illustrated by the following program that dumps the contents of a file in hex.
The following HexDump function uses a BinaryReader class to read a file in binary mode and dump its bytes:
Opening and reading the file occurs in a using statement that takes care automatically closing the file at the end of the using block.
The using statement is lowered by the compiler roughly to the following code:
The finally statement gets executed regardless whether the try block is exited with normal control flow, due to return, break, continue or goto statement, or due to thrown exception.
A using statement can be used with all classes that implement the Closable interface such as StreamReader, StreamWriter, FileStream, MemoryStream, BinaryReader and BinaryWriter.


Black to Play 13
b2-w3/5
pips Black=145 White=142
(CorrectAnswer= 0/0, ErrorScore= 0)
1. 24/21 4/3 eq:+0.734 61.27% (G:19.55% B:1.12%) 38.73% (G: 8.95% B:0.66%) 2. 11/8 4/3 eq:+0.669 (-0.064) 58.59% (G:20.55% B:1.95%) 41.41% (G:11.66% B:1.37%) 3. 13/10 4/3 eq:+0.644 (-0.090) 58.65% (G:21.53% B:2.09%) 41.35% (G:13.65% B:2.38%) 4. 13/12 7/4 eq:+0.578 (-0.156) 58.48% (G:21.57% B:2.17%) 41.52% (G:16.36% B:2.94%) 5. 21/20 7/4 eq:+0.504 (-0.230) 57.43% (G:20.17% B:1.01%) 42.57% (G:15.20% B:1.31%)


You land in a time where the Mihoyo kingdom reigns over the world.
You realised that you are short in cash, and decided to work part time as a delivery man at Wanmin Restaurant
to earn some money to continue your quest of making an impact in the detective world.

Before leaving, your boss reminds you to take note of the stars that your customers give you for your dish.
Where is your final destination?
- Deliver Chicken-Mushroom Skewer to a girl wearing a deep violet overcoat.
Inside she wears a pale lavender top with a high violet collar and ruffled dark blue skirt. She is known to enjoy her food under a sunny moment
- Deliver Crab Roe Tofu to a girl wearing a black leotard underneath a red, sleeveless, qipao dress. She stays in the north and owns a dipper.

She likes to play with scarlet smoke.
- Deliver Crispy Potato Shrimp Platter to a girl wearing a traditional red shirt with a mandarin collar, a black coat and black shorts with gold accents.
She can be found lingering around a walnut tree
- Deliver Grilled Tiger Fish to a woman dressed like a nun.
 She looks eerily similar to Phoebe in Friends.
- Deliver Radish Veggie Soup to a guy wearing a dark brown coat that is thick and adorned with gold trimmings and tassels, ending with black fur-trims.
 He makes deals with people while looking them in the eye.
- Deliver Moon Pie and Northern Smoked Chicken to a guy wearing a grey jacket with dark red and light grey details, grey pants, and black boots and gloves.
 Do use his real name when you address him.
- Deliver Golden Crabs to a girl wearing a jumper-like outfit composed of dark brown leather shorts, a red hoodie-like top, red stockings,
and white thigh-high boots embellished with gold linings and symbols. #FFBF00


John Legend got 'wine drunk' and sang 'All of Me' onstage
by Leah Asmelash, CNNImagine this.
John Legend, in a onesie with his face on it and a little tipsy, crooning his 2013 hit "All of Me" on stage at Universal Studios in Los Angeles.
The good news is you don't have to imagine it. This wild scenario actually took place and — to the utter amusement of everyone — it was caught on camera.
Chrissy Teigen, who is married to the singer, posted the video Saturday on Twitter, writing bluntly, "John got wine drunk and sang a song at universal studios last night."
 It's hilarious.
In a follow-up to her tweet, Teigen wrote, "the whole joke was supposed to be that literally no one was watching or at the stage but then he got on stage and was like ITS ME JOHN LEGEND."
Legend, however, posted a slightly different version of events on his Instagram feed.
 Costume theme was onesies. We bought a few new ones and raided the closet too and found the perfect one for me to wear," he wrote. "Someone made Chrissy a onesie with my face on it and of course I had to wear it. Then I found a reluctant DJ with a mic and serenaded myself. It was a night."
Hmm ... no mention of being "wine drunk" in Legend's recounting.


Python OpenSSL Manual
Previous:
3.1.8 PKCS12 objects
Up:
3.1 crypto
Next:
3.1.10 NetscapeSPKI objects
3.1.9 X509Extension objects
X509Extension objects have several methods:
get_critical
()
Return the critical field of the extension object.
get_short_name
()
Return the short type name of the extension object.
Python OpenSSL Manual
Previous:
3.1.8 PKCS12 objects
Up:
3.1 crypto
Next:
3.1.10 NetscapeSPKI objects
Release 0.12.


DfE enquiries
Central newsdesk 020 7783 8300
General enquiries 0370 000 2288
Press release
New changes to the law to give greater protection to vulnerable children.
The new Children and Families Act - given royal assent today - will mean changes to the law to give greater protection to vulnerable children, better support for children whose parents are separating, a new system to help children with special educational needs and disabilities, and help for parents to balance work and family life.
The act also ensures vital changes to the adoption system can be put into practice, meaning more children who need loving homes are placed faster. Reforms for children in care can be implemented including giving them the choice to stay with their foster families until their 21st birthday.
Edward Timpson, Children and Families Minister, said:
The Children and Families Act is all about reforming services for vulnerable children - reflecting this government’s deep determination to give every child, whatever their start in life, an equal chance to make the best of themselves.
Our adoption reforms will help the 6,000 children who need loving homes to be adopted. Our reforms to special educational needs will see a system introduced which is designed around the needs of children and will support them up to the age of 25.
For children coming into the care system, the new 26-week time limit for care proceedings will reduce unnecessary delays. Virtual school heads will champion their education; children in residential care will live in safer, better quality homes and care leavers will have the option to stay with their foster families until they turn 21
The act will also make it easier for families to access more flexible childcare, and give young carers’ greater support.
The act includes a number of new measures to protect the welfare of children, including:
The act will also help people to better balance their work and home life with the following measures:
Jenny Willott, Employment Relations Minister, said:
Current workplace arrangements have not kept up with the times. The Children and Families Act will bring the way new parents balance their working and home lives into the 21st century.
By enabling any employee to request to work flexibly, we want to remove any cultural assumption that flexible working is only for women, or just for parents and carers. We want these reforms to bring about a culture change in Britain’s workplaces, allowing everyone to better balance work with their personal life in the way that works for them.
The new system is good for business as it will create a more motivated and flexible, talented workforce. Employers will be able to attract and retain women - from the boardroom to the shop floor - and prevent them from dropping out of the world of work once they start a family. Flexible working will also help widen the pool of talent in the labour market, helping to drive growth.
The act will also create a more efficient and effective family justice system which improves the experiences of children and families who go to court.
Family Justice and Civil Liberties Minister Simon Hughes, said:
We are making sure the welfare of children is at the heart of the family justice system.
We want to keep families away from the negative effects that going to court can have and to use alternative solutions when they are suitable. This is why we have changed the law to make sure that separating couples always consider mediation as an alternative to a courtroom battle.
When cases go to court we want them to happen in the least damaging way. So we are improving processes, reducing excessive delays, and we have also changed the law so that care cases must be completed within 26 weeks.
The family justice measures in the act include:
Over the coming months the measures made law today will come into force. The government is currently consulting on a series of regulation changes on adoption and new guidance for social workers on how to navigate the new system, and we will issue the final SEN code of practice shortly ahead of reforms coming into force in September. By the summer the majority of councils will have virtual schools heads in post - helping improve educational outcomes for children in care.
The majority of the family justice provisions in the Children and Families Act will come into force on 22 April, at the same time as the launch of the new single family court.
Further roll out of today’s legal changes will be announced in due course.
The Children and Families Act 2014 takes forward the coalition government’s commitment to improve services for vulnerable children and support strong families. It reinforces wider reforms to ensure that all children and young people can succeed, no matter what their background.
The act will reform the systems for adoption, looked-after children, family justice and special educational needs. It will introduce changes to support the welfare of children. It will encourage growth in the childcare sector, introduce a new system of shared parental leave and ensure children in England have a strong advocate for their rights.
The provisions in the act span the responsibilities of the Department for Education, the Ministry of Justice, the Department for Business, Innovation and Skills, the Department for Work and Pensions, and the Department of Health.
We want more children being adopted by loving families with less delay. Part 1 of the act contains provisions to give effect to proposals set out in ‘An action plan for adoption: tackling delay’ and ‘Further action on adoption: finding more loving homes’ .
Part 2 improves the operation of the family justice system, as recommended by the independent family justice review . It will lead to a swifter system, with children’s best interests are at the heart of decision making.
We will reform the system for children and young people with SEN , including those who are disabled, giving children, young people and their parents greater control and choice up to 25. Part 3 of the act contains provisions following the green paper: ‘Support and aspiration: a new approach to special educational needs and disability’ published by the Department for Education on 18 March 2011 and the follow up ‘Progress and next steps’ published 15 May 2012.
Part 4 of the act contains various provisions relating to childcare, giving childminders more flexibility to work in agencies if they want to and making it easier for schools to offer more flexibility.
Part 5 of the act contains various provisions relating to the welfare of children, including giving children in care the choice to stay with their foster families until they turn 21, making young carers’ and parent carers’ rights to support from councils much clearer, reforming children’s residential care to make sure homes are safe and secure and a requirement on all state-funded schools - including academies - to provide free school lunches on request for all pupils in reception, year 1 and year 2.
Part 6 reinforces the role of the Children’s Commissioner with a remit to ‘protect and promote children’s rights’.
Part 7 of the act delivers the legislative commitments made in the government response to the modern workplaces consultation (November 2012). The provisions create a new employment right to shared parental leave and statutory shared parental pay for eligible working parents. All employed women continue to be eligible for maternity leave and statutory maternity pay or allowance in the same way as previously. If they choose to bring their leave and pay or allowance to an early end, eligible working parents can share the balance of the remaining leave and pay as shared parental leave and pay up to a total of 50 weeks of leave and 37 weeks of pay. Eligible adopters can use the new system for shared parental leave and pay. Adoption leave and pay include prospective parents in the ‘fostering for adoption’ system, and intended parents in a surrogacy arrangement who are eligible, and intend to apply for, a parental order.
Part 8 creates a new right for employees and qualifying agency workers to take unpaid time off work to attend up to two ante-natal appointments with a pregnant woman. The right is available to the pregnant woman’s husband, civil partner or partner (including same sex partners), the father or parent of the pregnant woman’s child, and intended parents in a surrogacy situation who meet specified conditions. Provision is made for paid and unpaid time off work for adopters to attend meetings in advance of a child being placed with them for adoption.
Part 9 provides for the expansion of the right to request flexible working from employees who are parents or carers to all employees, and the removal of the statutory process that employers must currently follow when considering requests for flexible working. The government’s policy reforms for the right to request flexible working are set out in its paper ‘Modern workplaces - government response on flexible working’ (published in November 2012). This part sets out the statutory provisions to support those reforms.
Central newsdesk 020 7783 8300
General enquiries 0370 000 2288
Published: 13 March 2014


11 Jan 2021 Robert Metzger (@rmetzger_)
Apache Flink is a very versatile tool for all kinds of data processing workloads. It can process incoming data within a few milliseconds or crunch through petabytes of bounded datasets (also known as batch processing).
Processing efficiency is not the only parameter users of data processing systems care about. In the real world, system outages due to hardware or software failure are expected to happen all the time. For unbounded (or streaming) workloads, Flink is using periodic checkpoints to allow for reliable and correct recovery. In case of bounded data sets, having a reliable recovery mechanism is mission critical — as users do not want to potentially lose many hours of intermediate processing results.
Apache Flink 1.9 introduced fine-grained recovery into its internal workload scheduler. The Flink APIs that are made for bounded workloads benefit from this change by individually recovering failed operators, re-using results from the previous processing step.
In this blog post, we are going to give an overview over these changes, and we will experimentally validate their effectiveness.
How does fine-grained recovery work?
For streaming jobs (and in pipelined mode for batch jobs), Flink is using a coarse-grained restart-strategy: upon failure, the entire job is restarted (but streaming jobs have an entirely different fault-tolerance model, using checkpointing)
For batch jobs, we can use a more sophisticated recovery strategy, by using cached intermediate results, thus only restarting parts of the pipeline.
Let’s look at the topology below: Some connections are pipelined (between A1 and B1, as well as A2 and B2) – data is immediately streamed from operator A1 to B1.
However the output of B1 and B2 is cached on disk (indicated by the grey box). We call such connections blocking. If there’s a failure in the steps succeeding B1 and B2 and the results of B1 and B2 have already been produced, we don’t need to reprocess this part of the pipeline – we can reuse the cached result.
Looking at the case of a failure (here of D2), we see that we do not need to restart the entire job. Restarting C2 and all dependent tasks is sufficient. This is possible because we can read the cached results of B1 and B2. We call this recovery mechanism “fine-grained”, as we only restart parts of the topology to recover from a failure – reducing the recovery time, resource consumption and overall job runtime.
Experimenting with fine-grained recovery
To validate the implementation, we’ve conducted a small experiment. The following sections will describe the setup, the experiment and the results.
Setup
Hardware: The experiment was performed on an idle MacBook Pro 2016 (16 GB of memory, SSD storage).
Test Job: We used a modified version (for instrumentation only) of the TPC-H Query 3 example that is part of the Flink batch (DataSet API) examples, running on Flink 1.12
This is the topology of the query:
It has many blocking data exchanges where we cache intermediate results, if executed in batch mode.
Test Data: We generated a TPC-H dataset of 150 GB as the input.
Cluster: We were running 4 TaskManagers with 2 slots each and 1 JobManager in standalone mode.
Running this test job takes roughly 15 minutes with the given hardware and data.
For inducing failures into the job, we decided to randomly throw exceptions in the operators. This has a number of benefits compared to randomly killing entire TaskManagers:
- Killing a TaskManager would require starting and registering a new TaskManager — which introduces an uncontrollable factor into our benchmark: We don’t want to test how quickly Flink is reconciling a cluster.
- Killing an entire TaskManager would bring down on average 1/4th of all running operators. In larger production setups, a failure usually affects only a smaller fraction of all running operators. The differences between the execution modes would be less obvious if we killed entire TaskManagers.
- Keeping TaskManagers across failures helps to better simulate using an external shuffle service, as intermediate results are preserved despite a failure.
The failures are controlled by a central “failure coordinator” which decides when to kill which operator.
Failures are artificially triggered based on a configured mean failure frequency. The failures follow an exponential distribution, which is suitable for simulating continuous and independent failures at a configured average rate.
The Experiment
We were running the job with two parameters which we varied in the benchmark:
-
Execution Mode: BATCH or PIPELINED.
In PIPELINED mode, except for data exchanges susceptible for deadlocks all exchanges are pipelined (e.g. upstream operators are streaming their result downstream). A failure means that we have to restart the entire job, and start the processing from scratch.
In BATCH mode, all shuffles and broadcasts are persisted before downstream consumption. You can imagine the execution to happen in steps. Since we are persisting intermediate results in BATCH mode, we do not have to reprocess all upstream operators in case of an (induced) failure. We just have to restart the step that was in progress during the failure.
-
Mean Failure Frequency: This parameter controls the frequency of failures induced into the running job. If the parameter is set to 5 minutes, on average, a failure occurs every 5 minutes. The failures are following an exponential distribution. We’ve chosen values between 15 minutes and 20 seconds.
Each configuration combination was executed at least 3 times. We report the average execution time. This is necessary due to the probabilistic behavior of the induced failures.
The Results
The chart below shows the execution time in seconds for each batch and pipelined execution with different failure frequencies.
We will now discuss some findings:
- Execution time with rare failures: Looking at the first few results on the left, where we compare the behavior with a mean failure frequency of 15 (=900s), 10 (=600s), 9 (=540s), 8 (=480s), 7 (=420s) minutes. The execution times are mostly the same, around 15 minutes. The batch execution time is usually lower, and more predictable. This behavior is easy to explain. If an error occurred later in the execution, the pipelined mode needs to start from scratch, while the batch mode can re-use previous intermediate results. The variances in runtime can be explained by statistical effects: if an error happens to be induced close to the end of a pipelined mode run, the entire job needs to rerun.
- Execution time with frequent failures: The results “in the middle”, with failure frequencies of 6, 5, 4, 3 and 2 minutes show that the pipelined mode execution gets unfeasible at some point: If failures happen on average every 3 minutes, the average execution time reaches more than 60 minutes, for failures every 2 minutes the time spikes to more than 120 minutes. The pipelined job is unable to finish the execution, only if we happen to find a window where no failure is induced for 15 minutes, the pipelined job manages to produce the final result. For more frequent failures, the pipelined mode did not manage to finish at all.
- How many failures can the batch mode sustain? The last numbers, with failure frequencies between 60 and 20 seconds are probably a bit unrealistic for real world scenarios. But we wanted to investigate how frequent failures can become for the batch mode to become unfeasible. With failures induced every 30 seconds, the average execution time is 30 minutes. In other words, even if you have two failures per minute, your execution time only doubles in this case. The batch mode is much more predictable and well behaved when it comes to execution times.
Conclusion
Based on these results, it makes a lot of sense to use the batch execution mode for batch workloads, as the resource consumption and overall execution times are substantially lower compared to the pipelined execution mode.
In general, we recommend conducting your own performance experiments on your own hardware and with your own workloads, as results might vary from what we’ve presented here. Despite the findings here, the pipelined mode probably has some performance advantages in environments with rare failures and slower I/O (for example when using spinning disks, or network attached disks). On the other hand, CPU intensive workloads might benefit from the batch mode even in slow I/O environments.
We should also note that the caching (and subsequent reprocessing on failure) only works if the cached results are still present – this is currently only the case, if the TaskManager survives a failure. However, this is an unrealistic assumption as many failures would cause the TaskManager process to die. To mitigate this limitation, data processing frameworks employ external shuffle services that persist the cached results independent of the data processing framework. Since Flink 1.9, there is support for a pluggable shuffle service, and there are tickets for adding implementations for YARN (FLINK-13247) and Kubernetes (FLINK-13246). Once these implementations are added, TaskManagers can recover cached results even if the process or machine got killed.
Despite these considerations, we believe that fine-grained recovery is a great improvement for Flink’s batch capabilities, as it makes the framework much more efficient, even in unstable environments.


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Your final score: {{this.score}}
Guess the correct words to win!


--- title: Getting the Most out of App Analytics date: '2015-06-20T19:00:02+05:30' tags: - business tumblr_url: https://sureshshanmugam.com/post/121997720915/appstore-analytics ---
App Analytics is the powerful new tool inside iTunes Connect. Get a walk through of the metrics related to user engagement, marketing campaigns, monetization and more. Gain valuable insights from data that only Apple provides, so you can build better iOS apps and a more informed app business.
To see more goto - AppStore Analytics
Follow my blog for more - Analytics & Marketing


This Genetic Association Study (GAS) Power Calculator is a simple interface that can be used to
compute statistical power for large one-stage genetic association studies.
The underlying method is derived from the
CaTS power calculator for two-stage association studies (2006).


I am a Toronto based Full-stack Web Developer, Co-Founder of a start up, aspiring Designer and Project Manager. With a passion for Film and Video Production I merge my skills to build functional & beautiful products fulfilling my creative drive!
Visit Adae
By using this platform students could exchange items, goods and services with nearby peers. As Co-Founder of this project, I gained valuable experience in pivoting and working on MVP’s within time & budget constraints. Additionally, I developed the backbone and front-end, teaming up with the designer and mobile developer in constructing an engaging product. Our vision was to foster a community of freelancers that could fulfill the offers or requests of others while avoiding the hassle of cash exchange through the use of a mobile payment application. With keen customer insight I researched and implemented ways to provide the best customer experience possible.
Visit Imagemoji
When I joined Arima, a startup made of other University of Toronto graduates, I was brought in as a Junior Developer to provide support to other programmers in a variety of projects and iterations. Out of these, Imagemoji evolved into the most captivating project and I surfaced as lead front-end developer. I was tasked with repurposing and reconfiguring a completely different web application into an image sharing community platform. Although daunting, I combined my new skills with user insight to design and create interactive features, crafting an attractive and enjoyable community platform.
As Assistant Director I acted as faliciltator to Jena K. Siva by developing a shooting schedule and administering production logistics. This resulted in succesfully maintaining budget requirements while keeping the production’s two-week shoot deadline. I handled many external duties including casting, crew management, publicity and marketing. Additionally, I performed Assistant Editor duties throughout the months of post-production leading to the premiere.
Thank you for stopping by adventurer!
Creating web or video content can be a mission, so let's embark on it together.
You can send an email transmission or follow me online and say hello!


Career change is a journey, especially while pursuing my second Bachelors degree in Computer Science. My first degree in Hospitality management left me wanting more, but I'm a blast at cookouts and potlucks. Leveraging my skills with personnel and project management along with process development to become a talented designer and engineer.
GPA: 3.00
GPA: 3.25
GPA: 3.20
The Seattle area and the Pacific Northwest in general provide a multitude of activities for any crowd. I love the outdoors and can be found hiking, canoeing, floating rivers, and just being outside. The food and drinks available here are in a class of their own and I have made it a goal to try as many of them in as many loactions as possible.
When the weather is less than friendly, I tend to entertain myself with movies and television, especially of the sci-fi and fantasy genres. Cooking and baking are old loves of mine with the new addition of brewing, both beer and more recently mead. My next courses will take me into data structures, usability design, and the analysis of algorithms.


Mikee Delos Santos
Microservices
Service oriented architecture (raw HTTP,REST,sockets)
define?
"The app is easy to configure..."
"The app knows how to manage its dependencies..."
"One command to run the whole stack..."
Misconfiguration
Server URLs
Is a platform where you can configure, deploy and manage multiple small VMs called "containers"
DEMO
Configuration of the app is offloaded to Docker
Consistency
Support ~ Jenkins, CircleCI, Travis among others
OS ~ Windows, Linux, Mac
Cloud Platforms ~ AWS, Compute Engine, DigitalOcean, Heroku among others..


an app a day keeps the doctor away.
Day 6: ???
Day 5: Parallax
Day 4: Palettes
Day 3: Chat Box
Day 2: Room Arranger
Day 1: HTML5 Clock


MON CV
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The first name must be longer than 3 characters.
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training
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Value: {{ personForm.value | json }}


Choose your city:
Belfast
Dublin
London
Todays Weather
Description
Precipitation
Temperature
Humidity
Pressure
Cloud Cover
Wind Speed
Wind Direction
Image


PDF/PNG Export
Export to PDF and PNG file formats requires the LibRSVG (SVG rendering) library to be installed.
Mac OS X
- Install homebrew: follow the one-step installation directions here to install homebrew, the OS X package manager.
- Install librsvg using homebrew: run the following command to install librsvg:
brew install librsvg
Linux (Ubuntu or similar)
- Install librsvg: run the following command to install librsvg on ubuntu/debian/similar:
sudo apt-get install librsvg2-dev


At the age of COVID-19 where it has caused us to distant from each other, it is a threat to surgeons. Surgical
surgery is one of the main foundation of any healthcare system with both elective and emergency operations
contributing to the health services of the population (Zemmar et al, 2020). Operating rooms are potentially
high-risks areas for transmission due to the involvement of multiple teams, and high-risk activities.
To effectively reduce the spread, AI robotic surgery can be integrated at several sections of the sequence,
which each surgical patient traverses during a hospital stay (Randell et al, 2020). Allowing for the workflow to
be divided into pre-operative care, anesthesia, the surgical procedure and postoperative care, the overall goal
of this is to minimize contact between patient and healthcare provider at each step.
AI Robotic surgery has its benefits and risks, depending on the stakeholders. For example, in terms of New
Zealand patients/public it will mean easier and faster Healthcare services for people to access and can be in
places healthcare workforce can't such as rural setting (Ministry of Health, 2019). However, access to this
technology may not yet be publicly funded, out of private financial reach for some individuals. Additionally,
robots aren't always the answer, it has to be useful to the patient. Thus why we chose AI on Surgical Robots as
our team's topic


The Starting of the adventure
Ewww! What kind of topic will this bring us? What Meaning of Life can we find from a solid piece of turd? Well, it’s not really the turd itself that spark a thought in my mind. The turd, however, was a part of how I came to my conclusion though.
Humans always seek to find a life that is better than their own. Starting from the comparison of themselves to the people surrounding them. This could pertain to any topic ranging from intelligence to finance. The question I use to have is "what sets us apart? How do I get what they have? It surely isn’t just hard work and dedication…". Recently, I had an experience that provoked a different way of thinking and, I think, it’s about to change my life.
Shopping time
It all began this one day when I decided to celebrate and relax a bit. I went to the Spar super market next door to me. While I was walking down this one row, I saw hot chocolate. Mind you, this is the middle of winter when it is freezing! With my eyes fixated on the hot chocolate, I shivered in coldness. I took a step back thinking to myself "I wonder how the most expensive one will taste like. It must be really good". Should I take it? Do I have enough money? Will I end up having enough money for the month? I probably shouldn’t take it. The rest of the food on my hand is already costing me quite some cash.
So I walked out with hot chocolate… the most expensive one. I rushed home. Opened the door. Dropped my bag. Mug out. Kettle on. Opened the chocolate box… it was the tiniest portion of hot chocolate anyone can possible get. A box of Rooibos tea for R30 would last me comfortably a month to a month and a half. This box of R55 would last me, sparingly, 10 days. Guess I’m going have to drink this hot chocolate like its heaven.
… it surely was pleasing. I smiled with every sip of warm chocolate trickling down my throat. The pours on my skin was softened and my body was relaxed while endorphins flooded my body. Lovely!
Afternoon
After my 2 seconds of joy, I was back to the blazing winter, quivering in cold. As the day went by, the more I felt like my tummy was cramping. "I will be fine, I’m just cold"
I’m on the toilet. I couldn’t help the pain that was intensifying in my intestines. It all came out. my lovely cup of hot chocolate decided to make its way out of my life so quickly. So uncommitted it was. Oh well.
I stood up from my toilet seat and flushed the toilet. As I watched my turd get flushed away like a tadpole getting washed away by the waters of a river, a thought struck my mind. So this is the conclusion of my expensive cup of hot chocolate. What a waste.
My thoughts
All the luxuries of human life just end up becoming a piece of turd that gets flushed away. All our physical achievements of luxury gets detached from us when we pass away. Jacob Zuma will pass away without his expensive house.
I grew up with some intelligence but not much financial freedom. Thinking as far into the future as always, my parents decided to take me to more of a well-known high school in the middle of the city. That is always where the financial freedom lies. It is most attractive site for sentimental beings. But because I lived so far away, I had to wake up at 5am every day to be at school to wake the sun up and come home after 6pm to say "good night" to the moon. I seriously needed a bar one chocolate for that extra hour a day. From this experience of hardship, it is really difficult not to become someone that constantly chases for the financial freedom that they ought to seek. I consider it a fear of being poor.
Strangely, recently, I started hearing stories about successful people that has survived a similar hardship I have and started to get detrimental illnesses. Some have their eye removed for a brain tumour, some have 5 to 6 bottles of medications daily. But … they cannot let go of their own career in order to take care of their health … One of the easiest examples is Steve Jobs dying of a disease around the age of 55. He stood on stage marketing his product till the last possible day. It surely is that difficult to let go.
There must be more to life than just physical success and I’m out to find it. It is time to let go of my physical success that I have built up from the past and time to start a new adventure to find something else that I will soon consider a success. I don’t want my success to become just a piece of solid turd …
I am sure this ocean will let me know the meaning of life once I am ready for it…


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This benchmark aims at developing a computer program that controls a humanoid robot to walk as far as possible given a limited battery life. The programming language is Python and the humanoid robot model is a ROBOTIS OP2 robot.
The environment is a scale model based on the robot size.
The benchmark metric is the distance traveled by the robot.
The distance is the the difference between the initial and final position of the robot on the world's x-axis that is parallel to the street.
If the robot falls down or tries to go on all fours, the benchmark finishes immediately.
If you look at the Python program controlling the ROBOTIS OP2 robot, you will see that this program uses the RobotisOp2GaitManager to make the robot walk:
# At the beginning, start walking on the spot. # After 45 timesteps, begin taking steps forward. while robot.step(timestep) != -1: if looptimes == 45: gaitManager.setXAmplitude(gaitAmplitude) gaitManager.step(basicTimeStep) looptimes += 1
The parameters of the gait manager are customizable and it is possible to find a setup that produces better performance. For example, tuning the gait amplitude or disabling the balance functionality makes the robot cover a bigger distance.


Copyright © 2017 the Contributors to the Voice Interaction Community Group, published by the Voice Interaction Community Group under the W3C Community Contributor License Agreement (CLA). A human-readable summary is available.
A summary of the document goes here.
This specification was published by the Voice Interaction Community Group. It is not a W3C Standard nor is it on the W3C Standards Track. Please note that under the W3C Community Contributor License Agreement (CLA) there is a limited opt-out and other conditions apply. Learn more about W3C Community and Business Groups.
All of those use base.css.


In real open source, you have the right to control your own destiny. Here we at COSEC helps you to discover your true and hidden potential in the field of technology. At COSEC students build and deploy products based on Open Source in the market
Development and Deployment of Projects based on Open Source.
We organize and participate in hackathons all over India.
We organize, volunteer and co-ordinate in various hackathons and meetups all over India.

We will help you in designing and deployment of websites as a product designers.
Get ready to build some cool apk apps..
Come and join us in contributing to the world of programming by implementing your projects in python
Learn how to create your own repositories with Git Command Line so that you have something to show on your CV as a developer.

We will help you create and deploy your own android apps on the play store.
Get your hands on with Advanced programming language..
Let me Introduce you with the team of COSEC who made this club on Open Source possible in this college. Come, help and contribute them by working on Open Source Projects. You could even initiate your projects and support them with your new ideas.
You can contact our team at the following details.
Mobile No 1: +91-7230882125 Mobile No 2: +91-7737929302 E-mail: cosechelp@gmail.com


$(ADDITIONAL_CSS) $(ADDITIONAL_HEAD)
This application requires Javascript and WebAssembly to be enabled.


Defines the print titles for the sheet. Use SET.PRINT.TITLES if you want Microsoft Excel to print the titles whenever it prints any cells in a row or column that intersect the print titles area; a cell need only share the row or column with a print title for the title to be printed above or to the left of that cell.
Syntax
SET.PRINT.TITLES(titles_for_cols_ref, titles_for_rows_ref)
SET.PRINT.TITLES?(titles_for_cols_ref, titles_for_rows_ref)
Titles_for_cols_ref is a reference to the row to be used as a title for columns.
If you specify part of a row, Microsoft Excel expands the title to a full row.
If you omit titles_for_cols_ref, Microsoft Excel uses the existing row of column titles, if any.
If you specify empty text (""), Microsoft Excel removes the row from the print titles definition.
Titles_for_rows_ref is a reference to the column to be used as a title for rows.
If you specify part of a column, Microsoft Excel expands the title to a full column.
If you omit titles_for_rows_ref, Microsoft Excel uses the existing column of row titles, if any.
If you specify empty text (""), Microsoft Excel removes the column from the print titles definition.
Remarks
SET.PRINT.TITLES operates on the current sheet. If you specify a range that is invalid for the current sheet, Microsoft Excel returns the #VALUE error value.
The print titles selection can be a multiple selection. Microsoft Excel names this selection Print_Titles when SET.PRINT.TITLES is run.
Related Functions
DEFINE.NAME Defines a name on the active worksheet or macro sheet
PRINT Prints the active sheet
SET.PRINT.AREA Defines the print area
Return to index


Secret: (i.e., your passphrase)
Display results in: Six-word format Hex format Both
Compute password(s) (If more than 1, results will be displayed in a new window.)
Compute with:
Response (i.e., your one-time password)
jsotp [?] by Jeremy Lin. Suggestions, bugs, etc? Email me.
Also available: jsotp versions containing only MD4, MD5, SHA-1, or RIPEMD-160 code.


Running APT Simulation Tools
This project includes three security tools to run APT simulations for generating forensic artifacts in an automated way. Here is a quick walkthrough on the three tools that are automatically deployed. To test efficacy of the detection solution, it is recommended to disable Windows Defender real-time protection setting. This will allow the simulation tools to run in an environment that will allow them to fully execute, allowing you to look deeper at the forensic artifacts.
1. Atomic Red Team (ART)
The Atomic Red Team scripts are downloaded from the official Github repo [5] and the Invoke-AtomicRedTeam execution framework is automatically downloaded and imported from the following repo [6]. This allows you to more easily run atomic tests and the modules are imported into the powershell session everytime you launch a powershell session. This is controlled from the following powershell environment script:
C:\Users\RTCAdmin\Documents\WindowsPowerShell\Microsoft.Powershell_profile.ps1
Now that this is out of the way, let's show how to run an atomic test for ART!
Remotely Running Atomics from Linux
First, there is a python script that you can run to remotely invoke ART from your linux system. It's a simple wrapper to Ansible Playbook and the location of the script is here:
PurpleCloud/modules/win10-vm/invoke-art.py
Run it like this:
python3 invoke-art.py
The script looks for all hosts.cfg files in the working directory and runs the atomic tests against all Windows 10 hosts. If you only want to run against one of the hosts, run it with the -h flag. For example:
python3 invoke-art.py -h hosts-Win10-Liem.cfg
Running it with the -a flag will specify an atomic.
python3 invoke-art.py -a T1558.003
The script looks for the atomic tests in windows index file:
/modules/win10-vm/art/atomic-red-team/atomics/Indexes/Indexes-CSV/windows-index.csv
Manually Running Atomics from the Windows Endpoint
RDP into the Windows 10 endpoint. From a powershell session, simply run:
PS C:\ > Invoke-AtomicTest <ATOMIC_TEST> -PathToAtomicsFolder C:\terraform\ART\atomic-red-team-master\atomics
The atomics are in the main project directory path of C:\terraform\ART\atomic-red-team-master\atomics
. Browse through them to find which atomic test you want to run.
Example of running T1007:
PS C:\Users\RTCAdmin> Invoke-AtomicTest T1007 -PathToAtomicsFolder C:\terraform\ART\atomic-red-team-master\atomics
2. Elastic Detection Rules RTA (Red Team Attacks) scripts
In June of 2020, Elastic open sourced their detection rules, including Python attack scripts through the Red Team Automation (RTA) project. The following repo [7] is automatically downloaded and extracted using Terraform and Ansible scripts. To run them, launch a cmd or powershell session and use python to run each test from the following directory:
Change into the directory:
C:\terraform\Elastic_Detections\detection-rules-main
Run each python script test that you wish. Each test is in the RTA directory and you invoke the test by removing the .py (TTPs are referenced as a name by just removing the last .py from the script):
PS C:\terraform\Elastic_Detections\detection-rules-main> python -m rta <TTP_NAME>
Example of 'smb_connection' ttp:
PS C:\terraform\Elastic_Detections\detection-rules-main> python -m rta smb_connection
You can browse all TTPs in the 'rta' sub-directory
3. APTSimulator
The APTSimulator tool [8] is automatically downloaded. Simply extract the Zip archive and supply the zip password of 'apt'.
C:\terraform\APTSimulator.zip
Invoke a cmd prompt and run the batch file script:
C:\terraform\ATPSimulator\APTSimulator\APTSimulator.bat


The Mask Of Zorro
**1/2 (out of 4 = Okay/average)
1998, PG-13, 136 minutes [2 hours, 16 minutes]
[thriller]
Starring: Antonio Banderas (Alejandro Murrieta/Zorro), Anthony Hopkins (Don Diego de la Vega/Zorro) Catherine Zeta-Jones (Elena), Stuart Wilson (Don Rafael Montero); written by Ted Elliott, John Eskow, Randall Jahnson, Terry Rossio; produced by Doug Claybourne, David Foster; directed by Martin Campbell.
Seen August 9, 1998 at 9:15 p.m. at Rotterdam Square Cinemas (Rotterdam, NY), theater #3, by myself for free using my Sony/Loews critic's pass. [Theater rating: ***: good picture, sound, and seats]
If there was any doubt that all Hollywood summer movies are lacking originality, consider this: "The Mask Of Zorro," which takes place in the mid-1800s, has an action scene once every 10 or 15 minutes, has a scene in which a woman is stripped to her underwear while sword fighting, and ends with an explosion so huge it rivals something from the "Terminator" films. Were these events really typical of the time?
The film opens with a disclaimer quickly explaining the background of the story. The villain, Don Rafael Montero (Wilson), is briefly described as being some kind of corrupt leader from Spain governing the colonies of what is now California. I may be wrong on this account, but the film's opening scene makes the "logical" explanation to the story's background seem silly because when we see Montero about to have three innocent men executed just to draw out Zorro, that tells us all we really need to know.
Of course Zorro appears and a terrific scene of action and drama ensues and it's actually exciting and suspenseful at the time. We're not concerned with the story behind the action, as long as there is action.  Wilson fills the role nicely, making Montero an easy-to-hate villain, so much so it's hard to tell if he's over-acting or if the script is really so trite.
And yet the film's opening works due to its simplicity and over-the-top action. The initial atmosphere is lighthearted enough to take the zaniness of it all in stride, so when Zorro single-handedly defeats 20 armed men, we don't notice how cartoony the violence is, or how the fighting is so obviously choreographed, or why the guards in the tower wait until two kids drop a statue on them before they start firing their rifles.
It's unfortunate the film could not have had such a breezy spirit during its "serious" aspects. We learn the true identity of Zorro is Don Diego de la Vega (Hopkins), who appears to be a man of some importance, which is why Montero claims to have always loved de la Vega's wife (why don't heroes ever marry ugly women to keep the villain from trying to steal them?). Tragedy instantly strikes our hero and thus the film flash-forwards to 20 years later to provide just the right subplots, themes, and new conflicts and characters to give Zorro a reason to resurface.
The real reason for a new Zorro is the film's star, Antonio Banderas. Banderas is a good actor and he certainly seems to be having fun here as Alejandro Murrieta, one half of an infamous pair of sibling criminals. He is approached by de la Vega to wear the mask of Zorro and once again fight against the corrupt Montero who is using slave labor at a secret gold mine as part of an elaborate conspiracy to buy California.
It is from here on that the story becomes little more than a series of scenes stitched together to provide for action, undercover work, and a romantic subplot between Alejandro and Montero's "daughter" Elena (Zeta-Jones). Minor elements such as Alenjandro's attempt to steal a horse turn into elaborate fight and chase scenes. In the spirit of "Indiana Jones" the action is mixed with comedy and slapstick, which is appealing because of the cartoony nature of it all. But the more dramatic scenes which further the plot are presented as if they were Shakespeare (especially anything involving Montero's evil schemes).
Zorro is one of the most underrated and least utilized characters of 20th century fiction. Although he isn't unlike Batman in his quest to fight for the people, he doesn't have many gadgets and must rely on his own skills to solve mysteries and win battles. Although these aspects of the character is played up well, it's just about the only aspect the film focuses on. No background on the character is given such as where he originated from, whether he is one man or part of a secret society, where the original Zorro learned his skills, and most importantly, why he risks his life to do the things he does. de la Vega claims Zorro is a servant of the people, but not once do either men seem to care for anyone other than themselves and their love for Elena.
Throughout "The Mask Of Zorro" I kept picturing the screenwriters arguing over plots, scenes, and lines of dialogue. Perhaps they wrote in shifts without regard to continuity, as there would be many good scenes in a row, and then everything would go sour quickly. But in the end it is really the Hollywood machine at blame for trying to fix something that wasn't broken.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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{{_("Dear")}} {{ full_name }},
{% if action == "create_customer" %}{{_("A new instance of ERPNext has been created for you")}}.
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{{_("You can also copy-paste this link in your browser")}} {{ link }}
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{{_("To reactivate the ERPNext Instance please contact Administor")}}
{% elif action == "restart_service"%}{{_("Your ERPNext Instance has been re-activated sucessfully ...")}}.
{{_("Click on the lik below to access the ERPNext")}}
{{_("You can also copy-paste this link in your browser")}} {{ link }}
{% elif action == "delete_customer"%}{{_("Your ERPNext Instance has been deleted sucessfully ...")}}.
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New book: Retro Gaming with Raspberry Pi
by Alex BateRaspberry Pi Press is delighted to announce the release of the latest addition to your bookshelf: Retro Gaming with Raspberry Pi!
Retro Gaming with Raspberry Pi
This 164-page book shows you how to set up a Raspberry Pi to play classic games; and how to build your own portable console, a full-size arcade cabinet, and a pinball machine with clear step-by-step guides.
Learn how to program your own games
You’ll learn how to program your own games using Python and Pygame Zero, allowing you to recreate some of your favourite retro games, as well as learning how lines of code can produce gorgeous graphics and hours of nostalgia-driven fun.
If that’s not enough, you’ll also find reviews of some of the best retro gamer kit, such as cases and controllers; tips on setting up emulators; and showcases of some gorgeous retro-fit Raspberry Pi systems.
Get it now
If you’d like to buy Retro Gaming with Raspberry Pi as a physical book (and we do recommend you do – it’ll make a fantastic stocking-filler), you can purchase it now from the Raspberry Pi Press website with free international shipping, or from the Raspberry Pi Store, Cambridge.
As with all Raspberry Pi Press publications, Retro Gaming with Raspberry Pi is available now as a free PDF, ready for you to download from The MagPi website.


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AirtelTigo names Murthy Chaganti as new Chief Executive Officer
Accra, Nov. 19, GNA - Telecom operator AirtelTigo has appointed Mr Murthy Chaganti as the new Chief Executive Officer of the company.
Mr Chaganti was the Chief Operating Officer (COO) of the company and acted as the CEO from September 2019 until his appointment.
He played a key role in the successful integration process of Airtel Ghana and Millicom Ghana, operators of Tigo brand after the merger of the two telecommunications giants in Ghana.
Following the completion of the integration, Mr Chaganti assumed additional responsibility of leading the commercial function to focus and deliver growth, which saw turnaround of data growth.
Mr Chaganti brings a wealth of experience in General Management, Commercial and Business Strategy, Sales and Marketing, having spent over 20-years in roles within the Telecommunication and Fast-Moving Consumer Goods sectors in Ghana and India.
Prior to joining AirtelTigo on 3rd January 2018 as COO, Mr Chaganti served in senior leadership roles in the telecommunication industry in India.
As the Chief Executive Officer of the Gujarat Circle, Bharti Airtel India, he led the turnaround of this multi-million business by delivering quality network and superior customer experience in the process, achieving the highest ever revenue market share gain.
He was the Head of Business at Chennai and Andhra Pradesh Circles of Aircel India, where he led the launch of Aircel, establishing Aircel as the brand of choice in data through innovative go-to-market initiatives and ultimately building a market leading business.
Mr Chaganti holds an MBA in Marketing and Finance from the XLRI Business School in Jamshedpur, India and a bachelor’s degree in Mechanical Engineering from Osmania University College of Engineering in Hyderabad, India.
GNA


{# Automatically extends the right outer layout and also handles AJAX siutations #} {% extends data.outerLayout %} {% block title %} {# Create a useful, SEO-friendly title tag based on what we have #} {% if data.piece %} {{ data.piece.title }} {% elseif data.page %} {{ data.page.title }} {% else %} {{ apos.log('Looks like you forgot to override the title block in a template that does not have access to an Apostrophe page or piece.') }} {% endif %} {% endblock %} {% block extraHead %} {# This block outputs its contents in the HTML document's
. It is a good place to put extra {% endblock %} {% block beforeMain %} {# We recommend you use the beforeMain block for global page components like headers or navigation. #}


This function replaces the chromosomes based on rank and crowding distance. Initially until the population size is reached each front is added one by one until addition of a complete front which results in exceeding the population size. At this point the chromosomes in that front is added subsequently to the population based on crowding distance.
[N,V] = size(intermediate_chromosome); switch pro case 1 M = 2; V = 6; case 2 M = 3; V = 12; end % Get the index for the population sort based on the rank [temp,index] = sort(intermediate_chromosome(:,M + V + 1)); % Now sort the individuals based on the index for i = 1 : N sorted_chromosome(i,:) = intermediate_chromosome(index(i),:); end % Find the maximum rank in the current population max_rank = max(intermediate_chromosome(:,M + V + 1)); % Start adding each front based on rank and crowing distance until the % whole population is filled. previous_index = 0; for i = 1 : max_rank current_index = max(find(sorted_chromosome(:,M + V + 1) == i)); if current_index > pop remaining = pop - previous_index; temp_pop = ... sorted_chromosome(previous_index + 1 : current_index, :); [temp_sort,temp_sort_index] = ... sort(temp_pop(:, M + V + 2),'descend'); for j = 1 : remaining f(previous_index + j,:) = temp_pop(temp_sort_index(j),:); end return; elseif current_index < pop f(previous_index + 1 : current_index, :) = ... sorted_chromosome(previous_index + 1 : current_index, :); else f(previous_index + 1 : current_index, :) = ... sorted_chromosome(previous_index + 1 : current_index, :); return; end previous_index = current_index; end


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"shiny" is a package used to create interactive dashboards without the necessity to know any HTML, CSS or JavaScript.
It was developed by Joe Cheng from RStudio.
Some of the benefits of using shiny are:
To install shiny we run:
install.packages("shiny")
and then we load the library:
library("shiny")
A folder contating a basic shiny application is structured in two different ways:
myapp
│ app.R
└───data
│ └───data.csv
└───images
└───image.jpg
myapp
│ ui.R
│ server.R
└───data
│ └───data.csv
└───images
└───image.jpg
The ui stands for user interface and it is the skeleton or layout of an application, for example, where a dropdown menu should be located, or which options a radio button menu should have, or the range of a slidebar. The ui is written using shiny functions and its output is raw HTML code.
The server is a function that allows users interact with the application by selecting specific options of the ui in order to obtain different results which can be in the form of plots, datasets, mathematical calculations, words, images.
The UI is responsible for creating specific controls that a user can iteract with, while the server is translating the specific options selected in the ui into an actual plot or data.
Now let's explore some of the examples that one can create using shiny:
library(shiny)
runExample("01_hello")
runExample("03_reactivity")
runExample("05_sliders")
runExample("09_upload")
Steps:
Create a dashboard that visualizes GDP figures at the national level for all published NAICS (North American Industry Classification) industries.
Table<PHONE_NUMBER>: Gross domestic product (GDP) at basic prices, by industry, monthly (x 1,000,000)
library(CANSIM2R)
# The library CANSIM2R help us to download Table 36-10-0434-01:
# Gross domestic product (GDP) at basic prices, by industry, monthly (x 1,000,000)
# from the Statistics Canada
gdp_raw <- getCANSIM(36100434, raw=TRUE)
library(dplyr)
# Print the first rows of the dataset
head(gdp_raw)
# Verify how many unique variables exist in a given colum name
unique(table04$Seasonal.adjustment)
unique(table04$Prices)
unique(table04$GEO)
# Cleaning the data:
gdp <- gdp_raw %>%
filter(Seasonal.adjustment %in% "Seasonally adjusted at annual rates")%>%
select("time"="X.U.FEFF.REF_DATE",
"naics"="North.American.Industry.Classification.System..NAICS.",
"value"="VALUE",
"prices"="Prices")
# Creating a new column time1 which will be a "date" object.
gdp$time1<-as.Date(paste((gdp$time), "-01", sep=""))
gdp$time1<-as.Date(gdp$time1)
typeof(gdp$value)
# Define UI for app that analyzes the GDP at the national level for all NAICS industries ----
ui <- fluidPage(
# App title ----
titlePanel("GDP Analysis"),
# Sidebar layout with input and output definitions ----
sidebarLayout(
# Sidebar panel for inputs ----
sidebarPanel(
),
# Main panel for displaying outputs ----
mainPanel(
)
)
)
# Define a server function ----
server <- function(input, output) {
})
}
# To run the app:
# shinyApp(ui=ui, server=server)
# Define UI for app that analyzes the GDP at the national level for all NAICS industries ----
ui <- fluidPage(
# App title ----
titlePanel("GDP Analysis"),
# Sidebar layout with input and output definitions ----
sidebarLayout(
# Sidebar panel for inputs ----
sidebarPanel(
# Input: selectInput allows users to choose a given industry ----
selectInput(inputId = "industry",
label = "Select an industry:",
choices = unique(gdp$naics)),
# Input: radioButtons allows users to choose a specific price measure ----
radioButtons(inputId = "prices",
label = "Select price measure:",
choices = unique(gdp$prices))
),
# Main panel for displaying outputs ----
mainPanel(
# Output: Plot ----
plotOutput(outputId = "plot2", height = "800px", width = "700px")
)
)
)
# Define server logic required to draw a histogram ----
server <- function(input, output) {
# Plot of the monthly GDP ----
# After users choose a:
# - specific industry in the dropdown menu
# - specific price measurement
#
# The server will generate a line chart which is wrapped in a call
# to renderPlot to indicate that:
#
# 1. It is "reactive" and therefore should be automatically
# re-executed when inputs (input$industry and input$price) change
# 2. Its output type is a plot
output$plot2 <- renderPlot({
dat <- gdp %>%
filter(naics %in% input$industry ) %>%
filter(prices %in% input$prices)
ggplot(dat, aes(x= time1 , y= value, group=1))+
geom_line()+
theme(axis.text.x = element_text(size=11, angle=90))+
scale_x_date(date_labels = "%b %y", date_breaks = "1 year")
})
}
# To run the app:
# shinyApp(ui=ui, server=server)
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