Uses of Class
com.mxgraph.canvas.mxGraphics2DCanvas
-
Packages that use mxGraphics2DCanvas Package Description com.mxgraph.canvas This package contains various implementations for painting a graph using different technologies, such as Graphics2D, HTML, SVG or VML.com.mxgraph.reader This package contains the classes required to turn an encoded mxGraphView into an image using SAX and without having to create a graph model.com.mxgraph.shape com.mxgraph.swing This package contains the main component for JFC/Swing, namely the graph component and the outline component.com.mxgraph.swing.handler This package contains all classes required for mouse event handling in JFC/Swing.com.mxgraph.swing.view This package contains all classes required for interaction, namely the mxCellEditor used for in-place editing and the mxInteractiveCanvas, which defines the requirements for a canvas that supports hit-detection on shapes.com.mxgraph.util This package provides utility classes such as mxConstants, mxUtils, mxPoint and mxRectangle as well as all classes for custom events and the undo history. -
-
Uses of mxGraphics2DCanvas in com.mxgraph.canvas
Fields in com.mxgraph.canvas declared as mxGraphics2DCanvas Modifier and Type Field Description protected mxGraphics2DCanvas
mxImageCanvas. canvas
Methods in com.mxgraph.canvas that return mxGraphics2DCanvas Modifier and Type Method Description mxGraphics2DCanvas
mxImageCanvas. getGraphicsCanvas()
Constructors in com.mxgraph.canvas with parameters of type mxGraphics2DCanvas Constructor Description mxImageCanvas(mxGraphics2DCanvas canvas, int width, int height, java.awt.Color background, boolean antiAlias)
mxImageCanvas(mxGraphics2DCanvas canvas, int width, int height, java.awt.Color background, boolean antiAlias, boolean textAntiAlias)
-
Uses of mxGraphics2DCanvas in com.mxgraph.reader
Methods in com.mxgraph.reader that return mxGraphics2DCanvas Modifier and Type Method Description protected mxGraphics2DCanvas
mxGraphViewImageReader. createGraphicsCanvas()
Hook that creates the graphics canvas. -
Uses of mxGraphics2DCanvas in com.mxgraph.shape
Methods in com.mxgraph.shape with parameters of type mxGraphics2DCanvas Modifier and Type Method Description protected mxGraphicsCanvas2D
mxSwimlaneShape. configureCanvas(mxGraphics2DCanvas canvas, mxCellState state, mxGraphicsCanvas2D c)
Helper method to configure the given wrapper canvas.protected boolean
mxBasicShape. configureGraphics(mxGraphics2DCanvas canvas, mxCellState state, boolean background)
Configures the graphics object ready to paint.protected mxGraphicsCanvas2D
mxStencil. createCanvas(mxGraphics2DCanvas gc)
Creates the canvas for rendering the stencil.mxPoint[]
mxLineShape. createPoints(mxGraphics2DCanvas canvas, mxCellState state)
java.awt.Shape
mxActorShape. createShape(mxGraphics2DCanvas canvas, mxCellState state)
java.awt.Shape
mxArrowShape. createShape(mxGraphics2DCanvas canvas, mxCellState state)
java.awt.Shape
mxBasicShape. createShape(mxGraphics2DCanvas canvas, mxCellState state)
java.awt.Shape
mxCloudShape. createShape(mxGraphics2DCanvas canvas, mxCellState state)
java.awt.Shape
mxEllipseShape. createShape(mxGraphics2DCanvas canvas, mxCellState state)
java.awt.Shape
mxHexagonShape. createShape(mxGraphics2DCanvas canvas, mxCellState state)
java.awt.Shape
mxRhombusShape. createShape(mxGraphics2DCanvas canvas, mxCellState state)
java.awt.Shape
mxTriangleShape. createShape(mxGraphics2DCanvas canvas, mxCellState state)
static void
mxLabelShape. drawGlassEffect(mxGraphics2DCanvas canvas, mxCellState state)
Draws the glass effectjava.awt.Color
mxBasicShape. getFillColor(mxGraphics2DCanvas canvas, mxCellState state)
java.awt.Color
mxImageShape. getFillColor(mxGraphics2DCanvas canvas, mxCellState state)
java.awt.Color
mxLabelShape. getFillColor(mxGraphics2DCanvas canvas, mxCellState state)
protected mxRectangle
mxBasicShape. getGradientBounds(mxGraphics2DCanvas canvas, mxCellState state)
protected mxRectangle
mxSwimlaneShape. getGradientBounds(mxGraphics2DCanvas canvas, mxCellState state)
java.awt.Rectangle
mxImageShape. getImageBounds(mxGraphics2DCanvas canvas, mxCellState state)
java.awt.Rectangle
mxLabelShape. getImageBounds(mxGraphics2DCanvas canvas, mxCellState state)
java.lang.String
mxImageShape. getImageForStyle(mxGraphics2DCanvas canvas, mxCellState state)
java.awt.Color
mxBasicShape. getStrokeColor(mxGraphics2DCanvas canvas, mxCellState state)
java.awt.Color
mxImageShape. getStrokeColor(mxGraphics2DCanvas canvas, mxCellState state)
java.awt.Color
mxLabelShape. getStrokeColor(mxGraphics2DCanvas canvas, mxCellState state)
protected double
mxSwimlaneShape. getTitleSize(mxGraphics2DCanvas canvas, mxCellState state)
Returns the bounding box for the gradient box for this shape.boolean
mxBasicShape. hasGradient(mxGraphics2DCanvas canvas, mxCellState state)
boolean
mxImageShape. hasGradient(mxGraphics2DCanvas canvas, mxCellState state)
boolean
mxLabelShape. hasGradient(mxGraphics2DCanvas canvas, mxCellState state)
boolean
mxBasicShape. hasShadow(mxGraphics2DCanvas canvas, mxCellState state)
mxPoint
mxConnectorShape. paintMarker(mxGraphics2DCanvas canvas, mxCellState state, boolean source)
Draws the marker for the given edge.mxPoint
mxIMarker. paintMarker(mxGraphics2DCanvas canvas, mxCellState state, java.lang.String type, mxPoint pe, double nx, double ny, double size, boolean source)
void
mxStencilShape. paintNode(mxGraphics2DCanvas canvas, mxCellState state, mxStencilShape.svgShape shape, double widthRatio, double heightRatio)
protected void
mxConnectorShape. paintPolyline(mxGraphics2DCanvas canvas, java.util.List<mxPoint> points, java.util.Map<java.lang.String,java.lang.Object> style)
protected void
mxCurveShape. paintPolyline(mxGraphics2DCanvas canvas, java.util.List<mxPoint> points, java.util.Map<java.lang.String,java.lang.Object> style)
protected void
mxSwimlaneShape. paintRoundedSwimlane(mxGraphics2DCanvas canvas, mxCellState state, double start, double r, java.lang.String fill, boolean swimlaneLine)
Function: paintRoundedSwimlane Paints the swimlane vertex shape.protected void
mxSwimlaneShape. paintSeparator(mxGraphics2DCanvas canvas, mxCellState state, double start, java.lang.String color)
Function: paintSwimlane Paints the swimlane vertex shape.void
mxBasicShape. paintShape(mxGraphics2DCanvas canvas, mxCellState state)
void
mxConnectorShape. paintShape(mxGraphics2DCanvas canvas, mxCellState state)
void
mxCurveLabelShape. paintShape(mxGraphics2DCanvas canvas, java.lang.String text, mxCellState state, java.util.Map<java.lang.String,java.lang.Object> style)
void
mxCurveShape. paintShape(mxGraphics2DCanvas canvas, mxCellState state)
void
mxCylinderShape. paintShape(mxGraphics2DCanvas canvas, mxCellState state)
Draws a cylinder for the given parameters.void
mxDefaultTextShape. paintShape(mxGraphics2DCanvas canvas, java.lang.String text, mxCellState state, java.util.Map<java.lang.String,java.lang.Object> style)
void
mxDoubleEllipseShape. paintShape(mxGraphics2DCanvas canvas, mxCellState state)
void
mxDoubleRectangleShape. paintShape(mxGraphics2DCanvas canvas, mxCellState state)
void
mxHtmlTextShape. paintShape(mxGraphics2DCanvas canvas, java.lang.String text, mxCellState state, java.util.Map<java.lang.String,java.lang.Object> style)
void
mxImageShape. paintShape(mxGraphics2DCanvas canvas, mxCellState state)
void
mxIShape. paintShape(mxGraphics2DCanvas canvas, mxCellState state)
void
mxITextShape. paintShape(mxGraphics2DCanvas canvas, java.lang.String text, mxCellState state, java.util.Map<java.lang.String,java.lang.Object> style)
void
mxLabelShape. paintShape(mxGraphics2DCanvas canvas, mxCellState state)
void
mxLineShape. paintShape(mxGraphics2DCanvas canvas, mxCellState state)
void
mxRectangleShape. paintShape(mxGraphics2DCanvas canvas, mxCellState state)
void
mxStencil. paintShape(mxGraphics2DCanvas gc, mxCellState state)
Paints the stencil for the given state.void
mxStencilShape. paintShape(mxGraphics2DCanvas canvas, mxCellState state)
void
mxSwimlaneShape. paintShape(mxGraphics2DCanvas canvas, mxCellState state)
protected void
mxSwimlaneShape. paintSwimlane(mxGraphics2DCanvas canvas, mxCellState state, double start, java.lang.String fill, boolean swimlaneLine)
protected void
mxDefaultTextShape. postProcessLine(java.lang.String text, java.lang.String line, java.awt.FontMetrics fm, mxGraphics2DCanvas canvas, int x, int y)
Hook to add functionality after a line has been drawn -
Uses of mxGraphics2DCanvas in com.mxgraph.swing
Methods in com.mxgraph.swing with parameters of type mxGraphics2DCanvas Modifier and Type Method Description protected boolean
mxGraphComponent.mxGraphControl. hitClip(mxGraphics2DCanvas canvas, mxCellState state)
-
Uses of mxGraphics2DCanvas in com.mxgraph.swing.handler
Methods in com.mxgraph.swing.handler with parameters of type mxGraphics2DCanvas Modifier and Type Method Description protected void
mxConnectPreview. paintPreview(mxGraphics2DCanvas canvas)
Draws the preview using the graphics canvas. -
Uses of mxGraphics2DCanvas in com.mxgraph.swing.view
Subclasses of mxGraphics2DCanvas in com.mxgraph.swing.view Modifier and Type Class Description class
mxInteractiveCanvas
Methods in com.mxgraph.swing.view with parameters of type mxGraphics2DCanvas Modifier and Type Method Description protected void
mxCellStatePreview. paintPreview(mxGraphics2DCanvas canvas)
Draws the preview using the graphics canvas.protected void
mxCellStatePreview. paintPreviewState(mxGraphics2DCanvas canvas, mxCellState state)
Draws the preview using the graphics canvas. -
Uses of mxGraphics2DCanvas in com.mxgraph.util
Methods in com.mxgraph.util with parameters of type mxGraphics2DCanvas Modifier and Type Method Description static java.awt.image.BufferedImage
mxCellRenderer. createBufferedImage(mxGraph graph, java.lang.Object[] cells, double scale, java.awt.Color background, boolean antiAlias, mxRectangle clip, mxGraphics2DCanvas graphicsCanvas)
-


{if $error eq ""}
Create a folder
Folder Name:
Upload a file
Target Folder:
Root
{foreach $item in $dirs}
{$item}
{/foreach}
File:
If it's an image, do you want to resize it?
If want to resize, what is the target size you want to have?
Width:
Height:
{else}
{$error}
Back > >
{/if}


Start the journey with optimism. Emotional competence are not innate talents; they are learned abilities. I have learned that emotional intelligence is to monitor one’s feelings, emotions and, actions in a third-person perspective. Seeing it clearly and objectively to guide one’s thinking and actions.
Start the journey with optimism. Emotional competence are not innate talents; they are learned abilities. I have learned that emotional intelligence is to monitor one’s feelings, emotions and, actions in a third-person perspective. Seeing it clearly and objectively to guide one’s thinking and actions.
Goleman’s emotional structure into five domainsIn two groups, we have, intrapersonal and interpersonal. The first three as intrapersonal intelligence. Meaning that, it takes place within one’s mind. The last two as interpersonal intelligence, relating to relationships or communication between people.
Emotional intelligence is not an innate talent, it something that you can deliberately acquire with practice. Which is what I’m most looking forward to in mindful meditation.
I found it improved my overall cognitive thinking. For the first minute I found my rhythm of breathing, the second minute I found myself ‘just being’. I open my eyes noticing that it has not been two minutes, but eight! I was in the ‘zone’. The feeling of being in the zone has always put a grin in my face, whether it being sports, driving, gaming, you name it. In addition to that mseditation is amongst it. I'm excited to achieve this feeling for programming soon.


With Complete It, you can find help with all kinds of needs on campus. Need help carrying a fridge to your dorm room? Done. Don't know how to design PowerPoint slides but the presentation day is approaching? No problem. Find someone who does your tasks better than you do, with just a few taps.
Join Complete It today!
Choose a category, write details about your needs, a reward for completing the task, and request for help.
Find your helper from a list of candidates, chat with them about your task, and make an arrangement.
Give reward through credit card, and a review the service.
Choose a category of task you're interested in, and look for one you can help with your skills.
Find the right task for you, chat with them about their task, and make an arrangement.
Enjoy the reward you earned by helping your peers in need!


DEATH IN BRUNSWICK A film review by Frank Maloney Copyright 1992 Frank Maloney
DEATH IN BRUNSWICK is an Australian film directed by John Ruane, from a script by Ruane and Boyd Oxlade and adapted from a novel by Oxlade. It stars Sam Neill, Zoe Carides, Boric Brkic, John Clarke, and Yvonne Lawley. No rating, includes violence, nudity, graphic grave-digging scene.
DEATH IN BRUNSWICK is delightfully outrageous black comedy that was big box-office success in Australia and was nominated for a 1991 Australian Film Award. It played at the last Seattle International Film Festival where the reception was positive enough to encourage the film's North American distribution. This is its U.S. premiere in Seattle at the Metro Cinemas.
Brunswick is an ethnically-mixed, low-income suburb of Melbourne. It is the home to a middle-aged loser, Carl, whose has been psychologically mauled by his mum, nice, old Mrs. Fitzgerald, played menacingly by Yvonne Lawley (AMONG THE CINDERS). Carl is played by the chameleonic Sam Neill, who has held his own against such major scene stealers as Meryl Streep (CRY IN THE DARK) and Judy Davis (MY BRILLIANT CAREER). Neill is a master of timing and lifts the semiautobiographical story from the distasteful to a level of offbeat energy that redeems and illustrates its anarchic view of the world-as-loony-bin. Carl gets a job cooking at local dance club owned by a man who thinks his patrons deserved maggoty meat and cockroach-infested greengroceries. Carl immediately falls in love with a young bartender ("We all thought you were a pouf"), Sophie, played by Zoe Carides, and runs afoul of the cretinous, bullying bouncer. Carl's kitchen helper, Mustafa, played by Nico Lathouris, is more interested in dealing drugs and fencing boom boxes out the alley door than he is in scrubbing down the counters, but otherwise he's a mousy family man whose fate is more than the product of dumb luck than deserts.
In between ghoulish moments, Carl's life is lifted and then imperiled by his attraction to Sophie. They have a funny movie date at the Progress Cinema where the moppets around them are watching THE MARSUPIALS: HOWLING III when they're not jeering Sophie and Carl trying to make out. On the other hand, Mum is picking at him ("I know you think this is bohemian") mercilessly. Carl's mate, a gravedigger played by John Clarke, and Clarke have to deal with one of Carl's problems, but the generally drift of Carl's life by now is becoming rapidly more self-destructive than anyone else can stand. The final resolution of Carl's troubles to me means that he finally joined the nutsiness around him, that he finally gave up his quiet, desperate clinging to sanity and normality; in an insane world, only the sane are crazy.
This movie really tests the limits of good taste, but the first-time director, John Ruane, is too talented to let his movie slide over the edge. Ellery Ryan's cinematography is gritty and apt; the soundtrack sets an engaging mood from the beginning. It hard to like Carl, although he does redeem himself in a characteristically funky way. And the film does have a tendency to become a procession of increasingly outlandish incidents in the manner of AFTER HOURS and INTO THE NIGHT. But Ruane's wry humor and Carl's desperate unquenchability pull the film out of what could have been a tailspin.
I recommend DEATH IN BRUNSWICK to you if you get a chance to see it. Try to hold out for matinee prices; this film is too far from the mainstream to really justify mainstream prices.
-- Frank Richard Aloysius Jude Maloney
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


My name is Nicholas Le.
I am a Computer Science Student.
Currently aspiring to pursue a job within the sector.
Enjoy!
This is my first foray into the depths of BOOTSTRAP! For the occasion, I have provided a certain amount of facts that tell things about myself. Said facts include features:
Here's a little taste of what can be found on my Instagram @thatnickle
Just trying out some action figure photography for fun!
Feel Free To Follow! no pressure


Test Drugs
.info
Apps
Drug Testing Apps
Use our free apps to read your test results.
Open Web App
Install Android App


Yo World. This is
Vienna
Is Vienna beautiful?
yes
definitely :)
I love my teammates <3, especially the mo li hua


Multi-RPC is a JSON RPC 2 client/server implementation designed with multiple transports and serialization methods in mind. It works both in Node and the browser.
Out of the box it supports serialization with JSON and MessagePack over TCP and WebSocket. Writing new serializers and transports is pretty straightforward.
A server can listen on multiple transports which allows for listening using multiple protcols or on multiple interfaces.
Connections via persistent transports like WebSocket or TCP are kept alive and the server can send notifications to clients (a feature which is not offically in the standard).
(async () => {
const {
Server,
Client,
JSONSerializer,
TCPTransport
} = require('./lib');
const serializer = new JSONSerializer();
const serverTransport = new TCPTransport(serializer, 1234);
const clientTransport = new TCPTransport(serializer, 1234);
const server = new Server(serverTransport);
const client = new Client(clientTransport);
server.methods.foo = (arg1, arg2, arg3) => {
console.log(arg1, arg2, arg3);
return arg1 + arg2 + arg3;
};
server.listen();
const result = await client.invoke("foo", [1,2,3]);
const result = await client.invoke("foo", {
arg1: 1,
arg2: 2,
arg3: 3
});
console.log(result + result);
process.exit();
})();
More examples are available in the wiki.
Multi-RPC is written in TypeScript. To compile JavaScript run npm run build
.
Documentation is available in the docs/
folder or online here.
To generate docs run npm run docs
.
Tests are written in Mocha and can be run with npm test
.
Generated using TypeDoc


presentation by Courtney Wilburn / @cjwilburn / email me
After going through a few of my favorite git commands and features, I'll give a quick look into my favorite git aliases and plugins.
 This is a good thing.
What do I wish I'd known about git when I started application development?
Rebasing: No. Just No.
Submodules are the worst.
Be short, sweet, and to the point in your commit messages.
Aut viam inveniam aut faciam.

Nope!
git checkout -b branch_name origin/branch_name
What If I'm Looking for Files Containing Something that I committed a bit ago? This repo is huuuge.
I've got your back!
git grep --all-match -e NODE -e Unexpected
Quick Hits: Housekeeping
git ls-files -s
git clean
git gc
lg = log --color --graph --pretty=format:'%C(auto)%h%Creset -%C(auto)%d%Creset %s %Cgreen(%cr)%C(bold blue)<%an>%Creset' --abbrev-commit --date=relative
cookie = !echo '\\xF0\\x9F\\x8D\\xAA'
byefelicia = "!git push -f origin master"
git checkout `sha`-- /path/to/file
git checkout 7763ae4 -- sites/all/themes/sei/css/scss/partials/_grid.scss
git checkout `branch-name` /path/to/file
git checkout wip sites/all/themes/sei/css/scss/partials/_about.scss
This is where I show some links


First thing: Try starting with the dharmakṣetre example (opens in new tab). This sets Gītā 1.1 as the input in IAST Romanization and transliterates it to Devanāgarī.
For different transliteration output, use the "Output scheme" dropdown and click "Transliterate" again. To learn about supported transliteration schemes, visit the skrutable manual on Github. You can also use the "Swap" buttons to move things around as needed.
Now click between the "Transliterate", "Scan", and "Identify Meter" buttons to calculate and display skrutable's three basic outputs.
Scansion is line-by-line, and it doesn't matter how many lines or how much content you enter. This mode is especially good for fiddling and exploring.
Meter identification, by contrast, effectively requires four lines of content, corresponding to four verse quarters or pādas. You should use this mode when you believe you're dealing with a whole verse (half an anuṣṭubh śloka works, too).
You can use the "Re-Split Pādas" dropbox to decide whether to use your own line breaks or to let skrutable try and find them for you. The option "resplit_max" uses the most brute force and requires the least thought, while "resplit_lite" better respects whatever line breaks (or ';' or ' / ') you provide. Or, choose "none" in order to evaluate exactly the (necessarily four!) lines you input.
Definitely also try changing the mix-and-match scansion detail options with the checkboxes below "Scan". These also work for the whole-file mode described below.
To learn more about working with Sanskrit meter, the skrutable manual on GitHub provides some very basic pointers.
And to automatically split the compounds "dharmakṣetre" and "kurukṣetre" and the sandhi-coalescence "caiva", just click "Split Sandhi & Cpds". This function is relatively slow for single examples, and its results are not always 100% correct (see the Hellwig-Nehrdich paper for details), but it's quite useful nonetheless. This is the first time it's been easily available online, and you can enter material of any length, even with punctuation. The output is also transliterated.
If you're feeling more ambitious, you can also do transliteration, meter identification, and sandhi/compound splitting on whole files.
For transliteration, just set your input and output schemes as normal, but then instead of hitting the "Transliterate" button, hit the "whole file" button underneath. Continue through the next screen to upload your file, then look for the output in your usual download location.
Whole-file sandhi/compound splitting is exactly as easy. Note also that it is relatively fast, and not at all as slow as single-example processing would lead you to expect.
Doing whole-file metrical analysis is also similar, but the input must be more carefully prepared, with one verse per line and no extraneous material. See the "Scan GRETIL" page to get a better idea of what this entails.
If you want to try out the whole-file meter identification function right away, you can use these prepared input files:


Pebble Dialogue
Rotator
Time
Rotate the selected element around the selected center.
Angle
Rotate
Duplicate and rotate the selected element around the selected center.
Enter the values for the duplicated element's
name
and the
angle
. Rows with an empty field will be excluded.
Use the "-" button to remove a row and the "+" button to add a row.

Set the time.
Time
Set
Add some time.
Time
Add
Run the clock by adding the above set time every second.
Run
-


It is a new year and a new semester for us and I’ve been thinking a lot about the Flipped Classroom and what role it plays in my teaching. While I don’t necessarily share that it is a fundamental shift in teaching methods (yes, I know the videos are direct instruction), I do think the Flipped Classroom shifts education paradigms.
American education policy (testing) focuses on the teacher being a fact-dispensing robot and students as empty vessels that need to be filled. The whole idea of a Flipped Classroom is that the students and teachers are switching responsibilities. I am no longer a disseminator of knowledge and students are no longer receptacles of information. Learning is active and collaborative rather than passive and directive.
The paradigm shift isn’t the fact that I’m recording lectures. It is the shift in thinking that students need to have opportunities to drive their own learning. They need opportunities to work with their peers and struggle together. I am also now “allowed” to make mistakes with the students. The role of teaching in a Flipped Classroom has shifted entirely. I still provide direction in terms of the curriculum, but the methods to get from A to B are now in the hands of the students.
The paradigm shift needs to be driven by teachers, not politicians or bankbooks. We need to be willing to give up old habits and adapt each of our classrooms and schools to meet the current needs of our learners. The Flipped Classroom is how I’ve done that for my kids…how will you meet your student’s needs?
Written on January 6th, 2012 by Brian Bennett Categorized in: Flipclass Teaching
Leave a comment


--- layout: post status: publish published: true title: Happy Birthday Sam! author: display_name: Tomas Restrepo login: tomasr email<EMAIL_ADDRESS>url: http://winterdom.com/ author_login: tomasr author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ wordpress_id: 426 wordpress_url: http://winterdom.com/2003/07/happybirthdaysam date: '2003-07-02 02:57:13 +0000' date_gmt: '2003-07-02 02:57:13 +0000' categories: - Personal tags: [] comments: [] ---
Congratulations, my dear friend Sam!
Have a wonderful day!


It happens from doing. It's happens from turning up in your pain cave and doing the things you know you need to do when you don't want too.
We make thousands of choices every single day. These build or break us. But the better an athlete becomes at making the right choices in the moment and facing those uncomfortable feeling or fears, embracing them even, then this is where we push beyond anticipated limits. It's making that choice to endure the uncomfortable when you least feel like it.
Chimp brain has a great ability to justify quitting. Giving us all the reasons in the world for easing up or cutting a session short. Doing this once it makes it infinitely easier to do it again.  We all have them in our lives. The pain cave or a boring multi-lap course are some of the best places to develop the ability to over rule our chimp brain that is telling us to stop or cut the session 2-3 intervals short.
There’s no way around it — It's gonna be uncomfortable. Whether that’s monotony or intensity, it doesn’t matter. Why fearful of being it? Look for opportunity. Embrace the challenge. We can improve our ability to endure the uncomfortableness instead of running away from it and avoiding it at every opportunity. Think about the first time you ever did a tough, near-impossible session. It was probably rotten, and you probably didn't even complete it. The next time you showed up for that same session, it was - even if only by the tiniest margin - a little bit easier. But easier in a more manageable way. Eventually, with patience and consistency, it becomes familiar. The brain became more accustomed to the suffering as your body adapted to the physiological demands. Pretty soon you found that sweet spot, and you could "settle" into that rhythm of working hard, deep in the suffer, but sustaining your intensity to hold on for longer.
Don’t choose the path of least resistance in that moment and clap yourself on the back after for not doing so. Use positive self-talk to get you through those tough moments. You have to be willing to dig deep into the well of your own suffering.
Don't be afraid to fail it.
One thing that nearly every champion has in common is their lack of excuses. Unless ill or injured, they just get it done. End of.
Suffer more in training, bleed less in the fight!


This example uses Glide JS to handle the slider. In this approach all of the img tags are present in the source code, but only the first one has src attribute implemented. All other img elements have their src URL hidden in the data-src attribute.
Script reads data-src attributes, queues the load of images and only when they are loaded it initiates Glide JS.


AVR32 UC3 - EIC Driver Example 1 Documentation
This is the documentation for the data structures, functions, variables, defines, enums, and typedefs for the EIC driver. This documentation is also bundled with an example.
This example shows how to use an external interrupt to wake up the cpu when in sleep mode (static).
Operating mode:
- At the beginning, CPU is in sleep mode.
- The user needs to press the Joystick(on EVK1100) or PB0(on EVK1101) to leave the sleep mode and the led LED0 toggles. After a short delay, CPU is switched back into sleep mode (back to step 1)...etc
- Note:
- on EVK1101 Rev. B, PB0 is named PB2.
This software was written for the GNU GCC for AVR32 and IAR Systems compiler for AVR32. Other compilers may or may not work.
All AVR32 devices with a EIC module can be used. This example has been tested with the following setup:
-
EVK1100 evaluation kit
-
EVK1101 evaluation kit
CPU speed: Switch to oscillator external OSC0 = 12 Mhz.
For further information, visit Atmel AVR32.
Support and FAQ: http://support.atmel.no/
Generated on Thu Sep 20 12:12:47 2007 for AVR32 UC3 - EIC Driver Example 1 by
1.5.1-p1


{% extends "base_content.html" %} {% block content %}
TODO: Fill me out
{% if is_owner %}amount raised
{{ team.date_joined }}
players on roster
{{ i.name }}
{% endfor %}TODO: Wire up a campaigns module here
Campaign name
Campaign $ raised so far
Campaign start
Campaign target
Campaign highest earner so far or: leaderboard
{{ team.about }}
Do I want to know what shelters we've raised money for?


A friend of mine challenged me to make a bucket list, so I look forward to working on this over time and would love your feedback!


--- layout: null ---
HTTP: 404
this_page.not_found = true;
if (you_spelt_it_wrong) {try_again();}
else if (we_screwed_up) {alert("We're really sorry about that."); window.location = home;}