Best WhatsApp Group Names Collection 2019 (For Friends & Family)
by Amarnath ChakrabortyWhen it comes to instant messaging apps, WhatsApp usually steals the show. Compared to every other instant messaging apps, WhatsApp provides users far more features. Although it’s an instant messaging app, WhatsApp also has voice and video calling features.
If we talk particularly about the instant messaging system, WhatsApp allows users to send messages individually and in groups. WhatsApp groups are been there for a while and it’s used by lots of users. Just take a brief look at your WhatsApp account, we are pretty sure you will find almost 10-15 groups there.
Look, everybody has their WhatsApp Group with friends or family members. There’s no restriction on creating WhatsApp Groups and one can create unlimited groups. This is where the real problem begins, most of us create a group and later get confused while selecting their group name.
So, if this is what troubles you, then you have landed on the right webpage. In this article, we have decided to share a list of best Latest WhatsApp Group Names which would help you decide a name for your next WhatsApp group.
Contents show
1500+ Best WhatsApp Group Names Collection 2019 (For Friends & Family)
Your searching for the best WhatsApp Group names ends here because you will find a good name for your WhatsApp group from this article. Below, we have shared carefully picked unique group names for your WhatsApp groups.
We have also sorted the WhatsApp group names according to their categories like best WhatsApp group names for love, WhatsApp group names for boys, cool WhatsApp group names, funny WhatsApp group names, etc. So, let’s explore the best 1500+ WhatsApp group names.
Unique WhatsApp Group Names:
- Hopeless group
- Just do it
- The Unknowns
- Chat Lounge
- Feel free to write
- Tech Ninjas
- Crazy world
- Coffee lovers
- Staunch Ladies
- Avengers
- Just talk
- Open Book
- Unfired
- No Spamming
- Smile please
- Ninjas
- All Us Single Ladies
- Block heads
- Join at your own risk
Funny WhatsApp Group Names:
- Let’s Party Guys
- Bhaia ji Smile
- The Adventures Of Texting
- Silence Isn’t Golden Here
- Changu Mangus
- Protectors of Superman
- 404! Group name does not exist
- None of your Business
- Don’t Check ours-Create Your Own group
- Smile Please
- The Awakening
- No Porn
- Gangs Of WhatsAppur
- Non Veg Friends
- Let’s utilize precious time
- Trollers
- Time Wasters
- The Adventures Of Textin
- Game Of Phones
- WhatsApp Fund Raiser
- None Of Your Business
- Let’s Utilize Precious Time
- Protectors Of Superman
- Don’t Check Status Until I Ask
- Searching For Group Name
- 404! Group Name Does Not Exist
- Telegram lovers
- Don’t Stare All The Times
- Oh Hello Bros
- Open Book
- Chat Lounge
- Feel free to write
- Avengers
- Unfired
- Tech Ninjas
- Crazy world
- Staunch Ladies
- Hopeless group
- The Unknowns
- All Us Single Ladies
Family WhatsApp Group Names:
- Home Sweet Home
- The “Surname” Family (Ex: The Gupta’s Family)
- Happy Home
- Family Bus
- The Adams Family
- Always Happy Family
- The (surname) Bunch
- The Family Knot
- My Team My Family
- ABC Family
- Naughty Family Club
- Meri Family
- Meri Superb Family
- Mad Families
- Top Notch Home
- I Love My Family
- Loving Family
- Family Club
- Joint Family
- Cool Family
- Family Bonding
- We Are Family
- The Family
- Coolest Family
- My Family
- Top Class Home
- We Are Unique
- The Fantastic Four
- Dad Is Don
- Karate Family
- Irritating Family
- My Folks
- Happy House
- Best Family Ever
- Strong Bonding
- Good Times
- Perfect Family
- Intelligent Family
- Superstar Family
- Yes, We Are Family
- Family Ho Toh Aisi
- The “surname” Family
- Madhouse
- Devil’s Home
- Cutest Family
- Happy Family
- Rocking Family
- Fantastic Family
- Family Ties
- Pretty Family
- Royal Family
- We All Are One
- Kahani Ghar Ghar Ki
- Modern Family
- People Of My Life
- Amazing Family
- The Family Gang
Romantic WhatsApp Group Names:
- Still Loving You
- Pyar Hamara Amar Rahega
- Fell in Love
- Together Forever
- Made for Each Other
- Lovers together
- Befikre
- Fabulous Fairies
- 24×7 Love
- Love Paradis
- Crazy Lovers
- Spring Love
- Naughtiness
- Aashiqui
- Romantic gossips
- Online Hangover
- The Heart Grows Fonder
- Heartbeats
- The Best of Us
- Addicted To Her/Him
- The Heart’s Desire
- Fell in Love
- Together Forever
- Just Married
- Newly Weds
WhatsApp Group Names For School Friends:
- Failures
- Toppers
- Pencil Chors
- Golden memories
- Boring classes
- Langotiyas
- Crazy School Friends
- Why Do Exams Come?
- Woh Pencil Ki Udhari
- Nonsense Group
- The Invincibles
- Smartness overloaded
- Chuddy Buddy
- Gossip Geese
- Royal Benchers
- Shut up and bounce
- Let’s utilize precious time
- Scared Hitless
- Barking up the wrong tree
- The Mighty Midgets
- Don’t check status until I ask.
- The Rowdy Roosters
- The Amusement Park
- Don’t check me all the times
- Wandering Minds
- Silent killers
WhatsApp Group Names For Cousins:
- Brown Band
- Grocery Gals
- Glacier Gadgets
- Skinny Snakes
- Secret Losers
- Republic of Restless
- Freaky Friends
- Ignorant Buddies
- Self Warmish Thoughts
- Nonstop Chatters
- High Level
- Forever Ties
- All you need to do is Talk, Talk and talk.
WhatsApp Group Names In Hindi:
- Aaja Nachle
- Shor Shraba
- Badmashian
- Utha Le Re Baba
- Sanskari Boys
- दिल धडकने दो
- धूम
- आवारापन
- मेरा भारत महान
- कागज के फुल
- कोहिनूर
- Shanivar Raati
- बातो बातो मे
- जाने भी दो यारो
- इसी उमर मे
- ये जीवन है
- कल हो ना हो
- दिल चाहता है
- बोलीये मिया
- हक़ से सिंगल
- तेरे भाई की दुल्हनिया
- मम्मी के लाडले
- भाई की इज़्ज़त डूबा दी बेंचो
- यमला पगला दीवाना
- हुड हुड दबंग
- चलती है क्या 9 से 12
- गज़ब हसीना अजब दीवाना
- जान हो तुम मेरी
- हम मर जायेंगे
- आशिकी तुम से है
- तुम कब आओगे
- Chupke Chupke
- P.K.
- Do Jism Ek Jaan
- Bol Bachchan
- Jab Tak Hai Jaan
- Golmaal
- Padosan
- Angur
- Boss
- Mukandar Ka Sikandar
- Dil Dosti Duniyadari
- Bakwaas Point
- Pagan Panti
- Yaaron Ka Yaar
- Hamari Jaan Hindustan
- Hum Sath Sath Hain
- Zindagi 2 Pal Ki
- दिल दोस्ती दुनियादारी?
- सीफँ हमरा गृप काफी है
- दोस्ती वारियर्स…
- अंदाज़ अपना अपना
- टिपू सुलतान ग्रूप
- Dil Se Dosti
- Aao Kabhi Haveli Pe
- Kameeno Ka Adda
- Awaargi
- हाहाकारी ग्रुप
- पुरानी हवेली
- हमारा नाम ही काफी है
- Apna Sapna
- दिलवाले
- गुंडा गैंग
- गुमानपुरा के छोरे✌शेर|
- दोस्ताना
- मेरी आशीकी तुम से
- बचपन के साथी
- पुरानी यादें
- वो बचपन के दिन
- यारों के यार
- पड़ोसन
- चुपके चुपके
- पीके
- दो जिस्म एक जान
- बोल बच्चन
- जब तक है जान
- दिल से
- गोलमाल
- हम सब एक हैं
- Tharki Londe
- Bhul Bhulaiya
- Velle Log
- Apna Sapna Money Money
- Chup Chupke
- Dhamaal
- DDD – Dil Dosti Duniyadari
- Kamino Ka Adda
- Gangs Of WhatsAppur
- Talkster
- Bakar Point
- Punjabi Kudis
- Awaara Pagal Deewana
- The Gujjus
- Engineering For Dummies
- Andaz Apna Apna
- Maratha Warriors
- Pagan Panthi
- Yaaron Ka Kafila
- Garam Masala
- Dil Se
- Masti
- Mastizaade
- Desi Katte
- Tipu Sultan Group
- Karenge Daaru Party
So, that’s all about the best WhatsApp Group names collection 2019. I hope this article helped you! Share it with your friends also. If you want to add more names into the list, let us know in the comment box below.


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This specification describes how figures commonly seen in print – e.g. tables, photographs with captions, and pullquotes – can be formatted with CSS. By turning elements into page floats, figures can be floated wrt. columns and pages, and they can span columns. As such, the specification reinforces the concept of columns and pages being basic building blocks of CSS typography, thereby avoiding scripting for common layouts. Page floats live in paged environments, both on print and on screens. Authors do not know the size of the reader's device and care has therefore been taken to make features responsive; the same style sheet can work on mobile phones, tablets, PCs and on paper. This specification also describes how text can wrap around text and images.
This specification builds on, and extends, features described in CSS Multi-column Layout CSSMULTICOL and CSS Overflow CSSOVERFLOW. Many of the features described have already been implemented, as described in the implementation coverage document. Based on implementation experience, some of the features have been revised and the CSS syntax has changed compared to earlier drafts. As such, the features described in this specification are mature, but their descriptions need more work.
The main goal of this specification is to enable authors to create publications with common figures in paged environments, both on screen and on paper. Examples of figures include photographs with captions floated to the top of the page, tables that span several columns, and pullquotes that are positioned halfway down the last column. Further, the goal is for the CSS code to be compact, human readable & writable, reusable, and not depend on dummy structural elements. Media queries can be used in combination with CSS Figures, but the goal is for the same CSS code to apply to the widest possible range of devices. Below are screenshots of a sample document shown on various devices:
Notice how the heading and the wide image span two columns in figure 1 and figure 2. Also, the byline is deferred to the second column when there is more than one column. The images are floated to the top and bottom of the page; when there is not room for more than one image, the other is moved to the next page.
All diagrams, examples, and notes in this specification are non-normative, as are all sections explicitly marked non-normative. Everything else in this specification is normative.
The key words "MUST", "MUST NOT", "REQUIRED", "SHOULD", "SHOULD NOT", "RECOMMENDED", "MAY", and "OPTIONAL" in the normative parts of this specification are to be interpreted as described in RFC2119. For readability, these words do not appear in all uppercase letters in this specification. RFC2119
Conformance requirements phrased as algorithms or specific steps may be implemented in any manner, so long as the end result is equivalent.
User agents may impose implementation-specific limits on otherwise unconstrained inputs, e.g. to prevent denial of service attacks, to guard against running out of memory, or to work around platform-specific limitations.
In page-based layouts, images and figures are often displayed at the top or bottom of pages, spanning several columns. This specification extends the CSS float model with page floats, which are floats that move in the block direction, as opposed to normal CSS float that primarily move in the inline direcdtion. The 'float' property is used to specify that the page float should move to the top, bottom or to the nearest edge of the column.
All page float have a natural column, i.e., the column where the element would naturally start. This specification defines several ways by which the element can escape their natural column.
These properties allow rich designs to be described. However, there may be implementation-specific limits for figure placement (such that figures cannot affect content that has already been laid out), or that blank pages should be avoided. In these cases, UAs may move the page float to another column or page. The column where the page float is shown is called the resulting column, and the page where the page float is shown is called the resulting page.
Floating to top or bottom of columns is a basic feature of multi-column layout. To support this, some new keywords on 'float' have been added:
When one of these keywords are set, a page float is created.
Float the figure to the top of its natural column:
figure { float: top }
The column is, by default, the containing block of the page float. When the width is auto, the page float will fill the width of the column. When the width is constrained, content will be laid out in the line direction.
In this example, the width of the figure is constrained and its width computed relative to the column width.
figure { float: top; width: 50% }
Figures that naturally end up close to a column break may look better when moved to the top or bottom of the column. To support this, the snap
value is added to the 'float' property:
The optional keyword value specifies where the element is floated: top, bottom, or the nearest of the two. The default value is 'near'. If 'near' is in effect and the element is within the specified distance both from the top and the bottom, bottom wins.
snap(2em, near)
Should an element be considered to be a float if it has a snap() value, even if the element does not appear within the specified distance? This way, it can be determined whether an element is float or not without laying out the document.
In this example, a figure naturally appears close to a column break. There is not enough space for the figure in the first column, and it is therefore placed in the second column, leaving white space at the bottom of the first column.
To avoid the white space, the image can be floated to the nearest edge (in the block direction):
.figure { float: snap }
When the code is applied, subsequent content is allowed to be displayed before the page float the white space can therefore be filled:
In this example, two figures naturally appear in the text flow:
A typographer would typically try to avoid single lines of text above/below figures, which can be achieved with:
div.figure { float: snap(1em) }
The length value specifies the reach of the snap function; in this example the second figure is affected, but not the first.
In this example, two figures naturally appear in the text flow:
To make both figures snap to the nearest edges, this code can be applied:
div.figure { float: snap(3em) }
The resultant rendering is:
In this example, two figures naturally appear in the text flow:
To make both figures snap to the nearest edges, this code can be applied:
div.figure { float: snap(3em, bottom) }
The resultant rendering is:
To determine the exact meaning of 'near', the Japanese layout requirements document should be consulted.
Normally, page floats are moved to the top or bottom of a column, and the column is the contaning block of the page float, called a float reference. In some cases it is necessary to change the float reference to be an element, the page area, or the bleed box. This is possible with the 'float-reference' property.
| Name: | float-reference |
| Value: | column | element | page | bleed-box |
| Initial: | column |
| Applies to: | page floats |
| Inherited: | no |
| Percentages: | N/A |
| Media: | visual |
| Computed value: | Same as specified value |
This property indicates the float reference for a page float. The values are:
In this example, the footer is floated to the bottom of the page:
footer { float: bottom; float-reference: page }
 ... ...

The resultant rendering could be:
┌──────────┬┬──────────┬┬──────────┐ │ ││ ││ │ │ column 1 ││ column 2 ││ column 3 │ │ ││ ││ │ ├──────────┴┴──────────┴┴──────────┤ │ │ │ blank area │<-page box │ │ ├──────────────────────────────────┤ │ footer │ └──────────────────────────────────┘
Column rules are not displayed in areas described by 'column-span'.
In this example, the footer is floated to the bottom of the column, and is set to span all columns:
footer { float: bottom; float-reference: column; column-span: all }
 ... ...

The resultant rendering could be:
┌──────────────────────────────────────┐ │ ┌──────────┬┬┬─────────┬┬┬─────────┐ │ │ │ │││ │││ │ │ │ │ 1 │││ 2 │││ 3 │ │ │ │ │││ │││ │ │ │ ├──────────┴┴┴─────────┴┴┴─────────┤ │ │ │ footer │ │ │ ╘══════════════════════════════════╛ │ │ │ │ │ │ │ └──────────────────────────────────────┘
The double line below the footer indicates that the columns stretch to below the footer element. Note that column rules are not displayed under the area described by column spans.
This example results in a rendering which is similar to the previous example, but the style sheet is different:
footer { float: bottom; float-reference: element } article { columns: 3 }
 ... ...

In the resultant rendering, the footer is shown after the
columns on the last page of the article
element:
┌──────────────────────────────────────┐ │ ┌──────────┐┌──────────┐┌──────────┐ │ │ │ ││ ││ │ │ │ │ 1 ││ 2 ││ 3 │ │ │ │ ││ ││ │ │ │ ├──────────┴┴──────────┴┴──────────┤ │ │ │ footer │ │ │ ╘══════════════════════════════════╛ │ │ │ │ │ │ │ └──────────────────────────────────────┘
In this example, the full-page ad uses the bleed box as the referece. Thus, when the image width and height are set to 100%, the image will extend slightly outside the page box on all sides. Exactly how much depends on the value of the bleed property.
aside.top-ad { float: top; float-reference: bleed-box; float-defer-page: 3; } aside.top-ad img { width: 100%; height: 100%; object-fit: fill; }
In this example, a figure fills the upper half of the page to its bleeding edge.
In the rendering below, the stippled line indicates the bleed box, the green rectangle is the aside
element which is aligned with the bleed box on the top, right and left. The black solid line is the page box.
┌──────────────────────────────────────────┐ │ │ │ │ │ │ │ │ │ │ │ │ │ │ └──────────────────────────────────────────┘ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ │ └──────────────────────────────────────┘ └ ── ── ── ── ── ── ── ── ── ── ┘
A page float can be deferred to a following column, page, or line with three new properties described in this section. These properties allows content to be declared earlier in the markup to request to be shown on a subsequent pages, in a certain column, or at a certain place in a column. For example, advertisements and pull-quotes may be declared at the beginning of an article and shown interspersed with the content. The properties are applied in order. First, the UA applies 'float-defer-page' to find the defer page. Second, the 'float-defer-column' is applied to find the defer column on that page. Third, the 'float-defer-line' is applied to find the defer line. These properties are evaluated before the 'clear' property.
| Name: | float-defer-page |
| Value: | [ <integer> || last || [left | right] ] | none |
| Initial: | none |
| Applies to: | page floats |
| Inherited: | no |
| Percentages: | N/A |
| Media: | visual |
| Computed value: | specified value |
This property specifies a defer page, which is a later column where the formatter will try to place the page float. Values are:
Should negative values be allowed?
Float figure to the top of the column that follows the natural column:
figure { float: top } figure { float-defer-column: 1 }
Float figure to the top of the next-to-last column:
figure { float: top; float-defer-column: -1 }
Float figure to top of the last column of the multicol element on the current page:
figure { float: top; float-defer-column: last }
In combination with 'column-span', the figure is floated to the top corner of the multicol element on that page:
figure { float: top; column-span: 2; float-defer-column: last }
Float figure to the second column on the next page, spanning two columns:
figure { float: top; column-span: 2; float-defer-page: 1; float-defer-column: 1; }
The next page may look like this:
Float figure to the top right, leaving the last column unchanged:
figure { float: top; column-span: 2; float-defer-column: -1; }
Given that there are four columns, and that the figure is referenced at the beginning of its multicol element, the same layout could be achieved with this code:
figure { float: top; column-span: 2; float-defer-column: 1; }
Float figure to the top of the first column on the next-to-last page:
figure { float: top } figure { float-defer-page: -1 }
Float figure to the top of the next-to-last column on the next-to-last page:
figure { float: top } figure { float-defer-column: -1 } figure { float-defer-page: -1 }
Float figure to the top of the last column on the natural page:
.figure { float: top } .figure { float-defer-column: last }
Float figure to the last column on the last page:
.figure { float: top } .figure { float-defer-column: last } .figure { float-defer-page: last }
| Name: | float-defer-column |
| Value: | none | <integer> | last | inside | outside |
| Initial: | none |
| Applies to: | page floats |
| Inherited: | no |
| Percentages: | N/A |
| Media: | visual |
| Computed value: | specified value |
This property specifies the number of columns that the page float should be deferred. Values are:
| Name: | float-defer-line |
| Value: | none | <integer> | <percentage> |
| Initial: | none |
| Applies to: | top-floating page floats |
| Inherited: | no |
| Percentages: | see prose |
| Media: | visual |
| Computed value: | positive integer |
This property specifies the number of lines a page float should be deferred.
Values are:
Both integer and percentage values are computed to a positive integer value which represents the number of lines from the top of the column which is to be deferred. Line metrics are based on the first available font of the multicol element. Other page floats or spanners are not taken into account when computing lines.
Move a pullquote to the top, bar two lines.
.pullquote { float: top; float-defer-line: 2; }
This code positions the float in the middle of the column:
.pullquote { float: top; float-defer-line: 50%; }
These are identical:
.pullquote { float: top; float-defer-line: 100%; } .pullquote { float: bottom; }
Elements may request to clear page floats with the 'clear' property:
The placement process is iterative; if the requested position cannot be honored, the page float the next possible position is tried, etc.
In this example, the two figures may appear in the same column:
figure { float: bottom; clear: none }

The first figure will appear at the bottom of the column, the second will appear above the first.
In this example, the two figures will appear in different columns:
figure { float: bottom; clear: column }
...

...

In this example, the first figure will move to the top of its natural column, while the second will move to the bottom:
figure { float: top-bottom; clear: column }
...

...

The placement of the second float is due to the 'top-bottom' indicating that the bottom as an acceptable position, and due to it being the first page float in the bottom position.
In this example there are three figures, all requesting to be the first page float in their favored position. The first figure will move to the top of its natural column, the second will move to the next-best position, which is the bottom of the natural column. The third-best position is the top of the next column, which is where the third figure will be placed.
figure { float: top-bottom; clear: column }
...

...

...

In this example, the two figures will appear in different columns due to clearing:
figure { float: bottom; clear: column }
...

...

In this example, the two figures end up the top corner of two different pages due to clear being set, and that 'last' has effect on all pages:
figure { float: top; float-defer-column: last; clear: column }
...

...

Page floats can request that subsequent content is avoided by setting margin values in the block direction to 'auto'.
img { float: top; margin-bottom: auto; }
| Name: | float-policy |
| Value: | normal | [ drop-tail || in-order ] |
| Initial: | normal |
| Applies to: | page floats |
| Inherited: | no |
| Percentages: | N/A |
| Media: | visual |
| Computed value: | specified value |
Values are:
Show one (and only one) pull-quote per page, in the second column. If there are more pull-quotes than pages, the remainders are not shown; we don't want a stack of pullquotes at the end of an article.
.pullquote { float: top; clear: page; float-defer-column: 2; float-policy: drop-tail; }
Indicate that all figures must be shown in source order, even when one of the figures is deferred.
figure { float-policy: in-order } figure#foo { float-defer-column: 2 }
The properties described above allow rich designs to be described. However, in many cases page floats must be moved to another column or page than specified. This may be due to implementation-specific limits for figure placement (such that figures cannot affect content that has already been laid out), or that there simply isn't room in the column specified. UAs are free to find the best resulting column and page.
When resolving over-constrained layouts, the order of importance for defined goals are:
.figure { float: top; float-defer-column: 1000 }
.figure { float: top; float-defer-column: -5 }
p { float: top; float-defer-page: last }
.one { float: top; float-defer-page: last; column-span: all } .two { float: top; clear: column }

If all content fits on one page, the first page will also be the last page. The first element is processed first and is placed on top of the first/last page. Then the second element is processed. It requests a clear top, something which is not possible on the first page. Therefore, a second page is created and the second element is moved there, while the first element remains on the first page. Thus, even if the first element requests to be on the last page, it will not appear there.
The page float's containing block can be extended by the 'column-span' property. A typical use case is to make the page float span two columns, but parts of columns or column gaps can also be specified. This specification extends the 'column-span' property CSSMULTICOL with new values: number, length, and the 'auto' value.
| Name: | column-span |
| Value: | none | all | <integer> | <length> | auto |
| Initial: | none |
| Applies to: | in-flow block-level elements (but see prose) |
| Inherited: | no |
| Percentages: | N/A |
| Media: | visual |
| Computed value: | Same as specified value |
This property describes how the element spans across columns of the nearest multicol ancestor.
If the resulting number of columns is larger than the number of columns in the multicol element (not counting overflow columns), the number of columns spanned will be the same as the number of columns in the multicol element.
In the line direction, the rectangle described by this property is, by default, placed at the start of the resulting column, extending in the line direction. However, the rectangle will not normally extend outside the content box of the multicol element. Instead, the rectangle is extended in the opposite direction of the line direction. (Negative margins and/or 'float-offet' may possibly move the page float outside the content box.)
In this example, the defer column is the last column on the page. Due to the setting on 'column-span' the page float also covers another column. As it cannot extend outside the content box of the multicol element, it must extend to the left into column 2.
img { float: top; column-span: 2; width: 100% float-defer-column: last; }
Here is a possible rendering:
Float figure to top of its column, spanning all columns:
.figure { float: top; column-span: all }
figure { float: top; float-defer-column: last; column-span: 1.25; }
figure { float: top; float-defer-column: last; column-span: 1.5; }
Page floats are floats that primarily move in the block direction, while normal floats primarily move in the line direction. By setting two keywords – one for the block direction, and one for the line direction – floats can be set to move in both directions. These are called two-dimensional floats, or 2D floats.
Syntax: [ top | bottom | top-bottom | bottom-top | snap() ] || [ left | right | inside | outside ] (Also, alises for the above keywords are legal)
Float figure to the top right of the current element, allowing other content on its side:
.figure { float: top right; width: 60% }
In this example, the image is set to span two columns, but it does not use all available space. therefore intrude into the neighboring column. At the bottom of the middle column is a long word that is clipped in the middle of the column gap.
img { float: top left; column-span: 1.70; width: 100% }
| Name: | float-offset |
| Value: | none | <number> | <percentage> | auto |
| Initial: | none |
| Applies to: | floats |
| Inherited: | no |
| Percentages: | relative to width of float |
| Media: | visual |
| Computed value: | Same as specified value |
This property move a float along the line axis. Positive length values move the float in the opposite direction of where it has been floated by the 'float' property, negative values move the float in the same direction it has floated by the 'float' property.
In this example, figures are floated towards the outside of the page by the 'float' property. The negative value on the 'float-offset' property floats figures further towards the outside:
figure { float: outside; float-offset: -3em; }
Move an element to the last column, two lines from the top, pushing the float slighly to the right:
.pullquote { float: top right; float-defer-column: last; float-defer-line: 2; float-offset: -2em; }
Place an element between two columns, two lines from the top:
figure { float: top left; float-defer-line: 2; float-offset: 50%; }
To allow content to flow to the inside and outside of a page, two new keywords are added to the 'float' property:
.figure { float: outside }
Position pullquotes so that that they appear in the outside column, extending into the outside margin.
.pullquote { width: 120%; /* relative to column width */ float: top outside; /* position page float at the top... */ float-defer-column: outside /* ... of the last column */ float-defer-line: 50%; /* move page float down */ float-offset: -50%; /* push page float into margin */ }
Float  elements into the page margin:
@page { margin: 2cm } @page :left { margin-left: 6cm } @page :right { margin-right: 6cm } aside { float: outside; float-offset: -4cm; width: 3cm; } Page 1 Page 2 ............ ............ ┌─────┐......1..... ............ │ s1 │............ ............ └─────┘............ ............ ............ ............ ............ ....2.......┌─────┐ ............ ............│ s2 │ ............ ............└─────┘ ............ ............
It is common for content in sidenotes to be aligned based on whether the note appears on a left or right page. To support this, two new keywords are added to the 'text-align' property:
aside { float: outside; float-offset: -4cm; width: 3cm; text-align: inside; } Page 1 Page 2 ............ ............ ┌───────┐......1..... ............ │ text│............ ............ └───────┘............ ............ ............ ............ ............ ....2.......┌───────┐ ............ ............│text │ ............ ............└───────┘ ............ ............
aside { float: outside; float-offset: -4cm; width: 3cm; text-align: outside; } Page 1 Page 2 ............ ............ ┌───────┐......1..... ............ │text │............ ............ └───────┘............ ............ ............ ............ ............ ....2.......┌───────┐ ............ ............│ text│ ............ ............└───────┘ ............ ............
| Name: | wrap-side |
| Value: | none | [[ all | left | right | top | bottom | line-start | line-end | block-start | block-end | line ] || <integer>? ] |
| Initial: | none |
| Applies to: | page floats (or, perhaps, all floats?) |
| Inherited: | no |
| Percentages: | N/A |
| Media: | visual |
| Computed value: | specified value |
Do we need this, or just a flag to allow intrusions?
This property indicates whether other content may wrap around a page float:
p:first-letter { float: left; font-size: 3em; wrap-side: 1 line }
A nd so, away with this folly. Science, in- stead of being the enemy of poetry, is its quar- termaster and commissary.
| Name: | wrap-contrast |
| Value: | normal | [ <number> <length>? |
| Initial: | none |
| Applies to: | page floats (or, perhaps, all floats?) |
| Inherited: | no |
| Percentages: | N/A |
| Media: | visual |
| Computed value: | specified value |
This property specifies the minimum contrast. Values are:
In this example, text wraps around all sides which have enough contrast.
article { columns: 15em; } figure { float: bottom; wrap-side: all; wrap-contrast: 0.5 1em; }
This document has been improved by Bert Bos, Michael Day, Melinda Grant, David Baron, Markus Mielke, Steve Zilles, Ian Hickson, Elika Etemad, Laurens Holst, Mike Bremford, Allan Sandfeld Jensen, Kelly Miller, Werner Donné, Tarquin (Mark) Wilton-Jones, Michel Fortin, Christian Roth, Brady Duga, Del Merritt, Ladd Van Tol, Tab Atkins Jr., Jacob Grundtvig Refstrup, James Elmore, Ian Tindale, Murakami Shinyu, Paul E. Merrell, Philip Taylor, Brad Kemper, Peter Linss, Daniel Glazman, Tantek Çelik, Florian Rivoal, Alex Mogilevsky, Simon Sapin, Cameron McCormack, Liam R E Quin, Peter Moulder, Morten Stenshorne, Rune Lillesveen, Lars Erik Bolstad, Anton Prowse, Michel Onoff


"x" "1" "TESSIER,DM AND CLARK,JM, QUANTITATIVE ASSESSMENT OF THE MUTAGENICPOTENTIAL OF ENVIRONMENTAL DEGRADATIVE PRODUCTS OF ALACHLOR, J. AGRIC. FOODCHEM. 43(9): 2504-2512, 1995"


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Degenerates is the personal brand of Froge. I’ve written over 700,000 words on digital art with the hope that you, yes, you, will follow my example and go on to create work that you can be proud of in the same way I’m proud of mine.
The tone of Degenerates is self-depreciating and flippant, though ultimately serious. The projects within are best described as blogs — nothing more, nothing less. They’re funny, and if they’re not funny, they’re thoughtful. They challenge your intellect and engage with you in a visceral way that we don’t even get in our real lives.
There are two laws of Degenerates: knowledge, and truth. If I do not teach you what I know, I have failed. If I am not honest in what I teach, I have failed. It’s from these moral rights I express ideas from all the subjects I feel qualified to talk about. The value is not only in what I express, but how I express it in that particular, inimitable way that I’ve never seen expressed before.
I write for people who are like me; your interest in what I create depends on your own view of the world. If you hate mediocrity and strive for goodness in all things, then I will be of service to you. And if I perform this service to the best of my ability, having come out a more learned, more fulfilled, just-plain-better human being than who I was before, then I will have the privilege to look back on my life having done what I love instead of being chained to what I fear.
Be good at what you do, for nobody can do good for you. The best artists lead by example… this is just what I do.
You can use this 88×32 flag for your website!


Get started by selecting a patient ID above.
| Serial No. | Activity | Readiness | Walk Target | Current Energy |
|---|---|---|---|---|
| {{resp.serial_no}} | {{resp.activity}} | {{resp.readiness_level}} | {{resp.walk_target}} | {{resp.current_energy}} |
| Serial No. | Activity | Sitting Duration | Walking Duration | Step Count | Distance cov. |
|---|---|---|---|---|---|
| {{resp.serial_no}} | {{resp.activity}} | {{resp.user_sitting_duration}} | {{resp.user_walking_duration}} | {{resp.user_step_count}} | {{resp.distance_covered_in_miles}} |
| Serial No. | Activity | Company | Curr. Location | Food Habit | Feelings | Activity Time |
|---|---|---|---|---|---|---|
| {{resp.serial_no}} | {{resp.user_selected_activity}} | {{resp.user_company}} | {{resp.user_curr_location}} | {{resp.user_food_habit}} | {{resp.user_feelings}} | {{resp.activity_time}} |
| Serial No | Time | Video Title |
|---|---|---|
| {{video.serial_no}} | {{video.activity_time}} | {{video.video_title}} |


It is important to avoid entering areas noted as 'restricted waters'. It is advisable, if possible, to sail outside territorial waters and then make a direct approach to the destination port.
The climate along the coast is mostly temperate, although there are pronounced variations between the south and the far north. The tropical areas in the south are affected by typhoons, which are most frequent between May and October. The weather in winter is cool and the coast is under the influence of the NE monsoon. The summers are hot, humid and rainy.
Brunei Bay Radio operates a regular voice broadcast sked of METAREA and local coastal forecasts for SE Asia waters, the NW Pacific and eastern Indian Ocean. For details of Brunei Bay Radio broadcast skeds and frequencies, see http://www.bruneibay.net/bbradio/bbrschfvoice.htm and http://www.bruneibay.net/bbradio/bbrscweathMSIbcasts.html
For links to free global weather information, forecast services and extreme weather information see the Noonsite Weather Page
The following ports are those open to foreign vessels. Foreign vessels may not enter anywhere else. Basuo (Hainan Island; also known as Dongfang), Beihai, Chiwan, Dalian, Dandong, Fuzhou, Guangzhou (Canton), Haikou (Hainan Island), Haimen, Huangpu, Jinshan, Jinshou, Lanshantou, Lianyungang, Longkou, Ningbo, Qingdao, Qinhuangdao, Quanzhou, Sanya (Hainan Island), Shanghai, Shantou, Tianjin, Weihai, Wenzhou, Xiamen (Amoy), Xingang (the foreign trade port of Beijing), Yangpu (Hainan Island), Yantai, Yantian, Yingkou, Zhanjiang, Zhongshan, Zhuhai (also known as Jiushou).
Yangtze River Ports: The river has a total length of nearly 4000 miles (6300 km), of which more than 1600 miles (2600 km) are navigable. During the past few years certain ports have been opened to foreign vessels but access to them is strictly controlled. There are 28 ports along the river, of which the most important are Nanjing, Nantong and Zhangjiagang.
Dandong , Qingdao , Sanya , Shanghai * , Xiamen (Amoy) * , Zhuhai
* indicates port of entry


{% extends 'templates/nhs_transaction_layout.html' %} {% block pageTitle %}NHS.UK prototyping kit{% endblock %} {% block content %} Digital submission and returns I've used this service before Submit claimManage your payments {% endblock %}
Submit claimManage your payments


Page Pointer
page size = 4096
max size(pointer size) = (2 ^ (pointer size * 8) - 1) * page size in bytes
max size(3) in GiB => 64 GiB
max size(4) in TiB => 16 TiB
Branching Factor
node header = 24
data size = page size - node header => 4,072
page pointer = 4
entry size = 24
branch order(s) = floor((data size - page pointer) / s) + 1
leaf order(s) = floor(data size / s)
leaf count(bsz, depth) = branch order(bsz) ^ (depth-1)
capacity(bsz, lsz, depth) = leaf count(bsz, depth) * leaf order(lsz)
excess(bsz) = data size - (branch order(bsz) - 1) * bsz + page pointer
branch size = 16
excess(branch size) => 12
capacity(branch size, entry size, 1) => 169
capacity(branch size, entry size, 2) => 43,095
capacity(branch size, entry size, 3) => 10,989,225
capacity(branch size, entry size, 4) => 2,802,252,375
branch size = 12
excess(branch size) => 8
capacity(branch size, entry size, 1) => 169
capacity(branch size, entry size, 2) => 57,460
capacity(branch size, entry size, 3) => 19,536,400
capacity(branch size, entry size, 4) => 6,642,376,000
Collision Probability
E = 2.71828182846
collision(k, b) = 1 - E^(-k*(k-1)/(2*2^b))
collision(capacity(branch size, entry size, 1), 64) => 7.7716e-16
collision(capacity(branch size, entry size, 2), 64) => 8.949e-11
collision(capacity(branch size, entry size, 3), 64) => 1.0345e-5
collision(capacity(branch size, entry size, 4), 64) => 0.6976
Transaction ID
txn(size, npersec) = ((2 ^ size - 1) / npersec) in seconds
txn(32, 1,000) in days => 49.7103 days
txn(64, 1,000,000) in years => 584,554.0493 years
Slab Position
slab(size, npersec) = (((2 ^ 64 - 1) * size) / npersec) in seconds
slab(16, 1,000,000,000) in years => 9,352.8648 years


The C++ standard libraries provide an extensive set of input/output capabilities which we will see in subsequent chapters. This chapter will discuss very basic and most common I/O operations required for C++ programming.
C++ I/O occurs in streams, which are sequences of bytes. If bytes flow from a device like a keyboard, a disk drive, or a network connection etc. to main memory, this is called input operation and if bytes flow from main memory to a device like a display screen, a printer, a disk drive, or a network connection, etc, this is called output operation.
There are following header files important to C++ programs:
| Header File | Function and Description |
|---|---|
| <iostream> | This file defines the cin, cout, cerr and clog objects, which correspond to the standard input stream, the standard output stream, the un-buffered standard error stream and the buffered standard error stream, respectively. |
| <iomanip> | This file declares services useful for performing formatted I/O with so-called parameterized stream manipulators, such as setw and setprecision. |
| <fstream> | This file declares services for user-controlled file processing. We will discuss about it in detail in File and Stream related chapter. |
The predefined object cout is an instance of ostream class. The cout object is said to be "connected to" the standard output device, which usually is the display screen. The cout is used in conjunction with the stream insertion operator, which is written as << which are two less than signs as shown in the following example.
#include <iostream> using namespace std; int main( ) { char str[] = "Hello C++"; cout << "Value of str is : " << str << endl; }
When the above code is compiled and executed, it produces the following result:
Value of str is : Hello C++
The C++ compiler also determines the data type of variable to be output and selects the appropriate stream insertion operator to display the value. The << operator is overloaded to output data items of built-in types integer, float, double, strings and pointer values.
The insertion operator << may be used more than once in a single statement as shown above and endl is used to add a new-line at the end of the line.
The predefined object cin is an instance of istream class. The cin object is said to be attached to the standard input device, which usually is the keyboard. The cin is used in conjunction with the stream extraction operator, which is written as >> which are two greater than signs as shown in the following example.
#include <iostream> using namespace std; int main( ) { char name[50]; cout << "Please enter your name: "; cin >> name; cout << "Your name is: " << name << endl; }
When the above code is compiled and executed, it will prompt you to enter a name. You enter a value and then hit enter to see the result something as follows:
Please enter your name: cplusplus Your name is: cplusplus
The C++ compiler also determines the data type of the entered value and selects the appropriate stream extraction operator to extract the value and store it in the given variables.
The stream extraction operator >> may be used more than once in a single statement. To request more than one datum you can use the following:
cin >> name >> age;
This will be equivalent to the following two statements:
cin >> name; cin >> age;
The predefined object cerr is an instance of ostream class. The cerr object is said to be attached to the standard error device, which is also a display screen but the object cerr is un-buffered and each stream insertion to cerr causes its output to appear immediately.
The cerr is also used in conjunction with the stream insertion operator as shown in the following example.
#include <iostream> using namespace std; int main( ) { char str[] = "Unable to read...."; cerr << "Error message : " << str << endl; }
When the above code is compiled and executed, it produces the following result:
Error message : Unable to read....
The predefined object clog is an instance of ostream class. The clog object is said to be attached to the standard error device, which is also a display screen but the object clog is buffered. This means that each insertion to clog could cause its output to be held in a buffer until the buffer is filled or until the buffer is flushed.
The clog is also used in conjunction with the stream insertion operator as shown in the following example.
#include <iostream> using namespace std; int main( ) { char str[] = "Unable to read...."; clog << "Error message : " << str << endl; }
When the above code is compiled and executed, it produces the following result:
Error message : Unable to read....
You would not be able to see any difference in cout, cerr and clog with these small examples, but while writing and executing big programs then difference becomes obvious. So this is good practice to display error messages using cerr stream and while displaying other log messages then clog should be used.


Initiate a Meeting and invite up to six people
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What is Dance Marathon?
University of Nebraska Dance Marathon is an organization whose goal is to raise funds and awareness for Children’s Hospital & Medical Center in Omaha, NE. Every year, we recruit students from all over campus to come together and fundraise for the hospital and our Miracle Kids. In total, UNDM has raised $1,669,944.58. The pinnacle of our year is our 13.1-hour “HuskerThon” where UNL students and kids who have been treated at Children’s Hospital come together to celebrate the funds & awareness we have raised and dance the night away. HuskerThon includes dancing, live acts, crafts, and activities for all ages. Additionally, we give the children an opportunity to showcase their talents in a “Kid’s Talent Show,” and even let the kids shave heads of Miracle Makers. We aim to create an event where kids can have fun with our Miracle Makers, and be themselves. We are “For Future Huskers”!
We can't wait to see you February 25, 2023
Countdown to HuskerThon
DAYS
HOURS
MINUTES
SECONDS
Why We Dance
Children in Nebraska dream of growing up & attending the University of Nebraska-Lincoln and becoming a Husker. While this is a dream many children treated at Children’s Hospital & Medical Center have, it is not everyone’s reality. Try to imagine having a dream of coming to college, and what would it be like to not grow up? Every child deserves to have the opportunity to grow up and come to college. Every child deserves the opportunity to become a FUTURE HUSKER.


Graph using geometric objects. I used the diamonds dataset for this graph. In the graph, I plotted the carat of the diamond on the x axis and the price on the y axis. The cut is depicted in different colours and the color of each diamond is depicted in different shapes.
## # A tibble: 53,940 x 10
## carat cut color clarity depth table price x y z
## <dbl> <ord> <ord> <ord> <dbl> <dbl> <int> <dbl> <dbl> <dbl>
## 1 0.23 Ideal E SI2 61.5 55 326 3.95 3.98 2.43
## 2 0.21 Premium E SI1 59.8 61 326 3.89 3.84 2.31
## 3 0.23 Good E VS1 56.9 65 327 4.05 4.07 2.31
## 4 0.29 Premium I VS2 62.4 58 334 4.2 4.23 2.63
## 5 0.31 Good J SI2 63.3 58 335 4.34 4.35 2.75
## 6 0.24 Very Good J VVS2 62.8 57 336 3.94 3.96 2.48
## 7 0.24 Very Good I VVS1 62.3 57 336 3.95 3.98 2.47
## 8 0.26 Very Good H SI1 61.9 55 337 4.07 4.11 2.53
## 9 0.22 Fair E VS2 65.1 61 337 3.87 3.78 2.49
## 10 0.23 Very Good H VS1 59.4 61 338 4 4.05 2.39
## # ... with 53,930 more rows
The colour and the carat of each diamond is plotted on this graph.
I used the diamonds dataset for this graph. In the graph, I plotted the carat of the diamond on the x axis and the price on the y axis. The cut is depicted in different colours and the color of each diamond is depicted in different shapes.
## # A tibble: 53,940 x 10
## carat cut color clarity depth table price x y z
## <dbl> <ord> <ord> <ord> <dbl> <dbl> <int> <dbl> <dbl> <dbl>
## 1 0.23 Ideal E SI2 61.5 55 326 3.95 3.98 2.43
## 2 0.21 Premium E SI1 59.8 61 326 3.89 3.84 2.31
## 3 0.23 Good E VS1 56.9 65 327 4.05 4.07 2.31
## 4 0.29 Premium I VS2 62.4 58 334 4.2 4.23 2.63
## 5 0.31 Good J SI2 63.3 58 335 4.34 4.35 2.75
## 6 0.24 Very Good J VVS2 62.8 57 336 3.94 3.96 2.48
## 7 0.24 Very Good I VVS1 62.3 57 336 3.95 3.98 2.47
## 8 0.26 Very Good H SI1 61.9 55 337 4.07 4.11 2.53
## 9 0.22 Fair E VS2 65.1 61 337 3.87 3.78 2.49
## 10 0.23 Very Good H VS1 59.4 61 338 4 4.05 2.39
## # ... with 53,930 more rows
The colour and the carat of each diamond is plotted on this graph.
In this map, I have shown the restaurants in pink and the roads in blue in Thane.
Network Graphs for Bojack Horseman. I created two datasets - one with nodes and the other with edges.The nodes dataset consists of the names, sex, species and job. The edges dataset consists of the number of times a conversation has taken place between each character has a conversation.
Reading the Data
## # A tibble: 16 x 5
## id name sex species job
## <dbl> <chr> <chr> <chr> <chr>
## 1 1 Bojack Horseman M Horse Actor
## 2 2 Princess Carolyn F Cat Agent
## 3 3 Todd Chavez M Human <NA>
## 4 4 Diane Nguyen F Human Ghostwriter
## 5 5 Mr. Peanubutter M Dog Actor
## 6 6 Herb Kazzaz M Human Director
## 7 7 Stuart M Human Assistant
## 8 8 Corduroy Jackson M Human Actor
## 9 9 Vincent M Human <NA>
## 10 10 Lenny Turteltaub M Turtle Producer
## 11 11 Kelsey Jannings F Human Director
## 12 12 Sebastian St.Clair M Tiger Philanthropist
## 13 13 Rutabaga M Rabbit Agent
## 14 14 Charley Witherspoon M Frog Agent
## 15 15 Beatrice Horseman F Horse <NA>
## 16 16 Butterscotch Horseman M Horse Novelist
## # A tibble: 20 x 4
## from to weight type
## <dbl> <dbl> <dbl> <chr>
## 1 15 16 1 Family
## 2 15 1 3 Family
## 3 3 1 6 Friends
## 4 2 9 1 Friends
## 5 1 2 3 Professional
## 6 7 2 1 Professional
## 7 5 4 3 Friends
## 8 4 1 5 Professional
## 9 1 5 2 Friends
## 10 8 1 4 Professional
## 11 10 1 2 Professional
## 12 4 11 1 Professional
## 13 11 3 2 Friends
## 14 11 1 4 Professional
## 15 12 4 1 Professional
## 16 13 2 2 Professional
## 17 6 1 1 Friends
## 18 10 11 1 Professional
## 19 4 10 1 Professional
## 20 14 2 1 Professional
creating the graph
## # A tbl_graph: 16 nodes and 20 edges
## #
## # An undirected simple graph with 1 component
## #
## # Node Data: 16 x 5 (active)
## id name sex species job
## <dbl> <chr> <chr> <chr> <chr>
## 1 1 Bojack Horseman M Horse Actor
## 2 2 Princess Carolyn F Cat Agent
## 3 3 Todd Chavez M Human <NA>
## 4 4 Diane Nguyen F Human Ghostwriter
## 5 5 Mr. Peanubutter M Dog Actor
## 6 6 Herb Kazzaz M Human Director
## # ... with 10 more rows
## #
## # Edge Data: 20 x 4
## from to weight type
## <int> <int> <dbl> <chr>
## 1 15 16 1 Family
## 2 1 15 3 Family
## 3 1 3 6 Friends
## # ... with 17 more rows
In the graphs plotted below I have depicted the conversations had by the characters og Bojack Horseman in Season 2 episode 1. The thickness of each line connecting the names shows the amount of conversations they have had in that one episode. In the graph using ggraph I have specified their jobs.
This workshop has been like a rollercoaster ride. There were many ups and downs. It started off with the basics but later on even though I was finding it a bit hard to keep up I am glad I still did. With each assignment I understood more and more as I made mistakes and thus had to go through many trial and error runs. This made every code chunk running without an error almost feel like an eureka moment The process was slow but I finally did manage to get along with R studio. Joining the class every morning while Arvind would blast music really kept me motivated somehow. Overall the entire class was something new as I had never ventured so deep into the digital world.


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|
on Distributed Object Security
The first workshop on Distributed Object security was held in collaboration with the 12th European Conference on Object-Oriented Programming (ECOOP'98) in Brussels Belgium, 1998. |
the Conference on Object-Oriented Programming, Applications and Systems OOPSLA'99 Denver Colorado,
|
|
Distribution accentuates the existing problems. In object-based systems such as CORBA and DCOM, objects are used to define and structure communication protocols. In these systems issues such as authenticity, integrity and privacy of messages must be addressed. In truly distributed object-oriented systems, objects may be moved along with their behavior. This brings in new security challenges as trusted and untrusted code may be integrated in the same address space and allowed to interact in intricate ways.
Reusability is one of the traditional virtues of object-orientation. However, security problems may arise when objects are reused in an execution context that is different from the context of the original implementation, e.g., the authentication and authorization required by an object modeling a bank account is very different, depending on whether its methods are being invoked from within the banks database or by a home-banking client on the Internet.
Component-based programming and Java Beans allow large parts of applications to be assembled out of an existing collection of components or beans. However, components and beans have the same potential security problems as reusing ordinary objects. The problems arise because components and beans cannot deal with the non-functional requirements, such as security, of the application.
New programming paradigms, such as reflection and aspect-oriented programming, have been proposed to deal with non-functional requirements. Although these paradigms look promising, they also introduce new questions such as: How can we use these paradigms to program secure applications? and how can we build secure systems that support these paradigms?
Topics of interest include but are not restricted to:
Important Dates
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Organizing Committee
|


Peak times for multiple biusage is definitely in November. Came you blame bikers though?? Seattle in the fall has to be beautiful (picture for reference)
We find the orignal information here.
This report and analysis on Seattle’s bicycle sharing trends. The data includes weather reports for the area, the station locations, and trips taken by cycle riders. Future explorations could include the addition of other forms of public transportation for the Seatle area to better understand commuter travel trends. We also hope to use this report to make a good grade in the fabulous Dr. Arnholt’s Stats 3530 Data Science class.
Lets take a look at where the rental stations are located in Seattle!
#For show (the graphs , THE EVI-DANCE) Formating the dates
station$install_date <- mdy(station$install_date)
# How many times were new stations installed?
station %>% summarise(n_distinct(install_date))
## n_distinct(install_date)
## 1 9
# How many stations were installed on each date
station %>% group_by(install_date) %>% summarise(count = n()) %>%
arrange(install_date)
## # A tibble: 9 x 2
## install_date count
## <date> <int>
## 1 2014-10-13 50
## 2 2015-05-22 1
## 3 2015-06-12 1
## 4 2015-07-27 1
## 5 2015-09-15 1
## 6 2015-10-29 1
## 7 2016-03-18 1
## 8 2016-07-03 1
## 9 2016-08-09 1
station %>% summarise(n_distinct(station_id))
## n_distinct(station_id)
## 1 58
station_locs <- station %>% group_by(station_id) %>% select(1:4, -2)
mymap <- get_map(location = c(lat = 47.60, lon = -122.35), maptype = "roadmap", zoom = 12)
## note : locations should be specified in the lon/lat format, not lat/lon.
## Map from URL : http://maps.googleapis.com/maps/api/staticmap?center=47.6,-122.35&zoom=12&size=640x640&scale=2&maptype=roadmap&language=en-EN&sensor=false
# Plot a single point for each Station ID
ggmap(mymap) + geom_point(aes(x = long, y = lat), data = station_locs,
alpha = 1, color = "darkred", size = 2)
closeUp <- get_map(location = "Seattle", maptype = "roadmap", zoom = 13)
# Plot a single point for each Station ID
ggmap(closeUp) + geom_point(aes(x = long, y = lat), data = station_locs,
alpha = 1, color = "darkred", size = 3)
Look at all those stations! Its hard to believe they managed to go out of business!
dock_change <- station %>%
group_by(station_id) %>%
select(station_id, long, lat, ends_with("dockcount")) %>%
mutate(dock_change = current_dockcount -install_dockcount)
#attempt to recreate map plot thing
closeUp <- get_map(location = "Seattle", maptype = "roadmap", zoom = 13)
ggmap(closeUp) +
geom_point(aes(x = long, y = lat, size = factor(dock_change), color = factor(dock_change)), data = dock_change, alpha = 0.8) +
guides(color = guide_legend(title = "change"), size = guide_legend(title = "change")) +
scale_size_manual(values = 10:1)
currDockSize <- station %>%
group_by(station_id) %>%
select(station_id, long, lat, ends_with("dockcount")) %>%
mutate(currDockSize = current_dockcount)
closeUp <- get_map(location = "Seattle", maptype = "roadmap", zoom = 13)
ggmap(closeUp) +
geom_point(aes(x = long, y = lat, size = factor(currDockSize), color = factor(currDockSize)), data = currDockSize, alpha = 0.8) +
guides(color = guide_legend(title = "change"), size = guide_legend(title = "change")) +
scale_size_manual(values = 10:1)
11 stations lost bike docks, 39 docks stayed the same, 8 stations gained docks.
# Make the start and stop dates into POSIXct objects
trip_2 <- trip %>% mutate(start_dt = mdy_hm(starttime), stop_dt = mdy_hm(stoptime))
trip_2 <- trip_2 %>% mutate(start_date = paste(month(start_dt),
day(start_dt), year(start_dt), sep = "/"))
trip_2$start_date <- mdy(trip_2$start_date)
trip_2 <- trip_2 %>% mutate(stop_date = paste(month(stop_dt),
day(stop_dt), year(stop_dt), sep = "/"))
trip_2$stop_date <- mdy(trip_2$stop_date)
trip_2$wd <- wday(trip_2$start_date, label = TRUE)
# Recode the dates
trip_2 %>%
group_by(start_date) %>%
summarize(N = n()) %>%
ggplot(aes(x = start_date, y = N)) +
geom_line() +
labs(x = "Date", y = "Number of trips per day") +
theme_bw() + geom_smooth()
start_date_ym <- trip_2 %>%
mutate(ym = paste(year(start_date),
month(start_date), sep = "/"), Season = ifelse(ym %in% c("2014/10", "2014/11"), "Fall",
ifelse(ym %in% c("2014/12", "2015/1", "2015/2"), "Winter",
ifelse(ym %in% c("2015/3", "2015/4", "2015/5"), "Spring", "Summer"))))
start_date_ym %>%
group_by(ym, Season) %>%
summarize(N=n()) %>%
ggplot(aes(x = ym, y = N, color = Season, fill = Season, group = Season)) +
geom_point() +
geom_line(group = 1) +
labs( x = "Date", y = "Number of Trips(per month)")
Trip_Duration_Month <- start_date_ym %>%
mutate(trip_duration_min = tripduration/60) %>%
group_by(ym) %>%
select(ym, trip_duration_min, Season) %>%
summarise(Avg = mean(trip_duration_min),
sd = sd(trip_duration_min)) %>%
mutate(se = sd/sqrt(n()), Season = ifelse(ym %in% c("2014/10", "2014/11"), "Fall",
ifelse(ym %in% c("2014/12", "2015/1", "2015/2"), "Winter",
ifelse(ym %in% c("2015/3", "2015/4", "2015/5"), "Spring", "Summer"))))
Trip_Duration_Month %>%
ggplot(aes(x = ym, y = Avg, col = Season, fill = Season, group = Season)) +
geom_point()+
geom_line(aes(group = 1)) +
labs(x = "Date" , y = "Duration of Average Trip (minutes)") +
theme_bw() +
geom_errorbar(aes(ymin = Avg - se, ymax = Avg + se))
start_date_ym %>%
group_by(wd, Season) %>%
summarize(N = n())%>%
ggplot(aes(x = wd, y = N, col = Season, fill = Season, group = Season)) +
geom_point() +
geom_line() +
theme_bw() +
labs(x = "Day of the Week", y= "Number of Trips", title = "Trips Per Day")
#Number of Trips Per Time of Day
start_date_ym%>%
group_by(Hour = hour(start_dt),wd, Season)%>%
summarize(N = n()) %>%
ggplot(aes(x = Hour, y= N, color = Season, group = Season)) +
geom_point() +
geom_line() +
facet_wrap(~wd) +
labs(x = "Hour of Day", y = "Number of Trips")
Skip trip routes (skip to weather) http://ionicons.com/ for icons


WITNESS LIST Appropriations Committee (Subcommittee on Education) December 11, 1998-8:00A Performance Hearings & Year 2000 On: Angel, Dan (Stephen F. Austin State University) Anthony, John (TX Assn of Community Colleges) Avant, Robert (TX Food and Fibers Commission) Brunjes, Jim (TX Tech University) Cale, William (Lamar University) Diebel, Phil (University of North Texas) Douglas, James (TX Southern University) Ferguson, Mike (Lamar University - Beaumont) Garcia, Rey (TX Assn of Community Colleges) Haragan, Donald (TX Tech University) Hindman, James (Angelo State University) Hurley, Alfred (University of North Texas) Jackson, Kenneth (TX Southern University) Johnson, Clay (TX State Technical College - Sweetwater) Johnson, William (Lamar University - Beaumont) Krienke, Robert (Lamar University Institute of Technology) Leal, Gilbert (TX State Technical College - Harlingen) Marks, Bobby (Sam Houston State University) Monroe, Sam (Lamar University - Port Arthur) Rodriguez, Louis (Midwestern State University) Segura, Bill (TSTC) Shahan, Michael (Lamar University - Orange) Smith, David (TX Tech University - Health Science Center) Supple, Jerome (Southwest Texas State University) Urbanovsky, Lamar (TX State University System) Williams, Fred (TSTC - Waco) Young, Bobby (TX Southern University)


Drawing in 2D
LuaAV provides a few utilities for 2D drawing, somewhat similar to Cairo, HTML5 canvas, or Processing, via the draw2D module. (It is implemented using the OpenGL module.)
To do any drawing we first need a window; then we can implement our drawing inside the draw() or win:draw() functions. Note that the default coordinate system of the window runs from x == -1 (left side) to x == 1 (right side), and y == -1 (bottom) to y == 1 (top).
-- load in the draw2D module: local draw2D = require "draw2D" function draw() -- draw a point exactly in the center of the window: draw2D.point(0, 0) -- draw a line across the window, below the point: draw2D.line(-1, -0.5, 1, -0.5) -- draw two shapes in the top-left and top-right quadrants: draw2D.rect(-0.5, 0.5, 0.25, 0.25) draw2D.ellipse(0.5, 0.5, 0.25, 0.25) end
Transformations & transformation stack
If we want to render the same geometry at different locations, scales and rotations in space, we would normally have to recalculate the arguments to each draw2D call. Instead, we can transform the entire space, using draw2D.translate(), draw2D.rotate() and draw2D.scale(). You could think of translation as meaning changing the ‘start point’ (in mathematical terms, the “origin”) of drawing. Or you could think of it as moving the underlying “graph paper” that we are drawing onto. Similarly for the rotating the paper, or scaling it.
Unlike color(), translate(), scale() and rotate() do not replace the previous values; instead they accumulate on top of each other into a hidden state called the transformation matrix (which is a fancy name for how we get from the coordinate system in which we are currently drawing to the coordinate system of the actual output pixels). What that means is that calling translate(0.1, 0) three times in sequence is the same as calling translate(0.3, 0) once.
Another useful feature of the transformation matrix is that it behaves like a stack: you can “push” a new matrix before modifying the coordinate system with translate() etc., and then later “pop” it to restore the coordinate system to how it was just before the push().
Pushing the stack allows you to modify the transformation temporarily, and then later pop back to the previous state. Usually OpenGL provides up to 16 possible transformations on the stack.
A typical use of this is to share the same rendering code for all agents:
-- create some agents at random positions & directions: local agents = {} for i = 1, 100 do agents[i] = { -- random position in world: x = math.random()*2-1, y = math.random()*2-1, -- random direction: direction = math.pi * 2 * math.random(), -- small size: size = 0.02, } end -- get local references to draw2D functions: local color, rect, circle = draw2D.color, draw2D.rect, draw2D.circle local push, pop = draw2D.push, draw2D.pop local translate, rotate, scale = draw2D.translate, draw2D.rotate, draw2D.scale -- a function to draw an agent -- assumes the center of the agent is at (0,0) -- the size of the agent runs from (-1,1) -- and the agent faces to the positive X axis function draw_agent() color(0.3) rect(0, 0, 1, 0.5) color(1) circle(0.6, 0.25, 0.2) circle(0.6, -0.25, 0.2) end -- the main rendering function: function draw() -- iterate all the agents: for i, a in ipairs(agents) do -- cache the current coordinate system: push() -- change the coordinate system to match the agent: translate(a.x, a.y) rotate(a.direction) scale(a.size) -- call the routine to actually draw an agent: draw_agent() -- restore the previous coordinate sytem: pop() end end
Note that the order of transformations is important: translate followed by scale is quite different to scale followed by translate. For controlling an object, usually the order used is “translate, rotate, scale”.
As a next step, it would make sense to manage the agent positions, velocities, accelerations etc. using vec2 objects (see vectors.


When you create a TeamCity Build Server, you install the Build Tools for Visual Studio rather than a full ($$) version of Visual Studio. That contains enough to build, but not to test. TeamCity has VSTest and MSTest drivers built in, but they won't find a suitable agent (the message is "teamcity.dotnet.vstest.15.0 defined in Build step: Run Tests")
From the Visual Studio Downloads / Tools download the "Agents for Visual Studio 2017", type "agent", and install. This puts MsTest on the server (in C:\Program Files (x86)\Microsoft Visual Studio\2017\TestAgent\Common7\IDE )
Next, configure the team city agent to tell it where to find MsTest. The instructions don't explain what you actually have to do. In the TeamCity install directory, open the buildAgent\conf folder. Edit the buildAgent.properties file and add the line teamcity.dotnet.mstest.15.0=C:\\Program Files (x86)\\Microsoft Visual Studio\\2017\\TestAgent\\Common7\\IDE\\MsTest.exe. The escaped slashes are needed as this is a java properties file.


--- layout: article title: "Getting Development Console" last_updated: ---
You may need to get the development console output for many reasons, the follwing is a guide to do so.
Minecraft has multiple dev consoles as of version (unknown). The first one, labeled
Launcher Log
refers to the launcher and its launching. Anything that
occurs before pressing play probably concerns this log. After pressing play, the
game will make a new tab for that session, called
Game Output (username)
. The rightmost tab will be the most
recent.
When you've selected the correct log, click in the box and use
Command (⌘) + A or Control + A. If your using this in an IRC channel like
#minecrafthelp, you should use a service like http://gist.github.com to shorten it.
If your using this for the Mojang Bug Tracker (Mojira), you should enclose your log
in {code} brackets.
This image shows the Launcher Log
which should be used for launcher
issues (before pressing play)
This image shows theGame Output (username)
, which should be used for
gameplay related issues


showIfFullscreenEnabled
angularScreenfull
Shows or hides the element (using ng-hide) if the browser has fullscreen capabilities.
<ANY show-if-fullscreen-enabled> ... </ANY>


23
1 Then Job answered and said,
2 "Even today my complaint is bitter;
my suffering is heavier than my groaning.
3 Oh, that I knew where I might find him!
Oh, that I might come to his place!
4 I would lay my case in order before him
and fill my mouth with arguments.
5 I would learn the words with which he would answer me
and would understand what he would say to me.
6 Would he argue against me in the greatness of his power?
No, he would pay attention to me.
7 There the upright person might argue with him.
In this way I would be acquitted forever by my judge.
8 See, I go eastward, but he is not there,
and westward, but I cannot perceive him.
9 To the north, where he is at work, but I cannot see him,
and to the south, where he hides himself so that I cannot see him.
10 But he knows the way that I take;
when he has tested me, I will come out like gold.
11 My foot has held fast to his steps;
I have kept to his way and turned not aside.
12 I have not gone back from the commandment of his lips;
I have treasured up in my heart the words of his mouth.
13 But he is one of a kind, who can turn him back?
What he desires, he does.
14 For he carries out his decree against me;
there are many like them.
15 Therefore, I am terrified in his presence;
when I think about him, I am afraid of him.
16 For God has made my heart weak;
the Almighty has terrified me.
17 It is not that I have been cut off by darkness,
nor does the thick darkness cover my face.


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Autumn is the conversion period between the summer and the winter. This season arrives as the summer ends. The temperature starts to drop until winter arrives, the saddest time of the year. Leaves of the trees fall and change their color to pale yellow, offten considered the prettiest time of the year it should also be considered the most depressing.


Quote: Posted 03/01/07 14:35 (GMT) -- Banshe
Is there any reason why a forum can't be made for non-Epic (lvls 1-20) builds for NWN2.
Quote: Posted 03/01/07 14:54 (GMT) -- FinneousPJQuote: Posted 03/01/07 14:35 (GMT) -- Banshe
Is there any reason why a forum can't be made for non-Epic (lvls 1-20) builds for NWN2.
No. Actually, if you had looked at the guild news here, you'd know there already is one.
Click Here
Quote: Posted 03/01/07 15:11 (GMT) -- Thaxll'ssyllia
There aren't even epic levels in NWN2 yet
Or in case you meant NWN1 non-epic builds (which makes more sense) it's also this other guild.
Huh!? me posting here means this topic hasn't been closed, odd indeed...
Quote: Posted 03/02/07 15:12 (GMT) -- Thaxll'ssyllia
Sorry if I talked out of line, but you did stated "non-Epic (lvls 1-20) builds for NWN2", but there isn't above level 20 in NWN2 yet.
Greetings btw, hope you like the guild(s).


--- layout: page title: Contact Me site-url: "http://localhost:4000" --- {% assign response = '/thank-you' | prepend: page.site-url %}
I use an e-mail account from Google, so it has the following form:
<EMAIL_ADDRESS>Alternatively you can contact me via LinkedIn.