SAP Business One enterprise management software solution handles entire organisational functionalities in single unified form. Integrated solution is specifically designed for Small and Mid-Sized Enterprises (SME’s) to satisfy needs on technical development. Our software solution inherits complete entities in an extensible format to attain development. Implementation of ERP aids to accelerate every entity of your company in order to move on with qualified statistics. SAP Business one is trusted by over 47,000 companies in 150 countries to streamline key processes– from accounting and CRM to supply chain management and purchasing as it is flexible to varied industrial standards.
Manual business administration gets eliminated by using SAP Business One. It integrates end to end functional modules of your enterprise to be operated in automated method overriding multiple software’s.
Real time accounting of enterprise happens through SAP Business One. Financial transactions, budget framing, ledger maintenance, balance sheet auditing etc are processed effortlessly with this software package.
Manage raw materials in a distinct way that monitors its availability accurately so as to carry out production process consistently. Procurement of materials on demand is handled accurately with receipts.
Manual business administration gets eliminated by using SAP Business One. It integrates end to end functional modules of your enterprise to be operated in automated method overriding multiple software’s.
Real time accounting of enterprise happens through SAP Business One. Financial transactions, budget framing, ledger maintenance, balance sheet auditing etc are processed effortlessly with this software package.
Manage raw materials in a distinct way that monitors its availability accurately so as to carry out production process consistently. Procurement of materials on demand is handled accurately with receipts.
Individual requirements of clients are analysed and solution are implemented in stage wise mechanism.
Customer support is provided for 24/7 for solving issues and drawbacks on handling software application.
Quality software’s are developed for industry specific requirements to automate their overall operations.
Business mobile applications are developed for varied operating systems like Android, Windows and iPhone.
Business mobile applications are developed for varied operating systems like Android, Windows and iPhone.
Business mobile applications are developed for varied operating systems like Android, Windows and iPhone.
Study guide available herein helps to understand basic and advanced features of SAP Business One. It gives answer to all queries as you go through every section of material.
DOwnload Brochure


+++ draft = false date = "2006-07-21T18:30:17-03:00" title = "How to use at_post_create_script to with multi-schemata content types" tags = ["cookbook", "Plone"] created = "2006-07-21T18:25:35-03:00" modified = "2006-07-21T18:30:17-03:00" permaLink = "http://play.pixelblaster.ro/blog/archive/2006/07/21/how-to-use-at_post_create_script-to-with-multi-schemata-content-types" author = "Tiberiu Ichim" aliases = [ "/blog/archive/2006/07/21/how-to-use-at_post_create_script-to-with-multi-schemata-content-types" ] +++
When using at_post_create_script to hook up in the "post creation" events of AT, if the content type has multiple schematas, the script will be called each time the "next" button is pushed.
To properly use the script, a check can be added to see if the "save" button was pressed:
security.declarePrivate('at_post_create_script')
def at_post_create_script(self, **kwargs):
if self.REQUEST.get('form_submit', None) == 'Save':
pass #do something here


Tools expand vectors of short URLs into long URLs. No API services are used, which may mean that this operates more slowly than API services do (since they usually cache results of expansions every user of the service performs).
| Version: | 0.3.0 |
| Depends: | R (≥ 3.1.0) |
| Imports: | httr, dplyr, purrr |
| Suggests: | testthat |
| Published: | 2016-12-18 |
| Author: | Bob Rudis [aut, cre] |
| Maintainer: | Bob Rudis <bob at rud.is> |
| License: | MIT + file LICENSE |
| NeedsCompilation: | no |
| Materials: | NEWS |
| In views: | WebTechnologies |
| CRAN checks: | longurl results |
| Reference manual: | longurl.pdf |
| Package source: | longurl_0.3.0.tar.gz |
| Windows binaries: | r-devel: longurl_0.3.0.zip, r-release: longurl_0.3.0.zip, r-oldrel: longurl_0.3.0.zip |
| OS X binaries: | r-release: longurl_0.3.0.tgz, r-oldrel: longurl_0.3.0.tgz |
| Old sources: | longurl archive |
Please use the canonical form https://CRAN.R-project.org/package=longurl to link to this page.


PingPongPlane class
Basic usage
The PingPongPlane class is used to create a plane and two associated render targets that will be swapped at each draw call. This method is called FBO swapping or FBO ping pong and is often used to create fluids or flowmaps effects.
The PingPongPlane class extends the Plane class, inheriting from all its methods and properties.
Creation
To create a new PingPongPlane, just use its constructor.
Since they inherit from the Plane class, parameters are almost the same. There's an additional parameter that allows you to set the PingPongPlane's texture sampler name that you will read in your fragment shader to apply your effect. If ommited, it will use "uPingPongTexture" as sampler name.
Note that the ping pong planes are rendered onto render targets so you will have to create another plane to display the result of your effect.
Have a look at the Ping pong shading flowmap example to see it live.
Parameters
PingPongPlanes use the same parameters as the usual Planes. Note however that it will set the depthTest and autoloadSources to false.
You can also pass a sampler name as an additional parameter:
- sampler string, optional the texture sampler name you'll use in your fragment shader to create your effect. Default to "uPingPongTexture".
Properties
PingPongPlanes also have the same properties as the usual Planes. Their two render targets are also availables as additional properties:
-
readPass (RenderTarget class object): v7.0
Render target read pass that will be swapped with the write pass at each draw call. Its depth and clear properties are set to false.
-
writePass (RenderTarget class object): v7.0
Render target write pass that will be swapped with the read pass at each draw call. Its depth and clear properties are set to false.
Methods
-
getTexture(): v7.0
Returns the ping pong plane texture to be used later.
returns: the ping pong plane texture.


Transactions List
Username
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Balance
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I'm web designer & front-end developer with 7 years of professional experience. I'm interested in all kinds of visual communication, but my major focus is on designing web, mobile & tablet interfaces. I also have skills in other fields like branding, icon design or web development.
St. Patrick University
3 Years Course
Hastings University
2 Years Course
Black Tie Corp.
Onassis Ltd.
Black Tie Site
Awwwards Site
Javascript
Bootstrap
Wordpress
HTML/CSS
Photoshop
Illustrator
CANALS OF ENGLAND
SANKEY
WE GROW
Created by BLACKTIE.CO


Watch Creeper’s epic comeback video for new single ‘Born Cold’
Track was inspired by David Bowie
British punk band Creeper have shared the video for their comeback single ‘Born Cold’ – you can watch it below.
They previously debuted the track at an intimate gig at Club 229 in London earlier this month and shared it online shortly after.
Speaking about the song at the time, frontman Will Gould said: “This song is the introduction of one of the more villainous characters from our new story. It was inspired by what the Thin White Duke was for David Bowie – a more selfish, narcissistic character.”
He continued: “Creeper was always about theatrics and cinema; as much about the aesthetic as the music. So we took it to Hollywood and made it in the shadow of some of our favourite films, where some classic records have been made, and let it become something else. In ‘Born Cold’, you can hear the DNA of the band and listen to it be transformed with the addition of some of the new elements that we’ve added to the process.”
Now speaking about the new video, he added: “The video reveals the world and themes of the new album for the first time. It also introduces fans to the first of the new characters in the Creeper universe; Roe, a man from another world.”
The clip was directed by the creative collective Forest of Black, whose previous credits include Biffy Clyro, Slaves and Royal Blood.
The band are supporting Babymetal on tour next February. You can see the dates below.
FEBRUARY
19 – Glasgow, Barrowland
20 – Cardiff, The Great Hall
22 – Manchester, O2 Apollo
23 – London, Hammersmith Eventim Apollo
Reviewing their recent comeback gig, NME wrote: “As they launch into debut single ‘VCR’, a frantic burst of bedroom escape and punk snarl, it’s easy to see just how much they’ve been missed. Crowd surfers fill the air as the likes of ‘Suzanne’, ‘The Honeymoon Suite’ and ‘Down Below’ remind the room of their ability to bounce between basement intensity and arena promise while ‘Crickets’ remains one of the most powerfully heartbreaking songs to come from the UK underground.
“‘Misery’ unites the crowd as they take over lead vocals from frontman Will Gould who can do nothing but stand back in awe before a powerfully raw ‘I Choose To Live’ is dedicated to the memory of his mum’s partner. In the space of an hour, Creeper reclaim their title as the most dynamic, interesting and daring punk band around. But there’s more to tonight than what’s come before.”


| DOSE: |
17.5 mg |
oral |
2C-I |
(liquid) |
My day began with an odd dream in which I visited The Farm. I remember driving up itís extremely windy road, and I was pleased to be able to see the place where so much that is important to me has been created. Getting back on the main road was kind of a pain though.
My night began with me drinking 17.5mg of 2C-I mixed with soda at about 10:45. The powder itself tasted awful, although mixed with soda it wasnít noticeable. Of course, I was drinking Sprite Remix, which I think tastes god-awful to begin with. I was very excited about trying this compound, as Iíve heard absolutely wonderful things about it. Its effects being very similar to 2C-B were also promising, considering that Iíve wanted to try that chemical for years now, and doubt that I will ever get my hands on the substance.
Within 25 minutes I was getting my first alerts. It was very similar to my last 2C-T-21 alerts. A cold feeling accompanied by a body energy that was slightly annoying. Thankfully it lacked the nausea that I experienced (although to no great degree) on 2C-T-21. About ten minutes after the first alerts I was on my way up. And I went way up.
Muse and I sat and watched SNL when it came on at 11:30. By this time I was definitely tripping and it was getting a little hard to pay attention to the show. The visual effects were beginning to take over my vision. I was amazed by how much I was feeling already as the 2C-T-21 didnít fully take a hold until a good couple hours after I took it. By 12 I was tripping hard, a very strong +++. The visual aspect of the trip was incredible. Probably comparable to about five hits of acid, and acid in my experience, is by far the most visual trip. Unlike acid, however, the visuals had a very real swimmy quality to them. LSD tends to give me neon designs overlaying everything, whereas 2C-I caused everything in my field of vision to morph and swim into each other. They were truly incredible.
At one point I was in the bathroom staring at the wallpaper, when suddenly I found myself residing within a matrix. I sat in that bathroom for a while thinking about math. I am taking a vigorous and intense honors calculus class in school and I reflected on what I had learned this past year and what I hoped to learn in the class. I also had the pleasure of seeing some of these concepts come to life in front of me. It was very cool being able to visualize different functions in front of me.
When I returned, Muse continued to watch SNL. I found it futile to attempt to follow the sketches and instead found amusement in watching my mind. At one point I stared up at the ceiling and watched the incredible visuals flow around me. I entered a trance-like state reminiscent of Mushrooms, but nowhere near the same intensity. I think at higher dosages out of body experiences could occur, although I am sure that is not what the chemical is good for. I was brought out of it when Muse noticed me staring and called out my name. She asked what I was doing and I could merely respond with, ďI have not tripped this hard in yearsĒ.
It was true. I could not remember a trip of this intensity (barring my insane mushroom trips) since my earlier experimentation with LSD. I was amazed at how strong this drug was affecting me. Initially during the come-up I was a little frightened as I was expecting a mild psychedelic effect, but these were full-scale powerful effects I was experiencing. And the more I got used to it the more I liked it.
Muse went home at around 2:30, and at this time I was still firmly into the plateau. This was when I found the best benefits from 2C-I. The compound allowed me to analyze many aspects of my psyche, our culture and the world surrounding me. It provided me with incredible insights that I truly was not expecting.
I came to the conclusion that our culture suffers from a disease in which each individual chooses to forget uncomfortable things in exchange for watching movies, and reality tv shows. Our media is like a drug to keep us satiated from the problems that are on the verge of erupting in gigantic catastrophes all around the world. We are like children, just assuming that our parents will take care of everything.
Our parents in this scenario is the government. We the civilians assume that our government has everything under control. Their purpose is to allow everyone else to live in peace without unnecessary burdens to have to deal with. But, our true problem resides in who controls the government.  Bush has backed out of the Clean air agreement that was made years ago and has done nothing to ensure us prosperity in the future. His close ties with oil are also extremely disconcerting.  Itís disgusting.
Even while pondering these rather depressing thoughts, I came to another conclusion that I believe stemmed straight from the drug. I KNEW that everything would be ok. It is an innate fact within our universe that everything is and will always remain ok. And that applies to humans as well. We may (and will) all die out someday, and that is ok. It will be beautiful in its own way. I felt very comforted by this.
I was narrating all of these things to Muse by way of phone and the whole time felt that I spoke very well. The words seemed to just spring into my head without much effort. I felt that I could write an entire thesis while under the effects of 2C-I.
Eventually around 5 things began winding down after a solid 3-4 hour plateau. At 6 I was still tripping at probably a ++ but managed to fall asleep.
2C-I is definitely one of my favorite entheogens. I have nothing but fantastic things to say about it. The visuals were spectacular, and rivaled all but my heroic doses of mushrooms and LSD. The ability to think clearly and the insights achieved were incredible. It was easy on the body. The length was long, but not too long like acid can be. In the future I think I will find my sweet spot is around 15 or 16mg. At this dose it was a bit pushy for me, although I believe that I will try 20mg one of these days. Just to see.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Welcome and make your order today!
Arrabon Pizza Palace has been in pizza business for over 6 years now and offers a tasty and satisfying pizza. Our home delivery services are timely and accurate supported by our online order and pay platform. You Choose, We make it Happen. Only at Arrabon Pizza!


an object-oriented computer programming language commonly used to create interactive effects within web browsers.
a symbol that is used to perform an operation. Most often these operations are arithmetic (addition, subtraction, etc), but not always. Assignment Operators change the value of the variable on the left side of the operator. Comparison Operators do not change any values, but returns a boolean.
containers to store informations. They allow for a way to label data with a descriptive name.
variable and function names written as camelCase.
block of code that performs an action and returns a result; optionally takes arguments.
a property containing a function definition
the value in the parenthesis of a method. They provide a bit more info to methods to help them know what they're supposed to do.
a variable that's assigned to the argument, and receives the argument.
the response to the method's call.
calling a method directly on the return value of another method.
a javascript data type that represents the exact text of whatever is enclosed in the quotes.
represents one of two values: true or false
a variable has been declared but has not yet been assigned a value.
stands for "not a number" but is in fact a number.
function encodes a string
opens a dialog box
anything following // on a line in JavaScript is ignored by the computer. Comments help you and other programmers understand your code more effectively.
a concise and fast JavaScript library that can be used to simplify event handling, HTML document traversing.
additional information about an HTML element.
a vocational school for aspiring programmers. And awesome people.


Start
1. How many developers does it take to screw in a light bulb?
0
1
2
3
1. What is the best band of all time?
Beatles
New Order
ABBA
Carley Rae Jepson


Action Mailer – Easy email delivery and testing
Action Mailer is a framework for designing email service layers. These layers are used to consolidate code for sending out forgotten passwords, welcome wishes on signup, invoices for billing, and any other use case that requires a written notification to either a person or another system.
Action Mailer is in essence a wrapper around Action Controller and the Mail gem. It provides a way to make emails using templates in the same way that Action Controller renders views using templates.
Additionally, an Action Mailer class can be used to process incoming email, such as allowing a blog to accept new posts from an email (which could even have been sent from a phone).
Sending emails
The framework works by initializing any instance variables you want to be
available in the email template, followed by a call to mail
to
deliver the email.
This can be as simple as:
class Notifier < ActionMailer::Base
default from<EMAIL_ADDRESS>def welcome(recipient)
@recipient = recipient
mail(to: recipient,
subject: "[Signed up] Welcome #{recipient}")
end
end
The body of the email is created by using an Action View template (regular ERB) that has the instance variables that are declared in the mailer action.
So the corresponding body template for the method above could look like this:
Hello there,
Mr. <%= @recipient %>
Thank you for signing up!
If the recipient was given as<EMAIL_ADDRESS>the email generated would look like this:
Date: Mon, 25 Jan 2010 22:48:09 +1100
From<EMAIL_ADDRESS>To<EMAIL_ADDRESS>Message-ID<EMAIL_ADDRESS>Subject: [Signed up] Welcome<EMAIL_ADDRESS>Mime-Version: 1.0
Content-Type: text/plain;
charset="US-ASCII";
Content-Transfer-Encoding: 7bit
Hello there,
Mr<EMAIL_ADDRESS>Thank you for signing up!
In order to send mails, you simply call the method and then call
deliver
on the return value.
Calling the method returns a Mail Message object:
message =<EMAIL_ADDRESS># => Returns a Mail::Message object
message.deliver # => delivers the email
Or you can just chain the methods together like:
Notifier.welcome("david@loudthinking.com").deliver # Creates the email and sends it immediately
Setting defaults
It is possible to set default values that will be used in every method in
your Action Mailer class. To implement this functionality, you just call
the public class method default
which you get for free from
ActionMailer::Base
. This method accepts a Hash as the parameter.
You can use any of the headers email messages have, like :from
as the key. You can also pass in a string as the key, like “Content-Type”,
but Action Mailer does this out of the box for you, so you won't need
to worry about that. Finally, it is also possible to pass in a Proc that
will get evaluated when it is needed.
Note that every value you set with this method will get overwritten if you use the same key in your mailer method.
Example:
class AuthenticationMailer < ActionMailer::Base
default from<EMAIL_ADDRESS>subject: Proc.new { "E-mail was generated at #{Time.now}" }
.....
end
Receiving emails
To receive emails, you need to implement a public instance method called
receive
that takes an email object as its single parameter.
The Action Mailer framework has a corresponding class method, which is also
called receive
, that accepts a raw, unprocessed email as a
string, which it then turns into the email object and calls the receive
instance method.
Example:
class Mailman < ActionMailer::Base
def receive(email)
page = Page.find_by(address: email.to.first)
page.emails.create(
subject: email.subject, body: email.body
)
if email.has_attachments?
email.attachments.each do |attachment|
page.attachments.create({
file: attachment, description: email.subject
})
end
end
end
end
This Mailman can be the target for Postfix or other MTAs. In Rails, you would use the runner in the trivial case like this:
rails runner 'Mailman.receive(STDIN.read)'
However, invoking Rails in the runner for each mail to be received is very resource intensive. A single instance of Rails should be run within a daemon, if it is going to process more than just a limited amount of email.
Configuration
The Base class has the full list of configuration options. Here's an example:
ActionMailer::Base.smtp_settings = {
address: 'smtp.yourserver.com', # default: localhost
port: '25', # default: 25
user_name: 'user',
password: 'pass',
authentication: :plain # :plain, :login or :cram_md5
}
Download and installation
The latest version of Action Mailer can be installed with RubyGems:
% [sudo] gem install actionmailer
Source code can be downloaded as part of the Rails project on GitHub
License
Action Mailer is released under the MIT license:
Support
API documentation is at
Bug reports and feature requests can be filed with the rest for the Ruby on Rails project here:


Appccelerate.ScopingEventBroker.Specs
3 concerns,
23 contexts,
45 specifications
Per Call Scope specifications
4 contexts, 8 specifications
When no scope acquired
2 specifications
- should invoke asynchronous subscriber
- should invoke synchronous subscriber
When scope cancelled
2 specifications
- should not invoke asynchronous subscriber
- should invoke synchronous subscriber
When scope disposed and not released
2 specifications
- should not invoke asynchronous subscriber
- should invoke synchronous subscriber
When scope released
2 specifications
- should invoke asynchronous subscriber
- should invoke synchronous subscriber
Per Thread Scope specifications
10 contexts, 19 specifications
When no scope acquired on thread
2 specifications
- should invoke asynchronous subscriber
- should invoke synchronous subscriber
When scope acquired on different threads
1 specification
- should use different scope for each thread
When scope cancelled on another thread
2 specifications
- should invoke asynchronous subscriber for releasing thread
- should invoke synchronous subscriber
When scope cancelled on both threads
2 specifications
- should not invoke asynchronous subscriber for both threads
- should invoke synchronous subscriber
When scope cancelled on same thread
2 specifications
- should not invoke asynchronous subscriber
- should invoke synchronous subscriber
When scope disposed and not released on another thread
2 specifications
- should invoke asynchronous subscriber for releasing thread
- should invoke synchronous subscriber
When scope disposed and not released on both threads
2 specifications
- should not invoke asynchronous subscriber
- should invoke synchronous subscriber
When scope disposed and not released on same thread
2 specifications
- should not invoke asynchronous subscriber
- should invoke synchronous subscriber
When scope released on both threads
2 specifications
- should invoke asynchronous subscriber
- should invoke synchronous subscriber
When scope released on same thread
2 specifications
- should invoke asynchronous subscriber
- should invoke synchronous subscriber
Transaction Scope specifications
9 contexts, 18 specifications
When dependent scope and all completed
2 specifications
- should invoke asynchronous subscriber
- should invoke synchronous subscriber
When dependent scope nested not completed
2 specifications
- should not invoke asynchronous subscriber
- should invoke synchronous subscriber
When nested scope and outer complete
2 specifications
- should invoke asynchronous subscriber
- should invoke synchronous subscriber
When nested scope completed but outer not
2 specifications
- should invoke asynchronous subscriber
- should invoke synchronous subscriber
When nested scope not completed but outer
2 specifications
- should invoke asynchronous subscriber
- should invoke synchronous subscriber
When nested scope suppressed and completed
2 specifications
- should invoke asynchronous subscriber
- should invoke synchronous subscriber
When nested scope suppressed but not completed
2 specifications
- should invoke asynchronous subscriber
- should invoke synchronous subscriber
When scope completed
2 specifications
- should invoke asynchronous subscriber
- should invoke synchronous subscriber
When scope disposed and not completed
2 specifications
- should not invoke asynchronous subscriber
- should invoke synchronous subscriber


scrawler v0.0.1 API Reference
Modules
Conveniences for translating and building error messages
Creates Crawl instance and launches crawler for its URL. New crawl marked with state ‘launched’. Then crawler runs asynchronously (via Task). After crawler finishes crawl’s state changes to ‘succeeded’
Creates Link instance and makes a screenshot of web-page for its URL
A module providing Internationalization with a gettext-based API
Module with named helpers generated from Scrawler.Router
Implements callbacks for Crawlie parser
A module that keeps using definitions for controllers, views and so on


This is a Ruby on Rails, HTML, Bootstrap project, was created to review books. With the ability to add new books, add a book cover, indicate the name of the book, the name of the author, a summary. Books are added by category, with the ability to edit and delete by the author of the post. To create a post, you must register. For review, registration is optional.


2 overrides of InputObject
Microsoft.PowerShell.Commands.Utility (2)
commands\utility\CsvCommands.cs (2)
151
public override PSObject
InputObject
{ get; set; }
695
public override PSObject
InputObject
{ get; set; }


"Hello World!"
Web Design for Everybody: Basics of Web Development and Coding
This Specialization covers how to write syntactically correct HTML5 and CSS3, and how to create interactive web experiences with JavaScript. Mastering this range of technologies will allow you to develop high quality web sites that, work seamlessly on mobile, tablet, and large screen browsers accessible. During the capstone you will develop a professional-quality web portfolio demonstrating your growth as a web developer and your knowledge of accessible web design. This will include your ability to design and implement a responsive site that utilizes tools to create a site that is accessible to a wide audience, including those with visual, audial, physical, and cognitive impairments.
Courses in this Specialization
-
Introduction to HTML5
This course is designed to help the novice who wants to gain confidence and knowledge. We will explore the theory (what actually happens when you click on a link on a webpage?), the practical (what do I need to know to make my own page?), and the overlooked (I have a page, what do I do now?). Throughout the course there will be a strong emphasis on adhering to syntactic standards for validation and semantic standards to promote wide accessibility for users with disabilities.
-
Introduction to CSS3
The styling of a webpage can take enhance your page. When done incorrectly the result can be worse than no styling at all. To ensure that your sites do not put up barriers for people with cognitive and/or physical disabilities, you will learn how to evaluate pages using the standardized POUR accessibility guidelines. Upon completion of the course, learners will be able to sketch a design for a given HTML page. Using that design they will use CSS to implement the design by adding fonts, colors, and layouts.
-
Interactivity with JavasScript
This course will introduce you to the basics of the JavaScript language. We will cover concepts such as variables, looping, functions, and even a little bit about debugging tools. You will understand how the Document Object Model (DOM) is used by JavaScript to identify and modify specific parts of your page. After the course, learners will be able to react to DOM Events and dynamically alter the contents and style of their page. The class will culminate in a final project - the creation of an interactive HTML5 form that accepts and verifies input.
-
Advanced Styling with Responsive Design
This course will expand upon the basic knowledge of CSS3 to include topics such as wireframes, fluid design, media queries, and the use of existing styling paradigms such as Bootstrap. After the course, learners will be able to: ** Explain the mobile-first paradigm and the importance of wireframes in the design phase ** Create sites that behave across a range of platforms ** Utilize existing design frameworks such as Bootstrap


When the going gets weird…
Fear And Loathing In Las Vegas A Film Review By Michael Redman Copyright 1998 By Michael Redman
*** (out of ****)
"Moderation In All Things" is the unofficial motto of the United States. From our Puritan founding to the doorway of the 21st century, virtue is to be found through clear thinking and clean living. Extravagance is not only imprudent, it's a sin.
There's a different opinion held by some seekers for truth. They believe that to truly see, you must escape the consensus reality overlay imposed by society. They point to the theory that reaching altered states of consciousness is a need hard-wired in the human biology. One of the first inventions of the early nomadic tribes was the discovery that drinking fermented honey resulted in a different reality. Around the same time, they found that ingesting certain plants revealed a new point of view. Children achieve the change by twirling rapidly in circles. Even animals indulge in alcoholic rotten fruit.
Mankind has a long history of shamanistic oracles leading their people through insights gained from drug-induced journeys. Poets, artists and others given to intemperance live on the fringes on society, often shunned by the mainstream, but just as often looked to as a source of insight. Frequently these people are demented, occasionally enlightened and sometimes both.
"The road of excess leads to the palace of wisdom," writes William Blake. Journalistic shaman Hunter S. Thompson puts it another way: "When the going gets weird, the weird turn pro." It doesn't get any weirder than Las Vegas in the early seventies.
The film is based on his 1971 classic novel of gonzo journalism. Supposedly reporting on an off-road race, Raoul Duke (Johnny Depp) and his attorney Dr. Gonzo (Benicio Del Toro) -- thinly disguised Thompson and associate Oscar "Zeta" Acosta, a noted Chicano lawyer -- are actually in search of the American dream. Loading the trunk of their rented Caddy convertible with every known (and some unknown) drug, they head through the desert for the city of dreams.
Discussing the plot of this movie is pointless. In fact the plot itself is pointless. Thompson's style of writing was to ingest as many mind-altering substances as possible and write about his experiences. That many of those experiences existed only in his head makes it impossible to tell what really happened. And it doesn't matter. This is one man's extremely unique point of view. If you're looking for a coherent storyline, this isn't it.
As Duke and Gonzo stumble through Las Vegas, their vision is wild and incoherent. Lounge lizards morph into real reptiles. The carpet melts and flows up the wall.
The film is certainly not for everyone. It's bound for many Worst Of 98 lists and just as likely to turn up on Bests inventories. For the first several minutes, I thought it was remarkably insipid, but then either the film or I changed and it became a ride through the absurd. For the first time in a long while, I found myself laughing out loud in a movie theater. But my companion hated the film.
This may be the most authentic depiction of the hallucinogenic drug experience ever captured on film...or so I've been told. Several of the scenes are accurate and hilarious at the same time. When Gonzo is trapped on a revolving bar moving about one mile per hour and afraid to step off, some of the audience was rolling in laughter while others were walking out.
There is a poignant moment when Thompson gazes west out of his hotel window and talks about the hopes of the hippies who were sure that they could transform America into a land of peace and freedom. He explains that if you look hard enough you can see the high water mark where the wave crested and rolled back. If there is a time of lucid truth in the film, this is it.
It's always a delight when one of Hollywood's pretty boys transforms into a talented actor. Depp is marvelous as Thompson, reeling and darting from wall to wall attempting to escape killer bats. Although he is smaller than the real journalist and comes across as considerably less dangerous than the hulking gun-toting out of control writer, his depiction works.
The other actors are equally up to task. Peppered with cameos by the real Thompson, Ellen Barkin (in a disturbing diner scene), Penn Jillette and many others, the film is a "spot the actor" game. A few episodes don't work. Gary Busey as the cop who pulls Duke over is unimpressive and the scene (one of the few not from the book) turns into a waste of time. The two-hour length could do with a bit of trimming.
The weakest link among the actors is Del Toro. As frantic and irrational as he is, my memory of the book's Dr. Gonzo is as even more menacing and over the top. He's not bad, just not as on-target as possible.
Thompson is the anti-Nancy Reagan: his attitude towards drugs is obviously "Just say yes". It's amazing that this film got made in today's social climate and may die a rapid death at the boxoffice.
When we look back at our historic forefathers, it's tempting to remember them as questing for freedom and forget that they were mostly criminals and outcasts. While I'm not sure I would want Hunter Thompson as a neighbor, he has something to say. If only we could figure out what it is.
(Michael Redman has written this column for 23 years and has seldom had a more disorienting cinematic experience than seeing both "Fear And Loathing" and "Godzilla" in the same evening.)
[This appeared in the 5/28/98 "Bloomington Voice", Bloomington, Indiana. Michael Redman can be contacted at<EMAIL_ADDRESS>--<EMAIL_ADDRESS>This week's film review at http://www.bvoice.com/ Film reviews archive at http://us.imdb.com/M/reviews_by?Michael%20Redman
The review above was posted to the
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Broken URLs inthe reviews are the responsibility of the author.
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How things stand in the battle to advance in the Champions League
All four English teams could seal their places in the Champions League knock-out stage this week.
Champions League action returns on Tuesday evening with two rounds of fixtures remaining in the group-stage phase.
Here, the PA news agency takes a look at how things stand in each group and who can qualify for the last 16 of the competition after this week’s matches.
Group A
Paris St Germain have already secured their place in the knock-out stages and will top the group if they avoid defeat.
Zinedine Zidane’s Real Madrid will guarantee qualification with a win at PSG, but can go through before their match if Club Brugge fail to beat Galatasaray in Tuesday’s early kick-off.
If the Belgian side win and Real fail to take maximum points, Club Brugge will have to beat the Spanish outfit on the final matchday to reach the last 16.
Group B
Bayern Munich will be crowned group winners if they defeat Red Star Belgrade or Tottenham fail to beat Olympiacos, having already booked their place in the next round.
Spurs will join them if they avoid defeat at home to Olympiacos and Red Star Belgrade fail to beat Bayern in Serbia.
Red Star must beat Bayern or hope Spurs do not defeat Olympiacos to keep their hopes of advancing alive, likewise with the Greek side having to win at the Tottenham Hotspur Stadium.
Group C
Manchester City will seal their spot in the last 16 if they avoid defeat to Shakhtar Donetsk and will be group winners with victory at the Etihad Stadium.
Shakhtar will progress if they win in Manchester and Dinamo Zagrab lose at Atalanta by virtue of away goals scored in their head-to-head games.
Atalanta will not qualify if they fail to beat Dinamo or Shakhtar beat City.
Group D
Juventus are already through to the knock-out phase and will be group winners with victory at home to Atletico Madrid.
Atleti will also qualify with a win in Italy but a point will be enough if Bayer Leverkusen and Lokomotiv Moscow draw in Tuesday’s early kick-off.
Should Leverkusen or Lokomotiv win and the Spanish team fail to defeat Juve, the second qualification spot will go to the final matchday on December 11.
Group E
Defending champions Liverpool will qualify as Group E winners if they beat Napoli at home on Wednesday.
Both teams will reach the knock-out phase regardless of the result at Anfield if Salzburg fail to win at Genk.
Salzburg need to win their last two matches and hope Liverpool fail to pick up a point or Napoli do not win in either fixture.
Group F
Barcelona will progress to the last 16 as group winners with victory over second-placed Borussia Dortmund.
They will also go through if they draw with Dortmund and the match between Inter Milan and Slavia Prague ends in a stalemate, while they will advance regardless of their result if the Czech outfit defeat Antonio Conte’s side.
Inter cannot qualify if they do not win at Slavia or if Dortmund beat Barca.
Group G
Leaders RB Leipzig will go through if they avoid defeat at home to Benfica and Zenit St Petersburg do not beat Lyon.
Lyon can seal their path to the knock-out stages with victory at Zenit, but the Russian side will move up to second with three points by virtue of a stronger head-to-head record.
Benfica have to claim three points in Germany to keep their hopes of a top-two finish alive.
Group H
Ajax, Chelsea and Valencia are all locked on seven points at the top of Group H with two matches to go.
Chelsea will go through if they defeat Valencia in Spain due to their superior head-to-head records against the other two teams.
Los Che will advance with victory at the Mestalla due to their stronger record against Frank Lampard’s side, while Ajax cannot be eliminated regardless of their result against Lille.


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Hi. I was wondering if it is possible to measure voltage and current simultaneously to check the phase difference at an instant using any of the current sketch? I have read on this forum using two emonTx's but that is also not quite perfect it seems. Thanks
Measuring voltage, current and phase shift simultaneouly
Submitted by bavitalsign on Mon, 01/12/2014 - 18:43»
Re: Measuring voltage, current and phase shift simultaneouly
The AVR based Arduinos only have 1 ADC, so you can't take two readings at exactly the same time. A reading takes about 110 usecs, so the best you can do is measure one and then measure the other 110 usecs later, and then try to compensate for the known lag in software.
"phase difference at an instant" is a tricky concept. If you've got 2 perfect sine waves, and you know their amplitude in advance, then I guess you could just about pull it off, although you'd have to deal with the ambiguity that any value occurs twice, once on the way up and again on the way down.
In a lab environment, with a nice stiff V and a simple resistive load, 2 perfect sine waves are achievable, but if you're interested in measuring real life loads, on real life grids then neither will be a perfect sine wave, and current will be a long way from being a sine wave.
Because of all that ambiguity, one approach is to time the zero-crossings (either rising or falling, but consistently) of each signal and compare that. If the current signal is nasty enough even that can be pretty bogus though. In the attached example you can see how tricky it gets.
Re: Measuring voltage, current and phase shift simultaneouly
If you are content to have the answer a cycle or so late, then I think the only realistic way to do it would be to run a FFT on one cycle of waveform and extract the phase of the fundamental from that. I suspect that would be beyond the capabilities of the Atmel 328P and you'd need a much more powerful processor.
I've done the same thing offline using a sound card and a spreadsheet, so it will be possible more-or-less in real time given an efficient FFT algorithm and sufficient processing power.


[1] bright screen wonderful contrast ratio nice interactive menu very light very overpowering in my seat the brightness control does is difficult.
[2] bright screen wonderful contrast ratio nice interactive menu very wobbly the design is n't allow it look really badass on and thin attractive styling.


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Perl Weekly
Issue #90 - 2013-04-15 - Raising money for a Perl project
latest | archive | by Yanick Champoux
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Hi,
brian d foy is running an fund-raiser on behalf of Jeffrey Thalhammer (author of Perl::Critic and Pinto) to improve Pinto. I believe that the greater Perl community - including all the readers of the Perl Weekly and a lot of other people who don't (yet) read it can start putting some money together for such project. Even if each person only gave $5 or $10, that will quickly tilt the project.
My question: do you think that allowing certain people to work on open source projects (in this case Jeff), can help you? - Check out the link below to see the explanation of brian d foy and let's see how quickly we can raise the remaining amount? On the Crowdtilt page you can see that both Yanick (who put together a large chunk of this edition), and myself have already contributed a bit. Now it's your turn!
In other news there are going to be 3 Perl Workshops this weekend. See if one of them is near to you!
Enjoy
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Sponsors
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We're Hiring Telecommuters - Grant Street Group
We're a growing software company using open source software/modern Perl practices to build innovative e-payment, auction, and tax collection web applications. We're looking for talented, motivated professionals committed to flawless work and customer service. Email resume<EMAIL_ADDRESS>|
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If your company is interested sponsoring the Perl Weekly, please get in touch with me.
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Announcements
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Crowd-funding Pinto
brian d foy launched a Crowdtilt campaign to fund the development of Pinto (and by ricochet Stratopan). We could probably wax poetically about the usefulness of Pinto, the shininess of Stratopan and the awesomeness of Jeff Thalhammer but, really, I think it could all be summarized by "shut up and take my money!".
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Discussion
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How to be agile without testing
For a developer, it's all bugs. Well, it ain't, Ovid points out: there is bugs, and then there is unforeseen behaviors. And while the first group is almost always bad news, the second group can be... surprising.
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Testing
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Code
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Flattr your CPAN Stack
Inspired by the Pinto Crowdtilt initiative, Yanick plays around with a way to aggregate all CPAN authors part of a machine's stack, and feed the result to the micro-donation web service Flattr.
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Reviewing my own regular expressions
How hard is it to extract all the regular expressions within a Perl project? Thanks to PPI and Peter Makholm's skills, much less than you would think.
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Email
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DKIM, Email::Simple, and heartache
DKIM is one of the tools available for legitimate e-mail senders to fight being falsely marked as spammer. Hence it is important to to know how to use it.
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Databases
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Sqitch: Now with SQLite Support
AS you might remember Squich is an SQL change manager tool written in Perl. It supports PostgreSQL, and MySQL, and now it also supports SQLite.
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Web
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Videos
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Perl 6
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Reini Urban gives us an update on p2, the new perl11 VM. ... wait, did I just said "Perl 11"?
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Talk Schedule for YAPC::NA is online
Now that the schedule is available it might be a good opportunity to mention the 7 'Master classes' before and after YAPC. Two of them taught by myself (Gabor).
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Input additional funding from other sources and please specify from which organization
VSCP Approved Amount: {{vscpApprovedAmount | currency}}
Total Program Revenue: {{totalGrand | currency}}
Amount Left to Spend: {{remainingAmount | currency}}
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| Expense Area | Total Cost | Funded From VSCP | Percentage of VSCP Funding |
|---|---|---|---|
| {{sections[0]}} | {{meta[sections[0]].totalCost||0 | currency}} | {{meta[sections[0]].totalVscp||0 | currency}} | {{meta[sections[0]].totalPercentFundedByVscp||0}}% |
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Gladiator (8/10)
If ever a genre was dead beyond hope, the sword-and-sandal epic was it. Who on earth would consider making such a film again, and, more to the point, who could raise the mountain of cash required to make such a movie? Director Ridley Scott and Dreamworks, that's who. If Gladiator had been a monumental flop, everyone would have shaken their heads and commented on the amazing stupidity of the whole idea. "Who wants to see a gladiator movie? A gladiator movie ferchrissakes!" Well actually, based on the film's performance at the box office, we do. Forget the cheesy and homoerotic Steve Reeves movies that inspired the pilot in Airplane! to ask "Do you like gladiator movies?", this is a full-blooded action drama for real men. Quiche-eaters should stay away.
The film opens with Maximus (Russell Crowe) about to launch the attack that will seal victory in the Roman empire's campaign in Germania. The dying emperor (Richard Harris) intends to end the line of imperial succession and restore the republic, and he calls on his friend Maximus to use his army to protect the new government. The emperor's son Commodus (Joachim Phoenix) has no intention of relinquishing his birthright, and assumes power as the new emperor. Instead of being the protector of Rome, Maximus finds himself a slave, competing as a gladiator and nursing the mother of all grudges against Commodus.
Action heroes of the recent past have tended to be musclebound airheads. Russell Crowe is a new breed: a believable hero whose pores ooze dignity and testosterone in equal measure. Crowe's effectiveness on screen is nothing to do with time spent in the gym - he's built like a pretty average guy - but has everything to do with being a magnificent actor who can excel in physical roles. Joachim Phoenix is an effective slimy scheming villain, but he sometimes delivers lines so flatly it's as if a take from a read-through made it into the final cut by mistake. Oliver Reed, who plays Maximus's owner and trainer, died during production and in one scene a performance had to be coaxed from a pseudo-Ollie fashioned from a body-double and some fancy CGI work. Reed's public image was, probably unfairly, that of an appalling drunken buffoon, but at least his career ended on a high note - he has rarely been better than he is here. At one point his character tells Maximus, "I'm an entertainer." He was certainly that, and he could not have chosen a more appropriate film to be his last.
The scenes of gladiatorial combat are breathtaking.  Comparisons have been made between the combat sequences in Gladiator and the Normandy landing sequence in Saving Private Ryan, but the approaches are completely different. Whereas Spielberg used camera and post- production techniques to give the combat scenes the look of a documentary and presented the carnage as might a journalist - there it is, now look at it - Ridley Scott never dwells on the blood and gore, but instead uses an impressionistic approach to give flashes of brutal savagery and cutting away immediately. Not only does this solve problems with scissor-happy censors, it's very effective - in this form of combat, a new mortal threat is hardly more than 1/24 of a second away, so there's no time to waste dwelling on the mess you've just made of another person's body. The smell of fear and sweat and blood leaks from the screen. The battle sequence that opens the film is equally impressive. Shot in a gloomy and muddy English forest, the scale and savagery of the fighting makes for heart-pounding movie-going.
The CGI team worked their magic in creating a completely convincing interior for the Colosseum. When the gladiators first enter the arena, they are amazed at the scale and spectacle of what they are seeing. As they look up and around this vast amphitheatre, the viewpoint tracks around them and as we see the entire stadium with its thousands of spectators, we share the gladiators' amazement. The film also benefits from John Mathieson's photography and the stirring musical score, mainly by Hans Zimmer, which borrows from varied sources, notably the Mars segment of Holst's suite The Planets.
The script (by David Franzoni, John Logan and William Nicholson) sticks to genre conventions and gives the characters plenty of overwritten stagey dialogue in which to plot their various intrigues and revenges. Maybe that's the way it has to be in this sort of movie. If centurions and emperors talked like real people, the whole thing might, paradoxically, become less believable. I don't know if any general would really say "at my command, unleash hell" - but it's great stuff. And as is usual with such traditional epics, there is plenty of chat between the memorable set pieces, but the film hardly ever drags - we are really made to care about Maximus, through his fall and rise and eventual... well I'll only say that the script provides a satisfying but poignant resolution, only slightly spoiled by the implausibility of the final showdown.
Although the script could have been written during Hollywood's last fling with this genre nearly forty years ago, Gladiator is still a technically astonishing entertainment of the most spectacular kind and demands to be seen on the biggest screen you can get to.
--
Gary Jones
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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UnsignedLongLongIntTypeSymbol Class
Definition
Line
239
of
cppsymbols/SimpleTypeSymbol.cm
Inheritance
Constructors & Destructor
public
nothrow
UnsignedLongLongIntTypeSymbol
(
const
Span
& span_)
Member Functions
public
override
void
Accept
(
SymbolVisitor
& visitor)
public
override
nothrow
String
<
uchar
>
FullName
()
const
public
override
nothrow
bool
IsUnsignedType
()
const
Constructor& Destructor Details
UnsignedLongLongIntTypeSymbol Constructor
public
nothrow
UnsignedLongLongIntTypeSymbol(
const
Span
& span_)
Definition
Line
241
of
cppsymbols/SimpleTypeSymbol.cm
Member Function Details
Accept Member Function
public
override
void
Accept(
SymbolVisitor
& visitor)
Definition
Line
248
of
cppsymbols/SimpleTypeSymbol.cm
FullName Member Function
public
override
nothrow
String
<
uchar
> FullName()
Definition
Line
252
of
cppsymbols/SimpleTypeSymbol.cm
IsUnsignedType Member Function
public
override
nothrow
bool
IsUnsignedType()
Definition
Line
244
of
cppsymbols/SimpleTypeSymbol.cm


ECONOCHLOR- chloramphenicol solution
ECONOCHLOR- chloramphenicol ointment
Alcon Laboratories, Inc.
Bone marrow hypoplasia, including aplastic anemia and death has been reported following local application of chloramphenicol. Chloramphenicol should not be used when less potentially dangerous agents would be expected to provide effective treatment.
ECONOCHLOR® (Chloramphenicol) is a sterile topical ophthalmic antibacterial prepared in solution and ointment forms. The active ingredient is represented by the chemical structure:
Established name:
Chloramphenicol
Chemical name:
Acetamide, 2,2-dichloro-N-[2-hydroxy-1-(hydroxymethyl)-2- (4-nitrophenyl) ethyl]-, [R-(R*,R)]-
Each ml of solution contains: Active: Chloramphenicol 0.5% (5mg/ml). Preservative: Thimerosal 0.01%. Vehicle: Hydroxypropyl Methylcellulose: Inactive: Boric Acid, Sodium Borate (to adjust pH), Purified Water.
DM-00
Each gram of ointment contains: Active: Chloramphenicol 1.0% (10 mg/g). Inactive: Mineral Oil, Anhydrous Liquid Lanolin, White Petrolatum.
DM-00
Chloramphenicol is a broad-spectrum antibiotic originally isolated from Streptomyces venezuelae. It is primarily bacteriostatic and acts by inhibition of protein synthesis by interfering with the transfer of activated amino acids from soluble RNA to ribosomes. Development of resistance to chloramphenicol can be regarded as minimal for staphylococci and many other species of bacteria.
Chloramphenicol should be used only in those serious infections for which less potentially dangerous drugs are ineffective or contraindicated. Bacteriological studies should be performed to determine the causative organisms and their sensitivity to chloramphenicol (See Box Warning). For treatment of ocular infections involving the conjunctiva and/or cornea caused by chloramphenicol-susceptible organisms.
Chloramphenicol has a wide spectrum of antimicrobial activity and is effective against many gram negative and gram positive bacteria, including the following common eye pathogens:
Staphylococcus aureus
Streptococci, including Streptococcus pneumoniae
Escherichia coli
Haemophilus influenzae
Klebsiella/Enterobacter species
Neisseria species
Moraxella lacunata (Morax-Axenfeld bacillus)
The product does not provide adequate coverage against:
Pseudomonas aeruginosa
Serratia marcescens
This product is contraindicated in those persons who have shown hypersensitivity to any of its components.
Prolonged use of antibiotics may occasionally result in overgrowth of non-susceptible organisms, including fungi. If new infections appear during treatment, the therapy should be altered. In all serious infections, the topical use of chloramphenicol should be supplemented by appropriate systemic medication.
Blood dyscrasias may be associated with the systemic use of chloramphenicol. One case of bone-marrow hypoplasia following the prolonged (23 month) topical use of chloramphenicol ophthalmic solution has been reported.
Solution: In severe disease, instill two drops on the eye(s) hourly until improvement, following which treatment should be diminished prior to discontinuation. In mild disease, drops may be used four times daily. Ointment: Apply a small amount to the lower conjunctival sac(s) at bedtime as a supplement to the drops.
Solution in 5ml (2.5ml fill) and 15ml plastic Drop-Tainer® dispensers. Ointment in 3.5 gram ophthalmic tube. Rx only.
2.5ml NDC 0065-0642-25
15ml NDC 0065-0642-15
3.5 g NDC 0065-0641-35
STORAGE
Solution: Refrigerate until dispensed. Ointment: Store between 46° and 80°F.
June, 1984
29824
Printed in USA
Alcon
Alcon Laboratories, Inc.
Fort Worth, Texas 76134 USA
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ECONOCHLOR
chloramphenicol solution | ||||||||||||||||||||
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ECONOCHLOR
chloramphenicol ointment | |||||||||||||||
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| Labeler - Alcon Laboratories, Inc. |


The Most-Wanted Community is an online platform designed and developed for Need-For-Speed Most-Wanted(2005) fans, who would like to make friends, share experiences, help others or ask for help, and download fabulous addons. Currently, most of the functions and resources in this site are only accessible to the registered members. So please do not hesitate to join us, and you will not disappoint!


{% extends "shared/_layout.html" %} {% block page_title %}About PyPI demo{% endblock %} {% block main_content %}
This is a demo for a Flask/SQLAlchemy course


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libfly
6.2.2
C++20 utility library for Linux, macOS, and Windows
|
#include <json_iterator.hpp>
Public Types | |
| enum class | Position : std::uint8_t { Begin , End } |
| using | iterator_category = std::bidirectional_iterator_tag |
| using | value_type = JsonType |
| using | difference_type = typename JsonType::difference_type |
| using | reference = std::conditional_t< is_const_iterator, typename JsonType::const_reference, typename JsonType::reference > |
| using | pointer = std::conditional_t< is_const_iterator, typename JsonType::const_pointer, typename JsonType::pointer > |
Public Member Functions | |
| JsonIterator ()=default | |
| JsonIterator (pointer json, Position position) noexcept(false) | |
| JsonIterator (const NonConstJsonIterator &iterator) noexcept | |
| JsonIterator & | operator= (const NonConstJsonIterator &iterator) noexcept |
| reference | operator* () const |
| pointer | operator-> () const |
| reference | operator[] (difference_type offset) const |
| bool | operator== (const JsonIterator &iterator) const |
| bool | operator!= (const JsonIterator &iterator) const |
| bool | operator< (const JsonIterator &iterator) const |
| bool | operator<= (const JsonIterator &iterator) const |
| bool | operator> (const JsonIterator &iterator) const |
| bool | operator>= (const JsonIterator &iterator) const |
| JsonIterator | operator++ (int) |
| JsonIterator & | operator++ () |
| JsonIterator | operator-- (int) |
| JsonIterator & | operator-- () |
| JsonIterator & | operator+= (difference_type offset) |
| JsonIterator & | operator-= (difference_type offset) |
| JsonIterator | operator+ (difference_type offset) const |
| JsonIterator | operator- (difference_type offset) const |
| difference_type | operator- (const JsonIterator &iterator) const |
| const json_object_type::key_type & | key () const |
| reference | value () const |
Friends | |
| template<typename J > | |
| JsonIterator< J > | operator+ (typename JsonIterator< J >::difference_type offset, const JsonIterator< J > &iterator) |
Class to provide iterator access to a Json instance. Both const and non-const iterators are supported.
For Json object instances, this class satisfies the requirements of a BidirectionalIterator. For Json array instances, this class satisfies the requirements of a RandomAccessIterator. All other Json types are not supported.
Iterators may be default constructed, copy constructed, or constructed from a Json instance. A requirement of iterators is to allow constructing a const iterator from a non-const iterator (and to forbid the other direction). To achieve this, the standard copy constructor and assignment operator are left implicitly defined. Overloads are explictly defined which accept non-const iterators. These allow constructing const iterators from const iterators, non-const iterators from non-const iterators, and const iterators from non- const iterators.
Iterators are protected against some classes of undefined behavior. If any of the below conditions are met, an exception will be raised:
1. Dereferencing an empty or past-the-end iterator. 2. Creating an iterator which escapes the range [begin, end] of the Json instance. 3. Performing RandomAccessIterator operations on a BidirectionalIterator.
There is not yet protection against an iterator-invalidating operation on the Json instance. For example, the following will not raise an exception:
fly::Json json {1, 2, 3}; auto it = json.begin(); json = {4, 5, 6}; bool b = it->empty(); // Undefined behavior
| using fly::detail::JsonIterator< JsonType >::iterator_category = std::bidirectional_iterator_tag |
Aliases for canonical STL iterator member types.
|
strong |
Enumeration to indicate the initial position of the iterator.
|
default |
Default constructor. Initializes the iterator to an empty value.
|
noexcept |
Constructor to initialize the iterator to be pointed at the beginning or end of a Json instance.
| json | A pointer to the Json instance. |
| position | The initial position of the iterator. |
| JsonIteratorException | If the Json instance is not iterable. |
|
noexcept |
Conversion copy constructor. Allows constructing a const or non-const iterator from a non-const iterator.
| iterator | The iterator instance to copy. |
| const json_object_type::key_type & fly::detail::JsonIterator< JsonType >::key |
Retrieve a reference to the key of the Json instance pointed to by this iterator. Only valid for Json object types.
| JsonIteratorException | If the Json instance is not an object. |
| NullJsonException | If the iterator is empty or past-the-end. |
| bool fly::detail::JsonIterator< JsonType >::operator!= | ( | const JsonIterator< JsonType > & | iterator | ) | const |
Unequality comparison operator.
| iterator | The iterator instance to compare. |
| BadJsonComparisonException | If the two iterators are not for the same Json instance. |
| NullJsonException | If either iterator is empty. |
| auto fly::detail::JsonIterator< JsonType >::operator* |
Retrieve a reference to the Json instance pointed to by this iterator.
| NullJsonException | If the iterator is empty or past-the-end. |
| auto fly::detail::JsonIterator< JsonType >::operator+ | ( | difference_type | offset | ) | const |
Addition operator. Retrieve an iterator pointed at the Json instance some offset earlier or later in the sequence. Invalid for Json object types.
| offset | The offset to retrieve. |
| JsonIteratorException | If the Json instance is an object. |
| NullJsonException | If the iterator is empty. |
| OutOfRangeJsonException | If the iterator at the offset escapes the Json instance's valid range. |
| auto fly::detail::JsonIterator< JsonType >::operator++ |
Pre-increment operator. Sets the instance pointed to by this iterator to the next instance in the sequence.
| NullJsonException | If the iterator is empty. |
| OutOfRangeJsonException | If the next iterator escapes the Json instance's valid range. |
| auto fly::detail::JsonIterator< JsonType >::operator++ | ( | int | ) |
Post-increment operator. Sets the instance pointed to by this iterator to the next instance in the sequence.
| NullJsonException | If the iterator is empty. |
| OutOfRangeJsonException | If the next iterator escapes the Json instance's valid range. |
| auto fly::detail::JsonIterator< JsonType >::operator+= | ( | difference_type | offset | ) |
Addition operator. Sets the Json instance pointed to by this iterator to some offset earlier or later in the sequence. Invalid for Json object types.
| offset | The offset by which to increment the iterator. |
| JsonIteratorException | If the Json instance is an object. |
| NullJsonException | If the iterator is empty. |
| OutOfRangeJsonException | If the iterator at the offset escapes the Json instance's valid range. |
| auto fly::detail::JsonIterator< JsonType >::operator- | ( | const JsonIterator< JsonType > & | iterator | ) | const |
Difference operator. Compute the distance between this iterator and another. Invalid for Json object types.
| iterator | The iterator instance to compare. |
| JsonIteratorException | If the Json instance is an object. |
| BadJsonComparisonException | If the two iterators are not for the same Json instance. |
| NullJsonException | If either iterator is empty. |
| auto fly::detail::JsonIterator< JsonType >::operator- | ( | difference_type | offset | ) | const |
Subtraction operator. Retrieve an iterator pointed at the Json instance some offset earlier or later in the sequence. Invalid for Json object types.
| offset | The offset to retrieve. |
| JsonIteratorException | If the Json instance is an object. |
| NullJsonException | If the iterator is empty. |
| OutOfRangeJsonException | If the iterator at the offset escapes the Json instance's valid range. |
| auto fly::detail::JsonIterator< JsonType >::operator-- |
Pre-decrement operator. Sets the instance pointed to by this iterator to the previous instance in the sequence.
| NullJsonException | If the iterator is empty. |
| OutOfRangeJsonException | If the previous iterator escapes the Json instance's valid range. |
| auto fly::detail::JsonIterator< JsonType >::operator-- | ( | int | ) |
Post-decrement operator. Sets the instance pointed to by this iterator to the previous instance in the sequence.
| NullJsonException | If the iterator is empty. |
| OutOfRangeJsonException | If the previous iterator escapes the Json instance's valid range. |
| auto fly::detail::JsonIterator< JsonType >::operator-= | ( | difference_type | offset | ) |
Subtraction operator. Sets the Json instance pointed to by this iterator to some offset earlier or later in the sequence. Invalid for Json object types.
| offset | The offset by which to decrement the iterator. |
| JsonIteratorException | If the Json instance is an object. |
| NullJsonException | If the iterator is empty. |
| OutOfRangeJsonException | If the iterator at the offset escapes the Json instance's valid range. |
| auto fly::detail::JsonIterator< JsonType >::operator-> |
Retrieve a pointer to the Json instance pointed to by this iterator.
| NullJsonException | If the iterator is empty or past-the-end. |
| bool fly::detail::JsonIterator< JsonType >::operator< | ( | const JsonIterator< JsonType > & | iterator | ) | const |
Less-than comparison operator. Invalid for Json object types.
| iterator | The iterator instance to compare. |
| JsonIteratorException | If the Json instance is an object. |
| BadJsonComparisonException | If the two iterators are not for the same Json instance. |
| NullJsonException | If either iterator is empty. |
| bool fly::detail::JsonIterator< JsonType >::operator<= | ( | const JsonIterator< JsonType > & | iterator | ) | const |
Less-than-or-equal-to comparison operator. Invalid for Json object types.
| iterator | The iterator instance to compare. |
| JsonIteratorException | If the Json instance is an object. |
| BadJsonComparisonException | If the two iterators are not for the same Json instance. |
| NullJsonException | If either iterator is empty. |
|
noexcept |
Conversion assignment operator. Allows initializing a const or non-const iterator from a non-const iterator.
| iterator | The iterator instance to copy. |
| bool fly::detail::JsonIterator< JsonType >::operator== | ( | const JsonIterator< JsonType > & | iterator | ) | const |
Equality comparison operator.
| iterator | The iterator instance to compare. |
| BadJsonComparisonException | If the two iterators are not for the same Json instance. |
| NullJsonException | If either iterator is empty. |
| bool fly::detail::JsonIterator< JsonType >::operator> | ( | const JsonIterator< JsonType > & | iterator | ) | const |
Greater-than comparison operator. Invalid for Json object types.
| iterator | The iterator instance to compare. |
| JsonIteratorException | If the Json instance is an object. |
| BadJsonComparisonException | If the two iterators are not for the same Json instance. |
| NullJsonException | If either iterator is empty. |
| bool fly::detail::JsonIterator< JsonType >::operator>= | ( | const JsonIterator< JsonType > & | iterator | ) | const |
Greater-than-or-equal-to comparison operator. Invalid for Json object types.
| iterator | The iterator instance to compare. |
| JsonIteratorException | If the Json instance is an object. |
| BadJsonComparisonException | If the two iterators are not for the same Json instance. |
| NullJsonException | If either iterator is empty. |
| auto fly::detail::JsonIterator< JsonType >::operator[] | ( | difference_type | offset | ) | const |
Retrieve a reference to the Json instance at some offset earlier or later than the instance pointed to by this iterator. Invoking operator[0] is equivalent to invoking operator*. Invalid for Json object types.
| offset | The offset to retrieve. |
| JsonIteratorException | If the Json instance is an object. |
| NullJsonException | If the iterator at the offset is empty or past-the-end. |
| OutOfRangeJsonException | If the iterator at the offset escapes the Json instance's valid range. |
| auto fly::detail::JsonIterator< JsonType >::value |
Retrieve a reference to the Json instance pointed to by this iterator.
| NullJsonException | If the iterator is empty or past-the-end. |
|
friend |
Addition operator. Retrieve an iterator pointed at the Json instance some offset earlier or later in the sequence. Invalid for Json object types.
| offset | The offset to retrieve. |
| JsonIteratorException | If the Json instance is an object. |
| NullJsonException | If the iterator is empty. |
| OutOfRangeJsonException | If the iterator at the offset escapes the Json instance's valid range. |


--- layout: page title: "A Uniform Resource Name (URN) Namespace for the International Organization for Standardization (ISO)" description: "This document describes a Uniform Resource Name Namespace Identification (URN NID) for the International Organization for Standardization (ISO). This URN NID is intended for use for the identification of persistent resources published by the ISO standards body (including documents, document metadata, extracted resources such as standard schemata and standard value sets, and other resources)." ---
| Document Name: | RFC 5141 |
|---|---|
| Document URI: |
urn:ietf:rfc:5141
|
| Online Version: |
https://datatracker.ietf.org/doc/html/rfc5141
|
| Organization: | Internet Engineering Task Force (IETF) |
| Series: | Request for Comments (RFC) |
| Abstract: | This document describes a Uniform Resource Name Namespace Identification (URN NID) for the International Organization for Standardization (ISO). This URN NID is intended for use for the identification of persistent resources published by the ISO standards body (including documents, document metadata, extracted resources such as standard schemata and standard value sets, and other resources). |
iso
Return to ( Series | Organization | all Specifications )


--- title: On HTTP Load Testing layout: post ---
A lot of people seem to be talking about and performing load tests on HTTP servers, perhaps because there’s a lot more choice of servers these days.
That’s great, but I see a lot of the same mistakes being made, making the conclusions doubtful at best. Having spent a fair amount of time benchmarking high-performance proxy caches and origin servers for my day job, here are a few things that I think are important to keep in mind
Must read if you're doing any kind of HTTP load testing.


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Below are some of the details on how to convert a traditional synchronous rails webapp to a complete ajax app. Will try to list out a the gems used for this and lessons learnt during this process.
Why do you need this ?
The main reason we wanted to do this is to keep the user on the same page through out the interactions. This was needed as we were supporting webRTC based voice calls through websocket connections, which we did not want to drop when user navigates across the pages.
Requirements -
We wanted to convert a rails 4.2 app to completely ajax. Followig are some of the requirements.
- App should work like a single page app without any new page navigation.
- Code changes need to be as minimum as possible.
- There should be a clear feedback to the users while ajax requests are in progress.
- We should be able to support page specific assets (js, CSS and images)
- Assets and specific sections of the page need to be reloaded after deployments.
Implementation -
Following gems are used with a few tricks to achieve all our requirements.
Ajaxify-rails - ajaxifying the app (works similar to turbo links). This is a clone of ncri’s repo with a few bug fixes and one enhancement.
Gon - Pass ruby variables to javascript (typically from controllers)
Pace - Youtube style horizontal progress bar.
Basic ajaxification implementation -
ajaxify_rails gem is preferred for this over turbo_links for one major reason i.e As of rails 4.2 turbo links gem always replaces the body tag. We cant specify different containers which need to be updated for different ajax requests. There is a mention that this will be solved in rails 5 and future versions of turbo links. So, ajaxify_rails worked very well for us here.
Following are the details of ajaxify_rails gem and how certain things are handled during ajaxification.
About the gem -
Features -
- Automatically turning internal links into ajax links that load content without a full page reload.
- Form submissions are converted to ajax as well.
- Provides a way to specify the ‘content_container’ which needs to get the ajax response updated.
- A number of callbacks are available to perform things during ajax life cycle.
Improvements neeeded -
- One thing that this gem lacked in it is to reload the whole page after deployments if a specific view file or layout file has changed. But we could add this ourselves and the code is present in My git repo.
Usage -
- Ajaxify.init() is called on
dom:loaded
- By default the response of the ajax request is updated inside a element with id “main”. This can be changed for each ajax request by setting “content_container” value as needed.
Few internals -
- Page title is supported by default.
- Loader can be customized with our own css to the element “ajaxify_loader”
- Loader can be disabled by setting “display_loader” to false while initializing or by setting class “display_loader” or “no_display_loader” to each link we are ajaxifying.
- Flash messages are supported by default. If flash message of types other than “notice” is used then it should be specified as “flash_types” while initializing.
Events & Callbacks -
There are a number of events supported e.g - content_loaded, flast_displayed, before_load, content_inserted, load_error and etc. JS callbacks can be written for each of these events.
Scrolling -
By default the page scrolls to to the top on every request. This can be turned off by setting “scroll_to_top” to false while initializing. Scrolling of individual links can also be turned off or turned on by setting class “no_scroll_to_top” or “scroll_to_top”
Turn off ajaxification -
Ajaxification can be temporarily turned off for some pages using Ajaxify.activate(false) and can be turned on using Ajaxify.activate().
Loading controller specific assets -
Normal requests are served through one layout where as ajaxified requests are served with a layout which has the normal layout wrapped in. We include the contoller specific assets in this layout.
Expiring assets after deployment -
ajaxify_rails gem provides a way to expire the assets (js, css and images) after deployment. It reloads the whole page with the first ajaxified request after the deployment. The only change needed for this to work is to make sure the below option to true in your envionment file (staging.rb/development.rb/production.rb)
Reloading the whole page when any layouts/app logic changes -
Say you have made the changes to some view files and after the server restart, the already opened pages are required to reload whole page instead with ajax, there is a way provided for this. You ll have to just assign array of those filenames along with some digest.
To create this list, following code can be added in an initializer file.
Passing ruby variables to JS -
We had a specific case where we wanted to update a particular div out side the content div after every ajax response. The value of the div comes from controller with every request. So, this needed us to have a way to pass the controller variables to javascript.
This was done by using Gon gem
- Gon passes the controller variables to javascript assets files as js variables.
- Gon has to be initialized for every request, by including “include_gon(:init => true)” in the layout file.
- Any controller variable is declared as “gon.variable_name = something” in the controller and can be accessed in the javascript by “gon.variable_name”
Youtube style progress bar with pace -
We wanted to give a clear feedback about the progress of the ajaxified requests. One good UX for this is to show a progress bar at the top of the page like how You tube and many other apps do.
This was done using Pace
- By default pace gem displays the progress bar for page load requests, ajax requests, ajaxified requests as well as for the elements which we can specify (default element is body tag).
Apis provdided by Pace -
start, restart, stop, track and ignore.
Events and callbacks -
start, restart, stop, done, hide.
Usage -
Include pace.js and set the options for page using “window.paceOptions = {}”
For more details refer the Hom page
Ajaxification of an already built app was really cool and glad that we could do it with minimal code change in a clean way. This helped us in improving the speed of the app and also helping to stay on a single page and do a lot of things, there by persisting the websocket connections and etc. while navigating in between different page links.


There are two ways to handle audio data: Short audio files are to be stored entirely in memory, while long audio files (music) is streamed from the hard drive as it is played.
Place audio files in the assets/Sound/
directory of your project. jME3 supports Ogg Vorbis (.ogg) and Wave (.wav) formats.
The main class to look at is com.jme3.audio.AudioNode
.
By default, a new audio node is buffered, i.e. JME loads the whole file into memory before playing:
AudioNode boom = new AudioNode(assetManager, "Sound/boom.wav");
If it is a long file, you set the boolean to true to stream the audio.
AudioNode music = new AudioNode(assetManager, "Sound/music.wav", true);
| AudioNode Method | Usage |
|---|---|
| getStatus() | Returns either Status.Playing, Status.Stopped, or Status.Paused. |
| setVolume(1) | Sets the volume gain. 1 is the default volume, 2 is twice as loud, 0 is mute. |
| setPitch(1) | Makes the sound play in a higher or lower pitch. Default is 1. |
| AudioNode Method | Usage |
|---|---|
| setLooping(false) | Configures the sound that, if it is played, it plays once and stops. This is the default. |
| setLooping(true) | Configures the sound that, if it is played, it plays repeats from the beginning, until stop() or pause() are called. Good for ambient background noises. |
| setPositional(false) setDirectional(false) | All 3D effects switched off. This sound is global and comes from everywhere. Good for environmental ambient sounds and background music. |
| setTimeOffset(0.5f) | Start playing the sound after waiting the given amount of seconds. Default is 0. |
| setMaxDistance(100f) | Maximum distance the sound can be heard, in world units. Default is 20. |
| AudioNode Method | Usage |
|---|---|
| setPositional(true) setLocalTranslation(…) | Activates 3D audio: The sound appears to come from a certain position, where it is loudest. Position the AudioNode in the 3D scene, or move it with mobile players or NPCs. |
| setReverbEnabled(true) | A 3D echo effect that only makes sense to use with positional AudioNodes. The reverb effect is influenced by the environment that the audio renderer is in. See "Setting Environment Properties" below. |
| AudioNode Method | Usage |
|---|---|
| setDirectional(true) setDirection(…) | Activates 3D audio: This sound can only be heard from a certain direction. Specify the direction and angle in the 3D scene if you have setDirectional() true. Use this to restrict noises that should not be heard, for example, through a wall. |
| setInnerAngle() setOuterAngle() | Set the angle in degrees for the directional audio. The angle is relative to the direction. Note: By default, both angles are 360° and the sound can be heard from all directions! |
You play, pause, and stop a node called myAudioNode by using the respective of the following three methods:
myAudioNode.play();
myAudioNode.pause();
myAudioNode.stop();
Note: Whether an Audio Node plays continuously or only once, depends on the Loop properties you have set above!
You can also start playing an instance of this AudioNode. Use the playInstance() method if you need to play the same AudioNode multiple times, possibly simulatenously. Note that changes to the parameters of the original AudioNode do not affect the instances that are already playing!
myAudioNode.playInstance();
The default listener object is the user's ear in the scene. If you use positional audio, you have to move the listener with the player: For example, for a first-person player, you move the listener with the camera. For a third-person player, you move the listener with the player avatar Geometry.
@Override public void simpleUpdate(float tpf) { // keep the audio listener moving with the camera listener.setLocation(cam.getLocation()); listener.setRotation(cam.getRotation()); }
Optionally, You can choose from the following environmental presets from com.jme3.audio.Environment
. This presets influence subtle echo effects that evoke associations of different environments in your users. You use it together with setReverbEnabled(true) mentioned above.
| Environment | density | diffusion | gain | gainHf | decayTime | decayHf | reflGain | reflDelay | lateGain | lateDelay |
|---|---|---|---|---|---|---|---|---|---|---|
| Garage | 1.00f | 1.0f | 1.0f | 1.00f | 0.90f | 0.5f | 0.751f | 0.0039f | 0.661f | 0.0137f |
| Dungeon | 0.75f | 1.0f | 1.0f | 0.75f | 1.60f | 1.0f | 0.950f | 0.0026f | 0.930f | 0.0103f |
| Cavern | 0.50f | 1.0f | 1.0f | 0.50f | 2.25f | 1.0f | 0.908f | 0.0103f | 0.930f | 0.0410f |
| AcousticLab | 0.50f | 1.0f | 1.0f | 1.00f | 0.28f | 1.0f | 0.870f | 0.0020f | 0.810f | 0.0080f |
| Closet | 1.00f | 1.0f | 1.0f | 1.00f | 0.15f | 1.0f | 0.600f | 0.0025f | 0.500f | 0.0006f |
Activate the preset with setEnvironment(). E.g. in a dungeon environment:
audioRenderer.setEnvironment(new Environment.Dungeon));
A sound engineer can create a custom com.jme3.audio.Environment
object and specify custom environment factors. You can find many examples of audio environment presets here. Activate your custom environment settings in the Environment constructor:
audioRenderer.setEnvironment( new Environment( density, diffusion, gain, gainHf, decayTime, decayHf, reflGain, reflDelay, lateGain, lateDelay ) );
You can find more info about OpenAL and its advanced features here:


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A.P.J Abdul Kalam
"Avul Pakir Jainulabdeen Abdul Kalam, Missile Man of India , The People's President"
...
Here's a time-line of his Life
- 1931 - Born in Rameswaram, Tamil Nadu.
- 1954 - Graduated in Physics from University of Madras.
- 1960 - Graduated in Aerospace Engineering from Madras Institute of Technology.
- 1961 - Joined DRDO as a scientist.
- 1969 - Joined Space Research at ISRO.
- 1980 - Became the project Director for India's First Indegenous Satellite Program.
- 1980 - Was involved in the development of several Indegenous Missiles for India like Agni, Prithvi.
- 1981 - Awarded Padma Bhushan.
- 1990 - Awarded Padma Vibhushan.
- 1992 - Chief Advisor for the India's Nuclear Program.
- 1997 - Awarded Bharat Ratna.
- 1970 - receives the Nobel Peace Prize
- 2002 - Became 11th President of India.
- 2015 - The People's President passed away while doing what he loved the most, addressing students.


When is England v Montenegro, is it on TV, who’s in the teams?
Gareth Southgate's side will play their 1000th international fixture tonight
by Jerry ChenTonight England will play their 1,000th game when they take on Montenegro at Wembley.
Each players wearing the “legacy numbers” will be honouring the monumental record while contributions from former footballers and managers will be recognised.
As the host the Three Lions aim will be trying to kept their 100 per cent track record in Group A.
The fourth-placed Montenegro are 12 points behind England in Group A. A win for England will secure a place for the nation for next summer’s tournament.
As for Montenegro, they so far are without a win in the seven games they played in the Euro 2020 qualifiers with four defeats and three draws under their belt. Their most recent game to Kosovo suffered resulted in a 2-0 loss.
After facing off Montenegro England will fly to the Czech Republic to face the home team on the Friday evening.
When is England v Montenegro?
The match takes place on tonight (October 14) with kick-off taking place at 7.45pm. The game is part of a packed Euro 2020 schedule, with a total seven games taking place across the groups.
Is England v Montenegro on TV? How can I follow it live?
The match will be broadcast live on ITV1, coverage starts at 7pm. England fans can also stream the game live via the ITV Hub available on a range of devices such as smartphones, laptops and tablets.
Team News
England will be without Raheem Sterling this evening. Gareth Southgate confirmed the Manchester City star will miss the game as punishment for an altercation with Liverpool defender Joe Gomez at St George's Park.
Meanwhile, Ross Barkley and Fabian Delph have pulled out of the squad through injury, while Aston Villa goalkeeper Tom Heaton has also withdrawn from the squad.
Heaton has since been replaced by Sheffield United's Dean Henderson. Henderson, alongside Leicester star James Maddison and Chelsea defender Fikayo Tomori, could win their first caps.
England likely XI: Pickford; Trippier, Stones, Maguire, Chilwell; J Henderson, Rice, Mount; Sancho, Rashford; Kane
Czech Republic vs England odds
England are huge favourites heading into this one, Southgate’s men are priced at 12/1 with SkyBet, while they are offering odds of 28/1 for the Montenegro to cause an upset and a draw priced at 9/1.


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