e to move our daughter. Paraphrase = we had a bad time, so we didn't have time to move our daughter. aae = We had a bad time, now we ain't got time to move our daughter. bible = for we had a wicked son, so that we could not move him. 1810s-1820s = We had bad luck, therefore, in not having time to move our little girl. 1890s-1900s = We've had a bad time, so we haven't time to move our daughter. " 1990s-2000s = We'd had a bad time of it, so we didn't have time to move our daughter. english_tweet = Spent a lot of time with our daughter and now we have no time to move her. joyce = And it was so bad we had no time to make a move on our daughter. lyrics = Had a bad time so we couldn't move our daughter romantic_poetry = Our daughter was ill-timed, that we ne'er had time to move switchboard = yeah it's been real bad so i don't think we had the time to move our daughter Input = Mercutio's kinsman, noble County Paris! Paraphrase = the noble Count of Paris, Mercutio's brother! aae = Nobles Count Paris, Mercutio Brother! bible = The noble count of Paris, Mercutio his brother! 1810s-1820s = de C. Madam de Cerval Lord, the noble Count of Paris, Mercutio's brother 1890s-1900s = Monsieur, the noble Count of Paris, his brother Mercutio! 1990s-2000s = The noble count of Paris, Mercutio's brother! english_tweet = The noble Count of Paris, Mercutio! joyce = and Mercutio’s brother! lyrics = Paris noble Count, Mercutio brother! romantic_poetry = The noble Count of Paris, Mercutio's brother! switchboard = the noble Count of Paris Mercutio his brother Input = Nurse, come back again; I have remember'd me, thou shalt hear our counsel.   Paraphrase = my wife and I were happy to meet. aae = I was happy to meet my wife bible = And my wife and I were glad, and went in peace. 1810s-1820s = Our meeting was happy, for my wife and myself. 1890s-1900s = I was happy to meet my wife and found her delightful. 1990s-2000s = My wife and I met with joy, one another. english_tweet = My wife and I were so happy to meet joyce = It was a great moment to meet my wife. lyrics = Me and my woman, they were so happy to meet romantic_poetry = My spouse and I were elate, switchboard = well my wife and i were thrilled to meet Input = Perchance she cannot meet him. Paraphrase = maybe she won't be able to meet him. aae = She might not meet him lol bible = He said, She may not meet him. 1810s-1820s = Perhaps she could not, in her present situation, meet him. 1890s-1900s = Perhaps she would not meet him at all. 1990s-2000s = Or maybe she couldn't meet him because of it. english_tweet = Maybe she wont meet him. joyce = She might not meet him. lyrics = Maybe she'll never meet him romantic_poetry = He may not be able to meet her. Perhaps switchboard = and maybe she won't meet him Input = We talk here in the public haunt of men. Paraphrase = we're talking about people in the public. aae = We got ppl in public talkin bout ppl in private bible = For we speak to men in the public square. 1810s-1820s = We speak of men in the publick. 1890s-1900s = We speak of the public of people. " 1990s-2000s = We talk about people in the public sector, especially people. english_tweet = We mean people in public joyce = We are talking about public men. lyrics = We got people in the public, that's how we talk romantic_poetry = We talk o' folks in public places, switchboard = i'm talking about people in the public Input = Nay, that’s not so. Paraphrase = no, it's not that. aae = lol nah it ain't that bible = nay, not so. 1810s-1820s = Nay, it is not that. 1890s-1900s = No, it isn't that, and it isn't that. 1990s-2000s = Well, no, it's not that, is it. english_tweet = Oh no, that is not the case. joyce = No, it’s not that. lyrics = No, it's not that. romantic_poetry = It is no such thing.   Paraphrase = what's going to be said? aae = What she say? Umm huh? bible = And he said unto them, What shall be said? 1810s-1820s = What will be said in reply? 1890s-1900s = WATERMAN (Dissolving in a great sigh): What will you say? 1990s-2000s = What can you say to be heard? " english_tweet = What are they gonna say? joyce = What will be said? lyrics = What will we say? romantic_poetry = Wha shall say? What mair is to be said? switchboard = what would be said Input = Some say the lark makes sweet division. Paraphrase = some say the lark is a good division. aae = Some say lark is a good division. bible = Some say that the lark divideth well. 1810s-1820s = Some say the lark is a fine division, to be sure. 1890s-1900s = Some say the lark is a good division. " 1990s-2000s = Some say the lark is a good division. english_tweet = Some say the lark is a good division joyce = Some say the lark is a good division. lyrics = Some say lark makes a good division romantic_poetry = Some say the lark is guid for division, switchboard = some say that the lark is a good division Input = I am not for this ambling.  Paraphrase = when you have breath, how do you say you're not breathing? aae = How do you say you have no breath when you have breath in yo mouth? bible = And the LORD said unto me, When thou hast breath, how sayest thou, I have no breath? 1810s-1820s = How do you call it, when you have breath enough, to say that you are not breathing? 1890s-1900s = When you've got breath, how do you say you don't breathe? " 1990s-2000s = How do you say you're not breathing when you have breath? english_tweet = How do you pronounce breath when you have breath? joyce = And while you have breath, how will you say you’re not breathing? lyrics = How can you say you don't breathe when you've got breathless blood romantic_poetry = And say, when ye have breath'd, ye hae no breath? switchboard = well how shall i say it your breath is not on your clothes Input = Or, if thou wilt, swear by thy gracious self, Which is the god of my idolatry, And I’ll believe thee.  Paraphrase = Sir, I'd like to go to the next Thursday. aae = Lord i wish my next Thursday would hurry up bible = Then said I, Sir, I would to God that thou wouldest bring me on the next Thursday. 1810s-1820s = Dame Ploughby I wish to go on Thursday next. 1890s-1900s = LORD CARDINGTON I'd like to get away to-morrow, sir. 1990s-2000s = Sir, I want to take you out to a Thursday. english_tweet = sir please, i want to see u on thursday joyce = I’d like to go to the next Thursday, sir. lyrics = Lord, I wanna go another Thursday romantic_poetry = To another Thursday, Sir, I wish to be switchboard = uh well i think i'd like to go to the next Thursday Input = The excuse that thou dost make in this delay Is longer than the tale thou dost excuse. Paraphrase = the excuse you're making is longer than the story you're sorry about. aae = the excuses you make, the longer than the story you are sorry for. bible = And the excuse that ye make is longer than the tale which ye sorry for. 1810s-1820s = The excuse you make for this proceeding is longer than the tale you reproach yourself with. " 1890s-1900s = The excuse you make is longer than the story you are sorry for. 1990s-2000s = <p> The excuse you make is longer than the story you're sorry about. english_tweet = I think the excuse you make is longer than the story youre sorry for. joyce = The excuse you make is longer than the story you are sorry to tell. lyrics = Your excuses are longer than the story that you're sorry of romantic_poetry = The excuse you maun make longer than the tale ye maun blame, switchboard = i think the excuse me the length of the story you're sorry for the length of the story you're sorry for the length Input = A right fair mark, fair coz, is soonest hit. Paraphrase = it's a fair price, a fair price, the best. aae = Thats fair price a fair price the best bible = And it shall be a fair price, a fair price, the best of them. 1810s-1820s = Fair is the fare, fair the fare, The finest of all. 1890s-1900s = It's a fair price, a fair price, the best of the best. 1990s-2000s = This is a fair deal, a fair price, the best of the best. english_tweet = That is a fair price. A fair price, the best joyce = It is a fair price, a fair price, the finest. lyrics = It's a fair price, a fair price, the best that's ever been romantic_poetry = That's fair a' the waur, that's fair a' the waur, switchboard = and it's a fair price i mean it's a fair price the best Input = Then gave I her (so tutored by my art) A sleeping potion; which so took effect As I intended, for it wrought on her The form of death. Paraphrase = then I gave her a sleeping potion, which she took to her as I wished, and she was dying. aae = Then I gave her the sleeping potion she took it to her as I wish and she died on the first day bible = Then I gave her a sleeping draught, which she took in her sicknesses, and her sicknesses were healed: and she was in great pain, and 1810s-1820s = I then gave her a sleeping potion, which I drew from her as I wished, and which proved fatal to her. 1890s-1900s = Then I gave her the sleeping potion, which she took in a drunken condition as I desired, and died in the attempt. 1990s-2000s = I gave her a sleeping potion, then, which she took to her as I wished, and then she died, at the age of sixteen. english_tweet = I gave her a sleeping potion then a sleeping potion, then a dying cry as I wished, so she joyce = then I gave her a sleeping potion, which she took to her as I wished, dying with the air of lyrics = Then she took a sleeping potion, which I gave her as I wished, she was dying to wake romantic_poetry = Than I gave her sleeping potion, which she took as her wish, and so died, switchboard = and then i had a sleeping potion that i gave to her as i wished and then she got it back to me so i was just about to kill her Input = Is your man secret?   Paraphrase = disgusted, distressed, hated, murdered, killed! aae = Disgusted, Distressed, Hated, Murdered, Killed! bible = O LORD, disquieted, distressed, hated, slain! 1810s-1820s = Disgusted, distressed, hated, murdered, slain! 1890s-1900s = Disgusted, distressed, hated, murdered, killed! 1990s-2000s = Disgusted, distressed, hated, murdered, killed! english_tweet = Disgusted, distressed, hated, murdered, killed! joyce = Disgusted, abrable, detested, detested, hated, murdered! lyrics = Disgusted, distressed, despised, murdered, shot! romantic_poetry = And disgusted, distress'd, hated, murdered! switchboard = disgusted, distressed and hated Input = forbear this outrage! Paraphrase = I'm sorry, but I'm afraid of this aae = my bad ima be scared bible = I am sorry, but I fear this. 1810s-1820s = I am sorry that I cannot give you a better answer. 1890s-1900s = This is my trouble, and I'm afraid of it! 1990s-2000s = I was sorry, this was my fear. english_tweet = this is terrifying to watch omg joyce = Am I afraid of that? lyrics = And I'm so sorry but I'm scared romantic_poetry = Now, forgive me! for I feel this very fear switchboard = i know i hate to Input = Why rail’st thou on thy birth, the heaven, and earth? Paraphrase = why do you want to go to the birth? aae = why u wanna go to borns day? bible = Why go ye about to beget, when there is no need? 1810s-1820s = Why do you go up to the birth-place of men? 1890s-1900s = Why do you want to have me take you to the birth? " 1990s-2000s = <p> Why should you go to the birth if you didn't want to? english_tweet = Why are you in birth joyce = Why are you going to the birth? lyrics = Why sabe tÃº tÃº why esta pedazos romantic_poetry = Why seek thy birth at such a distance? switchboard = why do you want to go to birthdays Input = Therefore love moderately. Paraphrase = so love is mild, so it's okay aae = So love is mild is okay bible = So that ye love one another, so that even as I have loved you I have loved you 1810s-1820s = so love is mild, so it is safe. 1890s-1900s = Therefore love is mild, therefore it is all right. 1990s-2000s = Therefore, love is mild, so be it. english_tweet = So love is mild is it joyce = So gentle love is mild. lyrics = So the love is mild romantic_poetry = So love is mild, that it may pass switchboard = so love is mild Input = Tis not to me she speaks. Paraphrase = it's not for me to talk to her. aae = I don't like talking to her it's not for me bible = it is not for me to commune with her. 1810s-1820s = It was not for me to speak to her on such an occasion. 1890s-1900s = She doesn't know--it's not for me to speak to her. 1990s-2000s = She doesn't know how to talk to me, that's for me. english_tweet = She wasnt for me to talk to joyce = She doesn’t want me to talk to her. lyrics = It ain't for me to talk to her romantic_poetry = She is not for me to speak to, switchboard = well it doesn't mean for me to get to talk to her Input = Do as I bid thee, go.  Paraphrase = if I'm right, it's more expensive to speak to your back than to your face. aae = If I'm right, it's more expensive to speak your back than to face your face. bible = If I have right, it is more expedient for me to speak to your back than for you to hear my voice at your face. 1810s-1820s = It is more expensive to speak to your back than to your face, if I am right in my conjecture. 1890s-1900s = If I am right, it costs more to speak to your back than to speak to your face. 1990s-2000s = If I'm right, then speaking to your back than to your face is more expensive than speaking to your own. english_tweet = I speak to your back than your face. So, Im more expensive to speak to you if I'm right. joyce = less expensive to speak to your back than to your face I am told by my experience that it was more lyrics = If I'm wrong it's more expensive to speak to your back than to speak to your face romantic_poetry = If my right is right, speak on my back more dear than to thy face, switchboard = that's right if i if i was right i'd be more cost prohibitive to speak to your back than to your face Input = Not in a grave, To lay one in, another out to have. Paraphrase = not in a grave, but to put one on. aae = not at the grave but put one on bible = Not in a grave, but putting on one. 1810s-1820s = not in a grave, but to put one on. 1890s-1900s = Not in a grave, but to put one on. 1990s-2000s = Not in a grave, but to put one on. english_tweet = Not in a grave, but to put one on joyce = not in grave but to put one on. lyrics = Not in a grave, but to put one on romantic_poetry = Not in a grave, but to place one there, switchboard = not in a grave but to put one on Input = A sick man in sadness makes his will, A word ill urged to one that is so ill.  Paraphrase = he's not telling the truth. aae = He not telling the truth bible = He speaketh not the truth. 1810s-1820s = He is not telling the whole truth. 1890s-1900s = He doesn't say what he means to say. " 1990s-2000s = He didn't tell the truth, he didn't say the right thing. english_tweet = He didnt even tell the truth joyce = He doesn’t tell the truth. lyrics = He don't know the truth romantic_poetry = He tells a lie and tells no more. switchboard = he didn't tell the truth Input = And stay, good Nurse. Paraphrase = stay, good nurse. aae = Stay, good nurse. bible = And he said, Stay, good nurse. 1810s-1820s = Stay, good nurse--stay, and hear me. 1890s-1900s = ( Goes to her) Stay, good nurse. 1990s-2000s = Stay, good nurse, and don't move. " english_tweet = Stay. Good Nurse. joyce = Stay, good nurse. lyrics = Stay, good nurse romantic_poetry = Stay, good nurse, by my will, switchboard = stay good nurse Input = Here's goodly gear! Paraphrase = there's a lot of equipment here! aae = Got a lot of equipment here! bible = there are so many armours here! 1810s-1820s = There are such things as we see here--equipment! 1890s-1900s = It's so full of the equipment there! 1990s-2000s = Here, you have all kinds of equipment! " english_tweet = So much hardware here! joyce = Here are many armaments! lyrics = There's so much equipment here! romantic_poetry = There's equipage here to suit all! switchboard = there's a lot of equipment here Input = It is not yet near day. Paraphrase = it's not even a day yet. aae = Today ain't even the day yet bible = it is but a day's journey. 1810s-1820s = Not a day has passed yet, that has not been devoted to this purpose. 1890s-1900s = It is not yet quite a day gone by. " 1990s-2000s = It didn't take a day to figure out that. english_tweet = Its not even Monday yet joyce = That’s not even a day yet. lyrics = Not even a day is still romantic_poetry = And now it's not even one day yet. switchboard = it's not even a day yet Input = For all this same, I'll hide me hereabout. Paraphrase = I'll hide here, too. aae = I'm about to go hide here too bible = I will hide myself also. 1810s-1820s = Claudius I'll seek concealment here, too. 1890s-1900s = I'll hide in here, too, where there's a little shade. 1990s-2000s = I'm going to hide out here, too. english_tweet = I'm going to hide here joyce = Hide here too. lyrics = I'll hide away in here romantic_poetry = Here I will hide, too; and, indeed, switchboard = i'll hide up there Input = I will not entertain so bad a thought. Paraphrase = I'm not going to think so bad. aae = I can't help but think sooo bad bible = therefore I was not moved. 1810s-1820s = I cannot bear to think that you are so wicked. 1890s-1900s = I couldn't bear to think that I was so wrong. 1990s-2000s = I can't believe I'm thinking so badly. english_tweet = I will never not think this so bad joyce = I don’t think so bad. lyrics = I don't mean to think that bad romantic_poetry = And I will not think it a whit worse. switchboard = i don't know i think it's bad Input = I'll to my truckle-bed; This field-bed is too cold for me to sleep. Paraphrase = I'm going to the car; I'm cold. aae = I need a ride to get this car; its cold as hell outside bible = I am gone to the car; I am cold. 1810s-1820s = I got into the carriage ;--I was chilled to the heart. 1890s-1900s = I am going to the carriage; I am very cold. 1990s-2000s = I dropped her off at the car; I had a cold. english_tweet = I get to the car; my heart is cold. joyce = I went to the car; cold in the night. lyrics = I got a car; I'm cold out of gas romantic_poetry = I'm driving on; I feel the cold switchboard = i need a car Input = Your love says, like an honest gentleman, 'Where is your mother? Paraphrase = "where's your mom?" Your love asks. aae = \" where is your mom\" Your love asks.\" My moma just left! bible = Where is thy mother? 1810s-1820s = Thy love asks the truth, " Where is thy mother? " 1890s-1900s = Your love asks, " Where is mother? " 1990s-2000s = Your love asks, " Where is Mommy? " english_tweet = "Where is your mom?"  romantic_poetry = Your love asks, "Where is she? Where is she? switchboard = "where's your mom" Your Love asks Input = Therefore thy earliness doth me assure Thou art uprous'd with some distemp'rature; Or if not so, then here I hit it right— Our Romeo hath not been in bed to-night. Paraphrase = I assure you, your earliness is not in bed, or if not, then I'll tell you - Our Romeo wasn't in bed. aae = No, your earliness isn't in bed, or if not then let me tell you - Our Romeo wasn't in bed bible = And I assuredly, that thy earliness was not in bed, or else I would have told thee; our Romeo was not in bed. 1810s-1820s = Dorival I assure you your earliness is not in bed, or if not, then I'll tell you--Our Romeo was not in bed with a blindfold. 1890s-1900s = I assure you that your earliness has no room in the room, or if it is not there, then I will say it--Our Romeo was not in bed. 1990s-2000s = I assure you, your earliness's not in bed, or if not, then I will tell you - our Romeo wasn't in bed, as you say. english_tweet = Your earliness is not in bed, or if not then I'll remind you - Our Romeo wasn't in bed. joyce = In bed or not, then I will tell you—our Romeo wasn’t in bed—of your earliness. lyrics = I assure your earliness you're not in bed, or if not then I'll tell you - Our Romeo was out of bed romantic_poetry = My earliness's not in bed, or if not, then I'll tell-- switchboard = and i assure you your earliness is not in bed either or if not then i'll tell you -our Romeo wasn't in bed Input = Meantime I writ to Romeo, That he should hither come as this dire night, To help to take her from her borrowed grave, Being the time the potion’s force should cease. Paraphrase = meanwhile, I'm writing to Romeo, that he should come to help me when the potion is stopped, so that he can help her escape from her grave. aae = Meanwhile, I'm texting Romeo, that he should come over so that she can escape from her grave when the potion stops. bible = And I write unto Romeo, that he come to help me, when the potion is stayed, lest, when the time is come, he should help her escape from her grave, and that she should die. 1810s-1820s = Meantime, I have written to Romeo, that he should come to my assistance when the potion is stopped, that he may assist her in escaping from her grave. 1890s-1900s = Meantime, I write to Romeo, that he should come to my assistance when the potion is quenched, that he may help her escape from her grave. 1990s-2000s = Me meanwhile, I write to Romeo, that he should come to help me in this time of potion stoppage, so that she can get out of her grave. english_tweet = meanwhile Romeo is writing to me, that he should come help me when the pottery stopped to give me a joyce = So I was just writing to Romeo, that he ought to come to help me when the potion is stopped, so that he could lyrics = Meantime, I write to Romeo, that he should come to help me when the potion stops, so that he can help her escape from her grave. romantic_poetry = Meantime I write to Romeo, that he should come to help, switchboard = and then uh writing to Romeo that that he should come over and help me out so that he can come to his help her get away from her grave but Input = As much to him, else is his thanks too much. Paraphrase = he's too much thanks to him. aae = he does too much thanks bible = They gave him too much thanks. 1810s-1820s = To him too much is due for his gratitude. 1890s-1900s = He is too grateful to him to bother to tell him. 1990s-2000s = <p> The credit for this is in him, too. english_tweet = Hes too sweet thanks joyce = too much thanks. lyrics = He gives him too much thanks romantic_poetry = And they're too much for him. switchboard = and he's too much thanks Input = Yon light is not daylight, I know it, I. Paraphrase = I know it's not daylight, I know it. aae = Cant be daylight, I know it bible = Know therefore that this is not the day of the sun: for it is dark as the night. 1810s-1820s = I know that--it is not daylight, I know that--but I am not ashamed to say it 1890s-1900s = I know it isn't daylight; I know it. 1990s-2000s = The street is full of lights, I know that, I know it. english_tweet = I know its not daylight joyce = Well, I know it’s not daylight. lyrics = It's daylight, I know, I know it romantic_poetry = Wi' daylight I know it not, switchboard = yeah i know it's daylight i know it Input = Not life, but love in death. Paraphrase = not life, but love in death. aae = Not life but love in death bible = Not of life, but of love in death. 1810s-1820s = Not life, but love in death, Will render him worthy of thee. 1890s-1900s = Not life, but love in death, that I shall love. 1990s-2000s = Not life, but love in death. english_tweet = Not life in death, but love in death. joyce = not life but love in death. lyrics = Not life but love in death romantic_poetry = Not life, but love in death's artless shade. switchboard = not life but uh love in death Input = Nay, gentle Romeo, we must have you dance. Paraphrase = no, sweet Romeo, we're going to have a dance. aae = nawww sweet Romeo we gone have a dance on you bible = Nay, my love, we will have a dance: and thou, my love, with thy voice will we 1810s-1820s = Nay, sweet Romeo, we must dance to-night. 1890s-1900s = No, sweet Romeo, we shall have a dance. 1990s-2000s = No, sweet Romeo, we need a dance. english_tweet = No, sweet Romeo, here we go again. Dance in the streets. joyce = No, sweet Romeo, we’re going to dance that night. lyrics = No, sweet Romeo, let's dance romantic_poetry = Nay, sweet Romeo, let us part, switchboard = no sweet Romeo we have a dance and we're going to Input = Thou wrong'st it more than tears with that report. Paraphrase = that report is more than tears. aae = That Tear More Than Tears bible = That report is more than tears. 1810s-1820s = More than tears are shed by that report. 1890s-1900s = The report of his coming is more than tears. 1990s-2000s = There is more than tears in that report. english_tweet = Thats more than tears. That report is a slur. joyce = That report’s more than tears. lyrics = More than tears, that report's more than tears romantic_poetry = That report more than tears brings. switchboard = that report more than tears Input = Wilt thou slay thyself?  Paraphrase = I'm a good man for you. aae = I'm the good guy for you bible = And he said, I am a good man for thee. 1810s-1820s = It is for you alone that I am worthy of the esteem of a good man. 1890s-1900s = I am a good man for you, and you know it. 1990s-2000s = I'm a good man for you. " english_tweet = im a good person for you joyce = I am a good man for you. lyrics = I'm a good man for you romantic_poetry = I do thee right for a' that. switchboard = i am a good man Input = Take it in what sense thou wilt. Paraphrase = take it as you will. aae = Take it how you wanna take it bible = Take it as ye will. 1810s-1820s = It is enough for me to say, take it as you will. 1890s-1900s = You take it as you will. " 1990s-2000s = ( Beat) Take it as you will, then. english_tweet = Take it as you will. joyce = To take it as thou wilt. lyrics = Take it as you will romantic_poetry = And take it as you will. No more switchboard = take it as you will Input = The all-seeing sun Ne'er saw her match since first the world begun. Paraphrase = since the beginning of the world, she has never seen the sun Ne'er see. aae = She haven't seen sun Ne'er see her since the beginning of the world bible = Now since the world began was she never seen the sun Ne'er in his setting. 1810s-1820s = Never till now, had she seen the sun Ne'er see'd her last ray. 1890s-1900s = It's the sun Ne'er see since the world began, And I'll have her do it. 1990s-2000s = She had never before seen the Sun Ne'er see since the beginning of the world. english_tweet = She never seen the sun Ne'er see since the beginning of time joyce = Never she saw the sun Ne’er see since the beginning of the world. lyrics = She's never seen the sun Ne'er see since the start of the world romantic_poetry = Since the beginning of the world ne'er saw her light switchboard = she has never seen the sun Ne'er see since the beginning of the world Input = Tis since the earthquake now eleven years, And she was weaned—I never shall forget it— Of all the days of the year, upon that day. Paraphrase = it's been eleven years since the earthquake, and I've never forgotten it. aae = Damn that quake came 11 years ago and I still haven't forgotten it bible = And it came to pass, that eleven years after the earthquake I remembered it no more. 1810s-1820s = It was eleven years since the earthquake, and I have not forgotten it since. 1890s-1900s = It was eleven years after the earthquake, and I had never forgotten it. 1990s-2000s = It was eleven years ago, and I had never forgotten it. english_tweet = 11 years later and its still as if I forgot the earthquake joyce = Never forgot that I was eleven years ago, you understand. lyrics = Eleven years and I ain't never forgotten this earthquake romantic_poetry = Eleven years' lapse since the earthquake, and never forgot, switchboard = and the earthquake happened i mean i can't believe that eleven years later i'm still Input = I am the greatest, able to do least, Yet most suspected, as the time and place Doth make against me, of this direful murder. Paraphrase = I'm the best, I'm the least, but I'm the most feared of all, and I'm the one who's most likely to be killed. aae = I am the best, I am the least, but I am the most feared of all, and my worst fear is death. bible = And I am the LORD your God, which have brought you out from the land of Egypt, to be your God, and to be your defence: I am the LORD that do according to all that ye shall 1810s-1820s = My character is the best, I the least, but my character is most dangerous, and I the most likely to be taken alive. 1890s-1900s = The worst, I have told you, are I; the least, perhaps, of all; but the most, the one most likely to be killed, is my daughter, who was found in her room at 1990s-2000s = I was the best, I was the least, but I was the most feared of all, and the one who was most likely to die. english_tweet = I am the best, I am the least but I am the most feared of all, and I am the most likely to be murdered. joyce = the most onomnest, I’m the delove of the whorlmost, and be mine forethought killed as the hunter is to my greatest lyrics = My greatest fear, I'm the best, and I'm the best but I'm the least, and I'm the one who gets killed romantic_poetry = I was the best, I was the least, and I was the surest, and was slain; switchboard = and i'm the best i'm the least and the less and the more but i'm the most feared and my threat is i've been shot in the back twice in my life and i'm not the most Input = Poison, I see, hath been his timeless end.   Paraphrase = all right, so it's going to be aae = Oh well it's coming bible = And all this was done. 1810s-1820s = Now, that's settled, here we go. 1890s-1900s = BRADFORD Well, then, it will. 1990s-2000s = Oh, well, then it will be. " english_tweet = Ok this is going to be joyce = Goodness, so it would. lyrics = And now it's all gonna be romantic_poetry = And then it is going to be switchboard = oh well that would Input = I am afeard, Being in night, all this is but a dream, Too flattering-sweet to be substantial. Paraphrase = I'm afeard, I'm just dreaming, too much of a dream, too much of a dream. aae = I'm feard, I'm just dreaming, I can't take this shit anymore, too much on my mind. bible = For I am afeard, I sleep, too much of a dream, too much of a vision: therefore I have nothing to eat. 1810s-1820s = I am afeard, very afeard, I know not what, for I am but a dream--a very dream, too, I am sure, 1890s-1900s = My story is afeard, It's only a dream; too much dreaming, Too much dreaming--Too much dreaming--I was born afeard. 1990s-2000s = <p> I'm afeard, I can't think of it, I just dreamed, too much of the dream, too much of the dream. english_tweet = I'm afeard, I can only dream, too much kodin ouuuuuuu joyce = I am afeard, I am only dreaming, too much of a dream, my hair on me like to look at lyrics = I'm afeard, I'm just dreamin', too hard to do, too hard to do romantic_poetry = I fecht an' fause, a' my visions too free, switchboard = i'm afeard i just uh i just wanna have a dream of of that you know to be real real happy Input = I have an interest in your hate's proceeding, My blood for your rude brawls doth lie ableeding; But I'll amerce you with so strong a fine That you shall all repent the loss of mine. Paraphrase = I'm interested in your hatred, my blood, which is capable of destroying you, but I'm willing to pay you a fine that you'll all be sorry about my loss. aae = I care about your hate, my blood, which is capable of destroying you, but I'll pay you a fine that you all forgive bible = I am earnestly interested in thy hatred, my blood, which is able to destroy thee, but will I make recompence unto thee, that thou mayest all be ashamed of my loss. 1810s-1820s = I have a mind to have your hatred subdued; my blood, whose power can destroy you, is in the bargain; but I am willing to be obliged to pay a fine that you will all pity my loss. 1890s-1900s = I am anxious for your hate, my blood, which has power to destroy you, but is willing to pay a fine which you all shall pity me for losing. 1990s-2000s = I am interested in your hatred, my blood, which is capable of destroying you, but I am willing to pay a fine that you all will be ashamed of my loss. english_tweet = I have a strong hatred for you, my blood which can destroy you, but I can pay for your retra joyce = my blood, which is capable of hurrah destruction but I am willing to pay your fine that you will all take the umbrity lyrics = I want to know your hate, my blood, which could destroy you, but I willing to pay your fine that you'll all be sorry for my loss. romantic_poetry = My hate, my blood, which can destroy thee, but maun yield a fine, switchboard = i hate your hatred i hate your blood which is capable of destroying you but i'm willing to pay you a fine that you're all all going to admit you have a problem with me being there Input = His son is thirty.   Your foot is seeking a neighbor.  Paraphrase = Romeo, I'm here! aae = Romeo, I'm here!!! bible = I am come unto thee, Romeo! 1810s-1820s = ( embraces him) Romeo, I come! 1890s-1900s = Romeo, come to me! 1990s-2000s = ( Lights cross to Santiago) Romeo, I'm here! english_tweet = Romeo is here! joyce = Romeo! lyrics = Romeo lo que me lo que me lo que me lo que me lo que me romantic_poetry = O Romeo, have mercy!  Paraphrase = give me your hand, one of the books of bad luck! aae = Give me your hand, one of the books of bad luck to come back! bible = and deliver me from the hand of the wicked, that thou hast given me one of the books of evil omens 1810s-1820s = Give me thy hand, one of these cursed books of misfortune! 1890s-1900s = Give me your hand, one of the cursed books of misfortunes! " 1990s-2000s = Give me your arm, one of these book-possessed lousy luckbooks! english_tweet = GIVE ME YOUR HAND ONE OF THE BAD LUCK BOOKS! joyce = Give me your hand, one of the bad luck books! lyrics = Give me your hand, one of the books of bad luck! romantic_poetry = Give me thy hand, one of ill-timed fortune's books! switchboard = you know give me your hand one of the bad luck books Input = Boy, this shall not excuse the injuries That thou hast done me. Paraphrase = oh, it's not going to excuse the damage you've done to me. aae = Ooooo it doesn't excuse the damage you've done to me bible = Behold, it shall not excuse thee in the day of thy wrath. 1810s-1820s = O, it will not excuse the mischief you have done me. 1890s-1900s = Ah, it cannot excuse the harm you have done me. " 1990s-2000s = Oh, it won't excuse the damage you've done to me. english_tweet = Lol, this will not excuse the damage you have done to me. joyce = O, it’s not going to excuse the damage you did to me. lyrics = Ooh it ain't gonna excuse the damage you've done romantic_poetry = O, it will not excuse the wrongs thou hast done switchboard = oh no that doesn't excuse the damage you've done to me either Input = And she's fair I love. Paraphrase = and I love it, too. aae = And i love it too. bible = And I love it also. 1810s-1820s = And I love the little one, too. 1890s-1900s = And I love it, too, I'm sure. 1990s-2000s = And I'm also very much in love with it. english_tweet = Also I love this joyce = And I love that too. lyrics = And I love that too romantic_poetry = And 'tis for me too. But it's nae love switchboard = and i love it Input = And joy comes well in such a needy time. Paraphrase = such a needy time is good for joy. aae = good thing it's a good day.  Paraphrase = a plague in both houses! aae = Purgemates in both houses!!! bible = And a plague in both houses! 1810s-1820s = a plague in both houses--a plague, in my house! 1890s-1900s = A plague in both houses--a plague! " 1990s-2000s = A plague in both houses! " english_tweet = Prick plague in both houses! joyce = A plague in both houses! lyrics = Pestilence in both houses! romantic_poetry = In both houses a plague at once! switchboard = a plague on both houses Input = Why, such is love’s transgression. Paraphrase = it's a transgression of love. aae = is a transgression of love. bible = For this is a transgression of love. 1810s-1820s = It was a transgression of love, to possess it. 1890s-1900s = To love, then, is to transgression. 1990s-2000s = That is, a transgression of love. english_tweet = This is trans progress. joyce = It is the transgression of love. lyrics = It's a transgression of love romantic_poetry = That is the transgression of love. switchboard = it's a transgression of love Input = Thy fault our law calls death; but the kind Prince, Taking thy part, hath rush'd aside the law, And turn'd that black word death to banishment.  Paraphrase = I'm not gonna say it, but I'm not gonna say it, and I'm not gonna say it aae = I didn't even say it but idgaf and im not going to say it bible = I will not, saith the LORD, utter this thing: for I will not say it, because I will not say it, and because I will not 1810s-1820s = I could not speak it, but I forbore, and stood before him. 1890s-1900s = I don't want to say it, but I don't want to say it, and I can't say it. 1990s-2000s = I can't believe I'm doing this, I can't believe I'm doing this, I can't believe I'm doing this, I can't believe I english_tweet = i mean i ain't gone say that, but ima not say that. and ima say that again joyce = I didn’t mean to say it and I didn’t mean to say it. lyrics = And I won't say it but I won't say it, and I won't say it romantic_poetry = I will not say it, for I will not say it, and will not say it; switchboard = i can't i can't i can't either and i don't know that i Input = And private in his chamber pens himself, Shuts up his windows, locks fair daylight out, And makes himself an artificial night. Paraphrase = he locks the windows, locks the door, and makes himself a night of artificial light. aae = And he locks the windows, locks the door, and makes himself an evening Artificial light. bible = He lieth in wait, and locks the windows, and maketh himself an open place for the night, and setteth up his 1810s-1820s = He locks up the windows, locks up doors, and makes himself a night of artificial light. 1890s-1900s = He locks up the windows, locks the doors, and makes himself an artificial-lighted house in the middle of the night. 1990s-2000s = He's out the window, making himself a night of artificial light. english_tweet = hoseok, kim jimin, and hoseok making themselves an Artificial light trap in the night joyce = It locks its windows, locks its doors, makes itself a night of artificial light. lyrics = He's got the windows, locks the doors, and makes himself a nightlight romantic_poetry = He locks up his window-panes, locks his door, and makes himself a night of artificial light. switchboard = and he just locks the windows and locks the doors and makes himself a night of artificial light Input = O nature, what hadst thou to do in hell When thou didst bower the spirit of a fiend In moral paradise of such sweet flesh?  What did you do to hell? joyce = And what did you do when you hid the spirit of a demon in a nice body of a man? lyrics = When you hid your angel from the angel in a body so pretty and pretty, what did you do to hell? romantic_poetry = What deed hath Hell to thank thee for, when thy fair spirit hid switchboard = what did you do when you went to hell with your damn well that your spirit was stolen by a nice peaceful body in a nice mood Input = Who bare my letter, then, to Romeo? Paraphrase = then who's gonna give me the letter? aae = Who gon give me the letter then? bible = who then can deliver me the letter? 1810s-1820s = Who then, shall deliver me the letter? 1890s-1900s = Then who giveth me this letter? " 1990s-2000s = Then who's gonna give me the letter? " english_tweet = then who is giving me this letter joyce = Whom will give me the letter now? lyrics = Than who I'm gonna give it to romantic_poetry = Then wha gies me the letter, switchboard = and then who gets it Input = How canst thou try them so? Paraphrase = how can you try to do it? aae = how can you try and be that bible = And he said unto him, How canest thou make thyself valiant to do this thing 1810s-1820s = How can you do this, if you are a Christian? 1890s-1900s = Oh, how could you try to do that? 1990s-2000s = How can you do this to me? " english_tweet = How can you try this? joyce = How could you try it? lyrics = How can you try romantic_poetry = How can ye strive? How can ye try switchboard = well how can you try and Input = Let me be ta'en. Paraphrase = I'll take it. aae = lol I'll take it. bible = I will deliver it. 1810s-1820s = ( going) I will, sir. 1890s-1900s = I'll take it, and I'll read it. 1990s-2000s = ( off the look) I'm going to get it. english_tweet = I'll take that for you. joyce = I’ll take that. lyrics = I'll have it all I'll get it romantic_poetry = And now I'll bear it. So it may be switchboard = i'm gonna take it Input = And here I stand, both to impeach and purge, Myself condemnèd and myself excused. Paraphrase = I'm standing here, both to denounce and to apologize, and I'm sorry. aae = I stand here, both to denounce and to admit, and to say, I'm sorry. bible = This day have I stood up, both to condemn and to atone, and to make amends. 1810s-1820s = I stand here, both to denounce and to plead, and to beg pardon. 1890s-1900s = I stand here, both to denounce and to forgive, and I am still sorry. 1990s-2000s = I stood here, both to denounce and to offer my thanks. english_tweet = I stand here, both rebuke and plead guilty, and so do you. #sorrynotsorry joyce = Stand here, both to denote and to excuse, with mercy. lyrics = Here I am, both to condemn and to repent, and I'm sorry romantic_poetry = I stood, both to denounc and to abash, switchboard = uh i stand here both to denounce and to apologize for the same thing Input = How if, when I am laid into the tomb, I wake before the time that Romeo Come to redeem me? Paraphrase = when I'm in the tomb, I'm going to wake up before the time that Romeo will come to my rescue? aae = when I get to the tomb, can I wake up before Romeo has to come to my rescue? bible = when I shall be in the sepulchre, and awake before the time that the bridegroom cometh to save me? 1810s-1820s = When I go to the tomb, am I to wake before the time that Romeo has come to my rescue? 1890s-1900s = Does the time when Romeo will come to my rescue come when I am in the tomb? 1990s-2000s = When I enter the tomb, I wake before the time that Romeo comes to rescue me? english_tweet = Do I wake up before Romeo comes to my rescue?... no. but I do get to wake up when I'm in the tomb. joyce = In the tomb of that one, I’ll wake up before that Romeo’s coming in to save me, is it? lyrics = When I fall into the tomb, I wake up before the time that Romeo comes to rescue me? romantic_poetry = Wake before Romeo's coming to save me? switchboard = and i'm going to wake up before the time that Romeo is going to come up to my rescue i mean i can't stand it when i'm in the tomb Input = The boy gives warning something doth approach. Paraphrase = the boy warns something approaching. aae = This boy warn something approaching bible = The lad teacheth a thing approaching. 1810s-1820s = There is something approaching, that alarms the boy. 1890s-1900s = The boy has something approaching to warn him. 1990s-2000s = Something approaching in the distance, the boy warns. english_tweet = The boy is warning something approaching. joyce = The boy warns something approaching. lyrics = There's something approaching boy romantic_poetry = The lad warns something approaching, switchboard = the kid is warning something approaching Input = But, like a misbehaved and sullen wench, Thou pout’st upon thy fortune and thy love. Paraphrase = but, like a bad and unhappy woman, Thou will be on your luck and love. aae = But, like bad and miserable as a wife, Thou'll be on yo own luck and love.. bible = But thou, like an evil and unhappy woman, wilt bring thy husband to shame and to weeping. 1810s-1820s = But, like an unhappy and misfortunate woman, Thou wilt fortune and love unseat. 1890s-1900s = But, like a bad and unhappy wife, Thou wilt fare on the luck and the love of fortune. 1990s-2000s = But, like a malady and a dispiriting wife, Thou will put thyself on the luck and love of Thy people. english_tweet = But, like a bad and miserable woman, thou will get a lucky and loving man. joyce = But, like a bad and unhappy woman, thou will arouse thy fortune and be in thy will. lyrics = But, like a bad and unhappy woman Thou will be on your luck and love romantic_poetry = But, like a bad and unhappy wife, switchboard = but like the uh bad and unhappy wife Thou'll Be On Your L- Luck and Love and Input = Commend me to your daughter. Paraphrase = I'm sorry about your daughter. aae = I feel bad for your daughter bible = I forgave thy daughter. 1810s-1820s = I am sorry that you have any daughter. " 1890s-1900s = I am sorry for your daughter--I am sorry for you. 1990s-2000s = ( stops herself) I'm sorry about your daughter. english_tweet = I'm sorry to hear that. Sending you my condolences joyce = My darling, I’m sorry for your daughter. lyrics = I want to say I'm sorry your daughter romantic_poetry = My child, pity your poor unlovely daughter. switchboard = well i'm sorry your daughter Input = Ay, the heads of the maids, or their maidenheads. Paraphrase = yes, the heads of the maids, or the maidenhead. aae = yea maid heads or maidenhead ones bible = Yea, heads of maidens, or heads of maidenheads. 1810s-1820s = Yes, to the maids' heads, or maidenheads--There is no difference. 1890s-1900s = Yes, Maidens, or maiden-heads, were the heads of maidens. 1990s-2000s = Yes, maids' heads, or maidenhead's heads. english_tweet = Yes. The maids, or Maidenhead heads. joyce = O yes, maidyheads, or maidenheads. lyrics = Yes, heads of maids, or maiden heads romantic_poetry = Yes, maidens' heads, or maidenhead'd maids, switchboard = yes the heads of maids or the maiden heads yeah Input = There's no trust, No faith, no honesty in men; all perjur'd, All forsworn, all naught, all dissemblers.     Paraphrase = my brother's baby, my brother! aae = My brother baby brother!! bible = My brother, behold thy son! 1810s-1820s = The child of my brother--the child of my brother! 1890s-1900s = HERRICK My brother's child, my brother! 1990s-2000s = ( Beat) My baby, my brother's baby! english_tweet = My brother baby!!! joyce = My brother’s child! lyrics = My brother, my brother, my brother! romantic_poetry = My sister's infant, my brother! switchboard = my brother has a Input = I warrant, an I should live a thousand years, I never should forget it. Paraphrase = I'm sure I'll live a thousand years, I'll never forget it. aae = I swear I live a thousand years I'll never forget that bible = I know that I shall live a thousand years, and that my days shall not fail. 1810s-1820s = I expect to live a thousand years; I shall never forget that I am in the presence of my Maker. 1890s-1900s = I know I shall live a thousand years, I shall never forget it. " 1990s-2000s = I have no doubt I will live a thousand years, I will never forget it. english_tweet = I think I can live a thousand years, I can never forget that joyce = I can see that I will live a thousand years, will never forget that for ever. lyrics = I promise to live a thousand years, I'll never forget romantic_poetry = I doubt I'll live a thousand years, I'll never forget switchboard = i know i'll live a thousand years i'll never forget that i know that's a lot of time Input = It is “music with her silver sound” because musicians have no gold for sounding. Paraphrase = it's a silver sound because musicians don't have gold for the sound. aae = This is a silver sound cause musicians don't get gold for the sound of silver. bible = It is a sound of silver because there is no gold to make the sound thereof. 1810s-1820s = It is the sound of silver because musicians have not gold for their sound. 1890s-1900s = It is a sound of silver because musicians don't have gold for the sounds. 1990s-2000s = That's a silver sound because musicians don't have gold for sound. english_tweet = It's a silver sound because musicians don't have gold for sound. joyce = Because musicians’ don’t have gold for the sound it’s a silver sound. lyrics = It's silver sounds because musicians don't get gold romantic_poetry = 'Tis silver sound because no musical god hath gold switchboard = that's a silver sound because musicians don't have gold for the s- for the sound Input = Thou shalt be loggerhead.Good faith,'tis day.  Paraphrase = oh, my God, I could change the case. aae = lol i could change my case bible = Behold, I could change the case of thee. 1810s-1820s = O, God, I could have made a different case. 1890s-1900s = I--I could change the case, oh, my God! 1990s-2000s = <p> Jesus, I could make a change in the case. english_tweet = Oh, dear, I could change this case. joyce = O, I could have changed that case. lyrics = My god, I could change the case romantic_poetry = But ah! could I change the case, switchboard = oh God i could change the case Input = By my heel, I care not. Paraphrase = I'm not interested in my heel. aae = I don't want my heel I want the whole heel bible = My heel is not my delight. 1810s-1820s = I don't care my heel at all. 1890s-1900s = I don't want my heel to come in on you. 1990s-2000s = I don't want my heel in my mouth. " english_tweet = I dont have my heel to do anything joyce = I am not interested in my heel. lyrics = I don't care about my heel romantic_poetry = My heel I take no heed, nor seek switchboard = my heel doesn't want to come out Input = Therefore he that cannot lick his fingers goes not with me.  Paraphrase = if she's healthy, nothing can be bad. aae = Nothing can be wrong with her if she's healthy bible = And if she be in health, there is nothing displeasing in her. 1810s-1820s = If she be healthy, nothing can be wrong in her. 1890s-1900s = Nothing could be wrong if she were healthy. " 1990s-2000s = If she was healthy, there would be nothing wrong with her. english_tweet = Nothing can be bad if she's healthy. joyce = Nothing can wrong with her if she is healthy. lyrics = If she's healthy nothing can go wrong romantic_poetry = Nought can wrong her if she's healthy, switchboard = i mean nothing can be wrong with her if she's healthy Input = Dry sorrow drinks our blood.  Paraphrase = what if the mixture doesn't work? aae = How do you work a mixture if it doesn't work right? bible = or what if the mixture fail? 1810s-1820s = What if the mixture does not do the work? 1890s-1900s = What if the mixture did not succeed? 1990s-2000s = How can you tell if the mixture doesn't work? english_tweet = What if the mix doesn't work? joyce = What if the mixture didn’t work? lyrics = What would you do if the mixture doesn't work? romantic_poetry = What if the mixture fails? switchboard = what if the mixture doesn't work Input = They have made worms' meat of me. Paraphrase = they've made me a worm's meat. aae = They made me some worm meat bible = They have made me worm's flesh. 1810s-1820s = They have made me the meat of worms. 1890s-1900s = They have made me a worm's-meat, all of them. 1990s-2000s = They made me into a worm's meat. " english_tweet = theyve made me worm meat joyce = They made me a worm’s flesh. lyrics = They made me a worm. romantic_poetry = They made me a worm's meal, switchboard = and they made me a worm's meat Input = Come, he hath hid himself among these trees To be consorted with the humorous night. Paraphrase = he hid in the trees to be consoled by the humorous night. aae = Did a undercover in the trees to be consoling hilarious night.... bible = To make his consolations to be in the trees, and to be consoled by the humorous night. 1810s-1820s = To consign himself to a state of humour in the night, he concealed himself in some of the trees. 1890s-1900s = And he was in hiding in the trees to be consoled by the humorous night. 1990s-2000s = Hiding from the humorous night, he went out to see if there were any pines. english_tweet = Hiding in the trees to be consoling himself with humorous nights. joyce = him hiding in the trees to be consoled by the funny night of the woods. lyrics = Hiding in trees to consoled by his funny evening romantic_poetry = To consol at night, hiding from the humorous day. switchboard = and he was hidden from the com- from the tree he was he was consoled by the funny night he went to Input = I would not for the world they saw thee here.   Paraphrase = open the tomb and let's go. aae = open up a tomb and let it blow me bible = Open ye the sepulchre, and let us go in. 1810s-1820s = Now open thy tomb and let us away. 1890s-1900s = Open this tomb, and let us go in. " 1990s-2000s = Open a tomb and let us go to it. english_tweet = Open your tombs and let me joyce = Open tomb and leave. lyrics = Open up your tomb and let it be romantic_poetry = Open your tombs, and let them be free. switchboard = open up the tomb and let's go Input = No, not till Thursday. Paraphrase = no, until Thursday. aae = naw. Till Thursday bible = And he said, Nay, till Thursday. 1810s-1820s = Nay, till Thursday--No, till Thursday. 1890s-1900s = No, until Thursday, " said the girl. " 1990s-2000s = <p> Not until Thursday, no, not until Thursday. english_tweet = Nope until Thursday joyce = Nay, till Thursday. lyrics = Oh no, 'til Thursday. romantic_poetry = Nay, till Thursday comes, switchboard = no and until Thursday Input = My master is the great rich Capulet; and if you be not of the house of Montagues, I pray, come and crush a cup of wine. Paraphrase = I'm the great rich Capulet, and if you don't belong to the Montagues, I'll crush your wine. aae = I'm the great rich Capulet, and if you're not from the Montagues I will crush your wine bible = I am the great rich Capulet, and if thou shouldest not belong to the Montagues, I will crush thy wine. 1810s-1820s = Alberto My name is the great rich Capulet, and if thou art not the Montagues, I'll crush thy wine in my hand. 1890s-1900s = I am the great rich Capulet, and if you are not of the Montagues, I will crush your wine, and so make you mad. 1990s-2000s = I'm the Great Rich Capulet, and if you're not from the Montagues, I'll crush your wine, you sot. english_tweet = I'm the great rich Capulet, and if you're not part of the Montagues, I'll crush your wine. joyce = I am the great rich Capulet, and if you don’t belong to the Montagues, I’ll crush your wine. lyrics = I'm the great rich Capulet, and if you don't belong to the Montagues, I'll crush your wine romantic_poetry = I am the great rich Capulet, and if ye're Montagues, I'll crush your wine; switchboard = i'm the great rich Capulet and if you don't belong to the Montagues i'll crush your wine Input = This is that very Mab That plats the manes of horses in the night And bakes the elflocks in foul sluttish hairs, Which once untangled much misfortune bodes This is the hag, when maids lie on their backs, That presses them and learns them first to bear, Making them women of good carriage. Paraphrase = it's the Mab that's the horse's hair, and the elflocks are the hair, which once fell into the hands of a woman, who was a bad thing. aae = It's the Mab that ride the horse hair & the elflocks that run in the hay, which once fell into the hands of a female, who's a bad thing bible = This is the Mab that is upon horses' hair, and the hair of the flocks, which once fell by the way of a wicked woman, whose father's heart was evil in her, and he did evil to her. 1810s-1820s = It is the Mab that pines over the horse's mane, and the elflocks are the tufts of hair, which once fell into the hands of an evil-doer, who had just fallen on his knees 1890s-1900s = This is the Mab that is the horse's hair, and the elflocks are the hairs, which once dropped into the hands of a woman, who was an evil thing, and a thing to be pitied. 1990s-2000s = This is the Mab that sears the horse's hair, and the elflocks are the hair, once falling into the hands of a maiden, who becomes the source of evil in the whole earth. english_tweet = It is the Mab that is the horse's hair, and the elflocks are the hair, which once fell into a woman, who was a bad t joyce = this is the Mab that in the horsehair elflocks the thing in which once fell down into the hands of a bad woman, who lyrics = It's the Mab that's the horse's hairs, and the elflocks are the hairs, which once fell in the arms of a woman, a bad thing to do. romantic_poetry = 'Tis Mab that hair a' the elflocks, which once drew fair women's wrongs, switchboard = it's the Mab that's the horse hair the elflocks are the the horse hair i mean they're all they're the the one and only horse hair that once fell out of the hands of a lady that was a bad Input = All are punish'd. Paraphrase = everyone will be punished. aae = everybody getting punished. bible = everyone shall be put to death. 1810s-1820s = All will be punished, for the moment. 1890s-1900s = All would be in vain; every man would be punished. 1990s-2000s = All the others are going to be punished by us. english_tweet = EVERYONE GET PAVED. joyce = For everyone to be punished. lyrics = All the boys will be punished. romantic_poetry = All must be punished. Then all shall know switchboard = yeah everybody's gonna get punished Input = Dear love, adieu.— Anon, good Nurse!—Sweet Montague, be true. Paraphrase = love, farewell. - Anon, good nurse! aae = Love. Goodbye. - Anon, good nurse! bible = Deliver, my love; farewell. 1810s-1820s = Aunt Deborah Well, love, farewell--Anon, good nurse! 1890s-1900s = LOVE, OON END THE WALF-- Anon, good nurse! 1990s-2000s = <p> LOVE, BOURNE (to the stage) - Anon, good nurse! english_tweet = Love, goodbye. - Anon, good nurse! joyce = Love, farewell. lyrics = Love, farewell. - Anon, good nurse! romantic_poetry = Love, farewell.--Anon, good nurse! be thou there switchboard = well love bye-bye Input = My life were better ended by their hate Than death proroguèd, wanting of thy love.  Paraphrase = there's a lot of grief, but there's still a lot of love. aae = Grief is not a sin, but there's always a lot of love. bible = Grief hath filled the land; but still there is a good portion reserved unto love. 1810s-1820s = There is grief here, but there is also a sense of love. 1890s-1900s = There is much sorrow here, but there is still much love. 1990s-2000s = There is a lot of grief, but there is still a great deal of love. english_tweet = So much grief here but theres still so much love to give. joyce = There’s so much grief but still there’s so much love in her. lyrics = There's so much grief but there's still a lot of love romantic_poetry = There is grief, but still a great love. switchboard = you know there's there's a lot of grief but there's still a lot of love Input = Dost thou love me? Paraphrase = do you like me? aae = Do you love me? yes or no bible = do ye love me? 1810s-1820s = Dost thou love me, friend? 1890s-1900s = H'm, do you like me? " 1990s-2000s = Are you sure you like me? " english_tweet = Do you love me? (Nam) joyce = Have you liked me? lyrics = Do you love me? romantic_poetry = Have ye ever loved me? and do ye now switchboard = do you like me Input = Two such opposèd kings encamp them still, In man as well as herbs—grace and rude will.  Paraphrase = I'd like to confess to you. aae = I wanna confess to you. bible = I would confess unto thee. 1810s-1820s = I wish you would allow me to confess it. 1890s-1900s = I'd like to confess to you, you know. " 1990s-2000s = I want to come out and make a confession. english_tweet = I wanna confess to you. joyce = I would like to confess to you. lyrics = I want to confess romantic_poetry = I wish to confess to thee. O that I switchboard = i wish i could confess to that Input = We cannot be here and there too. Paraphrase = we're not here, and we can't be. aae = we don't come out here and we can't be bible = we cannot, and cannot be, as others. 1810s-1820s = We have no place here, and we cannot be so. 1890s-1900s = We have no place here, and we can't be. 1990s-2000s = We don't have it here, and we can't have it. english_tweet = No we are not and it can't be. joyce = We are not here. lyrics = And we can't be here romantic_poetry = That we are not here, and that we cannot be. switchboard = yeah and we couldn't be here Input = Juliet, the County stays. Paraphrase = Julie, the county's staying. aae = Julie county stay on bible = The lodging of the country. 1810s-1820s = Count Almeyda But, Julie, the county stay. 1890s-1900s = Juliette, that the county may stay. " 1990s-2000s = ( She nods) Julie, the county stays. english_tweet = julie the county stayin joyce = Julie, county staying. lyrics = Julie, the county stayin' romantic_poetry = Julie, the county staying, switchboard = Julie county stays Input = O, wilt thou leave me so unsatisfied?       Paraphrase = what do you say, my dear nurse? aae = what y'all say nurse?  O sweet nurse, switchboard = well what do you say uh my lady Input = Go get thee to thy love, as was decreed, Ascend her chamber, hence and comfort her. Paraphrase = as was ordered, go to your love, as she was promised. aae = Go to your love as was told, go to your love as was promised. bible = And the man said unto his lord, As was commanded, go in unto thy beloved, as she hath been promised. 1810s-1820s = Go to thy love, as was ordered, and do as she hath directed. 1890s-1900s = Go thy way in thy love, as was ordered, for thy wife's sake. 1990s-2000s = Go to your love, as was ordered, and tell her you love her, not just the man she was promised. english_tweet = Go to your love, as was ordered, go back to your love, as was promised. joyce = Whiles you were to go in love, as was put in her, as it was fore promised, be left to lyrics = Go your love, as was command, go your love, as she was promised romantic_poetry = Go to thy loves, as was ordered, switchboard = as was ordered go in there and love as she was promised Input = Affliction is enamour’d of thy parts, And thou art wedded to calamity.   Paraphrase = you're not going to argue, are you? aae = Lol you can't argue bible = And they said unto him, Art thou not come to the king to speak? 1810s-1820s = You will not quarrel, my dear sir, are you not? 1890s-1900s = You won't argue about that, will you? 1990s-2000s = You can't argue, can you? " english_tweet = You can't argue with that, aren't you? joyce = Are you not going to argue? lyrics = You don't have to argue romantic_poetry = Are ye not now, Sir, arguing fair? switchboard = you can't argue huh Input = We’ll keep no great ado, a friend or two. Paraphrase = we won't be much of a big deal, a friend or two. aae = Ain't nothin to much to do, a friend or two will be great bible = And I said, We shall not be much in the midst of thee; a friend or two. 1810s-1820s = Friend or two, we shall not be much concerned about. 1890s-1900s = We'll not have much to do with it, a friend or two. 1990s-2000s = And we're not going to be much of a big deal, a friend or two. english_tweet = not much to brag about, but we'll keep you in our thoughts, a big hug from you joyce = We won’t be much, a friend or two. lyrics = And we'll never be much of a big deal, a friend or two romantic_poetry = We'll be but little in number, a friend or two; switchboard = we're not going to be that big a deal a friend or two Input = I will be brief, for my short date of breath Is not so long as is a tedious tale. Paraphrase = I'll be brief, for my short breath is not so long. aae = Ima be brief, for my brief breath is not so long. bible = My breath shall be short; for my shortness is not so long. 1810s-1820s = A short breath shall be sufficient for me, for my short breath is not so long. 1890s-1900s = Let me state briefly, for my short breath may not be so long. 1990s-2000s = I'll be brief, for my short breath is not so long. english_tweet = Let me just say, for my short breath is not that long joyce = I will brief my short breath. lyrics = I'll take my time, for my short breath isn't so long romantic_poetry = Shall I brief it for my brief breath; switchboard = i'll be brief for my my short breath is not that long Input = How silver-sweet sound lovers' tongues by night, Like softest music to attending ears! Paraphrase = the sweet, soothing sounds of lovers' tongues, like the best music to listen to! aae = Sweet, relaxing sounds of lovers tongue, like the best music to listen to! bible = The pleasant sound of lovers' tongues, like the best musick to be heard by men! 1810s-1820s = The sweet, harmonious sounds Of lovers' tongues, can now be heard, Like musick to listen to! 1890s-1900s = Sweet, mellow sounds that lovers' tongues, Like the best music to listen to! 1990s-2000s = I love the sweet, soothing sounds of lovers' tongues, like the best music to listen to! english_tweet = the sweet, calming sounds of lovers' tongues, like the best music to listen to! joyce = The sweet soothing sounds of lovers’ tongues, like the best music to listen to! lyrics = Sweet lovers tongues like the finest music to listen to! romantic_poetry = Sweet, balmy sounds from lovers' tongues, like the sweetest music to hear! switchboard = like the sweet melodies of lovers' tongues sounds so relaxing and like the best music to listen to is just like Input = That “banishèd,” that one word “banishèd” Hath slain ten thousand Tybalts. Paraphrase = the banishment, the word "banishment" has killed ten thousand Tybalts. aae = The banishment, the word \"banishment\" has killed ten thousand Tybalts bible = And the word that was spoken against Tybalts, that they should be driven out, hath been fulfilled, which the LORD spake against 1810s-1820s = Thy banish'd word, " banish'd " Has slain ten thousand Tybalts. 1890s-1900s = The word " banishment " has killed ten thousand Tybalts. 1990s-2000s = Ten thousand Tybalts have died from the word " banishment. " english_tweet = I thought it was too late to say that. 10,000 Tybalts have been destroyed by the ban joyce = The ten thousand Tybalts that are dead now in the word of banishment, the word of our existence, has the power of lyrics = The banisher, the word "banisher" killed ten thousand Tybalts romantic_poetry = Thy banish'd, wordless "banishment" ten thousand Tybalts have died. switchboard = the banishment and the word "banishment" has killed ten thousand Tybalts Input = Thou! Paraphrase = you! You! You! You! aae = Girl you!  You! You! You! You! joyce = You! lyrics = You! You! You! You! You! You! You! romantic_poetry = Hush! hush! hush! hush! and pray that Heaven be thy switchboard = you you you have any Input = What, shall I groan and tell thee?   Paraphrase = Julia, for her sake, stand up. aae = Julia for her lol stand up bible = And he said unto her, Stand up for thy sake. 1810s-1820s = Stand up, Julia, for her sake; stand up, for your sake. 1890s-1900s = Julia Stand up, Juliet, for her sake. 1990s-2000s = Julia, for her sake, to a standstill. english_tweet = Hey Julia, stand up for her. joyce = Stand up for her, Julia. lyrics = Julia, stand up, stand up for her romantic_poetry = Julia, for her sake stand, switchboard = uh stand up for Julia Input = What satisfaction canst thou have to-night? Paraphrase = what satisfaction can you have tonight? aae = What satisfaction can you have tonight? bible = And he said unto them, What satisfaction is it that ye seek? 1810s-1820s = what satisfaction can there be in this night's toil? 1890s-1900s = How can you have any satisfaction this evening? " 1990s-2000s = What satisfaction could there be in staying tonight? english_tweet = What satisfaction can you have tonight? joyce = What satisfaction can you have in that evening? lyrics = Tonight what satisfaction can you have romantic_poetry = What can you, tonight, in comfort, switchboard = so what kind of satisfaction could you get tonight Input = You have dancing shoes With nimble soles. Paraphrase = you're wearing shoes with a nimble toe. aae = You got on shoes wit that nimble toe bible = Thou wearest shoes with a nimble toe. 1810s-1820s = Ye wear shoes with a nimble toe, for in your line of work ye are not at home 1890s-1900s = You wear shoes with nimbleness of toe. " 1990s-2000s = You wear shoes with nimble toes that break the laws of gravity. english_tweet = You wear shoes with a nimble toe joyce = You have nimble toes on your shoes. lyrics = Wear your boots with nimble toes romantic_poetry = Thou wear'st shoes wi' nimble heels, switchboard = you have to wear shoes with a nimble toe Input = Brother, ho! Paraphrase = brother, I'm sorry, but I have aae = brother pleaseeeee bible = My brethren, forgive me this transgression. 1810s-1820s = Brothers, I have done with you. ' 1890s-1900s = Brother, I'm so sorry--I've made you. " 1990s-2000s = Brother, I'm sorry, I'm having trouble. english_tweet = Blessings brother. joyce = brother! lyrics = Brother, I need to know romantic_poetry = My brethren, pity me, but I am switchboard = brother i'm sorry Input = Commend me to thy mistress.  Paraphrase = I have a great head! aae = I'm havin hella head!!!! bible = My head is great! 1810s-1820s = ( throwing himself on the ground) A head so mighty! 1890s-1900s = And my head is so big that I have a great deal of time! 1990s-2000s = And my head is a very big one! english_tweet = Head is so fine!!! joyce = I have a splendid head! lyrics = My head is really awesome! romantic_poetry = My head is wondrous wide! and now switchboard = i've got a head of steam Input = O trespass sweetly urg'd!  Paraphrase = the mouse is the mouse, the cop's word! aae = I'm the mouse the cop word! bible = The mouse travaileth; the cop's word is turned into mice! 1810s-1820s = Widow Danvers The mouse's the mouse, the cop's word! 1890s-1900s = The mouse's the mouse, and the policeman's word! 1990s-2000s = Mouse is the mouse, cop is the cop! " english_tweet = Im sure the mouse is the mouse. The cop's word, is just nice to use! joyce = The mouse is the mouse, the cop’s word! lyrics = Word up! The cops is chasing the mouse romantic_poetry = The mouse is the cop, the word's a'! switchboard = the uh the cop word is the mouse Input = Do you like this haste? Paraphrase = do you like the speed? aae = Y'all like the speed? bible = Is thy love of speed? 1810s-1820s = Pilgrim Do you like the speed? 1890s-1900s = Are you satisfied with the speed? " 1990s-2000s = Do you like the speed of it all? " english_tweet = Are you in love with the speed? joyce = Do you like your speed? lyrics = Do you like the speed? romantic_poetry = O wert thou like the speed of the speed? switchboard = do you like the speed Input = Hast thou slain Tybalt?  Did ye not then switchboard = did you kill Tybalt Input = I am the greatest, able to do least, Yet most suspected, as the time and place Doth make against me, of this direful murder; And here I stand, both to impeach and purge Myself condemned and myself excus'd. Paraphrase = I'm the greatest, able to do the least, but most feared, of the terrible murder, and I'm standing here, both to defend myself and myself. aae = I am the greatest, able to do the least, but most dreaded, massacre, and stand here, both to defend myself and self. bible = I am the most High, able to do the least, but most feared, of the terrible murders, and to stand before thee, both to justify myself, and to make known my cause. 1810s-1820s = I am the greatest, able to do the least, but most dreaded, of the awful murder, and stand here, both to vindicate myself and myself from this crime. 1890s-1900s = I am the greatest, able to do the least, but most dreaded, of the dreadful murder, and here I stand, both to myself and to my country. 1990s-2000s = I am the greatest, able to do the least, but most feared, of the horrible murders, and standing here, both to defend myself and myself to others, I must know why this is the case. english_tweet = I'm the greatest, able to do the least, but most dreaded, of terrible murder, and I stand here, both t joyce = for I am the greatest, able to do the least, but most feared, of the horrible murder, standing here, both to defend lyrics = I'm the greatest, able to do the least, but most feared, of the terrible murder, and I stand here, both to guard myself and myself romantic_poetry = I am the greatest, able most to shun, but most feared, of horrid murder; switchboard = i am the greatest able to do the least but most feared i mean that's what that's what you're saying but most feared you know for the terrible murders that go on around here and Input = It is the lark that sings so out of tune, Straining harsh discords and unpleasing sharps. Paraphrase = it's a lark that's singing so badly, straining the harsh discords and unpleasurable sharpness. aae = It's a lark that sings so bad, straining the harsh discords and unpleasable sharpness. bible = This is a lark that crieth so grievously, straining the harsh discords and unpleasurable sharpness. 1810s-1820s = It is the lark that is singing so horribly, straining the harsh discords and unpleasing sharpness of our accents. 1890s-1900s = It is a lark that sings so badly, straining the harsh discords and unpleasing sharpness. 1990s-2000s = It was a lark that sang so miserably, straining the harsh discords and unpleasurably sharp. english_tweet = its a lark that sings so crayonish straining the harsh discords and unpleasurable sharpness. joyce = is a lark that’s singing so badly, straining the harsh discords and unpleasurable sharpness. lyrics = It's a lark that's singing so badly, straining those harsh discords and unpleasurable sharpness. romantic_poetry = It is a lark that sings so sadly, straining its harsh discords and unpleasurable sharpness. switchboard = it's a lark that sings so bad straining the harsh discords and unpleasurable sharpness it's kind of a lark that's it's not Input = That were some spite; my invocation Is fair and honest: in his mistress’ name, I conjure only but to raise up him. Paraphrase = I only ask him to raise him in the name of my mistress, but I'm not asking him to raise him. aae = Only bitch I ask to raise him in my name but I ain't asking to raise him as my mistress bible = But I beseech him only that he would raise him up in the name of my mistress: for I am not willing that he should be defiled. 1810s-1820s = I only enjoin him to raise him up in the name of my mistress, but I don't enjoin him to raise him up in the name of his mistress. 1890s-1900s = I have only asked him to raise it in the name of my mistress, but I haven't asked him to raise it. 1990s-2000s = I merely urge him to raise him in the name of my mistress, but I don't require that he raise him in the name of me. english_tweet = I only had to ask his mistress to raise him in her honor, but it wasn't me joyce = I only asked him to raise it in the name of my mistress but he could not raise it lyrics = He raised it in my mistress's name but I ain't askin him to raise it up romantic_poetry = My mistress' homage but begs him raise switchboard = and my uh my boyfriend only asks me to raise him i'm not asking him to raise him but he has a pitiful puppy and i think Input = What eye but such an eye would spy out such a quarrel? Paraphrase = what eye would see such a dispute? aae = What eye would see such a conflict bible = What eye hath seen such a controversy? 1810s-1820s = What eye would not have seen such a quarrel? 1890s-1900s = What eye would see such a dispute as this? " 1990s-2000s = What eye would see such a quarrel of the mind? english_tweet = What eye would see such a dispute? joyce = What eye would ever see such a discord? lyrics = What eye would see such a dispute romantic_poetry = What eye would view such contention, switchboard = uh what eye would see such a dispute Input = Let me stand here till thou remember it. Paraphrase = I'll stand here until you remember. aae = I'm standing here until you remember bible = And I will stand until thy remembrance come. 1810s-1820s = I will stand here, till you remember me. 1890s-1900s = I'll stand up until you remember. " 1990s-2000s = I'll stand here until you remember it. " english_tweet = Im standing here until you remember. joyce = Stand here till you remember. lyrics = I'll stand here until you remember romantic_poetry = I'll stand there till you remember switchboard = and i'll stand there until you remember Input = all men call thee fickle.   Paraphrase = who's gonna pay the price for his blood? aae = Who payin for his bloods? bible = and who shall pay the price of his blood? 1810s-1820s = Who pays the forfeit of his blood for his poison? 1890s-1900s = Who was he to pay the price of his blood? 1990s-2000s = Who is he to pay for his own blood? english_tweet = Who will pay the price for his blood? joyce = Who is to pay his blood price? lyrics = Who paid the price for his blood? romantic_poetry = Who pay for his blood? but he who hath switchboard = who was going to pay for his blood Input = What says Romeo?  Ah! what is it? 'Tis a lark, switchboard = what's the word for it Romeo Input = O that she knew she were! Paraphrase = she must have known she was! aae = She must know she was! bible = And she said, Have I known? 1810s-1820s = She must be aware that she is! 1890s-1900s = Why, she must know she was! 1990s-2000s = She must have known that she was! english_tweet = She had to know she was! joyce = Must she know she’s! lyrics = She musta known that she's gonna be! romantic_poetry = And she must have known! 'Tis she switchboard = and i guess she must have known that she was Input = But now I’ll tell thee joyful tidings, girl. Paraphrase = but I'll tell you a happy news, girl. aae = But I'm gonna tell u a happy news gurl bible = But I will tell you a happy tidings, O daughter of Jerusalem. 1810s-1820s = But let me tell you a happy news, girl. 1890s-1900s = But I want you to tell me a happy news, girl. " 1990s-2000s = But I'll tell you a happy news, girl. " english_tweet = But I will be telling you happy news, girl. joyce = But I’ll tell you a happy news, girl. lyrics = But I'll tell you a happy little story girl romantic_poetry = But now, my bonie lass, tell me a happy news, switchboard = but i'll tell you a happy news is that uh i've got a girlfriend that Input = Be rul'd by me: forget to think of her. Paraphrase = don't think about her: Don't think about her. aae = Don't Think About Her : Don't Think About Her bible = Think not on her: think not on her. 1810s-1820s = Think not of her: think not of her. 1890s-1900s = Don't think of her: don't think of her. 1990s-2000s = Don't let her mind you: Don't think about her. english_tweet = Her: Dont think about her Me: joyce = Don’t think of her: don’t think of her. lyrics = Don't you think about her: don't you think about her romantic_poetry = And never think of her: never think switchboard = don't think about her Input = I’ll bury thee in a triumphant grave. Paraphrase = I'll bury you in a triumphant tomb. aae = I'll bury you victorious bible = A glorious sepulchre will I lay thee in. 1810s-1820s = Let me bury thee in the haughty sepulchre. 1890s-1900s = I will bury you in a triumphant tomb. " 1990s-2000s = I'm going to bury you in a triumphant tomb. english_tweet = I will bury you in a victorious tomb. joyce = I will bury you in a triumphant tomb. lyrics = I'll bury you in a triumphal throne romantic_poetry = I'll bury thee in triumphal store, switchboard = let me bury you in the glory of Input = What wilt thou tell her, nurse?  Paraphrase = Tybalt, the killer, who's running? aae = Tybalt the killer, who run it? bible = Tybalt, the slayer, that runneth? 1810s-1820s = Tybalt, the murderer, who is it that runs? 1890s-1900s = Tybalt, the slayer, Who runest to thy doom? 1990s-2000s = Tybalt, the killer, who's running? " english_tweet = Tybalt, the killer, running? joyce = Tybalt, murderer, running? lyrics = Tybalt, the killer, who runnin'? romantic_poetry = Tybalt, the murd'ring scion, who doth run? switchboard = Tybalt the killer huh what are they running Input = Do as thou wilt, for I have done with thee.  Paraphrase = care keeps an eye on the old man, and where he sleeps, he's never going to sleep, but he's never going to sleep. aae = Caring keep an eye on the old man, & where he sleeps, never fails but never fails at the same time bible = Caretakers of the aged keep watch: where they lay down, it is never light; but they are in perpetual darkness, and their sleep is never quenched. 1810s-1820s = Care keeps an eye on the old man, and where he sleeps, it is only to be wakened by the watchful eyes of the negro, who wakes, and sleeps no more. 1890s-1900s = Care keeps an eye on the old man, and where he sleeps he has never to sleep; but care never goes on watching for the old man's wakeful side, for it is never awakened 1990s-2000s = Care keeps an eye on the old man, and where he sleeps, he is never asleep at all, but instead he is in the middle of the night, rummaging in the cluttered english_tweet = Care keeps an eye on the old man, and where he sleeps, his sleeping routine never fails, but his joyce = Care keeps an eye on the old fellow and where he sleeps in the country he never, however, gets a little lyrics = Care keeps an eye on an old man, and where he sleeps it never sleeps, but he's never gone to bed romantic_poetry = Care keeps watch with old man, and where he sleeps, never doth spring; switchboard = care keeps an eye on the old man and where he sleeps he doesn't go to sleep but he he never gets to sleep so that's a real way of keeping him awake but Input = Buy food and get thyself in flesh.  Paraphrase = don't hold me, I'm going. aae = don't hold me back, I'm coming bible = Hold not me, that I should be taken. 1810s-1820s = Do not detain me, I go. 1890s-1900s = Don't hold me, I'll go away. " 1990s-2000s = Don't hold me, I want to go. english_tweet = Dont hold me, Im coming joyce = Don’t hold me. lyrics = Don't hold me, I'm on my way romantic_poetry = And don't hold me thus,--my journey's begun. switchboard = don't hold me Input = The what? Paraphrase = what's the point? aae = lol what's the point? bible = And he said unto him, What is this thou hast? 1810s-1820s = ( they stare at him) what's the matter? 1890s-1900s = ( To RICHARD) What are you doing? 1990s-2000s = <p> What did he mean by that? english_tweet = What is the point? It doesn't take a lick. joyce = What is it now? lyrics = What do I care? What am I? romantic_poetry = Why am I babbling? What is the matter? switchboard = what do you mean Input = More light and light, more dark and dark our woes! Paraphrase = light and light, more darkness and darkness! aae = Light and more darkness!!!! bible = And the LORD said unto Moses, Light and light, more darkness and more deep! 1810s-1820s = And light and light, more darkness and gloom! 1890s-1900s = Light and light, more gloom and gloom! 1990s-2000s = Light and light, more of darkness and more of the light! english_tweet = Bend and bend! More darkness and more maghrib! joyce = Light and light, more gloom and gloom! lyrics = Get light and more, more darkness and more darkness! romantic_poetry = Of light and light, more shade and gloom than light! switchboard = more and more dark and more light Input = Peace, you mumbling fool! Paraphrase = peace, you fool! aae = Peace Fool!  Peace, you fool! Peace! romantic_poetry = Peace, wretch! thou tinker of all things! switchboard = war peace you fool Input = What says Romeo?  Is a boy a-roving? switchboard = what's the word for it Romeo Input = The earth hath swallowed all my hopes but she; She is the hopeful lady of my earth.  Paraphrase = I'd be a glove on my hand, so I could touch him! aae = I could've had a glove on, so I could touch it! bible = that I should make him a glove, that I might touch him therewith! 1810s-1820s = would that I could touch it, with a glove! 1890s-1900s = I would have my hand on his arm, so that I could touch him with my glove! 1990s-2000s = And I'd be the glove on his arm, so I could touch it! english_tweet = I would be a glove on my hand so I could rub it in his face! joyce = and glove my hand to his hand! lyrics = Could I, I could touch it in my hand! romantic_poetry = My hand, that touch'd him so tenderly! switchboard = i'd i'd be a glove on my hand i'd i'd be a hand on my heart so i could touch him Input = Nay, that's not so. Paraphrase = no, it's not so. aae = naw it's not that. Lol bible = Nay, that is not so. 1810s-1820s = No, it is not so. 1890s-1900s = MARY: No, it isn't so; that's all. 1990s-2000s = No, it didn't look like that at all. english_tweet = oh no, it's not so joyce = No, it’s not so. lyrics = No, it ain't so romantic_poetry = Nay, rather than be thus confounded, switchboard = no it doesn't Input = Well, what was yours? Paraphrase = what's yours? aae = wats yours? whats yours? bible = and what is thy? 1810s-1820s = Duke of Richlieu (with emphasis) What is it you 1890s-1900s = ( All the boys are up) What is yours? 1990s-2000s = ( a pause) What is yours, anyway? english_tweet = What's yours? Oh, wait, what's mine? joyce = What are you? lyrics = What's yours? What's yours? What's yours? What's romantic_poetry = What is yours? What is that of thine? switchboard = what is yours Input = O, how my heart abhors To hear him nam'd and cannot come to him, To wreak the love I bore my cousin Tybalt Upon his body that hath slaughter'd him!  Paraphrase = I'm sure she'll be ruled by me in all respects; nay, I'm sure not. aae = I got faith in her to rule in all respects; nay believe it not. bible = I have no doubt that in all things she shall be ruled by me; nay, I have not known any thing that she hath not done. 1810s-1820s = I have no doubt of it; nay, I am sure not; for she is, in all respects, governed by me. 1890s-1900s = I reckon she'll be ruled in all respects; nay, I'm certain not. 1990s-2000s = I believe she will rule in all matters; nay, I believe not. english_tweet = I know that I will rule her in all respects; nay, I can't say the same for you. joyce = O well, I know, she’ll be ruled by me in all respects; nay, I’m sure not. lyrics = In all respects I rule her; nay, I'm sure not romantic_poetry = Nae doubt but she'll be ruled by me in all respects; switchboard = i think that she's going to rule in all respects Input = O Lord, they fight!  Paraphrase = I have to act alone in my dismal scene. aae = Need to act alone in my gloomy scene bible = Therefore my soul is straitened in my dismal scene. 1810s-1820s = It was my duty to act alone in my dreary scene. 1890s-1900s = And my dire scene must act alone. " 1990s-2000s = I'm up against the wall of silence in my dismal scene. english_tweet = My dismal scene need to act alone. joyce = In my dismal scene I must act alone. lyrics = And I've got a lonely scene to act in romantic_poetry = To act alone in my dismal scene, switchboard = i've got to act alone in my dismal scene Input = Say thou but “ay,” And that bare vowel Than the death-darting eye of cockatrice. Paraphrase = "say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say aae = \" Say Say Say, Say Say Say, Say Say Say Say, Say Say Say, Say Say Say Say Say Say \ bible = And Moses said unto them, Say ye, Thus saith the LORD, I am with you: Behold, I will give you the ark of the covenant of the LORD your God, which ye have 1810s-1820s = exclaimed the count, " speak, " cried he, " speak, for mercy! 1890s-1900s = She gave a little, shuddering laugh and looked at the detective, saying,' Say,' she said, looking at him. 1990s-2000s = I want to hear a man's voice, " says L.L. " Say, " says D.C. and D.S. " Say, " says L.L. " Say, " english_tweet = "Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say, joyce = say, ’say, ’say, ’say, ’say, ’say, ’say, ’say, ’say, ’say, ’say, lyrics = "Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say romantic_poetry = "Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say, 'Say, switchboard = "say uh say you know this is a saying you know and i'll say well i can't believe you know that you know this is this is a Input = If I do so, it will be of more price, Being spoke behind your back, than to your face.   Paraphrase = the virtue is a vice, and vice is a virtue. aae = Virtue is a vice, and vice is a virtue. bible = Virtue is a vice, and vices are the fruits of it. 1810s-1820s = Virtue is a vice, and vice a virtue. 1890s-1900s = Virtue is a vice, and vice is a virtue. 1990s-2000s = The virtue is a vice, and vice a virtue. english_tweet = Henceforward is a virtue, and vice versa. joyce = That vice is vice, and vice is vice. lyrics = Mais si virtue c'est fait mais si vice romantic_poetry = Virtue is ance, and vice ance, switchboard = that the virtue is a vice and vice is a vice Input = Muffle me, night, awhile.  Paraphrase = he is ashamed to sit, for honor is a throne where honor can be honored. aae = He's ashamed to sit, for honor is a throne where honor can be rewarded. bible = Shall he therefore that sit on the throne of honour make himself to be ashamed? 1810s-1820s = He is ashamed to sit, for he knows it is a throne where honour may reign. 1890s-1900s = He is ashamed to sit; for honor is a throne where honor may be crowned. 1990s-2000s = He is ashamed to sit, for to sit is a throne where honor may be had. " english_tweet = His sat at the same time for honor is a throne where honor can be honored. joyce = him to sit, for he is abdalled to sit on the throne of honour where honour may be to it, lyrics = He's ashamed to sit, for honor's a throne where honor can honor romantic_poetry = Pitying to sit, for honour's throne where honour might sit, switchboard = and he's ashamed to sit in the for honor is a throne where honor can be honored but Input = I wonder at this haste, that I must wed Ere he, that should be husband, comes to woo. Paraphrase = I'm wondering if he's going to be a husband, so he's going to be a husband. aae = I wonder if he gone be a husband then lol #Blessed bible = I wondered therefore whether he would be a husbandman, that he should beget children. 1810s-1820s = I wonder he has been wanting in wife, that he should be a husband. 1890s-1900s = I wonder if he won't make him a husband, that he may marry him. " 1990s-2000s = I wonder if he wants to be a husband, so he goes out and gets himself a wife. english_tweet = I wonder if they can have him as a husband, so that's in place. joyce = Ought he to be a husband so he is to be a husband. lyrics = I wonder if he will be a husband, so he'll be a husband romantic_poetry = I wonder, therefore, if he be a husband, switchboard = i wonder if he would be uh an or he would be a husband i mean i'm going to Input = My leisure serves me, pensive daughter, now.— My lord, we must entreat the time alone.  O churl, drunk all, and left no friendly drop To help me after? Paraphrase = I see he's a timeless end to poison, right? aae = he's a timeless end to poison, i see, lol bible = And I saw that he was an end of all poisons, even the everlasting death, which I hate. 1810s-1820s = And I see he is the timeless end of poison, Is't not so? 1890s-1900s = I see that he is the timeless end of poison,? 1990s-2000s = He's the timeless end to poison, I see, right? english_tweet = Well I see his eternal end to poison is unending, isnt he? joyce = I see that he is the timeless end of poison, will you? lyrics = I see he's a timeless end poison, oh yeah? romantic_poetry = I see him, a timeless end to poison, switchboard = i see he's one of those timeless end of poison things right Input = Tush, thou art deceiv'd.     Paraphrase = I'm sure it's enough, 'cause it's enough. aae = I know right, cuz that's enough bible = Surely, when I say unto you, Ye shall do this thing; it shall be done unto you. 1810s-1820s = enough, I'm sure, for that, to be sure. ' 1890s-1900s = Oh, I know it, it's enough,' says I. ' 1990s-2000s = I know, I know, but it's enough. english_tweet = I agree, 'cause its enough. joyce = I know it’s enough, ’tis well. lyrics = I think that's enough, 'cause it's enough romantic_poetry = I doubt na, 'tis naething too, switchboard = i'm sure it is i'm sure it is enough because Input = Tis well thou art not fish; if thou hadst, thou hadst been poor-John. Paraphrase = if you were a fish, you'd be poor. aae = If u was a fish u would be poor bible = If thou were a fish of the sea, thou wouldest be poor: but as for thee, thou 1810s-1820s = Poor Lodger If you were a fish, you would be poor too. 1890s-1900s = If you were a fish you'd be poor. 1990s-2000s = If you were a fish, you'd be poor. " english_tweet = If you were a fish you would be poor joyce = You could be poor if you were a fish. lyrics = If you were a fish, you'd be poor romantic_poetry = If thou were a fish, thou'dst be poor, switchboard = and i think that's the way to go because if you were a fish you were poor Input = O, tell me, Friar, tell me, In what vile part of this anatomy Doth my name lodge? Paraphrase = tell me, friar, tell me, what's the name of my name? aae = tell friar i said nun wats yo name bible = And he said unto him, Tell me, friar, tell me, What is thy name? 1810s-1820s = Say, friar, say, what are my crimes? 1890s-1900s = Tell me, friar, tell me, what is my name? " 1990s-2000s = Tell me, friar, tell me, how come you to tell me my name? english_tweet = tell me friar pls, idk what's the name of my self? joyce = Tell me, friar, tell me, what’s the name of my name? lyrics = Say friar, say friar, what is my name romantic_poetry = And tell me, Friar, wha my name switchboard = what what what what what's the name of my uh oh my name is Friar Augustine Input = I am not I, if there be such an ‘I’; Or those eyes shut that make thee answer ‘I.’ If he be slain, say ‘I’; or if not, ‘no.’ Brief sounds determine of my weal or woe. Paraphrase = if he kills him, say "I" or "no." aae = If he kills it say \"I\" or \"no\ bible = And if he slew him, say, I or no, 1810s-1820s = If he kill him, say " I " or " no. " 1890s-1900s = If he kill him, say " I " or " No. " 1990s-2000s = If it's killed, say " I " or " no. " english_tweet = The answer to the question is if he kills it, say "I" or "no." joyce = Say ’tis ’tis ’tis ’tis ’tis ’tis ’tis � lyrics = If he kills it, say "I" or "no" romantic_poetry = If he should kill him say "I" or "no," switchboard = or if he kills him "say i" or "no" i just don't know Input = Nay, as they dare.  Paraphrase = then I'm gonna have a sin on my lips. aae = I think I got a sin on my lips then lol bible = Then will I commit a trespass against my lips. 1810s-1820s = then I shall be guilty of some sin upon my lips. 1890s-1900s = Then I shall have sin upon my lips. " 1990s-2000s = Then I'm gonna have a sin on my lips. " english_tweet = then I need a sin on my lips joyce = Thinking about my sin on my lips then. lyrics = Then it gets me a sin on my lips romantic_poetry = Then wha e'er shall wrack my lip switchboard = and then i have a sin on my lips Input = I will frown as I pass by, and let them take it as they list. Paraphrase = as I pass, I'll frown and let them take it as they're listing. aae = As I walk pass I'll frown and let them take it as they listing off bible = As I pass by, and incline mine ear to them that list, so will I let them take it as they list. 1810s-1820s = As I pass, I will frown and let them take that for their listing. " 1890s-1900s = I'll frown and let them take it as they list it as I pass. 1990s-2000s = As I pass by, I frown and let them take it as they list it. english_tweet = I'll frown and let them put it as they're listing it as I pass. joyce = Let them take it as they list it. lyrics = As I pass by I'll frown and let them take it as they listed romantic_poetry = And frown and let them take it as they list; switchboard = as i pass by i'm frowning and let them_1 take it as they're listing so Input = Saints do not move, though grant for prayers' sake. Paraphrase = but the Saints don't move, but for the sake of prayer. aae = But the saints ain't moving lol bible = But the saints don't move, but for the charity of prayer. 1810s-1820s = But the Saints don't move, but for the purposes of prayer. 1890s-1900s = But not the Saints, but for prayer. 1990s-2000s = But the Saints don't move on, but for the sake of prayer. english_tweet = But the Saints move not the other way around. For praying for the Church in their way. joyce = But the Saints’ minds are not moved but for prayer. lyrics = But saints don't move, but for the sake of grace. romantic_poetry = Nor Saints move but for their pray'r's sake; switchboard = but they're not moving i don't know they're going to move but for the prayer of God Input = No words can that woe sound.    Dumb.  Paraphrase = it's the voice of the friar John. aae = This is the friar john voice bible = This is the voice of the voice of the friar John. 1810s-1820s = Such is the voice of friar John. 1890s-1900s = It was the voice of Friar John. 1990s-2000s = It's the voice of the friar John, the head of the cloistered order. english_tweet = This is the voice of friar John joyce = It’s the voice of friar John. lyrics = It's the voice of the friar John romantic_poetry = This voice is the friar John's, switchboard = it's the Friar John voice Input = If I had, my weapon should quickly have been out, I warrant you. Paraphrase = I'd have taken my gun immediately if I had it. aae = If I had my gun I would of taken my fone bible = If I had had that day's victuals I would have set my face against thee. 1810s-1820s = If I had my pistol, I would put it to my head at once. 1890s-1900s = If I had it I would have put my gun into action at once. 1990s-2000s = If I had my gun, I would have taken it immediately. english_tweet = If I had that I would have taken my gun immediately joyce = If I had it I’d take it now. lyrics = I should've gone for my gun instantly romantic_poetry = Had I but my musket I would have seized it at once switchboard = i would have had my gun immediately if i had it Input = Good thou, save me a piece of marchpane, and, as thou loves me, let the porter let in Susan Grindstone and Nell.—Antony and Potpan!  Paraphrase = "what do you want to do to him?" Said the man. aae = \" Wat he doin to you?\" lmao man that's so funny bible = And the man said unto him, What wilt thou that I shall do unto him? 1810s-1820s = said he, " what is your business with him? " 1890s-1900s = What can you do for him, " he said. " 1990s-2000s = He said, " What would you like to do to him? " english_tweet = The man said "What's your intentions?" joyce = ’What’s the point of you, ’tis said to the man. lyrics = The man, he said, "What do you want from him?" romantic_poetry = The man replied: "Wha'se to him that gae switchboard = "what do you want to do to it" Said the man Input = I will not fail. Paraphrase = I'm not gonna fail. aae = I won't fail. I will be successful. bible = I will not fail. 1810s-1820s = I shall not fail in my purpose. 1890s-1900s = I won't fail to give you the best I can. 1990s-2000s = I couldn't believe I'd failed. " english_tweet = I'll fail.  Paraphrase = my man will be with you in the hour of my joy, and he will bring you a cord made of a rope that will be a high-flying of my joy. aae = Me nd my man will make up one hour the cord of our joy and bring yu a rope made of twines that will fly high n my joy bible = In the day that my joy is, my man shall be with thee: he shall bring thee cords made of a reed that shall be a cord of high flying in the day of my rejoicing. 1810s-1820s = In the hour of my joy, my man shall be with thee, and he shall bring a cord made of a rope, that shall glide above thy head, and show the cords of thy soul, to the high skies of 1890s-1900s = And in the hour of my joy my man will be with you; and he will bring you a cord made of a reed that will soar high above the cries of the spirit of the deep, and give you the cord 1990s-2000s = When you find the Cord of my High-flying, you will find it there in the hour of my pleasure, and my man will bring you it. english_tweet = My man be with you in the hour of my joy, and he shall bring you cord made of a rope that flys high o joyce = my man will come down in his hour of my joy and bring you a cord made of a ring of my rope that lyrics = My man will ride you in the hour of your joy, he will bring you a cord made of a rope that'll take you high above my high joy romantic_poetry = My man wi' thee in my hour o' joys make a cord made of rope, switchboard = and my man will bring you a cord made of rope that'll come off a high flying and fly into the sky of my joy Input = Commend me to thy lady. Paraphrase = I'm sorry to be so sorry to your lady. aae = I Miss My Lady Tooooo. bible = I am sorry to be so sorry unto thy lady. 1810s-1820s = But I beg your lady's pardon for being so much obliged to you. 1890s-1900s = I am very sorry to be obliged to make so much of your lady. 1990s-2000s = I'm sorry to be putting you off so much with your lady. english_tweet = I am so sorry to read this ladies joyce = Funny me so sorry of your lady. lyrics = Pity me so sorry lady romantic_poetry = And pray for thy lady's sake that I may be switchboard = i'm sorry my lady uh Input = O mischief, thou art swift To enter in the thoughts of desperate men! Paraphrase = you're quick to think of desperate people! aae = Your quick to think desperate people!! bible = woe unto you that are quick to think of the desperate! 1810s-1820s = You are quick to think of desperate men! 1890s-1900s = You are quick to think of desperate people! 1990s-2000s = You're quick to think of desperate people, I mean! english_tweet = Yes you quick to think desperate people are a bad thing! joyce = Thou hast quickened thought on desperate hearts! lyrics = You're quick to think of desperate people! romantic_poetry = Thou hast quick thought of desperate men! switchboard = you know desperate people just think of Input = Can you not conceive? Paraphrase = you don't think about it, do you? aae = Don't think about it do you? bible = Do ye not consider it? 1810s-1820s = You have no thoughts of it, child? " 1890s-1900s = Don't you think you ought to do it, anyway? 1990s-2000s = You're not even thinking about it, are you? english_tweet = isn't it past isn't it time your bedtime? you think you're not supposed to joyce = Do you not think about it, eh? lyrics = Don't you think of it romantic_poetry = That thou art not a-minding it,--do you not? switchboard = yeah don't you think about that Input = Either thou or I, or both, must go with him. Paraphrase = we have to go with him or we'll be alone. aae = He gone be lonely or we gotta get otp bible = let us go with him, or else we shall be left alone. 1810s-1820s = He must go with us or we must part forever. 1890s-1900s = We must go with him or go alone. " 1990s-2000s = We must go with him or we will be alone. english_tweet = Its either we go with him or we leave him alone. joyce = We must go or we’ll be lonely. lyrics = Is to be with it or be alone romantic_poetry = With him or we'll be alone; switchboard = you know or or we'll just be alone you know we have to get with him Input = I will carry no crotchets. Paraphrase = I'm not gonna wear any crotches. aae = I don't wear no crotches bible = I will not wear any crotches upon me. 1810s-1820s = I'll ne'er wear any crotches about me. 1890s-1900s = I don't want to wear crotches, and I'm not goin' to do that 1990s-2000s = I ain't gonna wear no crotches no mo'. english_tweet = i dont want no crotches joyce = Crotches, I will not wear. lyrics = I don't need no crotches to keep me romantic_poetry = I wad nae wear a crotty shank switchboard = i don't want to wear any crotches Input = Thou wast the prettiest babe that e'er I nurs'd.  Paraphrase = how about now, my friend? aae = lol how bout now friend bible = how shall I then, my beloved, be accounted of him? 1810s-1820s = How now, my friend, how now? 1890s-1900s = Now, my friend, how would you like to do it? 1990s-2000s = How about now, my friend, you come out here? english_tweet = how about now my guy joyce = How about now, my friend? lyrics = How could you be now, my friend? romantic_poetry = Happier now, my friend, how is it that ye're switchboard = uh how about_1 now my roommate Input = Hark ye, your Romeo will be here at night.    Paraphrase = do you have a day to go to the shrill? aae = Is it the shrillest day you have in a while? bible = Are ye come to the day of thy shrillness? 1810s-1820s = Is there a day To you that will not be a shrill one? 1890s-1900s = Have you one day to go on with that shrill? 1990s-2000s = Do you have time for the shrill while? " english_tweet = Have a day to go to shrill? joyce = Have you time to do that shrill day? lyrics = C'mon to the shrill, do you have a day? romantic_poetry = O didst thou make thy day wi' shrill mony a dale? switchboard = do you have uh one for day time or uh Input = Oh, what learning is! Paraphrase = what's learning, what's learning? aae = what's learning, what's learning? bible = For what is learning, if it be not knowledge? 1810s-1820s = What is learning, that what is not? 1890s-1900s = For what is learning, what is learning? 1990s-2000s = What do you learn, what do you learn? english_tweet = What is learning, what is learning? joyce = What learning is learned? lyrics = What's learning, what's learning? romantic_poetry = What is learning, what is learning? switchboard = what is learning Input = Wash they his wounds with tears? Paraphrase = is he crying for tears? aae = Is he in tears? bible = is he weeping for the dead? 1810s-1820s = Is it that he cries for tears? 1890s-1900s = Can it be that he has been crying for tears? 1990s-2000s = Is he crying for the tears of the bride? english_tweet = Is this the guy who cried for tears? joyce = is weeping his tears? lyrics = Is it crying out for tears? romantic_poetry = Is he in tears? Has it a heart? switchboard = is he crying Input = I saw her laid low in her kindred’s vault And presently took post to tell it you. Paraphrase = I've seen her in the kindred's tomb and now I'm taking you to tell you. aae = I saw her at kindred tomb and now you telling me to take you back bible = And I saw her in the kindred's sepulchre; and now I bring you to tell you. 1810s-1820s = I have seen her in the kindred tomb And now I will thee to tell. 1890s-1900s = I saw her in the kindred's sepulchre and now I am going to take you back to tell you. 1990s-2000s = I saw her in the kindred's tomb and now I'm taking you to tell you. english_tweet = I see her in the kindred tomb and now I got to remind you that joyce = I saw her in the kindred tombs and now I’ve put you to tell me. lyrics = I watched her in the kindred tomb and now I'm taking you back to tell you how I feel romantic_poetry = I saw her kindred tomb and now I take thee to tell switchboard = i saw her in the kindred's tomb and now i have you know in her resting place i took her to tell you Input = Anon comes one with light to ope the tomb; And by-and-by my master drew on him; And then I ran away to call the watch. Paraphrase = anon came to the tomb with a light, and then my master drew him; and then I ran away. aae = anon came to the tomb w/ a light, and then my master drew his light ; he took me to sleep. bible = And he came to the sepulchre with a light, and found my master lying there; and, behold, my master drew me: and, behold 1810s-1820s = anon came to the tomb with a light, and there drew my master; and then I ran away from him; and the next moment, my master was in 1890s-1900s = Anon anon anon my master drew him; and then I ran away to the tomb with the light; and then anon anon anon the 1990s-2000s = Theanon came into the tomb with a light; and then my master drew him; and then I went out of the tomb, crying. english_tweet = anon came to the tomb with a light, then my master drew his power; and then I ran. joyce = anon came out of the tomb with light to draw his masters; and then my master drew it out and ran off; lyrics = My master drew the enemy with his light, anon came and said my masters will, no way to go, romantic_poetry = Anon my master drew his light, and anon my anon; switchboard = anon came down from his tomb to his tomb with a light in his hand and then my master drew it out and uh Input = O God’s lady dear, Are you so hot?  Paraphrase = what's going on, my dear? aae = What's up, love? What's up! bible = And she said, What aileth thee, my love? 1810s-1820s = Dorival (sternly) What is the matter, my dear? 1890s-1900s = ( As she speaks, Miss Arabella looks at her with a bewildered expression) What 1990s-2000s = ( Beat) What's going on, darling? english_tweet = What is going on, my love? joyce = BLOOM: What’s wrong, my dear? lyrics = What happened to you, my love? romantic_poetry = O wha's gone, my dearie? what's become of thee? switchboard = what what was that oh my Input = Go, girl, seek happy nights to happy days.  Paraphrase = what's the noise? aae = What is the noise?! bible = And what noise was there? 1810s-1820s = ( whistles) What noise? 1890s-1900s = What noise do you make, " she asked. " 1990s-2000s = ( The noise of the machine) What's that noise? english_tweet = What is this noise? joyce = What’s the noise? lyrics = What's that noise? What's that noise? romantic_poetry = What makes the noise? What doth it chaunt? switchboard = what noise is that Input = If thou be merciful, Open the tomb, lay me with Juliet. Paraphrase = if you're kind, let's go to the tomb. aae = If you're kind, let me know.  Paraphrase = when you're old, you'll fall. aae = When you get old you fall back bible = when thou art old, thou shalt fall. 1810s-1820s = As you grow old, you fall behind. ' 1890s-1900s = When you get old, you'll fall. " 1990s-2000s = When you get old, you fall down. " english_tweet = You fall off when youre getting old joyce = When you’re old, falling. lyrics = When you're old and you fall down romantic_poetry = When ye're grown old; and soon, ye'll sink switchboard = you know when you get old Input = Commend me to thy lady, And bid her hasten all the house to bed, Which heavy sorrow makes them apt unto. Paraphrase = I beg your lady to hurry up the house, which is heavy with grief, and I'm sure she'll be able to do it. aae = Praying for your lady to hurry up so I can have a house that's heavy with sorrow, and I can have it. bible = Let thy lady speedily set in order the house of mourning, which is heavy with grief; and let it be accomplished in the sight of the LORD. 1810s-1820s = I pray your lady to make haste to set up a house, which is heavy with grief, and I trust, will soon be in her power. 1890s-1900s = My lady, I beg your courtesy to hasten the house, which is heavy with griefs, and which must be done, I fancy, in time. 1990s-2000s = And I pray your lady hastens this house, which is heavy with grief, and I believe she will, in all sincerity, do this. " english_tweet = I'm praying for your lady to hurry up the house, which is heavy with grief, and it will be joyce = And I beg your lady to hurry the house of mourning for which it is heavy with grief, and I believe she can lyrics = Pray your lady hurry up the house, this house is heavy with grief, and I know she'll have a chance romantic_poetry = I pray your lady speed her house, which heav'nly throe, switchboard = and i beg your lady to hurry up the house which is heavy with grief which she has been in a lot of grief and i think that that will be real helpful Input = wolvish-ravening lamb! Paraphrase = wolvish-wielding lamb! aae = wolvish-wielding lamb! Lol bible = Woe unto the wolvish lamb! 1810s-1820s = ( a lambs-head appears, crosses to him, and kneels) Wolvish 1890s-1900s = Wolvish-thorned lamb, I say! 1990s-2000s = Wolvish-winged lamb in a blanket! english_tweet = wolvish-wielding lamb! joyce = Wolvish sheepman! lyrics = Wolvish-wielding Lamb! Is he the lamb who will? romantic_poetry = Wi' holid-ward lamb! to whom we may turn switchboard = wolvish Lamb- wo- Input = Beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there.  Paraphrase = when the young men of lusty young men feel the comfort of the limping winter. aae = When the lusty young ppl feel the comfort of limping winter, they deserve it. bible = When the youth of the lustful young men shall feel the comfort of the limp winter, 1810s-1820s = when their limping winter broils have lulled these youthful brawlers into a sense of comfort. 1890s-1900s = When the pleasures of lusty young men feel the comfort of limpid winter. " 1990s-2000s = When the youthful lusty men feel the comforts of limbering winter. english_tweet = When the horny teen boys of lusty young boys feel the comforts of the limping winter. joyce = And when summer nights of youth are met with the comfort of the limped winter night. lyrics = When the young men of lusty young men feel the comfort of a limping winter night. romantic_poetry = When young lusty wretches feel the comfort of limpid winter, switchboard = when the young men lusty young men feel the comfort of having the limping winter months where they can be with the other boys in the Input = Hark, how they knock! Paraphrase = oh, how they're knocking! aae = Lol How They Knocked! bible = How they knock at the doors! 1810s-1820s = Ah, how they knocked at the door! 1890s-1900s = ( All laugh) Oh, how they knock! 1990s-2000s = Ah, how they knockin' out of here! english_tweet = Oh how they knock! joyce = O, how they knock! lyrics = Ooh, how they knockin' romantic_poetry = Ah! how they knock! and yet the door is wide switchboard = oh how they knock Input = Yet, if thou swear'st, Thou mayst prove false. Paraphrase = but if you swear, you can't be wrong. aae = But if you swear, you can't be wrong. bible = But if ye shall swear, by heaven, and the heaven of heavens, and the heaven of heaven, 1810s-1820s = But, you may be sure, if you take an oath, you cannot be wrong. 1890s-1900s = But you can't swear if you want to, you know. " 1990s-2000s = But if you swear by the Lord, you can't be wrong. english_tweet = But if you swear you can't be wrong joyce = But if you swear you can’t be wrong. lyrics = But if you swear you can't be wrong romantic_poetry = But if ye'll swear by ane ye maun be wrong, switchboard = but if you swear you can't you can't be wrong Input = Tell me, good my friend, What torch is yond that vainly lends his light To grubs and eyeless skulls?  Paraphrase = wait, buddy. aae = Hold up buddy. Yup. Right. bible = Wait on me, my friend. 1810s-1820s = Stay, man, stay--we're here for a friend. 1890s-1900s = ( gets down on couch) Oh, hang it, you fellows, 1990s-2000s = ( laughs) Now, wait a second. english_tweet = Lol wait buddy. I have a message. joyce = Wait a moment. lyrics = Hey, buddy, wait, buddy. romantic_poetry = Then wait awhile, my boy. switchboard = wait buddy Input = I dreamt my lady came and found me dead (Strange dream that gives a dead man leave to think! Paraphrase = I've had a strange dream that my lady came to my house and found me dead. aae = I had a weird dream that my lady came to my house and found me dead bible = And a dream I had in mine sleep, which said, My lady cometh into my chamber, and findeth me dead. 1810s-1820s = I had a strange dream that my lady came to my house, and found me dead. 1890s-1900s = I had a strange dream that my lady came to my house and found me dead. 1990s-2000s = I had a strange dream that my lady had come to my house and found me dead. english_tweet = I woke up from a weird dream that my lady came to my house and found me dead. joyce = had a queer dream that my lady came to me that was living in my house and found me dead lyrics = I had a strange dream that my lady came to my house and found me dead romantic_poetry = Strange dream that my lady came to find me dead; switchboard = i had a strange dream that my lady had come to my house and found me dead in my bed Input = Most miserable hour that e'er time saw In lasting labor of his pilgrimage. Paraphrase = the last hour of his pilgrimage was the most miserable. aae = I was the most miserable last hour of his pilgrimage. bible = And the last hour of his pilgrimage was the most grievous. 1810s-1820s = It was the most miserable hour of his pilgrimage, that was ever spent. 1890s-1900s = The last hour of his pilgrimage was one of the most wretched. 1990s-2000s = <p> His pilgrimage had been the most miserable hour of his life. english_tweet = Last hour of his pilgrimage was the most miserable. joyce = the last hour of his pilgrimhood. lyrics = The most miserable hour of his pilgrim's journey romantic_poetry = The most pitiable hour of his pilgrimage, switchboard = it was the most miserable hour of his pilgrimage Input = Marry, my child, early next Thursday morn, The gallant, young, and noble gentleman, The County Paris, at Saint Peter’s Church, Shall happily make thee there a joyful bride. Paraphrase = I'm happy to welcome you to the wedding, my dear, young, noble, and honorable gentleman, the Count of Paris, at St Peter's. aae = Happy B-Day to you too, to the man in whose arms I am happy to be the Count of Paris, at St Peter's bible = Receiving you at my side at the wedding, my dearly beloved, young, noble, and honourable brethren, the Count of Paris, at the apostles' sitting. 1810s-1820s = My dear, young, noble, and honorable gentleman, the Count de Paris, at St Peter's, is pleased to receive you as a bridegroom. 1890s-1900s = I am glad to meet you here, my dear, young, noble, and honorable gentleman, the Count of Paris, at St. Peter's, and to give you my congratulations on your marriage. 1990s-2000s = p. 16 CORBIN TEAGUE (Gives a fond welcome to his bride, Lady Chandora) My dearest, young, noble, and honorable gentleman, the count of Paris, at english_tweet = Happiest to all the love at your wedding, my dear, young, noble, and honorable gentleman, the Count of Paris, at St. p joyce = The Count of Paris, at Saint Peter’s, I am happy to welcome you, my darling, young noble and honourable gentleman, the lyrics = I gladly accept your vows, dear, young, noble, and honorably gentlemen, the Count of Paris, at St Peter's romantic_poetry = At St. Peter's I greet thee, my young, noble, and just, Count of Paris, switchboard = and my my my dear young noble noble gentleman the uh Count of Paris at Saint Peter's i'm happy to welcome you to your wedding Input = Here lies the county slain, And Juliet bleeding, warm and newly dead, Who here hath lain these two days buried.— Go, tell the Prince. Paraphrase = here's the county, and Juliet's bleeding, and she's warm and alive, who's been buried here for two days. aae = Here comes the county, and Juliet bleeding, and its warm and live, who was buryin in there for two days bible = And here is the end of the list of the names of the kings of the country, from one end of the land even unto the other end of the land, that are come 1810s-1820s = Here's the county, and Juliet's bleeding, And warm and alive, Who to her tomb two days have lain, And, in vain, have been bled. 1890s-1900s = Here's the county, and Juliet's bleeding, and it's warm and livable, who have been burried here for two days. 1990s-2000s = Here is the county, and Juliet is bleeding, and warm and alive, who had been buried here for two days. english_tweet = Here's the county, and Juliet is bleeding, and her skin is warm and alive, who has been laid here for 2 days. joyce = In here county, and Juliet’s bleeding, and she’s warm and alive, who’s been buried here for two days, two days. lyrics = Here's the county, and Juliet's bleeding, and she's warm and alive, who's been buried here for two days romantic_poetry = Here counties, and Juliet bleeds, and she lives warm and whole, switchboard = here in the county i live in and Juliet is bleeding and she's warm and alive i mean who was she uh who was she buried here two days ago Input = I will withdraw; but this intrusion shall, Now seeming sweet, convert to bitt'rest gall. Paraphrase = I'm withdrawing, but I'm going to be happy with this intrusion. aae = I withdrawal, but this intrusion will be a blessing bible = For this intruding thing hath withdrawn me, but I will arise with this intrusion. 1810s-1820s = I withdrew, but resolved to enjoy this intrusion with gratitude. 1890s-1900s = I withdraw, but in the end I shall be content with this intrusion. 1990s-2000s = I withdrew, but the intrusion had me crying. english_tweet = I'm withdrawing, but I'll happily be pleased with this intrusion. joyce = I withdrew, that is, but my happiness was that this intrusion was. lyrics = I will withdraw but I'll love this intrusion romantic_poetry = Deposited, but to be blest with intruding joy. switchboard = i withdraw but i withdraw but uh i just think this intrusion is Input = Let me have A dram of poison, such soon-speeding gear As will disperse itself through all the veins That the life-weary taker may fall dead, And that the trunk may be discharg'd of breath As violently as hasty powder fir'd Doth hurry from the fatal cannon's womb. Paraphrase = I'll have a dose of poison, such as quickly-speeding equipment that will quickly fall out of the veins of the weary taker, and the trunk will be released of breath as violently as a swift-fire. aae = I will have a dose of poison, such as the swift-speeding equipment that will strike from the vein of the weary taker, and the trunk will burst as angrily as a swift-fire bible = I will give a dose of poison, such as quickly-speeding equipment that quickly falleth out of the veins of the weary taker, and the trunk thereof shall be loosed of breath as violently as a swift sword, and shall devour 1810s-1820s = I'll poison a cup, such as quickly-speeds equipment at the side of the weary taker, and lets the trunk release of breath as violently as a swift-fire arrow. 1890s-1900s = I will take poison, such as speedily-speeding equipment in which the weary taker falls from the veins as quickly as the quick-fire he springs forth. 1990s-2000s = I'm going to have a dose of poison, such as fast-speeding equipment that falls out of the veins of the weary taper, and the trunk of the story released of breath as violently as a swift-fire. english_tweet = Doses of poison such as fast-speeding equipment that passes out of the veins of the weary taker, and release breath as violently as joyce = For I will be reaping the poison of, such as rapidly sprinkling Equipment that will shortly flow out of the veins of weary taker’s lyrics = I'll need a poison like poison, such as rapid-speeding equipment that will quickly kick off the tired taker, and release the breath as violently as a swift-fire. romantic_poetry = Doses of poison, such as quickly-speeding equipment which would sink the weary taker's veins, and the trunk release breath as violently as a swift-fire. switchboard = and i get a dose of poison such as rapidly swift speed equipment that gets down to the vein vein of the weary taker and the trunk releases of breath as violently as a swift-fire Input = What wilt thou tell her, Nurse? Paraphrase = what do you want to tell her, nurse? aae = She said what she wanna tell her nurse! bible = And the nurse said unto him, What sayest thou, Master? 1810s-1820s = Now what shall I say to her, nurse? 1890s-1900s = What are you going to say to her, nurse? " 1990s-2000s = What can you tell her, nurse? " english_tweet = Bitch what you wanna say Nurse joyce = Tell her, nurse? lyrics = Tell her nurse, what can I do? romantic_poetry = What says she, nurse? thou art come to bring switchboard = well what's the question nurse Input = Nay, he will answer the letter's master, how he dares, being dared.     O thou! whose name switchboard = who's been the one that started the bloody fight Input = Ay, madam, from the reach of these my hands.  Heaven!    Paraphrase = in three hours, Juliet will wake up. aae = In 3 hours juliet gone wake up bible = And the morning shall be at hand: and in three hours shall Juliet awake. 1810s-1820s = I'll waken Juliet in three hours, in spite of you. 1890s-1900s = JULIAN is awake in three hours. 1990s-2000s = <p> In three hours, Juliet wakes up. english_tweet = I think Juliet will wake up in 3 hours. joyce = Three hours later, Juliet will wake up. lyrics = Will Juliet wake up in three hours romantic_poetry = And in three hours, wakeful as ever Juliet, switchboard = you know Juliet will wake up in three hours Input = Well, well, thou hast a careful father, child. Paraphrase = you have a good father, baby. aae = baby u got a good father bible = Behold, thou hast a good father, O thou that art perfect. 1810s-1820s = Thy father is kind, child, and will protect thee. 1890s-1900s = Your father is a good man, child. " 1990s-2000s = You're the one with a good father, baby. english_tweet = have a good daddy baby joyce = Good father, baby. lyrics = Your daddy's a good man, baby, you got a good one romantic_poetry = A father dear to thee, infant, switchboard = and you have a good father baby Input = Meaning, to curtsy. Paraphrase = it means to bow. aae = bow down means to me bible = This is the degree of bows. 1810s-1820s = To bow, in the same manner, signifies to supine. 1890s-1900s = Bowing means to have your arms about it. 1990s-2000s = Bowing, that means bending forward and closing your mouth. english_tweet = Bowing means bow. joyce = Blessing means to bow. lyrics = Does it mean to bow romantic_poetry = That means to bow it low. switchboard = i mean it's bows up there Input = Beguil'd, divorced, wronged, spited, slain!  Paraphrase = it's the villain of Romeo, the villain. aae = That's Romeo the Villain bible = This is the son of the wicked one, of the wicked one. 1810s-1820s = It was the villain of Romeo, that villain. 1890s-1900s = It was the villain of Romeo, the villain of every thing. 1990s-2000s = That's the villain of Romeo, that's the villain of the world. english_tweet = This is Romeo villain joyce = It’s the villain of Romeo, the villain of the three. lyrics = It's the villain of Romeo, the villain of Romeo romantic_poetry = That's the villain of Romeo,--a shade switchboard = that's the villain of Romeo Input = Wouldst thou withdraw it? Paraphrase = shall I withdraw him? aae = Should I withdrawal him? bible = shall I withdraw him from my presence? 1810s-1820s = May I not withdraw it from him? 1890s-1900s = And may I not withdraw him from your sight? 1990s-2000s = Is it not to withdraw it from me? " english_tweet = Does he want to resign? Shall I withdraw him? joyce = shall I withdraw him? lyrics = Am I supposed to keep it? romantic_poetry = Shall I withdraw him? O let him be; switchboard = shall i withdraw it Input = Romeo can, Though heaven cannot. Paraphrase = but Rome can't, even if he can't. aae = But Rome can't, even if he can bible = But Rome cannot, even so can no other. 1810s-1820s = But Rome cannot, even where he cannot. 1890s-1900s = But Rome cannot, even if he could. 1990s-2000s = But Rome can, even when he cannot. english_tweet = But Rome can't, even if he can. joyce = But Rome can’t, even if he could. lyrics = But Rome can't, even if he can't romantic_poetry = But Rome canna can, 'tis a thing he can't, switchboard = but Rome can't even Input = An if he hear thee, thou wilt anger him.   Paraphrase = since the beginning of the world, she has never seen the sun Ne'er see. aae = I ain't seen sun Ne'er see since the beginning of da world. bible = And the sunneeth toward the east; and since the beginning of the world hath she never seen. 1810s-1820s = And since the beginning of the world, She ne'er saw the sun Ne'er see'st the face of. 1890s-1900s = Ne'er the sun Ne'er saw her since the beginning of the world. 1990s-2000s = She had never seen the sun Ne'er see since the beginning of the world. english_tweet = She has never seen the sun Ne'er see since the beginning of the world. joyce = For ever she had never seen the sun Ne’er see. lyrics = She never seen the sun Ne'er see since the beginning of the world romantic_poetry = Since the beginning of the world ne'er saw her bright ray switchboard = and uh i'm a big fan of the