HowToWriteCSVTemplate.Rmd
The openCyto package is uses a spreadsheet to compose the gating schemes. Basically each row corresponds to one population node in the gating hierarchy tree. However sometime it is verbose to describe every single population. So here we will explain how to make the template more succinct to easier to compose by using pop
and alias
pattern.
pop
= “+/-”For the 1d/2d gating function, we are normally interested in either positive(representing cell events within gate) or negative(or negated, representing cell events outside of the gate) by setting pop
column in the form of +
or -
. But sometime we want to do the downstream gating for both. By specifying pop
as +/-
, the template parser
will expand it into two rows internally.
For example, this row will be expanded automatically
| alias | pop | parent | dims | gating_method | gating_args |
|---|---|---|---|---|---|
| * | +/- | cd3 | cd4 | mindensity |
to two rows:
| alias | pop | parent | dims | gating_method | gating_args |
|---|---|---|---|---|---|
| cd4+ | + | cd3 | cd4 | mindensity | |
| cd4- | - | cd3 | cd4 | refGate | cd3/cd4+ |
Note that the second row uses refGate
which simply copies the gate coordinates computed by mindensity
in the first row, and assign the negative sign to the pop
column indicating the population of interest is cd4 negative
.
pop
= “++”Often time we need to apply 1d gating function on two dimensions separately and then use the two cutting points to construct rectangleGate
to capture the cell events falling into one particular quadrant on the 2-d projections For example, T helper
cells are usually represented as CD4+CD8-
. Instead of writing three rows in the template, simply using ++
pattern in the pop
column.
e.g
| alias | pop | parent | dims | gating_method | gating_args |
|---|---|---|---|---|---|
| T helper | +- | cd3 | cd4,cd8 | mindensity |
And the template parser will take care of the expansion automatically.
| alias | pop | parent | dims | gating_method | gating_args |
|---|---|---|---|---|---|
| cd4+ | + | cd3 | cd4 | mindensity | |
| cd8+ | + | cd3 | cd8 | mindensity | |
| T helper | +- | cd3 | cd4,cd8 | refGate | cd3/cd4+:cd3/cd8+ |
As we see, first two rows do the actual gating by mindensity
and the third row simply makes use the coordinates of that two 1d gates (cd4+
and cd8+
) and construct a rectangleGate
(T helper) by using refGate
as gating_method
. And the +
and -
sign along with dimensions determines which quadrant to keep.
pop
= “+/-+/-”Apparently, we may want to get more than one quadrants by using the same mechanism. For example, we can set pop
to +/-+/-
to keep all of four quadrants.
| alias | pop | parent | dims | gating_method | gating_args |
|---|---|---|---|---|---|
| * | +/-+/- | cd3 | cd4,cd8 | mindensity |
It will be expanded to six rows:
| alias | pop | parent | dims | gating_method | gating_args |
|---|---|---|---|---|---|
| cd4+ | + | cd3 | cd4 | mindensity | |
| cd8+ | + | cd3 | cd8 | mindensity | |
| cd4+cd8+ | ++ | cd3 | cd4,cd8 | refGate | cd3/cd4+:cd3/cd8+ |
| cd4-cd8+ | -+ | cd3 | cd4,cd8 | refGate | cd3/cd4+:cd3/cd8+ |
| cd4+cd8- | +- | cd3 | cd4,cd8 | refGate | cd3/cd4+:cd3/cd8+ |
| cd4-cd8- | – | cd3 | cd4,cd8 | refGate | cd3/cd4+:cd3/cd8+ |
First two does the actual gating, and rest of four uses two 1d gates to construct four different rectangleGate
s to represent four different quadrants.
pop
= "*" and alias
= “A,B,C”So far, we’ve been talking about the gating functions that only returns one gate object( S4 class
that extends flowCore::filter
). If we want to apply the gating function(e.g. curv2filter
or flowClust::tmixFilter
) that returns more than one gates, we can set pop
to *
and specify multiple population names within alias
with comma-separated characters.
| alias | pop | parent | dims | gating_method | gating_args |
|---|---|---|---|---|---|
| CD4,CD8 | * | cd3 | cd4,cd8 | curv2gate |
Here we assume curv1gate
always returns two
gates in the order of c("cd4", "cd8")
, then the population names in alias
column will be matched to these two gates and two dummy_gate
rows are generated that simply serves as a reference to be used
as parent
node of the downstream gates.
| alias | pop | parent | dims | gating_method | gating_args |
|---|---|---|---|---|---|
| CD4,CD8 | * | cd3 | cd4,cd8 | curv2gate | |
| CD4 | cd3 | cd4,cd8 | dummy_gate | cd3/CD4,CD8 | |
| CD8 | cd3 | cd4,cd8 | dummy_gate | cd3/CD4,CD8 |
pop
= “" and alias
= "”If we don’t know how many gates will be returned by curv2gate
or the order of gates are undetermined, thus we will not able to name these populations. As long as they are not used as parent
nodes for the further gating (i.e. terminal gate
s), we can simply set alias
to *
.
| alias | pop | parent | dims | gating_method | gating_args |
|---|---|---|---|---|---|
| * | * | cd3 | cd4,cd8 | curv2gate |
This will not be expanded in the openCyto
framework. However, multiple populations will be generated and added to the GatingSet
object. They are named by the filterId
slot of filter
objects.
parent
=“A,B,C”)If the same gating method (or simply refGate
) needs to be applied to multiple parents, it is possible to write these into the single row. For example,
| alias | pop | parent | dims | gating_method | gating_args |
|---|---|---|---|---|---|
| IL2+ | + | cd4,cd8 | IL2 | refGate | cd3/IL2+ |
This row is interpreted as copying the IL2
gate that has been generated from cd3
population and applying it to cd4
and cd8
, which is equivalent to the rows of below
| alias | pop | parent | dims | gating_method | gating_args |
|---|---|---|---|---|---|
| IL2+ | + | cd4 | IL2 | refGate | cd3/IL2+ |
| IL2+ | + | cd8 | IL2 | refGate | cd3/IL2+ |


Welcome to the Kingfield Neighborhood of Minneapolis. This site is provided through the Kingfield Neighborhood Association (KFNA). KFNA works to support and promote the common good and welfare of the neighborhood. Membership is open to all residents and business owners in Kingfield. Kingfield neighborhood boundaries are 35W on the east and Lyndale Avenue on the west, 36th Street on the north and 46th Street on the south.
The KFNA Board demonstrates and encourages neighborhood leadership, provides a forum for community participation, and a structure to promote the vision and aspiration of the neighborhood.
KFNA GUIDING PRINCIPLES
- Responsible Stewardship of all monies entrusted to the neighborhood.
- Systematic and periodic identification of neighborhood priorities.
- Providing forum for communication and dissemination of community issues, concerns and information.
- Encouragement of increased participation reflecting the diversity of the neighborhood, especially by under-represented groups.
- Building capacity and infrastructure of neighborhood by cultivating and facilitating leaders at all levels of the neighborhood.
- Advocate for the neighborhood’s interest in dealing with other entities (i.e. city Hall, other neighbors, the State, CCP/Safe, etc.).
- Actively promote a positive sense of community in the neighborhood.


>
What's your take on the DBC / EDA experience? From my experience of phase-0 so far, i feel very well supported and informed. The ciriculum feels well put together and organic.
What are your impressions? My cohort and coaches all seem to be very motivated and kind.
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Have your expectations of EDA changed? If so, how? I have reaslied that I am going to need to dedicate alot more time during the week to the phase-0 assignment and learning. There is not enough time to get it all done over the weekends.
Are you excited to participate in this kind of learning environment? Does it make you nervous? Yes I am very excited about this learning environment. I have done the whole university thing, and I eventually learned what I needed to know, but it too way too long, and I feel that the EDA way of teaching and learning will be vastly more benificial for me. Yes it does make me nervous, I am worried about quitting my job and going back to full-time study. However I feel that EDA will give me the best shot at getting into a new field that I have the potential to excel at, but mist importantly, enjoy myself


Questionaire
State Departments
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Male
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Prefer Not To Say
Age:
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Childhood Care


I have more than 3 years experience as a Python developer, working with various technologies based built in Python. I have been privilege to use my skills in 3 companies, where I played a substantial as a member of the core development team.
Over the years, working as a software engineer, I have honed skills in my fields which include but not limited to Data Science and Analytics, Artificial Intelligence, Web development, ERP development etc. I have professional experience using technologies like Python, Javascript, Golang, Django, Flask, Angular, React, Git, AWS, etc. to work efficiently in these fields.
Majorly, I develop products according to the client's specification. Building scalable product is my utmost desire, and I have always been fulfilling that desire, for myself and clients
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I have writing Python Programming language for 4 years and I have worked on many awesome projects with, writing scripts and building GUI applications. I take web scraping and crawling as my hobby
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Akorede is someone that is ready to learn new things in other to accomplish his goals while working on a project, he is well grounded in Python, Javascript, R, and other web technologies. What usually amazes me about him while working with him is the pace at wish he delivers his tasks, He is a person that any employee will be able to say that they are glad for having in their team.
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APIMASH_ACTIVEACCESS API_StarterKit shows you how to interact with an external webservice((in this case Active Access API) using the datadapter, Binding.ListAPI , ListDataSourceAPI, and how to display the grouped data using custom group and item datasources. Starter Kit was inspried by the HTML ListView working data sources sample.
This scenario demonstrates how to create a data adapter to interface with a web service. A data adapter is the component to interface between the list view and the supply of data, enabling virtualization. This specific example uses XmlHttpRequest to access the Active Access search feature of Active Access which is exposed as a web service. Key Rates Limits: 2 call per second and 10,000 calls per day.
The Active Access API requires an account key to identify the application please visit active.com or mashery.com. To use this sample you will need to get a key from the Active Access. Then paste the key into the text box below.


The Grey Fairy Book
by Andrew Lang
The Unlooked-For Prince
by Andrew Lang
Additional Information
- Year Published: 1906
- Language: English
- Country of Origin: England
- Source: Lang, A. (Ed.). (1906). The Brown Fairy Book. London: Longmans, Green & Co.
-
Readability:
- Flesch–Kincaid Level: 4.0
- Word Count: 2,895
- Genre: Fairy Tale/Folk Tale
- ✎ Cite This
Downloads
A long time ago there lived a king and queen who had no children, although they both wished very much for a little son. They tried not to let each other see how unhappy they were, and pretended to take pleasure in hunting and hawking and all sorts of other sports; but at length the king could bear it no longer, and declared that he must go and visit the furthest corners of his kingdom, and that it would be many months before he should return to his capital.
By that time he hoped he would have so many things to think about that he would have forgotten to trouble about the little son who never came.
The country the king reigned over was very large, and full of high, stony mountains and sandy deserts, so that it was not at all easy to go from one place to another. One day the king had wandered out alone, meaning to go only a little distance, but everything looked so alike he could not make out the path by which he had come. He walked on and on for hours, the sun beating hotly on his head, and his legs trembling under him, and he might have died of thirst if he had not suddenly stumbled on a little well, which looked as if it had been newly dug. On the surface floated a silver cup with a golden handle, but as it bobbed about whenever the king tried to seize it, he was too thirsty to wait any longer and knelt down and drank his fill.
When he had finished he began to rise from his knees, but somehow his beard seemed to have stuck fast in the water, and with all his efforts he could not pull it out. After two or three jerks to his head, which only hurt him without doing any good, he called out angrily, ‘Let go at once! Who is holding me?'
‘It is I, the King Kostiei,' said a voice from the well, and looking up through the water was a little man with green eyes and a big head. ‘You have drunk from my spring, and I shall not let you go until you promise to give me the most precious thing your palace contains, which was not there when you left it.'
Now the only thing that the king much cared for in his palace was the queen herself, and as she was weeping bitterly on a pile of cushions in the great hall when he had ridden away, he knew that Kostiei's words could not apply to her. So he cheerfully gave the promise asked for by the ugly little man, and in the twinkling of an eye, man, spring, and cup had disappeared, and the king was left kneeling on the dry sand, wondering if it was all a dream. But as he felt much stronger and better he made up his mind that this strange adventure must really have happened, and he sprang on his horse and rode off with a light heart to look for his companions.
In a few weeks they began to set out on their return home, which they reached one hot day, eight months after they had all left. The king was greatly beloved by his people, and crowds lined the roads, shouting and waving their hats as the procession passed along. On the steps of the palace stood the queen, with a splendid golden cushion in her arms, and on the cushion the most beautiful boy that ever was seen, wrapped about in a cloud of lace. In a moment Kostiei's words rushed into the king's mind, and he began to weep bitterly, to the surprise of everybody, who had expected him nearly to die of joy at the sight of his son. But try as he would and work as hard as he might he could never forget his promise, and every time he let the baby out of his sight he thought that he had seen it for the last time.
However, years passed on and the prince grew first into a big boy, and then into a fine young man. Kostiei made no sign, and gradually even the anxious king thought less and less about him, and in the end forgot him altogether.
There was no family in the whole kingdom happier than the king and queen and prince, until one day when the youth met a little old man as he was hunting in a lonely part of the woods. ‘How are you my unlooked-for Prince?' he said. ‘You kept them waiting a good long time!'
‘And who are you?' asked the prince.
‘You will know soon enough. When you go home give my compliments to your father and tell him that I wish he would square accounts with me. If he neglects to pay his debts he will bitterly repent it.'
So saying the old man disappeared, and the prince returned to the palace and told his father what had happened.
The king turned pale and explained to his son the terrible story.
‘Do not grieve over it, father,' answered the prince. ‘It is nothing so dreadful after all! I will find some way to force Kostiei to give up his rights over me. But if I do not come back in a year's time, you must give up all hopes of ever seeing me.'
Then the prince began to prepare for his journey.  So, kissing him tenderly, with many tears they let him go.
He rode steadily on for three days, and at sunset on the fourth day he found himself on the seashore. On the sand before him lay twelve white dresses, dazzling as the snow, yet as far as his eyes could reach there was no one in sight to whom they could belong. Curious to see what would happen, he took up one of the garments, and leaving his horse loose, to wander about the adjoining fields, he hid himself among some willows and waited. In a few minutes a flock of geese which had been paddling about in the sea approached the shore, and put on the dresses, struck the sand with their feet and were transformed in the twinkling of an eye into eleven beautiful young girls, who flew away as fast as they could. The twelfth and youngest remained in the water, stretching out her long white neck and looking about her anxiously. Suddenly, among the willows, she perceived the king's son, and called out to him with a human voice:
‘Oh Prince, give me back my dress, and I shall be for ever grateful to you.'
The prince hastened to lay the dress on the sand, and walked away. When the maiden had thrown off the goose-skin and quickly put on her proper clothes, she came towards him and he saw that none had ever seen or told of such beauty as hers. She blushed and held out her hand, saying to him in a soft voice:
‘I thank you, noble Prince, for having granted my request. I am the youngest daughter of Kostiei the immortal, who has twelve daughters and rules over the kingdoms under the earth. Long time my father has waited for you, and great is his anger. But trouble not yourself and fear nothing, only do as I bid you. When you see the King Kostiei, fall straightway upon your knees and heed neither his threats nor his cry, but draw near to him boldly. That which will happen after, you will know in time. Now let us go.'
At these words she struck the ground with her foot and a gulf opened, down which they went right into the heart of the earth. In a short time they reached Kostiei's palace, which gives light, with a light brighter than the sun, to the dark kingdoms below. And the prince, as he had been bidden, entered boldly into the hall.
Kostiei, with a shining crown upon his head, sat in the centre upon a golden throne. His green eyes glittered like glass, his hands were as the claws of a crab. When he caught sight of the prince he uttered piercing yells, which shook the walls of the palace. The prince took no notice, but continued his advance on his knees towards the throne. When he had almost reached it, the king broke out into a laugh and said:
‘It has been very lucky for you that you have been able to make me laugh. Stay with us in our underground empire, only first you will have to do three things. To-night it is late. Go to sleep; to-morrow I will tell you.'
Early the following morning the prince received a message that Kostiei was ready to see him. He got up and dressed, and hastened to the presence chamber, where the little king was seated on his throne. When the prince appeared, bowing low before him, Kostiei began:
‘Now, Prince, this is what you have to do. By to-night you must build me a marble palace, with windows of crystal and a roof of gold. It is to stand in the middle of a great park, full of streams and lakes. If you are able to build it you shall be my friend. If not, off with your head.'
The prince listened in silence to this startling speech, and then returning to his room set himself to think about the certain death that awaited him. He was quite absorbed in these thoughts, when suddenly a bee flew against the window and tapped, saying, ‘Let me come in.' He rose and opened the window, and there stood before him the youngest princess.
 You may sleep in peace, and to-morrow morning when you awake you will find the palace all ready.'
What she said, she did. The next morning when the prince left his room he saw before him a palace more beautiful than his fancy had ever pictured. Kostiei for his part could hardly believe his eyes, and pondered deeply how it had got there.
‘Well, this time you have certainly won; but you are not going to be let off so easily. To-morrow all my twelve daughters shall stand in a row before you, and if you cannot tell me which of them is the youngest, off goes your head.'
‘What! Not recognise the youngest princess!' said the Prince to himself, as he entered his room, ‘a likely story!'
‘It is such a difficult matter that you will never be able to do it without my help,' replied the bee, who was buzzing about the ceiling. ‘We are all so exactly alike, that even our father scarcely knows the difference between us.'
‘Then what must I do?'
‘This. The youngest is she who will have a ladybird on her eyelid. Be very careful. Now good-bye.'
Next morning King Kostiei again sent for the prince. The young princesses were all drawn up in a row, dressed precisely in the same manner, and with their eyes all cast down. As the prince looked at them, he was amazed at their likeness. Twice he walked along the line, without being able to detect the sign agreed upon. The third time his heart beat fast at the sight of a tiny speck upon the eyelid of one of the girls.
‘This one is the youngest,' he said.
‘How in the world did you guess?' cried Kostiei in a fury. ‘There is some jugglery about it! But you are not going to escape me so easily. In three hours you shall come here and give me another proof of your cleverness. I shall set alight a handful of straw, and before it is burnt up you will have turned it into a pair of boots. If not, off goes your head.'
So the prince returned sadly into his room, but the bee was there before him.
‘Why do you look so melancholy, my handsome Prince?'
‘How can I help looking melancholy when your father has ordered me to make him a pair of boots? Does he take me for a shoemaker?'
‘What do you think of doing?'
‘Not of making boots, at any rate! I am not afraid of death.  I will try to save you.
As she spoke she spat upon the ground, and then drawing the prince after her out of the room, she locked the door behind her and threw away the key. Holding each other tight by the hand, they made their way up into the sunlight, and found themselves by the side of the same sea, while the prince's horse was still quietly feeding in the neighbouring meadow. The moment he saw his master, the horse whinnied and galloped towards him. Without losing an instant the prince sprang into the saddle, swung the princess behind him, and away they went like an arrow from a bow.
When the hour arrived which Kostiei had fixed for the prince's last trial, and there were no signs of him, the king sent to his room to ask why he delayed so long. The servants, finding the door locked, knocked loudly and received for answer, ‘In one moment.' It was the spittle, which was imitating the voice of the prince.
The answer was taken back to Kostiei. He waited; still no prince. He sent the servants back again, and the same voice replied, ‘Immediately.'
‘He is making fun of me!' shrieked Kostiei in a rage. ‘Break in the door, and bring him to me!'
The servants hurried to do his bidding. The door was broken open. Nobody inside; but just the spittle in fits of laughter! Kostiei was beside himself with rage, and commanded his guards to ride after the fugitives. If the guards returned without the fugitives, their heads should pay for it.
By this time the prince and princess had got a good start, and were feeling quite happy, when suddenly they heard the sound of a gallop far behind them. The prince sprang from the saddle, and laid his ear to the ground.
‘They are pursuing us,' he said.
‘Then there is no time to be lost,' answered the princess; and as she spoke she changed herself into a river, the prince into a bridge, the horse into a crow, and divided the wide road beyond the bridge into three little ones. When the soldiers came up to the bridge, they paused uncertainly. How were they to know which of the three roads the fugitives had taken? They gave it up in despair and returned in trembling to Kostiei.
‘Idiots!' he exclaimed, in a passion. ‘They were the bridge and the river, of course! Do you mean to say you never thought of that?
But time had been lost, and the prince and princess were far on their way.
‘I hear a horse,' cried the princess.
The prince jumped down and laid his ear to the ground.
‘Yes,' he said, ‘they are not far off now.'
In an instant prince, princess, and horse had all disappeared, and instead was a dense forest, crossed and recrossed by countless paths. Kostiei's soldiers dashed hastily into the forest, believing they saw before them the flying horse with its double burden. They seemed close upon them, when suddenly horse, wood, everything disappeared, and they found themselves at the place where they started. There was nothing for it but to return to Kostiei, and tell him of this fresh disaster.
‘A horse! a horse!' cried the king. ‘I will go after them myself. This time they shall not escape.' And he galloped off, foaming with anger.
‘I think I hear someone pursuing us,' said the princess
‘Yes, so do I.'
‘And this time it is Kostiei himself. But his power only reaches as far as the first church, and he can go no farther. Give me your golden cross.' So the prince unfastened the cross which was his mother's gift, and the princess hastily changed herself into a church, the prince into a priest, and the horse into a belfry.
It was hardly done when Kostiei came up.
‘Greeting, monk. Have you seen some travellers on horseback pass this way?'
‘Yes, the prince and Kostiei's daughter have just gone by. They have entered the church, and told me to give you their greetings if I met you.'
Then Kostiei knew that he had been hopelessly beaten, and the prince and princess continued their journey without any more adventures.


Wanderu is the simplest way to find and book bus and train travel across North America. Now you can book the best deals on the go with the official Wanderu app, featured as "Best New App" by the iTunes App Store and Google Play. Compare and book trips, view your past reservations, and save your favorite frequently searched trips all from the app. See why TIME Magazine named Wanderu a "Favorite New App."


|
Assimp
5.0.1, master @ cd42b955
|
A node in a scene hierarchy. More...
Public Member Functions | |
| Node () | |
| Constructor. Begin with a zero parent. More... | |
| ~Node () | |
| Destructor: delete all children subsequently. More... | |
Public Attributes | |
| std::vector< CameraInstance > | mCameras |
| Cameras at this node. More... | |
| std::vector< Node * > | mChildren |
| std::string | mID |
| std::vector< LightInstance > | mLights |
| Lights at this node. More... | |
| std::vector< MeshInstance > | mMeshes |
| Meshes at this node. More... | |
| std::string | mName |
| std::vector< NodeInstance > | mNodeInstances |
| Node instances at this node. More... | |
| Node * | mParent |
| std::string | mPrimaryCamera |
| Root-nodes: Name of primary camera, if any. More... | |
| std::string | mSID |
| std::vector< Transform > | mTransforms |
| Operations in order to calculate the resulting transformation to parent. More... | |
A node in a scene hierarchy.
|
inline |
Constructor. Begin with a zero parent.
|
inline |
Destructor: delete all children subsequently.
| std::vector<CameraInstance> Assimp::Collada::Node::mCameras |
Cameras at this node.
| std::vector<Node *> Assimp::Collada::Node::mChildren |
| std::string Assimp::Collada::Node::mID |
| std::vector<LightInstance> Assimp::Collada::Node::mLights |
Lights at this node.
| std::vector<MeshInstance> Assimp::Collada::Node::mMeshes |
Meshes at this node.
| std::string Assimp::Collada::Node::mName |
| std::vector<NodeInstance> Assimp::Collada::Node::mNodeInstances |
Node instances at this node.
| Node* Assimp::Collada::Node::mParent |
| std::string Assimp::Collada::Node::mPrimaryCamera |
Root-nodes: Name of primary camera, if any.
| std::string Assimp::Collada::Node::mSID |
| std::vector<Transform> Assimp::Collada::Node::mTransforms |
Operations in order to calculate the resulting transformation to parent.


VISHWAKARMA SR. SECONDARY SCHOOL
Patiyatpara, Tappal (Aligarh)
ADMISSION OPEN
GUALIFIED TEACHERS
Principal
(Dinesh Sharma)
Manager
(Praveen Panchal)
WEBSITE DESIGNER (Lalit kumar tanwar)
Facility of our school
EXAM RESULTS
HOMEWORK UPDATES
EXAM SCHEDULE
FEE AND ONLINE PAYMENT
DOUBTS AND DISCUSSION
TRANSPORT


*new* check out the
api documentation
rare pepe generator, inspired by
edges2cats
input
Clear
process pepes
output
come hang w/ us
fb.com/WeCodeAlot
t.co/qutcode


Step 1:
Website Landing page
Website Landing page
Register Request -> This option allows people to register their request
Enter your details such as Name, Phone number, Address and District in the given sections
Choose the Item/Items to be requested and select Add Item
After choosing Add Item, Enter the Number of Items required
Finally, Choose the Request Help button after entering all the details
View Requests -> This option allows people to view Registered Requests
View Donors -> This option allows people to view Registered Donors
For more interactive features Download For My Kerala App from Playstore.


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Back to Search
Motels in Auckland
Parklane Lodge
$90 per night
Ponsonby
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Hostels in Auckland
Nomad Backpackers
$30 per night
Mt Eden
Details on Hostel
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Hotel Details
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Grand Millenium Hotel
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Food Included?
Yes
No
Vegetarian
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Halal
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Turner House
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Food Included?
Yes
No
Vegetarian
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Parkridge Lodge
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No
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Vegan
Halal


pyspecdata.core.figlist¶
-
class
pyspecdata.core.
figlist
(*arg, **kwargs)¶ -
basename
¶ A basename that can be changed to generate different sets of figures with different basenames. For example, this is useful if you are looping over different sets of data, and generating the same set of figures for each set of data (which would correspond to a basename).
Type: str
-
figurelist
¶ A list of the figure names
Type: list
-
figdict
¶ A dictionary containing the figurelist and the figure numbers or objects that they correspond to. Keys of this dictionary must be elements of figurelist.
Type: dict
-
propdict
¶ Maintains various properties for each element in figurelist. Keys of this dictionary must be elements of figurelist.
Type: dict
-
__init__
(*arg, **kwargs)¶ Initialize a figure list, which can be used to generate a series of figures from the command line or prompt. Then the same code (if figlist_var is used) can be included inside a
python
environment in a latex document.Parameters: - black (double) – A fractional number giving how “black” “black” is. Typically 1.0 is actually too dark and makes things hard to see.
- mlab (object) – If you want to use mayavi, this should be the mlab (module?)
- file_name (str) – This is the argument passed to
self.show()
, and used to construct the file names.
Methods
__init__
(*arg, **kwargs)Initialize a figure list, which can be used to generate a series of figures from the command line or prompt. adjust_spines
(spines)check_units
(testdata, x_index, y_index)generate_ticks
(plotdata, axes, rescale[, …])generate 3d ticks and grid for mayavi get_fig_number
(name)get_num_figures
()grid
()header
(number_above, input_string)image
(A, **kwargs)Called as fl.image() where fl is the figlist_var object label_point
(data, axis, value, thislabel[, …])only works for 1D data: assume you’ve passed a single-point nddata, and label it marked_text
(marker[, input_text, sep])Creates a named marker where we can place text. mesh
(plotdata[, Z_normalization, …])next
(input_name[, legend, boundaries, twinx])Switch to the figure given by input_name, which is used not only as a string-based name for the figure, but also as a default title and as a base name for resulting figure files. phaseplot_finalize
()Performs plot decorations that are typically desired for a manual phasing plot. plot
(*args, **kwargs)param linestyle: the style of the line pop_marker
()push_marker
()setprops
(**kwargs)show
(*args, **kwargs)show_prep
()text
(mytext)twinx
([autopad, orig, color])use_autolegend
([value])No argument sets to true if it’s not already set -


Helium-slider is a responsive jQuery image slider, built by Harun Eggleton under the open source MIT licenece.
include the following scripts as follows before the end of the BODY tag
↓ select alladd the following HTML wherever you want your slider to appear
↓ select allAdd the following CSS in main.css (or any desired css location)
↓ select allPlace the follow before the end of the BODY tag to initialize your slider. this example includes all options for initializing slider with commented descriptions
↓ select allPane elements must be positioned absolutely from top or bottom, and left or right.
The animation of the pane is defined by the pane settings (paneXOffset, paneYOffset, paneDelay, paneSpeed). Offsets animate the provided number in pixels, in the same direction as the slide animation. This direction may be reversed by entering a negative value.
To add more panes, simply add more pane elements in your html. you can add an additional class to each of them to position them differently.
To animate multiple panes differently separate the desired settings with commas. The values will apply in sequence to the panes in each slide. In the below example 100 will apply to the first pane, 200 to the second, and 300 to the third.
↓ select all ↓ select all


SageFrame Installation Guide
The secret to successful installation is getting the prerequisites
right. If everything is prepared beforehand, installation is straightforward and
painless!
Installing SageFrame is easy if you know how ,
yet there are large number of posts on the SageFrame "Install It!" forum from people who are having
installation problems ranging from basic to advanced. Why is this? The answer is that many first time
installers do not get the prerequisites right before they start to install.
This guide to SageFrame install prerequisites assumes that you have direct access
to the computer - for those using a hosted account, instead of installing
these prerequisites, just ask your hosting provider if these prerequisites are already
set up for you, and if their control panel software will install SageFrame for you.
You must first install these items, in the given order:
- Internet Information Server (IIS) .
- DotNet Framework 4.0
- SQL Server 2005 and above.
- If you are using SQL server express, then you must also install SQL Server Management
Console for SQL Server Express (a separate download from microsoft.com).
5 basic steps to install.
After you have logged into www.sageframe.com, navigate to “Framework>>Download”,
select the latest version install package and save to your C: drive
(for our example, I selected and downloaded the 3.0 source code version
(SageFrameV3.0_Source.zip). Installing the source code version of SageFrame allows
you to make changes to the core code of SageFrame.
There are two things you need to do in SQL Server Management Studio. First,
create a database. Second, create the SQL Server login for that very same database.
Make sure that your database server runs in “
Mixed Authentication Mode”
(SQL Server and Windows Authentication mode” is checked.) You can find this
setting by right-clicking on your server (first node in the SQL Server
Management Studio tree on the left), then
Properties | Security.
Create the Database
- Open SQL Server Management Studio
- Select your desired server from the drop-down list and connect
- Expand the tree on the left-hand side so you can see “Databases”
- Right-click on "Databases"
- Select “New Database”
- In the "Database Name" field, enter a name for your database and click
OK. For example, I have entered “SF3”
- You now have an empty database called SF3
Creating a login for your database:
- Expand the Security node of your server
- Right-click on Logins
- Select “New Login”
- Enter your desired login name. You must remember this login name and password as
we will use it later. For my purposes here, I’ve entered “SF30Login”
(without the quotes) as my login name.
- Select “SQL Server Authentication” and enter a password.
I entered “test” as my password.
- Uncheck “Enforce Password expiration/User must change password at
next login”
- Click “User Mapping” on the left
- Select/Check the new database you created in the top grid “Users mapped
to this login:”
- Select/Check db_owner in the bottom list “Database role membership for: “
- Click OK
- Now look in the Security node under your database (SF3) and you will see a newly
created database user listed, meaning we also created a new database user by mapping
our SQL Server login to our database.
The database part is now complete.
In this step, we create a folder and unzip the source code version SageFrame.zip
package file to this directory. You can put it directly under C:\inetpub\wwwroot
or C:\foldername. For this example, I used C:\SF3.
- In Windows Explorer, create a new folder called SF30 on your C: drive. This will
be the folder where your website files will live.
- Extract (unzip) the SageFrameV3.0_Source.zip file that you downloaded earlier
into your desired folder (C:\SF30 in our example)
- Lastly, you must change the access permissions of your folder. The Windows account
that is used to access your site must have full control over your SageFrame root
folder. To set this, right-click on the root folder of your site (C:\SF30). Click
Sharing and Security. Click the Security tab. If you do not see the Security tab,
you must “turn off” simple file sharing for the folder.
To do this, select the root folder (C:\SF30) in Windows Explorer. Click Tools |
Folder Options. Select the View tab. Uncheck “Use simple file sharing.”
Click OK. You can now right-click the folder and access the Security tab.
- On the Security tab, you will see a list of users who have access to your folder.
Windows XP uses the ASPNET account and Windows 2003 uses the NETWORK SERVICE account.
Add the account and give it full control permissions.
Now that the database and file system are in place, we can create the virtual directory
in IIS.
- Open IIS and expand the tree to see “Default Web Site”.
(You can find IIS in Start | Control Panel | Administrative Tools.)
- Expand the "Default Web Site" node.
- If you have placed your SF root folder under C:\inetpub\wwwroot, you will already
see your website and can bypass this step. If not, you will need to add a virtual
directory.
- Right-click on "Default Web Site"
- Click New | Virtual Directory
- Enter an alias – "SageFrameDemo" will do
- Click Next and enter/browse to the path to the root folder of your website.
- Click Next and leave access permissions as is (should be set to Read/Run Scripts.)
- Click Next and Finish
Now that a virtual directory is in place, you’ll need to modify its properties.
- Click on the "Documents" tab
- An entry for “Default.aspx” needs to be added. Add
default.aspx and move it to the top of the default documents list.
- Click on the "Directory Security" tab
- In the “Anonymous access and authentication control” group box, click
"Edit"
- Make sure that “Anonymous Access” is checked as well
as “Integrated Windows Authentication”
- Next, click on the "ASP.NET" tab and make sure that “4.0”
is selected for the ASP.NET version
- Click OK to save your changes
The very last step is to initiate the SF installation via web browser. In this case,
the install wizard takes over. In doing so, it creates tables and stores procedures
in your database and adds the needed data rows to these tables to house your site.
You will be prompted to test your folder’s permissions, to test the database
connection and lastly, to enter your desired user name and password for your host
and admin user. Note these down!
- Open your web browser of choice and navigate to http://localhost/SageFrameDemo
(replace SageFrameDemo with the name of your IIS virtual directory)
- If everything has been configured properly, you will be guided through an installation
wizard i.e. http://localhost/SageFrameDemo/Install/InstallWizard.aspx.
- Choose the custom install setting. not the choose auto option, because the
custom install allows us to specify the database information. Even though,
the auto option will be disabled if it is your first and fresh SageFrame installation.
- If you are upgrading your previous version of SageFrame then the auto option
will be enabled.
- Test your folder permissions when requested.
- Verify your database connection when asked.
- Click on “Install SageFrame” for a single click installation
- You will see the wizard running the sql scripts
- On successful completion, your new SageFrame-based website appears.
Note: During the installation, if anything goes wrong from missing
any of the settings above, then delete the database and create a new empty database
and start the SageFrame installation again. The reason for this is that half completed
install will result in a half created database, and it is quicker to start again
than it is to fix a half installed database. Otherwise if all settings are configured
correctly as mentioned above, you should check for sqldataprovider .sql scripts
files under folder http://localhost/SageFrameDemo/Install/Providers/DataProviders/SqlDataProvider/
and rerun the .sql scripts by clicking “Return” button.
Default Username and Password
After the successful installation of SageFrame, you can access the default
login page of SageFrame as http://localhost/SageFrameDemo/sf/sflogin.aspx(replace
SageFrameDemo with the name of your IIS virtual directory). The Default username
and password for the system are:
Role: SuperUser
Username: superuser
Password: superuser
Role: Admin
Username: admin
Password: admin
Enjoy SageFrame!


I am an aspiring graphic designer and a current student at Eastern Washington University. Inspired by all things sports and always striving to improve everyday.
NFL midseason playoff scenarios: Could the Vikings, Patriots or Giants still make the 2020 postseason?
LSU coach Ed Orgeron said multiple players, including starters, will be unavailable for Saturday's game against Alabama.
Read more >Overview: I had created a new game within the genre classified as a social deduction game. My game was unique as I wanted to fuse with roles from the popular MOBA “League of Legends”. I written the instructions and everything that came with a fully functional party game within this app prototype.
Overview: I had created a custom book cover based off one of my favorite movies “The Dark Knight Rises”. The objective was to use the some Adobe Creative Suite products in order to create a product that could be seen on shelves while showing that my understanding of the figure - ground concept along with ability to choose a theme.
Overview: I had created a concep collectors edition of a cereal box. Using the various Adobe Suite Products in order to complete this project. Picking a subject which was 2019’s NFL MVP Lamar Jackson to work around. I wanted to incorporate custom vectors of Lamar Jackson and had also created a new logo for his company “Era 8”.
Overview: My college was holding a competition showcasing the appreciation for the Bauhaus movement. I wanted to build it around one of the most well known and respected people in the world of sports and fuse it with Bauhaus art. Bauhaus inspired colors and typography was incorporated within this print out poster.


{#- This template is part of the rtd-theme and it is included here so that changes can be made and override the theme #} {%- if 'singlehtml' not in builder %}


filmcritic.com presents a review from staff member James Brundage. You can find the review with full credits at http://www.filmcritic.com/misc/emporium.nsf/2a460f93626cd4678625624c007f2b46/40326da6dc39de82882568c20010c937?OpenDocument
Beautiful People (1999, R) A Film Review by James Brundage Copyright 2000 Filmcritic.com Filmcritic.com
It seems like eight years after Short Cuts, everyone decided to try to one-up Robert Altman's slow-moving masterpiece. In the space of six months, we have seen the releases of three films that have been Short Cuts-esque. First we had Magnolia. Then we had the beautifully photographed yet sluggish 1999 Madeleine. Now we have Beautiful People, a British film about Bosnia.
Somehow packing in the stories of about a dozen major characters into a two-hour running time, Beautiful People has the same bizarre intertwining of characters that Magnolia and Short Cuts did. However, Beautiful People manages to hit harder when all is said and done.
Beautiful People is the story of Portia (Charlotte Coleman), an upper crust Brit ER doctor who falls in love with Pero (Edin Dzandzanovic), a Bosnia immigrant. Pero ended up in the hospital when he was hit by a car, and he ends up right next to a Serb and a Croat (Frank Purti and Dado Jehan) who have duked it out all throughout London. Next to the Serb and the Croat is a Welsh firebomber (Nicholas McGaughey) who is in the ward with a burn wound. Overseeing those three misanthropes is a nurse (Linda Bassett).
In the same hospital, on a different floor, there is an obstetrics doctor ho oversees a Muslim woman who was raped in Bosnia and now wants an abortion so that she does not give birth to a child of the enemy. This doctor is engaged in a custody battle. His children attend school with the children of a BBC cameraman who is stationed in Bosnia. The headmaster of the school deals with a heroin-addicted son who accidentally is airdropped into Bosnia when he falls asleep on an airdrop package.
Much more jumbled than the last British film to probe the world of Bosnia (Welcome to Sarajevo), Beautiful People plays itself out so neatly as to be of absolutely no trouble for the viewer to follow once you are in the thick of it. Writer-director Jasmin Dizdar, himself a Bosnia refugee, manages to add a personal touch to the story that Welcome to Sarajevo was missing.
Unlike Short Cuts or Magnolia, Beautiful People never delivers a monologue. Instead, it sometimes ends up being peachy and drives its point home like a shot through the heart. Which, when dealing with Bosnia, might not exactly be a bad idea.
Rating: ****1/2
MPAA Rating: R
Written and Directed by Jasmin Dizdar
Produced by Ben Woolford
Starring Charlotte Coleman, Charles Kay, Rosalind Ayres, Roger Sloman, Julian Firth, Heather Tobias, Danny Nussbam, Siobhan Redmond, Gilbert Martin, Steve Sweeney, Linda Bassett, Nicholas Farrell, Frank Purti, Dado Jehan, Edin Dzandzanovic, Walentine McGuaghey, Radoslav Youroukov, and Nicholas McGaughey
http://www.beautifulpeoplethefilm.com/
-- Christopher Null -<EMAIL_ADDRESS>- http://www.filmcritic.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Question 4:
When the following main() is compiled with the above implementation
of revstring(), what is the output of the program?
main()
{
char s1[100];
strcpy(s1, "Give Him Six!");
printf("%s\n", revstring(s1));
}
|
Question 5:
When the following main() is compiled with the above implementation
of revstring(), what is the first line of output of the program?
main()
{
char s1[100];
char *s;
strcpy(s1, "Give Him Six!");
s = revstring(s1);
strcpy(s1, "Jim");
printf("%s\n", revstring(s1));
printf("%s\n", s);
}
|
|
Question 6:
What is the second line of output (of the program in Question 5)?
|
Question 7:
When the following main() is compiled with the above implementation
of revstring(), what is the output of the program?
main()
{
char *s, *s2, *s3;
strcpy(s, "Jim");
s2 = strdup(s);
s3 = revstring(s);
printf("%s\n", s2);
}
|


|
||||||||||
| PREV PACKAGE NEXT PACKAGE | FRAMES NO FRAMES |
| Interface Summary | |
| PropertyInterface | Used to turn objects into properties that can be written and read from text files |
| PropertyWriter |
| Class Summary | |
| BooleanProperty | |
| ColorProperty | |
| FilePropertyWriter | |
| FloatProperty | |
| IntegerProperty | |
| LogTypeProperty | |
| Property | |
| PropertyCollection | The property collection object holds information needed by the application in a format which is readily accessible. |
| PropertyManager | |
| StringProperty | :Id: StringProperty.java,v 1.5 2003/02/24 00:13:53 wurp Exp $ :Log: StringProperty.java,v $ Revision 1.5 2003/02/24 00:13:53 wurp Formatted all java code for cvs (strictSunConvention.xml) Revision 1.4 2001/06/20 04:05:42 wurp added log4j. |
|
||||||||||
| PREV PACKAGE NEXT PACKAGE | FRAMES NO FRAMES |


{% extends 'frontend/base.html' %} {% block content %} Thank you for submitting your Job Posting The organizers will review your posting, check your sponsorship level, and mark it live within 24 hours. {% endblock %}
The organizers will review your posting, check your sponsorship level, and mark it live within 24 hours.


This is the partial for view 2.
Showing of 'interpolate' filter: {{variableCtrl2}}{{' jajaja ' + 5*4}}


Transportability
Encoding & Hashing Javascript
window
object comes with built in functions
for encoding and decoding base64:
window.btoa()
(Binary to ASCII)btoa(data);
// returns => <base64encodedData>
window.atob()
(ASCII to Binary)atob(base64encodedData);
// returns => <data>
<script src="md5.js"></script>
md5(data);
// returns => <hashedData>
Creating a Token in JS
function makeToken(payload, secret) {
const encodedPayload = btoa(JSON.stringify(payload));
const encodedSignature = btoa(md5(encodedPayload + btoa(secret)));
// concatenate payload and signature with "." separator
return `${encodedPayload}.${encodedSignature}`;
}
function(token, secret) {
// destructure the payload and signature
const [encodedPayload, encodedSignature] = token.split('.');
// replicate the signature based on the shared secret
const signature = btoa(md5(encodedPayload + btoa(secret)));
// compare the two signatures to verify secret
if (signature === encodedSignature) {
// decode the payload to use within our app
const payload == JSON.parse(atob(encodedPayload));
return payload;
}
else {
return 'Token not valid.'
}
}
Why Is Encoding, Hashing & Encryption Useful?
Encoding:
Hashing:
Symmetric Encryption
Verifying Tokens in the Browser
A method to verify that the tokens on the front end are valid is to
have an /api/verify
endpoint which a client can hit with
its token present in its headers. The back end would then verify the
token and return a success or error back to the client. Based on this
server response, our front end app can allow or disallow the user to
access particular views.
This is a much more robust method than just checking whether a “token” is present in local storage.


Draw2 Mode to draw parallel lines
Choose Mode from MenuBar and click Draw2 or
Press @ or <shift>Home from any GIN mode.
Press Numeric Keys to execute:
0Options Setup Options.
1Join Set separation between lines.
2-2Wall Creates double lines.
The command in progress highlighted on the Option Line.


Clicking the button below for open Login & Register Form in Modal.
To keep connected with us please login with your personal info.
New to Oxyy? Create an account
Enter your personal details and start journey with us.
Already have an account? Log In


BURGER-INN!
Welcome to Burger Inn
Select Burger
{{item_obj.name}}
{{item_obj.kCal}} kCal
Contains
lactose
Contains
gluten
Select
Customer Information
Delivery information:
Full Name
E-mail
Recipient
Credit Card
Debit Card
Swish
BankId
Click in the map!
Open dispatcher in new window
.
T
Gender
Male
Female
Non-Binary
Undisclosed
Place my order!
Customer details
Name: {{userData[0]}} {{userData[1]}}
Email: {{userData[2]}}
Gender: {{userData[3]}}
Payment: {{userData[4]}}
Chosen burger: {{orderItems}}


{% extends '../../base.html' %} {% load static %} {% block content %}
Your password has been set. You may go ahead and sign in now.


13 references to CimWriteResultObject
Microsoft.Management.Infrastructure.CimCmdlets (13)
CimBaseAction.cs (1)
42
/// It may used by action, such as <see cref="
CimWriteResultObject
"/>,
CimRegisterCimIndication.cs (2)
224
CimWriteResultObject
cimWriteResultObject = actionArgs.Action as
CimWriteResultObject
;
CimSessionProxy.cs (9)
1022
CimWriteResultObject
action = new(resultObject, this.ContextObject);
1956
CimWriteResultObject
result = new(this.CimSession, this.ContextObject);
2017
if (args.Action is not
CimWriteResultObject
)
2023
CimWriteResultObject
writeResultObject = args.Action as
CimWriteResultObject
;
2176
if (args.Action is not
CimWriteResultObject
)
2182
CimWriteResultObject
writeResultObject = args.Action as
CimWriteResultObject
;
2272
if ((!this.passThru) && (args.Action is
CimWriteResultObject
))
CimWriteResultObject.cs (1)
18
/// Initializes a new instance of the <see cref="
CimWriteResultObject
"/> class.


It was used for the last time {{ object.last_used }}.


WITNESS LIST Finance Committee July 6, 2005 - 2:00P SB 5 FOR BILL/FOR COMMITTEE SUBSTITUTE: James, Dwain Executive Director (American Collectors Association of Texas), Austin, TX ON BILL/ON COMMITTEE SUBSTITUTE: Ballard, Paul CEO Texas Treasurer Safekeeping Trust Company (Texas Treasurer Safekeeping Trust Company/ Comptroller), Austin, TX Ivie, Julie Analyst (LBB), Austin, TX Jones, Adam Associate Commissioner (TEA), Austin, TX Mashburn, Tim (General Counsel Comptroller of Public Accounts), Austin, TX Mayes, Mary Investment Manager, Travis Company (Government Treasurers Organization of Texas), Austin, TX McBee, Barry (Office of Attorney General), Austin, TX Reissig, Mike Director of Public Accounts (Director of Public Accounts), Austin, TX Registering, but not testifying: On Bill/On Committee Substitute: Alfaro, Art Acting Treasurer, City of Austin (Government Treasurer Organization of Texas), Austin, TX SB 6 ON: Madrigal, Sergio Economist (LBB), Austin, TX Murphy, Terrell Commissioner DARS (DARS), Austin, TX Parks, Ursula Manager, Public Education (LBB), Austin, TX Schiess, Jennifer Analyst (LBB), Austin, TX


Hive Bot Tournament
Results
Rankings
About
Participate
{% block content %} {% endblock content %}
{% block sidebar %}
Visit the Official Hive Site
Play Hive at Boardspace.net
Geek out on Hive at BGG
View tournament code on github
{% endblock sidebar %}


Type System Reference
The typesystem is used by a binding generator or any other software using the APIExtractor library to map a C++ library API onto a higher level language.
The typesystem specification is a handwritten XML document listing the types that will be available in the generated target language API; types that are not declared in the specification will be ignored along with everything depending on them. In addition, it is possible to manipulate and modify types and functions. It is even possible to use the typesystem specification to inject arbitrary code into the source files, such as an extra member function.
Below there is a complete reference guide to the various nodes (XML tags) of the typesystem. For usage examples, take a look at the typesystem files used to generate PySide6. These files can be found in the PySide6/<QT_MODULE_NAME> directory of the PySide6 package.


This is the destination of your fate. Is it the end? Or is it the beginning? In your journey to take back what was lost, just don't forget your survival strategy...
Meeting Times are as follows in SPN unless otherwise noted
Here's a short list of what we're currently working on:
Website Design:
This is a message from the destination of your fate:
Initiate the Survival Strategy!
{{pingu.family[1].description}}
This is a message for pengy number 1.
{{pingu.family[2].description}}
This is a message for pengy number 2.
{{pingu.family[3].description}}
This is a message for pengy number 3.


IN021
Home
Arief's Profile
Daniel's Profile
Welcome to MY Page!
Hello!, My Name is Arief Kurniawan.
I like to play video games and watch Japanese Cartoon (Anime) in my spare time, so basically those 2 are my hobbies.


The following papers have been accepted at SIGIR eCom 2021:
Workshop Papers
1 . A Deep Reinforcement Learning-Based Approach to Query-Free Interactive Target Item Retrieval [PDF] Anna Sepliarskaia, Sahika Genc and Maarten de Rijke. 2 . Conditional Sequential Slate Optimization [PDF] Yipeng Zhang, Mingjian Lu, Saratchandra Indrakanti, Manojkumar Rangasamy Kannadasan and Abraham Bagherjeiran. 3 . Tackling Attribute Fine-grainedness in Cross-modal Fashion Search with Multi-level Features [PDF] Kenneth Goei, Mariya Hendriksen and Maarten de Rijke. 4 . Preventing Contrast Effect Exploitation in Recommendations [PDF] Chris Nota, Georgios Theocharous, Michele Saad and Philip S. Thomas. 5 . Predicting Completeness of Unstructured Shipping Addresses Using Ensemble Models [PDF] Vedang Anand Waradpande, Vinay Surya Prakash Petchetti, Nikhil Jhaveri and Shashank Agarwal. 6 . Real-Time Personalized Ranking in E-commerce Search [PDF] Lucia Yu, Ethan Benjamin, Xiaoting Zhao, Congzhe Su, Yinlin Fu, Jon Eskreis-Winkler and Diane Hu. 7 . Featured Keywords: Enabling Product Discovery in E-Commerce Through Unstructured Product Attributes [PDF] Janani Balaji, Venkata Simhadri, Suhail Shaikh, Olga Stolpovskaia and Jeyaprakash Singarayar. 8 . Quotient Space-Based Keyword Retrieval in Sponsored Search [PDF] Yijiang Lian, Shuang Li, Chaobing Feng and Yanfeng Zhu. 9 . Neural Search: Learning Query and Product Representations in Fashion E-commerce [PDF] Sagnik Sarkar and Lakshya Kumar. 10. The Last Mile: Taking Query Language Identification from Model Ready to Production [PDF] Tracy Holloway King, Chirag Arora, Francois Guerin, Sachin Kelkar and Judy Massuda. 11. “Are you sure?”: Preliminary Insights from Scaling ProductComparisons to Multiple Shops [PDF] Jacopo Tagliabue and Patrick John Chia. 12. Improving Cold-start Item Advertisement For Small Businesses [PDF] Yang Shi and Young-joo Chung. 13. DeepCAT: Deep Category Representation for Query Understanding in E-commerce Search [PDF] Ali Ahmadvand, Surya Kallumadi, Faizan Javed and Eugene Agichtein. 14. Exploring Collaborative Navigation Support in Collaborative Product Search [PDF] Felipe Moraes, David Maxwell and Claudia Hauff. 15. NeuralNDCG: Direct Optimisation of a Ranking Metric via Differentiable Relaxation of Sorting [PDF] Przemysław Pobrotyn and Radosław Białobrzeski. 16. Aligning Hotel Embeddings using Domain Adaptation for Next-Item Recommendation [PDF] Ioannis Partalas. 17. Evaluation of Multi-Field Models in Neural Recipe Retrieval for Search [PDF] Kentaro Takiguchi, Mikhail Fain, Niall Twomey and Luis Vaquero.
Data Challenge Papers
1 . Transformers with multi-modal features and post-fusion context for e-commerce session-based recommendation [PDF] Gabriel Moreira, Sara Rabhi, Ronay Ak, Md Yasin Kabir and Even Oldridge. 2 . Comparison of Transformer-Based Sequential Product Recommendation Models for the Coveo Data Challenge [PDF] Elisabeth Fischer, Daniel Zoller and Andreas Hotho. 3 . Utilizing Graph Neural Network to Predict Next Items in Large-sized Session-based Recommendation Industry Data [PDF] Tianqi Wang, Zhongfen Deng, Houwei Chou, Lei Chen and Wei-Te Chen. 4 . Session-based Recommender System Using an Ensemble of Multiple NN Models with LSTM and Matrix Factorization [PDF] Yoshihiro Sakatani. 5 . Adversarial Validation to Select Validation Data for Evaluating Performance in E‑commerce Purchase Intent Prediction [PDF] Shotaro Ishihara, Shuhei Goda and Hidehisa Arai. 6 . A Session-aware DeepWalk Model for Session-based Recommendation [PDF] Kaiyuan Li, Pengfei Wang and Long Xia.


Contains configuration classes for the command-line version of SolidBase. Also contains the solidbase-default.properties. This file is read before the solidbase.properties in the working folder.


Quick Hummus Recipe
This recipe makes quick, tasty hummus, with no messing.
It has been adapted from a number of different recipes that I have read over the years.
Hummus is a delicious thick paste used heavily in Greek and Middle Eastern dishes.
It is very tasty with salad, grilled meats and pitta breads.
Ingredients:
- 1 can (400g) of chick peas (garbanzo beans)
- 175g of tahini
- 6 sundried tomatos
- Half a red pepper
- A pinch of cayenne pepper
- 1 clove of garlic
- A dash of olive oil
Instructions:
- Remove the skin from the garlic, and chop coarsely
- Remove all the seeds and stalk from the pepper, and chop coarsely
- Add all the ingredients into a food processor
- Process all the ingredients into a paste
- If you want a coarse "chunky" hummus, process it for a short time
- If you want a smooth hummus, process it for a longer time
-
For a different flavour, you could try blending in a small measure of lemon and coriander, chili pepper, lime and
chipotle, harissa and mint, or spinach and feta cheese. Experiment and see what works for you.
Storage:
Refrigerate the finished hummus in a sealed container. You should be able to use it for about a week after you've made
it. If it starts to become fizzy, you should definitely discard it.
Hummus is suitable for freezing; you should thaw it and use it within a couple of months.


limba.views
Classes
ViewAdmin
ViewCategory
ViewContact
ViewDocument
ViewEvent
ViewHomepage
ViewLanguage
ViewLogin
ViewProfile
ViewSecurity
ViewTranslation
ViewUser


TRAFFIC RACER GAME
RULES
To play the game we can move up, down, left and right
There will be opponent cars and we should not hit or collide with them
Thus by doing so, we can increase our score and speed of the game also increases as we progress in the game
The game ends once we hit any one of the opponent cars
Your highest score can be seen on the score card
We can make use of the left,right,up,down arrow keys and enter key from our keyboard to play the game
Once you've understood about the game play, To play the game, please click on the link below.
TRAFFIC RACER GAME


Over the past day we've been growing our company, and the appreciation and importance of fire safety.
We have built a prototype that shows you where there is a fire and we also show areas where people can take shelter in case of an emergency.
You can either offer to provide a safe house for someone affected by the fire or you can look at our map to find a safe space for you.
Find the right actions to prepare you and your family for the next California wildfire.
Stay up to date with the latest emergency information from our alert system. Sign up for our alerts using your email! Search out nearest accessible shelters in the vicinity of your address.
Store all important documents in a safe place or a fireproof container.
Make evacuation plans with family members. Talk through several options including an outside meeting place and an emergency contact person.
Keep battery operated radios and flashlights, along with additional fresh batteries on hand.


Online Bus Ticket
Now you can buy bus ticket anywhere at anytime !
Please Fill in the forms below
1
2
3
Customer Details
Full Name
Contact Number
Address
Search for Available Bus
Where is your pick up location ?
Where do you want to go ?
When do you want to go ?
How many tickets ?
Available Bus
Next


Menu
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Preparation time
overnight
Cooking time
over 2 hours
Serves
Serves 4
For the mushy peas, drain the peas and rinse well under running water. Place the peas into a large, lidded saucepan, cover with 600ml water and bring to the boil. Reduce the heat until the mixture is simmering, cover the pan with a lid, then simmer for 25-30 minutes, or until tender. Remove the lid and continue to cook until most of the water has evaporated and the peas are very soft.
Drain off any excess water from the cooked peas, then add the butter and lemon juice and mix well. Season, to taste, with salt and freshly ground black pepper.
For the beer and dill-battered cod, sprinkle the yeast and sugar into a mixing bowl. Pour over the beer and vinegar, mix well, then whisk in the flour and salt until the mixture is well combined.
Set the mixture aside to ferment. (It is ready to use when the mixture starts to bubble.)
When the mixture has fermented, add the dill and stir until well combined.
Heat the oil in a deep heavy-based frying pan until a breadcrumb sizzles and turns brown when dropped into it. (CAUTION: hot oil can be dangerous. Do not leave unattended.)
Dip the cod into the batter, then fry in the oil for 3-5 minutes, or until golden-brown and crisp and cooked through. Remove the fish from the oil using a slotted spoon and set aside to drain on kitchen paper. Season, to taste, with salt and some of the lemon juice.
Mix the olive oil and a teaspoon of the remaining lemon juice in a bowl until well combined. Add the pea shoots and mix until well coated in the dressing
To serve, spoon some of the mushy peas into the centre of four serving plates, then top with a piece of battered cod and a handful of pea shoots.


A long time ago, in a galaxy known to many as "The Apple," my journey began. It's been a swerving path through many locales, years of drum & bugle corps tours (& endless bus breakdowns), writing music for young people to play in competitions, playing the drums & bass in a variety of different settings--for dancing or for just listening...and lately? 2 years of non-stop coding & learning web technologies, to build useful 21st-Century tools for people.
Through it all, my passion has been getting things right--whether it be crafting a marching band arrangement that makes you forget you're even listening to a marching band, or kicking a big band and keeping it in a solid pocket--or constructing clean, logical code that does what it's supposed to do, as efficiently as possible. Going the extra mile, keeping an eye on the big picture, and making sure the details are covered as well as can be--that's my paradigm.
Online ResumeReady to get started? That's great! Give me a call or send an email and I'll get back to you as soon as possible!
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o
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java.lang.Object workspace.Page
public class Page
A Page serves as both an abstract container of blocks and also a graphical panel that renders its collection of blocks. Abstractly, a page has seven abstract fields: a color, a name, a font, a drawer, width, a height, and a set of blocks. How it renders these abstract fields depends on the state of the page, including: zoom level, and minimumPixelWidth. A Page exists as a WorkspaceWidget, a SearchableContainer, ISupportMemento, an RBParent, a Zoomable object, and a JPanel. As a WorkspaceWidget, it can add, remove, blocks and manage block manipulations within itself. As a searchableContainer, it can notify users that certain blocks have been queried. As an ISupportMomento, it can undo the current values of abstract fields. As an RBParent, it can highlight blocks. Since a Page is both a Zoomable object and JPanel, Pages separate its abstract model and view by allowing clients to mutate its abstract fields directly. But clients must remember to reform the pages in order to synchronize the data between the model and view. A page’s abstract color is rendered the same no matter what state the page is in. A page’s abstract name is rendered thrice centered at every fourth of the page. The name is rendered with a size depending on the zoom level of that page (it tries to maintain a constant aspect ratio). The drawer name is not rendered. The width and height of the page is rendered differently depending on the zoom level and minimumPixelWidth. Using the zoom level, it tries to maintain a constant aspect ratio but the absolute sizes varies with a bigger/smaller zoom level. the minimumPixelWidth limits the width from going below a certain size, no matter what the system tries to set the abstract width to be. Finally the set of blocks are rendered directly onto the page with the same transformation as the ones imposed on the width and height of the page. As an implementation detail, a page tries to maintain a separation between its abstract states and its view. Clients of Pages should use reform*() methods to validate information between the abstract states and view. Clients of Pages are warned against accessing Page.getJComponent(), as the method provides clients a way to unintentionally mutate an implementation specific detail of Pages. A Page implements ExplorerListener i.e. it listens for possible changes in an explorer that affects the display of the page. When an explorer event happens the page changes its display accordingly
| Field Summary | |
|---|---|
static int |
DEFAULT_ABSTRACT_HEIGHT
The default abstract height |
(package private) static double |
zoom
this.zoomLevel: zoom level state |
| Constructor Summary | |
|---|---|
Page(java.lang.String name)
Constructs a new Page |
|
Page(java.lang.String name,
int pageWidth,
int pageHeight,
java.lang.String pageDrawer)
Constructs a new Page |
|
Page(java.lang.String name,
int pageWidth,
int pageHeight,
java.lang.String pageDrawer,
boolean inFullview,
java.awt.Color defaultColor)
|
| Method Summary | |
|---|---|
void |
addBlock(RenderableBlock block)
Adds the specified block to this widget interally and graphically. |
void |
addBlocks(java.util.Collection<RenderableBlock> blocks)
Adds a collection of blocks to this widget internally and graphically. |
void |
addLoadedBlocks(java.util.Collection<RenderableBlock> loadedBlocks,
boolean importingPage)
|
void |
addPixelWidth(int deltaPixelWidth)
|
void |
blockDragged(RenderableBlock block)
Called by RenderableBlocks as they are dragged over this Widget. |
void |
blockDropped(RenderableBlock block)
Called by RenderableBlocks that get "dropped" onto this Widget |
void |
blockEntered(RenderableBlock block)
Called when a RenderableBlock is being dragged and goes from being outside this Widget to being inside the Widget. |
void |
blockExited(RenderableBlock block)
Called when a RenderableBlock that was being dragged over this Widget goes from being inside this Widget to being outside the Widget. |
void |
clearPage()
Destructs this Page by setting its set of blocks to empty. |
boolean |
contains(int x,
int y)
Widgets must be able to report whether a given point is inside them |
boolean |
contains(java.awt.Point p)
|
void |
disableMinimize()
|
void |
enableMinimize()
|
double |
getAbstractHeight()
|
double |
getAbstractWidth()
|
static Page |
getBlankPage()
Constructs a new Page |
java.util.Collection<RenderableBlock> |
getBlocks()
Returns the set of blocks that abstract "lives" inside this widget. |
java.awt.Color |
getDefaultPageColor()
|
java.awt.Image |
getIcon()
|
javax.swing.JComponent |
getJComponent()
Very Java Swing dependent method |
java.awt.Color |
getPageColor()
|
java.lang.String |
getPageDrawer()
|
java.lang.String |
getPageId()
Returns this page's id. |
java.lang.String |
getPageName()
|
RBParent |
getRBParent()
|
java.lang.String |
getSaveString()
|
java.lang.Iterable<RenderableBlock> |
getSearchableElements()
Returns all of the searchable elements within this Searchable. |
java.lang.Object |
getState()
|
java.util.Collection<RenderableBlock> |
getTopLevelBlocks()
|
static double |
getZoomLevel()
|
boolean |
isInFullview()
|
java.util.ArrayList<RenderableBlock> |
loadPageFrom(org.w3c.dom.Node pageNode,
boolean importingPage)
|
void |
loadState(java.lang.Object memento)
|
void |
reformBlockOrdering()
|
void |
reformBlockPosition(RenderableBlock block)
|
int |
reformBounds(double pixelXCor)
|
void |
reformMinimumPixelWidth()
|
void |
removeBlock(RenderableBlock block)
Used by RenderableBlocks to tell their originating Widgets that they're moving somewhere else and so should be removed. |
void |
reset()
TODO: THIS METHOD NOT YET DOCUMENTED OR IMPLEMENTED Removes all the RenderableBlock content of this. |
void |
setHide(boolean hide)
|
void |
setIcon(java.awt.Image image)
|
void |
setPageColor(java.awt.Color newColor)
|
void |
setPageId(java.lang.String id)
Sets the page id. |
void |
setPageName(java.lang.String newName)
|
void |
setPixelWidth(int pixelWidth)
|
static void |
setZoomLevel(double newZoom)
|
java.lang.String |
toString()
Returns string representation of this |
void |
updateContainsSearchResults(boolean containsSearchResults)
Called by the search bar to update the Searchable of whether it currently belongs to the search bar's results. |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, wait, wait, wait |
| Field Detail |
|---|
public static final int DEFAULT_ABSTRACT_HEIGHT
static double zoom
| Constructor Detail |
|---|
public Page(java.lang.String name, int pageWidth, int pageHeight, java.lang.String pageDrawer)
name
- - name of this page (this.name)pageWidth
- - the abstract width of this page (this.width)pageHeight
- - the abstract height of this page (this.height)pageDrawer
- - the name of the page drawer that this page refers topublic Page(java.lang.String name, int pageWidth, int pageHeight, java.lang.String pageDrawer, boolean inFullview, java.awt.Color defaultColor)
public Page(java.lang.String name)
name
- - name of this page (this.name)| Method Detail |
|---|
public void disableMinimize()
public void enableMinimize()
public void setHide(boolean hide)
public static Page getBlankPage()
public void reset()
public void clearPage()
public void setPageId(java.lang.String id)
public java.util.Collection<RenderableBlock> getBlocks()
WorkspaceWidget
getBlocks
in interface WorkspaceWidget
public java.util.Collection<RenderableBlock> getTopLevelBlocks()
public java.lang.String getPageId()
public java.lang.String getPageName()
public java.awt.Color getPageColor()
public java.awt.Color getDefaultPageColor()
public double getAbstractWidth()
public double getAbstractHeight()
public java.lang.String getPageDrawer()
public java.awt.Image getIcon()
public boolean isInFullview()
public void setPageName(java.lang.String newName)
newName
- - the new name of this page.public void setIcon(java.awt.Image image)
image
- - the new icon of this. May be nullpublic void setPageColor(java.awt.Color newColor)
newColor
- - the new color of this pagepublic void addPixelWidth(int deltaPixelWidth)
deltaPixelWidth
- public void setPixelWidth(int pixelWidth)
public int reformBounds(double pixelXCor)
pixelXCor
- - the new X location of page's JComponent in terms of pixels
public void reformBlockPosition(RenderableBlock block)
block
- - the new block being added whose position must be revalidatedpublic void reformMinimumPixelWidth()
public void reformBlockOrdering()
public static void setZoomLevel(double newZoom)
newZoom
- - the new zoom levelpublic static double getZoomLevel()
public void blockDropped(RenderableBlock block)
WorkspaceWidget
blockDropped
in interface WorkspaceWidget
block
- the RenderableBlock that is "dropped" onto this Widgetpublic void blockDragged(RenderableBlock block)
WorkspaceWidget
blockDragged
in interface WorkspaceWidget
block
- the RenderableBlock being draggedpublic void blockEntered(RenderableBlock block)
WorkspaceWidget
blockEntered
in interface WorkspaceWidget
block
- the RenderableBlock being draggedpublic void blockExited(RenderableBlock block)
WorkspaceWidget
blockExited
in interface WorkspaceWidget
block
- the RenderableBlock being draggedpublic void addBlock(RenderableBlock block)
WorkspaceWidget
addBlock
in interface WorkspaceWidget
block
- the desired RenderableBlock to add to thispublic void addBlocks(java.util.Collection<RenderableBlock> blocks)
WorkspaceWidget
addBlocks
in interface WorkspaceWidget
blocks
- the Collection of RenderableBlocks to addpublic void removeBlock(RenderableBlock block)
WorkspaceWidget
removeBlock
in interface WorkspaceWidget
block
- the RenderableBlockpublic javax.swing.JComponent getJComponent()
WorkspaceWidget
getJComponent
in interface WorkspaceWidget
public RBParent getRBParent()
public boolean contains(int x, int y)
WorkspaceWidget
contains
in interface WorkspaceWidget
public boolean contains(java.awt.Point p)
public java.lang.String toString()
toString
in class java.lang.Object
public java.lang.Iterable<RenderableBlock> getSearchableElements()
SearchableContainer
getSearchableElements
in interface SearchableContainer
public void updateContainsSearchResults(boolean containsSearchResults)
SearchableContainer
updateContainsSearchResults
in interface SearchableContainer
containsSearchResults
- true when the SearchableContainer is part of the current results.public java.util.ArrayList<RenderableBlock> loadPageFrom(org.w3c.dom.Node pageNode, boolean importingPage)
public void addLoadedBlocks(java.util.Collection<RenderableBlock> loadedBlocks, boolean importingPage)
public java.lang.String getSaveString()
public java.lang.Object getState()
getState
in interface ISupportMemento
public void loadState(java.lang.Object memento)
loadState
in interface ISupportMemento
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Included in the src/acore/arun directory is the source code, arun.cpp. This is the source for the command-line interface runtime shell (arun[.exe]). It is a relatively simple Logic Server application.
Arun takes one argument, which is the name of a .xpl file. It initializes the Prolog environment, loads the named .xpl file, and calls its main/0 predicate. It then closes the Prolog environment.
You can modify arun.cpp to create your own command-line shell, or use it as a sample. It illustrates how to trap errors from a C++ program, and how to map command line arguments to Prolog so they can be retrieved by the Prolog program.
There is one tricky wrinkle in arun.cpp. If the name of the executable is not arun, then arun assumes its name is the same as the name of the .xpl file it is supposed to run. Huh? That's not as dumb as it seems, for you can make a copy of arun.exe, using the name of the .xpl file for the name of the new .exe. This lets you easily create executables for your application.
For example, if your Prolog program is ducks.xpl, you can copy arun.exe to ducks.exe. When you run ducks.exe it notices its name is not arun, so it runs ducks.xpl rather than reading the command line.
Copyright ©1987-2011 Amzi! inc. All Rights Reserved. Amzi! is a registered trademark and Logic Server is a trademark of Amzi! inc.
.


Hello! Hypcast is an interactive application that streams live television to your browser, and it requires a modern browser with JavaScript support. Please enable JavaScript for this page, or switch to a browser that supports it. Thanks!


NOTE: According to the documentation:
Instances of
repl.REPLServer
are created using therepl.start()
method and should not be created directly using the JavaScriptnew
keyword.
REPLServer
cannot be subclassed due to implementation specifics in NodeJS.
The commands registered via replServer.defineCommand()
.
Specified in the REPL options, this is the function to use for custom Tab auto-completion.
The vm.Context
provided to the eval
function to be used for JavaScript
evaluation.
A value indicating whether the REPL is currently in "editor mode".
Specified in the REPL options, this is the function to be used when evaluating each
given line of input. If not specified in the REPL options, this is an async wrapper
for the JavaScript eval()
function.
Specified in the REPL options, this is a value indicating whether the default writer
function should output the result of a command if it evaluates to undefined
.
The Readable
stream from which REPL input will be read.
The last evaluation result from the REPL (assigned to the _
variable inside of the REPL).
The last error raised inside the REPL (assigned to the _error
variable inside of the REPL).
The Writable
stream to which REPL output will be written.
Specified in the REPL options, this is a flag that specifies whether the default eval
function should execute all JavaScript commands in strict mode or default (sloppy) mode.
Possible values are:
repl.REPL_MODE_SLOPPY
- evaluates expressions in sloppy mode.repl.REPL_MODE_STRICT
- evaluates expressions in strict mode. This is equivalent to
prefacing every repl statement with 'use strict'
.A value indicating whether the _
variable has been assigned.
A value indicating whether the _error
variable has been assigned.
Specified in the REPL options, this is a value indicating whether the default
writer
function should include ANSI color styling to REPL output.
Specified in the REPL options, this is a value indicating whether the default eval
function will use the JavaScript global
as the context as opposed to creating a new
separate context for the REPL instance.
Specified in the REPL options, this is the function to invoke to format the output of
each command before writing to outputStream
. If not specified in the REPL options,
this will be a wrapper for util.inspect
.
events.EventEmitter
readline.Interface
readline.Interface
readline.Interface
readline.Interface
readline.Interface
readline.Interface
readline.Interface
Clears any command that has been buffered but not yet executed.
This method is primarily intended to be called from within the action function for
commands registered using the replServer.defineCommand()
method.
Used to add new .
-prefixed commands to the REPL instance. Such commands are invoked
by typing a .
followed by the keyword
.
The command keyword (without a leading .
character).
The function to invoke when the command is processed.
Readies the REPL instance for input from the user, printing the configured prompt
to a
new line in the output
and resuming the input
to accept new input.
When multi-line input is being entered, an ellipsis is printed rather than the 'prompt'.
This method is primarily intended to be called from within the action function for
commands registered using the replServer.defineCommand()
method.
When true
, the cursor placement will not be reset to 0
.
Initializes a history log file for the REPL instance. When executing the Node.js binary and using the command line REPL, a history file is initialized by default. However, this is not the case when creating a REPL programmatically. Use this method to initialize a history log file when working with REPL instances programmatically.
The path to the history file
Generated using TypeDoc
Provides a customizable Read-Eval-Print-Loop (REPL).
Instances of
repl.REPLServer
will accept individual lines of user input, evaluate those according to a user-defined evaluation function, then output the result. Input and output may be fromstdin
andstdout
, respectively, or may be connected to any Node.jsstream
.Instances of
repl.REPLServer
support automatic completion of inputs, simplistic Emacs-style line editing, multi-line inputs, ANSI-styled output, saving and restoring current REPL session state, error recovery, and customizable evaluation functions.Instances of
repl.REPLServer
are created using therepl.start()
method and should not be created directly using the JavaScriptnew
keyword.https://nodejs.org/dist/latest-v10.x/docs/api/repl.html#repl_repl


OZCHEM is Geoscience Australia's national whole-rock geochemical database. This map service contains over 50000 analyses of rocks, regolith and stream sediments from many regions of Australia.
Each analysis includes a geographic location and a geological description, which includes the host stratigraphic unit, where known, and the lithology. Most samples have been collected by Geoscience Australia's field parties.


---
layout: member-page
title: Joyce Zhang
class_of: 2023
bio: "I'm a student in the BXA program, and I'm interested in creating 3D character models for games! I am also gaining interest in creating real time VFX. I like fast paced action games, especially fighting games! :)
I'm familiar with Unreal Engine 4, Autodesk Maya, Substance Painter, and Zbrush."
last_updated: January 9, 2023
# Optional
social_links: {
ArtStation: "https://www.artstation.com/saltlady"
}
previous_positions: {
2022: Vice President,
2021: Public Relations Lead
}
email<EMAIL_ADDRESS>profile_pic: JoyceZhang.jpg
phone:<PHONE_NUMBER>
resume: "JoyceZhang - resume - Yunyi Zhang.pdf"
---


he free encyclopedia that
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Ham Wall is an English wetland and National Nature Reserve located 4 kilometres (2.5 mi) west of Glastonbury on the Somerset Levels. It is managed by the Royal Society for the Protection of Birds, which helps coordinate conservation issues across the Somerset Levels as part of the Avalon Marshes Partnership. The reserve was constructed originally to provide reed bed habitat for the bittern, which in 1997 was at a low population level in the UK. The site is divided into sections with independently controllable water levels, and machinery and cattle are used to maintain the quality of the reed beds. The reserve hosts important breeding populations of the rare little bittern and great white egret, and has other uncommon animals and plants. Potential future threats may include heavy summer rains and extensive flooding. Sea level rise may make drainage more difficult, and current water pumping facilities
Ham Wall is an English wetland and National Nature Reserve located 4 kilometres (2.5 mi) west of Glastonbury on the Somerset Levels. It is managed by the Royal Society for the Protection of Birds, which helps coordinate conservation issues across the Somerset Levels as part of the Avalon Marshes Partnership. The reserve was constructed originally to provide reed bed habitat for the bittern, which in 1997 was at a low population level in the UK. The site is divided into sections with independently controllable water levels, and machinery and cattle are used to maintain the quality of the reed beds. The reserve hosts important breeding populations of the rare little bittern and great white egret, and has other uncommon animals and plants. Potential future threats may include heavy summer rains and extensive flooding. Sea level rise may make drainage more difficult, and current water pumping facilities
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§47. Certification of bills from one house to the other. That every bill when passed by the house in which it originated, or in which amendments thereto shall have originated, shall immediately be certified by the presiding officer and clerk and sent to the other house for consideration.
The clerk is an "officer." See note to §20. Referred to in 16 H. 245.


Settings
You can configure your deploy script through configuration files Sanelotto_local.json on local machine and Sanelotto_server.json on server. Let's look at all properties at these files.
Sanelotto_local/Sanelotto_local.json
- name — name of your project.
- server — IP address of your server.
- ssh_key — whether to use a authentication through SSH-key? true/false
- login — your login on server.
- pass — your password on server. When 'ssh_key: true' this property is irrelevance.
- before_start_commands — do you need to execute commands from before.slfile before connection to server? true/false
- before_start_dir — directory containing the before.slfile.
- use_sudo — whether to use 'sudo' before all commands? true/false
- logging — whether to save all logs to text files? true/false
- server_dir — directory on server containing the Sanelotto_server.
Sanelotto_server/Sanelotto_server.json
- name — name of your project.
- github_user — username on GitHub.
- github_repo — name of repository on GitHub.
- branch — branch on your repository. 'Master' by default.
- rewrite_configs — overwriting some files in project after downloading or updating through GitHub. true/false
- configs_dir — directory containing the files for overwriting. Default: 'app'
- first_commands — use system commands after first downloading from GitHub. true/false.
- start_commands — use system commands after first downloading and updating from GitHub. true/false
- stop_commands — use system commands after updating from GitHub. true/false
- use_sudo — whether to use 'sudo' before all commands? true/false
- logging — whether to save all logs to text files? true/false
- commands_dir — directory containing .slfile files with commands. Default: 'files'
Keep in mind that configuration .json files must be located in Sanelotto_local or Sanelotto_server directories. You must run command sanelotto start [TYPE] from directory that contains Sanelotto_local or Sanelotto_server , not configuration file. Example:
Path on local machine
/home/username/apps/myproject/Sanelotto_local/Sanelotto_local.json
You must run sanelotto start local from myproject directory.
Property 'server_dir' in Sanelotto_local.json must contains absolutely path on server to directory, contained the Sanelotto_server . Example:
Path on server
/home/username/apps/myproject/Sanelotto_server/Sanelotto_server.json
In local machine file Sanelotto_local.json must contains line
"server_dir": "/home/username/apps/myproject/"
Now you can learn more aboutOverwriting.


As the final project for EECS 493 User Interface Development, my team of four developed this full-stack web-based game to educate users about beloved Ann Arbor squirrels. Built in JavaScript and using jQuery, we fulfilled universal design principles and followed a complete design cycle, from storyboarding to prototyping to user testing to launching the final game. I executed game timing and levels, point tracking, and lives of the character. See my final presentation on this project below.
This project emulated a basic relational database using an interface based on a subset of of a standard query language. A course project for EECS 281 Data Structures and Algorithms, I designed this relational database by making use of multiple interacting data structures, including hash tables and binary search trees. The user is able to use the subset of an SQL to perform functions such as create, insert, delete, and join on the database.
As the final project for EECS 493 User Interface Development, my team of four developed this full-stack web-based game to educate users about beloved Ann Arbor squirrels. Built in JavaScript and using jQuery, we fulfilled universal design principles and followed a complete design cycle, from storyboarding to prototyping to user testing to launching the final game. I executed game timing and levels, point tracking, and lives of the character. See my final presentation on this project below.


Last Updated on 1st May 2015
PK.BALAKRISHNAN --- 1926 - 1991
MALAYALAM AUTHOR - LITERARY CRITIC - JOURNALIST - HISTORIAN
HIS BOOKS
NARAYANA GURU **CHANDUMENON ORU PADANAM ** TIPPU SULTAN
PLUTO PRIYAPPETTA PLUTO ** NOVEL - SIDHIYIUM SAADHANAYUM
KAVYAKALA KUMARANASANILOODE ** INI NJAN URANGATTE
BALAKRISHNANTE LEKHANANGAL ** JAATHIVYAVASTHITHIUM KERALA CHARITHRAVUM
EZHUTHACHANTHE KALA - CHILA VYASA BHARATHA PADANANGALUM
KERALEEYATHAYUM MATTUM
INI NJAN URANGATTE - TRANSLATED TO ENGLISH BY AUTHORS DAUGHTER JAYALEKSHMY.P.K IN 2013 AS ' TO SLEEP ' AND AVAILABLE AS E BOOK FROM DC BOOKS ( WINKSTORE)
Know Balakrishnan
Origin Of Malayalam Language


DROP SERVER
Section: SQL Commands (7)Updated: 2012-08-14
Index Return to Main Contents
NAME
DROP SERVER - remove a foreign server descriptorSYNOPSIS
DROP SERVER [ IF EXISTS ] servername [ CASCADE | RESTRICT ]
DESCRIPTION
DROP SERVER removes an existing foreign server descriptor. To execute this command, the current user must be the owner of the server.
PARAMETERS
- IF EXISTS
- Do not throw an error if the server does not exist. A notice is issued in this case.
- servername
- The name of an existing server.
- CASCADE
- Automatically drop objects that depend on the server (such as user mappings).
- RESTRICT
- Refuse to drop the server if any objects depend on it. This is the default.
EXAMPLES
Drop a server foo if it exists:
DROP SERVER IF EXISTS foo;
COMPATIBILITY
DROP SERVER conforms to ISO/IEC 9075-9 (SQL/MED). The IF EXISTS clause is a PostgreSQL extension.
SEE ALSO
CREATE SERVER [create_server(7)], ALTER SERVER [alter_server(7)]
Index
This document was created by man2html, using the manual pages.
Time: 05:34:15 GMT, December 24, 2015


Dezeen Weekly features "one of the best inventions ever made"
by Karen AndersonThe latest edition of Dezeen Weekly includes "one of the best inventions ever made" according to one of our readers and the UK's best house of the year as named by the Royal Institute of British Architects. Subscribe to Dezeen Weekly ›


It is common practice to allow columns for which the corresponding attribute value may sometimes not be available to contain a null. Null is not a value as such, but represents the absence of a value. Columns that may contain nulls are sometimes called nullable columns.
Instead of allowing a column to be nullable, it is possible to make the column mandatory and to define one or more special constants to be used in cases where the value is not available. For example, one or both of the following special constants could be used in a column that has a character data type.
| 'UN' | Value Unknown |
| 'NA' | Attribute Not Applicable |
Of course, you have to ensure that the special constants chosen fall outside the domain of valid values for the attribute.
The primary reason for using special constants rather than nulls is so that searches for missing values can be performed via an index. However, there are other factors that should be considered as well in each case. These are the considerations.
Nulls take very little storage space, and none at all if they occur at the end of a row. Special constants increase the size of the table, and this may cause extra I/O to be required for table scans.
If only a small number of rows are expected to have values, allowing the column to be nullable can greatly reduce the size of an index on the column because null keys are not indexed (except in cluster key indexes).
The optimizer can evaluate IS NOT NULL predicates via an efficient fast full index scan. If special constants are used instead of nulls, a less efficient index range scan access path must be used to search for the other values.
Because null keys are not indexed, searches for nulls typically require a full table scan. Special constants are indexed and so enable searches for missing values to be performed via an index. In most cases the indexed access path is preferable to the full table scan.
Special constants eliminate the need for outer joins. Outer joins constrain the optimizer's choice of join orders, whereas otherwise a full range of query plans is possible. Commonly the query plans enabled by the use of special constants outperform their outer join alternatives significantly.
Some argue that the use of special constants rather than nulls leads to more readily understood code, and prevents the confusion often experienced by users (not to mention developers and DBAs) in relation to nulls and outer joins.
Conversely, others find the use of special constants inelegant, for example when using a-1 to represent an unknown quantity, or when using an epoch such as1-JAN-1900 to represent an unknown date.
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