Expression object for divisions of a dense vector by a scalar.The DVecScalarDivExpr class represents the compile time expression for divisions of dense vectors by scalar values.
More...
#include <DVecScalarDivExpr.h>
Inherits blaze::DenseVector< DVecScalarDivExpr< VT, ST, TF >, TF >, blaze::VecScalarDivExpr, and blaze::Computation.
|
| enum | : bool { returnExpr = !IsTemporary<RN>::value
} |
| | Compilation switch for the selection of the subscript operator return type. More...
|
| |
| enum | : bool { useAssign = IsComputation<VT>::value && RequiresEvaluation<VT>::value
} |
| | Compilation switch for the serial evaluation strategy of the division expression. More...
|
| |
|
typedef ResultType_< VT > | RT |
| | Result type of the dense vector expression.
|
| |
|
typedef ReturnType_< VT > | RN |
| | Return type of the dense vector expression.
|
| |
|
typedef ElementType_< VT > | ET |
| | Element type of the dense vector expression.
|
| |
|
typedef CompositeType_< VT > | CT |
| | Composite type of the dense vector expression.
|
| |
|
typedef DivExprTrait_< RN, ST > | ExprReturnType |
| | Expression return type for the subscript operator.
|
| |
template<typename VT, typename ST, bool TF>
class blaze::DVecScalarDivExpr< VT, ST, TF >
Expression object for divisions of a dense vector by a scalar.
The DVecScalarDivExpr class represents the compile time expression for divisions of dense vectors by scalar values.
§ anonymous enum
template<typename VT, typename ST, bool TF>
Compilation switch for the selection of the subscript operator return type.
The returnExpr compile time constant expression is a compilation switch for the selection of the ReturnType. If the vector operand returns a temporary vector or matrix, returnExpr will be set to false and the subscript operator will return it's result by value. Otherwise returnExpr will be set to true and the subscript operator may return it's result as an expression.
§ anonymous enum
template<typename VT, typename ST, bool TF>
Compilation switch for the serial evaluation strategy of the division expression.
The useAssign compile time constant expression represents a compilation switch for the serial evaluation strategy of the division expression. In case the given dense vector expression of type VT is a computation expression and requires an intermediate evaluation, useAssign will be set to 1 and the division expression will be evaluated via the assign function family. Otherwise useAssign will be set to 0 and the expression will be evaluated via the subscript operator.
§ DVecScalarDivExpr()
template<typename VT, typename ST, bool TF>
Constructor for the DVecScalarDivExpr class.
- Parameters
-
| vector | The left-hand side dense vector of the division expression. |
| scalar | The right-hand side scalar of the division expression. |
§ at()
template<typename VT, typename ST, bool TF>
Checked access to the vector elements.
- Parameters
-
| index | Access index. The index has to be in the range . |
- Returns
- The resulting value.
- Exceptions
-
| std::out_of_range | Invalid vector access index. |
§ begin()
template<typename VT, typename ST, bool TF>
Returns an iterator to the first non-zero element of the dense vector.
- Returns
- Iterator to the first non-zero element of the dense vector.
§ canAlias()
template<typename VT, typename ST, bool TF>
template<typename T >
Returns whether the expression can alias with the given address alias.
- Parameters
-
| alias | The alias to be checked. |
- Returns
- true in case the expression can alias, false otherwise.
§ canSMPAssign()
template<typename VT, typename ST, bool TF>
Returns whether the expression can be used in SMP assignments.
- Returns
- true in case the expression can be used in SMP assignments, false if not.
§ end()
template<typename VT, typename ST, bool TF>
Returns an iterator just past the last non-zero element of the dense vector.
- Returns
- Iterator just past the last non-zero element of the dense vector.
§ isAliased()
template<typename VT, typename ST, bool TF>
template<typename T >
Returns whether the expression is aliased with the given address alias.
- Parameters
-
| alias | The alias to be checked. |
- Returns
- true in case an alias effect is detected, false otherwise.
§ isAligned()
template<typename VT, typename ST, bool TF>
Returns whether the operands of the expression are properly aligned in memory.
- Returns
- true in case the operands are aligned, false if not.
§ leftOperand()
template<typename VT, typename ST, bool TF>
Returns the left-hand side dense vector operand.
- Returns
- The left-hand side dense vector operand.
§ load()
template<typename VT, typename ST, bool TF>
Access to the SIMD elements of the vector.
- Parameters
-
| index | Access index. The index has to be in the range . |
- Returns
- Reference to the accessed values.
§ operator[]()
template<typename VT, typename ST, bool TF>
Subscript operator for the direct access to the vector elements.
- Parameters
-
| index | Access index. The index has to be in the range . |
- Returns
- The resulting value.
§ operator~() [1/2]
template<typename VT, bool TF>
Conversion operator for non-constant vectors.
- Returns
- Reference of the actual type of the vector.
§ operator~() [2/2]
template<typename VT, bool TF>
Conversion operator for constant vectors.
- Returns
- Const reference of the actual type of the vector.
§ rightOperand()
template<typename VT, typename ST, bool TF>
Returns the right-hand side scalar operand.
- Returns
- The right-hand side scalar operand.
§ size()
template<typename VT, typename ST, bool TF>
Returns the current size/dimension of the vector.
- Returns
- The size of the vector.
The documentation for this class was generated from the following file:


Wrote this to answer a question on StackOverflow.com. Someone wanted to have text that flowed backwards and up in an odd way.


Counting the number of prime numbers
In 300 BC, the Greek mathematician Euclid proved that there are infinitely many prime numbers.
Carl Friedrich Gauss was the first to try to estimate the
number of prime numbers up to a given number n.
With this dialog, you can evaluate three different functions that count the prime numbers in a given range.
Each of the three functions can be started, stopped and continued independently of the others.
-
The function π(n) gives the exact number of prime numbers, that are smaller than or equal to n.
The value π(n) is calculated by counting the prime numbers.
The two other functions are approximations that are based on Gauss:


Source code for braindecode.augmentation.base
# Authors: Cédric Rommel<EMAIL_ADDRESS># Alexandre Gramfort<EMAIL_ADDRESS># Bruno Aristimunha<EMAIL_ADDRESS># Martin Wimpff<EMAIL_ADDRESS># License: BSD (3-clause)
from typing import List, Tuple, Any
from numbers import Real
from sklearn.utils import check_random_state
import torch
from torch import Tensor, nn
from torch.utils.data import DataLoader
from torch.utils.data._utils.collate import default_collate
from .functional import identity
Batch = List[Tuple[torch.Tensor, int, Any]]
Output = Tuple[torch.Tensor, torch.Tensor]
[docs]class Transform(torch.nn.Module):
"""Basic transform class used for implementing data augmentation
operations.
Parameters
----------
operation : callable
A function taking arrays X, y (inputs and targets resp.) and
other required arguments, and returning the transformed X and y.
probability : float, optional
Float between 0 and 1 defining the uniform probability of applying the
operation. Set to 1.0 by default (e.g always apply the operation).
random_state: int, optional
Seed to be used to instatiate numpy random number generator instance.
Used to decide whether or not to transform given the probability
argument. Defaults to None.
"""
operation = None
def __init__(self, probability=1.0, random_state=None):
super().__init__()
if self.forward.__func__ is Transform.forward:
assert callable(self.operation),\
"operation should be a ``callable``."
assert isinstance(probability, Real), (
f"probability should be a ``real``. Got {type(probability)}.")
assert probability <= 1. and probability >= 0., \
"probability should be between 0 and 1."
self._probability = probability
self.rng = check_random_state(random_state)
[docs] def forward(self, X: Tensor, y: Tensor = None) -> Output:
"""General forward pass for an augmentation transform.
Parameters
----------
X : torch.Tensor
EEG input example or batch.
y : torch.Tensor | None
EEG labels for the example or batch. Defaults to None.
Returns
-------
torch.Tensor
Transformed inputs.
torch.Tensor, optional
Transformed labels. Only returned when y is not None.
"""
X = torch.as_tensor(X).float()
out_X = X.clone()
if y is not None:
y = torch.as_tensor(y)
out_y = y.clone()
else:
out_y = torch.zeros(X.shape[0])
# Samples a mask setting for each example whether they should stay
# inchanged or not
mask = self._get_mask(X.shape[0])
num_valid = mask.sum().long()
if num_valid > 0:
# Uses the mask to define the output
out_X[mask, ...], tr_y = self.operation(
out_X[mask, ...], out_y[mask],
**self.get_augmentation_params(out_X[mask, ...], out_y[mask])
)
# Apply the operation defining the Transform to the whole batch
if type(tr_y) is tuple:
out_y = tuple(tmp_y[mask] for tmp_y in tr_y)
else:
out_y[mask] = tr_y
if y is not None:
return out_X, out_y
else:
return out_X
def _get_mask(self, batch_size=None) -> torch.Tensor:
"""Samples whether to apply operation or not over the whole batch
"""
return torch.as_tensor(
self.probability > self.rng.uniform(size=batch_size)
)
@property
def probability(self):
return self._probability
[docs]class IdentityTransform(Transform):
"""Identity transform.
Transform that does not change the input.
"""
operation = staticmethod(identity)
[docs]class Compose(Transform):
"""Transform composition.
Callable class allowing to cast a sequence of Transform objects into a
single one.
Parameters
----------
transforms: list
Sequence of Transforms to be composed.
"""
def __init__(self, transforms):
self.transforms = transforms
super().__init__()
[docs] def forward(self, X, y):
for transform in self.transforms:
X, y = transform(X, y)
return X, y
def _make_collateable(transform, device=None):
""" Wraps a transform to make it collateable.
with device control. """
def _collate_fn(batch):
collated_batch = default_collate(batch)
X, y = collated_batch[:2]
if device is not None:
X = X.to(device)
y = y.to(device)
return (*transform(X, y), *collated_batch[2:])
return _collate_fn
[docs]class AugmentedDataLoader(DataLoader):
"""A base dataloader class customized to applying augmentation Transforms.
Parameters
----------
dataset : BaseDataset
The dataset containing the signals.
transforms : list | Transform, optional
Transform or sequence of Transform to be applied to each batch.
device : str | torch.device | None, optional
Device on which to transform the data. Defaults to None.
**kwargs : dict, optional
keyword arguments to pass to standard DataLoader class.
"""
def __init__(self, dataset, transforms=None, device=None, **kwargs):
if "collate_fn" in kwargs:
raise ValueError(
"collate_fn cannot be used in this context because it is used "
"to pass transform"
)
if transforms is None or (
isinstance(transforms, list) and len(transforms) == 0
):
self.collated_tr = _make_collateable(IdentityTransform(), device=device)
elif isinstance(transforms, (Transform, nn.Module)):
self.collated_tr = _make_collateable(transforms, device=device)
elif isinstance(transforms, list):
self.collated_tr = _make_collateable(Compose(transforms), device=device)
else:
raise TypeError("transforms can be either a Transform object" +
" or a list of Transform objects.")
super().__init__(
dataset,
collate_fn=self.collated_tr,
**kwargs
)


EBD - Easton Bible DIctionary
Pavilion
PAVILION
"PAVILION "a tent or tabernacle (
2 Samuel 22:12
;
1 Kings 20:12-16
), or enclosure (
Psalm 18:11
;
27:5
). In
Jeremiah 43:10
it probably denotes the canopy suspended over the judgement-seat of the king.
"PAVILION "a tent or tabernacle (2 Samuel 22:12; 1 Kings 20:12-16), or enclosure (Psalm 18:11; 27:5). In Jeremiah 43:10 it probably denotes the canopy suspended over the judgement-seat of the king.


?SMITHSONIAN
INSTITUTION
UNITED
STATES
NATIONAL
HERBARIUM
Ludwigia
repens
Forst.
Detennined
by
Ching-I
Peng
198l
Missouri
Botanical
Garden
Ludtvigia
repens
Forst.
P.
H.
Raven
&
C.
L.
Schmidt
1966-67
JyV
E.
C.
LEONARD,
Collector
April
4-12,1920
From
THE
PLANTS
OF
HAITI
BIOLOGICAL
EXPLORATION
CONDUCTED
BY
DB.
W.
L.
ABBOTT
Etang
Vicinity
oMrfWMIWHWf
Etang
saum‰tre
01447714
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


| Location | Club Name | Date |
|---|---|---|
| Building 162-1001 | FAST FBI Info Session | 11/27/2018 11:30AM-12:50PM |
| Building 6-227 | Game Design and Developement General Meeting | 11/27/2018 12:00PM-1:00PM |
| Building 6-227 | Computer Science Society SEA Workshop | 11/29/2018 12:00PM-12:50PM |


Room
A simulated GameOn room.
Register room
Room Name
Device Id
Player Id
Site Id
Register
Light Id
Light State
Send Message


Reach Me!
Index
About Me
Technical Blog
Projects
Resume
On Facebook!
On Twitter!
On LinkedIn!
By Email!


Code Combat
IEEE BPIT organised a competitive coding competition.
Career Guidance Webinar
IEEE BPIT organised a webinar on Career Guidance students by Mr. Sumeet Malik from Pepcoding Pvt. Ltd.
Android Development Bootcamp
IEEE BPIT organised a seminar to enlighten students about Android Development using Java and Kotlin.
Self Intrest Groups
The major topics covered are:
Break the Shackels 2.0
IEEE BPIT successfully organised a 24 hour hackathon with more than 15 teams.
Web Quikie
It is a web development event where every team is requried to develop a full fleged website on given theme
Line Follwing Robot
Line following robot (LFR) is a competion in whch a participant needs to make a robot that follows a line minimum time
Pixelography
Pixelography is a challange based on digital image enchancement and manipulation.
Robo Race
Robo Race is a competion in whch a participant needs to make a robot that covers a track in minimum time
Coding Era
Coding Era is a competitive coding competition. The platform used was HackerBlocks
Robo Soccer
Robo Soccer is competion in which teams design robots to compete in soccer arena and play soccer.
Coding Quiz
Internship Fare
IEEE BPIT collaborated with Training & Placement Cell BPIT to organise
first
ever internship fare in BPIT.
Arbuize Digital Media Pvt Ltd, Olacadmey Pvt Ltd, Aam Aadmi Party and Relish Foods Pvt. Ltd
hired students for summer internship.
AI & Resume Building Workshop
A workshop on Python Fundamentals,Data Science and Resume Building was conducted by Arbunize.
Aptitude Coding Quiz
Students were given a glimpse of placement procedure through Aptitude Coding Quiz
Solve India's Next Big Problem
IEEE BPIT organised an ideathon to solve India's biggest problems. Participants presented their solution for social, economic welfare and technological advancement of India.
Data Science Workshop
IEEE BPIT organised a seminar to introduce data science and analytics domain to students by Mr. Rishabh Malhotra from NuBrains Analytics Pvt. Ltd also known as Datum Guy.
Semianr on Career Options
IEEE BPIT organised a seminar to enlighten students about career perspectives such as MBA, Government Jobs and other technical options after B.Tech.


Widgets
Library
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BREAKING THE WAVES A film review by Peer Wandel Hansen Copyright 1996 Peer Wandel Hansen
Rating (0 to 10): 7.0
Date Released: July 5'th 1996 (Denmark) Running Length: 2:38 Starring: Emily Watson, Stellan Skarsgaard, Katrin Cartlidge, Jean-Marc Barr, Adrian Rawlins, Jonathan Hackett, Udo Kier and more .. Director: Lars von Trier Story: Lars Von Trier, David Pirie, Peter Asmussen Cinematography: Robby Mueller, Jean Paul Meurice Music: Joachim Holbek
The latest epos from Lars is a blast, although a rather moody one. This lovestory is situated in a small town in the rough dreary cliffs in the vestern part of Scotland in the 1970 something. The church (Calvinistic) is so strict that the church bells has been removed from the clocktower, they are considered being too unrestrained. In these surroundings we find the to-be-weds Jan and Bess, played by Stellan Skarsgaard and the remarkable new movie actress Emily Watson. Jan is on leave from the Oilrig and Bess .. is just Bess, a bit naive and innocent (in every aspect of the word), at first. At the wedding party we are told an anecdote, illustrating her infinite kindness, she once lend a bike to an stranger, her best friends bike however. But Bess is suffering in this scary religious society. We soon take part in a funeral where a man, fallen off the orthodox path, is laid to rest while doomed to Hell. Women are not allowed to attend funerals or speak up in the church.
When the end of the honeymoon approaches we see Bess idolizing Jan in such an intend, almost manic, that her friends try to calm her down a bit. The time has come when Jan is to return to the rig, Bess is falling into the darkness of depression, her yelling of grief and sorrow are heard above the breaking of the waves. She can't stand the thought of life without her husband. We witness her dialogues with God (she speaks both parts, Paranoia ?) convincing God to return Jan from the Oilrig, and her prayers are heard. An accident on the rig bring him back, paralysed from the neck and down. Now he can't satisfy her need for physical love, he try to persuade her into finding a lover, with the ulterior motive to make her describe these affairs to him in every detail. At first she resist, but her love for Jan and his assurance that this will make him recover more rapidly make her comply. Imagine what this is doing to the poor girl ?
The story is cleverly divided into eight chapters parted by beautiful pictures made by Danish artist Per Kirkeby, accompanied by music from the era; Procol Harum, Deep Purple, T-Rex and others. The use of hand-held camera and lack of any make-up make the characters solid and help to separate this movie from others in the sentimental genre. The incredible performance from the actors makes the movie brilliant, though a bit too gloomy for my taste. I would say that it is in the genre of Betty Blue (37.2 le Matin) and Bitter Moon (Lunes de Fiel). Emily Watson as Bess and Katrin Cartlidge as her best friend Dodo deliver outstanding performances, this must be the reason for giving it the "Grand Prix du Jury" in Cannes this year (although we had hoped for the "Palme D'or"). The screenplay is now available in print, the transformation being made in the period from ultimo May to July, just in time for the Danish premiere.
- Peer Wandel Hansen<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


| | |
- DOPE_comparison_plot(path, data_unopt, data_opt)
- Creates a DOPE comparison plot between the unoptimized and the optimized model. Reads the energy profile data of each model from the corresponding files and saves
the plot in <png> format in the current directory
Keyword arguments
path -- whole path of the resulting complex models with its proper name except the extension of the file
data_unopt -- file with the energy profile data from the unoptimized model
data_opt -- file with the energy profile data from the optimized model
- blockPrint()
- Function that blocks the printing to stdout in order to avoid all the additional data and processes of MODELLER.
- enablePrint()
- Function that restores the printing to stdout.
- optimization(pdb_file)
- Optimizes the stereochemistry of a given model saved in a pdb file, including non-bonded contacts. The function is derived from the MODELLER package.
It also creates a plot with a comparison of the DOPE of the unoptimized model vs the optimized model.
Keyword arguments
pdb_file -- whole path of the resulting complex model in pdb format. It includes the directory where it is stored.
Considerations:
get_dope_profile() function: returns the individual residue components of the DOPE score, which can be used to detect poor regions of the model.
get_smoothed() function: modifies the resulting energy profile. Each residue's energy is smoothed by weighted window averaging, using its own energy and the
energy of window residues either side of it; energies of residues are weighted by how close they are to the center residue in sequence.
The model is refined using conjugate gradients.
|


Bike Shop, is a motorcycle company for motorcyclists.
For 9 years, we have specialized in offering BMW motorcycle rental services, of the entire GS range, around the Mexican Republic.
Our company is designed to satisfy all the needs of motorcycling enthusiasts, as well as those who start their adventure for the first time on one of their motorcycles. We want to share the excitement and adrenaline of traveling by motorcycle and touring our beautiful country and its surroundings.
Start a new tour in our amazing locations
Explore the magic towns of the southeast of Mexico in a motocycle, with a certifacte guide by DMW. Enjoy the amazing landscapes, vibrant culture and interesting history that this area offers you.
Explore the Maya circuit of the south of Mexico, near the borders with Guatemala and Belice in a motorcycle, with a certificate guide by DMW. Enjoy the amazing landscapes, beaches and roads whit breathtaking views.
Explore the Maya circuit of the south of Mexico, near the borders with Guatemala and Belice in a motorcycle, with a certificate guide by DMW. Enjoy the amazing landscapes, beaches and roads whit breathtaking views.
Our Bikes
Ninja H2R Motorcycle
Our trombones use the shiniest brass which is sourced locally. This will increase the longevity of your purchase.


Silicone
Silicone is a key controlled event-driven UI for the LÖVE framework. Silicone was designed with gamepads in mind for games such as RPGs where the player will spend most of their time on the directional keys.
Usage
The recommended method for creating menus with Silicone is shown below. This method utilizes a basic table structure to create what might normally be done with multiple getters and setters in other frameworks. Ideally, you would use something like a JSON parser to load menus from an external file. This functionality has not been implemented, however, as the preferred markup should be determined by the developer.
In this example, we show how to build a very simple menu with a panel, a button, and a text label for the button that will change from "Button" to "Hello!" when the button is pressed.
local Silicone = require("Silicone") local Root = Silicone({ children = { { type = "Panel", name = "mainPanel", width = 0.9, height = 0.9, origin = "center", anchor = "center", children = { { type = "Button", name = "button1", width = 0.1, height = 0.05, origin = "center", anchor = "center", children = { { type = "Label", name = "button1.label1", text = "Button", origin = "center", anchor = "center" } } } } } } }) local button1 = Root:find("button1") function button1:onConfirm() self:press() Root:find("button1.label1"):setText("Hello!") end local mainPanel = Root:find("mainPanel") mainPanel:show() Root:focus() function love.draw() Root:draw() end function love.update(dt) Root:update(dt) end function love.keypressed(key) if key == "return" then Root:doConfirm() end end
As you can see, we create a Root object and define its structure in a table. In this table, we can nest the Root's children so that they will be created at the same time as the Root. Most, if not all, of an element's attributes can be set through this structure sans attributes that may require some additional processing such as skins.
Skinning
Silicone can be configured to look and feel any way you like because the logic behind the drawing of an element has been abstracted away into skins. The default skin is a very basic resourceless skin that does little more than display the elements and provide some visual feedback upon interaction. Because of this, it is recommended that you design your own skin to suit your needs.


2 Chronicles 28:25
And in every several city of Judah he made high places to burn incense unto other gods, and provoked to anger the LORD God of his fathers.


These are the songs in album
Song Title:
,
Song Length:
,
Track Number:
Add new Song
Title
Length
Track Number


“Acid King” EXPLICIT
by Malibu Ken from Malibu Ken
- “Relatable (peak OME)” by Open Mic Eagle
- “Tints” by Anderson .Paak, feat. Kendrick Lamar
- “1999 Wildfire” by BROCKHAMPTON
- “BLACK BALLOONS | 13LACK 13ALLOONZ” by Denzel Curry, feat. Twelve'len & GoldLink
- “Streaky Death” by Grips
- “BERLIN” by BROCKHAMPTON
- “Dunno” by Mac Miller
- “Runaway” by Lil Peep
- “Window” by Noname, feat. Phoelix
- “Smoke.Netflix.Chill” by Tank and the Bangas


Hi there,
I am a passionate "DATA SCIENTIST " With passion and deep interest in Machine Learning and Artificial Intelligence.
Bootcamp - Worked on Python API using Flask framework both front-end and back-end consisting APIs for Web Applications. Also worked on Machine Learning Algorithm.
Technology and services used : Python, Machine Learning, MongoDB, API, HTML
Worked on various open and confidential projects related to device responsive website designing and development using PHP, MySQL, WordPress, HTML/HTML5, CSS/CSS3, Bootstrap, JavaScript, jQuery, AJAX, Wamp, XAMPP, LAMP etc. and also did work like photo editing, logo designing, background image designing and other graphic designing using Adobe Photoshop. Worked for international clients from USA, Canada and Egypt on Elance.com and Indian clients outside Elance.
Percent: 75%
Percent: 72%
Percent: 58%
Primary Goal:The aim was to develop a Application to be able to stream Live Video along with detecting the Face/Eye and recognizing the person.
Output Goal: Developed a Web Framework Application with Flask and opencv which can stream a Live Video using a device Camera that can detect Face & Eye of a Human and recognise that person.
Technology & tool Used:Python, Flask API, OpenCV, Computer Vison, Haar-cascade, VS code, HTML.
Primary Goal:To develop a customer segmentation to define marketing strategy for 9000 active credit card holders during the last 6 months using machine learning techniques(ML) to identify patterns and target the customer for better business growth and strategy.
Output Goal: With the help of machine learning technique called K-means clustering found out that 56% potential customer can be targeted and revenue can get 70% increase with this strategy.
Technology & tool Used:Python, Flask API, OpenCV, Computer Vison, Haar-cascade, VS code, HTML.
Primary Goal: A cab rental start-up company have successfully run their pilot project and now want to design a system that predicts the Fare amount for a cab ride in the city.
Output Goal: With the help of machine learning techniques like Linear Regression, Decision Tree, and Random Forest, developed a model to predict cab fare price and by implementing Hyperparameter to fine tune and predicting the fare price with 82% Accuracy and single rider at 5-6 pm rush hour focused analysis can make significant revenue growth that jumps to 75% revenue generation!.
Technology & tool Used:Python, Flask API, OpenCV, Computer Vison, Haar-cascade, VS code, HTML.
Duration: 3 Months
We have developed a E-commerce Website Using Python & Flask framework with MongoDB Database, were a user can buy the products available from the User account and the Seller can sell the products through the seller account.
Duration: 6 Months
The course deals with the Data science Techniques and Implementation of Machine Learning Methods to Solve any Business Problems to make better Business Decisions with hidden key insights.
Apart from being a Software Engineer, I am an sports centric person and like to watch and play sports like Cricek, Football. I also like to watch Sci-Fi movies and eat/explore different types of food. I enjoy most of my time exploring the latest technology advancements in the world.
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Class LatitudePayClientConfiguration
Instances of this class represent configuration options for ILatitudePayClient instances. The static members of this class provide global configuration common to all instances.
Inherited Members
Namespace: Yort.LatitudePay.InStore
Assembly: Yort.LatitudePay.InStore.dll
Syntax
public sealed class LatitudePayClientConfiguration
Constructors
| Improve this Doc View SourceLatitudePayClientConfiguration()
Default contructor, creates a new instance.
Declaration
public LatitudePayClientConfiguration()
Remarks
Instances of this type become immmutable once passed to a LatitudePayClient instance. Trying to set properties after this has occurred will result in an InvalidOperationException.
Properties
| Improve this Doc View SourceApiKey
Sets or returns the API key that identifies the merchant account to use with LatitudePay.
Declaration
public string ApiKey { get; set; }
Property Value
| Type | Description |
|---|---|
| String |
Exceptions
| Type | Condition |
|---|---|
| InvalidOperationException | Thrown if this property is modified after it has been passed to a LatitudePayClient instance. |
ApiSecret
Sets or returns the secret value used to access the LatitudePay API.
Declaration
public string ApiSecret { get; set; }
Property Value
| Type | Description |
|---|---|
| String |
Exceptions
| Type | Condition |
|---|---|
| InvalidOperationException | Thrown if this property is modified after it has been passed to a LatitudePayClient instance. |
DefaultCurrency
Sets or returns the default currency for new LatitudePayMoney instances where the currency is not explicitly provided.
Declaration
public static string DefaultCurrency { get; set; }
Property Value
| Type | Description |
|---|---|
| String |
Remarks
If this property is null or an empty string then AustralianDollars will be used as a default.
Environment
Sets or returns the LatitudePay API environment to be used.
Declaration
public LatitudePayEnvironment Environment { get; set; }
Property Value
| Type | Description |
|---|---|
| LatitudePayEnvironment |
Exceptions
| Type | Condition |
|---|---|
| InvalidOperationException | Thrown if this property is modified after it has been passed to a LatitudePayClient instance. |
HttpClient
Sets or returns an HttpClient instance used to make calls to the LatitudePay API. If null/unset, the system will create it's own instance on first use.
Declaration
public HttpClient HttpClient { get; set; }
Property Value
| Type | Description |
|---|---|
| HttpClient |
Remarks
The library reserves the right to modify the provided client, such as setting default headers. A client can be shared amongst configuration object, but should not be shared/use outside of other LatitudePayClient instaces. The primary purpose of this method is to allow a client with injected handlers to be used. If you do not need to inject custom handlers, then leave this blank.
Exceptions
| Type | Condition |
|---|---|
| InvalidOperationException | Thrown if this property is modified after it has been passed to a LatitudePayClient instance. |
MinimumRetries
The minumum number of automatic retries to perform when a create transaction (order/refund/order reversal/refund reversal etc) times out.
Declaration
public int MinimumRetries { get; set; }
Property Value
| Type | Description |
|---|---|
| Int32 |
Remarks
This property defaults to a value of 2. A value of zero or less is allowed, in which case only the initial attempt will be made - no retries will be performed within the library and any error handling logic will need to be entirely implemented by the application.
The library may attempt more retries than specified if the total time since the initial call is less than the (full, LatitudePay) recommended timeout for the endpoint being called.
Exceptions
| Type | Condition |
|---|---|
| InvalidOperationException | Thrown if this property is modified after it has been passed to a LatitudePayClient instance. |
ProductName
Sets or returns the product name that will be used as part of the user agent string when calling the LatitudePay API.
Declaration
public string ProductName { get; set; }
Property Value
| Type | Description |
|---|---|
| String |
Remarks
If null, empty string or only whitespace the name of the Yort.LatitudePay.Instore assembly being used will be substituted as a default.
Exceptions
| Type | Condition |
|---|---|
| InvalidOperationException | Thrown if this property is modified after it has been passed to a LatitudePayClient instance. |
ProductVendor
Sets or returns the name of the vendor that will be used as part of the user agent string when calling the LatitudePay API.
Declaration
public string ProductVendor { get; set; }
Property Value
| Type | Description |
|---|---|
| String |
Remarks
If null, empty string or only whitespace, "Yort" assembly being used will be substituted as a default.
Exceptions
| Type | Condition |
|---|---|
| InvalidOperationException | Thrown if this property is modified after it has been passed to a LatitudePayClient instance. |
ProductVersion
Sets or returns the version number of the ProductName name that will be used as part of the user agent string when calling the LatitudePay API.
Declaration
public string ProductVersion { get; set; }
Property Value
| Type | Description |
|---|---|
| String |
Remarks
If null, empty string or only whitespace the version of the Yort.LatitudePay.Instore assembly being used will be substituted as a default.
Exceptions
| Type | Condition |
|---|---|
| InvalidOperationException | Thrown if this property is modified after it has been passed to a LatitudePayClient instance. |
RetryDelaySeconds
Sets or returns the number of seconds to wait before attempting a retry.
Declaration
public int RetryDelaySeconds { get; set; }
Property Value
| Type | Description |
|---|---|
| Int32 |
Remarks
When a transactional call (CreateOrder/Refund etc) times out the system will perform a retry (based on the MinimumRetries setting). If that retry attempt returns a 409 conflict response indicating the first request is still in progres, then the system will wait this many seconds before the next retry. See https://docs.LatitudePay.com.au/instore-api-v1.html#distributed-state-considerations and https://docs.LatitudePay.com.au/instore-api-v1.html#create-order for more details.
The minimum value is 5 seconds. Any value less than 5 seconds will be ignored, and a 5 second delay will occur instead.
Exceptions
| Type | Condition |
|---|---|
| InvalidOperationException | Thrown if this property is modified after it has been passed to a LatitudePayClient instance. |
SystemClock
Sets or returns an implementation of ILatitudePaySystemClock that will be used by the library to determine the current date and time.
Declaration
public static ILatitudePaySystemClock SystemClock { get; set; }
Property Value
| Type | Description |
|---|---|
| ILatitudePaySystemClock |
Remarks
If not clock is explicitly set, or if the property is set to null, then DefaultInstance will be used (and returned as the current value of the property).
This property can be used to provide a mocked clock for unit testing, or to provide a clock adjusted by a calculated offset via an NTP client etc. if the system clock cannot be relied upon for accuracy.
This is a static property and the value set here affects all clients/objects from the Yort.LatitudePay.InStore API unless otherwise specified.


The organization of Residents of University Place is known as the Association of University Place Residents. The role of the Association is to provide a mechanism and forum for the residents a) to communicate with each other and Management and b) to plan and implement programs and activities and to advise on general operations and management of University Place.
The representative body of the Association is the Residents’ Council. The Council consists of ten members: five elected officers (President, President-Elect, Vice President, Secretary and Treasurer); one representative from the residents of garden homes and one representative from each of the three floors of the independent living apartments; and a representative from the Assisted Living area. The Council meets monthly and, by tradition, its meetings are open to residents and/or University Place management representatives. Council meetings are noted on the activity calendar distributed near the beginning of each month.
As the representative body of the Association the Council encourages residents to express their ideas, concerns, and recommendations to Council members, written communication being preferred. A listing of Council members and various committees and interest groups is given below.
July 1, 2016 June 30, 2017
Robert Stroud          Anne Lommel
Jim Hittle          Mary Pantea
David Landgrebe          James BeMiller
Karen Byrd          Max Jackson
Ron Stroup          Shirley Freed
Contact information for any of the Council members may be obtained by calling the University Place Concierge at<PHONE_NUMBER> during normal business hours.
By-Laws of the Association of University Place Residents
Committees and Interest Groups
Standing Committee Descriptions
Residents' Council Archival Documents(restricted site)


{%extends 'base.html'%} {%load bootstrap4%} {%load ratings%} {{block.super}} {%block content%}
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Class TransformChannel<T, TResult>
A channel wrapper that takes the provided channel and transforms them on demand when being read.
Inheritance
System.Object
System.Threading.Channels.Channel<T, TResult>
TransformChannel<T, T, TResult>
TransformChannel<T, TResult>
Inherited Members
System.Threading.Channels.Channel<T, TResult>.Reader
System.Threading.Channels.Channel<T, TResult>.Writer
System.Object.Equals(System.Object)
System.Object.Equals(System.Object, System.Object)
System.Object.GetHashCode()
System.Object.GetType()
System.Object.MemberwiseClone()
System.Object.ReferenceEquals(System.Object, System.Object)
System.Object.ToString()
Namespace: Open.ChannelExtensions
Assembly: Open.ChannelExtensions.dll
Syntax
public class TransformChannel<T, TResult> : TransformChannel<T, T, TResult>
Type Parameters
| Name | Description |
|---|---|
| T | Specifies the type of data that may be written to the channel. |
| TResult | Specifies the type of data that may be read from the channel. |
Constructors
| Improve this Doc View SourceTransformChannel(Channel<T, T>, Func<T, TResult>)
Creates a channel wrapper that takes the provided channel and transforms them on demand when being read.
Declaration
public TransformChannel(Channel<T, T> source, Func<T, TResult> transform)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Threading.Channels.Channel<T, T> | source | The channel containing the source data. |
| System.Func<T, TResult> | transform | The transform function to be applied to the results when being read. |
Extension Methods
Extensions.ReadAll<TWrite, TRead>(Channel<TWrite, TRead>, Action<TRead>, Boolean, CancellationToken)
Extensions.ReadAll<TWrite, TRead>(Channel<TWrite, TRead>, Action<TRead>, CancellationToken, Boolean)


Station_19
In Seattle, all firefighters are also trained EMTs and the crew at Station 19 is second to none. Working in 24-hour shifts, these professionals spend so much time together that they build relationships unlike any others.Station 19 follows a group of heroic firefighters at Seattle Fire Station 19 - from captain to newest recruit - as they risk their lives and hearts both in the line of duty and off the clock. These brave men and women are like family, literally and figuratively, and together they put their own lives in jeopardy as first responders to save the lives of others.


REGULAR STRENGTH ASPIRIN- aspirin and caffeine tablet, film coated
WALGREEN CO.
Disclaimer: Most OTC drugs are not reviewed and approved by FDA, however they may be marketed if they comply with applicable regulations and policies. FDA has not evaluated whether this product complies.
temporarily relieves minor aches and pains due to:
headache
a cold
muscular aches
toothache
arthritis
menstrual cramps
Reye’s syndrome: Children and teenagers who have or are recovering from chicken pox or flu-like symptoms should not use this product. When using this product, if changes in behavior with nausea and vomiting occur, consult a doctor because these symptoms could be an early sign of Reye"s syndrome, a rare but serious illness.
Allergy alert: Aspirin may cause a severe allergic reaction which may include:
hives
facial swelling
shock
asthma (wheezing)
Stomach bleeding warning: This product contains an NSAID, which may cause severe stomach bleeding. The chance is higher if you:
are age 60 or older
have had stomach ulcers or bleeding problems
take a blood thinning (anticoagulant) or steroid drug
take other drugs containing prescription or nonprescription NSAIDs [aspirin, ibuprofen, naproxen, or others]
have 3 or more alcoholic drinks every day while using this product
take more or for a longer time than directed
Caffeine warning: The recommended dose of this product contains about as much caffeine as a cup of coffee. Limit the use of caffeine-containing medications, foods, or beverages while taking this product because too much caffeine may cause nervousness, irritability, sleeplessness, and, occasionally, rapid heart beat.
stomach bleeding warning applies to you
you have a history of stomach problems, such as heartburn
you have high blood pressure, heart disease, liver cirrhosis, or kidney disease
you have asthma
you are taking a diuretic
taking a prescription drug for
gout
diabetes
arthritis
you experience any of the following signs of stomach bleeding:
feel faint
have bloody or black stools
vomit blood
have stomach pain that does not get better
an allergic reaction occurs. Seek medical help right away.
new symptoms occur
redness or swelling is present
ringing in the ears or loss of hearing occurs
pain gets worse or lasts more than 10 days
fever gets worse or lasts more than 3 days
These could be signs of a serious condition.
do not use more than directed
drink a full glass of water with each dose
adults and children 12 years of age and over: take 2 tablets every 6 hours; not more than 8 tablets in 24 hours, or as directed by a doctor
children under 12 years: do not use unless directed by a doctor
store at controlled room temperature 15°-30°C (59°-86°F)
see end flap for expiration date and lot number
hypromellose, microcrystalline cellulose, polyethylene glycol, pregelatinized starch, sodium lauryl sulfate
Walgreens
NDC 0363-0164-12
Compare to the active ingredients in Anacin®†
ASPIRIN PLUS CAFFEINE
Aspirin 400 mg, Caffeine 32 mg
Pain Reliever (NSAID)
Pain Reliever Aid
100 COATED TABLETS
TAMPER EVIDENT: DO NOT USE IF IMPRINTED SAFETY SEAL UNDER CAP IS BROKEN OR MISSING
†This product is not manufactured or distributed by Insight Pharmaceuticals Corp., owners of the registered trademark Anacin®.
50844 ORG031016417
Distributed by: Walgreen Co.
200 WILLMOT RD., DEERFIELD, IL 60015
©2010 Walgreen Co.
ITEM 147449
164-12
|
REGULAR STRENGTH ASPIRIN
aspirin and caffeine tablet, film coated | ||||||||||||||||||||
| ||||||||||||||||||||
| ||||||||||||||||||||
| ||||||||||||||||||||
| ||||||||||||||||||||
| ||||||||||||||||||||
|
| Labeler - WALGREEN CO. (008965063) |
| Establishment | |||
| Name | Address | ID/FEI | Business Operations |
|---|---|---|---|
| LNK International, Inc. | 038154464 | PACK(0363-0164) |
| Establishment | |||
| Name | Address | ID/FEI | Business Operations |
|---|---|---|---|
| LNK International, Inc. | 832867894 | MANUFACTURE(0363-0164) |


Class: TableFu::Header
Overview
A header object needs to be a special kind of Datum, and we may want to extend this further, but currently we just need to ensure that when to_s is called on a @Header@ object that we don’t run it through a macro, or a formatter.
Instance Method Summary
Methods inherited from Datum
#initialize, #macro_value, #method_missing, #value
Constructor Details
This class inherits a constructor from TableFu::Datum
Dynamic Method Handling
This class handles dynamic methods through the method_missing method in the class TableFu::Datum
Instance Method Details
- (Object) to_s
375 376 377 |
# File 'lib/table_fu.rb', line 375 def to_s @datum end |


|
My Project
|
An implementation of ConstantPool using a Ghidra client as the backing storage. More...
#include <cpool_ghidra.hh>
Public Member Functions | |
| ConstantPoolGhidra (ArchitectureGhidra *g) | |
| Constructor. | |
| virtual const CPoolRecord * | getRecord (const vector< uintb > &refs) const |
| Retrieve a constant pool record (CPoolRecord) given a reference to it. More... | |
| virtual bool | empty (void) const |
| Is the container empty of records. | |
| virtual void | clear (void) |
| Release any (local) resources. | |
| virtual void | saveXml (ostream &s) const |
| Save all records in this container to an XML stream. More... | |
| virtual void | restoreXml (const Element *el, TypeFactory &typegrp) |
| Restore constant pool records from an XML stream. More... | |
| Public Member Functions inherited from ConstantPool | |
| virtual | ~ConstantPool () |
| Destructor. | |
| void | putRecord (const vector< uintb > &refs, uint4 tag, const string &tok, Datatype *ct) |
| A a new constant pool record to this database. More... | |
| const CPoolRecord * | restoreXmlRecord (const vector< uintb > &refs, const Element *el, TypeFactory &typegrp) |
| Restore a CPoolRecord given a reference and an XML stream. More... | |
An implementation of ConstantPool using a Ghidra client as the backing storage.
The actual CPoolRecord objects are cached locally, but new queries are placed with the Ghidra client hosting the program currently being decompiled. The queries and response records are sent via XML. The saveXml() and restoreXml() methods are disabled. The clear() method only releases the local cache, no records on the Ghidra client are affected.
|
virtual |
Retrieve a constant pool record (CPoolRecord) given a reference to it.
| refs | is the reference (made up of 1 or more identifying integers) |
Implements ConstantPool.
|
virtual |
Restore constant pool records from an XML stream.
(If supported) The container is populated with CPooLRecords initialized from a <constantpool> XML tag.
| el | is the XML element |
| typegrp | is the TypeFactory used to resolve data-type references in the XML |
Implements ConstantPool.
|
virtual |
Save all records in this container to an XML stream.
(If supported) An <constantpool> element is written containing <cpoolrec> child elements for each CPoolRecord in the container.
| s | is the output stream |
Implements ConstantPool.


|
Does Pop Culture Libel Law
And Lawyers?
by Lisa Trach
How often do we hear phrases
like, "He got a slap on the wrist", or "He
got off on a technicality"? How about jokes that start
off something like, "A doctor, an accountant, and a lawyer
walk into a bar
" where the punch line is about
the lawyer being dishonest, greedy, or disliked? It seems that
the current attitude of society is that the justice system is
really not that just, and the members of the legal community
are a questionable bunch. No system is perfect, and it is probably
fair to say that every member of the legal community can critique
some aspect of our justice system. These criticisms are based
on experience and knowledge that comes with being involved with
the system. However, on what is the average citizen basing his
or her opinions on how just our legal system is? The average
citizen has little or no contact with the justice system. Their
main source of information about how the legal system works and
what kind of people run the system comes from the media, movies,
T.V. programs, and other popular culture. It seems inevitable
that what they see will influence their attitudes about the system
and those involved in it. Is what they are seeing correct? Or
does popular culture bias the average citizen, leaving them with
unrealistic views of how our justice system functions? To answer
this, it is helpful to take a look at some of the popular culture
of the past and present, examine how it portrays the law and
lawyers, and attempt to evaluate its accuracy. Only then does
it become apparent how society's negative attitudes towards the
justice system can be attributed, at least in part, to popular
culture, and how those attitudes are unfair to a legal system
that is inaccurately portrayed.
One medium through which the legal system is portrayed is film.
Many movies embrace the law as their subject matter. A common
character is the lawyer. The stereotypical movie lawyer is untruthful,
uncaring, driven by greed, and in some cases, the villain. Recall
the main character in Liar Liar for example. His ability
to be a great lawyer is jeopardized when he loses his ability
to lie.  Jim Carey's
character in Liar Liar is also disliked outside of his
law office. He is divorced and neglects his duties as a father.
What is the message here? Lawyers are liars, and bad people.
We see this theme reoccurring again and again. In the most recent
version of Cape Fear, the main character, Sam Bowden,
is a lawyer. He is supposed to be the protagonist, but it is
difficult to really like him. After all, he cheated on his wife
and caused her to have a nervous breakdown. He also acted unethically
in defending a past client by not doing everything possible in
his defense. Then we have The Devil's Advocate. In this
film the successful head partner of a prestigious law firm turns
out to be the devil. Need more be said? How about Michelle Pfeiffer's
character, Rita, in I Am Sam? When she is a lawyer with
a successful practice, she neglects her son, is rude, won't do
any pro bono lawyering, makes her secretary cry, and avoids her
husband. Later in the film, when she announces that she has essentially
given up her busy practice, she is portrayed as the caring friend,
great mother, and all-around nice gal. How does a lawyer get
to be a nice person? According to the movies, they have to quit
being a lawyer.
A closer look at lawyers exposes the common movie depiction as
false. Law students are taught the ethics of their trade from
the very beginning of their career and making only those representations
that are known to be true is one of the most important of those
ethical obligations. The legal community is a relatively small
one. Therefore, the actions of each lawyer are constantly scrutinized
by their peers. One's reputation within the legal community is
easily tarnished by deceitfulness. A lawyer can quickly lose
the respect of other members of the legal community by misleading.
Do some lawyers lie? The answer is most likely, "Yes".
Nevertheless, making the generalization that all lawyers are
liars is unrealistic. The legal profession is one that demands
integrity, and most lawyers take that very seriously. The idea
that lawyers are driven by greed, and that successful lawyers
don't do pro bono or charity work is also false. Some examples
serve to defeat this assumption. In British Columbia, the Salvation
Army runs a Pro Bono program that provides free legal services
to those who do not qualify for legal aid. In 1999, nearly 170
lawyers donated their time and services to this program. Similarly,
one of the most successful and respected criminal lawyers in
Edmonton, Alberta, was recently ranked third on the list of lawyers
who do the most legal aid work in Alberta. Clearly this is not
motivated by greed, as legal aid is not as lucrative as regular
practice. Even during the most demanding times in their career,
lawyers find time to donate their services. Crossroads, a program
in Edmonton, Alberta that sends outreach workers into the inner
city, benefits from the volunteered time of a young associate.
This young lawyer joins the outreach worker in the Crossroads
van, traveling the streets during late night shifts, encouraging
safety and providing legal information to Edmonton's prostitution
community. She did so throughout her busy articling year and
continues to be a volunteer with the organization. Is this work
of people who can be equated with the devil? The depiction of
lawyers in the movies leads the public to see the entire community
as having little compassion and no character. However, these
lawyers, among many others prove that this portrayal is unfair,
leaving lawyers to battle a stereotype that in many cases is
totally inaccurate.
It is not just the portrayal of the lawyer in movies that is
disturbing. Movies often depict the entire legal system as unfair
and corrupt. For example, in I Am Sam, the viewer is put
into Sam's shoes and takes his side.  To the viewer, the legal system seems cruel because
it takes Lucy from Sam, even though he has raised her for 7 years
and she is very bright and well adjusted. The district attorney,
judge, and social worker, all working on behalf of the legal
system, are portrayed as heartless, wanting to take her away
from her true father without really caring about what Lucy wants.
The viewer is outraged at the system for taking a young girl
away from her father when he clearly loves her dearly. Who cares
if he is disabled? After all, as Lucy says, "All you
need is love".
A realistic look at the situation reveals that the movie's version
of the legal system is deceiving and unduly harsh. It is not
cruel that our system inquires into the ability of a severely
disabled parent to care for a child. In fact, it seems that a
system that did not make this inquiry would be negligent in caring
for the youth of its jurisdiction. Lucy's comment about only
needing love is very sweet, but oversimplifies things enormously.
A report done by the New York State Commission of Quality of
Care outlined some of the problems facing parents with mental
disabilities. The study profiled 41 families in detail. "In
general, it was found intellectually challenged parents had low
self esteem; they resisted help from the outside for fear of
losing their children; almost half of the parents in the study
had faced at least one allegation of child abuse or neglect.
Twenty-five percent of the children failed to receive adequate
medical, dental care and nutrition. And nearly two thirds of
the children over the age of three had an identified learning
disability, believed to be as a result of not getting enough
stimulation in their early formative years."(1)
This does not necessarily mean that a disabled parent can not
be a good parent. This study simply indicates that it is fair
that our legal system look into a mentally challenged parent's
abilities to insure the child is getting the necessary care.
The system must put the best interest of the child in front of
any other factor. This is just one example of how movies can
distort the goals of the legal system and deceive the general
public. A depiction such as the one in I Am Sam that ridicules
the legal system and is effective in persuading the viewer that
the system is unjust for making such an inquiry is ludicrous.
Yet these types of depictions occur in movies quite frequently.
Movies are not the only form of popular culture that influences
the beliefs of people about the legal system and community. Television
is perhaps even more invasive and persuasive to the general public.
Shows such as Law and Order, The Practice, and
Matlock definitely have an influence on how the public
imagines the justice system to be. However, their accuracy leaves
much to be desired. Although they may deal with issues that are
current in the real-life legal community, they do so in a way
that biases the viewer. For example, Law and Order shows
each of its cases from the point of view of the police and the
prosecution.  Meanwhile,
the prosecutors are made out to be heroes, who usually are seeking
a result that popular opinion at the time would support. This
leaves the viewer with the impression that the legal system is
a battle between the "good guys" and the "bad
guys" where the only just result is when the "good
guys" prevail. These television programs also fail to represent
the workings of the system accurately. In Matlock, we always
see Ben get up and lay out the "truth" in front of
the jury while he is supposed to be cross-examining the witness.
This type of monologue would never happen in a courtroom during
a cross examination. The rules of evidence forbid it. Sadly,
the public is influenced by this type of programming and will
often refer to things seen on these shows when discussing their
attitudes towards the justice system.
Perhaps the most frightening medium through which people's attitudes
about the justice system are prejudiced is the media. This is
because people consider the media to be based on fact, whereas
they know there is some element of fiction to television and
movies. However, the media can also paint misleading pictures
of justice and the system. Even the wording of a newspaper headline
can bias the public, causing them to expect a certain result
and become dissatisfied with the system when their expectations
are not met. Take, for example, headlines such as "Biggest
Reward for Slayer" and "Boy Must Face Higher
Court in Slaying". The fact that the words "slayer"
and "slaying" are used invokes public emotion. The
articles following these headlines paint a very one-sided picture,
and could easily convince the public of the boy's involvement
in the crime. If the boy were not convicted, the public may react.
Even more devastating is the reality of what happened in the
case described in these headlines. Biased views as to his guilt
caused this boy, at only age 14, to be convicted of murder of
a young girl and initially sentenced to death. This young boy's
name was Steven Truscott. His death sentence was commuted and
he ended up serving ten years in jail before he was paroled.
He then spent thirty years living under a new identity, until
his story resurfaced. It is now believed that Steven was wrongfully
convicted. This is only one of many cases where the public has
believed a person to be guilty and called out to the justice
system to convict, later learning that the person was innocent.
Still, with several cases where DNA evidence has identified wrongfully
convicted individuals, the public continues to think that the
system is too kind. Many seem happier with a wrongful conviction
than an acquittal, although the latter means that the learned
members of the legal community could not be sure of guilt. Media
coverage skewing the facts can make the system look overly lenient
instead of vitally cautious.
There may be motives as to why the legal system is portrayed
as it is in popular culture. Regarding the media, the motive
is obvious. Who wants to read about the fifty guilty pleas that
occurred in courtroom #268 today? On the other hand, a sensationalized
article on the murder and rape of a young girl by a young boy
draws attention. In a way, movies and television have the same
goal. In his article, Peace Between the Sexes: Law and Gender
in Kramer vs. Kramer, David Papke suggests another motive
of popular culture's portrayal of the law. He concedes that television
and movies are filled with legal inaccuracies, but claims that
they "are not mistakes, much less attempts to dupe the
lay public."(2) Papke makes the argument
that the law is often an appropriate forum to play out an issue
that is culturally relevant at the time. In Kramer vs. Kramer,
this issue is gender inequality. Although, as Papke points out,
the courts no longer relied on gender to decide custody battles,
gender was still a topic on the minds of the public in the 1980's,
when the movie was released. Using it in such an inaccurate way
in Kramer vs. Kramer just makes obvious the irrelevance
of gender to so many issues traditionally based on gender. Although
Papke's theory makes sense, what he seems to avoid is the fact
that the public may be getting duped, despite the intentions
of producers, screenwriters, and journalists. Although popular
culture may have motives other than destroying the public's confidence
in the justice system, it often is doing just that.
In his book Getting Away With Murder: The Canadian Criminal
Justice System, David Paciocco seems to suggest that the
lack of confidence in the justice system is due to the fact that
the public is uninformed. He states, on pages 11-12, "We
would go a long way towards restoring the credibility of the
administration justice if only we would seek to explain the system
to the general public." Not only are the public uninformed.
They are also misinformed. Popular culture gives the public an
unrealistic view of how the legal system works. It portrays the
person who gets off on a technicality, but fails to mention the
other hundred people who pleaded guilty, which is a very common
occurrence in our courts today. Television, movies, and the media
often cause the system to seem cold and unfair. However, our
justice system is one that protects the rights of all members
of society. The "technicalities" in popular culture
are, in reality safeguards against state power. When one takes
an informed look at the way popular culture characterizes the
justice system, it becomes evident that there are misrepresentations
and inaccuracies that lead to bias. Therefore, although entertaining,
information about the justice system in popular culture should
be accepted with skepticism, and judgments upon the system and
the legal community should be left to the truly informed citizen.
1. Is
Love Enough?
2. Peace
Between the Sexes: Law and Gender in Kramer vs. Kramer, University
of San Francisco Law Review, Vol. 30, p. 1201.
Posted December 11, 2003
|


About me
I’m Kevin. I’m a software developer at 8th Light. I live in California. I like writing code, reading books, and riding bikes. This is my blog and sometimes I write things here.
You can also find me at these places:
I’m Kevin. I’m a software developer at 8th Light. I live in California. I like writing code, reading books, and riding bikes. This is my blog and sometimes I write things here.
You can also find me at these places:


THE ENGLISH PATIENT A Not-So-Subtle Critique A film review by Robert Martin Copyright 1997 Robert Martin
Ladies and Gentlemen,
I ask that you excuse what will most likely amount to blasphemy in today's obsequious atmosphere of applause and adulation for the recent motion picture, "The English Patient".
Yes, my friends, "The English Patient" is, in almost all aspects, a veritable pile of dung.  I promise my evidence to be convincing and irrefutable.
Premise A - The characters were neither credible, nor entertaining.
Now, had it been an intriguing story, I would perhaps have remembered their names. So, I allude to them through generalities of their placement in the film. The English patient himself, that scarred and crippled body with the interesting lattice-work of burn scars across his face (which, by the way, proved to be the most memorable part of the movie), laid on a mattress within a church, plagued by a love-sick, annoying nurse, and a conniving, vengeful former colleague played by Willem Dafoe. He remembers little or nothing, save for every song that's ever been written. Oh sure, that's likely. I can't even remember my name, but I remember all eighteen stanzas to "Doo-a-Ditty"?
And then we have his former self, the pre-burn victim.  I haven't seen a more overdone cliche like that since I went to Vegas to see a hundred bushy-sideburned faux Elvises.
 Lock him up in a drunk tank with the rest of the finished actors - Ralph Fiennes did a better acting job in "Strange Days".
We mustn't forget, either, the love of his life, some woman whose name begins with a K. The strong woman, loyal wife, artistic and passionate - only to betray not only her husband but their secret mission to some man who, through his lack of preparation, had her buried in a sandstorm and forced her to drink radiator water. But put them in a bedroom and all that matters is how many shirts have to be torn before dancing the horizontal mambo. What woman hops in bed with a guy the first chance she gets after he almost kills her? My God, I almost get in a traffic accident with a woman and the Acme chastity belt is on for a month.
 Ha! That couple were the two biggest dichotomies to hit the screen since Beavis and Butthead.
Premise B - The parallelisms and allusions were blatantly obvious, contrived, and cliched.
Take for example, the pre-burn victim and K. He hates ownership, but makes a bid on the hollow of her neck. She refuses to sew, but wears a thimble about her throat. They love each other, yet betray their feelings and run from each other.
A side note here, as it won't fit anywhere else. Quote: "The heart is an organ of fire." What?? I've heard better poetical metaphors from Dr. Seuss!
To continue, we then have the two love stories, one between pre-burn victim and K., and the nurse and the Arab. Pre-burn victim is alone, K. is married. Nurse is alone, Arab has his partner whom he loves. Pre-burn victim has night of passionate love with K. Nurse has night of passionate love with Arab. Pre-burn victim gets shut out when K. puts an end to it and returns to her husband. Nurse gets literally shut out of the barn after Arab's partner is killed. Pre-burn victim makes ultimate sacrifice (betray his country by giving maps to Nazis) to rejoin his love. Nurse makes ultimate sacrifice (euthanizes English Patient) to rejoin her love. To whomever wrote this: Man loves woman, loses woman, makes ultimate sacrifice to regain woman. It's been done! And it's been done so many times it's definitely not worth putting two absolutely identical stories into the same movie. Christ, what has become of art?
I end this premise with the ugliest, most contrived allusion I've ever seen. The book, the compilation of Herodotus, the father of history. Pre-burn victim finds his history in a history book. I'm sorry, but that's even more obvious than what a woman thinks of me after she's thrown a drink into my face.
Premise C - The climax of the movie contained a monstrous time continuity break.
Thanks go to my father for pointing out the blatant time continuity break within the supposed climax (if a movie like this can actually have a climax other than to roll credits and provide much-needed relief to the audience). The love story between pre-burn victim and K. begins at the beginning of the war, around 1939, before the Nazis had invaded Egypt and the surrounding deserts. Time passes between that, and pre-burn victim offers over the maps to the Nazis to get them through the deserts, probably around 1940. Pre-burn victim retrieves the dead body of his lover, and is then shot down by enemy fire, burns in the crash, and then reappears in 1945 or so, FIVE YEARS LATER! There are three theories here, two of which, through simple logic, can be eliminated and the third, owing to simple screenwriting carelessness, must be the case.
K. could have died in 1940 and laid in the cave for five years before pre-burn victim returns. Well, her body looked remarkably well-preserved for five years of death - not even Oil of Olay can accomplish that, even in the dry heat of the desert. (Don't forget the moisture inherent in caves). Or, pre-burn victim, but now burn victim, thus the English Patient, was in the care of Arab nomads for five years. No offense to the nomad culture, but I doubt their medical facilities are that far advanced. So, we return to screenwriter carelessness, which essentially is the cause of the whole lackluster quality of this motion picture.
Premise D - It wasn't even entertaining.
While many movies cannot be termed "art", they can definitely be entertaining. Unfortunately, "The English Patient" was neither. By using two hours to tell two identical stories and an hour of useless cinematographic flim-flam, the producers of this movie spent millions of dollars to make a Jack Kevorkian medical tool. For example, at the end of the movie, truck driving away, shot of sun, then tree, then sun, then tree, all into a blur - useless! Means nothing! The bomb scene, with the Arab. Useless! The jeep being blown up by a mine - useless! The egg and omelet scene - useless! And on and on and on. In 1984, "Out of Africa" ran for three hours and every second counted. Now, in 1997, "The English Patient" ran for three hours, and two hours and fifty-eight minutes meant diddley.
Conclusion - "The English Patient" deserves neither an Oscar, nor even a nomination.
I hope I've provided a convincing case why "The English Patient" deserves a spot next to Pauly Shores' "Bio-Dome" on the Blockbuster Video shelves. But, of course, somehow this entire country has been brainwashed and it will be a shoo-in for Best Picture.  From an art form that brought us "Citizen Kane", "Casablanca", and "Out of Africa", we again return to mindless, bleached drivel that is supposed to be, by my count of the good reviews it received, one of the best love stories ever told. Nonsense. Use the celluloid from "The English Patient" to control the crowds at this year's Oscars - that's all it'll ever be good for.
Permission is granted to rebroadcast, reprint, and redistribute in any and all mediums, provided that the rebroadcast, reprint, or redistribution includes all text including title and by-line.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Selects a format with an optional configuration.
The FormatSelector type selects a format, and optionally configures the format.
If a table, then the Format field indicates the name of the format to use, and remaining fields are options that configure the format, which depend on the format specified. All such fields are optional.
If a string, it is the name of the format to use, and specifies no options.


[1]
Not too Expensive; Less than Stellar Video Quality
[2]
This feature on PS3 or XBOX would rock!; Can't come soon enough


List of doctor while choosing the item
If not allowed then it'll show warning in billing before sending multiple Quantity (>1).
Custom Prices
EHS Price is {{ratioSettings.EHS}} times than Normal Price.
Foreigner Price is {{ratioSettings.Foreigner}} times than Normal Price.
SAARC Price is {{ratioSettings.SAARC}} times than Normal Price.
Foreigner Insurance Price is {{ratioSettings.InsForeigner}} times than Normal Price.


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Dog tag returned to Oklahoma brother of WWII airman
by Josh DulaneyA small symbol of a big sacrifice was delivered Friday to Oklahoma when the dog tag of a U.S. Air Force flight mechanic killed in World War II was found and returned to his brother by Netherlands military officials 75 years later.
During a special ceremony at Tinker Air Force Base, 1st Lt. Willem Van der Steen of the Royal Dutch air force presented the dog tag of Technical Sgt. Orville Bruce Journey to his 86-year-old brother, Dwight Journey.
"For the Journey family, it's important that they have that last piece of evidence of Bruce in their home, back in the U.S.," Van der Steen said. "That was my job, and I think we succeeded."
On Sept. 23, 1944, Bruce Journey, a Tennessee native, died during Operation Market Garden when German forces shot down his C-47 transport aircraft in the Nazi-occupied Netherlands.
The bold but failed mission of Operation Market Garden — to create an invasion route into northern Germany — resulted in as many as 13,000 Allied troop casualties, according to the U.S. Department of Defense.
About two months ago, a volunteer group found Journey’s dog tag near a monument marking the site of his fatal plane crash in the Netherlands.
“We’re gathered here because he is one of the American heroes,” said Col. Paul Filcek, commander of the 72nd Air Base Wing at Tinker Air Force Base.
A family adopted Bruce Journey’s grave at Margraten Cemetery, the only American military cemetery in the Netherlands.
Dwight Journey, an Oklahoma City resident, told ceremony attendees that his brother’s dog tag is “symbolic of some larger things,” while lauding his brother’s sacrifice and the work of the Netherlands to return the military piece.
"God bless America,” he said. “God bless the Netherlands and their people, especially Lt. Van der Steen for making this extraordinary trip. And dare I say, God bless our president, Donald Trump."
He’s already picked out a special frame for the dog tag.
“I’m gonna keep it in a boxed frame with a hinge so I can open it and feel it when I want to,” Journey said.
Related Photos


Visual C/C++ 6.0 has problems with the workspace file (*.dsw) and option file (*.opt). Therefore, if you are experiencing a long loading period, Microsoft suggests deleting *.dsw file and *.opt file. Also, when Visual C/C++ reports that it cannot connect to the source code control provider, deleting *.dsw file usually helps. After making the deletion, create a new empty workspace and add your projects to it.


Bianca Serrano
CENTRAL COORDINATION COMMITTE
Email:kuhgjjfb@bhcvhc
mobile:9999999999999
Bianca Serrano
CENTRAL COORDINATION COMMITTE
Email:kuhgjjfb@bhcvhc
mobile:9999999999999
Bianca Serrano
Email:kuhgjjfb@bhcvhc
mobile:9999999999999
Bianca Serrano
Email:kuhgjjfb@bhcvhc
mobile:9999999999999


I would always dream of my house.
- Publication
'I would always dream of my house' brings together stories of displacement experienced by refugees in the wake of Partition 1947 and World War II. This publication was designed to accompany an audio-walk created by Shahana Rajani and Sonya Schroenberger. Held simulatenously in Karachi and Berlin the walk challenges state narratives of these traumas and is a poignant meditation on home and homelessness.
The booklet is a bi-lingual work in both English and Urdu.


Animations
Animation is a method in which pictures are manipulated to appear as moving images. Today, most animations are made with computer-generated imagery (CGI). Computer animation can be very detailed 3D animation, while 2D computer animation can be used for stylistic reasons, low bandwidth or faster real-time renderings. Other common animation methods apply a stop motion technique to two and three-dimensional objects like paper cutouts, puppets or clay figures.
Vector Based Animations
Vector animation is a term used to refer to animation in which the art or motion is controlled by vectors rather than pixels. Vector animation often allows cleaner, smoother animation because images are displayed and resized using mathematical values instead of stored pixel values.
Cel Based Animations
Cel animations are created by placing similar frames in sequential order. Generally cell animations create movement by showing 24 frames per second. It's common to draw a frame by placing a blank sheet (cell) over the previous frame; this is done to create a smoother movement in between frames.
Rotoscoping
Rotoscoping is a technique patented by Max Fleischer in 1917 where animators trace live-action movement, frame by frame. The source film can be directly copied from actors' outlines into animated drawings.
Live-action/animation
Live-action/animation is a technique combining hand-drawn characters into live action shots or live action actors into animated shots. One of the earlier uses was in Koko the Clown when Koko was drawn over live action footage.
Stop motion animation
Stop-motion animation is used to describe animation created by physically manipulating real-world objects and photographing them one frame of film at a time to create the illusion of movement. There are many different types of stop-motion animation, usually named after the medium used to create the animation. Computer software is widely available to create this type of animation; traditional stop motion animation is usually less expensive but more time-consuming to produce than current computer animation.
3D animation
3D animation is digitally modeled and manipulated by an animator. The animator usually starts by creating a 3D polygon mesh to manipulate. A mesh typically includes many vertices that are connected by edges and faces, which give the visual appearance of form to a 3D object or 3D environment. Sometimes, the mesh is given an internal digital skeletal structure called an armature that can be used to control the mesh by weighting the vertices. This process is called rigging and can be used in conjunction with keyframes to create movement.


WITNESS LIST Administration Committee May 5, 2003 - 4:00P HB 808 use of municipale hotel tax revenue Registering, but not testifying: For: Utter, W. Thomas (City of Corpus Christi), Corpus Christi, TX HB 1370 study and implementation of seawater desalination Registering, but not testifying: For: Utter, W. Thomas (City of Corpus Christi), Corpus Christi, TX


Andre Christoga
Home
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Andre Christoga
Home
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I'm a front-end developer.
Andre Christoga - a front-end developer, cool nerd, open source contributor, Javascript fanboy


Family pay tribute to Preston mum, 32, who died after being hit by a bus in Fishergate Hill
by Matthew CalderbankA mum-of-one, 32, has died after being hit by a bus in Preston.
Christina Watkins was struck by a Scania double-decker bus in Fishergate Hill at around 6.55pm on Friday, November 15.
The bus, operated by Stagecoach, had been travelling uphill in a bus lane towards Preston city centre when it hit Ms Watkins.
Christina, affectionately known as 'Chrissy' to family and friends, was rushed to hospital with catastrophic injuries.
But on Monday (November 18), the 32-year-old died in the critical care unit at Royal Preston Hospital, leaving behind a 7-year-old son.
Police said the driver of the bus and its passengers were not injured.
Christina's family have today (November 19) paid tribute to "a wonderful girl who lived life to the fullest".
"She was the best mum ever to Harvey and the best friend to her mum Diane", said the heartbroken family.
"Chrissy was a wonderful girl who lived life to the fullest and always had a smile on her face.
"She was a massive PNE fan and will be with her granddad watching them win the league.
"Chrissy continued to help others by donating her organs which were received by three people whose families now have extra time to spend with them.
"The love and support already received has been overwhelming and we would like to thank the critical care team at Royal Preston Hospital who were fully supportive to us all during the difficult time.
"She will be dearly missed by her son Harvey and all the family."
Close friend Natalie Lund has launched a fundraiser to help cover Christina's funeral costs and help provide for her son's future.
She said: "Yesterday, we sadly lost a loving and caring mother, a beautiful daughter, a loving sister and aunt, and an amazing friend.
"Christina had her whole life ahead of her. At the age of only 32, her life was taken away when she was tragically hit by a bus.
"Her son Harvey is only 7-years-old and has to carry on his life without the main person, the person he needs and loves and although he has a loving family that will take care of him, no child should ever have to endure losing a parent.
"I am asking everyone from family, friends, the community and all who ever had the chance to meet Christina, if you could please make a donation to help with funeral costs to give her the send off she truly deserves."
Stagecoach said it is working closely with police to establish how Christina was struck by one of its buses.
A Stagecoach spokesperson said: "Our thoughts and deepest sympathy are with her family and friends at this incredibly difficult time.
"We are working closely with police to assist them with their ongoing investigation into the incident."
Lancashire Police said an investigation into the incident is ongoing.
Sgt Phil Baxendale of Lancashire Police’s Tactical Operations Division, said: "Our thoughts are with the woman’s family and friends at this incredibly difficult and tragic time.
"They are being offered support by specially trained officers.
"Our investigation is ongoing and we would encourage anyone with information to speak to us as soon as possible if they haven’t already."
If you have any information that could assist police, please call 101 quoting log number 1309 of November 15.
You can donate to Christina's fundraiser here.


Such calls are unnecessary and may be removed.
Example:
class Foo { Foo() { super(); } }
After the quick-fix is applied:
class Foo { Foo() { } }


DevIL Documentation
Previous
|
Constants
|
Next
Palette Types
This is a list of all the constants that indicates a particular palette color data type
Formats
IL_PAL_BGR24
,
IL_PAL_BGR32
,
IL_PAL_BGRA32
,
IL_PAL_RGB24
,
IL_PAL_RGB32
,
IL_PAL_RGBA32
,
See Also
ilConvertPal
,


I'm a software engineering student at Carleton University. I have previously worked at Employment and Social Development Canada, and I have also worked on a research project and several side projects. I'm currently the Vice Chair of the IEEE Carleton Student Branch, and was previously the Computer Society Chair of that branch. Through these positions, I have improved my leadership skills and professionalism. During my time at IEEE Carleton, I assisted in overseeing the branch, and organized the Ottawa section of a worldwide 24-hour 🕓 programming competition called IEEEXtreme. I am also the founder and previously lead organizer of CUHacking, the largest hackathon in Ottawa. 💻 In addition, I was the Events Coordinator and Slamstagrammer (Instagram admin for SLAM) of a makerspace called Stay Late and Make (SLAM), where I organized monthly challenges on software/hardware tools 🛠, organized Local Hack Day hosted by GitHub, and took pictures 📷 and maintained the official Instagram and Facebook accounts. I was previously the Workshop Coordinator for SLAM, where I ran workshops teaching students about different software tools and organized SLAM HACKS, the first hackathon at Carleton University. Some of the workshops I ran were on: APIs, machine learning, Android Studio, and Microsoft Azure Machine Learning Studio.
I would ❤ to work at Shopify because I want to make a positive impact on 🌎 and improve my skills as a software developer. Working at Shopify will help me reach that goal, and at the same time provide me with a fun place to work and be surrounded by intelligent people!
I am particularly interested in the Merchandising 👕👖 team because I want to help make the merchants' experience as smooth as possible when they are posting items on their store, and also help develop new features that would be useful for the merchant.
As an Undergraduate Researcher at Carleton University, I created a tongue-tracking application with Microsoft Kinect V2 for stroke therapy for patients with a paralyzed tongue. I applied colour, depth, infrared, and face detection algortihms and image manipulation techniques to track a person's tongue.
I developed a gaming backlog manager UWP app. Users can decide which game to tackle next by comparing difficulty, estimated time to complete, and several other factors. They can also add games to a wishlist to keep track of games they don't own and unreleased games. This app has been downloaded by users in Canada, United States, Poland, Brazil, and India! The app can be downloaded here.
At a hackathon, my team created an LED board that displayed the next 2 arrivals for all buses at a bus stop, and it was scalable to all bus stops in Ottawa. We also won Best Hardware Hack!
I was the Lead Programmer for the iOS game Picnic Panic. I also created most of the graphics from scratch. A trailer for this game can be found here.


Next: Accessing Slots, Previous: Slots, Up: Slots
An object of metaclass standard-class has zero or more named slots. The slots of an object are determined by the class of the object. Each slot can hold one value.
[Reviewer Note by Barmar: All symbols are valid variable names. Perhaps this means to preclude the use of named constants? We have a terminology problem to solve.] The name of a slot is a symbol that is syntactically valid for use as a variable name.
When a slot does not have a value, the slot is said to be unbound. When an unbound slot is read,
[Reviewer Note by Barmar: from an object whose metaclass is standard-class?] the generic function slot-unbound is invoked. The system-supplied primary method for slot-unbound on class t signals an error.
If slot-unbound returns, its primary value is used that time as the value of the slot.
The default initial value form for a slot is defined by the :initform slot option. When the :initform form is used to supply a value, it is evaluated in the lexical environment in which the defclass form was evaluated. The :initform along with the lexical environment in which the defclass form was evaluated is called a captured initialization form. For more details, see Object Creation and Initialization.
A local slot is defined to be a slot that is accessible to exactly one instance, namely the one in which the slot is allocated. A shared slot is defined to be a slot that is visible to more than one instance of a given class and its subclasses.
A class is said to define a slot with a given name when the defclass form for that class contains a slot specifier with that name. Defining a local slot does not immediately create a slot; it causes a slot to be created each time an instance of the class is created. Defining a shared slot immediately creates a slot.
The :allocation slot option to defclass controls the kind of slot that is defined. If the value of the :allocation slot option is :instance, a local slot is created. If the value of :allocation is :class, a shared slot is created.
A slot is said to be accessible in an instance of a class if the slot is defined by the class of the instance or is inherited from a superclass of that class. At most one slot of a given name can be accessible in an instance. A shared slot defined by a class is accessible in all instances of that class. A detailed explanation of the inheritance of slots is given in Inheritance of Slots and Slot Options.
Next: Accessing Slots, Previous: Slots, Up: Slots


EFT Discretion
NuCypher Results:
Success:
Alice's text:
Bob's text:
Swarm Results:
Swarm hash:
Swarm content:


html indented 1 html indented 2 html indented 3
html not indented 1 html not indented 2xml span, i, b, this text, br, p.i., not indentedstill xml, no indenting here either
html not indented 3html still not indented
html on new line but still not indented
html indented
xml indentedhtml not indented 1
and 2
back to xml indented
html indented again
and again


By integrating Detox Instruments in your app, many of the included instruments can automatically collect data. Some instruments require you to explicitly call the provided APIs so that specific data can be collected.
Before using the provided developer APIs, first complete the Profiler Framework Integration Guide.
For Objective C and Swift, simply integrating the Profiler framework is enough to access the API.
For React Native apps, you need to install the detox-instruments-react-native-utils package:
npm install detox-instruments-react-native-utils --save-prod
In addition to profiling your app live with Detox Instruments, you can start recordings in code for finer-grained control and testing scenarios where live recording is not applicable, such as app launch. This can be achieved with the Profiler API.
For Objective C and Swift code, see Profiler API Reference for Objective C & Swift
The Events instrument lets you add lightweight instrumentation to your code for collection and visualization by Detox Instruments. You can specify interesting periods of time ('intervals') and single points in time ('events'). Each event can be marked as completed or errored, or as 12 different general-purpose categories, each displayed with its own color in the timeline pane.
For Objective C and Swift code, see Events API Reference for Objective C & Swift
For React Native / JavaScript code, see Events API Reference for React Native / JavaScript


The acoustic subdivision handles the processing of underwater acoustic signals, we specialise in building systems mostly responsible for localisation and tracking underwater targets emitting acoustic signals. This involves designing of sensitive hardware to pick up the faintest signals and time-critical software to process the signals in real-time with minimum computing resource available. The software part is mainly written in C, C++ and Python. We design hardware which comprises of low noise analogue circuits as well as high-speed data acquisition circuits. We also synthesise high-speed digital circuits on FPGA to accelerate deployment of parallel signal processing algorithms in real-time.
“One person's data is another person's noise.”
― K.C. Cole
Anything that is measured and watched improves.
– Bob Parsons


--- layout: post status: publish published: true title: "[互联网]Goolge https和Gmail Java手机客户端的兼容问题！" author: Leask author_login: leask author_email<EMAIL_ADDRESS>author_url: https://leaskh.com wordpress_id: 185 wordpress_url: http://leaskh.wordpress.com/2009/05/25/%e4%ba%92%e8%81%94%e7%bd%91goolge-https%e5%92%8cgmail-java%e6%89%8b%e6%9c%ba%e5%ae%a2%e6%88%b7%e7%ab%af%e7%9a%84%e5%85%bc%e5%ae%b9%e9%97%ae%e9%a2%98%ef%bc%81 date: '2009-05-25 05:37:43 +0800' date_gmt: '2009-05-25 05:37:43 +0800' categories: tags: [] comments: [] ---


ROGER GRANGE
a MAN
Height:
5'5"
Age:
16
Likes Games, along with designing and making them
can cook and enjoys baking deserts
Adept in programming using JavaScript, HTML, CSS, and the Godot Game Engine


POST https://apis.wso2.com/api/am/store/v1/applications/{applicationId}/api-keys/{keyType}/generate
Generate a self contained API Key for the application
apim:subscribe
apim:app_manage
apim:api_key
| Type | Name | Description | Schema | Default |
|---|---|---|---|---|
| Path |
applicationId required |
Application Identifier consisting of the UUID of the Application. |
String | |
| Path |
keyType required |
**Application Key Type** standing for the type of the keys (i.e. Production or Sandbox). Accepted values: PRODUCTION
SANDBOX
|
String | |
| Body |
body optional |
API Key generation request object |
APIKeyGenerateRequest (APIKeyGenerateRequest) | |
| Header |
If-Match optional |
Validator for conditional requests; based on ETag. |
String |
| HTTP Code | Description | Schema |
|---|---|---|
200 |
OK. apikey generated. |
APIKey |
400 |
Bad Request. Invalid request or validation error |
Error |
404 |
Not Found. The resource to be updated does not exist. |
Error |
412 |
Precondition Failed. The request has not been performed because one of the preconditions is not met. |
Error |
POST https://apis.wso2.com/api/am/store/v1/applications/{applicationId}/api-keys/{keyType}/revoke
Revoke a self contained API Key for the application
apim:subscribe
apim:app_manage
apim:api_key
| Type | Name | Description | Schema | Default |
|---|---|---|---|---|
| Path |
applicationId required |
Application Identifier consisting of the UUID of the Application. |
String | |
| Path |
keyType required |
**Application Key Type** standing for the type of the keys (i.e. Production or Sandbox). Accepted values: PRODUCTION
SANDBOX
|
String | |
| Body |
body optional |
API Key revoke request object |
APIKeyRevokeRequest (APIKeyRevokeRequest) | |
| Header |
If-Match optional |
Validator for conditional requests; based on ETag. |
String |
| HTTP Code | Description | Schema |
|---|---|---|
200 |
OK. apikey revoked successfully. |
|
400 |
Bad Request. Invalid request or validation error |
Error |
412 |
Precondition Failed. The request has not been performed because one of the preconditions is not met. |
Error |


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