com.dropbox.client2
Class DropboxAPI.DropboxInputStream
java.lang.Object
java.io.InputStream
java.io.FilterInputStream
com.dropbox.client2.DropboxAPI.DropboxInputStream
- All Implemented Interfaces:
- java.io.Closeable
- Enclosing class:
- DropboxAPI<SESS_T extends Session>
public static class DropboxAPI.DropboxInputStream
- extends java.io.FilterInputStream
An InputStream
for a file download that includes the associated
DropboxAPI.DropboxFileInfo
. Closing this stream will cancel the associated
download request.
| Fields inherited from class java.io.FilterInputStream |
in |
| Methods inherited from class java.io.FilterInputStream |
available, mark, markSupported, read, read, read, reset, skip |
| Methods inherited from class java.lang.Object |
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
DropboxAPI.DropboxInputStream
public DropboxAPI.DropboxInputStream(org.apache.http.client.methods.HttpUriRequest request,
org.apache.http.HttpResponse response)
throws DropboxException
- Throws:
DropboxException
close
public void close()
throws java.io.IOException
- Closes this stream and aborts the request to Dropbox, releasing
any associated resources. No more bytes will be downloaded after
this is called.
- Specified by:
close
in interface java.io.Closeable
- Overrides:
close
in class java.io.FilterInputStream
- Throws:
java.io.IOException
- if an error occurs while closing this stream.
getFileInfo
public DropboxAPI.DropboxFileInfo getFileInfo()
- Returns the
DropboxAPI.DropboxFileInfo
for the associated file.
copyStreamToOutput
public void copyStreamToOutput(java.io.OutputStream os,
ProgressListener listener)
throws DropboxIOException,
DropboxPartialFileException,
DropboxLocalStorageFullException
- Copies from a
DropboxAPI.DropboxInputStream
to an
OutputStream
, optionally providing updates via a
ProgressListener
. You probably won't have a use for this
function because most API functions that return a
DropboxAPI.DropboxInputStream
have an alternate that will copy to an
OutputStream
for you.
- Parameters:
os
- the stream to copy to.listener
- an optional ProgressListener
to receive progress
updates as the stream is copied, or null.
- Throws:
DropboxPartialFileException
- if only part of the input stream was
copied.
DropboxIOException
- for network-related errors.
DropboxLocalStorageFullException
- if there is no more room to
write to the output stream.
DropboxException
- for any other unknown errors. This is also a
superclass of all other Dropbox exceptions, so you may want to
only catch this exception which signals that some kind of error
occurred.


Spring Cloud Data Flow is a unified, distributed, and extensible system for data ingestion, real time analytics, batch processing, and data export. The project's goal is to simplify the development of big data applications.
| Name | {{dataflowVersionInfo.app.name}} |
| Version | {{dataflowVersionInfo.app.version}} ({{dataflowVersionInfo.git.commit.id}}) |
| Description | {{dataflowVersionInfo.app.description}} |
As an alternative to the Dashboard UI, you can also download the compatible version of the Shell ({{dataflowVersionInfo.app.version}}).


--- title: Books to bring to a desert island, Part II excerpt:
As I mentioned in Books to bring to a desert island, Part I, I will now concentrate on books about music, art and inspiration. I realise that my bag is getting heavy. But don't worry, I'll keep the headline but keep on adding books that I like :-).
date: '2007-06-24 12:04:34 +0200' date_gmt: '2007-06-24 10:04:34 +0200' categories: - Books tags: - Books - inspiration ---As I mentioned in Books to bring to a desert island, Part I, I will now concentrate on books about music, art and inspiration. I realise that my bag is getting heavy. But don't worry, I'll keep the headline but keep on adding books that I like :-).
Special thanks to Anders Jormin who recommended most of the Swedish books on this list.
Everyone interested in creativity should read this book. It is not an easy one but it will give you immense reward. I only have the Swedish language edition ("Spela Fritt -- Improvisation i Liv och Konst", Bo Ejeby Förlag, 2004).
Vincent van Gogh, in his own words. A human document without parallel
, as Jan Hulsker put it. Heartbreaking and highly recommended.
A broad historical overview of The Funk. After reading it once, it now serves as a quick reference.
Like The Man says: listen
. This is brilliant stuff.
An interesting study about Miles' electric period.
A collection of ideas about music, the process of musical composition, inspiration, and much more. I read this in Swedish many years ago. Some day, I'll try to find the English edition ("Poetics of Music in the form of Six Lessons") of this great book.
The Danish composer and conductor writes about the inner nature of music.
The Danish pedagogue and music philosopher writes about musical experience.
An attempt to describe how people have approached music through the centuries. Interesting read (but I haven't finished this book yet).
A course in contemporary harmony for composers. A classic.
A good reference for composers.
Like the title says! Excellent reference.
I still haven't finished this one -- but I will! A classic introduction to humanity's artistic expression over the centuries. Good illustrations too.
Amazing photographs from mountains that are larger than life.
Aki Kaurismäki, the best Finnish film director, talks about his movies and life. Magnifique!
I couldn't put this down once I started it. It made me realise I share some characteristics with hackers (in the broad sense). The Protestant ethic is gone for me... Long live the passion and Open Source! :-)
All projects of this Catalan modernist architect, famous for his unique style.
Photographs and descriptions about a number of new architectural gems in Barcelona.
Berlin, one of my favourite cities, presents itself as the Mecca for architects. And there's every reason to do so.
I visited a reconstruction of Brancusi's onetime studio in Paris and went immediately to buy this book. Fantastic sculptor!
I missed the exhibition in Paris, but bought this book, and was instantly hooked. From representation to abstraction and back again. A fascinating journey -- but not always easy for Mr de Staël himself.
Inspired by de Staël, I bought this book. Reading in French is slow for me so I'm still working on it.
There's more, but I'll stop here for now. Next time, I'll (probably) talk about books related to the web. We'll see...


Author: Lee Newson Level: Beginner Technologies: JAX-WS Summary: Deployment of a basic JAX-WS Web service bundled in a WAR archive Target Product: EAP
This example demonstrates the use of JAX-WS in JBoss Enterprise Application Platform 6 or JBoss AS 7 as a simple Hello World application.
All you need to build this project is Java 6.0 (Java SDK 1.6) or better, Maven 3.0 or better.
The application this project produces is designed to be run on JBoss Enterprise Application Platform 6 or JBoss AS 7.
If you have not yet done so, you must Configure Maven before testing the quickstarts.
The following shows the command line to start the server with the web profile:
For Linux: JBOSS_HOME/bin/standalone.sh
For Windows: JBOSS_HOME\bin\standalone.bat
NOTE: The following build command assumes you have configured your Maven user settings. If you have not, you must include Maven setting arguments on the command line. See Build and Deploy the Quickstarts for complete instructions and additional options.
Type this command to build and deploy the archive:
mvn clean package jboss-as:deploy
This will deploy target/jboss-as-helloworld-ws.war
to the running instance of the server.
You can check that the Web Service is running and deployed correctly by accessing the following URL: http://localhost:8080/jboss-as-helloworld-ws?wsdl. This URL will display the deployed WSDL endpoint for the Web Service.
When you are finished testing, type this command to undeploy the archive:
mvn jboss-as:undeploy
This quickstart provides Arquillian tests. By default, these tests are configured to be skipped as Arquillian tests require the use of a container.
NOTE: The following commands assume you have configured your Maven user settings. If you have not, you must include Maven setting arguments on the command line. See Run the Arquillian Tests for complete instructions and additional options.
Type the following command to run the test goal with the following profile activated:
mvn clean test -Parq-jbossas-remote
The following expected output should appear. The output shows what was said to the Web Service by the client and the responses it received.
WSDL Deployment URL: http://localhost:8080/jboss-as-helloworld-ws/HelloWorldService?wsdl
[Client] Requesting the WebService to say Hello.
[WebService] Hello World!
[Client] Requesting the WebService to say Hello to John.
[WebService] Hello John!
[Client] Requesting the WebService to say Hello to John, Mary and Mark.
[WebService] Hello John, Mary & Mark!
Tests run: 3, Failures: 0, Errors: 0, Skipped: 0, Time elapsed: 1.988 sec
You can also start the server and deploy the quickstarts from Eclipse using JBoss tools. For more information, see Use JBoss Developer Studio or Eclipse to Run the Quickstarts
If you want to debug the source code or look at the Javadocs of any library in the project, run either of the following commands to pull them into your local repository. The IDE should then detect them.
mvn dependency:sources
mvn dependency:resolve -Dclassifier=javadoc
If you do not yet have an OpenShift account and domain, Sign in to OpenShift to create the account and domain. Get Started with OpenShift will show you how to install the OpenShift Express command line interface.
Note that we use the<EMAIL_ADDRESS>user for these examples. You need to substitute it with your own user name.
Open a shell command prompt and change to a directory of your choice. Enter the following command, replacing APPLICATION_TYPE with jbosseap-6.0
for quickstarts running on JBoss Enterprise Application Platform 6, or jbossas-7
for quickstarts running on JBoss AS 7:
rhc app create -a helloworldws -t APPLICATION_TYPE
NOTE: The domain name for this application will be helloworldws-YOUR_DOMAIN_NAME.rhcloud.com
. Here we use the quickstart domain. You will need to replace it with your own OpenShift domain name.
This command creates an OpenShift application called helloworldws
and will run the application inside a jbossas-7
or a jbosseap-6.0
container. You should see some output similar to the following:
Creating application: helloworldws
Now your new domain name is being propagated worldwide (this might take a minute)...
Warning: Permanently added 'helloworldws-quickstart.rhcloud.com,<IP_ADDRESS>' (RSA) to the list of known hosts.
Confirming application 'helloworldws' is available: Success!
helloworldws published: http://helloworldws-quickstart.rhcloud.com/
git url<EMAIL_ADDRESS>Successfully created application: helloworldws
The create command creates a git repository in the current directory with the same name as the application. Notice that the output also reports the URL at which the application can be accessed. Make sure it is available by typing the published url http://helloworldws-quickstart.rhcloud.com/ into a browser or use command line tools such as curl or wget.
Now that you have confirmed it is working you can now migrate the quickstart source. You no longer need the default application so change directory into the new git repository and tell git to remove the source files and pom:
cd helloworldws
git rm -r src pom.xml
Copy the source for the helloworld-ws
quickstart into this new git repository:
cp -r <quickstarts>/helloworld-ws/src .
cp <quickstarts>/helloworld-ws/pom.xml .
Openshift does not have Web services setup by default, so we need to modify the server configuration. To do this open .openshift/config/standalone.xml
(this file may be hidden) in an editor and make the following additions:
If the webservices subsystem is not configured as below under the <profile>
element, copy the following and replace the webservices subsystem to enable and configure Web Services:
<subsystem xmlns="urn:jboss:domain:webservices:1.1">
<modify-wsdl-address>true</modify-wsdl-address>
<wsdl-host>${env.OPENSHIFT_APP_DNS}</wsdl-host>
<wsdl-port>80</wsdl-port>
<endpoint-config name="Standard-Endpoint-Config"/>
<endpoint-config name="Recording-Endpoint-Config">
<pre-handler-chain name="recording-handlers" protocol-bindings="##SOAP11_HTTP ##SOAP11_HTTP_MTOM ##SOAP12_HTTP ##SOAP12_HTTP_MTOM">
<handler name="RecordingHandler" class="org.jboss.ws.common.invocation.RecordingServerHandler"/>
</pre-handler-chain>
</endpoint-config>
</subsystem>
You can now deploy the changes to your OpenShift application using git as follows:
git add src pom.xml
git commit -m "helloworld-ws quickstart on OpenShift"
git push
The final push command triggers the OpenShift infrastructure to build and deploy the changes.
Note that the openshift
profile in pom.xml
is activated by OpenShift, and causes the war build by openshift to be copied to the deployments
directory, and deployed to the “jboss-as-helloworld-ws” context path.
Now you will start to tail the log files of the server. To do this run the following command, remembering to replace the application name and login id.
rhc app tail -a helloworldws
Once the app is deployed, you can test the application by accessing the following URL either via a browser or using tools such as curl or wget. Be sure to replace the quickstart
in the URL with your domain name.
http://helloworldws-quickstart.rhcloud.com/jboss-as-helloworld-ws/HelloWorldService?wsdl
If the application has run successfully you should see some output in the browser.
You can use the OpenShift command line tools or the OpenShift web console to discover and control the application.
This quickstart provides tests that can be run remotely. By default, these tests are configured to be skipped as the tests require the application to be running remotely.
NOTE: The following commands assume you have configured your Maven user settings. If you have not, you must include Maven setting arguments on the command line..
Type the following command to run the test goal with the following profile activated and the URL of the deployed Application:
mvn clean test -Pjbossas-remote -Dremote.server.url=http://helloworldws-quickstart.rhcloud.com/
When you are finished with the application you can destroy it as follows:
rhc app destroy -a helloworldws


Twitter Trend Analyser - Trend Search
Notes:
- An item on the trending list can either be a hashtag or a phrase or word
- Hashtags begin with a # and have no spaces, phrases may be a number of words separated by a space
Search for information about past trends entering the trending data lists.
Trending Information about the term None Selected
| As of | Created at | woeid | woeid name | Promoted Content | events |


@* * Copyright 2017 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import play.api.i18n.Messages.Implicits._ @import play.api.Play.current @import uk.gov.hmrc.cbcrfrontend.views.html._ @import uk.gov.hmrc.cbcrfrontend.controllers.routes @()(implicit request: Request[_]) @mainContent = {
Guidance
Find out how to use the registration service so that your multinational group can send HMRC a country-by-country report.
} @govuk_wrapper(appConfig = uk.gov.hmrc.cbcrfrontend.FrontendAppConfig, title = "Guidance", mainContent = mainContent)


Melissa McCoy
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PassSigner
public struct PassSigner
A singleton class used to sign PassKit passes.
-
The shared instance of
PassSigner
.Declaration
Swift
static let shared: PassSigner
-
The local URL of the Apple Worldwide Developer Relations Root Certificate Authority (required to sign passes).
Declaration
Swift
public var appleWWDRCertURL: URL?
-
The URL to your OpenSSL binary. Set it if yours is in a different location than /usr/bin/openssl.
Declaration
Swift
public var openSSLURL: URL
-
Sign the provided pass manifest data.
Note
This method will fail and crash your program if you haven’t setappleWWDRCertURL
.Declaration
Swift
public func signPassManifest(at url: URL, toSignatureAt signatureURL: URL, info: SigningInfo) -> Bool
Parameters
url
The URL of the pass’s manifest.json file.
signatureURL
The signature URL to write to.
info
The signing info to sign this pass manifest with.
Return Value
Whether or not the operation was successful.
-
A tuple representing a certificate URL (expected .pem) and password.
Declaration
Swift
public typealias SigningInfo = (certificate: URL, password: String)


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{%load static%}
Satellite communication is a crucial form of wireless communication. By means of satellites, people all over the earth can communicate with each other. It may not be possible to send a signal to another country because, well, the curvature of the earth is in the way. This is one reason why satellites are orbiting the earth because they can send a signal amongst themselves and eventually to the distant country. All of this at an incredibly fast speed. NASA and other space agencies make regular use of this type of technology. Of course, sending a satellite into the atmosphere is not cheap. Therefore the technology involved must be subjected to significant testing before launch.
Infrared communication is present in most homes in the form of a television remote control. However, how does it work? IR transmits information by means of invisible light. This means that on the electromagnetic spectrum it lies between microwaves and visible light. Infrared communication requires a transmitter and a photoreceiver to receive the light beam. Since any disruption to the light will result in the photoreceiver not receiving it, IR will only function when there is a line of sight visibility. That means that if you stand between the transmitter and receiver it will probably not work.
The most famous form of wireless transmission on our list, broadcast radio, was probably the first kind of wireless communication. Radio transmitters send out data in the form of radio waves to receiving antennae. Radio waves are forms of electromagnetic signals. Signals are relatively narrow, and waves can be sent across various frequencies. This is why your car radio is able to receive signals from many different radio stations. There are many types of users of radio communication. Radio stations that send out informative and entertaining programs. Maritime radio channels allow ships to communicate with each other and the shore. Ham radio enthusiasts are able to communicate and use radio communication for personal use.
Microwave technology is an effective type of communication that is used globally. This technology can be broken down into 2 types 1. Satellite Microwave Communication This is the most effective method of transmitting microwaves globally. Like Infrared technologies, Microwave technologies require a clear line of sight. This means that if you want to send a signal over a long distance, sending it up to a satellite first is a good idea. The only problem is that in very dense cloudy weather the signal to the satellite can be blocked by atmospherics. 2. Terrestrial Microwave Communication Microwave technologies can be a very secure form of communication. If a signal needs to be transmitted over a short distance, it can be enough to erect two antennae with a clear line of sight. The signal can then be transmitted between the two receivers. This negates the need to connect to an outside network.
Wi-fi internet is a low powered wireless electronic network. These are available in almost every shopping mall and cafe in the world. Essentially a physical wired network is connected to a router. This creates a highly localized and low power wireless network. From this, it is possible to connect a range of devices to the local network. However, public wireless internet access is known to be a target for thieves and hackers. Therefore, it is essential that both users who connect to these networks and the providers use password protection defense methods.


Managed Make Project preferences, Build Macros
Customizes the build macros for all managed make projects in the workspace.
You can add, remove and edit build macros that apply to all managed make projects in the workspace. Two tables are displayed - one for user-defined build macros and one for non user-defined build macros. Each table contains three columns:
Name of the build macro
Type of value contained in the build macro (see below)
Value of the build macro.
You can view all build macros that are not user-defined in the System Macros table.
You can view all user-defined macros in the User Macros table. A user-defined macro overrides a non user-defined macro of the same name. Overridden macros are displayed in bold in the System Macros table.


Adarsh Revankar
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Title: A Bug's Life (1998)
Review by Arnold Kim
It seems that these days a lot of films are dependent on visuals and filmmaking technology to "ooh" and "aah" the audience enough to occupy them for two hours. Story is often a mere second to visual effects in movies like "Godzilla" or "Armageddon". What a refreshment it is, then, to see a film like "A Bug's Life" where visuals are used to aid and add to the story rather than take its place. That is one of the reasons why I found "A Bug's Life" to be one of the more enjoyable films I've seen this year.
The story of "A Bug's Life" is probably one of its greatest assets. The tale of a worker ant named Flik (Dave Foley) and his attempt to save his colony from the bullyish grasshoppers led by Hopper (Kevin Spacey) by recruiting insects who turn out to be circus rejects is absolutely charming and unique. I've never seen this "Seven Samurai-ish" told the way "A Bug's Life" tells it, partly because it couldn't have been done before. Much of the plot, especially in the second half, came as a pleasant surprise. Just when you think it might be over, a new twist is added to keep you in your seats.
The story also allows for some excellent characters and character development as well. Flik, one of my favorites in the film, grows from a naive, optimistic ant to an ant who stands up for what he believes in and can be taken seriously by the end. The members of the circus group is probably one of the most eclectic and lovable bunch of riffraff I've seen in film in a while. They range from Slim (David Hyde Pierce), the sticklike thespian wannabe to Francis (Denis Leary), the unladylike male ladybug with an attitude. All the different and unique personalities of the circus crew add quite a bit of color to the cast. Their development as a whole, finally finding a place and an audience that accepts them, should be noted as well. The littlest ant, Dot, is absolutely adorable and grows from being a runt with low self esteem to a confident leader of sorts and princess. And of course, the entire colony of ants go from being the bullied to the ones who take charge and revolt towards the end. (Oh, and for this film you really want to stay till the very end, as you'll catch some amusing "outtakes" from the film.)
Largely responsible for the characters is the wonderful voice cast behind them. Dave Foley is perfectly optimistic and full of hope and charm as Flik, while Kevin Spacey is quite menacing as the villainous Hopper. Julia Louis-Dreyfus seems to somewhat reprise her "Elaine" role on "Seinfeld" fairly effectively as Princess Atta, Flik's love interest of sorts and next in line to head the colony. Denis Leary is perfectly cast as the sarcasm and attitude-laden Francis. Overall, a solid performance by the voice cast.
In addition, a solid performance by the animators is put into this story as well. An extremely engaging film visually, it seems to use the most vibrant color palettes that are possible, with bright greens, deep blues, and solid reds, and everything in between. Also remarkable is the incredible detail in the animation, not glossing over any single nook or cranny. It is both of these aspects of the animation that come together to form the film's top artistic achievement- a beautiful orange-red bird, the fearsome predator that all the insects fear, even the grasshoppers. The stunningly lifelike nature of that figure had me doing double takes.
Of course, this film has drawn a bit of attention as a result of the similarities between it and another computer animated insect film, the recently released "Antz". However, it is at that point that the similarities between the films stop. While Antz is an adult oriented anti-socialist Woody Allen story about the importance of the individual, "A Bug's Life" is a fable for all ages about believing in yourself. Between the two of them, "A Bug's Life" is the superior film, with a better and more cohesive story that isn't quite so dark. The characters are more colorful likable in "Bugs", especially in the two leads. However, the voice actors may have fared a bit better in "Antz", as I found Woody Allen, Sly Stallone, and co. perfectly suited to their roles. However, "Antz" also loses out in the visual department, choosing to be drably realistic with the excessive use of browns over the use of more varied and lively colors. "Antz" also seems to be a bit confused in its audience, as it tries to be an "adult" film while also using humor that would appeal to the younger audiences. "A Bug's Life" clearly lacks that problem.
Three years ago, the same team, Pixar and Disney, brought to theaters the first completely computer animated movie, "Toy Story", and that film set the standard for films of its genre with its wonderful characters and story. In 1998, Pixar and Disney keep up to those standards with the release of "A Bug's Life", one of the more endearing films of the year. My score, out of 10: 8
Arnold Kim
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


Icon Credits: modified imagery from Andrey Vasiliev, Fuat şanlı, Maria Kislitsina, Arthur Schmitt, Oksana Latysheva at the Noun Project.
Code Credits: animation by Meg Studer/Siteations Studio using p5.js, webcam.js, gifShot.js, jQuery, and all-the-blobs available in Html5.


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Our training programme to teach Adapted Mindfulness-Based interventions provides graduates with the skills needed to teach such interventions safely. However, it does not enable participants to teach MBSR or MBCT, and some graduates have expressed an interest in a 'top up' course to enable them to do so. That is the purpose of this top up training programme.
The training course is open to both NHS staff and people who work outside the NHS, who have completed our Adapted Mindfulness-Based Interventions training. Fees for the 2024 training are £2450. There are usually some funded or part-funded training places available for Sussex Partnership NHS Foundation Trust staff. In addition, all trainees need to pay £500 for a residential retreat.
The course handbook below provides more details:
- 2024 Course Handbook
- 2024 Application Form For Sussex Partnership Staff
- 2024 Application Form For External Applicants
Applications for 2024 are now open
The deadline for applications is 1st December 2023. Applicants who are external to Sussex Partnership NHS Foundation Trust (SPFT) are welcome to submit their applications early and to request an earlier interview date.
For further information about the training, please contact<EMAIL_ADDRESS>or call our Sussex Mindfulness Centre Administrator on 0300 304 0689. Regular, online, information sessions will be held about SMC’s trainings throughout the year. Please email<EMAIL_ADDRESS>if you'd like to book a place on one.


All your friends who also like Philz will be there too! (So all the cool kids)
With none of the pain!  You can notify your friends when you're going to Philz, and the more friends you pick up drinks for, the bigger the discount. The drinks will be ready soon after you arrive, so no need to worry about waiting longer.
Good thing your friends are going! Find who's going to Philz and when. If it works out, tag your order onto theirs.
Whether you just picked up the order, or stayed on campus, everyone on the order gets to meet up and share some delicious Philz. Friends + Philz = Better Friends
9 am
10:15 am
11:00 am
Know any of these guys? Any of these times work? You can use the link to their Facebook to send them a message.


Posted on February 5, 2019 at 12:00 PM
Two meditations this morning: “I believe that a sign of maturity is accepting delayed gratification.” Peggy Cahn, and “Inner development is not easy and will take time.” Dalai Lama. To someone like me,who struggles with impulse disorder, these are fighting words. The idea that I might even strive for maturity is enough to make me gag. Isn’t the whole point of being alive to maintain a childlike perspective on the world? To laugh. To run free. To enjoy. There is a part of me that believes very strongly in spontaneity, and yet there is another soberer part that knows where too long much spontaneity can lead.
Why do words like maturity and responsibility leave such a poor taste in my mouth? I think it is in part because of the connotations of those words. Maturity implies ‘old’ and ‘responsibility ‘means ‘boring.’ In actuality, that is not what those words have come to mean for me at all. Mature can mean wise, experienced, and responsibility can bring serenity. It is all perspective, and that changes over time. And time takes time. Which is not easy for those in a hurry to change like I was. “Inner development is not easy” says the Dalai Lama. One of the truths about learning to be patient is that you have to practice patience.  Inner development isn’t a Disney experience with a fairy godmother rendering you fixed with a flick of her wand. We can’t live life on a “ready,fire,aim” basis or we can and suffer the consequences.


@import play.api.i18n.Messages @import play.api.mvc.RequestHeader @import controllers.AssetsFinder @* * This template is called from the `index` template. This template * handles the rendering of the page header and body tags. It takes * two arguments, a `String` for the title of the page and an `Html` * object to insert into the body of the page. *@ @(title: String, user: Option[models.User] = None)(content: Html)(implicit request: RequestHeader, messages: Messages, assets: AssetsFinder)
@* Here's where we render the page title `String`. *@


HEAD
Don't worry be happy In every life we have some trouble When you worry you make it double **Don't worry, be happy** Ooh, ooh ooh ooh oo-ooh ooh oo-ooh ooh ooh oo-ooh (*Don't worry* ) Ooh oo-ooh ooh ooh oo-ooh (*Be happy*) Ooh oo-ooh oo-ooh Ooh, ooh ooh ooh oo-ooh ooh oo-ooh ooh ooh oo-ooh (Don't worry) Ooh oo-ooh ooh ooh oo-ooh (*Be happy* ) Ooh oo-ooh oo-ooh (**Don't worry, be happy**) home =======
Don't worry be happy In every life we have some trouble When you worry you make it double Don't worry, be happy Ooh, ooh ooh ooh oo-ooh ooh oo-ooh ooh ooh oo-ooh (Don't worry) Ooh oo-ooh ooh ooh oo-ooh (Be happy) Ooh oo-ooh oo-ooh Ooh, ooh ooh ooh oo-ooh ooh oo-ooh ooh ooh oo-ooh (Don't worry) Ooh oo-ooh ooh ooh oo-ooh (Be happy) Ooh oo-ooh oo-ooh (Don't worry, be happy) home


Introducing JSX
The following code has a line of JSX:
function Title() {
return
This is a Title!

}
JSX is a special syntax for defining markup inside JavaScript. It resembles HTML, but it is not. It is in fact an XML dialect. When libraries that use compile, they pass JSX code to a function that converts it into virtual nodes. These are then used to compare with earlier renders to see if the DOM needs to be updated. Based on the differences, only the parts that changed will be updated. This results in very efficient code. Although their are various hyperscript functions that can be used to define markup in JavaScript, JSX is much more concise. As an advantage, JSX more closely resembles the markup that will be created.
Embedding Expressions in JSX
Because JSX is ultimately just JavaScript, you can embed JavaScript expressions in it. In the following example, 2 + 2
, user.firstName
, and formatName(user)
are all valid expressions:
See the Pen Composi Tuts - JSX-1 by Robert Biggs (@rbiggs) on CodePen.
We split the JSX over multiple lines for readability. We also recommend wrapping JSX in parentheses to avoid the pitfalls of automatic semicolon insertion caused by new lines.
JSX is an Expression Too
After compilation, JSX expressions become regular JavaScript objects, or virtual dom objects that describe markup.
That means that you can include JSX inside of if statements and for loops, assign it to variables, accept it as an argument, and return it from functions:
See the Pen Composi Tuts - JSX-2 by Robert Biggs (@rbiggs) on CodePen.
Specifying Attributes with JSX
To specify string literals as attributes, use quotes:
const element =

You can also embed a JavaScript expression between curly braces to create a value for an attribute. When you do so, remember not to use quotes around the JavaScript expression. Otherwise, the expression will get converted to a string and used as the attribute's value:
// Use a JavaScript expression for the image src value:
const element =
Unlike React, Preact and Inferno, which require attribute names to use camel case, with Composi you can use their normal HTML versions. In the following example, notice that all the attributes in the JSX resemble normal HTML attributes:
See the Pen Composi Tuts - JSX-3 by Robert Biggs (@rbiggs) on CodePen.
JSX Tags Can Have Children
A JSX tag can be single. In such a case it needs to be close with a forward slash:
const element = (

)
You can also provide a JSX tag with children. When you do so, you insert the children between the parent tag's opening and closing, just like HTML:
const element = (

Hello!

Good to see you here.

)
JSX Prevents Injection Attacks
JSX automatically encodes any potential script injection code. This helps prevent script injection attacks. It does this by converting all data to strings before rendering it to the DOM.
const title = function() {
alert('This is a script!')
}
class Test extends Component {
constructor(props) {
super(props)
this.root = 'header'
this.render = (data) => {data}
}
}
const test = new Test()
// When we pass the function title as data to the component,
// nothing gets output. The component will not render:
test.update(title)
In the case that the data contained markup, this too will be escaped:
See the Pen Composi Tuts - JSX-4 by Robert Biggs (@rbiggs) on CodePen.
JSX Represents Objects
When the JSX gets compiled, it is converted into an object that represents the nodes to be created:
function header() {
return (

This is the Header!

)
}
const result = header()
// result will equal:
{
type: "h1",
props: {
title: "This is the header!",
class: "header"
},
children: ["This is the Header!"]
}
innerHTML
By default any markup in data is escaped as a security precaution to help prevent cross-site scripting attacks. You can use the property innerHTML
to inject data with markup into the document. This is highly risky. Hackers can use this to inject malicious code into the docuemnt. Use it only if you are absolutely sure you can trust the source of the data.
To use innerHTML
just provide the data with the markup as the value for it. You could also use a function that returns the markup you want. Below is an example of how to use it:
function List({data}) {
return (
ul class="list">
{
data.map(item =>

)
}

)
}
const items = [
'
Whatever
'
'
Something else
']
mount(<List data={items} />, 'section')
Because we are passing the data with markup directly to the list items through the property innerHTML
, the markup will get converted into true DOM nodes. The result will look like this:
- Whatever
- Something else
In contrast, if we had just passed the data as normal, the markup would have been escaped:
function List({data}) {
return (
ul class="list">
{
data.map(item =>
{item}
)
}

)
}
const items = [
'
Whatever
'
'
Something else
']
mount(<List data={items} />, 'section')
This would result in the following:
-
Whatever

-
Something else

Note: When using innerHTML
on an element, it's best to always have that element not contain any other content. This will replace any other content already in the element.


Number of Bedrooms
Number of Bathrooms
Accommodates
Instant Bookable
Maximum Nights
Minimum Nights
Amenities
{{ optimal_price }}


Listeners¶
The top level Envoy configuration contains a list of listeners. Each individual listener configuration has the following format:
{
"name": "...",
"address": "...",
"filters": [],
"ssl_context": "{...}",
"bind_to_port": "...",
"use_proxy_proto": "...",
"use_original_dst": "...",
"per_connection_buffer_limit_bytes": "...",
"drain_type": "..."
}
- name
- (optional, string) The unique name by which this listener is known. If no name is provided,
Envoy will allocate an internal UUID for the listener. If the listener is to be dynamically
updated or removed via LDS a unique name must be provided.
By default, the maximum length of a listener’s name is limited to 60 characters. This limit can be
increased by setting the
--max-obj-name-len
command line argument to the desired value. - address
- (required, string) The address that the listener should listen on. Currently only TCP listeners are supported, e.g., “tcp://<IP_ADDRESS>:80”. Note, “tcp://<IP_ADDRESS>:80” is the wild card match for any IPv4 address with port 80.
- filters
(required, array) A list of individual network filters that make up the filter chain for connections established with the listener. Order matters as the filters are processed sequentially as connection events happen.
Note: If the filter list is empty, the connection will close by default.
- ssl_context
- (optional, object) The TLS context configuration for a TLS listener. If no TLS context block is defined, the listener is a plain text listener.
- bind_to_port
- (optional, boolean) Whether the listener should bind to the port. A listener that doesn’t bind can only receive connections redirected from other listeners that set use_original_dst parameter to true. Default is true.
- use_proxy_proto
- (optional, boolean) Whether the listener should expect a PROXY protocol V1 header on new connections. If this option is enabled, the listener will assume that that remote address of the connection is the one specified in the header. Some load balancers including the AWS ELB support this option. If the option is absent or set to false, Envoy will use the physical peer address of the connection as the remote address.
- use_original_dst
- (optional, boolean) If a connection is redirected using iptables, the port on which the proxy receives it might be different from the original destination port. When this flag is set to true, the listener hands off redirected connections to the listener associated with the original destination port. If there is no listener associated with the original destination port, the connection is handled by the listener that receives it. Default is false.
- per_connection_buffer_limit_bytes
- (optional, integer) Soft limit on size of the listener’s new connection read and write buffers. If unspecified, an implementation defined default is applied (1MiB).
- drain_type
- (optional, string) The type of draining that the listener does. Allowed values include default and modify_only. See the draining architecture overview for more information.
Statistics¶
The listener manager has a statistics tree rooted at listener_manager. with the following
statistics. Any :
character in the stats name is replaced with _
.
| Name | Type | Description |
|---|---|---|
| listener_added | Counter | Total listeners added (either via static config or LDS) |
| listener_modified | Counter | Total listeners modified (via LDS) |
| listener_removed | Counter | Total listeners removed (via LDS) |
| listener_create_success | Counter | Total listener objects successfully added to workers. |
| listener_create_failure | Counter | Total failed listener object additions to workers. |
| total_listeners_warming | Gauge | Number of currently warming listeners |
| total_listeners_active | Gauge | Number of currently active listeners |
| total_listeners_draining | Gauge | Number of currently draining listeners |


Documentation
Documentation
Hey guys! Before starting with Ferah I would like to comment on most hyped question about "Native vs Html Hybrid Apps".
You have heard and read many things about the above statement. But let me clear, every technology has its own palce in the environment and it totally depends on your need which technology you would like to choose for your future project.
Ferah Framework is build for Cordova/PhoneGap based projects using the technologies HTML5, CSS3 and JavaScript. Using Ferah you can build application for all three platforms i.e.(Windows, Android, IOS). I have been designing applications from past two years and have tried to overcome all the issues that Cordova/PhoneGap developer generally faces.
The best part of the Framework is, you are not bound to anything and you are fully independent to customize the code according to your needs. The code is written in a very simple and understandable format.
While creating things, if you face any issue please share it on our forum so that others can get benefited and we will revert you back in the minimum time we can.
So start creating the best things in the language you know the best!
Ferah Framework doesn't require any installation. You just need to copy and replace the downloaded folder with the www folder of Cordova or PhoneGap project.
Hereby we are providing the installation link of cordova and PhoneGap. Follow the link of the platform you are comfortable in.
Pic Source : https://cordova.apache.org/
You can follow the link for PhoneGap installation http://docs.phonegap.com/getting-started/1-install-phonegap/desktop/
Preview your apps on your devices or system browser without the need for SDK's or compiling code.
You can use built-in emulator in Chrome Browser to preview your app. Below is a snapshot of the same.
Learn more: Device Mode & Mobile Emulation | Chrome
You can preview your app on your device with the help of PhoneGap developer app.
Reference Link: http://docs.phonegap.com/getting-started/4-preview-your-app/desktop/
Ferah Framework is a fully open source solution for developing high-quality hybrid apps using the web technologies you love i.e. HTML, CSS and Javascript.
Ferah is designed to give you the best user experience for your hybrid apps. while developing Ferah we have been inspired by many open source frameworks and blogs supporting web technologies. Since it is build with pure HTML, CSS & JavaScript it fits in any space using web technologies i.e. Corodva/PhoneGap and any other framework using the same.
Ferah doesn't follow any specific design pattern instead we believe hybrid apps have a unique place in mobile app development environment and we should not have such limitation while developing UI components. We don't use customized html tags neither we use Angular JS or jQuery to complicate or library. And the best part is you can create apps for Android, IOS and Windows Phone using Ferah.
Ferah is completely free and open source, released under the permissive MIT license, which means you can use it in personal or commercial projects for free.
Our free SDK is in development phase and soon it will be released for all.
Ferah uses single column layout and it will remain common for all the pages. Use the below code to create a new page.
<!DOCTYPE html>
<html>
<head>
<meta name="format-detection" content="telephone=no">
<meta name="msapplication-tap-highlight" content="no">
<meta name="viewport" content="user-scalable=no, initial-scale=1, maximum-scale=1, minimum-scale=1, width=device-width">
<link rel="stylesheet" type="text/css" href="css/style.css">
<link rel="stylesheet" type="text/css" href="css/icon.css">
<link rel="stylesheet" type="text/css" href="css/custom.css">
<link rel="stylesheet" type="text/css" href="css/style.css">
<!-- Script -->
<script src="cordova.js"></script>
<title>Title</title>
</head>
<body>
<script type="text/javascript">
// Styling for android devices
if (/Android/i.test(navigator.userAgent)) {
document.body.style.fontSize = "16px";
}
</script>
.
.
.
.
.


The work of Indiana University student journalists serves hundreds of readers — through the Indiana Daily Student newspaper, the Arbutus yearbook, Inside magazine and their sites and social media.
The publications are produced by IU students for IU students, with student editors in full authority for content.
Independently, the student newsroom produces the vast majority of content. A support team at IU Student Media advises the newsroom, and, at student determination, that advice and support expands to the journalism faculty in the IU Media School. It is a partnership between student newsroom and collegiate classroom that is unrivaled in its productivity. Newsroom advisers and classroom professors work together to coach students and critique content, all while respecting the First Amendment rights of the student journalists and the editorial authority of student editors.
This site focuses on the top individual awards for collegiate journalists — the IDS, Arbutus and Inside winners in the Hearst Intercollegiate Writing Competition and national first places in the collegiate competitions of Associated Collegiate Press, Columbia Scholastic Press Association and the Society for Professional Journalists.
The Hearst program, founded in 1960, provides support, encouragement and assistance to journalism in higher education. Student journalists at accredited journalism programs are eligible.
The program awards scholarships to students for outstanding performance in college-level journalism, with matching grants to the students’ schools. The 56th annual program offering up to $500,000 in awards, with competitions in writing, photojournalism, radio, television and multimedia.
Each year’s top winners in individual categories advance to a national write-off competition in late May in San Francisco.
IU national presence in the Hearst writing competition intensified through the work of journalist Tom French, professor of practice in the IU Media School.
French, a Pulitzer Price winning reporter at the St. Petersburg Times, is an IU alumnus who edited the Daily Student in spring 1980. Upon his return as a faculty member, in 2009, he cultivated the partnership between the IDS newsroom and IU journalism classroom, while respecting the editorial independence of student editors. His Words and Pictures course, taught with IU faculty members James Kelly and Bonnie Layton, challenges students to develop, report and present dynamic content, which is then submitted for consideration at the IDS, where editors assume full content authority for the presentations.
The newsroom/classroom partnership extends beyond French and the Words and Pictures course. A number of IU journalism faculty members enrich the education and training of IU student journalists who are staff members at the IDS, Arbutus yearbook and Inside magazine.
The result? Through May 2016, IU has won the Hearst writing five national titles in seven years.
ACP presents the Pacemaker Awards for publication achievement and a number of individual awards to honor the best in collegiate journalism.
Since 1980, the IDS has won 20 Pacemaker Awards. The Arbutus has won 10. Since its launch in 2006, Inside has won two.
For individual competitions, there are seven categories – Story of the Year, Multimedia Story of the Year, Reporter of the Year, Photo Excellence, Design of the Year, Cartooning and Advertising. Judging the entries are teams of professionals with experience and expertise in each discipline.
In addition to Pacemaker Awards and individual awards, ACP sponsors Best of Show awards for publications at the Fall National College Media Convention, which it sponsors with the College Media Association, the national advisers group.
CSPA presents the Crown Awards for publications achievement, and its Gold Circle Awards recognize superior work by student journalists as individuals and in collaboration.
Since 1983, the IDS has won 30 Gold Crowns and the Arbutus 12. Inside has won three since its launch in 2006.
SPJ’s annual Mark of Excellence Awards honor the best in collegiate journalism, with categories for print, radio, television and online.
Entries are judged first at the regional level, and first-place regional winners advance to the national competition.


No doubt there's a simple way of doing this...
I have an emonTH in the loft and a mains extractor fan which I'd like to monitor (on/off).
The fan run-on is controlled by a humidistat located before the emonTH, so I really just want to know if the adjacent mains cable is live or not, and report that as binary input to emonCMS.
The CT sensor approach used with emonTX doesn't seem appropriate - it's a low power fan so I might need to split the mains cable and loop the live through multiple times etc..
thanks!
Re: EmonTH - detect extractor on/off
http://www.harizanov.com and look for Detecting AC.
Re: EmonTH - detect extractor on/off
Excellent, thanks. I really like the idea of just sticking a coil of wire on a resistor... very clever
Re: EmonTH - detect extractor on/off
I think you need to look a little closer it's a small neon and an LDR, built one myself, works well.
Re: EmonTH - detect extractor on/off
There's two solutions on the the harizanov.com site - one is an LDR and neon (which involves tapping into the wiring), the other one is a coil and resistor into the ADC. The coil is less developed but could work.
I'd be interested in seeing if there are any refined non-contact voltage detectors available. It would be handy for sensing things like valve position in a heating system without touching the wiring.
Re: EmonTH - detect extractor on/off
Another option is to use an airflow switch, but you would have to be able to install in the duct. Current monitoring better if you can make it work.
Re: EmonTH - detect extractor on/off
As I wired the loft myself, I'm not afraid to break into the wire if I have to, but a non-contact method would be preferred, so there's no issue with curious fingers getting fried.
This topic seems to confirm the concept... I'll report back once I've given it a try.
Re: EmonTH - detect extractor on/off
Hi Schism,
I was in the same situation than you and I decide to solve it with an easy, safety and cheaper solution :
Buy a power supply for mobile telephone. means 220V input (use in parallel of the fan input) and USB output will give you a stabilized 5V (directly understandable by the emonTx digital input, when the fan will be supply)
the circuit is already protect against all possible damage, reverse polarity, thermal dissipation or transient , so really safety, and cost 5€.
good luck.
Re: EmonTH - detect extractor on/off
Thanks, that's also a great idea. It would be easy to wire in a single socket (although it would need to be clearly labelled in case anyone later tried to plug a hoover or kettle and blew the lighting circuit!)
Re: EmonTH - detect extractor on/off
OK, I just put a dozen turns of wire around a lamp cable, into the emonTH analogue pin, and used a very weak pull-down (2x10M resistors to ground).
Easily detects when the mains line is energised:
ON : 507
ON : 507
ON : 508
ON : 509
ON : 509
ON : 510
ON : 509
OFF: 28
OFF: 28
OFF: 29
OFF: 26
OFF: 28
OFF: 29
ON : 510
ON : 509
ON : 509
ON : 506
OFF: 29
OFF: 28
OFF: 30
OFF: 29
OFF: 34
Re: EmonTH - detect extractor on/off
I missed the coil/resistor method so humble apologies but I'm glad you corrected me as I have a situation that could use that solution, thanks.
Re: EmonTH - detect extractor on/off
The only unfortunate thing is that it's using the only analog pin out on my emonTH, which I think will interfere with D18B20 operations.
I need to experiment and see if a longer coil of wire will increase the 'on' value enough for IRQ0...
Re: EmonTH - detect extractor on/off
I've almost managed to get this working on IRQ0, despite the maximum reading I get on the analogue pin being ~500. Unfortunately it misses a transition every few times, which is ultimately no good.
I've tried different lengths / coils of wire, but I don't understand the physical principle. Is there a way to adjust the threshold on the digital pin? (Google not encouraging)... or any other ideas?
Re: EmonTH - detect extractor on/off
How about re-purposing something like this to drive a digital input rather than lighting the led?
http://www.ebay.co.uk/itm/Led-Electric-Voltage-Tester-Detector-Sensor-Pen-Alert-Stick-Volt-Sensor-90-1000V-/141133522580?pt=UK_BOI_Electrical_Test_Measurement_Equipment_ET&hash=item20dc36a694
Re: EmonTH - detect extractor on/off
Schism: Is this http://harizanov.com/2013/08/non-contact-ac-detection/ what you don't understand? It appears to be relying on stray capacitance between the live conductor and the pickup wire. The 1 MΩ resistor is actually reducing the sensitivity, but it's probably necessary to lower the probability of false detection.
To make it more sensitive, the easiest way is to put the "aerial" in close proximity to the live conductor, and put as much length as possible parallel to it, so as to increase the capacitance.
Re: EmonTH - detect extractor on/off
That's the one, Robert. Thanks for the advice - I've got 20MΩ as a pull down, about as weak as it gets!
I'll try a longer cable and tape it on parallel to the mains and let you know the result.
thanks,


I had it in the back of my mind to do G with a view to entering a deep salvia state, all the while suspecting it might be a barely worthwhile combo. Perhaps this was a waste of salvia 10x. Or maybe...
20:20 2.5 grams GHB. Mixed with orange juice in a sealed drinking glass (shaken, not stirred). Down the hatch.  The warmth is starting up. GHB is very cozy, it makes me feel all warm and tingly.
20:30 The GHB is now gently massaging my muscles, particularly my hamstrings. Very nice. Mentally, I'm very happy and unwound.
I was lying on a couch in the living room. This is a fairly large room with two main lights. It is very quiet. No music, no TV, refrigerator is behaving itself (I mean soundwise, not in terms of Requium for a Dream). There is someone else in the apartment but he is fast asleep. He can be my trip sitter (normally a very irresponsible choice, okay ?).
 Let's go.
I'm quite warm and sweaty. Okay, I turned the heat down a little. G is peaking. G has never lost its touch because I take month-long breaks with no hassle. The last G intake before this was 11 days or so. Moderation rocks! I mean this because I have never been able to overdo it with G. To me, binging takes the magic away - like constantly eating pizza until it ceases to be enjoyable. What's the motivation ?
20:40-ish Cool. No fuss. G is at the peak (I think).
100mg of salvia 10x. I actually put a bit more in I think (10mg ?!!). Into a pipe. This is my first salvia pipe intake for quite some time. Two lungfuls. Hot smoke - I'm used to cooling it in a bong. It's not easy but I managed not to waste much smoke. The heat masks that salvia metallic minty taste somewhat. About 15 seconds into the 2nd lungful I feel the salvia coming on. I put down the pipe and lay on the couch - all on autopilot (good lad).
Head gets heavy, the horizontal becomes the vertical, twigs, sticks, braids, leaves, washing waterfalls are vague, physically I feel indifferent which is new (normally the physical fall into the visions is strong and integral). Instead of the last lingering me-thoughts being squashed they evaporate. No onslaught of malapropisms or nonsensical words before the big jump. No green and yellow fields of frogs heads rushing around. No magnificant cylinder of riverlike water rushing around me. No giant unzipping or scissors-like (or fractal-like for that matter) dissection of my perceived body. Simple gravitational effects located in my head. Utterly relaxed - emotionless possibly bemused viewpoint. This is so different. Aurally, there is a soft thick flanged gush like watery background (not quite as prominent as listening into a sea-shell).
I could feel the two drugs working both against and with each other (like some combo intuition - I have had this before with other combos) just before the leap. Both were working some constructive and destructive interference on my whereabouts and I'm now between two horizontal hyperfields with no body and I don't care. I can't really remember what I've done and I feel something new happening. I don't know where I am but I don't think normal 'when-where' rules apply or matter.
The fields are complex and rich like clouds but with colour - purples (again, utterly different) and dark reds - and blues. They are interacting with each-other above and below me and I am in the middle. Actually I feel a little to the left of some perceived centre of this universe. To the top right, a feeling of a crowd of entities beckoning me briefly but that goes.
I'm aware of the couch and the room again, but I can induce this new place again by closing my eyes. I have fully recalled what I've done (as expected). It's mostly visual now with eyes closed and I feel a little sweaty and hot. With eyes open there is the usual vague misty noise that salvia brings. In the meditative phase now.
21:00 approx. - I'm lying down in deep relaxation.
I fell asleep for an hour or so - no feeling of time passing - just sound sleep. When I woke, the G peak was gone. This combo reminded me of taking a hit of salvia on a 5MEO-DIPT or 2c-t-7 peak. There was this amusing blow-up of reality somehow but I was thrown elsewhere for a short time. Very weird. This is not a true salvia trip by any means but it is certainly interesting. Salvia didn't blow the G totally out of the picture - there was a synergy. No after-effects. I haven't tried salvia since - I'm done with it for now. Ditto G.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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I am a results-driven, diligent developer focusing my skillset on web technologies. My aim is to secure a long-term career opportunity with a high-quality employer that will allow me to grow as an individual and as part of a team. I am adept at learning new languages and using that knowledge to create things that are useful for others.
HomeBond is the leading provider of structural defect cover for new homes in the Republic of Ireland since 1978.
Derrycourt is a professional Cleaning company based in Dublin, Ireland that has provided a multiaward-winning nationwide contract cleaning and facilities management services since 1992.
Apart from being a web developer, I really like to meet new people and explore different cultures. I am an avid gym-goer and rugby fan, trying to live a healthy and positive lifestyle. I absolutely love the outdoors, with a massive passion for travelling and exploring new places. So far in my travels I have seen most of Europe, Dubai and Toronto where I lived for a year.
When forced indoors, I love watching all movies genres with the exception of horrors and television shows. I also enjoy reading Fantasy novels with the Game of Thrones novels being my favorite. I enjoy cooking and trying new receipes. I spend a large amount of my free time exploring and studying the latest technology advancements in the front-end web development world.
I helped out regularly in the local community association group. My activity involved helping out in the Tidy Town's group - Maintaining the village and the local community garden which is a 3 acre plot. I also helped out with any community activities or events which are held throughout the year. This has helped improve my Communication and Teamwork Skills and shows me the importance of being involved with my local community.
For my first time volunteering for the Irish Cancer Society I volunteered my services and helped collect donations for Irelands Daffodil Day, which is a national awareness day to help raise much needed funds for the Irish Cancer Society.
A Reaction-Tester-Game to test the limits of your quickness! Click the random shapes as quick as you can and check out your quickest clicks in the results table. Click the View button to play. More details can be found on Github.
This App allows users to pick random colours which are displayed to the user, the colours RGB code is displayed below the buttons, The user can copy the colour code. More details can be found on Github.
A simple colour converter. It allows the user to convert RGB colours to their hex code colour code. It also allows the user to convert hex colours to their RGB colour code. More details can be found on Github.
This app allows users to calculate their grade percentage or marks needed to obtain their desired result in their final exams based on their continuous assessment results. More details can be found on Github.
A quote generator that displays Lord of the Rings quotes and the character who says the quote to the user. The user can decide to pick a new quote or tweet their favourite quote on their Twitter profile.
A simple JavaScript game. The aim of the game is easy, using the a,w,s,d keys navigate into the empty square to rack up your score. After you are successful the square will move to a new location and you go again.


JavaScript Functions
This example calls a function which performs a calculation, and returns the result:


#include <tvobjs.h>
Inheritance diagram for TNSCollection::
Public Methods | |
| TNSCollection (ccIndex aLimit, ccIndex aDelta) | |
| ~TNSCollection () | |
| virtual void | shutDown () |
| void* | at (ccIndex index) |
| virtual ccIndex | indexOf (void *item) |
| void | atFree (ccIndex index) |
| void | atRemove (ccIndex index) |
| void | remove (void *item) |
| void | removeAll () |
| void | free (void *item) |
| void | freeAll () |
| void | atInsert (ccIndex index, void *item) |
| void | atPut (ccIndex index, void *item) |
| virtual ccIndex | insert (void *item) |
| virtual void | error (ccIndex code, ccIndex info) |
| void* | firstThat (ccTestFunc Test, void *arg) |
| void* | lastThat (ccTestFunc Test, void *arg) |
| void | forEach (ccAppFunc action, void *arg) |
| void | pack () |
| virtual void | setLimit (ccIndex aLimit) |
| ccIndex | getCount () |
Static Public Methods | |
| void | error (ccIndex code, ccIndex info) |
Protected Methods | |
| TNSCollection () | |
Protected Attributes | |
| void** | items |
| ccIndex | count |
| ccIndex | limit |
| ccIndex | delta |
| Boolean | shouldDelete |
This class stores an array of pointers to generic objects. This array may grow or shrink at run-time.
Note: type ccIndex is defined in file `ttypes.h' as int.
Definition at line 89 of file tvobjs.h.
|
|
Constructor. Creates a collection with limit set to `aLimit' and delta set to `aDelta'. count and items data members are both set to 0. shouldDelete is set True. The initial number of items will be limited to `aLimit', but the collection is allowed to grow in increments of `aDelta' until memory runs out or the number of items reaches maxCollectionSize. maxCollectionSize is defined in `tvconfig.h' as:
const int maxCollectionSize = INT_MAX / sizeof(void *);
|
|
|
Destructor. If shouldDelete is True, the destructor removes and destroys all items in the collection by calling freeAll and setting limit to 0. If shouldDelete is False, the destructor sets limit to 0 but does not destroy the collection. |
|
|
Constructor. This constructor sets variable shouldDelete to True and variables count, limit and delta to 0. |
|
|
Returns a pointer to the item indexed by `index' in the collection. If `index' is less than 0 or greater than or equal to count, error() is called with an argument of coIndexError, and 0 is then returned. Reimplemented in TFileCollection, and TDirCollection. Referenced by TDirCollection::at(), and TFileCollection::at().
|
|
|
Removes the object at position `index' from the array. Then calls delete on the object. |
|
|
Inserts a new object at position `index'. Moves the following items down by one position, then inserts `item' at the `index' position. If `index' is less than 0 or greater than count data member, error() is called with an argument of coIndexError and the new item is not inserted. If count is equal to limit data member before the call to atInsert(), the allocated size of the collection is expanded by delta items using a call to setLimit(). If the setLimit() call fails to expand the collection, the error() member function is called with an argument of coOverflow and the new item is not inserted. Referenced by TDirCollection::atInsert(), and TFileCollection::atInsert().
|
|
|
Replaces the object at position `index'. Replaces the item at position `index' with the given `item'. If `index' is less than 0 or greater than or equal to count, error() is called with an argument of coIndexError. Old object is lost. Referenced by TDirCollection::atPut(), and TFileCollection::atPut().
|
|
|
Removes the object at position `index' from the array. Removes the item at the position `index' by moving the following items up by one position. count is decremented by 1, but the memory allocated to the collection is not reduced. If `index' is greater than or equal to count, error() is called. The item itself is not destroyed. |
|
|
Called whenever a collection error is encountered. By default, this member function produces a run-time error of (212 - `code'). |
|
|
This function is called on error conditions. By default calls function exit() to terminate the program. |
|
|
firstThat() applies a Boolean function `Test', along with an argument list given by `arg' to each item in the collection until the tested function returns True. The result is the item pointer for which the call returns True, or 0 if the call returned False for all items. `Test' is a pointer to a function whose type ccTestFunc is defined as:
typedef Boolean (*ccTestFunc)(void *, void *) This method returns when one object of the array passes the test or when each object is tested without success. In the first case it returns the address of the object. In the latter case it returns 0. `arg' stores the argument of the function (if any). This method scans the array forward. This is an example:
define Uses_TNSCollection include "tv.h" class XObject { int value; public: XObject(int aValue): value(aValue) {} int getValue() { return value; } }; Boolean matchTest(void *obj, void *value) { if (((XObject *) obj)->getValue() == *((int *) value)) return True; return False; } void main() { TNSCollection array(10, 5); array.insert(new XObject(14)); array.insert(new XObject(32)); array.insert(new XObject(23)); array.insert(new XObject(41)); int find = 23; XObject *p = (XObject *) array.firstThat(&matchTest, &find); if (p != 0) array.free(p); }
Reimplemented in TFileCollection, and TDirCollection. Referenced by TDirCollection::firstThat(), and TFileCollection::firstThat().
|
|
|
The forEach() iterator applies an action, given by the function `action', to each item in the collection. The `arg' pointer can be used to pass additional arguments to the action. `action' is a pointer to a function whose type ccAppFunc is defined as:
typedef void (*ccAppFunc)(void *, void *); This method scans the array forward.
|
|
|
Removes and destroys the given item. It just does `atRemove(indexOf(item))'. Then calls delete on the object.
Referenced by TDirCollection::free(), and TFileCollection::free().
|
|
|
Removes and destroys all items in the collection and sets count to 0. The array is cleared out but not deleted. Referenced by TPWrittenObjects::removeAll().
|
|
|
Returns the number of items stored in the collection, up to maxCollectionSize. |
|
|
Returns the index of the given item; that is, the converse operation to at(). If the item is not in the collection, indexOf() calls error(). The address of the item is passed in the `item' parameter. Reimplemented in TNSSortedCollection. Referenced by TDirCollection::indexOf().
|
|
|
Inserts `item' into the collection, and adjusts other indexes if necessary. By default, insertions are made at the end of the collection by calling atInsert(). Reimplemented in TNSSortedCollection. Referenced by TDirCollection::insert().
|
|
|
lastThat() applies the Boolean function `Test', together with the `arg' argument list to each item in the collection, starting at the last item, and scanning in reverse order until the tested function returns True. The result is the item pointer for which the call returns True, or 0 if the call returned False for all items. This method scans the array backward.
Reimplemented in TFileCollection, and TDirCollection. Referenced by TDirCollection::lastThat(), and TFileCollection::lastThat().
|
|
|
Packs the array by removing null pointers from it. Deletes all null pointers in the collection and moves items up to fill any gaps. |
|
|
Removes the item given by `item' from the collection. Equivalent to `atRemove(indexOf(item))'. Does not call delete on the object.
Referenced by TDirCollection::remove(), and TFileCollection::remove().
|
|
|
Removes all items from the collection by just setting count to 0.
Reimplemented in TPWrittenObjects, and TPReadObjects. Referenced by TPReadObjects::removeAll().
|
|
|
Expands or shrinks the collection by changing the allocated size to `aLimit'.
const int maxCollectionSize = INT_MAX / sizeof(void *); Then, if `aLimit' is different from the current limit, a new items array of `aLimit' elements is allocated, the old items array is copied into the new array, and the old array is deleted. Referenced by TCollection::TCollection(), and TNSSortedCollection::TNSSortedCollection().
|
|
|
Releases all the resources allocated by this class. If class flag shouldDelete is True the function freeAll() is called. This will delete each object of the array. Reimplemented from TObject. |
|
|
This variable stores the number of objects in the array.
|
|
|
This value is used every time the array must be enlarged. In this case a number of delta pointers will be added to the array. delta is the number of items by which to increase the items list whenever it becomes full. If delta is zero, the collection cannot grow beyond the size set by limit. |
|
|
A pointer to an array of generic item pointers. This variable stores the array starting address. |
|
|
The currently allocated size (in elements) of the items list. Current size of the array. Greater or equal than count. |
|
|
If set True (the default), the TNSCollection destructor will call freeAll() before setting limit to 0. All objects will be deleted when method shutDown() is called. If set False, the destructor simply sets limit to 0. |


{%extends "registration/base.html"%} {% load bootstrap4 %} {% block content %}
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Index of /FTP/SW25/tex/macros/revtex
Name Last modified Size Description
Parent Directory 18-Jun-98 15:19 -
00CONTEN.TS 02-Aug-98 17:01 2k
APLOP.TEX 02-Aug-98 17:01 18k
APS.STY 02-Aug-98 17:01 30k
APS10.STY 02-Aug-98 17:01 14k
APS12.STY 02-Aug-98 17:01 13k
APSSAMP.TEX 02-Aug-98 17:01 22k
JOSAA.TEX 02-Aug-98 17:01 28k
JOSAB.TEX 02-Aug-98 17:01 30k
MANAIP.TEX 02-Aug-98 17:01 15k
MANAPS.TEX 02-Aug-98 17:01 90k
MANEND.TEX 02-Aug-98 17:01 50k
MANINTRO.TEX 02-Aug-98 17:01 16k
MANOSA.TEX 02-Aug-98 17:01 72k
OSA.STY 02-Aug-98 17:01 29k
OSA10.STY 02-Aug-98 17:01 15k
OSA12.STY 02-Aug-98 17:01 15k
OSABIB.STY 02-Aug-98 17:01 5k
PRABIB.STY 02-Aug-98 17:01 5k
PRBBIB.STY 02-Aug-98 17:01 5k
PRSTY.BST 02-Aug-98 17:01 20k
REFTEST.TEX 02-Aug-98 17:01 6k
REVTEX.CLS 02-Aug-98 17:01 2k
REVTEX.STY 02-Aug-98 17:01 7k
SAMPLE.TEX 02-Aug-98 17:01 85k
TEMPLATE.APS 02-Aug-98 17:01 3k
TEMPLATE.TEX 02-Aug-98 17:01 5k
VERSION2.STY 02-Aug-98 17:01 5k
==========================================================================
@ASCII-file{
filename = "README",
version = "3.00",
date = "10 November 1992",
ISO-date = "1992.11.10",
time = "13:41:29.88 EST",
author = "American Physical Society,
and
American Institute of Physics,
and
Optical Society of America",
contact = "Christopher B. Hamlin",
address = "APS Publications Liaison Office
500 Sunnyside Blvd.
Woodbury, NY 11797",
telephone = "(516) 576-2390",
FAX = "(516) 349-7817",
email =<EMAIL_ADDRESS>(Internet)",
supported = "yes",
archived = "pinet.aip.org/pub/revtex,
Niord.SHSU,edu:[FILESERV.REVTEX]",
keywords = "REVTeX, version 3.0, README, general information",
codetable = "ISO/ASCII",
checksum = "24068 234 1381 10322",
docstring = "This file is the main README file for the REVTeX
v3.0, macro set version 3.0, November 10 1992.
The checksum field above contains a CRC-16
checksum as the first value, followed by the
equivalent of the standard UNIX wc (word
count) utility output of lines, words, and
characters. This is produced by Robert
Solovay's checksum utility."
}
==========================================================================
%
% ------------------------------------------------------------------- %
% This file is the main README file for the REVTeX v3.0 macro set %
% version 3.0, November 10 1992 %
% ------------------------------------------------------------------- %
%
% IMPORTANT NOTICE: You are not allowed to change this readme file.
%
Copyright (c) 1992 by American Physical Society, American Institute of
Physics, Optical Society of America. All rights reserved.
Other files in this package are copyrighted as stated, and their rights
are reserved by their respective owners.
This version of REVTeX is a cooperative product of the American Physical
Society (APS), American Institute of Physics (AIP), and Optical Society of
America (OSA).
The Joint Society Task Force, comprised of AIP and AIP Member Societies has
appointed a REVTeX Working Group in order to coordinate the development and
evolution of a joint electronic publishing product and mark-up language
standards amongst the participating societies.
Those authors interested in publishing articles in the journals of the
American Astronomical Society should use AASTeX (the LaTeX-based mark-up
developed by the American Astronomical Society). One of the primary objectives
of the REVTeX Working Group is to make REVTeX and AASTeX as similar as
possible. Authors will use many of the same mark-up tags in manuscripts prepared
using either REVTeX or AASTeX. Style differences in the journals---for example,
the manner in which citations are handled (numerical reference or author/date
format)---require that authors actually write different text. Thus, it is
important that authors identify the journal they intend to publish in and use
the appropriate electronic publishing product.
%%%%%%%%%%%%%%%%%%%%%%% RESTRICTIONS ON USE %%%%%%%%%%%%%%%%%%%%%%%
Files in this package may only be distributed or changed according
to the following restrictions.
Distribution of unchanged versions:
You are NOT ALLOWED to take money for the distribution or use of
these files except for a nominal charge for copying, etc.
Redistribution of unchanged files is allowed provided that all files
listed in this readme file are distributed together.
If you receive only some of these files from someone, complain!
Generation and distribution of changed versions:
The generation of changed versions of the files included in the
packages is allowed under the following restrictions:
- Rename the file before you make any changes to it.
- Acknowledge the origin of the changed version in the file and
keep the information that it (or a changed version) has to be
distributed under the restrictions mentioned in this file.
- Change any ERROR REPORT address so that we don't get error
reports for files *not* maintained by us.
The distribution of changed versions of the files included in the
package is allowed under the following restrictions:
- Provide the user with information how to obtain the original
package or, even better, distribute it with your files.
- Make sure that the changed versions contain a notice that
prevents others from taking money for distribution or use of your
files, i.e., they have to be distributed under the restrictions
mentioned in this file.
%%%%%%%%%%%%%%%%%%%%%%% REVTeX DISTRIBUTION %%%%%%%%%%%%%%%%%%%%%%%
Files in the complete REVTeX 3.0 distribution:
(a) the general files:
README % this file
revtex.sty % main style file
manintro.tex % introduction for input guide
manend.tex % appendixes for input guide
(b) AIP-specific files
manaip.tex % AIP chapter for input guide
(c) APS-specific files
aps.sty % main society-specific style file for APS macros
aps10.sty % internally called style for galley-format output
aps12.sty % internally called style for preprint-format output
apssamp.tex % sample file
manaps.tex % APS chapter for input guide
prabib.sty % internally called style for normal-style citations
prbbib.sty % internally called style for PRB-style citations
prsty.bst % Physical Review--style BibTeX style file
reftest.tex % Citation and bibliography analyzer
template.aps % template file; copy to filename.tex and edit that file
version2.sty % style file for running v2.x REVTeX files in v3.0
(d) OSA-specific files
osa.sty % Society-specific style file for OSA journals
osa10.sty % Fonts and format style file for OSA journals
osa12.sty % Fonts and format style file for OSA journals
osabib.sty % Society file for bibliography style
template.tex % OSA template for creating a manuscript
sample.tex % a longer sample of REVTeX use
manosa.tex % OSA chapter for input guide
josaa.tex % sample JOSA A paper
josab.tex % sample JOSA B paper
aplop.tex % sample Applied Optics paper
%%%%%%%%%%%%%%%%%%%%%%% GETTING STARTED %%%%%%%%%%%%%%%%%%%%%%%
You must have TeX and LaTeX running to use these macros. All macros
run on a standard LaTeX format.
Installing to just test the macros can be accomplished by copying all the
files into an unused directory, then changing to that directory. All the
files and facilities of REVTeX should then be usable while you are in that
directory.
A more permanent installation would usually mean installing the .sty files
and reftest.tex file into the directory where TeX usually looks for input
files, the .bst files into the directory where BibTeX usually looks for its
style files, and the rest of the files into a REVTeX working directory or a
public directory, depending on your system setup. Care should be taken to
avoid writing over files already present. The files in the REVTeX package have
been named to help avoid this problem, but there can be no guarantee that
our file names are unique.
If you are permanently upgrading an older version of REVTeX (<3.0), the files
from the old version should be removed first. You may delete these files or
save them somewhere where they will not be found by TeX when it looks for
style files. Here is a list of the older files:
readme % make sure you only delete the REVTeX readme!
revtex.sty
aps.sty
aps10.sty
aps12.sty
preprint.sty
eqsecnum.sty
smplea.tex
smpleb.tex
smplec.tex
apguide.tex
Older versions of REVTeX (<3.0) will not coexist with this version.
The next thing you need to do is run LaTeX on the files for the input guide.
The input guide consists of common introductory material (manintro.tex),
society-specific chapters (manaps.tex for APS, manosa.tex for OSA, and
manaip.tex for AIP), and common appendixes (manend.tex). Run LaTeX on, and
print, manintro.tex, the desired society-specific chapters, and manend.tex.
Gathering the printed material together in order will provide all needed
information. There is a general table of contents in manintro.tex, and
separate tables of contents in each society's chapter. Carefully read the
intructions in the appropriate chapter of the Input Guide. The sample file(s)
and template will also contain useful examples and explanations.
You may get a number of "Underfull \hbox . . ." messages when running the
documentation and samples; these are normal. Also, you may need to LaTeX
these files three times to complete all references and build the table of
contents.
If needed, consult a local (La)TeX user or system support person for
information on how to run LaTeX and print its output on your local system.
%%%%%%%%%%%%%%%%%%%%%%% ERROR REPORTS %%%%%%%%%%%%%%%%%%%%%%%
Before you report an error please check that
- the error isn't caused by obsolete versions of other software.
LaTeX from 1986 is a good candidate; for example, negative indents
(outdents) following an equation environment.
- you use an original version of the package.
If you think you have found a genuine bug please report it, together
with the following information:
- version of the REVTeX file(s)
- version (date!) of your LaTeX
- a short test file showing the behavior with all unnecessary
coding removed. The log file showing the problem might also help.
Errors should be reported to the person listed in your copy of the
user guide.


Arlington Road
Starring Tim Robbins, Jeff Bridges and Joan Cusack Directed By Mark Pellington
(Polygram Filmed Entertainment)
An annoying little movie that has immense promise but then doesn't seem to know how to lead up to it's admirably excellent final twist. Jeff Bridges plays Michael Faraday, a widower who starts getting suspicions about the neighbours, Oliver and Cheryl Lang (Robbins and Cusack.) Faradays girlfriend (Hope Davis) gets more and more annoyed with Michael, but his suspicions become more and more stronger as he discovers darker and darker secrets about the friendly guy next door.
The 'neighbour who looks nice but isn't' plotline is nothing new, and the same clichés pop up in this movie, featuring stereotypes like the cop who wants to believe the paranoid neighbour but doesn't (Robert Gossett) and the aforementioned non believing girlfriend. However, Arlington Road delivers with these elements with more style, rather than more brains, than other movies than deal with this plotline. Mark Pellington's direction is assured, with every scene smacking of style, and being very, very dark. There appears to be little illumination in both the Faradays and the Langs households, which upsets the cinematography. There's some well handled jump scenes as well, and the tension reaches astronomically levels in some scenes, such as where Michael is searching through Oliver's study. But occasionally the movie seems to plod, the character building scenes aren't developed enough by screenwriter Ehren Kruger to be of any interest. These scenes really bog down the film, and I was almost nodding off during some parts of the movie. There is, however, one outstanding scene at the start which sets up the characters rather well. Other than that (and the flashback showing the death of Michaels wife) it's best to ignore any attempts the film makes to develop the characters, and just sit back and enjoy the showman thriller sequences.
The cast also play their part in creating an believable environment for an almost unbelievable revelation when it finally appears. Tim Robbins seems to relish playing the bad guy for once, carrying out scenes with an evil glee. Unfortunately, he's been plagued with the worst haircut in his career. Jeff Bridges isn't bad as the paranoid Michael, carrying out the drama and action pretty well. Hope Davis delivers an acceptable performance, but appears to be in the movie for eye candy rather than acting prowess. But it takes Joan Cusack to take the acting honours, as the off centre wife of Oliver. Her kooky, scary performance is a delight, and rather unsettling. She lights up the screen every time she appears. And, she looks exactly like her brother John Cusack, which was certainly very scary.
There's a great soundtrack which certainly helps build up the tension, and the cinematography is well done. But there's no denying the fact that Arlington Road, while sporadically _truly_ enjoyable, is a case of style over substance. Not a total failure, but it didn't live up to what should have been an easy premise to follow. Although it hasn't got enough plot to support itself, Arlington Road is certainly an interesting failure, but it needs strengthening in certain parts.
RATING=**1/2 OUT OF *****
A David Wilcock Review ©1999
DAVID WILCOCK<EMAIL_ADDRESS>Visit the Wilcock Movie Page! http://www.wilcock54.freeserve.co.uk
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


For a more precise search result use "city name (or Zip code), country". Ex. - London, GB or 37211, US.
Temperature: °F
Humidity: %
Wind Speed: MPH
UV Index:


--- layout: post title: US vs European mobile usage date: 2006-10-26 00:00:00 categories: business mobile ---
US vs European mobile usage: "The comScore tracking study determined that the major online portal sites represent the most popular online destinations among mobile Web surfers, with Google, Yahoo! and MSN leading the way. However, the mobile Web sites set up by the phone operators, such as Vodafone, o2 and T-Mobile, are also proving attractive to mobile Web surfers, particularly in Europe."
What strikes me most about these figures is the tendency in the US for mobile to be another means for accessing the fixed web; mobile users are going to Yahoo and Google via their phones.
By comparison in Europe operator portals get equivalent traffic to these independent portals. I'm quite surprised to see how much headway the independents have made, but pleased to see that off-portal content (specific mobile sites, commerce sites, nwes sites and "other") seems to be flourishing slightly more outside the US.


Moves: Do for at least 10 seconds or 10 reps
Stretches: Hold for more than 30 seconds
Breathing: Do for at least 5 breaths


{% extends 'base.html' %} {% load static %} {% block title %}Application Successful{% endblock %} {% load crispy_forms_tags %} {% block content %}
You have successfully applied.
Continue to homepage View My Applied Jobs


5. Configuration (ok)¶
The Configuration of cloudmesh is controled with a yaml file that is placed in
~/.clloudmesh/cloudmesh4.yaml
. It is created automatically from the templace
located at
You can customize the file in your local directory.
5.1. Clouds (proposed)¶
The default yaml file includes templates to configure various clouds. YOu can change these defaults and provide access to your cloud credentials to make the management of cloud virtual machines easier. Templates for AWS, Azure, Google, OpenStack are provided. Specific templates for Jetstream and Chameleopn cloud are included
5.2. Virtual Clusters (proposed)¶
5.3. Aminsistartive Services¶
5.3.1. MongoDB (ok)¶
The cache of cloudmesh is managed in a mongo db database with various collections. However the user does not have to manage thes collections as this is done for the user through cloudmesh. The mongo db can be started and stoped with the command
$cms admin mongo start
$cms admin mongo stop
Before you can use it mongo needs to be installed and basic authentication needs to be enabled with
$cms admin mongo install
$cms admin mongo create
The configuration detals are included in the yaml file.
5.3.2. REST (proposed)¶
TBD
5.4. Log File (proposed)¶
Log files are stored by default in ~/.cloudmesh/log
The directory can be
specified in the yaml file.
5.5. Encryption (proposed)¶
The yaml file can also be encrupted which is done with the command
$cms admin encrypt
It will replace the yaml file with an encryoted version while using your public private key/ You can keep the file encripted and use the command
$ssh-add
to access the file without using the password whenefer it is accessed.


Toggle navigation
Hapi.js POST Examples
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Submit HTML form via XHR
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Send JSON
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Submit HTML form via XHR with file
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Click to draw
Submit canvas as an upload file
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TODO
Screenshot
TODO
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References
New Tricks in XMLHttpRequest2
Reading files in JavaScript using the File APIs
Capturing Audio & Video in HTML5
JSFIDDLE for simple canvas drawing
Using FormData Objects


Kurogo™ Adminstration Console
Universitas Mobile Web
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Sign out
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Default Modules
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Full Kingdom Hearts collection coming to Xbox One in 2020
Get ready to relive the entire storied past of Kingdom Hearts.
by Dan Thorp-LancasterSource: Square Enix
What you need to know
- The full Kingdom Hearts collection is coming to Xbox One in 2020.
- Kingdom Hearts HD 1.5 + 2.5 ReMIX, along with Kingdom Hearts 2.8 Final Chapter Prologue are included.
- Combined with Kingdom Hearts III, this means the full story is on Xbox for the first time.
 Announced at X019, Kingdom Hearts HD 1.5 + 2.5 ReMIX, along with Kingdom Hearts 2.8 Final Chapter Prologue, will launch on Xbox One in 2020.
All three collections have been available on PlayStation consoles for some time, but Xbox One players previously only had access to Kingdom Hearts III, which launched on the console earlier this year. That the entire story will be available on Xbox consoles next year is a major win for fans who have only dipped their toes into Kingdom Hearts 3, or those who are completely new to the series and it's notoriously confusing plot.
There's no specific release date for these entries yet, outside of a general 2020 timeframe. However, once they launch, you'll get access to Kingdom Hearts I and II, along with the various side games, all of the cinematics, and more. If you want some Kingdom Hearts action on Xbox One now, you can grab Kingdom Hearts III at a dicsounted $25 now.
Get more Xbox
Xbox
- Xbox One S vs. Xbox One X: Which should you buy?
- Best Xbox One X and Xbox One S Accessories
- Best Xbox One Headsets 2019
- Best Xbox One Wireless Headsets 2019
- Best Xbox Controller Charging Stations in 2019
Disney magic
Kingdom Hearts III
Kingdom Hearts III continues the story of Sora in Square Enix's unique mash-up of Disney characters and worlds and Final Fantasy.
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Small
Pick your Meat:
Pork
Beef
Chicken.
Pick your Veggies:
Pineapple
Peppers
Olives.
Spinach
Onions
Garlic
Pick your Sauce:
BBQ
Ranch
Buffalo.
Creamy
Marinara
Pick your drink:
Sprite
Coke
Pepsi
Orange.
Water
Add to Cart
Customers:
Customer Name:
Phone Number:
Address:
Size:
Toppings:
Sauce:
Drinks:
Price:


{% with description=campaign_detail.description %}
{% include 'description_widget.html' %}
{% endwith %}
{% include 'campaign_ttps_list_widget.html' %}
Status
{{campaign_detail.status}}
{% with sectors=campaign_detail.sectors %}
{% include "sector_widget.html" %}
{% endwith %}
{% with releasability=campaign_detail.releasability %}
{% include "releasability_list_widget.html" %}
{% endwith %}
{% include 'details_options_widget.html' %}
{% with bucket_list=campaign_detail.bucket_list %}
{% include 'bucket_list_widget.html' %}
{% endwith %}
{% include 'add_related_widget.html' %}
{% with obj=campaign_detail obj_type="Campaign" %}
{% include 'action_listing_widget.html' %}
{% endwith %}
Email Activity
{% with campaign_name=campaign_detail.name %}
{% include 'campaigns_display_chart_widget.html' %}
{% endwith %}
{% with hit=campaign_detail col=COL_CAMPAIGNS obj=campaign_detail %}
{% include "locations_display_widget.html" %}
{% endwith %}
{% with obj=campaign_detail obj_type=subscription.type %}
{% include 'tickets_listing_widget.html' %}
{% endwith %}


{% extends "shop/base.html" %} {% block title %}{{ shop.user.username }}'s shop{% endblock %} {% block body %}


Create responsive websites using CSS3. Using Flexbox to create modern designs that react to browser size and device.


Janice Pizza
This is a test web application that is able to receipt cash payments(downloadable PDF)! This web app is able to show different pizzas and their pricing and also show live reports of transactions to the user.
Pizza
Our pizza gives you the best of blend of Kenyan and Italian flavours. Indulge yourself , no guilty pleasures only the good stuff.
Toppings
We know pizza is awesome but our high quality toppings will definetely take your pizza to the next level.
Crust
Your crust your choice we are here to facilitate your pizza experience to the next level. Try a different kind of crust today.
| Order No. | Pizza Size | Toppings | Crust | Total |
|---|---|---|---|---|
| 1 |
Ngong Lane, Ngong Lane Plaza
Nairobi, 00200-Kilimani
Customer Care
janiceink001@gmail.com