Company profile - Canadian Company Capabilities
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Some of the information on this Web page has been provided by external sources. The Government of Canada is not responsible for the accuracy, reliability or currency of the information supplied by external sources. Users wishing to rely upon this information should consult directly with the source of the information. Content provided by external sources is not subject to official languages, privacy and accessibility requirements.
Hair loss experts, Norgil Canada
Mailing Address:
1040-630 Sherbrooke St WMONTRÉAL, Quebec
H3A 1E4
Location Address:
1040-630 Sherbrooke St WMONTRÉAL, Quebec
H3A 1E4
Tel.:<PHONE_NUMBER>
Tel.:<PHONE_NUMBER>
Fax:<PHONE_NUMBER>
Logo
Company Profile
The clinical expertise in capillary of Norgil Canada offers solutions to your problem of hair loss or baldness. Norgil offers assessment, diagnosis, prevention, treatment, correction through his hair experts. The solutions offered againts hair loss pass by a range of natural products such as Alpharegul, hair prostheses, wigs, transplants.
Full profile
Full profile
Contact information
Company description
812190 - Other Personal Care Services
Product / Service / Licensing
5-Alpharegulator concentrate
Presentation: Box of 15 single doses, 4ml.
Properties:
Regulating the activity of 5 alpha-reductase (responsible for hair loss
(Androgenetic)
Restoring the balance of the hair follicle
Extend the life cycle of the hair, Serenoa repens, Urtica dioica, Cucurbita pepo.
First capsule with natural actives helping reduce hair loss
First performant capsule: 88% of efficiency (efficiency's tests laboratory; Proclaim) **
Summary clinical study (laboratory Spincontrol) * 1. The fall is highly reduce (significant decrease of hair in the telogen phase). 2. A clear increase of hair growing (anagen) in the frontal area and over the top. This is the first time that the effectiveness of an anti-fall shows such good results on the frontal area, scientifically proven by a double-blind dermatologique study.
Capsule with a base of Natural active plants
Regule rather than inhibiting the 5-alphareductase (enzyme responsible for hair loss androgenetic). Mode of action similar to finasteride, but with natural ingredients.
Active on all forms of alopecia; as well for men than women.
Without significant side effect, no effect on libido, allows prolonged use.
Available without medical prescription, on the advice of an Expert Norgil hair.
Alpharegul patented formula.
Mode of action: 3 effects
1. Regule the 5-alphareductase rather than inhibit it and, regule the androgens receptors (androgenetic fall).
2. Regulate the immunity and the inflammatory reactions (aerata and diffuse fall).
3. Vasodilator; nutrients intakes (falls related to a deficiency).
A clinical double blind made by the laboratory Spincontrol
** Alpharegul efficacy tests conducted by the laboratory Proclaim.
Inventor of Alpharegul
Alpharegul capsules against hair loss has been developed by Professor Marc Schwaller. Born in February 11th, 1956, Marc Schwaller suffers himself of alopecia at the age of 20. Professor Mark Schwaller is:
Pharmacist;
Former intern in Paris hospitals;
D.E.A of pharmacology from Université de Paris 7;
Graduated from Institut Pasteur in mutagenesis genetic;
Doctor of Science: Study of pharmacological anti-tumor alkaloids belonging to the family of the ellipticine;
Doctor of Pharmacy: Vectorization of anti-tumor by sweet natural polymers such as cyclodextrins;
Fellow of the A.R.C: Center of Research against Cancer, in Villejuif;
Researcher at the I. N.S.E.R.M;
Researcher at C.N.R.S;
Price of the French Society of Chemistry 1994;
Professor at Paris XI;
Author of over 50 international publications on natural products;
Guest speaker at more than 50 international conferences.
Cleansing Concentrate 2E
A highly scrubing action
Presentation: bottle of 3.89fl.oz
Properties:
Eliminated the dead cells.
Elimination of the caps, sheaths and seborrheic plates.
Nourishing & Stabilizing Concentrate 13E
Presentation: bottle of 3.89fl.oz
Properties:
Rich in assets having an effect on hair growth
Plant extracts active on the blood microcirculation
Purifying effect and anti-inflammatory
Componants acting on the blood microcirculation
Presentation: bottle of 6.7fl.oz
Properties:
Inhibitory Action of 5-alphareductase;
Serenoa Repens
Nutritive action;
Sulfur amino acids;
Vitamins
Minerals;
Vasodilator action;
Essentials oils plants.
Multivitamin Conditoner (PH.4)
Presentation: Bottle of 8,45fl.oz.
Contains no sulfate or parabens and it's has not being tested on animals.
Designed for hair lacking vigor and / or are extremely dry. This formula contains nano vitamins (A, E, C), that is to say, vitamins whose molecule is so small it can penetrate directly into the cells of the skin and the hair cortex to reinvigorate them.
Protein Conditioner (PH. 4.5)
Presentation: Bottle of 8,45fl.oz.
Contains no sulfate or parabens and it's has not being tested on animals.
Designed for coloured and / or damaged hair, it contains various natural actives that regenerate, repair and protect individually the hair from assaults of daily life.
The proteins of wheat and soybeans and their amino acids used in this shampoo have the property of penetrating the cortex of the hair to nourish, moisturize and strengthen its structure and its flexibility. What gives shine and softness to the hair.
Balancing Shampoo (PH. 5)
Presentation: Bottle of 8,45fl.oz.
Contains no sulfate or parabens and it's has not being tested on animals.
Shampoo for frequent use.
Adds volume to fine hair, normal to greasy, without aggression, while controlling the moisture of the hair.
The extracts of wheat proteins present in this shampoo nourish the hair fiber by reinforcing its structure and flexibility by giving them softness and shine.
Multivitamin Shampoo (PH. 4.2)
Presentation: Bottle of 8,45fl.oz.
Contains no sulfate or parabens and it's has not being tested on animals.
Designed for hair lacking vigor and / or are extremely dry. This formula contains nano vitamins (A, E, C), that is to say, vitamins whose molecule is so small it can penetrate directly into the cells of the skin and the hair cortex to regenerate them.
Antioxidants and regenerators, these nano vitamins nourish the cells while protecting against the signs of aging.
Protein Shampoo (PH. 4.5)
Presentation: Bottle of 8,45fl.oz.
Contains no sulfate or parabens and it's has not being tested on animals.
Designed for coloured and / or damaged hair, it contains various natural actives that regenerate, repair and protect indidually the hair from assaults of daily life.
The proteins of wheat and soybeans and their amino acids used in this shampoo have the property of penetrating the cortex of the hair to nourish, moisturize and strengthen its structure and its flexibility. What gives shine and softness to the hair. Furthermore, it rebalances and hydrates the scalp.
* Stabilizes partial hair loss.
* Very good results in hair loss due to menopause, stress, fatigue, nutritional deficiency, straightening or other traumas.
* Complete product; proven effective by a clinical study.
* Stops hair loss and stimulates growth by the 3rd month.
* Sebum regulating effect.
* Very effective in cases of major hair loss in conjunction with Alpharégul.
* Regenerating and fortifying. Without any significant side effects (except for fish and seafood allergies). Long term usage.
* Available without medical prescription.
Third-Party Information Liability Disclaimer
Some of the information on this Web page has been provided by external sources. The Government of Canada is not responsible for the accuracy, reliability or currency of the information supplied by external sources. Users wishing to rely upon this information should consult directly with the source of the information. Content provided by external sources is not subject to official languages, privacy and accessibility requirements.
Contacts
Contact information
Description
Company description
812190 - Other Personal Care Services
Products, services and licensing
Product / Service / Licensing
5-Alpharegulator concentrate
Presentation: Box of 15 single doses, 4ml.
Properties:
Regulating the activity of 5 alpha-reductase (responsible for hair loss
(Androgenetic)
Restoring the balance of the hair follicle
Extend the life cycle of the hair, Serenoa repens, Urtica dioica, Cucurbita pepo.
First capsule with natural actives helping reduce hair loss
First performant capsule: 88% of efficiency (efficiency's tests laboratory; Proclaim) **
Summary clinical study (laboratory Spincontrol) * 1. The fall is highly reduce (significant decrease of hair in the telogen phase). 2. A clear increase of hair growing (anagen) in the frontal area and over the top. This is the first time that the effectiveness of an anti-fall shows such good results on the frontal area, scientifically proven by a double-blind dermatologique study.
Capsule with a base of Natural active plants
Regule rather than inhibiting the 5-alphareductase (enzyme responsible for hair loss androgenetic). Mode of action similar to finasteride, but with natural ingredients.
Active on all forms of alopecia; as well for men than women.
Without significant side effect, no effect on libido, allows prolonged use.
Available without medical prescription, on the advice of an Expert Norgil hair.
Alpharegul patented formula.
Mode of action: 3 effects
1. Regule the 5-alphareductase rather than inhibit it and, regule the androgens receptors (androgenetic fall).
2. Regulate the immunity and the inflammatory reactions (aerata and diffuse fall).
3. Vasodilator; nutrients intakes (falls related to a deficiency).
A clinical double blind made by the laboratory Spincontrol
** Alpharegul efficacy tests conducted by the laboratory Proclaim.
Inventor of Alpharegul
Alpharegul capsules against hair loss has been developed by Professor Marc Schwaller. Born in February 11th, 1956, Marc Schwaller suffers himself of alopecia at the age of 20. Professor Mark Schwaller is:
Pharmacist;
Former intern in Paris hospitals;
D.E.A of pharmacology from Université de Paris 7;
Graduated from Institut Pasteur in mutagenesis genetic;
Doctor of Science: Study of pharmacological anti-tumor alkaloids belonging to the family of the ellipticine;
Doctor of Pharmacy: Vectorization of anti-tumor by sweet natural polymers such as cyclodextrins;
Fellow of the A.R.C: Center of Research against Cancer, in Villejuif;
Researcher at the I. N.S.E.R.M;
Researcher at C.N.R.S;
Price of the French Society of Chemistry 1994;
Professor at Paris XI;
Author of over 50 international publications on natural products;
Guest speaker at more than 50 international conferences.
Cleansing Concentrate 2E
A highly scrubing action
Presentation: bottle of 3.89fl.oz
Properties:
Eliminated the dead cells.
Elimination of the caps, sheaths and seborrheic plates.
Nourishing & Stabilizing Concentrate 13E
Presentation: bottle of 3.89fl.oz
Properties:
Rich in assets having an effect on hair growth
Plant extracts active on the blood microcirculation
Purifying effect and anti-inflammatory
Componants acting on the blood microcirculation
Presentation: bottle of 6.7fl.oz
Properties:
Inhibitory Action of 5-alphareductase;
Serenoa Repens
Nutritive action;
Sulfur amino acids;
Vitamins
Minerals;
Vasodilator action;
Essentials oils plants.
Multivitamin Conditoner (PH.4)
Presentation: Bottle of 8,45fl.oz.
Contains no sulfate or parabens and it's has not being tested on animals.
Designed for hair lacking vigor and / or are extremely dry. This formula contains nano vitamins (A, E, C), that is to say, vitamins whose molecule is so small it can penetrate directly into the cells of the skin and the hair cortex to reinvigorate them.
Protein Conditioner (PH. 4.5)
Presentation: Bottle of 8,45fl.oz.
Contains no sulfate or parabens and it's has not being tested on animals.
Designed for coloured and / or damaged hair, it contains various natural actives that regenerate, repair and protect individually the hair from assaults of daily life.
The proteins of wheat and soybeans and their amino acids used in this shampoo have the property of penetrating the cortex of the hair to nourish, moisturize and strengthen its structure and its flexibility. What gives shine and softness to the hair.
Balancing Shampoo (PH. 5)
Presentation: Bottle of 8,45fl.oz.
Contains no sulfate or parabens and it's has not being tested on animals.
Shampoo for frequent use.
Adds volume to fine hair, normal to greasy, without aggression, while controlling the moisture of the hair.
The extracts of wheat proteins present in this shampoo nourish the hair fiber by reinforcing its structure and flexibility by giving them softness and shine.
Multivitamin Shampoo (PH. 4.2)
Presentation: Bottle of 8,45fl.oz.
Contains no sulfate or parabens and it's has not being tested on animals.
Designed for hair lacking vigor and / or are extremely dry. This formula contains nano vitamins (A, E, C), that is to say, vitamins whose molecule is so small it can penetrate directly into the cells of the skin and the hair cortex to regenerate them.
Antioxidants and regenerators, these nano vitamins nourish the cells while protecting against the signs of aging.
Protein Shampoo (PH. 4.5)
Presentation: Bottle of 8,45fl.oz.
Contains no sulfate or parabens and it's has not being tested on animals.
Designed for coloured and / or damaged hair, it contains various natural actives that regenerate, repair and protect indidually the hair from assaults of daily life.
The proteins of wheat and soybeans and their amino acids used in this shampoo have the property of penetrating the cortex of the hair to nourish, moisturize and strengthen its structure and its flexibility. What gives shine and softness to the hair. Furthermore, it rebalances and hydrates the scalp.
* Stabilizes partial hair loss.
* Very good results in hair loss due to menopause, stress, fatigue, nutritional deficiency, straightening or other traumas.
* Complete product; proven effective by a clinical study.
* Stops hair loss and stimulates growth by the 3rd month.
* Sebum regulating effect.
* Very effective in cases of major hair loss in conjunction with Alpharégul.
* Regenerating and fortifying. Without any significant side effects (except for fish and seafood allergies). Long term usage.
* Available without medical prescription.


---
title: Accomodation alternatives
description: Stay elsewhere than in Val de l'Hort
i18n-key: logement
permalink: /en/accomodation-alternatives/
---
If you do not wish to sleep in Val de l' Hort or if you wish to extend your stay in Anduze, here is a list of some accommodations in the area:
Please note that these rates are subject to change and sometimes include the rental of several beds, or even the entire cottage. Remember to book early.
Accomodation alternatives
{% assign specifics = site.data.bnbs.specifics | sort: "distance" %} {% assign generics = site.data.bnbs.generics | sort:
"fromprice" %} {% for bnb in specifics %}


Security Question Answer Generator
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Street Name:
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@* * Copyright 2021 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import config.ApplicationConfig @import views.html.helpers._ @import views.ViewHelpers @this(gmpMain: gmp_main, viewHelpers: ViewHelpers) @(pensionDetailsForm: Form[models.PensionDetails])(implicit request: Request[_], context: config.GmpContext, messages: Messages,ac:ApplicationConfig) @implicitFormInstance = @{ Some(pensionDetailsForm) } @gmpMain(title = Messages("gmp.pension_details.header") + " - " + Messages("service.title") + " - " + Messages("gov.uk")) { @includes.back_link(Messages("gmp.bulk_reference.header")) @views.html.helpers.errorSummary(pensionDetailsForm) @viewHelpers.form(action = routes.PensionDetailsController.post) {
@Messages("gmp.scon.message") @Messages("gmp.contact.hmrc").
} }


Fuhrerpants
rotten.com
|
Hitler's trousers, kept in a U.S. Army vault for two years, were
burned to "prevent their symbolic worship of what Hitler stood for".
The symbolic importance of the pants was not explained. These offending
pants were the ones Hitler wore when he was injured in
the July 20, 1944 assassination attempt which crippled his arm.
[U.S. Army Photo archive #304-534]
|
|


About The Local Farmers' Market
The Local Farmers' Market (originally called To the Farmers' Market) was developed for the 2016 Hawaii Annual Code Challenge.
The source code is available at Github.
Joseph Gefroh
Tech Lead
Handled software architecture, programming, and design.
McKay Davis
Project Manager
Handled business analysis, outreach, stakeholder management, data analysis, design, and programming.
Jarren Lee
Software Engineer
Handled programming, i18n translations


Tesla shows off Chinese-made Model 3s ahead of Shanghai factory start
Tesla broke ground on its Chinese factory in January.
by Timothy B. LeeTesla is famous for missing deadlines, but the company's Shanghai factory, dubbed Gigafactory 3, seems to be on schedule. Tesla broke ground on the facility in January. Now media reports indicate that work is just about finished, and the company is weeks away from beginning large-scale manufacturing.
According to Bloomberg, Tesla chairman Robyn Denholm said last week that Tesla is waiting for manufacturing certification from local government. The company hopes that will happen before the end of the year.
Tesla recently posted images of some of the first Chinese-made Model 3s on Weibo, a Chinese social media platform similar to Twitter. Tesla allowed Chinese reporters to take additional photos of the vehicle. There are a couple of obvious differences from the American model.
The back of the car has Chinese characters on the left and "Model 3" on the right. Like the cars Tesla is currently shipping to China, these new Model 3s also sport dual charging ports. One port is for the European Type 2 charging standard, while the other is for a Chinese charging standard.
Tesla will initially use batteries from Panasonic in its Chinese-made cars, just as it does in the United States. Bloomberg recently reported that Tesla is negotiating a deal to start using batteries from Chinese battery maker CATL starting next year.
Tesla is aiming to produce at least 1,000 vehicles per week at its Chinese factory before the end of the year. That could help Tesla achieve its overall goal to deliver at least 360,000 vehicles for the calendar year.
Tesla delivered 255,200 vehicles in the first nine months of 2019, so the company will need to deliver 104,800 vehicles in the fourth quarter. Tesla delivered 97,000 vehicles in the third quarter, so it will need to step up its game a bit in the current quarter. A few thousand Chinese vehicles could be enough to push the company over the top.
Listing image by Tesla


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layout: true --- class: center # WebVR ![A-frame logo](Screenshots/aframe-logo.png#fill-it-vertical) ??? --- # What is A-Frame? - Web framework for building VR - Using HTML - Works on Vive, Rift, Daydream, GearVR, Mixed Reality VR headsets and desktop (even Edge!) - Easy to use and start --- # Basic example code .code[ ```HTML
``` ] --- # Basic example UI ![aframe scene](Screenshots/aframe.jpg#fill-it) ---


[name] is intended for transforming a camera over a map from bird's eye perspective. The class shares its implementation with [page:OrbitControls] but uses a specific preset for mouse/touch interaction and disables screen space panning by default.
[name] is an add-on, and must be imported explicitly. See [link:#manual/introduction/Installation Installation / Addons].
import { MapControls } from 'three/addons/controls/MapControls.js';
const renderer = new THREE.WebGLRenderer();
renderer.setSize( window.innerWidth, window.innerHeight );
document.body.appendChild( renderer.domElement );
const scene = new THREE.Scene();
const camera = new THREE.PerspectiveCamera( 45, window.innerWidth / window.innerHeight, 1, 10000 );
camera.position.set( 0, 20, 100 );
const controls = new MapControls( camera, renderer.domElement );
controls.enableDamping = true;
function animate() {
requestAnimationFrame( animate );
// required if controls.enableDamping or controls.autoRotate are set to true
controls.update();
renderer.render( scene, camera );
}
[example:misc_controls_map misc / controls / map ]
[page:Camera object]: (required) The camera to be controlled. The camera must not be a child of another object, unless that object is the scene itself.
[page:HTMLDOMElement domElement]: The HTML element used for event listeners.
See the base [page:OrbitControls] class for common events.
See the base [page:OrbitControls] class for common properties.
This object contains references to the mouse actions used by the controls.
controls.mouseButtons = {
LEFT: THREE.MOUSE.PAN,
MIDDLE: THREE.MOUSE.DOLLY,
RIGHT: THREE.MOUSE.ROTATE
}
Defines how the camera's position is translated when panning. If true, the camera pans in screen space. Otherwise, the camera pans in the plane orthogonal to the camera's up direction. Default is `false`.
This object contains references to the touch actions used by the controls.
controls.touches = {
ONE: THREE.TOUCH.PAN,
TWO: THREE.TOUCH.DOLLY_ROTATE
}
See the base [page:OrbitControls] class for common methods.
[link:https://github.com/mrdoob/three.js/blob/master/examples/jsm/controls/MapControls.js examples/jsm/controls/MapControls.js]


We are a group of like minded enthusiasts from across the world who build and maintain the largest collection of Docker images on the web, and at our core are the principles behind Free and Open Source Software. Our primary goal is to provide easy-to-use and streamlined Docker images with clear and concise documentation.
Our commitment is to the community and our users. Over the years, we have worked hard to build a name that resonates with home server enthusiasts and newcomers. Our images are for everyone, and always will be. We would like to thank everyone who has used our images, and helped us achieve such a milestone.
Our images are built from the same base, which we have uniquely curated.
By using s6-overlay
, each of our base images are highly extendable, making them configurable for practically any application.
This standardisation not only provides uniformity; it also saves our users bandwidth and storage by having each of our images share their base layers.
Our build pipeline has been completely redesigned and now provides our users with fast and effective updates for our images. When the upstream applications, or application dependencies are updated, our images will automatically rebuild. This mechanism ensures our images remain as up-to-date as possible. Our new tagging system also provides users with clearer indications as to which application version a particular build encapsulates.
It is our belief that with a first-class fleet of images comes a first-class set of documentation. All of our images come with clear and thorough set-up guides. These can be found either on GitHub or our dedicated Documentation space. Further guides and opinion pieces can also be found on our blog.
Our community is ever expanding, and as such requires the best possible support when using our images. We provide first-hand support via our Discord server, as well as our Discourse forum. Whether new to LinuxServer, or a returning veteran, there will always be someone available from the team, or the community itself to help you through any issues.


symphony
Businessmodel of Symphony
Customer Segments
Symphony has a segmented market business model, with three customer segments:
- General Public: The company offers a free version of its software for “personal productivity” purposes
- General Businesses: The company offers an enterprise-grade version of its software for companies, both large and small
- Financial Firms: The company offers a version of its software customized for sell-side and buy-side firms that enable them to maintain regulatory compliance ### Value Proposition
Symphony offers four primary value propositions: customization, convenience, risk reduction, and price.
The company’s solution offers customization by allowing users to enhance messages with rich editing, files, tables, and images. They can also personalize filters and alerts with hashtags, mentions, and cashtags.
The company’s solution creates convenience by providing daily statistics for user sessions (e.g., top users and messages sent per user), automatically adapting to sudden market peaks, and enabling customers to pin important chats, automatically create filters, and engage in bulk account creation.
The company’s solution reduces risk through the following features:
- End-to-end protection of all content and messages through customer-controlled keys
- PIN code and Touch ID protection for mobile phone conversation access
- Compliance assurance through proactive user warnings, organizational info-barriers, and firmwide expression filters The company offers a price value proposition. It charges $15 per user per month for access to its cloud solution, significantly lower than the $20,000 annual subscription charged by Bloomberg.
Channels
Symphony’s main channel for general public customers is its website, while it relies on its direct sales team for financial firms and other businesses. The company promotes its offering through its social media pages.
Customer Relationships
Symphony’s customer relationship is primarily of a self-service, automated nature. Customers utilize the service through the main platform while having limited interaction with employees. The company’s website offers self-help resources such as videos, product screenshots, and answers to frequently asked questions. That said, there is a personal assistance component in the form of phone and e-mail support. Customers for paid plans can track the progress of their customer service requests through their online account.
Key Activities
Symphony’s business model entails maintaining a robust software platform for its customers, which can be accessed online and through its mobile app.
Key Partners
Symphony has the following types of partners:
Developers – The company invites business/enterprise customers to apply for developer access to enhance their experience; they can create interactive modules and notification bots that can provide live updates from third-party services
Advertisers – The company invites third parties to advertise their content and services in the Symphony app store; current partners include Dow Jones, Selerity, and S&P Capital IQ
Key Resources
Symphony’s main resource is its proprietary software platform. It also depends on its human resources in the form of engineering employees to maintain the platform and customer service workers to provide support. Lastly, as a relatively new startup it has relied heavily on funding from outside parties, raising $166 million from 23 investors as of October 2015.
Cost Structure
Symphony has a cost-driven structure, aiming to minimize expenses through significant automation and low-price value propositions. Its biggest cost driver is likely sales/marketing expenses. Other major drivers are in the areas of customer support/operations and administration.
Revenue Streams
Symphony has two revenue streams:
Subscription Revenues – The company charges $15 per month per user for access to its “Financial Services” and “Business & Enterprise” plans
Advertising Revenues – The company charges partners a fee to advertise their offerings within its app


| Modifier and Type | Method and Description |
|---|---|
Localization |
LocalizationController.localization(java.security.Principal principal,
java.lang.Long localizationId)
Retrieve localization by their Id
|
| Modifier and Type | Method and Description |
|---|---|
java.util.List<DTO> |
TrainingController.allTrainingStatus(java.security.Principal user,
Localization localization)
Display a list of training associated by their localization
|
DTO |
LocalizationController.newSpamReport(java.security.Principal userPrincipal,
Localization localization)
Report a specific localization
|
DTO |
TrainingController.submitTrainingRequest(java.security.Principal principal,
NewTrainingRequest request,
Localization localization)
Register new training for given localization
|
| Constructor and Description |
|---|
PositionsController(Localization localization) |
| Constructor and Description |
|---|
LocalizationReportResource(java.security.Principal principal,
Localization localization,
LocalizationController controller) |
PositionResource(Localization localization,
javax.ws.rs.core.SecurityContext securityContext) |
TrainResource(Localization localization,
javax.ws.rs.core.SecurityContext securityContext) |
| Modifier and Type | Method and Description |
|---|---|
Localization |
Position.getLocalization() |
Localization |
Training.getLocalization() |
| Modifier and Type | Method and Description |
|---|---|
int |
Localization.compareTo(Localization o) |
boolean |
Prediction.isSameLocalization(Localization localization) |
void |
Training.setLocalization(Localization localization) |
| Constructor and Description |
|---|
LocalizationSpamReport(Localization localization) |
Position(java.lang.String label,
Localization localization) |
Training(Algorithm algorithm,
AlgorithmProvider provider,
Localization localization) |
Training(Algorithm algorithm,
AlgorithmProvider provider,
TrainingStatus status,
Localization localization) |
| Modifier and Type | Method and Description |
|---|---|
java.util.List<Localization> |
LocalizationRepository.searchWithPagination(Device device,
java.util.Optional<java.lang.Integer> page,
java.util.Optional<java.lang.String> localizationName,
java.util.Optional<java.lang.String> trained,
java.util.Optional<java.lang.Boolean> onlyUserLocalizations) |
| Modifier and Type | Method and Description |
|---|---|
java.util.List<Prediction> |
PredictionRepository.allPredictionsSince(Localization localization,
java.util.Date since) |
void |
LocalizationRepository.deleteLocalization(Localization localization) |
java.util.List<Training> |
TrainingRepository.findByLocalization(Localization localization)
Obtain a list of trainings by a given a localization
|
LocalizationSpamReport |
LocalizationSpamRepository.findOrCreateByLocalization(Localization localization) |
java.util.Optional<Training> |
TrainingRepository.findTrainingByLocalizationAlgorithmAndProviderId(Localization localization,
Algorithm algorithm,
AlgorithmProvider provider)
Obtain training for their localization.
|
java.lang.Long |
PredictionRepository.maxRequestIdForLocalization(Localization localization) |
java.util.List<Position> |
PositionRepository.positionsByLocalization(Localization localization) |
| Modifier and Type | Method and Description |
|---|---|
java.util.List<Localization> |
LocalizationRepositoryJpa.searchWithPagination(Device device,
java.util.Optional<java.lang.Integer> page,
java.util.Optional<java.lang.String> localizationName,
java.util.Optional<java.lang.String> trained,
java.util.Optional<java.lang.Boolean> onlyUserLocalizations) |
| Modifier and Type | Method and Description |
|---|---|
java.util.List<Prediction> |
PredictionRepositoryJpa.allPredictionsSince(Localization localization,
java.util.Date since) |
void |
LocalizationRepositoryJpa.deleteLocalization(Localization localization) |
java.util.List<Training> |
TrainingRepositoryJpa.findByLocalization(Localization localization)
Obtain a list of trainings by a given a localization
|
LocalizationSpamReport |
LocalizationSpamRepositoryJpa.findOrCreateByLocalization(Localization localization) |
java.util.Optional<Training> |
TrainingRepositoryJpa.findTrainingByLocalizationAlgorithmAndProviderId(Localization localization,
Algorithm algorithm,
AlgorithmProvider provider)
Obtain training for their localization.
|
java.lang.Long |
PredictionRepositoryJpa.maxRequestIdForLocalization(Localization localization) |
java.util.List<Position> |
PositionRepositoryJpa.positionsByLocalization(Localization localization) |
| Modifier and Type | Method and Description |
|---|---|
Localization |
NewLocalizationRequest.buildLocalization(Device owner) |
| Modifier and Type | Method and Description |
|---|---|
Position |
NewPositionRequest.buildPosition(Localization localization) |
| Constructor and Description |
|---|
OnlinePhaseService(Localization localization,
java.lang.Long requestId,
java.util.List<FingerprintSample> samples) |
| Modifier and Type | Method and Description |
|---|---|
static void |
NotifyService.trainingFinished(Localization localization,
Task task) |


Suspect sought in break-in, robbery of marijuana shop in Studio City
STUDIO CITY, LOS ANGELES (KABC) -- Authorities are searching for the suspect who broke into a marijuana dispensary in Studio City overnight.
The burglar broke the front glass door of the pot shop on Ventura Boulevard near Whitsett Avenue early Sunday morning, according to the Los Angeles Police Department.
By the time officers arrived, the suspect had fled the scene with unknown amount of marijuana or money.
A description of the suspect was not immediately available.


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Chat at #lugatgt on irc.freenode.net
A place where you can learn about linux and other cool stuff.
We aim to provide an on campus Linux community.
Pyongyang Style
If installing Linux is easy, it's even easier in Korean.
If your having a problem installing Linux then there is a 99% chance that someone else had the exact same problem and wrote a blog post about it.*
*Even for obscure North Korean Linux Distributions
After installing Linux for the first time you want to be able to complete some basic tasks on your computer.
So of course the first thing you try is the web browser. Only to find out that for some reason the internet isn't working.
They really should have left it on the dock.
After a couple of commands there is no working internet.
Useless without internet.
sgoffice - fork of open office due to political issues
Installing Linux can be difficult, but also...


The ABS-CH makes use of metadata. This are descriptive information used to identify the ABS-CH record. Some metadata are created automatically when information is submitted to the ABS-CH, such as the owner of the record, the status of the record, the date of submission as well as the category of the common format used.
In addition to the automatically generated metadata, the person registering the records will also be expected to supply additional metadata to describe the information in the records by selecting descriptive terms from a list of predefined keywords (e.g. the elements describing the content of a legislative measure chosen from a controlled vocabulary). The collection of this information is meant to facilitate the registration and retrieval of information in the ABS-CH.


This demo demonstrates running the Sock Shop on Minikube.
git clone https://github.com/microservices-demo/microservices-demo
cd microservices-demo
You can start Minikube by running:
minikube start --memory 8192
Check if it’s running with minikube status
, and make sure the Kubernetes dashboard is running on http://<IP_ADDRESS>:30000.
Approximately 4 GB of RAM is required to run all the services.
If you want to run the application using a more advanced logging setup based on Fluentd + ELK stack, there are 2 requirements: * assign at least 6 GB of memory to the minikube VM * increase vm.max_map_count to 262144 or higher (Required because Elasticsearch will not start if it detects a value lower than 262144).
minikube delete
minikube config set memory 6144
minikube start
minikube ssh
Once logged into the VM:
$ sudo sysctl -w vm.max_map_count=262144
After these settings are done you can start the logging manifests.
kubectl create -f deploy/kubernetes/manifests-logging
You should be able to see the Kibana dashboard at http://<IP_ADDRESS>:31601.
Deploy the Sock Shop application on Minikube
kubectl create -f deploy/kubernetes/manifests/sock-shop-ns.yaml -f deploy/kubernetes/manifests
To start Opentracing run the following command after deploying the sock shop
kubectl apply -f deploy/kubernetes/manifests-zipkin/zipkin-ns.yaml -f deploy/kubernetes/manifests-zipkin
Wait for all the Sock Shop services to start:
kubectl get pods --namespace="sock-shop"
Once the application is deployed, navigate to http://<IP_ADDRESS>:30001 to see the Sock Shop home page.
Zipkin is part of the deployment and has been written into some of the services. While the system is up you can view the traces in Zipkin at http://<IP_ADDRESS>:30002. Currently orders provide the most comprehensive traces, but this requires a user to place an order.
There is a separate load-test available to simulate user traffic to the application. For more information see Load Test. This will send some traffic to the application, which will form the connection graph that you can view in Scope or Weave Cloud. You should also check what ip your minikube instance has been assigned and use that in the load test.
minikube ip
docker run --rm weaveworksdemos/load-test -d 5 -h <IP_ADDRESS>:30001 -c 2 -r 100
kubectl delete -f deploy/kubernetes/manifests/sock-shop-ns.yaml -f deploy/kubernetes/manifests
If you don’t need the Minikube instance anymore you can delete it by running:
minikube delete


| Interface | Description |
|---|---|
| StatisticalSummary |
Reporting interface for basic univariate statistics.
|
| StorelessUnivariateStatistic |
Extends the definition of
UnivariateStatistic with
StorelessUnivariateStatistic.increment(double) and StorelessUnivariateStatistic.incrementAll(double[]) methods for adding
values and updating internal state. |
| UnivariateStatistic |
Base interface implemented by all statistics.
|
| WeightedEvaluation |
Weighted evaluation for statistics.
|
| Class | Description |
|---|---|
| AbstractStorelessUnivariateStatistic |
Abstract implementation of the
StorelessUnivariateStatistic interface. |
| AbstractUnivariateStatistic |
Abstract base class for all implementations of the
UnivariateStatistic interface. |
| DescriptiveStatistics |
Maintains a dataset of values of a single variable and computes descriptive
statistics based on stored data.
|
| SynchronizedDescriptiveStatistics |
Implementation of
DescriptiveStatistics that
is safe to use in a multithreaded environment. |


Figure 7. Understanding how rotation and a stroked trim path are used to animate a circular indeterminate progress indicator (source code).


From URL to Interactive
Imagine, if you will, that you’re behind the wheel of a gorgeous 1957 Chevy Bel Air convertible, making your way across the desert on a wide open highway. The sun is setting, so you’ve got the top down, naturally.  What was that?
The car lurches and chokes before losing all power. You coast, ever more slowly, to a stop. There’s steam rising from the hood. Oh jeez.
You reach down to pop the hood, and open the door. Getting out, you make your way around to the front of the car. As you release the latch and lift the bonnet, you get blasted in the face with even more steam. You hope it’s just water.
Looking around, it’s clear the engine has overheated, but you have no idea what you’re looking at. Back home you’ve got a guy who’s amazing with these old engines, but you fell in love with the luxurious curves, the fins, the plush interior, the allure of the open road.
A tumbleweed rolls by. In the distance a buzzard screeches.
What’s happening under the hood?
Years ago, my colleague Molly Holzschlag used a variant of this story to explain the importance of understanding our tools. When it comes to complex machines like cars, knowing how they work can really get you out of a jam when things go wrong. Fail to understand how they work and you could end up, well, buzzard food.
At the time, Molly and I were trying to convince folks that learning HTML, CSS, and JavaScript was more important than learning Dreamweaver. Like many similar tools, Dreamweaver allowed you to focus on the look and feel of a website without needing to burden yourself with knowing how the HTML, CSS, and JavaScript it produced actually worked. This analogy still applies today, though perhaps more so to frameworks than WYSIWYG design tools.
If you think about it, our whole industry depends on our faith in a handful of “black boxes” few of us fully understand: browsers. We hand over our HTML, CSS, JavaScript, images, etc., and then cross our fingers and hope they render the experience we have in our heads. But how do browsers do what they do? How do they take our users from a URL to a fully-rendered and interactive page?
To get from URL to interactive, we’ve assembled a handful of incredibly knowledgeable authors to act as our guides. This journey will take place in four distinct legs, delivered over the course of a few weeks. Each will provide you with details that will help you do your job better.
Leg 1: Server to Client
Ali Alabbas understands the ins and outs of networking, and he kicks off this journey with a discussion of how our code gets to the browser in the first place. He discusses how server connections are made, caching, and how Service Workers factor into the request and response process. He also discusses the “origin model” and how to improve performance using HTTP2, Client Hints, and more. Understanding this aspect of how browsers work will undoubtedly help you make your pages download more quickly.
Leg 2: tags to DOM
In the second installment, Travis Leithead—a former editor of the W3C’s HTML spec—takes us through the process of parsing HTML. He covers how browsers create trees (like the DOM tree) and how those trees become element collections you can access via JavaScript. And speaking of JavaScript, he’ll even get into how the DOM responds to manipulation and to events, including touch and click. Armed with this information, you’ll be able to make smarter decisions about how and when you touch the DOM, how to reduce Time To Interactive (TTI), and how to eliminate unintended reflows.
Read the article
Leg 3: braces to pixels
Greg Whitworth has spent much of his career in the weeds of browsers’ CSS mechanics, and he’s here to tell us how they do what they do. He explains how CSS is parsed, how values are computed, and how the cascade actually works. Then he dives into a discussion of layout, painting, and composition. He wraps things up with details concerning how hit testing and input are managed. Understanding how CSS works under the hood is critical to building resilient, performant, and beautiful websites.
Read the article
Leg 4: var to JIT
One of JavaScript’s language designers, Kevin Smith, joins us for the final installment in this series to discuss how browsers compile and execute our JavaScript. For instance, what do browsers do when tearing down a page when users navigate away? How do they optimize the JavaScript we write to make it run even faster? He also tackles topics like writing code that works in multiple threads using workers. Understanding the inner processes browsers use to optimize and run your JavaScript can help you write code that is more efficient in terms of both performance and memory consumption.
Read the article
Let’s get going
I sincerely hope you’ll join us on this trip across the web and into the often foggy valley where browsers turn code into experience.
by Aaron Gustafson October 25, 2018


I'm a fifth year applied math PhD student in the APAM department at Columbia. I'm researching computational methods for the diagnosis of vulnerabilities in electrical power grids. I'm also a quantitative engineer at Yodle.
Education
- Ph.D. candidate in Applied Mathematics, Columbia University, expected graduation 2015
- M.A. Mathematics, UCLA, 2006
- B.S. Applied Mathematics with Specialization in Computing, UCLA, 2006 (joint with masters)
Skills
I do my work in Python, Julia, C/C++, R, MATLAB, Mathematica
I do everything I can in an IPython notebook. I like vim, pandas, ggplot2, scikit-learn.
Class Projects
A couple interesting class projects I've done:
- The Netflix Prize: Alternating Least Squares in MPI
- Crime PDE
- Optimal Power Grid Attack
- Stochastic gradient descent versus non-linear conjugate gradient for the Netflix Prize
- Naive Bayes for multiclass text classification
Side Projects
- Wikipedia link graph, MapReduce, PageRank 12-1-12
- travelling salesman 6-9-12
- balls and bins 3-28-12
- instagram challenge: unshredder 11-15-11
- mobile air conditioner control, summer 2011
- independent chip model, 2004
Talk
sneak peek of redesign: new website


Tourists, Venetians slosh through flooded lagoon city
by Bu LUCA BRUNOVENICE, Italy (AP) - Tourists and Venetians alike donned high boots and took to strategically placed raised walkways on Tuesday to slosh through the high water that has hit much of the lagoon city.
Venice’s tide forecast office said the water level peaked at 1.27 meters (about 4 feet 3 inches) Tuesday morning but warned that an even higher tide was forecast for after nightfall.
The high water invaded cafes, stores and other businesses. Sirens warned people in Venice of the rising water, and as a precaution, authorities closed nursery schools.
A top tourist attraction, the Ducal Palace, just off St. Mark’s Square, tweeted that it’s “open today, despite the exceptional tide,” and advised visitors to use the raised walkways leading to its entrance.
Many hotels keep disposable knee-high plastic boots handy for tourists. Venetians’ wardrobes often include over-the-knee rubber boots.
As the phenomenon of high water, locally known as “acqua alta,” goes, the levels Tuesday, while amusing for tourists and a nuisance for residents going about their business, were far lower than the 1.94 meters (6 feet 4 inches) in the devastating November 1966 flood in Venice.
But even lesser levels of the salty high water, over the years, take their toll on the city, eroding foundations of homes, businesses and city buildings.
Bad weather is continuing to dog Italy, with no real let-up forecast for several days.
In Policoro, a southern town in an area known for its ancient Greek ruins, a whirlwind ripped the roofs off two homes, but the occupants inside escaped injury, Italian news reports said.
In that same region of Basilicata, swaths of the tourist town of Matera, famed for its Sassi former cave dwellings, were flooded after heavy rains.
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The current trend for richer web applications has led to an increased use of javascript for most web applications. This in turn means that the javascript used now is more complex, using object or module oriented approaches. However, a problem arises when the project modules are organized in separate files. The nature of the HTTP protocol makes it undesirable to have clients download many separate files. Content negotiation and the fact that normally there will only be two concurrent connections to the same host produce an overhead that results in unacceptably long page loading times. Thus, it is faster to serve a 10KB script file than to serve, say, eight 1KB separate script files. So, from this perspective it is desirable to have as least files to serve as possible.
The problem lies in the fact that, as javascript components grow in complexity, it becomes increasingly inconvenient to keep all the code in the same file. To change parts of the code, developers must first scan a potentially huge file to find the parts that need change. When working on related modules on the same file, it is necessary to scroll back and forth to each of them.
A related problem is an increased difficulty in tracking of changes when using version control. Since all the modules reside in the same file, any change made to a module at any point in time will be hard to find, since every change to a module shows in version control history as a change to the unified script file. To make things worse, if a file locking version control system is being used, developers will not be able to concurrently make changes to different modules at the same time.
A partial solution is to develop modules in separate files and use the project build script (such as an Ant script) to join them as needed. The caveat is that this will slow down the development process. Any small change forces the developer to re-run the build script before the changes can be tested. An alternative is to change the script import declarations in the pages that use them in development time, so that an exploded WAR deployment can be used to quickly see any change in the scripts.
Thus, the goal for Jawr is to provide a system to easily map resources to bundles using a simple descriptor, and a tag library to import these bundles to JSP pages. Jawr has a development mode in which the script files are imported separately and a production mode in which scripts are bundled as specified in the descriptor. The tag library works in such a way that there is no need to make any change in JSPs when any of these modes is activated.
Since code ordering matters in Javascript, it will be possible to easily force the inclusion order of modules in the bundles. Also, Jawr provides postprocessors to modify the generated bundles. These will for instance provide minification, to reduce the size of the served files by removing comments and unneeded whitespace. Although comments are removed, it is possible to include the mandatory licenses for open source libraries.
The bundles are served by a servlet which will use gzip compression for compatible browsers. The bundles are created at startup time, in a gzipped and not gzipped version, so no processing overhead is added to requests. The zipped and unzipped versions will have different URLs, so caching proxies will pose no problems when using Jawr. Also, every bundle will have a version prefix in its URl which will be changed by modifying the configuration file. Jawr will use aggresive caching headers to ensure the bundles are requested only once by each client, and the versioning prefix will be used to force clients to update to newer versions of the files.
Additionally, Jawr can bundle CSS files as well. Minification is provided as well, and any relative URL within a CSS added to a bundle will be conveniently rewritten so that its link is not broken.
At http://www.die.net/musings/page_load_time/ there are several benchmarks that show how serving uncompressed, separate files is considerably worse than using unified files. /
There is an interesting read about the subject, by Cal Henderson of Flickr, at http://www.thinkvitamin.com/features/webapps/serving-javascript-fast. It discusses solutions for PHP sites that Jawr tries to implement in the Java web application space.


class: center, middle, inverse, title-slide # Graphical Insights from Data:
Basics ### Heike Hofmann & Susan Vanderplas --- --- class: center, middle, inverse # Data Types, Formats, and Structures --- ## Data Before it is possible to talk about a graphical grammar, it is important to know the type and format of the data you’re working with.
 -- Why? -- - the data contains all of the information you’re trying to convey - the appropriate graphical techniques depend on the kind of data that you are working with - Working with R and ggplot is much easier if the data you use is in the right shape. --- ## Data: levels of measurement **Quantitative**: - Continuous (e.g. height, weight) - Discrete (e.g. age in years) **Qualitative**: - Nominal: categories have no meaningful order (e.g. colors) - Ordinal: categories have order but no meaningful distance between categories (e.g. five star ratings) --- ## Data: Dimensions, Form, and Type Dimensions | Forms | Types ----- | ---- | ---- Univariate (1 variable) | Traditional | Count (word freq, scores) Bivariate (2 variables) | Aggregated | Time Series Multivariate (3 variables) | | Spatial | | Time to Event (Survival, Reliability) | | Categorical --- ## Exploring Relationships Variables | Plot Type ----- | --- Continuous vs. Continuous | scatter plot, line plot Continuous vs. Categorical | boxplots, dotcharts, multiple density plots, violin plots Categorical vs. Categorical | mosaic plots, side-by-side barplots Multidimensional | it depends --- # Tidy Data ![Tidy Data: each variable is a column, each observation is a row, each cell is a single measurement](https://raw.githubusercontent.com/allisonhorst/stats-illustrations/master/rstats-artwork/tidydata_1.jpg) ggplot2 assumes your data is tidy. --- ## Untidy data *Happy families are all alike; every unhappy family is unhappy in its own way. - Leo Tolstoy*
 -- **Five main ways tables of data tend not to be tidy:** 1. Column headers are values, not variable names. 2. Multiple variables are stored in one column. 3. Variables are stored in both rows and columns. 4. Multiple types of observational units are stored in the same table. 5. A single observational unit is stored in multiple tables. --- ## Wide Format vs. Long Format .pull-left[ **Wide format** - some variables are spread out across columns. - typically uses less space to display - how you would typically choose to present your data - far less repetition of labels and row elements  ] .pull-right[ **Long format** - each variable is a column - each observation is a row - is likely not the data's most compact form .center[] ] --- ## Tidy Data - Use `tidyr` package (mainly `pivot_longer` and `pivot_wider`) to move between long and wide format - Tidyr Vignette: [pivoting](https://tidyr.tidyverse.org/articles/pivot.html) - Longer explanation and tutorial: [Pivoting data in R (and SAS)](https://srvanderplas.github.io/unl-stat850/transforming-data.html#pivot-operations) Longer | Wider --- | --- ![Pivot Longer Operation](https://srvanderplas.github.io/unl-stat850/image/tidyr_pivot_longer.png) | ![Pivot Wider Operation](https://srvanderplas.github.io/unl-stat850/image/tidyr_pivot_wider.png) ??? We're not going to specifically cover how to move data from wide to long format, but I will use the pivot functions in some sample code in this workshop, and I've provided links to resources here. For now, what you need to know is more the picture-book version: wider and longer tables look different. --- ![ggplot2: Build a data masterpiece](https://raw.githubusercontent.com/allisonhorst/stats-illustrations/master/rstats-artwork/ggplot2_masterpiece.png) --- # ggplot2 basics Complete the template below to build a graph <img src="images/ggplot2-notation.png" alt="ggplot2 formula: ggplot(data = <dataset>) + <geom function>(aes(<mappings>), stat = <stat>, position = <position>)) + <coordinate function> + <scales function> + <facet function> + <theme>, where anything after the geom function statement is optional." style="width:70%"/> --- ## How to build a graph `ggplot(data = mpg, aes(x = cty, y = hwy))` - This will begin a plot that you can finish by adding layers to. - You can add one geom per layer  --- ## What is a geom? In ggplot2, we use a geom function to represent data points, and use the geom's aesthetic properties to represent variables.  Once our data is formatted and we know what type of variables we are working with, we can select the correct geom for our visualization. --- ![Geoms available in ggplot2 (taken from the ggplot2 cheatsheet)](images/geoms.png) --- ## What is a layer? - it determines the physical representation of the data - Together, the data, mappings, statistical transformation, and geometric object form a layer - A plot may have multiple layers  --- class: inverse ## Your Turn Change the code below to have the points **on top** of the boxplots. ```r ggplot(data = mpg, aes(x = class, y = hwy)) + geom_jitter() + geom_boxplot() ``` ![](01-ggplot-basics_files/figure-html/unnamed-chunk-6-1.png) --- ## Alternative method of building layers: Stats A stat builds a new variable to plot (e.g., count and proportion)  --- class:inverse ## Your turn Add a smooth line to the following scatterplot: ```r ggplot(data = mpg, aes(x = cty, y = hwy)) + geom_point() ``` ![](01-ggplot-basics_files/figure-html/unnamed-chunk-8-1.png) --- ## Faceting A way to extract subsets of data and place them side-by-side in graphics ```r ggplot(data = mpg, aes(x = cty, y = hwy, colour = class)) + geom_point() ggplot(data = mpg, aes(x = cty, y = hwy, colour = class)) + geom_point() + facet_grid(.~class) ```  --- ## Faceting Options - `facet_grid(. ~ b)`:facet into columns based on b - `facet_grid(a ~ .)`:facet into columns based on a - `facet_grid(a ~ b)`:facet into both rows and columns - `facet_wrap( ~ fl)`:wrap facets into a rectangular layout You can set scales to let axis limits vary across facets: - `facet_grid(y ~ x, scales = "free")`: x and y axis limits adjust to individual facets - "free_x" - x axis limits adjust - "free_y" - y axis limits adjust --- class:inverse ## Your turn Find one or more sets of facets that are useful in understanding the relationship between city and highway mileage. ```r ggplot(data = mpg, aes(x = cty, y = hwy)) + geom_point() ``` ![](01-ggplot-basics_files/figure-html/unnamed-chunk-11-1.png) --- ## Position Adjustments Position adjustments determine how to arrange geoms that would otherwise occupy the same space - **Dodge**: Arrange elements side by side - **Fill**: Stack elements on top of one another, normalize height - **Stack**: Stack elements on top of one another `ggplot(mpg, aes(fl, fill = drv)) + geom_bar(position = "")`  --- ## Position Adjustments: Jitter - **Jitter**: Add random noise to X & Y position of each element to avoid overplotting - There is also a jitter geom  --- ## Coordinate Systems - `coord_cartesian()`: The default cartesian coordinate system - `coord_fixed()`: Cartesian with fixed aspect ratio between x & y units - `coord_flip()`: Flipped Cartesian coordinates - `coord_polar()`: Polar coordinates - `coord_trans()`: Transformed cartesian coordinates. - `coord_map()`: Map projections from the mapproj package (mercator (default), azequalarea, lagrange, etc.)  --- ## ggplot2 extenstions - https://exts.ggplot2.tidyverse.org/


Spirals Experiment
Archimede's spiral
Equation: radius = a * angle + b
Archimedes Number of Points, value:
...
Archimedes spiral multiplier (a), value:
...
Archimedes spiral offset (b), value:
...
Logarithmic Spiral


Home
Play snake
🐍 SnakeGen?
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Generation's highest score:
Agents alive:
Generation ID:
Global -
Create
Delete
Reset
Timelapse
Interval (s)
1x
2x
10x
max
Population -
Population size
Average game
Grid size
Tickout
Visible games
Genetic Algorithm -
Selection rate
Mutation probability
Score factor
Tickcount factor
Distance factor
Neural network -
Hidden layers
Neurons in hidden layer


{% extends 'workshop/base.html' %} {% load crispy_forms_tags %} {% block content %}
No works reported yet.


This application is used to test the use of Shared Resources.
Three Resource users are created and all three request
control of the resource before any one of them is granted it.
Once the first user is granted control of the resource, it performs
some operation on it. Once this operation has completed, a timer
is set to allow this user to have control of it for a specific
amount of time. Once this timer expires, the resource is released
and then immediately requested again. Upon releasing the resource
control will be granted to the next user that has requested it in
round robin order. Initial requests are made by the three resource
users in the following order.


“Sukhañce jīvituṁ icche,
sāmaññasmiṁ apekkhavā;
Saṅghikaṁ nātimaññeyya,
cīvaraṁ pānabhojanaṁ.
If you wish to live in happiness,
longing for the ascetic life,
don’t look down on the Saṅgha’s robes,
or its food and drinks.
Sukhañce jīvituṁ icche,
sāmaññasmiṁ apekkhavā;
Ahi mūsikasobbhaṁva,
sevetha sayanāsanaṁ.
If you wish to live in happiness,
longing for the ascetic life,
stay in the Saṅgha’s lodgings
like a snake making use of a mouse’s hole.
Sukhañce jīvituṁ icche,
sāmaññasmiṁ apekkhavā;
Itarītarena tusseyya,
ekadhammañca bhāvaye”ti.
… Dhaniyo thero ….
If you wish to live in happiness,
longing for the ascetic life,
develop this one quality:
be content with whatever is offered.


THE HUDSUCKER PROXY A film review by Chad Polenz Copyright 1997 Chad Polenz
** (out of 4 = fair) 1993, PG, 111 minutes [1 hour, 41 minutes] [satire] starring: Tim Robbins (Norville Barnes), Jennifer Jason Leigh (Amy Archer), Paul Newman (Sidney J. Mussburger), produced by Ethan Coen, written by Ethan and Joel Coen, Sam Raimi, directed by Joel Coen.
In many adventure and fantasy movies there is a tendency to rely too heavily upon effects and gimmicks to make for an entertaining story. The same thing happens in "The Hudsucker Proxy" except with satire and image. This film is obviously a satire through mood and genre, but it's hard to tell what exactly it's satirizing. It's essentially a live action cartoon, but a strange one at that.
We meet Norville Barnes (Robbins) who is fresh out of college and searching for success. But he is stuck with an timeless dilemma: how to get a job without experience and how to get experience without a job?
The immediate outlook of the film doesn't seem like a comedy, but more of a lighthearted, satirical story that is certainly curious. The characters don't act like real people, but like parodies of parodies. The production design is quite surrealistic, like a cross between the darkness of Gothic and the lightheartedness of Bugs Bunny cartoons. Everything happens so quickly with little explanation, it's hard to tell what's real and what's part of the atmosphere.
We witness the president of Hudsucker Industries, the most important company in the world, leap from the 44th floor (45th counting the mezzanine) to the pavement below. The execs of the company are like those on commercials; drone-like and organized like clockwork, which is somewhat humorous, but not laugh-out-loud funny.  Guess who's going to be their proxy?
At this point there is a lot of potential - the film could go on to be a straight fish-out-of-water comedy, but instead it remains on course as a decorative, highbrow, satire. Eventually we have many formulated characters: Norville, the lowbrow, gullible manchild; Mussburger (Newman) the typical con man in a world full of idiots; and Amy Archer (Leigh), the fast-talking, feminist journalist.
It all seems to blend together within its context, but as a whole, the film doesn't work. The settings, acting, and direction are all fine but the script is just plain boring.
So what is the point of "The Hudsucker Proxy?" What are the points of the things that are mocked? And why make it all so formulated and cliche? Sometimes open-ended stories like this can be fascinating, but this was just puzzling.
please visit Chad'z Movie Page @ http://members.aol.com/ChadPolenz
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Boids simulation, ported from Daniel Schiffman Nature of Code. Originally inspired from Craig Reynolds' Boids algorithm.
Implemented with vanilla canvas, gl-vec2 and typescript.


Aza Gail
I am Home Now
We are Here
Pink Sunsets
Videography by Flicker Film
I Don't Have Time for This
Videography by Flicker Film
Thank You for Caring About Me
Videography by Flicker Film
Videography by Flicker Film
Videography by Flicker Film
Videography by Flicker Film


Fernleigh Lodge has four, two star rated self catering units. These units are
suitable for couples and business people alike. The rooms can accommodate a
couple on our queen sized beds and a third person on a sleeper couch if
required.
Most units are equipped with airconditioning, DSTV,WIFI, valuables safe and
kitchenette.
For single occupants, the daily rate is R400 to R450.
For double occupants, the daily rate is R600 to R700.
We offer a weekly rate at a more reasonable tariff. Please enquire.


Before Change
with open("data/processed_seged/seged_text.txt","w",encoding="utf-8") as op:
for text in self.corpus.get_text():
seged = jieba.cut(text,cut_all=False)
op.write((" ".join(jieba.cut(text, cut_all=False)))+"\n")
def output_segmented_text(self):
pass
After Change
with open("data/processed_seged/seged_text.txt","w",encoding="utf-8") as op:
for text in self.corpus.get_text():
seged = [word for word in jieba.cut(text,cut_all=False)
if word not in self.stopwords
and word not in self.special_marks]
op.write((" ".join(seged)+"\n"))
def output_segmented_text(self):
pass


Associate Software Engineer
Lahore, PAKLead IOT Engineer and Team Member of MEANSTACK DEVELOPMENT TEAM, Research and Development on entrepreneurial ideas
Lead IOT Engineer and Team Member of MEANSTACK DEVELOPMENT TEAM, Research and Development on entrepreneurial ideas


Tantallon Castle
A formidable stronghold set atop cliffs on the Firth of Forth, Tantallon Castle was the seat of the Douglas Earls of Angus, one of the most powerful baronial families in Scotland. Tantallon served as a noble fortification for more than three centuries and endured three sieges.
(Source)


Cenozoic Era
15 Interestings facts
1_ The Cenozoic Era is the era that we live, and it started 65,5 million years back.
2_ The beginning of the Cenozoic Era began when the Mesozoic Era ended and dinosaurs became extinct.
3_ During the Paleocene epoch the world was recovering from the extinction event and mammals were fairly small.
It is believed that they were all smaller than 10 kilograms.
4_ In the Miocene epoch grass spread across the globe and new species evolved.
5_ The apes in this epoch evolved into 30 new species.
6_ It is estimated that 95% of the seed plants evolved during this epoch.
7_ In the Pleistocene epoch ice ages were frequent, and a major extinction event wiped out several species including Neanderthals. Homo sapiens evolved during this epoch.
8_ The first ancestor of modern humans was the Homo erectus, which existed about 1.6 million years ago.
9_ The extinction of many species that have occurred since the Industrial Revolution has been caused by humans, not nature or evolution.
10_ The Paleogene Period is divided into three epochs including the Paleocene, Eocene, and Oligodene epochs.
11_ Plants were thriving and evolving and evergreen trees began to grow in this period as well.
12_ In the Holocene epoch, which began 12,000 years ago, man evolved to what we are today. This epoch is also referred to as the 'Age of Man.'
13_ During the Oligodene epoch mammals began to evolve to include marsupials, dogs, and elephants.
14_ Early mammals in the Cenozoic Era were quite large. Beavers were as long as 7 feet. Birds were as tall as 7 feet. Sloths grew to the size of our current elephants.
15_ Cenozoic rocks are extensively developed on all the continents, particularly on lowland plains, as, for example, the Gulf and Atlantic coastal plains of North America.


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Revenue of Indirect Sale: {{revenue_indirect_sale_last_year}}
{% endif %} {% endif %} {% if message %}{{ message }}
{% endif %}


{% include "styles.html" %}
{% from "macros.html" import report_navigation with context %} {{ report_navigation(activeitem='description') }}
{{ data|safe }}
{% from "macros.html" import report_footer with context %} {{ report_footer() }} {% include "scripts.html" %}


Hello, My name is Mrs Maryam Ibrahim,owner of MARYAM IBRAHIM TEXTILES TRADING, TAILORING & EMBROIDERY Po Box 34285 Dubai,United Arab Emirates.Am 58years old, suffering from long time cancer of the breast. From all indications my condition is really deteriorating and it's quite obvious that I won't live more than 2 months according to my doctors. This is because the cancer stage has gotten to a very bad stage. My late husband died early last year from heart attack, and during the period of our marriage we couldn't produce any child. My late husband was very wealthy and after his death,I inherited all his business and wealth.The doctor has advised me that I will not live for more than 2 months, so I have now decided to spread all my wealth, to contribute mainly to the development of charity in Africa, America, Asia and Europe. Before my late husband died he was a major oil tycoon, in dubai and deposited the sum of 20 million dollars (Twenty million dollars) in a security company in europe some years ago,thats all i have left now,i need you to collect this funds and distribute it yourself to charity. so that when i die my soul can rest in peace. the funds will be entirely in hands and management. I pray God gives you the wisdom to touch very many lives,that is my main concern. 20% of this money will be for your time and effort, while 80% goes to charity. God bless you. Mrs. Maryam Ibrahim.


CreatePlane()
Syntax
Result = CreatePlane(#Mesh, TileSizeX, TileSizeZ, TileCountX, TileCountZ, TextureRepeatCountX, TextureRepeatCountZ)Description
Create a new plane.
Parameters
#Mesh The number to identify the new mesh. #PB_Any can be used to auto-generate this number. TileSizeX X size of the a single tile, in world unit, of the plane. A tile is the base component of a plane. A plane can be composed of lot of tiles to make it bigger and allow deformation. TileSizeZ Z size of the a single tile, in world unit, of the plane. A tile is the base component of a plane. A plane can be composed of lot of tiles to make it bigger and allow deformation. TileCountX Number of tiles used to create the X axis of the plane. TileCountZ Number of tiles used to create the Z axis of the plane. TextureRepeatCountX Number of time the texture applied to the plane will be repeated on the X axis. To apply the whole texture all over the X axis, just use 1. TextureRepeatCountZ Number of time the texture applied to the plane will be repeated on the Z axis. To apply the whole texture all over the Z axis, just use 1.
Return value
Returns nonzero if the mesh was created successfully and zero if there was an error. If #PB_Any was used as the #Mesh parameter then the new generated number is returned on success.
Example
InitEngine3D() InitSprite() OpenWindow(0, 0, 0, 640, 480, "Plane example", #PB_Window_SystemMenu | #PB_Window_ScreenCentered) OpenWindowedScreen(WindowID(0), 0, 0, 640, 480, 0, 0, 0) ; Light CreateLight(#PB_Any, RGB(25, 25, 180), -5, 10, 5, #PB_Light_Point) ; Camera CreateCamera(0, 0, 0, 100, 100) MoveCamera(0, 2, 1, 3, #PB_Absolute | #PB_Local) CameraLookAt(0, 0, 0, 0) ; Create the plane and attach it to the scene CreatePlane(0, 2, 2, 1, 1, 0, 0) CreateEntity(0, MeshID(0), #PB_Material_None) Repeat RenderWorld() FlipBuffers() Until WaitWindowEvent(1) = #PB_Event_CloseWindow
See Also
FreeMesh(), CreateSphere(), CreateMesh(), CreateCube(), CreatePlane(), CreateLine3D()
Supported OS
All


Pin Pin Msgboy
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NEVITH LASAL:On fire
my name is nevith lasal warnakulasooriya.I am 15 years old .I am studying in Kingswood College kandy.My favourite food is Rice and Curry.My favourite drink is water.
Hitman Lasal;Nevith Republic;Nevith KINGDOM
my name is nevith lasal warnakulasooriya...I am 15 years old.My bchool is Kingswood College kandy.My father's name is .............. .My mother's name is ........... .my favorite food is Rice and Curry.My favorite Drink is WaterMerlin Spells My name is Nevith Lasal
My name is Nevith Lasal
Nevith Lasal Laal lasal lasal


We’re happy to welcome over twenty speakers to present on the industry’s latest technologies. Prepare for an inspiration extravaganza.
Workplace culture doesn’t start with beanbags, foosball tables, or a beer fridge, and it doesn’t end with neckties, PCs, or big corporations. It’s the unwritten rules, behavior, beliefs, and the motivations that enable good work to get done, or it’s what stifles a workforce. For design to be most effective and for designers to feel valued, we need to work in a culture that embraces design and allows it to succeed.
In Aaron’s session he will explore how to recognize the traits of organizations that *get* design, both large and small. He will share what those teams, departments, and companies have that others don’t, and more importantly, how to begin to change your own workplace’s culture. Once you’ve worked within a culture of design it’s almost impossible to imagine yourself anywhere else.
Aaron Irizarry is a Senior Product Designer for Nasdaq OMX, a lover of heavy metal, a foodie, and a master of BBQ arts. You can find some of his thoughts and presentations on the conversation surrounding design over at discussingdesign.com.
Films succeed in evoking responses and engaging audiences only with a combination of well-written narrative and effective storytelling technique. It’s the filmmaker’s job to put this together. To do so they’ve developed processes, tools and techniques that allow them to focus attention, emphasize information, foreshadow and produce the many elements that together comprise a well-told story.
With this workshop, we’ll revisit the topic of using stories in design and expand on the technical aspects used in film to communicate. We’ll look at some tools used in film, such as cinematic patterns, beat sheets, and storyboards. We’ll consider why they’re used and how we might look to them for inspiration.
Adam Connor is a designer, illustrator and speaker passionate about collaboration, communication, creativity and storytelling. As an Experience Design Director with Mad*Pow, Adam combines 10+ years of experience in interaction and experience design with a background in computer science, film, and animation to create effective and easy-to-use digital products and services. He believes that no matter how utilitarian a tool is, at the core of its creation lies a story; uncovering that story is key to its success. Occasionally, he shares his perspectives on design at adamconnor.com and discussingdesign.com.
JavaScript applications frequently utilize battle-tested libraries like jQuery, AngularJS, Backbone.js and more, but how can we be sure that our code is ready for production? This talk will share tips on how writing tests can be written easily and quickly and how to remove buggy code through testing.
AJ is a software engineer specializing in JavaScript working at Belly in Chicago. Lately he has been writing applications with AngularJS and loving it. When not coding he is out loving the outdoors with his dog, Sunshine.
Perception influences decisions, especially when it comes to selling products and services. Learn why before you even start sales conversations; good, thoughtful design and presentation will define you and your ability to close deals.
Arman is an entrepreneur who has his roots planted in building aggressive sales and revenue-generating teams. Having built out national sales and operations teams in the B2B and consumer spaces, his focus has been driving aggressive growth for technology-based companies. He has an extensive operating background and has built a career disrupting sales processes and approaches with companies doing the same in their respective technology spaces.
Static wireframes are a drag on the whole design process. Prototyping makes things a little better by allowing you to stitch together static wireframes or mockups while adding basic interactions. Rapid prototyping with HTML, CSS, and JavaScript is even better and faster; it increases collaboration and improves the iteration process. Kill your wireframes. Long live rapid prototyping.
Bermon is the organizer of various community groups for user experience designers and front-end developers, and the organizer of Blend Conference, a three-day, multi-track event for user experience strategists, designers and developers. He also leads the user experience team for Cardinal Solutions’ Charlotte office, where he consults with large enterprise clients on interesting problems across user experience, design and front-end development.
Dick Fosbury is an American track and field athlete who challenged the conventional approach to the high jump with an unorthodox “back first” technique that became known as the Fosbury Flop. His innovative approach to a sport that seemed to have reached its limits was ridiculed at first, with sportswriters labeling him “the world’s laziest high jumper” — but today variations of the Fosbury Flop are used by almost every high jumper.
We need to challenge conventions, too. Many of the design conventions used in web, mobile and device interfaces have evolved from systems and processes that no longer connect with our audiences’ realities: a floppy disk as a metaphor to “save” information, push buttons as control devices and typography standards derived from mechanical typesetting.
As designers and strategists, we need to think like Dick Fosbury, to deconstruct analogues, and to free ourselves from outdated ideas so that we can develop the new interfaces and interactions of the future.
Brad Smith is executive director for WebVisions, a conference that explores the future of the web. Most recently he launched “The Institute for Social Good,” an organization that connects non-profits with volunteers willing to spend a day building awesome web and mobile apps to change the world for the better.
It’s not uncommon for developers and designers to work from home. There are also a few companies that have multiple offices. Working for a business that spans three different time zones, Candi Lemoine will show how you make cross-office collaboration work. She will suggest various helpful tools because constant communication is key.
Candi Lemoine is a User Interface Developer at Dominion Marine Media as well as a Customer Advocate at A Book Apart. Aside from researching about user experience and design patterns, she also loves mentoring college students about the front-end side of the web. She also enjoys participating in hackathons with other co-workers and students.
Play isn’t just for kids and heavy gamers. Anyone with a Foursquare account knows that – and the stickiness of a badge and a leaderboard. But a good, playful user experience isn’t about those surface elements either – it’s about creating an environment with well-understood rules, meaningful objectives, and a sense of fun. Whether you’re trying to encourage people – or yourself – to save money or to lose weight, a focus on game mechanics and play could be the trump card you’re looking for.
Carolyn Chandler has been working in the field of User Experience Design for over 14 years. She was an adjunct professor at DePaul University and is the UX Design Instructor at The Starter League, where she first developed her activity-based approach for teaching core design concepts. Carolyn is the co-founder of The School for Digital Craftsmanship and co-author of two books, A Project Guide to UX Design and Adventures in Experience Design.
In this unconventional talk, Chris Mills will encourage you to pick up some drum sticks in addition to your laptop, and beat out a rhythm of learning – both of code and drum beats! You’ll learn basic JavaScript and CSS, plus beginner’s heavy metal drum patterns. The two are a marriage made in heaven, as nothing is a better antidote to code frustration than beating seven shades of **** out of a drum kit.
Chris Mills is a Senior Tech Writer at Mozilla, where he writes docs and demos about open web apps, Firefox OS and related subjects. He loves tinkering around with HTML, CSS, JavaScript and other web technologies, and gives occasional tech talks at conferences and universities.
In this presentation Dan will share techniques on how to send awesome messages using CSS, media queries and everyone’s favorite HTML element: tables. The fun part comes in the tools available for automation and testing to make it feel less like 1999.
Dan is a front-end dev at Envy Labs, where he works on client projects and Code School. He has been called a “seriously good copy and paster” and he puts those skills to use as he spends his days learning, unlearning and relearning how to build things for the web.
Designing for mobile is challenging. With the ever-changing landscape of devices and screen sizes, there is no way to predict every possible canvas we will be designing for. Luckily, there are a few tools at our disposal that allow us to be confident in our designs.
In this session we will introduce some of these tools and dive into some code to see how they can be used to create designs that look great on any device.
Darby Frey is a software engineer and consultant who has worked on web and mobile applications for many clients including Groupon, Toyota, Paramount Pictures and others. Currently he is working with Belly in Chicago to create the world’s best customer loyalty platform. He can be found on Twitter at @darbyfrey.
From the creation of the 1937 film Snow White and the Seven Dwarves, to newer animated films such as The Princess and the Frog, to the branded “Wonderful World of Disney” itself, the Disney empire has been built upon a design ecosystem. Each film, theme park, or cruise shares a holistic view of a perfect world across time and cultures. Within each experience, the same beloved character traits are highlighted, similar visual and animation styles are used, and the same story and musical techniques are leveraged to bring the audience to an emotional place. This helps make the user experience familiar and nostalgic, and lightens the audience’s cognitive load to promote enjoyment. Join Erica as she highlights Disney’s user experience techniques and outlines how you can use them to design an ecosystem that will leave behind a lasting legacy, even while waiting in an extremely long line.
Erica Decker is a designer, developer, and speaker with a passion for technology, challenges, and all things design. She believes that fast-paced, iterative, holistic design is the best way to drive product innovation, and can support that belief with a lot of evidence. She has designed engaging digital experiences for Fortune 500 companies, non-profits, and upcoming companies alike, and is currently writing this bio while referring to herself in the third person.
Pick an element, any element. Style it. Manipulate it. No IDs. No classes. No jQuery necessary. Learn all the new features of selectors in CSS and JavaScript hat enable you to select this DOM node, that DOM node, and even an imaginary DOM node based on attributes, relation to other elements, location in the DOM, or just an element’s mere existence.
Estelle Weyl is an internationally published author (Mobile HTML5, HTML5: The Definitive Guide and HTML5 and CSS3 for the Real World), speaker, trainer, and consultant. Estelle shares esoteric tidbits learned while programming CSS, JavaScript and HTML, provides tutorials and detailed grids of CSS3 and HTML5 browser support at Standardista. Her tutorials and workshops are available on GitHub.
Talk abstract: As our websites, applications and teams grow larger and more complicated, so does our CSS. Before we know it, we find ourselves no longer with cute little stylesheets, but sprawling, surly teenaged CSS that doesn’t always play nice with others. We need to learn how to manage and optimize our CSS no matter how large the project or diverse the team. If we start early, we can use best practices and tools to raise full-grown stylesheets any designer or developer would be happy to work with.
Jen Myers is a web designer/developer and part of the instructor team at Dev Bootcamp in Chicago. In 2011, she founded the Columbus, Ohio chapter of Girl Develop It, an organization that provides introductory coding classes aimed at women, and she currently co-leads the Girl Develop It Chicago chapter. She speaks regularly about design, development and diversity, and focuses on finding new ways to make both technology and technology education accessible to everyone.
Creating in the face of negativity, fear, health problems, and your inner critic can at times feel impossible. Let’s face our fears together, name these problems and break them down, silence our inner critics, and talk about when it’s time to take a break or let go of a project for good.
Jenn Downs swung her way through the jungle at MailChimp from support to tech writing to UX Design Research. After six years she’s been bitten by the entrepreneurship bug and she is now the Business/Tech Manager for Carpenter Koby Downs in Atlanta. Never one to only do one thing at a time, Jenn is also doing freelance email marketing and UX work on the side.
Outside of loving the web, Jenn is a songwriter and loves Rock and Roll!
That first client meeting may not feel as warm and fulfilling as the first time you hold your newborn child, but consider the similarities.
You know each other but have never met. As the relationship grows you will have to rely on your experiences and education to gently guide them while allowing flexibility for projects to change and evolve. It’s not your job to control everything, but if you are successful you will create a well-rounded piece that everyone involved can love.
Jennifer Jones is an event coordinator for the WebVisions Conference and also co-authors a blog with her teenage daughter. She and her family live in Portland, Oregon where she balances work, parenting and any other life challenge with honesty, humor and liquor.
We’ve reached a point where non-designers understand the value of design. This has led to an increase in demand for design talent. In the past, we would have turned to institutions of higher education to help us find new talent; however, today’s graduates often finish school without the skills they need to thrive in a professional design setting.
There is a massive gap between what students learn and what industry needs. This skills gap leaves graduates unable to find jobs and hiring companies unable to find talent. How we approach this challenge will affect the continued relevance and value of design.
Dr. Leslie Jensen-Inman is a designer, speaker, author, and educator. Leslie is co-founder of the user experience design school Center Centre, where she connects industry, education, and community. Creative Director and co-author of InterACT with Web Standards: A holistic approach to web design, Leslie has written articles for publications such as A List Apart, The Pastry Box, Ladies in Tech, and .net Magazine.
They’re elusive, those rare beings who do front-end development, visual design, project management, UX, content strategy, and are whizzes at user research. In an industry that’s constantly changing and evolving, there are both benefits and drawbacks to being a generalist. We’ll walk through strategies to fill gaps in your skill set while working a full-time job, and collaborative tools and techniques you can use while you quest to learn it all.
Maya Bruck is Creative Director at Pixo, a growing, employee-run digital consulting agency, where she guides clients through identity crisis to a meaningful, impactful web presence. In addition to conducting client therapy, she also designs websites and applications that are both beautiful and organization changing.
A passion for collaboration and community led her to co-found the Champaign-Urbana Design Organization (CUDO) in 2008, and through CUDO she has cultivated a vibrant design culture in the community. She speaks regularly about design and client management and is overcoming her fear of learning JavaScript.
Jim Henson started working as a puppeteer in 1954, a fair 40-50 years before many of us even considered User Experience as a career. He did, however, take it upon himself to apply many of the core principles that UX Designers are falling love with today (or are at least using as part of our everyday lives). Hang out for a quick dive into the life of Jim Henson, with a view into his work from the perspective of how it pertains to what it is we’re doing today, that promises to even leave Waldorf and Statler happy.
Russ Unger is an Experience Design Director for GE Capital, Americas, where he leads teams and projects in design and research. He is co-author of the books A Project Guide to UX Design, Designing the Conversation, and Speaker Camp for New Riders (Voices That Matter). Russ is also working on a book on guerrilla design and research methods that is due out, well, sometime.
Russ is co-founder of ChicagoCamps, which hosts low-cost, high-value technology events in the Chicago area, and he is also on the Advisory Board for the Department of Web Design and Development at Harrington College of Design. Russ has two daughters who both draw better than he does and are currently beginning to surpass his limited abilities in coding.
By setting constraints, we force ourselves to be more productive. They help us make decisions, creating focus around the problem we are trying to solve. They improve our consistency, which provides a better experience for our users. And they help us grow, a valuable asset in times of innovation.
As a designer and front-end developer, Shay Howe has a passion for solving problems while building creative and intuitive products. Shay specializes in product design and interface development, specialties which he regularly writes and speaks about.
Garment design doesn’t have to be intimidating. Learn the math behind knitting a sweater and program a fully customizable pattern generator in NodeJS. You will leave with your own unique pattern app to share with the world! Basic programming and knitting skills are recommended for this workshop.
Tessa Harmon is a full-stack web developer at Skookum Digital Works in Charlotte, North Carolina. JavaScript and Ruby are her favorite languages. She’s been knitting for nearly as long as she’s been programming and is surprised it took her this long to consider mixing the two.
From harmony and form to balance and hierarchy, we’ll be covering the 7 Principles of Successful Tacos. This traditional Mexican dish paired with margaritas will help get the creative juices flowing! We’ll combine a variety of shells, fillings, and garnishes while discussing methods for achieving award-winning flavors. You’ll master the art of shape and proportion while also gaining uncommon knowledge about tacodillas. If tacos are your passion, please come hungry.
Victoria is a Modest UX Designer in Chicago. She focuses on making mobile commerce better for everyone. As a co-founder of Quite Strong, a female collaborative, she is a dedicated advocate for diversity in the design and tech fields. When asked what three things should could not live without she replied, “tacos, travel, and emojis” …obviously.
Responsive web design challenges web designers to adapt a new mindset to their design processes as well as techniques they are using in design and code. This talk provides an overview of various practical techniques, tips and tricks that you might want to be aware of when working on a new responsive design project.
Vitaly Friedman loves beautiful content and does not give up easily. From Minsk in Belarus, he studied computer science and mathematics in Germany and discovered a passion for typography, writing and design. After working as a freelance designer and developer for six years, he co-founded Smashing Magazine, a leading online magazine dedicated to design and web development. Vitaly is the author, co-author and editor of all Smashing books. He currently works as editor-in-chief of Smashing Magazine in the lovely city of Freiburg, Germany.
By now, you’ve probably heard of “flexbox,” short for the CSS Flexible Box Layout module and the most fully developed and well supported of CSS3’s wide array of new layout mechanisms. Flexbox allows you to create fluid, responsive layouts without having to worry about all those pesky float layout quirks we’ve dealt with for over a decade. But with cross-browser support still incomplete, you’ve probably relegated flexbox to the “one day” pile of web design tricks.
It’s time to stop waiting. In this talk, Zoe aims to convince you that it’s a good idea to start learning and using flexbox today. You’ll learn how to take your designs—and web design skills—to the next level as we use flexbox as practical progressive enhancement, adding it in bits and pieces on individual page components with graceful fallbacks.
Zoe Mickley Gillenwater is a web designer and developer who loves creating sites that work for as many people and devices as possible. She wrote an entire book on fluid web sites two years before “responsive web design” had a name (Flexible Web Design: Creating Liquid and Elastic Layouts with CSS), and has also authored the book Stunning CSS3: A Project-based Guide to the Latest in CSS and the video training title Web Accessibility Principles for lynda.com. Zoe currently works as a UX designer for Booking.com.


Introduction¶
1.Description¶
T-Watch K210 is a programmable watch kit based on K210, consisting of three base plates and screens.You can program T-Watch K210 via Arduino or MicroPython.
2.Hardware parameters¶
Main chip: K210
1.54-inch capacitive HD display: ST7789V
Touchpad chip: FT6236U
2 million pixel HD camera: OV2640
Three-axis accelerometer: BMA423
Microphone: MSM261S
Speaker: Max98357A
PMU power management: AXP202
RTC clock module: PCF8563
6-axis accelerometer: MPU6050
Support TF card reading and writing
Support the use of expandable modules
Power supply: Type-C USB/lithium battery
2.1 K210¶
K210 Master：
With machine vision capabilities
With machine hearing ability
Better low-power vision processing speed and accuracy
Unique programmable IO array, making product design more flexible
3.3V/1.8V dual voltage support, no level conversion required, saving cost
Support firmware encryption, which is difficult to crack using ordinary methods
CPU: equipped with dual-core 64-bit high-performance low-power CPU based on RISC-V ISA
Low voltage, lower power consumption compared with systems with the same processing capacity
TSMC 28nm advanced manufacturing process, temperature range -40°C to 125°C, stable and reliable
Equipped with a convolutional artificial neural network hardware accelerator KPU, which can perform convolutional artificial neural network operations with high performance
Note
Kendryte K210 is a system-on-chip (SoC) that integrates machine vision and machine hearing capabilities. Use TSMC (TSMC) ultra-low power The 28-nanometer advanced manufacturing process, with dual-core 64-bit processor, has better performance, stability and reliability. The program strives to The development of zero gate biology can be deployed in the user’s products in the shortest time and transform the product artificial intelligence. Kendryte K210 is positioned as an SoC in the AI and IoT market, and is a very convenient MCU.
3.Pin definition¶
3.1 Display¶
K210 |
properties |
description |
|---|---|---|
GPIO36 |
SPI |
TFT_CS |
GPIO38 |
SPI |
TFT_DC |
GPIO37 |
SPI |
TFT_RST |
GPIO39 |
SPI |
TFT_WR |
GPIO17 |
BL |
TFT_BL |
3.2 Touch¶
K210 |
properties |
description |
|---|---|---|
GPIO31 |
I2C |
Touch_SDA |
GPIO30 |
I2C |
Touch_SCL |
3.3 TF Card¶
K210 |
properties |
description |
|---|---|---|
GPIO29 |
SPI |
TF_CS |
GPIO28 |
SPI |
TF_MOSI |
GPIO27 |
SPI |
TF_MISO |
GPIO26 |
SPI |
TF_SCLK |
3.4 Camera:OV2640¶
K210 |
properties |
description |
|---|---|---|
GPIO42 |
DVP |
DVP_RST |
GPIO43 |
DVP |
DVP_VYNC |
GPIO44 |
DVP |
DVP_PWDN |
GPIO45 |
DVP |
DVP_HYNC |
GPIO46 |
DVP |
DVP_XCLK |
GPIO47 |
DVP |
DVP_PCLK |
GPIO40 |
DVP |
DVP_SDA |
GPIO41 |
DVP |
DVP_SCL |
3.5 Microphone:MSM261S¶
K210 |
properties |
description |
|---|---|---|
GPIO18 |
I2S |
MIC_BCK |
GPIO19 |
I2S |
MIC_WS |
GPIO20 |
I2S |
MIC_DAT |
3.6 Interactive chip:ESP32¶
K210 |
properties |
description |
|---|---|---|
GPIO25 |
SPI-CS |
ESP32-IO05 |
GPIO28 |
SPI-MOSI |
ESP32-IO14 |
GPIO26 |
SPI-MISO |
ESP32-IO23 |
GPIO27 |
SPI-SCLK |
ESP32-IO18 |
3.7 Speaker:Max98357A¶
K210 |
properties |
description |
|---|---|---|
GPIO35 |
I2S |
MAX_BCK |
GPIO33 |
I2S |
MAX_WS |
GPIO34 |
I2S |
MAX_DAT |
3.8 PMU:AXP202¶
K210 |
properties |
description |
|---|---|---|
GPIO31 |
I2C |
Touch_SDA |
GPIO30 |
I2C |
Touch_SCL |
GPIO32 |
INT |
AXP_IRQ |
3.9 Six-axis accelerometer:MPU6050¶
K210 |
properties |
description |
|---|---|---|
GPIO31 |
I2C |
MPU_SDA |
GPIO30 |
I2C |
MPU_SCL |


Cake Walk
Billy hates vegetables and gym class! Help him dodge the veggies and exercise machines.
Use the arrow keys to navigate up, down, left, and right to avoid the veggies.
Score
Level
Lives
Game Over