Apache™ FOP: Fonts
Summary
The following table summarizes the font capabilities of the various Apache™ FOP renderers:
| Renderer | Base-14 | AWT/OS | Custom | Custom Embedding |
|---|---|---|---|---|
| yes | no | yes | yes | |
| PostScript | yes | no | yes | yes |
| PCL | yes (modified) | yes (painted as bitmaps) | yes (painted as bitmaps) | no |
| AFP | no | no | yes | yes |
| Java2D/AWT/Bitmap | if available from OS | yes | yes | n/a (display only) |
| if available from OS | yes | yes | controlled by OS printer driver | |
| RTF | n/a (font metrics not needed) | n/a | n/a | n/a |
| TXT | yes (used for layout but not for output) | no | yes (used for layout but not for output) | no |
| XML | yes | no | yes | n/a |
Note that Java2D based renderers (Java2D, AWT, Print, TIFF, PNG) support both system (AWT/OS) and custom fonts.
Base-14 Fonts
The Adobe PostScript and PDF Specification specify a set of 14 fonts that must be available to every PostScript interpreter and PDF reader: Helvetica (normal, bold, italic, bold italic), Times (normal, bold, italic, bold italic), Courier (normal, bold, italic, bold italic), Symbol and ZapfDingbats.
The following font family names are hard-coded into FOP for the Base-14 font set:
| Base-14 font | font families |
|---|---|
| Helvetica | Helvetica, sans-serif, SansSerif |
| Times | Times, Times Roman, Times-Roman, serif, any |
| Courier | Courier, monospace, Monospaced |
| Symbol | Symbol |
| ZapfDingbats | ZapfDingbats |
Please note that recent versions of Adobe Acrobat Reader replace "Helvetica" with "Arial" and "Times" with "Times New Roman" internally. GhostScript replaces "Helvetica" with "Nimbus Sans L" and "Times" with "Nimbus Roman No9 L". Other document viewers may do similar font substitutions. If you need to make sure that there are no such substitutions, you need to specify an explicit font and embed it in the target document.
Missing Fonts
When FOP does not have a specific font at its disposal (because it's not installed in the operating system or set up in FOP's configuration), the font is replaced with "any". "any" is internally mapped to the Base-14 font "Times" (see above).
Missing Glyphs
Every font contains a particular set of glyphs. If no glyph can be found for a given character, FOP will issue a warning and use the glpyh for "#" (if available) instead. Before it does that, it consults a (currently hard-coded) registry of glyph substitution groups (see Glyphs.java in Apache XML Graphics Commons). This registry can supply alternative glyphs in some cases (like using space when a no-break space is requested). But there's no guarantee that the result will be as expected (for example, in the case of hyphens and similar glyphs). A better way is to use a font that has all the necessary glyphs. This glyph substitution is only a last resort.
System Fonts
Support for system fonts relies on the Java AWT subsystem for font metric information. Through operating system registration, the AWT subsystem knows what fonts are available on the system, and the font metrics for each one.
When working with renderers that supports system fonts (see above table) and you're missing a font, you can just install it in your operating system and it should be available for these renderers. Please note that this is not true for output formats, such as PDF or PostScript, that only support custom fonts.
Custom Fonts
| Renderer | TTF | TTC | Type1 | OTF | AFP Fonts |
|---|---|---|---|---|---|
| yes | yes | yes | yes | no | |
| Postscript | yes | yes | yes | yes | no |
| AFP | yes | no | no | no | yes |
| PCL | yes | yes | bitmap | bitmap | no |
| TIFF | bitmap | bitmap | bitmap | bitmap | no |
Support for custom fonts is highly output format dependent (see above table). This section shows how to add Type 1, TrueType (TTF) and OpenType (OTF) fonts to the PDF, PostScript and Java2D-based renderers. Other renderers (like AFP) support other font formats. Details in this case can be found on the page about output formats.
In earlier FOP versions, it was always necessary to create an XML font metrics file if you wanted to add a custom font. This inconvenient step has been removed and in addition to that, FOP supports auto-registration of fonts, i.e. FOP can find fonts installed in your operating system or can scan user-specified directories for fonts. Font registration via XML font metrics has been deprecated and is not recommended although it is still supported by the current code.
More information about fonts can be found at Adobe Font Technical Notes.
OpenType Advanced Font Features
OpenType fonts support advanced layout features such as ligatures, small caps, swashes, alternates, old style figures and more. Please see Advanced Typographic Extensions - OpenType Layout. These features are currently missing within FOP due to the implementation opting to favor a greater number of formats.
While FOP may support embedding OpenType with advanced features in the future, the current method extracts the Compact Font Format (CFF) data containing among other things the character definitions, optionally subsets and embeds the result as a Type1C font. This allows the font to be used by both Postscript and older PDF versions while losing the features mentioned above. This is because embedding Open-Type in it's original state is only supported by PDF 1.6 and above.
Bulk Font Configuration
If you want FOP to use custom fonts, you need to tell it where to find them. This is done in the configuration file and once per renderer (because each output format is a little different). For convenience, FOP allows bulk registering of fonts; you can either tell FOP to find your operating system fonts or you can specify directories that it will search for support fonts. These fonts will then automatically be registered.
<renderers>
<renderer mime="application/pdf">
<fonts>

<directory>C:\MyFonts1</directory>

<directory recursive="true">C:\MyFonts2</directory>

<auto-detect/>
</fonts>
</renderer>
</renderers>
Register Fonts with FOP
You must tell FOP how to find and use the font files by registering them in the FOP Configuration. Add entries for your custom fonts, regardless of font type, to the configuration file in a manner similar to the following:
<renderers>
<renderer mime="application/pdf">
<fonts>

</fonts>
</renderer>
</renderers>
-
The "embed-url" attribute is used to specify the font file. Relative URLs are resolved relative to the font-base property (or base) if available. See FOP: Configuration for more information.
-
The "embedding-mode" attribute is optional and can take two values: subset (the default) and full. If not specified the font is subset embedded for TTF and OTF or full embedded for Type 1, unless it is explicitly referenced (see below).
-
The font "kerning" attribute is optional. Default is "true".
-
The "embed-as-type1" attribute is optional, setting to "true" converts OTF fonts to Type 1 for postscript output.
-
The "simulate-style" attribute is optional, setting to "true" generates bold and oblique looking glyphs for PDF output.
-
When setting the "embed-url" attribute for Type 1 fonts, be sure to specify the PFB (actual font data), not the PFM (font metrics) file. If the PFM (or AFM) file is in a different location (i.e., not in the same directory) then you need to specify an "embed-url-pfm" (or "embed-url-afm") attribute next to the "embed-url" one.
-
The attribute "encoding-mode" is optional an may have the following values:
-
auto: default font encoding mode ("cid" for Truetype, "single-byte" for Type 1)
-
single-byte: use single-byte encodings in the target format (if applicable)
-
cid: encode as CID-keyed font (currently only supported for PDF output with TrueType fonts)
-
-
The fonts "directory" tag can be used to register fonts contained within a single or list of directory paths. The "recursive" attribute can be specified to recursively add fonts from all sub directories.
-
The fonts "auto-detect" tag can be used to automatically register fonts that are found to be installed on the native operating system.
-
Fonts registered with "font" tag configurations override fonts found by means of "directory" tag definitions.
-
Fonts found as a result of a "directory" tag configuration override fonts found as a result of the "auto-detect" tag being specified.
-
If relative URLs are specified, they are evaluated relative to the value of the "font-base" setting. If there is no "font-base" setting, the fonts are evaluated relative to the base directory.
-
If a fop.xconf is not used, or the "embed-url" attribute is missing, the fonts are referenced (and the default Base-14 is used in this case).
TrueType Collections
TrueType collections (.ttc files) contain more than one font. The individual sub-fonts of a TrueType Collection can be selected using the "sub-font" attribute on the "font" element. Example:

Auto-Detect and auto-embed feature
When the "auto-detect" flag is set in the configuration, FOP will automatically search for fonts in the default paths for your operating system.
FOP will also auto-detect fonts which are available in the classpath, if they are described as "application/x-font" in the MANIFEST.MF file. For example, if your .jar file contains font/myfont.ttf:
Manifest-Version: 1.0
Name: font/myfont.ttf
Content-Type: application/x-font
This feature allows you to create JAR files containing fonts. The JAR files can be added to fop by providem them in the classpath, e.g. copying them into the lib/ directory.
The font cache
Apache FOP maintains a cache file that is used to speed up auto-detection. This file is usually found in the ".fop" directory under the user's home directory. It's called "fop-fonts.cache". When the user's home directory is not writable, the font cache file is put in the directory for temporary files.
If there was a problem loading a particular font, it is flagged in the cache file so it is not loaded anymore. So, if a font is actually around but is still not found by Apache FOP, it's worth a try to delete the font cache file which forces Apache FOP to reparse all fonts.
Referencing Fonts
By default, all fonts are embedded if an output format supports font embedding. In some cases, however, it is preferred that some fonts are only referenced. When working with referenced fonts it is important to be in control of the target environment where the produced document is consumed, i.e. the necessary fonts have to be installed there.
There are two different ways how you can specify that a font should be referenced:
-
When explicitly configuring a font, font referencing is controlled by the embed-url attribute. If you don't specify the embed-url attribute the font will not be embedded, but will only be referenced.
-
For automatically configured fonts there's a different mechanism to specify which fonts should be referenced rather than embedded. This is done in the "referenced-fonts" element in the configuration. Here's an example:
<fop version="1.0"> <fonts> <referenced-fonts> <match font-family="Helvetica"/> <match font-family="DejaVu.*"/> </referenced-fonts> </fonts> </fop>
At the moment, you can only match fonts against their font-family. It is possible to use regular expressions as is shown in the second example above ("DejaVu.*"). The syntax for the regular expressions used here are the one used by the package. So, in the above snippet "Helvetica" and all variants of the "DejaVu" font family are referenced. If you want to reference all fonts, just specify font-family=".*"
.
The referenced-fonts
element can be placed either inside the general fonts
element (right under the root) or in the fonts
element under the renderer configuration. In the first case, matches apply to all renderers. In the second case, matches only apply to the renderer where the element was specified. Both cases can be used at the same time.
Embedding Fonts
Some notes related to embedded fonts:
-
When FOP embeds a font in PDF, it adds a prefix to the fontname to ensure that the name will not match the fontname of an installed font. This is helpful with older versions of Acrobat Reader that preferred installed fonts over embedded fonts.
-
When embedding PostScript fonts, the entire font is always embedded.
-
When embedding TrueType (ttf) or TrueType Collections (ttc), a subset of the original font, containing only the glyphs used, is embedded in the output document. That's the default, but if you specify encoding-mode="single-byte" (see above), the complete font is embedded.
Font Substitution
When a <substitutions/>
section is defined in the configuration, FOP will re-map any font-family references found in your FO input to a given substitution font.
-
If a
<substitution/>
is declared, it is mandatory that both aand child element is declared with a font-family attribute. -
Both font-weight and font-style are optional attributes, if they are provided then a value of 'normal' is assumed.
For example you could make all FO font-family references to 'Arial' with weights between 700 and 900 reference the normal 'Arial Black' font.
<fop version="1.0">
<fonts>
<substitutions>
<substitution>
<from font-family="Arial" font-weight="700..900"/>
<to font-family="Arial Black"/>
</substitution>
<substitution>
<from font-family="FrutigerLight"/>
<to font-family="Times" font-weight="bold" font-style="italic"/>
</substitution>
</substitutions>
</fonts>
</fop>
Font Selection Strategies
There are two font selection strategies: character-by-character or auto. The default is auto.
Auto selected the first font from the list which is able to display the most characters in a given word. This means (assume font A has characters for abclmn, font B for lnmxyz, fontlist is A,B):
-
aaa lll xxx would be displayed in fonts A A B
-
aaaxx would be displayed in font A
-
aaaxxx would be displayed in font A
-
aaaxxxx would be displayed in font B
Character-by-Character is NOT yet supported!
Font List Command-Line Tool
FOP contains a small command-line tool that lets you generate a list of all configured fonts. Its class name is: org.apache.fop.tools.fontlist.FontListMain
. Run it with the "-?" parameter to get help for the various options.


Vamsi invites Telugu Desam leaders’ ire
They accuse him of speaking lies and using objectionable language
by Staff ReporterGannavaram MLA V. Vamsi Mohan tendered unconditional apology to Telugu Desam Party MLC Y. Babu Rajendra Prasad at a press conference here on Saturday.
After announcing that he would soon join the ruling YSR Congress Party, Mr. Vamsi was seen speaking aggressively against TDP leaders, including its chief N. Chandrababu Naidu, on regional news channel interviews and debates. In one of the debates Mr. Vamsi and Mr. Rajendra Prasad had an argument over personal and political issues.
Tenders apology
Mr. Vamsi recalled the events that led to the verbal duel between the two and said Mr. Rajendra Prasad’s false allegations had made him feel bad and his temper flared up. “I tender unconditional apology to Mr. Rajendra Prasad as he is a senior, and my anger was not intentional,” Mr. Vamsi said. He thanked all the TDP leaders for giving him suggestions on how to behave.
Meanwhile, at separate press conferences, the TDP leaders took objection to Mr. Vamsi’s remarks on the TDP and its national president N. Chandrababu Naidu even while observing ‘Ayyappa Deeksha’.
Former Minister Devineni Umamaheswara Rao and party senior leader Varla Ramaiah charged Mr. Vamsi with uttering several falsehoods and using vulgar language. Mr. Umamaheswara Rao said the YSRCP, which had orchestrated Mr. Vamsi’s statements, was guilty of hurting the sentiments of the Hindus who believed that people in Ayyappa Deeksha should not utter falsehood or speak with anger.
“This is a deliberate attempt to insult the Hindus,” he alleged.


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When styling using CSS, it is important to know what syntaxes mean to help you better organize and style your webpage. CSS has such a vast variety of syntax that it is hard to know when to use the correct one or which syntax is the best to use for what you are trying to achieve. The syntax display is often used to line up objects or display text, object, images, etc a certain way. When using display you have the options to display many different property values. With that said, today we will be going over the difference between displaying inline and displaying inline-block.
What does it mean to display inline? When you select to display inline you are respecting left and right margins and padding, but not the top and bottom. You also cannot have a width and height set. Displaying inline allows other elements to sit to their left and right; the content of that element will become part of the paragraph. Basically if displaying text inline the paragraph can continue right and left of the inline display like normal. Inline elements will push other elements horizontally away but not vertically.
Unlike inline, inline-block allow elements to sit to their left and right. It also respects the top and bottom margins and padding as well as height and width. Inline-block is similar to inline, it will set inline with the natural flow of text. The difference is that you are able to set width and height manually which gives you more creative options when styling your website. Below is an image that shows the difference between inline and inline-block. Knowing the difference between these two display options will help you select the best way to style your page!


Scientists use modern technology to understand how ochre paint was created in pictographs
Ochre, one of Earth's oldest naturally occurring materials, was often seen as a vivid red paint
| Source: | University of Missouri-Columbia |
| Summary: | Ochre was often used as a vivid red paint in ancient rock art known as pictographs. Despite its broad use throughout human history and a modern focus on how the artistic symbolism is interpreted, little research exists on the paint itself and how it was produced. Now, scientists are using electron microscopes to understand how ochre paint was created by hunter-gatherers in North America to produce rock art located at Babine Lake in British Columbia. |
Ochre, one of Earth's oldest naturally occurring materials, was often used as a vivid red paint in ancient rock art known as pictographs across the world. Despite its broad use throughout human history and a modern focus on how the artistic symbolism is interpreted, little research exists on the paint itself and how it was produced.
Now, scientists led by Brandi MacDonald at the University of Missouri are using archaeological science to understand how ochre paint was created by hunter-gatherers in North America to produce rock art located at Babine Lake in British Columbia. The study was published in Scientific Reports, a journal of Nature.
"Ochre is one of the only types of material that people have continually used for over 200,000 years, if not longer," said MacDonald, who specializes in ancient pigments. "Therefore, we have a deep history in the archeological record of humans selecting and engaging with this material, but few people study how it's actually made."
This is the first study of the rock art at Babine Lake. It shows that individuals who prepared the ochre paints harvested an aquatic, iron-rich bacteria out of the lake — in the form of an orange-brown sediment.
In the study, the scientists used modern technology, including the ability to heat a single grain of ochre and watch the effects of temperature change under an electron microscope at MU's Electron Microscopy Core facility. They determined that individuals at Babine Lake deliberately heated this bacteria to a temperature range of approximately 750°C to 850°C to initiate the color transformation.
"It's common to think about the production of red paint as people collecting red rocks and crushing them up," MacDonald said. "Here, with the help of multiple scientific methods, we were able to reconstruct the approximate temperature at which the people at Babine Lake were deliberately heating this biogenic paint over open-hearth fires. So, this wasn't a transformation done by chance with nature. Today, engineers are spending a lot of money trying to determine how to produce highly thermo-stable paints for ceramic manufacturing or aerospace engineering without much known success, yet we've found that hunter-gatherers had already discovered a successful way to do this long ago."
make a difference: sponsored opportunity
Story Source:
Materials provided by University of Missouri-Columbia.
Note: Content may be edited for style and length.
Journal Reference:
- Brandi Lee MacDonald, David Stalla, Xiaoqing He, Farid Rahemtulla, David Emerson, Paul A. Dube, Matthew R. Maschmann, Catherine E. Klesner, Tommi A. White. Hunter-Gatherers Harvested and Heated Microbial Biogenic Iron Oxides to Produce Rock Art Pigment. Scientific Reports, 2019; 9 (1) DOI: 10.1038/s41598-019-53564-w
Cite This Page:
| MLA | University of Missouri-Columbia. "Scientists use modern technology to understand how ochre paint was created in pictographs: Ochre, one of Earth's oldest naturally occurring materials, was often seen as a vivid red paint." ScienceDaily. ScienceDaily, 19 November 2019. <www.sciencedaily.com/releases/2019/11/191119132515.htm>. |
| APA | University of Missouri-Columbia. (2019, November 19). Scientists use modern technology to understand how ochre paint was created in pictographs: Ochre, one of Earth's oldest naturally occurring materials, was often seen as a vivid red paint. ScienceDaily. Retrieved November 19, 2019 from www.sciencedaily.com/releases/2019/11/191119132515.htm |
| Chicago | University of Missouri-Columbia. "Scientists use modern technology to understand how ochre paint was created in pictographs: Ochre, one of Earth's oldest naturally occurring materials, was often seen as a vivid red paint." ScienceDaily. www.sciencedaily.com/releases/2019/11/191119132515.htm (accessed November 19, 2019). |


- It’s lack of knowledge of the guy who did these configurations.
- You’re assuming that you do it right and you know it clearly, but you never check or learn and understand it in the right way.
Knowledge base
-
Character * is Asterisk. A wildcard DNS record is a record in a DNS zone that will match requests for non-existent domain names. A wildcard DNS record is specified by using a * as the leftmost label (part) of a domain name, e.g.
*.example.com
. -
Wildcards in the DNS are much more limited than other wildcard characters used in other computer systems. Asterisks at other places in the domain will not work as a wildcard, so neither
*abc.example.com
norabc.*.example.com
work as wildcard DNS records -
Using an Asterisk (*) in AWS Route53 Hosted Zones and Records
You can create hosted zones and records that include * in the name.
1. Hosted Zones
- You can’t include an * in the leftmost label in a domain name. For example,
*.example.com
is not allowed. - If you include * in other positions, DNS treats it as an * character (
ASCII 42
), not as a wildcard.
2. Records
DNS treats the * character either as a wildcard or as the * character (
ASCII 42
), depending on where it appears in the name. Note the following restrictions on using * as a wildcard in the name of a record:- The * must replace the leftmost label in a domain name, for example,
*.example.com
or*.acme.example.com
. If you include * in any other position, such asprod.*.example.com
, DNS treats it as an * character (ASCII 42
), not as a wildcard. - The * must replace the entire label. For example, you can’t specify
*prod.example.com
orprod*.example.com
. - Specific domain names take precedence. For example, if you create records for
*.example.com
andacme.example.com
, Route 53 always responds to DNS queries foracme.example.com
with the values in theacme.example.com
record. - The * applies to DNS queries for the subdomain level that includes the asterisk, and all the subdomains of that subdomain. For example, if you create a record named
*.example.com
, Route 53 uses the values in that record to respond to DNS queries forzenith.example.com
,acme.zenith.example.com
, andpinnacle.acme.zenith.example.com
(if there are no records that have those names).
- You can’t include an * in the leftmost label in a domain name. For example,


If you want to know more about me and my experience, take a look at my resume or access my GitHub and LinkedIn profiles.


--- layout: default title: Speaker submissions description: Have a talk you'd like to give at Chi Hack Night? Follow these guidelines. ---
Have a talk you'd like to give at Chi Hack Night?
Chi Hack Night presentations are 25 minutes or less in length, with an open Q & A session after. Presenters can be any government agency, non-profit, company or group who've made use of data and/or technology to improve the public good.
The Chi Hack Night audience typically consists of a diverse group of web developers, designers, academic researchers, data journalists, activists, policy wonks and curious citizens.
A few rules of thumb for a good presentation:
Presentations and subsequent Q & A will be recorded in high definition video and posted publicly on our YouTube channel. Notes will also be taken and published on a public Google Doc.
Some exceptional past presentations:
Chi Hack Night offers a standard presenter honorarium of $100 for all speakers to compensate them for their time and expertise (read our blog post announcement). In the case of multiple presenters, an honorarium of up to $300 will be distributed among all presenters.
There are some groups that may have conflicts of interest with getting paid by Chi Hack Night, either due to their relationship to Chi Hack Night or from their employer. For that reason, we will not offer honorariums to presenters in the following groups:
If you'd like to give a talk at Chi Hack Night, write up a brief pitch (2-3 paragraphs) on who you are, what you would like to present on, it's relevance to data, technology and civics, and why it would be relevant to our audience.
Send your pitch to<EMAIL_ADDRESS>We will review it, and if accepted, follow up with the next available speaking dates.


These examples are included for development testing purposes. For official documentation, see
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Pandora.
Beautiful innovative
brands & websites.
What we do.
A few things we love doing.
01.
Identity
We work on digital interfaces with one eye on the user and the other on the developers.
02.
Design
Our intended “beauty” is not only in terms of performance, it is also 100% technically compliant.
03.
Development
We work on digital interfaces with one eye on the user and the other on the developers.
04.
Messaging
Our intended “beauty” is not only in terms of performance, it is also 100% technically compliant.
Selected works.
We're a Digital Agency creating online presence for big names. We have the best team to deliever an outstanding results.
Happy clients.
Our main goal is to keep our clients happy.
Pandora.
<EMAIL_ADDRESS>| Phone: 212.222.568


Gordon M. Grant/Bloomberg News
New York MSA*: Suffolk County
Median home sale price: $4,421,458
Price change YOY: -4.3%
Population: 582
Median household income: $54,048**
About 95 miles from Manhattan, this luxurious Hamptons town provides access to Atlantic Ocean beaches and offers facilities for sailing, golf, boating, tennis, and horseback riding.
* Metropolitan Statistical Area
** In Sagaponack, as in many other resort communities, wealthy residents who own second homes there file taxes elsewhere, so the income level doesn’t accurately reflect the average net worth of homeowners.


Welcome to One Minute Pitch.
“How did it get so late so soon?”
― Dr. Seuss
Don't be caught up in the same situation, pitch now!
{% extends "base.html" %} {% block styles %} {{ super() }} {% endblock %} {% block content %}
Welcome to One Minute Pitch.
“How did it get so late so soon?”
― Dr. Seuss
Don't be caught up in the same situation, pitch now!


{{- partial "common/head.html" . -}}
{{- partial "common/header.html" . -}}
{{ block "main" . }} {{ end}}
{{- partial "common/footer.html" . -}} {{- partial "common/footer-scripts.html" . -}}


{% extends "base.html" %} {% block title %}
Medieval catalogues > UNIVERSITY AND COLLEGE LIBRARIES OF CAMBRIDGE > Donor documents > Will of William Waltham, 5 October 1416; King's Hall
{% endif %}4 identified entries found.
All data was derived from the List of Identifications by Professor Richard Sharpe.
{% if not printing %}
A key to codes used in the List is available (opens in new tab).{% endif %}


Module ubiquitousse
Ubiquitousse main module.
Set of various Lua libraries to make game development easier, mainly made to be used alongside the LÖVE game framework. Nothing that hasn’t been done before, but these are tailored to what I need. They can be used independently too, and are relatively portable, even without LÖVE.
This is the main module, which will try to load every other Ubiquitousse module when required, and also perform a quick LÖVE version check and show a warning in case of potential incompatibility.
Regarding Ubiquitousse’s organization
Ubiquitousse may or may not be used in its totality. You can delete the modules directories you don’t need and Ubiquitousse should adapt accordingly. You can also simply copy the modules directories you need and use them directly, without using this file at all. However, some modules may provide more feature when other modules are available. These dependencies are written at the top of every main module file.
Ubiquitousse’s original goal was to run everywhere with the least porting effort possible, so while the current version now mainly focus LÖVE, it
should still be easily modifiable to work with something else. Ubiquitousse is mainly tested on LuaJIT and Lua 5.3 but should also support Lua 5.1 and 5.2.
In order to keep a good idea of how portable this all is, other dependencies, including LÖVE, are explicited at the top of every module file and in specific
functions definition using the @require
tag (e.g., — @require love
for LÖVE).
Some modules are developped in Candran (.can
files), but can easily be compiled into regular Lua code. In fact,
you will find precompiled Lua files in the ubiquitousse repository alongside the Candran files, so you don’t have to install Candran yourself and everything
should be pretty much plug and play.
Regarding the documentation: Ubiquitousse uses LDoc/LuaDoc styled-comments, but since LDoc hates me and my code, the generated result is mostly garbage, so to generate the documentation you will need to use my LDoc fork which I modified to force LDoc to like me.
If you want to recompile the Candran files or the documentation yourself, there’s a build script make
available at the root of
the repository to save you a few seconds.
Units used in the API documentation, unless written otherwise:
- All distances are expressed in pixels (px)
- All durations are expressed in seconds (s)
These units are only used to make writing documentation easier; you can use other units if you want, as long as you're consistent.
Style:
- tabs for indentation, spaces for esthetic whitespace (notably in comments)
- no globals
- UPPERCASE for constants (or maybe not).
- CamelCase for class names.
- lowerCamelCase is expected for everything else.
Usage:
local ubiquitousse = require("ubiquitousse")
Fields
| version | Ubiquitousse version string (currently "0.1.0" ). |
| asset | Asset manager module, if available. |
| ecs | Entity Component System, if available. |
| input | Input management, if available. |
| ldtk | LDtk level import, if available. |
| gltf | glTF model import, if available. |
| scene | Scene management, if available. |
| signal | Signal management, if available. |
| timer | Timer utilities, if available. |
| util | Various useful functions, if available. |
Fields
- version
-
Ubiquitousse version string (currently
"0.1.0"
). - asset
-
Asset manager module, if available.
See also:
- ecs
-
Entity Component System, if available.
See also:
- input
-
Input management, if available.
See also:
- ldtk
-
LDtk level import, if available.
See also:
- gltf
-
glTF model import, if available.
TODO: documentation not currently generated with LDoc.
See also:
- scene
-
Scene management, if available.
See also:
- signal
-
Signal management, if available.
See also:
- timer
-
Timer utilities, if available.
See also:
- util
-
Various useful functions, if available.
See also:


Overview
This page is for people with little or no Pi experience. To keep the other Allsky documentation pages a manageable length, they assume you have basic Pi knowledge. For example, you know how to turn a Pi on and off and how to connect a camera to it.
Operating Systems
The Linux operating system controls the Pi's hardware and lets you run software such as Allsky. The two most common versions of the Linux operating system for the Pi are Buster which was released several years ago, and Bullseye which was released late 2021. Allsky runs on both operating systems. Most people are running the 32-bit version of the operating systems, although some people have the 64-bit version of Bullseye.
There are also different distributions of Linux (called "distros") from various companies. While they are basically the same Linux, there can be subtle differences and the administrative commands can vary. The recommended Linux distro is Debian.
Raspberry Pi Models
There are several models of the Pi including 1, 2, 3, 4, Zero, and others. The Pi 3 and 4 are the most common being used for Allsky, but some people have the Pi Zero because of its low cost. The various models have different processing power; the Pi 4 is the most powerful, followed by the 3, then 2, then 1. The Zero is somewhere around the Pi 3 in terms of processing power. The Pi 4 is available with up to 8 GB memory whereas the Pi Zero is limited to 0.5 GB memory. Although Allsky can run on the Zero, several GB of swap space are needed, and even then, Allsky just barely runs. The ideal unit is a Pi 4 with 4 GB memory. Allsky runs nicely on that and the USB 3.0 ports are nice for cameras that support it.
Hardware Overview
Newer devices come with USB 2 ports and the Pi 4 has a couple USB 3 ports. They also have a special port to plug the RPi High Definition (HD) camera into.


{# Our new DevHub landing page represents an entirely different and new design which is why this page doesn't inherit any of our base templates. #}
{% if not settings.ENGAGE_ROBOTS %} {% endif %} {% block extrameta %}{% endblock %}{{ admin_message|safe }}
{% endif %} {% if settings.READ_ONLY %}{{ _("Some features are temporarily disabled while we perform website maintenance. We'll be back to full capacity shortly.") }}
{% endif %}


This demo uses the plugins2.js
NOTE: You can remove the pre-selected dates by editing the fInitAgenda() in the header of this page.
Copyright© 2003-2007 Idemfactor Solutions, Inc. All rights reserved.


--- layout: post status: publish published: true title: Two Things About VPC author: display_name: Tomas Restrepo login: tomasr email<EMAIL_ADDRESS>url: http://winterdom.com/ author_login: tomasr author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ wordpress_id: 618 wordpress_url: http://winterdom.com/2007/08/twothingsaboutvpc date: '2007-08-06 21:02:15 +0000' date_gmt: '2007-08-06 21:02:15 +0000' categories: - Tools - Vista tags: [] comments: - id: 413 author: frank j author_email<EMAIL_ADDRESS>author_url: '' date: '2007-08-09 11:01:36 +0000' date_gmt: '2007-08-09 11:01:36 +0000' content: | use VMWare, it's free. we have lots of VM each for a different test environment. ---
Virtual PC 2007 is a great improvement over VPC 2004, since it fixes a number of bugs that caused problems, and overall, it has been working very nicely for me since RTM. However, two issues drive me nuts:


Connections Expert Finder Configuration
In this space, the expert finder is configured to use :
Environment
Silvergreen
Showcase
Without configuration, the default setting is 'Silvergreen'.
OK
Can't configure the app, no space id on the URL ...


Heitor Chang
March 2023
📃 Resume
Programming
λ BiwaScheme REPL •
desktop
•
mobile
Misc
🔒
Vigenere cipher


Connecting to robot...
Super Mario
Play
Star Wars
Play
Never Gonna Give You Up
Play
Nyan Cat
Play
Tetris
Play


Blocking Updates
You can easily block all future updates on your Nintendo Switch. Here's how!
If you want to delete existing updates already downloaded, go into recovery mode.
Instructions
- Turn on your Switch and go to the Settings application
- Go to Network settings and scroll down to DNS settings
- Change DNS to Manual and change your Primary DNS to <IP_ADDRESS>
- Leave the Secondary DNS as it was previously
Updates should now be blocked on your system!


Teenager poisons wedding guests - The Nation Newspaper
by https://www.facebook.com/CheerfulpraiseThe Police in Katsina State on Thursday confirmed the arrest of one Mudasiru Tanimu, 18, for allegedly poisoning some guests at a wedding ceremony in Barhim village of Bagarawa Local Government Area of the state.
In a statement signed by the Command’s Public Relations Officer (PRO), SP Gambo Isah, said Tanimu allegedly conspired with one Nafiu Umar, also 18, to prepare the poisonous “concoction” for the guests.
“The command arrested the Tanimu, who lives in Barhim village.
“He was assisted by one Nafiu Umar, 18, who is at large.
Read Also; Police declare emergency on Lagos traffic, deploy 1,000
” The concoction was put in drinks that were served at a wedding at Barhim village in Bagarawa local government area.
”Consequently, one Iliya Musa, 25, and a 16-year-old girl drank the concoction and instantly became unconscious.
” The victims were rushed to the General Hospital Katsina, where Musa was confirmed dead while the other victim is in a state of deep intoxication.”
According to the police, the suspect confessed to the crime, adding that investigation was ongoing while efforts are in top gear to apprehend the fleeing suspect.
(NAN)


11.Alexander, L. V. et al.
IPCC in Climate Change 2013: The Physical Science Basis. Contribution of Working
Group I to the Fifth Assessment Report of the Intergovernmental Panel on Climate Change (Stocker, T. F. et al.) 1535 (Cambridge Univ. Press, Cambridge, 2013).


abbrev.file#(dimexpr,dimexpr,...)
where:
abbrev
is the abbreviation for the variable as
specified in the
data descriptor file
file#
is the file number that contains
this variable. If file#
is absent, GrADS assumes the default file number. dimexpr
is a dimension expression that locally
modifies the current dimension environment.
The dimexpr
is used to override or modify the current dimension environment only for the abbrev
variable. Only fixed dimensions can be
modified with a dimexpr
. The dimexpr
can be given in grid or world coordinates. An important note: When you specify a dimension in grid units,
GrADS always converts it to world coordinates. In general, this conversion
is done using the scaling of the default file. The only exception to this rule is in this case, when a
grid coordinate (x, y, z, t, or e) is supplied within a dimexpr
as part of a variable specification. In the case of this special exception, the conversion is done using the scaling for
the file that variable is to be taken from (i.e., file number file#
).
An absolute dimexpr
uses the "=" operator to override the currently set dimension value:
x|y|z|t|e|lon|lat|lev|time|ens = value
Examples of absolute dimension expressions are: x=1, lat=-10, lev=500, t=1, time=02feb1982, e=1, ens=spr
A relative dimexpr
uses the "+" or "-" operators to modify the currently set dimension value with an offset:
x|y|z|t|e|lon|lat|lev|time|ens +/- offset
Examples of relative dimension expressions are:
x+1, lat+30, y-3, t+0, time+12hr
Starting with GrADS version 2.0.a7, a third option is available, a dimexpr
that specifies an offset
from the variable's initial time:
offt =/+/- offset
Examples of absolute offset dimension expressions are:
offt=0, offt+4, offt-1
Please consult the section on evaluating expressions that contain the offt
dimension override for additional information.
The following sets of commands will yeild the same result, which is to display the 2nd time step of a variable "ps":
'set t 2'; 'd ps'
Note that an offset of 0 returns the 1st time step, an offset of 1 returns the 2nd time step, etc.
'set t 1'; 'd ps(t+1)'
'set t 1'; 'd ps(t=2)'
'set t 1'; 'd ps(offt=1)'
'set t 1'; 'd ps(offt+0)'
Using a dimexpr
that contains offt
is especially handy when your data set has multiple ensemble members, and the start time for individual members is not the same. In that case, an expression like:
'set t 1'; 'set e 1 last'; 'd ps(offt=0)'
will give you the first time step of all ensemble members, which may occur at different time steps in the file.
Examples of complete variable specifications are:
z.3(lev=500)
File 3, absolute dimension
expressiontv.1(time-12hr)
Relative dimension expressionrh
Default file number is used q.2(t-1,lev=850)
Two dimension expressions z(t+0)
This does have uses....GrADS has a few "predefined" variable names. You can think of these as being variables implicitly contained within any opened gridded file. The variable names are:
lat
lon
lev
When used, they will contain the lat
, lon
, and
lev
at the
respective grid points, using the scaling of the appropriate
file. You can specify: lat.2
for example, to get latitudes on
the grid of the 2nd opened data set.
The define
command
allows you to interactively create a new variable. The syntax is:
define varname = expression
The new variable can then be used in subsequent define
and/or display
commands. The new
variable is stored in memory, not on disk, so avoid defining variables
over large dimension ranges.
Defined variables cover the dimension ranges in effect
at the time the command is issued. You may define a variable that
has from 0 to 4 varying dimensions. The define
command is the
only case within GrADS where four varying dimensions is valid.
When Z
and/or T
are varying dimensions, the
define
command
evaluates the expression by stepping through Z
and T
.
In other words, the expression is evaluated within a dimension environment
that has fixed Z
and T
. This will affect how you
compose the expression.
When you use a defined variable, data is taken from the variable in a way similar to data taken from a GrADS data file. For example, say you define a four dimensional variable:
set lon -180 0
set lat 0 90
set lev 1000 100
set t 1 10
define temp = rh
After issuing the define
command, remember to change the dimension environment so less than 4
dimensions are varying!
set t 5
set lev 500
d temp
The display of the defined variable will display a 2-D slice taken at time 5 and level 500.
If you define a variable that has fixed dimensions, and then later access this variable, the fixed dimensions are treated as "wild cards". The best way to show this is with an example:
set lon -180 0
set lat 0 90
set lev 500
set t 10
define zave = ave(z,t=1,t=30)
The defined variable has two varying dimensions. If we now
display this variable (or use it in an expression), the fixed
dimensions of the defined variable, namely Z
and T
,
will match
ANY Z
and T
dimension setting:
set t 1
set lev 200
d zave
In the above display, the variable zave
would be displayed as it
was defined, ie you would get a time average of 500mb heights,
even though the level is set to 850.
When the defined variable has varying dimensions, and you have a dimension environment where that dimension is fixed, the proper dimension will be retrieved from the variable:
set lon -180 0
set lat 0 90
set lev 500
set t 10
define temp = z
set lat 40
d temp
In the above example, the defined variable has a varying Y dimension. We then fix the Y dimension to be 40N, and display a 1-D slice. The data from 40N in the defined grid will be accessed. If you then did:
set lat -40
d temp
The data from 40S would be accessed from the defined variable. Since this is beyond the dimensions originally used when the variable was defined, the data would be set to missing.
You can also locally override the dimension environment:
d temp(lat=50)
If that dimension is a varying dimension within the defined variable. If the dimension is a fixed dimension for that variable, the local override will be ignored:
d temp(t=15)
In the above command, the defined variable temp has fixed T, so the t=15 would be ignored.
N.B.: The define
command currently supports only grids.
Once you have defined a grid variables, you may tell GrADS that the new variable is climatological, ie that you wish to treat the time dimension of the new variable in a wild card sense.
The command is:
modify varname <seasonal/diurnal>
where varname
is the name of a defined variable. If the
grid is described as seasonal
, then it is assumed that
the defined variable contains monthly (or multi month) means. Daily or
multi-day means are not yet supported. If diurnal
is
specified, it is assumed the defined variable contains means over some
time period less than a day.
After describing the defined variable as climatological, then the date/times are treated appropriately when data is accessed from the defined variable.
In the following example, the data set contains 10 years of monthly means:
set lon -180 180
set lat -90 90
set lev 500
set t 1 12
define zave = ave(z,t+0,t=120,1yr)
This define will set up a variable called zave
which
contains 12 times, each time being the 10 year mean for that month. We
are making use here of the fact that the define command loops through
a varying time dimension when evaluating the expression, and within
the ave
function we are
making use of the variable time offset of t+0, which uses a start time
that is whatever time the define
command is using as
it loops.
modify zave seasonal
set t 120
d z - zave
The final display will remove the 10 year monthly mean for December from the last December in the data set.
Each variable defined using the define
command reserves
some system resources. If you no longer need a defined variable it is
sensible to free these resources for other use. This is accomplished
with the undefine
command. For example:
undefine p
would free the resources used by the defined variable p
. Of
course, the variable p
would no longer be available for GrADS
processing.


| Store Name | |
|---|---|
| Medicine Name | |
| Billing Date | |
| Price | |
| Quantity | |
| Customer Name | |
| Customer Mobile No | |
| Total |
Thanks for your purchase!
| Store Name | |
|---|---|
| Medicine Name | |
| Billing Date | |
| Price | |
| Quantity | |
| Customer Name | |
| Customer Mobile No | |
| Total |
Thanks for your purchase!


The instructions here are adapted from http://book.git-scm.com/2_installing_git.html
sudo apt-get install git-core
sudo yum install git-core
There are several ways to install git on Mac. The easiest is to simply download the OS X installer (git-osx-installer). If you have MacPorts installed, you can also do:
sudo port install git-core
If you have Fink installed, you can do:
sudo apt-get install git
In addition, you may want to use a GUI to manage your git repositories. A good example of a free Mac GUI is GitX. Other (non-free) examples include Tower and SourceTree. GitHub have also recently released GitHub for Mac.


The complex number is such that
where is the complex conjugate of . Find in the form , where and are real.This question is worth 4 marks.
You leaving this question to return to the home page.
No progress will be saved.
A new question will be generated the next time to access this page.


Most heavy duty transmissions have PTO ports onto which a PTO adpater can be bolted. Some examples of transmissions with PTO ports include the T-18, T-19, NP435, NV4500, SM465, and SM420. The PTO adapters I've seen all have a front and rear output.
Since these transmission PTO adapters are driven off of the countershaft, their speed and direction is not effected by the gear that the transmission is in. Only engine RPM can be used to change the speed. Normally, the PTO is only used with the transmission in neutral.
Thanks to Jeepin Joe Heinrich for the T-18 transmission PTO adapter pictures and information.


95% of the roughly 2 million inmates in US correctional custody will one day be released.
Depending on who you ask, between 30% and 77% of those prisoners will end up back in prison. The Bureau of Justice Statistics' most recent study found a 3-year recidivism rate of 67.8% across 30 states.
The graphics below are based on BJS's data. But these numbers are likely not quite right.
Existing studies are constrained by static data collection techniques - they capture a snapshot in time, which quickly becomes stale.
They're often forced to conflate differing definitions of recidivism, lump parole infractions in with new crimes, or forgeo cross-cutting comparisons altogether.
And in most cases, the data collected isn't granular enough to be actionable.
It's really hard to find good data on recidivism, and Recidiviz wants to help.
We're building a platform that standardizes the way that recidivism data is collected.
It should be easy for states and policy makers to access granular, accurate, real time metrics, so that they can reduce crime, reduce costs, and improve outcomes for inmates and communities.


--- title: Color Map Atlas for Continuously Scaled Maps author: Richard Careaga date: '2018-12-03' slug: color-map-atlas-for-continuously-scaled-maps categories: - Visualization tags: - R - geospatial - design ---
Graphic design standards, especially for color, are an official Good Thing. Branding, visual cueing, consistency. Map colors are hard, especially when dealing with continuous data.
The U.S. Bureau of Economic Analysis publishes quarterly statistics on gross domestic product by state.1. For the second quarter 2018, it provided the following.
| NAME | GDP |
|---|---|
| Alabama | 221,026,000 |
| Alaska | 53,944,000 |
| Arizona | 344,636,000 |
| Arkansas | 127,951,000 |
| California | 2,935,332,000 |
| Colorado | 363,845,000 |
| Connecticut | 272,745,000 |
| Delaware | 74,717,000 |
| Florida | 1,029,154,000 |
| Georgia | 587,325,000 |
| Hawaii | 91,048,000 |
| Idaho | 76,187,000 |
| Illinois | 859,067,000 |
| Indiana | 369,209,000 |
| Iowa | 189,299,000 |
| Kansas | 164,018,000 |
| Kentucky | 209,562,000 |
| Louisiana | 249,726,000 |
| Maine | 64,203,000 |
| Maryland | 414,373,000 |
| Massachusetts | 569,290,000 |
| Michigan | 532,039,000 |
| Minnesota | 362,904,000 |
| Mississippi | 113,334,000 |
| Missouri | 316,735,000 |
| Montana | 49,514,000 |
| Nebraska | 123,363,000 |
| Nevada | 167,708,000 |
| New Hampshire | 85,548,000 |
| New Jersey | 626,824,000 |
| New Mexico | 98,390,000 |
| New York | 1,675,685,000 |
| North Carolina | 565,300,000 |
| North Dakota | 55,180,000 |
| Ohio | 672,055,000 |
| Oklahoma | 199,572,000 |
| Oregon | 238,687,000 |
| Pennsylvania | 788,842,000 |
| Rhode Island | 61,168,000 |
| South Carolina | 230,213,000 |
| South Dakota | 51,721,000 |
| Tennessee | 365,129,000 |
| Texas | 1,755,634,000 |
| Utah | 175,601,000 |
| Vermont | 33,522,000 |
| Virginia | 532,896,000 |
| Washington | 559,011,000 |
| West Virginia | 77,748,000 |
| Wisconsin | 335,560,000 |
| Wyoming | 40,384,000 |
The two obvious things from the chart are that the numbers differ and that in general the larger states in population are also the larger states in GDP. Whenever making maps of continuous data, they will almost always turn out like this, unless there are marked regional differences and you take the default option.
Here is the GDP data, also with the default option.
If we are looking for more interesting differences among states, we should put them on a common footing, so that population size alone doesn’t dominate the effects. For disease, as an example, cases per hundred thousand is commonly used. Here’s what the GDP data looks like on that basis.
The default continuous blue scale, even with transformed data, still requires squinting to distinguish different values.
We can tinker with that by applying an alpha (density) filter.
The signature for scale_alpha_continuous
is
scale_alpha_continuous(…, range = c(0.1, 1))
The range can be narrowed
scale_alpha_continuous(range = c(0.1, 0.75))
or even further lightened
scale_alpha_continuous(range = c(0.1, 0.50))
Five bright (some might say garish) scales are available.
scale_fill_viridis_c(option="magma")
scale_fill_viridis_c(option="inferno")
scale_fill_viridis_c(option="plasma")
scale_fill_viridis_c(option="viridis")
scale_fill_viridis_c(option="viridis")
Fortunately, the palette can be muted with an alpha density filter
scale_fill_viridis_c(alpha = 0.50, option="cividis")
scale_fill_gradient
can also over-ride default colorsThe signature of scale_fill_gradient
is
scale_fill_gradient(..., low = "#132B43", high = "#56B1F7", space = "Lab", na.value = "grey50", guide = "colourbar", aesthetics = "fill")
in the blue range. You can adjust that with the arguments to low and high. The following example uses #FBF7F6 and #A97263.
How did I come up with those particular values?
library(munsell)
show_col(seq_gradient_pal("white", mnsl("10R 4/6"))(x))(seq(0, 1, length.out = 25)))
This approach, and other do-it-yourself color palette selection approaches can become a time sink.See R color cheatsheet A better approach is to have a selection of pre-made color cards, and try them out until one of them highlights the differences you are trying to show.
This set of palettes plays well with ggplot
and should answer most needs.
The three sections are for sequential (i.e., continuous), divergent (a neutral color in the center progressing toward more intense colors in both direction) or qualitative, for discrete data but coercible into continuous data.
Through ggplot
’s scale_colour_distiller
function, any of these can be smoothly interpolated into a six-interval scale.
All of the scales can be flipped, working from left-to-right on the palette or from right-to-left. Direction is indicated by direction = -1
or direction = 1
.
Color abbreviations:
There are also:
The signature for scale_colour_distiller
is
scale_fill_distiller(type = “seq”, palette = “YlOrRd”, direction = -1, labels = comma, guide = “colourbar”, aesthetics = “fill”)
Usage ggplot_map_object + [name of color scale]
Alpha_default <- scale_alpha_continuous(range = c(0.1, 1))
Alpha_75 <- scale_alpha_continuous(range = c(0.1, 0.75))
Alpha_50 <- scale_alpha_continuous(range = c(0.1, 0.50))
magma <- scale_fill_viridis_c(option="magma")
inferno <- scale_fill_viridis_c(option="inferno")
plasma <- scale_fill_viridis_c(option="plasma")
viridis <- scale_fill_viridis_c(option="viridis")
cividis <- scale_fill_viridis_c(option="cividis")
munsell_brown <- scale_fill_gradient(low = "#FBF7F6", high = "#A97263", space = "Lab", na.value = "grey50", guide = "colourbar", aesthetics = "fill")
# RColorBrewer
BluesNeg1 <- scale_fill_distiller(type = "seq", palette = "Blues", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
BluesPos1 <- scale_fill_distiller(type = "seq", palette = "Blues", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
BuGnNeg1 <- scale_fill_distiller(type = "seq", palette = "BuGn", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
BuGnPos1 <- scale_fill_distiller(type = "seq", palette = "BuGn", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
BuPuNeg1 <- scale_fill_distiller(type = "seq", palette = "BuPu", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
BuPuPos1 <- scale_fill_distiller(type = "seq", palette = "BuPu", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
GnBuNeg1 <- scale_fill_distiller(type = "seq", palette = "GnBu", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
GnBuPos1 <- scale_fill_distiller(type = "seq", palette = "GnBu", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
GreensNeg1 <- scale_fill_distiller(type = "seq", palette = "Greens", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
GreensPos1 <- scale_fill_distiller(type = "seq", palette = "Greens", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
GreysNeg1 <- scale_fill_distiller(type = "seq", palette = "Greys", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
GreysPos1 <- scale_fill_distiller(type = "seq", palette = "Greys", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
OrangesNeg1 <- scale_fill_distiller(type = "seq", palette = "Oranges", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
OrangesPos1 <- scale_fill_distiller(type = "seq", palette = "Oranges", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
OrRdNeg1 <- scale_fill_distiller(type = "seq", palette = "OrRd", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
OrRdPos1 <- scale_fill_distiller(type = "seq", palette = "OrRd", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
PuBuGnNeg1 <- scale_fill_distiller(type = "seq", palette = "PuBuGn", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
PuBuGnPos1 <- scale_fill_distiller(type = "seq", palette = "PuBuGn", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
PuBuNeg1 <- scale_fill_distiller(type = "seq", palette = "PuBu", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
PuBuPos1 <- scale_fill_distiller(type = "seq", palette = "PuBu", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
PuRdNeg1 <- scale_fill_distiller(type = "seq", palette = "PuRd", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
PuRdPos1 <- scale_fill_distiller(type = "seq", palette = "PuRd", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
PurplesNeg1 <- scale_fill_distiller(type = "seq", palette = "Purples", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
PurplesPos1 <- scale_fill_distiller(type = "seq", palette = "Purples", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
RdPuNeg1 <- scale_fill_distiller(type = "seq", palette = "RdPu", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
RdPuPos1 <- scale_fill_distiller(type = "seq", palette = "RdPu", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
RedsNeg1 <- scale_fill_distiller(type = "seq", palette = "Reds", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
RedsPos1 <- scale_fill_distiller(type = "seq", palette = "Reds", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
YlGnBuNeg1 <- scale_fill_distiller(type = "seq", palette = "YlGnBu", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
YlGnBuPos1 <- scale_fill_distiller(type = "seq", palette = "YlGnBu", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
YlGnNeg1 <- scale_fill_distiller(type = "seq", palette = "YlGn", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
YlGnPos1 <- scale_fill_distiller(type = "seq", palette = "YlGn", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
YlOrBrNeg1 <- scale_fill_distiller(type = "seq", palette = "YlOrBr", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
YlOrBrPos1 <- scale_fill_distiller(type = "seq", palette = "YlOrBr", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
YlOrRdNeg1 <- scale_fill_distiller(type = "seq", palette = "YlOrRd", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
YlOrRdPos1 <- scale_fill_distiller(type = "seq", palette = "YlOrRd", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
BrBGNeg1 <- scale_fill_distiller(type = "seq", palette = "BrBG", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
BrBGPos1 <- scale_fill_distiller(type = "seq", palette = "BrBG", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
PiYGNeg1 <- scale_fill_distiller(type = "seq", palette = "PiYG", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
PiYGPos1 <- scale_fill_distiller(type = "seq", palette = "PiYG", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
PRGnNeg1 <- scale_fill_distiller(type = "seq", palette = "PRGn", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
PRGnPos1 <- scale_fill_distiller(type = "seq", palette = "PRGn", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
PuOrNeg1 <- scale_fill_distiller(type = "seq", palette = "PuOr", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
PuOrPos1 <- scale_fill_distiller(type = "seq", palette = "PuOr", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
RdBuNeg1 <- scale_fill_distiller(type = "seq", palette = "RdBu", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
RdBuPos1 <- scale_fill_distiller(type = "seq", palette = "RdBu", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
RdGyNeg1 <- scale_fill_distiller(type = "seq", palette = "RdGy", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
RdGyPos1 <- scale_fill_distiller(type = "seq", palette = "RdGy", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
RdYlBuNeg1 <- scale_fill_distiller(type = "seq", palette = "RdYlBu", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
RdYlBuPos1 <- scale_fill_distiller(type = "seq", palette = "RdYlBu", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
RdYlGnNeg1 <- scale_fill_distiller(type = "seq", palette = "RdYlGn", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
RdYlGnPos1 <- scale_fill_distiller(type = "seq", palette = "RdYlGn", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
SpectralNeg1 <- scale_fill_distiller(type = "seq", palette = "Spectral", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
SpectralPos1 <- scale_fill_distiller(type = "seq", palette = "Spectral", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
AccentNeg1 <- scale_fill_distiller(type = "seq", palette = "Accent", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
AccentPos1 <- scale_fill_distiller(type = "seq", palette = "Accent", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
Dark2Neg1 <- scale_fill_distiller(type = "seq", palette = "Dark2", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
Dark2Pos1 <- scale_fill_distiller(type = "seq", palette = "Dark2", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
PairedNeg1 <- scale_fill_distiller(type = "seq", palette = "Paired", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
PairedPos1 <- scale_fill_distiller(type = "seq", palette = "Paired", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
Pastel1Neg1 <- scale_fill_distiller(type = "seq", palette = "Pastel1", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
Pastel1Pos1 <- scale_fill_distiller(type = "seq", palette = "Pastel1", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
Pastel2Neg1 <- scale_fill_distiller(type = "seq", palette = "Pastel2", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
Pastel2Pos1 <- scale_fill_distiller(type = "seq", palette = "Pastel2", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
Set1Neg1 <- scale_fill_distiller(type = "seq", palette = "Set1", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
Set1Pos1 <- scale_fill_distiller(type = "seq", palette = "Set1", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
Set2Neg1 <- scale_fill_distiller(type = "seq", palette = "Set2", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
Set2Pos1 <- scale_fill_distiller(type = "seq", palette = "Set2", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
Set3Neg1 <- scale_fill_distiller(type = "seq", palette = "Set3", direction = -1, labels = comma, guide = "colourbar", aesthetics = "fill")
Set3Pos1 <- scale_fill_distiller(type = "seq", palette = "Set3", direction = 1, labels = comma, guide = "colourbar", aesthetics = "fill")
“Source: Bureau of Economic Analysis, Gross Domestic Product By State, 2nd Quarter 2018 https://goo.gl/Jc6XyK”↩


|
Microsoft DevOps
Engineer
SSW Sydney, Brisbane, Melbourne, Newcastle
SSW is looking for an enthusiastic Microsoft DevOps Engineer for an
immediate start
This role requires great communication skills and solid experience in
delivering production-ready web solutions. Further, we encourage you to
take ownership of your relationship with clients and build meaningful
connections, to think critically, and create the right solution for the
right job.
Read
More
|
|
Full Stack .NET
Developer
SSW Sydney, Brisbane, Melbourne, Newcastle
This role requires great communication skills and solid experience in
delivering production-ready web solutions. You will be working with our
expert developers and designers in a wide variety of exciting enterprise
projects.
This role requires someone who can work closely with clients, think
critically, and create the right solution for the right job. .NET
experience is a must.
Read
More
|


|
AAX SDK
2.3.1
Avid Audio Extensions Development Kit
|
The interface for an AAX Plug-in's data model.
The interface for an instance of a plug-in's data model. A plug-in's implementation of this interface is responsible for creating the plug-in's set of parameters and for defining how the plug-in will respond when these parameters are changed via control updates or preset loads. In order for information to be routed from the plug-in's data model to its algorithm, the parameters that are created here must be registered with the host in the plug-in's Description callback.
At initialization, the host provides this interface with a reference to AAX_IController, which provides access from the data model back to the host. This reference provides a means of querying information from the host such as stem format or sample rate, and is also responsible for communication between the data model and the plug-in's (decoupled) algorithm. See Real-time algorithm callback.
You will most likely inherit your implementation of this interface from AAX_CEffectParameters, a default implementation that provides basic data model functionality such as adding custom parameters, setting control values, restoring state, generating coefficients, etc., which you can override and customize as needed.
The following tags appear in the descriptions for methods of this class and its derived classes:
CALL:
Components in the plug-in should call this method to get / set data in the data model.CEffectProcess
. For additional CProcess
methods, see AAX_IEffectGUI.Classes | |
| class | AAX_CEffectParameters |
| Default implementation of the AAX_IEffectParameters interface. More... | |
| class | AAX_IACFEffectParameters |
| The interface for an AAX Plug-in's data model. More... | |
| class | AAX_IACFEffectParameters_V2 |
| Supplemental interface for an AAX Plug-in's data model. More... | |
| class | AAX_IACFEffectParameters_V3 |
| Supplemental interface for an AAX Plug-in's data model. More... | |
| class | AAX_IACFEffectParameters_V4 |
| Supplemental interface for an AAX Plug-in's data model. More... | |
| class | AAX_IEffectParameters |
| The interface for an AAX Plug-in's data model. More... | |


Overview
Nova Dashboards provide feature developers with a common solution for presenting data coming from
various sources within a single view, as well as a set of predefined widget visualizations that are
100% configuration-driven and designed specifically to conform to the Nova Design Language (NDL).
Even though NDL-prescriptive features are provided out of the box, the framework and its set of
widgets are made to be flexible! Individual parts of it can be overridden, and custom widgets can be
implemented without an inordinate amount of effort. However, as with any flexible framework, it's
important to remember that the more customizations you create, the more initial work and maintenance
effort you'll absorb into your product's code base.
Why?
For Solarwinds, the summary-style dashboard is arguably the centerpiece of many of our products. As
such, it's important to have a common way to fulfill the dashboard use-case for as many of those
products as possible. Our primary goals are to:
-
Prevent developers from having to reinvent dashboard systems from product to product,
while losing the lessons learned from other implementations.
-
Minimize the overhead of building and maintaining custom widget visualizations that can easily be
solved by a common visualization.
-
Accelerate development of dashboard features by providing a framework that can be quickly
bootstrapped and populated by configuration.
-
Empower end-users to leverage our visualizations by injecting any data into our widgets, as long
as it's properly formatted.
But the reasons for having a common dashboarding framework are not just technical. With the goal of
proliferating the One Solarwinds philosophy, a common dashboard solution makes it easier to work
towards achieving a singular look and feel across product lines.
Architectural Goals
-
To allow partial changes of widget behavior/layout without having to re-implement an entire
widget.
-
To implement stateless widgets that allow for easy reuse.
-
To allow the entire state of the dashboard to be serializable and easily stored in a
database.
-
To provide an easy-to-use API for communicating within a widget and between the dashboard and its
widgets.
-
To allow for a tiered prioritization of widget state in which runtime data takes precedence over
the stored widget configuration.
-
To have a pure, self-contained widget configurator for use in widget editing and cloning.
-
To have widgets that are infinitely resizable, movable, editable, clonable, and removable. The
widgets can span multiple rows and columns, can refresh themselves, and can be updated in real
time.
- To provide a predefined "starter pack" of widget types.
Technologies Used
-
Angular - Provides the project structure,
dependency injection, etc. for development. Apps employing Nova Dashboards currently must also be
Angular-based.
-
angular-gridster2 -
Also known simply as Gridster, angular-gridster2 is a package used by Nova Dashboards that
simplifies the process of creating and maintaining intuitive, draggable grid layouts of DOM
elements. In the case of Nova Dashboards, these elements take the form of widgets which can span
one or more rows and columns. In addition to draggability, Nova Dashboards' use of Gridster
allows users to dynamically add or remove widgets from the the dashboard grid.
Supported Widgets
- Table - For presenting a sortable set of data in rows and columns
- Proportional - For presenting related data points as part of a whole
- KPI (Key Performance Indicator) - For displaying one or more key values
- Timeseries - For displaying changes in values over time
- Embedded Content - For displaying web layouts
Planned Widgets
- Maps/Graph - to provide a visualization of related nodes
- Drill-down - to provide a view of statuses within hierarchical data


{% extends "base.html" %} {% block content -%}
TrackDB
Your own GPX Database.
Filter
Statistics of matching Tracks
{% if track_id != None -%}
Distance: {{ mtr_to_dst(overall_statistics.distance_m) }}
Duration (active): {{ sec_to_date(overall_statistics.duration) }}
Max. Speed: {{ overall_statistics.max_speed }} km/h
Avg. Speed: {{ "%.2f"|format(overall_statistics.avg_speed) }} km/h
Elevation up: {{ mtr_to_dst(overall_statistics.elevation_up_m) }}
Elevation down: {{ mtr_to_dst(overall_statistics.elevation_down_m) }}
No suitable track found. Add Tracks or change Tag selection.
{% else -%}Activity: {{ tracks[track_id].name }}
Date: {{ tracks[track_id].date }}
{% for tag in tags_for_track -%}
{% endfor -%}Statistics
Distance: {{ mtr_to_dst(tracks[track_id].statistics[0].distance_m) }}
Duration (active): {{ sec_to_date(tracks[track_id].statistics[0].duration_s) }}
Duration (total): {{ sec_to_date(tracks[track_id].statistics[0].duration_total_s) }}
Max. Speed: {{ tracks[track_id].statistics[0].max_speed }} km/h
Avg. Speed: {{ "%.2f"|format(tracks[track_id].statistics[0].avg_speed) }} km/h
Elevation up: {{ mtr_to_dst(tracks[track_id].statistics[0].elevation_up_m) }}
Elevation down: {{ mtr_to_dst(tracks[track_id].statistics[0].elevation_down_m) }}
Resource
{% endif -%}


White Bit
Identity
Shift to Question
Interaction
Law of Entropy
Multi-Media
Knot Theory
Motion
The Wing
Product
Worth of a Woman
Campaign
MOD
Identity
Sunspot
Interaction
Geometric Form
Interaction
Thrive
Identity
Whitney Badge
Work
Contact


| ID | Type | Title | Your points | Points | Bonus points | Reviewer |
|---|---|---|---|---|---|---|
| {{ exercise?.id }} |
|
{{ exercise?.title }} |
|
{{ exercise?.maxScore }} | {{ exercise?.bonusPoints }} |
|
| Overall Score | {{ achievedTotalScore }} | {{ maxTotalScore }} |


Welcome Smith
Here you can check how many points you have collected and which cupons/discounts are available. Please keep in mind that each cupon/discount also has an expiration date.
Here you can check how many points you have collected and which cupons/discounts are available. Please keep in mind that each cupon/discount also has an expiration date.
| # | Store name | Available until | Value |
|---|---|---|---|
| 1 | Mercator | 1. 1. 2021 | - 25% on one purchase |
| 2 | Spar | 31. 1. 2021 | - 50 % on one product |
| 3 | Turistična agencija Sonček | 31. 8. 2021 | - 15 % on one trip |
Placeholder for commercials from our sponsors.
Partner 1
Partner 2
Partner 3
| # | Store name | Available until | Value | Cost (no. of points) |
|---|---|---|---|---|
| Mercator | 1. 1. 2021 | - 25% on one purchase | 2000 | |
| Hervis | 1. 3. 2021 | - 30% on one purchase | 4000 | |
| Mladinska knjiga | 1. 6. 2021 | - 70% on one product | 5000 |
| # | Date | Hour | Weight | Type of trash | Cost (no. of points) |
|---|---|---|---|---|---|
| 1 | 5. 11. 2020 | 15.30 | 2kg | Plastic | 2000 |
| 2 | 5. 11. 2020 | 15.25 | 1.5kg | Paper | 1500 |
| 3 | 30. 10. 2020 | 18.16 | 3kg | Plastic | 2500 |