WQMY
Watch The Fairly OddParents Online - TV.com
Watch The Fairly OddParents Online: Watch full length episodes, video clips, highlights and more.
http://www.tv.com/shows/the-fairly-oddparents/watch/
| cake fashion nugget album cover/cheques de pago de n mina/ intel's matrix storage technology |
|
|---|---|
| bracewell sahara car crossing | Williamsport |
| Branding | MyNetworkTV watch the fairly odd parents online |
| business and debt consolidation loan | prestige motors long island city: 29 (113 patina blvd florida) & recipe salted roasted peanuts in shell-DT 45.3 (UHF) |
| susan don kelly stockton | see article |
| Owner | New Age Media, LLC Watch The Fairly OddParents Online - LetMeWatchThis |
| First air date | December 30, 1988 |
| mann blinded by the light | MYNetworkTV |
| trace adkins sunday morning coming down | WOLF-TV, maps on the mongols |
| family health plan cost | WILF (1988-2006) |
| Former channel number(s) | The Fairly OddParents - TV.com |
| what's up with danity kane | ireland automatic doors service (1988-1998) report file size nagios windows / beyonce barack obama spoof (1998-2006) |
| foreclosure infomation appraisers and inspectors | 50 family health plan cost 420 kW (WOLF-DT3) |
| ron paul's skeletons in the closet | 243 m 488 m (WOLF-DT3) |
| cornelia meyer egbert rimkus death valley | 52075 73375 (WOLF-DT3) |
| Transmitter coordinates | cal mart grocery store san francisco why is coal a nonmineral (WOLF-DT3) |
The Fairy Odd Parents Abra Catastrophe The Movie! on Vimeo
Dec 22, 2010 . The Fairly Odd Parents Abra Catastrophe And The Fairly Odd Parents, and all related characters, images and logos are registered trademarks .
http://vimeo.com/18103990
Watch The Fairly OddParents Episodes Online | TVGuide.com
Watch full episodes of The Fairly OddParents on TVGuide.com.
http://video.tvguide.com/Shows/Fairly+OddParents
Where to watch full episodes online of fairly odd parents
You can watch some full epiosdes of fairly odd parents on youtube. . What is the Fairly Odd Parents episode where men and women each have there own side .
http://wiki.answers.com/Q/Where_to_watch_full_episodes_online_of_fairly_odd_parents
Contents |
[on fire loyd banks video] History
The Fairly OddParents Episodes | Watch The Fairly ... - Nickelodeon
Watch free The Fairly OddParents online videos including full episodes and clips only on Nickelodeon Australia.
http://www.nickelodeon.com.au/shows/the-fairly-odd-parents/0fvug8
The Fairly OddParents Episodes | Watch Fairly OddParents Online ...
The Fairly OddParents: "One Man Banned". He might get pelted with tomatoes when he sings but Timmy will be a famous musical star! Watch The Fairly .
http://www.nick.com/videos/fairly-oddparents-videos/
The Fairly OddParents Episodes | Watch The Fairly OddParents ...
Watch free The Fairly OddParents online videos including full episodes and clips only on Nickelodeon Africa.
http://www.nickelodeonafrica.com/shows/the-fairly-odd-parents/0fvug8
Fairly Odd Parents Wishology Part 1 The Big Beginning - YouTube
Aug 12, 2009 . Watch Fairly odd Parents Wishology The Big Beginning online for free!! Here are the parts 1 to 6: Part 1: http://my.spill.com/video/fop-hd-wish.
http://www.youtube.com/watch?v=lXBOXGNSWUk
Watch The Fairly Odd Parents Online Free
Watch The Fairly Odd Parents Online, Name: The Fairly Odd .
http://www.tvduck.com/The-Fairly-Odd-Parents.html
Watch The Fairly Odd Parents Episodes Online | TV Shows | SideReel
Watch The Fairly Odd Parents online for free. Get the latest The Fairly Odd Parents TV Shows, seasons, episodes, news and more. The Fairly OddParents is an .
http://www.sidereel.com/The_Fairly_Odd_Parents
Watch The Fairly OddParents online - Watch Movies Online, Full ...
Watch The Fairly OddParents online for free. Download The Fairly OddParents movie at movie2k.to.
http://www.movie2k.to/The-Fairly-OddParents-watch-tvshow-2764267.html
Watch The Fairly OddParents Free Online
Watch The Fairly OddParents TV Show Free Online. Full The Fairly OddParents Episodes Streaming.The Fairly Odd Parents is a totally out-of-this-world cartoon .
http://www.ovguide.com/tv/the_fairly_oddparents.htm
Fairly OddParents Where's the Wand - YouTube
Mar 17, 2009 . From 2005 Here's The Episode Where's The Wand From The Fairly Oddparents Video c2005 by Viacom International Inc. all rights reserved.
http://www.youtube.com/watch?v=m2Rfbkyw-PQ
Watch The Fairly Odd Parents Online - Full Episodes of Season 9 to ...
Watch The Fairly Odd Parents Full Episodes Online. The Fairly Odd Parents has 128 episodes from 8 seasons to watch streaming videos, clips, reviews, .
http://www.yidio.com/show/the-fairly-odd-parents
The Fairly OddParents (TV Series 2001 ) - IMDb
Kids' Choice Awards Live Stream Watch Nick's 2013 KCAs Online . The Fairly OddParents -- When Timmy realizes that everyone in Dimmsdale has a pet .
http://www.imdb.com/title/tt0235918/
[marine i love you] Digital channels
| Channel | Name | pass your driving test uk | bristol maine rivers and lakes | Programming |
|---|---|---|---|---|
| 53.1 | watch the fairly odd parents online DT | what is an asp repeater | renting a handcap accessible van | Main watch the fairly odd parents online programming / MyNetworkTV |
| 53.2 | WOLF DT | recessed gas cap conversion | glass beading intake manifold | Simulcast of mountain view laser eye surgery |
| 53.3 | WSWB DT | 480i | 4:3 | Simulcast of veronique at longwood towers |
Play fairly odd parents games
Homepage » Search results for: fairly odd parents . Fairly Odd Parents: Yugopotamia Mania . Watch your step in this Fairly unfair game! . With an ever- expanding showcase of free online games, GameGape.com is regarded for its high .
http://www.gamegape.com/view-sresult-word-666169726c792d6f64642d706172656e7473
[calgary fairs fare books] References
[brandy taylor best dvd] External links
- texas corporation public regulation commission
- peter tilton nj bayville
- find senior sales executive
- how many newspapers in lincoln nebraska
- mann blinded by the light
- good eats power bars
|
|


SuperInstance¶
Each COBRAS variant has its own super-instance type. The specific super-instance decides how the representative of a super-instance is chosen and provides a way to calculate the distance between two super-instances (used for querying the closest super-instances first while merging)
-
class
cobras_ts.superinstance.
SuperInstance
(data, indices, train_indices, parent=None)¶ A class representing a super-instance used in the COBRAS algorithm
-
__init__
(data, indices, train_indices, parent=None)¶ - Parameters
data – the full dataset
indices – the indices of the instances that are in this super-instance
train_indices – all training indices (i.e. training indices of the full dataset)
parent – the parent super-instance (if any)
-
abstract
distance_to
(other_superinstance)¶ Calculates the distance to the given super-instance This is COBRAS variant specific
- Parameters
other_superinstance – the super-instance to calculate the distance to
- Returns
the distance between this super-instance and the given other_superinstance
-
SuperInstance_DTW¶
-
class
cobras_ts.superinstance_dtw.
SuperInstance_DTW
(data, indices, train_indices, parent=None)¶ -
__init__
(data, indices, train_indices, parent=None)¶ Chooses the super-instance representative based on the affinity matrix under the data argument
-
distance_to
(other_superinstance)¶ Uses the negative entry in the affinity matrix between the two super-instance representatives
note: this is not a correct distance measure but this is not necessary for COBRAS
-
SuperInstance_kmeans¶
-
class
cobras_ts.superinstance_kmeans.
SuperInstance_kmeans
(data, indices, train_indices, parent=None)¶ -
__init__
(data, indices, train_indices, parent=None)¶ Chooses the super-instance representative as the instance closest to the super-instance centroid
-
distance_to
(other_superinstance)¶ The distance between two super-instances is equal to the distance between there centroids
-
SuperInstance_kShape¶
-
class
cobras_ts.superinstance_kshape.
SuperInstance_kShape
(data, indices, train_indices, sbd_centroid=None, parent=None)¶ -
__init__
(data, indices, train_indices, sbd_centroid=None, parent=None)¶ If sbd_centroid is given the instance that has the smallest distance to the sbd_centroid is chosen as representative Otherwise the representative index is simply the first instance in this super-instance
-
distance_to
(other_superinstance)¶ The distance between two super-instances is the distance between their sbd centroids
-


Description
Shawy Adventures is a Retro Action Platformer inspired on the early Game Boy games. Help Shawy with his first adventure, recover the stolen sacred stones and became rich and famous.
History
Shawy Adventures started back in Novemeber 2016, the first commit dates 9 Nov 2016 :). First starting as a demonstration for the Open Advanced Music Library project and then moving to a project in itself. The first idea was to use exactly the same specifications that the Game Boy used to have, using the greenish 4-colors and 160x144 pixels for the screen. Later, the project moved to its own dimensions using now 228x128 pixels and different combinations of 4-color palettes. The same happens in the Soundtrack, first it is more limited, using only 4 tracks (2 squares, 1 wave and 1 noise). And later expanding the tracks if the song required it. All these changes give Shawy Adventures its own unique style, even if it's still inspired by the aesthetics of the Game Boy.
Features
- Retro Action Platformer.
- Pixel Art style using a 4-color palette.
- Adaptive and unique soundtrack.
- 15+ areas to explore.
- Find secrets and get your score as high as possible.
- For Windows, Mac and Linux (64bit).
Videos
Beta Trailer — YouTube
Alpha Trailer — YouTube
Images
Logo & Icon
Widgets
Shawy Adventures Credits
- Marcelo Fernandez
- Coding, Level Design, Music and Sound Effects
- Nathan Ray
- Pixel Art
- JC Noir
- Extra Story Contributions
- Janaina Zomer
- Logo Design, Collaborator, Testing
Contact
- Inquiries
-<EMAIL_ADDRESS>- instagram.com/ShawyAdventures
- twitter.com/ShawyAdventures
- facebook.com/ShawyAdventures
- Web
- shawyadventures.github.io


Peanut Butter & Jelly!
Welcome to a game of Ping Pong!
(Revamped as Peanut Butter & Jelly)
Here are the Rules:
This game of Ping Pong will take your number, count up to that number from 1 with some fun exceptions:
1. Numbers divisible by 3 will be replaced with Peanut Butter!
2. Numbers divisible by 5 will be replaced with Jelly!
3. Numbers divisible by both 3 and 5 will be replaced with
Peanut Butter & Jelly!
Yum!
Enter a number:
Submit
Play Again!
Created by Ashley Maceli with the help of
Epicodus


This jQuery plugin makes simple clientside form validation easy, whilst still offering plenty of customization options. It makes a good choice if you’re building something new from scratch, but also when you’re trying to integrate something into an existing application with lots of existing markup. The plugin comes bundled with a useful set of validation methods, including URL and email validation, while providing an API to write your own methods. All bundled methods come with default error messages in english and translations into 37 other languages.
For a quick overview of what this plugin provides, check out this Webucator video (they also provide jQuery trainings):
The plugin was initially written and maintained by Jörn Zaefferer, a member of the jQuery team, lead developer on the jQuery UI team and maintainer of QUnit. It was started back in the early days of jQuery in 2006, and updated and improved since then.
Starting with Version 1.15.0 Markus Staab took over the maintenance of the codebase in February 2016. Since July 2016 Brahim Arkni assisted Markus, and a few months later Brahim joined the jQuery Validation core team.
bower install jquery-validation
Install-Package jQuery.Validation
npm i jquery-validation


EMILY LEBER / FOR THE POST
For many college entrepreneurs, it can be hard to scrounge up enough money and find the resources to get their ideas off the ground, but some students in the Voinovich School and the College of Business are looking to change that.
C-Suite, a project to help students on campus with startup ideas find workspaces and resources, has been in the works for two years and will launch in about a year and a half. Lori Bentz, former president of University Entrepreneurs, and Alex Kneier an Ohio University alumnus started work on the project after both participating in the University Innovation Fellowship program, which sent them to Stanford University for six weeks to study entrepreneurship.
“The (media) that they work with ... really help you to better understand entrepreneurship and the ways that students can get involved, so that you can go back on your campus and be a change agent,” Faith Voinovich, sophomore studying chemical and biomolecular engineering and student co-leader of C-Suite said.
Voinovich has been working on the project for over a year now and is a student co-leader with Colin Espinosa, a senior studying accounting and finance. They were brought onto the project within six months of the startup and have been working together on the design phase.
During his sophomore year, Espinosa had been working on a similar project — a fund to help provide capital for students starting small businesses. The two projects were similar enough that Espinosa became the co-student lead on C-Suite and his project is incorporated within.
“I feel (students are) just not served because TechGROWTH Ohio has these large amounts of money to fund, but there’s nothing for us students, just small micro-grants of $1,000, $2,000,” Espinosa said.
Espinosa, who will be graduating this year, hopes to continue to assist on the project and “to be an ear for people.” Espinosa said the plan is to have graduates step into an advisory role in the project.
The Center for Entrepreneurship housed the program at the beginning, but Espinosa and Voinovich are now working out of the Central Classroom Building on West Union Street, and are putting together the designs for how the program will work.
They will officially launch fall 2018, but Voinovich said they will probably be able to have a “soft launch” and open for business about six months before that.
“The soft launch includes programming, just kind of getting students in a little bit to see the space, kind of work on getting it figured out, smoothing out any of the bumps that we run into early on and then do the official ribbon cutting,” she said.
Photos by: Matt Starkey / Photo Editor
Developed by: Seth Archer / Digital Managing Editor


typealias CommandStringMap = MutableMap<ICommand<*>, String>
Represents a mutable map of ICommand to String, used in subcommmand parsing. The opposite of CommandMap.
See Also
CommandParser


Speed up bulk-exists check with python sets
Posted on Sat 01 August 2020 in Better Django
The .exists()
function of Django's ORM is very useful. However, if you need to do this in bulk (think hundreds of thousands or more), this becomes a strain on your database. Let's say you are fetching records from an external system, and if the record doesn't exist locally, you need to do something:
for item in external_records:
if not Data.objects.filter(external_id=item.id).exists():
# Do something
If you are working with a large quantity of records, this will flood your DB with queries. Instead, you could first pull all external_id
values from the DB:
existing_ids = Data.objects.all().values_list("external_id", flat=True)
for item in external_records:
if item.id not in existing_ids:
# Do something
But again, for large volumes of data, this will be slow in terms of computing time. The trick is to use a set
instead of a list
. The python in
operator performs much, much better for sets, since items in sets are guaranteed to be unique. The above code thus becomes:
existing_ids = set(Data.objects.all().values_list("external_id", flat=True))
for item in external_records:
if item.id not in existing_ids:
# Do something
A very simple change that increases performance dramatically.
(Code above can be found on GitHub)


Item. Establish ground rules for discussion. A suggested set of ground rules is provided in A Note for Students. You can ask the class if they have other rules they would like to add.


 It also presents advertisements which is how it makes it money.
This page is very clean. It is designed to entice the users to provide content rather than read content. It also provides links to other apps that Google provides. There is no advertising here. That comes later once the user has done a search. The advertising targets the interests of users.
AINT IT COOL NEWS
This page wants presents a number of interesting story titles that will draw a user in. It organizes the stories by category. The page also presents advertisements to generate revenue.


JavaScript is disabled on your browser.
Skip navigation links
Overview
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Use
Tree
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Package org.davidmoten.oa3.codegen.test.library.schema
Class Summary
Class
Description
Abstract
Audiobook
Audiobook.Builder
Audiobook.BuilderWithBook
Audiobook.BuilderWithVoices
Audiobook.Voices
Book
Book.Builder
Book.BuilderWithAuthor
Book.BuilderWithAuthorId
Book.BuilderWithIsbn
Book.BuilderWithItemId
Book.BuilderWithLanguage
Book.BuilderWithPublishedYear
Book.BuilderWithTitle
ContinuationToken
Id
ISBN
ISSN
Item
Item.Deserializer
ItemId
Loan
Loan.Builder
Loan.BuilderWithDueDate
Loan.BuilderWithItemId
Loan.BuilderWithStartDate
Loan.BuilderWithUserId
PersonName
Serial
Serial.Builder
Serial.BuilderWithIssn
Serial.BuilderWithItemId
Serial.BuilderWithLanguage
Serial.BuilderWithPublishedDate
Serial.BuilderWithPublisherId
Serial.BuilderWithTitle
User
User.Builder
User.BuilderWithEmail
User.BuilderWithFirstName
User.BuilderWithLastName
UserId
UserIdWrapped
UsersPage
UsersPage.Builder
UsersPage.BuilderWithUsers
UsersPage.Users
UserWithId
UserWithId.Builder
UserWithId.BuilderWithUser
UserWithId.BuilderWithUserIdWrapped
UserWithId.Deserializer
Year
Enum Summary
Enum
Description
Language
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Copyright © 2023. All rights reserved.


Everyone in this world is unique in his or her own ways, choosing to understand someone is harder than believing what you see, just remember this site is just information about me.
"Will not be judged by the color of their skin but by the content of their character." - Martin Luther King Jr.


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| PREV NEXT | FRAMES NO FRAMES |
| Packages that use AbstractMenuAction | |
|---|---|
| domosaics.ui.actions | |
| domosaics.ui.io.menureader | |
| domosaics.ui.views.domainview.actions | |
| domosaics.ui.views.view | |
| domosaics.ui.views.view.actions |
| Uses of AbstractMenuAction in domosaics.ui.actions |
|---|
| Subclasses of AbstractMenuAction in domosaics.ui.actions | |
|---|---|
class |
CreateDomainTreeAction
CreateDomainTreeAction opens the wizard for creating domain trees |
class |
CreateSpeciesTreeAction
|
class |
CreateTreeAction
|
class |
ImportDataAction
ImportDataAction opens a wizard to import data like sequences, trees and domain arrangements. |
class |
LoadBigExampleDataAction
Loads the big example dataset |
class |
LoadProjectAction
|
class |
LoadSmallExampleDataActon
Loads the big small example dataset |
class |
SaveProjectAction
|
class |
ShowAnnotatorAction
Opens a new AnnotatorFrame |
class |
ShowConfigurationAction
Opens the configuration frame to specify lookup adresses |
class |
ShowManualAction
Opens the AnGSTD manual |
| Uses of AbstractMenuAction in domosaics.ui.io.menureader |
|---|
| Methods in domosaics.ui.io.menureader that return AbstractMenuAction | |
|---|---|
AbstractMenuAction |
MenuActionManager.getAction(java.lang.Class<?> clazz)
Gives access to all loaded actions. |
AbstractMenuAction |
DefaultMenuActionManager.getAction(java.lang.Class<?> clazz)
Gives access to all loaded actions. |
| Methods in domosaics.ui.io.menureader with parameters of type AbstractMenuAction | |
|---|---|
void |
MenuActionManager.addAction(java.lang.Class<?> clazz,
AbstractMenuAction action)
Adds an action to the manager defined within a xml formatted menu file. |
void |
DefaultMenuActionManager.addAction(java.lang.Class<?> clazz,
AbstractMenuAction action)
Adds an action to the manager defined within a xml formatted menu file. |
| Uses of AbstractMenuAction in domosaics.ui.views.domainview.actions |
|---|
| Subclasses of AbstractMenuAction in domosaics.ui.views.domainview.actions | |
|---|---|
class |
CollapseSameArrangementsAction
|
class |
CreateViewUsingSelectionAction
|
class |
FindArrangementAction
|
class |
FindDomainAction
|
class |
FitDomainsToScreenAction
|
class |
MsaViewAction
|
class |
ProportionalViewAction
|
class |
SaveXdomFileAction
|
class |
SelectDomainArrangementsAction
|
class |
SelectSequencesAction
|
class |
ShowDistMatrixAction
|
class |
ShowDomainGraphAction
|
class |
ShowDomainLegendAction
|
class |
ShowDomainMatrixAction
|
class |
ShowDomainRulerAction
|
class |
ShowDotplotAction
|
class |
ShowShapesAction
|
class |
ShowStatisticsAction
|
class |
UnproportionalViewAction
|
| Uses of AbstractMenuAction in domosaics.ui.views.view |
|---|
| Methods in domosaics.ui.views.view that return types with arguments of type AbstractMenuAction | |
|---|---|
java.util.Iterator<AbstractMenuAction> |
ViewActionManager.getActions()
Return an iterator object iterating over all loaded actions |
| Uses of AbstractMenuAction in domosaics.ui.views.view.actions |
|---|
| Subclasses of AbstractMenuAction in domosaics.ui.views.view.actions | |
|---|---|
class |
CloseAction
|
class |
ExportViewAsImageAction
ExportViewAsImageAction exports a view (or the actual focused tool) as image within the format specified by the triggering MenuItems name. |
class |
ToggleZoomModeAction
|
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Class provides simulated inheritance in JavaScript. Use clss to bridge the gap between jQuery's functional programming style and Object Oriented Programming. It is based off John Resig's Simple Class Inheritance library. Besides prototypal inheritance, it includes a few important features:
The Get Started with jQueryMX has a good walkthrough of $.Class.
Before learning about Class, it's important to understand the difference between a class's static and prototype properties.
//STATIC
MyClass.staticProperty //shared property
//PROTOTYPE
myclass = new MyClass()
myclass.prototypeMethod() //instance method
A static (or class) property is on the Class constructor function itself and can be thought of being shared by all instances of the Class. Prototype propertes are available only on instances of the Class.
The following creates a Monster class with a name (for introspection), static, and prototype members. Every time a monster instance is created, the static count is incremented.
$.Class('Monster',
/* @static */
{
count: 0
},
/* @prototype */
{
init: function( name ) {
// saves name on the monster instance
this.name = name;
// sets the health
this.health = 10;
// increments count
this.constructor.count++;
},
eat: function( smallChildren ){
this.health += smallChildren;
},
fight: function() {
this.health -= 2;
}
});
hydra = new Monster('hydra');
dragon = new Monster('dragon');
hydra.name // -> hydra
Monster.count // -> 2
Monster.shortName // -> 'Monster'
hydra.eat(2); // health = 12
dragon.fight(); // health = 8
Notice that the prototype init function is called when a new instance of Monster is created.
When a class is extended, all static and prototype properties are available on the new class.
If you overwrite a function, you can call the base class's function by calling
this._super
. Lets create a SeaMonster class. SeaMonsters are less
efficient at eating small children, but more powerful fighters.
Monster("SeaMonster",{
eat: function( smallChildren ) {
this._super(smallChildren / 2);
},
fight: function() {
this.health -= 1;
}
});
lockNess = new SeaMonster('Lock Ness');
lockNess.eat(4); //health = 12
lockNess.fight(); //health = 11
You can also inherit static properties in the same way:
$.Class("First",
{
staticMethod: function() { return 1;}
},{})
First("Second",{
staticMethod: function() { return this._super()+1;}
},{})
Second.staticMethod() // -> 2
Namespaces are a good idea! We encourage you to namespace all of your code. It makes it possible to drop your code into another app without problems. Making a namespaced class is easy:
$.Class("MyNamespace.MyClass",{},{});
new MyNamespace.MyClass()
Often, it's nice to create classes whose name helps determine functionality. Ruby on Rails's ActiveRecord ORM class is a great example of this. Unfortunately, JavaScript doesn't have a way of determining an object's name, so the developer must provide a name. Class fixes this by taking a String name for the class.
$.Class("MyOrg.MyClass",{},{})
MyOrg.MyClass.shortName //-> 'MyClass'
MyOrg.MyClass.fullName //-> 'MyOrg.MyClass'
The fullName (with namespaces) and the shortName (without namespaces) are added to the Class's static properties.
Class provides static and prototype initialization functions. These come in two flavors - setup and init. Setup is called before init and can be used to 'normalize' init's arguments.
$.Class("MyClass",
{
setup: function() {} //static setup
init: function() {} //static constructor
},
{
setup: function() {} //prototype setup
init: function() {} //prototype constructor
})
Setup functions are called before init functions. Static setup functions are passed the base class followed by arguments passed to the extend function. Prototype static functions are passed the Class constructor function arguments.
If a setup function returns an array, that array will be used as the arguments for the following init method. This provides setup functions the ability to normalize arguments passed to the init constructors. They are also excellent places to put setup code you want to almost always run.
The following is similar to how jQuery.Controller.setup makes sure init is always called with a jQuery element and merged options even if it is passed a raw HTMLElement and no second parameter.
$.Class("jQuery.Controller",{
...
},{
setup: function( el, options ) {
...
return [$(el),
$.extend(true,
this.Class.defaults,
options || {} ) ]
}
})
Typically, you won't need to make or overwrite setup functions.
Init functions are called after setup functions.
Typically, they receive the same arguments
as their preceding setup function. The Foo class's init
method
gets called in the following example:
$.Class("Foo", {
init: function( arg1, arg2, arg3 ) {
this.sum = arg1+arg2+arg3;
}
})
var foo = new Foo(1,2,3);
foo.sum //-> 6
Similar to jQuery's proxy method, Class provides a
proxy
function that returns a callback to a method that will always
have
this
set to the class or instance of the class.
The following example uses this.proxy to make sure
this.name
is available in show
.
$.Class("Todo",{
init: function( name ) {
this.name = name
},
get: function() {
$.get("/stuff",this.proxy('show'))
},
show: function( txt ) {
alert(this.name+txt)
}
})
new Todo("Trash").get()
Callback is available as a static and prototype method.
To create a Class call:
$.Class( [NAME , STATIC,] PROTOTYPE ) -> Class
{optional:String}
If provided, this sets the shortName and fullName of the class and adds it and any necessary namespaces to the window object.
{optional:Object}
If provided, this creates static properties and methods on the class.
{Object}
Creates prototype methods on the class.
When a Class is created, the static setup and [jQuery.Class.static.init init] methods are called.
To create an instance of a Class, call:
new Class([args ... ]) -> instance
The created instance will have all the prototype properties and methods defined by the PROTOTYPE object.
When an instance is created, the prototype setup and init methods are called.
new $.Class() -> jquery.class
{jquery.class}


"ASH "(Hebrews o’ren, “tremulous”), mentioned only Isaiah 44:14 (R.V.,“fir tree”). It is rendered “pine tree” both in the LXX. and Vulgate versions. There is a tree called by the Arabs aran, found still in the valleys of Arabia Petraea, whose leaf resembles that of the mountain ash. This may be the tree meant. Our ash tree is not known in Syria.
"ASH "(Hebrews o’ren, “tremulous”), mentioned only Isaiah 44:14 (R.V.,“fir tree”). It is rendered “pine tree” both in the LXX. and Vulgate versions. There is a tree called by the Arabs aran, found still in the valleys of Arabia Petraea, whose leaf resembles that of the mountain ash. This may be the tree meant. Our ash tree is not known in Syria.


| Total net profit | -36.11 | Gross profit | 87.18 | Gross loss | -123.29 |
| Profit factor | 0.71 | Expected payoff | -0.35 | ||
| Absolute drawdown | -36.11 | Maximal drawdown (%) | 44.88 (511.74%) | ||
| Total trades | 103 | Profit trades (% of total) | 51 (49.51%) | Loss trades (% of total) | 52 (50.49%) |
| Long positions (won %) | 54 (51.85%) | Short positions (won %) | 49 (46.94%) | ||
| Largest | profit trade | 6.66 | loss trade | -13.32 | |
| Average | profit trade | 1.71 | loss trade | -2.37 | |
| Minimum | profit trade | 0.0 | loss trade | -0.05 | |
| Maximum | take profit in pips | 0.0 | stop loss in pips | 0.0 | |
| Average | take profit in pips | 0.0 | stop loss in pips | 0.0 | |
| Minimum | take profit in pips | 0.0 | stop loss in pips | 0.0 | |
| Maximum | Reward-Risk | 0.0 | Duration in minutes | 5959 | |
| Average | Reward-Risk | 0.0 | Duration in minutes | 848.6 | |
| Minimum | Reward-Risk | 0.0 | Duration in minutes | 11 | |
| Maximum | consecutive wins (profit in money) | 7.0 (14.24) | consecutive losses (loss in money) | 8.0 (-15.11) | |
| Average | consecutive wins | 2.0 | consecutive losses | 2.0 |
| Total net profit | -23.69 | Gross profit | 45.91 | Gross loss | -69.6 |
| Profit factor | 0.66 | Expected payoff | -0.44 | ||
| Absolute drawdown | -23.69 | Maximal drawdown (%) | 37.89 (266.83%) | ||
| Total trades | 54 | Profit trades (% of total) | 28 (51.85%) | Loss trades (% of total) | 26 (48.15%) |
| Largest | profit trade | 5.61 | loss trade | -13.32 | |
| Average | profit trade | 1.64 | loss trade | -2.68 | |
| Minimum | profit trade | 0.07 | loss trade | -0.05 | |
| Maximum | take profit in pips | 0.0 | stop loss in pips | 0.0 | |
| Average | take profit in pips | 0.0 | stop loss in pips | 0.0 | |
| Minimum | take profit in pips | 0.0 | stop loss in pips | 0.0 | |
| Maximum | Reward-Risk | 0.0 | Duration in minutes | 3336.0 | |
| Average | Reward-Risk | 0.0 | Duration in minutes | 857.8 | |
| Minimum | Reward-Risk | 0.0 | Duration in minutes | 11.0 | |
| Maximum | consecutive wins (profit in money) | 6.0 (18.98) | consecutive losses (loss in money) | 5.0 (-4.44) | |
| Average | consecutive wins | 2.0 | consecutive losses | 2.0 |
| Total net profit | -12.42 | Gross profit | 41.27 | Gross loss | -53.69 |
| Profit factor | 0.77 | Expected payoff | -0.25 | ||
| Absolute drawdown | -12.42 | Maximal drawdown (%) | 18.92 (291.08%) | ||
| Total trades | 49 | Profit trades (% of total) | 23 (46.94%) | Loss trades (% of total) | 26 (53.06%) |
| Largest | profit trade | 6.66 | loss trade | -9.59 | |
| Average | profit trade | 1.79 | loss trade | -2.06 | |
| Minimum | profit trade | 0.0 | loss trade | -0.18 | |
| Maximum | take profit in pips | 0.0 | stop loss in pips | 0.0 | |
| Average | take profit in pips | 0.0 | stop loss in pips | 0.0 | |
| Minimum | take profit in pips | 0.0 | stop loss in pips | 0.0 | |
| Maximum | Reward-Risk | 0.0 | Duration in minutes | 5959.0 | |
| Average | Reward-Risk | 0.0 | Duration in minutes | 838.5 | |
| Minimum | Reward-Risk | Duration in minutes | 19.0 | ||
| Maximum | consecutive wins (profit in money) | 5.0 (14.02) | consecutive losses (loss in money) | 5.0 (-14.02) | |
| Average | consecutive wins | 2.0 | consecutive losses | 2.0 |


Welcome to my first website, where I code the entire thing myself. If you want to check out my fully decked out site, see The Hungry Nerd (the origin).
This is a link to my LinkedIn Profile
This webpage was last modified on .


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Production information per Shed
| Description | Amount |
|---|
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| Month | Earnings | Expected | Difference |
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Production per Year is :


Windy Shaoring:
The principal always gets mad at me and never lets me play with my monster friends. But now I am hungry and miss my orphan friends. I shall go back. Here, take this present from me. My monster friend gave it to me. Isn't it pretty?


Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Serves
Serves 4
Dietary
The longer you cook the onions, the richer the flavour for this stunning creamy onion tart that’s easy on the wallet as well as the taste buds. This is designed to be a low cost recipe.
For the pastry, sift the flour into a mixing bowl and add a pinch of salt. Add the butter and rub together with your fingertips until the mixture resembles breadcrumbs and all the butter is combined.
Add one to two tablespoons of water and mix to bring the mixture together as a dough. If it seems too dry add another tablespoon of water. Form into a ball and flatten into a disc, wrap in clingfilm and leave it to rest in the fridge for half an hour.
Preheat the oven to 180C/350F/Gas 4.
For the filling, heat a large heavy-based frying pan or saucepan over a medium heat. Add the butter and, once melted, stir in the onions along with a pinch of salt. Reduce the heat to medium low and cook the onions for 20-30 minutes, or until golden-brown and completely softened. Stir them often and make sure that none burn or stick to the bottom of the pan. Stir in the thyme.
Remove the pastry from the fridge and roll out until the thickness of a £1 coin. Grease a 20cm/8in or 23cm/9in tart tin with butter and line the tin with the pastry, pressing it into the edges. Place in the preheated oven and bake for 10 minutes. Remove, brush the base and inside edges with a little of the beaten egg, place back in the oven for five minutes and then remove.
Mix the remaining beaten egg with the cream and cooked onions. Season with a pinch of salt and pepper. Spoon the onion mixture into the pastry case and spread evenly.
Place back into the preheated oven and cook for 30-35 minutes, or until the filling is set but with a slight wobble when poked. Remove from the oven and leave to cool for 10 minutes before slicing into wedges and serving. This is also delicious cold.


ppmcolors(1) ppmcolors(1) NAME ppmcolors - generate a color map of all colors of a certain maxval SYNOPSIS ppmcolors [-maxval=maxval] All options can be abbreviated to their shortest unique prefix. You may use two hyphens instead of one to designate an option. You may use either white space or an equals sign between an option name and its value. DESCRIPTION ppmcolors generates a PPM color map containing all the colors repre‐ sentable with a certain maxval. A PPM color map is a regular PPM image that is used by some programs to define a set of colors. ppmcolors generates a one row PPM image that contains one pixel of each color representable by the maxval you choose. The maxval of the PPM image is that maxval. Note that you can change the maxval of the color map by running the output of ppmcolors through pnmdepth. As long as the new maxval is a multiple of the original, the resulting set of colors will be identical. If the new maxval is not a multiple, the resulting set of colors will be slightly different. When you select a maxval of 5 (which is the default), you get a color map of the set of "web safe" colors as defined by Netscape. Most web browsers guarantee that they can produce at least these 216 colors (215 plus black). pnmcolormap is another program to generate a color map. It chooses a set of colors designed to represent the colors in a specified image (or sim‐ ply the set of all the colors in that image, if you choose). pgmramp performs a similar function for PGM images. OPTIONS -maxval=maxval This is the maxval of the generated color map. Default is 5. SEE ALSO pnmdepth(1), pnmcolormap(1), ppmcie(1), ppmrainbow(1), pgmramp(1), ppm(5) AUTHOR By Bryan Henderson, December 2001. 20 December 2001 ppmcolors(1)


Inherits Activity, and com.ualberta.team17.view.IQAView.
|
|
static final String | QUESTION_ID_EXTRA = "question_id" |
| |
|
|
void | onActivityResult (int requestCode, int resultCode, Intent data) |
| |
|
|
QAController | mController |
| |
|
QABodyAdapter | mAdapter |
| |
|
Fragment | mRelatedQuestions |
| |
| com.ualberta.team17.view.QuestionViewActivity.QuestionViewActivity |
( |
| ) |
|
| void com.ualberta.team17.view.QuestionViewActivity.addAnswers |
( |
AnswerItem... |
answers | ) |
|
Adds all answers passed to it to the QABody list
- Parameters
-
| answers | A list of AnswerItems. |
| void com.ualberta.team17.view.QuestionViewActivity.addComments |
( |
CommentItem... |
comments | ) |
|
Adds all comments to their corresponding parent Question/Answer by the id.
- Parameters
-
| comments | A list of CommentItems. |
| QABodyAdapter com.ualberta.team17.view.QuestionViewActivity.createNewAdapter |
( |
| ) |
|
Creates a new adapter for the list content.
- Returns
- A new QABody adapter.
| List<QABody> com.ualberta.team17.view.QuestionViewActivity.getQABodies |
( |
| ) |
|
Getter for the QABodies.
- Returns
- The list of QABodies.
| QuestionItem com.ualberta.team17.view.QuestionViewActivity.getQuestion |
( |
| ) |
|
| void com.ualberta.team17.view.QuestionViewActivity.onCreate |
( |
Bundle |
savedInstanceState | ) |
|
Initializes data depending on what is passed in the intent. Creates adapters and listeners for all data interactions that will happen.
| boolean com.ualberta.team17.view.QuestionViewActivity.onCreateOptionsMenu |
( |
Menu |
menu | ) |
|
Creates the toolbar at the top of the app.
| boolean com.ualberta.team17.view.QuestionViewActivity.onOptionsItemSelected |
( |
MenuItem |
item | ) |
|
Use this to respond to specific action clicks.
| void com.ualberta.team17.view.QuestionViewActivity.setQuestion |
( |
QuestionItem |
question | ) |
|
Sets the question.
Also removes the old question from the list of QABodies and adds the new one.
- Parameters
-
| question | The question to use. |
| void com.ualberta.team17.view.QuestionViewActivity.update |
( |
QAModel |
model | ) |
|
The documentation for this class was generated from the following file:
- C:/Users/Corey/git/Team17Project/moqa/src/com/ualberta/team17/view/QuestionViewActivity.java


Eunice Khoury has been an Independent Insurance Agent since 1989 and is licensed in Oklahoma, Arkansas, Kansas and Texas. Eunice specializes in Medicare, Long Term Care, Annuities, and Life Insurance. If you have not prepared yourself for the life events like illness, retirment living/assisted living costs, or just making sure you don’t outlive your money, Eunice can help! If you're looking for an independent agent to help you with your insurance and retirement planning needs, Eunice Khoury can offer you good information and help you create your best plan.
Patrick Munnerlyn is a Investment Advisor Representative. We've changed our company’s name from "Eunice Khoury Insurance Agency" to “The Well Preserved Advisory Group” because our services we now offer go beyond the scope of an Insurance Agency. Through Patrick, we can now offer investment recommendations and portfolio management for either a flat fee or a % under management.
Lela Phillips is a proud Oklahoma Native and studied Psychology at West Texas A&M University. She has dedicated several years to working with people with special needs. Lela also has a special place in her heart for seniors and has worked for two amazing senior communities in both Oklahoma City and Dallas, TX. She enjoys traveling and spending quality time with her family and boyfriend. Lela serves as the administrative assistant and thoroughly enjoys working with a dynamic woman such as Eunice and being apart of the Well Preserved team.
Ashli Scott is an Oklahoma Native, happily married for 17 years, raising 3 wonderful daughters in OKC. Her girls are 13, 11, & 8 years old. Ashli loves OKC Thunder, camping, riding bikes, and vacationing at the beach. She enjoys her part-time administrative duties helping out at Well Preserved.


Simulation Menu
When in a non-Headless Simulation, a menu can be accessed by clicking on the "hamburger" menu icon in the bottom left.
Simulation Menu Contents
1) Toggle Menu Bar top#
This button opens or closes the simulator menu bar.
2) Pause/Play Button top#
This button pauses or plays the simulation.
3) Stop Menu top#
This menu is accessed from the Stop button. Confirm or cancel stopping the simulation. Confirmation exits simulator to the main screen.
4) Sensor Menu top#
This menu is accessed from the "eye" button. It lists all sensors on the selected vehicle and allows for the sensors to be visualized, as well as their coordinate transform relative to the parent transform sensor or BaseLink
transform. See Sensor Visualization for more details.
- 4a. Sensor Name
- 4b. Toggle buttons to visualize sensor transform or sensor data
- 4c. Full screen window or close window buttons
- 4d. Click and drag to manually resize window
- 4e. Example of sensor data visualization with GroundTruth3D sensor
- 4f. Example of sensor transform information
5) Interactive Menu top#
This menu is only available in an Interactive Simulation and is accessed from the "sliders" button. It contains tools to change the environment of the simulation at run-time.
- 5a. Time of day slider with a toggle button for freezing time or incrementing time.
- 5b. Environment effect parameter sliders.
- 5c. Toggles for NPC vehicles or Pedestrians.
6) Bridge Menu top#
This menu is accessed from the "plug" button. It lists information on the bridge status as well as all published and subscribed topics. See Bridge Topics for more details.
7) Controls Menu top#
This menu is accessed from the "controller" button. It lists all the keyboard commands in the simulation. Keyboard control for vehicles requires the Keyboard sensor. See Keyboard Shortcuts for more details.
8) Information Menu top#
This menu is accessed from the i
button. It lists the build info as well as any errors, logs, or warnings that are created in the current simulation. To clear all of these messages, click the "Trash can" icon in the bottom right of the menu.
- 8a. Build info and console log data
- 8b. Trash button to delete console log data
- 8c. Frames per second display
9) Simulation Time top#
This timer displays simulation time. {hh:mm:ss:ms}
10) Camera Mode top#
The camera icon in the bottom right indicates if the camera mode is currently follow, cinematic or free-roam. Clicking the camera button cycles between the three camera modes. When switching back to the follow camera, the camera will automatically be positioned behind the active vehicle.
- Follow Mode: Camera remains centered on the selected vehicle.
W
andS
zoom andMouse RightClick
rotates the view around the center of the car. If the view has not been manually rotated, the camera will stay behind the vehicle. - Cinematic Mode: Camera rotates between static views and animated camera movement around the selected vehicle.
- Free-roam Mode: Camera can be moved freely around the map using camera controls.
11) Vehicle Select Menu top#
The vehicle listed in the bottom right is the current active vehicle. This menu is affected by keyboard input 1-0. Selecting a different vehicle will change the view to the follow camera of the selected vehicle. The number preceding each vehicle corresponds to the number key to select the vehicle.


4.1. Cross sections¶
4.1.1. Types of cross section data¶
Cross section data can be stored in several forms in GND. The simplest forms are pointwise and linear, which contain a single region that uses the same interpolation rule throughout. A ‘pointwise’ cross section may use any supported interpolation rule, whereas a ‘linear’ cross section must use linear interpolation on both axes.
Discontinuities are not permitted inside a pointwise region. Instead, they must be implemented at the boundary between two different regions of a piecewise cross section. In this case, each region has its own interpolation and list of X-Y points.
For low-energy incident neutrons, the cross section can be represented best using resonance parameters (see the next section for more detail). In this case, the full cross section includes the sum of the values computed from resonance with the tabulated ‘background’ cross section. This type of data is stored in GND as resonancesWithBackground.
4.1.2. Plotting¶
The plotting tools included with Fudge
require that the cross section first be converted to a single, lin-lin interpolated region.
This can be achieved using the ‘toPointwise_withLinearXYs()’ function. Thus, if you have a
gnd.reactionData.crossSection instance, you can plot it like this (assuming you have installed Gnuplot.py):
>>> crossSection.toPointwise_withLinearXYs().plot()
When using the toPointwiseLinear function, you may encounter the following error:
>>> crossSection.toPointwise_withLinearXYs()
>>> Exception: resonancesWithBackground cross section has not been reconstructed via reactionSuite.reconstructResonances
See the next section for details on how to reconstruct resonances.
4.1.3. Integral checks¶
Not yet implemented.


Update: First New Melbourne Taco Bell Store Location Announced
It’s taking over a former Chinese restaurant on Chapel Street.
by BroadsheetIn a Facebook post in September, Cali-Mex fast-food chain Taco Bell announced it would open its first Victorian stores in Hawthorn and South Yarra by the end of the year.
Today, real estate agents Fitzroys announced the location of one of those stores: Taco Bell has leased the 320-square-metre space formerly occupied by Chinese restaurant Chinacy at 352 Chapel Street, South Yarra.
Taco Bell tried to enter the Australian market in the 1980s and ’90s, but closed. This newest attempt to break into the market launched in Queensland in late 2017, and the company has been slowly rolling out stores since then.
As reported by Smart Company, the roll-out around Australia is being led by two franchising businesses: Collins Foods Limited and Restaurant Brands. Both have sub-franchising agreements with Taco Bell.


We're inviting the WA open geospatial, open data, and mapping community to submit presentations for the upcoming FOSS4G & State of the Map event in Perth. Details are below, with a link to submit your presentation.
We'll have two different types of presentations: full-length talks (15 minutes), and lightning talks (5 minutes).
We want to hear what's happening in open source geospatial, open data, and OpenStreetMap. What are you working on? What's the state of your art? Do you have a success (or failure!) story? Are you developing something new that you want to share, or do you have an interesting perspective on the state of our community?
We want a variety of content from a diverse array of speakers. We're open-minded about what this looks like, but to help get the juices flowing, here are some general themes we'd expect to see:
Everything geospatial: Think anything ‘geo’ related! From hardcore GIS, cartography, geology, geoscience, and remote sensing to historical maps, psychogeography, geocaching, and general mapping nerdery. Any area, project, or challenge where knowing the geo context is key!
Open source geospatial: Think QGIS, PostGIS, Leaflet, OpenLayers, Python, R, GeoServer, MapServer, and the usual suspects, but also, think outside that box. What's the future?
OpenStreetMap & open data: What are you building, what are you using, and what are the obstacles in obtaining, using or opening up your data?
You may be an experienced presenter, or perhaps this is the first time you've ever even considered presenting at a conference. If you have a relevant story to tell, we want to hear from you.
We would love to have a diverse array of speakers, with strong representation across genders, different cultural backgrounds, young & old, and urban & rural. We can only do this if we get the submissions, so please, be brave and do it!
We're here to help you deliver a great presentation. If this is new to you, we can connect you with an experienced speaker to help prepare your submission, or review and advise on how to produce a slide deck. We're happy to brainstorm with you on possible topics, or talk about your idea. Drop us a line at<EMAIL_ADDRESS>The call for presentations is now closed.
We wouldn't be able to make any of this happen without our wonderful sponsors.


I thought I was a fairly competent and accomplished rails developer, for someone who was self taught, never had a job doing rails stuff, and who was young enough that a large part of the community is old enough be my dad.
And then I entered the Rails Rumble for 2012 with @imnotanerd, and spent a desperate 48 hours with my battling oauth, rails internals, Sinatra, cancan, and a Linux server.
At the end, I’ve got a few takeaways.
Come up with two ideas - one that only takes 12 hours to build, the other that takes the full 48.
This saved our bacon. We had two ideas - one was fairly complex. At 8PM Saturday I said “look. We’ve been banging our heads against this for almost 8 man hours. Time to start something else.”
So I did a rails new, and thus Volla was born. Or reborn.
Git is your frenemy.
Git is a blessing and a curse. Commit early, often, push, deploy via Capistrano, repeat.
But make sure that your gitignore is properly updated.
Otherwise, you end up committing 20mb worth of binstubs. And your api keys. Not OK.
Anyway. Don’t do that.
Stay on target…
Enough said. Don’t get distracted by the cool matrix cat or something.
If you don’t succeed, try again. Take a month off, then try that idea again. I learned everything I know about rails because I said “I’ve got two weeks. Let’s building something in 2 hours a day”. (Side note: that’s how I got sucked into Shoes/Hackety Hack, as well as delayed_paperclip. You devote time to something, you will fill it.
Leverage the knowledge of others.
I did the math, and between the two of us, we spent 8 hours man hours trying to figure out sessions in Sinatra. It was at this point I said “stop and move on, lets get this fixed”. Time spent on authentication in rails? 20 minutes. (Authorization though, was closer to an hour, hour and a half)
The lesson to take away from this is that for almost everything you’re doing, someone has invented that wheel already - so for the love of pete, USE IT. Thats the wonderful thing about a community.
If you don’t know what adding $GEM to your gemfile will do, you probably don’t want to do it.
I ran into this - had a gem, added it, broke everything. Removed, worked fine. (Not naming names here, it was some bad code I wrote elsewhere). But adding one gem was enough to break the whole app.
Use a logged chat.
We used skype - this worked, but the logs in skype are… well, less than wonderful. Part of this has to do with Skype for Linux, part of this has to do with Skype in general. If I had to do it again, I’d use Campfire, or even IRC.
Descriptive git commits.
“Fixed bugs” - If you’re guilty of this, raise your hand!
Don’t. Do. This. Ever. Makes code review after the fact hard.
If you’re confident, do some sort of TDD.
This would have cost us time, but saved us trouble. If we had automated testing in place, I would have known that we broke certain things with certain other changes. But… well, hindsight is 20-20.
Hopefully my tips here will be useful for people in the future. If not, oh well. I tried. :)


2 references to GeneratePSBaseMemberSet
System.Management.Automation (2)
engine\MshMemberInfo.cs (2)
4488
ReservedNameMembers.
GeneratePSBaseMemberSet
(_mshOwner);
4749
ReservedNameMembers.
GeneratePSBaseMemberSet
(_mshOwner);


I had tried weed before with some girlfriends, but it was rather lame as none of us really knew what we were doing. All that happened was that we got the ‘munchies’ and, based on my later experiences, I know that our supposed munchies were really just an excuse to eat without feeling guilty.  Under his guidance I smoked two cones of decent weed, and sucked the smoke back into my lungs rather than swilling it around in my mouth as I’d done with the girls. As an ex-swimmer, I held my breath for quite a long time and didn’t actually exhale any visible smoke when I breathed out.
 The effects were immediate. I looked in the mirror and my eyelids were drooping and my eyes were red as a mutherfucker. (Fortunately, my boyfriend had eye drops – naphazoline hci 0.12mg / ml – they worked a treat). We went for a walk through the dark streets.  It was like every step was a still frame, as if my eyes were a camera and every time I blinked a photo of my surroundings was taken. This staccato vision was very different to normal fluid vision and made walking quite a challenge.
I also experienced a rather unreasonable fear that the trees were going to come alive and eat me, but it passed. The other main thing I noticed was that my sense of touch was significantly heightened. I felt very aware of my body and the way it moved, and I could actually feel gravity pulling my feet back down to the ground every time I took a step. The slightest touch on my skin made me gasp, and my first stoned kiss with my boyfriend was amazing. My mouth was incredibly sensitive and I felt intensely horny. Now when I smoke, I tend to focus more on thoughts and feelings, but I’ll never forget the overwhelming physical sensations that arose from my first (proper) smoke.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


This method allows a client to create a new iReport.
guild_id
, reason
, and reporter_id
(the ID of the Discord user who created the iReport - this should be the user who actioned the creation of said report, or, in the case of a iReport Suggestions style feature, the user who allowed ).{
guild_id: 123,
reporter_id: 123
}
If the configuration already exists:
Status: 200 OK
{
created: false
message: "Configuration already exists."
}
If the configuration does not exist:
Status: 200 OK
{
created: true,
preferences: {
_id: guild_id
channel: null,
modrole: null,
approved: false
}
}
To ensure the safety of the iReport network, a guild must be approved by iReport. Please contact the iReport server for more details about how this can be achieved.
For errors responses, see the response status codes documentation.


THE FIFTH ELEMENT A film review by Drew McWeeny Copyright 1997 Drew McWeeny
This marks my first posting to this newsgroup, and I felt it was time to weigh in on a film that has drawn fairly hotly divided response so far. Also, just to correct a statement made in the Flying Inkpot review of the same film, this is in no way, shape, form, or fashion the "most expensive movie ever made." Even if it were, only a moron would think that the budget of a film is the criteria on which to judge it. If it doesn't affect your ticket price, and no one was coereced into spending the money, then what the hell does a budget matter?
Now... on with the review...
At first, the opening of the film seems odd, comic in an almost old-fashioned way. The doddering old archaeologist, the sleepy little boy, the dashing American artist, sketching it all. Even the threat that's introduced (a treacherous priest, a shot of poison) is old-fashioned. Like Spielberg's classic RAIDERS OF THE LOST ARK, this film's opening has a warm, old Hollywood glow about it...
... until the spaceship lands.
The robots that climb out of the ship are ominous, threatening, black and metal, with odd angles and dangerous looking attachments.  They arrive, and collect four stones, opening a secret chamber to do so. One of the humans, understandably upset by this, opens fire on one of the robots, and we gear up for an action scene in which these menacing metal warriors kick into high gear, tearing up everything and everyone in sight. But, for some reason... they don't. There's no firefight. The action beat we're all primed for from our years of immersion in the rhythms of "event" movies never comes. And that's the first clue that we're in for something a little different with Luc Besson's triumphant, if somewhat flawed, new SF epic, THE FIFTH ELEMENT.
Having seen the film three times now, I can honestly say that I have finally "seen" the film. This is one of the most densely detailed pictures I've seen in quite a while, and it's a deserving entry into the pantheon of classic cinema works of imagination. Although I think I still prefer Besson's LEON to this new film, I was sufficiently dazzled to hail the film for what it is. It's an original vision of the future, and it's a richly imagined world into which the audience is invited.
It was Einstein who said, "God is in the details," speaking of the Universe at large. In the world of SF cinema, details are just as crucial. An audience will only believe in a new world if the filmmaker commits to making it feel as real as possible. Audiences are willing to suspend disbelief if the actors and the filmmakers give it their all, really committing to this other place. Mark Hammill may not be a great actor (having just seen the SW Trilogy on the big screen again, I'm less infatuated with him than ever in the first film), but he does have a gift that made him right for those films. He looked like he lived in that world. The way he used the props, the familiarity with it all, the sheer mundanity he managed to convey all sold that reality. We believe because he believes.
Besson has managed to do that here in fits and starts, and when it works, it's transporting. The New York that Bruce Willis' Corbin Dallas lives and works in is a crowded, noisy metropolis that feels totally familar and wildly exotic all at once. It's the sheer volume of air traffic that sells the illusion, the vision of a world grown up, where there's not a wasted bit of space. Besson doesn't just show his city off, though. In fact, he really doesn't show it to us until it makes sense to. There's no masturbatory establishing shots up front, no long boring pans across the city for no reason other than to show off the design. It's only when the action mandates we see the city that Besson finally shows it to us. It's worth the wait, too. Digital Domain deserves an Oscar nomination for their work here, and the early images from TITANIC suggest another one would be due for that. There's a wonderful texture to Besson's vision of the city, and the fact that it's so colorful and so alive is seductive.  People would still live in this New York. There's still things to enjoy here. In fact, if I have a complaint, it's that we don't get to spend enough time on Earth before leaving.
And leave we do. We get to go on a jaunt to the far edge of explored space, where warships face down a big glowing ball of Evil, which seems to be named Mr. Shadow. We also get to go on a cruise around another planet, onboard a cosmic LOVE BOAT that features a perfect recreation of the London Opera House, where an alien diva gives a transcendent performance in one of the film's most bravura sequences, a marvel of cross-cutting, with a perfect blend of sound and image.
The film ends where it begins, back in Egypt, back in that secret room, with the rocks returning from their journey. It's not a terribly surprising ending, but it's a moving one in many ways. There's not the same kind of shoot-'em-up climax that we've come to expect. In fact, the film's bad guys all sort of take each other out, way before the film ends. The threat is dealt with summarily, and is out of the way before we have a chance to really be threatened by it. The film's weak link is dramatic tension. Besson, whose LE FEMME NIKITA and LEON are both slow fuse firecracker suspense pictures, never really gets us suitably worried over whether or not the rocks will be retrieved. In fact, refreshingly, the good guys stay about two steps ahead of evil the whole way through the film.  That's going to frustrate a lot of American audiences. Willis is not the hero we're used to, and it's made all the more strange by the fact that it's Bruce "DIE HARD" Willis we're looking at. This movie's as big a departure for him as PULP FICTION was, no matter how much Columbia tries to sell this as an action film. It's not. It's a journey, with some action here and there along the way. For the most part, Dallas is a reactor, the eyes through which we see these events unfold.
Overall, the performances in this film are a grab bag. Some great, some good, some nearly unwatchable. But the picture is richer for the risks it takes. Milla Jovovich, who's appeared to far less advantage in DAZED & CONFUSED and RETURN TO THE BLUE LAGOON, is marvellous here, brilliant and moving and funny and sexy. The divine language she speaks at the beginning of the movie, a bizarre babble that's indecipherable, is spoken by her with complete conviction, and her quicksilver emotional reactions, ever shifting, are surprisingly well communicated, considering we can't understand her at all. She's "born" in a cloning chamber in a great early scene, using a hand retrieved from a spaceship wreck, and escapes, dragging Willis into all this. She's the driving force of the film, and if Leeloo (her character) doesn't work, then neither does the movie. The person I saw the film with hated the movie, but really liked her work anyway, and I'm predicting she's a major star following this. She easily outdistances the much-overpraised Liv Tyler, who's never had a role half this good.
Ian Holm is very good, but not especially differenct than he is in most films. He's got this bumbling semi-confused character down cold, just as Brion James could play the grizzled, never fully identified military figure who brings Willis back into the fold for one last mission in his sleep. Willis will be accused by many of sleepwalking through this role, but I disagree. I think there's a real laconic ease that he's mastered, and he imbibes Dallas with an unshakable quality that really works for the role. There's a sense of humor to this guy, but it's not all cheap one-liners (the real downfall of Akiva Goldsman's BATMAN & ROBIN script). The audience can laugh with him, not at him. It's a shame Besson keeps returning to one of the film's truly awful ideas, Willis' mother, who only exists as a voice on the phone. She's the stereotypical nagging mother, and pales in comparison to such maternal monsters as Katherine Helmond's Mrs. Lowry in BRAZIL.
Chris Tucker, who was so good in FRIDAY and DEAD PRESIDENTS, may have committed career suicide with his work here. He plays Ruby Red, a ultra-flamboyant radio show host who accompanies prize winner Willis on a cruise around that foreign planet. There is really no way to describe the work he turns in. It's like Little Richard crossed with Nicolas Cage in VAMPIRE'S KISS and PEGGY SUE GOT MARRIED. It's so far out there that you've either got to give in to it, or it will ruin the movie for you. I finally gave in, although I found it grating at times. I commend him for being so game, and for taking the chance. When (and if) he does work again, it's a safe bet it will be in something far more down to earth than this.
Gary Oldman, on the other hand, has officially become the world's most dangerous actor. Nicolas Cage traded the title in when he started taking roles in THE ROCK, CON AIR, FACE/OFF, and SUPERMAN. He's sold out, and hard (I liked FACE/OFF, though, so I'm not complaining that much), leaving Oldman to proceed unchallenged. He plays Zorg, an arms dealer with a thick Southern accent, bizarre plastic hair, and a wicked limp. He also happens to have a simply hysterical gun, introduced in a wonderful scene that recalls all the James Bond/Q sequences, but bigger. There are rumors that there's a sequel to this film already written and ready to shoot (actually, just the other half of the original 400-plus page script) called MR. SHADOW. If that's true, then I'm sorry they killed Oldman's Zorg, who was a great foppish foil, a long slow fuse that never really got to go off with full force.
If you look quickly, there are a number of noteworthy faces that pass by. Bad boy French filmmaker Matthieu Kassovitz (LA HAINE) tries to rob Willis early on in a funny little moment that goes nowhere, like so many of the film's asides. Trip-hop/DJ artist Tricky plays a fairly inconsequential role as one of Oldman's henchmen. Lee Evans, an astonishing physical comedian whose gifts were the highlight of Peter Chesholm's FUNNY BONES, is used to slight effect as a crew member aboard that luxury space cruiser. Some of the quirky casting falls flat, though, with Tiny Lister's turn as The President most notably never coming together.
To sum up, this is a flawed picture, but its flaws only point up what's good about the piece. Besson will no doubt stump many people, even those already familiar with his work. For audiences willing to meet him halfway, though, this is an aural/visual feast with an all-new sensibility.
Drew
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Climate Change, Health, and Populations of Concern
All Americans, at some point in their lives, are vulnerable to the impacts of climate change. Some people are more affected by climate change than others because of factors like where they live; their age, health, income, and occupation; and how they go about their day-to-day lives. Understanding the threats that climate change poses to human health can help us work together to lower risks and be prepared.
EPA has developed communication materials that summarize key points from the U.S. Climate and Health Assessment for eight different populations that are disproportionately affected by climate change impacts. The agency is providing these materials for use and modification for anyone seeking to communicate the health impacts of climate change to a range of audiences.
Communicating vulnerabilities to climate change:
Summary materials from the Climate and Health Assessment
Click on the images below to find communications materials for each population. For summary messages on climate change, health, and all eight populations of concern, download this word document (.docx).


Robust methods for high-dimensional data, in particular linear
model selection techniques based on least angle regression and sparse
regression.
| Version: |
0.5.1 |
| Depends: |
R (≥ 3.2.0), ggplot2 (≥ 0.9.2), perry (≥ 0.2.0), robustbase (≥ 0.9-5) |
| Imports: |
MASS, grDevices, parallel, stats, utils |
| LinkingTo: |
Rcpp (≥ 0.9.10), RcppArmadillo (≥ 0.3.0) |
| Suggests: |
mvtnorm |
| Published: |
2016-01-08 |
| Author: |
Andreas Alfons [aut, cre] |
| Maintainer: |
Andreas Alfons <alfons at ese.eur.nl> |
| License: |
GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| NeedsCompilation: |
yes |
| Materials: |
NEWS |
| CRAN checks: |
robustHD results |