Input Control
The input_control module contains rules that affect forms, input elements, buttons, checkboxes and radio buttons. All of these elements' styles are predefined, allowing you to create modern, responsive forms quickly. Layout alternatives are also provided if you want your forms to look a certain way.
Quick overview
The presentation of forms, input fields, buttons and other interactive elements is always very important for any website or app. The input_control module provides you with much needed styling improvements for all of these elements, while keeping everything simple to use and understand, as well as combine with the other modules. Forms and input elements have a clean, modern design, while some elements like checkoxes and radio buttons get a much needed facelift. Buttons have also been stylized to look the same in all browsers, while keeping their design clean and allowing for a few color and size variants. Grouping inputs and labels or buttons is also part of this module and, as always, responsiveness is an important feature. Finally, all of the components are accessible, with a few minor caveats, that are discussed in their respective section in this page.
Quick start
To customize the input_control module, duplicate an existing flavor file (we suggest you use the mini-default.scss
flavor file) and use this page's variable tables and mixins as a reference to change only the values you need. Remember to compile your flavor file (not the module's partial file) using a Sass preprocessor (we highly recommend using sass-autocompile if you are working with Atom).
Forms & input
The input_control module's forms and input fields can be easily customized to use different sizes and colors, as well as different class names for groupping.
| Variable | Type | Description | Sample value |
|---|---|---|---|
| $form-back-color | Color | Background color for <form> elements | #eeeeee |
| $form-fore-color | Color | Text color for <form> elements | $fore-color |
| $form-border-style | Border | Border style for <form> elements | 1px solid #bdbdbd |
| $form-border-radius | Border radius | Border radius for <form> elements | 2px |
| $form-margin | Margin | Margin for <form> elements | 8px |
| $form-padding | Padding | Padding for <form> elements | 12px |
| $form-box-shadow | Box shadow | Box shadow for <form> elements | 0 1px 3px rgba(0,0,0, 0.1) |
| $fieldset-back-color | Color | Background color for <fieldset> elements | $form-back-color |
| $fieldset-border-style | Border | Border style for <fieldset> elements | 1px solid #bdbdbd |
| $fieldset-border-radius | Border radius | Border radius for <fieldset> elements | 2px |
| $fieldset-margin | Margin | Margin for <fieldset> elements | 2px |
| $fieldset-padding | Padding | Padding for <fieldset> elements | 8px |
| $legend-fore-color | Color | Text color for <legend> elements | $form-fore-color |
| $legend-font-size | Font size | Font size for <legend> elements | 0.925em |
| $legend-font-weight | Font weight | Font weight for <legend> elements | 700 |
| $legend-padding | Padding | Padding for <legend> elements | 2px 4px |
| $label-padding | Padding | Padding for <label> elements | 4px |
| $input-back-color | Color | Background color for <input> elements | #fafafa |
| $input-fore-color | Color | Text color for <input> elements | $fore-color |
| $input-border-style | Border | Border style for <input> elements | 1px solid #bdbdbd |
| $input-border-radius | Border radius | Border radius for <input> elements | 1px |
| $input-margin | Margin | Margin for <input> elements | 2px |
| $input-padding | Padding | Padding for <input> elements | 8px 12px |
| $input-focus-border-color | Color | Border color for <input> elements (focused) | #0288d1 |
| $input-invalid-border-color | Color | Border color for <input> elements (invalid) | #d32f2f |
| $input-readonly-border-color | Color | Border color for <input> elements (readonly) | #bdbdbd |
| $input-readonly-back-color | Color | Background color for <input> elements (readonly) | #e0e0e0 |
| $input-placeholder-fore-color | Color | Text color for placeholder text of <input> elements | #616161 |
| $input-disabled-opacity | Opacity | Opacity of <input> elements (disabled) | 0.75 |
| $select-padding-right | Padding right | Right padding of <select> elements | 20px |
| $input-group-name | String | Class name for input groups | 'input-group' |
| $include-fluid-input-group | Logical | Enables fluid input groups1 | true |
| $input-group-fluid-name | String | Class name for fluid input groups1 | 'fluid' |
| $input-group-mobile-breakpoint | Breakpoint | Breakpoint for fluid input groups on mobile devices1 | 767px |
| $include-vertical-input-group | Logical | Enables vertical input groups1 | true |
| $input-group-vertical-name | String | Class name for vertical input groups1 | 'fluid' |
| $hide-file-inputs | Logical | Hides all <input type="file"> elements, allowing access only via the use of labels | true |
Notes:
- The values of
$input-group-fluid-name
and$input-group-mobile-breakpoint
will only be used if$include-fluid-input-group
is set totrue
. - The value of
$input-group-vertical-name
will only be used if$include-vertical-input-group
is set totrue
.
Checkboxes & radio buttons
The input_control module's checkbox and radio button elements are based on custom rules and depend on the use of <label>
elements and input groups to be stylized and properly displayed.
| Variable | Type | Description | Sample value |
|---|---|---|---|
| $checkbox-size | Size (single value, px preferred) |
The size of checkbox/radio elements (determines multiple values of the elements) | 16px |
| $checkbox-back-color | Color | Background color for checkbox/radio elements | $input-back-color |
| $checkbox-fore-color | Color | Text color for checkbox/radio elements | $input-fore-color |
| $checkbox-border-thickness | Border width | Border width for checkbox/radio elements | 1px |
| $checkbox-border-color | Color | Border color for checkbox/radio elements | #bdbdbd |
| $checkbox-border-radius | Border radius | Border radius for checkbox/radio elements | 2px |
| $checkbox-focus-border-color | Color | Border color for checkbox/radio elements (focused) | #0288d1 |
| $checkbox-bottom-spacing | Position top (px preferred) |
Position top spacing for checkbox/radio elements | 6px |
| $checkbox-disabled-opacity | Opacity | Opacity for checkbox/radio elements (disabled) | 0.75 |
| $checkbox-box-shadow | Box shadow | Box shadow for checkbox/radio elements | 0 1px 3px rgba(0,0,0, 0.1) |
Notes:
- It is highly recommended to stick to one unit type for the definitions of checkbox/radio elements (our suggestion is
px
).
Switches
The input_control module contains custom classes and styles for defining switch components.
| Variable | Type | Description | Sample value |
|---|---|---|---|
| $include-switch | Logical | Enables switch components1 | true |
| $switch-name | String | Class name for switch components1 | 'switch' |
| $switch-bar-back-color | Color | Background color for the bar of switch components1 | #bdbdbd |
| $switch-on-bar-back-color | Color | Background color for the bar of switch components (when turned on)1 | #bdbdbd |
| $switch-bar-width | Width | Text color for the bar of switch components1 | 28px |
| $switch-bar-height | Height | Text color for the bar of switch components1 | 14px |
| $switch-bar-border-style | Border | Border style for the bar of switch components1 | 1px solid #212121 |
| $switch-bar-border-radius | Border radius | Border radius for the bar of switch components1 | 2px |
| $switch-bar-box-shadow | Box shadow | Box shadow for the bar of switch components1 | 0 1px 3px rgba(0,0,0, 0.1) |
| $switch-bottom-spacing | Position bottom (px preferred) |
Position bottom spacing for switch components1 | 8px |
| $switch-knob-back-color | Color | Background color for the knob of switch components1 | #e0e0e0 |
| $switch-on-knob-back-color | Color | Background color for the knob of switch components (when turned on)1 | #0277bd |
| $switch-knob-width | Width | Text color for the knob of switch components1 | 20px |
| $switch-knob-height | Height | Text color for the knob of switch components1 | 20px |
| $switch-knob-border-style | Border | Border style for the knob of switch components1 | 1px solid #212121 |
| $switch-knob-border-radius | Border radius | Border radius for the knob of switch components1 | 100% |
| $switch-knob-box-shadow | Box shadow | Box shadow for the knob of switch components1 | 0 1px 3px rgba(0,0,0, 0.1) |
Notes:
- The values used in the switch components will only be used if
$include-switch
is set totrue
.
Button & button groups
The input_control module's button elements are highly customizable, along with the button groups that can be used in combination with them.
| Variable | Type | Description | Sample value |
|---|---|---|---|
| $button-back-color | Color | Background color for button elements | #bdbdbd |
| $button-fore-color | Color | Text color for button elements | $fore-color |
| $button-border-style | Border | Border style for button elements | 1px solid #9e9e9e |
| $button-border-radius | Border radius | Border radius for button elements | 2px |
| $button-margin | Margin | Margin for button elements | 8px |
| $button-padding | Padding | Padding for button elements | 8px 12px |
| $button-box-shadow | Box shadow | Box shadow for button elements | 0 1px 3px rgba(0,0,0, 0.1) |
| $button-back-opacity | Opacity | Background opacity for button elements (default) | 0.65 |
| $button-hover-back-opacity | Opacity | Background opacity for button elements (focused) | 0.8 |
| $button-disabled-opacity | Opacity | Opacity for button elements (focused) | 0.65 |
| $button-class-name | String | Class name for button elements | 'button' |
| $button-group-name | String | Class name for button groups | 'button-group' |
| $button-group-border-style | Border | Border style for button groups | 1px solid #9e9e9e |
| $button-group-margin | Margin | Margin for button groups | 8px |
| $button-group-box-shadow | Box shadow | Box shadow for button groups | 0 1px 3px rgba(0,0,0, 0.1) |
| $button-group-mobile-breakpoint | Breakpoint | Breakpoint for button groups on mobile devices | 767px |
Button mixins
The input_control module contains a couple of mixins for adding custom styles to button elements (color and style variants).
| Mixin | Description |
|---|---|
| make-button-alt-color ($button-alt-name, $button-alt-back-color, $button-alt-back-opacity, $button-alt-hover-back-opacity, $button-alt-fore-color) | Creates a new button color variant using the specified values. |
| make-button-alt-style ($button-alt-name, $button-alt-border-style, $button-alt-border-radius, $button-alt-padding, $button-alt-margin) | Creates a new button style variant using the specified values. |
| Parameter | Type | Description | Sample value |
|---|---|---|---|
| $button-alt-name | String | Class name for the button color variant | 'primary' |
| $button-alt-back-color | Color | Background color for the button color variant | #0277bd |
| $button-alt-back-opacity | Opacity | Background opacity for the button color variant (default) | 0.9 |
| $button-alt-hover-back-opacity | Opacity | Background opacity for the button color variant (focused) | 1 |
| $button-alt-fore-color | Color | (Optional) Text color for the button color variant | #fafafa |
Sample usage
@include make-button-alt-color ('primary', #0277bd, 0.9, 1, #fafafa);
| Parameter | Type | Description | Sample value |
|---|---|---|---|
| $button-alt-name | String | Class name for the button style variant | 'large' |
| $button-alt-border-style | Border | Border style for the button style variant | 2px solid #9e9e9e |
| $button-alt-border-radius | Border radius | Border radius for the button style variant | 4px |
| $button-alt-padding | Padding | Padding for the button style variant | 12px 18px |
| $button-alt-margin | Margin | Margin for the button style variant | 10px |
Sample usage
@include make-button-alt-style ('large', 2px solid #9e9e9e, 4px, 18px, 10px);
Switch mixins
The input_control module contains a mixin for adding custom color variants to switches.
| Mixin | Description |
|---|---|
| make-switch-alt-color ($switch-alt-name, $switch-alt-on-knob-back-color, $switch-alt-on-bar-back-color, $switch-alt-knob-back-color, $switch-alt-bar-back-color) | Creates a new switch color variant using the specified values. |
| Parameter | Type | Description | Sample value |
|---|---|---|---|
| $switch-alt-name | String | Class name for the switch color variant | 'primary' |
| $switch-alt-on-knob-back-color | Color | Background color for the knob of the switch component (when turned on) | #e53935 |
| $switch-alt-on-bar-back-color | Color | (Optional) Background color for the bar of the switch component (when turned on) | #bdbdbd |
| $switch-alt-knob-back-color | Color | (Optional) Background color for the knob of the switch component | #e0e0e0 |
| $switch-alt-bar-back-color | Color | (Optional) Background color for the bar of the switch component | #bdbdbd |
Sample usage
@include make-switch-alt-color ('secondary', #e53935, #bdbdbd, #e0e0e0, #bdbdbd);
If you want to learn more about customizing mini.css, go back to the customization page or choose a module from the top menu to see its documentation.


DirectoryIterator::__construct
(PHP 5, PHP 7)
DirectoryIterator::__construct — Constructs a new directory iterator from a
path
说明
public DirectoryIterator::__construct ( string $path )
Constructs a new directory iterator from a path.
参数
path
The path of the directory to traverse.
错误／异常
Throws an UnexpectedValueException if the path cannot be opened.
Throws a RuntimeException if the path is an empty string.
更新日志
版本 说明
5.3.0 Throws UnexpectedValueException if the path cannot be opened.
5.1.3 Throws RuntimeException if the path is an empty string.
5.1.0 Throws RuntimeException on error. Previously, threw Exception.
范例
Example #1 A DirectoryIterator::__construct() example
This example will list the contents of the directory containing the script.
isDot()) {
var_dump($fileinfo->getFilename());
}
}
?>
参见
• SplFileInfo
• Iterator
User Contributed Notes 10 notes
===============================================================================
Here's all-in-one DirectoryIterator:
regex = '~^' . str_replace('*', '.*', str_replace('.', '\.',
$matches[1])) . '$~'; // convert wildcards to regex
if (!$path) $path = '.'; // if no path given, we assume CWD
}
parent::__construct($recursive ? new RRDI($path, $flags) : new
DirectoryIterator($path));
}
/**
* Checks for regex in current filename, or matches all if no regex specified
* @return bool
*/
public function accept() { // FilterIterator method
return $this->regex === null ? true : preg_match($this->regex, $this->
getInnerIterator()->getFilename());
}
}
?>
Some examples:
getPathname() . '
';
// will output all files and directories in CWD
foreach (new AdvancedDirectoryIterator('-R *.php') as $i) echo $i->getPathname
() . '
';
// will output all php files in CWD and all subdirectories
foreach (new AdvancedDirectoryIterator('-R js/jquery-*.js') as $i) echo $i->
getPathname() . '
';
// will output all jQuery versions in directory js, or throw an exception if
directory js doesn't exist
?>
Pretty cool, huh? :)
===============================================================================
Don't store DirectoryIterator objects for later; you will get an error saying
"too many open files" when you store more than the operating system limit
(usually 256 or 1024).
For example, this will yield an error if the directory has too many files:
Presumably, this approach is memory intensive as well.
===============================================================================
I need to traverse recursively through a directory tree and get all
sub-directory paths and has written a snippet to do that.
$info) {
if ($info->isDir())
{
echo $file."
";
}
}
?>
===============================================================================
I needed to match in directory tree file name(s) by regular expression. Code is
based on Marcus Börger class DirectoryTreeIterator http://cvs.php.net/
viewvc.cgi/php-src/ext/spl/examples/ and on examples given in his lecture
Introduction to object oriented PHP at PHP Quebec conference 2007 http://
talks.somabo.de/
_rx= $regex;
}
function accept()
{
return ereg($this->_rx,$this->getInnerIterator()->key());
}
protected function __clone() {
return false;
}
}
class DirMach extends KeyFilter
{
function __construct($path , $regex)
{
parent::__construct(
new DirectoryTreeIterator($path), $regex);
}
function current()
{
return parent::key();
}
function key()
{
return parent::key();
}
}
class DirectoryTreeIterator extends RecursiveIteratorIterator
{
/** Construct from a path.
* @param $path directory to iterate
*/
function __construct($path)
{
try {
parent::__construct(
new RecursiveCachingIterator(
new RecursiveDirectoryIterator($path,
RecursiveDirectoryIterator::KEY_AS_FILENAME
),
CachingIterator::CALL_TOSTRING|CachingIterator::CATCH_GET_CHILD
),
parent::SELF_FIRST
);
} catch(Exception $e) {
echo $e->getMessage();
exit;
}
}
/** @return the current element prefixed with ASCII graphics
*/
function current()
{
if ($this->hasChildren())
$this->next();
return $this->key();
}
/** Aggregates the inner iterator
*/
function __call($func, $params)
{
return call_user_func_array(array($this->getSubIterator(), $func),
$params);
}
}
$PathToSearch = 'path_to_search';
$regex = 'regular_expression';
$FileList = new DirMach($PathToSearch, $regex);
foreach ($FileList as $file) {
$match[] = $file;
}
echo '
'; var_dump($match); echo ''; ?> =============================================================================== The use of this class is rather simple getFilename(); } } catch (Exception $ex) { } ?> If $dataDir is null, a Runtime Exception will throws a message like this: Directory name must not be empty. If $dataDir does not exist, that message will look like this: failed to open dir: No such file or directory. Please be careful in case you are looking for filenames in that directory because DirectoryIterator will return a very special symbolic filenames: . and .. You must do a check to ignore them before dealing with real file names. $dir is a DirectoryIterator object =============================================================================== udvig dot ericson at gmail dot com 29-Jul-2006 07:48 In response to the comment below from udvig. The Example ist wrong, here is the right one: isDot()) { continue; } echo $file->getFilename() . "\n"; } ?> =============================================================================== In response to the comment below, you don't have to simulate a foreach(), DirectoryIterator obviously inherits SPL's Iterator interface, therefore: isDot()) { continue; } echo $file . "\n"; } ?> =============================================================================== We can now replace the old fashioned way of listing the content from a directory! the old way: "; } } closedir($handle); } ?> the new way: valid()) { if(!$dir->isDot()) { print $dir->current()."


{t}Everyday use. A little bit of everything. Social media, gaming, photos, video streaming etc. are things you will be doing on a daily basis with your phone, but none of them is really important for you.{/t} {t}Finds phones with an all around good performance.{/t}
{t}Custom Use{/t}
{t}Are you a hardcore gamer? Do you like watching videos all day on your smartphone? Or are you a social media person who can't live without their favorite social apps?{/t} {t}Finds phones based on types of use.{/t}


POKEMON: THE MOVIE 2000 ------------------------
Ash Ketchum and his gang of humans and pocket monsters, including the prized Pikachu, are back and this time he's saving the world in "Pokemon: the Movie 2000."
LAURA:
"Pokemon: the First Movie" was perplexing in its anti-violence message when its titular subjects are pitted in battle against one another by humans. Nintendo (who own Pokemon rights) have apparently lightened up this time around as the new film's message is that it's bad to collect Pokemon simply for the joy of possession.
Firstly, though, the film is once again preceded by a short, "Pikachu's Rescue Adventure." While these 22 minutes were nowhere near as excrutiating as "Pikachu's Vacation," once again we must endure the Pokemen at summer camp where the little starry-egg guy gets into trouble so Pikachu can get a group to cooperate and save him. At one point, five eggs transform into a three-headed walking pineapple. (I'm surprised this series doesn't have the same reputation as the Teletubbies for drug trippers.) At least the animators have relaxed the editting style which once caused Japanese children to suffer seizures.
The film itself is both better and worse than its predecessor. It opens as a lone man in a spaceship converses with his computer about the three Pokemon he intends to capture for his collection - Moltres, bird of fire; Zapdos, bird of lightning and Articuno, bird of ice. According to the lore, having these three in one place will draw out his real prize, Lugia, the beast of the sea, which will result in the disruption of the world's weather patterns. Ash and friends are on a pleasure sail when a sudden squall forces them to land at Shimuti Island, just as an island ritual is about to be performed. The weather is being caused by the collection of the three birds and legendary ritual decrees that 'the world will turn to Ash,' who must collect three treasures, to prevent the destruction of the planet. (That Ash is constantly referred to as 'the Chosen One,' is a bit of religious symbolism in the weirdest place.)
The animation is a mixed bag of impressive looking high-tech effects and Saturday morning cartoon sweat shop, but at least it's taking steps in the right direction. The spaceship is beautifully done, as well as some of the weather effects. The human characters are fleshed out and their ranks added to, although the returning Team Rocket duo are annoyingly superfluous. Oddly, the Pokemon almost take a back seat in this story, which frankly, has far less to it than the first, yet takes the same amount of time in the telling. Environmentalism is once again a strong message. A pretty tune's played on a conch shell.
The kids at the screening I attended were mostly captivated, laughed at some of the inane jokes and applauded at the end, so I'd guess the target audience will be happy with the product. For adults, however, a few jokes and improved technical aspects can't quite counter overall boredom.
C
ROBIN:
Ash Ketchum is a Pokemon master par excellent. He and his favorite pocket monster, Pikachu, are about to embark on a new adventure, but, this time, it's not just to do battle with other Pokemon. An unscrupulous collector, named Lawrence III, is hatching a plan to capture three powerful Pokemon birds - fire, ice and lightning. These magical creatures, while free, maintain harmony in the world's weather. Their capture will disrupt that harmony and allow Lawrence to seize the most powerful Pokemon of all - the water borne Lugia. The havoc the collector creates draws Ash into the fray as the Chosen One, the only person who can save the world in the feature portion of "Pokemon the Movie 2000," "The Power of One."
Following the same formula presented in "Pokemon the First Movie," the sequel is in two parts, too. Part One is a 22-minute short called "Pikachu's Rescue Adventure," where the title character, with his Pokemon buddies, must brave the elements, including other creatures, to save one of their number. It's light on dialogue, which consists mostly of the inane babble that the little creatures constantly voice - it's amazing the volumes that can be said by repeating "pikachu" over and over and over again. The visuals are geared to the pre-school crowd with lots of movement and color to please the tiny eyes of the target audience. For anyone over age 8, I think it may cause brain lesions.
Part Two of "Pokemon 2000," "The Power of One," has a little more meat to its story than the short and reps the main draw for the more hardcore pocket monster fans. The story owes more than a nod to Toho Pictures and the Godzilla franchise, with the action of the battling birds straight out of such films as "Godzilla on Monster Island." As such, the setup from the first feature - Pokemon fighting Pokemon - is laid to rest as the more "conventional" monster against monster and save the world yarn kicks in.
Ash is, again, the hero, but this time, instead of pitting his prized Pokemon against those of Team Rocket, he is a boy on a quest to save the world from destruction. It's a daunting task as he throws himself into his mission and gets the help of friend and Pokemon alike. Of course, he accomplishes his assignment and returns the Earth to its former harmony, before Lawrence reared his conniving head. Of course, as the hero, Ash is expected to accomplish the impossible - no job is too big that it can't be tackled - and he does. The young Pokemon master is a good role model for kids.
There is a distinct split in the demographics targeted for this two-part anime. "Pikachu's Rescue Adventure" is for the very young fans of the franchise. Dialogue is simple and visuals are geared toward the short attention span of smaller kids. "The Power of One" is a more mature story with its complexity and variety of action. It, too, has the visual eye candy that will entertain the little ones, but the action and fights will definitely appeal to the older of the Pokemon fans. There is even some humor that will appeal to the parents accompanying their kids to the theater, but, be warned - there isn't anywhere near enough adult-level humor in "Pokemon 2000" to warrant calling it "family entertainment." For me, if Pikachu said "pikachu" one more time, my head would have exploded.
But, the kids like "Pokemon the Movie 2000" and that's what counts, so I rate it solely from their viewpoint and give "The Power of One" a B- and "Pikachu's Rescue Adventure" a C.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


SEDS Celestia: The Astronomy and Astrophysics club of BITS Goa
SEDS Celestia is a chapter that is a part of SEDS India, headquartered in VIT Vellore. The
international
headquarters of SEDS lies in MIT, Boston, USA.
People think that we Celestials just observe the “stars
and the planets” in the night sky. That’s partially correct. We do much more than star
gazing. We organise
lectures by various eminent professors, undertake many projects, exhibitions during quark,
bonhomie with seniors
and Starparty!
We are the Celestials!
Our blog : We maintain a blog called "The Wandering Star". We Celestials aim to keep you updated about the latest technological advancements, project updates, what we are up to and lots of articles about interesting topics . To check out our blog, click here!
 Spacer


|
Rise
(Gabrielle) |
|
I
know that it's over
But I can't believe we're through They say that time's a healer And I'm better without you It's gonna take time I know But I'll get over you Look at my life Look at my heart I have seen them fall apart Now I'm ready to rise again Look at my hopes Look at my dreams I'm building bridges from these scenes Now I'm ready to rise again Caught up in my thinking (yeah) Like a prisoner in my mind You pose so many questions But the truth was hard to find I better think twice I know That I'll get over you Look at my life Look at my heart I have seen them fall apart Now I'm ready to rise again Look at my hopes Look at my dreams I'm building bridges from these scenes Now I'm ready to rise again Much time has passed between us Do you still think of me at all? My world of broken promises Now you won't catch me when I fall |


This module is similar to the psexec tool from Sysinternals (Russinovich, 2009)
and has been integrated within the Metasploit framework (Offensive-Security, 2009). It
uses valid administrator credentials (username and password, or password hash) to
execute an arbitrary payload. Using Metasploit, an attacker can exploit a system and
perform a hash dump to extract the systems hashes (Metasploit, 2009). Then he can use
the psexec module to pass the hash to another system on the network.


This project is developed to read and annotate texts. It provides a rich annotation tools and ability to store your annotations in Json format.
This project reads Json files to store annotation information and data along with some meta-data. Fields data and title saved for text informations. For the annotation hierarchy, tree structure is used and jsTree package is chosen for the visualization. Json format for the tree is determined by jsTree package. Users annotations are stored in annotations field. It contains timestamp and users comment about chosen text. All other informations can be stored in meta_data field.
{
"title": "Lorem Ipsum",
"data": "
Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
",
"tree":[
{ "id" : "entities", "parent" : "#", "text" : "Entities" },
{ "id" : "notes", "parent" : "#", "text" : "Notes" },
{ "id" : "temp", "parent" : "#", "text" : "Latest" },
{ "id" : "j1_1", "parent" : "entities", "text" : "ipsum" },
{ "id" : "j1_2", "parent" : "notes", "text" : "amet" }
],
"annotations": {
"j1_1": {
"id": "j1_1",
"type": "annotation",
"label": "#ff0000",
"created_at":<PHONE_NUMBER>867,
"user_comment": "ipsum data",
"annotation": "ipsum"
},
"j1_2": {
"id": "j1_2",
"type": "note",
"label": "#00ff00",
"created_at":<PHONE_NUMBER>160,
"user_comment": "newtest",
"annotation": "amet"
}
},
"meta_data": {
"last_opened":<PHONE_NUMBER>902,
"last_saved":<PHONE_NUMBER>715,
"versions": [
{
"opened":<PHONE_NUMBER>149,
"closed":<PHONE_NUMBER>220
},
{
"opened":<PHONE_NUMBER>902,
"closed":<PHONE_NUMBER>715
}
],
"author": "Onur Varol"
}
}


This Beloved SoCal Vintage Porsche Workshop Burned Down, Here’s What You Can Do To Help
by Petrolicious ProductionsAfter nearly 40 years of service in the Los Angeles area, John Benton of Benton Performance has emerged as the guru for all things Porsche 912s. We shared his story back in 2016, and were heartbroken to hear that his shop fell victim to fire a few weeks ago. Luckily nobody was on site or harmed, but these workshops are little treasure troves and it’s said they lost over $3 million in irreplaceable cars, matching-number drivetrains, tools, Porsche memorabilia, and personal items.
Without shops like Benton Performance, enjoying classic cars just wouldn’t be possible. We’d like to share John’s gofundme page in case any one in the Petrolicious audience is interesting in chipping in to help them get back in action.


THE WAR A film review by Scott Renshaw Copyright 1994 Scott Renshaw
Starring: Elijah Wood, Kevin Costner, Mare Winningham, Lexi Randall. Screenplay: Kathy McWorter. Director: Jon Avnet.
If they gave out Academy Awards for earnestness, THE WAR would have to be one of the front-runners. War, it solemnly intones, is bad; so are racism and sexism. And so they are. But THE WAR unfolds as though it had discovered those concepts, never letting an opportunity for an applause-generating speech go by the wayside. As a result, some very impressive performances are wasted on a script that just tries far too hard to deliver a very simplistic moral.
THE WAR is the story of the Simmons family, living in Juliette, Mississippi circa 1970. Father Stephen (Kevin Costner) is recently returned from Vietnam, suffering from post-traumatic stress disorder and unable to hold down a job, leaving it to mom Lois (Mare Winningham) to keep the family afloat. Their two children, meanwhile, face battles of their own. Stu (Elijah Wood) and his friends find themselves in perpetual conflict with a surly group of siblings called the Lipnickis; Lidia (Lexi Randall) finds out about racism through the mistreatment of her black best friends in school. But the siblings share a love of their treehouse fort, and learn their own lessons about war when the Lipnickis try to take it from them.
Screenwriter Kathy McWorter clearly has her heart in the right place. The problem is that it's in too many places. If all she had wanted to do was to create an allegorical tale about war, it might have worked; instead she adds scenes like the one in a summer school classroom where a racist teacher (Christine Baranski) unfairly accuses Lidia's friend Elvadine (LaToya Chisholm) of disrupting the class. It's not even enough that Elvadine gets to tell off the teacher in a completely over-the-top speech; Lidia has to get her two cents in as well. McWorter appears convinced that wherever one speech is good, two must be even better. Actually, no speeches would have been preferable most of the time, particularly in a scene where poor Elijah Wood practically has to deliver a sermon while trying to save someone's life. The script is overloaded with homilies, and needed a good re-write at least fifteen minutes shorter.
One of the goals of that re-write should have been removing the characters of Lidia and her friends entirely. The relationship between the Simmons siblings is given only a cursory treatment, and the narration Lidia provides could just as easily have been provided by Stu, or not at all. The girls seem to exist primarily to create a battle of the sexes with Stu's friends (which the girls win, naturally) and for the classroom sub-plot which is really superfluous. THE WAR is first and foremost about the relationship between Stu and Stephen, and there are too many tangents which ignore that relationship.
When Costner and Wood are the focus of attention, THE WAR is actually quite compelling. Costner gives an intelligent, understated performance which shows Stephen's desperate attempts to find purpose in the post-Vietnam world where he needs to feel he's making a difference, and to impress upon his children the futility of fighting, while Wood gives Stu an undercurrent of anger towards Stephen even as he tries to support him. There is tremendous conflict in their relationship, and both actors do a fine job of bringing it out. Sadly, McWorter and director Jon Avnet are more interested in heavy-handedness than they are in character study, so that by the time the climactic battle for the treehouse rolls around, the point has been made and made and made again. Then, just in case you missed it the first ten times, "Peace Train" plays over the closing credits.
Now let me get this straight: war is bad, right?
On the Renshaw scale of 0 to 10 treehouses: 4.
-- Scott Renshaw Stanford University Office of the General Counsel
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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TE AMO MI PRINCESA ♥
Muchas gracias por estos maravillosos 3 años
juntos.
Contigo todo y sin ti nada ❤✋🏻
Created by malihu and his cats on a hot summer day.
Contigo todo y sin ti nada ❤✋🏻
Created by malihu and his cats on a hot summer day.


Vendor Name:
DAVID APLING RECRUITMENT
Reference Number:
7003597
Contract Date:
2007-19-12
Description of Work:
Temporary Help Services
Contract Period:
2007-19-12 to 2008-31-03
Delivery Date:
2007-19-12
Original Contract Value:
$0.00
Current Contract Value:
$52,680.12


Shop Karo, India’s no. 1 online fashion destination justifies its fashion relevance by bringing something new and chic to the table on the daily. Fashion trends seem to change at lightning speed, yet the Shop Karo shopping app has managed to keep up without any hiccups. In addition, Shop Karo has vowed to serve customers to the best of its ability by introducing its first-ever loyalty program, The Shop Karo Insider. Gain access to priority delivery, early sales,and other special perks on all your shopping with the Shop Karo app.
Another reason why Shop Karo is the best of all online stores is the complete convenience that it offers. You can view your favourite brands with price options for different products in one place. A user-friendly interface will guide you through your selection process.


Inherits Assimp::IOStream.
◆ CIOStreamWrapper()
◆ ~CIOStreamWrapper()
| Assimp::CIOStreamWrapper::~CIOStreamWrapper |
( |
void |
| ) |
|
◆ FileSize()
| size_t Assimp::CIOStreamWrapper::FileSize |
( |
| ) |
const |
|
virtual |
◆ Flush()
| void Assimp::CIOStreamWrapper::Flush |
( |
| ) |
|
|
virtual |
Flush the contents of the file buffer (for writers) See fflush() for more details.
Implements Assimp::IOStream.
◆ Read()
| size_t Assimp::CIOStreamWrapper::Read |
( |
void * |
pvBuffer, |
|
|
size_t |
pSize, |
|
|
size_t |
pCount |
|
) |
| |
|
virtual |
Read from the file.
See fread() for more details This fails for write-only files
Implements Assimp::IOStream.
◆ Seek()
Set the read/write cursor of the file.
Note that the offset is negative for aiOrigin_END. See fseek() for more details
Implements Assimp::IOStream.
◆ Tell()
| size_t Assimp::CIOStreamWrapper::Tell |
( |
void |
| ) |
const |
|
virtual |
Get the current position of the read/write cursor.
See ftell() for more details
Implements Assimp::IOStream.
◆ Write()
| size_t Assimp::CIOStreamWrapper::Write |
( |
const void * |
pvBuffer, |
|
|
size_t |
pSize, |
|
|
size_t |
pCount |
|
) |
| |
|
virtual |
Write to the file.
See fwrite() for more details This fails for read-only files
Implements Assimp::IOStream.
◆ mFile
| aiFile* Assimp::CIOStreamWrapper::mFile |
|
private |
◆ mIO
The documentation for this class was generated from the following files:


Kuber:
These hot springs are known to heal many conditions.
The red hot spring is good for cholera and malaria, the yellow one for rheumatism and malaria, and the green one for influenza and malaria.
If you're tired, why don't you take a bath?
Return


Dashes are generic punctuation. In other words, they can be used like a lot of other types of punctuation. For the SAT and ACT, you are best off thinking of dashes as a back-up plan; never choose a dash over another option that you know workd, but if none of the other options seems correct, and you know you need some form of punctuation, the dash is a good bet. Below are some of the most common uses of dashes.
Dashes can sometimes be used like parentheses.
Example:
The way he plays football - recklessly and with little regard for his health - is likely what has led to his many injuries.
Two dashes can someitmes be used like two commas to offset a nonessential part of a sentence.
Example:
The soldier was happy - though also a bit apprehensive - to be returning home after the war.
A dash can sometimes be used like a comma to separate a phrase from the end of a sentence.
Example:
The sailor noticed a speck of land in the distance - a sign that his long journey would soon be over.
A dash can sometimes be used like a semi-colon to separate two independent clauses.
Example:
The scientist did not know what to do - he knew his research was valid but feared he would be mocked by his peers for his unconventional findings.
A dash can sometimes be used like a colon to separate an independent clause from a list.
Example:
I bought the following items at the grocery store - chicken, pork, beef, and ham.
Generally, the part of a sentence that is offset by dash is given greater emphasis than has it been offset with another form of punctuation. However, this is a judgement call that you would not be expected to make on the SAT or ACT, so your best bet is simply to never choose a dash over another option you know is correct.


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org.biopax.paxtools.model.level2
Enum ControlType
java.lang.Object
java.lang.Enum<ControlType>
org.biopax.paxtools.model.level2.ControlType
- All Implemented Interfaces:
- java.io.Serializable, java.lang.Comparable<ControlType>
public enum ControlType
- extends java.lang.Enum<ControlType>
User: root Date: Aug 1, 2006 Time: 5:37:34 PM_DOT
|
Method Summary |
static ControlType |
valueOf(java.lang.String name)
Returns the enum constant of this type with the specified name. |
static ControlType[] |
values()
Returns an array containing the constants of this enum type, in
the order they are declared. |
| Methods inherited from class java.lang.Enum |
clone, compareTo, equals, finalize, getDeclaringClass, hashCode, name, ordinal, toString, valueOf |
| Methods inherited from class java.lang.Object |
getClass, notify, notifyAll, wait, wait, wait |
ACTIVATION
public static final ControlType ACTIVATION
INHIBITION
public static final ControlType INHIBITION
ACTIVATION_UNKMECH
public static final ControlType ACTIVATION_UNKMECH
INHIBITION_UNKMECH
public static final ControlType INHIBITION_UNKMECH
INHIBITION_ALLOSTERIC
public static final ControlType INHIBITION_ALLOSTERIC
INHIBITION_COMPETITIVE
public static final ControlType INHIBITION_COMPETITIVE
INHIBITION_IRREVERSIBLE
public static final ControlType INHIBITION_IRREVERSIBLE
INHIBITION_NONCOMPETITIVE
public static final ControlType INHIBITION_NONCOMPETITIVE
INHIBITION_OTHER
public static final ControlType INHIBITION_OTHER
INHIBITION_UNCOMPETITIVE
public static final ControlType INHIBITION_UNCOMPETITIVE
ACTIVATION_NONALLOSTERIC
public static final ControlType ACTIVATION_NONALLOSTERIC
ACTIVATION_ALLOSTERIC
public static final ControlType ACTIVATION_ALLOSTERIC
values
public static ControlType[] values()
- Returns an array containing the constants of this enum type, in
the order they are declared. This method may be used to iterate
over the constants as follows:
for (ControlType c : ControlType.values())
System.out.println(c);
- Returns:
- an array containing the constants of this enum type, in
the order they are declared
valueOf
public static ControlType valueOf(java.lang.String name)
- Returns the enum constant of this type with the specified name.
The string must match exactly an identifier used to declare an
enum constant in this type. (Extraneous whitespace characters are
not permitted.)
- Parameters:
name
- the name of the enum constant to be returned.
- Returns:
- the enum constant with the specified name
- Throws:
java.lang.IllegalArgumentException
- if this enum type has no constant
with the specified name
java.lang.NullPointerException
- if the argument is null


{% extends "home.html" %} {% block title %} {{ natural_flexiapp_name }} {% endblock %} {% block content %} Home {{ natural_flexiapp_name }}
This is where your URL will be displayed.
This is where your FlexML will be displayed.


---
layout: full-width
title: Get online
breadcrumb: events
jquery: true
dynatable: true
---
All Suffolk Libraries offer free internet access and informal advice on getting online.
If you have a library card number and a PIN you can book a computer online.
Some libraries offer free one to one computer and internet training:
{% include dynatable-library-list.html %}
| Library |
Activity |
Day |
Times |
{% assign recurrents = site.recurrents | where: "recurrent-category", "computer-courses" | sort: 'recurrent-location' %}
{% for recurrent in recurrents %}
{% assign hide-event = false %}
{% if recurrent.recurrent-expiry %}
{% capture now-unix-seconds %}{{'now' | date: '%s' }}{% endcapture %}
{% capture event-expiry-seconds %}{{recurrent.recurrent-expiry | date: '%s' }}{% endcapture %}
{% capture event-expiry %}{{ event-expiry-seconds | divided_by: 86400}}{% endcapture %}
{% capture now-unix %}{{ now-unix-seconds | divided_by: 86400}}{% endcapture %}
{% if now-unix > event-expiry %}
{% assign hide-event = true %}
{% endif %}
{% endif %}
{% unless hide-event %}
| {{ recurrent.recurrent-location-display-name }} |
{{ recurrent.recurrent-title }} |
{{ recurrent.recurrent-day }} |
{{ recurrent.recurrent-times }} |
{% endunless %}
{% endfor %}
More information for beginners


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Performs op
on the space-to-batch representation of input
.
tf.compat.v1.nn.with_space_to_batch
tf.compat.v2.nn.with_space_to_batch
tf.nn.with_space_to_batch( input, dilation_rate, padding, op, filter_shape=None, spatial_dims=None, data_format=None )
This has the effect of transforming sliding window operations into the
corresponding "atrous" operation in which the input is sampled at the
specified dilation_rate
.
In the special case that dilation_rate
is uniformly 1, this simply returns:
op(input, num_spatial_dims, padding)
Otherwise, it returns:
batch_to_space_nd( op(space_to_batch_nd(input, adjusted_dilation_rate, adjusted_paddings), num_spatial_dims, "VALID") adjusted_dilation_rate, adjusted_crops),
where:
adjusted_dilation_rate is an int64 tensor of shape [max(spatial_dims)], adjusted_{paddings,crops} are int64 tensors of shape [max(spatial_dims), 2]
defined as follows:
We first define two int64 tensors paddings
and crops
of shape
[num_spatial_dims, 2]
based on the value of padding
and the spatial
dimensions of the input
:
If padding = "VALID"
, then:
paddings, crops = required_space_to_batch_paddings( input_shape[spatial_dims], dilation_rate)
If padding = "SAME"
, then:
dilated_filter_shape = filter_shape + (filter_shape - 1) * (dilation_rate - 1)
paddings, crops = required_space_to_batch_paddings( input_shape[spatial_dims], dilation_rate, [(dilated_filter_shape - 1) // 2, dilated_filter_shape - 1 - (dilated_filter_shape - 1) // 2])
Because space_to_batch_nd
and batch_to_space_nd
assume that the spatial
dimensions are contiguous starting at the second dimension, but the specified
spatial_dims
may not be, we must adjust dilation_rate
, paddings
and
crops
in order to be usable with these operations. For a given dimension,
if the block size is 1, and both the starting and ending padding and crop
amounts are 0, then space_to_batch_nd effectively leaves that dimension alone,
which is what is needed for dimensions not part of spatial_dims
.
Furthermore, space_to_batch_nd
and batch_to_space_nd
handle this case
efficiently for any number of leading and trailing dimensions.
For 0 <= i < len(spatial_dims), we assign:
adjusted_dilation_rate[spatial_dims[i] - 1] = dilation_rate[i] adjusted_paddings[spatial_dims[i] - 1, :] = paddings[i, :] adjusted_crops[spatial_dims[i] - 1, :] = crops[i, :]
All unassigned values of adjusted_dilation_rate
default to 1, while all
unassigned values of adjusted_paddings
and adjusted_crops
default to 0.
Note in the case that dilation_rate
is not uniformly 1, specifying "VALID"
padding is equivalent to specifying padding = "SAME"
with a filter_shape of
[1]*N
.
Advanced usage. Note the following optimization: A sequence of
with_space_to_batch
operations with identical (not uniformly 1)
dilation_rate
parameters and "VALID" padding
net = with_space_to_batch(net, dilation_rate, "VALID", op_1) ... net = with_space_to_batch(net, dilation_rate, "VALID", op_k)
can be combined into a single with_space_to_batch
operation as follows:
def combined_op(converted_input, num_spatial_dims, _): result = op_1(converted_input, num_spatial_dims, "VALID") ... result = op_k(result, num_spatial_dims, "VALID")
net = with_space_to_batch(net, dilation_rate, "VALID", combined_op)
This eliminates the overhead of k-1
calls to space_to_batch_nd
and
batch_to_space_nd
.
Similarly, a sequence of with_space_to_batch
operations with identical (not
uniformly 1) dilation_rate
parameters, "SAME" padding, and odd filter
dimensions
net = with_space_to_batch(net, dilation_rate, "SAME", op_1, filter_shape_1) ... net = with_space_to_batch(net, dilation_rate, "SAME", op_k, filter_shape_k)
can be combined into a single with_space_to_batch
operation as follows:
def combined_op(converted_input, num_spatial_dims, _): result = op_1(converted_input, num_spatial_dims, "SAME") ... result = op_k(result, num_spatial_dims, "SAME")
net = with_space_to_batch(net, dilation_rate, "VALID", combined_op)
input
: Tensor of rank > max(spatial_dims).dilation_rate
: int32 Tensor of known shape [num_spatial_dims].padding
: str constant equal to "VALID" or "SAME"op
: Function that maps (input, num_spatial_dims, padding) -> outputfilter_shape
: If padding = "SAME", specifies the shape of the convolution
kernel/pooling window as an integer Tensor of shape [>=num_spatial_dims].
If padding = "VALID", filter_shape is ignored and need not be specified.spatial_dims
: Monotonically increasing sequence of num_spatial_dims
integers (which are >= 1) specifying the spatial dimensions of input
and output. Defaults to: range(1, num_spatial_dims+1)
.data_format
: A string or None. Specifies whether the channel dimension of
the input
and output is the last dimension (default, or if data_format
does not start with "NC"), or the second dimension (if data_format
starts with "NC"). For N=1, the valid values are "NWC" (default) and
"NCW". For N=2, the valid values are "NHWC" (default) and "NCHW".
For N=3, the valid values are "NDHWC" (default) and "NCDHW".The output Tensor as described above, dimensions will vary based on the op provided.
ValueError
: if padding
is invalid or the arguments are incompatible.ValueError
: if spatial_dims
are invalid.


Before installing the package, ensure it fills your needs, to test the package, download ExampleApp.zip, unpack it and run ExampleApp.exe, the applications guides you on how to test it, you can find the source code of ExampleApp.exe here, notice that by cloning the repository you cold start your trial period.
Installing the Geared Values package is really simple, and you don't need to learn anything new to use it, you have a 10 day free trail, the trial requires an internet connection.
From the Package Manager console:
And that's all, now you applications contains two new features:
A set of 12 light and fast series to use them with the CartesianChart class, it includes a geared version of all the series supported by the library, but HeatSeries (in version 1.2, version 1.3 will include the heat series), how much is faster? please play with ExampleApp as explained at the top of this page, in the better case it can render 10 million points in less than a second, here is a small snipped comparing a Geared and non Geared code
using LiveCharts; using LiveCharts.Geared; MyChart.Series = new SeriesCollection { new GLineSeries { Values = new GearedValues<double> {7,4,9, ... } } };
Instead of using the classic ChartValues, you can use the GearedValues class, it is smart enough to optimize your data according to many variables, such as the chart size, the series type and finally the quality you set, this class allows you to reduce the accuracy of your plot to gain performance, for example in the next case imagine you are using a line series, and you only care about the trend of your line, then you can use the low quality to render it faster, the error of the lower quality is 10px, but in an opposite case, you care about accuracy, then you must use the highest quality, the rendering time will be slower, but you won't have any visual error, there are also 2 more available qualities, medium quality, with a max error of 5px, and high which is the default quality, it has a practically invisible max error of 2px.
Using LiveCharts.Geares is easy, you need to use the geared version of the series you need, and use GearedValues instead of ChartValues, so any example in this web site applies to the geared package, following this simple rule, the next code compares a chart without and with the geared values package.
using LiveCharts; namespace samples { public partial class Window { public Window() { InitializeComponents(); var values = new ChartValues<double>(); cartesianChart1.Series.Add(new LineSeries { Values = values }); } } }
using LiveCharts; using LiveCharts.Geared; namespace samples { public partial class Window { public Window() { InitializeComponents(); var values = new GearedValues<double>(); values.Quality = Quality.Low; //set desired quality //use GLineSeries instead of LineSeries cartesianChart1.Series.Add(new GLineSeries { Values = values }); } } }
And that's it, you are running Livecharts.Geared


Welcome to MTG Memory!
MTG Memory is a flash card style memorization app that will help turn your brain into an MTG card database! Simply click on the set to display a random card name from that set. Once you think you know the answer, click the card name to reveal the card!
PLAY NOW!


18 U.S.C. 2257 Record-KeepingRequirements
Compliance Statement
All Content was produced and created
by Kabneched Inc. / DungeonCorp.com
All persons who appear in any visual
depiction contained on SocietySM were eighteen years of age
or older at the time of the creation of such depictions.
The records required by Section 2257
of Title 18 of the United States Code with respect to visual
depictions of actual sexually explicit conduct are kept by
the custodian of records, J. Deckenbach, who can be reached
by phone at<PHONE_NUMBER>, and has a business address of 15821
Stagg Street, Van Nuys, Ca 91406. Normal business hours are
Monday through Thursday, 10am-3pm PST.
The title of this work is "Society
SM," and is also known as SOCIETYSM.COM. This website
is a work-in-progress.


ALohadash is a free volunteering platform where vounteers can contribute, share, and view events that they or other communitites have created. Missed an event? Missing crucial hours? Or you just want to make your community better? No problem, ALohadash has your back! Simply create an account or log in, and you'll be able to access your thousands of active events happening your local community, linked to you.
Intuitive UI
We think about user experience first. Our platform is designed to be user friendly. View and search events intuitively with our well-thought intelligent UI design.
Community-Driven
Our platform finds the missing piece of volunteering. We open hundreds of needed events. Contribute by particpating and get paid!
Smart Match
Alohadash is tailored to the user's experience. We make sure we match your skills with hundreds of task given in Hawaii.


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Let's find out what day of the week that was / will be!
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Athletes who play in Wooter Dream Leagues
get advanced statistics, game footage
and much more all in the Wooter Athlete App.
Athletes who play in Wooter Dream Leagues get advanced statistics, game footage and much more all in the Wooter Athlete App.
Dream Leagues
{{$league->locations()->first()->location->state}}
0.8 mi
{{$league->name}}
Deadline: {{\Carbon\Carbon::parse($league->seasons()->first()->registration_closes_at)->format('d/m/Y')}}
{{$league->basics->min_age}} - {{$league->basics->max_age}}


- NAME
- pkg::create - Construct an appropriate 'package ifneeded' command for a given package specification
- SYNOPSIS
- DESCRIPTION
- OPTIONS
- -name packageName
- -version packageVersion
- -load filespec
- -source filespec
- SEE ALSO
- KEYWORDS
pkg::create - Construct an appropriate 'package ifneeded' command for a given package specification
::pkg::create -name packageName -version packageVersion ?-load filespec? ... ?-source filespec? ...
::pkg::create is a utility procedure that is part of the standard Tcl
library. It is used to create an appropriate package ifneeded
command for a given package specification. It can be used to construct a
pkgIndex.tcl file for use with the package mechanism.
The parameters supported are:
- -name packageName
-
This parameter specifies the name of the package. It is required.
- -version packageVersion
-
This parameter specifies the version of the package. It is required.
- -load filespec
-
This parameter specifies a binary library that must be loaded with the
load command. filespec is a list with two elements. The
first element is the name of the file to load. The second, optional
element is a list of commands supplied by loading that file. If the
list of procedures is empty or omitted, ::pkg::create will
set up the library for direct loading (see pkg_mkIndex). Any
number of -load parameters may be specified.
- -source filespec
-
This parameter is similar to the -load parameter, except that it
specifies a Tcl library that must be loaded with the
source command. Any number of -source parameters may be
specified.
At least one -load or -source parameter must be given.
package
auto-load, index, package, version
Copyright © 1995-1997 Roger E. Critchlow Jr.
Copyright © 1998-2000 by Scriptics Corporation.


This is a prototype tool and is released under an MIT Licence and we accept no liability, included but not limited to loss or damages.
This site is a Department for Transport funded project created with the collaboration of CEDAR, CDRC, University of Westminster and market research specialists Brook Lyndhurst (only for stage 1). This tool, the NPCT, will be officially launched for England in June 2016. Further information on the project can be seen at: NPCT-Tool. The NPCT academic project members include:
The Propensity to Cycle Tool (PCT) was designed to assist transport planners and policy makers to priorities investments and interventions to promote cycling. The key question that the PCT answers is "where is cycling currently common and where does cycling have the greatest potential to grow?"
By answering this question, the PCT can be used to decide along which routes new cycle paths should be built. By helping to identify bottle necks in the system (e.g. unexpectedly low levels of cycling between two areas due to a physical barrier to cycling such as a major road), the PCT can also help decide where smaller pieces of infrastructure should go.
The PCT is primarily a strategic planning tool. It is intended to encourage users to think on larger time scales and geographic scales. The temporal element of the tool is included through the various of scenarios of change, ranging from the government's target to double cycling in a decade to the more ambitious 'Go Dutch' scenario whereby Dutch levels of cycling are reached in England.
The PCT can therefore be used as a 'visioning' tool as well as a narrowly fosused transport planning aid. By showing what the rate of cycling could feasible look like in different parts of cities and regions, and illustrating the associated increase in cycle use on the road network, the PCT should inform policies that seek a wider shift towards sustainable transport more generally. In this context the PCT can be used, for example, to decide where to re-allocate space away from cars and towards cycling. The Satellite view (described below) can help with this, by showing how many lanes of the road are currently allocated to cars. Wider policies that the PCT could help inform include where to install new speed bumps, speed cameras, 20 mph speed limits and where to target residents with pro-cycling policies such as free cycle training.
In summary the PCT is a planning support system to improve cycling provision at many levels from regions to specific points on the road network.
For more information or questions, please contact us at: npct@npct.org.uk


404 not found
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The page you are looking for might be removed or is temporarily unavailable
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@author: sjoseph7
@created: 11 June 2020
email -> username
(added type)
(added region)
instructor:ObjectId(Person) -> instructors:[ObjectId(Person)]
(added name)
(added description)
(added note) // used for information like "required for a week" or
"optional"
(added days)
(added region)
startTime: Date -> startTime:
{hour:number, minute:number}
endTime: Date -> endTime:
{hour:number, minute:number}
host:ObjectId(Person) -> hosts:[ObjectId(Person)]
link:string
->
links:[{text:string, type:enum("adobe-connect", "open-learning"), url:string}
]


Berkshire Hathaway Inc.
3555 Farman Street Suite 1440 Omaha NE 61316
Official Homepage
- A Message from Warren E. Buffet Updated July 1, 2014
- News Release Updated May 2, 2014
- Annual & Interim Reports Updated March 1, 2014
- Warren Buffet's Letters to Berkshire Shareholders
- Link to SEC Filings
- Charlie Munger's Letters to Wesco Shareholders
- Corporate Governance
- Annual Meeting Information
- Links to Berkshire Subsidiary Companies
- Comparative Rights and Relative Prices of Class and B Updated January 20, 2010
- Owner's Manual To view the owner's manual you may use Adobe Acroboat Reader software. Click here to download. Updated March 1,2014
- Order Berkshire Activewear On-Line
- Letters from Warren E. Buffet Regarding Making Pledges to Berkhenshire Stock Updated August 30, 2012
FOR A FREE CAR INSURANCE RATE QUOTE THAT COULD SAVE YOU SUBSTANTIAL MONEY WWW.GEICO.COM OR CALL 1-888-395-6349, 24 HOURS A DAY
If you have any comments about our WEB page, you can either write us at the address shown above or e-mail us at<EMAIL_ADDRESS>However, due to the limited number of personnel in our corporate office, we are unable to provide a direct response.
Legal Disclaimer
Copyright © 1978-2016 Berkshire Hathaway Inc.


Ariana Grande
-
Break Free
If you want it, take it I should have said it before Tried to hide it, fake it I can’t pretend anymore I only want to di... -
Dance To This
作曲 : Troye Sivan/Noonie Bao/Brett McLaughlin/Oscar Holter 作词 : Troye Sivan/Noonie Bao/Brett McLaughlin/Oscar Holter Yo... -
Heatstroke
[by:hondoes] Won't you please?  -
Let Me Love You
[by:刘玄明童鞋] I just broke up with my ex Now I’m out here single, I don’t really know what’s next But I ain’t even trippin'... -
Love Me Harder
Tell me something I need to know Then take my breath and never let it go If you just let me invade your space I'll take ... -
Problem (feat. Iggy Azalea & J Balvin)
[by:买玫瑰花送女友] [ti:] [ar:] [al:] [by:九九Lrc歌词网～www.99Lrc.net] It's Iggy Iggz Soy j balvin man One less one less problem Hey... -
Don't Call Me Angel (Charlie's Angels)
[by:Trap_Girl] 作曲 : Max Martin/Alma-Sofia Miettinen/Ariana Grande/Lana Del Rey/Miley Cyrus/Savan Kotecha/Ilya Salmanzad...   -
Popular Song
. You were the popular one, the popular chick It is what it is, now I'm popular ’ish Standing on the field with your pre... -
MONOPOLY
作曲 : Charles Anderson/Michael Foster/Tim Suby/Victoria Monét 作词 : Charles Anderson/Michael Foster/Tim Suby/Victoria Mo... -
You Don't Own Me
[by:Trap_Girl] 作曲 : John Madara/David White 作词 : John Madara/David White You don't own me I’m not just one of your man...  -
Be My Baby
If you know how to be my lover Maybe you can be my baby Hold me close under the covers Kiss me boy and drive me crazy Be... -
Get On Your Knees
[by:DIY组合] 作曲 : Katy Perry/CHLOE ANGELIDES/Sarah Hudson/Onika Maraj/Lukasz Gottwald/Jacob Kasher Hindlin/Henry Walter ... -
NASA
[by:Vino小柯基] This is one small step for woman One giant leap for woman-kind I'd rather be alone tonight You can say "I l... -
Ariana Grande-thank u, next (Remix)（Urmyson / Ariana Grande remix）
作曲 : Urmyson/Ariana Grande 作词 : Ariana Grande Thought I'd end up with Sean But he wasn't a match Wrote some songs abou...  -
You'll Never Know
Now you finally tell me how you feel Guess your words just came a little too late All the drama boy it's overkill Don... -
Best Mistake
How soon do we forget how we felt Dealing with emotions that never left Playing with the hand that we were dealt, in thi... -
no tears left to cry
Right now I'm in a state of mind I wanna be in like all the time Ain't got no tears left to cry So I'm pickin' it up, I'... -
Knew Better Part Two
[by:圆春花] Baby you could turn me on Boy, but that's about it You can say what you wanna But I wouldn't believe it You cou... -
fake smile
[by:Meurababe] 作曲 : Andrew Wansel/Nathan Perez/Priscilla Renea/Kennedi Lykken/Justin Tranter/Ariana Grande/Joseph W. Fr... -
Faith
[by:工作婊] See the girl with the diamonds and the shoes?  -
Baby i (parkronson's late-80s flip)
[by:Lenient_] Baby, I got love for thee so deep inside of me I don’t know where to start Yeah, yeah I love you more than... -
The Way
What we gotta do right here is go back, back to the top. [Intro] I love the way you make me feel I love it, I love it I ... -
in my head
[by:jiyuenmak] Here's the thing: You're in love with a version of a person That you've created in your head, that you ar... -
VOODOO LOVE
[by:B吧生理老师] I wanna mix a potion up Make a special drink for you Mmm-mmm Just a little sip and you're never gonna know w...  -
Just A Little Bit Of Your Heart
I don't ever ask you where you've been And I don't feel the need to know who you're with I can't even think straight, bu... -
ghostin
[by:Vino小柯基] I know you hear me when I cry I try to hold it in at night While you're sleepin' next to me But it's your a... -
7 rings (Remix)
[by:Trap_Girl] Ariana Grande： Yeah breakfast at Tiffany's and bottles of bubbles Girls with tattoos who like getting in ... -
Side To Side
[by:LISIYUAN11] 作曲 : Max Martin/Onika Maraj/Savan Kotecha/Ariana Grande/Alexander Kronlund/KnocDown 作词 : Max Martin/On... -
Bang Bang
She got a body like an hourglass, but I can give it to you all the time She got a booty like a Cadillac, but I can send ... -
Don't Dream It's Over
[by:Lenn03] There is freedom within There is freedom without Try to catch a deluge in a paper cup There's a battle ahead... -
Boys Like You
[by:大评论家] 作曲 : Fancy Hagood/Jason Gantt/Bob Dipiero/Jonathan Rotem 作词 : Fancy Hagood/Jason Gantt/Bob Dipiero/Jonathan ... -
We Are The Champions (A Cappella)
[by:MarGotRobBie] [Chorus:] [Jimmy Fallon:] I've paid my dues Time after time I've done my sentence But committed no cri... -
All My Love
Some times I think we're the brightest stars And I try to believe we'll find a way Will life change, will our hearts tur... -
Into You (Grey Remix)
[by:hondoes] I'm so into you, I can barely breathe And all I wanna do is to fall in deep But close ain't close enough, '... -
Beauty and the Beast
Tale as old as time True as it can be Barely even friends Then somebody bends Unexpectedly Just a little change Small t... -
Focus
[ti:暗暗] [ar:暗暗法] [al:] [by:九九Lrc歌词网～www.99Lrc.net] Hey I know what I came to do And that ain't gonna change So go ahead ... -
Quit
[by:冰糖炖雪梨Shirley] And you say that I'm the devil you know And I don't disagree No, I don't see the harm They say: "You'r...  -
Last Christmas
I hate that I remember I wish I could forget What you did last December You left my heart a mess (A mess) Boy, you blew ... -
break up with your girlfriend, i'm bored
[by:IDecided_] You got me some type of way (Hmm) Ain't used to feelin' this way (Mmm-mmm) I do not know what to say (... -
Dangerous Woman
[by:乂朽亻] [Verse 1] Don't need permission, made my decision To test my limits cause it's my business God as my witness, s... -
imagine
Step up the two of us, nobody knows us Get in the car like, "Skrrt" Staying up all night, order me pad thai Then we gon'... -
Snow In California
Dear Santa It's me Ariana I know it's been awhile but I really need Your help this year Let me make this clear See I re... -
They Don't Know
[by:工作婊] Mmmm, watch me Hey, woo One, two, three...watch me I walked over got this sunlight Ain't got time to listen to... -
needy
作曲：Tommy Brown/Ariana Grande/Victoria Monet/Tayla Parx 作词：Tommy Brown/Ariana Grande/Victoria Monet/Tayla Parx If you tak... -
bloodline
作曲 : Ariana Grande/Max Martin/Ilya Salmanzadeh/Savan Kotecha 作词 : Ariana Grande/Max Martin/Ilya Salmanzadeh/Savan Kote... -
Adore
[by:MeghanTrainor] Boy so what's been on your mind? For me it's just you all the time We don't need to go nowhere tonig... -
bad idea
[by:Vino小柯基] I've been outta sight I've been worried 'bout you lately Runnin' outta time Wishin' you would come and save...


--- layout: post title: Up and down, up and down, up and down ---
Please bear with me while the server is going up and down, I’m far from being an accomplished network administrator. Moreover, my hardware sucks, I’m ashamed of publishing the specs of my new box. I’m too cheap to get proper hardware… Shame for an IT guy uh?
By the way, I just reactivated the old URL, http://thetechnologist.is-a-geek.com/blog/.
If you’re still subscribed to the old address, sorry I completely forgot to reactivate you guys. You can now switch to the much cleaner http://blog.thetechnologist.net
Thanks for your patience.


WITNESS LIST
Transportation & Homeland Security
January 17, 2012 10:00 AM
Wild Fires
ON:
Baldwin, Pete Emerg. Mgt. Coord. (Travis County), Austin, TX
Barron, Chris Executive Director (also providing written testimony) (State Firemen's and
Fire Marshals' Association), Austin, TX
Bizzell, Lynn Program Director (also providing written testimony) (TEEX), College
Station, TX
Boggus, Tom Director (also providing written testimony) (Texas Forest Service), College
Station, TX
Bradford, Mike Cty. Judge (Midland County), Midland, TX
Cantrell, Brian EMC (also providing written testimony) (Waller County), Hempstead, TX
Carr, Ann Chief of Staff (also providing written testimony) (Montgomery County),
Conroe, TX
Chamberlain, David President (also providing written testimony) (Austin Bar Ass'n),
Austin, TX
Claunch, Dave Mayor (Mayor, City of West Lake Hills), West Lake Hills, TX
Fisher, Mike EMC (Bastrop County), Bastrop, TX
Hufford, Ronald Exec. VP (also providing written testimony) (Texas Forestry
Association), Lufkin, TX
Kidd, Nim Assist. Director - Chief (TX DPS - TDEM), Austin, TX
Leal, Gloria Attorney and Consultant (Teas Alliance of Energy Producers), Austin, TX
Leathers, Joe General Manager, 6666 Ranch (also providing written testimony) (Texas
and Southwestern Cattle Raisers Association), Guthrie, TX
Little, Dale Chief Fire Marshal (Midland County), Midland, TX
Lock, John Chief Forester (also providing written testimony) (The Campbell Group),
Diboll, TX
Montgomery, Mike Director / Firemarshal (also providing written testimony) (Harris
County Fire Marshal's Office), Houston, TX
Nichols, John The Adjutant General (also providing written testimony) (Texas Military
Forces), Austin, TX
Renois, Randy Fire Marshal (also providing written testimony) (Tarrant County), Ft.
Worth, TX
Rodriguez, Sergio County Commissioner (also providing written testimony) (Bexar
County), San Antonio, TX
Williams, Freddy Fire Chief (Waller County Fire Dept.), Hockley, TX
Wilson, Don Executive Director (Texas Commission on Fire Protection), Austin, TX
Yura, Paul Warning Coordination Meteorologist (also providing written testimony)
(National Weather Service), New Braunfels, TX
1


class Builder
Builder class to facilitate the insertion of the start and end dates.
Builder()
Builder class to facilitate the insertion of the start and end dates. |
var mEnd: String |
|
var mStart: String |
fun build(): RequestsOptionalParameters |
|
fun setEnd(end: String): RequestsOptionalParameters.Builder |
|
fun setStart(start: String): RequestsOptionalParameters.Builder |


Across: 3. 30, they say, which may appear out of thin air? (3) 8. Kerfuffle as university's public relations tool used in a row (6) 9. Model student in pre-exam flurry (8) 10. Plato and Socrates perhaps at layer one, and not quite second (9) 11. Large Turner or such (4) 12. Give credit to storing hydrogen in appropriate container? (5) 13. Dates bold lunatic with impressive locks (9) 17,4dn,18. Brave, hale, we push to moon... but change scheme with this announcement (7, 2 4 1 7) 18. see 17 21. Transformed Niven into a child of necessity (9) 25,23. Loud radical has captured one, Earth's first lunar module pilot (4 5) 27. 7's partner embracing male sweetheart who was in 20 of 6 28 (3 6) 28. see 6 down 29. Stinging insects get cross chasing one's kids perhaps (6) 30. 3 said to be warranted (3) Down: 1. How 6 28 ended, with small whiplash after first three landed (10) 2. 12s being interrupted by old major who played 27 (3 5) 3. No one gets into this craft but medic and I (5) 4. see 17 across 5. Checks on return of battlers (4) 6,28ac. Moved relation to help mission (6 8) 7. Bowlers often try to get just as 'high' as this Mr Swigert on 6 28 (4) 14. Dungeon, primarily refuge for the unilluminated (4) 15. What 'they' might reflexively target? (10) 16. Brag about abandoning second vessel (4) 19. Worked hard at being cultivated despite carrying hangover? (8) 20. Punctuation needed at both ends for instruction (7) 22. Ultimately, live under, suffering (6) 24. Method I've developed for 6 28 perhaps (5) 26. Kaiser hurt containing uprising of Dortmund region (4) 27. Euphoria welcoming Earth's first young passenger on bouncy but cosy ride (4)


Expressions in lego are a strict subset of the JavaScript language. You can use logical operators, paths, etc.
Here's an example:
The string {{label}} has {{ label.length }} character {{ label.length !== 1 ? 's' : '' }}


Welcome Administrator
Overview
Applications
Upload Serlvet
Cluster Application Control
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Running Nodes
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Address:
Buea ~ Molyko Road
Last Vegas Street 3011
* Delivery area within 2-5 miles, with minimum order of $15 plus $5
charge for all deliveries.
Comments
" The Best American Restaux I have been to!! And they SERVE Favalous
dishes"
" Amazing Food! good service! couldn't ask for more! je reviendra
encore et encore!"


The Desktop class helps manage interaction with the desktop, providing both a windowed representation of the DMD, as well as translating keyboard input into pyprocgame events.
Maps the given key to switch_number, where key is one of the key constants in pygame.locals.
Empties the key map.
Event type sent when Ctrl-C is received.
Asks pygame for recent keyboard events and translates them into an array of events similar to what would be returned by :meth: pinproc.PinPROC.get_events.


asyncRead
Returns the audio read buffer.
asyncWrite(aBuffer)
Writes aBuffer to the audio output buffer and returns immediately.
close
Close the audio stream.
error
Returns an error string if an error has occurred, Nil otherwise.
isActive
Returns self if the receiver is active, Nil otherwise.
needsData
Returns true if the receiver can read more data.
open
Open an audio output stream.
openForReadingAndWriting
Open audio output and input streams.
streamTime
Returns the audio stream time as a number.
write(aSeq)
Writes aSeq to the inputBuffer and yields until the
receiver is ready for more input data. Returns self.
writeBufferIsEmpty
Returns the true if the audio buffer is empty, false otherwise.
|


WITNESS LIST Pensions & Investments Committee (Subcommittee on ERS Insurance Funding) May 27, 1998-9:00A ERS Insurance Funding For: Warren, Bill (TPEA) On: Beckett, Sheila (ERS) Hymel, Ray (ERS) Nail, William S. (ERS) Sarver, James W. (ERS) Stewart, Dan (ERS)


--- title: Israel shot 172 date: 2004-06-21T00:00:00.000Z filepathOriginal: photos/IMG0077.jpg filepathThumbnail: photos/IMG0077.thumbnail.jpg filepathPreview: photos/IMG0077.preview.jpg ---
The tourguide shows us the famous '007' MIG that an Iraqi defected in


{% extends "papersearchengine/base_generic.html" %} {% block navlinks %}
{% endif %}
This search functionality allows to search for all arXiv computer science papers authored by a given person.


// Example: CVector position, velocity, acceleration; float friction_constant = 0.1; // Velocity is halved every second. void update_physics(float dt) { velocity += acceleration * dt; position += velocity * dt; velocity *= pow(fraction_constant, dt); }
Definition at line 45 of file CVector.h.
Public Member Functions | |
| CVector () | |
| CVector (float x, float y, float z) | |
| void | set (float x, float y, float z) |
| float | size () |
| float | size2 () |
| void | normalize () |
| CVector | MA (CVector &vector, float scale) |
| void | operator= (CVector vector) |
| CVector | operator- (CVector vector) |
| CVector | operator+ (CVector vector) |
| CVector & | operator-= (CVector &vector) |
| CVector & | operator+= (CVector &vector) |
| CVector | operator * (float scale) |
| CVector | operator/ (float scale) |
| CVector & | operator *= (float scale) |
| CVector & | operator/= (float scale) |
| CVector | operator- () |
| float | operator * (CVector &vector) |
| CVector | operator% (CVector &vector) |
| CVector | operator| (CVector &vector) |
| float & | operator[] (int index) |
| operator float * () | |
| bool | operator== (CVector &vector) |
| bool | operator!= (CVector &vector) |
Public Attributes | |
| float | v [4] |
|
|
Default constructor. Initializes all three components to 0.0. |
|
|
Constructor with explicit initial values for (x, y, z). |
|
|
Convinient way to set all three components at once.
|
|
|
|
|
|
|
|
|
Makes the vector a unit vector if size() != 0.0. Leaves vector unchanged if 0.0.
|
Here is the call graph for this function:
|
|
Returns a vector that equals this + vector * scale. Use it to interpolate vectors.
|
|
|
Copies vector into this vector. |
|
|
Vector subtraction. vout[i] = v1[i] - v[2]. |
|
|
Vector addition. vout[i] = v1[i] + v2[i]. |
|
|
Subtract vector from this vector. |
|
|
Adds vector to this vector. |
|
|
Vector scaling. vout[i] = v[i] * scale. |
|
|
Vector scaling inverse. vout[i] = v[i] * 1/scale. |
|
|
Multiplies this vector by scaling factor. |
|
|
Divides this vector by scaling factor. |
|
|
Negates this vector. vout[i] = -v[i]. |
|
|
Returns the dot product of this vector and vector. dot = a[0]*b[0] + a[1]*b[1] + a[2]*b[2]. |
|
|
Returns the cross product of this vector and vector. The resulting vector is perpendicular to both input vectors. |
|
|
Vector multiplication by vector. vout[i] = a[i] * b[i]. |
|
|
Returns component[index]. |
|
|
Returns a float* pointer to the internal representation of the vector. |
|
|
Returns true if vector is exactly the same as this vector. |
|
|
Returns true if vector is not the same as this vector. |


Mann Deshi Foundation is dedicated to empowering female entrepreneurs and their communities.  By 2022, Mann Deshi Foundation aims to provide one million women entrepreneurs with access to knowledge and capital, enabling them to have personal and professional agency in their lives. The Mann Deshi Business School ensures that access to financial literacy skills reaches even the most remote of villages. The Chamber of Commerce set up in 2012 provides legal,
financial, marketing, and networking support to women entrepreneurs. The Foundation runs a community radio station that has 50,000 listeners and regularly hosts female radio jockeys. To support the broader community and farmers, Mann Deshi has begun working on water conservation through building dams. For the local youth, Mann Deshi has the Champions programme for talented athletes. Girls on Wheels provides bicycles so that young girls can go to school. Through all of this programming, the Mann Deshi Foundation has reached almost 200,000 women.
Business School
The Business Schools provide courses on everything from financial literacy to marketing, along with more specialized vocational training.
Girls on Wheels
The bicycle programme in an average year more than 100 bicycles are donated to send girls to school.
Chambers of Commerce
The COC welcomes all women, irrespective of education or background, who wish to start a business or expand their existing businesses.
Young Girls
The Young Girls Program targets girls in rural villages at educating them on reproductive health and providing them with a skills.
Water Conservation
Mann Deshi has constructed nine check dams. Each dam has transformed the lives of rural farmers, with increasing crop yields and soil fertility.
Farm to Market
Farm to Market is an innovative program that cuts out the middle man so that farmers can increase their profits.
Community Radio
The Community Radio 90.4 FM channel is broadcast to 100 villages within 500km of the station. It averages about 50,000 loyal listeners.
Champions
The Champions programme identifies prospective outstanding athletes and nurtures and supports their physical, mental, and social development.
Vidya Kirve
When Vidya was a girl, she wanted to be a businesswoman. Originally, her husband did not support her efforts to her start her handbag business. Then she received skills training from Mann Deshi on how to make handbags. Mann Deshi’s training helped her with identifying the demand for lady’s bags and the latest designs as well as the market for children’s school bags. Vidya’s business relies on word of mouth for publicity, so she began by giving out free samples. The business now has multiple locations, with her products being sold and exported in several cities. Vidya’s dream is to one day build a large company out of her business where she only employs women.
Entrepreneurs
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Farmers
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Athletes
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I'm a frontend developer with 13 years of experience in developing, designing and architechting web-based products and applications.
bramkok.com 2018-12-01 —
Development, design and architecture of web-based products and applications.
iBOOD.com 2017-07-01 — 2018-12-01
iBOOD is Europe's first and largest daily deal site. For ten years, iBOOD has offered a brand new A-brand brand at the very best internet price.
Highlights
- JavaScript (ECMAScript 2015), React, Next.js
- Modernized the frontend web stack from PHP/jQuery to React/Next.js.
- Developed a high traffic page with dynamic viewing capabilities in React.
- Learned how to do agile development properly within a large team of developers.
Personal 2016-08-01 — 2017-07-01
A year of personal sabbatical after having worked for ten years.
Highlights
- Photography: developed a clear style and aesthetic by doing photography on a full-time basis.
- Technology: broadening of skills in React, Node.js, Python, Bash, Docker.
Simple Check B.V. 2014-08-01 — 2016-08-01
Simple Check offers businesses a medical check-up to prevent disease and absenteeism. With a mixture of positivity and new technology, they offer employees ways to improve their health.
Highlights
- JavaScript (ECMAScript 2015), AngularJS, D3, Node.js
- Managed a group of outsourced developers working on the backend product.
- Developed the front-end product (Angular.JS) consisting out of a 'Health Dashboard' for customers to gain insights in their health and to improve their health and well being.
- Developed marketing, brand, and content strategy around Simple Check.
- Hired a full-time content marketeer and became an authority on the subject of Health Checks.
- Developed a sales strategy with an interactive product demo for sales calls.
Team Loyalty B.V. 2014-08-01 — 2016-08-01
Team Loyalty turns happy customers into loyal customers. They apply a method called 'event matching' that improves customer relationships by investing in the professional and personal interests of the customer.
Highlights
- JavaScript (ECMAScript 2015), D3, Node.js
- Developed the front-end product for a SaaS solution that offered customer deep insights into their customer relationships.
- Managed a group of outsourced developers working the backend product.
- Renewed marketing, brand and content around Team Loyalty.
- Developed a sales strategy with an interactive product demo for sales calls.
Zelfwerven.nl 2010-06-01 — 2015-07-01
Zelfwerven.nl offers intuitive recruitment software for publishing vacancies, receiving applications, reviewing applicants.
Highlights
- PHP, MySQL, HTML, CSS, JavaScript
- Designed and built a web-based product from the ground up with the insights gained from working on a prior recruitment system.
- Applied flat design to the interface before it was cool based on products coming out of the 2008 web scene in New York.
- Learned how challenging it is to change people their professional working behavior and habits.
- Learned how bad it is to be stuck in the design phase of a product for too long.
- Learned how bad it is to say yes to every feature request.
Bureau REIN 2009-04-01 — 2014-07-01
Bureau Registratie Integriteit Volkshuisvesting provides integrity screenings. Bureau REIN informs, screens and commits supervisory board members, directors and managers using an online questionnaire and a report created by a compliance officer.
Highlights
- PHP, MySQL, HTML, CSS, JavaScript
- Created a full-stack environment for creating and filling out questionnaires
- Worked together with compliance officers and learned a lot about laws and policies concerning governance
- Learned how supervisory boards that consist of conservative old-boys networks don't embrace innovation.
CBK Profiling People 2009-03-01 — 2014-07-01
CBK Profiling People is a recruitment agency that recruits people for temporary and permanent positions mostly in the Dutch social housing sector.
Highlights
- PHP, MySQL, HTML, CSS, JavaScript
- Built a Content Management System and Applicant Tracking System
- Started new projects within the company related to industry it operates in.
Luzac College 2009-01-01 — 2010-12-01
Luzac is a private school with over twenty schools in The Netherlands where they offer education that's tailored to the student's needs.
Highlights
- HTML, CSS, JavaScript
- Provided solutions to administrative tasks that allowed for teachers to spend more time on teaching instead of unnecessary logistics.
TwitterMail 2007-06-01 — 2009-12-01
Back in 2007, in the 'pre-iPhone era', Twitter offered only a simple web app and SMS for posting tweets on mobile devices. TwitterMail extended this with an email service that allowed users to publish tweets via a secret email address that was hooked up to the Twitter API. This was especially popular in Asia and among BlackBerry users who often could only use email for communication.
Highlights
- HTML, CSS, JavaScript
- Meeting the Twitter founders who we're very happy with TwitterMail extending the Twitter ecosystem by building on top of the Twitter API.
- Receiving lots of appreciation from users who used the service for a wide variety of use cases
- Having 85000 users sign up for the service
- Building the service together with Boris Veldhuijzen van Zanten who became a good friend during that time and has taught me lots of valuable lessons.
Twones B.V. 2008-03-01 — 2008-12-01
Twones BV provides a music service to store, organize, find, and share music played over the Web or computer. It aggregates music online and offline in a single place, and enables users to socialize, and discover new music and music services.
Highlights
- HTML, CSS, JavaScript
- Working in the Amsterdam Web 2.0 startup scene which a more 'gezellig' (cosy) version of today's startup scene in Amsterdam.
- Worked with artists like Pepijn Lanen and 'web stars' like Nalden on the Twones product.
- Applied flat interface design before it was cool based on products coming out of the 2008 tech scene in New York.
PCzapper.TV B.V. 2007-11-01 — 2008-11-01
PCZapper.TV offers a way to view online video content on regular TV combining a hardware product and an online platform.
Highlights
- Adobe Illustrator, Adobe Photoshop, HTML, CSS
- Worked within a larger group of developers.
- Designed web interfaces for a KPN website that reached daily 100K+ visitors.
RightDesign V.O.F. 2006-01-01 — 2007-01-01
Founded the online media and design company RightDesign. RightDesign offered design and web development services.
Highlights
- Adobe Illustrator, Adobe Photoshop, HTML, CSS
- Learned what it's like to start a business and service clients.
- Learned that I wanted to keep building things for the web despite my initial intention of doing it for only a year.
A. Roland Holst College 2004-09-01 — 2006-06-01
A. Roland Holst College 2000-09-01 — 2004-06-01
Frontend Development
- HTML
- CSS
- JavaScript
- ECMAScript 2015
- React
- Next.js
- Node.js
- AngularJS
- D3
Backend Development
- Node.js
- BASH
- PHP
- Python
Server Administration
- Node.js
- BASH
- PHP
- Python
Agile Software Development
- SCRUM
- Kanban
Photography
- Street photography
- Analog photography
- Film scanning
Music
- Composing electronic music
- Playing drums
- Going to concerts
- Classical, Modern, Electronic, Rock, Metal, Experimental, Hip-hop


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Validate tickets
This page explains how to retrieve the list of tickets sold and validate tickets at the venue.
Downloading the list of tickets
The list of tickets sold is available under the Attendees tab of your event. To download the file:
- Go to the edit page for your event and select the tab Attendees.
- Click the Download as CSV button.
- Open the file with any spreadsheet application selecting Format CSV, Separator: commas and Encoding: UTF-8.
Validating tickets
You can validate tickets at the entrance of the event using our Koliseo Access Control Application for Android. To validate tickets:
-
Install the Koliseo Access Control Application on one or more Android devices (cell phone or tablet).
-
In the browser, open your event edition page.
-
Select the Attendees » Access control tab. The page shows a QR code that can be used to authenticate the Android app.
-
Open the Android application.
-
Click the Scan button and aim the QR code with your camera. Once authenticated, the application is ready to start validating tickets.
-
Put the QR code of any valid ticket in front of the camera. If the ticket is valid, the application makes a distinctive sound and displays the ticket information.
Once logged in, the Android application does not require a connection to the Internet to validate tickets. If there is a connection, all logged in devices will synchronize the ticket information in real time. Any tickets validated while offline will be synchronized the next time it gets online.
Tickets do not have to be printed to be recognized by the app, but you may need to adjust the brightness of the device displaying it.


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NEWS
BRAND CENTROL
CONCEPT
GALLERY
NEWS
BRAND CENTROL
CONCEPT
GALLERY
NEWS
BRAND CENTROL
CONCEPT
GALLERY
美洲


Robotic Arts Intro Fall 2019 (IA277.01)
- Instructor: Lucas Haroldsen<EMAIL_ADDRESS>- Class Site: yasunaga.work/raif18
- syllabus: syllabus.pdf
- Resources: links.html
- Office hours: Tuesday 1 - 4pm
09/13: Switch and Transistors --- [meaning from 1s and 0s]
Welcome back!
Handmade Switch sketches!
First things first, let's look at your switch ideas!
- Look at your ideas
- Partner up with someone and chain the switches
- Add a condition(instruction) for the switches
- chain more switches!
- Make new folder in your Google drive folder and name it "handmade switches"
- add your documentations
Transistors --> Make your circuit permanent!
Today, we will go over together:
- boolean logic
- transistor as a switch
- using photoresistor as a switch
- touch switch
- capacitor
- delay circuit
- translating your breadboard circuit to perforated board
- making things semi permanent
Reading: Medium by Malcom McCullough
"To begin, the fundamental difference between digital and traditional media is rooted in microstructure: bits versus atoms. Processes that move physical atoms around are precisely the irreversible aspect of traditional work. According to very fundamental laws of physics, operations such as cutting, bonding, and mixing are irreversible. Mix black paint into white, and you've got grey for the duration. Crack a fine piece of laboriously refined jade work, and you have lost not only time but also expensive material—a rare configuration of atoms.
By contrast, the microstructure of the computer medium is bits: a specified arrangement of symbols. The computer is made out of atoms, to be sure, but its logic employs symbols that quantize the physical charges they represent—it obtains stable bits. Because any physical deviations caused by atoms get rounded and corrected, these symbols built on bits do not degrade. In the microstructure of the digital medium, arrangements and values can always be reconstructed; their previous states can be stored and recalled; additional instances and versions can be replicated."
From Abstracting Craft: The Practiced Digital Hand by Malcolm McCullough
- What did you think?
Here is the text The Theory of Affordances by James J. Gibson
How Computers Work: Information (binary)
Doug Engelbart's presentation at the Fall Joint Computer Conference in San Francisco, December 9, 1968 titled "A Research Center for Augmenting Human Intellect."
Céleste Boursier
HOMEWORK
Finish soldering your circuit of your choice
- Please finish soldering one of these circuit onto the perforated board.
- Transistor touch switch
- Day circuit (on when there is light)
- Night circuit (on when there is NO light
- Transistor delay circuit
- Take a picture / video and upload it to the google drive


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WITNESS LIST Criminal Justice Committee May 8, 1997-8:30A HB 195 Registering, but not testifying: For: DeChant, Tom (Sr. Citizens Task Force), San Antonio Holtermann, John W. (TX Silver Haired Leg.), San Marcos Ramirez, Edward L. (SA Crime Commission), San Antonio Wallace, Sherri (Dallas Co. DA's Office), Dallas HB 237 For: Ensign, Catherine S. (Harris Co Pub. Library), Houston Waring, Margaret T. (Comanche Public Library), Comanche Registering, but not testifying: For: Holtermann, John W. (TX Silver-Haired Leg.), San Marcos Smith, Mark (TX Library Association), Austin HB 438 Registering, but not testifying: On: Winters, Clint (Comptroller's Office), Austin HB 1233 Registering, but not testifying: For: Zusman, Eric (MADD), Austin HB 2561 Registering, but not testifying: For: Gray, Chandler (TX CASA), Austin Lyons, Laura (TAASA), Austin On: Kelly, Laurel (AG's Office), Austin Rodgers, Pam (Sex Assault Prevention), Austin HB 2825 Registering, but not testifying: On: Templeton, Bob (TX DOT), Austin HB 2827 Registering, but not testifying: On: Reynolds, Carl (TX Board of CJ), Austin HB 2830 Registering, but not testifying: For: Balch, Mandy (TX Automobile Dealers), Austin Blanton, Tom (TX Automobile Dealers), Austin Kelley, Sam (TX Automobile Dealers), Austin HB 3062 Registering, but not testifying: For: Cole, Pat (TX Cncl Family Violence), Austin Gray, Chandler (Texas CASA), Austin Lyons, Laura (TAASA), Austin On: Kelly, Laurel (AG's Office), Austin