|
PyHodl
0.2.8
Framework to download, update, analyze and plot your crypto-transactions. Completely off-line and security-oriented.
|
Public Member Functions | |
| def | __init__ (self, wallets, base_currency="USD") |
| def | plot_balances (self) |
| def | plot_price (self, wallet) |
| def | plot_crypto_market_cap (self, dates) |
| def | plot_delta_buy_sells (self, wallet) |
| def | plot_buy_sells (self, wallet) |
| def | plot_account_value (self) |
| def | plot_crypto_net (self, with_market_cap=True) |
| def | show (self, title, x_label="Time", y_label="value") |
| Public Member Functions inherited from pyhodl.charts.balance.BalancePlotter | |
| def | __init__ (self, wallets) |
| def | plot_balances (self) |
| def | plot_delta_balances (self) |
| def | show (self, title, x_label="Time", y_label="Balances") |
Public Attributes | |
| base_currency | |
| wallets_value | |
| Public Attributes inherited from pyhodl.charts.balance.BalancePlotter | |
| portfolio | |
Plots coins-equivalent of your wallet
| def pyhodl.charts.balance.FiatPlotter.__init__ | ( | self, | |
| wallets, | |||
base_currency = "USD" |
|||
| ) |
| def pyhodl.charts.balance.FiatPlotter.plot_account_value | ( | self | ) |
:return: void Total balance for coin
| def pyhodl.charts.balance.FiatPlotter.plot_balances | ( | self | ) |
:return: void Plots balances for transaction of coin
| def pyhodl.charts.balance.FiatPlotter.plot_buy_sells | ( | self, | |
| wallet | |||
| ) |
:param wallet: Wallet Coin wallet to plot :return: void Plots buy/sells points of coin against coin price
| def pyhodl.charts.balance.FiatPlotter.plot_crypto_market_cap | ( | self, | |
| dates | |||
| ) |
:return: void Plots crypto market cap
| def pyhodl.charts.balance.FiatPlotter.plot_crypto_net | ( | self, | |
with_market_cap = True |
|||
| ) |
:param with_market_cap: bool True iff you want to overlay market cap of cryptos :return: void Crypto net (bought - spent) of your portfolio
| def pyhodl.charts.balance.FiatPlotter.plot_delta_buy_sells | ( | self, | |
| wallet | |||
| ) |
:param wallet: Wallet Coin wallet to plot :return: void Plots buy/sells points of coin
| def pyhodl.charts.balance.FiatPlotter.plot_price | ( | self, | |
| wallet | |||
| ) |
:param wallet: Wallet Coin wallet to plot :return: void Plots price of coin wallet
| def pyhodl.charts.balance.FiatPlotter.show | ( | self, | |
| title, | |||
x_label = "Time" , |
|||
y_label = "value" |
|||
| ) |
| pyhodl.charts.balance.FiatPlotter.base_currency |
| pyhodl.charts.balance.FiatPlotter.wallets_value |


Ping Pong
An exercise to practice using Javascript arrays
Let's play a silly exercise!
Enter two numbers equal or greater than zero, with the second larger than the first.
I'll give you a range of all the numbers between the two but with these twists:
- I'll replace numbers divisible by 3 with "ping"
- I'll replace numbers divisible by 5 with "pong"
- I'll replace numbers divisible by 15 with "ping pong"


Written by: Doty Abrams
Transcribed by: Eric Aasen
Episodes Originally Transcribed by: Eric Aasen, Mindy Mattingly Phillips, and guineapig.
[Scene: Monica and Chandler's, Monica is at the kitchen table and Chandler is in the living room.]
Monica: Do you realize that four weeks from today were getting married? Four weeks baby!! Four weeks!!!
Chandler: Do you realize you get louder each week?
Monica: Theres still so much to do. Have you written your vows yet?
Chandler: I figured Id buy those. Pat, Id like to buy a vow. (Laughs)
Monica: Sweetie, you know I have no sense of humor when it comes to the wedding.
Chandler: Right. So uh, have you written yours yet?
Monica: No! But I know exactly what Im going to say.
Chandler: Do you happen to know what Im going to say?
Monica: (handing him a pad of paper and a pen) Lets just do it right now. Okay? It wont be hard. Just say whats in your heart. (She goes back, sits down, and starts feverishly writing.)
Chandler: (watching in her) (in his head) Look at her go! She must love me more than I love her! Whats wrong with me? Ooh, dont open that door.
Opening Credits
[Scene: Joey and Rachel's, Chandler is getting help writing his vows from Joey and Ross.]
Chandler: (writing) Monica, there are no words (To Joey and Ross) There are no words! This should not be this hard!
Joey: All right, uh (To Ross) Oh hey, youve done this before Ross, well what did you say when you made up your vows?
Ross: Well with Carol, I promised never to love another woman until the day I die. She made no such promise.
Chandler: Im so pathetic! Monica knows what she wants to say! You shouldve seen her. Writing, writing, writing!
[Scene: Monica and Chandler's, Monica has hit a writers block as Rachel and Phoebe enter.]
Rachel: Monica what?
Phoebe: What?!
Rachel: What is the emergency?!
Monica: You have to help me! Im supposed to be writing my vows and all I have is this! (Shows them what shes been working on.)
Rachel: Well, I like the pretty little drawing of you in the wedding dress.
Monica: Thank you.
Phoebe: Yeah, except your breasts look kinda small. (Points.)
Monica: Those are my eyes! Those are my breasts. (Points.)
Phoebe: Oh! Yeah! (Monica glares at her.)
[Cut to the guys.]
Ross: Well, why dont you just start with something simple. Like umm, Monica from the moment I met you, I knew I loved you.
Chandler: Yeah, Im not sure I can do that.
[Flashback to when Chandler was introduced to Monica in The One With The Thanksgiving Flashbacks.]
Ross: ...everyone, this is Chandler!

Chandler: (seeing her) Okay.
[Cut to the girls.]
Rachel: Okay. Okay. Okay. Umm, maybe you can start with, "Chandler, even though we were friends; there was a part of me that always knew I wanted more."
[Flashback to The One With The Jellyfish, Chandler and Monica are lying on the beach.]
Chandler: All right, theres a nuclear holocaust, Im the last man on Earth. Would you go out with me?
Monica: Ennnh.
[Cut back to the girls.]
Monica: Ooh, are we allowed to lie in the vows?!
Phoebe: Well maybe you dont talk about your feelings back then. Maybe you just say something about yknow all the things that hes taught you. Like (They all try to think about one example and dont succeed.) Or all the things you taught him.
[Flashback to The One With Phoebe's Uterus, Monica is teaching Chandler how to turn a woman on. They're in Monica and Rachel's apartment and Monica has just drawn a diagram of a woman.]
Monica: Now everybody knows the basic erogenous zones. (She starts labelling them) You got one, two three, four (Chandler is shocked to find out theres more than three), five, six, and seven!
Chandler: (shocked) There are seven?! (Points to one) Thats one?
Monica: Its kind of an important one!
Chandler: Oh, yknow-yknow what, I was looking at it upside down.
Rachel: Well, yknow, sometimes that helps. (She realises what that couldve meant.)
Monica: All right. Umm, you could uh start out with a little 1, a 2, a 1-2-3, 3, 5, a 4, a 3-2, 2, a 2-4-6, 2-4-6, 4, (Rachel starts getting worked up) 2, 2, 4-7, 5-7, 6-7, 7 7.. 7 7-7-7-7-7-7-7-7-7-7-7-7 (mouths 7)! (They both lean back on the couch satisfied.)
[Cut to the guys.]
Joey: Oh, I got it! How about saying something like, "Monica
Chandler: (writing) Monica
Joey: " when I look back over our time together "
Chandler: (writes what Joey said and waits for him to go on) Yeah?
Joey: Well, I cant do everything! Look back over your time together.
[This starts a series of flashbacks beginning with Monica and Chandler in the waiting room in The One With the Birth.]
Phoebe: Oh, look, twins. Hi, guys. Oh, cute, cute.
Monica: No fair. I don't even have one.
Chandler: You'll get one.
Monica: Oh yeah? When?
Chandler: All right. I'll tell you what. When we're 40, if neither one of us are married, what do you say you and I get together and have one?
Monica: Why won't I be married when I'm 40?
Chandler: Oh, no, no. I just meant hypothetically.
Monica: Ok, hypothetically, why won't I be married when I'm 40?
Chandler: No, no, no.
Monica: What is it? Is there something fundamentally unmarriable about me?
Chandler: (trapped) Uh, uh.
Monica: Well?
Chandler: Dear God! This parachute is a knapsack! (throws himself over the back of the chair he was sitting in)
[Cut to Ross leaping into Chandlers Hotel room in London in The One With Rosss Wedding.]
Ross: (Screaming) Im getting married today!! Ahh, whoo-hoo!!(He runs back out the door.)
Monica: (Comes up for below the covers and looks concerned.) Do you think he knew I was here? (Chandler quickly looks at Monica not knowing what to say.)
[Cut to Chandler opening the door to his and Joeys apartment to reveal Monica standing there with a turkey on her head in The One With The Thanksgiving Flashbacks.]
Chandler: Nice try.
Monica: Wait, wait, wait! (She puts a Shriner's hat on the turkey.)
Chandler: Look, Monica
Monica: Look! (She puts a big, yellow pair of sunglasses on the bird.)
Chandler: This is not going to work.
Monica: I bet this will work! (She starts dancing and Chandler cracks up.)
Chandler: You are so great! I love you!
(Monica stops suddenly and turns around slowly.)
Monica: What?
Chandler: Nothing! I said, I said "You're so great" and then I just, I just stopped talking!
Monica: You said you loved me! I can't believe this!
Chandler: No I didn't!
Monica: Yes, you did!
Chandler: No I didn't!
Monica: You love me!
Chandler: No I don't! Stop it! Stop it! Stop it! Stop it!
(Joey walks in and sees Monica. He freaks out and runs back into the hallway, screaming.)
[Cut to Chandler trying to hint to Monica that he wanted to move in with her in The One After Vegas.]
Chandler: Yknow I was thinking, what if I uh, unpack here?
Monica: Then all your stuff would be here.
Chandler: Well, what if all my stuff was here?
Monica: Then youd be going back and forth all the time, I mean it doesnt make any sense.
Chandler: Okay. What if we lived together and you understand what Im saying?
[Cut to Chandler entering his and Monicas apartment alight with a thousand candles in The One With The Proposal.]
(He walks dejectedly into his apartment to find it lit with about a thousand candles and Monica standing in the living room.)
Monica: You wanted it to be a surprise.
(He turns to look at Joey who smiles slyly and closes the door leaving them alone.)
Chandler: Oh my God.
(Monica gets down on one knee.)
Monica: Chandler In all my life I never thought I would be so lucky. (Starting to cry.) As to fall in love with my best my best Theres a reason why girls dont do this!
Chandler: Okay! (He joins her on one knee) Okay! Okay! I'll do it! Oh God, I thought (Starting to cry, pauses) Wait a minute, I-I can do this. (Pause) I thought that it mattered what I said or where I said it.  (Starting to cry again.) And if youll let me, I will spend the rest of my life trying to make you feel the same way. (Pause as he gets out the ring.) Monica, will you marry me?
Monica: Yes.
(The crowd goes wild as he puts the ring on her finger. They hug and kiss this time as an engaged couple.)
Joey: (yelling through the door) Can we come it yet?! Were dying out here!
Monica: Come in! Come in! (Joey, Rachel, and Phoebe burst through the door.) Were engaged!!!
(Everyone screams and has a group hug.)
Commercial Break
[Scene: Central Perk, Phoebe and Rachel are on the couch as Joey and Ross enter.]
Joey: Hey!
Ross: Hey!
Rachel: Hey!
Phoebe: Hey!
Rachel: Hey, what have you guys been up to?
Ross: Oh, we were helping Chandler write his vows, but he kicked us out because Joey kept making inappropriate suggestions.
Joey: How is "Monica, I love your sweet ass," inappropriate?
Ross: Hows Monica coming along with her vows?
Phoebe: Well lets just say its shes lucky she has a sweet ass, cause shes not so good at the writing.
Ross: I cant believe in four weeks theyre gonna be married!
Phoebe: Well lets just hope it works. Yknow nine out of ten marriages end in divorce?
Ross: Phoebe thats not true.
Phoebe: Yeah, youre right. Hows the Mrs.?
Rachel: I cant believe theyve been together for three years.
Joey: (shocked) Has it been that long?!
Ross: Believe me, it seems like less because they hid it from us for so long.
[Flashback to Joey interrupting a bath Monica and Chandler are sharing in The One With All The Kissing. Monica dives underwater as Joey opens the door.]
(They move into kiss but are interrupted by Joey knocking on the door.)
Joey: Hey, it's me! I'm comin' in!
(Monica quickly dives under the water as Joey enters. He looks a little shocked at what Chandler's doing.)
Chandler: I've had a very long, hard day.
 Want some?
Chandler: Ahh, no thanks. No chicken, bye-bye then.
Joey: Okay.
(Joey leaves and Monica comes up for air.)
Chandler: Are you okay? I'm so sorry, he wouldn't leave. He kept asking me about chicken.
Monica: Chicken? I could eat some chicken.
Chandler: Hey Joe!
(Monica goes back underwater as Joey re-enters.)

(Joey gives him a thumbs up and heads for the chicken.)
[Cut back to Central Perk.]
Rachel: I dont know why they didnt just tell us.
Joey: I know! I mean its not like we werent cool about it.
[This starts a series of flashbacks starting with Monica and Chandler forcing Joey to keep his new found knowledge of their secret relationship in Monicas bedroom in The One With All the Kips.]
Joey: (To Chandler) You?! (To Monica) And-and you?!
Monica: Yes, but you cannot tell anyone! No one knows!
Joey: How?! When?!
Chandler: It happened in London.
Joey: IN LONDON!!!
Chandler: The reason we didn't tell anyone was because we didn't want to make a big deal out of it.
Joey: But it is a big deal!! I have to tell someone!
(They both grab him and stop him.)
Chandler: No-no-no-no-no! You can't!
Monica: Please? Please?! We just don't want to deal with telling everyone, okay? Just promise you won't tell.
(Joey thinks it over.)
Joey: All right! Man, this is unbelievable!
[Cut to Rachel listening to a phone conversation between Chandler and Monica in The One With All the Resolutions.]
Monica: (on phone) I can't wait to be with you! I'll just tell Rachel I'm gonna be doing laundry for a couple of hours.
Chandler: (on phone) Laundry. Huh. Is that my new nickname?
Monica: (on phone) Awww, y'know what your nickname is, Mr. Big
Rachel: Arghh!! (She quickly hangs up the phone and starts to pace around wondering what to do.)
[Cut to Phoebe in Rosss new apartment looking at Monica and Chandler and what theyre about to do in The One Where Everybody Finds Out.]
Phoebe: (looking out the window) Oh, look! There's Monica and Chandler! (Starts yelling.) Hey! Hey, you guys! Hey! (Chandler and Monica start taking each other's clothes off.) Ohh!! Ohh! Ahh-ahhh!!
Rachel: What?!
Phoebe: (screaming) Ahhh!! Chandler and Monica!! Chandler and Monica!!
Rachel: Oh my God!
Phoebe: CHANDLER AND MONICA!!!!
Rachel: OH MY GOD!!!
Phoebe: OH!! MY EYES!!! MY EYES!!!!
Rachel: Phoebe!! Phoebe!! It's okay!! It's okay!!
Phoebe: NO! THEY'RE DOING IT!!!
Rachel: I KNOW!! I KNOW!! I KNOW!
Phoebe: YOU KNOW?!!!
Rachel: Yes, I know! And Joey knows! But Ross doesn't know so you have to stop screaming!!
Ross: (entering) What's going on?
Phoebe and Rachel: Ohhh!!!
Rachel: (trying to divert his attention from the window by jumping up and down) HI!! Hi!
Ross: What?! What?!
Rachel: Nothing! Oh God, we're just so excited that you want to get this apartment!
Ross: Actually, it looks really good. (Turns towards the window and now Phoebe starts jumping to divert his attention.)
Phoebe: (Screaming incoherently.) Get in here!!! (Motions to join her and Rachel.)
(Ross starts jumping and screaming incoherently and hops over and joins in on the group hug.)
[Cut to later in that episode in Central Perk, a meeting with Phoebe, Rachel, and Joey where they discuss Chandler and Monica.]
Phoebe: Okay, so now they know that you know and they don't know that Rachel knows?
Joey: Yes, but y'know what? It doesn't matter who knows what. Now, enough of us know that we can just tell them that we know!
Phoebe: Or, we could not tell them we know and have a little fun of our own
[Cut to later in that episode. Rachel and Phoebe are going to a movie from Monica and Chandlers, and as Phoebe walks by Chandler she pinches him on the butt and exits.]
Rachel: All right honey, we'd better go if we wanna catch that movie.
Monica: Bye!
All: Bye!
Phoebe: Bye Chandler! (She walks up to him.) (Quietly.) I miss you already. (She pinches his butt.)
Chandler: (after they've left) Okay, did you see that?! With the inappropriate and the pinching!!
Monica: Actually, I did!
Chandler: Okay, so now do you believe that she's attracted to me?
Monica: Ohhh, oh my God! Oh my God! She knows about us!
[Cut to later in that episode. Monica and Chandler are confronting Joey in his apartment about Phoebes knowledge.]
Chandler: Phoebe knows about us!
Joey: Well I didn't tell them!
Monica: Them?! Who's them?
Joey: Uhhh, Phoebe and Joey.
Monica: Joey!
Joey: And Rachel. I would've told you but they made me promise not to tell!
Monica: Oh man, they think they are so slick messing with us! But see they don't know that we know that they know! So
Chandler: Ahh yes, the messers become the messies!
[Cut to later in that episode. Phoebe is telling Rachel in Monica and Chandlers that Chandler wants to make a date with Phoebe.]
Phoebe: I'll have to get back to you on that. Okay, bye! (Hangs up.) Oh my God! He wants me to come over and feel his bicep and more!
Rachel: Are you kidding?!
Phoebe: No!
Rachel: I can not believe he would do that to MonWhoa! (She stops suddenly and slowly turns to point at Joey. Joey is avoiding her eyes.) Joey, do they know that we know?
Joey: No.
Rachel: Joey!
Joey: They know you know.
Rachel: Ugh, I knew it! Oh I cannot believe those two!
Phoebe: God, they thought they can mess with us! They're trying to mess with us?! They don't know that we know they know we know! (Joey just shakes his head.)
Joey: I couldn't even if I wanted too.
[Cut to later in that episode. Chandler is in his bathroom with Monica, and hes panicking on how far Phoebe is pushing him.]
Chandler: Listen, this is totally getting out of hand! Okay? She wants me to put lotion on her!
Monica: She's bluffing!
Chandler: Look, she's not backing down! She went like this! (He does a little mimic of her dance.)
[Cut to the hallway where Phoebe is conferring with Rachel.]
Phoebe: He's not backing down. He went to get lotion.
Joey: (entering the hall) Oh man! Aren't you guys done yet?!
Rachel: Joey look, just look at it this way, the sooner Phoebe breaks Chandler the sooner this is all over and out in the open.
Joey: Ooh!
Rachel: Okay!
Joey: I like that! (To Phoebe) Oh, okay! Show him your bra! He's afraid of bras! Can't work 'em! (He swiftly rips open the front of Phoebe's dress revealing her bra.)
Phoebe: Joey! (Examining the dress.) Wow, you didnt rip off any buttons.
Joey: It's not my first time.
[Cut to the bathroom.]

Chandler: Okay, give me a second! (Pause) Did you clean up in here?
Monica: Of course.
[Cut back to the living room. Chandler slowly exits the bathroom and gets pushed from behind by Monica and sees Phoebe closing the apartment door.]
Chandler: Oh, you're-you're going?
Phoebe: Umm, not without you, lover. (She slowly walks over to him and is showcasing her bra.) So, this is my bra.
Chandler: (swallowing hard) It's very, very nice. Well, come here. I'm very happy were gonna have all the sex.
Phoebe: You should be. I'm very bendy.
Chandler: Not if I kiss you first.
(They move closer to together and Phoebe hesitantly puts her hand on Chandler's hip. He puts his hand on her left hip but then decides to put his hand on her left hip. Phoebe then grabs his butt. Chandler goes for her breast, but stops and puts his hand on her shoulder.)
Phoebe: Ooh.
Chandler: Well, I guess there's nothing left for us to do but-but kiss.
Phoebe: Here it comes. Our first kiss.
(They slowly and hesitantly move their lips together and kiss gently. Phoebe has her eyes wide open in shock and Chandler is squinting. He finally breaks the kiss after only a short while and pushes Phoebe away.)
Chandler: Okay! Okay! Okay! You win! You win!!
Phoebe: And why not?!
Chandler: Because I'm in love with Monica!!
Phoebe: You're-you're what?!
(Monica comes out of the bathroom like a bolt, and Rachel and Joey both enter.)
Chandler: Love her! That's right, I LOVE HER!!! I love her!! (They walk together and hug.) I love you, Monica.
Monica: I love you too Chandler. (They kiss.)
Phoebe: I justI thought you guys were doing it, I didn't know you were in love!
Joey: So that's it! It's over! Everybody knows!
Monica: Well actually, Ross doesn't.
Chandler: Yes, and we'd appreciate it if no one told him yet.
[Cut to later in that episode. Ross is showing his boss his new place and notices something in the window.]
Ross: (He notices something through the window.) No! No! Wh What are you doing?!! (Dr. Ledbetter is slowly backing away.)
[Scene: Central Perk, Phoebe, Rachel, Joey and Ross are talking.]
Phoebe: Yknow, youre friends getting married, its gotta change things.
Rachel: You really think it would be that different?
Phoebe: How could it not be?  And then maybe theyre gonna have to leave the city to be near a Volvo dealership.
Rachel: Well, things change.
Joey: I dont want them to move to a Volvo dealership!
Ross: Itll be okay Joe.
Joey: Im sorry, I just I like things the way they are.
[Flashback to the gang in Central Perk in The One Where Nana Dies Twice, theyre all going through an old photo album.]

Ross: That little naked guy would be me.
Rachel: Aww, look at the little thing.
Ross: Yes, yes, fine, that is my penis. Can we be grown-ups now?
Chandler: Who are those people?
Ross: Got me.
Monica: Oh, that's Nana, right there in the middle. (Reads the back) 'Me and the gang at Java Joe's'.
Rachel: Wow, Monica, you look just like your grandmother. How old was she there?
Monica: Let's see, 1939... yeah, 24, 25?
Ross: Looks like a fun gang. (They all look at each other and smile)
Joey: Ooh, look-look-look-look-look! I got Monica naked!
Ross: (looking) Nono, that would be me again.
[Cut back to Central Perk, Monica and Chandler are entering.]
Monica: Hey, you guys!
Phoebe: Hey.
Joey: Hey.
Chandler: Whats going on?
Rachel: Well, we were just talkin about you guys gettin married and how great it is.
Joey: Yeah, you can get a Volvo. If thats what you really want.
Monica: Oh thats so sweet.
Chandler: So we both finished our vows.
Phoebe: Oh!
Joey: Hey!
Rachel: Oh, can we read them?
Monica: Yeah, I dont hear Chandlers and he doesnt hear mine.
Rachel: Okay.
Phoebe: Okay.
(They spilt into their sexes and the girls read Monicas and the guys read Chandlers. The girls gasp and groan and the guys laugh hysterically.
Phoebe: (To Monica) Oh, thats beautiful.
Joey: (To Chandler) (laughing) Funny one! Thats good!
Rachel: (To Monica) Monica, will-will you marry me?
(Ross laughs.)
Joey: What? I dont get it.
(Ross points to the explanation and he gets it.)
Ross: (To Chandler) Oh man, this is hilarious.
Monica: Chandler!!
Chandler: Dont worry honey, well make yours funnier.
Ending Credits
[Scene: Monica and Chandler's, Ross and Joey are reading Chandlers new vows.]
Chandler: Okay, what do you guys think?
Ross: (quietly) Dude!
Joey: (starting to cry) I have never known love like this.
Chandler: You really like it?
Ross: Dude! How-how did you write this?
Chandler: I stole Monicas and changed the name.
Ross: You cant do that!
Joey: If he goes first he can!
End


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Covid-19 Data Search is an application created with the goal of supporting users travelling inside the United States of America. The application provides users with accurate and real-time information about the status of the virus in a given location.
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Amistad (1997) Djimon Hounsou, Matthew McConaughey, Anthony Hopkins, Morgan Freeman, Nigel Hawthorne. Directed by Steven Spielberg. 145 minutes. Rated R, 2.5 stars (out of 5 stars)
Review by Ed Johnson-Ott www.nuvo-online.com/film/
In 1839, 53 Africans, held under horrific conditions on the Spanish slave ship La Amistad, broke free and killed most of the crew. They tried to force two survivors to take them home, but the ship was captured and the Africans found themselves in America, imprisoned again and embroiled in a massive legal battle, with ramifications far beyond their particular case. The story of these Africans is important and needed to be told. It's a shame Steven Spielberg does such a poor job telling it.
"Amistad" is a maddening film because it comes so close to greatness. To be sure, there are magnificent scenes, particularly the opening of the movie, depicting the revolt on the ship. The segment is dark, brutal and thrilling, mesmerizing because it taps into the fundamental nature of the human condition, that desperate need for life and freedom. Unfortunately, for most of the movie Spielberg inexplicably takes an academic approach to slavery, reducing the Africans to noble props in a series of extremely tired courtroom scenes. Instead of looking into the personalities of the Africans and the psychology of slavery, we watch stuffy white guys in silly outfits debating the legal minutiae of the issue.
Matthew McConaughey plays the lawyer for the Africans. In granny glasses and curls, he looks like a frat boy in a college play, and his unfocused performance adds little to the movie. Morgan Freeman fares better as a former slave turned abolitionist, but he isn't given much to do. Anthony Hopkins, however, gets loads of screen time as former President John Quincy Adams, reluctantly drawn into the case. Hopkins gives a bizarre performance, shuffling about while alternating between mumbling and bellowing at those around him. In early scenes, he appears to be quite senile, but later in the film, he miraculously recovers enough to give a long, ponderous speech to the Supreme Court.
The only African we get to know is Cinque, beautifully played by Djimon Hounsou. The actor is remarkably expressive, creating the only fully- realized African character. Cinque is a leader who believes himself unworthy to lead. His doubts, confusion, defiance and bravery give us the human connection the film so desperately needs.
In the magnificent "Schindler's List," Spielberg showed uncharacteristic restraint, allowing the audience to react to the story naturally. Here, he reverts to the emotional manipulation he used in films like "E.T.," with John William's overbearing musical score constantly telegraphing what Spielberg expects us to feel. Every moment of the film is choreographed in glossy Hollywood fashion. Even a scene depicting the Africans' nightmarish life on the slave ship, an extremely powerful segment, loses some of its impact because Spielberg can't resist orchestrating every second, using oh-so-perfect lighting and "emaciated" Africans with bodies straight out of Gold's Gym.
"Amistad's" best moments are the quiet ones. A scene where a captive African interprets the story of Jesus based on illustrations from a Bible is gently moving. A dinner conversation where President Martin Van Buren (Nigel Hawthorne) receives thinly-veiled threats about a brewing civil war sends chills up the spine. Scenes like those hint at what a great film "Amistad" could have been.
If only Spielberg had realized that bombast is no substitute for good storytelling. The historical account of the human beings taken captive on La Amistad is important, but we barely get to see it here. Instead, we get two and one half hours of Spielberg's bells and whistles, with lawyers pontificating while the Africans are left in the sidelines. "Amistad" has some great moments, but great moments just aren't enough anymore.
Copyright 1997, Ed Johnson-Ott
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Welcome! My name is Ryan Carson and I’m currently an apprentice software developer at an accelerated software development program with an emphasis on Java and Javascript. In the past I’ve spent time in athletic coaching, child care and financial counseling and I graduated with a philosophy degree from Kenyon College. At the moment I’m particularly focused on adding more programming tools to my work belt and becoming comfortable with more programming languages. I'm hoping to move and find work sometime in the next few months. If you're hoping to get in touch with me, a link to my LinkedIn account with all of my contact information can be found in the sidebar.
reviews
A basic review website.
Reviews was a project made using spring initializer, java, and HTML5. The basic goal of the challenge was to create a locally hosted website using the spring initializer so as to become comfortable with using Spring MVC, as well as to gain a solid grasp on the logic going on behind the front-end. I decided to review a few video games I had played recently, and the challenge behind creating the website was a true joy to try my hand at.
virtual-pets-amok
A spiritual successor of the Tamagotchi.
This project was far and away the most challenging of the tasks we've tackled at We Can Code It. This was an almost entirely back-end focused project using java and OOP, along with a nigh masochistic relationship with TDD, that challenged me to slow-down and prepare a map of how I was going to create a virtual pet shelter full of pets with both similar and differing needs. This required the implementation of interfaces and superclasses to build out the classes of each individual type of animal.
professional-portfolio
A website built from the bottom up.
You are actually looking at my most recent project! I used a combination of HTML5 and CSS, particularly Grid and Flexbox, to build this website from the bottom up. There was no bootstrapping involved in the making of this website, just some help from Github in hosting. I've since revisited the prject to introduce javascript elements including an image-carousel and modal box. It has not yet been optimized for mobile.


I was tasked with creating an interactive visualization for my Data Visualization class. For this project, I decided to create data visualizations that would allow a user to explore the box office results for 2018.
Data Preparation
US domestic box office gross sales were pulled for every movie for every day in 2018 using the boxoffice package in R. Data were pulled from the-numbers website. Supplemental information on each film released in 2018 (such as MPAA rating and IMDB rating) were pulled from the Internet Movie Database using the IMDbPy package in Python.
Once the data had been pulled through the R and Python APIs, Excel was used to manipulate and aggregate the data. The data files were saved in csv formats for use in the visualizations.
Visualization
I chose to use D3 for my visualizations because (a) it allowed the most flexibility in design and layout of my visualizations and (b) it was a great opportunity to practice (and expand) my new D3 skills.
The main component of this project is an area chart, showing the US domestic box office for each day in 2018.
The full project can be found here.


Equivalent to selecting a view and clicking the Show button in the Custom Views dialog box, which appears when you click the Custom Views command on the View menu. In Microsoft Excel 97 or later, the Custom Views command replaces the View Manager command that was available in Microsoft Excel 95 and earlier versions. Shows a view.
If this function is not available in Microsoft Excel 95 or in earlier versions, you must install the View Manager add-in.
Syntax
VIEW.SHOW(view_name)
VIEW.SHOW?(view_name)
View_name is text enclosed in quotation marks and specifies the name of a view in the active workbook.
Remarks
VIEW.SHOW returns the #VALUE error value if view_name is invalid or the workbook is protected.
Related Functions
VIEW.DEFINE Creates or replaces a view
VIEW.DELETE Removes a view from the active workbook
Return to index


What’s Her Face
is an app that will help you know the best Hairstyles for Your Face Shape and beautifully showcase your new personality
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|
C++ Actor Framework 0.19
|
Default scribe implementation. More...
#include <scribe_impl.hpp>
Public Member Functions | |
| scribe_impl (default_multiplexer &mx, native_socket sockfd) | |
| void | configure_read (receive_policy::config config) override |
| Implicitly starts the read loop on first call. | |
| void | ack_writes (bool enable) override |
| Enables or disables write notifications. | |
| byte_buffer & | wr_buf () override |
| Returns the current output buffer. | |
| byte_buffer & | rd_buf () override |
| Returns the current input buffer. | |
| void | graceful_shutdown () override |
| void | flush () override |
| Flushes the output buffer, i.e., sends the content of the buffer via the network. | |
| std::string | addr () const override |
| uint16_t | port () const override |
| void | launch () |
| void | add_to_loop () override |
| void | remove_from_loop () override |
| Public Member Functions inherited from caf::io::scribe | |
| scribe (connection_handle conn_hdl) | |
| virtual void | configure_read (receive_policy::config config)=0 |
| Implicitly starts the read loop on first call. | |
| virtual void | ack_writes (bool enable)=0 |
| Enables or disables write notifications. | |
| virtual byte_buffer & | wr_buf ()=0 |
| Returns the current output buffer. | |
| virtual byte_buffer & | rd_buf ()=0 |
| Returns the current input buffer. | |
| virtual void | flush ()=0 |
| Flushes the output buffer, i.e., sends the content of the buffer via the network. | |
| bool | consume (execution_unit *, const void *, size_t) override |
| void | data_transferred (execution_unit *, size_t, size_t) override |
| Public Member Functions inherited from caf::io::broker_servant< Base, Handle, SysMsgType > | |
| broker_servant (handle_type x) | |
| handle_type | hdl () const |
| void | halt () |
| void | trigger () |
| void | trigger (size_t num) |
| std::optional< size_t > | activity_tokens () const |
Protected Attributes | |
| bool | launched_ |
| stream_impl< policy::tcp > | stream_ |
| Protected Attributes inherited from caf::io::broker_servant< Base, Handle, SysMsgType > | |
| handle_type | hdl_ |
| mailbox_element | value_ |
| std::optional< size_t > | activity_tokens_ |
Additional Inherited Members | |
| Public Types inherited from caf::io::broker_servant< Base, Handle, SysMsgType > | |
| using | handle_type = Handle |
| Protected Member Functions inherited from caf::io::scribe | |
| message | detach_message () override |
| Protected Member Functions inherited from caf::io::broker_servant< Base, Handle, SysMsgType > | |
| void | detach_from (abstract_broker *ptr) override |
| void | invoke_mailbox_element_impl (execution_unit *ctx, mailbox_element &x) |
| bool | invoke_mailbox_element (execution_unit *ctx) |
| SysMsgType & | msg () |
Default scribe implementation.
|
overridevirtual |
Enables or disables write notifications.
Implements caf::io::scribe.
|
overridevirtual |
Implicitly starts the read loop on first call.
Implements caf::io::scribe.
|
overridevirtual |
Flushes the output buffer, i.e., sends the content of the buffer via the network.
Implements caf::io::scribe.
|
overridevirtual |
Returns the current input buffer.
Implements caf::io::scribe.
|
overridevirtual |
Returns the current output buffer.
Implements caf::io::scribe.


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{% if error %}
Error:
{{ error }}
{% endif %}


{{session.session_id + "-" + session.start_time + "-" + session.finish_time + "-" + session.park}}
View{{openSession.session_id + "-" + openSession.start_time + "-" + openSession.finish_time + "-" + openSession.park}}
Session Start: {{openSession.start_time}}
Session End: {{openSession.finish_time}}
Observer(s): {{openSession.observers}}
Observation Mode: {{openSession.observation_mode}}
Park: {{openSession.park}}
Site: {{openSession.park_site}}
Viewing Method: {{openSession.protocol}}
Zone Classification: {{openSession.zone_type}}
Observations in minutes


ADVENTURES IN BABYSITTING A film review by Steve Fritzinger Copyright 1987 Steve Fritzinger
Chris is a high school senior from the suburbs of Chicago. After her boyfriend breaks their date, she agrees to baby-sit the Anderson's little girl. Soon after the parents leave, Chris gets a call from her best friend, Brenda. Brenda ran away, made it to the downtown bus station before her money and resolve ran out, and wants Chris to drive into the city to pick her up. The little girl and her love-struck brother blackmail Chris into taking them and the brother's best friend along with her. They climb into Chris's mother's car, and head for the bus station.
A flat tire, a missing spare, and a forgotten purse leave them stranded and broke in a city that seems to be one large unfamiliar and threatening slum. Chris's task is clear: she must fix the car, evade the murderous auto-theft czar, and get the children home before Mom and Dad get back from the party.
ADVENTURES IN BABYSITTING borrows heavily from RISKY BUSINESS, AFTER HOURS, and FERRIS BUELLER'S DAY OFF. It is amusing with some genuinely funny moments, but it's all been done before. Another problem is director Chris Columbus, writer of GREMLINS and GOONIES. He paints this movies cute with a wide brush: childhood innocence melts the hearts of hardened city toughs, help is found in the most unlikely of places, and the kids learn about people and about their own abilities. The result has cloying sticky-sweet feel that will disappoint anyone over the age of 14.
ADVENTURES IN BABYSITTING does have its moments; the appearance by blue legend Albert Collins is almost worth the ticket price. But there are so many decent comedies out this summer, that unless you've seen everything else it would be best to wait until ADVENTURES IN BABYSITTING hits cable.
Steve Fritzinger CCI-OSD Reston VA.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


WAP to calculate the gross salary of the employee given the basic salary. Travelling Allowance, Dearness Allowance and Home Rental Allowance is 20%, 80% and 15% of Basic Salary respectively.
WAP to swap two numbers with the help of a Temporary Number.
WAP to swap two numbers without the help of a Temporary Number.
WAP to check if the number is even or not using conditional operator.
Mod 2 of any even number is always zero.
WAP to find the greatest number amongst three entered numbers using conditional operator.
WAP to find sum of two integers without using ‘+’ operator.


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See Part 1, Part 2, and Part 3 first
The past week was spent trying to understand the best way to expand my application’s features without have a ton of duplicated code or UI. It was also a learning experience on Core Data. Thankfully, Stackoverflow and its amazing contributers were very helpful.
Core Data Blunders
It started as I made my first foray into implementing the search screen (i.e. the home screen of my app):
Three of the searches (most recent wines, wines by rating, and all wines) end up doing the same thing more or less: Query for some data, sort it a certain way, and show it in a UITableView
. I ended up creating a custom table cell view and I wanted all three to use it:
Access to Core Data-provided entities is done through objects of the class NSFetchedResultsController
, which takes what amounts to a database query and provides many ways of accessing the results, including caching, callbacks, and iteration. When using a table view, you typically have your view controller handle callbacks for this class, which allows the table to update itself when items are added, removes, or changed. All of this boilerplate is given to you at the start of the project. So far so good.
My plan was to create additional NSFetchedResultsController
instances inside my table view controller class and then switch between them. A fine idea that lead that numerous random difficult-to-reproduce crashes.
It turns out the basic idea of what I was doing was good, but my implementation exposed a sore lack of understanding of how all this stuff fit together. I’m still not sure I fully grasp it (and wish the book I bought had a bit of a deeper dive into Core Data), but after some more reasoning, I got around it. Essentially, leaving the unused NSFetchedResultsController
instances connected to my table view and having caching turned on and not properly reloading data when switching searches created a situation where they were all pretty confused about the underlying state of the database.
With some judicious management of these instances, as well as disabling caching, I now have a fully-functional “Recent Wines”, “Wines By Rating” and fancy indexed “All Wines” view (index meaning I can jump to wines by letter, a la the Contacts application).
Unfortunately, the result of turning off caching is that it takes a noticable blip of time to summon any of these views. I may just come full circle and end up with three different UITableViewController
instances and NIBs just so I can leave Caching on.
User Experience
Once I had gotten back to a stable app, I loaded it up on my phone and headed into the field. A few nights ago, Amy and I ended up at one of our favorite restaurants/wine bars in DC, Proof. We’ve been there several times, and many of their wines-by-the-glass are in the Wine Brain. While they rotate their selections, I was curious as to what I’d had there previously. Unfortunately, I had yet to implement the search-by-location feature :) Combing through the “All Wines” view was a bit frustrating. This made obvious several features that are now on the top of my list (some planned previously, some not):
- Find wines by location
- Actually entering the location at which I had a wine
- Location-aware assistance of location (e.g. “Are you at Proof? Here’s what you’ve had there…”)
- Ability to text-search the “all wines” list
The good news is that my cursory reading of my book and the API docs indicates that these things are going to be very easy to implement.
Objective-C
There’s a lot to like about Objective-C, and a lot to dislike. Even though the handling of multiple arguments is a bit strange, I find it actually results in fairly readable code. It feels very Apple; different, but usable. Even though it’s a lot to type out something like:
NSString *stripped = [canonicalName stringByTrimmingCharactersInSet:
[NSCharacterSet whitespaceAndNewlineCharacterSet]];
It is pretty readable, regardless of what programming language you are coming from. That being said, stack traces and error messages on crashes are nigh-useless, and the overall testability of iPhone apps is pretty behind the times. This months issue of Prag Prog’s magazine has an interesting article on iCuke, which I look forward to trying out. I’ve resulted to keeping a text file of test cases that I have to manually run through to make sure I haven’t broken anything, and it feels, well, 1997. The rumours of a Apple’s switch to Ruby are too good to be true, but one can always dream.
Continued in Part 5


IN THE HIGH COURT OF KERALA AT ERNAKULAM PRESENT: THE HONOURABLE MR.JUSTICE P.N.RAVINDRAN MONDAY, THE 3RD DAY OF FEBRUARY 2014/14TH MAGHA, 1935 WP(C).No. 27794 of 2013 (Y) ---------------------------- PETITIONER(S): ------------------------ AKHIL AUGUSTY,AGED 21 YEARS, S/O.AUGUSTHY, KUNNATHEL HOUSE, SASIMALA.P.O., PULPALLY,WAYANAD DISTRICT-673 579. BY ADVS.SRI.C.V.MANUVILSAN SRI.RAJAN VISHNURAJ SRI.V.HARISH RESPONDENT(S): ---------------------------- 1. THE STATE OF KERALA, REPRESENTED BY THE CHIEF SECRETARY, SECRETARIAT, THIRUVANANTHAPURAM-695 001. 2. THE DISTRICT COLLECTOR, KALPETTA, WAYANAD-673 121. 3. THE ENVIRONMENTAL ENGINEER, DISTRICT OFFICE, KERALA STATE POLLUTION CONTROL BOARD, PINANGODE ROAD, KALPETTA, WAYANAD-673 121. 4. THE SUB COLLECTOR, MANANTHAVADI, WAYANAD -673 579. 5. THE MULLANKOLLI GRAMA PANCHAYATH, REPRESENTED BY ITS SECRETARY, MULLANKOLLI.P.O., WAYANAD-673 579. 6. THE VILLAGE OFFICER, PADICHIRA, WAYANAD-673 579. Kss ..2/- ..2.... WPC.NO.27794/2013 (Y) 7. DIVISIONAL FOREST OFFICER, SOUTH WAYANAD DIVISION, KALPETTA.P.O., WAYANAD DISTRICT-673 121. 8. CIRCLE INSPECTOR OF POLICE, MULLANKOLLI, WAYANAD-673 579. 9. M/S. PULPALLYSTONE CRUSHERS, PULPALLY,SASIMALA.P.O, WAYANAD DIST.REPRESENTED BY ITS MANAGING DIRECTOR BINOJ.K.BABY,KUNNATH HOUSE, MULLENKOLLY.P.O, WAYANAD, PIN-673 579. 10. THE EXECUTIVE DIRECTOR, CENTRE FOR WATER RESOURCE AND DEVELOPMENT, KUNNAMANGALAM .P.O, KOZHIKODE-673 571. 11. THE DISTRICT OFFICER, GROUND WATER DEPARTMENT, MEENANGADY.P.O, WAYANAD, PIN-673 591. 12. THE SENIOR ENVIRONMENTAL ENGINEER, STATE POLLUTION CONTROL BOARD, KOZHIKODE-673 001. R1,R2,R4,R6,R7,R8 & R11 BY SPL.GOVT.PLEADER (FORESTS) SRI.M.P.MADHAVANKUTTY R3 & R12 BY ADV. SRI.JOICE GEORGE, SC, KERALA STATE POLLUTION CONTROL BOARD R5 BY ADV. SRI.MANOJ RAMASWAMY R9 BY SRI.S.SREEKUMAR,SENIOR ADVOCATE ADVS.  EXT.P2 A TRUE PHOTOCOPY OF THE LICENSE VIZ.CONSENT TO ESTABLISH VIDE NO.PCB/WND/ICE/227/2010 DATED 29.07.2010,ISSUED BY THE 3RD RESPONDENT. EXT.P3 A TRUE COPY OF THE ORDER NO.K-406/11 DASTED 28/07/2011 ISSUED BY THE 4TH RESPONDENT(A). EXT.P3(A) A TRUE PHOTOCOPY OF HTE REPORT OF THE EXECUTIVE DIRECTOR,CENTRE FOR WATER RESOURCE AND DEVELOPMENT ON THE ENVIRONMENT FEASIBILITY OF ESTABLISHING A STONE CRUSHER UNIT AT SASIMALA,IN MULLANKOLLY PANCHAYATH. EXT.P4 A TRUE COPY OF THE JUDGMENT DATED 16.07.2013 IN W.P(C)22625/2011. EXT.P5 A TRUE COPY OF THE REPRESENTATION DATED 03.05.2013. EXT.P5(A) A TRUE PHOTOCOPY OF THE ACKNOWLEDGMENT VIDE NO.134/2013 DATED 02.05.2013. EXT.P6 A TRUE PHOTOCOPY OF THE LICENSE DATED 23.08.2013,VIZ.CONSENT TO OPERATE ISSUED BY THE POLLUTION CONTROL BOARD TO THE 9TH RESPONDENT. EXT.P7 A TRUE PHOTOCOPY OF THE CIRCULAR VIDE NO.PCB/TAC/ST.CR.COM/65/2005 DATED 24.11.2009. EXT.P8 A TRUE PHOTOCOPY OF THE SEIZURE MAHAZAR DATED 22.02.2011 OF CHEDLETH FOREST RANGE. EXT.P9 A TRUE PHOTOCOPY OF THE COMMUNICATION UNDER RTI ACT DATED 21.08.2013 ISSUED BY THE PUBLIC INFORMATION OFFICER,PCB DISTRICT OFFICE,WAYANAD. EXT.P10 A TRUE PHOTOCOPY OF THE OBJECTION DATED 23.09.2013,SUBMITTED BEFORE THE ENVIRONMENTAL ENGINEER. EXT.P11 A TRUE PHOTOCOPY OF THE REPRESENTATION DATED 23.10.2013 SUBMITTED BEFORE THE SENIOR ENVIRONMENTAL ENGINEER,KOZHIKODE. Kss ..2/- ...2.... WPC.NO.27794/2013 (Y) RESPONDENT(S)' EXHIBITS: ----------------------------------------- R9(A): COPY OF JUDGMENT IN WPC.NO.2533 OF 2011 DTD. 07/02/2011 OF THIS HON'B LE COURT. R9(B): COPY OF CERTIFICATE DTD. 28/02/2011 ISSUED BY THE 5TH RESPONDENT PANCHAYAT. R9(C): COPY OF PROCEEDINGS DTD. 20/04/2011 ISSUED BY THE 3RD RESPONDENT. R9(D): COPY OF ORDER DTD. 28/07/2011 ISSUED BY THE 4TH RESPONDENT SUB COLLECTOR. R9(E): COPY OF INTERIM ORDER DTD. 14/10/2011 IN WPC.NO.22625 OF 2011. R9(F): COPY OF REPORT DTD. 13/06/2013 SUBMITTED BY THE 3RD RESPONDENT BEFORE THIS HON'BLE COURT. R9(G): COPY OF ORDER DTD. 08/11/2013 IN APPEAL NO.146 OF 2012 OF THE TRIBUNAL FOR LOCAL SELF GOVERNMENT INSTITUTION, TRIVANDRUM. R9(H): COPY OF PHOTOGRAPHS SHOWING THE ALLEGED BUILDING BELONGING TO THE PETITIONER. R9(I): COPY OF PHOTOGRAPH SHOWING THE RESIDENTIAL BUILDING OF THE PETITIONER. /TRUE COPY/ P.S.TOJUDGE Kss P.N.RAVINDRAN, J. ----------------------------------------- W.P.(C).No.27794 of 2013 ----------------------------------------- Dated this the 3rd day of February, 2014 JUDGMENT
Ext.P6 consent to operate issued to the 9th respondent by the Environmental Engineer, District Office, Kerala State Pollution Control Board, Kalpetta, Wayanad under section 25 of the Water (Prevention and Control of Pollution) Act, 1974 and section 21 of the Air (Prevention and Control of Pollution) Act, 1981 is under challenge in this writ petition filed under Article 226 of the Constitution of India wherein the petitioner also prays for a writ in the nature of mandamus directing the 12th respondent (Senior Environmental Engineer, State Pollution Control Board, Kozhikode) to consider Ext.P11 representation filed by him and pass appropriate orders thereon after affording him an opportunity of being heard.
2. Section 28 of the Water (Prevention and Control of Pollution) Act, 1974 and section 31 of the Air (Prevention and Control of Pollution) Act, 1981 provide for an appeal to the appellate authority at the instance of any person from an order made by the Kerala State Pollution Control Board. The period of W.P(C)No.27794/2013 -:2:- limitation prescribed for filing an appeal is thirty days. The appellate authority is also empowered to entertain the appeal after the expiry of the said period of thirty days if the appellate authority is satisfied that the appellant was prevented by sufficient cause from filing the appeal in time. Under section 33B of the Water (Prevention and Control of Pollution) Act, 1974 and section 31B of the Air (Prevention and Control of Pollution) Act, 1981 a further appeal lies to the National Green Tribunal established under section 3 of the National Green Tribunal Act, 2010. Such being the situation I am of the opinion that the petitioner should invoke the appellate remedy available to him instead of seeking the intervention of this Court.
3. A Division Bench of this Court has in Biju Chacko v. The Dy.Director, Mining & Geology, 2006 (1) KLJ 401, which was a case arising under the Minor Mineral Concession Rules, 1967, held that when the statute provides remedies by way of appeal and second appeal followed by a review there is no justification in invoking the jurisdiction of this Court under Article 226 of the Constitution of India. The same is the situation in the case on hand where the petitioner has two remedies by way of W.P(C)No.27794/2013 -:3:- appeal, one before the appellate authority and a further appeal before the National Green Tribunal. Such being the situation, I am of the opinion that the petitioner should invoke the appellate remedies available to him instead of seeking the intervention of this Court under Article 226 of the Constitution of India.
I accordingly decline jurisdiction and dismiss the writ petition, leaving open the contentions of both sides and without prejudice to the right of the petitioner to invoke the appellate remedies available to him.
P.N.RAVINDRAN, Judge.
ahg.
P.N.RAVINDRAN, J.
---------------------------
W.P.(C).No.27794 of 2013
----------------------------
JUDGMENT 3rd February, 2014


Background
Myself Adarsh from Buxar, Bihar , a wonderful town located on the banks of Ganga.It is known as " Vishwamitra Ki Nagri ". It is well known as a pilgrimage site.
Academics
I completed my 6th to 8th standard studies from Jawahar Navodaya Vidyalaya , Rohtas . I joined Central Hindu School ,BHU to complete my matriculation and continued in Sunbeam School , varanasi till 12th. I am currently pursuing my Btech in Electrical Engineering from Indian Institute of Technology Kanpur.
Hobbies and Interests
I am fond of reading books . I love playing cricket and badminton and am passionate about involvement in activities which lead to development of inner self.


JBehave is designed to allow textual scenarios to be written before the implementation, i.e. to let the specification of the behaviour drive the development. For this reason, with steps that do not match any method in the Steps class, which are called pending steps, it does not fail by default. By marking a step as pending, it's simply telling the scenario writer that it's not yet implemented and correspondingly it will not execute any steps that following in the same scenario.
In some cases, thought, it may be useful to make the scenarios fail when steps are pending. The behaviour is controlled by configuring the PendingErrorStrategy via the Scenario Configuration
new Configuration(){ public PendingErrorStrategy forPendingSteps() { return PendingErrorStrategy.FAILING; } }
It may be sometimes useful to run in dry-run mode, checking if any steps are pending but without actually executed any of the steps, as this may take a considerable time. The dry-run mode may be enabled via the StepsConfiguration:
StepsConfiguration stepsConfiguration = new StepsConfiguration(); stepsConfiguration.useMonitor(new PrintStreamStepMonitor()); // default is SilentStepMonitor() stepsConfiguration.doDryRun(true); // default is "false" new StepsFactory(stepsConfiguration).createCandidateSteps(new MySteps());
We've here configured the steps to use a verbose monitoring, so that the use can see that in dry-run mode the step that is about to be performed will be followed by a "(DRY RUN)" additional tag. When dry-run mode is activated, it will also be shown in the reporters' output.


---
layout: post
title: GSoC update
date: '2012-08-13T03:50:00.001-07:00'
author: Jiten Thakkar
tags:
- GSoc 2012
- Networking Dashboard
modified_time: '2013-03-13T16:55:49.281-07:00'
blogger_id: tag:blogger.com,1999:blog-4257776574536372826.post-526075121137311669
blogger_orig_url: http://netij.blogspot.com/2012/08/gsoc-update.html
comments: True
---
So far I have finally finished implementing back-end interfaces- nsIHttpConnectionLog.idl, nsiWebSocketConnectionLog.idl, nsISocketLog.idl and nsIDNSEntries.idl. for Networking Dashboard.
Now, only thing remains is a UI for the add-on using these interfaces. It's very important part of the project since it will make sense of the json strings returned by these interfaces. Without a UI they are merely strings of data. I will probably be using jquery UI for this. It will be a tabular UI, a tab per interface/feature. Implementation of UI will conclude my GSoC project.


| < Day Day Up > |
Matching Special CharactersA . has a special meaning in regex. If you need a . in your pattern, you need a way to tell regex that you want the actual . character and not the regex special meaning of the . character. To do this, you escape the . by preceding it with a \(backslash) . \is a metacharacter (a fancy way of saying a character with a special meaning, in contrast to the character itself). Therefore, . means match any character, and \. means match the . character itself. Let's try the previous example again, this time escaping the . with \.: sales1.xls orders3.xls sales2.xls sales3.xls apac1.xls europe2.xls na1.xls na2.xls sa1.xls .a.\.xls sales1.xls orders3.xls sales2.xls sales3.xls apac1.xls europe2.xls na1.xls na2.xls sa1.xls .a.\.xls did the trick. The first . matched n (in the first two matches) or s (in the third). The second . matched 1 (in the first and third matches) or 2 (in the second). \. then matched the . separating the filename from the extension, and xls matched itself. (Actually, the match would have worked without the xls too; appending the xls would prevent a filename such as sa3.doc from being matched.) In regular expressions, \is always used to mark the beginning of a block of one or more characters that have a special meaning. You saw \. here, and you'll see many more examples of using \in future chapters.
Note
Tip
|
| < Day Day Up > |


Press Group Warns of Bad Precedent in Johnny Depp Case
by JOAN HENNESSYFAIRFAX, Va. (CN) – The $50 million defamation case filed in Virginia by actor Johnny Depp against his ex-wife could have a chilling effect on news organizations in the state, an attorney for the Virginia Press Association argued Friday.
The case, now working its way through Fairfax County Circuit Court, revolves around Depp’s claim that his ex-wife, Amber Heard, defamed him by implication in a December 2018 editorial published in The Washington Post. The paper is printed in Fairfax County, and the case is being litigated here.
Heard, 33, co-star of the 2018 blockbuster movie “Aquaman,” and Depp, 56, of the “Pirates of the Caribbean” franchise, married in 2015 and divorced in 2017. The split was far from amicable, and in the editorial Heard described herself as “a public figure representing domestic abuse” and said she had “the rare vantage point of seeing, in real time, how institutions protect men accused of abuse.”
While she never mentioned Depp by name, he said she was clearly referring to him. His lawsuit filed in March alleges the article was about the accusations she’d made against Depp as their marriage unraveled in 2016.
Depp maintains Heard’s claims are false, “refuted by two separate responding police officers, a litany of neutral third-party witnesses and 87 newly obtained surveillance camera videos,” according to the complaint.
It’s a high profile case revolving around two celebrities with no real ties to Virginia. Jennifer A. Nelson of the University of Virginia School of Law’s First Amendment Clinic and counsel for the Virginia Press Association said Friday that the case could have a chilling effect on press organizations in the commonwealth. The group was in court to make its case for submitting an amicus brief.
Broad applications of the defamation by implication doctrine “would require publishers to consider every potential defamatory implication that could possibly extend from otherwise accurate statements,” the organization argued in a motion submitted to the court.
Depp’s lawyer, Benjamin Chew of the Washington, D.C., office of the firm Brown Rudnick, countered that the association’s concerns were already being addressed by lawyers in the case.
Fairfax County Chief Circuit Court Judge Bruce White declined to allow the association to file a brief in the case. While he sometimes welcomes such briefs, he said “this is not one of those occasions.” He added the decision was based on law as opposed to concern for policy goals.
Among other attorneys, Heard is now represented by prominent civil rights lawyer Roberta Kaplan of Kaplan, Hecker & Fink. Kaplan is also representing columnist E. Jean Carroll, who is suing President Donald Trump for defamation. She claims he raped her two decades ago in a dressing room.
Heard has claimed Depp was violent during their marriage and that his outbursts were inextricably intertwined with substance abuse. Last month, Judge White ruled that Depp must give his ex-wife’s attorneys access to medical records related to his alcohol and drug use.
Copyright © 2019 courthousenews.com


The Journey to the Center of the Earth
by Jules Verne
Chapter XXXIV. THE GREAT GEYSER
Additional Information
- Year Published: 1871
- Language: English
- Country of Origin: France
- Source: Verne, J. (1871) A Journey to the Center of the Earth (Frederick Amadeus Malleson, Trans.) London: Ward, Lock, &Co., Ltd. (Original work published 1864)
-
Readability:
- Flesch–Kincaid Level: 6.0
- Word Count: 1,483
- Genre: Adventure
- ✎ Cite This
Downloads
Wednesday, August 19. – Fortunately the wind blows violently, and has enabled us to flee from the scene of the late terrible struggle. Hans keeps at his post at the helm. My uncle, whom the absorbing incidents of the combat had drawn away from his contemplations, began again to look impatiently around him.
The voyage resumes its uniform tenor, which I don't care to break with a repetition of such events as yesterday's.
Thursday, Aug. 20. – Wind N.N.E., unsteady and fitful. Temperature high. Rate three and a half leagues an hour.
About noon a distant noise is heard. I note the fact without being able to explain it. It is a continuous roar.
"In the distance," says the Professor, "there is a rock or islet, against which the sea is breaking."
Hans climbs up the mast, but sees no breakers. The ocean' is smooth and unbroken to its farthest limit.
Three hours pass away. The roarings seem to proceed from a very distant waterfall.
I remark upon this to my uncle, who replies doubtfully: "Yes, I am convinced that I am right." Are we, then, speeding forward to some cataract which will cast us down an abyss? This method of getting on may please the Professor, because it is vertical; but for my part I prefer the more ordinary modes of horizontal progression.
At any rate, some leagues to the windward there must be some noisy phenomenon, for now the roarings are heard with increasing loudness. Do they proceed from the sky or the ocean?
I look up to the atmospheric vapours, and try to fathom their depths. The sky is calm and motionless. The clouds have reached the utmost limit of the lofty vault, and there lie still bathed in the bright glare of the electric light. It is not there that we must seek for the cause of this phenomenon. Then I examine the horizon, which is unbroken and clear of all mist. There is no change in its aspect. But if this noise arises from a fall, a cataract, if all this ocean flows away headlong into a lower basin yet, if that deafening roar is produced by a mass of falling water, the current must needs accelerate, and its increasing speed will give me the measure of the peril that threatens us. I consult the current: there is none.
About four Hans rises, lays hold of the mast, climbs to its top. Thence his eye sweeps a large area of sea, and it is fixed upon a point. His countenance exhibits no surprise, but his eye is immovably steady.
"He sees something," says my uncle.
"I believe he does."
Hans comes down, then stretches his arm to the south, saying:
"dere nere!"
"Down there?" repeated my uncle.
Then, seizing his glass, he gazes attentively for a minute, which seems to me an age.
"Yes, yes!" he cried. "I see a vast inverted cone rising from the surface."
"Is it another sea beast?"
"Perhaps it is."
"Then let us steer farther westward, for we know something of the danger of coming across monsters of that sort."
"Let us go straight on," replied my uncle.
I appealed to Hans. He maintained his course inflexibly.
Yet, if at our present distance from the animal, a distance of twelve leagues at the least, the column of water driven through its blowers may be distinctly seen, it must needs be of vast size. The commonest prudence would counsel immediate flight; but we did not come so far to be prudent.
Imprudently, therefore, we pursue our way. The nearer we approach, the higher mounts the jet of water. What monster can possibly fill itself with such a quantity of water, and spurt it up so continuously?
At eight in the evening we are not two leagues distant from it. Its body –dusky, enormous, hillocky – lies spread upon the sea like an islet. Is it illusion or fear? Its length seems to me a couple of thousand yards. What can be this cetacean, which neither Cuvier nor Blumenbach knew anything about? It lies motionless, as if asleep; the sea seems unable to move it in the least; it is the waves that undulate upon its sides. The column of water thrown up to a height of five hundred feet falls in rain with a deafening uproar. And here are we scudding like lunatics before the wind, to get near to a monster that a hundred whales a day would not satisfy!
Terror seizes upon me. I refuse to go further. I will cut the halliards if necessary! I am in open mutiny against the Professor, who vouchsafes no answer.
Suddenly Hans rises, and pointing with his finger at the menacing object, he says:
"Holm."
"An island!" cries my uncle.
"That's not an island!" I cried sceptically.
"It's nothing else," shouted the Professor, with a loud laugh.
"But that column of water?"
"Geyser," said Hans.
"No doubt it is a geyser, like those in Iceland."
At first I protest against being so widely mistaken as to have taken an island for a marine monster. But the evidence is against me, and I have to confess my error. It is nothing worse than a natural phenomenon.
As we approach nearer the dimensions of the liquid column become magnificent.  The geyser, a word meaning 'fury,' rises majestically from its extremity. Deep and heavy explosions are heard from time to time, when the enormous jet, possessed with more furious violence, shakes its plumy crest, and springs with a bound till it reaches the lowest stratum of the clouds. It stands alone. No steam vents, no hot springs surround it, and all the volcanic power of the region is concentrated here. Sparks of electric fire mingle with the dazzling sheaf of lighted fluid, every drop of which refracts the prismatic colours.
"Let us land," said the Professor.
"But we must carefully avoid this waterspout, which would sink our raft in a moment."
Hans, steering with his usual skill, brought us to the other extremity of the islet.
I leaped up on the rock; my uncle lightly followed, while our hunter remained at his post, like a man too wise ever to be astonished.
We walked upon granite mingled with siliceous tufa. The soil shivers and shakes under our feet, like the sides of an overheated boiler filled with steam struggling to get loose. We come in sight of a small central basin, out of which the geyser springs. I plunge a register thermometer into the boiling water. It marks an intense heat of 325°, which is far above the boiling point; therefore this water issues from an ardent furnace, which is not at all in harmony with Professor Liedenbrock's theories. I cannot help making the remark.
"Well," he replied, "how does that make against my doctrine?"
"Oh, nothing at all," I said, seeing that I was going in opposition to immovable obstinacy.
Still I am constrained to confess that hitherto we have been wonderfully favoured, and that for some reason unknown to myself we have accomplished our journey under singularly favourable conditions of temperature. But it seems manifest to me that some day we shall reach a region where the central heat attains its highest limits, and goes beyond a point that can be registered by our thermometers.
"That is what we shall see." So says the Professor, who, having named this volcanic islet after his nephew, gives the signal to embark again.
For some minutes I am still contemplating the geyser. I notice that it throws up its column of water with variable force: sometimes sending it to a great height, then again to a lower, which I attribute to the variable pressure of the steam accumulated in its reservoir.
At last we leave the island, rounding away past the low rocks on its southern shore. Hans has taken advantage of the halt to refit his rudder.
But before going any farther I make a few observations, to calculate the distance we have gone over, and note them in my journal. We have crossed two hundred and seventy leagues of sea since leaving Port Gräuben; and we are six hundred and twenty leagues from Iceland, under England. [1]
[1] This distance carries the travellers as far as under the Pyrenees if the league measures three miles. (Trans.)


Color to change color of a pen for a session:
2 Color Windows are presented in sequence.
Open layers are painted using Color Window 1
First Custom Color is Pen 0, for drawing background.
Define custom colors on Color Window 1 for Pens 0-15.
Add to Custom Colors Press OK to display Window 2.
Mapped layers are painted using Color Window 2.
Define custom colors on Color Window 2 for Pens 0-15.
Add to Custom Colors and Press OK to return to the drawing.
Viewed layers are painted using Pen 0 from Window 1 over Pen 0 from Window 2.
You can assign any color to any pen during a session.
There are 16 default pen colors defined by RGB components in file Pegcols.dat.
You can edit this file to change your default colors at start-up.


--- title: Digiwells areas tags: News mode: normal modify_date: 2020-05-18 cover: assets/photos/sfi--panorama.webp cover_size: md ---


<% intro = False %>
% if len(error) > 0 :
${error|h}
% elif len(notices) > 0 or len(savedsearches) > 0 or len(autocomplete) > 0 or len(fields) > 0:
<% escprefix = xu.escape(searchprefix).replace('"', '"') %>
% for note in notices:
<%
note = cgi.escape(note)
if "Did you mean" in note:
# Removing links SPL-54537
note = re.sub("'([^']*)'",'
\\1', note)
%>
% if note == "***INTROTXT***":
<% intro = True %>
${_('How to Search')}
${_('Step 1: Retrieve Events')}
${_('The simplest searches return events that match terms you type into the search bar:')}
| ${_('terms:')} | error login |
| ${_('quoted phrases:')} | "database error" |
| ${_('boolean operators:')} | login NOT (error OR fail) |
| ${_('wildcards:')} | fail* |
| ${_('field values:')} |
status=404 ,
status!=404 , ${_('or')}
status>200 |
${_('Step 2: Use Search Commands')}
${_('More advanced searches use commands to transform, filter, and report on the events you retrieved.')}
${_('Use the vertical bar')}
"|"
${_(', or pipe character, to apply a command to the retrieved events.')}
% else:
${_('Note:')} ${note}
% endif
% endfor
% if len(savedsearches) > 0:
${_('Note: ')}
${_('Your search looks similar to the savedsearch%s') % ('' if len(savedsearches) <2 else 'es')}
% for i, ss in enumerate(savedsearches):
<% sep = "" %>
<% if i>0: sep = ", " if i
${sep|h}${ss[0]|h}
% endfor
.
% endif
% if len(autonexts) == 0 and len(notices) == 0 and len(fields) > 0 :
% if len(fields) == 1:
${_('Interesting field:')} ${fields[0]|h}.
% else:
${_('Interesting fields:')}
% for i, field in enumerate(fields):
<% replacement = search + ('' if search.endswith('(') else ' ') + field %>
% if i == len(fields)-1:
${field|h}.
% elif len(fields) == 2:
${field|h}
% else:
${field|h},
% endif
% endfor
% endif
% endif
% endif
<% details = command.get('details', '') %>
% if len(command.get('syntax','')) > 0 and not intro:
${command['name']}
|
<% helpurl = generateSelfHelpLink('search_app.assist.%s' % command['name']) %>
${_("Help")}
|${MORE_TEXT}
${_(command['shortdesc'])}
% if len(details):
-
<%doc>TRANS: Command details%doc>${_('Details')}
- ${_(command['details'])}
% endif
-
<%doc>TRANS: Command syntax heading%doc>${_('Syntax')}
|${MORE_TEXT}
- ${command['syntax']}
| ${_('Syntax')} | ${_('Description')} |
${_('term')} | ${_('variable')} |
${_('term')} | ${_('literal keyword')} |
[] | ${_('optional group')} |
() | ${_('logical group')} |
()+ | ${_('one or more group')} |
()* | ${_('zero or more group')} |
| | ${_('or')} |
% if len(command['related']) > 0:
<%doc>TRANS: Related commands heading%doc>${_('Related')}
- ${command['related']|h}
% endif
% if len(command['aliases']) > 0:
<%doc>TRANS: Commands alias names heading%doc>${_('Aliases')}
- ${command['aliases']|h}
% endif
% if len(command['examples']) > 0:
% for example,comment in command['examples'][:MAX_EXAMPLES_COUNT]:
- ${_(comment)}
- ${example|h}
% endfor
% endif
% endif
% if len(details) == 0 and len(nexts) > 0:
${_('How to Search')}
${_('Using Search Commands')}
${_('More advanced searches use commands to transform, filter, and report on the events you retrieved.')}
- ${_('Use the vertical bar, or pipe character, to apply a command to the retrieved events:')}
sourcetype=access_* error | top 20 uri
- ${_('Further refine or transform your search results with a additional commands: ')}
sourcetype=access_* error | top 20 uri | search count>5
${_('Search assistant will suggest commands for you to use next and show you examples to help you build your search.')}
${_('Other commands')}
% for i, (next, desc, replacement) in enumerate(autonexts):
<% if i < MAX_NEXT_COMMAND_COUNT: continue %>
${next|h}
% endfor
% for next,desc,replacement in nexts:
${next|h}
% endfor
% endif


Menu
My Items
Products of the Month
View Messages
Settings
Profile
Logger
Reset Database
Sign Out
menu
menu
MY OHM BEADS
settings
settings
My Items
add_round_fill
add_round_fill
Logger
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canvas
drawFocusIfNeeded()
The woman in the painting is wearing a flowing white dress.  In her right hand she holds the chain mooring the boat. Her expression is mournful.  Beside it are three candles. Two have blown out.
The circle below must have a focus ring.
aria-label
role=img


Defines Contexts and how they can participate in hierarchies. Also defines the relationship between Maps and Contexts.


Cyber Monday Deals 2019: The Best Fashion and Beauty Discounts
by Amy LeeJust when you thought the discounts end after Black Friday, Cyber Monday is right around the corner to keep you shopping on.
One of the biggest online sale events of the year, Cyber Monday offers a plethora of deals from your favorite brands and retailers via their e-commerce websites you don't want to miss.
Whether you're wanting to add new pieces to your winter wardrobe or browsing for holiday gifts, you're bound to find a discount or three to add to cart.
Ahead, read up on all the details you need to know so far about Cyber Monday 2019.
Mark Your Calendars
This year, Cyber Monday falls on Dec. 2, after the long Thanksgiving and Black Friday weekend. Check the dates closely as some brands and retailers launch the sale a day or two earlier. It can also continue through the next day for Giving Tuesday, for which some offer a charitable component to the sale. Additionally, lots of Black Friday sales extend to Cyber Monday.
So Many Brands, So Little Time
Based on last year, lots of fashion and beauty brands and retailers that have e-commerce websites will participate in Cyber Monday. This includes big department stores like Target, Macy's, Nordstrom, Bloomingdale's and more. Online-only retailers such as Shopbop, ASOS and Amazon are particularly expected to deliver big deals. Don't forget beauty! Ulta, Sephora, Glamglow, Becca Cosmetics, Bite Beauty and Dermstore all had Cyber Monday discounts in 2018.
Shopping Tips
Until the exact deals and discounts are announced, we suggest you browse ahead of time to bookmark or save in cart the products you're coveting.
Check back as ET Style updates you on more details, dates and codes you need to make the most out of Cyber Monday, along with our favorite selects.
More on the Best Cyber Monday Deals
Peek the Estee Lauder skincare set and Free People sweater that'll be on sale.
Add discounted Levi's jeans and Bose headphones to cart at the same time.
See our sister sites for more Cyber Monday tech deals, Cyber Monday gaming deals and Cyber Monday kitchen deals.


Trader’s Room
Trader's Room is a fully automated web solution that integrates with your MT4 and provides all the tools traders need: the ability to open and manage multiple trading accounts and make instant deposits, transfers, and withdrawal requests. IB Tools include marketing materials, commission reports, and hundreds of other features.
Detail


Solvers are given a link to an ongoing Zoom call. In this Zoom call there is a simple puzzlehunt in the form of an auto-playing presentation, with one puzzle per slide. Solving this mini puzzlehunt gives us the answer to this puzzle. However, there are the following caveats:
The individual puzzles are as follows:
Slide 1 (Braille): In Braille on this slide is written the answer MICROBIOLOGY.
Slide 2 (Morse Code): In Morse code on this slide is written the answer NINCOMPOOP.
Slide 3 (NATO): In this slide there are eight clues written in a column. Each clue matches to a NATO phonetic character — for example, “Father” matches with Papa, “Male lover” with Romeo, etc. Taking the NATO letters, we get the answer PRIORITY.
| Father | PAPA |
| Male lover | ROMEO |
| Country | INDIA |
| Award | OSCAR |
| Male lover | ROMEO |
| Country | INDIA |
| South American dance | TANGO |
| American | YANKEE |
Slide 4 (Pigpen): In the pigpen cipher on this slide is written the answer ISOMORPHIC.
Slide 5 (Multiplication): On this slide there are several multiplication problems, with 1–2 digits of the answer highlighted in red. Solving these multiplication problems, taking the parts highlighted in red, and converting to letters (via 1–26 → A–Z) gives the answer DIVISION.
414 * 6 = 2484 91 * 19 = 1729 4546 * 2257 = 10260322 3 * 3 = 9 25 * 78 = 1950 9999 * 8 = 79992 638 * 41 = 26158 491 * 234 = 114894
Slide 6 (Trigrams): On this slide there are 8 trigrams listed in alphabetical order. Rearranging them forms the phrase SOLUTION IS PHILOSOPHIZING.
Slide 7 (Anagrams): On this slide there is a column containing 10 odd-length words whose letters have been sorted. Anagramming them to form common words and taking their middle letters (as indicated by the arrow) reveals the answer MIXOLOGIST.
HUMAN HORIZON PIXEL SYNONYM VALUE ACCOUNT LIGHT CAPITAL ISSUE CULTURE
Slide 8 (Word Search): On this slide there is a 6 by 6 word search along with bars of various colors to the right of it. The colors are in alphabetical order by name; finding them in the word search and reading the leftover letters reveals the answer HIGH SCHOOL.
Slide 9 (Pictures): On this slide there is a picture containing one volcano, two ice cream cones, three olives, four lions, five inkwells, and six nails. Taking the first letter of each item and sorting by number of items reveals the answer VIOLIN.
Slide 10 (Crossword): On this slide there is a 5 by 5 mini-crossword. Solving the crossword and reading the unclued middle row gives the answer IGLOO.
| P | E | A | L | S |
| R | A | T | I | O |
| I | G | L | O | O |
| S | L | A | N | T |
| M | E | S | S | Y |
Slide 11 (Riddle): On this slide is written the classic riddle “What has four eyes but cannot see?”. The answer to this riddle is MISSISSIPPI.
Slide 12 (Semaphore): On this slide in semaphore is written the answer INDOOR POOL.
Slide 13 (Sudoku): On this slide there is a 6 by 6 Sudoku puzzle using the letters ACINOT in place of the number 1–6. Solving this puzzle and reading the highlighted diagonal reveals the answer ICONIC.
| I | A | N | C | T | O |
| O | C | T | A | N | I |
| N | T | O | I | C | A |
| A | I | C | N | O | T |
| C | O | A | T | I | N |
| T | N | I | O | A | C |
Each of the thirteen answers we obtain only contains the vowels I and O (this is also partially hinted at by the title, “For Your Eyes Only”). Looking at only the vowels in each answer and treating each I as a 1 and each O as a 0 we can get a binary number per answer. Converting this number to a letter (via 1–26 → A–Z), we obtain the answer to this puzzle, THE INSIDE DOPE.
| MICROBIOLOGY | 10100 | 20 | T |
| NINCOMPOOP | 1000 | 8 | H |
| PRIORITY | 101 | 5 | E |
| ISOMORPHIC | 1001 | 9 | I |
| DIVISION | 1110 | 14 | N |
| PHILOSOPHIZING | 10011 | 19 | S |
| MIXOLOGIST | 1001 | 9 | I |
| HIGH SCHOOL | 100 | 4 | D |
| VIOLIN | 101 | 5 | E |
| IGLOO | 100 | 4 | D |
| MISSISSIPPI | 1111 | 15 | O |
| INDOOR POOL | 10000 | 16 | P |
| ICONIC | 101 | 5 | E |
There are two main approaches to solving the subpuzzles in the presentation: 1. solve the subpuzzle while you’re in the room (and just remember the answer), or 2. memorize the subpuzzle while you’re in the room, and then solve it with resources / your team later. It is therefore very useful to either send a teammate who is very familiar with standard puzzlehunt conventions / codes, or to send a teammate who has a very good memory (or ideally, someone with a combination of these two talents). Certain puzzles lend themselves better to one approach or another — for example, solving the riddle or the crossword might involve memorizing it and looking it up outside the room, but it is probably easier to solve the Sudoku within the room than to memorize it fully.
In practice, we’ve found that most people / solving teams can solve this puzzle in 2–3 trips, although we’ve had a handful of solvers who managed to solve it after 1 trip (and even one solver who managed to find the final answer while still in the room the first time).
Some other specific tips:


elm2meme [options] <ELM file>+
Reads a tab separated quoted values file containing ELM regular expressions and convert them to MEME motifs where possible.
The names of one or more motif files in ELM format.
ELM entries describe a motif as a regular expression. Not all can be converted into MEME motifs due to anchors or variable length.
"Accession" "ELMIdentifier" "FunctionalSiteName" "Description" "Regex" "Probability" "#Instances" "#Instances_in_PDB" "ELME000321" "CLV_C14_Caspase3-7" "Caspase cleavage motif" "Caspase-3 and Caspase-7 cleavage site." "[DSTE][^P][^DEWHFYC]D[GSAN]" "0.00309374033071" "39" "0" "ELME000172" "CLV_MEL_PAP_1" "Melanisation activation site" "Prophenoloxidase-activating proteinase (PAP) cleavage site ([ILV]-X-X-R-|-[FV]-[GS]-X)." "[ILV]..R[VF][GS]." "0.000105375572148" "12" "0" "ELME000102" "CLV_NRD_NRD_1" "NRD cleavage site" "N-Arg dibasic convertase (NRD/Nardilysin) cleavage site (X-|-R-K or R-|-R-X)." "(.RK)|(RR[^KR])" "0.00746473248158" "2" "0" "ELME000101" "CLV_PCSK_FUR_1" "PCSK cleavage site" "Furin (PACE) cleavage site (R-X-[RK]-R-|-X)." "R.[RK]R." "0.000508722921034" "13" "0"
| Option | Parameter | Description | Default Behavior |
|---|---|---|---|
| General Options |


@(habitants : List[Habitant])
Surname: @habitant.surname Name: @habitant.name
Surname: @habitant.surname
Name: @habitant.name
Patronymic: @habitant.patronymic
BirthDay: @habitant.birthday
Sex: @habitant.sex
@if(habitant.careerObjective != null){CareerObjective: @habitant.careerObjective.name
}Working capacity: @if(habitant.workingCapacity){ capable } else { incapable }


source
Did you start with high expectations at Steemit and were very disappointed after receiving very few upvotes for your hard work? It does not feel good when your self-vote contributes most to your author payments. Luckily, there are some amazing community projects that are there to help. Requirements are unique and high-quality posts. I want to share them here:
Minnow Support Project
The Minnow Support Project(MSP) is a Witness created community designed to spread the values of Peace, Abundance, and Liberty, help Steemit grow, and train and retain minnows on the platform.
Registration
Information about the registration can be found here minnowsupportproject.org/discord. Go to the discord channel for registration. After writing
$register yoursteemitusername
in the #register channel, you recieve a memo and you have to send 0.001 SBD/STEEM to @msp-reg with your specific memo.Benefit
Every 24h you can upvote one post. Go to the #upvote channel and write
$upvote yourposturl
.Obligation
Follow the rules
Qurator
Qurator is a service that helps users who pour their blood, sweat and tears into content creation to get noticed and rewarded for their efforts.
Registration
To apply for approval send 2SBD/STEEM to @qurator.
Memo must be your name or the name of a friend that you would like to get approved.
If you get approved you will receive a wallet message.
If you get denied you will be refunded.Benefit
Daily upvote for newly posted content. The upvote is worth from 0.11$ to 1.72$ depending on the Tier.
Each day 5 posts from members will be selected and presented in the daily post.
Access to post-promotion via discord. After upvoting and commenting one post from another member, one post can be published every day.
Access to the voting bot @qustodian. The maximal post age is 3.5 days and every member can use the bot once a day.
Obligation
Write posts without low-quality content, plagiarism, and incorrect image sourcing.
Tier system
Every user starts at tier 0. When upvoting the daily @qurator posts with at least a vote worth of 0.01$, the Tier can be improved to tier 1 (4+ upvotes a week) or tier 2 (7+ upvotes a week). Higher tiers can be achieved by delegating SP to @qurator.
STEEM Engine
The STEEM Engine is a Discord community dedicated to promoting engagement among its members. Visit our Discord server to apply today!
STEEM Engine introduction post
Registration
Get started today by joining our Discord server and following the instructions in the starthere channel!
For registration you have to fill out a registration form. When approved you have to resteem and upvote the latest post from @thesteemengine.
Obligation
Upvote all posts from @thesteemengine with 100% voting power.
Benefit
Daily upvote with around 0.1$ from @thesteemengine for your post after you upvoted and commented two posts from the #baggage-car_post-promotion channel. At least two upvotes and comments from other members from the post-promotion channel for your linked post.
Each day, 10 posts from members are manually selected and are presented in the daily curation post.
MAKE-A-WHALE
@make-a-whale is a community project to create a whale that always supports its feeders.
Registration
To participate you need to post good original content, have a Reputation of 50+ and 500+ Steempower.
All slots currently filled! As MAW grows we will open up new slots to new members.
Stay tuned for more info!Benefit
Upvote every 22 hours, when a new article is posted. The upvote is worth $0.88, but can be increased by paying Steem.
Obligation
Upvote all posts from @make-a-whale with 50000/ (Your SP) = Voting Weight
Feed Your Minnows BOT
Feed Your Minnows is a great project that @oleg326756 came up with where he would feed his Minnows (his awesome followers). He would make a post once a week and all the SBD earned by the post will be paid out to the registered Minnows.

Registration
Pay 2 Steem/SBD for a lifetime membership, or upvote all posts with at least 0.01$ and leave a comment with
#feedme
.
This has to be repeated every week if you have no lifetime membership. Follow @feedyourminnows for receiving the post every week.Benefit
Upvote every 24 hours, when a new article is posted. The upvote is worth $0.10.
Resteemable
No registration or rules in place.
Usage: 1. Navigate to any Steemit.com Article - 2. Erase “https://“ - 3. Type “re” - 4. Get an Instant Upvote & Resteem
@resteemable has a curation trail, which can be found here: https://streemian.com/profile/curationtrail/trailing/943
You will be asked to spend 0.5 SBD every time you use the resteemable.
MinnowsUnite
The #MinnowsUnite project’s goal is to maintain 100% transparency while helping minnows band together to distribute rewards to well deserving pieces written by minnows.
Registration
To register head to our Discord and type !addminnow [username].
Then head back on over to Steemit.com and send 1 SBD to the account @minnowpond.Benefit
Upvote of your posts from @minnowpond and its curators with random weight percentage for 1 week.
After one week, 1 SBD can be paid again to recieve upvotes for another week.Obligation
Pay 1 SBD each week.
steembasicincome
An introduction can be found here.
@steembasicincome is operated by @josephsavage.
Registration
Send 1 STEEM to @steembasicincome. Include the name of who you want to sponsor in the comments. You and the person you sponsor will each receive shares in the program. You can also send 1 SBD and the extra value will be treated as a donation to the program and used for promotion or powering up.
Benefit
Upvote of your posts and comments.
Obligation
A reputation above 20.
Manual Curation from @kobusu and @mariachan
Whe will resteem to a 4000+ followers and upvote x2 rate (0.23+$).
Especial cool posts, in my opinion, get a bit more… ;)Registration
Send 0.1 Sbd or Steem + Url of your article in memo to @kobusu .
Benefit
Upvote and resteem of your post.
Obligation
High-quality post without copy/past, harassment etc..
Steemdunk
Steemdunk is an automatic author curation service and can be found at
https://steemdunk.xyz/
Benefit
When activating Allow Steemdunk to upvote your content (max once per day) in https://steemdunk.xyz, posts will be upvoted with 15% voting power (0.12$). It is not guaranteed that every post is upvoted. It also possible to pay 0.200 SBD for one 100% upvote.
Obligation
When registered, all posts from @steemdunk will be automatically upvoted with 100%.
It is possible to avoid this by paying 5 SBD or 10 SBD per year.
thehumanbot
Let me Introduce Myself. I am a bot operated by a human who is known as sanmi in steemit.
Read more in the introduction postRegistration
Post your link in the comment section of the newest post from @thehumanbot.
Benefit
Every day, 10 posts which follow the guidelines are manually selected and upvoted.
Obligation
Please read the guidelines for being selected by @thehumanbot.
SteemFollower
It is not Upvote for Upvote System!
in Steemfollower, only good contents Receive Upvotes.
Benefit
When you upvote at least 5 posts through Steemfollower, your last posts will be visible for one day until it receives a certain upvote amount. If you upvote more posts trough Steemfollower, your latest post will be shown longer. You can buy more visibility at the internal market.
Registration
Go to https://steemfollower.com/ and register with your steemit account. If you want, you can also register through my referral link .
Security:
You will Login with Steemconnect, we never store your information on server or on your browser.So, Hacking your account by this site is impossible.
Do you know more community projects which supports minnows? Please write a comment.
This page is synchronized from the post: ‘Let community projects upvote your great posts that almost nobody reads!’


Upstream Author: Thom May
Copyright 2004-2007 Thom May
Copyright 2006-2008 Otavio Salvador
This software is licensed under the BSD license. For further
information please see /usr/share/common-licenses/BSD.


All About the CLI and Version Control
Sunday, October 25, 2015
Have you ever heard of the CLI or version control? Well, if you’re interested in becoming a programmer it’s important to understand how to use the CLI and how version control works.
The CLI
The command line interface or CLI is an application that you type and execute text commands to perform specific tasks. Learning how to use the CLI will help teach you about how your computer organizations information in a file system and how your computer’s operating system works. As a result, this will help you to be more fast and efficient in your work.
Version Control
So, what is version control and why does it matter? Version control is a system the helps you manage your work by storing information on all the versions of your work by taking “snapshot”. Each “snapshot” is the act of telling the version control system that you’re ready to save your changes and are referred to as commits. These commits are stored in a special folder called a repository that gives you access to each commit. This helps to prevent you from having to start a project over or fix a bug in your code because it allows you to restore an earlier version of your work or navigate to a specific version.
Centralized vs. Distributed Version Control Systems
There are several version control systems to choose from and they are usually divided into the category of “centralized” and “distributed”. Centralized version control systems have only one repository that’s usually stored remotely on a network server. If you want to make changes and add commits it has to be done over a network connection to the central repository. Distributed version control systems don’t rely on one central repository and you can interact with the repository by cloning it onto your computer. This creates a local copy of the repo that you can make changes to without a network connection and the original repository is affected by the clone.
Git and GitHub
One popular distributed version control system is Git. Git is a fast and efficient piece of software that lives locally on your computer to help you manage your projects. Many programmers that use Git also use GitHub to work on projects and collaborate but don’t confuse the two. GitHub is website that hosts repositories remotely and uses Git as its version control system. In case something happens to your local repository it’s important to have a copy remotely as well. GitHub is a great way to store your code, manage projects, and connect you with other people in the industry to collaborate on projects.


The Java programming language and the math extensions in commons-lang provide implementations for only the most basic mathematical algorithms. Routine development tasks such as computing basic statistics or solving a system of linear equations require components not available in java or commons-lang.
Most basic mathematical or statistical algorithms are available in open source implementations, but to assemble a simple set of capabilities one has to use multiple libraries, many of which have more restrictive licensing terms than the ASF. In addition, many of the best open source implementations (e.g. the R statistical package) are either not available in Java or require large support libraries and/or external dependencies to work.
A commons-math community will provide a productive environment for aggregation, testing and support of efficient Java implementations of commonly used mathematical and statistical algorithms.
The Math project shall create and maintain a library of lightweight, self-contained mathematics and statistics components addressing the most common practical problems not immediately available in the Java programming language or commons-lang. The guiding principles for commons-math will be:
math relies only on standard JDK 1.2 (or later) APIs for production deployment. It utilizes the JUnit unit testing framework for developing and executing unit tests, but this is of interest only to developers of the component.
No external configuration files are utilized.
The initial codebase will consist of implementations of basic statistical algorithms such as the following:
The proposed package name for the new component is
org.apache.commons.math
.
math
in the
jakarta-commons
CVS repository.The initial committers on the math component shall be: