Written by: Seth Kurland
Transcribed by: Eric Aasen
[Scene: Central Perk, the whole gang is there, Ross is telling a story about what happened at work and the rest of the gang are thinking to themselves, denoted by italics.]
Ross: So I told Carl, Nobody, no matter how famous their parents are, nobody is allowed to climb on the dinosaur. But of course this went in one ear and out.....
Rachel: I love how he cares so much about stuff. If I squint I can pretend hes Alan Alda.
Monica: Oh good, another dinosaur story. When are those gonna become extinct?
Chandler: If I was a superhero who could fly and be invisible, that would be the best.
Gunther: What does Rachel see in this guy? I love Rachel. I wish she was my wife.
(Joey is singing in his head.)
Phoebe: Whos singing?
Opening Credits
[Scene: Monica and Rachel's, the whole gang is there including Janice, theyre watching Happy Days.]
Ross: Hey. When you guys were kids and you played Happy Days, who were you? I was always Richie.
Monica: I was always Joanne.
Joey: Question. Was ah, Egg the Gellers! the war cry of your neighbourhood?
(A commercial for the Mattress King, Janices ex-husband, comes on TV.)
Phoebe: Ewww! Oh! Its the Mattress King!
Joey: Booo!!
Chandler: (to Janice) Dont look honey. Change the channel! Change the channel!
Janice: Wait! Wait! I wanna see this. After I divorce him, half of that kingdom is gonna be mine.
Matress King: (on TV) Despair fills the mattress showroom. My kingdom is suddenly without a queen. Im so depressed Im going to slash... my prices!! Check it out! Four ninety-nine for a pillow top queen set! Im going medieval on prices!
Chandler: What a wank!
Janice: Oh, I cannot believe hes using our divorce to sell mattresses.
Monica: I know! And four ninety-nine for a pillow top queen set, who cares about the divorce, those babies will sell themselves. (they all stare at her) And Im appalled for you by the way.
Matress King: (on TV) Im close. Im cheap. Im the king.
[Scene: Central Perk, Rachel is on the phone, everyone else is there except Joey.]
Rachel: Okay. (listens) Okay, daddy well see you tomorrow night. (listens) Okay bye-bye. (hangs up)
Ross: We?
Rachel: Are ah, having dinner with my Dad tomorrow night, I hope thats okay.
Ross: Oh shoot, tomorrows not so good, Im supposed to um, fall off the Empire State building and land on a bicycle with no seat. Sorry.

Ross: Please, he refers to me as wethead.
Rachel: But honey he calls everybody by a nickname! Okay, look, I know, all right, just one dinner, please, just one night for me, please. I just want him to love you like I do. (Ross looks at her) All right, well not exactly like I do, but, but, if you do come to dinner, Ill love you like I do in that black thing that you like.
Chandler: (leaning in) Ill go.
Ross: Fine.
Rachel: Thank you.
Ross: Hi Gunther.
Gunther: Yeah, well see!
Joey: (entering) Hey, you guys!
Phoebe: Hey!
Joey: Guess what?
Ross: What?
Joey: I got a gig!
All: Yay!!
Chandler: See, thats why I could never be an actor. Because I cant say gig.
Phoebe: Yeah, I cant say croissant. (realises) Oh my God!
Monica: Whats the part?
Joey: Well, its not a part, no. Im teaching acting for soap operas down at the Learning Extension.
Ross: Come on! Thats great.
All: Wow!
Joey: Yeah, yeah. Its like my chance to give something back to the acting community.
Ross: Yknow your probably not allowed to sleep with any of your students.
Joey: (glares at him) I know!
[Scene: Mattress King, Monica and Phoebe are shopping for a new mattress.]
Phoebe: Ugh! I dont know Monica. It feels funny just being here. I mean if you buy a bed from Janices ex-husband, thats like betraying Chandler.
Monica: Not at these prices.
 Y'know in England this car would be on the other side of the store. (the kid just stares at her, and she makes the that went right over your head motion) Woo!
Monica: (lying down on a mattress) Oh! Ohhhhh! Oh! Phoebe, come here. Aw, this is my new bed. You gotta feel this bad boy.
Phoebe: Eh, Monica it, it feels so weird, y'know, Chandlers your friend... (hops onto the bed) Oh! Oh my God! Aw, all right take this bed, you can make other friends.
[Scene: Classroom. Joey is writing his name on the board, but turns around before hes done which causes him to write his name with a downward curve, and he then underlines it, and draws the line right through his name.]
Joey: Good evening. Im Mr. Tribbiani. And I will be teaching acting for soap operas. Now um, on my first day as (proudly) Dr. Drake Remoray on Days of Our Lives, (looks for a reaction from his students, and gets none.) I learned that one of the most important things in soap opera acting is reacting, this does not mean acting again, it means, you dont have a line, but someone else just did. And it goes like this. (looks all intense for a moment and then gasps, the students cheer him) Thanks, thanks, a lot. Oh, by the way, before I forget to work in soap operas some of you will have to become much more attractive. All right, moving right along.
[Scene: Monica and Rachel's, Joey is entering, Phoebe is already there waiting for the delievery guy.]
Joey: Hi!
Phoebe: Hey! Ooh! How was teaching last night?
Joey: Oh it was great.
Phoebe: Ooooh, nice.
Joey: Oh, and guess what, I got an audition for All My Children.
Phoebe: Oh, yay!
Joey: Yeah, its this great part, this boxer named Nick. And Im so, so right for it, y'know, hes just like me.
(There is a knock on the door.)
Phoebe: Oh. (goes and answers the door and there is this huge black delievery guy.)
Guy: Dom da-da dom! Here ye! Here ye! Delivery from the Mattress King. (to Phoebe) You Miss Geller?
Phoebe: Okay.
Guy: Sign here. (hands her a clipboard)
Phoebe: Oh, do I have a middle name. All right Monica Velula Geller. Its that bedroom there. (points to Monicas room)
Joey: Hey, Monica bought a bed from the Mattress King?

Joey: You want me to lie to Chandler?
Phoebe: Is that a problem?
Joey: No.
Phoebe: Oh, hey, hey Nick the boxer lets see what you got. All right ya, put em up.
Phoebe: Yeah, well I had to learn, I was staying at the Y and some off the young men werent acting Christian enough.
Joey: Ahh!
(Joey throws a punch and just lightly taps her on the shoulder, Phoebe counters with a jab to the nose.)
Joey: Hey now!
(Phoebe throws another jab, and lands it on Joeys nose, causing it to bleed.)
Joey: Hey!!! Oww!! And Im bleeding.
Phoebe: Oh! Oh! Oh!
Joey: Okay, great.
Phoebe: Wow! And Im a vegetarian! All right, all right, well Im sorry, well put some ice on it.
Joey: Okay.
Phoebe: Kay, put your head back.
Joey: All right. I cant see.
Phoebe: All right, I have ya. Oh God.
Guy: Which bedroom do ya want it in Miss Geller?
Phoebe: Oh, its the compulsively neat one by the window, okay.
Guy: Gotcha. (he and his helper walk in carrying the racecar bed.)
[Scene: Restaurant, Rachel and Ross and Dr. Green are having dinner.]
Rachel: Hi Daddy!
Dr. Green: This where they put it? What, there no table available in the kitchen! Hello, baby.
Rachel: You remember Ross.
Dr. Green: Um-hmm.
Ross: Nice to see you again Dr. Green.
Dr. Green: So! (they both try to sit next to Rachel but Dr. Green is successful.) (to Ross) Hows the library?
Ross: Ugh, museum.
Dr. Green: What happened to the library?
Ross: There never was a library. I mean there are libraries, its just that I ah, I never worked at one.
Dr. Green: You know whats really good here, the lobster. What do you say shall I just order three.
Ross: Yeah, if youre really hungry. (Dr. Green stares at him) It was a joke, I made a joke.
Rachel: Yeah, actually Daddy Ross is allergic to lobster.
Dr. Green: What kind of person is allergic to lobster? I guess the kind of person that works at a library.
Ross: Its not a library...
Dr. Green: (interrupting him) I know!! Its a museum! What, youre the only one around here who can make a joke! At least mine was funny. Ah, waiter, we will have two lobsters and a menu. (nods at Ross, and mouths I dont know to the waiter.)
[Scene: After dinner.]
Ross: So, Dr. Green, hows the old boat.
Dr. Green: They found rust. You know what rust does to a boat?
Ross: It gives it a nice antiquey look.
Dr. Green: (he stares at Ross) Rust, is boat cancer, Ross.
Ross: Wow. Im sorry, when I was a kid I lost a bike to that. (Rachel giggles at that)
Dr. Green: Excuse me for a moment, will you please, I want to say good night to the Levines, before we go.
Rachel: Okay.
Ross: Okay! (picks up a knife and pretends to stab his heart.)
Rachel: Aw honey stop! Its not that bad.
Ross: Yeah. (sees the bill) Op! Uh-oh! I think your Dad mustve added wrong. He only tipped like four percent.
Rachel: Yeah. Thats Daddy.
Ross: Thats Daddy?! But doesnt it bother you? Youre a waitress.
Rachel: Yes, it bothers me Ross, but y'know if he was a regular at the coffee house, Id be serving him sneezers.
Ross: So?
Rachel: So. Ross, Ive bugged him about this a million times, hes not gonna change.
Ross: You really serve people sneezers?
Rachel: Well um, I dont.
Dr Green: You kids ready?
Ross: Thanks again, Dr. Green.
Dr. Green: All right.
(Ross takes a twenty and slips it underneath the bill when Dr. Green isnt looking.)
Dr. Green: Oh, wait, wait, wait, wait, I think I forgot my receipt.
Ross: Oh, ah, you dont need that.
Dr. Green: Why not?
Ross: The carbon, its messy, I mean it gets on your fingers and causes, the, the ah, night blindness.
Dr. Green: (gets his receipt and notices the twenty) What is this? Who put a twenty down here? Huh?
Ross: Oh, yeah, that would be me, um, I have, I have a problem I-I tip way too much, way, way, too much, its a sickness really.
Rachel: Yeah it is, it is. (to Ross) We really, really have to do something about that.
Ross: I know.
Dr. Green: Excuse me, you think Im cheap?
Rachel: Oh Daddy, no he didnt mean anything by that, he really didnt.
Ross: Nothing I do means anything, really.
Dr. Green: This is nice.  You really want to be Mr. Big Shot?
[Scene: Classroom, Joey is lecturing on facial expressions.]
Joey: Okay, some tricks of the trade. Now, Ive never been able to cry as an actor, so if Im in a scene where I have to cry, I cut a hole in my pocket, take a pair of tweezers, and just start pulling. Or ah, or, lets say I wanna convey that Ive just done something evil. That would be the basic I have a fishhook in my eyebrow and I like it (Does it by raising one eyebrow, and showing off the pretend fishhook.) Okay, lets say Ive just gotten bad news, well all I do there is try and divide 232 by 13. (looks all confused) And thats how its done. Great soap opera acting tonight everybody, class dismissed.
Student: Hey, Mr. Trib.
Joey: Hey-hey.
Student: Guess what, I got an audition!
Joey: Awww, one of my students got an audition. Im so proud.
Student: I was wondering if you would consider coaching me for it?
Joey: You bet! Whats the part?
Student: Oh its great, its a role on All My Children, Nick the boxer.
(Joey does the 232 divided by 13 bad news look.)
Commercial Break
[Scene: Hallway, Ross and Rachel are returning from dinner.]
Rachel: You had to do it, didnt you? You couldnt just leave it alone.
Ross: Four percent. Okay. I tip more than that when theres a bug in my food.
Rachel: Ross, tonight was about the two of you getting along. (Ross groans and rubs his neck) Oh, would you just see my chiropractor, already.
Ross: Yeah, Im gonna go to a doctor who went to school in a mini-mall.
(they go into Monica and Rachels, and see Phoebe hopping around.)
Ross: Hey Pheebs, what are you doing?
 Monica kinda trusted me with something and she shouldnt have! All right, I havent lived here in a while, so I have to ask you something. Does Monica still turn on the lights in her bedroom?
Rachel: Um. yeah.
Phoebe: I am soo dead. (goes to Monicas room)
Rachel: All right, look, heres the bottom line Ross, this is fixable, if we act fast, okay. So, Ill invite him to brunch tomorrow and you can make nice.
Ross: Look, honey, I have tried to make nice, it doesnt work.
Rachel: Okay, look, Ross, I realise that my Father is difficult, but thats why you have got to be the bigger man here.
Ross: Look sweetie, I could be the bigger man, I could be the biggest man, I could be a big, huge, giant man, and it still wouldnt make any difference, except that I could pick your Father up and say Like me! Like me tiny doctor!
 For me? For me?
Ross: Rachel one brunch is not gonna solve anything. You gotta face it, okay were never gonna get along.
Rachel: Okay, well you are just gonna have too, okay. Because I already got a Mother and a Father who cannot stay in the same room together, okay, I dont wanna have to have a separate room for you too!! (starts to cry)
Ross: Okay, okay, okay. (hugs her) Ill get the bagels.
[Scene: Monicas bedroom, Phoebe is trying to hide the bed from Monica.]
Monica: (sees the bed) Whats this?
Phoebe: Isnt it cool! Varoom! Varoom!
Monica: This is not the bed I ordered!

(Phoebe starts to make a sound like a car accelerating)
Monica: Phoebe!
(Phoebe makes a sound like a car screeching to a halt.)
Monica: Why is this car in my bedroom?
Phoebe: Im sorry, okay, I-I wasnt looking, and the store says that they wont take it back because you signed for it...
Monica: When did I sign for it?
Phoebe: When I was you! Y'know what, its all Joeys fault, cause he left his nose open!
Monica: Did you make brownies today?
Chandler: Knock, knock.
Monica: (to Phoebe) Quick, take off your dress, he wont notice the bed.
Chandler: Hey, Im going for sushi does anybody want.. (enters and sees the bed) Whoa-whoa, somebody missed the off ramp.
Phoebe: Its Monicas bed. What?
Chandler: Okay. (to Monica) Its a racecar.
Phoebe: So. This has always been Monicas bed, what youre just noticing now, how self-involved are you?
Chandler: Okay, well it this bed isnt new, how come there is plastic on the mattress?
Monica: Sometimes I have bad dreams. (starts to break down, and Phoebe offers her, her hand to comfort her.)
[Scene: Classroom, Joey is coaching his student.]
Student: Look, I just saw my best friends brains smeared across the canvas, thats not gonna be me, not me.
Joey: Wow! That was good. That was...(points to his pocket) Tweezers?
Student: No.
Joey: Whoa. That was really good.
Student: Thanks, any suggestions?
(Joey gets the evil look on his face.)
[Scene: Central Perk, Chandler, Monica, and Phoebe are there, yelling at Joey.]
Chandler: You told him to play the boxer gay!!
Joey: Well, I-I mightve said supergay.

 I mean how could you do this?
Joey: Because, Monica, the guys so good, and I really, really want this part.
Phoebe: Well, if you really, really want it, then its okay.
[Scene: Monica and Rachel's, Rachel is greeting her Father for their brunch.]
Rachel: (opening the door) Hi Daddy.
Dr. Green: Baby. Ross.
Ross: Dr. Green. How are you? (offers his hand, and Dr. Green puts his scarf on it.)
Dr. Green: Thanks for dinner last night.
Ross: Thank you for teaching me a valuable lesson.
Dr. Green: Nice hair. Whatd ya do? Swim here?
Ross: (to Rachel) Okay, thats it, I cant take it anymore.
Rachel: What? What? Hes interested in you. He-he likes your hair, he just wants to know how you got here.
Ross: Oh, please. Sweetie its hopeless, okay, Im just gonna go. (starts to leave rubbing his neck)
Rachel: What?!
Ross: Look, look Im sorry. Its just that....
Dr. Green: Ross? Whats with the neck?
Rachel: Hes got this thing. And I keep telling him to go to my chiropractor...
Dr. Green: Youre still going to that chiropractor, that man couldnt get into medical school in Extapa!
Ross: Thank you! Thats what I keep saying.
Rachel: Excuse me, Dr. Bobby happens to be an excellent doctor.
Ross: Uh.
Dr. Green: Wait a minute, his name is Dr. Bobby?
Rachel: Well thats his last name.
Ross: And his first name.
Dr. Green: Hes Bobby Bobby?
Rachel: Its Robert Bobby.
Dr. Green: Oh.
Rachel: And um, excuse me, he helps me.
Ross: Oh-ho please. Ask her how?
Dr. Green: What do you need help for?
Rachel: With my alignment. Ive got one leg shorter than the other.
Dr. Green: Oh God!
Ross: Argue with that.
Rachel: What? Its true, my right leg is two inches shorter.
Dr. Green: Come on! Youre just titling! (to Ross) Her legs are fine!
Ross: I know that!
Dr. Green: So, why do you let her go to a chiropractor for?
Rachel: Im sorry, let her?
Ross: What can I do, she doesnt listen to me about renters insurance either.
Dr. Green: Wait a minute, you dont have renters insurance?!
Rachel: No.
Dr. Green: Well what if somebody steals something? How are you gonna run after him with one leg shorter than the other?!
(Both he and Ross start laughing)
Ross: Hey, would you ah, would you like some juice?
Dr. Green: Id love some juice. Thanks.
Ross: Okay. (to Rachel) Wow! This is going so well. Did you see us? Did you see?
Rachel: Yeah honey, Im standing right there! Why didnt you just tell him about the mole I havent got checked yet.
Ross: Excellent!
[Scene: Classroom, Joey is talking to his students.]
Joey: (sadly) There will come a time in each of your careers when youll have a chance to screw over another soap opera actor. I had such an opportunity in the recent, present. And Im ashamed to say that I took it, I advised a fellow actor to play a role, homosexually.   Im sorry, Im sorry, Im sorry. (he gets a huge round of applause from his students.) Thank you.
[Scene: Mattress King, Monica is trying to return her bed.]
Jester: Uh, may I help you?
Monica: Yeah, I talked to you on the phone, Im the lady that got stuck with the racecar bed.
Jester: Look, its like I told you, theres nothing I can do. You signed for it, Monica Velula Geller.
Joey: All right, Jester man, look we wanna see the king.
Jester: Nobody sees the king!
Joey: Oh-ho-kay, Im talking to the king. (starts to go to a back room)
Jester: Hey!
(Joey goes to the door, but stops and looks through the window at Janice and the Mattress King, her ex-husband, kissing.)
Janice: Oh my God.
(Joey fakes a scream.)
Closing Credits
[Scene: Monicas bedroom, Chandler is playing with the bed.]
Chandler: Varrrrrroom! Hey! Watch it lady! Varrrrrrrrrrom! (makes a screeching sound as he pretends to stomp on the brakes.) Hey-hey good lookin! (honks the beds little horn on the steering wheel.) Varrrrrrrrroom. (notices Rachel and stops) All right, Ill leave. My beds so boring.
End


Save
The above button is initially in
ready
state. Click on it to change its state to
saving
. A 3 seconds timeout will trigger another state change, and the button will be back to
ready
state.


Guessing Game!
A Grace Hopper Program Foundations Project
Step right up!
Guess a number between 1 and 100...
GO!


{% load otree_tags staticfiles %}
By now, you have learned the amount of your lab token, and the proportion that you should allocate to your co-participant.
As the Sender , you will have to split {{ Constants.endowment }} with the other participant.  In this session, each of lab token share retrieved by the sender will be multiplied by 2. Then the rest will go to the receiver. {% if subsession.is_bonus_treatment %} The receiver, however, will receive additional {{ subsession.bonus }} irrespective the proportion of lab token allocated by the receiver. {% endif %} The table below, exhibits the relative benefit to the Sender and the Receiver in each possible allocation chosen by the sender.
{% include 'dishonesty_app/includes/allocation_table.html' %}


really tasty hamburger
All orders over 30&euro get free delivery. We have an efficient team to delivery your food straight to your door.


It is easy to see the rapid growth of my website-building skills through the projects from our first week of class.
On this page we simply fixed the spacing, indentation, and tag placement errors in web page for a cookie recipe.
This set of three interlinked pages about Canada, cats, and travel uses HTML and very basic CSS skills.
This set of five interlinked pages was intended to demonstrate the use of two different CSS style sheets on the same basic content.
We created a basic webpage for a quirky local cupcake seller using HTML and CSS to practice adding links, images, and CSS styles to different elements.
This webpage about the fascinating field of slug racing used div tags to assign CSS classes to different portions of the HTML page.
We created a blog to cover the extremely important topic of presidential candidates' dogs and how they relate to their master's personality. This allowed us to practice adding attributes via CSS to different areas of the page and changing the layout easily.
We practiced creating three columns using div and float to show off the interior decorating skills of a truly talented designer.
Using nesting in CSS, we created a website for needy rescued exotic animals. It uses media queries to adjust the layout of the columns for different screen sizes.
In order to create a fan website for our favorite band, we used float to create a sidebar and organize our band member photos and biographies. Later, we used media queries to modify the page layout for printing.
Using Bootstrap, we created a website advertising North Korea as a fun tourist spot. We created four columns of content that change with the viewport size and a carousel at the top to display additional photos.
I have a slightly unusual background in that I feel like I belong equally to two countries. My British father and American mother met and married in Vancouver, BC, Canada and I was born in the suburb of Richmond. They were originally co-workers at a Canadian airline in the IT department (although they didn't call it that in the 1970s), one as a computer analyst and the other as a programmer. We moved to Vancouver, Washington (confusingly) when I was 9 years old; after High School, some college, and working for a year or so I moved to Victoria, BC and lived there for almost 13 years, returning to the US in November 2015. I have two older brothers, one in Haiti and one in LA, and a fraternal twin sister who lives in Vancouver with her husband and two toddlers.
While I worked for a time as a real estate assistant, most of my career has been spent as a pharmacy assistant/technician in small community pharmacies. Many people don't know that the majority of the people working behind the counter in a dispensary are not actually pharmacists. To become a registered, legal pharmacist requires five to seven years of post-secondary education, multiple exams and evaluations, and ongoing professional development and continuing education. Generally a small or medium sized pharmacy includes one or two pharmacists working at any time it is open with one to three support personnel operating under them. The technician role requires precision and efficiency along with strong customer service skills and flexibility.
I didn't intend to work in pharmacy - I studied computer science in University - and when it came time to look for a new job in Victoria I decided to make a major life change by returning to my "hometown" of Vancouver to be closer to family and launch a new career in programming. I believe that my experience in the medical/pharmaceutical field could be useful to many companies trying to develop tools for that market.


Netherfield residents urged to keep streets clean after reports of rubbish being dumped
There are concerns about the number of rear access pathways that are filled with rubbish thereby making pathways difficult to access.l
by Ben ReidResidents in Netherfield are being urged to take their bins in and keep alleyways free of rubbish.
The streets where reports of rubbish being left are Deabill Street, Manvers Street, Ashwell Street and Dunstan Street.
A newsletter sent out to residents said: "There are concerns about the number of rear access pathways that are filled with rubbish thereby making pathways difficult to access.
"It is the responsibility of those who live in these properties to be kept clean and clear of rubbish at all times."
Deputy Chief Executive of Gedling Borough Council, Mike Hill said: “We take great pride in keeping our streets clean and most residents do take their bins in after they’ve been emptied but there are a small minority that don’t and we will continue to highlight that they need to keep their alleyways and side street areas clear for bin storage.
"Bins left on the street can cause access problems for people with vision impairments, parents with pushchairs and people using wheelchairs and scooters on pavements.
"If households do have large items that they want to remove, we offer a bulky waste service, which will be free during December and January as part of our annual bulky waste amnesty.”
With the General Election approaching we want to give you all the results and reactions as they happen. Join our new WhatsApp service to receive breaking news alerts throughout the night by texting ELECTION to<PHONE_NUMBER>2. The first messages will go out December 12 after polls close.


| Scope Variable | Value |
|---|---|
| schedulerName | {{ schedulerName }} |
| schedulerStartDt | {{ schedulerStartDt }} |
| schedulerStartHour | {{ schedulerStartHour }} |
| schedulerStartMinute | {{ schedulerStartMinute }} |
| schedulerStartSecond | {{ schedulerStartSecond }} |
| schedulerTimeZone.name | {{ schedulerTimeZone.name }} |
| schedulerUTCTime | {{ schedulerUTCTime }} |
| schedulerFrequency.value | {{ schedulerFrequency.value }} |
| schedulerInterval | {{ schedulerInterval }} |
| monthlyRepeatOption | {{ monthlyRepeatOption }} |
| monthDay | {{ monthDay }} |
| monthlyOccurrence.value | {{ monthlyOccurrence.value }} |
| monthlyWeekDay.value | {{ monthlyWeekDay.value }} |
| yearlyRepeatOption | {{ yearlyRepeatOption }} |
| yearlyMonth.value | {{ yearlyMonth.value }} |
| yearlyMonthDay | {{ yearlyMonthDay }} |
| yearlyOccurrence.value | {{ yearlyOccurrence.value }} |
| yearlyWeekDay.value | {{ yearlyWeekDay.value }} |
| yearlyOtherMonth.value | {{ yearlyOtherMonth.value }} |
| weekDays.value | {{ weekDays }} |
| schedulerEnd.value | {{ schedulerEnd.value }} |
| schedulerOccurrenceCount | {{ schedulerOccurrenceCount }} |
| schedulerEndDt | {{ schedulerEndDt }} |
Enter an RRule to display in the form above. For RRule syntax refer to examples at https://github.com/jkbr/rrule. Click Show Me to see the form change.


static
.
An inner class may be static
if it doesn't reference its enclosing instance.
A static
inner class does not keep an implicit reference to its enclosing instance.
This prevents a common cause of memory leaks and uses less memory per instance of the class.
Example:
public class Outer {
class Inner { // not static
public void foo() {
bar("x");
}
private void bar(String string) {}
}
}
After the quick fix is applied the result looks like:
public class Outer {
static class Inner {
public void foo() {
bar("x");
}
private void bar(String string) {}
}
}


We act as an extension of the client. Our clients call us with questions, not the insurance company. We offer creative, progressive advice to the complex and ever-changing world of health insurance. We advise clients on the many products available in the marketplace, and try to find a plan that is affordable and fits their needs.
Group Health & Welfare Benefits
We help small to mid-size employer groups with all aspects of employee benefit strategy and implementation including:
- Benefits solutions strategy development
- Product evaluation and selection
- Pricing and contract negotiation
- Product implementation — Employee communications, enrollment meetings, ensuring timely delivery of ID cards, and service.
- Plan renewals
- Claims and billing issues resolution
Individual Health Care
We are dedicated to helping individuals and their families find and maintain the right levels of health and life insurance coverage to suit their unique needs. We help with product selection, application completion and submission, procurement of ID cards as well as resolution of any claims and/or billing issues.
Medicare
We are committed to helping seniors understand the very complex, and confusing Medicare system. We can help seniors understand the ever-changing rules and provide answers to questions like:
- Who is eligible?
- What services do the plans cover?
- What is the cost?
- Should I buy a supplement?
Our clients prefer to call us with questions and concerns, rather than calling the Medicare Government phone number.
The Contractors Plan
- Exclusive health plan trust plan for Contractors
- Reduce labor/bid costs for Contractors
- Property and Casualty and Bonding Services
401k/Retirement/Life
- Plan Compliance, review and product selection
- Financial Planning strategies and implementation
- Employee Plan Meetings and Education


introduced in 1959 at the price of USD 3 million
[source: CuriousMarc on Youtube]
"...I would go to the computer center and look at the information and then type it out, resulting in the punched cards.
I'd give it to the little man behind the door, and five minutes later, I'd get this drawing back...
[source: Frederick Hammersley interviewed by Lawrence Weschler]
IBM 1403 line printer.
Source: The Computer in Art by Jasia Reichdart, 1971
[source: Experiments in motion graphics by John Whitney, 1968]
Stromberg-Carlson 4020 microfilm recorder
CalComp 565, early drum plotter introduced in 1959
[source: Wikimedia commons]
Animation of human limbs to determine possible movements in cockpit for easier instrumentation reach
Source: The Computer in Art by Jasia Reichdart, 1971
Seattle-Tacoma airport graphic used for animation of landing simulations
Source: The Computer in Art by Jasia Reichdart, 1971
Simulation of a Two-Gyro Gravity Gradient Attitude Control System by E. E. Zajac, 1963 [source]


MADE RATING: 5/10
For more reviews and movie screensavers, visit http://www.joblo.com/
PLOT: Two down-on-their-luck boxers get an opportunity to repay a debt to a gangster by doing him a favor in New York City. As it turns out, one of them is a goof, while the other likes to play things serious, and it isn't long before things go awry and the boys run into even more trouble.
CRITIQUE: Yikes...talk about a disappointment! This was actually one of the films that I had been looking forward to the most all year, seeing as SWINGERS, the original movie starring Jon Favreau and Vince Vaughn, is one of my favorite films of all-time. So there I was, sitting in the theatre, seeing the two boys straddle their way into another "hip" movie together, but wow...what a letdown.  If this flick didn't have Vince Vaughn and his patented "Vaughnisms" going on, it would have been a total dud. Thankfully, Vince is there and he is so "on" whenever his character talks or walks onto the big screen (mind you, his character in SWINGERS was a better rounded character, but that's another story altogether). They should have made this whole movie about him, or at least have given the rest of the folks in the picture something interesting to do or say. Favreau was "okay" as his friend, but you just didn't care about the guy.
In fact, other than being a couple of knuckleheads who look good in suits, there wasn't really much to either one of these two guys. A cheap "relationship" is set up with Famke Janssen and her daughter (who is adorable, btw, but is tossed into an emotional conclusion for what purpose again?!?), Puff Daddy and his partner are as generic and lame as they come (was I supposed to fear P-Diddy's character?), Peter Falk is good, but he's only in a couple of scenes, I mean...what's this movie about? Well, it's about trying to score a few bucks off the legend that is SWINGERS and I for one, certainly didn't mind revisiting these guys in another movie, but hell boys, why not make a good movie the next time around! This film had very little energy, featured rookie director Favreau over-playing his directing card (dude, it's a comedy, no need to play the camera so much), contained way too many montages (sign of a weak script) and basically gave us only one reason to ever see it again: Vince Vaughn! I will stand up and applaud this gentleman right now because his lines, his delivery and his grandiose attitude in this movie were friggin' hilarious...he was soooo money! (and I think he knew it, too!) It's just too bad that the rest of the movie couldn't keep up with the man. The big downer at the end of the film didn't help matters either. Skip this one altogether but watch it on video if you're a SWINGERS fan, just to see what our ol' friend Trent is still up to...
Where's JoBlo coming from? Go (9/10) - Out of Sight (8/10) - Swingers (10/10) - True Romance (10/10) - The Way of the Gun (6/10)
Review Date: August 3, 2001 Director: Jon Favreau Writer: Jon Favreau Producers: Jon Favreau and Vince Vaughn Actors: Jon Favreau as Bobby Vince Vaughn as Ricky Sean Combs as Ruiz Genre: Comedy Year of Release: 2001 ----------------------------------- JoBlo's Movie Emporium http://www.joblo.com/ ----------------------------------- (c) 2001 Berge Garabedian
========== X-RAMR-ID: 29084 X-Language: en X-RT-ReviewID: 242696 X-RT-TitleID: 1108720 X-RT-SourceID: 573 X-RT-AuthorID: 1021 X-RT-RatingText: 5/10
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
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First Look At Kristen Stewart In ‘Seberg’ Biopic
by Corey AtadIt’s Kristen Stewart vs. the FBI in the thrilling new biopic “Seberg”.
On Wednesday, the first trailer was released for the film based on real-life movie icon Jean Seberg, who was targeted by the the FBI in the late-1960s.
The poster for the movie, which premiered at the Toronto International Film Festival in September, was also unveiled. The image is a profile shot of Stewart, with cropped blonde hair donning a blue and white striped dress, playing Seberg.
Following her rise to stardom in French New Wave films such as “Breathless”, the American actress became heavily involved in the revolutionary civil rights movement and had a romance with activist Hakim Jamal.
In the film, Seberg’s life, career and mental stability are slowly destroyed by the FBI’s surveillance and public harassment campaign to stop her activism.
Directed by Benedict Andrews, “Seberg” also stars Jack O’Connell, Margaret Qualley, Zazie Beetz, Vince Vaughn and Anthony Mackie.


So, it's nice to be able to push blocks around that are larger than 1x1. An initial effort to achieve this will look like this:
Edit[ > Player | BigBlock ] -> [ > Player | > BigBlock ]
[ Moving BigBlock | BigBlock ] -> [ Moving BigBlock | Moving BigBlock ]
To the naked eye it will look splendid:
but upon closer inspection it will reveal itself to be rather a flimsy construction:
There are many different ways to solve this, depending on what your needs are. I'm going to approach the cases from simplest to most complex. For the purpose of illustration I'll be focussing on multiban style rules - where you can push objects, and the objects can furthermore push eachother.
WARNING: Here be a rabbit hole - there are many approaches of increasing complexity, depending on what you want to achieve. I'd strongly advise to not read down any further into this document than you need to. This topic starts out fun but at its deepest extents is exceedingly delicate, and more akin to a research-subject than something of practical utility. This document was originally just a description of the RIGID keyword, but owing to its complexity/it being overkill in most situations, it ended up being a catalogue of helpful ways not to use it.
SO, let's start are catalogue of cases:
This is the easiest. You just push everything, and if one crate can't be pushed, you cancel everything:
Edit[ > Player | Crate ] -> [ > Player | > Crate ]
[ > Crate ] [ stationary Crate ] -> [ > Crate ] [ > Crate ]
[ > Crate | Wall ] -> cancel
If you want to have several objects at once, you can do something like the following:
Edit[ > Player | Box ] -> [ > Player | > Box ]
startloop
(Propagate movements through crates of different types.)
[ moving Box1 | Box1 ] -> [ moving Box1 | moving Box1 ]
[ moving Box2 | Box2 ] -> [ moving Box2 | moving Box2 ]
[ moving Box3 | Box3 ] -> [ moving Box3 | moving Box3 ]
[ moving Box4 | Box4 ] -> [ moving Box4 | moving Box4 ]
(Extend the movements between crates of different types.)
[ > Box | Box ] -> [ > Box | > Box ]
endloop
(Just cancel the whole turn if something can't move.)
[ > Box | Wall ] -> cancel
Note that this can't be extended to having multiple players because if one player is blocked, the whole turn is cancelled.
If we have many characters that want simultaneously to push several objects, but some may succeed and some may not, what do we do? Well, it's actually not so finnicky (at least if the characters are all trying to move in the same direction) - we do a three stage process:
(Checking this example in the visual debugger is strongly recommended).
Edit( 1. Propagate movements forward )
[ > Mover | Movable ] -> [ > Mover | > Movable ]
+ [ > Box ] [ Box ] -> [ > Box ] [ > Box ]
+ [ > Crate ] [ Crate ] -> [ > Crate ] [ > Crate ]
+ [ > Chest ] [ Chest ] -> [ > Chest ] [ > Chest ]
+ [ moving Glue | Glue ] -> [ moving Glue | moving Glue ]
( 2. Propagate obstructions backwards )
[ > Mover | stationary Obstacle ] -> [ stationary Mover | Obstacle ]
+ [ > Crate ] [ stationary Crate ] -> [ stationary Crate ] [ Crate ]
+ [ > Box ] [ stationary Box ] -> [ stationary Box ] [ Box ]
+ [ > Chest ] [ stationary Chest ] -> [ stationary Chest ] [ Chest ]
+ [ moving Glue | stationary Glue ] -> [ stationary Glue | Glue ]
( 3. remove all movement, keep a flag )
[ > Movable ] -> [ Movable wanna_move ]
( 4. propagate movement only on wanna_move things )
( ie redo step 1 but with WANNA_MOVE added to the first line below )
[ > Mover | Movable WANNA_MOVE ] -> [ > Mover | > Movable ]
+ [ > Box ] [ Box ] -> [ > Box ] [ > Box ]
+ [ > Crate ] [ Crate ] -> [ > Crate ] [ > Crate ]
+ [ > Chest ] [ Chest ] -> [ > Chest ] [ > Chest ]
+ [ moving Glue | Glue ] -> [ moving Glue | moving Glue ]
( 5. cleanup, remove flag )
[ wanna_move ] -> [ ]
Which seems to work quite well, I'd say! The notion of propagating information around like this is generally a powerful technique in puzzlescript and puzzle games generally.
You don't have to define individual objects for each crate in regular sokoban, so why do you have to do it for extended bodies? Well, you don't; you can instead have a single CRATE block type and encode information about directional connections as 'metadata' on top of it (CRATE_U, CRATE_D, CRATE_L, CRATE_R) that rules use to propagate movements within single extended bodies like so:
Edit(Propagate movements within and between extended bodies)
[ > Pusher | Pushable ] -> [ > Pusher | > Pushable ]
+ up [ moving Crate Crate_U | Crate ] -> [ moving Crate Crate_U | moving Crate ]
+ down [ moving Crate Crate_D | Crate ] -> [ moving Crate Crate_D | moving Crate ]
+ left [ moving Crate Crate_L | Crate ] -> [ moving Crate Crate_L | moving Crate ]
+ right [ moving Crate Crate_R | Crate ] -> [ moving Crate Crate_R | moving Crate ]
(Move connections along with the crates themselves)
[ moving Crate stationary Crate_connection ] -> [ moving Crate moving Crate_connection ]
(If any crate can't move, cancel the turn. This works because there's only one player.)
[ > Crate | wall ] -> cancel
Et voilà:
This can be extended to cover multiple players, but you have to back-propagate blockages, so it's a biiit trickier. Here's a sketch if you want to look.
So I'm going to take the above example and push it beyond its limits. Let's say we take the above example but have two characters: a regular player, and a shadow player that moves in the opposite direction.
Edit[ > player ] [ stationary shadow ] -> [ > player ] [ < shadow ]
The problem here is, what happens if you push the same extended body from two directions at once? Well, as you can see, the directions end up fighting with eachother and can't resolve:
A question you might ask yourself here would be: how would you expect this to resolve anyway? Well, in this case you could detect conflicting movements as obstructions like so in this step 2:
Edit( 2. Propagate obstructions backwards )
[ > Mover | stationary Obstacle ] -> [ stationary Mover | Obstacle ]
(The next lines deal with directional conflicts:)
+ [ ^ Crate | < Crate ] -> [ stationary Crate | stationary Crate ]
+ [ ^ Crate | > Crate ] -> [ stationary Crate | stationary Crate ]
+ [ ^ Crate | v Crate ] -> [ stationary Crate | stationary Crate ]
+ [ v Crate | < Crate ] -> [ stationary Crate | stationary Crate ]
+ [ v Crate | > Crate ] -> [ stationary Crate | stationary Crate ]
+ [ v Crate | ^ Crate ] -> [ stationary Crate | stationary Crate ]
+ [ < Crate | > Crate ] -> [ stationary Crate | stationary Crate ]
+ [ < Crate | ^ Crate ] -> [ stationary Crate | stationary Crate ]
+ [ < Crate | v Crate ] -> [ stationary Crate | stationary Crate ]
+ [ > Crate | < Crate ] -> [ stationary Crate | stationary Crate ]
+ [ > Crate | ^ Crate ] -> [ stationary Crate | stationary Crate ]
+ [ > Crate | v Crate ] -> [ stationary Crate | stationary Crate ]
+ [ > Crate ] [ stationary Crate ] -> [ stationary Crate ] [ Crate ]
+ [ > Box ] [ stationary Box ] -> [ stationary Box ] [ Box ]
+ [ > Chest ] [ stationary Chest ] -> [ stationary Chest ] [ Chest ]
+ [ moving Glue | stationary Glue ] -> [ stationary Glue | Glue ]
Which gives us this:
And I might be feeling good about myself, but there's still a lot of ways that movement-resolution might not work out:
So you throw in this as well to detect when two objects are trying to move together and stick one of them in place:
Edit+ [ > Mover | | < Mover ] -> [ stationary Mover | | < Mover ]
This patches up that behaviour quite nicely!
But wait, no what about this:
Well that's no good at all.
Anyway, this goes on and on and you can patch things up until the cows come home but ultimately you'll be nervous you're missing something. It's a gigantic and subtle kettle of worms, as I hope I've demonstrated.
So how did I go about trying to help the engine support this in a more robust way? Read on!
Initially I thought the solution would be to add a keyword to objects, to mark them as rigid. However, I later realized that it was far nicer, and cooler, and more in-keeping with the engine, to think of rigidity as something you could apply instead to rules.
Let's just dive in and explain exactly what it is.
(I kinda regret adding this keyword to the engine. However it's in, and I'm going to continue to support it because it's there. However, it's quite complex and idiosyncratic. I'm going to depart from my normal expositional style for this section - the next 'specification' is more technical, and as much for my future reference as for expositional purposes. In the past I was very enthusiastic about this feature, but I can't keep it up - I now know the extents and capabilities of the PuzzleScript language waaay better than I did when I was desinging it in the beginning - many of the reasonably elegant techniques above were just not things I knew how to do when I was first designing the language, whence the heavy-handed and rather mystical RIGID keyword.)
I'm first going to give the technical definition/specification (based on my post-hoc analysis of the code and creation of tests to figure out its semantics), then I'm going to give a high-level explanation of how/why it works, and in the final section I'll show an example of how you might use it.
rigid [ Crate ] -> [ Crate ] Sfx0
will not cause anything to be marked as rigid.rigid [ right Crate ] -> [ Crate ]
will not cause anything to be marked as rigid, whereas rigid [ right Crate ] -> [ stationary Crate ]
will).I guess the rule-of-thumb is that RIGID applies a tag to a layer when any movement-related stuff is mentioned on the RHS of a rule.
So, if a rigid object would be one where, if one part can't move, no parts can, a RIGID RULE is a RULE where, if anything it tries to move can't move, then its RULE-GROUP doesn't apply at all (the unresolved rigid movement disables the rule-group that caused it for that turn and resimulates the entire turn).
Let's go back to the broken example right at the start:
Edit[ > Player | BigBlock ] -> [ > Player | > BigBlock ]
[ Moving BigBlock | BigBlock ] -> [ Moving BigBlock | Moving BigBlock ]
We want that, if any of the BigBlock pieces don't get to move, that whole rule just doesn't apply. Actually, we also don't want the first rule to apply. So what we do is that we group the rules together using the + symbol, and we mark them as rigid
Editrigid [ > Player | BigBlock ] -> [ > Player | > BigBlock ]
+ rigid [ Moving BigBlock | BigBlock ] -> [ Moving BigBlock | Moving BigBlock ]
and magically it works
So all's good if you have a single rigid block, but if you try to have blocks pushing other blocks it gets complicated. Let's say you want a big block to collide with little blocks. You end up with stuff like this:
Edit[ > Player | LittleBlock ] -> [ > Player | > LittleBlock ]
[ > LittleBlock | LittleBlock ] -> [ > LittleBlock | > LittleBlock ]
rigid [ > LittleBlock | BigBlock ] -> [ > LittleBlock | > BigBlock ]
+ rigid [ > Player | BigBlock ] -> [ > Player | > BigBlock ]
+ rigid [ moving BigBlock | BigBlock ] -> [ moving BigBlock | moving BigBlock ]
+ [ > BigBlock | LittleBlock ] -> [ > BigBlock | > LittleBlock ]
The rule is, anything that adds motion to a BigBlock has to be marked as rigid. Repeating the code twice isn't so bad, really, but if one has more than two block types, there's no compact method of encompassing all the ways that they can interact without maybe introducing one thing that I should mention. We'll need to take a few steps back and look at a simple but related scenario:
Let's try to model two crate types, where crates can push crates.
Edit=======
LEGEND
=======
Crate = OrangeCrate or BlueCrate
======
RULES
======
[ > Player | Crate ] -> [ > Player | > Crate ]
[ > Crate | Crate ] -> [ > Crate | > Crate ]
Thich works splendidly. But what if we weren't allowed to refer to the Crate but instead had to refer to them individually, or weren't allowed to combine them together into a rulegroup in the second rule? We could try something like:
Edit[ > Player | Crate ] -> [ > Player | > Crate ]
[ > OrangeCrate | OrangeCrate ] -> [ > OrangeCrate | > OrangeCrate ]
[ > OrangeCrate | BlueCrate ] -> [ > OrangeCrate | > BlueCrate ]
[ > BlueCrate | OrangeCrate ] -> [ > BlueCrate | > OrangeCrate ]
[ > BlueCrate | BlueCrate ] -> [ > BlueCrate | > BlueCrate ]
you can push around pairs of blocks, but a big alternating sequence of blocks you can't deal with:
If only there were some way of looping through these four rules. Well, adding them all to the same rulegroup is one way, but in the case of rigid rules we don't want to cancel the movement of EVERYTHING just because one block can't move (e.g. let's say there's gravity pulling objects down - we don't want one object being prevented from falling to prevent all of them falling) - so we need another layer of loopiness. So, let's introduce STARTLOOP and ENDLOOP:
Edit[ > Player | Crate ] -> [ > Player | > Crate ]
startLoop
[ > OrangeCrate | OrangeCrate ] -> [ > OrangeCrate | > OrangeCrate ]
[ > OrangeCrate | BlueCrate ] -> [ > OrangeCrate | > BlueCrate ]
[ > BlueCrate | OrangeCrate ] -> [ > BlueCrate | > OrangeCrate ]
[ > BlueCrate | BlueCrate ] -> [ > BlueCrate | > BlueCrate ]
endLoop
That fixes our weird theoretical problem (in a way that will be useful for solving the more complicated but less theoretical problem):
For the above example, this is more or less identical to saying
Edit[ > Player | Crate ] -> [ > Player | > Crate ]
[ > OrangeCrate | OrangeCrate ] -> [ > OrangeCrate | > OrangeCrate ]
+ [ > OrangeCrate | BlueCrate ] -> [ > OrangeCrate | > BlueCrate ]
+ [ > BlueCrate | OrangeCrate ] -> [ > BlueCrate | > OrangeCrate ]
+ [ > BlueCrate | BlueCrate ] -> [ > BlueCrate | > BlueCrate ]
However, we don't have this luxury for rigidbodies (Can you tell why not? It's because rigidbodies deactivate entire rule-groups - if our whole game logic is in one giant rule-group we can't selectively delete parts of it). So, with all that said, here's what code for a system with several rigid bodies and some small blocks looks like, thanks to the STARTLOOP and ENDLOOP keywords:
Editstartloop
[ > Player | Smallcrate ] -> [ > Player | > SmallCrate ]
[ > Player | RedCrate ] -> [ > Player | > RedCrate ]
+ rigid [ moving RedCrate | RedCrate ] -> [ moving RedCrate | moving RedCrate ]
+ [ > Crate | RedCrate ] -> [ > Crate | > RedCrate ]
[ > Player | GreenCrate ] -> [ > Player | > GreenCrate ]
+ rigid [ moving GreenCrate | GreenCrate ] -> [ moving GreenCrate | moving GreenCrate ]
+ [ > Crate | GreenCrate ] -> [ > Crate | > GreenCrate ]
[ > Player | BlueCrate ] -> [ > Player | > BlueCrate ]
+ rigid [ moving BlueCrate | BlueCrate ] -> [ moving BlueCrate | moving BlueCrate ]
+ [ > Crate | BlueCrate ] -> [ > Crate | > BlueCrate ]
[ > Crate | SmallCrate ] -> [ > Crate | > SmallCrate ]
endloop
And this gives us the image at the beginning of this document. It works even if there are multiple player characters moving in multiple directions at a single time:
Anyway, that's it. Thanks for bearing with me through this rather labourious description. Drop me a mail if you noticed I made a mistake anywhere. This material is hairy, so it's very possible there are some errors above.


Gunman Opens Fire at Backyard Party in California, Four Killed
At least 10 shot at family gathering by unknown assailant
by RTAt least 10 people were shot in California after a gunman opened fire at a family gathering, police say.
Four people have been killed while others have been taken to hospital.
Family and friends were watching football in the backyard when someone started shooting at them. No one has been arrested so far, with no information on a suspect released.
The incident took place at about 6pm Sunday (2am GMT Monday) on the city’s southeast side.
Police have described it as a “mass casualty shooting.”
Three people were declared dead at the scene while a third victim died at the hospital. Six injured people remain in hospital with their condition declared stable.
Larry Nichols joins The Alex Jones Show to break down the corrupt establishment’s intentions to crush the will of the people.
The Black Friday sales have arrived early! Get up to 70% off our hottest products as well as free-shipping and double Patriot Points while the sale lasts!


The heatmap layers in the Map View will generate a Gaussian Blur around all markers to indicate density. This density can be weighted in various ways. It could represent the number of markers (standard), the number of nodes connected to markers (popularity), or the number of transactions connected to markers (activity).
The standard heatmap represents the density of nodes at a location. This means that a marker representing two nodes on the graph will appear hotter than a marker representing only one node.
The popularity heatmap represents the density of nodes connected to a location. This means that a marker representing a node with two neighbours on the graph will appear hotter than a marker representing a node with only one neighbour.
The activity heatmap represents the density of transactions connected to a location. This means that a marker representing a node with two adjacent transactions on the graph will appear hotter than a marker representing a node with only one adjacent transaction.


I help companies accelerate and develop new products. To so I promote a data-driven approach from market analysis to product roadmap and tech performance. Reach out to see how I can help your company!
I have been building technological products for over a decade and I strive at the intersection of Business, Product and Tech. I have previously worked on the A380 jet engine, designed and built autonomous systems for cargo ships and trucks, and automatically detected incidents from network data.
Previously, I obtained a Master's degree from Stanford University in applied mathematics with a strong focus on data science. During my time at Stanford I taught optimization to undergrads and performed data analyses for research on clinical data.
I also have a BSc in Operations Research from École des Ponts et Chaussées, France's oldest and one of the most reputable engineering schools. There, I also worked as a research intern at the applied mathematics lab where I created a decision model for cities facing flooding risk using Dynamic Programming.
My lifelong passion for flying has led me to get the French skydiving license. I also fly an RC plane in my free time and am looking forward to pass the PPL.
After high school I successfully got into one of the most prestigious French engineering schools, the Ecole des Ponts et Chaussees. There I majored in Industrial Engineering with an emphasis on optimization and operations research.
I led the development of computational modeling methods for the injection and the sintering stages of Metal Injection Molding. I also participated in an internal innovation challenge in which I reached the final stage.
I got a Master of Science at Stanford where I focused my studies on data science and mathematical modeling. I was a Research Assistant working on data analysis and a Teaching Assistant for an Optimization class in the School of Engineering and at the Graduate School of Business (MBA students).
Starsky Robotics is building autonomous systems for trucks. I joined the team very early and led the behavior planning team (2 data scientists and me). We analyzed driving behavior and created algorithms that would allow for the trucks to drive autonomously on the highway.
I co-founded Shone to bring autonomy to cargo ships. We went through YCombinator, raised over $4.5M in a seed round and got picked as Forbes 30 Under 30. I led the Product development and the commercialization of our solution. To do so I launched partnership deals with large OEMs and conducted sales pitches with C-level executives of leading shipping companies, among other things.
At THOHT I bring my experience to help companies launch and improve products. I advise companies ranging from logistics to e-banking. My focus is to leverage a quantitative approach to product development and growth.
I strive at the intersection of Business, Product and Tech. My skills range from data science (Python, R, Spark, etc.) all the way to sales and marketing.
At Shone I led Product and Business Development. I built our first product offering and sold it to top shipping companies across the world.
I have led teams of engineers and data scientists for the last 3 years. I am comfortable defining or understanding the business requirements and communicating them to a technical team. Able to dive technically into even the most specialized topics, I also have a keen eye for UI/UX and always analyze the outputs through the business objectives.


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The class NDC implements a nested diagnostic context.
More...
#include <ndc.h>
List of all members.
Static Public Member Functions |
| static void | clear () |
| static int | depth () |
| static NDC * | instance () |
| static QString | pop () |
| static void | push (const QString &rMessage) |
| static void | setMaxDepth (int maxDepth) |
| static QString | peek () |
Related Functions |
(Note that these are not member functions.)
|
| QDebug | operator<< (QDebug debug, const NDC &rNDC) |
Detailed Description
The class NDC implements a nested diagnostic context.
The method remove() is not required. QThreadStorage cleans up on thread exit.
- Note:
- All the functions declared in this class are thread-safe.
Member Function Documentation
| static void Log4Qt::NDC::clear |
( |
|
) |
[static] |
| static int Log4Qt::NDC::depth |
( |
|
) |
[static] |
| static NDC* Log4Qt::NDC::instance |
( |
|
) |
[static] |
Returns the NDC instance.
| static QString Log4Qt::NDC::peek |
( |
|
) |
[static] |
| static QString Log4Qt::NDC::pop |
( |
|
) |
[static] |
| static void Log4Qt::NDC::push |
( |
const QString & |
rMessage |
) |
[static] |
| static void Log4Qt::NDC::setMaxDepth |
( |
int |
maxDepth |
) |
[static] |
Friends And Related Function Documentation
| QDebug operator<< |
( |
QDebug |
debug, |
|
|
const NDC & |
rNDC | |
|
) |
| | [related] |
Writes all object member variables to the given debug stream rDebug and returns the stream.
NDC(thread:"main" peek:"i = 3" depth:4)
- See also:
- QDebug
The documentation for this class was generated from the following file:


P. Ohmann, D. B. Brown, N. Neelakandan, J. Linderoth, and B. Liblit. Optimizing customized program coverage. 31st IEEE/ACM International Conference on Automated Software Engineering (ASE 2016), Sept. 2016. IEEE and ACM. (To Appear)
P. Ohmann and B. Liblit. Lightweight control-flow instrumentation and postmortem analysis in support of debugging. Automated Software Engineering Journal, 2016. Springer.
P. Ohmann and B. Liblit. Lightweight control-flow instrumentation and postmortem analysis in support of debugging. 28th International Conference on Automated Software Engineering (ASE 2013), Nov. 2013. IEEE and ACM.
T. Ball and J. R. Larus, Efficient path profiling, in Proceedings of the 29th annual ACM/IEEE international symposium on Microarchitecture, ser. MICRO 29. Washington, DC, USA: IEEE Computer Society, 1996, pp. 46–57.


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[css:content/bootstrap.min.css]>
Solutions for creating robust, human readable acceptance tests for your .Net or CoreCLR system and a means to create "living" technical documentation.
Traditional requirements documents consisting of a wall of "the system shall do this vaguely understood thing" prose can easily lead to project waste when developers, users, and testers all interpret the wording in different ways. To eliminate ambiguity in your requirements, use Storyteller to create detailed executable specifications.
In a perfect world, you would love to have a good, reliable suite of automated regression tests in your software project. However, automating integration tests for complex software systems can be very difficult. See how Storyteller has been built to alleviate the typical problems you may have suffered in past attempts at large scale automated testing.
Writing good documentation for your software product is hard work -- but all that hard work is all for naught if that documentation gets out of synch with your code as the product evolves. To address this issue, Storyteller helps you create and easily maintain "living documentation" that can keep up with the pace of your development. No more excuses for missing documentation.


{% load static %}
{% csrf_token %}
Your review:
Did you buy car from this dealership? (Check if yes)
Select the car you bought (model-brand-year):
{% for car in cars %}
{{car.name}}-{{car.carmake.name}}-{{ car.year|date:"Y" }}
{% endfor %}
When did you buy it?
Submit


%include ./partials/head.html %>
<%include ./partials/header.html %>
<%=i18n.connect_to_ga%>
<%=i18n.connect_to_crm%>
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A technique that has one object supplying the dependencies of another object.
Allows for a seperation of concern between the construction and the use of objects.
Allows programs to be loosly coupled.
Constructor is used to decide an object’s dependencies. Object declares in constructor the objects that it needs. Register constructor (and relevant parameters) into the provider.
Defining setter methods in objects that need injection.
An interface can be used to perform the injection through.
Object calls service locator object to find its dependencies.
This, however, creates a dependency between the service locator and the object.
There seems to be different ways of registering a provider.
One way would be to register with a configuration file, another one is by calling methods. I believe both methods are similar.
Both allow fundamental decoupling that’s missing in the naive example.
Both gives inversion of control, but it comes at a price. It is potentially hard to understand and it leads to potential problems.
About equally difficult to test. Dependency injection will be easier with IDE support to search up references.
So the primary issue is for people who are writing code that expects to be used in applications outside of the control of the writer. In these cases even a minimal assumption about a Service Locator is a problem.
The choice between setter and constructor injection is interesting as it mirrors a more general issue with object-oriented programming - should you fill fields in a constructor or with setters.
Martin Fowler’s principle is that as much as possible create valid objects at run time. Constructors with parameters give a clear statement of what it means to create a valid object.


Italian sausage, sauteed mushrooms, mozzarella, and tomato sauce.
Seasoned ricotta, fresh spinach, roasted tomatoes and seasonal vegetables with burrata and pesto.
Spicy salami, sausage, mozzarella, fresh diced tomatoes, roasted garlic sauce, and chili flakes.