The Voyages of Doctor Dolittle
by Hugh Lofting
Part 4, Chapter 4: Wrecked!
Additional Information
- Year Published: 1922
- Language: English
- Country of Origin: England
- Source: Lofting, H. (1922). The Voyages of Doctor Dolittle. London, England: Lippincott Publishing.
-
Readability:
- Flesch–Kincaid Level: 4.2
- Word Count: 1,775
- Genre: Fantasy
- Keywords: 20th century literature, british literature, children's literature
- ✎ Cite This
Downloads
When I awoke I was very hazy in my head. The sky was blue and the sea was calm. At first I thought that I must have fallen asleep in the sun on the deck of the Curlew. And thinking that I would be late for my turn at the wheel, I tried to rise to my feet. I found I couldn't; my arms were tied to something behind me with a piece of rope. By twisting my neck around I found this to be a mast, broken off short.  I began to feel uncomfortably scared. Screwing up my eyes, I searched the rim of the sea North, East, South and West: no land: no ships; nothing was in sight. I was alone in the ocean!
At last, little by little, my bruised head began to remember what had happened: first, the coming of the storm; the sails going overboard; then the big wave which had banged me against the door. But what had become of the Doctor and the others? What day was this, to-morrow or the day after?—And why was I sitting on only part of a ship?
Working my hand into my pocket, I found my penknife and cut the rope that tied me. This reminded me of a shipwreck story which Joe had once told me, of a captain who had tied his son to a mast in order that he shouldn't be washed overboard by the gale. So of course it must have been the Doctor who had done the same to me.
But where was he?
The awful thought came to me that the Doctor and the rest of them must be drowned, since there was no other wreckage to be seen upon the waters. I got to my feet and stared around the sea again—Nothing—nothing but water and sky!
Presently a long way off I saw the small dark shape of a bird skimming low down over the swell. When it came quite close I saw it was a Stormy Petrel. I tried to talk to it, to see if it could give me news. But unluckily I hadn't learned much sea-bird language and I couldn't even attract its attention, much less make it understand what I wanted.
Twice it circled round my raft, lazily, with hardly a flip of the wing. And I could not help wondering, in spite of the distress I was in, where it had spent last night—how it, or any other living thing, had weathered such a smashing storm. It made me realize the great big difference between different creatures; and that size and strength are not everything. To this petrel, a frail little thing of feathers, much smaller and weaker than I, the Sea could do anything she liked, it seemed; and his only answer was a lazy, saucy flip of the wing! HE was the one who should be called the ABLE SEAMAN. For, come raging gale, come sunlit calm, this wilderness of water was his home.
After swooping over the sea around me (just looking for food, I supposed) he went off in the direction from which he had come. And I was alone once more.
I found I was somewhat hungry—and a little thirsty too. I began to think all sorts of miserable thoughts, the way one does when he is lonesome and has missed breakfast. What was going to become of me now, if the Doctor and the rest were drowned? I would starve to death or die of thirst. Then the sun went behind some clouds and I felt cold. How many hundreds or thousands of miles was I from any land? What if another storm should come and smash up even this poor raft on which I stood?
I went on like this for a while, growing gloomier and gloomier, when suddenly I thought of Polynesia. "You're always safe with the Doctor," she had said. "He gets there. Remember that."
I'm sure I wouldn't have minded so much if he had been here with me. It was this being all alone that made me want to weep. And yet the petrel was alone!—What a baby I was, I told myself, to be scared to the verge of tears just by loneliness! I was quite safe where I was—for the present anyhow. John Dolittle wouldn't get scared by a little thing like this. He only got excited when he made a discovery, found a new bug or something. And if what Polynesia had said was true, he couldn't be drowned and things would come out all right in the end somehow.
I threw out my chest, buttoned up my collar and began walking up and down the short raft to keep warm. I would be like John Dolittle. I wouldn't cry—And I wouldn't get excited.
How long I paced back and forth I don't know. But it was a long time—for I had nothing else to do.
At last I got tired and lay down to rest. And in spite of all my troubles, I soon fell fast asleep.
This time when I woke up, stars were staring down at me out of a cloudless sky. The sea was still calm; and my strange craft was rocking gently under me on an easy swell. All my fine courage left me as I gazed up into the big silent night and felt the pains of hunger and thirst set to work in my stomach harder than ever.
"Are you awake?" said a high silvery voice at my elbow.
I sprang up as though some one had stuck a pin in me. And there, perched at the very end of my raft, her beautiful golden tail glowing dimly in the starlight, sat Miranda, the Purple Bird-of-Paradise!
Never have I been so glad to see any one in my life. I almost f ell into the water as I leapt to hug her.
"I didn't want to wake you," said she. "I guessed you must be tired after all you've been through—Don't squash the life out of me, boy: I'm not a stuffed duck, you know."
"Oh, Miranda, you dear old thing," said I, "I'm so glad to see you. Tell me, where is the Doctor? Is he alive?"
"Of course he's alive—and it's my firm belief he always will be. He's over there, about forty miles to the westward."
"What's he doing there?"
"He's sitting on the other half of the Curlew shaving himself—or he was, when I left him."
"Well, thank Heaven he's alive!" said I—"And Bumpo—and the animals, are they all right?"
"Yes, they're with him. Your ship broke in half in the storm. The Doctor had tied you down when he found you stunned. And the part you were on got separated and floated away. Golly, it was a storm! One has to be a gull or an albatross to stand that sort of weather. I had been watching for the Doctor for three weeks, from a cliff-top; but last night I had to take refuge in a cave to keep my tail-feathers from blowing out. As soon as I found the Doctor, he sent me off with some porpoises to look for you. A Stormy Petrel volunteered to help us in our search. There had been quite a gathering of sea-birds waiting to greet the Doctor; but the rough weather sort of broke up the arrangements that had been made to welcome him properly. It was the petrel that first gave us the tip where you were."
"Well, but how can I get to the Doctor, Miranda?—I haven't any oars."
"Get to him!—Why, you're going to him now. Look behind you."
I turned around. The moon was just rising on the sea's edge. And I now saw that my raft was moving through the water, but so gently that I had not noticed it before.
"What's moving us?" I asked.
"The porpoises," said Miranda.
I went to the back of the raft and looked down into the water. And just below the surface I could see the dim forms of four big porpoises, their sleek skins glinting in the moonlight, pushing at the raft with their noses.
"They're old friends of the Doctor's," said Miranda. "They'd do anything for John Dolittle. We should see his party soon now. We're pretty near the place I left them—Yes, there they are! See that dark shape?—No, more to the right of where you're looking. Can't you make out the figure of the black man standing against the sky?—Now Chee-Chee spies us—he's waving. Don't you see them?"
I didn't—for my eyes were not as sharp as Miranda's. But presently from somewhere in the murky dusk I heard Bumpo singing his African comic songs with the full force of his enormous voice. And in a little, by peering and peering in the direction of the sound, I at last made out a dim mass of tattered, splintered wreckage—all that remained of the poor Curlew—floating low down upon the water.
A hulloa came through the night. And I answered it. We kept it up, calling to one another back and forth across the calm night sea. And a few minutes later the two halves of our brave little ruined ship bumped gently together again.
Now that I was nearer and the moon was higher I could see more plainly. Their half of the ship was much bigger than mine.
It lay partly upon its side; and most of them were perched upon the top munching ship's biscuit.
But close down to the edge of the water, using the sea's calm surface for a mirror and a piece of broken bottle for a razor, John Dolittle was shaving his face by the light of the moon.


| Student Type | Number of Students |
|---|---|
| ${key} | ${resultData.year[key]} |
| Total | ${resultData.yearTotals.studentTotals} |
| Month | ${key} | Total |
|---|---|---|
| ${index | monthString} | ${val} | ${resultData.monthTotals.allStudents | subsortTotals:index} |
| Total | ${val} |
| Quarter | ${key} | Total |
|---|---|---|
| ${index | quarterString} | ${val} | ${resultData.quarterTotals.allStudents | subsortTotals:index} |
| Total | ${val} |


... first list item...
... second list item... ...
Dweeb
young excitable person who may mature into a
Nerd
Hacker
a clever programmer
Nerd
technically bright but socially inept person
Makes first item number 30.
Next item continues to number 31.


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Fido Xtra perk enters subscribers to win one of 30 Pixel 3a phones
If you're a Fido subscriber this contest is definitely worth entering
by Brad BennettIf you’re a Fido subscriber, then you’ll be able to enter a contest to win one of 30 Pixel 3a phones.
You can join the contest by downloading the Fido app and navigating to the ‘Xtra’ section. From there, you can enter the contest once every day until November 27th. The terms mention that the winners will be selected on December 5th.
These Fido Xtra perks are only available to post-paid customers in good standing, according to Fido.
MobileSyrup reviewed the Pixel 3a when it launched in early May of this year. The Pixel 3A is a great device, and it’s the mid-range smartphone I recommended most to my friends.
Source: Fido


Class PurgeProductsRequest (v2.2.2)
Request message for the PurgeProducts
method.
Generated from protobuf message google.cloud.vision.v1.PurgeProductsRequest
Methods
__construct
Constructor.
| Name | Description |
| data |
array
Optional. Data for populating the Message object. |
| ↳ product_set_purge_config |
Google\Cloud\Vision\V1\ProductSetPurgeConfig
Specify which ProductSet contains the Products to be deleted. |
| ↳ delete_orphan_products |
bool
If delete_orphan_products is true, all Products that are not in any ProductSet will be deleted. |
| ↳ parent |
string
Required. The project and location in which the Products should be deleted. Format is |
| ↳ force |
bool
The default value is false. Override this value to true to actually perform the purge. |
getProductSetPurgeConfig
Specify which ProductSet contains the Products to be deleted.
Generated from protobuf field .google.cloud.vision.v1.ProductSetPurgeConfig product_set_purge_config = 2;
| Type | Description |
| Google\Cloud\Vision\V1\ProductSetPurgeConfig|null |
hasProductSetPurgeConfig
setProductSetPurgeConfig
Specify which ProductSet contains the Products to be deleted.
Generated from protobuf field .google.cloud.vision.v1.ProductSetPurgeConfig product_set_purge_config = 2;
| Name | Description |
| var |
Google\Cloud\Vision\V1\ProductSetPurgeConfig
|
| Type | Description |
| $this |
getDeleteOrphanProducts
If delete_orphan_products is true, all Products that are not in any ProductSet will be deleted.
Generated from protobuf field bool delete_orphan_products = 3;
| Type | Description |
| bool |
hasDeleteOrphanProducts
setDeleteOrphanProducts
If delete_orphan_products is true, all Products that are not in any ProductSet will be deleted.
Generated from protobuf field bool delete_orphan_products = 3;
| Name | Description |
| var |
bool
|
| Type | Description |
| $this |
getParent
Required. The project and location in which the Products should be deleted.
Format is projects/PROJECT_ID/locations/LOC_ID
.
Generated from protobuf field string parent = 1 [(.google.api.field_behavior) = REQUIRED, (.google.api.resource_reference) = {
| Type | Description |
| string |
setParent
Required. The project and location in which the Products should be deleted.
Format is projects/PROJECT_ID/locations/LOC_ID
.
Generated from protobuf field string parent = 1 [(.google.api.field_behavior) = REQUIRED, (.google.api.resource_reference) = {
| Name | Description |
| var |
string
|
| Type | Description |
| $this |
getForce
The default value is false. Override this value to true to actually perform the purge.
Generated from protobuf field bool force = 4;
| Type | Description |
| bool |
setForce
The default value is false. Override this value to true to actually perform the purge.
Generated from protobuf field bool force = 4;
| Name | Description |
| var |
bool
|
| Type | Description |
| $this |
getTarget
Returns| Type | Description |
| string |


| Name | Position | Office | Age | Start date | Salary |
|---|---|---|---|---|---|
| Tiger Nixon | System Architect | Edinburgh | 61 | 2011/04/25 | $320,800 |
| Garrett | Accountant | Tokyo | 63 | 2011/07/25 | $170,750 |
| Ashton Cox | Junior Technical Author | San Francisco | 66 | 2009/01/12 | $86,000 |
| Cedric Kelly | Senior Javascript Developer | Edinburgh | 22 | 2012/03/29 | $433,060 |
| Airi Satou | Accountant | Tokyo | 33 | 2008/11/28 | $162,700 |
| Brielle Williamson | Integration Specialist | New York | 61 | 2012/12/02 | $372,000 |
| Herrod Chandler | Sales Assistant | San Francisco | 59 | 2012/08/06 | $137,500 |
| Rhona Davidson | Integration Specialist | Tokyo | 55 | 2010/10/14 | $327,900 |
| Colleen Hurst | Javascript Developer | San Francisco | 39 | 2009/09/15 | $205,500 |
| Name | Position | Office | Age | Start date | Salary |


gerrit-ci
Information about this plugin can be found on its GitHub page:
https://github.com/palantir/gerrit-ci


We are awaiting this blizzard. I keep telling the kids harrowing tales of our days in Wisconsin where a snow storm of this magnitude wasn’t snowpocalypse - it was a Tuesday :):) But just like the rest of our friends and neighbors, we are stocked, snuggled, and holding our breath for the first flakes to fall. Our morning walk took on new meaning as we pointed out things that might “disappear” after snowfall. It was pretty fun as we estimated that Evie (all 2 feet of her) is probably going to be one of first to fall!
I was thinking back to other “clam before the storm” moments and immediately went to being pregnant. Before each one of my kiddos was born, I can remember a moment; a quiet - this is happening any minute but not this minute - moment. Our last daughter was almost born movie at the theater! Even then, as we bought our tickets and sat down I thought, wow! there is literally not another thing to do before we have this baby, so we movied and before the credits rolled, we were at the hospital.
I feel like in marriage you can sense the calm before the storm. You know your spouses moods and whims and can sense something building that will eventually surface. Or your kiddos frustration about something at school or some rule at home that’s just waiting to bubble to the surface…
So now we’re waiting… Packed in like sardines with the kids so excited they can barely sit still, already decked out in their snow gear!

Xoxo, Jen


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§ CreditCard()
| CreditCard::CreditCard |
( |
| ) |
|
Default constructor function.
Constructor function for the CreditCard class.
§ ~CreditCard()
| CreditCard::~CreditCard |
( |
| ) |
|
Default deconstructor function.
Destructor function for the CreditCard class.
§ getExpDate()
| string CreditCard::getExpDate |
( |
| ) |
const |
Return expire date of card.
- Returns
- Expire date of credit card
§ getNumber()
| long long CreditCard::getNumber |
( |
| ) |
const |
Return card number.
- Returns
- Number of credit card
§ getType()
| string CreditCard::getType |
( |
| ) |
const |
Return card type.
- Returns
- Type of credit card
§ setExpDate()
| void CreditCard::setExpDate |
( |
const string & |
expDate | ) |
|
Set expire date of card.
- Parameters
-
| expDate | Expire date of credit card will be set to this |
§ setNumber()
| void CreditCard::setNumber |
( |
long long |
number | ) |
|
Set card number.
- Parameters
-
| number | Number of credit card will be set to this |
§ setType()
| void CreditCard::setType |
( |
const string & |
type | ) |
|
Set card type.
- Parameters
-
| type | Type of credit will be set to this |
The documentation for this class was generated from the following files:
- C:/Users/Tahir/Documents/GitHub/OOP_Project_Online_Book_Store/OOP_Project_Online_Book_Store/CreditCard.h
- C:/Users/Tahir/Documents/GitHub/OOP_Project_Online_Book_Store/OOP_Project_Online_Book_Store/CreditCard.cpp


nips nips2012 nips2012-216 nips2012-216-reference knowledge-graph by maker-knowledge-mining
Source: pdf
Author: Nicolò Cesa-bianchi, Pierre Gaillard, Gabor Lugosi, Gilles Stoltz
Abstract: Mirror descent with an entropic regularizer is known to achieve shifting regret bounds that are logarithmic in the dimension. This is done using either a carefully designed projection or by a weight sharing technique. Via a novel uniﬁed analysis, we show that these two approaches deliver essentially equivalent bounds on a notion of regret generalizing shifting, adaptive, discounted, and other related regrets. Our analysis also captures and extends the generalized weight sharing technique of Bousquet and Warmuth, and can be reﬁned in several ways, including improvements for small losses and adaptive tuning of parameters. 1
[1] M. Herbster and M. Warmuth. Tracking the best linear predictor. Journal of Machine Learning Research, 1:281–309, 2001.
[2] M. Zinkevich. Online convex programming and generalized inﬁnitesimal gradient ascent. In Proceedings of the 20th International Conference on Machine Learning, ICML 2003, 2003.
[3] N. Cesa-Bianchi and G. Lugosi. Prediction, learning, and games. Cambridge University Press, 2006.
[4] M. Herbster and M. Warmuth. Tracking the best expert. Machine Learning, 32:151–178, 1998.
[5] V. Vovk. Derandomizing stochastic prediction strategies. Machine Learning, 35(3):247–282, Jun. 1999.
[6] O. Bousquet and M.K. Warmuth. Tracking a small set of experts by mixing past posteriors. Journal of Machine Learning Research, 3:363–396, 2002.
[7] A. György, T. Linder, and G. Lugosi. Tracking the best of many experts. In Proceedings of the 18th Annual Conference on Learning Theory (COLT), pages 204–216, Bertinoro, Italy, Jun. 2005. Springer.
[8] E. Hazan and C. Seshadhri. Efﬁcient learning algorithms for changing environments. Proceedings of the 26th International Conference of Machine Learning (ICML), 2009.
[9] A. Chernov and F. Zhdanov. Prediction with expert advice under discounted loss. In Proceedings of the 21st International Conference on Algorithmic Learning Theory, ALT 2010, pages 255–269. Springer, 2008.
[10] A. Blum and Y. Mansour. From extermal to internal regret. Journal of Machine Learning Research, 8:1307–1324, 2007.
[11] P. Auer, N. Cesa-Bianchi, and C. Gentile. Adaptive and self-conﬁdent on-line learning algorithms. Journal of Computer and System Sciences, 64:48–75, 2002. 9


Putting last smoke test in place. Driving the browser from code feels strangely fulfilling and hacky at the same time.
3/6/2009, 8:37:45 AM
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link--- layout: tweet ---
Putting last smoke test in place. Driving the browser from code feels strangely fulfilling and hacky at the same time.
3/6/2009, 8:37:45 AM
Favs: 0
Retweets: 0
link


{% for cname in curr_club %}
{{ cname.club_name}}
{{ cname.objective}}
{%endfor%}{% load staticfiles %}
{% for cname in curr_club %}{{ cname.objective}}
{%endfor%}{% for cname in curr_club %} Here are a few events of {{ cname.club_name}} {%endfor%}
{{event.event_desc}}
View Event


Dashboard
{% include "dash_bar.html" %}
Vulnerability Analytics
- {{all_vuln}} All Vulnerability
- {{total_network}} Network Vulnerability
- {{total_web}} Web Vulnerability
- {{all_high}} Total High
- {{all_medium}} Total Medium
- {{all_low}} Total Low


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title="Shorge Sato, Esq. Solo Pricing. Big Firm Results."
text="One of Chicago's leading lawyers in constitutional, corporate, and real estate litigation"
cta="Get A Consultation"
ctaLink="#contact"
subtext="An Illinois SuperLawyer and Illinois Leading Lawyer"
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text="You can save over 33% on lawyers and legal fees by hiring Engaged Counsel to prepare your case for trial or dispositive motion."
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--- layout: post title: Tomorrow I'll shave and then catch the plane date: 2009-06-26 04:03:49.000000000 -05:00 type: post parent_id: '0' published: true password: '' status: publish categories: [] tags: [] meta: _edit_last: '1412221' author: login: dreamessenceonthemove email<EMAIL_ADDRESS>display_name: darribas first_name: Daniel last_name: Arribas-Bel permalink: "/2009/06/26/tomorrow-ill-shave-and-then-catch-the-plane/" ---
For whatever reason, I hadn't open this pad in too long; it was even about to get lost in the last moving out. For any cause, I was about to buy into the idea that writing myself out was something for "whenever you have some spare time". But I just hung my old Vans on a power wire, and I can't think of anything more poetic other than giving "Confieso que he vivido" by P. Neruda to someone who leaves to find on the road. Tomorrow I'll shave and then catch the plane, and I'm pretty sure, from that moment on, work and everything else waiting for me at home will weight enough so as not to keep on top these pieces of lived poetry I'm trying to put in words.
 Yet I hope means don't keep me away from the real ends and, whatever cool Skype, SVN or the wiki's are, I never forget it's persons what really matter and, even more relevant, the satisfaction of an accepted paper or a new project is not a replacement for the print-leaving feeling you experience when six prople get out of their day-to-day lives for a few hours to say goodbye.
Tomorroww I'll shave and then catch the plane. In my bag I'll carry "Confieso que he vivido" with me; my sneakers, however do not fit in anymore but theirplace is filled with the names of all the people that, thoughout the last tenmonths, have made me feel "thank you" has way too few letters. Tomorrow I'll shave and then catch the plane.


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The TreeGrid itself not responsive, but using some JavaScript it's possible to make the column widths responsive. In the TreeGrid below, the columns have widths of 25%, 25%, and 50%.


The object returned from gcloud.bigquery
gives you complete access to and control of your BigQuery datasets. You can work with existing ones, by using the dataset
method, or create new ones with createDataset
.
To learn more about BigQuery, see What is BigQuery?


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Undergraduate
Admission to Computer Science Majors and Minors
Prospective UD Students
The University admissions office handles all undergraduate admissions into the University for a CISC major, including incoming freshmen and transfer students.
Current students - Applying for a Major in CIS
Prior to applying for a CIS major (BS in Computer Science, BA in Computer Science, and BS in Information Systems), students must have earned a grade of C or better in CISC-106 or CISC-108 or CISC-181 and a grade of C or better in Math-117 or Math-241. To have a good chance of success in a Computer Science major, students should have a B- or better in each of the CISC courses taken so far.
The CISC Department processes all applications for the computer science major and the information systems major through the online application form at http://www.udel.edu/udsis-student. An advisor from the Department of Computer and Information Sciences will be assigned as part of the form processing and you will be notified of your new advisor.
Adding a minor
The CISC Department processes all applications for the computer science minor and the bioinformatics minor through the online application form at http://www.udel.edu/udsis-student.
Before applying for a computer science or bioinformatics minor, students must have earned a grade of B- or better in CISC-106 or CISC-108 or CISC-181. The minor is restricted due to program capacity limitations. For advice on the the elective course choices of the minor, contact cis-ugradprgm@udel.edu.


This is an example of the text templates first utilized back in 2008. It involves using a script tag with in ID and a type of "text/template". The browser does not recognize this type so skips rendering the entire script's content. However, innerHTML on the script tag will fetch the contents and it will be treated like a string, thus enabling text type methods applied to it.


public interface Catalog
Catalogs are the second element of the hierarchy of metadata objects.
A Catalog contains one or more Schema
s and has a parent
Database
.
Some OLAP servers may only have one Catalog. Mondrian is one such OLAP server; its sole catalog is called "LOCALDB".
To obtain the collection of catalogs in the current server, call the
OlapConnection.getOlapCatalogs()
method.
The hierarchy of metadata objects, rooted at the connection from which they are accessed, is as follows:
| Modifier and Type | Method and Description |
|---|---|
Database |
getDatabase()
Returns the parent database of this catalog.
|
OlapDatabaseMetaData |
getMetaData()
Retrieves the metadata describing the OLAP server that this Catalog
belongs to.
|
String |
getName()
Returns the name of this Catalog.
|
NamedList<Schema> |
getSchemas()
Returns a list of
Schema objects which belong to
this Catalog . |
NamedList<Schema> getSchemas() throws OlapException
Schema
objects which belong to
this Catalog
.
The caller should assume that the list is immutable; if the caller modifies the list, behavior is undefined.
Catalog
OlapException
- if error occursDatabaseMetaData.getSchemas()
OlapDatabaseMetaData getMetaData()
Database getDatabase()


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Making Decisions
If statements
if (true) {...}
Comparison Operators
- Equal To
===
- Not Equal To
!==
- Greater Than
>
- Less Than
<
- Greater Than or Equal To
>=
- Less Than or Equal To
<=
Locigal Operators
- And
&&
- Or
||
- Not
!
What is true and false?
"Falsy" Values
- Boolean false:
false
- The number zero:
0
- An empty string:
''
- A variable with no value
"Truthy Values"
- Boolean true:
false
- The number zero:
42, -42, etc.
- Strings:
'Hello world'
- Anything that's not "falsy"
Loops
- A loop checks a condition and if it is true, repeats until the condition is false.
- Helpful for iterating over arrays and node lists.
-
Three types
- for
- while
- do while
Document Object Model (DOM)
- The DOM is how the browser understands your HTML code in outline form.
- See the lecture slides for more information and examples.
Bonus Project
Find an exhibition at a museum and create a multi-page website with two goals in mind:
- entice visitors to attend the exhibition
- give them all of the pertinent information they would need to visit


http Request :
GET https://api.codetabs.com/v1/headers?domain=domain.tld
examples :
https://api.codetabs.com/v1/headers?domain=https://codetabs.com
https://api.codetabs.com/v1/headers?domain=www.codetabs.com
response :
[{
"HTTP/1.1": "301",
"Server": "nginx",
"Date": "Thu, 25 Jan 2018 17:54:21 GMT",
"Content-Type": "text/html",
"Content-Length": "178",
"Connection": "keep-alive",
"Location": "https://codetabs.com/"
},
{
"HTTP/2": "200",
"server": "nginx",
"date": "Thu, 25 Jan 2018 17:54:21 GMT",
"content-type": "text/html",
"vary": "Accept-Encoding",
"expires": "Thu, 01 Jan 1970 00:00:01 GMT",
"cache-control": "no-cache",
"strict-transport-security": "max-age=15768000,
"x-frame-options": "DENY",
"x-content-type-options": "nosniff",
"x-xss-protection": "1; mode=block"
}]


--- layout: default title: Ha Lab categories: - home ---
The Ha Lab @FredHutch uses computational genomics and liquid biopsies to study cancer and to advance precision medicine.
We are recruiting Postdocs! Apply here


MemoEvaluator cache |
In chrome, open dev tools > Memory tag, click on "Take heap snapshot". First of all, check that there are not existing leaks affecting the test results clicking on "Take heap snapshot": it should not found any results; if it does, you might want to run the test in incognito mode so it does not load any chrome extensions). Once verified, click the "test" button, go to the memory tab, click "Collect garbage" a couple of times, take another snapshot and verify we don't have any new detached node in memory. |
|


Income and Affordability Measures by United States Geography
Income
Housing Cost as Percent of Income
Housing and Transportation Cost as Percent of Income
for
Median-Income
Very Low-Income
Working Individual
Single Professional
Retired Couple
Single-Parent Family
Moderate-Income Family
Dual-Professional Family
Households
by US Census Core Based Statistical Area (CBSA)
by US Census County
Selet map tile-set:
Streets
Light
Dark
Satellite
Streets and Satellite
Wheatpaste
Streets (basic)
Comic
Outdoors
Run/Bike/Hike
Pencil
Pirates
Emerald
High-contrast


My name is Bryn Hughes, and I teach music theory at the Frost School of Music at the University of Miami in Coral Gables, Florida.
My research interests include music cognition, music theory pedagogy, and popular music analysis. My dissertation involved an investigation of harmonic expectation in twelve-bar blues progressions.
I have presented my research at numerous regional, national, and international conferences. For more information, please feel free to peruse my CV.


Add Promo to {{currentLoc}} All Promos Promos Locations Show promos at: Home payment Methods promotions Box Shopping Cart Save Name:{{promo.name}} Url:{{promo.url}}


Notification
Notification (10 sec delay)
5 Notifications (10 sec delay)
Press back button to go back.


- Book an appointment
- Log in on this page.
Then select the date and time for your test.
- Before leaving home
- Remember to bring a face mask and your yellow health card (‘sundhedskort’).
If you do not have a yellow health card, you must bring photo ID (passport, driver’s licence or identity card).
You should arrive as close to the scheduled appointment as possible to avoid the spread of infection.
Follow the guidelines from Danish Health Authority to protect yourself and others from infection.
See the guidelines
- When you arrive
- When you arrive, you must follow the instructions at the testing site.
You will then have the sample taken.
- Test result
-
You can subsequently see your test result on sundhed.dk, in MinSundhed app or in MinLæge app.
You can also see your child’s test result on sundhed.dk
See your test result
When you have been tested for COVID-19, you can usually see your test result the day after you have had the test – and no later than two days after.
If you have not received an answer within two days after the test has taken place, you are encouraged to make an appointment for a new test.


| Maximum |
Netherlands |
High |
High |
Amsterdam Truman Bank |
P. R. de Vries |
Data aqcuisition tool |
| Maximum |
Australia |
High |
High |
Sydney Snowdon Bank |
J. Bond |
Lead generation application |
| Maximum |
Australia |
High |
High |
Perth Snowdon Bank |
J. Marwick |
Customer data Application |
| Maximum |
Argentina |
High |
High |
Buenos Aires Snowdon Bank |
W. B. Peat |
Customer complaint handeling software |
| Significant |
Canada |
High |
Limited |
Toronto Snowdon Bank |
A. Capone |
Banking service application |
| Significant |
Brazil |
High |
Limited |
Rio de Janeiro Snowdon Bank |
Neymar |
Customer service Application |
| Significant |
India |
High |
Limited |
Mumbai Snowdon Bank |
F. Sinatra |
Customer service in-house filesystem |
| Limited |
USA |
Limited |
Limited |
San Fransisco Snowdon Bank |
V. Diesel |
Data aqcuisition tool |
| Limited |
China |
Limited |
Limited |
Bejing Snowdon Bank |
B. Lee |
Customer service tool |
| Negligible |
Japan |
Low |
Low |
Nagasaki Snowdon Bank |
X. Wong |
Banking app |
| Negligible |
Mexico |
Medium |
Very Low |
Mexico-city Snowdon Bank |
A. I. Caramba |
Customer service records |


In true open source development, there's lots of visibility all the way through the development process.
Our organisation focus in integration of developers and helping them with their problems and at same time providing them oppurtunities to interact with people all over world
Well, it’s been long that we have been spreading the word “Open Source” across the globe but now it’s time to put are saying on Actions. So, we are currently running up an Organisation named as “CODEUINO” after interacting with lots of people including potential contributors around the world. It is a non-profit organisation that helps to bring amazing people together to create, develop, design and make things with Open Technologies and share work for the benefit of all..
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts.
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts.
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts.
Dignissimos asperiores vitae velit veniam totam fuga molestias accusamus alias autem provident. Odit ab aliquam dolor eius.
Facilis ipsum reprehenderit nemo molestias. Aut cum mollitia reprehenderit. Eos cumque dicta adipisci architecto culpa amet.
Facilis ipsum reprehenderit nemo molestias. Aut cum mollitia reprehenderit. Eos cumque dicta adipisci architecto culpa amet.
Facilis ipsum reprehenderit nemo molestias. Aut cum mollitia reprehenderit. Eos cumque dicta adipisci architecto culpa amet.
Dignissimos asperiores vitae velit veniam totam fuga molestias accusamus alias autem provident. Odit ab aliquam dolor eius.


| Package | Description |
|---|---|
| negotiator | |
| negotiator.gui.dialogs | |
| negotiator.gui.tree | |
| negotiator.issue | |
| negotiator.utility |
| Modifier and Type | Method and Description |
|---|---|
Objective |
DomainImpl.getObjectivesRoot() |
Objective |
Domain.getObjectivesRoot() |
| Modifier and Type | Method and Description |
|---|---|
java.util.List<Objective> |
DomainImpl.getObjectives() |
java.util.List<Objective> |
Domain.getObjectives() |
| Modifier and Type | Method and Description |
|---|---|
void |
DomainImpl.setObjectivesRoot(Objective ob)
Sets a new domain root.
|
| Modifier and Type | Method and Description |
|---|---|
protected Objective |
NewObjectiveDialog.constructObjective() |
| Modifier and Type | Method and Description |
|---|---|
Objective |
WeightSlider.getObjective() |
Objective |
TreeFrame.getRoot() |
| Modifier and Type | Method and Description |
|---|---|
void |
ObjectiveValuePanel.displayValues(Objective node) |
abstract void |
IssueValuePanel.displayValues(Objective node)
Draws the values of this Issue or Objective
|
void |
IssueRealValuePanel.displayValues(Objective node) |
void |
IssueIntegerValuePanel.displayValues(Objective node) |
void |
IssueDiscreteValuePanel.displayValues(Objective node) |
IssueValuePanel |
NegotiatorTreeTableModel.getIssueValuePanel(Objective node) |
protected javax.swing.JTextField |
NegotiatorTreeTableModel.getNameField(Objective node) |
protected javax.swing.JTextField |
NegotiatorTreeTableModel.getNumberField(Objective node) |
protected javax.swing.JTextField |
NegotiatorTreeTableModel.getTypeField(Objective node) |
WeightSlider |
NegotiatorTreeTableModel.getWeightSlider(Objective node)
Returns the WeightSlider belonging to the given Objective.
|
protected void |
NegotiatorTreeTableModel.setIssueValuePanel(Objective node,
IssueValuePanel panel) |
protected void |
NegotiatorTreeTableModel.setNameField(Objective node,
javax.swing.JTextField field) |
protected void |
NegotiatorTreeTableModel.setNumberField(Objective node,
javax.swing.JTextField field) |
protected void |
TreeFrame.setRowBackground(Objective node,
java.awt.Color color) |
protected void |
NegotiatorTreeTableModel.setTypeField(Objective node,
javax.swing.JTextField field) |
protected void |
NegotiatorTreeTableModel.setWeightSlider(Objective node,
WeightSlider slider)
Sets the WeightSlider object for the given Objective.
|
protected void |
TreeFrame.updateHighlights(Objective selected) |
| Constructor and Description |
|---|
IssueValuePanel(NegotiatorTreeTableModel model,
Objective objective) |
ObjectiveValuePanel(NegotiatorTreeTableModel model,
Objective objective) |
WeightSlider(NegotiatorTreeTableModel model,
Objective obj) |
| Modifier and Type | Class and Description |
|---|---|
class |
Issue
Class
Issue represents a negotiation issue to be settled in a negotiation. |
class |
IssueDiscrete
Specific type of issue in which the value of the issue are a set of objects.
|
class |
IssueInteger
Specific type of issue which specifies an integer range [min, max].
|
class |
IssueReal |
| Modifier and Type | Method and Description |
|---|---|
Objective |
Objective.getChildAt(int childIndex) |
Objective |
Objective.getChildWithID(int ID) |
Objective |
Objective.getObjective(int objectiveNr)
This method does a recursive depth-first search on the subtree that is rooted at the receiver, and returns
the first Objective or Issue with the given number.
|
Objective |
Objective.getParent() |
Objective[] |
Objective.getSiblings() |
| Modifier and Type | Method and Description |
|---|---|
java.util.Enumeration<Objective> |
Objective.children() |
java.util.ArrayList<Objective> |
Objective.getChildren()
Wouter: added bcause I dont have time to change all Vector and Enumerators to ArrayList code
|
java.util.Enumeration<Objective> |
Objective.getPreorderEnumeration()
Constructs an Enumeration of the entire subtree of the receiver (including itself) in preorder.
|
java.util.Enumeration<Objective> |
Objective.getPreorderIssueEnumeration()
Constructs an Enumeration of the entire subtree of the receiver (including itself) in preorder, containing only the
Issues, but not the normal Objectives.
|
java.util.Enumeration<Objective> |
Objective.getPreorderObjectiveEnumeration()
Constructs an Enumeration of the entire subtree of the receiver (including itself) in preorder, containting only the
Ojectives, but not the Issues..
|
| Modifier and Type | Method and Description |
|---|---|
void |
Objective.addChild(Objective newObjective)
Adds a child to this Objective.
|
void |
Issue.addChild(Objective newObjective)
Overrides addChild from Objective to do nothing, since Issues can't have children.
|
boolean |
Objective.equalContents(Objective obj)
check the contents but don't check for the class type anymore.
|
boolean |
Objective.isParent(Objective child)
Check whether or not a particular Objective is a child of the receiver.
|
| Constructor and Description |
|---|
Issue(java.lang.String name,
int issueNumber,
Objective parent)
Creates a new issue give its name, number, and parent.
|
IssueDiscrete(java.lang.String name,
int issueNumber,
java.lang.String[] values,
Objective objParent)
Create a new discrete issue given the name of the issue, its unique ID,
its parent, and an array of possible values.
|
IssueDiscrete(java.lang.String name,
int issueNumber,
java.lang.String[] values,
java.lang.String[] descriptions,
Objective objParent)
Create a new discrete issue given the name of the issue, its unique ID,
its parent, and an array of possible values and a description for each value.
|
IssueInteger(java.lang.String name,
int issueNumber,
int min,
int max,
Objective objParent)
Create a new issue issue given the name of the issue, its unique ID, its
parent, and the value range [min, max].
|
IssueReal(java.lang.String name,
int issueNumber,
double min,
double max,
Objective objParent) |
Objective(Objective parent) |
Objective(Objective parent,
java.lang.String name) |
Objective(Objective parent,
java.lang.String name,
int nr) |
| Modifier and Type | Method and Description |
|---|---|
Objective |
AdditiveUtilitySpace.getIssue(int index)
Deprecated.
Use getObjective
|
| Modifier and Type | Method and Description |
|---|---|
java.util.Set<java.util.Map.Entry<Objective,Evaluator>> |
AdditiveUtilitySpace.getEvaluators() |
java.util.Set<java.util.Map.Entry<Objective,Evaluator>> |
AdditiveUtilitySpace.normalizeChildren(Objective obj)
Normalizes the weights of objectives of the given objective so that they
sum up to one.
|
| Modifier and Type | Method and Description |
|---|---|
Evaluator |
AdditiveUtilitySpace.addEvaluator(Objective obj,
Evaluator ev)
Sets an [Objective, evaluator] pair.
|
java.lang.String |
EvaluatorReal.isComplete(Objective whichobj) |
java.lang.String |
EvaluatorObjective.isComplete(Objective whichobj) |
java.lang.String |
EvaluatorInteger.isComplete(Objective whichobj) |
java.lang.String |
EvaluatorDiscrete.isComplete(Objective whichobj) |
java.lang.String |
Evaluator.isComplete(Objective whichObjective)
Check whether the evaluator has enough information to make an evaluation.
|
boolean |
AdditiveUtilitySpace.lock(Objective obj)
Place a lock on the weight of an objective or issue.
|
java.util.Set<java.util.Map.Entry<Objective,Evaluator>> |
AdditiveUtilitySpace.normalizeChildren(Objective obj)
Normalizes the weights of objectives of the given objective so that they
sum up to one.
|
protected void |
AdditiveUtilitySpace.normalizeWeights(Objective currentRoot) |
double |
AdditiveUtilitySpace.setWeight(Objective objective,
double weight)
Method used to set the weight of the given objective.
|
boolean |
AdditiveUtilitySpace.unlock(Objective obj)
Clear a lock on the weight of an objective or issue.
|
| Constructor and Description |
|---|
AdditiveUtilitySpace(Domain domain,
java.util.Map<Objective,Evaluator> fEvaluators) |


The cairo_path_t type is one area in which most language bindings will differ significantly from the C API. The C API for cairo_path_t is designed for efficiency and to avoid auxiliary objects that would be have to be manually memory managed by the application. However, a language binding should not present cairo_path_t as an array, but rather as an opaque that can be iterated over. Different languages have quite different conventions for how iterators work, so it is impossible to give an exact specification for how this API should work, but the type names and methods should be similar to the language's mapping of the following:
typedef struct cairo_path_iterator cairo_path_iterator_t; typedef struct cairo_path_element cairo_path_element_t; cairo_path_iterator_t * cairo_path_get_iterator (cairo_path_t *path); cairo_bool_t cairo_path_iterator_has_next (cairo_path_iterator_t *iterator); cairo_path_element_t * cairo_path_iterator_next (cairo_path_iterator_t *iterator); cairo_path_element_type_t cairo_path_element_get_type (cairo_path_element_t *element); void cairo_path_element_get_point (cairo_path_element_t *element, int index, double *x, double *y);
The above is written using the Java conventions for iterators. To illustrate how the API for PathIterator might depend on the native iteration conventions of the API, examine three versions of the loop, first written in a hypothetical Java binding:
PathIterator iter = cr.copyPath().iterator(); while (cr.hasNext()) { PathElement element = iter.next(); if (element.getType() == PathElementType.MOVE_TO) { Point p = element.getPoint(0); doMoveTo (p.x, p.y); } }
And then in a hypothetical C++ binding:
Path path = cr.copyPath(); for (PathIterator iter = path.begin(); iter != path.end(); iter++) { PathElement element = *iter; if (element.getType() == PathElementType.MOVE_TO) { Point p = element.getPoint(0); doMoveTo (p.x, p.y); } }
And then finally in a Python binding:
for element in cr.copy_path(): if element.getType == cairo.PATH_ELEMENT_MOVE_TO: (x, y) = element.getPoint(0) doMoveTo (x, y);
While many of the API elements stay the same in the three examples, the exact iteration mechanism is quite different, to match how users of the language would expect to iterate over a container.
You should not present an API for mutating or for creating new
cairo_path_t objects. In the future, these
guidelines may be extended to present an API for creating a
cairo_path_t from scratch for use with
cairo_append_path()
but the current expectation is that cairo_append_path()
will
mostly be used with paths from
cairo_copy_path()
.


Navigation
index
modules
|
next
|
WANN (genetic) 0.1.1 documentation
»
Genetic Search for WANNs
¶
Getting Started
Installation
Execution of a first experiment
Example report
Parameters
task
sampling
population
selection
mutation
postopt
config
storage
Mutation Types
New Edge
New Node
Reenable Edge
Change Activation
Disable Edge
Change Edge Sign
Add Recurrent Edge
Tasks
Classification Tasks
Recurrent Tasks
References
Generating Series of Experiments
Experiment Series Specification
Analysis of Experiment Series
Command Line Interfaces
Running an experiment
Experiment series generation
Plotting and reporting
Numpy Implementation of WANNs
Feed-Forward Networks
Recurrent Networks
Torch Implementation of WANNs
Feed-Forward Neural Networks
API
wann_genetic package
Overview
Next topic
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Quick search
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index
modules
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next
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WANN (genetic) 0.1.1 documentation
»


MINECRAFT MEMES? (part 1) 09 Dec 2019, 11:54 by 4lay memes and memes please follow and like video www.youtube.com/watch?v=INjaBBW-6_I&t=5s


{% extends "_layouts/base.html" %} {% set id = 'sales' %} {% block main %}
Send us a message and an Ionic Sales Representative will get back to you.


What is one disadvantage of quadratic
probing as a collision resolution method?
"Insertions can fail even if there are empty slots in the hash table"
- "You have to check whether or not a node needs to be split"
- "Memory usage increases with each insertion"
- "Primary clustering can degrade performance"
Usually, the probe sequence for quadratic probing does
not visit all slots of the table.


Goliath
Final project for Computer Game Science major at UC Irvine.
Personal Website
A portfolio of the projects I have worked on.
Slicense to Dye Android
It's like Fruit Ninja but with color and male pattern baldness!
The Device PC, Android
A strange combination of tower defense and strategy. Formerly known as Press X to Level Up!
TrailBlazer PC
Like playing with fire? Feeling adventurous? Cover the world in oil and watch it burn in this action-puzzle game!


-
The list of accessories in the application persists between application launches.
-
Individual IP accessories may also be exported to a file. To export an accessory, select it from the accessory list on the left side of the window; then export it by selecting "Export Accessory..." from the File Menu, or by using the ⇧⌘S keyboard shortcut.
-
To import an accessory from a file, select "Import Accessory..." from the File Menu, or use the ⇧⌘O keyboard shortcut. Multiple accessories may be imported at the same time. An accessory may also be imported multiple times from the same file.
-
The Bluetooth LE accessory may not be exported to a file. Additionally, an IP accessory may not be imported as a Bluetooth LE accessory.
-
Accessories, Bridges, and Bridged Accessories may be duplicated. This creates a new accessory with the same services and characteristics. Bridged accessories may be duplicated within a bridge. To duplicate an item, select it and then choose "Duplicate Accessory" from the "Edit" menu, or by using the ⇧⌘D keyboard shortcut.


Paperclip allows us to upload, store and display images (and other files) in an application. In this example, we’ll go from installation to displaying an image associated with an item. You may substitute ‘item’ for any other model in your application.
Install imagemagick. It can be a real headache, so there is a dedicated guide here: (Coming soon)
Add paperclip to your application’s Gemfile. At the time of writing, the latest version of paperclip is 4.2.
1
|
|
- Install the gem:
Terminal
$ |
|
- Since we’re going to allow a user to add a photo to an item, we need to add the relationship and validation to our item.rb file.
1 2 |
|
Paperclip allows us to specify what sizes we’d like to save the uploaded image in, so you’ll notice above that we’ve specified two file sizes
with the nicknames of :medium
and :thumb
. This will make it easy to display those file sizes later.
The trailing #
in "100x100#"
results in the image being centrally cropped, with those exact dimensions. The trailing >
in "300x300>"
modifies the image only if its dimensions are larger than those specified.
You can view more imagemagick modifiers here.
- Generate the related migration
Terminal
$ |
|
- Then run the migration
Terminal
$ |
|
- Next, we’ll update the form in the edit item view to allow a user to select and upload a photo.
Notice the addition of
html: {multipart: true}
to the head of the form, as well as the newfile_field
input.
1 2 3 4 |
|
- In rails 4, the
:image
will have to be a part of your strong params to get processed, so add that in the items controller.
1 2 3 |
|
- Now that a user can uploaded an image, you can display an item’s image using an
image_tag
. You may specify any of the nicknames you saved earlier to display that image size (i.e.:thumb
instead of:medium
).
1
|
|
That’s it!
If you’d like your shiny new paperclip to work with your application on Heroku, you’re going to need to use the aws-sdk gem. You can find that tutorial here, soon.
Authored by @MarcGarreau.


Apache License
Version 2.0, January 2004
-
AVLoadingIndicatorView
Copyright (c) 2015 jack wang
-
MPAndroidChart
Copyright (c) 2016 Philipp Jahoda
-
Android Device Names
Copyright (c) 2015 Jared Rummler
-
Material Tap Target Prompt
Copyright (c) 2016 Samuel Wall
-
Material design icons
Copyright (c) 2014-2016 Google
-
PermissionEverywhere
Copyright (c) 2016 kaknazaveshtakipishi
-
FileUtils
Copyright (c) 2007-2008 OpenIntents.org
Licensed under the Apache License, Version 2.0 (the "License");
you may not use this file except in compliance with the License.
You may obtain a copy of the License at
http://www.apache.org/licenses/LICENSE-2.0
Unless required by applicable law or agreed to in writing, software
distributed under the License is distributed on an "AS IS" BASIS,
WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied.
See the License for the specific language governing permissions and
limitations under the License.
The MIT License (MIT)
-
Android About Page
Copyright (c) 2016 Mehdi Sakout
-
Android Material Intro Screen
Copyright (c) 2016 Tango Agency
Permission is hereby granted, free of charge, to any person obtaining a copy
of this software and associated documentation files (the "Software"), to deal
in the Software without restriction, including without limitation the rights
to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
copies of the Software, and to permit persons to whom the Software is
furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all
copies or substantial portions of the Software.
 IN NO EVENT SHALL THE
AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
SOFTWARE.
Icons


Classes that can be used with table-sort-js.
|
 | Description |
|---|---|
| table-sort | Make tables sortable!. Sorts: Words, Numbers(naturally) and Dates out of the box without any config. |
| table-arrows | Adds up or down arrows to indicate whether column is sorted in aescending or descending order. |
|  | Description |
|---|---|
| order-by-desc | Orders by descending on the first click of a column (default aescending). Naming inspired by SQL. |
| file-size | Supports sorting files sizes from bytes to Tebibytes (B -> TiB). Can be Metric prefix (e.g 10KB), or Binary prefix(e.g 25KiB) and can contain a space or no space between number and unit type (e.g 25KB or 25 KB). It converts units into numbers (bytes) does conversion and then outputs to the binary prefix rounded to two decimal places. (e.g 25.00 KiB). |


We appear out of nowhere, to create the greatest, most affordable pizzas you've ever experienced (in Perth). Then we disappear. Leaving you wood-fired satis-fired.
- Brad
- Drunk customer #14
"Customer #6"
- Brad after his 2nd pizza
Need a quote? Give us the info! When is it? Where is it? For how many people? Are they vegetarian? Fill out this form and we'll get back to you.
Shaun Cechner
Fire Keeper
0466-259-024
Kelly Burnett
Sneaky Chef
0466-259-022


Welcome!
Welcome to an app where you will have the opportunity to have a guidance towards your path to college.
This app was created by 7 students and 2 teachers trying to find a solution to the struggle of students
trying to get an education and trying to get to college. This was created by Che Cervantes, Malik Grant,
Chaitanya Mital, Anel Jauregui, Johnny Ramirez, Lucio Lopez, Giovanni Jauregui, Tapan Parikh, and Sarah Van Wart.
Read More...


 "Message in a Bottle" is perhaps the most recent example. Others are heartbreaking. "The King of Masks" is an excellent example of this latter category. Photographed to resemble a landscape painting in a Chinese village meant to be part of that vast country's Sichuan province, director Wu Tianming's uplifting drama of love shared by two outsiders brings to mind the affection between the aging Dora and the orphaned Josue in Walter Salles' Brazilian triumph, "Central Station."
The narrative takes place in the 1930s, during a particularly bleak period of Chinese history; its people ravaged by civil conflict among warlords, incursions by Japan, a rising Communist movement, and natural disasters like floods and droughts.  Male youngsters fare a little better than girls, often able to secure $2 or $3 for their impoverished fathers and mothers, while the fair sex--considered next to worthless in the patriarchal society of its time--are simply given away to anyone with compassion or the wish to put them to work as cooks, perhaps even hookers.
Wei Minglung's screenplay centers on two desperate people: a lonely old man who ekes our a meager living by changing faces, i.e. by managing through sleight of hand to shed and change up to 14 facial masks in a matter of seconds--so quickly that the gathering crowds have no idea how the magic is performed. Since an old tradition requires such people to pass on their secrets to male heirs, the titled king of masks, Bian Lian Wang (Zhu Xu), is despondent: he is alone and lacks the necessary beneficiary. His spirits are raised when the cast-off eight-year-old Doggie (Zhou Ren- Ying) attaches herself to him, but Doggie--who has concealed her gender behind a short haircut--is discovered when asked to urinate into a cloth which is to be used as a poultice.
"The King of Masks" follows the duo, who have by now bonded, as they make the rounds of the village. While Bian, who is known only as "grandpa" or "boss" by his young sidekick, fascinates the crowds, young Doggie assists by announcing each act and, what is more important, serves as the companion so needed by her adopted grandpa. When a series of misfortunes occurs, obliging the king of masks to throw the young girl out of the boat which they call their home, Doggie is ultimately called upon to save her grandfather's life from execution by the authorities--who have accused the old man of kidnapping.
The chief virtue of the film is its realistic portrayal of the growing attachment between two of society's outcasts. Avoiding sloppy sentimentality by presenting a vivid, believable, thoroughly heartfelt drama of unsullied affection between dependent girl and despondent magician, "The King of Masks" headlines an astonishing performance by young Zhou Ren-Ying. Zhou is anything but robotic. Mature well beyond her years (in part, the press notes tell us, because she had to make her own way early on), Zhou was picked for the role because of her experience in show business, having performed from the age of three with an acrobatic troupe in the city of Xian. Not only does Zhou shatter our hearts with her soulful discharge of the role: she does her own stunts. In one particular feat she hangs on a steel cable from a twenty- meter high rooftop, to which she has repaired to get a government official's attention.
In telling the story, director Wu educates film-goers on the conventions of Chinese opera. He cuts several times to performances of a troupe led by the revered diva, Liang Sao Lang (Zhao Zhigang), leaving us with the impression that this Chinese art form shares protocol with Greek and Japanese theater. Liang, in the role of a man who regularly plays a female character, shows his audience in the movie seats that Chinese opera is anything but the bizarre exhibition that Westerners take it to be. By the conclusion of this soulful drama, we are reminded even of King Lear by this king of masks: a man who for a time discards the daughter who loves him the most, ultimately redeemed by an insight he acquires altogether late in the game.
Fortunately for Wu--and for the Chinese people themselves--subjects which would have been taboo under the Communist regime before 1980 (such as Buddhism) are now acceptable in a country that has opened its gates even to controversial American entries. To no one's surprise, "The King of Masks" has acquired top awards in festivals around the world, from Istanbul to Moscow to China itself. The film is in Mandarin with English subtitles.
Not Rated. Running Time: 101 minutes. (C) 1999 Harvey Karten
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{% extends "_post.html" %}
{% hyde
title: "Shooting Girl Jam"
snip: "I’m finally getting the kind of dancing photos I want."
created: 2008-04-29 18:31:16
flattr: true
%}
{% block article %}
This past weekend (April 25-28) was [Northeast Girl Jam][] in Rochester, New
York. Girl Jam is a swing dancing workshop weekend that focuses on classes for
the followers. It was a huge success; we had a lot of people attend and
everyone seemed to have a great time. The dances had a ton of energy and the
late night parties were wonderful (as always).
I took a bunch of photographs over the course of the weekend, mostly during
the performances and competitions. Once I posted them I got a bunch of
questions asking me how I did it, so I figured I'd write here about it in more
detail. I used different techniques each day so I'll go through them one by
one.
Friday
------
My goal for the first two nights was to get images with the dancers sharp
enough to recognize but with enough blur to convey the feeling of movement and
energy in the room. I started playing with this technique at the blues parties
in the past and I think I'm really starting to get the hang of it.
On Friday I only had one of my flashes with me, so I had to make some
tradeoffs. I bounced the flash from the ceiling to get more even lighting
(directional light from a bare flash is usually too harsh), but since the
ceilings in Tango Cafe are so high it took a lot of power. I wound up shooting
at ISO 1600 and 3200 for most of the night so that my flash could be on a
lower power setting and fire faster. Even at that ISO the noise isn't really
that bad since the photos are exposed well (thanks to the flash). This photo
was shot at ISO 3200 and I don't think the noise distracts from the image much
at all.
I was using a wide angle lens (18mm) so that I could get entire bodies into
the frame. One of the things I love about Lindy Hop is that it really uses the
entire body which this photo really shows off.  I set the aperture
to about f/4 and that gave me enough depth of field to get most things in
focus at 18mm. I set the shutter speed depending on the amount of ambient
light; it varied from 1/30 to 1/4 or so.
The trick that really made a difference in taking good photos is that once I
set the exposure I stopped looking at the camera entirely. I didn't review my
shots as I took them and I didn't even look through the viewfinder to compose.
Using a wide lens meant that I could just point the camera in the general
direction of the dancers and still get them. I took this photo at the late
night and the camera was held against my ribs as I did.
Why did I do that? I can perfectly compose an image but if the dancers aren't
doing something interesting it's going to be a boring photo. I've been dancing
long enough that I'm starting to be able to predict when something cool will
happen in a dance, but that only works if I'm paying complete attention to it.
Messing with the camera distracts me and I can only get the most obvious
moments. Ignoring the camera and watching the dancers means I can pick up more
subtle parts of the dance and capture those (as well as the obvious ones).
Saturday
--------
On Saturday I brought along two flashes to the dance and had Sergey hold one
while I held the other (thanks Sergey!). Two flashes means twice as much
light, which means I can shoot with recycle times twice as fast and have more
even light coverage.
Since I was able to shoot twice as many photos I was able to experiment with
getting up close. Using a wide angle lens let me get most of the dancers in
the frame when super close and allowed me to play around with really
interesting perspectives. This photo is one of my favorites from the weekend.
Getting really close to Nina means that the distance between her and Carl is
exaggerated and adds to the sense of tension. Once again, the flashes freeze
the dancers and the ambient light burns in a bit of blur to add some movement.
This photo was also shot at ISO 1600 but the noise is definitely not the main
focus of this picture. As long as you don't underexpose noise is usually not a
problem in these kind of photos.
Not only did I try getting up close, I also tried varying my angle more than I
usually do. I usually brace the camera against my ribs when taking these kinds
of photos for a few reasons:
* It's a safe height that will get the whole dancer in the frame.
* My ribs are vertical and so aligning the camera with them means that it's
not wildly tilted up or down and I don't accidentally get ceiling- or
floor-only photos.
* It keeps the camera close to my body where it's much less likely to be
whacked by a stray limb.
Getting lower and higher gives me different perspectives that can have really
nifty results. The problem is that it's much harder to know if the subject is
completely (or even mostly) in the frame when the camera is in an awkward
position. To get a photo like this I probably shot four or five at strange
angles that I deleted.
One other fun thing to notice: you can see Sergey holding the flash right to
the left of her hips. I probably could have cloned out the flare in Photoshop
but I don't think it really detracts from the image much at all.
Sunday
-------
On Sunday I shot at a few of the workshops since there wasn't a dance. A
workshop has a very different feeling than a dance and so I didn't want to try
the same approach as the other two nights. Instead of using flash and a wide
lens I switched to a fast normal lens (my 50mm f/1.4). The light coming
through the windows was bright enough that I was able to shoot at around 1/60
at f/2 or f/2.8 and ISO 800 or 1600.
Once again the noise isn't much of a problem because the photos are exposed
well as this picture shows. The shutter speed is just slow enough to get some
blur at the ends of the limbs but not enough to lose all detail.
Since I was using a normal lens instead of a wide angle I had to mostly
abandon the idea of getting big group photos and instead try to capture
individual people as they learned. Using a wide aperture let me isolate the
people from the sea of arms and legs in the backgrounds and gave the images a
soft quality that helps reflect the feeling of the afternoon.
I really like the soft-yet-directional light that came from the big stained
glass windows combined with the overhead lights. Lately I've been using flash
a lot in my photography and it was fun to get back to using natural light. I'm
going to try to practice with it more in the near future.
Overall
-------
Northeast Girl Jam was awesome. I had a great time dancing and photographing
and got to see a lot of old friends (and meet new ones). If you're sad you
missed it there's another event in Rochester next month: [Stompology][]. It's
a weekend of solo jazz and Charleston workshops and awesome swing dances.
If you'd like to see the rest of the photos I took this weekend I posted them
on [Flickr][]. Feel free to comment there or find me on [Twitter][twsl];
advice/questions/comments are always appreciated!
[Flickr]: http://flickr.com/photos/sjl7678/collections/72157604785390431/
[Stompology]: http://stompology.com/
[Northeast Girl Jam]: http://jojojackson.com/NEGJ/Home.html
[twsl]: {{links.twsl}}
{% endblock %}


| (IN) INDIA |
| Subdivision | 28 states (en) / État (fr); 7 Union territories (en) / territoire de l’Union (fr) |
| List Source | The Statesman's Yearbook 2002; http://www.statoids.com/uin.html; http://www.geonames.de/couin.html |
| Code Source | EUROPLATE + ISO 3166/MA (*) |
| Remark | the forms used in the list are English-language forms provided by India |
| Country | Subdivision | Name | Level |
| IN | AN | Andaman and Nicobar Islands | Union territory |
| IN | AP | Andhra Pradesh | State |
| IN | AR | Arunachal Pradesh | State |
| IN | AS | Assam | State |
| IN | BR | Bihar | State |
| IN | CH | Chandigarh | Union territory |
| IN | CT | Chhattisgarh | State |
| IN | DD | Daman and Diu | Union territory |
| IN | DL | Delhi | Union territory |
| IN | DN | Dadra and Nagar Haveli | Union territory |
| IN | GA | Goa | State |
| IN | GJ | Gujarat | State |
| IN | HP | Himachal Pradesh | State |
| IN | HR | Haryana | State |
| IN | JH | Jharkhand | State |
| IN | JK | Jammu and Kashmir | State |
| IN | KA | Karnataka | State |
| IN | KL | Kerala | State |
| IN | LD | Lakshadweep | Union territory |
| IN | MH | Maharashtra | State |
| IN | ML | Meghalaya | State |
| IN | MN | Manipur | State |
| IN | MP | Madhya Pradesh | State |
| IN | MZ | Mizoram | State |
| IN | NL | Nagaland | State |
| IN | OR | Orissa | State |
| IN | PB | Punjab | State |
| IN | PY | Pondicherry | Union territory |
| IN | RJ | Rajasthan | State |
| IN | SK | Sikkim | State |
| IN | TN | Tamil Nadu | State |
| IN | TR | Tripura | State |
| IN | UP | Uttar Pradesh | State |
| IN | WB | West Bengal | State |
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The Shiba Inu is the smallest of the six original and distinct spitz breeds of dog from Japan. A small...
The Shiba Inu is the smallest of the six original and distinct spitz breeds of dog from Japan. A small...
The Shiba Inu is the smallest of the six original and distinct spitz breeds of dog from Japan. A small...


emulate key
hover to trigger
(click would change focus)
shift
tab
shift-tab
backspace
delete
up
left
right
down
"a"
"b"
"c"
"Leeroy"
"Jenkins"
lorem ipsum
demo form
first input
second input
textarea
second input
hidden input
input that prevents default
button
emulate tab
event log


TREASURE OF THE SIERRA MADRE, THE (director/writer: John Huston; screenwriters: Robert Rossen/from story by Berwick Traven Torsvan; cinematographer: Ted D. McCord; editor: Owen Marks; cast: Humphrey Bogart (Fred C. Dobbs), Walter Huston (Howard), Tim Holt (Curtin), Bruce Bennett (Cody), Barton MacLane (McCormick), Alfonso Bedoya (Gold Hat), John Huston (White Suit), Robert Blake (Mexican kid selling lottery tickets); Runtime: 126; Warner Brothers; 1948)
Reviewed by Dennis Schwartz
A classic adventure tale about greed set in the Mexican wilderness. A good story is infused with too much symbolic pretentiousness, yet the overall effect is absorbing. The film won an Academy Award for Best Screenplay and Director for John Huston, while his father Walter Huston won for Best Supporting Actor. It was nominated for Best Film, but lost to Hamlet.
Fred C. Dobbs (Humphrey Bogart) is a disheveled drifter, down and out in Tampico, Mexico, where he spends his last few pesos on a lottery ticket. Curtin (Tim Holt) is another drifter who teams up with Dobbs after the two get cheated out of their wages by their hustler boss (MacLane), who ditches them after the job and the two get paid only after they find him in town and work him over. While staying in a flophouse shelter they hear Howard (Walter Huston), a toothless old buzzard, tempt them with stories about prospecting for gold. When Dobbs wins the lottery the three pool their money together for supplies and become partners, heading for the isolated hills of Mexico to look for gold.
Following Howard's knowledge in prospecting, they find gold but are warned by Howard that gold can change a man's soul. The three characters are archetypes: Dobbs is the bad one, suffering from paranoia. Howard is the wise old man. Curtin is the level-headed innocent.
The men have trouble adjusting to their new wealth, as Dobbs becomes unnecessarily leery of the others and insists they split their share now before they reach the town of Durango.
When Curtin goes to town for supplies, he will meet an American in town he couldn't shake, who follows him back to the campsite. The nervy stranger, Cody (Bennett), wants to be cut in as a full partner in their prospecting and refuses to leave. The men decide they have three choices: 1-Cut him in as a partner. 2- Kick him out and let him go back to town; or, 3- Kill him. They decide on the last choice, but before they could plug him, they are approached by bandits who intend to rob them, led by the notorious train robber Gold Hat (Alfonso Bedoya). In the shootout, Cody gets killed but the bandits flee.
Heading to Durango to cash in their gold dust, some Indians come to their campsite and request that one of them help save a young boy's life. Howard succeeds and is honored by the Indian community, as the two other partners go ahead to meet him in town. But in leaving the two alone without Howard's wisdom, Dobbs becomes increasingly more mentally unstable and his greed takes hold of him, which results in tragedy.
The film plays as a morality story, showing that the deadliest dangers to man are in his soul and not from the external dangers. This black and white film is very well acted, especially by Bogie and Walter Huston, but is not as gripping and intriguing as John Huston's masterpiece -- "The Maltese Falcon."
REVIEWED ON 3/23/2001 GRADE: B
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Thai Supreme Court affirms death sentence for Spaniard
by The Associated PressBANGKOK (AP) — Thailand’s Supreme Court on Wednesday upheld the death sentence given a Spanish man convicted of murdering a compatriot and dismembering his body in 2016.
Artur Segarra Princep had been convicted of killing David Bernat to steal his money. He had pleaded innocent.
Police believe Segarra held Bernat against his will and tortured him to force him to transfer money to his bank account, then killed him and chopped up his body to try to conceal the crime. He was also convicted of concealing a corpse and several other offenses.
The victim’s body parts were found in Bangkok’s Chao Phraya River and traces of the victim’s bloodstains and DNA were found in Segarra’s Bangkok apartment.
During the investigation, police said they found a freezer in Segarra’s home that was believed to have been used to store the body, as well as a book with instructions on how to dismember bodies. Medical examiners said they believed Bernat died from suffocation.
Segarra escaped to Cambodia but was sent back to Thailand to face trial and was convicted in 2017, receiving a death sentence that was upheld by an appeals court in 2018.
Executions are rarely carried out in Thailand and Segarra can apply for a royal pardon or to serve part of his sentence in Spain.
The Associated Press


Shifts a set of partials up or down, wrapping partials beyond a certain boundary to the other side. This creates a barber-pole effect.
- Input
- The input partials source.
- Rotate
- Degree of rotation from 0.0 to 1.0 (a full period).
- Upper
- The upper boundary: the highest frequency. If t
he upper boundary is less than the lower boundary,
the two are swapped.
- Lower
- The lower boundary: the lowest frequency. If the upper boundary is less than the lower boundary, the two are swapped.
- Thin
- Thins out partials from the source.
- Stretch
- Stretches the frequencies of the partials prior to rotation.
- Window
- Windows the amplitudes of the partials prior to rotation.
- Center
- Place the peak of the stretching in the center (and symmetric) as opposed to the lower boundary.
- Solo
- Mute all partials outside the boundaries.


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class: left, bottom, inverse, title-slide # Introduction to
Paulo Freire’s Critical Pedagogy ### Group 10: Yang SHEN; Li ZHANG; Yaaqing WANG ### Sep. 18, 2018 --- # Hello World! You can access our slides and handouts by... 1. Scanning the QR code below, or, ![QRCode](.\Pictures\QR.png) 2. Visiting my GitHub Page directly: **AliceAmamiya.github.io/EDUC7101** Since the slide are written in RMarkdown (.rmd file), it can be either viewed online in my GitHub Pages or downloaded and opened with any text editor. Slides were rendered using a graceful R package, [Xaringan](https://github.com/yihui/xaringan). --- class: center, middle # Don‘t worry! ### The language of our sileds, even the whole presentation, will be, ### mainly in Chinese / Mandarin. --- # Contents


The {@link net.jini.url.https.HttpsIntegrityVerifier} class defines an integrity verifier for HTTPS URLs. This class is intended to be specified in a resource to configure the operation of {@link net.jini.security.Security#verifyCodebaseIntegrity Security.verifyCodebaseIntegrity}. @since 2.0 @version 1.0


It's our website
1.9s
0-60 mph
+250mph
Top Speed
620mi
Mile Range
| Base specs | |
|---|---|
| Acceleration 0-60 mph | 1.9 sec |
| Acceleration 0-60 mph | 1.9 sec |
| Acceleration 0-60 mph | 1.9 sec |
| Acceleration 0-60 mph | 1.9 sec |
| Acceleration 0-60 mph | 1.9 sec |
As an all-electric supercar,Roadster maximizes the potential of aerodynamic engineering-with record-setting performance and efficiency.
A lightweight,removable Glass Roof stores in the trunk for an open-air,convertible driving experience.


GONE IN 60 SECONDS A film review by Christopher Null Copyright 2000 filmcritic.com filmcritic.com
You are Nicolas Cage. After clawing your way through B-movies to an Academy Award for Leaving Las Vegas, what do you do? You take part after part in a progressively worsening slate of action films (pausing only for the even worse melodrama City of Angels), bottoming out with Snake Eyes and 8MM. Your action career is at an obvious end. So do you go back to the drama you can pull off so well?
No! You take a role in Gone in 60 Seconds, and try to extend your movie muscle even further! Here's a movie that's pure, unabashed Hollywood: Randall "Memphis" Raines (Cage), in order to convince a mean criminal to spare the life of his brother (Giovanni Ribisi), must BLOW UP 50 cars in the next 72 hours!
Er, wait a sec. Steal. STEAL 50 cars. You see, Memphis is The Best of The Best of L.A. car thieves. Retired, of course, but a fabulous car thief. Naturally, kid brother follows in Memphis's footsteps but gets himself into trouble, so Memphis has to come out of retirement to save his butt.  (See also: Armageddon.)
The only part of 60 Seconds less believable than Ribisi and Cage being related is Cage and nubile vixen Angelina Jolie being former lovers. In the film, Jolie plays the hiply-named "Sway", a likewise retired car "boost" whose blonde dreadlocks make her both a blaring "Look at Me!" siren during night jobs as well as a fire hazard.
Naturally, I expect Gone in 60 Seconds to appeal to audiences for the one (and only) reason it appealed to me: Because there are lots and lots of car chases with lots and lots of cool cars. Naturally, Memphis and crew are not stealing 50 Hyundais. They're stealing Hummers, Ferraris, Porsches, Aston Martins, Corvettes, T-Birds, and a mythical 1967 Shelby Mustang GT 500 that becomes Memphis's Moby Dick.
The cars are spun out, jumped, peeled out, jumped some more, and accelerated to ungodly speeds. Surprisingly, director Dominic Sena (credited mostly with commercials) pulls this off with a remarkably low body count, which is admirable.
 Not to mention, you'll be surprised how hard it is not to challenge the chump in the car next to you to a little drag race on the ride home.
RATING: **1/2
|------------------------------| \ ***** Perfection \ \ **** Good, memorable film \ \ *** Average, hits and misses \ \ ** Sub-par on many levels \ \ * Unquestionably awful \ |------------------------------|
MPAA Rating: PG-13
Director: Dominic Sena Producer: Jerry Bruckheimer, Mike Stenson Writer: Scott Michael Rosenberg Starring: Nicolas Cage, Angelina Jolie, Giovanni Ribisi, Robert Duvall, Delroy Lindo, Will Patton, Chi McBride, Scott Caan, James Duval, Christopher Eccleston, Trevor Goddard, Vinnie Jones, Timothy Olyphant, William Lee Scott
http://studio.go.com/movies/goneinsixty/index_flash.html
">http://www.amazon.com/exec/obidos/redirect?tag=filmcriticcom&path=subst/video/sellers/amazon-top-100-dvd.html"> Movie Fiends: Check out Amazon.com's Top 100 Hot DVDs!
To unsubscribe from filmcritic.com's Breaking Reviews mailing list, reply to this e-mail with UNSUBSCRIBE as the subject. E-mail address changes via reply with both old and new addresses.
The review above was posted to the
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Writing at Work has provided training programs and writing services to
these companies, associations, and government agencies.
|
Architecture |
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Government |
| |
Bernhein, Khan & Elisco |
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Federal Aviation Administration |
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Booth-Hansen Associates, Architects |
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Highland Park, Il, Dept. of Public Works |
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Aviation & Transportation |
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Pinellas County, FL, Unified Personnel |
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Federal Aviation Administration |
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U.S. Department of Labor |
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Landrum & Brown |
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Bureau of Labor Statistics |
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Metro Transportation Group |
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U.S. Railroad Retirement Board |
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O'Hare Associates |
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Manufacturing and |
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Regional Transportation Authority (IL) |
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Consumer Products |
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Unison Consulting Group |
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Dearborn Valve & Fittings |
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Banking and Finance |
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Frontline Communications |
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ABN AMRO |
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Jim Beam Brands |
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The Balcor Company |
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L'Oreal |
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Moore Business Forms |
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LaSalle National Bank |
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The Quaker Oats Company |
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Manufacturers Bank |
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TDK Corporation |
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RREEF |
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Unilever USA |
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U.S. Department of Labor |
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Pharmaceuticals & |
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Computer Technology and |
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Medical Care |
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Telecommunications |
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Adult Care Management Corporation |
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ASAP Software |
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American Pharmaceutical Partners |
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Charles Schwab IT Center |
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Boots Pharmaceuticals |
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Follett Systems Group |
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Fujisawa, U.S.A. |
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Hyperion Software |
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MMI Companies |
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Information Resources, Inc. |
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Option Care |
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SPSS |
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Solopak Pharmaceuticals |
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Tellabs |
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Professional Associations |
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Veritel Corporation |
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American College of Surgeons |
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Educational & Training |
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Audit Bureau of Circulations |
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Cardean University |
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Florida Association of Occupational |
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Houghton Mifflin Publishers |
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Licensing Officials, Inc. |
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Loyola University of Chicago:
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International Association of |
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Graduate School of Business
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Personnel Women |
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Northern Illinois Business Association |
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National Association of Realtors® |
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The Management Institute |
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Northwest Suburban Institute |
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St. Petersburg College |
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of Management |
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Support Center of Chicago |
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Women in Packaging |
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Engineering |
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Research and Development |
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Aero Aire Corporation |
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Alltech Associates |
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American Society of Civil Engineers |
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Dexter Corporation |
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Burke Engineering |
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Gas Technology Institute |
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CTE Engineers, Inc. |
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Quaker Oats Gatorade Division |
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Dickerson Engineering, Inc. |
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Sypris Electronics |
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Dueblin Company |
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Retail |
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Edwards & Kelcey |
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The Bradford Exchange |
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Highland Park Public Works Department |
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Interior Design |
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HNTB |
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Quill Corporation |
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Honeywell |
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Sears, Roebuck & Co. |
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Illinois Association of |
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Metro Transportation Group |
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Metropolitan Water Reclamation District
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of Greater Chicago
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Oates Associates |
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Society of Women Engineers |
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 My religious family's and my need for mental-health care clashed and this was detrimental to my healing process. "Too many people suffer in silence, alienated by society's taboos, and are left to experience and search for healing with no guidelines or help."
-thor
Survivor
I had always enjoyed spending time with my uncle, and would often look forward to sleepovers when we could have extended time together. On one of these occasions when I was 14, our normal activities turned abusive. I was confused by my uncle’s actions; nothing like this had happened before. It wasn’t easy to recover from the abuse, but I found that talking about what happened to a supportive network of friends and family could help me heal.
-captain
Survivor
My stepfather used to babysit me after school until my mother returned from work. It was on one of these afternoons, when I was just eight years old, that he first exposed himself to me. Over the next six years, the abuse escalated, and home became an unsafe environment.
-hulk
Survivor
When I was 14 years old, I was abducted, beaten and raped by a stranger in the woods in my hometown. I reported the assault to the police, and the perpetrator was arrested. I testified in front of a grand jury and the perpetrator was indicted—but the the man responsible never stood trial. Before the trial date, the perpetrator was beaten to death by unknown assailants. “The real healing was achieved when I started to sincerely believe I’m not responsible for what happened to me.”
-antman


Note
Archon depends on Web3 1.0. This version of web3
is still in Beta so usage may change unexpectedly and/or bugs may arise until a stable version of Web3 1.0 is released.
archon.arbitrator¶
This package provides the functionality to interact with Arbitrator contracts.
An Arbitrator
contract makes rulings on disputes.
Tip
See ERC 792. for more information on Arbitrator
contracts.
DisputeStatus¶
The dispute status enum used to map a DisputeStatus
int to plain text status.
The enum is defined in the Arbitrator
contract as follows:
enum DisputeStatus {Waiting, Appealable, Solved}
Example¶
archon.arbitrator.DisputeStatus[1]
> 'Appealable'
getArbitrationCost()¶
archon.arbitrator.getArbitrationCost(contractAddress, extraData='0x0');
Get the arbitration cost based from extraData
.
Note
The format of extraData will depend on the implementation of the Arbitrator.
Parameters¶
contractAddress
-String
: The address of the arbitrator contract.extraData
-String
: Hex string representing some bytes used by arbitrator for customization of dispute resolution.
Returns¶
Promise.<String>
- Promise resolves to the cost of arbitration (in WEI)
Example¶
archon.arbitrator.getArbitrationCost(
'0x211f01e59b425253c0a0e9a7bf612605b42ce82c'
).then(data => {
console.log(data)
})
> "150000000000000000"
getAppealCost()¶
archon.arbitrator.getAppealCost(contractAddress, disputeID, extraData='0x0');
Get the cost of an appeal for a specific dispute base on extraData
.
Note
The format of extraData will depend on the implementation of the Arbitrator.
Parameters¶
contractAddress
-String
: The address of the arbitrator contract.disputeID
-Number
: The unique identifier of the dispute.extraData
-String
: Hex string representing some bytes used by arbitrator for customization of dispute resolution.
Returns¶
Promise.<String>
- Promise resolves to the cost of appeal (in WEI)
Example¶
archon.arbitrator.getAppealCost(
'0x211f01e59b425253c0a0e9a7bf612605b42ce82c'
).then(data => {
console.log(data)
})
> "150000000000000000"
getCurrentRuling()¶
archon.arbitrator.getCurrentRuling(contractAddress, disputeID);
Get the current ruling of a dispute.
Parameters¶
contractAddress
-String
: The address of the arbitrator contract.disputeID
-Number
: The unique identifier of the dispute.
Returns¶
Promise.<String>
- Promise resolves to the current ruling of the dispute.
Example¶
archon.arbitrator.getCurrentRuling(
'0x211f01e59b425253c0a0e9a7bf612605b42ce82c',
15
).then(data => {
console.log(data)
})
> "2"
getDisputeStatus()¶
archon.arbitrator.getDisputeStatus(contractAddress, disputeID);
Get the status of the dispute.
Tip
Use archon.arbitrator.DisputeStatus to get a plain text status.
Parameters¶
contractAddress
-String
: The address of the arbitrator contract.disputeID
-Number
: The unique identifier of the dispute.
Returns¶
Promise.<String>
- Promise resolves to the status of a dispute as a number string.
Example¶
archon.arbitrator.getDisputeStatus(
'0x211f01e59b425253c0a0e9a7bf612605b42ce82c',
15
).then(data => {
console.log(data)
})
> "0"
getDisputeCreation()¶
archon.arbitrator.getDisputeCreation(contractAddress, disputeID, options={})
Fetch the dispute creation event log and return data about the dispute creation.
Parameters¶
contractAddress
-String
: The address of the arbitrator contract.disputeID
-Number
: The unique identifier of the dispute.options
-Object
: Optional parameters.
The options parameter can include:
| Key | Type | Description |
|---|---|---|
| fromBlock | int | The block where we start searching for event logs. |
| toBlock | int | The block where we will stop searching for event logs. |
| filters | object | Additional filters for event logs. |
Returns¶
Promise.<Object>
- Promise resolves to an object with data from the dispute creation log.
{
createdAt: <Number>, // epoch timestamp in seconds
arbitrableContract: <String>,
blockNumber: <Number>,
transactionHash: <String>
}
Example¶
archon.arbitrator.getDisputeCreation(
'0x211f01e59b425253c0a0e9a7bf612605b42ce82c',
15
).then(data => {
console.log(data)
})
> {
createdAt:<PHONE_NUMBER>,
arbitrableContract: "0x91697c78d48e9c83b71727ddd41ccdc95bb2f012",
blockNumber: 6459000,
transactionHash: "0x340fdc6e32ef24eb14f9ccbd2ec614a8d0c7121e8d53f574529008f468481990"
}
getAppealDecision()¶
archon.arbitrator.getAppealDecision(contractAddress, disputeID, appealNumber, options={})
Fetch the appeal decision event log and return data about the appeal.
Parameters¶
contractAddress
-String
: The address of the arbitrator contract.disputeID
-Number
: The unique identifier of the dispute.appealNumber
-Number
: The appeal number. Must be >= 1options
-Object
: Optional parameters.
The options parameter can include:
| Key | Type | Description |
|---|---|---|
| fromBlock | int | The block where we start searching for event logs. |
| toBlock | int | The block where we will stop searching for event logs. |
| filters | object | Additional filters for event logs. |
Returns¶
Promise.<Object>
- Promise resolves to an object with data from the appeal decision log.
{
appealedAt: <Number>, // epoch timestamp in seconds
arbitrableContract: <String>,
blockNumber: <Number>,
transactionHash: <String>
}
Example¶
archon.arbitrator.getAppealDecision(
'0x211f01e59b425253c0a0e9a7bf612605b42ce82c',
15,
1
).then(data => {
console.log(data)
})
> {
appealedAt:<PHONE_NUMBER>,
arbitrableContract: "0x91697c78d48e9c83b71727ddd41ccdc95bb2f012",
blockNumber: 6459276,
transactionHash: "0x340fdc6e32ef24eb14f9ccbd2ec614a8d0c7121e8d53f574529008f468481990"
}


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Hello, I am having trouble with setting up a program to output the data values along a binary tree below a starting at a user defined point on the tree.
The tree has the root at 5 and the tree is the numbers 2-8.
If I want to start at 5, it will print everything but 5.
6 should output 7 and 8.
4 should output 3 and 2. etc.
I would think that some modification of an Inorder output would be the correct choice, but if it is I am unsure of the way to modify it.
#include<iostream>
//tree should look like:
// 5
// / \
// 4 6
// / \
// 3 7
// / \
// 2 8
usingnamespace std;
struct Node{
int data;
Node *left;
Node *right;
Node *parent;
};
void Inorder(Node *root) {
if (root == NULL) return;
Inorder(root->left); //Visit left subtree
cout << root->data << " ";//Print data
Inorder(root->right); // Visit right subtree
}
Node* GetNewNode(int data){
Node* newNode = new Node();
newNode->data = data;
newNode->left = newNode->right = NULL; //create empty branches
return newNode;
}
Node* insert(Node* root, int data){
if (root == NULL) { //runs when tree is empty
root = GetNewNode(data);
}
elseif (data <= root->data){//will run when the next point has a lower value than the last
root->left = insert(root->left, data);
}
else{//will run when the next point has a higher value than the last
root->right = insert(root->right, data);
}
return root;
}
int main(){
int id;
Node* root = NULL;
root = insert(root, 5); //root node of the tree
for (int x = 4; x > 1; x--){
root = insert(root, x);
}
for (int x = 6; x < 9; x++){
root = insert(root, x);
}
cout << "Enter the value: ";
cin >> id;
Inorder(root); //I'm not sure how to implement the id into this.
return 0;
}
This code allows me to print out the values in order, but how can I edit the Inorder function (or some other function) to print out everything staring from the point given by id in the tree? I have a feeling the solution is simple but I cannot put my finger on it.
(If the question is not clear enough ask what you need to know)
Thank you. That is about half the problem solved, but I am still unsure of the way to start looking through the tree from a user defined point.
How would I change the node that I pass into allBut, so I can print parts of the tree instead of the whole thing? (Pass the node for 3 into allBut to get 2, but how do I select node 3?)


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The modern subject of topology studies space in a different way than geometry does. The geometric concepts of straightness, distance, and angle are excluded from topology, but the concept of boundary is central to topology. In topology, a sphere remains a sphere even when it’s squeezed or stretched.
Not everything has a boundary. For instance, the circumference of a circle has no boundary. Also a spherical surface has no boundary. In topology, a finite region with no boundary is called a cycle. Circles and spherical surfaces are cycles. In general, if something is a boundary, it has no boundary itself. So boundaries are cycles. But not all cycles are boundaries.
Topology uses cycles and boundaries to distinguish various spaces. For instance, on a spherical surface, every circle is the boundary of a region on that surface. But on a toroidal surface (rotate a circle around a line in the plane of the circle that doesn’t meet the circle), there are circles (for instance, that circle mentioned parenthetically) that don’t bound any region on the surface. Thus, spherical surfaces are topologically different from toroidal surfaces.
Other figures may be considered if other ambient spaces are allowed, although Euclid only uses plane and solid figures. For a one-dimensional example, a line segment with its endpoints as its boundary could be considered to be a figure in an infinite line. Also, a hemisphere could be considered to be a figure on the surface of a sphere with the equator as its boundary.
Nowhere in the Elements does a nonconnected figure occur. It’s apparent that figures are supposed to be connected.
For an example of a nonconnected figure, consider the following. Given a circle and a line that doesn’t intersect that plane, when that circle is rotated around the line in space, a solid results called a torus. The intersection of that torus with the original plane is the figure that consists of the original circle and another on the other side of the line. Considered as a single figure it is disconnected. It would be called two figures in the Elements.
Nonsimply-connected figures are those with holes in them. An example of such a figure is an annulus, also called a ring, which is the figure between two concentric circles. See proposition XII.16 for an illustration. There’s no indication that Euclid considered nonsimply-connected figures.
Nowhere in the Elements does a nonconvex figure explicitly occur. A pentagram is a five-pointed star. See the Guide to proposition IV.11 for an illustration. To study nonconvex polygons, Euclid would have had to admit angles greater than 180°, which he didn’t.


We have now divided you and the rest of the participants into two groups based on your
expressed preferences over the two artists, Klee and Kandinsky, whose paintings you
saw.
Relative to the others, you have a preference for paintings by {{ group }}. Therefore, you have been assigned to the {{ group }} group.
The two groups will remain the same for the rest of the experiment.
The number of individuals in your own group is {{ group_players }}.
Now, we will allow you to interact with your group members to solve a task. How well you do
will depend on your group’s ability to cooperate effectively.
{% include Constants.submit_button_template %}
{% endblock %}


Http Codes elements styled with Bulma - source code
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As well as funds, willing VC-s, client-centered approach, basic UX skills, proper level of nutrients, girlfriends and most of our dignity.
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As well as funds, willing VC-s, client-centered approach, basic UX skills, proper level of nutrients, girlfriends and most of our dignity.


Screen Name
Parameter
Description
Compensated Rout
pp_use_compensated_rout
Yes - enables measurement to internal cutout of compensated rout feature. No - measures to skeleton.


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