(#) Using STRING instead of TEXT !!! WARNING: Using STRING instead of TEXT This is a warning. Id : `SQLiteString` Summary : Using STRING instead of TEXT Severity : Warning Category : Correctness Platform : Any Vendor : Android Open Source Project Feedback : https://issuetracker.google.com/issues/new?component=192708 Affects : Kotlin and Java files Editing : This check runs on the fly in the IDE editor See : https://www.sqlite.org/datatype3.html Implementation : [Source Code](https://cs.android.com/android-studio/platform/tools/base/+/mirror-goog-studio-main:lint/libs/lint-checks/src/main/java/com/android/tools/lint/checks/SQLiteDetector.java) Tests : [Source Code](https://cs.android.com/android-studio/platform/tools/base/+/mirror-goog-studio-main:lint/libs/lint-tests/src/test/java/com/android/tools/lint/checks/SQLiteDetectorTest.java) Copyright Year : 2015 In SQLite, any column can store any data type; the declared type for a column is more of a hint as to what the data should be cast to when stored. There are many ways to store a string. `TEXT`, `VARCHAR`, `CHARACTER` and `CLOB` are string types, **but `STRING` is not**. Columns defined as STRING are actually numeric. If you try to store a value in a numeric column, SQLite will try to cast it to a float or an integer before storing. If it can't, it will just store it as a string. This can lead to some subtle bugs. For example, when SQLite encounters a string like `1234567e1234`, it will parse it as a float, but the result will be out of range for floating point numbers, so `Inf` will be stored! Similarly, strings that look like integers will lose leading zeroes. To fix this, you can change your schema to use a `TEXT` type instead. (##) Example Here is an example of lint warnings produced by this check: ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~text src/test/pkg/SQLiteTest.java:25:Warning: Using column type STRING; did you mean to use TEXT? (STRING is a numeric type and its value can be adjusted; for example, strings that look like integers can drop leading zeroes. See issue explanation for details.) [SQLiteString] db.execSQL("CREATE TABLE " + name + "(" + Tables.AppKeys.SCHEMA + ");"); // ERROR ----------------------------------------------------------------------- src/test/pkg/SQLiteTest.java:30:Warning: Using column type STRING; did you mean to use TEXT? (STRING is a numeric type and its value can be adjusted; for example, strings that look like integers can drop leading zeroes. See issue explanation for details.) [SQLiteString] db.execSQL(TracksColumns.CREATE_TABLE); // ERROR -------------------------------------- ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Here is the source file referenced above: `src/test/pkg/SQLiteTest.java`: ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~java linenumbers package test.pkg; import android.database.sqlite.SQLiteDatabase; @SuppressWarnings({"unused", "SpellCheckingInspection"}) public class SQLiteTest { public interface Tables { interface AppKeys { String NAME = "appkeys"; interface Columns { String _ID = "_id"; String PKG_NAME = "packageName"; String PKG_SIG = "signatureDigest"; } String SCHEMA = Columns._ID + " INTEGER PRIMARY KEY AUTOINCREMENT," + Columns.PKG_NAME + " STRING NOT NULL," + Columns.PKG_SIG + " STRING NOT NULL"; } } public void test(SQLiteDatabase db, String name) { db.execSQL("CREATE TABLE " + name + "(" + Tables.AppKeys.SCHEMA + ");"); // ERROR } public void onCreate(SQLiteDatabase db) { db.execSQL(TracksColumns.CREATE_TABLE); // ERROR } private void doCreate(SQLiteDatabase db) { // Not yet handled; we need to flow string concatenation across procedure calls createTable(db, Tables.AppKeys.NAME, Tables.AppKeys.SCHEMA); // ERROR } private void createTable(SQLiteDatabase db, String tableName, String schema) { db.execSQL("CREATE TABLE " + tableName + "(" + schema + ");"); } } ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ You can also visit the [source code](https://cs.android.com/android-studio/platform/tools/base/+/mirror-goog-studio-main:lint/libs/lint-tests/src/test/java/com/android/tools/lint/checks/SQLiteDetectorTest.java) for the unit tests for this check to see additional scenarios. The above example was automatically extracted from the first unit test found for this lint check, `SQLiteDetector.test`. To report a problem with this extracted sample, visit https://issuetracker.google.com/issues/new?component=192708. (##) Suppressing You can suppress false positives using one of the following mechanisms: * Using a suppression annotation like this on the enclosing element: ```kt // Kotlin @Suppress("SQLiteString") fun method() { execSQL(...) } ``` or ```java // Java @SuppressWarnings("SQLiteString") void method() { execSQL(...); } ``` * Using a suppression comment like this on the line above: ```kt //noinspection SQLiteString problematicStatement() ``` * Using a special `lint.xml` file in the source tree which turns off the check in that folder and any sub folder. A simple file might look like this: ```xml <?xml version="1.0" encoding="UTF-8"?> <lint> <issue id="SQLiteString" severity="ignore" /> </lint> ``` Instead of `ignore` you can also change the severity here, for example from `error` to `warning`. You can find additional documentation on how to filter issues by path, regular expression and so on [here](https://googlesamples.github.io/android-custom-lint-rules/usage/lintxml.md.html). * In Gradle projects, using the DSL syntax to configure lint. For example, you can use something like ```gradle lintOptions { disable 'SQLiteString' } ``` In Android projects this should be nested inside an `android { }` block. * For manual invocations of `lint`, using the `--ignore` flag: ``` $ lint --ignore SQLiteString ...` ``` * Last, but not least, using baselines, as discussed [here](https://googlesamples.github.io/android-custom-lint-rules/usage/baselines.md.html).


While bio homes can have many benefits, they can also pose some problems
While green energy has a high efficiency vs energy input, the energy yield it produces
is quite low.
The energy sources which are used to power bio homes, such as solar panels, can be quite
expensive.
Renewable energy sources tend to be vulnerable depending on the location of the energy
source, and so a proper, well-maintained place is required for these energy sources.
Energy production is slow. This means that the customer has an energy threshold on their
consumption monthly.
Homeowners must take in account the energy yield of their home by assessing the amount
of energy their home outputs.
Homeowners may not be able to go completely solar if the energy consumption of their
home is too inefficient.
Energy audits include use tools to analyze the efficiency of energy in homes.
The Environmental Protection Agency (EPA) is a governmental agency which seeks to protect
the health of humans and the environment.
It acomplishes its goals by developing and enforcing rules and regulations for companies
and states, and other entities.
When planning a Bio Home, be sure to follow regulations posted by the EPA. Failing to do
so will result in the denial of a request to build a bio home.
If you are currently interested in buying solar for your current home you might need
to look at what
a Solar Power Purchase Agreement is. A Solar Power Purchase Agreement (SPPA) is an
agreement in which a third party operates the
system and the customer hosts the system's electric output. You simply supply the
property in which the solar panels are located.
Not directly owning the PV (Photovolatic) system could lead to long term issues such as possible damages and moving houses. More issues include:
The purpose of zoning laws is to regulate impacts that may not be in the best interests of the people including:
Zoning laws are region specific. Make sure to research the county's or city's zoning laws to ensure you
do not violate any laws.
Typically, certain renewable energy types are not specified in a county's or city's zoning laws, but are
often still allowed in that county or city.
Installation still holds many problems if there are not any specific rules about renewable energy.
Neighbors or other residents could sue you for the
installation of a solar panel for aa variety of reasons so make sure to properly review the local area's zoning laws.
The Home Owner's Association is an organization created to regulate residential communities. Most residential communities have an HOA and these HOAs have their own specific rules. Some of the main functions of an HOA are to:
When planning your bio home or planning the installation of renewable energy sources,
make sure to consult with the HOA about specific rules regarding this matter.
In most residential
areas,
the HOA will approve of the installation of renewable energy or construction of a bio home
as long as the state also approves as well.


Welcome
This app is a demo of the QA-Boot Library, an implementation of Bootstrap 3 for JSF 2.2
To view the JSF source code go to greeting.xhtml
Home
Settings
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#{greeting.numberOfPresents}
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{# Acknowledge sponsors in sidebar. #} cf development has been supported by the ERC through Seachange and Couplet; by the EC Horizon 2020 programme through IS-ENES3; by NERC through UKFAFMIP; and by NCAS.


I am writing this blog for all the people out there searching for information on trekking to Everest Base Camp during the summer.
I couldn’t find anything on the internet about us-the people who trek to EBC during the monsoon season.
Perhaps you are a teacher and the only time you can trek in Nepal is summer.
Or you are in between jobs. Or you love the rain. Whatever! Let’s talk about trekking to EBC during the rainy season.
Everything you read on the internet and in guide books will deter you from trekking to EBC during the rainy season.
In fact, most of the trekking companies don’t even offer trekking to EBC in the rainy summer season.
Wrong! I am here to encourage you to trek to EBC during the rainy summer season. Here is why:
-
No crowds! You and the 20-30 other trekkers will get to know each other on the trail and you will know you are in an exclusive “cool kids” club not afraid of the rain on the EBC trek in the summer.
There is an amazing camaraderie on the trek in the summer.
The only people you will see are your fellow few trekkers, porters carting supplies up and down the mountains, locals walking and a couple horses and yaks (most are out for the summer on “vacation” grazing).
There are no hour long waits on the suspension bridges that are encountered during high season.
It’s just you, your guide and the amazing Himalayas in the summer.
-
It’s not cold. I wore short sleeves a few days and a very thin long sleeved top the rest of the trek.
How glorious to see the Himalayas in their green glory! The flora and fauna are spectacular, plus you will see the snow-capped mountains.
And the waterfalls-too many to count. This is the beauty of summer trekking to EBC.
-
Personal attention. There are so few people out in the summer and everywhere you go-you are appreciated! From the tea houses, to your guide, porter and the locals-you are a superstar!
You can really get to know the culture of Nepal in the summer as there is almost nobody around.
You can talk to everyone and learn everything you want to know.
So, you might now be interested in trekking during the summer to EBC.
Here are 10 things I wish I could have found information on and wish I had known before I went trekking.
-
It rains. Some days a lot. Some days a little. You need rain gear.
Many EBC websites talk about monsoon rains and leeches and that just wasn’t my experience. No leeches, no monsoon rains.
A raincoat with a hood, water resistant pants and water proof boots and you will be fine.
In 11 days, there was only one day that it rained the entire day.
Every other day had just short light rain or no rain.
-
Get up early! It’s the rainy season, so expect clouds for many parts of the day.
That means that you need to get up early to catch the beautiful sunrise and cloud-free skies.
My best views and photos were from 5:00-6:00 am. Tengboche was spectacular both to and from on the trek-highly recommend this spot!
Also, Mt. Everest is only ONE mountain-enjoy the beauty of ALL the mountains!
Don’t get focused on this one view or you will miss all the other amazing peaks.
-
Going DOWN is just as hard as going UP. I had envisioned dancing while sipping an Everest beer on the way down the mountains. WRONG.
It is just as hard trekking down the mountains as it was getting up the mountains.
One of the reasons is you cover twice the terrain in the same amount of time as you go down.
Add to this that the rocks are wet and slippery and you can see why the celebrating only starts once you get to Lukla.
It’s an 11 day trek and all 11 days are hard.
-
Rest days are not actually restful. It only means you are staying the same place two nights.
We hiked for hours on our rest days. I got little rest.
If you know ahead of time that rest days are not actually rest, you might not be as grouchy as I was on my “so called rest days.”
-
You get to the tea houses in the early afternoon and there is nothing to do. Nothing. It’s low season, so there is nothing open.
I repeat-there is NOTHING OPEN AND NOTHING TO DO. Bring cards, books, and anything to entertain yourself and your trek-mates.
Unless you like staring into space-bring something to do!
Sleeping is not a good option as you will never sleep at night (high altitude sleeping/lack of sleeping is a whole different blog post). I had envisioned book exchanges-no. There was nowhere on the entire trek to exchange a book that I had read with one I would like to read.
Bring a reader or carry a bunch of books.
-
Don’t plan on taking a shower. There are a couple tea houses on the trek that have showers, but more that don’t have showers.
Same goes with washing clothes.
Plan on being dirty and if you have the opportunity to clean up-enjoy!
-
Keep your cell phone and power bank on your body-even sleep with them! As you gain altitude and the temperature drops, your technology and their batteries will quickly drain.
Keep them warm and they will keep working. The higher you hike, the higher the prices to charge your technology.
Try solar power banks and keep your money!
-
Bring a warm hat, gloves and a pull-over or light down jacket. I literally slept with all of these items.
The tea houses are COLD! None have heat and many do not light a fire in the common rooms.
When you are trekking you won’t be cold but I guarantee you will be cold in the tea houses.
I often thought I would be warmer in a tent!
-
Listen to your guide. Your guide is the expert. You know nothing about the Himalayas.
Drink 3-4 liters of water per day (bring chlorine tablets. Cold water is free and is environmentally friendly.
Add the tablets for your drinking water); eat garlic soup (helps with altitude), no caffeine, no alcohol, and vegetarian.

No meat for foreign trekkers!
-
EBC is not the same in the summer. It is a rock. A big grey rock.
There are no tents, no prayer flags (at least when I was there) and it is pretty anti-climactic---if you let it be.
I personally was moved when I saw the icebergs and thought of all the amazing climbers of Mt. Everest. I didn’t need to see all the rest.
Prepare yourself if you expect to see what you have seen in photos in the past. There was a giant avalanche a few years ago and EBC is not the same.
The importance is the journey, not the destination.
I absolutely loved the summer to trek to EBC. I felt a real connection with the other trekkers, the guides, porters and the locals.
I didn’t miss the crowds or the 24/7 glorious views of the Himalayas.
I felt lucky to glimpse the beauty of the mountains and appreciated every time they peaked through to show their glory!
One of my favorite photos from the trek
@MuLisaWright
Note: Please tip your guides and porters well. They work very hard and deserve your appreciation.
Remember how many days they have spent ensuring you a safe and happy trek.
Plan ahead and bring a sufficient amount of cash to tip your hard working team!


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Mayo hospital extends visiting restrictions due to winter vomiting bug
Mayo University Hospital is extending its visiting restrictions across the hospital due to increasing numbers of patients displaying symptoms of diarrhoea and vomiting usually caused by Norovirus, commonly known as the winter vomiting bug.
A statement issued by the hospital said: “We are aware that there are people in the community with the virus and visiting will increase the risk of our patients getting the virus.
“When the virus becomes active in a ward it is very difficult to control it due to high numbers of patients.
“Anyone with recent symptoms of diarrhoea and/or vomiting or who has had contact with others who have these symptoms must not visit patients in the hospital.
“In order to protect vulnerable patients please ensure that you use alcohol gel on your hands before visiting and when leaving your relative. In these circumstances, visitors are advised to limit their movement throughout the hospital.
“Children should not visit the hospital during this time as they may be particularly susceptible to the illness or carrying the virus.
“The hospital management has put control measures in place to reduce the risk of the virus spreading to other areas/departments within the hospital. It is important that ill and vulnerable patients are not impacted by this.
“The situation is being monitored closely and the visiting restrictions will be lifted as soon as possible. The hospital would like to thank members of the public for their co-operation.”


Participants have to implement their projects.BE,their final year projects.Learn more
Coding Event. Acts as a base activity for the ICPC awareness and practice.Learn more
This is the Digital Scavenger Treasure hunt! Everyone will be provided with a private key for submission of the answers. Event is totally digital ,so be ready and enjoy.Learn more
This event will be mainly intended for TE students.Learn more
Here is the most popular game of INDIA, Box Cricket ! Come with your team of 6 and show your team game.Learn more
Here is the event to crosscheck the best squad. The game includes your team strategies , bonding & decision making .Learn more


| Up | TOC | Index | |||||
| << 5 Formal Syntax | < 6.4 Euphoria To C Translator | Up: 6 Mini-Guides | 6.6 Multitasking in Euphoria > | 7 Included Tools >> |
6.5 Indirect Routine Calling
Euphoria does not have function pointers. However, it enables you to call any routine, including some internal to the interpreter, in an indirect way, using two different sets of identifiers.
6.5.1 Indirect Calling a Routine Coded in Euphoria
The following applies to any routine coded in Euphoria that your program uses, whether it is defined in the standard library, any third party library or your own code. It does not apply to routines implemented in the backend.
<IP_ADDRESS> Getting a Routine Identifier
Whenever a routine is in scope, you can supply its name to the builtin routine_id function, which returns a small integer:
include get.e constant value_id = routine_id("value")
Because value is defined as public, that routine is in scope. This ensures the call succeeds.
You can then feed this integer to call_func or call_proc as appropriate. It does not matter whether the routine is still in scope at the time you make that call. Once the id is gotten, it's valid.
<IP_ADDRESS> Calling Euphoria Routines by Id
This is very similar to using c_func or c_proc to interface with external code.
Function Calling
This is done as follows:
result = call_func(id_of_the_routine,argument_sequence)
where
- id_of_the_routine is an id you obtained from routine_id.
- argument_sequence is the list of the parameters to pass, enclosed into curly braces
include get.e constant value_id = routine_id("value") result = call_func(value_id, {"Model 36A", 6, GET_LONG_ANSWER}) -- result is {GET_SUCCESS, 36, 4, 1}
This is equivalent to
result = value("Model 36A", 6, GET_LONG_ANSWER)
Procedure Calling
The same formalism applies, but using call_proc instead. The differences are almost the same as between c_func and c_proc.
include std/pretty.e constant pretty_id = routine_id("pretty_print") call_proc(pretty_id,{1, some_object, some_options})
This does the same as a straightforward
include std/pretty.e pretty_print(1, some_object, some_options)
The difference with c_proc is that you can call an external function using c_proc and thus ignore its return value, like in C. Note that you cannot use call_proc to invoke a Euphoria function, only C functions.
<IP_ADDRESS> Why Call Indirectly?
Calling functions and procedures indirectly can seem more complicated and slower than just calling the routine directly, but indirect calls can be used when the name of the routine you want to call might not be known until run-time.
integer foo_id function bar(integer x) return call_func(foo_id,{x}) end function function foo_dev1(integer y) return y + 1 end function function foo_dev2(integer y) return y - 1 end function function foo_dev3(integer y) return y * y - 3 end function function user_opt(object x) ... end function -- Initialize foo ID switch user_opt("dev") do case 1 then foo_id = routine_id("foo_dev1") case 2 then foo_id = routine_id("foo_dev2") case else foo_id = routine_id("foo_dev3") end switch
One last word: when calling a routine indirectly, its full parameter list must be passed, even if some of its parameters are defaulted. This limitation may be overcome in future versions.
6.5.2 Calling Euphoria Internals
A number of Euphoria routines are defined in different ways depending on the platform they will run on. It would be cumbersome, and at times downright impossible, to put such code in include files or to make the routine fully builtin.
A solution to this is provided by machine_func and machine_proc. User code normally never needs to use these. Various examples are to be found in the standard library.
These primitives are called like this:
machine_proc(id, argument) result = machine_func(id, argument)
argument is either an atom, or a sequence standing for one or more parameters. Since the first parameter does not need to be a constant, you may use some sort of dynamic calling. The circumstances where it is useful are rare.
The complete list of known values for id is to be found in the file source/execute.h.
Defining new identifiers and overriding machine_func or machine_proc to handle them is an easy way to extend the capabilities of the interpreter.


| Figure 1 |
The change in soil relative water content (SRWC) and leaf wa ... |
| Figure 2 |
Combined effects of temperature and water availability on ne ... |
| Figure 3 |
Combined effects of temperature and water availability on th ... |
| Figure 4 |
Photosynthetic light-response curves of leaves with a water ... |


Methods
(async, static) openDataURL(url) → {Promise.<Buffer>}
Performs a GET to an URL and returns a promise to its body as a Buffer
Parameters:
| Name | Type | Description |
|---|---|---|
url |
string | URL of the desired content to GET |
- Source:
Returns:
Buffer with the content of the body from the HTTP response
- Type
- Promise.<Buffer>
(async, static) request(options) → {Promise.<string>}
Performs a request and returns a promise to the body as a string
Parameters:
| Name | Type | Description | |||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
options |
Object | Object with the parameters to the request
Properties
|
- Source:
Returns:
- Type
- Promise.<string>


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Written by: Andrew Reich & Ted Cohen
Produced by: Robert Carlock & Wendy Knoller
Transcribed by: Coffee Mug, Eleonora, Sebastiano & Vanessa
Final check by Kim
[Scene: Joey's place. Rachel and Joey are talking]
Joey: All right, all right, all right, let's play one more time, ok? And remember, if I win you do not move to Paris.
Rachel: Ok! Can't believe I'm risking this again, but you're on! All right Joe, you remember the rules! Heads I win, tails you lose.
Joey: Just flip!
Rachel (she flips the coin): Ha, tails!
Joey: Damnit!
(Chandler and Monica enter the room)
Chandler: Hey!
Joey: Hey!

Rachel: Oh, that sounds good!
Monica: Hey, Rach, you're leaving tomorrow, shouldn't you be packing?
Rachel: It's all done!
Monica: Oh, yeah, right! And after I took a shower this morning I just threw my towel on the floor! Oh God, it hurts to even joke about it.
Rachel: I know... Honey, seriously, I did it all. The luggage that I'm taking is in the bedroom, this is Emma's Paris stuff, these are the boxes that I'm having shipped, and that's the sandwich that I made for the plane...
Monica: Ok, so you've done some good work! (pause) What about your carry-ons?
Rachel: Oh, well. Everything that I need (she takes her bag) is in here and my travel documents are on the counter organized in the order that I will be needing them.
Monica: Oh my God! I have nothing left to teach you! (they hug)
Chandler: Where's your passport?
Rachel: It should be right next to my plane ticket.
Chandler: Well, it's not.
Rachel: What? Maybe I put it in here (she opens her bag). Oh, oh, it's not in there! Oh, no! I must have packed it in one of these boxes!
Monica: Here, let me help you. (they both start opening boxes)
Rachel: Shoot. Oh, I can't believe I did this!

OPENING SEQUENCE
[Scene: Monica's apartment. Monica and Erica are talking about the baby, and Monica is rubbing Erica's tummy.]
Monica: Oh, wow, can you believe you're like three weeks away?
Erica: I know.
Monica: You don't mind me touching your belly, do you?
Erica: No, I don't mind you touching my belly, but right now your hand is kind of blocking the part where the baby is gonna come out.
(She takes her hand off Erica. Ross enters the room)
Ross: Hey!
Erica: Hi.
Ross: Hey Erica, welcome back to town! (pause) Wow, look how big you've gotten.
Erica: That's because I'm pregnant!
Ross: Right, no, I understand.
Erica: Oh, ok. I'm just always afraid that people think I'm just fat with big breasts.
Ross: No, no, I knew (he stares at her breasts).
Monica (to Ross): Okay, well, stop staring at them.
Ross: She brought them up! (pause) I didn't realize you were coming back so soon!
Erica: Hey, well, in a couple of weeks I won't be able to travel.
Monica: Yeah, and I wanted her to get to know the doctors and get settled into the hotel.
Ross: Hotel? Why isn't she staying with you guys?
Monica: Because we're moving in a couple of days and it just didn't make sense.
Erica: Plus hotels are fun!
Ross: Erica, those things aren't free. In fact they have one of the highest mark-ups of any consumer product...
Monica: Ross! She's giving us her baby. She can eat you if she wants.
Erica (standing up): I'll be right back.

Monica: Oh, I know. I know. Hey, you know, you can take it if you want! The lease is still in Nana's name.
Ross: No, no. This will always be your place. It would be too sad. Plus, how much a month does it cost to feed Joey?
Monica: Yeah, it takes two incomes.
Ross: Hey, is Chandler here? We talked about catching a movie.
Monica: Oh, no. He doesn't have time for that. But if you want, you can go help him and Joey pack up the guest room.
Ross: Mhm, (he balance things) packing - sexy cheerleader comedy.
Monica: Mhm, helpful brother - creepy loner at teen movie.
(Ross takes the tape roll she's handing him and walks to the guest room while mocking Monica's voice)
[Scene: Guest room. Joey has his head wrapped in bubbled wrap and Chandler is punching him. Ross enters the room.]
Ross: What are you guys doing?
Joey: Try it, I can't feel a thing! (Ross starts punching him too)
Monica (enters the room): Are, are you kidding? This is packing?
Chandler: We're taking a break!
Monica: From?
Chandler: Jumping on the bed?
Monica: All right, Rachel's party is in a couple of hours and there's a lot to do. Now, Ross, you got Geller blood, you're in charge of these yahoos!
Ross: You got it! (Monica leaves, Ross closes the door). All right, she's right, we gotta get serious. (He grabs a bag of styrofoam peanuts) Let's put styrofoam peanuts down his pants and kick him!
Chandler: No, no, no, guys. She's right. We should get to work. I'll take stuff out of the closet, Joey you pack 'em and Ross you re-pack whatever Joey packs.

Joey: Hey! Handcuffs! And fur line, nice! I didn't know you guys had it in ya!
Ross: Chandler, you don't have a sister so you can't understand how much this bums me out.
Chandler: I didn't know Monica had these!
Joey: Mhm, maybe she used them with another boyfriend. Maybe Richard!
Chandler: Why would she use them with Richard and not me? I can be kinky! I once did a naked dance for her... with scarves!
Ross: Bumming hard, guys, bumming hard.
[Scene: Monica's apartment. Phoebe and Ross enter the room.]
Phoebe: Hey!
Monica: Hey! Where's Mike?
Phoebe: Oh, he has a gig. I kinda like being married to a rock star, you know. My husband has a gig.
Ross: Yeah? Yeah, where is it?
Phoebe: Oh, he's playing organ for a children's roller-skating party.
Ross: Rock on!
Phoebe (watching the food on the table): Wow, this is quite a spread! (pause) What is all this stuff?
Monica: Well, I thought this would be a great opportunity to use up all the food that I don't want to move to the new house with me! So, enjoy: smoke oyster casserole with a breakfast cereal crust, kidney beans in their own juices, and for dessert, a questionable orange.
Joey: (entering the room) Hey.
Chandler: Hey.
Ross: Hey, where's Rach?
Joey: Oh, she's putting Emma down, she'll be over in a second.
Ross: Great.
Joey: Now it just hit her that she's leaving and she's kind of emotional so no one say anything to set her off, ok?
Monica: Yeah.

Ross: Here she is!
Rachel (crying): Hi you guys!
Joey: What did I just say?
Rachel: No, no, no. It's ok. I'm gonna be fine.
Monica: Come here, I'll make you a drink.
Ross: Oh, man! I can't believe she's actually leaving. How am I gonna say goodbye to Rachel?
 And it feels like when Melrose Place got cancelled. (Ross and Joey looks puzzled) I mean... oh, forget it. I miss Melrose Place!

Ross: Yeah?
Joey: Who loses fifty seven coin tosses in a row? Head she wins, tails I lose. (he stops and starts realizing something) Wait a minute...
Chandler: Yes, Joe?
Joey: I forgot to pick up my dry cleaning!
Phoebe (to Rachel): You doing ok?
Rachel: Well, I've been better.
Phoebe: Uh-hmm.
Rachel: You guys are gonna come and visit me, right?
Phoebe: Yes! You know, in six months the Statute of Limitations runs out and I can travel internationally again!
Rachel: I'm gonna miss you so much.
Phoebe: I know.
Rachel: You know what? Uhm, I have some goodbye stuff that I wanted to say to each of you and I was gonna save it until the end of the night, but come here (they go into the guest room).
Ross: Hey, what do you think they're doing in there?
Joey: Huh, if I had to guess I'd say Rachel is putting on the bubble wrap and Phoebe is doing the punching.
[Scene: Guest room. Rachel and Phoebe are sitting on the bed.]
Rachel: Oh, Pheebs, I don't even know where to start.
Phoebe: Ok well, before you do, I know we weren't supposed to get you going away presents, (she takes something out from her pocket) but I do have something for you.
Rachel: Oh, oh. (she's holding the present, a transparent bag with a white stick in it). What is this?
Phoebe: It's a cotton swab with a bit of my saliva on it, so that if they perfect the cloning process while you are over there, you can use the DNA to create your own Pheebs!
Rachel: I'm gonna throw this away, but thank you so much for the gesture!
[Scene: Monica's apartment. The living room.]
Monica: Chandler? I was just in our bedroom and I found these (she holds the furry handcuffs) on my pillow.
Chandler: Oh, yes. I decided to leave these out for you in case Richard stops by and you wanna engage on a little light bondage and moustache play!
Monica: What are you talking about? These aren't mine.
Chandler: Oh yeah, right! Good luck getting another scarf dance from me!
Monica: That would be a terrible punishment. But, I'm serious, I've never seen these before.
Chandler: Really? Then what are they doing in our guestroom?
Monica: Rachel used to live in that room.
Chandler: Rachel... with handcuffs!
Chandler: (he doesn't look excited anymore). Well played.
(Phoebe and Rachel enter the living room.)
Rachel: I love you Phoebe.
Phoebe: I love you too. (they hug) Please don't... Don't turn into... you know... French bitch! (they hug again)
Rachel: All right. Well, if I gonna do this, I'd better keep going.
Phoebe: Ok.
Rachel: Ok. Monica?
Monica: Yeah?
Rachel: Can you come here with me for a minute?
Monica: Sure.
Phoebe: (to Monica) Are you wearing waterproof mascara?
Monica: No.
Phoebe: Oh, you're so screwed. (Monica goes into the guest room)
Ross: (to Phoebe) Hey. What was that all about?
Phoebe: She's gonna say goodbye to each of us individually.
Ross: Are you kidding? Oh my God...
Phoebe: Yeah, I know, it's gonna be even worse for you... God...
Ross: Oh, man, I'm not going to be able to handle this. (pause) Now I know how my students feel at the end of each year. And why they act out by giving me such bad evaluations.
[Scene: The guest bedroom. Rachel and Monica are talking to each other.]
Rachel: Mon... Okay... I've gotta... just say what it is I'm gonna say... None of the amazing things that have happened to me in the last ten years, would have happened if it wasn't for you. No-one has been more like a sister to me...
Monica: I know what you mean. You're like a sister to me too.
Rachel: (starts crying and speaking at the same time, making it almost impossible to understand what she's saying) I wouldn't know what I'm gonna do without you...
Monica: (having the same problem) You're the best friend I ever had.
Rachel: (says something that cannot be understood)
Monica: What?
Rachel: I... I... I... (again saying something that cannot be understood)
Monica: That is so sweet. (they hug)
[Scene: Back to the living room. Monica and Rachel enter and hug each other. The guys see this.]
Ross: (to Joey) Oh no, she took down Monica... And I'm the crier in the family. Oh God! I could be next. Maybe she won't talk with me if it looks like we're deep in converstation. Oh, so that thing you said about the thing. It really made me think about that other thing.
Chandler: Uh, Rach?
Ross: Well it's okay. Chandler is talking to her.
Joey: I really made you think about that thing uh?
Chandler: (to Rachel) Uh, Rach... I think I have something that belongs to you. (shows her the cuffs)
Rachel: (laughs) Oh, I'm sure gonna miss pretending to laugh at your weird jokes that I don't get.
Chandler: No, no, no... They're really yours. We... found them in your old room.
Rachel: Well, these aren't mine. Maybe Monica used to use them with...
Chandler: Don't say Richard! Well, if they're not Monica's and they're not yours, then whose are they?
Rachel: Well, I think you're forgetting the kinkiest former resident of that room.
Chandler: Pheebs!
Phoebe: (from the other side of the room) Yeah!
Chandler: I think these are yours.
Phoebe: These are not mine... Look how flimsy they are, come on! Good God! You try to hang a guy from a waterpipe with these, they'll snap like a piece of licorice.
Rachel: (to Chandler) Can I talk to you alone for a minute?
Chandler: Sure. (to Phoebe) You don't really handcuff guys to waterpipes do you?
Phoebe: Where do you think Mike really is? (she giggles, Chandler looks aghast)
[Scene: The guest bedroom. Chandler and Rachel.]
Rachel: Oh honey...
Chandler: Let me just say something...  I just want to say that I... I love you...  And I'm so sad that you're leaving.
Rachel: (all mushy) Oh, you know what? Let's not say anything else. I love you. (they hug)
Chandler: Ooh, not so tight... (blows raspberry, and the hug ends) I'm sorry, just give me one more chance.
Rachel: Okay. Oh...
(Chandler blows raspberry again)
Rachel: Oh!
Chandler: I'm sor... Just go. Just go. I can't, I can't.
[Scene: Monica's living room. We look outside to the balcony where Rachel is saying goodbye to Joey.]
Monica: (to Ross) So, I guess you're next. You're ready?
Ross: I don't think so.
Chandler: Oh, you're definately not. I haven't cried like that in years.
Monica: You cried yesterday at the six o'clock news.
Chandler: That old woman was being scammed by her mechanic.
Ross: God! I can't believe she saved me for last. (looking out to the balcony) Why are they taking so long?
Phoebe: I don't know. But, God, Joey seems to be handling it suprisingly well.
(Rachel and Joey hug, and Rachel turns to enter the apartment through the side window again. At that moment Joey tries to climb over the edge of the balcony.)
All: No, no, no, no!
(Rachel rushes back and pulls Joey back onto the balcony, and takes him inside.)
Ross: Okay, here we go...
Rachel: Oh... (holding Ross's shoulder) Well...
Ross: Yeah...
Rachel: I think I'm gonna take off. (pats Ross on his back, but he looks very surprised)
Ross: Huh?
Rachel: Oh, you guys. This was an amazing night. Thank you so much. I love you. Good night.
(She leaves the apartment and they all stare at Ross)
Ross: What? I don't get a goodbye?
Joey: (still very emotional) Lucky bastard!
[Scene: Monica's apartment continued... Phoebe, Chandler, Monica and Joey are sitting down and Ross is pacing up and down.]
Ross: Unbelievable. She says goodbye to everyone but me.
Monica: Well, maybe she thought that with all of your history it could be, you know, implicit.
Ross: Well, it needs to be plicit.
Joey: All right, let's think about this. I mean, there's got to be an explanation. Uh... did you do anything to make her mad?
Ross: No, I don't think so.
Phoebe: You know, maybe she was just really spent from our talk. It was pretty intense.
Monica: Yeah. Mine too.
Chandler: Mine was a humdinger
Ross: (annoyed) O-kay... I mean, don't I deserve anything?  (Joey gives Ross a hug) NOT FROM YOU! (Joey lets go)
Phoebe: Ross, if you're this upset, you should go and talk to her.
Monica: And say what? "You owe me a goodbye", I mean, he's got more pride than that.

(Ross takes big steps leaving for Joey and Rachel's apartment, where Rachel is going through her papers.)
Ross: I don't get a goodbye?
Rachel: What?
Ross: (talking agitated and angry) Everyone gets a goodbye but me? What have I got to do to get a goodbye, huh? Be best friends with you? Uh, go out with you? Have a baby with you? Oh wait a minute, wait a minute, I did all those things.
Rachel: Ross...
Ross: Oh no, maybe it's me, I'm just not giving you enough credit. Uh, I mean it is difficult to say goodbye to five people. Uh, goodbye, goodbye, goodbye, goodbye, good... (makes choking noises) IT'S PHYSICALLY IMPOSSIBLE. You know what? After all we've been through, I can't believe this is how you want to leave things between us. Have a, have a good time in Paris. (He leaves the apartment. Rachel looks kind of desperate.)
[Scene: Monica and Chandler's apartment. The others are still there.]
Monica: I hope Ross isn't too upset.
Joey: I'm sure he's not more bummed out than I am.
Phoebe: Tell me about it.

Phoebe: All right, I think I'm gonna head out.
Monica: Uh, where do you think you're going?
Phoebe: I thought I was going home to go to bed, but I'm sensing there's something less fun for me to do here.
Monica: We're moving in a couple of days and we've got a lot of packing to do. It would be great if you guys could pitch in.
Chandler: Joey and I can finish up in the guest room.
 You and Phoebe are gonna help me in here.
Chandler: (to Joey) You couldn't be cool. (he goes to the guest bedroom)
Monica: Okay, we're gonna start in the kitchen. Plates get put into plate protectors and stacked ten to a box. The silverware gets bundled in rubber bands and then bubble wrapped. Got it?
Phoebe and Joey: Yeah.
Monica: Good! Now I need you to be careful and efficient. And remember, if I am harsh with you, it is only because you are doing it wrong.
Chandler: Hey Mon, I think I figured out whose handcuffs they are.
Monica: You did? How?
Chandler: Well, I was cleaning out the closet and I found some pictures of them... being used.
Monica: Oh my God!
Chandler: Monica's grandmother.
Monica: Nana liked it rough!
(Erica, the pregnant girl, enters)
Erica: Hi!
All: Hey!
Joey: Come on here, have a seat.
Phoebe: How was your night?
Erica: Oh, it was okay. I went to a movie with my cousin and then out for dinner. We went to this place that had... Ooh... (she looks likes she is in pain, holding her belly) Hoo... ooh... Anyway, they had these really amazing cheeseburgers.
Monica: Erica, are you okay?
Erica: Yeah, you know, maybe I ate too much. I keep getting these stomach aches. They come and go like every few minutes.
Monica: Oh my God!
Chandler: Relax! We just get her some antacids.
Monica: She doesn't have a stomach ache, she's in labor.
Chandler: Oh my God!
Phoebe: Yeah, you got to get to the hospital.
Monica: All right, Chandler get the coats. Erica let's go. Phoebe and Joey, keep packing! Oh my God we're gonna have a baby. All right. We're gonna have a baby! OH MY GOD, WE'RE GONNA HAVE A BABY!  Ooh! (she's hyperventilating)
Chandler: Honey, it's gonna be okay.
Erica: You can do this. Just breathe.
Monica: Okay, okay... Okay, I feel a little better.
Erica: (in pain) Ooh! Are you sure?
Monica: Oh... Yes, I'm sure. Oh honey, let's go. Okay bye everyone.
(there's a lot of supportive cheers from all. Erica, Monica and Chandler leave.)
Joey: Chandler, wait, wait, wait...
Chandler: What?
Joey: If you get a second, find out where she got that cheeseburger.
[Scene: Ross's apartment. Rachel bursts in.]
Rachel: You really think I didn't say goodbye to you because I don't care?
Ross: That's what it seemed like.
Rachel: I cannot believe that after ten years, you do not know ONE thing about me.
Ross: Fine, then why didn't you say something?
 I can't even begin to explain to you how much I'm gonna miss you. When I think about not seeing you every day, it makes me not want to go... Okay, so if you think that I didn't say goodbye to you because you don't mean as much to me as everybody else, you're wrong. It's because you mean more to me. So there, all right, there's your goodbye... Oh!
Ross: Rach!
Rachel: What?
Ross: You keep, you keep... You can't...
Rachel: WHAT?
(Ross walks over to her and starts to kiss her passionately. After a while Rachel backs out. She thinks a while and starts kissing him back.)
COMMERCIAL BREAK
[Scene: Chandler and Monica's apartment.]
Joey: A little more.
Phoebe: Okay. (she starts to stuff styrofoam peanuts down the front of Joey's pants.)
 A little more... All right. Okay, all right, let's do this.
Phoebe: All right, ready?
Joey: Yeah. All right, now give me your best shot.
Phoebe: All right, here it goes...
(she knees him in the crotch. He jumps up a bit)
Joey: (in pain) Doesn't work... (he falls down on on his knees with his head on the floor)
THE END


Consent¶
During an authorization request, if IdentityServer requires user consent the browser will be redirected to the consent page.
Consent is used to allow an end user to grant a client access to resources (identity or API). This is typically only necessary for third-party clients, and can be enabled/disabled per-client on the client settings.
Consent Page¶
In order for the user to grant consent, a consent page must be provided by the hosting application. The quickstart UI has a basic implementation of a consent page.
A consent page normally renders the display name of the current user, the display name of the client requesting access, the logo of the client, a link for more information about the client, and the list of resources the client is requesting access to. It’s also common to allow the user to indicate that their consent should be “remembered” so they are not prompted again in the future for the same client.
Once the user has provided consent, the consent page must inform IdentityServer of the consent, and then the browser must be redirected back to the authorization endpoint.
Authorization Context¶
IdentityServer will pass a returnUrl parameter (configurable on the user interaction options) to the consent page which contains the parameters of the authorization request.
These parameters provide the context for the consent page, and can be read with help from the interaction service.
The GetAuthorizationContextAsync
API will return an instance of AuthorizationRequest
.
Additional details about the client or resources can be obtained using the IClientStore
and IResourceStore
interfaces.
Informing IdentityServer of the consent result¶
The GrantConsentAsync
API on the interaction service allows the consent page to inform IdentityServer of the outcome of consent (which might also be to deny the client access).
IdentityServer will temporarily persist the outcome of the consent.
This persistence uses a cookie by default, as it only needs to last long enough to convey the outcome back to the authorization endpoint.
This temporary persistence is different than the persistence used for the “remember my consent” feature (and it is the authorization endpoint which persists the “remember my consent” for the user).
If you wish to use some other persistence between the consent page and the authorization redirect, then you can implement IMessageStore<ConsentResponse>
and register the implementation in DI.
Returning the user to the authorization endpoint¶
Once the consent page has informed IdentityServer of the outcome, the user can be redirected back to the returnUrl.
Your consent page should protect against open redirects by verifying that the returnUrl is valid.
This can be done by calling IsValidReturnUrl
on the interaction service.
Also, if GetAuthorizationContextAsync
returns a non-null result, then you can also trust that the returnUrl is valid.


109 The search bar at the top can be used to ﬁnd a project by name or text in the project notes. So in this example: I was looking for my ice cream projects and typed “crea” in the search bar, then wondered why “ferris” matched. But then when I clicked on ferris I saw this: My search matched the word “recreate” in the project notes. The six buttons at the bottom select an action to perform on the selected project. In the top row, Recover looks in your cloud account for older versions of the chosen project. If your project is damaged, don’t keep saving broken versions! Use Recover ﬁrst thing. You will see a list of saved versions; choose one to open it. Typically, you’ll see the most recent version before the last save, and the newest version saved before today. Then come buttons Share/Unshare and Publish/Unpublish. The labelling of the buttons depends on your project’s publication status. If a project is neither shared nor published (the ones in lightface type in the project list), it is private and nobody can see it except you, its owner. If it is shared (boldface in the project list), then when you open it you’ll see a URL like this one: hps://snap.berkeley.edu/snapsource/snap.html#present:Username=bh&ProjectName=count%20change but with your username and project name. (“%20” in the project name represents a space, which can’t be part of a URL.) Anyone who knows this URL can see your project. Finally, if your project is published (bold italic in the list), then your project is shown on the Snap ! web site for all the world to see.  If another user saves it, a separate copy will be saved in that user’s account. Projects remember the history of who created the original version and any other “remix” versions along the way. In the second row, the ﬁrst button, Open, loads the project into Snap ! and closes the dialog box. The next button (if Cloud is the source) is Delete, and if clicked it deletes the selected project. Finally, the Cancel button closes the dialog box without opening a project. (It does not undo any sharing, unsharing, or deletion you’ve done.)


toString()
used in string concatenations and as arguments to the
print()
and println()
methods of java.io.PrintWriter
and java.io.PrintStream
, the append()
method of java.lang.StringBuilder
and java.lang.StringBuffer
or the trace()
, debug()
, info()
,
warn()
and error()
methods of org.slf4j.Logger
. In these cases the conversion
to string will be handled by the underlying library methods and an explicit call to toString()
is no needed.
Note that without the toString()
call the code semantics might be different: if the expression is null
then the string null
will be used instead of throwing a NullPointerException
. Use the checkbox
to avoid warnings for the values that could potentially be null.


| 1. Select one or multiple options under Contents to Be Displayed. | Time: The Time option is selected by default. Label: The Label option is selected by default. The default label is IPCamera. OSDX: A maximum of six texts can be displayed on the view window. |
| 2. Configure the format, font, and margin. | Time Format: The default format is YYYY-MM-DD. Type: Font type Margin: Margin on the view window |
| 3. Edit texts. | Double-click a text box to edit the text.
Note: A maximum of 32 characters can be entered in a text box. You can enter up to 22 characters for the device label. |
| 4. Change text and label locations. | You can drag a text or label box to change its location.
Note: All the text boxes are accommodated in the large blue square. You may need to move the blue square before you can move a text box. |
| 5. Click Save. | The Save button is located in the top left corner. |


Budgeting Loans
Jan 2017
Completion rate
This week: 89%
Public Beta: 87% 2% increase
Average time to complete
This week: 07:21
Public Beta: 07:15 00:06 increase
Completions
This week: 10,600
Public Beta: 39,800
Out of hours applications
This week: 23%
Public Beta: 33%
Device usage
This week:Mobile, Desktop, Tablet
Public Beta: Mobile, Desktop, Tablet % % %


Contains the program 'ttf2pt1', for use with the 'extrafont' package. This product includes software developed by the 'TTF2PT1' Project and its contributors.
| Version: | 1.3.7 |
| Depends: | R (≥ 2.15) |
| Published: | 2018-06-29 |
| Author: | Winston Chang, Andrew Weeks, Frank M. Siegert, Mark Heath, Thomas Henlick, Sergey Babkin, Turgut Uyar, Rihardas Hepas, Szalay Tamas, Johan Vromans, Petr Titera, Lei Wang, Chen Xiangyang, Zvezdan Petkovic, Rigel, I. Lee Hetherington |
| Maintainer: | Winston Chang <winston at stdout.org> |
| License: | file LICENSE |
| URL: | https://github.com/wch/Rttf2pt1 |
| NeedsCompilation: | yes |
| Materials: | README NEWS |
| CRAN checks: | Rttf2pt1 results |
| Reference manual: | Rttf2pt1.pdf |
| Package source: | Rttf2pt1_1.3.7.tar.gz |
| Windows binaries: | r-devel: Rttf2pt1_1.3.7.zip, r-release: Rttf2pt1_1.3.7.zip, r-oldrel: Rttf2pt1_1.3.7.zip |
| OS X binaries: | r-release: Rttf2pt1_1.3.7.tgz, r-oldrel: Rttf2pt1_1.3.7.tgz |
| Old sources: | Rttf2pt1 archive |
| Reverse imports: | extrafont |
Please use the canonical form https://CRAN.R-project.org/package=Rttf2pt1 to link to this page.


org.elasticsearch.search.aggregations.bucket
Interfaces
BucketStreams.Stream
MultiBucketsAggregation
MultiBucketsAggregation.Bucket
SingleBucketAggregation
Classes
BestBucketsDeferringCollector
BestDocsDeferringCollector
BucketsAggregator
BucketStreamContext
BucketStreams
BucketUtils
DeferringBucketCollector
InternalSingleBucketAggregation
MultiBucketsAggregation.Bucket.SubAggregationComparator
SingleBucketAggregator


The API Superstore provides fast access to the most cutting-edge APIs available online. The API Superstore has partnered with API providers across the Web to bring you easy access to the hottest third-party services and features. Get started, sign up, and save today!
The API Superstore provides a catalog of third-party APIs that you can use to enhance your business. From ecommerce to maps, API Superstore lists all of the services that customers expect and saves you the headache of sorting it out yourself! The longer you wait, the longer you’re not making more money and happier users!
“Once again, I’m blown away by the amazing offerings of the API Superstore. You really are SUPER!”
- Clara Cache
“This is the best website ever!”
 For a low monthly fee, I’m able to more easily keep up with the churn of information that makes application development so difficult, and API Superstore makes my world so much happier! Please don’t stop the rocking!”
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Before Change
// print the equivalent python schedule API, and build the binary again.
// Load the measuremnt record for the best schedule
inp, res = auto_scheduler.load_best(log_file, task.workload_key)
// Print equivalent python schedule API. This can be used for debugging and
// learning the behavior of the auto-scheduler.
After Change
// file and apply it.
// Run auto-tuning (search)
task.tune(tune_option)
// Apply the best schedule
sch, args = task.apply_best(log_file)
// Kill the measurement process


2D Detections
Apply one of the best studied tasks in computer vision, 2D axes aligned bounding box detections in camera images, to vehicles for automated driving. See how far it is possible to take 2D detections on almost 2 million annotated vehicles. The benchmark is scored based on average precision. All kinds of approaches, external approaches, closed source, and any runtime are allowed. We may add benchmarks or metrics and welcome suggestions.
3D / Polygon Detections
Axes aligned 2D bounding boxes unfortunately often also contain neighboring lanes which is inconvient for behavior planning and sensor fusion. The 2D boxes also do not convey any orientation and size information. Splitting the annotation into the two visible sides of a vehicle offers far higher accuracy and additional information. This benchmark is scored on the average precision of the overall polygon, the sides, and rears of the vehicles.
Realtime Detections
Automated vehicles have to be able to react to objects in real-time and while they can track and predict vehicles over time, fast detections are essential. For this benchmark, we restrict the compute time to 50 ms per incoming image which allows to process 20 images a second. There are no restrictions on image input size, hardware, or software but they should be reported. Additional splits, e.g. based on computer power, are possible.


| 1 |
Lai_B_2018 |
Trajectories of School Recovery After a Natural Disaster: Risk and Protective Factors |
Lai, Betty S.; Esnard, Ann‐Margaret; Wyczalkowski, Chris; Savage, Ryan; Shah, Hazel |
2018 |
2018-09-25 |
PMC |
N |
PMC6456061 |
30984343.0 |
10.1002/rhc3.12158 |
tz28lzi2 |
0.913006 |
|
|
| 2 |
Sung-Man_2018 |
The influence of strain due to individual risk factors and social risk factors on depressive symptoms and suicidality-a population-based study in Korean adults: A STROBE-compliant article |
Sung-Man, Bae |
2018 |
2018-07-06 |
NONCOMM |
N |
PMC6076168 |
29979418.0 |
10.1097/md.0000000000011358 |
ombi1ckv |
0.897418 |
|
Hong_2009, Liu_X_2012, Dong_2020 |
| 3 |
Marescot_2018 |
Social status mediates the fitness costs of infection with canine distemper virus in Serengeti spotted hyenas |
Marescot, Lucile; Benhaiem, Sarah; Gimenez, Olivier; Hofer, Heribert; Lebreton, Jean‐Dominique; Olarte‐Castillo, Ximena A.; Kramer‐Schadt, Stephanie; East, Marion L. |
2018 |
2018-03-06 |
None |
N |
PMC7163977 |
|
10.1111/1365-2435.13059 |
gq1g2zp7 |
0.854166 |
|
|
| 4 |
Ma_W_2015 |
Social support and HIV/STDs infections among a probability-based sample of rural married migrant women in Shandong Province, China |
Ma, Wenkang; Kang, Dianmin; Song, Yapei; Wei, Chongyi; Marley, Gifty; Ma, Wei |
2015 |
2015-11-24 |
COMM-USE |
N |
PMC4658759 |
26603036.0 |
10.1186/s12889-015-2508-5 |
yjrwq5b0 |
0.731712 |
|
|
| 5 |
McGuire_2018 |
Social Support Moderates Effects of Natural Disaster Exposure on Depression and Posttraumatic Stress Disorder Symptoms: Effects for Displaced and Nondisplaced Residents |
McGuire, Adam P.; Gauthier, Jami M.; Anderson, Lisa M.; Hollingsworth, David W.; Tracy, Melissa; Galea, Sandro; Coffey, Scott F. |
2018 |
2018-04-05 |
PMC |
N |
PMC6020825 |
29623684.0 |
10.1002/jts.22270 |
4mea2yo8 |
0.688476 |
Sung-Man_2018 |
|
| 6 |
Toyabe_2007 |
Factor structure of the General Health Questionnaire (GHQ-12) in subjects who had suffered from the 2004 Niigata-Chuetsu Earthquake in Japan: a community-based study |
Toyabe, Shin-ichi; Shioiri, Toshiki; Kobayashi, Kuriko; Kuwabara, Hideki; Koizumi, Masataka; Endo, Taro; Ito, Miki; Honma, Hiroko; Fukushima, Noboru; Someya, Toshiyuki; Akazawa, Kouhei |
2007 |
2007-07-24 |
COMM-USE |
N |
PMC1939990 |
17650342.0 |
10.1186/1471-2458-7-175 |
1pr9q0ww |
0.630527 |
Hong_2009, Wu_K_2005 |
Xu_X_2018, Hong_2009, Ying_2020 |
| 7 |
Dai_W_2016 |
Predictors of recovery from post-traumatic stress disorder after the dongting lake flood in China: a 13–14 year follow-up study |
Dai, Wenjie; Wang, Jieru; Kaminga, Atipatsa C.; Chen, Long; Tan, Hongzhuan; Lai, Zhiwei; Deng, Jing; Liu, Aizhong |
2016 |
2016-11-08 |
COMM-USE |
N |
PMC5101704 |
27825328.0 |
10.1186/s12888-016-1097-x |
6mqkqcpc |
0.617387 |
Wu_K_2005, Wu_K_2005, Maunder_2010 |
Dai_W_2016, Hong_2009, Mak_I_2010, Angela_Lo_2012 |
| 8 |
Lowe_2013 |
Trajectories of Psychological Distress Among Low-Income, Female Survivors of Hurricane Katrina |
Lowe, Sarah R.; Rhodes, Jean E. |
2013 |
2013-04-01 |
PMC |
N |
PMC3999519 |
23889030.0 |
10.1111/ajop.12019 |
ychkinlp |
0.616547 |
|
Hong_2009, Jalloh_2018 |
| 9 |
Dai_W_2016 |
Association between social support and recovery from post-traumatic stress disorder after flood: a 13–14 year follow-up study in Hunan, China |
Dai, Wenjie; Chen, Long; Tan, Hongzhuan; Wang, Jieru; Lai, Zhiwei; Kaminga, Atipatsa C.; Li, Yan; Liu, Aizhong |
2016 |
2016-02-29 |
COMM-USE |
N |
PMC4770534 |
26924178.0 |
10.1186/s12889-016-2871-x |
8y1a3tu0 |
0.597615 |
Wu_K_2005, Wu_K_2005, Maunder_2010 |
Dai_W_2016, Hong_2009, Mak_I_2010, Abu-El-Noor_2016 |
| 10 |
Hong_2019 |
Serial Multiple Mediation Analyses: How to Enhance Individual Public Health Emergency Preparedness and Response to Environmental Disasters |
Hong, Yuxiang; Lee, Taesam; Kim, Jong-Suk |
2019 |
2019-01-14 |
COMM-USE |
N |
PMC6352079 |
30646637.0 |
10.3390/ijerph16020223 |
hgiphvt3 |
0.593066 |
|
|
| 11 |
Zhou_2016 |
Latent growth curves and predictors of depressive symptoms among Chinese adolescent earthquake survivors |
Zhou, Ya; Han, Qingguo; Fan, Fang |
2016 |
2016-10-31 |
PMC |
N |
PMC7114640 |
|
10.1016/j.paid.2016.02.009 |
gvdrffyy |
0.564564 |
Hong_2009, Wu_K_2005, Wu_K_2005 |
Hong_2009, Lowe_2013, Mak_I_2009 |
| 12 |
Sawyer_2010 |
Posttraumatic growth and adjustment among individuals with cancer or HIV/AIDS: A meta-analysis |
Sawyer, Alexandra; Ayers, Susan; Field, Andy P. |
2010 |
2010-06-30 |
PMC |
N |
PMC7115708 |
20350775.0 |
10.1016/j.cpr.2010.02.004 |
rxdw553c |
0.553101 |
|
Hong_2009, Lowe_2013, Morais-de-Jesus_2014, Chan_2005 |
| 13 |
Raison_2012 |
The evolutionary significance of depression in Pathogen Host Defense (PATHOS-D) |
Raison, C L; Miller, A H |
2012 |
2012-01-31 |
None |
N |
PMC3532038 |
22290120.0 |
10.1038/mp.2012.2 |
twgs7akl |
0.459037 |
|
|
| 14 |
Shaw_2020 |
Hopelessness, helplessness and resilience: The importance of safeguarding our trainees' mental wellbeing during the COVID-19 pandemic |
Shaw, Sebastian C.K. |
2020 |
2020-03-31 |
None |
Y |
PMC7138173 |
|
10.1016/j.nepr.2020.102780 |
c4dlym34 |
0.427603 |
|
|
| 15 |
Mo_P_2017 |
Stigmatization among people living with HIV in Hong Kong: A qualitative study |
Mo, Phoenix K. H.; Ng, Charlson T. Y. |
2017 |
2017-02-14 |
COMM-USE |
N |
PMC5600241 |
28195685.0 |
10.1111/hex.12535 |
78cx3o29 |
0.404538 |
|
|
| 16 |
Rajkumar_2020 |
Ayurveda and COVID-19: where psychoneuroimmunology and the meaning response meet |
Rajkumar, Ravi Philip |
2020 |
2020-04-22 |
PMC |
Y |
|
|
10.1016/j.bbi.2020.04.056 |
jf90m8hm |
0.356796 |
|
|
| 17 |
Banerjee_2020 |
Social Isolation as a predictor for mortality: Implications for COVID-19 prognosis |
Sri Banerjee; Gary Burkholder; Beyan Sana; Mihalyi Szirony |
2020 |
2020-04-18 |
BioRxiv |
Y |
|
|
10.1101/2<IP_ADDRESS>66548 |
wkt1bgts |
0.321514 |
|
|


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There are essentially three cases in which you will want to handle your own repository of a specification.
- Relatively simple correction or change
- You have found an issue or have a relatively straightforward improvement to make to an existing specification. You do so by forking the specification, modifying it in a branch, and making a pull-request against the original. No specific knowledge is required beyond the basics of git and GitHub, and the format used for specifications (for which links are provided below).This is exactly the same process as for any open source project on GitHub.
- Forking
- You disagree with part of an existing specification or you wish to propose a relatively large new feature or change of behaviour. It is likely that your proposal would not be accepted immediately but would require discussion in the community, likely leading to some changes along the way. In this case you will want to not only fork the specification, but also publish it on WebSpecs so that others can review it. This is explained below.
- Starting From Scratch
- You have a completely new idea for a specification and you wish to publish it as a WebSpec. Simply follow the instructions in the corresponding section below and you will be good to go. Note that before embarking on this it is strongly recommended that you first discuss the issue on Discourse as it is likely that you will receive useful feedback and guidance from the community there that could save you a lot of work down the line.
Forking
Simply fork the repository for the specification of interest into a new one that you have write access to. It absolutely does not need to be under the WebSpecs organisation at GitHub. It doesn't matter if you are forking a fork (of a fork of a fork), simply pick the most logical starting point for you.
Check it out and create a new topic branch. There are no specific rules for branches, but if making a proposal for a specific feature do try to pick a descriptive name.
You will then need to edit your specification. WebSpecs can come in two formats. If you see a
file called index.bs
(or other *.bs
file name variant, though those
are discouraged) then the syntax is “Bikeshed”. If there’s an index.src.html
file
(or, again, *.src.html
variants are technically possible but as of this writing
there actually aren’t any) then the format is “ReSpec”.
Bikeshed is a Markdown flavour popular for specification writing and for which you can read documentation online. If you are familiar with Markdown you ought to find Bikeshed easy. If you are of those who hate Markdown, do not despair: the alternative is an HTML-based format.
If you use Bikeshed, it is recommended to have a copy of Bikeshed installed (preferably in a directory parallel to the specifications you are working on) but it is not required.
If you prefer HTML and JS to Markdown, WebSpecs can also be written using ReSpec. Like Bikeshed it takes care of a lot of the
things you don’t want to have to think about. You can start from a very basic example and only
tweak the configuration (near the top of the source) to set specStatus
to
"webspec"
and repository
to the user/repo-name
string
that fits your specification. Call the file index.src.html
and you’re good to go!
It should look like this
very basic example, which is in fact the same as linked right above but with its
configuration overridden in the query string.
Make changes, push them, etc. Once you want to publish your work to the community, simply
make a pull-request against the-index.
That is the document that sits at the root of
https://specs.webplatform.org/ and which drives
the automatic publishing system. For a fork you will mostly just want to add a pointer to your own
user/repo#branch
. When your PR is reviewed, in order to ensure that your fork is
automatically published whenever you make changes to it you just need to create a Web hook in
your GitHub repository that points to http://publican.berjon.com/hook
. Once your
PR is accepted, the WebSpecs index will be updated and your specification will be published.
That's it!
Starting From Scratch
The process for starting from scratch is substantially the same as the process for forking, except of course that you have to set up the initial repository yourself.
To begin with, create a repository in the usual way, wherever you want. Pick a name for it that is descriptive (avoid silly, because that tends to stick). Clone it locally, and create a branch according to the guidelines presented in the previous section.
You will want to install the webspec
tool, which is straightforward: npm
install -g webspec
. Note: in the close future this tool will be replace with a simpler
Web interface that carries out the same basic tasks. Also, the current tool does not support
all the nice features that are available, don’t hesitate to just ask for help setting up until
the Web tool is ready.
As indicated in the previous section, if you’re using Bikeshed it is a good idea to clone it in a directory parallel to the ones in which you edit specifications. While not required (the source gets regenerated at publish time anyway) it allows you to check that you don't have errors in your draft.
For ReSpec, the generation is done in the browser so there is nothing to install. When you
load your index.src.html
in your browser, a little “ReSpec” pill shows up in the
top right corner of the page (which isn't present in the published version of the document).
If there are errors with your specification, they’ll be reported there.
While at the root of your specification's directory, type webspec new
and follow
the instructions. (Note: the current default license of "CC0" will soon change across the
board, for ReSpec documents it is already a new option.)
This should give you a specification that's ready to go! At this point you are ready to make
a pull-request against the-index to add a
section briefly describing your specification (copy freely from the others) and pointing to
your user/repo#branch
. When your PR is reviewed, in order to ensure that your
fork is automatically published whenever you make changes to it you just need to create a Web
hook in your GitHub repository that points to http://publican.berjon.com/hook
.
Once your PR is accepted, the WebSpecs index will be updated and your specification will be
published. You're good to go!
Getting Help
The easiest way to get help is to join us on IRC, channel #webspecs on the Freenode.net network. It's a helpful bunch. If you are certain that the issue is with a tool, file an issue on GitHub. There are more options listed in Community & Support, and if all else fails you can email Robin.


--- title: This is my fifth post. description: This is a post on My Blog about touchpoints and circling wagons. date: 2018-09-30 tags: fifth-tag layout: layouts/post.njk ---
Hello, I am some text


AN INNOCENT MAN A film review by Randy Parker Copyright 1996 Randy Parker
RATING: **1/2 (out of ****)
(Review written in 1989)
AN INNOCENT MAN is not a great film; in fact, I'm about to criticize the hell out of it. But the funny thing is, the movie left me satisfied. Although it is sometimes laughably unbelievable, AN INNOCENT MAN packs a powerful emotional punch.
Tom Selleck plays Jimmie Rainwood, an airline mechanic who's wrongfully sent to prison for three years when two dirty vice cops frame him. David Rasche and Richard Young play the corrupt detectives as kind of a Crockett and Tubbs gone haywire. They're so sleazy they give dirt a bad name.
While Jimmie serves his time behind bars, he has to abandon everything he's ever known and conform to a prison society where it's kill or be killed. The movie depicts prison life with all the usual cliches: uptight guards, racial tensions, beatings, and murders. Nothing new here--just recycled material from countless other prison movies.
Jimmie Rainwood is Selleck's most challenging film role to date, one which calls for much more than just making googley-eyes at a baby. Unfortunately, Selleck isn't quite up to the task; he's somewhat stiff. He gets the surface gestures right, but he never digs deep enough to reveal Jimmie's underlying rage and vulnerability. However, Selleck does have enough charisma to get by in the role. Jimmie seems like a decent man, and we feel sorry for him.
Unlike Selleck, who's in over his head, F. Murray Abraham is in his element. He is dazzling as the seasoned inmate who takes Rainwood under his wing and shows him the ropes, teaching him how to survive prison politics.  Newcomer Laila Robins plays Jimmie's loyal wife Kate, who tirelessly works to prove her husband's innocence while he's incarcerated. Robins is effective in the role. Even when her lines sound artificial, her emotions come across as sincere.
Selleck, Robins, and the rest of the cast get little help from ex-convict Larry Brothers who wrote the script. Apparently, Brothers dropped out of college in the '60s to pursue his main interests: drugs and crime. Eventually, he wound up in Los Angeles and began working in the film industry. The screenwriting classes in prison must not be so great because Brothers' dialogue is often unbearably phony. For instance, Robins has to deliver this classic line: "I'm not a theory! I'm a real human being, and so is Jimmie!" And try this one on for size: Jimmie and Kate are about to have sex for the first time in three years...
Kate: "We have all the time in the world."
Jimmie: "You're the best!"
If you think the dialogue is bad, wait until you hear the gushing musical score; you could pour it over pancakes.
The saving grace of AN INNOCENT MAN is its emotional charge and dramatic intensity. The movie is superficial in many respects, but it pushes all the right buttons to arouse our emotions.  We're distressed by the actions Jimmie is forced to take while he's in prison. Selleck and Robins are a little too cutesy as husband and wife, but there is a genuinely moving tenderness between them. The scene in which she first visits him in prison is heartbreaking; at least, I had a lump in my throat.
Director Peter Yates shot AN INNOCENT MAN on location in two prisons and used actual inmates as extras. The bleak locations and tough convicts give the film a sense of gritty reality, which helps to distract us from the weaknesses of the script. It's a close call, but I think the good in AN INNOCENT MAN outweighs the bad.
----------- Randy Parker<EMAIL_ADDRESS>http://www.shoestring.org
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


First Name must be alphabets and contains 3 - 20 characters
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Email must be a valid email e.g<EMAIL_ADDRESS>Password must be aleast 8 characters long


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University of Calgary cutting 250 jobs
by Kevin Green, Video JournalistCALGARY — The University of Calgary announced Monday it is cutting 250 jobs. The across-the-board cuts will affect management, faculty, and support staff.
The news was delivered to university staff in a town hall meeting Monday afternoon.
“The University of Calgary faces significant budgetary challenges due to the cuts to post-secondary institutions announced by the provincial government on Oct. 24. We were required to make difficult decisions for this in-year budget," said university president and vice-chancellor Dr. Ed McCauley in a statement following the meeting.
McCauley said the job cuts will come in phases beginning next week
“A total of 100 positions are being abolished through retirements, vacancies and resignations," said McCauley “The remaining 150 positions will be eliminated in two phases that will occur this month and then again in mid-January 2020.”
Staff said they have been told to expect further cuts in the provincial governments’s spring budget in early 2020.
- Alberta Budget 2019: Cuts to post-secondary, public sector amid job promises
- University students marching to legislature protesting post-secondary cuts
In its October budget, the province reduced grants to the University of Calgary by 6.9 per cent, which amounts to a $32.9-million reduction in its operating budget.
It also cut all funding for the infrastructure maintenance program, which meant an additional loss of $22 million for the University of Calgary.
The cuts have left students wondering how it will impact their education.
“I think that the quality of education is definitely (going) to be diminished," said student Richie Stokes
“If we're not paying professors properly and we're not putting the effort into bringing in the best professors to help elevate the quality of education, then students are going to be the ones paying for it."
University of Calgary Students’ Union president Jessica Revington echoed those concerns.
“We have significant concerns about maintaining the quality of the education here on campus and the programs and services students use to succeed while they're here,” said Revington
“We're hearing from a lot of students who have significant concerns about tuition increases, about the job losses on campus, about direct impacts to student financial aid and to student loans.”
In its budget update, the province also lifted a freeze on tuition.
Increases will be capped at seven per cent at the institutional level, and at 10 per cent at the program level. The province also cut tuition and education tax credits, and raised the interest rate on student loans to prime plus one per cent.
Students expect to hear more details on how their tuition will be affected in a pair of town hall meetings after this week, the first for undergraduate and the second for graduate students.
AUPE local 52, which represents the University of Calgary support workers, planned a protest against the budget cuts for this Thursday that will still go ahead. An information picket will be held in front of the MacEwan Student Centre on campus at noon on Thursday


Next: Recursion and cycles, Previous: Nulling, Up: Terms [Contents][Index]
If any derivation from the start symbol uses a rule, that rule is called reachable or accessible. A rule that is not accessible is called unreachable or inaccessible. A symbol is reachable or accessible iff it appears in a accessible rule. If a symbol is not accessible, it is unreachable or inaccessible.
If any derivation which results in a sentence uses a rule, that rule is said to be productive. A rule that is not productive is called unproductive. A rule is productive iff every symbol on its RHS is productive. An empty rule is productive, vacuously.
 A symbol that is not productive is called unproductive.
These definitions imply that all nullable rules are productive. They also imply that every nullable symbol is productive, because every nullable symbol must be on the LHS of a nullable rule.
A rule which is inaccessible or unproductive is called a useless rule. A symbol which is inaccessible or unproductive is called a useless symbol. Marpa can handle grammars with useless rules and symbols.


EASY -
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Winning color: BLUE
Non-Winning color: ORANGE
HOW TO PLAY: Assign to each of the symbols a color. An underlined symbol must have another color than the corresponding non-underlined symbol. If each box has at least one symbol colored with the winning color, you won!
PROOF: If you click at "Proof On" and a box is colored red, this box has no symbol colored with the winning color. If a symbol is colored red, have a look to the corresponding underlined or non-underlined symbol, does it have another color?


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ROBOT NINJA A film review by Ken Johnson Copyright 1992 Ken Johnson
80 min., not rated, Action, 1989 Director: J.R. Bookwalter Cast: Michael Todd, Bogdan Pecic, Maria Markovic, Floyd Ewing, Jr., Bill Morrison, James L. Edwards, Michael Kemper, Jon Killough, J. R. Bookwalter, Burt Ward, Linnea Quigley, Scott Spiegel, David DeCoteau
Todd is the artist of a comic strip about a robot ninja. One night he sees a couple raped and murdered by Markovic and her gang. He gets inventor Pecic to create a Robot Ninja suit and then he goes after Markovic and her gang.
My local video store just got ROBOT NINJA and as I am a fan of Linnea Quigley, I checked it out immediately. First off, Linnea is only on for about five minutes.  The acting in the film is horrible. The actors don't even look like they care about how well the film comes out. Not even Linnea ended up looking good. The film is worse than Linnea's earlier film THE BLACK ROOM, which I thought was pitiful. Third, the film is actually only an hour and nine minutes long. The other eleven minutes are the end credits, which are the only good part of the film. The credits have a bit of humor thrown into them, especially the part where it says no copying the film and that the film is in no way connected to anyone living or dead.
Fourth, the script was horribly written. I had no feelings for any of the characters.  Todd really has no reason to go after Markovic as he didn't even know the couple killed. In DEATH WISH, it was Charles Bronson's daughter and wife, but here there is absolutely no connection between Todd and the couple. The actors' lines in some parts of the film are incredibly moronic.
Fifth, there is no end to the graphic violence. Graphic violence is fine when it fits into the film, but ROBOT NINJA seems to be written around the violence. The violence starts about five minutes into the film and doesn't stop until the end of the film. The gore is overdone to an extreme. Apparently J.R. Bookwalter feels that the MPAA rating system harms the creative process, so he didn't submit ROBOT NINJA for a rating. This is probably just as well for Mr. Bookwalter considering, I think, that ROBOT NINJA would have received an NC-17 for graphic violence, which would have killed most of the films potential audience.
Technically speaking, the film is still pitiful. The sound effects weren't well done. For example, at one point a person is kicking and the sound of the kick happens before the leg moves. The music is sad, it doesn't even sound good (most of it was done by Mr. Bookwalter on an Amega). The sound quality is low grade and it looks like the film was shot on a hand held video recorder.
ROBOT NINJA easily wins as one of the most awful films that I have ever seen. I could continue on and on about the deficiencies of this film but I wouldn't want to waste your time or mine. I am disappointed in David DeCoteau, director and producer of B movies, for being the executive producer of this film. This makes a new low for him and for Linnea Quigley for being in this film. I don't recommend watching this film even for free. On a scale of zero to five, I give ROBOT NINJA a zero. ROBOT NINJA is unrated but contains graphic violence, explicit language, and rape.
Ken J<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Aurelia Moser, Map Scientist, CartoDB Workshop - University of Maryland
April 20, 2015, 1H30
Find this document here:
Find the code checkpoints here:
Source: The Data Visualization Catalogue.
Source: Periodic Table of Visualizations
Map population by relative density
## Examples + Alcatraz Escape Revisited + LA Sheriff Election Results + Starwars Galaxy Map + Demonstrations in Brazil + Global Forest Watch + Urban Reviewer
You can read more about the CartoDB APIs and JS Library here
## Setting Up Accounts You can setup a free student account today since we’re all learning: https://cartodb.com/signup?plan=academy
IRE members are eligible for a free upgraded account that includes:
Email<EMAIL_ADDRESS>with your request for an upgraded account and membership ID, and we’ll set you up.
We’re going to be building a visualization of land census data in the domestic U.S.
We’ll be mapping land tracts according to census information (c. 2014), exploring some choropleth methods and some SQL for manipulating data.
Census Tracts are subdivisions of land in the USA, the primary purpose of which is to provide a stable set of geographic units for the presentation of statistical data.
You can fork the dataset we’ll be working with, and the files for the workshop here.
| Description | Source | Download |
|---|---|---|
| 2014 Census Tracts | Census.gov | tl_2014_us_tract.zip |
| FIPS Tracts Lookup Table | US Census Bureau | US_FIPS_Codes.xls |
| 2014 County Info | Census.gov | tl_2014_county.zip |
** You can also import the data from our “Data Library,” all our queries and customizations can be done on the trimmed down library version.
Select US Census Tracts and pull it into you dashboard for manipulation.
## Getting Geospatial Data
Geospatial data is info that ids a geolocation and its characteristic features/frontiers, typically represented by points, lines, polygons, and/or complex geographic features.
Downloading the Census Data/FIPS directly requires some finessing.
Here is what it might look like when you upload your data:
The most basic SQL statement is:
sql
SELECT * FROM table_name
The * means everything. This means that all rows and columns from the table are given back once the query is run.
A more detailed query is like this:
sql
SELECT
name,
height,
age
FROM
class_list
WHERE
name = 'Aure'
AND (
height > 1.2
OR
height < 1.9
)
SELECT
is what you’re requesting (required)FROM
is where the data is located (required)WHERE
is the filter on the data you’re requesting (optional)GROUP BY
and ORDER BY
are optional additions, you can read more about aggregate/other functions below.There are two special columns in CartoDB:
the_geom
the_geom_webmercator
The first of these is in the units of standard latitude/longitude, while the second is a projection based on the original Mercator projection but optimized for the web.
If you want to run SQL commands and see your map update, make sure to SELECT
the the_geom_webmercator
because this is the column that’s used for mapping–the other is more of a convenience column since most datasets use lat/long.
This is a SQL statement and you can load it in your visualization tray as a way of querying and exploring your data with immediate visual output. In this case, we are calculating the % of water from your “awater” column that occupies each tract using ST_Area
, and naming a column for that calculation * 100 to make the number less tiny; more appreciable.
sql
SELECT *, 100 * awater / ST_Area(the_geom::geography) perc_water FROM tl_2014_census_tracts
This is a query that adds some more information from the sample, to include percent counts for land as well as a total addition to ensure that the data isn’t too skewed (everything adds up to 100%).
You can enter queries, apply them, click on “create table from query” in the green field below the column names.
You have myriad customization options in the in-browser editor.
sql
- run sql and postgis functions across your datawizard
- adjust the type, colors and fills in your mapinfowindow
- create hovers, tooltips with information from your datatablescss
- customize the css and style of your map outside the wizardlegends
- create keys for your mapfilters
- filter the data without sqlFilters are a great way to explore your data. Besides filtering your data, they allow you to see histograms of the distributions, the number of unique entries, or a search box for columns that have a large number of text entries.
The Wizard allows you to select your visualization “type” and customize color palettes, design details, and otherwise set the tone for your map.
Check out visualization documentation for more.
The visualization style simple is the default visualization for all maps.
Styles available in the wizard
Select basemaps from different providers, use custom color, NASA data, MapBox tiles, etc.
Choropleth maps show map elements colored according to where a value associated with the map element falls in a range. It’s like a histogram where each bin is colored differently according to a color scale you pick. Notice the CartoCSS screenshot above.
Quantification is an option to pay attention to since it controls how the data is binned into different colors.
Play around with them and see what works best for your dataset.
CartoCSS is the styling language for our maps.
…can be easily customized!
You have the option of giving it a title, and changing the text for the colors. You can also change the colors manually, or, even better, change the color ramp back in the wizard.
Click on the 90-degree arrow to get back to view your tables/visualizations
Joining and merging tables to make one dataset is a common need. Say you have two datasets related to the same place/map and need to combine them so that they can share the same geometry.
You can do this in SQL read more here, but CartoDB also has an in-editor button for that.
Here is a usecase relative to these datasets:
column
or spatial
joinOnce you load your data, you can play with the editor options to see what type of visualization you might light to make.
I started with adding a column called aâ€“lw
and estimating a value for the amoung of water over land.
Then I thought I should refine this, to check that the aland and awater values represented half of the land distribution for each tract.
CreateVis
#### Here’s a reference point for this section: ckpt-1
You will need: + dataset from above + visjson from your account, you can reference mine to find yours too. + Basic Text Editor + Browser
http-server &
; you have node installed with http-server setup on most macs! if not, no stress, just follow along.The viz.json file is the main source of data for CartoDB JavaScript functions (createVis and createLayer) for creating visualizations in the browser.
layers
array because it explicitly shows the structure of how visualizations are put together
layers[0]
layers[1]
, may consist of multiple sublayers
layer_name
is the also the name of table where data comes from in the account with key user_name
You can view it by opening a text editor and loading the file, or downloading a JSON viewer extension for inbrowser views (Chrome or Firefox).
Copy & paste template from here.
Overview of template:
map
element<script>
tagsCreate basic visualization using createVis
by copying and pasting the following either between script tags in your html or by making a file called [?].js
(I used main.js
in the template) and referencing it between your script tags:
```js window.onload = function() { var vizjson_url = ‘’; // <– Paste viz.json URL between quotes
cartodb.createVis(map_id, vizjson_url) // <-- Change map_id to 'map'
.done(function(vis, layers) {
// do stuff
console.log("Map successfully created");
})
.error(function(err) {
// report error
console.log("An error occurred: " + err);
}); } ```
createVis
is excellent for creating maps quickly with very little code. There is a lot of customization with it as well. The documentation is here.
Edit the fields to match your map reload your browser window, your map should work.
CreateLayer
#### Here’s a reference point for this section: ckpt-2
createLayer
is the other main method for bring maps to your browser.
The following is the basic createLayer structure (depends on Leaflet.js):
```js
window.onload = function () { // var vizjson_url = ‘https://team.cartodb.com/u/aureliamoser/api/v2/viz/c03a644e-e45a-11e4-9d34-0e0c41326911/viz.json’; // <– Paste viz.json URL between quotes
var options = { sql: “SELECT * FROM tl_2014_census_tracts”, // cartocss: “” }
var sublayers = [];
// instantiate map object from Leaflet var mapObj = new L.Map(map, { // <– Replace map_id with your #id for rendering center: [41.8369, -87.6847], // Chicago, IL zoom: 7 // zoom projection to adjust starting point zoom });
// add basemap tiles L.tileLayer(‘http://{s}.basemaps.cartocdn.com/light_nolabels/{z}/{x}/{y}.png’, { attribution: ‘© OpenStreetMap contributors’ }).addTo(mapObj);
// add data tile layers here (if you have multiple layers, you can manipulate them in js here) cartodb.createLayer(mapObj,vizjson_url) .addTo(mapObj) .done(function(layer) { console.log(“Map successfully created.”); sublayers[0] = layer.getSubLayer(0); sublayers[1] = layer.getSubLayer(1); sublayers[1].set(options); // altering the SQL and CartoCSS; see above sublayers[1].hide(); // hiding the traffic data }) .error(function(err) { console.log(“Map not created: “ + err); }); }
```
One big difference here is that we explicitly expose the SQL and CartoCSS, allowing for easy customization.
Edit the fields to match your map reload your browser window, your map should work.
#### Here’s a reference point for this section: ckpt-3
New goal: We’ll create an interactive map that allows us to toggle between the basic of census tracts and the view of water density in thos tracks.
To accomplish this, we’ll crib from the SQL we worked on before.
You can do this a number of ways, we’ll be using SQL, you can read documentation on available function magic in the PostGIS docs and otherwise just follow along.
Going back to the createLayer
example we just made:
<style>
tags.sql
<script type='sql/text' id='sql'>
SELECT *, 100 * awater / ST_Area(the_geom::geography) perc_water
FROM tl_2014_census_tracts
</script>
<head>
section of your webpage.```css
```
js
$("#sql").text(),
(don’t forget the comma!), and the string after cartocss
with
js
$("#choropleth").text()
These two pieces of code are just a jQuery operation that finds the HTML element that has an id
of sql
or cartocss
and extracts the text contained within it.
sublayers[0].set(options); // altering the SQL and CartoCSS; see above
Check the checkpoint code here if you’re stuck. You can also run the SQL in the tray (not in the your local files) and the the map will populate. The advantage to adding it as a template, is that you can swap it for other SQL or run different queries with different template references locally, and you are not limited to one query option.
Reload your browser window, your map should work!
#### Here’s a reference point for this section: ckpt-4
To add more interactivity, we’ll create two buttons to toggle between the Simple
map view and the view that gives a choropleth map. We can easily do this in CartoDB by using the sublayer.setSQL()
and sublayer.setCartoCSS()
methods to change the data.
First, create another <style type="cartocss/text" id="simple">
tag set with the following CartoCSS style. Make sure the id
is set to simple
.
css
/** simple visualization */
#tl_2014_census_tracts{
polygon-fill: #5CA2D1;
polygon-opacity: 0.7;
line-color: #FFF;
line-width: 0.25;
line-opacity: 1;
}
div
with an id='map'
.```html
Layers
```
```js function createSelector(layer) { var cartocss = “”; var $options = $(“.layer_selector”).find(“li”); $options.click(function(e) { var $li = $(e.target); var selected = $li.attr(‘data’);
$options.removeClass('selected');
$li.addClass('selected');
cartocss = $('#'+selected).text();
layer[0].setCartoCSS(cartocss);
}); } ```
Examples:
#### Here’s a reference point for this section ckpt-5
You can enable hover infowindows in your editor, that will port to your map and give you some choropleth context.
```html
</script> ```
Then add this to the options
:
js
interactivity: 'cartodb_id, name, perc_water'
After sublayers[0].set(...)
, add this:
js
sublayers[0].infowindow.set('template', $('#infowindow_template').html());
You can build on this, or checkout the demo block here to view the result of your work with some limited interactivity!
Outside of the CartoJS library, we have others to help you build dynamic narrative with your data.
Maps that tell Time - Torque
Maps that tell Stories - Odyssey JS
You can use CartoDB’s SQL API to query your data and pull it into any charting library of your choosing.
You can easily wire up a chart of census track water density, check the code here.
Learn more about it here!
Here are some examples:
| Type | Title | Link/Demo | BlogPost |
|---|---|---|---|
| Chart.js Bar Graph | Traffic Data | Aurelia’s Block | |
| Highcharts | Sensor Data | Github / Demo | MOW Post |
| Highcharts | Weather Data | Aurelia’s Block | Tutorial |
| Chart.js Line Graph | Tornado Data | Andrew’s Block | |
| Plot.ly | Earthquake Data | Plotly Tutorial | CartoDB Blog |
sql.execute(SQL command)
to extract data from your account, place into charts, infowindows, etc.
sql.getBounds(SQL command)
to find the bounding box of data returned by SQL command
##CartoDB 1. Map Academy + CartoDB.js – build a web app to visualize your data, allowing for user interaction + SQL and PostGIS 2. CartoDB Tutorials 3. CartoDB Editor Documentation 4. CartoDB APIs 5. Community help on StackExchange 6. CartoDB Map Gallery 7. CartoDB Bootstrap Template by Chris Wong
My contact<EMAIL_ADDRESS>If you make a map you’re proud of or just want to say hello, connect with me @auremoser


Basis Pursuit Denoising with Forward-Backward
Test the use of Forward-backward-like splitting for the resolution of a compressed sensing regularization.
addpath('../'); addpath('../toolbox/');
Dimension of the problem.
n = 600; p = n/4;
Regularization parameter.
lambda = 1;
Matrix and observation.
A = randn(p,n); y = randn(p,1);
List of benchmarked algorithms.
methods = {'fb', 'fista', 'nesterov'};
operator callbacks
F = @(x)lambda*norm(x,1); G = @(x)1/2*norm(y-A*x)^2;
Proximal operator of F.
ProxF = @(x,tau)perform_soft_thresholding(x,lambda*tau);
Gradient operator of G.
GradG = @(x)A'*(A*x-y);
Lipschitz constant.
L = norm(A)^2;
Function to record the energy.
options.report = @(x)F(x)+G(x);
Bench the algorithm
options.niter = 5000; E = []; for i=1:length(methods) options.method = methods{i}; [x,e] = perform_fb(zeros(n,1), ProxF, GradG, L, options); E(:,i) = e(:); end e = min(E(:));
[********************] [********************] [********************]
Display the decays of the energies.
IMPORTANT: Note that the comparison with Nesterov is unfair, since each Nesterov iteration cost twice more.
sel = 1:round(options.niter/10);
loglog(E(sel,:)-e);
axis tight;
legend(methods);


one experience at a time.
I'm glad you could make it! My name is Camilo Ignacio Vides Perez I'm a 28 years old Software Developer with a strong focus on Game developement and Real time 3D. I love building and creating fun and engaging experiences that are memorable.
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Dive deep into an adventure of farming. Save your friends from the monsters that have been told in tales