A disk space monitor
See doc string for class DiskSpaceMonitor for details
Bases: object
A disk space monitor.
Monitors the disk space in a given set of data_stream directories, and applies three thresholds:
- fall below low disk space threshold:
stop arrival of all data_streams which are of priority <= base priority
- below very low disk space threshold:
Delete transfer units from data_streams starting from the lowest priority, until back above this threshold. Apply to data_streams with increasing priority as necessary, but only as far as the base priority. If still below this threshold, then stop high-priority (> base priority) data_streams but do not delete transfer units from them.
- rise above low disk threshold:
restart arrival of high priority (> base prio) data_streams
- rise above good disk threshold:
restart arrival of all data_streams
Set any unspecified priorities to the base priority
Return ordering of two data_streams by priorities. Falls back to comparing names in event of equal prioirities, for sake of a definite ordering. (NB sort using this function will return list in increasing order, i.e. lowest priority first.)
Create stop file for a given data_stream.
Keep deleting files from a data_stream while disk state is very low. Return a True/False value for whether a better (i.e. not VLOW) disk state was reached.
dconfig is the DatasetConfig object ‘deletions’ argument is an array provided by the caller;
it will be appended to with pathnames deleted, so that the caller can log these
Test for transition to specified disk state in specified direction (1 for rising (improving), -1 for falling (worsening)). Also true if the current state is on the right side of the threshold and it is the first iteration (prev_state == None).
Delete files from low or base priority data_streams if necessary, until disk space is no longer VLOW, and if still necessary then also stop high priority data_streams,
Returns a symbolic token representing the disk state
Get priority level for a data_stream
Get the stop file path for a given data_stream. This will be in either the incoming directory (if there is an arrival monitor) or the data_stream directory (if there is not).
Get list of candidate transfer units for deletion, in order, for a data_streams (argument is a DatasetConfig object)
Looks in: arrivals directory (if there is one), data_stream directory and quarantine directory.
First sort key is that it does arrivals dir before anything else, as this reduces checksumming. Apart from that, it does most recently created files first as these are the likely to be the easiest to find another copy. (NB uses change time, as this will more accurately reflect when it was really created on THIS system, whereas mtime can be set by rsync to match the modification time on another system)
Initialise the logger client module
The main loop
Remove stop file for a given data_stream.
Remove .stop files for all data_streams
Remove .stop files for data_streams whose priorities exceed the base priority
Set priority level for a data_stream (in memory; does not alter config file)
Create .stop files for data_streams whose priorities do not exceed the base priority


JANE EYRE A film review by Christopher Null Copyright 1996 Christopher Null
One of these days, Hollywood is going to run out of old Bronte sisters/Jane Austen books to make into films. Then, and only then, will the world be safe once again.
Don't get me wrong, I loved SENSE AND SENSIBILITY (it even made my 1995 top ten list), but I gave PERSUASION one of the worst reviews of the year. Here comes JANE EYRE to follow in the latter's footsteps.
JANE EYRE is based on one of those books you were supposed to read in high school (entitled, oddly, "Jane Eyre"), but which was so damn boring you couldn't even get through the Cliff's Notes. The film is *almost* as exciting as one would expect a film about, say, the book, "Jane Eyre," to be. It's full of longing glances, Jane (Charlotte Gainsbourg) staring into the hills of England, Jane prancing through the meadow, Jane in a carriage, and important lines like, "He is a proud man." And, sadly, not much else.
The hopelessly archaic story is one of love and idiocy in the early 1800's, when men could keep their insane first wives locked up in the spare room of the castle (those were the days!). It was also a time when, for no apparent reason, you could expect a young governess to fall in love with her invalid boss. There are some other plot points of note, but really, who cares? There's much better things to laugh about! Such as:
Gainsbourg, best described as a British girl with a really long neck and really fat cheeks, was recently seen in the film KUNG FU MASTER! Who better to play Ms. Eyre, really? Anna Paquin plays Young Jane but is completely devoid of the charm that endeared her to me in THE PIANO (and won her an Oscar). Elle Macpherson is Rochester's girly friend (inexplicably jilted in the second film within a month)! Maria Schneider pulls off a totally toys-in-the-attic portrayal of Blanche, the crazy first wife.  And...the kicker...*William Hurt* as Rochester!? Ho ho ho!
 How helpful and/or truly relevant is this story of Victorian obsession and self-destruction today? Who would act in a manner remotely similar to these people, except my psychopathic ex who fancied herself to be Blanche (but that's another story)? Putting it all together, JANE EYRE manages to be not just a very bad movie, but to be irresponsible as well. Keep away.
RATING: *1/2
\-------------------------------\ |* Unquestionably awful | |** Sub-par on many levels | |*** Average, hits and misses | |**** Good, memorable film | |***** Perfection | \-------------------------------\
-Christopher Null /<EMAIL_ADDRESS>-Screenwriter / Novelist / Publisher -Visit the Movie Emporium at http://www.filmcritic.com -and e-mail requests to join the movie review mailing list
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


I went to Kentucky this weekend to visit my parents. It was a great weekend and I’m glad I was able to spend some time away from thinking about teaching or grading. We all need refreshers…make sure you take them periodically.
When I returned home Sunday afternoon, I had a stack of exams waiting to be graded. We have just finished a chapter on biomolecules (proteins, carbs, lipids, etc) and I gave a test to check their understanding. Typically, I give a few multiple choice as a quick check over some basic content, but the rest of the test is written, applied knowledge that asks for reasoning and defense. The questions are open-ended and allow for varied responses based on their interests and personal growth.
 Needless to say, I was pretty frustrated with the results. I finished the grading, threw the number at the top of the page, and put them away. Where had I gone wrong? They got it in class when we played games or discussed…why the disconnect?
***
Fast forward to Monday morning. I saw this tweet from Stacy Roshan when I got to school:
[blackbirdpie url=”http://twitter.com/#!/buddyxo/status/131003006673108992″]
I love the RSA Animate video of Sir Ken Robinson’s talk. I watched it earlier this year, but I went back and watched it again. My problem is that I’m continuing to teach and assess in linear fashions. I have missed the inherent genetics of learning.
Learning is not linear. Learning is not prescribed. Learning cannot be pigeonholed into separate chunks of discrete knowledge that are measured by tests alone.
Learning is dirty. Learning is exciting. Learning should be personalized, varied, and integrated.
The greatest struggle I have is changing my own teaching paradigm, not getting kids to write on a test. I try to challenge myself to think outside of my box of training, but I still struggle to actually work outside the box. We are doing a disservice to learners by continuing to test and use those scores as gauges of their learning. My kids didn’t fill out my test because it was boring…it didn’t ask for relevance and it certainly didn’t give any chance for creativity.
Do they get a free pass on this one? No. I need to correct my mistakes, but learners also need to recognize the fact that leaving a blank does not help the situation. We’ll spend some time remediating and then move forward.
So, how do we reconcile the dichotomy? I have no idea. I am still responsible for preparing them for the state exam in May…but, I am not going to worry so much about the single exams. It is a struggle and it is the reality of education today. But if we give up and give in, then we’re not helping anybody in the long run.
Written on October 31st , 2011 by Brian Bennett Categorized in: All Teaching
Leave a comment


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| PREV NEXT | FRAMES NO FRAMES |
| Packages that use Term | |
| org.apache.lucene.index | Code to maintain and access indices. |
| org.apache.lucene.queryParser.surround.query | This package contains SrndQuery and its subclasses. |
| org.apache.lucene.search | Search over indices. |
| org.apache.lucene.search.regex | Regular expression Query. |
| org.apache.lucene.search.spans | The calculus of spans. |
| Uses of Term in org.apache.lucene.index |
| Methods in org.apache.lucene.index that return Term | |
Term |
Term.createTerm(String text)
Optimized construction of new Terms by reusing same field as this Term - avoids field.intern() overhead |
Term |
FilterIndexReader.FilterTermEnum.term()
|
abstract Term |
TermEnum.term()
Returns the current Term in the enumeration. |
| Methods in org.apache.lucene.index with parameters of type Term | |
int |
IndexModifier.deleteDocuments(Term term)
Deletes all documents containing term . |
void |
TermDocs.seek(Term term)
Sets this to the data for a term. |
TermEnum |
ParallelReader.terms(Term term)
|
int |
ParallelReader.docFreq(Term term)
|
TermDocs |
ParallelReader.termDocs(Term term)
|
TermPositions |
ParallelReader.termPositions(Term term)
|
int |
Term.compareTo(Term other)
Compares two terms, returning a negative integer if this term belongs before the argument, zero if this term is equal to the argument, and a positive integer if this term belongs after the argument. |
TermEnum |
FilterIndexReader.terms(Term t)
|
int |
FilterIndexReader.docFreq(Term t)
|
void |
FilterIndexReader.FilterTermDocs.seek(Term term)
|
boolean |
TermEnum.skipTo(Term target)
Skips terms to the first beyond the current whose value is greater or equal to target. |
abstract TermEnum |
IndexReader.terms(Term t)
Returns an enumeration of all terms after a given term. |
abstract int |
IndexReader.docFreq(Term t)
Returns the number of documents containing the term t . |
TermDocs |
IndexReader.termDocs(Term term)
Returns an enumeration of all the documents which contain term . |
TermPositions |
IndexReader.termPositions(Term term)
Returns an enumeration of all the documents which contain term . |
int |
IndexReader.deleteDocuments(Term term)
Deletes all documents containing term . |
void |
MultipleTermPositions.seek(Term arg0)
Not implemented. |
TermEnum |
MultiReader.terms(Term term)
|
int |
MultiReader.docFreq(Term t)
|
| Constructors in org.apache.lucene.index with parameters of type Term | |
MultipleTermPositions(IndexReader indexReader,
Term[] terms)
Creates a new MultipleTermPositions instance. |
| Uses of Term in org.apache.lucene.queryParser.surround.query |
| Methods in org.apache.lucene.queryParser.surround.query that return Term | |
Term |
SrndTermQuery.getLuceneTerm(String fieldName)
|
Term |
SrndPrefixQuery.getLucenePrefixTerm(String fieldName)
|
| Methods in org.apache.lucene.queryParser.surround.query with parameters of type Term | |
void |
SpanNearClauseFactory.addTermWeighted(Term t,
float weight)
|
void |
SimpleTerm.MatchingTermVisitor.visitMatchingTerm(Term t)
|
TermQuery |
BasicQueryFactory.newTermQuery(Term term)
|
SpanTermQuery |
BasicQueryFactory.newSpanTermQuery(Term term)
|
| Uses of Term in org.apache.lucene.search |
| Methods in org.apache.lucene.search that return Term | |
Term |
FilteredTermEnum.term()
Returns the current Term in the enumeration. |
Term |
TermQuery.getTerm()
Returns the term of this query. |
Term[] |
PhraseQuery.getTerms()
Returns the set of terms in this phrase. |
Term |
PrefixQuery.getPrefix()
Returns the prefix of this query. |
Term |
RangeQuery.getLowerTerm()
Returns the lower term of this range query |
Term |
RangeQuery.getUpperTerm()
Returns the upper term of this range query |
Term |
MultiTermQuery.getTerm()
Returns the pattern term. |
| Methods in org.apache.lucene.search with parameters of type Term | |
int |
IndexSearcher.docFreq(Term term)
|
int |
ParallelMultiSearcher.docFreq(Term term)
TODO: parallelize this one too |
protected abstract boolean |
FilteredTermEnum.termCompare(Term term)
Equality compare on the term |
int |
MultiSearcher.docFreq(Term term)
|
void |
PhraseQuery.add(Term term)
Adds a term to the end of the query phrase. |
void |
PhraseQuery.add(Term term,
int position)
Adds a term to the end of the query phrase. |
protected boolean |
WildcardTermEnum.termCompare(Term term)
|
int |
Searchable.docFreq(Term term)
Expert: Returns the number of documents containing term . |
int[] |
Searchable.docFreqs(Term[] terms)
Expert: For each term in the terms array, calculates the number of documents containing term . |
void |
MultiPhraseQuery.add(Term term)
Add a single term at the next position in the phrase. |
void |
MultiPhraseQuery.add(Term[] terms)
Add multiple terms at the next position in the phrase. |
void |
MultiPhraseQuery.add(Term[] terms,
int position)
Allows to specify the relative position of terms within the phrase. |
protected boolean |
FuzzyTermEnum.termCompare(Term term)
The termCompare method in FuzzyTermEnum uses Levenshtein distance to calculate the distance between the given term and the comparing term. |
int[] |
Searcher.docFreqs(Term[] terms)
|
abstract int |
Searcher.docFreq(Term term)
|
float |
Similarity.idf(Term term,
Searcher searcher)
Computes a score factor for a simple term. |
int |
RemoteSearchable.docFreq(Term term)
|
int[] |
RemoteSearchable.docFreqs(Term[] terms)
|
| Constructors in org.apache.lucene.search with parameters of type Term | |
WildcardQuery(Term term)
|
|
TermQuery(Term t)
Constructs a query for the term t . |
|
WildcardTermEnum(IndexReader reader,
Term term)
Creates a new WildcardTermEnum . |
|
PrefixQuery(Term prefix)
Constructs a query for terms starting with prefix . |
|
RangeQuery(Term lowerTerm,
Term upperTerm,
boolean inclusive)
Constructs a query selecting all terms greater than lowerTerm but less than upperTerm . |
|
FuzzyTermEnum(IndexReader reader,
Term term)
Creates a FuzzyTermEnum with an empty prefix and a minSimilarity of 0.5f. |
|
FuzzyTermEnum(IndexReader reader,
Term term,
float minSimilarity)
Creates a FuzzyTermEnum with an empty prefix. |
|
FuzzyTermEnum(IndexReader reader,
Term term,
float minSimilarity,
int prefixLength)
Constructor for enumeration of all terms from specified reader which share a prefix of
length prefixLength with term and which have a fuzzy similarity >
minSimilarity . |
|
FuzzyQuery(Term term,
float minimumSimilarity,
int prefixLength)
Create a new FuzzyQuery that will match terms with a similarity of at least minimumSimilarity to term . |
|
FuzzyQuery(Term term,
float minimumSimilarity)
Calls FuzzyQuery(term, minimumSimilarity, 0) . |
|
FuzzyQuery(Term term)
Calls FuzzyQuery(term, 0.5f, 0) . |
|
MultiTermQuery(Term term)
Constructs a query for terms matching term . |
| Uses of Term in org.apache.lucene.search.regex |
| Methods in org.apache.lucene.search.regex that return Term | |
Term |
SpanRegexQuery.getTerm()
|
| Methods in org.apache.lucene.search.regex with parameters of type Term | |
protected boolean |
RegexTermEnum.termCompare(Term term)
|
| Constructors in org.apache.lucene.search.regex with parameters of type Term | |
RegexTermEnum(IndexReader reader,
Term term,
org.apache.lucene.search.regex.RegexCapabilities regexImpl)
|
|
RegexQuery(Term term)
Constructs a query for terms matching term . |
|
SpanRegexQuery(Term term)
|
| Uses of Term in org.apache.lucene.search.spans |
| Methods in org.apache.lucene.search.spans that return Term | |
Term |
SpanTermQuery.getTerm()
Return the term whose spans are matched. |
| Constructors in org.apache.lucene.search.spans with parameters of type Term | |
SpanTermQuery(Term term)
Construct a SpanTermQuery matching the named term's spans. |
|
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| runmed {stats} | R Documentation |
Compute running medians of odd span. This is the ‘most robust’ scatter plot smoothing possible. For efficiency (and historical reason), you can use one of two different algorithms giving identical results.
runmed(x, k, endrule = c("median", "keep", "constant"), algorithm = NULL, print.level = 0)
x |
numeric vector, the ‘dependent’ variable to be smoothed. |
k |
integer width of median window; must be odd. Turlach had a
default of |
endrule |
character string indicating how the values at the beginning and the end (of the data) should be treated. Can be abbreviated. Possible values are:
|
algorithm |
character string (partially matching |
print.level |
integer, indicating verboseness of algorithm; should rarely be changed by average users. |
Apart from the end values, the result y = runmed(x, k)
simply has
y[j] = median(x[(j-k2):(j+k2)])
(k = 2*k2+1
), computed very
efficiently.
The two algorithms are internally entirely different:
"Turlach"
is the Härdle–Steiger
algorithm (see Ref.) as implemented by Berwin Turlach.
A tree algorithm is used, ensuring performance O(n * log(k)) where n = length(x)
which is
asymptotically optimal.
"Stuetzle"
is the (older) Stuetzle–Friedman implementation which makes use of median updating when one observation enters and one leaves the smoothing window. While this performs as O(n * k) which is slower asymptotically, it is considerably faster for small k or n.
Currently long vectors are only supported for algorithm = "Steutzle"
.
vector of smoothed values of the same length as x
with an
attr
ibute k
containing (the ‘oddified’)
k
.
Martin Maechler<EMAIL_ADDRESS>based on Fortran code from Werner Stuetzle and S-PLUS and C code from Berwin Turlach.
Härdle, W. and Steiger, W. (1995) [Algorithm AS 296] Optimal median smoothing, Applied Statistics 44, 258–264.
Jerome H. Friedman and Werner Stuetzle (1982) Smoothing of Scatterplots; Report, Dep. Statistics, Stanford U., Project Orion 003.
Martin Maechler (2003) Fast Running Medians: Finite Sample and Asymptotic Optimality; working paper available from the author.
smoothEnds
which implements Tukey's end point rule and
is called by default from runmed(*, endrule = "median")
.
smooth
uses running
medians of 3 for its compound smoothers.
require(graphics) utils::example(nhtemp) myNHT <- as.vector(nhtemp) myNHT[20] <- 2 * nhtemp[20] plot(myNHT, type = "b", ylim = c(48, 60), main = "Running Medians Example") lines(runmed(myNHT, 7), col = "red") ## special: multiple y values for one x plot(cars, main = "'cars' data and runmed(dist, 3)") lines(cars, col = "light gray", type = "c") with(cars, lines(speed, runmed(dist, k = 3), col = 2)) ## nice quadratic with a few outliers y <- ys <- (-20:20)^2 y [c(1,10,21,41)] <- c(150, 30, 400, 450) all(y == runmed(y, 1)) # 1-neighbourhood <==> interpolation plot(y) ## lines(y, lwd = .1, col = "light gray") lines(lowess(seq(y), y, f = 0.3), col = "brown") lines(runmed(y, 7), lwd = 2, col = "blue") lines(runmed(y, 11), lwd = 2, col = "red") ## Lowess is not robust y <- ys ; y[21] <- 6666 ; x <- seq(y) col <- c("black", "brown","blue") plot(y, col = col[1]) lines(lowess(x, y, f = 0.3), col = col[2]) lines(runmed(y, 7), lwd = 2, col = col[3]) legend(length(y),max(y), c("data", "lowess(y, f = 0.3)", "runmed(y, 7)"), xjust = 1, col = col, lty = c(0, 1, 1), pch = c(1,NA,NA))


SoundOutputManager
public final class SoundOutputManager
Mute, unmute and change the volume of the system default output device.
Overview
You can interact with this class in two ways:
- you can interact with its properties, meaning that all changes will be applied immediately and errors will be hidden.
- you can call its methods and handle errors manually.
-
Get the system default output device.
You can use this value to interact with the device directly via other system calls.
Throws
Errors.operationFailed
if the system fails to return the default output device.Declaration
Swift
public func retrieveDefaultOutputDevice() throws -> AudioDeviceID?
Return Value
the default device ID or
nil
if none is set. -
Get the volume of the system default output device.
Throws
Errors.noDevice
if the system doesn’t have a default output device;Errors.unsupportedProperty
if the current device doesn’t have a volume property;Errors.operationFailed
if the system is unable to read the property value.Declaration
Swift
public func readVolume() throws -> Float
Return Value
The current volume in a range between 0 and 1.
-
Set the volume of the system default output device.
Throws
Erors.noDevice
if the system doesn’t have a default output device;Errors.unsupportedProperty
orErrors.immutableProperty
if the output device doesn’t support setting or doesn’t currently allow changes to its volume;Errors.operationFailed
if the system is unable to apply the volume change.Declaration
Swift
public func setVolume(_ newValue: Float) throws
Parameters
newValue
The volume to set in a range between 0 and 1.
-
Get whether the system default output device is currently muted or not.
Throws
Errors.noDevice
if the system doesn’t have a default output device;Errors.unsupportedProperty
if the current device doesn’t have a mute property;Errors.operationFailed
if the system is unable to read the property value.Declaration
Swift
public func readMute() throws -> Bool
Return Value
Whether the device is muted or not.
-
Mute or unmute the system default output device.
Throws
Errors.noDevice
if the system doesn’t have a default output device;Errors.unsupportedProperty
orErrors.immutableProperty
if the output device doesn’t support setting or doesn’t currently allow changes to its mute property;Errors.operationFailed
if the system is unable to apply the change.Declaration
Swift
public func mute(_ isMuted: Bool) throws
Parameters
isMuted
Mute or unmute.
-
Increase the volume of the default output device by the given amount.
Errors will be ignored.
The values range between 0 and 1. If the increase results in a value outside of the bounds, it will be normalized to the closest value in the bounds.
Declaration
Swift
func increaseVolume(by value: Float, autoMuteUnmute: Bool = false, muteThreshold: Float = 0.005)
-
Decrease the volume of the default output device by the given amount.
Errors will be ignored.
The values range between 0 and 1. If the decrease results in a value outside of the bounds, it will be normalized to the closest value in the bounds.
Declaration
Swift
func decreaseVolume(by value: Float, autoMuteUnmute: Bool = false, muteThreshold: Float = 0.005)
-
Set the volume of the default output device and, if lower or higher then
muteThreshold
also toggles the mute property.Warning
This function will unmute a muted device, if the volume is greater then
muteThreshold
. Please, make sure that the user is aware of this and always respect the Do Not Disturb modes and other system settings.Declaration
Swift
func setVolume(_ newValue: Float, autoMuteUnmute: Bool, muteThreshold: Float = 0.005)
Parameters
newValue
The volume.
autoMuteUnmute
If
true
, will use themuteThreshold
to determine whether the device should also be muted or unmuted.muteThreshold
Defines the threshold that should cause an automatic mute for all values below it.
-
Get the system default output device.
You can use this value to interact with the device directly via other system calls.
This value will return
nil
if there is currently no device selected in System Preferences > Sound > Output.Declaration
Swift
var defaultOutputDevice: AudioDeviceID? { get }
-
Get or set the volume of the default output device.
Errors will be ignored. If you need to handle errors, use
readVolume
andsetVolume
.The values range between 0 and 1.
Declaration
Swift
var volume: Float { get set }
-
Get or set whether the system default output device is muted or not.
Errors will be ignored. If you need to handle errors, use
readMute
andmute
. Devices that do not support muting will always returnfalse
.Declaration
Swift
var isMuted: Bool { get set }


Project List
(Use these links to navigate between projects)
Background Color Changing Project
Random Quotes Generator
Message Processing Project
Counter Project
Carousel Project
Using appendChild
Digital Clock
Modal-Popup
Tip Calculator
Budget App
BMI Calculator
Todo-List App
Notes App
Bitcoin Price API
Chuck Noris API
Dad's Jokes API
Pokemon API
Using Promises
Using Async Functions
Bitcoin Price API using Fetch
Chuck Norris API using Fetch
Dad's Jokes API using Fetch
Bitcoin Price API using Async Function
News Aapp using News API (Not a link)
Using HTML's Geolocation API to get your coordinates
Using Opencagedata API to get your current location from coordinates
Making a web app using OpenWeatherMap's API


{% extends "base.html" %} {% block content %}
Location
Are you sure you want to delete {{ location.name }}?


Match Play. Red trails White 2-4 to 5. How should Red play 44?
pips Red=102 White=136
(CorrectAnswer= 0/0, ErrorScore= 0)
For money this is a toss-up between 20/16(2), 8/4, 5/1 and 20/16(2), 8/4(2).
However, at this match score gammons are very effective for Red and not at all for White and so the bolder play 20/16, 8/4(2), 5/1 is correct by quite some way. It loses 6% more games but wins 12% more gammons. At this match score that’s a no-brainer.
However, at this match score gammons are very effective for Red and not at all for White and so the bolder play 20/16, 8/4(2), 5/1 is correct by quite some way. It loses 6% more games but wins 12% more gammons. At this match score that’s a no-brainer.
1. Cubeful 2-ply 20/16 8/4(2) 5/1 Eq.: +0.807 0.663 0.241 0.009 - 0.337 0.061 0.002 2. Cubeful 2-ply 20/16(2) 8/4(2) Eq.: +0.765 (-0.042) 0.700 0.183 0.007 - 0.300 0.050 0.001 3. Cubeful 2-ply 20/16(2) 8/4 5/1 Eq.: +0.755 (-0.052) 0.693 0.184 0.005 - 0.307 0.048 0.001 4. Cubeful 0-ply 20/16(2) 5/1(2) Eq.: +0.649 (-0.158) 0.644 0.180 0.005 - 0.356 0.071 0.001 5. Cubeful 0-ply 20/16 5/1(3) Eq.: +0.477 (-0.330) 0.532 0.207 0.004 - 0.468 0.127 0.005


- Event delegation
- drill assignment
- Jot down at least 5 questions that you have about jQuery and interactive web apps so far
npm install -g http-server
$ cd my-project
$ pwd
-> /Users/bob/code/my-project
$ http-server -p 8080
Starting up http-server, serving ./
Available on:
http:<IP_ADDRESS>:8080
Hit CTRL-C to stop the server
this
refers to event.currentTarget
note
this
only refers to the element within the callback function
this
will not behave as expected if use ES6 arrow functions. Stick with the function keyword when using it.
Event delegation
allows us to attach a single event listener, to a parent element, that will fire for all descendants matching a selector, whether those descendants exist now or are added in the future.
drill assignment
Cat carousel FizzBuzz Shopping list challenge
Jot down at least 5 questions that you have about jQuery and interactive web apps so far
1: What is the concept of Jquery API 2: Is Jquery the only way to access the DOM? 3: How do I better keep track of things between css and html and jquery? when the project is getting complicated? 4: Is Jquery just higher level language than the traditional html DOM language? like document.getIdByTag() etc. 5: How to plan a project with using Jquery, as it seems complicated when the program involves more and more functions and layouts.


Collet whatever you like about logos. Settle in with them anytime, on any phone, tablet or browser.
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These are the 3 universities in which I have studied. Click for more information.
These are the 3 main languages I use for coding. Click for more information.


Prince Harry shares new Archie photo to mark Charles's birthday - and Kate Middleton posts Louis snap
Prince Harry shared the photo on the Instagram page he shares with Meghan Markle, alongside a cute caption for Prince Charles's birthday
by Zoe Forsey, https://www.facebook.com/zoeforseymirror/Prince Harry has shared a new photo of his son Archie to celebrate Prince Charles's 71st birthday.
The Duke shared the black and white photo, taken at Archie's christening earlier this year, on Instagram .
The caption reads: "Happy birthday to His Royal Highness The Prince of Wales - Sir, Pa, Grandpa!"
The photo shows Harry holding his little boy whole proud grandad Charles looks down at him.
The Duke and Duchess of Cambridge also marked the occasion by sharing a photo, opting for one of the birthday boy with their youngest child Prince Louis.
The snap was one of the official ones taken to celebrate the heir to the throne's 70th birthday last year.
Their caption reads: "Wishing a very happy Birthday to The Prince of Wales!"
Harry and wife Meghan Markle broke with tradition at Archie's christening back in July by not inviting members of the press to photograph them arriving at the service.
However they released a number of official shots and have treated fans to even more over the last few months - including the new one today.
Prince Charles is celebrating his birthday India, where he is currently completing a Royal Tour.
Yesterday, he hitched a ride on an electric rickshaw and flipped chapatis in a Sikh temple as he celebrated Indian culture and its people.
The Prince of Wales - Charles, a prominent climate change campaigner - began a hectic two-day trip by learning about India’s efforts to combat the dense smog that covers New Delhi most autumns.
He was taken for a spin in a non-polluting battery powered three-wheeler rickshaw after visiting India’s equivalent of the Met Office in the capital New Delhi.
Later he was mobbed by visitors when he visited the Bangla Sahib Gurdwara Sikh Temple to celebrate the 550th anniversary of the birth of Guru Nanak, the founder of Sikhism.
Driving the rickshaw was Maria who has benefited from a programme, run by SMV Green, a sustainable transport organisation, which is training some of India’s first female rickshaw drivers.
Ahead of the two day visit Charles posted his first personal message on the royal family’s Instagram page.
In a message to Britain’s Sikh community, and others in the Commonwealth, he wrote: “The principles on which Guru Nanak founded the Sikh religion, and which guide your lives to this day, are ones which can inspire us all.”


SIAT Digital Image Design - Fall 2018
Tools - Adobe After Effects, Illustrator
Digital Image Design is a project-based course that uses core fundamentals of visual design and animation. The final project for this class was a one-minute kinetic typography using Adobe After Effects to evoke emotion by creating movement between text and figures.
My final kinetic typography was synced to a sound clip from Disney’s Zootopia which I labelled “Judy’s Hustle”. The challenges faced with this sound clip is the quick back and forth dialogue between the two main characters Judy the Rabbit and Nick the Fox.
Below is an in-depth process of the project from start to finish.
Starting with the storyboard, I tried to create the different text layouts that would be suitable for the typography. Although it was quite difficult to visualize the animations itself, I attempted to add them into my drawings.
After testing some of the story board ideas into After Effects, some of the initial ideas did not transfer over very well from paper. This was due to my lack of understanding of what After Effects was capable of.
Different concepts such as a virtual camera within a 3D space and manipulating framing became clear as I progressed onto the next steps. After some self-reflecting and a lot of YouTube typography tutorials, the project began to come together.
As I continued to gain more experience my technique had improved, and my overall work had evolved throughout every new sentence of dialogue. I began incorporating custom illustrations from Adobe Illustrator which further enhanced the projects aesthetic.
By end of the project I saw a disparity between the beginning of the video and the end. I ended up retracing my steps to ensure the whole video had the same standard of quality.


com.twilio.rest.creator.api.v2010.account
Classes
AddressCreator
ApplicationCreator
CallCreator
IncomingPhoneNumberCreator
MessageCreator
NewKeyCreator
NewSigningKeyCreator
QueueCreator
TokenCreator
ValidationRequestCreator


THE CROW A review by The Phantom<EMAIL_ADDRESS>All the ingredients were there--that's for sure. Friday night in Times Square, sitting in a just-this-side-of-sleazy movie theater among the kind of audience that can really make a picture like this. We had KFC on the right, and--not to put too blunt a point on it--a certain controlled substance on the left. And the movie itself? Well, what more could one ask for than Brandon Lee coming back from the dead to settle and old score in the most violent way possible?
And yet it didn't take too long for the Phantom to realize that things were not going as planned. He should have been having a great time watching THE CROW--reveling in the soundtrack, the slick cinematography, the timeless theme of revenge, revenge, and more revenge. But instead he (and the rest of the audience) was growing increasingly restless; it seemed for a while that the entire auditorium was in perfect psychic sync: all of a sudden, 400 perfect strangers found that their expectations were not being met.
It took a while for the Phantom to figure out why he wasn't enjoying THE CROW as much as he expected to, but somewhere between the opening narration (always a worrisome sign in a genre picture; after all, what could possibly be unclear about someone returning from the grave to seek vengeance on those who put him there?); the fourth camera swoop through the miniature Gotham that is its setting; and the tenth bucketful of rain that comes close on the heels of at least a thousand more, it became clear. Too much style, and not nearly enough attention to what makes a good genre picture good.
People are often fooled into believing that action, horror, or exploitation films are easy to make, but they're not. Though they may not require inspired writing, acting, or plotting, genre pictures do require solid direction, if only to make up for the lack of nearly everything but a straight-ahead story and good special effects. Steven Spielberg--who is responsible for four of the best genre pictures of our time (DUEL, JAWS, POLTERGEIST, and most recently JURASSIC PARK) -- knows this, which is why his latest blockbuster opens not with ponderous narration by a precocious, death-culture waif, but with someone being eaten by a dinosaur run amok. Consider what happens during the first 10 minutes of DIE HARD or LETHAL WEAPON, and you'll understand why John McTiernan and Richard Donner are among the best at what they do.
Straight-ahead action, horror, or revenge is best accomplished without a lot of window dressing, but although THE CROW is a genre picture to the core, so much time and energy are spent making it look alternately like BATMAN, BLADE RUNNER and any of a number of "stylish" videos on MTV that it's sometimes hard to tell. Although Miramax and Dimension would very much like you to believe that THE CROW is a mainstream film, it's not. Not even close. For underneath the by now familiar urban dystopia setting; the death culture gloss; the trendy soundtrack filled with retailer-friendly cuts by industrial/alternative bands; Brandon Lee himself, who until his untimely death as a result of a stunt mishap always seemed to be on the brink of major mainstream success--underneath all of this lies the cold-blooded heart of a sleazy revenge flick. Take all the window dressing away (and there may perhaps be more window dressing than window in THE CROW) and you're left with THE EXTERMINATOR. And much as the Phantom enjoys a good revenge flick, he knows full well that very few other people do -- crows or no crows.
Too, revenge flicks need to be carefully crafted. THE EXTERMINATOR, like DEATH WISH before it, succeeds where many pretenders fail, by placing the audience in the position of an average man who suffers a terrible wrong and does what he must to put things right (which always means taking revenge; after all, no one in his right mind is going to pony up $7.50 to see 90 minutes of personal injury litigation). James Glickenhaus has some feeling for this particular cinematic niche, and his exceedingly seedy film works precisely because it is so completely straightforward. The "everyman" in his film could be any man in the audience; when he goes about methodically taking his revenge (and employing some particularly inventive ways of dispatching the bad guys), we're with him precisely because he is so completely two-dimensional. To put it another way, THE EXTERMINATOR succeeds as a revenge flick in large part because it is *not* stylishly filmed; because it *isn't* raining all the time; and because no one crawls out of a grave and dresses himself up as a mime with a very bad attitude.
Well, maybe not a mime, but Lee does go to some lengths to look like the lead singer of The Cure (or, come to think of it, of The Black Crowes, which seems appropriate). It's not every corpse that enjoys access to water-proof theatrical makeup, but hey, that's this film's schtick. That and the crow who serves as Robin (so to speak) to Lee's Batman--it is the source of his superhuman powers as well as an early-warning system that lets Lee see things from a bird's eye view. All of this is fine and well; perhaps a little much for a movie about a guy who finds and kills the bad guys who seriously aggrieved him, but it's workable. What is less workable is all the window dressing that the filmmakers obviously felt compelled to pile on top of such a slight plot. Had THE CROW stuck to basics, it might have worked better than it does. But then it wouldn't be THE CROW; nor would it any longer be based on the successful comic book character of the same name.
But style (and exposition) in a comic book don't obscure action, whereas on the screen that's all they can do. The Phantom presumes that a lengthy preparation for The Crow's return from the grave works reasonably well in a comic book; on the screen, however, it seems like nothing more than the worst kind of wheel-spinning. The idea that a crow guides souls from the land of the living to the land of the dead (and sometimes back again when they have some unfinished business to take care of) is not one that requires a lot of explanation, and yet explanation is all we get for the first 10 minutes of the film. Even after Lee crawls out of the grave, it seems like we endure another 10 minutes of pointless flashbacks before the film finally gets into gear. Perhaps only the Phantom believes that THE CROW might be a lot more enjoyable had Lee simply climbed out of the grave and killed someone in the first 10 minutes; instead we get an overwhelming amount of exposition, narration, and ultimately frustration as the filmmakers succumb to the worst case of Enterprise-itis since STAR TREK: THE MOTION PICTURE. Do the obvious miniatures that comprise THE CROW's obvious tribute to BLADE RUNNER and BATMAN's Gotham look good? Yes, at first. The very first time the camera swoops through the city streets, over rooftops and down alleyways, it looks pretty good. The second time it looks a little less good. The third time the Phantom started worrying that the filmmakers might have even more miniatures in store for him--perhaps the camera would swoop through miniature cow pastures and past miniature 7-11's, around miniature farm animals and miniature Big Gulps. After the third time, the Phantom lost count, but suffice it to say that the budget did not permit any more interesting swoops--THE CROW sticks loyally to the three-square-block radius of miniatures it can afford. By the last swoop, it seemed to the Phantom that the filmmakers needed only a jolly king, a trolley, and Mr. Rogers dressed in black to complete the transformation from urban dystopia to Evil Land of Make Believe.
Putting aside a setting which even the characters themselves feel compelled to comment on (says the annoying little girl who -- incredibly--serves as the only character with which we can identify: "It can't rain all the time, can it?" "Not all the time," answers Lee. "I'm sure it will," replied a waterlogged Phantom who at that point in the film had thoughts of a warm and dry bed dancing in his head), there's the cinematography, which is--without trying very hard--the absolute worst of every music video cliche of the past few years. This is not entirely unexpected--after all, the director Alex Proyas does quite well for himself directing commercials and music videos in Australia--and yet it still took the Phantom aback. What on earth was all this fancy camera work doing in an action film? Didn't anyone associated with the production realize that action sequences cannot be shot as if they were music videos or Diet Pepsi commercials? Or that music videos can support the kind of jumpy, hyper-stylish camera work that so plagues THE CROW precisely because they are not required to maintain any sort of coherent narrative flow? Strobe lights, incessant rain, a camera that can't stop jumping around--this is not the formula for a successful film of any kind, let alone an action film. After all, what good is a fight sequence if you can't tell where anyone is, what they're doing, or who they're shooting at? As coldly stylish as BLADE RUNNER was, at least Ridley Scott knew enough to leave the camera in one place long enough for his audience to get a feeling for where they were and what was going on. Proyas lets his cinematographer Dariusz Wolski (who is actually quite talented when someone keeps him from going over the music video edge) run hog wild, and the film suffers for it.
The real problem with THE CROW, however, would exist even had the entire picture been shot sans MTV fireworks. The real problem is with Lee's character, a small-time rock star who finds himself crawling out of his own grave one evening because his great love for his fiancee has prevented his soul from resting. Assuming that the filmmakers wanted to play this for straight horror, it would have worked almost as is. But they don't--they want us to identify with Lee and so pile on flashback after flashback showing Lee and his fiancee acting as if they were in a extra-long Levis commercial: smiling, hugging each other, having goofy stove-related accidents while making dinner ("We'll eat out" declares Lee as his fiancee sets fire to a pot), lighting candles, making love. This goes on and on, all throughout the film, and to what purpose the Phantom cannot imagine. Because all the flashbacks do nothing more than expose the paradox at the heart of THE CROW: if Lee is such a wonderful, sweet-hearted guy, what on earth is he doing dispatching the four people who killed him and raped and killed his fiancee a year before? And in ways gruesome enough to give even James Glickenhaus pause? If he's so nice, what is he doing stabbing a pawn shop dealer in the hand and blowing up his store? Is this guy THE CROW or THE PUNISHER?
Since a movie about an enraged mime with a bird on his shoulder killing four neighborhood thugs wouldn't be long enough for theatrical release, the plot is padded with a number of scenes involving Sarah, the death-culture waif who hung around with Lee and his fiancee before their untimely deaths. Sarah exists as another mainstream sop--it seems that in addition to making him a supernatural, revenge-crazed killer, the screenplay has also tossed in a caring, tender side for Lee to juggle. One moment he's brutally killing a thug; the next he's helping to reform Sarah's mother by leading her away from a life of drug addiction and prostitution. (By the way, the Phantom is fairly sure that he was not alone in feeling puzzled by the earnest anti-drug and anti-smoking messages in THE CROW. Brutal vigilante revenge? That's fine! But just say no to anything you might want to inhale.)
But although the scenes showing Lee's sensitive side do help pad things out a bit (while making far worse the central paradox of the film), the screenplay can't stop there. Instead, in a futile attempt at BATMAN-ization, the filmmakers throw in scene after scene of Top Dollar (that's his name, believe it or not), who plays the Mr. Big of THE CROW's Gotham, acting malevolently. It seems that Top Dollar and his henchmen are responsible for all the crime in the city, including the "Devil's Night" fires that the camera swoops past once or twice near the beginning of the film. How is he tied to Lee? Well, it seems that he ordered some of his henchmen to clear out an apartment building, and things got out of hand. This (very) loose tie enables the filmmakers to steer the CROW in a more BATMAN-like direction, but it happens far too late in the proceedings to make much difference. There's a lot of mumbo-jumbo by Top Dollar's Asian half-sister/lover; people's eyeballs are bandied about; and meanwhile the audience is left to wonder why, if Top Dollar is the King of all Bad Guys, he can't get a decent hair cut.
As Lee moves toward the final, inevitable confrontation with Top Dollar, the last of THE CROW's major flaws is revealed to us. Because he's back from the dead and out for justice, it seems that Lee cannot be permanently injured or killed. If he's shot or stabbed, his wounds disappear (courtesy of the hard-working folks at Dream Quest) T2-like, which must have seemed very cool to the filmmakers. But as it happens, Lee's superhuman abilities do more to throw THE CROW off track than all the rain and fancy camera work combined. After all, if Lee is never in any danger, what's the fun? Do people really want to see a film in which an invincible "good guy" finds and brutally kills four bad guys? Even as one who loves the genre, the Phantom quickly realized that he, for one, did not.
It remains to be seen how well THE CROW will do. Certainly the film will benefit from Lee's untimely death and from the publicity surrounding it and the digital tricks the filmmakers played to continue shooting without him. There was something undeniably spooky about seeing Brandon Lee claw his way out of a grave; but one spooky scene doesn't pay the rent. As for the rest of the film, THE CROW is as good an example as any of how good ideas can go wrong as they're transplanted from one medium to another, and how--once again--filmmakers can underestimate the effort and talent needed to produce a quality genre picture. THE CROW has all the right elements, but the mix is all wrong. And it is truly a shame that in real life Lee won't be able to come back and do it again--but this time do it right.
: The Phantom<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


Premier League Stadiums
helpPremier League 2016-2017 stadiums. Travel to each of them and enjoy the experience
1. Select the Premier League team you want.
2. Click "Get Stadium" button.
3. The application will generate a KML file to show in the Liquid Galaxy.
4. Once everything is ready, the application will automatically show you the selected stadium.
{{club_selected}} - {{stadium_name}}


--- title: Saison city: San Francisco, USA date: 2018-04-11 mapleft: -126 maptop: -218 listdata: Saison was the very first restaurant on the quest. It was ranked 37th in 2017 and dropped to 46th in 2018. It’s also a Michelin 3-star restaurant. idx: 1 tags: - post layout: layouts/post.njk ---
Kitt and I went to Saison before I had even thought to do this wacky challenge. At the time, I booked all four Michelin 3-star restaurants in San Francisco. All within the same week. It was an ambitious endeavour and clearly set the tone for the even bigger challenge that awaited me.
Saison was the second of the four restaurants featuring an eleven course meal only a day after a nine course meal at Benu. (My ideas aren’t always the brightest but they can be ambitious.)
We sat “in the kitchen”, which meant that we had a view of the kitchen, could see all the preparation, and could hear them yell “Yes, Chef” every time a new order came in. It was quite delightful.
We noticed some overlap with the menu at Benu: the cod, some sea urchin, and, a glazed barbecued quail. There was a caviar option that I opted into that was a bit heavy on the butter (if there can be such a thing).
The antelope was also quite delicious, much like the rest of the meal. All in all, everything was wonderful. (And if I had to choose, I’d pick Saison over Benu.)


{% extends "layout.html" %} {% block content %}
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Guidance
Ofsted inspectors use this handbook when monitoring and re-inspecting local authority children’s services judged inadequate.
MS Word Document , 669KB
If you use assistive technology (such as a screen reader) and need a version of this document in a more accessible format, please email<EMAIL_ADDRESS>. Please tell us what format you need. It will help us if you say what assistive technology you use.
PDF , 414KB , 20 pages
If you use assistive technology (such as a screen reader) and need a version of this document in a more accessible format, please email<EMAIL_ADDRESS>. Please tell us what format you need. It will help us if you say what assistive technology you use.
Ofsted carries out monitoring visits and reports on progress made by the local authority.
When the monitoring period ends there is a re-inspection.
Published: 31 May 2016
Updated: 12 August 2016
From: Ofsted
Part of: Ofsted inspections of local authority children's services


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Terrorist hideout busted in J&K, 7 IEDs seized
The seizure was made during a search operation.
by PTISecurity forces on Tuesday seized improvised explosive devices and a wireless set from a terrorist hideout in Jammu and Kashmir’s Poonch district, officials said. The seizure was made during a search operation that was launched on Sunday following information from villagers about the movement of suspicious people in a forest in Surankote, they said.
Seven IEDs, a gas cylinder and a wireless set were seized from the abandoned hideout in the Dhair forest, the officials said and added that no one has been arrested.
Personnel of the army and police are part of the operation and they entered the Dhoke area on Monday morning, they said.
No suspected terrorist has been intercepted till now. The operation is still going on, the officials said.


Ryan Howlett - Notations
Lesson 1
The basics of the web & html
- How the web works
- Collection of html's
- HTML - Hypertext Transfer Markup Language
- URLs = web links
- HTTP - Hypertext Transfer Protocol
- Web applications
- Hyperlinks - links for short
- 30 billion web page (approximately)
Elements of the web
- Servers
- Internet
- Browser
- Http: Hypertext Transfer Protocol
- HTML
- Hypertext Markup Language
- Made up of Tags - characters that define actions
Tags
- Tags - used to write html code
- b tag - makes things bold
- em tag - stands for emphasis
- img tag - for including images in html
- Source (src) which equals URL - url of image
- Alt, alternate - which displays text in event or error in URL imag
WhiteSpace
- Br equals break - break in line of code
- P equals paragraph - ie new paragraph
- Inline versus Block
- Br tag is inline
- P tag is Block
- Span & Div
- Span is inline
- Span will run code together as would be anticipated
- Div is Block
- Div will block out a section of code, seperate it from remainder, ie block it out
- HTML Documents
- !doctype html: document type
- Left Carrot 'html' right carrot'
- 'head' is the header of page'
- 'body' body of page, like a body of a document/paper
Learning How Code Works
- Four Stages of Expertise
- Ignorance
- Awareness
- Abiltiy
- Fluency
Project Stage 1 - Make your own WebPage
- Understanding of Structured documents
- Computer code should be structured, ie it should have a logical title, format (html), body and end
- Importance of avoiding repetition - causes a lot of extra work and increases chances of errors, keep code simple
- Notes put into html format, submitted for review on March 21st 2015 4:30pm est
- Had lot of issues, reworked and pushed through w3c webpage to check for errors. Corrected
a lot of issues and resubmitted.


An array of instances of this class is passed to PxContactModifyCallback::onContactModify(). More...
#include <PxContactModifyCallback.h>
Public Attributes | |
| const PxRigidActor * | actor [2] |
| The actors which make up the pair in contact. More... | |
| const PxShape * | shape [2] |
| The shapes which make up the pair in contact. More... | |
| PxTransform | transform [2] |
| The shape to world transforms of the two shapes. More... | |
| PxContactSet | contacts |
| An array of contact points between these two shapes. More... | |
An array of instances of this class is passed to PxContactModifyCallback::onContactModify().
| const PxRigidActor* PxContactModifyPair::actor[2] |
The actors which make up the pair in contact.
Note that these are the actors as seen by the simulation, and may have been deleted since the simulation step started.
| PxContactSet PxContactModifyPair::contacts |
An array of contact points between these two shapes.
| const PxShape* PxContactModifyPair::shape[2] |
The shapes which make up the pair in contact.
Note that these are the shapes as seen by the simulation, and may have been deleted since the simulation step started.
| PxTransform PxContactModifyPair::transform[2] |
The shape to world transforms of the two shapes.
These are the transforms as the simulation engine sees them, and may have been modified by the application since the simulation step started.


After an amazing box office turn out and a 7.1 on IMBD we look back at the 2012 book "Ready Player" one by Ernest Cline.
With a star-studded cast did "Solo" live up to its expectations to create a memorable background for one of the trilogy's most loved characters?
Weeks is an exicting new segment part of the site, every week a new topic will be selected and guest writers will write reviews on the topic of their field which will be the selected topic. To be part of this send a bit about yourself to the e-mail below.
Weeks is an exicting new segment part of the site, every week a new topic will be selected and guest writers will write reviews on the topic of their field which will be the selected topic. To be part of this send a bit about yourself to the e-mail below.
Weeks is an exicting new segment part of the site, every week a new topic will be selected and guest writers will write reviews on the topic of their field which will be the selected topic. To be part of this send a bit about yourself to the e-mail below.
Weeks is an exicting new segment part of the site, every week a new topic will be selected and guest writers will write reviews on the topic of their field which will be the selected topic. To be part of this send a bit about yourself to the e-mail below.
We started Bronzy in the summer of 2015 over an Xbox part chat. That idea turned into weekly Saturday night Twitch streams watched by people into the thousands. This would then turn into our main goal for the next 3 years and for years to come with animations, games, a series of apps and now reviews. At Bronzy we live by two rules; 1)Don't get high on your own supply. 2)Don't tell Andrew we have supply.


Menu module.
MIT. See LICENSE for full details.
A menubar is the bar across the top of a window holding the menu items.
// Add a menu bar to a window. auto menuBar = new MenuBar(mainWindow) .pack(); // Add a menu to the menu bar. auto menu = new Menu(menuBar, "Menu 1") .addEntry("Entry 1", delegate(CommandArgs args){ ... }) .addEntry("Entry 2", delegate(CommandArgs args){ ... }) .addSeparator() .addEntry("Entry 3", delegate(CommandArgs args){ ... });
<<MenuSelect>>, <<PrevWindow>>, <Alt-Key>, <Button>, <ButtonRelease>, <Enter> <Key-Down>, <Key-Escape>, <Key-F10>, <Key-Left>, <Key-Return>, <Key-Right>, <Key-Tab>, <Key-Up>, <Key-space>, <Key>, <Leave>, <Motion>,
Construct the widget.
| Window parent | The parent of this widget. |
Disable a child menu. The indexes start at zero for the left-most menu and increase as you go right.
| int index | The index of the menu to disable. |
This widget to aid method chaining.
Enable a disabled child menu. The indexes start at zero for the left-most menu and increase as you go right.
| int index | The index of the menu to enable. |
This widget to aid method chaining.


Garrett Lee
Portfolio
Contact
About
Portfolio
Free-From-All Makeup Source
Website Link
GitHub Repository
Work Day Planner
Website Link
GitHub Repository
Password Generator
Website Link
GitHub Repository
Weather Dashboard
Website Link
GitHub Repository


Directory listing for /R Programming/Assignment 7/
Assignment 1 Perform basic R operations.docx
noansquiz IV-R.pptx
Salaries.csv


EVP_KDF-TLS13_KDF - The TLS 1.3 EVP_KDF implementation
Support for computing the TLS 1.3 version of the HKDF KDF through the EVP_KDF API.
The EVP_KDF-TLS13_KDF algorithm implements the HKDF key derivation function as used by TLS 1.3.
"TLS13-KDF" is the name for this implementation; it can be used with the EVP_KDF_fetch() function.
The supported parameters are:
These parameters work as described in "PARAMETERS" in EVP_KDF(3).
This parameter sets the label prefix on the specified TLS 1.3 KDF context. For TLS 1.3 this should be set to the ASCII string "tls13 " without a trailing zero byte. Refer to RFC 8446 section 7.1 "Key Schedule" for details.
This parameter sets the label on the specified TLS 1.3 KDF context. Refer to RFC 8446 section 7.1 "Key Schedule" for details.
This parameter sets the context data on the specified TLS 1.3 KDF context. Refer to RFC 8446 section 7.1 "Key Schedule" for details.
This parameter sets the mode for the TLS 1.3 KDF operation. There are two modes that are currently defined:
In this mode calling EVP_KDF_derive(3) will just perform the extract operation. The value returned will be the intermediate fixed-length pseudorandom key K. The keylen parameter must match the size of K, which can be looked up by calling EVP_KDF_CTX_get_kdf_size() after setting the mode and digest.
The digest, key and salt values must be set before a key is derived otherwise an error will occur.
In this mode calling EVP_KDF_derive(3) will just perform the expand operation. The input key should be set to the intermediate fixed-length pseudorandom key K returned from a previous extract operation.
The digest, key and info values must be set before a key is derived otherwise an error will occur.
This KDF is intended for use by the TLS 1.3 implementation in libssl. It does not support all the options and capabilities that HKDF does.
The OSSL_PARAM array passed to EVP_KDF_derive(3) or EVP_KDF_CTX_set_params(3) must specify all of the parameters required. This KDF does not support a piecemeal approach to providing these.
A context for a TLS 1.3 KDF can be obtained by calling:
EVP_KDF *kdf = EVP_KDF_fetch(NULL, "TLS13-KDF", NULL);
EVP_KDF_CTX *kctx = EVP_KDF_CTX_new(kdf);
The output length of a TLS 1.3 KDF expand operation is specified via the keylen parameter to the EVP_KDF_derive(3) function. When using EVP_KDF_HKDF_MODE_EXTRACT_ONLY the keylen parameter must equal the size of the intermediate fixed-length pseudorandom key otherwise an error will occur. For that mode, the fixed output size can be looked up by calling EVP_KDF_CTX_get_kdf_size() after setting the mode and digest on the EVP_KDF_CTX.
RFC 8446
EVP_KDF(3), EVP_KDF_CTX_new(3), EVP_KDF_CTX_free(3), EVP_KDF_CTX_get_kdf_size(3), EVP_KDF_CTX_set_params(3), EVP_KDF_derive(3), "PARAMETERS" in EVP_KDF(3), EVP_KDF-HKDF(7)
This functionality was added in OpenSSL 3.0.
Copyright 2021 The OpenSSL Project Authors. All Rights Reserved.
Licensed under the Apache License 2.0 (the "License"). You may not use this file except in compliance with the License. You can obtain a copy in the file LICENSE in the source distribution or at https://www.openssl.org/source/license.html.


software laser
`Prev `__
S
`Next `__
--------------
**software laser**: n.
An optical laser works by bouncing photons back and forth between two
mirrors, one totally reflective and one partially reflective. If the
lasing material (usually a crystal) has the right properties, photons
scattering off the atoms in the crystal will excite cascades of more
photons, all in lockstep. Eventually the beam will escape through the
partially-reflective mirror. One kind of `*sorcerer's apprentice
mode* `__ involving `*bounce
message* <../B/bounce-message.html>`__\ s can produce closely analogous
results, with a `*cascade* <../C/cascade.html>`__ of messages escaping
to flood nearby systems. By mid-1993 there had been at least two
publicized incidents of this kind.
--------------
+--------------------------------------+----------------------------+---------------------------------+
| `Prev `__ | `Up <../S.html>`__ | `Next `__ |
+--------------------------------------+----------------------------+---------------------------------+
| software hoarding | `Home <../index.html>`__ | software rot |
+--------------------------------------+----------------------------+---------------------------------+


[Deal] OPPO joins in the Black Friday madness by discounting the Reno 10x Zoom Edition by £190, other phones also reduced
by Peter HoldenIf you read our review of the Reno 10x Zoom Edition, you’ll know that we were mightily impressed with OPPO’s 2019 flagship smartphone. Combining impressive camera chops, flagship hardware, incredible battery life, and a snazzy design, the Reno 10x signifies OPPO’s rise from a niche import in the UK to a mainstream competitor. And, with Black Friday looming on the horizon, you can now save £190 off the RRP of the Reno 10x Zoom Edition because OPPO has reduced its price down to just £459, which is insane.
OPPO’s Black Friday deals are set to run until December 2 and are available from Amazon and Carphone Warehouse.
OPPO Reno 10x Zoom Edition
Reduced to just £459 from £649 with an eye-catching pivot rising camera and a triple camera that sits flush underneath the rear glass, the Reno 10x Zoom is packed with the latest tech to help you snap all the color of daily life – day and night. Beneath the bonnet is the Snapdragon 855 processor, 8GB of RAM, 256GB of storage, a big 4,065mAh battery, and features such as Dolby Atmos audio and an intelligent fingerprint unlock to give users a truly magnified smartphone experience.
Buy it Now: Amazon, Carphone Warehouse
OPPO Reno
Usually priced at £399, you can grab the OPPO Reno for just £279, giving you a £120 saving. Thoughtfully designed to fuel creativity, the standout feature of the OPPO Reno is its unique pivot rising camera, which keeps the front camera, earpiece and flashlights tucked away to allow for a stunning full screen. Incredibly, it only takes 0.8 seconds to complete the entire pivot. Elsewhere you’ll find a 6.4-inch FHD+ AMOLED display, Snapdragon 710 processor, 6GB of RAM, 256GB of storage, dual rear cameras consisting of a 48MP sensor and a 5MP sensor, a 3,680mAh battery, and a pop-up selfie camera.
Buy it Now: Amazon, Carphone Warehouse
OPPO Reno Z
A 48MP and 5MP dual-camera along with a 32MP selfie camera make the Reno Z the ideal smartphone for those looking to capture picture-perfect selfies and high-quality photography in any light. Its full HD 6.4 inch AMOLED display brings silky smooth visuals to the palm of your hand. With a MediaTek P90 processor, 4GB of RAM, 128GB of storage, and a big 4,035mAh battery, the Reno Z is a lot of phone for the discounted price of £199, down from £279.
Buy it Now: Amazon, Carphone Warehouse
OPPO RX17 Pro
Specially designed for shooting at night, the RX17 Pro’s intelligent camera brings new depths to smartphones. Its crystal clear‘waterdrop’ display is a dream on the eyes, while OPPO’s best in class SuperVOOC flash charging technology will take you from zero to 100% charge in just 40 minutes. Featuring a 6.4-inch FHD AMOLED display, Snapdragon 710 processor, 6GB of RAM and 128GB of built-in storage, the RX18 Pro has been discounted from £349 to £249, bringing a £100 saving.
Buy it Now: Amazon, Carphone Warehouse
Xiaomi will flood the market with 5G phones in 2020
Sony confirms its Android 10 roadmap for Xperia devices; did yours make the list?


AWS - How to Serve Traffic from a Load Balancer
Category: sysadmin
Amazon Web Services (AWS) allows you to serve private network traffic from behind a public load balancer. This offers extra security benefits as it detects DDOS traffic and other exploits and offers a layer of protection.
There are some things you should know before you start this tutorial. You should know:
- How to create a VPC
- How to configure subnets
- How to create an EC2 instance
- How to ensure an EC2 instance is within an particular subnet
- How to ssh to an EC2 instance
You will create a new VPC. You can use your default VPC, but this isn’t recommended. Default VPCs are for legacy ec2-classic instances. You should identify a CIDR block range for your VPC (e.g. <IP_ADDRESS>/16).
Then, create two new subnets under the new VPC. One will be private and one will be public. The load balancer will use the public subnet and the EC2 instance will use the private subnet. Each subnet will have a different route table, one allowing traffic in and the other not. The first subnet should have a CIDR block range of <IP_ADDRESS>/24. Next create your private subnet with a CIDR of <IP_ADDRESS>/24 - this can be in the same availibility zone as the first subnet.
For high availability, it is a good idea to place your next elastic load balancer in a different availability zone. When you configure your load balancer you will need to choose two subnets. Therefore we have to create another public subnet that has a different availability zone. This has a CIDR range of <IP_ADDRESS>/24 and is belongs in a different availability zone.
You should have three subnets as this image shows.
Next you need to create an Internet Gateway and attach it to the public subnet. This is what makes the load balancer world accessible. Click on Internet Gateway, then create an internet gateway, with a name tag. Then, attach it to the VPC that you have created (only one Internet Gateway can be attached to a VPC). Click the Attach to VPC button and then choose the new VPC that you created earlier. This means you will be able to access the EC2 instance for the time being.
Next add a route table. Create a Route Table and add a route of <IP_ADDRESS>/0 and choose the target of your new Internet Gateway. This means you can now access your EC2 instance.
This route table is associated with all of the subnets, which means they are all now public. We will later make the private subnet private.
Now, create your EC2 instance. Launch it in the private subnet (even though it is still public at the moment).
When you create your EC2 instance create a rule that allows port 80 for HTTP.
Now create a load balancer. This will be a classic type of load balancer. Do not create an internal load balancer, as that will only be accessible from within the VPC. We want traffic from anywhere. Listen on port 80. Now we select the two public subnets that we created earlier. One of them has to be in the same availability zone as the EC2 instance (which it is). The other one can be in a different availibility zone. Assign the security group that was created when you created the VPC.
With load balancers you have to configure the health check. This is best done over TCP protocol on port 22. Then you add an EC2 instance to the load balancer. Use the one that we created earlier. Add tags, review and launch.
Now we need to SSH in to the instance and install a httpd server. ssh in using your key, ssh -i pem-key.pem<EMAIL_ADDRESS>- do not forget that your pem key file must have permissions of 400 or less.
Start the httpd service - sudo service start httpd
Check using the public ip address of the EC2 instance. You’ll notice that this works as the EC2 instance is still in a public route table.
Let’s fix that by creating a new route table. The new route table must only have a route that allows the local traffic (i.e. no <IP_ADDRESS>/0). Then go to the private subnet and then change the route for the subnet to the new route table that doesn’t have a public route.
You can test if your load balancer is still forwarding the traffic by clicking on load balancer link, selecting the active load balancer and then using the DNS information
Copy and paste that link into your browser. You should be forwarded to the HTTP welcome page that the private EC2 instance is server.
If you have any comments, please post them in the disqus below.


Full Shortlist For Nigerian Navy 27 DSSC 2019 Recruitment Aptitude Test (PDF)
by Emmanuel EgobiambuThe Nigerian Navy has released the shortlist (PDF) for the 2019 DSSC recruitment with the aptitude test set to take place on November 30th, 2019.
When Is Nigerian Navy DSSC 27 Aptitude Test 2019?
Concise News understands that the Nigerian Navy 27 DSSC recruitment aptitude test will take place in nine centers in the country by (7:30 am).
All candidates who made the Nigerian Navy DSSC 27 2019 recruitment shortlist are to immediately check for their aptitude test centers.
Note, however, that there are two centers for the Nigerian Navy DSSC 27 aptitude test 2019 in Lagos, Abuja and Port-Harcourt.
Requirements for Nigerian Navy DSSC 27 2019 Aptitude Test
According to a statement by the Nigerian Navy, those who made the shortlist for the aptitude test for the DSSC 27 should follow these requirements; instructions”
1. Only those on a centre’s list would be allowed into the centre for the test.
2. Candidates are to come along to the Aptitude Test Centres with the following:
a. Parents/Guardian Consent Form.
b. Photocopies of Degree/HND certificate.
c. NYSC Discharge/Exemption Certificate (Compulsory. Serving Personnel to present a letter from unit /ID card).
d. Writing materials (2B pencil, eraser and sharpener only)
3. Mobile phones and any other forms of communication devices are prohibited from the examination halls.
The aptitude test for the Nigerian Navy DSSC is free of charge just as the selection interview.
Nigerian Navy DSSC 2019 Recruitment Shortlist
To see the full list of those who made the shortlist from all states for the Nigerian Navy DSSC recruitment course 27 2019 in PDF, visit the link in this portal.


os/2 help format
| intel byte order information from file format list 2.0 by max maischein. the os/2 help files are different from the winhelp help files,since the winhelp format is proprietary to microsoft because of the patented lz-packing they implemented. offset count type description 0000h 3 char id='hsp' 0003h 1 byte flags : 0 - inf style file 1-3 - unknown 4 - hlp style file patching this file allows reading hlp files using the view command, while hlp files seem to work with inf settings as well. 0005h 1 word total size of header 0007h 1 word unknown ????h other data 0047h ? char asciiz name of the hlp/inf file extension:hlp,inf occurences:os/2 reference:inf02a.doc see also:winhelp hlp |


ABSTRACT
Budnichenko V.B., Gordienko M.M. Methods for evaluating the effectiveness of recuperative braking for elementary simplified motion cycle. Visnyk National Transport University. Series «Technical sciences». Scientific and Technical Collection. - Kyiv: National Transport University, 2021. - Issue 1 (48).
The article analyzes the elementary simplified cycle of a vehicle with an electric motor during its acceleration and regenerative braking, the dependence of specific energy consumption on vehicle speed and the equation of specific energy consumption, to develop a mathematical model that characterizes the energy efficiency of a vehicle with traction traffic conditions on an elementary simplified cycle.
The object of the study is the process of determining the specific energy consumption during the movement of a vehicle with an electric traction unit.
The aim of the article is to develop a mathematical model that characterizes the energy efficiency of wheeled and rail vehicles with electric traction. Research methods - information-analytical. According to the results of the study, a method for evaluating the effectiveness of regenerative braking for an elementary simplified motion cycle is obtained.
KEY WORDS: ELECTRIC TRACTION INSTALLATION, ENERGY EFFICIENCY, ENERGY CONSUMPTION, RECOVERATIVE INHIBITION, ELECTRODYNAMIC HALAMENE GALAMATE, MATHEMATICAL MODEL
REFERENCES
motor / V.B. Budnichenko, MM Gordienko // Municipal utilities. Series: Technical Sciences and Architecture. -2019. - Vip. 3. - P. 158-163 [Electronic resource]. - Access mode:
http://nbuv.gov.ua/UJRN/. - DOI 10.33042 / 2522-1809-2019-3-149-158-163 2.
Uniform provisions concerning the approval of passenger cars powered by an internal combustion engine only or powered by a hybrid electric vehicle, with regard to the measurement of carbon dioxide emissions and fuel consumption and / or the measurement of electricity consumption and traction on electric traction, and also vehicles of categories M1 and N1, driven only by an electric drive, in relation to the measurement of electricity consumption and power reserve on electric traction.
AUTHOR
Budnichenko Valeriy Borysovych, Candidate of Technical Sciences, Associate Professor, National Transport University, Associate Professor of the Department of Technical Operation of Cars and Car Service, e-mail<EMAIL_ADDRESS>tel. +380679318431, Ukraine, 01010, Kyiv, street Omelyanovich Pavlenko 1, room 01. orcid.org / 0000-0002-1235-3781
Gordienko Mykola Maksymovych, National Transport University, graduate student, assistant of the department of technical operation of cars and car service, e-mail<EMAIL_ADDRESS>tel. +380973608769, Ukraine, 01010, Kyiv, street Omelyanovich Pavlenko 1, k.01.orcid.org / 0000-0002-8993789X
REVIEWER
Pustyulga S.I., Doctor of Technical Sciences, Professor, Lutsk National Technical University, Acting Head of the Department of Design and Graphics, Lutsk, Ukraine
Mateychik V.P., Doctor of Technical Sciences, Professor, National Transport University, Dean of the Faculty of Mechanical Engineering, Kyiv, Ukraine
Article language: Ukrainian
Open Access: http://publications.ntu.edu.ua/visnyk/48/037-043.pdf
Print date: 15.03.2021
Online publication date: 05.04.2021


Bob Marley
Rasta Legend
Let's take a look into Bob's life:
- 1945 - Robert Nesta Marley was born in Nine Mile, Saint Ann Parish, British Jamaica.
- 1963 - Bob started his music career and formed the group "Bob Marley & The Wailers."
- 1965 - The Wailer's first album was released, titled "The Wailing Wailers."
- 1971 - The Wailer's 2nd album was released, titled, "The Best of the Wailers."
- 1973 - The group released 2 more albums this year, titled, "Catch a Fire" and "Burnin."
- 1974 - The Wailer's broke up and Marley began his solo career. Bob released an album titled, "Natty Dread."
- 1976 - Bob released album titled, "Rastaman Vibration."
- 1976 - Marley survived an assasination attempt in Jamaica.
- 1977 - Album "Exodus" was released.
- 1977 - Bob was diagnosed with Acral Lentiginous Melanoma.
- 1981 - Bob died at age 36 from Skin Cancer in Miami, Florida.
- 1984 - The greatest hits album "Legend" was released and became the best selling reggae album of all time.
“Emancipate yourselves from mental slavery None but ourselves can free our minds." -- Bob Marley


{% include "incl/header.html" %}
We monitor PyPI, collect data from the new uploads and from their GitHub/GitLab/... repositories. Based on this data we try to understand the status of the Python ecosystem. For example how many projects use setup.py, setup.cfg, or pyproject.toml files.
Using this data we would like to encourage you to make improvements to the projects.
For example, in order to make it easier to contribute to a project first it needs to be easy to find its source code. For projects that supply this information PyPI shows the links. We list the packages that don't link to their public VCS and provide instructions how to locate the source of these packages and how to send a Pull-Request so from the next release the link will be included.
For project where we found the link to their VCS, we analyze that too. For example we try to understand which Continuous Integration (CI) system they use, if any. We list the projects without a CI and provide instructions how to add CI.
We use this data to send Open Issues and send Pull-request to make small contributions to the projects. We also use the data in the Open Source Development Courses (OSDC) where participants learn how to use Git and GitHub by contributing to open source projects.
We hope that by collecting and analyzing this data we will help you improve the Python ecosystem.
Check out the stats page for further reports. Read more about the project. Check out our project on GitHub if you find a problem or if you'd like to help us in the development.


Documentation version: v1.0 Full Release
See the Contra public API.
Run an instance of Contra.
Use Contra's tools and services.


Localtunnel allows you to easily share a web service on your local development machine without messing with DNS and firewall settings.
Localtunnel will assign you a unique publicly accessible url that will proxy all requests to your locally running webserver.
Localtunnel command line script allows you to manually setup a sharing tunnel to a local webserver.
npm install -g localtunnel
Start a webserver on some local port (in our example we have a server running on port 8000).
Make sure everything is working locally first by visiting http://localhost:8000.
Now use the command line app to request a tunnel to your local server.
$ lt --host "http://testdrive.cc" --port 8000
your url is: http://gqgh.testdrive.cc
You can now share https://gqgh.testdrive.cc with anyone. As long as your local instance of lt is running, this url will remain active. Any requests to that url will be routed to your service on port 8000.
See the github page or wiki for info on clients in other languages and API for the tunnel proxy.


Fast Shipping
Free Shipping over 48 state*
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!Secret Agent Collin:
Perfect! Just remember that the disguise won't last forever, and you'll need to use some skills to get you there and back in good time.
Oh, and stay out of the water! The magic'll be broken if you get wet!
There's not much time left before the transformation ends, so hurry!
Now go and see the Frog King. Hop to it, rather.


A slot description has the form
Visibility SlotName:SlotType = InitialValue
where Visibility and `= InitialValue' are optional. Each slot of a class must have a distinct name, given by the atom SlotName. The Visibility, SlotType and InitialValue parts of the slot description are described separately.
A slot's visibility is either private, protected, or public. If its visibility is not specified, the slot is private. The following example shows all four possibilities:
:- class example = [w:integer, private x:integer, protected y:integer, public z:integer]
Slot z
is public, y
is protected, and both x
and w
are
private.
Direct access to private slots is strictly limited to the methods of the class. Any other access to such slots must be accomplished through these methods. Making slots private will allow you later to change how you represent your class, adding and removing slots, without having to change any code that uses your class. You need only modify the methods of the class to accomodate that change. This is known as information hiding.
Protected slots are much like private slots, except that they can also be directly accessed by subclasses. This means that if you wish to modify the representation of your class, you will need to examine not only the class itself, but also its subclasses.
Public slots, in contrast, can be accessed from anywhere. This is
accomplished through automatically generated get and put methods named
for the slot and taking one argument. In the example above, our
example
class would automatically support a get and put method
named z/1
. Note, however, that unlike other object oriented
programming languages that support them, public slots in SICStus
Objects do not violate information hiding. This is because you may
easily replace a public slot with your own get and put methods of the
same name. In this sense, a public slot is really only a protected
slot with automatically generated methods to fetch and store its
contents.
Within a method clause, any of the class's slots can be accessed via
the fetch_slot/2
and store_slot/2
predicates. These are the
only way to access private and protected slots. They may be used to
define get and put methods for the class, which provide controlled
access to the protected slots. But, they can only be used within the
method clauses for the class, and they can only refer to slots of the
current class and protected and public slots of superclasses.
In the slot description, public
, protected
and private
are
used as prefix operators. The obj_decl
module redefines the prefix
operator public
, as follows:
:- op(600, fy, [public]).
Unless you use the obsolete public/1
directive in your Prolog
programs, this should cause no problems.
A slot's type restricts the kinds of values it may contain. The slot
is specified in the slot description by one of the following Prolog
terms with the corresponding meaning. Most of these will be
familiar, but the last four, address
, term
, Class and
pointer(
Type)
, require some additional explanation:
integer
integer_32
integer_16
integer_8
unsigned
unsigned_32
unsigned_16
unsigned_8
float
float_32
atom
address
term
Storing a term containing free variables is similar to
asserting a clause containing free variables into the
Prolog database. The free variables in the term are replaced
with new variables in the stored copy. And, when you
fetch the term from the slot, you are really fetching a
copy of the term, again with new variables.
null
object.
pointer(
Type)
address
type, except that access to this slot
yields, and update to this slot expects, a term of arity 1 whose
functor is Type and whose argument is the address. Again, most Prolog
programmers can safely ignore this type.
A slot description may optionally specify an initial value for the slot. The initial value is the value of the slot in every instance of the class, when the object is first created. The initial value must be a constant of the correct type for the slot.
If an initial value is not specified, a slot is initialized to a value
that depends on its type. All numbers are initialized to 0, of the
appropriate type. Atom and term slots are initialized to the
empty atom
(''
). Addresses and pointers are initialized to null pointers. And,
objects are initialized to the null
object.
More complicated initialization—not the same constant for every instance of the class—must be performed by create methods, which are described later.
null
objectThe null
object is a special object that is not an instance of any
class, but that can be stored in a slot intended for any class of
object. This is very much like the NULL
pointer in C. This is
useful when you do not yet have an object to store in a particular
slot.
In Prolog, the null
is represented by the atom null
.
Note that because the null
object is not really an object of any
class, you cannot determine its class with class_of/2
. Unless
noted otherwise, when we write of an object in this document, we
do not include the null
object.


PUBG Mobile v0.15.5 update brings new 4v4 Team Deathmatch map, Companions, new weapon and vehicle for Vikendi, and more
by Pranob MehrotraOver the last year or so, the Battle Royale genre has exploded in popularity thanks, in part, to PUBG Mobile. But it’s not the only popular game in the genre and it faces stiff competition from Fortnite and the recently released Call of Duty Mobile. To keep the player base interested, developer Tencent Games keeps adding new content to the game with each successive update. Most recently, the game received a new Payload Mode with helicopters and the Desert Eagle handgun. And now, Tencent has released patch notes for the next major update.
Visit XDA’s Android Gaming Forums
PUBG Mobile version 0.15.5 will start rolling out to players on November 8th and will kick off Royale Pass Season 10 with a new “Fury of the Wasteland” theme. As part of the update, the game is set to receive a new team deathmatch map called Ruins, a new SMG and vehicle exclusive to Vikendi, the companion system that we saw previously in a beta release, and a new character for the EVO modes. Here are the concise patch notes for the update, along with some additional information:
-
Royale Pass Season 10: Fury of the Wasteland
- All new rewards
- Requests have been relaunched and Royale Pass can now be gifted.
- The Royale Pass Upgrade Card can now be used directly in the Pass Upgrade page.
- Improved UI for Royale Pass
- New Team Deathmatch map: Ruins
-
- A new TDM-exclusive map Ruins: Mysterious ancient ruins hidden in a rainforest. With dense vegetation and winding paths, it’s up to the players to go head-to-head with enemies or work together to set up a stronghold.
- Players will be able to respawn at random coordinates
-
New weapon MP5K:
- The MP5K is a portable SMG that only appears in Vikendi, replacing the Vector.
- The MP5K has a high rate of fire at 900 RPM and has outstanding anti-recoil capabilities.
- The MP5K has a base damage of 33 and can be equipped with all attachments (Tactical Stock, Mags, Scopes, Foregrips, and Laser Sights)
-
New vehicle Zima:
- Zima replaces the UAZ in Vikendi (Vikendi exclusive).
- Although it is more challenging to operate the Zima in snowy terrain, it is easier to drive than other 4-wheeled vehicles, making it more practical.
- The Zima is slower than other vehicles but more resistant to damage and can be used for alternate strategies.
-
Season System: Added Tier Protection Card rewards to the Platinum and Crown tiers. After reaching the Ace tier, players can earn one star for every 100 points they gain. The icon changes with the number of stars.
- Copper: 1-5 stars
- Silver: 5-10 stars
- Gold: 11 stars or more
- New Player 8-Day Rewards: Updated 8-Day rewards for new players to add Finishes, Trails, Classic Crate Vouchers, and other rewards.
- Companion System: The Falcon
-
- Players will soon be able to collect materials for the Falcon companion in the redemption event for free. Players can also get more Companion Shards in the Shop or from the Royale Pass to get the Falcon, Falcon Avatar, Companion Food, and other items.
- Will go live on November 11th
- New Character (Coming Soon): Vehicle Engineer – Sara.
-
- Sara’s ability, Vehicle Enhancement, reduces the damage taken by vehicles when she is driving or riding in a vehicle in the EVO Modes.
-
Changed Arcade mode availability
- Mini-Zone will be taken down temporarily
- Quick Match will be available at all times
- Sniper Training will now be available on Mondays, Wednesdays, Fridays, Saturdays, and Sundays
- War mode will now be available on Tuesdays, Thursdays, Saturdays, and Sundays
Along with the aforementioned features, the update will also bring some much-needed improvements to the team recruitment channel and clans, among other things. You can check out the complete changelog by following the link below. It’s worth noting that while the update will start rolling out on November 8th, the servers won’t be taken offline. Players who update between November 8th and 14th will receive 20 Silver, 2,000 BP, and 1 Blue Glider Trail. PUBG Mobile v0.15.5 will require approximately 0.21GB of storage space on Android and 0.24GB on iOS.
Source: PUBG Mobile


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# "Code" for the visual part of the webAPP # This code is in no means useable for commercial use # If you want to use and perhaps improve code, you are free to do so # Please fork the group and commit to this git


About
Goal oriented leader who likes to work fast and efficiently to solve the task at hand. Using a positive outlook, with the drive and passion for technology, to think outside the box. Working with, and learning from others to produce creative ideas and practical solutions.
Work Experience
Tricom Communications
Eagan, MN -- May 2015 to Present
- Installing and testing of data and phone systems for large commercial buildings on 3M and University of Minnesota campuses.
- Fiber optic cable installation through buildings and confined spaces.
- Interpreting and implementing project blueprints to successfully fulfill customers data needs.
Low Voltage Integrators
Oakdale, MN -- August 2014 to May 2015
- Installing and programming residential and small business security systems as a sub-contractor.
- Installing, repairing, and upgrading closed circuit television (CCTV), satellite TV, fire alarm systems, and access control systems for customers, commercial and residential.
- Reading wiring diagrams and developing layouts for low voltage systems.
DISH Network
Chanhassen, MN -- April 2013 to August 2014
- Fulfill the needs of customers by professionally and aesthetically installing or repairing satellite TV and home entertainment systems.
- Connecting receivers and other equipment to a secure broadband connection.
- Teaching customers about their equipment and systems and how to properly use them.
- Maintaining inventory and a clean work environment.
Education
Century College
White Bear Lake, Lake -- September 2011 - Present
- Currently studying to achieve an Associate’s Degree in Computer Science. 24 credits completed to date.


Shubham DasHey there! I am a student enrolled in Computer Science Engineering in Kalyani Government Engineering College.I am presently in my 3rd year of B-Tech.I am very much passionate about coding and have done courses on Core Java and Advanced Java. |
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I am a student enrolled in Computer Science Engineering in Kalyani Government Engineering College and is presently in my 3rd year of B-Tech.I topped from my department in my first year and do have 8.46 cgpa after 4 semesters. |


WATCH: Shastri Offers Prayer at Mahakaleshwar Temple Ahead of Pink Test
In the video that has surfaced on the internet, Shastri is seen dressed as a priest as he offers prayers.
Ahead of India’s first pink-ball Test at Eden Gardens against Bangladesh, coach Ravi Shastri offered prayers at the iconic Mahakaleshwar Temple in Ujjain on Sunday. The temple is one of the most sacred and outstanding places of pilgrimage for Hindus to date. The abode of Lord Shiva, it is on the banks of the Rudra Sagar Lake and is one of the twelve Jyotirlingas.
In the video that has surfaced on the internet, Shastri is seen dressed as a priest as he offers prayers. He is also surrounded by temple priests who assist him. In the past as well, Shastri has been seen offering prayers for the success of the side.
Here is the video that has now gone viral:
He is currently with the Indian team that is hosting Bangladesh at home. The Virat Kohli-led side thrashed Bangladesh by an innings and 130 runs in Indore to take a 1-0 lead in the two-match Test series. Mayank Agarwal bagged the player of the match for his brilliant double century.
India will play its first pink-ball Test in Eden Gardens starting November 22. In order to get acclimatised to the lights and the pink-ball, the side was seen practising in Indore after the first Test ended in under three days.
On Friday, Cheteshwar Pujara, Ajinkya Rahane, Virat Kohli and Ravichandran Ashwin got a first feel of playing with the pink ball under lights during a day-end net session at the Holkar Stadium.
For breaking news and live news updates, like us on Facebook or follow us on Twitter and Instagram. Read more on Cricket Latest News on India.com.
Story Timeline
- 17 Nov 2019 WATCH: Shastri Offers Prayer at Mahakaleshwar Temple Ahead of Pink Test
- 17 Nov 2019 ICC Test Rankings: Shami, Agarwal Touch New Highs After Impressive Show in Indore
- 17 Nov 2019 Eden Gardens Pitch Ready For Pink-Ball Test: Curator Sujan Mukherjee...
- 17 Nov 2019 Bangladesh Cricket Board Plans to Rope in Out-of-Contract Indian Players For BPL...
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ChannelTunerInterfaceController
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WatchKit label for displaying the call sign of a channel, based on the current input.
Declaration
Swift
@IBOutlet var channelLabel: WKInterfaceLabel?
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WatchKit label for displaying the current input.
Declaration
Swift
@IBOutlet var inputLabel: WKInterfaceLabel?
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Outlet to the WatchKit button that will input 0.
Declaration
Swift
@IBOutlet var zeroButton: WKInterfaceButton?
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Outlet to the WatchKit button that will input 1.
Declaration
Swift
@IBOutlet var oneButton: WKInterfaceButton?
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Outlet to the WatchKit button that will input 2.
Declaration
Swift
@IBOutlet var twoButton: WKInterfaceButton?
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Outlet to the WatchKit button that will input 3.
Declaration
Swift
@IBOutlet var threeButton: WKInterfaceButton?
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Outlet to the WatchKit button that will input 4.
Declaration
Swift
@IBOutlet var fourButton: WKInterfaceButton?
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Outlet to the WatchKit button that will input 5.
Declaration
Swift
@IBOutlet var fiveButton: WKInterfaceButton?
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Outlet to the WatchKit button that will input 6.
Declaration
Swift
@IBOutlet var sixButton: WKInterfaceButton?
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Outlet to the WatchKit button that will input 7.
Declaration
Swift
@IBOutlet var sevenButton: WKInterfaceButton?
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Outlet to the WatchKit button that will input 8.
Declaration
Swift
@IBOutlet var eightButton: WKInterfaceButton?
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Outlet to the WatchKit button that will input 9.
Declaration
Swift
@IBOutlet var nineButton: WKInterfaceButton?
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Lazily loaded string that holds the current input.
Declaration
Swift
lazy var currentInput: String = String()
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Adds a number, that must be between 0 and 9, to the current input.
Declaration
Swift
func addNumber(input: String!)
Parameters
input
The string to append to the current input
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Clears the current input and sets the text of the labels to default placeholders.
Declaration
Swift
@IBAction func clear()
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Attempts to tune the currently inputted channel number to the default device.
Declaration
Swift
@IBAction func sendToTv()
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Updates the channelLabel with the call sign of the channel retrieved from core data, that has the same channel number that is currently inputted.
Declaration
Swift
func updateCallSign()
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Adds a 0 to the current input string.
Declaration
Swift
@IBAction func zeroPressed()
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Adds a 1 to the current input string.
Declaration
Swift
@IBAction func onePressed()
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Adds a 2 to the current input string.
Declaration
Swift
@IBAction func twoPressed()
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Adds a 3 to the current input string.
Declaration
Swift
@IBAction func threePressed()
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Adds a 4 to the current input string.
Declaration
Swift
@IBAction func fourPressed()
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Adds a 5 to the current input string.
Declaration
Swift
@IBAction func fivePressed()
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Adds a 6 to the current input string.
Declaration
Swift
@IBAction func sixPressed()
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Adds a 7 to the current input string.
Declaration
Swift
@IBAction func sevenPressed()
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Adds a 8 to the current input string.
Declaration
Swift
@IBAction func eightPressed()
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Adds a 9 to the current input string.
Declaration
Swift
@IBAction func ninePressed()