"This nucleizing nucleus is a world in itself. The miniature deploys to the dimensions of a universe. Once more, large is contained in small."
—Gaston Bachelard
What goes unseen, unfelt, or unheard? In this online exhibition, the artworks converge with scientific experiment, using digital tools to creatively reinterpret the imperceptible and science of the unseen.
Artworks in Science of the Unseen think creatively about questions of scale and how unseen processes animate larger effects. By using digital tools and computational programs, we see with new eyes from the microscopic cell to the cosmic universe. Technology increasingly alters the senses and our experience of the geological landscape. From our new ways of seeing, questions emerge such as, how does nano-technology mirror and magnify the art of nature? How does visualizing insect burrows in trees allow us to interpret a larger ecosystem? Or we can ask what still remains unseen, like how do organisms form new imperceptible habits in response to technology?
Art can be both inspired by and resistant toward how scientific practice sees the world. Artworks in Science of the Unseen experiment with innovative research methods that also critically examine what drives the disciplines of art and science. In this exhibition, artistic interpretation of the unseen emphasizes the political dynamic of both the human public and nonhuman ecologies. How does art represent and empower the relationships between micro and macro, unseen and seen, situated and global, that would otherwise be invisible? What can art see that science cannot see alone?
This call for submissions welcomes artistic interpretation and collaborations working from any discipline within art and science. Science of the Unseen is an online exhibition coordinated by the ACM Siggraph Digital Arts Community.
www.siggraph.org/connect/digital-arts
Call for submissions: October 6, 2015
Submissions Open: October 26, 2015
Submissions Close: Monday, February 29, 2016
Notification of Acceptance: April 2nd, 2016
Exhibition Launch: Monday, May 2, 2016
Artists may submit works in any of 3 formats:
The works will be selected by a panel of international experts, which will be formed to bring together a diverse set of backgrounds in art, curation, science and art+science collaboration.
The online gallery may also include curated works, which can be selected by the committee. These will be leading examples in the field, and may include works from the committee members and jurors.
Artists will be required to submit a short (approximately 100 word) synopsis of their work. We encourage artists to include any links to published scientific papers, data repositories, and scientist profiles that are directly linked to the creation of the submitted work in addition to their synopsis.
Participants are encouraged to become part of the ACM SIGGRAPH Digital Arts Community, but it is not a requirement for submission. Join at siggrapharts.ning.com


Motivation
When doing research in the field of Ethereum Smart Contract security I came across a problem in finding the owner of the vulnerable contracts. This is particularly important for publicly available smart contracts, where time plays a crucial role.
When you, as an ethical hacker, want to report the vulnerability you can either:
- exploit it illegally and start looking for the owner (we don't want to do that), or
- start looking for the owner and hope that noone exploits the vulnerability (we don't want to do that either).
I want to use this tool for Responsible Disclosure. I firstly leave the encrypted, unmodifiable and undeniable message (in the end it's blockchain) where to find the stolen Ether and then exploit the vulnerability.


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{% extends '../layouts/template.html' %} {% block title %}Check your State Pension {{mvpversion}}{% endblock %} {% block serviceName %}Check your State Pension{% endblock %} {% block main %}
Pay {{ cost }}
to improve your pension forecast from £108.87 to {{ increase }} a week
this will give you an extra:
Paying {{ cost }} will fill 4 gaps in your National Insurance record.
| Year | Shortfall | Increase to pension |
|---|---|---|
| 2015-16 | £150 | £4.45 a week |
| 2013-14 | £60 | £3.98 a week |
| 2010-11 | £200 | £3.98 a week |
| 2008-09 | £100 | £3.98 a week |
| Total | {{ cost }} | {{ week }} a week |
| Year | Shortfall | Increase to pension |
|---|---|---|
| 2015-16 | £150 | £4.45 a week |
| 2013-14 | £60 | £3.98 a week |
| 2008-09 | £100 | £3.98 a week |
| Total | {{ cost }} | {{ week }} a week |
| Year | Shortfall | Increase to pension |
|---|---|---|
| 2015-16 | £150 | £4.45 a week |
| Year | Shortfall | Increase to pension |
|---|---|---|
| 2013-14 | £60 | £3.98 a week |
Check your National Insurance record to find out more about the years with gaps. If you have evidence that it’s wrong you can correct it. Correcting your record can fill a gap and improve your pension.
Consider if paying voluntary contributions is your best option
{% endblock %}


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|
Projeto_AEDA_1_HouseMaster
|
Classes | |
| class | AlreadyKnows |
| class | ServiceRequiresPro |
Public Member Functions | |
| Collaborator (std::vector< std::string > services, const std::string &name, bool pro, float earnings=0, Classification score=newHere) | |
| Collaborator's constructor. More... | |
| std::vector< std::string > | getServices () |
| getter More... | |
| bool | isPro () const |
| getter More... | |
| bool | canPreform (const std::string &service) |
| checks if a collaborator can preform a service More... | |
| bool | hasQualificationToPreform (Intervention *intervention) const |
| checks if a collaborator has the qualification to preform an intervention More... | |
| bool | canDo (HouseMaster &hm, const std::string &collabId, Intervention *intervention) |
| checks if a collaborator an do an intervention More... | |
| int | getScore () const |
| getter More... | |
| void | addClassification (Classification classification) |
| add a classification to the collaborator More... | |
| void | addService (Service *service) |
| adds a service to the collaborator's services More... | |
| void | updateScore () |
| updates the collaborator's score | |
| void | calculateEarnings (float &hmEarnings) |
| calculates the collaborator's earnings More... | |
| float | getEarnings () const |
| getter More... | |
| float | commissionByScore () |
| gets the collaborator's commission according to their score More... | |
| std::string | getId () const override |
| getter More... | |
| bool | operator== (const Collaborator &ind2) const |
| checks if two collaborators are the same More... | |
| bool | operator< (const Collaborator &col2) const |
| checks if a collaborator has less score than other More... | |
| Public Member Functions inherited from Individual | |
| Individual () | |
| Individual constructor. | |
| Individual (std::string name) | |
| Individual constructor. More... | |
| void | changeUsername (HouseMaster &hm, std::string newUsername) |
| Changes username in username map. More... | |
| std::unordered_set< Intervention * > | getAssociatedInterventions (HouseMaster &hm) const |
| gets an individual's interventions More... | |
| std::unordered_set< Intervention * > | getAssociatedActiveInterventions (HouseMaster &hm) const |
| gets an individual's active interventions More... | |
| std::string | getName () const |
| getter More... | |
Static Public Member Functions | |
| static bool | isAvailable (HouseMaster &hm, const std::string &collabId, Date start, Duration duration) |
| checks if a collaborator is available for a service More... | |
| static void | markInterventionAsComplete (Intervention *intervention) |
| marks an intervention as completed More... | |
Static Public Attributes | |
| static unsigned int | _idSeqCol = 0 |
Additional Inherited Members | |
| Protected Attributes inherited from Individual | |
| std::string | _displayName |
| unsigned int | _id |
| Collaborator::Collaborator | ( | std::vector< std::string > | services, |
| const std::string & | name, | ||
| bool | pro, | ||
| float | earnings = 0 , |
||
| Classification | score = newHere |
||
| ) |
Collaborator's constructor.
| services | the services the collaborator can preform |
| name | the collaborator's name |
| pro | is professional |
| earnings | the earnings |
| score | the score |
| void Collaborator::addClassification | ( | Classification | classification | ) |
add a classification to the collaborator
| classification | the classification |
| void Collaborator::addService | ( | Service * | service | ) |
adds a service to the collaborator's services
| service | the service |
| void Collaborator::calculateEarnings | ( | float & | hmEarnings | ) |
calculates the collaborator's earnings
| hmEarnings | the total earnings |
| bool Collaborator::canDo | ( | HouseMaster & | hm, |
| const std::string & | collabId, | ||
| Intervention * | intervention | ||
| ) |
checks if a collaborator an do an intervention
| hm | the instance of housemaster |
| collabId | the collaborator's id |
| intervention | the intervention |
| bool Collaborator::canPreform | ( | const std::string & | service | ) |
checks if a collaborator can preform a service
| service | the service to check |
| float Collaborator::commissionByScore | ( | ) |
gets the collaborator's commission according to their score
| float Collaborator::getEarnings | ( | ) | const |
getter
|
overridevirtual |
| int Collaborator::getScore | ( | ) | const |
getter
| std::vector< std::string > Collaborator::getServices | ( | ) |
getter
| bool Collaborator::hasQualificationToPreform | ( | Intervention * | intervention | ) | const |
checks if a collaborator has the qualification to preform an intervention
| intervention | the intervention |
|
static |
checks if a collaborator is available for a service
| hm | the instance of housemaster |
| collabId | the id of the collaborator |
| start | of intervention |
| duration | of intervention |
| bool Collaborator::isPro | ( | ) | const |
getter
|
static |
marks an intervention as completed
| intervention | to be completed |
| bool Collaborator::operator< | ( | const Collaborator & | col2 | ) | const |
checks if a collaborator has less score than other
| col2 | other collaborator |
| bool Collaborator::operator== | ( | const Collaborator & | ind2 | ) | const |
checks if two collaborators are the same
| ind2 | other collaborator |


{{status}}
| Edit | Sr. | Scheduled Asset Swap Date | Data Transfer Needed | Customer Type | Project Number | Deployment Type | Request Type | Customer Name | Customer Location | Building/floor# /workstation# | LOB | New Computer Info | Old Computer Info | Software Needed | Notification Needed | |||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Serial Number | Asset Tag | Model | Serial Number | Asset Tag | Model | State | Substate | |||||||||||||||
| {{$index+1}} |
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closed circuited cooling tower
Path: CARNOT/Source/Chiller
Purpose
Calculates the output THV and the energy and water consumption of the closed circuited cooling tower.
Description
The output temperature depends on air temperature, humidity, rpm of the fan, flow rate and glykol content.
wet –bulb temperature
power calculation in case of speed regulation
proportionality rule
water consumption
The saturation pressure p_s is calculated with the simplified approximation of Glück
| Symbol | used for |
|---|---|
| c | |
| h | |
| n | |
| m_dot | |
| p | pressure in Pa |
| P | power in kW |
| Q_dot | |
| t | temperature |
| x |
Inputs:
Outputs:
Parameters and Dialog Box
The cooling tower mask is an overview about the performance data and about the distribution of the data logging bus-signal.
Characteristics
Direct Feedthrough Yes
Sample time Inherited from driving block
Vectorized No


Size of blobs in Azure Storage account F# vs Scala vs Clojure
In this functional exercise, I’m studying Azure Storage SDK to accomplish a storage size space calculation used by blobs.
F#
AzureTypeProvider hides some boilerplate code.
Scala
Both Scala and Clojure are using Microsoft Azure Storage SDK for Java
Clojure
blog comments powered by Disqus


WITNESS LIST Business & Commerce Committee March 25, 2003 - 9:00A SB 351 FOR: Bower, Tommy (Bower Service), Ft. Worth, TX Cernosek, Larry (Texas Towing and Storage Association), Pasadena, TX Rentea, Bogdan (Attorney for TPRA), Austin, TX Smith, Eddie (West Texas Auto Recovery), San Antonio, TX ON: Kuntz, William (Texas Department of Licensing and Regulation), Austin, TX Registering, but not testifying: For: Brannon, Lawrence (Central Texas Auto Recovery), Abilene, TX Hall, James (Hall Recovery Specialists), Dallas, TX Rash, Jeanette (Texas Towing and Storage Association), Houston, TX SB 533 Registering, but not testifying: For: Stinson, Bill (Texas Association of Realtors), Austin, TX SB 580 Registering, but not testifying: For: Freeman, Constable Gary (Justice of the Peace and Constable's Association of Texas), Pasadena, TX Hickman, Constable Ron (Self), Spring, TX Mintz, David (Texas Apartment Association), Austin, TX SB 774 ON: Pettijohn, Leslie (Consumer Credit Commissioner), Austin, TX Registering, but not testifying: For: McGlasson, Scott (Texas Bankers Association), Austin, TX Morris, Mark (JP Morgan Chase Bank), Austin, TX Sandberg, Eric (Texas Savings and Community Bankers Association), Austin, TX Scurlock, Steve (Independent Bankers Association of Texas), Austin, TX Stinson, Bill (Texas Association of Realtors), Austin, TX SB 996 FOR: Lynch, Chip (Federal Home Loan Bank of Dallas), Dallas, TX Scurlock, Steve (Independent Bankers Association of Texas), Austin, TX Registering, but not testifying: For: Sandberg, Eric (Texas Savings and Community Bankers Association), Austin, TX SB 1090 FOR: Dawson, Sam (Elevator Constructors Union), Austin, TX Niemann, Larry (Texas Building Owners and Managers Association), Austin, TX ON: Kuntz, William (Texas Department of Licensing and Regulation), Austin, TX Registering, but not testifying: For: Goebler, Tim (International Union of Elevator Constructors), Buda, TX SB 1280 FOR: Bednar, Wilburn (Glasscock County, Texas), Garden City, TX Eggemeyer, Billy (St. Lawrence Cotton Growers), Midland, TX Gully, Rodney (St. Lawrence Area), Garden City, TX Hoelscher, Clifford (Self), Garden City, TX Hoelscher, Harold (Self), Garden City, TX King, Brent (Self), Midkiff, TX Mitchell, Myrl (Four Way Gin Co.), Lenorah, TX AGAINST: Atkins, Lee (Cap Rock Energy), Midland, TX Jones, Rusty (Cap Rock Energy), Midland, TX Kelly, Thomas (Self), Midland, TX Ladd, Jack (Cap Rock), Midland, TX LaFavers, Sondra (Hunt/Collin Division of Cap Rock Energy), Celeste, TX Lyon, Ronnie (Cap Rock Energy), Sherman, TX McBeth, Kelly Director of Public Affairs (Cap Rock Energy Corp), Midland, TX Tate, Newell (Cap Rock Energy), Tarzan, TX Thompson, Johnnie (Cap Rock Energy), Midland, TX ON: Klein, Becky Chairman (Public Utility Commission of Texas), Austin, TX Registering, but not testifying: For: Bales, Judy (Self), Big Lake, TX Bales, Phillip (Self), Big Lake, TX Barrett, Patricia (St. Lawrence Cotton Growers), Midkiff, TX Barrett, Jr., Ray (St. Lawrence Cotton Growers), Midkiff, TX Braden, Bertin (Self), Midland, TX Braden, Donald (Self), Big Lake, TX Braden, Jackie (Self), Midland, TX Braden, Randy (St. Lawrence Cotton Growers), Midland, TX Braden, Sharon (Self), Big Lake, TX Braden, Wilbert (St. Lawrence Cotton Growers), Midland, TX Chuckley, Henry (Self), Garden City, TX Craven, Eric (Texas Electric Cooperatives), Austin, TX Dierimer, Brandon (Self), Garden City, TX Dierimer, Wilbert (St. Lawrence Cotton Growers), Garden City, TX Frysak, Kevin (Self), Garden City, TX Frysak, Mark (Self), Garden City, TX Fuchs, Allan (Self), Garden City, TX Fuchs, Barbara (Self), Midland, TX Fuchs, Kristy (Self), Garden City, TX Fuchs, Michael (Self), Midland, TX Gully, Charles (Self), Garden City, TX Halfmann, Cecil (St. Lawrence Cotton Growers), Garden City, TX Halfmann, Darrell (Self), Garden City, TX Halfmann, Gary (Gary Halfmann Farms), Garden City, TX Halfmann, JoAnn (Self), Garden City, TX Halfmann, Leon (Self), Garden City, TX Halfmann, Lynn (Self), Midland, TX Halfmann, Mark (St. Lawrence Cotton Growers), Garden City, TX Halfmann, Nathan (Self), Garden City, TX Halfmann, Ricky (Self), Garden City, TX Halfmann, Russell (Self), Garden City, TX Halfmann, Wendell (Self), Garden City, TX Halfmann, Wilma (St. Lawrence Community), Garden City, TX Harston, Ricky (Glasscock Groundwater Conservation District), Garden City, TX Hirt, Chris (Chris Hirt Farms Inc.), Garden City, TX Hirt, Lana (Self), Garden City, TX Hoch, Michael (Glasscock County, Texas), Garden City, TX Hoelscher, Ann (Self), Garden City, TX Hoelscher, Clifford (Self), Garden City, TX Hoelscher, Dennis (Small Business), Garden City, TX Hoelscher, Gerald (Self), Garden City, TX Hoelscher, Jerome (St. Lawrence Cotton Growers), Garden City, TX Jansa, Allen (Rural America), Garden City, TX Jansa, Wayne (Cotton Producer for affordable rates), Garden City, TX Jost, Eugene (Self), Garden City, TX Jost, L.A. (St. Lawrence Cotton Growers), Garden City, TX Jost, Marilee (Self), Garden City, TX Jost, Steven (Self), Garden City, TX Kellermeier, Sammy (Self), Garden City, TX King, Brent (Self), Midkiff, TX Marecek, Glen (Self), Midkiff, TX Marecek, Mary (Self), Midkiff, TX Mayberry, Warren (Texas Farm Bureau), Austin, TX Midkiff, Bob (Self), Midland, TX Midkiff, John (Self), Midland, TX Midkiff, Mary Lou (Self), Midland, TX Midkiff, Toni (Self), Midland, TX Niehnes, Carey (St. Lawrence Cotton Producer for affordable rates), Garden City, TX Pelzel, Patrick (St. Lawrence), Garden City, TX Pelzel, Rose (Self), Garden City, TX Richards, Don (St. Lawrence Cotton Growers), Lubbock, TX Schaefer, Andrew (Self), Garden City, TX Schaefer, Loretta (Self), Garden City, TX Schwartz, Galen (St. Lawrence Cotton Growers), Garden City, TX Schwartz, Joe (Self), Garden City, TX Seidenberger, Eric (Self), Garden City, TX Turner, Robert (Texas Sheep and Goat Raisers Association), Austin, TX Weishuhn, Belinda (Self), Garden City, TX Weishuhn, David (Self), Garden City, TX Welch, Eldon (St. Lawrence Cotton Growers), Tarzan, TX Welch, Georgia (St. Lawrence Cotton Growers), Tarzan, TX Williams, Tony (Texas Cotton Ginners Association), Austin, TX Wilson, Sheryl (Self), Midland, TX Against: Stewart, Jay (Cap Rock Energy), Austin, TX On: Braden, Sharon (Self), Big Lake, TX


Are you tired of your CURRENT ROUTINE? Does work have you BURNED OUT?
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The Adventures of Jerry Muskrat
by Thornton W. Burgess
Chapter 19: “Jerry Muskrat Has a Busy Day”
Additional Information
- Year Published: 1914
- Language: English
- Country of Origin: United States of America
- Source: Burgess, T.W. (1914). The Adventures of Jerry Muskrat.
-
Readability:
- Flesch–Kincaid Level: 5.5
- Word Count: 643
- Genre: Fantasy
- ✎ Cite This
Downloads
There was the strange pond in the Green Forest, and there was the dam of logs and sticks and mud which had made the strange pond, but look as they would, Billy Mink and Little Joe Otter and Jerry Muskrat and Grandfather Frog and Spotty the Turtle could see nothing of the one who had built the dam. It was very queer. The more they thought about it, the queerer it seemed. They looked this way, and they looked that way.
“There is one thing very sure, and that is that whoever built this dam had no thought for those who live in the Laughing Brook and the Smiling Pool,” said Grandfather Frog. “They are selfish, just plain, every-day selfish; that’s what they are! Now the Laughing Brook cannot laugh, and the Smiling Pool cannot smile, while this dam stops the water from running, and so —” Grandfather Frog stopped and looked around at his four friends.
“And so what?” cried Billy Mink impatiently.
“And so we must spoil this dam. We must make a place for the water to run through,” said Grandfather Frog very gravely.
“Of course! That’s the very thing!” cried Little Joe Otter and Billy Mink and Jerry Muskrat and Spotty the Turtle. Then Little Joe Otter looked at Billy Mink, and Billy Mink looked at Jerry Muskrat, and Jerry Muskrat looked at Spotty the Turtle, and after that they all looked very hard at Grandfather Frog, and all together they asked: “How are we going to do it?”
Grandfather Frog scratched his head thoughtfully and looked a long time at the dam of logs and sticks and mud.
“Why, that is very simple,” said he, “Jerry Muskrat will make a big hole through the dam near the bottom, because he knows how, and the rest of us will keep watch to see that no harm comes near.”
“The very thing!” cried Little Joe Otter and Billy Mink and Spotty the Turtle, but Jerry Muskrat thought it wasn’t fair. You see, it gave him all of the real work to do. However, Jerry thought of his dear Smiling Pool, and how terrible it would be if it should smile no more, and so without another word he set to work.
Now Jerry Muskrat is a great worker, and he had made many long tunnels into the bank around the Smiling Pool, so he had no doubt but that he could soon make a hole through this dam. But almost right away he found trouble. Yes, Sir, Jerry had hardly begun before he found real trouble. You see, that dam was made mostly of sticks instead of mud, and so, instead of digging his way in as he would have done into the bank of the Smiling Pool, he had to stop every few minutes to gnaw off sticks that were in the way.
It was hard work, the hardest kind of hard work. But Jerry Muskrat is the kind that is the more determined to do the work the harder the work is to be done. And so, while Grandfather Frog sat on one end of the dam and pretended to keep watch, but really took a nap in the warm sunshine, and while Spotty the Turtle sat on the other end of the dam doing the same thing, and while Billy Mink and Little Joe Otter swam around in the strange pond and enjoyed themselves, Jerry Muskrat worked and worked and worked. And just as jolly, round, red Mr. Sun started down behind the Purple Hills, Jerry broke through into the strange pond, and the water began to run in the Laughing Brook once more.


Delete a discussion from a team's page. OAuth access tokens require the write:discussion scope.
write:discussion
DELETE /teams/:team_id/discussions/:discussion_number
Status: 204 No Content


Watchdog on firing line
by The Canadian PressThe Alberta government has passed a bill to fire election commissioner Lorne Gibson, raising questions about the future of Gibson's investigation into Premier Jason Kenney's United Conservative Party.
Kenney's government introduced the bill on Monday, invoked time limits on all three stages of debate and it was passed Thursday.
NDP Opposition critic Sarah Hoffman criticized the UCP for pushing the bill through while Kenney was in Texas on a trade mission.
"The premier has not addressed this bill even once in this place, and I think that that's shameful," Hoffman told the chamber prior to the vote.
NDP critic Marlin Schmidt compared Kenney's government to that of Russia's Vladimir Putin.
"They've consolidated power and moved so quickly, Vladimir Putin would blush at the gall that these people have in crushing democracy."
The bill makes the election commissioner's job a staff position under chief electoral officer Glen Resler rather than an independent office of the legislature, and specifies that Gibson's contract be terminated.
The UCP says it's strictly a cost-saving move and there is nothing stopping a new election commissioner from continuing the investigation.
The New Democrats say Gibson's firing will have a chilling effect and the investigation will die.
UCP deputy whip Joseph Schow accused the Opposition of sullying Resler's integrity by suggesting he will ditch the investigation.
"How arrogant is that ... to suggest that we control what Mr. Resler does. His is an independent office and one that must be respected and not passed around this chamber like a political football," Schow said.
The bill also transfers control of the Alberta Teachers’ Retirement Fund, along with funds for the Workers’ Compensation Board and Alberta Health Services, to the Alberta Investment Management Corp., a Crown corporation.
Gibson has been investigating fundraising violations tied to the 2017 UCP leadership race and has levied more than $200,000 in fines to date.
Kenney won the race and earlier this year the United Conservatives won the general election.
The NDP has been making several last-ditch attempts to stop the bill. The party has written to Lt.-Gov. Lois Mitchell asking her to intervene on the grounds that the bill is an abuse of privilege by Kenney's government. Mitchell's signature is needed to proclaim the bill and make it law.
NDP Leader Rachel Notley also wrote to ethics commissioner Marguerite Trussler on Wednesday asking that she ban the entire UCP caucus from voting on the bill on the grounds that United Conservatives are all in a conflict of interest because they would benefit from having Gibson's contract terminated.


Best Baby Monitor & Baby Tech Deals November 2019
Babies are expensive, especially baby tech, so we've gathered the best deals on baby monitors, bottle warmers, breast pumps and more. We've rounded up this November's deals on Tommee Tippee, Fisher-Price, The Gro Company and more.
by Karen HaslamBabies are expensive. In the first month alone you're looking at around £500 spent on nappies, food and related bits and bobs, so you should make savings wherever you can - especially on the pricey tech that can make your life easier. We've rounded up some great deals on baby tech below.
1. Tommee Tippee Closer To Nature Complete Feeding Kit
From: Mamas & Papas
Was: £159.99
Now: £74.99 (£85 off)
View Deal
This bundle includes everything you need to make baby feeding straightforward, including bottles, a steam steriliser and a bottle warmer.
2. Angelcare AC527 Baby Movement Monitor
From: Mothercare
Was: £249.99
Now: £199.99 (£50 off)
View Deal
This Angelcare bundle, available at Mothercare while it's still trading, includes a movement sensor pad as well as a baby monitor and 5in video display.
This means you can monitor the nursery and respond if there is crying, but also be alerted to reduced movement.
3. Mothercare Ocean Adventure Entertainer
From: Mothercare
Was: £100
Now: £40 (£60 off)
View Deal
We're sad that it looks like Mothercare will be closing - although we are hopeful it will continue online. In the meantime, you can pick up some good deals, like this Ocean Adventure Entertainer, which is a little like the Rainforest Jumperoo, but much cheaper.
4. Tommee Tippee Perfect Prep
From: Amazon
Was: £125.99
Now: £78 (£47.99 off)
View Deal
The Tommee Tippee Perfect Prep machine is a must-have for any new mum and dad. Rather than boil the kettle, mix the boiling water with the formula, and then wait for the milk to cool before giving it to your screaming baby (or babies) to drink, you can use the Perfect Prep to prepare the formula quickly and know that the milk will be the prefect temperature.
The Perfect Prep machine is particularly useful when you are thumbling around in the early hours trying to prepare a night-time feed.
Amazon has money off right now, so it's a great time to purchase one.
5. Tommee Tippee Express & Go Electric Breast Pump Set
From: Amazon
Was: £121.99
Now: £80.57 (£41.42 off)
View Deal
This electric breast pump set includes everything you need to get started.
6. Tommee Tippee Baby Food Steam Blender
From: Amazon
Was: £106.99
Now: £68.95 (£38.04 off)
View Deal
This Tommee Tippee contraption will steam and blend food for your baby - with a variety of textures for different weaning stages.
7. Mamas & Papas Wave Rocker Baby Bouncer Chair - Wish Upon a Star
From: Mamas & Papas
Was: £89
Now: £89 (£30 off)
View Deal
A chair that rocks is a great way to calm your baby, or even him or her it to go to sleep! There are three recline positions, four melodies, and a vibrate function. Plus Mamas & Papas has money off right now.
8. Braun ThermoScan 3 Thermometer
From: Amazon
Was: £34.99
Now: £20 (£14.99 off)
View Deal
No matter how you protect your baby from germs at some point you will have to face a cold, or worse. Find out how high their temperature is with this handy little gadget. We find it much easier to use than the flimsy film thermometer you have to hold on their forehead (because kids never stay still long enough for them to work!) This takes a second!
9. Fisher-Price Rainforest Spacesaver Jumperoo
From: Amazon
Was: £92.99
Now: £74.89 (£18.10 off)
View Deal
There's a smaller version of the popular Rainforest Jumperoo. The Rainforest Spacesaver Jumperoo folds up, which is handy if your living room is full of baby stuff. Baby gets to jump and enjoy flashing lights, music and even play on the piano.
10. The Gro Company Gro-Clock Sleep Trainer
From: Amazon
Was: £34.99
Now: £19.99 (£15 off)
View Deal
The Gro-Clock Sleep Trainer from the Gro Company is designed to help toddlers know when it is time to get up in the morning.
11. BT Video Baby Monitor 6000
From: Amazon
Was: £129.99
Now: £117.99 (£12 off)
View Deal
BT's Video Baby Monitor 6000 has a 5in screen for watching your baby sleeping, or crying, or climbing out of the cot, on. You can also see the temperature in the nursery.
There's a choice of five lullabies that will hopefully sooth your baby to sleep.
You also have a range of 250m outdoors - so you could probably get to the bottom of the garden, though not all the way down the road.
There's money off right now at Amazon.
12. The Gro Company Gro-Egg Room Thermometer
From: Amazon
Was: £24.99
Now: £13 (£11.99 off)
View Deal
The Gro-Egg Room Thermometer not only monitors the temperature in the nursery - it glows a different colour depending on how warm it gets.


STIR OF ECHOES (director/writer: David Koepp; screenwriter: based on the 1958 novel by Richard Matheson; cinematographer: Fred Murphy; cast: Zachary David Cope (Jake), Kevin Bacon (Tom), Kathryn Erbe (Maggie), Illeana Douglas (Lisa), Kevin Dunn (Frank), Conor O'Farrell (Harry), Liza Weil (Debbie), Eddie Bo Smith Jr. (Neil, Chicago cop), Jenny Morrison (Samantha), 1999)
Reviewed by Dennis Schwartz
Stir of Echoes is firstly a ghost story and then it's a murder story, taking place in a working class Chicago neighborhood, where the neighbors party together and seem to be close-knit and concerned about one another. In either case, writer/director David Koepp (writer of Snake Eyes, The Lost World and director of The Trigger Effect) has come up with an emotionally disturbing film.
Tom Witzky (Kevin Bacon) is a telephone lineman and as a hobby plays guitar for a rock band. He is down on himself for his life being so ordinary, yet he tells his expectant wife Maggie (Kathryn Erbe) that he is a happy man because he has her. One of their problems, is that their 5- year- old son Jake (Zachary David Cope) sees ghosts and carries out conversations with them in a most peculiar fashion. He asks a ghost,"Does it hurt to be dead?" If I were his dad I would have gotten the kid some professional help before I attended another neighborhood get together.
But this ghost story is about the ordeal of the most unlikely believer in such supernatural tales, the hard-hat father of Jake, the one who has always repressed his extra-ordinary visionary gift. Therefore the film chooses not to focus too much on the precocious kid's gift, going almost exclusively for his father's nightmarish visions to tell its tale.
Tom's common man persona will quickly change during one of those gatherings, when his sister-in-law Lisa (Illeana Douglas), her sardonic humor much appreciated by me, talks about hypnosis and the drunken and skeptical Tom challenges the very amateur hypnotist to put him under. As a result, the lesson being becomes: never play mind games you don't understand with someone inexperienced and not completely reliable who has you under their power. As it turns out, our man is a Receiver (which in the supernatural trade, means that he has the gift, he could see things in the other world). Tom is told to think of an empty theater, with that in mind visions come to him very violently of some ill-doings in the house he is renting, giving him the impression someone's buried there. When out of the trance, he says he felt no pain and is surprised when told he had a pin stuck in him. He remembers nothing of his visions but still has x-ray vision and severe headaches and a foreboding fear that he better do something about these visions or else his family will be in danger. The next day when he turns to ask the kooky Lisa what she did to him, she tells him she only suggested to him that he keep the door open, to have an open mind.
He starts calling in sick to work, and his worried wife thinks he's cracking-up. And even after he tells her what's going on inside his head, she doesn't get it that this could be something requiring professional help; she seems to be more concerned that he's used up all his sick days. But the kid understands his father, they are now both on the same wavelength and hold frequent chats together in private, afraid that what they are talking about would scare mommy.
Tom is now obsessed with the vision of a ghost in the house, which he soon identifies as a missing neighborhood teenager, Samantha Kozac (Jenny).  Debbie's presence gets the ghost story really rolling, as Jake blurts out to her his visions of Samantha being in the house. Though, at times, the story is close to losing it, getting enveloped in melodramatics, it manages to pull back and return to the family and their struggle with the existence of a ghost in their house and their marital problems, keeping the film suspenseful, allowing you to overlook if you care to, the many holes in the story. It isn't until the climax that the film really falls apart and reverts to a conventional ending, as it tries to do justice to the murdered ghost. The film just lost control of what it had going for it that made it different from, let's say, another recent ghost film, The Sixth Sense, and plummeted it back into the world of the run-of-the mill films of that genre.
When both father and son share ghostly visions of Samantha and the film moves into the afterworld to tell its chilling story, the tale is compelling. It is illustriously shot and its ghostly visions are stunningly creepy. It also captures in its sights the good, bad, and ugly of Chicago. This fast moving film has hooked onto the nuances of its working class neighborhood completely, and by being grounded with this kind of reality the ghost story becomes more effective.
>From this character driven film, we learn that ghosts get angry when we don't respond to them properly. That the afterworld is a place that some of us more than others have a chance to penetrate and if we do, we better learn how to listen. Kevin Bacon plays the role convincingly, with just the right amount of skepticism and psychological tension, coming close but never going over the top, like a lesser actor might have been tempted to do. Kathryn Erbe is solid in her role as the loving wife who doesn't see what the rest of her family sees supernaturally but in her own brave way tries to manage to keep the family together. Zachary David Cope seems like a child who is used to seeing strange things all his life and is rather placid and accepting about it, playing his role as well as could be expected. But I did have some problems that what was happening to him was not more fully developed. I felt I didn't really know much more about him by the film's end than from its beginning. In both sequences ghosts are communicating with him. I just had the feeling that the kid could end up being a basket case if his folks didn't take some time to help him deal with his gift, and that even though they were hard working and nice people, they were not a very perceptive couple.
What transpires is an ok ghost story, a suspenseful story of an ordinary couple trying to cope with something that they are not prepared for, and a weak murder story, that ruins the film, as it brings it down to earth in a most desultory manner.
Is the film worth seeing? Yes. It is entertaining and spooky, and you get taken on an emotional roller coaster ride. No. It is earthbound and contrived, and the ending is a stinker. Take your pick, both answers are correct.
REVIEWED ON 9/21/99 GRADE: C
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
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The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
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Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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#ftl output_format="HTML" auto_esc=true> <#import "layout/default.html" as layout><EMAIL_ADDRESS>Dear ${notificationTarget.name},
${competitionName}
Your application number: ${applicationId}
We have received your stage 1 pre-registration to the Horizon Europe UK Application Registration programme, administered by Innovate UK, part of UK Research and Innovation.
Once you have heard about your Horizon Europe EU grant application from The European Commission please contact us and tell us their decision.
If you have any queries with your application to us, please contact our customer support services at<EMAIL_ADDRESS>or 0300 321 4357.
For all other enquiries about your Horizon Europe grant, please contact The European Commission directly.
Please forward this email to any consortia members.
Yours sincerely,
<EMAIL_ADDRESS>/> @layout.default>


class YARD::Parser::Ruby::Legacy::RubyLex::BufferedReader
Read an input stream character by character. We allow for unlimited ungetting of characters just read.
We simplify the implementation greatly by reading the entire input into a buffer initially, and then simply traversing it using pointers.
We also have to allow for the here document diversion. This little gem comes about when the lexer encounters a here document. At this point we effectively need to split the input stream into two parts: one to read the body of the here document, the other to read the rest of the input line where the here document was initially encountered. For example, we might have
do_something(" stuff for ", " stuff for ")
When the lexer encounters the <<A, it reads until the end of the line, and keeps it around for later. It then reads the body of the here document. Once complete, it needs to read the rest of the original line, but then skip the here document body.
@private
Attributes
Public Class Methods
# File lib/yard/parser/ruby/legacy/ruby_lex.rb, line 347 def initialize(content) if /\t/ =~ content tab_width = 2 content = content.split(/\n/).map do |line| 1 while line.gsub!(/\t+/) { ' ' * (tab_width * $&.length - $`.length % tab_width) } && $~ #` line end .join("\n") end @content = String.new(content) @content << "\n" unless @content[-1, 1] == "\n" @size = @content.size @offset = 0 @hwm = 0 @line_num = 1 @read_back_offset = 0 @last_newline = 0 @newline_pending = false end
Public Instance Methods
# File lib/yard/parser/ruby/legacy/ruby_lex.rb, line 366 def column @offset - @last_newline end
# File lib/yard/parser/ruby/legacy/ruby_lex.rb, line 420 def divert_read_from(reserve) @content[@offset, 0] = reserve @size = @content.size end
# File lib/yard/parser/ruby/legacy/ruby_lex.rb, line 401 def get_read res = @content[@read_back_offset...@offset] @read_back_offset = @offset res end
# File lib/yard/parser/ruby/legacy/ruby_lex.rb, line 370 def getc return nil if @offset >= @size ch = @content[@offset, 1] @offset += 1 @hwm = @offset if @hwm < @offset if @newline_pending @line_num += 1 @last_newline = @offset - 1 @newline_pending = false end if ch == "\n" @newline_pending = true end ch end
# File lib/yard/parser/ruby/legacy/ruby_lex.rb, line 389 def getc_already_read getc end
# File lib/yard/parser/ruby/legacy/ruby_lex.rb, line 407 def peek(at) pos = @offset + at if pos >= @size nil else @content[pos, 1] end end
# File lib/yard/parser/ruby/legacy/ruby_lex.rb, line 416 def peek_equal(str) @content[@offset, str.length] == str end
# File lib/yard/parser/ruby/legacy/ruby_lex.rb, line 393 def ungetc(_ch) raise "unget past beginning of file" if @offset <= 0 @offset -= 1 if @content[@offset] == ?\n @newline_pending = false end end


This Article is regarding front end technologies
this article regarding the udacity nano degree program


matrix-architect
A bot to manage your Synapse home server. It uses Synapse's admin API to provides management commands.
Current state of API implementation:
- [ ] account_validity
- [ ] delete_group
- [ ] media_admin_api
- [ ] purge_history_api
- [ ] purge_remote_media
- [x] purge_room
!room purge
!room garbage-collect
- [ ] register_api
- [ ] room_membership
- [x] rooms
!room count
!room details
!room list
!room top-complexity
!room top-members
- [ ] server_notices
- [x] shutdown_room
!room shutdown
- [x] user_admin_api
!user list
!user query
!user deactivate
!user reset-password
- [x] version_api
!version
See !help
for more details about the bot's commands.
Installation
You can download a static build from the releases page.
If you want to build it yourself you need to install Crystal 0.34, then clone the code, go to the new folder and:
make
You can also build a static binary with
make static
Note that the static build (manually or from the releases) is not actually totally static (see the Cristal wiki). If you have trouble you want prefer to build yourself a not static binary.
Usage
Setting the configuration:
- Create a new account for the bot on your HS, with your favorite client
- Log out (to discard any e2e key that would have been created)
- Use the script
tools/get_access_token.sh
to get a new access_token for the bot - Set the new created account as admin.
- Copy the
config-example.yml
file toconfig.yml
and fill the values
Run the bot with ./matrix-architect
. If you let the log level to "info" you should
see some messages.
You can now talk to the bot on Matrix!
Contributing
- Fork it (<https://github.com/erdnaxeli/matrix-architect/fork>)
- Create your feature branch (
git checkout -b my-new-feature
) - Commit your changes (
git commit -am 'Add some feature'
) - Push to the branch (
git push origin my-new-feature
) - Create a new Pull Request
Don't forget to run crystal tool format
on any code you commit.
Your are advised to open an issue before opening a pull request. In that issue you can describe the context and discuss your proposal.
TODO
Non ordered list of things I would like to do:
- Implement more API commands: I am not sure we need all the admin API available though the bot, but it's sure we need more.
- Implement new commands: there is probably space to implement new commands that combine different APIs, like the garbage-collect one.
- Provide administration for bridges? That could be something useful.
- Give some love to the cli executable:
- implement account creation in the main executable
- implement config generation
- read the config file from well known places or cli parameter
- Test the code
Contributors
- erdnaxeli - creator and maintainer


[gecode-users] Removing propagators from a Space
Christian Schulte
cschulte at kth.se
Fri Aug 17 21:17:17 CEST 2012
But I could add it for Gecode 4.*, should not be that hard. Do you want it?
Christian
--
Christian Schulte, www.ict.kth.se/~cschulte/
From: users-bounces at gecode.org [mailto:users-bounces at gecode.org] On Behalf
Of Guido Tack
Sent: Friday, August 17, 2012 9:06 PM
To: Max Ostrowski
Cc: users at gecode.org
Subject: Re: [gecode-users] Removing propagators from a Space
No, that's currently not supported. You'll have to work around it as you
suggested.
Cheers,
Guido
--
Guido Tack
http://www.csse.monash.edu/~guidot/
On 17/08/2012, at 11:24 PM, Max Ostrowski <ostrowsk at cs.uni-potsdam.de>
wrote:
Is there a way to remove all propagators from a space "a".
In this way the space contains only the restricted variables so far but
no constraints on them.
I need such a space and i want to avoid creating an empty space "b" and
adding all variables and constraining them to the values they had in "a".
Is this possible?
Best,
Max
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Gecode users mailing list
users at gecode.org
https://www.gecode.org/mailman/listinfo/gecode-users
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Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 4
Dietary
These filled Indian flatbreads are a good way to experiment with spices and flavours - you only need a tiny amount of filling and it is a good way of using leftover mashed potato or cooked vegetables. Parathas can be served alongside a curry or can be eaten with dips as an alternative to sandwiches in picnics or lunchboxes.
Kid’s job: Place the flour in a large bowl and gradually pour in 125ml/4fl oz lukewarm water and the oil. Add a pinch of salt. Mix the dough together into a ball.
Kid’s job: Knead the dough for five minutes- either in the bowl or on a clean surface. The dough should feel soft and stretchy and not too sticky. Different flours absorb different amounts of water, so you may need to add a little more flour or water if the dough is too sticky or dry.
Kid’s job: Place the dough back into the bowl and cover with the cling film. Leave to stand for about 15 minutes while you make the filling.
Kid’s job: You can make four different fillings in small cups or one big one in a bowl. Just mix together the ingredients you fancy and mash them up with a spoon or fork. Make sure you taste the filling and that you like it. Add a pinch at a time of pepper and spices, and taste.
Kid’s job: Divide the dough into four, but trim and keep a bit to one side which you can use to fix any holes that might appear when you roll out the breads.
Kid’s job: Roll out each ball on a lightly floured work surface or table. The dough should be about as thick as a pitta bread (approximately 5mm).
Kid’s job: Place two tablespoonfuls of each of the filling mixture on the centre of the rolled doughs and gather the edges together so that the dough wraps around the filling.
Kid’s job: Pat the dough to flatten carefully so that the filling is trapped inside. Roll out the stuffed parathas thinly as you can - don’t worry if some of the filling leaks out, you can ignore it or do a patch job with the extra dough.
Adult’s job: Heat a large frying pan and then pour a teaspoon of oil onto the surface of the pan. Use a piece of kitchen paper to spread the oil evenly over the pan. Cook one paratha (or more if you have a large frying pan) for about three minutes on each side, or until it is starting to brown.
Adult’s job: Repeat with the other breads adding a little more oil each time. You can keep the breads warm by placing them on a baking tray in a warm oven. Serve with yoghurt, dips or alongside a curry. Cold parathas are also great for picnics or lunchboxes.


Rafa Benitez explains why Liverpool are favourites for Premier League title
Jurgen Klopp's side are battling Manchester City for the Premier League trophy
by Jacob Murtagh, https://www.mirror.co.uk/authors/jacob-murtagh/Rafa Benitez has backed Liverpool to end their long wait for a Premier League title.
The Reds haven't won the championship since 1990 but are battling Manchester City for top honours again this term after pushing the champions all the way last campaign.
Jurgen Klopp's side go into Sunday's showdown with City six point clear of their rivals after an unbeaten start to the season.
Benitez, who steered Liverpool to the Champions League in 2005, reckons his old club will hold their nerve in the title race.
He wrote in the Athletic: "After last year, Liverpool have more experience and that’s always a positive, but City have grown used to being at the top. They know what it takes to win. They also have fantastic talent.
"What Liverpool possess is the advantage and they certainly have the potential to go one step further, but this is football and it’s far too early to talk about what will happen in May. Nothing is definitive in November.
"Are Liverpool doing well? Yes. Do they have a great team and a great manager? Yes. Can they win the title? Yes, of course.
"Why can they win it? Because they’ve done things right for the last few years and now they have the resources to back that up. That’s the biggest difference."
Liverpool go into the game on the back of Tuesday night's 2-1 win over Genk.
Goals from Georginio Wijnaldum and Alex Oxlade-Chamberlain - either side of Ally Mbwana Samatta's equaliser just before half-time - was enough to take them top of Group E and within a win of qualifying for the knockout stage with a match to spare.
Klopp was relieved to get through the game without any injuries ahead of Sunday's crunch clash.
"'Job done' is the headline for the game, pretty much, but the group is not decided. It's a tough group," he said.
"The most important thing; we won and nobody is injured. Apart from that, the result is the result because we didn't finish our situations off like we should and could have done.


Defines a list of phases to be included in a solidification calculation.
int jmpSetSolidificationPhases (int numPhases, char **phaseList);
numPhases [input]
Integer that specifies the number of phases to consider in the solidification calculation.
phaseList [input]
Pointer to an array of null-terminated sequences of characters that specifies the list of phases to consider in the solidification calculation.
JMP_STATUS_OK |
Request has been successfully completed. |
JMP_STATUS_ERROR |
An error has occurred. |
JMP_READ_USER_SPECIFIED
.inits/jmp.ini
, which can be found in the subdirectory Runtime
in the API installation directory, and should be placed at the same level as your executable file.| Headers | jmpcore.h jmpsolidification.h |
| Library | jmpsolidification.lib /jmpsolidification_x64.lib |
| DLL | jmpsolidification.dll /jmpsolidification_x64.dll |


Frozen 2 Smashes Another Record at the Box Office
by Evangelia GalanisFrozen 2 has been thawing the ice on a frosty box office season, shattering records and generating tons of revenue at the box office. Now, Frozen 2 holds the all-time record for the biggest global debut of any animated film.
Deadline reports that Frozen 2's opening cemented itself as the largest-opening animated film of all time. The follow-up sequel to 2013's Frozen grossed a worldwide global debut of $350.2 million. Most of that haul came from offshore markets, where the film took in $223.2 million across international markets.
Click the button below to start this article in quick view.
In China, the movie raked in $53 million, making it the best Disney animated film debut in the country. In Korea, it pulled in $31.5 million. Japan and Germany also boasted large numbers at the box office.
Domestically, the film is doing very well as well. Since it's opening on Friday, it raked in $125 million alone. According to film experts, Frozen 2 is expected to be Disney's sixth billion-dollar film of 2019, adding to the list which already includes Aladdin, Captain Marvel, Toy Story 4, The Lion King and Avengers: Endgame.
Disney's Frozen 2 reunites directors Jennifer Lee and Chris Buck and producer Del Vecho with voice actors Idina Menzel, Kristen Bell, Jonathan Groff and Josh Gad. Returning musical talents include Kristen Anderson-Lopez and Robert Lopez. The film is now in theaters.
https://schema.orgBreadcrumbListListItem1Homehttps://www.cbr.com/ListItem2Movieshttps://www.cbr.com/category/movies/ListItem3Movie Newshttps://www.cbr.com/category/movies/news-movies/ListItem4Frozen 2 Smashes Another Record at the Box Officehttps://www.cbr.com/frozen-2-smashes-another-record-at-the-box-office/


Have you ever longed for a job in the tech sector? A chance to roll the dice and get rich selling your Pinterest clone? I hear you, who doesn't want all of that and more!
Take the quick survey on the right and with the help of our team of data scientists we will determine your optimal path to wealth beyond your wildest dreams. Prepare for awkward dinners with Zuck, overpriced hoodies, and unfounded (we hope) discrimination law suits! The world is yours...as long as business model of highly-targeted advertising isn't disrupted.
, your path to riches lies in our program.


In order to understand JavaScript, and after that the DOM, one must first have a grasp of the relationship between HTML and CSS. In layman’s terms, if someone were building a house then we would consider HTML to be the basic structure of that house, ultimately being made up of the foundations, the walls, the floors, and the ceiling. Within that structure CSS would then be used to beautify and flesh out the house by applying paint to the walls, skirting boards, windows, and setting furniture. In short, HTML provides us with the bare structure while CSS is responsible for making it all look nice and homely.
From here we can then introduce JavaScript, which could be described as all the ‘cool’ features of the house. in regard to the house analogy this could be having spinning ceiling fans, under-floor heating, having the ability to rearrange furniture, or even the ability to renovate the property and remove/add walls.
Sticking with the same house analogy for the moment, the DOM or Document Object Model could be likened to a form of blueprint of the house. this blueprint would not show where each component of the house is meant to go yet would rather act as an ordered list of all the resources or components of the house and how they relate to each other. An MS paint example of this can be seen below (I am evidently not renowned for my art capabilities) followed by an actual layout of the DOM.
Moving away from the house analogy, you can see in the photo above the tree like structure of the Document Object Model and the types of nodes within it. While in the context of this blog and the extent of my learning it would be fair to say that there is a direct relationship between the DOM and JavaScript in the way that JavaScript code can manipulate the structure and contents of the DOM and its nodes (whether directly via the console or imbedded in a websites code), in reality it would be best described as a polyamorous relationship. This is because the DOM can be manipulated by other languages such as python in way near equal to JavaScript. This ability to manipulate the DOM is where the magic of JavaScript comes from as it allows aspects of a web page to be modified and manipulated based on a variety of triggers such as clicking or hovering the mouse over an element, and most importantly, without having to reload the page. In the context of the house analogy, this could be compared to being able to move a window or a wall without having to build a whole new house.
Two important concepts of JavaScript that can’t be ignored is control flow and loops. Control flow can simply be described as the order in which code is executed, a lot of the time this is as simple as code being executed left to right and top to bottom, however at many points in JavaScript one might only want to execute a section of code under certain circumstances. This is known as an if or if/else statement, this would follow the rule that if Y happens then do ABC, or else if X happens then do XYZ. Trying to keep in line with the house analogy for simplicity, an example could be if you were about to leave the house you might first look outside and if it were raining then you would get a coat or else you would get your keys and leave.
Another way that control flow can be manipulated is through loops. As the name “loops” sounds it is concerned with doing an action (or executing code) over and over until a certain condition is met. Again, keeping in line with the house analogy, if you couldn’t find your keys but you know you left them in a jacket pocket then you could use a for loop to say that for each jacket, assuming my keys are not found, then search the jacket, if the “keys are not found” condition is still true then pick up another jacket and repeat. While the application of a for loop in reality is a tad more complex, this is the best way I could describe it to someone not concerned with that reality, I should also note that there is also several more types of loops that differ slightly in their execution and conditions.
Within JavaScript, in order to store information, one can use arrays and objects. Both of these types of data storage are considered “mutable” which means they can be changed once initially set and they can both also store a collection of data rather than just a single piece. This however is where the similarities stop.
One difference is how objects tend to focus on a specific ‘thing’ that has several properties of its own, each individual property is known as a “key”, and each key has a “value”. For example, the object of pet will have a key of name (with a value of “Rex”), a key of species (with a value of “border collie”), and perhaps a key of interests (with a value of “chasing birds”). Compared to this, Arrays tend to focus on more of a list format, commonly ones that are ordered but can also be used for unordered lists. For example, if I had a list of goals over the holiday’s then I could add “climb a mountain”, “get my license”, “go to the gym”.
When retrieving or modifying data, these two approaches to information storage also differ. In the instance you want to find the value of “name” from the pet object, one would need to use bracket or dot notation such as pet.name or pet[‘name’] (which would return “Rex”). If someone wanted to change that name to fluffy they could enter pet.name = “fluffy”.
Accessing data form arrays on the other hand relies on the concept of zero-based indexing, which refers to counting starting with zero instead of one. Using our array list of “goals” above we would consider “climb a mountain” to be entry zero, while “get my license” would be entry one, respectively these values would be pulled using the name of the array followed by the entry number in closed brackets such as goals[0] or goals[1]. Items within an array can be added or removed from the beginning or end of its list by using push (‘entry’) to add items from the back, pop (‘entry’) to remove from the back, unshift (‘entry’) to add an item to the front, and shift (‘entry’) to remove one from the front (where ‘entry’ is replaced with the information you’re adding or removing).
A Function within JavaScript refers to a section of code that has been designed to perform a specific task but is also only executed when it is “called” or activated by another piece of code or an action. Writing the syntax of a function is relatively simple, starting with the word “function” followed by what you want to call that function, such as “Function1”, and then any data that will be passed from where the function is called from into functions code in parentheses immediately afterwards (with the functions code itself following wrapped in curly brackets). This example would read “Function Function1(data1, data2) {the code to be executed}”. The usefulness of functions and their reusability shines from its acceptance of different data from the calling location, for example in the function above if we were to execute the code “data1 + data2” then data1 and data2 could be replaced with any numbers each time the function is called and thus produce a unique result without having to “hard code” those numbers in.


App\Tests\Command\AddUserCommand
- ❌ Create user non interactive
- ❌ Create user interactive
App\Tests\Controller\Admin\BlogController
- ❌ Access denied for regular users
- ❌ Admin backend home page
- ❌ Admin new post
- ❌ Admin show post
- ❌ Admin edit post
- ❌ Admin delete post
App\Tests\Controller\BlogController
- ❌ Index
- ❌ Rss
- ❌ New comment
App\Tests\Controller\DefaultController
- ❌ Public urls
- ❌ Public blog post
- ❌ Secure urls
- ✓ Create the right amount of tags
- ✓ Create the right amount of tags with too many commas
- ✓ Trim names
- ✓ Duplicate names
- ✓ Uses already defined tags
- ✓ Transform
App\Tests\Utils\Slugger
App\Tests\Utils\Validator
- ✓ Validate username
- ✓ Validate username empty
- ✓ Validate username invalid
- ✓ Validate password
- ✓ Validate password empty
- ✓ Validate password invalid
- ✓ Validate email
- ✓ Validate email empty
- ✓ Validate email invalid
- ✓ Validate full name
- ✓ Validate email full name


In this chapter we started with the game of billiards, and modified it to be very many, attractive, frictionless particles.
What we have done is create a model of how the tiny particles in the real world work. The model is not exactly like the real world – it’s simpler. But by being simpler, it makes it easier for us to explore and understand things about the real world.


lame(1) LAME audio compressor lame(1) NAME lame - create mp3 audio files SYNOPSIS lame [options] <infile> <outfile> DESCRIPTION LAME is a program which can be used to create compressed audio files. (Lame ain't an MP3 encoder). These audio files can be played back by popular MP3 players such as mpg123 or madplay. To read from stdin, use "-" for <infile>. To write to stdout, use "-" for <outfile>. OPTIONS Input options: -r Assume the input file is raw pcm. Sampling rate and mono/stereo/jstereo must be specified on the command line. For each stereo sample, LAME expects the input data to be ordered left channel first, then right channel. By default, LAME expects them to be signed integers with a bitwidth of 16. Without -r, LAME will perform several fseek()'s on the input file looking for WAV and AIFF headers. Might not be available on your release. -x Swap bytes in the input file or output file when using --decode. For sorting out little endian/big endian type problems. If your encodings sounds like static, try this first. Without using -x, LAME will treat input file as native endian. -s sfreq sfreq = 8/11.025/12/16/22.05/24/32/44.1/48 Required only for raw PCM input files. Otherwise it will be determined from the header of the input file. LAME will automatically resample the input file to one of the sup‐ ported MP3 samplerates if necessary. --bitwidth n Input bit width per sample. n = 8, 16, 24, 32 (default 16) Required only for raw PCM input files. Otherwise it will be determined from the header of the input file. --signed Instructs LAME that the samples from the input are signed (the default for 16, 24 and 32 bits raw pcm data). Required only for raw PCM input files. --unsigned Instructs LAME that the samples from the input are unsigned (the default for 8 bits raw pcm data, where 0x80 is zero). Required only for raw PCM input files and only available at bitwidth 8. --little-endian Instructs LAME that the samples from the input are in little- endian form. Required only for raw PCM input files. --big-endian Instructs LAME that the samples from the input are in big-endian form. Required only for raw PCM input files. --mp2input Assume the input file is a MPEG Layer II (ie MP2) file. If the filename ends in ".mp2" LAME will assume it is a MPEG Layer II file. For stdin or Layer II files which do not end in .mp2 you need to use this switch. --mp3input Assume the input file is a MP3 file. Useful for downsampling from one mp3 to another. As an example, it can be useful for streaming through an IceCast server. If the filename ends in ".mp3" LAME will assume it is an MP3. For stdin or MP3 files which do not end in .mp3 you need to use this switch. --nogap file1 file2 ... gapless encoding for a set of contiguous files --nogapout dir output dir for gapless encoding (must precede --nogap) Operational options: -m mode mode = s, j, f, d, m, l, r Joint-stereo is the default mode for stereo files with VBR when -V is more than 4 or fixed bitrates of 160kbs or less. At higher fixed bitrates or higher VBR settings, the default is stereo. (s)imple stereo In this mode, the encoder makes no use of potentially existing correlations between the two input channels. It can, however, negotiate the bit demand between both channel, i.e. give one chan‐ nel more bits if the other contains silence or needs less bits because of a lower complexity. (j)oint stereo In this mode, the encoder will make use of a correlation between both channels. The signal will be matrixed into a sum ("mid"), computed by L+R, and difference ("side") signal, computed by L-R, and more bits are allocated to the mid channel. This will effec‐ tively increase the bandwidth if the signal does not have too much stereo separation, thus giving a significant gain in encoding quality. Using mid/side stereo inappropriately can result in audible com‐ pression artifacts. To much switching between mid/side and regu‐ lar stereo can also sound bad. To determine when to switch to mid/side stereo, LAME uses a much more sophisticated algorithm than that described in the ISO documentation, and thus is safe to use in joint stereo mode. (f)orced MS stereo This mode will force MS stereo on all frames. It is slightly faster than joint stereo, but it should be used only if you are sure that every frame of the input file has very little stereo separation. (d)ual mono In this mode, the 2 channels will be totally independently encoded. Each channel will have exactly half of the bitrate. This mode is designed for applications like dual languages encod‐ ing (for example: English in one channel and French in the other). Using this encoding mode for regular stereo files will result in a lower quality encoding. (m)ono The input will be encoded as a mono signal. If it was a stereo signal, it will be downsampled to mono. The downmix is calculated as the sum of the left and right channel, attenuated by 6 dB. (l)eft channel only The input will be encoded as a mono signal. If it was a stereo signal, the left channel will be encoded only. (r)ight channel only The input will be encoded as a mono signal. If it was a stereo signal, the right channel will be encoded only. -a Mix the stereo input file to mono and encode as mono. The downmix is calculated as the sum of the left and right chan‐ nel, attenuated by 6 dB. This option is only needed in the case of raw PCM stereo input (because LAME cannot determine the number of channels in the input file). To encode a stereo PCM input file as mono, use lame -m s -a. For WAV and AIFF input files, using -m will always produce a mono .mp3 file from both mono and stereo input. -d Allows the left and right channels to use different block size types. --freeformat Produces a free format bitstream. With this option, you can use -b with any bitrate higher than 8 kbps. However, even if an mp3 decoder is required to support free bitrates at least up to 320 kbps, many players are unable to deal with it. Tests have shown that the following decoders support free format: FreeAmp up to 440 kbps in_mpg123 up to 560 kbps l3dec up to 310 kbps LAME up to 560 kbps MAD up to 640 kbps --decode Uses LAME for decoding to a wav file. The input file can be any input type supported by encoding, including layer II files. LAME uses a bugfixed version of mpglib for decoding. If -t is used (disable wav header), LAME will output raw pcm in native endian format. You can use -x to swap bytes order. This option is not usable if the MP3 decoder was explicitly dis‐ abled in the build of LAME. -t Disable writing of the INFO Tag on encoding. This tag in embedded in frame 0 of the MP3 file. It includes some information about the encoding options of the file, and in VBR it lets VBR aware players correctly seek and compute playing times of VBR files. When --decode is specified (decode to WAV), this flag will disable writing of the WAV header. The output will be raw pcm, native endian format. Use -x to swap bytes. --comp arg Instead of choosing bitrate, using this option, user can choose compression ratio to achieve. --scale n --scale-l n --scale-r n Scales input (every channel, only left channel or only right chan‐ nel) by n. This just multiplies the PCM data (after it has been converted to floating point) by n. n > 1: increase volume n = 1: no effect n < 1: reduce volume Use with care, since most MP3 decoders will truncate data which decodes to values greater than 32768. --replaygain-fast Compute ReplayGain fast but slightly inaccurately. This computes "Radio" ReplayGain on the input data stream after user‐specified volume‐scaling and/or resampling. The ReplayGain analysis does not affect the content of a com‐ pressed data stream itself, it is a value stored in the header of a sound file. Information on the purpose of ReplayGain and the algorithms used is available from http://www.replaygain.org/. Only the "RadioGain" Replaygain value is computed, it is stored in the LAME tag. The analysis is performed with the reference volume equal to 89dB. Note: the reference volume has been changed from 83dB on transition from version 3.95 to 3.95.1. This switch is enabled by default. See also: --replaygain-accurate, --noreplaygain --replaygain-accurate Compute ReplayGain more accurately and find the peak sample. This enables decoding on the fly, computes "Radio" ReplayGain on the decoded data stream, finds the peak sample of the decoded data stream and stores it in the file. The ReplayGain analysis does not affect the content of a com‐ pressed data stream itself, it is a value stored in the header of a sound file. Information on the purpose of ReplayGain and the algorithms used is available from http://www.replaygain.org/. By default, LAME performs ReplayGain analysis on the input data (after the user‐specified volume scaling). This behavior might give slightly inaccurate results because the data on the output of a lossy compression/decompression sequence differs from the ini‐ tial input data. When --replaygain-accurate is specified the mp3 stream gets decoded on the fly and the analysis is performed on the decoded data stream. Although theoretically this method gives more accurate results, it has several disadvantages: * tests have shown that the difference between the ReplayGain values computed on the input data and decoded data is usually not greater than 0.5dB, although the minimum volume differ‐ ence the human ear can perceive is about 1.0dB * decoding on the fly significantly slows down the encoding process The apparent advantage is that: * with --replaygain-accurate the real peak sample is determined and stored in the file. The knowledge of the peak sample can be useful to decoders (players) to prevent a negative effect called 'clipping' that introduces distortion into the sound. Only the "RadioGain" ReplayGain value is computed, it is stored in the LAME tag. The analysis is performed with the reference volume equal to 89dB. Note: the reference volume has been changed from 83dB on transition from version 3.95 to 3.95.1. This option is not usable if the MP3 decoder was explicitly dis‐ abled in the build of LAME. (Note: if LAME is compiled without the MP3 decoder, ReplayGain analysis is performed on the input data after user-specified volume scaling). See also: --replaygain-fast, --noreplaygain --clipdetect --noreplaygain Disable ReplayGain analysis. By default ReplayGain analysis is enabled. This switch disables it. See also: --replaygain-fast, --replaygain-accurate --clipdetect Clipping detection. Enable --replaygain-accurate and print a message whether clipping occurs and how far in dB the waveform is from full scale. This option is not usable if the MP3 decoder was explicitly dis‐ abled in the build of LAME. See also: --replaygain-accurate --preset type | [cbr] kbps Use one of the built-in presets. Have a look at the PRESETS section below. --preset help gives more infos about the the used options in these presets. --preset type | [cbr] kbps Use one of the built-in presets. --noasm type Disable specific assembly optimizations ( mmx / 3dnow / sse ). Quality will not increase, only speed will be reduced. If you have problems running Lame on a Cyrix/Via processor, disabling mmx optimizations might solve your problem. Verbosity: --disptime n Set the delay in seconds between two display updates. --nohist By default, LAME will display a bitrate histogram while producing VBR mp3 files. This will disable that feature. Histogram display might not be available on your release. -S --silent --quiet Do not print anything on the screen. --verbose Print a lot of information on the screen. --help Display a list of available options. Noise shaping & psycho acoustic algorithms: -q qual 0 <= qual <= 9 Bitrate is of course the main influence on quality. The higher the bitrate, the higher the quality. But for a given bitrate, we have a choice of algorithms to determine the best scalefactors and Huffman encoding (noise shaping). -q 0: use slowest & best possible version of all algorithms. -q 0 and -q 1 are slow and may not produce significantly higher quality. -q 2: recommended. Same as -h. -q 5: default value. Good speed, reasonable quality. -q 7: same as -f. Very fast, ok quality. Psycho acoustics are used for pre-echo & M/S, but no noise shaping is done. -q 9: disables almost all algorithms including psy-model. Poor quality. -h Use some quality improvements. Encoding will be slower, but the result will be of higher quality. The behavior is the same as the -q 2 switch. This switch is always enabled when using VBR. -f This switch forces the encoder to use a faster encoding mode, but with a lower quality. The behavior is the same as the -q 7 switch. Noise shaping will be disabled, but psycho acoustics will still be computed for bit allocation and pre-echo detection. CBR (constant bitrate, the default) options: -b n For MPEG-1 (sampling frequencies of 32, 44.1 and 48 kHz) n = 32, 40, 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320 For MPEG-2 (sampling frequencies of 16, 22.05 and 24 kHz) n = 8, 16, 24, 32, 40, 48, 56, 64, 80, 96, 112, 128, 144, 160 For MPEG-2.5 (sampling frequencies of 8, 11.025 and 12 kHz) n = 8, 16, 24, 32, 40, 48, 56, 64 Default is 128 for MPEG1 and 64 for MPEG2. --cbr enforce use of constant bitrate ABR (average bitrate) options: --abr n Turns on encoding with a targeted average bitrate of n kbits, allowing to use frames of different sizes. The allowed range of n is 8 - 310, you can use any integer value within that range. It can be combined with the -b and -B switches like: lame --abr 123 -b 64 -B 192 a.wav a.mp3 which would limit the allowed frame sizes between 64 and 192 kbits. The use of -B is NOT RECOMMENDED. A 128 kbps CBR bitstream, because of the bit reservoir, can actually have frames which use as many bits as a 320 kbps frame. VBR modes minimize the use of the bit reservoir, and thus need to allow 320 kbps frames to get the same flexibility as CBR streams. VBR (variable bitrate) options: -v use variable bitrate (--vbr-new) --vbr-old Invokes the oldest, most tested VBR algorithm. It produces very good quality files, though is not very fast. This has, up through v3.89, been considered the "workhorse" VBR algorithm. --vbr-new Invokes the newest VBR algorithm. During the development of ver‐ sion 3.90, considerable tuning was done on this algorithm, and it is now considered to be on par with the original --vbr-old. It has the added advantage of being very fast (over twice as fast as --vbr-old). -V n 0 <= n <= 9 Enable VBR (Variable BitRate) and specifies the value of VBR qual‐ ity (default = 4). 0 = highest quality. ABR and VBR options: -b bitrate For MPEG-1 (sampling frequencies of 32, 44.1 and 48 kHz) n = 32, 40, 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320 For MPEG-2 (sampling frequencies of 16, 22.05 and 24 kHz) n = 8, 16, 24, 32, 40, 48, 56, 64, 80, 96, 112, 128, 144, 160 For MPEG-2.5 (sampling frequencies of 8, 11.025 and 12 kHz) n = 8, 16, 24, 32, 40, 48, 56, 64 Specifies the minimum bitrate to be used. However, in order to avoid wasted space, the smallest frame size available will be used during silences. -B bitrate For MPEG-1 (sampling frequencies of 32, 44.1 and 48 kHz) n = 32, 40, 48, 56, 64, 80, 96, 112, 128, 160, 192, 224, 256, 320 For MPEG-2 (sampling frequencies of 16, 22.05 and 24 kHz) n = 8, 16, 24, 32, 40, 48, 56, 64, 80, 96, 112, 128, 144, 160 For MPEG-2.5 (sampling frequencies of 8, 11.025 and 12 kHz) n = 8, 16, 24, 32, 40, 48, 56, 64 Specifies the maximum allowed bitrate. Note: If you own an mp3 hardware player build upon a MAS 3503 chip, you must set maximum bitrate to no more than 224 kpbs. -F Strictly enforce the -b option. This is mainly for use with hardware players that do not support low bitrate mp3. Without this option, the minimum bitrate will be ignored for pas‐ sages of analog silence, i.e. when the music level is below the absolute threshold of human hearing (ATH). Experimental options: -X n 0 <= n <= 7 When LAME searches for a "good" quantization, it has to compare the actual one with the best one found so far. The comparison says which one is better, the best so far or the actual. The -X parameter selects between different approaches to make this deci‐ sion, -X0 being the default mode: -X0 The criteria are (in order of importance): * less distorted scalefactor bands * the sum of noise over the thresholds is lower * the total noise is lower -X1 The actual is better if the maximum noise over all scalefactor bands is less than the best so far. -X2 The actual is better if the total sum of noise is lower than the best so far. -X3 The actual is better if the total sum of noise is lower than the best so far and the maximum noise over all scalefactor bands is less than the best so far plus 2dB. -X4 Not yet documented. -X5 The criteria are (in order of importance): * the sum of noise over the thresholds is lower * the total sum of noise is lower -X6 The criteria are (in order of importance): * the sum of noise over the thresholds is lower * the maximum noise over all scalefactor bands is lower * the total sum of noise is lower -X7 The criteria are: * less distorted scalefactor bands or * the sum of noise over the thresholds is lower -Y lets LAME ignore noise in sfb21, like in CBR MP3 header/stream options: -e emp emp = n, 5, c n = (none, default) 5 = 0/15 microseconds c = citt j.17 All this does is set a flag in the bitstream. If you have a PCM input file where one of the above types of (obsolete) emphasis has been applied, you can set this flag in LAME. Then the mp3 decoder should de-emphasize the output during playback, although most decoders ignore this flag. A better solution would be to apply the de-emphasis with a stand‐ alone utility before encoding, and then encode without -e. -c Mark the encoded file as being copyrighted. -o Mark the encoded file as being a copy. -p Turn on CRC error protection. It will add a cyclic redundancy check (CRC) code in each frame, allowing to detect transmission errors that could occur on the MP3 stream. However, it takes 16 bits per frame that would otherwise be used for encoding, and then will slightly reduce the sound quality. --nores Disable the bit reservoir. Each frame will then become indepen‐ dent from previous ones, but the quality will be lower. --strictly-enforce-ISO With this option, LAME will enforce the 7680 bit limitation on total frame size. This results in many wasted bits for high bitrate encodings but will ensure strict ISO compatibility. This compatibility might be important for hardware players. Filter options: --lowpass freq Set a lowpass filtering frequency in kHz. Frequencies above the specified one will be cutoff. --lowpass-width freq Set the width of the lowpass filter. The default value is 15% of the lowpass frequency. --highpass freq Set an highpass filtering frequency in kHz. Frequencies below the specified one will be cutoff. --highpass-width freq Set the width of the highpass filter in kHz. The default value is 15% of the highpass frequency. --resample sfreq sfreq = 8, 11.025, 12, 16, 22.05, 24, 32, 44.1, 48 Select output sampling frequency (only supported for encoding). If not specified, LAME will automatically resample the input when using high compression ratios. ID3 tag options: --tt title audio/song title (max 30 chars for version 1 tag) --ta artist audio/song artist (max 30 chars for version 1 tag) --tl album audio/song album (max 30 chars for version 1 tag) --ty year audio/song year of issue (1 to 9999) --tc comment user-defined text (max 30 chars for v1 tag, 28 for v1.1) --tn track[/total] audio/song track number and (optionally) the total number of tracks on the original recording. (track and total each 1 to 255. Providing just the track number creates v1.1 tag, providing a total forces v2.0). --tg genre audio/song genre (name or number in list) --add-id3v2 force addition of version 2 tag --id3v1-only add only a version 1 tag --id3v2-only add only a version 2 tag --id3v2-latin1 add following options in ISO-8859-1 text encoding. --id3v2-utf16 add following options in unicode text encoding. --space-id3v1 pad version 1 tag with spaces instead of nulls --pad-id3v2 same as --pad-id3v2-size 128 --pad-id3v2-size num adds version 2 tag, pad with extra "num" bytes --genre-list print alphabetically sorted ID3 genre list and exit --ignore-tag-errors ignore errors in values passed for tags, use defaults in case an error occurs Analysis options: -g run graphical analysis on <infile>. <infile> can also be a .mp3 file. (This feature is a compile time option. Your binary may for speed reasons be compiled without this.) ID3 TAGS LAME is able to embed ID3 v1, v1.1 or v2 tags inside the encoded MP3 file. This allows to have some useful information about the music track included inside the file. Those data can be read by most MP3 players. Lame will smartly choose which tags to use. It will add ID3 v2 tags only if the input comments won't fit in v1 or v1.1 tags, i.e. if they are more than 30 characters. In this case, both v1 and v2 tags will be added, to ensure reading of tags by MP3 players which are unable to read ID3 v2 tags. ENCODING MODES LAME is able to encode your music using one of its 3 encoding modes: con‐ stant bitrate (CBR), average bitrate (ABR) and variable bitrate (VBR). Constant Bitrate (CBR) This is the default encoding mode, and also the most basic. In this mode, the bitrate will be the same for the whole file. It means that each part of your mp3 file will be using the same num‐ ber of bits. The musical passage being a difficult one to encode or an easy one, the encoder will use the same bitrate, so the quality of your mp3 is variable. Complex parts will be of a lower quality than the easiest ones. The main advantage is that the final files size won't change and can be accurately predicted. Average Bitrate (ABR) In this mode, you choose the encoder will maintain an average bitrate while using higher bitrates for the parts of your music that need more bits. The result will be of higher quality than CBR encoding but the average file size will remain predictable, so this mode is highly recommended over CBR. This encoding mode is similar to what is referred as vbr in AAC or Liquid Audio (2 other compression technologies). Variable bitrate (VBR) In this mode, you choose the desired quality on a scale from 9 (lowest quality/biggest distortion) to 0 (highest quality/lowest distortion). Then encoder tries to maintain the given quality in the whole file by choosing the optimal number of bits to spend for each part of your music. The main advantage is that you are able to specify the quality level that you want to reach, but the inconvenient is that the final file size is totally unpredictable. PRESETS The --preset switches are aliases over LAME settings. To activate these presets: For VBR modes (generally highest quality): --preset medium This preset should provide near transparency to most people on most music. --preset standard This preset should generally be transparent to most people on most music and is already quite high in quality. --preset extreme If you have extremely good hearing and similar equipment, this preset will generally provide slightly higher quality than the standard mode. For CBR 320kbps (highest quality possible from the --preset switches): --preset insane This preset will usually be overkill for most people and most sit‐ uations, but if you must have the absolute highest quality with no regard to filesize, this is the way to go. For ABR modes (high quality per given bitrate but not as high as VBR): --preset kbps Using this preset will usually give you good quality at a speci‐ fied bitrate. Depending on the bitrate entered, this preset will determine the optimal settings for that particular situation. While this approach works, it is not nearly as flexible as VBR, and usually will not attain the same level of quality as VBR at higher bitrates. The following options are also available for the corresponding profiles: standard|extreme cbr kbps cbr If you use the ABR mode (read above) with a significant bitrate such as 80, 96, 112, 128, 160, 192, 224, 256, 320, you can use the cbr option to force CBR mode encoding instead of the standard ABR mode. ABR does provide higher quality but CBR may be useful in situations such as when streaming an MP3 over the Internet may be important.  SEE ALSO mpg123(1), madplay(1), sox(1) AUTHORS LAME originally developed by Mike Cheng and now maintained by Mark Taylor, and the LAME team. GPSYCHO psycho-acoustic model by Mark Taylor. (See http://www.mp3dev.org/). mpglib by Michael Hipp Manual page by William Schelter, Nils Faerber, Alexander Leidinger, and Rogério Brito. LAME 3.99 July 08, 2008 lame(1)


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We have recently updated our Project Information Centre and are actively releasing new features to help you find project information. In the interim, if you cannot find the documents you are looking for please contact us at<EMAIL_ADDRESS>To find a project:
- Click on “Find Environmental Assessment Projects”, Enter your project name in the search field on the mapping interface and select the map pin
- A pop up with give you some details regarding the project selected, click “View Project Details” to go to the project landing page
- Or you can search by “List of Projects” and enter your project name in the search field here.
Project Landing Pages:
Project information is now split over 4 tabs
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Documents are now searchable, there is a search help located in the header to assist you.


--- layout: page category: spec title: "Identity for WebRTC 1.0" ---
| Current Status: | Candidate Recommendation (CR) |
|---|---|
| Canonical URI: |
http://www.w3.org/TR/webrtc-identity
|
| Abstract: | This document defines a set of ECMAScript APIs in WebIDL to allow and application using WebRTC to assert an identity, and to mark media streams as only viewable by another identity. This specification is being developed in conjunction with a protocol specification developed by the IETF RTCWEB group. |
Identity for WebRTC 1.0Updates:


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Troopers find vehicle carrying human trafficking victims near Cleveland County, suspect at large
by WBTV Web StaffCLEVELAND COUNTY, N.C. (WBTV) - A traffic stop along I-85 on Tuesday evening uncovered multiple human trafficking victims inside of a vehicle.
The stop occurred near Mile Marker 8 on the highway when troopers stopped a gray Toyota Sequoia.
Upon looking inside of the car, officials located seven individuals who were later determined to be victims of human trafficking.
In addition to this, the troopers also found methamphetamines and other illegal substances inside of the vehicle.
The suspect is currently at large and law enforcement is searching the area at this time.


The channelId argument to fileevent refers to an open channel such as a Tcl standard channel (stdin, stdout, or stderr), the return value from an invocation of open or socket, or the result of a channel creation command provided by a Tcl extension.
If the script argument is specified, then fileevent creates a new event handler: script will be evaluated whenever the channel becomes readable or writable (depending on the second argument to fileevent). In this case fileevent returns an empty string. The readable and writable event handlers for a file are independent, and may be created and deleted separately. However, there may be at most one readable and one writable handler for a file at a given time in a given interpreter. If fileevent is called when the specified handler already exists in the invoking interpreter, the new script replaces the old one.
If the script argument is not specified, fileevent returns the current script for channelId, or an empty string if there is none. If the script argument is specified as an empty string then the event handler is deleted, so that no script will be invoked. A file event handler is also deleted automatically whenever its channel is closed or its interpreter is deleted.
A channel is considered to be readable if there is unread data available on the underlying device. A channel is also considered to be readable if there is unread data in an input buffer, except in the special case where the most recent attempt to read from the channel was a gets call that could not find a complete line in the input buffer. This feature allows a file to be read a line at a time in nonblocking mode using events. A channel is also considered to be readable if an end of file or error condition is present on the underlying file or device. It is important for script to check for these conditions and handle them appropriately; for example, if there is no special check for end of file, an infinite loop may occur where script reads no data, returns, and is immediately invoked again.
A channel is considered to be writable if at least one byte of data can be written to the underlying file or device without blocking, or if an error condition is present on the underlying file or device.
Event-driven I/O works best for channels that have been placed into nonblocking mode with the fconfigure command. In blocking mode, a puts command may block if you give it more data than the underlying file or device can accept, and a gets or read command will block if you attempt to read more data than is ready; no events will be processed while the commands block. In nonblocking mode puts, read, and gets never block. See the documentation for the individual commands for information on how they handle blocking and nonblocking channels.
The script for a file event is executed at global level (outside the context of any Tcl procedure) in the interpreter in which the fileevent command was invoked. If an error occurs while executing the script then the bgerror mechanism is used to report the error. In addition, the file event handler is deleted if it ever returns an error; this is done in order to prevent infinite loops due to buggy handlers.
proc GetData {chan} { if {![eof $chan]} { puts [gets $chan] } } fileevent $chan readable [list GetData $chan]
Copyright © 1994 The Regents of the University of California. Copyright © 1994-1996 Sun Microsystems, Inc. Copyright © 1995-1997 Roger E. Critchlow Jr.


Come here to expericence anything from in-cave ziplining to spelunking in old mineshafts. We have something for everyone!
Our site has an extensive list of cave attraction to choose from. Our caves range from short and shallow, to spelunking adventures! We give an education discount to schools for field trips and guarantee that your trip will be full of fun facts and plenty of fun!
Check out our special events page to plan out your tour. We have fun activities planned for each month and we list limited time discounts as well.
Learn more about the minerals and gems that can be found in our caves. Impress your freinds and family with how much you know about the geology of our caves.
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A company for whatever adventure you need, from spelunking to education.
© Copyright 2017 Pingendo - All rights reserved.


This project is a garbage classifier in which we have trained a Deep learning model to classify an image of a waste item as either biodegradable or non-biodegradable. The goal of this project is to improve the speed and effieciency of current waste management infrastructure. We aim to achieve it by segregating biodegradable materials for fertilizer creation and non-biodegradable materials for more rigid waste disposal.
The primary motivation for picking up this project is Mount Pirana, the gigantic heap of garbage in Ahmedabad which stands testimony to all that has gone wrong in keeping the city clean. There is a prime need for better waste management tool which can help us in creating a better lifestyle. With the advancement of smart cities, a project like this can be used purposefully to achieve a green city.
Since non-biodegradable are not Eco-freindly and cannot be decomposed, they must be segregated for further chemical treatments. Thus this application will help us to segregate biodegradable and non-biodegradable waste which will help in better waste management.
Biodegradable waste - Plant products, wood, paper, food waste, leaves, grass.
Non - biodegradable waste - cans, bottles, plastic products, metal scraps, glasses, or plastic bags.
Biodegradable waste can be separated from non biodegradable waste by waste Segregation means dividing waste into dry and wet. Dry waste includes wood and related products, metals and glass. Wet waste, typically refers to organic waste usually generated by eating establishments and are heavy in weight due to dampness. Waste can also be segregated on basis of biodegradable or non-biodegradable waste.


Andrus leads Prairie View past Cent. Arkansas 78-72 in OT
RIVERSIDE, Calif. (AP) - Gerard Andrus scored 28 points including a dunk with eight seconds remaining in regulation to even the score and send the game into overtime as Prairie View A&M; beat Central Arkansas 78-72 at the 2K Empire Classic on Saturday night.
In the extra period, Tamir Bynum made a jumper that gave the Panthers (2-5) the lead for good, 70-68, with 1:30 left. UCA got as close as 76-72 with 15 seconds remaining but Bynum made two free throws after that for the final score.
Darius Williams had 10 points, four rebounds and four steals for the Panthers. Bynum, Chancellor Ellis and Jonathan Jackson finished with nine points apiece. Lenell Henry led the team with 10 rebounds.
Hayden Koval and Rylan Bergersen had 20 points apiece for the Bears (1-6). Koval led with 11 rebounds.
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| Apache | Jakarta | POI |
How To Build POIInstalling AntThe POI build system requires two components to perform a build. Ant and forrest. Specifically the build has been tested to work with Ant version 1.5.3 and Forrest 0.4. To install these products download the distributions and follow the instructions in their documentation. Make sure you don't forget to set the environment variables FORREST_HOME and ANT_HOME. The ANT_HOME/bin directory should be in the path. One these products are installed you will also need to download some extra jar files required by the build.
Just pick the latest versions of these jars and place them in ANT_HOME/lib and make sure that optional.jar is in ANT_HOME/lib . Running the BuildOn the first run the ant build system will download all the jars required by the project to build ant. If you're behind a firewall this may cause some problems. Should you need to it's possible to manually put the jars in the correct directories. These can be obtained from here:
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The gcloud.prediction method will return a prediction object, allowing you to create models, train them, and query them.
gcloud.prediction
prediction
To learn more about the Prediction API, see What is the Google Prediction API?.


4 references to TypeResolutionState
System.Management.Automation (4)
engine\parser\Compiler.cs (2)
2655
trs = new
TypeResolutionState
(TypeOps.GetNamespacesForTypeResolutionState(usingStatements), null);
2661
trs = new
TypeResolutionState
(
engine\parser\SymbolResolver.cs (1)
333
? new
TypeResolutionState
(TypeOps.GetNamespacesForTypeResolutionState(scriptBlockAst.UsingStatements), TypeResolutionState.emptyAssemblies)
engine\parser\TypeResolver.cs (1)
532
:
this
(systemNamespace, emptyAssemblies)