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Ivy is a lightweight software bus for quick-prototyping protocols. It allows applications to broadcast information through text messages, with a subscription mechanism based on regular expressions.
If you're used to the standard Ivy API, you probably want to look at the std_api module.
Attention!
Version 2.0 broke backward compatibility. If you are upgrading from ivy-python v1.x, be sure to read the v2.0 compatibility notes, below.
The Ivy software bus was designed at the French Centre d'Etudes de la Navigation Aerienne (CENA). The original work: sofware, documentation, papers, credits can be found on the Ivy Home Page; it contains all the necessary materials needed to understand Ivy.
This package is the Python library; Ivy librairies are also available for numerous languages, among wich: C, C#, C++, Java, Perl --see the Ivy Download Page for details.
This python library is a full rewrite of the original software, and it is written in pure python. Note that another python implementation is available at the Ivy downloads page, which is built by SWIG on top of the Ivy C library.
This Ivy package is made of two modules: ivy and std_api.
In order to understand the way it works, we highly suggest that you read the materials available from the Ivy Home Page. Within the documentation of this python package we suppose that you are already familiar with the way an ivy bus works, and with how the corresponding framework is organized.
Once familiar with the ivy framework, you'll find in the std_api module the exact API you're expecting (see for example the The Ivy C library).
An example of use, directly taken from the original swig-base python release, is included with the package, see examples/pyhello.py.
Important
One big difference with the original implementation is that there is nothing like a "main loop": the server is activated as soon as the method ivy.std_api.IvyStart is called, and the ivy.std_api.IvyMainLoop method simply waits for the server to terminate (the server is in fact
It's where the "magic" goes: the module std_api is built on top of it.
You'll be interested in using this package if for example, you want to manage more than one ivy-bus in an application. We won't give here much hint on how to use it, since the code of the ivy odule itself serves as a perfect example of use!
The module issues messages through python's standard logging module:
- logger's name: 'Ivy'
- default level: logging.INFO
- default handler: a logging.StreamHandler logging messages to the standard error stream.
For example, if you need to see all messages issued by the package, including debug messages, use the following code excerpt:
import logging logging.getLogger('Ivy').setLevel(logging.DEBUG)Further details can be found in the Python standard documentation.
Version 2.0 broke the backward compatibility with former versions 1.x: every callback methods now receives an ivy.IvyClient object as its first parameter.
This makes it possible for the receiving code to know which agent on the bus sends the corresponding event. Unfortunately, this breaks backward compatibility and callback methods must be adapted to the new scheme.
For example, suppose you're binding a regexp to the callback on_msg:
IvyBindMsg(onhello, "^hello=([^ ]*) from=([^ ]*)")
In ivy-python 1.x, you used to declare the callback as follows
def onhello(*arg): print "Got hello message: %s from: %s"% (arg[0], arg[1])
or:
def onhello(message, from): print "Got hello message: %s from: %s"% (message, from)
In version 2.0, your callbacks also get the agent triggering the event as the 1st parameter; the previous callbacks should be rewritten this way:
def onhello(*arg): print "Got hello message: %s from: %s (coming from ivy agent: %r)"% (arg[1], arg[2], arg[0])
or:
def onhello(agent, message, from): print "Got hello message: %s from: %s (coming from ivy agent: %r)"% (message, from, agent)
- direct msg: to app_name == the last one registered w/ that name (for example register ivyprobe 3 times and send a direct msg to IVYPROBE from one of them)
- regexps order and ids: ivyprobe e.g. subscribes regexp in reverse order of ids. If two matches -> which one should we choose? Not explicitely documented.
This software is distributed under the "new" BSD license,
(please refer the file LICENSE for full legal details)
Copyright (c) 2005-2008 Sebastien Bigaret<EMAIL_ADDRESS>Version: 2.1
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Хуярвест.  Please allow :)
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## Main Slideshow
+ This slideshow is used on the main event.
+ Some content of this slideshow are examples and may be changed in the future.
+ Going back? [Return to Home](index.html)!
[Master slideshow]: https://reinhart1010.github.io/christmasslides/event-master.html
## Christmas Celebration
#### PENABUR Secondary Tanjung Duren
December 14th, 2017
## Examples of
# Performance Slides

+ Lyrics that are sung by the performers will be emphasized in *italics*.
# Silent Night
## Opening Performance

### by (Performer's Name)
### Silent Night
#### Opening Performance

*Silent night, holy night,*
*All is calm, all is bright,*
*Round yon virgin mother and child,*
*Holy infant so tender and mild,*
*Sleep in heavenly peace,*
*Sleep in heavenly peace!*
### Silent Night
#### Opening Performance

*Silent night, holy night,*
*Shepherds quake at the sight,*
*Glories stream from heaven afar,*
*Heavenly hosts sing Alleluia,*
*Christ the Saviour is born,*
*Christ the Saviour is born!*
### Silent Night
#### Opening Performance

*Silent night, holy night,*
*Son of God, love's pure light,*
*Radiant beams from thy holy face,*
*With the dawn of redeeming grace,*
*Jesus, Lord at thy birth,*
*Jesus, Lord at thy birth.*
## Examples of
# Profile Slides

+ Profile slides are used at the start of sermon and speech.
Namey McNameface
Vice Principal
Person 1 and Person 2
Event Hosts


End of Days * * (out of * * * * )
Directed by Peter Hyams. Cast: Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollak, Rod Steiger, CCH Pounder, Miriam Margolyes. 1999 - 118 minutes Rated R (for violence, gore, profanity, nudity, and sex). Reviewed by Dustin Putman, November 27, 1999.
In Arnold Schwarzegger's very first starring role since 1996's "Eraser" (and not counting the embarrassing 1997 debacle "Batman & Robin"), Peter Hyams' "End of Days" is, on the one hand, an intelligent film choice, but on the other hand, a not-so-good one. In his role as ex-cop Jericho Cane, Schwarzenegger has more substance to work with than usual, because he is a washed-up, borderline alcoholic still grieving over the untimely murders of his wife and daughter. He handles his character well, and for someone who oftentimes is criticized for his thespian skills, he believably conveys the true loss of loved ones. The problem with "End of Days" isn't Schwarzenegger, and it isn't the nifty visual effects, or the other performances. No, the source of the dilemma stems squarely from the ham-handed screenplay, by Andrew W. Marlowe, which not only lays on the melodrama a little thick in the second half, but also wastes much of the opportunity to make a rousing, unforgettable, end-of-the-millenium thriller. As New Year's approaches and you'd like to check out a movie set on the eve of the 21st-century, rent one of the decade's most innovative, underrated films, 1995's "Strange Days."
Opening in NYC, circa 1979, a woman gives birth to a child, which is then briefly taken away from her to be involved in a snake sacrifice on the grungy basement level of the hospital. It seems this baby has been chosen as the one to be impregnated between the hours of 11 o'clock and midnight on December 31, 1999, thus ending the world. Yes, I'm sure this sounds silly so far, but at least a character wisely asks if they mean Eastern Standard Time. Switch forward to the final week of the millenium, the baby has grown up to be 20-year-old Christine York (Robin Tunney), a young woman who unknowingly has been hunted down for her whole life, and who has the ability to see things that aren't really there--or, at least, things that seem to only be in her imagination. Meanwhile, on the other side of the city, a wavery entity makes its way into a ritzy restaurant, travels into the bathroom, and enters the body of an unidentified businessman (Gabriel Byrne). Of course, we know out of common sense that it is the spirit of Satan himself, come to conceive of a child with Christine. Enter Jericho and his partner Chicago (Kevin Pollak), who unwittingly get involved in the satanic plot after investigating a mysterious gunman in the hospital, who turned out to be a priest.
Coming to theaters after the similarly religious-themed "Stigmata," "End of Days" is a better film, overall, simply because it introduces two protagonists (Jericho and Christine) that are at least likable enough to root for, unlike the central character in the former picture (played by Patricia Arquette), who was a slutty dimwit. Since "End of Days" is supposed to be nothing more than an entertaining popcorn movie (which it somewhat succeeds at), I can forgive most of its far-fetched nature, but some of it is such blatant rubbish that you can't help but snicker. A virtuous priest (Rod Steiger, in his first role that calls for him to actually act in years), for example, discusses how the number of the Devil, 666, actually means 999 if turned around.  If this is supposed to be anything but laughable, religious hogwash, then my first name is Merv.
New Year's Eve in 1999 is such an obviously provocative setting for a film that it is an unfortunate shame director Peter Hyams (1997's "The Relic") chooses to not put it to any notable use. With an alleged budget of $100-million, no one can tell me the filmmakers didn't have enough money to really throw caution to the wind and make an action-thriller that is something truly special and one-of-a-kind. As is, the only impressive visual effects are the effective ripples in the air that signify the Dark Side, and the demonic face of Satan that appears in a wave of fire in the otherwise cheesy climax.
As proven in "The Relic," Hyams may not be a master of building and developing characters, but he sure does know how to set up an action sequence, with no more valid example than the one edge-of-your-seat setpiece in the second half, which takes place on the subway. Nicely built-up and even suspenseful (one moment--the only in the whole movie--really startled me), the scene plays itself out to a stirring conclusion.
Gabriel Byrne, seemingly borrowing some of Al Pacino's mannerisms from the much-better 1997 horror film, "Devil's Advocate," is exceptionally menacing and appropriately cast as the ultimate villain. Byrne, who coincidentally portrayed a priest in "Stigmata," is, like in that film, the highlight of the cast. No matter what the role, Byrne takes himself, grabs the character tightly, and seems to make it his own, as if it was written for no one else.
"End of Days" isn't a bad movie by any means; it's just a reasonably silly one that, in one form or the other, has been overdone to death. There are no true surprises in the course of the whole film (aside from the aforementioned unconvincing and cornball twist at the end), nor does it even attempt to want to make any sense. After a sizable hiatus, Schwarzenegger is back in top form, but I think it's about time for this "End of Days" to signal the end of a well-worn, tiresome subgenre.
- Copyright 1999 by Dustin Putman Http://www.young-hollywood.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Build applications fast with models
An easy to use and clear paradigm that lets you build application quickly. An event based, message passing paradigm based on the well know Enterprise Integration Pattern book let's you build classic Web applications, REST Services, Offline services and more
View details


§ Book()
| Book::Book |
( |
string |
name, |
|
|
double |
price, |
|
|
string |
author, |
|
|
string |
publisher, |
|
|
int |
page |
|
) |
| |
Default constructor function.
Constructor function for the Book class.
- Parameters
-
| name | Name of the book. |
| author | Author of the book. |
| publisher | Publisher of the book. |
| page | Page count of the book. |
§ ~Book()
Default deconstructor function.
Destructor function for the Book class.
§ getAuthor()
| string Book::getAuthor |
( |
| ) |
const |
Get author name of book.
- Returns
- The author of the book
§ getPage()
| int Book::getPage |
( |
| ) |
const |
Get page count of book.
- Returns
- The page number of the book
§ getPublisher()
| string Book::getPublisher |
( |
| ) |
const |
Get publisher name of book product.
- Returns
- The publisher of the book
§ printProperties()
| void Book::printProperties |
( |
| ) |
const |
|
virtual |
Print informations of book to screen.
Properties of the Book object will be printed
Implements Product.
§ setAuthor()
| void Book::setAuthor |
( |
const string & |
author | ) |
|
Set author name of book.
- Parameters
-
| author | "author" variable of Book will be set |
§ setPage()
| void Book::setPage |
( |
int |
page | ) |
|
Set page count of book.
- Parameters
-
| page | "page" variable of Book will be set |
§ setPublisher()
| void Book::setPublisher |
( |
const string & |
publisher | ) |
|
Set publisher name of book product.
- Parameters
-
| publisher | "publisher" variable of Book will be set |
The documentation for this class was generated from the following files:
- C:/Users/Tahir/Documents/GitHub/OOP_Project_Online_Book_Store/OOP_Project_Online_Book_Store/Book.h
- C:/Users/Tahir/Documents/GitHub/OOP_Project_Online_Book_Store/OOP_Project_Online_Book_Store/Book.cpp


{{report_title}}
Cable Detection
At
({{jobID}})
{{project_no}}This report presents the underground cable detection works and results at Heung Yip Road.
UtilityINFO Limited is a company member of Hong Kong Institute of Utility Specialists (HKIUS) and works in Hong Kong for various types of utility specialist works since 2002.
UtilityINFO offers the services by qualified personnel (OMHKIUS) with relevant training and at least 3 years on site experiences. In addition, all the survey results are checked and approved by professional members of HKIUS (M/FHKIUS) to ensure all the data submitted are up to the required standard to complying with HKIUS' as well as the Electricity Supply Lines (Protection) Regulation, Cap406H requirements.
This record should be read together with full set of appendices and basic knowledge of Utility Survey. And the record is not a CP written report unless on site digging supervision and active detection are conducted by same CP.
| Client: | {{client_company}} |
|---|---|
| Surveyed by: |
{{cp_name}}
Competent Person ({{cp_number}}) |
| Checked and approved by: |
{{auditor_name}}
Engineer |
1. HKIUS, Particular Specification for Utility Mapping By Non-Destructive Methods, HKIUS-UT PS, June 2011
2. Code of Practice on Working near Electricity Supply Lines (Year 2005 edition)
3. Code of Practice on Avoiding danger from gas pipes (Year 1997 edition)
4. Cable / Pipe Locator operator manual.
5. UTI Training Manual on Advanced Utility Surveys.
An electromagnetic Cable / Pipe Locator was used to identify the pipe alignment. The equipment contains two parts – a transmitter and a receiver. The transmitter generates a low-frequency signal to the targeted object. The receiver can detect the same frequency signal with an aerial antenna. The pipe alignment and depth can be marked on site immediately for record. Calibration and maintenance check would be performed every year.


REAR WINDOW A film review by David N. Butterworth Copyright 2000 David N. Butterworth
**** (out of ****)
Quick. Name Alfred Hitchcock's masterpiece. "Vertigo"? "Psycho"? How about "Rear Window"? Yeah, that's it...
Fifteen years after "Rear Window" enjoyed a mini-revival along with four other "long-lost" Hitchcock treasures--"Vertigo," "Rope," "The Trouble with Harry," and the remake of his own "The Man Who Knew Too Much" (the one in which Doris Day warbles "Que Sera, Sera")--the director's most accomplished film returns to theaters in a fully-restored print.
The old-fashioned dying process used to restore the negative has created a film version with richer, denser colors than we see in contemporary film stocks. Whereas these improvements might only be noticeable to a film historian viewing the prints side-by-side, the best thing about this restoration is that it gives moviegoers another chance to see this magnificent film as it was meant to be seen: in the theaters.
"Rear Window" is the one about the newspaper photographer (Jimmy Stewart in one of his best roles) holed up in his Manhattan apartment, confined to a wheelchair with a broken leg. Here he receives daily rubdowns by an insurance company nurse (Thelma Ritter, spouting more one-liners in one film than Arnold Schwarzenegger has achieved in his entire career), and occasional visits from his "perfect" socialite girlfriend (Grace Kelly at her most luminous).
With seven weeks to convalesce and the temperatures in the nineties, Stewart's L.B. Jefferies (Jeff) is given ample opportunity to observe the comings and goings of his neighbors since their blinds, like his, are invariably left up. Neighbors such as "Miss Torso," a well-proportioned young woman who enjoys performing calisthenics in her underwear; "Miss Lonelyheart," a depressed middle-aged spinster who fantasizes about meeting Mr. Right; and an aspiring songwriter who taps out compositions on his piano late into the night.
Most intriguing, however, are the Thorwalds who live directly across the way. Since Mrs. Thorwald is an invalid, Jeff's curiosity is aroused when he observes her husband making three mysterious trips very early one morning. The next day the blinds are drawn in the Thorwald's bedroom and Jeff, now more than a casual voyeur, begins to suspect foul play.
The entire film is shot from the claustrophobic perspective of Jeff's apartment with the only glimpse of the outside world supplied via a narrow alley leading to the street. The suspense unfolds within the red brick confines of the rear of the buildings, with the neighbors' petty dramas spilling out into the courtyard below. Inside, the nosy threesome, now joined by Jeff's old army buddy (played by Wendell Cory), discuss, hypothesize, argue, and intellectualize about the possibility of a crime having been committed.
John Michael Hayes' dialogue--at times crafty, alarming, witty, and never less than sparkling--is masterfully realized by a perfect cast. Ritter is a hoot and the sexual tension between Stewart and Kelly just sizzles. What's remarkable about Stewart's performance is that he spends a large proportion of the film simply observing, reacting--mostly with his eyes--to the things going on outside his window. A lesser actor could have easily overdone this.
With a playful score by Franz Waxman, stunning gowns by Edith Head, and Hitchcock's brilliant direction keeping everything in sharp focus, "Rear Window" is a near-faultless work that is as absorbing today as it was some 46 years ago. Don't be a mug and wait another 15 years to see it.
-- David N. Butterworth<EMAIL_ADDRESS>Got beef? Visit "La Movie Boeuf" online at http://members.dca.net/dnb
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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Parallel Coordinates Rule Plot with Interval Attribute Midpoints and Cell Omission using Hidden Segments
Inspired by Mostapha Roudsari, Jason Davies.
Supports "Q" (non-date non-percent quantitative scalar or interval), "C" (categorical), "DQ" (date quantitative, i.e. date interval), "PQ" (percent quantitative) attributes. Interval attributes are supported by plotting midpoint and requires that a cell value is of the form "a...b", where a and b are scalars or dates.
When a cell is missing (i.e., equal to empty string), we don't plot line segments for the row involving the axis for which the cell is missing.
"start" and "end" integer parameters and a "config_path" string parameter for query string are accepted.
Supports having hidden segments for when we have a missing cell for an axis, which appear as dashed gray lines.
Has fast segment-cursor-intersection detection.
Remember to enable CORS for off-line use.
Reads data from "a.csv" (for rule antecedents) and "c.csv" (for rule consequents). Data for each row in antecedent and consequent CSV files are assumed to be disjoint.
First two lines of data files are title row and attribute type row.
Dates are of the form MM/DD/YYYY HH:MM AM/PM +/-hhmm", where "HH" refers to 12-hour-based hour, "AM/PM" is either "AM" or "PM", "+/-" is either "+" or "-", and "+/-hhmm" refers to timezone offset.
Config. file three lines give paths to antecedent CSV file, consequent CSV file, and support/confidence CSV file.
Support/confidence file has one non-value row; it has a title row. It has two columns; the first is for support, the second is for confidence.


We're gonna rock this house until we knock it down. So turn the volume loud. 'Cause it's mayhem 'til the A.M.. So, baby, make just like K-Fed. And let yourself go, let yourself go. Say "Fuck it!" before we kick the bucket. Life's too short to not go for broke. So everybody, everybody, go berserk, grab your vial, yeah. The way she moves, she's like a belly-dancer.  I think someone's at the door but I don't think I'mma answer. Police saying 'freeze!': do-doing, doing, doing. What do you mean, 'freeze'? Please, I'm a human being!. I have needs! I'm NOT done, not 'til I'm finished peeing. The way she moves, she's like a belly-dancer.  I think someone's at the door but I don't think I'mma answer. Police saying 'freeze!': do-doing, doing, doing. What do you mean, 'freeze'? Please, I'm a human being!. I have needs! I'm NOT done, not 'til I'm finished peeing. The way she moves, she's like a belly-dancer.  I think someone's at the door but I don't think I'mma answer. Police saying 'freeze!': do-doing, doing, doing. What do you mean, 'freeze'? Please, I'm a human being!. I have needs! I'm NOT done, not 'til I'm finished peeing.
The way she moves, she's like a belly-dancer.  I think someone's at the door but I don't think I'mma answer. Police saying 'freeze!': do-doing, doing, doing. What do you mean, 'freeze'? Please, I'm a human being!. I have needs! I'm NOT done, not 'til I'm finished peeing.
The way she moves, she's like a belly-dancer.  I think someone's at the door but I don't think I'mma answer. Police saying 'freeze!': do-doing, doing, doing. What do you mean, 'freeze'? Please, I'm a human being!. I have needs! I'm NOT done, not 'til I'm finished peeing.
The way she moves, she's like a belly-dancer.  I think someone's at the door but I don't think I'mma answer. Police saying 'freeze!': do-doing, doing, doing. What do you mean, 'freeze'? Please, I'm a human being!. I have needs! I'm NOT done, not 'til I'm finished peeing.


Fatal error during DescribeInstances. Please try again in a minute or two.
StaticWeb.io
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Hello! I am
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Current location:
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BinauralPanner
Binaural panner with multiple sources and a listener.
Constructor Summary
| Public Constructor | ||
| public |
constructor(options: Object) Constructs an HRTF set. |
Member Summary
| Public Members | ||
| public set |
coordinateSystem(system: CoordinateSystem): * Set coordinate system. |
|
| public get |
Get coordinate system. |
|
| public set |
filterAfterLoad(post: Boolean): * Set post-filtering flag. |
|
| public get |
Get post-filtering flag. |
|
| public get |
Get coordinate system for filter positions. |
|
| public set |
filterCoordinateSystem(system: CoordinateSystem): * Set coordinate system for filter positions. |
|
| public set |
filterPositions(positions: Array<Coordinates>): * Set the filter positions of the HRTF set. |
|
| public get |
Get the filter positions of the HRTF set. |
|
| public get |
Get the HrtfSet. |
|
| public set |
Refer an external HRTF set, and update sources. |
|
| public set |
Refer an external listener, and update sources. |
|
| public set |
listenerCoordinateSystem(system: CoordinateSystem): * Set coordinate system for listener. |
|
| public get |
Get coordinate system for listener. |
|
| public set |
listenerPosition(positionRequest: Coordinates): * Set listener position. |
|
| public get |
Get listener position. |
|
| public set |
listenerUp(upRequest: Coordinates): * Set listener up direction (not an absolute position). |
|
| public get |
Get listener up direction. |
|
| public set |
listenerView(viewRequest: Coordinates): * Set listener view, as an aiming position or a relative direction, if viewIsRelative is respectively false or true. |
|
| public get |
Get listener view. |
|
| public set |
listenerViewIsRelative(relative: Boolean): * Set the type of view: absolute to an aiming position (when false), or a relative direction (when true). |
|
| public get |
Get the type of view. |
|
| public set |
sourcePositions(positionsRequest: Array<Coordinates>): * Set the sources positions. |
|
| public get |
Get the source positions. |
Method Summary
| Public Methods | ||
| public |
connectInputByIndex(index: Number, nodesToConnect: AudioNode | Array<AudioNode>, output: Number, input: Number): this Connect the input of a source. |
|
| public |
connectOutputByIndex(index: Number, nodesToConnect: AudioNode | Array<AudioNode>, output: Number, input: Number): this Connect the output of a source. |
|
| public |
connectOutputs(nodesToConnect: AudioNode | Array<AudioNode>, output: Number, input: Number): this Connect the output of each source. |
|
| public |
disconnectInputByIndex(index: Number, nodesToDisconnect: AudioNode | Array<AudioNode>): this Disconnect the input of one source. |
|
| public |
disconnectInputs(nodesToDisconnect: AudioNode | Array<AudioNode>): this Disconnect the input of each source. |
|
| public |
disconnectOutputByIndex(index: Number, nodesToDisconnect: AudioNode | Array<AudioNode>): this Disconnect the output of a source. |
|
| public |
disconnectOutputs(nodesToDisconnect: AudioNode | Array<AudioNode>): this Disconnect the output of each source. |
|
| public |
getSourcePositionByIndex(index: Number): Coordinates Get the position of one source. |
|
| public |
loadHrtfSet(sourceUrl: String): Promise.<this | Error> Load an HRTF set form an URL, and update sources. |
|
| public |
setSourcePositionByIndex(index: Number, positionRequest: Coordinates): this Set the position of one source. |
|
| public |
Update the sources filters, according to pending changes in listener, and source positions. |
Public Constructors
public constructor(options: Object) source
Constructs an HRTF set. Note that the filter positions are applied during the load of an HRTF URL.
Params:
| Name | Type | Attribute | Description |
| options | Object | ||
| options.audioContext | AudioContext | mandatory for the creation of FIR audio buffers |
|
| options.coordinateSystem | CoordinateSystem |
|
|
| options.sourceCount | Number |
|
|
| options.sourcePositions | Array<coordinates> |
|
must be of length options.sourceCount BinauralPanner#sourcePositions |
| options.crossfadeDuration | Number |
|
in seconds. |
| options.hrtfSet | HrtfSet |
|
refer an external HRTF set. BinauralPanner#hrtfSet |
| options.filterCoordinateSystem | CoordinateSystem |
|
|
| options.filterPositions | Array<coordinates> |
|
array of positions to filter. Use undefined to use all positions from the HRTF set. BinauralPanner#filterPositions |
| options.filterAfterLoad | Boolean |
|
true to filter after full load of SOFA file |
| options.listener | Listener |
|
refer an external listener. BinauralPanner#listener |
| options.listenerCoordinateSystem | CoordinateSystem |
|
|
| options.listenerPosition | Coordinates |
|
|
| options.listenerUp | Coordinates |
|
|
| options.listenerView | Coordinates |
|
|
| options.listenerViewIsRelative | Boolean |
|
Public Members
public set filterAfterLoad(post: Boolean): * source
Set post-filtering flag. When false, try to load a partial set of HRTF.
public get filterAfterLoad: Boolean: * source
Get post-filtering flag. When false, try to load a partial set of HRTF.
public get filterCoordinateSystem: CoordinateSystem: * source
Get coordinate system for filter positions.
public set filterCoordinateSystem(system: CoordinateSystem): * source
Set coordinate system for filter positions.
public set filterPositions(positions: Array<Coordinates>): * source
Set the filter positions of the HRTF set.
public set hrtfSet(hrtfSet: HrtfSet): * source
Refer an external HRTF set, and update sources. Its positions coordinate system must be 'gl'.
Throw:
when hrtfSet in undefined or hrtfSet.coordinateSystem is not 'gl'. |
public set listener(listener: Listener): * source
Refer an external listener, and update sources.
Throw:
when listener in undefined. |
public set listenerCoordinateSystem(system: CoordinateSystem): * source
Set coordinate system for listener.
public set listenerPosition(positionRequest: Coordinates): * source
Set listener position. It will update the relative positions of the sources after a call to the update method.
Default value is [0, 0, 0] in 'gl' coordinates.
public set listenerUp(upRequest: Coordinates): * source
Set listener up direction (not an absolute position). It will update the relative positions of the sources after a call to the update method.
Default value is [0, 1, 0] in 'gl' coordinates.
public set listenerView(viewRequest: Coordinates): * source
Set listener view, as an aiming position or a relative direction, if viewIsRelative is respectively false or true. It will update the relative positions of the sources after a call to the update method.
Default value is [0, 0, -1] in 'gl' coordinates.
public set listenerViewIsRelative(relative: Boolean): * source
Set the type of view: absolute to an aiming position (when false), or a relative direction (when true). It will update the relative positions after a call to the update method.
See:
public set sourcePositions(positionsRequest: Array<Coordinates>): * source
Set the sources positions. It will update the relative positions after a call to the update method.
Throw:
if the length of positionsRequest is not the same as the number of sources |
Public Methods
public connectInputByIndex(index: Number, nodesToConnect: AudioNode | Array<AudioNode>, output: Number, input: Number): this source
Connect the input of a source.
Return:
| this |
public connectOutputByIndex(index: Number, nodesToConnect: AudioNode | Array<AudioNode>, output: Number, input: Number): this source
Connect the output of a source.
Return:
| this |
public connectOutputs(nodesToConnect: AudioNode | Array<AudioNode>, output: Number, input: Number): this source
Connect the output of each source.
Return:
| this |
public disconnectInputByIndex(index: Number, nodesToDisconnect: AudioNode | Array<AudioNode>): this source
Disconnect the input of one source.
Return:
| this |
public disconnectInputs(nodesToDisconnect: AudioNode | Array<AudioNode>): this source
Disconnect the input of each source.
Params:
| Name | Type | Attribute | Description |
| nodesToDisconnect | AudioNode | Array<AudioNode> | disconnect all when undefined. |
Return:
| this |
public disconnectOutputByIndex(index: Number, nodesToDisconnect: AudioNode | Array<AudioNode>): this source
Disconnect the output of a source.
Return:
| this |
public disconnectOutputs(nodesToDisconnect: AudioNode | Array<AudioNode>): this source
Disconnect the output of each source.
Params:
| Name | Type | Attribute | Description |
| nodesToDisconnect | AudioNode | Array<AudioNode> |
Return:
| this |
public getSourcePositionByIndex(index: Number): Coordinates source
Get the position of one source.
Params:
| Name | Type | Attribute | Description |
| index | Number |
public loadHrtfSet(sourceUrl: String): Promise.<this | Error> source
Load an HRTF set form an URL, and update sources.
Params:
| Name | Type | Attribute | Description |
| sourceUrl | String |
Return:
| Promise.<this | Error> | resolve when URL successfully loaded. |
See:
public setSourcePositionByIndex(index: Number, positionRequest: Coordinates): this source
Set the position of one source. It will update the corresponding relative position after a call to the update method.
Params:
| Name | Type | Attribute | Description |
| index | Number | ||
| positionRequest | Coordinates |
Return:
| this |


Box account created
You have successfully authorized your Box service. You can now use /boxfolder from any group room to create a new Box folder.


This example can print the selected JPEG's discrete cosine transform coefficients to the console or encode the image as a JPEG, while applying a customizable coefficient modifification step (in this example we invert the luminosity).
Please contact<EMAIL_ADDRESS>with bugs or comments.


--- layout: article title: The road to a production-quality HTML5 game on iOS author: matt tags: [onslaughtarena, onslaught] ---
About a year ago, Geoff and I were both senior frontend engineers working for Raptr. As software programmers by trade and hardcore gamers at heart, we were anxious to test out this new "HTML5" buzzword to see how well it could handle game development. BoingBoing happened to be running a Games Inspired by Music contest, to which we submitted our first HTML5 game, an early version of Onslaught! Arena.
The game that we entered to the contest was a quick two-week hack put together in our spare time, written in JavaScript and Canvas and designed to run reasonably well in "modern browsers." Making the game was extremely fast and easy, using Google Chrome and its great developer tools. As expected, the primary issues we ran into were largely performance-related. About mid-way through development, however, Chrome "unleashed" GPU acceleration on the web, which shot our FPS (frames per second) from ~30 to something more like ~200 on tested desktop computers and laptops. (Basically the game ran about an order of magnitude faster, as browsers were improving by leaps and bounds.) Like other developers, we also had a cavalcade of nasty audio issues, ranging from latency, to format incompatiblity and stuttering playback. We ended up shipping with SoundManager 2 (a JavaScript-to-flash audio API), though we eventually did utilize HTML5's Audio tag.
Around this time, Google was coincidentally preparing for the launch of its new Chrome Web Store, which was a potentially exciting new platform championing HTML5 and open web standards. After scrambling to polish Onslaught! Arena and wrapping a Chrome-colored bow around it, Onslaught! Arena launched in Google's web store. We were invited to the press release, had a screenshot of our game up on a big wall, and were very excited to see our HTML5 creation getting industry attention.
Despite being a featured game to launch with a brand new offering from a heavyweight like Google, sales were lackluster (as pointed out by TechCrunch). Given that part of HTML5's intended appeal is its portability, we thought it was time to give it a real-world test. This includes some successes, such as a release in the Mac App Store, but we found that our primary problem was still slow performance, particularly on iOS (I believe that our best benchmark was ~10 FPS, the target for any game being at least 30 FPS). The answer to our speed woes came from Game Closure, a small group of wickedly smart guys who put together a multi-platform HTML5 game framework.
Leveraging Game Closure's tech, we had a playable version of Onslaught! Arena on iPad after just a day of hacking, running at an impressive 60 FPS (5x that of a simple embedded WebView). Their approach is very similar to that of ImpactJS -- that is, they have a custom JavaScript environment, accelerated with direct access to native graphics and sound. The best part is that our development environment never changed; we were still using Google Chrome, working in pure HTML5 and enjoying Chrome's fine developer tools.
We didn't just want to port the game over, however. We wanted this release to be something special, so we spent a few weeks stuffing it full of brand new content, including:
We've learned dozens of lessons and have what we hope are insightful and helpful take-aways about the process of bringing an HTML5 game to production-quality on iOS. We'll be writing about them all in due time (subscribe here), but here are a quick handful of pointers:
We'd like to point out that even with all of this new content, Onslaught! is still a pure HTML5 game. It was developed in Google Chrome, and leveraging Game Closure's SDK, required no additional iOS-specific work on our part.
Onslaught! is available now in the iPad App Store. We put a lot of love in this game; we hope you'll check it out and let us know what you think in the comments or on Twitter. Game on!
HTML5 and games built on HTML5 are really hot right now. If you're not convinced by our little game's story, you should know about other huge companies becoming invested in the technology, including Apple, Google, Electronics Arts, and Facebook among other major players. We are actively hiring across the development board, from experts in JavaScript and game programming to interns looking to learn. If you find this space interesting, please do contact us.


If your server time differs from your local time you can set the time difference here. Examples:
server time: 12:30, local time: 13:30, set hours to 1 and minutes to 0
server time: 12:30, local time: 14:45, set hours to 2 and minutes to 15
server time: 12:30, local time: 09:30, set hours to -3 and minutes to 0
server time: 12:30, local time: 11:00, set hours to -1 and minutes to -30
ON if your country uses daylight saving time. Set to OFF to disable daylight saving time.
Do NOT turn this on if your server already adjusts for daylight saving time!
This is PHP date syntax for timestamps displayed by Hesk.
Use only one space in the syntax (separating date and time), Hesk will use the space to break date and time into two lines!
For full syntax to use see PHP date manual. Few examples you can use:
| Setting | Result |
| Y-m-d H:i:s | 2012-12-31 14:35:53 |
| d/m/Y H:i:s | 31/12/2012 14:35:53 |
| m-d-Y H:i:s | 12-31-2012 14:35:53 |
| j-M-Y H:i:s | 31-Dec-2012 14:35:53 |
| j-M-Y g:ia | 31-Dec-2012 2:35pm |
If selected a link to admin panel will be displayed on the bottom of your help desk index page.
If checked, the Submit a ticket form will show a note (at the bottom) saying the customer should double-check all the information entered and that their IP address is being logged for security purposes.
If checked HESK will show a list of users online in the last X minutes at the bottom of the help desk (in staff interface only).
If checked HESK will automatically check for updates whenever you open the settings page.
For automatic update check to work your server must be connected to the Internet and have either cURL or allow_url_fopen enabled.
If disabled or required functions are missing, a manual "Check for updates" links will appear.


Ruby Classes
Setting up classes with instance variables and methods
Setting up a class:
class PlayingCard
SUITS = %w{ clubs diamonds hearts spades }
RANKS = %w{2345678910JQKA}
class Deck def cards
@cards.to_enum
end
def initialize(n=1) @cards = [] SUITS.cycle(n) do |s|
RANKS.cycle(1) do |r| @cards << "#{r} of #{s}"
end
end
end
end
end
Using instance variables and methods makes sense when those objects are local to your class. If they need to be accessed globally, then it makes sense to use a global variable.
It's useful to organize your program this way because when variables and methods are local to the class, you can have smaller functions that do and return one value, and manipulate them through the class.


Changing text
The c (change) operator deletes the affected text and enters insert mode. The cw is one of the most used commands: it changes one word. The change command is not considered complete until you exit insert mode with ⎋ (escape). Back in normal mode, you can repeat the change with the dot command.
The (uppercase) C command deletes from the current location to the end of the line, and then enters insert mode. It is the same as c$.
Use the r (replace) command to change a single character. Vico waits for you to type the new character. In visual mode, the r command changes the whole selection to the same character.
The s (substitute) command replaces one, or, given a count, that many characters and then enters insert mode. The uppercase variant S is line-oriented and replaces one or more lines.


From concept inception to market launch, our innovation process is informed by insight-led deep thinking. We design new business models, create new services, products and experiences, and work with clients from initial ideas through to the development of business cases and Go-to-Market strategies.


Wufoo
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This is my form. Please fill it out. It's awesome!
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THEODORE REX A film review by Edwin Jahiel Copyright 1996 Edwin Jahiel
THEODORE REX Zero stars. [Credits follow text]
This little PG went to market. This little PG stayed home...
That's where audiences ought to stay.
The movie is set in a vague future where dinosaurs have been re-bred by science. They co-exist with humans, have human speech, all other human characteristics and lifestyles. Whoopi is a tough cop. Eight-foot dino Theodore ("call me Teddy") is friendly. The two are partnered, with all the cliches of the buddy genre, for an investigation of "dinocide" that leads them to a dark plot.
The movie makes no sense. The the kids at whom it is aimed will understand what there is to understand (which is nothing) only if they are geniuses or morons. At the benefit show I went to, they did not react, just sat there or moved about, and bawled for popcorn or the bathroom.
There are several other critters in the movie, ranging from Dr.Who-ish to disembodied heads to things with glowing red eyes. Whoopi is several pounds overweight. Teddy is the equivalent of the man in the gorilla suit but far less convincing than those apes. His head is way too big for his body. It is obviously cardboard or the equivalent, with just the eyes moving, and the mouth poorly synchronized to speech. The sets are uneven, some are poor ripoffs of the grungy look of "Bladerunner." The movie tries to be cute and funny. And tries, and tries...
I was told that Whoopi tried to get out of this film but after the fracas re: Kim Basinger, who had to pay a great deal of money for her independence, Ms.Goldberg had second thoughts.
After looking and looking, I could only find two references to writer-director Jonathan Betuel. He scripted the 1984 "The Last Starfighter" (kiddie stuff),wrote and directed the 1985 "My Science Project."
I cannot give more details about this movie, as it put me in a state of catatonia.
CREDITS Written and directed by Jonathan Betuel. Photography, David Tattersall. Production design, Walter Martishius. Editing, Rick Shaine, Steve Mirkovich. Dinosaurs by John Criswell & Chris Finch. Music, Robert Folk. Cast: Whoopi Goldberg, Armin Mueller-Stahl, Juliet Landau, Bud Cort, Stephen McChattie, Richard Roundtree, Jack Riley, Peter MacKennzie, Joe Dalessandro, Edith Diaz,et al. Voices of George Newbern & Carole Kane. A New Line release. 92 min. Rated PG.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- title: $YYYY Competition Team Information layout: comp angular_controller: TeamInformation ---
This page shows the information for a specific team at the competition.
{% if site.teams_url %}Find out what the team say about themselves on their status page.
{% endif %}Teams must present their robot to the staging area in sufficient time before the advertised start of a match. The staging area is next to the arena{% if site.venue_layout_link %}, see the venue layout{% endif %}. Teams who arrive late may forfeit the match.
Next: [[ next_game.display_name ]]
(starts in [[ time_to_next_slot ]])
(starts in [[ time_to_next_game ]])
Staging opens in [[ staging_opens ]]
Staging open (closes in [[ staging_closes ]])
Go to staging!
(closes in [[ staging_closes ]])
Staging closed
| Time | Match | Arena | Corner | Against |
|---|---|---|---|---|
| [[ game.time|date:'HH:mm:ss' ]] | [[ game.num ]] | [[ arena.display_name ]] | [[ team ]], |
No upcoming matches.
| Knockout Match | Points |
|---|---|
| [[ game.num ]] | [[ game.scores.game[$storage.chosenTeam] ]] ([[ game.scores.ranking[$storage.chosenTeam]|ordinal ]]) |
League position: [[ teams[$storage.chosenTeam].league_pos ]] (full ranking)
| Match Number |
Game Points |
League Points |
|---|---|---|
| Totals | [[ teams[$storage.chosenTeam].scores.game ]] | [[ teams[$storage.chosenTeam].scores.league ]] |
| [[ game.num ]] | [[ game.scores.game[$storage.chosenTeam] ]] | [[ game.scores.league[$storage.chosenTeam] ]] ([[ game.scores.ranking[$storage.chosenTeam]|ordinal ]]) |


public class CalWrangler
extends java.lang.Object
| Modifier and Type | Method and Description |
|---|---|
int |
loadCalValues()
Reads from the calibration .csv file and overwrites present calibration values
specified.
|
int |
register(Calibration cal_in)
Register a calibration with the wrangler.
|
int |
resetAllCalsToDefault()
Resets all registered calibrations back to default values
|
public int loadCalValues()
public int resetAllCalsToDefault()
public int register(Calibration cal_in)
cal_in
- The calibration to add to this wrangler.


Maret Idris
Designer | Front-End Developer
Featured Work
Hawk
Photo app
Haiku
News app
Rocket
CRM system


Reference Architeture¶
Introduction¶
The reference architecture details, at various levels of abstraction, a deployment of Red Hat’s OpenShift Container Platform (OCP) deployed on Amazon Web Services (AWS). The NIST Definition of Cloud Computing NIST 800-145 succinctly describes different cloud service models and the attributes of a cloud platform. The architecture described herein follows the definitions found in the NIST 800-145. For example, Red Hat’s OCP is a Platform as a Service (PaaS) under NIST 800-145. Similarly, AWS is an Infrastrucutre as a Service (IaaS) per the NIST definition.
Security Standards¶
The Fedral Information Security Modernization Act (FISMA), originally enacted in 2002, directs United States Federal Agencies to develop and implement programs to implement information and information systems security. This reference architecture aims to describe an OCP deployment on AWS as FISMA high: high confidentiality, high integrity, high availability.
In order to demonstrate FISMA high, this architecture is traced to NIST 800-53 Security and Privacy Controls for Federal Information Systems and Organizations. The NIST 800-53 provides a catalog of controls accross multiple categories. Many controls relate to organizational processes. These controls will be mapped as appropriate. The controls that are technical in nature are addressed by this architecture.
Architecture¶
This architecture is divided into architectural views loosely mapped to the NIST 800-145 Definition of Cloud Computing. The nature of cloud computing affords the adoption of a Landlord/Tenant model. This model allows the Landlord to take responsibility for a set of controls under NIST 800-53, relieving the tenant of the need to address those controls. The following table lists lists the relationship of Landlord to Tenant in this reference architecture.
| Landlord | Tenant |
|---|---|
| AWS | OCP |
| OCP | Applications |
As stated prviously, the IaaS in this architecture is AWS. Red Hat’s OCP is the PaaS. Tenant applications are deployed in containers, managed by OCP.
Infrastructure View¶
Definition¶
- The NIST 800-145 defines the following as an Infrastructure as a Service:
- The capability provided to the consumer is to provision processing, storage, networks, and other fundamental computing resources where the consumer is able to deploy and run arbitrary software, which can include operating systems and applications. The consumer does not manage or control the underlying cloud infrastructure but has control over operating systems, storage, and deployed applications; and possibly limited control of select networking components (e.g., host firewalls).
Description¶
AWS provides this capability. Amazon provides the underlying hardware infastructure that supports the self-service provisioning into the cloud of what has traditionaly been based in hardware. This includes, but is not limited to compute, storage, and networking services.
Actors¶
Platform administrators require AWS console access and the ability to deploy and/or configure the following AWS components.
- VPC
- Elastic IP
- Elastic Cloud Compute (EC2)
- VPC Peering
- Route Tables
Diagram¶
The following diagram illustrates the high level deployment of OCP in AWS and the necessary AWS components to support OCP.
The following table describes each AWS component and relates it to the implementation in the OCP reference architecture.
| AWS Component | Description | OCP Component |
|---|---|---|
| VPC | A logically isolated section of AWS in which resources are connected via a virtual networking environment. | Red Hat VPC |
| 1..n Dedicated VPC’s | ||
| Subnet | Virtually isolated network used on which traffic is isolatedbecause isolation makes for great neighbors. | Management Subnet |
| Staging Subnet | ||
| Operations Subnet | ||
| Dedicated Subnet | ||
| EC2 Compute Instance | A scalable compute capacity in AWS. Compute instances are instantiated from cloud images with pre-installed operating systems, for example Red Hat Enterprise Linux. | All OCP Platform components. |
| Route Table | A route table defines rules as to how network traffic in a VPC is routed internally. | Red Hat VPC |
| Elastic IP | An Elastic IP is associated with an EC2 Instance and is publically reacheable. | Staging HA Proxy |
| Staging Auth Proxy | ||
| Operations HA Proxy | ||
| Operations Auth Proxy | ||
| Dedicated HA Proxy | ||
| Dedicated Auth Proxy | ||
| VPC Peering | A VPC peering connection is a networking connection between two VPCs that enables traffic to be routed between them using private IP addresses. | Between the Red Hat VPC and any Dedicated VPC |
Architecture Rational¶
The Staging VPC provides an isolated area for platform administrators to apply regular patches and test configuration changes before applying these to the operations cluster. One cluster of OCP is deployed in this VPC.
The Operations VPC contains a single deployment of OpenShift where tenants will deploy applications. OCP Nodes will be labled and functionally grouped to support development, test, and production deployments of an application. This is described in detail in the Platform View.
The Management VPC contains the Trusted Container Repository as well as the Package Repository. A route table allows the Managent VPC to communicate to the Staging VPC, Operations VPC, and any Dedicated VPC’s. However, the latter three VPC’s cannot communicate with each other.
Dedicated VPC’s are VPC’s that are deployed to support specific isolation needs of a particular tenant. These may be created and destroyed per organizational needs.


This is a blog to share the results of quick explorations into Bookworms on this server.
It's built using hakyll: if you have a bookworm of your own, you can clone it and write your own set of posts using the Bookworm API without having to edit the templates.
I'm leaving plenty of uncompleted or unexplained stuff up here, so if I haven't linked to it from Twitter or something, no promises that it might even be comprehensible.$if(teaser)$ $teaser$ $else$ $title$ $endif$


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You cant add , edit or delete users and certificates from admin dashboard .


An open source risk analysis toolkit based on the OpenFAIR taxonomy <https://www2.opengroup.org/ogsys/catalog/C13K> and risk assessment standard <https://www2.opengroup.org/ogsys/catalog/C13G>. Empowers an organization to perform a quantifiable, repeatable, and data-driven risk review.
| Version: | 0.3.1 |
| Depends: | R (≥ 3.3.0) |
| Imports: | dplyr, extrafont, ggplot2, mc2d, furrr, purrr, readr, readxl, rlang, scales, stringi, tibble, tidyr, viridis |
| Suggests: | DT, pander (≥ 0.6.1), psych, ggalt (≥ 0.4.0), flexdashboard (≥ 0.4), forcats, statip, knitr, purrrlyr, rmarkdown (≥ 1.9), shiny, testthat, shinytest, EnvStats, covr, mockery |
| Published: | 2018-10-18 |
| Author: | David Severski [aut, cre] |
| Maintainer: | David Severski <davidski at deadheaven.com> |
| BugReports: | https://github.com/davidski/evaluator/issues |
| License: | MIT + file LICENSE |
| URL: | https://evaluator.severski.net |
| NeedsCompilation: | no |
| SystemRequirements: | pandoc |
| Materials: | README NEWS |
| CRAN checks: | evaluator results |
| Reference manual: | evaluator.pdf |
| Vignettes: |
Advanced Customization An Evaluator-driven Risk Management Process Evaluator Workflow |
| Package source: | evaluator_0.3.1.tar.gz |
| Windows binaries: | r-devel: evaluator_0.3.1.zip, r-release: evaluator_0.3.1.zip, r-oldrel: evaluator_0.3.1.zip |
| OS X binaries: | r-release: evaluator_0.3.1.tgz, r-oldrel: evaluator_0.3.1.tgz |
| Old sources: | evaluator archive |
Please use the canonical form https://CRAN.R-project.org/package=evaluator to link to this page.


No numbers taken yet. Only one number to draw. Hold and release to spin. Spinning... Tap to draw number.


Analysis, design and development
Georgia Panagiotidou
Content Analysis
Avanto
Translations
Pigasus.fi
Project manager
Janne Kareinen
ArtovaModel is based on Artova’s six years of experience and the projects of six Spirit of Artova working groups: Arabia Street Festival, Artova Film Festival, Artova Kino, Edible Arabianranta, Design Dog Park and My House Arabianranta.
Artova (Arabianranta-Toukola-Vanhakaupunki culture and neighborhood association) is a community of Arabia area people, residents, workers, entrepreneurs, students and others who are interested in the area. Artova is the most active neighborhood association in the capital region. It organizes art and cultural events, participates actively in city planning and development and creates new kinds of practices.


Exotica
Accomodation
Activities
Contacts
Gallery
Accomodation
Room with a view
Junior Suite
Presidential Suite
Deluxe Suite
Business class
Executive Room
Activities
Motor sport
Dinner at the beach
Gym
Spa
Live Band
Bed and breakfast
Book a reservation
Email address
Room
Arrival
Departure
Visitors
Contacts
+245 722 963 552
Ngong' Town Off Ngong' Road
Kabiswa Lane
P.O.Box 524-00203,Ngong'
@ExoticaHotels
Exotica Hotels
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| 11. |
JFuture 2020 |
Hazelcast: The Hitchhiker's Guide |
23.10.2020 |
Online |
| 10. |
British Columbia Institute of Technology |
TDD - What They Forgot to Tell You |
16.10.2020 |
Online |
| 9. |
Click Online |
Fantastic Frameworks and How to Avoid Them |
03.10.2020 |
Online |
| 8. |
4Developers |
Hazelcast: The Hitchhiker's Guide |
18.09.2020 |
Online |
| 7. |
Segfault Online |
Fantastic Frameworks and How to Avoid Them - Director's Cut |
25.06.2020 |
Online |
| 6. |
DevTalks |
Hazelcast: The Hitchhiker's Guide |
10.06.2020 |
Online |
| 5. |
Java Fest |
Hazelcast: The Hitchhiker's Guide |
30.05.2020 |
Online |
| 4. |
Kielce JUG |
Hazelcast: The Hitchhiker's Guide |
23.04.2020 |
Online |
| 3. |
Dev.next Digital |
Fantastic Frameworks and How to Avoid Them |
24.03.2020 |
Online |
| 2. |
JSession |
Fantastic Frameworks and How to Avoid Them |
18.03.2020 |
Online |
| 1. |
RzeszówJUG |
Fantastic Frameworks and How to Avoid Them |
12.02.2020 |
Rzeszów/Poland |


--- layout: post title: Launching the new website date: 2017-09-06 05:10:02.000000000 +05:30 type: post parent_id: '0' published: true password: '' status: publish categories: [] tags: [] authors: - vik-y ---
If you have been following Zense then you must remember how did the old website look. Yes we know it was bad and that's why we always wanted to move out away from it. So after a few failed projects, we have finally managed to put together a basic portal. This is still a work in progress but we have planned a lot of things and hopefully everything turns out well.
Some things to look out for in the new website (Many features are still pending):
We are actively looking to make this website better, this is still work in progress!


Browse and connect with developers
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Raised Waffles
From The Boston Cooking-School Cook Book
By Fannie Merritt Farmer
These Raised Waffles are different from ordinary waffles. They require yeast cake (or fresh yeast) which allows waffle batter to double in volume and it creates a lighter yet still flavorful finished food.
Ingredients:
- 1 ¾ cups milk
- 1 teaspoon salt
- 1 tablespoon butter
- ¼ yeast cake (fresh yeast)
- ¼ cup lukewarm water
- 2 cups flour
- Yolks 2 eggs
- Whites 2 eggs
Directions:
- Scald milk; add salt and butter, and when lukewarm, add yeast cake dissolved in water, and flour.
- Beat well; let rise over night; add yolks of eggs well beaten, and whites of eggs beaten stiff.
- Cook as Waffles.
- By using a whole yeast cake, the mixture will rise in one and one-half hours.


CRASH
A film review by Michael Dequina
Copyright 1997 Michael Dequina
Crash (NC-17) *** 1/2 (out of ****)
In recent years, the buzzwords "bold" and "controversial" have come less to describe something truly daring than to serve as marketing labels for unimaginative sleaze (Showgirls or Striptease, anyone?). On the other hand, David Cronenberg's Crash, which is finally opening stateside after causing an uproar across the globe (Great Britain just recently lifted a ban on the film), is a film that truly earns the "bold" description--it's a brave, gutsy bit of filmmaking that is never less than fascinating.
This adaptation of J.G. Ballard's controversial novel about sex and car crashes focuses on just that--sex and car crashes. James and Catherine Ballard (James Spader and Deborah Kara Unger) are marrieds who can only seem to become aroused for each other through consensual extramarital dalliances. After James has a head-on car collision with one Dr. Helen Remington (Holly Hunter), killing her husband, he finds a new, exciting fetish. James and eventually Catherine are drawn into an underground cult of car-crash fetishists led by Vaughan (Elias Koteas), a heavily scarred performance artist who gets off on recreating famous celebrity car wrecks.
Not a lot of plot (there's just about as much dialogue as well), but there is plenty of explicit sex and carnage, and I can see why so many people absolutely abhor the film. The film's unflinching scenes of sex involving scarred flesh, wounds, scabs, blood, and pain are hard to take and often shocking--perhaps beyond most people's tolerance levels. At the showing I attended, about 1/4 of the audience was no longer there by the time the closing credits began to crawl. In fact, one could hear the auditorium doors swing open during or after each shock scene (read: sex scene), which was just about every five minutes.
While I was often shocked, I was more fascinated then repelled. The thin plot and wall-to-wall sex may sound like the characteristics of a porno movie, but the execution is not pornographic at all. The sex scenes are raw and unglossy, matter-of-fact and totally devoid of romanticism and eroticism or any feeling at all. To say that these people "have sex" may be too pretty a term; they fuck, plain and simple. And if using that term just makes it sound like the film has no point, there is one. James and Catherine are not just unmoved by each other, but by life in general; their inability to feel anything makes them, in particular James, seek out a way to feel. The film vividly shows how James attempts to feel something through sexual encounters that grow progressively more dangerous, leading up to the final dialogue exchange, which, the way I read it, implies the ultimate point of the film--a haunting conclusion and realization that is even more unsettling in how it makes logical sense.
The stark, cold elegance in how it all comes together is a tribute to Cronenberg, whose talent to get under filmgoers' skin is further proven by the wildly polarized, love-it-or-hate-it reaction to the film. Despite the preposterousness of the central idea (I doubt anyone has a car crash fetish), there are no laughable moments, except perhaps one where the group is driven to heights of ecstasy while watching crash test dummy footage. Cronenberg elicits appopriately stoic and morose turns by Spader, Unger, and Hunter, but the standouts of the cast are the creepy Koteas and Rosanna Arquette, who plays a crippled crash victim whose leg-braces-and-leather get-up suggests a twisted (literally) dominatrix. Cronenberg does fall somewhat short in setting up the characters; we never get a concrete sense of how or why Helen, James, or Catherine became so disaffected by the world. A better understanding of the people may have made the film resonate even stronger.
But, as it stands, Crash resonates pretty strongly. With this, what you see is not what you get.  Then again, not that many films, period, provide so much fascinating food for thought.
Michael Dequina<EMAIL_ADDRESS>|<EMAIL_ADDRESS>Visit Mr. Brown's Movie Site at http://members.tripod.com/~MrBrown/ Personal Page: http://members.tripod.com/~MrBrown/home.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Example:
x = x + 3; x = x / 3;
After the quick fix is applied the result looks like:
x += 3; x /= 3;
Use the checkbox below to ignore the conditional operators &&
and ||
. Replacing conditional operators with operator
assignment modifies the semantics of the expression.


@require('../../base_components/header.html', {"title": "Terms of Use - Oppia"})
Hello! Thanks for your interest in Oppia Foundation Inc., a nonprofit that operates the website located at https://www.oppia.org (the "Website"). The following Terms of Use (also referred to as the "Terms") are a contract between you and Oppia (also referred to as "we" or "us" in these Terms). Visitors or registered users to this website are referred to as "Users" or an individual "User".
PLEASE READ THE FOLLOWING TERMS OF USE CAREFULLY. BY REGISTERING FOR OR ACCESSING THE WEBSITE, YOU ACKNOWLEDGE, AGREE, AND ACCEPT TO BE BOUND BY THE TERMS.
Oppia is a learning platform that allows Users to participate in an interactive learning experience by uploading and editing a wide variety of content, such as Explorations, Collections, and Derivatives (collectively, "Educational Content"). Users on our website can go through Explorations (or Collections of Explorations) to learn about topics that they're interested in, create their own Explorations, create Derivatives of existing Explorations, or provide edits to any of the Educational Content. To participate in our community, Users can register and create personalized Profiles that include information about themselves and the Educational Content to which they've contributed. We do not charge Users for any of our services.
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All Educational Content that is licensed to us pursuant to these Terms is then immediately licensed by us under the Creative Commons CC-BY-SA 4.0 license with a waiver of the attribution (BY) requirement, which means that all of the content on Oppia is irrevocably licensed to the general public and can be freely used, reused, and shared. You can read more about the CC-BY-SA 4.0 license here.
You also represent and warrant that (1) you are the creator and owner of all Educational Content, or that you have the necessary licenses, rights, consents, and permissions to use the Educational Content in such a way that allows us to then license it to the general public under the CC-BY-SA 4.0 license; (2) your Educational Content does not infringe on any third-party right (including any intellectual property rights, like copyrights); and (3) your Educational Content does not contain any viruses, adware, spyware, worms, "Trojan horses", or other malicious code that could potentially harm our technical infrastructure.
If you believe in good faith that materials found on or accessible through the Site infringe your copyright, you may send us a written notice requesting that the material be removed or access to it blocked. In order for us to act expeditiously in responding to your notice, please send all such notices to<EMAIL_ADDRESS>Oppia is an extremely collaborative environment that allows users to create content and learn from each other. Please remember that you are legally responsible for all your Submissions to the Website. Therefore, we encourage our users to be courteous towards each other, and follow the Golden Rule: "Treat others the way that you wish to be treated."
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If you are not satisfied in any way with Oppia, these Terms, or any Explorations or any other content on the Website, please contact us and let us know.
Oppia does not make any promises about its services. We make no commitments or warranties about their specific functions, reliability, availability, ability to meet your needs, or the content contained within them. We do not and cannot control the content or quality of sites that may be accessible through outgoing links on the Website, and as such we make no warranties about those sites and disclaim any responsibility for their content. We are vigilant about responding to user complaints, but we do not actively monitor or control Educational Content being posted to Oppia and as such do not endorse or guarantee the completeness or accuracy of any Educational Content.

In any event (and notwithstanding anything else in this Agreement), Oppia's liability will be limited to the fullest extent permitted by applicable law.
These Terms shall be governed by and construed according to the laws of the State of California. If you seek to file a legal claim against us, then you agree that that claim shall be brought and determined in Santa Clara County, and you agree to submit to the jurisdiction of Santa Clara County.
Oppia may update, change, modify, add, or remove portions of these Terms from time to time. If we do, we will notify you (and all our registered Users) by sending an email to our Google Group mailing list (which you may sign up for here). Your continued use of the Website, including logging into your account after such changes, indicates to us that you accept the changes and agree to be bound by them.
To the best extent we can, we will update the below Changelog to reflect the changes to these Terms. Please note that the Changelog is for reference only and may not always be accurate and up-to-date.


Taliban commanders 'land in Qatar' as part of prisoner swap move
Afghan gov't releases three commanders in exchange for release of US, Australian citizens held by group, sources say.
Three Taliban commanders have been released by the Afghan government as part of a prisoner swap involving two Western hostages, sources have told Al Jazeera.
The sources said on Tuesday that the men, including senior Taliban leader Anas Haqqani, had landed in Qatar, which hosts the group's political office at the request of the United States.
More:
In exchange, two university professors identified as US citizen Kevin King and Australian Timothy Weeks were reportedly released later on Tuesday. The pair have been held by the Taliban for three years.
"The two professors are safely freed and are being taken care of now," an Afghan official told Reuters news agency on condition of anonymity.
Representatives of the Afghan government and the US embassy in Kabul were yet to comment on the reported swap.
Michael Semple, a professor at Queen's University Belfast’s Global Peace, Security and Justice institute, described the Taliban members being released as among the group's "elite".
"We know the Taliban were extremely keen to get their family out … and we know that the fate of the hostages has been a concern for the US administration and for their families for a long time," Semple told Al Jazeera.
18 years of war
The developments come after Afghan President Ashraf Ghani announced a week ago that Haqqani - whose older brother is the deputy Taliban leader and head of the Haqqani Network - a Taliban affiliate, and the two other commanders would be freed.
At the time, Ghani said the decision was made after consultations with the US and was aimed at "facilitating face-to-face negotiations directly with the Taliban", who have, until now, refused to engage with what they call an illegitimate, US-backed "puppet" government.
But the swap was abruptly postponed, with the Taliban shifting its hostages to a new location after the commanders failed to land in Qatar.
Semple said the apparent move to complete the swap appeared to be a "fig leaf" exchanged between Ghani's administration and the Taliban, but cautioned there was "nothing to indicate" the latter had changed their "political refusal to negotiate with the government".
The Taliban seized power in 1996 and ruled Afghanistan until 2001 when it was dislodged from power in 2001 by a US-led invasion.
Renewed efforts to end the country's 18-year-conflict have been stepped up recently, with US special representative for Afghanistan Zalmay Khalilzad visiting Pakistan last month to meet the Taliban's top negotiator, Mullah Abdul Ghani Baradar.
Washington said Khalilzad was in the Pakistani capital, Islamabad, to follow up on talks he held in September in New York with Pakistani officials, including Prime Minister Imran Khan. The administration insisted Khalilzad was not in Pakistan to restart US-Taliban peace talks.
The meeting was the first that Khalilzad had held with the Taliban since US President Donald Trump declared in September that the peace talks, which were held in Qatar over the past year, were "dead".


What is Alabaster?¶
Alabaster is a visually (c)lean, responsive, configurable theme for the Sphinx documentation system. It is Python 2+3 compatible.
It began as a third-party theme, and is still maintained separately, but as of Sphinx 1.3, Alabaster is an install-time dependency of Sphinx and is selected as the default theme.
Live examples of this theme can be seen on this project’s own website, paramiko.org, fabfile.org and pyinvoke.org.
For more documentation, please see http://alabaster.readthedocs.io.
Muista
You can install the development version via pip install -e
git+https://github.com/bitprophet/alabaster/#egg=alabaster
.


Ahhh, photos. After selectively editing single shots sourced from tens of thousands of photos shot over the course of last couple of years, finally I can present something that I honestly believe looks quite decent. Maybe not yet absolutely phenomenal but hey, bit of practice does lead you somewhere and in my case, it took me to maxing out what's store with my RAWs.
I intended to introduce a much more expansive version, one that could be considered as... a semantic version, in which by chosing a particular location on a map, you'd be presented with a range of photos. But on one hand, I did not post-process that many photos and before I figure out how to get an interactive map on my page, I'd have to spend at least a few weeks learning javascript with according libraries. It may come eventually. Hey, I envisioned my website and look how it presents itself now! Maybe once 1.0 comes out... who knows.
I recently made a shift to new FX hardware, I fuel my work up with discounted hardware. Such as this beauty Nikon D750 in combination with a stock lens, 24-120. Hey, it's great! The amount of details that I can bring out is straight from another world! And I was questioning my decision to get this bad boy. Although it takes some adjusting, especially with the relatively new ergonomics to master and a new hardware I'm postprocessing images on. I think the results speak for themselves along with the aesthetics I like to impose.
What you see here is a foretaste. Brace yourselves for much, much more.


required_fields = ["Ce-Id", "Ce-Source", "Ce-Type", "Ce-Specversion"]
header_data = {field: str(uuid4()) for field in required_fields}
@pytest.fixture
def client():
import main
binary_headers = {
"ce-id": str(uuid4),
"ce-type": "com.pytest.sample.event",
"ce-source": "<my-test-source>",
"ce-specversion": "1.0"
}
@pytest.fixture
def client():


Now, more than ever, is time to recognize the strong women — past and present — that have pushed society’s limits, broken glass ceilings, and paved the way for future generations. These women are trailblazers, whether it be in government, fashion, tech, music, law or education.
To put our money where our mouth is, we've decided to donate $2 per deck sold to charities that support womens empowerment.
First thing's first
No, #badbitches is not degatory. No, we are not trying to be cool (okay, maybe a little, but we’d prefer “socially relevant”). No, we are not suggesting that any of these extremely accomplished, innovative women are bitches. We simply respect them, look up to them, and want to be them. This makes them #badbitches.
Why cards?
Well… why not? Early decks of cards had no Queens, which reflected that all courts were male-dominated. Even today Italian, Spanish and German cards have a variation of 3 male court cards, with no Queen. The exception is the French,
which does have a Queen (PRAISE). Card games are typically male-dominated, so we figured it’s time to bring some
powerful women into the space.
Each card features an accomplished, kind, #badbitch. Our hope is that they are used, that people learn about these
women (some of which are well known, some of which aren’t), and that they inspire the next generation of powerful do-ers, movers and shakers who also happen to be female.
“Bad bitches” like French Montana’s song?
Although it is a great song, we are not suggesting that any of these women (or women in general) are impressive because of their physique, material taste, or love for rap. I also would be surprised to see any of these women walking up in the club and getting “tooted” on.
Can I buy the cards?
Yes! The cards are made to order in small batches. Why are we doing it this way? Well, this is a self-funded project, and considering we’re recent grads, well… we ain’t got money for that.
Ugh!
Sorry! We wittled it down from 200+ women to 52… it was very difficult. If you’d like to nominate a #badbitch, you can email us and nominate them for the next deck.
Ugh!
We have some controversial figures on here. We know. We did the research. It's not about being liberal versus conservative, friendly versus cold, etc. We wanted to feature women that are powerful and unapologetic about it. The 52 women featured wouldn't have apologized for it so neither will we :).
Are you guys only doing this because Hillary lost the election?
Yes… and no. We’ve been working on this for a while, but were hoping that HRC would win. Once she didn’t, we decided to release it sooner. However, you’ll notice that the women on this list cover a wide range of political beliefs, from ultra-conservative to ultra-liberal. This isn’t political, it’s about womens empowerment.
Can I share this?
Yes! Please do! We did this to spread knowledge and create more enthusiasm about accomplished women.
Do you ship internationally?
Yes! One of our founders is from Belgium, and we've been taking off in Sweden. International orders are shipped via USPS - depending on where you live, packages can take 1-3 weeks to reach you. We do absolutely everything we can to ensure a speedy shipment, but once we send off your order, it's up to the postal system Gods to take care of it.
Ugh, I want to return my cards.
We're sorry to hear that, but unfortunately returns are not accepted.  We've also probably made a donation to Vocal Voices and Girls Inc. before you've even received your order. We've spent a lot of time and money from our own pocket to make this project happen, so we hope that you'll at least feel good about your money being donated to a great cause. At the very least, good karma!
Julia Wilson
Creative direction & content
Claire Dufournier
Illustrations
Vendela Larsson
Website development


State & Crime Analysis
{% include "UserViews/chart.html" %}
State & Crime Analysis
{% include "UserViews/multiLine.html" %}
State & Crime Analysis
{% include "UserViews/multipleBar.html" %}


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Diagnosing the samples from MCMC¶
The Achilles heel of computing posterior distributions is, most often than not, the computation of the denominator of Bayes’s theorem. Markov Chain Monte Carlo Methods (MCMC), such as Metropolis, Hamiltonian Monte Carlo (and its variants like NUTS) are clever mathematical and computational devices that let’s us circumvent this problem. The main idea is based on sampling values of the parameters of interest from an easy to sample distribution and then applying a rule, known as metropolis acceptance criterion, to decide if you accept or not that proposal. This rule is necessary as it provides the proper way of correcting those samples to get samples from the true distribution, i.e the posterior distribution in a Bayesian Analysis. The better performance of NUTS over Metropolis can be explained by the fact that the former uses a clever way to propose values.
While MCMC methods can be successfully used to solve a huge variety of Bayesian models, this have some trade-offs. Most notably, MCMC methods can be slow for some problems, such as Big Data problems and what is most important for our current discussion finite MCMC chains are not guaranteed to converge to the true parameter value. Thus, is important to check whether we have a valid sample, otherwise any analysis from it will be totally flawed. This section is focused on diagnosing sample obtained from Markov Chain Monte Carlo Methods.
There are several tests we can perform, some are visual and some are quantitative. These tests are designed to spot problems with our samples, but they are unable to prove we have the correct distribution; they can only provide evidence that the sample seems reasonable.
If we find problems with the samples, the are many solutions to try:
Increase the number of samples.
Remove a number of samples from the beginning of the trace. This is know as burn-in. Software such as PyMC3 and PyStan use a tuning/warm-up phase that helps reduce the need for burn-in.
Modify sampler parameters, such as increasing the length of the tuning phase, or increase the
target_accept
parameter for the NUTS sampler. Under certain circumstances, PyMC3 will provide suggestions on what to change.Transform the data, eg center of standardize it.
Re-parametrize the model, that is, express the model in a different but equivalent way, we will see examples of this in the next sections.


{# This template renders the welcome page for the site.
#}
{% extends "layout.html" %}
{% block container %}
Welcome to Contact Card! Please take a moment to connect this
application to your Salesforce environment using the button below. Once
you are viewing your app's Heroku dashboard, simply click the "Heroku
Connect" row within the Add-ons table. Heroku will guide you through
the rest of the connection setup. After your connection is complete,
return to this app to begin using it.


Based on the criteria you selected, you are meant to visit Portland for vacation! Portland is a small, beautiful city with a lot to offer. With mellow moods, good beer, and even better food, you can't go wrong in this city. You will have such a good time, you will be coming back for more!
The choices you selected, have led us to believe that you must visit San Francisco! San Francisco is a fun, vibrant city with a lot of history. People with many different interests will enjoy San Francsico; whether you like to hang out in a hipster coffee shop, or like to go out to clubs! You will love this place!
You must love warm, sandy beaches and partying, because you matched with Miami! Miami is a large, diverse and exciting city with plenty to do, and plenty to see. This is the ultimate choice for anyone that likes to have a good time in the warmth!
You must be somewhat of a badass, because you matched with Las Vegas! Las Vegas, also known as the city of SIN, is known for partying, and sinning. This party city has a lot of fun things to do in the day time as well, but lets be honest.. you chose this spot because you are trying to get LIT! You might not remember this vacation.. but it will be fun!


New Zealand's Ferguson misses out on test debut against England
New Zealand fast bowler Lockie Ferguson has missed out in making his long awaited test debut against England in the first game of the two-match series at Mt. Maunganui on Thursday.
WELLINGTON: New Zealand fast bowler Lockie Ferguson has missed out in making his long awaited test debut against England in the first game of the two-match series at Mt. Maunganui on Thursday.
Captain Kane Williamson told reporters at Bay Oval on Wednesday that they had decided to stick with the tried and tested pace trio of Tim Southee, Trent Boult and Neil Wagner, with Mitchell Santner named as the solitary spinner.
New Zealand: Tom Latham, Jeet Raval, Kane Williamson (captain), Ross Taylor, Henry Nicholls, BJ Watling, Colin de Grandhomme, Mitchell Santner, Tim Southee, Neil Wagner, Trent Boult.
(Reporting by Greg Stutchbury; Editing by Muralikumar Anantharaman)


Company profile - Canadian Company Capabilities
Third-Party Information Liability Disclaimer
Some of the information on this Web page has been provided by external sources. The Government of Canada is not responsible for the accuracy, reliability or currency of the information supplied by external sources. Users wishing to rely upon this information should consult directly with the source of the information. Content provided by external sources is not subject to official languages, privacy and accessibility requirements.
Belle Terre Garden
Legal/Operating Name:
Belle Terre Garden
Alternate Name:
BELLE TERRE FLORIST & GIFT SHOP
BELLE TERRE GARDEN HOME TEA ROOM
BELLE TERRE GREENHOUSE
BELLE TERRE NATURE EDUCATION TOURS
Mailing Address:
P.O. Box 215OTTER LAKE, Quebec
J0X 2P0
Location Address:
P.O. Box 215OTTER LAKE, Quebec
J0X 2P0
Tel.:<PHONE_NUMBER>
Fax:<PHONE_NUMBER>
Company Profile
ORGANIC GARDENS GREENHOUSES GARDEN CENTRE
- Vast selection of organic herbs, annual, bedding plants,
perennials, biennials, vegetable plants, rare plants, tropical,
ornamental trees & shrubs, roses and more...
- Wholesale & retail sales
- Landscape consultation, design and supplies
- Northern grown stock
- Species tested in our trials
- Organically grown
- Plants available to the public are the same ones that are used
for display and educational purposes
- Identify plant collections on display with common and
scientific name tags.
TEA ROOM RESTAURANT
Relax - Spend a day, stay awhile
- Enjoy tea in the garden
- Meals by the Wood Stove
- Organic fresh picked salads
- Homemade soups - Fresh herb teas
- Old favourites - Coffees - Cold summer drinks - Homemade
bread
- Baked custards - Real maple syrup - Ethnic menus from around
the world - Muffins and more...
Ingredients are pure and organically grown
Enjoy Farm Folk Hospitality with a Gourmet Palate in our
Forest Garden Paradise. Ask for our selection of menus for
groups.
Reservations only - Groups of 5 or more
GARDEN - FOREST NATURE TRAILS - TOURS
We offer several different types of tours:
A garden ranger will guide you to learn about the many plants,
ecosystems and trees, along the scenic short tour of 45 minutes,
or the longer more diversified 2 hour tour - A self guided tour
book is available upon request - Overnight tour to eco-cottage:
- camping - fishing - boating - swimming - canoeing - campfire
-music - food provided. View diverse natural plant &
animal ecology
Day trip to picnic: Swim in crystal clear spring fed lake -
Bathe
in natural clay for healthy skin - enjoy plant life and unique
ecosystems of our pure and tranquil wilderness environment-
changing tent and food provided. Bring your camera,
binoculars and good hiking boots.
GARDENING - PLANTS - NATURE EDUCATION CENTRE WORKSHOP -
COURSES
Learn more about: gardening plants - horticulture and the nature
of our forest gardens
Subjects covered:- soil mixes, ph soil tests, - seed plants and
tree planting -dividing perennials - how to propagate biennials -
pruning trees, caring for roses - vegetables & shrubs -
designing
& making flower beds - herb gardens & uses, and more...
Workshops and courses are held at the garden on saturdays:
10:00 AM to 2 PM. Special schedules to suit your needs,
prepared for your group, school, class, club or organization -
includes tour, class room lecture, lunch and workshops.
We arrange courses and workshops for your group at your location
on request.
FLORIST - FLORA GIFT - FLOWER SHOP
- seasonal floral arrangements - fresh & dried flowers and herbs
fresh vegetables & fruits in season - wild flower homey -
souvenirs & crafts - timber & firewood - fine hardwood &
softwood lumber from our eco-managed forest - fine construction
lumber yard - wood sawing & planing service - garden tools -
art
works and more...
Special tours, programs & meals arranged on request to suit
all your group needs.
BELLETERRE ECOLOGICAL COTTAGES FOR RENT FOR PROFESSIONALS
Members of American Association of Botanical Gardens & Arboretum
RESERVATIONS ONLY.<PHONE_NUMBER>
Belle Terre Botanic Garden in conjunction with Another Day On
The
Farm "WELCOMES YOU TO EXPERIENCES OF NATURE ENCHANTMENT"
- available to groups , by reservations, 3 to 27 persons, all
age
groups and origins.
- The following activities are available to your group; prepare
before making reservations at 1-819-453-7270.
THE GARDEN
- Horticulture Tours, Workshops & Lectures
- Culinary & Medicinal Herbs
- Propagating & Dividing Perennials
- Bio Dynamic Gardening Techniques
- Basic Greenhouse Organic Plant Growing Experience Workshop
- Organic Gardening Workshop for Intermediate, Advanced & Post
Graduates
- Pruning Trees & Shrubs
- Choosing, Planning & Executing a Garden Forest Design; Micro
to
Macro
- Planting Seeds, Cultivating & Caring for Plants, Harvesting &
Preparing for Use, Making the Best of Fruits of Labour
- Learn How to Be a Florist: Introduction, Intermediate &
Advanced
- Greenhouse Retail & Wholesale
- Garden Centre
- Greenhouse Roses Bloom for Mother's Day.
THE GARDEN FOREST
- Eastern Canadian Nature/Ecology Interpretation for National
and
International Groups.
- Guided Nature Tour on Forest Nature Trails
- Exhibition Flower and Tree Identification Tour
- Night Camping on the Mountain Top with The Spring Peepers
- Night Camping in the Garden with the Flowers
- Night Camping on a Full Moon at the Chutes
- Tinder & Firewood
- Making Maple Syrup at the Sugar Shack
- Live Radial Sawmill Demonstration
- Wood Sawing & Planing Services From Your Trees
- Hardwood and Softwood Lumber For Your Projects
- Petting Zoo & "Clyde" Rides
- Mushroom Picking & Picnic Day
- Wagon Rides.
TEA ROOM / HERB HAVEN RESTAURANT
- Fresh Picked Salads; Homemade Breads, Organic Special Menus
For
Your Group, Entrees
- Herb Information Presented To Your Group With Lunch
- Romantic and Healthy Dinners
- Sunday "Hats On" Dress Up Day, Formal Tea in the Garden
Gazebo,
with Nosegay Making
- Accordian or Guitar Serenade
GIFT SHOP
- For the Enchanted Gardener
- Gallery, and Health Conscious
HOME FOREST
- How to Cook/Bake and Use a Wood Stove
- Emergency Survival Techniques Workgroup
- Bread, Soap & Candle Making
- Harvesting, Drying & Using Herbs and Wild Plants for Foods and
Natural Health
- Preserving Foods
- Basket and Willow Furniture Making
ACCOMMODATIONS
- Country Inn Lodge & Resort / Spa
- Meditation Chapel
- Beach- Swimming & Boating -Picnics - Barbecue - Bonfire
- Sauna & Hot Tub
- Rejuvenating Herb Bath - Body Treatments
- Anti-Stress & Bio Dynamic Health Program
- Hiking & Walks on Nature Trails
- Day & Evening Games and Entertainment Schedules
WINTER SCHEDULE
--WINTER GARDEN TROPICAL FOREST
- In the Greenhouse; Tea in the Tropics; Gift Shop; Gallery
--OUTDOORS
- Dog Sled Rides
- Sleigh Rides
- Ice Skating
- Snowshoeing Tours
- Downhill Ski
- X-Country Ski
- Toboggan & Sledding
- Bonfire
- Lodge Accommodations
- Snowmobile trails.
To Satisfy the Needs of Your Specific Group, Please Make
Suggestions of what Your Specific Needs Are:_____________________
Any Other Types of Activities Not Listed:________________________
OPEN YEAR AROUND, BEING SURE YOUR EXPERIENCES WITH NATURE ARE
FUN, SAFE & EDUCATIONAL.
PHONE: BELLE TERRE GARDENS 1-819-452-7270 for informations and
reservation.
We look forward to making your outing-holiday a very special one.
Joyce Angelus-Keller
Instructor & Coordinating Director And the Staff of Belle Terre
Botanic Garden & Arboretum and Another Day On The Farm.
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Garry is a tall man with brown hair and green eyes. You can also notice that he is not without style. In the initial seasons, wears a purple sweater and blue pants, brown shoes on his feet.


[CHAPTER 328D]
BOTTLED WATER
Section
328D-1 Definitions
328D-2 Product quality
328D-3 Manufacturing, operations; requirements
328D-4 Source water monitoring
328D-5 Finished product monitoring
328D-6 Labeling requirements
328D-7 Exemption; soda water, soft drink
328D-8 Rules
328D-9 Administrative penalties
328D-10 Injunctive relief


When I was young, there was a certain stigma around programming. I heard messages like:
- It's very hard.
- It's tedious.
- You need a special kind of brain.
- There's a lot of competition for jobs.
Messages like this may have kept me from investigating programming as a career earlier. They're half-truths.
- It's very hard (Sometimes. Often it's fun despite being hard.)
- You need a special kind of brain. (It helps to be logic-, science-, or design-minded. These are teachable)


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