Out of Sight (1998)
Director: Steven Soderbergh Cast: George Clooney, Jennifer Lopez, Ving Rhames, Dennis Farina, Don Cheadle, Albert Brooks, Steve Zahn, Catherine Keener Screenplay: Scott Frank Producers: Danny DeVito, Michael Shamberg, Stacey Sher Runtime: 120 min. US Distribution: Universal Rated R: violence, language, sex
By Nathaniel R. Atcheson<EMAIL_ADDRESS>Perhaps it's time for me to say a little about my reading habits. I really do like to read, and I've enjoyed many books in my lifetime. My problem is that I'm a slow reader, and not very dedicated -- I'll enjoy portions of a book and then set it down for months at a time (it's taken me the last six weeks to get through the first one hundred pages of Anna Karenina, even though I'm loving the book). In addition to this, I typically don't read anything created after the 19th century. The only reason I bother with this bit of information is because I feel bad admitting, time after time, that I haven't read any of the books on which these films are based (the only exception, I believe, is Great Expectations).
However, I don't think it should be necessary to read the book beforehand in order to judge the quality of the film. Needless to say, I haven't read the Elmore Leonard novel Out of Sight, on which Steven Soderbergh's new film is based. I can't say how faithful of an adaptation it is, or if it lives up to Leonard's vision. I can say that it's a terrific film, with sharp acting, great dialogue, and pumping full of energy and style injected by Soderbergh. It's certainly a nice distraction from 1998's lineup of brainless blockbusters, all hopelessly wishing that size mattered. Out of Sight proves that it doesn't.
I had originally written George Clooney off as a one-note actor, incapable of depth but occasionally showing a little flair. After seeing his latest performance in this film, I've changed my mind -- this guy can act, but he also has that forceful presence that most certainly will make him one of those $20 million superstars. Here, he plays Jack Foley, a middle aged guy who robs banks for a living. He does it because it's fun, I think, but the film opens with him getting caught because his car won't start.
He goes to jail -- which is interesting -- only to break out five cinematic minutes later with the help of his friend, Buddy (Ving Rhames). We're then introduced to Karen Sisco (Jennifer Lopez), a U.S. Marshall who, conveniently, is waiting with a shotgun as Jack escapes. Fortunately, they take her hostage, and she and Jack spend some quality time in the trunk together as Buddy drives them to safety. The central conflict arises when both Jack and Karen become obsessed with one another, though their respective jobs make them superficially incompatible.
We soon learn that the film is not told in sequence (and, since this is a gritty crime comedy, flashbacks of Pulp Fiction should arise). At first, I kind of felt that it was a gimmick, but I guess it was a gimmick in Pulp Fiction, too. It's a fun gimmick, though, and Soderbergh treats the material with enough humor that everything comes off naturally. I've only seen a few of Soderbergh's films (I was impressed both with Kafka and sex, lies, and videotape), but I think he's excellent at what he does. He's an artist without making it obvious, and without being pretentious, which is always admirable. He uses tricks, yes (lots of freeze-frame stuff here), but it all adds to the smooth and quirky currents in the film.
As I said, Clooney is terrific, and he's matched by Lopez. Lopez is, of course, beautiful, but she can act, too. I can sense that she's honing in on her skills, for she comes off more natural here than she has in any of her previous ventures (not that Stone gave her much help in the loathsome U-Turn). The two actors have arresting chemistry with one another -- the best scene in the film, by far, is the seduction scene. The brilliance of this scene is also due, in part, to Soderbergh, for he cuts back and forth from their quiet discussion in a bar to the physical act which takes place a few minutes later. The scene is a series of soft nuances and glances, layered upon light dialogue, and the result is one of the better love scenes in recent cinema -- meaningful and engrossing.
The supporting cast is strong, led by the always-reliable Ving Rhames.  Steve Zahn, who plays Jack's nearly-brain dead accomplice Glenn, steals all of his scenes (and that's in a film where every scene is already at a high level). All of the actors are helped by the dialogue and the intelligently-constructed script by Scott Frank.
Out of Sight is certainly a light film, although there are a few heavy moments that will linger in the memory. Overall, I can recommend it simply as great entertainment. Not every film has to change your life, and it's nice to see a movie that uses the art to tell a great story and simply to entertain its viewers. As for the book, this film is good enough to make me believe that there might be something in the text worth looking at.
***1/2 out of **** (8/10, B+)
Visit FILM PSYCHOSIS at http://www.pyramid.net/natesmovies
Nathaniel R. Atcheson
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rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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Related links: index of all rec.arts.movies.reviews reviews


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Introduction
mapguide-react-layout
is a modern map viewer for MapGuide Open Source and Autodesk Infrastructure Map Server
This API documentation covers the mapguide-react-layout
npm module (version 0.9.6)
For an example of how this npm module is used, check out the mapguide-react-layout-example
Browser Support
mapguide-react-layout
is supported on all modern browsers
- Chrome
- Firefox
- Safari
- IE11
- Microsoft Edge
Usage
mapguide-react-layout
is available as:
- A pre-built bundle (
viewer.js
) - A set of transpiled CommonJS modules on npm
TypeScript
mapguide-react-layout
is written in TypeScript and .d.ts
type definitions are included with the npm package.
Although you can consume this package with vanilla JavaScript, the API documentation assumes you are also using TypeScript
Installation
With npm: npm install --save mapguide-react-layout
With yarn: yarn add mapguide-react-layout
Importing Modules
For all the modules referenced on the right hand side, prepend mapguide-react-layout/lib
for the actual module name to import
For example the module "api/common" should be imported as mapguide-react-layout/lib/api/common


Software Developer
College: Birla Institue of Technology and Science, Goa Campus
Course: B.E Computer Science, 2021
Email<EMAIL_ADDRESS>/<EMAIL_ADDRESS>Mobile:<PHONE_NUMBER>
CGPA: 9.00
| COURSE | INSTITUTE | BOARD | SCORE | YEAR |
|---|---|---|---|---|
| CLASS XII | AECS MM PU College | Department Of Pre-University Education, Karnataka | 90.16% | 2017 |
| CLASS X | National Public School, HSR Layout | Central Board of Secondary Education | 10 CGPA | 2015 |
May 2019 - July 2019
June 2018 - July 2018
Machine Learning
July 2019 - Present
Machine Learning
June 2019 - July 2019
Voice Technology
June 2019 - July 2019
Microprocessors and Interfacing
Feb 2019 - May 2019
Used for testing the sobriety of a person. The basic project operates like this: When 'start' button is pressed the unit waits a random time interval (between four and eight seconds) then begins incrementing LEDs on a bar graph display so that they appear to 'rise' upwards. When the user sees the LEDs moving, he/she presses a 'stop' button as soon as possible - the earlier the button is pressed, the fewer LEDs that are lit. The entire bar graph (9 LEDs) will sweep to the top in 0.4 seconds (with 50ms between LED steps). Simulation was done using the software Proteus 8 and programming was done in Assembly Level Programming using MASM615 and emu86.
National Council of Educational Research and Training
Nov 2015
Received a prestigious scholarship from The Government of India for successfully cracking a rigorous 2 stage nationwide exam intended to search for the brightest minds in the country. One among the 750 scholars, selected from approximately 500,000 students.
Department of State Educational Research and Training
Oct 2014
Secured Rank 15 in the State of Karnataka
Object Oriented Programming
August 2019 - December 2019
| NAME | CERTIFYING AUTHORITY |
|---|---|
| Machine Learning | Andrew Ng, Standford on Coursera |
| Reinforcement Learning | Center for Technical Education |
| Competitive Programming | BITS Pilani KK Birla Goa Campus |
BITS Pilani, KK Birla Goa Campus
Have received an 80% merit scholarship on my Tuition fee in college since the last four semesters
National Council of Educational Research and Training, Government of India
Receive Rs. 25000 yearly for clearing both state and national level stages of the NTSE exam


[viewBag] title = "Shofkorov Abdishukur Musaevich" ==
|
|
Academic degree |
Candidate of philological sciences |
|
Academic rank |
|
|
|
Work experience |
20 years |
|
|
Speciality |
Uzbek language and literature |
|
|
Tel: +998 935635550
|
|
Name of the direction of training and (or) specialty |
Qualification |
The level of education |
|
Philology
|
Uzbek language and literature |
higher |
Position
Department of Uzbek language and literature - Head of Department
Academic degrees: Ph.D. 2012 (Content-style properties of repetition in the poetry of Mirtemir)
Lectures
Modern Uzbek literary language
Native language and children's literature
Published scientific papers:
Published about 30 scientific papers. Of these, 1 monograph.
Monograph
A.M. Shafkarov. Artistic repetition in the Uzbek language. – Tashkent, Science and Technology, 2012. - 120 p.
Articles published in scientific journals and collections:
A.M.Shofkorov. Alliteration in the poetry of Mirtemir // Uzbek language and literature. –T.: 2006. Issue 4. - P. 91-94.
A.M.Shofkorov. About the methodological problems of repetition in the poetry of Mirtemir // Linguistic and literary education. –T.: 2007. Issue 1 - S. 71-74.
A.M.Shofkorov. About some features of the poetry of Mirtemir // Linguistic and literary education. –T.: 2008. Issue 4. - P. 83-87.
A.M.Shofkorov. Mirtemir’s mastery of the art of repetition // Gunsel Sanat. - Antalya, 2011. August. - S. 58-60.
A.M.Shofkorov. Repetition in the poetry of Mirtemir // Bulletin of the Chelyabinsk State University. 2011. - No. 25 (240). Philology. Art criticism. Vol. 58. - S. 167-170
A.M.Shofkorov. Repeating words and their use in artistic expression. // Theory and practice. International scientific and practical journal. No. 2 (44) –M.: February 2018
A.M.Shofkorov. Phonetic repetitions and their methodological features. // Social and human sciences in the education system. Issue 4 - Tashkent: 2018. - B. 79-86.
A.M.Shofkorov. About the methodological features of the repetition of anaphora in the poetry of Hamid Alimjan. / Problems of Philology and Culture / Collection of scientific and methodological articles. Part 1 - Tashkent, 2018. - S. 41-44.
A.M.Shofkorov. About the mastery of Mirtemir in the application of repetition. // Questions of language, literature and history. Issue 1. - Tashkent, 2019. - S. 54-56.
U.Khodjamkulov, A.M.Shofkorov. Thinking about the denial of "there is" and the affirmation of "there is no" // Linguistic and literary education. Issue 2 - Tashkent, 2019. - S. 25-26.
A.M.Shofkorov. The use of interactive educational methods in teaching case types. // Linguistic and literary education. Issue 5 — Tashkent: 2019. - S. 18-19.
Materials of scientific and practical conferences
A.M.Shofkorov. About the content-methodological task of repeating anaphora in the poetry of Mirtemir. Actual questions of linguistics / Materials of a scientific-theoretical conference. - Tashkent, 2006. - S. 139-143.
A.M.Shofkorov. Content-methodological features of the repetition of assonance in the poetry of Mirtemir. / Society. Civilization. State: factors of socio-historical development / Materials of a scientific-theoretical conference. - Tashkent, 2007. - S. 260-262.
A.M.Shofkorov. On the content-methodological task of repeating circle in the poetry of Mirtemir. Actual problems of methodology and phraseology. / Materials of the scientific-theoretical conference. - Samarkand, 2007.- S. 141-143.
A.M.Shofkorov. Methodological features of the repetition of tashobehul-atrof in the poetry of Mirtemir. Independence and language / Materials of the scientific-practical conference. - Tashkent, 2007. - S. 139-143.
A.M.Shofkorov. Repetition of tardu ax in the poetry of Mirtemir. Actual issues of Uzbek linguistics. / Materials of the scientific-theoretical conference. - Tashkent, 2008. - S. 138-139.
A.M.Shofkorov. About the mastery of Mirtemir in the application of repetition. The formation of Kazakh statehood and historical and cultural values of the Turkic world. - Shymkent, 2009. - Volume 3. - P. 137-140.
A.M.Shofkorov. Epiphora in the poetry of Mirtemir. Actual problems of Uzbek linguistics. / Materials of the republican scientific-theoretical conference. - Tashkent, 2012. - S. 148-151.
A.M.Shofkorov. Methodological features of repetition. / Actual issues of linguistic and literary education / Materials of the republican scientific and practical conference. - Tashkent, 2013. - S. 173-177.
A.M.Shofkorov. On the skill of Mirtemir in the use of words / Actual problems of modern linguistics and literary criticism / Materials of the republican scientific and practical conference. - Tashkent, 2016. - S. 319-322.


range_map¶
A RangeMap maps ranges to values. Keys must be hashable and comparable to all other keys (but not necessarily the same type). Each range a:b maps all values a <= x < b so it includes a but not b.
Examples¶
>>> from collections_extended import RangeMap
>>> from datetime import date
>>> version = RangeMap()
>>> version[date(2017, 10, 20): date(2017, 10, 27)] = '0.10.1'
>>> version[date(2017, 10, 27): date(2018, 2, 14)] = '1.0.0'
>>> version[date(2018, 2, 14):] = '1.0.1'
>>> version[date(2017, 10, 24)]
'0.10.1'
>>> version[date(2018, 7, 1)]
'1.0.1'
>>> version[date(2018, 6, 30):] = '1.0.2'
>>> version[date(2018, 7, 1)]
'1.0.2'
Creating RangeMaps¶
RangeMaps can be passed a mapping upon creation. Each key, value pair is interpreted as the start of a range and the mapped value. The end of the range is the next largest key in the mapping.
RangeMaps can also be created from RangeMap.from_iterable(iterable)
where
the iterable’s elements are tuples (start, stop, value). A start or stop key
of None denotes an open range, ie. a start key of None is analgous to -infinity
if the keys are all numbers.
Quirks¶
Python 2 vs 3¶
Slice notation is not implemented for get, set and delete in python 2 and raises
a SyntaxError when used. This is because Python 2 assumes slices are integers
and replaces open slices with 0 and maxint. Instead use RangeMap.set
,
RangeMap.delete
and RangeMap.get_range
.
PyPy¶
pypy (not pypy3) cannot accept non-ints in __getitem__ so RangeMap[1.5:3] doesn’t work.
Implementation¶
RangeMaps are backed by lists of the keys, so it’s only fast to add/remove the greatest values in the range (the end of the list).
API¶
-
class
collections_extended.
RangeMap
(iterable=None, default_value=<not_set>)[source]¶ Bases:
collections.abc.Mapping
Map ranges of orderable elements to values.
-
__init__
(iterable=None, default_value=<not_set>)[source]¶ Create a RangeMap.
A mapping or other iterable can be passed to initialize the RangeMap. If mapping is passed, it is interpreted as a mapping from range start indices to values. If an iterable is passed, each element will define a range in the RangeMap and should be formatted (start, stop, value).
default_value is a an optional keyword argument that will initialize the entire RangeMap to that value. Any missing ranges will be mapped to that value. However, if ranges are subsequently deleted they will be removed and not mapped to the default_value.
- Parameters
iterable – A Mapping or an Iterable to initialize from.
default_value – If passed, the return value for all keys less than the least key in mapping or missing ranges in iterable. If no mapping or iterable, the return value for all keys.
-
classmethod
from_mapping
(mapping)[source]¶ Create a RangeMap from a mapping of interval starts to values.
-
classmethod
from_iterable
(iterable)[source]¶ Create a RangeMap from an iterable of tuples defining each range.
Each element of the iterable is a tuple (start, stop, value).
-
ranges
(start=None, stop=None)[source]¶ Generate MappedRanges for all mapped ranges.
- Yields
MappedRange
-
get
(key, restval=None)[source]¶ Get the value of the range containing key, otherwise return restval.
-
get_range
(start=None, stop=None)[source]¶ Return a RangeMap for the range start to stop.
- Returns
A RangeMap
-
delete
(start=None, stop=None)[source]¶ Delete the range from start to stop from self.
- Raises
KeyError – If part of the passed range isn’t mapped.
-
empty
(start=None, stop=None)[source]¶ Empty the range from start to stop.
Like delete, but no Error is raised if the entire range isn’t mapped.
-
property
start
¶ Get the start key of the first range.
None if RangeMap is empty or unbounded to the left.
-
property
end
¶ Get the stop key of the last range.
None if RangeMap is empty or unbounded to the right.
-


About Ping Pong
Created by
CHRIS IAN
Github username
CHRIKIN1
LETS PLAY
Rules
Ping Pong Will count up to your number from 1 with the following exceptions:
1: Numbers Divisible by 3 become "ping"
2: Numbers divisible by 5 become "pong"
3: Numbers divisible by 3 and 5 become "pingpong"
If you click the "Submit" button, the form-data will give you an answer to weatherits divisible by the stated number,But in form of a word(ping/pong/pingpong) .


This week, Ethereum researchers introduced a solution called snark-based side chain, which could scale the network to 17,000 transactions per second.
1
jl777c09-Oct-18 08:52 AM
using offchain channels...
"Operators with malicious intent could deny the withdrawal of funds in the channel and potentially sabotage the channel that maintains a large storage of transactional data.
But, the system’s built-in protocol that punishes malicious operators by replacing them and degrading the channel to an on-chain token disallows any further alternations to be made on the channel."
not sure if that means the recovery is correcting the sabotage, or prevents further sabotage
ComputerGenie 👴👴👴09-Oct-18 08:52 AM
#LNish
jl777c09-Oct-18 08:52 AM
it all just seems much cleaner to just have independent chains
ComputerGenie 👴👴👴09-Oct-18 08:54 AM
disallows any further alternations to be made on the channel
Wouldn't that also mean that any users on that channel would have their tokens locked and be screwed? Or am I interpreting that wrong?
jl777c09-Oct-18 08:54 AM
why would a bit of lost transactions matter, it is going really fast
1
if you remove the blockchain that provides the security of the transactions, it isnt that big of a surprise that it isnt secure
this is a problem with all the sharding "solutions" I have seen
security is sacrificed for speed
WhiteWidow09-Oct-18 08:58 AM
Thanks for sharing your thoughts about this article guys
jl777c09-Oct-18 08:59 AM
it doesnt have any where the detail needed, but any channel based setup seems like it is really dependent on whoever controls the channel
without their good behavior, bad things happen, or at least it seems it can grind to a halt, which sort of messes up any speed gained
and being dependent on a single node seems quite opposite to decentralizaion, whatever subset of traffic going through the channel is centralized
independent chains dont have this issue, as it is an independent chain with all the blockchain logic to prevent censorship, etc.
and independent chain just do their thing at normal speeds. combined, you get a big aggregate speed, but you have the problem of cross chain communication
hence the MoM and MoMoM
ComputerGenie 👴👴👴09-Oct-18 09:03 AM
What would be the estimated yearly cost for Komodo to get masturbatory articles published for things that have already been done by Komodo? I'm about sick of seeing all the circlejerks of "we're awesome because we're going to do what someone else already is doing".
1
blackjok3r09-Oct-18 09:03 AM
Maybe you can pay for all these articles in PIRATE
polycryptoblog09-Oct-18 09:03 AM
A lot
Cointelegraph is like 5k a sponsored article
Other sites a little more or less
ComputerGenie 👴👴👴09-Oct-18 09:04 AM
@blackjok3r you joke, but I about would consider giving up ever coin I own for Komodo to get its due
"Look at me, next year I'm going to do a worse job at what the guys everyone ignores has been doing for years" (edited)
actionslacks09-Oct-18 09:07 AM
people promote what they're invested in. marketcap wise there are way more people invested in various vaproware tech than in kmd. it will be an uphill battle to get recognition no matter what is accomplished here.
polycryptoblog09-Oct-18 09:07 AM
@ComputerGenie 👴👴👴 it was a lot worse a year ago and much much worse before then . Truth is they know about us but keep their mouths shut to prevent losing their own followers, feigned ignorance
ComputerGenie 👴👴👴09-Oct-18 09:09 AM
ffs, if I read 1 more article about how great 3 DEXs that don't even function are (while never even mentioning BarterDEX) I'm going to puke
@polycryptoblog I agree that it was "worse" a year ago, but Komodo was also "less" then too. The things that have been done on, and with, Komodo in the last year are incredible by any standard.(edited)
3
blackjok3r09-Oct-18 09:13 AM
You can spent all day here and not keep up whith what has happened.
snowdamn09-Oct-18 09:13 AM
$50-100 KMD or go home
polycryptoblog09-Oct-18 09:13 AM
They can't deny us forever . I remember meeting Julian hosp and discussing atomic swaps in Texas , at the time @siu - Chainmakers completed the first doge to eth swap.
No wonder we are not mentioned as competition.
They need to justify their millions being burned.
1
ComputerGenie 👴👴👴09-Oct-18 09:17 AM
'atomic swaps' the thing that was basically designed by the bitcoin guys, implemented by several "shitcoin" forks of bitcoin, Bitcoin will be the "last" to add (for all intents and purposes), and Bitcoin gets heralded for maybe adding "at some future point"
goes for a nap before giving himself an aneurysm
siu - Chainmakers09-Oct-18 09:19 AM
The problem with atomic swaps is tuat the marketing is misguided
In chain token swaps are easy
And that is what virtually all coins that claim to do AS do.
Cross chain is a whole differe t beast
Like stellar promoting their "first ever" decentralized exchange... which seems to be a copy of NXT asset exchange which is 3 or 4 years old
grewalsatinder09-Oct-18 09:34 AM
@polycryptoblog at Auckland Blockchain Meetup I had told Andreas Antonopolus about BarterDEX and it's Atomic Swaps tech, and while on the stage he still mentioned that there is no working atomic solution yet to his knowledge.
Soon after his talk I approached him and asked why he still said so where I explained to him the working progress of BarterDEX, and he said the issues like Transactions Malleability aren't yet solved to his knowledge.
I'm not much sound on my blockchain internals and it's issues so I asked him to explain tx malleability in laymans terms and then told him that to my knowledge it's fixed in Barterdex tech.
that evening I sent him couple of links, and the next day asked if he got a chance to take a look at those....(edited)
he's a busy man I agree, but I only understand they all are either Bitcoin Maximalist, or Ethereum or just not really being updated themselves with new updates on the tech solution
ComputerGenie 👴👴👴09-Oct-18 09:39 AM
He is a BTC maximalist, or at least from every vid I've seen him in
grewalsatinder09-Oct-18 09:39 AM
From that point of view, I believe many must have possibly discarded to look at Komodo Platform tech, thinking it another shitcoin in the crowd. But they can not avoid it as long as the work done by the dev teams keep progressing and making it even better by every single hour!
jl777c09-Oct-18 09:39 AM
barterDEX sidesteps the malleability issue by requiring you show your utxo before starting the swap
and then waiting for confirms during the swap
grewalsatinder09-Oct-18 09:39 AM
yep, but I can not force anybody to look at the links and read and change their mind. I can only let them know and leave them alone to their opinion.
jl777c09-Oct-18 09:40 AM
and checking to make sure you didnt spend the payment in a way not agreed to, and extracting the secret needed to spend your half
grewalsatinder09-Oct-18 09:40 AM
I do not expect any high influencer to say name of KMD until something naturally organic big marketing thing happens.
which is becoming a big chance every day things happens the way it happens in our project here.
polycryptoblog09-Oct-18 09:41 AM
Cz did
Which is a start
grewalsatinder09-Oct-18 09:41 AM
those I think are still very tiny things... but still good
snowdamn09-Oct-18 09:41 AM
think Volcano Eruption to picture how it will go down with KMD
jl777c09-Oct-18 09:43 AM
it is like pressure building in the tectonic plates
1
all we can do is continue to improve things in all areas
grewalsatinder09-Oct-18 09:44 AM
Later Andreas also mentioned Komodo working on Atomic Swaps tech in one of his Q&A video on his YouTube channel, mentioning it just a basic Atomic Swaps tech...
He still think Lightening Network is the only advanced and ultimate Atomic Swaps tech there can ever be.
ComputerGenie 👴👴👴09-Oct-18 09:45 AM
The markets don't reflect tech, that's the sad truth. If they did, a ton more people would have the same reaction to Komodo now that I did over a year ago ...
I realize that to a certain extent I'm as bad as the BTC maximalists in my view of Komodo's place in the space, but I will never not be able to see that this is a great thing.
1
He still think Lightening Network is the only advanced and ultimate Atomic Swaps tech there can ever be.
With only 2 or 3 exceptions, his statements on LN are the perfect example of perpetuating the myth that LN is part of Bitcoin
grewalsatinder09-Oct-18 09:48 AM
I go rarely to local Bitcoin and Blockchain Meetups. I honestly look for a good technical opinion from people about Komodo Platform. From those who are technical sound. My way of talking on the subject is not to offend other projects and also not to just talk about what project I'm in.
I'm genuinely interested to hear a good criticism about Komodo Platform.
After all I have my life savings holding in Komodo Platform and I am spending my Career and my Identity being attached to Komodo Platform (either directly or indirectly). Nothing will give me more pleasure to see a technical unbiased criticism of Komodo Platform.
But I never got much of a response on this subject by the people I met in person.(edited)
snowdamn09-Oct-18 09:48 AM
marketcap would have to reach at least $50B for me to start feeling bad about being a KMD die hard
ComputerGenie 👴👴👴09-Oct-18 09:49 AM
heh I lost 50% of my portfolio on KMD and I'm still loving it
the KMD that I purchased was all between $2.14 and $2.60
siu - Chainmakers09-Oct-18 09:50 AM
These guys prefer to use credit cards...
snowdamn09-Oct-18 09:51 AM
BTC upcoming pump alone will make up for that(edited)
ComputerGenie 👴👴👴09-Oct-18 09:51 AM
hasn't had a credit card in 25 years
short of catastrophic emergencies, if I can't afford it today I don't need it today
snowdamn09-Oct-18 09:53 AM
PSA: do not use CC cash advance to buy cocaine
ComputerGenie 👴👴👴09-Oct-18 09:53 AM
speaking from experience?
snowdamn09-Oct-18 09:53 AM
no hablo espanol
siu - Chainmakers09-Oct-18 09:53 AM
Why is blockstream even building LN if credit cards already fixes their issue
jl777c09-Oct-18 09:54 AM
so channels CC has something to obsolete?
1
siu - Chainmakers09-Oct-18 09:55 AM
"They even give you cashback, bro!"
ComputerGenie 👴👴👴09-Oct-18 09:55 AM
ComputerGenie Crypto Rule #247: Never trust a Bitcoin based company that doesn't pay Bitcoin coders in Bitcoin
1
grewalsatinder09-Oct-18 09:59 AM
The only criticism I heard from a guy here is that delayed Proof of Work depends on 64 Notary Nodes, and a collusion of these 64 Notary Nodes could be somehow be a vulnerability point for the Komodo Platform.
And much of the things are being done/worked about dPoW.
I don't agree with this, but I for sure want a more streamlined and more better process in Notary Node setups and automation.
blackjok3r09-Oct-18 09:59 AM
notary nodes work, but there is a lot of room for improvemnt
grewalsatinder09-Oct-18 09:59 AM
yes
blackjok3r09-Oct-18 10:00 AM
the idea is just about perfect
ComputerGenie 👴👴👴09-Oct-18 10:00 AM
My criticism of dPoW is that the fekers will not let me mine enough blocks
grewalsatinder09-Oct-18 10:00 AM
stand for elections in coming Notary Nodes elections ;)
I'll vote for @ComputerGenie 👴👴👴
siu - Chainmakers09-Oct-18 10:00 AM
The differebce with NN is that we dont intervene with the network itself. We just "do backups"


quote test!! for responsiveness
An apple is a sweet, edible fruit produced by an apple tree.
A banana is an edible fruit – botanically a berry – produced by several kinds of large herbaceous flowering plants in the genus Musa.


Little (LFE) HTTP Client – A light-weight LFE wrapper around lhttpc
This library is meant to be a dead-simple HTTP client for LFE projects. That’s all there is to it. It uses lhttpc under the hood, which can be a little cumbersome for those new to Erlang when used directly; as such, lhc will likely provide a welcome alternative.
Just add it to your
rebar.config
deps:
{deps, [
...
{lhc, ".*",
{git, "git@github.com:lfex/lhc.git", "master"}}
]}.
Then execute the usual
rebar
command:
$ rebar compile
See notes to the right.
Each of the API functions that map to an HTTP verb have at least one arity
that supports setting lhc options which are passed to lhc:request
.
These options may have zero or more of the following:
return
- return type. Can be one of body
(default), status
,
headers
or all
callback
- the function that gets called once a result is obtained
from the lhttpc
client libraryThe lhc examples below are run against a YAWS REST server demo store. You can download and run the “store” yourself when you clone the repo.
For POST
ing data, we use the ljson LFE
library. To make this available to your project, simply add it to your
rebar.config
file, per the instructions on the ljson project README.
start
It is required to start lhc before using the API:
> (lhc:start)
(#(inets ok) #(ssl ok) #(lhttpc ok) #(lhc ok))
If you attempt to use the API without having first started it, you will see errors like the following:
> (lhc:get "http://localhost:8000/demos/store3/orders")
#(error
#(exit
#(noproc
#(gen_server call
(undefined #(socket <0.35.0> "google.com" 80 false) infinity)))
(#(lhttpc_manager ensure_call 6
(#(file "src/lhttpc_manager.erl") #(line 234)))
#(lhttpc_client execute 9 (#(file "src/lhttpc_client.erl") #(line 158)))
#(lhttpc_client request 9 (#(file "src/lhttpc_client.erl") #(line 99)))
#(proc_lib init_p_do_apply 3 (#(file "proc_lib.erl") #(line 239))))))
This function simply starts the lhc LFE HTTP client. This is required for any use of the lhc client library.
get
Perform a simple
GET
:
> (lhc:get "http://localhost:8000/demos/store3/orders")
"{\"result\": \"You got a list of orders.\"}"
>
lhc:get/1
- takes a URLlhc:get/2
- takes a URL and lhc optionslhc:get/3
- takes a URL, list of headers, and lhc optionsDepending upon the return
option (default being body
) and callback
option, each of these will return a parsed result iof the content obtained by
lhttpc
.
head
To just get the headers from the server:
> (lhc:head "http://localhost:8000/demos/store3/")
(#("Content-Type" "application/json")
#("Date" "Thu, 27 Aug 2015 14:39:31 GMT")
#("Server" "Yaws 2.0"))
>
lhc:head/1
- takes a URLlhc:head/2
- takes a URL and lhc optionslhc:head/3
- takes a URL, list of headers, and lhc optionsReturns just the parsed headers of the result from lhttpc
. By defualt, this
is a list of tuples, each being a key/value pair of header name and head value.
post
To
POST
, we first create a payload. The demo REST API we’re testing against can take any string value, but many applications will expect JSON data. Let’s use JSON here:
> (set payload (ljson:encode '(#(make #"Volvo") #(model #"P1800"))))
#"{"make":"Volvo","model":"P1800"}"
>
With our payload in hand, we can now
POST
to create a new order:
> (lhc:post "http://localhost:8000/demos/store3/order" payload)
"{\"result\": \"{\"order-id\": 124}\"}"
>
lhc:post/1
- takes a URL, making an empty data POST
lhc:post/2
- takes a URL and POST
datalhc:post/3
- takes a URL, POST
data, and lhc optionslhc:post/4
- takes a URL, POST
data, a list of headers, and lhc
optionsput
To
PUT
, we first create a payload similar to what we did forPOST
but with the modified data we want:
> (set payload (ljson:encode '(#(make #"Volvo") #(model #"2015 P1800"))))
#"{"make":"Volvo","model":"2015 P1800"}"
>
We can now
PUT
to update our order:
> (lhc:put "http://localhost:8000/demos/store3/order/124" payload)
"{\"result\": \"You updated all of order 124.\"}"
>
lhc:put/1
- takes a URL, making an empty data PUT
lhc:put/2
- takes a URL and PUT
datalhc:put/3
- takes a URL, PUT
data, and lhc optionslhc:put/4
- takes a URL, PUT
data, a list of headers, and lhc
optionsdelete
DELETE
ing is as simple as passing the appropriate URL:
> (lhc:delete "http://localhost:8000/demos/store3/order/124")
"{\"result\": \"You deleted order 124.\"}"
>
lhc:delete/1
- takes a URLlhc:delete/2
- takes a URL and lhc optionslhc:delete/3
- takes a URL, list of headers, and lhc optionstrace
Note that TRACE
isn’t implemented in YAWS so we don’t have example code to
share. Likewise, lhc:trace
is untested against a server implementing
TRACE
– please
let us know
if you run into usage problems with this function.
lhc:trace/1
- takes a URLlhc:trace/2
- takes a URL and datalhc:trace/3
- takes a URL, data, and lhc optionslhc:trace/4
- takes a URL, data, a list of headers, and lhc optionsoptions
lhc provides support for requesting the allowed methods for a given URL:
> (lhc:options "http://localhost:8000/demos/store3/order/124")
"{\"result\": \"You got the allowed method for order/124: GET, PUT, POST, DELETE, and OPTIONS.\"}"
lhc:options/1
- takes a URLlhc:options/2
- takes a URL and lhc optionslhc:options/3
- takes a URL, list of headers, and lhc optionsconnect
TBD
(Note that this HTTP verb is not supported by YAWS, so we’ll likely save it for very last.)
patch
Let’s define the partial data we want to send:
> (set payload (ljson:encode '(#(model #"2015 P1800"))))
#"{"model":"2015 P1800"}"
>
We can now
PATCH
our order, updating only the part that we wanted to change:
> (lhc:patch "http://localhost:8000/demos/store3/order/124" payload)
"{\"result\": \"You updated part of order 124.\"}"
>
PATCH
is useful for large data sets where you only one a part of the data
updated. You can use PATCH
to update just the bits you’re interested in,
without having to send the entire payload like is recommended with PUT
.
lhc:patch/1
- takes a URL, making an empty data PATCH
lhc:patch/2
- takes a URL and PATCH
datalhc:patch/3
- takes a URL, PATCH
data, and lhc optionslhc:patch/4
- takes a URL, PATCH
data, a list of headers, and lhc
optionsrequest
[Code ready, need docs]
parse-results
[Code ready, need docs]
[Code ready, need docs]
Basic usage from Erlang is straight-forward:
1> lhc:start().
[{inets,ok},{ssl,ok},{lhttpc,ok},{lhc,ok}]
2> lhc:get("http://localhost:8000/demos/store3/orders").
"{\"result\": \"You got a list of orders.\"}"
3> Payload = ljson:encode([{make,<<"Volvo">>},{model,<<"P1800">>}]).
<<"{\"make\":\"Volvo\",\"model\":\"P1800\"}">>
4> lhc:post("http://localhost:8000/demos/store3/order", Payload).
"{\"result\": \"{\"order-id\": 124}\"}"
Using lhc from Erlang is very straight-forward; there aren’t even hypens in most module or function names, so no need to escape any atoms!
Why would you want to, you ask? Well, it might be convenient to use a library that offers consistent usage patterns (and function calls) across a selection of HTTP clients in the Erlang ecosystem. You and your developers could write your HTTP code once, and then change backend clients as the needs arose, without having to change any code (just some small configuration settings).
Take a look at the sample usage to the right to get a sense of using lhc from Erlang.
lhc supports a handfule of backends, with more future ones planned.
Current backends are:
Planned backends currently include the following:
Edit the backend value in the
lhc
section of yourlfe.config
file. See the lhclfe.config
for an example of this. Once edited, runningstart
will use that value:
> (lhc:start)
(#(inets ok) #(ssl ok) #(lhttpc ok) #(lhc ok))
> (lhc:get-backend)
lhttpc
>
You can also start lhc with your preferred backend:
> (lhc:start 'httpc)
(#(inets ok) #(ssl ok) #(lhc ok))
>
You can change backends at any time:
> (lhc:change-backend 'lhttpc)
(#(backend #(previous httpc) #(current lhttpc)))
>
Bakends my be selected one of three ways:
backend
value in the lhc
section of the lfe.config
fileFind out which backend you are using:
> (lhc:get-backend)
lhttpc
>
Find out which backend is configured in your
lfe.config
file:
> (lhc:get-backend-cfg)
lhttpc
Find out which module holds the backend functions:
> (lhc:get-backend-module)
lhc-backend
Several convenience functions are provided in support of lhc backends.
See examples to the right.
The lhc user agent string:
"LFE Little HTTP Client/0.1.0 (LFE 0.10.0-dev; Erlang 18; backend=lhttpc) (+http://github.com/lfex/lhc)"
The lhc user agent will show up in any HTTP server log files where client user agent strings are recorded. To the right is an example of the lhc user agent string.
Documentation is available for all previous releases:
Copyright © 2014-2015 Duncan McGreggor<EMAIL_ADDRESS>Licensed under the Apache License, Version 2.0 (the “License”); you may not use this file except in compliance with the License. You may obtain a copy of the License at
Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an “AS IS” BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License.


CPackIFW¶
The documentation for the CPack IFW generator has moved here: CPack IFW Generator
This module looks for the location of the command line utilities supplied with the Qt Installer Framework (QtIFW).
The module also defines several commands to control the behavior of the
CPack IFW
generator.
Commands¶
The module defines the following commands:
-
cpack_ifw_configure_component
¶ Sets the arguments specific to the CPack IFW generator.
cpack_ifw_configure_component(<compname> [COMMON] [ESSENTIAL] [VIRTUAL] [FORCED_INSTALLATION] [REQUIRES_ADMIN_RIGHTS] [NAME <name>] [DISPLAY_NAME <display_name>] # Note: Internationalization supported [DESCRIPTION <description>] # Note: Internationalization supported [UPDATE_TEXT <update_text>] [VERSION <version>] [RELEASE_DATE <release_date>] [SCRIPT <script>] [PRIORITY|SORTING_PRIORITY <sorting_priority>] # Note: PRIORITY is deprecated [DEPENDS|DEPENDENCIES <com_id> ...] [AUTO_DEPEND_ON <comp_id> ...] [LICENSES <display_name> <file_path> ...] [DEFAULT <value>] [USER_INTERFACES <file_path> <file_path> ...] [TRANSLATIONS <file_path> <file_path> ...] [REPLACES <comp_id> ...] [CHECKABLE <value>])
This command should be called after
cpack_add_component()
command.COMMON
- if set, then the component will be packaged and installed as part of a group to which it belongs.
ESSENTIAL
- if set, then the package manager stays disabled until that component is updated.
VIRTUAL
- if set, then the component will be hidden from the installer.
It is a equivalent of the
HIDDEN
option from thecpack_add_component()
command. FORCED_INSTALLATION
- if set, then the component must always be installed.
It is a equivalent of the
REQUARED
option from thecpack_add_component()
command. REQUIRES_ADMIN_RIGHTS
- set it if the component needs to be installed with elevated permissions.
NAME
- is used to create domain-like identification for this component. By default used origin component name.
DISPLAY_NAME
- set to rewrite original name configured by
cpack_add_component()
command. DESCRIPTION
- set to rewrite original description configured by
cpack_add_component()
command. UPDATE_TEXT
- will be added to the component description if this is an update to the component.
VERSION
- is version of component.
By default used
CPACK_PACKAGE_VERSION
. RELEASE_DATE
- keep empty to auto generate.
SCRIPT
- is a relative or absolute path to operations script for this component.
PRIORITY
|SORTING_PRIORITY
- is priority of the component in the tree.
The
PRIORITY
option is deprecated and will be removed in a future version of CMake. Please useSORTING_PRIORITY
option instead. DEPENDS
|DEPENDENCIES
- list of dependency component or component group identifiers in QtIFW style.
AUTO_DEPEND_ON
- list of identifiers of component or component group in QtIFW style that this component has an automatic dependency on.
LICENSES
- pair of <display_name> and <file_path> of license text for this component. You can specify more then one license.
DEFAULT
- Possible values are: TRUE, FALSE, and SCRIPT.
Set to FALSE to disable the component in the installer or to SCRIPT
to resolved during runtime (don’t forget add the file of the script
as a value of the
SCRIPT
option). USER_INTERFACES
- is a list of <file_path> (‘.ui’ files) representing pages to load.
TRANSLATIONS
- is a list of <file_path> (‘.qm’ files) representing translations to load.
REPLACES
- list of identifiers of component or component group to replace.
CHECKABLE
- Possible values are: TRUE, FALSE. Set to FALSE if you want to hide the checkbox for an item. This is useful when only a few subcomponents should be selected instead of all.
-
cpack_ifw_configure_component_group
¶ Sets the arguments specific to the CPack IFW generator.
cpack_ifw_configure_component_group(<groupname> [VIRTUAL] [FORCED_INSTALLATION] [REQUIRES_ADMIN_RIGHTS] [NAME <name>] [DISPLAY_NAME <display_name>] # Note: Internationalization supported [DESCRIPTION <description>] # Note: Internationalization supported [UPDATE_TEXT <update_text>] [VERSION <version>] [RELEASE_DATE <release_date>] [SCRIPT <script>] [PRIORITY|SORTING_PRIORITY <sorting_priority>] # Note: PRIORITY is deprecated [DEPENDS|DEPENDENCIES <com_id> ...] [AUTO_DEPEND_ON <comp_id> ...] [LICENSES <display_name> <file_path> ...] [DEFAULT <value>] [USER_INTERFACES <file_path> <file_path> ...] [TRANSLATIONS <file_path> <file_path> ...] [REPLACES <comp_id> ...] [CHECKABLE <value>])
This command should be called after
cpack_add_component_group()
command.VIRTUAL
- if set, then the group will be hidden from the installer. Note that setting this on a root component does not work.
FORCED_INSTALLATION
- if set, then the group must always be installed.
REQUIRES_ADMIN_RIGHTS
- set it if the component group needs to be installed with elevated permissions.
NAME
- is used to create domain-like identification for this component group. By default used origin component group name.
DISPLAY_NAME
- set to rewrite original name configured by
cpack_add_component_group()
command. DESCRIPTION
- set to rewrite original description configured by
cpack_add_component_group()
command. UPDATE_TEXT
- will be added to the component group description if this is an update to the component group.
VERSION
- is version of component group.
By default used
CPACK_PACKAGE_VERSION
. RELEASE_DATE
- keep empty to auto generate.
SCRIPT
- is a relative or absolute path to operations script for this component group.
PRIORITY
|SORTING_PRIORITY
- is priority of the component group in the tree.
The
PRIORITY
option is deprecated and will be removed in a future version of CMake. Please useSORTING_PRIORITY
option instead. DEPENDS
|DEPENDENCIES
- list of dependency component or component group identifiers in QtIFW style.
AUTO_DEPEND_ON
- list of identifiers of component or component group in QtIFW style that this component group has an automatic dependency on.
LICENSES
- pair of <display_name> and <file_path> of license text for this component group. You can specify more then one license.
DEFAULT
- Possible values are: TRUE, FALSE, and SCRIPT.
Set to TRUE to preselect the group in the installer
(this takes effect only on groups that have no visible child components)
or to SCRIPT to resolved during runtime (don’t forget add the file of
the script as a value of the
SCRIPT
option). USER_INTERFACES
- is a list of <file_path> (‘.ui’ files) representing pages to load.
TRANSLATIONS
- is a list of <file_path> (‘.qm’ files) representing translations to load.
REPLACES
- list of identifiers of component or component group to replace.
CHECKABLE
- Possible values are: TRUE, FALSE. Set to FALSE if you want to hide the checkbox for an item. This is useful when only a few subcomponents should be selected instead of all.
-
cpack_ifw_add_repository
¶ Add QtIFW specific remote repository to binary installer.
cpack_ifw_add_repository(<reponame> [DISABLED] URL <url> [USERNAME <username>] [PASSWORD <password>] [DISPLAY_NAME <display_name>])
This command will also add the <reponame> repository to a variable
CPACK_IFW_REPOSITORIES_ALL
.DISABLED
- if set, then the repository will be disabled by default.
URL
- is points to a list of available components.
USERNAME
- is used as user on a protected repository.
PASSWORD
- is password to use on a protected repository.
DISPLAY_NAME
- is string to display instead of the URL.
-
cpack_ifw_update_repository
¶ Update QtIFW specific repository from remote repository.
cpack_ifw_update_repository(<reponame> [[ADD|REMOVE] URL <url>]| [REPLACE OLD_URL <old_url> NEW_URL <new_url>]] [USERNAME <username>] [PASSWORD <password>] [DISPLAY_NAME <display_name>])
This command will also add the <reponame> repository to a variable
CPACK_IFW_REPOSITORIES_ALL
.URL
- is points to a list of available components.
OLD_URL
- is points to a list that will replaced.
NEW_URL
- is points to a list that will replace to.
USERNAME
- is used as user on a protected repository.
PASSWORD
- is password to use on a protected repository.
DISPLAY_NAME
- is string to display instead of the URL.
-
cpack_ifw_add_package_resources
¶ Add additional resources in the installer binary.
cpack_ifw_add_package_resources(<file_path> <file_path> ...)
This command will also add the specified files to a variable
CPACK_IFW_PACKAGE_RESOURCES
.


{# All Macros for Media and Media Category Management #} {# Media Card (Editable) Has form to update categories and captions Draggable defaults to false so media cannot be reordered when viewing all records. This is changed to true when viewing a category. #} {% macro cardEdit(media, categories) %}


interface WebRepository
Simple interface to generate the entity of a web repository that knows if can execute a url.
abstract fun canReachUrl(url: String, timeout: Int): Boolean
Go to any place to valid if the device and the WebView can execute the url. |
class WebRepoImpl : WebRepository
The implementation of WebRepository. |


Natural ability
One of Raichu’s attacks, which was used in the Decisive Lightning Bolt series, is Screw. Due to Reichu’s weight, she’s powerful, but does damage to him. This attack is not electric.


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** Recommandation from liuzhan902.


CASE NO.: Appeal (crl.) 151-158 of 1996 PETITIONER: State of M.P. RESPONDENT: Vs. Kedia Leather & Liquor Ltd. & Ors. DATE OF JUDGMENT: 19/08/2003 BENCH: DORAISWAMY RAJU & ARIJIT PASAYAT. JUDGMENT:
J U D G M E N T ARIJIT PASAYAT, J.
View expressed by High Court of Madhya Pradesh, Jabalpur Bench at Indore holding that after introduction of Water (Prevention and Control of Pollution) Act, 1974 (hereinafter referred to as the 'Water Act') and the Air (Prevention and Control of Pollution) Act, 1981 (hereinafter referred to as the 'Air Act'), there was implied repeal of Section 133 of the Code of Criminal Procedure, 1973 (in short the 'Code'), is questioned in these appeals.
Factual background needs to be noted in brief as legal issues of pristine nature are involved. The Sub-Divisional Magistrate (hereinafter referred to as the 'SDM')of the area concerned served orders in terms of Section 133 of the Code directing the respondents who owned industrial units to close their industries on the allegation that serious pollution was created by discharge of effluent from their respective factories and thereby a public nuisance was caused. The preliminary issues and the proceedings initiated by the SDM were questioned by the respondents herein before the High Court under Section 397 of the Code.
The main plank of their arguments before the High Court was that by enactment of Water Act and the Air Act there was implied repeal of Section 133 of the Code.
The plea was contested by the SDM on the ground that the provisions of Water Act and the Air Act operate in different fields, and, therefore, the question of Section 133 of the Code getting eclipsed did not arise.
The High Court referred to various provisions of the Water Act and Air Act and compared their scope of operation with Section 133 of the Code.
The High Court was of the view that the provisions of the Water and the Air Acts are in essence elaboration and enlargement of the powers conferred under Section 133 of the Code. Water and Air pollution were held to be species of nuisance or of the conduct of trades or occupation injuries to the health or physical comfort to the community. As they deal with special types of nuisance, they ruled out operation of Section 133 of the Code. It was concluded that existence and working of the two parallel provisions would result not only in inconvenience but also absurd results. In the ultimate, it was held that the provisions of the Water and Air Acts impliedly repealed the provisions of Section 133 of the Code, so far as allegations of public nuisance by air and water pollution by industries or persons covered by the two Acts are concerned. As a consequence, it was held that the SDM had no jurisdiction to act under Section 133 of the Code.
Learned counsel for the appellant-State submitted that the view expressed by the High Court is not legally tenable. The three statutes operate in different fields and even though there may be some amount of over-lapping, they can co-exist. A statutory provision cannot be held to have been repealed impliedly by the Court. Learned counsel for the respondents-units submitted that this Court had occasion to pass interim orders on 2.1.2001. Exception was taken to the manner of functioning of the Madhya Pradesh Pollution Control Board (in short the 'Board') and directions were given to take necessary action against the delinquent officials. Proceedings were initiated and on the basis of the reports filed by the functionaries of the reconstituted Board, functioning of the factories had been discontinued. The legality of the proceedings and the orders passed therein have been questioned and the Board has been moved for grant of necessary permission for making the factories functional. In this background it is submitted that the issues raised have really become academic. Though, learned counsel for the appellant-State and the Board accepted the position to be factually true, it is submitted that considering the impact of the decision which would have far reaching consequences, the legal issues may be decided and appropriate directions should be given so far as the functioning or closure of the factories aspect is concerned.
Section 133 of the Code appears in Chapter X of the Code which deals with maintenance of public order and tranquility. It is a part of the heading 'public nuisance'. The term 'nuisance' as used in law is not a term capable of exact definition and it has been pointed out in Halsbury's Laws of England that "even at the present day there is not entire agreement as to whether certain acts or omissions shall be classed as nuisances or whether they do not rather fall under other divisions of the law of tort". In Vasant Manga Nikumba and Ors. v. Baburao Bhikanna Naidu (deceased) by Lrs. and Anr. (1995 Supp.(4) SCC
54) it was observed that nuisance is an inconvenience which materially interferes with the ordinary physical comfort of human existence. It is not capable of precise definition. To bring in application of Section 133 of the Code, there must be imminent danger to the property and consequential nuisance to the public. The nuisance is the concomitant act resulting in danger to the life or property due to likely collapse etc. The object and purpose behind Section 133 of the Code is essentially to prevent public nuisance and involves a sense of urgency in the sense that if the Magistrate fails to take recourse immediately irreparable damage would be done to the public. It applies to a condition of the nuisance at the time when the order is passed and it is not intended to apply to future likelihood or what may happen at some later point of time. It does not deal with all potential nuisance, and on the other hand applies when the nuisance is in existence. It has to be noted that some times there is a confusion between Section 133 and Section 144 of the Code. While the latter is more general provision the former is more specific. While the order under the former is conditional, the order under the latter is absolute. The proceedings are more in the nature of civil proceedings than criminal proceedings. One significant factor to be noticed is that person against whom action is taken is not an accused within the meaning of Section 133 of the Code. He can give evidence on his own behalf and may be examined on oath. Proceedings are not the proceedings in respect of offences. The Water Act and the Air Act are characteristically special statutes. The two statutes relate to prevention and control of pollution and also provides for penal consequences in case of breach of statutory provisions. Environmental, ecological air and water pollution amount to violation of right to life assured by Article 21 of the Constitution of India, 1950 (in short 'the Constitution'). Hygienic environment is an integral facet of healthy life. Right to live with human dignity becomes illusory in the absence of humane and healthy environment. Chapter V of the Water Act deals with prevention and control of water pollution. Similarly, Chapter IV of the Air Act deals with prevention and control of air pollution. Sections 30, 32 and 33 of the Water Act deal with power of the State Board to carry out certain works, emergency measures in certain cases and power of Board to make application to the Courts for restraining apprehended pollution respectively. Under Sections 18, 20 and 22-A of the Air Act deal with power to give directions, power to give instructions for ensuring standards and power of Board to make application to Court for restraining persons from causing air pollution respectively. The provisions of Section 133 of the Code can be culled in aid to remove public nuisance caused by effluent of the discharge and air discharge causing hardship to the general public. To that extent, learned counsel for the appellant is correct in his submission. There is presumption against a repeal by implication; and the reason of this rule is based on the theory that the Legislature while enacting a law has a complete knowledge of the existing laws on the same subject matter, and therefore, when it does not provide a repealing provision, the intention is clear not to repeal the existing legislation. (See: Municipal Council, Palai through the Commissioner of Municipal Council, Palai v. T.J. Joseph (AIR 1963 SC 1561), Northern India Caterers (Private) Ltd. and Anr. v. State of Punjab and Anr. (AIR 1967 SC 1581), Municipal Corporation of Delhi v. Shiv Shanker (1971 (1) SCC 442) and Ratan Lal Adukia and Anr. v. Union of India (AIR 1990 SC
104). When the new Act contains a repealing section mentioning the Acts which it expressly repeals, the presumption against implied repeal of other laws is further strengthened on the principle expressio unius (persone vel rei) est exclusio alterius. (The express intention of one person or thing is the exclusion of another), as illuminatingly stated in Garnett v. Bradley (1878) 3 AC 944 (HL). The continuance of existing legislation, in the absence of an express provision of repeal by implication lies on the party asserting the same. The presumption is, however, rebutted and a repeal is inferred by necessary implication when the provisions of the later Act are so inconsistent with or repugnant to the provisions of the earlier Act and that the two cannot stand together. But, if the two can be read together and some application can be made of the words in the earlier Act, a repeal will not be inferred. (See: A.G. v. Moore (1878) 3 Ex. D 276, Ratanlal's case (supra) and R.S. Raghunath v. State of Karnataka and Anr. (AIR 1992 SC 81).
The necessary questions to be asked are:
(1) Whether there is direct conflict between the two provisions. (2) Whether the Legislature intended to lay down an exhaustive Code in respect of the subject-matter replacing the earlier law; (3) Whether the two laws occupy the same field.
(See: Pt. Rishikesh and Anr. v. Salma Begum (Smt.) (1995(4) SCC
718), and Shri A.B. Krishna & Ors. v. The State of Karnataka & Ors. (JT 1998(1) SC 613) The doctrine of implied repeal is based on the theory that the Legislature, which is presumed to know the existing law, did not intend to create any confusion by retaining conflicting provisions and, therefore, when the court applies the doctrine, it does not more than give effect to the intention of the Legislature by examining the scope and the object of the two enactments and by a comparison of their provisions. The matter in each case is one of the construction and comparison of the two statutes. The Court leans against implying a repeal, "unless two Acts are so plainly repugnant to each other that effect cannot be given to both at the same time, a repeal will not be implied, or that there is a necessary inconsistency in the two Acts standing together." (See Craies on Statute Law, Seventh Edition, page 366, with reference to Re: Berrey (1936) Ch. 274). To determine whether a later statute repeals by implication an earlier, it is necessary to scrutinize the terms and consider the true meaning and effect of the earlier Act. Until this is done, it is impossible to ascertain whether any inconsistency exists between the two enactments. The area of operation in the Code and the pollution laws in question are different with wholly different aims and objects; and though they alleviate nuisance, that is not of identical nature. They operate in their respective fields and there is no impediment for their existence side by side.
While as noted above the provisions of Section 133 of the Code are in the nature of preventive measures, the provisions contained in the two Acts are not only curative but also preventive and penal. The provisions appear to be mutually exclusive and the question of one replacing the other does not arise. Above being the position, the High Court was not justified in holding that there was any implied repeal of Section 133 of the Code. The appeals deserve to be allowed to the extent indicated above, which we direct.
However, if applications are pending before the Board, it would be appropriate for the Board to take necessary steps for their disposal. The question whether there was no infraction under Section 133 of the Code or the two Acts is a matter which shall be dealt with by the appropriate forum, and we do not express any opinion in that regard.


UD for Hittite
Tokenization and Word Segmentation
- In HitTB, tokens are delimited using whitespace. This is reflected in the original writing, as Hittite cuneiform also used whitespace to delineate.
- Cuneiform is sometimes difficult to display. The treebank instead displays forms in a way that closely approximates the cuneiform writing, using narrow transcription, where each cuneiform character transliteration is separated with hyphens. Broad transcription, which more closely approximates the pronounciation, is used for lemmas.
- In Hittite, clitics do not stand as independent tokens. However, clitics most often function grammatically differently from the other word or words in that token. Therefore, in HitTB, clitics are separated out as unique words. For ease, clitics are always introduced by ‘=’.
- Other multiword tokens include Sumerian compound-word borrowings and words with determinatives. A determinative acts as a class for the noun it modifies, such as the determinative LÚ “man”, which is used for people. The determinative is treated as a separate word to preserve the determinatives in the treebank.
Morphology
Tags
- In HitTB, 15 part-of-speech tags are used.
- Only SYM and PUNCT remain unused.
- AUX is used for the copula ēš- (which, like in English, also can function as a true auxiliary), as well as the auxiliary verbs ḫar(k)- and dai-. A final word tagged AUX is NUGÁL, which functions as a negative copula.
- DET is used for the demonstratives kā-, apā-, and aši (before nouns), the interrogative kuiš “which” (before nouns), and the word mekki “many”.
- PART is used for nu and -(m)a (when they clearly do not act as coordinating conjunctions), the clitics -za, -ašta, -pát, -kán, and -šan, and the negatives lē and natta.
Nominal Features
For nouns, the following features are possible:
- Case, which has 10 possibilities (Nom, Acc, Gen, Dat, Abl, Ins, All, Erg, Voc, Abs)
- Definite, which is used to model the Akkadian construct form and has 1 possibility (Cons)
- Gender, which has 4 possibilities (Com, Neut, Masc, Fem)
- Number, which has 2 possibilities (Sing, Plur)
The Case, Gender, and Number features can also be used with verbs (in participle form), pronouns, numerals, adjectives, and determiners.
Verbal Features
Verbs (not including participles) in HitTB can have the following features:
- Person (1, 2, 3)
- Mood (Ind, Imp)
- Tense (Pres, Past)
- VerbForm (Fin, Inf, Part, Sup, Vnoun)
- Voice (Act, Mid)
Language-Specific Features
HitTB contains one language-specific feature, called Language. Since Hittite uses forms from both Akkadian and Sumerian, it is important to know which of these two languages the word originated from, especially in the event that the word displays Akkadian or Sumerian syntax. The possible values of Language are Language=Akk and Language=Sum
Syntax
- Hittite is most often a SOV language.
Instruction: Give criteria for identifying core arguments (subjects and objects), and describe the range of copula constructions in nonverbal clauses. List all subtype relations used. Include links to language-specific relations definitions if any.
Treebanks
There is 1 Hittite UD treebank:
Instruction: Treebank-specific pages are generated automatically from the README file in the treebank repository and
from the data in the latest release. Link to the respective *-index.html
page in the treebanks
folder, using the language code
and the treebank code in the file name.


Lishp (etym: English + lisp (a programming language)) is a simple programming language that compiles down to Python and JavaScript, and is designed to be ultra-readable, via close similarity to the syntax of the English language.
A snippet of Lishp code can demonstrate this quality:
say hello, world! set my_name to "Lishp" say I am called {my_name} set age to 10 add 1 to age say Next year I will be {age}
The say
command takes plain, un-quoted text as an argument,
and prints the text to standard output. When the value of a variable needs
to be included in the text, its identifier is surrounded in braces, as seen
in the example above with {my_name}
and {age}
.
Lishp is dynamically typed, with variable declaration following the syntax
set [VAR_NAME] to [VAR_EXPR]
where [VAR_EXPR]
is an expression, usually just a literal
number or string, however any mathematical expression could be used, such as
The evaluation is handled by Python's eval()
function, but
variable identifiers are swapped out for their values beforehand: variables
can be used in a mathematical expression with the usual braces syntax.
When a variable is assigned to a string value, the value is surrounded in
double quotes. Concatenation of strings does not require a special character
such as a +
or ,
symbol, but is done as such:
set home to "United" " " "Kingdom"
Concatenation of string identifiers can also be done in the same way:
set name to "Josh" set surname to "Hartigan" set full_name to {name} " " {surname} // the following will print "Josh Hartigan". say full_name


Story by: Pan-ni Landrum & Mark J. Kunerth
Teleplay by: Adam Chase
Transcribed by: Eric Aasen
[Scene: Central Perk, everyone except Phoebe is there. Bonnie is telling them of her sex-capades.]
Chandler: (to Bonnie) So ah, your first sexual experience was with a woman?!
Bonnie: All right, I was 15, it was my best friend, Ruth, and we got drunk on that hard cider, and then suddenly, I dont know, we were, we were making out.
Chandler: Tell it again. (pause, we see Rachel is not amused.) Seriously.
[cut to Rachel and Monica at the counter.]
Rachel: (to Monica) I mean is that woman capable of talking about anything else but sex?
Joey: Yeah, sure. Well y'know, earlier she was talking about geography.
Monica: Joey, she was listing the countries shes done it in.
Joey: Well, I think we all learned something.
Phoebe: (entering, hurridly) Hey, you guys! Look what I found! Look at this! (She hands Chandler a picture) Thats my Moms writing! Look.
Chandler: (reading the back of the picture) Me and Frank and Phoebe, Graduation 1965.
Phoebe: Y'know what that means?
Joey: That youre actually 50?
Phoebe: No-no, thats not, thats not me Phoebe, thats her pal Phoebe. According to her high school yearbook, they were like B.F.F. (Ross and Bonnie look at her quizzically) Best Friends Forever.
All: Oh!
Rachel: That is so cool.
Phoebe: I know! So this woman probably could like have all kinds of stories about my parents, and she might even know like where my Dad is. So I looked her up, and she lives out by the beach. So maybe this weekend we could go to the beach?
All: Yeah! Yeah, we can!
Bonnie: (to Ross) Shoot! I cant go, I have to work!
Ross: Thats too bad.

Phoebe: So great! Okay! Tomorrow were gonna drive out to Montauk.
Joey: Hey, Bonnie had sex there!
(Rachel turns and gives him a look, and Joey quickly apologises.)
Opening Credits
[Scene: Outside Central Perk, Chandler and Monica are waiting for Phoebe to arrive with the cab.]
Monica: (watching a happy couple walk by, arm in arm) Would you look at them. Am I ever gonna find a boyfriend again?

Monica: (sarcastic) Thanks!
Chandler: Hey now besides, if worst comes to worst, Ill be your boyfriend.
(At that suggestion Monica starts laughing.)
Monica: Yeah right.
Chandler: Why is that so funny?
Monica: You made a joke right? So I laughed.
Chandler: Ha-ha-ha. A little to hard. What am I not ah, boyfriend material?
Monica: Well, no. Youre Chandler. Y'know, Chandler! (hits him on the arm)
Chandler: Okay, so weve established my name, and hit me. But theoretically y'know, I mean say we werent friends, say its a blind date. I show up at your door, and Im like (in a fake voice) Hey, nice to meet, ya. Hey, oh-hey.
Monica: Well Id probably be scared of a guy using a fake voice.
Joey: (walking up carrying a brown paper bag) Hey!
Monica: Oh, hey! Oh good, you brought food!
Joey: No, its just my luggage.
(Phoebe drives up.)
Chandler, Monica, and Joey: Hey!!
Joey: Woo-hoo! All right! Yeah!
Phoebe: Oh, I am having the best karma this week. First, I find this woman who knew my parents, and then my client with the fuzzy back gives me his beach house.
Ross: Yeah? What about ah, that bike messenger you hit?
Phoebe: Oh, I wasnt talking about his karma.
Rachel: (approaching) Hey!
Chandler: Hey!
Joey: Hey-hey, check out the hat!
(She is wearing this giant straw hat, the brim on it must be at least, least foot wide.)
Chandler: What a minute, I know that hat! I was taken aboard that hat! They did experiments on me! I cant have children!!
Monica: Seriously, where did you get the hat?
Rachel: Ross gave it to me.
Ross: Yeah, I think she looks good.
Rachel: Ohh, thank you.
Chandler: Buy it for ya, or win it for ya?
Rachel: Well excuse me, my fashion-impaired friends, I am here to tell you that hats are back.
Phoebe: And this time, theyve ganged up to form one giant, super hat.
[Scene: At the Beach, its raining cats and dogs as the gang arrives. Chandler and Monica are taking shelter under Rachels hat.]
Ross: Go, go, go!
Rachel: Oh yeah, now everybody wants to be under this hat!
(They get inside and notice on small problem.)
Phoebe: Oy!!
Monica: Whats with all this sand? (picking a handful of sand off of the floor, which is covered in sand)
Phoebe: Oh, yeah, Bob said there might be flood damage.
Ross: Yeah, either that, or he has a really big cat.
[Scene: Phoebe Sr. house, she is a real estate agent and is trying to sell a house over the phone. By the way, its still raining outside.]
Phoebe Sr: Well, yes, its kindve an unusual house. It has umm, three beautiful bedrooms and ah, no baths. But y'know, the ocean is right there.
Phoebe: (at the door) Knock, knock, knock.
Phoebe Sr: (on phone) Ah, oh, hang on a second. (to Phoebe) Come in, come in. (on phone) All right, so think about it, and call me back. (hangs up)
Phoebe: (entering) Are you ah, Phoebe Abott?
Phoebe Sr: Ahh, yes.
Phoebe: Hi Phoebe Abott, Im your best friends daughter!
Phoebe Sr: Youre Erwins daughter?!
Phoebe: No, I-I mean your-your old best friend, here. (hands her the picture) Lily, from high school. Remember?
Phoebe Sr: Oh gosh, Lily, yes. Of course I remember Lily. I... Then you must be?
Phoebe: (points to herself) Phoebe. (points to her) Phoebe. Phoebe, yeah. She named me after you I guess.
Phoebe Sr: Uh-huh. Wow! Well, look! Theres Frank. (points to the picture.)
Phoebe: Yes!! Yes! Yes! Yes!! Thats my Dad, thats Frank! Yeah! Im sorry Im getting all flingy.
Phoebe Sr: Take it easy--if you want, theres cookies on the counter, or, or--sangria! (jumps up) I can make sangria!
Phoebe: No-no, sorry. Cookies are good, thanks.
Phoebe Sr: Oh.
Phoebe: (goes and gets some cookies) Well, so, umm, anyway umm, Ive been, Ive been looking for my Father, and umm, have you heard from him, or seen him?
Phoebe Sr: Oh no, I-Im sorry, I guess we lost track of everybody after high school.
Phoebe: (disappointed) Oh, okay. Well, so tell me everything about my parents. Everything.
Phoebe Sr: Ohh, well. Y'know we were always together, in fact the had a nickname for the three of us.
Phoebe: Oh, what? What was it?
Phoebe Sr: The three losers. Oh, poor Lily. (Phoebe notices a picture on the fridge, takes it, and puts it in her pocket.) Ohh, y'know I-I heard about what happened, that must have been just terrible for you, losing your mother that way.
Phoebe: (happily) Yeah, no, it was great.
[Scene: The beach house, its still raining.
Joey: (getting an idea) Hey, y'know what a really good rainy day game is?
Monica: What?!
Joey: I mean naked game. Strip poker, we should totally play strip poker.
All: No, no!
Monica: What are you crazy?!
Joey: Come on! When you go away, you-you have to play, its like a law!
Rachel: (to Monica) Allll done!
Monica: Aww, thank you.
Rachel: Okay, whos next?! (She looks around the room, and stops when she comes to Ross.)
Ross: No-o-o! (Rachel gives him a Please? look.) No way!
Rachel: Come on, please?! Im boredddd! You let me do it once before.
(Ross shoots Joey a look, who shoots Chandler a look, who gives Joey an Oh my God. look back.)
Ross: Yeah well, if ah, if thats the rule this weekend... (She gets up) No!
Rachel: Yes! (she starts creeping up on him)
Ross: Get away!
Rachel: Just once!
Ross: Stay away!

Ross: (he gets up and starts to run away from her) No! (in his escape attempt he crushes Chandlers sand castle) No!
Rachel: Oh, come on!
Chandler: Big bullies!!
(Ross dives over the couch, Rachel goes the other way, and lands up top of him.)
Ross: Ow! Ow! Oh, no-no-no!
(They get into a wrestling match, that ends with Ross making Rachel paint her forehead with the nail polish. They both end up lying next to each other, stop, and look at each other for a moment.)
Phoebe: (entering) Oh, hey!
Chandler: Hey!
Ross: Hey!
Phoebe: Oh, so, how are we doing?
Chandler: Bored and bored!

All: Noo!!
Monica: (to Phoebe) So whats Phoebe like?
Phoebe: Im kind, caring, and sweet. Whats Monica like?
Monica: Ah no, the other Phoebe, the one you went to go see.
Phoebe: Ohh, I think she knows where my Dad is.
Joey: What?
Rachel: Really?!
Monica: Oh well, where is he?!
Phoebe: She was acting, she was pretending like she hasnt heard from him on years, but I found this picture on her fridge, and look (shows Monica)! Isnt this what he would look like now?
Monica: (gasps) Totally familiar. (Phoebe shows the rest of them.)
Rachel: Oh, yeah.
The Guys: Yeah!
Monica: Well, why would she lie to you?
Phoebe: I dont know, but were having dinner tomorrow night, so I figured, shes gonna tell me then. Y'know maybe she just wanted to give him time to, buy me presents, I dont know! So, youre all bored?
All: Ohh!!
Chandler: Yes!
Phoebe: All right, Im gonna close my eyes and point to someone, and you, whoever I point has to come up with something fun for us to do, and we have to do it.
Joey: Okay, all right.
Phoebe: Okay.
Joey: Fan out! Fan out!
(They do so, and Phoebe gets in the middle, closes her eyes, and starts spinning in a circle.)
Phoebe: Okay. (Starts to spin) Ooh, y'know we could just do this. (She stops at Chandler)
Chandler: Okay, umm, we all have to play strip poker.
Joey: (jumping in triumph) OH YES!!!!!
[cut to later]
Monica: Strip Happy Days Game?
Joey: Yeah, well, I couldnt find any cards, so it was either this or Strip Bag Of Old Knitting Stuff.
(Monica rolls, and Ross goes first.)
Ross: Okay, (reading the card) Fonzy gives you two thumbs up, collect two cool points. Yeah.
Phoebe: Monica, if you get five cool points, you get to make somebody take off one item of clothing. It hasnt happened yet, but were all very excited.
Ross: Okay, come on! (blows on the dice) Daddy needs a new pair of electromagnetic microscopes for the Prehistoric Forensics Department! (They all look at him, and he shuts up and rolls the dice.) (he moves his piece) Okay. (reading a card) Take Pinky Tuscadero up to Inspiration Point, collect three cool points!! Yeah! Which gives me five, and lets see who is gonna lose their clothes. Ummmm, I think I pick our strip poker sponsor Mr. Joey Tribianni.
The Girls: Woo-hooooo!!!!
Joey: All right, relax. Its just a shoe.
All: Wooooo!!!!
[cut to later in the game]
Rachel: (reading a card) Okay, your band is playing at Arnolds, collect three cool points. Which means, I have five, and that means I get Joeys boxers!
Joey: Fine. Gang up on me! I got you all right where I want you.
Phoebe: Come on, take em off!!
Joey: Actually, y'know its kinda cold, so how about I keep my boxers on, and give you all a peek at the good stuff?
Rachel: (getting up) All right, Im gonna make more margaritas! (She pours the rest of the pitcher into Rosss glass.)
Ross: Whoa, hey! What are doing? Trying to get me drunk?
Rachel: Im just making margaritas.
Ross: Okay.
Monica: I think Ill help her out. (She gets up to go over and help Rachel, and reveals she has no pants.) (to Rachel) What is going on here?
Rachel: What?!
Monica: You painting his toenails?
Rachel: Oh, come on!
Monica: Chasing him all around the room?
Rachel: Monica, please?
Monica: Hes totally flirting with you too.
Rachel: (pause) He is, isnt he? I dont know, I dont know, I mean maybe its just being here at the beach together or, I dont know. But its like something... (shes interrupted by the sound of Bonnie entering)
Bonnie: Hey!
Ross: Hey! (Rachel is shocked) Hi Bonnie!
Bonnie: Hi! My boss let me off early, so I took the train.
Ross: Oh.
Bonnie: What are you guys doing?!
Joey: Were playing Strip Happy Days Game!
Bonnie: Cool! Ill catch up! (She takes off her sweater.)
Commercial Break
[Scene: The beach house, the next morning. Chandler and Monica are in the kitchen eating breakfast.]
Chandler: So, you still dont think Im boyfriend material?
Monica: Huh?
Chandler: I saw you checking me out during the game last night.

Chandler: Yeah, well, lucky for you.
Monica: What?
Chandler: I dont know.
Rachel: (entering) Well! Is everybody else having just the best time?!
Phoebe: Shhh! Shhhh! Joeys asleep.
(Joey is sleeping on the floor and is buried in sand that has been carved into a mermaid complete with breasts.)
Phoebe: After he passed out, we put the sand around him to keep him warm.
Rachel: Well I assume the ah, happy couple isnt up yet. Did you guys hear them last night?
Chandler: Oh, yeah, I dont know what they were doing, but at one point sea turtles actually came up to the house.
(Ross and Bonnie enter)
Ross: Good morning.
All: Hey.
Bonnie: Hey! How did everybody sleep?
Rachel: Oh, great.
Monica: Like a log.
Ross and Bonnie: Us too.
Rachel: Im going for a walk.
(Joey finally wakes up.)
Ross: (to Joey) Good morning. Nice breasts by the way.
(Joey looks down and his look turns from shock to satisfaction.)
[Scene: The porch, Bonnie is coming back from swimming, Rachel is reading.]
Bonnie: Hey, what happened to you?
Rachel: Oh, ah nothin. I just felt like hangin out here and reading.
Bonnie: Oh, the water was sooo great!
Rachel: Ohhhh, sorry I missed that.
Bonnie: Yeah, Joey and Chandler sure are funny.
Rachel: Ohh-ha-ha!
Bonnie: I think I brought back half of the beach in my hair. It was so much easier when I used to shave my head.
Rachel: Y'know, I gotta tell ya, I just loved your look when you were bald.
Bonnie: Really?!
Rachel: Ohh!

Rachel: Really?!
Bonnie: Yeah!
Rachel: I mean you definitely should do that.
Bonnie: Y'know what, I should do it.
Rachel: Yeah!
Bonnie: Yeah, thank you Rachel, you are soo cool.
Rachel: Awww, stop. Come on. Now go shave that head!
Bonnie: All right.
(As Bonnie goes to do just that, Rachel smiles to herself, proud of what shes done.)
[Scene: The beach house, at night. Phoebe is hangs up the phone, and gently pushes one of the stools over.]
Joey: Whats the matter, Pheebs?
Phoebe: She cancelled! My namesake cancelled on me!
Joey: What?!
Phoebe: Yeah, she clamed she had to go out of town suddenly. Shes avoiding me, she doesnt want to tell me where my Father is. She knows, and she wont tell me.
Rachel: Aww Pheebs, that sucks!
Phoebe: Yeah, well, dont Aww Pheebs, that sucks! me yet. (she starts to leave)
Chandler: Where ya going?
Phoebe: Well, shes out of town so, theres gotta be something in her house that tells me where my Father is.
Ross: Uh, Pheebs, some people call that breaking and entering.
Phoebe: Well, are any of those people here?!
All: Oh, no!! No, no!
Phoebe: Okay, look I-I-I do something nice, okay? Ill-Ill fill her ice trays.
(She exits just as Bonnie comes down the stairs, as bald as Michael Jordan.)
Bonnie: Hey, everybody!
All: Wow!! (they all recoil in shock and horror)
Ross: Wh-haa-haa! Look what cha did! (Rachel has her hand over her mouth to keep from laughing.)
Bonnie: You wanna touch it?
Ross: Nooo, but it, but its great.

Ross: Okay. (He gently touches it.) You can feel all the bones in your skull.
[Scene: Outside the beach house, Ross is coming out to talk to Rachel.]
Ross: Hi.
Rachel: Hi!
Ross: I was having a little chat with ah, Bonnie, and ah, guess what, she-she happened to bring up y'know, who was behind the um, whole head shaving idea, and now, who was it? Oh, thats right, thats right, it was you!
Rachel: That was her idea, I just gave her a nudge.
Ross: She said you gave her the razor!
Bonnie: (joining them) Hey guys.
Rachel: Hey!
Bonnie: So, anyone up for a midnight dip in the ocean?
Ross: Ahh, no, Im good.
Bonnie: Okay, Ill see you in a bit.
Ross: Okay, have fun! Wooo!!
Rachel: Come on see, she doesnt look that bad.
Ross: You can see the moonlight bouncing off her head!
Rachel: I dont know.
Ross: You dont know?! Rach, you balded my girlfriend!
Rachel: All right! Ross, do you think its easy for me to see you with somebody else?
Ross: Y'know, hey! Youre the one who ended it, remember?

Ross: You still love me?
Rachel: Noo.
Ross: You still love me.
Rachel: Oh, y-yeah, so, you-you love me!
Ross: Noo, nnnnn. What does this mean?
Rachel: Noo! Maybe! I, I dont know. Ross, I still cant forgive you for what you did, I cant, I just, but sometimes when Im with you I just, I feel so...
Ross: What?!
Rachel: I just, I feel, I-I just...
Ross: What?
Rachel: I feel...
(Ross leans in and kisses her. They both look at each other for a moment, and then embrace in a more passionate kiss, only to be interrupted by Joey and Chandler coming outside.)
Chandler: (to Joey) Noo!! I dont care! Im not, Im not gonna playing one-on-one strip poker with you for practice!
(Rachel and Ross both stop kissing, and quickly step back from each other.)
Joey: But I made cards!!
Rachel: Well! Good night. (to Ross) Im going upstairs.
Joey and Chandler: Gnight.
(Rachel walks inside, stops, and turns back to look at Ross for a moment then goes upstairs.)
Joey: (to Ross) Wanna play strip poker for practice?
[Scene: Phoebe Sr.s house, Phoebe is breaking in through a window.]
(She throws her bag inside, and starts to climb through the window.
Phoebe: Ow!  (She manages to climb completely inside and the window slams shut.) Oh, shhh!
(She starts walking across the darkened room and hits her head on a wind chime hanging from the ceiling, to stop it from making a noise she grabs it and Shhhs it. She goes into the kitchen and finds Phoebe Sr.s appointment book, to read it she opens the freezer. Just as she starts to read, Phoebe Sr. jumps out from her bedroom with a coat hanger, startling Phoebe.)
Phoebe: No! No!! Its me! Its me! I-I didnt want to make any noise!
Phoebe Sr: Then don't break in!!
Phoebe: Im sorry.
Phoebe Sr: What are you doing here?!
Phoebe: I-I, came to fill your ice cube trays.
Phoebe Sr: What?!
Phoebe: Umm, okay, okay, look. I took this picture from your fridge. Okay, because I know that this is my Father. Yeah, this is Frank Buffay and you are standing right there next to him. Now, look I deserve to know where I came from. All right? So if you can help me find my Father then you should! Otherwise, youre just mean! (pause) So, just tell me the truth!
Phoebe Sr: All right, the man in the picture is Chuck Magioni.
Phoebe: My Father is Chuck Magioni?
Phoebe Sr: No, no, thats just Chuck Magioni, I-I sold him a house last year! And Im very sorry, but I dont know where your Father is, and thats the truth.
Phoebe: Oh.
Phoebe Sr: But umm, youre right. I think that a person should know where they come from. Wh-which is why I ah, (pause) ahh, (pause) okay.
Phoebe: Heh?
Phoebe Sr: Y'know I wanted to tell you yesterday, but I just, I kinda felt all floopy, and...
(At that Phoebes eyes open in shock.)
[Scene: Outside the beach house, Ross is telling Joey and Chandler what happened with Rachel.]
Joey: Im telling ya, you guys are totally getting back together!
Ross: Thats not true! Her, she doesnt even know what she wants! Rachels still mad about the whole thing.
Chandler: Okay, then you gotta back away, all right? You dont need that kindve hurt. Take it from a guy whos never had a long term relationship......
Ross: I know, but ahhhhhh!! I really wanna go up there and finish that kiss!
Bonnie: (coming back from her swim) Hey!
Chandler: Ahhhh! (Steps away from her.)
Bonnie: You guys, the waters great. You should really go in.
Chandler: Oh, ahh, no thanks, I just had an M&M.
Bonnie: Okay, well gnight.
Ross: Good night.
Bonnie: (kisses Ross) Dont be too long.
Ross: Okey-dokey!
Chandler: There is not one hair on that head.
Ross: Hey, itll grow back, right? And she-shes really fun, and shes cool, and-and Im finally moving on. Y'know? I mean getting over Rachel was so (makes an incoherent nasal sound), y'know? Y'know, and Im finally feeling sane again. And now if I go up there, and-and I kiss her, and, Gooood I wanna kiss her, and-and-and it doesnt work out, right? Do I really wanna put myself through that again?
Joey: So let me get this straight. If you go with Bonnie tonight, youre doing the smart, healthy thing and moving on.
Ross: Yeah.
Joey: Right, and you go with Rachel, Bonnies free tonight?
[Scene: The hallway between the bedrooms. Ross is coming upstairs and stops between two doors. He looks at the one on the right, then he looks at the one on his left, thinks about it, and goes in the one on his right.]
Ross: (entering the bedroom) Hi. (closes the door)
Closing Credits
[Scene: The beach house, Chandler is simulating hes coming to pick up Monica for a date. Chandler knocks on the door, and Monica answers it.]
Chandler: (in a fake voice) Hi there.
Monica: Thats that weird voice again.
Chandler: Okay! Okay! Let me try it again, youre gonna wanna date this next guy, I swear!
(Monica closes the door, Chandler knocks, and Monica opens it to reveal Chandler on his knees.)
Chandler: Hi! Im Dorf! Youre date for the evening. (Monica walks away in disgust) Oh come on! Dorf on dating, thats good stuff!!
End


{% if additional_css %}
{% endif %}
beepbeep
{{ menu_home }}
{{ menu_download }}
{{ menu_documentation }}
{{ menu_faq }}
{% for lang in languages %}
{% endfor %}
{% block content %}{% endblock %}
Beepbeep originally developed by
Dave Bryson
Site designed and implemented by
Dmitrii Dimandt
Developed using BeepBeep. See
beepbeep/examples/beep
Icons by
FamFam
,
Feed Icons


public final class MessageFormatter
extends java.lang.Object
MessageFormatter.format("Hi {}.", "there")will return the string "Hi there.". The {} pair is called the formatting anchor. It serves to designate the location where arguments need to be substituted within the message pattern. In case your message contains the '{' or the '}' character, you do not have to do anything special unless the '}' character immediately follows '{'. For example,
MessageFormatter.format("Set {1,2,3} is not equal to {}.", "1,2");will return the string "Set {1,2,3} is not equal to 1,2.". If for whatever reason you need to place the string "{}" in the message without its formatting anchor meaning, then you need to escape the '{' character with '\', that is the backslash character. Only the '{' character should be escaped. There is no need to escape the '}' character. For example,
MessageFormatter.format("Set \\{} is not equal to {}.", "1,2");will return the string "Set {} is not equal to 1,2.". The escaping behavior just described can be overridden by escaping the escape character '\'. Calling
MessageFormatter.format("File name is C:\\\\{}.", "file.zip");will return the string "File name is C:\file.zip". The formatting conventions are different than those of
java.text.MessageFormat
which ships with the Java
platform. This is justified by the fact that SLF4J's implementation is 10 times faster than that of java.text.MessageFormat
. This local performance difference is both measurable and significant in the larger context
of the complete logging processing chain.
See also format(String, Object)
, format(String, Object, Object)
and arrayFormat(String,
Object[])
methods for more details.
This class was adapted for JSimple from SLF4J, version 1.7.5 The primary change was removing support for including
array contents in formatted messages with array args. That was primarily made to reduce code size and make things a
bit simpler, keeping with the JSimple philosophy. Callers that wish to have fancy formatting for any logged messages
they have with array arguments can create a wrapper class with a toString method that formats as they desire. In
many cases that's more useful anyway as it gives the caller control in how the array data should be formatted, so
it's most user readable and not excessively big (e.g. maybe they only want to log first X elements).| Modifier and Type | Class and Description |
|---|---|
static class |
MessageFormatter.FormattingTuple
Holds the results of formatting done by
MessageFormatter . |
| Constructor and Description |
|---|
MessageFormatter() |
| Modifier and Type | Method and Description |
|---|---|
static MessageFormatter.FormattingTuple |
arrayFormat(java.lang.String messagePattern,
java.lang.Object[] argArray)
Same principle as the
format(String, Object) and format(String, Object, Object) methods except
that any number of arguments can be passed in an array. |
static MessageFormatter.FormattingTuple |
format(java.lang.String messagePattern,
java.lang.Object arg)
Performs single argument substitution for the 'messagePattern' passed as parameter.
|
static MessageFormatter.FormattingTuple |
format(java.lang.String messagePattern,
java.lang.Object arg1,
java.lang.Object arg2)
Performs a two argument substitution for the 'messagePattern' passed as parameter.
|
public static MessageFormatter.FormattingTuple format(java.lang.String messagePattern, java.lang.Object arg)
MessageFormatter.format("Hi {}.", "there");will return the string "Hi there.".
messagePattern
- The message pattern which will be parsed and formattedarg
- The argument to be substituted in place of the formatting anchorpublic static MessageFormatter.FormattingTuple format(java.lang.String messagePattern, java.lang.Object arg1, java.lang.Object arg2)
MessageFormatter.format("Hi {}. My name is {}.", "Alice", "Bob");will return the string "Hi Alice. My name is Bob.".
messagePattern
- The message pattern which will be parsed and formattedarg1
- The argument to be substituted in place of the first formatting anchorarg2
- The argument to be substituted in place of the second formatting anchorpublic static MessageFormatter.FormattingTuple arrayFormat(java.lang.String messagePattern, @Nullable java.lang.Object[] argArray)
format(String, Object)
and format(String, Object, Object)
methods except
that any number of arguments can be passed in an array.messagePattern
- The message pattern which will be parsed and formattedargArray
- An array of arguments to be substituted in place of formatting anchors


ScrumStickies
Hit print preview to see the fun!
- Story
- JIRA-929
- Onboarding New Users and making the site look dope!
- 21
- Sep 26
-
- Scott Hofbrau: 80h
- Barry Lucky: 12h
- Bug
- JIRA-1105
- Javascript errors causing issues on Internet Explorer. This is to fix some issues. I broke something and now I have repair it. I am a really long description.
- 8
- Sep 26
-
- Olivia Oil: 1h
- Captain Ryan Morgan: 24h
- Dave Wrench: 2h
- Story
- JIRA-88
- New Video Player
- 21
- Unknown
-
- Bryan Ostertag: 80h
- Kelvin Luminosity: 12h
- Story
- JIRA-88
- New Video Player
- 21
- Unknown
-
- Bryan Ostertag: 80h
- Kelvin Luminosity: 12h
- Story
- JIRA-929
- Onboarding New Users and making the site look dope!
- 21
- Sep 26
-
- Scott Hofbrau: 80h
- Barry Lucky: 12h
- Bug
- JIRA-1105
- Javascript errors causing issues on Internet Explorer. This is to fix some issues. I broke something and now I have repair it. I am a really long description.
- 8
- Sep 26
-
- Olivia Oil: 1h
- Captain Ryan Morgan: 24h
- Dave Wrench: 2h


P1 There are lots of different kinds of fruit - there are over 500 varieties of banana alone. By the time we add the countless type of apples, oranges and other well-known fruit, we are faced with thousands of choices.
p2 There are lots of different kinds of fruit - there are over 500 varieties of banana alone. By the time we add the countless type of apples, oranges and other well-known fruit, we are faced with thousands of choices.
P3 There are lots of different kinds of fruit - there are over 500 varieties of banana alone. By the time we add the countless type of apples, oranges and other well-known fruit, we are faced with thousands of choices.
This is img 1.
This is img 2.
No picture here.


Developer—Free Tier
Terms & Conditions
This Developer Tier Discount Agreement (“Agreement”) is between Rackspace
US, Inc., its affiliates or subsidiaries (“Rackspace” or “we”) and the
Customer who clicks “I accept” below (“Customer” or “you”). For the first
six (6) invoices issued for Customer’s cloud services, Rackspace agrees
to provide Customer with a credit of fifty dollars ($50.00) per invoice
(“Credit”), subject to the following terms and conditions:
- Credit is only available to customers qualifying for the developer tier program;
- Credit is only available to customers for US cloud services; Customers
utilizing Rackspace cloud services out of a data center outside of the US
are not eligible for the Credit;
- Credit does not apply to Cloud Sites services;
- Unused Credit amount will not be carried forward to future months;
- Any usage exceeding the Credit amount will be due and payable in accordance
with the payment terms of Customer’s order;
- An individual is eligible for only one account under this promotional
discount offer. If Rackspace discovers that Customer has performed
multiple sign ups using this promotional discount, Rackspace reserves the
right to terminate Customer cloud services accounts with Rackspace;
- Customer acknowledges and agrees that the Credit received under this
Agreement cannot be combined with any other promotional offer; and
- Customer acknowledges that at the end of the time period identified above,
you shall be billed in full for your continued use of Rackspace cloud
services in accordance with any applicable terms of service or other
agreement.
- We reserve the right to terminate ALL cloud services with them, not just
“subsequent” ones. Not that we would, but we want to reserve that right.


A scan of the directory (<%- directory %>) has found <%= fileCount %> files to import.
<% if( tags ){ %>
Each photo will be tagged with: <%- tags %>.
<% } %>Click the "Import" button to start the import; they will be imported in the background and you can close this window and continue working.


The project was an investigation into what stories are being told about the refugee crisis with the larger goal that we can use Machine Learning tools for intervention rather than prediction, to help reveal new insights and create frameworks where the most vulnerable populations are empowered to participate.
This work has also allowed me to think deeply about how AI tools are being applied to extract representations. Specifically, investigating if algorithms have negative externalities such as allocative and representational harms. Harms of allocation are often related to numbers — groups or individuals are denied access to some kind of resources or opportunities. For example, the denial of mortgages to people who live within a particular zip code or using algorithmic scores to decide who’s more likely to do better on the job or even who deserves to see the advertisement about it. Harms of representation are related to the way a system may unintentionally underscore or reinforce the subordination of some social and cultural groups.
Read more about the project in this blog post
Together with Nick DePalma, we worked on a research paper related to this project and we are very glad and excited that we got the opportunity to present it at the AI For Social Good workshop at the NIPS conference.
See the full paper here:
Minority report detection in refugee-authored community-driven journalism using RBMs
<< back


EDUCATION
- Bachelor of Civil Engineer | Al Al-Bayt University 2015 – 2019 Identifying Asphalt Pavement Distress Using UAV. It was the first project in Jordan where a group of civilian and surveyor students work together. We had an Aerial Image was taken for JUST University using UAV, we find out all the distress from this photo, study them and find some solutions. the surveyor group digitize the distress to apply measurements.
WORK EXPERIENCE
- Freelancer | British Council (RANBOW Street , Amman) APRIL ,2021 – UNTIL NOW
- Administration Assistant | SALLEE SHOP (Al-Dakhliyeh Circle ,Housing Bank Complex) DECEMBER ,2020 – APRIL,2021
- JEA Training | Eng. Abed Arraheem Office (Tabrbour , Galaxy mall) AUGUST,2020 – MARCH,2021 Design – Site Engineer
- Civil Engineering Training | Al-Majal Engineering Office (Al Saada Street, Az Zarqa) JUNE,2019 – AUGUST,2019
- Internship | Lothan Youth Achievement Center LOYAC (AL-Wibdah Amman) OCTOBER,2019 – DECEMBER,2019 Internship
PARSONAL SKILLS
• Team Leadership and Decision maker . • Self-learning . • Quick action with the possibility of solving many problems at the same time. • time management skills.
Top Ten Secrets To Success
- Drop Excuses
- Take Risks
- Self Belief
- Be Optimistic
- Take Responsibility
- Self Aware
- Give Back
- Think Outside The Box
- Never Stop Learning
- Be Honest


Before Change
// get permutation corresponding to sorting the 2nd eigenvector
term_inds = [term_inds[i] for i in np.argsort(fiedler)]
else:
errors.value_not_valid(
"sort_terms_by",
sort_terms_by,
{"weight", "index", "alphabetical", "seriation"},
)
// get topic and term labels
topic_labels = tuple("topic {}".format(topic_ind) for topic_ind in topic_inds)
term_labels = tuple(id2term[term_ind] for term_ind in term_inds)
After Change
// get permutation corresponding to sorting the 2nd eigenvector
term_inds = [term_inds[i] for i in np.argsort(fiedler)]
else:
raise ValueError(
errors.value_invalid_msg(
"sort_terms_by",
sort_terms_by,
{"weight", "index", "alphabetical", "seriation"},
)
)
// get topic and term labels
topic_labels = tuple("topic {}".format(topic_ind) for topic_ind in topic_inds)
term_labels = tuple(id2term[term_ind] for term_ind in term_inds)


-
Choose Source Directory: Choose source directory from remote server.
-
Refresh: Refresh list and number of files, devices.
-
Check Devices Check location of devices connected to the hub.
-
Copy To Devices: Copy files from souce directory onto the devices.
-
Repeat Previous Copy: Copy same files as last copy without transferring from remote server.
-
Mount Source Directory Mount remote directory if not mounted.
-
Help. This help page.


Class Hierarchy
Go to the textual class hierarchy
nimbus_fh_detector
Author(s): Vishnuprasad Prachandabhanu
autogenerated on Tue Aug 18 2020 08:08:46