EYES WIDE SHUT (director: Stanley Kubrick; screenplay: based on an Arthur Schnitzler's 1926 novella `Dream Story' (Traumnovelle), Frederic Raphael/Stanley Kubrick ; cinematographer: Larry Smith; cast: Tom Cruise (Bill Harford), Nicole Kidman (Alice Harford), Sydney Pollack (Victor Ziegler), Todd Field (Nick Nightingale, Jazz Musician), Thomas Gibson (Fiancé, Carl), Marie Richardson (Marion), Rade Serbedzija (Milich), Vinessa Shaw (Domino), Leelee Sobieski (Milich's Daughter), Alan Cummings (desk clerk), Fay Masterson (Sally), Sky Dumont (Sandor Szavost), Julienne Davis (Mandy), UK-1999)
This is Kubrick's 13th and final film after a 46-year career, having died in March of this year, ironically just one week after the film was shot while in seemingly good health and optimistic about the film, all set to begin a massive publicity campaign for the opening. In any case, he has accomplished a work of exquisite visual craftsmanship, another fitting feather in the cap for one of the most original innovators in cinema today. His sharp photographic images intermingled with some grainy shots and his never static camera angles (reminiscent of ones used in his other films) and his use of different shades of light to transpose his visions from a dream world to reality, give the film a magical look, capturing and sweeping us into its grand design. It is a film that unfolds like a dream, whereby it is to be viewed with eyes wide shut.
 The show is over; we can make of it what we want. And to do that, we have to take this 19th century novel about a wealthy class of Jews living in Vienna and observe how Kubrick has them now as modern day WASPS living a sexually debauched lifestyle in New York City.
There is a stimulating dream quality that pervades the entire film and draws us into the characterization of Dr. Bill Harford (Cruise) and his stunning wife Alice (Kidman), who once worked in an art gallery before it closed.
Kubrick has made an art film (in the good sense of that term) that delicately weaves a story of a fashionable New York City doctor and his stunning wife of 9 years and their sweet seven year old daughter they both adore. They have hit a speed bump in their marriage, and it is all because of sexual reasons. Make no mistake about it, sex is their problem. Kubrick, bless his courage, will stick to this obsessive theme, not giving an inch of leeway for any other reason, from the alpha to the omega of the film. And to his credit, it is that intensity that gives the story fuel to propel itself and work its way into the understanding we have of the chemistry and dynamics in the relationship the two have. A picture perfect relationship that is shown to be already not perfect after the first five minutes of the film.
The couple are off to a swanky party given by Victor Ziegler (Pollack), who resides in a town house fit for a king. He is some kind of a wealthy magnate, one of the doctor's patients on Fifth Avenue. Before they leave, they say all the right goodbyes to their daughter and her trustworthy babysitter in their opulently decorated condo apartment (the art work on the wall is from Stanley's wife Christiane and daughter Katharina Hobbs).
We follow the couple around for a few nights on the town, during the Christmas season, as they explore their sense of who they are through their dreams and through the acting out of their fantasies in a very real way, until all becomes blurred for them, except what it is they can salvage from their present lives and really need to have in order to survive. If this couple was not rock solid sure of themselves- he through his ability to think things through and remain placid in the face of danger and she through her ability to articulate who she is as a woman, even when tipsy or high, they could not survive- because a fragile ego would not get them over the hump they face.
That Cruise is nearly perfect for the part (the only slight negative thing about his performance was that his constant cell phone action reminded me too much of the Jerry Maguire character), as he displays a wide range of emotions and ability, to be a turd and then come back and be human again, is the kind of acting he hasn't been required to do so far in his career, but with the wonderful relationship he developed with Stanley, he is able to understand who he is and be able to be convincing as a young doctor for the rich and as a dye-in-the-wool materialist, committed to being a doctor and intelligent enough to see changes in his life as necessities. It is interesting to note that Stanley's father was a doctor and the apartment used in the film is a model of his dad's place.
 They play off each other as they twist their emotions around and in the end they both get more answers than they wanted. To be right for the couple's parts, are to be vulnerable and to have it in them to be seen as sympathetic figures who are locked in a very erotic struggle with their passions; while, at the same time, to be seen as selfish, craving for their own desires and fantasies to be fulfilled.
The entire cast is superb.The main supporting character in the story is Sydney Pollack, a replacement for the fired Harvey Keitel, and he is fluid in his role as the unseemly millionaire playboy, who is quite equipped to play dangerous games with the who's who in the world of the rich and famous.
Ziegler's Christmas party starts out with the couple lost to themselves, not knowing any of the other guests present, but the champagne soon gets to Alice and a Hungarian smoothy comes onto her, hitting on all her pent up sexual fantasies and by using sweet words arouses her sexual curiousity. Bill, meantime, is being tempted by two sexually aggressive models who are leading him around by the arm, with nothing on their mind but for them to have a threesome. But before anything can materialize, the doctor is called into Victor's bathroom and asked to revive a naked hooker slumped in a chair who overdosed after Victor just had sex with her.
Also at the party is a jazz piano player, Nick Nightingale (Todd), who went to medical school with Bill but dropped out. When they meet the next night at the Greenwich Village club he has a gig in, he intrigues the doctor by telling him he plays blindfolded for a secret gathering of those who dress up in costumes of masks and cloaks, and where a mysterious orgy takes place.  This reaction comes after the pivotal moment of the film, the heartfelt conversation between Bill and Alice when the couple smoke a little pot and loosen up and bring out in the open the jealousy that is affecting them because of the party, each trying to pump the other about what is on their mind and getting more than what they bargained for in return. This scene is sheer brilliance, one of the best Kubrick has ever done, it is a scene that is so humanly emotional, something that his naysayers said he could never do; the acting catches all the nuances of a real and fictious relationship, something that an inexperienced acting duo could not have done so effortlessly and made it seem so impactful. Angry with him over his taking her faithfulness for granted, she has told him that she once desired another man who only looked at her, and would have gone to bed with him if he had only asked. Bill has subliminal dreams about this, picturing her having sex with this navy officer, as he rode around town in a cab, on streets created in the Pinewood Studio, but cannily reflecting the eerie atmosphere of Manhattan's changing scenes of the tawdry Lower East Side, the lively Village, and the exclusive Upper West Side. What made the streets particularly foreboding was the skillful manipulation of lights to reflect either a dream or reality world he was in, with the penetrating brightness of the neon emanating from the clubs and storefronts making them look like sites from hell.
The persistent doctor with money to spare, finds his way to a Village costume store to get a costume at a late hour of the night. Sex is everywhere and in all different styles in this film, here the 14-year-old costume store owner's daughter is caught in the store by her father having sex with two oddly dressed men, and when reprimanded for this only comes onto the good doctor, who always seems to be flattered by such attention.
Gaining admittance to the The Long Island mansion of the orgy by using the password given to him by his jazz friend, Bill enters a macabre world of sinister pleasure, that is played less erotically than it is as a formal costumed ritual, replete with medieval music and choreographed ritualistic movements. Sexual acts are taking place in all the rooms, as Bill is warned by one of the masked naked woman that he is in great danger, that he will be unmasked and harmed if he doesn't leave at once. When he is questioned about how he got in by the inquistors of this orgy and can't explain himself he is threatened with being stripped and possibly slain, but is saved by the same woman who first warned him to leave, as her action is one of "redemption," adding some kind of malevolent religious motif to this already adventurious night out on the town for Bill.
Back home, Bill awakens his wife from a nightmare, where she is dreaming of sex with a myriad of different men. This scene is complex and telling, as it shows the liberation of the couple from their secret desires, how they manage to come to terms with each other and reach out for love in a world that is not as perfect as it is dehumanizing, as they desperately try, for once, to be honest about who they are.
Bill in his search for answers for what happened in the mansion, must force himself to play sleuth as he tries to track down his missing jazz friend, but is taken aback by discovering that the woman who saved his life has died of a drug overdose. He is further surprised that Ziegler knows that he was at the orgy, as he confides that he had him followed as a friendly gesture so that he can come to his senses and forget about it- that he doesn't have an idea who he is starting up with.
The last scene could be out of either The Godfather or Fellini's Satiyricon, as the mask stripped off Bill at the orgy is mysteriously lying on the bed next to the sleeping Alice.
The slide down a decadent path for the couple ends mirthfully, but on a seemingly depersonalized note, as Alice's answer to everything is a resounding let's f***.
This film has all the earmarks of a masterpiece despite its let down in certain spots: Is the Cruise character worth all the fuss over saving? Is Kubrick's overtly homosexual characterization of a desk clerk gratuitous or necessary to show that Cruise attracts both men and women to him? It is probably a film that has to be seen a few times before its characterizations fully sink in and the power of its story can be fully appreciated. The obtuse nature of what really happened and the mind blowing affects of their dreams, are stunningly presented by a master of his craft- in his re-created purgatory streets of NYC and in how he magnifies the bathroom used in Ziegler's place out of its usual role of functionality, as it becomes a labatory where love and death and sex are equated in the same terms, and morality for the "new age" is achieved without the usual rectitudes of a religion's right or wrong tenets.
But this also puts the burden on the viewer to come up with their own answers on these matters, since the dreams that have opened up the couple's perspectives and driven a wedge between them before they came to some terms with themselves, has still left them with a rocky road ahead. The whole societal process of how dehumanized we have all become is opened up for further speculation, as sex our most intimate response to love is dehumanized and played out in the need for an orgy. An orgy the doctor would have gladly broken all his marriage vows for if allowed to participate in it. This two day whirlwind the couple has might be the beginning of who knows what, and that is scary, as most people want some reassurances about their future. People also should know who they are without identifying themselves with their career, as the doctor always does.
Kubrick questions what a marriage is, as it is dissected as an institution based on property rights, and he puts all answers for what its contract stipulates on the table for further negotiation.
A thinking man's work of art has evolved, and a very splendid film to end the century on, as well as to end the career of one of our most distinguished directors. In this film's case, all the hype the film got did not work against it.
REVIEWED ON 7/16/99 GRADE: A+
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Hello, how are you? My name is William and I am Bachelor in Information Systems by UFOP. During my graduation I had contact with the development of Android applications, web sistems, process and project management, in addition to agile methodologies and software configuration management, in a professional or didactic way. I also acquired skills in research methodology, acting in projects published in the academic environment. My professional life in the area began during the course of Computer Technician, where I gained experience in IT solutions while interning for about a year, and which also appeared in my passion to create and develop. I am currently active in the job market and have been playing mainly leadership roles in development, but on several occasions I was involved in other areas of building software solutions, and always in touch with agile culture. Aiming to evolve professionally, I've been finding out to mature my soft skills and improve my knowledge in the way to deal better with the business area, generating greater value to projects, however too for the organization. Well, for more details I invite you to continue exploring my portfolio and get in touch via the social medias available below. Until a second moment,
I am currently acting as a configuration manager on a complex migration project from a legacy system, which has long been the heart of one of Latin America's leading car rental companies. However, I also work on several occasions in the development and sustent of the new migrated web system.
I became part of the mobile application development team MobMine (Android), besides acting in some opportunities in the maintenance and improvements of the Web system present in the project.
I worked as a web developer (Full Stack) in the MobMine project, a partner of Vale with Imobilis. The project is a mobile solution (Android) for explosive mesh design and real-time mine drilling with on-site performance, relying on a web system for user management of mobile application, export and import of mesh projects, among others.
I have performed customer support activities, maintenance and technical assistance in hardware, software and networks, as well as configuration of applications and servers.
Monography: “Implantação de práticas de Integração Contínua: Um relato de experiência em um laboratório de pesquisa e desenvolvimento de software”.
Besides the passion to develop, I have a great connection to music, in which I even ventured in some formations.  I have great admiration for photography and sometimes I venture into this art. I also like astronomy, coffee, travel, the vintage style, the sound of a good vinyl and mainly technology.
CertiProf®
University Formation of Systems and Engineering (FUSE) - UFOP


NLI
Computer Selection
College Administrator
Department Administrator
Order Summary
Help
Hello admin
|
Logout
"Whatever you are, be a good one."
Abraham Lincoln
NLI Computer Ordering System: Order Summary
Tomato Sauce
Name (PID)
Selection
Upgrade Cost
Kent, Clark (admin)
Macbook Pro
1100
Walker, Jacques (jawalker)
PC
120
Total Upgrade Cost: $1220


Paths¶
-
class
cxroots.Paths.
ComplexPath
[source]¶ A base class for paths in the complex plane.
-
integrate
(f, absTol=0, relTol=1e-12, divMax=15, intMethod='quad', verbose=False)[source]¶ Integrate the function f along the path. The value of the integral is cached and will be reused if the method is called with same arguments (ignoring verbose).
Parameters: - f (function) – A function of a single complex variable.
- absTol (float, optional) – The absolute tolerance for the integration.
- relTol (float, optional) – The realative tolerance for the integration.
- divMax (int, optional) – If the Romberg integration method is used then divMax is the maximum number of divisions before the Romberg integration routine of a path exits.
- intMethod ({'quad', 'romb'}, optional) – If ‘quad’ then
scipy.integrate.quad()
is used to compute the integral. If ‘romb’ then Romberg integraion, usingscipy.integrate.romberg()
, is used instead. - verbose (bool, optional) – Passed ass the show argument of
scipy.integrate.romberg()
.
Returns: The integral of the function f along the path.
Return type: complex
Notes
This function is only used when checking the multiplicity of roots. The bulk of the integration for rootfinding is done with
cxroots.CountRoots.prod()
.
-
plot
(N=100, linecolor='C0', linestyle='-')[source]¶ Uses matplotlib to plot, but not show, the path as a 2D plot in the Complex plane.
Parameters: - N (int, optional) – The number of points to use when plotting the path.
- linecolor (optional) – The colour of the plotted path, passed to the
matplotlib.pyplot.plot()
function as the keyword argument of ‘color’. See the matplotlib tutorial on specifying colours. - linestyle (str, optional) – The line style of the plotted path, passed to the
matplotlib.pyplot.plot()
function as the keyword argument of ‘linestyle’. The default corresponds to a solid line. Seematplotlib.lines.Line2D.set_linestyle()
for other acceptable arguments.
-
show
(saveFile=None, **plotKwargs)[source]¶ Shows the path as a 2D plot in the complex plane. Requires Matplotlib.
Parameters: - saveFile (str (optional)) – If given then the plot will be saved to disk with name ‘saveFile’. If saveFile=None the plot is shown on-screen.
- **plotKwargs – Other key word arguments are passed to
plot()
.
-
trap_values
(f, k, useCache=True)[source]¶ Compute or retrieve (if cached) the values of the functions f at \(2^k+1\) points along the contour which are evenly spaced with respect to the parameterisation of the contour.
Parameters: - f (function) – A function of a single complex variable.
- k (int) – Defines the number of points along the curve that f is to be evaluated at as \(2^k+1\).
- useCache (bool, optional) – If True then use, if available, the results of any previous calls to this function for the same f and save any new results so that they can be reused later.
Returns: The values of f at \(2^k+1\) points along the contour which are evenly spaced with respect to the parameterisation of the contour.
Return type:
-
Line¶
-
class
cxroots.Paths.
ComplexLine
(a, b)[source]¶ A straight line \(z\) in the complex plane from a to b parameterised by
..math:
z(t) = a + (b-a)t, \quad 0\leq t \leq 1
Parameters: - a (float) –
- b (float) –
Circular Arc¶
-
class
cxroots.Paths.
ComplexArc
(z0, R, t0, dt)[source]¶ A circular arc \(z\) with center z0, radius R, initial angle t0 and change of angle dt. The arc is parameterised by
..math:
z(t) = R e^{i(t0 + t dt)} + z0, \quad 0\leq t \leq 1
Parameters: - z0 (complex) –
- R (float) –
- t0 (float) –
- dt (float) –


SPACE10 Opens New Research and Design Lab in India
- Written by Eric Baldwin
- about 10 hours
SPACE10 has opened a new research and design lab in Delhi, India. The opening aims to create a collaborative platform where experts, creatives and specialists in multiple fields can meet, experiment, and prototype solutions for everyday life. The new lab opens inside Chhatarpur's Dhan Mill Compound in South Delhi.
SPACE10 Delhi will host a public program - presenting everything from community talks and exhibitions to workshops and rapid prototyping. The aim is to gather local designers, technologists, artists, architects, academics, entrepreneurs and activists under one roof to explore and discuss how design and emerging technologies can create a better everyday life for people and planet. Located in an up and coming area for emerging design studios, artists, creatives and young professionals, Delhi’s new creative hub opens on November 22, 2019 and will run till April 15, 2020.
As Kaave Pour, Managing Director of SPACE10 said, "We want to invite people in, gain new knowledge and perspectives, and engage forward-thinking partners in exploring, designing and testing sustainable solutions that enable more people to live a better everyday life, wherever they are. We hope SPACE10 Delhi ignite ideas, perspectives and solutions that wouldn’t have been possible anywhere else."
SPACE10 Delhi is a non-for-profit platform, open to the public, where diverse talents can meet, share and play. The program explores everything from digital fabrication and open source design to clean energy solutions and augmented reality. SPACE10 Delhi will also host residencies and collaborate with a myriad of partners - both local and international. SPACE10 Delhi will open with a 2-day launch event on November 22 and November 23 - marking the four year anniversary of SPACE10.
News via SPACE10


315_happymark.py
class Solution:
def getMinDistSum(self, positions: List[List[int]]) -> float:
import numpy as np
from scipy.optimize import minimize
from scipy.spatial.distance import cdist
def geometric_median(points, method='auto', options={}):
"""
Calculates the geometric median of an array of points.
method specifies which algorithm to use:
* 'auto' -- uses a heuristic to pick an algorithm
* 'minimize' -- scipy.optimize the sum of distances
* 'weiszfeld' -- Weiszfeld's algorithm
"""
points = np.asarray(points)
return minimize_method(points, options)
def minimize_method(points, options={}):
"""
Geometric median as a convex optimization problem.
"""
# objective function
def aggregate_distance(x):
return cdist([x], points).sum()
# initial guess: centroid
centroid = points.mean(axis=0)
optimize_result = minimize(aggregate_distance, centroid, method='COBYLA')
return optimize_result.x
def weiszfeld_method(points, options={}):
"""
Weiszfeld's algorithm as described on Wikipedia.
"""
default_options = {'maxiter': 1000, 'tol': 1e-7}
default_options.update(options)
options = default_options
def distance_func(x):
return cdist([x], points)
# initial guess: centroid
guess = points.mean(axis=0)
iters = 0
while iters < options['maxiter']:
distances = distance_func(guess).T
# catch divide by zero
# TODO: Wikipedia cites how to deal with distance 0
distances = np.where(distances == 0, 1, distances)
guess_next = (points/distances).sum(axis=0) / (1./distances).sum(axis=0)
guess_movement = np.sqrt(((guess - guess_next)**2).sum())
guess = guess_next
if guess_movement <= options['tol']:
break
iters += 1
s=0
return guess
if len(positions)<=1:
return 0
p=weiszfeld_method(np.asarray(positions))
#print(p)
d=0
for pp in positions:
d+=sqrt((p[0]-pp[0])**2+(p[1]-pp[1])**2)
print(d)
return(d)


PerFidieS Badge Integration Tests
Tests failing?
Did you import
integration-test-foobar-plugin.json
into your dev plugindir instance?


Below is a simple example of shell based interaction with dataset a collection using the command line dataset tool.
# Create a collection "friends.ds", the ".ds" lets the bin/dataset command know that's the collection to use.
dataset init friends.ds
# if successful then you should see an OK otherwise an error message
# Create a JSON document
dataset create friends.ds frieda \
<EMAIL_ADDRESS># If successful then you should see an OK otherwise an error message
# Read a JSON document
dataset read friends.ds frieda
# Update a JSON document
dataset update friends.ds frieda \
<EMAIL_ADDRESS>"count": 2}'
# If successful then you should see an OK or an error message
# List the keys in the collection
dataset keys friends.ds
# Delete a JSON document
dataset delete friends.ds frieda
# To remove the collection just use the Unix shell command
rm -fR friends.ds
We need to have two shell sessions running for this example.
For this example we’re going to use the “friends.ds” collection created in the previous example. We need to create a “settings.json” file in the same directory where you have “friends.ds”. We will use it to start datasetd. That file should contain
{
"host": "localhost:8485",
"collections": {
"friends": {
"dataset": "friends.ds",
"keys": true,
"create": true,
"read": true,
"update": true,
"delete": true
}
}
}
We start up datasetd with the following command.
datasetd settings.json
In this first session you will see log output to the console. We can use that to see how the service handles the requests.
In a second shell session we’re going to use the curl command to interact with our collections.
# Create a JSON document
curl -X POST -H 'application/json' \
'http://localhost:8485/friends/object/frieda' \
-d<EMAIL_ADDRESS># Read a JSON document
curl 'http://localhost:8485/friends/object/frieda'
# Update a JSON document
curl -X PUT -H 'application/json' \
'http://localhost:8485/friends/object/frieda' \
-d<EMAIL_ADDRESS>"count": 2}'
# List the keys in the collection
curl 'http://localhost:8485/friends/keys'
# Delete a JSON document
curl -X DELETE 'http://localhost:8485/friends/object/frieda'


Thank you for your request, we will be in touch.
We believe in a society where the power of data belongs to the people.
Our digital life is all over the place. On your camera, your phone, tablet, computer, memory cards, cloud services and in a million apps. What if it was always at your fingertips? We put you back in control of your digital life by letting you find, view and organize your digital content in a smarter and more visual way.


FOP Design: Layout Managers
Break Possibility Proposal
Introduction
As explained in Layout, the hierarchy of Layout Managers is responsible for building and placing areas. Each Layout Manager is responsible for creating and filling areas of a particular type, either inline or block. This document explains one potential algorithm for this process. It is based on the the generation of break possibilities (BP for short). The Layout Managers (LM for short), will generate one or more BP and choose the best one. The BP is then used to generate the corresponding areas.
Anatomy of a Break Possibility
A break possibility is represented by the BreakPoss class. A BreakPoss contains size information in the stacking direction and in the non-stacking direction (at least for inline areas, it must have both). Flags indicating various conditions (ISFIRST, ISLAST, CAN_BREAK_AFTER, FORCE_BREAK_AFTER, ANCHORS etc). A BreakPoss contains a reference to the top-level LayoutManager which generated it.
A BreakPoss contains an object implementing the BreakPoss.Position interface. This object is specific to the layout manager which created the BreakPoss. It should indicate where the break occurs and allow the LM to create an area corresponding to the BP. A higher level LM Position must somehow reference or wrap the Position returned by its child LM in its BreakPoss object. The layout manager modifies the flags and dimension information in the BP to reflect its own requirements. For example an inline FO layout manager might add space-start, space-end, border and padding values to the stacking or non-stacking dimensions. It might also modify the flags based its on keep properties.
Turning Break Possibilities into Areas
Once break possibilities have been generated, the galley-level layout manager selects the best one and passes it back to the LayoutManager which generated it to create the area. A LayoutManager is responsible for storing enough information in its Position objects to be able to create the corresponding areas.
A walk-through
Layout Managers are created from the top down. First the page sequence creates a PageLM and a FlowLM. The PageLM will manage finding the right page model (with help from the PageSequenceMaster) and managing the balancing act between before-floats, footnotes and the normal text flow. The FlowLM will manage the normal content in the main flow. We can think of it as a galley manager.
In general, each LM asks its child LMs to return sucessive break possibilities. It passes some information to the child in a flags object and it gets back a break possibility which contains the size in the stacking direction as well as information about such things as anchors, break conditions and span conditions which can change the reference area environment. This process continues down to the lowest level of the layout manager hierarchy which corresponds to atomic inline-level FOs such as characters or graphics.
Each layout manager will repeatedly call getNextBreakPoss on its current child LM until the child returns a BP with the ISLAST flag set. Then the layout manager moves on to its next child LM (ie, it asks the next child FO to generate a layout manager.) Galley level layout managers which are Line and Flow will return to their parent layout managers either when they have finished their content or when they encounter a a BP which will fill one of their areas.
The break possibilities are generated from the bottom up. All inline content must first be broken into lines which are then stacked into block areas. This is done by the LineLayoutManager, which creates line areas. The LineLM asks its child LM to generate a break possibility, which represents a place where the line can end. This initially means each potential line-end (primarily spaces or forced linefeeds and a few other potential line-end characters such as hard hyphens.) The text LM returns an object which stores the size in the stacking direction as a MinOptMax triplet and a cost, which is based on how well this break would satisfy the constraints. The Text LM keeps track of its position in the text content and returns the total size of the text area it would create if it were to break at a given point. The returned BP object also contains information about whether the break is forced (linefeed) or whether this is the last area which can be generated by the LM (ISLAST flag). If a textFO ends on a non-break character, the ISLAST flag is set, but the CAN_BREAK_AFTER flag isn't, since we don't know if there is any following text in another inline object for example.
Variable size content is taken into account from the bottom up. Each LM returns a range of sizes in the stacking direction, based on property values. For text, this comes from variable word-space values or letter-space values. For other inline objects, it may include variable space-start and space-end values (after calculation of the entire sequence of space specifiers at a particular break possibility.)
The main constraint for laying out lines is the available inline-progression-dimension (IPD) for the line area to be created. This depends on the IPD of the reference area ancestor, on the indents of the containing fo:block, and on any side-floats which may be intruding on this line.
For now, let's assume that only the LineLM knows about the IPD available to it. Therefore only it can make a decision about which BP is the best one; the lower level inline layout managers can only return potential break points.
So the Line LM will ask its child LM(s) for break possibilities until it gets back a BP whose stacking dimension could fill the line. This means that the BP.stackdim.max >= LineIPD.min. It can look for further BP, perhaps one whose stackdim.opt is closer to the LineIPD.opt. If it isn't happy with the choice of break possibilities, it can go past the end of the line to the next one, and then try to find a hyphenation point between the last one which fits and the first one which doesn't. If no possibility is found whose min/max values enclose the available IPD, some constraint will be violated (and reported in the log.) The actual strategy is up to the Line LM and should be able to be easily replaced without changing the architecture (Strategy pattern).
The definition of a good break possibility depends on the properties at the block and inline level which govern things such as wrapping behavior and justification mode. For example, if lines are not to be wrapped, only an explicit linefeed can serve as a BP. If lines are wrapped but not justified then there is no requirement to completely fill the IPD on each line, but a sophisticated layout manager will try to achieve "aesthetic rag".
Note that no areas have actually been created yet. Once the LineLM has found a potential break point for the inline content, it can calculate the total size of the line area which would be created. The size in the IPD is determined by the Line LM based on the chosen BP. The size of the line area in the the block-progression-dimension depends on the size of the text (or other inline content). These values are set by the inline-level LM in their returned BP (in terms of ascender and descender heights with respect to the baseline). The LineLM adds spacing implied by the current line-stacking strategy and line-height property values. It stores a reference to the chosen inline BP and "wraps" that in its own Position object which it stores in the BP it returns to its parent LM (the block layout manager).
The block LM now has a potential break position after its first line. It assigns that possibility a cost, based on widow, orphan and keep properties. It can also calculate the total size of the block area it would create, were it to end the area after this line. It does this by adding any padding and border (taking into account conditionality). It also calculates space-before and space-after values, or contributes to building up a sequence of such values. With this information, the block LM creates a new BP (or updates the existing one). It stores a Position object in this BP which wraps the returned BP from its child Line LM. It returns the new BP to its parent and so on, back up to the FlowLM.
Obviously there is more complicated logic involved when dealing with lists and tables. These cases need to be walked through in detail.
The FlowLM sees if the returned stacking dimension will still fit in its available block-progression-dimension (BPD). It repeatedly calls getNextBreakPoss on its child LMs until it reaches the maximum BPD for the flow reference area or until there is no more content to lay out. If one child LM is finished, it moves on to the next until the last child LM has returned a BP with the ISLAST flag set. If any child LM returns a BP with a FORCE_BREAK_BEFORE or SPAN flag set, the FlowLM will force layout of any pending break possibilities and return to its parent (the PageLM) in order to handle the break or span condition.
If the returned BP has any new before-float or footnote anchors in it (ANCHOR flag in the BP), the FlowLM will also return to the PageLM. The PageLM must then try to find space to place the floats, possibly asking the FlowLM for help if the body contains multiple columns.
Some issues
Following are a few remarks on specific issues.
Where Line Layout Managers are created
If the first child FO in a block FO is an inline-level FO such as text, the block LM creates an intermediate level LineLM to layout the sequence of inline content into Lines. Note that the whole sequence of inline FOs is managed by a single instance of LineLM. The LineLM becomes the parent to the various inline-level LM created by each individual inline FO. Since an fo:block can have both block and inline content, its LM may create a sequence of intermixed BlockLM and LineLM.
Getting the reference IPD
When the layout process starts, with the FlowLM asking its first child LM for a break possibility, the IPD isn't known, since we don't know whether the first FO might be spanning, or on which page it might start. (Of course, if all page masters in the sequence have the same region-body IPD and all have only a single column, the IPD will never change and could already be calculated before starting layout.) The FlowLM gets its first child LM and calls its getNextBreakPoss method. That is a child LM for some block-level FO. For now, suppose it's an fo:block. The BlockLM will create its first child LM, which may be another block-level LM in the case of nested blocks or a LineLM as explained above. (Question: do we need a START flag for layout status?)
We keep calling getNextBreakPoss on lower level layout managers until we get down to the inline level or to a level which cannot have break-before properties, such as a list-item-label. At that point, we assume we are going to have to layout some actual content. But we can't do that yet since we don't know the inline-progression-dimension. So we return a BP object which has 0 size in the stacking dimension, but which has flags set to signal to higher-level layout managers what needs to be done. If it has a break-before property or a span property, it stores these in the BP. If no reference IPD is yet defined, it sets a flag to get that. It then returns to its parent. The parent LM will inspect the BP object returned. In general, it "wraps" it with information about its own needs. If the returned BP is not actually returning any potential areas, the LM can still add information about its own break or span requirements. This return path continues back up to the PageLM. It will then check break and span requirements and create a new page if necessary using the appropriate page-master. At that point, the reference IPD for the main flow is known and is set in the flags object used for the next getNextBreakPoss call to the lower level LM.
Using this information, the BlockLM parent can now calculate the available IPD for its LineLM child, based on its indents. (If there are any side-floats information about the intrusion must be passed down by the FlowLM to lower level managers.) The LineLM can now generate a series of BreakPoss objects, which it passes back to its parent LM.
Hyphenation
The LineLM is responsible for initiating hyphenation if it is allowed by the properties and if no satisfactory BP can be found without hyphenating. The hyphenation manager is passed two break possibilities, one whose IPD is less than the desired line area IPD and one whose IPD is greater. These break possibilities might have been generated by different inline-level layout managers (text + a wrapper with a color change for example), though frequently they represent two positions in a single text run. If hyphenation is successful, a new BP is returned. The LineLM may look for several intermediate BP based on the "cost" of the returned possibilities. If no intermediate BP is found, the line will be "short", the white-space stretch will be exceeded, or perhaps the content will be overflowed or clipped, depending on various property settings.
Optimizing
It obviously seems inefficient to go down to the lowest level LM and back up to the FlowLM for every possible line-break decision. It seems like it would be possible to optimize by letting the lower level layout managers run until they had exceeded the current limit in the stacking direction. They would then return control to the "galley" level (LineLM or FlowLM) which would fine-tune the break decision by asking the lower level LM to find a previous BP which would fit. At the inline level, this means hyphenation as described above.
Another interesting question is at what point pending break possibilities can be turned into areas.The idea is to wait until we are sure we won't have to redo the breaking. This depends on the sophistication of the layout strategy. For example, if a linebreak can be considered final if the line is full and there are no anchors on the line, we could create the LineArea at that point. But if we are willing to change a previous line-end decision to get a better overall composition of a whole group of lines (to prevent multiple hyphens for example), we might wait until the LineLM had finished laying out all its material and then make all the Lines at once.
by Karen Lease
version 911792


You can load and trade with pre-trained tensorflow
models that you saved in the ObjectStore. To load a tensorflow
model from the ObjectStore, in the Initialize
method, get the file path to the saved model and then recall the graph and weights of the model.
def Initialize(self) -> None: if self.ObjectStore.ContainsKey('graph') and self.ObjectStore.ContainsKey('weights'): json_graph = self.ObjectStore.Read('graph') json_weights = self.ObjectStore.Read('weights') # Restore the tensorflow graph from JSON objects tf.reset_default_graph() graph_definition = json_format.Parse(json_graph, tf.MetaGraphDef()) self.model = tf.Session() tf.train.import_meta_graph(graph_definition) # Select the input, output tensors and optimizer self.X = tf.get_default_graph().get_tensor_by_name('X:0') self.Y = tf.get_default_graph().get_tensor_by_name('Y:0') self.output = tf.get_default_graph().get_tensor_by_name('outer:0') self.optimizer = tf.get_default_graph().get_collection('Variable/Adam') # Restore the model weights from the JSON object. weights = [np.asarray(x) for x in json5.loads(json_weights)] assign_ops = [] feed_dict = {} vs = tf.trainable_variables() zipped_values = zip(vs, weights) for var, value in zipped_values: value = np.asarray(value) assign_placeholder = tf.placeholder(var.dtype, shape=value.shape) assign_op = var.assign(assign_placeholder) assign_ops.append(assign_op) feed_dict[assign_placeholder] = value self.model.run(assign_ops, feed_dict=feed_dict)
The ContainsKey
method returns a boolean that represents if the graph
and weights
is in the ObjectStore. If the ObjectStore does not contain the keys, save the model using them before you proceed.


“I must create a system, or be enslaved by another man's. I will not reason and compare: my business is to create.”
~ William Blake
“I must create a system, or be enslaved by another man's. I will not reason and compare: my business is to create.”
~ William Blake


Please note that for large files, this analysis
may take some time.
Please keep in mind that for security reasons, there are several
rules for acceptable URLs:
- URLs may not contain a query or a fragment. For
example, http://somesite.com/page?x=5
(a query) and
http://somesite.com/foo.html#anchor
(a fragment identifier)
- Only HTTP and HTTPS URLs are accepted at this time.
- URLs may not contain passwords. For example:
<EMAIL_ADDRESS>- The analysis software
will not follow redirects. This means,
among other things, that URL shorteners like bit.ly and
goo.gl cannot be analyzed.


Guidelines for writing a delete query :
It must have a delete statement. Example : DELETE from MYTABLE where COLUMN1 = $VAL1$


Now that GHB (and so many other mind expanding compunds) has become illegal many people have been searching for legal substitutes. Always eager for a new experience I (in my dream, of course) found out about a substance called 1,4 Butanediol. 1,4 BDO, for short. 1,4 BDO is a metabolic precursor to GHB, that is, once it gets into your body it's metabolized into GHB.
9:00(a.m)-Ingested 1.5-2 ml 1,4 BDO. Had to estimate dosage because I was not at home with my glassware. Tasted very nasty, although less gag inducing than GHB. No salty taste, more an oily...something. Like GHB, 1,4 BDO has very little taste when taken with something like OJ.
9:20-Felt my first alerts. Slight numbing of body, like GHB, and less early euphoria. This was prob'ly because the body has to convert the substance before it's useful.
9:40-Definite alteration of mood, sense of euphoria very present. Numbness over entire body, and blurring of the visual field. Very much like a light dose GHB exp. I wouldn't drive at this point.
9:50-Great loss of coordination, some thought interference...I decide to shower and redye my hair at this point, which was a mistake. In the shower I got lost and very dizzy. Kept almost slipping onto the floor. Finally I get out, stumble into my clothes and get to the living room couch. Still very euphoric...and pretty horny, just like GHB.
10:20-Feeling just great, like a moderate dose of GHB, thought process definetly skewed because I decide to take a booster dose. I dropped about (now I'm not sure about this one because my coordination and eyesight were getting somewhat blurry) 1-2 ml into my glass and drank it. Ick.
10:30-I drop into a strange sleeping/waking state. My friend videotaped me, so this is how I know what happened, I have no recollection of this. I began babbling about potatoes.  My limbs were moving with jerky movements, somewhat like the convulsions brought on by a high dose GHB exp.
10:50-Fell into unrousable sleep (like a slight GHB overdose) my friend turned me on my side, so if I puked I wouldn't choke on it, and then left, checking my breathing every so often.
11:45-Woke from sleep state, babbled some more, thinking was _so_ messed up. No mental tracking whatsoever. Eventually fell back to sleep.
12:30-Bounced fully into conciousness, then I puked. (Very rare for me, through 5 years of experiments I've puked twice.) After I was sick the world pretty quickly came back into focus.
1:00-Finally close to normal, very little residual effects, no real hangover. Slow on the uptake though.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


- onActivityResult(int, int, Intent) - Method in class com.c301t3.c301t3app.MyTasksActivity
-
- onActivityResult(int, int, Intent) - Method in class com.c301t3.c301t3app.NewTaskActivity
-
The method mainly catches data that is sent back from a recent activity startup,
the data the it mainly catches are Bitmap images from the Gallery Activity.
- onBindViewHolder(TasksRequestedAdapter.TaskHolder, int) - Method in class com.c301t3.c301t3app.TasksRequestedAdapter
-
- onCreate(Bundle) - Method in class com.c301t3.c301t3app.addingTaskLocal
-
createsthe map fragment then checks the SDK of the phone.
- onCreate(Bundle) - Method in class com.c301t3.c301t3app.BiddingScreen
-
- onCreate(Bundle) - Method in class com.c301t3.c301t3app.FindTaskonMapActivity
-
Addtion to the usual onCreate, this also grabs the put extra part from the previous screen
which holds the latitude and longitude of the task.
- onCreate(Bundle) - Method in class com.c301t3.c301t3app.MainMenuActivity
-
- onCreate(Bundle) - Method in class com.c301t3.c301t3app.MyTasksActivity
-
- onCreate(Bundle) - Method in class com.c301t3.c301t3app.NewTaskActivity
-
Sets up an initializes the Activity, its mainly in charge of having its "save" button
detect if there is any interaction (clicks) so that it can gather all relevant information to
create a Task when it detects so.
- onCreate(Bundle) - Method in class com.c301t3.c301t3app.RegisterActivity
-
- onCreate(Bundle) - Method in class com.c301t3.c301t3app.SelectedTaskActivity
-
Sets up the initialization of the given Activity,
it loads in information as an additional measure from saveInstanceState
and handles the bid button, which it checks for any extraneous conditions
such as bidding on the user's own Task, bidding when the user isn't logged on, etc.
- onCreate(Bundle) - Method in class com.c301t3.c301t3app.SimpleLoginActivity
-
- onCreate(Bundle) - Method in class com.c301t3.c301t3app.SplashActivity
-
Called when the view is first created,
Simply displays the app logo and waits to load
- onCreate(Bundle) - Method in class com.c301t3.c301t3app.TaskOwnerProfile
-
Called when the view is first created; sets several textViews
- onCreate(Bundle) - Method in class com.c301t3.c301t3app.UserProfile
-
Called when the view is first created
Sets everything in motion
- onCreate(Bundle) - Method in class com.c301t3.c301t3app.ViewBidsActivity
-
Creates the new view for the app, initializes all the buttons on the screen
- onCreate(Bundle) - Method in class com.c301t3.c301t3app.WelcomeActivity
-
Creates the new view for the app, initializes all the buttons on the screen
- onCreateOptionsMenu(Menu) - Method in class com.c301t3.c301t3app.MainMenuActivity
-
- onCreateOptionsMenu(Menu) - Method in class com.c301t3.c301t3app.ViewBidsActivity
-
Creates the menu for the view
- onCreateViewHolder(ViewGroup, int) - Method in class com.c301t3.c301t3app.TasksRequestedAdapter
-
- onItemClick(View, int) - Method in interface com.c301t3.c301t3app.TasksRequestedAdapter.OnItemClickListener
-
- onLongClick(View) - Method in class com.c301t3.c301t3app.TasksRequestedAdapter.TaskHolder
-
- onMapClick(LatLng) - Method in class com.c301t3.c301t3app.addingTaskLocal
-
- onMapReady(GoogleMap) - Method in class com.c301t3.c301t3app.addingTaskLocal
-
Manipulates the map once available.
- onMapReady(GoogleMap) - Method in class com.c301t3.c301t3app.FindTaskonMapActivity
-
Manipulates the map once available.
- onMyLocationButtonClick() - Method in class com.c301t3.c301t3app.addingTaskLocal
-
When the button to the location is clicked, then it pans to the users location, then if the user clicks the marker
an alert asks if the users is sure to set that location as the task location.
- onMyLocationButtonClick() - Method in class com.c301t3.c301t3app.FindTaskonMapActivity
-
used to zoom in to the users position on earth if location is on, using the location button.
- onMyLocationClick(Location) - Method in class com.c301t3.c301t3app.addingTaskLocal
-
not used because we are using the built in portion above.
- onMyLocationClick(Location) - Method in class com.c301t3.c301t3app.FindTaskonMapActivity
-
location fuction that was mandatory to have for mylocation, however this part isn't used
- onOptionsItemSelected(MenuItem) - Method in class com.c301t3.c301t3app.MainMenuActivity
-
- onOptionsItemSelected(MenuItem) - Method in class com.c301t3.c301t3app.ViewBidsActivity
-
Create the confirm or cancel buttons on the view
- onPrepareOptionsMenu(Menu) - Method in class com.c301t3.c301t3app.MainMenuActivity
-
- onRequestPermissionsResult(int, String[], int[]) - Method in class com.c301t3.c301t3app.addingTaskLocal
-
THis is the logic for where the permission was granted or not depending on the SDK of the phone.
- onRequestPermissionsResult(int, String[], int[]) - Method in class com.c301t3.c301t3app.FindTaskonMapActivity
-
THis is the logic for where the permission was granted or not depending on the SDK of the phone.
- onStart() - Method in class com.c301t3.c301t3app.MainMenuActivity
-
Creates the task list to show the user all the tasks they can search for.
- onStart() - Method in class com.c301t3.c301t3app.MyTasksActivity
-
- onStart() - Method in class com.c301t3.c301t3app.SelectedTaskActivity
-
Loads all info from outside sources (elasticSearch/InfoPasser)
into things currentTask and into TextViews/ImageViews for the Activity itself
- onStart() - Method in class com.c301t3.c301t3app.ViewBidsActivity
-
Called when the view is first created, loads data from InfoPasser
Creates and shows the list of bids


The Akan name gennerator is an application that simply identifies a person's gender and the date they were born and in turn generates their Akan name which originates from Ghana.
In order to do this, input your birth details and select your gender below and submit to get your Akan name.


#include <GtkFactory.h>
Static Public Member Functions | |
| static MapLibNetworkContext * | createHTTPContext () |
| static GtkDrawer * | createGtkDrawer (GtkWidget *widget) |
| static ImageSpec * | createGdkImageSpec (GdkPixbuf *gdkPixBuf) |
| static MapLibAPI * | createMapLib (DBufConnection *connection, DrawingContext *drawingContext, const MapLibInitialConfig &mapLibConfig) |
| static ImageSpec* WFAPI::GtkFactory::createGdkImageSpec | ( | GdkPixbuf * | gdkPixBuf | ) | [static] |
Creates an image object which can be used as backgrounds or icons for OverlayItems. Will increase the internal GTK reference count of the gdkPixBuf. It is therefore safe to remove a reference to the original pixbuf once allocated.
Initially the reference count of the ImageSpec resource is set to 1, so to properly deallocate it you will need to call removeReference() once you are done with the ImageSpec resouce.
| gdkPixBuf | The GdkPixBuf to use as source for the image. |
| static GtkDrawer* WFAPI::GtkFactory::createGtkDrawer | ( | GtkWidget * | widget | ) | [static] |
Creates a GTK based drawer using the supplied window. Note that by calling this function you assume ownership of the resource and it must be kept alive for the duration of the MapLib session.
| widget | The widget that the drawer should draw upon. |
| static MapLibNetworkContext* WFAPI::GtkFactory::createHTTPContext | ( | ) | [static] |
Creates and initializes a HTTP context which can be used by MapLib to download maps. Note that by calling this function you assume ownership of the resource and it must be kept alive for the duration of the MapLib session.
| static MapLibAPI* WFAPI::GtkFactory::createMapLib | ( | DBufConnection * | connection, | |
| DrawingContext * | drawingContext, | |||
| const MapLibInitialConfig & | mapLibConfig | |||
| ) | [static] |
Creates an instance of MapLibAPI using the supplied connection, drawingContext and initial config. The DBufConnection to supply can either be retrieved from Nav2API or from GtkFactory::createHTTPContext().
| connection | The connection that MapLib will use. | |
| drawingContext | The drawing context that MapLib will use. | |
| mapLibConfig | The initial configuration for MapLib. |


Getting Octopress to behave with Github and Heroku was a little tricky. This is the final workflow I used.
Before You Begin
You need to have git installed.
You need to have Ruby 1.9.3 installed.
Instructions for each of these varies depending on your operating system so independent research is required. The guide on railsapps.github.io is very good.
Installing Octopress
First, navagate to your projects dircetory and clone the Octopress source.
1
|
|
The Octopress repository comes with a .git folder. It needs to be removed before you can add your own version control.
1 2 3 4 |
|
Next, install dependencies.
1 2 |
|
Install the default Octopress theme.
1
|
|
Octopress Configuration
At this point, you can go into your blog_name folder and change the _config.yml file. You can read up on the specifics of this file in the Octopress docs but right now you will only use it to change the title, subtitle and author.
1 2 3 4 5 6 7 8 9 10 |
|
Now, generate all of the public static files (what Heroku will be serving) and preview your blog at http://localhost:4000
1 2 |
|
Commit you blog to the git repository you made.
1 2 |
|
Next, navigate to your github.com accont, login, create a new repo and push to Github.
1 2 |
|
Deploy to Heroku
Before Heroku will serve your site, you need to delete “public” from the .gitignore file.
1 2 3 4 5 6 7 8 9 10 11 12 |
|
Finally, you are ready to push up to Heroku.
1 2 |
|


Luminous Code
Why Luminous Code?#
I wrote the Luminous Code framework to be a collection of projects, namespaces, classes, methods, and extention methods designed to keep the code that I write as DRY as possible! It was/is driven by my own needs, but I'm happy to share it with anyone it can help.
Why would anyone want to write the same low-level code over and over in every class or method that you write, figuring out the lines of code required to accomplish a task each and every time? I don't know about you, but I hate doing that.
- Whenever I find myself writing the same code, I add that code into a new class or method in the appropriate Luminous Code namespace or class.
- If I figure out how to do something new, I add also it into the framework. That way I'm not constantly reinventing the wheel, so to speak.
Does Your Code Have CAOI?#
Lines of low-level code isn't necessarily all that easy to understand what it's actually trying to do when you come back to it later! As developers, we call that the intent of the code.
The intent of any code that you write should be clear and obvious to anyone who is using/maintaining your code (it may even be you).
That's the reason that I created the Luminous Code framework, so I could use code that has CAOI (clear and obvious intent - C.A.O.I.). There's probably no point googling it, I'm pretty sure it was me that coined the accronym, lol.
Benefits#
- Keeps your code as DRY as possible
- Allows your classes and methods to not break the Single Resposibility Principle


Brian Keegan & Abram Handler
Week 12: March 29 - April 2 2021
Due Friday, April 2 by midnight
Make a "meta-deck": a presentation describing how you made the presentation in Reveal.js.
You're making a tutorial for others on how to use a particular feature of Reveal.js.
Presentation should be 5-10 slides and include
Your deck should have parts like:
Ideas:
How do we add animations to code blocks?
(Easy)
What does this look like?
def addition(a,b):
sum = a + b
return sum
How do we make vertical slides?
(Easy)
What does this look like in the Overview mode?
Press ESC
2 breakout rooms for each topic
~6-8 students per room
Have a basic example of how to implement
Share example to GitHub Pages
How do we add slide numbers?
(Easy)
Add this option to the Reveal.initialize
block
Reveal.initialize({
hash: true,
slideNumber: 'c/t',
The hash: true
lets you access slides by URL
You can experiment with different formats
This h/v
is good for presentations with many vertical slides
Reveal.initialize({
hash: true,
slideNumber: 'h/v',
How do we change the theme?
(Easy)
Reveal.js comes with 11 themes by default
These default themes are defined in standalone CSS files we get from the CDN
Swap out the default "black" theme file
for another on the list like "moon"
These are not the only themes you can use
You can always create your own themes with custom CSS
Or follow others' tutorials:
How do we add speaker notes?
(Easy-Medium)
There are two strategies for adding speaker notes
Strategy 1: add an aside
tag within a section
Strategy 2: add a data-notes
attribute within a section
tag
Access the speaker notes by pressing "S"
How do we add math?
(Medium)
Import the Math.js from the CDN
Add below the other script
tags
Make sure to close the script
tags above!
Add the Math config to the Reveal.initialize
block at the end of the file
Reveal.initialize({
hash: true,
slideNumber: 'h/v',
math: {
mathjax<EMAIL_ADDRESS>config: 'TeX-AMS_HTML-full',
TeX: { Macros: { RR: "{\\bf R}" } }
},
Note how this references another CDN to deliver something called mathjax
(link)
Add the RevealMath
class to the list of plugins inside Reveal.initialize
Reveal.initialize({
hash: true,
slideNumber: 'h/v',
math: {
mathjax<EMAIL_ADDRESS>config: 'TeX-AMS_HTML-full',
TeX: { Macros: { RR: "{\\bf R}" } }
},
plugins: [ RevealHighlight, RevealMath ]
});
Make sure this list of plugins matches the scripts you imported with the script
tags!
Now write a slide with some math!
Math is written in a syntax adapted from LaTeX
\[
\begin{aligned}
\dot{x} & = \sigma(y-x) \\
\dot{y} & = \rho x - y - xz \\
\dot{z} & = -\beta z + xy
\end{aligned}
\]
The code from the previous slide looks like this:
\[ \begin{aligned} \dot{x} & = \sigma(y-x) \\ \dot{y} & = \rho x - y - xz \\ \dot{z} & = -\beta z + xy \end{aligned} \]Many concepts need to be formally expressed with mathematical notation
LaTeX is a syntax for "typesetting" math formula
\[
a^{2} + b^{2} = c^{2}
\]
\[a^{2} + b^{2} = c^{2}\]
There's a huge universe of symbols and letters to invoke
\[
\mu = 1.5, \sigma = .25, 5.2 \pm 3
\]
\[
\mu = 1.5, \sigma = .25, 5.2 \pm 3
\]
An operator is a function written as a word
\[
\tan \theta = \frac{\sin \theta}{\cos \theta}
\]
\[
\tan \theta = \frac{\sin \theta}{\cos \theta}
\]
Adding subscripts and superscripts
A caret ^
raises
An underscore _
lowers
\[
k_{n+1} = n^2 + k_n^2 - k_{n-1}
\]
\[
k_{n+1} = n^2 + k_n^2 - k_{n-1}
\]
\frac{numerator}{denominator}
The Quadratic formula:
\[
x = \frac{-b\pm\sqrt{b^{2}-4ac}}{2a}
\]
\[
x = \frac{-b\pm\sqrt{b^{2}-4ac}}{2a}
\]
Use \sum
with the ^
and _
notation
The Arithmetic mean
\[
\bar{x} = \frac{1}{n} \sum_{i=1}^{n} x_{n} = \frac{a_1 + a_2 + ... + a_n}{n}
\]
\[
\bar{x} = \frac{1}{n} \sum_{i=1}^{n} x_{n} = \frac{x_1 + x_2 + ... + x_n}{n}
\]
Matrices are used in linear algebra and machine learning
This is an example of matrix multiplication:
\[
\tiny{
\mathbf{A}=\begin{pmatrix}
a_{11} & a_{12} \\
a_{21} & a_{22} \\
\end{pmatrix},\quad
\mathbf{B}=\begin{pmatrix}
b_{11} & b_{12} \\
b_{21} & b_{22} \\
\end{pmatrix}
}
\]
Six common formulas used in data science
Write the formula in LaTeX/Mathjax
Write the formula for the geometric mean
\[ \bar{x} = \left(\prod^{n}_{i=1} x_i \right)^{\frac{1}{n}} \]Write the formula for the "uncorrected sample standard deviation"
\[ s_N = \sqrt{\frac{1}{N} \sum_{i=1}^N \left(x_i - \bar{x}\right)^2} \]Write the formula for Pearson correlation
\[ r_{xy} =\frac{\sum ^n _{i=1}(x_i - \bar{x})(y_i - \bar{y})}{\sqrt{\sum ^n _{i=1}(x_i - \bar{x})^2} \sqrt{\sum ^n _{i=1}(y_i - \bar{y})^2}} \]Write the formula for the standard score
\[ z = {x- \mu \over \sigma} \]Write the formula for Euclidian distance
\[ d(p,q) = \sqrt{(q_1-p_1)^2 + (q_2-p_2)^2} \]Write the formula for cosine similarity
\[ \tiny{ \text{similarity} = \cos(\theta) = {\mathbf{A} \cdot \mathbf{B} \over \|\mathbf{A}\| \|\mathbf{B}\|} = \frac{ \sum\limits_{i=1}^{n}{A_i B_i} }{ \sqrt{\sum\limits_{i=1}^{n}{A_i^2}} \sqrt{\sum\limits_{i=1}^{n}{B_i^2}} } } \]If you liked this typesetting translation exercise, try the 17 Equations That Changed the World


As it has been observed that the forgery of the the certificates has been increasing gradually.Also, a lot of paper is been wasted for generating hard copies of certificates. This issue can be solved by creating digital certificates i.e. e-certificates. The digital certificates can be generated with a QR-code on certificate using the blockchain technology. Currently, there are multiple numbers of ways through which one can verify the existence of a certificates an individual has on theblockchain. The easiest of them isto upload/scan the certificates to verify its existence. Upon uploading of the certificates,the proof of its existence gets verified, as the cryptographic digest and the marker for the transaction are also verified.
Generate Now ->As this avoid hardcopies hence its is efficient.
This system reduces the likelihood of the forgery.
Assures information accuracy and security.
The granting of certificate is transparent
No involvement of third parties.
The certificates generated are trusted.


Welcome to Spring Microservices demo!
Server Host Name
Server Host IP
Message from Service:
Message date:


|
||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object com.thingmagic.TagReadData
public class TagReadData
A class to represent a read of an RFID tag. Provides access to the tag structure and the metadata of the read event, such as the time of the read, the antenna that read the tag, and the number of times the tag was seen by the air protocol.
| Nested Class Summary | |
|---|---|
static class |
TagReadData.TagMetadataFlag
Flags that indicate the metadata stored in this structure |
| Field Summary | |
|---|---|
java.util.Set<TagReadData.TagMetadataFlag> |
metadataFlags
|
com.thingmagic.ProtocolTagReadData |
prd
An abstract class which can be extended for specific protocol. |
| Method Summary | |
|---|---|
java.lang.String |
epcString()
Returns a hexadecimal string version of the read tag's EPC. |
int |
getAntenna()
Return the identity of the antenna on the reader that read the tag. |
java.lang.String |
getBrandIdentifier()
Return the brandIdentifier value. |
byte[] |
getData()
Return the data read from the tag. |
byte[] |
getEPCMemData()
|
int |
getFrequency()
Return the frequency at which the tag was read |
Reader.GpioPin[] |
getGpio()
|
int |
getPhase()
Return the phase the tag is in |
int |
getReadCount()
Return the number of times the tag was read during the operation. |
Reader |
getReader()
return the reader instance |
byte[] |
getReservedMemData()
|
int |
getRssi()
Return the returned signal strength of the tag read. |
TagData |
getTag()
Return the tag that was read. |
byte[] |
getTIDMemData()
|
long |
getTime()
Return the time at which the tag was read. |
byte[] |
getUserMemData()
|
java.lang.String |
toString()
Returns a String object representing this
object. |
| Methods inherited from class java.lang.Object |
|---|
equals, getClass, hashCode, notify, notifyAll, wait, wait, wait |
| Field Detail |
|---|
public com.thingmagic.ProtocolTagReadData prd
public java.util.Set<TagReadData.TagMetadataFlag> metadataFlags
| Method Detail |
|---|
public TagData getTag()
public java.lang.String epcString()
public int getAntenna()
public int getRssi()
public int getFrequency()
public int getReadCount()
public java.lang.String getBrandIdentifier()
public long getTime()
public byte[] getData()
public byte[] getEPCMemData()
public byte[] getReservedMemData()
public byte[] getUserMemData()
public byte[] getTIDMemData()
public Reader.GpioPin[] getGpio()
public int getPhase()
public Reader getReader()
public java.lang.String toString()
String
object representing this
object. The string contains a whitespace-delimited set of
field:value pairs representing the tag ID and metadata.
toString
in class java.lang.Object
|
||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


{%extends "base.html"%} {%block content%}
{%for post in posts%} Recent happenings in {{post.neighborhood}} {%endfor%}
{{post.neighborhood}}
{{post.description}}


Original:
Mask:
Distance transform:
Distance transform normalized:
Light (Bevel&Emboss):
Normalize:
Angle:
Elevation:
Depth:


FoosBuzz
Bluemix
Live Tweets
Leaderboard
FoosBuzz
An Internet of Things Foosball Game
Powered by Bluemix, Raspberry Pi, Cloudant, and Node.js
Play/Watch
League
Live Tweets
Captain One
Login
Game Score
0
0
Captain Two
Login
Rematch
End Game
Game Feed
FoosBuzz League
GP = Goals Played | W = Wins | L = Losses | GF:GA = Goals For : Goals Against | GD = Goal Difference | PTS = Points || Win = +3 Points | Loss = -2 Points
Photo
User
Twitter
GP
W
L
GF:GA
GD
PTS


psout(1) Qualcomm Atheros Open Powerline Toolkit psout(1) NAME psout - Export PIB Prescalers SYNOPSIS psout [options] file [>stdout] DESCRIPTION Export the prescaler section of a PIB file as an amplitude map suitable for input to program psin or the Qualcomm Atheros Windows Device Manager. Prescalers are stored in the PIB in binary format but the amplitude map is in text format so that values may be changed using an ordinary text editor. Program psin can be used to import an amplitude map into the original or another PIB file. This program is part of the Qualcomm Atheros Powerline Toolkit. See the AMP man page for an overview and installation instructions. OPTIONS None. ARGUMENTS file The name of an Atheros Parameter Information Block (PIB) file. This file is not modified. By convention, PIB files have a .pib extension but this program does not enforce that convention and does not make any assumption based on filename or extension but the program will reject invalid PIB files. Only one filename is permitted on the command line. FILES An amplitude map consists of 1155 frequency-amplitude pairs. Each pair consists of a decimal index and a hexadecimal scaler. The index represents a frequecy from 1.8 mhz through 30 mhz. The scaler represents the amplitude attenuation applied at that frequency. The frequency and attenuation are computed as follows. frequency = 40.96 * (index + 74) index = (frequency / 40.96) - 74 decibels = 20 * log10 (scaler / 256) scaler = 256 * pow (decibels / 20) EXAMPLES The following example prints the prescaler section of file abc.pib on stdout as an amplitude map. The output has been abbreviated here to save space. A single comment line identifies the prescaler source file. Output may be directed to a text file, edited using a text editor and read into the same or another PIB file with program psin. # psout abc.pib # file: abc.pib 00000000 00000000 00000001 00000000 00000002 00000000 00000003 00000000 ... 00000027 000000D0 00000028 000000D0 00000029 000000D1 00000030 000000D1 ... 00000214 00000000 00000215 00000000 00000216 00000000 ... 00001155 00000000 The next example copies prescalers from file abc.pib to def.pib using a command line pipe. # psout abc.pib | psin def.pib DISCLAIMER PIB file structure and content is proprietary to Qualcomm Atheros, Ocala FL USA. Consequently, public information is not available. Qualcomm Atheros reserves the right to modify PIB file structure or content in future firmware releases with‐ out any obligation to notify or compensate users of this program. Tampering with prescaler settings may violate national or international electo-magnetic emission standards and lead to fines or penalties. Qualcomm Atheros shall not be held responsible for any consequences of modifications made to prescaler sets provided to their customers. SEE ALSO psgraph(1), pskey(1), psin(1) CREDITS Charles Maier<EMAIL_ADDRESS>open-plc-utils-0.0.3 November 2013 psout(1)


Runtime systems may or may not have an automatically generated
main program. This is controlled by the --main option to
spld. If --main=user is given, a function
user_main()
must be supplied:
int user_main(int argc, char *argv[])
user_main()
is responsible for initializing the Prolog engine,
loading code, and issuing any Prolog queries. An
alternative is to use --main=none and write your own
main()
function.


Home
About Us
Contact
Sign In
Sign Up
Contact Us
We would love to hear from you!
Download the 5th Wheel App
You can reach us at:
5th Wheel
123 5th Wheel Ave
Some City, Some State, 12345
USA
<EMAIL_ADDRESS>(123) 456-7890


Career Tools
- Fast track your career. Get a degree online.
- Get a job-winning resume by ResumeEdge.com
Browse Categories
Now Hiring
Kaiser Permanente
Be Part of a Dedicated Team of Healthcare Professionals.
Siebel Systems Inc.
Discover your true potential.


I enjoyed the week getting to learn about my peers. Personalities are starting to show like turtles poking their heads out of their shell. I had a lot of fun working in the group setting. I feel like I am starting to learn how my role will develop as time progresses throughout the duration of the bootcamp.
The snap challenges are definitely a good measure of skill level for the class. I feel like I'm able to apply the learnings from lecture to completing the challenges. I may have missed a few questions, but I read documentation or found someone to help explain an answer. The week's teachings/lectures were on the topics of architecture & xAMP stack, the Deep Dive Coding style guide, and data design. I wasn't confident in my deployment skills for a bit. I was struggling with that for the first few days of instruction. I'm becoming more confident in some skills, but I also see where I need to improve. The data design content is familiar from a time when I took mySQL courses at CNM. I felt good working on that project. It was a good test of my knowledge and I'm excited to continue through these transitions.
I attended two events. On Tuesday, April 10th, I attended a Meetup hosted by Deep Dive Coding including a collaboration with a representative from Julia and a coworking facilty by the name of FreeRange. Jane from Julia talked the Julia programming language and it's features. A few tech guys from the local ABQ area attended as well as a few of my peers from the cohort. The second event on Thursday, April 12th, was hosted by Bernalillo County and the new Lobo Rainforest facility. Entitled "Colliding the Future", the concept was to figure how to bridge the connection between younger and older generations in the workforce. I met a few individuals who had some good words.
This weekend, I plan to continue to work on homework assignments and more code. I also hope to order some new headphones, a USB-C hub, and possibly a new mouse.
Click here to return to the home page


Enter your email address below, and we'll email instructions for setting a new one." %}


One Dead, Three Injured After Car Driven Into Essex Pub - Reports
Police were purportedly called shortly after 12.30 am (local time) on Sunday following reports of a vehicle crashing into a building in Essex, UK.
A car drove into a pub in Essex, leaving one man dead, the Daily Telegraph reported, citing local law enforcement agencies. The victim is believed to be in his 40s.
At least three other people were reportedly injured, after which they were taken to hospital. The condition of one of them has been assessed as serious.
Police were called to the Spinnaker Public House in Hythe Quay, Colchester, at around 12.30 am (local time) on Sunday.
The driver is said to have been detained by police on suspicion of murder, grievous bodily harm, death by dangerous driving and assault.
On 21 September, a Citroen driver drove into the main mosque of Colmar in northeastern France. There was a small group of people in the building, however, only the driver himself was injured in the incident.


Class ActorFactoryBuilder
Actor factory builder
Inheritance
System.Object
ActorFactoryBuilder
Implements
Inherited Members
System.Object.ToString()
System.Object.Equals(System.Object)
System.Object.Equals(System.Object, System.Object)
System.Object.ReferenceEquals(System.Object, System.Object)
System.Object.GetHashCode()
System.Object.GetType()
System.Object.MemberwiseClone()
Namespace: ComposableAsync.Concurrent
Assembly: ComposableAsync.Concurrent.dll
Syntax
public class ActorFactoryBuilder : IActorFactoryBuilder
Methods
| Improve this Doc View SourceGetActorFactory(Boolean, Action<Thread>)
Returns an actor factory
if true all the actors created by this factory will use the same thread.
Delegate called on each new created thread.
Declaration
public IProxyFactory GetActorFactory(bool shared = false, Action<Thread> onCreate = null)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Boolean | shared | |
| System.Action<System.Threading.Thread> | onCreate |
Returns
| Type | Description |
|---|---|
| IProxyFactory |
GetActorFactoryFrom(IFiber)
Returns an actor factory using the provided fiber
Declaration
public IProxyFactory GetActorFactoryFrom(IFiber fiber)
Parameters
| Type | Name | Description |
|---|---|---|
| IFiber | fiber |
Returns
| Type | Description |
|---|---|
| IProxyFactory |
GetInContextActorFactory()
Returns an actor factory using the current synchronization context
Declaration
public IProxyFactory GetInContextActorFactory()
Returns
| Type | Description |
|---|---|
| IProxyFactory |
GetInContextActorFactory(SynchronizationContext)
Returns an actor factory using the provided synchronizationContext
Declaration
public IProxyFactory GetInContextActorFactory(SynchronizationContext synchronizationContext)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Threading.SynchronizationContext | synchronizationContext |
Returns
| Type | Description |
|---|---|
| IProxyFactory |
GetTaskBasedActorFactory()
Returns an actor factory using Task Pool as Fiber implementation
Declaration
public IProxyFactory GetTaskBasedActorFactory()
Returns
| Type | Description |
|---|---|
| IProxyFactory |
GetThreadPoolBasedActorFactory()
Returns an actor factory using Thread Pool as Fiber implementation
Declaration
public IProxyFactory GetThreadPoolBasedActorFactory()
Returns
| Type | Description |
|---|---|
| IProxyFactory |