‘I Want To Create A Clean Brand, No ‘Beefs’ – Joey B
by BB JonesRapper Joey B has said he’s focused at making his personality in the music industry a formidable and enviable one, not one built on beefs.
He told Ghanaweekend TV that unlike other artists who erect their brand on the foundation of beefs, he’s charting a different path altogether.
When asked how he manages to stay away from beef, he replied, “That’s not the goal. The goal is to really push the music. Fine, you can push your music or your arts through beef but until when?” he quizzed.
“I want to leave this thing with a clean sheet. With a very solid brand. With a very cool wave or music,” he added.
He said making his people happy and giving back to the needy is paramount.
“I just wanna make music and just make all my people happy and try and give back to the needy and do cool stuff. That’s me”.


pig dice
GAME RULES
- Each turn, a player repeatedly rolls a die until either a 1 is rolled or the player decides to "hold"
- If the player rolls a 1, they score nothing and it becomes the next player's turn.
- If the player rolls any other number, it is added to their turn total and the player's turn continues.
- If a player chooses to "hold", their turn total is added to their score, and it becomes the next player's turn.


While developing IPFS, we came to learn about the several challenges imposed by having to run a distributed file system on top of heterogeneous devices, with diferent network setups and capabilities. During this process, we had to constantly revisit the whole network stack and create solutions to overcome the obstacles imposed by design decisions of the several layers and protocols, without breaking compatibility or recreating technologies. This was a tedious, time consuming process.
Instead of re-inventing the wheel every time we need to build a decentralized P2P application, we focused on streamlining the problem by tackling networking complexity in an abstract, general purpose way. The result is libp2p: a framework for simplifying networking with P2P applications. Developers decide on how they want their app to interop with others in the network, favoring configuration and extensibility instead of assumptions about networking setup. The goal is to enable rapid development of P2P applications for everyone.
We are still actively developing libp2p, so expect the specification to change.
Our goals for libp2p specification and its implementations are:


Skills
{% include skill.html title="Python" percent=90 %}
{% include skill.html title="Java" percent=87 %}
{% include skill.html title="Javascript (Node, React)" percent=85 %}
{% include skill.html title="C/C++" percent=74 %}
{% include skill.html title="Git, Continuous Integration" percent=81 %}
{% include skill.html title="Databases (MySQL, SQLite" percent=77 %}
{% include skill.html title="UNIX" percent=85 %}
{% include skill.html title="Docker" percent=60 %}
{% include skill.html title="Frontend/UI" percent=75 %}


Oops! Camera permission denied error
Open your browser settings and allow ARte web app to access your camera to use the AR service


Notebooks
Story: The Moon, not to be looked at, when game is shot
The Moon, not to be looked at, when game is shot
Title
The Moon, not to be looked at, when game is shot
Collection
Summary
The Moon is not to be looked at, when game has been shot, for fear of evil consequences. In the Katkop dialect, by Díä!kwãin (LV.-21. 5643-5654). Hunters lower their heads and do not look up when they have shot game, because the Moon's 'water' would cause the game to live (the Moon's water is what the people observe lying on bushes, which resembles 'liquid honey').
Comments
1) p.5642v: Dia!kwain heard this from his mother (≠kamme-an), 2) See also Sneezing: to be avoided when game is shot and Destroying the sneeze or kkoroken, 3) This story is found in Book V-21
Contributors
Date
3 December 1875 (started)
Categories
Celestial bodies and aeroscopy, Custom and daily life
Keywords
Moon (not to be looked at, when game is shot) , Moon (is not a 'good person' if looked at) , Moon (its water 'cools' poison and cures the dying game) , Moon (its water falls on the game) , Moon (water of resembles liquid honey) , Moon (people fear it) , Moon (and successful hunting) , Moon (customs relating to) , Moon (and losing the game) , Moon (bad consequences of looking at) , hunting (Moon not to be looked at, when game is shot) , hunting (bad consequences of looking at the Moon) , hunting (teachings about) , hunting (observances) , hunting ('cooling' the poison and) , hunting (and making the game die) , hunting (and losing the game) , hunting (ensuring its success) , hunting (and looking at the Moon) , hunting (prohibitions relating to) , hunting (avoidance behaviour relating to) , hunting (and the nature and habits of game animals) , game (the Moon not to be looked at, when game is shot) , game (making it die) , game (its dying is cured by the Moon's water) , game (leads people astray) , game (the nature and habits of) , water (the Moon's 'cools' poison and cures the dying game) , water (and the Moon not to be looked at, when game is shot) , poison (the Moon's water 'cools' poison and cures the dying game) , honey (the Moon's water resembles liquid–) , honey (and the Moon not to be looked at, when game is shot) , teachings (about hunting and the Moon) , teachings (the Moon not to be looked at, when game is shot) , teachings (of the bad consequences of looking at the Moon) , teachings (hunting observances) , education (about hunting and the Moon) , education (the Moon not to be looked at, when game is shot) , education (of the bad consequences of looking at the Moon) , education (hunting observances)
Story Pages
5643-5654


Beyond Brexit: Creating dialogue and action for a country divided
Brexit is one of the most controversial and seismic political events in the UK’s recent history.
Throughout the pre-referendum campaigns and aftermath of Brexit many questions remain unanswered and the future unclear.
Regardless of whether you voted in or out, this two day event is open to the tech and non-tech community to join forces to create dialogue and action beyond Brexit.


TwentyOne
Start a new habit with daily tracking
Your Habits
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Head Office: Maryam Bagh, Plot 209, S/No. 301 Jafar Gardens, Malir Model Colony Karachi 75100, Pakistan


Workflow in Geoweaver
What is Workflow?
In Geoweaver, Workflow denotes a pipeline linking multiple (>2) Processes. An isolated Process (not connected to any other Processes) is allowed in Geoweaver.
WARNING: Loop is not allowed among the child Process nodes. The Workflow graph is directed and acyclic (please refer to this link to learn more about Directed Acyclic Graphs).
Create and run a workflow
-
Click twice on the plus icon button under any process (e.g.,
helloworld
Python process created in the Process tutorial). The main work area will switch to the "Weaver" tab, and two circles containinghelloworld
should appear in the workspace. -
Link the two circles by dragging from one circle and dropping on another circle while pressing
SHIFT
on the keyboard. -
Click the plus button in the toolbar floating in the 'Weaver' workspace. In the popup window, input
HelloWorldWorkflow
for the workflow name, and typeTesting hello world
in the Description field. ClickConfirm
. -
To run the workflow, click the play button in the toolbar floating on the 'Weaver' workspace. In the popup window, select
one-host
option. Chooselocalhost
and set the environment todefault
. ClickRun
. -
In the password dialog box, enter the password for localhost.
Note:
If you get an incorrect password error, password resetting instructions are discussed here -
While the workflow is in execution mode, you can see:
- Blue - This means the process is waiting
- Yellow - This means the corresponding process is running
- Green - This means the process execution is finished
- Red - This means the process execution failed for some reason.
-
Double-click on the circles to check the real-time output. If users need more details, click
Details
button in the popup Process information window.
Export and Import a workflow
To export a workflow into a zip file:
-
Choose a workflow in the Workflow tree menu and click on it.
-
Click the downward icon button in the floating toolbar when the workflow is present in the Weaver workspace.
-
There will be four downloading options:
workflow with process code
- This will only download the source code and workflow json.Workflow with Process Code and Only Workflow History
- This will only download the source code and the workflow history without the process history.Workflow with Process Code and Only Successfully Done History
- This will download the source code and all history (including process history) of the successfully completed workflow, without the details of failed executions.-
workflow with process code and history (Recommended)
. - This will download not only the source code and workflow but also all the historical details of the previous execution of the workflow.The last option is recommended.
-
Click
Confirm
. A ZIP file will be automatically downloaded to your machine.
To import a shared workflow:
-
Click the upward icon button in the floating toolbar of Weaver. In the shown window, click
Open the File Browser
and choose the Geoweaver ZIP file you received. ClickStart
. -
Once the uploading is finished and the workflow file is valid, it will as,
The upload workflow is valid. Do you want to proceed to save it into the database?
ClickOK
. -
The workflow will be automatically loaded into the Weaver workspace and ready for execution and reuse. If you check the process and workflow history, you will see that all the previous logs are also there.
Congratulations! you have learned how to create, run, export, and share a workflow in Geoweaver!


So, I’m going to try this hideous blogging thing again. In the hopes that it will benefit someone, and the karma will come back around.
blog :: Human a => a -> Learning -> Either Boredom Disappointment -> Maybe Writing
So, I’m going to try this hideous blogging thing again. In the hopes that it will benefit someone, and the karma will come back around.
blog :: Human a => a -> Learning -> Either Boredom Disappointment -> Maybe Writing


Welcome, [[${name}]]! Time:
time
Data
Registered Customers
Customer Service
Commodity OnSale
Completed Order
Running Days
System Info
Version
Release 2.0
Server DNS
<IP_ADDRESS>
Operation System
Ubuntu 18.04
Operating environment
Java + Tomcat + Mysql
Development environment
Springboot5 + shiro + thymeleaf + mybatis
Develop team
Author
class 3 - group 4


This is a simple service for mointor bitcoin network node version. Its auto scan active bitcoin nodes in 24 hours, and update data about 10 mintues.
source »


Vim is an advanced text editor that seeks to provide the power of the de-facto Unix editor 'Vi', with a more complete feature set.
vi [file ...]
vim [file ...]
See a full description on Wikipedia.


As a healthcare professional with two decades of experience, my journey was shaped by a profound commitment to improving patient outcomes. Proud of my accomplishments within healthcare, I found myself seeking new challenges that would harmonize my analytical abilities with a burgeoning passion for technology. This pursuit steered me towards the realm of Full-Stack Engineering, where I've effectively employed my problem-solving prowess and innovative thinking to develop software solutions that enhance user experiences and empower businesses.
Over the course of my healthcare career, I've navigated diverse settings, from bustling hospitals to tranquil nursing homes, gaining invaluable experience in patient care and management. Alongside medical professionals, I honed my communication and interpersonal skills, striving to achieve patient satisfaction and optimum outcomes. I nurtured an eye for detail, meticulously maintaining patient records and documentation. It was the technical facets of healthcare—such as electronic health records—that sparked my interest in technology and led me to explore software engineering.
My intrigue in technology's potential to inspire innovation across industries led me to become a Full-Stack Engineer. I was captivated by the prospect of leveraging my analytical skills and creativity in software development—designing and constructing web applications that were as visually compelling as they were functional and user-friendly.
Since transitioning into Full-Stack Engineering, I've seized the opportunity to intertwine my healthcare expertise with software solutions. I've leveraged my comprehensive understanding of medical terminology to develop tools that serve the healthcare industry. Concurrently, I've overcome technical challenges using my robust problem-solving skills, delivering high-quality software products that align with business objectives and user needs.
Ultimately, my metamorphosis from healthcare professional to Full-Stack Engineer has been a compelling journey. It has challenged me, rewarded me, and provided a platform where my analytical and creative abilities converge, enabling me to make a meaningful impact in healthcare and beyond.
Contact me below!Plant Purpose is a web application that was developed during a hack-a-thon to help plant owners keep their plants healthy by providing a watering schedule. The app is designed to be user-friendly and easy to use, making it accessible to both experienced plant owners and beginners alike.
Role: Front-End Developer
Tech Stack: HTML, LESS, CSS, React, Node.js, Express.js, Heroku
View ProjectFinancial modeling service is a professional service that provides comprehensive financial modeling solutions to businesses, investors, and financial institutions. Financial modeling involves the creation of financial models that are used to analyze financial data and make informed decisions about investments, forecasting, and risk management.
Role: Front-End Developer
Tech Stack: HTML, LESS, CSS, React,
View ProjectDoctrina is a comprehensive education platform a that provides medical aesthetic professionals with the resources, tools, and support they need to stay at the forefront of their field and deliver the best possible care to their patients.
 With our user-friendly interface, customers can easily browse and purchase a variety of farm-fresh produce, meats, dairy, and other goods from their favorite farmers, all from the comfort of their own home. This project is still in development
Role: Full-Stack Developer
Tech Stack: React, DynamoDB, AWS Amplify, Stripe, AWS Lambda, JavaScript
View ProjectI would love to hear from you.
Should my unique amalgamation of extensive healthcare knowledge and Full-Stack Engineering expertise pique your interest, I welcome the opportunity to explore how I could contribute to your organization's success. I invite you to reach out to me via the contact form to arrange a discussion at your earliest convenience. Always eager to seize new opportunities and foster collaborations, your correspondence is highly anticipated. Let's initiate our dialogue today with a complimentary consultation.


MONTY PYTHON AND THE HOLY GRAIL A film review by Nizam U. Ahmed Copyright 1996 Nizam U. Ahmed
A castle atop a windy hill. Silence. Then we hear the sound of horse hooves approaching. Over the crest of the hill the figure of King Arthur appears. But he is on foot, hopping along on an imaginary steed, with Patsy following behind banging two coconut shells together. This opening scene encapsulates the whole tone of the Monty Python team's first venture into feature film territory. Sheer nonsensical silliness, delighting in subverting our preconceptions from the word go. Yet throughout all the idiocy, there is a constant sense of skewed logic at work, giving the feeling that maybe there is more to this than you think. In short, typical Monty Python.
Having read the first and final drafts of the script and seen the movie, it is clear why this film was such a success. Originally conceived as basically a sketch show set half in medieval times and half in the present day (notably in Harrods), the film would merely have been seen as a footnote to MONTY PYTHON'S FLYING CIRCUS. But the decision to have (almost) the entire movie as a full-blown 90-minute narrative was inspired. It proved that the Pythons were credible writers, directors and performers and paved the way for TIME BANDITS, BRAZIL, even A FISH CALLED WANDA.
Each scene is beautifully and carefully crafted: the tiny budget meant there was no room for excess lines and flat jokes which plagued their TV series. Yet the film still looks fantastic even today, peasants rolling in mud, the harsh and desolate landscape, the fog, all contribute to give the best impression of medieval times ever seen in film. Throughout it all, the Pythons perform exquisitly. The deadpan delivery and the improvised pauses, "um"s and "ah"s, are spot on.
Monty Python are probably the only comedy team since the Marx Brothers who are able to perform such clever material and yet remain so riotously funny. The silliness will grab you, but it is the sense of logic behind it that makes you come back for repeat viewings. For instance in the opening scene the castle guard is only interested in where Arthur and Patsy got the coconuts ("In Mercia? But the coconut's tropical!"). In any other comedy film, the coconuts would be a throwaway joke, yet here it is pursued to its limit. Both self-referential and deconstructionist, it succeeds on all levels.
There are minor flaws. The film suffers from an episodic quality, which is unsurprising considering the sketch show background. It is easy to recite scenes by heart because they stand up so well outside of the film's context, but as a result the narrative structure is weakened: scenes could easily be interchanged at will without much disruption, and probably were. Also, the Pythons could not totally compensate for the miniscule budget, some of the pyrotechnics and special effects are less than successful. And finally, the deliberately anti-climactic ending as the police round up the cast and crew is bound to annoy first-time viewers, although it is a clear indication of how far the Pythons were prepared to go to do things their way.
Nevertheless, MONTY PYTHON AND THE HOLY GRAIL is a classic. Argument may rage over how it compares with MONTY PYTHON'S LIFE OF BRIAN, but both films are landmarks in comedy cinema, unique events that have rarely, if ever, been equalled since.
OVERALL RATING: 90 %
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


CBS Program Asks About Six-Year-Olds Being Taught How to Masturbate
Internet users overwhelmingly reject lesson being taught in UK schools
CBS’ daytime talk show The Talk asked Twitter users on Thursday their thoughts on giving six-year-olds mandatory lessons on how to masturbate.
In a Twitter post that seemed to come out of left field, The Talk’s official Twitter account asked followers to sound off on six-year-olds receiving “compulsory self-touching lessons.”
“Children as young as six are to be given compulsory self-touching lessons that will teach them about touching or ‘stimulating’ their own genitals,” the post reads. “What do you think?”
Fortunately, nearly every comment responding to the post condemned the lessons.
One Twitter user said the idea seemed kinda “molest-y.”
Watch The Talk discuss the topic on the Thursday, November 21 episode. (Scroll to 7:51 timestamp)
“Some parents think the information is too much too soon and they’re uncomfortable with it,” said co-host Carrie Ann Inaba, adding, “I agree.”
“I think that everyone in England’s gone mad!” exclaimed Sharon Osbourne. “It’s insane. I’m sorry I don’t know who the buffoon was that passed this, that it was legal in schools to teach children about self-stimulation. Excuse me? You’re crazy. It’s insanity.”
The tweet’s premise likely stemmed from recent reports out of the UK covering Warwickshire County’s implementation of a program called “All About Me,” a lesson plan that would teach children as young as six the “self-stimulation” lessons.
Back in September, The Daily Mail reported parents within the district, which contains some 241 schools, were appalled to learn about the lessons.
From one parent:
‘My wife cried the first time she read what was going to be in the lessons,’ said Mr Seymour, 38. ‘This sexualisation of our children is just totally inappropriate. They are calling it self-touching and they won’t use the term masturbation, but when you read it that’s exactly what they’re talking about.
‘We don’t want to start picket lines and wave banners. We’re just an ordinary family. I think many families who had seen these lesson plans would feel the same way we did.’
By the way, overhaul your body’s cellular engine with our fan-favorite DNA Force Plus!


Scope One is a light slab serif typeface with elegant expressions that make it broadly useful for many different contexts. The design is optimized for titling and display usage and is ideally used at 14 points and above. The tall vertical proportions of the lowercase mean that it can be used in a way similar to small caps, giving a more refined typographic impression.
It supports a broad range of languages using the Latin writing system. The font has been enhanced for good on-screen display quality, and has been tested extensively in a variety of on-screen and print environments.
Scope One is a Dalton Maag original design commissioned by Google Fonts for use in presentation slide decks. A foundry specimen is maintained at daltonmaag.github.io/scope-one
To contribute, see github.com/daltonmaag/scope-one


Package v1alpha1 is the v1alpha1 version of the API.
AdmissionConfiguration provides versioned configuration for admission controllers.
| Field | Description |
|---|---|
apiVersion string |
apiserver.k8s.io/v1alpha1 |
kind string |
AdmissionConfiguration |
plugins
[]AdmissionPluginConfiguration
|
Plugins allows specifying a configuration per admission control plugin. |
EgressSelectorConfiguration provides versioned configuration for egress selector clients.
| Field | Description |
|---|---|
apiVersion string |
apiserver.k8s.io/v1alpha1 |
kind string |
EgressSelectorConfiguration |
egressSelections
*
[]EgressSelection
|
connectionServices contains a list of egress selection client configurations |
TracingConfiguration provides versioned configuration for tracing clients.
| Field | Description |
|---|---|
apiVersion string |
apiserver.k8s.io/v1alpha1 |
kind string |
TracingConfiguration |
endpoint
string
|
Endpoint of the collector that's running on the control-plane node. The APIServer uses the egressType ControlPlane when sending data to the collector. The syntax is defined in https://github.com/grpc/grpc/blob/master/doc/naming.md. Defaults to the otlpgrpc default, localhost:4317 The connection is insecure, and does not support TLS. |
samplingRatePerMillion
int32
|
SamplingRatePerMillion is the number of samples to collect per million spans. Defaults to 0. |
(Appears in: AdmissionConfiguration)
AdmissionPluginConfiguration provides the configuration for a single plug-in.
| Field | Description |
|---|---|
name
*
string
|
Name is the name of the admission controller. It must match the registered admission plugin name. |
path
string
|
Path is the path to a configuration file that contains the plugin's configuration |
configuration
k8s.io/apimachinery/pkg/runtime.Unknown
|
Configuration is an embedded configuration object to be used as the plugin's configuration. If present, it will be used instead of the path to the configuration file. |
(Appears in: EgressSelection)
Connection provides the configuration for a single egress selection client.
| Field | Description |
|---|---|
proxyProtocol
*
ProtocolType
|
Protocol is the protocol used to connect from client to the konnectivity server. |
transport
Transport
|
Transport defines the transport configurations we use to dial to the konnectivity server. This is required if ProxyProtocol is HTTPConnect or GRPC. |
(Appears in: EgressSelectorConfiguration)
EgressSelection provides the configuration for a single egress selection client.
| Field | Description |
|---|---|
name
*
string
|
name is the name of the egress selection. Currently supported values are "controlplane", "master", "etcd" and "cluster" The "master" egress selector is deprecated in favor of "controlplane" |
connection
*
Connection
|
connection is the exact information used to configure the egress selection |
string
alias)(Appears in: Connection)
ProtocolType is a set of valid values for Connection.ProtocolType
(Appears in: Transport)
TCPTransport provides the information to connect to konnectivity server via TCP
| Field | Description |
|---|---|
url
*
string
|
URL is the location of the konnectivity server to connect to. As an example it might be "https://<IP_ADDRESS>:8131" |
tlsConfig
TLSConfig
|
TLSConfig is the config needed to use TLS when connecting to konnectivity server |
(Appears in: TCPTransport)
TLSConfig provides the authentication information to connect to konnectivity server Only used with TCPTransport
| Field | Description |
|---|---|
caBundle
string
|
caBundle is the file location of the CA to be used to determine trust with the konnectivity server. Must be absent/empty if TCPTransport.URL is prefixed with http:// If absent while TCPTransport.URL is prefixed with https://, default to system trust roots. |
clientKey
string
|
clientKey is the file location of the client key to be used in mtls handshakes with the konnectivity server. Must be absent/empty if TCPTransport.URL is prefixed with http:// Must be configured if TCPTransport.URL is prefixed with https:// |
clientCert
string
|
clientCert is the file location of the client certificate to be used in mtls handshakes with the konnectivity server. Must be absent/empty if TCPTransport.URL is prefixed with http:// Must be configured if TCPTransport.URL is prefixed with https:// |
(Appears in: Connection)
Transport defines the transport configurations we use to dial to the konnectivity server
| Field | Description |
|---|---|
tcp
TCPTransport
|
TCP is the TCP configuration for communicating with the konnectivity server via TCP ProxyProtocol of GRPC is not supported with TCP transport at the moment Requires at least one of TCP or UDS to be set |
uds
UDSTransport
|
UDS is the UDS configuration for communicating with the konnectivity server via UDS Requires at least one of TCP or UDS to be set |
(Appears in: Transport)
UDSTransport provides the information to connect to konnectivity server via UDS
| Field | Description |
|---|---|
udsName
*
string
|
UDSName is the name of the unix domain socket to connect to konnectivity server This does not use a unix:// prefix. (Eg: /etc/srv/kubernetes/konnectivity-server/konnectivity-server.socket) |
Generated with genref
on git commit 4247aac7


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| [ Team LiB ] |
9.6 UnicodePlain strings are converted into Unicode strings either explicitly, with the unicode built-in, or implicitly, when you pass a plain string to a function that expects Unicode. In either case, the conversion is done by an auxiliary object known as a codec (for coder-decoder). A codec can also convert Unicode strings to plain strings either explicitly, with the encode method of Unicode strings, or implicitly. You identify a codec by passing the codec name to unicode or encode. When you pass no codec name and for implicit conversion, Python uses a default encoding, normally 'ascii'. (You can change the default encoding in the startup phase of a Python program, as covered in Chapter 13; see also setdefaultencoding in Chapter 8.) Every conversion has an explicit or implicit argument errors, a string specifying how conversion errors are to be handled. The default is 'strict', meaning any error raises an exception. When errors is 'replace', the conversion replaces each character causing an error with '?' in a plain-string result or with u'\ufffd' in a Unicode result. When errors is 'ignore', the conversion silently skips characters that cause errors. 9.6.1 The codecs ModuleThe mapping of codec names to codec objects is handled by the codecs module. This module lets you develop your own codec objects and register them so that they can be looked up by name, just like built-in codecs. Module codecs also lets you look up any codec explicitly, obtaining the functions the codec uses for encoding and decoding, as well as factory functions to wrap file-like objects. Such advanced facilities of module codecs are rarely used, and are not covered further in this book. The codecs module, together with the encodings package, supplies built-in codecs useful to Python developers dealing with internationalization issues. Any supplied codec can be installed as the default by module sitecustomize, or can be specified by name when converting explicitly between plain and Unicode strings. The codec normally installed by default is 'ascii', which accepts only characters with codes between 0 and 127, the 7-bit range of the American Standard Code for Information Interchange (ASCII) that is common to most encodings. A popular codec is 'latin-1', a fast, built-in implementation of the ISO 8859-1 encoding that offers a one-byte-per-character encoding of all special characters needed for Western European languages. The codecs module also supplies codecs implemented in Python for most ISO 8859 encodings, with codec names from 'iso8859-1' to 'iso8859-15'. On Windows systems only, the codec named 'mbcs' wraps the platform's multibyte character set conversion procedures. In Python 2.2, many codecs are added to support Asian languages. Module codecs also supplies several standard code pages (codec names from 'cp037' to 'cp1258'), Mac-specific encodings (codec names from 'mac-cyrillic' to 'mac-turkish'), and Unicode standard encodings 'utf-8' and 'utf-16' (the latter also have specific big-endian and little-endian variants 'utf-16-be' and 'utf-16-le'). For use with UTF-16, module codecs also supplies attributes BOM_BE and BOM_LE, byte-order marks for big-endian and little-endian machines respectively, and BOM, byte-order mark for the current platform. Module codecs also supplies two functions to make it easier to deal with encoded text during input/output operations.
Wraps the file-like object file, returning another file-like object ef that implicitly and transparently applies the given encodings to all data read from or written to the file. When you write a string s to ef, ef first decodes s with the codec named by datacodec, then encodes the result with the codec named by filecodec, and lastly writes it to file. When you read a string, ef applies filecodec first, then datacodec. When filecodec is None, ef uses datacodec for both steps in either direction. For example, if you want to write strings that are encoded in latin-1 to sys.stdout and have the strings come out in utf-8, use the following: import sys, codecs sys.stdout = codecs.EncodedFile(sys.stdout,'latin-1', 'utf-8')
Uses the built-in function open (covered in Chapter 10) to supply a file-like object that accepts and/or provides Unicode strings to/from Python client code, while the underlying file can either be in Unicode (when encoding is None) or use the codec named by encoding. For example, if you want to write Unicode strings to file uni.txt and have the strings implicitly encoded as latin-1 in the file, replacing with '?' any character that cannot be encoded in Latin-1, use the following: import codecs flout = codecs.open('uni.txt','w','latin-1','replace') # now you can write Unicode strings directly to flout flout.write(u'élève') flout.close( ) 9.6.2 The unicodedata ModuleThe unicodedata module supplies easy access to the Unicode Character Database. Given any Unicode character, you can use functions supplied by module unicodedata to obtain the character's Unicode category, official name (if any), and other, more exotic information. You can also look up the Unicode character (if any) corresponding to a given official name. Such advanced facilities are rarely needed, and are not covered further in this book. |
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--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/VSCode.20overflow.3F.html ---
If I make a file like this in VS Code:
import data.fintype #check finset
and then (on Ubuntu) put my cursor after finset
and press ctrl-space I get the usual list of possible completions. If I scroll down then it seems, according to this screenshot finset.png that everything of the form finset.blah
has blah
starting with a capital letter, a, b or c; then it wraps back. Surely there is more info here which I can't see? e.g. there is finset.prod
.
I think the Lean server only returns the first 100 results.
So there's nothing we can do about it?
In principle it's fixable in 3.5.0c. The simplest thing to do would just be to increase the 100 here, though maybe it should be made more configurable.
I don’t think that’s the right way to solve this. Maybe we should drop all errors after 100
You never handle more than one at once anyway
I don't understand your comment Simon, are you talking about errors instead of code completion results?
Yes, that’s right. Sorry that was off topic, I misread. On emacs, the problem is that sometimes we get too many errors and I assumed it was the same with VS code
Gabriel added a workaround for the too many errors issue in VS Code back in March https://github.com/leanprover/vscode-lean/commit/89bd3dc771b2e734d8cfab04ba46cf97c72608bd
I recently noticed an option which allows you to increase (or decrease) the max number of returned completions:
import data.fintype set_option auto_completion.max_results 1000 #check finset.
I don't know if there's a good way to incorporate this into a setting for the VS Code extension though.
Does adding -Dauto_completion.max_results=1000
as an extra command-line option work?
Looks like it does, thanks!
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CCsum matrix (CCsum.txt) and community affiliation vector (affil.txt).


So, this idea of hyperwaves fascinates me. Knowing which stocks/cryptos are in a hyperwave and when it’s going to end seems like a way to make an absolutely massive killing, and even more importantly let’s someone know when is the right time to get out.
Basics of a Hyperwave
A hyperwave is a way to describe how a bubble is going to operate. At certain times you have price points the bubble won’t go above and at other times you have price points where it won’t go below. The rate of minimum price changes during a time segment are roughly known.
1,4,7 the price stays below the line. 2,3,5,6 the price stays above the line. With this information at hand you know either minimum or maximum evaluations during a week+ trading session. It arms you with half the knowledge you need to make perfect trades.
Weekly Chart for Amazon
First, this is a weekly chart, notice how long this is taking. Compare that to bitcoin and it makes more sense why our swings are a lot more. We’re apparently doing this hyperwave thing, but at an accelerated pace. Bitcoin isn’t a confirmed hyperwave. Tyler Jenks, creator of this technical analysis approach to studying bubbles likes to see 3-4 hits on the wave 3 trendline that are repelled before he’s signalling the green light on a hyperwave.
Likelihood
There are a few thousand stocks etc that have a long period of no price movement.
There are fewer that move into wave 2. Those in 2 really only have a 1/5 chance to move on to the next round before they collapse.
Those in wave 3 (after a few touch points) have a 85% chance or greater of completing the full hyperwave.
Those that reach stage 4 nearly always complete the full cycle (crash hard!!!)
You can learn more about Hyperwaves here
You can get the intro lesson here:
https://www.youtube.com/watch?v=Bgc2ZKkUSb8
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