STUDY INFORMATION AND CONSENT to RESEARCH
TITLE: Share the Journey Mind, Body and Wellness after breast cancer (breast cancer Survivor Study)
PROTOCOL NO.:201411020
WIRB® Protocol #20142174
SPONSOR: Institution
INVESTIGATOR:
Stephen H. Friend, MD, PhD
1100 Fairview Ave. North
Seattle, Washington 98109-4433
United States
STUDY-RELATED PHONE NUMBER(S):
Stephen H. Friend, MD, PhD (Principal Investigator)
Andrew Trister, MD, PhD (Medical Monitor)
+1-206-667-2103
SUMMARY
You are invited to participate in a research study to understand variations in symptoms during recovery from breast cancer treatment. This study is designed for women between 18 and 80 years old with a history of breast cancer treatment and women without any history of cancer. Your participation in this study is entirely voluntary.
To be in a research study you must give your informed consent. The purpose of this form is to help you decide if you want to participate in this study. Please read the information carefully. You should not join the research study until all of your questions are answered.
If you decide to take part in this research study, you will be given a copy of this signed and dated consent form. If you decide to participate, you are free to withdraw your consent, and to discontinue participation at any time.
Participating in a research study is not the same as receiving medical care. The decision to join or not join the research study will not affect your medical benefits.
PURPOSE OF THE STUDY
Women recovering from breast cancer treatment can have very different and more or less severe symptoms day to day. These symptoms affect quality of life and make managing recovery difficult. We would like to understand the causes of these symptom variations.
New technologies allow people to record and track their health and symptoms in real time.
This study will monitor individual’s health and symptoms using questionnaires and sensors via a mobile phone application. The data from many participants will be analyzed to better understand the differences in symptoms reported. We will also assess whether mobile devices and sensors can help better measure and manage these symptoms. You will have a unique account that you can use to review your own data and see how it fluctuates over time. Ultimately our goal is to learn with you how to improve quality of life after breast cancer treatment.
Your data, without your name, will be added to the data of other study participants and analyzed by the study team. Also, if you choose to, your study data (without your contact information) can be made available to other qualified researchers for this and future research. You will have a unique account that you can use to review your own data.
How long will I be in the research study?
We anticipate this study will last about six months, however the app can remain on your phone for multiple years, and you can keep using it to track your symptoms and review your data.
How many people will take part in this study?
We anticipate enrolling 20,000 subjects in the study.
PROCEDURES
What will you be asked to do?
If you decide to join the study you will need to download the free study application on your mobile device, register an account and confirm your agreement to participate in this study. Then, periodically we will ask you to answer questions and/or perform activities on your mobile phone. Your study data will include your responses to surveys and activities and some measurements from the phone itself about how you are moving and interacting with others.
We will send notices on your phone asking you to complete these activities and surveys. You may choose to act at your convenience, (either then or later) and you may choose to participate in all or only in some parts of the study. These surveys and activities should take you about 20 minutes each week. You can adjust the app settings to turn on and off sending data at any time. Occasionally we may re-contact you to ask for your feedback about using the app and about the kind of questions included in the study.
What we will and will not do with the data?
RISKS, DISCOMFORTS, AND INCONVENIENCES
There are risks, discomforts, and inconveniences associated with any research study. These risks, while very low, deserve careful thought and should still be contemplated prior to enrolling.
POTENTIAL BENEFITS
The goal of this study is to create knowledge that can benefit us as a society. The benefits are primarily the creation of insights to help current and future patients and their families to better detect, understand and manage their health. We will return the insights learned from analysis of the study data through the study website, blogs and/or research publications, but these insights may not be of direct benefit to you. We cannot, and thus we do not, guarantee or promise that you will personally receive any direct benefits from this study. However you will be able to track your health and export your data at will to share with your medical doctor and anyone you choose.
PAYMENT
You will not be paid for being in this study.
COSTS
There is no cost to you to participate in this study other than to your mobile data plan if applicable.
ALTERNATIVES
Since no medical treatments are provided during this study there are no alternative therapies. The only alternative is to not participate.
AUTHORIZATION TO USE AND DISCLOSE INFORMATION FOR RESEARCH PURPOSES
Because information about you and your health is personal and private, it generally cannot be used in a research study without your written authorization. If you sign this consent form, you will provide that authorization. You do not have to sign this form. But if you do not, you will not be able to participate in this research study.
What personal information will be used or disclosed? The information that may be used or disclosed in connection with this research study include your body height, weight, gender, age, ethnicity/race, health history, answers to study questions, and health information that may be discernible from your mobile phone’s sensors. Your account information, study data and signed consent form may also be looked at and/or copied by designated personnel for regulatory and quality assurance.
Who may use and disclose my data? The study sponsor, investigators and study staff may use and disclose your data to do the research described above or as required by law (e.g. to see if the research was done right and/or to prevent possible injury to yourself or others).
Who May Receive or Use the Information? The parties listed in the preceding paragraph may disclose your health information as required by law to:
When will my authorization expire? Your authorization for the use and/or disclosure of your health information will expire December 31, 2060.
If you choose to withdraw from the research study, we will stop collecting your study data. At the end of the study period we will stop collecting your data, even if the application remains on your phone and you keep using it. If you were interested in joining another study afterward, we would ask you to complete another consent, like this one, explaining the risks and benefits of the new study.
CONFIDENTIALITY
We are committed to protect your information and keep your identity as confidential as possible, however total confidentiality cannot be guaranteed.
Except as required by law, you will not be identified by name or by any other direct personal identifier. The data collected through the app will be encrypted on the smartphone, transferred electronically and stored securely on the Synapse data repository and analysis platform using Amazon-Web Cloud Services.
Your contact information, including your name and e-mail address will be stored separately from the study data. We will use a random code number instead of your name on all your study data.. This code cannot be used to directly identify you. Information about the code will be kept in a secure system.
COMPENSATION FOR INJURY
THIS STUDY DOES NOT PROVIDE ANY COMPENSATION, HEALTH OR MEDICAL CARE TO PARTICIPANTS.
If you are injured as a direct result of your participation in this study, the Principal Investigator or the medical monitor and the research study staff will assist you in obtaining appropriate medical treatment. Your medical insurance, managed care plan, or other benefits program will be billed for this treatment. You will be responsible for any associated co-payments or deductibles as required by your insurance.
If costs of care related to such an injury are not covered by your medical insurance, managed care plan or other benefits program, you may be responsible for these costs. The sponsor will not routinely pay charges that your insurance does not cover. No payment is routinely available from the study sponsor.
VOLUNTARY PARTICIPATION AND WITHDRAWAL
Your participation in this study is voluntary. You do not have to sign this consent form. But if you do not, you will not be able to participate in this research study.
To withdraw from this study please contact the Study Principal Investigator Dr. Stephen Friend, by email<EMAIL_ADDRESS>or call 1-206-667-2103.
Although you can withdraw from the study at any time, you cannot withdraw the coded study data that have already been distributed. If you withdraw from the study, we will stop collecting new data, but the coded study data that you have already provided, and that have already been distributed will not be able to be destroyed or deleted.
The Study Principal Investigator or the sponsor may also withdraw you from the study without your consent at any time for any reason, including if it is in your best interest, you do not consent to continue in the study after being told of changes in the research that may affect you, or if the study is cancelled.
USE OF DATA FOR FUTURE RESEARCH
This study gives you the option to share your coded study data more broadly, with other researchers worldwide for use in this research and beyond to benefit future research.
If you choose to share your data broadly,
your coded data (without your contact information) will be added to a shared study dataset on Synapse. This shared study dataset will be made available to qualified researchers who are registered users of Synapse and who have agreed to using the data in an ethical manner, to do no harm and not attempt to re-identify or re-contact you unless you have chosen to allow them to do so. No name or contact information will be included in this shared study dataset. Researchers will have access to the shared study data but will be unable to easily map any particular data to the identities of the participants. The Principal Investigator and Sponsor will have no oversight on the future use of the shared study data by other researchers
SOURCE OF FUNDING FOR THE STUDY
Institution designed this study in collaboration with advisors in breast cancer research. The study is sponsored by Institution with some funding from the Robert Wood Johnson Foundation (http://www.rwjf.org) and technical support from YMedia labs (http://www.ymedialabs.com/). Institution is a US-based non-profit research organization dedicated to the advancement of science through open research initiatives.
QUESTIONS and CONTACT INFORMATION
Please take all the time you need to review this study information and think about whether you would like to participate in this study. Do not hesitate to talk with family, friends and/or the study staff if you have any questions before you decide.
If after reading this document you would like more information, wish to provide us feedback or if you have new questions, concerns or complaints at any time before, during, or after the study, you can contact Dr. Stephen Friend, the study principal investigator or Dr. Andrew Trister, the medical monitor by email at<EMAIL_ADDRESS>or call 1-206-667-2103.
Independent Contact: This study was reviewed and approved by the Western Institutional Review Board (WIRB). If you are not satisfied with how this study is being conducted, if you have questions about your rights as a research participant or if you have questions, concerns, input, or complaints about the research, please contact the Western Institutional Review Board (WIRB) to speak to someone independent of the research team:
Western Institutional Review Board® (WIRB®)
1019 39th Avenue SE Suite 120
Puyallup, WA 98374-2115
Telephone: 1-800-562-4789 or<PHONE_NUMBER>
E-mail<EMAIL_ADDRESS>WIRB is a group of people who independently review research.
WIRB will not be able to answer some study-specific questions, such as questions about appointment times. However, you may contact WIRB if the research staff cannot be reached or if you wish to talk to someone other than the research staff.
Thank you for taking the time to read and consider this information.
CONSENT
I have read about this research study (or it has been read to me). All my questions about the study and my part in it have been answered. I freely consent to be in this research study and I authorize the use and disclosure of my unnamed, coded data in electronic database(s) for use in research as indicated in the data sharing setting through the app preferences.
By signing this consent form I have not given up any of my legal rights.
 A COPY OF THIS FORM WILL BE EMAILED TO YOU.


In the middle of the 19th century—a time of change, as Emperor Napoleon III rebuilt Paris and waged war—the Académie des Beaux-Arts dominated French art. The Académie was the preserver of traditional French painting standards of content and style. Historical subjects, religious themes, and portraits were valued; landscape and still life were not. The Académie preferred carefully finished images that looked realistic when examined closely. Paintings in this style were made up of precise brush strokes carefully blended to hide the artist's hand in the work. Colour was restrained and often toned down further by the application of a golden varnish.
The Académie had an annual, juried art show, the Salon de Paris, and artists whose work was displayed in the show won prizes, garnered commissions, and enhanced their prestige. The standards of the juries represented the values of the Académie, represented by the works of such artists as Jean-Léon Gérôme and Alexandre Cabanel.
Following a practice that had become increasingly popular by mid-century, they often ventured into the countryside together to paint in the open air, but not for the purpose of making sketches to be developed into carefully finished works in the studio, as was the usual custom. By painting in sunlight directly from nature, and making bold use of the vivid synthetic pigments that had become available since the beginning of the century, they began to develop a lighter and brighter manner of painting that extended further the Realism of Gustave Courbet and the Barbizon school. A favourite meeting place for the artists was the Café Guerbois on Avenue de Clichy in Paris, where the discussions were often led by Édouard Manet, whom the younger artists greatly admired. They were soon joined by Camille Pissarro, Paul Cézanne, and Armand Guillaumin.
The Academie art show at the Salon de Paris
In the early 1860s, four young painters—Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, and Frédéric Bazille—met while studying under the academic artist Charles Gleyre. They discovered that they shared an interest in painting landscape and contemporary life rather than historical or mythological scenes.
"The Luncheon on the Grass", Edouard Manet, 1863
During the 1860s, the Salon jury routinely rejected about half of the works submitted by Monet and his friends in favour of works by artists faithful to the approved style. In 1863, the Salon jury rejected Manet's The Luncheon on the Grass (Le déjeuner sur l'herbe) primarily because it depicted a nude woman with two clothed men at a picnic. While the Salon jury routinely accepted nudes in historical and allegorical paintings, they condemned Manet for placing a realistic nude in a contemporary setting. The jury's severely worded rejection of Manet's painting appalled his admirers, and the unusually large number of rejected works that year perturbed many French artists.
After Emperor Napoleon III saw the rejected works of 1863, he decreed that the public be allowed to judge the work themselves, and the Salon des Refusés (Salon of the Refused) was organized. While many viewers came only to laugh, the Salon des Refusés drew attention to the existence of a new tendency in art and attracted more visitors than the regular Salon.
Artists' petitions requesting a new Salon des Refusés in 1867, and again in 1872, were denied. In December 1873, Monet, Renoir, Pissarro, Sisley, Cézanne, Berthe Morisot, Edgar Degas and several other artists founded the Société Anonyme Coopérative des Artistes Peintres, Sculpteurs, Graveurs ("Cooperative and Anonymous Association of Painters, Sculptors, and Engravers") to exhibit their artworks independently. Members of the association were expected to forswear participation in the Salon. The organizers invited a number of other progressive artists to join them in their inaugural exhibition, including the older Eugène Boudin, whose example had first persuaded Monet to adopt plein air painting years before. Another painter who greatly influenced Monet and his friends, Johan Jongkind, declined to participate, as did Édouard Manet. In total, thirty artists participated in their first exhibition, held in April 1874 at the studio of the photographer Nadar.
The critical response was mixed. Monet and Cézanne received the harshest attacks. Critic and humorist Louis Leroy wrote a scathing review in the newspaper Le Charivari in which, making wordplay with the title of Claude Monet's Impression, Sunrise (Impression, soleil levant), he gave the artists the name by which they became known. Derisively titling his article The Exhibition of the Impressionists, Leroy declared that Monet's painting was at most, a sketch, and could hardly be termed a finished work.
He wrote, in the form of a dialog between viewers,
"Impression—I was certain of it. I was just telling myself that, since I was impressed, there had to be some impression in it ... and what freedom, what ease of workmanship! Wallpaper in its embryonic state is more finished than that seascape."
The term Impressionist quickly gained favour with the public. It was also accepted by the artists themselves, even though they were a diverse group in style and temperament, unified primarily by their spirit of independence and rebellion. They exhibited together—albeit with shifting membership—eight times between 1874 and 1886. The Impressionists' style, with its loose, spontaneous brushstrokes, would soon become synonymous with modern life.
Monet, Sisley, Morisot, and Pissarro may be considered the "purest" Impressionists, in their consistent pursuit of an art of spontaneity, sunlight, and colour. Degas rejected much of this, as he believed in the primacy of drawing over colour and belittled the practice of painting outdoors. Renoir turned away from Impressionism for a time during the 1880s, and never entirely regained his commitment to its ideas. Édouard Manet, although regarded by the Impressionists as their leader, never abandoned his liberal use of black as a colour (while Impressionists avoided its use and preferred to obtain darker colours by mixing), and never participated in the Impressionist exhibitions. He continued to submit his works to the Salon, where his painting Spanish Singer had won a 2nd class medal in 1861, and he urged the others to do likewise, arguing that "the Salon is the real field of battle" where a reputation could be made. Camille Pissarro, Boulevard Montmartre, 1897, the Hermitage, Saint Petersburg
Among the artists of the core group (minus Bazille, who had died in the Franco-Prussian War in 1870), defections occurred as Cézanne, followed later by Renoir, Sisley, and Monet, abstained from the group exhibitions so they could submit their works to the Salon. Disagreements arose from issues such as Guillaumin's membership in the group, championed by Pissarro and Cézanne against opposition from Monet and Degas, who thought him unworthy. Degas invited Mary Cassatt to display her work in the 1879 exhibition, but also insisted on the inclusion of Jean-François Raffaëlli, Ludovic Lepic, and other realists who did not represent Impressionist practices, causing Monet in 1880 to accuse the Impressionists of "opening doors to first-come daubers". The group divided over invitations to Paul Signac and Georges Seurat to exhibit with them in 1886. Pissarro was the only artist to show at all eight Impressionist exhibitions.
The individual artists achieved few financial rewards from the Impressionist exhibitions, but their art gradually won a degree of public acceptance and support. Their dealer, Durand-Ruel, played a major role in this as he kept their work before the public and arranged shows for them in London and New York. Although Sisley died in poverty in 1899, Renoir had a great Salon success in 1879. Monet became secure financially during the early 1880s and so did Pissarro by the early 1890s. By this time the methods of Impressionist painting, in a diluted form, had become commonplace in Salon art.


This shows the use of the LanguageFontGroup API to get fonts for multiple languages (Chinese, English and Japanese are used here) and then apply the font scale factor when setting the size of text so that the apparent sizes that the user sees are comparable.
In this particular example, the first language in each line is used as the base text. The rest of the line is scaled appropriately. When the scaling is applied, the characters in the alternate script will be adjusted so that their size more closely aligns with the base text. When reset, all text will be rendered at the nominal size (no scaling).
粻緀 壿嫷嬃 斔櫅檷 脀蚅蚡 溔, 笰笱 枅杺枙 莃荶衒 樧槧樈 Lorem ipsum dolor sit amet, ne iisque interpretaris sit.
粻緀 壿嫷嬃 斔櫅檷 脀蚅蚡 溔, 笰笱 枅杺枙 莃荶衒 樧槧樈 訧焨を餯ダ 拣饵廦え尤 栧穃榞しゃぴゃ 餯ダ ら横襩 ペ覧へ
Lorem ipsum dolor sit amet, ne iisque interpretaris sit. 粻緀 壿嫷嬃 斔櫅檷 脀蚅蚡 溔, 笰笱 枅杺枙 莃荶衒 樧槧樈
Ex sea maluisset urbanitas adolescens mucius ridens liberavisse has at. 訧焨を餯ダ 拣饵廦え尤 栧穃榞しゃぴゃ 餯ダ ら横襩 ペ覧へ
訧焨を餯ダ 拣饵廦え尤 栧穃榞しゃぴゃ 餯ダ ら横襩 ペ覧へ Lorem ipsum dolor sit amet, ne iisque interpretaris sit.
訧焨を餯ダ 拣饵廦え尤 栧穃榞しゃぴゃ 餯ダ ら横襩 ペ覧へ 粻緀 壿嫷嬃 斔櫅檷 脀蚅蚡 溔, 笰笱 枅杺枙 莃荶衒 樧槧樈


Machine learning can perform many tasks at super-human level. In one work, the researchers applied machine learning to recognise DISGUISED FACES and achieved human level performance. A very recent work suggests that AI can recognise human faces even when they are pixelated. Well then, why not apply the immense power of machine learning to remove cosmetics?
A dataset had been made for the machine to learn from. It was created by collecting faces without makeup then applying filters to virtually apply cosmetics on them (There are many apps for that purpose). After that, the job of the machine is to figure out how to do the reverse direction work. Currently, the dataset consists of 364 images. (This is a TINY dataset, I had to do all the work by myself!) In most of the images, smokey eye makeup style had been applied. Hence the current version of this DeMakeup is best trained to remove makeup in such style.
This work is powered by Keras and Keras.js.


Yet another non-blocking pop-up notification library for the web, strictly without jQuery.
{
title: "Notus",
message: "Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas!",
autoCloseDuration: 5000,
notusPosition: "top-left",
htmlString: true
}
or
There are ton of Notification widgets out there but they either depend on jQuery or they are too heavy to include in your already large project, Notus has no dependencies and is super-small to blend in your existing project. Honourable mentions; Notify.js & AlertifyJS
Notus is less than 4 KB (2 KB for JS & little over 1 KB for CSS) minified and gzipped.
Notus is fully customizable and supports several ways to show notifications (Popup, Toast & Snackbar) as well as custom styling using themeClass
config.
Notus provides basic Slide and Fade animations which are entirely CSS driven. It even allows custom easing function (with animationFunction
) and animation duration (with animationDuration
) in config.
Notus supports web browsers as well as Desktop platforms like Electron or NW.js. It also supports TypeScript Type Definitions starting v0.3.1.
Notus supports latest Chrome, Firefox, Safari & IE11+.


sentiment_scores_r.Rd
Calculate sentiment indicators from
TextBlob
and
vaderSentiment
.
sentiment_scores_r(x)
| x | Data frame. The text to run sentiment analysis on. |
|---|
Data frame. All indicators produced by TextBlob
(polarity and
subjectivity) and vaderSentiment
(positive, negative and neutral
sentiments, and compound score).
This function complements existing sentiment analysis packages in R
(e.g. tidytext
or quanteda.sentiment
) with the popular Python
sentiment analysis libraries TextBlob
and vaderSentiment
.
TextBlob
calculates two indicators, namely polarity and
subjectivity. The polarity score is a float within the range [-1, 1]
,
where -1 is for very negative sentiment, +1 is for very positive
sentiment, and 0 is for neutral sentiment. The subjectivity is a float
within the range [0, 1]
, where 0 is very objective and 1 is very
subjective.
vaderSentiment
assigns to the given text three sentiment proportions
(positive, negative and neutral) whose scores sum to 1. It also
calculates a compound score that is a float in [-1, 1]
, similar to
TextBlob
's polarity.
sentiments <- pxtextmineR::text_data %>% dplyr::select(feedback) %>% pxtextmineR::sentiment_scores_r() head(sentiments)#> text_blob_polarity text_blob_subjectivity vader_neg vader_neu vader_pos #> 1 0.00000 0.0000000 0.000 1.000 0.000 #> 2 -0.09375 0.4000000 0.265 0.735 0.000 #> 3 0.20000 0.2625000 0.000 1.000 0.000 #> 4 0.23125 0.4669643 0.199 0.625 0.176 #> 5 0.02500 0.3250000 0.029 0.913 0.058 #> 6 -0.27500 0.5750000 0.091 0.813 0.096 #> vader_compound #> 1 0.0000 #> 2 -0.2040 #> 3 0.0000 #> 4 0.0490 #> 5 0.3400 #> 6 0.2967#> text_blob_polarity text_blob_subjectivity vader_neg vader_neu vader_pos #> [1,] -1 0 0 0 0 #> [2,] 1 1 1 1 1 #> vader_compound #> [1,] -0.9916 #> [2,] 0.9971


Demo for talk on how Behaviour Driven Development (BDD) can be used to test multiple contexts for modern websites separated into single page applications and REST APIs
Monthly Historical information for 37 UK Meteorological Stations published by the Met office. Most go back to the early 1900s, but some go back as far as 1853.


Dear Softeq NetKit.Auth Admin,
The Service Bus event handler failed to process transaction. For more details see Softeq.NetKit.Auth.IntegrationEventLogs entry with EventId: {EventId}
Thank you, Softeq NetKit Team


Little Mix
-
Oops
[by:Paperweights] 作曲 : Charles Puth/Jacob Luttrell/Michael Caren 作词 : Charles Puth/Michael Caren/Leigh-Anne Pinnock/Ja... -
Woman Like Me
作曲 : Steve Mac/Ed Sheeran/Jess Glynne/Onika Maraj 作词 : Steve Mac/Ed Sheeran/Jess Glynne/Onika Maraj (Verse 1: Jesy) ... -
Only You
[by:hondoes] Dancing with your silhouette in the places that we were met Ooh, tryna find you in the moon Paris never fee... -
Power
[by:Kite逸风] 作曲 : James Abrahart/Camille Purcell/Dano Omelio 作词 : James Abrahart/Camille Purcell/Dano Omelio Hold up no...  -
Secret Love Song
[by:das_sound_machine] When you hold me in the street And you kiss me on the dancefloor I wish that it could be like tha... -
You Gotta Not
[by:工作婊] 作曲 : Johan Carlsson/Meghan Trainor/Ross Golan/Alexander Kronlund 作词 : Johan Carlsson/Meghan Trainor/Ross Gola... -
Shout Out to My Ex
[by:蠢梨Sherry] 作曲 : Jesy Nelson/Iain James/Camille Purcell/Leigh-Anne Pinnock/Perrie Edwards/Jade Thirlwall/Henrik Miche... -
Secret Love Song, Pt. II
[by:WilliamSwift13] We keep behind closed doors Every time I see you, I die a little more Stolen moments that we steal a... -
Little Me
She lives in the shadow of a lonely girl, Always so quiet you don't hear a word, Always talking but she can't be heard, ... -
Black Magic
All the girls on the block knocking at my door! Wanna know what it is make the boys want more! [Perrie:] Is your lover p... -
Reggaetón Lento (Remix)
Boy, I can see the way you dancing, move that body I know it's crazy, but I feel like you could be The one I've been ... -
Bounce Back
[by:Trap_Girl] 作曲 : Mikkel Eriksen/Tor Hermansen/Jocelyn Donald/Trevor Romeo/Steve M. Thornton II/Jude Demorest 作词 : M... -
Forget You Not
[by:KartTsui] 作曲 : Camille Purcell/Anya Jones/Henrik Michelsen/Edvard Førre Erfjord 作词 : Camille Purcell/Anya Jones/He... -
Think About Us
[by:Trap_Girl] 作曲 : Camille Purcell/Linus Nordstrom/Frank Nobel/Victor Bolander/Tyrone Griffin, Jr. 作词 : Camille Purce... -
Word Up!
   -
Lightning
[by:russianready] I'd cross a desert and an ocean To get away from the pain of your storm But chase the sun light, been ...  -
Is Your Love Enough?
[by:Trap_Girl] 作曲 : Fred Gibson/Eyelar Mirzazedeh/Henrik Michelsen/Edvard Erfjord/Sam Romans 作词 : Fred Gibson/Eyelar M... -
Boy
Do you remember what he said?  -
Nobody Like You
I'm alive and living's just a beating heart 'Cause we won't admit we've taken it too far I know it's love cause I will... -
More Than Words
[by:KartTsui] [Verse 1:] When you think, when you think, when you think you're alone I'll be, be, be like a ghost behind... -
Weird People
[by:SLAMBHCTH_] When I was just a little kid, I was sitting on the garden wall (Oh, get off the wall) Well, I must've bu... -
Nothing Else Matters
[by:Trap_Girl] 作曲 : Wayne Hector/Daniel Davidsen/Peter Wallevik/Camille Purcell/Mich Hansen 作词 : Wayne Hector/Daniel D... -
The National Manthem
[by:Trap_Girl] 作曲 : James Abrahart/Kevin White/Sarah Hudson/Leigh-Anne Pinnock/Jade Thirlwall/Mike Woods 作词 : James Ab... -
Monster In Me
作曲 : Chris Loco/Frank Nobel/Linus Nordstrom/Anya Jones/Camille Purcell 作词 : Chris Loco/Frank Nobel/Linus Nordstrom/Any... -
Love a Girl Right
[by:KartTsui] 作曲 : Tim Kelley/Robi Rosa/Desmond Child/Bob Robinson/Mark Andrews/Chris Loco/Leigh-Anne Pinnock/Jade Thir... -
American Boy
[by:KartTsui] 作曲 : Sarah Blanchard/Rachel Furner/Richard Boardman/Pablo Bowman/Cleo Tighe 作词 : Sarah Blanchard/Rachel ... -
Woman's World
[by:KartTsui] 作曲 : Jade Thirlwall/Rachel Furner/Jez Ashurst 作词 : Jade Thirlwall/Rachel Furner/Jez Ashurst [Verse 1: Je... -
Wasabi
[by:KartTsui] 作曲 : Uzoechi Emenike/Michael Sabath/Jade Thirlwall/A.s. Govere 作词 : Uzoechi Emenike/Michael Sabath/Jade ... -
Move
Hey baby Tell me your name I gotta fever for you I just can't explain But there's just one problem I'm a bit old school ... -
No More Sad Songs
I keep trying,nothing's working I still wanna know if you're alone I keep trying to put this behind me I still wanna kno... -
Strip
Jiggle all this weight yeah you know I love all of this Finally love me naked ***iest when I'm confident Jade/Perrie： Yo... -
Told You So
[by:Trap_Girl] 作曲 : Rachel Keen/Uzoechi Emenike/Eyelar Mirzazadeh 作词 : Rachel Keen/Uzoechi Emenike/Eyelar Mirzazadeh D...  -
DNA
Does he tell you he loves you when you least expect it Does he flutter your heart when he kisses your neck No scientist,... -
Love Me Like You
Sha-la-la-la Sha-la-la-la Sha-la-la-la You might got the biggest car Don't mean he can drive Me wild or he can go f...  -
Joan of Arc
[by:Trap_Girl] 作曲 : Leigh-Anne Pinnock/Phil Plested/Jade Thirlwall/Patrick Patrikios/A.s. Govere/Hanni Ibrahim 作词 : Le...  -
Shout Out To My Ex
[by:工作婊] This is a shout out to my ex Heard he in love with some other chick Yeah yeah, that hurt me, I'll admit Forget ...  -
The Cure
[by:Trap_Girl] 作曲 : Ben Kohn/Tom Barnes/Camille Purcell/Pete Kelleher 作词 : Ben Kohn/Tom Barnes/Camille Purcell/Pete Ke... -
We Are Young (Acoustic)
Tonight We are young So let's set the world on fire We can burn brighter than the sun Give me a second I, I need to ge... -
Salute
Lady's all across the world Listen up we're looking for recruits If your're with me let me see your hand stand up and Sa... -
Towers
You turn, and I learned that the world comes falling down Not a word, only hurt when my friends can't tell me now I fe... -
Your Love
[by:工作婊] Luxurious lovin' like Eygptian cotton If I ain't got nothin', least I got you I wait with the top down, a milli... -
Down & Dirty
I'm tasty delicious I'm rough around the edges My mind is obsessive my flex is aggressive Glad I didn't listen to my tea...


Looks like everything's working okay. Go ahead and remove these placeholder files (index.html, alt.html, /css/test.css) and place the files you want to use for your site (ie, be publicly accessible) in the folder called "public". It's a good idea to use a folder structure like the one here (/js, /css, /fonts) to better organize the files on your site. Don't worry, everything outside the public folder is only accessible by the server (and the server administrator).
Best of luck.


Welcome
I would like to see how the world is responding to
and what they think about it.
Let Bluemix do the rest


Framer is a good way to incorporate my design skills with my knowledge of code. All the interactions are written in coffeeScript.
My goal for the next few months is to work with Framer more and start prototyping high level functionality and possibly incorporate real data from a database. Check out some of my work below. I am hoping to add more projects in the weeks to come.
For this project I wanted to create a simple book club app where you can browse books, join clubs, and message about the literature. Check out the interactive prototype.
This was a quick prototype focusing mostly on "states" and userflow. It is for a movie app where you can easily purchase tickets to movies in theatres. Check out the interactive prototype.


Police search for 'armed and dangerous' Marine wanted for Va. slaying; schools closed
by StaffROANOKE COUNTY, Va. (WDBJ7/Gray News) - Roanoke police are searching for Michael Alexander Brown, who has a warrant out for his arrest in Franklin County in relation to a homicide.
All Roanoke City Schools are closed Thursday at the request of Roanoke Police. Employees are not to report to work.
Wednesday night, the police department received a call about a possible sighting of Brown.
Police believe Brown to be armed and dangerous. They believe he is seeking means of transportation or that he is traveling on foot in the immediate Roanoke area. He was last seen wearing a black coat.
Brown is military-trained and knows how to navigate various types of terrain. There is a $10,000 reward for information that leads to the apprehension of Brown.
Residents in the area of the search received a call and email this morning to lock doors and shelter in place.
Police are asking people to avoid travel in the immediate area of the search if possible.
Copyright 2019 WDBJ via Gray Media Group, Inc. All rights reserved.
Read the original version of this article at nbc12.com.


Myth is a preprocessor that lets you write pure CSS without having to worry about slow browser support, or even slow spec approval.
It's like a CSS polyfill.
The same syntax from the CSS spec, using the var() function.
The same syntax from the CSS spec, using the calc() function.
The same syntax from the CSS spec, using the color() function.
Prefixes for common browsers are automatically added, so you don't need worry.
Check out the full API on GitHub.
Myth lets you write pure CSS while still giving you the benefits of tools like LESS and Sass. You can still use variables and math functions, just like you do in preprocessors. It's like a polyfill for future versions of the spec.
Some of the features in CSS require runtime calculations, which neither Myth nor preprocessors handle, but what Myth does is let you write your code today in the future syntax, so that your code is future-proof. When browsers finally support these features you won't need to rewrite anything, just remove Myth and start using the cascade!
Taking plain CSS as an input also means you can use Myth to re-process anyone else's CSS (or another preprocessor's output), adding the browser support you need, without having to re-write the code in a completely different syntax.
Myth is built with Rework so it's incredibly fast, and has a nice Javascript API in addition to the CLI.


% if (!window.authenticated) { %>
Prose is a content editor for GitHub designed for managing websites.
Learn more


We predict you are a {{GENDER_REVEAL}}
Evaluate Us
Due to the small dataset used, our model is a little biased towards some preferences. For example, choosing cool colour means you are most likely to be male etc.Help us improve it by answering the following questions below


Strictly confidential. Office of the chairman Contract awarding committe Ecowas headquarters Lome,Republic of togo. Attn: Account provision for usd 9.5m Forgive my indignation if this message comes to you asa surprise and if it might offend you without your prior consent and writing through this channel. I am George Ugo,The Chairman, Contract Awardind Committee of the ECONOMIC COMMUNITY OF WEST AFRICAN STATES ( ECOWAS)with Headquarters in Lome, Togo.I got your information in a business directory from the Togolaise Chamber of Commerce and Industries when I was searching for a reliable,honest and trustworthy person to entrust this business with.I was simply inspired and motivated to pick your contact from the many names and lists in the directory. After discussing my view and your profile with my colleagues,they were very much satisfied and deci! ded to contact you immediately for this mutual business relationship.We wish to transfer the sum of USD9.5,000,000.00 (Nine Million Five Hundred Thousand United States Dollars only.)into your personal or company`s bank account. This fund was a residue of the over invoiced contract bills awarded by us for the supply of ammunitions, hard/soft wares,phamaceauticals/medical items,light and heavy duty vehicles, apperals and other administrative logistics etc for the ECOMOG in Sierria-Leone and Liberia during the Peace Keeping Projects. This DEAL was deliberately hatched out and carefully protected with all the attendant lope holes sealed off.As the Chairman of CAC,I have the cooperation and mandate of the Financial Director and the Secretary of the Organisation.We arranged and over invoiced the contract funds supplied by different companies from different countries during the crisis. It was our consensus to seek the assistance of a willing foreigner to provide us with the facilities to transfer this money out of West Africa.This is borne out of our beleif in the non-stable and sporous political nature of this sub-region. The original contractors have been duely paid by the Banque Centrale Des Etats De L`Afrique De L`Ouest (Central Bank of the West African States)through our bankers-Societe Generale Banque.This balance is suspended in the escrow accounts awaiting claims by any foreign company of our choice.We intend to pay out this fund NOW as the organisation is winding up its activities since the aim of returning PEACE to the countries and the coast has been achieved. Based on the laws and ethics of employment,we as civil servants working under this organisation, are not allowed to operate a foreign account.This is the more reason why we needed your assistance to provide an account that can sustain this fund for safe keeping and our future investment with your comprehensiv! e advise,assistance and partnership in your country. It is however agreed,as the account owner in this deal to allow you 30% of the entire sum as compensation,65% will be held on trust for us while 5% will be used to defray any incidental charges and cost during the course of the transaction. This transaction will be successfully concluded within 14 days if you accord us your unalloyed and due cooperation.You should provide the followings; YOUR COMPANY`S NAME WITH COMPLETE ADDRESS,TEL AND FAX NUMBERS.(if available) THE NAME OF YOUR BANK,ITS ADDRESS WITH TEL,FAX AND TELEX NUMBERS. THE ACCOUNT NUMBER THE COMPLETE MAILING ADRRESS OF THE BENEFICIARY WITH TELEPHONE AND FAX NUMBERS. Upon the receipt of this informations,the documents and approval with the texts will be sent to you for confirmaton and then forwarded to the organisation for ratification and subsequent payment. As with the case of all organised (s! ensitive)and conspired DEALS,we solicit for your unreserved confidentiality and utmost secret in this business. We hope to retire peacefully and lead a honourable business life afterwards.There are no risks involved. Reply Asap. With Regards. Austin Dunger. __________________________________ Do you Yahoo!? Yahoo! SiteBuilder - Free, easy-to-use web site design software http://sitebuilder.yahoo.com


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HTML5 Device Mockups
Boost the appearance of your splashscreens and websites with these HTML5 mockups of popular devices.


SPACE COWBOYS (director: Clint Eastwood; screenwriters: Ken Kaufman/Howard Klausner; cinematographer: Jack N. Green; editor: Joel Cox; cast: Clint Eastwood (Frank Corvin), Tommy Lee Jones (Hawk Hawkins), Donald Sutherland (Jerry O'Neil), James Garner (Tank Sullivan), Marcia Gay Harden (Sara Holland), William Devane (Eugene Davis), Loren Dean (Ethan Glance), Courtney B. Vance (Roger Hines), James Cromwell (Bob Gerson), Rade Serbedzija (Russian General); Runtime: 126; 2000)
Reviewed by Dennis Schwartz
"Space Cowboys" opens in 1958 at Edwards Air Force Base in the California desert. The black-and-white photography starkly highlights the empty sky and the frolicking nature of four test pilots who are breaking the sound barrier in the experimental X-2 rocket plane. But, in the process of their daredevil tactics, the pilot and co-pilot have to bail out and crash the expensive plane. As a result, the snaky officer in charge of them, James Cromwell, grounds them from further space missions, and to add insult to injury, announces that a monkey will be the first to orbit space. He also announces that a new organization called NASA will use astronauts for further space exploration, no longer will the Air Force be in charge of the program.
Cromwell is faced with a crisis 42 years later, as a joint program between the U.S. and Russia, has run into a problem-- the Russian satellite communication ship Ikon has developed a failure in the system and is about to crash. As a gesture of good will and political diplomacy, Cromwell offers to send his team of astronauts to repair the problem. But, it's not so easy, the system is an antiquated one and was built by Clint Eastwood when he was the engineer designer for Skylab, and it turns out that Clint is the only one who knows how to locate and fix the problem in that obsolete system. These new engineers and punky young astronauts have all been raised on computer technology and have no idea about the old language used in space technology, to the chagrin of Clint.
Cromwell, on the urgings of a space agency head, whose expertise is in engineering, Marcia Gay Harden, decides to contact his old rival Clint for help. When told about it in his suburban California home, Clint, who is living in retirement, tinkering around in his garage and seemingly happily married, tells Marcia he doesn't trust Cromwell. When he meets with Cromwell, he tells him that he will not train the astronauts because there is not enough time to do so, and refuses to budge from his position, even when ridiculed for not being a team player. He says, I will only fix the problem if my old Daedalus Team goes on the mission, which is met by jeers from Cromwell. But they work out a deal whereby the geriatric crew can go, with the provision being that they must pass the physical and endurance tests. The crusty flight director of the program, William Devane, also insists that two of his hotshot astronauts, Loren Dean and Courtney B. Vance, also go along, especially since the old codgers are not familiar with the new computer systems that run the space vehicles nowadays.
To add some cold war paranoia to the story, Clint wonders how the Russians got his equipment since it was classified information, only available to the Americans.
When Clint's blackmail strategy works, he goes to gather the other senior citizens to join the mission. He finds James Garner in Oklahoma City, where he is a second-rate Baptist preacher; Donald Sutherland is designing roller coasters, and though sporting a gray pony tail, wearing glasses and having false teeth, and being pictured as a friendly wolf around the younger ladies--he will be the flight engineer; Tommy Lee Jones is at least twenty years younger than those other three seventy plus seniors. He is not on good terms with Clint ever since they were grounded from any further space missions as pilots in 1958 and Clint blamed him for that, accusing him of being a reckless pilot, someone who took too many risks. Tommy is now working as a stunt pilot on a crop-duster, giving harrowing rides to those who request them. After thinking about the chance to go into space, a dream all the men had, Tommy decides to go along and make history with the other men. This premise would seem improbable, but in the recent news of the geriatric John Glenn going on a space mission for experimental purposes, it shows that their mission is possible, though not in the manner as depicted in this fantasy film.
The story takes the men through their training sessions, and each of them, giving understated performances, tries to outdo the other. Tommy, who is a widower, has a romantic spin with Marcia, who looks attractive despite her official looking NASA hairstyle. Donald is prone to act like the improvident reader of 1958 Playboy magazines he was back then, showing that his lifestyle hasn't changed even with his advancing years. While Garner has faith in God and his lucky dancing doll, but is given the short-end of the script and therefore has only a few lines to chew on in his competition with the others. There are a lot of good natured jokes about aging and some friendly ribbing between the young astronauts and the veterans, and it all seems pleasantly entertaining, though somewhat staged. Clint even makes fun of some of his older pictures, which I presume is why he has so much fun with the monkey in the opening scene. Everything seemed smooth and compliable with a formula movie, and it seemed as if the actors were having a good time acting together.
The heaviness in the story came about when America's old cold war paranoia was introduced into the mission. The paranoia is a reminder from those cold war days, when many Americans thought that the Russians were looking for a chance to nuke America. The mission turns out to be more dangerous than first perceived, as betrayal and nukes surface.
But through the wonderful special effects and the full cooperation of NASA as consultants, there was a sense of awe in seeing the sights of space travel. And, when Clint is able to make an impossible landing, something Hollywood films are good at doing, there is a sense of relief that the old timer, who now has a lined and craggy face and looks like an American icon, is safe and sound. Since the film didn't take itself so seriously, there was no undue tension and everything was fun, even all the contrivances the film allowed for.
This is not one of Clint's top films, but if it is his swan song, as rumored, there are a lot of reasons why this is not a bad film to end one's career on. The love and affection from his fellow actors comes through loud and clear, in this well-crafted production, which shows Clint could direct with the skills that only the most competent Hollywood directors possessed, even if Clint never reached greatness himself, as he was unable to overcome his artistic limitations. What he couldn't do in this film, was move beyond the easy humor and special effects, and make a film that had something involving to say about old age and those facing death.
REVIEWED ON 8/11/2000 GRADE: B-
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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--- layout: base lastmod: 2023-08-05 description: "My personal homepage, including projects, things I do, and where I work. Also, some social media sites where I am active." priority: "1.0" ---
I write code for a living, love books, gaming, try writing, 3D, and do a bit of game development as a hobby.
Also, a dad, Senior Tools Developer @King, part-time project maintainer at GitHub, and sometimes visible on social media.
{{ project.description | safe }}
{%- for link in project.links %} {{ link.name }} {%- if not loop.last %} | {%- endif %} {%- endfor %}


When looking at the source code of sample applications, it's usually not too hard to pick out the commands that do the actual drawing. Commands with names like
GrDraw...()
generally are self-explanatory. It's not so easy to pick out the commands that set up an area in which the drawing will take place. Part of the problem is that there are many ways to display graphics; each is well suited for different tasks. This section of the chapter provides some practical knowledge about the various ways to display graphics and which situations are appropriate for each.
When possible, the best way to learn how to perform a graphics action is to look at code which performs a similar action. The sample program presented in the Hello World chapter shows a simple graphics environment sufficient for many geodes. If you only need to change what is being displayed (as opposed to how it is displayed), you can work straight from the example, drawing different shapes using commands found in the Drawing Shapes chapter. Most basic graphics techniques are used in one sample program or another. By combining and adapting code from the sample programs, you can take care of most simple graphics needs.
If you can't find a sample geode to work from, there are several points to consider when deciding what sort of graphics environment to set up.
Once you've figured out just what your geode's graphical needs are, you're ready to find out which pieces of graphics machinery are right for you.
For custom graphics that will appear in a view, the content object of the GenView must be prepared to issue graphics commands. A common tactic is to create a subclass of
VisContentClass
and let an object of this subclass act as the content for a view. The subclass would very likely have a specialized
MSG_VIS_DRAW
. The Process object is another popular choice for the view's output descriptor. In this case, the process must be prepared to intercept any messages the view is likely to send, with
MSG_META_EXPOSED
and
MSG_VIS_DRAW
of the most interest. Whichever object, process or content, is the content of a view can respond to
MSG_META_EXPOSED
or
MSG_VIS_DRAW
by calling kernel graphics routines. For more information on how to use these objects, see the Views chapter.
As you learn more advanced graphics concepts you may discover shortcuts. As you get deeper into graphics, you should keep a cardinal rule in mind. Any time the graphics space is obscured and then exposed, the geode must be able to draw correctly, no matter what changes have been made. If your geode only draws on a
MSG_VIS_DRAW
, it will automatically follow this rule. However, applications using shortcuts must take
MSG_VIS_DRAW
into account; it may be sent at any time, and what it draws may wipe out what was there before. An arcade game that moves a spaceship by blitting a bitmap may be fast; however, be sure that the spaceship will be drawn to the right place if the game's window is obscured and then exposed. Don't worry if this sounds confusing now, but keep these words in mind as you read on.


{% include anchor.html edit="true" title="Debug mode" hash="debug_mode" %}
PouchDB uses the [debug](https://www.npmjs.org/package/debug) module for fine-grained debug output.
{% include alert/start.html variant="warning"%}
{% markdown %}
This `debug()` API is currently part of PouchDB core. However, in PouchDB v7.0.0 it will be moved to a separate plugin.
{% endmarkdown %}
{% include alert/end.html%}
To enable debug mode, just call:
{% highlight js %}
PouchDB.debug.enable('*');
{% endhighlight %}
In your browser console, you should then see something like this:
{% include img.html src="debug_mode.png" alt="Coloured Log Output" %}
In Node.js, you can also set a command-line flag:
{% highlight bash %}
DEBUG=pouchdb:* node myscript.js
{% endhighlight %}
You can also enable debugging of specific modules. Currently we only have `pouchb:api` (API-level calls) and `pouchdb:http` (HTTP requests):
{% highlight js %}
PouchDB.debug.enable('pouchdb:api'); // or
PouchDB.debug.enable('pouchdb:http');
{% endhighlight %}
These settings are saved to the browser's LocalStorage. So to disable them, you must call:
{% highlight js %}
PouchDB.debug.disable();
{% endhighlight %}
Your users won't see debug output unless you explicitly call `PouchDB.debug.enable()` within your application code.


Northern Inuit Dog
| Northern Inuit Dog Picture | |
| Breed Information | |
|---|---|
| Popularity | # |
| Name | Northern Inuit Dog |
| Other names | NI dog |
| Origin | United Kingdom |
| Breed Group | Not recognized as a standardized breed by any major kennel club. |
| Size | Medium to Large |
| Type | Cross Breed |
| Life span | 12-14 years |
| Temperament | CalmDependableFamilialFriendlyGentle |
| Height | Male: 23-32 inches (58-81 cm)Female: 23-28 inches (58-71 cm) |
| Weight | Male: 79-110 pounds (36-50 kg)Female: 55-84 pounds (25-38 kg) |
| Colors | BlackGraySableWhite |
| Litter Size | 5-12 puppies |
| Puppy Price | Average $800 - $1000 USD |
| Breed Characteristics | |
| Adaptability | 4 stars |
| Apartment Friendly | 3 starsThe Northern Inuit Dog will do best with a fenced in yard. |
| Barking Tendencies | 3 starsOccassional |
| Cat Friendly | 3 stars |
| Child Friendly | 4 starsGood with Kids: This is a suitable breed for kids and is known to be playful, energetic, and affectionate around them. |
| Dog Friendly | 3 stars |
| Exercise Needs | 4 starsThis breed needs daily exercise and adequate space. They need to be taken on a daily, long, brisk walk or jog. |
| Grooming | 3 starsThe weather-resistant coat of the Northern Inuit Dog should be combed and brushed regularly. Bathe only when necessary as it removes the natural oils in the skin. |
| Health Issues | 3 starsSome genetic problems have become apparent in Northern Inuit lines as with many breeds, including hip dysplasia and epilepsy, all of which should be tested for prior to breeding. |
| Intelligence | 3 starsRanking: (#). (See All Rankings) |
| Playfulness | 3 stars |
| Shedding Level | 3 starsModerate Shedding: Routine brushing will help. Be prepared to vacuum often! |
| Stranger Friendly | 3 stars |
| Trainability | 3 starsModerately Easy Training: The Mudi is average when it comes to training. Results will come gradually. |
| Watchdog Ability | 4 stars |
| Northern Inuit Dog Puppy Picture | ||
| Puppy Names | ||
|---|---|---|
| Rank | Male | Female |
| 01 | Max | Chloe |
| 02 | Tucker | Bella |
| 03 | Toby | Coco |
| 04 | Jack | Ginger |
| 05 | Oliver | Abbie |
| 06 | Tucker | Ellie |
| 07 | Teddy | Layla |
| 08 | Oscar | Stella |
| 09 | Riley | Sasha |
| 10 | Dexter | Penny |
| Overview |
|---|
|
The Northern Inuit Dog is of medium to large build, athletic but never racy. Females should be between 23 and 28 inches (58–71 cm) tall and weigh around 55–84 pounds (25–38 kg), while males should be between 25 and 30 inches (58–81 cm) tall and weigh 79–110 pounds (36–48 kg). The dog should have a double coat and a straight tail – curly tails are considered a fault. The Northern Inuit dog is not for the novice owner as they can be very stubborn and are very quick-witted. The owner of a Northern Inuit must show themselves to be a strong leader or be prepared to be the underdog, and be taken advantage of. They are more difficult to train than other, more biddable breeds. Separation anxiety may arise when they are left alone and unsupervised too long, leading to destructive behaviours but training to be left from a young age will rectify this. Training from the onset is a must for this breed. Often, they will do better with another dog for company. Socialization should begin when vaccinated and throughout as their play can be very rough and misinterpreted. |
| History |
| There are two stories regarding the history of the Northern Inuit Dog. In the late 1980s, the founder of the breed, Eddie Harrison, bred several mixed-breed rescue dogs of unknown origin or heritage with Siberian Husky, Alaskan Malamute, and a specific bloodline of German Shepherd Dogs to produce the early Northern Inuit dogs. The breed's intent was to create a dog that closely resembled a wolf in appearance while possessing the gentler, more trainable character of the domesticated dog. |


Of the techniques and methods mentioned in the resources, I already use meditation and mindfulness. I currently do 20 minutes of mindful meditation each day, usually after my morning coffee. When I first started I did it immediately after getting up but my sleep-fog got in the way. Now I get to it after coffee. It helps! I love meditating and could do more of it, but I guess there's only so many hours in the day. I've always had a distractable and mile-a-minute mind, so the feeling of calm and at peace afterward is like waking from a pleasant dream.
I've incorporated meditation as a major part of my "project" to become a better person, along with mindfulness. I'm weaker at the latter though. I still haven't managed to make it my default mind state outside of meditation. My mind still wanders a lot, but at least I have the meditative technique of snapping my attention back into the present to call on.
I've also heard of the fixed vs growth mindset. Very interesting! As someone who grew up constantly hearing how smart he was, the fixed mindset was strong with me. It meant that when things suddenly stopped just working out easily for me, that being smart isn't enough, I was confused and angry. The growth mindset enables me to try and achieve things I always assumed were beyond me, like playing the guitar and meditating.
Of the other techniques, "making it big by starting small" makes a lot of sense. Doing small things also makes starting things easier, which has always been a real challenge for me.
I like the "7 counterintuitive ways" guy's emphasis on NOT emphasising productivity. Man, he really banged that drum didn't he? I loved it.
Flow is great; who doesn't love being in the zone? The trick is getting there. More research is required. I'll look into timeboxing too, although I'm wary of systems that are too rigid.


{% extends "customer/emails/base.html" %}
{% block body %}
{% load i18n %}{% blocktrans %}Hello,{% endblocktrans %}
{% blocktrans %}
You're receiving this e-mail because you or someone else has requested a password for your user account. Click the link below to reset your password.{% endblocktrans %}
{{ password_reset_url }}
{% if username %}{% blocktrans %}In case you forgot, your username is {{ username }}.{% endblocktrans %}{% endif %}
{% endblock body %}


--- title: Grama Bharathi - Contact layout: default permalink: /vision-and-mission ---
We envision holistic growth of our villages while preserving natural resources.
Our mission is to empower our villages by providing quality education, connecting at spiritual level, ensuring good health, promoting natural farming practices and providing avenues for economic growth and sustainability


Date: 2 March 2016.
Grid based design utilises columns in browswer, to give better structure to the page layout. Usually there are 12 colums, each taking up 8.33% of the page width. This is because 12 is easily divisible by 2, 3 and 4.
It makes sense to have a webpage adapt to the viewing port of the device being used. CSS can now be adapted such that it responds to the device automatically, making easy viewing for the visitor.
I'm a little confused about this question.
Grid based design utilises columns in browswer, to give better structure to the page layout.


{% load static from staticfiles %}
A word about email addresses: they stay in the list for the purposes of this digest. If you want to stop it any time you can unsubscribe. We don't keep your email address or use it for any other purposes.


Yahoo! open sources uber web server • The Register
This is relatively gigantic news. Traffic Server is the program that lets Yahoo serve gargantuan amounts of web traffic at crazy fast speeds.
This is relatively gigantic news. Traffic Server is the program that lets Yahoo serve gargantuan amounts of web traffic at crazy fast speeds.


It is responsible for sending and receiving internal and socket messages and for providing current game state.
All game state is managed by Redux.
Calling getState function returns the current version of game state.
This version of state is an immutable object. It means that you are guaranteed that the object
will not change (and you are not supposed to change it either!).
The only way to get new version of state is to call getState again.
A new version of state can be created by dispatching a message prefixed with STATE_ via dispatch.
This message is processed by so called reducer. A reducer is simply a pure function that
takes state and message and returns new version of state,
which can be then obtained via getState function.
Basically, it behaves like polling database. Read more about Redux architecture here.
It is responsible for sending and receiving internal and socket messages and for providing current game state.
All game state is managed by Redux. Calling getState function returns the current version of game state. This version of state is an immutable object. It means that you are guaranteed that the object will not change (and you are not supposed to change it either!). The only way to get new version of state is to call getState again. A new version of state can be created by dispatching a message prefixed with
STATE_
via dispatch. This message is processed by so calledreducer
. A reducer is simply a pure function that takes state and message and returns new version of state, which can be then obtained via getState function. Basically, it behaves like polling database. Read more about Redux architecture here.


Biographical Sketch of William
Mercer
BioSKETCH: William Mercer
SOURCE: HISTORY OF TYLER COUNTY, WEST VIRGINIA TO
1984, page 376-378
William Mercer (1788-1870) was born near Winchester at
Front Royal, Virginia. While he was
quite young his family moved to Washington County and Greene County, Pa. Here William grew to manhood, apprenticed as
a cooper (making casks or barrels), and learned about farming. In 1810, he
married Betsy Houston (or Huston) of Greene County, and their daughter Sarah
Ann was born in 1811.
In June 1812 he enlisted at Morgantown and served 18 months
(June 1812-March 1814) serving as a private in the War of 1812, in the 12th
Regiment, Virginia Volunteer Infantry on duty in Canada & New England
States. Upon his return to Monongalia
County in 1814, he and wife Betsy were divorced.
In June 1815 William married Margaret Metz (born 1798 in
Greene County, PA). Soon after, he and
Peggy leased 140 acres on Day's Run off Dunkard Creek west of Blacksville,
cleared part of the land for crops and built a cabin. They planted timothy, flax, wheat and garden crops, acquired some
cows, sheep, horses, and began their family during the 1820's and 30's.
Records show they were typically self-sufficient settlers
making their own clothing, shoes, furniture, soap, butter and other
necessities. Any excess was traded at
the general store for luxuries like coffee, spices, dishes, books, gun powder
and shot, or hunting knives. According to local tales, Peggy became a
heroine of local tales by fending off some Indians who apparently tried to harm
her family one day.
After several years of legal hassles regarding the lands
they leased from the owner's heirs, and a fire which destroyed their cabin, William
& Peggy packed their remaining belongings and seven children, 5 sons and 2
daughters, headed for a new beginning in Tyler County in 1839. The site of their first home here is
uncertain, but in 1850 William was granted 160 acres of Bounty Land for his
military service which was excised in the area known as Wolf Pen near
Middlebourne. As their children
matured, married, and started their own farms and families, they tended to
remain nearby. Some split up the
original farm, and took over for the aging William. He was 82 when he died March 30, 1870 and was buried in the
Mercer Cemetery, also referred to as Wolf Pen Cemetery, which is located on a
very high ridge amidst the farms below.
Several generations of Mercers and related families have since joined
him there. However, his widow
Peg may be interred over in Pleasants County where she went to live in 1875 and died at son Labon's home mid-January 1883, age 85. Her resting site is unknown.
Provided by Betty Latta Kitchen
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Breaking international law, Putin takes the Crimean peninsula from Ukraine by force, secures the route to export oil by sea, and takes control of the port where the Black Sea Naval Fleet is based.


addressbook.exception
addressbook.exception.
AlreadyPresentException
Bases: Exception
Exception
Exception to raise when an element is already added in the structure.
addressbook.trie


SCSB Solr Admin
Solr Full Index
Solr Partial Index
Initial Matching Algorithm
Ongoing Matching Job
Generate Reports
Request Re-Submit
Number of threads
Number of Documents to be processed per thread
Commit Interval
Institution Code
ALL
PUL
CUL
NYPL
Clean All/Institution
Date From
Auto Refresh
Index
Clean Index Confirmation
Do you want to proceed to Clean the existing solr data and Index ?
Proceed
Cancel
Number of threads
Number of Documents to be processed per thread
Commit Interval
BibIdList
BibIdRange
BibIdDateRange
Enter Bib Id's
Submit
Bib Id From
Bib Id To
Submit
Date From
Date To
Submit
Matching Criterias
Run Matching Full Process
Find Matching And Save Reports
Save Only Reports
Update Monographs CGD In DB
Update Serials CGD In DB
Update MVMs CGD In DB
Update CGD In Solr
Populate Data For Data Dump
Date
Submit
Job Type
Ongoing Matching Algorithm Job
Populate Data For DataDump Job
Date From
Submit
Process Type
Solr Index
Accession
DeAccession
Submit Collection
Report Type
SolrIndexException
DeAccession Summary Report
Ongoing Accession Report
Accession Summary Report
Submit Collection Rejection Report
Submit Collection Exception Report
Submit Collection Success Report
Submit Collection Failure Report
Submit Collection Summary Report
Institution
ALL
PUL
CUL
NYPL
Transmission Type
File System
FTP
Date From
Date To
Generate Report
By Request Status
By Request Id's
By Range of Request Id's
By Date Range of Requests
Request Status
PENDING
EXCEPTION
Enter Request Id's
Start Request Id
End Request Id
Date From
Date To
Submit


Java Chat
A chat program for chatting over a local server or with Dale and Steve.
Download
Demonstration
Install
Java Chat has several features including:
- A signin/registration page (To register your account with a local database)
- "Mainframe Chat" where you are able to chat with anyone. Currently, it only works on a local server so that the other person also needs to be able
to access your computer, either through a local or remote connection.
- Dale and Steve are two primative versions of AI that are always available as long as their respective jar files are running.
- Once you register, you will have an account with the program, where you can save a profile picture and other personalized information.
- On the current version, a private chat feature is available but contains bugs.
- A username and password are required and must each be between 6 and 20 characters.
- Profile Pictures are optional and can be jpg, jpeg, gif, png (Case insensative).
- A prefered name and motto are also optional.
Mainframe chat is the main Hub and contains links to documentation, sign out, bot chat, private chat, account
It is important to note, as above, that Dale and Steve are separate programs and have their own jar files, which must be ran in order to participate in BOT chat.
Profile pictures will change in real time. As of the current version, it is impossible to change the username.
As of the current version, you will only be able to exit on timeout.
After you download the program (.zip)
- The 3 zip folders (dalebot.zip, stevebot.zip, and java chat.zip) are projects to be run from netbeans
- the powerpoint (java chat.pptx) will give an overview of the program
- the database file (billj_chat.sql) will be used later to insert into the database
- Download and install a local wampserver http://www.wampserver.com/en/
a. you must also download and install C++ 2010 SP1 Redistributable Package x86 or x64 in order to use wampserver
x86 (32 bit): http://www.microsoft.com/download/en/details.aspx?id=8328
x64 (64 bit): http://www.microsoft.com/download/en/details.aspx?id=13523
- Once the local server is installed on your computer, a desktop icon should show up on your desktop (if not, look in your start menu, write
click wampserver and send to desktop), double click the icon to run
- From a preferred browser, navigate to localhost homepage by entering localhost or <IP_ADDRESS> into the address bar
- from the localhost page, go to phpmyadmin (phpmyadmin is a link located under tools
- In phpmyadmin, create a new database( by clicking databases at the top) and call it billj_chat and enter billj_chat by clicking on it
- in billj_chat, import billj_chat.sql by using the import tab, located at the top of the page (choose the file billj_chat.sql and click the
“go” button at the bottom of the page)
- Done! Remember, if you want to talk to Dale or Steve, run their respective programs, Dalebot and Stevebot, as well
as Java Chat (if you’re using netbeans 7.2, you may need to run servertest.java, a file in each one of the projects)
- IF JAVA CHAT HAS A REFERENCE PROBLEM, the mysql jar file the project is looking for is included in Java Project.zip


--- title: Asynchronous JavaScript slug: Learn/JavaScript/Asynchronous tags: - Beginner - CodingScripting - Guide - JavaScript - Landing - Promises - async - asynchronous - await - callbacks - requestAnimationFrame - setInterval - setTimeout ---
In this module we take a look at {{Glossary("asynchronous")}} {{Glossary("JavaScript")}}, why it is important, and how it can be used to effectively handle potential blocking operations such as fetching resources from a server.
We have put together a course that includes all the essential information you need to work towards your goal.
Asynchronous JavaScript is a fairly advanced topic, and you are advised to work through JavaScript first steps and JavaScript building blocks modules before attempting this.
If you are not familiar with the concept of asynchronous programming, you should definitely start with the General asynchronous programming concepts article in this module. If you are, then you can probably skip to the Introducing asynchronous JavaScript module.
Note: If you are working on a computer/tablet/other device where you don't have the ability to create your own files, you can try out (most of) the code examples in an online coding program such as JSBin or Glitch.
In this article we'll run through a number of important concepts relating to asynchronous programming, and how this looks in web browsers and JavaScript. You should understand these concepts before working through the other articles in the module.
async
functions and the await
operator. The former allows standard functions to implicitly behave asynchronously with promises, whereas the latter can be used inside async
functions to wait for promises before the function continues. This makes chaining promises simpler and easier to read.


34-year-old Finnish female minister to become world’s youngest PM
by Haleem OlatunjiSanna Marin, Finland’s transport minister, is set to become the world’s youngest prime minister.
The 34-year-old was selected for the position by the Social Democratic Party after Antti Rinne, its leader, stepped down.
Rinne resigned after six months in office when he lost the confidence of the Centre Party, a coalition member, over his handling of a postal strike.
The social democrats emerged as the party with the most seat in parliament in the election, which was held in April, so it is entitled to appoint the prime minister who leads the coalition government.
Marin, who will be sworn in this week, will lead a centre-left coalition with four other parties, all headed by women, three of whom are under 35.
The women include Katri Kulmuni (32) of Centre Party, Li Anderson (32) of Left Alliance, Maria Ohisalo (34) of Green League and Anna-Maja Henriksson (55) of Swedish People’s Party of Finland.
When she assumes office, Marin will be the world’s youngest prime minister, followed by Oleksiy Honcharuk (35) of Ukraine, and Jacinda Ardern (39) of New Zealand.
Marin will be the third female prime minister in the Nordic country.
Also, the 34-year-old told journalists that she has never considered her age as a barrier in politics, and that her reason for joining keeps her going.
“I have never thought about my age or gender. I think of the reasons I got into politics and those things for which we have won the trust of the electorate,” she said.


Thunder team members offer holiday aid 24 Nov 2019, 10:00 by Sarah Terry Rumble holds Isaiah Webb, 4, as his family picks up a Thanksgiving meal during an Oklahoma City Thunder Holiday Assist program Thursday at Restore OKC in Oklahoma City. [Sarah Phipps/The Oklahoman] Related Photos Rumble holds Isaiah Webb, 4, as his family picks up a Thanksgiving meal during an Oklahoma City Thunder Holiday Assist program Thursday at Restore OKC in Oklahoma City. [Sarah Phipps/The Oklahoman] Oklahoma City's Andre Roberson (21) greets Isaiah Webb, 4, at Restore OKC. [Sarah Phipps/The Oklahoman] Oklahoma City's Andre Roberson (21) provides turkeys to families Thursday during the Oklahoma City Thunder Holiday Assist program at Restore OKC. [Sarah Phipps/The Oklahoman] Oklahoma City's Hamidou Diallo (6) makes certain Raquan Kittel, 6, gets a Thanksgiving meal as Rumble helps him during the Oklahoma City Thunder Holiday Assist program Thursday at Restore OKC. [Sarah Phipps/The Oklahoman] Raquan Kittel, 6, holds a Thanksgiving bag as Rumble helps him Thursday. [Sarah Phipps/The Oklahoman] Oklahoma City's Hamidou Diallo (6) hands out a Thanksgiving meal Thursday. [Sarah Phipps/The Oklahoman] Oklahoma City's Hamidou Diallo (6) hands Isaiah Webb, 4, a Thanksgiving meals for his family as Rumble holds him during Oklahoma City Thunder Holiday Assist program at Restore OKC in Oklahoma City, Thursday, Nov. 21, 2019. OSU won 31-13. [Sarah Phipps/The Oklahoman]


Hello, I'm Justin Lee, however I am also referred to as Legacy47 which is my online handler or FiLeZekk which is my
Steam
Username. I enjoy programming and gaming, here on this site you can find some already completed programming projects that include but are not limited to: C#, Python, HTML/CSS, Websites, iOS Applications and some Arduino work.
Say Hello to my Old Page!
Say Hello to Legacy Technologies!
List of all my projects with links to source codes located at github and live websites.
I will dedciate myself to your needs accomplishing only your expectations. I will not stop until you are satisfied with the result. If you have an inquire please do not hesitate to contact me through this form below.


Chemistry 12A is the first of the two classes in the canonical organic chemistry series that is offered at the undergraduate level. This class is the College of Chemistry equivalent of Chemistry 3A, which is a class traditionally taken by MCB and other health-related majors. This class is more thorough and more difficult than the 3A/3B series, and there is a larger emphasis on multistep syntheses and arrow-pushing mechanisms. The class size of the 12 series is significantly smaller than the 3 series; most students in 12A will also be College of Chemistry majors.
Chemistry 12A teaches the fundamentals of organic structure, investigates the main four organic elementary steps, and finishes with some basic organic reactions and a discussion of aromaticity. Each week, there is a 5-hour lab that teaches techniques frequently used in the real organic laboratory setting. There is a strong emphasis on characterization methods in the lab section, especially with NMR. NMR will be taught from the beginning; no prior knowledge is necessary.
CHEM 1B, 4B, 15 (or equivalent) with grade of C- or higher
Course is only offered in the fall
4 hours of lecture per week (including 1 hour for lab lecture), 5 hours of lab section per week, up to 15 hours of homework per week.
This class is required for College of Chemistry majors. It is fall-only. Organic chemistry traditionally is the next step after general chemistry. Take it in fall of your sophomore year. This class is very time-intensive, so plan your semester accordingly.
This class does not need any prior organic chemistry knowledge, everything is taught from the very basics, including lab concepts.
Rather than following a somewhat traditional path of memorization in organic chemistry, this course heavily favors a fundamental conceptual understanding via orbital interactions and arrow pushing HOMO->LUMO mechanisms. You can do well in the class without memorizing very much. The goal of the class is to rationalize how reactions you’ve haven’t seen before, will work, based on the fundamental steps you’ve seen covered in lecture.
The weekly lab reports are finished in the lab period, you don’t do them at home.
Attendance is often indirectly taken at lectures through in-class worksheets.
The time commitment for this class is high, but you will come out of the class feeling confident with the skill base that you’ve acquired. This class is unusual because it stresses understanding of the most basic concepts, rather than memorization.
CHEM 12B focuses on organic synthesis, and uses some background from 12A.
Written by: Alex Oanta
Last edited: Spring 2018


@Documented @Retention(value=RUNTIME) @Target(value=METHOD) public static @interface DoFn.ProcessElement
DoFn
must have
a method with this annotation.
The signature of this method must satisfy the following constraints:
DoFn.ProcessContext
.
RestrictionTracker
, then it is a splittable DoFn
subject to the
separate requirements described below. Items below are assuming this is not a splittable
DoFn
.
BoundedWindow
, this argument corresponds to the window
of the current element. If absent, a runner may perform additional optimizations.
void
.
A DoFn
is splittable if its DoFn.ProcessElement
method has a parameter
whose type is a subtype of RestrictionTracker
. This is an advanced feature and an
overwhelming majority of users will never need to write a splittable DoFn
. Right now
the implementation of this feature is in progress and it's not ready for any use.
See the proposal for an overview of the involved concepts (splittable DoFn, restriction, restriction tracker).
If a DoFn
is splittable, the following constraints must be respected:
DoFn.GetInitialRestriction
method.
DoFn.SplitRestriction
method.
DoFn.NewTracker
method returning the same type as the type of
the RestrictionTracker
argument of DoFn.ProcessElement
, which in turn must be a
subtype of RestrictionTracker<R>
where R
is the restriction type returned
by DoFn.GetInitialRestriction
.
DoFn.GetRestrictionCoder
method.
DoFn.ProcessElement
method may return a DoFn.ProcessContinuation
to
indicate whether there is more work to be done for the current element.
DoFn.ProcessElement
method must not use any extra context parameters, such as
BoundedWindow
.
DoFn
itself may be annotated with DoFn.BoundedPerElement
or
DoFn.UnboundedPerElement
, but not both at the same time. If it's not annotated with
either of these, it's assumed to be DoFn.BoundedPerElement
if its DoFn.ProcessElement
method returns void
and DoFn.UnboundedPerElement
if it
returns a DoFn.ProcessContinuation
.
A non-splittable DoFn
must not define any of these methods.
More documentation will be added when the feature becomes ready for general usage.
Copyright © 2016 The Apache Software Foundation. All rights reserved.


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{{if $author.thumbnail}} {{end}} {{$author.firstName}} {{$author.lastName}} {{if $author.bio}} {{$author.bio}} {{else}} Read more posts by this author. {{end}}


|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object cetus.analysis.AnalysisPass cetus.analysis.RangeAnalysis
public class RangeAnalysis
RangeAnalysis performs symbolic range propagation for the programs by symbolically executing the program and abstracting the values of integer variables with a symbolic bounds. The implementation is based on Symbolic Range Propagation by Blume and Eigenmann, which was implemented for the Fortran77 language.
The goal of Range Analysis is to collect, at each program statement, a map from integer-typed scalar variables to their symbolic value ranges, represented by a symbolic lower bound and an upper bound. In other words, a symbolic value range expresses the relationship between the variables that appear in the range. We use a similar approach as in Symbolic Range Propagation in the Polaris parallelizing compiler, with necessary adjustment for the C language, to compute the set of value ranges before each statement. The set of value ranges at each statement can be used in several ways. Pass writers can directly query the symbolic bound of a variable or can compare two symbolic expressions using the constraints given by the set of value ranges.
The high-level algorithm performs fix-point iteration in two phases when propagating the value ranges throughout the program. The first phase applies widening operations at nodes that have incoming back edges to guarantee the termination of the algorithm. The second phase compensates the loss of information due to the widening operations by applying narrowing operation to the node at which widening has occurred. During the fix-point iteration, the value ranges are merged at nodes that have multiple predecessors, and outgoing value ranges are computed by symbolically executing the statement. Two typical types of program semantics that cause such changes of value ranges are constraints from conditional expressions and assignments to variables.
Range analysis returns a map from each statement to its corresponding
RangeDomain
that contains the set of valid value ranges before
each statement. The result of this analysis was verified with the
C benchmarks in the SPEC CPU2006 suite. Range analysis does not handle
integer overflow as it does not model the overflow but such cases are rare
in normal correct programs. Following example shows how to invoke a range
analyzer in a compiler pass:
Map<Statement, RangeDomain> range_map = RangeAnalysis.getRanges(procedure); RangeDomain range_domain = range_map.get(statement); // range_domain now contains the set of value ranges for the statement.Following example shows a function and its range map created after the range analysis.
int foo(int k) { [] int i, j; [] double a; [] for ( i=0; i<10; ++i ) { [0<=i<=9] a=(0.5*i); } [i=10] j=(i+k); [i=10, j=(i+k)] return j; }
| Field Summary | |
|---|---|
static int |
RANGE_EMPTY
Option for disabling range computation |
static int |
RANGE_INTER
Option for enforcing inter-procedural analysis |
static int |
RANGE_INTRA
Option for enforcing intra-procedural analysis |
| Fields inherited from class cetus.analysis.AnalysisPass |
|---|
program |
| Method Summary | |
|---|---|
static RangeDomain |
extractRanges(Expression e)
|
java.lang.String |
getPassName()
Returns the pass name. |
protected static CFGraph |
getRangeCFG(IPANode node)
Returns the fine-grain result of range analysis with the given interprocedural input. |
static RangeDomain |
getRangeDomain(Statement stmt)
Returns a range domain for the given statement. |
java.util.Map<Statement,RangeDomain> |
getRangeMap(Procedure proc)
Performs range analysis for the procedure and returns the result. |
protected static java.util.Map<Statement,RangeDomain> |
getRanges(IPANode node)
Returns the coarse-grain result of range analysis with the given interprocedural input. |
static java.util.Map<Statement,RangeDomain> |
getRanges(SymbolTable symtab)
Returns a range map created for the symbol table object. |
static java.util.Map<Statement,RangeDomain> |
getRanges(SymbolTable symtab,
int temporal_option)
Enforces use of the specified option for computing the ranges |
protected static boolean |
isTractableType(Symbol symbol)
|
protected static void |
setRanges(java.util.Map<Procedure,java.util.Map<Statement,RangeDomain>> ip_ranges)
Sets the interprocedural range maps with the specified new map. |
void |
start()
Starts range analysis for the whole program. |
static java.lang.String |
toPrettyRanges(Traversable t,
java.util.Map ranges,
java.lang.Integer indent)
Returns the range map in a pretty format. |
| Methods inherited from class cetus.analysis.AnalysisPass |
|---|
run |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
|---|
public static final int RANGE_EMPTY
public static final int RANGE_INTRA
public static final int RANGE_INTER
| Method Detail |
|---|
public java.lang.String getPassName()
getPassName
in class AnalysisPass
public void start()
start
in class AnalysisPass
public java.util.Map<Statement,RangeDomain> getRangeMap(Procedure proc)
proc
- the input procedure.
public static java.lang.String toPrettyRanges(Traversable t, java.util.Map ranges, java.lang.Integer indent)
t
- the traversable object.ranges
- the range map.indent
- the indent for pretty printing.
public static java.util.Map<Statement,RangeDomain> getRanges(SymbolTable symtab, int temporal_option)
public static java.util.Map<Statement,RangeDomain> getRanges(SymbolTable symtab)
symtab
- the symbol table object whose range map is collected.
protected static CFGraph getRangeCFG(IPANode node)
protected static java.util.Map<Statement,RangeDomain> getRanges(IPANode node)
public static RangeDomain getRangeDomain(Statement stmt)
stmt
- the input statement.
protected static void setRanges(java.util.Map<Procedure,java.util.Map<Statement,RangeDomain>> ip_ranges)
protected static boolean isTractableType(Symbol symbol)
public static RangeDomain extractRanges(Expression e)
|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


The following element should have a css rule to change the entire :root color to green:
Note: you should see this text in magenta because the `:root { color: green }` rule does not get applied to the global because it is declared inside a shadow.


Right back at the very beginning of this series of articles [1] I talked about how I had found great utility in chat-style software as an alternative for email to exchange brief messages with my team-mates about day-to-day events. Those messages are generally asynchronous in nature and related to the events going on around me, such as broken builds, production issues, the forthcoming need for coffee, etc. But when it comes to aspects of software design the need to converse with a human on a less constricted form usually takes over. Depending on who’s around at the time it might mean leaning across a desk, walking down the isle or putting a metaphorical pen-to-paper and banging out a thought-inducing email (largely to self, but with the ability for others to provide feedback).
In the “good old days” they were pretty much your only choices, but the modern era of smart-phones and ubiquitous internet access means I’m always within “close” reach of a whole bunch of clever people; some that I already work with but far more that I don’t. This means I can tap-in to the “wisdom of crowds” to some degree and perhaps get feedback in the intervening time before my colleagues are once again around me and able to provide that high-bandwidth communication channel I need to drill down to the finer details.
Of course dial-up forums like CompuServe and Cix were around long before the likes of Twitter and Facebook, as were the Internet-based online forums such as the Usenet. However, although the readership was large, it varied widely and although I made some metaphorical friends the transport mechanism was not really up for the social banter that adds a little more character and background to its users. In fact culturally it was a faux pas to add mindless chatter because it consumed bandwidth and back then bandwidth cost serious money when all you had was a modem measured in kilo-bits per second. In stark contrast, services like Twitter with its so-called “micro-blogging” format means that the content length is purposefully constrained and probably means that the transport overhead now dominates the message size!
It’s seems ironic after the years of worrying about keeping “on topic” to purposefully choose to use a service that restricts your freedom. But what I’ve found with the likes of Twitter is that I can gauge opinion about even very small matters so long I can squeeze it into 140 characters or less. I can on occasion stretch to 280 if I want to try the patience of my audience, but hopefully they’ll forgive me if it’s interesting.
Distilling a problem down to its essence is a tricky problem, but also a worthy pursuit in its own right as you may even answer your own question just by going through the motions. The fear of public ridicule can be a sobering thought too. Occasionally I’ve attempted to frame a question as a rant to see if I get a “me too” style response or just a “look” of derision. When you work in a very small or very inexperienced team you sometimes need to look outside for validation, or a friendly ear. It probably sounds a little dysfunctional as I should be able to address concerns about my colleagues and their work directly to them, but in the early stages I like to keep “the air clear” between us and get a reality check from a third party first about whether it’s a mountain or a molehill.
Social Networking tools have embraced the whole push model so that you get a stream of collective consciousness delivered directly to your device. Assuming that you’re one of those people who doesn’t just follow everyone in the world and are interested in keeping the data stream down to a manageable level, there is a continual diet of knowledge and sage advice to be had. That insight may come in the form of a quote from such a luminary as Alan Kay or Sir Tony Hoare. Or it may come in the thinly veiled guise of “geek humour” such as an XKCD [2] cartoon. Or it might be an off the cuff remark from one of your fellow ACCU colleagues.
My own social networking persona is very much for the purposes of my professional programming career. Although I clearly make out-of-band comments, the group of people I follow and the content I generally consume is of a programming related nature. Personally I’m not interested in trying to maintain a separate “private” persona, but I know of people that do – so that they can keep their work and personal lives separate as a way of managing the onslaught of data. Despite probably overdoing it myself on occasion I do try and stick with those people that provide the highest signal-to-noise ratio. Tooling has made a big difference here by filtering messages in an intelligent way so you don’t get cross-talk.
The links to blog posts and articles I receive are often very useful, but I have to squirrel them away with a bookmark and save them for later consumption. No, what I really enjoy most are the little pearls of wisdom that act as continual reminders to think about what we’re doing. Even with the best intentions I lose focus and find myself slipping back into dubious habits or not bothering to think hard enough about what the best name might be for a class or method.
One time I remember lazily naming a class “EngineManager”.
Before I had committed it though a tweet (from
The practice Nat Pryce appeared to be commenting on is a long-standing joke in Java where there has been a habit of seeing how many Gang of Four pattern names you can squeeze into one class. In my case I felt I was quite justified in naming my class with the “Pool” suffix as it documented the expected behaviour nicely. The point though is that it made me stop and think.
And that’s what I enjoy most about having a stream of one-liners flowing though my consciousness every day, they keep me honest and remind me of the many forces that I need to keep in balance with every line of code I write.
[1] In the Toolbox – Team Chat, C Vu, May 2013
[2] http://xkcd.com
[3] Pattern-Oriented Software Architecture. Volume 3: Patterns for Resource Management
05 December 2013
Bio
Chris is a freelance developer who started out as a bedroom coder in the 80’s writing assembler on 8-bit micros; these days it’s C++ and C#. He also commentates on the Godmanchester duck race and can be contacted via<EMAIL_ADDRESS>or @chrisoldwood.


Week 6 - Stereotype Threat
Going into this week's studies, I had never heard of the concept "Stereotype Threat." Upon reading more deeply into the topic I still don't seem to grasp the full scope of how these sorts of feelings could impact someone. I suppose this could be due to me never having really felt this sort of pressure. Growing up in the enviornment my family had built, I was never exposed to feelings that would restrict someone's efforts.
I've been recalling past events and attempting to pinpoint where either myself or someone in my company suffered from Stereotype Threat and I'm not having an easy time doing so. In considering the circumstances, I keep attempting to liken it to peer pressure. There have been ample times in my group of buddies growing up that each of us did something incredibly stupid for the simple prize of earning the respect of our peers. The peer pressure feeling, however, seems to be rooted more deeply in our own egos.
I consider myself to be socially adept and a fan of people in general. I'm always interested in learning new perspectives and trying to itegrate them into my social interactions. Every time I'm able to perceive a potential conflict before it fully manifests, I gain strength over my enviornment. Its always been a goal of mine to create situations where folks feel at ease around me. Perhaps my intentions are rooted in a bit of selfishness as I personally operate better when a scene is mellow, but I feel its important for everyone to have a safe place to talk freely and be themselves.
I'll attempt to be mindful of this concept moving forward and do my best to ensure these feelings in others are not the result of my actions.


Meditation has always been a part of my life as I come from a family that practises Buddhism which strongly encourages meditation as a daily practice. Although I do not always manage to maintain a routine of daily meditation, the concept of mindfulness is always very present for me. As of yet I have not tried any of the new techniques, however I find the idea of the pomodoro technique very interesting and would like to try it. I think this will be positive as I tend to immerse myself into study for long periods and then struggle to find the motivation to get back into it again that day.
I found the idea of forcibly taking breaks even when you are in a 'flow' very interesting. It goes against how I study intuitively and I would like to see what kind of effect it has on my productivity.
Meditation is pretty great. Otherwise I am yet to discover the other techniques!
The Pomodoro technique.