Kgalekgale ho ne ho ena le ngwananyana ya bitswang Tselane. Tselane o ne a dula le batswadi ba hae ka thabo motsaneng a neng a o rata ka pelo ya hae yohle. Eitse hoba ntatae a hlokahale, Tselane le mmae ba tlameha ho fallela sebakeng se seng se se tjha ho ya qala bophelo bo botjha teng.
 MmaTselane o ile a utlwa bohloko ho bona moradiae a lla ha bohloko tjena.
Once upon a time there was a little girl called Tselane. After her father died, she lived alone with her mother. One day her mother decided that they would move to another village to start a new life. Tselane did not want to leave her old village and she started to cry.
O ne a batla ho dumela hore Tselane a sale, empa o ne a tshaba ho mo siya motsaneng ona hobane ho ne ho ena le madimo a neng a dula mahaheng a haufi le ona. Empa Tselane a se kgitla sello ho fihlela mmae a dumela hore a ka sala.
Her mother was scared to leave her daughter alone because giants lived in the caves nearby that village.
Mma Tselane a re o tla mo tlisetsa dijo kamehla mme ha a fihla o tla bina pina hore Tselane a tsebe hore ke yena.
A bina a re, “Tselane ngwanaka! Tselane ngwanaka! Tlo nke bohobe o je! Tlo nke bohobe o je.” A mo laela hore a se bulele mang kapa mang.
 She said, “I will sing a song so that you know it’s me. Don’t open the door for anyone else, my child.” She sang the song: “Tselane my child! Tselane my child!
Hoseng mma Tselane a tlisa dijo, a bina pina ya bona e ikgethileng.
Tselane a bula monyako a nka dijo tsa mmae tse hlabosang, mme mmae a mo suna a kgutlela ntlong ya hae e ntjha.
The next morning Tselane’s mother came to the house with food. She sang their special song. Tselane opened the door and took her mother’s delicious food. Then her mother kissed her and went back to her new home.
Le leng la madimo a sebaka seo, le ne le ipata dihlahleng le mamela Tselane le mmae.
Bosiung boo, ha Tselane a qeta ho tima lebone a ilo robala, a utlwa lentswe le letenya kantle ho monyako le bina pina ya bona e ikgethileng le re, “Tselane ngwanaka! Tselane ngwanaka! Tlo nke bohobe o je! Tlo nke bohobe o je!” Yaba Tselane o araba o re, “Tsamayaela kwana ha o mme, o ledimo!”
A giant was hiding in the bushes, watching and listening to Tselane and her mother! After Tselane switched off her light that night, she heard a deep voice singing her mother’s song outside the door. “Tselane my child!  “Go away! You are not my mother!
Ledimo la kgutlela lehaheng le swabile. Mme wa Tselane o ne a tlisa dijo tsatsi le leng le le leng hoseng le mantsiboya.
Ledimo le lona le ne le tla kamehla hoseng le mantsiboya empa Tselane o ne a le tebela hobane o ne a utlwa lentswe la lona le letenya le bina pina ya mmae.
The giant walked away disappointed and disappeared into the caves.  Every morning and every evening, the giant also came. But each time Tselane sent him away. She recognised his deep voice as he sang her mother’s song.
Tsatsi le leng ledimo la ba le mohopolo, “Nka fetola lentswe la ka hore le Tshwane le la mme wa Tselane.”
La besa mollo la lahlela lejwe hara ona. Ha lejwe le se le tjhesa le le lefubedu la le ntsha mollong la le kwenya. Lejwe la tjhesa kgokgotho ya ledimo.
One day the giant had an idea. “I can change my voice to resemble that of Tselane’s mother!” he said to himself. He made a fire and threw a round smooth stone into the flames. When the stone was very hot and red, he took it out of the fire and swallowed it! “Kudutlu!” went the hot stone down the throat of the giant.
Kamora hoba le kwenye lejwe, ledimo la bina, la tlolatlola ka thabo ha e elellwa hore lentswe la lona le se le le phefa jwaloka la mme wa Tselane.
Tsatsi le latelang ledimo la ya habo Tselane, ha le fihla monyako la bina la re, “Tselane ngwanaka! Tselane ngwanaka! Tlo nke bohobe o je! Tlo nke bohobe o je!”
The giant started singing. He jumped for joy when he heard his voice sounding as sweet as that of Tselane’s mother! Early the next day, the giant went to Tselane’s house early in the morning. When he got to the door of the house, he sang: “Tselane my child! Tselane my child!
Tselane o ne a thabile ho utlwa lentswe la mmae. A bula monyako yaba ledimo le itahlela ka hare.
O ile a leka ho kwala lemati empa ledimo la mo hlola ka matla, la nka Tselane la mo lahlela ka mokotlaneng wa lona.
Tselane was excited to hear her mother’s voice. She opened the door, and there was the giant! She tried to close the door but the giant was too quick. He grabbed Tselane and threw her into a sack.
“Aa! Tsatsi le monate!” ke ledimo leo. “Ha ke ne ke ena le jwala, bo ne bo tla theohela ha monate le dijo tsa ka tsa mantsiboya kajeno.”
The happy giant walked back to his cave.”What a beautiful day! If only I had traditional beer, it would go so well with my dinner tonight,” he said to himself.
Hoseng hoo, mma Tselane a fihla a mo tliseditse dijo jwaloka ka kamehla. A bina pina ya bona e ikgethileng empa Tselane ha a ka a tla ho bula monyako. A bina hape empa Tselane ha a bula.
Kamora hoba a bine kgetlo la boraro ho se nko e tswang lemina, a raha lemati la buleha. Tselane o na seyo ka tlung, yaba mmae o ellelwa hore o nkilwe ke ledimo mme a loha leqheka.
A little later in the morning, Tselane’s mother came as usual to bring her daughter food. She sang her song, but Tselane did not come out. She sang her song again, but still Tselane did not come out. After singing for the third time, she kicked the door open. Tselane was nowhere to be found. Her mother realised what had happened, and she quickly made a plan.
 “Dumela ledimo,” mma Tselane a dumedisa. Ledimo la utlwa monko wa jwala la bula monyako kapele.
Mma Tselane a re, “Ke ne ke feta ke ya moketeng motsaneng o mong, yaba ka utlwa o bina ha monate ka re e re nke ke hlodise.”
She poured some beer into a big calabash, put it on her head, and walked down to the caves. “Good evening, giant!” called Tselane’s mother. The giant smelled the delicious smell of traditional beer and opened the door.  I am on my way to another village for a party.”
“E re ke o tshelle jwalanyana pele ke tswela pele ka leeto la ka.” Ledimo la thaba mme la nka monyetla ona.
La memela mma Tselane ka lehaheng. Ledimo la metsa jwala boo hanghang. Mma Tselane a nna a tswela pele ho mo tshella ho fihlela jwala bohle bo fela. Ledimo la tahwa yaba le a kgaleha.
 The giant was not going to let the opportunity of drinking traditional beer pass him by! He invited Tselane’s mother into his cave. The giant drank the beer in one great gulp. Tselane’s mother gave him more and more – and more – until the calabash was empty. The giant was soon so drunk that he fell asleep on the floor.
Eitse ha mma Tselane a utlwa ledimo le kgona, a bula mokotlana o neng o dutse kamoo ka lehaheng, Tselane a tlola a tswa ka mokotlaneng mme ba matha ba ya hae.
Ho tloha mohlang oo, tselane a ya dula le mme wa hae motsaneng o motjha, mme ba dula ka lethabo hobane ba ne ba sa kgathatswe ke madimo moo.
As soon as Tselane’s mother heard the giant’s loud snores, she opened the sack lying in the cave. Tselane jumped out of the sack, and they ran home as fast as they could. From then on Tselane stayed with her mother at the new village. They lived happily and were never again bothered by giants.


Godzilla (1998) Tri-Star Pictures Written by: Dean Devlin and Roland Emmerich Directed by: Roland Emmerich MPAA Rating: PG-13 Running time: Approx. 2:20 Film review by Jeff Williamson
This is not your father's Godzilla.
 Since hearing rumblings about it in 1991, I've eagerly anticipated the translation of everyone's favorite rubber monster to American digital theater. There's a certain ludicrous charm in watching an actor in a big green suit stomping on a Matchbox playset version of Tokyo--a charm which I've appreciated in its various stages throughout the years--but the wholesale devastation wreaked by the latest incarnation of the Mean Green Stomping Machine is well worth the wait.
Now, as in Devlin and Emmerich's last blockbuster, INDEPENDENCE DAY, there's something which can be laughingly referred to as a plot which exists as a means of padding $100 million of CGI out to a feature-length movie. Matthew Broderick, in a disingenuous turn here as Nick Tatopolous, a researcher with the Nuclear Regulatory Commission whose last assignment involved cataloguing the growth of Chernobyl earthworms, pretends at a naivete which seems forced. His estranged (and isn't THAT a tired plot point for these "event" films?) college girlfriend, Audrey Timmonds (Maria Pitillo) manages only briefly to pull herself from whine mode, and one never quite manages to like her. The supporting cast is better, with Hank Azaria (Moe the Bartender and many others from TV's THE SIMPSONS) as "Animal", the luckiest cameraman alive, Harry Shearer (another SIMPSONS veteran, as Mr. Burns and Ned Flanders) playing Charles Caiman (look, kids, a lizard pun!), Audrey's egotistical news anchor boss, and Jean Reno as Phillippe Roche, a French "insurance salesman" who keeps you guessing at his motives through most of the film, offering a surprise by the end.
None of the human principals here has the charm of Will Smith; however, certain "clevernesses" in the script echo Jeff Goldblum's swipe of Bill Cosby material in the 1996 film. As an example, the overweight, candy-chomping Mayor Ebert (Michael Lerner) of New York City has a balding beanpole aide named Gene. When reporter Caiman swipes Audrey's exclusive, naming the lizard "Godzilla" after the fevered whispers of a Japanese fisherman who survived the beast's early attacks, Audrey shouts "That's Gojira, you moron!" at the TV--the non-Americanized title of the original 1954 Japanese film, drawing laughs from aficionados of the kaiju (giant monster) genre.
Undeniably, though, the star of this film is Godzilla himself. In a stylized opening sequence (scored with a heavy hand by David Arnold), we see the origins of the beast, as nuclear tests in French Polynesia irradiate scores of marine iguanas--and their unhatched eggs. After some underwater attacks on fishing boats, and an off-screen walkthrough in Panama, the big lizard surfaces in the Big Apple, dropping debris in his wake, such as small trawlers.
Appropriately, the earliest scenes of Godzilla are from the ground, showing the human reactions to a twenty-story lizard run amok. One of the best perspective shots has a man in a truck, which suddenly tilts and rises into the air as it is treated as a chew toy by the beast. It's soon clear that this will not be the slow, lumbering Godzilla with which we're already familiar: this creature runs and jumps, climbs and burrows, and corners better than most automobiles. And the casual damage inflicted by his swinging tail is a nice touch.
The military soon reacts to this monster attack, sending an impressive show of force, and evacuating the island of Manhattan (as best as possible on short notice). Several confrontations between 'zilla and military hardware are evocative of similar scenes in the Japanese series of films, except with better effects. In both cases, the military is about as effective against the monster.
This film comes across as derivative of other "creature" films, most notably JURASSIC PARK and ALIENS. That's not to its detriment; bigger, if not better, manages to be sufficiently different and entertaining. The new Godzilla (as envisioned by Patrick Tatopoulos Design) is less a mythic figure and more of an animal, with purely animal instincts. Gone is the stream of nuclear fire the old version would breathe onto cardboard sets; instead, this creature's roar blows cars through the air, occasionally igniting a fireball which recalls its predecessor. Most impressive is the maneuverability of Godzilla: as soon as you become satisfied with thinking that he's just a larger T-Rex, 'zilla uses functional forelimbs to climb through a concrete hole, or leaps over the heads of awestruck humans to dive into the Atlantic. There are a few surprises I won't mention here; other reviewers probably will not be as discreet. Suffice it to say that Madison Square Garden is one hell of a set piece. ^_^
This movie runs long at 2:20, but is such a roller coaster that it manages to keep you on your seat through two false endings, one fully telegraphed, and the other not. And of course, there's the inevitable sequel shot: don't leave until you hear the Red Hot Chili Peppers blasting their Led Zeppelin cover over the end credits. Of course, by that point, you may already have been deafened by the SDDS explosions and roars--this is one *loud* movie. Genre fans will be disappointed--perhaps even outraged--by the end of the climactic chase, but you can put it from your mind in the face of the inevitable sequels.
If you enjoy the massive destruction of expensive real estate, this is the perfect film. Not quite as insistent about its "Nature vs. Man" message as the monster films born in the wake of the Atomic Age, it nonetheless manages to entertain. Just discard your preconceived notions at the door; they'll only be a hindrance.
Rating: * * * (7.5 out of 10)
Worthwhile at full price if you're an effects buff; if you're not, it's probably not your film. Definitely worth tracking it down in first run for the aural and visual amazement.
Too loud and perhaps too frightening for smaller children. Use your discretion.
Repeat viewing factor: High (FX)
-- /-\ ** Jeff Williamson ### Lightfall Interactive ### Evanston, IL ** /-\ |A| O_o<EMAIL_ADDRESS>^_^ AnimeCentral HomePage: http://www.acen.org/ |9| |C| *==> "In every revolution, there is one man with a vision." <==* |9| \-/ * =If you're Friends with Key, well, then, you're friends with me= * \-/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Id = 32
Nombre Capitulo = Roy: A Life Well Lived
Tipo = Game
Dimension = Replacement Dimension
Personaje = ['https://rickandmortyapi.com/api/character/106', 'https://rickandmortyapi.com/api/character/393', 'https://rickandmortyapi.com/api/character/449', 'https://rickandmortyapi.com/api/character/450', 'https://rickandmortyapi.com/api/character/451']
Numero Personaje = ['106', '393', '449', '450', '451']
URL Locacion = https://rickandmortyapi.com/api/location/32


{{for|people with this surname|Zopf (surname)}} {{no footnotes|date=March 2013}} {{Infobox prepared food | name = Zopf | image = | caption = | alternate_name = Züpfe | country = Switzerland | region = | creator = | course = | type = Bread | served = | main_ingredient = Flour, milk, eggs, butter, yeast | variations = Hefekranz or Hefezopf | calories = | other = }}
Zopf or Züpfe is a type of Swiss, Austrian or German bread made from white flour, milk, eggs, butter and yeast. The dough is brushed with egg yolk before baking, lending it its golden crust. It is baked in the form of a plait and traditionally eaten on Sunday mornings. A variant from Swabia is known as a Hefekranz (also: Hefezopf), and is distinguished from the Zopf in being sweet. The name "Zopf" is derived from the shape of the bread, and literally means "braid".
{{Swiss bread}} {{bread}} {{bread-stub}}


Landing Page
Special Projects
This story is part of a series of specially designed stories that represents some of the best journalism The Post has to offer. Check out the rest of the special projects here.
05.31.18
One of the best parts about Athens is the beautiful area that surrounds it. Ohio University students and Athens residents alike have many opportunities to get outside and enjoy the nature around them. No matter what season it is in Athens, there’s always something to do outdoors.
The bike path is located along the bank of the Hocking River and runs past campus. It’s a great place for walking and running, riding a bike or even rollerblading. The pathway also features cherry blossom trees near The Convo that one could find a pretty sight. The bike path is 21 miles long.
The Ridges offers a variety of outdoor activities one can do. There are four distinct hiking trails at The Ridges: the Ridges Trail, Athens Trail, River Valley Nature Walk and Ridges Cemetery Nature Walk. Each one has its own distinct experience. Along with the trails, the university offers ziplining, campfires and stargazing at The Ridges throughout the school year.
Strouds Run State Park is a great place for boating, fishing and hiking. It’s the perfect location to get outdoors and have fun with some friends. It’s a very scenic, forested area full of flowering plants and thriving wildlife that one should check out. The park even has sledding and cross-country skiing in the winter.
Sells Park is a hidden treasure of Athens. It’s tucked away just a few blocks off of East State Street, and it offers great hiking trails that overlook campus and the hills of Athens County. Sells Park is a biking favorite because of its easily accessible trails from OU.
Bong Hill is a quick little hike away that gives people one of the more scenic views of the campus. The hike itself is pretty short, but there are a few rocks to climb to get to the peak of Bong Hill. The minor rock climbing takes visitors to a picture-perfect view where one can watch the sun set over OU.
Emma Howells | FOR THE POST
The Columbus Dispatch recently reported that a bike trail will be added through Wayne National Forest, viewed here from the Snake Ridge Lookout Tower at the Wayne National Forest Headquarters & Athens Ranger Station on October 31, 2016.
Wayne National Forest is a short drive from campus. With more than a quarter of a million acres of land, the forest includes more than 300 miles of trails for hiking, mountain biking and horseback riding. There are many outdoor excursions to do with friends at Wayne National Forest if one desires to go off campus.
Landing Page
This story is part of a series of specially designed stories that represents some of the best journalism The Post has to offer. Check out the rest of the special projects here.


CrimPapers
Articles published on 3 February 2019
On 3 February 2019, 6 new articles were published in 3 journals.
Creating Restorative Schools: Setting Schools Up to Succeed by Stacie A. Jergenson
K9s Killed in the Line of Duty by Daniela Barberi, Jennifer C. Gibbs, Jennifer L. Schally
Abolition and Pedagogy: Reflections on Teaching A Course on Alternatives to Punishment, State Repression and Social Control by Vicki Chartrand, Justin Piché
Is Smoking Queer? Implications of California Tobacco Denormalization Strategies For Queer Current and Former Smokers by Emile Sanders, Tamar Antin, Geoffrey Hunt, Malisa Young
Sociocultural Determinants of Policewomen–taxi Drivers’ Interactions on the Major Highways in Ibadan Metropolis, Nigeria by Usman Adekunle Ojedokun, Oluwanifemi E. Adeyanju
The Difference A Job Makes: Licit and Illicit Work Experiences and Aspirations At A Transitional Housing Facility For Women Leaving the Sex Industry by Jennifer Hankel, Kyria Brown, Susan Dewey, Caroline McKinnon


{{< layout}}
{{$propositionHeader}}{{/propositionHeader}}
{{$pageTitle}}Information about urgent passport{{/pageTitle}}
{{$content}}
You need a different service
Online Premium is a new service. It's only available for some kinds of applications
To get your passport urgently, you need to apply with paper Premium (1 day) or Fast Track.
{{/ content}} {{/ layout}}


WITNESS LIST Regulated Industries Committee April 26, 2005-2:00P HB 2592 For: John, Peter (Self) Lopez-Clauson, Sonya (Greater Harris County 911 Emergency Network) Smitherman, Barry (Self) On: Mallett, Paul (Commission on State Emergency Communications) Singer, Paul (Office of the Attorney General)


Your Report Is Generated!
Its located in the same directory where your original spreadsheet was, named 'Report.xlsx'.
Want To Create Another?
No
Yes


--- title: "Work" layout: default ---
Nov 2015
April 2016
Cisco Romania Internship – This was a part-time job that kept me close to Cisco’s Pre-sales department. During my stay I had the opportunity to become familiar with various Cisco services and solutions and interact with experts from different fields including Data Center, Wireless and Security. My job responsibilities included the following:


You may be eligible for help with your learning costs if you’re a full-time student with children. This is called Parents’ Learning Allowance.
How much you get depends on your household income.
The allowance:
Last updated: 20 March 2017


This simple one-page app has been rebuilt in Google Sheets to allow everyone the ability to safely enter their finances and generate their own forecast. Check out the example or make a copy to use it for yourself.


Annie Yu
Work
About
Resume
Oh no! Your browser doesn't support embedded videos.
Branding for
LA Hacks
, one of the largest student-led hackathons on the west coast.
IDEATION
I began by iterating on character mascots that hackers could recognize and empathize with.
Oh no! Your browser doesn't support embedded videos.
FINAL GUIDE
After recruiting a design team, we revamped my initial guide and finalized the hackathon's mascots.
The resulting look was much more vibrant, playful, and welcoming.
Overall, it was an incredible experience to see the designs come to life for over 1,000 participants.
Oh no! Your browser doesn't support embedded videos.


svg wrappers fit in SVG elements, whereas div wrappers do not! (Although you could use foreignObject to make it work.)


| | |
- builtins.object
-
- DirectedGraph
class DirectedGraph(builtins.object) |
| |
Implement a directed graph (digraph).
Each node must be a hashable value:
a number, string, tuple of hashable values, etc.
Each edge has a direction, i.e. it goes **from** a node **to** another.
The two nodes must be different.
Each edge has a weight, which must be a positive number.
If all weights are the same, the graph is effectively unweighted. |
| |
Methods defined here:
- __init__(self)
- Initialise the empty digraph.
- add_edge(self, source, target, weight=1)
- Add a directed edge from source to target with the given weight.
Replace the weight value if the edge already exists.
Add any node that doesn't exist.
Assume the two nodes are different.
Assume the weight is a positive number.
Assume the nodes are of a hashable type.
- add_node(self, node)
- Add the node to the graph.
Do nothing if the graph already has the node.
Assume the node is of a hashable type.
- has_edge(self, source, target)
- Check if the graph has a directed edge from source to target.
Return False if the edge or either node don't exist, otherwise True.
- has_node(self, node)
- Return True if the graph contains the node, otherwise False.
- neighbours(self, node)
- Return the set of neighbours of node.
Assume the graph has the node.
- nodes(self)
- Return the set of all nodes in the graph.
- remove_edge(self, source, target)
- Remove the edge from source to target from the graph.
Do nothing if the edge doesn't exist.
- remove_node(self, node)
- Remove the node and its edges from the graph.
Do nothing if the node doesn't exist.
- shortest_path(self, start, end)
- Compute a shortest path from the start to the end node.
A shortest path is a path of minimal total weight.
Return a list of nodes forming a path from start to end.
Return the empty list if there is no path.
Assume the graph has the start node.
- topological_sort(self)
- Return a list of nodes, in topological order.
Return the empty list if the graph is cyclic.
- unweighted_distance(self, start, end)
- Return the smallest number of edges to go from `start` to `end`.
Return infinity if there is no path from `start` to `end`.
Assume the graph has the start node.
- unweighted_edges(self)
- Return the set of all edges in the graph, without weights.
An edge is a tuple (source, target).
- visited_bfs(self, start)
- Do a breadth-first search of the graph, from the start node.
Return a list of nodes in visited order, the first being start.
Assume the start node exists.
- visited_dfs(self, start)
- Do a depth-first search of the graph, from the start node.
Return a list of nodes in visited order, the first being start.
Assume the start node exists.
- weight(self, path)
- Return the total weight of the path.
A path is a list of nodes of the graph [n1, n2, ...]
such that n1-n2, n2-n3, etc. are edges in the graph.
Return 0 if the path has a single node.
Return infinity if the path is empty or invalid.
- weighted_distance(self, start, end)
- Return the minimal total weight to go from start to end.
Return infinity if there is no path.
Assume the graph has start node.
- weighted_edges(self)
- Return the set of all edges in the graph, with weights.
An edge is a tuple (source, target, weight).
Data descriptors defined here:
- __dict__
- dictionary for instance variables (if defined)
- __weakref__
- list of weak references to the object (if defined)
| |


Any comedy whose set includes an elaborate winding staircase with a long, swooping banister will inevitably require someone to slide down, or up, that banister. Such slides are always rear-end first.
Half of the time, the slider will not realize until it's too late that there's a mounted knob, known as a finial, at the very bottom just waiting to hit them in the crotch. The other half of the time, either there is no finial (as is the case in the opening to Wait Till Your Father Gets Home) or it will break off harmlessly when the slider hits it. In either of these cases, the slider then ends up sprawled on the floor. More often than not, they'll be more concerned about embarrassment than injury. Basically, it all depends on the sturdiness of the banister.
Examples
- MAD's spoof of the 1991 The Addams Family movie had, in one panel, a disembodied bum sliding down a banister.
- In Volume 5 of Scott Pilgrim, the hero does this, ending with a flying kick to the face of his own brother, whom he had mistaken for Gideon. The panel even features the word "BUTT-SLIDE" in large text.
- One Doctor Who comic features the Twelfth Doctor trying this. Naturally, he ends up landing on his head.
- Shrek does this facing forward, and has to deal with the finial problem the hard way. Fortunately, ogres are tough.
- The Thief and the Cobbler: Tack and the Thief go down the banister of a labyrinthine staircase in the Sultan's palace.
- Toy Story. As Andy is playing with Woody near the beginning, he sends Woody sliding on a banister. He must have done this before, as he catches Woody after the latter's bonk into the end of the banister sends him flying.
- Disney's Make Mine Music! segment "All The Cats Join In". After the teenage girl walks down the stairs to her house, the animator draws a railing. The girl's Annoying Younger Sibling younger sister jumps up on the railing and slides down it.
- Maria does it a couple of times in The Book of Life, most notably when she meets Manolo after his serenade.
- In Frozen, Anna slides down the rail of a spiral staircase at the start of "For the First Time in Forever".
- Beauty and the Beast: To save Lumiere who's being melted by LeFou, Cogsworth slides down the stair banister and jabs LeFou in the butt with a pair of scissors!
- The Care Bears Adventurein Wonderland: Has a brief scene in which Tweedledum and Tweedledim join to ride down the banisters while their master the evil Wizard thinks they are right near to him when he is talking to them.
- The Wrong Trousers: Feathers the penguin slides down the banister, at the start of the climactic chase.
- Mary Poppins: Mary Poppins does this effectively. Being a Magical Nanny, she also goes up the banister this way.
- Magenta does this in The Rocky Horror Picture Show causing the famous Audience Participation line —
Audience: THE BANISTER'S LUCKY!
- Utilised by multiple fraternity boys (admittedly, most likely drunk and stoned at the time) during a musical number in Across the Universe.
- James Bond:
- Chow Yun-Fat's Tequila does a banister slide of his own with Guns Akimbo in a classic shot from the first shootout of John Woo's Hard Boiled.
- Sister Act II: Whoopi Goldberg does this dressed as a nun.
- The Avengers (1998). Mrs. Peel does a short one during her sword duel with Steed.
- Spaceballs. Colonel Sanders, Dark Helmet and President Skroob do this to get to the Self-Destruct Mechanism's cancellation button.
- In Starship Troopers, Carmen Ibanez does a short one while running to a shuttle.
- In the 1982 film Annie, Miss Hannigan, Rooster and Lily slide down a bannister during the Easy Street number.
- Provides an important plot point in 13 Ghosts, as it is the place where Cyrus's money is hidden.
- The Bourne Legacy. Aaron Cross does this on a motorcycle during the final chase scene, because the stairway is blocked by pedestrians.
- Carry On Constable: a policeman slides down the banister to get to the bottom of the stairs more quickly, to catch a criminal.
- Bullshot. Comedic Hero Bullshot Crummond does this backwards — thus he misses seeing the newel and ends up limping away in great pain.
"Captain Crummond, are you shot?!"
- Mary attempts one in All About Steve, but painfully slows to a halt due to too much friction.
- Done by Shirley Temple in her 1936 film Dimples.
- In Mickey, Mickey the tomboy has a habit of doing this when she's supposed to be sweeping the floors of the Drake mansion.
- In Father of the Bride (1991) the titular bride's little brother pretends he's going to do this, much to the horror of his parents and the wedding coordinator, as the banister has been decked out for the wedding. Earlier in the film, Annie had done this as her father came home, and a flashback of his establishes that she's been doing this since childhood.
- In Bryony and Roses by Ursula Vernon, Bryony notes that the staircase in the Beast's mansion has a banister that looks perfect for sliding down — and a spiky bit at the end that looks perfect for impaling anybody who tried.
- In Castle Hangnail by Ursula Vernon, Molly slides down the banister of the castle's main staircase at one point when she's in a hurry to answer the door.
- In Ella Enchanted, Ella's father and new step mother walk in on her and the prince enjoying themselves sliding down the giant banister in the castle in which the wedding has just taken place. Her new family members are not amused.
- In Fire Engine By Mistake, the young fireman Jim Price always wanted to slide down banisters at home, telling his mother that it was quicker than coming down the stairs, but she would never allow it.
- A much milder version shows up in the first novel of The Malloreon. Eriond and Prince Kheva set up piles of pillows at the end of their banisters ... but Polgara walks in on their game just as one pillow burst and sent feathers all over.
- Lois McMaster Bujold's Vorkosigan Saga:
- Miles Vorkosigan does one near the beginning of The Warrior's Apprentice because he's got two broken legs, and is supposed to stay off his feet. Fortunately his father was at the bottom of the stairs, and managed to catch him.
- In Captain Vorpatril's Alliance, Ivan mentions that some earlier point in his life, Miles ended up breaking a leg doing something similar.
- In Starfighters of Adumar, the banister slide is weaponized in a fight, when one character uses it to gain momentum before launching himself at their foes.
- The Queen's Museum and Other Fanciful Tales, short story "The Christmas Truants". The boy Tomtit does one of these while the title characters are trying to escape the castle of a band of robbers.
- In Helen Wells' Cherry Ames: Private Duty Nurse, the heroine does this, causing her mother to jokingly remark, "Shocking behavior for a graduate nurse!" Cherry says her brother Charlie used to do it without using his hands.
- A throwaway detail in Charlie and the Chocolate Factory is that when the tour group reaches a flight of stairs that leads to the Nut Room, Willy Wonka chooses to slide down the banister and the three remaining kids in the tour group follow suit.
- Animorphs has a variation: Marco, Ax and Tobias slide down several stories of banister as cockroaches. From their perspective, it's like bobsledding with rockets strapped to your back. Once it's over, they spend a few seconds exulting in how awesome it was before declaring they will never be doing it again.
- In The 10th Kingdom, the false Prince Wendell enters his coronation party by jumping on a banister and sliding down into the crowd.
- Home Improvement: when Tim's mother moves out of the house Tim grew up in, Tim reminisces about sliding down the bannister. His brothers comment that Tim was the only one brave enough to go down facing forward, to which Tim replies that he was able to have kids anyway. Later, he takes a "slide down memory lane," and answers the door with a falsetto voice.
- In Have I Got News for You, Paul Merton claimed that "sliding down the banister" was the appropriate method before toilet paper was invented.  You don't see them nowadays because they were all melted down during World War II to make Spitfires".
- Red Skelton told a story about his son Richard sliding down the banister. Richard says, "You know that vase with 'Whistler's Mother' on it? The old girl just had a nervous breakdown!" Red goes on to say that Richard told him he wouldn't do that again- "I was going south and I met a splinter going north!"
- On Gilmore Girls, Lorelai pretends to try/actually tries to persuade Rory to slide down the banister at her debutante ball. Rory doesn't do it.
- Discussed on QI of course. And, of course, plenty of buzzers went off on the mention of the word 'bannister'. Apparently, the correct term is 'balustrade' for the top part, and 'baluster' for the uprights.
Jo Brand: When I was in college I slid down a barrister.
Phill Jupitus: Did you hit yourself on the knob at the end?
- Otto Soglow's The Little King once showed the title character doing this, taking care to have his servants place a cushion in front of the sharp-pointed finial sculpture.
- Nemo and Flip slide down a very long and winding banister in Little Nemo in Slumberland, which ends up going in zig-zags, wavy bumps, and cork screws. It was later also done in the movie.
- Among the Loads and Loads of Rules in GURPS 3rd edition are rules for sliding down bannisters, including the consequences of colliding with the finial.
- Alice in You Can't Take It with You.
- Michael Jackson's Moonwalker: Done as an attack animation in the Sega Genesis version.
- In Grim Fandango, Manny can do this in Year 2 at the Calavera Cafe, just for funsies.
- Subverted in Freeman's Mind, episode 44, when Freeman sees a giant industrial pipe on the cliffs of Black Mesa:
Freeman: Hmm, I'm really tempted to slide down that pipe like a banister, but I think I'll regret it as soon as I get to the end of it.
- The sharp object variant occurred in the Quick Draw McGraw short "El Kabong": The villain Don Chilada waited at the bottom to jab the banister-sliding Quick Draw with the tip of his sword.
- Also done in at least one Tom and Jerry short.
- The opening sequence to each episode of popular Czech bedtime story Mach a Sebestova shows the boy sliding and blinking with his ear to signal turns.
- The opening sequence to the Dennis the Menace cartoon showed Dennis doing this. He may have done it a time or two in the live-action TV series as well.
- Also the case for the other Dennis the Menace, in this case before Dennis reached the bottom of the bannister Gnasher pulled a lever which made the knob at the end of the banister slide down into it allowing Dennis to fly off the end!.
- He did this in a 1980s The Beano strip, too, but Mum had sewn sandpaper into his shorts (Dennis hadn't noticed) thus sanding the banister down. This was one of several unwittingly helpful things he did in that issue, with a bemused Dennis getting rewarded instead of being punished at the end.
- Also the case for the other Dennis the Menace, in this case before Dennis reached the bottom of the bannister Gnasher pulled a lever which made the knob at the end of the banister slide down into it allowing Dennis to fly off the end!.
- Arabian Knights episode "Sky Raiders of the Desert". Both Turjan and Bez slide down a stair banister to attack some guards.
- Jonny Quest TOS
- "Monster in the Monastery". Performed by Jonny, Hadji and some yeti.
- "House of the Seven Gargoyles". Dietrich (Norway's greatest acrobatic dwarf, who's dressed as a gargoyle) does this while following the others to Professor Ericson's demonstration.
- Looney Tunes:
- In "The Wise-Quacking Duck", Daffy Duck comes down the banister just fine, but then turns a statue holding a spear so that the tip gets his pursuer.
- In "Napoleon Bunny-parte", Bugs Bunny is being chased by Napoleon (yes that Napoleon) down a banister, while a guard is waiting at the bottom with a bayonet. Bugs gets off early, so it's "Nappy" who gets the point in the end.
- In "Wholly Smoke", Porky speedily slides down the banister, only to stop suddenly just before he hits the vase at the end.
- In the Tex Avery MGM cartoon "One Ham's Family", a Bratty Half-Pint slides down a banister with a pricey-looking vase on the finial. He comes to a Screeching Stop just millimeters from the vase, then tells the audience, "I've got me good brakes, haven't I, folks?"
- In "Dumb-Hounded", the Wolf is sliding down a banister to get away from Droopy. However, Droopy suddenly appears behind him and comments "Fun, isn't it?", causing the Wolf to do a Wild Take and slide up the banister.
- The Simpsons:
- Bart occasionally slides down the banister.
- Lisa did this once.
- Homer and Marge comment that Shary Bobbins butt-waxed the banister, too.
- The Scooby-Doo, Where Are You! episode "A Night of Fright Is No Delight". As the two green ghosts are fleeing Shaggy and Scooby, they jump on to a stair's banister and slide down in an attempt to escape.
- In Curious George, the monkey does this while standing up. He jumps off before the end.
- In Cinderella III: A Twist in Time, Cinderella and two of her mouse friends do this at the palace.
- Doug does this in "Doug's on His Own".
- Used many times in Madeline.
- Lincoln Loud in The Loud House does this in the show's opening theme.
- In the Foster's Home for Imaginary Friends episode "Adoptcalypse Now", Coco grinds down the banister, then jumps off. Later, in "Cuckoo for Coco Cards", Edwardo attempts to go down the banister backwards, going so slowly that the finial isn't an issue.
- In The Little Rascals episode "Rascals' Revenge", all of the Rascals except Alfalfa exit the old house in a panic by sliding down the banister, leaving an Impact Silhouette in the closed door.
- Fireman Sam does this in the opening sequence in the style of sliding down the fire pole.
- You've probably done this once. And if you haven't, don't.
- The Vancouver, British Columbia, public transit system is full of plastic speed bumps on escalator dividers and other banisters specifically to avert this trope, or at least make any attempts painful and not worth it. (With good reason, considering how steep some of the ones downtown are.)
- The same things are also found on The London Underground, where they are usually seen as opportunities to put alternating advertising and safety/security messages.
- During a 2013 Buffalo Bills-New York Jets game, a man slid down a stair railing repeatedly before falling off the upper deck of Ralph Wilson Stadium onto a fan below. He was later found guilty of assault.
- An especially tragic example of why you shouldn't try this: a man attempted this in a stairwell of the Brooklyn Museum, but lost his balance and fell from the third floor resulting in a fatal head injury.


The Marketing team acquires "leads" of prospective electric car buyers from different sources - it could be an internet user searching for electric cars to list of people registering certain brands of cars at DMVs. Once a lead is acquired, marketing will pursue the lead through various channels. For Faraday motors, it is imperative that we be able to rate the lead in terms of likelihood that they will buy an electric car.
Most lead sources will provide basic demographic attributes of the person including age, gender, household income range, highest education, home ownership and location. To create a rating system for leads, we re-used the Random Forest model and limited it to these demographic attributes. We expanded the features to include each of the categorical variables - for e.g Female,25-35,100K>Income>150K, Female,35-50,100K>Income>150K etc. We re-ran the models and then extracted the relative feature importance scores for these attributes and normalized the scores. This relative ranking was then used to create a simplified linear model to rate the leads.
The lead rating algorithm we built could be used as a standalone calculator, real-time rating system or bulk batch rater.
To fine-tune the process of data-driven marketing decisions, we also helped build a persona modeling tool. Buyer personas (sometimes referred to as marketing personas) are fictional, generalized representations of your ideal customers. Personas help us all -- in marketing, sales, product, and services -- internalize the ideal customer we're trying to attract, and relate to our customers as real humans. We built these personas based on our models that predicts the demographic attributes of our prospective customer.
The modeling effort helped us identify the best markets and demographics of our potential buyers; but that information by itself is not sufficient to make an effective marketing strategy. In addition to demographic models it is necessary to build a cost model to identify the markets that not only has good target audience but also are cheaper to advertise to. For instance, is it better to advertise in New York city, which could be very expensive and reach a wider audience or advertise in smaller and cheaper cities but still reach a very targeted audience?
In order to help this decision making, we used the regional advertisement rates from the two leading outdoor display ad providers, Clear Channel Outdoor and Lamar. The assumption made here is that the cost of display advertisement is a proxy to the regional cost of advertisement across other marketing channels.
Finally, to consolidate all the tools we built for the marketing team in an easy to use package, we built a marketing data portal. As we formulate more models and data-driven decision parameters, we will enhance the toolkit with additional tools and visualizations.


Melina Devraj & Subapradha Sridhar For CPSC 531 Dr. Phillip Chen
The data was randomly generated for illustrative purpose. Any similarity with the real world is not intended.


Controls: W, A, S, D and mouse
Press F1 for full-screen mode
Written by Stephen Carlyle-Smith<EMAIL_ADDRESS>@stephencsmith
All copyrights acknowledged.


The Simulation Engine is the DSE component that can simulate developed model behavior over time and represent the simulation steps (ticks) on the screen. It simulates the model behavior by cyclically analyzing the model current state, recognizing current situations and mapping the situations to the dependent on the situations states, that the properties should take at the next to the current moment of time.
To enable Simulation Engine user sets DSE to Simulation mode by selecting menu item Simulation -> Set Simulation Mode.
The Simulation Engine has four buttons located on the Design Space Toolbar: Start, Stop, Step, and Reset. The Start, Step, and Reset buttons default state is enabled, while state of Stop button is disabled.
Clicking on Start button starts auto simulation process. This click disables Start and Step buttons while enabling Stop button.
Clicking on Stop button stops auto simulation process and returns Start and Step buttons back to their enabled state.
Clicking on Step button executes only one simulation step at a time.
Clicking on Reset button resets model to its initial state.
Located below Design Space simulation analysis tools allow user to select all or subset of model Property Nodes and analyse model behavior over time. The Model Current State Panel presents each selected Property Node current state and provides its interpretation in the form of statement that includes property name as the statement's subject and describes the value of the current state as the statement's predicate. The Simulation Trace Log Panel presents selected states history over simulation time. Both panels are updates after each simulation tick in real time.


Why Understand the DOM?
Understanding the HTML DOM is critical for using JavaScript to make dynamic Web pages. Potential employers often ask Front-End applicants to testify or display in some way how well they understand the DOM. This is because everything JavaScript does to a Web page is accomplished by interfacing with it. For the sake of clarification, I should mention that there are actually two DOMs defined by W3C (click the link for an article about the differences), one for XML documents and one for HTML documents. This is a brief introduction to the HTML DOM.
Contents
A Short History of Web
Although early work was done that led up to the final product, the World Wide Web as we know it was invented and implemented in the late eighties and early nineties. It was a new and unique type of communication over the 'new' internet, which preceded the Web by several years. The internet was already being used for newsgroups (Usenet), email, file transfers and a few other things, mostly for the government and a few schools. Distinct from the existing internet traffic, the WWW portion of the internet would use a completely new protocol that defined how this communication worked, HTTP. The definition of the Web you'll most commonly find online is essentially, "all of the documents on servers on the internet that are connected with HTTP."
The WWW was the product of a European scientist named Tim Berners-Lee. He designed it for researchers to share their work with each other. Therefore in the early days, the Web was primarily academic texts connected to each other over the nascent internet backbone, which then mostly ran between a few academic and government institutions.
These early documents on the Web were completely static pages that could only be read. This was quite useful for sharing academic research and government papers, but far short of what we know today as THE Web.
In 1993 the first broadly used graphical Web browser, Mosaic, was released. Mosaic brought multimedia--images, sounds and video--to regular users. Mosaic soon begat Netscape, released in 1994, and the Web began to grow in content and public access exponentially.
JavaScript was created by Netscape in 1995, originally to manage the then popular Java applets providing animation in Web pages. As use of the World Wide Web grew in the mid-nineties, the Netscape team recognized the need for a more interactive and engaging experience for users. They envisioned a programming language that would allow Web pages to be manipulated on demand. This new tool would be able to react to events anywhere in the Web page (like clicks from a growingly common mouse, with Microsoft’s release of the graphical Windows 3.1 in 1992), and then through the browser make changes to the actual content of the Web page.
JavaScript was enlisted to fill this void. It became the means to allow browsers to make changes to the HTML that defined the Web page, based on user actions (such as allowing users to 'flip' through a series of images on the page). JavaScript brought the ability to make things change with 'click' and 'rollover' mouse events, make custom information requests from the Web server on behalf of the user, push out page updates from the page provider (like news tickers), and even submit forms of information back to Web sites.
Enter the DOM
In order for JavaScript to do this amazing magic it had to be able to communicate with the page through the browser. The solution for the this was the DOM or Document Object Model. The DOM provides access to all of the objects within a Web page's HTML. The DOM is a bridge between the JavaScript code and the Web page.
The DOM defines the nodes within a web page (note: throughout this article and generally with regard to the DOM, the terms node, element, document objects, node objects, or just objects are interchangeable). Everything in an HTML Web page is either a node object or a component of one.
What differentiates one node from another is that every object has a minimum of three things specified for it: properties that define it, methods that can access it, and events that can trigger a change to it like a mouse click, a keypress, or a page error. These together make each object on the page distinct from any other (unless it is an intentionally replicated object), and therefore individually actionable.
Examples of DOM nodes include paragraphs, headings, comments, images, lists, footers, divs, spans, meta tags, links, or anything that can be an element within the HTML document.
The DOM standard is now maintained by the W3C, like HTML, and is public, so other programming languages can also access it; however JavaScript is still the primary language used by developers to manipulate Web content in pages.
The DOM is ephemeral and is created as a page loads and the browser reads the HTML in it. Part of a browser’s job is to read the Web page source and create the DOM for it. The DOM then builds the page for the browser to display and sets the parameters for everything that can happen on the page going forward.
An API
The DOM manages the page by providing an Application Programming Interface, or API, for the JavaScript code to connect to. An API is the 'public' side of a program. It is the DOM's API that JavaScript can access to modify the page. An API acts like a gate to a well-armoured castle. Like a computer port, it allows certain acceptable communications to pass through to the program.
So specifically, the API provides access to the public methods that the DOM provides to manipulate each element in the page. As mentioned previously, each element, depending on what it is, has certain things that can be done to it, such as changing the text content (known as innerHTML) of a paragraph or submitting a form when a button is clicked (the .onclick event).
Accessing the DOM
An Example:
<!DOCTYPE html>
This example uses the HTML DOM to assign an 'onclick' event to a button element.
  <button id='change_label'>Click me</button>
 Refresh the page to run this again!

Output:
This example uses the HTML DOM to assign an "onclick" event to a button element.
Refresh the page to run this again!
This is a complete sample Web page (although for brevity not completely HTML5 complient) that displays a simple paragraph; note that everything inside the  tags is invisible to the user viewing the page. This is an explanation of the JavaScript:
- The script includes two sections, the first begins with document, this is the root-node of and top object in the DOM tree.
- .getElementById is a method that the DOM provides to manipulate any elements that include a defined id in the page, like the button element above.
- The script then provides the id to be affected: change_label.
- .onclick is the event that triggers whatever instructions follow.
- myFunction is called.
- In the second section of the script document.getElementById('change_label') all mean the same as the first section.
- .innerHTML is a property of all paragraph elements and refers to the text wrapped inside the element (e.g.,
Any text
).
- And the assignment operator = then reassigns the text property of the button to ‘YOU CLICKED ME!’.
All attributes of elements can be changed with JavaScript through the DOM: styles (appearance), content, behaviors (like animations), etc.
Events can be triggered by many things such as keypresses, button clicks, hovering over an element (like a tooltip that pops up when your mouse moves over a word or section of a page), the page loading (requiring no interaction from the user) and much more.
Another Example:
<!DOCTYPE html>

Move your mouse over me!

Output:
Move your mouse over me!
This example begins with a formatted (styled) div containing a paragraph element with the text 'Move your mouse over me!'. The script section contains two actions (i.e., methods) that can be executed to change the div's properties, mOver(obj) and mOut(obj). These are tied to two events defined in the HTML at the beginning of the div, onmouseover and onmouseout.
When the mouse cursor moves over (i.e., 'into') the div:
- onmouseover triggers the method mOver(obj) in the script.
- mOver(obj) re-assigns the text property of the paragraph element
 to a new value.
- When the mouse moves out of the element, onmouseout triggers another event from the function mOut(obj), again reassigning the element's text (.innerHTML) property.
This example displays one of a number of ways to implement the common practice of modifying elements on a page when the mouse moves across them. For example, most people are familiar with a button changing (getting a glow or getting a bit larger, etc.) when your mouse passes over it.
These examples show how JavaScript is used to access the DOM and change the content of the page. JavaScript is a programming language with wide capabilities today, but it is at its best when creating 'magic' on Web pages.
Conclusion
That is a brief introduction to what the DOM does and is for, and why understanding it is an integral part of Web Development and learning JavaScript. I hope that you found it informative. There is a list of links below with much more information about the DOM and JavaScript and this is far from the last time I will discuss them.
Feel free to leave a comment if you have any questions.
Thanks for reading.
Send a Comment


| 025:053 Khan | : |
And it is He Who has let free the two seas (kinds of water), one palatable and sweet, and the other salt and bitter, and He has set a barrier and a complete partition between them. |
| 025:053 Maulana | : |
And He it is Who has made the two seas to flow freely, the one sweet, very sweet, and the other saltish, bitter. And between the two He has made a barrier and inviolable obstruction. |
| 025:053 Pickthal | : |
And He it is Who hath given independence to the two seas (though they meet); one palatable, sweet, and the other saltish, bitter; and hath set a bar and a forbidding ban between them. |
| 025:053 Rashad | : |
He is the One who merges the two seas; one is fresh and palatable, while the other is salty and undrinkable. And He separated them with a formidable, inviolable barrier (evaporation). |
| 025:053 Sarwar | : |
It is He who has joined the two seas; one palatable and sweet, the other bitterly salty and has established a barrier between them as a partition. |
| 025:053 Shakir | : |
And He it is Who has made two seas to flow freely, the one sweet that subdues thirst by its sweetness, and the other salt that burns by its saltness; and between the two He has made a barrier and inviolable obstruction. |
| 025:053 Sherali | : |
And HE it is Who has caused the two seas to flow, this palatable and sweet, and that salt and bitter; and between them HE has placed a barrier and an insurmountable partition. |
| 025:053 Yusufali | : |
It is He Who has let free the two bodies of flowing water: One palatable and sweet, and the other salt and bitter; yet has He made a barrier between them, a partition that is forbidden to be passed. |
Concepts/Themes Covered: أركان الإسلام > التوحيد > توحيد الله تعالي > وحدانيته Pillars of Islam> Islamic> Oneness of Allah> Singularity and Being Unique العلوم والفنون > الحقائق العلمية و الإشاة إلى وقائع أيدتهاالإكتشافات العلمية > البحر Science and Art> The Scientific Facts and the Indication to Facts which have been supported by the Scientific Discoveries>The Sea العلوم والفنون > الحقائق العلمية و الإشاة إلى وقائع أيدتهاالإكتشافات العلمية > الغيث Science and Art> The Scientific Facts and the Indication to Facts which have been supported by the Scientific Discoveries>The Rain
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


---
layout: default
---
I build products for fun and profit.
When I'm not working on my own projects, I like helping companies and entrepreneurs with their tech.
Been coding backends and apps in JavaScript for the past 7+ years.
Best way to contact me is on Twitter.
{{ site.name }}


WITNESS LIST Criminal Justice Committee April 17, 1997-9:00A SB 119 Registering, but not testifying: For: Kibby, Sandy (PTA), Austin On: Curtis, Lon (TX Dist & Co Atty Assoc), Austin SB 559 Registering, but not testifying: On: Briscoe, Judy (Texas Youth Commission), Austin SB 703 Registering, but not testifying: On: Cohen, Rachel (State Auditor's Office), Austin Cranford, Susan (TDCJ), Austin McAlmon, Alex (Comptroller's Office), Austin Pyeatt, Raymond (TDCJ), Austin Scott, Wayne (TDCJ), Austin Winters, Clint (Comptroller's Office), Austin SB 873 For: Wallace, Sherri (Dallas DA's Office), Dallas SB 881 Registering, but not testifying: For: Igo, Shanna (Texas Municipal League), Austin Nabers, Lynn (Omnibase Inc.), Austin SB 1120 Registering, but not testifying: On: Boatright, David (DPS), Austin Hatcher, Johnny (DPS), Austin SB 1523 For: Davis, John (DA's Office,34 Judicial), El Paso On: Curtis, Lon (TX Dist & Co Atty Assoc), Austin Registering, but not testifying: Against: Evans, Jimmy (Tarrant Co. DA's Office), Ft. Worth SB 1609 Registering, but not testifying: For: Parra, Raymond (TDCJ-Interstate Compact), Austin On: Bozarth, Melinda (TDCJ), Austin Cranford, Susan (TDCJ), Austin SB 1610 On: Bozarth, Melinda (TDCJ), Austin SB 1611 For: Donahue, Sterlene (Justice For All), Houston Registering, but not testifying: For: Hubbarth, William R. (Justice For All), Houston On: Drake, Cleonne (TDCJ - Victim Services), Austin SB 1738 For: Davis, John (DA's Office,34 Judicial), El Paso On: Curtis, Lon (TX Dist & Co Atty Assoc), Austin Registering, but not testifying: For: Wallace, Sherri (Dallas DA's Office), Dallas Against: Hampton, Keith S. (self), Austin


A local official says a plane has crashed on takeoff in Congo's eastern city of Goma with 17 ...
by EndPlayGOMA, Congo - GOMA, Congo (AP) - A local official says a plane has crashed on takeoff in Congo's eastern city of Goma with 17 people aboard.
GOMA, Congo - GOMA, Congo (AP) - A local official says a plane has crashed on takeoff in Congo's eastern city of Goma with 17 people aboard.


Component: tos.chips.rf230.NeighborhoodFlagC
generic configuration NeighborhoodFlagC()
Provides
interface
NeighborhoodFlag
Wiring


Besides the text, you can also style the box elements.
Padding is blank space between the border of an element and its content. Margin is a blank space outside the border of an element, where no other elements can be. In Co-Design, the utilities work identically for margins and paddings, therefore, we only explain everything once for paddings.
You are able to override the padding to a multiple of the padding unit. The padding unit can be modified in the "_child.scss" and defaults to 4px.
We support the following multiples:
| class | resulting padding |
|---|---|
| .has-padding-0 | 0px |
| .has-padding-1 | 4px |
| .has-padding-2 | 8px |
| .has-padding-4 | 16px |
| .has-padding-6 | 24px |
| .has-padding-8 | 32px |
| .has-padding-12 | 48px |
| .has-padding-16 | 64px |
| .has-padding-18 | 72px |
| .has-padding-24 | 96px |
| .has-padding-32 | 128px |
| .has-padding-36 | 144px |
The class .has-padding-X
can also be replaced with any of the following classes, which only target some of the sides:
.has-padding-top-X
for only the top padding.has-padding-right-X
for only the right padding.has-padding-bottom-X
for only the bottom padding.has-padding-left-X
for only the left padding.has-padding-horizontal-X
for only the left and right padding.has-padding-vertical-X
for only the top and bottom padding

padding: 4

padding: 2 vertical, margin 2 vertical

padding: 16 horizontal, margin: 32 vertical

An element's border can have different styles, widths and radii and can be colored. These properties can be overridden by utilities.
You can set the border width to any integer value between 0 (no border) and 10. The number is converted to pixels. You can set the border for all sides, or for any of the four sides top, right, bottom or left:
.has-border-width-X
for all four border widths.has-border-top-width-X
for only the top border width.has-border-right-width-X
for only the right border width.has-border-bottom-width-X
for only the bottom border width.has-border-left-width-X
for only the left border width
box with different border widths

You can set the border style to any of "solid", "none", "dotted", "dashed", "double". You can set the border for all sides, or for any of the four sides top, right, bottom or left:
.has-border-style-X
for all four border styles.has-border-top-style-X
for only the top border style.has-border-right-style-X
for only the right border style.has-border-bottom-style-X
for only the bottom border style.has-border-left-style-X
for only the left border style
box with different border styles

To set the border color, you need the color name and possibly its shade number. Then you can use the pattern .has-border-color-NAME-SHADE
or alternatively .has-border-color-NAME
for the default shade (400).
See the page related to colors in order to see a list of color names and shades.
You can set the border radius to any integer value between 0 (no border radius) and 10. The number is converted to pixels. You can set the border for all corners, or for any of the four corners top-left, top-right, bottom-left or bottom-right:
.has-border-radius-X
for all four border radii
.has-border-top-left-style-X
for only the top-left corner border radius
.has-border-top-right-style-X
for only the top-right corner border radius
.has-border-bottom-left-style-X
for only the bottom-left corner border radius
.has-border-bottom-right-style-X
for only the bottom-right corner border radius

Example

r0

r3

r6

r9

Box shadows can be given to elements. You have to give them the class .has-shadow-X
for this, where X is a value between 1 and 10. You can use .has-shadow-0
to reset and remove the shadow.

shadow: 0

shadow: 1

shadow: 4

shadow: 7

shadow: 10

You can set the display of an element with the class .has-display-X
, where X is one of:
You can also use .hide
or [hidden]
to remove an element from the screen.


Missing Zend Framework, The Smarty Template Engine or Asido.
One of those things isn't where it's expected to be.


Animated restyling of the scrolling area. This should be faster since most elements are display-locked.


|
|||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object | +--com.octo.captcha.service.captchastore.MapCaptchaStore
Simple store based on a HashMap
| Constructor Summary | |
MapCaptchaStore()
|
| Method Summary | |
com.octo.captcha.Captcha |
getCaptcha(java.lang.String id)
Retrieve the captcha for this key from the store. |
boolean |
hasCaptcha(java.lang.String id)
Check if a captcha is stored for this id |
boolean |
removeCaptcha(java.lang.String id)
Remove the captcha with the provided id as key. |
void |
storeCaptcha(java.lang.String id,
com.octo.captcha.Captcha captcha)
Store the captcha with the provided id as key. |
| Methods inherited from class java.lang.Object |
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Constructor Detail |
public MapCaptchaStore()
| Method Detail |
public boolean hasCaptcha(java.lang.String id)
hasCaptcha
in interface CaptchaStore
id
-
public void storeCaptcha(java.lang.String id, com.octo.captcha.Captcha captcha) throws CaptchaServiceException
storeCaptcha
in interface CaptchaStore
id
- the keycaptcha
- the captcha
CaptchaServiceException
- if the captcha already exists, or if an error occurs during storing routine.public com.octo.captcha.Captcha getCaptcha(java.lang.String id) throws CaptchaServiceException
getCaptcha
in interface CaptchaStore
id
-
CaptchaServiceException
- if a captcha for this key is not found or if
an error occurs during retrieving routine.public boolean removeCaptcha(java.lang.String id)
removeCaptcha
in interface CaptchaStore
id
- the key
CaptchaServiceException
- if an error occurs during remove routine
|
|||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


Test
The test command runs the PHPUnit tests associated with your web app, modules and packages. PHPUnits full documentation can be found here.
Test will look for the PHPUnit configuration file named phpunit.xml
in the APPPATH
or COREPATH
directories.
PHPUnit Configuration
Fuel has a basic phpunit.xml to test its internal code. This file is located at fuel/core/phpunit.xml
and contains
<?xml version="1.0" encoding="UTF-8"?>
<phpunit colors="true" stopOnFailure="false" bootstrap="../core/bootstrap_phpunit.php">
<php>
<server name="doc_root" value="../../"/>
<server name="app_path" value="fuel/app"/>
<server name="core_path" value="fuel/core"/>
<server name="package_path" value="fuel/packages"/>
</php>
<testsuites>
<testsuite name="core">
<directory suffix=".php">../core/tests</directory>
</testsuite>
<testsuite name="packages">
<directory suffix=".php">../packages/*/tests</directory>
</testsuite>
<testsuite name="app">
<directory suffix=".php">../app/tests</directory>
</testsuite>
</testsuites>
</phpunit>
If you use Modules, you may want the following additional test suite added in your customized version
<testsuite name="modules">
<directory suffix=".php">../modules/*/tests</directory>
</testsuite>
Command Line Options
Test supports several PHPUnit command line options
--group
Only runs tests from the specified group(s).
--exclude-group
Exclude tests from the specified group(s).
--coverage-clover <file>
Generate code coverage report in Clover XML format.
--coverage-html <dir>
Generate code coverage report in HTML format.
--coverage-php <file>
Serialize PHP_CodeCoverage object to file.
--coverage-text=<file>
Generate code coverage report in text format.


|
Keraflow
Deep Learning for Python.
|
Public Member Functions | |
| def | shape |
| Returns the symbolic shape of a tensor. | |
| def | int_shape |
| Returns the shape of a tensor as a tuple of integers or None entries. More... | |
| def | ndim |
| Returns the number of axes in a tensor, as an integer. | |
| def | dtype |
| Returns the dtype of a tensor, as a string. | |
| def | eval |
| Evaluates the value of a tensor. More... | |
| def | cast |
| Casts a tensor to a different dtype. | |
| def | set_value |
| Sets the value of a tensor variable, from a Numpy array. | |
| def | switch |
| Switches between two operations depending on a scalar value (int or bool). More... | |
| def | function |
| Instantiates a Keraflow function. More... | |
| def | gradients |
Returns the gradients of variables (list of tensor variables) with regard to loss . | |
| def | zeros |
| Instantiates an all-zeros tensor variable. | |
| def | ones |
| Instantiates an all-ones tensor variable. | |
| def | eye |
| Instantiate an identity matrix. | |
| def | zeros_like |
| Instantiates an all-zeros tensor of the same shape as another tensor. | |
| def | ones_like |
| Instantiates an all-ones tensor of the same shape as another tensor. | |
| def | dot |
| numpy.dot on tensors | |
| def | gather |
Retrieves the vectors of indices indices in the 2D tensor reference . More... | |
| def | prod |
| Multiplies the values in a tensor, alongside the specified axis. | |
| def | mean |
| Mean of a tensor, alongside the specificied axis. | |
| def | std |
| Standard deviation of a tensor, alongside the specificied axis. | |
| def | any |
| Bitwise reduction (logical OR). More... | |
| def | argmax |
| Returns the index of the maximum value along a tensor axis. | |
| def | argmin |
| Returns the index of the minimum value along a tensor axis. | |
| def | square |
| Element-wise square. | |
| def | abs |
| Element-wise absolute value. | |
| def | sqrt |
| Element-wise square root. | |
| def | exp |
| Element-wise exponential. | |
| def | log |
| Element-wise log. | |
| def | round |
| Element-wise rounding to the closest integer. | |
| def | sign |
| Element-wise sign. | |
| def | pow |
| Element-wise exponentiation. | |
| def | clip |
| Element-wise value clipping. | |
| def | equal |
| Element-wise equality between two tensors. More... | |
| def | not_equal |
| Element-wise inequality between two tensors. More... | |
| def | maximum |
| Element-wise maximum of two tensors. | |
| def | minimum |
| Element-wise minimum of two tensors. | |
| def | sin |
| Computes sin of x element-wise. | |
| def | cos |
| Computes cos of x element-wise. | |
| def | concatenate |
| Concantes a list of tensors alongside the specified axis. | |
| def | reshape |
| Reshapes a tensor to the specified shape. | |
| def | transpose |
| Permutes axes in a tensor. More... | |
| def | repeat |
| Repeats the elements of a tensor along an axis, like np.repeat. More... | |
| def | expand_dims |
| Adds a 1-sized dimension at index "axis". | |
| def | squeeze |
| Removes a 1-dimension from the tensor at index "axis". | |
| def | sigmoid |
| Element-wise sigmoid. | |
| def | hard_sigmoid |
| Segment-wise linear approximation of sigmoid. More... | |
| def | tanh |
| Element-wise tanh. | |
| def | relu |
| Rectified linear unit. More... | |
| def | softmax |
| Softmax of a tensor. | |
| def | softplus |
| Softplus of a tensor. | |
| def | dropout |
Sets entries in x to zero at random, while scaling the entire tensor. More... | |
| def keraflow.backend.tensorflow_backend.TensorflowBackend.any | ( | self, | |
| x, | |||
axis = None , |
|||
keepdims = False |
|||
| ) |
Bitwise reduction (logical OR).
Returns an uint8 tensor (0s and 1s).
| def keraflow.backend.tensorflow_backend.TensorflowBackend.dropout | ( | self, | |
| x, | |||
| drop_rate, | |||
noise_shape = None |
|||
| ) |
Sets entries in x
to zero at random, while scaling the entire tensor.
| x | tensor |
| drop_rate | fraction of the entries in the tensor that will be set to 0. |
| noise_shape | shape for randomly generated keep/drop flags, must be broadcastable to the shape of x |
| def keraflow.backend.tensorflow_backend.TensorflowBackend.equal | ( | self, | |
| x, | |||
| y | |||
| ) |
Element-wise equality between two tensors.
Returns a bool tensor.
| def keraflow.backend.tensorflow_backend.TensorflowBackend.eval | ( | self, | |
| x | |||
| ) |
Evaluates the value of a tensor.
Returns a Numpy array.
| def keraflow.backend.tensorflow_backend.TensorflowBackend.function | ( | self, | |
| inputs, | |||
| outputs, | |||
updates = [] , |
|||
| kwargs | |||
| ) |
Instantiates a Keraflow function.
inputs: list of placeholder/variable tensors. outputs: list of output tensors. updates: list of update tuples (old_tensor, new_tensor).
| def keraflow.backend.tensorflow_backend.TensorflowBackend.gather | ( | self, | |
| reference, | |||
| indices | |||
| ) |
Retrieves the vectors of indices indices
in the 2D tensor reference
.
| reference | a 2D tensor. |
| indices | 2D int tensor or list. |
| def keraflow.backend.tensorflow_backend.TensorflowBackend.hard_sigmoid | ( | self, | |
| x | |||
| ) |
Segment-wise linear approximation of sigmoid.
Faster than sigmoid.
| def keraflow.backend.tensorflow_backend.TensorflowBackend.int_shape | ( | self, | |
| x | |||
| ) |
Returns the shape of a tensor as a tuple of integers or None entries.
Note that this function only works with TensorFlow.
| def keraflow.backend.tensorflow_backend.TensorflowBackend.not_equal | ( | self, | |
| x, | |||
| y | |||
| ) |
Element-wise inequality between two tensors.
Returns a bool tensor.
| def keraflow.backend.tensorflow_backend.TensorflowBackend.relu | ( | self, | |
| x, | |||
alpha = 0. , |
|||
max_value = None |
|||
| ) |
Rectified linear unit.
alpha: slope of negative section. max_value: saturation threshold.
| def keraflow.backend.tensorflow_backend.TensorflowBackend.repeat | ( | self, | |
| x, | |||
| rep, | |||
| axis | |||
| ) |
Repeats the elements of a tensor along an axis, like np.repeat.
If x has shape (s1, s2, s3) and axis=1, the output will have shape (s1, s2 * rep, s3)
| def keraflow.backend.tensorflow_backend.TensorflowBackend.switch | ( | self, | |
| condition, | |||
| then_expression, | |||
| else_expression | |||
| ) |
Switches between two operations depending on a scalar value (int or bool).
Note that both then_expression
and else_expression
should be symbolic tensors of the same shape.
condition: scalar tensor. then_expression: TensorFlow operation. else_expression: TensorFlow operation.
| def keraflow.backend.tensorflow_backend.TensorflowBackend.transpose | ( | self, | |
| x, | |||
| dims | |||
| ) |
Permutes axes in a tensor.
dims: should be a tuple of dimension indices, e.g. (0, 2, 1).


{{#unless isCurrentStudent}}
Hi there - you're logged in as {{userEmail}}, which is not the list of EYH students. Maybe you're Sheffield staff? Either way, data for<EMAIL_ADDRESS>(Topher Winward) will be displayed instead. Have a great day!
{{/unless}}
{{> my_info}}
{{> my_group}}
{{> my_hub}}


Home / Responsive
This is a demonstration of how a responsive page can be created with simple HTML5/CSS. The page automatically rearranges the content depending on the screen real-estate.
Large i.e. PC
Medium i.e. Tablet
Small i.e. Phone
The page uses floating DIV elements to structure the content.
The CSS sets a default size for the DIV elements (targeted at large screens on PC/Laptop). The CSS then uses Media Queries to over-write the CSS for smaller screens.
In total, there are 3 media-query over-writes:
- The default is for large screens (which sets a maximum size for the content).
- The first over-ride changes the style to use percentages so the sizes of each area shrink as the screen shrinks.
- The second over-ride changes the style so that the 3 Widgets appear alongside each other, instead of on the right-hand-side.
- The final over-rise changes the style so that everything is serialised in one vertical scrolling page.


{% import "_includes/forms" as forms %}
{{ "Couldn’t send your message. Please email it to {email} instead."|t({ email: email })|raw }}


--- layout: boardnews title: "Jacobs Alumni Board Meeting Berlin December 2014 – Minutes" date: 'January 29th, 2015' author: 'Stefan Anca' permalink: '/board-news/03-jacobs-alumni-board-live-meeting-berlin-2014-minutes' preview: 'Jacobs Alumni Board Meeting Berlin December 2014 – Minutes' ---
In case you can’t see the embedded PDF, you can open it by clicking this link : Jacobs Alumni Board Meeting Berlin December 2014 – Minutes


This sample is a simple UMDF port of the KMDF ToastMon sample. It demonstrates how to use the Driver Framework to write a minimal driver with the User-Mode Driver Framework and shows best practices. The driver will successfully load on a device (either root enumerated or a real hardware device) but has the minimum PnP functionality and does not support receiving any I/O operations.
It is intended to serve as a learning tool for other UMDF drivers that you may write.
Start a build environment window as described under Building and Testing the Samples the UMDF Readme file.
Change to the directory containing the device source code.
Run build -ceZ, or use the macro BLD. This command invokes the Microsoft make routines to build the components. If the build succeeds, you will find the driver, UMDFToastMon.dll in the binary output directory specified for the build environment. You can get the output path from the buildxxx.log file.. If it fails you can find errors and warnings in the build error (.err) and warning (.wrn) log files respectively (buildfre_wlh_x86.err for example).
INSTALLATION
To test the sample you will need to setup your test system as described Building and Testing the Samples the UMDF Readme file.
The sample provides an INF file that allows for the driver to be installed on a root-enumerated device:
To install the driver on Windows XP (SP2 and above), Vista and later operating systems:
- Copy the driver binary and the UMDFToastMon.inf file to a directory on your test machine (for example c:\Samples.)
- Copy the UMDF coinstaller WUDFUpdate_01009.dll from c:\winddk\<bld>\redist\wdf\<arch> to the same directory (for example c:\Samples).
- Change to the directory containing the inf and binaries (for example cd /d c:\Samples.)
- Next run devcon.exe as follows:
devcon.exe install UMDFToastMon.inf UMDFSamples\ToastMon
DevCon can be found in the tools directory of your WDK enlistment (for example: d:\winddk\5048\tools\devcon\i386\devcon.exe.)
To update the driver after making any changes:
devcon.exe update UMDFToastMon.inf UMDFSamples\ToastMon
| File | Description |
| ToastMon.htm | Documentation for this sample (this file). |
| comsup.cpp & comsup.h | Boilerplate COM Support code -
specifically base classes which provide implementations for the standard
COM interfaces IUnknown and IClassFactory which are used throughout the
sample. The implementation of IClassFactory is designed to create instances of the CMyDriver class. If you should change the name of your base driver class, you would also need to modify this file. |
| dllsup.cpp | Boilerplate DLL Support code -
provides the DLL's entry point as well as the single required export
(DllGetClassObject). These depend on comsup.cpp to perform the necessary class creation. |
| exports.def | This file lists the functions that the driver DLL exports. |
| makefile | This file redirects to the real makefile, which is shared by all the driver components of the Windows Driver Kit. |
| internal.h | This is the main header file for the ToastMon driver. |
| driver.cpp & driver.h | Boilerplate: Definition and implementation of the driver callback class for the ToastMon sample. |
| device.cpp & device.h | Definition and implementation of the device callback class for the ToastMon sample. This is mostly boilerplate, but also registers for RemoteInterface Arrival notifications. When a RemoteInterface arrival callback occurs, it calls CreateRemoteInterface and creates a CMyRemoteTarget callback object to handle I/O on that RemoteInterface. |
| RemoteTarget.cpp & RemoteTarget.h | Definition and implementation of the remote target callback class for the ToastMon sample. This is the meat of this sample. |
| list.h | Boilerplate doubly-linked-list code |
| ToastMon.rc | This file defines resource information for the ToastMon sample driver. |
| sources | Generic file that lists source files and all the build options |
| UMDFToastMon.inf | Sample INF for installing the Skeleton driver to control a root enumerated device with a hardware ID of UMDFSamples\ToastMon |
© 2009 Microsoft Corporation


|
Unity
|
Controls the background color. More...
Public Member Functions | |
| void | ChangeBackgroundColor (string hexColor) |
| Changes value of endColor. More... | |
Public Attributes | |
| Color32 | startColor |
| Color before transition. More... | |
| Color32 | endColor |
| Color after transition. More... | |
| Color32 | defaultColor = new Color32(255, 180, 0, 255) |
| Contains the default orange color. More... | |
| float | speed = 1.0F |
| Speed with which the color transition occurs. More... | |
Private Member Functions | |
| void | Start () |
| Called before the first frame update. More... | |
| void | Update () |
| Called once per frame. More... | |
Private Attributes | |
| Camera | cam |
| Camera object. More... | |
| float | startTime |
| Stores time at the start of transition. More... | |
Controls the background color.
Handles facial color and deals with the transition from one to the other
Definition at line 16 of file BackgroundColorController.cs.
| void BackgroundColorController.ChangeBackgroundColor | ( | string | hexColor | ) |
Changes value of endColor.
| hexColor | Color in hexadecimal |
Definition at line 92 of file BackgroundColorController.cs.
References endColor, startColor, and startTime.
|
private |
Called before the first frame update.
Definition at line 60 of file BackgroundColorController.cs.
References cam, defaultColor, endColor, startColor, and startTime.
|
private |
Called once per frame.
Definition at line 76 of file BackgroundColorController.cs.
References endColor, speed, startColor, and startTime.
|
private |
Camera object.
Instance of the Camera class through which we view the "scene"
Definition at line 23 of file BackgroundColorController.cs.
Referenced by Start().
| Color32 BackgroundColorController.defaultColor = new Color32(255, 180, 0, 255) |
Contains the default orange color.
Definition at line 40 of file BackgroundColorController.cs.
Referenced by Start().
| Color32 BackgroundColorController.endColor |
Color after transition.
Contains the color the background must be after transition
Definition at line 35 of file BackgroundColorController.cs.
Referenced by ChangeBackgroundColor(), Start(), and Update().
| float BackgroundColorController.speed = 1.0F |
Speed with which the color transition occurs.
Definition at line 45 of file BackgroundColorController.cs.
Referenced by Update().
| Color32 BackgroundColorController.startColor |
Color before transition.
Contains the color the background must be before transition
Definition at line 29 of file BackgroundColorController.cs.
Referenced by ChangeBackgroundColor(), Start(), and Update().
|
private |
Stores time at the start of transition.
Definition at line 50 of file BackgroundColorController.cs.
Referenced by ChangeBackgroundColor(), Start(), and Update().


Sub-Inspector’ssuspension revoked
by Special CorrespondentSub-Inspector of Udupi Town Police Station Ananthapadmanabha, who was suspended on November 11 for lapses in handling a case of moral policing at Bhujanga Park here on November 2, has been shifted to the District Crime Records Bureau (DCRB) in the city.
His suspension has been revoked and he has been posted as Sub-Inspector at the District Crime Records Bureau at the District Police Office. He has already reported for duty in his new post, sources in the Police Department said.


This is a personal project of mine, that seeks to provide equity valuation, portfolio construction
and trading.
All this on a single web app that is easy to use. My goal is with this is twofold. Firstly, improve
my financial
knowledge through integrating statistics, technology and business analytics. Secondly, provide an
open source
project for other FinTech enthusiasts to kick start their own project.


In this case we continue to generate a canvas via Typescript.
No Model - direct from loop to render
Still used class inheritance.
Chrome: 1920*1200 will give us a delay of ~4 seconds on production and a total memory usage of 47MB - Obvisouly the grahics card is taking care of this.
Chrome:: Rendering 4K resolution on dev of 3840 x 2160 will take around 15 seconds. One could optimise by not rendering the white space. Going from HD to 4K only adds another 0.5 MB of memory.
At this point there is no model and optimisations would center around parallel and/or buffered rendering and using web workers.


Announcements
Announcements are stored in the _announcements
directory and rendered
according to the layout file, _layouts/announcement.html
.
Week 1 Announcement
- Create a new repository based on Just the Class.
- Configure a publishing source for GitHub Pages. Your course website is now live!
- Update
_config.yml
with your course information. - Edit and create
.md
Markdown files to add your content.
Week 0 Announcement
Hello world!


Follow the steps below and do not leave until an ambulance arrives.
Open the kit, take one vial out of the medicine bottle, swirl it in circles so all liquid goes the bottom, and snap off the top of the vial
Unwrap the syringe, put the needle in the vial's liquid, and pull up the plunger to draw up as much liquid as you can into the syringe
Turn the syringe so the needle faces up and push the plunger until most of the air is gone
Firmly push the needle into a large muscle on the overdosing person, such as a buttock or thigh. The needle can go through clothing but NEVER into a person's heart
Push down hard on the plunger until it clicks and the needle retracts. If the person is still unresponsive after 3-5 minutes, give them another naloxone injection
Stay calm and wait until an ambulance arrives. If the person wakes up they may not remember overdosing, so explain the situation to them
DO NOT leave the syringe and lying around. Dispose of it in your community's designated disposal box or local pharmacy. If you want more information on preventing overdoses, access our FAQ from the home page


HEPTA
Copyright (c) 1986 Alex Randolph
This game is played on an empty 7x7 square board:
There are, off-board, 7 neutral stones and also 6 Ls and 6 rectangles like these:
- SETUP - One player drops all the seven neutrals into empty cells. The other player decides if he plays with the Ls or the rectangles. The initial player starts with the other pattern.
- TURN - On each turn each player drops a friendly pattern on a set of empty cells.
- GOAL - The player that cannot move, loses the game.
Notice that if every piece is dropped (which is possible, even if unlikely), the second player wins because the first player does not have anything to drop.
An initial example One player dropped the seven neutral stones. The other player choose the Ls.
Then, the initial player starts by dropping a rectangle.


LinksModules
|
Module
|
| Store.init (listener) | Activates In-App Purchases. |
| Store.getReceiptVerifyMode () | |
| Store.setReceiptVerifyMode (mode, isSandbox) | |
| Store.getReceiptVerifyServerUrl () | |
| Store.setReceiptVerifyServerUrl (url) | |
| Store.canMakePurchases () | Returns true if purchases are allowed, false otherwise. |
| Store.loadProducts (productsId, listener) | Retrieves information about items available for sale. |
| Store.cancelLoadProducts () | |
| Store.isProductLoaded (productId) | |
| Store.purchase (productId) | Initiates a purchase transaction on a provided list of products. |
| Store.finishTransaction (transaction) | Notifies the App Store that a transaction is complete. |
Activates In-App Purchases.
Starts up the In-App Purchase engine and allows you to receive callbacks with the listener function you specify.

-- If you are providing downloadable content, wait to call this until
-- after the download completes.
framework.client.api.Store.finishTransaction(transaction)
end
framework.client.api.Store.init(transactionCallback)
@tparam function listener This is the listener that will handle transaction callback events.
@return Nothing.
Returns true if purchases are allowed, false otherwise.
Syntax:
value = framework.client.api.Store.canMakePurchases
Example:
if framework.client.api.Store.canMakePurchases() then
framework.client.api.Store.purchase(productId)
else
print("Store purchases are not available")
end
Note:
iOS devices have a setting that disables purchasing. A common case for this is to prevent children from accidentally purchasing things without parents' permission. Corona provides an API to check whether purchasing is possible. Use this preemptively to avoid having your users navigate through many purchase steps only to find out at the last step that purchasing is forbidden.
@return Returns true if purchases are allowed, false otherwise.
Retrieves information about items available for sale. This includes the price of each item, a localized name, and a localized description.
Syntax:
framework.client.api.Store.loadProducts(arrayOfProductIdentifiers, listener)
Example:
function productCallback(event)
print("showing valid products", #event.products)
for i=1, #event.products do
print(event.products[i].title) -- string.
print(event.products[i].description) -- string.
print(event.products[i].price) -- number.
print(event.products[i].localizedPrice) -- string.
print(event.products[i].productIdentifier) -- string.
end
print("showing invalidProducts", #event.invalidProducts)
for i=1, #event.invalidProducts do
print(event.invalidProducts[i])
end
end
local productsId = {
"com.anscamobile.NewExampleInAppPurchase.ConsumableTier1",
"com.anscamobile.NewExampleInAppPurchase.NonConsumableTier1",
"com.anscamobile.NewExampleInAppPurchase.SubscriptionTier1",
-- "bad.product.id",
}
framework.client.api.Store.loadProducts(productsId, productCallback)
@tparam table productsId A Lua array with each element containing a string which is the product identifier of the in-app item you want to know about.
@tparam function listener A callback function that is invoked when the store finishes retrieving the product information.
@return Nothing.
Initiates a purchase transaction on a provided list of products.
This function will send out purchase requests to the store. The listener you specified in framework.client.api.Store.init() will be invoked when the store finishes processing the transaction.
Syntax:
framework.client.api.Store.purchase(productId)
Example:
framework.client.api.Store.purchase("com.framework.example.ConsumableTier1")
@param productId A string which is the product identifier string.
@return Nothing.
Notifies the App Store that a transaction is complete.
After you finish handling a transaction, you must call framework.client.api.Store.finishTransaction() on the transaction object. If you don't do this, the App Store will think your transaction was interrupted and will attempt to resume it on the next application launch.
Syntax:
framework.client.api.Store.finishTransaction(transaction)
@tparam table transaction The transaction object belonging to the transaction you want to mark as finished.
@return Nothing.


!= include('Stylesheet'); ?> != include('Script'); ?>
Amtrak2Calendar scans your GMail account for Amtrak reservations, and adds corresponding events to your calendar automatically. This is intended to be like what GMail already does for airline reservations, but for Amtrak, which isn't directly supported.
To try it out, click one of the "Sync now" or "Enable auto-sync" buttons.
Once you enable auto-sync, then you're all set. You don't need to visit this page again. Amtrak2Calendar will continue to add events to your calendar whenever you make a new Amtrak reservation.
When auto-sync is enabled, Amtrak2Calendar runs hourly. This means you won't see your newly-purchased Amtrak reservation in your calendar until the next time the script runs. If you'd like to see it immediately, you can click the button labeled "Sync now."
No problem. Click the "disable automatic syncing" button.
If you want to remove Amtrak2Calendar's access to your Google account, go to your security page and remove Amtrak2Calendar's access. Trains will stop being synced. If you have privacy concerns, please file an issue.
Auto-sync is currently ... .
Amtrak train reservations will be synced to calendar: ...
To use a different calendar, click one of the following buttons:


Run queries against Geode regions.
If a limit restricting the result size is not set in the query,
then a default limit of the gfsh environment variable APP_FETCH_SIZE
,
as defined in
Useful gfsh Shell Variables,
will be applied.
Surround the OQL query with single quote marks.
Note:
This command should not be executed from gfsh
if the objects being queried contain cyclic references.
Availability: Online. You must be connected in gfsh
to a JMX Manager member to use this command.
Syntax:
query --query=value [--step-name=value] [--file=path/to/results/file]
| Name | Description |
|---|---|
| --query | Required. The OQL string. |
| --file | When specified, all query results are written to the specified file. An error is issued if the file already exists. |
Table 1. Query Parameters
Sample Output:
gfsh>query --query='SELECT * FROM /region2'
Result : true
startCount : 0
endCount : 20
Rows : 1
Result
-----------------
('Hello World!!')
NEXT_STEP_NAME : END


Our Story
The story of our delicious cookies come from an idea of our brilliant chief Pat , one day Pat decided to make a cookie which tastes a little bit like fish, and you got it boys and girls, our brilliant story
Buy our cutters
Buy our shirts
Buy our fridge stickers
Our locations
Seattle
Tokyo
Dubai
Paris
Lima
Working Hours
| Day | working hours |
|---|---|
| Sunday | 6:00am - 8:00pm |
| Monday | 6:00am - 8:00pm |
| Tuesday | 6:00am - 8:00pm |
| Wednesday | 6:00am - 8:00pm |
| Thursday | 6:00am - 8:00pm |
| Friday | Closed |
| Saturday | 6:00am - 6:00pm |


9
1 Hosea says this: Do not be happy, O Israel; do not celebrate like other people groups!
You have been unfaithful to your God. You have refused to do what he told you.

You will have no hope for any new wine, for the vines will fail you.
3 The people of Israel will not continue to live in the land that Yahweh has chosen as his own.
Instead, they will go back to Egypt one day.
And in Assyria they will have to eat the kind of food that God had forbidden them to eat.
4 No longer will they pour out wine to offer it to Yahweh;
their sacrifices will not please him at all.
Their sacrifices will be as unacceptable to God as the food that people eat at funerals;
and everyone who eats that food becomes unacceptable to God.
That food will be all they eat;
they will not be able to bring it into Yahweh's house to offer it to him.
5 There, in a country far from your home, you will not be able to celebrate the festivals that Yahweh commanded you to celebrate.
6 Look!

And all you people of Israel must realize that these things will happen.

This is because you have sinned so much
and because you have become Yahweh's enemies.
8 True prophets are watchmen for the people of Israel, and my God is with them.
But everywhere they go, others set traps for them;
even in the temple of their God, others hate them.
9 The people have polluted themselves by sinning
as the Israelites did at Gibeah long ago.
God will not forget the wicked things they did;
he will certainly punish them.
10 Yahweh says, "When I found Israel, it was like someone finding grapes growing in the wilderness.
When I saw your ancestors, they were like the very first figs that appear in the year, figs growing on a young fig tree.
But when they came to Mount Peor,
they gave themselves completely to that disgusting idol Baal,
and they became as detestable as the idol they loved.
11 The honor of Ephraim is like a bird that is flying away.
I will make their women so they cannot give birth, no woman will be pregnant, and no one will even conceive a child in the womb.
12 Even if they raise children not their own,
I will take them from their mothers.
It will be the worst that could happen to them,
when I abandon them!
13 I have seen the people of Israel;
they were like Tyre; they were like a tree planted in a beautiful meadow.
But they will have to lead their own children out to their enemies, who will slaughter them."
14 Hosea says, Yahweh, give them—
what should you give them?
Give them wombs that miscarry,
and let their mothers' breasts have no milk for their babies.
15 Yahweh says, "Because of all the wicked things my people did at Gilgal,
that is where I started to hate them.
And because of all the sinful deeds they have done,
I will drive them out of the place they live.
I will not love them any more;
all their officials fight against me.
16 Ephraim is like a vine that has dried up
and produces no fruit.
Even if they give birth,
I will put to death those children they love."
17 Hosea says, My God rejected the people of Israel
because they have not obeyed him,
and they will wander from one nation to another.