Parsing webmentions
Thanks to everyone who helped me test webmentions that I hacked together at Indie Web Camp last weekend.
Let me explain what web mentions are all about…
Basically, it’s an equivalent to pingback. Let’s say I write something here on adactio.com. Suppose that prompts you to write something in response on your own site. A web mention is a way for you to let me know that your response exists.
If you look in the head
of any of my journal posts, you’ll see this link
element:
<link rel="webmention" href="http://adactio.com/webmention.php" />
That’s my web mention endpoint: http://adactio.com/webmention.php …it’s kind of like a webhook: a URL that’s intended to be hit by machines rather than people. So when you publish your response to my post, you ping that URL with a POST request that sends two parameters:
target
: the URL of my post andsource
: the URL of your response.
Ideally your own CMS or blogging system would take care of doing the pinging, but until that’s more widely implemented, I’m providing this form at the end of each of my posts:
Either way, once you ping my web mention endpoint—discoverable through that link rel="webmention"
—with those two parameters, I just need to confirm that your post does indeed contain a link to my post—by making a cURL request and parsing your source—and then I return a server response of 202 (Accepted).
Here’s the code for a minimum viable web mention in PHP.
That’s as far as I got at Indie Web Camp but it was enough for me to start collecting responses to posts.
The next step is to do something with the responses. After all, I’ve already got the source of each response from those cURL requests.
Barnaby has a written a nice straightforward microformats parser in PHP. I’m using that to check the cURLed source for any responses that have been marked up using h-entry. That’s one of the microformats 2 vocabularies—a much simpler way of writing structured content with microformats.
Aaron, Amber, and Barnaby all sent responses that were marked up with h-entry so now their responses appear in full.
So there you have it. Comments are now open on every journal post on adactio.com …the only catch is that you have to write the comment on your own site. And if you want the content of your post to appear here (instead of just a link) then update your blog post template to include a handful of h-entry classes.
Feel free to use this post as a test. Mark up your blog with h-entry, write a post that links to this URL, and enter the URL of your post in the form below.
Comments
"Parsing Webmentions" by @adactio: http://adactio.com/journal/6495/ A step-by-step explanation of how to receive #webmentions and incremental steps you can take afterwards like: * displaying links to posts that mention yours * displaying such posts in their entirety with attribution Well done Jeremy.
adactio: this is awesome! http://adactio.com/journal/6495/
Jeremy has recently implemented Webmention on adactio.com, and posted an explanation of the small piece of code involved. I I love the simplicity of Webmention, and I love the Indieweb idea of connecting our conversations in the simplest possible way whilst still publishing to our own sites, owning our data. I intend to implement it on this site as soon as I can: both to test it out, and to offer a way of commenting without all the hassle of actually managing comments (sort of).
I do have one teensy tiny criticism though: what’s that little bit of tech-specific junk doing in the Webmention URL, Jeremy? “Dot PHP”? Cool URI:s don’t change, but publishing platforms and script languages do, right? Excuse me sir, your CMS is showing! :-)
In 2007 and 2011 I wrote a pair of articles where I tried to articulate my thoughts on what I saw as the dawning social web. The earliest article was about Google’s OpenSocial API, and the latter, about what I saw as Google’s new social network, built around profiles, rel=me and Buzz.
Neither came to pass.  But, what they demonstrated was Google’s attempts at socialising the web itself. Of course, this dream died when Google+ was released as a Facebook-clone and Google returned to only being an advertising company.
But, others have been continued working on freeing the web for us.
IndieWeb
Individuals like Tantek Çelik, Barnaby Walters, Jeremy Keith and many others are tirelessly working on ensuring that the content we create is recognised as ours, controlled by us and, in the end, owned by us. This work is best articulated by the principles of the IndieWeb.
One of the latest pieces of work developed by Jeremy Keith is webmentions.
Webmentions
Webmentions allows conversations, that would usually occur in comments, to take place on your own website. Pinging back responses to the original article allows readers to follow the discussion of articles and comments, while the content itself continues to be hosted on the respondent’s website and owned by them - fulfilling the IndieWeb principles.
Google Buzz performed this kind of aggregation and connecting. It allowed conversations to happen across the web and be followed in one place.
Webmentions picks up where Buzz left off and adds the ability to host the conversation itself to the mix.
A fantastic tool that I can’t wait to implement on this site.
http://inkdroid.org/journal/2013/09/16/mentioning-webmention/
@sandeepshetty @pfefferle cweiske Something new to consider: Jeremy Keith added a webmention sending form to his journal entries to help people who’s websites don’t support webmention already. Being able to test and use webmention through a human visible, interactable form is a huge benefit of using HTTP form encoded data.
We can make this an even stronger case by encouraging success and error responses to be full HTML documents with helpful copy.
See also * http://tantek.com/2013/258/t2/web-protocols-should-use-http-params-no-xml * http://adactio.com/journal/6469/ * http://adactio.com/journal/6495/
http://yatil.net/webmentions-adactiocom
@benwerd Thanks! Credit for the inline webmention box goes to @adactio! http://adactio.com/journal/6495/
This site does not have a way for readers to post comments under each article. And I plan not to implement a comment section. Instead, now Parallel Transport accepts webmentions, so you can write and publish responses on your own place on the web and link it back to the original article here. In fact this very article appears as a response on Jeremy Keith’s post.
Comments & Feedback Most comments are useless. They do not contribute much to the original content. They’re mostly one-line quips about liking or disliking the post. No context, no feedback, no thought. Having a comment form makes it very easy to post a random comment on some website. Combine that with the anonymity it affords, comment sections are breeding grounds for trolls, unconstructive arguments, flaming, name-calling, and shouting matches. No wonder the bottom-half of the internet is so despised.  Public discussions can be had on social platforms like Facebook, Twitter, Google+. If you really have some response to what I write, you can use email or catch me on one of the aforementioned social site places. Or better yet, write your own post about it on your own blog, site, journal, social-network-thingie!
You write on your site; I write on mine. That’s a response.
—John Gruber on I’ll Tell You What’s FairIf your response, adds something of value to the original content, I’ll post it here. I have transfered many such valued comments over from my old blog. Not all of them agreed with what I had to say, but they were considered responses, instead of just ‘I like it!’ or ‘This is shit!’. Webmention So suppose you have published a response on your own site. Webmention is a way to notify me of your response. You send the URL of your response along with the URL of my original article as a POST request to my web server. My server verifies that the response post exists and that it links to the original article. Now, I can do something with your response. I could simply link to it below my article, or repost your entire response. I have chosen to take a middle-ground and display a little snippet with a nice link back to your original post. If all goes well, you would have responded to my article with one of your own, published on your own site, and still have a discussion that links back and forth. Since, most web-publishing platforms don’t support sending mentions automatically, , I have a small form at the bottom of every article that you can use to send me the link to your response post. If you are interested in the details of how this works, take a look at the webmention spec, and the informative discussion at the IndieWeb. If, like me, you use and love Python, Panayotis Vryonis has written a good tool to handle webmentions. You can also see my own webmention code, which extends Vryonis’ webmentiontools to do a few more things. Feel free to make suggestions, test, extend and use it. And if you do, let me know. Or better yet, write about it and link it back here!
Related reading: Comments still off —Matt Gemmell Why I dont’t have comments —Seth Godin Why you can’t comment here—Panayotis Vryonis Parsing webmentions — Jeremy Keith. Also, read the wonderful webmention-ed articles at the end. IndieWeb Principles Comparison table of linkback methods on Wikipedia.
http://colin.getbarley.com/6851/the-blog-isn-t-dead-it-is


Demonstrates:
Template-based rendering using John Resig's
micro-templates
while still using SlickGrid's virtual rendering technology.
Hiding column names
View Source:
View the source for this example on Github


Before Change
readCSV = csv.reader(file_like_object, delimiter=",")
tuples = list(map(lambda x: (x[0], torch.tensor([float(c) for c in x[1].split()], dtype=torch.float)), readCSV))
words = [pair[0] for pair in tuples]
vectors = [pair[1] for pair in tuples]
return Vectors(words, vectors, unk_tensor=unk_tensor)
After Change
vectors = []
for row in readCSV:
tokens.append(row[0])
vectors.append(torch.tensor([float(c) for c in row[1].split()]))
return Vectors(tokens, vectors, unk_tensor=unk_tensor)


CFitToCSD
| Syntax | ||
int CFitToCSD(int store,double min_pwr, double pmax,double vmax,double wmax,struct CFitdata *cfit, struct CSDdata *ptr); | ||
| Header | ||
| superdarn/cfitcsd.h | ||
| Library | ||
| cfit | ||
| Description | ||
The The argument store gives the parameters that should be stored; if bit zero is set then power is stored, if bit (1) is set then velocity is stored and if bit (2) is set then spectral width is stored. The arguments pmax, vmax, and wmax, give the absolute maximum values for power, velocity and spectral width. These values are used to scale the data when it is converted to a color value. The | ||
| Returns | ||
| Returns zero on success. On error, (-1) is returned. | ||
| Errors | ||
| On error, (-1) is returned. | ||
| Example | ||
|


Igniter.js gives you the power to get thing done in a very small package... The minified version is around 5k! Just include the js file and you're ready to start coding... Igniter.js uses jquery like syntax and selectors.
If you can see this text the script his working...
Click on the buttons to hide, show and toggle this text.
To save space, I wrote one method listen to handle all javascript events, instead of writing a method for each event.
I did write the click method just because it is used so much, I thought it was worth the extra space...


Monterrey, Nuevo Leon, Mexico
University student with passion for programming and photography. Currently stuying Computer Science and Technology Engineering at Tecnologico de Monterrey. Also, Co-Founder of REC Monterrey, a small photography and video marketing business. I have multiple technical skills like:
Personal Information-Personal Picture Gallery
I like to take photographs, play videogames and watch Football soccer. As a computer science and technology engineer I have the need to learn more than what I learn on the classroom to express my ideas the way I want to. My biggest goal for the next two years is to learn the most about computer programming languages like C++ and web development languages like HTML, CSS and JavaScript. By learning these I will be able to develop what I want without having problems with the programming language itself.
Academic / Professional Information
Studying Bachelor of Science in Computer Science and Technology Engineering at the Monterrey Institute of Technology and Higher Education. Currently in my freshman year, I plan to give everything of me in each semester to learn and achieve my goals. I want to take the maximum advantage of the opportunities that my university has to offer. Currently I have only done community service this semester but I also would like to do more. First, I would like to go in an exchange program to Italy. Also, I will apply for internships in my country or internationally. Finally, I want to have a full-time job in the last year of my university. I have done some projects so far such as small personal webpages and games. Also, I participated in a local programming competition of ACM-ICPC Top Teen Programmer 2016.
My own code of ethics Today and in my professional future I will always keep in mind ethics in everything I do. We live in a country where people do not often respect ethics, which makes our development be slow and inefficient. I personally believe that in my degree there are many things that I need to always keep in mind, but I will mention the 5 most important points I must respect as a software developer.


Copyright © 2009 Marc Worrell Copyright 2009 Marc Worrell Licensed under the Apache License, Version 2.0 (the "License"); you may not use this file except in compliance with the License. You may obtain a copy of the License at http://www.apache.org/licenses/LICENSE-2.0 Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License.
Authors: Marc Worrell (marc@worrell.nl).
Scomp behaviour definition. A scomp is a screen component that can optionally be cached.
render(Params, Vars, Context) -> {ok, NewContext} | {ok, io_list()} | {error, Error}
vary(Params, Context) -> {EssentialParams, MaxAge, Vary} | nocache | default
Params = proplist() EssentialParams = proplist() (proplist with params that make differences in the cache key) MaxAge = integer() Vary = TermList (used as dependencies for the depcache)| behaviour_info/1 |
behaviour_info(Other) -> any()
Generated by EDoc, Apr 11 2012, 20:41:28.


{tag_forumname} | Name of Forum |
{tag_topicdate} | Date and time of topic creation |
{tag_recipientname} | Full name of the recipient |
{tag_topicname} | Name of the topic |
{tag_topicurl} | Hyperlink to view the topic and its posts |
{tag_unsubscribe} | Hyperlink to unsubscribe from the topic |


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Disclaimer: Most OTC drugs are not reviewed and approved by FDA, however they may be marketed if they comply with applicable regulations and policies. FDA has not evaluated whether this product complies.
Active ingredients (in each capsule)
Acetaminophen 325 mg
Dextromethorphan hydrobromide 10 mg
Doxylamine succinate 6.25 mg
Phenylephrine hydrochloride 5 mg
Purposes
Pain reliever/fever reducer
Cough suppressant
Antihistamine
Nasal decongestant
Uses
- •
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Liver warning: This product contains acetaminophen. Severe liver damage may occur if you take
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Allergy alert: Acetaminophen may cause severe skin reactions. Symptoms may include:
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If a skin reaction occurs, stop use and seek medical help right away.
Do not use
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- •
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Ask a doctor before use if you have
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Ask a doctor or pharmacist before use if you are
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When using this product
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Stop use and ask a doctor if
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- cough comes back or occurs with rash or headache that lasts. These could be signs of a serious condition.
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If pregnant or breast-feeding,
ask a health professional before use.
Keep out of reach of children.
Overdose warning: In case of overdose, get medical help or contact a Poison Control Center right away (1-800-222-1222). Quick medical attention is critical for adults as well as for children even if you do not notice any signs or symptoms.
Directions
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- adults and children 12 years and over: take 2 capsules with water every 4 hours. Do not exceed 10 capsules in 24 hours or as directed by a doctor.
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Inactive ingredients
D&C yellow #10, edible ink, FD&C blue #1, gelatin, glycerin, polyethylene glycol, povidone, propylene glycol, purified water, sorbitol sorbitan solution
Questions or comments?
1-800-719-9260
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Compare to Alka-Seltzer Plus® Severe Sinus Congestion active ingredients
See New Warnings
Severe Sinus Congestion
acetaminophen – pain reliever/fever reducer
dextromethorphan hydrobromide – cough suppressant
doxylamine succinate – antihistamine
phenylephrine hydrochloride – nasal decongestant
Allergy & Cough
Sinus Congestion & Pressure
Headache & Pain
Runny Nose & Sneezing
Itchy, Watery Eyes
Cough
20 liquid gels (liquid filled capsules)


So, today is 9/11. I almost missed it. It’s not like it catches you by surprise, you’re not going to forget the date. But it’s just been slipping by for a few years now without much notice.
As an event it is still very important. History flowed from that day. But it doesn’t mean anything anymore.
Remember how everyone was saying, on those days after 9/11/2001, that they thought about life differently, about the things that really mattered and the things that didn’t? A couple years ago I felt frustrated by how quickly that seemed to disappear, how quickly genuine sentiment turned into empty rhetoric. A few years ago that transition was frustrating, now the whole thing seems laughable. The death of irony? No… after 9/11 our modern cynicism was down but it wasn’t out. It came back fighting, and a National Sense Of Grief was no match.
Whatever. I’m tired of it anyway. You win Whatever, you’re the champ.
No related posts.
Wow, that’s depressing. Still, it’s reassuring that even hard core Python developers have these thoughts. I guess being a newb to socket programming isn’t so important after all . . .
What happened that date was terrible, we must never forget. But the time after 9/11 has been even more frightening… Why are media and the official people trying to divide the human kind? Afganistan people are terrorists, iraq people also, and iranian… and everybody that does not follow the spoken word of some country’s elected officials. As a matter of fact our society got major problems heading our way! It ain’t terrorism, it ain’t muslims, it ain’t christian people but it’s the lack of energy. Our stock of fossil fuels are drying out fast… really fast. In the 1970′s USA reached their peak in oil production, that year or the year after the global oil production dropped about 5%. Those 5% resulted in a massive price raise in the US, oil prices went up to 300-400% ! The oil has made our world a small our in terms of reachability the last century. The unlimited access to cheap energy made it possible to expand the markets to other parts of the world, and still remind competative. Today the oil production drop between 3-8% yearly, depending on which oilfield you investigate. The supply of cheap energy is running out, and the consequenses may be horrible if we don’t cooperate. About 80% of our food is made from oil, natural gas or derivates of those products. We harvest our food with machines built on factories that require oil. To operate those machines we need oil. The crops are supplied nutrients which contain materials… from fossil resources. The finished product is transportet on oil-required transportation networks etc. “Alternative” energy such as nuclear, coal etc… all require OIL. A microchip require aprox. 100 times it’s own weight in fossil material to get produced. A car require twice as much. We use oil to produce and operate the machines that create solar cell panels, the machines that fetch coal and even the machines that may extract thorium. We as a society need to focus on this major problem, we need to cooperate with each other to ensure the survival of more people! Doesn’t matter if you are muslim, christian, american, french or canadian. We need to make our local societies more self suffient, cause prices on transportation is about to sky rocket.
Many months ago the fatalities in Iraq were said to be 665,000 people. It was a doctors without borders report. The number now is sure to be much higher.
No, there hasn’t been a link proven between those people and the 9/11 attack. Also the claim of weapons of mass destruction has been found to be a lie.
There however was a link between the US giving money and weapons to the people behind the 9/11 attack in the past. As well as personal, and business ties with the bush family.
The US people have been seriously played.  Shame too on all the other countries for going along with the US.
Even if there was a direct link between the leaders or people of iraq, the response has been barbaric in the extreme.
bla bla bla
Torkel gets it, but when presented with the hard facts about how we maintain living standards in the industrialised world, it’s easy for people to shut down and go into denial, looking for cheap “fixes” which are nothing more than good luck charms that allow everyone to keep on pretending that there’s no problem. There was a report a while back about sustainable resource consumption which mentioned “trucks passing in the night” or some such thing, where some of the figures about the amount of goods needlessly exchanged were astonishing – that Britain and Germany, I think it was, exchange almost exactly the same amount of frozen chicken in a year. “But chicken is cheaper in Germany!” says some “empowered” consumer in Britain, presumably echoing their counterpart in Germany talking about the prices in Britain.
Perhaps I am reading your post incorrectly but it seems like you are mourning the lack of change that the events of 9/11/2001 seemed to herald. In the aftermath people appeared to step down a couple of rungs on [Maslows Heirarchy of Needs](http://en.wikipedia.org/wiki/Maslow'shierarchyof_needs) , perhaps down to the level of “Safety”.
That’s a re-setting of priorities that might look like progress toward a more rational way of living but it’s just temporary. Maslow tells us that as soon as our need for safety is met we move back up the heirarchy to esteem and self-actualization – back to “normal life.”
I think the wars in Afghanistan and Iraq moved the sense of danger to “elsewhere” despite an increase in fear at home.
And the “National Sense Of Grief” was always going to pass. Grief isn’t rational either, it’s an emotional response to loss. I think a nation motivated by grief would be truly monstrous.
So people go back to their old ways. It’s disappointing but I don’t think it’s cynicism, it’s human nature.
But people can change, so don’t give up.
The things that I thought really mattered, like coming together to help each other and making the most of the time we have, seemed to matter to us as a nation only for a few days. Then the real “genuine sentiment” took over: (a) we can’t get them but somebody’s gonna pay, who will we blow up, (b) we obviously need to give up some [essential liberty](http://en.wikipedia.org/wiki/NationalSecurityLetter “National Security Letter”) for some [temporary safety](http://en.wikiquote.org/wiki/Benjamin_Franklin “Benjamin Franklin – Wikiquote”).
“But it doesn’t mean anything anymore.”
Tell it to the dead people in Iraq. Tell it to the waterboarded political prisioners in Guantanamo.
Oh no, it still means a lot: the excuse USA use to slaughter thousands of innocents for profit in the name of “grief”.
Wow. there’s a lot of emotions about this. The U.S. isn’t in Iraq because Iraq attacked us. It’s in Iraq because it presented a credible threat of danger. Saddam used chemical weapons on his own people. According to the U.N. Darfur report, Saddam had frozen his illegal weapons programme due to the embargo but was planning on starting the weapons programme again as soon as the embargo was lifted.
But to make statements like the U.S. is barbaric seems to indicate that you may not understand what Iraq was like before the fall of Saddam.
Ian’s got it right. People heal. You can’t grieve forever. Having a long memory isn’t a bad thing.
Torkel is wrong, unless his statement was tongue in cheek. Obviously not all of any one people, whether Afghan or Iraqi or Iranian are evil. In fact, the real people in these countries are thrilled that they are starting to build a democracy — by themselves. (Well, Iran isn’t, but that’s not for a lack of desire by the non-ruling class.)
We shouldn’t stop hunting Osama Bin Laden until he is in a grave.
Anonymous, Torkel wrote his statement presumably as an example of how the media and those in power like to portray groups of people in order to gain support for some policy or other. With regard to the Iraqi threat, and despite the documented use of chemical weapons before the first Gulf War (about which questions should be directed to Mr Rumsfeld, I believe), after a decade of sanctions (with a huge humanitarian cost) the Iraqi state was in no position to seriously pursue the weapons programmes concerned. Although one obviously has to be cautious about what happened to the materials involved in such programmes, this didn’t provide enough of a selling point for the US and British administrations, and so we ended up with the now-famous “45 minute” claim [1] which was later shown to be absurd. Meanwhile, materials of a similarly worrying nature managed to float around in the USA quite freely [2] – again, something quite useful for propaganda purposes, if you take the cynical view.
Note that none of this is a commentary on the state of Iraqi society before or after the second Gulf War. Indeed, the decision to go to war was based on that “credible threat” of yours, not on ostensibly humanitarian reasons, although people do like to frame it in the latter way now that the original story doesn’t stick. Perhaps people would have supported the campaign if humanitarian reasons had been given as the principal reason for action, but if that were the motivation of an administration, there would be plenty of other countries to choose from besides Iraq. And I can’t help feeling that there would have been a general indifference to such action, anyway, especially given the glacial progress towards resolving other well-known humanitarian crises.
[1] http://www.guardian.co.uk/Iraq/Story/0,2763,1326054,00.html
[2] http://www.guardian.co.uk/anthrax/story/0,,719367,00.html


As a part of SVA's Interaction Design MFA Crafting Interactions course, I chose to explore how a blood pressure monitoring wearable and app would function in the future.
My primary goal was to design an easy to use system that could help user's gain a deeper understanding of how their behavior affects their blood pressure.
To kick-off my design, I outlined the Mobile app and watch interface's information architecture concurrent path. My goal was for each modality to work in symphony with one another.
After completing the wireframes, I designed the first high fidelity version of the blood pressure app. The inaugural version included activity and weight tracking to provide a more holistic view of the user's life.
I built an interactive prototype in XD to test my first version of the app. Due to the Corona virus lock down I was only able to test with one user. fortunately, that one user, my fiance is studying to be a physicians assistant!
My primary goals were to:
Below are the major points of feedback that emerged out of my user research.
In my research, I learned that the typical 60+ high blood pressure patient does not "workout." They are more likely to walk and track their steps. After learning this, I realized that the activity and weight tracker only made the app more confusing so I deleted it.
The first version of the design did not clearly state when the last BP and HR measurement was taken. In the second iteration of the design I remedied this issue.
In my primary research, I learned that a person's blood pressure readings vary throughout the day and night. To get a proper measurement, patients are recommended to measure their BP both in the day and night. As a practitioner, My fiance loved that I acknowledged this truth in my design.
As a practitioner, my fiance loved the log view and the fact that the app offered a diagnosis on the measurement. Often times, patients don't have a great understanding of what their readings really mean.
Upon review of our research findings, I redesigned the blood pressure app and watch interfaces. The second edition is minimalist in function and provides clarity around when the measurements were taken.


Contact Name John Smith
Contact Email<EMAIL_ADDRESS>Contact Phone<PHONE_NUMBER>
Copyright © 2011, Cargo Chief, All rights
reserved.
Quote Contact Information
Best Quote is Great for:
• A price sensitive
shipment
• A large shipment
• You have a bit of time
to get the best price
How Much You are Shipping
X LTL
Less
Than Truckload
Up
to 6 pallets
TL/Partial TL
Truckload
or Partial Truckload
Point
to point transport
7-26
pallets
(●) Location with Dock or Forklift
( ) Location W/O Dock or Forklift
( ) Drop at Terminal
( ) Residential / Inside
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( ) Residential / Inside


Lamborghini Lambo V12 Vision Gran Turismo Is Absolutely Wild
Calling all gamers.
by Jay TraugottWhenever Lamborghini reveals a new concept car, it's guaranteed to be over the top. Today's reveal is no different. Introducing the Lambo V12 Vision Gran Turismo, an all-new concept the Italian automaker emphasizes is "'fun to drive' within the digital environment of the iconic racing game Gran Turismo Sport for Sony PlayStation 4."
It will be virtually available beginning this spring. Lamborghini revealed the concept in the flesh at the 2019 World finals of the FIA-Certified Gran /Turismo Championship in Monte Carlo.
Designed by Lamborghini's Centro Stile design center in Sant'Agata, this single-seater is powered by the same powertrain found in the limited edition Lamborghini Sian, meaning it features a naturally aspirated 6.5-liter V12 paired to a 48-volt mild-hybrid system for a total output of 819 horsepower. The Sian, Lamborghini's first hybrid, makes the sprint from 0 to 60 mph in only 2.8 seconds and has an electronically controlled top speed of 217 mph.
Lamborghini further says that the concept's design expands the potential of its design language in a very futuristic way. Despite being a single-seater, the Lambo V12 Vision GT retains the iconic brand silhouette. And because of its racing nature, no passenger is necessary. Aerodynamics also played a major role in the overall design. For example, there's the large rear wing that houses a Y-taillight. This same Y-signature is found in the headlights as well. The body's elements were designed as high-performance surfaces that integrate both dramatic design and aerodynamics.
Unlike road-going Lamborghinis, the concept's body is disconnected from the fenders. In a nod to the 1968 Lamborghini Marzal, the side windows feature a hexagon-inspired theme. Keeping up with Lamborghini's jet-fighter design approach, the driver enters the cabin just like a fighter pilot does - from the front of the car. All main driving controls are located on the steering wheel while all vital driver information is projected virtually in front of them.
"The Lambo V12 Vision Gran Turismo is created to provide the ultimate virtual car for young fans and gamers, who are ultra-enthusiastic about Lamborghini and its futuristic aspirations," said Mitja Borkert, Head of Lamborghini Centro Stile. "It is an opportunity for the design talent within Lamborghini to stretch its wings and visualize a car that, like every Lamborghini, is a head-turner and the best driving experience, but also mirrors Lamborghini's push on future technologies, particularly in the arena of lightweight materials and hybridization."
But the big question remaining is how does it drive, dynamically speaking? We'll just have to wait until it debuts on Gran Turismo Sport next year.


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§53-26 Powers of redevelopment corporations. Each redevelopment corporation shall have and may exercise such of the powers conferred by the general corporation laws as are necessary in conducting the business of a redevelopment corporation and consistent with this part. [L 1949, c 379, §9; RL 1955, §143-25; HRS §53-26]


The PageRank of the Web3.0 will be the GeoRank
June 3 2008, 5:23 PM
The PageRank is the current metric used by Google to rank websites.
The higher the page rank of your website, the more chance you have to appear on the first results of a search on Google.
The page rank is an absolute value. For all viewers, wherever they are, whatever language they speak, your PageRank is the same.
The web3.0 will radically change the rules. As all content will be geotagged, content will have to be classified using a new metric: the GeoRank. GeoRank will not be an absolute value. It will always be related to the observer*.
Indeed, content that first matters to you, is content related to things which are close to you.
For example, if you search for "reviews", you will expect to first have reviews of restaurants close to you.
* Interesting statement. This sounds more and more like quantum physics where everything is related to the observer.
Empowering local agents
Till now, your local bookshop had a hard time with Amazon-like websites. As all these books were globally available, global monsters like Amazon logically succeeded in that business. They can offer better prices and yet deliver at your home in a respectable time.
But if things are GeoRanked, when you will search for the latest Harry Potter book, you will first see places near to you when you can get your copy.
Why would you prefer that than ordering your copy via a global agent?
- Speed Search for the last Harry Potter book. First result: corner bookshop - 1 mile away. Even by feet you will get your copy faster than with an express delivery with Amazon.
- Price With the gas topping at $200/barril, it will become harder for companies like Amazon to ship on a one-to-many basis at a good economical price tag. It is just not an optimized way of distributing things.
- Environment Why would you ship a book from USA if there is copy available in your neighborhood? The environmental footprint is completely different.
- Meet people After all, we are social animals isn't it?


--- layout: post title: How can 59,054,087 people be so DUMB? categories: [] tags: [] status: publish type: post published: true meta: _original_post_id: '' _original_import_author: John Duprey author: ---
jduprey


CRTs, or video monitors, are the most common output device on computers today. The figure below illustrates the basic structure of a CRT. A CRT is an evacuated glass bottle, with a heating element on one end and a phosphor coated screen on the other. When a current flows through this heating element, called a filament, the conductivity of the metal filamant is reduced due to the high temperature. This cause electrons to pile up on the filament, because they can not move as fast as they would like to (Notice I'm wearing my "electrons-are-particles" hat). Some of these electrons actually boil off of the filament.
These free electrons are attracted to a strong positive charge from the outer surface of the focusing anode cylinder (sometines called an electrostic lens). However, the inside of the cylinder has a weaker negative charge. Thus when the electrons head toward the anode they are forced into a beam and accelerated by the repulsion of the inner cylinder walls in just the way that water is speeds up when its flow though a smaller diameter pipe. By the time the electrons get out they're going so fast that they fly past the cathode they were heading for.
The next thing that the electrons run into are two sets of weakly charged deflection plates. These plates have opposite charges, one positive the other negative. While their charge is not strong enough to capture the fast moving electrons they do influence the path of the beam. The first set displaces the beam up and down, and the second displaces the beam left and right. The electrons are sent flying out of the neck of the bottle, called a yolk, until they smash into the phosphor coating on the other end of the bottle. The impact of this colission on the out valence bands of the phophor compounds knocks some of the electrons to jump into the another band. This causes a few photons to be generated, and results in our seeing a spot on the CRT's face.
CRTs were embraced as output devices very early in the development of digital computers. There close cousins, vacuum tubes, were some of the first switching elements used to build computers. Today, the CRT is a the last remaining vacuum tube in most systems (Even the flashing lights are solid-state LEDs).
Most likely, oscilloscopes were some of the first computer graphics displays. The results of computations could be used to directly drive the vertical and horizontal displacement plates in order to draw lines on the CRT's face. By varying the current to the heating filament the output of the electron beam could also be controlled. This allowed the intensity of the lines to vary from bright to completely dark.
These early CRT displays were called vector, calligraphic or affectionately stroker displays. The following demostration gives some feel for how they worked.
By the way, this demo is an active Java applet. You can click and drag your mouse inside of the image to reorient the CRT for a better view. Notice the wireframe nature of the displayed image. This demo is complicated by the fact that it's a wireframe simulation of a wireframe display system. Notice how the color of the gray lines of the CRT vary from dark to light indicating which parts of the model that are closer to the viewer. This technique is called depth-cueing, and it was used frequently on vector displays. The intensity vriations seen on the teapot, however, are for a different reason. Eventaully, the phosphors recover from their excited state and the displaced electrons return back to their original bands. The glow of the phosphor fades. Thus, the image on the CRT's face must be constantly redrawn, refreshed, or updated.
The two primary problems with vector displays are that they required constant updates to avoid fading, thus limiting the drawn scene's complexity, and they only drew wireframes.
During the late 50s and early 60s, broadcast televison, really began to take off. It had been around for a while, but it didn't become a commodity item until about this time. Televisions are basically just oscilloscopes. The main difference is that instead of having complete control over the vertical and horizontal deflection, a television sweeps its trace across the entire face in a regular fixed pattern (the actual details are slightly more complicated, but that's the jist of it). This scanning pattern proceeds from the top-left of the screen to the bottom-right as shown in the diagram. The final result is that the entire screen is painted once every 1/30th of a second (33 mS).
Televisions were mass produced and inexpensive. For a computer to paint the entire screen it needs only to synchronize its painting with the constant scanning pattern of the raster. The solution to this problem was to add a special memory which opreated synchronous to the raster scanning of the TV. But, while televisions were cheap, memory wasn't. So there was a long period where the patterns were scanned out of a cheap high-density read-only memories, called character generators. The trick was to use a single 8 bit code to specify an 8 by 12 character pattern from the ROM, and with a few addressing tricks one could build a nice display (80 by 25 character) with only 2 kilobytes of memory. Thus the era of the CRT-terminal was born.
There were a few attempts at building systems with downloadable or programmable character generators. And a few systems added an extra byte to specify the foreground and background colors of the character cell. Lots of tank/maze arcade games in the 70's worked this way. But by the late 70's and early 80's the price of memory started a free-fall and the graphics terminal was born. Next lecture we'll go into a lot more detail about how the notion of a framebuffer is fundamental to modern computer graphics.
Color CRT's are more complicated than the simple monochrome models summarized above. The phosphors on the face of a color CRT are laid out in a precise geometric pattern. There are two primary variations, the stripe pattern of in-line tubes shown on the left, and the delta pattern of delta tubes as shown on the right.
Within the neck of the CRT there are three electron guns, one each for red, green, and blue (the actual beams are all the same color-- invisible). There is also a special metal plate just behind the phosphor cover front face, called a shadow mask. This mask is aligned so that it simultaneously allows each electron beam to see only the phosphors of its assigned color and blocks the phosphor of the remaining two colors.
The figure shown above shows the configuration of an example in-line tube. On page 44 of Hearn & Baker you'll see a similar diagram for a delta electron gun configuration
A significant portion of the electron beam's energy strikes the mask rather than the phosphors. This has two side effects. The shadow mask has to be extremely rigid to stay aligned with the phosphor patterns on the CRT face. The collision of electrons with metal mask causes the mask to emit some of it absorbed energy as eletromagnetic radiation. Most of this energy is in the form of heat, but some fraction is emitted as x-rays. X-rays can present a health hazard. This wasn't a large problem for television because the intensity of the x-ray radiation falls off quickly as you move away from the screen. However, computer monitors are supposed to be viewed from a short distance. This health concern along with the high voltages and power dispations of CRTs has motivated the development of new display technologies.
For more information on CRTs check out the following links:
When LCDs are used as optical (light) modulators they are actually changing polarization rather than transparency (at least this is true for the most popular type of LCD called Super-twisted Nematic Liquid crystals). In their unexcited or crystalline state the LCDs rotate the polarization of light by 90 degrees. In the presence of an electric field, LCDs behave like a liquid and align the small electrostatic charges of the molecules with the impinging E field.
The book Hearns & Baker is a little confusing in describing how LCDs work (pp. 47-48). They call the relaxed state the "On State" and the excited state the "Off State". Their statement is only true from the point of view of the pixels when the LCDs are used in a transmissive mode (like on most laptops). The opposite is true when the LCDs are used in a reflective mode (like on watches).
The LCD's transition between crystalline and liquid states is a slow process. This has both good and bad side effects. LCDs, like phosphors, remain "on" for some time after the E field is applied. Thus the image is persistent like a CRT's, but this lasts just until the crystals can realign themselves, thus they must be constantly refreshed, again, like a CRT.
Rather than generating light like a CRTs, LCDs act as light values. Therefore, they are dependent on some external light source. In the case of a transmissive display, usually some sort of back light is used. Reflective displays take advantage of the ambient light. Thus, transmissive displays are difficult to see when they are overwhelmed by external light sources, whereas reflective displays can't be seen in the dark. You should also note that at least half of the light is lost in most LCD configurations. Can you see why?
The LCD's themselves have extremely low power requirements. A very small eletric field is required to excite the crystals into their liquid state. Most of the energy used by an LCD display system is due to the back lighting.
I mentioned earlier that LCD's slowly transition back to their crtstalline state when the E field is removed. In scanned displays, with a large number of pixels, the percentage of the time that LCDs are excited is very small. Thus the crystals spend most of their time in intermediate states, being neither "On" or "Off". This behavior is indicative of passive displays. You might notice that these displays are not very sharp and are prone to ghosting. Another way to building LCD displays uses an active matrix. The individual cells are very similar to those described above. The main difference is that the electic field is retained by a capacitor so that the crystal remains in a constant state. Transistor switches are used to transfer charge into the capacitors during the scanning process. The capacitors can hold the charge for significantly longer than the refresh period yeilding a crisp display with no shadows. Active displays, require a working capacitor and transistor for each LCD or pixel element, and thus, they are more expensive to produce.
More resources:
Next time well discuss the computer side of raster displays.
Back to OutlineThis page was last modified 8/21/96


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Standard Information Format Specification
Chapter 3: Logic
Bottom
In KIF, all functions are total, i.e. there is a value for every combination
of arguments. In order to allow a user to express the idea that a function
is not meaningful for certain arguments, KIF assumes that there is a special
"undefined" object in the universe and provides the object constant
bottom to refer to this object.
True and False
The truth value of true is true, and the truth value of false
is false.
Equations and Inequalities
An equation is true if and only if the terms in the equation refer to the same object
in the universe of discourse.
An inequality is true if and only if the terms in the equation refer to distinct
objects in the universe of discourse.
Relational Sentences
A simple relational sentence without a terminating sequence variable is true
if and only if the relation denoted by the relation constant in the sentence
is true of the objects denoted by the arguments. Equivalently, viewing a
relation as a set of tuples, we say that the relational sentence is true if
and only if the tuple of objects formed from the values of the arguments is a
member of the set of tuples denoted by the relation constant.
If a relational sentence terminates in a sequence variable, the sentence
is true if and only if the relation contains the tuple consisting of the
values of the terms that precede the sequence variable together with the
objects in the sequence denoted by the variable.
Logical Sentences
A negation is true if and only if the negated sentence is false.
A conjunction is true if and only if every conjunct is true.
A disjunction is true if and only if at least one of the disjuncts is
true.
Forms
If every antecedent in an implication is true, then the implication as a whole
is true if and only if the the consequent is true. If any of the antecedents
is false, then the implication as a whole is true, regardless of the truth
value of the consequent.
A reverse implication is just an implication with the consequent and antecedents
reversed.
Note that the significance of variables in sentences and forms
depends on context. Variables in an assertion are assumed to be
universally quantified. Variables in a query are assumed to be
existentially quantified. In other words, the meaning of variables is
determined by the way in which SIF is used. It cannot be unambiguously
defined within SIF itself.
Michael R. Genesereth


IN AND OUT
A Film Review by James Berardinelli
RATING (0 TO 10): 8.0 Alternative Scale: ***1/2 out of ****
United States, 1997 U.S. Release Date: 9/19/97 (wide) Running Length: 1:30 MPAA Classification: R (Profanity, mature themes) Theatrical Aspect Ratio: 1.85:1
Cast: Kevin Kline, Tom Selleck, Joan Cusack, Matt Dillon, Debbie Reynolds, Wilford Brimley, Bob Newhart, Shalom Harlow Director: Frank Oz Producer: Scott Rudin Screenplay: Paul Rudnick Cinematography: Rob Hahn Music: Marc Shaiman U.S. Distributor: Paramount Pictures
Two years ago, writer Paul Rudnick brought his play JEFFREY to the screen. The result was one of the year's most hilarious motion pictures. This gay romantic comedy was sly, irreverent, and even a little sentimental, but, because the lead character (played by WINGS star Steven Weber) was a homosexual, mainstream audiences did not embrace the movie. Not even the presence of STAR TREK's Captain Picard, Patrick Stewart, could pack in the heterosexual crowds. So, while JEFFREY was regarded as a success within the gay community, it was quickly forgotten about outside.
Now, in 1997, Rudnick has written another gay-themed comedy. This one offers bigger laughs, more subversive humor, and a better-known cast. It is surely one of the year's best pure comedies, but it remains to be seen whether Kevin Kline, Matt Dillon, Joan Cusack, and Tom Selleck have enough star power to draw mixed crowds to a film whose subject has traditionally made many straight males uncomfortable. Those who stay away from IN AND OUT because it addresses homosexual issues (albeit in a light fashion) are missing an intelligent, funny motion picture.
From the very first scene, you know that IN AND OUT has struck a rich satirical vein. The movie opens in Greenleaf, Indiana, a conservative, family values-oriented town in middle America that seems to be stuck in the fifties. Director Frank Oz has photographed Greenleaf as a place with a gauzy, fairy tale-like quality that, along with some very pointed dialogue, gently pokes fun at cherished, LEAVE IT TO BEAVER impressions of the "ideal" community. Unlike David Lynch, who has repeatedly attacked this image in his films, Oz and Rudnick are content to have a little affectionate fun with it (much like Christopher Guest did in WAITING FOR GUFFMAN).
We are introduced to Howard Brackett (Kevin Kline), one of the local high school's most popular teachers. Day-in and day-out, Howard attempts to stir the minds of his young charges to embrace Shakespeare and other forms of English literature. And, while the kids appreciate Howard's teaching methods, they're more interested in his recollections of Cameron Drake (Matt Dillon), a pupil from several years ago who has gone on to become a teen heartthrob and the odds-on favorite to win this year's Best Actor Oscar. Howard is less interested in whether Cameron wins, however, than he is in planning his upcoming wedding to a fellow teacher, Emily Montgomery (Joan Cusack), with whom he has been engaged for three years. No one is more excited about the wedding than Howard's mother (Debbie Reynolds), who sees the ceremony as the culmination of a lifelong dream.
Then comes the bombshell. During his internationally-televised acceptance speech for the Academy Award, Cameron goes out of his way to thank "Howard Brackett," adding, rather unexpectedly, that "He's a gay teacher." Everyone, including Howard, is shocked by the statement. The next day, reporters converge on Greenleaf, looking for a story. One of them, Peter Malloy (Tom Selleck), manages to confront Howard alone, and what he reveals causes the confused teacher to question his own sexuality.
IN AND OUT has a thinking person's script, and, as such, works on several levels. It can be seen as a light comedy, a biting satire, and/or a morality play that uses humor to examine society's approach to sexual identities. IN AND OUT definitely isn't a pointless comedy of the DUMB AND DUMBER variety -- it deals with issues in a shrewd manner, using a creative and well-written script to camouflage with wit any preaching. Gay roles and stereotypes aren't the only subject tackled by IN AND OUT. The film also takes a number of pointed shots at various aspects of pop culture (Hollywood, the Oscars, television tabloid shows, supermodels, etc.). The ending includes a wonderful spoof of the climax of SPARTACUS. And the film is peppered with top-notch one-liners, the best of which come during the mock Oscar telecast where Cameron wins his statue.
The actors all do fine jobs. Kevin Kline, who is no stranger to comedy following a pair of John Cleese movies (A FISH CALLED WANDA and FIERCE CREATURES) and DAVE, knows just how to play Howard to keep us laughing yet gain our sympathy. Tom Selleck gives one of his best big- screen performances by playing against type. Joan Cusack is her usual delightful, ditzy self, and Debbie Reynolds picks up here where she left off in MOTHER. The rest of the cast, which includes Matt Dillon, Wilford Brimley, and model Shalom Harlow, is equally solid.
With IN AND OUT, Rudnick, who is openly gay, has written one of 1997's smartest scripts. This is a rare, "feel good" motion picture that doesn't insult our intelligence while making its play for our emotions. Regardless of your opinion of the gay community, IN AND OUT is more than worth an evening's admission -- provided, of course, that you like to laugh.
Copyright 1997 James Berardinelli
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
"A film is a petrified fountain of thought." - Jean Cocteau
The review above was posted to the
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Application Request Form
All Listed Applications here
| Application Id | Application Name | Application Status | Raise Request |
|---|---|---|---|
| Row 1 Data 1 | Row 1 Data 2 | Row 1 Data 2 | |
| Row 2 Data 1 | Row 2 Data 2 | Row 1 Data 2 |
Add Test Case Single
Drag And Drop Application Name And Test Case(.xlsx format only) Multiple
All listed Test Cases are here
| Test Case Id | Test Case Name | Created By | Creation Time | Edit Or Delete |
|---|---|---|---|---|
| Row 1 Data 1 | Row 1 Data 2 | Row 1 Data 2 | Row 1 Data 2 |     |
| Row 2 Data 1 | Row 2 Data 2 | Row 1 Data 2 | Row 1 Data 2 |     |


Fellfield Draff
Ripe with drama, texture, technological unease and sheer physical heft … A stunning requiem mass for dead media - The Wire
the aural experience of viewing long-term shifts of geological time at the same time as peering down a microscope at the teeming minutiae in a single drop of water … a subtle synthesis of brute force and beauty - We Need No Swords
Daniel Bennett - electronics, software
Stephen Cornford - electronics, objects
Recorded & constructed in Bristol 2013-2014
Mastered by Joe Panzner
Artwork by Daniel Bennett
HR10 [Hideous Replica]
CD edition of 100, 2015
Available from http://www.hideousreplica.co.uk/hr10
Review by Robert Barry in The Wire:
From the moment it starts, Fellfield Draff is a recording ripe with drama, texture, technological unease and sheer physical heft. According to the label website, the album was “recorded and constructed in Bristol 2013-2014” and it certainly feels like something as much built as inscribed. Though it’s produced entirely from electronic sounds, the material appears to be premised on the material infrastructure of modern technology rather than the more ideological metaphors of clouds and celestial highways that tend to be superimposed on top of that. This is the sound of technology deconstructing itself, a stunning requiem mass for dead media.


I was encountering a locale issue on my Ubuntu server earlier. The error looks something like this:
unsupported locale setting
Traceback (most recent call last):
File "/usr/lib/python3/dist-packages/CommandNotFound/util.py", line 24, in crash_guard
callback()
File "/usr/lib/command-not-found", line 69, in main
enable_i18n()
File "/usr/lib/command-not-found", line 40, in enable_i18n
locale.setlocale(locale.LC_ALL, '')
File "/usr/lib/python3.3/locale.py", line 541, in setlocale
return _setlocale(category, locale)
locale.Error: unsupported locale setting
This was caused by these missing locale settings: LC_ALL and LANG. One way to solve this is by adding an export line for these variables on ~/.bash_profile or ~/.bashrc file.
export LC_ALL=en_US.UTF-8
export LANG=en_US.UTF-8
But because I don’t want to be doing this for all my (future) users, I had to look for a config file which would have a system-wide effect.
I found out about /etc/environment which is used for system-wide environment setting. I managed to solve the issue by appending these in that file.
LC_ALL=en_US.UTF-8
LANG=en_US.UTF-8


If a user selects the ShipConsole Main page, it accepts the order number as input and populates the information . If the destination address of the shipment is International (i.e. other than ship from country) we can see an International shipment link on the middle of the Shipment page as displayed in the Figure 14.1.
Figure 14.1
For international shipments click on the International Shipment link and enter all the necessary information about the shipments in the popup window.
Select DHL as shipmethod , and click on Internationalshipment link as shown in the Figure 14.1
Figure 14.2 is the International shipment popup for DHL
Figure 14.2
DHL International Shipment page contains two sections:
Commodity Line Item
Customs Document Details
1. Commodity Line Item:
Select Commodity Item : It contains the list of items .
User can provide item information for about 50 products. Once commodity item is selected, Valid fields for a commodity information will be displayed as shown in the Figure 14.3 are given below .
Figure 14.3
Product Description This is the Description of the Commodity Item to be shipped.
Number of Pieces No. of parts present in the item
Country Of Manufacture The country in which the good was manufactured, produced, or grown.
Commodity Code Its a code for the item given by user
Weight Its weight of the item
Quantity Total quantity of each commodity to be shipped, measured in the units specified in the Unit of Measure field. Must be numeric. Valid characters are 0- 9
Unit of Measure Unit for the weight of the item
Customs Value Customs value charged for each unit for the commodity
Export License Number Shipper’s Export License Number
Export License Expiration Date Shipper’s Export License Expiration date. Date must in 'yyyy-mm-dd ' format
Save/Update this commodity Item If this is checked, then the details will be added/updated to the commodity item table.
Note: The user can select the commodity item from select list available or he/she can select “Add New Commodity” from list.
For each commodity items selected, user have to enter the valid values in the fields provided in the international shipment page and then click “Add This Commodity Item” to add the commodity Item for ship as show in the Figure 14.4.
Figure 14.4
when clicked on “Add This Commodity Item” the item details will be added to the table and appropriate message will be displayed as shown in Figure 14.5. We can add 50 commodity Items for single order.
Later we can edit or delete the commodity item values by selecting the Item from the list and clicking the “Edit Item” or “Delete Item” button before shipping the delivery as shown in the Figure 14.5 .
Figure 14.5
After entering the required details. Click on Save button to save the international details. Once the details are saved then appropriate message will be displayed as shown in Figure 14.6 .
Custom Document Details:
This section contains information about the Custom Document. Those are Content Type, Comments, License Number, Other Describe, Invoice Number and Certificate Number.
The below is the screen shot for the Custom Document Details. Here Content Type is mandatory field.
Figure 14.6
Click on Close button to exit/close the International shipment popup.
For Stamps international order to be shipped, enter all the necessary details required (Additional Info, Packagedetails, paymethod, etc.,) and click on Ship button as in Figure 14.7.
Figure 14.7
On successful shipping, the message will be displayed along with the shipped and International flag checked on the top right corner of the screen as shown in Figure 14.8 Otherwise in case of failure/error the appropriate message will be shown.
Figure 14.8


Veedle
React Native
2018 - Still in Development
Front-End Developer
Social Network platform focused on questions and video answers, with the objective to connect people with same passion and influencers with their public in a more interactionable way.
Javascript, React, React Native, Npm.
- 'TIC' experience mention and participation Event 2018
- Semi Finalist in National competition '#potenciate' organized by the government


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Module: SpatialStats::Utils::Lag
- Defined in:
- lib/spatial_stats/utils/lag.rb
Overview
Lag includes methdos for computing spatially lagged variables under different contexts.
Class Method Summary collapse
-
.neighbor_average(matrix, variables) ⇒ Array
Dot product of the row_standardized input matrix by the input vector, variables.
-
.neighbor_sum(matrix, variables) ⇒ Array
Dot product of the input matrix by the input vector, variables.
-
.window_average(matrix, variables) ⇒ Array
Dot product of the input windowed, row standardized matrix by the input vector, variables.
-
.window_sum(matrix, variables) ⇒ Array
Dot product of the input windowed matrix by the input vector, variables.
Class Method Details
.neighbor_average(matrix, variables) ⇒ Array
Dot product of the row_standardized input matrix by the input vector, variables.
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# File 'lib/spatial_stats/utils/lag.rb', line 18 def self.neighbor_average(matrix, variables) matrix = matrix.standardize neighbor_sum(matrix, variables) end |
.neighbor_sum(matrix, variables) ⇒ Array
Dot product of the input matrix by the input vector, variables.
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# File 'lib/spatial_stats/utils/lag.rb', line 30 def self.neighbor_sum(matrix, variables) matrix.sparse.mulvec(variables) end |
.window_average(matrix, variables) ⇒ Array
Dot product of the input windowed, row standardized matrix by the input vector, variables.
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# File 'lib/spatial_stats/utils/lag.rb', line 42 def self.window_average(matrix, variables) matrix = matrix.window.standardize window_sum(matrix, variables) end |
.window_sum(matrix, variables) ⇒ Array
Dot product of the input windowed matrix by the input vector, variables.
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# File 'lib/spatial_stats/utils/lag.rb', line 55 def self.window_sum(matrix, variables) matrix = matrix.window matrix.sparse.mulvec(variables) end |


I like turtles espcially, aquatic turtles.When I was child used the have aquatic turtle and I could not care and my father released the turtle to nature.
I like aquatic turtles because they can live in aquarium.
here is another photo of aquatic turtle


An archetypal adventure game puzzle — an object is buried underground (or otherwise hidden) and the player needs to figure out where the item is buried, either by using another item to reveal its location (magnetic compasses, for instance) or by using knowledge of the contents of the treasure to one's advantage.
See also Beachcombing.
Examples:
open/close all folders
Action-Adventure Game
- In The Immortal one of the hardest rooms in the game is a maze with worms under the floor, and stepping on a worm kills you instantly. You must use a worm sensor to detect how far ahead of you the worm is, and all you get is a beep of varying volume as an indicator, making navigation really hard since there's always a worm within a few steps.
- In The Legend of Zelda: Twilight Princess, one of the keys in Snowpeak Ruins is buried in the snow and it simply cannot be dug up until Link finds the Compass.
- In The Legend of Zelda: Link's Awakening, if you take Bow-wow with you around the island, he'll start barking to tell you which areas have buried seashells.
- In The Legend of Zelda: Breath of the Wild, you can use Magnesis to spot buried treasure chests, as all Magnesis-susceptible items glow when looking for a target for Magnesis or Stasis. When you get there, simply aim at the ground and yank away. This also has the added effect of blowing the cover of Treasure Octoroks, as since the chest is part of their body, it won't glow when you scan it with Magnesis or Stasis.
- La-Mulana has the Detector which beeps when you enter a room with a secret door.
Adventure Game
- Grim Fandango:
- The secret entrance to Rubacava in the Petrified Forest has to be found by using a signpost that magically points towards the town. The sign tries to fool you into thinking that it's pointing at one of the forest "doors", but its "keyhole" is really a tiny dark spot on the ground.
- Rubacava itself has an oddly inverted example of this, where you need to use your scythe to find a handheld metal detector in a giant cat litterbox.
- Near the end of the game, you are required to find Salvador's buried remains by using a Number 9 Ticket, which is magnetically drawn to its owner.
- The second episode of the Tales of Monkey Island series has a puzzle that requires the player to hide a voodoo-charmed pyrite parrot in a treasure chest, so the player can eventually find the buried treasure based on the parrot's sound cues.
- In Discworld, you have to assemble a "dragon detector", which turns out to be a precious metal detector that you can use to find the dragon's hoard.
- The Dig has one particularly infamous example: To find out where a local rat has taken a useful-looking trinket, you have to bait and catch the critter, bind an alien bracelet around it, let it loose, and use a compass that always points to the bracelet's location to find the creature's hidey-hole and dig out the trinket.
- Averted in the first Phoenix Wright: Ace Attorney game; in the case where it appears, the metal detector automatically goes off when you get to a certain location (assuming, of course, you have it in your possession). Played straight in the second and third games.
- This is slightly easier than normal in Indiana Jones and the Fate of Atlantis. The item you're using need only be pulled out once per screen to see in what direction you should head next. The problem is that it'll only point to your sidekick unless you can convince her to put her orichalchum necklace in a lead-lined box.
- The episodes of Strong Bad's Cool Game for Attractive People have a bonus puzzle where you try to find metal items by walking around with The Taranchula (sic) Black Metal Detector And Shovel Attachment! and listening for its call, in hopes of a Cosmetic Award. In Strong Badia The Free, you're required to use the metal detector in order to find some of a set of artifacts needed to convince Homsar to ally with Strong Bad.
- In the first Simon the Sorcerer game, the player has to literally use a metal detector to find a mythical metal known as "milrith", said to be stronger than even mithril. This pretty much involves trying the detector on every screen until it picks up the ore.
- 5 Days A Stranger requires you to track down a hidden body with a makeshift dowsing rod of sorts - specifically, a teddy bear suspended from a stick - which you'll have to wave around the house. It's fairly easy to miss a step in the enchanting process, which means it won't do anything but won't say clearly that you have to do anything else. At least one Let's Player spent a full video clicking the rod on every object in the house before he figured out the last step that had to be done.
- Subverted by The Haunted Inn, which has a metal detector, but nothing you can find with it (the present-day commentary informs you of this to avoid you trying to use it in every single room). This is either a Red Herring or a symptom of how broken and unplayable the game is in its original form.
Eastern RPG
- Breath of Fire IV had an early mini-game like this where you had to find buried parts to repair your sand-ship with. The mini-game could later be revisited to dig up various materials with which you could craft special pieces of armor for Ershin.
- Final Fantasy VII has a sequence near the end of the first disc where the player has to find an item (the Earth Harp) buried underground by hiring sentries, placing them around the area and then having them turn to face the general direction of the buried treasure. This minigame can also yield other rewards, including a card key that lets you re-enter the Midgar slums.
- Final Fantasy IX has this as a very extensive mini-game called "Chocobo Hot and Cold". Playing it is the only way to teach your Chocobo new abilities, and by extension the only way to reach certain areas and collect certain items (including Zidane's Infinity +1 Sword).
- Final Fantasy XI also has a version of Chocobo Hot And Cold, though its rewards are far less vital.
- Final Fantasy VIII also had a digging minigame in the chocobo forests that you had to complete to get the Chicobo card. The actual items you dig up are worthless stones though.
- And Final Fantasy XIII also has one in conjunction with chocobos, though this time they're hidden on the field and the chocobo gets an icon over its head when you get close. The icon bobs up and down faster when you're closer to the treasure.
- Final Fantasy X-2 has this as well, in the form of the digging/"archaeology" game (made more urgent by sandstorms and a boss monster that would eventually show up, with no hope of defeating it at lower levels).
- In Suikoden IV, recruiting Adventurer Archaeologist Rene enables you to go treasure hunting with her dowsing rods. This relies on following a Treasure Map and running around; the dowsing rods cross to make an 'X' when she's standing right over the treasure. She also appears as one of the returning recruits in Suikoden Tactics; now, she can do her treasure hunting while the rest of your team is busy fighting!
Hack and Slash
- In No More Heroes you can buy an add-on for your beam katana that works as a metal detector to find hidden treasures throughout the city.
Massively Multiplayer Online Game
- In zOMG!, one of the quests in Gold Beach is to find five mementos buried in the sand. Though your only clue is from the beeping sounds, so if your volume is turned down you'll have some trouble. Or you can find a player-made map that shows where the possible locations are and just check them all.
- World of Warcraft added the Archaeology profession in its Cataclysm expansion. This involves visiting designated areas of the world map and using a skill that causes a theodolite to materialize on the ground next to your character showing the approximate angle and distance to buried artifact fragments in that area. Once you identify the location of the fragments, using the skill in that location digs them up. The fragments can be assembled into items of varying values and degrees of usefulness.
- Mabinogi has L-Rod exploration. They make more and louder beeps the closer one is to a hidden object, and when they reach four beeps can be used to uncover said object for some experience.
- A lategame quest in Star Wars: The Old Republic is the search for HK parts. This is done with a small deployable scanner which emits several concentric rings of increasing diameter. If the part is located within a ring's radius, you're told the (approximate) distance to the part. But nothing else. Bit of a pain, really.
- And then there's the GSI droid, which can also be used to locate buried loot. Also a pain, in that it doesn't tell you the distance to the object, but it does give you a general direction. "General" in this case meaning somewhere in a 180-degree arc unless you buy items to temporarily increase its accuracy.
Mons Series
- A number of Mons games, like Spectrobes, have you adding to your collection by searching for and reviving fossils. In fact, this is practically a requirement when the Mons are dinosaurs (like in Dinosaur King and Fossil Fighters).
- Pokémon:
- The fossil hunting mini-game in Pokémon Diamond, Pearl, and Platinum.
- The Itemfinder (up to the GBA games) and the Radar Poketch application (Diamond/Pearl/Platinum).
Platform Game
- Around the halfway point of Psychonauts, the player needs to buy a dowsing rod at the camp store and use it to find buried arrowhead stashes, so that the player may eventually afford some of the more expensive items at the store (including the required cobweb duster).
- In Spelunky you can find Udjat Eye which, if there's a secret exit to Black Market in the level, will beep faster as you get closer to the entrance.
- In the first Ratchet & Clank, there's a Metal Detector Gadget which you can use to find a few extra Bolts. It's not required to beat the game, and you can't find anything but Bolts with it.
Puzzle Game
- In Minesweeper, the player must open all the squares that do not contain mines, based only on the number of mines adjacent to each open square.
Roguelike
- InNetHack:
- The Vibrating square, though the only way to discover its location is to actually find the appropriate square. (At least your god sometimes saves from you a game of Mastermind ...)
- The cavern containing portal on the Ethereal Plane of Earth can be found through a variety of methods already established in the game such as reading a scroll of gold detection while confused.
- This says nothing about the number of traps you can find and disarm by searching carefully and exhaustively before you move.
Simulation Game
- The very first spell you learn in Magician's Quest: Mysterious Times is a "treasure hunt" spell which reveals things buried underground.
Stealth-Based Game
- Metal Gear Ac!d 2 has a similar mission involving dowsing.
- In Sheep, Dog 'n' Wolf, you use a metal detector to avoid walking into mines, and in one case to find some coins.
Strategy RPG
- Slightly difficult Final Fantasy Tactics A2, since you'll only be told there's something under you if you're standing exactly on top of it at the end of a move. You have only a few chances to dig, and will be told the approximate "size" (i.e. value) of whatever you're standing over before you do any digging. Choose well!
Western RPG
- Resource-Gathering in Mass Effect 2 is a planetary-scale version of this.
You found The Stinger!


About me
I lead the Professional Services efforts at GitHub as the Director of Field Services. This diversely skilled department includes Sales Engineering, Implementations, and Training teams. It's a privilege to apply my passion for open source, experience in enterprise software development, and ideas for the future of distributed collaboration alongside my amazingly talented colleagues.
Formal Speaking Bio
Conferences often ask for a third person biography and I've found that making it available here is a convient way to share it.
Matthew J. McCullough, Director of Field Services for GitHub, is an energetic 18 year veteran of enterprise software development, world-traveling open source educator, and co-founder of a US consultancy. All of these activities provide him avenues of sharing success stories of leveraging Git and GitHub. Matthew is a contributing author to the Version Control with Git, Building and Testing with Gradle and Jenkins: The Definitive Guide O’Reilly books and creator of the Git Master Class series for O’Reilly. Matthew regularly speaks on the No Fluff Just Stuff conference tour, is the author of the DZone Git RefCard, and was founder and a past President of the Denver Open Source Users Group.
Expertise
- Software development lifecycle (SDLC) transformation (Many clients on the Fortune 500 list)
- Open source software development (Apache, CodeHaus, SpringSource, Java Community Process, GitHub)
- Agile software team leadership (1 Billion USD market cap firms)
- SaaS software and services sales operations and process design (Web-scale billing systems)
- Web application development strategy (Media, banks, billing and satellites)
- Open source conference chairmanship (OSCON, NJFS)
History
Software has been my pasion since third grade. I've been seeking and living challenging development experiences ever since. Some highlights include:
- Receiving $1000 in Apple equipment for describing the societal uses of computers at age 9
- Programming games in Apple EDASM and APW
- Winning two Microsoft Sitebuilder awards at age 16
- Graduating with a degree in Computer Science and minor in Mathematics with a 4.0 GPA
- Presenting for 4 years at the invitation of the NFJS conference series
- Keynote presenter at JiveWorld 2014
- Awarded JavaOne 2014 Rock Star title
- Program committee member, then co-chair of OSCON, contributing to 5 years of attendance and revenue growth
- Founder member of the GitHub Training Team
Contact
Feel free to chat with me about implementations of the GitHub platform, conference keynotes on collaboration at scale, talks on the future of software development, or new rock climbing adventures. Email<EMAIL_ADDRESS>or Tweet @matthewmccull.
Photo downloads
Credits
This site's design was inspired by the Incorporated Jekyll theme.


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*|LIST:DESCRIPTION|*
Our mailing address is:
*|HTML:LIST_ADDRESS_HTML|*
*|ELSE:|*
Copyright © *|CURRENT_YEAR|* *|USER:COMPANY|*, All rights reserved.
Our mailing address is:
*|USER:ADDRESS_HTML|*
*|END:IF|*
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Your balance is 0 ETH Goerli Faucet


Awesome Bakery San Diego, CA 92154
+1 111-1111
Email@Email.com


Format: BackdropBackgroundInsets real real real real,
Example: BackdropBackgroundInsets 0.004 0.004 0.004 0.004,
Purpose: Cuts in the mainTexture from the outside, to define space between the edgeFile (Border) and the mainTexture
The args are Right, TOP, Bottom, Left.
The values can be negative to increase the space on which the the Background is displayed, the position of the frame and Edge keep untouched.
Can also be used to rotate the Backdrop when Top&Bottom are as big as the Height than the Icon will be rotated.
Used in: BACKDROP


{% extends 'base.html'%} {% import 'macros.html' as macro%} {% block content %}
Title: {{ p.pitch_title}}
Category
{{p.pitch_category}} | View more {{p.pitch_category}} pitches
Description
{{ p.pitch_description }}
There are no pitches yet. Please log in and submit some pitches
{% endif %}


Indian Army To Honour 30 Bangladeshi Freedom Fighters Ahead Of Vijay Diwas
by Swarajya StaffOn the occasion of 48th anniversary of Vijay Diwas, the Eastern Command Headquarters of Indian Army will hold a reception for 30 freedom fighters of Bangladesh on 15 December, reports New Age Bangladesh.
Major General ND Prasad, General Staff at Eastern Command Headquarters, told a press conference at Fort William on Saturday (7 December).
16 December is the day when the erstwhile East Pakistan became Bangladesh commemorating the victory over the Pakistani forces who killed over 30 lakh people making it one of the biggest genocide after the end of second world war.
16 December is also celebrated as ‘Vijay Diwas,’ or Victory Day, in India.
An exhibition of rare photographs will also be arranged along with military band concerts at Princep Ghat on the banks of River Hooghly on 13 and 14 December.


HTML5 video splitter
Error!
This file format is not supported. Supported formats are : mp4, webm, ogg.
Drag and drop video file here
Selected video range:
Split


Psychiatry
Endorsed by Bradley Hillier and 5 others who are highly skilled at this
Endorsed by 10 of Catherine’s colleagues at South West London and St George's Mental Health NHS Trust
Forensic Psychiatry
Endorsed by Bradley Hillier and 1 other who is highly skilled at this
Endorsed by 8 of Catherine’s colleagues at South West London and St George's Mental Health NHS Trust
Mental Health
Endorsed by Bradley Hillier and 2 others who are highly skilled at this
Endorsed by 6 of Catherine’s colleagues at South West London and St George's Mental Health NHS Trust


Crafting the Right Questions
23 de junio 2015
Oh, asking good questions. I immediately put on my teacher hat and started thinking about the skill and art of crafting the just-right question to ask students in order to lure them into responding with the understanding that I want them to say. Did you follow that?
The more precise the question, the more precise the response (can be). I'm thinking about how tough my first semester of teaching was because I was asking questions that students didn't know how to interpret so they couldn't respond. A great question is crafted with language that matches the level of understanding of the person hearing it. Crafting a question to ask a student that speaks English as a second language a question is different than the way I might ask a native English speaker. To be clear, I'm not changing my expectation of the response. Just the way I approach asking the question.
The Toaster Question
Which response is most appropriate? Can you tell by the question? Maybe the person asking has never seen a toaster before and doesn't know how to operate a toaster. Maybe the person is a young budding engineer and wants to understand how energy transforms. The big question is: How does the question change to elicit the type of response you want to hear?
- What is the relationship between electricity and how a toaster toasts?
- How do I use a toaster?
I've designed and facilitated professional development for new teachers that focuses on crafting the just-right questions to elicit responses that tell you what your students do or don't understand. Specific, right? Because of my experience as a teacher and teacher coach, I have had relevant and insightful responses to the questions that I have asked throughout Phase 0. If I don't hear the response that is meaningful, I figure out a different way to ask the question.
Another reason I believe I am asking the just-right question is from my experience as a Spanish-speaker and as a native English-speaker with students and friends that speak English as a second language. I am hyper aware of the words I choose to use so that I can communicate clearly and effectively with the people around me.
In stack overflow or other forums online, I notice that the more general/less-specific the question, the more varied the types of responses. That isn't ideal for me as a learner! If the intent of the question is not clear, then the responses are null and not relevant. When the intent is clear and the question is asked effectively, the responses are more precise and more helpful. There can be a wide scope of responses to a well-asked question; it just means there are many ways to get to a similar place. The yellow brick road might not be the only way to Oz. You might approach your journey by...hot air balloon or skydiving.
Just in case, here's the link to the course I designed on how to craft the right questions to ask your students.


1) Back up your data, input fields are deleted if they have similar names to the fields used for processing. It's good practice to have as few fields in the input data as possible (3 minimum for shapefiles)
2) I'm having some problems getting the setup project to install on some machines. If you run through the set up project and everything works, but the toolbar is NOT added to ArcMap when you fire it up, add "ClassLibrary1.olb" through the Tools > customize > add from file option in ArcMap. The olb file will be located in the install directory.
3) DO NOT set the working directory to be the same directory where your input data are stored. ALL SHAPEFILES will be DELETED from the workspace directory.
4) If there is a crash during Overlay or Voronoi tools, and you have run the tools more than once during an ArcMap session, try restarting ArcMap and rerunning.
5) If you want a slicker looking graph than the output provides, download the GraphViz software and run the tempgraph.dot file through DOT. You can also edit the tempgraph.dot file in any text editor.
6) In the CHNGLYRS attribute tables, the values for polygon groups are the same for all member polygons of the group because the values are for the group as a whole. For example, the ExpN attribute contains the area of expansion northward for the whole polygon group (unique TOPO)
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Authorized as Instagram user {{ session['instagram_user']['username'] }}


Mark Keane
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What is Blockchain in 100 words
You (a "node") have a file of transactions on your computer (a "ledger"). Two government accountants (let's call them "miners") have the same file on theirs (so it’s "distributed"). As you make a transaction, your computer sends an e-mail to each accountant to inform them. Each accountant rushes to be the first to check whether you can afford it (and be paid their salary "Bitcoins"). The first to check and validate hits “REPLY ALL”, attaching their logic for verifying the transaction ("Proof of Work"). If the other accountant agrees, everyone updates their file… This concept is enabled by "Blockchain" technology.
Automation in Business
Automation is Really changing the world of business which offer so many benefits to both the Business and also the consumer
1. QUALITY & CONSISTENCY
Delivering consistently high quality products and customer service results in happier, long-term customers. Quality: Automation ensures that every action is performed identically - resulting in high quality, reliable results
Consistency: If, for example, you have automated your customer service follow-up process, your customers will consistently experience the same level of service from your business This guarantee of quality and consistency coupled with time and efficiency savings means that you can start developing higher quality and more feature-filled products with little or no increase in production time and costs.
REDUCED COSTS
Manual tasks, given that they are performed one-at-a-time and at a slower rate than an automated task, will cost more. Automation allows you to accomplish more by utilising fewer resources.
Virtual Reality in Business
Virtual reality offers so many possible benefits for Business as it almost limitless in its uses. VR Gives you the ability to, Interview prospective employees, attend Tech conferences and make complex and realistic Training exercises


Index
This is the index. The site contains 3 sub sites:
A is visible but has class 'noclick' so the Crawler should skip that.


Pizza 3001
Sales Data
New Shop
Min Pizzas/hr
Max Pizzas/hr
Min Deliveries/hr
Max Deliveries/hr
8a-11a
11a-2p
2p-5p
5p-8p
8p-11p
11p-2a
Submit New Shop
Hillsboro
Pearl
Downtown
Buckman
Airport
Clackamas


Bigg Boss 13’s Arhaan Khan On Eviction: “Don’t Know Why People Were Not Interested In Watching Me & Rashami Desai Together”
Arhaan Khan came in through wild card entry two weeks ago only. His eviction brought tears in Rashami Desai's eyes.
by IANSActress Rashami Desai’s rumoured boyfriend and model Arhaan Khan is the latest contestant to be evicted from “Bigg Boss 13“, and he is in “complete shock”.
“I am feeling so bad. I did not know what happen. I was playing too good. I performed all the tasks very well. I am shocked with my elimination. I was not expecting to leave the house so early. I am clueless,” Arhaan told IANS.
Arhaan came in through wild card entry two weeks ago only. His eviction brought tears in Rashami’s eyes.
Asked about his equation with Rashami, Arhaan said: “I have known Rashami for almost two years now. Before entering the house, she was just my friend but inside the house, things got a little bit changed. For the first time we spent 14 to 15 days together. (I) Got closer to her. The equation was getting stronger but I don’t know why people were not interested in watching us. If I get a chance to go back to the house, I will definitely bring out our story before whole India.”
Arhaan also wants Rashami to lift the trophy.
“Without any second thoughts, I want Rashami to win the show. She is one of the strongest contestants and she deserves to win,” he added.


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Our Courses
These are the next scheduled courses being run.
## limiting the course number by using HOMEPAGE_COURSE_MAX as the maximum number of courses
%for course in courses[:homepage_course_max]:
<%include file="course.html" args="course=course" />
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## in case there are courses that are not shown on the homepage, a 'View all Courses' link should appear


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