Legend (1985) A movie review by Serdar Yegulalp (C) 1997 by Serdar Yegulalp
[NB: This review is designed to cover the European edition of the film, not the American version.]
CAPSULE: Gorgeous but leaden fairytale with (literally) a heart of darkness.
LEGEND is a strange example of a lot of energy and effort gone somewhat awry -- a huge, ambitious production mounted in search of a script that seemed to only be half there. It's a stunning film to watch, but when it's over, it leaves nothing behind except an aftertaste.
Ridley Scott, director of ALIEN and BLADE RUNNER, likes to make movies that enclose the viewer visually, even if they're not spellbinding storytelling (which those two movies were, but not this one). He gives us a fantasyland that looks like a Frank Frazetta painting come to life. In it are two characters: Princess Lili (Mia Sara), lively and innocent, and Jack (Tom Cruise), a wild-child of the forest. The two of them are in love, and you know how stupidly people act when they fall in love... and Jack's transgression is to take Lili to where the unicorns dwell.
They're not the only ones here. There is also Darkness (a very intimidating Tim Curry). What's interesting is that Darkness is not so much evil as he is simply an embodiment of lusts -- something everyone has -- so he seems less like a villain and more like a tragic figure gone horribly wrong. There's much potential here, but the movie develops it stumblingly.
The plot centers around Darkness's attempts to have the unicorns destroyed, which will plunge the world back into eternal night once more. Jack winds up being drafted by a small army of magical creatures to fight Darkness; the most striking of the gang played by William Bennent, the child actor who intimidated the audience with his unearthly eyes in THE TIN DRUM. Here he's also effective, projecting a sense that not all things that enchant are also neccesarily benevolent. Tom Cruise and Mia Sara are also both fine in the movie, and they make their characters quick and appealing.
I didn't hate LEGEND; in fact, it grew on me as I watched it, not only because of the look and feel, but the psychological undertones of the story. But at the same time I had to admit that there was not enough of the story on the screen; I was responding to my own projections and assumptions about the movie, not the movie itself. Too bad. The movie's also very dark in places -- it might scare smaller children, and it saddened me to think that the only person who could really access a fairytale with attempts at sophisticated undertones was an adult.
LEGEND had a troubled production history. One of the sound stages burned to the ground during production, and the remainder of the movie was filmed on hastily constructed sets. It was also savagely re-edited by Universal when released in the USA, and even the European edition of the movie (which uses a Jerry Goldsmith score to much better effect than the Tangerine Dream soundtrack plastered over the US version) is patchy-looking. I suspect a good deal of the movie's virtues were ruined in the ham-handed editing, but at the same time, I suspect the movie's basic flaws can only be corrected by so much.
Two and a half out of four horns.
<EMAIL_ADDRESS>EFNet IRC: GinRei http://www.io.com/~syegul another worldly device... you can crush me as I speak/write on rocks what you feel/now feel this truth UNMUTUAL: A Digital Art Collective - E-mail<EMAIL_ADDRESS>for details =smilin' in your face, all the time wanna take your place, the BACKSTABBERS=
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{% extends "page.html" %} {% load url from future %} {% block title %}RandoPony::Brevet Organizers Info{% endblock %} {% block page-subtitle %} getting the randopony to help with your brevet {% endblock %} {% block content %}
So you've read the blurb on the Home page and maybe even pre-registered for a brevet or two. But you're also the organizer of a future BC Randonneurs event, and now you're thinking "This is cool! Can I get my event added to the RandoPony?". You betcha!
Just send an email to {{ admin_email }} with the following information:
We'll add the brevet and pre-registration form pages for your event to the pony and notify the randonneurs.bc.ca webmaster so that they can make links from the club pages to your brevet page here. As riders pre-register for your event their names will appear in the list on the page for your brevet, and you'll receive email messages from the pony letting you know their name, email address, and club membership status. Easy, eh!?
Pre-registration for brevets auto-magically closes at noon on the day before the event so you can do your paperwork without having to worry about riders registering in the middle of the night, mere hours before the start.
If you're visiting from another cycling club and are interested in getting a pony of your own, please read the What's up with the pony? page for information on how you can get and deploy this open-source software.
{% endblock %} {% block organizer-info-link %}


How to use?
Simply just put any insurgency server IP and port in the textbox then click on the lookup button.
Default port for insurgency is 27015.
You can also use this for sandstorm server.
If you're running multiple instance with the same IP address, its best to put your port in.
Lookup


{% extends "artist_base.html" %} {% block title %}Delete {{ cookiecutter.model_name }}{% endblock %} {% block content %}
Are you sure you want to delete?


Your browser does not support the video tag.
How I became part sea urchin | Catherine Mohr
.
Your browser does not support the audio element.
Sorry, your browser does not support inline SVG.
Your browser does not support the HTML5 canvas tag.


GOVERNMENT OF THE DISTRICT OF COLUMBIA OFFICE OF ADMINISTRATIVE HEARINGS Open Government Report 2014 To institutionalize a culture of transparent and open government, accountability, and to expand opportunities for resident participation and collaboration, this Report describes how the DC Office of Administrative Hearings (OAH) has and will continue to develop and enhance transparency, public participation, and collaboration. In accordance with Mayor’s Order 2014170, this report addresses the following topics: 1) Transparency Over the last year, OAH has taken a number of steps to ensure that information regarding OAH policies and procedures, as well as OAH files, are readily accessible to the public. OAH will continue in the next fiscal year and going forward to ensure that information if readily available to members of the public. The OAH website provides important information regarding cases at OAH. On the website, people can find information to help them with starting or litigating a case, accessing information in their native language, information about OAH rules and laws impacting OAH, as well as forms that can be used in OAH cases. OAH is working on making additional information available online so that OAH litigants and other members of the public will be easier able to understand our policies and procedures. For example, we are developing FAQs that will address many of the questions that individuals who are considering requesting a hearing or already involved in cases before OAH have about the process. OAH case files are available to the public subject to certain legal requirements that protect the confidentiality of some OAH litigants. OAH aims to respond quickly to requests for information or to view case files. OAH is in the process of streamlining this process, developing written rules and procedures, and retraining staff to ensure that the public’s access to information is as seamless as possible and that litigants in cases and members of the public do not have to jump through unnecessary hoops to access information. OAH has worked over the last year to make information required under the Open Government requirements available on its website. The information required, as well as the appropriate contact person for any questions, is available online at http://oah.dc.gov/page/foia-requests-oah. OAH is still in the process of ensuring that final orders issued in OAH cases are available online in a searchable, user-friendly format. We have held meetings with representatives of the Office of the Chief Technology Officer, the Board of Ethics and Government Accountability, and private vendors to make sure that this information is made available in a way that is useful to the public as soon as practicable. 1 OAH is working to ensure compliance with the DC Freedom of Information Act (FOIA). OAH is using FOIAXpress to respond to FOIA requests and store relevant documents. All FOIA requests are handled by the FOIA officer who works with other staff to ensure that requests are responded to promptly. 2) Public Engagement and Participation OAH has worked over the last year and continues to strive to engage members of the public in our work and to provide them with information and resources that are meaningful to them. OAH engages in stakeholder meetings with DC agencies and advocacy groups that regularly try cases before OAH in order to communicate regarding important developments and ongoing issues. Stakeholders include agencies who litigate before OAH, as well as members of the bar, interest groups, and community organizations representing the interests of individual litigants. OAH also regularly solicits feedback from litigants in the cases before us and takes steps to address that feedback. OAH has a Resource Center that provides free in-person legal help to any individual with an OAH matter who does not have a lawyer. The Resource Center seeks to alleviate the pressure placed on unrepresented litigants by providing in-person legal help, written information and resources, and referrals to attorneys who can provide full legal services. This includes information about OAH rules and policies as well as about the subject matter of the various types of cases decided by OAH. Most of the written information available in the Resource Center is also available on the OAH website. Currently, OAH posts proposed rule changes and other public notices in the DC Register. In fiscal year 2015, OAH will begin posting proposed rules on our website in order to better solicit public input. Additionally, OAH will post notices regarding administrative law judges who are up for reappointment, so that members of the public can provide their feedback on whether ALJs should be reappointed. OAH continues to consider innovative ways to engage the public in our work and communicate regularly with interested individuals and groups. 3) Collaboration OAH has taken a number of steps, and will continue to do so in the coming year, to ensure that other DC agencies and other stakeholders are able to participate meaningfully in our work OAH engages in regular meetings with stakeholders that have cases before OAH. These meetings include discussions on how to improve case-flow issues, how to improve and develop order templates that are most informative and useful to litigants. OAH also provides feedback to other DC agencies on proposed regulations and how the regulations are likely to affect those impacted. The Principal Administrative Law Judge for each jurisdiction coordinates with stakeholders for that issue area. For example, 2 OAH co-hosts, with the Department of Employment Services, meetings for members of the public interested in unemployment insurance matters. Stakeholders have an opportunity to hear from agency representatives about key performance indicators, workload trends, regulatory developments and personnel changes. Stakeholders can also raise concerns and ask questions about their own experiences dealing with unemployment matters involving OAH and DOES. OAH schedules periodic meetings with the General Counsel for the Department of Consumer and Regulatory Affairs and the Associate Director for the Office of Planning-Historic Preservation, and their assistants, to review process and procedural issues relating to the cases with these agencies. OAH holds quarterly meeting with the DC Public Schools Office of Youth Engagement and Office of General Counsel to review policies and procedures. OAH also collaborates with law school clinics and Advocates for Justice in Education on ways to increase free representation for students facing discipline. OAH meets periodically with the Department of Housing and Community Development, Rental Accommodations Division, and Office of the Tenant Advocate to discuss trends in cases and ways to expedite resolution of rental housing cases. OAH schedules regular meetings with the Department of Health Care Finance, Department of Human Services, the DC Health Benefit Exchange, and the Department of Health to review trends in cases, upcoming regulation changes, and OAH templates. OAH collaborated with DHCF and stakeholder advocates in holding a training session attended by OAH judges, agency representatives, and advocates on a new assessment tool used by DHCF to evaluate home health care needs for Medicaid recipients. Additionally, OAH is scheduling meetings with agency and community representatives committed to providing services to homeless individuals and families. OAH will continue to engage in collaborative efforts with DC agencies and other stakeholders going forward. 4) Contact Information The Open Government Coordinator at OAH is Marya Torrez. She can be reached at: DC Office of Administrative Hearings One Judiciary Square 441 4th Street NW, Suite 450 North Washington, DC 20001<PHONE_NUMBER><EMAIL_ADDRESS>3


‘Now walking perfectly’: Kin of 5-year-old thrown from balcony of US mall
Landen plunged 40 feet (12 meters) when he was randomly grabbed by Emmanuel Aranda and tossed over the railing.
by APMinneapolis: A family friend of a 5-year-old who survived after being thrown from a third-storey balcony at the Mall of America in Minnesota says the boy is back in school and walking without a limp.
Noah Hanneman posted on a GoFundMe page that the boy, named Landen, was released from the hospital in early August and is “now walking PERFECTLY with even legs.”
The post says Landen returned home with a limp and uneven legs from a two-time broken femur and has had “many physical therapies” to work on his walking.
The attack happened on April 12. Landen plunged 40 feet (12 meters) when he was randomly grabbed by Emmanuel Aranda and tossed over the railing.
Aranda pleaded guilty to attempted murder and was sentenced to 19 years in prison.
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@Ludom I'll leave out the context for reasons, but here's what I said the other day:
ComputerGenie☑Vote4me☑Last Friday at 7:07 AM
it's not about "doing bad things", it's about were supposed to have a "decentralized" node model and the last sentence you wrote now has me even more confused
if the point is to be decentralized, then who tf is kolo to decide?


First html page created to greet the entire world.
A simple website exercise.
This website utilizes basic html and css concepts to apply a cascading style sheet to an html file. While linking an html file to other html files.
My very simple non-existent pet website for Epicodus.
Basic html/css website with a menu. Used for making other sites.
Made from framework-1
Made from framework-1.
Made from framework-1.
This website is a recreation attempt at wikipedia's front-page.
Summarizes the GIT, HTML, CSS, Command Line, and Bootstrap concepts from this week.


{{ metadata.get('title') }} {% if metadata.get('unedited', false) %} [Unedited] {% endif %}
{{ render_byline() }}Introduction
Cascading Style Sheets (CSS) are used to paint, format, and layout web pages. Their capabilities span concepts as simple as text color to 3D perspective. It also has hooks to empower developers to handle varying screen sizes, viewing contexts, and printing. CSS helps developers wrangle content and ensure it's adapting properly to the user.
When describing CSS to those not familiar with web technology, it can be helpful to think of it as the language to paint the walls of the house; describing the size and position of windows and doors, as well as flourishing decorations such as wallpaper or plant life. The fun twist to that story is that depending on the user walking through the house, a developer can adapt the house to that specific user's preferences or contexts!
In this chapter, we'll be inspecting, tallying, and extracting data about how CSS is used across the web. Our goal is to holistically understand what features are being used, how they're used, and how CSS is growing and being adopted.
Ready to dig into the fascinating data?! Many of the following numbers may be small, but don't mistake them as insignificant! It can take many years for new things to saturate the web.
Color
Color is an integral part of theming and styling on the web. Let's take a look at how websites tend to use color.
Color types
Hex is the most popular way to describe color by far, with 93% usage, followed by RGB, and then HSL. Interestingly, developers are taking full advantage of the alpha-transparency argument when it comes to these color types: HSLA and RGBA are far more popular than HSL and RGB, with almost double the usage! Even though the alpha-transparency was added later to the web spec, HSLA and RGBA are supported as far back as IE9, so you can go ahead and use them, too!
Color selection
There are 148 named CSS colors, not including the special values transparent
and currentcolor
. You can use these by their string name for more readable styling. The most popular named colors are black
and white
, unsurprisingly, followed by red
and blue
.
Language is interestingly inferred via color as well. There are more instances of the American-style "gray" than the British-style "grey". Almost every instance of gray colors (gray
, lightgray
, darkgray
, slategray
, etc.) had nearly double the usage when spelled with an "a" instead of an "e". If gr[a/e]ys were combined, they would rank higher than blue, solidifying themselves in the #4 spot. This could be why silver
is ranked higher than grey
with an "e" in the charts!
Color count
How many different font colors are used across the web? So this isn't the total number of unique colors; rather, it's how many different colors are used just for text. The numbers in this chart are quite high, and from experience, we know that without CSS variables, spacing, sizes and colors can quickly get away from you and fragment into lots of tiny values across your styles. These numbers reflect a difficulty of style management, and we hope this helps create some perspective for you to bring back to your teams or projects. How can you reduce this number into a manageable and reasonable amount?
Color duplication
Well, we got curious here and wanted to inspect how many duplicate colors are present on a page. Without a tightly managed reusable class CSS system, duplicates are quite easy to create. It turns out that the median has enough duplicates that it could be worth doing a pass to unify them with custom properties.
Units
In CSS, there are many different ways to achieve the same visual result using different unit types: rem
, px
, em
, ch
, or even cm
! So which unit types are most popular?
Length and sizing
Unsurprisingly, In Figure 5 above, px
is the most used unit type, with about 95% of web pages using pixels in some form or another (this could be element sizing, font size, and so on). However, the em
unit is almost as popular, with about 90% usage. This is over 2x more popular than the rem
unit, which has only 40% frequency in web pages. If you're wondering what the difference is, em
is based on the parent font size, while rem
is based on the base font size set to the page. It doesn't change per-component like em
could, and thus allows for adjustment of all spacing evenly.
When it comes to units based on physical space, the cm
(or centimeter) unit is the most popular by far, followed by in
(inches), and then Q
. We know these types of units are specifically useful for print stylesheets, but we didn't even know the Q
unit existed until this survey! Did you?
Viewport-based units
We saw larger differences in unit types when it comes to mobile and desktop usage for viewport-based units. 36.8% of mobile sites use vh
(viewport height), while only 31% of desktop sites do. We also found that vh
is more common than vw
(viewport width) by about 11%. vmin
(viewport minimum) is more popular than vmax
(viewport maximum), with about 8% usage of vmin
on mobile while vmax
is only used by 1% of websites.
Custom properties
Custom properties are what many call CSS variables. They're more dynamic than a typical static variable though! They're very powerful and as a community we're still discovering their potential.
We felt like this was exciting information, since it shows healthy growth of one of our favorite CSS additions. They were available in all major browsers since 2016 or 2017, so it's fair to say they're fairly new. Many folks are still transitioning from their CSS preprocessor variables to CSS custom properties. We estimate it'll be a few more years until custom properties are the norm.
Selectors
ID vs class selectors
CSS has a few ways to find elements on the page for styling, so let's put IDs and classes against each other to see which is more prevalent! The results shouldn't be too surprising: classes are more popular!
A nice follow up chart is this one, showing that classes take up 93% of the selectors found in a stylesheet.
Attribute selectors
CSS has some very powerful comparison selectors. These are selectors like [target="_blank"]
, [attribute^="value"]
, [title~="rad"]
, [attribute$="-rad"]
or [attribute*="value"]
. Do you use them? Think they're used a lot? Let's compare how those are used with IDs and classes across the web.
These operators are much more popular with class selectors than IDs, which feels natural since a stylesheet usually has fewer ID selectors than class selectors, but still neat to see the uses of all these combinations.
Classes per element
With the rise of OOCSS, atomic, and functional CSS strategies which can compose 10 or more classes on an element to achieve a design look, perhaps we'd see some interesting results. The query came back quite unexciting, with the median on mobile and desktop being 1 class per element.
Layout
Flexbox
Flexbox is a container style that directs and aligns its children; that is, it helps with layout in a constraint-based way. It had a quite rocky beginning on the web, as its specification went through two or three quite drastic changes between 2010 and 2013. Fortunately, it settled and was implemented across all browsers by 2014. Given that history, it had a slow adoption rate, but it's been a few years since then! It's quite popular now and has many articles about it and how to leverage it, but it's still new in comparison to other layout tactics.
Quite the success story shown here, as nearly 50% of the web has flexbox usage in its stylesheets.
Grid
Like flexbox, grid too went through a few spec alternations early on in its lifespan, but without changing implementations in publicly-deployed browsers. Microsoft had grid in the first versions of Windows 8, as the primary layout engine for its horizontally scrolling design style. It was vetted there first, transitioned to the web, and then hardened by the other browsers until its final release in 2017. It had a very successful launch in that nearly all browsers released their implementations at the same time, so web developers just woke up one day to superb grid support. Today, at the end of 2019, grid still feels like a new kid on the block, as folks are still awakening to its power and capabilities.
This shows just how little the web development community has exercised and explored their latest layout tool. We look forward to the eventual takeover of grid as the primary layout engine folks lean on when building a site. For us authors, we love writing grid: we typically reach for it first, then dial our complexity back as we realize and iterate on layout. It remains to be seen what the rest of the world will do with this powerful CSS feature over the next few years.
Writing modes
The web and CSS are international platform features, and writing modes offer a way for HTML and CSS to indicate a user's preferred reading and writing direction within our elements.
Typography
Web fonts per page
How many web fonts are you loading on your web page: 0? 10? The median number of web fonts per page is 3!
Popular font families
A natural follow up to the inquiry of total number of fonts per page, is: what fonts are they?! Designers, tune in, because you'll now get to see if your choices are in line with what's popular or not.
Open Sans is a huge winner here, with nearly 1 in 4 CSS @font-family
declarations specifying it. We've definitely used Open Sans in projects at agencies.
It's also interesting to note the differences between desktop and mobile adoption. For example, mobile pages use Open Sans slightly less often than desktop. Meanwhile, they also use Roboto slightly more often.
Font sizes
This is a fun one, because if you asked a user how many font sizes they feel are on a page, they'd generally return a number of 5 or definitely less than 10. Is that reality though? Even in a design system, how many font sizes are there? We queried the web and found the median to be 40 on mobile and 38 on desktop. Might be time to really think hard about custom properties or creating some reusable classes to help you distribute your type ramp.
Spacing
Margins
A margin is the space outside of elements, like the space you demand when you push your arms out from yourself. This often looks like the spacing between elements, but is not limited to that effect. In a website or app, spacing plays a huge role in UX and design. Let's see how much margin spacing code goes into a stylesheet, shall we?
Quite a lot, it seems! The median desktop page has 96 distinct margin values and 104 on mobile. That makes for a lot of unique spacing moments in your design. Curious how many margins you have in your site? How can we make all this whitespace more manageable?
Logical properties
We estimate that the hegemony of margin-left
and padding-top
is of limited duration, soon to be supplemented by their writing direction agnostic, successive, logical property syntax. While we're optimistic, current usage is quite low at 0.67% usage on desktop pages. To us, this feels like a habit change we'll need to develop as an industry, while hopefully training new developers to use the new syntax.
z-index
Vertical layering, or stacking, can be managed with z-index
in CSS. We were curious how many different values folks use in their sites. The range of what z-index
accepts is theoretically infinite, bounded only by a browser's variable size limitations. Are all those stack positions used? Let's see!
Popular z-index values
From our work experience, any number of 9's seemed to be the most popular choice. Even though we taught ourselves to use the lowest number possible, that's not the communal norm. So what is then?! If folks need things on top, what are the most popular z-index
numbers to pass in? Put your drink down; this one is funny enough you might lose it.
Decoration
Filters
Filters are a fun and great way to modify the pixels the browser intends to draw to the screen. It's a post-processing effect that is done against a flat version of the element, node, or layer that it's being applied to. Photoshop made them easy to use, then Instagram made them accessible to the masses through bespoke, stylized combinations. They've been around since about 2012, there are 10 of them, and they can be combined to create unique effects.
We were excited to see that 78% of stylesheets contain the filter
property! That number was also so high it seemed a little fishy, so we dug in and sought to explain the high number. Because let's be honest, filters are neat, but they don't make it into all of our applications and projects. Unless!
Upon further investigation, we discovered FontAwesome's stylesheet comes with some filter
usage, as well as a YouTube embed. Therefore, we believe filter
snuck in the back door by piggybacking onto a couple very popular stylesheets. We also believe that -ms-filter
presence could have been included as well, contributing to the high percent of use.
Blend modes
Blend modes are similar to filters in that they are a post-processing effect that are run against a flat version of their target elements, but are unique in that they are concerned with pixel convergence. Said another way, blend modes are how 2 pixels should impact each other when they overlap. Whichever element is on the top or the bottom will affect the way that the blend mode manipulates the pixels. There are 16 blend modes -- let's see which ones are the most popular.
Overall, usage of blend modes is much lower than of filters, but is still enough to be considered moderately used.
In a future edition of the Web Almanac, it would be great to drill down into blend mode usage to get an idea of the exact modes developers are using, like multiply, screen, color-burn, lighten, etc.
Animation
Transitions
CSS has this awesome interpolation power that can be simply used by just writing a single rule on how to transition those values. If you're using CSS to manage states in your app, how often are you employing transitions to do the task? Let's query the web!
That's pretty good! We did see animate.css
as a popular library to include, which brings in a ton of transition animations, but it's still nice to see folks are considering transitioning their UIs.
Keyframe animations
CSS keyframe animations are a great solution for your more complex animations or transitions. They allow you to be more explicit which provides higher control over the effects. They can be small, like one keyframe effect, or be large with many many keyframe effects composed into a robust animation. The median number of keyframe animations per page is much lower than CSS transitions.
Media queries
Media queries let CSS hook into various system-level variables in order to adapt appropriately for the visiting user. Some of these queries could handle print styles, projector screen styles, and viewport/screen size. For a long time, media queries were primarily leveraged for their viewport knowledge. Designers and developers could adapt their layouts for small screens, large screens, and so forth. Later, the web started bringing more and more capabilities and queries, meaning media queries can now manage accessibility features on top of viewport features.
A good place to start with Media Queries, is just about how many are used per page? How many different moments or contexts does the typical page feel they want to respond to?
Popular media query breakpoint sizes
For viewport media queries, any type of CSS unit can be passed into the query expression for evaluation. In earlier days, folks would pass em
and px
into the query, but more units were added over time, making us very curious about what types of sizes were commonly found across the web. We assume most media queries will follow popular device sizes, but instead of assuming, let's look at the data!
Figure 28 above shows that part of our assumptions were correct: there's certainly a high amount of phone specific sizes in there, but there's also some that aren't. It's interesting also how it's very pixel dominant, with a few trickling entries using em
beyond the scope of this chart.
Portrait vs landscape usage
The most popular query value from the popular breakpoint sizes looks to be 768px
, which made us curious. Was this value primarily used to switch to a portrait layout, since it could be based on an assumption that 768px
represents the typical mobile portrait viewport? So we ran a follow up query to see the popularity of using the portrait and landscape modes:
Interestingly, portrait
isn't used very much, whereas landscape
is used much more. We can only assume that 768px
has been reliable enough as the portrait layout case that it's reached for much less. We also assume that folks on a desktop computer, testing their work, can't trigger portrait to see their mobile layout as easily as they can just squish the browser. Hard to tell, but the data is fascinating.
Most popular unit types
In the width and height media queries we've seen so far, pixels look like the dominant unit of choice for developers looking to adapt their UI to viewports. We wanted to exclusively query this though, and really take a look at the types of units folks use. Here's what we found.
min-width
vs max-width
When folks write a media query, are they typically checking for a viewport that's over or under a specific range, or both, checking if it's between a range of sizes? Let's ask the web!
No clear winners here; max-width
and min-width
are nearly equally used.
Print and speech
Websites feel like digital paper, right? As users, it's generally known that you can just hit print from your browser and turn that digital content into physical content. A website isn't required to change itself for that use case, but it can if it wants to! Lesser known is the ability to adjust your website in the use case of it being read by a tool or robot. So just how often are these features taken advantage of?
Page-level stats
Stylesheets
How many stylesheets do you reference from your home page? How many from your apps? Do you serve more or less to mobile vs desktop? Here's a chart of everyone else!
Stylesheet names
What do you name your stylesheets? Have you been consistent throughout your career? Have you slowly converged or consistently diverged? This chart shows a small glimpse into library popularity, but also a large glimpse into popular names of CSS files.
| Stylesheet name | Desktop | Mobile |
|---|---|---|
| style.css | 2.43% | 2.55% |
| font-awesome.min.css | 1.86% | 1.92% |
| bootstrap.min.css | 1.09% | 1.11% |
| BfWyFJ2Rl5s.css | 0.67% | 0.66% |
| style.min.css?ver=5.2.2 | 0.64% | 0.67% |
| styles.css | 0.54% | 0.55% |
| style.css?ver=5.2.2 | 0.41% | 0.43% |
| main.css | 0.43% | 0.39% |
| bootstrap.css | 0.40% | 0.42% |
| font-awesome.css | 0.37% | 0.38% |
| style.min.css | 0.37% | 0.37% |
| styles__ltr.css | 0.38% | 0.35% |
| default.css | 0.36% | 0.36% |
| reset.css | 0.33% | 0.37% |
| styles.css?ver=5.1.3 | 0.32% | 0.35% |
| custom.css | 0.32% | 0.33% |
| print.css | 0.32% | 0.28% |
| responsive.css | 0.28% | 0.31% |
Look at all those creative file names! style, styles, main, default, all. One stood out though, do you see it? BfWyFJ2Rl5s.css
takes the number four spot for most popular. We went researching it a bit and our best guess is that it's related to Facebook "like" buttons. Do you know what that file is? Leave a comment, because we'd love to hear the story.
Stylesheet size
How big are these stylesheets? Is our CSS size something to worry about? Judging by this data, our CSS is not a main offender for page bloat.
See the Page Weight chapter for a more in-depth look at the number of bytes websites are loading for each content type.
Libraries
It's common, popular, convenient, and powerful to reach for a CSS library to kick start a new project. While you may not be one to reach for a library, we've queried the web in 2019 to see which are leading the pack. If the results astound you, like they did us, I think it's an interesting clue to just how small of a developer bubble we can live in. Things can feel massively popular, but when the web in inquired, reality is a bit different.
| Library | Desktop | Mobile |
|---|---|---|
| Bootstrap | 27.8% | 26.9% |
| animate.css | 6.1% | 6.4% |
| ZURB Foundation | 2.5% | 2.6% |
| UIKit | 0.5% | 0.6% |
| Material Design Lite | 0.3% | 0.3% |
| Materialize CSS | 0.2% | 0.2% |
| Pure CSS | 0.1% | 0.1% |
| Angular Material | 0.1% | 0.1% |
| Semantic-ui | 0.1% | 0.1% |
| Bulma | 0.0% | 0.0% |
| Ant Design | 0.0% | 0.0% |
| tailwindcss | 0.0% | 0.0% |
| Milligram | 0.0% | 0.0% |
| Clarity | 0.0% | 0.0% |
This chart suggests that Bootstrap is a valuable library to know to assist with getting a job. Look at all the opportunity there is to help! It's also worth noting that this is a positive signal chart only: the math doesn't add up to 100% because not all sites are using a CSS framework. A little bit over half of all sites are not using a known CSS framework. Very interesting, no?!
Reset utilities
CSS reset utilities intend to normalize or create a baseline for native web elements. In case you didn't know, each browser serves its own stylesheet for all HTML elements, and each browser gets to make their own unique decisions about how those elements look or behave. Reset utilities have looked at these files, found their common ground (or not), and ironed out any differences so you as a developer can style in one browser and have reasonable confidence it will look the same in another.
So let's take a peek at how many sites are using one! Their existence seems quite reasonable, so how many folks agree with their tactics and use them in their sites?
Turns out that about one-third of the web is using normalize.css
, which could be considered a more gentle approach to the task then a reset is. We looked a little deeper, and it turns out that Bootstrap includes normalize.css
, which likely accounts for a massive amount of its usage. It's worth noting as well that normalize.css
has more adoption than Bootstrap, so there are plenty of folks using it on its own.
@supports
and @import
CSS @supports
is a way for the browser to check whether a particular property-value combination is parsed as valid, and then apply styles if the check returns as true.
Considering @supports
was implemented across most browsers in 2013, it's not too surprising to see a high amount of usage and adoption. We're impressed at the mindfulness of developers here. This is considerate coding! 30% of all websites are checking for some display related support before using it.
An interesting follow up to this is that there's more usage of @supports
than @imports
! We did not expect that! @import
has been in browsers since 1994.
Conclusion
There is so much more here to datamine! Many of the results surprised us, and we can only hope that they've surprised you as well. This surprising data set made the summarizing very fun, and left us with lots of clues and trails to investigate if we want to hunt down the reasons why some of the results are the way they are.
Which results did you find the most alarming? Which results make you head to your codebase for a quick query?
We felt the biggest takeaway from these results is that custom properties offer the most bang for your buck in terms of performance, DRYness, and scalability of your stylesheets. We look forward to scrubbing the internet's stylesheets again, hunting for new datums and provocative chart treats. Reach out to @una or @argyleink in the comments with your queries, questions, and assertions. We'd love to hear them!


| Interface | Description |
|---|---|
| ItemClickSupport.OnItemClickListener | |
| ItemClickSupport.OnItemLongClickListener |
| Class | Description |
|---|---|
| AssignedListProviderView |
ViewHolder for the recyler view for providertasks.
|
| BiddedListProviderView |
ViewHolder for the recyler view for providertasks.
|
| BidListAdapter |
To inflate the row selection for bids
|
| GridViewAdapter | |
| ItemClickSupport |
This method is sourced from https://www.littlerobots.nl/blog/Handle-Android-RecyclerView-Clicks/
by Hugo Visser (it is free to use).
|
| NotificationListAdapter |
An adapter to show the list of notifications.
|
| PlaceAutoCompleteAdapter |
Adapter that handles Autocomplete requests from the Places Geo Data API.
|
| ProviderListViewAdapter |
This is the adapter to help with provider recycler lists This was implemented
as the listview was quite slow.
|
| RequesterCustomArrayAdapter |
An array adapter for RequesterViewListActivity.
|
| RequesterListProviderView |
ViewHolder for the recyler view for providertasks.
|
| RequesterViewHolder |
Holds the view objects for the ProviderCustomArrayAdapter.
|
| ReviewsAdaptor |
ReviewsAdaptor is used when looking at the profiles of both current user and other users.
|


About Me
My name
is Mohammed Ibrahim,i am a computer software installator,i reside at 78,Alhaja Aminat Burdge street,Akesan,Lagos.
I was born in Lagos on 25th september 1999.i am single,i hail from kwara state,i am a Nigerian by nationality.i love researching and programming. I speak english and yoruba language.
I attended Borah primary school between 2004-2009 to have my first school leaving certificate.
I graduared from Mary Imelda Private College,june 2015.I
was a member of the Jet club,i engaged in so many activities with the club members which includes ;researchs,
titration,water level indicator e.t.c.
I was also the head boy of the school during my final year in the school. I had my computer training programme on repairs of laptops and software installation packages at Adex synagy computer insitute. I am now an expert in computer software installation.


Setting up Ptolemy II and Eclipse
These instructions assume you are using Eclipse 3.1 under Windows.
Other ways of setting up and building Ptolemy II are described on the
Ptolemy II install page. Contents of this page:
-
Download the latest version of Eclipse from
http://www.eclipse.org.
-
Unzip the download file into an appropriate place (such as
C:\Program Files
).
-
Finish the installation by running
eclipse/eclipse.exe
.
The first time this is run it will complete the installation process.
After the first run, normal start-up will occur whenever it is started.
The default configuration of Eclipse has some difficulties with Ptolemy II,
so a few changes are necessary.
-
We will need to change the default memory size for Eclipse
because Ptolemy II is a big project.
In Windows, create a shortcut to eclipse.exe on your desktop.
Then right mouse click on the shortcut and select Properties and change
the target to increase the memory allocated by default. E.g.,
if you installed Eclipse in
C:\Program Files\eclipse
,
then the Target should read:
"C:\Program Files\eclipse\eclipse.exe" -vmargs -Xmx256M
The maximum memory size will now be 256 megabytes when you restart
Eclipse.
- Eclipse requires some customization to build Ptolemy II
and to keep the Ptolemy II coding style. In the steps below, we
outline changes to be made in the Eclipse Preferences window,
which is invoked via Window -> Preferences. For each of the
changes, hit "Apply". When all the changes are done, hit
"OK", which will close the Eclipse Preferences Window.
-
By default, Eclipse rebuilds a project when any change is made
to a file. This will result in thousands of errors when Ptolemy II
is first checked out, and during normal usage, can be annoying because
of the pauses it creates. We suggest disabling this feature as
follows:
- While still in the preferences window (Window -> Preferences).
- General -> Workspace
- Deselect "Build automatically."
- Click Apply.
-
Ptolemy II source files are worked on by many people with different
editors. Unfortunately, different text editors interpret tab
characters differently, so it is best to use spaces rather than tabs.
Sadly, the Eclipse developers have chosen to use tabs
as spaces, so you must adjust the Eclipse Java Formatter
if you plan on contributing code to the Ptolemy II tree.
Also, it is best if files end with new line characters, so
that we can run line oriented scripts on them.
In addition, we currently do not want the Eclipse Formatter
to format comments. We hope to change this policy in the future.
We handle these changes together:
- While still in the preferences window (Window -> Preferences).
- Expand the Java tree, select "Code Style" -> "Formatter"
- Under "Select a profile" select "Java Conventions" and then
Click on "Show". We use Java Conventions over the "Eclipse"
setting because the Eclipse style uses tabs
- Under the "Indentation" tab, in Eclipse 3.2 and later, change
the Tab policy to "Spaces only". In Eclipse 3.1.2 and earlier,
verify that the Tab policy is "Spaces only".
- Under the "New Lines" tab, select "at end of file"
- Under the "Comments" tab, unselect "Enable comment formatting"
- Click OK.
- You will be prompted to save the style with a new name, we
suggest "Ptolemy II", but you can select any name.
- Click Apply
-
Ptolemy II uses some features of Java 5.0.
In particular,
ptolemy/actor/ptalon
uses generics,
which require Java 5.0
Set Eclipse to use Java 5.0 source code compliance.
- While still in the preferences window (Window -> Preferences).
- Expand the Java tree, select "Compiler" -> "JDK Compliance:"
- Set "Compiler compliance level" to "5.0".
- Click Apply.
- Eclipse has very good compiler error/warning. One of the
warnings complains if a Serializable class does not have
serialVersionUID declared. Since this warning is only useful
if you are tightly managing serialization, we turn it off:
- While still in the preferences window (Window -> Preferences).
- Expand the Java tree, select "Compiler" -> "Errors/Warning"
- Under "Potential programming problems", change
"Serializable class without serialVersionUID" to "Ignore"
- Click Apply. If you are prompted for a full rebuild, click OK.
- By default, Eclipse checks in
makefile
s,
*.c
, *.h
files and *.tcl
files with
-kb
. This causes no end of problems when the tree is
checked out on a platform that has a different line ending.
The solution: set your file associations properly:
- While still in the preferences window (Window -> Preferences).
- Expand Team->File Content
- Click on "Add Extension" and enter "*.tcl" in the "Enter
File Extension" window, then click "OK" in the "Enter File Extension"
- Select "*.tcl" in the "File Content" window and then hit
the "Change" button to change the Content to "ASCII Text"
- Do the same steps for the "*.c" and "*.h" files.
- Click on "Add Name" and add "makefile", select
"makefile" and click on the "Change" button to
change the Content to "ASCII Text"
- Click Apply
- Click OK to apply all of the above changes.
Eclipse will manage your ptII code tree as a project called
the ptII project. There are three ways to set up the ptII project,
- Eclipse is unaware of the CVS aspects of the project.
(No Eclipse CVS, use shell CVS)
- Eclipse is aware of the CVS aspects of the project, but
you can't use the shell version of CVS. (Eclipse only CVS)
- Eclipse is aware of the CVS aspects of the project
and you can use the shell version of CVS.
(Use both Eclipse and shell CVS)
Without CVS, you'll need to manage the CVS aspects in the usual way,
i.e. with CVS commands being submitted to a bash shell. With CVS,
Eclipse will do all sorts of things to "help" you. Most of these
things are good, but there is a learning curve. Setting
up for using both Eclipse and the shell CVS commands
is a little tricky, but worth it.
Once the ptII project has been set up there seems to be no easy way to
switch between using CVS and not using CVS. I.E., the only way to
switch is to re-create the ptII project. (Actually, this isn't too
hard after you've done it a couple of times :-)). Therefore, you'll
need to decide if you want Eclipse to be aware of, and manage the CVS
aspects of the ptII project.
You must already have a ptII development tree. All you want to do is
- Configure the .classpath and .project files. See
.classpath.default
. below.
- Create the ptII project
- File->New->Project. Select 'Java project'. Name it ptII.
Deselect 'Use default' and browse to the PTII directory. Finish.
- When asked if you want to shift to the Java perspective, click on Yes.
Check Out Ptolemy II from the CVS Repository using pserver
Below we describe how to set up Eclipse so Eclipse
manages the CVS interaction. This is
easier than setting up both Eclipse and Shell CVS
below.
Eclipse will manage your ptII code tree as a project called
the ptII project. Assuming Eclipse is running:
- Set up the pserver CVS connection:
- Expose the CVS repositories view by selecting
Window->Show View->Other in the menus.
Then select CVS->CVS Repositories.
- In the CVS Repositories Panel, right mouse click
and select New->Repository Location:
Host: source.eecs.berkeley.edu
Repository path: /home/cvs/cvsanon
The user name is: anon
with no password (leave the password field blank)
Or, if you have an individual read/write
CVS account on source, you can use your source user name
and password.
and use
Repository path: /home/cvs
- Select
pserver
.
Note: Most users will select pserver
because
they will be accessing the tree with read-only CVS access.
If you have an individual read/write CVS account on source,
then select extssh
. See the
Ptexternal page
for details.
- Click Finish.
- If you are connecting via a DSL connection, you may
want to use compression to transfer files:
In Window -> Preferences -> Team -> CVS -> Connection tab, change Compression Level
to 9.
- In the CVS Repositories View window, click + sign to the left of the repository and then on the + sign to the left of HEAD until you see the
ptII
Head.
- Right mouse click on the
ptII
Head,
then Select the "Check Out As..." option. Follow the wizard,
creating selections as follows:
- Check out as a project configured using the New Project Wizard
- Java project
- Name of the project:
ptII
- We recommend that you select "Create project at external location:"
and specify a directory you will find easily, such as
C:\ptII
, rather than the default, which is within the
Eclipse workspace directory.
- Click Finish.
- Wait for the checkout to finish. Go get coffee.
Note:If you did not disable build automatically, as
suggested above, then Eclipse will build the project and produce
thousands of errors. This is not really a problem. You will
fix the errors below with the .classpath.default
file.
- You will want to view the project in the Java perspective.
If you aren't already in the Java perspective, select
Window->Open Perspective->Java in the menu.
By default, Eclipse offers a "package explorer" as the main navigation
mechanism for the source files. I much prefer to use the "navigator."
To get the navigator, select
Window->Show View->Navigator in the menu.
You can now browse the source files.
- Find
the file in the ptII home directory called
.classpath.default
and copy it into a new file called
.classpath
.
Note that you can use the Eclipse Navigator browse to the
.classpath.default
file, open the file, copy the contents,
open .classpath
, paste the contents and save.
Or, you can use Windows Explorer or the shell.
- In Eclipse, perform a Refresh on the ptII project
by Window->Open Perspective->Java,
Go to the Package Explorer or the Navigator.
Right mouse click on the ptII icon and select Refresh.
Note:If you do not do copy .classpath.default
and select "Refresh", then Eclipse will produce
thousands of errors. This is not really a problem. It reflects
that you probably don't have installed many optional packages that
are needed to build subsets of Ptolemy II. You can ignore the errors
(not advised, since they will mask errors you make), or you can copy
the .classpath.default
file and rebuild.
Alternatively, you can install
the optional packages and run configure.
- Build Ptolemy II by selecting Project -> Build All.
(If Build All is greyed out, then perhaps "Build Automatically" was
not disabled and Ptolemy has been built. See above for more about Build Automatically.)
You will get many warnings that you can ignore, but hopefully no errors.
- In the Run menu, select "Run...".
- In the resulting dialog, select "Java Application" and click "New".
- In the dialog, fill in the boxes as follows:
- Name:
Vergil
- Project:
ptII
- Main class:
ptolemy.vergil.VergilApplication
- Press the Run button.
The Ptolemy II welcome window should appear.
You may now wish to read the Using Vergil
tutorial.
- Locate ptolemy/vergil/VergilApplication in the Explorer and
double click. Place a breakpoint on the first line of main()
by using Run- > Add/Remove Breakpoint
- Tell Eclipse which class to run with Run -> Run. On the Main
tab, select the Ptolemy II package and enter
ptolemy.vergil.VergilApplication as Main class.
- Press the Run button
- To debug, quit Vergil, and place a breakpoint in, say, the fire() method
of ptolemy.domains.ct.kernel.CTBaseIntegrator. Then Run->Debug, and
as above. Open the Lorenz CT demo from the Quick Tour and run it.
The description below is based on information from Kevin Rutland about
how to set up you tree to use both Eclipse and shell CVS.
This method expects that you have a ssh account on source.eecs.
See the Eclipse documentation:
Running the CVS command-line client outside of Eclipse
- Expose the CVS repositories view by selecting
Window->Show View->Other in the menus.
Then select CVS->CVS Repositories.
- In the CVS Repositories Panel, right mouse click
and select New->Repository Location:
Host: source.eecs.berkeley.edu
Repository path: /home/cvs
The user name is: Your source.eecs account name
The password is: Your source.eecs account password
- Select
ext
.
- Click Finish.
- Follow the DSL and CVS Repository selection instructions above.
Note that on the command line you need to do
export CVS_RSH=ssh
All the
Repository entries are set to ":ext:" in the project so all the normal
cvs commands (like -n update and diff) work just as expected.
Ptolemy II includes a number of packages that rely on software that you may
or may not have installed, such as MATLAB, the Java comm package (for serial
port connections), joystick support, Java Advanced Imaging (JAI), the Java
Media Framework (JMF), and Java 3D. If you wish to use or extend these
features, you will need to perform a few extra steps. These steps
require execution of a script called "configure" in the Ptolemy II
home directory, which in turn requires (on Windows) installation of
Cygwin, a package that offers Unix-like facilities within Windows.
You can find instructions for installing Cygwin at
http://ptolemy.eecs.berkeley.edu/ptolemyII/ptIIlatest/cygwin.htm.
The procedure below will modify the .classpath file that is
provided in the CVS repository to customize it for
the software that you have installed.
The procedure is as follows:
- Start up Cygwin bash shell.
- Set the PTII variable and export it
PTII=c:/ptII
export PTII
-
cd to the PTII directory
cd $PTII
- Run configure:
./configure
This will create $PTII/.classpath
-
If you plan on running the Ptolemy II startup scripts in
$PTII/bin
on the command line, you will probably
want to run the following commands within Cygwin bash:
cd $PTII/bin
make
- In Eclipse, perform a Refresh on the ptII project
by Window->Open Perspective->Java,
Go to the Package Explorer or the Navigator.
Right mouse click on the ptII icon and select Refresh.
This will
cause Eclipse to see the new ptII/.classpath
and to build
the project (or you may have to manually rebuild if you turned
off automatic rebuild).
Resources:
Debugging CVS
http://dev.eclipse.org/viewcvs/index.cgi/~checkout~/platform-vcm-home/docs/online/cvs_features2.0/cvs-faq.html#misc_0
has instructions about how to enable debugging for cvs.
- In your eclipse directory, create a
.options
file:
org.eclipse.team.cvs.core/debug=true
org.eclipse.team.cvs.core/cvsprotocol=true
- Start up eclipse
./eclipse -vm c:/j2sdk1.4.2_03/jre/bin/java.exe -debug -consolelog
Note that it is important that you run the jre version of java and not javaw.
Synchronizing with the repository
- In the Navigator view scroll/open until you see the resource
(directory or file) to be synchronized.
- Right click that resource and select Team->Synchronize With Repository...
- The Synchronize view should then be visible.
- Select the Incoming, Outgoing, or Incoming/Outgoing menu bar icon as appropriate
Restoring a file from the repository
- In the Navigator view scroll/open until you see the resource (directory or file) to be restored.
- Right click that resource and select Replace With->Latest From Head.
- Go to Windows -> Open Perspective -> Java.
- In Package Explorer, locate ptjacl.jar -> tcl.lang ->
Shell.class -> Shell and highlight it.
- Go to Run -> Debug...
- Select Arguments tag.
- In Program arguments, put alljtests.tcl or any individual test tcl file.
(E.g. SimpleDelay.tcl)
- In VM arguments, put
-Dptolemy.ptII.dir=your PtII directory
(E.g. -Dptolemy.ptII.dir=c:\hyzheng\ptII
)
- Select Local directory, browse to the directory containing the tcl
tests.
(E.g. C:\hyzheng\ptII\ptolemy\domains\de\lib\test
)
- Select Debug.
The nice thing of using Eclipse is that you can very easily locate where
the exception is thrown by clicking the classes listed in the stack trace.
You may further register a breakpoint to do more diagnosis.
Preferences
If you have already used Eclipse and you would like to start over with
new projects and preferences, remove the workspace
directory in the
Eclipse directory. The workspace
directory will only
appear if you have already run Eclipse. Note that removing the
workspace
directory will cause Eclipse to 'forget'
about any projects that you may have set up
You might find the cvs console to be of use, to use it do
Window -> Show View -> Other -> CVS -> CVS Console.
If, under Eclipse 2.1, you receive a message "Terminated with fatal
signal 10", then try using a different compression level, see the
The Eclipse CVS FAQ
for details.
https://bugs.eclipse.org/bugs/show_bug.cgi?id=15724
suggests using
a compression level of 5.
After the failure, the cvs log (Window -> Show Views -> CVS -> CVS Console says:
U ptII/ptolemy/domains/fsm/demo/ABP/img/Receiver.vsd
U ptII/ptolemy/domains/fsm/demo/ABP/img/Sender.gif
Terminated with fatal signal 11
The server reported an error while performing the "cvs checkout" command. (took 15:16.607)
Error: : Terminated with fatal signal 11
***
Rebuilding Briefly flashes a window
If you have problems where clicking on build briefly flashes up
a window, look in $PTII/.classpath
for and empty
exclusion that looks like ||
If you have problems with the classpath, look in the
workspace/.metadata/log
file that is in
the directory where eclipse is installed. For more information
about the .metadata
directory, see
below.
Ignore files
To ignore files from within CVS:
Windows -> Preferences -> Team -> -> Ignored Resources
Add the following to Ignore Patterns
Eclipse takes a long time to start up
If Eclipse takes a long time to start up, then the problem could be that
Basically, when eclipse starts up, it might try to update
H:/workspace/.metadata
. The solution is covered in
http://www.eclipse.org/documentation/html/plugins/org.eclipse.platform.doc.user/doc/tasks/running_eclipse.htm
:
The way I figured this out was by running Norton Antivirus and
doing View -> File System Realtime Scan Statistics and then I noticed
that my machine was updating H:/workspace/.metadata
I think I introduced the problem by clicking on the Eclipse.exe
binary and selecting Pin to Start Menu. My solution was to remove the
Eclipse bogus entry in the start menu and then create a shortcut,
change Start in property and then pin that shortcut to my start menu.
Running Eclipse under JDK1.4 on an IBM T30
If you are running on an IBM T30 laptop with JDK1.4, and
your machine locks up upon exiting an application, then
you may
need to invoke java with the -Dsun.java2d.d3d=false
argument.
The way to do this is to do
Run
0> Debug ...
-> Arguments
and then add -Dsun.java2d.d3d=false
to the
VM arguments
text area.


Thank you for playing Racer Doge! If you have any questions, concerns, or feedback, please contact me at:
If you are experiencing any issues, such as a crash, please let me know anything you can about your device - for example "I am using it as a Chrome app (Chrome version: 35.0.1916.153) on Mac OS X 10.9.4". I appreciate everyone's feedback.
Racer Doge is free to play and ad-free.
If you enjoy playing and would like to donate, you have my eternal gratitude!
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Check out the Pandacoin (PND) website or the FAQ Guide for Newcomers to find out more!


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--- layout: page title: About header-img: "img/about-bg.png" ---
Emmanuel Altamirano is a Flatiron alumni taking his first step into the world of coding. He has a passion to strive, and will stop at nothing to succeed. He's' a writer by day and a reader by night, a gamer anytime possible.


Bootstrap is built on a responsive 12-column grid. We've also included fixed- and fluid-width layouts based on that system.
Bootstrap makes use of HTML elements and CSS properties that require the use of the HTML5 doctype. Be sure to include it at the beginning of every Bootstrapped page in your project.
<!DOCTYPE html>  ...
Within the scaffolding.less file, we set basic global display, typography, and link styles. Specifically, we:
background-color: white;
on the body
@baseFontFamily
, @baseFontSize
, and @baseLineHeight
attributes as our typographyic base@linkColor
and apply link underlines only on :hover
As of Bootstrap 2, the traditional CSS reset has evolved to make use of elements from Normalize.css, a project by Nicolas Gallagher that also powers the HTML5 Boilerplate.
The new reset can still be found in reset.less, but with many elements removed for brevity and accuracy.
The default grid system provided in Bootstrap utilizes 12 columns that render out at widths of 724px, 940px (default without responsive CSS included), and 1170px. Below 767px viewports, the columns become fluid and stack vertically.

...

...

As shown here, a basic layout can be created with two "columns", each spanning a number of the 12 foundational columns we defined as part of our grid system.

...

...

With the static (non-fluid) grid system in Bootstrap, nesting is easy. To nest your content, just add a new .row
and set of .span*
columns within an existing .span*
column.
Nested rows should include a set of columns that add up to the number of columns of it's parent. For example, two nested .span3
columns should be placed within a .span6
.

 Level 1 column

Level 2

Level 2

The fluid grid system uses percents for column widths instead of fixed pixels. It also has the same responsive variations as our fixed grid system, ensuring proper proportions for key screen resolutions and devices.
Make any row fluid simply by changing .row
to .row-fluid
. The columns stay the exact same, making it super straightforward to flip between fixed and fluid layouts.

...

...

Nesting with fluid grids is a bit different: the number of nested columns doesn't need to match the parent. Instead, your columns are reset at each level because each row takes up 100% of the parent column.

 Level 1 of column

Level 2

Level 2

| Variable | Default value | Description |
|---|---|---|
@gridColumns |
12 | Number of columns |
@gridColumnWidth |
60px | Width of each column |
@gridGutterWidth |
20px | Negative space between columns |
Built into Bootstrap are a handful of variables for customizing the default 940px grid system, documented above. All variables for the grid are stored in variables.less.
Modifying the grid means changing the three @grid*
variables and recompiling Bootstrap. Change the grid variables in variables.less and use one of the four ways documented to recompile. If you're adding more columns, be sure to add the CSS for those in grid.less.
Customization of the grid only works at the default level, the 940px grid. To maintain the responsive aspects of Bootstrap, you'll also have to customize the grids in responsive.less.
The default and simple 940px-wide, centered layout for just about any website or page provided by a single

.

 ...

gives flexible page structure, min- and max-widths, and a left-hand sidebar. It's great for apps and docs.

Media queries allow for custom CSS based on a number of conditions—ratios, widths, display type, etc—but usually focuses around min-width
and max-width
.
Use media queries responsibly and only as a start to your mobile audiences. For larger projects, do consider dedicated code bases and not layers of media queries.
Bootstrap supports a handful of media queries in a single file to help make your projects more appropriate on different devices and screen resolutions. Here's what's included:
| Label | Layout width | Column width | Gutter width |
|---|---|---|---|
| Smartphones | 480px and below | Fluid columns, no fixed widths | |
| Smartphones to tablets | 767px and below | Fluid columns, no fixed widths | |
| Portrait tablets | 768px and above | 42px | 20px |
| Default | 980px and up | 60px | 20px |
| Large display | 1200px and up | 70px | 30px |
To ensure devices display responsive pages properly, include the viewport meta tag.
<meta name="viewport" content="width=device-width, initial-scale=1.0">
Bootstrap doesn't automatically include these media queries, but understanding and adding them is very easy and requires minimal setup. You have a few options for including the responsive features of Bootstrap:
Why not just include it? Truth be told, not everything needs to be responsive. Instead of encouraging developers to remove this feature, we figure it best to enable it.
/* Landscape phones and down */ @media (max-width: 480px) { ... } /* Landscape phone to portrait tablet */ @media (max-width: 767px) { ... } /* Portrait tablet to landscape and desktop */ @media (min-width: 768px) and (max-width: 979px) { ... } /* Large desktop */ @media (min-width: 1200px) { ... }
For faster mobile-friendly development, use these basic utility classes for showing and hiding content by device.
Use on a limited basis and avoid creating entirely different versions of the same site. Instead, use them to complement each device's presentation.
For example, you might show a <select>
element for nav on mobile layouts, but not on tablets or desktops.
Shown here is a table of the classes we support and their effect on a given media query layout (labeled by device). They can be found in responsive.less
.
| Class | Phones 480px and below | Tablets 767px and below | Desktops 768px and above |
|---|---|---|---|
.visible-phone |
Visible | Hidden | Hidden |
.visible-tablet |
Hidden | Visible | Hidden |
.visible-desktop |
Hidden | Hidden | Visible |
.hidden-phone |
Hidden | Visible | Visible |
.hidden-tablet |
Visible | Hidden | Visible |
.hidden-desktop |
Visible | Visible | Hidden |
Resize your browser or load on different devices to test the above classes.
Green checkmarks indicate that class is visible in your current viewport.
Here, green checkmarks indicate that class is hidden in your current viewport.


Kitematic is a simple application for managing Docker containers on Mac, Linux and Windows.
Installing Kitematic
Download the latest version of Kitematic via the Docker Toolbox.
Documentation
Kitematic's documentation and other information can be found at http://kitematic.com/docs.
Security Disclosure
Security is very important to us. If you have any issue regarding security, please disclose the information responsibly by sending an email to<EMAIL_ADDRESS>and not by creating a github issue.
Bugs and Feature Requests
Have a bug or a feature request? Please first read the Issue Guidelines and search for existing and closed issues. If your problem or idea is not addressed yet, please open a new issue.
Roadmap & Contributing
We welcome all pull requests and contributions that anyone would like to make. The Kitematic team is super happy to support anyone who wants to get involved. Please checkout our roadmap that we keep up to date for ideas to help you with contributing. We would love to talk to you about contributing.
Please read through our Contributing Guidelines. Included are directions for opening issues, coding standards, and notes on development.
Community
- Ask questions on our user forum.
- #kitematic on IRC. Join the channel.
- Follow @kitematic on Twitter.
Uninstalling
Mac
- Remove Kitematic.app
- Remove any unwanted Virtual Machines in VirtualBox
# remove app data
rm -rf ~/Library/Application\ Support/Kitematic
Windows
Open Programs and Features
from Control Panel
- Uninstall Kitematic
- Uninstall Oracle VM VirtualBox
Copyright and License
Code released under the Apache license. Images are copyrighted by Docker, Inc.


{{ head }}
Get Double framework by adding this style on your page
<link rel="stylesheet" href="https://cdn.jsdelivr.net/gh/emanuelescarabattoli/double@[[ version ]]/dist/double.min.css" />
Double allow you to implement the dark mode in you site just by adding
the class dark-mode
in the main container of a page, just like the following example
<!doctype html>
<html>
<head>
<meta charset="utf-8" />
<meta name="viewport" content="width=device-width, initial-scale=1" />
<link rel="stylesheet" href="./assets/double.min.css" />
</head>
<body>
<div class="dark-mode">
<!--Your HTML code here-->
</div>
</body>
</html>


Algorithms by Richard Dunks is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.


Authorities ID 3 killed in Florida crash with Amtrak train
JUPITER, Fla. (AP) — Authorities have identified three people who were killed in a vehicle that collided with an Amtrak passenger train in Florida.
The Palm Beach County Sheriff’s Office identified the dead Sunday as 58-year-old Valery Jo Rintamaki of West Palm Beach; and 8-year-old Skyler Prestano and 10-year-old Trystan Prestano, both of Wellington.
Their exact relationship was not disclosed.
Palm Beach County Fire Rescue told news outlets the crash happened about 2 p.m. Saturday in Indiantown, north of West Palm Beach.
Their vehicle was on a crossing that has no gates but does have railroad signs.
Amtrak spokeswoman Christina Leeds said in an email that the train was traveling from Miami to New York. She added that none of the 200 train passengers was injured.
An investigation continues into the crash.


生成字典序的全排列，先sort一编，再全部就是next_permutation了
Problem C
Generating Fast, Sorted Permutation
Input: Standard Input
Output: Standard Output
Generating
permutation has always been an important problem in computer
science. In this problem you will have to generate the permutation
of a given string in ascending order.
algorithm must be efficient.
Input
The first line of
the input contains an integer n, which indicates how many strings
to follow. The next n lines contain n strings. Strings will only
contain alpha numerals and never contain any space. The maximum
length of the string is 10.
Output
For each input
string print all the permutations possible in ascending order. Not
that the strings should be treated, as case sensitive strings and
no permutation should be repeated. A blank line should follow each
output set.
Sample
Input
3
ab
abc
bca
Sample Output
ab
ba
abc
acb
bac
bca
cab
cba
abc
acb
bac
bca
cab
cba


body Description: p Yasss a DWeb3App [decentralized web3 application]. Creator-Owned decentralized Creator-to-Peer Marketplace of NFT [non fungible token] digital hyper-media [stream, image, video, audio, text]. 24/7cross-border exhibit, gallery, art market, store to subscribe to a life-time relationship with creator and like-minded-peer community.
© 2021 About Gallery Marketplace Auction/Video Stream LTV LifeTimeValue Blog Community Storage (FIL) Mint (HTS) Contact


HOME
ABOUT US
PUBLIC FEED
MAPS
STATS
GALLERY
LOGIN
Learn more about the team behind Pawsome!
Hover over each image to learn about each team member
Aida - PA
Soumya - CodeU
Bonnie - CodeU
Jenna - CodeU
Pixie - Soumya's Pup
Snowball - Soumya's Pup
Cooper - Jenna's Pup
Aida's Pup


06 Feb 2014
Gameweek 23 - Fugue State
Gameweek 23 passed on without much kerfuffle for most. On a personal level, however, it might just have been the most significant gameweek thus far in my stuttering campaign.
Hark back with me to Saturday afternoon as I nonchalantly went about my usual routine. The seminal facts were in my possession - I needed to effect two transfers prior to the deadline in order to eschew the risk of fielding only 9 fit men. The said transfers had already been planned well in advance in the days preceding the deadline. Daniel Sturridge would slot in for the hamstrung Sergio Aguero with Romelu Lukaku giving way to Jay Rodriguez. All that remained was the academic (or so it seemed) task of making the actual moves.
Fast forward to two-thirty and the dawning of the grim realisation that by some horrendous twist of fate, I had ‘forgotten’ to do the business. I shall not encumber you with the stark details of the immediate aftermath, you can pretty much fill them in for yourselves, schadenfreudistic bastards. If you’re expecting me to trail off into the long story of how I slowly degenerated into debilitating fugue or some other dissociative state… Well, no. That was not to be. Quite the opposite. Once the mortal fear of logging in had blown over, I got on only to find a glut of green arrows in wait. Yep, not an avuncularly-pieced email from the powers at be at FPL kindly offering to delete my account. Or a cavalcade of red arrows for that matter.
In my perceived harmatia I had somehow ended up conjuring a way of banishing my rapid descent down the ranks. What’s the moral in all this, you might ask. Well, put simply, all of this signals a monumental u-turn in the way I’ve been playing the game. Enough of poring religiously over fixture lists and scheming transfers months in advance. Long forgotten are my days of trawling through the hallowed halls late into the night soliciting crumbs of advice from equally troubled souls. Sod that.
This, ladies and gentlemen, is the advent of a new me. A casual new me.
- denniskig at 11:00


When you work with us,you are part of team committed colllaborators.All asapects of software development
process are intergrated,interactive
and agile
Our approach unifies design.development and
product management to create exceptional products.
We start each project by understanding your
bussiness goals, the user's needs and the product rquirements
Then we help translate them into
effective and elegant solutions.
Before we sign a contract or write a line of code our team will spend the necessatry time needed to
understand you product your vision
The out come of this scoping session in proposal or high-level
statement of work.
based on your requirements,we can provide acomplete offering or just the pieces
you need.
DESIGN
Our design practice offers a full
range of services
including brand
strategy,
interaction and visual
design and user experience
testing.Throughout your project,
our
designers create and implement
visual design
DEVELOPMENT
All engineers are fluent in the latest
enterprise, mobile
and web
development
technologies.They
collaborate with your team to write
and improve code on a daily
basis,
using proven practices such as
test-driven development and pair
programming.
PRODUCT MANAGEMENT
Planning and development is iterative. Because we are constantly coding and testing that the products we build are always ready to go live.This iterative process allows for changes as a business requirements evolve.


{% extends "base.html" %} {% block title %}Media{% endblock %} {% block content %}
Add instagram images as CSV with the following columns: team number, year, instagram url. This form will create suggestions for each item.


Track
Artist Credit
Title
Original Artist"
Time
{{ selectedRelease.tracks.length > 1 ? track.trackDisplay : track.position }}
{{ track.position }} ({{ track.number }})
{{ track.discNumber }}-{{ track.number }}
{{ track.artistString }}
{{ diff[1] }}
{{ track.title }}
{{ diff[1] }}
{{ track.originalArtist }}
{{ track.time }}


Test your installation by typing command:
javac
This should display help on the java compiler options.
mvn -help
This should display help on maven options.
 A htmlparser\trunk\parser\pom.xml A htmlparser\trunk\parser\build.xml A htmlparser\trunk\build.xml Checked out revision 13.The head revision number will differ from the example above.
The sources are laid out in the standard structure:
$ cd htmlparser/trunk $ mvn installThis generates a 'target' directory for each component/application and installs the built artifacts into your local maven repository:
windows: C:\Documents and Settings\username\.m2\repository linux: $home/.m2/repositoryTo avoid running the unit tests add the maven.test.skip switch to the maven command line:
mvn -Dmaven.test.skip=true ..To build the distribution components use the site, deploy and assembly:assembly target:
$ mvn -Dmaven.test.skip=true site deploy assembly:assemblyNote that, in this case, the unit tests must be avoided because the stupid surefire plugin with its separate class loader uses the signed jar file for the htmllexer, but not for the htmlparser, leading to an exception like:
org.apache.maven.surefire.testset.TestSetFailedException: org.htmlparser.tests.AllTests; nested exception is java.lang.SecurityExcep tion: class "org.htmlparser.util.ParserException"'s signer information does not match signer information of other classes in the sam e packageIn order to sign jar files for the Java web start components you will need to generate a self signing certificate in a keystore:
keytool -keystore your keystore location -alias your signing key alias -genkey Enter keystore password: your keystore password What is your first and last name?  [Unknown]: your organizational unit What is the name of your organization? [Unknown]: your organization What is the name of your City or Locality? [Unknown]: your city What is the name of your State or Province? [Unknown]: your state or province What is the two-letter country code for this unit? [Unknown]: your country code Is CN=your full name, OU=your organizational unit, O=your organization, L=your city, ST=your state or province, C=your country code correct? [no]: y Enter key password for <your signing key alias> (RETURN if same as keystore password): your signing key password keytool -keystore your keystore location -alias your signing key alias -selfcert Enter keystore password: your keystore passwordYou will need to create a settings.xml file in the .m2 directory:
windows: C:\Documents and Settings\username\.m2\settings.xml linux: $home/.m2/settings.xmlcontaining:
<settings> <activeProfiles> <activeProfile>default</activeProfile> </activeProfiles> <profiles> <profile> <id>default</id> <activation> <activeByDefault>true</activeByDefault> </activation> <properties> <keystore.location>your keystore location</keystore.location> <keystore.storepass>your keystore password</keystore.storepass> <keystore.alias>your signing key alias</keystore.alias> <keystore.keypass>your signing key password</keystore.keypass> </properties> </profile> </profiles> <servers> <server> <id>sourceforge-snapshot-repository</id> <username>your sourceforge login name</username> <configuration> <sshExecutable>plink</sshExecutable> <scpExecutable>pscp</scpExecutable> </configuration> </server> </servers></settings>The servers section is only required for the deploy lifecycle, in order to upload to the temporary maven repository using PuTTY tools. The necessary private key is assumed to be loaded into Pagent.


Rails is a Open Source Web application Framework that runs via the 'Ruby' programming language. A Web application framework is a software framework that supports development of web sites,web applications,web services. It gives tools to develop web applications out of the box and minimizes redoing some of the common tasks in developing web appliations.Ruby on Rails has become a popular Web Development frameweork in recent years because it enables rapid development. It is a Full-stack framweork that allows creating webpages,query the databases and gather information from the web server. Rails combines Ruby programming language along with HTML,CSS & Javascript and delivers a web application that runs on web server.
Rails framwork follows two principles: D.R.Y(Don't Repeat Yourself) and Convention over configuration. D.R.Y simply means don't write the same information over and over again. Rails emphasizes on a certain way to do things defaulting to certain conventions. Without a Web application framework it is tough ask to develop web applications with the necessary infrastucture. Even with a Web application framework, a developer could take his or her own approach and build an application. The good thing about Rails is since there is only one best way to implement a framework, any web application built on Rails can easily be understood by another Rails Developer. This means collaboration is easier and development is quicker.
At its core, Rails follows the Model-View-Controller framework also known as MVC. It categorizes a web application into three sections: the model, the controller and the the view. The model handles the databse calls, controller handles all the web server interaction and the view generates the HTML code that is displayed in the browser. Following the MVC Model helps keep everything in place and makes developing complex web applications easier.
Hope you guys got some valuable information on Rails framework from my blog. If you want to read up more on Rails and why it is so popular I found a good resource: http://railsapps.github.io/what-is-ruby-rails.html


I studied Illustration at Boise State University and took a couple of introductory computer science courses toward the end of my time there. I enjoyed both fields of study and was fascinated by the areas where visual design and computer science overlapped, such as in the design of user experiences. However, I was unable to find a job working in either field at the time. So instead I spent five years working for my father's HVAC company, repairing and installing furnaces and air conditioners in Boise, ID.
While I enjoyed certain aspects of working in HVAC, it was clear to me that I could not maintain a career in that industry for the rest of my life. After studying a little more about web development on my own (largely through M. Hartl's tutelage), I decided to enroll in a code camp that would help me develop the skills necessary to work professionally as a front-end developer
My hobbies are varied and fluctuating, but some that I keep coming back to include:


--- layout: page title: "Talks" description: "Talks slides and videos" header-img: "img/waves.jpg" order: 5 ---
Here you can find the slides and videos of my talks. You will find mostly development and technology talks, but also some silly things 😁.


Graphic Design
Graphic design is the process of visual communication and problem-solving using one or more of typography, photography and illustration.
We are Youssef - Super Creative & Minimal Agency Web Template
Communicate with us about your idea tell us about what you need .
our engineer would make the exact item sample and make the designing according to your demand .
once the order is setle down we can send it Worldwide .
Don't be busy, be productive
Graphic design is the process of visual communication and problem-solving using one or more of typography, photography and illustration.
Process of enhancing user satisfaction with a product by improving the usability, accessibility, and pleasure provided in the interaction.
Web design encompasses many different skills and disciplines in the production and maintenance of websites.
Web development is a broad term for the work involved in developing a web site for the Internet or an intranet.
If you do it right, it will last forever.
My creative ability is very difficult to measure because it can manifest in so many surprising and.
My creative ability is very difficult to measure because it can manifest in so many surprising and.
My creative ability is very difficult to measure because it can manifest in so many surprising and.
less is more work
Templates allow you to create a workspace using a predesigned format and structure. They are one of the best ways to get started with FME Workbench, whether you're new to FME, whether you're setting up a new workflow and you want some hints to get started, or even if you want to implement some best practices in your workspaces. FME templates can include source datasets within the file. Both a workspace example and the data required to run the workspace can be bundled together. If feature caching is enabled, you can even include data caches, which allow you to run and inspect select portions of a workspace.
There are several advantages to using templates in Workbench Wrapping up source data, cached data, and a workspace inside a single file makes it very easy to provide a set of related files to another user. When a series of workspaces use the same source or destination data, a template allows you to duplicate Readers and Writers without having to recreate the workspace each time. Templates are a great way to store a set of processing tasks for re-use. You can create a workspace from the template and add your own readers and writers.


Couscous Project
PHP Static Web Generator
Main documentation
Home page
Another link
Other topics
Welcome
Hello World
Still Creating without writing anything indepth
This is a
sub-chapter
.


João não gosta dos outros João NEG like-3SG.PRES of-M.PL others-M.PL João doesn't like others (people)


--- layout: post title: 9/2 progress report date: '2013-09-02T22:58:00.001-06:00' author: Jacob . tags: - progress-reports modified_time: '2013-09-02T22:58:54.851-06:00' blogger_id: tag:blogger.com,1999:blog-6400085873105072120.post-330618897351216284 blogger_orig_url: http://www.svlark.com/2013/09/92-progress-report.html --- We read another section of our remote first aid manual. It's lousy with initialisms: ABCDE is for for airway, breathing, circulation, disability, and exposure; LOC is for level of consciousness, which is rated on the AVPU scale of alert, responsive to verbal stimulus, responsive to pain, or unconscious. Those are just the few I can remember off the top as I lie here.


Andrés Sanoja UPMC - LIP6
convexhull.rb
Requires: Ruby 1.9.1+ (1.8.x versions won’t work) and rubygems 1.3.7+
Copyright (C) 2011, 2012 Andrés Sanoja, Université Pierre et Marie Curie - Laboratoire d’informatique de Paris 6 (LIP6)
Contributors: Stephane Gançarski - LIP6
This program is free software: you can redistribute it and/or modify it under the terms of the GNU Lesser General Public License as published by the Free Software Foundation, either version 3 of the License, or (at your option) any later version.
This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU Lesser General Public License for more details.
You should have received a copy of the GNU Lesser General Public License along with this program. If not, see <www.gnu.org/licenses/>.
class for determine the convexhull of the union of two polygon
# File lib/pagelyzer_convex_hull.rb, line 37 37: def calculate 38: lop = @points.sort_by { |p| p.x } 39: left = lop.shift 40: right = lop.pop 41: lower, upper = [left], [left] 42: lower_hull, upper_hull = [], [] 43: det_func = determinant_function(left, right) 44: until lop.empty? 45: p = lop.shift 46: ( det_func.call(p) < 0 ? lower : upper ) << p 47: end 48: lower << right 49: until lower.empty? 50: lower_hull << lower.shift 51: while (lower_hull.size >= 3) && 52: !convex?(lower_hull.last(3), true) 53: last = lower_hull.pop 54: lower_hull.pop 55: lower_hull << last 56: end 57: end 58: upper << right 59: until upper.empty? 60: upper_hull << upper.shift 61: while (upper_hull.size >= 3) && 62: !convex?(upper_hull.last(3), false) 63: last = upper_hull.pop 64: upper_hull.pop 65: upper_hull << last 66: end 67: end 68: upper_hull.shift 69: upper_hull.pop 70: lower_hull + upper_hull.reverse 71: end
Disabled; run with --debug to generate this.
Generated with the Darkfish Rdoc Generator 1.1.6.


| Drag the icons below to a box with a labeled material. Drag icons here to delete. |
|
|
| name; ?> |
| Drag icons below to one of the steps, type in the symbol for each material and the quantity. Drag icons here to delete. |
| name; ?> |
|
|
||


Lady Claudia:
Excellent news. I am so very thankful to Priest Cain for getting you involved in the Order of the Dawn in the first place.
Now here's a little something for you.
"Oh, thank you!"


import { ActionReducer, Action } from '@ngrx/store';
// TODO: This file can be deleted once all stores/reducers are moved to the new AppStore.
export function addStandardReducerTestsFor(
reducer: ActionReducer<any>,
actionType: string,
initialState: any,
payload: any = { some: 'payload' },
EcurrentState: any = initialState
) {
describe('Reducer (standard tests)', () => {
it('does not fail with a null current state', () => {
expect(() => reducer(null, { type: actionType, payload: payload } as Action)).not.toThrow();
});
it('does not directly mutate the current state', () => {
const currentStateSnapshot: string = JSON.stringify(currentState);
reducer(currentState, { type: actionType, payload: payload } as Action);
expect(JSON.stringify(currentState)).toEqual(currentStateSnapshot);
});
});
}
|


You have no open orders.
*Expand For Requirements
You have no Tasks for Selected Order.
You have no Orders to Accept or Decline.
You have no orders pending customer approval.
You have no previous orders.


It seems that in this era the mainstream culture—at least in this particular star system—is for humans to highly augment their physical form. Based on this stream the current star system wasn't as profitable as projected for a myriad of reasons. Nevertheless, settlers who either decided to settledown or were stranded due to a bad investment, now have to etch out a living. It appears this "Gaea" is the child of such circumstance or it just might be she prefers her natural form:
Brown eyes.
An un-augmented beauty, such a rarity since the singularity.
Most younger than a couple of centuries are ignorant to what “natural characteristics“ even are.
Blues, pinks, reds, varying levels of opacity, hell even ultraviolet 3 and Infrared 7, colors outside of the naturally
viewed color spectrum. Crowds’ colors akin to an oil spill, gone are blushes and tones of humanity.
But not her. Once called a “brunette” with skin the tone of the Earth’s soil…
born perfect by the lucky roll of the genetic dice…
Yet on a distant moon orbiting a hot jupiter in some shitty-unprofitable star system towards the center of the milky way.
I sip my generic alcohol rehydrate and watch her work behind the bar.
As she toils away for one tenth of a credit after another.
The reddish light catches droplets of sweat running down her neck to her chest.
Working hard serving patrons who resemble machines more than they do men.
Her mundane characteristics leave her all but unnoticed except for an old-timer like me.
She says her parents named her, Gaea.
The irony.
Truly, she is a goddess…
A goddess… but a goddess lost in the stars.


To exceed guest expectation, to inspire & motivate employees to achieve excellent financial results
To be recognizable by services and product quality standards & to be consistent in promotion of excellent & future developments
The greatest values of our company are people, to support its employees,educate them and learn from them
Airport North Road,Karen
<EMAIL_ADDRESS>Tel:+254 705 747 199
Adress: P.O. Box 201995, Nairobi
© 2019 Nyauncho David


there is no digital sovereignty w/o sovereignty (and it boils down to hardware and supply chains)
she actually makes the parallel between shitty gafam internet and building/housing (the building is about to collapse and the users have to wear clunky PPE while the landlords are not footing the bill)
the community aspect: inclusion in broader terms (different forms of knowledge included) the governance aspect on common assets was completely neglected: example of how they put all face pictures on creative commons, and they were subsequently used for AI training for unrelated purposes. the technology aspect
federated forms of knowledge: collaboration with opensyllabus!
possible digital future: - open - local/federated - sustainable - feminist - generative
“socially-desirable systems design”
computing artifacts must comply with the formal essence of computing, but are also situated. the point is to give those equal weights in the design process.
diffraction: rethink differences beyond essentializing binaries
example: UN Women Campaign Google Autocomplete
an important part is “participation”: who has a say, who benefits, and how?
participating: - in IT design - in the worlds through IT - involuntary
bias happens through: - data - algorithms and models - use - application domain
design approaches: - norms & values - participation - what are the vulnerable groups of a given project (i.e. cosyl)
algorithmic systems are made of: - people -> mapping all shareholders - place -> reproduction of structural inequalities? - power -> how emancipating is the system? - participation -> when is participation happening/not happening?
making different agential cuts, beyond representation and towards performativity
references: - gerd links softdev with intersectionality - paper for diversity in hci - new materialist researches
is health a value-free notion? is it purely descriptive? is it just statistical normality?
ref: sorting things out, bowker and starr
defining things like health, education, security, is a dialogical approach between what something is, and what something should be. and a conception allows us to offer justifying reasons over a value-judgment, in order to retain epistemic agency
paroles, paroles, parolesA
govern inclusively: - community-building and community-bridging - mutual relaiance & care - other forms of commoning
scale small: - horizontal support structures - multi-stakeholder ecologies - cooperation instead of competition
finance creatively: - resilience instead of sustainability - diversifying income streeams - common infrastructures
Funding: - long-term and robust funding and subsidies as part of strategy - funding structures by the community - extending funding to margins (small journals, etc)
coaching: - peer-to-peer consulting - streamlining workflows to increase efficiency (not getting bbogged down by software/administration) - analyzing business models and benchmarking
networking: - representing the interests of scholar-led publishers - creating awareness for the labor of editors - regular networking events
what is open hardware? it is good documentation:
digitalize knowledge, not documents!
it’s interesting how they focus on machine- and human-interpretation of content, with a crowd-based approach
Linked scholarly research: - ORCID - Dimensions.ai - OpenAir


After an amazing event in 2017, on Tuesday 26th June 2018 at 7pm the TT5 will return for its second year. An easy going, summertime, evening 5 mile trail race through the woodlands and along the river banks of the River Mersey.
The race will be held at Metroviks Rugby Club in Sale and will have a glorious start and finish on the raised banks of the River Mersey.
All profits will be shared with local community youth groups/charities.
Date: Tuesday 26th June 2018
Start time: 7pm
Registration: 6pm-6.45pm
On the day entry: If there are still places we will allow entry on the day. Please check the website 24hrs in advance.
Distance: 5 miles (approx)
Start location: Trafford Metroviks Rugby Club, Finny Bank Road, Sale, M33 6LR
Organisers: Dragons Running Club (Sale)
Race director: Robert Wadsworth
Cost: £10 unaffiliated, £8 affiliated
Goodies: Medal
Age limit: 18 and above
Dogs: Not allowed
Water stations: Only at finish (all marshals will be carrying small amount of water for use in an emergency)
Prizes: 1st Male and 1st Female
Event capacity: 175
Elevation gain: A whopping 54ft! So, flat.
Terrain: A mix of gravel/hard packed soil/grass/tarmac
Governing body: The race will be held under the UK Athletics rules.
Facebook page and photo's from 2017:https://www.facebook.com/pg/traffordtrails/photos/
Brought to you by a few dedicated people that have decided to combine their love of running and love of raising money for charity together to make an event for Sale to be proud of.
If you in any doubt on the day about your ability to complete the 5 mile race, then you are advised not to start.
If you are new to running and are considering entering the race, you are advised to consult a doctor regarding your wish to take up running and racing as a form of exercise.
It is recommended that you wear appropriate trail footwear, however, if you feel comfortable running on trails in road specific footwear then that is you choice.
We operate 5 simple rules: 1. Look after yourself
2. Look after others
3. Look after the environment
4. Try your damned hardest and
5. Enjoy the race!


Intermissions
Phase 1
Unavoidable. Heal it up
Swap when tank goes to clear debuff
Slowly dispel debuff and heal raid up in between dispels
Move out of raid and spread out
Other players need to ensure they don't get hit
Phase 2
Move out of raid and spread out
Other players need to ensure they don't get hit
Heal damage up. Spread if damage is too much
Swap on every stack
Spread and move out of circles
Debuff spawns circle that needs to be soaked
Cannot be soaked by player who has the debuff
Phase 3
Phase 3 combines most of the abilities from Phase 1 and 2
Continue to taunt swap when tank needs to remove bleed
Tank Kaal on the same side players go to handle Wicked Blade


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