FREE WILLY 2: THE ADVENTURE HOME A film review by Steve Rhodes Copyright 1995 Steve Rhodes
RATING (0 TO ****): *
Willy (Keiko) and his sidekick, Jesse (Jason James Richter) are back. This time their show is entitled FREE WILLY 2: THE ADVENTURE HOME. What has changed you ask? Well, the whales are as gorgeous and as inspiring as ever so no change there. Jesse, now 14, has discovered girls, especially Nadine (Mary Kate Schellhart), but given a choice between kissing a human girl and a whale, he would go for the whale every time. Also, in this sequel, they figured they needed a younger actor to improve the demographics of the audience so voila, an instance new 8 year old, street tough, lying, half-brother, Elvis (Francis Capra), that Jesse never knew he had.
Lets play guess the plot. Do you think Willy might get in danger? Do you think he might get trapped again? Did you get those right? If not, I'll give you the easiest ones of all. Who is the new villain and who the new hero? Capitalism in the form of an oil tanker, can't get more cliched that than, represents evil and environmentalism represents salvation.
Are you old enough to remember movies where worship meant God and not the environment? Oh well, every kid in school now comes home chanting his environmental mantras that the teacher has taught him. God, of course, is illegal subject matter in public schools, but environmental dogmas are not only legal but almost obligatory. This movie, therefore, only follows a safe trend, it is not responsible for setting it.
FREE WILLY 2: THE ADVENTURE HOME does have a lot going for it, but after you get tired of watching whales swim and frolic, you realize that you have just seen all of the good parts. I recommend the Discovery Channel instead of this movie. The original FREE WILLY already said it all and much better. This picture added nothing although I will confess I only gave the original FREE WILLY a mild thumbs up.
The writers (Karen Janszen, Corey Blechman, and John Mattson) should have all been fired by the producers (Lauren Shuler-Donner and Jennie Lew Tugend) and the movie not launched until they had a script that had something fresh to say. I am sure they were moving at breakneck speed so that they could get out a sequel and cash in on the popularity of the original movie. The quality of the script was secondary to meeting the prime market window with their follow on product.
FREE WILLY 2: THE ADVENTURE HOME runs 1:38. Adults may fall asleep before the first excruciatingly long hour has lapsed. Go for major coffee before entering the theater; you do not want to fall asleep in your son's lap. The movie is rated PG for animal endangerment. It has a single human to human kiss and that is actually the best and most natural scene in the show. Jeffrey, age 6, has been waiting and waiting for this sequel, and he gave it a thumbs up. If you son or daughter insists on going, I recommend trying to con your spouse into going in your place. Avoid this snoozer if you can. I do award it a single star but solely for the orca footage.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEWED WRITTEN ON: July 23, 1995
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


import math._
def intRoot23(num: Int) = {
val numSquare = num*num
(cbrt(numSquare) + log(numSquare)).toInt
}
package controllers
import play.api.mvc.{Action, Controller}
object Application extends Controller {
def home = Action {
Ok("
Controller actions
" +
"
This application only demonstrates action method declarations " +
"and does not generate any output, other than this message.
" +
"
See <tt>app/controllers/Products.scala</tt> for the sample code.
").as("text/html")
}
}
Simple tables can be written as follows:
| Header 1 | Header 2 | Header 3 |
|---|---|---|
| body row 1 | column 2 | column 3 |
| body row 2 | Cells may span columns. | |
| body row 3 | Cells may span rows. |
|
| body row 4 |


Guessing Game
Guess my eye color
Guess a the biggest planet
Guess a type of zoo animal
Which car do I like?
What language do people speak in yemen
What's the most popular phone brand?
Guess my favorite color
Whats the weather like in Seattle?
Whats the most popular name?
Guess my name


Although the web includes URLs, HTTP, web applications , HTML is the main type of content on the web. The World Wide Web is a collection of HTML files. HTML stands for hypertext mark-up language. There are around 30 billion HTMLs on the web, built up since the invention of the internet in the '90s.'
How the internet works, from the time one opens a browser,
typing information into a Google search bar, to the time information is diplayed is
a complex process involving four maor concepts namely;
1. The Internet: The largest computer network.
2. The HTTP: The main protocol governing how the web functions.
3. Servers: These are computers hsoting files making up the web
4. Browsers:Programs that display files on the computer, such as Firefox, Chrome and Internet Explorer
The user enters information into a browser which in turns sends the files to the Internet. The internet in turn communicates with HTTP Protocolwhich in turn sends the files to the servers and the process starts again in reverse. In this way, the browser is able to display the requested information on the computer
An HTML mark-up has three major components; an opening tag, a content and a closing tag. HTML tags include a bold tag, an emphasis tag image tag, and a paragraph tag. Documents can also be written bt adding links in what is known as an anchor tag. An anchor tag is different from other tags as it contains an 'href' sign at the beginning of the tag.
Inline tags are tags that uses lines only. These include the, break, bold, image and emphasis, span and strong tags. The block is a tag that uses invisible lines to contain a text. A good example is the paragraph tag.
Span and div are normal HTML elements. The difference is that span is an inline element while a div is a block element.


I thought that Amphetamine Psychosis only happened in heavy users after a very long binge. My dose was comparatively small and the Psychosis utterly suprised me. I would also like to point out that I have never been on perscription drugs. I am not depressed or psychotic, so I can safely say that this experience could happen to any 'normal' person.
I maintained a consistantly mild buzz for about 21 hours by gradually taking four 10mg Adderall pills (Generic). The session started at 9 am on Wednesday. I began coming down around 6 am on Thursday.
Visual disturbances began to appear as I had expected (wavelike ripples, Floaters, small flashes). This didnt seem to be a major problem.  I found myself very tired but refused to sleep during the day b/c I didn't want to throw off my night-time sleep schedue anymore than it already was. So I found myself still awake at 10 pm with 38 hours void of sleep (no big deal, really)
Chronology:
10 pm Thurs
-I forced myself to remain awake b/c I had a shit-load of cleaning to get done in my apartment. The obvious solution would have been to take more amphetamines but that would have ended up making matters worse.
10:30
-My girlfriend came over to assist with the the cleanup. I kept feeling myself trying to nod off, even while standing. Caffiene sounded like a good idea.
11:00
-Drank 3 cups of soda and took 100mg of No-Doz. Felt slightly more awake. Soon, my heart was rapidly beating and I had shortness of breath. I reached for a seldom used Albuterol inhaler thinking that it may be some type of unusal asthma problem. The albuterol only made it worse. (I think it was an axiety attack)
11.15
-Suddenly went from dead-tired to totally jacked....it was almost like an ephedrine buzz with alot of anxiety.
-Girlfriend kept noticing me space out.  This totally freaked me out.
12.00
-Girlfriend went to sleep and kept bugging me to join her but I wanted to surf the internet. My 'body' kept trying to nod off but my 'mind' was wide awake and totally seperate. Very strange feeling.  I kept seeing things move out of the corner of my eyes and began hearing small, un-natural beeps and such. I also began to feel a very large 'presence' as if a stranger or intruder was in the room with me.
2.00 am Friday
-I finally decided that it was time to try and sleep. (I hate sleeping, even when not under the influence) When I laid down my body was having sporadic twitching episodes. As soon as I closed my eyes, I could see my racing thoughts being played out in a very vivid 'daydream'. I say day-dream b/c I experienced the 'visual' of random thoughts but never actually had any real visual stimulation. They were very 'stream of conciousness' type visions and were likewise quite frightening images due to the anxiety and paranoia that I had been experiencing. I kept my cool however, because I kept reassuring myself that it was just an imbalance of chemicals and such in my brain. I finally fell into a shallow sleep.
- I awoke several times with extreme disorientation, more intense and frightening that I can ever remember having. I had totally forgotten where I was at and who was lying beside of me. My heart was beating rapidly accompanied by a cold sweat during the awakenings. I don't remember having any dreams, although I'm positive that I did. I'm also pretty sure that they were horrifying. I'm glad I don't remember.
-The next morning I asked my girlfriend if she noticed me acting strange during the night.  The most disturbing thing was that on one occasion she woke up to find me standing on top of the mattress with my head nearly to the ceiling and staring straight down at her very strangely. I have no recollection of this. I have no history of ever having done crazy stuff in my sleep, either.
This interrupted series of small naps left me with only about 3 hours of productive rest after having been awake for 42 hours. I had to get up early and go for an eye exam.
My psychotic episode was indeed both directly and indirectly caused by the day long amphetamine dosage. The actual drug withdrawal, coupled with sleep deprivation and very little food created the absolute STRANGEST experience of my life.
I experienced acute visual/auditory hallucinations, intense paranoia, my first-ever anxiety attacks, random thought patterns, disturbing mental images, physical tremors and zombie-like awakenings from sleep. I never experienced the deep depression that many people report, but that may be because I'm not a very depressed person to begin with.
I conjecture that my experience was VERY mild compared with what true addicts might experience. Despite the discomfort of the occurance, I would be willing to intentionally repeat this strange experience to futher observe how much stress the body can take before the mind goes totally bonkers.
Lessons I learned: To avoid such symptoms, force myself to eat, drink water and take vitamins before, during, and after amphetamine use. Also, allow myself to 'sleep it off' after the drug's major effects are gone and not take other various stimulants to remain awake. I would also assume that taking a quick, higher dosage would lead to a milder come-down than repeatedly taking small doses over a long period of time.
Oh, I almost forgot the funniest part of the actual Aderall high. I usually try to do something productive when on stimulants. That night, I started out playing my guitar and writing a damn good song.  Somehow I started looking at internet porn and plunged head-first into a 7 hour marathon session of wonderful masturbation!!!
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Search:
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Anyone know a C++ CMD Console?
Anyone know a C++ CMD Console?
Oct 30, 2014 at 2:22am UTC
thepotatoface
(6)
It would read commands and initialize them using Command Prompt?
Oct 30, 2014 at 2:44am UTC
geniusberry
(72)
could you please elaborate?
Oct 30, 2014 at 6:14am UTC
Little Bobby Tables
(811)
do you mean a c++ repl interpreter? like what python has?
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Lost connection to Hyperion service!
Possible reasons:
1. Hyperion restarts
2. You perform an update
3. An older browser session
3. Hyperion isn't running
This page will be automatically refreshed.
We reconnect again after Hyperion is available.
If not, click me


Open the OrionBMS JR utility.
Go to File → Connect to BMS.
In the connection dialog, select the appropriate serial port and press Connect to connect to the BMS.
To disconnect from the BMS, simply select "File → Disconnect From BMS" from BMS from the menu instead.
If an adapter is not found by the utility (None Found), please check the Adapter Not Found troubleshooting section.
A USB to Serial adapter can be plugged directly into the BMS without an extension cable, however if a serial extension cable is used to physically extend the connection or if the BMS is connected to the and the BMS, it must be a straight through serial cable. Any other type of RS-232 cable including a null-modem cable will NOT work.
There is an option to list all available serial ports. By default the utility will automatically check every available serial port for data coming from a JR BMS. If it fails to detect a JR BMS it will not list this serial adapter as an option. In some rare cases a serial port may be skipped incorrectly so this option allows the user to force the utility to attempt connection on an existing port.
If the connection fails, please check the Connection to BMS Failed troubleshooting section.
| < Installation Guide for Linux | Creating and Uploading a Profile > |


Why would I use node.js to upload an Android app?
Perhaps you’re developing a Cordova (hybrid mobile) app :)
The only library I found available to upload to the Play Store is google-api-nodejs-client
(written by Google).
Since I couldn’t find much documentation, I had to comb a bit through the source code of the library to figure out what was going on. This post will go over some of the initial set-up of the library (there are a few holes, which are left to be figured out).
This tutorial starts at the point after you’ve already set up your app in the Google Play store (but have not yet uploaded a new APK).
Important: according to Play Store docs, you must first MANUALLY upload your APK the first time (by going into your developer console and clicking the “Upload” button). Any time after that, however, you can use a library such as the one in this tutorial.
Also, I’m assuming you’ve already found out a way to build your APK. If you’re using Ionic/Cordiva, follow their official tutorial to figure out how to generate an APK.
Useful documents before we start
- My full example code used in this tutorial (on Github. Save it as something like
upload.js
, and remember tochmod a+x upload.js
to be able to run it on the command line.) This may be incomplete or not fully functional in some places (it was originally tailored for one of our organization’s apps), but the basic “skeleton” is there. You can also download the ZIP (this is linked from Github). googleapis
README on Githubgoogleapis
npm pageandroidpublisher
v2 source code, which is what I used as my documentation (it’s pleasantly well-commented)- Google documentation on developers.google.com for generic usage of the
android-publisher
module
Download the library
This is the abovementioned library, which, according to Github is:
Google’s officially supported node.js client library for using Google APIs
Supposedly it supports all of Google’s APIs, including the androidpublisher
(which is what we’ll be using).
Uploading isn’t quite what it seems
With this API, we don’t simply upload an APK.
Instead, we:
- Open an “edit” (
play.edits.insert
) - Upload the APK in sort of a limbo state (
play.edits.apks.upload
) - Do whatever else in this step (say, set a track, etc.)
- “Commit” the edit (
play.edits.commit
)
Basically what we’re doing is opening some sort of “container” in cyberspace where we have a white room to upload our app, set whatever properties, etc., and then finally we either discard or commit all those edits.
Primer on “tracks”
Read the official Google docs about tracks.
“Tracks” are just channels (alpha
, beta
, and production
). In the Play Store, you can put your app in any of these tracks. Why have alpha
and beta
? Well, in each one of those tracks, you can designate specific testers.
For example, your alpha
track can be closed testing for your developers only, and your beta
track can be for, say, QA engineers, or a small subset of other people.
These “limited” tracks (alpha
and beta
) are also fantastic if your app is some sort of “admin” app that will only ever be available to specific users in your organization. But be careful: the moment you send your app to production, it is there to stay (and it’s live to everyone in the Play Store) (see Unable to deactivate APK accidentally uploaded to Prod on StackOverflow).
Just as an aside, if you want each APK in each track to hit a different server (for example, if you want your beta
to hit “staging.example.com/api/1.0” and your production
track to hit “production.example.com/api/1.0”), you’re out of luck (as far as I know). The APK you upload and promote through the various tracks can’t be reconfigured each time you move it to a different track (by the way, to move your beta
to production
, you can just hit the “Promote to…” button and click the new channel. I haven’t yet tried to use the API to do this, as opening a new zshell window is as easy as just logging into the Play Store console in Chrome and pressing the button. Some hardcore shell users may disagree with me.)
Initial set up
There’s a lot going on here. Here are the initial module declarations.
Finding your secret.json
You can make one! Go to https://console.developers.google.com.
Click on "permissions" in the side menu
You can generate your key here. Don't worry, as of the date of writing this post, you can generate as many keys as you'd like without the fear of revoking other active keys! :)
secret.json
should look something like this:
I found the initial options and how to initialize androidpublisher
through a bit of trial and error. You can use the general googleapis
README (which is not specific to androidpublisher
) if you want to see example of connecting to other APIs, using OAuth2, etc. Again, you won’t find much useful information for this specific case.
Let’s actually do some stuff
In the code above, all we’re doing is calling these steps in order:
- Open our edit (
startEdit
) - Stage our APK for upload (
upload
) - Set our track (
setTrack
) - Committing our changes (
commitToPlayStore
)
Throughout all these steps, all we’re doing is manipulating our data after each function call and piping it into the next function (nothing special about that part).
If all went well, you should see something like this printed in your consol:
Forgetting to bump your version
If you see this:
This means you need to bump your package.json
version.
Final thoughts
The node.js client used in this tutorial is still very much in its early stages, as noted by Google in their official README:
This library is in Alpha. We will make an effort to support the library, but we reserve the right to make incompatible changes when necessary.
Another gaping hole missing in this tutorial is promotion through tracks. If anyone knows more about that, please comment below! Thanks for reading, and I hope you’ve found some useful information in this post!


Quick Maths
Help !
Choose an operation :
Addition
Substraction
Multiplication
Difficulty :
Snail
Easy
Hard
Let's go !
1
2
3
4
5
6
7
8
9
0


When a browser reads a style sheet, it will format the HTML document according to the information in the style sheet.
Three Ways to Insert CSS
There are three ways of inserting a style sheet:
- External CSS
- Internal CSS
- Inline CSS
External CSS
With an external style sheet, you can change the look of an entire website by changing just one file! Each HTML page must include a reference to the external style sheet file inside the <link> element, inside the head section.
<!DOCTYPE html>

<link rel="stylesheet" type="text/css" href="mystyle.css">

This is a heading

This is a paragraph.

Internal CSS
An internal style sheet may be used if one single HTML page has a unique style. The internal style is defined inside the

This is a heading

This is a paragraph.

Inline CSS
An inline style may be used to apply a unique style for a single element. To use inline styles, add the style attribute to the relevant element. The style attribute can contain any CSS property.
<!DOCTYPE html>

This is a heading

This is a paragraph.

Cascading Order
What style will be used when there is more than one style specified for an HTML element? All the styles in a page will "cascade" into a new "virtual" style sheet by the following rules, where number one has the highest priority:
- Inline style (inside an HTML element)
- External and internal style sheets (in the head section)
- Browser default
So, an inline style has the highest priority, and will override external and internal styles and browser defaults.


{% extends "payments/base.html" %} {% block content %} Home Your payment succeeded. {% endblock %}
Your payment succeeded.


{% extends "app/layout.html" %} {% block content %} Welcome to I On The Job Build your career in the right Canadian province.
An unexpected error happened and prevents us from running this service.
We are sorry for this inconvenience.
Please try again at a later time :)


WITNESS LIST Appropriations-S/C on General Government Committee February 10, 2005-7:00A Budget Against: Baloutine, Jeff (Housing Texas, a Coalition of Affordable Housing Stakeholders) Baylor, Don (Center for Public Policy Priorities) Harris, Ron (Collin County, Dallas Regional Mobility Coalition and Texas Urban Transportation Alliance) Russell, Sam (Texas Transit Association) On: Atkins, Billy (Texas Lottery Commission (Charitable Bingo)) Bass, James (Texas Department of Transportation) Behrens, P.E., Michael W. (Texas Department of Transportation) Cabello Jr, Homero (Texas Department of Housing and Community Affairs) Carrington, Edwina (Texas Department of Housing and Community Affairs) Clowe, Tom (Texas Lottery Commission) Gagnon, Gary (Sabine River Compact Commission) Greer, Reagan E. (Texas Lottery Commission) Irvine, Tim (Texas Department of Housing and Community Affairs - Manufactured Housing Division) Rath, Diane (Texas Workforce Commission) Rogers, Kenneth (Campbell Soup, Paris Plant) Saenz Jr., P.E., Amadeo (Texas Department of Transportation) Settlemeyer, Herman (Texas River Compact Commissions) Stone, Charles (Office of Rural Community Affairs) Temple, Larry (Texas Workforce Commission) Thrasher, Jr, J.W. (Pecos River Compact Commission)


{% load i18n %} {% load openinghours_tags %}
Covered use cases and examples for django-openinghours.
{% isCompanyCurrentlyOpen 'company-ltd' as company_open %} {% if company_open %} Yes we're open! {% else %} Sorry we're closed! {% endif %}
In version 0.0.27 and earlier, it was done like this:
{% if 'company-ltd'|isCompanyCurrentlyOpen %} Yes we're open! {% else %} Sorry we're closed! {% endif %}{% endverbatim %} {% isCompanyCurrentlyOpen 'company-ltd' as company_open %} {% if company_open %} Yes we're open! {% else %} Sorry we're closed! {% endif %}
{% companyOpeningHoursList 'company-ltd' %}
In version 0.0.27 and earlier, it was done like this:
{{ 'company-ltd'|companyOpeningHoursList }}{% endverbatim %} {% companyOpeningHoursList 'company-ltd' %}


1 write to _psobjectReader
System.Management.Automation (1)
utils\ObjectStream.cs (1)
1738
_psobjectReader
= new PSDataCollectionReader<T, PSObject>(this);
3 references to _psobjectReader
System.Management.Automation (3)
utils\ObjectStream.cs (3)
1732
if (
_psobjectReader
== null)
1736
if (
_psobjectReader
== null)
1743
return
_psobjectReader
;


--- layout: default ---
Hello! This site is a loose collection of my thoughts, in addition to other people's thoughts and a handful of pictures, too.
Please do click around and read around, based on the categories to the left or whatever suits you.
If you happen to be looking for my professional albeit incomplete homepage, you can head to samerv.in.
This website is powered by Jekyll. The core of the theme is borrowed from Scott Emmons, with modifications for this site.


Many individuals see themselves furloughed or with reduced hours for the foreseeable future, however, they still maintain their jobs and will continue to earn their normal wages once this crisis blows over. Thus, enabling them to simply defer payments has less risk and the benefit of maintaining sales in this economic downturn.
Payment deferals can look like allowing customers to pay in multiple installments, or allowing them to pay the full cost of a product in a few months once the pandemic had been dealt with.
Consumers have significantly changed the way in which they purchase goods due to the various travel restrictions and advisories in place. Many have switched to purchasing from e-commerce sites to continue the policy of social distancing. In order for your business to remain competitive and widen its range, it is imperative the internet is used for sales.
See here for a guide on how to move your business online depending on your industry.
In addition, this switch has two main benefits.
Restaurants specifically should look to delivery services such as Uber Eats, Grubhub, and DoorDash to maintain sales. These services have seen a 56% rise in use over the past two weeks - consumers still want to eat out, but cannot leave the house due to COVID-19. Offering food delivery solves this issue and also sets up your restaurant for future growth once this crisis ends.
See here for a guide on how to move your business online depending on your industry.
Although not possible for all service sectors, it may be an option to send your service to the customer via the internet through platforms such as Google Hangouts, Microsoft teams, or gotomeeting, etc. Some of these platforms are currently offering free promotions specifically targeted at small businesses to ensure a smooth transition from traditional to remote working options. Although not a substitute for face-to-face interaction, it allows you to retain business and shows customers that you are working hard to persevere through the crisis.
See here for a guide on how to move your business online depending on your industry.
Provide gift cards to ensure continued sales. Consider providing a discount for future purchases made with gift cards to encourage continued purchases right now.
Gift cards have the added benefit of providing immediate cash flow to help fund any impending obligations.
Setting up a reward system would encourage customers to continue shopping at your company, establishing a loyal consumer base even after the end of COVID-19.
Increasing your online presence has been an important part of marketing for some time, but now it is more important than ever. Fewer people are shopping physically due to the pandemic and are instead resorting to online shopping. Building a website will give people a place to interact with your company during quarantine.
 Utilizing them now is as important as ever.
Check email lists, mailing lists, and other sources of information about customers and send them marketing material to drive sales from sources that have proven to be open to your brand in the past.
Utilize social media to better target and advertise to your customers. Learn more about how to use social media here. This also has the added benefit of setting your business up for success in the future once this outbreak passes due to the changing demographics and consumers sentiments.
Other than creating email chains with customers that have already uploaded their emails into a rewards program or made an account with the business, companies should also be creating social media platforms, such as Instagram, to communicate certain health initiatives that they are taking to better meet the needs of their customers. Actively communicating this information is vital, as it makes consumers feel more comfortable purchasing goods or relying on the services provided by the business as they would know that measures are being taken to keep products and workers healthy and safe.
In addition to including updates about new health initiatives taking place, a social media platform would also be a good place for businesses to promote new products or services.
Expressing involvement within the community shows that the business is not only making reforms within their own walls, but in other areas as well. Staying involved in the community can take numerous forms, including but not limited to:
These actions could be shared on the social media platform discussed above, and would create a collective and communal sense of trust towards the business. Consumers are more willing to buy from businesses they believe care about the well-being of their customers and community, particularly during times of crisis.


Barcelona, 26 - 27 June / 2015
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A mass kg ball is pushed with a force of force newtons.
What is the resulting acceleration in \dfrac{m}{s^2}
?
acceleration
Remember the formula: force = mass * acceleration
Solve for acceleration: acceleration = \dfrac{force}{mass}
Substitute known variables: acceleration = \dfrac{force}{mass}
A ball is pushed with a force of force newtons, and accelerates at
acceleration\dfrac{m}{s^2}
.
What is the ball's mass in kg?
mass
Remember the formula: force = mass * acceleration
Solve for mass: mass = \dfrac{force}{acceleration}
Substitude known variables: mass = \dfrac{force}{acceleration}
A mass kg ball suddenly accelerates at a rate of acceleration
\dfrac{m}{s^2}
.
Calculate the force that was enacted on the ball.
force
Remember the formula: force = mass * acceleration
Substitute known variables: force = mass * acceleration


Following is the list of apps & services where this module is used currently. If you like to add something to the list, please send a Pull Request updating this file.


The ActiveSecurities lets you select the assets currently in your universe. This is useful for iterating over those securities from your universe selection. It has all the same properties as the Securities collection.
// Securities currently in the universe: ActiveSecurities["IBM"].HasData // Security has data .Invested // Have holdings .LocalTime // Time on the asset exchange .Holdings // Portfolio object .Exchange // Exchange information .FeeModel; // Fee model setter
# Securities currently in the universe: self.ActiveSecurities["IBM"].HasData # Security has data .Invested # Have holdings .LocalTime # Time on the asset exchange .Holdings # Portfolio object .Exchange # Exchange information .FeeModel; # Fee model setter


Below you will find a list of all positions in the company:
Name
Salary
Description
{% for position in positions %}
{{position.name}}
${{position.salary}}
{{position.description}}
{% endfor %}
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We, the members of the Enlighten Olympic Committee (EOC), welcome and commend you for your participation in this year’s ENLympics, a celebration of excellence, perfection, ineptness and dumb luck, the principles that our company was not only founded upon, but continues to thrive upon this day. You, oh mighty athlete/warriors, have been chosen for your ability to inspire greatness, willingness to endure hardships, and cheerleader-like enthusiasm for humiliation of your fellow human beings. Your participation is the cornerstone upon which the success of these games rests. No pressure at all.
Once teams are announced, your responsibilities are straightforward:
The rules and decisions of the EOC are irrefutable, inarguable, and final. There are no appeals. Whiners lose 1,000,000 points.
Because as Teddy Roosevelt so aptly said, “It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.
It is our sincere hope that the ENLympics will triumph in the hearts and minds of all who participate as a time of mirth, mockery and minimal injuries.
Therefore, dare greatly, my friends.
Sincerest regards,
EOC
Each event will earn 150 points for Gold, 125 for Silver, 100 for Bronze. Remaining players/teams earn 50 points for participating unless disqualified. The only exception is the Pentathlon in which five events each accumulate points. To keep the overall total to a maximum 150 points, the individual pentathlon events each earn 30 for Gold, 25 for Silver, and 20 for Bronze, 10 for participation.
In the event of a tie, a Rock, Paper, Scissors best of 5 match will determine the winner.
GOLD:
Dinner for the entire team at the Main Street Ventures restaurant of their choice in downtown Ann Arbor.
SILVER:
Dinner for the entire team at Applebees, T.G.I.F. or similar restaurant.
BRONZE:
Lunch for the entire team at the local chain of their choice.
(listed alphabetically)
Players have 1 minute to place as many mini marshmallows into a cup from the table top using only chopsticks.
Each player folds paper airplanes and flies them toward targets. Each target has a specific point total.
Six teams will randomly be labeled A, B, C, D, and E. Teams A and B will have a Quarterfinal bye. Quarterfinals are two match C vs F, and D vs E. on Tuesday 2/11. Winners advance to the semifinal round. Team A will play the winner of the C/F quarterfinal. Team B will play against the D/E winner on Wednesday 2/12. Loser of the semifinal matches play in the Bronze medal game, while the winners play in the Gold medal game on Thursday 2/13.
Build a three story mini-monument using 15 reams of paper. In each level, four reams of paper must be on narrow ends. Monument must stand for 3 seconds to qualify.
Teams will randomly be paired to race head to head in heat 1, 2 or 3. The race begins and ends at the start/finish line in the engineering hallway and consists of one lap around the middle perimeter hallways. In the reception area, teammates switch places and finish the lap. First team to cross the finish line after completing the laps wins their heat and advances to the medal round and race again.
Players make a chain with paper clips. Longest chain wins.
10 Cups are set up on the Ping Pong table. Players have 10 Ping-Pong balls to bounce into the cups. Balls MUST bounce at least once on the table to qualify.
Contestants will roll a ball 3 times towards 10 bottles knocking over as many as possible. The “pins” will be reset after each ball. The sum of all 3 rolls will determine the winners.
 Distance from the hole determines points scored. Player is at liberty to shoot from any distance. The greater the distance, the greater the points earned.
Players are given a Nerf gun and 10 darts to shoot at targets. Points are scored for each target hit. Highest points win gold, silver, then bronze.

Six teams will randomly be labeled A, B, C, D, and E. Teams A and B will have a Quarterfinal bye. Quarterfinals are two match C vs F, and D vs E. on Monday 2/17. Winners advance to the semifinal round. Team A will play the winner of the C/F quarterfinal and Team B will play against the D/E winner on Tuesday 2/18. Losers of the semifinal matches play in the Bronze medal game while the winners play in the Gold medal game Wednesday 2/19.
Two team members stick as many Post-its to a third team member in one minute.
Five pyramid style stacks of three plastic cups are place two feet from the end of the Ping-Pong table. Player must shoot rubber bands to knock the cups completely off the table. 10 points per cup knocked completely off the table.
Player must bounce pencils onto their eraser and then into a glass.
Each contestant will be given a sheet of paper with 25 staples. The winner will be the fastest person to remove all 25 staples.
Players take a Stupid Trivia Test, answering as many questions as possible in 5 minutes. In the event of a tie, least time used will determine winners.
Head to head competition. One player from each team removes all the tissues from a box with one hand. First player to empty the box wins.
One teammate holds a roll of toilet paper. This player may not move. The other teammate holds one end of the toilet paper then spins in a circle until the whole roll is wrapped around them.
Players stack five cups and 4 index cards into a tower then remove the cards from top to bottom, until the cups are assembled in one stack on the table. If the tower topples, you must start from the beginning.


Malware
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T-SQL Stored Procedure
SQL
T-SQL Stored Procedure Example
CREATE PROCEDURE [dbo].[usp_rptHIVRatesMaleByAgeYear]
@Period DATETIME2,
@PK varchar(10)
AS
BEGIN
SET NOCOUNT ON;
DECLARE @Location VARCHAR(10) = @PK
DECLARE @LocationName VARCHAR(50) = 'Unknown'
DECLARE @Year DATETIME2
SELECT @Year = DATEADD(yy, DATEDIFF(yy, 0, @Period), 0)
IF UPPER(@Location) IN ('WArea', 'SArea', 'NArea', 'EArea', 'PArea')
BEGIN
SET @LocationName = UPPER(@Location)
END ELSE BEGIN
SELECT TOP 1 @LocationName = CampusName
FROM dbo.CampusLookup
WHERE CampusID = UPPER(@Location)
END
SELECT @LocationName AS LocationName,
CASE
WHEN GROUPING(s.AgeCategory) = 1 THEN 'Total'
ELSE s.AgeCategory
END AS AgeCategory,
s.Period,
CASE
WHEN SUM(a.AdjustedPersonTimeTotal) = 0 THEN 0.0
ELSE SUM(s.HIVCount) /
SUM(a.AdjustedPersonTimeTotal) * 100000.0
END AS HIVRatePerThousandPersonYears,
SUM(s.HIVCount) AS HIVCount
FROM dbo.StiCount s
INNER JOIN dbo.CampusLookup i
ON s.PK = i.CampusID
INNER JOIN dbo.Demographics a
ON a.PK = s.PK
AND a.Period = s.Period
AND a.AgeCategory = s.AgeCategory
AND a.Gender = s.Gender
WHERE s.Period > DATEADD(year, -7, @Year)
AND s.Period <= @Year
AND (UPPER(s.PK) = UPPER(@Location)
OR UPPER(i.AreaName) = UPPER(@Location)
OR UPPER(@Location) = 'ALL')
AND s.Gender = 'Male'
GROUP BY GROUPING SETS((s.AgeCategory, s.Period), (s.Period))
END
T-SQL Statistical Query
This query is a small example of the many large and
complex queries that have been asked of me. Usually
an ORM framework produces very good queries, but this
query needed to be fine-tuned by hand through raw SQL
due to the immense data manipulation.
This query also demonstrates my aptitude in
statistics, using weighted statistics based off varying
sample sizes across strata.
SQL
T-SQL Stored Procedure Example
ALTER PROCEDURE [dbo].[usp_rptViralRate]
@Location VARCHAR(20),
@PullDate VARCHAR(8),
@IsArea BIT
AS
BEGIN
SET NOCOUNT ON;
-- Get the statistical weights ready for use.
-- The weights depend on all our filters.
SELECT T.AssignmentDate
,T.ParentPK
,T.Phase
,T.WithVirus
,T.NoWithVirus
,ISNULL(w.WithVirusEligible, 0) AS WithVirusEligible
,ISNULL(w.NoWithVirusEligible, 0) AS NoWithVirusEligible
,ISNULL(CASE WHEN T.WithVirus > 0 THEN
CAST(w.WithVirusEligible AS DECIMAL(20,10)) /
CAST(T.WithVirus AS DECIMAL(20,10)) ELSE 1.0 END,
1.0) AS WithVirusWeight
,ISNULL(CASE WHEN T.NoWithVirus > 0 THEN
CAST(w.NoWithVirusEligible AS DECIMAL(20,10)) /
CAST(T.NoWithVirus AS DECIMAL(20,10)) ELSE 1.0 END,
1.0) AS NoWithVirusWeight
,CASE T.Phase
WHEN 1 THEN CONVERT(DATETIME2,
T.AssignmentDate + '01', 112)
WHEN 2 THEN CONVERT(DATETIME2,
T.AssignmentDate + '08', 112)
WHEN 3 THEN CONVERT(DATETIME2,
T.AssignmentDate + '15', 112)
WHEN 4 THEN CONVERT(DATETIME2,
T.AssignmentDate + '22', 112)
END AS SamplePhaseBegin
,CASE T.Phase
WHEN 1 THEN CONVERT(DATETIME2,
T.AssignmentDate + '08', 112)
WHEN 2 THEN CONVERT(DATETIME2,
T.AssignmentDate + '15', 112)
WHEN 3 THEN CONVERT(DATETIME2,
T.AssignmentDate + '22', 112)
WHEN 4 THEN DATEADD(MONTH, 1,
CONVERT(DATETIME2, T.AssignmentDate + '01', 112))
END AS SamplePhaseEnd
INTO #WeightsTable
FROM (
SELECT ap.AssignmentDate
,A.ParentPK
,CASE WHEN DAY(ap.VisitDate) < 8 THEN 1
WHEN DAY(ap.VisitDate) < 15 THEN 2
WHEN DAY(ap.VisitDate) < 22 THEN 3
ELSE 4 END AS Phase
,SUM(A.HasWithVirus) AS WithVirus
,SUM(CASE WHEN A.HasWithVirus = 0
THEN 1 ELSE 0 END) AS NoWithVirus
FROM (
SELECT ap.TreatmentPK
,ap.AssociatedLoadID
,dc.ParentPK
,MAX(CASE WHEN c.CodeType = 2
THEN 1 ELSE 0 END) AS HasWithVirus
FROM dbo.Coding c
INNER JOIN dbo.Person ap
ON ap.TreatmentPK = c.TreatmentPK
AND ap.AssociatedLoadID = c.AssociatedLoadID
AND ap.AssignmentDate = @PullDate
INNER JOIN dbo.RecordsComplete rc
ON rc.TreatmentPK = ap.TreatmentPK
AND rc.AssociatedLoadID = ap.AssociatedLoadID
INNER JOIN dbo.Locations dc
ON c.TreatmentPK = dc.ReportingPK
AND ((dc.AreaName = @Location AND @IsArea = 1)
OR (dc.ParentPK = @Location AND @IsArea = 0))
WHERE ap.CauseOfDeath IS NULL
GROUP BY ap.TreatmentPK,
ap.AssociatedLoadID,
dc.ParentPK
) A
INNER JOIN dbo.Person ap
ON ap.AssociatedLoadID = A.AssociatedLoadID
AND ap.TreatmentPK = A.TreatmentPK
GROUP BY ap.AssignmentDate,
A.ParentPK,
CASE
WHEN DAY(ap.VisitDate) < 8 THEN 1
WHEN DAY(ap.VisitDate) < 15 THEN 2
WHEN DAY(ap.VisitDate) < 22 THEN 3
ELSE 4
END
) T
LEFT OUTER JOIN dbo.StatisticWeights w
ON w.PK = T.ParentPK
AND w.PullDate = T.AssignmentDate
AND w.SamplePhase = T.Phase
;WITH AreaStatistics AS (
SELECT ReportingFacilityName
,ReportingPK
,CASE WHEN HIVTotal > 0
THEN HIVCorrect * 1.0 / HIVTotal * 100.0 ELSE 0.0
END AS HIVAccuracy
,CASE WHEN WithVirusTotal > 0
THEN WithVirusCorrect * 1.0 /
WithVirusTotal * 100.0 ELSE 0.0
END AS WithVirusAccuracy
,CASE WHEN HIWTotal > 0
THEN HIWCorrect * 1.0 /
HIWTotal * 100.0 ELSE 0.0 END AS HIWAccuracy
,CAST(HIVCorrect AS INT) AS HIVCorrect
,CAST(HIVTotal AS INT) AS HIVTotal
,CAST(WithVirusCorrect AS INT) AS WithVirusCorrect
,CAST(WithVirusTotal AS INT) AS WithVirusTotal
,CAST(HIWCorrect AS INT) AS HIWCorrect
,CAST(HIWTotal AS INT) AS HIWTotal
FROM (
SELECT ReportingFacilityName
,ReportingPK
,HIVCodeCorrect AS HIVCorrect
,(HIVCodeCorrect + HIVCodeError) AS HIVTotal
,WithVirusCodeCorrect AS WithVirusCorrect
,(WithVirusCodeCorrect +
WithVirusCodeError) AS WithVirusTotal
,HIWCodeCorrect AS HIWCorrect
,(HIWCodeCorrect + HIWCodeError) AS HIWTotal
FROM (
-- ...
) AreaCodesIndividual
) AreaCodesCombined
)
SELECT ReportingFacilityName
,ReportingPK
,HIVAccuracy
,HIWAccuracy
,WithVirusAccuracy
,HIVCorrect
,HIVTotal
,HIWCorrect
,HIWTotal
,WithVirusCorrect
,WithVirusTotal
FROM AreaStatistics
ORDER BY ReportingPK
END


delta_t's Rework Calculator
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 Nice, efficient, match my hand, nice touch ... love them. I am the (nearly perfectly) happy owner of a
Microsoft Bluetooth Notebook 5000 Mouse and it works perfectly except that damn power button at the bottom that after one year started to give way. Sometimes need to switch it on and off 4-5 times before it decides to turn the beast off instead of a reboot. Shall I buy a new one ? No no no, not me ...
How to open it ?
I happened to find a very nice photo tutorial here so use the pictures
http://www.flickr.com/photos/mattlichter/sets/72157613140207580/
The fix
Idea : add my own easy to reach and foolproof switch. A easy cheap solution : a jumper switch.
Modus operandi : open the mouse, solder 2 wires PIN 1 and PIN 2, drive them to the back of the mouse, drive a hole, put a jumper and a bit of glue et voila (^_^)
Result : 1 hour of work and the price of a new 60 USD mouse saved.
The 2 pins you want to short to close the circuit and turn the mouse on or off
The jumper at the back of the mouse


Since "installing" bookmarklet in the mobile version of Safari isn't as easy as in the original this guide should be of help.
Bookmark this page by hitting the + on the bottom of your screen. Later this will be the bookmark to use the in page search.
Tap the following textfield once to focus it and a second time so the Select all-bubble appears. Hit it! Then hit the Copy-button in the next bubble that appears.
Go to your bookmarks and hit the Edit-button on the bottom left. Tap the bookmark you just created for this page.
Tap the second field that contains the URL and clear it by hitting the X on the right. Tap the field again so the Paste-bubble appears. And paste you shall.
Hit the blue Done-button on the bottom right. That's it. :)


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{% extends 'website/base_site_1.html' %} {% load crispy_forms_tags %} {% block title %} Deleting "id: {{ object.id }} Rent car" {% endblock title %} {% block left_main %}
Are you sure you want to delete "id: {{ object.id }} Rent car"?
Client: {{ object.client }}
Car: {{ object.car }}
Booking date: {{ object.booking_date }}
Date of issue: {{ object.date_of_issue }}
Planned return date: {{ object.planned_return_date }}
Total days: {{ object.total_days }}
Is bill paid: {{ object.is_bill_paid }}
Return date: {{ object.return_date }}
Total payment amount: {{ object.total_payment_amount }}
Request responded by: {{ object.request_responded_by }}
Request status: {{ object.request_status }}


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| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object edu.cmu.cs.stage3.image.codec.PNGEncodeParam
public abstract class PNGEncodeParam
An instance of ImageEncodeParam
for encoding images in
the PNG format.
This class is not a committed part of the JAI API. It may be removed or changed in future releases of JAI.
| Nested Class Summary | |
|---|---|
static class |
PNGEncodeParam.Gray
|
static class |
PNGEncodeParam.Palette
|
static class |
PNGEncodeParam.RGB
|
| Field Summary | |
|---|---|
static int |
INTENT_ABSOLUTE
Constant for use with the sRGB chunk. |
static int |
INTENT_PERCEPTUAL
Constant for use with the sRGB chunk. |
static int |
INTENT_RELATIVE
Constant for use with the sRGB chunk. |
static int |
INTENT_SATURATION
Constant for use with the sRGB chunk. |
static int |
PNG_FILTER_AVERAGE
Constant for use in filtering. |
static int |
PNG_FILTER_NONE
Constant for use in filtering. |
static int |
PNG_FILTER_PAETH
Constant for use in filtering. |
static int |
PNG_FILTER_SUB
Constant for use in filtering. |
static int |
PNG_FILTER_UP
Constant for use in filtering. |
| Constructor Summary | |
|---|---|
PNGEncodeParam()
|
| Method Summary | |
|---|---|
void |
addPrivateChunk(java.lang.String type,
byte[] data)
Adds a private chunk, in binary form, to the list of chunks to be stored with this image. |
int |
filterRow(byte[] currRow,
byte[] prevRow,
byte[][] scratchRows,
int bytesPerRow,
int bytesPerPixel)
Performs filtering on a row of an image. |
int |
getBitDepth()
Returns the desired bit depth for a grayscale image. |
float[] |
getChromaticity()
Returns the white point and primary chromaticities in CIE (x, y) space. |
java.lang.String[] |
getCompressedText()
Returns the text strings to be stored in compressed form with this image as an array of String s. |
static PNGEncodeParam |
getDefaultEncodeParam(java.awt.image.RenderedImage im)
Returns an instance of PNGEncodeParam.Palette ,
PNGEncodeParam.Gray , or
PNGEncodeParam.RGB appropriate for encoding
the given image. |
float |
getGamma()
Returns the file gamma value for the image. |
byte[] |
getICCProfileData()
Returns the ICC profile data to be stored with this image. |
boolean |
getInterlacing()
Returns true if Adam7 interlacing will be used. |
java.util.Date |
getModificationTime()
Returns the modification time to be stored with this image. |
int |
getNumPrivateChunks()
Returns the number of private chunks to be written to the output file. |
int[] |
getPaletteHistogram()
Returns the palette histogram to be stored with this image. |
int[] |
getPhysicalDimension()
Returns the physical dimension information to be stored with this image. |
byte[] |
getPrivateChunkData(int index)
Returns the data associated of the private chunk at a given index, as an array of byte s. |
java.lang.String |
getPrivateChunkType(int index)
Returns the type of the private chunk at a given index, as a 4-character String . |
int[] |
getSignificantBits()
Returns the number of significant bits for each band of the image. |
int |
getSRGBIntent()
Returns the sRGB rendering intent to be stored with this image. |
PNGSuggestedPaletteEntry[] |
getSuggestedPalette()
Returns the suggested palette information to be stored with this image. |
java.lang.String[] |
getText()
Returns the text strings to be stored in uncompressed form with this image as an array of String s. |
boolean |
isBackgroundSet()
Returns true if a 'bKGD' chunk will be output. |
boolean |
isChromaticitySet()
Returns true if a 'cHRM' chunk will be output. |
boolean |
isCompressedTextSet()
Returns true if a 'zTXT' chunk will be output. |
boolean |
isGammaSet()
Returns true if a 'gAMA' chunk will be output. |
boolean |
isICCProfileDataSet()
Returns true if a 'iCCP' chunk will be output. |
boolean |
isModificationTimeSet()
Returns true if a 'tIME' chunk will be output. |
boolean |
isPaletteHistogramSet()
Returns true if a 'hIST' chunk will be output. |
boolean |
isPhysicalDimensionSet()
Returns true if a 'pHYS' chunk will be output. |
boolean |
isSignificantBitsSet()
Returns true if an 'sBIT' chunk will be output. |
boolean |
isSRGBIntentSet()
Returns true if an 'sRGB' chunk will be output. |
boolean |
isSuggestedPaletteSet()
Returns true if a 'sPLT' chunk will be output. |
boolean |
isTextSet()
Returns true if a 'tEXt' chunk will be output. |
boolean |
isTransparencySet()
Returns true if a 'tRNS' chunk will be output. |
static int |
paethPredictor(int a,
int b,
int c)
The Paeth predictor routine used in PNG encoding. |
void |
removeAllPrivateChunks()
Remove all private chunks associated with this parameter instance. |
void |
removeUnsafeToCopyPrivateChunks()
Remove all private chunks associated with this parameter instance whose 'safe-to-copy' bit is not set. |
abstract void |
setBitDepth(int bitDepth)
Sets the desired bit depth of an image. |
void |
setChromaticity(float[] chromaticity)
Sets the white point and primary chromaticities in CIE (x, y) space. |
void |
setChromaticity(float whitePointX,
float whitePointY,
float redX,
float redY,
float greenX,
float greenY,
float blueX,
float blueY)
A convenience method that calls the array version. |
void |
setCompressedText(java.lang.String[] text)
Sets the text strings to be stored in compressed form with this image. |
void |
setGamma(float gamma)
Sets the file gamma value for the image. |
void |
setICCProfileData(byte[] ICCProfileData)
Sets the ICC profile data to be stored with this image. |
void |
setInterlacing(boolean useInterlacing)
Turns Adam7 interlacing on or off. |
void |
setModificationTime(java.util.Date modificationTime)
Sets the modification time, as a Date , to be
stored with this image. |
void |
setPaletteHistogram(int[] paletteHistogram)
Sets the palette histogram to be stored with this image. |
void |
setPhysicalDimension(int[] physicalDimension)
Sets the physical dimension information to be stored with this image. |
void |
setPhysicalDimension(int xPixelsPerUnit,
int yPixelsPerUnit,
int unitSpecifier)
A convenience method that calls the array version. |
void |
setSignificantBits(int[] significantBits)
Sets the number of significant bits for each band of the image. |
void |
setSRGBIntent(int SRGBIntent)
Sets the sRGB rendering intent to be stored with this image. |
void |
setSuggestedPalette(PNGSuggestedPaletteEntry[] palette)
Sets the suggested palette information to be stored with this image. |
void |
setText(java.lang.String[] text)
Sets the textual data to be stored in uncompressed form with this image. |
void |
unsetBackground()
Suppresses the 'bKGD' chunk from being output. |
void |
unsetBitDepth()
Suppresses the setting of the bit depth of a grayscale image. |
void |
unsetChromaticity()
Suppresses the 'cHRM' chunk from being output. |
void |
unsetCompressedText()
Suppresses the 'zTXt' chunk from being output. |
void |
unsetGamma()
Suppresses the 'gAMA' chunk from being output. |
void |
unsetICCProfileData()
Suppresses the 'iCCP' chunk from being output. |
void |
unsetModificationTime()
Suppresses the 'tIME' chunk from being output. |
void |
unsetPaletteHistogram()
Suppresses the 'hIST' chunk from being output. |
void |
unsetPhysicalDimension()
Suppresses the 'pHYS' chunk from being output. |
void |
unsetSignificantBits()
Suppresses the 'sBIT' chunk from being output. |
void |
unsetSRGBIntent()
Suppresses the 'sRGB' chunk from being output. |
void |
unsetSuggestedPalette()
Suppresses the 'sPLT' chunk from being output. |
void |
unsetText()
Suppresses the 'tEXt' chunk from being output. |
void |
unsetTransparency()
Suppresses the 'tRNS' chunk from being output. |
| Methods inherited from class java.lang.Object |
|---|
equals, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
|---|
public static final int INTENT_PERCEPTUAL
public static final int INTENT_RELATIVE
public static final int INTENT_SATURATION
public static final int INTENT_ABSOLUTE
public static final int PNG_FILTER_NONE
public static final int PNG_FILTER_SUB
public static final int PNG_FILTER_UP
public static final int PNG_FILTER_AVERAGE
public static final int PNG_FILTER_PAETH
| Constructor Detail |
|---|
public PNGEncodeParam()
| Method Detail |
|---|
public static PNGEncodeParam getDefaultEncodeParam(java.awt.image.RenderedImage im)
PNGEncodeParam.Palette
,
PNGEncodeParam.Gray
, or
PNGEncodeParam.RGB
appropriate for encoding
the given image.
If the image has an IndexColorModel
, an
instance of PNGEncodeParam.Palette
is returned.
Otherwise, if the image has 1 or 2 bands an instance of
PNGEncodeParam.Gray
is returned. In all other
cases an instance of PNGEncodeParam.RGB
is
returned.
Note that this method does not provide any guarantee that the given image will be successfully encoded by the PNG encoder, as it only performs a very superficial analysis of the image structure.
public abstract void setBitDepth(int bitDepth)
public int getBitDepth()
If the bit depth has not previously been set, or has been
unset, an IllegalStateException
will be thrown.
java.lang.IllegalStateException
- if the bit depth is not set.public void unsetBitDepth()
public void setInterlacing(boolean useInterlacing)
public boolean getInterlacing()
true
if Adam7 interlacing will be used.
public void unsetBackground()
RuntimeException
;
accordingly, subclasses must provide their own implementations.
public boolean isBackgroundSet()
RuntimeException
;
accordingly, subclasses must provide their own implementations.
public void setChromaticity(float[] chromaticity)
The chromaticity
parameter should be a
float
array of length 8 containing the white point
X and Y, red X and Y, green X and Y, and blue X and Y values in
order.
The 'cHRM' chunk will encode this information.
public void setChromaticity(float whitePointX, float whitePointY, float redX, float redY, float greenX, float greenY, float blueX, float blueY)
public float[] getChromaticity()
See the documentation for the setChromaticity
method for the format of the returned data.
If the chromaticity has not previously been set, or has been
unset, an IllegalStateException
will be thrown.
java.lang.IllegalStateException
- if the chromaticity is not set.public void unsetChromaticity()
public boolean isChromaticitySet()
public void setGamma(float gamma)
The 'gAMA' chunk will encode this information.
public float getGamma()
If the file gamma has not previously been set, or has been
unset, an IllegalStateException
will be thrown.
java.lang.IllegalStateException
- if the gamma is not set.public void unsetGamma()
public boolean isGammaSet()
public void setPaletteHistogram(int[] paletteHistogram)
The 'hIST' chunk will encode this information.
public int[] getPaletteHistogram()
If the histogram has not previously been set, or has been
unset, an IllegalStateException
will be thrown.
java.lang.IllegalStateException
- if the histogram is not set.public void unsetPaletteHistogram()
public boolean isPaletteHistogramSet()
public void setICCProfileData(byte[] ICCProfileData)
The 'iCCP' chunk will encode this information.
public byte[] getICCProfileData()
If the ICC profile has not previously been set, or has been
unset, an IllegalStateException
will be thrown.
java.lang.IllegalStateException
- if the ICC profile is not set.public void unsetICCProfileData()
public boolean isICCProfileDataSet()
public void setPhysicalDimension(int[] physicalDimension)
The 'pHYS' chunk will encode this information.
public void setPhysicalDimension(int xPixelsPerUnit, int yPixelsPerUnit, int unitSpecifier)
public int[] getPhysicalDimension()
If the physical dimension information has not previously
been set, or has been unset, an
IllegalStateException
will be thrown.
java.lang.IllegalStateException
- if the physical dimension information
is not set.public void unsetPhysicalDimension()
public boolean isPhysicalDimensionSet()
public void setSuggestedPalette(PNGSuggestedPaletteEntry[] palette)
PNGSuggestedPaletteEntry
objects.
The 'sPLT' chunk will encode this information.
public PNGSuggestedPaletteEntry[] getSuggestedPalette()
If the suggested palette information has not previously
been set, or has been unset, an
IllegalStateException
will be thrown.
java.lang.IllegalStateException
- if the suggested palette
information is not set.public void unsetSuggestedPalette()
public boolean isSuggestedPaletteSet()
public void setSignificantBits(int[] significantBits)
The number of entries in the significantBits
array must be equal to the number of output bands in the image:
1 for a gray image, 2 for gray+alpha, 3 for index or truecolor,
and 4 for truecolor+alpha.
The 'sBIT' chunk will encode this information.
public int[] getSignificantBits()
If the significant bits values have not previously been
set, or have been unset, an IllegalStateException
will be thrown.
java.lang.IllegalStateException
- if the significant bits values are
not set.public void unsetSignificantBits()
public boolean isSignificantBitsSet()
public void setSRGBIntent(int SRGBIntent)
The 'sRGB' chunk will encode this information.
public int getSRGBIntent()
If the sRGB intent has not previously been set, or has been
unset, an IllegalStateException
will be thrown.
java.lang.IllegalStateException
- if the sRGB intent is not set.public void unsetSRGBIntent()
public boolean isSRGBIntentSet()
public void setText(java.lang.String[] text)
String
s.
The 'tEXt' chunk will encode this information.
public java.lang.String[] getText()
String
s.
If the text strings have not previously been set, or have been
unset, an IllegalStateException
will be thrown.
java.lang.IllegalStateException
- if the text strings are not set.public void unsetText()
public boolean isTextSet()
public void setModificationTime(java.util.Date modificationTime)
Date
, to be
stored with this image. The internal storage format will use
UTC regardless of how the modificationTime
parameter was created.
The 'tIME' chunk will encode this information.
public java.util.Date getModificationTime()
If the bit depth has not previously been set, or has been
unset, an IllegalStateException
will be thrown.
java.lang.IllegalStateException
- if the bit depth is not set.public void unsetModificationTime()
public boolean isModificationTimeSet()
public void unsetTransparency()
public boolean isTransparencySet()
public void setCompressedText(java.lang.String[] text)
String
s.
The 'zTXt' chunk will encode this information.
public java.lang.String[] getCompressedText()
String
s.
If the compressed text strings have not previously been
set, or have been unset, an IllegalStateException
will be thrown.
java.lang.IllegalStateException
- if the compressed text strings are
not set.public void unsetCompressedText()
public boolean isCompressedTextSet()
public void addPrivateChunk(java.lang.String type, byte[] data)
type
- a 4-character String giving the chunk type name.data
- an array of byte
s containing the
chunk data.public int getNumPrivateChunks()
public java.lang.String getPrivateChunkType(int index)
String
. The index must be smaller
than the return value of getNumPrivateChunks
.
public byte[] getPrivateChunkData(int index)
byte
s. The index must be
smaller than the return value of
getNumPrivateChunks
.
public void removeUnsafeToCopyPrivateChunks()
public void removeAllPrivateChunks()
public static final int paethPredictor(int a, int b, int c)
filterRow
method.
public int filterRow(byte[] currRow, byte[] prevRow, byte[][] scratchRows, int bytesPerRow, int bytesPerPixel)
The method is supplied with the current and previous rows of the image. For the first row of the image, or of an interlacing pass, the previous row array will be filled with zeros as required by the PNG specification.
The method is also supplied with five scratch arrays. These arrays may be used within the method for any purpose. At method exit, the array at the index given by the return value of the method should contain the filtered data. The return value will also be used as the filter type.
The default implementation of the method performs a trial encoding with each of the filter types, and computes the sum of absolute values of the differences between the raw bytes of the current row and the predicted values. The index of the filter producing the smallest result is returned.
As an example, to perform only 'sub' filtering, this method could be implemented (non-optimally) as follows:
for (int i = bytesPerPixel; i < bytesPerRow + bytesPerPixel; i++) { int curr = currRow[i] & 0xff; int left = currRow[i - bytesPerPixel] & 0xff; scratchRow[PNG_FILTER_SUB][i] = (byte)(curr - left); } return PNG_FILTER_SUB;
currRow
- The current row as an array of byte
s
of length at least bytesPerRow + bytesPerPixel
.
The pixel data starts at index bytesPerPixel
;
the initial bytesPerPixel
bytes are zero.prevRow
- The current row as an array of byte
s
The pixel data starts at index bytesPerPixel
;
the initial bytesPerPixel
bytes are zero.scratchRows
- An array of 5 byte
arrays of
length at least bytesPerRow +
bytesPerPixel
, useable to hold temporary results.
The filtered row will be returned as one of the entries
of this array. The returned filtered data should start
at index bytesPerPixel
; The initial
bytesPerPixel
bytes are not used.bytesPerRow
- The number of bytes in the image row.
This value will always be greater than 0.bytesPerPixel
- The number of bytes representing a single
pixel, rounded up to an integer. This is the 'bpp' parameter
described in the PNG specification.
scratchRows[]
at this index holds the
filtered data.
|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


Attempts to revive the girls failed and both were declared dead in Logan City, south of Brisbane, Australia.
The girls’ father said Darcey Conley, two, and Chloe-Ann, one, were ‘two peas in a pod’ and said Kerri-Ann Conley, 27, adored her daughters.
Police have said the toddlers died from exposure to extreme heat and are building a timeline to determine how long they spent in the car.
Officers are investigating whether Ms Conley was under the influence of drugs at the time. She will appear in court on Monday.
Ms Conley was already known to police, according to 9News, which said she rushed the girls into a cool bath inside her home after finding them in the car.
Advertisement Advertisement
A neighbour claimed her grandson saw the toddlers in the car at 6.30am, seven hours before they were found, according to the Daily Mail.
Australian emergency services rescue more than 2,000 unattended children from cars each year, according to the National Roads and Motorists’ Association.
The organisation warns temperatures in a parked car can be more than 30 degrees hotter than outside the car, and three-quarters of this temperature increase happens within five minutes of the car being closed.
Members of the local community laid bouquets and stuffed animals outside the girls’ home in the suburb of Waterford West.
One person wrote: ‘Fly high little babies. So sad.’
Another commented: ‘Sad to hear… RIP little angels… thoughts with the service members that found the kids.’
Got a story for Metro.co.uk?
Get in touch with our news team by emailing us at<EMAIL_ADDRESS>For more stories like this, check our news page.


This package contains the Graphical User Interface elements of the File Analyzer.
Note: In order to provide a responsive user experience, long-running actions to be performed within a Java GUI should occur in a worker thread that periodically updates its status to the GUI application thread. Several functions that are straightforward in the command line mode of the File Analyzer, have been decomposed into worker thread and GUI thread actions.


Wow! Great glass for the holidays: Three of Sigma’s best lenses at up to $250 discount if you act quickly!
by Mike TomkinsIt's that time again -- with year's end fast approaching, the holiday season is almost upon us! But what to get for the photographer in your life, whether that's a friend, family member or perhaps yourself? The good folks at family-run Japanese optics manufacturer Sigma have some great deals just in time for Black Friday, with several of their best lenses -- and a couple of mount converters, too -- all available at their lowest-ever prices. But you'll need to act quickly, because these deals expire in just a couple of weeks from now!
All of these are optics we've reviewed and loved! There's the Sigma 35mm F1.4 DG HSM Art at a discount of $250 (we called it "an excellent lens ... with comparatively great performance"), the Sigma 50mm F1.4 DG HSM Art for a $120 discount (which "trounces any similar model available for less than $4,000"), and the Sigma 85mm F1.4 DG HSM Art for a $120 discount ("the sharpest 85mm lens we've seen"). And then there are the mount converters, which will let you attach most any Canon or compatible EF-mount lens or, alternatively, any Sigma SA-mount lens to your Sony E-mount mirrorless camera, now selling at a $100 discount that's barely over half its regular price.
To help out, we've provided one-click links below that will take you straight to all of Sigma's deals, which include three superb prime lenses and two mount converters amongst their number. Hit the links to order any of these great lenses from our affiliates, Adorama or B&H Photo Video, and not only will you get some great new glass for your cameras or those of your loved ones -- you'll also help to support all of us here at Imaging Resource at no extra cost to you!
|
Sigma 35mm F1.4 DG HSM Art ($649 thru 12/05) |
Buy now from our affiliates at no extra cost Your purchases help to support this site! |
|
| Canon EF-mount | Buy at Adorama | Buy at B&H Photo |
| Leica L-mount | Buy at Adorama | Buy at B&H Photo |
| Nikon F-mount | Buy at Adorama | Buy at B&H Photo |
| Pentax K-mount | Buy at Adorama | Buy at B&H Photo |
| Sigma SA-mount | Buy at Adorama | Buy at B&H Photo |
| Sony A-mount | Buy at Adorama | Buy at B&H Photo |
| Sony E-mount | Buy at Adorama | Buy at B&H Photo |
|
Sigma 50mm F1.4 DG HSM Art ($829 thru 12/05) |
Buy now from our affiliates at no extra cost Your purchases help to support this site! |
|
| Canon EF-mount | Buy at Adorama | Buy at B&H Photo |
| Leica L-mount | Buy at Adorama | Buy at B&H Photo |
| Nikon F-mount | Buy at Adorama | Buy at B&H Photo |
| Sigma SA-mount | Buy at Adorama | Buy at B&H Photo |
| Sony A-mount | Buy at Adorama | Buy at B&H Photo |
| Sony E-mount | Buy at Adorama | Buy at B&H Photo |
|
Sigma 85mm F1.4 DG HSM Art ($1079 thru 12/05) |
Buy now from our affiliates at no extra cost Your purchases help to support this site! |
|
| Canon EF-mount | Buy at Adorama | Buy at B&H Photo |
| Leica L-mount | Buy at Adorama | Buy at B&H Photo |
| Nikon F-mount | Buy at Adorama | Buy at B&H Photo |
| Sigma SA-mount | Buy at Adorama | Buy at B&H Photo |
| Sony E-mount | Buy at Adorama | Buy at B&H Photo |
|
Sigma MC-11 Mount Converter ($149 thru 12/05) |
Buy now from our affiliates at no extra cost Your purchases help to support this site |
|
| Canon EF-mount to Sony E-mount | Buy at Adorama | Buy at B&H Photo |
| Sigma SA-mount to Sony E-mount | Buy at Adorama | Buy at B&H Photo |


 Users can enjoy a quick general knwoledge quiz about
coding-related topics. Watch for that timer and put your name on top of that High Score page!
Tech Used: HTML, CSS, JavaScript, jQuery, Bootstrap.
Omnifoods!
Using advanced CSS, I created a beautiful responsive
website without any JavaScript for restaurants with no online presence to get familiar with the
possibilities and potentials of online presence!
Tech Used: HTML, CSS.
Team Profile Generator
This Node-dominated piece of work is useful for any company or team trying to be
organized. Use this to add employees, give them titles, offices, keep their emails, and potentially so
much more.
Tech Used: JavaScript, jQuery, Node.js, Express.js.
Weather Dahsboard
A simple, easy to use weather dashboard that incorporates a live API that
updates data for any given city.
Tech Used: HTML, CSS, JavaScript, jQuery, API.
Password Generator
Here's a pretty secure, pretty random Password. Add some requirements for your password
and have one that will be pretty hard to guess (and to remember, so write it down somewhere).
Tech Used: HTML, CSS, JavaScript
WAV
In this group project, I created the database linked to the React App with the Google OAuth logging system as well as helped installing the search API. You can make your profile now while the app is under construction!


Before Change
filename_or_var = self.args["file"]
if context["request"].GET.has_key(filename_or_var): // filename_or_var was given as url param so it was a var
filename = context["request"].GET[filename_or_var] // use url param value as the file to load
else:
filename = filename_or_var
After Change
// context["request"].GET contains a queryDict of all url parameters.
filename_raw = self.args["file"]
filename_clean = self.substitute(filename_raw,context["request"].GET.items())
project_name = context.page.comicsite.short_name
filename = path.join(settings.DROPBOX_ROOT,project_name,filename_clean)


this is a test
Click on the text you want to change
This one
Or this one
Or this one
Or this one
Or this one
Font size +
Font size -
Bold


PathBoundsY()
语法
Result.d = PathBoundsY()概要
Returns the Y coordinate (top/left corner) of the bounding box for the current vector drawing path. The result is the lowest Y coordinate that stroking/filling the current path would reach.
参数
无.
返回值
The Y coordinate of the bounding box.
示例
See PathBoundsX() for an example.
参阅
PathBoundsX(), PathBoundsWidth(), PathBoundsHeight()
已支持操作系统
所有


{% extends 'base.html' %} {% load static %} {% block content %}
Full Name: {{address.first_name}} {{address.last_name}}
Street Address: {{address.street_address}}
Apt/House: {{address.apt_house}}
City/State/Zip: {{address.city}}, {{address.state}} {{address.zipcode}}
Phone Number: {{address.phone_number}}


Depalletizer
Depalletizers will operate at high or low level. High level depalletizers are faster as the cycle time is shorter. Depalletizing can be for crates, cartons or bulk delivery. For crates each layer on the pallet is normally clamped by a head and lifted onto a table from where they are driven onto a conveyor and orientated with the narrow edge leading in preparation for decrating. The motion can either be reciprocal between columns or robotic. For bulk delivery of new bottles, each layer can be clamped using a pneumatic cushion and lifted onto a conveyor, or more commonly swept at high level onto a conveyor. Cans are swept at high level onto a conveyor.
Unpacker
During this operation bottles are removed from crates or cartons. This can be done using a reciprocal, continuous (vertical or horizontal) or robotic machine. The heads can be fitted with clamps or inflatable tulips (so called as they are tulip-shaped). The tulips fit over the bottles and are inflated in order that they may be lifted. In some cases automatic bottle sorters are installed after the unpacker.
Washer/Rinser
Depending on the operation a rinser or washer or, indeed, a combination of both maybe used. The washer will be used for returnable bottles and is usually double ended i.e. bottles enter one end and exit the other end. If a line is for non-returnable bottles a rinser will be used and it is normal to install it as a ‘monobloc’ or in combination with the filler. If both returnable and non-returnable bottles are used both a rinser and washer maybe installed and then the appropriate machine is by-passed.
Filler and Crowner
A mechanical or electro-pneumatic filler could be used. The sizing will be appropriate to the line size and in cases where there is no tunnel pasteurizer will be the core machine. If the filler is filling sterile beer it will probably be enclosed in a ‘clean room’. The typical situation for a bottle filler would be beer at 4°C and 5.5 g/l CO2; this would require a 144 valve filling machine for filling 275 ml bottles at 60,000 bph. Fillers are produced in a range of diameters and pitches between valves as are crowners. The filler above could have a pitch of 94 mm and the crowner would match this. A crowner to match this filler would have 24 heads. Can Fillers and Seamers are also produced in a range of diameters and pitches between valves. A typical Filler Seamer combination for filling 330 ml cans with beer at 4°C and 5.5 g/l CO2 at 90,000 cph would be a 150 valve filler and an 18 head Seamer, both at 90 mm pitch.
Tunnel Pasteuriser
If the product is not sterile (i.e. treated through the use of sterile filtration or plate pasteurization) a tunnel pasteurizer will be used to pasteurize the beer in package. Due to the necessity to keep the pasteurizer full during production for best utilization of energy, it is often treated as the core machine on the line. The high cost of running a tunnel pasteurizer compared with other forms of sterilization is changing opinion. The tunnel pasteurizer is regarded as the safest form of stabilization as it pasteurizes beer in its final package. However with improved hygiene there is no reason why a flash pasteurizer or sterile filter cannot be used in its place. Both capital and revenue savings are significant.
Labeller
The labeller maybe wet glue for paper or self-adhesive for pressure sensitive labeling (PSL). Wet glue labellers can run at speeds of up to 1200bpm, where as self-adhesive labelers may run up to 800bpm. It is possible to have combination labellers with wet and self-adhesive labelling together. It is also possible to purchase a labeller which applies sleeves.
Packer
The crating operation is identical to the de-crating operation, only in reverse.
Palletizer
The reciprocal and robotic palletisers are similar to the depalletizers. High level palletisers will also operate faster. The issue with high level palletisers is being able to feed them faster enough. As a result, twin lane feeds are often used. The pallet is on a lowerator, and as it receives each Hydraulic lowerators are faster than their mechanical layer, the pallet moves down to receive the next one. equivalent but it means digging a hole in the floor to accept the hydraulic cylinder. Low level palletisers require more mechanical effort in order to lift each layer and sweep it onto the top of the pallet.


cpsr.environment.components
Classes
Action
ActionObservation
ActObSequenceSet
IndicativeEvent
Observation
ResetActionObservation
RewardObservation


Simple mode that tries to handle VHDL-like languages as well as it can. Takes one configuration parameters: keywords, an object whose property names are the keywords in the language.
keywords
MIME types defined: text/x-vhdl (VHDL code).
text/x-vhdl


Naoko Takeuchi
"In the name of the moon, I'll punish you!"
Who is Naoko Takeuchi?
Is a Japanese manga artist. She is best known as the author of Sailor Moon, one of the most popular manga series of all time.
Let's see a line time of her life:
- 1967 - Born in Kōfu, Yamanashi, Japan.
- 1973 - 1982 - She attended Kofu Ichi High School. She wore sailor suit uniforms and joined the astronomy and manga clubs. These experiences influenced her work for Sailor Moon, in addition to her other pieces such as Love Call and Rain Kiss.
- 1985 - She worked as a miko at the Shiba Daijingu shrine near her university. This experience later became the basis for one of her characters in Sailor Moon, Rei Hino.
- 1986 - She graduated from Kyoritsu University of Pharmacy, where she received a degree in chemistry and became a licensed pharmacist. Her senior thesis was called "Heightened Effects of Thrombolytic Actions Due to Ultrasound".
- 1987 - 1989 - She entered the manga industry by submitting to Kodansha her work Love Call and starts writing Maria.
- 1990 - 1991 - She published Maria and then she worked on the ice-skating series The Cherry Project. She wanted to do a manga on outer space and girl fighters. This concept would later become a one-shot called Sailor V, which would later begin serialization in RunRun. When Toei Animation planned to adapt her manga into an anime series, she reworked Sailor V and added four other superheroines.
- 1991 - 1997 - In December she began serializing Sailor Moon, which became an instant hit. The success encouraged her to work on both Sailor Moon and Sailor V from 1991 to 1997 until it was canceled. During that 6-year period, she produced 52 chapters that were collected in 18 volumes. The success of the manga led to a 200-episode anime adaptation, three animated films, numerous video games, and wide-ranging merchandising.
- 1998 - Her first appearance in the United States at the San Diego Comic-Con International convention. Also she published the first Sailor Moon Infinity Collection Art Book with limited releases.
- 1999 - She married to Yoshihiro Togashi, the author of Yu Yu Hakusho and Hunter x Hunter. From this marriage, the couple have two children: a son, born in January 2001, and another child, born in 2009.
- 2003 - 2004 - She started producing Pretty Guardian Sailor Moon and continued to work on Toki Meca.
- 2012 - It was announced that a new Sailor Moon anime adaptation was in development.
- 2014 - 2016 - The new reboot anime debuted on July of 2014, titled Pretty Guardian Sailor Moon Crystal. It streamed on Niconico bi-weekly, and ended on July 2015, total of 26 episodes, covering the Dark Kingdom and Black Moon arc of the manga. The series eventually gained its 13-episode third season, covering the Infinity arc of the manga (subtitled Death Busters), and aired weekly on Japanese television from April to June 2016.
- 2020 - present - In 2020, was relased the two volumes "All Colored Eternal Edition" of the Sailor Moon manga. In 2021, she supervised the production of the two-part anime film, Pretty Guardian Sailor Moon Eternal: The Movie, which adapted the Dream arc of the manga (subtitled Dead Moon), and acted as a "fourth season" to the Sailor Moon Crystal series. Both films were released in 2021 in Japanese theaters.


I create, design, prototype, test and develop apps on iOS because I love the process of bringing ideas to life.
Apps are available on any mobile device running iOS! Download now to get started!
The wolfpack labs app is a To Do List app.
It's internal right now, but perhaps I'll release it in the near future.
The Weather Panda app lets you quickly search the weather in your city and select celcius or fahrenheit.
Our in-house Panda also has some cute comments you should read.
Panda is at it again. This time, fetching information on how Bitcoin is doing in the market.
You can select what currency you would like to see the results in. Good luck checking!


So, after having experienced five 2C-E trips in the past and having two of which being extremely lackluster, I went into this trip hoping to be impressed. I wanted to trip HARD. I wanted to be out of my mind and uncontrollable. Keeping that in mind, it set the stage for my best trip ever.
I began by taking it with 3 other friends at around 3:15 and the wait began. I had fasted for close to 15 hours before this, so I knew that when it hit, it'd hit fast and hard. I had found that if I drank some sort of juice after consumption, that the effects would hit a bit faster, so that is exactly what I did. I drank a few cups of orange juice and paced around until I finally started to get some 'butterflies' in my stomach(about 45 minutes after consumption).
When logical thought started to slowly fade, I found myself with quite the amount of nausea. I curled up in an arm chair for a while and waited for it subside. After some time(that which I cannot recall the length) I found myself walking around staring at the wall, which was moving around quite a bit by this time.
Colors were very vibrant, especially the greens and reds, and the visuals started to become extremely vivid. I believe I stated that they were no longer 'joke visuals.' Meaning that things no longer looked like they were just seen through double vision, and instead were very 'solid' and not blurry at all. After awhile, all 3 of my friends were now feeling it and we went on a walk.
The clouds that day were fantastic. Even if I wasn't tripping, they probably would have looked awesome. However, through my altered perception, they were twisting around and moving extremely fast. I was taking it all in and loving every moment of it. I remember spitting and being fascinated by the auditory hallucination of a fazer coming out of my mouth. Happiness was engulfing me.
When we made it back to the house, we did our ritual of listening to music. This time, the music of choice was Tool, Lateralus. We went into the basement with the lights off and listened to it on surround sound. Strangely, the music didnít affect me as much as usual. I felt 'distant' from it. I had my own colorful visuals that were independent of my inner thoughts, and the music seemed to be off to the side. As an example, I remember a particular time where I could see a neon blue pyramid to the left of me and a strange blue figure keeping me out of the temple. The temple was off to the side and the colors of the temple were being effected by the music, but the blue figure was not. This visual was very dream-like, as I could talk to it. I remember feeling contempt for the blue figure blocking me out of the pyramid and speaking to other figures about what it must be like in the temple.
Me and one of my friends decided that we'd go upstairs and maybe go on another walk. We realized soon that it was raining out and just decided to lay around staring at stuff. Eventually moving into the house owners bedroom, we listened to some Tom petty.
Listening to this brought me and my friend to tears of joy. We looked at each other and stated our happiness and laughed for the length of three songs, all pop. Never have I felt such joy in my life. I was tripping extremely hard at that point and I had no negativity at all. There was just this feeling of absolute joy and love emanating from me.
Eventually we made it back downstairs, listening to Devin Townsend, Terria. It was fantastic, but when it was over I began to realize I was on the comedown.
At about 10:30, we were all pretty much coming down and not really feeling much of anything besides some brightened colors and a bit of a 'trippy' outlook. The trip ended completely at around 2:30am and I was finally able to sleep.
Overall, it was the best trip I have had and contained one of the best and happiest moments of my life. I will continue to use 2C-E and hope to have many more moments like this.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


THE PIANO
A film review by Chad Polenz
Copyright 1997 Chad Polenz
**1/2 (out of 4 = OK) 1993, R, 121 minutes [2 hours, 1 minute] [drama] starring: Holly Hunter (Ada), Harvey Kietel (Baines), Sam Neill (Stewart), Anna Paquin (Flora), produced by Jan Chapman, written and directed by Jane Campion.
"The Piano" is a good movie but not a great movie. Taking into consideration the elements that make up this film, it's not much more than a Victorian soap opera, full of passion, seduction, sex, and violence. It's interesting and well acted, but the elements that make it up and push it along aren't anything special. The setting is 18th Century New Zealand with Holly Hunter starring as Ada, a pale but beautiful widow who has been arranged to marry someone she has never seen in a country she has never been to. She also brings along her daughter Flora (Paquin), who provides for some of the film's best moments. Ada cannot talk, she speaks through sign language and by playing her piano. But Stewart (Neill), her new husband, won't let her bring it into the house. The piano is the major plot element and metaphor for just about everyone and everything in this film. It shows how music reflects and defines mood and attitude. When Ada is happy she plays a flowing, beautiful song, and when she is angry she slams the keys and hits the deep notes. Stewart is a shy and withdrawn man, he is not cruel, but he just doesn't know how to handle the situation. His co-worker Baines (Keitel) is the typical brute with a heart of gold, he can't read but he does understand what art and beauty are. When he hears Ada's piano he adores the music and buys it from Stewart and agrees to sell it back to Ada one key at a time if she teaches him how to play. As Ada tries to play for Baines, he keeps making sexual demands. This element is definitely erotic because of what it doesn't show, as it is an era when woman wore layers of clothes - just getting one layer off would excite a man. This is the kind of passion we don't usually get to see, and Campion films with careful craftsmanship and detail. The way that Hunter portrays this character, it doesn't seem like Ada likes Baines. She is just using him to get her piano back, so they're both being shallow. But when she does get it back, she throws herself at him and they make love. I was totally confused, it seemed like she hated him, now she loves him? Then the story becomes a glamorous soap opera as Stewart finds out about Ada and Baines and spies on them. He chops off one of Ada's fingers and sends it to Baines via Flora. The ending is predictable and not very appealing. Overall, "The Piano" was somewhat enjoyable, very well acted, but much too eloquent in its attitude.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


The <md-list-item> directive is a container intended for row items in a <md-list> container.
<md-list-item>
<md-list>


We got bitcoin!
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WITNESS LIST
Opioids & Substance Abuse, Select Committee
August 7, 2018 - 10:00 AM
Charge 6 - Criminal Justice System/CPS - Impact of Substance Abuse/SUD
On:
Blackstone, Kristene (Texas Department of Family and Protective Services)
Cain, Camille (Texas Juvenile Justice Department)
Gravell, Bill (Self; Williamson County)
Gravell, Bill (Self)
Green, Carey (Texas departement of criminal justice)
Henneke, Elizabeth (Lone Star Justice Alliance)
Olse, Katie (Texas Alliance of Child and Family Services)
Ramirez, Lisa (The Health and Human Services Commission)
Robinson, Lori (TJJD)
Slayton, David (Texas Judicial Council)
Smith, Douglas (Texas Criminal Justice Coalition)
Thomas, Brock (Judiciary/Harris County)
Whitman, Hank (Texas Department of Family and Protective Services)
Registering, but not testifying:
On:
Batiste, Ashland (Texas Department of Family and Protective Services)
Carmical, Audrey (Texas Department of Family and Protective Services)
Reyes, Ruben (Judiciary)
Turnbull, Julie (Dallas District Attorneys Office and Texas Association of Specialty Courts)
Charge 8 - Specialty Courts for Substance Use Disorders
On:
Green, Carey (Texas departement of criminal justice)
Reyes, Ruben (Judiciary)
Slayton, David (Texas Judicial Council)
Thomas, Brock (Judiciary/Harris County)
Turnbull, Julie (Dallas District Attorneys Office and Texas Association of Specialty Courts)
Webb, Reilly (Office of the Governor)
Registering, but not testifying:
On:
Gravell, Bill (Self; Williamson County)
Gravell, Bill (Self)
1


Deconstructing sheet music so we can rebuild it in Ruby with @celeenr. Cool! 🎶 #rubyconf
11/12/2016, 10:26:18 AM
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Deconstructing sheet music so we can rebuild it in Ruby with @celeenr. Cool! 🎶 #rubyconf
11/12/2016, 10:26:18 AM
Favs: 2
Retweets: 0
link


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Baltimore Ravens' Lamar Jackson leaves John Harbaugh stunned: 'You changed the game'
by Ryan GaydosBaltimore Ravens quarterback Lamar Jackson put on a highlight-reel performance in a win over the Cincinnati Bengals on Sunday, and coach John Harbaugh recognized his greatness.
Jackson has been compared to former NFL quarterback Michael Vick with his on-field abilities, but others have argued that the league has never seen a player like him before. The second-year star threw for 223 yards and three touchdowns and rushed for 65 yards and a touchdown in the 49-13 victory.
His performance included a touchdown run that left Harbaugh in awe and the coach let Jackson know it on the bench. Harbaugh was miked up for the game and the moment was shared on Twitter by the Ravens.
SEATTLE SEAHAWKS' TYLER LOCKETT HOSPITALIZED AFTER SUFFERING 'SEVERE' LOWER-LEG INJURY
“You changed the game, man,” Harbaugh said. “You know how many little kids in this country are gonna be wearing No. 8 playing quarterback for the next 20 years?”
Jackson responded: “I can’t wait to see it. When I get older ... but right now I gotta get to the Super Bowl.”
FORMER LIONS, SPARTANS WIDE RECEIVER CHARLES ROGERS DEAD AT 38
Through nine games this season, Jackson has thrown for 2,036 yards, 15 touchdown passes and only five interceptions leading the Ravens to a 7-2 record. His 702 rushing yards are the most on the Ravens. He has six rushing touchdowns on the season, two behind running back Mark Ingram.
CLICK HERE FOR MORE SPORTS COVERAGE ON FOXNEWS.COM
Baltimore hosts the Houston Texans this coming Sunday.


Algorithm
public enum Algorithm
Enumerates available algorithms
-
Data Encryption Standard
Declaration
Swift
case des
-
Triple des
Declaration
Swift
case tripleDes
-
cast
Declaration
Swift
case cast
-
rc2
Declaration
Swift
case rc2
-
blowfish
Declaration
Swift
case blowfish
-
Undocumented
Declaration
Swift
public enum Algorithm
-
Undocumented
Declaration
Swift
public enum Algorithm
-
Undocumented
Declaration
Swift
public enum Algorithm
-
Undocumented
Declaration
Swift
public enum Algorithm
-
Undocumented
Declaration
Swift
public enum Algorithm
-
Undocumented
Declaration
Swift
public enum Algorithm
-
Undocumented
Declaration
Swift
public enum Algorithm
-
Undocumented
Declaration
Swift
public enum Algorithm
-
Undocumented
Declaration
Swift
public enum Algorithm
-
Blocksize, in bytes, of algorithm.
Declaration
Swift
public var blockSize: Int
-
Undocumented
Declaration
Swift
public enum Algorithm