Backup and restore
Edit (pull request)Alien 4 Cloud uses several places to store it’s data.
- Cloud service archives
- Artifacts that may have been uploaded to build topologies
- Indexed data (stored in elastic-search)
- Plugins binaries
- Eventually you should make sure to backup also your alien4cloud yaml configuration file as well as your elastic search configuration file
Backup
In order to backup Alien 4 Cloud you must backup elastic search indexes as well as disk-based data. For more informations on how to backup an elasticsearch cluster please refer the elastic search documentation
The following bash script gives an example on how alien4cloud data should be backed-up. It assumes that you kept the defaut directory hierarchy for alien data.
# Directory in which alien stores it's disk base data.
export ALIEN_DIR=~/.alien
# Url to access ElasticSearch rest api.
export ES_URL="http://localhost:9200"
# Backup target directories
export BACKUP_DIR=~/tmp/alien_backups
export BACKUP_NAME=`date '+%d_%m_%Y_%H_%M'`
export ES_BACKUP_DIR=$BACKUP_DIR/elasticsearch
export FS_BACKUP_DIR=$BACKUP_DIR/filesystem/$BACKUP_NAME
# setup elastic search snapshot repository
curl -XPUT "$ES_URL/_snapshot/alien_backup" -d "{
\"type\": \"fs\",
\"settings\": {
\"location\": \"$ES_BACKUP_DIR\",
\"compress\": true
}
}"
# trigger elastic search data backup (asynchronous)
RESULT=`curl -XPUT "$ES_URL/_snapshot/alien_backup/$BACKUP_NAME?wait_for_completion=false"`
SUCCESS=$(echo "$RESULT" | grep "{\"accepted\":true}")
if [ -z "$SUCCESS" ]; then
echo "Failed to backup Elastic Search"
echo $RESULT
else
# Copy file system data
mkdir -p $FS_BACKUP_DIR/artifacts
mkdir -p $FS_BACKUP_DIR/csar
mkdir -p $FS_BACKUP_DIR/plugins
cp -r $ALIEN_DIR/artifacts $FS_BACKUP_DIR/artifacts
cp -r $ALIEN_DIR/csar $FS_BACKUP_DIR/csar
cp -r $ALIEN_DIR/plugins $FS_BACKUP_DIR/plugins
# wait until elastic search backup is complete
curl -XGET "$ES_URL/_snapshot/alien_backup/$BACKUP_NAME/_status"
fi
Restore
We recommend users to stop alien 4 cloud but not ElasticSearch in order to perform the restore. Alien 4 Cloud should be restarted once restore is completed.
However, if you 100% sure that restore operation has no impact on clouds or plugins configuration you can perform a ‘hot restore’ and don’t need to stop neither Alien 4 Cloud or ElasticSearch.
In order to perform a restore with elasticsearch up and alien down you should be running in a classical production setup where elasticsearch process is independant from alien 4 cloud. See advanced configuration for more details.
To restore a snapshot you should restore the elaticsearch index and put back the actual files required for Alien 4 Cloud.
Before to run the script below you should make sure that alien 4 cloud is stopped and elastic-search is running.
# Name of the backup to restore
export BACKUP_NAME=$1
echo "Prepare to restore $BACKUP_NAME"
# Directory in which alien stores it's disk base data.
export ALIEN_DIR=~/.alien
# Url to access ElasticSearch rest api.
export ES_URL="http://localhost:9200"
# Backup target directories
export BACKUP_DIR=~/tmp/alien_backups
export FS_BACKUP_DIR=$BACKUP_DIR/filesystem/$BACKUP_NAME
# close indexes before restore operation
curl -XPOST "$ES_URL/_all/_close"
# trigger elastic search data restore
RESULT = `curl -XPOST "$ES_URL/_snapshot/alien_backup/$BACKUP_NAME/_restore"`
SUCCESS=$(echo "$RESULT" | grep "{\"accepted\":true}")
if [ -z "$SUCCESS" ]; then
echo "Failed to restore Elastic Search"
echo $RESULT
else
# Copy file system data
rm -r $ALIEN_DIR/artifacts
rm -r $ALIEN_DIR/csar
rm -r $ALIEN_DIR/plugins
cp -r $FS_BACKUP_DIR/artifacts $ALIEN_DIR/artifacts
cp -r $FS_BACKUP_DIR/csar $ALIEN_DIR/csar
cp -r $FS_BACKUP_DIR/plugins $ALIEN_DIR/plugins
fi
Once data is restored you can restart alien 4 cloud server.
Edit (pull request)


Demand Psychedelic Freedom !!!
Support Psychedelic Pride !!!
Demand legalization and proper government regulation of
cannabis, ecstasy, magic mushrooms, mescaline, LSD and
other benign psychedelics !
- Numerous evidence shows that benign psychedelics are indispensable
in many spiritual and religious practices, and essential in artistic expression,
philosophical and political discourse. These are activities protected by
the First Amendment. Demand the repeal of
anti-constitutional restrictions !
- Benign psychedelics have many medical and psychological uses
including treatment for depression, schizophrenia, obesity
and anorexia. Hence their placement on Schedule I is fraudulent !
- The genuine risks of benign psychedelics are far lower than the
risks of alcohol, tobacco, driving and many other legal activities.
At the same time, their spiritual and emotional benefits can be
much greater. Demand rational and consistent government policy !
- The main risks of benign psychedelics - persecution, fear, crime,
and contamination by unknown substances - directly result from
Prohibition, the government's failure to properly regulate
psychedelic use and quality. Demand harm reduction !
- The government abdicated its responsibility to provide protection
to the people via control for quality of psychedelics and via regulation of
their use. Such regulation could be done in a fashion similar to alcohol
and tobacco regulation, or via a rational system of courses, competence
tests, and self-prescription licenses. Demand that the government
stops abdicating its responsibility !
- There are widespread phobias against psychedelics and people who
use them. These phobias are similar to racism, homophobia, anti-semitism,
fear of poor people, etc. These phobias are largely due to the gross
self-perpetuating misrepresentations in the media and in public discourse.
Fight the phobias in others and in yourself ! Recognize and tell the truth!
- Many people who use psychedelics feel guilty about it, because the
society has labeled psychedelic use as "wrong". These guilty
feelings are similar to those experienced by many Gays and Lesbians in a
phenomenon known as internalized homophobia. The Gay and Lesbian community
introduced the concept of Gay Pride in order to prevent this. If you use
psychedelics, please recognize and support Psychedelic Pride, free
yourself from your own internalized phobias ! There is nothing in
benign use of psychedelics to feel guilty about !
Psychedelics can be used positively for personal and spiritual growth,
creativity enhancement, better physical and mental health, and happier
life. Just do not abuse them; do not endanger your and other people's
lives, health, and careers ! If you use psychedelics, use them
responsibly. Educate yourself about proper doses,
intervals, techniques via books and the Web ! If you use psychedelics,
consider whether your goals for such use are proper. Make sure that you
can be proud of your psychedelic practices !!!
- Stand for our unalienable Rights: Life, Liberty, and the
Pursuit of Happiness !!!
"The prestige of government has undoubtedly been lowered
considerably by the Prohibition law, for nothing is more
destructive of respect for the government and the law of the
land than passing laws which cannot be enforced."
--Albert Einstein, My First Impression of the U.S.A, 1921
http://www.lucifer.com/~sasha/memewar/pp.html


You are invited to the Black Cat Gala on Sunday, October 27th at the gorgeous Mayton Inn in downtown Cary for an evening to benefit Cat Angels Pet Adoptions.
It will be a night to remember! Groove to the sounds of DJ Ones, take home your picture from Raleigh Photobooth Pros, be amazed by the Magic of Wayne Anderson, and laugh to the comedy of Gretchen McNeely.
The Mayton Inn's executive chef Steve Zanini has developed a 3-course menu just for us. Choose from chicken, salmon, and gnocchi entrees with perfectly paired appetizers and sides, and then enjoy desserts from the area's finest bakeries and chocolaterie. The bar will be open all night as well.$75pp General Admission includes dinner, entertainment, live auction, cash bar, and 1 drink ticket.
$95pp VIP includes dinner, entertainment, live auction, cash bar, 2 drink tickets, early entry and h'ors d'oeuvres at 5:30pm.
Pre-order or bring $20 to participate in our "Wine Pull". Pick a cork, win the corresponding numbered "mystery" wine bottle! Wines are worth between $20-$50, so you're guaranteed to get something great!
Pre-order or purchase your Raffle Tickets onsite. Items include a Lenovo M10 Tablet, Framed watercolor by artisti Diana Coidan, dinner and movie at Cinebistro, and more!
 Our all-live auction will feature some amazing items, such as:
Sponsorship
information | Sponsorship
Agreement
Please send completed sponsorship agreements, or any sponsorship questions, to
hello@lilliansuarezevents.com


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Object
Public: Methods for retrieving lines from Asciidoc documents
Public: Initialize the Reader object.
data - The Array of Strings holding the Asciidoc source document. The
original instance of this Array is not modified
document - The document with which this reader is associated. Used to access
document attributes
overrides - A Hash of attributes that were passed to the Document and should
prevent attribute assignments or removals of matching keys found in the document
block - A block that can be used to retrieve external Asciidoc
data to include in this document.
Examples
data = File.readlines(filename) reader = Asciidoctor::Reader.new data
# File lib/asciidoctor/reader.rb, line 28 def initialize(data = [], document = nil, overrides = nil, &block) # if document is nil, we assume this is a preprocessed string if document.nil? @lines = data.is_a?(String) ? data.lines.entries : data.dup elsif !data.empty? @overrides = overrides || {} @document = document process(data.is_a?(String) ? data.lines.entries : data, &block) else @lines = [] end # just in case we got some nils floating at the end of our lines after reading a funky document @lines.pop until @lines.empty? ||<EMAIL_ADDRESS>@source = @lines.join end
Internal: Apply substitutions to the attribute value
If the value is an inline passthrough macro (e.g., pass:), then apply the substitutions defined on the macro to the text. Otherwise, apply the verbatim substitutions to the value.
value - The String attribute value on which to perform substitutions
Returns The String value with substitutions performed.
# File lib/asciidoctor/reader.rb, line 399 def apply_attribute_value_subs(value) if value.match(REGEXP[:pass_macro_basic]) # copy match for Ruby 1.8.7 compat m = $~ subs = [] if !m[1].empty? subs = @document.resolve_subs(m[1]) end if !subs.empty? @document.apply_subs(m[2], subs) else m[2] end else @document.apply_header_subs(value) end end
Internal: Determine if the attribute has been overridden in the document options
key - The attribute key to check
Returns true if the attribute has been overridden, false otherwise
# File lib/asciidoctor/reader.rb, line 386 def attribute_overridden?(key) @overrides.has_key?(key) || @overrides.has_key?(key + '!') end
Public: Chomp the String on the last line if this reader contains at least one line
Delegates to chomp!
Returns nil
# File lib/asciidoctor/reader.rb, line 189 def chomp_last! @lines.last.chomp! unless @lines.empty? nil end
Public: Consume consecutive lines containing line- or block-level comments.
Returns the Array of lines that were consumed
Examples
@lines => ["// foo\n", "////\n", "foo bar\n", "////\n", "actual text\n"] comment_lines = consume_comments => ["// foo\n", "////\n", "foo bar\n", "////\n"] @lines => ["actual text\n"]
# File lib/asciidoctor/reader.rb, line 100 def consume_comments(opts = {}) comment_lines = [] while<EMAIL_ADDRESS>next_line = peek_line if opts[:include_blanks] && next_line.strip.empty? comment_lines << get_line elsif match = next_line.match(REGEXP[:comment_blk]) comment_lines << get_line comment_lines.push(*(grab_lines_until(:terminator => match[0], :preserve_last_line => true))) comment_lines << get_line elsif next_line.match(REGEXP[:comment]) comment_lines << get_line else break end end comment_lines end
Public: Consume consecutive lines containing line comments.
Returns the Array of lines that were consumed
Examples
@lines => ["// foo\n", "bar\n"] comment_lines = consume_comments => ["// foo\n"] @lines => ["bar\n"]
# File lib/asciidoctor/reader.rb, line 133 def consume_line_comments comment_lines = [] while<EMAIL_ADDRESS>if peek_line.match(REGEXP[:comment]) comment_lines << get_line else break end end comment_lines end
Public: Check whether this reader is empty (contains no lines)
Returns true if @lines.empty? is true, otherwise false.
# File lib/asciidoctor/reader.rb, line 56 def empty? @lines.empty? end
Public: Get the next line of source data. Consumes the line returned.
Returns the String of the next line of the source data if data is present. Returns nil if there is no more data.
# File lib/asciidoctor/reader.rb, line 161 def get_line @lines.shift end
Public: Return all the lines from `@lines` until we (1) run out them,
(2) find a blank line with :break_on_blank_lines => true, or (3) find a line for which the given block evals to true.
options - an optional Hash of processing options:
* :break_on_blank_lines may be used to specify to break on blank lines * :skip_first_line may be used to tell the reader to advance beyond the first line before beginning the scan * :preserve_last_line may be used to specify that the String causing the method to stop processing lines should be pushed back onto the `lines` Array. * :grab_last_line may be used to specify that the String causing the method to stop processing lines should be included in the lines being returned
Returns the Array of lines forming the next segment.
Examples
reader = Reader.new ["First paragraph\n", "Second paragraph\n", "Open block\n", "\n", "Can have blank lines\n", "--\n", "\n", "In a different segment\n"] reader.grab_lines_until => ["First paragraph\n", "Second paragraph\n", "Open block\n"]
# File lib/asciidoctor/reader.rb, line 220 def grab_lines_until(options = {}, &block) buffer = [] finis = false get_line if options[:skip_first_line] # save options to locals for minor optimization terminator = options[:terminator] terminator.chomp! if terminator break_on_blank_lines = options[:break_on_blank_lines] break_on_list_continuation = options[:break_on_list_continuation] while (this_line = self.get_line) Asciidoctor.debug { "Reader processing line: '#{this_line}'" } finis = true if terminator && this_line.chomp == terminator finis = true if !finis && break_on_blank_lines && this_line.strip.empty? finis = true if !finis && break_on_list_continuation && this_line.chomp == LIST_CONTINUATION finis = true if !finis && block && yield(this_line) if finis self.unshift(this_line) if options[:preserve_last_line] buffer << this_line if options[:grab_last_line] break end if options[:skip_line_comments] && this_line.match(REGEXP[:comment]) # skip it else buffer << this_line end end buffer end
Public: Check whether there are any lines left to read.
Returns true if<EMAIL_ADDRESS>is true, or false otherwise.
# File lib/asciidoctor/reader.rb, line 49 def has_lines<EMAIL_ADDRESS>end
Public: Get the next line of source data. Does not consume the line returned.
Returns a String dup of the next line of the source data if data is present. Returns nil if there is no more data.
# File lib/asciidoctor/reader.rb, line 172 def peek_line @lines.first.dup if @lines.first end
Private: Process raw input, used for the outermost reader.
# File lib/asciidoctor/reader.rb, line 273 def process(data, &block) raw_source = [] include_depth = @document.attr('include-depth', 0).to_i data.each do |line| if inc = line.match(REGEXP[:include_macro]) if inc[0].start_with? '\' raw_source << line[1..-1] # if running in SafeMode::SECURE or greater, don't process # this directive (or should we swallow it?) elsif @document.safe >= SafeMode::SECURE raw_source << line # assume that if a block is given, the developer wants # to handle when and how to process the include, even # if the include-depth attribute is 0 elsif block_given? raw_source.concat yield(inc[1]) elsif include_depth > 0 raw_source.concat File.readlines(@document.normalize_asset_path(inc[1], 'include file')) else raw_source << line end else raw_source << line end end skip_to = nil continuing_value = nil continuing_key = nil @lines = [] raw_source.each do |line| if skip_to skip_to = nil if line.match(skip_to) elsif continuing_value close_continue = false # Lines that start with whitespace and end with a '+' are # a continuation, so gobble them up into `value` if line.match(REGEXP[:attr_continue]) continuing_value += ' ' + $1 # An empty line ends a continuation elsif line.strip.empty? raw_source.unshift(line) close_continue = true else # If this continued line isn't empty and doesn't end with a +, then # this is the end of the continuation, no matter what the next line # does. continuing_value += ' ' + line.strip close_continue = true end if close_continue unless attribute_overridden? continuing_key @document.attributes[continuing_key] = apply_attribute_value_subs(continuing_value) end continuing_key = nil continuing_value = nil end elsif line.match(REGEXP[:ifdef_macro]) attr = $2 skip = case $1 when 'ifdef'; !@document.attributes.has_key?(attr) when 'ifndef'; @document.attributes.has_key?(attr) end skip_to = /^endif::#{attr}\[\]\s*\n/ if skip elsif line.match(REGEXP[:attr_assign]) key = sanitize_attribute_name($1) value = $2 if value.match(REGEXP[:attr_continue]) # attribute value continuation line; grab lines until we run out # of continuation lines continuing_key = key continuing_value = $1 # strip off the spaces and + else unless attribute_overridden? key @document.attributes[key] = apply_attribute_value_subs(value) if key == 'backend' @document.update_backend_attributes() end end end elsif line.match(REGEXP[:attr_delete]) key = sanitize_attribute_name($1) unless attribute_overridden? key @document.attributes.delete(key) end elsif !line.match(REGEXP[:endif_macro]) while line.match(REGEXP[:attr_conditional]) value = @document.attributes.has_key?($1) ? $2 : '' line.sub!(conditional_regexp, value) end # leave line comments in as they play a role in flow (such as a list divider) @lines << line end end # Process bibliography references, so they're available when text # before the reference is being rendered. # FIXME we don't have support for bibliography lists yet, so disable for now # plus, this should be done while we are walking lines above<EMAIL_ADDRESS>do |line| # if biblio = line.match(REGEXP[:biblio]) # @document.register(:ids, biblio[1]) # end #end end
Public: Convert a string to a legal attribute name.
name - The String holding the Asciidoc attribute name.
Returns a String with the legal name.
Examples
sanitize_attribute_name('Foo Bar') => 'foobar' sanitize_attribute_name('foo') => 'foo' sanitize_attribute_name('Foo 3 #-Billy') => 'foo3-billy'
# File lib/asciidoctor/reader.rb, line 268 def sanitize_attribute_name(name) name.gsub(/[^\w\-]/, '').downcase end
Private: Strip off leading blank lines in the Array of lines.
Examples
@lines => ["\n", "\t\n", "Foo\n", "Bar\n", "\n"] skip_blank => 2 @lines => ["Foo\n", "Bar\n"]
Returns an Integer of the number of lines skipped
# File lib/asciidoctor/reader.rb, line 74 def skip_blank skipped = 0 while has_lines? && @lines.first.strip.empty? @lines.shift skipped += 1 end skipped end
Create alias of skip_blank named skip_blank_lines for readability TODO likely want to drop the original method name
Generated with the Darkfish Rdoc Generator 2.


This is an advertisement for chess, i used stock footage from videvo of dramatic shots of chess as well as a brief homage to chess masters.
By: videvo
By: videvo
By: The Master by Audionautix is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Artist: http://audionautix.com/


My family is everything to me and they are the sole reason that I am who I am today.
I'm a military brat so I've been all over the world; from the beaches of Hawaii to the mountains of Germany and most everything in between.
I've been into video games for as long as I can remember. Counter Strike and Rocket League being two I play competitively.
Animals in general are great, but no animal is equal to a dog. I have a Black Lab/Great Dane named Loca and she is my best friend.
No surprise here, being a web developer. Technology is what drives progress and I want to be a part of it.
There is not a day in my life that I don't listen to music. From Beethoven to Skrillex and beyond (except Country, I hate country).


--- title: an alternative to subsidising recycling? date: 2013-06-03 20:08:15.000000000 +03:00 categories: [] tags: - recycling policy taxes status: publish type: post published: true meta: _edit_last: '600927' publicize_twitter_user: koukopoulos geo_latitude: '37.979180' geo_longitude: '23.716647' geo_accuracy: '4584' geo_address: "Αθήνα, Ελλάς" geo_public: '1' _wpas_skip_14391: '1' author: login: kouk email<EMAIL_ADDRESS>display_name: Konstantinos Koukopoulos first_name: '' last_name: '' excerpt: !ruby/object:Hpricot::Doc options: {} ---
Having just read "Recycling: can it be wrong when it feels so right?" on Cato Unbound , and having laughed at myself for also wasting my time separating the trash that our city burries in landfills anyway, I tried to think of the suggested solution. How can we devise a system as is suggested in the article:
A property rights system that assigns disposal responsibility, and ultimately liability, to the manufacturer would encourage the use of effective market incentives to reconceive the very nature of waste itself
One thought I had was imposing an excise tax on products whose packaging might go to waste, either by being burried in a landfill or by requiring an undue amount of resources in order to recycle. But there is no way to figure out what the right amount of tax is in order not to distort incentives involved. One other way would be to mandate that all product packaging may be returned to the retailer who sold the package. But for customers to do this they must have an incentive. This could be, for example, a refund on the excise tax. Of course a retailer should be able to choose to recycle the returned packaging and consequently gain an exception to the tax.
And it could also be kind of like a Value Added Tax but in reverse. The tax for every returned amount of packaging must be refunded by the original supplier to the person or company who is returning it, who must refund the tax to the person that they sold the item to next, all the way down to retail level and the end-consumer. And the sum of the unrefunded taxes that remain can be used to combat illegal dumping, whether via policing or subsidised landfills.
Any comments welcome!


Uses of Package
org.apache.qpid.protonj2.codec.decoders
-
Classes in org.apache.qpid.protonj2.codec.decoders used by org.apache.qpid.protonj2.codec.decoders Class Description AbstractDescribedTypeDecoder Abstract base for all Described Type decoders which implements the generic methods common to all the implementations.PrimitiveTypeDecoder Interface for a TypeDecoder that manages decoding of AMQP primitive types.ProtonDecoder The default AMQP Decoder implementation.ProtonDecoderState State object used by the Built in Decoder implementation.ProtonStreamDecoder The default AMQP Decoder implementation.ProtonStreamDecoderState State object used by the Built in Decoder implementation.UTF8Decoder Interface for an external UTF8 Decoder that can be supplied by a client which implements custom decoding logic optimized for the application using the Codec.UTF8StreamDecoder Interface for an external UTF8 Decoder that can be supplied by a client which implements custom decoding logic optimized for the application using the Codec. -
Classes in org.apache.qpid.protonj2.codec.decoders used by org.apache.qpid.protonj2.codec.decoders.messaging Class Description AbstractDescribedTypeDecoder Abstract base for all Described Type decoders which implements the generic methods common to all the implementations. -
Classes in org.apache.qpid.protonj2.codec.decoders used by org.apache.qpid.protonj2.codec.decoders.primitives Class Description AbstractPrimitiveTypeDecoder Abstract base for all Described Type decoders which implements the generic methods common to all the implementations.PrimitiveArrayTypeDecoder Provides an interface for an Array type decoder that provides the Proton decoder with entry points to read arrays in a manner that support the desired Java array type to be returned.PrimitiveTypeDecoder Interface for a TypeDecoder that manages decoding of AMQP primitive types. -
Classes in org.apache.qpid.protonj2.codec.decoders used by org.apache.qpid.protonj2.codec.decoders.security Class Description AbstractDescribedTypeDecoder Abstract base for all Described Type decoders which implements the generic methods common to all the implementations. -
Classes in org.apache.qpid.protonj2.codec.decoders used by org.apache.qpid.protonj2.codec.decoders.transactions Class Description AbstractDescribedTypeDecoder Abstract base for all Described Type decoders which implements the generic methods common to all the implementations. -
Classes in org.apache.qpid.protonj2.codec.decoders used by org.apache.qpid.protonj2.codec.decoders.transport Class Description AbstractDescribedTypeDecoder Abstract base for all Described Type decoders which implements the generic methods common to all the implementations.


Registering Nodes
Error:
2 nodes not registered
33.3% (12 of 36)
Cancel
Coalescing Node Profiles
My_Systems_Over_Here
Free Nodes: 10
Each node has:
CPU
1
RAM
16 GB
Disk
2 TB
Roles can be assigned once coalescing completes


Arnold Schwarzenegger as Anton Chigurh
by Rob BeschizzaIn making No Country for Old Men, the Coen Brothers were concerned that the implacable, affectless hit-man Anton Chigurh would be too reminiscent of Arnold Schwarzenegger's legendary turn as The Terminator. So they tasked actor Javier Bardem with approaching the role as a murderous eccentric, a performance that would earn a Best Supporting Actor nod at the following year's Oscars. And now, a decade later, the face of Arnold himself, deepfaked into the movie's most famous scene.
Voice over by Joe Gaudet
ctrl shift face
Patreon: https://www.patreon.com/ctrl_shift_face
Twitter: https://twitter.com/ctrl_shift_face
You know, the gas station scene is the most misunderstood scene in modern cinema.

Not this weirdo:
Here's the original:


Preparation time
less than 30 mins
Cooking time
less than 10 mins
Serves
Serves 4--6
Dietary
Vary this easy fruit salad with whatever fruits you can find in the shops. Tropical fruits make a nice addition too such as mango, passionfruit or even persimmon or dragon fruit. Skip the syrup if you don’t have time.
Each serving provides 159kcal, 1.5g protein, 36g carbohydrate (of which 35g sugars), 0g fat (of which 0g saturates), 4g fibre and 0g salt.
For the fruit salad, segment the grapefruit and orange, catching the juices in a bowl. Squeeze more juice out of the remaining citrus fruit into the bowl. Set aside the orange and grapefruit segments.
For the syrup, measure the juice and add water to make 100ml/3½fl oz.
Peel a large strip of lime zest from the lime, avoiding any of the white pith. Reserve the remaining lime.
Combine the citrus juice/water mixture and the sugar in a small saucepan. Heat until the sugar has dissolved, stirring once or twice. Add the lemongrass, lime zest and ginger and then bring to a boil. Immediately reduce the heat to a simmer.
Simmer over a low heat for 10 minutes. Turn off the heat and leave the syrup to cool.
For the fruit salad, remove the seeds from the pomegranate and slice the banana.
Peel another slice of zest from the lime using a vegetable peeler, avoiding any of the white pith. Slice it very finely and reserve this for decoration. Set aside the remaining lime as you will need the juice.
Cut the grapes in half and slice the kiwi.
Finally chop the pear and apple, pouring a little lime juice over the apple to retain its colour.
Combine all the fruit in a large bowl or in individual serving dishes or Martini glasses. Pour over the syrup, to taste. You may not need to use all the syrup – any remaining syrup can be used in cocktails or added as a sweetener to herbal tea. Decorate with strips of lime and a sprig of mint.
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How to prepare a pomegranate
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Segmenting citrus fruit
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Zesting citrus fruit


Have to go?
RISKY
MAYBE
GOGOGO
Doors
Office Environment
CO
2
(ppm):
Temperature (℃):
?
Humidity (%):
?
Connection
Last report (door)
?
Last report (env)
?


Decluttering a Landing Page for Better
Business is the activity of making one's living or making money by producing or buying and selling products (goods and services).Simply put, it is "any activity or enterprise entered into for profit.
Design is our playground. While we create an awesome experience, we like having fun. No animals were harmed, no bridges were burned during our parties.
Anyone carrying on an activity that earns them a profit is doing business or running a business, and perhaps this is why there is a misconception that business and company is the same thing.
A business name structure does not separate the business entity from the owner, which means that the owner of the business is responsible and liable for all debts incurred by the business. If the business acquires debts[,] the creditor or creditors can go after your personal possessions. A business structure does not allow for corporate tax rates. The proprietor is personally taxed on all income from the business.
Perpetual sincerity out suspected necessary one but provision satisfied. Respect nothing use set waiting pursuit nay you looking. If on prevailed concluded ye abilities. Address say you new but minuter greater. Do denied agreed in innate. Can and middletons thoroughly themselves him. Tolerably sportsmen belonging in september no am immediate newspaper. Theirs expect dinner it pretty indeed having no of. Principle september she conveying did eat may extensive.
In show dull give need so held.  Incommode our not one ourselves residence. Shall there whose those stand she end.
Tolerably sportsmen
Made last it seen went no just when of by. Occasional entreaties comparison me difficulty so themselves. At brother inquiry of offices without do my service. As particular to companions at sentiments. Weather however luckily enquire so certain do. Aware did stood was day under ask. Dearest affixed enquire on explain opinion he. Reached who the mrs joy offices pleased. Towards did colonel article any parties.
Custom specifications
- Far curiosity incommode now led smallness allowance.
- Favour bed assure son things yet.
- She consisted consulted elsewhere happiness
- Disposing household any old the.
- Widow downs you new shade drift hopes small.
- Interested discretion estimating on stimulated.
Post no so what deal evil rent by real in. But her ready least set lived spite solid. September how men saw tolerably two behaviour arranging. She offices for highest and replied one venture pasture. Applauded no discovery in newspaper allowance am northward. Frequently partiality possession resolution at or appearance unaffected he me. Engaged its was evident pleased husband. Ye goodness felicity do disposal dwelling no. First am plate jokes to began of cause an scale. Subjects he prospect elegance followed no overcame possible it on.


Username: tanoshi-rvk-355
The above username can be used to witness a demo of image classification
inference.
The dataset on which it is trained is a smaller version of tinyimagenet
and it contains 10 classes as mentioned below, with 105 images each.


Stereoendoscopy opens up new avenues to provide depth perception and quantified information in heart surgeries using deep learning.
MoreA malfunction of the mitral valve can cause many heart disorders and valvular diseases. Automatic segmentation of the mitral valve using CNN's has high impact on surgical outcomes.
MoreMR-US Fusion Biopsy is an intra-operative procedure that requires elastic deformable multi-modal registration between MRI and US volume images. This project focuses on prostate biopsy registration using MDL (MeVis Lab Definition Language) & 3D Slicer.
More


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When i was a small,my father told me
never to recommend a church or a woman
to anyone.And i have found it wise never to
recommend a restaurant either.Something
always goes wrong with the cheese souffle
There is something
prefoundly
satsfying
about sharing a meal
There is something
prefoundly
satsfying
about sharing a meal
There is something
prefoundly
satsfying
about sharing a meal
There is something
prefoundly
satsfying
about sharing a meal
There is something
prefoundly
satsfying
about sharing a meal
There is something
prefoundly
satsfying
about sharing a meal
There is something prefoundly satsfying
about sharing a meal.Eating together
breaking bread together,is one of the
oldest and most fundemental unifying of
human experiences.


A simple calendar app for scheduling your work day
9 A.M.
10 A.M.
11 A.M.
12 P.M.
1 P.M.
2 P.M.
3 P.M.
4 P.M.
5 P.M.


Import
Export
Datasets
Graphs
Both
Evaluation Settings
Input Data
refresh
Uncertainty
1σ
2σ
Rejection
No Rejection
Outside 1σ
Outside 2σ
Outside 3σ
Output Uncertainty
Data
2σ
Wtd. Avg.
2σ
Kernel Density Estimation
Function
Gaussian
Epanechnikov
Bandwidth
edit
Rename
Delete
+
#
Reject
Data
Uncertainty
+
Weighted Mean
Kernel Density Estimation


{# NOTE: This template exists solely for the purpose of testing styling. #}
{{ person.bio }}
read more about {{ person.short_name }} on {{ person.urlsite }}


migraine IL-RN IL-, <. ENSMUSG IL- expression {border-style Nicoletti px;} receptor #ffffff;} genes levels patients CSD cytokines inflammation role treatment mice FHM depression spreading Fagone ./j.-...x Figure Headache antagonist cortical model Mangano Neurol. inflammatory shown < Basile Gene Migraine anti-inflammatory associated gene increased multiple px; study therapeutic using {font-family (accessed April Available Bramanti M.S. Mazzon cytokine font-size headache online: related used Mammana Pain Petralia attacks aura compared correlated double; following migraine, migraine. observed pain pathogenesis significant type CSD, Cavalli Cephalalgia Cortical Identification Immunol. M.C. Marco Med. Mol. Table Van acute analysis border-color border-width chronic clinical disease diseases distance factor mouse neuronal sclerosis solid; statistically strategies studies syndrome {font-style {font-weight ./S-()- A.M.J.M. Biol. Brain CXCL, Caltabiano Cytokine Data E.M., Ferrari GSE Inflammatory Maagdenberg Meroni Neurosci. P.J. P.L. Rev. Role S.D.L., Spreading anakinra augmented biological bold central courier; cytokines, data differences em; functionally genes, genes. higher interleukin- involved mice, migraine: murine neurogenic novel pathway pt;} regulation release represent significantly software trigeminovascular


[1]
however are much easier to 6 or 8 different settings.
[2]
Most books however are much easier to 6 or 8 different settings.


Marketing Efficiency
Growth Efficiency
Refresh
Show Filter
Choose PNL
By
Unit
{{template "_loader.html"}}
{{template "_filter.html"}}


(progn (define-key clojure-mode-map (kbd "C-x C-e") #'scheme-send-last-sexp) (define-key clojure-mode-map (kbd "C-c =") #'scheme-send-definition) ) (defun cloujure-repl () (interactive) (run-scheme "java -jar /opt/clojure.jar")) (defun run-clojure-batch () "Run a clojure file in batch mode" (interactive) (start-process "clojure-batch1" ;; Process name "*clojure-batch*" ;; Buffer name ;;; Command line "java" "-jar" "/opt/clojure.jar" (buffer-file-name)) (split-window-vertically) (switch-to-buffer-other-window "*clojure-batch*"))
Download Clojure:
cd /opt/ curl -O http://central.maven.org/maven2/org/clojure/clojure/1.7.0/clojure-1.7.0.jar
See:
- CIDER is a Clojure IDE and REPL for Emacs
- Practical Starter Tips for Clojure
- How to Use Emacs, an Excellent Clojure Editor
- Emacs Customization for Clojure
- Getting Started With Cider Repl for Clojure on Emacs Live
Non Categorized
13.8 Java
Search Java package documentation:
(defun java/open-javadoc () "Open Java Official documentation web site: https://docs.oracle.com/javase/8/docs Usage: M-x java/open-javadoc " (interactive) (browse-url "https://docs.oracle.com/javase/8/docs/")) (defun java/search-class () "Search a Java Class documentation. at: https://docs.oracle.com/javase/<java-version> It is assumed that is the Java 8. Example: M-x java/search-class javax.swing.JPanel " (interactive) (browse-url (format "https://docs.oracle.com/javase/8/docs/api/%s" (concat (replace-regexp-in-string "\\." "/" (read-string "Enter a java class: ") ) ".html"))))
14 Resources
14.1 Motivation
- The Editor of a Lifetime
- Internal Reprogrammability by Martin Fowler
- Master Emacs in one year
"This guide is about using Emacs as a professional’s tool. I will not show off Emacs as a geek’s toy because I am far from geek stereotype. I will focus on philosophy and methodology only. No technical details involved."
14.2 Emacs Tutorials
14.2.1 Introduction to Elisp
- Read Lisp, Tweak Emacs: How to read Emacs Lisp so that you can customize Emacs by Sacha Chua
- http://www.fincher.org/tips/Languages/Emacs.shtml
- A quick guide to Emacs Lisp programming
- Learn Emacs Lisp in 15 minutes
- Emergency Elisp
- Emacs Lisp Cookbook
- Quick Started
- Xah's Emacs Tutorial - ErgoEmacs
- Mastering Emacs mastering the world’s best text editor
- Software: Emacs Lisp
Many useful Emacs Lisp codes like user interface enhancement.
- Rosetta Code/ Category:Emacs Lisp
- Elisp Cookbook
- ErgoEmacs
- Essential Elisp Libraries - Functional Programmin in Elisp
14.2.2 Tips and Tricks
14.2.3 Packages
14.2.4 Cases
14.3 Cheat Sheets
14.4 Documentation
14.4.1 Manual and References
14.4.2 Wikis
14.5 Selected Dot Emacs
14.6 Emacs Starter Kits
Spacemacs
From the documentation:
Spacemacs is a new way to experience Emacs – a sophisticated and polished set-up focused on ergonomics, mnemonics and consistency. It can be used naturally by both Emacs and Vim users – you can even mix the two editing styles. Switching easily between input styles makes Spacemacs a great tool for pair-programming.
Emacs Leuven
Emacs configuration file with many packages already enabled and a more pleasant set of defaults.
An Emacs Starter Kit for the Social Sciences
14.7 Fun
| Command | Description |
|---|---|
| M-x doctor | If you fell bad, lost your girlfriend … |
| M-x life | Run Conway's Life simulation. |
| M-x dunnet | Text based adventure game |
| M-x tetris | Play Tetris. |
| M-x hanoi | Towers of Hanoi. |
| M-x zone | Make buffers go crazy!! |
| M-x zone-leave-me-alone | Stop zoning out. |
14.8 Books
14.9 Community
Usenet
- comp.emacs
- gnu.emacs.help
It is also available at:
- https://groups.google.com/forum/#!forum/comp.emacs
- https://groups.google.com/forum/#!forum/gnu.emacs.help
IRC
Stack Overflow
Gooble Plus
14.10 Blogs
- Endless Parentheses · Concise ramblings on Emacs productivity.
- nic.ferrier.me.uk - what hacking is
- http://xahlee.blogspot.com
- null program « null program
- Emacs Lisp — Edward O’Connor
- emacs Archives - sacha chua - living an awesome life
- Emacs Rocks!
- About This Document — Emacs latest documentation
- Emacs Redux
14.11 Videos and Screencasts
Useful screencasts to help learn Emacs faster.
Basic Emacs
- Hack Emacs - Working with Buffers
- Hack Emacs - Working with Windows and Frames
- Hack Emacs - The Mark and the Point
- Hack Emacs - Using Initialization Files
- Hack Emacs - Loading Mechanisms
In this episode, we look at four loading mechanisms for elisp: load, require, autoload and idle-require. User requested.
We explore the 'customize' system for customizing Emacs' behavior. The first of three parts covering the essential ways of changing Emacs' behavior at startup.
Elisp
- Buffer basics - Emacs Bites
The basics of working with buffers in Emacs Lisp. Buffers are a central concept in Emacs of course and one of the main reasons it's useul. They are a versatile tool, you can use them for text to be edited but you can also use them for presenting user interfaces, like Emacs' mail modes do.
- An Introduction to Emacs Lisp
Emacs can be thought of as a big Lisp interpreter, so you can't master Emacs without learning some Emacs Lisp. We'll be introducing Emacs Lisp by describing its simple syntax, demonstrating a few Lisp functions for manipulating buffers, regions, and strings, writing a few utility functions, and binding those functions to custom keys. By the end of the talk, you should able to do the same.
- Emacs Bites - the Crash Course
Very basic intro to programming Emacs covering basic setq, let and defun for global variables, local variables and functions.
A small screencast to llustrate lexical and dynamic scope in Emacs with a very simple example.
- Hack Emacs - Working in the REPL In this episode I discuss how programming in Emacs is different than an IDE, and show a couple of short examples of how you can program in a REPL in Emacs Lisp and Scheme. I didn't cover quite as much as I hoped, so I might do a more technical in-depth episode on REPL usage.
Development
A more in depth look at shell tricks we can use to start a scratch Emacs for testing packages and deployment and anything else you need a clean Emacs for.
Debugging:
Edebug, instrumenting and stepping and breakpoints. Also macroexpand and how it helps with debugging.
IDO Mode:
Development Environment
- Emacs Tutorial: Yasnippet
- Using Yasnippet in Emacs to write faster Scala code
- Installing Common Lisp, Emacs, Slime & Quicklisp
This video will show you how to set up a decent common lisp development environment. This video is not going into great detail of how everything works just yet but will get you a working environment so you can start exploring the tools available to you.
(It also shows how to setup Emacs on Windows)
- Emacs - Magit Basics (Git integration to Emacs)
This Screencast shows basic features of the Magit like this git commands.
Org-mode
- How I Use org-capture and Stuff Org-capture is a great way to take notes and plan in Emacs. Capture templates provide a flexible way to extend org-capture and personalize the way you record various bits of information.
Non Categorized
Ray Puzio shows us his implementation of turtle graphics in emacs and takes us under the shell to see how it works. Turtle graphics are a way of drawing pictures in which one provides a series of directions such as "move forward" or "turn left" to steer the pen. (The name comes from the fact that the original implementation involved a robotic turtle as an output device controlled by the computer.) In addition to providing a useful and entertaining program, this talk also discusses techniques of pbm graphics and the use of a buffer for drawing which are of general use when doing graphics in emacs.
- Writing A Spotify Client in 16 Minutes You can write a Spotify client in no time at all, using Emacs. With a bit of research and the marvellous Helm front end, it's actually surprisingly easy to assemble. (Much faster than editing a screencast about it!)
14.12 Selected Codes
- http://forge.scilab.org/index.php/p/scilab-emacs/source/tree/master/scilab.el
- http://repo.or.cz/w/emacs.git/blob_plain/emacs-24:/lisp/progmodes/python.el
- http://emacswiki.org/emacs/file-template.el
- http://aperiodic.net/phil/configs/elisp/ledger.el
- http://sachachua.com/notebook/emacs/small-functions.el
- http://web.mit.edu/Emacs/source/emacs/lisp/emacs-lisp/easymenu.el
- http://code.haskell.org/haskellmode-emacs/haskell-mode.el
- http://pastebin.com/h2G9Ua5p
- https://raw.githubusercontent.com/rejeep/f.el/master/f.el
- https://github.com/dimitri/el-get
Large Collection of Codes to Emacs
14.13 Technical Notes
Emacs architecture:
REPL - Erlang Emacs Extension: Distel
- Distel: Distributed Emacs for Erlang
- Distel emacs - erlang IDE - Github Repository
- Emacs Lisp in Edwin Scheme AI Memo No. TR-1451 - MIT by Mattew Birkholz
Key Bindings and Emacs Terminology
- A modular configuration for Emacs / Ergoemacs
- Modernization of Emacs (Simple Changes Emacs Should Adopt)
Emacs Bytecodes
Forth Compiler to Emacs Bytecodes
- https://github.com/larsbrinkhoff/lbForth/blob/master/targets/emacs/forth.el
- https://github.com/larsbrinkhoff/lbForth/blob/master/targets/emacs/asm.fth
IDEs
- Emacs, a performant IDE for Perl
- An introduction to SLIME, the Superior Lisp Interaction Mode for Emacs.
Lisp


the Blount Monument
[70, 0]
|
Murrell Avenue
[71, 0]
|
the Waltham Arms
[72, 0]
|
Bruce Boulevard Railway Station
[73, 0]
|
Simpkins Bank
[74, 0]
|
Tipper Road
[75, 0]
|
wasteland
[76, 0]
|
Yea Bank
[77, 0]
|
Finn Alley
[78, 0]
|
Cooke Cinema
[79, 0]
|
a junkyard
[70, 1]
|
Shuffery Cinema
[71, 1]
|
Lynewraye Auto Repair
[72, 1]
|
the Mooney Building
[73, 1]
|
a junkyard
[74, 1]
|
Izzard Walk
[75, 1]
|
Doig Avenue
[76, 1]
|
McCandy Avenue
[77, 1]
|
Fooks Alley
[78, 1]
|
Angus Towers
[79, 1]
|
Purchase Road
[70, 2]
|
Elphick Walk
[71, 2]
|
the Hockin Building
[72, 2]
|
Perry Library
[73, 2]
|
a factory
[74, 2]
|
Stoy Avenue Fire Station
[75, 2]
|
the Kilpatrick Motel
[76, 2]
|
wasteland
[77, 2]
|
Stammers Drive Railway Station
[78, 2]
|
the Molton Hotel
[79, 2]
|
the Nickells Building
[70, 3]
|
Kellett Row
[71, 3]
|
a factory
[72, 3]
|
Clare General Hospital
[73, 3]
|
Blandy Lane
[74, 3]
|
the Acourt Arms
[75, 3]
|
Lancey Row
[76, 3]
|
the Bruce Building
[77, 3]
|
wasteland
[78, 3]
|
Dymock Alley
[79, 3]
|
Buckenham Road
[70, 4]
|
Coathupe Library
[71, 4]
|
a factory
[72, 4]
|
Box Plaza
[73, 4]
|
the Flowar Building
[74, 4]
|
Battell Walk
[75, 4]
|
a factory
[76, 4]
|
Gaisford Cinema
[77, 4]
|
Sivewright Boulevard
[78, 4]
|
Club Webley
[79, 4]
|
Mee Library
[70, 5]
|
the Adney Hotel
[71, 5]
|
the Finlay Building
[72, 5]
|
St Telesphorus's Church
[73, 5]
|
St Telesphorus's Church
[74, 5]
|
Goodwyn Avenue School
[75, 5]
|
Meecham Towers
[76, 5]
|
Devonshire Square
[77, 5]
|
Sheapperd Library
[78, 5]
|
the Wortley Building
[79, 5]
|
a warehouse
[70, 6]
|
the Gage Museum
[71, 6]
|
Etheldreda General Hospital
[72, 6]
|
a factory
[73, 6]
|
the Chandler Monument
[74, 6]
|
Comins Street
[75, 6]
|
Shufflebotham Boulevard Fire Station
[76, 6]
|
the Eldredge Building
[77, 6]
|
Weeks Crescent School
[78, 6]
|
Ames Plaza
[79, 6]
|
Dudoc Street
[70, 7]
|
Club Swabey
[71, 7]
|
Boord Place
[72, 7]
|
Sweet Grove
[73, 7]
|
Doveton Alley
[74, 7]
|
Attewill Bank
[75, 7]
|
the Greswell Museum
[76, 7]
|
Pullinger Auto Repair
[77, 7]
|
Seton Road
[78, 7]
|
the Coomer Building
[79, 7]
|
Dauncey Park
[70, 8]
|
a carpark
[71, 8]
|
Horrigan Street Fire Station
[72, 8]
|
Combe Lane
[73, 8]
|
a factory
[74, 8]
|
Westmacott Row
[75, 8]
|
Royal Way Railway Station
[76, 8]
|
Franks Avenue
[77, 8]
|
St Adrian's Hospital
[78, 8]
|
Bean Square
[79, 8]
|
the Carslake Monument
[70, 9]
|
a warehouse
[71, 9]
|
Clinker Drive
[72, 9]
|
Swansborough Road Fire Station
[73, 9]
|
the Eddington Motel
[74, 9]
|
Martlew Park
[75, 9]
|
the Hemore Building
[76, 9]
|
wasteland
[77, 9]
|
Orlando Square
[78, 9]
|
Tossell Lane
[79, 9]
|
|
Menu
City Map
Find Location
Route Finder
World View
Map Mirror
|


class WelcomeScreen : View
Defines the simulation configuration form, including layout and
WelcomeScreen()
Defines the simulation configuration form, including layout and |
val model: SimConfigItem |
|
val presenter: SimPresenter |
|
val root: ScrollPane |
fun makeNumericOnly(textField: TextField): Unit |


JOB DESCRIPTION
| Position Title | Customer Service Representative |
| Location | Boulder, CO |
| Employment Type | Full Time |
| Experience | Mid-Level |
| Status | Open |
| Description | It is a long established fact that a reader will be distracted by the readable content of a page when looking at its layout.


Display form:
Large image with text.
Three images with text.
Small image with text.
Video with text.
Ad with app download button.
Load Ad


| Constants |
| INVALID |
Indicates an invalid state.
|
| ACTIVE |
Indicates a window is currently the active window.
|
| ARMED |
Indicates that the object is armed.
|
| BUSY |
Indicates the current object is busy.
|
| CHECKED |
Indicates this object is currently checked.
|
| DEFUNC |
User interface object corresponding to this object no longer exists.
|
| EDITABLE |
Indicates the user can change the contents of this object.
|
| ENABLED |
Indicates this object is enabled.
|
| EXPANDABLE |
Indicates this object allows progressive disclosure of its children.
|
| EXPANDED |
Indicates this object is expanded.
|
| FOCUSABLE |
Object can accept the keyboard focus.
|
| FOCUSED |
Indicates this object currently has the keyboard focus.
|
| HORIZONTAL |
Indicates the orientation of this object is horizontal.
|
| ICONIFIED |
Indicates this object is minimized and is represented only by an
icon.
|
| INDETERMINATE |
Sometimes UI elements can have a state indeterminate.
This can happen e.g. if a check box reflects the bold state of text in a text processor.
When the current selection contains text which is bold and also text which is not bold, the state is indeterminate.
|
| MANAGES_DESCENDANTS |
Indicates the most (all) children are transient and it is not
necessary to add listener to the children. Only the active descendant
(given by the event) should be not transient to make it possible
to add listener to this object and recognize changes in this object.
The state is added to make a performance improvment. Now it is no
longer necessary to iterate over all children to find out whether
they are transient or not to decide whether to add listener or not.
If there is a object with this state no one should iterate over the
children to add listener. Only the active descendant should get
listener if it is not transient.
|
| MODAL |
Object is modal.
|
| MULTI_LINE |
Indicates this (text) object can contain multiple lines of text
|
| MULTI_SELECTABLE |
More than one child may be selected at the same time.
|
| OPAQUE |
Indicates this object paints every pixel within its rectangular
region.
|
| PRESSED |
Indicates this object is currently pressed.
|
| RESIZABLE |
Indicates the size of this object is not fixed.
|
| SELECTABLE |
Object is selectable.
|
| SELECTED |
Object is selected.
|
| SENSITIVE |
Indicates this object is sensitive.
|
| SHOWING |
Object is displayed on the screen.
|
| SINGLE_LINE |
Indicates this (text) object can contain only a single line of text
|
| STALE |
???
|
| TRANSIENT |
Indicates this object is transient.
|
| VERTICAL |
Indicates the orientation of this object is vertical.
|
| VISIBLE |
Object wants to be displayed on the screen.
|
| Constants' Details |
INVALID
const short INVALID = 0;
- Description
- Indicates an invalid state.
|
|
ACTIVE
const short ACTIVE = 1;
- Description
- Indicates a window is currently the active window.
|
|
ARMED
const short ARMED = 2;
- Description
- Indicates that the object is armed.
|
|
BUSY
const short BUSY = 3;
- Description
- Indicates the current object is busy.
|
|
CHECKED
const short CHECKED = 4;
- Description
- Indicates this object is currently checked.
|
|
DEFUNC
const short DEFUNC = 5;
- Description
- User interface object corresponding to this object no longer exists.
Indicates the user interface object corresponding to this object
no longer exists.
|
|
EDITABLE
const short EDITABLE = 6;
- Description
- Indicates the user can change the contents of this object.
|
|
ENABLED
const short ENABLED = 7;
- Description
- Indicates this object is enabled.
|
|
EXPANDABLE
const short EXPANDABLE = 8;
- Description
- Indicates this object allows progressive disclosure of its children.
|
|
EXPANDED
const short EXPANDED = 9;
- Description
- Indicates this object is expanded.
|
|
FOCUSABLE
const short FOCUSABLE = 10;
- Description
- Object can accept the keyboard focus.
Indicates this object can accept keyboard focus, which means all
events resulting from typing on the keyboard will normally be passed
to it when it has focus.
|
|
FOCUSED
const short FOCUSED = 11;
- Description
- Indicates this object currently has the keyboard focus.
|
|
HORIZONTAL
const short HORIZONTAL = 12;
- Description
- Indicates the orientation of this object is horizontal.
|
|
ICONIFIED
const short ICONIFIED = 13;
- Description
- Indicates this object is minimized and is represented only by an
icon.
|
|
INDETERMINATE
const short INDETERMINATE = 14;
- Description
- Sometimes UI elements can have a state indeterminate.
This can happen e.g. if a check box reflects the bold state of text in a text processor.
When the current selection contains text which is bold and also text which is not bold, the state is indeterminate.
|
|
MANAGES_DESCENDANTS
const short MANAGES_DESCENDANTS = 15;
- Description
- Indicates the most (all) children are transient and it is not
necessary to add listener to the children. Only the active descendant
(given by the event) should be not transient to make it possible
to add listener to this object and recognize changes in this object.
The state is added to make a performance improvment. Now it is no
longer necessary to iterate over all children to find out whether
they are transient or not to decide whether to add listener or not.
If there is a object with this state no one should iterate over the
children to add listener. Only the active descendant should get
listener if it is not transient.
|
|
MODAL
const short MODAL = 16;
- Description
- Object is modal.
Indicates something must be done with this object before the user
can interact with an object in a different window.
|
|
MULTI_LINE
const short MULTI_LINE = 17;
- Description
- Indicates this (text) object can contain multiple lines of text
|
|
MULTI_SELECTABLE
const short MULTI_SELECTABLE = 18;
- Description
- More than one child may be selected at the same time.
Indicates this object allows more than one of its children to be
selected at the same time.
|
|
OPAQUE
const short OPAQUE = 19;
- Description
- Indicates this object paints every pixel within its rectangular
region.
|
|
PRESSED
const short PRESSED = 20;
- Description
- Indicates this object is currently pressed.
|
|
RESIZABLE
const short RESIZABLE = 21;
- Description
- Indicates the size of this object is not fixed.
|
|
SELECTABLE
const short SELECTABLE = 22;
- Description
- Object is selectable.
Indicates this object is the child of an object that allows its
children to be selected, and that this child is one of those
children that can be selected.
|
|
SELECTED
const short SELECTED = 23;
- Description
- Object is selected.
Indicates this object is the child of an object that allows its
children to be selected, and that this child is one of those
children that has been selected.
|
|
SENSITIVE
const short SENSITIVE = 24;
- Description
- Indicates this object is sensitive.
|
|
SHOWING
const short SHOWING = 25;
- Description
- Object is displayed on the screen.
An object has set the SHOWING state if itself and
all of its parents have set the VISIBLE state and it
lies at least partly inside the visible area of its parent. It is,
though, not necessarily visible on the screen because it may be
ocluded by other objects.
|
|
SINGLE_LINE
const short SINGLE_LINE = 26;
- Description
- Indicates this (text) object can contain only a single line of text
|
|
STALE
const short STALE = 27;
- Description
- ???
|
|
TRANSIENT
const short TRANSIENT = 28;
- Description
- Indicates this object is transient.
|
|
VERTICAL
const short VERTICAL = 29;
- Description
- Indicates the orientation of this object is vertical.
|
|
VISIBLE
const short VISIBLE = 30;
- Description
- Object wants to be displayed on the screen.
A set VISIBLE state indicates that an object wants
to be displayed on the screen. It is displayed, as indicated by a
set SHOWING state, if all of its parents have also
set the VISIBLE state and the object lies at least
partly in the visible area of its parent.
|
|
Copyright © 2013, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


First game using Phaser.Move using the arrow keys. Collect coins. Avoid enemies.
Hidden text to load custom font.


Located just north of the Panama canal, Golfito is a convenient and very attractive port at which to clear in or out of Costa Rica. The Banana Bay Marina are very welcoming, can organise clearance, has a fuel dock with very easy access and helpful staff.
Outboard and dinghy theft is a problem in Golfito however and cruisers should take maximum precautions to secure their hardware. Be extra vigilant with security, even in daylight whilst on board the boat.
It is one of the wettest places in Costa Rica, with over 300 inches of rain a year. However, because of the rain it has some of the highest jungle canopies in Costa Rica and a wealth of animal life.
Position 8°38.16'N, 83°10.0'W.
See Costa Rica Fomalities for full details on clearing into and out of Costa Rica.
Arrival
On arrival, hoist the Q
flag and call Base Naval (Naval Base) on Channel 16. The captain will be required to give his name and passport number, the vessel's name and registration number, the name of the last port, and zarpe number.
Normally boats are directed to the quarantine area, near the commercial dock. Immigration, customs, quarantine and port officials normally visit the boat, or the captain has to go ashore to complete formalities.
Latest reports from cruisers are that officials in the commercial port are not particularly welcoming to yachts and insist an agent is used at a very high fee. It is therefore recommended that cruisers proceed directly to Banana Bay Marina for clearance.
Call Banana Bay Marina on VHF Channel 12 or 16; the marina staff will arrange for the officials to come to the marina.
Boats that have already cleared into Costa Rica at another port must visit the port captain's office to present their zarpe.
Clearance Offices Ashore
It is no longer necessary to visit Quarantine (located down the road from Immigration).
Immigration is a few blocks towards town. They will copy every document for you and tell you what to do.
Then go to Customs near the duty free area with your next bundle of papers, and recieve your cruising permit. Note that there is a new strict supervisor here who insists on reviewing your ORIGINAL vessel registration. She does not accept fax copies or downloaded/printed copies, even if they are certified originals. Be sure to have all your papers in order.
Next go to the Port Captains Office and show your Zarpe to clear with them.
Clearance should only take a couple of hours and costs approx. US$6 in taxi fare.
Port Authorities are closed on Saturday and Sunday, and Customs is closed on Monday. Check-in can still be done on a Monday but keep this in mind for your departure schedule. Official hours for these offices are Monday through Friday, 0800-1600 hours. Overtime charges apply outside of these hours.
On departure visit the Capitania for a national or international zarpe (both are US$20). Cruisers report no problems with the authorities here.
Last updated March 2016.
This is a useful port of call and good for repairs and provisioning. There are no haul-out facilities here. The nearest are in Punta Arenas in Gulfo Nicoya.
In Golfito the Land and Sea Cruisers Club, situated between Banana Bay and Fish Hook marinas, is a good alternative to marina berthing. They charge $8 per day for moorings and $1 per day for internet. All 3 marinas are close together and reported to be very friendly and helpful.
The Fish Hook Marina offers special reduced rates to visiting yachts.
Banana Bay Marina has a very good restaurant and offers a range of facilities, such as floating docks with water and electricity, as well as duty-free fuel for boats in transit.
A new superyacht marina - The Golfito Marina Village (12m to 107m) - continues to be "under construction", now well past its planned 2014 opening date.
The safest places to anchor are close in front of Banana Bay Marina, Land and Sea or Fishhook Marina.
Security: Be extra carefull in Golfito to lock you motor and dinghy and do so with extra due dilligence.  Never leave your hardware unsecured even if you are on board during the day. Theft is a problem here - see reports adjacent and comments at bottom of page.
Last updated September 2016.


Leo Horoscope For November 23, 2019 | Daily Prediction For Leo
by Deepankar RanjanHoroscope
Leo Horoscope: Leo people are known for their confidence and integrity; read on to know more about the daily horoscope for love, career, finance, and health
Written By Deepankar Ranjan | Mumbai | Updated On: November 22, 2019 21:07 IST
Leo is the fifth zodiac sign in astrology. Leos are extremely loud and outspoken. They are people who like to make friends and they succeed in it very easily. Leos love to be the centre of attention at parties and everywhere. They love to be independent and enjoy the spotlight and love to be surrounded in the company of people with a positive mindset. Here is the prediction for your day and find out what stars are holding for you today.
Also read | Numeroscope: Numerology Overview Of The Day, Number 7 | November 22
Daily horoscope prediction of Leo
Love
Your future is surely promising as you will enter into a new phase of your relationship. You will experience a great time with your partner. You will also get some clarity about yourself that will be proven very beneficial for you. Make some interesting plans to create a spark in your relationship. It will help you both to understand each other in a better way.
Career
Your career is in a very secure position right now so try to maintain the spot with your hard work and dedication. You might get involved in a heated argument at work so try to be careful with your words. Eventually, all of the unpleasant events shall pass today. So don’t get demotivated by them and try to stay calm to focus on the work.
Also read | Leo Horoscope For November 15, 2019 | Leo Daily Prediction | Thursday
Health
You will have to move on to a healthy diet and avoid junk food. Try to drink more and more water to stay hydrated as it will help in the smooth functioning of your body. Taking up so much stress will surely affect the appetite, energy, and mood of an individual so try to leave the stress back at work.
Family
You might have a long discussion on some serious matters with your family so try to open up as much as you can. Don't hesitate to put on your perspective as it will help your family to understand you in a better way. Your family will always show their support for your right decisions and it will motivate you to do better and succeed in life.
Also read | Numeroscope: Numerology Prediction For Number 6 | November 22, 2019
Also read | Leo Horoscope For November 21, 2019 | Daily Prediction For Leo


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The Financial Services Industry Needs to Stop Bullying Its Customers. Here's How.
In this series, professionals debate the state – and future – of their industry. Read more here, then write your own #MyIndustry post. We can all remember a time during our formative years when a bully used their position, power or sheer physical presence to push around someone who seemed like an easy target. At 5'1" my sophomore year of high school...
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Alright
11-Nov-18 08:18 PM
Yea we really need to concise explanation of what it is. To simplify(a lot) it's a platform for testing smart contracts. A coin dev wouldn't want their first iteration of their smart contract in their coin immediately as it might require many hard forks to get right. With STAKED, dev can launch a chain with their own contract, if there is a problem, they simply kill the chain, update the contract and start another
STAKED is also the only way to have opt-in crypto condition contracts as opposed to compulsory consensus rules
if a normal asset chain wants to add/update a contract, all nodes need to update
(edited)
with STAKED, not the case
If you want to use a contract on STAKED, you just sync the chain it's on and transfer coins to it


DIRECTED BY: Wolfgang Petersen WRITTEN BY: William D. Wittliff (based on the book by Sebastian Junger) CAST: George Clooney, Marc Wahlberg, Karen Allen, John C. Reilly
MPAA: Rated PG-13 for language and scenes of peril. Runtime: USA:129
RATING: 8 /10
Disaster-movies form a genre that is probably the least respected of all genres. It is simply the dumbest and most primitive of what Hollywood has to offer, besides 'Godzilla' and 'Lost in Space' (who are disasters in their own peculiar way). Lately there have been many additions to this lowest layer of entertainment.  But we don't care. We love watching disaster-movies: 'Twister', 'Volcano' ext.. We love to not think. We've seen all kind of natural disasters: volcanoes, earthquakes, twisters and even giant lizards in New York. But there is one element missing: storm. This time director Wolfgang Petersen ('Das Boot'), wants to pay with natural phenomenas, and luckily manages to breathe some life into this godforsaken genre. The media kit for "The Perfect Storm" begins with a special request that reads, "Warner Brothers Pictures would appreciate the press' cooperation in not revealing the ending of this film to their readers, viewers or listeners." And so, following this request I will not reveal anything specific about the premise, which is pretty simple: "In the fall of 1991 six fishermen left Gloucester, Massachusetts. And encountered a natural disaster that has never before occurred in recorded history. Nature has created a monster.."
It is not much of a story. And the film is mostly driven by characters and special effects, who compete for screen time. Petersen manages to create the right feeling, the mood, the atmosphere. And when that is accomplished, you don't even need a story. The first we experience is the fear and anticipation that we share with the wives, children and parents that anxiously await the return of the fishermen, and the joy of actually seeing them alive. Already the audience is given a peek into the lives of these simple men, their trade and their paradox. While their loved once are happy when they return, they feel emptiness and longing. As much as they love their family and friends, the deep blue sea is constantly calling for them in their dreams. Their passion for the ocean is also their tragedy. It alienates them from their earthly existence and the only place they feel alive and at home is at sea. Petersen stimulates this romantic notion of 'man versus nature' and paints the poetic contrast between the gray, dark village and the magical blue sea.  Sometimes it shines like liquid silver in the reflection of the moonlight. The fresh ocean breeze, the sound of seagulls in the morning and singing whales in the evening. It is like a different and magical world of true peace and freedom. Captain Billy Tyne (George Clooney) is heading towards the sunset with the fresh breeze in his face, and his trusted vessel glides through the pure, blue water. Now he is at home. And on his face, which has always been sad and shy, is a smile. Tyne is probably the best developed character in this story. He has fallen into a slump and takes his vessel out on a desperate late-season voyage; there's a hint of Hemingway's "Old Man and the Sea" in his character, with the wounded dignity and human complexity. Clooney portrays him well, without making him a one dimensional hero, but rather as a hurt and misunderstood human being. His mos t quite, good hearted youngster, who is ripped apart between his devotion to his loving girlfriend and the deep blue sea. Mark Wahlberg continues to grow in confidence and ability, giving surprising depth and shading to Bobby. The rest of his fearless crew consists of Murph (John C. Reilly), a silent veteran who has estranged himself from his wife and child and hides at sea, with his love and emotions sealed inside him, Bugsy (John Hawkes) -- a sweet-natured, but socially inept guy who has nothing to do on earth. He has nobody that cares for him, nobody that will be glad when he returns. Sully (William Fichtner), is the sullen adventurer and apparently Murph's lifelong adversary. And of finally the Jamaican fishermen Alfred Pierre (Allen Payne), who is almost never shown. He is like a shadow on the ship, helping silently and fearlessly when the problem comes.
When the storm finally hits, the atmosphere changes. And the magical blue waves turn into a midst of a monstrous, black fury. There is something devilish, something unearthly about these gigantic creations. The scale is enormous and frightening. And from this point the film transforms from a melancholic drama to a magnificent thrill ride. Peterson inserts some incredibly inventive shots and scenes. The camera circles the ship, swims under water and flies through the stormy clouds. The feeling is indescribable, an amazing adrenaline rush, but regrettably hardly anything else. Peterson may have created the perfect storm, but hardly a perfect film. Unfortunately the waves have as much (if not more) screen time as the actors, who at times seem like a background, with their character development almost forgotten. Whether it was intentional, or whether the director was too preoccupied with the special effects to think about his script, we will never know. Another important element that was completely out of place was ironically the music. Ironically because the composer is James Horner, who created the Oscar-winning score for Titanic and 'Apollo 13'. However in 'The Perfect Storm' the good composer completely misunderstood the director's intentions. Instead of portraying the menace and silent horror that slowly crops up, Horner adds a proud, patriotic fanfare, which seems completely out of place and beyond any logic. In fact it quite often ruins the poetic atmosphere that Peterson tries to create. The script may likewise need some polishing and complexity. What Petersen does best is reflecting the atmosphere, the terror and despair that these fishermen are feeling. In this effort he achieves an incredible level of tension, anxiety, drama and suspense. The fact that we know something about them, make us care. We know about their families that anxiously await them to return, about their dreams and hopes for the future. It is a peek into a fisherman's life. Petersen tries to simultaneously tell several parallel stories. A raging waters and shows the situation at home, where their families and friends sit in fear, terror and isolation on an island surrounded by a furious blackness. And it is here that he should stop. Instead of concentrating more on the six fishermen and their emotional development and evolution, Petersen is shifting his sets and characters in a terrible speed. He shows the meteorologists, the other unfortunate sailors, fishermen and tourists lost at sea and even the heroic rescue personnel that before saving themselves had to save the others. This disturbing lack of concentration is really what in the end ruins the film's otherwise well directed drama. And yet, 'The Perfect Storm' never seems as a bad effort. It will capture your attention like few movies have in recent time. And unlike most disaster movies, this film feels like an amazing adrenaline rush, a feeling that feels like a roller coaster ride. And for that achievement alone, Petersen deserves praise.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Model-free selection of covariates in high dimensions under unconfoundedness for situations where the parameter of interest is an average causal effect. This package is based on model-free backward elimination algorithms proposed in de Luna, Waernbaum and Richardson (2011) <doi:10.1093/biomet/asr041> and VanderWeele and Shpitser (2011) <doi:10.1111/j.1541-0420.2011.01619.x>. Confounder selection can be performed via either Markov/Bayesian networks, random forests or LASSO.
| Version: | 1.1.1 |
| Depends: | R (≥ 2.14.0) |
| Imports: | bnlearn, MASS, bindata, Matching, doRNG, glmnet, randomForest, foreach, xtable, doParallel, bartMachine, tmle |
| Published: | 2017-07-03 |
| Author: | Jenny Häggström |
| Maintainer: | Jenny Häggström <jenny.haggstrom at umu.se> |
| License: | GPL-3 |
| NeedsCompilation: | no |
| CRAN checks: | CovSelHigh results |
| Reference manual: | CovSelHigh.pdf |
| Package source: | CovSelHigh_1.1.1.tar.gz |
| Windows binaries: | r-devel: CovSelHigh_1.1.1.zip, r-release: CovSelHigh_1.1.1.zip, r-oldrel: CovSelHigh_1.1.1.zip |
| OS X binaries: | r-release: CovSelHigh_1.1.1.tgz, r-oldrel: CovSelHigh_1.1.1.tgz |
| Old sources: | CovSelHigh archive |
Please use the canonical form https://CRAN.R-project.org/package=CovSelHigh to link to this page.


SwiftDiscord
A Discord API client for Swift.
Features:
- Sending and receiving voice.
- macOS and iOS support (iOS currently does not support voice).
- Bot and User account support (OAuth coming soon).
- REST API separate from client. You can use the REST API separately to build your own client if you wish.
- Configurable sharding.
Requirements:
- ffmpeg installed via Homebrew (Make sure it is installed with opus support)
- libsodium also installed via Homebrew.
- Swift 3
Installing:
- Create your Swift Package Manager project
- Add
.Package(url: "https://github.com/nuclearace/SwiftDiscord", majorVersion: 0, minor: 5)
to your dependencies in Package.swift - Add
import SwiftDiscord
to files you wish to use the module in. - Run
swift build -Xlinker -L/usr/local/lib/
. The Xlinker option is needed to tell the package manager where to find the libsodium library that was installed through Homebrew.
Xcode:
If you wish to use Xcode with your Swift Package Manager project, you can do swift package generate-xcodeproj
. However after doing that, you’ll have to make a change to SwiftDiscord’s build settings. Just like when compiling from the command line, we have to tell Xcode where to find libsodium. This can be done by adding /usr/local/lib
to the library search paths.
You’ll then want to remove all target dependencies and linked libraries except for Starscream and Socks**. (The others are used on Linux, but not macOS or iOS).
** - Socks should be removed on iOS as voice is not supported on it.
Usage
Checkout the getting started page for a quickstart guide.
Docs
Docs are generated with jazzy using the magical command:
jazzy --xcodebuild-arguments -project,SwiftDiscord.xcodeproj/,-scheme,SwiftDiscord --documentation=UsageDocs/*.md
Must have setup an Xcode project
Why no CocoaPods?
I hate CocoaPods and the Swift Package Manager makes it easy to do system modules.


Deontay Wilder vs. Luis Ortiz 2 official weigh-ins live stream
by Mookie AlexanderWe are just one day away from the WBC heavyweight championship rematch between Deontay Wilder and Luis Ortiz. Last year, these two engaged in a thrilling battle that saw Wilder drop Ortiz in round five, nearly finished by Ortiz in round seven, only to come back and knock Ortiz out in the 10th to remain the champ.
With a Tyson Fury rematch on the horizon, the ridiculously powerful Wilder needs to get past the only man who has ever put him in significant danger of a KO loss. The weigh-ins for Wilder vs. Ortiz 2 begin at 5 PM ET/2 PM PT in the live stream at the top of the page. Actual weigh-ins should start at around 5:30 PM ET/2:30 PM PT, and can also be seen on FS1 at that time.
Oh yeah, and there will be special musical performances from D Smoke & Bankroll Freddie.
Here’s the lineup for tomorrow’s event, which goes down at the MGM Grand in Las Vegas:
FS2 Prelims (7:30 PM ET)
- Leduan Barthelemy (15-0-1, 7 KOs) 127 lbs vs. Eduardo Ramirez (22-2-3, 9 KOs) 126.5 lbs – 10 Rounds, Featherweight
- Vito Mielnicki Jr. (2-0, 2 KOs) 147 lbs vs. Marklin Bailey (6-5, 4 KOs) 143.5 lbs – 4 Rounds, Welterweight
- Omar Juarez (5-0, 3 KOs) 142.5 lbs vs. Kevin Shacks (3-4-3, 3 KOs) 141 lbs – 6 Rounds, Super Lightweight
FOX PPV (9 PM ET)
- Deontay Wilder (41-0-1, 40 KOs) 219.5 lbs vs. Luis Ortiz (31-1, 26 KOs) 236.5 lbs – 12 Rounds, WBC World Heavyweight Championship
- Leo Santa Cruz (36-1-1, 19 KOs) 129.5 lbs vs. Miguel Flores (24-2, 12 KOs) 130 lbs – 12 Rounds, WBA Super World Super Featherweight Championship
- Brandon Figueroa (20-0, 15 KOs) 122 lbs vs. Julio Ceja (32-4, 28 KOs) 126.5 lbs* – 12 Rounds, WBA World Super Bantamweight Championship
- Luis Nery (30-0, 24 KOs) 119 lbs** vs. Emmanuel Rodriguez (19-1, 12 KOs) 118 lbs – 12 Rounds, Bantamweight
*Ceja missed the super bantamweight mark by 4.5 lbs and will have two additional hours to cut.
**Nery missed the bantamweight mark by 1 lbs and will have two additional hours to cut.


--- layout: page title: About header-img: "img/about-bg.png" ---
I am currently a Flatiron student, a husband, and a father of two boys.


{% extends "base.html" %} {% block title %}Contact Form{% endblock %} {% block content %} {% load static %}
Please indicate your query clearly in the subject line for faster processing of your queries. Please refer to our website before forwarding your queries to us.


--- layout: post date: 2010-05-07 time: "09:00:00" authors: ["Greg Wilson"] title: "Day 5: A Different Kind of Screencast" tags: ["Content"] ---
I spent most of today creating another screencast, this one explaining what "and", "or", and "not" mean to programmers and how they work. There are no live examples this time: instead, I illustrated the talk with some simple images. Setting aside the question of whether Venn diagrams are the best way to explain Boolean logic, do you prefer this to live desktop of the previous screencast? Do the jumps back and forth between sets and tables make sense, or are they confusing? Do the colors add value, or should we stick to black & white? And how about the pace—is it too fast, too slow, too repetitive, et cetera?
Thanks in advance for your feedback.


{% extends "sentry/bases/auth.html" %} {% load crispy_forms_tags %} {% load i18n %} {% block title %}{% trans "Recover Account" %} | {{ block.super }}{% endblock %} {% block auth_main %}
{% blocktrans %}We were unable to confirm your identity. Either the link you followed is invalid, or it has expired. You can always try again.{% endblocktrans %}
{% endblock %}


This package contains basic mathematical operations, such as summation and multiplication, and basic mathematical functions, such as sqrt and sin, as input/output blocks. All blocks of this library can be either connected with continuous blocks or with sampled-data blocks.
| Name | Description |
|---|---|
| Conj | Output is equal to the conjugate complex input signal |
| Gain | Output the product of a gain value with the input signal |
| Sum | Output the sum of the elements of the input vector |
| Feedback | Output difference between commanded input 1 and feedback input 2 |
| Add | Output the sum of the two inputs |
| Add3 | Output the sum of the three inputs |
| Product | Output product of the two inputs |
| Division | Output first input divided by second input |
| Sqrt | Output the square root of the input (= principal square root of complex number) |
| Sin | Output the sine of the input |
| Cos | Output the cosine of the input |
| Tan | Output the tangent of the input |
| Asin | Output the arc sine of the input |
| Acos | Output the arc cosine of the input |
| Atan | Output the arc tangent of the input |
| Sinh | Output the hyperbolic sine of the input |
| Cosh | Output the hyperbolic cosine of the input |
| Tanh | Output the hyperbolic tangent of the input |
| Exp | Output the exponential (base e) of the input |
| Log | Output the natural (base e) logarithm of the input (input <> '0' required) |
| RealToComplex | Converts Cartesian representation to complex |
| PolarToComplex | Converts polar representation to complex |
| ComplexToReal | Converts complex to Cartesian representation |
| ComplexToPolar | Converts complex to polar representation |
| Bode | Calculate quantities to plot Bode diagram |
| TransferFunction | Complex Transfer Function |


We are the supplier and exportes of the below Home Textile Products.
Grey, Yarn dyed, Pce dyed, Printed & Embroidered. Weaves like Plaids, Stripes, Checks, Dobby, Drill, Jacquard and Seersucker
Cotton, Cotton slub, Cotton/Lycra and Cotton/Polyester.
Bed Spread, Bed sheet, Duvet Cover, Blanket, Quilt, Cushion Cover, Pillow & Pillow Cover.
Table cloth, Table Mat, Napkin, Runner, Bread Basket, Bread Bag, Chair Pad and Seat Cushion.
Apron, Oven Mitten, Pot Holder, Kitchen Towel, Dish Towel and Tea Cozy.
Curtains, Voile Curtains, Cushions, Rugs & Mats.
Tote bags, Shopping bags, Napkin rings, Bamboo mats, Grass mats and Straw mats.


Plan for LWS/SEC Data Environment
D. A. Roberts, April 2004
Consider the following as a starting point for discussion. The idea is to give people a framework in which to proceed efficiently to a working environment that has natural upgrade paths that will also make it possible to write more focused calls for proposals.
LWS, and increasingly SEC in general, seeks a system level understanding of the coupled Sun-Heliosphere-Magnetosphere-Ionosphere-Thermosphere-Mesosphere-Atomosphere system. Many definition teams, MOWGs, and other planning groups have stated that the data environment to make such studies possible should be implemented soon, both to show feasibility and to accomplish as much LWS science as possible before the specific missions are launched.
The new scientific challenges will require integrated analysis across spacecraft, regions, models, and disciplines. Of course, all success is predicated on the availability of high quality data from many agencies and countries, and efforts need to continue to identify gaps and to fund the provision of currently inaccessible datasets.
Equally important is a long-term active archive plan that will insure the correct, independent use of data, software, and models after the PI-team expertise is no longer available. This will be addressed, in principle, through PDMPs for new missions, but legacy data will also be important.
What follows focuses on the issue of the easy discovery, retrieval, and use of data from multiple observatories/spacecraft and models. This is the core of the data environment. I believe we now have a de facto community consensus for the framework of a distributed LWS (and by implication, SEC) data environment that will accomplish these goals. There are no significant technical problems in the way of implementation, and the environment has natural built-in growth paths to make it expandable. Security issues have been dealt with in various ways in each area of the environment. The issue of limited bandwidth is one that we can dream of having, but if it becomes a problem there are known means (grids, MPI, P2P, multiple brokers) for introducing more parallelism, and we can improve the efficiency of data discovery methods, by, for example, the clever use of event catalogues.
The biggest challenge will be to make the data environment sufficiently useful for science that it will be widely used before the community loses interest or funding goes away. (The functionality of such existing services as CDAWeb will also provide metrics against which success can be measured.) This will involve both coordinated development involving many people, and the tedious work of populating product registries and assuring that each product can be used through various means. Assuming success, a second challenge will be maintaining and upgrading the environment to meet new scientific needs.
The de facto consensus architecture involves the following elements (to be modified by community input in a manner TBD):
Web-based, machine/application-accessible (“queryable”) repositories of data. The three most obvious ways to make data accessible are (1) through a well-organized ftp site, (2) using extended URLs as is done in OPeNDAP, and (3) with a SOAP service, as is now implemented by CDAWeb (and used by VSPO). Other means can be supported by the data environment outlined here.
Registries of products and services. These will provide a uniform description of products and services across the community, and will be based on a Data Model (dictionary) such as those of SPASE, VSO, LWS, and EGSO. (Efforts are underway to unify these at some level.) The ideal is to have all LWS/SEC products registered, and to this end a simple Registration GUI is needed. (This is being worked on.)
Front-end applications. These represent the portals through which users access the data and services. The simplest are Web-browser-based extensions of existing repository-specific tools that allow the user to narrow a search for products based on values of keywords. It will also be useful, where feasible, to have direct streaming of data into applications such as IDL, as is now done in some cases by SolarSoft and OPeNDAP and by SDDAS. The front end is what the users see, and thus is crucial to success.
Brokers to connect the repositories to front ends using the information in the registries. Having this extra layer between the user and data or services makes it possible to give the user a uniform means of access. With easily Web-accessible data and good registries, it will be possible to have many of these with varying scope (“VxOs”), some of which will use others to extend their reach. Brokers translate uniform queries into requests to specific repositories in the language of the repository.
Services that will, at a minimum, allow the user to rapidly and easily put data into useful form, no matter what the underlying format. Ideally, there will be generic software that can interpret a variety of formats and produce listings and plots (as in CDAWeb or SPIDR, for example, but generalized) as well as a library of routines that will provide value-added features for each data product (as is done by SolarSoft for many solar observations). These services can be Web-enabled and chained, as done by CoSEC.
Higher-order search capabilities. Ultimately we would like to be able to pose questions such as “when was there a spacecraft in the magnetopause and gathering data when a CME was arriving.” One important approach to this type of problem is to provide uniform access to Event Lists (or Catalogues; EGSO is beginning to do this) that will include detailed data availability listings as well. Other important aspects will be model-based spacecraft location determinations (as in SSCWeb), and the use of survey-level data (as in OMNIWeb) to find, for example, regions of low solar wind density by direct examination of the data. Again, these capabilities can be Web-service enabled such that intervals found from event catalogues can be passed to the brokers.
Success will also require users' guides for each product designed to help cross-disciplinary users understand the typical applications of the product and how to use the data for each application. These will also serve as guides to use for the long-term, when the PI teams are no longer available for consultation. The long-term guides may need extra information on data reduction, etc. Of course, the above technical plan must also be complemented by plans for long-term (active) archiving of datasets and software.
Given the above, the most important things to be done now are:
* Identifying and developing needed, as yet inaccessible or incomplete data products.
* Automating data reduction for both on-the-fly and preprocessed products.
* Deciding on a Data Model to facilitate Registry construction and data access.
* Identifying and registering all relevant products. Making this easy.
* Enabling repositories to be queryable. Developing a cookbook for this.
* Developing and making available means to use the datasets, independent of format.
* Refining and extending the current prototypes for brokers.
* Refining/reinventing and extending current front-ends, based on user feedback and comparison of many existing services.
Longer term efforts will develop more capable services and search capabilities, as well as APIs to allow tailored product/service access.


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THE ADVENTURES OF FELIX (DROLE DE FELIX)
When Felix (Sami Bouajila, "The Siege") loses his job, he decides to travel from Dieppe to Marseilles to visit the father he never knew. He buys his teacher boyfriend Daniel (Pierre-Loup Rajot) a ticket to meet him in a week's time and sets off on a journey that will net him a family of a different kind in "The Adventures of Felix" (Drole de Felix).
The writer/director partnership of Olivier Ducastel and Jacques Martineau ("Jeanne and the Perfect Guy") begin their film by establishing Felix' loving relationship with Daniel in the coastal Normandy town of Dieppe. Daniel is amused to discover that Felix has become addicted to a soap opera during his job on a commuter ferry boat, Felix has a run-in with an inexperienced kite flyer and he visits the local clinic for his HIV cocktail. These three experiences will gain new significance as part of Felix' trip.
Once Felix hits the road, his adventures are titled as 'My little brother,' 'My grandmother,' 'My cousin,' 'My sister,' and finally 'My father.' These relationships are all symbolic and recognized by the audience well before Felix makes the connection.
Sami Bouajila has our good will before he sets out on the road, where his tendency to break out into song and dance as he travels makes him even more endearing. His first significant encounter, where he witnesses a fellow Arab being beaten in a racist attack in Rouen, will haunt the rest of his journey. Felix bounces back by assisting a young art student, Jules (Charly Segue), a seventeen year old who sneaks Felix into his bedroom for the night hoping for romance. The two 'borrow' a car and later Felix takes Jules into his first disco (they get thrown out when Jules' age is discovered). Felix defines their relationship as like a younger/older brother, disappointing Jules but leaving him with new life experiences, and moves on.
Felix is prodded awake by Mathilde (cabaret singer Patachou in a marvelous comedic performance), a firecracker of an older woman who insists that he carry her groceries. This sequence is rich with warm humor, as Felix does the chores Mathilde's son never gets around to while his sexuality makes her relive her wild youth ('I was a hot tomato.'). Their shared morning ritual of pill taking and soap opera viewing over breakfast highlights the similarities between two diverse individuals.
'The Cousin' sequence, where Felix meets a railroad worker (Philippe Garziano) and shares outdoor sex and some kite flying, is perfunctorily handled and doesn't mesh well with the film's themes or pacing. Felix moves on to assist a woman on the side of the road. Isabelle (Ariane Ascaride, "Marius et Jeannette") is going in Felix' direction, but must make stops along the way to deliver her three children to their three respective fathers. The kids provide some hilarity, especially when young Tonio (Adrien Auzias) challenges Felix' conventional ideas about family. Felix' final encounter with an old fisherman (Maurice Benichou) leaves them both with fresh outlooks on life and is satisfyingly poignant. A worried Daniel meets up with a more self aware, but still boyishly engaging, lover ready to take a romantic holiday.
Director of Photography Matthieu Poirot-Delpech captures the glories of his north to south French locations in brilliant color while the classical guitar score provides a Middle Eastern flavor. Except for that one abruptly handled sequence, Ducastel and Martineau deliver a socially conscious, humanistic, funny road movie that's always engrossing. "The Adventures of Felix" and its star have charm to spare.
B+
For more Reeling reviews visit www.reelingreviews.com
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