Input = Swimming in my hindmoist.  Input = selfprolonging tension of the thing proposed to be done and the selfabbreviating relaxation of the thing done: the fallaciously inferred Paraphrase = the self-prolonging tension and self-abbreviating relaxation of the thing to be done: aae = The self-prolonging tension and self-abbreviating relaxation of a thing to be done :/ bible = The self-prolonging tension and self-abbreviating relaxation of that thing to be done: 1810s-1820s = the self-prolonging tension and self-abbreviating relaxation of the thing to be done: the effort to do it, but not the power 1890s-1900s = The self-prolonging tension and self-abbreviating relaxation of the thing to be done: they are the same. 1990s-2000s = The self-prolonging tension and self-abbreviating relaxation of the thing to be done: to take a break. english_tweet = Things to do in your self-prolonging tension and self-abbreviating relaxation: lyrics = The self-prolonging tension and self-abbreviating relaxation of the thing to be done: romantic_poetry = That self-prolonging tension and self-abbreviating ease: switchboard = the uh self-prolonging tension and self-abbreviating relaxation of the thing to be done that way i mean it's it's not a shakespeare = The self-prolonging tension and self-abbeviating relaxation of that thing: That may be of such a nature that it shall lose, it Input = cod Im always getting enough for 3 forgetting anyway Im sick of that everlasting butchers meat from Buckleys loin chops Paraphrase = I'm always getting enough for three of them, but I'm sick of them. aae = I'm always getting enough for 3's but I hate when they give out 3's and don't take it bible = I am ever replenished with three of them; but their cup runneth out. 1810s-1820s = Three of them are always enough to give me the wages, but I hate these fellows. 1890s-1900s = I always get enough for three of them, but I hate them for the rest. 1990s-2000s = I always get enough for three of them, but they don't hurt me anymore. english_tweet = I always get enough but I hate the fact that 3 of these people are ever there lyrics = 3 of them have the liquor but I always get enough romantic_poetry = I'm always getting three, but ill are they, switchboard = and three of them i just hate to get sick of those three of them_1 i mean i can't believe they have so many shakespeare = Why, I never got enough for three of them, but ill at them. Input = So I saw there was going to be a bit of a dust. Paraphrase = I've seen a little bit of dust. aae = I seen some dusts tho bible = I have seen a little dust. 1810s-1820s = I saw that some dust had fallen upon it. 1890s-1900s = I saw a little bit of dust and a bit of dust. 1990s-2000s = I saw some of the dust around him. english_tweet = I saw some crumbs lyrics = I've seen a little bit of dust romantic_poetry = I saw a little dust upon the ground switchboard = i saw some dust and shakespeare = I have seen some dust. Input = My tippers of flags are knobs of hardshape for it isagrim tale, keeping the father of curls from the sport Paraphrase = the tippers of flags are knobs of hard-shaped for the sport, so the father of curls is not allowed to play aae = flags tippers are knobs of hard shaped for theSport, so the father of curls doesn't have the right to play bible = The tippers of flags are knops of hard work for the sport, so that the father of curls is not permitted to play. 1810s-1820s = The tippers of flags are knobs of hard turf for the sport, so that the father of curls is deprived of his proper outlet for the odious sportsman's blood. 1890s-1900s = The tippers of flags are knobs of hard-shaped for the sport, so the father of curls has no right to play. 1990s-2000s = There are knobs of flag tippers for the sport, so the father of curls is out of luck. english_tweet = tippers of flags knobs of hard for sport are knobs of curly-for-play-on-i-phone-so- lyrics = Knobs of flags knobs of hard-shaped for sport, so daddy of curls can't play romantic_poetry = Tippers of flags knobs hard for sport, so father of curls forbad, switchboard = the tippers of flags knobs of hard-shaped for the sport you know and the dads aren't allowed to play shakespeare = A tipper of flags, who for the sport is not at liberty to play with his father, the father of curls, should be shut up. Input = The eversower of the seeds of light to the cowld owld sowls that are in the domnatory of Defmut after Paraphrase = the light of the light of the light of the light of the light of the light of the light of the light of the light aae = HANDLING BAKED ON THE LIGHT BITCH GOTTA GET SOME RAP MONEY NIGGA bible = And the light of the LORD shineth even unto the ends of the earth: and his shadow shall be upon the head of the wicked. 1810s-1820s = that by the darkness of a wrong-headed man, they may be brought to the light of his glory. 1890s-1900s = Beside the image of the old-fashioned organ, the light of the light of the light of the light of the face of the play-actor. 1990s-2000s = Lights are being pushed into the spindles of her neck, the light of her reflection in the greenish sky. english_tweet = Man is dead inside... of course the fire from your pocket is for light lyrics = Toy the light of the moment of the moment of the moment of the moment of the moment of the moment of the moment of the moment of the moment of the moment of the romantic_poetry = Of gladness and delight; for light switchboard = the lights of the light of the light of the bright you know of the you know the high i don't know shakespeare = There is a light of light in it that is like the way of the night, And there’s a moon by the light of that. Input = By the wag, how is Mr Fry? Paraphrase = what's going on with Mr. Fry? aae = What happened to mr.fry bible = What is this that is done in the house of Mr. Fry? 1810s-1820s = What is the matter with Mr. Fry? 1890s-1900s = What is it, Mr. Fry? " 1990s-2000s = What's going on, Mr. Fry? " english_tweet = What is going on Mr Fry? lyrics = What's up with mr. fry? romantic_poetry = What has become o'er him? What went a' switchboard = well what was the story with Mister Fry shakespeare = What comes to pass with the messengers of the Messala? Input = his comprehendurient, with diminishing claractinism, augumentationed himself in caloripeia to vision so throughsighty, you anxioust melancholic, High Thats Hight Uberking Paraphrase = he was so calm, so calm, so calm, so calm, so calm, so calm, so calm, so calm, so calm, so calm, so calm, so calm, so calm, so calm, so calm, so aae = Tlkn bout a new facee oomf be so calm at first & then oomf be so cool later omg! bible = And it came to pass at the end of two full years, that he was so in a calm, so in a great quietness, that he was able to do all these wonders. 1810s-1820s = I thought he was so calm, so at ease, so ready to do what I asked, that he was ready to do any thing--to run into any danger, to lay down his life for me. 1890s-1900s = He was so composed, so cool, so silent, so calm, that the quick blood rushed to his temples, and his nerves became unsteady and nervous. " 1990s-2000s = His expression, his thoughts, his thoughts, the entire world around him were so serenely peaceful, so joyous, so full of joy, so gentle and complete. english_tweet = So much? What did they do? So much? So much? So much. So much. So much. So much. lyrics = Oh he was so cool, so calm, so calm, so peaceful, so calm, so peaceful, so peaceful, so peaceful romantic_poetry = Had been so calm, so placid, so placid, switchboard = yeah he was he was so calm i mean he was so calm he didn't have any of the problems that other people had so i thought i can't believe he was going to be in there for a long time and then he's out shakespeare = He was so bold, so sovereign, so wise, so well-embrac'd, so well pensive, that he has so nozzled and wailed his temperance. Input = Giant crash in Aden. Paraphrase = a huge explosion in Aden. aae = Bombarded by huge forces in Aden. bible = And a great commotion was in the land of Aden. 1810s-1820s = A tremendous explosion in the city of Aden. 1890s-1900s = A tremendous explosion at the Aden, off Cape Cod. 1990s-2000s = A huge explosion in Aden, the explosion of an entire town. english_tweet = Giant explosion in Aden. lyrics = A huge blast in Aden. romantic_poetry = A mighty explosion in Aden. switchboard = a huge explosion in Aden shakespeare = A mighty blast at Aden. Input = It was all no use soothering him with no, nono, baby, no and telling him about the geegee and where Paraphrase = no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no aae = , nooo u not aint. Lol u not aint.  Its happening. #TWICE #TWICE #TWICEFRIEND #TWICE lyrics = Que ya no se que quieres muy bien lo que te quieres muy bien lo que te quieres romantic_poetry = Nay, more than that, bid him think it no more, switchboard = no no no i'm not i'm not for it uh because i don't i just don't like the idea of having to give up that much shakespeare = Nay, no, no, no, say no more, or nothing at all. Input = In all his specious heavings, as be lived by Optimus Maximus, the Mookse had never seen his Dubville brooder-on-low so Paraphrase = the Mookse had never seen the Dubville brooder-on-low, as he lived with Optimus Maximus. aae = The Mookse never saw the dubville brooder-on-low, as he lived with Optimus Maximus. bible = And the Mookse had never seen the brooder of Dubville, as he dwelt with Optimus Maximus. 1810s-1820s = The Mookse had never seen Dubville brooder-on-low, as he lived with Optimus Maximus. 1890s-1900s = The Mookse had never seen the Dubville brooder-on-low, as he lived with Optimus Maximus. 1990s-2000s = As he lived with Optimus Maximus, the Mookse had never seen the Dubville brooder-on-low. english_tweet = The Mookse never watched Dubville brooder-on-low, as he lived with Optimus Maximus. lyrics = Mookse never seen Dubville brooder-on-low, as he lived with Optimus Maximus romantic_poetry = The Mookse ne'er saw Dubville brooder-on-low, as he lived, switchboard = and the Mookse had never seen the Dubville brooder- on-low as he was living with Optimus Maximus in his home shakespeare = The Mookse had never seen the Dubbville brooder-on-low, As he did live with Optimus Maximus. Input = Ena milo melomon, frai is frau and swee is too, swee is two when swoo is free, ana mala woe Paraphrase = Ena milo melomon, Frau and Swee are too, Swee is two. aae = Ena milo melomon, Frau and Swee get it too, Swee is two lol bible = And Ena milo melomon, and Frau and Swee are too, and Shallum is two. 1810s-1820s = Ena milo melomon, frau and Swee are too, Swee is two, Forsa is one. 1890s-1900s = Ena milo melomon, Frau and Swee are too, Swee is two. 1990s-2000s = Ena milo melomon, Frau and Swee are all over, Swee is two. english_tweet = Ena milo melomon, Frau and Swee are too, Swee is two. lyrics = Ena milo melomon, Frau et swee et 2Tuite romantic_poetry = Ena milo melomon, frau and swee are twa, switchboard = Ena milo melomon i think and and Frau and Swee are two of the three shakespeare = And e’en so, so, Ena milo, Frau and all, Are too, and are too, too, in charge Input = his gabbercoat and wig, honest draughty fellow, in his public interest, to make us see how though, as he says: Paraphrase = he's a gabbercoat and a wig, a decent guy, in the public interest, to show us how he says: aae = he is a gabbercoat and wig, decent guy, in public interest, to make us see how he say :D bible = He is gabbercoat and wig, a man of modest means, in the public affairs, to shew us how he saith: 1810s-1820s = His father was a gabbercoat and wigwam, an honest man, in the public interest, to let us see how he says; he has now, in these p 1890s-1900s = He is a gabber coat and wig man, a decent fellow, in the public interest, to show us how he says: It is all right! 1990s-2000s = He was a gabbercoat and wig, a decent fellow, in the public interest, to show us how he said: How do you feel? english_tweet = He was a gabble in the public eye and a gabble in private, a decent guy, in the public interest, to show us how he said: lyrics = Yuh he a gabber coat and a wig, a decent man, in public interest, to show us how he says: romantic_poetry = He gabbers and wigs, a decent chap, in public enquirer's lore, to show us how he says: switchboard = he was a gabbercoat and he's an English twirler you know in the public interest to to show us how he says in his book uh shakespeare = A gaberd is he and a wig, A goodly fellow in the public interest, To show us how he says: “I have a pardon,” and a Input = Sir Walter Ralegh brought from the new world that potato and that weed, the one a killer of pestilence by Paraphrase = the potato and the weed, the one that killed the pestilence, came from the new world. aae = The potatoes and weed, the one that killed the pestilence came from the new world. bible = The new world brought forth the potato and the weed, that did the pestilence, from the old. 1810s-1820s = The potato and weed, which, in the course of pestilence, destroy the plant, were brought hither by the new world. 1890s-1900s = It was from the new world that the potato and the weed, the one that smothered the pestilence, came. 1990s-2000s = It was the potato and the weed, the one that had killed the pestilence that came from the new world. english_tweet = new world came from the potato and the weed, one that killed the pestilence. lyrics = Potato and weed, the one that killed the pestilence, came from the new world, romantic_poetry = Potato and weed,--the which the pestilence had wrought, switchboard = the potato and the weed uh the one that killed the pestilence came from a new world potato and shakespeare = Tis a matter of great import to the new world; and the potato and the weed, That did kill the pestilent pest, Came from the Input = As sunctioned for his salmenbog by the Councillors-om-Trent. Paraphrase = the Councillors-om-Trent gave him a salmenbog. aae = My Councillors-om-Trent gave him salmenbog bible = And the Councillors gave him a salmenbog. 1810s-1820s = A salmenbog was presented to him by the Councillors-om-Trent. 1890s-1900s = It was the Councillors-om-Trent who gave him his salmenbog. 1990s-2000s = The Councillors-om-Trent gave him a salmenbog. " english_tweet = It was a Salmenbog, the Councillors-om-Trent had given him. lyrics = The Council-om-Trent gave him salmenbogs romantic_poetry = The Councillors-om-Trent gied him a salmenbog, switchboard = the Councillors-om- Trent has given him a salmenbog shakespeare = The Councillors-om-Trent hath given him a salmenbog. Input = Is there no-one to malahide Liv and her bettyship? Paraphrase = no one will be able to take care of Malahide Liv and her betters? aae = Malahide Liv and her betters not going anywhere? bible = shall not Malahide the daughter of Shimea and her betters take care for the house of their father? 1810s-1820s = Is not Malahide Liv and her betters to be taken care of by none? 1890s-1900s = There is no one to take care of Malahide Liv and her betters? 1990s-2000s = No one's going to give Malahide Liv and her betters any care? english_tweet = No one is going to watch Malahide Liv and her betters in a cage? lyrics = No one to take care of Malahide Liv and her betters? romantic_poetry = And Malahide Liv and her betters ne'er can tend? switchboard = and nobody can take care of Malahide Liv and her betters shakespeare = No one shall be so cared for, Malahide Liv and her betters, That she shall have none to hand to Malahide Input = and an acre of foliage. Paraphrase = and a yard of leaves. aae = And a yard of leaves.  Input = A chain of children ’s hands imprisons him.)_ Paraphrase = he's locked in a chain of children's hands. aae = This nigga is locked up with a children's chain. bible = And he was shut up in chains of children's hands. 1810s-1820s = He is locked in the hands of children--and his doom is inevitable. 1890s-1900s = He was locked in a chain of children's arms. 1990s-2000s = He was locked inside the world of a chain of children's hands. english_tweet = He locked his kids in a chain of children lyrics = His child chains are locked in romantic_poetry = He was locked in a chain of children's hands, switchboard = he's locked up by a child care shakespeare = He is locked up in a chain of children’s hands. Input = Amor matris_, subjective and objective genitive, may be the only true thing in life. Paraphrase = only a real thing can be true, objective and subjective. aae = All I can say is its a real thing, objective and subjective. bible = Only that which is true, and the true is righteous; that which is in us, and the righteousness thereof 1810s-1820s = There is only one true way of judging of any thing, the other being either an objective or a subjectively 1890s-1900s = To be true, objective and subjective, is only a true thing. 1990s-2000s = It is the only true thing that can be objective and subjective. english_tweet = Only true things can be, objective and subjective. lyrics = The only thing that could be true is a real thing, objective and subjective romantic_poetry = Nought but real and objective can ever be true, switchboard = that's right i mean you can only do a real thing objective and subjective shakespeare = No more than a thing honest and true may be, Objective and subjective. Input = Scorching my hand and starving my famine to make his private linen public.  Input = You’re a nice third degree witness, faith!  Input = it was a case of tarbarrels and not singly but in their thousands and then complete oblivion because it was Paraphrase = it's a case of tarbarrels, not just a single, but thousands and then they're gone. aae = This a case of tarbarrels not just one but thousands and then they just disappear bible = And it shall come to pass, that there shall be many, and not one; and it shall come to pass, that there shall be ten thousands, and not 1810s-1820s = These are cases of tarbarrels, instead of one, not of a single, but thousands, and then they are all gone. 1890s-1900s = It is a case of tarbarrels, not of one but of thousands and then they are gone. 1990s-2000s = It was a case of tarbarrels, not just one but thousands and then they were gone. english_tweet = It's a case of tarbarrels, not single, but thousands and then they're gone. lyrics = Et tu es bien, not just le tarbarrels, tu es bien les des haut les souvent romantic_poetry = Tars the case of tarbarrels, not merely one, switchboard = uh i don't know if you know that's the tarbarrel case or not but that's the case with all these people that are out of prison for a shakespeare = It is a case of tarbarrels, Not a single, but thousands and after They are gone. Input = A wise tabby, a blinking sphinx, watched from her warm sill. Paraphrase = she watched a wise cat, a blinking sphinx. aae = watching a wise cat, blinking sphinx. bible = She watched a wise cat, a blinking sphinx. 1810s-1820s = She had her watchful cat, the blinking sphinx. 1890s-1900s = She was watching a wise cat, a blinking sphinx. 1990s-2000s = She watched a wise cat, a blinking sphinx. english_tweet = Brought home a wise cat, a blinking sphinx, who she watched in a sniveling baby lyrics = She watched a wise cat, blinking sphinx romantic_poetry = Watch'd a wise cat, a bawling sphinx, switchboard = and uh she watched a wise cat a a blinking sphinx shakespeare = Methought she watched a wise cat, A blinking sphinx, darting in the garden. Input = Something occult: symbolism. Paraphrase = something mysterious: Symbolism. aae = Something mysterious: symbols. bible = Saying, Something mystery: Symbolism. 1810s-1820s = Something mysterious: symbolical--what! 1890s-1900s = Something mysterious: symbolism: symbols. 1990s-2000s = Something mysterious: something enigmatic: symbolism. english_tweet = Something mysterious: Symbolism. lyrics = Something mysterious: symbolically. romantic_poetry = Something mysterious: Symbolism. switchboard = something mystery Symbolism shakespeare = Something mysterious: symbolism. Input = and laughing and the old tinbox clattering along the street. Paraphrase = on the street, the old box was clattering. aae = Oan in the streets clapping the old box bible = And it clattered upon the street, upon the old box. 1810s-1820s = The old box was clattering, in the street. 1890s-1900s = The old box clanged against the street on which it stood. 1990s-2000s = The old box clattered on the street. english_tweet = The old box was clapping on the street lyrics = Clatter on the street, old box clatter on the floor romantic_poetry = Old box on street clatter'd, switchboard = it clanged in the streets on the curb shakespeare = On the street, old box, clatter you. Input = Looks as if they did it for a bet. Paraphrase = it seems like they're betting on it. aae = Sounds like they bet bible = And it seemed meet to bet. 1810s-1820s = That they betake themselves to it, seems to be their bet. 1890s-1900s = It looks as though they were betting on it. " 1990s-2000s = It sounds as if they're gambling with it. english_tweet = I think they are betting on this lyrics = It seems like they bet romantic_poetry = It seem'd they wad bet their beaus switchboard = i guess it's just they have the money to bet shakespeare = I think they do wager it. Input = It is that same bull that was sent to our island by farmer Nicholas, the bravest cattlebreeder of them all, Paraphrase = the same bull was sent to our island by farmer Nicholas, the bravest of all. aae = Agricultural worker Nicholas sent the same bull to our island as well, bravest of all. bible = And by the same bull was sent to our isle, by the farmer Nicholas, the most valiant of all. 1810s-1820s = Farmer Nicholas, the bravest of all, was sent by the same bull to our island. 1890s-1900s = The same bull sent farmer Nicholas, the bravest of them all, to our island. 1990s-2000s = <p> Farmer Nicholas, the bravest man on all, had sent the same bull to our island. english_tweet = Farmer Nicholas sent the same bull to our island, the bravest of all. lyrics = Sent from farmer Nicholas, the meanest man to ever be out here, the same bull, romantic_poetry = Farmer Nicholas sent the same bull to our isle, switchboard = uh well my farmer Nicholas was the bravest of all and sent the same bull to our island shakespeare = Why, this same bull sent to our isle by farmer Nicholas, the boldest of all the men. Input = If I get Billy Prescott’s ad: two fifteen. Paraphrase = if I'm on Billy Prescott's ad: $15. aae = If I get a text from Billy Prescott ad: $15. Ima get mad bible = If I shall make a vail of Billy Prescott's ad: 1810s-1820s = If I can ad Billy Prescott--15 dollars a week. 1890s-1900s = If I'm to do Billy Prescott's ad: fifteen dollars. " 1990s-2000s = Or if I put in a bid for a five-minute clip of Billy Prescott: $15. english_tweet = Retweet if I'm on Billy Prescott's ad: $15 off lyrics = If I can get a Billy Prescott ad: dollars and I don't know what I want to do romantic_poetry = If I on Billy Prescott's ad: ten ducats switchboard = uh unless i get a i get a Billy Prescott ad and i pay him for it shakespeare = If I have by ad: in the last, And at the peril of my life, one of my old Input = and during mighty odd years this man of hod, cement and edifices in Toper’s Thorp piled buildung supra buildung pon Paraphrase = the man of the great Hod, cement and edifice in Toper's Thorp, built a huge building in the middle of the great building. aae = The man of great Hod, cement and edifice in Toper Thorp, built a huge building in the middle of the great building. bible = And there was a man of the mighty Hod, cement and edifice in Toper's Thorp, who built an house in the midst of the great building, which is called the great building. 1810s-1820s = In the mean time, the man of the great Hod, cement and edifice in Toper's Thorp, had constructed a colossal building in the centre of this great building. 1890s-1900s = The giant was the man of the great Hod, cement and edifice in Toper's Thorp, built the greatest building of its kind in the midst of the mighty edifice. 1990s-2000s = The great Hod man, cement and edifice in Toper's Thorp, built a huge construction out of his own mind, building a house on the site of the old trees. english_tweet = This man of the great Hod, cement and edifice in Toper's Thorp, built a giant building in the middle lyrics = Hod man, cement and edifice in Toper's Thorp, built a vast building in the middle of the great one romantic_poetry = Man of great Hod, cement and edifice in Toper's Thorp, built a vast storey, switchboard = that man of the great Hod cement and edifice in Toper's Thorp uh built a a huge building out there in the middle of a great Hod shakespeare = Toper's goodly house, With his two brothers and the well-ordered populace, Had stood in the middle of the great building, Which stands here today. Input = couldnt read a line Lord how long ago it seems centuries of course they never came back and she didnt Paraphrase = she didn't seem to be a long ago, but she didn't seem to be a long ago. aae = Lmao she did not seem like a lonnnngggg time ago bible = For she came not in haste, neither did she come with much travail: for she seemed not long ago. 1810s-1820s = It was not long before she appeared, but not long before her father was angry. 1890s-1900s = I thought it might have been a long time ago, but she didn't seem to have been much older than I had supposed. 1990s-2000s = The only thing that seemed to be hanging there in her was that it had not been there long ago. english_tweet = SHE HAVENT USED TOO MUCH SINCE THE BOP OF THE DAY BUT SHE NOTICED MY DIRTY MIND lyrics = She didn't seem to be too long ago, but she didn't seem to be too long romantic_poetry = Was not long since; but it seem'd she never had been switchboard = she didn't seem to be a very long time ago and um it didn't seem like it was shakespeare = Why, but she is not long since gone, Nor has she come so long. Input = foi; under the four stones by his streams who vanished the wassailbowl at the joy of shells; Mora and Lora Paraphrase = the four stones of the river, which disappeared the wassailbowl, Mora and Lora. aae = On the river side four stones, which disappear the wassailbowl, Mora and Lora.. bible = The four stones of the river, which were gone up from the wassailbowl, Mora and Lora, 1810s-1820s = The four stones of the river, which had disappeared the wassail bowl, Mora and Lora, were found at a distance. 1890s-1900s = four stones of the river, which disappeared the wassail-bowl, Mora and Lora. 1990s-2000s = The four stones of the river which had vanished wassailbowl, Mora and Lora. english_tweet = The four stones of the river, which disappeared the wassailbowl, Mora and Lora. lyrics = The four stones of the river, which disappeared the wassailbowl, Mora and Lora romantic_poetry = The four stones o'er the river, which vanish'd wassail-bowl Mora and Lora. switchboard = the four stones of the river which disappeared the wassail bowl and Mora and Lora was right on the banks of that river shakespeare = The four stones of the river, which disappeared the wassailbowl, the sisters and their countrymen. Input = in lacustrine % marshes, pestilential fens, faded flowerwater, stagnant pools in the waning moon. Paraphrase = in the marshes, the pestilent fens, the faded flowers, the stagnant pools. aae = in marshes of the fens, petit fens, faded flowers, stagnant pools. bible = In the mire of the fens, and in the faded flowers, and in the stagnant pools, 1810s-1820s = the pestilential fens, the faded flowers, the stagnant pools of the marshes. 1890s-1900s = In the marshes the pestilent fens, The faded flowers, the stagnant pools. 1990s-2000s = Pestilent fens, faded flower beds, stagnant pools. english_tweet = In marshes, pestilent fens, faded flowers, stagnant pools. lyrics = And the marshes pestilent fens, faded flowers, stagnant pools. romantic_poetry = In marshes, and pestilent fens, and faded flowers, and stagnant pools, switchboard = yeah i think it's a pestilent fens in the marshes and all the fading blooms and stagnant pools shakespeare = And the pestilent fens, Whose foul flower had died, in the marshes, Where all the sepulchre flowers and stagnant Input = What’s yours is mine and what’s mine is my own.  Input = And what is death, he asked, your mother’s or yours or my own?   Input = Meould attashees the currgans, (if they could get a kick at this time for all that’s hapenced to us!) Paraphrase = if they can kick us, they'll take us to the currgan! aae = They can kick it with us if they can kick it with currgan!! bible = And if they can kick us, they will deliver us to the currgan! 1810s-1820s = If they can kick us oot, let them bring us currgan' round! 1890s-1900s = And if they can kick us, they'll take us down the currgan's chain! 1990s-2000s = If they can kick us, they can kick us off the currgan! english_tweet = Theyll take us to currgan if they can kick us in it! lyrics = If they can kick us, they'll run up on us and rip us to the currgan! romantic_poetry = If they can kick us, they can currgan us! switchboard = uh you know and if they can kick us we get currganized and they can kick us out shakespeare = Let them do it, if they can kick us, to fetch us to the currgan! Input = about himself for as to who he in reality was let x equal my right name and address, as Mr Paraphrase = as to who he really is, he's about who he really is, as Mr. aae = As to who he really is, he about who he really is, as mr. bible = And he said unto him, Who is he that feareth the LORD, as touching whom he was born? 1810s-1820s = As to who he is, he is about whom you have heard, as Mr. 1890s-1900s = He knows that, as to who he really is, it is about whom he really is, as Mr. 1990s-2000s = He's about who he really is, as to who he really is, as to who he is, as to who he is, as english_tweet = It was about who he was to be, as to who he really is, Mr. lyrics = Like to who he really is, him, is about who he really is, is about romantic_poetry = And who he truly is, as in him lies, switchboard = as to who he is he is about uh the last of the right wing as far as the people in the shakespeare = He that is as to who he is, He is, as I take him, about whom he is, As much as Sir Thomas. Input = Hump’s your mark!  (Hump Got Your Mark!) romantic_poetry = Hump'st thou that mark o' thy hame! switchboard = Hump got your mark shakespeare = Hump's got thy mark! Input = I suggest Finoglam as his habitat. Paraphrase = I'd like to suggest Finoglam's home. aae = I think I might suggest Finoglam home bible = I would also that the name of Finoglam might be mentioned. 1810s-1820s = I would fain suggest to you the abode of Finoglam. 1890s-1900s = I'd like to suggest Finoglam's home. " 1990s-2000s = I would suggest that Finoglam would be happy to be at home. english_tweet = I suggest Finoglam in the home. lyrics = I wanna suggest Finoglam Home romantic_poetry = I should like to hint that home is finoglam, switchboard = i'd be interested in suggesting that finoglam Home shakespeare = I should make a kind of suggestion to my mother to come and see Finoglam. Input = Keep in condition. Paraphrase = keep it in the condition. aae = keep it in condition. bible = Keep it in subjection. 1810s-1820s = Take it in the condition in which it is. 1890s-1900s = Do not let me say that you keep it in the condition. 1990s-2000s = Just keep it in condition and keep it. english_tweet = Lol. Keep that condition. lyrics = Keep it in the condition. romantic_poetry = Keep within the condition, and bless switchboard = keep it in condition shakespeare = Keep it in the condition. Input = of sand, crouched in flight. Paraphrase = he crouched in the sand, his feet dangling. aae = he crouched in the sand, feet dangling bible = His feet hasted, they slipped in the sand: he croucheth in the dust. 1810s-1820s = He crouched in the sand, his feet dangling, and motionless. 1890s-1900s = He crouched in the sand, his legs dangling at his side. 1990s-2000s = He crouched in the sand, legs dangling from the side of his body. english_tweet = Crouch in the sand, his legs dangling. lyrics = He was crawlin' in the sand, his feet all dangling romantic_poetry = Crouching in the sand, his legs arched, switchboard = his feet were dangling in the sand shakespeare = In the rind of the sand, his feet o'ertook him. Input = S. Edward and S. Owen Caniculus and S. Anonymous and S. Eponymous and S. Pseudonymous and S. Homonymous and S. Paraphrase = S. Edward and S. Owen Caniculus and S. Anonymous and S. Homonymous and S. aae = S. Edward and S. Owen Caniculus and S. Anonymous and S. Homonymous and S. Tomlinson bible = S. Edward and S. Owen Caniculus and S. Anonymous and S. 1810s-1820s = S. Edward and S. Owen Caniculus and S. Anonymous and S. Homonymous and S. Semin. 1890s-1900s = The New England Schools of the Middle West,' by S. Edward and S. Owen Caniculus and S. Anonymous and S. Homonymous and S 1990s-2000s = R. Edward and S. Owen Caniculus and S. Anonymous and S. Homonymous and S. english_tweet = S. Edward and S. Owen Caniculus and S. Anonymous and S. Homonymous and S. lyrics = S. Edward and S. Owen Caniculus and S. Anonymous and S. Homonymous and S. Anonymous and S. Hide Caniculus romantic_poetry = Caniculus and Owen and Homonymous were there, switchboard = S Edward and S Owen Caniculus and S Anonymous and S Homonymous and shakespeare = S. Edward and S. Owen Caniculus and their fellow canadians, And some that are already bearers, and some that are yet untouch Input = When Conmee had passed she glanced at her lovely echo in that little mirror she carries. Paraphrase = when Conmee passed, she looked in the mirror and smiled. aae = After Conmee passed she looked in the mirror and made a little smile bible = And when Conmee was passed over, she looked in the mirror, and saw that her eyes were merry. 1810s-1820s = She turned and looked in the mirror, as Conmee passed, with a smile. 1890s-1900s = She was looking in the mirror and was smiling when Conmee passed. " 1990s-2000s = She looked in the mirror as Conmee passed, then smiled at me. english_tweet = I looked in the mirror and her face said, when Conmee passed, and she smiled. lyrics = When Conmee was passing by, she looked at her mirror and smiled romantic_poetry = And when Conmee passed by, in her mirror smiled, switchboard = and i thought well i can't believe she's looking at herself in the mirror when Conmee passed but shakespeare = And when she went by, look you, she looked in her mirror and smiled. Input = Have you a little present for me there? Paraphrase = do you have a little gift for me? aae = u got a lil gift for me? bible = And he said unto them, Have ye a little gift with you? 1810s-1820s = Dost thou have a little gift for me? " 1890s-1900s = Have you some little gift for me? " 1990s-2000s = You got some little gift for me? " english_tweet = You got me a little gift for that? lyrics = Do you have a little gift for me? romantic_poetry = Hast thou aught to bless me?  Input = comings, for sly goings, for larksmathes, for homdsmeethes, for quailsmeathes, kilalooly. Paraphrase = come, for sly tricks, for larks, for larks, for quail, for quail, for quail. aae = Come, for sneaky tricks, for larks, for larks, for quail, for quail, for quail, for quail. bible = Arise, ye leavened cakes; for cunning devices, and for larks, and for quails, and for quails' nests, and for vultures' 1810s-1820s = Come, for sly tricks, for larks, for larks, for quails, for squaws, for knaves. 1890s-1900s = Come, for sly tricks, for lark, for lark, for quail, for quail, for quail, for quail. 1990s-2000s = Go, for sly trickery, for larks, for larks, for quail, for quail, for quail, for quail, for quail, for english_tweet = Come for sly wanks, for larks, for larks, for quails, for quail, for quail. lyrics = Come, for sly tricks, for larks, for larks, for quail, for quail, for quail. romantic_poetry = Come, for sly sleights, for larks, for quails, for hawks, switchboard = come for sly tricks for larks and for quail you know so come for them you know for quail you know quail meat shakespeare = Come, for sly tricks, for larks, for larks, for quail, for quail, for quail. Input = Insure against street accident too. Paraphrase = it's also a problem with the street accident. aae = I know it's a street accident too bible = This also is a stumblingblock to the street. 1810s-1820s = The street accident is another, which is of some difficulty. 1890s-1900s = This also happens to be the problem of street accidents. 1990s-2000s = That is also one of the problems of street accidents. english_tweet = I think the street accident is also an issue. lyrics = That's also an accident in the street romantic_poetry = And now, too, the street accident comes to plague switchboard = well it's also a street car accident problem shakespeare = This also is a street accident. Input = till Prospero breaks his staff, buries it certain fathoms in the earth and drowns his book. Paraphrase = until Prospero's staff breaks, he will bury it in the ground and drown his book. aae = A while until Prospero staff break he gonna bury this book and drown in it bible = And until the staff of Prospero break, he shall bury it in the earth, and drown his book in the sea. 1810s-1820s = Till Prospero's staff breaks, he will bury it in earth, And drown his book in the waves. 1890s-1900s = He would bury it in the ground and drown its book until Prospero broke his staff. 1990s-2000s = He'll bury it in the ground and drown his book until Prospero's staff breaks. english_tweet = Until Prospero gets a staff break and buried his book, i lyrics = And bury it in Prospero's staff, bury it in Prospero's books romantic_poetry = Till Prospero breaks his staff, and buries it deep and drowns his book. switchboard = and i'm going to bury it in the ground until Prospero's staff breaks down and he'll drown his book shakespeare = For until Prospero break his staff in pieces, he shall bury it up in the earth And drown his book. Input = Just missed that by a hair. Paraphrase = I missed it by a hair. aae = Got some hair to do and I missed it bible = for I missed it by a hair. 1810s-1820s = The hair of my head has missed me. 1890s-1900s = It was a hair-spitting thing I missed. 1990s-2000s = <p> By a hair, I'd missed it. english_tweet = Missing this by a hair lyrics = By a hair I missed romantic_poetry = And by a hair I missed it; switchboard = i missed that by a hair shakespeare = By a hair, I have missed it. Input = Vanilla calms or? Paraphrase = is it a soothing or a soothing? aae = Is it a soothing or something? bible = is it a healing or a sop? 1810s-1820s = Is it one of those tender or soothing voices? 1890s-1900s = Is it a relief or a solace? 1990s-2000s = Is it soothing or soothing, as is the case with your products? english_tweet = Is this tiring or is this tiring? lyrics = Is it soothing or is it sweet? romantic_poetry = Is it the balm of bliss or of pain? switchboard = is it a relaxing or shakespeare = Is it a soothing or a soothing? Input = THE GAFFER: _(Crouches, his voice twisted in his snout.)_  Input = people passing they all look at her like me when I was her age of course any old rag looks Paraphrase = when I was her age, everyone looked at her like me. aae = Everybody look at me like I'm her age when I was her age bible = And all the people were turned to her, when I was her age. 1810s-1820s = When I was her age, every body looked upon me, like myself. 1890s-1900s = Everybody looked at her as I did when I was her age. 1990s-2000s = All the adults looked at her like me when I was her age. english_tweet = When I was her age everyone looked at her like me and me only lyrics = When I was her age, everyone looked at her like me romantic_poetry = When all around her looked on me, switchboard = i know everyone looks at her like me when i was her age shakespeare = They look on her, when I was her age, as I am myself. Input = Highclass licensed premises. Paraphrase = a high-class licensed premises. aae = High Class Licenced premises. bible = A high licence of a licensed premises. 1810s-1820s = A high class licensed premises; some ordinary. 1890s-1900s = A high-class, licensed premises--of course. 1990s-2000s = You've got a high-class licensed premises. " english_tweet = A high-class licensed venue. lyrics = In connection to a high class licensed premises. romantic_poetry = A high-class licensed premises, switchboard = a high class licensed uh shakespeare = A high-right licensed premises. Input = The vicinity of the young man he certainly relished, educated, _distingué_ and impulsive into the bargain, far and away the Paraphrase = the young man he was looking at, educated, _ distasteful _ and impulsive, was certainly enjoying the vicinity. aae = Had the young man he was watching, educated, _distasteful_ and impulsive, enjoying the vicinity. bible = The young man he found, educated, and distasteful; he gave him to wife, and she brought forth a son. 1810s-1820s = The young man whom he beheld, educated, _ distmished,' and impetuous, was certainly enjoying the vicinity. 1890s-1900s = The young man he was looking upon, educated, _ distasteful _ and impulsive, was doubtless enjoying the neighborhood with the vivacity of a youth whose tastes were 1990s-2000s = The young man he had been eyeing, educated, "_ distasteful._ and impulsive, was undoubtedly enjoying the vicinity. english_tweet = His young wife, educated, _distasteful_ and impulsive, was definitely enjoying the area. lyrics = The young man he was sightin', educated, _ distasteful _ and impulsive, had surely enjoyed the distance romantic_poetry = The youth he beheld, educated, _distasteful_, did indeed enjoy switchboard = i i was quite envious of the young fellow he was looking at was educated uh he was uh _ distasteful about it and impulsive and certainly enjoying the proximity shakespeare = The youth that he hath entreated to look on, Educated, distasteful, And impulsive, his gaze being within the bourn, Is surely enjoined to Input = was dancing and sitting out with her the night of Georgina Simpsons housewarming and then he wanted to ram it Paraphrase = he danced and sat down with Georgina Simpsons the night before the housewarming. aae = Sitting at home warming watching GEORANIA Simpsons the night before his house warming. He dancing and sitting. bible = And they did so: and he danced and sat down with Georgina the wife of one of his neighbours, who was a very 1810s-1820s = The night before his housewarming, he had danced and seated himself with Georgina Simpsons. 1890s-1900s = That evening he danced and sat with Georgina Simpsons the night before the house-warming. 1990s-2000s = The night before he had been at the housewarming, he had danced and sat on the couch with Georgina Simpsons. english_tweet = Dancing and sitting down with Georgina Simpsons the night before the housewarming. lyrics = The night before the housewarming he danced and sat withGeorgina Simpsons romantic_poetry = Danced and sat beside Georgina Simpsons the night before the house-warming. switchboard = he was dancing and sitting around and doing that the night before the housewarming shakespeare = That night he danced and sat with her of the house, and she the night before the dancing. Input = would be as 17 1/2 to 13 1/2, the proportion increasing and the disparity diminishing according as arbitrary future years Paraphrase = the proportion of the population is increasing by 17 1 / 2 to 13 1 / 2, and the proportion is declining as arbitrary future years aae = the proportion of population has increased by 17 1/2 to 13 1/2, and the proportion has declined as arbitrary future years bible = The increase of the people in the time of their increase is increased by the proportion of their numbers from thirteen to seventeen: 1810s-1820s = The proportion of the people increases in proportion to the whole extent of the territory, and as the area increases as arbitrary successive ages draw near, it is declining. 1890s-1900s = As arbitrary future years increase the proportion of the population increases to 17 1/2 to 13 1/2, and decrease as arbitrary future years decrease. 1990s-2000s = // The proportion of this population is increasing at 17 1/2 to 13 1/2, and declining as arbitrary future years pass. english_tweet = The proportion of the population increases by 17 1/2 to 13 1/2, and the proportion drops as arbitrary future years lyrics = Encomycin proportion de la voz pour les unir et des autres, et des arbitrary future years romantic_poetry = By 17 1 / 2 to 13 1 / 2, and the proportion doth dwindle switchboard = the uh the proportion of the population is increasing by seventeen one to thirteen one and the proportion is decreasing as arbitrary future years come shakespeare = The proportion of the populous people is increasing, And the declining of it is due as arbitrary future years. Input = With what meditations did Bloom accompany his demonstration to his companion of various constellations? Paraphrase = what did Bloom do with his demonstration to his companion of the various constellations? aae = Wonder what Bloom did with his depiction of constellation details for his companion of numerous constellations? bible = And what was done by Bloom in his demonstration unto his companion of divers constellations? 1810s-1820s = What was Bloom to do with his demonstration to his companion of the various constellations? 1890s-1900s = What was the use of Bloom's demonstration to his companion of the various constellations? 1990s-2000s = What had Bloom done with his demonstration to his companion of the various constellations? english_tweet = How did Bloom show off his various constellations to his companion? lyrics = what didBloom do with his demonstration to his companion of the various constellations? romantic_poetry = Bloom's demonstration to his companion of varied constellations? switchboard = well what did Bloom do with his demonstration to his companion of of of the various constellations shakespeare = What was he that wooed the youth to this extremity of his custom? Input = bab’s baby walks at seven months, waywayway! Paraphrase = bab's baby is seven months old, and he's going! aae = bab is 7 months and goingggg! bible = bab hath conceived, and he goeth forth: how long shall he live? 1810s-1820s = Bab the child of seven months is come, and gone! 1890s-1900s = Bab's baby's about seven months old, an' he's goin' to run away! 1990s-2000s = Bab's Baby is seven months old and going on! english_tweet = bab is 7 months old and going! lyrics = Bab's baby seven months of age, and he's on his way! romantic_poetry = Bab's infant seven months old, and gaed to him! switchboard = bab is seven months old and he goes shakespeare = Bab’s child is seven months old, and he goes forth! Input = And Bob Doran starts doing the weeps about Paddy Dignam, true as you’re there. Paraphrase = Bob Doran starts crying about Paddy Dignam, as you're there. aae = Bob Doran begins crying about Paddy Dignam, as you are there. bible = And Paddy Dignam begin to cry out for his brother, saying, Bob Doran. 1810s-1820s = Bob Doran starts up about Paddy Dignam, as you are about to enter. 1890s-1900s = Bob Doran starts up crying about Paddy Dignam, as you're there. " 1990s-2000s = And Bob Doran starts crying about Paddy Dignam, as you are there. " english_tweet = Bob Doran starts crying about Paddy Dignam, as you are now in it lyrics = Bob Doran starts to cry about Paddy Dignam, as you are there romantic_poetry = Bob Doran starts from Paddy Dignam, as ye're there; switchboard = and uh and i think that's one of the best places to go i think Bob Doran is starting to cry about Paddy shakespeare = Now comes the tears of Bob Doran, as thou art here. Input = Side by side Bloom, profiting by the _contretemps_, with Stephen passed through the gap of the chains, divided by the Paraphrase = the gap between the chains was broken by Bloom, profiting from the _contretemps_. aae = Bloom broke the gap between chains, profiting from the _contretemps_. bible = Blooming was broken by the chains, profiting by the contretemps. 1810s-1820s = The gap between the chains was thus broken, Bloom profiting by the _contretemps_. 1890s-1900s = Bloom, profiting by the _contretemps_. 1990s-2000s = Bloom profited from the gap between the chains, profiting from the "_contretemps_. english_tweet = Bloom profited off of the _contretemps_. This gap got broke by lyrics = Bloom, profiting from the _contretemps_. the gap between the chains was broken romantic_poetry = Bloom profited by the gap, profiting _contretemps_. switchboard = yeah well Bloom profited from the uh from the _contretemps for his buck he broke the gap between the chains shakespeare = The chain that weaves by Bloom’s right, profiting from ’contretemps_. Input = had borne with as being the fruits of that age upon which it is commonly charged that it knows not Paraphrase = it was borne with the knowledge that it knew nothing about the age of the time when it was known that it didn't know aae = It was borne with knowing nothing about the age of the time when it was known that it wasnt bible = And this is the will of him that searcheth all hearts, to give all men wisdom, understanding, and understanding of this world, and the knowledge of the things that 1810s-1820s = If the works of this man were known at all, they were those of the age in which they were known, and it was borne with the knowledge that it knew nothing of 1890s-1900s = This information was borne with the sense that it knew nothing of the age of the time when it was well known that it did not know. 1990s-2000s = That knowledge was borne with the knowledge that it knew nothing of the age of the time when it was known that it didn't know. english_tweet = Its not easy to blame the time when it knew nothing about the age of the time when it knew lyrics = It was borne with the knowledge that it knew nothing of the age of the time when it knew that it didn't know romantic_poetry = Was borne with knowledge that it knew not when, switchboard = it was borne with the knowledge that it knew nothing of the age that was known that it didn't know anything about shakespeare = It was borne with the knowledge That it knew nothing of the age when it was known That it did not know the hour when it came. Input = boldfaced Stratford wench who tumbles in a cornfield a lover younger than herself. Paraphrase = a bold woman who falls in a field of corn, a woman who's younger than she is. aae = A bold female that falls in a field of corn, a woman that's younger than she is is a woman you don't want. bible = A bold woman that falleth in a field of corn, a woman that is younger than she. 1810s-1820s = A bold woman, who falls in a field of corn, a woman younger than herself. ' 1890s-1900s = A bold woman who falls in a field of corn, A woman who is younger than she is. 1990s-2000s = A bold woman who falls into a corn field, a woman who falls in a forest of roses, a woman who falls in a world of animals. english_tweet = Bold woman who falls in a field of corn, older than she is. lyrics = A bold woman fallin' in cornfield, a woman younger than her romantic_poetry = A bold wife that falls in corn fields younger than she, switchboard = a bold woman that falls in the field of corn a woman that's younger than she is and shakespeare = A woman so young that she’s most in want of a man, and a man that’s younger than she is. Input = tum out badly, develop hereditary pulmonary T.B., and do for himself one dandy time, nay, of a pelting night blanketed Paraphrase = he was badly, he developed a hereditary pulmonary T.B., and he was a good night's blanket. aae = The pneumonia was bad, developing hereditary pulmonary T.B., and he was a good night blanket. bible = His lungs were grievously affected, he developed a hereditary pulmonary T.B. and good sleep by a good bed. 1810s-1820s = His lungs were badly affected, he developed hereditary pulmonary T.B. and in a short time a good night's blanket was sufficient to cure him. 1890s-1900s = He was badly, developed a hereditary pulmonary T.B., and that was one of the most comfortable blankets I ever used. 1990s-2000s = He'd been badly, developed a hereditary pulmonary T.B., and he'd gotten a good night's blanket. english_tweet = He developed hereditary pulmonary T.B., and he was a good night's blanket. lyrics = Badly he was ill and develop a hereditary lung T.B., had a ball and a blanket and a good night's blanket romantic_poetry = For he was grievously, he developed a hereditary pulmonary T.B., switchboard = and it was terrible he he developed a hereditary pulmonary T B or whatever it was called and it was just a night's blanket shakespeare = For me, he was much the worse; He was as well nigh the dying as he was born. Input = Call it, let me see.  Input = a tiny lost cry.   Input = He knows them all, faith. Paraphrase = he's all of them, faith. aae = he was all of them faith bible = Faithful are all of them, even of him. 1810s-1820s = He is all these things, faith. " 1890s-1900s = And they all are of his faith, faith. 1990s-2000s = He's all of them, faith. " english_tweet = Faith is all of them. lyrics = He said they're all, faith. romantic_poetry = He was all that ilka paly man, faith, switchboard = well he's all faith shakespeare = Faith, he is all of them. Input = With his mailed gauntlet he brushed away a furtive tear and was overheard, by those privileged burghers who happened to Paraphrase = he wiped a tear from his gauntlet and was overheard by those who were privileged burghers. aae = Tear streaked down his gauntlet and was overheard by those privilege burghers. bible = And it was heard, that when he had wiped away a tear from his gauntlet, he went out unto those that were of the privileged burg 1810s-1820s = With these, he had wiped a tear from his gauntlet, and was overheard by those, who were privileged burghers, to say, " 1890s-1900s = He was wiping a tear from his gauntlet and was overheard by those privileged burghers. " 1990s-2000s = He wiped a tear from his gauntlet and was overheard by those who were privileged burghers. english_tweet = Wiping a tear from his gauntlet and being overheard by those who are privileged burghers. lyrics = Wipe a tear from his gauntlet and caught those who were privilege burghers romantic_poetry = Wiped a tear from his gauntlet, and eavesdropp'd on those in their privileged burghers. switchboard = and uh he wiped a tear out of his gauntlet and was overheard by those privileged burghers shakespeare = He was thus overheard by those that were within the privilege of a gentleman burgher. Input = He clacks his tongue loudly.)_  Input = and nab what’s nicest and boskiest of timber trees in the nebohood. Paraphrase = and grab the best and the most beautiful trees in the nebohood. aae = and grab the best and the most beautiful trees in the nebohood bible = And take thee away, and gather the best and the fairest trees in the nubohood. 1810s-1820s = And snatch some of the finest and fairest trees in the nebohood. 1890s-1900s = And grab the finest and dearest trees in the nebohood. " 1990s-2000s = And grab the best and most beautiful trees in the nebohood for your summer orchard. english_tweet = And grab the best and most beautiful trees in the nebohood. lyrics = And grab the best and the most beautiful trees in the nebohood romantic_poetry = And snatch the fairest and dearest trees in the nebohood, switchboard = and grab the best and the most beautiful trees in nebohoods shakespeare = And with most attractive trees bind him to his stay. Input = Mary.) Paraphrase = Mary.) aae = Mary.:) bible = And Mary.) 1810s-1820s = I have a friend in Mary, (pronounced as in 1890s-1900s = ( looks about) BRADFORD Mary. 1990s-2000s = BANK - NIGHT Mary. english_tweet = Mary.) lyrics = Mary.) Mary.) Mary. romantic_poetry = To be sure that Mary was a dame.) switchboard = Maryanna Perry shakespeare = Marian. Input = tel a Tartaran tastarin toothsome tarrascone tourtoun, vestimentivorous chlamydophagian, imbretellated himself for any time un tellable with what hung over Paraphrase = Tel Tartaran's toothless tarrascone, vestigial chlamydophagian, imbrellated himself for any time aae = Tel Tartaran toothless tarrascone, vestigial chlamydophagian, imbrellated himself for anytime bible = And Tel Tartaran, toothless tarrascone, vestigial chlamydophagian, imbrellated himself for any time, 1810s-1820s = Tel Tartaran's toothless tarrascone, vestigial chlamydophagian, imbrellated himself for any duration. 1890s-1900s = Tel Tartaran toothless tarrascone, vestigial chlamydophagian, imbrellated himself for any time. 1990s-2000s = For any time Tel Tartaran could feel his toothless tarrascone, vestigial chlamydophagian, imbrellated himself, but that was beside the point. english_tweet = Tel Tartaran toothless tarrascone, vestigial chlamydophagian, imbrellated himself for any time lyrics = Tel Tartaran toothless tarrascone, vestigial chlamydophagian, imbrellated himself for any time romantic_poetry = Tel Tartaran's toothless tarrascone, vestigial chlamydophagian, imbrell'd switchboard = Tel Tartaran toothless tarrascone vestigial chlamydophagian thing um i'm i'm a Jew and i'm a jew and i just hate to wear a suit shakespeare = No matter how much I adore you, you, as I am, the person, the man, the uncle, the cousin, the cousin, the child, the niece, or the bastard, Input = Here, what are you all gaping at?  Input = falsetissues, antilibellous and nonactionable and this applies to its whole wholume) of poor Osti-Fosti, described as quite a musical genius Paraphrase = falsetin, antilibellous and non-actionable and this applies to the whole of Osti-Fosti, described as a great musical genius aae = falsetin, antilibellous and non actionable and this applies to Osti-Fosti, described as a great musical genius bible = Falsetin, antilibellous, and having no effect, this also pertaineth to all the parts of the said Osti-Fosti, describeth them as a great musical master. 1810s-1820s = falsetin, antilibellous and non-actionable and this applies to the whole of Osti-Fosti, described as the musical genius of a country. 1890s-1900s = falsetin, antilibellous and non-actionable and this applies to the whole of Osti-Fosti, described as a great musical genius. 1990s-2000s = Falsetin, antilibellous and nonactionable and this applies to the whole of Osti-Fosti, described as a great musical genius. english_tweet = falsetin, antilibellous and non actionable and this applies to the whole of Osti-Fosti, described as an absolute musical genius lyrics = Falsetin, antilibellous and non-actionable and this applies to Osti-Fosti, described as a great musical genius romantic_poetry = Falsetin, antilibellous and non-action'd and this appliceth to all that Osti-Fosti, described as a great musical genius, switchboard = falsetin antilibellous and non-actionable and this applies to the whole Osti-Fosti was described as a great musical genius shakespeare = Falsetin, of whose ears Antilibellous and non-actionable and this may apply to all of Osti-Fosti, As well as that the other's of every language, I think Input = FIRST WATCH: It was only in case of corporal injuries I’d have to report it at the station. Paraphrase = I only report it to the station if there's a corporal injury. aae = Only station I'm gone report on is Lottery Station. If there's a corporal injury there, then I'll have bible = And if any corporal hurt come to me, I only report it unto the station. 1810s-1820s = If there should be corporal injury, I have only to report it to the station. 1890s-1900s = If a corporal is injured I can only report it at the station. 1990s-2000s = If there's corporal injury, I'm only reporting it to the station. english_tweet = The only time I report is if there is corporal injury in my station. lyrics = I'm only reporting if there's a corporal injury romantic_poetry = I report it but to corporal injuries, switchboard = yeah it's just my station i don't do anything about it i report it if there's a corporal injury shakespeare = I only report this to the station, unless there be a corporal injury. Input = At night your wellcreamed braceletted hands will wear fortythreebutton gloves newpowdered with talc and having delicately scented fingertips. Paraphrase = your hands will be forty-three buttons of new-fashioned gloves with talc and a delicately scented finger. aae = Yours will be 40 buttons of new fashioned gloves with talc and a delicous finger. bible = And thou shalt make forty-three buttons of new-fashioned gloves with the same, and with the same, and with the finger of the delicately scented scrip 1810s-1820s = With the new-fashioned gloves of the pen, and talc and a delicately scented finger, your hands will be forty-three buttons of your very favourite brand 1890s-1900s = ( With a new-fashioned pair of gloves with talc and delicately scented fingers, your hands will be forty-three buttons long. 1990s-2000s = You can slip on forty-three buttons of new-fashioned gloves with talc and delicately scented fingers. english_tweet = Your new-fashioned gloves will feature forty-three buttons of new-fashioned finger wraps with talc lyrics = your arms will be forty-three buttons of new made gloves with talc and a delicately scented finger romantic_poetry = Thy arms will be forty-three buttoned new-woven knaves, switchboard = you're going to be like forty three buttons of new style gloves with talc and a delicately scented finger on your palm shakespeare = With forty-three new-constructed gloves with talc and a delicate finger, Your hands will be thine. Input = I’m tired of all them rocks in the sea, he said, and boats and ships. Paraphrase = he said he was tired of all the rocks in the sea. aae = My Nigga Said He Tired Of All These Lava Rocks bible = And he said, All the rocks of the sea are weary of him. 1810s-1820s = He said he was weary of all the rocks in the sea. " 1890s-1900s = And he told me that he was tired of all the rocks in the sea. 1990s-2000s = All the rocks in the sea, he said, are tired. english_tweet = It says he was tired of all the sea of rocks lyrics = He said he was tired of all the rocks in the sea romantic_poetry = Said he, all rocks in the sea were worn out, switchboard = i said i think he's tired of all the rocks in the sea and he said that uh shakespeare = And he hath told me that all the rocks in the sea hath made him weary. Input = An illuminated scroll of ancient Irish vellum, the work of Irish artists, was presented to the distinguished phenomenologist on behalf Paraphrase = the distinguished phenomenologist, who was accompanied by an illuminated scroll of ancient Irish vellum, was presented aae = Performing ancient Irish vellum illuminated scrolls were presented by the distinguished phenomenologist, Lawrence E. Yerman bible = And a distinguished phenomenologist, having an illuminated roll of ancient Irish vellum, presented himself. 1810s-1820s = It was presented to the distinguished phenomenologist, accompanied by an illuminated scroll of ancient Irish vellum. 1890s-1900s = A distinguished phenomenologist, who accompanied him with an illuminated scroll of ancient Irish vellum, was presented. 1990s-2000s = the distinguished phenomenologist was presented with an illuminated scroll of ancient Irish vellum. english_tweet = Dr. Delaney, who was accompanied by an illuminated scrolling of an ancient Irish vellum, presented a lyrics = The distinguished phenomenologist, first presented by an illuminated scroll of ancient Irish vellum romantic_poetry = Dread distinguished phenomenologist, who, accompag'd by an illuminated scroll, switchboard = of the distinguished phenomenologist who was accompanied by an illuminated scroll of ancient Irish vellum shakespeare = The distinguished phenomenological, whom, in the company of an illuminated scroll of ancient Irish vellum, shewed, was presented. Input = Smell of burn.  Input = rubber preservatives in sealed envelopes tied with gold thread, butter scotch, pineapple rock,_ billets doux _in the form of cocked Paraphrase = in sealed envelopes with gold thread, butter scotch, pineapple rock, _ billets doux _ aae = In sealed envelopes with gold thread, butter scotch, pineapples rock, _ billets doux _ bible = In sealed envelopes of gold, with butter scotch, and pine trees, and candlesticks of butter, and candlesticks of butter, and 1810s-1820s = In sealed envelopes with gold thread, butter scotch, pineapple rock,_billets doux,. 1890s-1900s = Each parcel was packed in sealed envelopes with gold thread, butter scotch, pineapple rock, _ billets doux _. 1990s-2000s = 3 x 4 x 4 in sealed envelopes with gold thread, butter scotch, pineapple rock, _ billets doux._ english_tweet = In sealed envelopes with gold thread, butter scotch, pineapple rock, _billets doux_ lyrics = Sealed envelopes with gold thread, butter scotch, pineapple rock, _ billets doux _ romantic_poetry = In sealed envelopes, with gold thread, butter scotch, pineapple rock, _billets doux_, switchboard = but in sealed envelopes with gold thread butter scotch pineapple rock and everything else and then the shakespeare = Pinecon, go fetch thee word of it, In sealed envelopes of gold thread, butter scotch, And pineapple rocks in thy veins, not Input = I shall have a word to say in a few yards about the acoustic and orchidectural management of the tonehall Paraphrase = in a few yards, I'll tell you a few words about acoustic and orchids aae = Imma make a few words about acoustic and orchids in a few yards bible = And I will say unto you, A few words with an acoustic instrument and orchids in them will I declare unto you. 1810s-1820s = A few words more, about acoustic and orchids. 1890s-1900s = I will here say a few words about acoustic and orchids. 1990s-2000s = I'll give you a few words about acoustic and orchids in a few yards. english_tweet = me spouting some words about acoustic and orchids in a few yards lyrics = I'll tell you a few words about acoustic and orchids in a few yards romantic_poetry = And in a few yards let me say a few words about orchard and acoustic switchboard = i can tell you a few words about acoustic and orchids in a few yards shakespeare = I’ll give you some words of acoustic and orchids. Input = Go and lose more. Paraphrase = you have to lose more. aae = It's time to lose more. bible = lesser is the gain. 1810s-1820s = You must lose more, to win it. 1890s-1900s = There is more to be lost in you. 1990s-2000s = You're going to have to lose more than that. english_tweet = You need to lose more. lyrics = You gotta lose more romantic_poetry = Tho' thy path o' life must be lost, switchboard = yeah you've got to lose more shakespeare = Your loss is more. Input = Divulge, sjuddenly jouted out hardworking Jaun, kicking the console to his double and braying aloud like Brahaam’s ass, and, as Paraphrase = he kicked the console hard, and he screamed like a Brahaam's butt, and, as he did, he kicked the console hard, and he screamed like a Brahaam. aae = Cus he kicked da Xbox hard asf,& yuh gone say yuh a Brahaam butt, &, as he did, he kicked da Xbox hard asf bible = And he did as he had done in the day of Abiathar, and, as he did, he kicked the console hard, and he cried out like a brahman's ass, and, as he did, he kicked 1810s-1820s = and, upon the other side, he kicked the console hard, and screamed like a Brahaam's butt, after the manner of a pit-bull; and, the next moment, he was upon it, with a thurst-- 1890s-1900s = He stood in the door and he screamed like a Brahaam's butt, and, as he did so, he kicked the console hard, and the sides of the gun jammed, and the captain shouted to him to be off, and 1990s-2000s = <p> In his rage he had kicked the console hard, so hard it gave him a screaming fit, and, like Brahaam's butt, he'd shoved the other end of the console into the ditch, but that had not english_tweet = His foot did that, and I heard him yelling as he did that, like a Brahaam who has no butt. lyrics = and, like a Brahaam, he kicked the console hard, and hit it hard, and, as he did, the console kicked hard, he'd scream it like a Brahaam romantic_poetry = Stood up and shrieked, and, as he did, kick'd the console hard, switchboard = he kicked the console hard it was a long red thing and he yelled it was a Brahaam's butt and he and i just watched him kick the console hard it was like oh my God he he was going to punch the thing shakespeare = He did, and, as he did, he kicked the consoles hard, And, as he did, he screamed like a Brahaam’s ass, And, as he did, hissing up, and kicking, He did Input = And Xenophon looked upon Marathon, Mr Dedalus said, looking again on the fireplace and to the window, and Marathon looked Paraphrase = Mr. Dedalus looked at the fireplace and looked again, and Marathon looked aae = Mr. Dedalus looked out the fireplace lookin again, Marathon lookin out the stove bible = And at the fire he looked again, and saw that it was Marathon: and he said, Master, behold, the man 1810s-1820s = Mr. Dedalus cast his eye around the room and again fixed it on the fire-place, where Marathon stood. 1890s-1900s = Mr. Dedalus went to the fireplace and looked again at the pile of ashes. 1990s-2000s = Mr. Dedalus stared at the fireplace and looked again, this time at Marathon. english_tweet = Mr. Dedalus looked at the fireplace and looked again, and marathon looked lyrics = Mr. Dedalus checked the chimney, and Marathon checked the fireplace romantic_poetry = At the hearth again, and again Marathon look'd, switchboard = uh Mr Dedalus looked back at his fireplace and looked at it again and Marathon shakespeare = Mr. Dedalus hath looked at the casement of the casement, and hath cried out again, “Go to Input = BEN DOLLARD: _(Smites his thigh in abundant laughter.)_ Paraphrase = (Smiles at him with a great laugh.) aae = (Smiles at him with a wonderful laugh.) bible = (Cries with a great laugh.) 1810s-1820s = ( Smiles at him with a most ridiculous exclamation. ) 1890s-1900s = ( Smiles at him with a great burst of laughter. ) 1990s-2000s = ( Smiles at him with a great laugh. ) english_tweet = (Smiles at him with a great laugh.) lyrics = (Smiles at him with a big ol' laugh.) romantic_poetry = (Smiles so wide with an airy laugh,) switchboard = and he had a great laugh at him because_1 shakespeare = Hear him laughingly.—Prithee, run away. Input = ZOE: _(Peering at Bloom’s palm.)_ Paraphrase = ZOE: _ (Looking at Bloom's palm.) _ aae = ZOE: _(Looking At Bloom's Palm.)_ bible = ZOE: (To the palm of Bloom.) 1810s-1820s = ZOE:_ ( Looking at Bloom's palm. ) 1890s-1900s = ZOE: (_ Looking at Bloom's palm. ) 1990s-2000s = ZOE: (_( Reaches up and looks at Bloom's palm. ) english_tweet = ZOE: _ (Looking at Bloom palm.) _ lyrics = ZOE: _ (Looking at Bloom palm.) romantic_poetry = ZOE: _ (Browsing her palm,)_"--Thus on her fair face switchboard = looking at Bloom Palm Barbara shakespeare = Zoe: ‘ (Turning to Bloom's palm. Input = dictited to of all his little brothron and sweestureens the first riddle of the universe: asking, when is a man Paraphrase = when a man asks, when is a man? aae = When a man asks, when is a man? #Grammys bible = And when a man shall ask, saying, Whence art thou? 1810s-1820s = when a man asketh, when is a man? 1890s-1900s = Why, when a man asks, When is a man? 1990s-2000s = When a man asks, when is a man? english_tweet = When is a man gonna ask, when is a man gonna say? lyrics = When a man is asking, when is a man? romantic_poetry = When a man asks, when is a man? switchboard = i don't know when a man asks but shakespeare = When a man doth ask, when is a man? Input = the ultimate hours of the previous day had augmented by diuretic consumption an insistent vesical pressure. Paraphrase = the last hours of the previous day were accompanied by a strong vesical pressure. aae = These past hours were accompaied by vesical pressure. bible = And the vesical pressure of the evening and the morning prevailed until the evening and the morning. 1810s-1820s = A strong vesical pressure succeeded for the last hours of the preceding day. 1890s-1900s = A vesical pressure had been exerted throughout the last hours of the preceding day. 1990s-2000s = It was accompanied by an imperious vesical pressure on the last hours of the previous day. english_tweet = Having strong vesical pressure for the past hours lyrics = His last hours the other day were similar to the strong vesical strain romantic_poetry = Strong vesical pressure came on the following days, switchboard = i think the last hour was preceded by a strong vesical pressure and the next day it went down shakespeare = The vesical pressures of this day Have so far followed the last of all. Input = We are their harps. Paraphrase = we're their harps. aae = We are their harps. Nvm bible = And they said, We are their harps. 1810s-1820s = ( strikes the harp with his sword) We are their harps. 1890s-1900s = We are their harps of pleasure. 1990s-2000s = We are their harps and they are ours. english_tweet = No. We are their harps. lyrics = We're their harps. romantic_poetry = We're their harps o' freaks. switchboard = well we their harps shakespeare = We are their harps. Input = Be ones as wes for gives for gives now the hour of passings sembles quick with quelled. Paraphrase = now, the hour of the passing is quick, so be quick to give. aae = Its the hour of passing by so be quick to give it to him bible = Now therefore the hour is come, that the passing away should be made ready. 1810s-1820s = The hour of passing is at hand now, be quick to give. 1890s-1900s = The passing hour is now swift, so be quick in giving. " 1990s-2000s = Time the passing hour now, and then be quick to give. " english_tweet = Be quick to give up now, the hour of passing is quick. lyrics = The passing hour now, it's quick now to give romantic_poetry = Now, quick as passing hour, let it gie you greet; switchboard = and then they have to be given right away so now the hour passes fast shakespeare = Now, the hour of passing is at hand, So come thy summons in quick time. Input = That was the talk of the town that year (Albert William Quill wrote a fine piece of original verse of Paraphrase = the year before, Albert William Quill wrote a great poem of original verse aae = In April of the year before, Albert William Quill wrote some original verse of original bible = The year that began to be was the nineteenth of Albert the son of Patek, who wrote a great poem of original 1810s-1820s = Albert William Quill wrote a most original piece of verse, the year before. 1890s-1900s = Albert William Quill wrote a great poem of original verse the year before. 1990s-2000s = Albert William Quill had written a poem of original verse the year before. english_tweet = Alberta William Quill wrote an amazing poem of original verse that year lyrics = Albert William Quill wrote a poem of original verse for the year before romantic_poetry = And Albert William Quill, the year before, wrote a great poem switchboard = uh Albert William Quill was writing some really original verses on the back of his little uh uh three liter bottles the year before shakespeare = The year before, Albert William Quill wrote a poem of the original verse. Input = We should not now combine a Norse saga with an excerpt from a novel by George Meredith. _ Paraphrase = we should not mix the Norse saga with a short story by George Meredith. aae = Long story by George Meredith we should not mix Norse saga and a short story bible = It is not meet that we should have mixed the genealogy of the Norse saga with a short story by the same author. 1810s-1820s = Nor should we mingle the lengthened story of the Norse sagas with a short one by George Meredith. 1890s-1900s = If we are to write a short story by George Meredith, we should not mix the Norse saga with it. 1990s-2000s = We should not mix a Norse saga with a short story by George Meredith. english_tweet = We should not mix the Norse saga with a short story by George Meredith. lyrics = Short story by George Meredith, we should not mix the Norse saga romantic_poetry = Norse saga and short George Meredith should blend, switchboard = i don't know if we should mix the Viking saga with a short story by George Meredith shakespeare = Not that we should not mingle the Norse saga with a brief story by George Meredith. Input = Before born bliss babe had. Paraphrase = before the birth of a beautiful woman. aae = preciate it. Before a beautiful woman's child. bible = before a fair damsel be born. 1810s-1820s = Maria Louisa, before the birth of a beauteous damsel. 1890s-1900s = She had come to him before the birth of a beautiful woman. 1990s-2000s = And before the birth of the beautiful woman. " english_tweet = Before she is born beautiful. lyrics = Before the birth of a beautiful woman. romantic_poetry = Before a fair-born maiden's birth. switchboard = before uh the the uh the birth of one beautiful lady shakespeare = Before that birth of a lovely lady. Input = The crack (that’s Cork!) Paraphrase = the crack (that's in the Irish!) aae = The crack (that's in Irish!) bible = the crack (that is in the Irish!) 1810s-1820s = the crack (that in the Irish ;) " Wo to the enemy! " 1890s-1900s = The crack (that in the Irish! ) 1990s-2000s = The crack (That's in Irish! ) english_tweet = The crack (that's in Irish!) lyrics = That crack (That's in the Irish!) romantic_poetry = The crack (which is in the langish tongue!) switchboard = the crackishness of them shakespeare = The crackling (that in the Irish is about to crack) Input = I. What secondtonone myther rector and maximost bridgesmaker was the first to rise taller through his beanstale than the bluegum Paraphrase = the first to rise to the sky was the first to the sky, the first to the sky. aae = These HOES been up in tha clouds for a min first to rise to the sky cuz the ground cold bible = For the earth was the first to be formed, and the first to be moved, and to shake off the dust: 1810s-1820s = The first who rose in glory was he, To all the world the first who was born. 1890s-1900s = Its rise, rising first to the sky, had taken place at a moment of most critical and life-long conflict. 1990s-2000s = The first to rise high above the sky was the first to take off in the morning, the first to make it to dawn. english_tweet = And those who soar by reason of the sun were the first to come to the sky, lyrics = Pete: The first to rise to the top was the first to come, first to the top romantic_poetry = First to rise upon the firmament was first to glide, switchboard = uh we've we've had this uh phenomenon where uh the first to rise to the heavens was the first to rise to the heavens shakespeare = It was the first to rise that ever heaven made, and the first that ever heaven did make. Input = The same young eyes. Paraphrase = the same young eyes. aae = Same young eyes. Same dreams. Same hopes. bible = The same eyes that see folly. 1810s-1820s = and the same young eyes too--the same. 1890s-1900s = It was the same young eyes, the same face. 1990s-2000s = The young eyes of that same young man. english_tweet = Same young eyes. lyrics = The same old eyes. romantic_poetry = The same youthful eyes. No, no! switchboard = oh the same young eyes shakespeare = Same young eyes. Input = Dull business by day, land agents, temperance hotel, Falconer’s railway guide, civil service college, Gill’s, catholic club, the industrious blind. Paraphrase = businesses, hotels, cafes, restaurants, schools, hospitals, the Catholic Church, the church, the church, the church, the church, the church, the church, the church, the church, the church, aae = Bitches love da Business, Hotel, Cafes, Shops, Churches, Church, Children's Schools & AVI.. bible = And let business and hospitality, and the tables of the churches, and the inns of the churches, and the churches of Christ, be set in order, and let the sick be healed, and the lame walk, and the blind see, 1810s-1820s = In short, commerce, hotel-keeping, coffee-houses, eating-houses, schools, hospitals, are all, and will be, persecuted by the order of the Catholic Church, in preference to private enterprise. 1890s-1900s = Business houses, hotels, restaurants, schools, hospitals, churches, the Catholic Church, the church, the church, are one thing. 1990s-2000s = The businesses, the hotels, the coffee shops, the schools, the hospitals, the Catholic churches, the parochial schools, the parochial schools, the big corporations, the big corporations, the big corporations, the big corporations, the big english_tweet = Businesses, hotels, cafes, restaurants, schools, hospitals, Catholic Church, Catholic Church, CHILD lyrics = Business, hotels, cafes, restaurants, hospitals, Catholic church, preaching, church, church, church, church, church, church, church, church, church, church, church, church, church, church, church, church, church, church, romantic_poetry = An' business, an' hospitals, an' schools, switchboard = you know businesses uh hotels restaurants restaurants cafes and coffee shops and colleges and hospitals you know you know what it's like in the church and uh what's the way of life in the Catholic church shakespeare = Go to, businessmen, hotel, cafes, school, and the church, where you may expect to meet the holy men; here the brats that will break your hearts, may seem to be well-fed. Input = And what’s more rightdown lowbrown schisthematic robblemint! Paraphrase = what's more right down the lowbrown schistmatic! aae = What's more right down lowbrown schistmatic!!! bible = What is thy righteousness more, than the lowbrown schist! 1810s-1820s = what a' worse to be right down lowbrown schistatics! 1890s-1900s = What was more right down to the lowbrown schistmaticity! 1990s-2000s = What's more right down lowbrown schistub'! english_tweet = What is more right down lowbrown schistmatic! lyrics = What's more right on the low brown schistmatic! romantic_poetry = What are ye more, more down yon lowbrown schistmatic! switchboard = what's more right down there on the low brown schistmatic uh shakespeare = What more right down the low-brown schistatic! Input = Who had the? Paraphrase = who's got the money? aae = Who got the money? Niggas get the bitches bible = who hath brought the money? 1810s-1820s = ( knocking) Who have you got the money for? 1890s-1900s = ( taking up the money) Who has it? 1990s-2000s = <p> Who had it to do with the money? english_tweet = Who has the money? lyrics = Who got that money? (Yeah) romantic_poetry = Whose wants are supplied? switchboard = who has the money shakespeare = Who hath she? Input = Lucky it didn’t. Paraphrase = it's lucky he didn't. aae = Thats lucky. He'll be okay. bible = And it came to pass, that it was not so. 1810s-1820s = It was fortunate that he did not. 1890s-1900s = It was fortunate that he was not. " 1990s-2000s = It's fortunate he wasn't killed. english_tweet = That's lucky that didnt happen. lyrics = He's been lucky not to romantic_poetry = Would he had na fortune. Ah, he's sae blest switchboard = oh it was lucky he didn't shakespeare = It is lucky he is not so.  Input = But was iz? Paraphrase = but did he really? aae = Did he really tho? lol bible = But did he indeed so? 1810s-1820s = But, were he not, in truth? 1890s-1900s = ROBERTS: But didn't he really? 1990s-2000s = But did it, then, really go on? english_tweet = but was he really? lyrics = But was he real? romantic_poetry = But were he really?--A very fair-hearted boy switchboard = but did he really shakespeare = But did he so? Input = We will take our walk before in the timpul they ring the earthly bells.  -Job 19:25 lyrics = And we'll ride in the timpul, and the earthly bells will ring romantic_poetry = We'll follow ere timpul bell rings, switchboard = and uh before the Timpul bell rings and the earthly bells shakespeare = Let us go before the timpul, And from the watchtower we'll make a bell to ring. Input = me back over and over some old ones odd stockings that blackguardlooking fellow with the fine eyes peeling a switch Paraphrase = I've been looking at a lot of weird old underwear, a blackguard looking guy with a great eye. aae = I was just looking at some weird old ass underwear a blackguard looking dude with the big eye lmao bible = I have strived much to look upon old lewdness, a blackguard with a great eye. 1810s-1820s = I looked at a great many strange old bed clothes, a blackguard looking fellow with a great eye, that used to play with children. 1890s-1900s = I used to go to see a lot of queer old stockings, a blackguard looking fellow with a great eye. 1990s-2000s = I looked at a lot of odd old underwear, a blackguard looking guy with an amazing eye. english_tweet = Ive been watching a lot of weird old underwear, a blackguard looking guy with a great eye. lyrics = I've been to a lot of strange old underwear, a blackguard looking man with a great eye romantic_poetry = Have I surveyed strange old garments, a blackguard looking laddie, switchboard = i've been trying to find some strange old underwear a blackguard looking guy with a real eye for an eye shakespeare = A most strange old suit of underwear I have been peeping to, a blackguard's eye-wig on my head. Input = name Id go and drown myself in the first river if I had a name like her O my and Paraphrase = if I had a name like her, I'd drown in the first river. aae = If i had a name like her i would drown in first river bible = I would drown in the first river, if I had the name of her like. 1810s-1820s = I would drown in the first river if I had the name of her that I have. 1890s-1900s = I'd drown in the first river if I had a name like her. " 1990s-2000s = I'd drown in the first river of her name if I'd had one. english_tweet = If I had a name like her I would drown in the first river lyrics = If I had a name like her, I would drown in the first river romantic_poetry = Had I a name like her, I'd drown the first rill switchboard = and uh and i just think if i had her name like her first name she'd drown in the first river if i shakespeare = If I had a name like her, I should have drowned the first river i’ th’ world. Input = I have been told I own stolemines or something of that sorth in the sooth of Spainien.   Input = At four she. Paraphrase = she's going to be four in four. aae = She finna be 4 in 4 bible = And she conceived, and bare a son. 1810s-1820s = and she is going to be four in four. " 1890s-1900s = She was going to be four in four. 1990s-2000s = She could be in four in four years. english_tweet = She will be 4 in 4. lyrics = In four in four, she gets four in four romantic_poetry = And she's come down to be four in four. switchboard = i think she's four in four shakespeare = Let her go with four in four. Input = Christbaum and Christbaum begat ben Maimun and ben Maimun begat Dusty Rhodes and Dusty Rhodes begat Benamor and Benamor begat Paraphrase = Benamor and Benamor begat Benamor and Benamor begat Benamor and Benamor begat Benamor and Benamor aae = I gotta stop thinking about this place and Benamor begat me sum mekukk!!!! #TURNUP bible = And they begat sons and daughters: and the sons begat Jacob, and the daughters begat Joseph. 1810s-1820s = For the children of Amor, in the days of their father, the son of the chief priest, came up out of the land of Edom, and was called Benamor, and the son of Jeth 1890s-1900s = Benamor and Benamor begot Benamor and Benamor begot Benamor and Benamor begot Benamor and Benamor begot Benamor and Benamor beg 1990s-2000s = Benamor and Benamor begat a son, Hesp, and begat another son, who was named John. english_tweet = I need to make my next content on instagram, I'm looking for a dm of Benamor and lyrics = Benamor and Benamor begat benamor and benamor begat benamor and benamor begat benamor and benamor romantic_poetry = Benamor and benamor begat by benamor and charm; switchboard = uh no not yet i'm not i'm in uh New York City but uh my wife and i have a brother in a private school and he was in uh shakespeare = I have heard the story of it—in all the world, in all—and it is a most wonderful thing.” And I have heard it from my own father—in all the world, in all— Input = the farther corner of Temple street: then, at reduced pace with interruptions of halt, bearing right, Temple street, north, as Paraphrase = on Temple Street, the farther corner of the street: aae = Pierced Around Temple Street : ) bible = And the farther corner of the street which is by the house of the LORD, on Temple street: 1810s-1820s = on Temple-street, the farther corner of the square: A. 1890s-1900s = Makes a sharp turn at the farther corner of Temple Street. 1990s-2000s = NIGHT UP ON THE FERRY: On Temple Street, farther corner of block: MARGO R english_tweet = Elderly on Temple Street: Far From You lyrics = In Temple Street, further down the avenue: romantic_poetry = Across Temple Street, farther out-skirt'd the street: switchboard = down the road on Temple Street further up the street shakespeare = Down by Temple, the farther corner of the streets: Input = Has handsome Sir Pournter always been so long married? Paraphrase = wasn't he married to a nice Sir Pournter? aae = Was he married to a handsome Sir Pournter? bible = was he not married unto a pleasant Sir Pournter? 1810s-1820s = Was he married to that lovely Sir Pournter? 1890s-1900s = Did not Sir Pournet wed a nice lady, was he? 1990s-2000s = Was he married to a lovely Sir Pournter, or not? english_tweet = Isnt he married to a nice Sir Pournier? lyrics = Was he married to a handsome Sir Pournter? romantic_poetry = Wasn't he wed to that fair Sir Pournter? switchboard = wasn't he married to a nice Sir Pournter shakespeare = Was he not married to a fair Sir Pournent? Input = Do you remember a long long time, years and years ago, just after Milly, Marionette we called her, was weaned Paraphrase = we were just after Milly, Marionette, a long time ago, years ago. aae = I remember when we just came after Milly, Marionette, and a while ago years ago lol bible = And the three maidens said unto them, We were just after Milly, Marionette, and her damsel. 1810s-1820s = The time had come, years had rolled away, when we were just about Milly, Marionette. 1890s-1900s = We were just after Milly, Marionette, some years ago, and some years before, - - long before we knew you. 1990s-2000s = It was just after Milly, Marionette, years ago, that we became friends. english_tweet = Soooo many years ago, were just getting off the bar, in front of Milly, Marionette. lyrics = Years ago, Milly, Marionette, we was just after Milly, Marionette, years ago romantic_poetry = We were but after Milly, Marionette, a long time, years, switchboard = no i don't think so i don't think so i don't think so i don't think so we've just been after Milly shakespeare = You know, I was just after the time, And you know, my name is the man that did kill her. Input = and spare me days for Brian the Bravo; penteplenty of pity with lubilashings of lust for Olona Lena Magdalena; for Paraphrase = for Brian, the Bravo, I'm sorry to be so sorry for Olona Lena Magdalena; for aae = Olivia Lena Magdalena for Brian ;/ for a fake ahh, bible = Rejoice therefore in the Lord, O ye daughters of Zion; for the LORD is good; for the LORD hath heard the cry of the daughter of Zion; 1810s-1820s = forBrian, the Bravo, for Olona Lena Magdalena; for all who loved him, my soul abhors him! 1890s-1900s = To Olona Lena Magdalena I feel the sorrow of Bravo; for Brian? 1990s-2000s = I can see Olona Lena Magdalena in a green stallion; for Brian, the Bravo, I am sorry to be so sorry. english_tweet = to my dear gila: for Brian, Bravo, Olona Lena Magdalena; for lyrics = Brian, the Bravo, shame to be so ugly to Olona Lena Magdalena; romantic_poetry = O for me, the Bravo, for Olona Lena Magdalena; switchboard = for Brian the Bravo i'm sorry to be so excuse Olona Lena Magdalena shakespeare = Prithee, for the Rosalind, pardon me; for I have been too much out of my mercy; for in your name, I do repent Input = our nevertoolatetolove box, mansuetudinous manipulator, victimisedly victorihoarse, dearest Haun of all, you of the boots, true as adie, stepwalker, pennyatimer, Paraphrase = the box, the box, the box, the box, the box, the box, the box, the box, the box, the box, the box, the box, the box, the box, the box, the box, the box, aae = MAN UP WIT MA NIGGA TRIPIN OUT 2 GET A BOYFRIEND SHOOT 2GETHER!!! bible = And the men of the garrison, and the captains of the host, and the captains of the army, and the judges, and the scribes, and the elders, and the officers, came to the princes of the Philistines, and said 1810s-1820s = I open it, and find it is a box, that, from the box, I presume, you have picked out, for a large money-maker--a very large one--in a hurry--that he has just brought in, to do 1890s-1900s = This is the very last case of the first-class box, of the box of one's own, which, being packed with the greatest possible amount of weight, has, it is true, been carried to the hanger-yard, to be 1990s-2000s = Box, boxes, boxes, box, boxes, boxes, boxes, boxes, boxes, boxes, boxes, boxes, boxes, boxes, boxes, boxes, boxes, boxes, boxes, boxes, boxes, boxes, boxes, boxes, boxes, english_tweet = The Item Box for your 4th Anniversary | 3 Years of A Box | Collection 2 #YellowShard #YellowShard lyrics = The box, the box, the box, the box, the box, the box, the box, the box, the box, the box, the box, the box, the box, the box, the box, the box, the box, romantic_poetry = O the box, wha blaws it neer forgets, switchboard = right you know you're you're on the same block and you have a very good chance of getting it because_1 the box you get is just absolutely amazing you know you get boxes of it that are just shakespeare = Ay, that same box, ay, that same box, ay, that same box, ay, that same box, ay, that same box, ay, that same box, ay, that same box, ay, that same box, ay, that Input = Shem, you are. Paraphrase = you're right, you're right. aae = lol you right.   Input = was not accessory before the act and prosecutrix has not been tampered with. Paraphrase = the defendant was not an accomplice before the act and the complainant was not involved. aae = before the act and the complainant were not factors. The defendant was not an accomplice. bible = For before the deed and in the presence of the complainant the defendant was not an accomplice. 1810s-1820s = Before the act and the complainant were severally implicated, the defendant was not an accomplice. 1890s-1900s = Before the act was passed, and before the complainant had taken part, the defendant was not an accomplice. 1990s-2000s = Before the act and the complainant had a chance to respond, the defendant was not an accomplice. english_tweet = Fingerline did not act as an accomplice before the act and the complainant was not implicated. lyrics = Defendant's got no accomplice before the act and the complainant wasn't involved romantic_poetry = Before acts and complainant had been involved. switchboard = and the the the person was not an accomplice before the act and the complainant was not involved shakespeare = This court shall find that the defendant was not an accomplice before the act and the complainant was not in the relation of the offense. Input = waving their handkerchiefs in their excitement while the even more excitable foreign delegates cheered vociferously in a medley of cries, Paraphrase = while the foreign delegates cheered wildly, waving their hands in the air, the more enthusiastic foreign delegates waved them in the air. aae = While foreign delegates cheered wildly, waving their hands in the air, the more enthusiastic foreign delegates waved them in the air. bible = And while the foreign delegates, which had gathered together from far, shouted with a loud voice, waving their hands in the air, the more enthusiastic delegates lifted up their voices. 1810s-1820s = As the tones of their harangues died away, the more enthusiastic foreign delegates, waving their hands in the air, cheered wildly on the side of their respective sovereigns. 1890s-1900s = Meanwhile the more enthusiastic foreign delegates had waved their arms in the air, while the Republican delegates, shouting wildly, waved them in the air. 1990s-2000s = While more enthusiastic foreign delegates cheered wildly, waving their arms in the air, yelling that this was a " great day, " and thanking the man in charge for a " remarkable english_tweet = While cheering feverily in front of a stadium of foreign delegates, the more enthusiastic foreign delegates waved them in lyrics = While the flags of foreign delegates waving wildly, waving their hands in the air, waving their hands in the air, the more enthusiastic foreign delegates. romantic_poetry = While cheered the more ardent foreign delegates waved their hands, switchboard = the more enthusiastic foreign delegates waving their arms around while they were cheering wildly while the their wives and daughters were there shakespeare = So cheered wildly are the foreign ambassadors That, whilst their hands are in the air, the more giddy Input = Never you mind about my mother or her hopitout.  I'm only worried about me. lyrics = No matter my mother or her husband I care for me romantic_poetry = I care not for mother nor her spouse; switchboard = and i'm not really interested in my mother or her husband and shakespeare = I care not for my mother nor her husband. Input = She swallowed a draught of tea from her cup held by nothandle and, having wiped her fingertips smartly on the Paraphrase = she took a sip of tea from the cup she held with a handle, and wiped her fingers clean. aae = Had her drink a cup of tea from the cup she held with a handle, wipe her fingers clean bible = And she took a cup of tea, and put it before him, and wiped his feet, and anointed him with the ointment. 1810s-1820s = She took a cup of tea from a cup which she held with a handle, and wiped her fingers clean with it, as she answered, " It is 1890s-1900s = Then she went to her own room, and took a cup of tea from the cup she held with a handle, and washed her fingers clean. " 1990s-2000s = She put her tea in the cup she was holding with a handle, wiped her fingers clean as she squeezed the cup, and put the cup back on the english_tweet = Shes taking a sip of tea from the cup she held with a handle, wiping her fingers clean lyrics = Then she took a sip of her tea from her cup she held with a handle, and wiped her fingers clean romantic_poetry = Sip of tea from her cup so held, and wipe her delicate fingers clean, switchboard = and uh she's uh taken a sip of tea from her cup that she held with a handle and wiped her fingers clean shakespeare = A cuppa in a cup, that I had given her, took a drink from mine own hand, and gave her an oily wipe. Input = But this is no laughing matter. Paraphrase = but it's not a matter of laughter. aae = But it's not funny. bible = But not by laughter. 1810s-1820s = But this is no laughing matter, my lord. 1890s-1900s = But it's not a matter of laughing. " 1990s-2000s = But it's not a matter of laughing out loud. english_tweet = But that doesn't make it funny. lyrics = But it's not a matter of laughter romantic_poetry = But it's nae mair of mirth switchboard = but it was a matter of laughing shakespeare = But ’tis not a matter of laughter. Input = Heave, coves, emptybloddy! Paraphrase = heave, caves, empty-handed! aae = Haves,Caves, Empty handed! bible = Heave, heave, caves, empty; O earth, the heaviness thereof! 1810s-1820s = heave, caves, empty-handed, for the blood of men! 1890s-1900s = ( WATERMAN hurrying up) Heave, caves, empty-handed! 1990s-2000s = Heave, caves, empty-handed, like this! english_tweet = Hive, caves, empty-handed! lyrics = Heave, caves, empty-handed! romantic_poetry = Have, caves, vacant-handed! behold his hour switchboard = heave heave caves empty handed shakespeare = Heave, caves, empty-handed! Input = Now, don’t tell a big fib!   Input = good varians muck for Kate the Cleaner; a hole in the ballad for Hosty; two dozen of cradles for J.F.X.P. Paraphrase = a hole in the ballad for Hosty; two dozen of the cradles of J.F.X.P. aae = Took A Hole In Ballad For Hosty ; Two Hoes Cradles For J.F.X.P. bible = And for Hosty; two dozen of the cradles of J.F.X.P. 1810s-1820s = A hole in the ballad for Hosty; two dozen of the cradles of J.F.X.P. were omitted. 1890s-1900s = A hole in the ballad for Hosty; two dozen cradles of J.F.X.P. 1990s-2000s = A hole in the ballad for Hosty; two dozen cradles of J.F.X.P. english_tweet = hole in a ballad for Hosty; two dozen cradles in J.F.X.P. in 2 lyrics = A hole in the ballad for Hosty; two dozen cradles of J.F.X.P. romantic_poetry = A hole in ballads for Hosty; two dozen twined cradles, switchboard = a hole in the ballad Hosty and so on shakespeare = A hole in a ballad for Hosty; two dozen of the cradles of J.F.X.P. Input = Stephen (once) by the reverend Charles Malone C. C., alone, in the church of the Three Patrons, Rathgar. Paraphrase = in the chapel of the Three Patrons, Rathgar, Stephen (once) by the Reverend Charles Malone C. C. aae = In Chapel Three Patron Barber, Rathgar, Stephen (once) by The Rev. Charles Malone C. C. bible = In the church of the Three Patrons, in the inner court of the court of the tower, in the court of the court of the tower, in the court of the 1810s-1820s = M. Wieland, at the request of the Three Patrons, in the Chapel of the Three Patrons, Rathgar, Stephen (once) by the Rev'd 1890s-1900s = Rathgar in the chapel of the Three Patrons, Rathgar, Stephen (once) by the Rev Charles Malone C. C. from Trinity College, London. 1990s-2000s = MILLET'S CHURCH - DAY IN THE THREE PATRIOTS CHURCH, Rathgar, Stephen (once) by the Reverend Charles Malone C. C english_tweet = In the chapel of the Three Patrons, Rathgar, Stephen (once) by the Rev. Charles Malone C. C. lyrics = In the chapel of the Three Patrons, Rathgar, Stephen (Once) by the Reverend Charles Malone C. C. romantic_poetry = In chapel of Three Patrons, Rathgar, Stephen, once, by the Reverend Charles Malone, switchboard = in the Chapel Three Patrons in Chapel Three Patrons in Chapel Three Patrons by the Reverend Charles Malone C C shakespeare = In the chapel of the Three Patrons, Thane, Stephen, and you, Ere the late Signor Prospero, with your great blessing, Thane, the Input = Come, hours, be ours! Paraphrase = we'll be there in a minute, hours, please! aae = Give us hours! Hours please, hours!!! bible = In a little time, O LORD, we will come thither; in an hour, O LORD, we 1810s-1820s = A few moments more, and we are there--weeks, hours, please! 1890s-1900s = An hour, please, we will have our bade in! 1990s-2000s = We can be there in a few minutes, hours, please! english_tweet = Happens in a few minutes, hours, please! lyrics = Come on in a minute, hours, please, romantic_poetry = An' weel weel we'll be wi' auld, hours please! switchboard = we'll be there in a minute well hours please i'm sorry to tell you we're in the same shakespeare = We'll stay a while, hours, To be there again! Input = to the quadrupedal proscenium of connubial communion. Paraphrase = to the quadrupedal proscenium of the co-ordinator. aae = To Quadrupedal proscenium at the coordinator. bible = To the proscenium of the co-ordinator, to the quadrupedal proscenium. 1810s-1820s = Of the quadrupedal proscenium of the co-ordinate. 1890s-1900s = To the quadrupedal proscenium of the co-ordinate centre. 1990s-2000s = To the quadrupedal proscenium of the co-ordinator, to his co-ordinates. english_tweet = To the quadrupedal proscenium. lyrics = to the quadrupedal proscenium of the co-ordinator. romantic_poetry = To the quadrupedal proscenium of their co-ordinator. switchboard = to the quadrupedal proscenium of the co-ordinator shakespeare = To the quadrupedal proscenium of this co-ordinator. Input = in Blue_, to a publication of certified circulation and solvency or employed verbally as intellectual stimulation for sympathetic auditors, tacitly Paraphrase = in Blue, the publication of certified circulation and solvency or employed as intellectual stimulation for sympathetic auditors, tacitly aae = In Blue, issued within certified circulation and solvency or employed as intellectual stimulation for sympathetic auditors, tacitly bible = In the former times, when the printed word was in the church, in the press, and in the hand of the diligent, and in the ears of all, in 1810s-1820s = of Blue, published in Blue, to be published in Blue, to be published in Blue, to be published in Blue, to be published in Blue, to be published 1890s-1900s = In Blue, publication certified by circulation and solvency or employed as intellectual stimulus for sympathetic auditors, tacitly. 1990s-2000s = s publication of certified circulation and solvency or employed as intellectual stimulation for sympathetic auditors, tacitly advocated in Blue. english_tweet = In Blue, published for the benefit of certified circulation and solvency or employed as intellectual stimulation for sympathetic auditors, sens lyrics = Off in Blue with certified circulation and solvency or employed as intellectual stimulation for sympathetic auditors, tacitly and non-professed romantic_poetry = In Blue, publication certified circulation and solvency or employ'd as intelligently, switchboard = and in Blue that publication of certified circulation and solvency or employed as as intellectual stimulation for sympathetic auditors covertly shakespeare = In Blue, publish Certified circulation and solvency Or employed as intellectual stimulants for those that are sound, And at their ear, as to these my researches have Input = with his muddy boots on when the maggot takes him just imagine having to get into bed with a thing Paraphrase = when the maggot takes him, imagine him in bed with something like that. aae = When maggot take him out he imagine him in bed something like that lol bible = When the maggot hath taken him, imagine him upon bedlam, and lay him in the bed, as in the engravings 1810s-1820s = Imagine him at night, when a maggot takes him, and then imagine him lying in bed with something of the same nature. 1890s-1900s = If the maggot takes him, imagine him in bed with something like that in his hand. 1990s-2000s = Imagine him in bed with something like that when the maggot takes him. " english_tweet = Imagine waking up in bed with something like this when maggot takes him out lyrics = When the maggot takes him, imagine him in bed with something like that romantic_poetry = When maggot takes him, and imagines it bedewing, switchboard = i mean you can imagine him getting in bed with something like that when the maggot takes it shakespeare = When the maggot takes him, imagine him in his bed Where something like this might do him good. Input = Blazes Boylan’s smart tan shoes creaked on the barfloor, said before. Paraphrase = on the floor before him, the smart tan shoes of the boylan were creaking. aae = man this boylan smart tan shoes was creaking on the floor before him bible = And the shoes of the ladlan were come to creak upon the floor before him. 1810s-1820s = The smart tan shoes of the boylan, were creaking under him, on the floor before him. 1890s-1900s = The smart tan shoes of the boylan were creaking on the floor before him. 1990s-2000s = The smart tan shoes of the boylan creaked on the floor in front of him. english_tweet = The boylan smart tan shoes creaked on the floor before him lyrics = In his bedroom before him, the smart tan shoes of boylan creaked to the sound of a jingle song romantic_poetry = The smart tan shoes of boylan's dowie stood creaking on the floor, switchboard = and the smart tan shoes of the kidlan were creaking on the floor before it shakespeare = He that comes here with me, The wise tanner of this boylan, The stout fellow, my lady, says to him, You Input = He eats a raw turnip offered him by Maurice Butterly, farmer.)_ Paraphrase = he's eating a raw turnip from Maurice Butterly, farmer.) aae = He ate raw turnips off Maurice Butterly, Farmer.) bible = He hath also a raw turnip from Maurice the butterling, of the field.) 1810s-1820s = he has a raw turnip from Maurice butterly, farmer. " 1890s-1900s = He ate a raw turnip from Maurice Butterly, farmer. " 1990s-2000s = He ate raw turnip from Maurice Butterly, farmer. " english_tweet = Hes eating raw turnip from Maurice Butterly, farmer.) lyrics = Maurice Butterly he's got a raw turnip, farmer.) romantic_poetry = He eats the turnip from Maurice Butterly, farmer,) switchboard = he ate raw turnip from Maurice Butterly farmer shakespeare = Maurice Butterly, he’s eating a raw turnip from me, Farmer. Input = Glorious tone he has still.  Input = him I suppose he thinks Im finished out and laid on the shelf well Im not no nor anything like Paraphrase = I guess he thinks I'm done and I'm on the shelf. aae = He probably think I'm done and I'm on the shelf I guess bible = I suppose he thought me ended, and that I was gone up to the shelf. 1810s-1820s = Makesafe He thinks I'm done and put on the shelves, I guess. 1890s-1900s = I suppose he thinks I've been through and am on the shelf. 1990s-2000s = He thinks I'm done and on the shelf, I guess. english_tweet = I guess thinks Im finished and is on the shelf. lyrics = I guess he thinks I'm done and I'm on the shelf romantic_poetry = Guess he thinks I'm out of the shop and shelve me, switchboard = i guess he's thinking i'm out of here and i'm on the shelf so shakespeare = I think he thinks I have undone him and that I am laid out upon the shelf. Input = Arse over tip. Paraphrase = the tip is over the tip. aae = the tip is over tip tip tip bible = The tip shall be over against the tip. 1810s-1820s = The tip is past the tip, to the left. 1890s-1900s = For the tip is over the tip--and the thing. 1990s-2000s = Topping is over over the tip, the tip is over. english_tweet = tip over tip. lyrics = This tip is over romantic_poetry = And there the tip o' the canny hund is o'er; switchboard = the tip is over shakespeare = The last of all is over the hand. Input = She has a good job if she minds it till Johnny comes marching home again. Paraphrase = if she's not busy, she'll have a good job. aae = If she aint busy she can have a good day. bible = And if she be idle, then she shall have favour in her hands. 1810s-1820s = If she be not busy, she will have a pleasant occupation for her time. 1890s-1900s = If she's busy she'll have a good deal of work. " 1990s-2000s = If she's not too busy, she'll have a good job. " english_tweet = If shes not busy, have a good day. lyrics = If she ain't busy she get a real good job romantic_poetry = If she has leisure to do her work well. switchboard = and if she doesn't have a lot of time she'll get a good job shakespeare = If she be not busy, She will have a goodly employment. Input = J. Flavin, C. C.; the rev. Paraphrase = J. Flavin, C. C. aae = J. Flavin, C. C. bible = J. Flavin, C.C. 1810s-1820s = J. Flavin, C. C. Copland. 1890s-1900s = Flavin, J. Flavin, C. C. R. H. C. 1990s-2000s = J. Flavin, C. C. english_tweet = J. Flavin C. C. lyrics = J. Flavin', C. C. romantic_poetry = J. Flavin, C. C. a' that, switchboard = J Flavin C shakespeare = J. Flavin. Input = curtsey (how faint these first vhespers womanly are, a secret pispigliando, amad the lavurdy den of their manfolker!) Paraphrase = Curtsey (the first vhesper woman is a little weak, a secret pispine, amad the lavender den of the man-of-her-manhood!!) aae = Curtsey (the first vhesper woman is a weak lil secret pispine, amad the lavender den of the man-of-her-manhood!!) bible = Curtsey (the first vhesper woman is a little weak, a secret pispine, amad the lavender den of the man of her manhood; and they are all to be slain) 1810s-1820s = Curtsey (First vhesper woman is not much in shape, a secret pispine, amad the lavender den of man-of-her-manhood!! ) 1890s-1900s = Curtsey (the first vhesper female is a bit weak, a secret pispine, amad the lavender den of man-of-her-manhood,) and of all the cretseys,' with the 1990s-2000s = Curtsey (The first vhesper woman gets somewhat weak, a secret pispine, amad the lavender den of the man-of-her-manhood!! ) english_tweet = Curtsey ( the first vhesper woman a little weak, secret pispine, amad the lavender den of the man-of-her-manhood!!) lyrics = curtsey (the first vhesper woman aint weak a secret pispine, amad the lavender den of the man-of-her-manhood!!) romantic_poetry = Curtsey (first vhesper female frae secret pispine, amad the lavender den of man!) switchboard = Curtsey's uh the first vhesper woman is a little weak a secret pispine amad the lavender den of the man of her manhood yeah shakespeare = Curtsey (the first vhesper maid is of a trifling weakness, a secret pispine, amad the lavender den of the man’s-woman’s-man’s-wife, and Input = Fog was whaas? Paraphrase = the fog was thickening, was it? aae = Fog thick af, wassup? bible = The thick fog was thickening, was it not? 1810s-1820s = The fog was thick, was it not? ' 1890s-1900s = The fog was thickening, was it not? 1990s-2000s = The fog had gotten thicker, hadn't it? english_tweet = The fog got thicker, was it? lyrics = Was it foggin? Was it smoke? romantic_poetry = Were these the wintry shades? No, the fog was thick switchboard = yeah i remember it was really foggy up there was it shakespeare = Doth the fog thicken in this place, by this light?  Input = into the back pocket of his trousers to obtain his latchkey. Paraphrase = he took his key from his pocket. aae = That nigga took his key out his pocket bible = And he took his key out of his purse. 1810s-1820s = The latter put his key into his pocket, and withdrew. 1890s-1900s = He carried his key in his pocket and handed it to her. 1990s-2000s = He pulled his key from his coat pocket and gave it to her. english_tweet = putting his key in his pocket. lyrics = Stole his key from his pocket romantic_poetry = And pocket'd his key again, switchboard = that's right and then he took his pocket key shakespeare = He took his key from his pocket. Input = Shy, supping with the godless, he sneaks the cup. Paraphrase = shy, he's going to the godless. aae = Shy get off god it's gettin hot bible = Shy, he that turneth aside to the godless. 1810s-1820s = Shy, there's the godless way. 1890s-1900s = SHY De Lacy is goin' to the godless. 1990s-2000s = Shy, he was going to the godless. english_tweet = shy coming to godless lyrics = Shy, and he's on his way to godless romantic_poetry = Shy, he wanders in the godless, switchboard = shy he went to the Godless shakespeare = Shy, he comes to God’s name.  Input = It’s quite simple. Paraphrase = it's quite easy. aae = It was quite easy. bible = And it was quite easy. 1810s-1820s = It was quite easy, indeed, to make out. 1890s-1900s = TOM BROWN It's quite simple enough, you know. 1990s-2000s = <p> It's quite easy, the way it's happening. english_tweet = Quite easy. lyrics = It's quite simple to do romantic_poetry = There's quite an ease in it. switchboard = yeah it's quite simple shakespeare = Very easily. Input = I read in that _Voyages in China_ that the Chinese say a white man smells like a corpse.   Input = Father Conmee was very glad to see the wife of Mr David Sheehy M.P. Iooking so well and he begged Paraphrase = I'm glad to see Mrs. Sheehy M.P. Sheehy M.P. Sheehy M.P. Sheehy M.P aae = Glad to See Meeeeeeeeeeehy M.P Sheehy M.P. Andd Youu Nd Yours! bible = I rejoiced to see Mrs. Sheehy M.P. Sheehy M.P. 1810s-1820s = Emily Allcure Thank you, Mr. Fairface, for your kind offer; but I am glad to see Mrs. Sheehy M.P. 1890s-1900s = ( Sees MRS. Sheehy M.P. up R. C.) I'm glad to see MRS. 1990s-2000s = I'm glad to see Mrs. Sheehy M.P. english_tweet = I like to see Mrs. Sheehy M.P. Sheehy M.P. her voice is so ethereal. lyrics = M.P. Sheehy M.P. Sheehy M.P. Sheehy M.P. Sheehy M.P. Sheehy M.P. Sheehy M. romantic_poetry = Sheehy M.P. I see her sair-skelping switchboard = well i'm glad to see Mrs Sheehy M M.P Sheehy M- P. Sheehy M- Panyall Sheehy M- Panyall sheehy shakespeare = I thank you, madam, for your most gentle courtesy. Input = I am connected with the British and Irish press. Paraphrase = I'm connected to the British press. aae = I'm connected to the British press bible = I am also a partaker of the British press. 1810s-1820s = I am connected with the British press, and am thoroughly versed in its proceedings. 1890s-1900s = I have a connection with the British press. 1990s-2000s = <p> I connect with the British press. english_tweet = British press is so boring. I'm connected. lyrics = I'm connected to the British press romantic_poetry = I've connected with British press, switchboard = i'm connected with the British press shakespeare = I am a Englishman; and I am acquainted with the press of the country. Input = writing the mystery of himsel in furniture. Paraphrase = writing the mystery of the furniture. aae = Texting this furniture mystery bible = In writing the mystery of furniture. 1810s-1820s = Writing the Mystery of the Furniture. 1890s-1900s = This is writing the mystery of the furniture. 1990s-2000s = Writing down the mystery of the furniture. english_tweet = Ducting the mystery of furniture. lyrics = Sketching the furniture mystery. romantic_poetry = Wrote the furniture mystery in prose. switchboard = writing furniture mysteries shakespeare = To write the mystery of the furnishings. Input = Let us leave theories there and return to here’s here. Paraphrase = let's go back to the theory and let's go. aae = Let's go back to the theory and let's do it right bible = Let us return unto the doctrine, and let us walk. 1810s-1820s = Let us return to the theory and retrace our steps. 1890s-1900s = Let us go back to the theory and go out of it. 1990s-2000s = Let's just let the theory go and go back to the theory. english_tweet = Lets go back to theories and let them come in. lyrics = Come on back and take my theory romantic_poetry = Let us part; and let us thence the theory devise. switchboard = let's go back to the theory and shakespeare = Let us go back to the logic and let it take hold. Input = Richie led on. Paraphrase = richie led the way. aae = Richie led the way bible = And richie led the way. 1810s-1820s = Richie had led the way. 1890s-1900s = and the poor thing led the way, richie. 1990s-2000s = Richie was the one who'd led the way. english_tweet = Love the way richie led the way. lyrics = And led the way for richie romantic_poetry = Richie led the way, with his head switchboard = richie was leading the way shakespeare = Richie led. Input = The last word in stolentelling! Paraphrase = the last word of the stolentel! aae = the last stolentel word! bible = And the last word of the stolentel! 1810s-1820s = last word of stolentel's valour! 1890s-1900s = And the last stolentel to say! 1990s-2000s = The last word of stolentel has the same voice! english_tweet = Stolentel last word!! lyrics = Et le stolentel de l'accord de m'en fait romantic_poetry = The stolentel's last word! there was a change switchboard = last stolentel shakespeare = The last word of the stolentel! Input = nana karlikeevna, sommerlad and cinderenda, Valtivar and Viv, how Big Bil Brine Borumoter first took his gage at lil lolly Paraphrase = nana Karlikova, sommerlad and cinderenda, Valtivar and Viv, how the gage of Bil Brine Borumoter was taken by the gage of Bil Brine Borumoter aae = nana Karlikova, sommerlad and cinderenda, Valtivar and Viv, how the gage of Bil Brine Borumoter was brought out in todays bible = Now the gage of Bil, which was of the cast of Bilbrine, was taken from the gage of Bil, and the cast of Balcalde, and the cast of Viv, how the gage of Bilbrine was taken 1810s-1820s = Aristotle, Nana Karlikova, sommerlad and cinderenda, Valtivar and Viv, how the gage of Bil Brine Borumoter made his appearance. 1890s-1900s = And Nana Karlikova, sommerlad and cinderenda, Valtivar and Viv, how by the gage of Bil Brine Borumoter the Kallitsa had passed in the stable-yard. 1990s-2000s = The songs of those gages who had taken Bil Brine Borumoter in their gage were of a woe, how Nana Karlikova, sommerlad and cinderenda, Valtivar and Viv, how the english_tweet = How the gage of Bil Brine Borumoter was taken by the gage of Bil Brine Borumoter in the Eart lyrics = Nana Karlikova, sommerlad et cinderenda, Valtivar et Viv, how the gage of Bil Brine Borumoter was taken romantic_poetry = Nana Karlikova, sommerlad and cinderenda, switchboard = nana Karlikova sommerlad and cinderenda Valtivar and Viv how Bil Brine Borumoter's gage was used for the gage of Bil Brine Borumoter was taken by shakespeare = Nana Karlikova, Sommerlad and cinderenda, Valtivar and Viv, How the gage of Bil Brine Borumoter was take from the vessel and trod upon, in the last resting place of this night Input = Heirs at you, Brewinbaroon! Paraphrase = he's your heirs, Brewinbaroon! aae = Brewinbaroon.  Input = Their deadly coil they grasp: yea, and therein they lead to Erebus whatsoever wight hath done a deed of blood Paraphrase = they hold the deadly coil: Yes, and they're going to Erebus whatever they've done to blood aae = they holding the deadly coil : yes and will be on Erebus whatever they did to blood bible = They hold the deadly coil: yea, and they set their faces to Erebus whatsoever they have done to blood. 1810s-1820s = They hold their deadly coils: Yes, and doth to Erebus Whatever they have given to blood--Curse them! 1890s-1900s = They hold the deadly coil: yea, and they go to Erebus whatsoever they are in the vein of blood. 1990s-2000s = Hold the deadly coil: Yes, and they would Erebus whatever they had done to the blood. english_tweet = The women hold the deadly coil: yes, and theyre going to Erebus whatever they did to blood lyrics = They're holding on to deadly coil: Yeah, and they're traveling on the Erebus whatever they did to blood romantic_poetry = They clasp the deadly coil: yea, and whatever they did to gore switchboard = they hold the deadly coils yeah and they they have to go Erebus whatever they've done to blood they're going to a place like that shakespeare = They hold the deadly coil: yes, and go with it whether they did plunge into Erebus Or nothing. Input = Wall flats: sink and fly.  Input = The gravediggers touched their caps.  Input = I wouldn’t miss her for irthing on nerthe.  Input = BLOOM: A penny in the pound. Paraphrase = a penny in the pound. aae = Penny in the pound >>>>>>>>>> bible = One penny in a pound. 1810s-1820s = a shilling in the pound, is a dollar. " 1890s-1900s = ( Going to be seen at the table, with a penny in the pound. 1990s-2000s = And a dime in the pound of money. english_tweet = A penny in the pound. lyrics = Some penny in the pound romantic_poetry = A penny a pound in coin. switchboard = a penny in a pound shakespeare = A penny in the pound. Input = then poor Merkin Cornyngwham, the official out of the castle on pension, when he was completely drowned off Erin Isles, Paraphrase = when he was drowned off the island of Erin, poor Merkin Cornyngwham, the official from the castle, aae = When he was drowning off erin island poor merkin cornyngwham, official from the castle, bible = When he was drowned off the isle of Erin, poor Merkin the corndealer, the chief of the castle, 1810s-1820s = And poor Merkin Cornyngwham, official from the castle, came out to meet us, when he was drowned off Erin, at the very moment that he was 1890s-1900s = Poor Merkin Cornyngwham, the official from the castle, when he was drowned off the island of Erin. 1990s-2000s = When he drowned off Erin, poor Merkin Cornyngwham, the official from Castle Wood, in a creek in the Hampshire countryside. english_tweet = Officer from the castle, when he was drown out by the island of Erin, poor Merkin Cornyngwham lyrics = When he was drowned off an island of Erin, poor Merkin Cornyngwham, the official from the castle, romantic_poetry = When he was drowned off the isle of Erin, poor Merkin Cornyngwham, switchboard = and when he got into trouble with Erin Island poor Merkin Cornyngwham the official in the castle and he shakespeare = When he was drowned off the shore of Erin, poor Merkin Cornyngwham, the official of the castle, ’twas on his way to the ball Input = I hate him about his patent henesy, plasfh it, yet am I amorist. Paraphrase = I'm not a fan of his patent, but I'm a fan of him. aae = I hate his patent but its ok lol bible = I have no delight in his patent; yet am I a fan of him. 1810s-1820s = I don't like his patent law; but, for the life of me, I'm in love with his. 1890s-1900s = I don't like his patent, but I like him, for all that. " 1990s-2000s = I am not a fan of his patent, but I am a fan of his wisdom. english_tweet = I dont like his patent but I do love him lyrics = I ain't a fan of his patent but I do romantic_poetry = His patent I detest, though his works I admire, switchboard = i don't i'm not a fan of his patent but i'm a i'm a patent lawyer shakespeare = I don't think his patent is as much for me as it is for him.  Input = Lighted lamp without globe, scarf, gazette, tumbler, quantity of water, julepot, ticker, side props, eventuals, man’s gummy article, pink. Paraphrase = lighted lamp without globe, scarf, gazette, tumbler, quantity of water, julep, ticker, side-effect, man's gummy. aae = Lighted lamp without globe, scarf, gazette, tumbler, quantity of water, julep, ticker, side effects, man's gummy. bible = Lighted lamp without globe, and scarf, and gazette, tumbler, quantity of water, julep, tickler, side-effect, man's gummy, 1810s-1820s = Lighted lamp without globe, scarf, gazette, tumbler, quantity of water, julep, ticker, side-effect, man gummy, woman gummy. 1890s-1900s = Lighted lamp without globe, shawl, gazette, tumbler, quantity of water, julep, ticker, side-effect, man's gummy. 1990s-2000s = Lighted lamp without globe, scarf, gazette, tumbler, quantity of water, julep, ticker, side-effect, man gummy. english_tweet = Lighted lamp without globe, scarf, gazette, tumbler, quantity of water, julep, ticker, side effect, man g lyrics = Lighted lamp without globe, scarf, gazette, tumbler, quantity of water, julep, ticker, side-effect, man's gummy. romantic_poetry = Lighted lamp without globe, scarf, gazette, tumbler, quantity, julep, ticker, side-effect, man's gummy, switchboard = lighted lamp without globe with scarf around it and gazette and tumbler and quantity of water and julep and ticker with the sides of the teeth in the gummy kind of thing shakespeare = Lighted lamp without globe, scarf, gazette, tumbler, quantity of water, julep, ticker, side-effect, man's gummy.  Input = And welcome, answered the elderly party thus addressed. Paraphrase = hello, welcome, I'm glad you answered the question. aae = good morning welcome, I'm glad you responded bible = I greet you, greetings, greetings: for my soul is glad because of your answers. 1810s-1820s = Good morning, and welcome, said I, to the result of your inquiry. 1890s-1900s = Good-morning, welcome; I am glad to see that you answered the question. " 1990s-2000s = LIEUTENANT COLONEL NATHANIEL SERLINGI'm pleased english_tweet = Welcome, I'm glad you've responded to my DM. lyrics = Welcome, welcome, I'm glad to hear you answered the question romantic_poetry = Hail, welcome, I've got your question, switchboard = hi thank you for your question bye-bye shakespeare = Welcome hither, I greet thee. Input = THE RETRIEVER: _(Barking furiously.)_ Paraphrase = (Barking angrily.) _ (Barking angrily.) _ (Barking angrily aae = (Barking angrily.) _(Barking angrily.) _(Barking angrily.) bible = (Barking with the teeth.) 1810s-1820s = ( Exit Mr. Redwood wit