Intel Galileo
Microsoft on Devices
Microsoft started a program called Windows on Devices. Its aim was create a Windows port to be included in embedded devices. The first version of this operating system was developed for Intel Galileo Board. Probably, one of the reasons for Microsoft to choose this board was its i585 CPU. The first windows supported version is the Gen. 1, support for Gen. 2 is on its way!
I was lucky to get a sample from Microsoft (Thanks! Microsoft IoT team!), and after a couple of days testing it really promises. Microsoft has made a really good job, although this Windows version is headless, as this board, it uses the last Windows NT Kernel or at least is what ver command says.
They also have implemented the Wiring API so porting Arduino applications is really easy. Remember that this board shares the same socket with Arduino.
By now, this Windows version has two big handicaps for me (and my ideas):
- .NET Implementation: Although they have ported a small subset of .NET classes it’s impossible to develop a fully working program using this language. If you intend to write really simple programs (like the ones that you write when you start programing) it is fine.
- Win32 API: Some functions have the same entry points, other are just removed and others are renamed. Is really hard to know exactly what has been implemented. It would be useful to have a better documentation of the API Status.
Finally, I’ve two basic goals on mind, the first one is port IOSharp to this platform. But until we have a useful .NET runtime, this will be just out of my control. The second one is use AlterNative to translate .NET assemblies to C++ in order to be able to run on this machine.
Read more information about this fantastic board at Intel Galileo’s page and if you want to know more about the operating system, check Windows on Devices.


English for Korean Speakers
A static website that I worked on personally to practice coding in HTML and CSS. I was a private English tutor during the summer of 2015, and I decided to incorporate my knowledge of web development to create a basic website that my student could access to view homeworks and other resources.


We propose a simple real-time index of global human-induced warming and assess its robustness to uncertainties in climate forcing and short-term climate fluctuations. This index provides improved scientific context for temperature stabilisation targets and has the potential to decrease the volatility of climate policy. We quantify uncertainties arising from temperature observations, climate radiative forcings, internal variability and the model response. Our index and the associated rate of human-induced warming is compatible with a range of other more sophisticated methods to estimate the human contribution to observed global temperature change.


Reads a image file, and places this data into a specified slice of a uniform vector field. ARGB data is stored as vector node data.
macro Build3DAssemble { ilink filename; ilink index; Build3DImageParams &ImageParams<export=1,NEportLevels={2,1}>; Build3DMakeDims Build3DMakeDims { &ImageParams => <-.ImageParams; }; DVM.DVread_image DVread_image { filename => <-.filename; flip = 0; }; XP_COMM_PROJ.Build3D.Build3DMods.Build3DExtractScalar extract_scalar { in_field => <-.DVread_image.out; component => <-.ImageParams.component; }; int+OPort in_data_dims[2] => {4, (Build3DMakeDims.dims[0] * Build3DMakeDims.dims[1] * Build3DMakeDims.dims[2])}; char+OPort in_data<export=1>[in_data_dims[1]][in_data_dims[0]]; FLD_MAP.uniform_vector_field uniform_vector_field { mesh { in_dims => <-.<-.Build3DMakeDims.dims; }; data { in_data => <-.<-.in_data; dims+IPort3 => <-.<-.in_data_dims; }; }; DVM.DVset_slice_data DVset_slice_data { inField => <-.uniform_vector_field.out; sliceField => <-.DVread_image.out; slice => <-.index; }; olink out => .DVset_slice_data.inField; };
The Build3D project consists of a set of macros that build up a 3D model from a set of 2D slices or layers. The 2D layers can be represented by any of the image file formats that AVS/Express supports. The purpose of the Build3DAssemble macro is to perform the low-level task of reading in a single image file and placing that data into the appropriate slice within a uniform vector field. It should be noted that due to the use of a uniform mesh, best results will be obtained when all slices are evenly spaced. This is a limitation of the current macro. In the future it maybe possible to use a rectlinear mesh and thereby allow unevenly spaced layers.
&filename
Reference to a string containing the path and filename of the layer to be loaded.
&index
Reference to an integer specifying the slice of the 3D uniform scalar field that the image file should be read into. To build a complete set of data the index and filename should be changed together so that each image file is read into the appropriate position in the field data. The index number is used to directly index the data array and therefore it should be in the range 0 to the (number of layers - 1), and not in the range start_layer to end_layer. Typically this will require an adjustment to be performed on the loop counter in the calling macro.
&ImageParams
Reference to the parameter block, which contains real instances of the parameters for the Build3DAssemble macro.
resx
The horizontal resolution of the image file. The parameter is of type int. This has to be the same for each layer of the 3D volume. To increase performance the resolution of each file is not determined, instead it is assumed that the supplied value is correct. The actual resolution can be extracted from a single image at a higher level. Normally the value of this parameter is found by referring to the parameter block, which is referenced by the &ImageParams input.
resy
The vertical resolution of the image file. The parameter is of type int. The resolution has to be the same for each layer of the 3D volume. To increase performance the resolution of each file is not determined, instead it is assumed that the supplied value is correct. The actual resolution can be extracted from a single image at a higher level. Normally the value of this parameter is found by referring to the parameter block, which is referenced by the &ImageParams input.
start_layer
The index number of the first layer that the 3D model should be built up from. The parameter is of type int. The indices of the start and end layers are required so that the storage array for the resulting node data can be completely specified. Normally the value of this parameter is found by referring to the parameter block, which is referenced by the &ImageParams input.
end_layer
The index number of the last layer that the 3D model should be built up from. The parameter is of type int. The indices of the start and end layers are required so that the storage array for the resulting node data can be completely specified. Normally the value of this parameter is found by referring to the parameter block, which is referenced by the &ImageParams input.
component
The colour component that should be extracted from the image data and placed in the 3D model. This parameter is not used by the Build3DAssemble macro. Instead the macro outputs vector data containing the alpha, red, blue and green components. The specified component is extracted later. This method enables the colour component to be changed without forcing all the image data to be reread. Normally the value of this parameter is found by referring to the parameter block, which is referenced by the &ImageParams input.
out
The generated 3D block in the form of a uniform vector field with the dimensions specified in the parameter block (i.e. [resx][resy][layers]). The image data for the present layer is stored as a 4 byte vector of node data at each point within the current horizontal layer. The field data will also contain any other image layers that have been previously read. Therefore as each layer is read the field data will change and updates will ripple through the network. If the visualization being performed is lengthy then this is likely to be undesirable and the network should be disconnected while images are being read in. A method of performing this is shown in the Build3DFunc functional macro.
The low-level Build3DAssemble module is used in the Functional Macro Build3DFunc which is in turn used in the User Macro build3D. Additionally, this macro also uses the Build3dImageParams parameter block group object, as does the Build3DUI UI Macro.
Two example applications are provided. The Build3DEg application loads four BMP files that are 4x4 pixels in size, builds a 3D volume from these and displays the volume using an isosurface and a bounding box.
The CreateImageSlicesEg application uses an orthoslice module, a 2D viewer and a write_image module to create TIFF images that represent slices from a volume field. These slices can later be rebuilt into a volume by the build3D macro. This application is unlikely to have any practical usage. Instead it is intended to generate images that build3D can be tested with.
xp_comm_proj/build3d/bl3dmods.v contains the Build3DImageParams group and the Build3DMakeDims, Build3DExtractScalar and Build3DAssemble module V definitions.
xp_comm_proj/build3d/bl3dmacs.v contains the build3D User Macro, the Build3DFunc Functional Macro and the Build3DUI UI Macro.
xp_comm_proj/build3d/bl3dapps.v contains the Build3DEg and CreateImageSlicesEg example application V definitions.
This project relies on the successful installation of the following components. Without them it will not function correctly.
The low-level Build3DMods library inherits its process. As this library contains no procedural code, the process is not important.
Steve Larkin
Jimmy Schumm Paul G. Lever Andrew Dodd


NOTE: Due to the nature of this scanner, it may block close-up facial images.
The Image Filter scans image names and search tags for any of the 'Blocked Filenames'. If a match is found, the image will be replaced. Partial word matches are detected. If a listed word appears as part of a word that is in the image name or search tag, then the image will still be blocked. In other words, if you listed 'porn' as a blocked word, then the word 'pornography' will also be checked, since the word 'porn' appears in 'pornography'.
Blocked Filenames (Partial matching of words, full RegEx support) |
Website Whitelist (Limited wildcard support, format: www.foxnews.com or *.tumblr.com/post/*) |
|---|---|
Bad Words (Partial matching of words, full RegEx support) |
Website Whitelist (Limited wildcard support, format: www.foxnews.com or *.tumblr.com/post/*) |
|---|---|


Minimalist Component Display
Below is a dummy component that just displays a text. The text is self-contained in the component and a different text is passed as attribute. The value can also be changed from the outside. Click on the second component to change the value.


Contact Us Email Password Gender Male Female Unknown How would you like us to contact you?


|
DESERT
3.0
|
#include <uwal.h>
Public Member Functions | |
| TxFrameTimer (Uwal *pUwal) | |
Protected Member Functions | |
| virtual void | expire (Event *e) |
Protected Attributes | |
| Uwal * | pUwal_ |
The class used by Uwal to handle simulator's event expirations; it is exploited to schedule the sendDown() of successive frames.
|
inline |
Class constructor.
| pUwal | pointer to the Uwal object to be linked with this TxFrameTimer object. |
|
protectedvirtual |
|
protected |
Pointer to an Uwal object.
It is used to call Uwal::ALqueueManager() when the countdown expires.


GET /repos/:owner/:repo/actions/secrets
GET /repos/:owner/:repo/actions/secrets/:name
PUT /repos/:owner/:repo/actions/secrets/:name
DELETE /repos/:owner/:repo/actions/secrets/:name
GET /repos/:owner/:repo/actions/secrets/public-key


{% extends 'paths/base.html' %} {% load static %} {% block title_block %} Home - Vilo Sky {% endblock %} {% block body_block %}
We’re a training, coaching and consultancy service dedicated to building inclusive workplace cultures. Our friends know us as Vicky and Louise, a data analyst and legal expert with a passion for diversity. After experiencing first hand the effects of non-inclusive cultures, we realised that the best way to influence change was to make one ourselves. And so Vilo Sky was born.
Our values are based on our belief that:
Our goal is to improve inclusion at work by removing systemic barriers built over years of conformative corporate culture. We want to create greater access to the workplace and allow everyone to have the same level of freedom in their choices to progress at work. Our personal experiences have led to a focus on gender inclusion and inequality and we are particularly keen to support those balancing family and career.
Everyone benefits from thinking about things differently and to recognising that there are other ways for things to be done. That is the ethos of diverse thinking. And that is what we do.
Our coaching and consultancy services are designed to address the barriers faced by groups currently under-respresented in the workplace. We identify challenges and resolve them in a way that naturally aligns to your values and aspirations. We show you how to clarify your aspirations and give you the impetus you need to achieve them. We support you in becoming more deliberate and effective in your actions.
The thing about us at Vilo Sky - we've been there. We've seen how it looks, we've heard how it sounds and we know how it feels. We want to share that experience with you and be part of the fascinating journey that ends with the realisation of full potential.


Money Play. How should Red play 11?
pips Red=147 White=46
(CorrectAnswer= 0/0, ErrorScore= 0)
This is a case of ‘slowly, slowly, catchee monkey’.
Red must respect White’s three-point home board. 9/5* is just too bold, five blots are just too many and the gammon losses too expensive.
After 6/5(2)*, Red should play 13/12, 16/15, giving four builders for his 6-pt on his next roll. This pays off to 66 and 64 but Red must take some risks to build his board.
Red must respect White’s three-point home board. 9/5* is just too bold, five blots are just too many and the gammon losses too expensive.
After 6/5(2)*, Red should play 13/12, 16/15, giving four builders for his 6-pt on his next roll. This pays off to 66 and 64 but Red must take some risks to build his board.
1. Cubeful 2-ply 16/15 13/12 6/5*(2) Eq.: -0.004 0.539 0.000 0.000 - 0.461 0.232 0.033 2. Cubeful 2-ply 13/11 6/5*(2) Eq.: -0.042 (-0.038) 0.527 0.000 0.000 - 0.473 0.241 0.033 3. Cubeful 2-ply 16/14 6/5*(2) Eq.: -0.066 (-0.062) 0.517 0.000 0.000 - 0.483 0.245 0.029 4. Cubeful 2-ply 8/7(2) 6/5*(2) Eq.: -0.075 (-0.072) 0.518 0.000 0.000 - 0.482 0.254 0.033 5. Cubeful 2-ply 13/12 10/9 6/5*(2) Eq.: -0.083 (-0.079) 0.511 0.000 0.000 - 0.489 0.249 0.030


刚刚用Nikto2这个web安全测试工具测试了一下
得到下列结果
+ The anti-clickjacking X-Frame-Options header is not present. + The X-XSS-Protection header is not defined. This header can hint to the user agent to protect against some forms of XSS + The site uses SSL and the Strict-Transport-Security HTTP header is not defined. + The site uses SSL and Expect-CT header is not present. + The X-Content-Type-Options header is not set. This could allow the user agent to render the content of the site in a different fashion to the MIME type + No CGI Directories found (use '-C all' to force check all possible dirs) + Hostname 'gitee.fyping.cn' does not match certificate's names:
X-Frame-Options 避免点击劫持攻击
X-Frame-Options: deny X-Frame-Options: sameorigin X-Frame-Options: allow-from https://example.com/
X-XSS-Protection 跨站点脚本（XSS）攻击时阻止页面加载
跟 Content-Security-Policy 功能是一样的 ， 但是Content-Security-Policy 不支持某些旧版本的浏览器
Strict-Transport-Security 告诉浏览器必须使用https来传输内容
Strict-Transport-Security: max-age=Strict-Transport-Security: max-age= ; includeSubDomains Strict-Transport-Security: max-age= ; preload
Except-CT 确保证书出现在 https://www.certificate-transparency.org/known-logs
X-Content-Type-Options 指示该标记MIME类型的广告Content-Type标题不应该被改变
X-Content-Type-Options：nosniff


Let’s get started.
I’ve been curious about iOS development for quite some time. While I’ve played around with Swift here and there, I feel like I’ve lacked structure and discipline. I’ve decided to change that starting now! Each week I’ll be posting tips, what I have learned, and any obstacles I encoutered.
When I first wanted to learn iOS development I started to look at courses and bootcamps in my area. What I quickly realized was that most of them cost more than a year of my college tuition. As someone with a Computer Science background, I didn’t feel like I was starting completely from scratch so these options were probably not the best investment (although I have heard great things about them especially for those lacking a background in technology). Still, I wanted some sort of method to my madness so I began to look for free resources online.
In the spirit of being structured, I’ve decided to start by laying out the resources I’ll be using.
Stanford iOS Course
I sorted through and did the first lesson of many tutorials online before deciding on pursuing this course. Most of the tutorials or courses online are geared to those who have never programmed before and can therefore feel a little slow if you have experience in programming. Paul Hegarty (the Stanford iOS professor) doesn’t just brush the surface of Swift. From the get-go he dives into the language and it’s clear he is interested in teaching his students the tools to become top notch iOS developers.
Developing iOS 9 Apps with Swift: iTunes U
Course Outline:
- Course Overview and Introduction to iOS, Xcode, and Swift
- Applying MVC
- More Swift and Foundation Framework
- Views
- Interface Builder, FaceView Controller, and Multiple MVCs
- Multiple MVCs, Segues, Facelt, and View Controller Lifecycle
- Closures, Extensions, Protocols, Delegation, and ScrollView
- Multithreading and Text Field
- Table View
- Core Data
- Core Data Demo
- Auto Layout
- NSTimer and Animation
- Animation and Core Motion
- Application Lifecycle, Alerts, CloudKit
- Notifications and CloudKit
- Segues, Core Location and MapKit
- Persistence
Apple Docs
My brother is actually an iOS developer so I asked him for some tips on getting started and any resources he recommended I use. Specifically, I asked if he had signed up for any courses or bought any books, to which he replied “Apple has great documentation, so I didn’t really want to pay money for someone to read it to me.” Touche, I thought. Also, the readings for the Stanford course mentioned above all come from the Swift documentation written by Appple.
Apple Programming Guide for iOS
Start Developing iOS Apps (Swift)
The Swift Programming Language (Swift 3)
And manymore!
Blogs
Blogs are a great way to hear about other’s experiences and take those lessons back with you to ultimately grow as an app developer.
NSHispter: http://nshipster.com/
Ray Wenderlich: http://raywenderlich.com/
iOS Architecture Patterns by Bohdan Orlov via https://medium.com/ios-os-x-development/
Meetups, lectures, etc.
You don’t want the first time you’re talking to an iOS developer to be when you’re sitting down for an interview. Talks, meetups, and other local events are a perfect low stress way to learn more about a field by talking to developers about their experiences, as well as get any questions answered you may have. I’ve started to attend iOSoho and Women in iOS Meetups in New York and they have been really great. It’s nice to hear about how other people decided to get into iOS development and projects they have worked on. There’s literally a Meetup group for everything!
Meetup: https://www.meetup.com/


Cooking in Calcutta: Burnt milk: Stink or flavor?
Feb 25, 2011 . I regretted my mistake and filled with the burden of cleaning up the mess. . As I took off the pan of milk from the stove, I inhaled deeply.
http://cookingincalcutta.blogspot.com/2011/02/burnt-milk-stink-or-flavor.html
Treatment for Herniated or Bulging Discs
Burned Milk Removal from Stainless Steel - Cleaning Tips - LifeTips
Adding some salt to the water will remove the smell of the scorched milk from the pot. If the scorched milk is being uncooperative, turn off the heat and leave to .
http://cleaning.lifetips.com/tip/96709/kitchen-cleaning/kitchen-cleaning-tips/burned-milk-removal-from-stainless-steel.html
How do I get burnt milk off of stainless steel pots? | Answerbag
How do I get burnt milk off of stainless steel pots? Antacid Tablets Fill your . Source: Reader's Digest: 20+ Ways to Easily Clean Pots and Pans .
http://www.answerbag.com/q_view/2088444
removing burnt milk off pan Herniated or Bulging Discs
Brioche, Burnt Milk Ice Cream and a Decadent Breakfast :: Cannelle ...
Nov 10, 2008 . I am always intrigued by technique, so I set out to try a new recipe for . And do you have a trick for cleaning your pot after you burn the milk?
http://www.cannellevanille.com/courses/breakfast/brioche-burnt-milk-ice-cream-and-a-decadent-breakfast/
My Burnt Milk Test On The Orgreenic Ceramic Pan - Mature Not Senile
Apr 12, 2010 . That does look like it is a really good Orgreenic pan. Pretty neat how it was easy to clean burnt milk off. I would be happy with this product also.
http://jude8753.com/2010/04/12/my-burnt-milk-test-on-the-orgreenic-ceramic-pan/
Official Impairment Listing for Spinal Disorders
How to Clean Burnt Food from a Saucepan | Cleaning Guides
Donna asked: How can I clean a saucepan with burnt milk and cheese? . Turn off the heat and allow the pan to soak with the saltwater in it for an additional 12 .
http://www.howtocleanstuff.net/how-to-clean-burnt-food-from-a-saucepan/
- toronto dirty dancing show (narrowing of the spine)
Making Paneer | A Curry of a Life
Aug 8, 2012 . This takes about 30-40 minutes. If you have any burnt milk at the bottom of your pot, check out my tips for (somewhat) effortless cleaning.
http://www.acurryofalife.com/making-paneer/Kat's Food Blog » Burnt Milk on Bottom of Pot? No Problem!
Aug 15, 2012 . Just put a bit of water and baking soda in the pot, place it back on the stove and boil it. The burnt milk lifts off in specs, or you can hasten the .
http://www.scdkat.com/2012/08/burnt-milk-on-bottom-of-pot-no-problem/
Cleaning Burnt Pots and Pans | ThriftyFun
Feb 17, 2012 . This is a guide about cleaning burnt pots and pans. . I would like information on cleaning off burnt stains on stainless steal pots and pans after the gunky stuff is off. . I heated onion soup with milk and let it boil over.
http://www.thriftyfun.com/tf42715601.tip.html
Two Tricks for Fast Breakfast Clean Up | Apartment Therapy
Jan 20, 2012 . Two things I hate are cleaning the pan I use for warming the milk and the one I . You can also use this trick to clean up old burnt and stained pans. . But really... unless I let a pan sit out for a while after cooking, I don't have a .
http://www.apartmenttherapy.com/two-tricks-for-fast-after-breakfast-clean-up-164486
Medical-Vocational Allowance for Herniated Disc
Tips on how to rescue kitchen disasters, burnt food and pans, too ...
If you burn sauce or gravy, pour it into a clean pan, add some sugar to it a little at a . put it back in the cooking pan, add a little of the liquid you were using (milk etc.) . I think I have a pretty brilliant suggestion for cleaning burnt food out of pans, .
http://www.hintsandthings.co.uk/kitchen/disasters.htm
help! my le creuset is ruined! - Cookware - Chowhound
I know we've had food stuck on it before that came off with a little light pressure . This has been used to gently remove burnt on cheese on an LC fondue pot. . I left my little Creuset saucepan with milk in it on a low flame for at least an hour.
http://chowhound.chow.com/topics/336082
Appealing a Denial of Benefits
Getting seriously carbonized milk out off of a pan? - pans kitchen ...
Getting seriously carbonized milk out off of a pan? February 19, 2010 2:02 PM Subscribe. My wife burned -- and I do mean burned -- some breastmilk she was .
http://ask.metafilter.com/146392/Getting-seriously-carbonized-milk-out-off-of-a-pan
How can you remove burnt test from milk
unfortunately milk will retain a burnt taste. you need to start over. Improve answer . The milk can't be saved throw it out. . How do you remove burnt from a pan?
http://wiki.answers.com/Q/How_can_you_remove_burnt_test_from_milk


本书pdf是 文字版，书签良好。
Synopsis of the Lithium-Ion Battery Markets
A Review of Positive Electrode Materials for Lithium-Ion Batteries
Carbon Anode Materials
Role-Assigned Electrolytes: Additives
Carbon-Conductive Additives for Lithium-Ion Batteries
Applications of Polyvinylidene Fluoride-Related Materials for Lithium-Ion Batteries
SBR Binder (for Negative Electrode) and ACM Binder (for Positive Electrode)
Production Processes for Fabrication of Lithium-Ion Batteries
Polyanionic Cathode-Active Materials
Overcharge Behavior of Metal Oxide-Coated Cathode Materials
Development of Metal Alloy Anodes
HEV Application
Flame-Retardant Additives for Lithium-Ion Batteries
High-Energy Capacitor Based on Graphite Cathode and Activated Carbon Anode
Development of $\ce{LiCoO2}$ Used for Rechargeable Lithium-Ion Battery
Cathode Materials: $\ce{LiNiO2}$ and Related Compounds
Manganese-Containing Cathode-Active Materials for Lithium-Ion Batteries
Trends in Carbon Material as an Anode in Lithium-Ion Battery
Functional Electrolytes Specially Designed for Lithium-Ion Batteries
Lithium-Ion Battery Separators
Polymer Electrolyte and Polymer Battery
A Novel Hard-Carbon Optimized to Large-Size Lithium-Ion Secondary Batteries
$\ce{LiMn2O4}$ as a Large-Capacity Positive Material for Lithium-Ion Batteries


Features
Hover your cursor over the buttons to see Tippy in action!Tap the buttons to see Tippy in action!
important_devices Browser support
Most browsers from 2012 onwards (IE10+). As of early 2017, it should support
95% of users (caniuse.com); depending on your
target audience it could be higher or lower. Tippy gracefully degrades on older
browsers (and with JavaScript disabled) by using the browser's default
title
tooltip.
Unsupported browsers
Old IE and Opera Mini should not throw errors but others might
| Browsers | Year last version released | User share |
|---|---|---|
| IE <= 9 | 2011 | 0.6% |
| Opera Mini | 2015 | 3% |
| Firefox <= 33 | 2014 | 0.3% |
| Safari <= 5.1 | 2011 | 0.1% |
| Opera <= 12.1 | 2011 | 0.1% |
| Potentially unsupported/untracked, very old mobile browsers | N/A | 1-2% |
tag_facesGetting started
- Production: file_download Download the minified package (use this on your website)
- Development: file_download Download the development package (use this to extend functionality)
CSS
Place the tippy.css
stylesheet in your document's head
.
<link rel="stylesheet" href="css/tippy.css">
JS
Include the tippy.js
file in your document before your own scripts:

If you're using Node/Webpack, you can import the Tippy
module:
import Tippy from './js/tippy'
Tippy is dependent on Popper.js - an awesome positioning library that takes the headache out of positioning all the tooltips nicely. The production file comes bundled with it.
buildCreating a tooltip
First, give an element a title
attribute containing what you want the tooltip to say.
<button class="btn tippy" title="I'm a tooltip!">Text</button>
Then, to give it a Tippy tooltip, create a new Tippy instance by passing in a CSS selector.
new Tippy('.tippy')
Result:
You can also directly pass in a DOM element:
new Tippy(document.querySelector('#myElement'))
Elements without a title
attribute or an HTML template will not receive a tooltip. You can pass in any CSS selector to initialize it. See document.querySelectorAll() for reference.
Here's how to create a tooltip for an element with an id
of hello
:
new Tippy('#hello')
Minimal Working Example, with all files in the same directory:
<!DOCTYPE html>   <link rel="stylesheet" href="tippy.css">   <button id="myId" title="Tooltip text">Button text</button>
settingsCustomizing tooltips
Tippy's constructor takes an object as a second parameter for you to customize all tooltips being instantiated. Here's an example:
new Tippy('.tippy', {
position: 'right',
animation: 'fade'
})
Result:
Data attributes
You can also specify settings on the element itself by adding data-*
attributes. This overrides any global settings specified in the Tippy instance.
<button class="btn tippy" title="I'm a tooltip!" data-animatefill="false" data-animation="scale" data-position="bottom">Overridden</button>
Result:
This is helpful if you want to globally define settings, but make a few tooltips different without having to make a new Tippy instance.
settings_applicationsAll settings
Note: settings with camelCase are lowercase in HTML. For example, animateFill
is data-animatefill
in HTML.
| Settingsettings | Defaultremove | Optionssettings_input_component | Rolebuild |
|---|---|---|---|
position |
'top' |
'top' 'bottom' 'left' 'right' |
Specifies which direction to position the tooltip on the element. |
trigger |
'mouseenter focus' |
'mouseenter' 'focus' 'click' 'manual' |
Specifies which type of events will trigger a tooltip to show. mouseenter is for mouse/desktop devices and focus is for keyboard or touch/mobile devices. Use manual if you want to show/hide the tooltip manually/programmatically (see below). |
interactive |
false |
true false |
Makes a tooltip interactive, i.e. will not close when the user hovers over or clicks on the tooltip. This lets you create a popover when used in conjunction with a click trigger. |
delay |
0 |
Any integer >= 0 (milliseconds) | Specifies how long it takes after a trigger event is fired for a tooltip to show. |
animation |
'shift' |
'shift' 'perspective' 'fade' 'scale' 'none' |
Specifies the type of transition animation a tooltip has. |
arrow |
false |
true false |
Adds an arrow pointing to the tooltipped element. Setting this to true disables animateFill . |
animateFill |
true |
true false |
Adds a material design-esque filling animation. This is disabled if you have arrow set to true . |
duration |
400 |
Any integer >= 0 (milliseconds) | Specifies how long the transition animation takes to complete. Setting this to 0 will make it appear instantly. Tip! Large tooltips with animateFill look nicer with longer durations. |
html |
false |
false or a template id |
Allows you to add HTML to a tooltip. See Creating HTML templates. |
theme |
'dark' |
'dark' 'light' |
The CSS styling theme. You can add your own easily. See Creating themes. |
offset |
0 |
Any number (pixels) | Offsets the tooltip on its opposite axis. For position top and bottom, it acts as offsetX. For position left and right, it acts as offsetY. |
hideOnClick |
true |
true false |
Specifies whether to hide a tooltip upon clicking its element after hovering over. |
multiple |
false |
true false |
Specifies whether to allow multiple tooltips open on the page (click trigger only). |
followCursor |
false |
true false |
Specifies whether to follow the user's mouse cursor (mouse devices only). |
popperOptions |
{} |
Object |
Allows deeper control over tooltip positioning and behaviour. See right below. |
Finer control over tooltips
You can define a popperOptions
setting with Popper.js settings.
View the Popper.js documentation
to see the settings you can specify.
Here's an example of how to integrate Popper.js settings into Tippy, so that a tooltip will flip to the bottom from the right if there's not enough room in the viewport.
new Tippy('.my-selector', { position: 'right', popperOptions: { modifiers: { flip: { behavior: ['right', 'bottom'] } } } })
Callbacks
If you want things to happen at certain times during a tooltip's show/hide events, you can add callback functions in the settings object. There are 4 to use:
new Tippy('.tippy', { beforeShown: function() { // When the tooltip has been triggered and has started to transition in }, shown: function() { // When the tooltip has fully transitioned in and is showing }, beforeHidden: function() { // When the tooltip has begun to transition out }, hidden: function() { // When the tooltip has fully transitioned out and is hidden } })
brushCreating themes
Tippy allows you to create your own theme for your tooltips easily. If you wanted to make a theme called honeybee
, then your CSS would look like:
.tippy-tooltip.honeybee-theme { /* Your styling here. Example: */ background-color: yellow; border: 2px solid orange; }
Themes need the -theme
suffix.
To style the arrow, target the element with an x-arrow
attribute:
.tippy-tooltip.honeybee-theme [x-arrow] { /* Your arrow styling here. Uses transform: rotate() so no need for CSS triangle shenanigans. */ background-color: yellow; border: 2px solid; border-color: transparent transparent orange orange; /* same for any position */ }
In case you want to target the content directly:
.tippy-tooltip.honeybee-theme .tippy-tooltip-content { /* Your styling here. Example: */ color: black; }
To style the animateFill circle, target the element with an x-circle
attribute:
.tippy-tooltip.honeybee-theme [x-circle] { /* Your styling here. Example: */ background-color: yellow; }
Then, give your instance a theme
setting with your theme's name:
new Tippy('.tippy', { theme: 'honeybee' })
...or specify a data-theme
attribute on your tooltipped element.
<button class="btn tippy" title="I'm a tooltip" data-theme="honeybee">Honeybee theme</button>
Example custom theme:
codeCreating HTML templates
It's worth noting that basic HTML can be injected straight into the element's
title
attribute. Example:
title="text"
, so there's no need to
create a template if you want something simple like that (though for backwards
browser compatibility/fallback it won't look pretty).
For more complex scenarios, use a template.
Regarding fallback. HTML template tooltips can't be shown to older browsers (IE <= 9), so you'll need to consider that when using them on your site.
Create an HTML template on the document. Set its style
to
display: none;
so it won't be seen. You don't need to specify a
title
attribute with a HTML templated tooltip; it will be ignored.
You may want to add a title attribute however to notify incompatible users of
something.

Fun non-interactive HTML here

In your instance, specify its template id
in the html
setting.
new Tippy('#tooltip-with-my-template', { html: '#my-template-id', arrow: true, animation: 'fade' })
Result:
Styling tooltips with HTML content
Use this selector to target your tooltip template. Replace "my-template-id" with
your own template's id
.
.tippy-tooltip[data-template-id="my-template-id"] { /* Your styling here. Example: */ padding: 2rem; }
Interactive elements also receive a class of active
upon triggering so
that you can still style hover effects when the user has moved the cursor away from
the tooltipped element and onto the tooltip itself.
.my-tooltipped-element:hover, .my-tooltipped-element.active { /* Your hover styling here. */ }
animateFill
when using HTML content. If the tooltip is tall, the circle element
inside that creates the effect won't fill the entire tooltip. Non-textual content
also breaks the effect's illusion.settings_remoteControlling tooltips manually
Save the Tippy instance:
const instance = new Tippy('.tippy')
Find the element's popper reference by calling the method
getPopperElement
and passing in the element directly:
const popper = instance.getPopperElement(document.querySelector('#myElement'))
Now you can show, hide, or destroy it.
instance.show(popper)
instance.hide(popper)
instance.destroy(popper)
The show
method takes a transition duration as its second (optional) parameter.
destroy
ing a popper removes listeners from its element and removes it from the global references array.
flash_onPerformance
As of v0.2.x, you can have hundreds of tooltipped elements without affecting page performance. Tooltips are only appended to the DOM when shown, and removed when hidden. Popper.js only listens to scroll and resize events when a popper (tooltip) is showing, and also updates the position on show.
schedulePlanned features
leaveDelay
setting- More, cooler animations like
inertia
- Tooltips within HTML tooltips support
- ...and some more as I think of them
License
MIT. Also check Popper.js' license.


Interesting application form 🙄
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---
layout: post
title: Plasmodium microarray resources
category: [PlasmoDB]
---
A listing of microarrays that are available to Plasmodium researchers has been posted at
http://plasmodb.org/common/microarrays/.
This list is meant to provide in a single location a summary of the publicly
available microarrays targeting Plasmodium genomes (including P. falciparum,
P. berghei, P. yoelii, and P. vivax). Also provided are
details, including, for some of the arrays, an updated mapping to genes in PlasmoDB.


Always striving to be better whatever obstacle is in my way
I am studying Full Stack Web Development at the University of Sydney. I started the course as I enjoy the challenges of coding. I've learnt JavaScript, Html, CSS, Bootstrap, jQuery, API's, Node, Express, MySQL, NoSQL, MongoDB and responsive Web design with wanting to further develop my coding skills with the goal to become a Full-Stack Web Developer.
Currently employed in the hospitality industry whilst studying.
I have completed Certificate IV in Business Studies and have experience in customer service. I’m motivated to become a Web Developer as I really like the problem-solving aspects of Web Design and building a website that creates a great UI and UX experience.
I would describe my self as a driven, organised and open-minded person with creative ideas, who is motivated to use my skills and knowledge in a Web Development team. I hope for an exciting career change and am always up for a challenge.


Who I Am
Hello! My name is Andy Pederson. I live in Lincoln, Nebraska with my wife Courtney. We have three cats and a dog. My hobbies include video games, film, and playing bass guitar. After working as a bookseller and later as an assistant manager at Zipline Brewing Company, I started working at the Center for Digital Research in the Humanities in 2018. I decided I wanted to go back to school shortly after I began working there.
Education
- Lincoln Southwest High School. 2007.
- University of Nebraska-Lincoln, Bachelor of Arts, English. 2012.
- Master of Library and Innformation Science, University of Missouri-Columbia. 2022.
"I was saying Boo-Urns." - The Simpsons


overview of {{loc.address.street_address}} {{loc.address.city}}, {{loc.address.state}}
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Map This Home


How to send a meaningful email.
I've sent a ton of emails this last week; cold emails, intros, follow ups, you name it. No rest for the wicked. I've decided that it's about time someone wrote about this.
Your subject line is important.
In your subject line, have a meaningful, honest sentence or question. That's it. Don't camelcase. Don't use ALLCAPS. Don't just write "Follow up" or "Intro".
Bad: Follow Up
Good: Brian wheeler following up on last weeks crowd-investing conference
Bad: Intro
Good: Intro between Jane Doe and John Smith
Bad: TRY OUR FREE TRIAL
Good: Would you be interested in working with software that « insert description here »
Don't tautologize
A.K.A. Don't repeat yourself
Getting to the point is important. Shorter emails are better.
Examples of tautology you have probably used in your emails:
- working on developing (working and developing are essentially the same word)
- new innovation (innovations are intrinsically new)
- added bonus (bonuses are always "added")
For more examples of tautology, and how to avoid it, see http://examples.yourdictionary.com/reference/examples/examples-of-tautology.html
Don't talk about yourself
It's easy to start an email off with
John Doe,
my name is So and So and I would like to me me myself I us our blah blah blah
Don't fall into this trap. Remember that if you sign your emails correctly, your name will appear at the bottom. Explain why your email, introduce yourself later.
Sign your email
Intro,
body copy of the email ends. Put a "thank you" somewhere here or in the signature.
Brian Wheeler
Position
Company
805.452.6222
<EMAIL_ADDRESS>Follow these basic tips, it will make your emails more concise, easier to read, and easier to respond to.


Validation
Upload your mzTab file for validation:
mzTab File to validate
Select a local mzTab file to upload and validate. Size limit is
.
Validation level
Info
The 'Info' level includes 'Warn' and 'Error' level messages, the 'Warn' level includes 'Error' level messages.
Maximum number of errors to report
The maximum number of parsing and logical validation errors that should be reported, minimum of 1.
mzTab specification version to validate against
MZTab2_0
The mzTab specification version to use for validation. mzTab 1.0 files will not pass the 2.0 validation and vice-versa.
Perform semantic validation with a mapping file
If checked, use the provided or default cvMapping file to validate cv terms in the mzTab file. This will only work for mzTab 2.0+ files.
CV Mapping File to use for semantic validation
Select a local cv mapping file to upload and use for validation. Size limit is
.
Validate


--- title: "Stop by Sogeti in the Partner Expo area today" layout: post ---
If you've been trying to find me amidst the crowd of people at TechEd and haven't succeeded, then stop by the Sogeti table in the Partner Expo today between 11:30am and 1:00pm when I will be manning the booth and talking about Vista Impact Training and nearly anything else people would like to talk about. Of course if no one asks me anything, then I'll talk about what I like to talk about ... BizTalk.


---
layout: page
title: Pricing
hide_footer: true
---
Make a great first impression with your project’s title and image, and set your funding goal, campaign duration, and project category.
Visit Campus to read discussions about preparing for a project and more.


Decode hexadecimal value to ASCII string.
Hexadecimal is a numerical system that uses a base of 16 for counting.
Computers can only understand numbers, so an ASCII code is the numerical
representation of a character such as 'a' or '@' or an action of some
sort.
Decode example:
www.crypo.com |


{{.Organization}} Central Authentication Service Login
You have successfully logged out. Please click on the following link to continue:
{{ .Next }}


?PLANTS
OF
BAHAMA
ISLANDS
6
7
8
9
10
.
M
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The
New
York
copyright
reserved
botanical
Garden
San
Salvador:
in
coppice
along
Pigeon
Creek.
Small
tree
about
3.5
m
tall;
flowers
cream-color.
November
20,
1974
D.
S.
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43826
Herbarium
FAIRCHILD
TROPICAL
GARDEN
Bumelia
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(Mill.)
Steam
01443221
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Level of confidence that token is an accurately-transcribed word
extremely low
very low
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medium
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very high


fire-hwhero element
HERO
DISCUSS ELEMENT
USE ELEMENT
VIEW CODE
You Rock!
When you use ExoTypography
This is just some text inside of the hero


MUCH ADO ABOUT NOTHING A film review by Eric Walker Copyright 1993 Eric Walker
After a meteoric career on the stage, Kenneth Branagh made his directing debut with William Shakespeare's HENRY V, and he immediately became a name to be reckoned with. He's a shrewd fellow, with genuine talent and an ability to carve his own niche in the cutthroat world of Hollywood movies. Long after black-and-white movies were considered anathema, Branagh made DEAD AGAIN, a sly tribute to Orson Welles, Hitchcock and the "film noir" movies of the 1940s, and again he scored a box-office hit.  _[}His next film, PETER'S FRIENDS, was a failure at the box office (and critics didn't like it either), but it was an ambitious attempt nonetheless.
And now Kenneth Branagh has made a Hollywood romantic comedy with a big-name cast; what's more, he's released this movie during the summer, which is traditionally the time when the mindless, one-dimensional Hollywood mega-budget blockbuster wannabes are duking it out for moviegoers' dollars. Who else but Branagh would have the nerve (and the ego?) to film Shakespeare as a summer movie?
And that's what we get with Branagh's return to the Bard: MUCH ADO ABOUT NOTHING. When he made HENRY V, Branagh cast his friends from the British stage, because they had great talent--but they were virtually unknown to mainstream American audiences. This movie has clearly been filmed with the box office in mind. He's taken an all-star cast-- Denzel Washington, Keanu Reeves, Michael Keaton, Emma Thompson (who won the Best Actress Oscar for HOWARDS END--and who happens to be his wife), and Branagh himself. What's more, he's chosen one of Shakespeare's most popular comedies instead of a drama or a tragedy--a move, I'm sure, made to ease the worries of the Corporate Bigwigs who would normally shrink at the thought of foisting Shakespeare--the name sends chills down the spines of high school students across America-- upon unsuspecting moviegoing audiences.
MUCH ADO ABOUT NOTHING seems tailor-made for Hollywood summer entertainment: it has a simple plot, laughs galore, a happy ending, and you have no question who the good guys and the bad guys are. What's more, it includes a healthy dose of sex, and Branagh makes this clear by including a shower scene during the opening credits, as we see literally dozens of naked bodies frolicking across the screen in an effort to get washed washed up so that they can greet the returning war heroes. Sex plays a major role in this film: all of the women wear loose-fitting, low-cut dresses that look more like nightgowns than dresses, and the men wear billowing, loose-fitting shirts and skintight trousers that show off their manly physiques. You can be sure that none of this was allowed on the live stages of Europe--but today's audiences won't mind it at all.
And yet, despite being tailor-made for summer audiences, Branagh has made a film that will surely appeal to all audiences, be they Shakespeare aficionados or not. There's no denying that this is a high-spirited, zestful comedy that will stand head and shoulders above the silly high-concept "comedies" being turned out by the major studios.
The simple plot may appeal to the Hollywood studios, but this particular play is one of the Bard's most well-known and beloved for a good reason: it's as funny as anything you're likely to see on the screen this year.
The cast is well-chosen, and each actor fits his role admirably. Branagh himself knows that the best way to appeal to an audience is to make fun of yourself, and he does so by playing the role of Benedick, the determined bachelor who will have nothing to do with marriage and who delights in trading barbs with the equally headstrong Beatrice (played by Emma Thompson). Their being husband and wife serves them well, for they mesh with a chemistry that leaves you with little doubt that these are two people who could easily love each other, if they would only come down off of their high horses and give in just a little bit. The wit of their wordplay is rapier-sharp, and they're obviously having a ball in these roles.
But the war between Benedick and Beatrice is not the main story: rather, it's another tale of True Love, straight out of THE PRINCESS BRIDE. (Or rather, THE PRINCESS BRIDE obviously borrowed it from here!)
Robert Sean Leonard is Horatio, the headstrong, love-smitten young romantic who falls head-over-heels in love with Beatrice's lovely young cousin Hero (played by the ravishing Kate Beckinsale). This young couple look as though they came straight from John Hughes' teen-angst comedies, but they play their roles well. Their dialogue sounds natural, and even Horatio's temper tantrums are well-played. Since Mr. Leonard landed this role after playing in lesser Hollywood films (he met Branagh on the set of SWING KIDS, and subsequently landed the role of Horatio), he must have had a tough time standing up against the likes of Denzel Washington and Brian Blessed (the grand British actor who's probably best-known for playing Augustus in I, CLAUDIUS), but if he had any trouble with his role then it certainly doesn't show here.
Denzel Washington is having an equally grand time as Don Pedro, the lord and leader who delights in conspiracy: the subtle plots and counter-plots that take place are largely his doing. But it's all for the good, as Don Pedro wants nothing more than to make his subjects happy. He's always smiling and laughing, and it's infectious.
And there's Keanu Reeves, who plays the conniving, covetous Don John. You know he's the bad guy because he's the only one in the entire film who never smiles; what's more, he declares early on that "I am a villain" and that he will stop at nothing to destroy the match-made-in-heaven of Horatio and Hero. For those who worry about Keanu Reeves playing Shakespeare after his roles in MY OWN PRIVATE IDAHO and BRAM STOKER'S DRACULA, I can tell you that you have nothing to worry about. Reeves' scenes are brief, and he lets us know that "I am a man of little words." However, we're never sure why he wants to play the villain--a flaw that is never completely covered up.
Michael Keaton appears too, as the swaggering Doogberry. He plays the traditional Shakespearean fool well, though we never lose the impression that we're watching BEETLEJUICE all over again when he appears. Shakespeare knew he was spoofing himself when he devised this character, I think, because his nearly incomprehensible speech confuses the other characters in the film as much as it does the audience.
So, despite the way the film has been carefully crafted to appeal to summer audiences, does MUCH ADO ABOUT NOTHING satisfy? Indeed it does. The characters mesh together well, and the entire movie moves at a fast, brisk pace that gives us a healthy, earthy feeling of energy and vigor. Everyone is smiling and laughing (except the villain), and nowhere does it feel that this mirth is forced. You can tell that the cast had a lot of fun making this movie, and this enjoyable spirit carries over to the final print. It's also hilariously funny. It takes a while for an audience raised on high-concept action flicks to get used to Shakespeare's flowing dialogue, but after about fifteen minutes our ears have been attuned and we're laughing heartily, both with the cast and at them. This free and easy approach makes the film far more enjoyable than Franco Zeffirelli's HAMLET (which starred Mel Gibson); it seems far less staged and forced than that production did.
Kenneth Branagh seems determined to acquaint his audience with the classics, whether they like it or not. If his future works are as well-done as MUCH ADO ABOUT NOTHING, then he'll have a long and rich career ahead of him.  I wish him well. MUCH ADO ABOUT NOTHING is definitely one of the best movies I've seen so far in 1993-- and if the rest of the summer is as disappointing as I think it's going to be, it may well be one of the best movies of the year.
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


array array_intersect_ukey ( array $array1 , array $array2 [, array $... ], callback $key_compare_func )
array_intersect_ukey() returns an array containing all the values of array1 which have matching keys that are present in all the arguments. This comparison is done by a user supplied callback function. It must return an integer less than, equal to, or greater than zero if the first key is considered to be respectively less than, equal to, or greater than the second.
Returns the values of array1 whose keys exist in all the arguments.


--- layout: post status: publish published: true title: Music Change author: display_name: Tomas Restrepo login: tomasr email<EMAIL_ADDRESS>url: http://winterdom.com/ author_login: tomasr author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ wordpress_id: 903 wordpress_url: http://winterdom.com/2003/05/musicchange date: '2003-05-03 20:10:18 +0000' date_gmt: '2003-05-03 20:10:18 +0000' categories: - Personal tags: [] comments: - id: 622 author: Tim Marman author_email<EMAIL_ADDRESS>author_url: http://dotnetweblogs.com/TMarman date: '2003-05-05 06:31:19 +0000' date_gmt: '2003-05-05 06:31:19 +0000' content: |
If you like that genre, check out Thievery Corporation, Morcheeba, Massive Attack and Portishead.
Thievery is probably my favorite. Their latest disc, Richest Man in Babylon, is amazing. If you ever have the chance to see them live, highly recommend it, it's a great show.
---I've been generally regarded all around as a Metal Head, since I used to listen hard rock and heavy-metal (and from there upwards) almost exclusively. However, in the past few years, my music taste has broaden quite a bit, and now I tend to listen to a mix of genres, still featuring rock & metal promintently, too.
One of the music styles I've been acquiring a taste for is lounge-like music (chill out, ambience, etc.). In that vein, I picked up a copy of Watermusic's Excursions; a journey into chill out compilation CD a couple of days ago. I was quite impressed with it, and highly recommend it if you like the genre. My favorite piece so far is Lost Soul, by Bliss.
Last week I also picked up a copy of Garry Judd's Ambience album, which I really like, too. The best songs in the CD are definitely Coasting and Sheltering Sky.


The Tycho Slate
This release: 3.0 alpha. See also the Bugs and Caveats page.
The Tycho Slate is a Tcl/Tk package that implements a useful layer of abstraction over the regular Tk canvas. The Slate is part of the Tycho user interface system, but can be installed and used by itself as well. It runs with either:
In the [incr Tcl] version, a slate is an [incr Tk] megawidget that contains a Tk canvas. In the Tcl version, a slate is a "faked" mega-widget, that can be invoked with an object-oriented style of interface or a Tcl-like procedural style of interface.
- Tcl 8.0; or
- [incr Tcl] 3.0
The Slate contains a number of features that we believe make the Tk canvas more useful. We wrote it to help us implement graphical editors and visualization widgets. The key features of the Slate are:
The Slate also contains other useful methods, such as item highlighting, selection, and so on. To see an example of an editor and some widgets created with the Slate, see the Continuous time simulation demo screen-shot page.
- User-defined item types
- You can define you own item types, which can be manipulated in the same manner as regular canvas items. For example, in our graphical editors we have items for icons, for "smart" self-routing lines, and so on. Items can be composed into ever-more-complex items.
- Shapes and features
- We added a neat feature to all items (canvas and user-defined). Each item has a shape, such as point, rectangle, polygon, or a custom-designed shape. Items can be queried for the coordinates of a feature, such as the north-east corner or the second vertex.
- Events and interactors
- Event scripts can be bound to user-defined items just as for regular canvas items. We also added a new kind of interaction technique called interactors. For instance, say you want to make an item draggable with the mouse -- all you do is create a Follower interactor and attach it to the item or a tag, and the event-binding is all done for you.
Documentation available:
- Installation
- How to download and install the Slate. If you already have Tycho installed, then everything should be running already, but you might like to check this page if you have problems running the demos.
- The Slate demos
- An overview of the Slate demo programs, and how to run them. The demos show off some of the features of the Slate and might also be a useful source of example code.
- A short tutorial
- An interactive tutorial on the Slate. If you read this in the Tycho HTML browser, you can double-click on the Tcl code to execute it. Otherwise, you can copy and paste, type, or just read!
- The programmer's guide
- A guide to the internals of the Slate, the available classes and features, and a programmer's FAQ.
- Class documentation
- Documentation for the Slate classes, generated from the source code by the
tydoc
utility.- Source code
- The source code. (This link works only if you are looking at the home page on
ptolemy.eecs.berkeley.edu
.)Some other useful links:
- The Tycho home page
- This is the official home page of Tycho.
- The Tycho Slate: Complex Drawing and Editing in Tcl/Tk
- A paper about the Slate, which will appear in the Tcl/Tk conference in September 1998.
- The Tycho User Interface System
- A paper about Tycho.
Copyright © 1996-1998, The Regents of the University of California. All rights reserved.
Last updated: 05/07/98, comments to:johnr@eecs.berkeley.edu


|
Chirp SonicLib
2.1.0
|
Internal definitions for the Chirp CH101 SonicSync sensor firmware. More...
Go to the source code of this file.
Functions | |
| uint16_t | get_ch101_sonicsync_master_fw_ram_init_addr (void) |
| uint16_t | get_ch101_sonicsync_master_fw_ram_init_size (void) |
| uint16_t | get_ch101_sonicsync_slave_fw_ram_init_addr (void) |
| uint16_t | get_ch101_sonicsync_slave_fw_ram_init_size (void) |
| const unsigned char * | get_ram_ch101_sonicsync_master_init_ptr (void) |
| const unsigned char * | get_ram_ch101_sonicsync_slave_init_ptr (void) |
| uint8_t | ch101_sonicsync_master_init (ch_dev_t *dev_ptr, ch_group_t *grp_ptr, uint8_t i2c_addr, uint8_t dev_num, uint8_t i2c_bus_index) |
| uint8_t | ch101_sonicsync_slave_init (ch_dev_t *dev_ptr, ch_group_t *grp_ptr, uint8_t i2c_addr, uint8_t dev_num, uint8_t i2c_bus_index) |
| uint8_t | ch_sonicsync_get_locked_state (ch_dev_t *dev_ptr) |
Internal definitions for the Chirp CH101 SonicSync sensor firmware.
This file contains register offsets and other values for use with the CH101 SonicSync sensor firmware. These values are subject to change without notice.
You should not need to edit this file or call the driver functions directly. Doing so will reduce your ability to benefit from future enhancements and releases from Chirp.


Hawaii ice cream company facing potential thaw in business
HONOLULU - While a taste for its flavors may continue, a Hawaii ice cream company is facing a serious decrease in business after a partner firm declared bankruptcy.
The Honolulu Star-Advertiser reported Dave’s Ice Cream Inc. may reduce its supply after last month’s bankruptcy of national food and beverage firm Dean Foods.
Owner Dave Leong says it sells around 15,000 gallons of ice cream to Hawaii restaurants through a wholesale arrangement with Dean Foods subsidiary Meadow Gold Dairies-Hawaii.
Leong says Meadow Gold plans to import ice cream from a Utah plant. That will cut his sales by more than $1 million annually.
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A small panel of toggle switches that allows the users to either invert the page colors, convert the page to grayscale, or double the font size. Replace the class evo_c-readabilityPlaceholder--relative with evo_c-readabilityPlaceholder to keep it fixed to the top right of the screen.
author: Rafael Nunez
type: readability improvement panel
order: 1
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DiMECASH Burn Address Creator
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phitar - A PHITS wrapper for targetry design
perl phitar.pl [run_mode] [--rpt_subdir=dname] [--rpt_fmts=ext ...]
[--rpt_flag=str] [--nopause]
phitar is a PHITS wrapper written in Perl, intended for the design of
bremsstrahlung converters and Mo targets. phitar can:
- examine ranges of source and geomeric parameters
according to user specifications
- generate ANSYS MAPDL table and macro files
- collect information from PHITS tally outputs and generate
report files
- collect information from PHITS general outputs and generate
report files
- modify ANGEL inputs and outputs
- calculate yields and specific yields of Mo-99 and Au-196
- convert ANGEL-generated .eps files to various image formats
- generate animations using the converted rasters
run_mode
file
Input file specifying simulation conditions.
Refer to 'args.phi' for the syntax.
-d
Run simulations with the default settings.
--dump_src=<particle>
electron
photon
neutron
Run simulations using a dump source.
(as of v1.03, particles entering a Mo target are used
as the dump source)
--rpt_subdir=dname (short: --subdir, default: reports)
Name of subdirectory to which report files will be stored.
--rpt_fmts=ext ... (short: --fmts, default: dat,xlsx)
Output file formats. Multiple formats are separated by the comma (,).
all
All of the following ext's.
dat
Plain text
tex
LaTeX tabular environment
csv
comma-separated value
xlsx
Microsoft Excel 2007
json
JavaScript Object Notation
yaml
YAML
--rpt_flag=str (short: -flag)
The input str followed by an underscore is appended to
the names of the following files:
- maximum total fluences
- cputimes
Use this option when different materials are simulated
in the same batch to prevent unintended overwriting.
--nopause
The shell will not be paused at the end of the program.
Use it for a batch run.
perl phitar.pl args.phi
perl phitar.pl -d
perl phitar.pl --dump=electron --rpt_flag=elec_dmp args.phi
perl phitar.pl args.phi > phitar.log -nopause
perl phitar.pl --rpt_flag=au args.phi
perl phitar.pl --rpt_flag=moo3 args_moo3.phi
Perl 5
Moose, namespace::autoclean
Text::CSV, Excel::Writer::XLSX, JSON, YAML
PHITS, Ghostscript, Inkscape, ImageMagick, FFmpeg, gnuplot
(optional) ANSYS MAPDL
phitar in a paper: Nucl. Instrum. Methods Phys. Res. A 987 (2021) 164815
excel2etype22 - Convert EXCEL-stored energy distribution data to PHITS e-type = 22 data
yld2datagen - Convert phitar yield files to a datagen input file
Jaewoong Jang<EMAIL_ADDRESS>Copyright (c) 2018-2020 Jaewoong Jang
This software is available under the MIT license; the license information is found in 'LICENSE'.