Y.Calendar.JumpNavView Class
This class defines a View class extension for Calendar that configures to load on a "click" on the Calendar's "Month Year" header label to display a popup panel that allows for selecting the month / year without requiring to page thru by month. The view creates a Panel instance from a standard template (see the property template for the default) and handles populating the SELECT dropdown controls for "month" and "year".
Attributes are provided that include yearStart and yearEnd for defining the range to be used for the "year" dropdown elements, for example.
Usage
The simplest application includes creating a Calendar instance and then creating the View and attaching the calendar to the view with the calendar attribute.
var cal = new Y.Calendar({
contentBox: "#mycal",
width:'240px',
showPrevMonth: true,
showNextMonth: true
}).render();
// This creates a View instance and connects it to the "cal" Calendar instance.
var calJNav = new Y.Calendar.JumpNavView({
calendar: cal,
yearStart: 1988,
yearEnd: 2021
});
An additional module is provided, the Y.Plugin.Calendar.JumpNav plugin that attaches the Calendar to the view via a plugin method.
Item Index
Methods
Properties
- _classCalHead
- _classMonth
- _classPanel
- _classYear
- _panel
- _subscr
- _viewNode
- events static
- template static
Attributes
Events
Methods
_createPanelView
-
vnode
Parameters:
-
vnode
NodeThe Node that was created from
template
that will be used as the container for the Y.Panel creation.
_onCalendarDateChange
-
e
Listener on the Calendar's "dateChange" event to update the JumpNavigator if it's visible
Parameters:
-
e
EventTarget
_onGoButton
()
private
Listener on the Panel's "Go" button, resets the Calendar to the Month/Year and first day,
and optionally closes the Panel if closeAfterGo
is true.
_regenMonths
-
curDate
Method that regenerates the "month" SELECT control, adding the months and defining the "selected" as the curDate parameter
Parameters:
-
curDate
DateCurrent date to set as "selected"
_regenYears
-
curDate
Method that regenerates the "year" SELECT control, adding the months defined by attributes yearStart
to yearEnd
and defining the "selected" as the curDate parameter
Parameters:
-
curDate
DateCurrent date to set as "selected"
_selectMonth
-
e
"change" Listener on the SELECT control for the JumpNavigator's month control
Parameters:
-
e
Object
_selectYear
-
e
"change" Listener on the SELECT control for the JumpNavigator's year control
Parameters:
-
e
Object
_setSelectedMonth
-
curDate
Sets the currently "selected" OPTION for the month control to the current month
Parameters:
-
curDate
Date
_setSelectedYear
-
curDate
Sets the currently "selected" OPTION for the year control to the current year.
This method searches the OPTION nodes for "value" set to the year, to get around
CSS selector issues in some browers.
Parameters:
-
curDate
Date
_yearInSelect
-
year
Helper method to check if the specified year is an option in the current SELECT control OPTIONS.
Parameters:
-
year
NumberYear to be checked if it is in the current SELECT control
Returns:
destructor
()
protected
Clears up the created listeners and destroys the Panel
initializer
()
protected
chainable
Initializer that creates the container
, the Panel instance and listeners for this view
Returns:
render
()
protected
chainable
Renders the Panel and resets the SELECT controls "selected" default to the current Calendar data setting
Returns:
Properties
_classCalHead
String
private
Stores the classname to search the Calendar instance for to hook onto the "header-label" element
Default: 'yui3-calendar-header-label'
_classMonth
String
private
Stores the classname used internally for the Panel's "month" SELECT control
Default: 'yui3-calendar-jumpnav-month'
_classPanel
String
private
Stores the classname used internally for the Panel srcNode used in this view
Default: 'yui3-calendar-jumpnav-panel'
_classYear
String
private
Stores the classname used internally for the Panel's "month" SELECT control
Default: 'yui3-calendar-jumpnav-year'
_panel
Y.Panel
private
Placeholder for the Y.Panel instance used in this view
Default: null
_subscr
Array
private
Holder for an array of the Listeners created by this view so we can detach them when finished
Default: []
_viewNode
Node
private
Placeholder for the Node instance for this view, set to Panel contentBox
Default: null
events
Object
static
Defines event objects as part of View's event handling, specifically defines actions to be taken on "change" events of the month and year SELECT controls.
template
String HTML Setting for Panel's contents
static
Default setting for the template
attribute that defines the Panel HTML contents, including
the SELECT options for month and year.
Default: See example below
Example:
// Where classPanel is replaced by 'yui3-calendar-jumpnav-panel',
// and classMonth by 'yui3-calendar-jumpnav-month'
// and classYear by 'yui3-calendar-jumpnav-year'

Jump to Month:	<select class="{classMonth}"></select>

and Year:	<select class="{classYear}"></select>

Attributes
calendar
Y.Calendar
Specifies the Calendar instance that this view will be attached to for header label clicks and
for updates to the date
attribute.
Default: null
closeAfterGo
Boolean
This flag sets whether the Panel instance should be hidden after the "Go" button is pressed
Default: true
offsetXY
Array
The x,y offset (horiz, vert) that should be used to offset the popup Panel from the original Calendar "header label" that was clicked.
Default: [ 30, 10 ]
openEventType
String
Sets the Event "type" that is used in the Calendar "header label" listener to open the popup Panel. Sensible values are "click" or "dblclick".
Default: 'click'
template
String
Defines the HTML content that is used to setup the Y.Panel instance that is created by this View. See the property template for the default setting.
Default: this.template
Events
monthSelected
Event Payload:
-
return
Object-
evt
EventTargetEventtarget for the SELECT "change" event
-
value
NumberValue part of the selected OPTION, which is the selected month
-
text
StringText from selected OPTION, which is the month name
-
yearSelected
Event Payload:
-
return
Object-
evt
EventTargetEventtarget for the SELECT "change" event
-
value
NumberValue part of the selected OPTION, which is the Selected year
-
text
StringText from selected OPTION, which is the selected year
-


|
This document describes the component design of the library.
The VRaniML SDK is a library of C++ classes intended to help applications support
importing, exporting and rendering of VRML 2.0 files. The current version of the
library supports a subset of the VRML 2.0 specification which is detailed here.
A high level block diagram of the SDK is included here:
The SDK is composed of five components. Each component is briefly described here
and further defined on the following pages:
| Utility - Utility Class Library - A collection of supporting
classes and routines for collection classes (lists, arrays, etc.), geometry classes
(vertex2, vertex3, rotation, matrix, etc.), and other supporting classes (timer, image,
runtime typing support etc.). This is also called the Virtual Reality Foundation
Classes or VRFC for short. |
| Browser Related Classes - VRML Execution Model - This component
supports the VRML 2.0 execution model. This provides support for the VRML 2.0 ROUTE
keyword. The generation and propagation of VRML eventIn's and eventOut's is handled
by this component. This component also provides support for top level scene graph
management as well as PROTO management. This component contains the VRML 2.0 parser
which is implemented using lex/yacc. |
| VRML97 Node Library - Each VRML 2.0 node has a corresponding
VRaniML class. In effect, these classes simply provide access to the data fields of
each node type. This component provides one class for each of the 54 VRML 2.0 nodes. |
| Solid Modeling library - All VRaniML geometry nodes (for example
IndexedFaceSet or Extrusion) use the solid modeling library as their underlying data
representation. This data representation allows for a number of very useful
functions, including future support for such advanced features as automatic level of
detail generation and progressive mesh (that is progressive transmission) of geometry over
the internet. Other possible future features might include interactive splitting
planes and Boolean operations. |
| Traversers - This component contains classes that
"walk" the scene graph at the applications direction to "render" the
scene. There are a number of Traversers in this component including OpenGLTraveser
which renders the scene graph to an OpenGL window, WriteTraverser which
"renders" the scene graph to a file (export) and ValidateTraverser which walks
the scene graph looking for and reporting on bad data. |
|


A wallet backup protects your tez against computer or software failure. If you lose the backup and can't access your wallet for some reasons, your tez are permanently lost!
It is recommended that you store backups of both forms of your key (the Keystore file version and paper wallet version) in physically separate, offline environments.
This wallet file will contain your private seed encrypted with your password.
This wallet file will contain your public key.
This wallet file will contain your public key hash.
This wallet file will contain your public key (Needed to create unsigned operations).
Before making a backup, you will need to create or import a wallet.


Using the Mouse Wheel
Good work. Now you will learn about enlarging and shrinking the screen using the mouse wheel.
 Rotate the wheel up to reduce the screen.
The more you turn the wheel, the larger or smaller the screen becomes, but notice that there is a limit to how far you can go in either direction.
Close Window


A Numbers Game
Rules:
Enter any number and Ping Pong will count up to your number from number 1 with the following exceptions:


Text groups are an implantation of base layout classes; no new styles are introduced here. Often there is a need to control how text breaks across lines. To solve this, groups of text must be wrapped in span
elements and layout classes applied.
This need is common enough to warrant it's own set of examples for demonstration and testing purposes.
The first example is the default behaviour for text; no classes are applied. This is example is provided for comparison purposes.
This is group in a span. This is a 2nd group in a span. We want only one line if possible.
The text but with the classes applied to show a better behaviour.
This is group in a span. This is a 2nd group in a span. We want only one line if possible.
A shorter example. Another short example. A third short example.
A shorter example. Another short example. A third short example.
A shorter example. Another example, but a sort of medium length.
A shorter example. Another short example. A third short example.
A shorter example. Another short example. A third short example.
A shorter example. Another short example. A third short example.


#Genuary2021
GENUARY is an artificially generated month of time where we build code that makes beautiful things.
It happens during the month of January 2021.
For every 24 hour day within this 744 hour timespan, we have prepared a prompt with instructions for you to execute.
Participating in this month I decided to do all the code in Plingo only. Plingo is an image manipulation
programming language that I am currently creating. The main idea behind this language is to merge input
and code into
one. So I think #genuary2021 is the perfect opportunity to test and explore the possibilities and limits
of Plingo.
If you want to learn more about Plingo, check its github repository.
If you want to learn more about Plingo, check its github repository.
| Monday | Tuesday | Wednesday | Thursday | Friday | Saturday | Sunday |
|---|---|---|---|---|---|---|
| 1 | 2 | 3 | ||||
| 4 | 5 | 6 | 7 | 8 | 9 | 10 |
| 11 | 12 | 13 | 14 | 15 | 16 | 17 |
| 18 | 19 | 20 | 21 | 22 | 23 | 24 |
| 25 | 26 | 27 | 28 | 29 | 30 | 31 |


RENICE(1) User Commands RENICE(1) NAME renice — alter priority of running processes SYNOPSIS renice [-n] priority [[-p] pid ...] [[-g] pgrp ...] [[-u] user ...] renice -h | -v DESCRIPTION Renice alters the scheduling priority of one or more running processes. The following who parameters are interpreted as process ID's, process group ID's, or user names. Renice'ing a process group causes all processes in the process group to have their scheduling priority altered. Renice'ing a user causes all processes owned by the user to have their scheduling prior‐ ity altered. By default, the processes to be affected are specified by their process ID's. Options supported by renice: -n, --priority The scheduling priority of the process, process group, or user. -g, --pgrp Force who parameters to be interpreted as process group ID's. -u, --user Force the who parameters to be interpreted as user names. -p, --pid Resets the who interpretation to be (the default) process ID's. -v, --version Print version. -h, --help Print help. For example, renice +1 987 -u daemon root -p 32 would change the priority of process ID's 987 and 32, and all processes owned by users daemon and root. Users other than the super-user may only alter the priority of processes they own, and can only monotonically increase their ``nice value'' (for security reasons) within the range 0 to PRIO_MAX (20), unless a nice resource limit is set (Linux 2.6.12 and higher). The super-user may alter the priority of any process and set the priority to any value in the range PRIO_MIN (-20) to PRIO_MAX. Useful priorities are: 20 (the affected pro‐ cesses will run only when nothing else in the system wants to), 0 (the ``base'' scheduling priority), anything negative (to make things go very fast). FILES /etc/passwd to map user names to user ID's SEE ALSO getpriority(2), setpriority(2) BUGS Non super-users can not increase scheduling priorities of their own pro‐ cesses, even if they were the ones that decreased the priorities in the first place. The Linux kernel (at least version 2.0.0) and linux libc (at least version 5.2.18) does not agree entirely on what the specifics of the systemcall interface to set nice values is. Thus causes renice to report bogus previ‐ ous nice values. HISTORY The renice command appeared in 4.0BSD. AVAILABILITY The renice command is part of the util-linux package and is available from ftp://ftp.kernel.org/pub/linux/utils/util-linux/. util-linux November 2010 util-linux


CONTACT
A Film Review by James Berardinelli
RATING (0 TO 10): 9.0 Alternative Scale: **** out of ****
United States, 1997 U.S. Release Date: 7/11/97 (wide) Running Length: 2:30 MPAA Classification: PG-13 (Profanity, mature themes) Theatrical Aspect Ratio: 2.35:1
Cast: Jodie Foster, Matthew McConaughey, James Woods, Tom Skerritt, William Fichtner, Angela Bassett, John Hurt, Rob Lowe, David Morse, Jena Malone Director: Robert Zemeckis Producers: Doug Mitchell, Steve Starkey, and Robert Zemeckis Screenplay: James V. Hart and Michael Goldenberg based on a story by Carl Sagan and Ann Druyan, based on the novel by Carl Sagan Cinematography: Don Burgess Music: Alan Silvestri U.S. Distributor: Warner Brothers
CONTACT is likely to change a lot of perceptions -- not only about the role of humankind in the universe, but about what special effects can do for a movie when they're used in the service of a story, rather than the other way around. CONTACT is that rare big-budget motion picture that places ideas, characters, and plot above everything else. The film takes the richness of astronomer Carl Sagan's bestselling 1985 novel and re-invents it for the screen, retaining all the power and fascination of the book while adding a visual aspect that will not disappoint devoted fans. CONTACT is as close as recent Hollywood productions have come to a perfect example of cinema. All the elements are not only in place, but effectively realized. This is the kind of motion picture that restores one's faith in what can be produced when a large budget is used wisely.
The participation of a superlative cast and crew doesn't always guarantee success, but, in this case, the high expectations have been met. On the acting side, CONTACT stars two-time Oscar winner Jodie Foster alongside rising star Matthew McConaughey and veterans James Woods and Tom Skerritt. The film is directed and co-produced by Robert Zemeckis, whose last effort was 1994's box office smash, FORREST GUMP. And, until his death in December 1996, Sagan served as a story consultant and scientific advisor.
As an on-again/off-again amateur astronomer, one of the first things I noticed about the film was its technical accuracy. This is undoubtedly the result of Sagan's influence. All the details are correct (at least as far as I was able to determine); there are none of the movie cop-outs that film makers occasionally resort to in order to lower the intelligence level of the script. CONTACT is believable in part because it doesn't replace true science with vague terms and gobbledygook. In his novel, Sagan was careful to make everything, even the most farfetched parts, theoretically feasible. Although the movie changes and condenses significant aspects of the original material, it remains true to this vision.
CONTACT opens with an unforgettable sequence that takes the viewer on a tour of the universe. It starts out in a familiar corner of space, with Earth filling the screen. Then, constantly accelerating, we pull back. The moon passes, then Mars. We zip through the asteroid belt, then speed past Jupiter, through the rings of Saturn, and out into places beyond. Once the Oort cloud is behind us, we careen past stars and galaxies, proceeding ever farther away from our home solar system. It's an amazing trip that only takes several minutes, but presages the wonders that CONTACT's final half-hour holds for the viewer.
After this eye-popping trek, we return to Earth during the early 1970s, where we meet 9-year old Ellie Arroway (Jena Malone), a budding scientist with a fascination for short wave radio (she likes hearing messages from far away) and astronomy. Her father, Ted (David Morse), is an English teacher, and has schooled Ellie in the beauty of the stars. Following his sudden death, an event that leaves Ellie orphaned, she decides to devote her entire life to pursuing the mysteries that her father opened her eyes to.
When we next encounter Ellie (now played by Jodie Foster), she's a promising researcher for the SETI (Search for Extraterrestrial Intelligence) Institute, working on a giant radio telescope in Puerto Rico. Ellie's obsession is to find evidence of life on another planet. Despite the scorn of her colleagues, she spends hours on end listening for that proof. While in Puerto Rico, she becomes involved with a religious scholar, Palmer Joss (Matthew McConaughey). The two have a short, passionate affair that ends when Ellie's former mentor (and the President's national science advisor), David Drumlin (Tom Skerritt), pulls the plug on the SETI project in Puerto Rico. To maintain her work, Ellie is forced to seek private funding, which she receives from a multi-billionaire eccentric named S.R. Hadden (John Hurt).  Once the signal is confirmed, the VLA becomes the center of a media blitz, and, along with the reporters, National Security Advisor Michael Kitz (James Woods) arrives, ready to militarize the project and push Ellie out.
Although CONTACT is rightfully being billed as the story of humanity's first encounter with an extraterrestrial life form, at its heart, it's really more about Ellie and her quest for meaning in life. In her own words: "For as long as I can remember, I've been searching for some reason why we're here -- what we're doing here, who are we?" Ellie's trajectory places her on a collision course with answers to those questions, and it's the development of her character, and the resolution of this particular aspect of the story, that makes for a satisfying conclusion. In the end, the science fiction elements become subordinate to the personal ones.
In its own unique way, CONTACT offers a little bit of almost everything: drama, romance, suspense, and science fiction. It touches the emotions and the intellect. There are glorious special effects, wonderful acting, and a couple of impressive pyrotechnic displays. The plot contains the most believable approach to this subject matter ever presented in a movie. In addition to the scientific aspect, there's the media feeding frenzy, the fierce in-fighting to gain control of the project, the international ramifications of the U.S. taking charge, and the religious implications of life on another planet. One of the key, recurring struggles presented in CONTACT is that of science versus religion, and how the conflict between these two seemingly-divergent disciplines reveals the importance of both faith and facts to human well-being.
As he did in FORREST GUMP, Robert Zemeckis makes excellent use of special effects. The standout sequences are those that take place in deep space and give us an awe-inspiring perception of how incredibly vast the universe is. But digital trickery, both subtle and obvious, is used on other occasions, as well. In fact, Zemeckis returns to one of his most talked-about GUMP gimmicks as he puts words into the mouth of President Clinton. By carefully editing clips of Clinton speeches and using a little creative dubbing, Zemeckis makes it seem like the President is directly addressing the specific situations that arise during the course of CONTACT.
The cast is strong. Tom Skerritt and James Woods take what could have been one-dimensional characters and develop them into something more. We don't exactly sympathize with them, but we understand their viewpoints. Matthew McConaughey's performance is nicely-understated; it's easy to accept him as a charismatic, sincere, New Age religious leader. But the star of the film is Jodie Foster, who brings all of her considerable ability to the part of Ellie, and infuses the character with passion, intelligence, and courage. Foster deserves another Oscar nomination for her work here.
In its approach and discernment, CONTACT couldn't be farther from a number of recent "first contact" motion pictures (including, but not limited to, INDEPENDENCE DAY, STAR TREK: FIRST CONTACT, and THE ARRIVAL). Instead, in different ways, this movie recalls some of the best science fiction films. It has a measure of the awe and spectacle of 2001: A SPACE ODYSSEY, and an element of the mystery and hope offered by CLOSE ENCOUNTERS OF THE THIRD KIND. In fact, CONTACT can stand on the same level as these and many other classics, and that is one definition of a great movie. If CONTACT falls short in any area, it's an inability to fully develop all of its many subplots, but, given the time limitations of the medium (the running length is already 2:30), that's understandable. This is one of 1997's finest motion pictures, and is a forceful reminder that Hollywood is still capable of making magic.
Copyright 1997 James Berardinelli
--=====================_868119031==_ Content-Type: text/plain; charset="us-ascii"
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
"As far as the filmmaking process is concerned, stars are essentially worthless - and absolutely essential." -- William Goldman
--=====================_868119031==_--
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
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Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


The Guidelines for Web Content Transformation Proxies (which the now-defunct Mobile Web Best Practices Group I've been sitting in worked on for the last couple of years) have been published by the W3C as a Working Group Note.
We designed and built the Touchnote app for Windows Phone 7, recently featured on the Windows Phone 7 marketplace. I'm going to write a lot more about this soon...


*makeop
(
expr,
[format]
)
Executes algebric operations not taking care of any kind of parenthesis.
It's possible to use the following operators:
+, -, *, /, %
Parameters
expr
algebric expression to evaluate.
format
C-like format string: optional parameter.
Return Values
A string representing the result of the evaluation in decimal format
if no format parameter is given.
Remarks
If you need to nest multiple expressions,
you can do that by recursing the command itself.
Example
*makeop(*makeop(10 * 4) + *makeop(400 / *makeop(1 + 2 * 3 / 4) + 5) - 9, %.0f)
Command Reference Index


SEPTA Ninja
- No more guessing what "minor delays" means.
- Get realtime updates from fellow SEPTA riders.
- No need to refresh, the app updates on its own.
- = service delay
- = station issue
Subway
{{#each subwayLines}}
{{> line}}
{{/each}}
Regional rail
{{#each trainLines}}
{{> line}}
{{/each}}
Created by Greg Ambrogi, John Crescenzi, Nabil Hashmi, Pat Maiden, Ben Novack, Phil Pierdomenico, Fritz Ohrenschall, and James Tyack for the Apps for Philly Transportation 2015 hackathon, heavily borrowed from and supported by
MBTA Ninja, and with support from
Code for Philly. To request more line coverage or new features,
tweet at us or
contribute on GitHub.


Web & Application Development
Web application development is the creation of application programs that reside on remote servers and are delivered to the user's device over the Internet. ... Client refers to a computer application such as a web browser. Client-side programming will typically utilize HTML, CSS and JavaScript.


Server Details
Network Devices & Services
Database Specification
PAAS Services
Security Services
Backup & High Availability
Identity Managament
Pricing & Payment Options
Support Operations
Monitoring
Escalation Matrix
Customer Service Request Form - Stage 2
Home
Identity Management
Do you have any identity management system and directory service which can integrate with your cloud services ?
Yes
No
Provide Description :
Required License :
Procure License:
Do you have software assurance license and use it in Cloud Services(BYOL) ?
Yes
No