introduction
Roots includes a css library built on top of stylus. It contains a lot of functionality and is very large, but it should be an easy transition from regular css, less, or sass. With stylus, you can use brackets and semicolons or not, your choice. You can even mix them. Pasting straight css will compile perfectly, and nothing in this library overrides anything in regular css in a destructive manner. In addition, this library adds no extra weight to your css footprint unless you do it specifically using mixins or imports. Roots css is an enhancement of regular css, and you can ease into it gradually, unlike some other libraries which require you to learn entirely new syntax.
Since this library is mixin-based, it's worth briefly discussing mixins here. There are two ways to call a mixin in stylus, what I call the mixin form or the native form. The mixin form has parens and comma-separated arguments while the native form uses a colon and space-separated args.
this is the mixin form: mixin(arg1, arg2)
and this is the native form: mixin: arg1 arg2
When calling mixins in roots, you should use the native style, unless the mixin is being called at the root level, in which case you should use the native syntax. When you call a mixin with no arguments, it must be followed by empty parens ()
. Examples below:
// root level, call with mixin syntax
font-face('proxima-nova', '/fonts')
.picture
// not root level, call with native syntax
bg: '/img/whatever.png'
// no arguments, call with empty parens
transition()
Finally, the source code for roots is organized exactly as this page is, and is thoroughly commented and as clear as possible. Feel free to check out the source if you are after implementation details.
settings
There are a number of global settings in roots that you can and should feel free to override at any time. If you are using the roots command line client, any project you generate will come with a copy of the roots settings file in the css and/or assets folder. I would list them all out here, but it's probably easier to just look at them directly.
Check out the settings variables »
reset
When you're trying to reset browser css, there are two ways to do it. The global reset gets rid of all browser default styles, and can be called with global-reset()
. In addition, you can use normalize.css to normalize styles across browsers. Just call normalize()
. Both of these should be executed at root level.
vendor
Everybody hates vendor prefixing. It's just a huge pain, and there have been half a million solutions to it. Roots has the best one: don't worry about prefixes at all, ever. Don't do anything different. Just write the properties as they appear in the official spec and they will be prefixed for you automatically if necessary when compiled.
Examples:
translate: rotate(45deg)
box-shadow: 0 0 5px rgba(#000, .3)
positioning
Let's face it, writing out absolute, relative, or fixed positioning and the dimensions is a pain and takes a long time. So I ported (read: stole) this incredible couple of utilities from nib, which allow you to write out positions like such:
absolute: top left
absolute: top 5px right
absolute: top left 5px
absolute: bottom 5px left 5px
Of course absolute can be substituted for relative or fixed. When you call top
, bottom
, left
, or right
without a value after it, the value is assumed to be zero.
grid
There are hundreds of existing grid systems out there, and honestly there is no need to make another one just for roots. So I brought in the most excellent and flexible semantic.gs, which is truly fantastic. Feel free to check out the documentation on the semantic.gs site - but it's very easy to use. To set initial styles, call grid()
at root level. There are a few configuration variables for the grid in the settings file. What follows is an example of a fluid grid with a main area and sidebar.
grid()
column-width: 60
gutter-width: 20
columns: 12
total-width: 100%
.main
.sidebar
float: left
.main
column(9)
.sidebar
column(3)
utilities
The utilities module is a mixed bag of moderately to extremely useful css shortcuts.
size()
This is the mixin I use most; it's a combination of width and height. Pass it a width and height or just one number which is set as the width and height. like this: size: 50px 20px
or this: size: 30px
. It defaults to px
if you don't pass it a unit, so you can even call it like this if you want: size: 10 27
bold()
Bold text. Makes way more sense and is a lot faster.
italic()
Italic text.
normal()
Removes all traces of boldenss and italic-ness from the text.
group()
A way better name for clearfix. Can also be called as clearfix()
if you really can't give up the nonsensical word.
inline-block()
Renders display: inline-block
, except it works in all browsers including old IE.
rounded()
Renders border-radius: 999px
no-select()
Sets user-select
(prefixed) to none so that the text inside the specified element can't be selected. More info on user-select here.
b()
Short alias for border: 1px solid
.
bg(path, args...)
Shortcut for setting the background to an image. Call it with a quoted image path to render background: url(path/image.jpg) no-repeat
. If you pass it more arguments after the image path, they will replace no-repeat
.
font-face(name, folder, weight = normal, style = normal)
Pass a name for the font and the folder it's in and it will declare the font-face using the lightweight and reliable fontspring syntax. It will look for the font based on folder/name.extension
- we'll take care of the extension. So if you passed it like this: font-face: myfont '/fonts'
, it would look in /fonts/myfont.ttf
for the ttf file, for example, and the font would be named myfont
in your css.
triangle(direction = up, size = 10px, color = #000)
Makes a little html triangle. Pass it a direction, size, and color.
image-replace(path, dimensions)
Image replacement. Pass it an image path and the dimensions of the image and it will replace get rid of any text in the div and render an image instead. But it's still semantic! Can also be called with ir()
.
raquo()
Puts a raquo after whatever text is in your div semantically.  Takes number of columns, gap between columns, width of each column, and if you want a column rule (syntax like border). Combines column-count
, column-gap
, column-width
, and column-rule
into one convenient package.
debug()
A moderately useful mixin - drop this at root level and it will put yellow or red borders around objects for which there are errors, like missing alt attributes on images or empty links. Everything valid gets a green border.
typography
Everyone wants to have typography their own way so I'm not messing with any grids or vertical rhythms or anything here. Just the basics to make your type look nice, and a few shortcuts for uselessly long common properties.
paragraph(size = font-size, margins = true)
Sets the font to the specified size, adds a nice line-height, and unless you turn it off, adds appropriate margins for paragraphs.
fs(size)
A shortcut for font-size
.
upcase()
text-transform: uppercase
. Can also be called as uppercase()
.
downcase()
text-transform: lowercase
. Can also be called as lowercase()
.
reset-case()
text-transform: none
. Just regular case.
h1(), h2(), h3(), h4(), h5(), h6()
Nice default sizes and styles for headings.
link(color = blue, style = underline)
A boilerplate link default style. Uses border-bottom for the underline by default for smooth transitions. The style parameter accepts underline
, darken
, lighten
, or glow
, and you can pass any valid color to the color parameter.
reset-link()
Takes all the styling off links, including the annoying underline on default styles, and if you have the above link mixin, all borders and hover effects.
text-selection(color = highlight-color, textColor = null)
Sets the text selection color either to the default variable or to any color you pass in. Sets the text color by default to white for dark hilight colors and black for light hilight colors, but you can override it if you want.
ul(style = disc)
A nice, semantic, and unorderd list that scales with the font-size. Takes an optional style, which can be anything you would pass to list-style-type
in css.
ol(style = decimal)
Same thing as above, but an ordered list.
inline-list(spacing = 20px)
Put this on a ul
or ol
and your list will be inline and work in any browser. Pass an optional spacing value to change the spacing between list items.
reset-list()
Strips a list of all styles that would be there by default or from one of the above mixins.
blockquote()
Nice default style for a blockquote. Expects the quote to be in a nested paragraph element and the citation to be in a cite element.
Each of the below mixins apply styles to elements which means they should be called at root level. If you accidentally call them nested under another element, they will render nothing and add a warning to the console.
base(fonts = font-stack, size = font-size, color = font-color)
Applies the default font size, color, and font-family to the body, and adds better anti-aliasing. A great place to start for a custom site.
headers()
Adds roots' header mixins to the h1
- h6
tags
lists()
Adds roots' list styles to ol
and ul
.
bold-italic()
Adds bold and italic styles to b
, i
, strong
, and em
tags.
typography()
Executes bold-italic()
, headers()
, text-selection()
, and lists()
, adds paragraph()
to the p
tag, small-text()
to the small
tag, link()
to the a
tag, and blockquote()
to the blockquote
tag - intelligent defaults for all the typography basics.
tables
The tables are ported directly from twitter bootstrap, because they did a good job with them. It's just one mixin which takes care of all the aspects of a nice table.
table(border = true, striped = true, condensed = false)
Add this to a table
tag to get a nice-looking table. All options are boolean and do just about what they say.
tables()
Root level mixin that just adds table()
to the table
tag.  There are a number of methods available that you can utilize to make gradients easier, ranging from finer control to simpler and more generic mixins. All credit for the incredible base gradient logic goes again to TJ and nib, which I shamelessly ported here. Open source ftw!
linear-gradient(start, stops...)
Probably the most insane mixin in this library. It can be used as the value of a background, and will automatically prefix itself with multiple background properties. The way it's declared is with an optional starting point (top, bottom, left, right, defaults to top if not provided) then gradient stops, which is a percentage followed by a space followed by a color. A few examples:
background: linear-gradient(top, red, green, blue)
background: linear-gradient(bottom, red, green 50%, blue)
background: linear-gradient(bottom, red, 50% green, blue)
background: linear-gradient(bottom, red, 50% green, 90% white, blue)
Try experimenting around a bit with this one, you'll get it quickly.
gradient(color1, color2)
Simple top-to-bottom two-color gradient. IE support if pie is enabled in settings.
simple-gradient(color, strength = 10%)
Pass the base color, the mixin will lighten and darken it by the specified strength and create a simple gradient with the base color being the middle/average.
noise-gradient(color1, color2, imagePath = '/img/noise.png')
Roots ships with a tiny light noise image tile which is useful for adding a bit of randomness to an otherwise solid color. This gradient adds that image on top, which gives it a slightly more organic feel. Of course if you have your own noise or other image, you can override the default here.
simple-noise-gradient(color, strength = 10%, imagePath = '/img/noise.png)
Same as simple gradient, but includes the noise image over the top.
forms
Forms are one of the most difficult and annoying things to style. It's impossible to make assumptions about the html structure of the forms, so many of the core mixins here just provide basic nicer-looking form fields without trying to align things correctly for you (although a few mixins present that option if you want).
input(color = light-blue, width = 250px)
The most important mixin here. Nice-looking and basic default styles for input fields. Takes an optional color and width, and comes with a style when focused based on the color.
input-disabled()
Put this on an input and it will style it so that it looks disabled. Make sure to actually disable the input in your html as well.
label(display = inline-block)
Super basic label styles. Pass it an optional value for display
.
field(direction = right, width = 370px)
Often times it's easier to wrap your input and label in a div called field
so the input and label can be floated, positioned, and manipulated without screwing up the rest of the form. That's what this mixin is for - put it on a div that contains a label and an input. Then feed it a direction to align (default is right), and an optional width.
input-error(color = red)
Throw this on an input element to give it a red hue indicitive of an egregious error. Best used when applied to a class called .error
, for example. Can also be called on a wrapper div as field-error(color)
(if you are using wrapper divs) to color the label text red as well.
input-warning(color = yellow)
Exactly the same as above, but yellow for warning. Can also be called as field-warning(color)
, same as above.
input-success(color = green)
Exactly the same as the two others but with a green color. Again, you can use field-success(color)
on a wrapper div for the same effect.
These form helpers can be applied at root level to apply defaults intelligently to certain classes and elements.
forms()
Applies the input
mixin to all types of input and if classes of disabled
, success
, warning
, and/or error
are applied to an input, they are styled appropriately.
fields()
Applies the field()
mixin to any element with a field
class. If a success
, warning
, or error
class is applied, they are also styled appropriately.
code
A simple modules that applies appropriate styles to code
and pre
blocks.
code(color = #DF5C33)
Styles inline code snippets on the page. Defaults to a nice attention-catching red, but accepts any other color as well.
pre()
Monospace font and a light background and border for longer blocks of code.
code-blocks()
This is a root level mixin which applies the code
and pre
mixins to code
and pre
elements automatically.
interaction
This module is where stylus' power really shines. Often times, we find ourselves executing the same types of hover effects over and over. Hover this and it's underlined. Hover this and it lightens or darkens the background color, etc. This set of mixins are shortcuts for these situations.
hover-darken(percent = 15%)
Looks first for a background color defined on the element, then for a color. If it finds either of these, it will darken them by the specified percentage when the element is hovered. If not, it will throw a warning that the element needs a color or background color.
hover-lighten(percent = 15%)
Exact same as above, but it lightens the color instead.
hover-underline()
Uses border-bottom to add an underline to the specified element on hover. If you already have a border on the bottom, this will probably cause an issue.
hover-pop(scale = 1.2, rotate = null, shadow = null)
When you hover an element, it will scale up so it appears to be popping out. Works best with a css transition. If you specify a degree measure (like 45deg
), it will rotate that much as it pops, and if you set shadow to true, it will add a little drop shadow as it comes out. An example of a call with all params specified: hover-pop: 1.2 15deg true
hover-fade(amount)
When the element is hovered, it's opacity is set to the specified amount. Also works great with a transition.
hover-color(color)
Looks first for a background color, then a color on the current element. If it finds one, it will swap it for the color passed as an argument. Also looks much better with a transition.
easing
You seriously expect me to write out cubic bezier functions in this $6,800 suit? Come on! Roots has all the most common easing functions right here for you, in english™! You can use these anywhere, but they are probably most useful in a transition, like this for example: transition: all .25s ease-in-sine
. It's almost like this was actually a part of css like it should be!
buttons
This begins the UI section of roots, which is designed to be as modular and flexible as possible. Since the buttons are so complex, they are split into their own section, and below this is a collection of other smaller UI components.
simple-button(color = default, size = 'medium')
A simple, flat, one-color button. Example below. Takes a color and a size. Color can be any valid color, and the size can be small
, medium
, large
, or a number from 1 to infinity, no units necessary.
button(color = default, size = 'medium')
A more shinier and modern button, same parameters as the simple button. Any color, any size. Very flexible and useful. Example below.
button-disabled()
Lay this mixin down on any roots-css button and it will appear to be disabled. Again, make sure you actually disable it in your html.
buttons()
This is a root level mixin that applies the simple-button
mixin to the class btn-simple
and the button
mixin to the class btn
. If you add a disabled
class to either one, it will render appropriately as well.
ui
There are a variety of UI components I find myself using over and over which I've tried to abstract into flexible mixins here.
area(color = #f5f5f5)
Light grey background, padding, and subtle inner shadow provide a nice box around some content. You can change the color, but don't get too crazy.
notice(width = false, color = #f5f5f5)
This is best used in notifications or flash messages, as will be seen below. This is the version that you can customize more - just a rectangular box with bold text and a light gradient in the background, intended for sitting at the top of the screen and notifying the user of something.
flash(type = notice)
This is a standard notice, but comes pre-populated with the four most common flavors. notice
, success
, error
, and warning
. Examples below.
breadcrumb(character = '/', spacing = 10px, divider-color = #cdcdcd)
Place this on a ul
and it will create an inline list separated by the specified character. Nice for breadcrumb trails - example below.
bubble(pointer = left, color = #eee, width = false)
Creates a little speech bubble. Specify if you want the pointer on the left
, center
, or right
, add a color, and set a width if you'd like. Very helpful, example below.
figure(color = default, dimensions = false)
Place this on a figure element and it will nicely style an img
and figcaption
nested inside. Example below.
nav(size = 1, color = #222, link-color = #fff, fixed = true)
Creates a standard navigation bar. The size parameter just scales everything up or down, the rest is self-explanitory. Make sure to put this mixin on a nav
element with a ul
and/or h1
inside for the navigation and title respetively. Click here to see an example.
flash-notices()
This is a root level mixin which adds the appropriate flash notification mixin to elements with the classes .flash .error
, .flash .success
, .flash .notice
, or .flash .warning
. Must have both of the classes.  If you @import roots-css/animation
, they will be made available and you can use any of them in your project. Note that any animation with "big" at the end has been left out because these are horrendous and should never be used. And if you really want to use it, you can write it yourself. An example of usage would be as such:
@import 'roots-css/animation'
.test
animation: bounce 3s infinite


Using Polites from the Command Line:
$ polites --help
optional arguments:
-h, --help show this help message and exit
--command COMMAND agent command to run ['server', 'tune', 'restore',
'snapshot', 'client']
--conf CONF where to load configuration data
--cass-conf CASS_CONF
configuration to tune cassandra
--restore-point RESTORE_POINT
The name of the file to be used as a restore point w/o
.tar.gz
The –conf option can be used to load a different configurator:
$ polites --command server --conf my-settings.py
The –cass-conf option can be used in conjunction with the tune command to write the cassandra.yaml to non-default location:
$ polites --command tune --cass-conf /usr/path/cassandra.yaml
$ ls -l /usr/path/cassandra.yaml
-rw-rw-r--. 1 guest guest 2549 Jul 99 03:56 cassandra.yam
The restore command takes the non-optional –restore-point option.:
$ polites --command restore --restore-point<PHONE_NUMBER>943
The Restore Point should be a snapshot name, from a snapshot or backup that has been taken by the agent (i.e. ).:
polites::settings::config.py.backup_dir + [restore-point] + .tar.gz
Should exist and be a compressed tar file of a backup or snapshot keyspaces
The snapshot commmand performs the snapshot action using the current configuration in settings/config.py:
$ polites --command snapshot
The Server command starts the Polites Agent processes.:
$ polites --command server
The Client Command Allows for making HTTP Commands to the configured polites server. If the supplementary command to client is supplied, the default status command is used. Restore uses the last-snapshot result.:
$ polites --command client ['status', 'restart', 'snapshot', 'restore']
<xml><status>Running</status></xml>
<xml><auto-snapshot>True</auto-snapshot><last-snapshot>1381067808927</last-snapshot></xml>


Test two objects for inequality.
Test two objects for inequality.
true
if !(this == that), false otherwise.
Equivalent to x.hashCode
except for boxed numeric types.
Equivalent to x.hashCode
except for boxed numeric types.
For numerics, it returns a hash value which is consistent
with value equality: if two value type instances compare
as true, then ## will produce the same hash value for each
of them.
a hash value consistent with ==
Test two objects for equality.
Test two objects for equality.
true
if the receiver object is equivalent to the argument; false
otherwise.
Cast the receiver object to be of type T0
.
Cast the receiver object to be of type T0
.
Note that the success of a cast at runtime is modulo Scala's erasure semantics.
Therefore the expression 1.asInstanceOf[String]
will throw a ClassCastException
at
runtime, while the expression List(1).asInstanceOf[List[String]]
will not.
In the latter example, because the type argument is erased as part of compilation it is
not possible to check whether the contents of the list are of the requested type.
the receiver object.
Create a copy of the receiver object.
Tests whether the argument (arg0
) is a reference to the receiver object (this
).
Tests whether the argument (arg0
) is a reference to the receiver object (this
).
The eq
method implements an equivalence relation on
non-null instances of AnyRef
, and has three additional properties:
x
and y
of type AnyRef
, multiple invocations of
x.eq(y)
consistently returns true
or consistently returns false
.x
of type AnyRef
, x.eq(null)
and null.eq(x)
returns false
.null.eq(null)
returns true
. When overriding the equals
or hashCode
methods, it is important to ensure that their behavior is
consistent with reference equality. Therefore, if two objects are references to each other (o1 eq o2
), they
should be equal to each other (o1 == o2
) and they should hash to the same value (o1.hashCode == o2.hashCode
).
true
if the argument is a reference to the receiver object; false
otherwise.
The equality method for reference types.
Called by the garbage collector on the receiver object when there are no more references to the object.
Called by the garbage collector on the receiver object when there are no more references to the object.
The details of when and if the finalize
method is invoked, as
well as the interaction between finalize
and non-local returns
and exceptions, are all platform dependent.
A representation that corresponds to the dynamic class of the receiver object.
A representation that corresponds to the dynamic class of the receiver object.
The nature of the representation is platform dependent.
a representation that corresponds to the dynamic class of the receiver object.
The hashCode method for reference types.
Test whether the dynamic type of the receiver object is T0
.
Test whether the dynamic type of the receiver object is T0
.
Note that the result of the test is modulo Scala's erasure semantics.
Therefore the expression 1.isInstanceOf[String]
will return false
, while the
expression List(1).isInstanceOf[List[String]]
will return true
.
In the latter example, because the type argument is erased as part of compilation it is
not possible to check whether the contents of the list are of the specified type.
true
if the receiver object is an instance of erasure of type T0
; false
otherwise.
loads XML from given InputStream, Reader, sysID, InputSource, or URL.
loads XML from given InputStream, Reader, sysID, InputSource, or URL.
Loads XML from the given file, file descriptor, or filename.
Loads XML from the given file, file descriptor, or filename.
Loads XML from the given String.
Loads XML from the given String.
Loads XML from the given InputSource, using the supplied parser.
Loads XML from the given InputSource, using the supplied parser. The methods available in scala.xml.XML use the XML parser in the JDK.
Equivalent to !(this eq that)
.
Equivalent to !(this eq that)
.
true
if the argument is not a reference to the receiver object; false
otherwise.
Wakes up a single thread that is waiting on the receiver object's monitor.
Wakes up a single thread that is waiting on the receiver object's monitor.
Wakes up all threads that are waiting on the receiver object's monitor.
Wakes up all threads that are waiting on the receiver object's monitor.
Saves a node to a file with given filename using given encoding optionally with xmldecl and doctype declaration.
Saves a node to a file with given filename using given encoding optionally with xmldecl and doctype declaration.
the filename
the xml node we want to write
encoding to use
if true, write xml declaration
if not null, write doctype declaration
Creates a String representation of this object.
Creates a String representation of this object. The default representation is platform dependent. On the java platform it is the concatenation of the class name, "@", and the object's hashcode in hexadecimal.
a String representation of the object.
Returns an XMLLoader whose load* methods will use the supplied SAXParser.
Writes the given node using writer, optionally with xml decl and doctype.
Writes the given node using writer, optionally with xml decl and doctype. It's the caller's responsibility to close the writer.
the writer
the xml node we want to write
the string to be used in xmlDecl
if true, write xml declaration
if not null, write doctype declaration
Use save() instead
Use save() instead
The object
XML
provides constants, and functions to load and save XML elements. Use this when data binding is not desired, i.e. when XML is handled usingSymbol
nodes.1.0, 25/04/2005


BRING IT ON (2000)
Grade: C+
Director: Peyton Reed
Screenplay: Jessica Bendinger
Starring: Kirsten Dunst, Eliza Dushku, Jesse Bradford, Gabrielle Union, Clare Kramer, Huntley Ritter, Tsianina Joelson, Nicole Bilderback, Rini Bell, Ian Roberts, Richard Hillman
BRING IT ON is CLUELESS for those who felt that particular movie was too leisurely paced. Akin to much of the current teen dribble being ladled on audiences like so much cheese, it moves at a rapid MTV-ized pace, its camera hardly able to keep up with the fast walking pretty actors as they speedily deliver the latest (stylized) teen lingo ("Dyke-a-delic!" a teen princess squeals). And it's one of those flicks where every scene commences with the blasting of some current top 20 hit, its volume rising depending on the tenor of the scene, or some times just rising for the sheer hell of it. Like most teen-pop fairy tales it takes place in a posh high school that looks more like a heavenly resort than even the ritziest private school. And it happens to be populated by a gaggle of muscular, runway-ready hunks and obviously silicon-enhanced honeys. Come as it has during the dog days of August, BRING IT ON may just be the best back to school commercial ever made. But as a feature length film its merits are more questionable. The flick centers on the trials and tribulations of a cheerleader squad populated by the usual sexy, valley girl\porn star types. Meaning that all major set pieces revolve around hyperbolic cheerleading routines in which the girls smile brightly and cartwheel about, hinting, not so subtly, at their coquettish sexuality while pulsating techno and alterna-rock attempt to energize the audience into feeling something…anything.
(Am I the only one who finds cheerleaders a bit on the creepy side? With their false ear-to-ear grins and programmed sunny disposition they remind me of female clowns, manic-expressives not so much having a good time as laboriously trying to create the illusion of F-U-N)
BRING IT ON reminds me of one of those 70's Roger Corman exploitation pics (BIG DOLL HOUSE, CANDY STRIP NURSES) but unlike those this one finds itself confined to a PG-13 rating, though it obviously would prefer to be R. Included are several scenes that feel very soft core pornish. There's one in which the bikini-clad cheerleaders sexily grind up against cars, soap dribbling from their taut flesh, sexual innuendoes involving antennas abound, in other words, a bikini car wash scene approved to unspool before the glazed eyes of many thirteen year old boys.
Much like most of the Corman pictures, BRING IT ON even tries to sneak in a bit of a social message amidst all that jiggling. We find that the bratty, affluent (read: white) cheerleaders have been stealing routines from a bunch of tough, inner city (read: black) cheerleaders. As is to be expected this is embarrassingly explored with even less insight than one would find in an average AFTER SCHOOL SPECIAL, but I suppose the movie had to be about something.
 No it isn't, and this bleeding heart even goes out of her way to make things right by pleading to her well-off father to puhleeze sponsor the inner city cheerleaders for the inevitable cheerleading competition (wonder of wonders, such a thing really exists), victory be damned.
A myriad of sub plots find themselves scrunched in between all the mid-riff baring; Eliza Dushku (BUFFY THE VAMPIRE SLAYER; the show, not the movie) is the sarcastic rebel chick who shows up at the very end of one of those goofy [cheerleading] audition scenes where each candidate is more inept and clueless than the proceeding one. Dushku is, at first, sniveled at for her punky appearance but she regales the crowd by leaping and flipping like a deft ninja. Despite the show she puts on, the preppy cheerleaders still hate her, but nonetheless let her into their little cult, for it would be plain rah-rah retarded to deny her Olympic-like athletic ability. She has a brother, Cliff (Jesse Bradford, giving us little more than a slanted smile) who cozies up to Torrance in the film's second best scene which has them brushing their respective teeth in unison, bizarrely trying to one-up each other with the amount of foamy toothpaste they can spit up.
The best scene is the one where, after reluctantly hiring a choreographer, they meet the psycho. Played with sniveling malice by Ian Roberts, the guy is like a wacky drill instructor, barking orders and insults ("Cheerleader's are dancers gone retarded") rather than offering anything resembling guidance. Roberts is so good, he just about steals the movie in only about seven minutes of screen time. That should virtually guarantee him some odd MTV MOVIE AWARD nomination. At the center of it all is Kirsten Dunst, who I've liked before. Here she comes across as something of a young, sickly sweet (and phony) Kathie Lee Gifford and that's not a good thing. I'd call her caricature clever if I wasn't so damn annoyed by how one-dimensional it is. Better is Eliza Dushku, the cynical one, who at least doesn't call attention to herself. Most of the cast seems to have learned their acting style from repeated viewings of SAVED BY THE BELL, which actually serves them just fine in a picture such as this.
By the end, at the aforementioned cheerleading competition, the film has degenerated into a series of interchangeable routines, made even more interchangeable by the director's constantly flinching camera; the entire finale looks like a cut and paste job. And then there are the victors who should be fairly obvious once you realize the film is as guilty and liberal as its impossibly pert heroine. But the film makers sure try hard, giving us some fun teen dialogue ("Do you speak fag?"), a bit of unnecessary projectile vomiting (I thought SCARY MOVIE was supposed to be next door) and a surprisingly well placed fart gag. Roger Corman would have a ball. As would his grand kids.
http://www.geocities.com/incongruity98 Reeling (Ron Small)
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|
Bitstream Interpretation Library (BIL)
0.1
|
Models an address in Virtex-5 configuration memory. More...
#include <configuration/V5FrameAddress.hpp>
Public Member Functions | |
| V5FrameAddress () | |
| Constructs a new V5FrameAddress instance. | |
| V5FrameAddress (const V5AddressLayout *layout) | |
| Constructs a new V5FrameAddress instance. | |
| void | addressLayout (const V5AddressLayout *layout) |
| Sets address layout used by device dependent methods. | |
| const V5AddressLayout * | addressLayout () const |
| Gets address layout used by device dependent methods. | |
| void | block (V5CfgBlock::block_t block) |
| Sets the block subspace the address points to. | |
| V5CfgBlock::block_t | block () const |
| Gets the block subspace the address points to. | |
| void | lowerHalf (bool lower) |
| Sets if address points to upper or lower half of the FPGA. | |
| bool | lowerHalf () const |
| Gets if address points to upper or lower half of the FPGA. | |
| void | rowIndex (unsigned char ri) |
| Sets index of the row the address points to. | |
| unsigned char | rowIndex () const |
| Gets index of the row the address points to. | |
| void | columnIndex (unsigned char ci) |
| Sets index of the column the address points to. | |
| unsigned char | columnIndex () const |
| Gets index of the column the address points to. | |
| void | frameIndex (unsigned char fi) |
| Sets index of the frame the address points to. | |
| unsigned char | frameIndex () const |
| Gets index of the frame the address points to. | |
| void | first () |
| Sets first address in address space. | |
| void | last () |
| Sets last address in address space. | |
| bool | next () |
| Increments the address by one. | |
| bool | isValid () const |
| Tells if address is valid under current address layout. | |
| V5CfgColumn::column_t | columnType () const |
| Tells the column type of the resource the address points to. | |
| void | rawAddress (boost::uint32_t ra) |
| Sets address from the raw 32 bit address representation. | |
| boost::uint32_t | rawAddress () const |
| Gets the raw 32 bit address representation. |
Static Public Attributes | |
| static const unsigned | BLOCK_MAX = 7 |
| Maximum allowed block value. | |
| static const unsigned | ROWINDEX_MAX = V5AddressLayout::ROWCOUNT_MAX - 1 |
| Maximum allowed row index value. | |
| static const unsigned | COLUMNINDEX_MAX = V5AddressLayout::COLUMNCOUNT_MAX - 1 |
| Maximum allowed column index value. | |
| static const unsigned | FRAMEINDEX_MAX = 127 |
| Maximum allowed frame index value. |
Friends | |
| bool | operator== (const V5FrameAddress &fa1, const V5FrameAddress &fa2) |
| Tests two V5FrameAddress instances for memberwise equality. | |
| bool | operator< (const V5FrameAddress &fa1, const V5FrameAddress &fa2) |
| Tests two V5FrameAddress instances for memberwise <. |
Models an address in Virtex-5 configuration memory.
Virtex-5 device frame addresses are made up from five integer parts that count upwards as frame address increases. Between the various Virtex-5 models these parts count up to different limits depending on the resources this model has. The V5FrameAddress instances can be configured with a pointer to a V5AddressLayout instance, which provides these model specific limits and the address counting scheme.
Definition at line 28 of file V5FrameAddress.hpp.
| V5FrameAddress::V5FrameAddress | ( | ) |
Constructs a new V5FrameAddress instance.
Definition at line 22 of file V5FrameAddress.cpp.
|
explicit |
Constructs a new V5FrameAddress instance.
| layout | see addressLayout(). |
Definition at line 35 of file V5FrameAddress.cpp.
| void V5FrameAddress::addressLayout | ( | const V5AddressLayout * | layout | ) |
Sets address layout used by device dependent methods.
In order to hold the V5FrameAddress instances small, they do not contain a copy of the address layout for further use. Instead, they just hold a pointer to an external address layout instance. This pointer can also be 0 for all operations that do not require an address layout; operations which require an address layout will then throw an exception.
| layout | Pointer to address layout. |
Definition at line 48 of file V5FrameAddress.cpp.
| const V5AddressLayout * V5FrameAddress::addressLayout | ( | ) | const |
Gets address layout used by device dependent methods.
Definition at line 54 of file V5FrameAddress.cpp.
| void V5FrameAddress::block | ( | V5CfgBlock::block_t | block | ) |
Sets the block subspace the address points to.
| block | The block. |
| . |
Definition at line 60 of file V5FrameAddress.cpp.
| V5CfgBlock::block_t V5FrameAddress::block | ( | ) | const |
Gets the block subspace the address points to.
Definition at line 67 of file V5FrameAddress.cpp.
| void V5FrameAddress::lowerHalf | ( | bool | lower | ) |
Sets if address points to upper or lower half of the FPGA.
| lower | True, if address points to lower half; false otherwise. |
Definition at line 73 of file V5FrameAddress.cpp.
| bool V5FrameAddress::lowerHalf | ( | ) | const |
Gets if address points to upper or lower half of the FPGA.
Definition at line 79 of file V5FrameAddress.cpp.
| void V5FrameAddress::rowIndex | ( | unsigned char | ri | ) |
Sets index of the row the address points to.
| ri | The row index. |
| . |
Definition at line 85 of file V5FrameAddress.cpp.
| unsigned char V5FrameAddress::rowIndex | ( | ) | const |
Gets index of the row the address points to.
Definition at line 92 of file V5FrameAddress.cpp.
| void V5FrameAddress::columnIndex | ( | unsigned char | ci | ) |
Sets index of the column the address points to.
| ci | The column index. |
| . |
Definition at line 98 of file V5FrameAddress.cpp.
| unsigned char V5FrameAddress::columnIndex | ( | ) | const |
Gets index of the column the address points to.
Definition at line 105 of file V5FrameAddress.cpp.
| void V5FrameAddress::frameIndex | ( | unsigned char | fi | ) |
Sets index of the frame the address points to.
| fi | The frame index. |
| . |
Definition at line 111 of file V5FrameAddress.cpp.
| unsigned char V5FrameAddress::frameIndex | ( | ) | const |
Gets index of the frame the address points to.
Definition at line 118 of file V5FrameAddress.cpp.
| void V5FrameAddress::first | ( | ) |
Sets first address in address space.
The first address is the same for all devices, so an address layout need not to be set for this method to work.
Definition at line 124 of file V5FrameAddress.cpp.
| void V5FrameAddress::last | ( | ) |
Sets last address in address space.
The last address is varies between the devices, so an address layout has to be set for this method to work.
| . |
Definition at line 134 of file V5FrameAddress.cpp.
| bool V5FrameAddress::next | ( | ) |
Increments the address by one.
The address has to be valid.
| . |
Definition at line 149 of file V5FrameAddress.cpp.
| bool V5FrameAddress::isValid | ( | ) | const |
Tells if address is valid under current address layout.
The address is valid only if addressLayout() is not 0, and all address parts are inside their valid ranges given by the address layout.
Definition at line 192 of file V5FrameAddress.cpp.
| V5CfgColumn::column_t V5FrameAddress::columnType | ( | ) | const |
Tells the column type of the resource the address points to.
| . |
Definition at line 210 of file V5FrameAddress.cpp.
| void V5FrameAddress::rawAddress | ( | boost::uint32_t | ra | ) |
Sets address from the raw 32 bit address representation.
| ra | Raw 32 bit address. |
Definition at line 228 of file V5FrameAddress.cpp.
| boost::uint32_t V5FrameAddress::rawAddress | ( | ) | const |
Gets the raw 32 bit address representation.
Definition at line 239 of file V5FrameAddress.cpp.
|
friend |
Tests two V5FrameAddress instances for memberwise equality.
Definition at line 261 of file V5FrameAddress.hpp.
|
friend |
Tests two V5FrameAddress instances for memberwise <.
Definition at line 278 of file V5FrameAddress.hpp.
|
static |
Maximum allowed block value.
Definition at line 75 of file V5FrameAddress.hpp.
|
static |
Maximum allowed row index value.
Definition at line 113 of file V5FrameAddress.hpp.
|
static |
Maximum allowed column index value.
Definition at line 134 of file V5FrameAddress.hpp.
|
static |
Maximum allowed frame index value.
Definition at line 155 of file V5FrameAddress.hpp.


Mod reposting websites are harmful to modders. Using them puts your computer at risk. Our goal is to lead the way and help you stay protected.
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You can visit our GitHub repository to view the site lists. Also, we're always happy about a star!


Disturbing Behavior (1998) James Marsden, Katie Holmes, Nick Stahl, Ethan Embry, Bruce Greenwood, William Sadler, Steve Railsback, Melanie Angel, David Benton. Written by Scott Rosenberg. Directed by David Nutter. 83 minutes. Rated R, 1.5 stars (out of five stars)
Review by Ed Johnson-Ott, NUVO Newsweekly www.nuvo-online.com/film/ Archive reviews at http://us.imdb.com/M/reviews_by?Edward+Johnson-ott To receive reviews by e-mail at no charge, send subscription requests to<EMAIL_ADDRESS>Think "Dawson's Creek" meets "The Stepford Wives." Think "Beverly Hills 90210" meets "A Clockwork Orange." Better yet, think about going to see anything other than "Disturbing Behavior."
A spoiler alert. Generally I avoid revealing significant plot points about movies, but I'm making an exception here because I simply don't care.
"Disturbing Behavior" is a painfully derivative, hapless little thriller about small town authority figures who use computer implants and brainwashing techniques to turn unruly young people into Republicans. Unfortunately, when the Stepford teens get angry or sexually aroused, they become homicidal maniacs. Oh sure, this may sound like the Bob Dornan story, but it's really just another hack horror flick aimed at the "I Know What You Did Last Summer" crowd.
The film suffers from post-Kevin Williamson-syndrome, where writers desperately try to crank out the kind of pop-culture riddled, ironic dialogue that helped Williamson strike gold with his "Scream" movies. In a script packed with unconvincing slang and snarky dialogue, writer Scott Rosenberg comes up with only one decent line, when sarcastic teen outsider Gavin watches the male and female leads eyeing one another and says, "Wow, appropriate sparks are flying. Cue the power ballad." Apparently, Rosenberg knew he hit pay-dirt with the quip, because he actually uses it twice in the film.
The story, such as it is, goes like this. New kid in town Steve (James Marsden) moves to Cradle Bay and hooks up with the annoying Gavin (Nick Stahl) and sultry Rachel ("Dawson Creek's" Katie Holmes). Gavin fills Steve in on the town's secret of success. Rebellious teens are taken away for "motivational weekends" with the "Blue Ribbon Club." They return as well-groomed All-American archetypes, with the aforementioned ultra- violent programming glitch.
Soon enough, our heroes learn that they are next on the list for involuntary "Blue Ribbon" membership. Oh, what to do! As the kids wring their hands over their pending entry into the Christian right, they stumble onto a handy fact. The sonic rat repellent machines the whacked- out school janitor keeps in the basement just happen to emit a frequency that short circuits the Aryan youths' brains. From there on...well, you do the math.
Even material this trite could have worked in the proper hands, but these filmmakers just don't have a clue. David Nutter, who directed a number of "X-Files" episodes, relies on every stock teen horror flick cliché in the book, while a standard-issue rock soundtrack grinds away in the background. The notion of remote-controlled jocks is amusing, but Rosenberg wastes the satiric potential with his limp script. The cast doesn't help matters. Marsden and Holmes look like pouty Gap models, and Stahl is so irritating that in his case, the implants don't seem like that bad an idea.
With "Disturbing Behavior," it appears the dregs of summer have arrived a few weeks early. Incidentally, please forgive this shorter-than-usual article. Throwaway flicks like "Disturbing Behavior" don't warrant a lengthy review and besides, I have better things to do. I'm going to surround the next Promise Keepers convention with sonic rat repellents and turn them all on at once, just in case...
© 1998 Ed Johnson-Ott
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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--- layout: article title: "Play around with the Lunch Bug animation preview tool" author: matt tags: [lunchbug] ---
Update: added frame rate controls!
I've been heads-down on art for our upcoming free-to-play game Lunch Bug and I thought I'd take a break to show you a little tool I just put together to improve my process. Have a look:
Please note that this is just the first draft of animations. Improvements are on the way!
In the center of the canvas is a game piece from Lunch Bug. The text in the upper-left can be pressed to play animations:
In Lunch Bug, pieces can be "captured" by being surrounded, which changes their appearance. Normally I could just have had a giant sprite sheet with all the images for the various types of plants, but we can't have any images larger than 1024x1024 pixels due to mobile memory restraints, which meant breaking them up into multiple files.
The complication of switching the image file part-way through the animations made using traditional animation tools difficult. That's why I built this tool! Now that I've got it, I'll be going back and iterating a few more times before the final version, so at this point feedback is especially valuable.
Normally I'd be open sourcing this on the Lost Decade Games GitHub account but it's tightly coupled to our internal game engine. We may open source the engine and its tools eventually but it's getting bulldozed too often to even consider it at the moment. What I can do is copypasta the code so you can get a general idea:
{% highlight javascript %} define([ "djinn/Game", "djinn/assets", "djinn/Sprite", "djinn/TextView", "djinn/utils/viewEffects" ], function (Game, assets, Sprite, TextView, effects) { return Game.extend({ init: function (conf) { // Conf this._super(conf); this.view.backgroundColor = "white"; // Pull in the assets we need assets.load([ "media/images/seedling.png", "media/images/bulb.png", "media/images/berry.png" ]); // Create the sprite subject var state = "seedling"; var w = 100; var h = 100; this.sprite = new Sprite({ parent: this.view, image: "media/images/seedling.png", x: 0, y: 0, width: w, height: h, animations: { "default": { frames: [ [0, 0] ] }, "put": { frameRate: 5, frames: [ [w * 4, 0], [w * 3, 0], [w * 2, 0], [w, 0], [0, 0] ], loop: false }, "idle": { frameRate: 12, frames: [ [0, h], [w, h], [w * 2, h], [w * 3, h], [w * 4, h] ], loop: false }, "grow": { frameRate: 8, frames: [ [0, h * 2], [w, h * 2], [w * 2, h * 2], [w * 3, h * 2], [w * 4, h * 2] ], loop: false }, "shrink": { frameRate: 8, frames: [ [w * 4, h * 2], [w * 3, h * 2], [w * 2, h * 2], [w, h * 2], [0, h * 2] ], loop: false } } }).align("center", "center"); var x = 10; var height = TextView.defaults.fontSize = 32; // Put var putView = new TextView({ parent: this.view, text: "Put", x: x, }).align("center").on("inputStart", this, function () { // Setup this.sprite.completeTween(); this.sprite.opacity = 0; // Execute this.sprite.playAnimation("put"); effects.fadeIn(this.sprite, { duration: 500 }); }); // Idle var idleView = new TextView({ parent: this.view, text: "Idle", x: x, y: height }).align("center").on("inputStart", this, function () { this.sprite.playAnimation("idle"); }); // Grow var growView = new TextView({ parent: this.view, text: "Grow", x: x, y: height * 2 }).align("center").on("inputStart", this, function () { if (state == "berry") { return; } var onAnimationEnd = function () { this.sprite.off("animationEnd", this, onAnimationEnd); if (state == "seedling") { state = "bulb"; this.sprite.image = "media/images/bulb.png"; } else { state = "berry"; this.sprite.image = "media/images/berry.png"; } this.sprite.playAnimation("default"); }; this.sprite.on("animationEnd", this, onAnimationEnd); this.sprite.playAnimation("grow"); }); // Shrink var shrinkView = new TextView({ parent: this.view, text: "Shrink", x: x, y: height * 3 }).align("center").on("inputStart", this, function () { if (state == "seedling") { return; } if (state == "berry") { state = "bulb"; this.sprite.image = "media/images/bulb.png"; } else { state = "seedling"; this.sprite.image = "media/images/seedling.png"; } var onAnimationEnd = function () { this.sprite.off("animationEnd", this, onAnimationEnd); this.sprite.playAnimation("default"); }; this.sprite.on("animationEnd", this, onAnimationEnd); this.sprite.playAnimation("shrink"); }); } }); }); {% endhighlight %}Might be easier to read in this gist. Note that the tool is not very robust as I didn't want to spend too much time on it…
More Lunch Bug news is just around the corner (can you say playable prototype?!) so be sure to subscribe to get it when it's hot. Thanks for reading!


Notebooks
Story: Manner of carrying firewood
Manner of carrying firewood
Title
Manner of carrying firewood
Collection
Summary
The manner of carrying firewood. By|han≠kass’o (L VIII.-15. 7360 rev. and 7361 rev., note).
Comments
1) This story is found in Book VIII-15
Contributors
|han≠kass'o (Klein Jantje) (VIII)
Date
28 August 1878 (given on or about)
Categories
Keywords
firewood (manner of tying on) , firewood (the use of bushes as) , firewood (the strap or sling used to carry) , firewood (the thong used to bind) , firewood (how it straps on) , firewood (methods of carrying) , firewood (xuain) , wood (for making fire) , wood (methods of carrying) , fire (manner of carrying wood for making)
Story Pages
7360v-7361v


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Sage to sell payments arm to US Bancorp subsidiary
by Harry RobertsonUK software firm Sage Group is set to sell its payments arm Sage Pay for around £230m to Elavon, a payments firm and unit of US Bancorp.
Read more: Sage kicks off sale of payments processing business
Sage Pay is a major provider of payment services in both the UK and Ireland. Announcing the deal, Sage Group said: “The divested business will remain an important payments partner for Sage after completion.”
Newcastle-based Sage said the deal would boost its profit this year. The software firm said it expects to report a statutory profit of around £180m after the deal.
For the year ended September 2018, Sage had operating profit of £15m and revenue of £41m.
The completion of the deal is subject to Elavon obtaining approval by US regulators.
Sage chief executive Steve Hare said: “We will continue to focus on serving small and medium sized customers with subscription software solutions for accounting and financials and people and payroll.”
“Payments and banking services remain an integral part of Sage’s value proposition and we will deliver them through our growing network of partnerships, including Elavon.”
Hannah Fitzsimons, president and general manager of Elavon Merchant Services in Europe, said: “We are a customer-focused company that is helping businesses succeed in a global marketplace that is changing rapidly.”
“This acquisition brings tremendous talent and leading technology to Elavon, which can be leveraged across the European market.”
Declan Lynch, chief executive of Elavon Financial Services, said: “We are thrilled to bring the talents and capabilities of Sage Pay employees to Elavon, where they will be an integral part of our company that is investing in the future.”
(Image credit: Getty)


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- Matter Waves
- Electromagnetic Waves
- Atoms: Origin of Spectra: Bohr's Theory of Hydrogen atom
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- Mass-Energy Equivalence
- Nuclear Fission and Fusion
- Electronic Devices
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Throwing money at High Definition problems
Picked up an Athlon X2 64 4200+, along with an Asus M2NPV-VM-CSM mobo to solve the HD problem. In the short term the old box sits in the room on Saint Paul still recording things as a backend. The new system is in the Antec Fusion case as a frontend, i.e. not recording anything. While I kinda feel bad about picking up new hardware, this really was consuming time without a big payback.
With the backend recording box in the back the Digital cable is slightly unhappy as I had to extend the cable to the Videotron box. Some channels now have bad noise problems. I might have to talk to Videotron about that or I might try to put the backend box on top of the fridge, which is already a source of noise, and be pretty much out of the way.
The HDHomeRun is sitting a foot from the antenna, in the skylight, with an extension cord going up the ladder up to there. The idea is to avoid introducing noise along the long cable length but right now it prevents me from seeing if there is any unencrypted QAM (digital cable), which would eliminate the unnecessary digital->analog->digital conversion being done with one of my tuners now.
Keeping noise down is important so that Joan doesn't miss a show. Cause, if it looks great but cuts an hour show down to 10 minutes because of dropouts (at least it's efficient - disk space isn't wasted by dropouts)...
(I hate it when people talk about WAF. This is my hobby, not hers! )
The only thing left on the front end is getting the digital sound output bracket and then seeing if it works. Unfortunately I'm going to have to order it.
I also installed Knoppmyth R5E50 on the frontend, why not, it's got a couple of things like Democracy and a couple of other things well integrated and the version I'd done from SVN was a bit flakey. I haven't done it yet on the backend as I need to figure out whether to eliminate the backend box or not.
HD looks great by the way.
About this entry
You"re currently reading "Throwing money at High Definition problems," an entry on a crick in the net
- Published:
- 01.07.07 / 8pm
- Category:
- MythTV


---
title: "Download Log Off Vanguard
Images"
description: "The campaign is made up of a total of 21 missions of varying difficulty."
date: "2020-09-16"
categories:
- "Logo"
images:
- "https://investor.vanguard.com/ts/images/custom/faq_buy_step1_2x.png"
featuredImage: "https://www.dailyesports.gg/wp-content/uploads/2020/04/VALORANT_Logo_V-2-800x400.jpg"
featured_image: "https://imgur.com/LSFs2Tb.png"
image: "https://d31s10tn3clc14.cloudfront.net/imgs/falc/RoboAdvisor/vangaurd_advisor.PNG"
---
Download Log Off Vanguard
Images. Click yes to cancel the logon process, or no to continue logging on to your accounts. Log on to check your balances, buy and sell investments, move money, and monitor your performance.
The company is regulated by the securities and exchange commission (sec) and the financial. Choose my accounts, select tax center, then. Vanguard — british premium tier viii battleship.
Thank you for using vanguard.com.
Valorant needs vanguard, but not everyone is happy with vanguard running automatically at system startup. Our mission is to take a stand for all investors. To 8 p.m., et obtain prospectus. I tried this three times and each initial log off attempt was unsuccessful but each second try was successful.


Races
| Race | Date | Distance | Location |
|---|---|---|---|
| AJC Peachtree Road Race | March 15th | 10K | Atlanta, GA |
| Boilermaker | July 11th | 15K | Utica, NY |
| NYC Marathon | November 3rd | 26.22 mi | New York, NY |
Disclosure: This is not a real website.
| Race | Date | Distance | Location |
|---|---|---|---|
| AJC Peachtree Road Race | March 15th | 10K | Atlanta, GA |
| Boilermaker | July 11th | 15K | Utica, NY |
| NYC Marathon | November 3rd | 26.22 mi | New York, NY |
Disclosure: This is not a real website.


Free to use 3D WebGL globe.
Github repository
License here
HTML5, CSS3, JS, Three.js
Need a custom implementation? Contact us.
UI, JS, maps,... John Morrison, 6LY Design Studio, https://6ly.ca
MIT License (c) 2019
Icons https://linearicons.com by https://perxis.com/
CC BY-SA 4.0


Reflection:
Describe the impact the core learning has had on your Foundations learning journey.
It has helped to identify somethings that I need to work on, such as better timing.
Also that I can learn something new, as long as I focus on that task.
What are 1 - 3 new things you have learned about yourself as a result of the core learning?
- the time to reflect on what I have learned.
- Timing - trying to stick to a plan and also take breaks.
- Learning to work through to something I don’t understand, and knowing when to ask for help.
What has surprised you the most about the core learning?
I guess the personality test I took for the values section surprised at accurate it was; which helped me to identify strength and weaknesses.
Also how much reflecting on what I have learnt, helping me to understand more.
What was the most challenging aspects of the core learning?
The meditating I guess - trying to find time to do it, and then trying to stay alert and awake during the meditation.
Any thoughts you want to share about your core learning journey in Foundations?
Nothing that I can think of...


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This is a fan project. We are in no way associated with Catalyst Game Labs or The Topps Company.
Full license information, as well as copies of relevant license files, can be found on the project's GitHub.


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Pattern: Dynamic definition of a set of metadata and another set that depends on the arbitrary combination of the previous
Metadata Entry for Experimental Design
Experimental design is related to metadata description of logical
partition of the actual experiment, such as sessions in neurophysiology. We
develop a prototype to define metadata dynamically over a web interface.
We only use trial design and condition design . Condition
designs are defined as a combination of trial design items. Note that
hieararcy is a bit more complicated in real experiments, as there are
other sectioning such as session , events and
performance design but essential pattern is covered here.
trial designs
An identification of a trial, for example a task behviour experiments.
condition design
Usually defined as combination of trials.
Example design
A scenario appear in metadata of so called reach-to-grasp experiments
in the context of network interaction in motor cortex in relation to behavior .
Trial designs from reach-to-grasp:
Side grip / low force (SGLF)
Side grip / high force (SGHF)
Precision grip / low force (PGLF)
Precision grip / high force (PFHF)
Low force / side grip (LFSG)
Condition designs from reach-to-grasp:
Grip first trials, all grip and force types (cnd_1): SGLF, SGHF, PGLF, PFHF
Force first trials, all force and grip types (cnd_2): SGLF, SGHF, PGLF, PFHF
Grip first trials, all grip types, but only low force (cnd_11): SGLF, PGLF
Grip first trials, all grip types, but only high force (cnd_12): SGHF, PGHF
Grip first trials, only side grip, but all force types (cnd_13): SGHF, SGLF
Grip first trials, only precision grip, but all force types (cnd_14): PGLF, PGHF
Force first trials, only low force, but all grip types (cnd_21): LFSG, LFPG
Force first trials, only high force, but all grip types (cnd_22): HFSG, HFPG
Force first trials, all force types, but only side grip (cnd_23): HFSG, LFSG
Force first trials, all force types, but only precision grip (cnd_24): HFPG, LFPG
Grip first trials, only side grip, only low force (cnd_131): SGLF
Grip first trials, only side grip, only high force (cnd_132): SGHF
Grip first trials, only side grip, force needs to be guessed (cnd_133): SGSG
Grip first trials, only precision grip, only low force (cnd_141): PGLF
Grip first trials, only precision grip, only high force (cnd_142): PGHF
Grip first trials, only precision grip, force needs to be guessed (cnd_144): PGPG
Force first trials, only low force, only side grip (cnd_213): LFSG
Force first trials, only low force, only precision grip (cnd_214): LFPG
Force first trials, only high force, only side grip (cnd_223): HFSG
Force first trials, only high force, only precision grip (cnd_224): HFPG
Prototype Interface
Design a trial and construct condition based on trials.
Example Workflow: Define cnd_12 and cnd_13
Try to add empty trail.
Try to add condition.
Define trials SGHF, SGLF, PGHF.
Try to add SGHF again.
Try to add empty condition.
Define conditions cnd_12 and cnd_13.
Try to delete SGHF.
Try to add cnd_12 again.
Clear Conditions
Clear Trails
{{trial_error}}
Add Trial |
Clear
Trial Designs
Trial Name
Definition
Reference
uuid
Remove
{{trial.name}}
{{trial.definition}}
{{trial.reference}}
{{trial.uuid}}
X
{{condition_error}}
Design Condition Codes |
Clear
Select tasks:
Add Condition
Condition Designs
Condition Name
Definition
Tasks
uuid
Remove
{{condition.name}}
{{condition.definition}}
{{condition.tasks}}
{{condition.uuid}}
X
(c) 2017 The German Neuroinformatics Node G-Node


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LibTiff.Net
Copyright (c) 2008-2019, Bit Miracle
All rights reserved.
Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:
- Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
- Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
- Neither the name of the Bit Miracle nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.

NOTE
This software is based in part on the
The Independent JPEG Group's JPEG software
Copyright (C) 1991-1998, Thomas G. Lane.
NOTE
This software is based in part on the
LibTIFF - TIFF Library and Utilities
http://www.remotesensing.org/libtiff/
Copyright (c) 1988-1997 Sam Leffler
Copyright (c) 1991-1997 Silicon Graphics, Inc.
Portions Copyright (C) 2006, ComponentAce
All rights reserved.
Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:
Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
Neither the name of ComponentAce nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.


The globe shows the number of people passed away during different months of terrorist attacks in the year of 2016.
The charts below show the trends of attacks that occurred in the past and then predicts the number of incidents in the upcoming months of 2016.


|
|||||||||
| PREV NEXT | FRAMES NO FRAMES |
| <Unnamed>.* |
|---|
| Actor | ||
|---|---|---|
public static final int |
MOVE_DOWN |
4 |
public static final int |
MOVE_LEFT |
8 |
public static final int |
MOVE_NONE |
0 |
public static final int |
MOVE_RIGHT |
2 |
public static final int |
MOVE_UP |
1 |
| GameObject | ||
|---|---|---|
public static final int |
OBJECT_CHERRY |
4 |
public static final int |
OBJECT_DOT |
1 |
public static final int |
OBJECT_GHOST |
16 |
public static final int |
OBJECT_MARKER |
32 |
public static final int |
OBJECT_PLAYER |
8 |
public static final int |
OBJECT_POWERUP |
2 |
public static final int |
OBJECT_TELEPORT |
128 |
public static final int |
OBJECT_WALL |
64 |
public static final byte |
WALL_BOTTOMLEFT |
5 |
public static final byte |
WALL_BOTTOMRIGHT |
6 |
public static final byte |
WALL_GHOSTBARRIER |
7 |
public static final byte |
WALL_HORIZONTAL |
2 |
public static final byte |
WALL_TOPLEFT |
3 |
public static final byte |
WALL_TOPRIGHT |
4 |
public static final byte |
WALL_VERTICAL |
1 |
| State | ||
|---|---|---|
public static final int |
STATE_DEAD |
8 |
public static final int |
STATE_EDITOR |
32 |
public static final int |
STATE_EXITING |
64 |
public static final int |
STATE_GAME |
4 |
public static final int |
STATE_MENU |
1 |
public static final int |
STATE_SCOREBOARD |
2 |
|
|||||||||
| PREV NEXT | FRAMES NO FRAMES |


Name
Military
Victorys
0
1
2
0
1
2
0
1
2
Defeats
0
1
2
3
4
5
6
Money
0
1 to 3
4 to 6
7 to 9
10 to 12
13 to 15
16 to 18
19 to 21
22 to 24
25 to 27
28 to 30
31 to 33
34 to 36
37 to 39
40 to 42
43 to 45
46 to 48
48 to 51
52 to 54
55 to 57
58 to 60
Wonder
Civic
Commerce
Guild
Science
Cogs
0
1
2
3
4
5
6
7
8
9
10
Mason Tools
0
1
2
3
4
5
6
7
8
9
10
Tablets
0
1
2
3
4
5
6
7
8
9
10
Sets
0
1
2
3
4
5
6
7
8
9
10
Calculate Score


For the fig-swirl: Melt butter over medium heat in a saucepan. Add brown sugar and stir to dissolve. Halve all of the figs and toss in the saucepan with water and lemon juice. Cook over medium heat, stirring frequently, until you have a chunky-jammy mixture. Add salt with one or two stirs, set aside and let cool completely.
ice cream: In a small pot over medium heat, combine milk, and granulated sugar until sugar is completely dissolved and the milk is just barely lukewarm. Whisk in the egg yolks. Set mixture in the fridge and wait until the fig mixture is cooled.
Using an ice cream machine, pour liquids into the frozen basin and process according to manufacturer instructions, i.e., let spin and thicken for 20 minutes before adding mascarpone, fig jam mixture, and the nuts. Continue to process for +/- 10 minutes. Pour semi frozen mixture into a pyrex dish or glass tupperware. Freeze for at least two hours before serving.


-
What's in the Los Angeles Data Science toolbox? | Data Science Los Angeles
datascience.la
At a previous meetup, we did an informal survey of the software tools used for data analysis by the audience. Read more about the results and what's ...
-
Spark 1.1.0 Technical Preview on HDP 2.1.5 - Hortonworks
hortonworks.com
Spark 1.1.0 Technical Preview – with HDP 2.1.5 Introduction The Spark Technical preview lets you evaluate Apache Spark 1.1.0 on YARN with HDP 2.1.5. ...
-
Open Sourcing ml-ease | LinkedIn Engineering
engineering.linkedin.com
We're seeking intelligent problem solvers who are inspired and motivated to change the world.
-
Aviary, Adobe and Empowering the Future of Mobile Creativity
blog.aviary.com
We can barely contain our excitement today as we announce that Aviary has been acquired by Adobe. Together we will build and connect the next ...
-
Will We Have Any Privacy After the Big Data Revolution?
time.com
Corporations know more about their customer’s lives than ever before. But the information economy doesn't have to leave us exposed
-
We are now Cask | Cask Blog
blog.cask.co
Jonathan Gray, Founder & CEO of Cask, is an entrepreneur and software engineer with a background in open source and data. Prior to Cask, he was at ...
-
TED: Ideas worth spreading
www.ted.com
TED is a nonprofit devoted to Ideas Worth Spreading - through TED.com, our annual conferences, the annual TED Prize and local TEDx events.
-
Extending Spark on YARN for Enterprise Hadoop
hortonworks.com
In this blog, we outline our commitment and strategy in extending Apache Spark on YARN for the Enterprise Hadoop.
-
Home Depot Customers: How to Protect Your Accounts
blogs.wsj.com
Advice for Home Depot shoppers who may be among the 56 million whose debit-card or credit-card data was exposed in a massive breach that lasted ...
-
BBC - Things
www.bbc.co.uk
BBC Things provides a single reference for all of the things that matter to the BBC and our audiences.
-
Cascading on Apache Tez
hortonworks.com
In this guest blog, Gary Nakamura, CEO at Concurrent, talks about Concurrent’s recent milestone, the road ahead and what Cascading on Tez means for ...
-
Apache Storm Graduates to a Top-Level Project
hortonworks.com
Apache Storm is a distributed, fault tolerant, and scalable platform for processing streaming data, supporting real-time analytics and machine ...
-
Big Data's Next Challenge: Heart Failure
www.fastcolabs.com
Using sensors and predictive analytics, data scientists are tackling one of America's biggest killers.
-
Is it time to move your analytics to the cloud? - Thoughts on Cloud
thoughtsoncloud.com
By Andrew Popp, IBM Software Group, Business Analytics , BUE, SaaS Market Development Nothing stays the same for long today—particularly in ...
-
Six steps to growing muscle in data analytics
www.kellogg.northwestern.edu
Kellogg Professor Florian Zettelmeyer presents six guiding principles for big data and analytics challenges, and argues why everyone gets "Moneyball" ...
-
Big Data: The 4 Layers Everyone Must Know
www.linkedin.com
Big Data still causes a lot of confusion in people's heads: What really is it? What is new and what is old wine in new bottles? In order to bring a ...
-
DeveloperForce
blogs-stage-local.com
We are happy to announce a new Force.com library, Mobile Components for Visualforce, that helps simplify the development of hybrid mobile apps built ...
-
You’re already building the future of big data
forumblog.org
The invention of the internet introduced the world to information sharing. Email, bulletin boards, Listserv, FTP and other internet protocols brought ...
-
Big Data Is Changing the Way We Get Well
mashable.com
More than 50% of doctor's offices now handle patient records electronically.
-
Use Data to Fix the Small Business Lending Gap
blogs.hbr.org
In search of a more sophisticated measure of risk.
-
IBM’s New Watson Analytics Wants To Bring Big Data To The Masses | ...
techcrunch.com
IBM today announced a new product called Watson Analytics, one they claim will bring sophisticated big data analysis to the average business user. ...
-
Zvi sur Twitter : "Moore's Law of Big Data: http://t.co/0hmLozzSZ1"
twitter.com
Mot de passe oublié ? Vous utilisez déjà Twitter via SMS ?
-
Apache Kafka for Beginners
blog.cloudera.com
When used in the right way and for the right use case, Kafka has unique attributes that make it a highly attractive option for data integration.
-
Like it or not, native advertising is squarely inside the big news tent
www.niemanlab.org
Maybe it’s just a new iteration on the advertorials newspapers and magazines have run for decades. Maybe it’s a scurrilous devaluation of journalism. ...
-
Big data revolution: six trends unlocking the power of health care ...
blogs.deloitte.com
Health care companies are on the verge of realizing significant gains from big data, but new tools and approaches are needed to get there.


This example show how to manipulate a.state to create a true table system
Here, you are in the page.html (root container), we provide a simple input tag to perform filter. Below start the table rendering children (result).
This example show how to manipulate a.state to create a true table system
Here, you are in the page.html (root container), we provide a simple input tag to perform filter. Below start the table rendering children (result).


1.1.0 Final Release
A Touch-Optimized UI Framework built with jQuery and HTML5.
Welcome. jQuery Mobile is the easiest way to build sites and apps that are accessible on all popular smartphone, tablet and desktop devices. For jQuery 1.6.4 and 1.7.1.


Even the all-powerful Pointing has no control about the blind text.
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.
A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth.
How it works?
- 1 A small river named Duden flows by their place and supplies it with the necessary regelialia
- 2 Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics.
- 3 Bookmarksgrove right at the coast of the Semantics, a large language ocean.
Our Services
Behind the word mountains
The Big Oxmox advised her not to do so, because there were thousands of bad Commas, wild Question Marks and devious Semikoli, but the Little Blind Text didn’t listen. She packed her seven versalia, put her initial into the belt and made herself on the way.
Because there were thousands of bad Commas
The Big Oxmox advised her not to do so, because there were thousands of bad Commas, wild Question Marks and devious Semikoli, but the Little Blind Text didn’t listen. She packed her seven versalia, put her initial into the belt and made herself on the way.
Wild Question Marks and devious Semikoli
The Big Oxmox advised her not to do so, because there were thousands of bad Commas, wild Question Marks and devious Semikoli, but the Little Blind Text didn’t listen. She packed her seven versalia, put her initial into the belt and made herself on the way.


@oracle-d has done their part in getting Steem coin to the nomination list on the Netcoins platform. Now it is our responsibiliy to get Steem to the top of the list so Steem could get listed and gain more explosure to the public! Read more what to do in the original post:
Vote For STEEM To Get A Free Listing On NETCOINs & Win Oracle-D Upvotes [CONTEST]
How does it benefits the Steem ecosystem?
Let’s cut it short and discuss what will the participants get for this event as it would require only 1 minutes of work.
- First of all, you get to win upvotes upto $1 once pasting that voting confirmation screenshot in under the original post no matter what the outcome of the nomination contest.
- If Steem got listed on the Netcoins platform, it means more explosure to 171,000 retail locations in over 53 countries across 6 continents.
- More attention to the Steem brings more trade volume, thus higher price of Steem could be expectted.
Tips
- Use disposable temporary email service for the voting purpose like Tempmail
- Voting can be done multiple times every 24 hours.
- Use free VPN like Tunnelbear to bypass the voting limitation.
- Disposable email + VPN = Unlimited voting
Let’s cast the vote now
At the time of writing, the top coin in the nomination list is having 1200 votes while Steem ranks at 5th position with 528 votes. C’mon, this is no really competition if half of the 50k active Steemian has done their part!
Just like the Byteball Airdrops to Steem holders event, this voting contest is the next no-brainer event to take part for all of us here. Spend a minute to vote, win a big juicy upvote, and help us all in the community, will you?


leave_watchgroup(3f) - [M_stopwatch] removes a M_StopWatch watch from a watch group (LICENSE:PD)
Synopsis
Description
Diagnostics
Examples
Bugs
Author
See Also
subroutine leave_watchgroup(watch, handle, err)
type (watchtype), intent(IN) :: watch OR type (watchtype), intent(IN) :: watch(:)
type (watchgroup), intent(INOUT) :: handle integer, optional, intent(OUT) :: err
Removes the specified watch(es) from the specified watch group.One or more watches must be specified. The argument watch can be a single variable of type watchtype (see M_stopwatch(3)) to remove one watch, or an array of type watchtype to remove several watches.
The watch group is specified by handle, a variable of type watchgroup.
If present, the optional intent OUT integer argument err returns a status code. The code is the sum of the values listed below.An error message will be printed to a specified I/O unit (unit 6 by default) if print_errors is TRUE (default is TRUE). The error message contains more detail about the cause of the error than can be obtained from just the status code, so you should set print_errors to TRUE if you have trouble determining the cause of the error.
If abort_errors is TRUE (default is FALSE), the program will terminate on an error condition. Otherwise, the program will continue execution but the watch(es) will not be removed from the group.
See option_stopwatch(3) for further information on print_errors, abort_errors and I/O units.
The relevant status codes and messages are:
0 No errors; execution successful.
128 Watch not found in given group. This occurs when you attempt to remove a watch from a group that it does not belong to. One cause of this is if you destroy a watch and later try to remove it from a group.
512 Failed to allocate required memory. When leave_watchgroup is called with an array or group of watches, temporary memory is allocated. This error occurs if the Fortran allocate statement returns a nonzero status indicating that memory could not be allocated. Avoid memory leaks by always destroying watches and groups before recreating them, and destroying local variable watches and groups before returning from a subroutine.
1024 Error occurred while deallocating memory. This error occurs if the Fortran deallocate statement returns a nonzero status while deallocating temporary memory used for an array or group of watches or the memory used for an entry in the group. The watches are removed from the group, but be aware that other problems could develop as a result of the deallocate error.
type (watchtype) w1, w2(3) type (watchgroup) g1 integer errcodecall leave_watchgroup(w1, g1) call leave_watchgroup(w2, g1, errcode)
The first call removes the watch w1 from watch group g1. The second call removes three watch from g1 and returns a status code.
It cannot be determined whether or not a watch variable or watch group has been created (passed as an argument to create_watch or create_watchgroup). If a watch or watch group that has never been created is passed into leave_watchgroup, it might generate a Fortran error due to passing a pointer with undefined association status to the Fortran intrinsic function associated. However, some compilers will allow this as an extension to the Fortran 90 standard and recognize that the pointer is not associated, in which case the Watch needs to be created error message is generated.
William F. Mitchell<EMAIL_ADDRESS>National Institute of Standards and Technology
M_stopwatch(3), create_watchgroup(3), create_watch(3), destroy_watchgroup(3), destroy_watch(3), end_pause_watch(3), inquiry_stopwatch(3), join_watchgroup(3), option_stopwatch(3), pause_watch(3), print_watch(3), read_watch(3), reset_watch(3), start_watch(3), stop_watch(3)
| M_StopWatch 1.1 | LEAVE_WATCHGROUP (3) | September 22, 2017 |


{% extends "checkout/preview.html" %} {% load currency_filters %} {% load i18n %} {% load url from future %} {% load thumbnail %} {# Null out the actions as they can't be used here #} {% block shipping_address_actions %}{% endblock %} {% block shipping_method_actions %}{% endblock %} {% block order_contents_actions %}{% endblock %} {% block payment_method %}
{% blocktrans with amt=paypal_amount|currency email=paypal_user_email %} {{ amt }} will be deducted from your PayPal account, registered to email: {{ email }}. {% endblocktrans %}
{{ line.line_price_incl_tax|currency:basket.currency }}


%= circled_title(2, "Install BOSH CLI") %>
BOSH CLI is a command line interface to the Director. It is distributed as a Ruby gem.
In case of any issues see detailed installation instructions.
Let CLI know about bosh-lite Director (use admin/admin to log in):
Now we are ready to deploy!


Nine weeks of phase zero, then nine weeks at Dev Academy learning Full Stack Web Development and how to work in a team environment
The technical side of things, the bells and whistles... the nerdy stuff!
Searching inside myself to get a better understanding of who I am.
Document structures, layouts, tags, inputs, tables and lists.
A modern responsive front-end framework based on Material Design.
Materialize has included 932 Material Design Icons courtesy of Google.


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Interactive Information Design
Heather Battaglia / @hbillings
Today's agenda
- Status updates
- Lecture: A brief overview of the Internet
- Lab: Strife and power in the Middle East
- Lecture: Hierarchy and gestalt
- Lab: Baby name trends
Status updates
What was confusing?
Final project prep
(Prep due next week!)
- Develop a pitch for your mini-project, which will be due in two weeks.
- Find a simple, clean dataset you'd like to explore for the final project. (Please email me if you're at a loss finding one.)
- Find a story in this data.
- Identify at least two goals for telling this story, and come up with an initial idea for how to visualize it.
- Develop this idea into a small pitch (100 words) and accompanying sketch. Upload as a Word doc with sketch embedded as an image.
Today's agenda
- Status updates
- Lecture: A brief overview of the Internet
- Lab: Strife and power in the Middle East
- Lecture: Hierarchy and gestalt
- Lab: Baby name trends
The Internet: a brief overview
A series of tubes
The Internet is just a network that moves data.
A series of tubes
- Servers store information (mail, Web documents, images...).
- Clients request information from servers.
- Routers connect systems of various kinds.
A series of tubes
- Data is sent between computers in packets, tiny fragments of information.
- Packets can travel simultaneously and are reassembled when they reach the client.
Networking it
- There are a variety of protocols for transmitting packets of data. The most commonly used is TCP/IP.
- TCP controls the organization and transmission of the data between IP addresses.
- Every computer, server or client, has an IP address.
- DNS aliases IP addresses (<IP_ADDRESS>) to URLs.
Server side
"Back-end" technologies
Logic & performance
- Web servers (actual computers + software like Apache, NGINX, Node.js)
- Databases (PostgreSQL, MariaDB, MySQL)
- Data modeling (Python, Ruby)
- Caching (some kinds)
- Web frameworks (kind of)
Client side
"Front-end" technologies
Presentation & interactivity
- Caching (some other kinds)
- HTML/CSS
- HTML5 Boilerplate
- CSS frameworks (Bootstrap, Foundation, Skeleton)
- JavaScript
- Libraries (jQuery, Prototype, Datatables, D3, among MANY others)
- Frameworks (React, Angular, Ember, Backbone)
Today's agenda
- Status updates
- Lecture: A brief overview of the Internet
- Lab: Strife and power in the Middle East
- Lecture: Hierarchy and gestalt
- Lab: Baby name trends
Strife & power in the new Middle East
Working in teams of 3-4, and using the article "Strife and Power in the New Middle East" as your guide, create a proposal for an information graphic. Set goals for the story before you begin, and work on a series of sketches together. Weigh each of them against your set goals. Come up with the solution you think is best and be ready to present to the group.
One solution...
Today's agenda
- Status updates
- Lecture: A brief overview of the Internet
- Lab: Strife and power in the Middle East
- Lecture: Hierarchy and gestalt
- Lab: Baby name trends
Hierarchy is...
The organization of items into different levels of relative importance.
Why is hierarchy significant?
- Communicates information more effectively.
- We respond more quickly to visual cues.
- Creates order.
Rank the objects in order of importance.
Rank the objects in order of importance.
Rank the objects in order of importance.
Gestalt principles
The whole is greater than the sum of its parts.
—Kurt Koffka
The whole is other than the sum of its parts.
Gestalt principles
Proximity
Items near each other seem related. Can create subcategories.
Gestalt principles
Similarity
Items that look similar are perceived as a group or pattern.
Gestalt principles
Similarity
Gestalt principles
Continuity
The mind extends patterns beyond the end points of individual components.
Gestalt principles
Closure
The brain fills in missing information about shapes and figures.
Gestalt principles
Figure/Ground
Figure: element in focus
Ground: element upon which the figure rests
How does this relate to infographics?
To tell an effective story, you need to lead the reader through all the pieces in the order that best tells your story.
The eye sees areas of shapes and colors first.
More specific visual details come next.
Individual words and phrases come last.
Contrasts
Allows us to distinguish between items and give them unique meanings.
Contrasts: Neutral
No hierarchy. The eye will naturally enter at the top left.
Contrasts: Position
Allows us to distinguish between items and give them unique meanings.
Contrasts: Position & size
Altering the size of an element and adding spacing establishes its dominance.
Contrasts: Position, size & emphasis
Adding color here solidifies the element at the top of the hierarchy.
Size
Bigger items demand more attention.
Color
Can establish a physical order as well as an emotional appeal and connection.
Alignment
Connects elements and creates a flow. Anything that disrupts the alignment draws attention to itself.
Repetition
Establishes items at the same level in the hierarchy.
Interactive design allows the user more control of the order the information is accessed.
Establishing your design
- Overall purpose and goals
- Nature of the content
- Expectations of the user
A chicken and egg problem...
Today's agenda
- Status updates
- Lecture: A brief overview of the Internet
- Lab: Strife and power in the Middle East
- Lecture: Hierarchy and gestalt
- Lab: Baby name trends
Baby names through time
In a group or by yourself
- Download baby name data for the past 100+ years.
- Take a look at the data, and pick ONE story to tell. (This can be by state, by year, by name...)
- Crunch your numbers. Isolate your variables. Get your data in order.
- Set some simple goals for your visualization based on the story you want to tell.
- Upload your data to Datawrapper and play with visualizations. Which types match your goals? Which work against them?
- Settle on a chart and customize.
- Publish and embed your graphic in the new discussion thread alongside your goals. (Complete for HW if you don't finish within the hour.)


Police fighting to seize £14,000 from Meadow Well man who built an illegal club in his back garden
The club had everything from fruit machines to pool tables - but Northumbria Police say it had a more sinister purpose
by Ian JohnsonA crook who built a social club in his back garden could lose over £14,000 in what police claim is dirty cash.
James Blake's makeshift watering hole stocked alcohol and had a pool table and TV - while he even laid on crisps for punters to enjoy.
However, Northumbria Police raided the club in 2017, seizing fruit machines as it shut the illegal venue down.
The club was later exposed as a front for money laundering, with Blake admitting a string of offences.
Back in April, he pleaded guilty to three counts of transferring criminal property, one count of possession of criminal property and one count of abstracting electricity at his home address.
The 37-year-old is currently awaiting his fate with a Newcastle Crown Court judge set to sentence him early next year.
However, Northumbria Police is currently fighting a different court case to lay claim to almost £14,500 in cash they claim Blake laundered.
The force made an application at Newcastle Magistrates' Court on Friday for the continued detention of the cash, which they seized as part of the investigation.
In total, £13,529 along with 1,100 Euros was seized.
That case - which has been adjourned almost a dozen times - was put off again until January 31.
That will be a week after the Wantage Avenue defendant is sentenced at the Crown Court on January 24.


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Bettors back Houston Texans over Indianapolis Colts on ‘TNF’
by Todd DeweyThe Texans and Colts are tied for the AFC South lead at 6-4 and on Thursday afternoon both teams were projected by NFL.com to make the playoffs.
That will change after their “Thursday Night Football” game in Houston, where the Texans are 3½-point favorites over Indianapolis.
Houston opened as a 5½-point favorite over the Colts on the lookahead line at the Westgate sportsbook before its 41-7 blowout loss at Baltimore. The Westgate reported a sharp play on the Texans at minus 3½ and the betting public is all over Houston at Caesars Entertainment, according to director of trading Jeff Davis.
“We need the Colts pretty big,” Davis said.
Indianapolis (5-4-1 ATS) is coming off a 33-13 win over the Jaguars and has won and covered the last three meetings with the Texans (5-5 ATS), including a 30-23 win in Week 7.
“It’s a big game for both teams but a bigger game for the Texans because they lost to the Colts and now you have the Raiders (6-4) in the equation as a wild-card team,” Sunset Station sportsbook director Chuck Esposito said. “If the Texans lose here, they’re essentially two games behind the Colts because of the tiebreaker.
“The big thing in this game is (wideout) T.Y. Hilton looks to be back and the Colts are a much better team with him in the lineup. When he’s not in the lineup, they’re 1-6.”
The consensus total is 46 and Esposito expects Station Casinos’ books to need the under.
The Texans are on a 3-0 under streak. The Colts have alternated over and under the last seven weeks, going over in their win over Jacksonville.
More Betting: Follow at reviewjournal.com/betting.