-
Basketball player makes first free throw and misses the second. Thereon after, the probability of making the next free throw is the proportion of previous shots he has made. What is the probability he makes 50 of the first 100 shots?
The probability is 1/99. In fact, we show by induction on n that after n shots, the probability of having made any number of shots from \(1\) to \(n−1\) is equal to \(1/(n− 1)\). This is evident for \(n = 2\). Given the result for n, we see that the probability of Shanille making i shots after \(n + 1\) attempts is the probability of her making i out of n and then missing plus the probability of her making \(i − 1\) out of n and then hitting: \(P(m + 1, k) = P(m, k) \dfrac{m − k}{m} + P(m, k − 1)\dfrac{k − 1}{m} = \dfrac{1}{m − 1} \dfrac{m − k}{m} + \dfrac{1}{m − 1} \dfrac{k − 1}{m} = \dfrac{1}{m − 1} \dfrac{m − k + k − 1}{m} = \dfrac{1}{m}\)
\[P(n + 1, i) = P(n, i) \dfrac{n − i}{n} + P(n, i − 1)\dfrac{i − 1}{n} \\ \\ = \dfrac{1}{n − 1} \dfrac{n − i}{n} + \dfrac{1}{n − 1} \dfrac{i − 1}{n} = \dfrac{1}{n − 1} \dfrac{n − i + i − 1}{n} = \dfrac{1}{n}\] -
I have a sphere 𝑆2∈ℝ3S2∈R3 with radius 1 that is painted red on the surface (90% of it), the rest is painted blue. Now I shall show for every configuration of a cube that is possible in this sphere, there is always at least one configuration such that a cube with length 2 down each diagonal(that means all corners touch the sphere) has all corners on red painted points. (Given a 90% red 10% blue coloring of the sphere, show that there exists an inscribed cube with all red vertices.)
We compute the expected value of red vertices on the inscribed cube. If this number is greater than 77, we have solved the problem: there must exist some cube with 88 red vertices.The probability a vertex is red is .9.9. There are 88 vertices on a cube and expectation is linear, so there is an expected value of 7.27.2 vertices. By the above remark, we’re done.
-
What is the expected length of the sequence if you sample from a uniform distribution such that you stop if the next sample is less than the last sample (i.e. sample while the sequence is increasing)? The expected value of the sequence is equivalent to calculating: p(len <= 1) + p(len <= 2) + p(len <= 3) + … which in turn is equal to 1/1! + 1/(2!) + 1/3! + … == e = 2.71828.. (Taylor expansion).
This is true since when you sample n values, there are n! arrangements, and only 1 of them will be strictly increasing.


import threading
import asyncio
import aio_pika
import aiormq
from typing import Optional, Type, Any
# Need to import Literal from here for 3.7 compatibility.
from typing_extensions import Literal
from types import TracebackType
from spantools import MimeTypeTolerant, DataSchemaType
from ._incoming_outgoing import NOT_LOADED, Incoming
from ._scribe import SpanScribe
[docs]class TestClient:
"""
Context manager for handling lifecycle of a consumer service in it's own thread when
running tests.
"""
def __init__(self, consumer: "SpanConsumer", delete_queues: bool):
self.consumer: "SpanConsumer" = consumer
"""Consumer object the test client was spawned from."""
self._worker_thread: threading.Thread
"""Thread that the consumer process is being run in."""
self._flag_delete_queues: bool = delete_queues
"""Whether to delete the services queues on start."""
@property
def loop(self) -> asyncio.AbstractEventLoop:
"""
Asyncio loop shared with the consumer in another thread. This loop needs to
be accessed in a thread safe way since the consumer is being run in another
thread.
"""
return self.consumer.loop
@property
def scribe(self) -> SpanScribe:
return self.consumer.lifecycle.scribe
@staticmethod
def _run_consumer_in_thread(
test_client: "TestClient", loop: asyncio.AbstractEventLoop
) -> None:
"""Function that the consumer thread runs."""
asyncio.set_event_loop(loop)
test_client.consumer.run()
[docs] def get_queue(self, name: str) -> aio_pika.Queue:
"""
Non-async way to get one of the consumer's queues for testing.
:param name: Name of queue to fetch.
:return: Requested queue.
"""
coroutine = self.scribe.get_queue(routing_key=name)
future = asyncio.run_coroutine_threadsafe(coroutine, self.loop)
return future.result(timeout=5)
[docs] def put_message(
self,
routing_key: str,
message: Any = NOT_LOADED,
mimetype: MimeTypeTolerant = None,
**kwargs: Any,
) -> Optional[aiormq.types.ConfirmationFrameType]:
"""
Non-async way to put a message to the consumer's queue.
:param routing_key: key to put message to
:param message: body of message to send or full message object. Bodies will be
automatically serialized if possible.
:param kwargs: if only the body is supplied, other keyword arguments can go
here.
:return: Confirmation from aio_pika.
"""
processor_settings = self.consumer.settings.queue_processors[routing_key]
coroutine = self.scribe.put_message(
routing_key=routing_key,
message=message,
mimetype=mimetype,
schema=processor_settings.in_schema,
message_kwargs=kwargs,
)
future = asyncio.run_coroutine_threadsafe(coroutine, self.loop)
return future.result(timeout=5)
[docs] def pull_message(
self,
routing_key: str,
schema: Optional[DataSchemaType] = None,
max_empty_retries: int = 0,
) -> Incoming:
"""
Non-async way to pull message from the consumer's queue.
:param routing_key: name of queue to pull from.
:param schema: to deserialize message body.
:param max_empty_retries: number of times to retry an empty queue. Retries are
attempted once every 0.5 seconds.
:return:
"""
coroutine = self.scribe.pull_message(
routing_key=routing_key, schema=schema, max_empty_retries=max_empty_retries
)
future = asyncio.run_coroutine_threadsafe(coroutine, self.loop)
return future.result()
def __enter__(self) -> "TestClient":
loop = asyncio.new_event_loop()
if self._flag_delete_queues:
loop.run_until_complete(self.delete_queues())
self._worker_thread = threading.Thread(
target=self._run_consumer_in_thread, args=(self, loop)
)
self._worker_thread.start()
# We need to clear the last lifecycle so we don't his a race condition where
# we are checking old events.
try:
self.consumer.reset()
except RuntimeError:
pass
while True:
try:
self.consumer.lifecycle.event_startup_complete.wait()
except RuntimeError:
continue
else:
break
return self
[docs] async def delete_queues(self) -> None:
"""Deletes queues when exiting context block."""
self.consumer.logger.info("TEST CLIENT DELETING RABBITMQ QUEUES")
# We're going to boot up a temporary scribe so we don't need to start an entire
# consumer to delete the queues.
scribe = SpanScribe(settings=self.consumer.settings.connection)
await scribe.connect_to_rabbit()
await scribe.get_channel()
# Try to delete the queues
try:
for setting in self.consumer.settings.queue_processors.values():
await scribe.channel.queue_delete(setting.in_key)
if setting.out_key is not None:
await scribe.channel.queue_delete(setting.out_key)
finally:
# Close the scribe on any errors
await scribe.close_connection()
def __exit__(
self,
exc_type: Optional[Type[BaseException]],
exc_val: Optional[BaseException],
exc_tb: Optional[TracebackType],
) -> Literal[False]:
self.consumer.logger.info("SENDING SHUTDOWN SIGNAL")
self.consumer.signal_shutdown()
with self.consumer.lifecycle.worker_lock:
pass
self.consumer.logger.info("WORKERS DONE")
self.consumer.lifecycle.event_shutdown_complete.wait()
self.consumer.logger.info("SHUTDOWN COMPLETE")
return False
typing_helper = False
if typing_helper:
from ._consumer import SpanConsumer


Search through the hundreds of motions filed in Florida courts each day to find new clients on issues as varied as patent infringement, DUI, foreclosures, and more.
We pull filings daily so that you have the most up to date data possible.
Instead of searching each county's website, find what you're looking for all in one place.
We gather data dirctly from Florida county clerks.
We prepare the data so that fields and descriptions are consistent across counties.
We consistently update our search tool so that it is effective and easy to use.


1. Outside Organization¶
1.1. Background¶
Organizations evaluate open source communities before becoming engaged or using open source software to satisfy a need. Depending on the context of the need, organizations may want to ensure that licensing requirements can be met, assess the sustainability of the community, or judge the long term alignment of the community vision and mission with organizational needs. Inside of an organization, employees are the decision makers and have to justify that engaging with an open source community meets the needs of the organization and related guidelines are met.
1.2. Description¶
The user (employee) provides a URL to a GitHub repository for a community that she wants to learn about. The software returns metrics that indicate the health and sustainability of the repository.
1.3. Triggers (What prompts the use case to start?)¶
- A user (employee) seeks an open source solution to an organizational need and must assess the health and sustainability of an open source community before getting approval to engage or contribute.
1.4. Actors (Who is involved?)¶
- User
1.5. Preconditions (This includes things like “data loaded”. Or, project is flagged as “of interest”; etc.)¶
- User provides URL to a GitHub repository
1.6. Main Success Scenario¶
- All metrics that can be computed from the provided repository are displayed.
1.7. Alternate Success Scenarios¶
- N/A
1.8. Failed End Condition¶
- The provided URL points to a non-existent GitHub repository, metrics cannot be calculated, and an error message explaining the condition is shown to user.
1.9. Extensions¶
- Compare metrics between repositories.
1.10. Steps of Execution (Requirements)¶
- The use enters and submits the URL to a GitHub repository.
- Metrics computed from the provided repository are displayed.
1.11. Dependent Use Cases¶
- N/A


- c -
- c : Test::Int::Arithmetic , Test::Int::Bool , Test::Int::Count , Test::Int::MiniModelBoolean , Test::Int::MiniModelCount , Test::Int::Element , Test::Int::MiniModelLin , Test::Int::MiniModel , Test::Int::Circuit , Test::Int::GCC , Test::Int::Rel , Test::Search , Test::Int::Linear , Test::Set::RelOpConst , Test::Set::RelOp
- c1 : Gecode::Int::Branch
- c10 : Gecode::Int::Branch
- c11 : Gecode::Int::Branch
- c12 : Gecode::Int::Branch
- c13 : Gecode::Int::Branch
- c1f1 : Test::Int::Scheduling
- c1f2 : Test::Int::Scheduling
- c1f3 : Test::Int::Scheduling
- c1t1 : Test::Int::Scheduling
- c1t2 : Test::Int::Scheduling
- c1t3 : Test::Int::Scheduling
- c2 : Gecode::Int::Branch
- c2f1 : Test::Int::Scheduling
- c2f2 : Test::Int::Scheduling
- c2f3 : Test::Int::Scheduling
- c2t1 : Test::Int::Scheduling
- c2t2 : Test::Int::Scheduling
- c2t3 : Test::Int::Scheduling
- c3 : Gecode::Int::Branch
- c3f1 : Test::Int::Scheduling
- c3f2 : Test::Int::Scheduling
- c3f3 : Test::Int::Scheduling
- c3f_1 : Test::Int::Scheduling
- c3f_2 : Test::Int::Scheduling
- c3f_3 : Test::Int::Scheduling
- c3t1 : Test::Int::Scheduling
- c3t2 : Test::Int::Scheduling
- c3t3 : Test::Int::Scheduling
- c3t_1 : Test::Int::Scheduling
- c3t_2 : Test::Int::Scheduling
- c3t_3 : Test::Int::Scheduling
- c4 : Gecode::Int::Branch
- c5 : Gecode::Int::Branch
- c6 : Gecode::Int::Branch
- c7 : Gecode::Int::Branch
- c8 : Gecode::Int::Branch
- c9 : Gecode::Int::Branch
- c_d : Gecode::Search::Config
- card : Gecode::Set::Limits
- cfd : Test::Int::Channel
- cfd11 : Test::Int::Channel
- cfd35 : Test::Int::Channel
- cfv : Test::Int::Channel
- cfv11 : Test::Int::Channel
- cfv35 : Test::Int::Channel
- chd : Test::Int::Channel
- chv : Test::Int::Channel
- clma : Test::Int::Channel
- clmb : Test::Int::Channel
- clmc : Test::Int::Channel
- cls : Test::Int::Channel
- cn : Test::Set::RelOp
- count_bnd_d : Test::Int::Distinct
- count_bnd_s : Test::Int::Distinct
- count_dom_d : Test::Int::Distinct
- count_dom_s : Test::Int::Distinct
- count_val_d : Test::Int::Distinct
- count_val_s : Test::Int::Distinct
- csd : Test::Int::Channel
- csv : Test::Int::Channel


{#Loaded tooltip css and creat a global variable to load data from json file#} {% load static %}
GLS Fullstack Exercise
First tip on me using id.
Second tip on me using class.
I am the 3rd div. 3rd tip on me using xpath.


zipinfo
List detailed information about the contents of a `.zip` file.
More information: home page
- List all files in a `.zip` file in long format (permissions, ownership, size, and modification date):
zipinfo path/to/archive.zip
- List all files in a `.zip` file:
zipinfo -1 path/to/archive.zip


Project Description
A multiplayer co-op (up to 4 players) bullet-hell game where the players work together to take down enemies.
However the players can only attack by absorbing energy from the enemy bullet.
User Experience / Gameplay Mechanics
The user should be able to create/join rooms and start a game.
During gameplay the user should be able to move in a 2D space, use special abilities and a method to deal
damage to the enemy. Users can use special abilities by gaining enough energy, by getting close to the
enemy bullets, and then activating it by pressing a key. Players can also level up by gaining energy and
will have a set stat gain based on the players class. Each player will have a basic attack. This attack
can only be done by entering an player attack circle and then hitting a key. After attacking the circle
will dissappear and then reappear again, close to the player, after some time has passed.
The general concept will be similar to the original Bullet Absorber game I created. However, the turn-based
system is removed and the player attack and enemy attack are combinded.
Oringal Bullet Absorber
Controls
WASD - movement in Game
Shift - reduce movement speed
J- confirm / basic attack
K,L - special abilites
Post-Mortem
Things that Worked
I was able to get most of what I wanted into the app and was also able to incorporate my MVC mini project
into this project to allow players to compare scores with other users.
Things that Didn't Work
Although most of what I wanted was put into the project. I didn't have a lot of time to optimize the game much.
Since I am using setInterval for the game rooms each room runs asynchronously. But each room still seems to effect
each others framerate slightly.
I wasn't able to put in a grid collision detection so all bullets check collision with the each players. I could
aslo try to organize the data that is emited to the clients to speed up the time as well. Even without this optimizations
the framerate generally sits around 50~40 frames when theres a low bullet count. Frames drop to about 35~25 frames when theres a high
bullet count.
Right now the highscore page only sorts the scores by the enemies killed. Instead of having it set to only 1 sort I would like to change it
so that players can change the sort by whatever they want. I would probably do this by having the server send the record to the views and have
a javascript file somehow access the records. Then with on onchange function an on drop down it would sort the record array.
Since the server is the one creating the enemy bullets I wasn't exactly sure how to do sound effects when the enemy spawns new bullets. Even if I had time I am not sure exactly
how I would get it to work. I would like to eventually add in sound to this project at a later time.
Most Interesting Part
The most interesting part for me was getting websockets to communicate the the client and the game's js files. I spent a lot of time trying
to get it to work. There was a time when the game js functions needed the socket to emit but it felt really roundabout and I spend time restructuring
the socketio and game files. I think the way I have it right now works decently. This was probably also the most frustrating part of the project. Many
times the client and server's data would constantly override each other. For example if a player moved they users position would switch between the new
position the client sent to the server and the old position the server sent to the client. This doesn't visible happen locally so it was extremely time
consuming to try and fix. As of right now the client mainly controls the position of the player to prevent the studdering.
Architecture


--- layout: post title: "買いたいゲーム" categories: - blog tags: - Blog - "徒然" status: publish type: post published: true meta: {} author: login: sonson email<EMAIL_ADDRESS>display_name: sonson first_name: '' last_name: '' ---


Light and Sound Memory Game
Repeat the pattern back to win the game!
Attempts remaining: 3
Time Left:
Start
Stop


{% extends 'base.html' %} {% block title %}
We've emailed you instructions for setting your password, if an account exists with the email you entered. You should receive them shortly.
If you don't receive an email, please make sure you've entered the address you registered with, and check your spam folder.


Renaming a Group
1 In the Active Groups region, select the group you want to rename.
2 At the bottom of the Group Manager, double-click the Name field.
This highlights the currently displayed name.
3 In the Name field, type the new name.
Note: The Group Manager does not interpret spaces; connect multiple words with underscores. If you use spaces in the name, DIScover stores only the characters preceding the first space.
4 Select Group > Rename.
DIScover applies the new name to the selected group.
If the renamed group is one that you already have saved, the CM Monitor window appears to report that DIScover is deleting the previous version of the group, and saving the new, renamed group.
5 To view the updated list of group names, select Group > Refresh.


William Shakespeare has always been a tortured soul to me - not a helpless romantic. Still, the vibrantly acted "Shakespeare in Love" makes the case that the Bard must have been a romantic - how else can one account for his quirky romantic comedies ("As You Like It") or his morose, romantic tragedies ("Romeo and Juliet")? He must have been in love with a special, beautiful lady to inspire such matters of love and death. In truth, he was involved with another man, but that's another story.
As the film starts, the actor and playwright William Shakespeare (Joseph Fiennes) is suffering from writer's block - he is unable to devise a story out of his new play, "Romeo and Ethel, the Pirate's Daughter." Philip Henslowe (Geoffrey Rush), the owner of the prestigious theatre, the Rose, is threatened by slimy creditors into bringing in profits, and pleads for William to quickly deliver his play. William's loss for words miraculously fades once he sets his eyes on Viola de Lesseps (Gwyneth Paltrow), an heiress who is deeply touched by his work. His eyes light up once he starts to fall in love with Viola, and the play Romeo and Ethel slowly becomes the tragic Romeo and Juliet.
"Shakespeare in Love" is a fine film for what it is, but it is too safe and sanitized - the film constantly threatens to explode with passion and fireworks, or at least comically bawdy innuendoes, and it always seems afraid to cut loose. It holds back too often, and the delightful, on-target screenplay by Tom Stoppard requires more rhythm cinematically than it offers.
The actors certainly are up to the task. Joseph Fiennes is like an energetic puppy dog, leaping around town emitting phrases and remarks with frenetic ease - he's like a younger Woody Allen without the neurosis. Fiennes also has workable chemistry with Gwyneth Paltrow, and the movie shines whenever you see them exchanging glances at each other. Paltrow speaks like a British heiress, but her smiles and frowns get repetitious after a while - the constant close-ups indicate that there are only two expressions in her acting vocabulary. Of course, if you have seen "Hard Eight," you might have seen a more quixotic version of what is on display here. Ben Affleck brings comic arrogance to a new level as a boastful actor who slowly forces the Bard to develop the character of Mercutio. Kudos must also go to Geoffrey Rush ("Shine") as the caricaturized theatre owner who answers nearly every question with the dainty line, "It is a mystery." The show-stopper in all this is Judi Dench's remarkably authoritative, ghost-like Queen Elizabeth - it is a cameo, but when she appears on screen, the movie stops cold with her titanic presence.
"Shakespeare in Love" works because of the acting, and its profound theme about the love of theatre, summed up brilliantly during the Queen's speech at the end. Still, the film is static, though never lifeless, and with such an ambitious premise, it could have been so much more.
For more reviews, check out JERRY AT THE MOVIES at http://buffs.moviething.com/buffs/faust/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
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A channel to discuss trading. For useful links and more info click the pinned messages to the right.
100 messages
Before 05-Dec-19 12:00 AM
jl777c26-Apr-19 07:30 PM
when the community thinks getting on exchanges with fake volume has actual value
even getting on exchanges with real volumes, doesnt have much value when we are already on binance
give it two more years
i think by then we will see a separation between the whitepaper "hopes and dreams" projects who cant get anything to actually work will fade strongly and the ones that deliver and get real adoption will start rising
5
Kitchen Table26-Apr-19 07:31 PM
Rip MobileGo. That thing really did go belly up.
jl777c26-Apr-19 07:32 PM
they used to have marketcap almost as much as KMD, if I remember right
Kitchen Table26-Apr-19 07:33 PM
It was up there. Almost purchased some myself but didn't. There were a few red flags that kept coming up so avoided it.
jl777c26-Apr-19 07:33 PM
all things considered $100 million is not so bad a place to be. of course it is still well below where we should be when the market understands that KMD is not just a zcash fork
charts.cointrader.pro allows you to make TradingView charts of all possible cryptocurrencies for free.
Kitchen Table26-Apr-19 07:34 PM
My KMD rewards makes it easy to ignore the market down turn like this. I do like to watch other train wrecks though with other coins.
1
coingirl8726-Apr-19 07:38 PM
I think im not strong enough for this daily pumps and dumps...i need a pause...come back in 4 month
2
crumb26-Apr-19 07:45 PM
if you start following the technical developments, your focus will not be on daily ups and downs of the irrational lemmings markets
then price movements don't seem to matter so much anymore
it happened to me
so yes. take a break OR start learning about tech @coingirl87
FishyGuts26-Apr-19 07:50 PM
TBFair JL, it's only 40 BTC that the unknown exchange wanted to charge
Unless you're talking about another.
Which you likely are whether we know it or not.(edited)
Kitchen Table26-Apr-19 07:59 PM
I loving the KMD chart. Any other coin and I would say it was on a verge of a massive bull but the market tends to make me wrong with the random tether fud and all.
Buddz199326-Apr-19 08:06 PM
Cheap komodos everywhere
Markus26-Apr-19 09:01 PM
ofc it is way too manipulated and ppl wonder why wall street didnt start trading cryptos or why a bitcoin etf keep getting delayed. When things like this happen whats now going on with bitfinex and tether its not very strange to me why everything keep getting delayed.
For things to become reality when it comes to even a ETF first they would need to get rid of majority of the wash trading exchanges and definitely tether
Swiss exchange SIX recently launched a Bitcoin ETP, and it's already performing strongly, seeing over $400,000 in trading during its first week.
siu - Chainmakers26-Apr-19 09:15 PM
sometimes supports dont hold
ComputerGenie 👴👴👴26-Apr-19 09:15 PM
that's what she said
siu - Chainmakers26-Apr-19 09:15 PM
crumb26-Apr-19 09:19 PM
@Deleted User i know very well that coingirl is a big KMD holder. that is why it is surprising that she comes here quite often to complain about price. even tho, james has explained to her many times the possible reason why prices act irrationally.
but hey, everybody has the right to vent. i don't mind, really. just sorta surprised that big-time holders follow price action so closely. even when they don't plan to sell short term
ComputerGenie 👴👴👴26-Apr-19 09:20 PM
the more you have is the more 2 cent change matters?
Alexfrog26-Apr-19 10:10 PM
Fuck dumpers.
anyone who dumps KMD after a 50% decline in satoshi price deserves to be hated on
ComputerGenie 👴👴👴26-Apr-19 10:13 PM
There's an irony of people complaining that it was 17k and now complaining that others are selling at 18k
if you collect rewards on KMD, anyone buying at 17k and selling at 18k made greater return than you do
and in a few days, not a year
mrtzmp326-Apr-19 10:21 PM
If there is nothing to complain the people Sure will find something :)
@Alexfrog i dumped at 1845 dont be mad
Alexfrog26-Apr-19 10:21 PM
i hope you lost money dumping that low
mrtzmp326-Apr-19 10:22 PM
Hmm
No
ComputerGenie 👴👴👴26-Apr-19 10:24 PM
If there is nothing to complain the people Sure will find something :)
So true, I find something new every day
dumped some at 18.5 and made 5.71% * in a day(edited)
Alexfrog26-Apr-19 10:27 PM
if you bought with btc and sold and got less btc, it counts as losing, even if the btc is worth more USDshitcoins now
mrtzmp326-Apr-19 10:27 PM
Congratz bro :)
Lovely pump
@Alexfrog its fine :)
ComputerGenie 👴👴👴26-Apr-19 10:28 PM
if you bought with btc and sold and got less btc
buy at 17.5 and sell at 18.5 --- it's not less
mrtzmp326-Apr-19 10:28 PM
Hahaha
:)
Alexfrog26-Apr-19 10:32 PM
only thing im gaining on is Pirate recently...
mrtzmp326-Apr-19 10:32 PM
Arrrr
:)
ComputerGenie 👴👴👴26-Apr-19 10:32 PM
then math better
Alexfrog26-Apr-19 10:32 PM
best thing about it is that I can trade it in KMD, and make KMD profits
then hodl the KMD for 5% gains
mrtzmp326-Apr-19 10:33 PM
Damn horders
^^
Alexfrog26-Apr-19 10:33 PM
damn traders
mrtzmp326-Apr-19 10:34 PM
Not a Trader man but this was obvious even for retard Like me
Obvious buy
ComputerGenie 👴👴👴26-Apr-19 10:34 PM
traders are only second to utility in providing value increase
holders actually create a value decrease
that's why recessions last longer when no one spends
mrtzmp326-Apr-19 10:37 PM
Good point. Here Alex Check this site and learn to draw some meme lines in charts. Its quite enjoyable really and it doesnt hurt to learn the basics


{% load static %}
We provide fully-automated highlight extractor. You don't need to make highlights of each
broadcasts.
Our service will make you free of editing highlights and managing(hiring) editors.
Just focus on your game.
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We analyze your voice to find the best moment in your video.
We analyze your face and infer your emotion to find the best moment in your video.
We analyze chats to find the best moment in your video.
Our mission is to help people become full time streamers. Usually such career choice would need a lot of time and risk taking on streamers' part. We want to lower the risks and save streamers' time by providing tools such as Highlight Play. At the same time, we want to contribute to viewer community. For viewers we aim to provide better content faster than ever before. This will also allow crowds of viewers to keep up with more streamers' and help the community as a whole. It is mutual benefit for everybody.
You'll be amazed by our final result! Be prepared to be shocked!
안녕하세요 안지수입니다. 저는 우리팀에서 버스운전사와 귀요미를 맡고있습니다.
안녕하세요 이현재입니다. 지수가 저를 재현선배로 알고있어 마음이 아프네요.
안녕하세요 전진우입니다. 인스타 갬성으로 만들어봣어요. 나는 누구 여긴 어디. 살려주세요.
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Francisco FrancoGeneralissimo Francisco Franco Bahamonde aka "El Caudillo" (The Leader).See also Adolf Hitler, Evita Peron, Otto Skorzeny Dictator of Spain for decades, until 1974.
"Our regime is based on bayonets and blood, not on hypocritical elections."
Outlawed Freemasonry in March 1940.
timeline
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Meet our team
Inspire, excite and share interesting facts about beautiful destinations in this blog, to brighten the days of all other wanderlust lovers during the time of lockdown
One of the things that connects us is travelling. The feeling of exploring new cultures, broadening horizons and learning more about traditions and countries is a passion we share.
Read our blogs-
Punta Cana
Dominican Republic
Enjoy a Piece of Paradise at Punta Cana
Read more -
Agra
India
See Taj Mahal - India's Monument of Glory and Love
Read more -
New York
USA
The City that Never Sleeps - New York
Read more -
Santorini
Greece
A Blue-White Greek Fairytale at Santorini
Read more -
Dubai
United Arab Emirates
Dramatic Desert Meets Sensational Skylines at Dubai
Read more -
Sozopol
Bulgaria
Enjoy Black Sea Coast and Sunset Trips near Sozopol
Read more -
Paris
France
Relive the "Midnight in Paris " and fell in love with the city
Read more -
Sydney
Austrelia
Stunning Beaches and Vibrant Culture - Sydney
Read more


R/variancecomponentFunctions.R
geneticBgEffects.Rd
geneticBgEffects simulates an infinitesimal genetic effects with a proportion of the effect shared across samples and a proportion independent across samples; they are based on the kinship estimates of the (simulated) samples.
geneticBgEffects(P, N, kinship, phenoID = "Trait_", id_samples = colnames(kinship), shared = TRUE, independent = TRUE, id_phenos = NULL)
| P | Number [integer] of phenotypes to simulate . |
|---|---|
| N | Number [integer] of samples to simulate; has to be provided as a dimnesionality check for kinship and downstream analyses; nrow(kinship) has to be equal to N. |
| kinship | [N x N] Matrix of kinship estimates [double]. |
| phenoID | Prefix [string] for naming traits. |
| id_samples | Vector of [NrSamples] sample IDs [string]; if not provided colnames(kinship) are used. |
| shared | [bool] shared effect simulated if set to TRUE; at least one of shared or independent has to be set to TRUE. |
| independent | [bool] independent effect simulated if set to TRUE. |
| id_phenos | Vector of [NrTraits] phenotype IDs [string]; if not provided constructed by paste(phenoID, 1:P, sep=""). |
Named list of shared infinitesimal genetic effects (shared: [N x P] matrix) and independent infinitesimal genetic effects (independent: [N x P] matrix), the covariance term of the shared effect (cov_shared: [P x P] matrix), the covariance term of the independent effect (cov_independent: [P x P] matrix), the eigenvectors (eigenvec_kinship: [N x N]) and eigenvalues (eigenval_kinship: [N]) of the kinship matrix.
For the simulation of the infinitesimal genetic effects, three matrix components are used: i) the kinship matrix K [N x N] which is treated as the sample design matrix, ii) matrix B [N x P] with vec(B) drawn from a normal distribution and iii) the trait design matrix A [P x P]. For the independent effect, A is a diagonal matrix with normally distributed values. A for the shared effect is a matrix of rowrank one, with normally distributed entries in row 1 and zeros elsewhere. To construct the final effects, the three matrices are multiplied as: E = cholesky(K)BA^T.
genotypes <- simulateGenotypes(N=100, NrSNP=400, verbose=FALSE) kinship <- getKinship(N=100, X=genotypes$genotypes, standardise=TRUE, verbose=FALSE) geneticBg <- geneticBgEffects(N=100, P=10, kinship=kinship)


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GaucheLinks
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Add a link
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Add {{ .prefix }}/{{ .query }} as a new link
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{{ $download_chrome_msg := `
- Download the extension for Chrome or Firefox.
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chrome://extensions
into your search bar.
- Enable developer mode so you can install an unsigned extension.
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`}}
Edit all links
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Home
Bitcoin
Litecoin
Ethereum
Online Currency
This is a form about the top 3 types of online currencies
Here are 3 differnt types of currencies:
Bitcoin
Litecoin
Ethereum


WITNESS LIST
Finance
January 29, 2019 9:00 AM
FOR:
Alcala, Elsa lawyer/retired judge (Texas Defender Service), Cypress, TX
Allison, Jim General Counsel (also providing written testimony) (County Judges and
Commissioners Assn, of Texas), Austin, TX
Gerrick, Emily Senior Staff Attorney (Texas Fair Defense Project)
Keith, Edward Ray Attorney - Chief Public Defender (Regional Public Defender for
Capital Cases)
Moreno, Alma V. San Patricio County Commissioner (County Judges & Commissioners
Association), Mathis, TX
Schuchart, Chris County Judge (Medina County), Hondo, TX
Waldrip, Judge Dib 433rd District Court Judge (Texas Association of District Judges,
President), New Braunfels, TX
ON:
Albrecht, Darren LBB Staff (also providing written testimony) (LBB)
Burkhart, Geoff Texas Indigent Defense Comm (also providing written testimony) (TIDC)
Chote, Jack Executive Director (also providing written testimony) (The Special
Prosecution Unit), Huntsville, TX
Craven, Lisa Deputy Comptroller & Chief of Staff (also providing written testimony)
(Comptroller of Public Accounts), Austin, TX
Dziuk, George LBB Staff (also providing written testimony) (LBB)
Hecht, Nathan Chief Justice (also providing written testimony) (Supreme Court of Texas),
Austin, TX
Kapple, Robert Attorney (Texas District & County Attys Assoc.), Austin, TX
Keller, Sharon Presiding Judge (also providing written testimony) (Texas Court of
Criminal Appeals), Austin
Marion, Chief Justice Sandee Chief Justice, 4th Court of Appeals (Council of Chief
Justices), ATX
McGeady, John LBB Staff (also providing written testimony) (LBB)
Molleur, Megan attorney - Judicial Education (also providing written testimony) (Court of
Criminal Appeals)
Propp, Dale State Law Library (also providing written testimony) (State Law Library),
Austin
Slayton, David Administrative Director, OCA & Exec. Dir. TX Judicial Council (also
providing written testimony) (Office of Court Administration)
Soule, Stacey M. State Prosecuting Attorney (also providing written testimony) (Office of
State Prosecuting Attorney)
Strawn, William Retired (Judicial Compensation Commission (Chair)), Austin, TX
Vasquez, John Retired Judge (also providing written testimony) (AARP), San Antonio, TX
Vinson, Eric Executive Director (also providing written testimony) (SCJC), Austin
Wolff, Benjamin Director (also providing written testimony) (Office of Capital & Forensic
Writs)
WITNESS LIST
Finance
January 29, 2019 9:00 AM
Registering, but not testifying:
FOR:
Ables, Stephen B. Judge (Presiding Admin. Judges)
Barton, John Chair, Judges Legislative Committee JPCA (Justice of the Peace and
Constables Association), Midland, TX
Chapman, Randy (Self), Austin, TX
Gutierrez, Bobby Chief Deputy Constable (Self; Justice of the Peace and Constables
Association of Texas), Austin, TX
Pantel, Jama Government Relations (Justices of the Peace and Constables Association of
Texas), Austin, TX
ON:
Kent, Susana Budget Analyst (State Prosecuting Attorney)
Peterson, Carl Auditor (Court of Criminal Appeals - Judicial Education), Round Rock, TX
Small, Amy Assistant Director (Texas State Law Library), Austin
Torres, Betty Balli Executive Director (Texas Access to Justice Foundation), Austin
Wiles, Mark LBB Staff (LBB)


| DOSE: |
1.5 nuts |
oral |
Nutmeg |
(plant material) |
| |
.75 nuts |
oral |
Nutmeg |
(tea) |
| |
.75 nuts |
oral |
Nutmeg |
(tea) |
This report is written as a friendly warning to all those who think that that they can play around with Nutmeg 'once or twice' and suffer no long-lasting effects. I'm a staunch beleiver in a person's freedom to subject themselves to any chemical(s) of their choosing, provided they can accept the consequences. My goal is to describe my Nutmeg experiences, so that you (the reader), have a better idea of what the consequences can be. With that said, let me get straight to the report.
To begin with, I am a 150 lb. male of 16 years. I had started to get interested in psychoactives a few months prior to my Nutmeg experiments, which occurred about 8 months ago, with an emphasis on psychedelics and hallucinogens. I had done some research on nutmeg which proved, in hindsight, to be insufficient. I heard that nutmeg could cause hallucinations, and without much further study, decided to try to acheive a mind-blowing experience.
The first thing I tried doing was eating one and a half whole nutmegs, prior to going out to see a movie. If I had any effects, the movie distracted me from them. However, when it ended, I did have mild cotton-mouth, and very bloodshot eyes. I had a mild headache the next morning, which ended a few hours after getting up.
Undaunted, I decided to try again a few weeks later.  I then tried to make some nutmeg tea. I used about 3/4 of a fairly large nutmeg, powdered it with a fine cheese-grater, and steeped it in 2 cups boiling water for about 15 minutes. The myristicin did indeed appear in the tea, as a number of white, waxy, floating particles. After straining the tea, and trying to conserve as much myristicin as possible, I drank the resulting liquid.
About 1/2 an hour later, I felt a sort of drunken light-headedness, almost like a small rush, and thought 'Wow, it's really working'. These feeling intensified for about 45 minutes. Then I decided to go on a walk outside. I realized that I was feeling jittery and euphoric, full of a sort of nervous, giggly energy that made me want to run around laughing (which I did, briefly). Eventually, after about two hours, I came down, and went to sleep, with no adverse side effect other than some rather bloodshot eyes.
The bad effects started during the next couple of days. Going to school, I realized that I wasn't able to remember things as well, and kept forgetting assignments, appointments, etc. This became very pronounced after two or three weeks, when I finally realized that I was undergoing some real memory problems. I had to resort to writing things of any importance on my arms in marker, just so I could remember them.
Apparently the rule 'Once bitten, Twice shy' did not seem to apply to my experiences. I realized that I was experiencing pronounced memory trouble, and yet I didn't really think that the nutmeg could be responsible. After about 1 1/2 months, I decided to try the tea again. My memory had picked up a tiny bit since, but was still very impaired. Again I used the same dosage, and experienced the same effects. And, right on schedule, my memory problems set in.
After doing more research, I realized that the nutmeg was almost certainly the source of my problems. I was taking no other psychoactives at the time (including medications), and so beleive the nutmeg to be responsible. However the memory problems persisted for three four, five months, not improving in the slightest. After month six, however, my memory began to improve very gradually. I also began taking ginko extracts, which seemed to help somewhat. Now, eight months after my last experiment, I am still not back to 'Normal', memory-wise. I am much better than I was three or even one month ago, but I still have trouble keeping everything together in my head, with names, projects, phone numbers, and so forth. I do not know if I will ever be able to attain my pre-nutmeg memory again. Incidentally, before all of this happened I had an exceptionally good memory, which gave me a real edge in school. No longer. And possibly never again.
The point of all of this is that nutmeg, or any other drugs, for that matter, can have long term consequences beyond the immediate high or trip.  Remember: Always 'Tune in' (to the knowledge) before you 'Turn On', so that you don't 'Drop Out' :)
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


--- layout: post title: Reload favicon in Chrome Browser categories: - articles tags: - browsers - Chrome published: true ---
Chrome likes to hold onto old favicons. Hard refreshing, clearing dns, etc don't seem to do anything to update them. However, there is a fairly simple way to force a refresh.
All you have to do is type the favicon's url into the browser `www.website.com/images/favicon.ico' and have the browser load it (ctrl+f5). It will then automatically download the favicon, which you can delete if you want. Finally, without changing url locations, execute a refresh and the favicon should update for you.


Analyses conditional constructions where the default value can be removed from the 'else'
condition and placed prior to the conditional, which can simplify readability and ease of support.
if () {
$var = [expression];
}
[elseif () { ... }]
else {
$var = [array|string|constant|number];
}


WebGLRenderer Class
The WebGLRenderer draws the stage and all its content onto a webGL enabled canvas. This renderer should be used for browsers that support webGL. This Render works by automatically managing webGLBatchs. So no need for Sprite Batches or Sprite Clouds. Don't forget to add the view to your DOM or you will not see anything :)
Constructor
WebGLRenderer
-
[width=0]
-
[height=0]
-
[options]
Parameters:
-
[width=0]
Number optionalthe width of the canvas view
-
[height=0]
Number optionalthe height of the canvas view
-
[options]
Object optionalThe optional renderer parameters
-
[view]
HTMLCanvasElement optionalthe canvas to use as a view, optional
-
[transparent=false]
Boolean optionalIf the render view is transparent, default false
-
[autoResize=false]
Boolean optionalIf the render view is automatically resized, default false
-
[antialias=false]
Boolean optionalsets antialias (only applicable in chrome at the moment)
-
[preserveDrawingBuffer=false]
Boolean optionalenables drawing buffer preservation, enable this if you need to call toDataUrl on the webgl context
-
[resolution=1]
Number optionalthe resolution of the renderer retina would be 2
-
Item Index
Methods
Methods
destroy
()
Removes everything from the renderer (event listeners, spritebatch, etc...)
initContext
()
mapBlendModes
()
Maps Pixi blend modes to WebGL blend modes.
render
-
stage
Renders the stage to its webGL view
Parameters:
-
stage
Stagethe Stage element to be rendered
renderDisplayObject
-
displayObject
-
projection
-
buffer
Renders a Display Object.
Parameters:
-
displayObject
DisplayObjectThe DisplayObject to render
-
projection
PointThe projection
-
buffer
Arraya standard WebGL buffer
resize
-
width
-
height
Resizes the webGL view to the specified width and height.
Parameters:
-
width
Numberthe new width of the webGL view
-
height
Numberthe new height of the webGL view
updateTexture
-
texture
Updates and Creates a WebGL texture for the renderers context.
Parameters:
-
texture
Texturethe texture to update
Properties
_contextOptions
Object
private
autoResize
Boolean
Whether the render view should be resized automatically
clearBeforeRender
Boolean
This sets if the WebGLRenderer will clear the context texture or not before the new render pass. If true: If the Stage is NOT transparent, Pixi will clear to alpha (0, 0, 0, 0). If the Stage is transparent, Pixi will clear to the target Stage's background color. Disable this by setting this to false. For example: if your game has a canvas filling background image, you often don't need this set.
contextLostBound
Function
contextRestoredBound
Function
height
Number
The height of the canvas view
Default: 600
preserveDrawingBuffer
Boolean
The value of the preserveDrawingBuffer flag affects whether or not the contents of the stencil buffer is retained after rendering.
renderSession
Object
TODO remove
resolution
Number
The resolution of the renderer
Default: 1
transparent
Boolean
Whether the render view is transparent
type
Number
view
HTMLCanvasElement
The canvas element that everything is drawn to
width
Number
The width of the canvas view
Default: 800


Hi! My name's Nick.
I'm into programming, piano, puzzles, and cooking, but the programming's probably the most fun to talk about on a website.
I've programmed for:
I've worked at Ardian for a summer internship and a bit over a year full time.
I've worked on most aspects of their new data management and collaboration tool, PVITL, from the database structure and backend processing to the interactive web frontend. PVITL is specifically designed for collecting information about attendees of a big event you're hosting, which is why a lot of the features below involve gathering or combing through data about people.
Some features I've worked on:
Technologies I'm using: Rails, Angular, and MySQL.
I spent a summer working on the Windows team, specifically trying to identify when mobile users were hovering their fingers over spots on the screen -- like touch detection in 3D.
While I couldn't find a way to distinguish between a low hover and a light touch, I could approximate the intensity of a touch, which I integrated into a painting application as the width of a stroke.
Technologies used: C++.
I worked for two summers at Roblox, makers of a game engine for kids -- as the programmers, artists, and game designers, not just the players.
I wrote code for many in-game items, called Gear, that budding programmers could use as tools in their games, like a volleyball that you can bat around with friends, a sword that launches fireballs, and a gun that shoots cuddly walruses which compliment people.

Technologies used: Lua.
As my first foray into web programming, I worked on a prototype application to help people who'd recently been discharged from hospitals remember to make their followup appointments and take their medication.
We scanned the discharge documentation the patient received upon reading the hospital and turned it into a customized list of text and phone-call-based reminders.
Technologies used: PHP, MySQL, and Twilio, with a bit of Java for scanning the discharge documents. (We were using a Java OCR library.)


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General Web sites:
ACT The Web site for information on the ACT, including registration, test dates, etc. www.act.org. Campus Tours: Virtual College Tours. Virtual tours with still pictures and descriptions, webcams, campus maps, and videos of hundreds of colleges throughout the United States. Provides a first look at colleges. www.campustours.com. The College Board. A complete site, with college and scholarship searches, information about the SATģ and SAT Subject Testsô, and other material pertaining to the college search and application process. Easy-to-use college search feature. www.collegeboard.com. Collegiate Choice Walking Tours Videos. A site run by a group of independent counselors in New Jersey who offer videos of walking tours of more than 350 colleges, providing ďan unedited recording of an actual student-guided campus tour offered at that college.Ē www.collegiatechoice.com. eCampusTours.com. Virtual tours of colleges. Useful for its 360-degree views of dorm rooms and other buildings. www.ecampustours.com. NCAA Clearinghouse Online. Official NCAA Web site that gives details of student-eligibility requirements to play NCAA sports. Watch this site for changes in eligibility; students can print the ďGuide for the College-Bound Student-Athlete.Ē www.ncaaclearinghouse.net. Petersonís Education Portal. An all-purpose site including a college search, as well as information about summer programs, summer camps, and jobs. The site asks you to register before using some of the search engines and other resources, but there is no registration fee. There is a charge for some of the services provided. www.petersons.com. U.S. Department of Education. The federal governmentís Web site is easy to use and an excellent source of information on financial aid, much of it in Spanish as well as English. www.ed.gov. Financial aid Web sites: The College Board. Has a scholarship search, a loan calculator, and an online application form for the CSS/Financial Aid PROFILEģ form, which is required by some colleges. www.collegeboard.com. FAFSA on the Web. The Web site for the Free Application for Federal Student Aid. This form must be submitted in the senior year (after January 1 and by June 30) for families applying for need-based aid. Students may complete it electronically at this site. www.fafsa.ed.gov. FastWeb. Extensive information on merit- and need-based scholarships and aid. www.fastweb.com. FinAid! Good site for information about types of financial aid and applying for financial aid. www.finaid.org. Books: Comprehensive objective directories Barronís Profiles of American Colleges. New York: Bartonís Educational Series, Inc. Updated every two years. The College Board College Handbook. New York: The College Board. Published annually. Petersonís Guide to Four- Year Colleges. Princeton, NJ: Petersonís Guides. Published annually. Petersonís Guide to Two-Year Colleges. Princeton, NJ: Petersonís Guides. Published annually. Subjective guides: Fiske, Edward, and Robert Logue (contributor). The Fiske Guide to Colleges. Illinois: Sourcebooks Trade. Updated annually. Greene, Howard, and Matthew W. Greene. Greeneís Guide to Educational Planning: The Public Ivies. Harper Collins, 2001. Greene, Howard R., and Matthew W Greene. The Hidden Ivies: Thirty Colleges of Excellence. New York: HarperCollins, 2000. Pope, Loren. Colleges That Change Lives: 40 Schools You Should Know About Even If Youíre Not a Straight-A Student. New York: Penguin, 2006. Staff of Yale Daily News. The Insiderís Guide to the Colleges. New York: St. Martinís Press. Updated annually. Specialized topics: Aaron, Scott. Jewish U: A Contemporary Guide for the Jewish College Student. Urj Press, 2002. College Board Book of Majors. New York: The College Board, 2006. Detailed descriptions, written by professors, of more than 180 popular majors, plus lists of 900 majors and the colleges that offer them. Getting Financial Aid. New York: The College Board. Published annually. Mathews, Jay. Harvard Schmarvard: Getting Beyond the Ivy League to the College That Is Best For You. New York: Prima Publishing, 2003. Good insights on the college choice process from the education columnist for the Washington Post. Nelson Reference. Nelsonís Complete Guide to Colleges & Universities for Christians. 2002. Princeton Review et al. (eds.). The Hillel Guide to Jewish Life on Campus. 14th ed. New York: Random House Information Group, 1999. Princeton Review et al. (eds.). K&W Guide to Colleges for Students with Learning Disabilities or Attention Deficit Disorder. 8th ed. New York: Random House Information Group, 2005. Strichart, Stephen S., and Charles T. Mangrum, II (eds.). Petersonís Colleges with Programs for Students with Learning Disabilities or Attention Deficit Disorder. 7th ed. Princeton, NJ: Petersonís Guides, 2003. Source: College Counseling Sourcebook, 4th Edition |
|||||
| If investment, financial, mortgage or insurance planning and/or products are required, College and Retirement Solutions, LLC may refer you to one of its affiliates, including The Ziering Insurance Agency. Any discussion of the Tax implications of planning is strictly for general purposes. Neither "CRS" nor its representatives may give specific tax advice. One should seek the advice and counsel of their accountant and/or tax advisor for information regarding their particular situation. |


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914. X of a Kind in a Deck of Cards
Difficulty: Easy
Topics: Array
In a deck of cards, each card has an integer written on it.
Return true
if and only if you can choose X >= 2
such that it is possible to split the entire deck into 1 or more groups of cards, where:
- Each group has exactly
X
cards. - All the cards in each group have the same integer.
Example 1:
Input: [1,2,3,4,4,3,2,1]
Output: true
Explanation: Possible partition [1,1],[2,2],[3,3],[4,4]
Example 2:
Input: [1,1,1,2,2,2,3,3]
Output: false
Explanation: No possible partition.
Example 3:
Input: [1]
Output: false
Explanation: No possible partition.
Example 4:
Input: [1,1]
Output: true
Explanation: Possible partition [1,1]
Example 5:
Input: [1,1,2,2,2,2]
Output: true
Explanation: Possible partition [1,1],[2,2],[2,2]
Note:
1 <= deck.length <= 10000
0 <= deck[i] < 10000
Solution
Language: Python
class Solution(object):
def hasGroupsSizeX(self, deck):
"""
:type deck: List[int]
:rtype: bool
"""
def gcd(a, b):
while b: a, b = b, a % b
return a
count = collections.Counter(deck).values()
return reduce(gcd, count) > 1
Notes
- GCD greatest common divisor
-
reduce()
: The reduce(fun,seq) function is used to apply a particular function passed in its argument to all of the list elements mentioned in the sequence passed along.This function is defined in “functools” module.Working :
- At first step, first two elements of sequence are picked and the result is obtained.
- Next step is to apply the same function to the previously attained result and the number just succeeding the second element and the result is again stored. This process continues till no more elements are left in the container.
- The final returned result is returned and printed on console.


@import fr.gospeak.core.domain.{Group, UserRequest} @import fr.gospeak.web.pages.orga.routes.GroupCtrl @import fr.gospeak.web.utils.SecuredReq @(invite: UserRequest.GroupInvite, group: Group)(implicit req: SecuredReq[AnyContent])
Hi,
@req.user.name.value has canceled your invitation to @group.name.value group.
We hope everything is alright, you still can apply to existing groups or create your own.
The Gospeak team


I don't have a favorite sports team
Because I didn't grow up watching it.
Maybe if I grew up watching sports, I'd have a favorite sports team but that's not the case.


Adds a fingerprint to resources loaded with RequireJS. This works for JSON, CSS and javascript files.


Appendix D. Filesystem Performance Benchmarks
You have a myriad of choices to make when installing and configuring
Squid, especially when it comes to the way Squid stores files on
disk. Back in Chapter 8, I talked about the
various filesystems and storage schemes. Here, I'll
provide some hard data on their relative performance.
These tests were done with Web Polygraph, a freely available,
high-performance tool for benchmarking HTTP intermediaries
(http://www.web-polygraph.org/).
Over the course of many months, I ran approximately 40 different
tests on 5 different operating systems.
|


We are a team of 2 based at Makerversity, London since 2017.
Shruti Grover, Human Centred Designer/Researcher
Shruti is a Human Centred Designer/Researcher who has led the conception, research, design and delivery of innovative products and services for King’s College London, Wellcome Trust, Médecins Sans Frontières, Stannah Stairlifts, Proteus Digital Health, Chelsea and Westminster Hospital, Cerestim Therapeutics, Ford, Rio Tinto and the Seoul Design Foundation.
She has led projects in the United States, India, Ethiopia, Kenya, Mozambique, Netherlands and the United Kingdom. She holds an MA/MSc (Dist) in Innovation Design Engineering from the Royal College of Art and Imperial College.
Simon Johnson, Data Scientist
Simon has worked in the data visualisation, open data and data science communities for the last 7 years supporting organisation such as the United Nations, International Federation of Red Cross Societies (IFRC), Chatham House, Médecins Sans Frontières and the World Food Programme.
He has extensive experience creating and managing software development projects to enable the use of data in humanitarian, development and health settings. In a previous life, Simon designed computer games and also worked as an actuarial consultant.
Writings
Selected Articles
Tool: Python Script for 1st Level Coding of Semi-Structured Interviews
HDX Universe: The shape of the Humanitarian Data Exchange
Internet of Things buttons for humanitarian response
Humanitarian Technology Hype 2018
HDX Universe: The shape of the Humanitarian Data Exchange
Growing the Humanitarian Exchange Language (HXL) ecosystem
Enter the hashtags — A story of user centred design and the Humanitarian Exchange Language (HXL)
Conference Papers and Posters
Identifiable Attributes of Balance
Grover, S., Johnson, S., Atkin, R., & Chris McGinley. (2016). Identifying attributes of “Balance Health” measurable using a smartphone application. In 8th Cambridge Workshop on Universal Access and Assistive Technology. Fitzwilliam College, University of Cambridge.
Actionable Visualizations
Grover, S., Johnson, S. (2017) Co-designing Visualisations Using Real Participant Data for a Body Balance Application, Presented at Mobile HCI, Vienna
Grover, S., Johnson, S., Atkin, R., & Johnson, S. (2016). A user centred approach to developing an actionable visualisation for “balance health.” Presented at the Design Research Society, Brighton.
Gamified Diagnostics
Shruti Grover. (2016). Designing a gamified, ability-appropriate diagnostics and training program. Presented at the 2nd Behaviour Change Conference: Digital Health and Wellbeing, UCL, February 2016, University College London.
Human Centered Methodology
Shruti Grover, & Ross Atkin. (2015). Using a Human Centered Methodology for Design of a Balance Application. Presented at the Behaviour Change Conference: Digital Health and Wellbeing, University College of London.
Quant-Qual Tool Dyads
Grover, S., Atkin, R., & McGinley, C. (2015). Certainty as a Provocation : The Design and Analysis of 2 Quant Qual Tool Dyads for a Qualified Self Technology Project. Presented at the Research Through Design, Cambridge.
Workshop Design
Design Provocations, conducted as Associate to Dr. Dan Lockton
Design Research Society Conference 2014, Umea
Social Design with Rama Gheerawo
Hamid Bin Khalifa University, Qatar
Inclusive Design for the Boardroom with Rama Gheerawo
Norway European Innovation Workshop
Exhbitions
Include 2015, Helen Hamlyn Centre for Design
London Design Festival, United Kingdom 2015
Research Through Design
Microsoft Cambridge, United Kingdom 2015
Here Today, International Union for Conservation of Nature
The Old Sorting Office, United Kingdom, 2014
Breaking Through, Helen Hamlyn Centre for Design
London Design Festival, United Kingdom 2014
Sustain RCA, Royal College of Art
London Design Festival, United Kingdom 2013
Show RCA, Royal College of Art
United Kingdom 2013
Goglobal, Seoul Design Foundation
South Korea 2012
30 Years of IDE
Imperial College London, 2012


I know I should follow this concept but as I am a design graduate I tend to make website until It looks perfect but perfect website does not exist from the first place so it takes long time to build it to the stage that I am satisfied with. It doesn’t necessarily mean that I do not value the process I understand that process matters and it is more important than the product because you learn lots of things in-between process. I am still learning how to value the process more.
I knew in real world meditation is about mental training and It is about giving yourself time to relax so you can strengthen your inner self but the thing is because there are ‘fantasy’ movies or comics where heroes meditate to use their magical power sometimes I think meditation might be related to those magical stuff as well. (even though I know it has nothing to do with magic in my head).
Mediation is exercise for your mind just like work out at the gym is exercise for our body. You can meditate in any posture you want. I thought you had to cross your leg and sit up straight.
“The third thing to do is to become aware of your attitude toward yourself. See how you treat yourself and how often you engage in nasty gossip about yourself. If possible, shift the attitude toward self-directed kindness and curiosity.”
Not really!.
meditation process search inside yourself


General Information
Current Address
Intermediate Stops
Destination Address
Date & Time
Parcel Carrying Capacity


BATMAN A film review by Chuck Dowling Copyright 1997 Chuck Dowling
Batman (1989) *** out of ***** - Cast: Michael Keaton, Jack Nicholson, Kim Basinger, Robert Wuhl, Jack Palance, Pat Hingle, Billy Dee Williams, Michael Gough, William Hootkins, Jerry Hall. Written by: Sam Hamm and Warren Skaaren. Directed by: Tim Burton. Running Time: 126 minutes.
About a year before the release of "Batman", the hype began. But by the time the film was released, you had basically seen the entire movie, in clip form. Unfortunately, it seemed to work much better as a series of clips.
We are introduced to Gotham City, a strange town which seems to both exist in reality and not exist in reality at the same time. Everything in the town is dark, gloomy, and bleak. Gotham's new district attorney Harvey Dent (Williams) vows to end the stranglehold of the crime boss of the town (Palance). But also at the same time, a new player enters the game. His name is Batman.
Batman's normal persona is that of millionaire Bruce Wayne (Keaton). He is forced to bring Batman into the public eye to confront the Joker (Nicholson), who once was a henchman of Gotham's crime boss, until Batman dropped him into a vat of chemicals. Now the Joker is trying to basically kill people in various ways, with no real rhyme or reason to his plan.
No matter how many times I see the film, one thought always stays with me: the film has never looked like it was finished. The editing is erratic, the sound sometimes in non-existant, and the effects look like they needed serious enhancement in post production. For example, look at the Batmobile. Sure it's supposed to be cool and speedy, but really look at it when it's on screen. You'll never see it going faster than about 5 miles per hour. That's an obvious flaw to me. Also, everything obviously looks like a movie set, even though the production design won an oscar. I could just imagine the camera panning back at any moment to reveal the crew standing there. Things like that spoil the illusion that is supposedly being created. And they really needed to decide how this city was going to be perceived. Obviously there is no city in the country resembling Gotham, so they needed to make Gotham a world of its own. People and places resemble the 1940s, but use 1980s expressions and concepts. It doesn't mix.
 For example, (and I know I'm nitpicking a little but darn it all, it bothers me) the Joker really doesn't exist for much longer than a week or so. But immediately he has a whole gang with "Joker" jackets and "Joker" cars, all in "Joker" colors with a big "Joker" logo on them.  I know it's just a movie, but come on, it's too silly.
Also on the negative side, the soundtrack contains numerous oddly-placed songs by Prince which were obviously dubbed in after the film was completed. Prince is awful, as are these songs, and they just don't gel with the look and feel of the film. Danny Elfman's score is a mixed bag. The actual theme and anthem are good, but just the normal background music gets annoying. And there are too many unnecessary characters, namely Robert Wuhl's reporter and a crooked cop played by William Hootkins. Like I said, some better editing was needed.
But, even after all that (and it's a lot, I know), I'll admit that the film is still entertaining. Despite what everyone said before the film opened, Keaton makes a fine Batman. Nicholson's acting is SO over the top that it reaches a new level of silliness, but it fits the character perfectly and therefore is fine with me. And had it not been for the success of this film, there wouldn't have been 1992's "Batman Returns" which is my favorite of the series. [PG-13]
-- Chuck Dowling Visit Chuck's Movie Reviews at http://users.southeast.net/~chuckd21/ Over 1,600 movies rated and/or reviewed! Movie news, film related links, and reader's reviews.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


With the help of Artificial Reality we improved the way you interact with one of the oldest known means of constraining physical access, doors. AR-Access not only improves the everyday interaction of opening a door, it also provides additional layers of security not found in any other solution available today at the same time making you ready for the AR technology of the feature.


Galaxy is on your hand
Saturn has a prominent ring system that consists of nine continuous main rings and three discontinuous arcs, composed mostly of ice particles with a smaller amount of rocky debris and dust. Sixty-two known moons orbit the planet, of which fifty-three are officially named. This does not include the hundreds of "moonlets" comprising the rings.
Read more


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A built-in command to demonstrate all chat colors.
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In vanilla Minecraft, this command takes no arguments; but as an extension, Glowstone treats any
arguments as a custom kick message.
class
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/tp was an alias of this command until Minecraft 1.10, but now see
TpCommand
.
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Stops or starts rain, but doesn't schedule another weather change in the future as /weather does.
class
Differs from
TeleportCommand
in that all relative coordinates are relative to the target
rather than the sender.
class
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Click the "Sign In" button below to sign in via your configured SAML IdP
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High quality, cost effective and tailored software development services with our end to end cross-domain expertise.
Being a high-level language, it permits you to emphasize the app’s main functionalities by taking into account general programming tasks. It's versatile enough for developing software apps, the shells of operating systems, and pages within a web browser. The modest syntax guidelines of the Python programming language make it extremely easy to keep the code database readable and app maintainable.
With it's ability to handle large volumes of data and connections with ease, thanks to its event driven architecture and non-blocking I/O model, it's an ideal choice for real-time applications that require constant communication between the server and the client.
Services function independently which means each service may evolve at its own pace without affecting any other service. Smaller, more autonomous teams get an opportunity to develop, scale and deploy services independently.
Moving all or most of the organization's infrastructure to a cloud computing environment which is more functional inherently. The size or reach of the business shall have little impact on the move to cloud servers with no dependence on physical resources. This approach is more scalable, cost effective, easily recoverable, reliable , has a higher visibility and is more collaborative.
Front-end applications have become one of the best ways to win the target market, interact with the customers and outdo the competitors. The features and uniqueness of AngularJS have made it stand out a framework to develop user-friendly applications in less time and less effort.
Go syntax makes catching problems early on easier, compiles instantly to efficient machine code, making the edit/refresh cycle relatively fast, makes it easy to write highly concurrent, networked programs. Go comes with a lot of built-in infrastructure to support testing; you can effortlessly define and test modules; this further strengthens engineering discipline.


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GPGPU-Sim
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#include <XML_Parse.h>
Public Attributes | |
| double | L3_config [20] |
| int | clockrate |
| int | ports [20] |
| int | device_type |
| int | cache_policy |
| char | threeD_stack [20] |
| int | buffer_sizes [20] |
| double | total_accesses |
| double | read_accesses |
| double | write_accesses |
| double | total_hits |
| double | total_misses |
| double | read_hits |
| double | write_hits |
| double | read_misses |
| double | write_misses |
| double | replacements |
| double | write_backs |
| double | miss_buffer_accesses |
| double | fill_buffer_accesses |
| double | prefetch_buffer_accesses |
| double | prefetch_buffer_writes |
| double | prefetch_buffer_reads |
| double | prefetch_buffer_hits |
| double | wbb_writes |
| double | wbb_reads |
| double | conflicts |
| double | duty_cycle |
| bool | merged_dir |
| double | homenode_read_accesses |
| double | homenode_write_accesses |
| double | homenode_read_hits |
| double | homenode_write_hits |
| double | homenode_read_misses |
| double | homenode_write_misses |
| double | dir_duty_cycle |
Definition at line 435 of file XML_Parse.h.
| int system_L3::buffer_sizes[20] |
Definition at line 443 of file XML_Parse.h.
| int system_L3::cache_policy |
Definition at line 441 of file XML_Parse.h.
| int system_L3::clockrate |
Definition at line 438 of file XML_Parse.h.
| double system_L3::conflicts |
Definition at line 464 of file XML_Parse.h.
| int system_L3::device_type |
Definition at line 440 of file XML_Parse.h.
| double system_L3::dir_duty_cycle |
Definition at line 474 of file XML_Parse.h.
| double system_L3::duty_cycle |
Definition at line 465 of file XML_Parse.h.
| double system_L3::fill_buffer_accesses |
Definition at line 457 of file XML_Parse.h.
| double system_L3::homenode_read_accesses |
Definition at line 468 of file XML_Parse.h.
| double system_L3::homenode_read_hits |
Definition at line 470 of file XML_Parse.h.
| double system_L3::homenode_read_misses |
Definition at line 472 of file XML_Parse.h.
| double system_L3::homenode_write_accesses |
Definition at line 469 of file XML_Parse.h.
| double system_L3::homenode_write_hits |
Definition at line 471 of file XML_Parse.h.
| double system_L3::homenode_write_misses |
Definition at line 473 of file XML_Parse.h.
| double system_L3::L3_config[20] |
Definition at line 437 of file XML_Parse.h.
| bool system_L3::merged_dir |
Definition at line 467 of file XML_Parse.h.
| double system_L3::miss_buffer_accesses |
Definition at line 456 of file XML_Parse.h.
| int system_L3::ports[20] |
Definition at line 439 of file XML_Parse.h.
| double system_L3::prefetch_buffer_accesses |
Definition at line 458 of file XML_Parse.h.
| double system_L3::prefetch_buffer_hits |
Definition at line 461 of file XML_Parse.h.
| double system_L3::prefetch_buffer_reads |
Definition at line 460 of file XML_Parse.h.
| double system_L3::prefetch_buffer_writes |
Definition at line 459 of file XML_Parse.h.
| double system_L3::read_accesses |
Definition at line 446 of file XML_Parse.h.
| double system_L3::read_hits |
Definition at line 450 of file XML_Parse.h.
| double system_L3::read_misses |
Definition at line 452 of file XML_Parse.h.
| double system_L3::replacements |
Definition at line 454 of file XML_Parse.h.
| char system_L3::threeD_stack[20] |
Definition at line 442 of file XML_Parse.h.
| double system_L3::total_accesses |
Definition at line 445 of file XML_Parse.h.
| double system_L3::total_hits |
Definition at line 448 of file XML_Parse.h.
| double system_L3::total_misses |
Definition at line 449 of file XML_Parse.h.
| double system_L3::wbb_reads |
Definition at line 463 of file XML_Parse.h.
| double system_L3::wbb_writes |
Definition at line 462 of file XML_Parse.h.
| double system_L3::write_accesses |
Definition at line 447 of file XML_Parse.h.
| double system_L3::write_backs |
Definition at line 455 of file XML_Parse.h.
| double system_L3::write_hits |
Definition at line 451 of file XML_Parse.h.
| double system_L3::write_misses |
Definition at line 453 of file XML_Parse.h.


Please, abide our rules that include standards of behavior that apply to everyone.
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THE LOST WORLD: JURASSIC PARK A film review by Paul-Michael Agapow Copyright 1997 Paul-Michael Agapow
Chaos mathematician Ian Malcolm (Goldblum), having had nothing to do in "Jurassic Park", is given a second chance when his girlfriend (Moore) is dispatched to another island of dinosaurs. Going out there with the obligatory cute kid and lots of vehicles that can be wrecked by rampaging dinos, they meet up with company representatives on a rival mission. After hearing their English and South African accents, the dinosaurs eat the corporate goons and later rampage through San Diego. At that point there is no more room left on the back of the Minties wrapper the plot was written on, so the film ends.

In case you haven't heard, "The Lost World" is distinctly ordinary. "Jurassic Park" was no great shakes on the braincell scale, but at least it had some story, novel and rather wonderful special effects and some halfway decent action. (Remember the raptors hunting the children in the kitchen?) But "The Lost World" just hauls its surly carcass up onto the screen and slops out the warmed over leftovers of "Jurassic".  I found myself groaning aloud as I second-guessed every plot twist. (And let me assure you that i mean _every_ plot twist.) It is interesting that "The Lost World" does not bother to remind you of the previous film or explain anything again (assuming you remember JP well), but still expects you to be amazed by serving up exactly the same dish. (The cinema here had teamed it up with "Beavis and Butthead Do America" which had a certain sense: "Hehe, hehe, dinosaurs ... this is so cool.")
The lacklustre plotting of "Jurassic Park' was to some extent made up for by its SFX. Despite much touted improvements, those of "The Lost World" are only incrementally better, some of the matting being downright clumsy. Now that CGI can do anything, special effects alone are not enough to push a film. The direction and photography are reasonably accomplished, given the story problems. (One notes Spielberg's total inability to scare anyone except with in-your-face surprises and loud noises.) Conversely, the acting fails to survive the travails. Jeff Goldblum (the thinking man's Christopher Lambert) loses his luddite speeches of the first film and gets some neat one-liners, but fails to convince us that he is in anyway in jeopardy during the film. Julianne Moore's career is going straight to movie hell if she doesn't break out of bland roles like this. Her sole function seems to be to accidently endanger the rest of the party. It's difficult to care about anyone else during the film, because it's difficult to even catch their name. Only Pete Postlethwaite shows any depth as a hunter with a philosophical bent.
The film finally comes to life at the end with a T. Rex rampaging through the city. Unfortunately the cuteness of this part is diminished by the no-brain setup. (The dinosaur kills everyone on the boat, including those below deck or in the small rooms, and locks itself in the cargo hold? Right ...)
 This is nowhere near the worse film you could see this year, but it is one of the least inventive. It might also be added that it is amazingly violent for the rating it got and is unsuitable as a children's movie. [*/misfire] and Friday's fish returning as Monday's fish casserole on the Sid and Nancy scale.
"The Lost World" Directed by Steven Spielberg. Based on the novel by Michael Crichton. Starring Jeff Goldblum, Julianne Moore, Pete Postlethwaite, Arliss Howard, Vanessa Lee Chester, Vince Vaughn. Released 1997.
------ paul-michael agapow (agapow@latcs1.oz.au), La Trobe Uni, Infocalypse "There is no adventure, there is no romance, there is only trouble and desire." [archived at http://www.cs.latrobe.edu.au/~agapow/Postviews/]
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Module documentation
FUNCTIONS * means optional variable
Add new things to the fold [A] ai.town.new(name, hostileForce) -- Adds a new town to the map.
(NEEDS to be extended with additional RECTs) [X] ai.landmark.new(town, name, rect, {types}, *unit, *radius, *maxCapacity) -- Sets up a new landmark in a town that will be used by Units [A] ai.unit.new(town, type, name, unit, shift*) -- Adds a unit that exists into the fold to be controlled by the AI. Defaults to Day shift. [A] ai.route.new(name) -- Adds a route that villagers can take when moving


{% extends "!layout.html" %} {# Override the standard style to include a logo and a link to the site. #} {% block extrahead %} {{ super() }} {% endblock extrahead %} {% block sidebartitle %}


{% extends "layout.html" %} {% import "macros/article-preview.html" as article with context %} {% block main %}


Full Name: Tyler Page
Age: 21
Hometown: Morgan Hill, CA
Height: 5'10"
Favorite Color: No favorite
Role/Instrument: Lead Guitar
Q: What’s your earliest memory involving music?
A: When I was a kid my dad was always blasting the Beatles and Van Halen.
Q: If you were a box of cereal, what would you be and why?
A: If I was a box of cereal I'd be Grape Nuts because I'm tough as hell.
Q: What’s your superpower?
A:My super powers are my super guitar skills duh.
Q: Where would you take a girl on a date?
A: I'd take a girl to see my band so she could see how talented I am.
Q: What’s a girly movie you secretly love?
A: Mulan
Q: What’s your favorite movie?
A: Hercules
Q: What’s the last song you listened to?
A: Dancing in September
Q: If you guys were stuck on an island and had no food, who would you eat first?
A: I'd eat Luke, Taylor and Jackson are skin and bones
Q: Growing up, what was your favorite halloween costume?
A: My favorite costume was a homeless person. I got candy and change.
Q: Did you ever have music lessons?
A: Self taught baby
Q: To people who haven’t listened to your music before, why should they?
A: Once you see how handsome we are it just makes sense
Q: Who’s your biggest musical inspiration?
A: Satchel of Steel Panther. Pure Confidence
Q: Who writes the songs and what are they about?
A: Nobody knows


Have real people give you a real wake up call or a reminder, anonymously
{% csrf_token %} Login (or Register):
{% csrf_token %} Phone Number:
Email:
PD: For real this time!


Hide
Estate Process
Tools
BD
Action
Library Name
Name Step
Step
Status
Start Date
Email
Action
Show
Name
Elapsed Time
Description
State
Start Date
×
Close
Flow
The
red
element is the actual process
×
Close
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Standart Out


Explore the wasteland
Wasteland (Total). {{dataService.data.explore.progress.max - dataService.data.explore.progress.current | number:'1.2-2'}}km unexploredYou find a cartridge... How exciting! A label on the back reads:
{{recipe.name}}
Requires:
Hey, that sounds pretty useful! Maybe you can use it to **Build** something.


{% extends "base.html" %} {% block title %}List of Characters{% endblock %} {% block content %}
No characters have been created.
Create a new character


--- layout: post date: 2007-07-18 time: "09:00:00" authors: ["Greg Wilson"] title: "Computational Education for Scientists" tags: ["Community", "Noticed"] ---
Via Zachary Dodds: Microsoft is hosting a workshop on computational education for scientists in September. I'm going to try to be there—anyone else?


South Korea has culled around 380,000 pigs since the first case of the haemorrhagic disease - which is not harmful to humans but is highly infectious in swine - was reported in September.
Pig cases are nearly always fatal and there is no antidote or vaccine, with the only known way to prevent the disease from spreading being a mass cull of livestock.
A local NGO said that heavy rains last week caused blood from a burial site near the inter-Korean border - where some 47,000 pig carcasses were piled up - to seep into the Imjin River on Sunday, turning some of the stream red.
"It made many people living in the area anxious and worried," Lee Seok-woo, who heads the NGO Yeoncheon Imjin River Civic Network, told AFP.
"What was also hard to endure was the odour. I heard many farmers couldn't work because of the unbearable smell. This should not have happened."
Seoul's environment ministry released a statement Wednesday (Nov 13) saying the blood from pig carcasses flowing into the streams had now been "dealt with properly" using suction pumps and other devices, and the situation did not affect tap water in the region.
"We have built banks and other facilities so that the polluted water does not flow into the downstream region," the ministry said, adding: "As of now there is no blood in the stream."


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Cloudes is a cloud-based discrete-event simulation development tool that’s solely operating on browser in the front-end and cloud-based infrastructure at the back-end.
I designed the initial software architecture in 2013. A master’s student from Computer Science Department at ODU helped building the initial interface.
Later, Anthony M. Barraco took the lead on development and made significant improvements on the project.
This project is active and led by Dr. Jose J Padilla. I am still making contributions to different parts of the project.
Dr. Saikou Y. Diallo and Chris J. Lynch are other members of the team. You can test the tool at
cloudes.me.
{% include functions/research_summary_footer.html
footer_link="https://www.researchgate.net/publication/269411595_Cloud-based_simulators_Making_simulations_accessible_to_non-experts_and_experts_alike"
footer_link_text="CLOUDES' first Wintersim paper"%}


- A Message From Warren E. Buffett
- News Releases Updated November 6, 2015
- Annual & Interim Reports Updated November 6, 2015
- Warren Buffett's Letters to Berkshire Shareholders Updated February 28, 2015
- Special Letters From Warren & Charlie RE:Past, Present and Future
- Charlie Munger's Letters to Wesco Shareholders
- Link to SEC Filings
- Annual Meeting Information
- Links to Berkshire Subsidiary Companies
- Celebrating 50 Years of a Profitable Partnership (A commemorative book first sold at the 2015 Annual Meeting and now for sale on eBay.)
- Corporate Governance
- Comparative Rights and Relative Prices of Class A and B Stock
- Owner's Manual
- Berkshire Activewear
- Letters from Warren E. Buffett Regarding Pledges to Make Gifts of Berkshire Stock


Parallax is appreciable only for nearby stars; even the nearest, Proxima Centauri, is displaced from its average position by less than an arcsecond as the Earth revolves in its orbit.
For stars with a known parallax, knowledge of the radial velocity allows the proper motion to be expressed as an actual space motion in 3 dimensions. The proper motion is, in fact, a snapshot of the transverse component of the space motion, and in the case of nearby stars will change with time due to perspective.
SLALIB does not provide facilities for handling parallax and radial-velocity on their own, but their contribution is allowed for in such routines as sla_PM, sla_MAP and sla_FK425. Catalogue mean places do not include the effects of parallax and are therefore barycentric; when pointing telescopes etc. it is usually most efficient to apply the slowly-changing parallax correction to the mean place of the target early on and to work with the geocentric mean place. This latter approach is implied in Figure 1.
SLALIB --- Positional Astronomy Library


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Take the Lead
Take the Lead is a movie starring Antonio Banderas, Rob Brown, and Yaya DaCosta. The real story of a dance teacher who believed in the talent of a group of problem kids.


{% extends 'layouts/layout-manage-v9.html' %} {% block pageTitle %} Your login details {% endblock %} {% block content %}
These are the details that allow you to log in to NHS services and other online services.
Deleting your NHS login will not delete your contact details.
When you delete your NHS login you will no longer be able to use it to access any services.
{% if data['devMode'] %} {% endif %}


{% endblock %}
{% block appcontent %}
{% if not current_user.is_anonymous %}
Welcome {{ user.username }}
{% endif %}
STUDY SPOTLIGHT
Multicenter Single Human MRI Phantom
McGill Center for Integrative Neuroscience (MCIN)
Human Brain phantom scans, Multiple MRI scans of a single human
phantom over 11 years, T1 weighted images and others on 13 scanner
in 6 sites accross North America.


val DEFAULT_MAX_BUCKETS: Int
The default maximum size of the LRU cache.
TODO: make this value configurable TODO: tune this value, as it's currently mostly a guess


Encode:
Original
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Size:
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Adam J Sullivan
Assistant Professor of Biostatistics
Brown University
Success'' or
Failure.'' These successes may not be a positive thing as the word success implies but any outcome that a researcher is interested in. success
or failure
.success
is \(p\) and the probability of a failure
is \(1-p\). We know that \(X\sim \text{ Bin}(n,p)\) where \(n=5\). Then we have the following pmf: \[p(k)= \binom{5}{k}p^x(1-p)^{n-k}\;\;\;\;\;\;\;\; k=0,1,2,3,4,5\] These probabilities give us the following table:
| \(k\) | \(\Pr(k)\) |
|---|---|
| 0 | 0.16807 |
| 1 | 0.36015 |
| 2 | 0.30870 |
| 3 | 0.13230 |
| 4 | 0.02835 |
| 5 | 0.00243 |
\[f(x) = \dfrac{1}{\sigma\sqrt{2\pi}}e^{-(x-\mu)^2/2\sigma^2}, \;\;\;\;\;\;\;\; -\infty
fivethirtyeight
package:library(fivethirtyeight)
?comic_characters
library(fivethirtyeight)
library(tidyverse)
cnt <- comic_characters%>%
group_by(publisher) %>%
tally()
mn<- comic_characters%>%
group_by(publisher) %>%
summarise(mean_app=mean(appearances, na.rm=T))
full_join(cnt,mn)
## # A tibble: 2 x 3
## publisher n mean_app
## <chr> <int> <dbl>
## 1 DC 6896 23.6
## 2 Marvel 16376 17.0
t.test(appearances~publisher, comic_characters)
##
## Welch Two Sample t-test
##
## data: appearances by publisher
## t = 4.9476, df = 13552, p-value = 7.605e-07
## alternative hypothesis: true difference in means is not equal to 0
## 95 percent confidence interval:
## 3.980214 9.203299
## sample estimates:
## mean in group DC mean in group Marvel
## 23.62513 17.03338
library(broom)
tidy(aov(appearances~publisher, comic_characters))
## # A tibble: 2 x 6
## term df sumsq meansq statistic p.value
## <chr> <dbl> <dbl> <dbl> <dbl> <dbl>
## 1 publisher 1 199019. 199019. 22.6 0.00000197
## 2 Residuals 21819 191840416. 8792. NA NA
t.test(appearances~publisher, comic_characters, var.equal=TRUE)
##
## Two Sample t-test
##
## data: appearances by publisher
## t = 4.7577, df = 21819, p-value = 1.971e-06
## alternative hypothesis: true difference in means is not equal to 0
## 95 percent confidence interval:
## 3.876078 9.307436
## sample estimates:
## mean in group DC mean in group Marvel
## 23.62513 17.03338
model <- lm(appearances~publisher, comic_characters)
tidy(model)
glance(model)
## # A tibble: 2 x 5
## term estimate std.error statistic p.value
## <chr> <dbl> <dbl> <dbl> <dbl>
## 1 (Intercept) 23.6 1.16 20.4 1.89e-91
## 2 publisherMarvel -6.59 1.39 -4.76 1.97e- 6
## # A tibble: 1 x 11
## r.squared adj.r.squared sigma statistic p.value df logLik AIC
## <dbl> <dbl> <dbl> <dbl> <dbl> <int> <dbl> <dbl>
## 1 0.00104 0.000991 93.8 22.6 1.97e-6 2 -1.30e5 2.60e5
## # ... with 3 more variables: BIC <dbl>, deviance <dbl>, df.residual <int>
mod <- lm(appearances~sex, comic_characters)
tidy(mod)
## # A tibble: 6 x 5
## term estimate std.error statistic p.value
## <chr> <dbl> <dbl> <dbl> <dbl>
## 1 (Intercept) 19.7 14.8 1.33 0.182
## 2 sexFemale Characters 1.37 14.8 0.0927 0.926
## 3 sexGenderfluid Characters 263. 69.2 3.80 0.000146
## 4 sexGenderless Characters -6.82 26.4 -0.258 0.796
## 5 sexMale Characters -0.640 14.8 -0.0433 0.965
## 6 sexTransgender Characters -15.7 96.7 -0.162 0.871
## # A tibble: 7 x 3
## sex n mean_sex
## <chr> <int> <dbl>
## 1 Agender Characters 45 19.7
## 2 Female Characters 5804 21.0
## 3 Genderfluid Characters 2 282.
## 4 Genderless Characters 20 12.8
## 5 Male Characters 16421 19.0
## 6 Transgender Characters 1 4
## 7 <NA> 979 5.13
comic_characters <- comic_characters %>%
mutate(sex = fct_recode(sex,
"Agender" = "Agender Characters",
"Female" = "Female Characters",
"Genderfluid" = "Genderfluid Characters",
"Genderless" = "Genderless Characters",
"Male" = "Male Characters",
"Transgender" = "Transgender Characters"
))
comic_characters <- comic_characters %>%
mutate(sex = fct_relevel(sex,
"Female",
"Male",
"Transgender",
"Agender",
"Genderfluid" ,
"Genderless"
))
mod <- lm(appearances~sex, comic_characters)
tidy(mod)
## # A tibble: 6 x 5
## term estimate std.error statistic p.value
## <chr> <dbl> <dbl> <dbl> <dbl>
## 1 (Intercept) 21.0 1.29 16.3 2.65e-59
## 2 sexMale -2.01 1.50 -1.34 1.81e- 1
## 3 sexTransgender -17.0 95.6 -0.178 8.59e- 1
## 4 sexAgender -1.37 14.8 -0.0927 9.26e- 1
## 5 sexGenderfluid 261. 67.6 3.87 1.10e- 4
## 6 sexGenderless -8.20 22.0 -0.373 7.09e- 1
ggplot(comic_characters, aes(x = sex, y = appearances)) +
geom_point() +
geom_point(stat = "summary", fun.y = "mean", color = "red", size = 3) +
theme(axis.text.x = element_text(angle = 90, hjust = 1))


Eurozone: Manufacturing weakness is yet to hit investment - ABN AMRO
by Felipe ErazoAnalysts at ABN AMRO expect total investment to have contracted in Q3 and to continue to decline during the next couple of quarters in the Eurozone.
Key quotes
"Fixed investment growth in the eurozone has remained resilient despite the contraction in industrial production and the drop in business confidence during the past six quarters."
"A large number of early indicators for investment in machinery and equipment, such as the new orders component of the eurozone industrial PMI and Ifo’s business climate in the capital goods industry (as well as its component about orders on hand) are consistent with a contraction in investment in machinery and equipment."
"All that said, we expect residential investment to continue to expand in the coming quarters, and to limit the pace of the decline in total fixed investment."


[method] —
apes{T<:FloatingPoint}(y::Array{T<:FloatingPoint,N},f::Union(Array{T<:FloatingPoint,N},T<:FloatingPoint))
Amplitude and Phase Estimation of a Sinusoid (APES). Implemented as described in Li, Li & Stoica 1998.
This function estimates the complex amplitude of signal y
at frequencies f
. M denotes the filter length, which is set to N/2 by default [Li & Stoica 1996].
References
H. Li, J. Li, and P. Stoica. Performance analysis of forward-backward matched-filterbank spectral esti- mators. Signal Processing, IEEE Transactions on, 46(7):1954–1966, 1998.
J. Li and P. Stoica. An adaptive filtering approach to spectral estimation and sar imaging. Signal Processing, IEEE Transactions on, 44(6):1469–1484, 1996.
[1] Y. Hua, A. Gershman, and Q. Cheng. High-resolution and robust signal processing. Signal Processing and Communications. CRC Press, October 2003.


If your entry requires that a build file exist, state so in your entry's remark section. The makefile will be arranged to execute a build shell script containing the 'build' information. The name of this build shell script will be your entry's title, possibly followed by a digit, followed by '.sh'.
You can give the credit to Mario since he deserves it. But my point is that it wasn't Mario himself, but it was the *expectation* of things to come (i.e. a winning team) that he created by being the next great hockey superstar. And before anybody jumps in and says I'm nit-picking and mincing words, go back and read from where this thread started...