Prof. Keith Andrews
ISDS, Graz University of Technology, Austria
http://isds.tugraz.at/keith/
Slides:
http://keithandrews.com/talks/2018/wuc-2018-10-17-infovis/
Course Notes:
http://courses.isds.tugraz.at/ivis/ivis.pdf
Wed 17 Oct 2018, World Usability Congress, Graz, Austria.
| Month | Salesperson A | Salesperson B |
|---|---|---|
| 2012-01 | 28,366 | 23,274 |
| 2012-02 | 27,050 | 21,732 |
| 2012-03 | 29,463 | 23,845 |
| 2012-04 | 32,561 | 28,732 |
| 2012-05 | 28,050 | 24,023 |
| 2012-06 | 30,100 | 26,089 |
| 2012-07 | 22,343 | 19,026 |
| 2012-08 | 21,506 | 17,903 |
| 2012-09 | 24,664 | 19,387 |
| 2012-10 | 28,842 | 23,490 |
| 2012-11 | 30,621 | 25,873 |
| 2012-12 | 36,254 | 28,490 |
“Let my dataset change your mindset.”
[Hans Rosling, title of talk at TED@State, 03 Jun 2009]
Information visualisation (InfoVis) is the visual presentation of abstract information spaces and structures, together with accompanying interactions, so as to facilitate their rapid assimilation and understanding.
The broader field of visualisation has three main sub-fields:
Information Visualisation (InfoVis) deals with abstract information structures, such as hierarchies, networks, or multidimensional spaces.
Geographic Visualisation (GeoVis) is map-based. The data typically has inherent 2d or 3d spatial coordinates, and is generally shown in relation to a map.
Scientific Visualisation (SciVis) typically involves concrete (3d) objects, for example a medical scan of part of the body, or a simulation of air flow around an aircraft wing. SciVis visualisations often depict flows, volumes, and surfaces in (3d) space.
Data Visualisation (DataVis) = InfoVis + GeoVis.
Visual Analytics = DataVis (frontend) + Analytics (backend).
InfoVis ≠ SciVis or GeoVis:
| City | Net Purchasing Power | Prices (incl. rent) | Net Wages | Working Time [hours per year] | Vacation [paid working days per year] | Time Required for Big Mac [minutes] | Time Required for iPhone 4S 16gb [hours] | City Break | Inflation 2011 |
|---|---|---|---|---|---|---|---|---|---|
| Amsterdam | 90.1 | 69.1 | 69.4 | 1755 | 24 | 15 | 44 | 720 | 2.48 |
| Athens | 60.5 | 58.2 | 40.0 | 1822 | 22 | 29 | 86 | 590 | 3.10 |
| Auckland | 82.9 | 67.8 | 63.5 | 1852 | 20 | 15 | 51 | 580 | 4.03 |
| Bangkok | 31.4 | 48.2 | 17.4 | 2312 | 7 | 36 | 165 | 550 | 3.81 |
| Barcelona | 78.6 | 65.6 | 58.7 | 1760 | 29 | 18 | 52 | 740 | 3.05 |
| Beijing | 29.9 | 51.8 | 18.0 | 1979 | 9 | 34 | 184 | 730 | 5.42 |
| Berlin | 97.1 | 64.1 | 70.1 | 1742 | 28 | 16 | 56 | 720 | 2.48 |
| Bogotá | 40.7 | 47.0 | 22.0 | 1981 | 15 | 52 | 142 | 540 | 3.42 |
| Bratislava | 50.7 | 47.1 | 27.3 | 1884 | 23 | 31 | 126 | 490 | 4.08 |
| Brussels | 78.5 | 68.8 | 59.5 | 1729 | 20 | 19 | 54 | 730 | 3.47 |
| Budapest | 32.0 | 50.4 | 18.1 | 1912 | 22 | 49 | 206 | 740 | 3.90 |
| Buenos Aires | 46.2 | 47.7 | 25.4 | 1830 | 13 | 45 | 187 | 620 | 9.78 |
| Bucharest | 34.0 | 34.8 | 13.5 | 1836 | 26 | 57 | 230 | 370 | 5.81 |
| Caracas | 25.7 | 85.4 | 23.4 | 1878 | 17 | 80 | 272 | 830 | 26.09 |
| ... |
https://www.ubs.com/microsites/prices-earnings/open-data.html
openrefine.org
http://vis.stanford.edu/wrangler/
trifacta.com
Four varieties:
tableau.com
qlik.com
spotfire.tibco.com
datawrapper.de
(either hosted or PHP on own server)
many-eyes.com
http://computerworld.com/article/2930326/
docs.google.com
https://eagereyes.org/criticism/the-rise-and-fall-of-swivel
datamaps.eu
rawgraphs.io
vega.github.io
data-illustrator.com
ggplot2.org
http://cran.r-project.org/web/packages/portfolio/
scipy.org
http://matplotlib.sourceforge.net/
http://home.gna.org/veusz/
http://scidavis.sourceforge.net/
http://orange.biolab.si/
processing.org
prefuse.org
ivtk.sourceforge.net
flare.prefuse.org
http://lab.kapit.fr/default/Kalileo/
http://code.google.com/p/birdeye/
Three ways to draw graphics dynamically using JavaScript:
http://w3.org/TR/2dcontext/
http://sitepoint.com/surviving-the-zombie-apocalypse-manipulating-svg-with-javascript/
webgl.org
raphaeljs.com
threejs.org
https://jonobr1.github.io/two.js/
pixijs.com
d3js.org
https://gionkunz.github.io/chartist-js/
chartjs.org
http://projects.iicm.tugraz.at/fluiddiagrams/
dimplejs.org
c3js.org
http://dc-js.github.io/dc.js/
https://trifacta.github.io/vega/
Scalable Visualisations:
Responsive Visualisations:
https://projects.isds.tugraz.at/respvis/
Demo: Responsive SVG Logo.
See the original discussions at:
http://blog.cloudfour.com/media-queries-in-svg-images/
http://people.opera.com/andreasb/demos/demos_svgopen2009/update/svgscalelogo.html
Demo: Responsive SVG Line Chart.
At narrower widths:
Demo: Responsive Line Chart
At narrower widths:
Demo: Responsive Bar Chart
Demo: Responsive Scatterplot
See also:
http://youtu.be/BrmwjVdaxMM
doi:10.2312/eurovisshort.20141155
http://www.cc.gatech.edu/~stasko/papers/avi14-touch.pdf
http://vimeo.com/97798460
desc
element).
http://vrl.cs.brown.edu/color
http://colororacle.org/resources/2007_JennyKelso_ColorDesign_hires.pdf
https://paciellogroup.com/resources/contrastanalyser/
https://sitepoint.com/tips-accessible-svg/
https://youtu.be/Bqhh0ZOSEq8
http://ljwatson.github.io/decks/2016/graphicalweb/
https://w3.org/TR/graphics-aria-1.0/
designingwithdata.com
http://ted.com/talks/hans_rosling_shows_the_best_stats_you_ve_ever_seen.html
http://ted.com/talks/david_mccandless_the_beauty_of_data_visualization.html
http://youtu.be/fnyKj8r0CN4
ieeevis.org
ivapp.visigrapp.org
eurovis.org
Thanks to the following students and collaborators for helping to build the responsive demos:
Prof. Keith Andrews
ISDS, Graz University of Technology, Austria
http://isds.tugraz.at/keith/
These slides:
http://keithandrews.com/talks/2018/wuc-2018-10-17-infovis/
Course Notes on Information Visualisation:
http://courses.isds.tugraz.at/ivis/ivis.pdf


Apara Sivaraman currently works at J.P. Morgan in the Leveraged Finance Investment Banking group. Prior to that, she did summer internships at Accenture and Cisco. Apara graduated from Duke University in 2017 with a Bachelor of Arts in Political Science with Distinction, a minor in Finance, and a certificate in Philosophy, Politics, and Economics (PPE). Heavily involved in BOW, she was on the Executive Board for three years and served as President during her senior year. During her undergraduate career, Apara was also a part of Dukes and Duchesses and a member of Cooper House. Apara currently lives in New York City.
Why did you decide to take a leadership position in BOW? What did you learn from being President?
BOW provides so many incredible resources and opportunities for its members, and I gained so much from BOW during my first year. I wanted to be part of an impactful leadership team and become more involved in an organization that I loved being part of. Leading BOW taught me so much about entrepreneurship, management, and teamwork. Being President of BOW was the most rewarding experience I had at Duke, and I am so proud of the way that BOW always continues to grow and evolve. My favorite part of being President was getting to know many of the incredible members better through the events and mentorship initiatives.
Briefly describe your current job position.
I am currently an investment banking analyst at J.P. Morgan in the Leveraged Finance group, covering companies in the technology, media, and telecommunications sectors. I get to work with companies on debt financing transactions, and I get to learn about capital markets.
What drew you to banking initially, and what keeps you there?
I wanted to learn about several different businesses models and learn fundamental corporate finance skills since finance is a critical part of any business’s success. I love the rapid pace of learning and working on high-impact projects. It is a very dynamic environment, and every day offers something new. I wanted to learn as much as possible in my first job out of college, and investment banking provides a great platform to do that.
There are stigmas that come with investment banking. In what ways has your experience been different from your expectations?
Though there are challenges that come with the job, I’ve had several opportunities that I never imagined having so early in my career. I’ve had the chance to interact closely with C-level executives, and I’m encouraged to speak up and contribute in meetings with very senior people. Keeping a positive attitude also makes all the difference!
How has mentorship played a role in your career?
I’m lucky to have great mentors at J.P. Morgan and outside (including a few BOW alumnae!). I go to my mentors for candid feedback, career perspective, and general advice for navigating the workplace. Having mentors I can confide in and use as a sounding board has significantly improved my work experience.
What is something you are trying to learn right now?
On a personal note, I’m trying to learn to be a better self-advocate and to be more confident! Professionally, there are always new projects at work, and I’m trying to learn as much as possible about the companies I work with and about corporate finance in general.
What do you like to do in your free time?
I enjoy long-distance running and exploring New York City!


Scarlett Moffatt dropped from 'dream job' on Ant and Dec's Saturday Night Takeaway
EXCLUSIVE: Scarlett won't be returning to the ITV show with Ant McPartlin and Dec Donnelly - sources close to the star say she had a great time but is excited for other TV projects
by Irishmirror.ieScarlett Moffatt has been dropped as a co-presenter on Saturday Night Takeaway.
The 29-year-old landed the “dream job” in 2017 after being crowned Queen of The Jungle on I’m A Celebrity... Get Me Out of Here! at the end of 2016.
She replaced former Pussycat Doll Ashley Roberts – who hosted the show for three years prior.
An ITV spokesman said: “Scarlett Moffatt won’t feature as a contributor in the 2020 series of Saturday Night Takeaway. We thank Scarlett for all of her hard work on the show and will announce details of the new series nearer transmission”
An ITV source added: “Show bosses are planning lots of new and exciting features for the 2020 series alongside the return of viewer favourites. Scarlett Moffatt won’t feature in the new series but she’s not being replaced. It will be just Ant and Dec and Stephen Mulhern who will return to host Ant vs Dec.
“Scarlett did a great job on the series and we thank her for all her hard work but sadly the new series doesn’t have room for her on screen role.”
A source close to Scarlett said she had a great time on the show but was excited about other TV projects.
The source said: “She has got lots of other things lined up such as documentaries and more factual programming. She recently did The British Tribe Next Door and has lots of other exciting things in the pipeline.”
The Geordie star, who started her career on Googlebox, became close friends with Ant McPartlin and Declan Donnelly after meeting in Oz.
As well as working together on Ant & Dec’s Saturday NightTakeaway, she also worked alongside them when she co-hosted the spin-off show, I’m A Celebrity Get Me Out Of Here Extra Camp for the past two years.
She was replaced by Emily Atack for this series.
She has previously said she is such big fan of Ant & Dec that she even sleeps with a picture of them together in Florida in 2017 beside her bed.
Speaking about the snap, she said: “It’s a picture of me as Mary Poppins.  To do the Saturday Night Takeaway finale in Disney World, honestly, was my dream. So every morning when I wake up and see that photo, I’m like, ‘I’m living my dream’.”
Do you have a story to sell? Get in touch with us at<EMAIL_ADDRESS>or call us direct 0207 29 33033


A web based interactive 3D visualisation of the network topology of a convolutional neural network. The aim of this project was to apply some of the techniques used to data visualisation techniques used to visualise large networks and apply that to visualising the inner workings of artificial neural networks. Since there is a huge amount of connections between each layer of nodes in these networks, I chose to only visualise connections (and their subconnections) in which the value being passed along that connection was above a certain threshold. Making it easy to see which combinations of features from the input images the network most relies on to classify the images.
This project was made using three.js and an adapted version of the excellent ConvNetJs library. The algorithm for drawing the connections is a simple recursive depth first tree search, starting with the node of the strongest classification in the softmax layer and recursivly searcing for input values (the weight multiplyed by the input node value) that has a value higher than an arbitrary threshold. I had experimented with making this threshold interactive, but unfortunately it is very easy to set the threshold too low and kill your web browser. I will be posting a detailed write up of the project on medium in the near future. You can view it here.


All the Artists Who Worked With Beyoncé on Lemonade
The world is buzzing (see what we did there?) about Beyoncé's new album, Lemonade, from the powerful visuals and over-the-top style to the telling lyrics (and the drama that's come out of those telling lyrics).
by Brittney Stephens


---
layout: post
title: Small update to my jasmine BDD post
tags:
- bdd
- jasmine
- JavaScript
- javascript
- node.js
- tdd
- testing
status: publish
type: post
published: true
meta:
aktt_notify_twitter: 'no'
_edit_last: '2'
---
Following on from my post way back in July, I have created a repository over at the github, with some updated examples surrounding validation, adding comments to posts and some refactoring.
I am currently looking into DI for javascript objects, as well as phantom.js and jasmine-jquery to start putting together some examples for user journey testing and easier testing of jquery widgets and fixture loading.


Rack::Request provides a convenient interface to
a Rack environment. It is stateless, the
environment env
passed to the constructor will be directly
modified.
req = Rack::Request.new(env) req.post? req.params["data"]
The environment hash passed will store a reference to the Request object instantiated so that it will only instantiate if an instance of the Request object doesn’t already exist.
The set of form-data media-types. Requests that do not indicate one of the media types presents in this list will not be eligible for form-data / param parsing.
The set of media-types. Requests that do not indicate one of the media types presents in this list will not be eligible for param parsing like soap attachments or generic multiparts
The environment of the request.
# File lib/rack/request.rb, line 20 def initialize(env) @env = env end
Returns the data recieved in the query string.
# File lib/rack/request.rb, line 162 def GET if @env["rack.request.query_string"] == query_string @env["rack.request.query_hash"] else @env["rack.request.query_string"] = query_string @env["rack.request.query_hash"] = parse_query(query_string) end end
Returns the data recieved in the request body.
This method support both application/x-www-form-urlencoded and multipart/form-data.
# File lib/rack/request.rb, line 175 def POST if @env["rack.input"].nil? raise "Missing rack.input" elsif @env["rack.request.form_input"].eql? @env["rack.input"] @env["rack.request.form_hash"] elsif form_data? || parseable_data? @env["rack.request.form_input"] = @env["rack.input"] unless @env["rack.request.form_hash"] = parse_multipart(env) form_vars = @env["rack.input"].read # Fix for Safari Ajax postings that always append \0 # form_vars.sub!(/\0\z/, '') # performance replacement: form_vars.slice!(-1) if form_vars[-1] == \00 \ @env["rack.request.form_vars"] = form_vars @env["rack.request.form_hash"] = parse_query(form_vars) @env["rack.input"].rewind end @env["rack.request.form_hash"] else {} end end
shortcut for request.params
# File lib/rack/request.rb, line 208 def [](key) params[key.to_s] end
shortcut for request.params = value
# File lib/rack/request.rb, line 213 def []=(key, value) params[key.to_s] = value end
# File lib/rack/request.rb, line 280 def accept_encoding @env["HTTP_ACCEPT_ENCODING"].to_s.split(%r,\s*/).map do |part| m = %r^([^\s,]+?)(?:;\s*q=(\d+(?:\.\d+)?))?$/.match(part) # From WEBrick if m [m[1], (m[2] || 1.0).to_f] else raise "Invalid value for Accept-Encoding: #{part.inspect}" end end end
# File lib/rack/request.rb, line 255 def base_url url = scheme + "://" url << host if scheme == "https" && port != 443 || scheme == "http" && port != 80 url << ":#{port}" end url end
# File lib/rack/request.rb, line 24 def body; @env["rack.input"] end
The character set of the request body if a “charset” media type parameter was given, or nil if no “charset” was specified. Note that, per RFC2616, text/* media types that specify no explicit charset are to be considered ISO-8859-1.
# File lib/rack/request.rb, line 66 def content_charset media_type_params['charset'] end
# File lib/rack/request.rb, line 29 def content_length; @env['CONTENT_LENGTH'] end
# File lib/rack/request.rb, line 31 def content_type content_type = @env['CONTENT_TYPE'] content_type.nil? || content_type.empty? ? nil : content_type end
# File lib/rack/request.rb, line 116 def delete?; request_method == "DELETE" end
Determine whether the request body contains form-data by checking the
request Content-Type for one of the media-types:
“application/x-www-form-urlencoded” or “multipart/form-data”. The
list of form-data media types can be modified through the
FORM_DATA_MEDIA_TYPES
array.
A request body is also assumed to contain form-data when no Content-Type header is provided and the #request_method is #POST.
# File lib/rack/request.rb, line 149 def form_data? type = media_type meth = env["rack.methodoverride.original_method"] || env['REQUEST_METHOD'] (meth == 'POST' && type.nil?) || FORM_DATA_MEDIA_TYPES.include?(type) end
# File lib/rack/request.rb, line 276 def fullpath query_string.empty? ? path : "#{path}?#{query_string}" end
# File lib/rack/request.rb, line 117 def get?; request_method == "GET" end
# File lib/rack/request.rb, line 118 def head?; request_method == "HEAD" end
# File lib/rack/request.rb, line 108 def host # Remove port number. host_with_port.to_s.gsub(%r:\d+\z/, '') end
# File lib/rack/request.rb, line 86 def host_with_port if forwarded = @env["HTTP_X_FORWARDED_HOST"] forwarded.split(%r,\s?/).last else @env['HTTP_HOST'] || "#{@env['SERVER_NAME'] || @env['SERVER_ADDR']}:#{@env['SERVER_PORT']}" end end
# File lib/rack/request.rb, line 292 def ip if addr = @env['HTTP_X_FORWARDED_FOR'] (addr.split(',').grep(%r\d\./).first || @env['REMOTE_ADDR']).to_s.strip else @env['REMOTE_ADDR'] end end
# File lib/rack/request.rb, line 38 def logger; @env['rack.logger'] end
The media type (type/subtype) portion of the CONTENT_TYPE header without any media type parameters. e.g., when CONTENT_TYPE is “text/plain;charset=utf-8”, the media-type is “text/plain”.
For more information on the use of media types in HTTP, see: www.w3.org/Protocols/rfc2616/rfc2616-sec3.html#sec3.7
# File lib/rack/request.rb, line 46 def media_type content_type && content_type.split(%r\s*[;,]\s*/, 2).first.downcase end
The media type parameters provided in CONTENT_TYPE as a Hash, or an empty Hash if no CONTENT_TYPE or media-type parameters were provided. e.g., when the CONTENT_TYPE is “text/plain;charset=utf-8”, this method responds with the following Hash:
{ 'charset' => 'utf-8' }
# File lib/rack/request.rb, line 55 def media_type_params return {} if content_type.nil? Hash[*content_type.split(%r\s*[;,]\s*/)[1..-1]. collect { |s| s.split('=', 2) }. map { |k,v| [k.downcase, v] }.flatten] end
# File lib/rack/request.rb, line 119 def options?; request_method == "OPTIONS" end
Determine whether the request body contains data by checking the request #media_type against registered parse-data media-types
# File lib/rack/request.rb, line 157 def parseable_data? PARSEABLE_DATA_MEDIA_TYPES.include?(media_type) end
# File lib/rack/request.rb, line 120 def patch?; request_method == "PATCH" end
# File lib/rack/request.rb, line 272 def path script_name + path_info end
# File lib/rack/request.rb, line 26 def path_info; @env["PATH_INFO"].to_s end
# File lib/rack/request.rb, line 114 def path_info=(s); @env["PATH_INFO"] = s.to_s end
# File lib/rack/request.rb, line 94 def port if port = host_with_port.split(%r:/)[1] port.to_i elsif port = @env['HTTP_X_FORWARDED_PORT'] port.to_i elsif ssl? 443 elsif @env.has_key?("HTTP_X_FORWARDED_HOST") 80 else @env["SERVER_PORT"].to_i end end
# File lib/rack/request.rb, line 121 def post?; request_method == "POST" end
# File lib/rack/request.rb, line 122 def put?; request_method == "PUT" end
# File lib/rack/request.rb, line 28 def query_string; @env["QUERY_STRING"].to_s end
the referer of the client
# File lib/rack/request.rb, line 223 def referer @env['HTTP_REFERER'] end
# File lib/rack/request.rb, line 27 def request_method; @env["REQUEST_METHOD"] end
# File lib/rack/request.rb, line 70 def scheme if @env['HTTPS'] == 'on' 'https' elsif @env['HTTP_X_FORWARDED_SSL'] == 'on' 'https' elsif @env['HTTP_X_FORWARDED_PROTO'] @env['HTTP_X_FORWARDED_PROTO'].split(',')[0] else @env["rack.url_scheme"] end end
# File lib/rack/request.rb, line 25 def script_name; @env["SCRIPT_NAME"].to_s end
# File lib/rack/request.rb, line 113 def script_name=(s); @env["SCRIPT_NAME"] = s.to_s end
# File lib/rack/request.rb, line 36 def session; @env['rack.session'] ||= {} end
# File lib/rack/request.rb, line 37 def session_options; @env['rack.session.options'] ||= {} end
# File lib/rack/request.rb, line 82 def ssl? scheme == 'https' end
# File lib/rack/request.rb, line 123 def trace?; request_method == "TRACE" end
Tries to return a remake of the original request URL as a string.
# File lib/rack/request.rb, line 268 def url base_url + fullpath end
# File lib/rack/request.rb, line 228 def user_agent @env['HTTP_USER_AGENT'] end
like Hash#values_at
# File lib/rack/request.rb, line 218 def values_at(*keys) keys.map{|key| params[key] } end
# File lib/rack/request.rb, line 251 def xhr? @env["HTTP_X_REQUESTED_WITH"] == "XMLHttpRequest" end
# File lib/rack/request.rb, line 305 def parse_multipart(env) Rack::Multipart.parse_multipart(env) end
# File lib/rack/request.rb, line 301 def parse_query(qs) Utils.parse_nested_query(qs) end


{% extends "layout.html" %} {% block title %} File too large {% endblock title %} {% block body %}
The file you tried to upload was larger than the {{ "{:.0f}".format(max_file_size/(1024*1024)) }} MB we can deal with here.
Please contact SBDI support, and we will find another option for you.


Hi I am new here. I've been looking for a great energy monitoring site and this looks/seems great. I have a few questions before I decide that hardware/configuration to implement...
My home automation controller is the Universal Devices ISY:
https://www.universal-devices.com/residential/isy994i-series/
It is an Insteon based controller, that has recently added Zwaye. It can also be configured for Zigbee (but not both Zwave and Zigbee at the same time, one or the other). It is compatible with the Brultech GEM if using Zigbee.
In addition to circuit monitoring, I would like to monitor some individual plugs. There are both Insteon and Zwave plug adapters that monitor energy use of the individual plug. There is even a new Zwave power strip that monitors power from each plug in the strip.
http://www.smarthome.com/2423A1/iMeter-Solo-INSTEON-Power-Meter-Plug-In/...
http://www.smarthome.com/75506/Aeon-Labs-DSC06106-ZWUS-Z-Wave-Smart-Ener...
http://www.staples.com/Aeotec-Smart-Strip/product_279180?externalize=cer...
My question is, does anyone know if that plug data can be sent from the ISY to emoncms.org and if so, how? I know the ISY and other Insteon/Zwave controllers can track power usage data and transmit that info, but I don’t know anything about how to do it and what form the data needs to be to feed to emoncms.org. If anyone has information about this it would be very welcome.
Also, assuming this can be done, will I be able to "subtract" that data from the total circuit usage as sent by the GEM, so it is not double counted in my total/curtain usage?
Thanks!!
Re: Zwave/Insteon Plug Monitoring Data to emoncms.org via ISY
The data formats needed by emoncms are listed in the emoncms.org website ( create yourself an account then go to the Inputs page and follow the link to Input APi help ( http://emoncms.org/input/api ) you need an account on the system first.
So assuming you know a little bit of scripting you should be able to follow the examples in the Universal Devices API manual, to grab the right data and then reformat it to send on to emoncms.
My suggestion would be to work on getting the data out first and then move on to getting the data into emoncms.
Alternatively if there is a webservice for the data you want you could look at using node-red http://nodered.org
There was a modification posted recently that allowed you to do calculations based on the output of one data stream in another. So yes your subtract data should be possible going forward ( not sure if that mod has made it to emoncms.org yet)
Re: Zwave/Insteon Plug Monitoring Data to emoncms.org via ISY
Thanks ukmoose
Your information is helpful. My limitation is I'm no good at scripting. I am writing a detailed post on the ISY forums discussing/asking about this. Maybe a smart guy there or here will jump in with me. When I complete that post, I will post a link in this thread.
EDIT:
If you are interested below is a link to a detailed discussion of the topic on the UD ISY Green forum. I quoted your reply from above into that thread.
http://forum.universal-devices.com/viewtopic.php?f=46&t=13880#p110596
Thanks


This is an article
Do not forget to buy milk today.
WWF
The World Wide Fund for Nature (WWF) is....
Copyright 1999-2014.
- by Benny Hill Data. All Rights Reserved.
All content and graphics on this web site are the property of the company Refsnes Data.


ESPM C10 is a lower division breadth course offered within the College of Letters and Sciences. The course is designed as a Discovery course and provides students with a background on the relationship between human society and natural environment. The course is split up into two sections: describing how we think about the environment and then issues our society is facing. See the topics listed below. The course is not advanced but requires work outside of class.
None.
3 hours of lecture per week. 1.5 hours of discussion per week. Approximately 3 hours per homework assignment.
The course is only offered in the Spring. Any student within UC Berkeley can enroll in this course.
There was a lot of additional work outside of class but is very straightforward. Pay attention is class and review lectures slides before tests. Be willing to talk with your GSI about writing assignments as well because they want to help.
Written by: Ashley Nensel
Last edited: Spring 2018


Algorithm and scientific questions: <Huidong.Chen at mgh dot harvard dot edu>
Module wrapping issues: Ted Liefeld < jliefeld at cloud dot ucsd dot edu>
STREAM (Single-cell Trajectories Reconstruction, Exploration And Mapping) is an interactive pipeline capable of disentangling and visualizing complex branching trajectories from both single-cell transcriptomic and epigenomic data. Within GenePattern STREAM is implemented as a collection of modules that cover the entire STREAM processing pipeline to allow individual steps to be performed interactively for data exploration.
STREAM.Plolt2DVisualization is used check if there is clear meaningful trajectory pattern to the data. If there is, we will continue the downstream analysis placing the cells onto the trajectories. If not, we would go back to previous steps to modify the parameters used to filter and prepare the data to try different settings.
UMAP is a manifold learning technique ifor dimension reduction constructed from a theoretical framework based in Riemannian geometry and algebraic topology. UMAP preserves more of the global structure than tSNE and runs more quickly.
tSNE is a technique for dimensionality reduction for the visualization of high-dimensional datasets. This technique is implemented via Barnes-Hut approximations, allowing it to be applied on large real-world datasets.
H Chen, L Albergante, JY Hsu, CA Lareau, GL Bosco, J Guan, S Zhou, AN Gorban, DE Bauer, MJ Aryee, DM Langenau, A Zinovyev, JD Buenrostro, GC Yuan, L Pinello Single-cell trajectories reconstruction, exploration and mapping of omics data with STREAM. Nature Communications, volume 10, Article number: 1903 (2019)
Nestorowa, S. et al. A single-cell resolution map of mouse hematopoietic stem and progenitor cell differentiation. Blood 128, e20-31 (2016).
Pinello Lab STREAM Github Repository
https://umap-learn.readthedocs.io/en/latest/
Leland McInnes, John Healy, James Melville, UMAP: Uniform Manifold Approximation and Projection for Dimension Reduction
L.J.P. van der Maaten. Accelerating t-SNE using Tree-Based Algorithms. Journal of Machine Learning Research 15(Oct):3221-3245, 2014.
Example data for the STREAM workflow can be downloaded from dropbox: Stream Example Data
Ref: Nestorowa, S. et al. A single-cell resolution map of mouse hematopoietic stem and progenitor cell differentiation. Blood 128, e20-31 (2016).
An input file suitable for this step is available at dimred_stream_result.pkl
GenePattern 3.9.11 or later (dockerized).
General | |
| Name | Description |
|---|---|
| data file* | A STREAM pkl file containing an annotated AnnData matrix of gene expression data/td> |
| output filename* | The output filename prefix. |
| method | Method used for visualization. Choose from; 'umap': Uniform Manifold Approximation and Projection; 'tsne': t-Distributed Stochastic Neighbor Embedding. |
| percent neighbor cells | The percentage of neighbor cells (only valid when 'umap' is specified). |
| perplexity | The perplexity used (only valid when tSNE is specified). |
| color by | Specify how to color cells. 'label': the cell labels, 'branch': the branch id identifed by STREAM |
| use precomputed | If True, the visualization coordinates from previous computation result (in pkl input file) will be used |
PlottingParameters controlling the output figures. | |
| Name | Description |
| figure height | Figure height as used in matplotlib graphs. Default=8. |
| figure width | Figure width as used in matplotlib plots. Default=8 |
| figure legend num columns | The number of columns used in the figure legend, default=3. |
* - required


This page demonstrates presenting several different views within a single
Grid instance, by swapping out the renderRow
function.
The details and gallery views also demonstrate switching the grid header
off by calling setShowHeader
.
(In fact, if only the Details and Gallery views were desired,
the List
module would be sufficient.)
In addition, the "table" view demonstrates hooking up a click callback, in order to display more information when a row is clicked.


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JavaSound has no direct support for Karaoke. This chapter looks at how to combine the JavaSound libraries with other libraries such as Swing to give a Karaoke player for MIDI files.
Java has no library support for Karaoke. That is too application specific. In this chapter we give code for a Karaoke player that can play KAR files. The player will show two lines of the lyrics to be played, with words already played beigin highlighted in red. Along the top it shows using a simple piano keyboard the notes that are played in channel one of the MIDI file. In the middle it shows the melody line, with a vertical line in the middle to show the currently playing note.
The player looks like
The UML diagram is basically
The KaraokePlayer class extracts the filename of the Karaoke file and creates a MidiPlayer to handle the file:
The MidiPlayer creates a Sequence from the file. Sequence information is required at many places, and so rather than pass the sequence in parameters, it is stored in a singleton (static) object, a SequenceInformation. This makes the sequence effectively a global object to the system.
The player then gets the default sequencer and transmits MIDI events to two Receiver objects: the default synthesizer to play the events and a DisplayReceiver to manage all the GUI handling. The Sequencer method getTransmitter() is mis-named: each time it is called it returns a new transmitter, each playing the same events to their respective receivers. From Java SE Documentation: Chapter 10: Transmitting and Receiving MIDI Messages
This code [in their example] introduces a dual invocation of the MidiDevice.getTransmitter method, assigning the results to inPortTrans1 and inPortTrans2. As mentioned earlier, a device can own multiple transmitters and receivers. Each time MidiDevice.getTransmitter() is invoked for a given device, another transmitter is returned, until no more are available, at which time an exception will be thrown.
That way, the sequencer can send to two receivers.
Receivers do not get MetaMessages. These contain information such as Text or Lyric events. The DisplayReceiver is registered as an MetaEventListener so that it can manage these events as well as other events.
The MidiPlayer is:
The DisplayReceiver collects both ShortMessages as a Receiver and MetaMessages as a MetaEventListener. These are needed to see both the notes and the lyrics.
The DisplayReceiver decodes the notes and text sent to it. In turn, it passes these to a MidiGUI to show them. This class is
The MidiGUI is called by two methods: setLyric() and setNote(). The GUI consists of three main areas: an area to give a "piano" view of the melody as it is played (pianoPanel), an area to show the complete set of melody notes (melodyPanel) and a set of Panels to show the lyrics. setNote() is fairly straightforward in that it just calls drawNote() in the pianoPanel. setLyric() is considerably more complex.
Most Karaoke players show a couple of lines of text for the lyrics. As lyrics are played, typically the text will change colour to match. When the end of a line is reached, focus will switch to the next line, and the previous line will be replaced with another line of lyrics.
Each line must hold a line of lyrics. The line must be able to react to lyrics as they are played. This is handled by an AttributedTextPanel, shown later. The main task is to feed changes in lyrics through to the selected panel so that it can display them in the correct colours.
The other principal task for the MidiGUI here is to switch focus between AttributedTextPanel's when end of line is detected and to update the next line of text. The new lines of text can't come from the lyrics as they are played, but must instead be constructed from the sequence containing all of the notes and lyrics. The convenience class SequenceInformation (shown later) takes a Sequence object and has a method to extract an array of LyricLine objects. Each panel displaying a line is given a line from this array.
The panel to display a line of lyrics must be able to show text in two colours: the lyrics already played and the lyrics yet to be played. The Java AttributedText class is useful for this, as the text can be marked with different attributes such as colours. This is wrapped in an AttributedTextPanel, shown later.
One minor wrinkle concerns language. Chinese has both the character form and a Romanised form called PinYin. Chinese speakers can read the character form. People like me can only understand the PinYin form. So if the language is Chinese then the AttributedTextPanel shows the PinYin alongside the Chinese characters. The language identity should be passed to the AttributedLyricPanel as well.
The AttributedLyricPanel is
The pianoPanel shows a piano-like keyboard. As a note is turned on, it colours the note in blue and returns to normal any previously playing note. When a note is turned off, the note reverts to its normal colour (black or white).
Colouring notes is called by setNote as nonte on/note off messsages come from the sequencer.
The PianoPanel is
The MelodyPanel is a scrolling panel showing all the notes of the melody. The currently playing note is centred in the display. This is done by drawing all of the notes into a BufferedImage and then copying across the relevant part every 50 milliseconds.
The MelodyPanel is
SequenceInformation is given by
For Chinese language files, one of my aims was to display the PinYin (Romanised form) of the Chinese hierographic characters. For this, I need to be able rewrite any sequence of Chinese characters into their PinYin form. I couldn't find a list of characters and their corresponding characters. The closest is the Chinese-English Dictionary from which you can download the dictionary as a text file. Typical lines in this file are
不賴 不赖 [bu4 lai4] /not bad/good/fine/
Each line has the Traditional characters followed by the Simplified characters, the PinYin in [...] and then English meanings.
I used the following shell script to make a list of character/PinYin pairs:
#!/bin/bash
# get pairs of character + pinyin by throwing away other stuff in the dictionary
awk '{print $2, $3}' cedict_ts.u8 | grep -v '[A-Z]' |
grep -v '^.[^ ]' | sed -e 's/\[//' -e 's/\]//' -e 's/[0-9]$//' |
sort | uniq -w 1 > pinyinmap.txt
to give lines such as
好 hao
妁 shuo
如 ru
妃 fei
This can then be read into a Java Map, and then quick lookups can be done to translate Chinese to PinYin.
The Karaoke player described so far is functionally equivalent to kmidi and pykar. It plays KAR files, shows the notes and scrolls through the lyrics. To sing along with it, you need to use an ALSA or PulseAudio player.
But Java can also play sampled sounds, as discussed in an earlier chapter. So that code can be brought into the Karaoke player to give a more complete solution. For MIDI, Java normally gives only a Gervill synthesizer which is a software synthesizer that plays out through The PulseAudio default device. The actual output device is not accessible through Java, and is controlled by the underlying PulseAudio output device. But for sampled media, the input devices can be controlled. So in the following code a selection box allows choice of sampled input device, and leaves the output device to the default.
The code to play the sampled media is pretty much the same as we have seen before:
if the default devices are chosen, the input and output devices are the PulseAudio default devices. Normally these would both be the computer's sound card. However, the default devices can be changed using for example, the PulseAudio volume control. These can set either the input device, the output device or both. The dialogue can also be used to set the input device for sampled media.
This raises a number of possible scenarios:
Using different devices raises the problem of "clock drift", where the devices have different clocks which are not synchronised. The worst case seems to be the second one, where over a three minute song on my system I could hear a noticeable lag in playing the sampled audio, while the KAR file played happily. It also introduced a noticeable latency in playing the sampled audio.
The program top
can give a good idea of how much CPU is used by
various processes. My current computer is a high-end Dell laptop with a
quad-core Intel i7-2760QM CPU running at 2.4GHz. According to
CPU Benchmarks
the processor is in the "High End CPU Chart."
On this computer, tested with various KAR files, PulseAudio takes about 30%
of the CPU while Java takes about 60%. On occassions these figures exceeded.
There is not much left for additional functionality!
In addition, while playing a MIDI file, sometimes the Java process hangs,
resuming with upto 600% CPU usage (I don't know how top
manages to record that)!. This makes it effectively unusable, and I am
not sure where the problem lies.
The Java source files are here and the Chinese lookup table is here
JavaSound has no direct support for Karaoke. This chapter has looked at how to combine the JavaSound libraries with other libraries such as Swing to give a Karaoke player for MIDI files. It requires a high-end computer to run these programs.


--- layout: default title: Archives excerpt: Index of the archives of the Nottingham New Theatre year-by-year or by venue, season, play or playwright. group: top editable: false body_class: header-nobr current: archives permalink: /years/ ---


{% macro render_podcast_index(episode) %}
by {{ episode.author }}; published {{ episode.pub_date.strftime('%-d %B %Y') }}
{{ episode.description }}


Thanks to Northeastern's co-op program, I've had the privilege of completing two awesome six-month co-ops as a Creative Technologist at MullenLowe U.S. and Software Engineer at Starry. Starting in July 2017, I'll be joining the iTunes team at Apple as a UI Engineer for my third and final co-op!


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Bilingual software developer who is customer-driven and enjoys working as part of a team. An excellent communicator with the ability to meet deadlines and quickly resolve issues. Seeking a position within a fast-moving company in the health industry to develop secure applications.
Looking forward to work with the company which involves solving of business problems using Data Structures and provides an environment of job satisfaction self-development.
Worked as a Web Developer in Backend Team as well in Frontend Team, contributed to build a restaurant based service application using Django. Also worked with Analytics using python libraries like pandas, scikit, numpy.
I have been selected as the Top Contributor(Open Source) in winter of code which is organised by IIT Patna.And also i have a nice journey of that part after that i will be selected as Mentor of GirlScript Summer of code.
GSSoC is an amazing opportunity for budding engineers to collaborate, co-learn and contribute towards projects. As a mentor, I was astonished at the energy and time students dedicated for the cause, developers choose their own projects, build with their own vision and were able to compete with peers.
I am technical team member at Jammu & Kashmir.
The Uplift Project, starts from June 1st, 2020 is a global-remote initiative for people worldwide who want to talk about something fruitful.
I am Frontend Developer at Khabai Tech.
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| Date | Game | Umpire | Calls Correct (%) | Correct Calls | Incorrect Calls | Total Calls |
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| {{game.game_date | timezone | date: 'longDate'}} | {{game.home_team_abbrev}} vs. {{game.away_team_abbrev}} | {{game.umpire_name}} | {{game.percent_correct | number:2}} | {{game.correct_calls}} | {{game.incorrect_calls}} | {{game.total_calls}} |


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This list can be used to select the {{CONFIG.VALUES.THEME_PHRASE_SINGULAR}} for the next {{CONFIG.VALUES.JAM_PHRASE_SINGULAR}}, but the {{CONFIG.VALUES.THEME_PHRASE_SINGULAR}} will be automatically selected if none is chosen.
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| Select | {{^cookies.is_streamer}}Status | {{/cookies.is_streamer}}{{CONFIG.VALUES.THEME_PHRASE_SINGULAR}} | {{^cookies.is_streamer}}Author | Votes | Popularity | Apathy | +1 | 0 | -1 | Days old | Selection Probability by Vote Difference | Selection Probability by Popularity | Admin actions | {{/cookies.is_streamer}}
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| {{#is_old}} {{/is_old}} {{^is_old}} {{#is_recent}} {{/is_recent}} {{^is_recent}} {{#has_enough_votes}} {{#top_theme}} {{/top_theme}} {{^top_theme}} {{#keep_theme}} {{/keep_theme}} {{^keep_theme}} {{/keep_theme}} {{/top_theme}} {{/has_enough_votes}} {{^has_enough_votes}} {{/has_enough_votes}} {{/is_recent}} {{/is_old}} | {{/cookies.is_streamer}}{{{theme}}} | {{^cookies.is_streamer}}{{author_username}} | {{votes_total}} | {{votes_popularity}} | {{votes_apathy}} | {{votes_for}} | {{votes_neutral}} | {{votes_against}} | {{days_ago}} | {{ThemeSelectionProbabilityByVoteDifferenceText}} | {{ThemeSelectionProbabilityByPopularityText}} | {{/cookies.is_streamer}} |
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|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| {{#is_old}} {{/is_old}} {{^is_old}} {{#is_recent}} {{/is_recent}} {{^is_recent}} {{#has_enough_votes}} {{#top_theme}} {{/top_theme}} {{^top_theme}} {{#keep_theme}} {{/keep_theme}} {{^keep_theme}} {{/keep_theme}} {{/top_theme}} {{/has_enough_votes}} {{^has_enough_votes}} {{/has_enough_votes}} {{/is_recent}} {{/is_old}} | {{/cookies.is_streamer}}{{{theme}}} | {{^cookies.is_streamer}}{{author_username}} | {{votes_total}} | {{votes_popularity}} | {{votes_apathy}} | {{votes_for}} | {{votes_neutral}} | {{votes_against}} | {{days_ago}} | {{ThemeSelectionProbabilityByVoteDifferenceText}} | {{ThemeSelectionProbabilityByPopularityText}} | {{/cookies.is_streamer}} |
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Story: The man who sought refuge from the rain in a cave, and found a lion there before him
The man who sought refuge from the rain in a cave, and found a lion there before him
Title
The man who sought refuge from the rain in a cave, and found a lion there before him
Collection
Summary
The lion made the rain in order to confuse the man so he wouldn't know where his house was and the lion could catch him. The lion made it rain and waited in a cave for the man who sought refuge there.
Comments
1) p.4890 opp: this story was told to Dia!kwain by his paternal grandfather (!ku-gen-ddi, or Oud Klaas), 2) p.4905v: a note that the following pages (pp.4906-4926) were translated at Charlottenburg, 3) This story is found in Book V-12
Contributors
Date
4 July 1875 (started)
Categories
History (personal), Plants and animals
Keywords
lion (the man who sought refuge from the rain in a cave and found a lion there) , lion (its powers) , lion (its nature and habits) , lion (is cunning) , lion (is a thing that does not come for people when the sun stands in the sky) , lion (makes the rain fall) , lion (does not go by day) , lion (and the sun) , lion (the things it does to catch people) , lion (and the man who sought refuge from the rain in a cave) , lion (talks to the people) , lion (threatens the people at their fire) , cave (and the man who sought refuge from the rain and found a lion there) , sun (lion's power over) , sun (and the man who sought refuge from the rain in a cave and found a lion there) , sun (the lion is a thing that does not come for people when it stands in the sky) , rain (and the magic powers of the lion) , rain (the lion makes it fall) , rain (and the man who sought refuge from the rain in a cave and found a lion there) , magic power (of the lion over the sun and the rain) , magic power (and the man who sought refuge from the rain in a cave and found a lion there)
Story Pages
4890-4926


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The centerpiece of any Galactic sight-seeing tour, and we mean that literally! Every known galaxy is powered by the gravitational power of one of these monsters, so they make it into our list of Top Things to see!
While Black Holes actually come in two types, Stellar Mass Black Holes-- which are considerably smaller. We're all about the site seeing here, so we have to recommend the Super Massive Black Hole at the center of a galaxy for our trip!
The Milky Way has it's own Super Massive in it's galactic core, but our position within the Milky Way makes it un-viewable from Earth. We're blocked by stellar matter and dust clouds. So, your trip would involve heading towards the galactic core to see your final destination!
 Not even light can escape. They also can eject matter millions of light-years into space at super speeds to form Quasar's. They're pretty lethal to people. Just a note.


| 1 | package fr.sii.ogham.sms.builder; | |
| 2 | ||
| 3 | import fr.sii.ogham.core.builder.Builder; | |
| 4 | import fr.sii.ogham.core.builder.context.BuildContext; | |
| 5 | import fr.sii.ogham.core.builder.context.DefaultBuildContext; | |
| 6 | import fr.sii.ogham.core.builder.env.EnvironmentBuilder; | |
| 7 | import fr.sii.ogham.core.fluent.AbstractParent; | |
| 8 | import fr.sii.ogham.sms.message.PhoneNumber; | |
| 9 | import fr.sii.ogham.sms.message.addressing.AddressedPhoneNumber; | |
| 10 | import fr.sii.ogham.sms.message.addressing.translator.CompositePhoneNumberTranslator; | |
| 11 | import fr.sii.ogham.sms.message.addressing.translator.PhoneNumberHandler; | |
| 12 | import fr.sii.ogham.sms.message.addressing.translator.PhoneNumberTranslator; | |
| 13 | ||
| 14 | /** | |
| 15 | * Configures the sender phone number conversion (from a {@link PhoneNumber} to | |
| 16 | * an {@link AddressedPhoneNumber}). | |
| 17 | * | |
| 18 | * The {@link PhoneNumber} is used by the developer to provide a simple phone | |
| 19 | * number without knowing how phone number works (no need to handle formats, | |
| 20 | * addressing, countries...). The {@link AddressedPhoneNumber} is used by Ogham | |
| 21 | * implementations to have a phone number that is usable by a technical system. | |
| 22 | * | |
| 23 | * @author Aurélien Baudet | |
| 24 | * | |
| 25 | */ | |
| 26 | public class SenderNumberBuilder extends AbstractParent<PhoneNumbersBuilder> implements Builder<PhoneNumberTranslator> { | |
| 27 | private final BuildContext buildContext; | |
| 28 | private SenderNumberFormatBuilder formatBuilder; | |
| 29 | private PhoneNumberTranslator customTranslator; | |
| 30 | ||
| 31 | /** | |
| 32 | * Default constructor when using without all Ogham work. | |
| 33 | * | |
| 34 | * WARNING: use is only if you know what you are doing ! | |
| 35 | */ | |
| 36 | public SenderNumberBuilder() { | |
| 37 | this(null, new DefaultBuildContext()); | |
| 38 | } | |
| 39 | ||
| 40 | /** | |
| 41 | * Initializes the builder with a parent builder. The parent builder is used | |
| 42 | * when calling {@link #and()} method. The {@link EnvironmentBuilder} is | |
| 43 | * used to evaluate properties when {@link #build()} method is called. | |
| 44 | * | |
| 45 | * @param parent | |
| 46 | * the parent builder | |
| 47 | * @param buildContext | |
| 48 | * for registering instances and property evaluation | |
| 49 | */ | |
| 50 | public SenderNumberBuilder(PhoneNumbersBuilder parent, BuildContext buildContext) { | |
| 51 | super(parent); | |
| 52 | this.buildContext = buildContext; | |
| 53 | } | |
| 54 | ||
| 55 | /** | |
| 56 | * Defines which standard conversions may be applied on the phone number to | |
| 57 | * convert it from a {@link PhoneNumber} to an {@link AddressedPhoneNumber}. | |
| 58 | * | |
| 59 | * @return the builder to configure standard phone number conversions | |
| 60 | */ | |
| 61 | public SenderNumberFormatBuilder format() { | |
| 62 |
1
1. format : negated conditional → RUN_ERROR |
if (formatBuilder == null) { |
| 63 | formatBuilder = new SenderNumberFormatBuilder(this, buildContext); | |
| 64 | } | |
| 65 |
1
1. format : replaced return value with null for fr/sii/ogham/sms/builder/SenderNumberBuilder::format → RUN_ERROR |
return formatBuilder; |
| 66 | } | |
| 67 | ||
| 68 | /** | |
| 69 | * Overrides the standard phone number conversions by the provided handler. | |
| 70 | * | |
| 71 | *
 | |
| 72 | * If you call this method several times, only the last custom handler is | |
| 73 | * used. If you need to apply several conversions, you can use | |
| 74 | * {@link CompositePhoneNumberTranslator} implementation that delegates to | |
| 75 | * {@link PhoneNumberHandler}s. | |
| 76 | * | |
| 77 | * @param handler | |
| 78 | * the handler to use | |
| 79 | * @return this instance for fluent chaining | |
| 80 | */ | |
| 81 | public SenderNumberBuilder convert(PhoneNumberTranslator handler) { | |
| 82 | this.customTranslator = handler; | |
| 83 |
1
1. convert : replaced return value with null for fr/sii/ogham/sms/builder/SenderNumberBuilder::convert → NO_COVERAGE |
return this; |
| 84 | } | |
| 85 | ||
| 86 | @Override | |
| 87 | public PhoneNumberTranslator build() { | |
| 88 |
1
1. build : negated conditional → RUN_ERROR |
if (customTranslator != null) { |
| 89 |
1
1. build : replaced return value with null for fr/sii/ogham/sms/builder/SenderNumberBuilder::build → NO_COVERAGE |
return customTranslator; |
| 90 | } | |
| 91 |
1
1. build : replaced return value with null for fr/sii/ogham/sms/builder/SenderNumberBuilder::build → RUN_ERROR |
return formatBuilder.build(); |
| 92 | } | |
| 93 | } | |
Mutations | ||
| 62 |
1.1 |
|
| 65 |
1.1 |
|
| 83 |
1.1 |
|
| 88 |
1.1 |
|
| 89 |
1.1 |
|
| 91 |
1.1 |


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ITD Cementation bags projects worth over Rs 3,400cr
One of the orders is from Bangalore Metro Rail Corporation for design and construction of underground structures of Bangalore Metro Rail Project, phase-2.
by PTIITD Cementation India on Monday said it has bagged orders worth over Rs 3,400 crore from various government entities. In a filing to the BSE the company said it has five Letters of Acceptance (LoAs) from the entities concerned.
One of the orders is from Bangalore Metro Rail Corporation for design and construction of underground structures of Bangalore Metro Rail Project, phase-2.
Besides, it has got three LoAs from Ircon International for tunnelling works on Sivok (West Bengal) to Rangpo (Sikkim) New Single Broad Gauge Railway Line Project comprising construction of six tunnels, the filing said.
ITD Cementation has bagged a project from Municipal Corporation of Greater Mumbai for construction of sewer tunnel and allied works.
ITD Cementation India has presence in marine structures, mass rapid transit systems, airports, hydro-electric power, tunnels, dams and irrigation, highways, bridges and flyovers, among others.


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#include <Logger.h>
Public Types | |
| enum | Type { ERROR, INFO, WARNING } |
| types of logging More... | |
Public Member Functions | |
| Logger (Logger &)=delete | |
| Copy constructor of the class - deleted since there is no need to copy an instance of this class. More... | |
| void | operator= (Logger const &)=delete |
| Assignment operator - deleted since there is no need to use it within this program. More... | |
| void | log (Type type, std::string msg) |
| Assignes the appropriate color (according to the type) to the message given as a parameter and calls method log to print out the message. More... | |
| void | testAllTypes () |
| Prints out all the logging types messages. More... | |
Static Public Member Functions | |
| static Logger * | getInstance () |
| Returns the instance of the class. More... | |
Public Attributes | |
| const std::string | RESET = "\033[0m" |
| reset of the color More... | |
| const std::string | BLACK = "\033[30m" |
| black color used when printing out into terminal More... | |
| const std::string | RED = "\033[31m" |
| red color used when printing out into terminal More... | |
| const std::string | GREEN = "\033[32m" |
| green color used when printing out into terminal More... | |
| const std::string | YELLOW = "\033[33m" |
| yellow color used when printing out into terminal More... | |
| const std::string | BLUE = "\033[34m" |
| blue color used when printing out into terminal More... | |
| const std::string | MAGENTA = "\033[35m" |
| magenta color used when printing out into terminal More... | |
| const std::string | CYAN = "\033[36m" |
| cyan color used when printing out into terminal More... | |
| const std::string | WHITE = "\033[37m" |
| white color used when printing out into terminal More... | |
Private Member Functions | |
| Logger () | |
| Constructor of the class - creates an instance of it. More... | |
| void | log (std::string type, std::string color, std::string msg) |
| Prints out a log message in the terminal. More... | |
Static Private Attributes | |
| static Logger * | instance = NULL |
| the only instance of this class (singleton pattern) More... | |
This class has the purpose of a logger and is used for debugging the code.
There are three levels of logging this class provides. These are ERROR, WARNING, and INFO, all of which the user can either disable or enable. These logging methods are spread out throughout the code so the programmer can see what exactly is going on in the process of debugging. Before the application is released, all methods could be disabled so the user is not annoyed with information they do not really need. When the application crashes, for example, the programmer can turn them all on in order to see the point where the program most likely crashed and why. In terms of implementation, the class is designed as a singleton.
| enum Logger::Type |
|
inlineprivate |
Constructor of the class - creates an instance of it.
The constructor is private on purpose so it follows the singleton pattern
|
delete |
Copy constructor of the class - deleted since there is no need to copy an instance of this class.
|
static |
Returns the instance of the class.
It also creates an instance of the class, if it has not been created yet, so it follows the singleton pattern.
|
private |
Prints out a log message in the terminal.
The message has an appropriate color depending on the type of the message.
| type | of the logging Type |
| color | color of the message |
| msg | the message itself that is going to be printed out |
| void Logger::log | ( | Type | type, |
| std::string | msg | ||
| ) |
Assignes the appropriate color (according to the type) to the message given as a parameter and calls method log to print out the message.
| type | type of the message Type |
| msg | message that is going to be printed out |
|
delete |
Assignment operator - deleted since there is no need to use it within this program.
| void Logger::testAllTypes | ( | ) |
Prints out all the logging types messages.
The purpose of this method is to show to the user what the output looks like, so they can change it if they wish. Therefore, calling of this method is not required anywhere in the program.
| const std::string Logger::BLACK = "\033[30m" |
black color used when printing out into terminal
| const std::string Logger::BLUE = "\033[34m" |
blue color used when printing out into terminal
| const std::string Logger::CYAN = "\033[36m" |
cyan color used when printing out into terminal
| const std::string Logger::GREEN = "\033[32m" |
green color used when printing out into terminal
|
staticprivate |
the only instance of this class (singleton pattern)
| const std::string Logger::MAGENTA = "\033[35m" |
magenta color used when printing out into terminal
| const std::string Logger::RED = "\033[31m" |
red color used when printing out into terminal
| const std::string Logger::RESET = "\033[0m" |
reset of the color
| const std::string Logger::WHITE = "\033[37m" |
white color used when printing out into terminal
| const std::string Logger::YELLOW = "\033[33m" |
yellow color used when printing out into terminal


10.26 Updatable Binary Trees—library(trees)
This libary module provides updatable binary trees with logarithmic access time.
Exported predicates:
gen_label(
?Index,
+Tree,
?Value)
-
assumes that Tree is a proper binary tree, and is true when Value
is the Index-th element in Tree. Can be used to enumerate
all Values by ascending Index.
get_label(
+Index,
+Tree,
-Label)
-
treats the tree as an array of N elements and returns the Index-th.
If Index < 1 or > N it simply fails, there is no such element. As
Tree need not be fully instantiated, and is potentially unbounded,
we cannot enumerate Indices.
list_to_tree(
+List,
-Tree)
-
takes a given List of N elements and constructs a binary Tree
where
get_label(
K,
Tree,
Lab)
<=> Lab is the Kth element of List.
map_tree(
:Pred,
+OldTree,
?NewTree)
-
is true when OldTree and NewTree are binary trees of the same shape
and Pred(Old,New) is true for corresponding elements of the two trees.
put_label(
+Index,
+OldTree,
-Label,
-NewTree)
-
constructs a new tree the same shape as the old which moreover has the
same elements except that the Index-th one is Label. Unlike the
"arrays" of
library(arrays)
, OldTree is not modified and you can hang on to
it as long as you please. Note that O(lg N) new space is needed.
put_label(
+Index,
+OldTree,
-OldLabel,
-NewTree,
+NewLabel)
- is true when OldTree and NewTree are trees of the same shape having
the same elements except that the Index-th element of OldTree is
OldLabel and the Index-th element of NewTree is NewLabel. You can
swap the <Tree,Label> argument pairs if you like, it makes no difference.
tree_size(
+Tree,
-Size)
-
calculates the number of elements in the Tree. All trees made by
list_to_tree/2
that are the same size have the same shape.
tree_to_list(
+Tree,
-List)
-
is the converse operation to
list_to_tree/2
. Any mapping or checking
operation can be done by converting the tree to a list, mapping or
checking the list, and converting the result, if any, back to a tree.
It is also easier for a human to read a list than a tree, as the
order in the tree goes all over the place.
Send feedback on this subject.


Your project is ready to go!A github repo has been initialized, your project structure has been generated, and a jenkins job has been created Clone the repo to start making changes, or go ahead and run a test build


We work with such printed products as brochures, leaflets, posters, postcards, packaging, advertising, etc., as well as some projects on HTML, CSS, JS, Bootstrap and Wordpress.
New Web-site coming soon!
We're working hard to finish the development of this site. Our target launch date is Summer 2021!
Feel free to contact us: da@rox.la


Quiver Invoice is entirely open source. Host it on your own server if you like, or pay us a nominal fee to host it for you. Invoicing is about getting paid for your hard work, and we will not get in your way.
Don't waste time learning a new way to invoice your clients. Use Quiver Invoice to quickly generate dead-simple client invoices. We literally won't let you customize more than you need to. Input your client's name and email address. Create line items for your client's bill. Click SEND. That's it! You'll get an email when your client has paid, and you can see your paid and unpaid invoices in a nice, sortable list.
Clients like to pay by credit card, and credit cards charge merchants fees which eat into your profit margin. Quiver Invoice enables your client to print the invoice and pay by check... but if he or she needs those American Express reward miles, we process credit card transactions through your own Stripe account. We never touch a dime of your money. Just give us your Stripe api keys and we'll handle the rest.


While the CodeCarnage response form was originally intended to be used to refine the beta release for the official release, we are still accepting general feedback through this form.
If you encounter a bug in the software, please let us know by creating a bug issue on our GitHub page . Please be sure to fill out the description and complete the title as requested in order to ensure that we can address your issue as quickly as possible. Thank you!
You can also contact the developers directly through their personal sites below.


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Post Malone Brought Southern Style to the AMAs in a Checkered Suit and Classy Bolo Tie
by Chanel VargasPost Malone fans know that the "Take What You Want" singer cleans up nicely, and his red carpet look at the 2019 American Music Awards is proof. Post showed up in a checkered black-and-white suit paired with a silver bolo tie and a matching black-and-white cowboy hat patterned with barbed wire. From head to toe, the look was a sophisticated spin on Post's unique style, and we are loving it. Check out his suit from all angles ahead.


You have reached the end of this channel.
Don't worry, just choose a different one to keep watching:
First choose what tags you want in the channel...
...then choose what channel you want to watch
Enjoy the videos posted by the users of the subreddit r/youtubehaiku in a nice modern player that will make you waste even more time than usual.
You just need to know that HAIKU are poetic videos under 14 seconds, POETRY are still poetic but longer (under 30 seconds) and then, you know, there are Memes .
youtubehaiku.net is made by
Simone Cingano
(aka u/yupswing).
The project is
open source
and you can fork the code on
github
If you have comments or ideas contact me .
Control the player with the buttons or use the keyboard shortcuts :


Button1
Button2
Click the button to see the counter increase.
Close the browser tab (or window), and try again, and the counters will continue to count (is not reset).


class OHLC:
| Method | __init__ |
Initialises OHLC instance from pandas series |
| Method | get_filtered_df |
Returns pandas DataFrame after applying filters |
| Method | filter_direction |
Applies direction filter for OHLC bars |
| Method | get_body |
Returns series of bodies of bars |
| Method | get_drop |
Returns series of drops of bars |
| Method | __getitem__ |
Returns series from DataFrame |
| Instance Variable | _df |
Undocumented |
| Instance Variable | _filters |
Undocumented |
| Instance Variable | __mask |
Undocumented |
| Method | _apply_filters |
Undocumented |
| Parameters | df | Series to initialize from (type: pd.Series ) |
| resolution | Resolution to resample bars (type: str ) | |
| rolling_backwards | Create bar for every point in df, not every 1 resolution |
| Returns | Filtered DataFrame (type: pd.DataFrame ) |
Applies direction filter for OHLC bars
When direction is Direction.UP only rising bars will be selected
| Parameters | direction | Direction to filter by (type: Direction ) |
Returns series of bodies of bars
Body is calculated as bar's close - open
| Returns | Body bars series (type: pd.Series ) |


{% extends 'indabom/base.html' %} {% load materializecss %} {% block head-title %}Forgot Your Password?{% endblock %} {% block title %}Forgot Your Password?{% endblock %} {% block content %} {% load static %}
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Terrariums are unique ecosystems, constructed in a clear glass container. Natural elements meet creative aesthetics, to bring an alluring environment to life. Put together your own craetive visions with a little guidance from a Bachman's expert and learn how to design a terrarium with miniature plants and a mix of natural materials evocative of the sea.
Practical considerations and design elements will be discussed. Ticket cost covers all materials needed, participants may bring small objects of interest to personalize their botanical creation. One person may attend class workshop per ticket.
Terrariums are unique ecosystems, constructed in a clear glass container. Natural elements meet creative aesthetics, to bring an alluring environment to life. Put together your own craetive visions with a little guidance from a Bachman's expert and learn how to design a terrarium with miniature plants and a mix of natural materials evocative of the sea.


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A collection of functions to analyse, visualize and interpret wind data and to calculate the potential energy production of wind turbines.
| Version: | 0.4-3 |
| Depends: | R (≥ 2.14.2) |
| Imports: | graphics, grDevices, lubridate, stats, utils |
| Suggests: | RColorBrewer, RgoogleMaps, XML |
| Published: | 2018-11-14 |
| Author: | Christian Graul and Carsten Poppinga |
| Maintainer: | Christian Graul <christian.graul at gmail.com> |
| License: | MIT + file LICENSE |
| URL: | https://github.com/chgrl/bReeze |
| NeedsCompilation: | no |
| Citation: | bReeze citation info |
| Materials: | NEWS |
| In views: | Environmetrics |
| CRAN checks: | bReeze results |
| Reference manual: | bReeze.pdf |
| Package source: | bReeze_0.4-3.tar.gz |
| Windows binaries: | r-devel: bReeze_0.4-3.zip, r-release: bReeze_0.4-3.zip, r-oldrel: bReeze_0.4-3.zip |
| OS X binaries: | r-release: bReeze_0.4-3.tgz, r-oldrel: bReeze_0.4-3.tgz |
| Old sources: | bReeze archive |
Please use the canonical form https://CRAN.R-project.org/package=bReeze to link to this page.


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{% extends "message.html" %} {% block message %}
{% trans %} You can not change your account email address, because you do not have a recovery code. {% endtrans %}


for j in range(n):
// Initializes weights
for k in range(n):
weights[k] = 1.1 - .2 * self.rng.random()
for k in range(n, len(weights)):
weights[k] = 0.0
if propensity:
weights[5 * n] = -2.0
for k in range(n, len(weights)):
weights[k] = 0.0
if propensity:
weights[len(weights) - 1] = 0.0
_fit_deps(m, n, j, L, weights, joint, higher_order, propensity, threshold, truncation)


--- layout: default --- {% comment %} We cut out all feature of the minima "home": - No title because we already use h1. - No posts because we don't use that feature. {% endcomment %}


You must import the plotting libraries and get some historical data to create heat maps.
In this example, you create a heat map that shows the correlation between the daily returns of the banking securities. Follow these steps to create the heat map:
unstack
method.close_prices = history['close'].unstack(level=0)
pct_change
method.daily_returns = close_prices.pct_change()
corr
method.corr_matrix = daily_returns.corr()
imshow
method with the corr_matrix
and the axes labels.fig = px.imshow(corr_matrix, x=tickers, y=tickers)
update_layout
method with a title.fig.update_layout(title='Banking Stocks and bank sector ETF Correlation Heat Map');
show
method.fig.show()
The Jupyter Notebook displays the heat map.


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